BBC Download Plans Approved
An anonymous reader writes "The BBC reports that following approval from the BBC Trust (an independent oversight body) they are now allowed to release their 'iPlayer', enabling the download and viewing of BBC owned content such as Doctor Who. Unfortunately the Trust also mandated the use of DRM to enforce a 30 day playable period, and exempted classical music performances from being made available. There will now be a 2 month consultation period. According to one of the trustees, the Trust 'could still change its mind if there was a public outcry and it was backed up by evidence.'"
According to one of the trustees, the Trust 'could still change its mind if there was a public outcry and it was backed up by evidence.'
What if there's a public outcry and it's backed up by drunken rioting?
The theory of relativity doesn't work right in Arkansas.
...they are now allowed to release their 'iPlayer'...
i love how it's 'cool' to name everything i* now. the bbc couldn't come up w/ a better name? at least something british sounding.
"Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
Despite their commitment to mac and linux compatibility on their audio streaming, the iPlayer only runs on windows, disappointing as I'm sure even us mac users pay our licence fees.
In time, the fears of DRM will subside (hopefully!) and content owners will fully embrace this new distribution medium.
Of course, they still need to generate revenues to continue operations. Perhaps the whole idea of 'commercials' or even 'advertising' as a revenue source will evolve to include other yet-un-thought-of sources much like the distribution medium.
Why do they have to re-invent the iWheel all over again? Why not use iTunes like everyone else?
Of course, you could just record the shows with your TV tuner, and play them on your Archos, and they wouldn't expire, but why would anyone want that?
Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
Maybe I'm missing something, but TFA doesn't make it at all clear whether they're planning on selling these downloads, or just giving them away. Any info?
Slashdot Burying Stories About Slashdot Media Owned
iPlayer? Sounds like it will be compatible with Apple's iSue.
Are you...Are you some kind of genius?
No, ma'am, I'm just a regular Slashdot reader.
BBC look out. You can't just use that 'i'. What were you thinking?! Don't you know that apple owns the letter 'i' now? There are 25 other perfectly good letters.
And Windows Media Player on the mac is horribly under-supported (that 3rd party company that MS paid to keep WMP up to date isn't doing a great job).
Unlike their audio streaming (which can use Real, WMP, or QT streaming), they'd have to create a new video format & player to handle time-limited DRM. They can't just buy it from Real/MS/Apple.
Magic doesn't work in my presence. My power of disbelief is too strong.
When the DRM is cracked and the programs remain for more than 30 days, I hope they will reconsider their decision and stop annoying the legitimate viewers.
Currently in the UK, if you tape a program and watch it later, you are supposed to erase the tape after a few days. Failure to do so makes the copy illegal and the act of copying a copyright offense. If that Dutch MEP nutter (Toine Manders) gets his way, and makes copyright infringement a criminal offense, then failure to erase the tape will make us all criminals.
Can I get my license fee back after 30 days?
Something tells me the majority of non-British Dr. Who fans will continue to obtain the show by less...contstraining means.
Eventually they'll figure it out: until we can download it and watch it in the viewer of our choice as often as we want when we want, we will continue to obtain copies of such content by other means than theirs.
120 characters for a sig? That's bloody useless.
Or you could use bittorrent. I'm not entirely sure of the legality of downloading things that you already pay a license for such as TV shows, but that's never stopped anyone before.
There are 11 types of people, those who know unary and those who don't.
What about windows 2000?
I just hope that it has subtitling built in. They talk funny over there.
Sorry about the writing. Robot fingers, you know? Cliff Steele in DOOM PATROL #23
I cant believe that ANYONE thinks DRM will change a thing, It will be broken, it always is.
NBC is entirely a private enterprise that (in theory) compensates the public for use of its airspace adequatly via the licences for it's broadcast spectrum (read the in theory before you flame me). As such they have something of a leg to stand on when they claim private ownership and the attractions of DRM for their crap... er ... shows.
Anyway, the BBC is (at least on paper) a public enterprise oned (in heory) by the British Public and paid for via the TV Tax. Much like the Voice of America is a service funded by the American Public. As such shouldn't the content produced by the Beeb be freely available (at least to the Brits, Welsh, Scottish, and Northern Irish) for them to do with as they please? Didn't they pay to have it made and as such "own" it?
Or is this one of those cases where the drive to resell said content (say on BBC-America or via deals with other channels, or on DVD) that was supposed to "offset costs" now driving availability?
The imposition of DRM is pointless, at least if the goal is to limit redistribution of the content. The BBC are already digitally broadcasting all of their content, classical or otherwise, from all of their broadcasting stations in clear. (Crystal Palace is even broadcasting 20Mbit/sec H.264 streams as part of the current HD trials; indeed, my understanding is that the BBC will continue to broadcast in clear when the service goes into full production.)
Presumably OFCOM want to force the BBC to use DRM (they even specified that it should be Windows DRM) in order to buoy the position of Microsoft and/or commercial broadcasters?
In any case, I guess my MythTV server will continue to be useful for some time yet.
There will be no public outcry. There will be no public users. Waste my DL limits for a 30 day playable period? How about wait for the 'fixed' version on bt instead?
BBC will get no complaints, and then wonder why DLs are so low.
The BBC should be providing licence fee payers like myself with unrestricted digital content. If we end up building up massive libraries of free classical music, then so much the better! It is their job to educate, inform and entertain licence fee payers, not sell us CDs. They should not be concerned with "negative market impacts" - they should be providing the public service that we Brits are paying for.
>north
You're an immobile computer, remember?
DRM courtesy of the BBC.
Can they please DRM-up Johnathan Ross, strictly come dancing, Terry Wogan, Chris Moyles and the rest of the crud they broadcast under the pretext of entertainment. Thatcher hated the BBC but apparently not as much as the last 20 years of BBC management. The best original drama is made by HBO in the states, the BBC's factual programs lack focus and bite and daytime radio is appalling. Successive governments have tolerated the wartime propaganda corporation known as the BBC despite the fact that there's no longer a requirement for a national broadcaster.
Do we really need or want the BBC? What compelling reason is there for it's continued existence?
The public outcry will sound much like people not purchasing their product.
Why develop their own player? It's all content produced for tax money, just put it up on the net for free. Swedish state television streams a lot of programs, unfortunately only in WMV or quicktime, but at least I don't have to download a separate player.
Any digital shop front they set up would have to be restricted to the UK (I don't see any issues with this though), as some of the content is already licensed to other third parties (Top Gear, for example, turns up in strange places on cable in the US).
I really don't understand why they are bothering to put DRM on it: the entire BBC output is already available over-the-air in unencrypted digital form via digital television (MPEG2/DVB-T). Never mind the analogue hole: there's a gaping digital hole out there!
If your comment title says 'Re: Foo', I'm not likely to read it.
The thing I found most unfortunate about the whole affair was that the reason given by the BBC Trust for not releasing the classical music: "There is a potential negative market impact if the BBC allows listeners to build an extensive library of classical music that will serve as a close substitute for commercially available downloads or CDs." [Emphasis added]
There are a lot of misconceptions about the BBC (not least how much of its funding comes from licence fees rather than other sources), but I'm pretty sure it's still supposed to be run essentially in the public interest. I don't really understand how protecting the commercial interests of classical music distributors are the expense of the public is part of that remit.
If we're talking about music that's out of copyright itself (Beethoven was the example given), and the particular recording is already being made available for the BBC to broadcast, you'd think the Beeb could negotiate some fair additional compensation for the recording orchestras in exchange for the rights to make it downloadable as well. After all, we have the Proms every year and no doubt some people record and keep those (legally or otherwise), so it doesn't seem like orchestras mind the coverage. Why not legitimise keeping the material, throw in a bit of fair compensation for the recording artists to match, and make the world a little nicer for all concerned?
If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
I wonder if the iPlayer will use Dirac, the open source video codec the BBC have been developing?
"How important is it that the proposed seven-day catch-up service over the internet is available to consumers who are not using Microsoft software?"
t ations/ondemand_services.html
Anybody in the UK who wants to join in the consultation can use this link http://www.bbc.co.uk/bbctrust/consult/open-consul
>>> "Aside from that, let's look at one of the shows the BBC is proposing to make available online: Doctor Who [imdb.com]. Click the link and scroll down to "Production Companies". Yes, that's right, the venerable BBC Sci-Fi series is produced in part by the CBC.
l dwidestories/pressreleases/2004/10_october/doctor_ who_canada.shtmll dwidestories/pressreleases/2006/04_april/mip_torch wood.shtmlh o/2005/06/29/20283.shtmlv -awards.html
l dwidestories/pressreleases/2006/04_april/mip_torch wood.shtml%5D Kirstine Layfield, Executive Director, Network Programming, CBC Television, commented: "CBC is proud to supplement our overwhelmingly Canadian schedule with the best of the rest of the world, and our British programming has struck a real chord with audiences here. We're delighted with the success of Doctor Who, and we're sure Torchwood will prove equally popular." [/quote]
l dwidestories/pressreleases/2004/10_october/doctor_ who_canada.shtml%5D BBC Worldwide today concluded its first major pre-sale for the new Doctor Who series with Canadian public broadcaster, CBC Television. [/quote]
Thus, I at least have already paid for part of Doctor Who. How many other modern BBC shows are co-produced in conjunction with the national broadcasters in other (esp. Commonwealth) countries? "
You may be right. But I suspect that if CBC is in the credit then they are being paid a commercial rate for their services by the BBC. In which case, even if you fund other work by the CBC then your entitlement to BBC(UK) output is non-existent.
http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
http://www.bbc.co.uk/doctorwho/news/cult/news/drw
http://www.cbc.ca/arts/story/2006/05/08/british-t
Reading between the lines in the above reports it seems that CBC "sponsored" the production ("produced by BBC Wales in association with the CBC") by buying it early and plugging it prime-time. For example in the news report (last link above) about Doctor Who winning an award they don't mention anything about it being produced by CBC, that seems strange to me as in Wales if a Doctor Who producer wipes his nose it's all over the news reports (! eww). BBC news here also gives the impression that the show is Welsh made (Welsh nationalism is rife).
[quote: http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
[quote: http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
Bingo! That's a reason for the DRM.
They want to sell their programmes to broadcasters in other countries, but they know that just restricting downloads to the UK won't be enough to stop UK-based viewers downloading and redistributing shows with BitTorrent. If all the Dr Who fans in Usania have already seen the latest episode online, then the Usanian TV network will be less keen to buy it.
Although the DRM is effectively useless, as UK viewers can just capture the DRM-free signal from digital television, the DRM pays lip service to foreign broadcasters that at least something is being done to prevent their viewers getting the programmes early. Even if it is futile and will turn more UK-based viewers to piracy in order to get an unrestricted play-anywhere copy.
>north
You're an immobile computer, remember?
They know that people won't like this. They know in advance that there could be a public outcry. Why are they trying to screw the public with a defective product until they scream?
The flaw in that argument is that people in the United States are forbidden from listening to the Voice of America and even transcripts of its programs are not available to ordinary citizens under the FOIA. Public Law 402:
I think that's not the BBC's problem. The commercial rivals must take care of themselves - by, for example, providing higher quality content or different content. Is Ofcom asserting that there's a limit to the amount of classical music and TV shows which the economy can support? That having more choice will lead inevitably to commercial loss for these competitors? Perhaps the BBC should stop producing classical music and high quality TV programs altogether lest they damage the market share of commercial competitors? Perhaps we should limit access to the Public Domain too, since it can't be easily monopolised.
It wants the corporation to scale back plans to let downloaded "catch-up" episodes remain on users' hard drives for 13 weeks, suggesting that 30 days is enough.
Assuming (as devil's advocate) that their DRM is adequate, why limit the time that the content works? If somebody records one of these shows on their VCR, they are allowed to watch it again and again forever. Why limit a user's fair use rights for no better reason than "because it's technically possible"?
The trust also asked the BBC to explore ways of introducing parental controls to its on-demand services, as it is worried at the "heightened risk of children being exposed to post-watershed material".
TV doesn't require electronic "parental controls", so why should downloaded shows?
"There is a potential negative market impact if the BBC allows listeners to build an extensive library of classical music that will serve as a close substitute for commercially available downloads or CDs," it said.
I'm afraid they're several years too late on that point. It seems the BBC Trust hasn't been paying attention to recent events. Here are some facts to brighten your day:
VOA is a State Department operation. Good or bad, at the end of the day it is a propaganda outlet aimed at foreigners.
BBC is much less controlled by the British goverment than VOA is by the Americans, which is why the TV License (not "TV Tax") is collected by an independent organisation. This way, the goverment doesn't control the BBC's purse and has very little influence over content.
Obviously, there is always going to be some influence, just like goverment has influence over any commercial station, but the way the BBC operates and is funded is entirely different from VOA.
There was some talk a few years back, about the UK gov't introducing a computer licence for PC owners, presumably because with multi-media you can now "watch" your PC as well as the TV.
I was contemplating ditching my TV (and the TV licence) after analogue transmissions are switched off here in the UK over the next few years. I don't really want the expense of having to buy a digital receiver box and uprated aerial or dish because I watch less-and-less TV, and personally I can live without it. I don't need a thousand channels of crap, and I own hundreds of DVDs anyway. Effectively ALL UK households HAVE to pay the TV licence because it is very difficult to prove you don't own a television. The licence is really just another (poll) tax.
If the BBC starts offering programmes over the web, then they could argue (in court) that every household in the UK with a computer should pay the TV licence, regardless of wether they own a television or not, because they can still potentially receive BBC programming.
It also says "a platform-agnostic approach", so presumably they'd have to deliver something that is both open source and portable. If they release only Linux, Mac and Windows versions then that is not platform-agnostic, it's just multi-platform. It won't help AmigaOS 4 users!
While I don't like DRM much at all, I think an open source DRM solution is superior to the existing proprietary ones if only so that it can be forward-ported to future systems. Admittedly that wouldn't do much good for time-limited BBC content, but I'm assuming that an open source and portable DRM solution would be adopted for more than just the BBC's time-limited content.
Q: I'm a UK citizen, pay my licence fee so why can't I just access all the content I've paid for?
:-(
A: You don't "own" the broadcast anymore than the BBC does necessarily....it's all down to rights, there's all kinds of fingers in all kinds of pies with respects to broadcast/distribution rights - if you've used an external production company to produce the content / used someone's music / an image / a certain actor they will all have rights with respect to how/when that content is used.
It's a legal minefield which usually comes with all kinds of restrictions about when and where you can use the content
As I understand it, licence fee money entitles the beeb to pay for things to be produced (internally / externally), and to be shown somehow/somewhere at somepoint and that's about it.
Add in to this that you require different kinds of rights for different kinds of distribution - web + TV require two different lots of rights negotiations to take place - and it all gets very messy *really* quickly.
As for other countries accessing content, I'd hazard a guess that it's a case of UK folk having paid for the bandwidth and not being able to support the whole world downloading - the worldwide / commercial arm of the bbc could potentially syndicate paid episodes for download I guess.
Q: Why bung DRM on everything?
A: RIGHTS again (you beginning to see the picture yet) - johnny rightsholder is very cagey about digital distribution (*GASP* - everyone will be able to COPY our content - cue mouth frothing) so in order to be able to even offer it for distribution over the internet tubes a distributor *has* to make concessions to the rightsholders, otherwise you would have no content to offer = DRM + time restricted windows for viewing things. I'd hope that this is likely to change over time as people sort out the whole rights mess and we have some legal framework which accurately reflects a fair digital distribution model.
Q: Why not platform XXX?
A: I'm pretty sure this will be down to DRM requirements AND the fact that the BBC already has an infrastructure in place for transcoding / streaming WM content. Judging from the consultation results, this is likely to change if a requirement to be platform portable is enforced - maybe rolling something custom like DIRAC would be an option?
for the BBC. When they sell content abroad or on DVD, that brings in more money, enabling them to spend more on content production, or charge less in license fee.
Whilst they have a charter to make TV available to people who bought a license, if online streaming decreases DVD and/or foreign sales, then either the content will suffer, or they'll be asking me for more money.
My understanding for the 30 days is that a load of BBC broadcast content is produced by 3rd party production companies - who themselves re-sell the content and rights to bring in more money than the BBC paid. If the BBC streaming content indefinitely and without restriction, then this would make that single payment from the BBC the production company's only source of income, so they'd sell it to the BBC for more and we, the end users, would end up paying more again.
The 30 day rule is a compromise that will hopefully keep everybody happy - it might even be an extension of the agreements the BBC has with companies allowing it to re-broadcast material on other channels at other times around the time or original broadcast.
I'd really love to do this, but a number of BBC channels are not carried over the analog signal in my area. This means hooking my Sky box up to my computer, and I have _NEVER_ found a reliable way to do this.
look up "take ownership". If you have local admin, you have access to any and all files on that box.
The music labels are so miopic that they will spare no resource to kill a profitable bussiness that force them to deliver a quality product.
Like influencing people in positions of power to stop the spread of high culture.
What a blody shame.
IANAL but write like a drunk one.
And they should be judged by the yardstick of freely available BBC stuff.
IANAL but write like a drunk one.
Any company intending to produce for the BBC should release any content in the terms requested by the BBC, which is after all who is paying those people to do the work.
The BBC is far too acomodating when it should be it the on in the driving seat.
IANAL but write like a drunk one.