Slashdot Mirror


The Self-Tuning Guitar

CowboyRobot writes "With the TransPerformance Performer you push a button to activate a mechanical re-tensioning of the strings to any of a few hundred tunings, 'accurate to within 2 cents over the entire tuning range', in a couple of seconds. They can even refit your existing guitar. There's a long audio interview with Jimmy Page on the site. It's funny to hear him speak."

110 of 512 comments (clear)

  1. Even more fabulous by jaf · · Score: 5, Informative

    It's being done with pianos:
    See this New Scientist article

    --
    -- jaf
    1. Re:Even more fabulous by MyFourthAccount · · Score: 4, Insightful

      Interesting read. I liked this quote:

      "From a pragmatic point of view I think it's an absolutely appalling idea. It would put me out of a job," says Martin Surrey, who tunes pianos for the English National Opera company.

      No shit, Sherlock.

      Welcome to the world of automation. The other 99.9999% of the population has had their work been influenced by it for a couple of decades now.

    2. Re:Even more fabulous by micromoog · · Score: 5, Informative
      This isn't just for correcting tuning. The real boon for guitarists is not the ability to correct tuning quickly (that's actually really easy), but to change to alternate tunings quickly. There are many alternate tunings that take advantage of resonance between different open strings for very interesting sounds, but are not suitable for general-purpose use like the "standard" tuning because the intervals are too awkward.

      Alternate tunings are not very widely used today, mainly because it's such a pain in the ass to retune a whole guitar. Some company back in the 80s made a guitar bridge where you could flip switches at the base of each string to change its tuning . . . I think it worked fairly well, but was not widely used. There's also a tuning key that just drops the low E down to D with the flip of a switch . . . that one got used a fair bit.

    3. Re:Even more fabulous by Golias · · Score: 4, Informative
      Give that man a cigar!

      Alternate tunings is exactly why this is huge for guitarists.

      I would never put a device like this on my piano, because manual tuning only needs to be done twice a year, and any professioinal piano tuner worth his wage is also going to check all the pads and maintain the action of the keys for me.

      But when I play guitar with my garage band, I mostly play in standard tuning, but switch to open-G for a lot of slide-blues songs. Currently, I do this by having two guitars, so an autotuner that can quickly switch like this is easilly worth the price of a second guitar to somebody like me.

      --

      Information wants to be anthropomorphized.

    4. Re:Even more fabulous by Wargames · · Score: 3, Informative

      I think for most people having your grand drawing 500-600 Watts 24/7 is going to cost more than the $75 two times a year to keep it professionally tuned. Not to mention the cost of retrofitting this system. (Based on 7 cents / kilo Watt hour a typical rate:) N

      500 watts x 24 hours/day x 30.5 days/month = 366,000 Total Watts
      366,000 Total Watts / 1000 watts = 366 kilowatts
      366 kWh x 7/kWh = $25.62/month; $307/year .

      --
      -- Each tock of the Planck clock is a new world and here we are still life. --
    5. Re:Even more fabulous by essiescreet · · Score: 4, Informative

      Well, cam tuners have been around for banjos for awhile. You set 2 stops, and voila! Listen to some Earl Scruggs (Earl's breakdown, Flint Hill Special, Randy Lynn Rag, and more) and you'll hear them used during a song for the effect.

      This is sort of like the bridge, and they can also allow you to quickly retune from the Open-G to Open-D tuning.

      Bill Keith (http://www.beaconbanjo.com) makes some, and I have a set on my banjo and they're awsome!

    6. Re:Even more fabulous by Slamtilt · · Score: 2

      Yeah, but it looks like it's only for electrics. Which makes sense, you don't want to be sticking more crap than you have to on an acoustic's soundboard, but it would be nice to have such a thing since it's my acoustic that spends most of its time in alternative tunings. Perhaps down the road they could manage a headstock mounted thing, but it would need to be tiny and light.

    7. Re:Even more fabulous by errxn · · Score: 2, Insightful

      Not only did Sonic Youth experiment with alternate tunings, they would also stick things like screwdrivers in the strings and play out of tune on purpose sometimes. They were one of a handful of bands from that genre that could actually make the noise and dissonance they created work. Interesting stuff.

      --
      In Soviet Russia, Chuck Norris will still kick your ass.
  2. I can't wait... by bc90021 · · Score: 2, Funny

    ...for when cars become self-tuning too. ;)

    1. Re:I can't wait... by hph · · Score: 2, Informative

      But they are..

      Check it out: ATI Overdrive

    2. Re:I can't wait... by dasmegabyte · · Score: 5, Informative

      Uh, cars are self tuning now.

      "Tuning" on a car, as in a "tune up," refers to the adjustment of the fuel and ignition systems to provide maximum efficiency. On mechanical cars, this meant adjusting the carburetor, adjusting the timing, adjusting the ignition points and condensor, etc.

      All of these parts are computer controlled, and have been since fuel injection became popular around, well, some time between 1980 and 1990. It's even more efficient that way. And the computer is auto-adjusting -- it senses microscopic knocks and adjusts the mix on the fly. When a computer part fails, it fails obviously, unlike the gradual loss of power you face with a carburetor. I had my Ignition Control Module go on me two weeks ago and it was OBVIOUS...one cylinder just stopped firing (ouch).

      So yeah, cars are self tuning. In fact, anybody in the past 10 years who's sold you a "tune up" either did nothing at all to your car, or checked a lot of other things that had nothing to do with what we called a "tune up" before the 80s.

      --
      Hey freaks: now you're ju
    3. Re:I can't wait... by black+mariah · · Score: 2, Informative

      IAAGT (I am a guitar tech). It is not the strings. It is most likely the bridge on your acoustic is worn down and needs to be replaced. Take it to a repairman and get it fixed. Bridges are not designed so your strings are sharp or flat. Saddles get worn, and they need to be replaced. The sharp/flat thing is more likely than not just you running across the fact that guitars are NEVER correctly in tune. I suggest you check out this article by Jack Endino and read up on it: http://endino.com/archive/tuningnightmares.html

      --
      'Standards' in computing only impress those who are impressed by things like 'standards'.
  3. Sweetness... by bucktug · · Score: 5, Funny

    Now if only they could get one to automatically play a real F or some of the more complicated SUS7#'s for us...

    I have the fealing that most guitarists use the F just to stop me from trying to learn the song.

    --Turvey

    --
    I had a flame... but she had a fire.
    1. Re:Sweetness... by Vagrant · · Score: 3, Insightful

      I think his complaint is that F is the hardest chord to barre since it is so close to the nut. Depending on the guitar action and your hand strength, it is sometimes impossible to strum a clean crisp F.
      To the original poster ... try a different guitar, you may be pleasantly surprised.

    2. Re:Sweetness... by Noah+Adler · · Score: 3, Insightful
      Now if only they could get one to automatically play a real F

      Maybe you should consider PRACTICING a little bit instead of looking to technology to make you a rock star.

      If automation is really the way you want to go, there are even better guitars out there with your name on them. They don't stop at a mere F chord, they'll play the whole damn song for you! Rock star in a box!

      But really, is an F honestly that hard to play? ;-)

    3. Re:Sweetness... by Golias · · Score: 3, Funny
      In that case, I suggest you use x-8-10-10-10-8 (or even x-8-10-10-10-x, if your ring-finger knuckle doesn't bend backwards very well) instead.

      Remember kids, there is no money in the first five frets! :)

      --

      Information wants to be anthropomorphized.

    4. Re:Sweetness... by Golias · · Score: 2, Funny
      If you are a lesbian folk singer, there's no need to be a technical master of the guitar.

      Thirtysomething male computer programmers, on the other hand, will impress nobody by singing "Blood and Fire" while openly weeping. Unless you are willing to dress up in flanel to pass yourself off as a very ugly butch lesbian and go on the Lilith Fair circuit, you need to learn how to play the whole guitar neck. :)

      --

      Information wants to be anthropomorphized.

    5. Re:Sweetness... by Keebler71 · · Score: 4, Insightful
      The key to a good bar chord isn't the index finger,.. it is your THUMB! The thumb gives you the leverage you need to bear down with your index finger across all 6 strings equally. Most people press their thumb into the neck of the guitr closer to the side with the big-E string. This results in good contact on the E and A strings, but the higher strings will probably be too loose to get a good tone. Try moving the point where you apply thumb pressure on the back of the neck closer to the higher strings. It may help to 'slightly' rotate your index finger so that you are using a little of the harder 'side' of the finger rather than the meaty palm site of the finger.

      --
      "It takes considerable knowledge just to realize the extent of your own ignorance." - Thomas Sowell
    6. Re:Sweetness... by dhudson0001 · · Score: 3, Funny

      Gawd. Why not keep 3 guitars handy...individually tuned to open string C,F & G chords. That way if your really good at scrambling, you could fake your way through most of Bob Segar's setlist...

  4. Roadies by Em+Emalb · · Score: 5, Funny

    man, I feel bad for the roadies.

    No more tuning the guitars.

    Sucks to be them.

    Guess its mic checks from here on out. Sorry fellas.

    --
    Sent from your iPad.
    1. Re:Roadies by LittleBigLui · · Score: 5, Funny
      Guess its mic checks from here on out. Sorry fellas.


      but mic checks are so much more rewarding:

      (big festival, crowd waiting for next band)

      Roadie: Microphone check ...
      Roadie: ... one, TWO!
      Crowd: ONE, TWO!
      Roadie: CHECK, CHECK, ONE, TWO!
      Crowd: CHECK, CHECK, ONE, TWO!
      (Singer enters the stage, hugs roadie)
      Singer: That nice guy is Jimmy. Everybody say "Fuck you, Jimmy"!
      Crowd: Fuck you, Jimmy!

      ahh, the sweet memories :)

      --
      Free as in mason.
    2. Re:Roadies by ciaohound · · Score: 2, Funny

      Their jobs are all being outsourced to India anyway.

      --
      Oh, yeah, it's not easy to pad these out to 120 characters.
    3. Re:Roadies by gblues · · Score: 3, Funny

      Reminds me of an old joke:

      Q: Why do sound technicians only count to two?
      A: Because if they could count to three, they'd be lighting technicians.

      Nathan

  5. Cool, but... by kinnell · · Score: 2, Funny

    Does it run linux? It would be cool to be able to check your email in the middle of a gig by running mutt on the LCD display.

    --
    If I seem short sighted, it is because I stand on the shoulders of midgets
    1. Re:Cool, but... by gravelpup · · Score: 4, Funny

      Paul Allen is funding this, therefore it sucks. But Allen is funding SpaceShipOne, which is cool! But SpaceShipOne is Armadillo's competitor, therefore it sucks! But... *head explodes*

      --

      Things are more like they are now than they ever were before.

  6. vocalists by v_1_r_u_5 · · Score: 5, Funny

    Now if only we can get these for vocalists...

    1. Re:vocalists by Bohnanza · · Score: 5, Informative

      Believe it or not, Autotune already exists! This product is the sole reason people like Britney Spears and Justin Timberlake can be called "singers"

      --

      -----

      Sorry, I'm only a 1336 h4x0r.

    2. Re:vocalists by CausticPuppy · · Score: 2, Informative

      Antares makes some wonderful technology. I use their Kantos synth all the time (uses the same pitch controller than autotune does, but the output drives a synth).

      Unfortunately, in the case of autotune, it's a case of good technology that is mostly used for evil. And by "evil" I mean "crappy boy/girl bands."

      --
      -CausticPuppy "Of all the people I know, you're certainly one of them." -Somebody I don't know
    3. Re:vocalists by Mr_Silver · · Score: 3, Informative
      Believe it or not, Autotune already exists! This product is the sole reason people like Britney Spears and Justin Timberlake can be called "singers"

      It was also used by Pink in the song "Get the party started". If you listen to the track, the metallicy bit was produced using Autotune.

      (fact courtsey of the Science Museum, London)

      --
      Avantslash - View Slashdot cleanly on your mobile phone.
    4. Re:vocalists by Ytsejam-03 · · Score: 2, Informative

      It's not just Britney Spears and Justin Timberlake. It's damn near every so-called "singer" in the top 40 these days. Real talent is seconday to image in this industry. The only reason that we don't see bands like Milli Vanilli these days is because studios can use technologies like autotune and Pro Tools to make any nice set of breasts sound like a pro.

    5. Re:vocalists by nfotxn · · Score: 2, Insightful
      And soon they will be replaced with vocal synthesizers like Vocaloid that will allow future Britneys and Justins to focus sorely on being pretty and making wadrobes "malfunction".

      Idoru anyone?

      --

      _nfotxn

    6. Re:vocalists by TheTomcat · · Score: 2, Insightful

      So, where's the line?

      Should everything be live, off-the-floor, with a pair of large diaphragm mics (stereo), running into a 2-track?

      What about drum loops? Can they be "trusted"? What if said loops are sampled as opposed to composed?

      Or delay pedals? How about live-built guitar loops? Or a lead singer doing his own backup vocals? Is it ok to mic an accoustic guitar at the sound hole, AND at the base of the neck? How about something as simple as an EQ? Or reverb that DOESN'T come from a 30 foot tall, rock-lined iso.?

      I'm not disagreeing with you, but.. there IS no line, AFAICT... gray areas..

      I say, do what you need to do to make the recording sound as good as possible -- "good" being an artsy term, not a scientific one. And remember, there is much value in knowing that good album mixing/production is more than just setting up some mics, and moving the faders to the right levels?

      S

    7. Re:vocalists by kin_korn_karn · · Score: 2, Insightful

      I think we agree, basically.

      Look at it this way. Rush recorded "La Villa Strangiato" (a 9-minute masturbatory instrumental that goes through a bunch of time signatures, if you're not familiar with the song) in one take, live, with no overdubbing or editing. They had it all together and knew what they were going to do well before the tape got rolling.

      Today, they would probably record one part at a time and an engineer would cut and paste it together and smooth out the transitions with a plugin.

      It's hard to know whether you should respect a band's musicianship or not because it's too easy to fake it now.

      Now, whether you like Rush or not (most people don't and I don't want to get into that) you can't argue with their technical musicianship. Sure, they could have faked part of it then, but you couldn't cut and paste portions of individual tracks without loss like you can with today's systems and someone with good trained ears would be able to hear it.

      Zappa used to say that the studio was where the composition gets perfected, so there's no shame in using studio tricks to enhance your music. I agree with that, but to me as an anal semi-purist I don't think you should use studio tricks to CREATE your music.

    8. Re:vocalists by UncleGizmo · · Score: 2, Interesting

      I also pretty much agree w/you, and would posit this: I think most 'purists' have more an issue with lack of musicianship than with studio production. If great musicians used the studio to make a cool song, fine. The problem comes when artists essentially become popular because of their looks, the way they dance, and the songs they 'perform' [I won't say sing] - which are generally written by someone who is truly talented at writing a song.

      I got into a huge argument recently with someone who hates the new Outkast song 'Hey Ya'. I admit it's a silly, fun song, but it's also catchy, and there are some [IMO] brilliant little hooks/time sigs in there that make it what it is. But at least they wrote and produced it themselves.

      Who gets more fame, glory, and cash - Britney, or her songwriters, engineers, producers and choreographers who make her what she is? Shouldn't be that way, if we were rewarding the real artists instead of the art.

      --
      Who put this thing together? Me, that's who.
  7. I wonder... by millahtime · · Score: 4, Interesting

    I wonder how many guitarists will take to this since to them it is such and art and about what they hear. Can a computer really tune to the level that they can hear it needs to be tuned to for them?

    1. Re:I wonder... by mtrupe · · Score: 2, Informative

      We've been using chromatic tuners for a long time--- much more accurate than 2 cents. This would have been good during the hair band era, when those guys were using wammy bars like they were going out of style...

    2. Re:I wonder... by cozziewozzie · · Score: 4, Interesting

      A vast majority of guitar players I've met (and I've met a share as I used to play live) use electric tuners for their guitar. There is nothing more embarrassing than standing on the stage and tuning 'by ear' while the whole audience is listening. From electronic tuners (some of which are digital) to an auto-tuning guitar is a very small step -- the only thing you get to do when using a tuner is tune up or down depending on what it tells you.

    3. Re:I wonder... by kinnell · · Score: 3, Insightful
      to them it is such and art and about what they hear

      Tuning is a science, not an art. Either the guitar is in tune, or it's not. If it's not, it sounds wrong. An out of tune guitar sounds bad, period. The only issue I can see, is if the tuning mechanism affects the tone, but this is unlikely, if they've designed it properly.

      Can a computer really tune to the level that they can hear it needs to be tuned to for them?

      I'll wager a computer can tune a lot better than most guitarists.

      --
      If I seem short sighted, it is because I stand on the shoulders of midgets
    4. Re:I wonder... by Skater · · Score: 3, Funny

      Ironically, they were going out of style!

      --RJ

    5. Re:I wonder... by iomud · · Score: 2, Insightful

      I'm pretty sure this is why the Boss TU-2 has bypass so you can tune without other people listening even in the middle of a song during a drum solo or breakdown what have you. Visual feedback so you don't even have to be able to hear to tune properly.

    6. Re:I wonder... by bluGill · · Score: 2, Informative

      Before you say tuning is a science you need to learn something about tuning. The correct tuning is NOT based on math, where you have A at 440 double it for the next A, and then divide that interval into 12 and put each note in its place based on the division. Well it is, we call it standard temperment (or even temperment), and it is the most common temperment in use today. However Standard temperment is always wrong. We use it because it sounds okay everywhere and we have trained our ears to accept it. True musicians (of which I am not) play with temperment, which allows them to play one chord that is perfect, but it comes at the expensive of some other chord being so wrong even a tone deaf person won't like it. There are many other temperments, with various advantages and disadvantages.

      Bach's well tempered organ was written to show off how a chord sounds different in different keys, and doesn't sound the same on with standard temperment.

      This is far more complex than a simple science. Stick with standard temperments and your right, it is a science, but are true artist knows and [sometimes] uses other temperments when they are better. That is art.

    7. Re:I wonder... by clbyjack81 · · Score: 2, Interesting

      "Any musician worth his weight should be able to tune by ear within 10% at the very, very least."

      At the very, very least is a bit of an understatement. As a classical musician (horn, not classical guitar) I am expected to be able to tune on the fly to within...say...+/- 0 cents. I am expected to be dead on, all the time. Only a bit of skill and practice is required. I just don't get all this talk of "well, 2 cents ought to be close enough"!

      --
      Cole's Axiom: The sum of the intelligence on the planet is a constant. The population is growing.
    8. Re:I wonder... by cozziewozzie · · Score: 2, Insightful

      Your post was unreasonably aggressive and full of BS. I won't flame you back, just point out a few things:

      - Electric tuners do not sit next to your amp and you can use them without anyone in the audience noticing.
      - If you turn your guitar/amp down so the audience doesn't hear it, you probably won't hear it either. Do you know how the sound is wired at a gig?
      - Re-tuning a string or two doesn't mean that you won't go out of tune with your other bandmates.
      - Many professional players DO have tuners and use them during gigs, because only children think it's so badass to demonstrate your tuning ninja skills on stage.

    9. Re:I wonder... by back_pages · · Score: 3, Funny
      Actually, there are footboxes that very brightly display a chromatic tuner while killing the output signal. So between songs, you can stomp on the box (which makes your guitar silent) and then very easily tune it visually.

      You can even do this while you're talking, chewing gum, or arguing about which song to play next.

      Tuning by eye, however, is something else entirely. It is an obscure talent that I've only seen demonstrated once. The guy played a steel string and he would just hold the where he could see it from the front and then turn all the knobs. When he was done, he'd announce, "That looks about right," and then hold up the guitar for the audience to inspect it. He was good, too -- the guitar was always in tune.




      (It was an act of misdirection while he used his footpedal tuner. It got a great reaction from the crowd.)

    10. Re:I wonder... by Keebler71 · · Score: 2, Interesting
      Tuning IS a science! When I taught physics to prep school students, I would bring in my guitar when we discussed beats and let them hear beats for themselves as I brought two tones closer together and farther apart. Of course, you can not use harmonics to get 'exactly' in tune due to the equal-tempered nature of Western cultures' music scales, but you sure can get close.

      Personally I use a tuner about once every couple years... and usually just prove to myself that I don't need it. If you use the harminic method, and get the beat period down to 10 seconds or so, you are talking on the order of .1 Hz of error. The gottcha is that you don't want to compare harmonics all the way across the neck as the errors are cumulative and you will hear that high E and low E are not tuned an octave apart. Once I get tuned close, I then play several different chords arpeggio style (one note at a time) making slight adjustments here and there (open G, C and D chords sufice for me). I assume that this last step is correcting a 'pure-tuning' to an 'equal-tempered' tuning. Is it fast? No... it takes me a minute or two; but it is rewarding in an 'I solved the Rubic's cube' kind of way.

      --
      "It takes considerable knowledge just to realize the extent of your own ignorance." - Thomas Sowell
  8. Jimmy Page by debilo · · Score: 4, Informative

    For those who don't know, Jimmy Page was the guitarist for Led Zeppelin. While he doesn't have the best technique when it comes to playing the guitar, he really really does have a grasp of melodies. He's a genius, you'd better listen to that guy. :)

    1. Re:Jimmy Page by mtrupe · · Score: 4, Funny

      If anyone doesn't know who Jimmy Page is, please post your address so I can come smack you.

    2. Re:Jimmy Page by FearUncertaintyDoubt · · Score: 4, Funny

      Quoth Homer:
      "You can see everything from here! There's Big Ben, there's Picadilly Circus, and there's Jimmy Page, the greatest thief of American Black Music who ever lived!"

    3. Re:Jimmy Page by Short+Circuit · · Score: 2, Funny

      short.circuit@grnet.com

    4. Re:Jimmy Page by eggoeater · · Score: 3, Insightful

      I agree...some people listen to some of his solo lines and think "that sounds sloppy." True. But they kept it because it had feeling. If there's any doubt about his ability to play FLAWLESSLY, just listen to Bron-Yr-Aur, which is played in an ALTERNATE TUNING!!! I tried to learn it once.... I gave up. Too hard. (...and I use to be able to play most Van Halen stuff.)
      Jimmy Page is an amazing guitar player.
      -Steve
      -----
      This Sig best viewed in a drunken stupor.

  9. Worried by physicsboy500 · · Score: 5, Funny

    now I don't have to be concerned that I'm putting to much tension on my G-string... phew!

    --
    The original generic sig.
  10. "But will it auto tuna fish ?" by Onan+The+Librarian · · Score: 4, Funny

    Well, someone was going to say it...

  11. Cool, but by dreamchaser · · Score: 5, Insightful

    This is really cool. However, maybe I'm showing my age here in that I'm not sure I really like the idea. I've been playing for 25 years (since I was 12) and IMHO a huge part of learning to play is developing a good ear and being able to tune your instrument by hand. I never cared for electronic tuners for the same reason.

    That being said, since I *can* tune by ear, I probably wouldn't mind the convenience of being able to 'dial in' whatever tuning I want.

    Let's just make sure that newbs learn things right before you let them have one of these ;-)

    1. Re:Cool, but by cozziewozzie · · Score: 2, Insightful

      Tuning by ear is great, if you're playing for yourself. If, however, you are playing with others, it takes quite a while to get all of you in tune, and you usually get out of tune by the end of the first song. Especially if you rehearse daily and play live often, it can become a pain.

      I agree that developing a good ear is important, but when you're paying huge $$$ for the rehearsal room, or have 300 people listening to you, you don't want to spend half of your time tuning your guitar. It's something all guitar players can do by ear, but shouldn't have to keep doing it over and over again.

  12. Just what we need by AlgoRhythm · · Score: 5, Insightful

    well my first reaction was "Great! More tone deaf 'musicians' who can't even tune thier own guitars ... at least they'll just suck instead of also being out of tune."

    But then I remembered I fellow I used to play with who was enamoured with oddball tunings. I would have loved to get him one of these, because he had to change tunings so often that the audience would get bored in between songs. Wouldn't have been so bad if the guy had had a pesonality to keep them entertained with ... guess that's why I USED to play with him.

  13. Hmmm by pHatidic · · Score: 5, Funny

    Take a look under the testimonials section...Used by the band "Paul Allen and the Microsofts"??? I'm not sure if this is a joke or not, but /.'ers believe you me, its an omen. This thing must someone be evil.

  14. Professionals only, please by The+Fun+Guy · · Score: 4, Insightful

    The FAQ says it costs about $4000 to retrofit it onto your guitar. This is not for your average guy who plucks a bit on the weekends.

    --
    The man who does not read good books has no advantage over the man who cannot read them. - Mark Twain
    1. Re:Professionals only, please by ageitgey · · Score: 5, Interesting

      Most professionals (who make any sort of real income playing) have roadies who tune their guitars for them. That way they can have the roadie tune an extra guitar between songs and they can switch for the next song without delaying the show.

      I think a lot of guitarists think of tuning as an annoyance, much like setting up amps and monitors. That being said, it's still cheaper and more efficient to buy 4 guitars for a thousand dollars each and have them tuned up for different songs than to spend 4000 on retrofitting a one thousand dollar guitar unless you change tunings during the song.

      As anyone who has seen Jimmy Page live in the last 8 years or so can tell you, he uses the auto-tuner to change tunings in the middle of the song and even uses contant tuning changing as an "effect". Some of his effects would be otherwise impossible to create live.

      --
      Uninnovate - Only the finest in engineering.
  15. Accurate within two cents? by mtrupe · · Score: 2, Insightful

    Big deal- I'll tune it myself. Whenever I need to tune its usually because I am less than 2 cents out of tune anyway (unless my guitar has been re-strung or not played in a while).

    Besides, who would want that big nasty thing on a Beautiful Taylor, Les Paul, or Strat? Its a cool toy, but I don't see much use for performers.

  16. Time to move on by Anonymous Coward · · Score: 2, Funny

    Now that just anyone can tune a guitar, I guess I have to find something more elite...

  17. Kind of interesting by ScottGant · · Score: 2, Interesting

    I can understand maybe with people just starting out in learning the guitar, but with someone that knows how to tune a guitar, and having a guitar that stays in tune (ie, don't buy cheap crap), is important. But learning to tune the guitar by ear is part of the learning process.

    Well, perhaps as the strings age the guitar can compensate for that I suppose...but I use Elixers on my Martin and they last a good month before they need changing.

    Ah, also forgot, if you're into alternate tunings this would be a quick way to switch them around without having 5 different guitars all tuned differently.

    Also, in case you haven't check it out yet, go buy the Led Zeppelin DVD that was released last year. You'll see why Zeppelin ruled the stage in their day. Much better than the lack-luster "Song Remains the Same" performance we were stuck with for so long. I actually saw them in concert in May of 1977 in Maryland, and they were MUCH better than that movie. This new DVD shows this, and without all the silly acting parts (remember Jimmy Page's eyes glowing red?).

    --

    "Music is everybody's possession. It's only publishers who think that people own it." - John Lennon.
    1. Re:Kind of interesting by cozziewozzie · · Score: 4, Informative

      I can understand maybe with people just starting out in learning the guitar, but with someone that knows how to tune a guitar, and having a guitar that stays in tune (ie, don't buy cheap crap), is important. But learning to tune the guitar by ear is part of the learning process.

      The tuning of your guitar depends on many factors, and only one of them is the quality of the guitar. For example:

      - How often and how hard you bend
      - How hard you bang your guitar while you play (blues vs. punk)
      - The gauge of the strings
      - How fresh/old the strings are
      - Use a tremolo/whammy bar? Things go way out of tune with those.
      - Retune your guitar often for alternate tunings? This can also affect the stability of the strings
      - Alternative playing methods, a la Sonic Youth (playing with drumsticks etc)

      For some people, it is easy to stay in tune. For others, tuning between each song is a must, even with really good equipment.

  18. Re:tuning by NorthWoodsman · · Score: 5, Informative

    100 cents = 1 half-step = the smallest pitch distance on a piano

    --
    1p}{ 1 sp34k |33+ +|-|e|\| p30p13 \/\/il| 8e i/\/\pr3553|)
  19. Bridge by debilo · · Score: 5, Interesting

    Hello, don't hate me for it, but I followed the link and read the story. Seems like the bridge is replaced by motors that tune the guitar by moving the bridge slightly, thus increasing or lowering the string tension. I can't speak for everyone, but I for one like my strings in a fixed position from the frets. I want the distance between the strings and the frets as small as possible. Does anyone else see a problem with that, since moving the bridge alters that distance? Or do you think those movements would be so subtle that one could hardly tell there was a movement at all?

    1. Re:Bridge by SoTuA · · Score: 2, Insightful
      If they are to affect the tuning, they should be more like "lengthening or shortening the string" that "raising or lowering the string". The effects on string action(*) should be negligible... of course, this assumes you have your guitar mostly in tune, as if you are grossly out of tune you will need BIG bridge movements to compensate.

      (*)action: Shortest distance from the strings to the fingerboard.

    2. Re:Bridge by Anonymous Coward · · Score: 2, Informative

      no. watch the video - the bridge is not affected. the action and the intonation is dictated by the bridge, which stays put. the motors act on where the strings are fixed in the back, pretty much like on a Floyd Rose-type locking whammy bar bridge...

    3. Re:Bridge by matthaney · · Score: 2, Informative
      "Seems like the bridge is replaced by motors that tune the guitar by moving the bridge slightly, thus increasing or lowering the string tension."

      I'm not sure that's how it works - moving the bridge would be a Bad Thing, as it would screw up intonation or action (or both - eww).

      Now I'm guessing a bit here, as the site is a bit light on actual details (I'd wanna know more before sending them my $4k AND my beloved guitar), but it seems to me like an extra set of string tensioners are installed behind the bridge - like the fine tuners in a Floyd Rose bridge. Floyd Rose bridges generally work well - this should too.

      $4k is a lot of money though... That buys an awful lot of guitar. With change left over for a roadie's pay for a few years ;-)

    4. Re:Bridge by Anonymous Coward · · Score: 3, Informative

      No, the intonation is controlled by the length of the string, the action by the height of the bridge. This thing alters neither of these but works by altering the tension in the string. Since the frequency of oscillation is determined by string length and tension you can change the note without effecting intonation. In fact, this is exactly how standard tuning pegs work.

  20. In other news by scatter_gather · · Score: 2, Funny

    I have invented the self-playing guitar. In a fit of creative frenzy I have named it the CD!

  21. Cannot tune by machine alone by bodland · · Score: 4, Informative

    Each guitar has it's quirks. Depending on the intonation the "b" string on a guitar needs to be tuned manytimes slightly flat to allow chords to ring true.

    The human ear has a problem with "b". Even though the tuner may say it is perfectly in tune a simple "D" chord will sound awful.

    Compensating bridges make up for this intonation problem but it is still not exact.

    Automatic tuners may look cool but will go the way of locking nuts. Remember those locking nuts and big ass whammy bars forced on us by Eddie VanHalen in the 80's?

    1. Re:Cannot tune by machine alone by mjprobst · · Score: 2, Interesting

      Actually, the human ear has no problem with "B". The problem is that the 12 frets, or the 12 steps of the chromatic scale, stand for multiple notes. Bb is not the same as A#, and even any one of those notes actually stands for several other slightly different notes that fit with different chords in different keys.

      It's all about equal temperament not matching the notes one really wants to use. Good guitarrists compensate slightly by stretching strings just a bit, but it still can't match the flexibility of a well-played fretless instrument. The 12 chromatic steps are just a convenient lie to prevent the necessity of over 30 notes per octave.

    2. Re:Cannot tune by machine alone by xoran99 · · Score: 2, Interesting

      Each guitar has it's quirks. Depending on the intonation the "b" string on a guitar needs to be tuned manytimes slightly flat to allow chords to ring true.

      Looks like someone needs to check the action on their B string...

      Automatic tuners may look cool but will go the way of locking nuts. Remember those locking nuts and big ass whammy bars forced on us by Eddie VanHalen in the 80's?

      Locking nuts and big ass whammy bars are still important to some... Steve Vai's and Joe Satriani's signature guitars still have those. Sweeeeeeet...

      --

      Karma: Bad (mostly due to all those "In Soviet Russia" jokes)

  22. i teach bass.... by musikit · · Score: 4, Insightful

    and i meet students all the time that don't want to learn to tune because of digital tuners. i would imagine how "bad" music would sound when they can figure out they can just press a button to retune their guitar. people listen. you ear tune to train your ear.

    1. Re:i teach bass.... by wirehead_rick · · Score: 3, Interesting

      Well I play bass and the best lesson I ever learned was to tune my Bass without any reference tone at all (think the tone in your head, then tune to it. To master this skill you constantly check it later to see how close you were). Practicing this exercise over and over forces you to learn the "notes" and not the positions.

      Now when I hear pop songs I can determine every bass note played without having to have a bass in my hands. I can then go and play the song (not perfectly, practice is _always_ necessary) reasonably close. I cna listen to other musicians play and jump in with the my Bass without having to hunt around for the positions to match the notes I "hear" in my head. It makes me a better bass player overall.

      If you let your students get away with tuning with digital tuners you are doing them no good. You should take the bass out of their hands, manually de-tune it and force them to tune it by ear before every lesson you give. See how dependant they are on the digital tuner after 5 lessons.

      In the long run you will make them better bass players for it.

      --
      -- Mean People Suck
  23. Seems interesting... but... by OctobrX · · Score: 3, Interesting
    On the surface it seems like something that's quite cool. But to be honest, most people simply play stuff live either half-a-step down or in drop D. Sure, there are other bizzarre tunings out there that are really cool to play in, but that's why most guitarist are also guitar collectors and like to take at least a few of them with them even while simply playing at local shows...

    This seems like a cool thing, but all it all I doubt seriously it'll catch on. Plus, I can't can't see anyone who can afford a $2k(US)+ guitar taking a chance at killing its resale value by doing this mod.

    From their FAQ: Some wood is removed and replaced with the computer and mechanical device.

    --
    geeky stuff I'm proud to have been a part of: linux.com / themes.org / sourceforge.net / sicnus.com
  24. These aren't new by samsmithnz · · Score: 2, Informative

    These have been around since the 80's... The only difference is that now they can be lifted by a 'normal' man now that electronics have become so much smaller...

  25. People... by ProudClod · · Score: 5, Insightful

    Don't seem to understand what this product is for. It's not for tonedeaf idiots who can't tune a guitar.

    It's for professionals, who want to expand their sound by being able to change tuning midsong and at a rate of a tone a second, so that you can get effects and changes in sound that are impossible on a normal guitar tuning headstock (believe me, I just tried to emulate this video with my guitar: http://www.selftuning.com/video/video.html )

    I think the price tag of 3300$-3899$ says it all really.

    --
    Gamers Europe - Gaming News. Reviews.
    1. Re:People... by prockcore · · Score: 2, Interesting

      so that you can get effects and changes in sound that are impossible on a normal guitar tuning headstock

      It's not impossible, just really really hard. I saw Adrian Legg open for 3G, he would hit a note and while it's ringing, change the tuning of his guitar. The result is what sounds like an impossible bend on an acoustic guitar.

  26. Yes, I DO remember.... by UrGeek · · Score: 3, Interesting

    ...the locking nut whammy bar. The best invention since the electromagnetic pickup! Floyd Rose is a genius!

  27. Stavinsky's comments... by Threni · · Score: 2, Funny

    ...about harpists seem somewhat appropriate here:

    "Harpists spend 90 percent of their lives tuning their harps, and 10 percent playing out of tune".

  28. Guitarist's are traditionalists by goatan · · Score: 2, Insightful
    this is unlikley to be popular Most guitarists are traditionalists valves are our main preference whilst transistors are devil spawn in an amp.

    The only people likley to buy this are those who use a lot of diffrent tunnings in performance, but then they have to weight this against the likley reduction in the guitar's worth. I dont' think it would be worth forking out money to reduce the value of your pride and joy it might be the sort of thing i would put into my epiphone but never my strat. Didn't see a price on the site but some one mentiond $4000 at that price you could buy 3-4 gibson les pauls or 2 cornford hellcat amps, when compared to that it's not value for money at all. This isn't going to be worth it for the majority of players who use just one or two tunnings as you can get electric tuners for 5 that tune just as accuratley if not more so.

    I can see this being right up jimmy page's street but it's not going sell big.

    --
    Saying Apple is better than MS is like saying Botulism is better than rabies.

  29. moving the bridge? by FlyingOrca · · Score: 2, Informative

    I can see the effect on tension, all right, but wouldn't this also throw the intonation out?

    OTOH, it'd be nice to be able to flip between different tunings I use (EADGBE, DADGBE, DADGAD, FACGCE) easily and quickly...

    --
    Corruptissima re publica plurimae leges.
  30. Believe it or not, it's neither a typo nor a joke by blorg · · Score: 2, Informative

    "In his spare time, billionaire Microsoft Corp. (MSFT) co-founder Paul G. Allen plays the guitar in a rock band called Grown Men." - BusinessWeek

  31. "automatic guitar tuning grants' by TekZen · · Score: 2, Funny

    The Nashville, TN (my home city) government should have a grant program to provide these for every street musician. There is nothing more detrimantal to our downtown commerce than all of the out-of-tune, drunk singer/songwriters playing on the street.

    At least we can now fix the out-of-tune part!

  32. It gets better... by blorg · · Score: 3, Informative

    Paul Allen's band, Grown Men, have a website with mp3 (interestingly, not WMA) samples and lyrics, from their debut CD.

  33. butterface guitar by carpe_noctem · · Score: 2, Insightful

    Jesus, who designed this damn thing? It looks like someone glued a harmonica onto a les paul.

    I like the idea of having embedded electronics in guitars, but when you get down to it, it's a really dumb idea. A guitar is a musical instrument, that can be played for years and years. A circuit board will be obsolete by next christmas.... why would you want to disgrace a 3,000$ guitar with some cheap silicon junk? Let the effects processors do the processing and tuning, and the guitar just play the damn music.

    --
    "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
  34. RTFA by troon · · Score: 2, Informative


    The device adjusts tension, not length.

    Does the Performer affect intonation?

    No. Intonation is altered by changes in string length. The Performer changes tunings by adjusting the tension of the strings while keeping the string length constant.

    --
    Ydco co ,df C erb-y go. a Ekrpat t.fxrapev
  35. Tea Party by TheTomcat · · Score: 2, Informative

    The frontman for the tea party has had this for a while (dunno if it's exactly the same.. I was under the assumption that his was a custom job...)

    Check out this, from the Discovery Channel (.ca) ("Jeff Martin on 'smart guitars'").

    S

  36. Also done on Tympani... perhaps... by Bazman · · Score: 2, Interesting

    Drummer friend of mine worked on an auto-tympani tuner as his final-year student project, I think. Part of the problem was recognising the really low frequencies you get from tympani.

    I'm not sure how far he got with the project.

    Actually, I should probably call him a percussionist :)

  37. Sorry for the rant, but really!!! by theolein · · Score: 2

    Why even bother to buy a guitar and learn to play it if you can't tune it yourself? I find this pathetic, I'm sorry to say. Just buy a synthesizer and learn to play with that if you can't be bothered to learn to train your ear.

    What ever happened to talent and skill?

    1. Re:Sorry for the rant, but really!!! by Queuetue · · Score: 2, Insightful

      I don't think this is a laziness device. I think it's intended as a retune-during-performance device, to dramtically increase a single guitar's playable range.

      I'm reasonably sure that Jimmy Page knows how to tune a guitar.

  38. That'd wreck your head when using open tuning. by dwalsh · · Score: 2, Funny

    1. O.k. tune up the 4th and 5th strings...

    2. What the?

    3. Goto 1.

    4. Profit!!!

    pseudocode compiler: Warning, unreachable code.

    --
    ${YEAR+1} is going to be the year of Linux on the desktop!
  39. Don't fall for it!!!!!!! by trailerparkcassanova · · Score: 4, Funny

    It's a conspiracy developed by the wives of guitar players to eliminate a reason for buying another guitar!!! The "I need another guitar for an alternate tuning" has been ironclad for the last 50 years. If you run across one of these turn away. Don't look at it. Next they'll comeup with a guitar that lets you interchange bodys, neck and pickups to eliminate the "I needed a (insert one: Gibson (insert one) LP, SG, ES335,etc Fender (insert one) Strat, Tele (insert one) w/HB,, w/S, 12 string, Rick, Gretsch, PRS, etc) justification.

  40. Alternate Tunings by The+Famous+Brett+Wat · · Score: 4, Informative
    Pianos can take alternate tunings too, you know, and you sure as heck don't want to be re-tuning a piano manually in mid-performance. Although not all the following are intended for piano-like instruments, the Korg TR-Rack synth module (for which I have the manual at hand) can be configured for the following tunings: Equal Temprament (the standard tuning, where every note differs from the adjacent semitone by a factor of the twelfth root of two), Pure Major, Pure Minor, Arabic, Pythagorean, Werckmeister III, Kirnberger III (mainly for harpsichords), Slendro (Indonesian gamelean scale of five notes), Pelog (Indonesian gamelean scale of seven notes), Stretch, and a couple of user-programmable settings.

    Pragmatically speaking, there are (as far as I'm aware) alternate tunings for pianos, organs, and harpichords which relate to specific musical periods, such as the baroque. Thus, for truly faithful reproduction, you may want to tune to the Werckmeister III scale for performing some baroque pieces. Not to mention the different "pure" tunings for all the major and minor keys.

    --
    proof, n. A demonstration that a conclusion is implied by certain premises and axioms.
    1. Re:Alternate Tunings by Golias · · Score: 4, Informative
      For almost anything baroque or later, you want to use a tempered scale, so 99.99999% of the pianos out there are tuned to a tempered scale and left there.

      Some modern works might call for alternate tuning, I'll leave it to music critics to argue over whether that's being done as a cheap gimmick or not, but otherwise just about all non-tempered keyboard music comes from an era before pianos. If you are enough of a purist to play a re-tuned piano when playing a pre-Bach work, you are probably enough of a purist to play it on a period instrument.

      Besides, modern listeners have grown acustomed to the tempered scale. Playing in a "pure" tuning will only impress a handful of snobs.

      --

      Information wants to be anthropomorphized.

    2. Re:Alternate Tunings by selfsimilar · · Score: 5, Informative

      AHEM. Your "tempered" scale is the "equally tempered" scale and it's actually only recently (in the history of music) come into vogue. There's a great book called "Temperament: How Music Became a Battleground for the Great Minds of Western Civilization" by Stuart Isacoff. Basically Bach's Well Tempered Klavier is written for "well" tempered pianos, not "equal" (aka modern) temperament. And there are a ton of great keyboard works from that era which call for specific differently tempered tunings.

      That said, you're right, most modern music is written for equal temperament. But if pianos were easier to tune to alternate temperaments I'm sure many composers would take advantage of that. Sure some might use it as a gimmick, but most serious piano composers are above gimmicks. And while I like John Cage and other modern radicals, it's not his kind of music that I think would benefit most from a piano that could quickly switch to alternate tunings, but the less experimental modern composers. Keyboard music didn't end when Mozart died.

    3. Re:Alternate Tunings by forgotmypassword · · Score: 2, Insightful

      Ummm the blues?

      Blue notes?

      Does nobody play the blues anymore?

      Wow, a whole genre died and nobody told me.

    4. Re:Alternate Tunings by cybin · · Score: 2, Interesting

      For almost anything baroque or later, you want to use a tempered scale, so 99.99999% of the pianos out there are tuned to a tempered scale and left there.

      Funny how the piano wasn't invented until about 1720, 120 years or so into the Baroque era. Equal temperament was showing up as early as the 1500s, by the way - they may not have known how to build pianos but they knew how to build organs.

      Some modern works might call for alternate tuning, I'll leave it to music critics to argue over whether that's being done as a cheap gimmick or not

      As a composer, I believe that people can tell the difference between tuning systems even if they don't know they are listening to a different tuning system. The brain responds different ways to different things -- if i write a piece for equal-tempered piano, and you tune that piano to mean-tone temperament (where the thirds are perfect) it will sound completely different. if you are an expressive composer, and want to use such things for the purposes of expression, "cheap gimmick" is about as far from the intent as you can get.

      but otherwise just about all non-tempered keyboard music comes from an era before pianos. If you are enough of a purist to play a re-tuned piano when playing a pre-Bach work, you are probably enough of a purist to play it on a period instrument.

      Yeah, like a harpsichord or organ. The instrument it's supposed to be played on - both of which probably would have been tuned to the same tuning system we use in pianos.

      Besides, modern listeners have grown acustomed to the tempered scale. Playing in a "pure" tuning will only impress a handful of snobs.

      Try playing 14th Century English music in our tuning system and it will sound like crap -- because they were using a different tuning system. As for today's audiences -- I think they appreciate accuracy and truth in performance, and creativity.

      If you're going to poo-poo the classical and contemporary music scenes, you can stick to the commercialized, crappy pop music! And buy yourself one of these auto-guitar-tuners! :)

    5. Re:Alternate Tunings by cybin · · Score: 3, Informative

      "History of Western Music" 5th edition by Donald J. Grout page 363:

      "The title J.S. Bach gave to his ... Well-Tempered Clavier suggests that he had equal temperament in mind. On the other hand, it has been pointed out that 'well-tempered' can mean good or nearly equal temperament as well as truly equal temperament."

    6. Re:Alternate Tunings by Golias · · Score: 2, Funny
      Oh my Gawd... You keep a copy of Grout handy!? While being an authoritative source, that book is probably the most dry and boring text ever written on the subject of music history. Hats off you you, cybin... You are clearly an information junkie!

      (That, or you received a music degree recently enough that the book has not had time to be burried behind a box of old shoes in your storage closet.)

      --

      Information wants to be anthropomorphized.

  41. Tips by blackmonday · · Score: 4, Informative

    Guitar tuning has a lot to do with the nut (save the jokes...). This is the piece of plastic, bone or graphite on the end of the fretboard that holds the strings in place before they hit the tuning machines. Most guitars that won't tune aren't so bad because of the tuning keys, it's that the nut is not cut properly for the size strings you're using. If they don't sit right, they won't stay in tune, simple as that. Oh, and STRETCH those strings when they're new! Search google, its very simple and your new strings will behave very nicely after a stretch, because you get the kinks out.

    Also, there's a handheld tuner that you can buy that physically turns the peg for you, all you do is pluck the string. I'm surprised no one's mentioned it yet, it's been around for over 10 years. The difference is that it only does one string at a time, and you hve to physically hold it in place while you tune.

    In the long run, tuning a guitar is not rocket science and keeping your nut in good shape and having a decent set of tuners (even ones on a cheap Fender Squire are pretty good nowadays) will keep you playing alright. This invention is pretty cool for a wow value, but it's like using an Abrahms tank to kill a mosquito. I play several guitars with old-school Bigsby tremolos and I don't have any tuning problems.

    1. Re:Tips by Trollificus · · Score: 2, Interesting
      Great points about tuning. But I would like to specifically highlight your remark about the old school tremolos. A lot of people don't seem to understand that the way you wrap your strings can make all the difference in the way a guitar holds its tune. I've seen some pretty bad wrapping techniques in my day, and it seems people are either lazy or they just don't realize how important it is.

      I know more modern guitarists are into locking nuts and whatnot. I believe Ibanez even designed and manufactured locking tuning pegs at one point. What most of the people who use these implements don't realize is that they don't need them. A properly strung guitar can hold its tune just as good as a guitar with a locking nut(and is a hell of a lot more convenient for that matter). Look at Malmsteen as an example. His guitars are a testament to that(those familiar with his music know how much he over-uses his bar, yet he never slips out of tune).

      Technology is nice, but it is no substitute for learning how to restring and tune a guitar yourself(Hell, I know a few guitarists who don't know how to set intonation properly either). This auto-tuning technology will become as much of a crutch as the locking nut was for poor guitar craftsmanship(as you were saying, the nut) and people who cannot be bothered to learn how to string their instrument properly.

      --

      "People should be allowed to keep midgets as pets."
      - Gov. Jesse Ventura

  42. Not meant for beginners by sydbarrett74 · · Score: 2, Insightful

    Whilst this may be a boon for experienced guitarists, it's a disaster for those just starting out. Learning to tune your own guitar teaches you pitch and trains your ears. Any musician worth his/her salt can quickly tune an instrument using the grey matter betwixt the ears and nothing else.

    --
    'He who has to break a thing to find out what it is, has left the path of wisdom.' -- Gandalf to Saruman
  43. Not true ... tuning is part science, part art by cagle_.25 · · Score: 4, Informative

    tuning, as it turns out, is inherently flawed. This occurs because of the "Pythagorean comma": essentially, the combination of a perfect fifth + a perfect fourth leads to an imperfect octave. Hence, there are actually multiple different ways to tune instruments, each of which makes sense in its own way. One example is "Well-Tempering" (as in Bach's Well-Tempered Klavier), which places priority on tuning keys near C. Chords like C, G, etc. played on a Well-Tempered scale sound particularly in tune, whereas chords like F# sound less well-tuned.

    The most common scheme today is "Equal Tempering", in which every half-step is a multiple of 2^(1/12) above its neighbor. In this scheme, C# and Db (for example) are considered the same note, whereas in other schemes, they are not. The upside of this is that all keys sound equally "in tune"; the downside is that no key sounds perfectly in tune.

    Historical note: some early Klaviers had seperate keys for sharps and flats, since those notes were not considered to be the same.

    So, the "science" part of tuning is what you see in the autotuner. The "art" part is tuning the instrument to make the music sound like you hear it in your head.

    Bottom line: if a guitarist tunes all of its open strings to a piano, it will not sound "in tune" to the guitarist. Of course, an autotuner can presumably be customized to taste.

    --
    Human being (n.): A genetically human, genetically distinct, functioning organism.
  44. Very Cool by Java+Ape · · Score: 4, Informative
    This would be an excellent tool for the professional musician. I'm a moderatly skilled guitarist and perform small gigs on the side for giggles and pocket change -- usually on a twelve string acoustic.

    IMHO the posts about "ruining the musicians ear" are bogus. If you RTFA you'll see that this gizmo allows the scales to be tempered to suit the musicians taste. You want to modulate the B-string a few hertz flat -- go ahead, that's what a tempered scale is. Besides, you develop a good ear by playing a well-tuned instrument, not by compensating mentally for a discordant mess.

    I have a reasonably good ear, and use harmonics when "ear tuning" because they're more accurate than the fret placement (and less subject to the rising tone problems caused by fretting the previous string, which raises it's tone slightly). I'm at least as good as the cheap electronic tuners, but not as good as the higher-end needle-guage based units. Based on the price of this unit, I'm betting it uses a pretty high quality tuner - far better than most guitarists ear! Having strings 1 hertz off doesn't make much difference on a six-string played with high distortion at a rock concert. But on a twelve string, even a small difference between paired strings leads to an unpleasant audible "beating". The same thing happens with classical guitars, where it becomes annoying (usually when lower strings are fretted above the twelvth fret, and sound out of sync with a supposedly identical note played on a higher string).

    So, this unit is faster than a human, more accurate than a human, allows complete control over scale tempering, and stores a couple of hundred alternate tunings. It's got me beat hands down, and I suspect that's why professionals are paying nearly 4g to get one!

  45. Guitar Value by BadBlood · · Score: 2, Interesting

    I don't know about you, but if I'm buying a REAL Les Paul for $3500 then I'm not modding it with anything. At all.

    I'd rather manually tune it than ruin a fine piece of craftmanship with modern technology that isn't worth the bang for the buck.

    I'd have trouble even changing the pickups on a Les Paul for fear of devaluing it....

    --


    Praying for the end of your wide-awake nightmare.
  46. been done with DSP before by naoiseo · · Score: 2, Interesting

    This is a DSPless implimentation, but DSP (digital signal processing) works well.

    For about 1.5k, you can buy a digital amp that does all of this, and more, with a pickup fitted to your guitar.

    Roland makes it. Here we are Roland VGA-7 amp

  47. Jimmy Page tuned within 2 cents by c13v3rm0nk3y · · Score: 3, Funny
    There's a long audio interview with Jimmy Page on the site. It's funny to hear him speak.

    Why? Is he out of tune?

    --
    -- clvrmnky
  48. I've heard all this before......... by digrieze · · Score: 2, Interesting

    Wow this place makes me feel so old.

    Back when I started playing in the '60s we used a piano harmonic to tune or a "pitch pipe". Chromatic tuners started to come in the REALLY high end dollar range and people said they'd ruin musicians ears, never tune right, yada, yada, yada. Nowdays you can get a great tuner for around $15 bucks discounted online and they're built into every digital pedal you get. Even acoustic guitars come with them built in in everything except the bottom of the line models (love the tuner in my new Ovation, the electronics beat the heck out of my first).

    If you play ANY old rock you gotta get good at alternate tunings or the songs just DON'T sound right This is called "The Performer" for a reason, if you do anything nowdays you'll use at least 2-3 tunings to get the set right, so hitting a button to retune to Drop-D, Drop-C, DABGAD, or some of those really weird Led Zep or Blue Oyster Cult stuff this would be a blessing.

    I expect in another 15-20 years every decent guitar will have this or something similar built in just like the chromatic tuners and stuffed shirts will be arguing about something else wrecking musicians ears. The price will drop, just like Seth Lovers' humbuckers and the Bigsby and Whammy tremelos.

    Personally, as I get older, It'd be nice to not lug around a van load of gear, I'm REALLY looking hard at the Line 6 guitars, but just don't like the actions (personal preference, some love them).

    --
    It doesn't matter what you wrap your emotions around, Reality is a brick wall specifically designed to scramble eggs
  49. I gained a job by DeathoP · · Score: 2, Informative

    I'm associated with TransPerformance, so I guess I'm one of the lucky bastards that gets to play all those artists guitars when they come in for the retro-fit of our tuning system.

    Really a great system. I can't say it enough. Like page says, "...it makes your eyes pop out!", you've got to see, hold and play a guitar with this system in it to truely appreciate it.

    We're also up to ver.7.xx of the software in the workshop, so no more -2/+2 cents of target. Now it's dead-on. Battery meter, on-screen tuner, less power consumption...

    I've sent the inventor a link to this article and think he just might drop by and read up soon.

    I've got a few pics on my site. Go ahead, slashdot the sucker:

    www.geocities.com/cakman1967/cakSelfTuningGuitar s. html

    -C. Kessel