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Should Copyright of Academic Works Be Abolished?

Dr_Ken writes to mention recent coverage of a Harvard Cyber-Law study on Techdirt that analyzes the uses of copyright in the academic world. Some are claiming that the applications of copyright in academia are stifling and that we should perhaps go so far as to abolish copyright in the academic world entirely. "I've even heard of academics who had to redo pretty much the identical experiment because they couldn't even cite their own earlier results for fear of a copyright claim. It leads to wacky situations where academics either ignore the fact that the journals they published in hold the copyright on their work, or they're forced to jump through hoops to retain certain rights. That's bad for everyone."

349 comments

  1. Why consider this for academics but not music? by Colonel+Korn · · Score: 5, Insightful

    The biggest arguments here seem to apply to academics no more than to any other field. Why allow stifling of creativity elsewhere?

    --
    "I zero-index my hamsters" - Willtor (147206)
    1. Re:Why consider this for academics but not music? by grahamsaa · · Score: 4, Insightful

      I don't think music copyrights are generally a good thing (that is, they tend to benefit recording companies far more than artists, and do stifle creativity) but academia is different. Academics should be even more deserving of the right to use / cite / republish papers or scientific studies.

      The point of working in academia is to seek knowledge and share it with others. Copyright prevents or severely limits that. If knowledge isn't shared, we're all more ignorant because of it. Academic works should all be published under the creative commons attribution license, or something similar.

      --
      Facts have a liberal bias.
    2. Re:Why consider this for academics but not music? by avandesande · · Score: 1

      For one thing I bet 80% of the research has been funded by taxpayer dollars.

      --
      love is just extroverted narcissism
    3. Re:Why consider this for academics but not music? by caerwyn · · Score: 2, Informative

      Because the scientists generally get paid for their results (or even just for doing the research regardless of the results), which are not copyrighted; the copyright on the papers is ancillary (except for where it prevents plagiarism and other academic dishonesty).

      Other creative fields get paid based on individual copies of what they've created- books, music, etc. The model is entirely different.

      --
      The ringing of the division bell has begun... -PF
    4. Re:Why consider this for academics but not music? by Aladrin · · Score: 2, Insightful

      The point of working in the music industry is to create music and share it with others. Copyright prevents or severely limits that. If music isn't shared, we're all less cultured because of it. Music works should all be published under the creative commons attribution license, or something similar.

      Now, see how similar that is?

      --
      "If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
    5. Re:Why consider this for academics but not music? by commodoresloat · · Score: 1

      It's not just that; there really is no objective boundary between "academic" work and non-academic work. Even in music, there are certainly musical works that are "academic," produced by scholars to make a contribution to knowledge and receive scholarly recognition. So there's no way to apply this sort of proposal to only "academic" works. But I don't think copyright needs to be abolished -- it's just that the purpose of copyright law (at least in the US - promoting knowledge and creativity) should *always* supersede the "property" rights claimed by the copyright owner. This means in part a greatly expanded notion of fair use, and it also definitely means a realistic limit on the time of ownership of copyrights -- something more on the order of 10 years or less rather than life plus 70. And in every case where a court has to determine whether to restrict rights, it should always err on the side of promoting "the progress of science and the useful arts."

    6. Re:Why consider this for academics but not music? by Issildur03 · · Score: 3, Insightful

      The big difference is that academics get money from grants and departmental funding, not from selling their papers. So, in theory at least, removing copyright takes away a musician's income, but not the academic's.

    7. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 1, Interesting

      "For one thing I bet 80% of the research has been funded by taxpayer dollars."

      And you'd probably bet wrong.

      Unless you mean, at least 80$ of research has SOME tax payer dollars in it, of which I'd say closer to 99%.

      At the same time, most businesses have been funded by taxpayer $$$s at some point. Tax incentives, small business assistance, credits for something or other...the ability to donate large amounts of money to pet causes that generate a lot of advertising without having to pay their fair of taxes.

      I can guarantee you, almost everything is funded by taxpayers at some point and htis is a good thing because it keeps progress moving.

      Research? I get my lights paid for by the gov't, but other than that, 99% of my research comes from donations from private multicorps that want a share of my research. This is how most is done...

    8. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 2, Interesting

      Possibly, but we won't know unless we find.. omg.. a citation for your statement.

      Moreover, the journals that publish these papers ARE in the business of making themselves money. Sure, they may be non-profit, but they sure do want to protect the content that they funded to print up for everyone so that they can continue to do so.

      Speaking broadly, I hate, as a student, that so many papers are locked behind the websites for journals and I cannot access these to even read for free! What the hell?

      It sure is stifling my ability to learn.

      Thankfully most academics, including professors everywhere, make copies of these papers available to their students to study.

    9. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Why allow stifling of creativity elsewhere?

      In Canada at least, research is funded mostly by the taxpayer (I believe the same to be true of the US with institutes like the NIH, DARPA, etc.). I think a strong argument can be made that the results of said research should be freely available to the public

    10. Re:Why consider this for academics but not music? by rawr_one · · Score: 2, Insightful

      The creative commons license is a copyright, it's just a different (more permissive) kind of copyright.

      The idea of copyright isn't a bad thing, it's just that the execution of it can often (most of the time) benefits people who can legalese their way around the actual creators of content.

      In my opinion, there is absolutely no reason that the copyright for something should be held solely by the person(s) who created it; regrettably this is a very hard call to make with music, but with academia it seems a rather clear-cut answer. Even more criminal than journals seizing the copyrights to this work, though, is the university situation. Most universities force researchers to fork over all of the copyright licensing to them on some sort of bizarre idea that "because you used our stuff to do that, it's ours." (this, actually, is part of what intellectual property rights were created to stop; the idea is that other people could make the same thing that you have made but the important part is you did it. The tools are not important, it's the idea that matters)

      I suspect the music industry operates on a similar reasoning, but it's also much fuzzier. For instance, if a hip-hop artist lays down a beat and rhymes, but the rest of the music surrounding that is made by an in-house music producer, it's hard to say whose contribution was more important. Would people even listen to the "song" if it didn't have all of the other music? It's a hard question, and that's why I don't even want to try to address it.

      So, tl;dr, copyrights should be held by the people who make content, not the distributors of that content.

    11. Re:Why consider this for academics but not music? by imamac · · Score: 2, Insightful

      Because a musician's income is directly related to holding that copyright. With today's technology musician's only give up that copyright by choice. Most musicians I know are happy to be idnependent and keep the copyright to their material in order to earn some income or at least suplement their "music habbit". Doing away with music copyright would be a travesty.

    12. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 1, Insightful

      Don't sign a contract that requires you to hand over your intellectual property rights if retaining them is so important to you. They have value, and signing an employment agreement that hands over the rights to your university/employer/etc. is something that is or should be reflected in your salary or other form of payment.

      Just because people don't understand a basic property law concept (this isn't even strictly an IP concept ... if I make a widget using university equipment, my employment agreement may say they own that, too) doesn't mean the whole thing is flawed.

    13. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Possibly, but we won't know unless we find.. omg.. a citation for your statement.

      Not quite a citation for the statement, but NIH's budget is ~30.5billion/year while the DOD expects to spend $78.94 billion in research in 2010

      Is there $100 billion dollars of private research dollars floating around out there? I doubt it, but please do try to prove me wrong

    14. Re:Why consider this for academics but not music? by rawr_one · · Score: 1

      Speaking personally, I would rather get paid less and be able to retain all of the rights to what I create, but I don't really know if that is much of an option anywhere... It seems to me like many industries (including academic research) are so oversaturated with content producers that, if you want to get your content out to people, you have to play by the rules of the people who can distribute it and pretty much let them take your money.

      I mean, there's something to be said for independent production, but it's still a long way away from being a viable option for most people (and, indeed, most industries). Sometimes it seems like the options are:

      • Keep the rights to your work
      • Make money off of your work
      • Get exposure

      Pick two, because you can't have all three.

    15. Re:Why consider this for academics but not music? by PitaBred · · Score: 1

      IP is NOT PROPERTY. We kinda treat it like it is, but if you can duplicate it for no cost, and you don't lose it when someone else gets it, IT IS NOT PROPERTY.

      Oh, and those contracts that require handing over intellectual "property"? The problem with most musicians is that the people who write those contracts are the gatekeepers to national exposure, so if you don't play their game, you're limited in how far you can go. The Internet is slowly changing that, but old habits die hard.

    16. Re:Why consider this for academics but not music? by Dr_Ken · · Score: 2, Insightful

      "...if I make a widget using university equipment, my employment agreement may say they own that, too) doesn't mean the whole thing is flawed."

      No, it kinda does at least in this case. And especially so if taxpayer money (i.e., our money) is used to fund the research in the first place. It isn't justifiable that we should then have to pay to access it. And nearly all of the major research universities public or private use taxpayer funds for their research.

      --
      "If you want to know what happens to you when you die, go look at some dead stuff."
    17. Re:Why consider this for academics but not music? by CannonballHead · · Score: 1

      Unfortunately, the recording industry (and publishing industry) largely benefits, it seems, the publishers and a few publishees (hehe). But the solution to not rewarding publishers so much while still rewarding artists is *not* to abolish copyrights altogether (which I think is your point).

      Live shows may work for some, but not all. I, as a composer, cannot make money by selling live showings of my sheet music. And if anyone can copy my music and sell it for their own profit as much as they want, I'm not going to be making much money by selling my sheet music, either.

      As it stands, I don't care either way, since I mostly just give it away. But the option is there, and it's a nice option.

      Let's put it in Slashdot Geek terms. Not doing open-source coding. If you write some software and don't want it open source, for whatever reason, and want to actually SELL it as your own... well, I would think you'd like to have that ability and not be required to let anyone copy your work and profit from it, undersell you, or what have you.

    18. Re:Why consider this for academics but not music? by photomonkey · · Score: 1, Troll

      Who modded this insightful? I'm not trolling, but the fact that copyright allows labels to benefit from sales more than artists is THE FAULT OF THE ARTIST for signing away forever and ever rights in exchange for an advance from the label. Especially since today a record label is largely obsolete.

      But yeah, ruin it for everyone because you don't like David Geffen or the teeny bopper shitheads who know nothing of the world and are willing to sell what proves to be millions, if not billions, of dollars of music for and advance that works out to be pennies on the dollar, but will slake their beer, coke and hooker binges until they have to keep releasing shitty album after shitty album as indentured servants paying off a lien.

      It is copyright that ALLOWS individuals to make a living simply by being creative. How, again, does making a living making some form of art hamper creativity? I hear that all the time, but NO ONE has been able to flesh it out.

      Academics (or anyone else) can ALREADY cite papers within their own. When was the last time that someone got sued for a cited quote and an entry for the source of that quote in a bibliography or footnote?

      It sucks that stuff costs money, I guess. But take away the profit incentive for people who research, write books, record music, take pictures and make movies and you'll see all of it wane and disappear.

      There is a certain amount of creative talent that can emerge when you can dedicate your life to the pursuit of your interest. I get a lot more work done by doing it full time, rather than working at McBurger or Ikea or Lawfirm 1120 and playing in my "spare time."

      The solution is to educate people about what copyright is, how it applies to them, and how to use it effectively.

      As the US and most industrialized nations shift part of their economies away from manufacturing and raw materials to information, copyright becomes an absolutely more necessary protection for the economy.

      I'm not saying it shouldn't be fair, but why shouldn't I have the ability to make money as a photographer because you want to download the new Metallica album for free so that they can "make it up on concerts and t-shirts?"

      --
      Message contains 1 attachment: spam.gif
    19. Re:Why consider this for academics but not music? by avandesande · · Score: 1

      NSF
      DOE

      --
      love is just extroverted narcissism
    20. Re:Why consider this for academics but not music? by rumblin'rabbit · · Score: 1

      The other point of working in the music industry is to make gobs of money. Any scheme to change music copyright laws must allow for that.

      Although there is a tendency to attribute noble and altruistic motives for artists, experience suggests otherwise.

    21. Re:Why consider this for academics but not music? by Z00L00K · · Score: 1

      And copyright shall if anything belong to the creator and not be transferable. That would solve a lot of problems.

      In all - the copyright world seems to have a lot of weird unwanted results.

      --
      If builders built buildings the way programmers wrote programs, then the first woodpecker would destroy civilization.
    22. Re:Why consider this for academics but not music? by Bender0x7D1 · · Score: 2, Informative

      You should be able to access the journals/websites from your library.

      I know at my school, Iowa State University, that I can directly access the restricted journal content if I'm anywhere on campus. If I'm at home I can still access it through the library website, and logging in to their proxy. YMMV, but everywhere I've been the library computers are cleared to access the "restricted" content.

      --
      Reading code is like reading the dictionary - you have to read half of it before you can go back and understand it.
    23. Re:Why consider this for academics but not music? by moon3 · · Score: 3, Interesting

      Copyright is vital, albeit flawed. Friend of mine made guitar lesson videos for YouTube, he spent half a year creating them, week after he posted them. Some dudes picked them up and uploaded them using their own YouTube accounts some of them have been placed above the original videos, gathering views, stealing credits, possible subscribers etc. Copyright is your only lever to prevent this from happening.

    24. Re:Why consider this for academics but not music? by ivan256 · · Score: 4, Insightful

      Selling recordings is a recent innovation in business models for musicians. (And only a small percentage of musicians make any significant amount of money that way.)

      Most musicians throughout history have made money by performing the work. (Musicians, not composers).

      You don't need copyright protection at all in that case, since you're the only person who can possibly be you playing your music.

      Our current copyright system retards that process. Copyright assignment to recording distributors means that many musicians have to pay somebody for the right to play their own songs.

    25. Re:Why consider this for academics but not music? by jeffasselin · · Score: 2, Insightful

      The problem is since US copyright allows the artists to give away their rights, the sheer power of the music cartel has forced the musicians to either accept their terms or not get their music put on disc at all.

      The situation in Europe, Canada and elsewhere is slightly different where some inalienable rights cannot be signed away, making the situation a bit better in other markets, but since musicians sign away their copyrights for the US market anyway it doesn't help that much. In fact it makes for weird and annoying situations like Hulu's where they can't publish their material in other countries without obtaining the necessary rights from the artists.

      Of course, the internet age of music has been changing things: the powers of the music cartel is waning, and self-publishing is much more possible than it ever was. You can hire private studios for reasonable amounts of money and sell and promote your music on the net. Although self-distribution is easy, self-promotion is still a problem for new artists because of payola and the hold the cartel still has on a lot of attached industries.

      And you know, I think copyright violation for non-profit use should be legal. Yet I buy my music (online).

      --
      If he explores all forms and substances Straight homeward to their symbol-essences; He shall not die.
    26. Re:Why consider this for academics but not music? by ivan256 · · Score: 1

      I'm playing the bullshit card on your comment.

      A tax incentive or tax credit isn't government funding. The government may call it funding... But they also call reducing the amount a department's funding is scheduled to increase a budget cut, which is also not true except by their broken definition.

      Taking less of money that doesn't belong to you yet is *not the same* as funding something. Not even close. 100% of the invested capital still has to come from somebody other than the government.

    27. Re:Why consider this for academics but not music? by marnues · · Score: 2, Insightful

      You have this equation backwards. No one requires you to let someone else copy it. People copying anything they please is the natural course. It only through copyright law that we are not allowed to copy something. You only have rights to what you physically make, not the abstract ideas and art behind it. And you can still sell work without copyright law. You just don't have a monopoly on it.

    28. Re:Why consider this for academics but not music? by gnupun · · Score: 1

      And copyright shall if anything belong to the creator and not be transferable. That would solve a lot of problems.

      Hear, hear! Or at least make it impossible for any person or entity to purchase 100% of the copyright from its creator. The creator should be given a minimum of 10% rights (gross/net) on his/her work.

    29. Re:Why consider this for academics but not music? by mcgrew · · Score: 1

      Newton wasn't the first to say "if I see farther than others it is because I stand on the shoulders of giants", the sentiment applys to art as well. No creation is done in a vaccuum, whether you're inventing, researching, or writing songs.

      The whole problem would go away if copyrights weren't so dreadfully long. Why is copyright almost ten times as long as a patent?

    30. Re:Why consider this for academics but not music? by pwizard2 · · Score: 1

      The point of working in the music industry is to create music and share it with others.

      No, the point of working in the music industry is to make money. The point of being an artist is to create music and share it with others. There is a huge difference.

      --
      "It is a denial of justice not to stretch out a helping hand to the fallen; that is the common right of humanity."
    31. Re:Why consider this for academics but not music? by CannonballHead · · Score: 2, Informative

      Hmmm. No, requiring someone else to be allowed to copy it would be "no copyright protection." (or "no copyright." If I have no legal ability to prosecute someone that's copying my works (and presuming I don't own any guns), I have on way of stopping someone... therefore, I am being more or less "required" to let that happen. You're right, people copy anything they please. Is someone being required to copy it? No. But by NOT protecting my "art," and presuming I can't personally protect it, you're requiring me to let it be copied.

      Confused about rights-to-physical-property bit. Are you saying that is the current state of affairs? If so, I don't think that is the case. If I write a piece of music and "copyright" it, whether formally or informally, as far as I know, no one can copy that music, put their name on it, and sell it as if they wrote it. Well, yes they can, but I could sue them - and if I were able to prove that I have a copy that predates theirs and has MY name on it, it more or less "proves" - in terms of courts - that I was the one that had it first, thus my name should be on it. As far as copying-for-redistribution goes, I don't know. It kinda depends on if we're talking about right-ot-distribute or right-to-claim-that-I-originated-this-art.

      As for selling w/o copyright law, yes, I could. Who would buy it, I have on idea. I probably wouldn't. And someone else could sell it for cheaper, I'm sure. And without copyright laws, I presume someone could just tack their name on it and sell it as theirs. In that case, I not only have rights over distribution (or at least selling-for-profit), but I now can't even - to the common person - easily explain that I wrote it. Especially if the other person has enough money to pump it through a lot of presses and proliferate "their" version.

    32. Re:Why consider this for academics but not music? by Miseph · · Score: 0, Troll

      "A tax incentive or tax credit isn't government funding. The government may call it funding... But they also call reducing the amount a department's funding is scheduled to increase a budget cut, which is also not true except by their broken definition.

      Thanks for demonstrating your inability to understand what a budget is, how inflation works, or the time frame on which things actually need to happen here in the real world. Makes it much easier to justify ignoring whatever other idiocy you have to say.

      --
      Try not to take me more seriously than I take myself.
    33. Re:Why consider this for academics but not music? by jank1887 · · Score: 2, Insightful

      no. the point of working in the music industry (not just creating music, but working in the industry) is to sell your music in some form for a profit, or to enable that to happen. Academics (esp. scienctists) are supposed to further the body of knowledge in the field by building upon the basis set by previous contributors to the field. They are paid to provide a service (the research) not to provide content (the papers) although contribution is often rated by the content generated. They generally do not derive income directly from the content, and they arguably receive more of a benefit from free distribution of that content (knowledge upon which others can build, adding legitimacy to the base work) than they get from limited, copyright controlled distribution (arguable in that the publication process can add value, weed out the weak, etc.)

      So, that is different from the current state of the music industry. Copyright is meant to protect profits for a time to add incentive to create. That incentive is not as necessary for the creator in the academic world, so maybe it shouldn't exist.

      This is all separate from government supported / derived /funded research, which should be immediately available in the condition the researchers initially compiled it into before publisher assistance was provided. Sure, someone's gotta pay for professional editorial services, but I shouldn't have to pay for the data twice if that's all I want.

    34. Re:Why consider this for academics but not music? by lgw · · Score: 1

      In my experience, at least half of musicians play to increase their chances of getting laid. Money isn't the only motivator.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    35. Re:Why consider this for academics but not music? by imamac · · Score: 2, Interesting
      Sorry, but if I or CannonbalHead composes a 5-piece brass ensemble, NO ONE should be allowed to duplicate it without my permission. My composition is not some abstract idea.

      You only have rights to what you physically make

      By this you say my composition is only worth the paper it's printed on. I call BS.

    36. Re:Why consider this for academics but not music? by lgw · · Score: 1

      Property rights are the right to control the use of a thing, not merely the right to make money off of a thing. That would seem to me to include the right to control the right to duplicate and distribute a thing. If I have property rights, I can forbid you to walk across my porperty, even when I'm not there and such an act costs me nothing.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    37. Re:Why consider this for academics but not music? by mcgrew · · Score: 2, Insightful

      It's not a different kind of copyright, CC stuff falls under the same copyright laws as any other work. It's the licensing that's less restrictive.

    38. Re:Why consider this for academics but not music? by jythie · · Score: 2, Insightful

      True, but the people who publish the papers (who do provide a valuable function) DO derive their funding from selling the papers.

      There is also the issue of how much money universities pull in from copyrighted and patented works by their researchers. If you cut off the universities ability to do that you need to find other revenue streams for people to actually fund the research.

      This is where you run into an interesting conflict. In a way, the researcher is being paid to produce materials FOR someone, and then that someone (university, funding source, contract, etc) gets the rights to that research. This is the same for any type of 3rd party work. For instance, if I paid someone to develop a website for me, I would expect to receive the website and all the rights to it. I would indeed be pretty upset of the author who made it then turned around and started using it for other things, including projects for other people.

    39. Re:Why consider this for academics but not music? by Chaos+Incarnate · · Score: 1

      That's straightforward for works where there's one or some primary author whose contributions are easily defined. (Though even a cowritten prose work—versus an anthology—pushes this boundary.) But that can't be so easily applied to anything with mass authorship--like most software, or movies, or television shows. Someone needs to have primacy for making decisions about the distribution of the work, or else it's very unlikely that there will ever be an agreement to distribute.

      --
      Benford's Corollary to Clarke's Law: "Any technology distinguishable from magic is insufficiently advanced."
    40. Re:Why consider this for academics but not music? by mcgrew · · Score: 1

      I had the same problem ten years ago with my game site. I'd researched, and made a list of Quake console commands with explanations of what the all commands did and how they worked (BIG list), and it may have been the most plagairized work on the internet. What ticked me off about it was the plagairism. If they gave me credit and linked my site, I was happy to let them use it.

      The uncredited plagairism was almost always posted on an .edu domain, although there were some ad laden dotcoms as well.

    41. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      You do realize that your university access isn't free, right? I go to a major _public_ university, and we spent over $10M last year for journal access to various publishers... then get told we have to take a 10% cut. Not to mention that our researchers also have to use money from their grants to pay (the publishers, again) to get their articles published. And peer review? That's done by the same sorts of researchers... except they don't get paid for it. A nice racket, if you can get in on the publishing end...

    42. Re:Why consider this for academics but not music? by Zenin · · Score: 1

      "The creative commons license is a copyright, it's just a different (more permissive) kind of copyright."

      Technically, yes. Functionally, no.
      A copyright intrinsically grants the holder an array of powerful controls over the work, controls which are the entire reason to bother having a copyright system at all.
      Creative Commons attempts to license away all but the most trivial and vain of those powers, effectively neutering the entire core of what a copyright is and what it is for.
      What is left is a copyright in name only. For all practical purposes it's giving the work into the public domain.

      ----------

      Offering one's work effectively to the public domain may well be a noble cause. But the disingenuous rhetoric about it still being a copyright, etc is more then a little bit dishonest and frankly, evil.

      --
      My /. uid is better then your /. uid
    43. Re:Why consider this for academics but not music? by HiThere · · Score: 1

      I'd like to continue the software analogy, but it doesn't work.

      The thing is, courts have occasionally that composing a duplicate of as little as one measure out of a song counts as copyright infringement. That's basically allowing someone to copyright the concept of stepping through an array in a while loop. (This is one reason I'm REALLY GLAD that the GPL came along before the software industry matured. It documented a whole bunch of stuff as copyright, and you can't copy this unless you place your work under GPL. That give the lawyers fighting for precedents reason to not make absurdly small pieces of code sufficient to justify copyright infringement.)

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    44. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Yet those who publish the papers (Nature comes to mind) don't pay the authors. Peer reviewers don't get compensated either. It's crazy, they get content and reviewing labor for free and then retain a copyright on the final paper. Open Access costs the author a heavy publishing fee, so virtually no one chooses it.

    45. Re:Why consider this for academics but not music? by lgw · · Score: 1

      Sure, but as a student you're paying thousands of dollars a year (some non-trivial amount of which goes to the subscriptions). Pay to access academic information, but free to access all the rest of the world's information just seems backwards to me. How did we get to a place where I can find out about anything thorugh the likes of Google and Wikipedia, except those thing that are published within academia? It's very broken.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    46. Re:Why consider this for academics but not music? by SydShamino · · Score: 1

      The point of working in academia is to seek knowledge and share it with others.

      I think for a nontrivial some, the point of working in academia is to have a guarantee of a next paycheck regardless of economic conditions. Copyright only serves to further enhance that guarantee, at least when held by the author.

      --
      It doesn't hurt to be nice.
    47. Re:Why consider this for academics but not music? by jstott · · Score: 1

      The point of working in academia is to seek knowledge and share it with others. Copyright prevents or severely limits that. If knowledge isn't shared, we're all more ignorant because of it.

      This is a silly argument. Copyright is granted when material is published. If it's published, then it has been made public for anyone to read. In what possible world is this not the definition of sharing knowledge?

      -JS

      --
      Vanity of vanities, all is vanity...
    48. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      You don't need copyright protection at all in that case, since you're the only person who can possibly be you playing your music.

      Whaaat? That would imply that no band does a cover of another band's song.

    49. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      And that's why when posting something publicly, watermarks are your best friend. They may be removable, but it'll take a helluva lot more effort than simply saving and re-posting a video in 5 minutes. I imagine most people wouldn't go through the effort of removing the watermark.

    50. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      Well, there are numerous incentives for authors to create works, such as fame, or art for art's sake, the money that can be had by selling original copies (e.g. Picasso was known to trade drawings for goods and services, but no one would make such a trade if he was only offering a picture postcard of one of his drawings), the money that can be made on the basis of a commission or patronage, etc. All works of art made prior to 1710, and many since then, of various kinds, in various countries, were successfully incentivized on such a basis.

      The idea behind copyright is that it can provide yet another incentive to those authors who are not sufficiently incentivized by anything else (remember, incentives can all be added together; there's no need to rely purely on any one). This incentive is that the author can insist on money from anyone who makes or distributes copies of the work, or who publicly performs or displays the work, etc. (subject to various limitations in scope and duration) or else prohibit that person from doing those things. There is of course no guarantee that anyone will want to, or that the copyright will be of any economic value (the vast majority of copyrights are worthless), but copyrights generally act as a funnel, shifting the opportunities to make money from certain uses of the work to the author.

      Note, however, that the goal of copyright is not to merely incentivize authors to create and publish works, but also to minimally protect those works during copyright, if at all, and to eliminate the copyright as soon as possible. That is to say, we want copyright to be efficient: we don't want to grant copyrights when they don't incentivize authors, and we don't want to grant one iota more of copyright than is actually necessary. Just as how, if you would wash my car for $20, I'd be a fool to pay you $100, if authors will create most works for very little copyright, there's no point in getting into the territory of diminishing returns. Find the optimal point where we get the most works for the least copyright, and don't stray to either extreme.

      Anyway, some authors may be sufficiently incentivized by other means, and so unincentivized by copyright, that it would be pointless to offer them any copyright at all. For example, the US did not offer copyrights on buildings to architects until 1990. We had a thriving field prior to that, and there's been no appreciable change since then. What buildings get built seems to depend on economic considerations completely outside of the realm of copyright -- such as, is there anyone wiling to pay to build it, and having built it, can the building be put to some profitable use. If we eliminated copyright for architectural works, as we should, it is safe to predict that we would see absolutely no change in the number of buildings, or their creativity, or anything, which could be ascribed to the change in copyright, as opposed to the general state of the economy, or whatever.

      Since this law produces no public benefit (in the form of new architectural works that authors have been incentivized by the law to create) and does cause public harm (since people cannot freely make use of those works), and since as a general rule, fewer laws are preferable to more laws when the effect of the law is no better than the absence of the law, it is at the top of the list for being abolished just as soon as Congress comes to its senses on this issue.

      The original poster seems to have a similar position as to academic works. Academics create and publish works because it is important for them to get degrees, or get faculty positions, or get jobs, or get tenure, etc. They tend to favor the idea of learning for its own sake, and spreading and archiving information widely. While plagiarism is an issue for academics, copyright does not address it (plagiarizing is not necessarily infringement, and infringement is not necessarily plagiarism), and the academic community seems to handle the matter adequately without it having to be illegal.

      Thus, if academics a

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    51. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      Sorry, but if I or CannonbalHead composes a 5-piece brass ensemble, NO ONE should be allowed to duplicate it without my permission. My composition is not some abstract idea.

      Well, the former proposition certainly doesn't follow from the latter. Given that there are more people in the set of 'no one' than there are of you, you are pretty likely to find yourself outvoted unless you can convince everyone other than you that it is in their own self-interest to let you have your way.

      Would you like to take a stab at it?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    52. Re:Why consider this for academics but not music? by refactored · · Score: 1
      So Prof Jack takes over a course from Prof Jim. Can he reuse Prof Jim's course notes? Can he mix in some of Prof Sally's notes from the other university he came from?

      Pragmatically is happens all the time, usually with permission.

      However, for a far too large a percentage of the time, instead of "refactoring" the previous course, Prof Jack believes he can do a better job and does a complete rewrite.

      This works about as well as a complete rewrite in the programming world. ie. Not at all well, and the first few years he teaches that course are horrible and the students suffer.

      Course material should be like the linux kernel... worked on and polished and tested by thousands all round the world. With forks being few and only for excellent reasons.

    53. Re:Why consider this for academics but not music? by imamac · · Score: 1

      Given that there are more people in the set of 'no one' than there are of you, you are pretty likely to find yourself outvoted unless you can convince everyone other than you that it is in their own self-interest to let you have your way.

      So because I'm outnumbered, that means I have no rights to my creation? You need better argument than that.

    54. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      the fact that copyright allows labels to benefit from sales more than artists is THE FAULT OF THE ARTIST for signing away forever and ever rights in exchange for an advance from the label.

      Yes, I agree. While an author who signs away their rights for a mess of pottage may be sympathetic, no one forced them to do so; they just made a bad deal. It's no different than the person who sells land cheaply, not realizing there are valuable minerals under it, or something. It is offensive and paternalistic to suggest that they should be protected from themselves, and treated like children.

      It is copyright that ALLOWS individuals to make a living simply by being creative.

      No, there are other ways of doing that without copyright. I used to make a living as an artist, but I never made a penny by exploiting my copyrights, and neither did the copyrights provide value for anyone else. An artist can sell his labor, just as a plumber or a lawyer does. And an artist can sell copies he creates without relying on copyright to protect their worth (e.g. a Picasso is valuable, a poster of a Picasso is not valuable). There have been professional artists for much longer than there has been copyright.

      How, again, does making a living making some form of art hamper creativity?

      You've framed the question wrongly, I'm afraid. Copyright doesn't guarantee that an artist will make a living; it only offers an opportunity. It does this by giving the artist a monopoly over his works, and stifling competition for commodity goods. And since rent-seeking is a habit of monopolists, there's your answer.

      For example, suppose I had a great idea for a trilogy of Star Wars prequel movies. Although the movies would be derivative of the original trilogy, they would nevertheless be creative, with some new characters, settings, music, dialog, plot, and visuals mixed together with, and sometimes based upon, the old. But George Lucas, because he has a copyright, could prohibit me from proceeding. But if I had a great idea for movies based on public domain fairy tales, then even though I would be exactly as creative in that example as in the Star Wars example, I would be free to proceed. So that's an example of how copyrights can be used to stifle creativity.

      But take away the profit incentive for people who research, write books, record music, take pictures and make movies and you'll see all of it wane and disappear.

      No, not all of it. Whenever I take pictures, I have no profit motive whatsoever, for example. Not all profit that can be generated as an artist or from artistry relies on copyright. And not all works of art are created due to a profit motive. Copyright was first enacted in England in 1710, and then only for a few kinds of works. It didn't spread until the 19th and 20th centuries. But there are tremendous quantities of art that predate copyright. And while there has been a lot of growth in art lately, a lot of it is attributable to other reasons, such as increased leisure time, improved literacy rates, artificial lighting, improvements in technology (printing, photographs, movies, recorded music), improvements in living standards, etc. If civilization collapsed to Mad Max levels, but we somehow retained copyright law (perhaps enforced in municipal thunderdomes), we'd probably see a lot less art being created because we'd be preoccupied with day to day survival. Copyright really is given more credit than it deserves.

      The solution is to educate people about what copyright is, how it applies to them, and how to use it effectively.

      Indeed. And also to get people to question whether copyright is as good as it could be, how it could be improved, whether it should apply to them, under what circumstances it should be tolerated, etc. I'm also a big fan of education regarding copyright. We'll never get improved copyright unless people know about all the flaws in it currently.

      As the US and most industrialized nations shift part of their economies away from manufa

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    55. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 3, Interesting

      So because I'm outnumbered, that means I have no rights to my creation? You need better argument than that.

      No, I don't think so.

      Of course, you cannot be forced to create something; that would be unconscionable.

      And having created something, you cannot be forced to show it to anyone else, to sell it, or to not destroy it; that too would infringe upon your rights.

      But having created something, and having shown it to at least one other person, what right do you have to force that other person to not make his own copy? You're the one asking for a right to control other people. You're going to need their consent, or else you're going to have to use force, which would be unconscionable (and impractical).

      Real property law works the same way. You can claim that you own the Brooklyn Bridge, but everyone will ignore you. If you try to stop people from crossing it, because everyone else outnumbers you, you'll find yourself in jail pretty damn quick, because the consensus opinion is that you do not own it, regardless of what you say.

      The mere fact of creation doesn't change any of this at all. It's a red herring.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    56. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Until your composition becomes so popular as to be considered part of my life or culture. Then I have a right to it too. We all share the public space. If you play your tune only for a select few in private and never let it be heard publicly, then yes it is all yours because it wouldn't affect anyone else. But if you perform it all over the place and I remember it... then too bad.

      Copyright lets you make your noise in my public space without me copying you for a short amount of time. You do not deserve a lifetime of exclusivity.

      What was the sound of the 80's? 50's? 20's? There is supposed to be a balance of your efforts being rewarded vs my right to my life and culture. I went to work yesterday and got paid for it. I don't get paid again every day of my life for working yesterday because that would be nonsense.

      You did something easily replicated by others. Getting credit for that is your reward. Crying about someone copying you will get you no material gain.

    57. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Not true. We can still make it against the law to represent somebody else's work as your own without having copyright laws too. The guys who uploaded it with their own accounts are misrepresenting it. Lying can still be illegal and immoral.

    58. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      The problem is since US copyright allows the artists to give away their rights, the sheer power of the music cartel has forced the musicians to either accept their terms or not get their music put on disc at all.

      Bull.

      Musicians can always self publish. Burn your music onto CDR and sell it on the side of the road, if you must. Scrape together enough money and go to a CD pressing plant, and they'll be happy to print up as many copies as you can afford. Go to stores that you think might be interested, and see if they'll buy the discs from you, or else sell them on consignment.

      It might not be easy, it might not be rewarding, but it is possible. The music industry has made their niche as publishers (they take care of the details from recording music through to getting it into stores) and marketers (they get customers to come to the store to buy copies). If a musician doesn't want to have to learn about publishing and marketing their own stuff, they have to hire someone to do it for them, and as the leading specialists, a lot of them make deals with the industry.

      Further, it's always been possible to get custom records made, or to make tapes. Self publishing is getting cheaper and easier, but it has always been an option. If musicians haven't been doing it, this merely suggests that it wasn't a very attractive option.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    59. Re:Why consider this for academics but not music? by Mike+Buddha · · Score: 1

      If knowledge isn't shared, we're all more ignorant because of it.

      But isn't that true of all knowledge? Why should academic works be held to a different standard as any non-fiction work. Or fiction, or artistic work, for that matter. Yes, Einstein stood on the shoulders of giants, but so did Jimi Hendrix.

      --
      by Mike Buddha -- Someday the mountain might get him, but the law never will.
    60. Re:Why consider this for academics but not music? by commodoresloat · · Score: 2, Insightful

      Sorry, but if I or CannonbalHead composes a 5-piece brass ensemble, NO ONE should be allowed to duplicate it without my permission. My composition is not some abstract idea.

      Then don't share it with anyone.

    61. Re:Why consider this for academics but not music? by PitaBred · · Score: 1

      That is real (as in king, not as in extant) property, which is a fairly different beast than normal property rights. It has different rules because of the physical limitations of the earth. Intellectual "property" on the other hand is an entirely artificial property. The ONLY reason it exists is due to copyright, a government-backed monopoly on that idea.

    62. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      so are you claiming that you would be pissed if the code/techniques/knowledge that the webmaster developed was used again by him? let's say you forbid him from using the same code. but he can still use the abstractions/models that he developed. how about libraries that he developed with the intent of reusing those? where do you draw the line?

    63. Re:Why consider this for academics but not music? by swillden · · Score: 1

      You don't need copyright protection at all in that case, since you're the only person who can possibly be you playing your music.

      Whaaat? That would imply that no band does a cover of another band's song.

      You're confusing "performance" with "composition". When band A covers band B's song, A is doing their own performance, and they own the copyright on it, of band B's composition, which B owns the copyright on.

      The GP was pointing out that there's little value in performance copyright, because no one else can play your performance.

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    64. Re:Why consider this for academics but not music? by ObsessiveMathsFreak · · Score: 4, Interesting

      Sorry, but if I or CannonbalHead composes a 5-piece brass ensemble, NO ONE should be allowed to duplicate it without my permission.

      Why? What gives you the right to stop other people from playing that music? If you say someone is not allowed to play it unless they compensate you, why should they listen? They have the music, they have the band, and they're willing to play, and people are willing to listen. Why should you, a third party, have to give the go ahead every time? Just because you wrote the piece 5/10/20/50/100 years ago? Why should you get to sit on your ass forever collecting protection money from people who actually play music for a living?

      I mean apply your logic to somthing like "Happy Birthday". What you're saying is that if the person who wrote happy birthday, or their estate, was still around, people shouldn't be allowed to sing happy birthday without paying that estate a fee. What lunacy! ....Oh wait.

      By this you say my composition is only worth the paper it's printed on. I call BS.

      No, it's worth less than that. The paper needed would probably come to something like, say, 10c. On the other hand the composition itself would probably take less than 1MB to store, costing fractions of a cent. It would cost a fraction of that to copy the file across the world. The composition is effectively worthless.

      This isn't some abstract argument. The worth of data is going down and down. The forces of reality are slowly catching up with a concept that was always slightly artificial to begin with. You cannot reasonably expect people to treat data worth next to nothing as something worthy of sacrosanct protections. The modern surge in copyright infringement shows that people do not accept the status quo that abstract data has concrete worth and value. As our ability to store and copy ever larger data files increases, this attitude is going to become even more pronounced.

      The only parallel I can think of in history for the current effect of technology on copyright is the effect of the printing press on translation of the bible. The church maintained for years that teh bible could not, even should not be translated into the vernacular, and that to do so was heresy. But as printing presses came of age, technology improved, and slowly more and more "heretics"/criminals began to translate the book and printed copies came into circulation.

      Nowadays, we think nothing of a printed bible in the vernacular, or indeed someones right to make one. But back then it was a contentious issue. I think a similar fate awaits copyright. As technology improves, the status quo will slowly pass from unreasonable to nonsensical, and the whole concept of copyright will either have to go, or be amended so it can cope with the new reality of the digital age.

      --
      May the Maths Be with you!
    65. Re:Why consider this for academics but not music? by yankpop · · Score: 5, Insightful

      In a way, the researcher is being paid to produce materials FOR someone, and then that someone (university, funding source, contract, etc) gets the rights to that research. This is the same for any type of 3rd party work.

      You're missing a very important point here. For most university researchers, the 'someone' that paid for the research is the taxpayer. But more importantly, the number of university professors whose research has the potential to generate profits for the university is vanishingly small compared to those who are engaged in basic research.

      The service most of us are providing to our university employers is measured in courses taught, graduate students mentored, papers published, grants secured, and various other tasks lumped together as 'service'. The professor as profit generator is recent, still rare, and not entirely welcome development.

      In many ways, the idea that university researchers should be engaged in producing proprietary 'intellectual property' is counter to the academic tradition that such work depends on. Why should it be acceptable for someone to take generations of 'open access' research in physics, engineering, medicine, or whatever, add a little piece on top, and forbid anyone else from using it? I'm not saying it should never be done, but certainly not in a publicly funded university.

    66. Re:Why consider this for academics but not music? by Actually,+I+do+RTFA · · Score: 1

      The biggest arguments here seem to apply to academics no more than to any other field. Why allow stifling of creativity elsewhere?

      Well, the quote and its arguments aren't from the article. The article glosses over why copyright law should be changed, and instead focuses on how academic publishing would likely continue to exist at current levels if copyright law ended tomorrow. And, since copyright provides no incentives in academic publishing, it should be abolished.

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    67. Re:Why consider this for academics but not music? by mrmeval · · Score: 1

      If any tax money goes to any student, the teacher, the school or the project in any way none of it should be allowed any copyright.

      --
      I'd go on a Vegan diet but the delivery time from Vega is too long. --brownkitty
    68. Re:Why consider this for academics but not music? by syousef · · Score: 1

      Copyright is vital, albeit flawed. Friend of mine made guitar lesson videos for YouTube, he spent half a year creating them, week after he posted them. Some dudes picked them up and uploaded them using their own YouTube accounts some of them have been placed above the original videos, gathering views, stealing credits, possible subscribers etc. Copyright is your only lever to prevent this from happening.

      No it's not. Allow him to keep doing it. Force him to turn over all revenue (NOT just profit) to the creator.

      There are 2 issues here and copyright muddles them:
      1) How do you prevent other people from "stealing" profit from the work of a creator?
      2) Should the creator be allowed to determine how the work is used?

      Number 1 encourages creativity. Number 2 stiffles creativity. They do not need to be tied together.

      --
      These posts express my own personal views, not those of my employer
    69. Re:Why consider this for academics but not music? by clarkkent09 · · Score: 2, Interesting

      There is nothing stopping you now from sharing your music with others.

      --
      Negative moral value of force outweighs the positive value of good intentions.
    70. Re:Why consider this for academics but not music? by palindrome · · Score: 1

      The ONLY reason it exists is due to copyright, a government-backed monopoly on that idea.

      You are an idiot and I claim my ticket for "I Don't Understand Society, It's Reasons For Existence Or My Role In It", the new play by Easily Confused.

    71. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 1, Funny

      I've heard your music, The paper is worth more than what is printed on it.

    72. Re:Why consider this for academics but not music? by syousef · · Score: 2, Insightful

      Sorry, but if I or CannonbalHead composes a 5-piece brass ensemble, NO ONE should be allowed to duplicate it without my permission. My composition is not some abstract idea.

      Why not? If you've released something publicly you might argue that you should be granted the right to profit from it and that work should be attributed to you, but the idea that you retain control while simultaneously releasing it is flawed.

      --
      These posts express my own personal views, not those of my employer
    73. Re:Why consider this for academics but not music? by Schmorgluck · · Score: 1

      A common misconception. Copyright is granted when material is created, not when it is published. At least, it's the theory. In practice, it's complicated to claim authorship when you haven't published your work, or registered it somehow. But still, ideally neither publication nor registering is required to gain copyright.

      --
      There's nothing like $HOME
    74. Re:Why consider this for academics but not music? by palindrome · · Score: 1

      Oooh, I know this one! Is it because Einstein furthered human knowledge?

    75. Re:Why consider this for academics but not music? by Tacvek · · Score: 1

      Be careful. CC-BY may be what you describe, but CC-BY-NC-ND is very much in line with copyright. It permits only verbatim copies of the work be mode for non-commercial purposes. That is more than many rights holders permit, but far less than putting the work in the public domain.

      --
      Stylish sheet to fix many problems in Slashdot's D3: https://gist.github.com/801524
    76. Re:Why consider this for academics but not music? by palindrome · · Score: 1

      And thanks for your misunderstanding of economics. Spin the wheel again and let us know what it's like in the real world that you so basically don't have a grasp of.

      (p.s. how does inflation "work"?)

    77. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Sorry, but if I or CannonbalHead composes a 5-piece brass ensemble, NO ONE should be allowed to duplicate it without my permission.

      You say "should". Why? Can you actually give a philosophical justification for why this should be true? What's more, can you tell me why others couldn't reasonably disagree with you and see things differently?

      Maybe I'm reading too much into the world "should", but the matter-of-fact way in which you declare this to be - well - a fact is actually quite astounding once you think about it.

    78. Re:Why consider this for academics but not music? by Schmorgluck · · Score: 1

      Yup, and unless I'm mistaken, a CC-by license is sufficient legal protection against plagiarism. And honestly, for academic works, it's the license that makes the most sense to me (I've considered CC-by-sa, but as things currently go it would hinder the work of science journalists, who play a useful role and work in an entirely different economic setting).

      --
      There's nothing like $HOME
    79. Re:Why consider this for academics but not music? by Theaetetus · · Score: 1

      Selling recordings is a recent innovation in business models for musicians. (And only a small percentage of musicians make any significant amount of money that way.)

      I think that one depends on your definition of "recent". For example, recordings have been sold every day of my entire life. I suspect yours, too.

      Most musicians throughout history have made money by performing the work. (Musicians, not composers).

      Alternately, if you want to go back that far, then recording anything is a "recent innovation". Fact is, almost shortly after recording was invented, selling recordings came on the scene.

    80. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Copyright is your only lever to prevent this from happening.

      But for this purpose, we don't need the full restrictions of modern copyright - just a clause saying that you have to credit the original author. (Which is a requirement anyway in science.)

    81. Re:Why consider this for academics but not music? by imamac · · Score: 1

      What's unconscionable is that you believe after I have spent days, months or years working on a piece of music, you think you should have the same rights to it as I do if you simply see it on a page or hear it.

    82. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      No it is not vital, you seem to be talking about moral rights (ie the right to attribution), not copyright. Moral rights are often bundled with copyright legislation, which is probably why you might be confused.

    83. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      What's unconscionable is that you believe after I have spent days, months or years working on a piece of music, you think you should have the same rights to it as I do if you simply see it on a page or hear it.

      Why? We clearly both have the same natural right of free speech, with which to perform the music, print up copies, distribute them, etc. It doesn't matter whether one of us created the work and one of us didn't; that's why you can play Greensleeves if you want to. Nor does it matter whether it took a lot of work or was a trivial effort. As previously noted, though, no one is going to force you to create a work, or to share it with others; those are your choices. Copyright only comes into play when other people are involved.

      You want a copyright, which is ultimately a right to prohibit me from using my free speech with regard to your work. Given that government only legitimately governs with the consent of the governed, and the government administers copyrights, you must either want to forcibly censor me -- which is certainly wrong -- or you want me to consent to your demand for a copyright.

      Any righteous person would fight the former, but the latter is agreeable. But since people are self-interested (which isn't a bad thing) you'll have to make it worth the while of everyone who would be bound by the copyright.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    84. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 1, Insightful

      >Copyright is your only lever to prevent this from happening.

      But copyright does exist and what happened to your friend was not stopped.

    85. Re:Why consider this for academics but not music? by TSPhoenix · · Score: 1

      The people stealing his videos would probably leave the watermarks, still get the hits and all the viewers would care or think twice. It practice it doesn't improve the situation much.

    86. Re:Why consider this for academics but not music? by virtualXTC · · Score: 1

      Man, I took a few programing courses and that analogy is confusing. Yes, music copyright as-is is complete BS, but lets prove this by reducing the problem to it's base case:

      One can copyright a single 4-beat measure, and octave and instrument is ignored.
      - Chromatically (including sharps/flats) an octave has 13 unique notes
      - Within a measure, there are an infinite number of notes that can be theoretically be played, but in practice that number can be reduced to 32 for a 4/4 measure.
      - because the amount of time per note can be varied, we must account for each note lengh or 32*16*8*4*2*1 or 32,768

      This means that the total number of unique sequences that can be played with-in an octave is 13 * 32,768 = 425,984 which is finite and could be generated by a single person. Moreover, most singers and instruments have around a 3 octave range, but this doesn't change the numbers much. Chromatically there are 37 in 3 octaves, and therefore the total possible number of unique signatures in a single measure is 37 * 32,768 = 1,212,416. Once again, while not something that could be produced quickly, it is finite and certainly could be attained methodically ceding control of all music to a single person.

    87. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      Wrong! You could also sue re-posters who don't attribute your work properly for fraud.

    88. Re:Why consider this for academics but not music? by Estanislao+Mart�nez · · Score: 1

      Alternately, if you want to go back that far, then recording anything is a "recent innovation". Fact is, almost shortly after recording was invented, selling recordings came on the scene.

      This is an important fact that the people who want to turn the music industry back to the 19th century fail to understand: a lot of people want good music recordings which can't be produced unless the producers can be paid for the recording itself.

    89. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      > Copyright is your only lever to prevent this from happening.

      Really? Because the YouTube AUP could forbid this even in the absence of copyright laws...

    90. Re:Why consider this for academics but not music? by Foobar+of+Borg · · Score: 1

      But they also call reducing the amount a department's funding is scheduled to increase a budget cut, which is also not true except by their broken definition.

      Yes, because there is no such thing as inflation. I would like to be your employer. That way, I can pay you the same salary in 30 years that I pay you this year. On second thought, nix that. If you really think that way, you are too stupid to work for me.

    91. Re:Why consider this for academics but not music? by jellomizer · · Score: 1

      How is giving credit to your sources and paying money to your inspiration stifling innovation. The Open Source people look at copyrights as a barrier, really they are not. It allows people to publish and post their material without fear that they are going to get ripped off. Say I was a Computer Science PHD student, (I am not but lets pretend I am) I spend all this time and research on the topic for my theses. Say it was very theoretical then a decade later when computing power is good enough to process my theory some snotnose grad student or even an undergrad gets a hold of my paper and turns my theory into a practical device. Sure the grad student deserves credit for turning theory into something practical.... However I get credit too for giving him the underlining concepts.

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    92. Re:Why consider this for academics but not music? by Miseph · · Score: 1

      Budgets are outlined more than one year ahead of time, so that people can actually plan for the future. They aren't usually set in stone, because as circumstances change it may be necessary to adjust them, but that doesn't mean they don't exist, or that changing them won't cause issues for the department. Giving a smaller than expected increase in budget IS a budget cut, because until that moment plans have been made with the higher number in mind: a change to that number will require cuts to payroll, purchasing, operational costs, or any of the other expenses that the program must pay. If you can imagine attempting to operate a business on a budget that you cannot predict more than 12 months in advance, you might just get an idea why it's necessary to make those kinds of assumptions.

      Get it?

      Oh, and inflation makes each dollar worth a little bit less than it was before. If you have a budget that doesn't go up from one year to the next, it is effectively going down whether the numbers actually say so or not.

      Thanks for playing.

      --
      Try not to take me more seriously than I take myself.
    93. Re:Why consider this for academics but not music? by jeffasselin · · Score: 1

      CD-Rs first appeared in 1988, and came to market in the years following. The first CD recorders were very expensive.

      What I was talking about predates the computer age, when LPs were the standard. Things started changing when digital editing and CD-Rs became affordable in the early 90s, but it's a big, monolithic industry that takes a while to move.

      "can always self-publish" is only true if you were born in 1988. But then maybe you were.

      --
      If he explores all forms and substances Straight homeward to their symbol-essences; He shall not die.
    94. Re:Why consider this for academics but not music? by jesset77 · · Score: 1

      a lot of people want good music recordings which can't be produced unless the producers can be paid for the recording itself.

      Er...... "good"? I only ask because without that term, your boldface rant boils down to "audio recording is not possible without benjamins".

      And to be honest, the expense of appointing a recording studio normally need not exceed the expense of the environment the work will be replayed in. So if, as a consumer, you can afford a 7.1 soundproofed mini amphitheater then it should not require a buck o' five from everyone on earth to finance having the music recorded in a similar environment.

      As for myself, I would prefer to hear music with scratches and dings if it means I and anyone can hear it for free and remix it without going to jail for our trouble. The long tail has no business being required to finance the levels of acoustic nitpicking that you have grown so Dependant on.

      --
      People willing to trade their freedom of expression for temporary entertainment deserve neither and will lose both.
    95. Re:Why consider this for academics but not music? by jesset77 · · Score: 1

      You know, you have a point there, cpt. I guess you don't really need the RIAA to reach customers after all.

      Really, we all should have guessed as much, right? Seeing as how we all buy indie music at Wal-Mart and download label-less records from Itunes at least once a week, where did we think all that work was coming from?

      I mean, it's not like the RIAA would do anything as despicable as prevent small start up artists who rebuff their advances from gaining exposure or marketshare by colluding with retail outlets or spreading FUD about small artists illegally remixing. They are the good guys! :D

      --
      People willing to trade their freedom of expression for temporary entertainment deserve neither and will lose both.
    96. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      No, you could get custom records cut. It was done (probably still is done, from time to time) with a lathe on a blank disc. You record in the studio, and it cuts it directly to a record. If you'll recall, Elvis paid a few bucks to do a couple of these before his career got started. A few of these one-offs wound up on the radio, and there he went. As I recall, this is how they did masters before recording studios switched to tape.

      Also you could probably get an order done at a proper record pressing plant, provided that you met their minimum order requirements, if any.

      And as someone who grew up in the 70's and 80's, I also remember how big audio cassettes were in those decades, and those were also convenient formats to do at a small scale.

      I've yet to see evidence that self publishing has not, at some point, been possible. It's just often unappealing.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    97. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      I guess you don't really need the RIAA to reach customers after all.

      You don't. But it is entirely possible that they may be better at it than a self-publishing musician, what with the RIAA members having gobs of cash, hordes of workers, legions of contacts, and years of experience.

      I mean, it's not like the RIAA would do anything as despicable as prevent small start up artists who rebuff their advances from gaining exposure or marketshare by colluding with retail outlets or spreading FUD about small artists illegally remixing.

      Well, if they're doing this sort of thing, and you can prove it and have been harmed by it, you should probably see a lawyer; you could have a good case.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    98. Re:Why consider this for academics but not music? by jesset77 · · Score: 1

      This is a silly argument. Copyright is granted when material is published. If it's published, then it has been made public for anyone to read. In what possible world is this not the definition of sharing knowledge?

      Er, this world.

      To illustrate, I have just posted a 10 second video clip somewhere on my website. I have a pay mechanism up, so you can download my work and be licensed to watch it for personal amusement only, with the curtains drawn, no more than one (1) time per purchase, for the reasonable price of $3 million USD. Paypal only, please. Also, if you cite my work in your academic research it cannot be peer reviewed because even if your peers wanted to pay me $3 million per view to check my data, such usage is not granted by my "personal use only" clause.

      My work has technically been "published" now, though it is a far cry from "available to everybody" and certainly would not meet the criteria of "sharing knowledge".

      --
      People willing to trade their freedom of expression for temporary entertainment deserve neither and will lose both.
    99. Re:Why consider this for academics but not music? by jesset77 · · Score: 1

      Why should academic works be held to a different standard as any non-fiction work. Or fiction, or artistic work, for that matter.

      IMHO they should be held to no different standard at all. I support Copyright Abolition, and see this impedance mismatch within academia as simply one more illustration of why.

      Unlike some in this thread, I believe that art and fiction are just as intellectually enriching as scientific research. I believe that the entirety of copyright infrastructure is a disservice to everyone, authors included.

      --
      People willing to trade their freedom of expression for temporary entertainment deserve neither and will lose both.
    100. Re:Why consider this for academics but not music? by bhiestand · · Score: 1

      In many ways, the idea that university researchers should be engaged in producing proprietary 'intellectual property' is counter to the academic tradition that such work depends on. Why should it be acceptable for someone to take generations of 'open access' research in physics, engineering, medicine, or whatever, add a little piece on top, and forbid anyone else from using it? I'm not saying it should never be done, but certainly not in a publicly funded university.

      I think this gets taken to absurd levels with textbooks themselves. A professor, working and teaching for a university can privately write and copyright his own text, then, through his position as professor, require students taking his course to purchase his book?

      --
      SWM seeks new sig for a brief fling
    101. Re:Why consider this for academics but not music? by Draek · · Score: 1

      Copyright is your only lever to prevent this from happening.

      If it should be prevented. I'm still not convinced that's the case.

      --
      No problem is insoluble in all conceivable circumstances.
    102. Re:Why consider this for academics but not music? by bzipitidoo · · Score: 1

      The idea of copyright isn't a bad thing

      I would state that differently. The goal of copyright, and also patents, which is to encourage more art and science by compensating artists and scientists, is good. The rest is all bad. The mechanism is monopoly. Monopolies are bad. And the effectiveness of copyright is low and sinking fast, and trying to shore it up is wasteful. Copying is simply too easily and quietly done. Those are the 2 big reasons why copyright is bad.

      Copyright doesn't work. What little copyright can do is mostly bad. If copyright worked, it would only make matters worse. Sure, sure, a large business has a much harder time hiding violations. Too big to hide. That's about the only area where copyright is effective. Trying to force copyright to work on everyone else through technological means (DRM and copy protection) and legal means (laws and lawsuits and enforcement) has been a resounding failure in every way, leading to extremes, failing to stop piracy, and making legit uses difficult. We're not talking just trying to make backup copies, we're also talking about the squelching of creative endeavor such as that child who tried to do his own Star Wars. It's all been a colossal waste of time and resources for worse than nothing, as one unwanted thing we got out of all this was chilling effects. How many more billions will businesses waste on DRM schemes, chasing after those pots of gold at the foot of rainbows before they understand that rainbows can't be caught? If we didn't have copyright, this foolish pursuit of copy protection and the billions wasted on it could have all been avoided. Wouldn't have even tried it. Wouldn't have had any reason to try it.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    103. Re:Why consider this for academics but not music? by YttriumOxide · · Score: 1

      Speaking personally, I would rather get paid less and be able to retain all of the rights to what I create, but I don't really know if that is much of an option anywhere...

      My current employment contract (I'm a programmer) says that everything I write exists in two forms - one belongs to the company and the other to myself. So, should I leave the company, essentially I can fork all of my own code. Any images/etc in the projects that I didn't create (which is most of them, I'm not much of an icon/GUI/prettyness kind of guy) belong to the company, so I'd have to remove those, but I could easily fork it with a new "theme" and release some products the day after I left the company.

      It's also worth noting that I of course have a non-compete clause (only valid for while I work there - not one of these silly "can't compete after you leave" things (which is not enforceable most places anyway)), and so couldn't compete directly against the company while still working for them, so the company is okay with the idea.

      Originally, the wording to say I can keep my code wasn't in my employment contract, but when I was being hired, I asked about it and they basically just said, "sure, why not?" and added it in. It surprised me a little, but I wasn't going to make a fuss! Mostly I think they agreed to it because of the way that I phrased it originally - basically I said that by doing so, I'd also bring IN all of the software I have written to date in my life and use that as a base for the projects I'd be working on instead of writing it all again from scratch... they got several years worth of development in one go, and I get to keep working on my own projects knowing that they're still mine (just not "exclusively" mine) after I leave - it's a good situation for both sides.

      Most likely, when I leave the company, any projects I am no longer interested in working on, I'll release as open source after scouring out the company specific stuff. Also, maybe some of the stuff I am still interested in working on also, but that depends what my next job is.

      --
      My book about LSD and Self-Discovery
      Also on facebook as: DroppingAcidDaleBewan
    104. Re:Why consider this for academics but not music? by u38cg · · Score: 1

      Sentences, structure of, can you. Learn it. Ta.

      --
      [FUCK BETA]
    105. Re:Why consider this for academics but not music? by ioshhdflwuegfh · · Score: 1

      [...]the people who publish the papers (who do provide a valuable function) DO derive their funding from selling the papers.

      Despite your capitalization of the word "do", that's not true.

    106. Re:Why consider this for academics but not music? by SlashWombat · · Score: 1

      Easy to fix ... Copyright should never have been transferable from the original author in the first place.

    107. Re:Why consider this for academics but not music? by rtb61 · · Score: 1

      That is a slightly obtuse view of a non copyright academic paper. The real principle behind the idea is open research rather than closed research. Academic papers that a worked on not by one person but by a whole bunch of people across many universities, academic works that are never really finished, just in affect snap shots in time but and revised in future editions.

      Of course to be an academic paper they would still have to be properly reference and cited and all contributors and the contributions detailed (perhaps not in the document but in an adjoining document). So the appropriate people would still gain recognition and more importantly the best work is lightly to receive the most attention, rather than one with the best publicists, the right 'er' wrong, corporate funding or based on politics of the day.

      So continual review, continual recognition, continual improvement and of course free and easy access for, well, everyone. A great educational resource that will save governments all over the world, tens of billions of dollars, free digital texts. Relatively free, some will get paid to contribute whether by government or corporations, some will do it for free seeking recognition and some will do it just because they can. Kind of reminds me of something a bit penguinny.

      --
      Chaos - everything, everywhere, everywhen
    108. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      By this you say my composition is only worth the paper it's printed on. I call BS.

      No, it's worth less than that. The paper needed would probably come to something like, say, 10c. On the other hand the composition itself would probably take less than 1MB to store, costing fractions of a cent. It would cost a fraction of that to copy the file across the world. The composition is effectively worthless.

      This isn't some abstract argument. The worth of data is going down and down. The forces of reality are slowly catching up with a concept that was always slightly artificial to begin with. You cannot reasonably expect people to treat data worth next to nothing as something worthy of sacrosanct protections. The modern surge in copyright infringement shows that people do not accept the status quo that abstract data has concrete worth and value. As our ability to store and copy ever larger data files increases, this attitude is going to become even more pronounced.

      Well, for value of any given data thrown into the world, you are right, but information actually has very real value. As long as data is information, it is valuable. Once it is copied in millions and reached most everyone, it is next to worthless. Therefore, the author should not share it with anyone unless compensation received in exchange is fair. Because of the nature of information, this compensation is usually one-time pay, so authors, by all means, make sure it is worthwhile!

    109. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      have you read "The Right to Read" by RMS?

      it's a dystopian sci-fi novellette (about 2 pages long), where (among other evil things) copyright goes so far that academia sells papers...

      my two cents

    110. Re:Why consider this for academics but not music? by Jedi+Alec · · Score: 1

      Oooh, I know this one! Is it because Einstein furthered human knowledge?

      And Hendrix didn't? You could write an entire series of book about "Things I didn't know you could do to a harmless guitar but was forced to find out about due to Hendrix doing them".

      --

      People replying to my sig annoy me. That's why I change it all the time.
    111. Re:Why consider this for academics but not music? by Yvanhoe · · Score: 1

      Musician is not a paid position. Researcher is. The researcher is paid to make public research. It just makes sense that his research is made public.

      --
      The Wise adapts himself to the world. The Fool adapts the world to himself. Therefore, all progress depends on the Fool.
    112. Re:Why consider this for academics but not music? by ioshhdflwuegfh · · Score: 1

      The researcher is paid to make public research. It just makes sense that his research is made public.

      Ideed. Thus all the publications.

    113. Re:Why consider this for academics but not music? by Aladrin · · Score: 1

      I'm just going to reply to myself, since everyone that replied to me seems to have missed it:

      People don't work in 'academics' just for fun or altruism. You know, like artists. They expect to receive something for their work, like money, fame, etc etc. Take away their motivation and you'll lose them, just like artists.

      Yes, the government helps fund it... But it doesn't fund -all- of it, and the 'taxpayer' -does- get a benefit from that funding. Like new medicines, or toaster ovens. There are plenty of things we wouldn't have yet if the government hadn't funded the research. Oh, we probably would have had them -eventually-, but that's the point... Progress is faster with more funding.

      The 'taxpayer' is investing in the welfare of the entire country by funding 'academics', not a single piece of knowledge in particular.

      --
      "If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
    114. Re:Why consider this for academics but not music? by Hognoxious · · Score: 1

      a Picasso is valuable, a poster of a Picasso is not valuable

      I've seen a few shops with posters, but generally they seem to sell them rather than give them away. I suggest you might be mistaken.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    115. Re:Why consider this for academics but not music? by Hognoxious · · Score: 1

      We clearly both have the same natural right of free speech, with which to perform the music, print up copies, distribute them, etc

      It's nothing to do with free speech, and you know it. You're perfectly free to criticise King George but use your own words, not mine.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    116. Re:Why consider this for academics but not music? by Hognoxious · · Score: 1

      Mod parent up! He said that Korpera$hunz are €€€vulll£!

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    117. Re:Why consider this for academics but not music? by Hognoxious · · Score: 1

      No it's not. Allow him to keep doing it. Force him to turn over all revenue (NOT just profit) to the creator.

      Force him how? You probably mean by using violence, but that isn't how we[1] do things. We civilised people do it with a lawsuit or the threat of one, and the basis of said lawsuit is ,,.. can you guess what[2]?

      [1] non-lebboes.
      [2] no, you probably can't. The answer's copyright infringement.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    118. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      you're the only person who can possibly be you playing your music.

      You must not have heard of the new Edison Phonograph. I hear it can talk and sing! I can't imagine what this will do to the industry.

    119. Re:Why consider this for academics but not music? by jtev · · Score: 1

      Well, generally a Piccasso would be worth millions, and a poster worth, about $10, so relativly speaking, yeah, a Piccasso has value, and the poster, pretty much the value of the materials it's printed on, and a reasonable amount of profit.

      --
      That which is done from love exists beyond good and evil
    120. Re:Why consider this for academics but not music? by ivan256 · · Score: 1

      a lot of people want good music recordings which can't be produced unless the producers can be paid for the recording itself.

      Once. They can't be made unless the produced can be paid for the recording once.

    121. Re:Why consider this for academics but not music? by ivan256 · · Score: 1

      Most musicians throughout history have made money by performing the work. (Musicians, not composers).

      Alternately, if you want to go back that far, then recording anything is a "recent innovation". Fact is, almost shortly after recording was invented, selling recordings came on the scene.

      Go back how far? You conveniently ignored an important part of my comment, even though you quoted it.

      Most musicians still don't earn a very good living selling recordings. Most successful musicians earn their living by performing their music. Not in the 18th century. Not in 1920. Now.

    122. Re:Why consider this for academics but not music? by Teancum · · Score: 2, Interesting

      The GP was pointing out that there's little value in performance copyright, because no one else can play your performance.

      That isn't quite true:

      http://en.wikipedia.org/wiki/Milli_Vanilli

      The performance group above was quite controversial explicitly because they were "playing" the performance of somebody else. "Canned" music at a supposedly live performance is still something that invokes continued controversy, even when a musician is pantomiming their own previous performance.

      This not withstanding (and Milli Vanilli did get a "license" from the musicians who actually performed the music), there is more from performance rights of musicians as well.

      The issue is mainly who can control what happens when a performance is recorded, and how can somebody who make musical performance rather than composition earn an income. One of the most famous stories is with Davy Jones who performed music in thousands of concerts (I'm not making this up... it was over decades) and made millions for the music companies he worked for. Davy Jones, on the other hand, got a pathetic return for all of his effort.

      Another musician, Billy Joel is another musician that got screwed over with some early performance contracts.

      The point is that there is value to the performance copyright, and musicians can and do earn money from recordings of their performance, but the music business unfortunately has a lousy history of actually paying musicians who create the performances in the first place. That is what needs to change, and unfortunately only the top tier and oldest musicians are able to negotiate contracts that allow them a reasonable return on their effort.

      Contracts like Davy Jones or Billy Joel signed should have been declared invalid, and those kind of recording contracts ought to be made illegal.

    123. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      "I know at my school...I can directly access the restricted journal content if I'm anywhere on campus."

      Which is great, so long as you remain within the university. Once you graduate...what access do you have?

      Traditionally, libraries have been relatively open. It was fairly easy to wander down to you local university library to do research - you couldn't check things out, but you could at least read or look up articles. Now, few libraries subscribe to paper journals - and computers are frequently locked down to require a login/password. If you know you need one or two particular articles, I suppose you could buy them from the journals directly (usually at > $20 for a 4-6 page article). But the best indexing services (Web of Science, etc.) are very pricey...and I may look at 20+ articles before I find the one or two that I really need.

      The current system is impractical for anyone outside of a large university environment. Something's gotta change.

    124. Re:Why consider this for academics but not music? by Teancum · · Score: 2, Insightful

      The issue with academic researchers, at least in terms of the journals where the results of the research are published, is to ask who is going to pay for producing the journals?

      If you want to have a professional looking journal that has full-time editors, administrative staff, and reviewers (perhaps not full time, but at least willing to take the time to do an honest review and make it worth their time), you need to have paid staff. A good editor who not only knows the field but also has a strong command of language (English for most American and frankly international journals) are worth every penny you put on them. None of this is cheap and these are expenses well above and beyond the cost of simply printing the journal or operating a website (requiring other technical skills as well).

      The "business model" used in most academic journals at the moment is to use the power of copyright to be able to help pay for the staff in this case, even if ultimately the organization producing the journals is even officially a non-profit organization, nor are all academic journals are non-profits either. If you want to abolish the role of copyright in regards to academic journals, you need to come up with a financial model that will help pay for these journals through some alternative method. BTW, most academic researchers also pay the journal for the privilege of even publishing their research, and even then that doesn't pay for everything.

      It doesn't matter if it is government supported research or not in this case, although admittedly government funded research ought to have sufficient funds in whatever research grants are done to be able to pay for the publication of that research, including publication in peer-reviewed journals. Unfortunately, that isn't something popular with congressmen trying to cut costs and thinking such publication costs are a waste of taxpayer money. More to the point, in terms of academic research paid for by government funds, it is the responsibility of the constituents to demand that research and get their elected representatives to insist that the citizens who pay for the research should have access to it.

    125. Re:Why consider this for academics but not music? by photomonkey · · Score: 1

      Which is my point exactly. The original, one-of-a-kind painting is worth a lot more than any large-volume reproduction. Picasso's work is likely still under copyright (whether the term is too long or not is not my subject here).

      That allows people to buy/lease rights to make poster reproductions and turn a reasonable profit.

      Work I sell at galleries commands much higher prices than machine prints and posters I sell online. But copyright allows me to be the one to determine how that work gets sold. In other words, someone else can't just start making posters of my work and selling it.

      --
      Message contains 1 attachment: spam.gif
    126. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      To the contrary, copyright is an infringement on free speech. If the right of free speech did not include a right to repeat the words of others, wouldn't the government be able to censor people who recited Shakespeare or played 19th century folk songs? Of course free speech covers such things, and is a right shared by the creator of a given work as well as anyone else. Artificial limits on this right may be tolerable, but they cannot rightfully be imposed. They must be consented to.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    127. Re:Why consider this for academics but not music? by jtev · · Score: 1

      Um, no you missed the point of what I said. I was rebuffing the comment about most poster stores selling the posters. Of course they sell the posters, as they have expenseses themselves, but the value of a single poster is still nearly negligable compared to that of the original. This is independant of copyright, as a painting cannot be fully duplicated on a poster. One is a hand-crafted slightly 3 dimentional peice, and the other is a machine created reproduction. They have a diffrent look, they have diffrent production costs, they are made from diffrent materials. Nobody will mistake the poster for the original. As an artist, with current copyright laws you get a royalty on each poster sold that copies your art, and given the volume of those sold compared to the originals, it may be a significant part of your income, but that is a seperate matter I didn't address in my post. The difference in the cost/value of the two is inherent.

      --
      That which is done from love exists beyond good and evil
    128. Re:Why consider this for academics but not music? by Mike+Buddha · · Score: 1

      Yes, because it's commonsense that the only human knowledge is science. Why would you even be required to support such an obvious statement?

      --
      by Mike Buddha -- Someday the mountain might get him, but the law never will.
    129. Re:Why consider this for academics but not music? by Anonymous Coward · · Score: 0

      If you've ever written a good, and I mean GOOD song, then you know it doesn't get written while your working someplace. Music means at least enough to people that we've agreed we'd rather be hearing it than not so we payed for it, allowing people who know how to write good music a chance to do so on their own time and in their own way. The money was proof in that case that the artist was good enough that we were willing to free them and allow them to make music for us. Altruistic artists thrive to profit mainly so that they can put their mind to work on the music instead of on whatever other concerns of the job they'd need to hold. That fact creates many problems in itself and is why so many talented people have been robbed throughout the history of the music industry.

      My point is your right - nothing is stopping good artists from sharing their music except that its going to generally suck more from them being distracted and there will be way less of it. So if we don't want good songs to get written anymore then there isn't a problem.

    130. Re:Why consider this for academics but not music? by palindrome · · Score: 1

      I swear to god I read this three times and I still don't get it. I even stopped myself from writing a snarky comment then because I'm genuinely interested in what the hell you're on about.

      Unless... Unless you're suggesting that art is knowledge, and as science is knowledge then art is science and so they are the same?

      Shit, my tongue is bleeding.

    131. Re:Why consider this for academics but not music? by cpt+kangarooski · · Score: 1

      To be a little more precise, I was saying that in some cases, an artist can exploit the economic value of provenance, regardless of copyright. Even if the works are absolutely identical -- say, two copies of a book, from the same print run -- a copy which has been autographed by the author will often command a higher price than one which has not been. That a particular copy of a work is one which has been 'touched' by the author, as opposed to mass produced from an original, is itself often valuable.

      There is certainly something to be said for some copies not being perfect reproductions, such as a photograph of a painting. But that wasn't my point. And even if we had Star Trek replicators, and could zap up limited atom-for-atom identical copies of Picassos, the originals would still certainly be valued most highly. It's not just about art, it's also about artifacts.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  2. YES! by Biljrat · · Score: 0, Redundant

    YES!

    1. Re:YES! by naeone · · Score: 0, Redundant

      +1

  3. Cite? by arizwebfoot · · Score: 2, Insightful

    I was always under the impression that you could, say cite the other work in your work and make comparison's and contrasts to the other work.

    Example: If someone came up with a theory with supporting test results and ten universities duplicated those test results - proving the theory - then those ten universities could publish their results all the while citing the originating test results.

    --
    Beer is proof that God loves us and wants us to be happy.
    1. Re:Cite? by Trepidity · · Score: 1

      Yeah, I imagine it meant something more like "include part of" rather than literally citing. Many publishers just ignore the issue, but some publishers are sticklers who complain if you re-use a graph of your own data that had already been published in a previous paper---and was therefore copyrighted by that previous paper's journal. So people end up having to do stupid things like re-graphing the same data in a different piece of plotting software so the figure looks different.

    2. Re:Cite? by Attila+Dimedici · · Score: 1

      Example: If someone came up with a theory with supporting test results and ten universities duplicated those test results - proving the theory - then those ten universities could publish their results all the while citing the originating test results.

      The problem here is that it is not just a matter of citing. The person in question wants to use part, or all, of what he published in another paper to show how the various studies he/she has done support the conclusion they are reaching in the current paper.
      The problem as I see it is that they are able to surrender their copyright to their own work. That should not be possible. I should always be able to use material that originated with me. Ultimately the problem comes back to the fact that copyright laws have made the length of copyright excessive.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    3. Re:Cite? by John+Hasler · · Score: 1

      > The problem here is that it is not just a matter of citing. The person in question wants
      > to use part, or all, of what he published in another paper to show how the various
      > studies he/she has done support the conclusion they are reaching in the current paper.

      That's a classic example of fair use.

      > The problem as I see it is that they are able to surrender their copyright to their own
      > work. That should not be possible.

      Why do you want to take away my right to sell my copyright?

      > Ultimately the problem comes back to the fact that copyright laws have made the length
      > of copyright excessive.

      While the length of copyright is certainly grossly excessive the time spans involved here are typically only a few years.

      --
      Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
    4. Re:Cite? by Anonymous Coward · · Score: 1, Interesting

      ...but some publishers are sticklers who complain if you re-use a graph of your own data that had already been published in a previous paper...

      If someone really badly needs to reuse the same graph in two different papers, they are likely playing the LPI (least publishable increment) game - make as tiny a modification to earlier work as possible to get it published, just to boost your publication count. Think of how much easier it would be to play that game if no copyright law exists.

      It is often trivial to regenerate the graph if you have the raw data (which is often the case) just to make it look different. I don't see how it really hinders anybody.

    5. Re:Cite? by interkin3tic · · Score: 4, Informative

      I was always under the impression that you could, say cite the other work in your work and make comparison's and contrasts to the other work.

      It's odd that the summary and article claim that without actually citing any examples. The article just says "I've heard of..." Makes me wonder if it's not an overstatement, a misstatement, a severe miscommunication, or an absurdly bad publication that told a researcher an outright lie which he believed. Citing your own work, saying "I found this and published it here" can't possibly be barred by any publication. For one thing, citing an article increases the impact factor of the article, it's worth. A journal that is trying to decrease it's impact factor by saying you can't cite your own work is a journal that is shooting itself in the foot about three different ways.

      I think what might be more likely is that the author of the article heard about a researcher who wanted to republish a figure he had published in another journal, and that journal wouldn't let him. And that's something that SHOULD be barred, you can't republish the same data twice, nor do you need to. BOTH journals would have problems with that, as would other researchers in the field. It's basically getting credit twice.

      One exception to that would be if a researcher was publishing a review type article and wanted to include a figure or diagram from the original paper, making it clear though that it was not a new result but was old data included in a summary of the literature on a subject. That again is a journal shooting itself in the foot and would be ridiculous if it happened. I've often seen figures from other publications in review articles, journals that published the original data seem willing to work out an agreement with whoever is publishing the review. I've never published one, so I'm guessing, it again goes back to the impact factor. If you run a journal and an important result was published in it, you want people to know it was both an important result and was published in your journal.

      This really seems like something that can't occour often to me. I could easily be wrong for other non-biological fields that I have no experience in though.

    6. Re:Cite? by Anonymous Coward · · Score: 0

      If someone came up with a theory with supporting test results and ten universities duplicated those test results - proving the theory - then those ten universities could publish their results all the while citing the originating test results.

      Publishing doesn't really work that way. You don't get published for verifying someone else's results. You only get published for doing something novel.

    7. Re:Cite? by CraftyJack · · Score: 1

      The *actual* paper isn't about citation at all - that only comes up in the Techdirt piece. The paper seems to basically say "Open Access is good, but somebody's got to pay for all this. Consumers shouldn't pay, and authors shouldn't pay, so I nominate the institutions."

      The abstract: The conventional rationale for copyright of written works, that copyright is needed to foster their creation, is seemingly of limited applicability to the academic domain. For in a world without copyright of academic writing, academics would still benefit from publishing in the major way that they do now, namely, from gaining scholarly esteem. Yet publishers would presumably have to impose fees on authors, because publishers would not be able to profit from reader charges. If these publication fees would be borne by academics, their incentives to publish would be reduced. But if the publication fees would usually be paid by universities or grantors, the motive of academics to publish would be unlikely to decrease (and could actually increase) - suggesting that ending academic copyright would be socially desirable in view of the broad benefits of a copyright-free world. If so, the demise of academic copyright should be achieved by a change in law, for the 'open access' movement that effectively seeks this objective without modification of the law faces fundamental difficulties.

    8. Re:Cite? by Anonymous Coward · · Score: 0

      The problem as I see it is that they are able to surrender their copyright to their own work. That should not be possible. I should always be able to use material that originated with me. Ultimately the problem comes back to the fact that copyright laws have made the length of copyright excessive.

      If you can't pass your copyright, then how can publishers exist? Why would any publisher take the financial risk of publishing something when the originator can just pull the rug out from the under them by giving the same material to someone else? Publishers need some form of protection.

      The necessity of publishers, OTOH, is an altogether different question now that we have the interwebs.

    9. Re:Cite? by Mark+Trade · · Score: 1

      I guess the problem is you still have to buy the paper. I don't get the copyright-claim fear cited in TFS, either. For me, it's the idea of having to pay a publisher with tax-money to get access to a paper that one's own government has already paid for, what is ridiculous.

    10. Re:Cite? by Anonymous Coward · · Score: 0

      I personally know one person who was required to get permission to include an image he had published in a journal in his master's thesis. That makes no legal sense to me and it is entirely possible that it was an idiot professor, idiot journal or other idiot that caused the trouble. But IANAL and most other researchers aren't either, so people are forced or at least convinced to jump through hoops in the name of copyright. The other side of this is, as previously mentioned taxpayers pay for a lot of research. This research is then published in journals, and becomes the property of various parties, like AAAS, IEEE etc. Each one of these on their own has fairly modest requirements for accessing their journals and even for memberships. If, however, you wanted to learn on your own you would be hard pressed to get the information you needed without having access to a university library, simply because having memberships to all the applicable groups and being able to search them electronically would be too expensive for any individual. If you are lucky enough to live close to a university that will let non students use their library I guess you are lucky, at my university there are all sorts of warnings that excessive downloading (not defined) is prohibited, and you can be banned from the service if you allow non students to use your account to access the online databases.

    11. Re:Cite? by drdrgivemethenews · · Score: 1

      No scientific journal that I'm aware of bars citation of results. What they often do do is bar republication of the same results--that leads to dilution of quality as opportunistic grad students try to pump up their resumes by merely rewriting previous papers. Don't get me wrong, it happens anyway. It may also be that the attorneys for journals occasionally go over the line. But paper quality dilution is the problem journals are aimed at, not some kind of screwy IP ownership.

    12. Re:Cite? by Prof.Phreak · · Score: 1

      Not sure what the issue is here, but for example, I keep a folder with pdfs of all papers I've cited, and... I'm a bit weary about sharing (with other phd students) that seemingly valuable resource (ie: major papers in a field for the last 10 years), 'cause many papers come from draconian places like IEEE have literally have my name embeded in the documents.

      --

      "If anything can go wrong, it will." - Murphy

  4. No by commodoresloat · · Score: 5, Insightful

    It shouldn't be abolished, but fair use should no longer be restricted. What these publishers get away with should be completely illegal under fair use provisions. Authors not being allowed to use their own works? And charging 75 cents a page for articles published in coursepaks is unconscionable, especially considering there is no economic loss to republishing in this form; it's not like the students in these courses would run out and pick up the September 1982 issue of Political Science Quarterly at the local bookstore if they didn't get this free version from their teacher. (I understand why publishers want copy shops to fork something over, but there should be an agreed upon reasonable limit in the area of a penny a page rather than a blank check, which is the way it currently is).

    Actually what would be nice to see would be that the copyright stays with the creator in all cases. Allowing the journals to acquire the copyright to this work in the first place is a bizarre economic fiction anyway; when the author can't even cite their own studies due to this fiction, it has been taken to its absurd logical conclusion. But the proposal here is unworkable without some kind of objective standard of what constitutes "academic work," and that's not likely to happen.

    1. Re:No by DdJ · · Score: 4, Interesting

      It shouldn't be abolished, but fair use should no longer be restricted.

      I'll take this further: it cannot be abolished, because in this field in particular, tools to combat outright plagiarism are pretty important. But it should be dramatically altered in ways that promote the free flow of ideas. It should be converted almost entirely into an anti-plagiarism tool, within this domain. Some sort of mandatory "go ahead and use this as long as you give full attribution" license ought to do the trick I think.

    2. Re:No by BForrester · · Score: 1

      Who charges $0.75 per page for coursepaks? I've taught at two large colleges, and my cost has always been 15 to 20 cents per page including covers and binding.

      Although I'm generally shifting to open-source, online, and original materials as much as possible, coursepaks are a good middle ground that cost students a mere fraction of what they'd pay for hardcover equivalents from the publishers.

    3. Re:No by commodoresloat · · Score: 1

      You're probably working with copy shops who don't clear copyrights with publishers. There's a lot who do that. But from what I've seen there is considerable variation in cost for journal articles; 75 cents is definitely on the high end but is not unheard of (25-35 cents is not at all uncommon; and of course that's on top of basic printing costs). I haven't paid much attention to the details since I go with under-the-radar copy shops as well. But when they follow the copyright clearance path you see very high prices for some coursepacks.

    4. Re:No by BForrester · · Score: 1

      No - I always go through the college's in-house service. Copyright is rigidly enforced, and makes up most of the costs I've stated.

      I have three official college coursepaks on my desk for courses that I'll be teaching in the fall. All of them are over an inch thick, and none of them are over $35.

    5. Re:No by calmofthestorm · · Score: 1

      It varies dramatically by field. In many computer science journals, you give up only the right to /initial/ publication. Once the journal has published, you can publish it yourself elsewhere, online, etc.

      Not all journals, in CS or elsewhere, are this reasonable though. If we did only one thing to improve the meritocracy in science it would be journal reform.

      --
      93rd rule of Slashdot: No matter how obvious my sarcasm is, my comment will be taken seriously by someone.
    6. Re:No by Delwin · · Score: 2, Insightful

      Academic rules against plagiarism have nothing to do with copyright.

    7. Re:No by Anonymous Coward · · Score: 0

      It shouldn't be abolished, but fair use should no longer be restricted.

      I am quite certain that you have no idea what you're talking about. Fair use isn't whatever you want it to be. There have always been restrictions on it. That's delineates between "fair" and "unfair" use. Fair use has never interpreted to mean wholesale duplication as you describe. If you want no restrictions, there's a term for that. It's "public domain," which is a fancy way of saying "no copyright."

      when the author can't even cite their own studies due to this fiction,

      I know you didn't come up with this statement, but I'll respond here none the less. I'm calling bullshit on this anecdote. Copyright does not, nor has it ever, prevented citations. If you had to redo an experiment for any legal reasons, it's because you don't have access to the materials or equipment anymore. Ran an experiment that uses some sort of proprietary dataset, well when you no longer have it, you have to rerun the experiment on something else then. You no longer have rights to the code you wrote,. then you're going to have to rewrite it then. But not being able to say, "In 2006 we found x.\cite{me}." because of copyright? Nope, didn't happen.

    8. Re:No by AnyoneEB · · Score: 1

      Copyright has nothing to do with plagiarism. Plagiarism is fraud. Plagiarism of a public domain work is still fraud.

      --
      Centralization breaks the internet.
    9. Re:No by commodoresloat · · Score: 1

      I am quite certain that you have no idea what you're talking about. Fair use isn't whatever you want it to be.

      Where did I say that it was? Oh, right. I didn't.

      Fair use has never interpreted to mean wholesale duplication as you describe.

      As I describe where? Oh, right. I didn't.

      If you want no restrictions, there's a term for that. It's "public domain," which is a fancy way of saying "no copyright."

      Where did I say I wanted no restrictions? Oh, right. I didn't.

    10. Re:No by Anonymous Coward · · Score: 0

      Sorry, is that really copyright?

    11. Re:No by Mark+Trade · · Score: 1

      Plagiarism in academics is not a legal problem, but an ethical one. And the tool of choice is a publication. If you can prove that a given text fragment is yours because it first appeared in your paper, then every uncredited quotation will be frowned upon. Nobody checks "the copyright" for this even today. If you use a colleagues text in your paper without properly giving credit for it, that's bad even without an IP lawyer being involved.

    12. Re:No by gilgongo · · Score: 1

      >Actually what would be nice to see would be that the copyright stays with the creator in all cases.

      Creative Commons BY-SA?

      --
      "And the meaning of words; when they cease to function; when will it start worrying you?"
    13. Re:No by coaxial · · Score: 1

      I'm the AC.

      I said you don't know what you're talking about because saying that "fair use should no longer be restricted" makes no sense in a copyright regime. Fair use is defined as what is permitted under copyright law that does not require the consent (i.e. a license) of the copyright holder. The exceptions to the general rule of "do not reproduce in any form" are typically made for criticism and education. While there is no hard and fast rule on what constitutes fair use versus infringement, there are statutory guidelines. The very fact that the restrictions on fair use are defined by the tension between the rights of the copyright holder to and the good to that comes from being able to reproduce reasonable amounts for context, education, and criticism means that your statement, that "[copyright] shouldn't be abolished, but fair use should no longer be restricted" is logically absurd. By removing all restrictions on fair use, you have abolished copyright. When you abolish copyright -- again by maximal expansion of fair use -- you enable wholesale reproduction of another's work. By advocating the maximal expansion of fair use, which enables wholesale reproduction, you are advocating for a regime where the wholesale reproduction of another's work is allowed.

      I stand by my statement that you have no idea what you're talking about.

    14. Re:No by Anonymous Coward · · Score: 0

      The only thing I can think that you mean by the logically (and legally) absurd statement that "[copyright] shouldn't be abolished, but fair use should no longer be restricted" is that you're confusing copyright infringement with plagiarism. While similar, and often co-occur, plagiarism is not a legal concept.

      For a timely example of the difference between copyright infringement and plagiarism, may I suggest the Jamba Juice / Get Your War On flap.

    15. Re:No by commodoresloat · · Score: 1

      Umm, yeah, that's one way to look at it, I guess, but that's not what I was saying at all. I suppose I could find something you said and interpret in such a way that I could find fault with its logical extreme and then declare that you have no idea what you're talking about but I don't really have the time.

    16. Re:No by coaxial · · Score: 1

      If that's not what you're saying, then explain what you mean, because I fail to see how interpreting "no longer restricted" can mean anything other than "no restrictions whatsoever." What sort of legal regime would you want that preserves both copyright, but not have any restrictions on what and how something is copied.

      Releasing works into the public domain allows them to be freely copied and modified, but citation is still demanded. (Again, copyright infringement versus plagiarism.) Which is the only thing that I see that in any way meets your goals.

      Throwing around claptrap like the "information wants to be free!" and screaming "fair use" with no understanding what these words mean and the underlying mechanics of what is going on in legal realm, isn't making an argument. It's sloganeering.

    17. Re:No by ioshhdflwuegfh · · Score: 1

      I'm the AC.

      If you say so...

    18. Re:No by commodoresloat · · Score: 1

      I meant the restrictions should be limited to those embodied in the law itself, which should have been obvious from the context of the comments, but you misinterpreted the rest of them too so I suppose you missed that whole context thing. Perhaps I should have been more precise -- "fair use should no longer be as restricted as it currently is" or something less unwieldy. I'm not sure I said "information wants to be free" - perhaps you're confusing me with Stewart Brand?

    19. Re:No by coaxial · · Score: 1

      Again, you show no understanding of what fair use actually is. It is not codified in law. It is instead an an affirmative defense , that means that the defense has the burden of proof, not the plaintiff. Each case is different, and it is up the judge using the facts as described during the trial, prior court rulings, and common law tradition. This means that the assertion that "the restrictions should be limited to those embodied in the law itself" is meaningless in the case, as there are no restrictions in the law. Even the unspoken premise that the current guidelines on what determines fair and unfair use are somehow (at least partially) extra-legal, betrays a grave misunderstanding not only the the doctrine of fair use, but of the very legal process itself.

      The relevant portion of the Copyright Act of 1976, 17 U.S.C. Â 107, says:

      Notwithstanding the provisions of sections 17 U.S.C. Â 106 and 17 U.S.C. Â 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:

      1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
      2. the nature of the copyrighted work;
      3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
      4. the effect of the use upon the potential market for or value of the copyrighted work.

      The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

      The Wikipedia article on fair use is a wonderful resource for understanding the difference between fair use, infringement, and plagiarism.

      The examples of outrages you give, are based on the highly dubious anecdotes provided in the blurb. Anecdotes that many here have already called into question. Even your suggestion of eliminating copyright assignment in the case of (some) academic journals, isn't applicable to fair use. It's a simple change in the policy of the journal. It can be done today. Unlicensed duplication has nothing to do with copyright assignment.

      On a more personal note, I suggest you really think about your arguments, because the fact that you believe that you are not understood, is a deficiency in the writing, as the burden of clarity is always on the writer. Read the wikipedia article, and then use specific examples. I seriously doubt that you will though. Instead, I expect a short jejune response.

    20. Re:No by commodoresloat · · Score: 1

      You cited the law yourself. That is exactly what I meant when I said fair use as embodied in the law itself. I never claimed to be a lawyer, and this nitpicking over the way I phrased something is overly pedantic and not very productive -- you're asking me to defend positions I never proposed and you're making me out to have said things I never said. I didn't say the issue of journals taking copyrights was "applicable to fair use" - that's a completely separate issue. And sure, journals can just change their policy, but why would they? I was trying to argue that copyright should stay with the creator and not be something you can bargain away in the first place (and I realize this would have far reaching implications for more than just academic research). That's a separate point from my equally valid one that truly fair use should be permitted -- and my reading of the very law you cited allows fair use of material for scholarship, education, research, criticism, etc. This means I shouldn't have to contact a publisher if I want to put out a coursepack for example. If the extreme research anecdote in the story is bogus (and I agree with you it sounds fishy now), don't take that out on me; I was just responding to it. There are enough real examples of copyright abuse without needing a horror story of someone having to redo their experiment.

      And, by the way, I am fully aware that the law is interpreted by courts in response to cases, but thank you for the lecture. My problem with this is not the common law but rather the way the law is interpreted by many academic publishers and universities. For example, the law never says you can only quote up to 10% of an article under fair use, but many universities publish copyright guidelines that say exactly that. The law never says that an academic author should have to seek permission of ASCAP to publish two lines from a popular song as part of a research article about rock music, for example, but publishers routinely expect and demand it. (That's an odd one, given that you're never expected to ask permission to use even extensive quotations from printed works).

      Bottom line - what I was trying to say was that copyright need not be abolished to right its wrongs; but the world would be a lot better off if people stuck to reasonable interpretations of existing copyright law. Well, that, and some major changes like not letting a journal (or record company) "own" an author's copyrights.

      Anyway, if you're just looking for evidence that I don't know what I'm talking about so you can call my comments jejune, I'm sure you'll find it, but in that case I probably can't be bothered to respond again.

  5. Public domain sans copyright = bad idea by nyet · · Score: 2, Informative

    As long as others can copyright things, the public domain will always be susceptible to looting. The appropriate fix is to choose a *license* that makes sense.

    1. Re:Public domain sans copyright = bad idea by MrHanky · · Score: 1

      How about this instead: banning unreasonable licenses, ensuring fair use and that the original author retains his/her moral rights.

    2. Re:Public domain sans copyright = bad idea by Anonymous Coward · · Score: 0

      As long as others can copyright things, the public domain will always be susceptible to looting.

      define "looting" in this context. are you afraid that someone will copy your work, and put their name on it to claim credit? in an academic setting it would be easy to prove who was first based on journals, however this raises an interesting question.

      for works in the public domain (shakespeare, the bible, mickey mouse, etc...), could someone republish them, in their entirety, only changing the author to "by Anonymous Coward"? is there anything legally wrong with that? I'm hoping someone can enlighten me as I can't even think how to google for that...

    3. Re:Public domain sans copyright = bad idea by betterunixthanunix · · Score: 1

      How do you loot academic works? What is wrong with copying a journal article and giving it to someone else? There is already a system to prevent plagiarism in academia, copyright only serves to cut the masses, who cannot afford to pay for journal subscriptions, off from the vast collection knowledge that is published each year. Worse still, not all universities are subscribed to all journals, so students at smaller, less prestigious institutions are unable to gain access to certain academic works.

      Instead of fearing the widespread dissemination of knowledge over the Internet, we should be embracing it. If academic institutions are unwilling to appropriately license their publications, then they should lose copyrights entirely to stop them from holding back the real, tangible progress that the Internet could bring about. Research articles are not creative works, and they should not be published for the purpose of enriching journals or universities (it is not as if researchers are being enriched; I have been published and have not seen a penny of the fees that the journal charges).

      Sadly, these days people seem to think everything is a business, and that the market should determine the price of knowledge, and would hold back society in the interest of allowing more money to be back and more markets to be opened.

      --
      Palm trees and 8
    4. Re:Public domain sans copyright = bad idea by cpt+kangarooski · · Score: 1

      I like the first two points, but remind me again, how do moral rights promote the progress of science?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:Public domain sans copyright = bad idea by cpt+kangarooski · · Score: 2, Informative

      for works in the public domain (shakespeare, the bible, mickey mouse, etc...), could someone republish them, in their entirety, only changing the author to "by Anonymous Coward"? is there anything legally wrong with that? I'm hoping someone can enlighten me as I can't even think how to google for that...

      You want to google for Dastar Corp. v. Twentieth Century Fox Film Corp., 539 U.S. 23 (2003).

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    6. Re:Public domain sans copyright = bad idea by MrHanky · · Score: 1

      The moral rights promote the progress of science through encouraging publication. Of course, people do publish despite losing their moral rights when they choose a publisher who forces them to sign over their copyright, but that's the problem in this story, isn't it?

      They shouldn't have to sign over their copyright, and by doing so they stifle the progress of science; they turn a work (in progress, like all science is) of the intellect into an "intellectual" property, something that can be owned and others be forced off of.

    7. Re:Public domain sans copyright = bad idea by cpt+kangarooski · · Score: 1

      The moral rights promote the progress of science through encouraging publication. Of course, people do publish despite losing their moral rights when they choose a publisher who forces them to sign over their copyright,

      So you're saying that if we provide moral rights, people will publish. But that people publish anyway. It seems to follow, therefore, that providing moral rights does not actually encourage publication, which is pretty well encouraged so far. Would you like to have another try?

      They shouldn't have to sign over their copyright, and by doing so they stifle the progress of science; they turn a work (in progress, like all science is) of the intellect into an "intellectual" property, something that can be owned and others be forced off of.

      But you're just saying that the author should own it (and thus be able to force others off, since that's all a copyright is good for), rather than the publisher. I don't see that it makes any difference who owns it, if someone does. Besides, no author has to sign away their copyright. They might want to, they might make a bad deal, they might have no choice but to either do so or self publish, but they still are not obligated to.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    8. Re:Public domain sans copyright = bad idea by MrHanky · · Score: 1

      The moral rights promote the progress of science through encouraging publication. Of course, people do publish despite losing their moral rights when they choose a publisher who forces them to sign over their copyright,

      So you're saying that if we provide moral rights, people will publish. But that people publish anyway. It seems to follow, therefore, that providing moral rights does not actually encourage publication, which is pretty well encouraged so far. Would you like to have another try?

      No that does not "seem to follow" at all. In some cases, people will publish despite losing their moral rights -- if that's what they have to do to get into their journal of choice. In most cases, people keep their rights when they publish. In most cases, signing over one's copyright would be discouraging. The story above is an example.

      Further, there's nothing to "encouragement" that says it's ever going to be absolute. By your "reasoning", getting paid doesn't "encourage" people to work, as some people don't.

      I can see that you're a lawyer, with your superficial pretensions to using logic, so I'm not going to bother discussing your inane sophistry further.

    9. Re:Public domain sans copyright = bad idea by cpt+kangarooski · · Score: 1

      Well, I'm interested in getting the most works created and published for the least amount of copyright protection granted. The US traditionally has not had moral rights at all, and the paltry few we've set up due to pernicious interference and pressure from abroad do not apply to academic papers. But we have a thriving creative community, and plenty of publishing scholars.

      There has been no appreciable increase in the number of artists, or in the number of works created or published, which can be attributed to the moral rights we've recently set up. There's no reason to believe that granting everyone moral rights would actually incentivize anyone who isn't already incentivized. And if they already are incentivized, giving them one iota of additional incentive would be a dreadful waste which harms the public (since it is at our cost). Indeed, this is why we could probably substantially reduce the scope and duration of copyright, and only see an improvement -- they're over-incentivized as it is.

      So long as authors create and publish the most works for the least amount of incentive necessary to get them to do so, I'm happy. I don't care at all whether or not the authors are happy. Their happiness or unhappiness is totally irrelevant, so long as they keep creating and publishing.

      So since it will harm the public (all copyright harms the public), and since there is no reason to believe that it will incentivize authors to create and publish when they otherwise would not, which is the only thing that could possibly outweigh the public harm, why should we grant moral rights? I don't think we should. This is apart from my opinion that they're offensive paternalistic bullshit. If they actually worked to serve the public good, I'd hold my nose and support the idea. But they do not. If they did, we would be worried about French culture overwhelming us, rather than the other way around.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  6. Re: by TinFoilMan · · Score: 1

    Citing your above work as reference to my own, hasn't that been going on for hundreds of years?

    --
    In my other life, I eat cats.
  7. Bullshit by Anonymous Coward · · Score: 0

    It's just another option. You don't have to sell your copyright. Why do scientists sell their copyright to journals? Because journals pay for it. Without copyright, journals would not pay for scientific articles. Well, simply don't sell your work and you can have that result right now, without changing any laws. You keep your copyright, the journal keeps its money.

    1. Re:Bullshit by Anonymous Coward · · Score: 2, Insightful

      Journals don't always pay the author for scientific articles. In fact, oftentimes the authors pays the journal. e.g. IEEE transactions charge you $125 per page over a certain number, plus $2000 if you want colour figures.

    2. Re:Bullshit by Mr.+Underbridge · · Score: 1

      It's just another option. You don't have to sell your copyright. Why do scientists sell their copyright to journals? Because journals pay for it. Without copyright, journals would not pay for scientific articles. Well, simply don't sell your work and you can have that result right now, without changing any laws. You keep your copyright, the journal keeps its money.

      Before people start lining up to agree with a very dryly sarcastic post, you should have the decency to provide the "and you don't get tenure" part.

    3. Re:Bullshit by slimak · · Score: 4, Informative

      Most scientific journals that I have experience with to not pay authors in any way. This is certainly the case with all IEEE journals and several other scientific journals. Signing over the copyright is the cost of entry if you want your work published. There are probably exceptions to this, possibly for work that is easily identified as ground breaking. But my experience has always been that there is nothing paid when the copyright is transfered. In fact, most journals still ask for printing charges. This are usually optional (and I opt out) except when color figures are included in the manuscript. If there are journals paying authors I would like to know.

    4. Re:Bullshit by commodoresloat · · Score: 3, Insightful

      The problem is that the writers are a kind of captive labor force in this situation. Often there is no way to publish in these journals without giving up your copyrights, and your profession (and perhaps the progress of knowledge itself) demands that you publish in these journals. So they don't have to offer a fair price for your work; in fact, they don't have to offer anything at all, and usually don't. (The better journals will at least send you a few offprints that you can share with family members). And the author can't turn down their contracts without sacrificing his/her goals in terms of producing knowledge and achieving peer recognition.

      Frankly, I don't see why journals should be allowed to acquire copyrights to creative work they didn't produce in the first place. I realize this is a practice that goes back about a century but I think it's time to reexamine it -- any copyrights should lie with the creator if they are really to "promote the progress of science and the useful arts."

    5. Re:Bullshit by commodoresloat · · Score: 5, Insightful

      It's not just about tenure; it's about the very goal of academic research -- to help advance knowledge. You don't do this without publishing in recognized peer-reviewed journals. And those journals call the shots in terms of what you give up to publish with them -- there is no negotiating; in fact, authors don't get paid at all. If you refuse to sign the contract, your article doesn't get published, even though it survived peer review. And don't say "just publish it on the web" -- it's not going to be taken seriously in your peer community without publication in recognized journals in your field.

      Academic authors are not in it trying to make a buck -- very few ever do, and certainly not through journal publications. I think that peer review should be the only filter on academic publishing; there is no reason that journals can't start publishing academic work without such contracts.

    6. Re:Bullshit by Anonymous Coward · · Score: 2, Interesting

      Why do scientists sell their copyright to journals? Because journals pay for it.

      This is not entirely true, at least not in my experience. In many cases, signing over the copyright is a precondition of publication, and no compensation changes hands.

      For example: A few years ago, I wrote a paper for an conference. To get it included in the proceedings, I had to sign over the copyright to the paper to the professional organization running the conference. Giving them a non-exclusive license to reproduce the paper was not good enough; they wanted the copyright outright. Not only was I not compensated for this, it was in addition to having to pay a non-trivial registration fee to attend the conference in the first place. When I complained to my management about this, they just shrugged their shoulders and said, "That's the way it's done." So I find myself in the curious position of not being legally allowed to distribute a paper that I wrote, and neither I nor my employer were compensated for the transfer of copyright.

    7. Re:Bullshit by Overzeetop · · Score: 1

      And why, might I ask, did you put it into the proceedings then?

      If it were the property of your employer, you pretty much do what they say as you've already been paid for the work. If it were your own material, then you choose to do it or not. Now, you may have received some other compensation (tenure, perhaps - though that's not really fair since tenure does not hing on a single presentation).

      I wonder how many would blink if you refused? I have had people ask for unlimited liability on several jobs, and specifically stated that they would go no less than $Xx10^6. I told them that $100k was my limit, and if that was too low they should find another designer. I ended up with the job, with my limit.

      I suppose you just have to be in a situation where you can take your marbles and go home.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    8. Re:Bullshit by Cassini2 · · Score: 2, Informative

      For example: A few years ago, I wrote a paper for an conference. To get it included in the proceedings, I had to sign over the copyright to the paper to the professional organization running the conference. Giving them a non-exclusive license to reproduce the paper was not good enough; they wanted the copyright outright. Not only was I not compensated for this, it was in addition to having to pay a non-trivial registration fee to attend the conference in the first place. When I complained to my management about this, they just shrugged their shoulders and said, "That's the way it's done." So I find myself in the curious position of not being legally allowed to distribute a paper that I wrote, and neither I nor my employer were compensated for the transfer of copyright.

      That is the way it works. If you include colour graphics, then many journals require payment before publishing your paper. In that case, you need to pay for the conference, and pay for the paper. In return the journal keeps your copyright, and stops you from reprinting your own paper.

      To prevent some of these excesses, the ACM now has a rule that explicitly allows authors to include ACM papers on the author's own website. As far as I know, the ACM is the only association that permits this.

    9. Re:Bullshit by Anonymous Coward · · Score: 0

      WRONG. At least in chemistry, we don't get paid for our articles. The American Chemical Society's journals allows the author to pay extra for the article ot be available for free online immediately as opposed to in 12 months. Additionally, I can't get an article published in an ACS journal without signing over my copyright. Yes, there are other journals out there, but they either require the same thing or are not as high impact. Sucks, but that's the reality of it.

    10. Re:Bullshit by melikamp · · Score: 1

      And don't say "just publish it on the web" -- it's not going to be taken seriously in your peer community without publication in recognized journals in your field.

      May be not by you, but I do not see any difference between private or corporate publishing, as long as the peer review process is similar. If someone gets her papers reviewed by 3 or 4 academics who are recognized specialists in the field and then puts them on her website, why should I trust that research any less? I would place my trust, first of all, in a paper that I personally read and understood (if I happen to be an expert), and then also in a paper that was read and understood by specialists. If you do not consider it good science, or if you do not see that we should, as academics, promote the option of non-commercial publishing, as long as it is backed up by a sound peer review, I am sorry to hear that.

    11. Re:Bullshit by pjt33 · · Score: 3, Informative

      It might be interesting to know whether this constitutes a valid contract. In English law, at least, you need "consideration" (both parties benefit), and you have situations whereby someone with a property which is effectively worth negative amounts (e.g. a house which would cost more to repair that it could be sold for once repaired) has to sell for a token amount (usually one pound) because giving it away wouldn't actually transfer ownership. Does having your paper published qualify as consideration?

    12. Re:Bullshit by commodoresloat · · Score: 2, Insightful

      The question isn't whether you personally might trust some random website over a well known journal; the question is whether the academic community does. I am all for "non-commercial publishing backed up by sound peer review"; the problem is if you're publishing in journals that nobody knows about or takes seriously, your work won't be read by others, it won't be cited in articles by other scholars or researchers, and it won't seriously make any kind of impact in your field. If your field has truly non-commercial outlets for academic work, and those outlets don't make you give up your rights as a precondition for publication, you're fortunate. I'd certainly love to see more of this throughout academia.

    13. Re:Bullshit by Anonymous Coward · · Score: 0

      http://en.wikipedia.org/wiki/Solution_of_the_Poincaré_conjecture#Perelman.27s_papers

      So sometimes people take you seriously if you just post something on the web.

    14. Re:Bullshit by Mark+Trade · · Score: 1

      I don't know if it's just in Information Retrieval or also in other branches of CS, but in IR journals are less prestigious than conferences. So, your first try, in general, is submitting it at a conference. You have to pay admittance to the conference, but I haven't had to waive my copyright yet.

    15. Re:Bullshit by Mr.+Underbridge · · Score: 1

      Academic authors are not in it trying to make a buck -- very few ever do, and certainly not through journal publications. I think that peer review should be the only filter on academic publishing; there is no reason that journals can't start publishing academic work without such contracts.

      Well, without exclusivity here's what'll happen: Nature publishes their journal on 9/1/09. Somebody scans all the articles and they're on the web on 9/2/09. Subscription rates to Nature go through the floor and they go out of business.

      I don't see any way we can have organized, peer-reviewed science without A) subscribers paying or B) authors paying. It's simply not free. Most people seem to think that B) is more objectionable since it would conflict with the nature of peer review. As above, A) is pretty much impossible without copyright protection. So there we are.

      Now, there are relevant arguments to be made that research more than X years old should be open, and these discussions are very active among non-profit professional societies (American Chemical Society, for instance). The more immediately solvable issue is supporting non-profit societies that publish journals vs. for-profit journals like Elsevier. Those are usually the ones with the most onerous terms, anyway.

    16. Re:Bullshit by melikamp · · Score: 1

      Yes, I see. It does indeed look like math is exactly the kind of field where one can get away with self-publishing.

    17. Re:Bullshit by melikamp · · Score: 1

      I don't see any way we can have organized, peer-reviewed science without A) subscribers paying or B) authors paying.

      The marginal cost of publishing on the Internet is zero and the one time cost could as well be zero for university employees in countries with developed Internet. The only thing that takes a lot of work is peer review. Optimally, you need a mediator who assigns specialists for a double-masked review. With modern technology this can be done very cheaply, by a single non-profit that does nothing else. Notice that you do not need to pay for the actuall review: members will do it for free. A nominal fee may be collected to support a small staff of mediators. A single mediator can easily process dozens of review requests per day: they just need to go into the database, get a random pick of reviewers who meet minimum requirements (field of study, topics of works that are notorious [1] in the scientific community) and email the assignment. Gosh, a computer could probably do it almost as well, and a lot faster!

      [1] Not "published"! Everything can be published.

    18. Re:Bullshit by sixsixtysix · · Score: 1

      maybe the academic community and their journals can just start a free, one-stop web site for all academia-related, peer-reviewed papers. that, or they can fuck off.

      --
      ...
    19. Re:Bullshit by Mr.+Underbridge · · Score: 1

      The only thing that takes a lot of work is peer review. Optimally, you need a mediator who assigns specialists for a double-masked review. With modern technology this can be done very cheaply, by a single non-profit that does nothing else.

      Your entire premise sounds like one of those "spherical body on a frictionless surface" problems that deal in the ideal instead of reality. In the real world, you need people like editors who generally have families to feed and require salaries. A lot of money goes into organizing such a publication, and long term, these people probably don't plan on working for free. Bear in mind, "non-profit" doesn't equate to "all-volunteer".

      A nominal fee may be collected to support a small staff of mediators. A single mediator can easily process dozens of review requests per day: they just need to go into the database, get a random pick of reviewers who meet minimum requirements (field of study, topics of works that are notorious [1] in the scientific community) and email the assignment. Gosh, a computer could probably do it almost as well, and a lot faster!

      Journals that operate like that exist today. Not surprisingly, they're of extremely low quality. You get what you pay for. Better journals put a lot more effort into operations than what you described.

      Additionally, many professional societies use their journals to make money that they funnel into educational programs. Considering that the publishers of most higher end journals are *already* non-profit, you're looking at the prospect of removing money from charitable pursuits to facilitate free access. Surprisingly, these issues aren't so simple when you look at all the angles.

    20. Re:Bullshit by bloobloo · · Score: 1

      By submitting your paper for publication, it shows that you want it to be published. By publishing the paper for you, they are performing a service. This is a valid consideration.

    21. Re:Bullshit by proslack · · Score: 1

      Journals are ranked by impact; there is a quantified pecking order. This matters a great deal in the "real world" of academia and research; promotions (e.g. government research grade increase, assist prof to associate to full prof), tenure (yes/no), and grant awards are all influenced by a researcher's summary journal impact rating. Read Impact Factor if you want to know more about this. Journal publications are part of the reality of working and publishing in science. If it isn't published, you might as well not have done the work. Although many journals are available on-line, most of the high-impact journals still produce print versions.

      --


      Floating in the black seas of infinity without a paddle.
    22. Re:Bullshit by call+-151 · · Score: 1

      As far as mathematics research goes, there is a huge range in journal prices depending upon the publisher. Many for-profit publishers (Springer, Elsevier, etc.) charge very high prices for journals, or have comprehensive pricing packages which make it hard to figure out how much a particular journal costs. Many journals are published by non-profit professional societies or universities, and those tend to be much more reasonably priced.

      There is an effort to only submit to journals which are reasonably priced- see, for example, the Banff Protocol where prominent researchers state their commitment to only contribute to, serve on editorial boards and referee for reasonable journals. Many of the most prestigious journals are still for-profit and there is of course pressure on untenured people to publish in the best journals they can, but there is a healthy set of more senior people who choose where to submit things incorporating journal expense as a consideration.

      --
      It's psychosomatic. You need a lobotomy. I'll get a saw.
    23. Re:Bullshit by k.ovaska · · Score: 1

      Are there journals that do pay authors? All the journals I have encountered in the biomedical field require the authors to pay a fee, which ranges from $0 to $2500.

    24. Re:Bullshit by Yogiz · · Score: 1

      I am not in any way knowledgeable about the situation with the peer-reviewed journals and I'm genuinely interested, what makes it so important to have to publish there? If you just released your article/research/whatever on your website, why should it make any less of an exposure in the long term if the research is valid and the results reproducible?

    25. Re:Bullshit by melikamp · · Score: 1

      To begin with, I understand that there are costs involved in preparing your research paper, so I basically agree with B) authors paying, but authors are already paying by investing an incredible amount of their personal time anyway. I am very much against A) subscribers paying, though. I am arguing that if the costs are low enough, it is better for everyone if authors absorb all costs and make their research public.

      Your entire premise sounds like one of those "spherical body on a frictionless surface" problems that deal in the ideal instead of reality.

      I may be guilty of oversimplifying a bit, but let's talk about it.

      In the real world, you need people like editors who generally have families to feed and require salaries.

      Some researchers are qualified enough not to need an editor. Most probably are not, but they can hire one. The price can be quite low, depending on the nature of the work. When one uses this option, there is no need to give up copyrights.

      A lot of money goes into organizing such a publication ...

      Organizing what? If someone is so dense that he cannot even use MS Word to slam some paragraphs, pictures, and references together, he will still only need one typist and one editor. Once you have a PDF with your study, the act of publishing on the Internet costs almost nothing and takes almost no effort.

      Journals that operate like that exist today. Not surprisingly, they're of extremely low quality.

      I don't think you justify this last statement in any way. Regardless even of how subjective it is, there are many fine counterexamples of self-published research, especially in math and computer science.

      You get what you pay for.

      WTF? Do you prefer Britannica over Wikipedia? MS Word over LaTeX? This is information we are talking about, not potatoes or furniture.

      I am not sure what your argument is anymore. I maintain that the peer review is a fundamental requirement for the advancement of science, I hope we have no disagreement here. I also recognize that publishing in a commercial journal is considered a necessity in many fields. I am simply saying: let us break this pattern. There is nothing wrong with self-publishing. There are very cheap ways to organize peer review exchange. There are many instances where editing is cheap or not needed at all. I believe that if one can self-publish this way, they should.

      There is no compelling reason to reserve copying rights for scientific research which helps to improve our society. This should be very clear to anyone who is doing science: every industrialized society has a gigantic army of people who get paid a flat rate (straight out of taxes) for doing nothing but teaching and research. Copyright or no copyright, research will be done just as well. And there is no compelling reason to believe that your research is "good" only after you got reamed from behind by a for-profit publisher, especially if that made your paper less accessible than it could have been on your personal website.

  8. Yes by Anonymous Coward · · Score: 0

    But the "of Academic Works" needs to be removed.

    1. Re:Yes by lgw · · Score: 1

      It's about the peer review, not the publication. Journals add value by recruiting respected referees. Publishing an article on your own is pointless. OTOH, a peer review process unrelated to any journal's editorial board would obviate the need for journals. That's easier to say than to do, however.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    2. Re:Yes by commodoresloat · · Score: 1

      yes exactly. You can publish any damn thing you want on the web, but if you want to make a dent in your scholarly field, you need to publish it in peer reviewed scholarly publications that are taken seriously in your field.

    3. Re:Yes by Lumpy · · Score: 1

      Well then these highly educated people are incredibly stupid.

      Only a complete and utter fool would allow knowledge to be squirreled away and kept under lock and key the way these despicable journals do.

      --
      Do not look at laser with remaining good eye.
    4. Re:Yes by commodoresloat · · Score: 1

      Oh, sure, easy. Now somebody get all the professional organizations to certify your website, get all the old school professors who write textbooks to start citing it, etc. etc. You don't really know much about academic publishing, do you?

    5. Re:Yes by lgw · · Score: 2

      What he suggests is totally possible, just not easy. However, a prestigious group within a field could set up such a website with themselves as reviewers, and it would be taken seriously in that field. If you think about it, it's just a journal without the paper copy (or copyright problems) at that point.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    6. Re:Yes by commodoresloat · · Score: 1

      Oh believe me, this already exists, in my field as well as many others I'm sure. And it is slowly but surely being taken seriously as it proves itself. But very slowly, and whatever the legitimacy, such forums are way behind the print journals in terms of credibility. The problem is the copyright issues are not high on these outlets' agenda, and many of them are owned by the print publishers anyway, so many of them still obnoxiously require authors to assign copyrights.

  9. Don't Abolish, Educate by DynaSoar · · Score: 1

    "I've even heard of academics who had to redo pretty much the identical experiment because they couldn't even cite their own earlier results for fear of a copyright claim."

    Pretty sad when an academic doesn't learn the relevant details of copyright as pertains to their work.

    You can't copyright a result, only the work that contains it. The results can always be expressed and referred to elsewhere. The ideas can be expressed elsewhere as long as they are not presented in the same words (apply 'fair use' here; this is academics after all). The situation as stated pertains to academic research. When done commercially, or in an academic setting for a commercial entity, the copyright goes to the owner, not the researcher. Cross that line and you're in far deeper waters than mere copyright infringement.

    --
    "I may be synthetic, but I'm not stupid." -- Bishop 341-B
    1. Re:Don't Abolish, Educate by interkin3tic · · Score: 3, Insightful

      Pretty sad when an academic doesn't learn the relevant details of copyright as pertains to their work.

      Some of us are so busy trying to teach relevant classes, get the results to publish, write the papers, get them approved, get our work funded, pass tests, give lab meeting, and/or manage our non-academic lives that we don't give much thought to the subject.

      And then there are those few of us who waste so much time on /. and other websites that it really invalidates the points we are trying to make on those websites...

  10. I wonder how MIT's "Open Journal" handles this by peter303 · · Score: 4, Informative

    MIT is encouraging every faculty member to deposit an electronic copy of their published papers into a free library server. And MIT is providing free software and hardware resources to do this. MIT is one of 50 universities that now do this, but made the biggest splash announcing it earlier this year.

    However a faculty can opt out a paper if a journal absolutely refuses making a paper open as some do. A more common compromise is the journal has electronic rights for 12 months with faculty rights after that. All in the name of financing the journal.

    1. Re:I wonder how MIT's "Open Journal" handles this by commodoresloat · · Score: 1

      A more common compromise is the journal has electronic rights for 12 months with faculty rights after that. All in the name of financing the journal.

      Interesting - some journals have the same deal with databases for university libraries, which I find ludicrous. The library subscribes to the database, which includes a subscription to X journals online... But it turns out, many of those journals are incomplete, the most recent issues are not available. This forces the library to subscribe to the print journal as well, at least in any field where there is a department who wants to stay current at that university. Why bother to offer online subscriptions when they are so crippled as to be less useful than print?

    2. Re:I wonder how MIT's "Open Journal" handles this by BitZtream · · Score: 1

      I thought these people were supposed to be educated, why the fuck are they letting themselves be taken advantage of?

      --
      Persistent Volume manager for Kubernetes - https://github.com/dwimsey/openshift-pvmanager
    3. Re:I wonder how MIT's "Open Journal" handles this by Lumpy · · Score: 1

      A solution is to publish the paper under creative commons first. Then go ahead and give it to the journal.

      They cant retroactively consume copyright.

      come on, these are Professors with multiple Phd's I figured you guys would be smart enough to outwit some greedy IP whores like the different journals.

      --
      Do not look at laser with remaining good eye.
    4. Re:I wonder how MIT's "Open Journal" handles this by call+-151 · · Score: 1

      Many other researchers adopt a similar policy themselves- post their work on the arxiv preprint server immediately before submitting to a journal. That way at least one version of the paper is available forever for free. I've never heard of a journal (math or CS) that has had any difficulty with that, or even with putting the current version (post-refereeing and revising) on your own web page. But other disciplines, particularly medicine, control things much more tightly and I don't know as much about the standard things there.

      --
      It's psychosomatic. You need a lobotomy. I'll get a saw.
  11. Fuck you submitter and/or ScuttleMonkey by clarkkent09 · · Score: 0, Flamebait

    Some are claiming

    Can't wait to meet those Some! They seem to appear in every propaganda story about copyright on /.

    I've even heard of academics who had to redo pretty much the identical experiment

    Really?! Where did you hear of them? Overheard conversation on a bus? National Enquirer letters to the editor? Can't wait to find out!

    That's bad for everyone.

    Wow, thanks! I finally get it now!

    From TFA: admittedly, I'm already a strong believer in the harm done by copyright in many instances

    Impartial source too! This story really makes me excited! Let's overthrow those evil copyright laws right now. Rise up comrades, you've nothing to lose but your chains!!!

    --
    Negative moral value of force outweighs the positive value of good intentions.
    1. Re:Fuck you submitter and/or ScuttleMonkey by jstults · · Score: 1

      Parent is not flaimbait; the summary and the article are bullshit and cite no relevant sources (they obviously don't understand how academics work).

      No one has to 'redo pretty much the identical experiment' because they published some results and analysis based on some measurements. The journal owns the copyright on the *article* not the *data* ...

      And citing previous academic works is the definition of fair use...

      Fucking slashtards

    2. Re:Fuck you submitter and/or ScuttleMonkey by TerranFury · · Score: 1

      The given example seemed unrealistic (obviously you can cite other work*), but the overall situation is very real: Academics do in fact routinely (1) sign away their rights to redistribute their work in order to get it published in a "real" journal, and then (2) behave as though they still retain the rights (by posting their papers on their websites).

      The real solution (or one of them) would be for academics to read the agreements they sign and renegotiate them. But most don't bother to read them (they're viewed similarly to software EULAs), and laugh them off if they do.

      *(There was at least one case in which an author ran into legal trouble by reproducing either a small table of data or a figure (I forget which) in another paper; although he cited it properly by the social conventions of academia he still got hit by a lawsuit. But that's rare. Unfortunately I don't remember the original article.)

  12. Same reason I hate patents by Moof123 · · Score: 1

    In engineering there is a quiet underground of folks who are smart enough to never patent the really good stuff. If the really good stuff gets patented, you are screwed out of using it once your MBA overlords Layoff/RIF/Right Size/Down Size/Work Force Manage/etc you into working elsewhere.

  13. Costs of transition... by sys.stdout.write · · Score: 1
    If you read the PDF on Harvard's website instead of just the linked techshit (er, sorry, techdirt) article you will be well rewarded.

    One of the things I found unpersuasive in Professor Shavell's article was the following:

    Furthermore, universities should not face great difficulties in financing publication fees, for they would no longer have to purchase journal subscriptions or books.

    I am wholly unpersuaded that the savings of having to purchase a small number journal subscriptions would in any meaningful way offset the costs of having to pay for printing (for physical distribution) and bandwidth (for digital distribution).

    I don't disagree with the article in general, but he does a lot of hand-waving about the costs of this proposed transformation. Just something to keep in mind.

    1. Re:Costs of transition... by FroBugg · · Score: 1

      Do you have any idea how much journal subscriptions cost? And any institution with more than a handful of fields is subscribing to dozens and dozens of them.

    2. Re:Costs of transition... by Anonymous Coward · · Score: 0

      "small number of journal subscriptions" ? Have you ever used the journal search feature at a large research university library? The two I've used had subscriptions to hundreds, if not thousands of journals. I have no idea how much they cost, but lets say .1% of the common $100/yr individual subscription. With 40000 faculty and students, that could come out to multiple tens of millions of dollars per year per university. I don't know if that's an accurate number, but its certainly a reasonable one, assuming a multi-billion dollar endowment.

    3. Re:Costs of transition... by Anonymous Coward · · Score: 0

      To get you some numbers, which I agree are lacking. The average cost of subscription to an Elsevier journal is $2162. The library at the college I go to (the Medical College of Wisconsin) subscribes to 3295 journals (and they have a pretty poor listing, especially in the basic sciences). Let's guess ~1/3 of those are open and therefore free (I'm sure it's less than that, but I'll be conservative). So a little quick math, that's ~$4 million. Let's throw in a 50% volume discount (I don't think it happens, but I'll put it in) still $2 million.

      I feel like you could do a good bit of printing and bandwidth for that.

      A couple of caveats:
      -This is all very back-of-the-envelope, how-many-piano-tuners-in-chicago, but the data is real (got it from Elsevier's librarian US$ price sheet and our Library webpage)
      -This doesn't start to count all the databases, and other journal related thingies they subscribe to (another 85, and considerably more expensive each)
      -This really is a rather small library, missing out on whole swaths of journals (physics, chemistry, anthro, etc.) since it is focused on medically relavent stuff. So that guy at Iowa state above, you can just imagine the cash they're dropping.

  14. Copyright violations by Drakkenmensch · · Score: 1

    The original article violates copyrights on the Webster Dictionary. Please refrain from using words in future articles.

    1. Re:Copyright violations by selven · · Score: 1

      soundz liek most f teh internetz wont bee afected atall

  15. The Implications of the Alternative by Shirakawasuna · · Score: 1

    What would replace the current system, exactly? Free peer review coupled with nearly-free publishing? Take a look at the PLoS, which is invaluable. However, it also does *not* have peer review because that requires maintaining a specific board of reviewers and at least one editor. This is why you can find unscientific trash like Intelligent Design 'papers' in there along with the world-class science. While I think the best situation for science would be great peer review with completely open access, I just don't see it working well without a huge amount of peer review volunteering, which could arguably switch the incentives for (peer-reviewer) performance completely around. If someone finds a solution to this, it would be great, but it's a dangerous experiment to simply throw out copyright in academia, particularly science.

    1. Re:The Implications of the Alternative by Hatta · · Score: 1

      While I think the best situation for science would be great peer review with completely open access, I just don't see it working well without a huge amount of peer review volunteering

      Peer review is already done on a volunteer basis. Your peers are other researchers in your field, not employees of journals.

      --
      Give me Classic Slashdot or give me death!
    2. Re:The Implications of the Alternative by lbbros · · Score: 1

      Take a look at the PLoS, which is invaluable. However, it also does *not* have peer review because that requires maintaining a specific board of reviewers and at least one editor.

      Ahem, are you sure? I sent a paper early this year to PLoS ONE and indeed there was quite a bit of peer review, in fact I had to significantly modify it to have it accepted. So much for absence of peer review...

      --
      A CC-licensed illustrated horror novel
    3. Re:The Implications of the Alternative by Shirakawasuna · · Score: 1

      Peer review does not end with publication, of course, but merely getting published is a substantial and important barrier, with the journal's peer reviewers being the guards. This is why citing from the peer-reviewed literature is important, for one example. It isn't perfect, but it's one extra layer of academic validity.

      Does your post imply that you'd be fine with doing away with peer-reviewed journals?

    4. Re:The Implications of the Alternative by Shirakawasuna · · Score: 1

      Then they have significantly changed their standards or are very inconsistent, lbbros.

    5. Re:The Implications of the Alternative by Hatta · · Score: 1

      Does your post imply that you'd be fine with doing away with peer-reviewed journals?

      As they exist today, yes. Peer review does not require an extremely expensive paper journal to function.

      the journal's peer reviewers being the guards.

      See, the peer reviewers do not belong to the journal. They are members of the scientific community. There's no reason that the peer review mechanism would not work to vet papers submitted to a free public repository, instead of a private, for profit journal.

      --
      Give me Classic Slashdot or give me death!
    6. Re:The Implications of the Alternative by lgw · · Score: 1

      What the journal provides (or should) is (a) management of the list of reveiwers, (b) initial vetting of submissions to weed out the crazies, (c) publication. The web makes (c) unnecessary, but you'd have to do something about (a) and (b) that did some filtering over the quality of ideas.

      Today the prestige of the journals provides an important filter: obviously good ideas get accepted by "good" journals and get A-list reviewers, mediocre ideas get accepted by other journals and get B-list reviewers, pointless ideas get rejected by all. That's a hard system to replicate without a competing commercial interests. It's particularly important that prestigious reviewers are asked occasionally to review ideas that they find boring, but some third party thought worthwhile.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    7. Re:The Implications of the Alternative by Shirakawasuna · · Score: 1

      Peer reviewers at journals are commonly paid. I know this is an old issue, but I felt the urge to comment (massage that ego, yeeaaahhh). I'm all for volunteer reviewing, which also happens, but adopting as a norm by law (implied by copyright law reform in academia) is as I said: a dangerous experiment. Scientists are busy people who already sacrifice quite a bit of their science in outreach and teaching, when they're in academia. Asking that they not get paid to be reviewers may not work out to be as beneficial as pure public access, as valuable as that would be.

  16. A bit of work to do first... by Profmeister+3000 · · Score: 4, Insightful

    Many academics are rewarded by publishing in journals with top reputations. It takes time to develop alternative, low-cost, online journals that use better copyright regimes AND have a solid reputation. Creating a new journal with a decent rep takes years (best case 2-3, to get indexed and earn a healthy impact factor, and likely much, much longer). Worthwhile goal, but progress will be slow.

    1. Re:A bit of work to do first... by call+-151 · · Score: 1

      The quickest way to accomplish good, low-cost journals is by mass resignations of editorial boards from top (expensive) journals and then starting a low-cost alternative. It has happened, under the leadership of giants like Knuth and I am hopeful this becoming more widespread shortly. The current system is not sustainable.

      --
      It's psychosomatic. You need a lobotomy. I'll get a saw.
    2. Re:A bit of work to do first... by Profmeister+3000 · · Score: 1

      Thanks, that's a great example. Do people know of any others?

      This is a particularly critical time for academics outside of the US. Much of the world seems to be transitioning to an American-like focus on journal pubs. Everyone is busily constructing lists of acceptable journals, complete with the number of points earned for each hit.

      On one list I saw recently, Elsevier journals (the publisher rebelled against above) deliberately got more points than others because of their higher reputation. This could lock-in commercial publishers for another generation.

    3. Re:A bit of work to do first... by call+-151 · · Score: 1

      Two others come immediately to mind:

      Mass resignation of Topology

      K-Theory board resigns, with some odd weirdness described here

      The Eureka journal watch page has more info, but it needs some updating.

      --
      It's psychosomatic. You need a lobotomy. I'll get a saw.
    4. Re:A bit of work to do first... by call+-151 · · Score: 1

      Another tangentially-related episode, again involving everyone's favorite publishing villains at Elsevier, was the fake medical journal with no credible peer review which Elsevier was happy to publish.

      --
      It's psychosomatic. You need a lobotomy. I'll get a saw.
  17. Don't throw the baby out with the bathwater by netruner · · Score: 3, Insightful

    The example in the summary could be easily handled by disallowing the transfer of copyright ownership for academic materials - making the originator always the owner with the option of allowing others to use their work.

    We have to remember the purpose of IP law - when it ceases to protect creators of intellectual works, it is no longer serving its purpose.

    --



    DISCLAIMER: This post was not checked for speling and grammar- if you complain- you're a whiner
    1. Re:Don't throw the baby out with the bathwater by Anonymous Coward · · Score: 0

      We have to remember the purpose of IP law - when it ceases to protect creators of intellectual works, it is no longer serving its purpose.

      You've missed the purpose here. IP law isn't intended to protect creators. That's just the easiest way to accomplish its true goal: encouraging the creation of new things.

  18. Moral but not necessarily practical problem by MLCT · · Score: 4, Informative

    I've even heard of academics who had to redo pretty much the identical experiment because they couldn't even cite their own earlier results for fear of a copyright claim.

    They can cite them, i.e. "we have previously found [REF]", without infringing anything, so I think you have gotten mixed up there. What they cannot necessary do without infringing is reproduce data/figures without gaining copyright exemption. It can be handled two ways, both involve citing the earlier work along with the reproduction to be absolutely sure that you are nobody thinks you are plagiarising yourself, and if you want to be proper about it then you can get a copyright exemption (which happens all the time for review articles). It will almost always be granted, but it is just a bit of a hassle to get sometimes. These points don't negate any discussion about the moral or ethical repercussions of being forced to sign over copyright - that is different - but practically there are no great repercussions.

    I have had to sign away copyright on work I have done, and it does feel wrong. But on the other hand the journals are relatively relaxed about the situation, and you don't see legalise copyright warnings being posted to anyone. If journals annoy authors then said authors don't publish in those journals so they have to be careful. If academic establishments stopped paying subscriptions to journals then it might also be different - as at that point all of the copyrighted works the publishers hold become a rather more active asset to exploit since they may not be making any money from subscriptions (in some open access models for example).

    1. Re:Moral but not necessarily practical problem by datababe72 · · Score: 3, Insightful

      Yeah the bit about not being able to cite your own work is just wrong. In fact, journals compete partially on impact scores, which are based on how many citations their papers get. The would have no motive to go after people citing papers they published, even if they had some legal basis to do so- which I don't think they do.

      Copyright on academic papers is to provide some financial reward for those who edit and publish the paper, not the person who created the paper. There are other models emerging to pay for this work (e.g., PLoS), but it is real work and it won't get done for free. Just abolishing copyright is unlikely to be a productive approach.

    2. Re:Moral but not necessarily practical problem by Anonymous Coward · · Score: 0

      Copyright on academic papers is to provide some financial reward for those who edit and publish the paper, not the person who created the paper. There are other models emerging to pay for this work (e.g., PLoS), but it is real work and it won't get done for free. Just abolishing copyright is unlikely to be a productive approach.

      Actually, it already happens for free. I've reviewed several academic papers and never gotten a cent for it. In fact, the point is that the review SHOULD be free so that there is no bias. Editing is different, but frankly, I don't see why this couldn't be done at the same time as the review. As an academic, if I felt engaged in the journal I'm reviewing for, I wouldn't mind going over the article and pointing grammar, spelling,...,mistakes.

    3. Re:Moral but not necessarily practical problem by ioshhdflwuegfh · · Score: 1

      Yeah the bit about not being able to cite your own work is just wrong. In fact, journals compete partially on impact scores, which are based on how many citations their papers get. The would have no motive to go after people citing papers they published, even if they had some legal basis to do so- which I don't think they do.

      You are confused about the difference between citations and references. They don't need to cite their previous work when they can refer to it. Impact scores are based on the number of references, not on the number of citations. To be fair to you, it should be said that this confusion is in part generated by a common practice of calling references citations, which they are not.

  19. Don't copy that floppy mofo! by Anonymous Coward · · Score: 0

    Sup dawg we herd you liek citing copyrighted academic works so we put a citation in your citation so you can cite while you citing!

  20. What we need is publicly funded journals by Goalie_Ca · · Score: 5, Insightful

    Basically journals get academics to edit and review for free, to write for free, they force you to sign over copyright, and they charge you to access your own paper. Generally university libraries fork over tons of money to get a campus wide subscription to each and every journal. Everyone has to publish or perish (even masters students). Most of the research is probably government and publicly funded anyways. Anyone see anything wrong with this??

    --

    ----
    Go canucks, habs, and sens!
    1. Re:What we need is publicly funded journals by Faizdog · · Score: 1

      Recent comic in PhD (Piled Higher and Deeper) comics touched on this:
      http://www.phdcomics.com/comics/archive.php?comicid=1200

      --
      -"Those who fought today will die tommorow."-
    2. Re:What we need is publicly funded journals by cathars1s · · Score: 1

      Nothing wrong with this, as long as you enjoy having academic research controlled by the government.

    3. Re:What we need is publicly funded journals by Anonymous Coward · · Score: 0

      Every paper published in every journal includes the source of funding. It's vanishingly rare to see a paper that isn't funded at least in part by the government. As far as control goes, the government only controls how much cash goes to the various agencies and the heads and boards of those agencies, typically current and/or former academic researchers themselves, pretty much have a free hand in setting funding priorities, and little if any control over whether or not the proposal "Role of rectal flocculations in the spread of tapeworms via the Bovine vector in Brazilian organic ranching" from Dr. Bob Smith at University of State University gets funded or not.

    4. Re:What we need is publicly funded journals by nine-times · · Score: 0, Troll

      I'm just wondering-- this isn't a topic I'm all that familiar with-- but do journals really serve a very good purpose these days? I'm assuming that whatever the purpose is, it's not simply the distribution of the articles, since that can easily be done online for free.

      As far as the "publish or perish" nature of academia, that in itself seems like a problem to me. I've had some exposure to that quality of academia, and it always feels like it's the wrong focus. I've wondered if there shouldn't just be more of a split between research institutions and educational institutions-- or something...? I'm not sure it really works that well to have such a results-driven approach to education and academic study. Or am I completely misunderstanding the situation?

      It seems to me like you could have research institutions that handled peer review and offered some degree of endorsement to studies which are deemed to have been carried out in reasonable ways, but without it being connected to the publishing/copyright concerns involved. On the public funding issue, it seems to me like anything that is funded by the government shouldn't be granted any patents or copyrights, but should just be entered into the public domain. But I'm sure someone will tell me why that's crazy-talk.

    5. Re:What we need is publicly funded journals by Anonymous Coward · · Score: 0

      The only hole I can see in making research and journals publicly funded is now interest groups are more likely to pressure previously imparitial journals to publishing their interests. Lets say a computer company donates a lot of money to make sure their field gets good articles saying it's a upcoming and booming field.

      This probably already happens, just saying that that's the obvious downside to publicly/government funded research.

    6. Re:What we need is publicly funded journals by jstott · · Score: 1

      Basically journals get academics to edit and review for free, to write for free, they force you to sign over copyright, and they charge you to access your own paper. [...] Most of the research is probably government and publicly funded anyways. Anyone see anything wrong with this??

      No, I don't (and I say this having both published and reviewed academic articles myself).

      The point most people here seem to not understand (or find inconvenient) is that most of these journals are published by non-profit organizations. The only significant exception is Elsevier, and I don't publish in their journals.

      We researchers submit and review for free because otherwise the journals would stop publishing. Physical Review, for example, publishes something like 150000 pages of articles a year — and that costs money. Yes, they charge libraries a lot, but financially, they're luck to break even each year.

      As for charging you for access to your own papers, the policy varies from journal to journal, but here's the APS policy from their author copyright FAQ:

      As the author of an APS-published article, may I provide a PDF of my paper to a colleague or third party?
      The author is permitted to provide, for research purposes and as long as a fee is not charged, a PDF copy of his/her article using either the APS-prepared version or the author prepared version.

      Similary policies are spelled out for Wikipedia articles, re-use of figures in other articles, on-line reprints, and the like. Frankly, I've never heard of a copyright transfer getting in the way of getting work done...

      -JS

      --
      Vanity of vanities, all is vanity...
    7. Re:What we need is publicly funded journals by Anonymous Coward · · Score: 0

      Nope. The reason is that all the information is usable. The copyright protects the actual paper, and not the information within. You want to read a paper, then use the result in some new technology you're creating? Go right ahead. You want to copy the paper and hand it out? Can't do that and you should be able to. The publishers need protection to recoup the money spent in getting the article out there in the first place.

    8. Re:What we need is publicly funded journals by Ares · · Score: 1

      We researchers submit and review for free because otherwise the journals would stop publishing. Physical Review, for example, publishes something like 150000 pages of articles a year -- and that costs money. Yes, they charge libraries a lot, but financially, they're luck to break even each year.

      From their copyright FAQ:

      Why should I transfer copyright to APS?

      <snip> This permits APS to publish the article and to defend against improper use (or even theft) of the article. It also permits APS to mount the article online and to use the article in other forms or media, such as PROLA. <snip>

      while i imagine the same "logic" is applied nearly universally among all publishers, all i can say to this is what a bunch of crap. aps doesn't need copyright to publish the article. a non-exclusive license suffices for such purposes. as to defending against improper use, aps will have a copyright on the collective work in which the paper is published and can pursue copyright violations in that regard, and the author of a published paper can pursue his or he own defense against improper use. again, aps merely needs a license to "mount" the article online or use it in other forms or media. such a license can even be fashioned to be broad enough to encompass technologies not yet conceived of.

      this leads me to believe that aps has some other motive for requiring copyright assignment before publication.

    9. Re:What we need is publicly funded journals by ioshhdflwuegfh · · Score: 1
      I've no idea why the parent post is modded Troll when it is one of the better posts here.

      I'm just wondering-- this isn't a topic I'm all that familiar with-- but do journals really serve a very good purpose these days? I'm assuming that whatever the purpose is, it's not simply the distribution of the articles, since that can easily be done online for free.

      Of course that's not their only purpose, as you further write:

      As far as the "publish or perish" nature of academia, that in itself seems like a problem to me. I've had some exposure to that quality of academia, and it always feels like it's the wrong focus. I've wondered if there shouldn't just be more of a split between research institutions and educational institutions-- or something...? I'm not sure it really works that well to have such a results-driven approach to education and academic study. Or am I completely misunderstanding the situation?

      You're not misunderstanding the situation, and these are very good questions, hard to properly answer without going on in depth. The distinguishing between educational and research functions of academia is very good starting point, but I don't think you could carry on that distinction to the actual separation of the two functions in academic practice.

      It seems to me like you could have research institutions that handled peer review and offered some degree of endorsement to studies which are deemed to have been carried out in reasonable ways, but without it being connected to the publishing/copyright concerns involved.

      This seems as a reasonable idea, but really hard to implement. Which institutions would do this work? For starters, they shouldn't be doing research because of the conflict of interests. With journals however, there is no such a conflict, but rather an interest to publish the best research available. But then we have a problem with copyright.

  21. Let's fix that typo... by argent · · Score: 1

    We have to remember the purpose of IP law - when it ceases to protect creators of intellectual works, it is no longer serving its purpose.

    I think that should be "We have to remember the purpose of IP law - when it ceases to encourage the production and publication of intellectual works, it is no longer serving its purpose."

    Not that this changes your conclusion significantly... the journal would get a non-exclusive license to the work, rather than copyright, with possibly some embargoed period of exclusivity for the work as a whole. Yes, I know that sounds like it's recreating part of 18th century copyright law as a contract between the author and the publisher, but that may be what's necessary.

    1. Re:Let's fix that typo... by Wildclaw · · Score: 1

      We have to remember the purpose of IP law - when it ceases to encourage the production and publication of intellectual works, it is no longer serving its purpose."

      I would add reproduction in the above list. What point is it to have lots of excellent works of art when 90% of your population can only afford to see a few of them. Which btw is a big reason why copyright is failing now. With current reproduction capabilities, the increase of production/publication is more than negated by the reduction of reproduction.

      But otherwise I agree. Anyone who thinks ordinary property laws are there to protect the individual has failed to understand what society is about. Laws are supposed to be there to make society function better, improving the living as a sum of all. Depending on the values and morals of the society, that sometimes means having laws where individuality is promoted and individuals protected. Or sometimes it means sacrificing one for the good of the many.

      Personally I think copyright needs two big changes. First of all, sampling should be extended to allow far more, including reuse of characters and environments from other works of art. Basic ideas shouldn't be copyrighted, only their presentation. Secondly, non-commercial as in private copying needs to become legal. The cost of not having it legal is becoming too huge for society to carry.

      Of course, continous debate and evaluation is needed to ensure that our current production doesn't collapse. But any copyright that isn't atleast moving in that kind of direction doesn't have the interests of a modern zero cost copying society in mind.

  22. tweeting and blogging banned at science meetings? by peter303 · · Score: 2, Insightful

    One of the leading science journals Nature just had an editorial requesting that scientific societies establish policies on tweeting an blogging of talks at conferences. They recommend either complete openess or complete closure. Much of this now done by tech-savy excited grad students chatting among themselves. But some scientific societies consider this a form of competitive pre-publication, particularly in biosciences where commercial speed is important.

    This concern is not new. I've been at conferences in the pre-digital era where sneaky people tape record the talk and film photograph every slide. New technology in every cellphone make this much easier to do.

  23. Need for a special academic copyright? by Volda · · Score: 2, Insightful

    Maybe they should make a special copyright for academic works. Allow the schools to create a copyright but its a limited copyright of sorts. People could freely use it, reference it or copy it for their personal use but if they ever want to sell it they then have to talk to the institution that holds the copyright for it and get permission or setup a deal.

    Personally though im of the mind that if something was created in the academic world it should be fair game for everyone not looking to make money because our tax money partially paid for it. Anything innovated for profit from said copyright should at least acknowledge and pay something to the original inventor. You take public funds and you'd better be willing to give that item, idea or whatever to those that funded it. The public. They couldn't of made it otherwise.

  24. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  25. Re:So it's a good thing? by NewbieProgrammerMan · · Score: 1

    I would think that repeating an experiment falls into the category of "Scientific Rigor" -- if academics are unwilling to their experiments (albeit this seems for the wrong reasons), they are in the wrong job...

    Most people doing experiments don't have unlimited resources to redo something they did right the first time. As far as the "rigor" part goes, the idea is to get *other people* to do the experiment...having the same people do it over again doesn't really do much to show reproducibility.

    --
    [b.belong('us') for b in bases if b.owner() == 'you']
  26. Shorter Copyright? by Bob9113 · · Score: 5, Insightful

    Why abolish? Why not simply shorten?

    Originally copyright was 7 years plus 7 years (if you filed for an extension). That might work better than either abolition or the current situation.

    Or how about logarithmic payments? Free for the first five years, $1,000 for the next five, $1,000,000 for the next five (or whatever).

    Black and white debates, all or nothing, strike me as mimicking our current political trainwreck of two sides hating each other and refusing to consider the middle ground. Academics should be able to profit from their work (or their sponsors should) for a limited period of time, then it should enter the public domain.

    FWIW, I think the same approach makes sense for all copyright -- a period to make a profit, an extension period where you can choose to pay to keep your monopoly, with the cost increasing over time. Seems to capture the best of copyright (giving the creative the opportunity to turn a profit) and also captures the increasing cost to society over time of monopoly.

    1. Re:Shorter Copyright? by davek · · Score: 1

      Mod points! I need mod points! Parent needs to be a +5 Insightful!

      Abolition is not usually the answer (with rare notable exceptions). The answer is prudent application of the spirit of the law, which in this case means limiting the length of copyrights.

      --
      6th Street Radio @ddombrowsky
    2. Re:Shorter Copyright? by zsau · · Score: 1

      That wouldn't come close to solving the problem--seven years can be a long time in science.

      --
      Look out!
    3. Re:Shorter Copyright? by Theaetetus · · Score: 1

      That wouldn't come close to solving the problem--seven years can be a long time in science.

      And? Copyright doesn't prevent other scientists from reading the work, expanding on it, using it as a stepstone to new ideas, etc.

    4. Re:Shorter Copyright? by martin-boundary · · Score: 1

      Or how about logarithmic payments? Free for the first five years, $1,000 for the next five, $1,000,000 for the next five (or whatever).

      Those would be exponential payments. The logarithm is the inverse, which grows very slowly, much more slowly than the number of years.

      For example, exp(1) = 1, exp(5) = 148, exp(10) = 22,026. exp(20) = 485,165,195, whereas log(1) = 0, log(5) = 1.6, log(10) = 2.3, log(20) = 3.

    5. Re:Shorter Copyright? by zsau · · Score: 1

      My post should've been read as saying "if there's a problem, this wouldn't solve it".

      --
      Look out!
    6. Re:Shorter Copyright? by Bob9113 · · Score: 1

      hehe - thanks - I not math good. :)

      Then again, you do get a logarithmic number of years per dollar. :)

  27. Re:tweeting and blogging banned at science meeting by lbbros · · Score: 1

    But some scientific societies consider this a form of competitive pre-publication, particularly in biosciences where commercial speed is important.

    As an aside, that is why I think the life sciences area has been completely dried up due to this mentality and to the publish or perish syndrome. And yes, I happen to work in the field myself...

    --
    A CC-licensed illustrated horror novel
  28. Suggestion not well thought through by Roger+W+Moore · · Score: 3, Interesting

    I agree. Without copyright every OSS product with significant academic contributions would suddenly lose GPL protection. There would also be huge legal fights for faculty over whether work was done on your own time (and therefore copyrighted) or done at work (and therefore public domain). You will also have trouble finding people to write academic textbooks - why write something if a publisher can just rip it off and make a (relatively small!) profit from your work? In addition you may see a significant brain drain from the US as faculty who make money from copyrights (authors from all disciplines, artists etc.) move to countries where their work is protected.

    Indeed it would likely curtail sharing of material since I am more than happy to share my reserach code and educational material to those who ask for it under the CC non-comercial, share-alike license but would be far less likely to share if I knew some publisher could get hold of the material and sell it for profit (assuming they thought it worthwhile which is doubtful!) without my say. As you suggest what we really need is sensible fair use rights defined and enforced. Just because the current copyright system is being abused does not mean that the solution is to abolish it!

    1. Re:Suggestion not well thought through by virtualXTC · · Score: 1

      BS!

      Just because as an academic, I could copy a commercial work and make a few changes to it with out fear of the copyright police coming after me, doesn't mean that a commercial entity could now take that work and use it as if there wasn't any copyright of the original. It just means my contribution is free. This is like including snippets of BSD code in GPL code, and wouldn't harm any projects created by outside communities.

      As far as fights breaking out over where work was produced, this would be no different than current patent rights issues in academia. If you aren't being productive, or there is a clear conflict of interest your institution is likely to fire you.

      Finally, if copyright is abolished in academia, this wouldn't stop you from selling a commercial textbook with protection against other commercial, it just means that students in academia won't have to pay to get a copy of it. Most likely this means books written specifically for students would have to be funded though some other means, such as a grant or charter. I can't see how this would be a bad thing as some of the experiences I've had with the current system tells me it's severly broken. For instance the professor who taught chemistry at WPI mandated his book be used for the class. No one else used the book because it was so poorly written, making the on-line used market virtually non-existent and thereby forcing all sales to go though the school bookstore for twice the cost of any other chemistry text. Not to mention the correction manual that came with the book was almost half as large as the book it self, making fluid reading nearly impossible. Furthermore, NIH already hosts many text books they've bought the rights too or that have been donated. Similarly, there's a whole slew of textbooks already being published on the internet for free and being modified like an open source software projects.

    2. Re:Suggestion not well thought through by Anonymous Coward · · Score: 0

      haha wat? people don't write textbooks because they want money. well, some people do, and those people shouldn't write textbooks.

    3. Re:Suggestion not well thought through by Anonymous Coward · · Score: 0

      I agree. Without copyright every OSS product with significant academic contributions would suddenly lose GPL protection.

      GPL wouldn't be needed without copyright. It is needed now just to prevent closing the derivative works built upon GPL basis. Only reason you would need something like GPL in world without copyright would be to prevent sourceless extensions from appearing. However, surely buyers would feel they get better quality when they buy well-documented copies then "blind" (my apologies to vision-impaired people) copies. Besides, without copyright, we could reverse-engineer anything at will and thus partially recreate the sources.

    4. Re:Suggestion not well thought through by Roger+W+Moore · · Score: 1

      GPL wouldn't be needed without copyright.

      I'm not sure I agree - but that is not what was under discussion: we were talking about removing copyright from academic work only, not all copyrights. Even if all copyright were abolished there would still be a reason for the GPL. The GPL requires companies to disclose modified source code if they distribute. Even if that source code had no copyright how would you actually get hold of it without the GPL? Leaks? That's one of the things I like about the GPL. If someone ever does something clever with something I've written I'll not only be able to appreciate it and use it I'll be able to understand how they did it too.

    5. Re:Suggestion not well thought through by Roger+W+Moore · · Score: 1

      I agree - you write a textbook to educate....but while I would not care about making money I would care if someone else was able to take my work and make money off it without having to share any money they made with me.

    6. Re:Suggestion not well thought through by Roger+W+Moore · · Score: 1

      Just because as an academic, I could copy a commercial work and make a few changes to it with out fear of the copyright police coming after me...

      What? Where did this come from? We are talking about original work here - what you describe is plagiarism - at least if you are passing the changed piece off as your own. Independent of copyright that is unethical.

      This is like including snippets of BSD code in GPL code...

      I agree - and if snippets is all it is then you are fine. However quite a few projects started as academic exercises, or are supported heavily by Universities. In these cases the bulk of the code would suddenly loose GPL protection.

      Finally, if copyright is abolished in academia, this wouldn't stop you from selling a commercial textbook with protection against other commercial, it just means that students in academia won't have to pay to get a copy of it.

      Ah - I suppose it depends on what you mean by "abolish copyright". If it means that copyright simply does not apply to academics i.e. we could just ignore copyright on any material that we use for academic purposes but any original material we produce is public domain then I'd go for that as a fair trade.
      I agree that the free text book sector is beginning to look very interesting. I'd often thought of trying to do something like that myself and - if I find time to look into it - will have a proper look but a cursory glance has shown that the standard - at least in physics - is sometimes rather low. If I can get a book I can edit and then give my students for free that would be truly fantastic! However a lot of these work on the CC license which requires copyright to enforce it.

  29. Yes by commodoresloat · · Score: 4, Insightful

    Yes, they are at the mercy of these journals, at least until they start their own, and it gains recognition in the field as an acceptable outlet for peer reviewed scholarship. The problem is that many of these journals have a monopoly on peer recognition in specific fields. And when scholars do open up new journals they usually go with one of the major publishers who set the terms anyway. See, scholars don't see themselves as providing a product to a market -- they are interested in advancing knowledge through their research, or getting tenure, or whatever. They're not trying to make a profit, but their work has been coopted by people who are. That's not inherently a bad thing -- obviously it allows for these nice paper journals to be published in the first place -- but the publishers have taken advantage of the situation and turned academics into a captive labor force. I simply don't believe they should be allowed to set such terms in the first place -- they should make known their peer review criteria and process, and publish anything that survives that peer review. Authors should retain the copyrights to their work.

  30. Re:tweeting and blogging banned at science meeting by ceoyoyo · · Score: 1

    So what? Once something is presented at a conference, as far as any patent or "commercial" issues are concerned, it has been publicly disclosed. It's possible a conference that intends to publish abstracts might object to the prepublication but that's their problem - if they want to try and stop it, good luck to them.

    Yes, if you decide to go to a conference and present your "secret" results, then you've potentially got a problem. You should have thought of that before submitting the abstract. No, you can't get precedence on the record by submitting to a conference AND keep your results secret. There's a tradeoff - respect in the scientific community versus potential profits. That's the way it's supposed to be.

    Personally, I think it's great if someone wants to tape, photograph, blog, tweet, e-mail, whatever my poster/presentation/chat in the hallway. Provided they do so with proper attribution. If they don't then you point out that your results are on record in the conference's proceedings and nail them for scientific misconduct.

    The Nature editorial doesn't "request" anything. It suggests that the only viable options are completely open or completely closed.

  31. I don't care what information 'wants' by John+Guilt · · Score: 3, Insightful

    Academic information should be free. Scarcity is bad; we won't get to post-scarcity (which only the very mean, in the literal sense, shouldn't want) if we continue to allow for artificial, weapons-enforced, scarcity. Neither should the Academy become like the Market---societies work better when there are multiple power centres, multiple ways of gaining status.... One whose only allegiance is to what's so (as opposed to whatever the State or the Market would value) is a great reality-check for the others.

    1. Re:I don't care what information 'wants' by Wildclaw · · Score: 1

      "information should be free. Scarcity is bad; we won't get to post-scarcity (which only the very mean, in the literal sense, shouldn't want) if we continue to allow for artificial, weapons-enforced, scarcity"

      No need to put academic in front of it. The argument holds just as well without.

  32. 12 years of tenure slavery by peter303 · · Score: 1

    (inclduign grad school publication)
    You get much more recognition and brownie points for tenure if you publish in certain journals in your field. Its a racket.

    1. Re:12 years of tenure slavery by call+-151 · · Score: 1

      (1) who wrote it, and (2) who reviewed it.

      Actually, for "(1) who wrote it" it should be judged on what is actually in the article, not who wrote it. Though there have been some interesting studies that show that who wrote it is often an overwhelming consideration, particularly for review processes with strong time pressure, like computer science conferences.

      And as far as "(2) who reviewed it": most academic journal and conference refereeing is anonymous and unpaid. Referees are asked to comment on the correctness, originality and importance of the work. A less selective journal generally has lower standards and will ask just about anyone who is willing to referee an article, and the level of scrutiny is not as high. Whereas a strong journal is very selective and to get published there, the article needs to be correct, quite novel and important as well. So there can be quite a difference with the existing system from journal to journal.

      I'm not saying that it is an optimal system (editorial boards of journals essentially serving as filters and arbiters of quality/significance) but that is the way things typically work in the research areas I publish in regularly.

      --
      It's psychosomatic. You need a lobotomy. I'll get a saw.
  33. Re:So it's a good thing? by JSBiff · · Score: 1

    There's also the issue of doing it "right the first time", probably means that they *already* ran the experiment some reasonable number of times. If I've already reproduced the results an appropriate number of times for the experiment in question, then how is it scientific rigor to go to all the time and expense of having to do the whole series of tests again?

  34. Who funds the research? by BitZtream · · Score: 3, Interesting

    If the school is funded in any way by tax money, then its public domain. Take one dollar in tax breaks or tax money into the school and you're public domain for everything, period. No exceptions. No loop holes. Don't like it? Go to a completely privately funded school that gets nothing at all from the government. If you want to enjoy the benefits of using my tax money then I get to enjoy the benefits of you using my tax money. This bullshit of schools selling stuff I paid to research to companies which then charge me a fortune to buy it back from them needs to end.

    I have no problem making our children and future generations more intelligent and throwing into the pot to better the future for all man kind. I have a distinct problem with throwing into the pot to make some asshole professor more money while he rides the coattails of the students that he cons into doing all of his research for him in exchange for little pay (in the case of a phd student) or the students actually helping to pay his salary as well!

    If they take ANY money from the government then I'm paying for the research and I expect access to it. I don't give a damn if someone else donates money to the specific project, if the the school takes any money what so ever from the government then you can not disassociate that money from the project. So if they got government funding for something specific, such as paying for some other building on another campus, you still can not disassociate the funding from the entire school because money the school would have spent on its own for the now government funded building is used for these other projects.

    The school IS NOT A PROFIT CENTER. Its an educational center.

    A completely privately funded, doesn't get any tax breaks, doesn't get any government funding, doesn't get any of my money or benefits of the government which are sponsored by my money, can do whatever the hell they want to at their school. Anything that has ever seen a dime of my money however, should not be allowed to do research that I can not use for myself.

    University research is public domain, sorry if that pisses some douche bag professor off because he can't use someone else's money to make a name for myself, he should have got a real job.

    --
    Persistent Volume manager for Kubernetes - https://github.com/dwimsey/openshift-pvmanager
    1. Re:Who funds the research? by Anonymous Coward · · Score: 0

      Your money? Nope, it never was your money, it's public money. Presumably, by the same line of reasoning, you can demand to see copies of defence-related documents as they were funded by your taxes.

      Actually, I'd agree with the principle that the results of scientific research should be publically available. Restricting knowledge is bad for society, whether it's done by a university scientist or a private company. In this case, it's being done by a private company (the publishers) - so your angry rant is directed at the wrong target. Most academics would be very happy to have people read their publications for free.

    2. Re:Who funds the research? by zsau · · Score: 2, Insightful

      Wait. So if I pay a researcher a trillion dollars to do some research that interests me, and he also got a single cent from the government, I should suddenly lose all my interest in the matter? Why is my trillion dollars worth less than the government's cent? If you had've given that researcher that one cent, you probably would be pleased to get an email letting you know it's done but wouldn't expect anything in return. No-one would ever pay for research again; it'd come down to government money and philanthropists.

      It is absurd to suppose the government's money is magic. It is also absurd to suppose that the researcher hasn't made a massive investment. That "douche bag professor" made a massive sacrifice to educate himself to give you all the benefits he produces. He should be reimbursed for that --- fully. The salary he receives is a pittance compared to the benefits he brings to society (if he's capable of profiting hand over fist from his research, I mean). The added incentive of a decent return on investment will mean he generates more to the benefit of society. It's how capitalism works.

      (Incidentally, your arguments, taken through to their logical conclusion, lead only to communism for the whole of society. We could save a mint by not building one![1] At least one cent of government money has gone into your education, so all your education is public domain and everything you produced because of it is public domain. If we bring that in retrospectively, nothing will be outside of the public domain; if we grandfather it in, it will be incredibly hard to stay outside the public domain.)

      [1]: LOL! :)

      --
      Look out!
    3. Re:Who funds the research? by Anonymous Coward · · Score: 0

      You seem to be presuming that the 'profit' a university makes is not used to improve the quality of their courses, for example by modernizing their buildings and infrastructure or by hiring additional professors that allow a more personalized tutoring.

      You also seem to be under mistaken impression that it is the professor who takes all the money. This is not the case, often the university takes more than half of the 'profit'. The remainder of intellectual rights is often then divided amongst numerous researchers.

      Finally, on which kind of data do you make the assumption that a 'professor'-job is not a real job? I am sure you will now tell some story about this one professor who you had in college... and as we all know, a single sample from a population is enough to characterize the whole population....

  35. Something wrong here... by witch-doktor · · Score: 1

    "I've even heard of academics who had to redo pretty much the identical experiment because they couldn't even cite their own earlier results for fear of a copyright claim."

    This statement is incorrect. You may need permission to reproduce a figure from a journal even if the paper is yours, but you can sure replot the data and you can for sure cite the data or reprint the data itself.

  36. Re:tweeting and blogging banned at science meeting by stephanruby · · Score: 1

    But some scientific societies consider this a form of competitive pre-publication, particularly in biosciences where commercial speed is important.

    This is insane. I don't go to Bioscience conferences, but the conferences I go to usually ask that as many people as possible in the audience videotape, tweet, and blog about their event. It's not competitive pre-publication. It's free advertising. And if you do it constantly enough, people start sending you free full passes for their conferences, and plenty of free books to review.

  37. This is a bit melodramatic . . . by pacergh · · Score: 1

    Having to redo an experiment or study because of copyright concerns means you have bad legal advice.

    You can't copyright facts. Writing about the facts of a study or experiment is nothing more than restating facts.

    Sure, you can't just cut and paste someone else's summary of those facts verbatim (well, actually, you can in cases where they only state facts), but this still leaves you with clear ability to write about the experiment or study.

    If you are unable to reword a summary of an experiment, do you really deserve to be in academia? There are thousands of PhD holders who'd love to take your place . . .

    Of course, maybe the Techdirt author is from one of those legal jurisdictions (like the UK) which does allow authors to capture facts from the public domain in a compilation and thus gain a copyright claim over them. Even so, those protections are further limited to the compilation.

    The Harvard piece, however, doesn't focus on the naive idea that copyright prevents the creation of new academic work directly.

    Rather, it focuses on the indirect effect on innovation copyright imposes through barriers for disseminating copyrighted works. In other words, people are less able to gain access to academic works when medical journals cost literally hundreds of dollars to subscribe to.

    Open access to scholarship aids this, but it does not eliminate the problem. No matter how open the access, the license to access the academic work depends upon whether the open access organization continues to grant it. Further, it often leaves academic work in one location and limits its ability to be republished and spread around.

    Removing copyright poses the potential of aiding dissemination of copyrighted work, but of course it comes with its own problems. U.S. copyright law does not afford moral rights for authors as to attribution and other considerations -- whereas European laws do. Lack of moral rights may give rise to plagiarism and passing off in the academic world.

    Nevertheless, the melodramatic idea that copyright stifles innovation because it prevents experiments or studies occurring is nonsense. If you have legal counsel advising this, dig deeper and ask pointed questions about what exactly they mean by this. If they can't articulate why you can't do the work, I would recommend seeking new counsel.

    Heck, even patent law allows other people to recreate a patented device for personal use and the purpose of study.

  38. The fact that it's a boilerplate policy by tepples · · Score: 1

    Why do you want to take away my right to sell my copyright?

    It's not that as much as someone might want to take away the right of the academic publishing cartel to make it a boilerplate policy to require all authors to sell their copyrights.

    1. Re:The fact that it's a boilerplate policy by cpt+kangarooski · · Score: 1

      Then either negotiate with them, break up the cartel, or start a new journal that isn't part of the cartel, or do all of the above.

      While I'm perfectly happy to discuss how we ought to change the scope and duration of copyright, I've yet to see any reason to prohibit a copyright holder from exploiting his copyright as he sees fit, including selling it in whole or in part to someone else.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:The fact that it's a boilerplate policy by tepples · · Score: 1

      Then either negotiate with them

      "Don't like it? Tough. All the other reputable journals are doing it." If you think it's so easy to negotiate a copyright assignment down to a non-exclusive license, perhaps you could help recording artists negotiate better contracts with their record labels.

      break up the cartel

      In what way? Antitrust?

      or start a new journal that isn't part of the cartel

      You mean a "blog"? University bureaucrats tend to shun any publication outside of the cartel as an "unreliable source".

    3. Re:The fact that it's a boilerplate policy by cpt+kangarooski · · Score: 1

      In what way? Antitrust?

      If it is really a cartel, why not?

      University bureaucrats tend to shun any publication outside of the cartel as an "unreliable source".

      Shouldn't reliability depend on the researcher who wrote the article, and the peer reviewers, rather than the name on the cover of the periodical? I guess it is time to convince the universities to take a better approach to this.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  39. Copyright law is bloated. Patents should be abolis by Anonymous Coward · · Score: 0

    Copyrights should only apply to what they were created for...literature and musical compositions. Patents are so easily and heavily abused and if managed correctly would eat up so much taxpayer dollars...patents should be abolished. do this and the world's economy will be back on track.

    as far as mp3 and video goes, spare me the poor suffering artist and stealing from the record labels and studios routine argument. downloading music and video, is it stealing? yes. however, many opportunities exist for the labels and studios to make money from people downloading un-DRMed, free music and video. if i leave 100 dollar bills on my front lawn, it's a bit rediculous to have someone thrown in jail or fined a million dollars for taking 24. it's plain foolish. if i was smart, i'd put up a fence and charge a well calculated admission fee to my lawn of 100 bills. i'd even let other enterprises put billboard advertisements on my lawn for the right price.

  40. Would Creative Commons Attribution License work? by tepples · · Score: 2, Interesting

    Some sort of mandatory "go ahead and use this as long as you give full attribution" license ought to do the trick I think.

    Would a well-known license like Creative Commons Attribution License 3.0 work as is, or would it need significant adaptation to cover the scholarly use case?

  41. this is the philosphical crux of our time by circletimessquare · · Score: 1

    new technologies change societies. the wheel, the sail, the arrow, the printing press, the gun, the locomotive, the radio, the a-bomb... each sets in motion dramatic changes in how societies are organized and the rules of that society, written and unwritten. basic human truths don't change, but how they are interpreted DO change. established orders are upset and are shuffled

    and now the internet is dramatically changing how we view "intellectual property". the entire set of laws concerning intellectual property are completely defunct. the internet has made them defunct. publishers are not a gentleman's club of a few powerful industrialists anymore, but any teenager with a cable connection. there is no way the rules that bound the gentleman's club can bind a billion teenagers. enforcing existing intellectual property rules is a joke. its not some sort of amazing revolution to fight those archaic intellectual property rules, its more that it takes farcical effort to continue abiding by them

    the notion that people deserve something for creating a work never changes. but what they actually deserve and how that recognition is attributed DOES change. those who cling to the past think the debate is about giving content creators nothing. those who understand the future know its just about changing how attribution and respect will come to content creators tomorrow. no one thinks it is about ripping off content creators, that's just an unbridled fear

    distributors, of course, are completely doomed. the internet has simply replaced them as much more efficient and cheaper. distributors must evolve into glorified talent agents, shadows of their former selves, or succumb to inevitable extinction. no one weeps for the chimney sweep or the horseshoe blacksmith, and so no one should shed a tear for nature, bertelsmann, etc.

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:this is the philosphical crux of our time by melikamp · · Score: 1

      I agree almost completely. I think you do not go far enough in explaining just how whiny distributors are. They are not completely doomed, they never will be. They merely have to scale back a bit, but they make enough noise to make us think that they are being roasted alive. The crowd of complacent consumers will never abandon the warmth and familiarity of Mom's Robot Oil. Most people want to be into pop. A lot (if not most) of people want to be on the same page with others, as far as art and opinions go. A lot of people are willing to pay premium for utter crap just so that they can wave their expensive crap in front of hungry people. A lot of people just outright believe ads (yes, they are that stupid). Big publishers and big distributors will always have this crowd. They just have to charge a bit less now. They have no excuse for being such jerks and suing non-commercial sharers.

  42. The baby is the problem by Overzeetop · · Score: 1

    just eliminate that "for academic materials" in your sentence. Why allow any transfer of rights from the creator. Set a specific limit on the rights that may be transferred from the creator to another entity - say exclusivity is banned, or is banned for any period exceeding (1,3,5) years. That, for one, would fix the death plus 90 years, since the rights wouldn't extend after the death of the creator (okay, that was just wishful thinking).

    Would this mean that the content industries would no longer "discover" young talent and make them super-rich overnight? Yes, it probably would. Would this be a bad thing? I don't think so.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  43. How "scientific" publications work by rimugu · · Score: 2, Interesting
  44. Simple alternative by Lonewolf666 · · Score: 2, Funny

    Make publicly funded research a work for hire, with the government getting the copyright (and then releasing it into the public domain), or at least demand Open Access publication.

    Problem solved (but you might need some earplugs to shut out the screaming of the traditional publishers ;-)

    --
    C - the footgun of programming languages
  45. Can't cite data??? nonsense by fusellovirus · · Score: 1

    I have never heard of a journal or publication what would not allow you to cite your own or others work. A journals impact factor, the main metric used to rank journals is based on the citations its articles garner, so to do so would be detrimental to the publisher as well as the author, so the whole premise here makes no sense to me. Sure open access is great, but with $2000 publishing fees in places like PLoS it places a heavy burden on many researchers in these times of scarce funding.

  46. You're all a bunch of morons. by DragonTHC · · Score: 1

    copyright was invented for academia.

    if anything, we need a new system for commercial works.

    --
    They're using their grammar skills there.
    1. Re:You're all a bunch of morons. by russotto · · Score: 1

      copyright was invented for academia. if anything, we need a new system for commercial works.

      The terms for commercial fiction works are actually much more reasonable; authors do not sign away their copyrights.

  47. Copyright is for CREATIVE works ONLY by kawabago · · Score: 1

    Facts and figures are not copyrightable period. That is why there is no copyright on the phone book, anyone can use the data as they see fit. So any facts disclosed in a paper are not covered by copyright, just the text describing them is covered. Write your own text and off you go.

  48. Re:tweeting and blogging banned at science meeting by Anonymous Coward · · Score: 0

    "As an aside, that is why I think the life sciences area has been completely dried up due to this mentality and to the publish or perish syndrome. And yes, I happen to work in the field myself.."

    The life sciences are absolutely exploding right now. Either you're completely burned out and need to look for a new career, or you're utterly clueless and will soon be sacked.

  49. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  50. CHecking your work? by Twyst3d · · Score: 1

    Granted it can slow the process down, but - one could say that in redoing the work, you are proving it before commencing your work for which the previous work is apparently a foundation. Kinda like checking your facts before writing an article. Everyone has to do it. CYA. Cover Your Ass.

    --
    And this has been another installament of Captain Obvious! /whoosh
  51. Hard to swallow by nerdacus · · Score: 1

    "I've even heard of academics who had to redo pretty much the identical experiment because they couldn't even cite their own earlier results for fear of a copyright claim."

    Then either you're being lied to, or those anonymous academics are idiots. You'd think the educated, especially those involved in publication, would understand at least a little about fair use.

    1. Re:Hard to swallow by pacergh · · Score: 1

      This isn't even a fair use issue. Facts are not copyrightable. Copyright does not protect the idea, it only protects original expressions of ideas. Reiterated facts are not original expressions of an idea and, therefore, are not copyrightable.

  52. Copyrights should be abolished. by Anonymous Coward · · Score: 0

    As well as patents.
    The very idea of "intellectual property" is incoherent with the principles of private property itself.

  53. Comment removed by account_deleted · · Score: 2, Insightful

    Comment removed based on user account deletion

  54. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  55. A Look at Nature Publishing Group Strategy by modrzej · · Score: 5, Informative

    License to publish at Nature Publishing Group (publishing house of "Nature" series of journals, really big payer in the field of natural sciences) draws my favorable attention. The point is that the aurhor isn't required to give out the copyright of their published contributions, instead authors grant NPG a license to publish their paper. As it comes to reusing parts of published papers in future work, prior publishers' permission isn't mandatory. This doesn't work in case of review papers, which are commissioned by the publisher, where NPG is granted full copyright.

    Does license to publish do any difference? Yes, because six months after publication the author has right to archive the manuscript in a free-access repository, even on NPG's server.

    There's one more thing, which however applies only to biological sciences. Since 2008 those papers in Nature which publish organisms' genome for the first time are copyrighted under Creative Commons attribution-non commercial-share alike unported licence.

    To conclude, it's worth noting that the academic world is pushing publishers towards less strict publishing policies, thats a big example.

    1. Re:A Look at Nature Publishing Group Strategy by serviscope_minor · · Score: 1

      6 months after? Really? What about all the preprints submitted to arXiv which then get accepted for publication afterwards?

      --
      SJW n. One who posts facts.
    2. Re:A Look at Nature Publishing Group Strategy by retchdog · · Score: 1

      This is because Nature is more like a "Best Of..." magazine, than a journal. As I understand it, the idea is to get your paper accepted/considered at the usual prestigious journal for your field, whatever it may be, and then also have an adapted version make it into Nature, for the "impact factor" and general 'leet-ness.

      --
      "They were pure niggers." – Noam Chomsky
    3. Re:A Look at Nature Publishing Group Strategy by ioshhdflwuegfh · · Score: 1

      This is because Nature is more like a "Best Of..." magazine, than a journal.

      Not really, it's a journal allright.

  56. Obsolesence and Power Balance by weston · · Score: 1

    the fact that copyright allows labels to benefit from sales more than artists is THE FAULT OF THE ARTIST for signing away forever and ever rights in exchange for an advance from the label.

    While it's always good to remind people that they're the ones who sign on problematic contracts, ignoring the power asymmetries between parties is a formula for misunderstanding a situation.

    Especially since today a record label is largely obsolete.

    A few months ago I heard the frontman of a platinum-selling 90s band who's turned independent said "In case you're wondering if it's possible to succeed without music industry and marketing people, the answer is no." This is a guy with a huge legacy fanbase who's been working hard regularly releasing stuff for the last decade, some free on the internet, allows live recording and tape trading, and yes, he blogs and uses myspace and twitter and what have you. And yes, the music is decent.

    I recognize there's cases where people have been able to leverage the internet to achieve a certain popularity or even level of meme-hood, and that music blogs and review sites have created whole markets where they have as much control as labels in some genres, and we're certainly at a point where independent artists can do a lot more bootstrapping than they used to, but bootstrapping all the way to a career and sustaining it is still difficult on your own.

    Maybe we'll get to the points where labels are irrelevant, but we're not there yet, and at least part of the job a label does will *never* be obsolete.

    1. Re:Obsolesence and Power Balance by mi · · Score: 1

      ignoring the power asymmetries between parties is a formula for misunderstanding a situation.

      The artist can publish on his own. The label can not sing on their own. The asymmetry is thus in the artist's favor. The artist is not compelled to sell to a particular label any more than you are compelled to work for a particular employer.

      Either way, this is moot, because abandoning the copyright will not improve the artist's lot. On the contrary. Whereas now artists can sell their wares (either directly or through middlemen), without copyright the music will be unsellable at all. The artists will only be able to get paid for live performances. Literature is full of sad stories of hungry musicians, painters, and other artists (creators) dying from cold and hunger in the mansard apartments of European capitals, because they are unable to profit from their creations' popularity.

      Going back to that, as abolishing copyrights will ensure, will not only be sad, but also unfair. Makers of things tangible do enjoy the right to own their creations (or pre-sell them, as most workers do). Why should the creators of "imaginary" property be cursed with their works being unsellable, as anyone able to copy them gets the same rights as the author?

      and at least part of the job a label does will *never* be obsolete.

      And neither will the job of supermarket and other shops be. The middlemen, although frequently cursed, sometimes do add genuine value to both sides, and that's why they continue to exist and prosper. Nothing particularly appalling there.

      I think, the GP's point was not so much that labels are obsolete, as that they would've been, if, indeed, they were as evil and oppressive as frequently alleged on this forum.

      --
      In Soviet Washington the swamp drains you.
    2. Re:Obsolesence and Power Balance by weston · · Score: 1

      The artist can publish on his own. The label can not sing on their own. The asymmetry is thus in the artist's favor.

      Or would be, if there were fewer artists than labels, rather than a surfeit of people interested in making music for a living that's greater than the number of effective labels by a few orders of magnitude.

      The artist is not compelled to sell to a particular label any more than you are compelled to work for a particular employer.

      This is a pretty good analogy, but I'd say it highlights the problems rather than the freedoms. Problematic clauses are nearly default boilerplate for most employment agreements and you're only as uncompelled to work for any given employer as you are able to go without employment.

      Going back to that, as abolishing copyrights will ensure, will not only be sad, but also unfair. Makers of things tangible do enjoy the right to own their creations (or pre-sell them, as most workers do). Why should the creators of "imaginary" property be cursed with their works being unsellable, as anyone able to copy them gets the same rights as the author?

      While I realize it's the top level topic at hand, I don't believe I made any statements supporting the abolition of copyright, and I certainly wouldn't mean to, given that I'm of the opinion that copyright *should* be preserved, if scaled back somewhat from where it is now to somewhere closer to the original bargain.

      I *do* take issue with the conception of ideas as actual property, though. There's enough obvious differences that it's a tenuous parallel, and there's enough negative consequences -- as the article for this thread points out -- that it's dangerous as well. The idea of copyrights and patents as a policy bargain is much safer and probably more fair.

  57. So how would you like your FUD today? by crmarvin42 · · Score: 1

    Don't get me wrong, I'm not an avid supporter of the current system. I frequently get annoyed by my inability to access recent articles because my University doesn't have access to the online content, and the journal only makes articles Open Access after 6, 12, and sometimes 18 months. It's counter productive and prevents me from reading and citing papers from certain journals until after they are old news.

    However, the quote chosen for the summary strikes me as the Academic equivalent of an Urban Legend. Maybe it's because I'm still early in my career (less than 10 publications so far), but I've never seen a journal that requires you to pay them if you want to cite them. Access, and reprints are how journals make their money, and reprints are virtually dead now that you can usually download a PDF copy of the final article. Journals WANT you to cite their articles, because it increases the chances of someone who doesn't have access already paying for reprints, or better yet a subscription.

    Feel free to correct me if any of you have 1st hand experience to the contrary, not the ephemeral "I heard it from a friend, who worked with a guy"

    --
    Bureaucracy expands to meet the needs of the expanding bureaucracy.-Oscar Wilde
  58. Re:tweeting and blogging banned at science meeting by lbbros · · Score: 1
    Exploding, but is it *really* resulting in more high-quality publications? I say not. I've seen (not mine) papers rejected because of non-scientific issues (politics, anyone?) and papers that are out with utterly useless research (take a look at bioinformatics software, see how much crap is around). All because you need to rush, be the first, get a paper out as soon as you can. The result is completely detrimental to the quality of the scientific work as a whole.

    And I've seen bright people burnt out because they can't get papers out fast enough... which is frankly ridicolous.

    --
    A CC-licensed illustrated horror novel
  59. Shoulders of Giants by rlseaman · · Score: 2, Interesting

    This is a familiar discussion, although the assertion about not being able to cite your own work is bogus. I suspect that everybody in academia expects a new online publication model to emerge, but this is certainly taking a long time to converge.

    The issue of so-called "intellectual property" is another recurring discussion, even outside the rabid FOSS ranks. See, for example (to cite myself as well as others): http://thunk.org/tytso/blog/2008/11/29/an-ethical-question-involving-ebooks.

    The absolutists here may want to consider a couple of complications. First, what about the very frequent case of multiple authorship? Without a third party such as a journal to whom to reassign copyright, the authors would constantly have to squabble between themselves about who - jointly, severally or individually - would retain copyright and in what proportions. Second, most corporate or educational institutions require their staff to sign over ownership of intellectual work products as a basis for employment in the first place.

    There is no simple Platonic ideal of "property", let alone something called "intellectual property". The laws that exist (at least in origin) were primarily intended to defend the rights of the body politic, not of the individual "creator". Further, the notion of a truly individual creator is a fantasy. Newton saw further because he stood upon the shoulders of giants. (Or should I have quoted that 382 years after his death?)

    1. Re:Shoulders of Giants by Opyros · · Score: 1

      The saying wasn't original with Newton, so even if copyright lasts 382 years from the death of the author, you're probably OK!

    2. Re:Shoulders of Giants by Ares · · Score: 1

      Second, most corporate or educational institutions require their staff to sign over ownership of intellectual work products as a basis for employment in the first place.

      actually, there is a rising trend at educational institutions to go the opposite direction, as far as ip that is academic in nature. the university of minnesota in 2007 adopted new copyright guidelines in which "The University shall maintain the strong academic tradition that vests copyright ownership of academic works in the faculty."

  60. Yes by Anonymous Coward · · Score: 0

    they should be abolished, but since mankind seems determined to reinvent the wheel at every opportunity it's a moot point

  61. A modest proposal - minor change to copyright laws by Nefarious+Wheel · · Score: 2, Interesting

    Don't sign a contract that requires you to hand over your intellectual property rights if retaining them is so important to you

    I think the fundamental problem we have with copyright laws is not whether they exist, but whether or not the author/creative artist receives compensation for their work, no? That is to say, for example, a recording artist deserves reasonable pay for their effort, yet the RIAA will likely (and IMO reasonably) be vilified until the end of history as the 21st century incarnation of the devil himself.

    How about this for a change: Amend the copyright laws (and perhaps patent as well) such that only the creator of the work can own the copyright/patent for the term of their own life. Not extendable, and not transferrable, ever.

    This would remove the secondary industry in creative intellectual property (which I view as somewhat parasitic) and change the focus to the artists and their works again.

    --
    Do not mock my vision of impractical footwear
  62. How will peer review be organized? by presidenteloco · · Score: 1

    It seems to me the issue is how credible (and hierarchically prestigious) peer review can be organized,
    and how papers well edited, without funding for journal publishers.

    Can a new model replace this, assisted by new info-sharing technology?

    Maybe a social web app specifically for coordinating peer review and managing reputation of peers and "journals"
    can help.

    Anyone think that is feasible?

    (Also, in conjunction with that, I guess Scientists co-ops could hire editors and peer-process coordinators.)

    --

    Where are we going and why are we in a handbasket?
  63. Why not just enforce the law the way it is written by voss · · Score: 1

    "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;"

    That the purpose of copyrights in academic world is to promote the progress of science if a copyright is impeding the progress of science it should be within the realm of the court
    to either limit or vacate that copyright. The author of the paper should have an exclusive right to their writing not be forced to cede to a public institution or corporation.

    Under this reading, "work for hire" laws are an unconstitutional abrogation of the exclusive right of the author or inventor.

  64. Not all Government Grants to Universities by ajlisows · · Score: 1

    Back a lifetime ago when I was still a Biochemist, I worked for a Gene Therapy lab in Madison that was not part of the University system. There were two branches of the company which were almost completely separate entites, the "Commercial" side which sold closed proprietary products (Things like Restriction Enzymes, Gene Delivery Systems...) that were developed as part of our research and the "Academic" side which focused purely on research. While the "Commercial" side pulled in quite a bit of money over half of the cash that ran the place was in the form of government grants which needed to be reapplied for every three years.

    It was well known that if either source of revenue was taken away the research would be forced to stop. Obviously most of the customers on the commercial side were other academic labs and thus it was pretty much a reprovisioning of taxpayer resources so at first glance it seems like a waste of taxpayer money to copyright these things.

    However, the fear really was not that some other lab would figure out what the stuff was and create it on it's own instead of buying from us. After all, the manufacture of some of our products required special equipment that may not have been found elsewhere. The fear was that a corporation would step in and start creating and selling our product lines. Then the flow of money would be from Taxpayer, to Academic institution to megacorp. Keeping the stuff closed ensured that Taxpayer money stayed in the Academic system, at least.

    Perhaps there is a better way to do this sort of thing, but I think it would be very complex to get off the ground.

  65. Why can't I find any "working papers?" by yuna49 · · Score: 1

    When I was an academic political scientist, no serious article that I can think of appeared first in a journal. There were always earlier versions, "working papers," and the like, the predated the published version. Obviously all these versions are copyrighted by default (in the US at least), and those copyrights are independent of the copyright in the specific version of the paper published in the journal.

    So why is it so hard to find any of these earlier versions online? Here's a good test. Take an article that interests you that's available on a journal publisher's website. Do a Google search for the authors and try and find the earlier versions of the article online. I've not been very successful in my attempts to do this; perhaps you'll have better luck.

    If I were still in academia, I can't imagine not releasing all of my work on the Web before it ever reached a published journal. And with the delays involved in journal publishing, it can be months or years before the findings actually reach the stage of journal publication. Do journals require that you remove all earlier versions of an article from public access before they'll agree to publish it?

  66. An Open Letter to All Grantmakers and Donors by Paul+Fernhout · · Score: 1

    An Open Letter to All Grantmakers and Donors On Copyright And Patent Policy In a Post-Scarcity Society:
        http://www.pdfernhout.net/open-letter-to-grantmakers-and-donors-on-copyright-policy.html
    "Foundations, other grantmaking agencies handling public tax-exempt dollars, and charitable donors need to consider the implications for their grantmaking or donation policies if they use a now obsolete charitable model of subsidizing proprietary publishing and proprietary research. In order to improve the effectiveness and collaborativeness of the non-profit sector overall, it is suggested these grantmaking organizations and donors move to requiring grantees to make any resulting copyrighted digital materials freely available on the internet, including free licenses granting the right for others to make and redistribute new derivative works without further permission. It is also suggested patents resulting from charitably subsidized research research also be made freely available for general use. The alternative of allowing charitable dollars to result in proprietary copyrights and proprietary patents is corrupting the non-profit sector as it results in a conflict of interest between a non-profit's primary mission of helping humanity through freely sharing knowledge (made possible at little cost by the internet) and a desire to maximize short term revenues through charging licensing fees for access to patents and copyrights. In essence, with the change of publishing and communication economics made possible by the wide spread use of the internet, tax-exempt non-profits have become, perhaps unwittingly, caught up in a new form of "self-dealing", and it is up to donors and grantmakers (and eventually lawmakers) to prevent this by requiring free licensing of results as a condition of their grants and donations. "

    --
    A 21st century issue: the irony of technologies of abundance in the hands of those still thinking in terms of scarcity.
  67. Journal Monopoly - Reed-Elsevier by Anonymous Coward · · Score: 1, Insightful

    What you fail to realize is that most of the journals are owned by a giant Fortune 500 company - Reed-Elsevier. Lately Universities have taken to boycotting Elsevier for their prices or unethical practices. http://www.library.illinois.edu/scholcomm/journalcosts.html

    For instance, organizing the trade of armaments

    Here's a very ironic journal article - Elsevier implicating itself in the trade of weapons http://www.sciencedirect.com/science?_ob=ArticleURL&_udi=B6WJN-4NX8KRF-2&_user=10&_rdoc=1&_fmt=&_orig=search&_sort=d&_docanchor=&view=c&_acct=C000050221&_version=1&_urlVersion=0&_userid=10&md5=56eb902c4de87a193e5e591a64781d53

    Since you don't have access to that http://editor-mom.blogspot.com/2007/03/another-medical-journal-calls-for.html

    Reed-Elsevier's former CEO, Sir Crispin Davis, was also on the board of directors for GlaxoSmithKline. Even after all this time, we're still controlled by a bunch of blue bloods with money.

  68. Repeating experiment is bollocks by DrNico · · Score: 1

    As someone who as published around 45 papers, the idea that you'd have to repeat an experiment rather than reference the original work is bollocks. This is a "I had a friend whose cousin heard that" type story. The point is that the journal may have copyright on the text of the article as it is published the journal, but that is about all. They do not own the results of the experiment, and they would not want to. For a journal today, the most important number is impact factor, the average number of times a journal is cited by other articles. They spend considerable amounts of their time working out how they improve impact factor. The last thing in the world they would do is introduce any mechanism that stop researchers citing their papers. While in some cases it would breach copyright to have the pdf of your article on your web site, there is no reason no to link to the pdf on the journal website. This might restrict access in that the person wishing to view the article may need to have a subscription (usually through their university library) to access the content. But many of the journals now are either open access, or just restrict access for 6 months then make it open. I personally believe that all articles should be open access and publishable without expensive page charges, particularly to allow access to researchers in less developed countries, but making wild claims about "someone" not being able to cite your own results is only going to damage the cause.

  69. Stupid typos by martin-boundary · · Score: 1
    Before anyone complains, I blame my lack of coffe :)

    These numbers should be of course (+extra digits for those who care)

    exp(1) = 2.7 (1828182845904523536)
    exp(5) = 148.4 (1315910257660342111)
    exp(10) = 22,026.4 (6579480671651695790)
    exp(20) = 485,165,195.4 (0979027796910683054)

    log(1) = 0
    log(5) = 1.6 (0943791243410037460)
    log(10) = 2.3 (0258509299404568401)
    log(20) = 2.9 (9573227355399099343)

  70. What do the journals do anyway?? by microbox · · Score: 1

    All in the name of financing the journal.

    What I don't understand is what the journals need all that money for. Scientists write the articles, and do the peer-review for free. Distribution is electronic, and the marginal cost close to free. (If we can find server-space for a hundred linux distributions, we can find server-space for a bunch of pdfs.) All the journal gives is tradition and prestige.

    And for that, they charge whatever they can get away with, and take our copyrights. Truly inefficient economics.

    --

    Like all pain, suffering is a signal that something isn't right
  71. YES! by Anonymous Coward · · Score: 0

    Taxpayers the world over get milked funding universities the world over in a bet to make the world a better place. Students education (mine too, I went 4 years and convocated with a BSc), costs the taxpayer about 10,000 per student per year. The big gain is to society, altthough one could argue the student gets the most benefit. The research was heavily funded (30000-40000 per year). Taxpayers already paid. I understand if universities want to make more by patenting stuff. The general taxpayer pays for use of the patented idea. I understand that. Its not unreasonable to cut the universities funding by the amount they have to pay for the patented idea. Its only reasonable. I'm also disgusted by pharmaceutical companies that take papers published by government scientists, patent the (published and open) idea, and then turn around having done 0 research, and overcharge taxpayers for the medicine. They did nothing. a generic knockoff should be cheap! The patent should not be allowed!

  72. Without reading comments or TA by kramulous · · Score: 1

    I'd say yes, copyright of academic works should be abolished.

    I work at a University and would be happy for anybody to have any work I produce. The tax payers pay my wage so the tax payers should benefit. I see it pretty simply.

    The groups I work with should share work also. We already have an edge over other research groups worldwide cause we did something first and are 'in the zone'. If another research group overtakes us, well, we dropped the ball.

    --
    .
  73. YOU'RE missing something too by Anonymous Coward · · Score: 0

    Univerities are not funded well enough in sciences and similar to undertake the work they do, so they go into "public/private partnerships".

    So companies paid for it and you want their investment to be nullified by making it BSD'd.

    Or you can pay more tax to go to university to cover the research and have the work sent to the public domain.

  74. Yes - and Patents too by secondhand_Buddah · · Score: 1

    Yes the copyright on Academic works should be abolished, and so should patents so that we don't waste our valuable scientific minds on re-inventing the proverbial wheel. I know that patents also have led to ingenious alternative solutions, but we are wasting our finite resources on protecting and defending these preposterous human constructs.

    --
    Participatory Governance : The only feasible option for a real democracy, where everyone really does have a say.
  75. Technically, the public owns academic work... by Anonymous Coward · · Score: 0

    I'd argue that most academic work is performed by public institutions, paid for by tax payer money. Whatever I write, create, invent, etc at my employer in my job belongs to my employer. Why shouldn't academic work be the same? And I'm not talking about the institution owning the rights. The public is the employer and everything should be open to the public.

    Now, the use of private, protected works. Academia needs to follow the rules here. Just like everyone else.

    There is no stifling of creativity. Just way too many lawyers and companies trying to turn a buck. There's nothing wrong with extending existing ideas. Building products might be different. But academia doesn't belong in the business of building products.

  76. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  77. Great big (and wrong) generalizations. by TerranFury · · Score: 1

    These generalizations are pointless. It depends on the research project. A given research project is supported by a particular grant. Sometimes that grant comes from a government agency like the NSF. Sometimes it comes from a private company, normally with more strings attached. In either case, the arrangement does not directly involve the university; rather it is in effect directly between the professor and the funding agency.

    Finally, if one were to insist on making great big generalizations, it would be more accurate to say that the taxpayers do indeed pay for the work, because a large majority of research funding comes from government agencies. This does vary a bit by field, I'll admit; in the more applied areas like semiconductor manufacturing and VLSI, there's more corporate money. But I'd say that most academic work is still government-funded. Private corporations have incentive horizons that are usually too short to justify funding any but the most obviously-applied research.