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Radio Listening Declining w/ Digital On Its Way Up

Redlands CRC writes "According to C|Net and The NPD Group, the number of listeners to radio media has declined by 4% against the previous year, and the number of people listening to music on their computer has risen 22%. The study has also shown that online radio station listeners have increased to 53.5 million this March, up from 45.3 million a year ago. Music streaming also saw an greater uptake in listeners this year, with an increase of 37% compared to the previous year."

192 comments

  1. Was bound to happen.. by MasJ · · Score: 5, Insightful

    Well, traditional over the air radio was bound to lose out with the digital revolution. Just take a look at shoutcast or any other popular online radio index and the number of choices is infinitely greater than over the air.

    1. Re:Was bound to happen.. by Anonymous Coward · · Score: 5, Insightful

      The real problem is lack of diversification. There are enough traditional radio stations around here, all playing the same shit all day long.

    2. Re:Was bound to happen.. by tinrobot · · Score: 2, Insightful

      Even if every radio station had a different format, internet radio would still be able to out diversify broadcast radio. It's a bandwidth issue.

      I mean, look at Shoutcast. They have at least two or three stations for every genre and sub-genre of every music format ever invented. Radio simply can't match that kind of bandwidth.

    3. Re:Was bound to happen.. by /ASCII · · Score: 3, Insightful

      Bandwidth and cost. You can run an Internet radio station as a hobby project in your spare time.

      --
      Try out fish, the friendly interactive shell.
    4. Re:Was bound to happen.. by Anonymous Coward · · Score: 0

      I mean, look at Shoutcast. They have at least two or three stations for every genre and sub-genre of every music format ever invented. Radio simply can't match that kind of bandwidth.

      What? Shoutcast is MP3 only isn't it?

      They don't have everything either. Or, every station has a "set" of genres that they all play. It's rare to find something less known on it's own. It's always piggybacking something mainstream.

      And all the really good stuff is 64kbps or lower. Not worth it.

      But like there's any better place to look for music streams.

    5. Re:Was bound to happen.. by dabigpaybackski · · Score: 2, Insightful
      And maybe when the cyborg oligarchs like Cirrus and Clearchannel finally fade away, we'll get back the character and spontenaity of local radio. Stuff like DJs who fuck up and then laugh at themselves. Or DJs who take requests that aren't on their song sheets.

      Stations like that have appeal because they are recognizably staffed by human beings instead of computers programmed by marketers.

      --
      "OH SHIT, THERE'S A HORSE IN THE HOSPITAL!"
    6. Re:Was bound to happen.. by big+tex · · Score: 1

      Seriously.

      I recently lived in Omaha, where a kick-ass college rock-radio station lives.

      There was a clearchannel radio station, but it sucked, and was funny trying the huge goliath trying to deal with the college students who routinely talked over the songs. Also, a great blues show on Sunday morning.
      The biggest problem I had with the River is that they broadcasted the college basketball events. Good for training future broadcasters (college radio's purpose, I guess), but listening to the Iowa Western Community College basketball games isn't my idea of a good time.

      --
      I think I need a new sig here.
    7. Re:Was bound to happen.. by Crash6-24 · · Score: 2, Informative
      I listen on-line because there are are enjoyable choices not because there are many choices. I commute 2 hours a day by car and drive through 2 distinct FM markets. Scanning the FM band brings junk songs, brainless talk shows, and obnoxious in-your-face MP3 jockeys. The best station of the 2 lots KTCV located a high-school where the kids are learning to be radio announcers. No sanitized play-lists there but a lot of enthusiasm.

      Last night one of my favorite on-line broadcasters got in to an hour-long collection of really enjoyable music. I stayed at the computer faaar too long listening.

    8. Re:Was bound to happen.. by mph_az · · Score: 2, Informative

      Not bloody likely. Given the current cultural climate of everything becoming more corporate and homogenous it's signifigantly more likely that Clearchannel, et al will simply legislate their way to an online music monopoly posistion and drive out the last bits of online radio diversity.

      Stations like you propose will never come again simply because that is against the interest of the corporate monopolists

    9. Re:Was bound to happen.. by flyingsquid · · Score: 1
      I listen on-line because there are are enjoyable choices not because there are many choices. I commute 2 hours a day by car and drive through 2 distinct FM markets. Scanning the FM band brings junk songs, brainless talk shows, and obnoxious in-your-face MP3 jockeys.

      As an exile in the Great White North, I've come to depend on the internet for my NPR fix. I like the ability to listen to whatever I want, whenever I want, and to be able to pause or rewind if I didn't catch something. However my university has a lousy internet connection so I really wish they would make programming available as MP3 downloads as well as streaming. If they do this I think they will find a big market for people to listen to NPR on iPods. BBC World is also available online, and I love how they just smack their interviewees upside the head with straightforward, no-bullshit questions instead of pandering to them like American TV news. NPR has just become amazingly good, however.

      As for levelling the playing field, I don't know. My impression is that by increasing the number of potential competitors, then having brand recognition, funding, and recognition becomes more important, not less important. We're facing a similar issue with the rise of online journals in the sciences- in theory this should knock big-name journals like _Nature_ and _Science_ off their pedestals but in practice it's going to cement their position; with so many journals out there it will be increasingly important to get in one of the few that most people actually look at.

    10. Re:Was bound to happen.. by Anonymous Coward · · Score: 0

      Really? Do they have a thrashcore station? I haven't been able to find one.

    11. Re:Was bound to happen.. by tftp · · Score: 1

      ... and broadcast all the music that you personally wrote or otherwise have commercial rights on.

    12. Re:Was bound to happen.. by DukeLinux · · Score: 1

      I live in the Philly area. Fifteen years ago this was probably the best radio market anywhere. There was real music diversity and edgy stations. Now about every six months current stations die and other generic "fat part of the bell curve" stations replace them. The reason listeners are declining is because the music quality is declining. Do you think people really want to buy a satellite receiver and pay $13 a month? They have to if they want good music. The up shot is that I have bought more CD's this year to listen to and from work. I used to only listen to the radio and now the radio is a part time device. What a pity.

    13. Re:Was bound to happen.. by connorbd · · Score: 1

      Shoutcast still has more going for it than any radio format except satellite (which has a narrow edge when it comes to brand-name programming, due to the big broadcasters' tendency to rely on RealAudio and WMA). And even satellite doesn't have things like Radio Free Klezmer (on Live365, but it's the same deal).

    14. Re:Was bound to happen.. by connorbd · · Score: 1

      What about the rise of the Jack format? That's an entirely new idea -- the Cuisinart of music radio. It doesn't appeal to everybody, but if wall-to-wall music and unpredictable variety works for you, it's great.

    15. Re:Was bound to happen.. by Anonymous Coward · · Score: 0

      It has with me. I listen to BBC radio now instead of traditional FM at work anymore. The music spans approximately 50 years - 60's to present. Plus the bonus of having presenters that are actually musicians makes the interviews much more interesting.

      I'll be glad when they go to satellite so I can get it in the car as well.

  2. They should sue by badfish99 · · Score: 4, Funny
    Perhaps the radio stations should start to sue people who listen to songs without buying them.

    Oh, wait ...

    1. Re:They should sue by Anonymous Coward · · Score: 0

      Look what happened with the buggy whip industry, don't make the same mistake again!
      (and remember, automobiles are just a passing fad!)

  3. I listen to online streams sometimes but... by The+Jabberwock · · Score: 1, Interesting

    ...there's always that strange distortion effect in the background; know what I'm talking about? I have pretty sensitive hearing and can pick it out of even a high quality online stream no problem. Furthermore, I prefer to have control over what I'm hearing...I'll continue to stick with my CD collection.

    1. Re:I listen to online streams sometimes but... by Anonymous Coward · · Score: 0

      Most audiophiles feel this way. I am one such individual. I also remember reading something a while back about compressed audio like MP3s actually damaging people's hearing over time due to the way the waveform is compressed, causing a person's ability to hear the subtle tones the compression erases. There's supposed to be a smiliar effect between digital audio and analog; analog being the most preferable choice to maintain hearing at its peak of sensivitity.

    2. Re:I listen to online streams sometimes but... by X0563511 · · Score: 3, Insightful

      Yea. It's MP3 in action. It's tossing out audio data that you can hear (I have the same issue) even at high bitrates. That's why I love OGG, it doesn't toss out that particular frequency notch in comparative high bitrate settings.

      Most people probably can't hear the difference between 44k and 48k audio (frequency range, not bitrate). I know I can.

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    3. Re:I listen to online streams sometimes but... by The+Jabberwock · · Score: 1

      Yes, I remember that article. Actually there were several, but this is one I read recently that really goes into depth about the problem.

    4. Re:I listen to online streams sometimes but... by Murphy+Murph · · Score: 3, Informative
      Most people probably can't hear the difference between 44k and 48k audio (frequency range, not bitrate). I know I can.


      1: 44.1k and 48k are not frequency ranges, they are sampling rates.

      2: You are either comparing apples to oranges (CD to DVDA), or you are listening to music on your computer equipped with a known flawed soundcard. Many many many soundcards out there (including popular SoundBlasters) can not play 44.1k material and upsample it to 48k. This is not a problem. The problem is that their hardware upsampler is broken and produces distorted sound. This would cause native 48k to sound good and 44.1k material to sound bad.

      The solution to this is to upsample all your CD derived media in software. (Foobar2000 does an excellent job of this, though plug-ins are available for most any player including Winamp.)
      --
      I dub thee... Sir Phobos, Knight of Mars, Beater of Ass.
    5. Re:I listen to online streams sometimes but... by eric76 · · Score: 1
      Most people probably can't hear the difference between 44k and 48k audio (frequency range, not bitrate). I know I can.

      You're a bat?

    6. Re:I listen to online streams sometimes but... by X0563511 · · Score: 1

      Yep.

      Well, not really :)

      I did mean sample rate, actually. Brain cramp. Nearly terminal.

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    7. Re:I listen to online streams sometimes but... by gvc · · Score: 3, Insightful

      I doubt very much that you can hear anything in the range 22kHz - 24 kHz, which is the only inherent improvement between 44kHz and 48kHz sampling (cf. Nyquist).

      As far as I'm aware, there is no scientific evidence that any human can. Members of the Audiophile cult claim they can, but their methods are as credible as astrologers'.

      Of course, mp3s (at the level of compression used in file shares) and radio broadcasts sound like crap. We're talking much more serious distortion and bandwidth limitation than this.

      It may be that to your ear, for what you listen to, for a particular level of compression, OGG sounds better than mp3. That's be hard to demonstrate in any scientific way. Both methods do substantial transforms on the signal, and if one "sounds better" than the other there's no trivial explanation.

      Psycho-acoustics is very complex.

    8. Re:I listen to online streams sometimes but... by X0563511 · · Score: 2, Interesting

      Well, its not really like astrology, but here is my explanation. As long winded and postereor drawn as it sounds, it's true.

      When I was a little tyke, I had massive clustiotoma and mastoiditis in one ear. Destroyed all the bones, eardrum, and my mastoid. (almost cochlea) After all is said and done, I have an implant that serves as a transfer medium between my new eardrum (made from a vein I think) and my cochlea.

      Damaged ear, 37 decibel loss. good ear, 4 decibel loss (loud music and looong flights). But it seems the good ear has a slightly higher frequency range (not much, but enough that I can hear something high pitched and quiet while everyone else gives me wierd looks). A side effect of that implant is it seems to amplify the vibrations of other sounds above normal range. I don't hear it in that ear, it's more of a feeling - but I percieve it almost like hearing. Hard to explain. All this crap happened before I was 5, so my brain was still capable of some rewiring I guess (really no clue. any insights?)

      My ear just seems to be trained to pick out quality flaws in sound. Even if I have never heard the song before I can tell if the recording was damaged slightly, or compressed a little too low quality, ect. It's annoying. Half the audio players out there (and my laptop's audio system) output strange noises that sound like bus access. Noone else seems to notice, but it hits my like a Louisville Slugger.

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    9. Re:I listen to online streams sometimes but... by gvc · · Score: 1

      I didn't mean to acuse you of being an Audiophile [tm]. Sorry. And thanks for the story.

      Sounds like you have really good auditory acuity. I have no reason to question that. My first order guess is that many software/hardware processors generate some horrible high-frequency harmonics in the 15kHz range that offend your ear. I suspect the squeal from some CRT monitors drives you crazy, too.

      If it is 15kHz that bothers you, the problem will correct itself as you get older.

    10. Re:I listen to online streams sometimes but... by Mike+Hicks · · Score: 1

      Yeah, Ogg (er, actually Vorbis), is generally better at encoding wideband sounds for me (like "s" sounds and cymbal crashes). Vorbis encoding artifacts sound different. But some people just have crappy encoders, yet another way to end up comparing apples and oranges.

    11. Re:I listen to online streams sometimes but... by Total_Wimp · · Score: 1

      Unfortunately the theory of sound and sound in actual practice have significant variation.

      An example I persoanlly experience is that the non directionality of low frequency sounds doesn't seem to apply to me the same as science claims it should. Put simply, I can usually place the bass unit in the room with my eyes closed. I've done this with a variety of bass units in a varity of settings. Some of these bass units were high-quality "reference series" units as well.

      Now I'm not saying science is wrong here. I think bass sound is difficult to place in a directional sense. But I also happen to know that drywall, flooring, wall hangings, television units, sound equipment, etc will all resonate to a certain extent as they bounce those sounds around. In a real world environment it's actually fairly easy for me to tell if the bass is in front or behind, and left or right of my sitting position. I've never placed a bass unit in a corner, as many people suggest, because the whole corner resonates and its very distracting to me.

      I don't personally know about the high frequency sounds, but my guess is that they are perceptable to many individuals because of the effect those sounds have on the environment as soon as they leave the speaker cones. I can't prove it, and I've never tested it, but my personal experience with low frequency sounds suggests it just might be the case. Furthermore, I'd suggest that this is more likely to manifest itself as a "feeling" rather than an actual sound. Kind of like a "feeling" that something is missing if the sound isn't there.

      I'm not asking you to take my word on faith. I'm only asking you to realize that science tends to test things in controlled, scientific settings and that often the messy real world environment will yeild slightly different results. It doesn't mean that the science is wrong, just that it still has some very complex interactions it has yet to figure out.

      TW

    12. Re:I listen to online streams sometimes but... by Kyojin · · Score: 2, Interesting

      Firstly you will get absolutely no increase in audio quality by 'upsampling' any digial media you have. CD's are recorded at 44100 samples per second, 16 bits per sample, 2 channels. 'Upsampling' to 48kHz will do nothing. The analogue signal has already been sampled at 44.1kHz when recording the CD, you cannot get it back by resampling at 48kHz.

      Secondly although to be able to gain some semblance of a correct sampling at a certain frequency one must sample at double that frequency (Nyquist, as referred to previously), benefits can still arise from higher sampling rates:

      Consider the case with a sinusoidal signal of 22kHz. If we sample at 44kHz, it is posible that each sample lands on a zero. We record no sound at 22kHz. If we are slightly off, we get some improvement, but insufficient amplitude to hear.

      For a frequency close to 22kHz, we could end up with a very low frequency sound being detected as the samples effectively move along the wave, getting successively louder and quiter as the phase changes.

      This is why if we ignore any hiss and pops from a record (you know, those old black circular things that melt if you leave them in the back of your car in the sun), a record actually sounds better than a CD. High frequency sounds are clearer and sharper than anything a CD is capable of.

      Yes a CD is more convenient and doesn't have pops and hiss, but the trade off is muddy high frequency notes.

      48kHz or even up tp 192kHz audio is usually used when recording instruments, and the final mix is then downsampled to 44.1kHz for CDs. Similarly the audio is recorded at 24 bits per sample, or even 48 bits, to minimise rounding errors when combining the recorded instruments. Again, the audio is downsampled to 16 bits per sample for CD use.

      Hope that clarifies matters.

    13. Re:I listen to online streams sometimes but... by Anonymous Coward · · Score: 0

      While humans may not be able to hear sound in the range of 22kHz-24kHz, you must remember something. If you listen to a sinewave, then a squarewave, both at the same audible frequency, they should sound different because of the shape. In any digital format, the higher the frequency, the less the definition the shape has. A 44100Hz sampling rate will record a 22050Hz sinewave as a squarewave because the entire wavelength will only have two samples. Recording the same 22050Hz sinewave at 48000Hz will increase the amount of samples per wavelength, but it will still be very off from how a perfect sine should sound or look on a scope for frequencies this high.

    14. Re:I listen to online streams sometimes but... by Anonymous Coward · · Score: 0

      >That's be hard to demonstrate in any scientific way.

      I think the simplest test would be the pepsi/coke method:
      Encode the same samples in both mp3 and ogg and then see if the listener can tell which is which.

    15. Re:I listen to online streams sometimes but... by Mike+Hicks · · Score: 1

      I think there was some reference to the fact that there are some hardware devices that always do this upsampling, and always do it badly. The SoundBlaster Live! is the dominant example. In some cases, it is better to do this in software than to leave it to the SBLive. Actually, I think that in the worst case, the SBLive starts with a 44.1 kHz signal, converts it to 48kHz for equalizing, then converts it back to 44.1 kHz. Better to just have it go through one conversion at the beginning than twice.

    16. Re:I listen to online streams sometimes but... by Mike+Hicks · · Score: 1

      Ugh.. I think I missed the actual message you were replying to.. Nevermind...

    17. Re:I listen to online streams sometimes but... by gvc · · Score: 1

      "If you listen to a sinewave, then a squarewave, both at the same audible frequency, they should sound different because of the shape."

      A 15KHz square wave is indistinguishable (by a human) from a 15KHz sine wave. The first harmonic difference is 30KHz, which is inaudible.

    18. Re:I listen to online streams sometimes but... by gvc · · Score: 1

      The Pepsi challenge is completely unscientific. It isn't double blind, they control the order of testing, there's no purge period, the test isn't repeated, participants are self-selected, Pepsi controls the question ("which do you like," not "which is Coke?") you get a prize if you get the answer they want, ...

    19. Re:I listen to online streams sometimes but... by gvc · · Score: 1

      "This is why if we ignore any hiss and pops from a record (you know, those old black circular things that melt if you leave them in the back of your car in the sun), a record actually sounds better than a CD. High frequency sounds are clearer and sharper than anything a CD is capable of."

      You may like vinyl better than CDs but it has nothing to do with ultrasonics. You simply like the coloration. In double-blind tests, subjects are unable to distinguish vinyl records from CD recordings of vinyl records.

    20. Re:I listen to online streams sometimes but... by gvc · · Score: 1

      "Consider the case with a sinusoidal signal of 22kHz. If we sample at 44kHz, it is posible that each sample lands on a zero. We record no sound at 22kHz. If we are slightly off, we get some improvement, but insufficient amplitude to hear."

      That's why CD players have a brick-wall filter that suppresses everything above 20kHz.

      "For a frequency close to 22kHz, we could end up with a very low frequency sound being detected as the samples effectively move along the wave, getting successively louder and quiter as the phase changes."

      This phenomenon is called aliasing. If you record a loud ultrasonic sound, it will appear to be lower frequency. That's why you use a brick-wall filter to eliminate signals above 20kHz before digitizing.

      It is possible to implement a brick wall using a digital filter, which may involve sampling at a much higher frequency. Sometimes this is known colloquially as "oversampling."

    21. Re:I listen to online streams sometimes but... by gvc · · Score: 1

      Low-frequency sounds form standing waves in a small room. The shape of these waves is heavily influenced by speaker placement. And you may find that the bass is way louder in one part of the room than another. What you can't do is identify (by ear) the source. No contradiction there.

      In another response, aliasing was discussed. It is possible that if you flood the room with ultrasonic noise, that it may heterodyne with other noises to form lower frequencies. The principle is similar to that of aliasing, discussed in another response.

      But if those ultrasonic sounds were present when the original recording was made, they'd have produced the heterodyne effects at that time, which would have been captured in the bandwidth-limited recording.

      An interesting aspect of this is that heterodyning depends on non-linearity (which is also known as distortion) in the transmission process. So it could be that if you faithfully record ultrasonic signals and then reproduce them with distortion, you may hear their artifacts.

    22. Re:I listen to online streams sometimes but... by dgatwood · · Score: 1
      I doubt very much that you can hear anything in the range 22kHz - 24 kHz, which is the only inherent improvement between 44kHz and 48kHz sampling (cf. Nyquist). As far as I'm aware, there is no scientific evidence that any human can. Members of the Audiophile cult claim they can, but their methods are as credible as astrologers'.

      Hearing sound in that range is not uncommon. The human ear doesn't (damage notwithstanding) just suddenly stop detecting sound at a particular frequency. It's like anything else in audio. You get a roll-off above a certain frequency. The minimum amplitude that you can perceive at a given frequency does get to the point where it isn't -practical- for most adults to hear above about 16 kHz due to hearing damage.

      Musicians' ears (excluding rock musicians...) tend to be better than average at picking up those upper harmonics, which may explain a bit about their pitch perception.... It's not unheard of for humans to be able to perceive sound beyond 25 kHz. I think the record was something like 30 kHz.

      I've done hearing tests on my ears with tone generator software (and a 96kHz audio card to avoid the obvious issues). At sufficient volume, my hearing seems to dip significantly at 18kHz-20kHz, gets stronger from 20-22, then falls back off slowly. I completely lose perception at... I think it was 26kHz or so... but that may, in part, be because my monitor speakers start to roll off pretty hard at 22kHz, so I was only able to hear 26kHz with a LOT of amplification. Individual ears may vary.

      In any case, at sufficient amplitude, you -should- be able to hear sounds above 22.2 kHz. We generally consider it to not be important because at normal levels, it is below the threshold of perception for most (if not all) adults, and thus, all it usually does is cause headaches. That's not the same thing as saying that nobody can hear in those ranges.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    23. Re:I listen to online streams sometimes but... by kninja · · Score: 1

      I think I can hear that too, like when a TV is on (but muted) on the floor below me. Is it really 15 kHz? How do you know?

    24. Re:I listen to online streams sometimes but... by gvc · · Score: 1
    25. Re:I listen to online streams sometimes but... by X0563511 · · Score: 1

      That sound drives me crazy. Evil sound.

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
  4. Link streaming stations to buying in iTunes... by weave · · Score: 4, Interesting
    I don't buy too much new music basically because of limited options I have in playing it. I listen to streaming stations more often (like this article says) but have to sit there and manually type in the songs into itunes to find them to buy them.

    I don't understand why RIAA wants streaming stations to pay them for what amounts to advertising for their members. Do radio stations pay to play music? I'm thinking not.

    What I'd like to see is an itunes enhancement that either apple or other stations streams music and while a song is playing, there's a "buy" button so I can just download it if I like it. That would drive my purchases up through the roof. I get to hear if I like a song (more than 30 seconds worth) and the impulse factor is right there. (I've sent that suggestion in already). The streaming stations could get revenue that way too. A referal fee for following a link from a station to buy should help offset the stupid ASCAP/BMI fees to online stations.

    The few times I listen to traditional radio, it annoys the piss out of me to hear something good and then not have the artist or song announced after it and have no clue how to find out to buy it. Screw em, let them all play conservative talk radio hosts 24 hours a day.

    1. Re:Link streaming stations to buying in iTunes... by t_allardyce · · Score: 1

      "I don't understand why RIAA wants streaming stations to pay them for what amounts to advertising for their members. Do radio stations pay to play music? I'm thinking not."

      Think again...

      --
      This comment does not represent the views or opinions of the user.
    2. Re:Link streaming stations to buying in iTunes... by weave · · Score: 1
      Think again...

      Are you SERIOUS. Are they the stupidest people on earth. You want someone to buy your product, you need to expose them to it. How does that happen with music?

      Sure there isn't some back-channel payments back to the radio stations for this stuff?

    3. Re:Link streaming stations to buying in iTunes... by Seumas · · Score: 5, Informative

      Do radio stations pay to play music? I'm thinking not.

      Yes, they do.

      Also, any time you hear music being played in a restaurant, taxi cab, elevator, clothing store or anywhere else that is "public", someone is (or is supposed to be) paying the RIAA.

      The only time I ever hear FM radio is when I'm in a cab or someone has it on in an office as I'm walking by. Strangely, the last six times in a row that I've heard an FM radio on, the song blaring out of it was some stupid thing about "sugar" which, from what I gather, is basically a half-assed rap song about pussy juice (edited for broadcast, of course).

      If that's what's being played the most these days, ther eisn't any cause for wonder at why the industry is crapping out. So awful.

    4. Re:Link streaming stations to buying in iTunes... by damsa · · Score: 2, Informative

      Okay, get this. If you are a restaurant or an office that plays the radio for its customers. RIAA and/or ASCAP and whoever gets a cut.

    5. Re:Link streaming stations to buying in iTunes... by muszek · · Score: 4, Interesting
      Do radio stations pay to play music? I'm thinking not.
      Actually yes, they do. At least in Poland. We have one big organization (ZAiKS) representing authors and music companies (I'm sorry, I forgot a proper English term... those companies that finance recordings and then market and sell CDs) plus several smaller ones that represent authors that don't like ZAiKS' monopoly. Radio stations pay. TV stations pay. Restaurants, pubs, etc. pay for having a tv, radio, cd player or anything else that's capable of playing music. Separately for each piece (which is kinda stupid - you can't play regular radio and music from CD at the same time, right?). My father owns several jukeboxes that are placed in pubs here. He has to pay them, too. But the funniest part is here: I have few friend who organize a lot of concerts. Very niche bands - not many people, inexpensive tickets and usually very cool music. Every time they do something, ZAiKS agent shows up demanding money. Artists get money for tickets and they have to pay ZAiKS to get some of it back (such monsters eat a lot). As you can see, at least here you have to pay for playing any kind of music, whatever media you use. In such case, I don't see a reason why it should be different for i-stations.
    6. Re:Link streaming stations to buying in iTunes... by damsa · · Score: 1

      To clarify this post. If you operate a restaurant and turn on public radio and play music. You have to pay ASCAP extra.

    7. Re:Link streaming stations to buying in iTunes... by weave · · Score: 1
      So a radio station pays to play music and then if a company is playing the same station, they have to pay too? Wow, what a racket. So the music companies get multiple payments for the same broadcast.

      No wonder they think it makes sense to pay a place like itunes to buy music, then pay again for the right to store it on your media or player (in some countries and I bet they wish everywhere).

    8. Re:Link streaming stations to buying in iTunes... by Simonetta · · Score: 1

      What I'd like to see is an itunes enhancement that either apple or other stations streams music and while a song is playing, there's a "buy" button so I can just download it if I like it.

      Maybe it's just me, but I'd rather see a button on the radio that will record the song when pressed. Pressing the button would save the previous two minutes of broadcast and the next four minutes, format the recording into a 224kbps MP3 file and store it in internal memory for later download to the PC for editing. It would give the file a title that has the time, date, and radio station frequency.

      In the days before Napster, I would put an 8-hour video tape into the VCR and connect the stereo audio to an interesting radio station before going to work. Super slow speed results in inferior quality video but good quality audio. Reviewing the whole 8 hour tape would take about 45 minutes. I would dub wanted songs to audio cassette tape (this was before MP3) and reuse the video tape the next day. I collected several hundred songs this way.
      Now I make radio station DVD-ROMs that have the entire playlist of station (@ 800 songs in MP3 format) on a single 40-cent blank DVD-ROM. When I want to listen to a certian type of station, I just copy the DVD to the hard drive and set the MP3 player on random select. The radio experience without the all the horseshit.

    9. Re:Link streaming stations to buying in iTunes... by doktor-hladnjak · · Score: 1

      Well, actually they don't pay the RIAA. They pay ASCAP, BMI and SESAC, which technically represent the song writers and performers as opposed to the big record companies. If I remember correctly, non-profit stations do not have to pay ASCAP or SESAC any royalties at all. BMI is paid, but at a dramatically reduced rate (only paid for about one week a year at a place I used to work). Right now, in the US the cost is somewhere around 8 cents per song, which for a commercial station is nothing compared to even labor costs.

    10. Re:Link streaming stations to buying in iTunes... by notext · · Score: 1
      I listen to http://www.radioparadise.com/ and you can look at the playlist there and they have a lint to itunes and amazon(if they are available there) where you can buy the track or cd.

      I also how I can support them buy buying things at apple or amazon by taking a link from there instead of just donating cash money. They get a small percentage of what your sale. For example I believe they get a nickel out of every song you buy from itunes if you go from their link.

    11. Re:Link streaming stations to buying in iTunes... by notext · · Score: 1

      Also they have a 48k ACC stream that I find sounds much better then the 128 mp3 stream. I'm hoping more stations will start offering those streams.

    12. Re:Link streaming stations to buying in iTunes... by michrech · · Score: 1

      The Yahoo! music software that was recently talked about here on slashdot has the "buy" link when you are listening to songs through Launchcast.

      ---
      telnet://sinep.gotdns.com -- It's a BBS for those who want to get away from all the spam and play a few games!

      --
      bork bork bork!
    13. Re:Link streaming stations to buying in iTunes... by shark72 · · Score: 1

      "I don't understand why RIAA wants streaming stations to pay them for what amounts to advertising for their members. Do radio stations pay to play music? I'm thinking not."

      Put aside "greedy RIAA" for a moment and think more in terms of "greedy artists." Most of the royalties collected from webcasting go to the composers and songwriters. A bit goes to the union that supports session musicians and singers.

      Despite the impression you may have gotten from "MTV Cribs," trying to make a living as a composer or a lyricist is often very difficult. ASCAP/BMI checks are often the difference between paying the rent and being on the street.

      Slashdotters often rhetorically ask why composers and lyricists can't simply do it for the love of the craft and forget monetary goals. This is similar to asking why IT consultants can't do the same thing, and charge $10 an hour instead of, say, $50 an hour.

      --
      Sitting in my day care, the art is decopainted.
    14. Re:Link streaming stations to buying in iTunes... by weave · · Score: 1
      lashdotters often rhetorically ask why composers and lyricists can't simply do it for the love of the craft and forget monetary goals. This is similar to asking why IT consultants can't do the same thing, and charge $10 an hour instead of, say, $50 an hour.

      I'm not saying that. One almost always buys music only after hearing it somewhere else. I'm not going to buy something from a band I've never heard. So radio play is like advertising the music. It's to the music industry's benefit that stuff gets radio play. It just seems backwards that the stations have to pay to advertise these songs basically.

    15. Re:Link streaming stations to buying in iTunes... by mvdde_xh · · Score: 1
      it annoys the piss out of me to hear something good and then not have the artist or song announced after it and have no clue how to find out to buy it.

      Then use a radio that can display artist and title. Look for the letters "RDS" (Radio Data System). Most of the the big stations are sending this info.

    16. Re:Link streaming stations to buying in iTunes... by WoTG · · Score: 1

      In Canada, and probably the US, stores, cabs, offices, etc. are allowed to play broadcast radio stations in their facilities for free (i.e. w/o paying RRIA). But if a store pops a few CDs into a changer, then it has to pay for the privelege of using copywrited music to help sell stuff. In theory it makes sense; however, I question the ability of CRIA (Canada) or RRIA to properly distribute the license fees to match the artists whose music is actually played.

    17. Re:Link streaming stations to buying in iTunes... by Mike+Hicks · · Score: 1

      This is similar to asking why IT consultants can't do the same thing, and charge $10 an hour instead of, say, $50 an hour.

      Heh, and people wonder why jobs go overseas... Well, even when people try to advertise themselves as discount workers in the U.S., it's hard to find companies that will go that low. A cult of overvaluation in some cases, IMHO (how many consultants are really worth $50 or more per hour?)

    18. Re:Link streaming stations to buying in iTunes... by lakeland · · Score: 1

      In NZ just playing the radio in a public place requires payment to the RIAA (is it RIANZ? I don't remember). I don't know the rules for CDs, I just assumed there were no additional charges :-/

    19. Re:Link streaming stations to buying in iTunes... by connorbd · · Score: 1

      Unless you get satellite radio -- XM and Sirius have special packages for businesses that handle the licensing for you.

    20. Re:Link streaming stations to buying in iTunes... by AvantLegion · · Score: 1
      >> (I'm sorry, I forgot a proper English term... those companies that finance recordings and then market and sell CDs)

      "Thieves."

      (actually, the term you're probably looking for is "record labels", although "record companies" or "music companies" are used often enough that nobody's going to look at you funny for saying it that way).

  5. This couldn't possibly... by tomstdenis · · Score: 4, Insightful

    ...have anything todo with the fact that most radio stations are canned and pre-programmed from a master list of the "latest hits".

    {fineprint}

    Notice: Latest hit has been defined as the latest album or single that the master controlling agency (see RIAA) demands be played over and over and over and over.

    {/fineprint}

    Three things annoy me about radio stations

    1. Lame on-air "personalities" that are never critical of anything [specially sponsor related].

    2. Same music over and over

    3. Lame advertisements and endorsements that are for things you just don't need that much advertisement for. e.g. I don't care how often you mention it, I'm not buying a $200,000 yacht!

    And seriously an mp3 player with a shuffle mode can replace the "selection" of music played on air.

    Tom

    --
    Someday, I'll have a real sig.
    1. Re:This couldn't possibly... by Anonymous Coward · · Score: 0

      I just calculated the amount of music i have on my hard drive. It amounts to 728 days of continous music if i want to play it all.

    2. Re:This couldn't possibly... by PrivateDonut · · Score: 1, Insightful

      sounds like australia (Sydney) except that you get to choose 1 of them to keep. Take Triple M, great music, relatively relevent ads, but annoying announcers, or Nova 96.9 where Merick and Rosso are tops, and ads are relevent, but music is all pop. (sorry if that only made sense to me, the rest of you probably don't know what I am rambling about).

      it annoys me that I can't buy music online in a manner that is good for me. Ninemsn released a service, but it only provides drm'ed wma files that won't play on my iPod.

    3. Re:This couldn't possibly... by PrivateDonut · · Score: 0

      sorry, by 'pop' I meant Latest Hits as defined by parent of my first post (grandparent of this post).

    4. Re:This couldn't possibly... by Kinky+Bass+Junk · · Score: 1

      That's why I only listen to non-commercial radio stations that are available.

      We get a lot here.

      --
      Anonymous Coward
    5. Re:This couldn't possibly... by bnitsua · · Score: 4, Funny

      here's an easier way to say all of that, in one word: clearchannel.

    6. Re:This couldn't possibly... by cranos · · Score: 1

      Or you could be stuck in Wollongong where its a choice of crap, crap or JJJ

  6. Well duh! by t_allardyce · · Score: 5, Insightful

    Thats because most of the crap stations are out-sourced to a big company with a building full of generic DJs who just play the same record industry generated play lists and pretend to be in some town they've never heard of between songs. The whole thing is just one big advert. A few years ago, a radio station would have a massive library, now days people have an even bigger library stored in the palm of their hand and with full control over what they listen to - how can a radio compete? New music is more likely to be played online rather than a real radio station so you'll get every band, not just the ones that have been heard by a producer. All thats left is talk radio which is great and has a real future (theres never any shortage of things to talk about) ironically, radio stations seem scared to carry people like Howard Stern in the US because of the pussy FCC.

    --
    This comment does not represent the views or opinions of the user.
    1. Re:Well duh! by sambira · · Score: 1

      What about satellite radio? I have XM and it is way better than regular (free) radio.

    2. Re:Well duh! by connorbd · · Score: 1

      Satellite is great, but it's $13 a month. It's a bandaid solution to the real problem, which is that the industry's creativity is being destroyed at the local level. Even in Boston, which is a relatively healthy radio market, most of the best-known talk show hosts are relatively conservative (in one of the country's most notably liberal states), there's a lot of format duplication -- WZLX and WROR being one example, where the first is a straight classic rock station and the second is close enough to being classic rock that the distinction is meaningless. Fortunately there is a fair amount of college radio, public radio, and even one truely awesome indy station (WXRV in Haverhill) to break the monotony.

  7. Look at the numbers.... by tinrobot · · Score: 4, Insightful

    Broadcast Radio - a few dozen stations per city.

    Internet Radio - Tens of thousands of stations, if not more, plus you can listen to your favorite station in any city.

    The huge variety of internet radio menas there literally is something for everyone. With more choices, there's bound to be migration to the more robust medium.

    1. Re:Look at the numbers.... by Seumas · · Score: 1

      Broadcast Radio - a few dozen stations per city.

      But only two broadcast entities. ClearChannel and Entercom, typically.

      And even that doesn't matter. When you think you have "variety", it isn't truly. For example, the very liberal Air America station (at least in a couple cities - if not universally) is owned by the same entity that owns the Rush Limbaugh station.

      Not as "opposing views" as you thought, huh?

    2. Re:Look at the numbers.... by Mike+Hicks · · Score: 1

      Honestly, there are a lot more radio companies out there than ClearChannel and Entercom, though you do make a fairly valid point that in any given market, there are two or three major players, plus a bunch of tiny outlets bringing up the rear (or a pile of those annoying Christian satellite stations). I'm actually amazed at how many different owners there are. I think the problem is that the big guys want to go out and get a huge slice of the pie. If companies were content with being in fifthor even fifteenthplace in the ratings, there would probably be a greater variety of material on the airwaves.

      Well, I think I'm sticking with public radio myself..

  8. Radio programming sucks. by Seumas · · Score: 5, Insightful

    Gee, do you think maybe the reason nobody listens to radio anymore is that they fill everything with "CharlieFM" or "BobFM" or "AliceFM" or "JackFM" with pseudo-random crap and call it "variety"? Or that they replace great AM radio stations with hosts like Rick Emerson and Clyde Lewis and replace them with failing "oldies" format programming?

    It's so much cheaper to lose most of your audience and deliver pre-programmed drivel without a host (or just an automated "host") from another part of the country than it is to provide customized, interested, live, provocative, intelligent local content.

    I was never a fan of FM, but I did listen to AM talk radio since I was eight years old. After 20 years, I've stopped listening. The last great talk show I found was Rick Emerson's geek-oriented program and Clyde Lewis's bizarre (but better than Coast to Coast AM) program on the weekends. Now that they removed that from the Portland air-waves and I've moved to Colorado where the only talk radio states are sports, jesus and Air America, I don't even own a radio.

    Radio is eating itself and will hopefully implode soon.

    1. Re:Radio programming sucks. by X0563511 · · Score: 1

      And when it does, hopefully the FCC will toss the airwaves out to the public.

      Please. Maybe? (sad puppy face)

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    2. Re:Radio programming sucks. by Alioth · · Score: 3, Informative

      Try BBC Radio 4 if you want talk radio (you'll obviously need to get it over the Internet). Of course it will be rather British-centric for news reporting, but there's a lot more on Radio 4 than news.

    3. Re:Radio programming sucks. by Some+Bitch · · Score: 1

      There's also talkSPORT, a UK commercial talk station. They broadcast on the web as well, there's a fair amount of sport but mornings and late evenings (UK time) have some great non-sport presenters. James Whale, Mike Dickin, Ian Collins are all worth a listen, I even enjoy US Rebublican Charlie Wolf (if only because he makes me want to scream at the radio as I disagree with him so strongly and so often).

      BBC Five Livewhich has a similar mix but without the ads. Their morning (again UK time) shows are particularly good.

    4. Re:Radio programming sucks. by tepples · · Score: 1

      Try BBC Radio 4 if you want talk radio (you'll obviously need to get it over the Internet).

      Who can afford in-car Internet access?

    5. Re:Radio programming sucks. by drinkypoo · · Score: 1

      Who can't afford to hear it a day late that can't pick it up on the radio?

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    6. Re:Radio programming sucks. by connorbd · · Score: 1

      BBC 6music as well -- better than the best OTA classic rock station you've ever listened to, with a far more intricate mix of music and some really interesting documentary materials. I hear a lot of their overnight programming (evening ET), and while I wouldn't say I'm a religious listener, I've recommended it to a lot of people.

      Now if only Roku made it possible to stream RealAudio over a SoundBridge...

    7. Re:Radio programming sucks. by connorbd · · Score: 1

      Sounds great at first thought, but it would be a train wreck in practice. Some religious groups in particular (the conservative ones, natch) are notorious for abusing broadcast privileges under the current system -- "giving the airwaves back to the public" would only make the situation far worse. As it is the FCC is having a lot of trouble with land mobile allocations, and is realigning (read: crunching) bandwidth requirements on a lot of them, and the progress of Broadband over Power Line threatens to destroy much of the HF spectrum.

      It would be nice if they'd lighten up on pirate broadcasters a bit, but when they did and created the LPFM service, Congress gutted it.

  9. Let's see... by FlyByPC · · Score: 2, Insightful

    Listen to the specific music I not only like but am in the mood for at the moment, without interruptions, anywhere I want, with good quality, or...

    Listen to a prefab mix of so-called "Top 40," most of which consists of people screaming off-key as if they had been seriously injured, no matter what kind of music I feel like listening to; having to put up with constant advertisements as the price of listening to this crap; only while in range of a radio station, and with dubious quality.

    Hmm. No wonder I hardly ever listen to radio!

    --
    Paleotechnologist and connoisseur of pretty shiny things.
  10. List of internet science radio programs by Anonymous Coward · · Score: 3, Informative
  11. Only a matter of time before by Brass+Cannon · · Score: 4, Insightful

    This just confirms my theory that, as radio declines and digital goes up, digital will become radio with all that that implies. FCC regulation, commercials etc...

    Don't believe it? Look at cable TV. When it started, you paid for cable because it had no commercials. That made sense. Commercials paid for television. If people pay for it directly, no need for commercials right? Wrong. Now we pay for cable and still have commercials.

    It's only a matter of time before this happens to radio.

    1. Re:Only a matter of time before by AgNO3 · · Score: 1

      With 500 channels do you really think $50 bucks a months covers the cost of spike tnt sci-fi? You know how much it cost to produce say Battle star Galactica? Now add both Star Gates to that. Now take $50 x subscribers( only 30% of all house holds have cable or Sat.) and divide that by 500 channels. Less then a million people watch sci fi's friday night line up. Each paying less then $1 to sci-fi. Umm its cost better then a million an episode to produce Battle star galacica why do you think they only make 16 episodes a year instead of the 22-24 for a normal show?

      --
      OMG Ponies!!! with Glitter!!!! I miss Pink :-(
    2. Re:Only a matter of time before by Brass+Cannon · · Score: 1

      I agree. 50 / month does not cover production etc for 500+ channels. However, people paying 50 bucks don't get 500. I know I don't. Also, how many of those 500 channels do you really watch?

      As the cost to watch / listen goes higher and higher why not pay people to watch commercials? That money could come directly off their cable bill.

      If I could do this anonymously, I might even be persuaded to give some feedback. All the advertiser need know is that someone in my area or household likes product X, and would you like to buy that now sir? Grocery retailers pay people in the form of discounts for access to their buying data. This would not be that different.

      I am a big BSG fan and would be willing to pay money directly for that particular show.

    3. Re:Only a matter of time before by silverhalide · · Score: 1

      Ah! There is one CRUCIAL difference between internet radio and traditonal broadcast: there is no limited bandwidth for Internet radio. There CAN be 10,000 stations coming into your computer, and none of them are using a public resource -- airwaves in this case, therefore they SHOULDN'T be regulated.

      Old radio had to be regulated because there was only room for 20-30 stations in each market. If a new station popped up, and broadcasted over the old one, then that station is essentially put out of business. Meanwhile, on the internet, a new station pops up, and affects nobody else's station. Therefore, regulation is not needed.

      The airwaves are one of the few cases where government regulation is truly needed to maintain order and "fairness". The internet does NOT need regulation.

      God help us if they do attempt to regulate internet radio, (or any internet service for that matter) but it's an impossible task. Everyone will simply move off-shore to where it's "legal".

    4. Re:Only a matter of time before by Brass+Cannon · · Score: 1

      Bandwidth have been the original reason for the FCC but I fear that we would be hard pressed to raise the issue now. When the FCC begins to regulate the internet and satellite radio, they will be so firmly entrenched in the policing of morality and decency, that making the point that they are no longer needed will be futile.

      Make no mistake, the FCC will try to regulate the internet and satellite radio. We have to stop them. Make sure your representatives know how you feel.

      Moving off shore may not be any help. The FCC regulates things within the US. Once that info enters our airspace it's fair game to be regulated. Don't think it can happen? China is well on their way. Plenty of free ideas out in the world. Not many making it to China these days.

      The FCC does not have to stop all the traffic, they just need to make it hard to get at for the average person. That's the real beauty of the internet. It's accessible to average people and every day more and more people connect.

    5. Re:Only a matter of time before by dangitman · · Score: 1
      Ah! There is one CRUCIAL difference between internet radio and traditonal broadcast: there is no limited bandwidth for Internet radio. There CAN be 10,000 stations coming into your computer, and none of them are using a public resource -- airwaves in this case, therefore they SHOULDN'T be regulated.

      Digital radio broadcasts can also massively increase the number of stations available, and the range of transmitters. So, why not use the public resource of the airwaves to its full potential. After all, it's there to be used. Seems more wasteful not to use them, as they are ideal for radio transmissions, even where there is no WiFi or internet around.

      --
      ... and then they built the supercollider.
  12. Net audio isn't just about avoiding Clear Channel by ggruschow · · Score: 4, Insightful
    I listen to a lot of streaming audio on the net, but unlike many posters' assertions, a lot of what I listen to is locally available via broadcast. Listening to it on the net means less static, and often more importantly, it's possible to listen in a high-rise office complex.

    That said, I do listen to some stuff that's not available via broadcast (at least locally) as well, but the point was I normally prefer to listen via the computer either way. In fact, I don't listen to a couple of shows just because they're not available via the net.

    Also interesting to me is that I'm increasingly listening to recordings of radio broadcasts (that weren't originally intended as "podcasts"). That's a big deal for me since I'm frequently interrupted in my listening, but I like to hear a complete program.

  13. Internet even helps public radio by big+tex · · Score: 1

    I'm a big NPR fan. My biggest problem is that I can't always listen at the scheduled times.

    Streaming has helped two ways -
    I can now listen at work, and I can record and listen later on my ipod.
    Wicked handy.

    --
    I think I need a new sig here.
  14. Pimpin' out the highschoolers. by Anonymous Coward · · Score: 0

    c89.5 in Seattle. Not quite as good as they were last year, but still FAR better than the rest of the market. And they're worldwide thanks to the miracle of the internet.

    1. Re:Pimpin' out the highschoolers. by Anonymous Coward · · Score: 0

      They only play crappy dance music. Give me a f'ing break. Every single time I flip past that station, there's some corny four-on-the-floor 909 pattern with a Shakira acapella "remixed" over it.

  15. I listen for the music by lgftsa · · Score: 2, Insightful

    I stopped listening to the radio about five years ago, when I started to not hear music on the way to and from work.

    Instead, I got a series of advertisments, including the station self-promotional ones, periodically interrupted by a pair of ADD sufferers who seem to be under the mistaken impression that I might be interested in what happened to one of them last night at the grocery store, or, for that matter, find it amusing.

    The standard CD player in my car meets my needs quite nicely.

    1. Re:I listen for the music by webstylemedia · · Score: 1

      Yeah, agree! I like to hear only my CD player in my car and MP3 in my office.

    2. Re:I listen for the music by Mike+Hicks · · Score: 1

      Yeah, talkative drive-time shows suck. I think this is why many radio companies are under the mistaken impression that people hate DJs. I don't hate DJs that tell me what the music is or where I can go see a show. I hate these "personalities" who ask people to call up and relate nasty stories about lawnmower accidents and all sorts of other crap.

      Unfortunately, a CD doesn't hold enough music for me. Even an MP3 CD would get old quick, I think, especially since I would select the music. I just like having someone hand me something new on a regular basis. Fortunately, I now have a decent radio station in town.

  16. Where do you get 48kHz material... by blorg · · Score: 1

    ...for comparisons with 44.1 kHz?

    1. Re:Where do you get 48kHz material... by X0563511 · · Score: 1

      FL Studio can output to 48kHz. I opened a demo track, set all the quality settings to maximum, and dumped it to a 44.1kHz wav, and then did the same thing to a 48mHz wav. It was hard, but I could hear a _slight_ difference.

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    2. Re:Where do you get 48kHz material... by Miasik.Net · · Score: 1

      It was hard, but I could hear a _slight_ difference.

      Are you sure? Did you do double blind tests? Or you just convinced yourself that you heard the difference?

    3. Re:Where do you get 48kHz material... by X0563511 · · Score: 1

      I probably just convinced myself, but I don't really discount the possibility that I heard the difference. Maybe it was just my speakers over exagurating it (only $40 set, 2 sats and one subwoofer).

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
  17. Radio will change. by Anonymous Coward · · Score: 0

    And afterwards we'll struggle to remember how or why it was ever any different.

    It'll be a huge boom for radio, but bad bad bad for record executives. Radio won't be about the numbing repetition of playlists people suffer through because they don't have an mp3 player in their car. It'll be mostly talk, and based around the shared experience. The stations will specialize and cater to various demographics, with a few music stations eeking out an existance based on catering to luddites. The beauty is, since that's where the money will be, and that politicians are whores, free speech will probably triumph. We still won't be able to drop the F-bomb on the radio, but that'll will just be a collective hope to preserve what little power it still holds.

    That said, recent protests abroad have given me a new idea. Holy Koran tampons and toilet paper. Oh it's a niche market, but I bet one could easily sell enough to live a comfortable life.

  18. why is online radio so hard 2 get by cinnamon+colbert · · Score: 2, Insightful

    One reason for a decline in radio may be the monumental stupidty of hte radio industry in not making online radio easy to get (don't both, afficionados of program x, which u think does make it easy) It's like the movie industry opposing videos - total lack of intelligence

    1. Re:why is online radio so hard 2 get by Anonymous Coward · · Score: 0
      You told me not to but... iTunes, for one, does make it easy. You click 'radio' on the side and choose a genre. There is really no possible way it could be easier.

      P.S. How the hell did a post that looks like it was written by a 10 year old get modded up? Let's examine:

      why is online radio so hard 2 get (Score:2, Insightful)

      by cinnamon colbert (732724) on Saturday May 14, @05:03AM (#12528478)

      One reason for a decline in radio may be the monumental stupidty of hte radio industry in not making online radio easy to get (don't both (bother, I'm assuming.), afficionados of program x, which u think does make it easy (i.e. don't bother to present evidence that disproves my claim.)) It's like the movie industry opposing videos - total lack of intelligence (Well, at least he has a sense of irony. Oh, and there should be a period here.)

  19. Broadband... by Nuskrad · · Score: 1

    ...killed the radio star?

    1. Re:Broadband... by Anonymous Coward · · Score: 0

      Broadband just sells off the decades-old corpse.

  20. Opie & Anthony by BinBoy · · Score: 1, Interesting

    There are waaay too many commercials on regular radio, they play only the music that has the most sales potential and it's become completely censored. All the best radio personalities like Opie and Anthony are going to XM. I listened to the free trial and signedup after just a few hours. It's completely refreshing to hear the type of music I WANT to hear and to listen to talk radio that's actually funny and even... politically incorrect!

    1. Re:Opie & Anthony by BrK · · Score: 1

      I think that "best radio personality" is a bit of an oxymoron. I do agree that satellite radio is much better than FM though. I've had Sirius for a bit now and am pretty happy with it. I just wish that Sirius and XM had better sounds quality.

      --
      -This sig intentionally left blank
  21. How about shock jocks and talk radio? by g0hare · · Score: 3, Insightful

    I, for one, don't need long discussions about anal sex and so forth on my morning drive to work. Neither do I care to listen about how liberals are ruining the country, even though conservatives have been in control for like 12 years now. As for the music - well, thank god for the Morning Buzz, 100.5 - but their signal is weak and I can't get it a lot. Oh yeah, and screw Clear Channel.

    --
    Vote Quimby!
    1. Re:How about shock jocks and talk radio? by blackomegax · · Score: 1

      you in atlanta? try 88.5 and 90.1 (college stations)

    2. Re:How about shock jocks and talk radio? by Anonymous Coward · · Score: 0
      > I, for one, don't need long discussions about anal sex and so forth on my morning drive to work. Neither do I care to listen about how liberals are ruining the country, even though conservatives have been in control for like 12 years now.

      ...because I get enough of that reading Slashdot while I'm at work! :)

  22. iTunes by joel8x · · Score: 1

    I know most players have had this feature forever, but the radio list in iTunes is just great. It makes listening to internet radio a pleasure because its so seemless with the rest of the player and there are multiple bitsreams of many of the stations - a 128 stream is just as good if not better than FM!

    --
    Sound waves should be free!
    1. Re:iTunes by Mike+Hicks · · Score: 1

      LOL. You need a better radio ;-)

      Actually, these aacPlus streams sound really good to me, and they're considerably lower than 128kbps (the top two there are actually 5.1 surround audio).

  23. this study ignores a critical player in the game by rtphokie · · Score: 3, Insightful

    Where does satellite radio fit into the picture? XM & Sirius could also be lumped into "digital listening" but they aren't mentioned in the article. Satellite radio, like online streaming, also offers a much greater variety of content than terrestrial radio with the benefit of greater portability.

    This article also makes the mistake that is almost always made when comparing traditional radio to newer mediums for delivering audio entertainment. This isn't the 1940's, a very low percentage of radio's listeners are in their homes or offices. Nearly all tranditional radio listeners are in their cars. Sure people bring their iPods with them in their cars and that does provide some competition to traditional radios but the 80's technology of casette tapes probably has a bigger impact and more people are listening to CDs in their cars than an mp3 player.

  24. Radio? by Groucho · · Score: 1

    Radio is that thing that plays the music that gets mentioned on entertainment news shows, right?

    I think I know some old people who still listen to it.

  25. Radio??? by Lucky_Pierre · · Score: 2, Funny

    I stopped listening to radio when I got my 8-track tape player installed in my brand new 1969 Chevy Impala.

    --
    "Whenever the cause of the people is entrusted to professors, it is lost." ~ V.I. Lenin
  26. Why the sky is not falling by Anonymous Coward · · Score: 0

    At work bandwidth has to go way up in order for online radio to supplant over the air radio. The only real competitor to over the air radio in the long term is going to be podcasting. It is too much of a pain in the butt to maintain a digital music library and keep it fresh.

    I do listen to online radio and I really like some of the variety. However, there are still over the air stations which simply rock... Thanks BOB! (BOBFM Austin Tx.)

  27. Linkage by Anonymous Coward · · Score: 2, Informative

    Plenty of online radio links at shoutcast.com. (I always follow the link from winamp.com because it's easier to remember).

  28. Do radio stations pay to play music? ASCAP! by crovira · · Score: 4, Informative

    From their web site: "The American Society of Composers, Authors and Publishers is a performing rights organization which licenses and collects royalties for performance"

    Radio stations PAY.
    The Mall PAYS.
    The elevator company PAYS.

    That's why there are "studio session" musicians who play 'covers' of popular songs, give up all rights to their music so that the cheezy music playing every hour in that elevator makes money for the elevator company. The artist who recorded the original version is probably not getting a dime.

    ASCAP had to listen to every dreadful hour of the crap that was aired 24/7 until they got the idea of making the content consumers keep and submit play lists.

    The reason they don't announce they artist to you anymore is that they are doing it to those that count, ASCAP, on paper so they don't need to lose commercial airtime (which pays for the 'filler') to the names of the artists or the songs.

    That's also why they don't announce the 'songs' at the mall or in the elevators.

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
    1. Re:Do radio stations pay to play music? ASCAP! by dgatwood · · Score: 1
      That's not technically true. The cheezy music makes money for Muzak or one of those other companies because they do a buyout of the performance, but they still pay the composer and publisher, same as they would if they used the original artists' recordings. The only thing it buys them is the ability to distribute on CD instead of via broadcasting (without paying additional licensing fees).

      However, the mall (the owner of the elevator, BTW) could easily bring in commercial radio and would pay similar royalties... probably less, actually, since a blanket ASCAP/BMI license should cost significantly less than a monthly subscription to those elevator music services.

      That's the scary thing. We get those no-name instrumentaly covers because executives in not one, but TWO corporate offices somewhere actually LIKE that crap enough to pay MORE for it!!!!

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

  29. Opie & Anthony & More by Anonymous Coward · · Score: 0

    They are one of the few shows that get it, less than 5 minutes of break time per hour, and that includes commercials and XM promos. At least half the ads they do are live reads, so not only is it more personal (and effective) it keeps the listeners tuned in.

    As for commercial radio, if they can't give a compelling reason to listen they're done. There isn't a new song/group the local rock stations have introduced me to in a long time. Instead of playing a new song and getting feedback directly, they use consultants and focus groups to provide an extremely limited playlist. They seem to believe no one will listen for more than an hour or so, which is a self-fufilling concept.

    How many times must I hear "Smells like Teen Spirit" ??? And yet songs that were popular last year are gone from heavy rotation... No wonder satellite and portible personal players are going to destroy them.

    They won't fight back by providing innovative content, they'll streamline everything for "national formats" and they'll us "national DJs" with only skeleton crews running the boards.

  30. Those figures apply to the US ONLY!!! by Anonymous Coward · · Score: 0

    Those figures apply to the US ONLY!!!
    And the US represent a mere 5% of the world population! Wanna bet the global trend is the other way around?

  31. Jobs by Spy+der+Mann · · Score: 2, Insightful

    Where I work at, our bandwidth is dedicated to the servers, so we can't play stream download songs. So I bought myself a portable radio and tune my favorit e station.

    I think most jobs are like this. Anyway, didn't we think that "video killed the radio stars" about 20 years ago? IMO, Radio's still alive and kicking.

    1. Re:Jobs by Darth+Maul · · Score: 1

      > IMO, Radio's still alive and kicking.

      So this is why audience membership is declining? Every time I make the mistake of tuning into a radio station I hear commercials. People these days, in the era of Tivo, want to hear what they want to hear, not what someone tells them they should listen to.

      It's been mentioned ad naseum in these comments, but the reasons why radio is failing are threefold: 1) half the content is commercials anymore, 2) the annoying DJs that really think they are funny and interesting, and 3) the same 5 songs played each hour.

      I'm not just going to be another consumer of whatever The Man tells me to consume. That's why I have an iPod and I can listen to whatever I want. Any time. Any place.

      I actually feel sorry for people who listen to the radio.

      --
      --- witty signature
  32. why pay? by xalorous · · Score: 2, Insightful

    The only advantages I see of digital radio over broadcast are:

    1. No commercials.
    2. Clear signal (I haven't tried it but it should be a nice signal...someone with experience chime in)
    3. No commercials.
    4. More targeted programming.
    5. No commercials.
    6. Wider Selection.
    7. NO FREAKIN COMMERCIALS

    Disadvantages:
    1. You gotta pay
    2. No local news and info
    3. Pay to listen.
    4. Needs special equipment.
    5. You gots ta pay!

    TANSTAFL

    --
    TANSTAAFL GIGO Acronyms to live by!
    1. Re:why pay? by Ph33r+th3+g(O)at · · Score: 1

      And right now, there'll be no commercials, until broadcast radio is pretty much dead. Then, like with cable TV, you'll get to pay and endure commercials.

      --
      I too have felt the cold finger of injustice.
    2. Re:why pay? by Snover · · Score: 1
      1. No commercials.
      2. Clear signal (I haven't tried it but it should be a nice signal...someone with experience chime in)
      3. No commercials.
      4. More targeted programming.
      5. No commercials.
      6. Wider Selection.
      7. NO FREAKIN COMMERCIALS

      Disadvantages:
      1. You gotta pay
      2. No local news and info
      3. Pay to listen.
      4. Needs special equipment.
      5. You gots ta pay!

      You can get all of these same things with a strong public radio system. Case in point is the latest of our three local public radio stations, The Current, which provides advantages 1, 3, 5, 6, and 7, without disadvantages 1, 2, 3, 4, and 5. (Although, they do rely on donations, so perhaps you do have to pay a bit if you want the station to survive. But on the plus side, you also get a booklet with lots of discounts to various places, just for being an MPR member. It's a pretty sweet deal, and will pay for itself if you ever go out.) Of course, the pinnacle of public broadcast is the BBC, and I don't see that changing anytime soon.
      --

      [insert witty comment here]
    3. Re:why pay? by dangitman · · Score: 1
      The only advantages I see of digital radio over broadcast are:

      Well, firstly, digital radio is broadcast radio.

      7. NO FREAKIN COMMERCIALS Disadvantages: 1. You gotta pay

      1. Why would you have to pay? Why can't free-to-air stations just switch to digital (run concurrently with analog for backward-compatibility) - like they do in other countries?

      7. What's to stop them from putting commercials on digital radio?

      --
      ... and then they built the supercollider.
    4. Re:why pay? by xalorous · · Score: 1

      If I subscribe to a digital radio service, it will be because there are no commercials. If they add commercials, I will no longer pay. With TV I have little choice (other than putting up an antenna and getting 2 channels), but I go with satellite over cable because satellite already has digital music channels. One poster mentioned NPR. I haven't found my local station. The only problem with NPR is that it is primarily talk radio.

      --
      TANSTAAFL GIGO Acronyms to live by!
  33. Here in Canada... by N1KO · · Score: 2, Interesting

    Something like 40% of the content played by radios has to be Canadian. So the music played is filtered once through the top 10/40/100 lists and a second time by the Canadian governments regulations.

    Since many car stereos play mp3s now, people can carry more variety in a cd than what is available through the radio. Hopefully in a couple of years high speed connections will be common in cars.

    1. Re:Here in Canada... by PunkPig · · Score: 1

      Very true. The CRTC better not try and get their dirty paws into trying to regulate internet radio.

  34. Live 365 talk stations by Torgen · · Score: 1

    Check out http://www.live365.com/ for an amazing selection of talk and spoken word (and just about anything else.) There are thousands of stations here, programmed by individuals (unlike AOL or Yahoo) ranging from people who just want to hear their own music at work to hobbyists to professional broadcasters. Free to listen, (install a popup blocker) and for $4.95 a month you can ditch both the popups *and* the audio ads. It's a cubicle-dweller's nirvana. I found the best jazz station I've ever heard there, and listen to it when working.

    Unlike many Shoutcast stations, all these stations pay licensing fees, so don't have the threat of being shut down by the RIAA looming over them. It's also easy to get started on your own. You can start at $10/month (a paltry 100MB of storage) up to however big you want to get. Some of the "pro" stations are spending upwards to $2000/month and selling their own ads.

    For a sample of the types of music you can hear, check the 2005 Mikey Awards winners here http://www.live365.com/info/press/20050512.html/

    ( Disclaimer: I have broadcast on Live 365 since 2000.)
    1. Re:Live 365 talk stations by Lord+Flipper · · Score: 1
      I found the best jazz station I've ever heard there, and listen to it when working.

      Mind if I ask which of the stations is your 'best jazz station' choice? I have a friend (a lady in BC) who has a really good jazz station on there. Just curious.

  35. I was thinking that I'd lose out and hear nothing by crovira · · Score: 1

    on the air except a digital squeal but then I thought "When's the last time I even turned on the radio?"

    I couldn't remember. The Buggle may have had something with "Video Killed the Radio Star" and the constant hammering with ads is doing the same for the Video star.

    Does MTV ever have music videos anymore? It seems that, every time the station flickers past, its always something airheaded or plain stupid (Bevis & Butt-head or some maschists traipsing around wearing diapers in the jungle looking for something that's hungry enough to bite them.)

    And this is entertainment???

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
  36. You mean... by Anonymous Coward · · Score: 0

    AM Stereo didn't bring you back?

  37. Yes, inevitable but..... by smchris · · Score: 1

    After the initial enthusiasm, there seemed to be a major international die-back about 1999. I got the impression the internet stream was seen as a money losing toy and I never understood that. Just the inability of marketing and advertisers to grasp the paradigm? You know you have a listener with a stream and even if I'm only understanding 1 in 4 words coming from that station in Paris, I can sure pick out "Coca Cola".

    Digitallyimported.com rules. 4 or 5 years of vocal trance and now I can't listen to a handful of guys banging and twanging anymore.

  38. Too many music formats gone. by MtViewGuy · · Score: 2, Insightful

    I think one of the very big problems with music radio stations nowadays is that the increasing corporate ownership of radio stations has pretty much killed off a lot of music formats we used to hear on radio. Remember things like classical music? Or easy listening? Or a lot of ethnic music formats? Is it small wonder why XM and Sirius are getting a lot of subscribers because they want to hear a large variety of music?

    As for talk radio, it works because it's cheap to syndicate and also talk radio doesn't need the high-quality sound of FM, so an AM station broadcasting a talk show could reach many states from one transmitter. (One thing though: I wonder why Howard Stern is syndicated mostly on FM stations currently, given that his show is mostly talk anyway; that is unless shock talk is primarily an FM phenomenon.)

    1. Re:Too many music formats gone. by John+Hasler · · Score: 1

      > Remember things like classical music?

      I'm listening to it right now on MPR's classical station.

      --
      Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
  39. Problems with Broadcast Radio by Anonymous Coward · · Score: 4, Insightful

    I myself, due to my job, drive upwards of 10-14 hours a day. So 99% of the time im sitting in my car. I live in the bay area california, So we have quite a few broadcast radio stations, covers almost every single Music style there is. (Short of Trance/techno, which only comes on once a week in the middle of saturday night.. sigh, i love you subsonic)
    What station do I listen to? The 24/7 news station with 10 minuite Traffic and weather. If not that, I have tapes (Err im too poor to afford a CD player) of Downloaded Trance tracks you cant get anywhere else.
    Do i really want to listen to howard stern talking about how hed like to fuck some dumb bimbo because she has big boobies? Or How funny it would be for two morning talkshow hosts, who laugh at themselfs cause their so damned funny, taser their lacky? No, I don't want to listen to that crap at all, it isnt funny, and if people belive it is in *FACT* entertaining, they need to be cleansed from the world, seriously. Fart jokes, big boobies, How bush is the greatest president in the world and how they (who hide behind) freespeech is the bane of the world, is NOT actual entertainment. Its drivel to be archived on 8tracks and remembered like Disco.
    Yes Broadcasting industry, yes RIAA, yes the Entire music industry, you /SUCK/. Get with the times. Play what your customers want, or you'll lose them.
    To the RIAA/Broadcast Industry: Either Shit, or get off the pot. Seriously.

    1. Re:Problems with Broadcast Radio by Anonymous Coward · · Score: 0

      Translation:

      Dude! Trance music fucking rocks! Why do they not play it 24/7/365? The music execs just don't get that anything that isn't trance music is shit. Get with the times.

    2. Re:Problems with Broadcast Radio by unitron · · Score: 1
      "Play what your customers want,..."

      For commercial broadcasters the audience aren't the customers, the advertisers are.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

  40. how can a radio compete? by Heisenbug · · Score: 1

    Well, they could compete easily by letting DJs do what they're supposed to -- make it their full-time job to find and play music I wouldn't have discovered on my own, in a pleasing arrangement. There are definitely plenty of times where I'd rather listen to a playlist created by a professional than my own library.

    Too late now. I won't be going back to plain old radio even if they do remember why a DJ is better than a top-40 playlist on shuffle. If I was Clear Channel, I'd be looking at getting out of radio and into monopolizing something like billboards or concert venues. Just a thought.

    1. Re:how can a radio compete? by Mike+Hicks · · Score: 1

      If I was Clear Channel, I'd be looking at getting out of radio and into monopolizing something like billboards or concert venues. Just a thought.

      Uh, yeah, they've tried that (eh, maybe my sarcasm detector is faulty today). Though they're apparently selling off the concert unit now.

    2. Re:how can a radio compete? by Mike+Hicks · · Score: 1
      Crud, I forgot to close the emphasis tag.. Bah.
      If I was Clear Channel, I'd be looking at getting out of radio and into monopolizing something like billboards or concert venues. Just a thought.

      Uh, yeah, they've tried that (eh, maybe my sarcasm detector is faulty today). Though they're apparently selling off the concert unit now.
    3. Re:how can a radio compete? by Anonymous Coward · · Score: 0

      If only there were some way to see what your post is going to look like before you submit it.

  41. woxy.com- Internet Radio by Fozzy-not · · Score: 2, Informative

    Formally 97.7fm in Cincinnati, Ohio, has gone internet only. We can get the best and freshest Indy rock streamed to us daily with live DJ's during most of the day and limited commercials. woxy.com by far is the best internet radio station probably on the planet. They offer a beta aacplus stream, plus high and low streams. They also have live, in-house performances and other goodies for all to enjoy. And best of all, free for the listener! http://www.woxy.com/

  42. You cant PAY me to listen! by Anonymous Coward · · Score: 4, Funny

    A couple months ago, I got a call at work..

    "This is XXX radio 101 FM, and we're going to reward you if you listen to our station. If youre listening to our station right now you can win $1001 dollars!!!"

    I told them that it wasnt nearly enough money, and if they would please call back when their station wasnt a clearchannel whore, I might think about it.

    FM is so bad these days that you cant PAY me to listen to it. That should be a sign to them.

  43. Wait, what if you listen to local stations online? by Carbonated+Milk · · Score: 1

    I sometimes listen to WFMU's archives or streaming broadcast online, because their signal is so weak. The sad thing is, they're only a few miles away, in the next state over.

  44. 95% of AM/FM is surrepetitious crap. by Anonymous Coward · · Score: 0

    ..and no doubt once internet/digital/satellite radio recovers from the copyright inquisition rampage, it will offer up the same stuff. More Top 40 big media-enforced payola, government subsidized left-wing whining, talk radio personlities, more of the same smooth jazz, motown, and 60's-80's era fiddle faddle. All in high fidelity.

  45. This is Too True by Anonymous Coward · · Score: 0

    1 poor sound quality
    2 poor programming
    3 They all want to add soundbytes (cars crashing, cowbells, various noise effects)
    4 There is no effort given to matching the sound level as they go from program to ad or soundbyte so we have to keep messing with the volume or go deaf.
    5 They want us to listen to people call in and say how great they are...instead of music. Why would that be?
    6 They play commercials that start out like songs which is infuriating.

    Here is a formula: play music, play commercials, play much more music, play some commecials. Pick commercials that blend in and do not yell or shout or ruin the mood.

    I have an in-dash mp3 player. The ONLY thing radio has to offer is to play songs I dont have or havent thought of yet. If they screw me with too much noise the mp3 player goes on, and I probably wont turn on the radio again for the whole trip.

    Kids all have mp3 players. You can get a CD based one for VERY little money.

    If radio doesnt become very creative and raise their quality standards so that evere SECOND of airtime is reviewed for quality and entertainment value, they are going to lose to the mp3s...

  46. Radio Burnout by tmortn · · Score: 1

    The Clear Channle takeover and FCC overpowering free speech has pretty damn near killed any real future for legacy broadcast radio in the US. What is the future ? I am thinking sattelite really isn't a serious contender barring a major overhaul of space based infrastructure. Its advantage now is badnwidth but I think its disadvantage in the future is bandwidth. Expensive gear and monthly fees etc... What I do see picking up along with WIFI is seeing internet radio's start to creep out into the world away from computers.

    It(net radio) has a great deal of the same properties that launched early radio... its highly democratic with low entry requirments. Only now instead of horizon limitations on braodcast capacity and unique tunning capacity you now have all of cyberspace to send a digital stream to. As Wi-Fi gets bigger and constant data connection moves into more and more devices my guess is that internet based and not proprietary sat based radio is going to go big.

    We need a domain purely for radio broadcast feeds and build "radio's" that can sort through and request those feeds via wireless connections. It is this requesting process that will ultimately cause sattelite problems... just the same as it does when using sattelites to provide net connectivity. They can broadcast a good fixed stream but they still can't be very responsive to a large number of individual requests. The broacast bandwidth is greater than radio, but selection is still less than the internet. Additionally getting a show carried by sattellite has a pretty high entry requirment.

    Off hand for a timeline I would say it will not be far behind VOIP mobile phone solutions. Radio's biggest market is the commute so once you solve handovers from station to station sufficient to carry on conversations via VOIP you create the capacity to listen to a feed from hot spot to hotspot.... only now you can listen to ANY feed provided you have a connection instead of just being limited to what is broadcast withen range.

    --
    I don't ask you to be me. I only ask you not expect me to be you.
  47. What? by Ogman · · Score: 1

    I thought radio listening was on the decline due to the virus of the airways...the ClearChannel monopoly.

    --
    But Officer, I DID read the f**king article!
  48. "Online Radio" versus "Music Streaming" by vmardian · · Score: 1

    From The Article:

    "The study also found that online radio stations had 53.5 million listeners this March, up from 45.3 million a year ago. Free streaming of music also saw gains, with a rise of 37 percent, to 46 million listeners."

    What the heck is the difference? What kind of music streaming is there other than online radio". Are they talking about the 10 second clips from Amazon or the 30 second clips from iTunes?

    --
    PowerLevel.com - A next generation marketplace for virtual items and services
    1. Re:"Online Radio" versus "Music Streaming" by Anonymous Coward · · Score: 0

      I think that they might be reffering to the online radio stations that make you pay, such as MSN, LAUNCHcast, or AOL radio. Free music streaming might just be their way of saying everyone else. (Shoutcast etc.)

    2. Re:"Online Radio" versus "Music Streaming" by vmardian · · Score: 1

      So they are saying that there exist more people that pay for internet radio as opposed to not pay? I don't think that's possible.

      --
      PowerLevel.com - A next generation marketplace for virtual items and services
  49. Locality by Mike+Hicks · · Score: 2, Insightful

    I'm not sure if the trend is continuing, but one thing that has been noted in the past several years is that listenership to public radio has been booming. The decline in commercial radio listeners is probably more than 4%, though I couldn't say how much more. When you see that many commercial music stations only have 300 songs in their playlists but run more than 20 minutes of ads each hour (especially during drivetime), it's hard to be surprised that people are looking elsewhere.

    Some people have already mentioned "Jack FM" and other similar formats. "Like an iPod on shuffle" they say. Sure, they bump up the playlist to 1200 songs instead of 300, but you're still stuck in the '80s for the most part. They completely do away with DJs for many of these stations, so if there's a new song, you'll never know who sings it. It's not conducive to learning about new music.

    I like to hear new music. All the time. Not just one or two new songs dribbled in each week. Most radio companies seem to believe that very few people are interested in hearing new music nearly as much as I am. Maybe that's true, but I can't say for certain. Apparently at least 50 million people think that they aren't getting enough stuff over-the-air (though obviously some folks are listening to talk, or are using the cleaner online stream rather than a fuzzy AM/FM signal).

    Here in the Twin Cities, people had been getting fed up with radio. You might remember that the Walker Art Center in Minneapolis even did a "Radio Re-Volt" last year. Sure, there have been a handful of livable or even excellent options in the dozens of stations in the area. The top two cited were usually KFAI and 770 Radio K. Both had problems, though, primarily with weak signals. KFAI adds up to about 250 watts. Radio K is 5 kW, but on AM, and only during the daytime. They both stream online, which mitigates the problem a bit, but you can't trail an Ethernet cable along as you drive in your car.

    Minnesota Public Radio launched a new 'eclectic' music service called "The Current" on KCMP 89.3 FM back in January on a big 100 kW transmitter they'd bought a few months earlier for $10 million. Most of my friends listen to it (and even support it), so I think it has a good chance of surviving. No, I don't like all of the songs they play, quality varies from DJ to DJ, the DJs sometimes make mistakes, and CDs sometimes skip. But they actually have DJs, CDs, and even vinyl, and hope to eventually build a library of 50,000 albums. They have a hefty concert calendar and bring musicians in for very-nearly-live performances every day or so. Local music is in frequent rotation, and the DJs have the freedom to go talking about all sorts of random things. Yeah, there are some people who hate it (and The Morning Show is still an oddball ;-)

    Online streaming provides a bunch of great options, but it's nice to have something with a local flavor that you can talk to your friends about, and have them know about it and understand. While there are some big notable exceptions, terrestrial radio is meant to be a community affair (well, here in the U.S. where there aren't big national networks). XM can't have that, and it's fairly rare for streaming audio. Admittedly, MPR is a pretty big beast itself and has taken over a

  50. Each has its place by SCHecklerX · · Score: 1

    Wouldn't it be nice if free 802.11 was so widespread that I could stream from shoutcast in my car while driving cross country? But I digress :)

    I listen to streamed music most of the day. I found a lot of music that I love that I would never have been exposed to otherwise. But It is good to listen to the local radio on the way to/from work, as I learn about local events that are going on (which bars/clubs will the good bands and hot women be at on any given night? What is the traffic like, and should I pick a different route?)

    1. Re:Each has its place by n6kuy · · Score: 1

      The digital cellphone system is already in place. All that is needed is for some manufacturer to make a "car radio" that can play internet streams using the cellphone system.

      Of course, this'll eat your miunutes, but minutes are gonna get cheaper, too.

      --
      If you disagree with me on social issues, then it's pretty clear that you are a narrow-minded bigot.
  51. ClearChannel is doomed by Dachannien · · Score: 1

    Of all the radio companies (not that there are many left) with something to lose from the satellite radio revolution, ClearChannel has the most to lose. Their "new-age payola" system of leveraging their radio station playlists to boost ticket sales at their concert venues will fall apart as more people switch to satellite radio. If they don't figure out some way to work in the new regime, ClearChannel will soon be "that billboard company".

  52. How do they calculate the numbers? by nokiator · · Score: 1
    It is not clear how the "declining" numbers for the broadcast stations were calculated in this study. There are several decent braodcast stations in my area, and all of them have Internet simulcast of their programs. I frequently listen to the Internet stream of these stations, especially in my office where I have very poor FM reception. Does the time I spent listening to the Internet stream count as lost broadcast listener time?

    I also noticed that a lot of people from outside of the station's broadcast area call in or send e-mail to these stations every once in a while, frequently from a different state and sometimes from a different country. Some of the better on the air stations look like they are actually capitalizing on the capability to stream their content on the internet.

  53. RE: distortion, especially if you're a drummer... by turrican · · Score: 1

    mp3 encoding, even at higher bitrates, seems to cause weird changes to the way cymbals (mainly hi-hats) sound - which in turn makes the whole recording sound tinny.

    I've noticed this is less prevalent with electronically produced cymbal sounds, though.

  54. Re:this study ignores a critical player in the gam by plopez · · Score: 1

    I was going to make the same point, well put. Note too that a friend of mine just installed satellite radio in her car. I wonder if that will also have an impact. Satellite has an awesome seelction compared to broadcast, from right wing loonies to air america on talk. From sludge grind to christian, jazz to elevator muzak.

    How long before it starts hurting the big radio chains? People are hungry for choice.

    --
    putting the 'B' in LGBTQ+
  55. Re:I was thinking that I'd lose out and hear nothi by Mike+Hicks · · Score: 1

    I haven't had MTV in my channel list for years. Okay, it's partially because I don't get laid enough to be taunted by watching rappers prance around with naked women. Combined with the lack of actual music, it's a no-brainer. Now if I could only get Time Warner to reimburse me...

  56. Lies, @#$!# lies and Statistics by FLOOBYDUST · · Score: 1

    This article is woefully short data to back-up their assertion. There is the recent FCC crackdown on "indecency" which has changed the format of several top radio personalities (read Howard Stern) . Satellite radio is also drawing listeners from away from over the air stations. Most radio listening takes place in the car during commuting hours. At work, people listen to cd's MP3's and now Internet radio stations. Why? Because FM/AM signals are blocked by the structure of modern office buildings.Definitely a Saturday story..long on fluff..short on details.

    1. Re:Lies, @#$!# lies and Statistics by Mike+Hicks · · Score: 1

      Eh.. It's a news report on a study, not the study itself. Reports about studies are always a little wonky.

    2. Re:Lies, @#$!# lies and Statistics by Anonymous Coward · · Score: 0

      Why? Because FM/AM signals are blocked by the structure of modern office buildings.

      Unless they play the same crumby radio station day in and day out.

  57. Who pays, and where the money goes by Anonymous Coward · · Score: 0

    Okay, this applies to U.S. only. Your circumstances WILL vary in other countries.

    (ASCAP | BMI | SESAC) = Songwriters only. Anybody who does "public performance" (including non-profits and webcasters) is supposed to pay these agencies, or specifically the one whose music you're performing. (If you're doing a concert of, say, all Irving Berlin music, you only have to pay ASCAP because all his compositions are ASCAP.) Radio stations usually get blanket licenses which let them play anything the agency controls. ASCAP actually has people who spot-check stations and sample music playlists to figure out how to apportion the money it collects.

    The special "streaming audio" charge (which also applies to satellite radio, IIRC) is in addition to the above and supposedly goes to performers. When the law went through, the National Association of Broadcasters used its clout to get an exemption for terrestrial-broadcast radio stations. Again IIRC, there's a court case underway now to determine whether a radio station that streams its programming still has to pay the RIAA streaming charge (needless to say, the broadcasters say they're exempt).

  58. Re:this study ignores a critical player in the gam by Anonymous Coward · · Score: 0

    Sirius is the way to go.

    I just bought a brand new truck which came with AM/FM Radio, Tape Deck, and CD Player. In the beginning, I used the tape deck all the time. The tape deck was the easiest way to hook up the mp3 players.

    I actually got quite frustrated using the mp3 players because if I wanted to change playlists or anything else, it was hard to read the screen (even the 4" LCD on the Archos), use the controls, and drive.

    I refuse to go back to CDs simply because I would have to carry thousands of CDs to satisfy my changing appetite for tunes. I liked the mp3 CD player I had in my last car, I would burn a new mix each week.

    Now I work out in the bush for months at a time. There ain't no radio stations out there. The first time I went up north, I followed my boss and listened to the FM modulator signal from his Sirius Radio. I was rocking to 80s metal (Hair Nation and Buzzsaw) for the entire 10 hour drive.

    Upon my arrival back in civilization, I immediately hooked myself up with Sirius. I now have two dusty mp3 players. I listen to it during the commute to work. I listened to it during a drive half way across the country. I listen to it on my computer. I listen to it at work via the FM modulator.

    As far as I'm concerned, the only thing an FM radio is good for is to recieve signals from fm Modulators.

  59. Use the SPECTRUM more efficiently. Free it ! by zymano · · Score: 1

    Don't let Congress decide to have an auction system to sell frequencies. Free the airwaves by creating a public grid mesh wi-fi network. Build government towers or buy private ones and create an alternative to the damn cell phone. This device though will have much more uses . With grid mesh system everyone will have broadband !

    Ofcourse Congress is way too dense on these matters.

  60. Podcasting killed the radio star by isny · · Score: 1

    I have become dependent on podcasting for my radio needs. As I use the web for news and weather, "radio" for me has become just entertainment. My favorite podcasts include (please use Google) Adam Curry, Spacemusic, Dawn and Drew, Hometown Tales, Bicyclemark, etc. No commercials (well, YMMV if you count promos as commercials) and if you hit something that you don't like or don't want to hear, there's always fast forward. And it's different. Every day.

  61. Some radio stations will survive by haggar · · Score: 1

    I believe that. The ones that will survive are the ones that are least popular today, the ones that 99.9% of slashdot or other reders have not heard of. I am not even sure there are any in USA, where only what caters to the lowest common denominator, will survive.

    Those radio stations are dedicated to classical music. I believe they will continue broadcasting, because those that listen to them will continue to listen.

    --
    Sigged!
  62. The anti-RIAA Open source of radio by Lotharjade · · Score: 1

    As long as I can get my http://wholewheatradio.org/ the commercial radio stations can go straight to HELL! This radio station has a firm anti-RIAA stance and won't play songs that are part of RIAA. Suprisingly that (listening to lesser known musicians) and the lack of commercials make this about 10 times better than any commercial radio station I have ever heard.

    Then you get into the site and find the creator of this (Jimbob) is a former geek programer. His site streams in a number of formats, embraces podcasting, and has tracks an amazing array of stats. The site has an online interactive chat that is integral to part of the radio station itself, where listeners can rate music, post comments to the DJ's, or even call in an leave a message on the show. Add to the chat that it has a digital (dj free) request format, where you can request songs and they are autmatically cued up an played.

    I could see other people duplicating this station in other music formats as it creates a community atmosphere (rare for radio) that gets listeners to know one another from around the globe. The station feverishly promotes true musicians, not the big overproduced pop crap. The more you listen and also watch the chat page, the more you get drawn into this little community of music lovers. Even having to switch back to TV where I have to Tivo through commercials is annoying. I highly suggest you check it out.

    How can you not LOVE a radio station running out of a small cabin in Talkeetna, Alaska?

    --
    Party at O'zorgnax's Pub! Buy me a Slurmtini aye?
  63. One word: by Anonymous Coward · · Score: 0

    Podcasting.

  64. Re:this study ignores a critical player in the gam by dmstockt · · Score: 1

    Couldn't agree more. Last week I drove about 1000 miles on the 405 here in SoCal. My Sirius radio only gets shut off when the fancy strikes me to listen to one of the 6 disc's in the changer (the same ones that have been there for about 6 months...) I would suspect that all of the drive-by's we've had recently may be caused by a commuter who doesn't yet have Sirius :)

    I was probing the possibilities of satellite radio transmission when I heard that Iridium was going under (circa 1999 I think). I started my research and thats when I found XM and Sirius had already been working on this deal since the 80's. I wonder how much bandwidth is left on those old Iridium satellites now? I think I read somewhere that that S&XM only use about 4% of whats available on them.

    Oh, and FM modulators... Tape Deck is the only way to go here, too many b-cast stations, and Sirius (Sportster) only allows you to tune the built in FM modulator down to like 88.7, a couple ticks farther down would work much better.

    I love my Sirius radio and have just accepted the fact that I now have one more annual bill to pay much like taxes.

    (P.S. my First /. reply though I've lurked for a LONG time.)

  65. Radio stations pay to play music.. by gordonb · · Score: 1

    Maybe.

    There are two extremes. First is that the stattion pays ASCAP, BMI, or other services for the right to play the music. A playlist is generated and used to determine to payments.

    The other extreme is payola. Here, the record companies pay the station to paly their prodcut.

    In the current US market, there is a mix of the two models. Some large corporate radio networks (whose initials are Clear Channel) may negotiate deals with RIAA member record companies who want their product played on the large number of stations. These deals may range from the record company paying CC, the record comapny paying toe fees to ASCAP, etc. (essentially providing the music free to CC), or subsidizing CC's costs to a variable degree. Pop music station playing the latest boy band/girl star actually rarely pay for the music. It is comped or even played for profit.

  66. What sample? by Anonymous Coward · · Score: 0

    As soon as I see statistics, I stop reading the article.

    1. Re:What sample? by AussieVamp2 · · Score: 0

      You are the perfect citizen and consumer then.

      Good boy.

  67. Re:YOU ARE STUPID!!! by dabigpaybackski · · Score: 1

    Damn. I gotta know: are you one of those GNAA trolls (funny) or are you a bitter, sexually-confused dude who lives in Mom's basement and has a part-time gig as a security guard at Safeway (sad?)

    --
    "OH SHIT, THERE'S A HORSE IN THE HOSPITAL!"
  68. OT: Poor bandwidth + mp3 stations by Anonymous Coward · · Score: 0

    However my university has a lousy internet connection so I really wish they would make programming available as MP3 downloads

    The solution is Streamripper, since then you don't have to listen to it real-time (and thus deal with drained buffers). Added bonus is that you can then take it with you.

  69. I'd lisetn to radio more if... by Anonymous Coward · · Score: 0

    ...if they didn't play 6 minute blocks of commercials every 15 minutes... ...if they still played music that I want to hear, not some packaged crap for the masses...

  70. Duh. by Sabalon · · Score: 1

    You have so many stations, all the same. Oh sure - they're all pushing the envelope by saying they don't play what everyone else does and have the guts to play what they want - and then play the same old crap.

    My fave was the local "rock" station which claimed it doesn't play that old crap like xxx or the weird new stuff like yyy, and then usually the next song would be a mainstay on xxx or yyy.

    Anyway, as long as ClearChannel, Infinity, etc... are still in control, and DJ's just play the same 1 or 2 tracks from an album over and over, I'll just stick with my iPod and CD's.

    Can't wait for Zeptember, or Rocktober to roll around again ;)

  71. Random play IS here already by AussieVamp2 · · Score: 0

    and if you believe 'em, Triple M do do some random play segments! (say their playlist is 2-3K songs, not 2-300 according to the odd ad, again if you can believe it)

    not that 3000 songs is much - 300 albums? Or 1500 I guess at 2 'good' songs an album.

  72. XM Radio for me by schotty · · Score: 1

    I just listen to XM as often as possible. There is one guy that I tune to AM for, but for music, I stopped on FM all together. My CD's and XM are more than sufficient. XM has done the trick so well, I own 3 XM's.

    --
    Sigs are nice guns ...
  73. Re:YOU ARE STUPID!!! by SidShakal · · Score: 1

    Come on, the guy's name is Albert Pussyjuice...

  74. Re:this study ignores a critical player in the gam by fyngyrz · · Score: 1
    Another thing -- network based "radio" with our current networks could never compete in steady reliability... I can't tell you how many times the feed has stuttered, dropped in fidelity, or just plain dropped out of site with "Internet radio"... my XM just keeps playing at pretty darned good fidelity, 24/7/52.

    If you're in a car, there can be interruptions... but if you're in a car, you're not too bloodly likely to be satisfied with your network connection, either. :-)

    Personally, I think that satisfactory Interrnet streaming will have to wait until the network infrastructure gets a significant upgrade. And I don't see that coming, frankly.

    --
    I've fallen off your lawn, and I can't get up.