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Threat To Free, Legal Guitar Tablature Online

An anonymous reader writes "Recently Hal Leonard Corporation, the world's largest songbook publisher, sent an email to the music publishing and copyright community urging them not to license guitar tablature for free, advertising-supported use online. The email includes a number of factual errors and was potentially very damaging to the potential for a free, legal, and licensed destination for guitar tab online. Musicnotes and MXTabs have posted the full letter along with their response."

223 comments

  1. Infuriating by robgig1088 · · Score: 5, Insightful

    One thing i cant stand is big companies taking "legal" action against free services just so they can charge the user money. Infuriating.

    1. Re:Infuriating by MichaelKaiserProScri · · Score: 1, Flamebait

      So am I violating the license by possessing an unlicensed copy of (read "have memorized") a song?

    2. Re:Infuriating by GFree · · Score: 5, Funny

      So am I violating the license by possessing an unlicensed copy of (read "have memorized") a song?

      Yes.

      All your brains are belong to us.

      - Music industry
    3. Re:Infuriating by hpavc · · Score: 2, Informative

      Hey when the RIAA claims earnings from music they are not holding contracts for and if you write a song and provide the tabs for free and you get a SAD order it is infuriating.

      Its just a 'machine' like spam, it just gaming the largest distribution of cheap opportunities and attempting to get a few hits. Its also maximizing any other opportunities it can along the way that may come of it, charging more for licenses, and creating markets for DRM.

      Some day they will make a 'legal' mechanism against this 'rackets', just need one of these guys to fall first so racketeering charges can be brought.

      --
      members are seeing something, your seeing an ad
    4. Re:Infuriating by WeblionX · · Score: 1, Insightful

      We've replaced the brains with a new low-fat, low-stupidity replacement. Let's see if they notice.

      --
      (\(\
      (=_=) Bani!
      (")")
    5. Re:Infuriating by Jessta · · Score: 1

      posessing is not a problem, even recieving is not a problem.
      i.e for a client/server network only the server is liable.

      Copyright only applies to distributing.

      --
      ...and that is all I have to say about that.
      http://jessta.id.au
    6. Re:Infuriating by cptgrudge · · Score: 5, Funny

      All your brains are belong to us.

      - Music industry

      When you think about it, the there are a few similarities between the RIAA and a shambling herd of zombies.

      • Both believe that they have a right to our brains, when in fact, they have no such right.
      • They don't have any brains to speak of, which probably explains the zeal with which they pursue ours.
      • As somewhat uncaring entities, both will not hesitate to destroy other people, even the progress of civilization itself in carrying out their vague goals.
      • Both are pretty stupid. They are slow to react to external threats and changes, and seem to respond with aggressive action, rather than adapting with inventive and innovative ideas.

      Uncanny!

      --
      Qualitas edurus commercium, nullus penitus net rimor, nullus deus beneficium
    7. Re:Infuriating by Anonymous Coward · · Score: 1, Interesting

      Yes it is infuriating but also FUD.

      I was so infuriated that I actually read the article, and it seems to me that it's just hot air and bad title on Slashdot's part.

      The company (HAL?) basically sent emails and made phone calls to musicians urging them not to use the site, and calling the site basically a music sheets pirating (if such thing existed) site.

      No one is suing anybody, it's just a FUD scam from that company.

      If I was MXTabs I would be on the phone with my lawyers right now for a nice defamatory law suit against that company.

    8. Re:Infuriating by enharmonix · · Score: 5, Interesting

      One thing i cant stand is big companies taking "legal" action against free services just so they can charge the user money. Infuriating. It's not even the money that bothers me, it's that it flies in the face of the whole intent of copyright: that by temporarily granting limited monopolies, society benefits. I imagine the following scenario:

      A young guy picks up a guitar and messes around with it. He can't play a thing, and isn't really interested in investing the time to take proper lessons. He discovers OLGA. He downloads a few simple tabs of Nirvana songs. He works his way up to Metallica, Alice in Chains. He eventually realizes his technique could use some improvement. He starts downloading Bach, Beethoven, etc., because they present more of a challenge. Eventually, he is playing complex works like Leyenda and Capricho Arabe.

      Eventually, he notices there is something fundamentally different in the approach modern music takes from classical music. It "moves" differently. He starts to pay attention to the notes, chord changes, rhythms, and eventually decides that the IT career that he never really cared for just doesn't compete with the idea of learning and perhaps teaching music. He signs up for music theory at his local college. It turns out his technique is good, and he has a knack for music theory, he has perfect pitch, and has such a knack at piano that he has gone from barely being able to read a staff to playing Bach Preludes and Beethoven. All in all, a promising student. He has a 4.0 GPA and a letter of recommendation to one of the most prestigious music colleges in the US where he will study music theory.

      Not so far fetched, that's me. I wouldn't be going for a masters in music theory (or composition, I haven't quite decided) had it not been for OLGA helping me learn that I have quite a knack for music to begin with. If I had to stick to public domain stuff, I probably would have given up. I simply didn't expect it to be anything but a hobby I did when I came home from programming all day. But OLGA got me started enough to realize that, for me at least, it was worth the investment.

      Society benefits from the free and open spread of information. Copyright is just a means to that end: provide incentives for artists to continue creating. But IP is not Freedom of Speech or Habaeus Corpus - it is not a fundamental right. The DMCA hurts society, and I hope to God that somebody important pays attention to the fact that it is being used to shut down educational sites.

      In fact, now that I think about it, nothing that was copyrighted after I was born will move into the public domain before I die of old age... That goes for me, you, my kids, anybody born within the past 20 years. Do you remember when it came out? Then you will never see it in the public domain. But no, apparently we need even tougher copyright controls, can't have people learning how to make the music that got you rich enough to buy the politicians who keep sponsoring idiotic legislation like the DMCA in the first place. Idiots. /rant
    9. Re:Infuriating by NeutronCowboy · · Score: 3, Insightful

      Thank you. The spread of information benefits society in general, while its restriction benefits the inviduals who hold the keys.

      Communist countries may forget that society does not function without individuals, but America seems to have forgotten that individuals operating outside of society can bring it down.

      BTW, congrats on your new career. I wouldn't call it a common path, but that's besides the point. Nothing like discovering what your true love is.

      --
      Those who can, do. Those who can't, sue.
    10. Re:Infuriating by einhverfr · · Score: 1

      "All Your Brains are Belong to Us" roughly paraphrases "Whisperer in Darkness" by HP Lovecraft too...

      --

      LedgerSMB: Open source Accounting/ERP
    11. Re:Infuriating by Anonymous Coward · · Score: 1, Insightful

      Copyright only applies to distributing.

      Um ... it also applies to copying (even sans distribution).

    12. Re:Infuriating by Znork · · Score: 1

      Sort of. If you take a look at theory for enforcing EULA's on software in some places the argument is that as the device makes a copy from disk into memory, copyright applies. In Denmark, I believe it was, there was a legal argument that routers making copies of packets during transmission were subject to copyright regulations (heh, that gives me a nice idea, has anyone tried to sueing the government for copyright violation on their illicit wiretaps and stuff? Sure you can read my email, I just want to get _paid_ when you do...).

      The failure of the legal system to cope with ambigous situations and changing technology isnt exactly new, but unforunately it gives rise to certain grey areas which werent the original intent of the legislation.

    13. Re:Infuriating by liceor · · Score: 1

      So what can we do about it?

    14. Re:Infuriating by daem0n1x · · Score: 1

      They would have the right to defend themselves if the tablatures were taken from their books and published on the Internet for free. But anybody can just sit down with a guitar and a PC and create a tablature on his own. That's not their concern and they shouldn't claim rights on work that was done by others.

      I have used OLGA a lot. The tablatures there are pretty low-quality, but just to get some hints I find them good enough. I have bought score books because I needed high-quality scores and the publishers offer those.

    15. Re:Infuriating by zotz · · Score: 1

      "In fact, now that I think about it, nothing that was copyrighted after I was born will move into the public domain before I die of old age..."

      Indeed and so, these days, copyrighted works (certainly those without a Free license) actually pollute your brain. I know it is a bit of an odd thought, but I have been kicking it around for a while now and it does sort of fit.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    16. Re:Infuriating by SillyNickName4me · · Score: 2, Informative

      Good attempt at diverting attention, but GP is quite right with regards to the purpose of copyright and how it should work in this case. You might want to realize that in quite a few older and easier recognized situations, copyright has provisions for educational use.

    17. Re:Infuriating by SillyNickName4me · · Score: 1

      They would have the right to defend themselves if the tablatures were taken from their books and published on the Internet for free. But anybody can just sit down with a guitar and a PC and create a tablature on his own. That's not their concern and they shouldn't claim rights on work that was done by others.

      It would be so nice in this case if this were true, but it isn't.

      When you create a tab as you describe, you may well have copyright on it, but it is also a derived work, and covered by the copyright on the original, hence the original author(s) or their agent have a claim here.

    18. Re:Infuriating by Threni · · Score: 1

      You don't have to do anything, because nothing's happening. You could write to the company concerned, I guess. Why, though?

    19. Re:Infuriating by MichaelKaiserProScri · · Score: 0, Redundant

      So when I "distribute" it by playing it (or maybe even humming it) then I am is violation?

    20. Re:Infuriating by robbiethefett · · Score: 1

      i have a similar story.. although i'm not pursuing a professional career. im a cad/engineering major, and i needed something to soothe my brainmeats in-between stressing about school. i picked up a cheap electric guitar and a used bass. i used free tabs to learn a few songs, and ended up really enjoying playing music. now, a little over 2 years later, i'm still using free tabs from the net to learn songs i find interesting or fun. i'm even a decent enough of a musician to read "through" the tablature and come up with the *real* song.. everyone knows a great deal of tabs out there are pretty far off from the real deal. that brings me to my point.. can tablature be copyright infringement if it's actually incorrect?? it seems to me that copyright protects against note-for-note copies of a song. i mean, how many people get away with sampling 15 seconds or more of a song inside other music? isn't that far worse than learning to play just the guitar part, especially if it's not technically the real guitar part due to a few inconsistencies? i dont understand all this insane extortion thats going on these days.. it's as if the US is re-living the industrial revolution days of robber barons and monopolies. i guess the only difference is that nowadays theres no muckrakers, rather only bloggers. the US is a young country, but we really shouldnt have the memory of a 3 year old..

      --
      "Luke, you've switched off your targeting computer, what's wrong?"
    21. Re:Infuriating by rucs_hack · · Score: 3, Insightful

      It's been four years now since I bought any music, if I'm of a mind for some I tune a radio in or browse the many indie sites that offer free or cheap music. Frankly this whole music industry Jihad is pissing me off.

      Time was I used to buy albums every couple of weeks, I must have spent thousands. I was so offended by their criminalising kids for doing what kids do, share, recommend stuff to each other, and have a laugh without understanding the 'consequences' (what kid ever does?). Now they're criminals, advised to drop out of college and wreck their futures as an example to others.

      Bullshit. Nothing produced by an industry like that is of interest to me.

    22. Re:Infuriating by daem0n1x · · Score: 1

      Well, as far as I know, it's not the artists the ones making all the fuss...

    23. Re:Infuriating by SillyNickName4me · · Score: 1

      Well, as far as I know, it's not the artists the ones making all the fuss...

      In this case it would be the song writers making a fuss. They do by means of an organisation acting as their agent.

    24. Re:Infuriating by honkycat · · Score: 1

      No, but Hal Leonard's letter is simply urging those who own the rights (on "behalf" of the artists, HA) to get in on the fussing. That'd be fine, except that they did this by lying through their teeth. Makes me wonder if MXTabs/Musicnotes would have a case for libel.

    25. Re:Infuriating by IP_Troll · · Score: 1

      Why did you put "legal" in quotes?

      Hal Leonard sent emails to people who support MXtabs, trying to convience authors of music that MXtabs is illegal. Those authors then forwarded the email the MXTabs, asking MXTabs "whats all this then?" MXTabs responded very intellegently to Hal Leonards' FUD.

      Hal Leonards' business model is dying, it is trying to spread FUD about MXTabs, but it is not threatening to (sue/bring legal action against) anyone. It can't! It doesn't have the right to do so, just like it can't publish the 'tabs' on MXTab's site, because copyright law prevents them from doing so. Hal Leonards wants the authors to break their contract with MXTabs and then sign a contract with Hal Leonards.

      If anything MXtabs should sue Hal Leonard for defamation. It is prima faecia defamation to allege that say someone is doing something illegal. MXtabs also has a good case against Hal Leonard for intentional interference with contract, they are wrongfully claiming, MXtabs is doing something illegal to conveience authors, to breach their contract with MXTabs. Hal Leonards' actions are wrongful because MXTabs has contracts with authors to allow MXTabs to distribute the 'Tabs', thus MXTabs is acting LEGALLY.

      It would be the same if you wrote a book and created a contract with your buddy A to publish the book on A's website. Along comes book publisher B, who tries to convience you that A is acting illegally and you should let B publish your book in print form. B's arguement is complete garbage because you and A have a contract allowing A to publish your book on A's website.

      As for GuitarTabs.com, I am not sure. He has a more difficult case because he admits that people transcribed the tabs by listening to the copyrighted music, if they did this with lyrics it would be copyright infringement. But we are talking about 'tabs' not lyrics, the case law is cloudy. An arguement could be made that tabs are functional aspects of music and therefore not protected by copyright but... that is a difficult arguement.

      Note: I use the term author because all artists are called authors by US copyright law. The term includes musicians, sculptors, software writers, and any other creative persons.

    26. Re:Infuriating by Zontar_Thing_From_Ve · · Score: 1

      Not so far fetched, that's me.

      According to Wikipedia, you had a 1 in 10,000 chance of having perfect pitch, so you beat some serious odds. Good for you. However, I think 1 in 10,000 odds does make it a little "far fetched". You are the exception, not the rule. The Wikipedia article does have a citation for this number, so it's not a case of someone writing an article and pulling a number of the air. People without perfect pitch can have successful musical careers, but your gift did make you unusually suited for this.

      As far as public domain goes, you are correct. I don't think anything else will ever enter the public domain. When 2040 or so comes around, Disney will panic again that "Steamboat Willie" is about to enter public domain and Congress will just extend copyright lengths, again. When the US Supreme Court ruled on the extension of copyright, they very carefully stated that while they were not convinced that this was a good thing to do, Congress did, according to the Constitution, have the authority to extend copyright.

    27. Re:Infuriating by Score+Whore · · Score: 1

      Thank you. The spread of information benefits society in general, while its restriction benefits the inviduals who hold the keys.


      Yeah. Did you know that Google's agreements in the Google Books program, with U. Mich and U. Cal, restrict the bulk usage of public domain books?
    28. Re:Infuriating by djasbestos · · Score: 1

      Amen...I'm all out of mod points, but you're already maxed out.

      I write music (not too bad for a "non-professional" musician, I'd say...http://www.plasmacrash.com/), but I wish I had the physical skill to play classical organ pieces. If I had infinite time and money, I'd probably go back for music theory too. Cheers to you, sir.

    29. Re:Infuriating by DerekLyons · · Score: 1

      I wouldn't be going for a masters in music theory (or composition, I haven't quite decided) had it not been for OLGA helping me learn that I have quite a knack for music to begin with. If I had to stick to public domain stuff, I probably would have given up. I simply didn't expect it to be anything but a hobby I did when I came home from programming all day. But OLGA got me started enough to realize that, for me at least, it was worth the investment.

      You treat your conclusion as if it were a fact and based on facts - it is not. It is an assumption based on assumptions.
    30. Re:Infuriating by gmack · · Score: 1

      There is. It may not mean much to you but if someone ever sent something to my ISP to have something I legitematly put up taken down it would harm my buisness dealings with my ISP since I contract with one of my ISPs adn have mutal buisness agreements with my other. The loss of reputation would cost me signifigant income and would be very actionable.

      I'm sure I'm not the only person in this situation and all that needs to happen is for the RIAA to send a C&D to someone in the same position as I am.

    31. Re:Infuriating by toriver · · Score: 1

      Yes - they used voiceboxes, obviously an entertainment industry device...

    32. Re:Infuriating by Fifty+Points · · Score: 0

      Let's not forget,

      Both respond most favorably and most immediately to a large caliber bullet to the head.

      --
      I'm in between insightful sigs right now...
    33. Re:Infuriating by webweave · · Score: 1

      Thank you. I agree that copyright laws have been perverted and currently are unconstitutional until the "limited period" has been reestablished and the intent of the framers is restored to the law (protect the creator and encourage arts). Much of the obscure music that I love will never be published and will likely be lost forever thanks to the current system which only considers music valid if it makes a profit for some corporation.

      I have a similar story, I'm not a musical protégée but I can now play tons of rock music. I've had guitars for forever and I always wanted to play but something was stopping me. I had stacks of Hal Lenoard books but I found the materal dead or too complex or just mind numbing, I'd only practice until I was board and put down the guitar for months. Scales and traditonal songs were not doing it for me.

      It was not until I found a few simple tabs on the net that I became really interested. Tabs are simple outlines giving you only the basics of songs, not the entire song like a stack of sheet music does, some tabs show only a few notes and a part of the lyrics. This allowed me to quickly get a feel for the song and if it was simple enough I could play it, and I would. Suddenly music was fun unlike all the years before with "real" sheet music.

      After a while I picked up the names of the chords, then I could tune my guitar on my own by ear! and then I could pick up songs listening to them on the radio. Now I play in a cheesy rock and roll band and I totally love it. I still have my IT career but only a few years after finding tabs I have a night job too.

      Hal Leonard sells sheet music, I only want a simple song outline and a few tabs. They don't sell what I want and they are lobbying the GOV to make laws to force me to buy what they make. It is the same as if GM could get a law to prevent me from buying a hybrid Toyota because they are loosing money on big GM pickup trucks. I loose choice and I don't have what I want, what did they used to say about Soviet Russia?

    34. Re:Infuriating by tepples · · Score: 1

      and if you write a song and provide the tabs for free and you get a SAD order it is infuriating. Have you received such a letter? Did it specify the name of the song from which you may have subconsciously copied your song? For instance, if the Internet had existed decades ago, and George Harrison had put the tab for "My Sweet Lord" online, he would have got such a letter from a representative of Bright Tunes Music claiming that "My Sweet Lord" violated the copyright on "He's So Fine".
    35. Re:Infuriating by tepples · · Score: 1

      Did you know that Google's agreements in the Google Books program, with U. Mich and U. Cal, restrict the bulk usage of public domain books? (citation needed)
    36. Re:Infuriating by tepples · · Score: 1

      When the US Supreme Court ruled on the extension of copyright, they very carefully stated that while they were not convinced that this was a good thing to do, Congress did, according to the Constitution, have the authority to extend copyright. The Supreme Court also stated that it didn't find a pattern in Congress's extensions. There was one major extension in 1976 and one major extension in 1998. A third major extension before 2023 might be clearer and more convincing evidence of a congressional motive in establishing perpetual copyright on the installment plan.
    37. Re:Infuriating by hackstraw · · Score: 1


      Great post!

      Because of the openness of the GPL, I was able to get a career in IT through reading code, learning how to code, and how computers work by example.

      I'm a firm believer in open source, which is very similar to guitar tablature. Oh, and BTW, http://www.olga.net/ has received a takedown message. (Not sure if this was in the original article or not...)

    38. Re:Infuriating by Score+Whore · · Score: 1

      Science Friday's digital libraries story, approximately 13:45 through 15:00 minutes. Google's work in this case is entirely non-creative, yet they contracted that the digital results not be available in bulk for any purpose.

    39. Re:Infuriating by masterhibb · · Score: 1

      I sincerely hope you have the opportunity to say this publicly, because here you're preaching to the choir.

    40. Re:Infuriating by Drooling+Iguana · · Score: 1

      The "brain-eating" aspect wasn't added to zombie lore until Return of the Living Dead, and the RotLD zombies retained most of their intelligence and mobility even after being zombiefied.

      --
      ... I'm addicted to placebos
  2. Make music illegal by syousef · · Score: 4, Interesting

    If things keep progressing at this rate, and if they do start enforcing these fucking insane laws, it'll only be a matter of a few years before owning music is undesirable as it would be difficult ot prove any music is legit and could have you thrown into jail at any moment.

    Why not just cut out all the BS and just make any kind of music ownership illegal. Musical instruments could be covered by the DMCA too since they can be used to copy (read play) a tune.

    Oh that's we can't skip the BS right, because rich greed assholes can a make profit for a while this way.

    Owning/buying music is quickly becoming no different morally to owning/buying blood diamonds. Hell, if they make musical instruments illegal perhaps the penalty for owning one could be that they cut off your hands.

    IP law? It's just fucking entertainment. Get a grip!

    --
    These posts express my own personal views, not those of my employer
    1. Re:Make music illegal by Anonymous Coward · · Score: 1, Insightful

      Oh my God, little Johnny just learned how to play the lead part of Smoke on the Water; Honey, we can't afford to keep paying *insert randomly infuriating monetary amount* every time he wants to learn a new song. Now imagine if little Johnny likes Nirvana...

    2. Re:Make music illegal by soxos · · Score: 5, Insightful

      Once again, Frank Zappa was unbelievably precient

      This is the CENTRAL SCRUTINIZER...
      it is my responsibility to enforce all the laws that haven't been passed yet.
      It is also my responsibility to alert each and every one of you to the potential
      consequences of various ordinary everyday activities you might be performing which
      could eventually lead to The Death Penalty (or affect your parents'
      credit rating).

      Our criminal institutions are full of little creeps like you who do wrong things...
      and many of them were driven to these crimes by a horrible force called MUSIC!
      Our studies have shown that this horrible force is so dangerous to society at large
      that laws are being drawn up at this very moment to stop it forever!

      Cruel and inhuman punishments are being carefully described in tiny paragraphs so they
      won't conflict with the Constitution (which, itself, is being modified in order to accommodate
      THE FUTURE).

    3. Re:Make music illegal by iminplaya · · Score: 1

      ...could have you thrown into jail at any moment.

      That's the plan...The authorities will always have "probable cause", making you subject to arbitrary search and seizure, and of course, arrest. Nice convenient end run around the 4th amendment, for those of you keeping score. That's what you and your neighbors vote for every two years. So it doesn't leave much room for complaint, does it? Democracy at work...Turn off American Idol, and think about it for ten seconds.

      --
      What?
    4. Re:Make music illegal by Docboy-J23 · · Score: 2, Insightful

      Why hasn't anybody anywhere mentioned fair use? In the comments beneath the response from MXTabs.com, folks were talking about Weird Al's parodies, and the legality therein. If, in order to parody a song, copying the music is legal, MXTabs.com's business model should be legal as well. Al parodies a song, the artist gets the negotiated (or compulsory) royalties for the use of the music. Al gets the royalties for the words. All of this can happen whether or not the artist approves, but Weird Al asks every artist out of respect (except for the misunderstanding with Coolio.

      I don't mean to veer off topic, but if parodies work acceptably as such under fair use, so should written interpretations of recorded music. I'd like to see somebody try to prove that a written interpretation of a song by a listener/fan/student would have the long-term effect of preventing artists from wanting to create more music. Isn't that one of the reasons copyright exists, to help keep the creators connected to their respective Muses?

      So the net continues to cause tectonic shifts in the world of information, blah blah, &c. &c. As MXTabs.com points out, the people buying the printed tab aren't the same ones interested in another musician's interpretation. Paper music publishers have a choice of either adjusting to the inevitable widespread exchange of individuals' ideas, or cause a whole heap of trouble kicking and screaming through it. Maybe even set rotten legal precedents that blow the whole thing back a couple decades while they're at it.

      Because of certain others (cough, cough) and their failure to adjust, recorded music in the audio format has been devalued to almost nothing. It's all about the live performance, that's where the money is to be made, for artists and the businesses that support and promote them. And let's not forget T-shirt sales!

      I'd also like to share a very valuable link. When things get hairy in the USA, the internet can always take you someplace better for it.

    5. Re:Make music illegal by JebusIsLord · · Score: 4, Insightful

      I can't wait until I take a guitar lesson, and the instructor tells me that he isn't allowed to teach me, for example, and Warner music, because he only has a Sony license.

      Just wait. It'll happen.

      --
      Jeremy
    6. Re:Make music illegal by Kierthos · · Score: 2, Interesting

      Okay, here's the thing with Weird Al's parodies.

      1) He doesn't have to obtain permission to do the parody under Fair Use. However, he always asks permission from the artist anyway. If the artist doesn't give permission, Weird Al doesn't put the parody on the album. (Yes, there was the whole Coolio thing, but that was some serious miscommunication.)

      2) His band-mates are pretty accomplished musicians, considering the wide variety of genres of music that they play for the parodies, and they actually learn the music for songs by playing it by ear.

      --
      Mr. Hu is not a ninja.
    7. Re:Make music illegal by nurb432 · · Score: 1

      Didnt they do this in nazi germany? Only 'state' music was approved of?

      --
      ---- Booth was a patriot ----
    8. Re:Make music illegal by Anonymous Coward · · Score: 0

      If you think those rich greedy assholes would have even a chance without government, then you haven't thought long enough about this. Logically, government holds the keys to exploiting the special "right" to employ coercion which defines government. That is what those rich greedy assholes want. A piece of the pie. The ultimate upper hand -- coercion -- which guarantees them a business model. How do they get it? By bribing the group which controls the pie: government.

      Now let's sit down and think about this. Ultimately, who is to blame for this abuse of power? (Hint: without the aid of government, those rich greedy assholes would be equal in power -- the special "right" to employ coercion as a business model -- as you and me.)

    9. Re:Make music illegal by harry666t · · Score: 1

      >Hell, if they make musical instruments illegal perhaps the penalty for owning one could be that they cut off your hands.

      I own four guitars, a computer equipped with muzic software and my voice. OK, I get it, they could take the hardware away (although I will guard the guitars with my life), but how are they going to stop me from singing?

    10. Re:Make music illegal by syousef · · Score: 1

      Have you ever heard of de-barking a dog?

      It's not that hard to cut or damage vocal chords.

      Even I'd be surprised if it went that far (just as I'd be surprised if they really did start cutting off hands) but it's not physically impossible.

      --
      These posts express my own personal views, not those of my employer
  3. OLGA taught me guitar. by Anonymous Coward · · Score: 5, Insightful

    Back in the day. This was a non-commercial use for educational purposes and they killed it, so screw them.

    1. Re:OLGA taught me guitar. by 222 · · Score: 1

      Out of sentimental reasons, I had to reply. Back in the day, guitar tabs were literally the first thing I searched for.

      OGLA was a good source, as were a number of other sites. It struck me as odd how I had been paying 20+ bucks then (more than the album cost!) for a book that contained tabs.

      This was essentially the first time I realized the power of information sharing that the internet possessed.
      BTW, OLGA was the Online Guitar Archive...
      RIP, OLGA.

    2. Re:OLGA taught me guitar. by lanswitch · · Score: 2

      Some bands publish their own tabs as part of their promotion. You might want to check out http://www.blacklabelsociety.net/modules.php?name= Tabs_and_Lyrics . Zakk doesn't care about tabs or bootlegging, since he really makes his money by touring. Most musicians do.

    3. Re:OLGA taught me guitar. by Anonymous Coward · · Score: 0

      I'm pretty sure it's the "Off-Line Guitar Archive". Atleast that's what it says on the CD I burned a few months before the site was taken down.

    4. Re:OLGA taught me guitar. by warrior · · Score: 1

      OLGA taught me, too. This is so sad. I wonder if we can bring this to the attention of any rockers that would help bring it back so future generations of guitar players can have it as a learning source? I bet Rush would back OLGA, maybe The Boss would, too. I'm thinking Geoff Tate and Co might rally behind OLGA as well ( besides, all the QR tabs on OLGA were baaaaaad, no offense to the authors). Luckily www.ultimate-guitar.com is hosting most of the old OLGA content, don't know how long that will last. However, I think there are a lots of tabs that were copied straight out of books on ultimate-guitar which might get them shut down.

      --
      Intel transfer the difficult from Hadware to software, for get more power, programmer need more technology. -- chinaitn
  4. Already Killed by Doc+Ruby · · Score: 4, Informative

    The Harry Fox Agency, which got its rights to "mechanical reproduction of music" by getting monopoly control over the piano roll market a century ago, has already taken down most tablature from the Web on its flimsy pretext to copyright (and its big lawyer and lobbyist payroll).

    Tablatures are interpretations of the music as heard by someone. They're not even the public performance of music that whistling your favorite song as you walk down the street would be. But once public places are comprehensively wired for sound and video, Harry Fox will be sending you a bill for every time you do just that.

    These insane government monopolies on content already part of folklore, from which folk activity they get nearly all their current value, must end. They are justified in the Constitution as a compromise with 1700s economics only "to promote progress in science and the useful arts". Instead, they now prohibit that progress. Copyrights must end no later than after a human generation of publication, shorter for media other than songs and books, and probably earlier than when 10x their registered production investment is recouped.

    --

    --
    make install -not war

    1. Re:Already Killed by Mr.+Slippery · · Score: 2, Insightful

      ...has already taken down most tablature from the Web

      Oh, really?

      Certainly, Harry Fox delenda est, and copyright-as-we-know-it is an idea whose time has passed (if it was in fact every a good idea to start with). But HFA has not been successful in removing tab from the web.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    2. Re:Already Killed by markov_chain · · Score: 1

      Wow, the evil Harry Fox and OLGA debacle. That brings a tear to my eye.

      --
      Tsunami -- You can't bring a good wave down!
    3. Re:Already Killed by Doc+Ruby · · Score: 4, Informative
      Tell that to the OnLine Guitar Archive (OLGA):

      OLGA is currently offline while we attempt to resolve legal issues with the archive.

      We received a 'take down' letter (pages 1, 2, 3, 4, 5 & 6 ) from lawyers representing the NMPA and the MPA.
      --

      --
      make install -not war

    4. Re:Already Killed by ralphart · · Score: 4, Informative

      Lest we forget, it was Harry Fox who also did their best to do a takedown of all "unlicensed" MIDI archives a while back.

      Evil bastards.

      But we showed them; we learned how to download MP3s.

      BooYah!

    5. Re:Already Killed by lixee · · Score: 1

      Tell that to the OnLine Guitar Archive (OLGA):
      One wonders why they're in the US. I mean, with a name like that, you would expect them to be located in Russia or Eastern Europe.

      BTW, have Internet radio broadcasters started fleeing America yet? They have a month left till the crazy rates go into effect.
      --
      Res publica non dominetur
    6. Re:Already Killed by indifferent+children · · Score: 1
      One wonders why they're in the US. I mean, with a name like that, you would expect them to be located in Russia or Eastern Europe.

      Some enterprising Russian should set up a sister site. Maybe call it: Virtual Online Guitar Archive.

      --
      Censorship is telling a man he can't have a steak just because a baby can't chew it. --Mark Twain
    7. Re:Already Killed by PeeAitchPee · · Score: 2, Informative

      has already taken down most tablature from the Web

      Perhaps for now . . . anyway, while they continue playing text file Whack-A-Mole, search your favorite P2P client or BitTorrent for *band name*.pdf, and enjoy. Much like the **AA, this distrbution model is shot in the head -- that mindless thrashing you see will stop after awhile. :-)

  5. They're shooting themselves in the foot. by qweqwe321 · · Score: 1

    I really wonder if companies that go on the warpath over internet copyright violations really think in their long-term best interest. Look at the RIAA, for instance. For all of the money they've spent and the lawsuits they've threatened, they're back at square one when it comes to halting internet file sharing. Guitar tabs are even easier to redistribute. What makes Hal Leonard think that they'll do any better?

    1. Re:They're shooting themselves in the foot. by iminplaya · · Score: 2

      ...think in their long-term best interest.

      To mangle a famous phrase: Three months should be long enough for everybody.

      --
      What?
    2. Re:They're shooting themselves in the foot. by Anonymous Coward · · Score: 0

      Maybe your comment will get modded up if you say it for a third time. You know, third time's the charm and all that.

  6. Corporations take all the fun out of music... by flar2 · · Score: 2, Informative

    just pick up your guitar and play.

    1. Re:Corporations take all the fun out of music... by j-stroy · · Score: 1

      Just like yesterday!

      now if the next post is "Then I'll get on my knees and pray"
      and the following one "We don't get fooled again"
      or the equivalent TAB to this WHO song Won't Get Fooled Againhas any one person broken copyright? Information could also be segmented across multiple websites.. like a webring.

      Similar to the ancient petition style of signing in a names in a ring, so no single name was at the top of the petition.

    2. Re:Corporations take all the fun out of music... by Anonymous Coward · · Score: 0

      I would, but I'd probably get sued for doing so.

    3. Re:Corporations take all the fun out of music... by mink · · Score: 1

      Maybe Metallica can put out a song talking about the troubles they face due to unrestricted tablature sharing. Something to the Tune of "Sad but True" maybe call it "Tablature".

      I can see it now...

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  7. educational resources DO have exemptions by weighn · · Score: 3, Insightful
    IANAL but this is a valuable aspect of freedom of use.

    I began playing guitar in 1995 and discovered OLGA early on. Hal Leonard (the person) was a great teacher. The Corporation OTOH ... once again knowledge & your right (Hal and many of the great teachers used to call it an obligation) to pass it on once again comes up against the almighty dollar.

    I spent a couple of years teaching in the late 90s. I'll try to avoid waxing lyrical about the philosophy of teaching but music is a LIVING thing. If you restrict it, less will find it and it withers. With regard to learning music (and any other discipline outside of Scientology and ITIL) information wants to be free.

    --
    Mongrel News all the news that fits and froths
    1. Re:educational resources DO have exemptions by d3matt · · Score: 5, Insightful

      I agree! OLGA was a great resource for learning how to play guitar. Art is 99% derivative. Olga was where guitarists spent time transcibing notes by ear in much the same way painters make copies of the Mona Lisa trying to learn their style and method. In my opinion, it is only a further honor to have your work meticulously copied down. Oh well, I'll probably have to tell my kids about the good old days when we were allowed to talk to each other over the internet about how to play riffs.

      --
      I am d3matt
    2. Re:educational resources DO have exemptions by hobo+sapiens · · Score: 1

      Very well said. The ITIL reference made me laugh out loud. The company I work for recently restructured the entire IT dept to be in line with ITIL. Nobody knows what they do or how they do it anymore. It's like ... alchemy for the information age. Or opium. Your choice.

      This is why many real musicians operate outside of the music industry (Zappa, many jazz greats, and groups like Thievery Corporation). Babylon is just way too oppressive. First, to the musicians, and now to their customers. Brilliant strategy, criminalize consumption of your product.

      --
      blah blah blah
    3. Re:educational resources DO have exemptions by enharmonix · · Score: 3, Insightful

      IMO music is withering, and it started right about the same time a guy named Sonny Bono sponsored legislation to extend copyright terms. Musicians with real talent can't be faked or manufactured. It takes years and years of study, practice, and dedication. Unless you control a society's access to music so much that you can convince the public that utter garbage deserves a gold little trophy called a Grammy, the best music flourishes because ... well, there's yet to be another Bach. With the way things are set up, it's just a system of controlling the public. "We manufacture it. You will buy it." Sorry, I probably better quit posting. This has me pretty upset. (P. S. I'm following in your footsteps in terms of teaching music, hoping to get a Masters, but it's hard work. Cheers.)

    4. Re:educational resources DO have exemptions by Fulcrum+of+Evil · · Score: 1

      Dude, he didn't sponsor the legislation, it was named after him because he happened to get himself killed acting like a moron at the right time.

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
    5. Re:educational resources DO have exemptions by enharmonix · · Score: 1

      Facts?! You are evil. ;)

      I stand corrected. Cheers.

    6. Re:educational resources DO have exemptions by RPGonAS400 · · Score: 1
      You are mistaken about Hal Leonard being a person. If you to to their web site (www.halleonard.com) you will see that the name is made up of the first name of Harold Edstrom and middle name of Everett Leonard Edstrom. They actually have an interesting history that started up by arranging popular songs which other people wanted to use. They went the legal way and purchased the rights to "I Wonder Who's Kissing Her Now" in 1947. I worked for them for 16+ years and they were the best company I ever worked for.

      When I left there 9 years ago, downloadable music was just coming into the picture and they were wrestling with both the rights issues and the technology issues. I am obviously biased towards and I have not read TFA, but I do know that their people work hard to put out a quality product and do it through all the legal channels by paying royalties to all that are due them. They are bound to work within the legal framework of who owns the rights to the songs and they know this intimately.

      Printed music is considered the scum of the music industry in that it has the lowest profits for both sellers and artists. They excel in a niche market.

      Blair Hamren

  8. Do they have say in this? by ynososiduts · · Score: 2, Insightful

    Is this not a threat to U.S. Constitutional rights. A person should have the ability to tell others about a way (s)he learned to play something extremely similar to a song. It is not actually the song, as most tabs are not 100% accurate. Therefore it is just a song the themselves made up, but is heavily based on the song they were trying to copy. Even if there isn't enough of a difference to distinguish one from another, the tab is still the fruit of their labor, and thus should be shared at their own will.

    --
    622677120
    1. Re:Do they have say in this? by Anonymous+McCartneyf · · Score: 2, Informative

      Guitar tabs should be free to share, yes.
      But if guitar tabs for any given song are even based on the original song, that makes those tabs a derivative work. The original copyright holders are given some say on how derivative works are published--or in this case, not published.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
  9. FUD FUD FUD by EmbeddedJanitor · · Score: 1, Interesting
    When SCO pulled their FUD moves some while ago, that triggered a rash of FUDding through various industries. Various patent trolls etc woke up and started sniffing about.

    The latest MS vs Linux FUDding is very widely reported in the popular media. Perhaps that's triggering another run of this behavior through various industries.

    --
    Engineering is the art of compromise.
  10. They're shooting themselves in the foot. by qweqwe321 · · Score: 0, Redundant

    I really wonder if companies that go on the warpath over internet copyright violations really think in their long-term best interest. Look at the RIAA, for instance. For all of the money they've spent and the lawsuits they've threatened, they're back at square one when it comes to halting internet file sharing. What makes Hal Leonard think that they'll do any better, especially because guitar tabs are just TXT files and arguably even easier to redistribute?

  11. Self defeating? by adona1 · · Score: 5, Interesting

    And I wonder what this will do to the next generation of musicians? Back when I began learning how to play guitar, much of my progress was because of the availability of free tab, which allowed me to play along with CDs. It would be grimly appropriate if the industries pushing this kind of litigation were shooting themselves in the foot when the talent pool in 20 years has shrunk down as a result.

    --
    Between the falling angel and the rising ape
    1. Re:Self defeating? by ameoba · · Score: 1

      Do you think American Big Business really cares about things like the "long term" anymore?

      Look at the IT industry - they're regularly outsourcing the jobs that used to serve as entry-level positions. In 20 years, are they going to have a domestic talent pool to rely on?

      --
      my sig's at the bottom of the page.
    2. Re:Self defeating? by veganboyjosh · · Score: 1

      Maybe the net effect of all this clamping down will be something similar to the original purpose of copyright, to encourage expression, creativity, and development.
      Stay with me now...The more "they" try to control all the content, the more the true artists and creative thinkers will work both inside those rules and outside of them. Think mp3 blogs with insane mashups, unauthorized derivative works, etc. The more they tighten the grip, the more things slip through their grasp, to paraphrase some reference most of you will get.
      All of these examples of "you won't be able to whistle a song while walking down the street", etc, are of course hyperbole, but what if things actually did get that bad? Could the need for expression really be constrained by lawsuits or threats of lawsuits?
      I guess I'm thinking sort of a fahrenheit 451 scenario, where things are so stifled, that people have to find a way to work within the rules to keep their culture alive.
      I know this isn't what the current crop of **IA is after; they just want their money. But the way they're going about it is sure raising enough hackles that creative types are forced to think of new ways to use their influences.
      Most of the greatest artwork throughout history came about under/during some kind of oppression. Being free to do whatever one wants is great, but it doesn't necessarily help creativity.
      When I'm working on a piece of art, be it music, painting, whatever, that I need some kind of limits to have to work within to get the juices going. And if I can make it work while still working under those limits, I often find that I'm happier with the outcome.

    3. Re:Self defeating? by bky1701 · · Score: 4, Insightful

      Shoot themselves in the foot? No, not at all. What you described is what the recording industry always wanted. If only authorized people can play music, and they are the only people who can authorize, then they control the market completely.

    4. Re:Self defeating? by dominious · · Score: 2, Interesting

      And I wonder what this will do to the next generation of musicians? well, it will be like back in the 70s when they didnt have the internets to check for tabs.
      to be honest, removing tabs would be like filtering out all those non-talented musicians who would give up learning if they can't LISTEN to the music. ofcourse the RIAA wants to remove that as well.
    5. Re:Self defeating? by DerekLyons · · Score: 1

      And I wonder what this will do to the next generation of musicians?

      well, it will be like back in the 70s when they didnt have the internets to check for tabs.

      (Applause) Yours is about the only sensible response in this discussion. The younger folks seem to think that if "it aint on the interweb, it doesn't exist", which is patent nonsense. Not to mention that the existence of guitar greats who had niether tabs nor formal lessons serves as existence proof that niether are required.
    6. Re:Self defeating? by quisph · · Score: 1

      And I wonder what this will do to the next generation of musicians?

      Separate the wheat from the chaff, perhaps.

      Someone who figures out how to play a song by listening to it and using his own ear is well on his way to becoming a much better musician than the person who learns it by downloading TAB from the internet. Especially considering that most of the TAB on the internet is utter crap.

    7. Re:Self defeating? by MrNemesis · · Score: 1

      You don't think the talent pool is already somewhat depleted?

      Heck, I'm not even old (getting there ;)) and I've noticed a sharp drop in the amount of innovative music that's about. Chaning fashions perhaps.

      But in any case, the music industry doesn't care if there's no talent pool - they create the market themselves through the hype machine anyway. If all the talent there is is shite, then they will just teach the populace to think shite is good. It's great having a virtual monopoly on communications, isn't it?

      --
      Moderation Total: -1 Troll, +3 Goat
    8. Re:Self defeating? by cayenne8 · · Score: 1
      "(Applause) Yours is about the only sensible response in this discussion. The younger folks seem to think that if "it aint on the interweb, it doesn't exist", which is patent nonsense. Not to mention that the existence of guitar greats who had niether tabs nor formal lessons serves as existence proof that niether are required."

      I would agree with you partially....but, I do believe the world is a bit different than back then....not as much free time really. If you start learning and playing guitar when you're 12 and supported by your parents...ok. But, what if you didn't pick up the guitar till mid 20's, or 30's...hell even 40's+? At those ages, you're having to work and possibly raise a family, which just does not give you time to spend endless, un-interrupted hours listening to songs and trying to pick them out by ear.

      Tabs and all the other online resources out there can help you shortcut the learning process..it can give you a headstart into learning chord forms, music theory (I find it much easier to learn theory with real world examples to look and play with).

      And go back and read how many of the guitar greats and classic bands had to live in the early days while grinding it out learning things. Sure they were dedicated and 'made it'....but, also keep in mind, that the music and radio industry or yesterday does not exist today!! Bands got signed to record deals...and had time to evolve their music, even if no super hits on first albums in many cases. Also, these bands had artistic control over their music....hard to get in today's industry. So, I'd argue that the tabs and online resources are really an answer to todays budding (or not so young and budding) musicians....due to the fact that much of the lifestyle and opportunities of yesteryear are no longer available to them.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    9. Re:Self defeating? by DerekLyons · · Score: 1

      I would agree with you partially....but, I do believe the world is a bit different than back then....not as much free time really.

      There is plenty of free time available - if you choose to make it available. Your lifestyle is a matter of your own choices.
       
       

      If you start learning and playing guitar when you're 12 and supported by your parents...ok. But, what if you didn't pick up the guitar till mid 20's, or 30's...hell even 40's+? At those ages, you're having to work and possibly raise a family, which just does not give you time to spend endless, un-interrupted hours listening to songs and trying to pick them out by ear.

      So what? Then you go buy the appropriate books (referencing the grandparent post) or buy the appropriate downloads (referencing the great-grandparent post). Don't have any money? Well, sometimes life sucks. Check your local library and see if they have a copy you can check out, or see if your local thrift (like) mine has copies for sale cheaply, or do without.
       
      Not to mention the fact that once you have the tabs - many long hours of practices are still going to be required. Whether or not you have the time to spend is a result of your own lifestyle choices. (And I should mention that I do not subscribe to the current belief that any time a parent spends not earning money or not interacting with his children is time wasted and makes him a bad parent.)
       
       

      Tabs and all the other online resources out there can help you shortcut the learning process..it can give you a headstart into learning chord forms, music theory (I find it much easier to learn theory with real world examples to look and play with).

      False. Online resources make the material easier to acess - but so far as creating a 'shortcut' to, or facilitating, the learning process, there is no difference between ink on paper or glowing dots of phosphor.
       
      The great grandparent post attempts to frame the debate in terms of a false dichotomy, I.E. online resources or no resources - and you seem to want to follow in his footsteps. As the grandparent and I point out - this ignores the presence of a third resource, the printed page. Both you and the original poster seems to have the all too common (and false) belief that "on the interweb or didn't happen".
       

      And go back and read how many of the guitar greats and classic bands had to live in the early days while grinding it out learning things.

       
      The circumstances under which individual greats and bands climbed to prominence vary so wildly, I'm not sure than any useful generalization can be made or what your point is. I don't subscribe to the school of thought that goes "they suffered and so you must you", nor do I believe that the way needs to be smoothed excessively - the potholes and detours serve the useful function of weeding out the faint of heart.
       
       

      Sure they were dedicated and 'made it'....but, also keep in mind, that the music and radio industry or yesterday does not exist today!! Bands got signed to record deals...and had time to evolve their music, even if no super hits on first albums in many cases. Also, these bands had artistic control over their music....

      Wow. Just... wow. I don't know which to adress first - your overly rosy view of the past, or your overly pessimistic view of the present. Let's just say your view of neither have much grounding in reality.
    10. Re:Self defeating? by adona1 · · Score: 1

      My point was mainly drawn from personal experience - I picked up guitar by myself rather than having lessons. I haven't gone to the OLGA for years, because now I can generally figure out a song by myself. However, back when I began learning, tabs helped immensely because they allowed me to play along to songs - otherwise I'd have been just practicing chords with no immediate musical purpose. The tabs may not make a guitarist, but they're certainly a handy tool for getting started, and as has been pointed out a fair bit, the larger portion of music doesn't get printed and released.

      --
      Between the falling angel and the rising ape
  12. And copyright law says... by iminplaya · · Score: 0, Flamebait

    Can you feel me now??? HAHAHAHA!!! Bend over, you're mine, baby!

    Nothing to be said that hasn't been said already. Depending who you are, the system works, or it doesn't. For those of you that are getting screwed, you should at least get dinner and a movie out of the deal...And I would expect a kiss, too.

    --
    What?
    1. Re:And copyright law says... by iminplaya · · Score: 0, Troll

      (Score:0, Flamebait)

      I know there's a oil shortage an' all, but let's throw a little gasoline on this bonfire for the homecoming queen:

      Copyright, the new date rape drug of choice, AND it's totally legal! In fact it's mandatory! Ain't that nice? Oh yeah! Gotta get me some of that lovin'. Now, roll over, and take it like a man!

      I mock you, and fart in your general direction. hahahahohohohehehe...I am the eggman, and... "I was the Walrus! PAUL wasn't the Walrus! I was just saying that to be nice, but I was actually the Walrus! Him and that RUBBISH he's been singing! Eastman was an ANIMAL!! A FUCKING STUPID MIDDLE-CLASS PIG!! I won't let fucking animals like that near me!! Yoko is a SUPREME INTELLECTUAL! I'll tell you why nobody likes her music--because she's a woman and she's Oriental, that's why! WHERE ARE YOU, MOTHER?! THEY'RE TRYING TO CRUCIFY ME!!"...thump...

      --
      What?
    2. Re:And copyright law says... by iminplaya · · Score: 0, Offtopic

      (Score:0, Troll)

      Ooohh...James...

      --
      What?
    3. Re:And copyright law says... by iminplaya · · Score: 1

      (Score:0, Offtopic)

      Is not Come out and fight like a man!* What are ya? Chicken?

      *That is, when you're done exchanging...er...fluids.

      --
      What?
  13. Nothing New Here... by Alicat1194 · · Score: 3, Informative

    Lots of the larger tabs sites have had takedown messages sent to them (example here), which, quite frankly, sucks if you're trying to learn to play.

    --
    You can learn a lot about a person if you just take the time to inject them with sodium pentathol
    1. Re:Nothing New Here... by hobo+sapiens · · Score: 3, Insightful

      Yes, and ironically...is anyone going to their local music store to buy all the Hal Leonard tabs? Anyone? Someone? Yeah. Didn't think so.

      Here's what you'll do: you will get with a more experienced player and learn from him, go to the library, or *gasp* learn it by ear (which how the old school musicians did it).

      It's not such a smart move to criminalize your would-be consumers. It's called shooting yourself in the foot. Especially considering the target audience for guitar tabs: teenage and twentysomething guys. Not exactly the most forgiving lot, especially for these kind of shenanigans.

      --
      blah blah blah
    2. Re:Nothing New Here... by Anonymous Coward · · Score: 0

      Yes, and ironically...is anyone going to their local music store to buy all the Hal Leonard tabs? Anyone? Someone? Yeah. Didn't think so.

      I tried. OLGA would have had this.
    3. Re:Nothing New Here... by Hatta · · Score: 1

      I don't understand how tabs can be considered a "copy" of a song. Seems to me what you're doing when you write tabs from a song is reverse engineering, which is a protected practice. Does anyone know if this angle has been argued in court? What was the outcome?

      --
      Give me Classic Slashdot or give me death!
  14. How long will this go on? by Mr.+Slippery · · Score: 5, Insightful

    Nine years ago, I was interviewed for this article about the original OLGA kerfuffle.

    Nine years. You'd think that after that long, the traditional music publishing industry might have learned something from their complete inability to stop the spread of on-line guitar tabs.

    Hey, publishers: It's over. You lost. You're not going to get to stop people from talking about how to play music. Quit whining, join the world in the 21st century, and you might yet find a way to profit.

    --
    Tom Swiss | the infamous tms | my blog
    You cannot wash away blood with blood
    1. Re:How long will this go on? by epee1221 · · Score: 2, Interesting

      Hey, publishers: It's over. You lost. You're not going to get to stop people from talking about how to play music. Quit whining, join the world in the 21st century, and you might yet find a way to profit.
      I don't get what they're so afraid of. Call me old fashioned, but I strongly prefer to work with music printed and bound (not inkjetted and stapled). I will even pay for public-domain scores, especially if they include some nice program notes/commentary. Unfortunately, pretty much all I run across most places I go are tabs of old rock or jazz standards. All they have to realize is that there's not much money to be made telling people what everyone already knows (no, this market segment isn't dead, but you can only use so many fake books).
      --
      "The use-mention distinction" is not "enforced here."
  15. mod parent insightful by weighn · · Score: 2, Interesting

    It would be grimly appropriate if the industries pushing this kind of litigation were shooting themselves in the foot when the talent pool in 20 years has shrunk down as a result. this is spot on ... isn't their game "maximizing profits"?

    if they tighten the belt too much it stifles learning and enjoyment of music. If you don't enjoy it, you are less likely to buy.

    The conspiracy theorist in me says that they are not this stupid and their end goal is to have some sort of nazification of the Arts. Wanna own/play a guitar kid? You'll need a license. What are you playing? License. Playing in public? Upgrade your license. Singing a protest song? Jail.

    --
    Mongrel News all the news that fits and froths
  16. torrents by Lehk228 · · Score: 3, Interesting

    so this means to get tabs i go to piratebay and snatch a massive .RAR or every song i could possibly want to play, right?

    --
    Snowden and Manning are heroes.
    1. Re:torrents by Redacted · · Score: 1
      Like, for instance: 50000 tabs

      This is a zip-file containing about 50 000 guitar tabs for Guitar Pro. This is the complete list of tabs from Mysongbook from january 2006, and is no longer available at their site, because of legal issues. Thank god for TPB :D

      Have fun, and please seed!


      Yeah, sending Cease and Desists worked real good there.
  17. Why shouldn't I share my efforts ?? by madbawa · · Score: 5, Interesting

    If I have spent my own time trying to figure out the tabs/sheet music of a song, why shouldn't I share it with millions of others who may want that song's tabs?? Just because it takes business away from some other people doesn't mean they can put restrictions on my freedom and willingness to share my effort. Its not as if I have stolen the tabs from someplace where they were being legally sold. Its my time that I've spent. So whats the solution to such a problem? Or does this end up as a stalemate? These people are curbing the free flow of information and knowledge. I myself have learned guitar by looking at countless tabs from OLGA and other sites.

    1. Re:Why shouldn't I share my efforts ?? by Tatsh · · Score: 1

      Agreed. Although I hardly ever use tabs to learn a song (I learn by ear only and in my experience on-line ones have been inaccurate), I often do write my own. What really can take up time sometimes is slowing the song down in Audacity and listening to it countless times to get the notes down and transcribed into a text file. Normally, I do not share them, however I would not see the problem AT ALL if I decided to share it, whether it be torrents or even on a website like OLGA or MXTabs.

    2. Re:Why shouldn't I share my efforts ?? by TFloore · · Score: 2, Insightful

      If I have spent my own time trying to figure out the tabs/sheet music of a song, why shouldn't I share it with millions of others who may want that song's tabs?

      I bought this audiobook, and wanted a written version of it, so I listened to it a bunch of times, and transcribed everything that was said in there. I spent my own time making this transcript, why shouldn't I share it with whoever wants it?

      Doesn't make quite as much sense that way, does it? But it's a pretty close equivalent. The (significant) difference here is that the transcript of an audiobook can be read and enjoyed directly, where guitar tabs have to be played to be enjoyed, and tabs have some educational use for learning how to play a guitar.

      But you can still see how silly the argument is.

      Killing online free guitar tabs is bad. I agree with that. The company that is doing this is not doing something that is good for society. Copyrights are *way* out of balance with where they should be, to "benefit the useful arts and sciences". (Obvious US perspective, yes.)

      But your argument is still silly.

      This is the same argument that companies (I'm talking about you, Lexis/Nexis) tried to use to get databases and straight compilations of facts copyrighted. "Sweat of the brow" was the legal term, I think. If you are interested, look for WIPO treaty proposals in the late 1990s. It was a bad argument then by companies, and it is a bad argument now by you.

      There are better reasons to fight this.

      --
      This is my sig. There are many like it but this one is... Oops. Frank, I've got your sig again! Where's mine?
    3. Re:Why shouldn't I share my efforts ?? by DerekLyons · · Score: 1

      If I have spent my own time trying to figure out the tabs/sheet music of a song, why shouldn't I share it with millions of others who may want that song's tabs??

      Let's reverse that question - why should you be allowed to copy someone elses work and distribute it? You don't create the tab from thin air, you create it by transcribing from one media to another. That's called a derivative work, and has long been controlled/protected under copyright. (I.E. this is not something new dreamed up by the RIAA or under the DCMA.)
  18. Paging Larry Flynt .... by DysenteryInTheRanks · · Score: 3, Funny

    Wait, you mean these sites Musicnotes and MXTabs feature BARELY LEGAL examples of rubbing and stroking and vibrating TIGHT thin little stringy things, all in a series of Web pages that have been deemed TOO REVEALING and EXPLICIT by the leading moral authorities?

    And we can get all this too-racy-for-the-Web content for free right now for a limited time only in the privacy of our own homes, and it will help us learn to "play" like rock stars?

    Hott.

    Wait, what were talking about again?

  19. Silly by Anonymous Coward · · Score: 3, Interesting

    All of OLGA can be zipped into like a 40mb file.

    The music industry can't stop me from downloading a 300mb album.

    The movie studios can't stop me from downloading an 1.4gb XviD.

    The software industry can't stop me from downloading an 8gb ISO.

    Who are these people kidding?

    1. Re:Silly by Anonymous Coward · · Score: 0

      You don't happen to have that 40mb file, do you?

  20. IP landgrab by palladiate · · Score: 5, Insightful

    You will see companies battling for information controls for a good while. We are living in the IP landgrab. Current speculation is that information is property, and probably far more valuable than goods. An ear of corn is pittance to the knowledge of the process of raising, harvesting, and distributing corn. 1000 years ago, you couldn't restrict someone from telling their neighbor or son how to do any of those. Today, we have patents, copyrights, patent-copyrights (for software), process patents, plot patents, etc, etc.

    We will see new instruments of IP control before this is over. The current consensus among MANY think tanks, blowhard economists, and business leaders is that if it has value, it should be owned and exploited. In that case, expect to see the future demotivator poster and lolcat memes protected. Memes have value, specifically cultural value. You may even see a day in which safety and consumer protection information owned and protected.

    In the dark past, we had to band together to form libraries to preserve our knowledge and culture, and to share it. Today, we are the librarians, and we MUST do our jobs to protect our collective knowledge and culture, and to make sure it is freely sharable. All we are is flesh and knowledge. We cannot let either be subject to trade.

    As an aside, when did capitalism become about giving trade rights to those who can charge the most? Shouldn't that argument fall on its face? Capitalism is a method to efficiently manage resources, in which those who must charge the most are the least efficient, and those that are more efficient are rewarded with the most or all profits. The most expensive price is the red-headed stepchild of capitalism, not it's pinnacle. The capitalist hero is not the whiny John Gault, it IS the busy looter or pirate. The pirates are the ones that realized a far more efficient method of production or distribution.

    1. Re:IP landgrab by EzInKy · · Score: 2, Insightful


      1000 years ago, you couldn't restrict someone from telling their neighbor or son how to do any of those. Today, we have patents, copyrights, patent-copyrights (for software), process patents, plot patents, etc, etc.


      The strangest part of of all this is they have to know that no matter how many laws they pass they will never stop people from sharing simply because it is a natural survival trait that enables humans to pass knowledge and culture from one generation to next.

      --
      Time is what keeps everything from happening all at once.
    2. Re:IP landgrab by hxnwix · · Score: 1

      In that case, expect to see the future demotivator poster and lolcat memes protected. Memes have value, specifically cultural value. Yes! You may have our technology, our software and our right to think,

      BUT YOU WILL NEVER TAKE
        . . .
      OUR LOLCAT!
    3. Re:IP landgrab by bm_luethke · · Score: 1

      Neither Gault or the pirate are the pinnacle of capitalism - the person down the street from you that runs a company is.

      Capitalism works best when there is minimal govt interference, though it does require *some*. For the most part a limited copyright and limited patent process is quite good. For those types of things there needs to be a short period of time wherein you can recoup your R&D.

      The pirate, due to not have to endure the cost of the research & development process, can *really* undercut everyone. For some industries that makes creating a new product near instant bankruptcy.

      By far the best examples of this are medicines - it takes over a billion dollars to do the lab work required to produce one (if you factor in FDA protocols, most that do actually need to be there). No company is going to spend well over a billion to produce a drug and loose most of it - no company *can* do that no matter how much someone wants too.

      Things like Music are on the very bottom end of "needed", the R&D cost are VERY minimal. In fact so minimal as to generally be irrelevant when pro-rated over the life of the music. The cost there is through advertising and distribution (something the pirate has to deal with as much as any one else). Of course, this is also why medicines are patents and songs are copyrights.

      The line isn't exact or totally obvious and there will be (and should be) argument where to place it, but the original patents and copyrights worked quite well and I see no reason to have ever changed them. At best you only had something different, at worse - well you get where we are quickly heading.

      However, we have moved to where many have realized that our system of govt can extend that artificial protection as far as they feel like - after all it is simply a piece of paper that can be written anyway one wants. Since few people seem to care unless they directly see it, money talks and gets passed. The advertising people are very sharp, they make it case of nice legal corporations vs anti-capitalism pirates. Unfortunately too many of those "pirates" do fit that bill or have such a narrow focus that they do not always go outside of that focus, it truly is a false dilemma that is too often presented. For the average person the anti-capitalism anti-corporation stance is crazy so the other must be true.

      --
      ------- Sorry about the spelling, I suffer from two problems. Dyslexia makes it difficult to spell well, lazy makes it
    4. Re:IP landgrab by SYRanger · · Score: 0, Offtopic

      An ear of corn is pittance to the knowledge of the process of raising, harvesting, and distributing corn.

      Shouldn't that spell cr0n?

    5. Re:IP landgrab by Anonymous Coward · · Score: 0

      I was in agreement until your post devolved into a clueless bash on what you falsely believe to be capitalism. Let me enlighten you.

      Capitalism is founded on the principle of voluntary association. The core unit of capitalism is the act of voluntary trade between willing individuals or groups. Each party must set their own terms voluntarily for a transaction to qualify as an example of capitalism. If the principle of voluntary association is violated in any way, then we're no longer talking about capitalism.

      Government, on the other hand, is founded on the principle of coercion. Government is the group holding the unique right to employ coercion as their business model over a given territory: anyone else who does so is a criminal. If that distinction between government and "the people" (the subject class) didn't exist, then clearly, government couldn't exist. The voting process (or the presence of democracy) does not, in any way, remove the core element of coercion from government. Clearly, everything government does and could possibly do must be backed by the eventual threat of physical force.

      With that, it should be apparent that capitalism and government are more or less philosophical opposites. The more government is engtangled in trade, the less capitalist the society. Today, the US government represents the most expensive, most powerful instance of organized coercion that has ever existed. Clearly, pure capitalism in the US is all but impossible. Here's one way to measure it: the average US citizen now pays some 40-50% of his yearly earnings to government through federal, state, and local taxes and fees combined. (Yes, that's actually true -- look it up.) In market terms, this means that the average citizen (participant in the market) retains at best 50% of his right to decide voluntarily where to direct his earnings. But, pure capitalism would require that each citizen retain 100% of that right. So where does that leave us? The US economy is roughly only half-capitalist -- a bastardized capitalism at best -- and therefore capitalism (the voluntary exchange of goods or services for mutual benefit) probably isn't the boogy-man you were looking for.

      In conclusion, capitalism isn't your enemy. It can't be, unless you have some philosophical objection to voluntary association, which I hope you don't. Perhaps corporatism is the boogy-man you were looking for?

    6. Re:IP landgrab by jonaskoelker · · Score: 1

      I like red-headed stepchildren, you insensitive clod!

      (Captcha: straight)

  21. As a tin-eared wannabe, I despise them! by MikeRT · · Score: 2, Interesting

    I can't play guitar by ear, so I am totally fucked if I want to learn to play a song that I can't get the tabs for legally. And the best part is?... I CANNOT BUY THE DAMN TABS EVEN THOUGH I'D PAY GOOD MONEY FOR THEM!!!

    Part of the copyright law should be full sheet music and tablature for all music submitted to the library of Congress. That wouldn't hurt the songwriters, who'd probably be able to make even more money because all you'd have to do to get their work is go to the Library of Congress, download it and pay them their royalty. It'd only hurt the companies that selectively publish tablature.

    And it would also benefit bands because it would encourage them to do cover songs, which would be yet another stream of revenue.

    But no, a songwriter and band really benefits by shutting down the only way I could have gotten tabs for their music, without providing me any legal way to do it.

    Morons. I hope the welfare office runs out of money for them and their families when they go bankrupt.

    1. Re:As a tin-eared wannabe, I despise them! by Alioth · · Score: 1

      Download an 'ear tuner' program for your computer (there are plenty around) and train your ear. If you can recognise a song, you already have the equipment to do it - you just need to train your mind how to make use of it.

  22. the tabs must be accurate enough... by tjr · · Score: 3, Interesting

    Hal Leonard claimed that the tabs are inaccurate, made by kids. If the tabs are really inaccurate, then I would think that the users of the tabs wouldn't be happy with them, and this alleged tab black market would disappear.

    The tabs must, on the contrary, be reasonably accurate for Hal Leonard to be noticing any loss of business, which, as TFA explains, they probably aren't.

    1. Re:the tabs must be accurate enough... by Anonymous Coward · · Score: 0

      Actually they're right, they aren't very accurate (although some are very good). Problem for them is that they're every bit as good as the crap that they sell!!. And that's what pisses them off. To the music and publishing industry, music is like a magic show. They want you to believe that you could never pull off such a trick. Ever notice how they rarely show a guitarist or other player for very long in a video? To them it'd be like close-ups of the magicians' hands. It would spoil everything.
      So just like a magician, you must buy each trick. Then you can join the club.

    2. Re:the tabs must be accurate enough... by Anonymous Coward · · Score: 0

      If they aren't accurate, then that should solve the copyright problem since they no longer are the original copyrighted works.

  23. Greed is Blind by qengho · · Score: 4, Insightful

    It astonishes me that the morons at Hal Leonard can't see that MXTabs is analogous to the iTunes Music Store: a different-yet-profitable delivery system. The letter refers to the easy availability of digital sheet music, ignoring the fact that a single song typically costs US$5.00, far more than it's worth to garage musicians. Licensed tabs that are ad-supported or reasonably-priced will generate revenue.

    Equally astonishing (well, not really) is that the *AAs haven't realized that tablature is useless without a copy of the song it represents. Basic tablature doesn't completely specify a work in the way that standard notation does, so someone who downloads a tab will need an audio file. And not all of those audio files will be pirated, as recent studies indicate. It's a gain for music sales in general.

    Morons.

    1. Re:Greed is Blind by gusmao · · Score: 1

      Equally astonishing (well, not really) is that the *AAs haven't realized that tablature is useless without a copy of the song it represents Yes, but know we have much more sophisticated tablatures, such the ones from GuitarPro, where you can play along with the song and hear all the instruments. They are excellent for learning purposes and you don't need the original song.

      But there are still lost of sources of revenue: the more an amateur player learns, the more he spends in instruments, teaching classes, dvd lessons, studio time and of course, official songbooks. Well guess what they are doing? Closing down every site that provides free GuitarPro tablature. The biggest one has now this message on the front page:

      "Providing some tabs - even made by ear - of copyrighted music is illegal. In order to respect the law, downloads have been limited to the [Composition] and [Competition] files"

      Mind you, even if you make your *own* interpretation of the music and you don't copy anything from anywhere you cannot distribute it. I suppose they'll go now for the amateur bands that perform small gigs with their favorite songs...

      Really, it is amazing how this people are destroying their own market. If they continue in this path, eventually having fun with amateur music is gonna be such a pain that people will move on to other hobbies, or more likely, do everything illegally.

    2. Re:Greed is Blind by Tatsh · · Score: 1

      I agree, and would not mind an ad-supported (no DoubleClick annoying ads; maybe Google got rid of the annoying ones) tab/lyric site. A lot of tabs posted come with lyrics too (this helps anyone trying to learn the song). I am glad I can learn by ear pretty easily but I know there are people out there who simply cannot or have not spent enough time and do not want to spend that time to get into learning by ear, so I see why people like tab sites (although I avoid them at all cost pretty much).

      Let's not forget that these sheet music books cost $15 upwards! They are supposedly very accurate, sometimes written with the help of the artist, but $15 is most of the time more than the album. And yes, a nice glossy cover (front, spine and bank) with the same design as the album, can be quite costly to produce and even break even. The pages are never printed on recycled paper or anything cheap (to look nice, so to speak), except new expensive paper, on purpose, to raise the final cost. The music stores make literally nothing on these books and some carry little to no music books now because no one buys them. They are too expensive to even consider. Maybe these companies should reduce the cost of production so the retailer can reduce the retail cost, and maybe people who need the tabs will at least rationalise for at least one minute over getting the book or not. Maybe a smaller size book would work out better, at a price, like $3-5. I do not think people would fret over that, but $15 upwards is insane. Apparently you can listen to the CD for $10 (I think listening is more interesting than reading), but reading the notes to each song is DEFINITELY "gonna cost ya."

      By attempting to shut down more sites, they are hurting the free exchange of information on the internet, forcing it underground rather than embracing and attempting to make money. We hear more and more how corporations are trying to shut down sites hosting literally TEXT. By this I mean tabs and lyrics, and even documentation (like the 09f9 number). Looks to me everyone who is not involved with a corporation is simply going to go in hiding on-line as best they can soon enough, because freedoms are being restricted based upon how much money people have now, more than ever.

      Sad.

    3. Re:Greed is Blind by Technician · · Score: 1

      The letter refers to the easy availability of digital sheet music, ignoring the fact that a single song typically costs US$5.00, far more than it's worth to garage musicians.

      This is exactly why the last sheet music I bought was purchased over 8 years ago. At fifty cents a copy, I would have collected all my favorite pieces and been learning them.

      Instead I work with MIDI files. Sequenced files can be printed if they were properly created. Too bad sheet music publishers are pricing themselves out of the market. At the high prices for sheet music, the selection in the music store is very limited as they can only afford the floor space for the popular pieces of the day. Nothing else sells enough to bother stocking. Notice in most music stores, the sheet music section is very small? It is no longer a high volume item.

      I imagine they will start leaning hard on MIDI files again soon.
      When retailers carried 20K songs on one MIDI or Karaoke CD, I picked up a few. Now I have material for a while. Music publishers simply think since few copies sell they need to price them higher. Low sales must be due to piracy, not high prices. Idiots...

      --
      The truth shall set you free!
    4. Re:Greed is Blind by digitig · · Score: 1

      It astonishes me that the morons at Hal Leonard can't see that MXTabs is analogous to the iTunes Music Store: a different-yet-profitable delivery system. Why do you think that they can't see it? As far as I (and some of the commentors to the RA) can tell, they see it all too well, and see it as a serious threat to their previous-century business model. So they've started FUD-slinging.
      --
      Quidnam Latine loqui modo coepi?
  24. Interesting move from this company by WatchTheTramCarPleas · · Score: 5, Insightful

    Considering this company is capitalizing on the old Real Book http://en.wikipedia.org/wiki/Real_Book an illegal book (songs in there were unlicensed) used by jazz musicians for decades, I am curious as to where they intend to go with this. For a perspective on a similar experience in the past, back in the day jazz musicians could only find the standard songs in the lead sheet format (Chord chart and melody line) through illegal means, the most prevalent one being the Real Book. They were difficult to find though and were only available through word of mouth (though the internet helped a little). Recently however Hal Leonard has published "New Editions" of the three main volumes of the Real Books which I have found to be quite good, but unfortunately missing many of the standards that the original Real Books had. The biggest advantage these new Real Books have is that they are extremely easy to find. One of the biggest differences here however, is the Real Books were completely unlicensed and illegal, there was no consent by the authors of the songs. Though many of them probably owned the illegal books themselves and may have benefited by the fact their songs were now standards. It seems that with this online database however, with the intent to hold only licensed songs and an easier to find product, they stand on better grounds than the Real Books of old. It may be a battle of who can provide a better service, and if Musicnotes and MXTabs can keep persuading artists to release their tabulature freely. With the record store going away, I don't know how long the printed music store will be able to hold out against the internet.

  25. Libel? by Michael+Woodhams · · Score: 2, Interesting

    IANAL.

    It looks to me like MxTabs would have a good chance of winning a libel suit over this (and possibly other stuff like 'interfering with a business relationship' or something.) The letter repeatedly claims they are publishing illegal music, when in fact it is all authorized. Indeed, the letter is trying to convince people not to grant permission to MxTabs, which would be utterly pointless if MxTabs were illegally ignoring permissions. (Other bits might also be libelous, but this is the stand-out obvious one.)

    However, the likelihood of winning in court does not guarantee that there is a good business case for suing.

    Is there a lawyer in the house who might like to comment?

    --
    Quattuor res in hoc mundo sanctae sunt: libri, liberi, libertas et liberalitas.
  26. Feeling the Pain by moehoward · · Score: 5, Insightful


    I very much miss easier access to tabs. They have taken down so many sites already. OLGA, of course, is most missed. I donated to several sites over the years, including OLGA. Figured it was like teaching someone a new dance. Who knows if Dance Dance Revolution will be going after people who imitate their dance steps 10 years from now.

    The problem with the guitar tab situation has been that it is a difficult situation to explain to non-players. Everyone knows that almost all great rock players have openly admitted for 40 years that they learned by imitating records, writing down what they knew, and sharing it.

    First it was the lyrics, now the tabs are gone. Not only will they ultimately hurt the music publishing business, but the instrument business as well. God knows how much money I have spent on guitars/music toys ONLY due to the existence of tabs.

    On the next cool evening, I shall be burning any Hal Leonard books I own in the pit outside.

    --
    "If you want to improve, be content to be thought foolish and stupid." - Epictetus
    1. Re:Feeling the Pain by Anonymous+McCartneyf · · Score: 3, Insightful

      Okay. You are losing access to guitar tab transcriptions because of the activities of Hal Leonard Inc. Your response would be to burn the books from that place that you already own and lose access to even more guitar tabs?
      Be sensible. Post the contents of your Hal Leonard books on your website (preferably behind password guards) or on the Pirate Bay, where anyone with technical skills can find them. Surely that would be more fitting a punishment.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    2. Re:Feeling the Pain by Tatsh · · Score: 2, Interesting
      Who knows if Dance Dance Revolution will be going after people who imitate their dance steps 10 years from now.

      Konami, the producer of DDR, keeps a very close watch on the open source project StepMania (not GPL), which has enabled all players to play their copyrighted songs AND the copyrighted steps on their computer all for free. Konami is also trying to protect the concept of DDR, which they have a patent for. They already are suing one company who based their game off StepMania and so far nothing has happened but it it is still scheduled. Konami, however, never licensed the Japanese version of the game for North America (most DDRs, especially DDR Extremes at Namco arcades, are pirated in the US; you should ask the manager to let you see the CD in the arcade cabinet, it'll be a CDR). ITG (In the Groove), the commercial StepMania derivative, was made after 3 years of having no new DDR version come out beyond the fact that the Japanese versions are technically illegal in North America. The last legal one for US was made in 2000 and is very dated in that sense. Only last year did Konami make a new DDR version (in response to ITG) licensed for US, realising that DDR is still popular around the world, unlike in Japan where it is nearly dead.

      Much like the guitar tab posting community, the so-called "DDR community" online has been copying the exact step patterns from the games for years and converting them into a plain-text format that can be used with a number of game simulators (including StepMania). These do take time and people are just nice enough to share. Different is that there's also music being copied which makes sites that host much more liable for copyright infringement, and they also feel the need to rip the graphics associated with each song (StepMania, with skins, can look near-perfectly the same as a real DDR game; the ripped graphics from the game further enhance this capability). Konami has got a few sites hosting dance steps and songs to shut down before and has threatened legal action.

      Basically, Konami is fully aware of the "DDR community" and its activities (there have been other simulators threatened legal action in Japan by Konami as well), and it has been since about late 2002 when a fair number of step patterns, song recordings, and graphics were stolen from a beta testing machine (of the new version of the time) in an arcade in Japan, and then were subsequently converted to a format usable by StepMania. People were not supposed to be allowed to record at all at the beta testing, but apparently they did not check well enough. Now Konami never lets anyone come to beta test a machine without a full check to make sure they do not have any kind of recording device, including a cell phone that can do more than calls (which is every phone in Japan).

    3. Re:Feeling the Pain by Tatsh · · Score: 1

      Scan the books, OCR to a text format, and then burn them.

    4. Re:Feeling the Pain by advocate_one · · Score: 1

      Scan the books, OCR to a text format, and then burn them.

      no, scan them and post pdf's of the scan on torrent and usenet... that way, you keep the notation on the staves intact...

      --
      Donald 'Duck' Dunn: We had a band powerful enough to turn goat piss into gasoline.
    5. Re:Feeling the Pain by Travelsonic · · Score: 1

      Where have you been? Roxor (unfortunately) lost and is not allowed as settlement to continue In the Groove - Konami now has all rights. Get with the times. ~_~

      --
      If you believe in privacy, and believe you have "nothing to hide" at the same time, you're a goddammed idiot
    6. Re:Feeling the Pain by RobBebop · · Score: 1

      Who knows if Dance Dance Revolution will be going after people who imitate their dance steps 10 years from now.

      If I went to a wedding party and everybody broke out into a DDR style dance I think I'd die laughing.

      Let's hope Dancing Tabs don't go mainstream, so that I can keep living.

      --
      Support the 30 Hour Work Week!!!
  27. if free interpretations of music are made illegal by CaptainNerdCave · · Score: 0

    what will happen to places like wikipedia? what about http://www.ilovephilosophy.com/ ? places where everything is fair game: interpretations, new ideas, rehashings, you name it. if "publishing" to the internet your ideas about how a song is played is made a serious crime, how long will it be before other forms of information and knowledge exchange are quashed?

  28. Tabs aren't going anywhere by hobo+sapiens · · Score: 2, Insightful

    Ok, so published tabs are under fire. People will do what they have always done: learn popular songs and teach other people and maybe put the tabs online. Seriously: apart from guitar mags, who buys tabs? I think I bought two tab books during my teenage days (one for Metallica and one for Soundgarden Superunknown). That's not much.

    The real problem is that sites like olga.net get taken down because of OCILLA, which is ridiculous. I mean, how is posting tabs to popular songs bad? It's no different than what people did before the net, that is, teach other people how to play songs. It's not as though anyone learning songs from TAB is going to put the original musicians out of business (it's TAB!!! for goodness sake!). Besides, one of the biggest honors a band/songwriter can have is legions of cover bands playing their music.

    OCILLA is just another example of the GREEDY MAFIAA stepping on musicians, both professional and amateur. I am sure you could count on your hand the musicians who oppose kids/cover bands playing their music, so this is obviously the suits. Sad. Don't they have more no-talent losers to ink deals with like Britney and Jesse McCartney?

    --
    blah blah blah
  29. Hal Leonard writes CRAP Music by B_SharpC · · Score: 4, Funny
    These Hal Leonard folks are pretty music illiterate. I have used their junk. How can you copyright crap?
     
    I will post a guitar B Sharp cord (B# = C) lol. I dare almighty Hal 9000 to censor it!
     
      Censor This HAL!

    _______________
      E A D G C E
      | | | | O |
      | | O | | |
      | O | | | |
      | | | | | |
    --
    Score & Karma: SASA: Slashdot Approval Seekers Anonymous
    1. Re:Hal Leonard writes CRAP Music by Anonymous Coward · · Score: 2, Funny

      Standard tuning is EADGBE. Maybe Hal Leonard has a point about that accuracy thing...

    2. Re:Hal Leonard writes CRAP Music by B_SharpC · · Score: 1

      But you should not post an accurate EADGBE tuning.
      You might get sued for reproducing exact music. LMAO!
      Like Karaoke flips one note to bad so it is not an exact reproduction. LOL!

      --
      Score & Karma: SASA: Slashdot Approval Seekers Anonymous
    3. Re:Hal Leonard writes CRAP Music by Samah · · Score: 1

      If we assume that "C" string is meant to be tuned to "B", and that the two E strings are meant to be played open, that's actually a Cmaj/E chord since you have the 5th doubled in the bass :)

      --
      Homonyms are fun!
      You're driving your car, but they're riding their bikes there.
    4. Re:Hal Leonard writes CRAP Music by Anonymous Coward · · Score: 0

      You suck. I will be suing you for infringment of my Dbb (D flat flat) chord.

    5. Re:Hal Leonard writes CRAP Music by Anonymous Coward · · Score: 0

      And here's the guitar 'FU' chord to Hal Leonard Publishing folks:

      E A D G C E
      | | | | | |
      | | | 0 | |
      | | | | | |
      | | 0 | 0 |
      0 | | | | 0
      | | | | | |
      \________/

    6. Re:Hal Leonard writes CRAP Music by ironring2006 · · Score: 1
      I would have went with posting a standard "G" chord. It was a favourite among my music class because our music teacher had a way of making it look like she was giving us the finger. She could never figure out why we were laughing so hard.

      The same thing goes for any F or Bm based barre chord switching to a Fm or Bsus2 which is quickly accomplished by lifting the middle finger and sticking it straight in the air!

  30. Re: Your Brains by Puff+of+Logic · · Score: 2, Funny

    All your brains are belong to us.

    - Music industry "Heya Tom, it's Bob, from the office down the hall..."
    --
    P.P.S. I'm doing Science and I'm still alive.
  31. Why are TABs not clean room? by hcmtnbiker · · Score: 1

    I've always believed that TABs should be treated just like clean room design. Unless you can prove that the person who detailed out his way to play a song did so using unlicensed means (something like took official tab book and published it as his own). I really don't know how even a misinterpreted TAB could be property of the label who owns the song recording. I guess this is just one more piece of evidence that the whole patent/copyright system needs to be re-looked at, because it's just completely fucked up as-is.

    --
    If i had one dollar for every brain you dont have, i would have $1.
  32. ABC format is another threatened format by InsMonkey · · Score: 2, Interesting

    In addition to TAB, the ABC format is also being threatened by Hal Leonard Publishing. ABC is probably more of a threat to their revenue stream because it can easily be translated into midi and into sheet music. A lot of traditional musicians use this format and the many ABC readers that are available online. Many prefer this to published books not just because it is free, but because the music is closer to the way the songs are really played.

    --
    I'd rather have a full bottle in front of me than a full frontal lobotomy.
    1. Re:ABC format is another threatened format by Anonymous+McCartneyf · · Score: 1

      No. Hal Leonard must not be allowed to wipe out the abc format. If they're not using it or anything resembling it, then they shouldn't get to wipe out the notation. Especially not for songs in the public domain!

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    2. Re:ABC format is another threatened format by Alexpkeaton1010 · · Score: 1

      Oh noes! In the June 1st patch for Lord of the Rings online they are allowing you to upload music in ABC format to play on your instruments in game. I was hoping to play some Star Wars theme songs on my Lute while smoking some pipe-weed.

  33. Potentially by milamber3 · · Score: 1

    There are potentially too many potentialities in the summary.

  34. Not true in the U.S. by Kadin2048 · · Score: 2, Informative

    That may be the case in Australia (based on your au TLD), I can't say for sure, but it's definitely not the case in the U.S. If I download something from a server that's copyrighted, without authorization, both the client (me) and the server are violating copyright. I'm doing the copying, and the operator of the server is probably in violation themselves (for making the copy that's present on the server), but also for distribution and contributory infringement.

    This is why, for example, the RIAA can go after music downloaders, as well as uploaders. Generally it's easier and more effective to go after the distributors of unauthorized content rather than the end users, but the law allows for a "demand side" approach as well.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    1. Re:Not true in the U.S. by biovoid · · Score: 1

      That may be the case in Australia (based on your au TLD), I can't say for sure, but it's definitely not the case in the U.S

      Unfortunatewy, wiv our countwy's tongue wedged firmwy up your countwy's backside, if it's the case in the US, it's the case in Austwawia - thanks to the Fwee Twade Agweement.

      P.S. - The taste isn't quite as nice as we were pwomised.

  35. They're shooting themselves in the foot. #3 by XnavxeMiyyep · · Score: 0

    I really wonder if companies that go on the warpath over internet copyright violations really think in their long-term best interest. Look at the RIAA, for instance. For all of the money they've spent and the lawsuits they've threatened, they're back at square one when it comes to halting internet file sharing. What makes Hal Leonard think that they'll do any better, especially because guitar tabs are just TXT files and arguably even easier to redistribute?

    --
    I put the 't' in electrical engineering.
  36. Who's "they"? by Kadin2048 · · Score: 4, Insightful

    I really wonder if companies that go on the warpath over internet copyright violations really think in their long-term best interest.

    You make a common mistake -- thinking that a "company" has a brain of its own somewhere. Obviously, it doesn't; it's made up of people -- and those people are working in their own best interest.

    It may be, and probably is, that the interests of the people running the company, and perhaps even the majority of the stockholders, are not the same as the interests of the "company" as an organization.

    For instance, it might be in the major stockholders' best interests to do idiotic things that will get them media attention, and run the share price up, so they can sell it, make a bundle, and leave some other people with the bag. Witness SCO -- I hate beating a dead horse around here, but it's a great example. If the people at SCO have any brains at all (debatable, sure), they could be making tons of money while simultaneously running the organization into the ground.

    It's quite possible to crash and burn a company and come out on top; some people have practically made careers out of it.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  37. It doesn't run on Linux! Bad site design! by Tatsh · · Score: 2, Informative
    I'm running Kubuntu 7.04 and Firefox 2.0.0.3 and I tried to access a song on MusicNotes.

    "We're sorry, but we are unable to show you this digital sheet music. That would require our Viewer plugin, which is not yet available for your current web browser and/or operating system."

    They ought to consider using open formats like MusicXML and running the picture||PDF generator for the browser to show on the server-end.

    Beyond that, why do web authors continually insist on fixed width pages where upped font sizes will never work and plus it looks bad? My Firefox is set to 12 pt minimum so it messes up that page. Ever since I really started looking into web accessibility like a year ago, I have stemmed away from using invisible tables for page layout and fixed width for my designs.

    1. Re:It doesn't run on Linux! Bad site design! by Anonymous Coward · · Score: 0

      Musicnotes' software can do a lot more than Music XML can.

    2. Re:It doesn't run on Linux! Bad site design! by Technician · · Score: 1

      That would require our Viewer plugin, which is not yet available for your current web browser and/or operating system."


      Even worse, it's DRM'ed. Read the part about viewing the tabs on another computer other than the one used to purchase a song.. It's bad. Read the FAQ. It is full of bugs and has a whole laundry list of bugs and possible fixes.

      --
      The truth shall set you free!
  38. Oblig Simpsons Reference by Hashi+Lebwohl · · Score: 1

    This reminds me so much of the ep where the Simpsons are Christmas caroling to various neighbours, and they come across Burns's lawyer. He informs that they can't sing certain carols due to copyright by Disney. Homer promptly goes "D'oh!", as he does. The lawyer says "That was D flat, also copyright Disney. You may use any other note you like. "D'oh!" in C#. It would be funny if it wasn't so completely ridiculous.

    --
    I'm in to sadism, bestiality and necrophilia. Am I flogging a dead horse?
    1. Re:Oblig Simpsons Reference by hazem · · Score: 3, Interesting

      That reminds me of this site: http://everything2.com/?node_id=1029506

      He talks about a court case that determined only 4 notes had to be in common to violate copyright. With that logic, he determined that there are only 46,656 distinct melodies.

      Assume that all songs use a Western musical scale and that such a scale contains twelve distinct intervals. Assume that a judge (not a musician but a judge) will distinguish three distinct note durations (which roughly correspond to eighth, quarter, and half notes, or through a trivial change in time signature, to quarter, half, and whole notes, or to sixteenth, eighth, and quarter notes). Thus, there are 36 possible distance vectors from one note to the next, and 36^(n - 1) melodies of n notes.

      And not all of those would be worth listening to... so pretty much any 4-notes you play probably violate someone's copyright.

  39. That noise you hear... by Gordonjcp · · Score: 1

    ... is Woody Guthrie spinning in his grave so fast it's affecting the Earth's orbit.

  40. It's a good thing by Anonymous Coward · · Score: 0

    ...that we still have YouTube! After all, they seem to handle all the lawsuits really well, so I'll just surf YouTube when I want copyrighted entertainment. It's a lot like free porn in that you only get to see short clips before you have to start clicking again, but hey, that never stopped us from porn surfing, did it?

  41. Tablature accuracy by xanadu113 · · Score: 1

    The damn tabs are usually wrong anyway I've found! But I would hate to see these disappear! What's next? Banning audacity so that guitarists/bassists like myself won't be able to slow down songs while preserving pitch to find out what the musicians were doing?

    --
    -Myke
    1. Re:Tablature accuracy by ingie · · Score: 1

      more importantly, i'm worried about being forced to wear a blindfold to any gigs i go and see, in case i'm secretly memorising what chords they're playing... "please look away from the stage during clever solos"

  42. So what doesn't infringe? by ikekrull · · Score: 2, Insightful

    If I was to write down, for example, the button sequences you press in guitar hero to perform a song from the game, would that infringe artist copyright?

    e.g. does:

    'green green yellow red green green green green green green green green green green green yellow green red green' infringe an artist's copyright? If so, whose? and why?

    and, if i wrote down:E E G B E E E E E E E E E E E B G A# F#, does that infringe an artist's copyright? If so, whose? and why?

    and if i wrote down:

    ------2------------------------2---1---
    0-0-3---0 -0-0-0-0-0-0-0-0-0-0---3---2

    does that infringe an artist's copyright? If so, whose, and why?

    And if i was to assign a number to each note, who's copyright does:

    001001003026001001001001001001001001001001026004 0025002 infringe?

    I just don't see where the infringement comes from? Who am I copying here? Am I copying at all, or did I just make that riff up?

    --
    I gots ta ding a ding dang my dang a long ling long
    1. Re:So what doesn't infringe? by DerekLyons · · Score: 1

      I just don't see where the infringement comes from?

      You are copying a work from one media to another - this is called a derivative work, and has long been protected under copyright law. (I.E. this isn't something just recently dreamed up by the RIAA or created under the DCMA.)
       
       

      Who am I copying here? Am I copying at all, or did I just make that riff up?

      A nonsensical question - as you yourself demonstrate (as you show your work) it is a direct copy of someone elses work. Changing the coding/notation system to something nonstandard does not change that fact.
    2. Re:So what doesn't infringe? by ikekrull · · Score: 1

      But i did make that riff up, and notated in a number of forms to illustrate a point.

      Played in a certain fashion, this riff would very likely resemble another artists, as some of the notes are the same - i based this riff off another. Played in a different style to the artist i'm thinking of, it would not sound the same. The two recordings would not infringe.

      So, where does new copyright get created here - if two artists use the same notes, but have two completely different sounding recordings, does one of them infringe the other's copyright or does only the tab of the songs infringe?

      The tabbed data does not specify any note lengths, and it is highly improbable that any substantially similar reproduction of the work that i as you claim - 'format shifted' when i wrote down a note sequence that i composed after listening to my friend play this song could be made from the tab i posted.

      In fact, its only by connecting the notation with the artist and song name that any possibility of reconstructing a musical performance from a tab is possible - tab is useless if the the playback device (e.g. the guitarist) does not already have a copy (e.g. in his/her brain) of the song's audio recording.

      If this is a format-shifted copy of an audio recording, then i should be able to stick this is a cd-player, a computer player or some other device and play the song i format-shifted. But this isn't the case. No playback device or algorithm is able to reconstruct anything substantially similar to the original recording from this sequence of symbols.

      A tab is not a substantially similar work to the audio recording that was used to generate it. It cannot be illegal to listen to music and the sounds around you and write it down, because thats how all composition occurs.

      I did not obtain any published sheet music to make this alleged 'copy', so what have I copied? How can you infringe copyright on something you did not have access to to generate another work? How could I copy something I have never even never seen or posessed?

      If your position is that all published music necessarily infringes copyright because they all contain sequences of notes that are not unique, then i think it is you who is being nonsensical.

      So again, thats a made up riff. thats *my* riff. whose copyright am I infringing again?

      --
      I gots ta ding a ding dang my dang a long ling long
    3. Re:So what doesn't infringe? by DerekLyons · · Score: 1

      But i did make that riff up, and notated in a number of forms to illustrate a point.

      I was not treating it as a made up riff - I was treating it as you specified: "If I was to write down, for example, the button sequences you press in guitar hero to perform a song from the game, would that infringe artist copyright? e.g. does: 'green green yellow red green green green green green green green green green green green yellow green red green' infringe an artist's copyright? If so, whose? and why?" ("E.G." means for example.)
       
      If the sequence was not an example - then your whole post is pretty much pointless.
  43. A songbook publisher doesn't like this... by jimicus · · Score: 2, Funny

    A songbook publisher doesn't like the idea of guitar tabs made available free.

    No kidding.

    In related news, Turkeys are said to be very concerned about the celebration of Christmas and US-based turkeys have expressed concern over thanksgiving.

    Furthermore, the Pope shits in the woods and bears are generally catholic.

  44. That's not the point by haraldm · · Score: 2, Interesting

    The point about the management of modern corporations is they want to control the whole thing. They don't care about whether a new generation of musicians can eventually play an instrument or not because in their mind, it is they who generate new musicians. Waiting for somebody to step up and play is too unsafe because no business plan can cover that. This is where talent shows and retort bands come into play. Nobody seriously wants to hear them but for the management they are plannable. Somebody who happens to learn from sheet music is not. It the same phenomenon like the food industry and everywhere else. They want to control the thing, so they produce food that can be easily consumed. People over time will stop learning how to cook things themselves so that they will ultimately depend on industry products. Voila, goal reached, share prices go up, no matter what collateral damage is caused. In the meantime, the management sucks us all out. I am not a commie, mind you, but what happens now is capitalism in its most brutal form. Gains are privatized, and losses are burdened upon the public. It's all the same phenomenon in different incarnations.

    --
    open (SIG, "</dev/zero"); $sig = <SIG>; close SIG;
  45. Agreed by remmelt · · Score: 1

    I just don't understand what the extension of copyright brings to the people running the companies you speak of. They're mostly middle aged I would think, and apart from stuff that's about to go public from old age (Mickey Mouse) they'll likely die before losing their monopoly. Are they that concerned with their kids? Is it just pure greed? ("Sure I can't ever use or spend this money, not in my lifetime, but more == better!")

    > It's quite possible to crash and burn a company and come out on top; some people have practically made careers out of it.
    A certain son of a certain former first world leader comes to mind...

  46. One of the artists complaining is a politician!!! by Anonymous Coward · · Score: 0

    I think its amazing that one of the complaining artists on the OLGA take down notice
    http://www.olga.net/060621-nmpa-p6of6.jpg
    Is Peter Garrett, now a member of the Australian Parliament and part of the shaddow cabinet as the Arts and Environment Minister.
    http://www.petergarrett.com.au/

    I think it would be good to do some lobbying on this issue, seeing he is indicated as being directly involved in this agenda!

  47. OLGA archive torrent? by Anonymous Coward · · Score: 0

    Somebody must have a copy of the OLGA archive tucked away somewhere?

    Make it available as a torrent!

  48. Time for vigilantism by Anonymous Coward · · Score: 0

    Its time to start killing off CEO's that act like pricks. And no, i dont mean that figuratively.

  49. Do you think any of these ideas might help? by zotz · · Score: 1

    http://zotzbro.blogspot.com/2007/04/some-thoughts- on-copyright-offensive.html

    If so, please leave a comment over there. We might get a brainstorm going...

    all the best,

    drew

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
    1. Re:Do you think any of these ideas might help? by Doc+Ruby · · Score: 1
      I'd like to brainstorm, but I don't want to use a Blogger account. So here's a transient effort:

      1. All 'non'marked' works get an automatic copyleft, not an automatic copyright.
      2. Copyleft works can be registered for free, copyright works incurr a registration fee.
      3. There is a yearly copyright tax imposed on copyright works, copyleft works are exempt.
      4. The copyright tax is based on a percentage of the copyright holder declared value of the work.
      5. The copyright holder will be encouraged to declare an honest value by having to sell the copyright to to work at the declared value or 5 percent above that value to any and all comers. At the value if the purchaser will put the work under a copyleft, 5 percent above if the purchaser will keep the work copyright.
      6. Copyright status lasts for 10 years, then the works convert to copyleft for another ten then they go into the public domain.
      7. Orignally copyleft works remain copyleft for the life of the author (and perhaps plys whatever.)
      8. Works building on public domain works are not elegible for copyright status, only copyleft. (Does this make any practical sense??


      The tax parts are prohibitive if they're required and based on some imaginary "market value" (without a real buyer for real numbers). Instead, the copyright registrant must register their auditable costs invested when registering the copyright. They must register any income derived from the copyright (without any restriction), subject to audit. Registration fee of 1% (tweakable on real economic analysis for maximized content value growth against registrar admin costs) can be deferred until income, but rise to 5%. Income is taxed at 1%, nondeferred. When income exceeds 10x investment (tweakable on real economic analysis to maximize production incentive against minimized time), the copyright expires. Depending on the medium (tweakable by real economic analysis on the medium's consumer network effect on creating content value), copyright would expire no later than 17 years (tweakable by real demographic analysis of an average human generation) for songs and books, probably half that for movies, probably less than movies for "TV"/video, probably less for photos, probably somewhere between video and movies for software. somewhere around that for videogames...

      After copyright expires, everything automatically becomes copyleft (if that means "attribution required" is the only requirement for copying) for the same period as the medium's default copyright duration (not any economic expiration), after which it's public domain and even attribution is optional (but encouraged).

      That model recognizes the real compromises in our rights to free expression with market necessities in an info economy, by recognizing the public's contribution to copyrighted value and the cost of administration. Unregistered works find the burden of proof on the holder of the work to document all the dates/amounts they could have registered. Some of the administration includes government funded education (designed by the educators) to distinguish meaningful differences in content in each respective medium from trivial differences.

      That regime would transform America's info economy to lead the world. Growth would be emphasized, with "raw material" for new combinatory production broadly available to even the least organized/funded producers.
      --

      --
      make install -not war

    2. Re:Do you think any of these ideas might help? by zotz · · Score: 1

      The problem with here is that it will fade away... If you know of a better, more permanent place...?

      "The tax parts are prohibitive if they're required and based on some imaginary "market value" (without a real buyer for real numbers)."

      Since the copyright holder gets to declare the value, I am not sure how. Can you explain?

      "(tweakable on real economic analysis for maximized content value growth against registrar admin costs)"

      Don't mind that as far as I can see.

      "After copyright expires, everything automatically becomes copyleft (if that means "attribution required" is the only requirement for copying) for the same period as the medium's default copyright duration (not any economic expiration), after which it's public domain and even attribution is optional (but encouraged)."

      No, to me copyleft means the worrk is Free (as in libre, possibly not gratis) and derivatives (etc) built on the work must also be copyleft, etc.

      Now, attribution may be required if desired.

      "Unregistered works find the burden of proof on the holder of the work to document all the dates/amounts they could have registered."

      In my initial proposal, unregistered works go copyleft, not copyright, if no name is attached, attribution is not required.

      Please note, I think a disticntion should be made between lack of attribution and claiming that the work is original with yourself.

      That is, I can write a book and claim that it has various quotes from and referecnes to the works of others, some of whom I can't pin down. This should be seen differently that claiming that the work is entirely original with me. (Sensible? No?)

      "That regime would transform America's info economy to lead the world."

      Well, being from the Bahamas and all... ~;-)

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    3. Re:Do you think any of these ideas might help? by Doc+Ruby · · Score: 1

      Reforming the copyright system merely to include familiar copyright control while eliminating its abuses is a big enough task. Copyright holders can voluntarily release content under "copyleft" or whatever other terms, while they've got copyright control. So just reforming the term and finance of copyright is enough to fix the system.

      The basis of copyright protection is to protect content producers' investment from competing distributors who aren't burdened by the costs of creation. So we just require registration of the costs, which of course must be supported by evidence ("auditable"), and income, much like the current income tax system (with which these registrations must agree). We set expiration thresholds after investment is paid off, or some appropriately short time if the producer can't recoup despite the artificial monopoly period.

      Simple, rational, manageable. Even the Bahamas couldn't be easier, though it could be more goombay ;).

      --

      --
      make install -not war

    4. Re:Do you think any of these ideas might help? by zotz · · Score: 1

      "Reforming the copyright system merely to include familiar copyright control while eliminating its abuses is a big enough task."

      Ah, I thought I had this in the post and you missed it. No, I had failed to include it. It may not be worded properly, so please query.

      'The idea for a Copyright Offensive is this:

      We need a set of proposals that we can push. They need to be such that they can make the situation better. They need to be such that we can reach a compromise on them that will still make things better.'

      "Copyright holders can voluntarily release content under "copyleft" or whatever other terms, while they've got copyright control. So just reforming the term and finance of copyright is enough to fix the system."

      Here is where I think:

      '1. All 'non-marked' works get an automatic copyleft, not an automatic copyright.'

      might help.

      We would get a pool of works that could be used in other Free works but not in ARR works without bigger efforts.

      Now, overall, I want to think about the bargaining process and how it will likely go down.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
  50. Porn? No. Tab! by Colonel+Angus · · Score: 2, Interesting

    The very first thing I did when I got online was not rummaging around for porn (there would be plenty of time for that!), it was a search for all of the Primus bass tab that I could get my hands on. It was the reason I wanted to get the 'net. I was at a friend's place and he went to WebCrawler and did a search for me. I was awed that there was such a resource potentially at my disposal. I was surfing the net within a week of that day.

  51. Entartete Kunst by Threni · · Score: 1
    1. Re:Entartete Kunst by Anonymous Coward · · Score: 0

      "National Music Publishers' Association President and CEO David M. Israelite "

      There is a southpark joke in here.

  52. Alternatives to tab by overlook77 · · Score: 1

    Tab websites getting harrassed by corporate interests really angers me. But, there are alternatives too. The best way to learn a song on your own (next to tab) is to slow the song down in Windows Media Player or Guitar & Drum Trainer freeware. You can slow it down to half speed or more, loop it, and pick out the notes yourself. This is usually more accurate than tab. I would never never never pay for tablature, so I say stop harrassing people who share guitar knowledge online. Corporations do not own the internet or should be allowed to police free speech.

  53. Subversive by Anonymous Coward · · Score: 0

    You are all that's wrong with society.

    We have given you ubiquitous TV to occupy your spare time and engineered the economy to require your participation in mindless drudgery at all other times.

    We have engineered a political system with little choice but giving the impression of democracy.

    Your purpose is to produce and to consume. You have no choice. We will continue to do everything in our powers to close the loopholes.

    We are watching you and the diminishing number of similar threats to our perfect machine. The goal is nearer than ever before.

  54. Are cheat codes and walkthroughs next? by Akratist · · Score: 1

    This whole thing makes me wonder if it's going to be illegal to post cheat codes, walkthoughs, game FAQs, etc, online now. After all, the companies which publish the game hint books have to be galled at the fact that people are putting online for free the same kind of information which goes into those ultra-expensive to publish game strategy guides and hint manuals. While people might derive it from independent sources (like actually playing the game), it might not matter to the copyright gestapo... This does raise another question: Are gamers going to start using code to post game FAQs online? So, instead of "Go to the well, talk to the purple elf and when the three orcs attack, kill them and take their amulets," it'll be: "Move legs by drinky-drinky, move mouth near the 420nm wavelength reflecting object which may be IP of the Tolkien estate, non-Gandhi the 4 minus 1 525nm wavelength reflecting objects which are IP of the Tolkien estate, remove neckline apparel."

    1. Re:Are cheat codes and walkthroughs next? by Jesus_666 · · Score: 2, Insightful

      No, we abandon the internet and move all noncorporate websites to Freenet because an internet that doesn't fully anonymize all participants no longer fulfils its mission of free information exchange.

      Let's face it, information wants to be free, but the corps don't want it to. Unfortunately, since the corps pretty much run the game, unlicensed sharing of information will become more and more illegal.

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
  55. It should be called Copyprivilege by Anonymous Coward · · Score: 0

    Copyright etc. aren't just not a fundamental right, they aren't rights at all: They are privileges, i.e. something granted to you by someone else (in this case congress).

  56. It's somewhat sad, isn't it? by Mateo_LeFou · · Score: 4, Insightful

    Two centuries from now I think there's going to be a big dead zone in cultural history. I refer to the bulk of 20th century art, which it will be difficult to preserve and keep relevant as long as *all copying without permission is illegal.

    Millions of great pieces of pre-Gutenberg literature were lost because of inadequate technology. Millions of pre-Internet pieces will be lost because of politics.

    --
    My turnips listen for the soft cry of your love
    1. Re:It's somewhat sad, isn't it? by webweave · · Score: 1

      Well then historically speaking isn't it a good thing that Brittany Spears and Kevin Fedderline exist now. Oh, wait a second.

  57. You mean there is still a talent pool? by amcdiarmid · · Score: 1

    yeah, right.

    ain't no artists who kin write
    ain't no more songs that have bite
    pop music today it just blows
    stuff bout shooting 'n' bitches 'n' ho's

    stuff today gets me depressed
    more 'bout showing off yo' breasts
    public enemy said "fight the power"
    You wanna say that
    gotta pay lawyer by the hour

  58. He never said he had perfect pitch by Anonymous Coward · · Score: 0

    He did say he had some natural talent at playing instruments/music.

  59. Quality... by nick_davison · · Score: 3, Interesting

    They do have a good point on the quality side of things...

    Very, very few tabs on sites like Olga come even close to the quality of a decent tab book.

    F5, A#5, G5, C5 may well be the chords to the main part of Teen Spirit but tells me nothing about strum patterns, rhythm, which strings I should be missing on certain strums, etc. It tells me nothing about C and F notes that chime out afterwards.

    Ironically, for all the claims of "I'm not good enough to figure out how to play a song by ear..." - to use most online tabs, aside from getting pointed in the right direction, you really do need to have an ear for rhythm, an ear for when exactly the chord changes happen, what the strum patterns are, when to use up vs. downstrokes, etc.

    There is a major problem in the printed music world that only better known artists merit the expense of producing a good tab book and that most of those books are only available via special order. Still, when they do exist, when you can find them (this is starting to sound like the A-Team), the world of difference between them and the average tab is astronomical.

    I'm caught in the middle: I'd hate to see high quality publishing disappear but I also don't see low quality, text based tabs (that often have five different, all disagreeing, version) really being that much of a threat.

    Then again, in a world where record companies are trying to shore up CD sales, about about including a DVD with video files of exactly what the artists' hands did when playing the songs, lyrics and scores included? Given the choice between iTunes' $0.99 a limited song and $1.29 an unlocked one, I'd rather drop $15 on an album that'll teach me how to play its content as well. Sure, on a one-off basis, those costs would be huge but if it were done for every album, economies of scale could turn it in to a day's filming, a quick editing job and a day or two of a cheap person transcribing it.

    1. Re:Quality... by jfreaksho · · Score: 1

      If you are teaching a new song to a friend, do you teach him all the notes all at once, with all the rests and skipped strings and sharps and flats and strum patterns, or do you give him the chord chart and tell him to listen and follow along? That is what tab does for people.

      Full musical notation allows for someone who has never heard the song before to play it. Text-only tablature is meant as a guide. Tab can be written out to include all of that information, but that isn't usually what it is designed for.
      J.

  60. Give a man a fish by Anonymous Coward · · Score: 0

    and he eats for a day. Teach a man to fish, and get a cease-and-desist letter from the publishers of Izaak Walton's The Compleat Angler.

  61. Damn coward by palladiate · · Score: 1

    OK, I'll bite.

    My knowledge of capitalism pays my bills. You can't win that fight. Also, I didn't bash capitalism, I explained that capitalism is a theory on a method of resource distribution. I have no problems with it. I also realize, like certain economic theories, capitalism is a normative theory, ie "this is how it ought to be." My degree is in positive economics and econometrics, or "what is." Both are important, but I don't teach, nor am I qualified to teach, normative economics. I don't care how to determine what "ought" to be. I have enough fun determining what is. In fact, I generally (and unfairly) disdain the idea that there "ought" to be anything. Simple fact is, competitive force will drive piracy and looting, in some form or another, in capitalist implementation. Your idea of "free association" is entirely "Objectivist" and has no bearing on reality or practice. It's the drivel of an egotistical armchair philosopher.

    I'm going to fail you at comprehension, and give you 1/2 credit since your post isn't exactly wrong. I certainly didn't mean to push your Randian buttons. Next time, please post with a name, what you said requires no shame.

  62. Exactly! by palladiate · · Score: 1

    The current trend is to own the necessary information for group and identity formation. And you are most likely right, it's completely impossible to do so. People will just ignore the laws and restrictions.

    To fight against the torrent of basic human behavior, you either need to have a darn good plan, or just be incredibly stupid. The more I see stuff like this, the proposed copyright expansion, and CSS/AACS, I realize no one has a good plan.

  63. No problem with patents or copyright here by palladiate · · Score: 1

    I have no problem with them. They are an economic tool, just like currency. Properly applied, they can move innovation and creativity faster than without them. Poorly applied, they will move innovation slower than without them.

    Take for instance music. Before copyright, you still had a rich heritage of folk music and poetry. You didn't have many widely distributed books before a few hundred years ago, because we had no mechanical means of reproduction. And much of the reproduction we did do through scribes was to combat loss of material (scrolls disappear and disintegrate). Widespread literacy and mechanical reproduction were served by copyright (the history of which is fascinating). In England, the fight was really bitter, with the king settling on the idea of limited copyrights and the public domain. Length of copyright took into account times it took to widely distribute literature in a decidedly pre-modern world with slow reproduction, high costs, and difficult distribution. And still, copyright was less than 30 years (if I remember off the top of my head, certainly not the lifetime of the creator or longer). 30 years to distribute books wasn't really unreasonable in the early 1800s.

    Today, shorter copyright would be better, but that's a long discussion, and you probably agree. Further, with or without copyright reform, the market for copyrighted works will tend towards efficiency, not inefficiency. To control a good, you need strict control, and you need limited points of control. A widely distributed, trivially copied, perpetual medium (digital) is neither limited or possible to strictly control. Then again, with such easy methods of distribution, you can have complete worldwide distribution in seconds, not years, and a first mover advantage is monumental.

    Old shapers and bards were the music distribution medium of their day, and they freely shared and stole stories and songs. They were forced to change when civilization changed, and we no longer see them. Demand, market forces, and the new possibilites of technology may dictate that we give up the last 100 years of music distribution. We may have to deal with a completely different entertainment model. But I don't think we can use the courts to dictate rational actions and force us to ignore the new reality of technology.

    I also wanted to say you made some very good points.

  64. Drum Tabs by Anonymous Coward · · Score: 0

    What really annoys me is that MXTabs' drum section shut down a couple of years ago from fear of copyright cases. Drum tabs usually aren't THAT hard to work out for yourself, but I mean really, it's DRUM tablature - are they REALLY copyrighting that 4/4 rock beat? It's not as if that person actually invented it for themselves, nor that if someone copied it they'd be reducing the sales of whatever band's songs. I can MAYBE understand the controversy about guitar tabs (though, I don't agree with it), but seriously, drum and bass tabs really are quite generic (at least in comparison), and all they do is educate budding musicians and encourage them to listen to that band's music. Seriously, where is the problem here?

    1. Re:Drum Tabs by kaliphonia · · Score: 1

      At least when MXTabs re-launches as a legal service, drum tabs will be included as well.

  65. My zip file is sadly out of date... by Sodade · · Score: 1

    Someone should take a current version of that zip and propogate it...

  66. yes, and pls supply the link when you find it... by Sodade · · Score: 1

    nt

  67. Breaking the DMCA? by dzogchen · · Score: 1

    So if I figure out the chords to a song, could that be legally construed as decrypting some publisher's IP? I listen to the song, and reverse engineer it so that I can duplicate it.......... IANAL but I could imagine some scenario where an over-the-top executive decided to go after those chord pirates!

    Insane!!

  68. Grass roots movement anyone??? by gillrock · · Score: 1

    So, I've read through a lot of the posts here and RTFA. One poster made an excellent suggestion. That suggestion would be to try to get the artists themselves behind this to an end that would hopefully return OLGA to the world.

    I discovered OLGA well after I started to learn guitar and in some cases, OLGA taught me what I thought I heard was flat out WRONG!!! I've got a couple of tabs posted in OLGA and around the internet at other tab sites and there is a notice that it's my interpretation of the song. I just found it a few minutes ago.

    Getting back to my point, I fully support the notion of bringing this to the attention of artists that may very well care about this issue and the lack of future learning and influence that will occur without the tab community. If any folks are interested please email me privately and we'll see if we can get together online and get something off the ground. We could draft some kind of letter and send it out to artists and groups that care about music and the learning process of music.

    Some examples of contact of those that might care about this and possibly help...

    Pearl Jam
    Queensryche
    Metallica (I'm going to get shot for this one)
    Black Label Society
    Ozzy
    Cheryl Crow
    Rush
    VH-1's Save the Music Foundation (maybe???)

    I've personally had it with this attitude of "revenue through litigation". Tabs are our (read the common person's) interpretation of how we hear a song played. I miss OLGA and it's time to bring it back.

    I hope to hear from some folks a maybe this can become something that gets noticed.

    --
    "...the shortest distance between two points may be straight line, but it is by no means the most interesting."
    1. Re:Grass roots movement anyone??? by MXTabs.net · · Score: 1

      If you guys can rile up some grassroots support, that would be great. In the meantime, we are already gaining support of much of the songwriting community. We should have an official announcement out regarding music publishers and songwriter associations that are in support of MXTabs very soon. Still, much more awareness is needed.

  69. It's kind of surprising... by interactive_civilian · · Score: 1
    I have been saddened for years by the shutdown of OLGA. Now I am forced to Google and then browse incredibly ad-ridden sites for guitar tab, most of which came from OLGA anyway. Most of the tab and a lot of new tab is still available, just a pain in the ass to get

    I do find it kind of surprising that you can't find a zipped up archive of all of the OLGA contents on some of the BitTorrent sites out there, especially the ones operating outside of the the US where copyright laws may be a bit greyer about these kinds of interpretations of music. How big can the archive be? IIRC, all of the OLGA chord and tab files were plaintext, so I imagine they would compress quite well. Despite the fact that there is a lot of music that I don't particularly care to learn to play, it would be nice to be able to have the entire archive on my computer.

    On another note (though this would never happen given the current copyright climate), wouldn't the various Wiki software be PERFECT for an OLGA type site where users can easily correct mistakes and such that they find in the various tab files? I would love to see something like this, but unfortunately, I guess it will never happen, unless someone sets up a "Project Gutenberg" type site for public domain music scores and such...

    --
    "Empathise with stupidity, and you're halfway to thinking like an idiot." - Iain M. Banks
    1. Re:It's kind of surprising... by Doc+Ruby · · Score: 1

      The WTO/WIPO makes practically all the world's countries' copyright laws the same, at least for copying OLGA's content.

      The reason tab files are distributed unstructured/unindexed/uncollected, in PDF and other fat formats, is because you haven't compiled them into a compresed, structured, updatable archive with version info (DB) and redistributed it. Sure, anyone could do it, but why would they, any more than you have?

      --

      --
      make install -not war

  70. simply insane by katsklaw · · Score: 1

    What I find the most disturbing is that most of such sites like olga.net which host individual guitarists interpritations of popular songs. There is a difference between postin the actual notes and what a person thinks is the actual notes. In most cases the submitted works are derivitives and are not completely accurate. Which is not illegal since musical notes themselves can not be copyrighted, only melodies can be. Artists use what's called sampling in their songs which are actual soundbits from other songs which ARE copyrighted and are not royality free. However, if you change the notes abit or add additional notes throughout, then you are actually changing the song, thus not the same song and not copyrighted material. Also most copyrighted materials may be used for personal entertainment such as viewed at home or the like. This whole thing is one step away from making it illegal to borrow your friends dvd's to watch in the privacy of your own home and then later return.

  71. Because... by interactive_civilian · · Score: 1
    Doc Ruby said:

    The reason tab files are distributed unstructured/unindexed/uncollected, in PDF and other fat formats, is because you haven't compiled them into a compresed, structured, updatable archive with version info (DB) and redistributed it. Sure, anyone could do it, but why would they, any more than you have?
    Because I don't have them all. Whoever ran OLGA and/or one of its many mirrors does have them all, or at least did. All they have to do is zip the contents of the directory that stored all of the tab files, make a .torrent, and then seed it until it has spread enough to take care of itself. This could be done fairly anonymously, as well.

    I would certainly do this if I had access to those files. Once the cat is out of the bag and spread over the various bittorrent networks, there would be nothing the copyright cartels could do to stop it.

    As it stands now, I would have to google every tab file on the internet to try to rebuild the original OLGA from scratch. That is not practical for a single individual.

    I'm not asking for a constantly updated new OLGA.torrent. What surprised me is that there isn't an OLGA.zip.torrent out there that covers all of the files from OLGA and/or its mirrors up to the time they were shut down.

    OLGA went offline, but did they erase their hard drives as well?

    --
    "Empathise with stupidity, and you're halfway to thinking like an idiot." - Iain M. Banks
    1. Re:Because... by Doc+Ruby · · Score: 1

      OLGA was just an index, no content. AFAICT, the content mirrors (and perhaps OLGA itself, it it did indeed have content) deleted their content and otherwise disappeared, after the lawyer letters arrived.

      You could take your collection of tabs and get the ball rolling. Who better than you? Even if a mirror had the content, that was their effort. Making a "rolling snowball" of accumulating tab content is another task entirely. Why not you, since you've got some of it, and want the result?

      --

      --
      make install -not war

  72. Good points. :) by interactive_civilian · · Score: 1
    I see. I didn't realize that the centralized archives of tab and chord files either didn't exist or weren't kept by anyone. They do seem to exist, though, because most of those ad-ridden sites that exist today either have them or point to them, but I doubt they would want to give up their ad revenue by making it easy to get all of the files. ;) If I could go back in time and grab them all easily, I would do so.

    You are right. I could take the initiative. Maybe I will do so with some of the bands that I like: compile all of the tabs and chords that I can find and put them into an archive. Of course, this is a violation of the law as it currently stands, but I disagree with the abuse of copyright law by these companies, so I don't feel bad about it.

    Anyway, my main point was that, given the way things are spread these days when the copyright cartels want to put a lid on them (see the recent hex keys events and such), I was surprised that this hadn't happened for the OLGA stuff. It just seems like it would have happened, but unfortunately (obviously), it didn't.

    Of course, the way things happen on the internet have changed a LOT since OLGA went down, so I guess that explains it.

    Cheers. :)

    --
    "Empathise with stupidity, and you're halfway to thinking like an idiot." - Iain M. Banks
    1. Re:Good points. :) by Doc+Ruby · · Score: 1

      Right.

      And BTW, what is it?

      --

      --
      make install -not war

  73. All those moments will be lost in time... by Anonymous Coward · · Score: 0

    "I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time, like tears in rain. Time to die."

    1. Re:All those moments will be lost in time... by mink · · Score: 1

      That quote loses most of it's impact IMO unless you are hearing it as it was delivered. Just reading the words gives you the idea, remembering how it was delivered (for those who have seen it) or hearing it gives it much more life.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  74. One major problem by EdelFactor19 · · Score: 1

    is the whole public domain migration process..
    At what point does the transcription of a song, or knowledge of how to play it become common knowledge.

    Is there anyone who plays guitar who doesn't know how to play or know the key riff of:
    smells like teen spirit
    stairway to heaven
    enter sandman

    etc.

    what's next a crackdown on wikipedia by encyclopedia makers and people who want to sell you that knowledge?
    It almost goes without saying that they will target gamefaqs.com next.

    Whatever happened to innocent until proven guilty. Shouldn't they have to prove beyond a shadow of a doubt that you deliberately went out and copied or enetered via hand the tab from their book or one of their publications. How else could I be infringing on their copyright.

    If there is no publicly availble (via sale) tab book for an album could I even possibly infringe on it by posting a tab. Or wouldn't I then have the tab and now the publisher would infringing on my copyright?

    Are they going to target how-to guide on the internet next saying you should by the instruction manual?

    Much as VCR was excluded for its degrade of quality compared to live broadcast and dvd back in the day, shouldn't a text file containing nothing but fret numbers and such (aka not a pdf) recieve the same safety.

    Why don't i just quickly write a program to generate all the 4 note patterns of notes, and post that.
    Yes I understand there is a serious issue that they have some claim too in regards to people copying the stuff straight out of the tab books and then posting it, but to me it seems like the manner in which they are restricting is going beyond their rights. Instead of preventing me from doing that, they are now preventing me from legitimate activity.

    Furthermore any band that allows taping at concerts shouldn't be allowed to do this because you could just record what they do and write a tab from that...

    --
    "Jazz isn't dead, it just smells funny" ~Frank Zappa
    EdelFactor