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Phish Moves To FLAC

sethadam1 writes "Due to customer feedback, Phish, who have served as pioneers in the pay-per-download online music arena with their livephish.com site, have recently converted to FLAC compression for their high-quality download offerings. Could this be an indication that FLAC may be adopted as the de facto lossless audio compression standard?" And fans were using it long before ;)

71 of 377 comments (clear)

  1. honestly? by REBloomfield · · Score: 5, Funny

    no, probably not.

  2. Yay! by chendo · · Score: 3, Interesting

    It's good to see OSS solutions being used on a commercial basis. Maybe this will let FLAC get more publicity, along with the whole OSS movement :D

    --
    Founder of Mirror Moon - Tsukihime Game Trans
    1. Re:Yay! by adamofgreyskull · · Score: 5, Insightful

      Unfortunately, I bet this gets far less mainstream press coverage than if they were shouting to the heavens and anyone who would listen that their fans were evil criminals.

      Good, but we have a long way to go yet.. :o)

  3. Good. by spacefight · · Score: 5, Funny
    All download files are compatible with Windows, Mac and Unix, allowing for maximum flexibility and ease of use.
    Good.
    PLEASE NOTE: LivePhish.com is optimized for Internet Explorer 5 or later. You may experience problems with the web browser you are currently using. Please come back and visit us with Internet Explorer.
    Bad.
    1. Re:Good. by bruceg · · Score: 3, Informative

      Well, I used Mozilla 1.3.1, to d/l some live music, and din't have any trouble. I received the same warning.

    2. Re:Good. by Neon+Spiral+Injector · · Score: 3, Informative

      Also, odd. They provide CD booklets in PDF format.

      Good.

      There are seperate versions for Mac and PC. The PC version has a larger left margin.

      Bad.

      What does the 'P' in PDF stand for again?

    3. Re:Good. by duck+'o+death · · Score: 3, Funny

      But they also give props to the *nix users in their FAQ:

      What are the recommended specs for enjoying Live Phish Downloads?
      Please note: we do not recommend downloading FLAC files on a dial-up modem. If you are on a slow connection, please purchase MP3 files instead of FLAC.

      Windows
      Windows 98SE, 2000, ME, XP, or later
      128 MB RAM
      10 GB Hard Drive (a larger hard drive is optimal)
      Pentium III 750MHz or faster (or equivalent)
      Cable Modem or DSL
      Internet Explorer 5.5 or later

      Mac OS
      Mac OS X or later
      128 MB RAM
      10GB Hard Drive (a larger hard drive is optimal)
      Cable Modem or DSL
      Internet Explorer 5.1 or later

      Unix
      You probably don't need our advice.
      --
      Don't put salt in your eyes.
  4. They could compress more... by gowen · · Score: 5, Funny

    ... if they just noted that the tedious jam from Tuesday gig at the Cleveland Enormodome is not different from the Thursday's tedious jam at the Philadelphia Giganto-park, in any musically interesting way.

    --
    Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    1. Re:They could compress more... by D+iz+a+n+k+Meister · · Score: 5, Funny

      Scalable Vector Phish Sets

      --

      He painted a unicorn in outer space. I'm askin' ya, what's it breathin'?
    2. Re:They could compress more... by pedro · · Score: 2, Funny

      Scalable Vector Phish Sets....

      *snicker!*
      Only a +1? I thought that was clever!
      Personally, I'd go for a fractal Phish/Dead tedious jam set generator embedded somehow in the download. Since tedious jams' primary life purpose are the facilitation of Woodstock-style druggie babe gyrations, actual musical themes and narrative styles are largely superfluous.

      --
      Brak: What's THAT?
      Thundercleese: A light switch.. of TOTAL DEVASTATION!
  5. Dude! by Fideaux! · · Score: 5, Funny

    Does it make my computer smell like Patchouli?

    1. Re:Dude! by goober · · Score: 2, Insightful

      Does it make my computer smell like Patchouli?

      No, and this is in fact the best feature of LivePhish Downloads. I love the music but stopped going to Phish shows years ago because the crowds got too big/disgusting. Now I can go on tour again from the comfort of my own home.

  6. Better Yet by Anonymous Coward · · Score: 5, Funny

    Heck, Why not GIF...the patent just expired, and I hear it's great compression.

    1. Re:Better Yet by mithras+the+prophet · · Score: 4, Funny

      Your humor bit is off.

      --
      four nine eighteen twenty-7 thirty-nine forty-7 fiftyeight sixty-nine seventy-9 eighty-8 one-hundred-and-nine one-twenty
  7. why lossless for live? by croddy · · Score: 4, Insightful
    I can understand spending the disk/cpu for lossless compression on, say, a 96khz classical recording, but most of what comes out of a live mix (or even a commercial rock studio recording) is just not worth the system resources. for live recordings, ogg at 256 or mp3 at 320 is more than enough, and small pipes and short CPUs are much happier.

    (then again, I haven't been able to deal with internet show traders ever since CD-R enabled them to be even more demanding about recording quality.)

    1. Re:why lossless for live? by croddy · · Score: 2, Insightful
      yes. the percussion always gives it away (sounds better with ogg than mp3), but failing that, the strings, particularly the attack on the violins, just turn to nasty digital noise.

      my friends will put on some CD and I say "that's from mp3". usually it's the cymbals.

    2. Re:why lossless for live? by fwankypoo · · Score: 5, Insightful

      most of what comes out of a live mix (or even a commercial rock studio recording) is just not worth the system resources

      Well, sure, I'll give you that - many mixes come out with undesirables, but the issue is not one of the music needing that extra bit of quality that a lossless compression scheme supplies. Rather, the use of such compression addresses the issue of multiple generations. By trading with SHN (or FLAC) we can then make an _exact_ copy of the master copy; each generation does not add any noise/distortion to the mix, as it might with audio tapes.

      If a lossy compression were regularly used, and people burned to disc, encoded to OGG/MP3, decoded and burned again, distortion and data loss would be added to that copy of the source, which is unaccptable. That's why we also use MD5s as well.

      --
      The time of day is 29:33.
    3. Re:why lossless for live? by fmaxwell · · Score: 4, Interesting

      ogg at 256 or mp3 at 320 is more than enough, and small pipes and short CPUs are much happier.

      I have yet to see any scientifically valid, double-blind test in which users could distinguish between a CD and an MP3 at 320kbps. Many of the people that complain about MP3 are doing so for one of three reasons:

      1. They heard a low bit-rate MP3 (e.g, 128kbps) or one encoded with a flawed encoder and then judged the entire compression scheme by that.

      2. In a vain attempt to sound and feel superior, they complain about a format that satisfies so many others.

      3. They understand that the compression is "lossy" and, therefore, convince themselves that they hear losses even though they cannot.

      Or it is some combination of numbers two and three. It reminds me of the high-end audio market, which is based on the power of suggestion, people's vanity, and the insecurity that makes many people unwilling to admit that they can't hear a difference. That's how they sell AC line cords for over $500! It's how they convince people that they need to spend $1000 on a device to "break-in" their audio cables. One company even sold a digital clock that was substantially identical to a $30 clock sold by Radio Shack. But this clock sold for $270. They claimed that plugging the clock into an AC outlet caused the electrons in your house wiring to properly align themselves. (No, I am not kidding).

      So, you have people trading crappy live recordings made through sub-standard microphones, placed 100 yards away from the performers, that picked up the sound from so-so PA speakers and fed a consumer-grade portable recorder insisting that they need lossless compression for the audio treasures that they that they exchange.

    4. Re:why lossless for live? by nathanh · · Score: 4, Insightful
      I can understand spending the disk/cpu for lossless compression on, say, a 96khz classical recording, but most of what comes out of a live mix (or even a commercial rock studio recording) is just not worth the system resources. for live recordings, ogg at 256 or mp3 at 320 is more than enough, and small pipes and short CPUs are much happier.

      Because we're talking about audiophiles here (who else would *complain* about the previous audio format on the Phish site). You know. These are the people who think they can hear the difference between a CD and a CD with green ink on it. The same people who insist that vinyl has higher fidelity than CD. The same people who compare the dry tonality of different digital interconnects.

      Even supposedly decent sites make so many mistakes when discussing digital audio that they'd fail an undergrads signals course. "No information is lost" my arse. And what sort of nonsense is that idiot trying to pass off as a digital signal; don't these "experts" know what low-pass filtering means?

      Audiophilia. It's a disease. Kill it before it spreads.

    5. Re:why lossless for live? by Fallen_Knight · · Score: 2, Insightful

      Thats not the point, i use FLAC for a couple reasons:
      1) lossless so its an exact COPY.
      2) (important one!) i can reencode it to ANY format i want, as many times as i like. SO i can always keep up with whatever my portable want, my CD player wants, what ever format a friend wants, ect.

      HD space is cheap anyways=P

    6. Re:why lossless for live? by Anonymous Coward · · Score: 3, Insightful

      How about:

      4. We realise that MP3 is not going to be around forever, and converting from one lossy codec to another ends with crappy sound?

      So you disgree that FLAC is suitable for end use. Fine. But a master copy compressed in a non-lossy way helps the sound quality five, ten, fifteen years from now. You aren't thinking about forwards compatibility.

    7. Re:why lossless for live? by Dot.Com.CEO · · Score: 4, Informative
      What? Mindiscs support Normal speed, LP and LP2. I have never seen an MD player that records lossless audio! Care to post your MD recorder model?

      You are obviously confusing "normal" md recording to lp, minidiscs don't record lossless.

      --
      Mother is the best bet and don't let Satan draw you too fast.
    8. Re:why lossless for live? by fmaxwell · · Score: 2, Interesting

      Right, people cant do that sort of comparison by themselves to make up their own minds about what they want because, errm, that would require, ya know, actually using your ears and stuff.

      You can make up your mind about anything you like. People have made up their minds about tarot card readings and decided that such readings are valid way to plan their lives. Others have made up their minds about magnetic bracelets and have decided that the bracelets are an effective treatment for arthritis. Still others have made up their minds about power cords and decided that $500 power cords improve the sound of their CD player.

      Sure, you can make up your own mind, but, having done so, there is no guarantee that the conclusion you have reached is correct.

      And as we all well know, actual listenig to stuff is best left to like, scientist type people and stuff.

      It's this kind of ignorance of science that scares the hell out of me. Did they even teach science in your school? A scientifically valid test does not mean that the participants are panel of scientists. It means that the test is not flawed or biased.

      If you take a group of people and tell them that they are going to hear a CD first and a "lossy" MP3 second, you can play the exact same recording twice and many people will claim, and believe, that the "MP3" was audibly inferior. That's the power of suggestion at work and why it's important to devise a test the rules it out.

      You would have enjoyed the dark ages. Back then, there was no "scientific method" and everyone thought the way that you do.

    9. Re:why lossless for live? by fmaxwell · · Score: 4, Insightful

      And what about the ones who have permission to plug a line feed into an MD recorder direct from the desk?

      I think they could require lossless recording, especially if the intention is then to encode it into lossy formats.


      All MD recording is lossy. MD uses a compression algorithm called ATRAC. The MD disc has a capacity of 140MB. Without compression, it's 44.1khz/16 bit sampling would allow you to store 13 minutes of audio per disc.

    10. Re:why lossless for live? by pyite · · Score: 2, Interesting

      Sub-standard microphones? So Neumann U89s and the Lunatec V2 preamp and the Apogee AD1000 ADC and the Tascam DA-P1 are either sub-standard or consumer grade? I think not, and that is just the setup that Phish's New Years show (all 10 CDs worth of music) from 2000 was recorded with. Please don't comment on something you don't know about. I far prefer audience recordings to commercial releases, as they aren't compressed to hell and actually have dynamic range. By the way Neumann U89 microphones are roughly $5000 for a pair, and the other equipment is not cheap either.

      --

      "Nature doesn't care how smart you are. You can still be wrong." - Richard Feynman

    11. Re:why lossless for live? by 0111+1110 · · Score: 2, Interesting

      I have yet to see any scientifically valid, double-blind test in which users could distinguish between a CD and an MP3 at 320kbps

      I'm not sure what you consider "scientifically valid" but I have done blind testing with my own equipment and I can hear a difference between 320kbps MP3s (yes encoded with lame, not that it matters) and WAVs. I think the differences are quite clear on sufficiently good equipment. It is mostly a loss of "life", "richness",a certain airiness or "soundstage", and high frequency detail that is apparent. I cannot tell the difference unless I am listening from an at least half decent source with a good pair of headphones or speakers.

      People use the term compression "artifacts", but I feel that is misleading. What I notice the most is what I don't hear, what I'm missing. Of course I can only notice this when I also have the original uncompressed music to compare it with. Without that I certainly cannot tell the difference between compressed music and just a bad recording.

      In a vain attempt to sound and feel superior, they complain about a format that satisfies so many others

      I don't think it's the format that they are complaining about but rather the removal of 80% of the music that they were enjoying, based on what some computer program decided wasn't "important". Just because you may not hear something doesn't mean that others are attempting to "sound and feel superior" because they do.

      They understand that the compression is "lossy" and, therefore, convince themselves that they hear losses even though they cannot.

      Another rationalization on your part because you don't want to believe that anyone else is better than you are in a perceptual sense. That anyone can distinguish differences that you cannot.You do realize that all of these points would apply just as well to 64kbps or 32kbps MP3 files as well. "Properly encoded" (I love that phrase)64kpbs MP3s sound just fine to many people with poor audio equipment, insensitive hearing or both. If you disagree, you are just being a snob, trying to feel superior, and convincing yourself that it sounds bad because you know its compressed.

      It reminds me of the high-end audio market, which is based on the power of suggestion, people's vanity, and the insecurity that makes many people unwilling to admit that they can't hear a difference.

      I'm not sure what you consider "high end", but most audiophiles are quite willing to admit that for a given product there are price points above which the law of diminishing returns starts to apply. I suspect that you simply have poor audio equipment and don't want to spend any money on anything better and feel the need to rationalize this. The reason that you cannot hear a difference is because your cheap equipment masks the differences that would otherwise be quite obvious. It also depends on the type of music you listen to. Certain genres like heavy metal or, say, rap, would not lose much from lossy compression.

      --
      Quite an experience to live in fear, isn't it? That's what it is to be a slave.
    12. Re:why lossless for live? by TheRoamer · · Score: 2, Interesting

      First off, even on my crappy AIWA stereo I can hear the difference between a 256k mp3 and a losseless file. I am by no means an audiophile, but I am a musician. Mp3 compression has a very noticible impact on the highs and lows of an audio track. The cymbals sound tinny and the bass muddy. This is noticible with standard audience recordings of live music, as well as with professionally produced tracks. The livephish series are soundboard recordings of the concerts, which make compression loss even more apparent.

    13. Re:why lossless for live? by pyite69 · · Score: 2, Insightful

      > who else would *complain* about the previous
      > audio format on the Phish site.

      People who have been using it for many years and
      don't see a reason to switch would complain about
      the new one. The old format didn't have ID3 tags,
      and couldn't do 24 bit. Whether or not the Phish
      folks will take advantage of this is another
      question.

      > The same people who insist that vinyl has higher
      > fidelity than CD

      Your other complaints are accurate but this one
      is off. The question is whether it is worth it
      to go through the pain to get a slightly better
      sound.

      > Audiophilia. It's a disease. Kill it before it
      > spreads.

      No doubt about that.

    14. Re:why lossless for live? by fmaxwell · · Score: 2, Insightful

      I'm not sure what you consider "scientifically valid" but I have done blind testing with my own equipment and I can hear a difference between 320kbps MP3s (yes encoded with lame, not that it matters) and WAVs.

      How did you switch from one source to the other? What was your percent accuracy at identifying the MP3 over how many samples? How did you guarantee that the two sources were identically level-matched? It's a mystery to me if your alleged test was scientifically valid. As to claiming that it does not matter which encoder one uses, that simply demonstrates your lack of knowledge about audio compression. There are huge differences between encoders.

      Another rationalization on your part because you don't want to believe that anyone else is better than you are in a perceptual sense. That anyone can distinguish differences that you cannot.

      Yeah, that must be it. I'm sitting here in my glasses because I'm so perceptually gifted.

      Now think about what you just said. If one of us wants to have a sense of superiority, which of us fits the bill better? I never claimed to have superior auditory perceptual ability, hearing, or equipment to yours. But you wasted no time in declaring your supposedly superior hearing and/or listening skills and in making aspersions about the (imagined) quality of my audio equipment. Thank you Captain Ego.

      I'm not sure what you consider "high end", but most audiophiles are quite willing to admit that for a given product there are price points above which the law of diminishing returns starts to apply.

      Why not admit that some products are simply fraudulently misrepresented and have no bearing on the quality of the music? Good examples would be AC line cords, speaker cables and interconnects that cost hundreds of dollars. Don't believe me? Then read what respected audio designer Frank Van Alstine has to say.

      I suspect that you simply have poor audio equipment and don't want to spend any money on anything better and feel the need to rationalize this. The reason that you cannot hear a difference is because your cheap equipment masks the differences that would otherwise be quite obvious.

      My speakers are VMPS Super Tower/Rs. Since you brought up the issue of cost, last time I checked (a few years back), they retailed for about $3600 per pair. My amp is a Hafler PRO2400 MOSFET amp. That was an amp sold to recording studios rather than home users. It replaced an Adcom GFA-555 and, despite having less power, has better sound.. My preamp is one that I designed and built using a BUF-03 class-A video buffer, huge toroidal power transformer, and low-dropout regulators. It's stunningly revealing and compares well with many high-end pre-amps.

      I don't know (or care) if that's your definition of poor audio equipment. I do know that my speakers, which are still in production in a "Special Edition", received glowing reviews from respected reviewers like Anthony Cordesman (reviewer for Audio, The Absolute Sound, and The Audiophile Voice). My Hafler amp is proudly listed by top-tier recording studios as part of the equipment that they use. It suits my purposes fine.

  8. Phish cool by Madcapjack · · Score: 5, Informative

    Phish has always been cool about their audio property. They have no problem with people recording their shows and trading their music. See there policy at: http://www.phish.com/print/guidelines.html

    1. Re:Phish cool by mumblestheclown · · Score: 4, Interesting
      yes, because they have an active concert 'culture', just like their previous equivalent, the grateful dead, who used to be routinely wheeled out as some sort of examplars by the pro-piracy crowd.

      the myth is, of course, that such examples scale. they don't. i wouldn't ever want to see half the artists i listen to in person and many of the others make it impractible because they're half a world away. phish and the gd are clearly exceptional in that they attract a large number of people to their concerts, often for reasons not directly related to the music per se.

  9. Re:How does FLAC compares to others? by pe1rxq · · Score: 2, Informative

    It doesn't compare against mp3 and ogg very well since FLAC is loseless and the others not....
    FLAC files will be way bigger....but won't loose any quality.

    Jeroen

    --
    Secure messaging: http://quickmsg.vreeken.net/
  10. Could be by MrZilla · · Score: 5, Interesting

    It's all about someone taking the first step. Most end users won't install new codecs for anything unless they absolutley have to (like divx), or if it's included in the player/program they're installing (like mp3 in winamp).

    More sources start releasing their audio in FLAC, then more software developers will include support for it, and even more audio will be released, and so forth.

    It's always that first step that's the hard part, after that, good solutions often spread themselves.

    --
    mov ax, 4c00h
    int 21h
  11. Re:How does FLAC compares to others? by vrt3 · · Score: 5, Informative

    FLAC is, in contrast to mp3 and ogg, a lossless compression method. This means that the quality is CD-quality, but the compression is not superb. Where mp3 or ogg roughly compress to 10% of the original size, FLAC compresses to 50%-60%.

    --
    This sig under construction. Please check back later.
  12. Re:How does FLAC compares to others? by more+fool+you · · Score: 5, Informative
  13. etree uses FLAC too by technology+is+sexy · · Score: 5, Informative

    It has been discussed to replace the outdated lossless codec shn in the bootleg community etree.org, since it offers better compression and the possibility to compress higher resolution (24bit) and/or multichannel files.

    1. Re:etree uses FLAC too by hackstraw · · Score: 2, Informative

      One small correction. There are no bootlegs offered at etree, the ppl there are very picky about only trading music that is permissable by the bands. Also, another thing that I like about flac is the metadata info, which includes builtin md5sum info as part of the file. The md5s are one of the things that I like best about etree. I know that I have byte for byte the same recording that was posted, and this is the same as everyone else has. This is much, much different than fishing up those bad sounding mp3s that were encoded by your average random person that may not even be complete, etc.

  14. FLAC vs WinRAR by Inda · · Score: 2, Interesting

    I'm not trying to troll but I did a very quick experiment last time FLAC was mentioned on here and was not impressed in the slightest.

    I took one CD and ripped it to a single standard WAV file. I then compressed it with both FLAC and WinRAR and the results only differed by 20-30MB in favour of FLAC.

    I was not impressed in the slightest.

    --
    This post contains benzene, nitrosamines, formaldehyde and hydrogen cyanide.
    1. Re:FLAC vs WinRAR by tangent3 · · Score: 5, Insightful

      Parent is probably a troll, but I'll bite.

      On average, lossless compression can do 2:1 ratio, so that's 20-30MB out of 300MB worth of wav. I'd say 7-10% is rather impressive considering WinRAR recognizes audio formats and does optimisations on them. Try comparing against ZIP or something.

      Furthermore does RAR allow you to stream the audio? Seek (sample-accurately)? Error resistant (a small error won't affect the whole stream)? Can you play the RARs in your favourite audio player? Well I guess Foobar2000 can , with it's zip/rar support but then it has to decompress the whole (10MB/minute) track before being able to play it, while it can play a FLAC directly from any point in time of the track.

  15. Re:How does FLAC compares to others? by Tet · · Score: 5, Informative
    I wonder how FLAC compares to other compression methods (namely mp3 and ogg) in terms of quality and size...

    FLAC is lossless, which means it is CD quality. Literally. It will be a bit-for-bit perfect representation of what you'd get on the CD. As part of the tradeoff, you get larger filesizes. FLAC will typically give 2:1 compression, compared to the 10:1 you're likely to achieve with MP3 or Ogg Vorbis, so your files will be around 5 times larger.

    Also, Ogg is a container format, not a compression method. Ogg Vorbis is their flagship lossy audio compression scheme. Note, however, that FLAC is migrating to Ogg, so in future, FLAC files will come with a .ogg extension.

    --
    "The invisible and the non-existent look very much alike." -- Delos B. McKown
  16. WHAT? I CAN'T HEAR YOU.... by dspisak · · Score: 5, Insightful

    ....my eardrums are bleeding!

    How many people could even tell the difference between a FLAC encoded live concert and a properly encoded 128-192kbs AAC/256kbs MP3 via LAME with the advice of r3mix.net/whatever the hell settings you ogg guys use for archival quality.

    I mean, do I really need to hear a lossless version of your live concert? If anything, I bet it would make me notice any noise that might get subtly masked by the psycho-acoustic models used by MP3/AAC/Ogg. Stuff like dirty power in the recording equipment or mics, things of that nature.

    Even with that said, how many of you will actually be listening to your FLAC encoded audio in a proper listening environment with a properly laid out, quality audio setup?

    Nah, odds are you're just going to take your FLAC and then transcode it to MP3 or perhaps AAC if your an iPod owner or Ogg if your one of those wierdos who uses it (I think Ogg is a cool idea but honestly MP3 and AAC now are good enough for me and what I do)

    And you'll do this why? Because how many portable and/or home stereo components play FLAC? I'd venture a guess of: none. But many units do play MP3, or WMA (ick, altho WM9 is nice), or recently AAC.

    Of course I'm sure some of you will say: "But I run my computer audio to my outboard A/V reciever surround sound system via optical TOSlink out" For these people, this very small, limited audience market FLAC will be great, sure. I should know, I am one of those people. But even I can't tell the damn difference most of the times between the lossless and lossy audio codecs. Heck, I'm one of the people who finds the 128kbs AAC files from the Apple iTunes Music Store to be superior in quality to the old 192kbs VBR MP3s I made of the same CD track with LAME and the great advice from r3mix.net.

    So, yeah I'm glad someone is doing this but I honestly think the market they are speaking to is so small and niche that its going to be lost in the statistical variance of the overall group.

    1. Re:WHAT? I CAN'T HEAR YOU.... by dspisak · · Score: 2, Insightful

      The point I was trying to make (albeit rambling a bit) was that while lossless is a wonderful thing the percaentage of their audience who wants, no demands their music in a lossless format is probably a small one.

      I'll probably check it out and see what I think about it, but as I have said I find the 128kbs AAC files from the Apple iTunes music store to be of good enough quality for me to consider it CD quality. I'm the first to admit I don't have golden ears! If you have them, great! If you don't then you're like me and stuck spending more time downloading something that is lost on you.

      Personally, if they wanted to release these as 256kbs AAC files that would be real sweet. AAC is at least a standard that is well documented and I know I can find support for it in various pieces of software and some hardware.

      Is my solution the best one? I don't know, but I think it represents a good comprimise. But thats just me I guess.

    2. Re:WHAT? I CAN'T HEAR YOU.... by technology+is+sexy · · Score: 3, Informative

      You bring up some good points and yes, most people wouldn't be able to perceive the difference between a properly mastered liveset encoded lossy and lossless. But by providing a lossless version the consumer is given the freedom to choose what lossy codec to use for his portable/DVD-player (be it Vorbis, MP3 or even MPC). And there already is hardware playing FLAC files.

      How many people could even tell the difference between a FLAC encoded live concert and a properly encoded 128-192kbs AAC/256kbs MP3 via LAME with the advice of r3mix.net/whatever the hell settings you ogg guys use for archival quality.
      r3mix.net, which has been spreading misinformation about MP3 and audio in general for a long time, has been dead for over a year now. The --r3mix setting has been deprecated by the code-level tweaked --alt-presets, which provide a way better sound quality tuned in many blind listening tests (ABX). For more information visit www.hydrogenaudio.org

    3. Re:WHAT? I CAN'T HEAR YOU.... by dspisak · · Score: 2, Informative

      You have to realize your bias towards having a ludicrous amount of hard drive space in your home pc. Listen to yourself here:

      "I have 500 GB in my PC now"

      I have 120gb in my desktop, the laptop has 40gb. I do work on DVD's so I use a lot of that space for video I am editing and/or compressing or touching up. The *only* system I use that has 500GB is the main video capture station I use at the media lab I help out at that has a 3ware Escalade RAID card with 8 IDE drives in a RAID 5 array totalling 500GB in size (give or take a few dozen GB).

      Granted you can get 250GB hard drives now and I hear 300GB drives are coming up soon around the bend those drives still command a price premium over your 120GB/160GB hard drives.

      If I had 500GB of storage on my personal desktop I might be inclined to store my music in FLAC just as you do.

      If you are backing up your FLAC's to DVD that means you must be getting about 11 FLAC encoded CDs to a single 4.7GB DVD-R, is that about right?

      As far as your "bite" and "punch" goes I will have to give FLAC a try and see if I can tell the difference you speak of here. Typically I am unable to hear the differences but I am willing to learn something new!

    4. Re:WHAT? I CAN'T HEAR YOU.... by Fallen_Knight · · Score: 2, Interesting

      Its for archiveing, and haveing a source file you can treat as if it was a WAV from the mic/CD/whatever.

      For just listening yea, its a bit much, but if you archive/want to use many codecs

      or simpley never have to rerip again like me and have space a plenty, then its a worthwhile thing to do.

    5. Re:WHAT? I CAN'T HEAR YOU.... by Chuck+Chunder · · Score: 2, Insightful
      The point I was trying to make (albeit rambling a bit) was that while lossless is a wonderful thing the percaentage of their audience who wants, no demands their music in a lossless format is probably a small one.
      Which might be a valid point were they not introducing it due to customer requests.....
      --
      Boffoonery - downloadable Comedy Benefit for Bletchley Park
    6. Re:WHAT? I CAN'T HEAR YOU.... by Fweeky · · Score: 4, Informative
      I'm one of the people who finds the 128kbs AAC files from the Apple iTunes Music Store to be superior in quality to the old 192kbs VBR MP3s I made of the same CD track with LAME with the advice of r3mix.net

      Well, part of that will be that r3mix is bogus; it's going in the right direction, but the lame --r3mix option is by no means as good as MP3 gets at those bitrates.

      I, like you, once thought r3mix ruled, and ripped all my CD's with it.

      Then I discovered the --alt-preset settings and EAC and.. well, ripped my CD's again, using --alt-preset standard.

      Then OGG Vorbis arrived, and I re-ripped (with EAC normalization) to Vorbis -q6.

      Then I discovered ReplayGain, and, joy of joys, re-ripped again. Guess what? A few of my CD's have been damaged becase they've been stored badly or dropped during their lifetime.

      Now I've got MusePack and new Vorbis encoders tuned to higher bitrates, and I'm looking to rip them *again*, and some of my music's stuck several formats behind.

      The point is, codecs change, codec tunings change, software changes, hardware changes, and *people* change, and everyone experiences these changes differently -- I get a new hi-fi and start noticing artifacts in some of my encoded MP3's; you get a new portable and start wanting 64kbps MP3 files. Your portable gets a firmware update and switch to Vorbis; Vorbis 1.1 comes out, and I want to benefit from the higher quality at lower bitrates.

      With lossless sources, everyone can burn a perfect original to CD and generate precisely what they want on their HD without the evils of transcoding lossy formats, and they can change should the need or desire arise. Not so if they just get a 160kbps MP3 to play with.
  17. Phish! Um, yeah, Phish... by RobotRunAmok · · Score: 4, Funny

    Could this be an indication that FLAC may be adopted as the de facto lossless audio compression standard?"

    Of course! "As Phish goes, so goes the Music Industry," everybody knows that! As a matter of fact, they were discussing this very same trend during Phish's appearance last week on TRL.

    In a related story from the same Styles page, Michael Crichton and J. K. Rowling have announced they are going to have their nipples pierced to better emulate their idol, Poppy Z. Brite.

  18. We have arrived. by nadaou · · Score: 5, Funny

    The xmms playlist makes it around to bouncing around the room (ogg:), reload slashdot, ahhhh.....

    A great man once said "If the Grateful Dead were like watching a beautiful sunset, Phish are like a blowjob."

    --
    ~.~
    I'm a peripheral visionary.
  19. Re:How does FLAC compares to others? by Fweeky · · Score: 5, Informative
    This means that the quality is CD-quality

    More accurately, it means the audio stream that comes out of the FLAC decoder is bit-for-bit identical to the audio stream that went into it.

    For those interested in backing up their music CD's, using Exact Audio Copy in a properly configured Secure Mode (For most people, this means: Drive caches audio, Accurate Stream, NO C2) and setting it to produce a WAV image and cuesheet with detected gaps, then FLACing the WAV and including the cuesheet in the FLAC with the relevent command line option should be just about perfect; burn it to DVD or store it on a HD, and put the original somewhere safe.

    This has the added advantage of being a good source to play about with other encoding methods, since you can transcode from FLAC to other formats without any loss of quality; you can run ABX tests against the original and your encoded files to see if you can tell the difference, re-encode at a lower bitrate, and try again to give yourself an idea of what sort of quality settings you can use.

    Nothing you can't also do with WAV, obviously, but FLAC's smaller ;)

    (Foobar 2000 comes highly recommended for cue/(flac|ape|wav|etc) images and ABXing with it's ABX plugin).
  20. Flac is awesome... by Aknaton · · Score: 2, Informative

    but I can't seem to find a player or plugin for .flac files on the Mac that will allow me to play the files I create without decompressing them first. This is probably the one thing I miss after switching back to the Macintosh. (That and good CD ripping software, like Windows' EAC.)

  21. 7-bit encoding? by Linker3000 · · Score: 5, Funny

    But did the Mayans do it first? Knot, knot, no knot, no knot, knot, knot, knot ...OK Tahmas, that's a b-flat on the pipes....

    --
    AT&ROFLMAO
  22. Oh the irony by drix · · Score: 5, Funny

    I'm not sure if I support this... if you think about it, very few phans have ever heard a live Phish concert in high fidelity. Take me for example: at the last Phish concert I was at, I saw the music emanating from the speakers as green clouds, which then coalesced into a giant steel Beethoven, who proceeded to eat me--all to the tune of "jingle bells", played backwards at a high tempo on the kettle drums. As you can guess it made concentrating on the latter 2/3 of the set very difficult. Hence I download these new high-fi with much trepidation: what has Phish actually been playing for the bulk of all those live shows? No one I know has any idea...

    --

    I think there is a world market for maybe five personal web logs.
  23. Defacto Standard by billmaly · · Score: 3, Funny

    "Could this be an indication that FLAC may be adopted as the de facto lossless audio compression standard?" "

    Yes. Or maybe no. Clouded, the future is. Outlook uncertain.

  24. Stop being so short-sighted by Mr.Ned · · Score: 5, Insightful

    Whenever an article like this is posted, when someone is going above and beyond a 128kbit mp3 to try and offer improved sound quality, a few individuals will always say that it's stupid because no one can really hear the difference and will go on to demean all those that say they can.

    Any way you cut it, although Apple's iTunes store is a step in the right direction, you're buying an inferior product from that which you could purchase in a store. A lot of people spend a lot of time mastering and remastering audio to sound its best, and a lot of that work is just thrown out the window with an mp3. Not that this is a crime against humanity and that mp3s are bad, but I would rather not purchase for the same price a product that is by definition inferior.

    Now, if I go buy a Phish concert, I can burn it to a CD and have as good a copy as I'm going to get. If I want to convert it to mp3 for my portable player, I can do that. If I want to convert it to a high-VBR ogg for my computer, I can do that. It's flexible. If I got the mp3, well, I'm stuck. I don't have those options.

    Isn't consumer freedom good today?

  25. Here's why they switched!!! by evilviper · · Score: 4, Funny

    Did they switch for legal reasons? No.
    Did they switch for technical reasons? No.
    Did they switch for political reasons? No.

    So why did they switch? Obviously, Phish just happen to be fans of the logo.

    --
    Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    1. Re:Here's why they switched!!! by MatthewB79 · · Score: 2, Funny

      Then shouldn't it be PHLAC?

  26. wide acceptence? no. by syrinx · · Score: 2, Funny

    everyone who trades live shows of the artists I listen to uses SHN, period. as with "Ogg Vorbis" (that's the name, right?), the only place I've ever heard of FLAC is on Slashdot.

    basically, I'm saying "pfft" at your silly audio formats that nobody uses. :P

    --
    Quidquid latine dictum sit, altum sonatur.
    1. Re:wide acceptence? no. by clonebarkins · · Score: 4, Insightful
      as with "Ogg Vorbis" (that's the name, right?), the only place I've ever heard of FLAC is on Slashdot.

      Well then you should try browsing the net a little! ;o)

      Seriously, though, every new format (audio or otherwise) has to build a base of dedicated users before it gets widely recognized. When PNG first started, it wasn't the most well-known either (though being developed by an international standards organization helped a little ;o).

      When people begin supporting newer (I would say better in this case, but I'll leave that up to you to decide) formats then you only have positives because then people can choose what they want. If you want to continue using formats you're comfortable with, that's fine.

      basically, I'm saying "pfft" at your silly audio formats that nobody uses. :P

      That's simply not true. Regardin Ogg Vorbis (which is a lossy format and so not comparable to FLAC anyway), if nobody used it then why does the newest version WinAmp support it natively? Not only that, but RealMedia has said they are going to support it as well. This is because they realize that people do use it, and that as the benefits of using an open standard (as opposed to mp3, which is proprietary) will reveal itself to more people in the future. FLAC is the same way -- Phish realized that 1) it is technically a better format than SHN (lossless and compresses smaller), and 2) more people are beginning to desire it.

      There's really no good reason to say, "Well, not everybody's using it yet, so I'm not gonna either." What you should do instead is look at the merits of one format vs. another and then make a decision for yourself instead of relying on public opinion (which will screw you over every time).

      --

      "The evil of the world is made possible by nothing but the sanction you give it." -- Ayn Rand

  27. Phish Moves To FLAC by somethingwicked · · Score: 4, Funny

    Cool, I've never been much of a fan anyways, so no big loss.

    Will all their nomad fans be following them there too?

    BTW, where exactly is FLAC? I hope its somewhere cold. Summer Phish concerts mean hippies in armpit hair revealing clothing. *shudder* At least somewhere cold they will bundle up

    --

    ---"What did I say that sounded like 'Tell me about your day?'"---

  28. Phish has a non-free EULA by Gunzour · · Score: 4, Interesting

    Phish puts unacceptable restrictions on fan sites -- although I'm not sure how they would go about enforcing them. For example:

    "Newsletters, web sites, clubs, or any other communication forum facilitating audio trading cannot accept advertising, offer links for compensation, exploit databases compiled from their traffic, or otherwise derive any commercial proceeds in any form."

    In other words, if I run a site that facilitates tape trading among phans, I can't have banner ads on that site. I can't even try to cover the costs of running the site.

    There's more:

    "All sites with such Phish-related content must agree to the Statement of Compliance provided below, and clearly display the following: "This site voluntarily complies with the Phish fan web site policy at http://www.phish.com/statementofcompliance.html""

    Hmm... must...voluntarily... comply. That's interesting use of the english language.

    "Fan sites must not contain any defamatory, offensive, illegal, and/or otherwise actionable content, nor may they allow such content from any user."

    Not only is a fan-site operator's right to free speech taken away, he must also take away his users' rights.

    1. Re:Phish has a non-free EULA by Phishcast · · Score: 4, Informative
      I've never had a problem with the no-advertising clause. (I've been running Phishcast for the past 4 or 5 years.)

      In a sense, maybe my site isn't entirely "free" (freedom), but not having any advertising ensures that the music itself stays "free" in just about every sense of the word.

      It's the music that's most important to fans of the band, and to operators of fan sites. I've never had a problem with the fact that I can't make money on a product the band gives me for free.

      Even if I could, I wouldn't.

      Jon

  29. Phish grammar police! by Marijuana+al-Shehi · · Score: 4, Funny

    Whoa brother, like it's not cool that their not being tight-asses but cool that they're not being tight-asses , 'cuz, you know, they are not being tight-asses. Get it? It's a contraction. It's like compression, brother. The "'" replaces the " a". It doesn't compress much, kinda more like FLAC than ogg or mp3. Haha. Speaking of kind, you got any? Let's burn one! My bro grew these nugs. It's his own hybrid strain he calls Trey An!

    And you know besides "their" and "the'yre" there is "there"? Not to come down on you too hard bro, but you kinda got that one wrong in the grandparent post. Remember this?

    ...and trading their music. See there policy at...
    So yeah, brother, like the first "their" was right on! But it's their policy, like their music. Yeah, it blows my mind too! Like, I would use "there" to communicate things like "there goes some tasty sisters--wonder if they got any gooballs for sale?" or "I was standing over there when I spilled the liquid acid those kids fronted me".

    Does it all make sense now? Cool man, I'm gonna get back to burning these Lemon Wheel shows for some kids I just met...

    --
    "I think all foreigners should stop interfering in the internal affairs of Iraq"
    -- Paul Wolfowitz, 7/21/2003
  30. Re:How does FLAC compares to others? by The+Real+Chrisjc · · Score: 2, Interesting

    Have a look at this:

    http://www.rex-guide.de.vu/

    It should answer your questions, mpc is extremely faithfull music compression!
    Recommend you try it.

  31. Re:Comparison to SHN by r_orourke · · Score: 5, Informative
    Just curious, how does FLAC compare to the SHN format it is replacing?

    Basically, FLAC has better sampling rates - 24bit, 96khz (a cd is 16bit, 44.1khz) so it is more likely to be a relevant format in the future, is streamable, is compatible with ID3 tags, has an OSI approved license, has integrated checksums, this list goes on... And FLAC does it all in a smaller file size than SHN.

    There is a discussion about the practicality of its use as well as a technical comparison for you to glean more information from.

    Oh yeah, and FLAC is now a part of Xiph.

  32. whoa whoa, everyone just CALM down... by gosand · · Score: 5, Funny
    Why is everyone here giving Phish so much...

    .. (wait for it) ..

    FLAC?

    badum-tchhh. Thank you, I'll be here all week, tip your moderators.

    I kill me.

    --

    My beliefs do not require that you agree with them.

  33. Maybe... by lauterm · · Score: 2, Funny

    ...if they changed the name to Absolutely Free Lossless Audio Compression...then they could do tv commercials where this duck wanders around quacking their acronym...oh wait, already been done.

  34. Vinyl vs. CD by Phreakiture · · Score: 2, Interesting

    First off, let me state that for the vast majority of people (myself included), CD is superior to vinyl.

    That said, vinyl has a superior frequency response (potentially 5Hz-27kHz) than CD. To someone with odd hearing (yes, I knew someone who could hear that high) this makes a difference, provided the source material was also analogue, or at least sampled fast (e.g. 96kHz).

    CD blows vinyl away on signal-to-noise ratio (98dB vs. ~40dB) distortion, wow and flutter, and, most pronounced, media durability.

    I would propose that those who say that vinyl sucks have not listened to vinyl on a GOOD turntable. I would also propose that the reason CD rocks is that you don't need to spend a fortune to get good equipment.

    I suspect that the love of vinyl is a mixture of wanting to be unusual and of nostalgia. For the record (no pun intended), I do play vinyl, but my MP3 collection gets the biggest workout, most of which was ripped from my legitimately-owned CD's. I encode at 192kb/s, and it sounds very nice.

    --
    www.wavefront-av.com
  35. The Real Reason Lossless Compression is good by doublem · · Score: 4, Informative

    I have a portable Minidisc player for listening to music in the car. This player uses it's own compression scheme. I want to download some audio, and I download from two sources, and MP3 and a lossless compression program.

    Since the MP3 was encoded at a high bitrate and used a decent encoder, I can't tell the difference on my computer.

    I burn them to CD, and I can't hear the difference on my stereo.

    I copy them to the Minidisc player, and I can hear a few nasty audio artifacts.

    Let's say I loan those CDs to a friend. They rip them to MP3. The CD burned from the lossless source sounds like just the same on his equipment. The CD burned from the MP3, when ripped, sounds terrible.

    It's the same reason people tell you not to convert your MP3s to OOG Vorbis, but to rip the original CD instead.

    Whenever you take a lossy audio file in one format and encode it into another, you get layered audio artifacts.

    To get a visual representation of this, take a JPEG of a photo and put it through several file format changes. Save it as BMP, then open the BMP and save it as something else. If you keep opening the resulting file and saving it to a new format, you'll start to see pixilazation and compression artifacts, until the image is a fuzzy disaster that looks nothing like the original.

    --
    "Live Free or Die." Don't like it? Then keep out of the USA
  36. Re:FLAC is slow? by dave-tx · · Score: 2, Interesting
    The speed you're seeing is normal behavior for FLAC. According to the FLAC features page,
    FLAC is asymmetric in favor of decode speed. Decoding requires only integer arithmetic, and is much less compute-intensive than for most perceptual codecs. Real-time decode performance is easily achievable on even modest hardware.
    It takes longer to encode to FLAC than to Monkey's, but it should be much quicker to decode. This was done intentionally, to reduce the burden on the playback system.
    --

    >> "What would the robut do? Frame someone!"

  37. Funny in the FAQ :-) by barnaby · · Score: 3, Funny

    Looking over the PHISH FAQ under....

    What are the recommended specs for enjoying Live Phish Downloads?

    Under Unix it says...

    Unix
    You probably don't need our advice.


    --
    Barnaby