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Aimster Seeks Protection From RIAA Demands
LogicalRealism writes: "In a preemptive move to keep itself from sharing Napster's fate, Aimster has filed for a declaratory judgement to say that its service does not violate U.S. copyright law. The Recording Industry Association of America sent a letter to Aimster, requesting them to begin filtering the files shared on the service. Aimster contends that to filter files shared privately between its users would be inappropriate. C|Net has the story."
Just look at marijuana prohibition? I don't have to go very far to do that, the guys next door in my dorm smoke up every weekend. Or I can go a couple doors down, that girl hangs out with people who get together to get high and have a party every tuesday. And you know without asking that that guy uses pot. And of course there's that legendary guy, who was used in the school newspaper once as an example of someone who the police would like to search for illegal drugs if they could do that whenever they wanted. Cool, I don't even have to go outside to see how well prohibition works!
yes it does. and the point is, we don't need a bunch of stupid white guys who make a shitload of money to leech of the talent of artists. the internet allows artists to distro their music, recieve their own profits, and generally makes the record labels obsolete (well not totally, a lot of people still don't have the internet, but you get the idea). the recording industry has a right to be pissed about losing money, but they are losing money they shouldn't even be making.
I find it extremely ironic that your login name is FreeUser.
Our entire economic system is based on a very simple premise: everyone has unlimited wants, but resources are not unlimited. Long ago, you would trade something you created or grew or whatever with someone else for something they created (or grew or whatever). Eventually currency was invented to replace this system for various reasons that you can read in any good history or basic economics textbook.
I think that the currency system obscures the idea that you aren't really buying things with money. You are buying things with the goods or services you provide to others and the money you received for those are only a unit conversion to make the transaction easier to calculate.
It would be nice if everyone could have everything they wanted without having to obtain the money used to purchase them. Unfortunately, the 'replicator' technology you talk about is quite a ways off, so this isn't going to happen anytime soon for physical goods.
But for non-physical data-based goods, the technology does exist. You can photocopy a book. You can copy a game. You can rip a cd. Does the ability to replicate non-physical goods make it right? Hardly. Since these goods are part of the collective goods and services in our economic system that is also comprised of non-replicatable physical goods, they must be treated the same.
If you steal a car from a dealer, you are not depriving the dealer of the original product. The dealer will still be able to drive to work, because it wasn't his car. You are depriving the dealer of the money he would have made had he been able to sell the car.
It is irrelevant whether or not you would have bought that car anyway. It is also irrelevant that in the case of copying music, the original good is still preserved. Depriving you of being able to have the good because you don't have the resources to buy it is a fundamental principle in the infinite want-limited resource concept.
If I was able to freely obtain everything I wanted but didn't have resources for, I wouldn't have much motivation to obtain the resources to purchase those things, would I?
I tire of the semantic games people play to justify the fact that they are breaking the law and obtaining goods without paying for them. The model is broke? You don't fix the model by circumventing the system. You encourage the model creators to change the model through other means.
In summary, I pay for the goods I consume. It isn't fair to me and the others who do the same for you to get 'Free Use' of the goods for which the rest of us do not.
This would be like the telephone company getting on the phone and listening to your phone calls so that when you read a copyrighted bedtime story to your daughter they can disconnect you for copyright violation. That's exactly what the RIAA wants to do. Cut off fair use communication between individuals unless we (or our communications provider) has paid their fee. Who needs the government when the media companies can tax us?
That should compress pretty well though, down to a line or so of perl script with a for loop that prints out that line each time through.
Oh almighty AC of no uid, then you can make the most of the rest of the space you've saved and make a 1 line script for everything from qbasic to python, cover all the bases. (And no they don't are belong to us)
once again, all together now;
infringement!=theft
come now, come now, you don't have to be so dumb now (this was infringement, not theft).
These are my friends, See how they glisten. See this one shine, how he smiles in the light.
FreeUser, you have my permission to replicate my car anytime you want.
You must, however, agree to "look cool" driving it. No picking your nose or talking on your cellphone. 'k?
These are my friends, See how they glisten. See this one shine, how he smiles in the light.
Extra: RIAA calls for ISP-wide, packet-level filtering of copyrighted content.
Extra: RIAA calls for limited ban on transfer of encrypted data, citing "serious difficulties identifying pirates". RIAA lawyer Goethe Bigballs says the DMCA should be ammended to prohibit the use of encryption technology by individuals while affording conglomerates maximum protection under the law.
"In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
No, CSS has already been legally reverse engineered by someone else. No need to duplicate that work, especially if you are somewhere it is illegal.
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rant
Is there any real difference between the service that Napster provides and what Google does ?
Apart from that in the former case, it are the users who submit the data to be indexed, I can see no difference justifying all this hoopla.
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echo '[q]sa[ln0=aln80~Psnlbx]16isb15CB32EF3AF9C0E5D727
echo '[q]sa[ln0=aln80~Psnlbx]16isb572CCB9AE9DB03273snlbxq' |dc
So, does the fact that I provide a mail server to close to 100 friends and aquaintences make ME an ISP?
So maybe the answer is to completely change the charging mechanism. Rather than pay for individual recordings, what about introducing a "music download" licence which allows you download (and listen to) music from the the Internet in the same way as a TV licence allows you to watch TV programmes. Then, with the licence, you would be able to download the music (at no additional charge) from the Record Company (or artist's own) web sites and the artists would receive payment in proportion to the number of downloads of their works. The same licence would also allow P2P sharing, so that you would still be able to obtain "old" music, and the the producers would not be able to control our listening by "deleting" titles.
I think it does. To use a telephone analogy, it would be rather like saying that wiretap laws only apply to intercepting at the local loop and that they do not apply if the tap is at the exchange (CO in America?)
Because the RIAA represents the distribution side of the industry not the people who write and perform the music (though it may seem otherwise as the artists (under the "old" distribution system) have to "sign up" with the distribution companies in order to promulgate their art and make any money from it.)
Which is almost the exact opposite of the the initial reason given. Initially the reason given for CDs being more expensive than vinyl or cassette was that they were "new" technology and did not (initially) have the benefit of "economy of scale". We were told that when CDs became more common that the price would drop. While this is true of the players, it has not happened for the CDs themselves.
"The RIAA" is NOT one company, therefore it is not a monopoly. Hope that helps,
The RIAA are not a monopoly, because they are not one company. HTH,
No, it's not. The fact that it can't be a monopoly does help, because that places the onus on the napsterites to show that they are somehow conspiring.
People often talk of "sharing" music that really isn't theres to share. The comment certainly seems applicable to the (ab)use of the word "share".
Innocent until proven guilty -- until you can show there's some kind of illicit collusion, you're just whining. And whining about prices being "too expensive" is baseless, until you can cough up some hard data on how much it costs these companies to produce CDs
Can they raise their prices without much change in demand?
I take it you're referring to them all raising their prices at the same time. If they did indeed do such a thing, then they would be guilty of price fixing. (but they would not be a moponoly. They would be a collusive oligopoly).
On the other hand, if only one of the RIAA companies raised their prices, then they definitely would suffer. Not in the immediate term, but in the long-mid term, because bands would move away from them and choose better performing companies.
Did you do well in Economics?
You might ask the same of the napsterites, who keep raising these simple-minded (and often incorrect) arguments.
-- Bjarne Stroustrup
Wrong.
Which I should add these companies were penalized for.
Wrong again. Not all of the RIAA companies were penalised.
t's not stealing music anymore, all the labels songs are now public domain.
That's also a complete and utter lie, and little more than a cheap rationalisation of theft. This is the typical sort of looter mentality the napsterites always show if you push them a little. (btw, who's going to comensate the artists if the material becomes public domain ? Oh, I forgot , since when did the napsterite commie thugs care about the artists anyway ?)This is pretty funny.
Now...who wants to create a css plugin for my email client so I can use it to legitimately protect my copyrighted correspondence (say, samples of my bad poetry) to select friends? That way, I can legally have decss to UNencrypt my own messages. Or is there some rule that ONLY the MPAA can use CSS? W
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This is my SIG. There are many like it, but this one is mine.
Marriem-Webster is a member of the Copyright Cartels (they own copyrights on their dictionary, after all). They have as much a vested interest in promoting the kind of newspeak so many of the Copyright Barrons engage in. Now, as to whether the Cartel's terminology was imposed on the public first, then wandered into the "official" definition as presented by one of the Cartel's members, or was presented as part of such a definition early in the cycle, is a chicken-and-egg argument.
The fact remains that copyright violation has nothing whatsoever to do with stealing, or piracy for that matter, as the terms are understood by reasonably literate people, and certainly have nothing whatsoever to do with one another as far as the law is concerned.
Is it really all that surprising to you that IP Companies such as Merriem-Webster would insert their self serving, synthetic terminology into their "official" works? How better to control the public dialog than to control the very definitions used to communcate with, and redefine them over time to promote one's own agenda? Speaking of which, I just looked up the term "liberate" and did not find a single reference to the demolition of Vietnamese villages suspected of harboring Viet Cong (despite that "official," and later colloqual, usage of the term which goes back much farther than the notion of copyright violators somehow having traits in common with murder and pillage on the high seas does). Looks like Merriem-Webster is rather selective about what newspeak terms they let into their "official" definitions, and which ones they do not.
George Orwell was remarkably prophetic in his description of how language would be used to shape and ultimately control human thought. His only error was to assume such power would be wielded by governments, when in fact it is the Media Conglomerates (which include publishers and Marriam-Webster).
This is akin to saying "piracy = copyright violation because the Movie Industry says so!"
The Future of Human Evolution: Autonomy
I never said what you attributed to me. You've either taken someone elses statement out of context, or fabricated a blatent absurdity and attributed it to me. Either way it is an inaccurate characterization. What I said was:
However, your example does underscore how stupid the argument that copyright violation somehow equals theft is, as denying someone the money they "would have made" can be many things (e.g. good competition, frugality, a lack of desire for their product, good taste, etc. etc.), but theft it is not.
Your comments with respect to compensation being artificially tied to replication costs, and the obsolescence of our copyright laws given today's technology, is absolutely correct IMHO. Unfortunately, changes in the law are being made to support obsolete business models and cartels in a very luddite fashion, rather than modernizing the method whereby the creator (be s/he an automobile designer or a musician) is compensated to be more compatible with today's technologies.
The Future of Human Evolution: Autonomy
Umm, click on the 'Parent' link on my post. I'm not disagreeing with you or attributing to you stuff you didn't say. I was replying to someone who replied to you, and through the magic of Slashdot moderation and your preferences, my post came to look like it was just under yours instead of under the person who replied to you.
... my bad. Until recently I had been reading with a threashold of -1, now I've set it to 2.
... suddenly it all make sense. Sorry. :-)
Oops! You're right
Since we basically agreed on the point being made I was a little confused by the tone of your comment
The Future of Human Evolution: Autonomy
I find it both amusing and profoundly irritating that Copyright Cartel Apologists continue to engage in their use of "newspeak" to promote their corporate agendas.
Copyright violation is not stealing. It is not theft. It is not piracy. It is copyright violation. Even a quick reading of the law, and of court decisions, makes this abundantly obvious to the most casual of observers. There is a reason for this, and I'll say it again (since there seem to be so many thick headed people who can't keep their terminology even remotely straight): copyright violation is not even remotely similiar to theft. Theft and stealing deny the victim the original product (it is "taken away" from the victim). If I steal a car, the owner will find themself walking (or hopping a cab) home after their visit to the local precinct to report the crime. If I replicate the car and drive off in the copy, the owner is denied nothing. Nor is the manufacturer. Yes, the manufacturer will scream that my unauthorized replication of the car has denied them much needed profits, profits based on a business model that predated widespread replicator use, but that is hardly theft. It is nothing more than sour grapes because their business model has become obsolete and they are either going to have to change those business models or look for another line of work.
Of course they will use their existing capital to buy legislation from congress to protect their business model, just as the existing Copyright Cartels have done now that widespread information replicators (read: computers) are in use. And of course our congress, which routinely sells itself to anyone with cash like cheap whores, will readily oblige.
That changes nothing. Copyright violation is indeed a crime (and a rather synthetic one at that), with its own definitions, and its own set of punishments (which don't really resemble the definitions or punishments of theft at all, much less piracy on the high seas). I'm sure that once nano technology allows widespread replication of material goods, providing the promise of prosperity for every human being on the planet, these same "intellectual" property laws will be used to keep the masses impoverished and beholden to an oligarchy of outdated corporations, exactly as they are doing to our artistic culture today.
Even then, by no rational defintion, will unauthorized replication be even remotely akin to theft, just as copyright violation has nothing whatsoever to do with stealing or piracy, except in the minds of those whose limited imaginations and limitless greed compell them to do all they can to keep the (western) world in a state of cultural impoverishment.
The Future of Human Evolution: Autonomy
I find the comparisons to actually be quite similar. IMHO, RIAA members have largely stolen this music from the artists, and are now taxing everybody to listen to it and employing our justice system like an army to try to make us stop not paying their tax.
Calling me logically impaired and implying that I hadn't read the first post are ridiculous. It's obvious that I had, and IMHO, I might very well call you logically impaired for trying to tell me that duplicating my friend's car is stealing from the dealer.
In some cases, the people who would like to find something better are being stifled in an attempt to preserve the old way of doing things. Kinda like people with horses running around trying to get the police to clear all the cars off the street.
Need a Python, C++, Unix, Linux develop
Umm, click on the 'Parent' link on my post. I'm not disagreeing with you or attributing to you stuff you didn't say. I was replying to someone who replied to you, and through the magic of Slashdot moderation and your preferences, my post came to look like it was just under yours instead of under the person who replied to you.
Need a Python, C++, Unix, Linux develop
Refusing taxation without representation is wrong because it denies the king the money he would've gotten had you given it to him.
That statement is just as stupidly circular as the one you just made about the car dealer.
If you had made some mention of the car designer, and how the car designer had now spent all that time designing and building this new car and didn't get a dime because everybody just replicated it, you'd have something.
But, that argument doesn't really help RIAA all that much because they're the car dealer, not the car designer.
The solution to this mess is for the car designer to refuse to design a car unless she gets money for it. If car designers all over consistently did this, some system would arise by which they would be compensated for designing cars, at least, if people wanted new car designs.
Copyright and patent law are currently the tools we use to accomplish this. They are based on tying the design cost into the cost of replication. They are predicated on the idea that replication facilities are expensive. They are becoming obsolete for larger and larger swaths of goods that are currently sold.
Attempting to keep them around seems to me to be like making sure that horse-drawn buggies still have the undisputed right-of-way on all roads and to insist that cars not go above 15 MPH. Technology has changed. The law is obsolete. It's time to move on and find something better.
Need a Python, C++, Unix, Linux develop
Call it DeCSS-The_Thing_That_Should_Not_Be.mp3
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As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
I think it is unjust that I can't shoot someone who cuts me off on the freeway. Does that make me right?
Only if you can convince enough other people that you are.
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Recursive: Adj. See Recursive.
Napster's main downfall was making itself incorporated, and therefore starting an actual company. If it was just non-profit software, the RIAA wouldn't have had much of a case. But creating an actual company that revolved around "file sharing" was a big mistake. Hopefully Aimster will learn from this.
Not being familiar with Aimster from having used it, I think one big distinction is that Aimster encrypts traffic. Even if it passes through some centralized server (which I'm not sure whether it does; if it doesn't there's another difference between Napster and Aimster), it's impossible for Aimster to tell what the traffic is. It could be somebody violating copyright, or it could be somebody trading materials to which that person owns the copyright, or it could be public domain materials, or Free Software, or... take your pick.
And once you lose the ability to monitor your network for violations, it becomes amazingly clear that the technology, and the people who own the technology, cannot be held liable for the actions of their users.
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"Stealing".
You keep saying that word. I do not think it means what you think it means.
Have you even been READING the semantic discussion RIGHT above your post?
Te big reason (the above to posters missed) is that a tape must be recorded after manufacturing of the tape. 2 sperate steps. the second one involving a bank of high quality tape recorders. CD's on the other had are pressed(not burned) with the music on them. the manufacturing of the media and the recording are the same steps. thats the really big reason.
as a side note. in music contracts these days. the mucisians are chrages per album sold, based onthe fact that CD's are a "new media", as well as for breakage in shipping(something from the vinyle days, wich doesnt happen anymore.
There are only 4 pro-consumer justices on the court right now. They won't retire during this term, but "accidential" death is always a possiblity. The judges likely to retire are the 5 pro-business judges. They have been waiting for Clinton to get out of office to retire. Else, they'd be stuck being replaced by someone they don't like.
If it's fair use to share a recording with a few of your friends
In the UK, according to the Copyright, Designs and Patents Act it would be even illegal to make a recording of a song, even for your own personal use. Don't beleive me? - look at the section about Infringement of copyright by copying section which states that "This includes storing the work in any medium by electronic means".
If you think this falls under "fair use", think again, there is no such thing. There is a section called "fair dealing" which allows certain exceptions and copying for personal use (as opposed to personal study) is not one of them.
Oh, and one of the clinchers is that if you are unprepared, you can be convicted for copyright infringement on a work that has passed into the public domain, because "it shall be presumed [that it was copied illegally] until the contrary is proved that the article was made at a time when copyright subsisted in the work."
So, you can only access a work in extremeely limited ways, and you're guilty until you can prove otherwise
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Exigo spamos et dona ferentes
But I think that it should be placed prominently on /.'s front page, and forwarded to every interested legal party that has dealings with copyright. In fact, dear FreeUser, I hope that you find the time to expand your post into an essay. I believe your writing skills are such that you could easily get accepted by Salon or something similar.
Bravo. You managed to put succintly into words something that just about everyone here intuitively knows, but few have the skill to express it so clearly.
:wq
- Rev
How many non-techies do you know that traded MP3s before Napster? How many of them trade MP3s now without Napster?
Hmmm, interesting question. I think the masses might catch on, but it will take a few weeks. I'll have to check in on my favorite non-geeks every few weeks, to see how they're holding up .
During a visit a few weeks ago I was really taken aback by just how important Napster is to my Jr. High aged siblings. Even though they usually aren't too into using computers for more than Napster, email and AIM, they would spend endless ammounts of time brainstorming on elaborate schemes to improve their Napster experiences. And it must be just as important to the other kids in their class or they'd never admit to liking it in the first place.
With Napster's filters in full effect, the non techies that have become used to (and in the case of my 13 year old sister addicted to) the service might feel really motivated to figure out how to get the the same type of service again. Now, they all might not be able to figure it out on their own, but if at least one person per social circle figures out how to use the alternatives, they'll get the others up to speed.
I wonder why I haven't gotten the frantic "Why isn't Napster woking?!?!?" phonecall yet...
- bridgette
No, there is no price-point at which "piracy" will stop. If the RIAA came to my house with 100,000 CDs and gave them to me for free, I'd say thank you and then go back to using Gnutella. Why?
Because, I don't *want* to pirate music. I want to listen to things I've never heard before. I want to experience the convinience of thinking of a song, typing in a keyword or two, waiting a few moments and then playing it.
The RIAA and it's members DO NOT SELL THIS. They sell CDs. CDs are cool, and from time to time I buy them (usually based on what I hear through downloaded music).
Here's the key: there's a service that I want, and no one provides it. There is no price point at which CDs become that service.
The RIAA members do not want to provide this service because a) it's difficult to guarantee returns and b) it removes the push-model from the equation. What does this mean? Right now, when Sony wants to sell a new artist, they go through a very well defined process to make it popular. If people were just downloading whatever they wanted based on either random or non-RIAA-member-supplied criteria, they would not be able to control "the next big thing".
This would be tragic for Sony, etc. They would have to provide HIGH QUALITY MUSIC and support their artists much more. If you've ever worked in an industry where channels are more important than content (e.g. the Internet), you will understand why the RIAA is so scared that they would make enemies like their customers, Princeton, the EFF and Stanford....
I would agree there is a distinction. I'm not sure the distinction makes a difference legally speaking.
Granting your argument, that still doesn't get you to the next step: that there is a difference that the law recognizes. The Copyright Act is pretty unforgiving in this regard, and the AHRA does not provide for distribution.
Certainly not according to the Northern District Court of California and the 9th Circuit, who rejected this argument in Napster. In particular, the Courts read the rest of the statute, which they held excludes the use of a computer as a "recording device."
The AHRA argument was always Napster's weakest argument, even when used to justify personal use of the recordings and time sharing. There is further substantial authority that while AHRA provides for personal household use, it does not permit limitless sharing (distribution) of personal recordings with third parties.
This is the tactical downside of sending demand letters. Depending how the letter is worded (and RIAA has been going more for subjective effect on the subject than legal benefit, based on the letters posted to the net), the letter doesn't create any meaningful downside for the prospective defendant, while giving the defendant options he didn't have before.
Aimster is, in effect, suing on the letter, saying it has created doubt as to the rights of the parties. Had RIAA sued, rather than sending a demand letter, it could have chosen its forum and venue, perhaps bringing the suit in the 9th Circuit -- and thereby getting all the benefit of the 9th Circuit Napster Opinion.
Because Aimster gets to pick the venue, this action is brought in New York, in the Second Circuit, and thus giving the P2P folks a second "byte" at the apple, getting to argue the Napster case pretty much afresh, perhaps obtaining a different result from the Second Circuit.
And the conflict between the Circuits would be a basis for review by the Supreme Court, so that the Court can ultimately determine whether it meant what it said in the Sony Betamax case.
More proof that proof by analogy is fraud? Sure, I'll bite. The RIAA has a monopoly on their artists. That's what copyright is, a monopoly. Now try to buy Britanny Spears from a non RIAA company (legally, of course). There are laws to restrain the effect of that monopoly, such as the anti-payola laws. Boycott is not a valid response. For an effective response, change the laws.
Now find one person who can say that music is not essential and I'll show you a total jackass.
Boss of nothin. Big deal.
Son, go get daddy's hard plastic eyes.
Expanding a vast wasteland since 1996.
Nevertheless we have ample precedent from the business community itself for the following principle.
"If it costs too much to do the right thing we will do our best not to do it"
Whenever the issue of minimum or living wages is brought up the chamber of commerce immediately goes to washington saying that paying people a decent wage costs too much and they should not be made to do it.
Whenever new pollution laws are being talked about the business community rises up and says it costs too much to clean up their poisons and that they should not be forced to do it.
Whenever osha safety regulations are proposed businesses all chime in "it costs too much to make sure all of our employees are safe".
Given this atmosphere it does not surprise me to see that the younger generation has learned a valuable lesson from their elders. They have in effect said "it costs too much to buy CDs and we should not be forced to buy them". Unfortunately for them they can not bribe politicians to bend to their whims like the chanber can so they have resorted to other tactics.
War is necrophilia.
But... but... that's not what it said in yesterday's Hilary Rosen interview:
Surely you don't think Hilary would lie to us..../.
/. If the government wants us to respect the law, it should set a better example.
I'm a bit late here, but your definition could be a little better. Industry collusion is only really feasible when the number of industry participants is quite low, similar to an oligopoly. Industry collusion isn't possible under perfect competition due to the number of agents needed. If you have an oligopoly, you don't have a monopoly.
/. get wrong. People seem to spell by how they pronounce words here. Personal pet peeve of mine.
If the oligopoly organises itself, it can become a cartel and exhibit monopolistic powers. However, it's still not a monopoly. A monopoly is a single seller of goods. The RIAA is an association of firms, and therefore fits more closely with the definition of a cartel.
I think anti-trust laws in the US still apply (I'm in Australia), but you're dealing with a different situation to what you described. And I think it's "copyright" not "copywrite". A copywriter is one who writes copy. A copyright is the legal right etc.
And I *know* it's lose, not loose. You loosen your tie to stop it cutting circulation to your head, you lose your wallet after a big night out. This seems to be one that most people on
This is your life, and it's ending one minute at a time.
Larry Wall was just making a not-particularly-intelligent flame. It was just a joke. I can't see how anyone could take that literally.
When was the last time you read someone saying "Aren't I magnanimous? Aren't I generous? I downloaded 100 mp3s yesterday!" or "What an evil bastard Steven King is - giving away free chapters of his latest book!" Surely, no-one literally confuses giving with taking.
Now, the ones who say "I'm [illegally] copying music to protest against the RIAA", may be confusing their own motivations (or they may not - after all, if a sufficiently large proportion of the population breaks a law, the law is made to look ridiculous, so it is in that sense a worthwhile thing to do) - but regardless, that would be a different sort of confusion.
Female Prison Rape in NY
forget "consumer", this is about the citizens of the republic of the united states of america. Someday, probably quite a time from now, but someday, people will be asked to choose: do you want copyright law or not?
How we know is more important than what we know.
yawn. Fix the law, dont break it, ok, well break it, but fix it too, or at least tell other people to fix it.. fuck it, got any ftp sites with startrek ds9 episodes on em? email me.
How we know is more important than what we know.
Three words: Partial Loop Unrolling. 8-)
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Yes, YOU. The guy who dares me to tell him how to moderate. :)
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The reason I don't want my car stolen is because I need my car to drive to work. I don't care if someone else buys the same car as me, and I don't care what price they paid for it (including $0).
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[y/n]
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I wonder will AOL step in to mediate between the RIAA and an AIM clone. I question this for logical reasoning. With a name like AIMSter, its easy for many to associate AOL with being the owner of AIMSter (this would not apply to geeks.)
If AOL's name became dragged through the dirt on this one since their services are being used for what RIAA would call "illegal" actions, then AOL's reputation my take a slight dive.
Earthlink is also becoming a harsher critic of AOL over privacy concerns, so I also wonder if they could use AIMSter's privacy policies to boost their ratings. I highly doubt it, but would be an odd thing to see.
As for the swaping services, same standards always run through my mind. What would be the difference if someone recorded a song off of a radio station and burnt it. Then where would RIAA's argument fall? Would they attempt to sue the radio stations for allowing people to "maliciously" record music?
Its so stupid its almost comical.
George Bush... boy is he dumb
Want Root?
Creating a CD is almost 400% lower than making a cassette yet CD's are more expensive for some unknown reason.
Piracy is and will always be around, and personally I think it adds fuel to RIAA's arguments. Burning an MP3 is not similar to piracy since you obviously have to purchase the CD in the first place. Trading an MP3 is no different than recording something off a cassette and giving it to your friend, and all studies done have shown the majority of MP3 downloaders end up purchasing the music if they like it.
RIAA Sucks started to look hopeful in their presentations of how irrate RIAA really is althouh it isn't updated much. So you may want to check there.
Understandably also one should realize that the RIAA is a business as is any other, and anyone with the right frame of mind would do all they can to protect their finances. Sure they run around bullying people, but many people have become hip to their game, and its only a matter of time before many artists look at the facts behind MP3 swapping. It does not hurt their revenue, in fact it helps it. But when you have the marketing and money to stand behind, you can get away with murder. And thats what the RIAA is doing with their lawsuits.
Its a dirty game but someone always has to play it. RIAA is nothing without the artists, and its some of those same artists who set RIAA off in the first place. Until those same artists see the realities behind people swapping music, who account for a large amount of their salaries, the RIAA will always look morally right on paper to those who don't see the underlying factors.
blackbox themes
Want Root?
What ever happened to going to the local library, checking out a few CDs that you like (or hate but like one track on it) and burning a copy? I can just get it from the library for free and make my _own_ high quality mp3z (or just dupe the damn disc). Soooooooo....why isn't RIAA going after them? Cause they can't, cause it's legal (not the copying part of course :) ). Everyone in the US has better access to a library than to some l33t mp3 channel on IRC or P2P network that really requires cable or DSL to get what you want. For those that have never been to their local library for music, go there and be amazed at how many titles you can burn for free!
--Dox
If you look at the RIAA's own testimony, though, they treat a single instance of copyright violation (when done on the Internet) as catastrophic and total.
Unfortunately, they're apparently counting on a judiciary that is as technologically competent (or not) as they are, and given the track record (e.g. Penfield Jackson), the odds are in their favor.
*scoove*
Wouldn't the dominance and near-panic of the RIAA & members be a good indication that the industry is controlled by a 1900's distribution model that is about to fail?
Living (and becoming actively involved) in the agricultural midwest US, I've been able to experience a similar distribution model that places too much emphasis on the middle, and devalues the endpoints.
Corn, bean, cattle, hogs and other growers are being pounded by lower and lower prices for their product in spite of significantly increasing costs (fuel, fertilizer, seeds, etc.). Yet you've got middlemen making larger and larger profits.
Obviously, raising or growing a commodity isn't a great strategy when you want to protect the price of your product. There, ag producers and music artists are different.
But the limited distribution options available to artists, including the power of the labels to determine what artist is good and what artist isn't deserving of distribution, mimics a commodity model; e.g. "we'll take x% of all sales off the top, another x% goes for manufacturing, another x% for the retailer, which leaves you with y%. Take it or leave it."
Given limited labels and similar arrangements offered throughout the recording industry, the effect is quite similar (except for the very top artists who can demonstrate existing demand for their own product and renegotiate their contracts).
Just as the telecom world has moved away from centralized switching to edge switching, and our wholesale / carrier sales models are finding new decentralized exchanges, I'd have to believe the same dynamic will affect ag and entertainment markets. Any signs that MP3.com and other infant artist exchanges are having a positive effect?
*scoove*
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Nicotine free Amish .sig.
I get this feeling that were the rewriteable floppy disk or audio tape invented today, the RIAA would whine that it would allow users to infringe on copyrights and be in violation of the DMCA blah blah blah ad nauseum. Why aren't they suing Fuji, 3M (Imation), TDK, Memorex, etc. for this obvious attempt at undermining their profits?
Give me my freedom, and I'll take care of my own security, thank you.
Actually, it would be funny if you had a real mp3 file that would decode into a text file with RIAA are a bunch of morons repeating.. Of course listening to the said file would result in terrible noise but..
I find a lot of irony in what's going on right now, because the RIAA doesn't even realize what they're doing to their profit base. Remember four or five years ago when the music industry was in big trouble? The old folks had finally replaced their records with CD's and Alternative was dying a slow painful death, leaving the industry totally hanging with low low low profits. There was a big hubbub about electronic music being the savior of the industry (hence the coining of that sick term "electronica") but it never really happened.
Now profits are way up and the industry is fat and happy. Except for those MP3's! Well... what changed in the time from low profits to high profits? MP3's. Napster let people download all those songs the industry was pushing by the pop groups that are driving profits now. It wasn't MTV driving the industry so much anymore (or at least being the final word in what CDs to buy) but after people heard something on TRL they were able to download it and then go buy the album. This might all sound obvious to us, but it should be obvious to them too! All they have to do is take a look at their balance sheets from the past five years.
So what is it that the RIAA has decided to do with those monster profits? Go after Napster and its clones! Yeah, great businessmen they are! Shortsighted and so greedy they'll drop $5 to snatch one that fell.
"I may not have morals, but I have standards."
"I may not have morals, but I have standards."
exactly. RIAA is *a* business. Why is it, that when I want to buy cell phone service, I have 4 or 5 different busineses to choose from? When I want to buy a car, I have my choice of a handful of large companies and a few handfuls of smaller ones.
Why is it that when I want to buy music I must deal with either The One True Record Cartel/Company or an independant. Why don't the individual big record co.'s compete with one another on price? Isn't it called price fixing when they don't? I'm pretty sure they don't.
Very well put! I believe the reason people overuse metaphors is because we like to keep things simple, confining our minds to areas we are familiar with. We don't like complexity and we certainly love to generalize everthing! We absolutely *loathe* to call a spade for a spade and confront it though.
We don't even know what a spade *is*. A spade does not have a colour, shape, weight, temperature or any labels we'd like to put on it. It's just a *thing*. Everything we think we know about it, is in our minds. It scares the shits out of us when we *really* start to think about what really may be around us. Movies like The Matrix and Poltergeist should be enough proof of that. Our mind automatically shuts down when encountering too much shifting in perspective though. If you've had a feeling of "macro-perspective", you know what I'm talking about. I'm not talking about a movie screen.
Generalization can be a great tool to understand reality, but it's never accurate. Truth is that truth is in the eye of the beholder. And to discuss that we must be willing to confront and share what we actually *mean*. Not just reiterate metaphors to commonly accepted "truths", where we may feel like we have some "authority", as you put it. I would call it "comfort zone".
Again, great post! It really started me thinking and viewing the world in a bit different perspective..
- Steeltoe
http://www.debunkingskeptics.com/
Thanks a bunch. Now I know. Wow. I didn't think a spade could be all that! At last I can continue my online existance; being told what to know from a book, what to believe from science and what to do from the movies. Thanks again, I strayed a while there but no reason to eliminate me yet. I'm perfectly normal now.
- Steeltoe
http://www.debunkingskeptics.com/
Since, RIAA seems to be going after the medium of transmission instead of the messenger does this mean they could sure the US Postal Service because I am sure there are millions of people sending CDs which may or may not contain licensed copyright information.
People who bite the hand that feeds them usually lick the boot that kicks them
But will sharing music online have the same consequences? Will you get X years of jailtime for every stateline the music crosses? Will owning over 20 mp3s be constituted as intent to distribute?
I hope not.
Piracy - piracy Function: noun
Inflected Form(s): plural -cies
Etymology: Medieval Latin piratia, from Late Greek peirateia, from Greek peiratEs pirate
Date: 1537
1 : an act of robbery on the high seas; also : an act resembling such robbery
2 : robbery on the high seas
3 : the unauthorized use of another's production, invention, or conception especially in infringement of a copyright
--
Free Mac Mini
Yes, it is, under the Audio Home Recording Act. (At least in the US.) Section 1008 explicitly made personal, noncommercial recording legal:
No action may be brought under this title alleging infringement of copyright based on the noncommercial use by a consumer of a digital audio recording device or a digital audio recording medium for making digital musical recordings.
On some of the recent video games I rented there is something in teh manual that says it can't be rented, or transfered. I'm really not sure if that would hold up in court though. The video games that are rented at blockbuster have been licensed especially for rental. I DO agree the that there is a very blury line here as to what counts as fair use. I'm not familiar with Aimster's use, but is it possible to restrict the people that can download songs from you? You couldn't really limit it to your friends if that wasn't the case.= \=\=\=\
=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\
"personal use" is NOT "sharing with a few of your friends". Personal use means "just for yourself" as in PERSONAL\ =\=\=\=\=\
=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=
The music industry seems to have *always* been immune to price competition, and now they whine and complain when their distribution model changes. Yet companies across this nation have to change and adjust when other market changes occur. However these music people just whine, complain and get congress to act on their behalf. What's going on here?
Why don't all businesses get *special* protections from the government? Pehaps you only get the special attention when you have lots of money to peddle influence, money from CD overcharges.
It's obvious that you yourself are 16, and are just angry at my attempts to keep 16-year-old girls from becoming sex-object mascots for crappy software. "Young adults" -- heh, that's funny.
If Britney, et cetera, are so talented, why can't they sing with their clothes on? They're an insult to real musicians, so you can just FOAD, troll.
I'm not a plebe. Maybe when you graduate from high school you'll have a chance learn about the real world, and what maturity really means.
Maybe she should start having kids, too, after all, 16 is old enough. You're probably the type that believes in giving welfare to teenage sluts who not only can't keep their pants on, but aren't smart enough to use birth control. Sigh... so young, so ignorant... I almost feel sorry for you.
Now hurry along to class, troll, before you get detention!
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I like to watch.
Obviously there will always be teenage sex symbols, but when a man uses it own daughter for such purposes to further his business, it just feels soooo creepy.
I guess I'll have to accept that people like you will always persecute me for my beliefs. Close-minded indeed.
Perhaps the most hypocritical thing of all is how you so-called "liberals" refuse to accept that fact that your ruling status actually makes you The Right. Any so-called "conservative" opposition to your power is met with facist attempts at information supression. In labeling me a "fuckin' plebe" for my beliefs, you are no different than McCarthy oppressing Communists in the 50's. What gives you the right to persecute me for having different opinions? It's just like in China -- the ruling party has been so for many years, making them "conservative", yet they still use the rhetoric of revolutionaries to describe their human-rights abuses. Just like you, they can't accept the fact that they are facists.
If closed-minded information NAZIs like you and Michael don't tone down your cloak-and-dagger offensives against opposing viewpoints, the US will be in the same situation before long.
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I like to watch.
Seriously, though, if her dad knew that Aimster's users are (with all respect to Slashdot readers) probably all obsessive losers with poor hygeine, he probably wouldn't have done this. If he did know that and still pimped her out, I think he can be brought up on child abuse charges. Aimster users are even worse than the average geek... after all, they're willing to break the law to get access to AOL services. That's like stealing Richard Simmons videos because you can't get enough sweatin' to the oldies!
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I like to watch.
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I like to watch.
I think Aimster has a much better chance of falling under fair use than napster does. If it's fair use to share a recording with a few of your friends (and not everyone in the world as is the case with napster) then why should it not be fair use if it's done on-line? Basically, it's been accepted that people will share recordings among their friends... and I don't see the RIAA trying to crack down on that... why should it be different just because it's on-line? Small scale sharing among friends has always happened. It happened long before mp3s or even cds... it's probably not worth the RIAA's time or money to try to stop it (because it will just go on off-line instead of on-line). Unless Aimster becomes the next napster somehow (i.e. maybe by everyone on aimster putting everyone else on their buddy list), then it's probably not a problem for the RIAA (I doubt it will effect their bottom line in any significant way).
Ben
We don't even know what a spade *is*.
From Merriam-Webster Online:
Main Entry: spade
Pronunciation: 'spAd
Function: noun
Etymology: Middle English, from Old English spadu; akin to Greek spathE blade of a sword or oar
Date: before 12th century
1 : a digging implement adapted for being pushed into the ground with the foot
2 : a spade-shaped instrument
I'd say we're pretty clear on what a "spade" is, dude.
Any sufficiently well-organized community is indistinguishable from Government.
That is 100% BS.
/.
I see that enough in the news, I would hope I could find an objective mind or two on
Yeah, GWB can put justices in the court, BFD. It is not the end of the world. I get that painted enough to me the the oh so democratically pleasing media. Oh wait.. nm I forgot.. Open Source Closed Minds.
The media is totally snubbing GWB along with all you bitter folks who still think he bought his degree from a well reputed school
Anyways
Jeremy
This is a great point -- the idea that 'copyright violation' is 'copyright violation'. Nothing more, nothing less. This is usually lost on Slashdot readers.
...)
The problem with much of the rhetoric -- especially here on Slashdot -- is that people *always* resort to a metaphor to explain their point.
"Look, for the last time, it's like this. It's like if someone broke into your house, took your stuff, and then thumbed their nose at you. Nyaaa, nyaaa."
Or:
"Look, why can't you Slashdot readers understand? I'll attempt to explain it one more time. It's like this. It's like leaving the locks on doors open. And then advertising in a newspaper that your door locks are open."
This is the common way of framing an argument on Slashdot. You -- the authority -- attempt (for the last time) to explain the thing -- the *actual* thing -- to the proletariat in an attempt (one last time!) to force them to 'get a clue.'
But you (the obvious authority even though you are NAL, not a doctor, not a teacher, not a CEO, not a bum, not a rich man, not a poor woman, not part of the company in question, not a microsoft employee, not Richard Stallman, not a programmer, not an accountant, not a student, not a Perl advocate, not a techie, not a liberal arts graduate, not acquainted with the classics, not a fan of Shakespeare, not an admirer of Jon Katz, not an executive, and not a Napster user) never explain the thing itself.
You explain what the thing is *like*. You always explain that the thing-in-itself is *like* something else. Always. It never fails.
"Look. For the last fucking time. I'm going to explain it to the clueless Slashdot readers and maybe Katz will get a clue, too. It's like buying a car and then the car dealer forcing you every year to buy an upgrade."
Now don't get me wrong. Opinions are a good thing. (And yes, they are like assholes. But that's an old joke.) I'm glad everyone has opinions. And I'm glad, too, that here on Slashdot most posters are the first to *defend* an opinion if it gets attacked.
(See, even I'm falling into my own Slashdot fallacy -- establishing my authority in order to give readers (who probably aren't reading this entire post anyway) a clue ("Once and for all! For chrissake!").
I establish my authority -- which may or may not be valid -- by attempting to make a sweeping generalization about how most Slashdot posters -- including myself, in this very post -- frame arguments. The implied idea is that it's wrong -- it's wrong to use this method to frame an argument -- not only because it's tried and true but because it's sloppy logic and even sloppier writing. So what's the right way? That's the question. Good, persusavie rhetoric is a difficult thing. But I digress
But what if thing is not *like* something else? What if copyright violation is just, um, copyright violation?
If it's not theft, not murder, not rape, not like stealing from an empty house, not like an operating system, not like driving a car you haven't paid for -- then what is *it*?
Could it be, finally, that it's -- undiluted and undiminshed -- 'copyright violation?'
Is it even possible that a thing is just a thing? That everytime we use a metaphor to describe what it is we're actually describing more of what it's not and thereby diluting (precariously) what it is?
(And why -- especially with computers -- do we routinely resort to (imperfect) metaphors that are *not* grounded in computers?)
And finally: is it not the *difference* between the thing and the metaphor that describes the thing what really matters?
This difference -- that bridge between thing and metaphorical thing created by the metaphor of the thing -- is where (IMHO) the real *information* resides.
I have come to the conclusion that Mr. Merriam and Mr. Webster were computer programmers in a past life. A spade is "a spade-shaped instrument." They have certainly mastered recursion.
What's even more wonderful is that since now they've convinced the courts to make Napster filter its service, they can send threatening letters to everyone else. CuteMX, Scour, iMesh and Audiogalaxy have already caved, now Aimster is in trouble. (I'm not sure which were shut down or filtered voluntarily and which took "convincing".) Soon, you won't be able to download any major music from the internet. All that means is that none of those bands will be getting my business. What I've learned from my CD purchasing experiences is that you should always try before you buy. (and those little listening stations at the record stores don't count.) Several years ago, I got sick of wasting money on CDs, and stopped buying them. Napster changes that -- and I know many others who would agree.
What would happen if someone set a service like this outside of the U.S, where they wouldn't have to worry so much about the RIAA. Or would they have to filter out all U.S. traffic, like JumpTV does? (see the recent story about iCraveTV II)
It's also unfortunate that as the lack of big label music drives people away from these services, the amount of lesser-known stuff decreases too.
I wonder what a service like Fairtunes can do to get more business. Given the low value of donations to artists so far (just over $9000 total, with the 4th higheset-paid person being Linus Torvalds at $180) I wouldn't really say that it's been a success. That kind of thing would work a lot better if it were integrated with Winamp, BearShare, or some other such thing. (It should still be voluntary, so you can pay more for songs you like better, but pop up a little reminder once a month, giving a list of songs you've downloaded or played)
I want to steal from you. The government doesn't want me to. Why should we listen to the opinion of the government, but not me? Surely I should have the right to steal from you.
Remember that time I bought you those Rollos?
Hey, RIAA heard of Gnutella?!
Who's king now, chump?
It's especially funny to think of how the industry (and it's anonymous love slaves) are trying to use and twist metaphors: piracy, theft, stealing, communism, digital crowbars, assassin... metaphors are for helping to describe an unknown, and are by nature subjective and tenable, and yet they get used in court's altogether too much. Courts should focus on understanding the reality and not the shadow show, IMO.
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Industry collusion==monopoly. Commonly prosecuted for its use in price fixing. Which I should add these companies were penalized for. Also accord to the same anti-trust laws, if this monopoly uses its copywrite(another monopoly) unfairly, it looses it. It's not stealing music anymore, all the labels songs are now public domain.
---
However, there's a group out there that's getting shafted worse than the artists/authors/programmers, and they're known as the consumers. The various industries that trade primarily in intellectual property have made the use and consumption of intellectual property into a black & white issue; as a consumer, you can choose between using the content that you've paid for within the narrow confines laid out for you by the copyright holder, or be labeled a pirate and a thief. Intellectual property rules run counter to everything we've learned about ownership because they're being applied to the content and not the medium, and aside from the wanks that just want to get something for nothing many of us that aren't willing to lump Aimster, Gnutella, et. al. in with Napster have some very serious concerns about the way intellectual property ownership is being handled. Let me give a few examples of why I think our current method of dealing with intellectual property sucks.
Example 1: the DeCSS fiasco. Hypothetical situation: I buy a DVD-ROM. I buy a DVD. I run Linux and only Linux. I want to access the content that is bought and paid for and in theory is legally mine to do with what I will within the fair use exceptions of U.S. Copyright law. In practice, the MPAA has screwed me out of my rights by making it legally impossible to exercise them. They're exploiting a law intended to make sure that copyright holders are fairly compensated by sheltering their content within a digital barricade that is illegal for anyone but CSS licensees to remove. They're doing this to make it more convenient for them to sell the same product at different times and at different prices based on geographical location, which permits them to extract more profit by setting higher prices on markets willing to pay them and forbids people in one market from being able to purchase the same product from a different market.
Example 2: return policies. If I buy a CD, movie, or software package that sucks, I can't return it unless it's damaged, in which case I can return it for the same thing. One usually can't preview any of these things to see if it's something worth buying. Sometimes I feel like I've really been screwed on a deal (I buy a CD that has been censored and there's no warning that I'm buying an altered copy on the label or I get software that won't do what it's advertised to do until the manufacturer decides to release a bugfix a couple of months from now) and I've got no alternative but to take the same crapshoot the next time I want to buy any of the above.
Example 3: the definition of piracy. It changes from person to person. Some people think it's stealing music to download it and listen to it before buying it. "But no one does that... why would you pay money for music if it's already on your hard drive?" Because I like to support the artist, damnit. I wouldn't have ever gotten into Air if I hadn't listened to their MP3s first, and now I own three of their CDs. Other people think piracy is when the artist isn't being compensated for their work. Imagine all those fools who own extensive used-CD/used-DVD collections -- little did they know that they're just as guilty of stealing intellectual property as any Gnutella user. Software companies like Microsoft are on top of this, fortunately, by burying prohibitively restrictive clauses in their EULAs that stop pirates like me from letting friends borrow a game or selling off an operating system they're never going to use but ended up paying for anyway.
Food for thought, or at least it ought to be. I hope that you get modded up (if you aren't already) for pointing out that content doesn't create itself and that it isn't morally justifiable to steal from one group just because you feel like another is giving you a raw deal. I don't think that either of our concepts are given more than lip service by copyright holders or the P2P users who are seeking excuses to keep the free stuff coming, but it's obvious that some compromise needs to be made to stop both the producer and the consumer from getting screwed.
---
---
Try not. Do or do not, there is no try.
-- Dr. Spock, stardate 2822-3.
Their argument seems to be that, just as you can't bust down the door of a suspected CD pirate without a warrant (and therefore probable cause), then Aimster shouldn't be forced to monitor its users--only specific users in response to a proper search warrant.
If they're successful, this could be a wonderful precedent for digital privacy.
I'll admit that I've never used Aimster, but what differentiates it from a Napster clone (which doesn't appear to be an ISP in any sense of the term I've ever seen)? It just looks like a chat service / P2P distribution network. By that logic, ICQ is an ISP, too.
Or am I just missing something (always a possibility... it IS 1:15AM, after all)
-Corvidae
(When I walk through the record store, I notice that major-label CD's are still overpriced... The RIAA could easilly get spanked again. IIRC, the Microsoft breakup order happened because they also chose to ignore anti-trust warnings.)
Information wants to be anthropomorphized.
It was also a racial slur directed at people of Southern African descent (which may have originated from the British expression "black as the ace of spades")... although it is rarely used in that context in this more enlightened age, so younger people today probably have never heard it used that way.
I am not 100% sure of the etymology of the expression "call a spade a spade", but I do know that it was used as early as the 1500's by Marprel. The ethnic slur use of the word evolved much later (in America).
Alas, I have a lot of utterly useless information like this rattling around in my head... made even more useless by the fact that the Internet puts all the useless information in the world at everybody's fingertips.
Information wants to be anthropomorphized.
wouldn't this just compress down to something like:
the RIAA are a bunch of morons {x10000000000000}
like some sort of run length encoding?
Um, monopoly is defined as 80% or more of the market share, not 100%.
Actually, there's no fixed percentage. It's more along the lines of, "big enough that even if the company drastically raises prices, the public perceives no viable alternative.
The way I see this whole story of mass P2P music sharing, Napster didn't mark the end of freedom, or speech, with regards to copyrights on digital media, but rather, it was the first in what looks to become a long honing process of the so far relatively new and immature P2P model (at least in the way of public adoption). The next few years may likely see more than one P2P model spring up, become quashed by the army of goons that is the RIAA, only to spawn the next generation, which will seek to find a yet finer and more subtle gap between copyright law on one hand, and maintaining a convenient and feasible P2P model on the other. That is, if napster was too broad and explicit and rough around the edges in its attempt to ultimately serve as a base (no reference to zig launching) for music trading, then the subsequent next few will refine their way around the different legislation till a final middle ground will have been reached.
The most obvious obstacles that'll prove to be a hindrance to the whole process are :
1. For a particular model to work, no matter how much technological prowess it may boast, it won't get anywhere without mass adoption;
2. The model that will eventually attract the necessary attention to make it workable will also attract the attention of the aforementioned goons;
...and so continues the vicious circle, henceforth into oblivion (er.. yeah).
Ok so this is all speculation, but in spite of the numerous predictions of doom and gloom for Our Rights Online(tm) in the future, I think this will all have to sort itself out, such as has happened time after time in the past (albeit in a slightly different context this time, now that it's all a matter of 0s and 1s and fuzzy distinctions thereof).
--
Revolutionaries, schmevolutionaries..what are they going to revolt against when anarchy becomes regime du jour?
WHAT?
Where in the world do you get your definitions? Why not just say a monopoly is defined as having a whole lot of market share, just to make it more arbitrary?
Java is the blue pill
Choose the red pill
Wouldnt that make a mp3 a little suspect if it is only 1k or so?
;)
Only to you or me. Remember, RIAA = morons.
Blarf.
100% correct. At least Entertainment Industry propaganda has not infected everyone. Copyright Infringement is not theft, you are not stealing when you infringe upon someone's copyright, mass copying is not piracy.
Besides, since the mid 1980's copying for home use has been legal (Universal Studios vs Sony.) If it is legal to make a copy for your own use, well, then it's legal and where you found the copy is more or less immaterial unless you stole the CD (or whatever) you copied.
Don't just complain - DO something about it!
There used to be a saying "Ain't ain't a word because it ain't in the dictionary." Well, by that logic, ain't is now a word as it has a place in the dictionary.
Dictionaries are not a source for the proper usage of a word; they cover all usage. If a word is commonly used that way, it will be in the dictionary as such. This does not make it proper.
Therefore, do not use the dictionary to support your opinion that copyright infringement is piracy. Words are power, and a word with such terrible connotations is exactly what these people want, just as they want you to think that expiration of copyright means these works FALL into the stinking hole of the Public Domain (and they are asking for these extensions to copyright in order to SAVE these works from such a horrible fate.) I choose to think of the expiration of copyright as an ELEVATION to Public Status, something to be heralded.
Don't just complain - DO something about it!
"If the law is obsolete, is the proper way to get it changed just to disobey it?"
Maybe not the 'proper' way to get it changed, but sometimes it's the ONLY way to get it changed. When a few people disobey a law, they are criminals - when everyone disobeys a law, the law is no longer a valid law. In some situations, the law will not be changed until it becomes apparent that no one is going to obey it. I think copyright is one of those laws - as long as anybody is still obeying these laws, they will become ever more restrictive.
Strangely, I'm not advocating completely disregarding copyright - I just want some serious changes made. Copyright term no longer than patent term. Copyrights for creators only - NO CORPORATIONS. A healthy, vibrant Public Domain from which all creators can draw, and the Public can access without prior permissions.
Don't just complain - DO something about it!
The thing that gets me is it's not possible to copyright a song title.
How do they propose to block people from downloading artists who want their music blocked while accommodating the artists who want people to share their music?
I know this is beating a dead horse but it's just another example of how the artists are not the ones being serviced here. On the other hand, maybe the industry is just doing it's best to control a situation that is pretty clearly out of control.
The thing that really sucks is that for many, the choice is to sell out to the suits, or not be heard.
How many of you have made any kind of effort to support a local musician, painter, poet or fire eater? In my area, unless you band is playing Steve Miller covers, your gig is going to be in a coffee house to 6 people. I am not saying it's impossible to make a living soing such gigs, but, it's pretty hard.
That's the way it would work in a free market economy. Unfortunately, the market does not behave that way when the seller is a cartel, with a monopolistic stranglehold on recorded music.
Do you _really_ think that CD prices would fall if sales declined? Yeah right. More than likely prices would _increase_ as the RIAA member corps. try to find ways to maintain their current revenue stream.
GWB can conceivably appoint enough justices to overturn Roe v. Wade. Is that a big enough deal for you?
It matters.
uhh yeah...that would make it a monopolistic CARTEL wouldn't it.....hmmm
Jaysyn
There is a war going on for your mind.
Have you paid for any of my belongings? No. Therefore you don't get to steal from me.
It seems clear from the success of Napster and similar services that people do want to copy files and music. The RIAA doesn't. Why should we listen to the opinions of the RIAA, but not the consumer? Surely we should have rights to copy as well.
Yeah, just look at Marijuana prohibition. Oh, wait a minute.
Never underestimate the power of government working with corporations. Its like crossing the streams on Ghostbusters.
-
I've had enough abrasive sigs. Kittens are cute and fuzzy.
There is really a difference between sharing music with a few friends you know(Aimster, in theory), and between sharing it with millions of people you don't know(Napster).
I'm still trying to figure out what people mean by 'social skills' here.
Radio stations, TV shows and shops pay royalties to organisations such as APRA (in Australia) in order to cover for both the licensing of the material AND the fact that the material does get pirated. The problem is what do you pay when you have 40,000,000 pirates?
Perhaps... but then again, if you intercept communications at the server. (like Napster wants to do) does that still count?
Or what about my Cable Modem... Is that a communications device in the scope of these laws?
[FLAME] Or what about the RIAA getting a standing court order to intercept all our Internet communications because we're all thieves? After all, all Napster/AIMSTER/*.p2p users must be doing something illegal, doesn't that meet the standard of a "reasonable suspicion of wrongdoing?" [/FLAME]
Saw that two seconds after I posted it. I guess it'd need a compression too...
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Bleah! Heh heh heh... BLEAH BLEAH!!! Ha ha ha ha...
Shoot, we should start sharing a bunch of text files containing 1,000,000 millions lines of "The RIAA are a bunch of morons" (with some sort of binary scrambled encryption), add an .mp3 extension and put Metallica somewhere in the title, and start sharing it through the service widespread.
When these guys inevitably reach the courtroom, they bring in their expert computer witness...
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Bleah! Heh heh heh... BLEAH BLEAH!!! Ha ha ha ha...
If I think that a company has a monopoly, and engages in illegal business practices, then yes I think it is perfectly ok to steal from them. That is why I have no problem with people pirating Microsoft products, or (back in the old days) "stealing" free phone calls from Ma Bell, or copying music of the RIAA. I justify this the same way I justify breaking a law I think is unjust.
My point is this: if you think CD prices are too high, simply don't by the CDs. The RIAA profits will drop, their economists will crunch the numbers, and prices will fall to the point at which you will buy them again and they will again maximize their profits.
Power companies are businesses. Their purpose is to maximize and protect their profits for the service of providing electricity to consumers.
If you think power rates are too high, simply don't buy the electricity. The power companies' profits will drop , their economists will crunch the numbers, and the prices will fall to the point where you will start buying electricity again.
Napster made trading MP3s much easier, and therefore open to the public. All the other methods you mentioned would not be available to average joe sixpack, simply because they require too much time, are obscure, and generally require a much higher comfort level with computers and the internet.
The RIAA was fine with the limited population of techies trading MP3s before Napster, and will be fine with it after Napster. The only reason they went after Napster was to stop the throngs of the public from doing, and the only reason they will be going after gnutella and aimster and all the other clients popping up in the next couple years will be PR. When all the fallout from Napster has subsided, and the general public has gone back to buying CDs, MP3 trading will return to what it used to be, FTP, IRC, and Hotline.
You don't think intentionally breaking a law that is unjust as a protest is justified? Haven't you ever heard of passive resistance? Have you never heard of this era called the 60's? How do you think any controversial court case is started? By breaking a law that the defendant thought was unjust.
I mentioned in a K5 post here what I think of the RIAA.
The same ideas still stand.
The RIAA are a bunch of thieving jerks. They long had the excuse that they're the champions of the artists. Now, when online music distribution threatens to render their business model obsolete they show their true colors. They attempt to destroy this amazing new channel of music distribution rather than lose profits. They have declared that their profit is more important than the artists' profit. It's time they learned otherwise.
Keep copying the mp3's. And if you feel the artists deserve remuneration for their work, by all means mail them a check.
-Kasreyn
Kasreyn: Cheerfully playing the part of Devil's Advocate to hairtrigger
sharing of mp3s is unlikely ever to stop. I was thinking the other day about how me and my friends would get mp3s before Napster. I used to spend ages searching the ftps sites on Audio Galaxy trying to find a non ratio one that I could eventually get into only to find that they didn't have what I was looking for after all. This all changed when Napster popped up, it just made it easier.
The ftp/irc method of getting mp3s will always be here and people will always be finding ways to make it easier to share...
i'm sure we already pay a RIAA tax on blank cassettes
"I keep looking in the want-ads under 'revolutionary' but there don't seem to be any listings.. "
No single entity wins in this case, though one could argue that the RIAA does they had the opportunity to cash in (which is not what they're really after) on Napster and yet chose to squander that chance. The RIAA values control over money, well folks it's too late filesharing is not going to go away no matter what you do. You should have taken the money. Now you'll have a greater problem un-sanctioned un-controlable individuals sharing files. I'd wager to guess that when people involved with the riaa go home they fire up napster to check out $one_hit_wonder instead of buying a $16 album with one good song on it. You can't stop stuff like aimster, gnutella etc, unless you plan on wasting money knocking on doors across the country.
I bet the marketing guy got a raise. The quickest way for free press is to have a court case. I can hear the marketing guy now, "Look at all the free press that Napster got! We have better lawyers then them!!"
Well, if this case is going to go to the Supreme Court, it had better get their fast (an unlikely option, I'm afraid) For the next four years, any new justice on the court is going to be very pro-business. If enough justices retire during W's term, it may be forty years or more before we get a court that will really listen to the concerns of the individual over the concerns of the corporation.
they are going to try and get ISP's to start searching their users e-mail messages for MP3's and filter them out. Why dont they just come out and say, 'hey everybody, no more sending encrypted messages with file attachments to anyone ever again'.
But back to your erstwhile example of "liberate" and its uses. I might be inclinde to note that the larger public during the Vietnam "Police Action"/War did not use the term liberate to denote the razing of villages. This term was limited in use to primarily within the military and almost exclusivly by members of the military. Which would seem to cause this particular use of "liberate" to fall under the heading of jargon, and hence it does not appear in a dictionary. Now an encyclopedia, or book about the Vietnam conflict on the other hand.... Also it might be worth noting that the unpopularity of the War in Vietnam may have something to do with this. "Search and destroy", is now a part of the lexicon, but its Vietnam era replacement "sweep and clear" did not make the cut, and at best could be considered obscure. Or another cause might be it was overshadowed by other contributions from the era such as, PTS (Post Traumatic Stress which replaced shell shock) or Agent Orange et al. Further still, the larger cold war was influencing events on a much larger scale changing art, conventions, and perceptions to shape people by threatening annihilation with the very breath of the cosmos. A small war killing 60,000 americans and 1.5 to 2 million vietnamise thousands of miles away doesn't really rate on the scale with the extiction of our species. (Naturally, I'm simply intergecting the hyperbole prevelent at the time). In the case of piracy, its common use arose at a time very near the end of the cold war, the USSR was soon to be defunct (thanks to Nixon and Kennedy more than anyone else, I'm looking at you reagan era republicans). Piracy's acctual entry into the dictionary may well have come at a time when the cold war was officially canceled for lack of funds and corporations were gaining in prominence. In any case, this whole jag is wholly a matter of semantics, and why I continue to write when sure none continue to read is certainly a more interesting question. :) Bah, if I needed Karma, I'd be a Buddist. But finally, think on this: Merriam-Webster is NOT listed in the producer credits for John Carpenter's "They Live!" (staring Rowdy Roddy Piper), what are they trying not to tell us? :)
--Jimmy has fancy plans; and pants to match.
Story w/out annoying Flash ad here.
/.ers (asked w/ no fear now that I know that 95% of you are also male)?
Wired also has the story.
I love the preemptive strike (although I worry about Boies' track record as of late), but what I love the most is how one of the founders pimps out his 16 year old daughter! She is cute though...what do you think
A score of 5 is insufficient for this post.
Like it or not, the old model is dead. You cannot prevent people from replicating digital content. Companies can lobby for laws to outlaw it, they can shutdown a couple of filesharing services, but that's about it. They're basically powerless. There are only two groups who buy music nowadays: People that are unable to procure music in other ways (because they are ignorant or find napster / irc et al. too hard too use), and people who find it immoral to copy music without paying for it. As increasingly more people learn to work with computers, the first group will get smaller and smaller. The second group remains. But this second group essentially pays money voluntarily. Unfortunately, of that money only 5% or so goes to the artists. I propose a new model, based on charity. Artists distribute music at very low costs on the internet. People spread the music files around using peer-to-peer services, burning cds and swapping them, etc. When they really like an artist, they will send him money, if they're moral. If they're not, they won't, (but then they probably weren't spending money on music anyway). If you were an artist, what would you prefer? Getting a RIAA paycheck every month, saying: this month 4000 people bought your $15 cd. Here's your 5%: $3000,- Or would you prefer to get 250 cards, e-cards, and letters every month, saying things like: "You're the greatest band ever! I love you guys, your new song roxxx! Here's $10, I really wish I could afford more...
The nice thing about standards is that there are so many to choose from. - ast
Now I have an idea of what Slashdot must have been like in the early days. Best series of intelligent and coherent posts Ive read in a long time.
I would love to see the essence of StoryMan's post expanded and posted in a more visible location.
The post looks like it belongs in the Code of Hammurabi or at least mentioned in that Sunscreen song! ;-)
Thanks again, folks!
People tired of the usual media tripe visit the
The fact that Napster incorporated is very very helpful in this case. Napsters creators are now protected by the 'coporate veil' so while Napster (the company) can be attacked and destroyed, Shawn Fanning (et al) cannot be held liable at all. Ever.
;)
This is total bullshit though. Since corporate employees should be held liable for their own actions, even those done 'in the name of' the company. Do you think we'd have all this pollution and whatnot being pulled over on us if the people both giving the orders and those following the order could both be held liable? NO, the employees would refuse and if fired, blow the whistle.
So it's good to see a bit of the corporate bullshit being shoved down their throats now.
Cyberia
Moderating for the 10 day in a row
I can't be sure but it seems you're trying to cull some pro-RIAA comments for your report with that last paragraph :)
/. reader, but I'm also starting a career on the other side of the fence (as a filmmaker), and I shudder to think that the result of years of my hard work and enormus personal resources could be enjoyed by everyone reading this with no more than a few mouse clicks and without any compensation for me whatsoever. It's great that open source offers a free alternative to parts of the software industry, but does that make warez of commercial software morally and legally defensible? Why do we assume that we have as much of a right to steal and enjoy commercial music as we do to write and enjoy non-commerical software?
Anyway, someone explain this to me. A lot of people who use Napster say they use it because the prices are too high. But that is not justification for stealing, which is what you are doing when you don't pay the creators or distributors of the music you are consuming. If it were justification, did all the tens of millions of Napster users shoplift CDs out of stores for the same reason? No, because it's a lot harder to get away with that than it is to download off Napster. But the principles remain the same -- it is still stealing.
The RIAA is a business. Its purpose is to maximize and protect its profits for the service of finding, funding, and distributing music to stores. The prices of CDs come down to simple economics -- they price CDs in a way to maximize their profits. That does not make them evil. That just not give anyone the right to take advantage of their products for $0.
My point is this: if you think CD prices are too high, simply don't by the CDs. The RIAA profits will drop, their economists will crunch the numbers, and prices will fall to the point at which you will buy them again and they will again maximize their profits. That's the way capitalisim is designed to work: if the value you place on your demand for the product is less than the price of the product, you don't buy it. Napster defenders seem to think that they have a right to music, and since the corrupt RIAA is taking advantage of that right for their own gain, it is OK to take the music without any payment. You don't have a right to cheap or free music. It is offered by an industry which capitalizes upon your demand, but you're not forced to find a way to consume what they offer. Do you steal name brand toiletries from the drug store when you think $17.99 is too much to pay for them?
I'm a Linux nerd and a
I'm glad the law caught up to Napster and hope that we can find a way to prohibit music theft without outlawing P2P for files in the public domain.
OK, all for now. 'Night all.
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Yeah, I totally agree that intellectual property law has its faults. There are lots of other examples for which I won't pretend to have answers or easy fixes. For example, how many people can join me for a "movie night" in my dorm before it becomes illegal? 5? 50? 100 with a $2 cover "for the food"?
/. reader against IP theft... it's strange though, my original post stays at +1 after two hours while its anti-RIAA equivalents shoot up to 3 and higher almost immediately. Go figure :)
But at least personally, I don't feel shafted as a consumer. I see the grey area of IP law as a bearable pain which is necessary to allow the creative industries to continue to provide me with their content, as they would not do so without the protection they get. If the law became too Gestapo, I would be too uncomfortable and paranoid to buy their products. If it were too lenient, they wouldn't be willing to create them in the first place. I don't think any sweeping change in IP law will fill in all these nooks and crannies... best to deal with them case-by-case like we do now.
Specifically regarding DeCSS, I do feel that the source code to allow you to play the DVD should be protected by the First Amendment-- but that the illegal trading of MPAA property over the Internet should be prohibited instead. This is something I haven't seen brought up in the case. The RIAA has no problem with MP3 as a format, and is going after the piracy at the point of distribution. I don't see why the MPAA can't follow suit. Perhaps they're trying every tactic they can, and will focus on distribution if they lose the DeCSS case.
Thanks though, I do feel assured that I am not the only
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I'm kind of confused by your analogy. The distribution technology has advanced but the music is still owned and copyrighted by the RIAA. How has the music industry been obsoleted? If Napster users created their own content... that would be something.
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Why do we assume that we have as much of a right to steal and enjoy commercial music as we do to write and enjoy non-commerical software?
Because, as Larry Wall said, "Persons of leisurely moral growth often confuse giving with taking." Not that this is a popular thing to point out on Slashdot.
if you think CD prices are too high, simply don't by the CDs.
No, buy CDs from independents. You'll get your desired result (the RIAA's profits dropping), you'll be doing the right thing (buying instead of stealing), and you'll get better music, besides! Also most indie bands are much more forthcoming about having sample mp3s on their website, so you'll be less likely to buy a lemon..
Obligatory link: Inkubus Sukkubus - quality independent band, with mp3s to download.
"An ye harm none, do what ye will" - The Wiccan Rede
maybe if all the companies try to make clay pigeons of themselves the RIAA's massive war chests will be spread too thin to win them all.. then again maybe they'll just kill civil rights with a darth-vader-throat-crushing
I don't think it will actually be as tough as it is being made out to be. I can't think of the actaully post, but I have seen other announcements on /. of the RIAA and the MPAA going after users of Gnutella through their ISPs. Basicly they are just sending an email to the ISPs telling them that their users are doing illegal stuff. Then the ISPs tell the users to stop thier activity or get thrown off. Now the ISP's might not have any real evidence of any wrongdooing, other then what the RIAA/MPAA tells them, but it doesn't make a difference. An ISP can basicly kick you off for any reason they want. Whether this will stand up in the long run has yet to be determined. But for now, these scare tactics are certainly working on mnay ISP's
I agree with that-it's impossbile to stop sharing of music files. Consider the worst case scenario for pirates: All services such as Napster and Aimster are shut down. You'll still be able to get music from the internet, in the same ways you can get software: go on irc, look for those illegal sites that appear and disappear all the time, or get it from a friend. Not only are companies unable to prevent people from downloading photoshop and ms office, but free software continues to grow. The music industry will turn out the same way if the RIAA has its way, with the record companies' songs available free to anyone who has time to look, and numerous independent artists rejecting commercialization in favor of fan support. Remember how metallica got their start, by encouraging sharing of their tapes?
I can imagine horsebreeders and other people in the "horse industry" were not particularly happy about the first cars, which suddenly appeared on "their" roads. Horses became largely obsolete for transportation. Likewise, the part of the music industry involved in the fysical distribution is just going to become obsolete. This happens. Too bad for those involved, but things change as technology advances. What if the RIAA was representing horsebreeders at the beginning of last century? Would they be filing suits against Ford, for disturbing horses on the road with noise and fumes, claiming the cars steal resources from the horses? Of course the situation is not quite the same, but I wonder why the music industry should be any different from any other obsoleted industry.
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Be wary of any facts that confirm your opinion.
if that's the case, then that, coupled with personal privacy laws, should make it a pretty good case for aimster/etc.
Every once in a while I like to masturbate a new word into my vocabulary, even if I don't know what it means.
Hey, I'm doing a research project on this very sort of thing! Actually, it's mostly on the RIAA itself and how it's hypocritical and all that other nifty stuff. If anyone knows any sites that have good (factual, un-flameage) RIAA-bashing stuff, I'd greatly appreciate it :)
Anyway, my view is that the RIAA is a Bad Thing and should be broken up to some extent. I mean, look at the cd prices in, say, Hong Kong. They're really low. Do you know why? Because they have a huge black market! The local vendors (would be Tower/Wherehouse/Sam Goody in the US) are forced to lower their prices to compete with the black market, and people get less screwed over! (It costs pennies to make cds, more to do advertising and stuff, but it does NOT account for the $18-20 cds some places sell). Anyway, that's my view. Respond! I commandith thee!
To smash a single atom, all mankind was intent / Now any day the atom may return the compliment
God for-fucking-bid anybody has to get a day job to support their hobby of creating music. Musicians are the only artisits I can think of off-hand that have a decent chance of getting rich off of their art. They should thank their lucky stars they had that chance, not mourn its loss. The public will pay for goods and services what it thinks is fair, given the freedom to do so. File sharing has given us that freedom, and we're voting with our dollar. We've elected independant musicians with that vote, and I'm pleased as Hell that my music might have a chance over NSYNC, thanks to file sharing.
If you fall off a building, go real limp, because maybe you'll look like a dummy and people will be like hey, free dummy
Linux, after all, is one example. Whether it wins out in the end or not is one thing, but it has brought attention to the free software movement and in doing so has profoundly affected the computer industry. And it's not done yet, since people don't want to pay tons for Microsoft products, unless they feel it's justified.
I'm from the UK, but the way the EU is going it looks like we might end up with something similar to the DMCA - it worries me.
Ok, this is just an opinion. And I am certainly not a lawyer. But, it has often occured to me that the RIAA might just be an illegal trust. Afterall, the anti-trust laws were established to keep competeing compaines, in the same market, from banding together to fix prices and drive out competition. If the RIAA isn't for this purpose, what is it really for? The protection of the artists? I doubt it, more likely they would leave the artists out to dry if it would make them money. Is there someone out there that knows enough about the anti-trust laws to comment on this? I'd be happy to learn.
Necessity is the mother of invention.
Laziness is the father.
This is so weird and sad. Check the story about a 16 year old daughter of the Aimster founder: http://www.wired.com/news/print/0,1294,43441,00.ht ml
She's pretty hot http://aimster.com/fanclub/photos.html but she's being pimped by her dad to attract people so they use Aimster.
All I can say is: Keep your pimp arm strong, bro!
At least that's what RIAA bets on. And they usually win the bet.
The only stuff we hear on the radio, MTV (aka "shiney things network"), VH1, etc. are all RIAA-signed artists. Hello.. there are TONS of artists that are not signed, and are every bit as talented (even moreso, in many cases) and entertaining as anything RIAA feeds us. So.. if you don't like RIAA practices, go to mp3.com or guitar.com or any of the other sites and find other artists to listen to instead.
All this commotion, just so we can have the 'right' to listen to NSYNC??? c'mon:)
The RIAA may be succesful in destroying Napster, but it's going to be great when they go after the Gnutella network. Who are they going to sue then? Isps aren't going to block Gnutella traffic, and even if they did, encrypted versions of it could be just around the corner. Gnutella networks have already risen to very usable levels thanks to Limewire and Bearshare's methods of blocking out abusers of the system, and encouragement of good behavior. Plus these programs get even easier to use every time they come out. The RIAA is looking to be in big trouble, not to mention the MPAA. (go 2600, win that damn appeal)
Most of the arguments I've been hearing center on copyright issues -- who owns the rights, fair use, etc. But there may be an angle here that could blow the RIAA and others right out of the water... Isn't it illegal to intercept and/or interfere with private wire/wireless communications unless you have a court order to do so? It seems to me that whether you're using Napster or Aimster or Gnutella -- whatever -- you are communicating over telephone lines (in whole or part) and should therefore be protected by federal wiretap laws. Snooping on a private communication or otherwise interfering with that communication should only be permitted by law enforcement and only when there is a court order to permit it. And to get a court order, don't you need to be able to prove that there is a reasonable suspicion of wrong-doing? Maybe someone should try to bring charges against the RIAA for illegal wiretapping.
The RIAA aren't just going to have trouble with Gnutella, there are FTP servers all over with nothing but MP3s, not to mention the multitude of IRC channels containing 50 odd MP3 server bots / scripts. The RIAA has got absolutely no chance of blocking or regulating MP3 music trade, and even if they do succeed, the trade will just go underground with, as Spyder said, encrypted versions of Gnutella and other methods of filesharing. What the RIAA needs to do is to encourage the legal trade of music. If such a thing is achievable. There will always be a market for music CDs until broadband becomes mainstream (and cheap,) because I don't want to spend 50 hrs on the net downloading the latest top 100! :) But Microsoft also have a good idea with a licensing system for purchasing songs online. Perhaps if this system were perfected (and GPL'd) there wouldn't be any need for all this nonsense.
On the other hand, the RIAA does have a point. Royalty-free trade of music is morally wrong. So why can't the producers place MP3's on their website available for free and legal download - or even a secure online song purchasing facility, say US$1 per track. Don't format that hard drive!
-==-
We are Microsoft. You will be assimilated. Resistance is futile.
09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
The model itself is good... Supply and demand. What has happened is that the "replicator" (as I read along another thread) HAS been created! But that still does not make it right to acquire something you did not pay for.
Again, I DO think the RIAA needs to get lost, but once they are out of the picture, you are right, the musicians should market their own music, get a bigger cut... ultimately be COMPENSATED for their efforts. How would you feel if you spent a year working on some new creation (music, software, book, etc) spending most of your time working on this project, spending less time at some other job, expecting that when you are done people will love it, fall head over heels for it, and as 100 people pay you for the enjoyment they now get out of it, 10,000 others get their copies free from those 100 who pass it around. How would you then feel about spending another year to create something ELSE? I would think that while SOME might do it again, the majority of artists, software developers, writters, etc would probably spend less hours at their passion/hobby and more hours holding down a job to feed their families.
What *I* would suggest is that we take the RIAA out of the picture, create more sites like the old Riffage.com where musicians themselves can post their music (which allows new artists to easily get into the picture as well) and offer/sell their music that way. You can sample the music, buy the ones you like, the artist gets nearly %100 of the proceeds.
That DOES mean, however, a method of control would need to be imposed so disallow the free replication (or atleast sharing) of this media (whether it's music, software, ebooks, etc)
I think you were missing my original point.
Just because technology now ALLOWS us to get a free copy of something we are being asked to pay for (an illegal action), doesn't mean laws need to be changed to make it legal! If that were the case, then why not change the law to allow murder? After all, technology has allowed us to make guns, so if now I can shoot someone, should it be okay to DO it?
Seems like a lot of people here are all for Napster and Aimster, etc.... "Down with the RIAA"! In fact, I, myself am hoping the RIAA starts losing some of these legal battles. Perhaps that my hypocritcal side. One thing I think most everyone seems to be missing is that even if sharing MP3s is not "theft"... It's still not a good thing, and people don't seem to "get it". Lots of people (music artists) make their living from their music... sure, I know they get only a small percentage of what is actually made from their record sales... I too don't like the RIAA).. but even if they only get 5% of $1,000,000 that is still $50,000 for them to spend on food, bills, house payments, entertainment, etc. If full and outright MP3 sharing becomes totally legal, then perhaps instead of selling a million copies of their album, they only sell 1,000 copies, and the rest of us find it on Napster, Aimster, etc. I doubt that artist would continue to make a living from their music and probably have to find work elsewhere to feed themselves and their families. I can image that by doing that they would have less time to spend creating new music as well as not being able to go on tour as much if they needed to hold down a job... it would be harder for new bands to get started because they wouldn't start off drawing the crowds as much as bands who have been around a long time. I would imagine that this same principal should be used for all electronic media... video games, software, digital books, etc... the people creating these things we use would make a significantly smaller amount of money, forcing many to stop creating new work, in exchange for a job to get the bills paid. No, I don't really like paying for music.. everyone would like something for free! But at the same time, I certainly don't mind giving some money to a musician, writer, software developer, etc to help support the ones I like in hopes they continue to create content in the future for me to enjoy as well. It's these people's efforts that make MY life fun! I'm not for the RIAA... I think musicians and the like should get a MUCH larger portion of the money for THEIR creation, but at the same time, let's not go over board by saying if I CAN get a free copy of something, then it should be OKAY to get a free copy. david