Senate Votes To Turn Down Volume On TV Commercials
Hugh Pickens writes "Ever since television caught on in the 1950s, the FCC has been getting complaints about blaring commercials but concluded in 1984 there was no fair way to write regulations controlling the 'apparent loudness' of commercials. Now the AP reports that the Senate has unanimously passed a bill to require television stations and cable companies to keep commercials at the same volume as the programs they interrupt using industry guidelines on how to process, measure and transmit audio in a uniform way. Senator Charles Schumer (D-NY), a co-sponsor, says it's time to stop the use of loud commercials to startle viewers into paying attention. 'TV viewers should be able to watch their favorite programs without fear of losing their hearing when the show goes to a commercial.' The House has already passed similar legislation, so before the new measure becomes law, minor differences between the two versions have to be worked out when Congress returns to Washington after the November 2 election."
Congress was working for the people... Is this some kind of sick joke meant to lull us into thinking that every congressman isn't in the pockets of big business? Hrrrmm. It's getting near election time, that must be it...
If telephones are outlawed, then only outlaws will have telephones.
So AC.. I've often wondered if it was worth putting a studio grade audio compressor into the audio chain. Anyone ever try this?
Does this sort of thing really need to have the law getting involved? It's only a small irritant.
Is it a bit of deflection from the real issues that are going on at the moment?
I put my books on Amazon, Smashwords, Demonoid, ISOHunt and Pirate Bay. Search for 'Michael Cargill'
And note: they *are* at the same volume: measured by *peak level*. The peak levels of the commercial never get any louder than the peak level of the program, cause both are about 95% deviation
See also: audio compression.
I would like a rule that requires political ads to be played a significantly lower level than programming. A person can dream, can't they?
Set the value of Pi? http://en.wikipedia.org/wiki/Indiana_Pi_Bill
Isn't the increase in volume how Tivo know what are commercials to skip them? If so, isn't this what advertisers would want to do anyways?
At least in the DC area ... are the local PBS stations. I'm not sure which one it is, but there's one that makes me almost jump out of my skin when the show ends, and they go to commercial.
Hopefully the legislation doesn't actually include the term 'interrupting' in the volume limits, or the commercials in between shows (like all of the ones on PBS) will be exempt.
Build it, and they will come^Hplain.
If only there was some way of taking a single piece of source material and adjusting its loudness at the time of transmission so that different volumes could be selected for different situations.
Alas, apparently the technology to dynamically alter sound data in such a way does not exist.
I have an old Magnavox TV with smart sound. Loud commercials are not a problem for me.
Why, without your clothes, you're naked, Miss Dudley!
Hi Billy Mays here for the Commercial Kill.
Sick of commercials blaring and waking up your hooker in the middle of the night?
Using the power of the internet we can eliminate loud obnoxious commercials for your viewing pleasure.
Note: Commercials only removed from pirated material. Non Pirated material will be subject to EVEN LOUDER commercials that conveniently have the volume control disabled during duration.
Of all the things that started out in the good ol' US of A, this is second only to the lightning rod in "things that need to reach global acceptance".
You can't take the sky from me...
As for the technical side of this, it seems to me something like Replaygain would work well. Especially since commercials are known before hand (no live broadcasting) - the program establishes a baseline sound level that audio is measured against. Depending on track or album gain settings, I think that this would be made to work.
...
http://wiki.hydrogenaudio.org/index.php?title=Replaygain
As far as congress goes? I'm so glad they can get this bill passed, when everything else is punted down the road until the lame duck session or beyond. Lord knows we don't pay them nearly enough to think about anything harder than freakin' TVs being too loud
They can't pass a fucking budget, the ONE THING we need them to do, but they can legislate tv volume. Awesome.
Normally I'm pretty apathetic about political nonsense, but something about this story enrages me. This is just so unbelievably frivolous, but it sure will play well to the average voter who probably watches 40 hours of television a week and strongly agrees with the statement that "TV viewers should be able to watch their favorite programs without fear of losing their hearing when the show goes to a commercial."
It's not that I'm especially fond of advertisers, it's just that I have trouble acknowledging a world where ANYBODY GIVES A FUCK about this "issue".
I'm so glad the congress took time off from wrecking the economy to fix this huge problem!
You mean that still exists? I thought it was replaced by internet streaming!!
AccountKiller
IIRC, our Phillips Magnavox large screen CRT TV had a "Smart Sound" feature that basically just normalized the volume all the time. I have to say it worked pretty well. I'd always notice watching TV at someone elses house that some ads played REALLY loud compared to the program. We had that TV from about the mid 90's I think.
Why don't more TVs have it? (rather, I know "cost" is probably the main reason, but it should be a good enough feature to be fairly standard today, you'd think)
Ban the use of sirens in radio commercials to get attention. I don't know how many times I heard one in a commercial and the natural reaction is to start looking for the ambulance or fire truck or police car.
I can't hear you over the commercial.
Seriously - this should be easy for sound engineers.
"No matter where you go, there you are." -- Buckaroo Banzai
How is that a problem? If I'm watching violent action movie I will have adjusted the volume to the level that is comfortable to me. If I'm watching a drama with no loud noises whatsoever, I will have... adjusted the volume to the level that is comfortable to me. See, that's the point; I don't want to be pitched Oxyclean at levels that cause permanent hearing damage just because I have the volume turned up hear a quiet show. It isn't that hard to take the average level from the past five minutes, and make the average level of the commercial be the same, you could easily make some software to do it and I refuse to believe TV stations don't have software that manages their commercials already.
I hate it when a commercial comes on very loud making my dogs bark.
A decision that politicians made that didn't completely suck? Impossible. Surely there's some sort of catch. Even if there's not, I'm sure they'll screw it up soon enough, anyway.
Filthy, filthy copyrapists!
Umm... how about Root Mean Square calculation? I use it all the time. I have to master audio and the funny thing is unlike Creed & Nickelback, I care about not just peaks, but overall sound. It can be done.
Now I can rest easy, knowing that the folks in charge are focusing on the really important matters. It was just last night, I was jolted out of a nap in front of some program on global warming or something by an ad for American Idol...
"Before God we are all equally wise - and equally foolish"
Albert Einstein
The point is that now it will be the same volume measured by *average level*. So one big explosion in CSI doesn't give the advertisers card blanche to blast their ads at you.
if only there were also fewer of those commercials :/
Duh. The commercials must obviously be operating at near to peak levels with little dynamic range, whereas the TV shows are save a little range for swelling dramatic music, explosions etc.
I have the same problem with BBC Radio 1, the presenters are far too loud in comparison with the music. If I ever listen to the radio these days I tend to be fiddle with the volume a lot.
which is totally what she said
THIS!
I'm guessing that the anonymous submitter meant for the subject to be "IDIOTS!" Irony for the win.
billy mays here. would you mind turning up the volume?
"Persistence is annoying success." - ghee22 11:28:1999 - 10:53:PM
AGC? All older TV's & stereos had automatic gain control to keep the volumes level. It doesn't seen like it'd be too hard to implement for commercials.
I already dropped cable for dsl, netflix, hulu and hd over the air. I am 22, not only does my generation not need landlines, but we don't need cable either.
Magnavox TV's used to do this, if I recall correctly. I tried to find something similar for my Myth setup, but never did. Did that idea just fade away?
>>>the same spot could play louder during Footday Night Monball than during CSI,
(1) So what?
(2) I think you might have that backwards. The music in CSI and other dramas is often louder than the sports games. Sure when a crowd cheers football gets loud, but the overall average volume is quieter. (IMHO)
.
>>>What will the Senate do next, vote to reduce gravity, so overweight people can get around more easily?
I thought they were planning to outlaw any car older than 2005, in order to stimulate the purchase of new cars - a kind of Cash for Clunkers Megadrive. Or maybe that was the plan to smash windows to provide job for glaziers? I don't know. I get easily distra..... oooo beach volleyball in TV! So bouncy. And fit. :-D
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
Only $2150.00 to do it yourself.
I had severe insomnia - I even almost died of it - Yes you can! Anyway I would have the TV on so I could have something to focus on and I remember commercials especially from Billy Mays that would startle me so badly it felt like I came near to breaking a bone. Subjecting me to a sudden auditory explosion is enough to get me pissed off enough that I will black list the product. There are so many brands of each product, I don't have to buy theirs. They have been claiming the commercials are not louder than legal for years, yet one time I could NOT hear this show, so I started to reach for the control to turn up the volume. Suddenly a commercial came on so loud that it blew the speakers - smoke poured out. I remember getting into it with trolls here who said the commercials were not any louder it was just a perception caused by the average loudness being higher. Now they are acknowledging that they are louder? Seems news sources have a bit of trouble "Making up their minds". I guess it's a matter of perception. Startle me and you piss me off.
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They are purposely increasing the volume in the commercial, which means they have the ability to decrease the volume.
The challenge as stated in TFA is to define the regulation in a practical way that actually results in solving the problem.
"No matter where you go, there you are." -- Buckaroo Banzai
It is really a sad day when an announcement about this makes people (like me) so happy!
I mean it is just television. I hate that it is such a powerful force and know that annoying commercials are one of the few obvious reasons to get up and walk away from the TV during any hour long period of time.
Ignoring the fact the PVRs and TiVo have all but eliminated commercials in my own home, I have to wonder if this is somehow a bad thing for the 60% of people without a PVR. Does that kind of thinking make me a liberal elite?
I went to battle M.C. Escher, but drew a blank.
I think that the bigger problem is how to get the commercials adjusted to match the programming. I suspect that it's a lot easier to do now than it was during the 80s. Worst case you just set the volume to something sane and deal with the consequences.
While we're at it, could somebody tell MS that the error sound is way too loud and way too frequent. I can only imagine the amount of hearing damage they've caused with that. Hopefully they've turned down the volume in more recent releases from what it was in XP.
>>>different volumes could be selected for different situations.
Well since nobody's invented what I will call "consumer-variable sound adjustment", I devised a different solution: I just mute everything (except scifi which has cool AFX) and read the subtitles to follow the dialogue, while listening to the commercial-free radio in the background.
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
From the general feel of the comments so far, it looks like my opinion will be pretty unpopular, which makes me a bit scared to post this, but I really don't like this law.
Things can sound like a good idea on paper, and often have positive intentions, but when you make a law out of every good idea it can create problems. Every law we make takes away just a little of our freedom (in many cases, a lot). Make murder against the law, I lose the freedom to murder you, and vice versa. That's well worth the cost. But all the little laws like this stack up.
I mean in this case, sure, having a commercial that's loud could inconvenience people, maybe annoy people. And I'm sure it'll make a lot of people happy to not have to deal with it. But as Americans, we don't have a right to not be inconvenienced, to not be annoyed. Of course quieter commercials isn't a really a big deal to us. Maybe it will be more "pleasant." But having a loud commercial be a crime? Really?
Usually when someone says, "You know, there oughta be a law," there shouldn't be.
This makes me want to create programming at ridiculously low levels. People will turn up their TV's, and the commercials won't get out of line. Then, when they change channels, THAT'S when they get the blaring. Next step: all channels must have the same average volume.
:/
I got the idea from NPR in Georgia. This happens ALL THE TIME in my car.
Nostalgia isn't what it used to be.
I'm glad to see they are wasting time regulating tv commercial volumes. That must mean that all of our other issues have been solved, right?
Just run your TV sound out through a volume limiter. Turn the TV volume up to a higher level that you are comfortable with during regular programing, Then turn the volume limiter to a comfortable level. Commercials won't be able to go above that volume.
Why did this require the intervention of Congress and not just the FCC?
The presenters are too loud on Radio 1 because you can hear them.
Senate Votes To Turn Down Volume On TV Commercials
Why waste all this time voting. The one with the remote control should have just done it.
You make it sound like it's impractical. Well, I guess because you said so. I've had receivers which do audio normalization (or dynamic range control), which work very well in home theaters. You don't have to screw around with the volume so you can hear someone whispering in one scene, and then turn it down for the next loud scene. I was really spoiled after watching TV and movies exclusively in my home theater for about a year. I pretty much had two settings for the audio. One was for normal TV and general movies. The other was for action movies (about 10% louder). When I added a TV in another room, it really threw me that the volume changed so significantly. I had to sit there with the remote in my hand, so I could turn up quiet scenes, and turn down loud scenes. It was very distracting.
Really, it's not state of the art technology. It's been around for a while. There isn't really a reason that the broadcast station can't set a normalization threshold, other than the fact that they may need to spend a bit of cash to make it happen. But, it's not in the best interest of the stations. They're being paid to allow the ads through that are over volume, regardless of the comfort (or annoyance) of the viewers.
Serious? Seriousness is well above my pay grade.
doesn't have a chance of passing.
if it passes it won't be enforced.
enjoy our corporatic overlords.
Absolute statements are never true
It can definitely be done. In fact, about 6 years ago I was tasked with designing and coding an automatic volume control based on ambient room noise. It was not easy, believe me, but using Root Mean Square, I was able to get it to work. This ensured that the device would either be louder than the ambient sound if you wanted to use it as a public announcement system, such as in a school, or provide background music that didn't drown out conversation. The hardest part was determining the sample buffer. Do you adjust the volume based on the last second of ambient sound? The last 10 seconds? The last minute? It took some tweaking, but an optimal sample buffer was found.
Now, for a TV show, that is a bit easier. Simply get an RMS of the show before airing it, as well as the peak volume, do the same for each commercial, and adjust the commercial volume accordingly. It's not a difficult problem at all. In fact, I could probably write an application to do it all automatically within a week or two, but no more than a month. It would take sound stream input, sample the entire stream from beginning to end, then determine a relative volume for each one.
The problem hasn't been a technical one for over a decade. It's been a political one.
What are these "commercials" they speak of?
Also, I'm quickly forgetting what "TV" is, as what few shows I watch aren't on a television, don't come over broadcast, don't come from television companies, and in which I don't watch any commercials. That's how others see them I guess, but meh.
So I guess the only aspect of "TV" in the shows I watch are an arbitrary time factor and some highly circumvented decency rules.
Its pretty easy, everything I have in my home theaters run through a Creative x-fi sound card to get "cleaned" before it actually goes to any speakers/stereo head. I can muck with all of the settings to get exactly the sound levels I want and it prevents the commercials from suddenly deafening me.
It actually fixes the MS error sound too.
They manage it fine in other countries that have these rules, such as the UK.
Yes, but if you tie the commercial loudness to the loudness of Monday Night Football, then by its very nature if you turn down the volume knob during MNF, you won't have to worry about the commercials still blasting the shit out of your eardrums, and if you turned the volume up a little during the much-quieter CSI, you won't have to worry about the commercials knocking you over in your chair or scaring the cat into climbing up the walls.
Unlike some legislation, this seems to be rather sensible.
>>>Non Pirated material will be subject to EVEN LOUDER commercials that conveniently have the volume control disabled
I hate that. I'll be watching Stargate or something, with the volume at 25%, and suddenly a commercial pops-on at 100% volume. What the fej? Do they think I got up and walked away from my computer? I'm pretty fast but even I can't pea in just 30 seconds. Leave the volume at 25% please.
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
When they no longer are able to transform the commercial audio track to be noticeably "louder", won't they then just start having annoying stroke inducing strobelight-like video effects?
AVERAGE volume, please, AVERAGE.
Python: 'And then suddenly you have a language which says "we're all stuck with whatever the whiniest coder wants".'
Now that technology has made this largely irrelevant, congress finally passes a law. This would have never happened 20 years ago when commercial interests would have kicked and screamed saying that it's not fair. If we pass laws it should actually count for something. This was a total waste of congress's time and enforcing it will be a waste of money.
-- Knowledge shared is power lost. -- Aleister Crowley
The funniest part to me is that BILLY MAYS WAS KNOWN FOR HIS BIG VOICE AND HIS LOUD COMMERCIALS.
Rest in peace, oh perfectly bearded one.
What are commercials?
You mean like when watching teevee at an old person's house?
the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff
Do they account for dynamic range compression (making everything the loudest possible volume)? Simply saying the volume can't be above X dB means that commercials will be at exactly X dB for the entire time. Or they'll start using odd/distorted/alarming sounds (sirens, glass breaking, babies crying, etc). Of course, I haven't watched anything on my TV in ages, though watching things online seems to be getting worse about this than it used to be.
Don't worry, they'll earmark something totally unrelated onto it.
Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
Thank you I thought noone was getting it and was starting to despair :)
This also cuts out the laugh track, which might make some shows watchable.
Go green: turn off your refrigerator.
Hi, Zombie Billy Mays here for LazarusWow!
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Gamingmuseum.com: Give your 3D accelerator a rest.
"Sure when a crowd cheers football gets loud, but the overall average volume is quieter." The recent world cup excluded.
Free online streaming on demand (like hulu) already killed TV, for now only for 5% of population, but in the next few years majority will convert. The timing of this law is... ludicrous.
I sure am glad that congress is working so hard on important legislation like this. I wouldn't want them troubling themselves with anything trivial ....like balancing the budget or net neutrality or revisiting banking and securities fraud rules. Nice work guys and you wonder why people are pissed at government.
Automated detection of TV advertising is currently not technologically feasible. The alternative is to get people to haul themselves out of the chair and all the way to the remote control.
It isn't that hard to take the average level from the past five minutes, and make the average level of the commercial be the same
My TV does this already; just an option in the menu... and it's not an expensive model or anything. Had more or less forgotten how annoying loud commercials can be.
Really? That's just fantastic chuck. You're about 12 years to late. That's about how long it's been since I've watched a commercial.
To quote, clark griswald however, "It's good, it's good!".
Hey, any chance you can do something about a real problem? Like say a massive media conglomerate that extorts the general public? What? To busy? Oh, I see. Junket with the drug companies this weekend. Right, well, I understand.
Hey,keep up the good work, we're all counting on you.
-------------------
would somebody please save the kittens?!
Surprising people are arguing that it can't be done.
Stations are obviously making commercials louder than the TV program. They could, then, make them the same volume.
The problem you attacked (if I understand correctly) is that of keeping the volume approximately the same without having the a priori knowledge of what separates a program from the commercial. The stations have this information. They're simply turning up the volume when a commercial hits. The solution is as easy as this: "Don't do that!"
You seem to really be missing the point. You live na an apartment, or have someone asleep in the next room, and set the TV volume accordingly. It's low, but not so low you can't hear it. Then all of a sudden "HEMMOROID SUFFERERS..."
Tying the playback loudness of the commercials to *what program material surrounds them* keeps you from waking up your wife/SO/neighbor because you don't have to keep turning the volume down and up.
However, I think a technical solution would be better -- just put a dynamics compressor circuit on the TV set that can be turned on when you're watching a movie when someone's sleeping, and off when you want the full dynamic range. The dynamic range in a lot of movies is as problematic as loud commercials, and a dynamics compressor circuit would solve both problems. I can't understand why they haven't been doing this for decades, the tech has been there. Radio stations have used dynamics compresion at least since there was such a thing as FM.
Free Martian Whores!
This makes me feel warm and fuzzy inside.
iburnaga.blogspot.com
John Peel (RIP) was the exception of course.
http://www.acetonestudio.com
It's about time. I have written advertisers and the FCC about this issue.
In the 80's a made a devise the shut off my TV speaker when the gain radically jumped.
The Kruger Dunning explains most post on
Not to mention the inane commentary on vids with cute animals.
Some Commercials are put in at the local cable Headend and the tv network do not have control of that volume it the cable that have to control the volume of the ad's that are put in and they may use the same ad over more then 1 channel but each channel may not be at the same Volume.
I don't know. The blaring ads can be useful. It's a good sign I need to go to bed when I'm woken up by the loud phone sex ads. (Other ads never seem to be as loud as those.)
While I think there are more important things that Congress ought to be doing, the advertisers have only themselves to blame. They've known for decades that loud commercials piss people off, they've been told over and over that they should stop this practice, yet they've ignored all of this.
And some of the blame can also be laid at the feet of the local TV stations and cable systems, whose commercials can air at much higher volume than the network feed they're inserted into because someone is too lazy to adjust the fucking levels properly. Is it so damn hard to fix your equipment so that, when I have the volume set to enjoy "Mythbusters" at a moderate sound level, the ad for Billy Bob's Gently Used Washing Machine Emporium doesn't set off car alarms three blocks away?
And, while we're at it, can we do something about businesses that insist on using little kids in their ads, apparently in the belief that cute kids drive up sales? There's a local furniture store here that uses the owner's kids in every single ad. Those kids should sue the guy for child exploitation. And does anyone else find this practice as nausiating as I do? If you're going to show me an ad, just cut to the chase and tell me about how much I can buy a decent couch for and leave your kids at home where they belong.
Simply get an RMS of the show before airing it
What do you do for live TV?
This can be done by defining standards.
For example, if we define the standard as -20dBFS as the overall RMS for the sum of all audio channels (LFE Included!) of any programming segment, and then define a programming segment as (a) the duration of any given commercial message or (b) the contiguous programming between commercial breaks, then it doesn't matter if you are watching action or drama; all will be normalized to a common volume level.
Some latitude may be granted for live programming, so that it isn't required to use heavy-handed dynamic range compression to get this result. Of course, we then have to define live programming as any programming where a recording of the entire segment isn't available prior to air-time. Just because it was recorded in front of a live audience doesn't make it live programming. The live exception is to make allowance for real-time circumstances. This exception might apply to parades, news coverage, etc.
But my point is this: It isn't technically difficult. Broadcasters just don't want to. It is another example of how allowing industry to regulate itself doesn't work.
www.wavefront-av.com
Oh come on! They are specifically going out of their way to make ads LOUDER. There's a significant part of the problem that has absolutely nothing to do with the technical details of implementing some sort of auto volume leveler.
Simply put, stop amping your advertizements. Saying you can't match it up because of technology then deliberately amplifying your advertizements to the point of over-modulating equipment... fucking bullshit! That's not a technical problem.
It's like calling those flashing banner ads on web pages a technical problem with monitors that refresh too quickly. "Uh we intended for it to fade more gradually, but monitors updates too fast." Really???
I want this account deleted.
The point is that now it will be the same volume measured by *average level*. So one big explosion in CSI doesn't give the advertisers card blanche to blast their ads at you.
That's right, it takes two!
It's good to see the Greatest Deliberative Body in the world getting back to the important business for America.
http://www.newyorker.com/reporting/2010/08/09/100809fa_fact_packer
But the House has no time to mandate net neutrality? And let's not forget the economy, stupid. Sometimes I wonder why we vote these guys into office.
That can be tackled in a way similar to my solution for adjusting streaming audio to account for ambient noise. Yes, a new piece of "middleware" would need to be used between the live feed, and the broadcast signal, but that's not a problem. You perform a real-time calculation of the RMS on the audio, and that gives you an idea of the relative volume over the course of a broadcast. You would only need to store the last few minutes, or at most the audio since the previous commercial, to calculate an appropriate volume for the commercials, based on recent program volume.
I know right...
I've never actually deployed a studio without compression even if the settings are set lazy.
There are already limits imposed by the FCC that determine when something is too loud. However, there are some commercials which try to run really close to the edge. I would laugh when my setup clipped them and then wait for the customer to complain. If someone had run into an issue of clipping I gave them two options to get clean audio. You can re-submit your studio copy with correct audio levels (we used -10DB as the cieling) or I can send it to production to get re-mixed (at a cost).
The aural tube on the analog side would most certainly respond to the increased audio levels and I was not keen on it at all. We already had too many issues to let shit go up the pipe unchecked.
"You should always go to other people's funerals; otherwise, they won't come to yours." -- Yogi Berra
It was not easy
Not wishing to troll, but... Really? I recently had to implement a similar thing for a public transport voice announcement system (certain parts of the world require ambient noise compensation on their passenger announcements (plus sometimes customers want that anyway)). :-)
As you say, running average (or similar) of RMS is a key part of it... but other than some very (very) simple logic and arithmetic (basically scale the volume (up to a limit) based on a scaling of the RMS against a calibrated value), nothing more was needed.
Was it particularly more complex when implementing this for use in a room (as opposed to on a vehicle)? I guess the more dynamic nature of TV/film vs. passenger announcements would probably make it a bit trickier.
Just curious
(Oh and I agree on your last statement. The problem has only existed 'cos advertisers know they can get away with it, nothing technical at all!)
It works fairly good with MythTV, but only for recorded content (it looks for blank frames at 30/60 second intervals).
So once the television networks go down, who's going to produce the content?
...you have an infant sleeping in the next room that gets woken by the new Billy Mays screaming about something. Then it's a BIG irritant.
Damn I wish I had mod points right now, that would've been a definite +1
To do something right, you often have to roll up your sleeves and get busy.
Why doesn't this bill apply to streaming video services like hulu? Their commercials are a lot louder than anything I've heard on TV broadcasts.
Since when is DSL a landline?
Since some ILECs either failed to offer dry loop DSL or added a ridiculous surcharge for it.
I agree. This kind of feature is sorely needed in both TVs and playback software alike. I've tried VLC's normalizer function but can't seem to achieve predictable results (the instructions are written in a somewhat confusing fashion as well) and it's really annoying with some shows and movies that have audio tracks like rollercoasters. I recall Miller's Crossing having a massive police-mafia shootout scene immediately following a quiet conversation between two characters. Like the movie, hate having to scramble for the volume controls. Horror movies in particular are next to impossible to watch at night because of the annoying-as-hell violin screeches when some creature jumps out to chew the hero's eyes out. Okay, I get it, I'm supposed to be startled, but I don't need to go deaf and if I'm watching late at night, the housemates don't need to be woken up just because the face-hugger is feeling horny again.
So yes, dynamic range compressors on playback equipment PLEASE.
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Tivo has no automatic commercial detection system.
ReplayTV did and they got sued (and eventually went bankrupt over it despite winning the lawsuit). ReplayTV looks for the blank frames in 30 second intervals +/-2 seconds. Sometimes it would mistakenly jump past content though (Law & Order has noticeable fade to blacks which mess up ReplayTV).
Tivo has no automatic commercial detection/skip system however it does have the next best thing.
You can jump ahead exactly 30 seconds. So commercials come on. Jump jump jump jump jump. Back to content. Sometimes if the first commercial in the block is a good one I will watch that. Makes me wonder if the first commercial spot is worth more.
I was a bit worried that this might impact MythTV's commercial detection capabilities, but according to this page, it would appear that volumne levels are not part of the determination.
Any MythTV devs reading this know for sure?
Rob Enderle's excellent new book: Everything I needed to know about Computer Science I learned in Marketing School
It's a problem alright. What if you're channel hopping at any given moment, like 99% of us?
Under this proposal, it's likely one station would be dramatically louder than the next. PBS stations for example often use a sound philosophy that preserves dynamic range. Most other stations crush the shit out of their audio with some sort of compression filter, decreasing dynamic range for the sake of increasing the overall signal gain. Not only does it sound louder, it sounds quite a bit worse.
To me, it wasn't so much of a problem in the old analog days. The audio channels didn't have enough bandwidth for good dynamic range, nor was the average TV's sound system up to the task. Today, the TV's built in speakers still suck (generally less than the old days though), but our audio delivery mechanism is much improved thanks to Dolby Digital (AC-3) being the standard audio codec. Plug in your audio receiver and your fancy speakers and the potential for good sound is there.
But the stations ruin it all in a big-dick-contest: the quest to provide the loudest, most obnoxious sound experience for their customers--advertisers. I admit that it would be more than a little stupid to legislate average sound volume for *every* station, but at the same time it might be helpful for the FCC to help set some "soft" guidelines.
Constitutional rights may be respected, repealed, or modified; but they must never be ignored.
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I hate loud commercials as much as the next guy, but rather than tell Cable Companies how to run their business, I'd rather have leglislation that provides true competition. Unbundle cable delivery from cable content - have a regulated utility in charge of the wires that pipe cable to the consumer, and let them sell access to whoever wants to provide content (where content includes internet access). And put the management of the network up for bid every 5 years.
If people really hate loud commercials, they won't watch the channels that have loud commercials. If channels with loud commercials are more profitable, well then I guess they aren't all that annoying to most people.
Right now it's hard to "vote with your feet" because often you have only a single cable provider choice and satellite is not always feasible. If there was true competition, consumers would move away from channels that are annoying.
Of course, that's easy for me to say - I've already moved away form cable entirely, relying on online content (mainly Netflix) for all of my TV viewing.
Yes, I know the subject is a little controversial. I hate it when legislators make laws based on their current whims. I have a libertarian streak in me (but I'm not a Libertarian, but anyways), and I don't like legislators giving me or someone else useless rules and regulations.
HOWEVER, in this case I feel the free market failed the end users. Some of you are making fun of this and about how remote controls already let you control the volume. In recent years, the volume difference between the actual programming and the commercials is so great that me and my partner have to change the volume at every commercial. It's startling when a commercial comes on, and very difficult to watch TV at night when one of us is trying to go to sleep. The free market theoretically should have worked out to where the end user wants this feature, and it will appear. This could be in terms of people only watching channels which don't turn up the volume during commercials. Or in other cases people could have purchased TVs which automatically normalize the volume to a certain level. Well, both of those things don't actually exist in mass market (that I know of... I know some of you will be quick to point out that there are TVs which do have volume normalization, but I just bought a TV and none of the TVs that I were looking at had the feature, so even if it does exist it isn't in most TVs).
Sometimes there are things that the market doesn't handle on its own. This is one of them. And I can't wait for these damn commercials to return to normal volume. Regardless of your own opinions on how much of a problem it is, to some people like us, it makes watching TV unbearable at night.
Just because the U.S. is a republic does not mean it is not a democracy. Democracy/republic are not mutually exclusive.
The television networks, of course.... D'oh!
TV commercials are also notorious for using sounds of alarm clocks, notifications from common electronic gadgets (phones, microwave beep, common PC "important dialog" noises, "door ajar" noises, fire alarm sounds, etc) to get you to pay attention. It's not only annoying but unnerving. What purpose does it serve anyway, do they want you to associate anxiety with their product?
Twinstiq, game news
So, while thankful, let me just say if I were to write an ordered list of problems for congress to resolve this would easily have a four digit line item number.
I'm so happy everything else has been fixed so we can focus on the really unimportant issues.
Well I'm not sure how you'd expect to skip commercials with non-recorded content being broadcast in real-time. What should it do during a commercial? Change to another show and jump back when it thinks the commercials are over? Or warp space-time and get you on with your show?
I have and love MythTV and it works well - until you get a show with dark scenes that are below the threshold to be considered "blank." On all-digital broadcasts, perhaps you can set it to be more specific. Also, MythTV looks for network ident bugs at the corners of the screen.
FTA: a bill to require television stations and cable companies to keep commercials at the same volume as the programs they interrupt
The programs interrupt the commercials, or hasn't Congress watched TBS lately?
"I believe in Karma. That means I can do bad things to people all day long and I assume they deserve it." : Dogbert
Anyone who claims to be pro-free-market and who also supports this law is a hypocrite.
I'm not 100% sure of that.
As I understand it, the Dolby Digital spec actually included a definition for user selectable dynamic range compression. This allows for things like "midnight theatre" mode on DVD players. On my DVD player and Yamaha amp, both allow me to adjust the dynamic range compression to tweak it for my listening needs.
Contrast this with DTS, which AFAIK doesn't support any form of dynamic range compression ... I can't use DTS on my amplifier, because my big-honking Yamaha amp wants to basically run at peak output, and is way too damned loud. (Once tried to watch Gladiator, I think ... the background sounds were hella loud, and the dialog was quiet because it was tuned for movie theater volumes.) Some say DTS is "better" because it's a more "theater sound", but on my amp it is just way too loud since it doesn't support any form of compression to tone it down. I don't want to unleash all 700 watts or whatever it is.
So, either you're talking about the volume control (in which case I apologize for missing the sarcasm ;-) ... or, I will point out that Dolby Digital for DVDs actually did implement your "consumer-variable sound adjustment". Obviously TV and CDs don't seem to have the same setting, but someone did attempt to solve the problem.
However, I am glad that someone is finally enforcing that the car commercial shouldn't be louder than the action film I was watching. That is just plain wrong.
Cheers
Lost at C:>. Found at C.
Back before the dolby board died in my (Sony) AV receiver, there was a setting that used a compressed version of the DVD audio stream.
Made the explosions as quiet as the dialog. I have not seen that feature in any of the software based DVD players, or described any place. I do miss the feature.
You guys arguing about "government shouldn't get involved" this and "free market" that are missing the real issue here... that the Senate unanimously passed a bill! Personally, I am taking the rest of the day off in celebration of this historic event.
I have not bought a quart of Quaker State oil since 1985 when they did the blaring commercials. I have not and will not buy any product advertised this way. If they want my money they can act civilized not like screaming lunatics.
Professional Politicians are not the solution, they ARE the problem.
The challenge as stated in TFA is to define the regulation in a practical way that actually results in solving the problem.
No challenge. The hand that pushes up the volume button gets amputated with a rusty pair of bolt-cutters. Easy. Next story please...
I've noticed that Viddler prevents me from muting their commercials now. You can turn the volume down to a near whisper but I bet that level will creep higher and higher.
The easy way to impliment this is to simply compress the program audio like they do CD's for FM broadcast. With no headroom for explosive commercials and CSI explosions, all program material will be uniformly loud.
Be careful of what you ask for. You could get sound that is as uniform at your local clear channel top 40 station.
They solved the loud commercial problem long ago.
If you consider the music commercials too, they are as uniformly loud as the shock jocks.
The truth shall set you free!
Democrats in Congress had time to vote on TV commercial volume but not to approve a goddamn budget for the country. They had much more important things to do, like campaign to save their jobs from an angry public.
While we're at it, could somebody tell MS that the error sound is way too loud and way too frequent.
Any number of solutions to this:
(1) Don't make so many errors
(2) If they're not your fault then use an OS that doesn't make so many errors
(3) Turn the sound off
(4) Say no to using Microsoft products (see (2))...
If you're interested in it, you can check out LinHES (Formerly Knoppmyth, name changed when they moved from Knoppix-based to Arch-based). I've been using it for upwards of 4 years now and, other than some optional remote-tweaking, it's pretty straightforward for anyone who can install an OS.
Isn't there something like 5-8 seconds of delay on "live" TV these days anyway, to prevent wardrobe malfunctions, f-bombs and other public shenanigans from being broadcast to the viewing public?
This tends to correct itself. This was tried a couple years ago and it's use has died out. Research showed the moment someone heard the commercial siren, they automatically tuned out the commercial and gave attention to the road looking for the emergency vehicle and most often did not even register the commercial message. When the source was identified as the radio, the most often response was to turn it off and continue to see if there was a real siren in the area. I have not heard a siren in a commercial in several years now.
The truth shall set you free!
Not quite. They still put "(laughter)" into the subtitles
My blog. Good stuff (when I remember to update it). Read it.
John Peel (RIP) was the exception of course.
Radio one wouldn't have him theses days; he'd be placed on 6Music* for being neither bland nor vulgar and mainstream enough.
Remember, this is the station that employs Chris Moyles who some how manages to be both bland and vulgar at the same time.
*Not a dig at 6Music, quite the opposite - thank god the beeb bowed to public pressure to keep 6Music on air, the last bastion of good music on the radio
If I have nothing to hide, you have no reason to search me
It took some tweaking, but an optimal sample buffer was found.
Well don't just leave us hanging. What was it?
or at least until the commercial comes on.
Don't know him but I sure dug Emma Peel. (TV not radio)
...the future crusty old bastards are already drinking the Kool-Aid.
polical campaign commericals are exempt, right?
You mean a "volume knob"? I hear they make a special one made of wood that dampens out distortions or something like that. It's a bit expensive though. Maybe it's no longer available - only links I could find were archived. Darn.
...the future crusty old bastards are already drinking the Kool-Aid.
Was there cheering during that? I sure didn't hear any. All I could hear was those damn vuvuzelas. Which is why I turned the volume down or off. Which is perhaps why I didn't hear any cheers. Or they were just drowned out by the vuvuzelas. Or they didn't even bother to cheer cuz of all the noise. Or something.
...the future crusty old bastards are already drinking the Kool-Aid.
This sort of micromanagement is nuts. My son is - entirely coincidentally - just this instant reading a web-site about crazy laws. Like it being illegal to throw a moose out of a helicopter (Alaska), or it being illegal to sing in public in a swimsuit (Florida, I think he said).
All these sorts of laws - including the one about volume in commercials - are the result of knee-jerk reactions by legislators who have lost sight of the big picture. Probably some idiot did through a moose out of a helicopter - there's no need to add a law governing this. If the government must regulate it, this is in the purview of the FCC.
Better would be to leave it to the free market. As far as I can see, television stations are doomed anyway - the quantity, volume and general stupidity of commercials has increased dramatically in the past decade or two. If the stations continue down this path, in another decade or two, no one will care, because no one will watch standard TV anymore - everyone will be streaming over the Internet.
The Congresscritters are probably hoping that little "treats" like this will save their collective ass in the upcoming elections. In fact, they have once again proven that they need all need to be removed from office for blatant incompetence.
Enjoy life! This is not a dress rehearsal.
TV producers will just start including a Slashdot style moderation system, and you'll see +5, Funny next to the subtitles when there would have been a laugh track.
Some Commercials are put in at the local cable Headend and the tv network do not have control of that volume
And the CALM Act applies to "Any broadcast television operator, cable operator, or other multichannel video programming distributor". Exactly how cable operators are going to move from splicing local ads of a set "loudness" level into 1000 channels each running at different target "loudness" values is a bit of a mystery to me!
It's always been annoying that commercials are perceptually louder. It shouldn't take priority in the business of government, but I think this is a good thing to do.
The difference was that it was a capstone project for graduating from university. When you're swamped with work from half a dozen senior level classes, and you have to use a language you're unfamiliar with, along with open source mic drivers that have no documentation (in or out of code), it becomes problematic. The actual design and mathematics were easy, but implementation was a pain.
I always knew that my GF was busy playing with the remote when I was walking away, usually to play with the volume and I always thought this was why those dang commercials were always too loud, however, now I know better, and think this is a good thing, why should the commercials be so much louder then the show, I buy a TV to be set at a volume that I set it at, not to be changed half way through by someone who thinks I should hear something more then another.
That would be pretty impressive. (Actually I'm pretty impressed as it is that the Senate actually managed to pass a bill, any bill, at all.)
Someone had to do it.
Now, for a TV show, that is a bit easier. Simply get an RMS of the show before airing it, as well as the peak volume, do the same for each commercial, and adjust the commercial volume accordingly. It's not a difficult problem at all.
Unfortunately if you talk to psychoacoustic experts, they will tell you that science does not have a full grasp of perceived loudness.
The best we can say is that a frequency-weighted short-term power measurement such as ITU-R BS.1770 LKFS does an OK job in general, but it can not do a good job representing the perceived loudness of temporal discrepancies (a show fades to quiet during the credits, than an equal LKFS ad starts up abruptly but sounds much louder), or why when an expected loud sound (like a bomb clock counting down to 0:00 then blowing up) sounds louder than a bomb that blows up without warning, despite equal LKFS.
Moreover, there are probably differences in individual's frequency weighting of loudness (we know this happens with age), so BS.1770 LKFS is an average but may not represent your particular frequency weighting for your personal perception of loudness.
Well since nobody's invented what I will call "consumer-variable sound adjustment"
Speaking of which, I'm really surprised that there isn't a mp3 player that lets you select volume for individual songs as well as the overall volume. It seems like an obvious feature.
Speaking of which, I'm really surprised that there isn't a mp3 player that lets you select volume for individual songs as well as the overall volume.
There are many MP3 players that do, but you need the right data in the MP3 file.
You can also use software to non-destructively modify the MP3 file for players that do not support replay gain directly.
Exactly that is the key point that makes it "difficult" to do smart normalization by the consumer.
when your TV or receiver plays sound it has no concept of content vs commercials. it is simply one giant block on sound. Now you can normalize it however the commercials are mixed hotter thus commercials will still be louder and you will crush all the intentionally loudER parts of the content.
The networks have access to the discrete components ....
content
commercial 1
commercial 2
commercial 3
commercial n
they can determine the average loudness of the content and each commercial SEPARATELY. Then apply a gain to each commercial to normalize it to the content. something like commercial 1 -20db, commercial 2 -13db, commercial 3 +2db.
By the time it gets to the consumers it is "all mixed up" and attempting any normalizing isn't going to work well.
No it doesn't. It normalizes across the entire content. Your TV has no way to know the difference between a commercial and content.
Thus you can apply normalization however it crushes the dynamic range of the content and ends up reducing the INTENTIONAL peaks (chase scenes, explosions, etc) in that content to clip the commercials.
If the commercials are mixed hotter than the content they will STILL be louder just the relative difference is smaller.
The networks can normalize the content and EACH commercial seperately. By the time it gets to you it is all mixed up and anything your TV can attempt is going to be half assed and with significant side effects.
In other news, Congress is passing new legislation mandating minimum flexibility requirements for buggy whips. Anyone who isn't skipping through commercials with their DVR deserves loud commercials.
Exactly. They know very well how to do it. It's rather easy when you are airing pre-recorded material.
Sick of commercials blaring and waking up your hooker in the middle of the night?
If your hooker's asleep you're doing it wrong.
Free Martian Whores!
Or..just using the interstate commerce clause like they do for everything? I mean..what does a local commercial have to do with interstate commerce if it isn't transmitted beyond state lines?
Light travels faster than sound. This is why some people appear bright until you hear them speak.........
At all. It sometimes makes the tv content quieter, so I have to turn it up because the guy on History channel that is explaining black holes can't be heard, then a commercial comes on and I'm deaf.
Ban everything I don't like.
Thanks for the reply!
That makes more sense. Luckily for me the RMS stuff was done in hardware and I just had to sample an ADC... and I was writing this all in C. :-)
Given the situation you outlined, I imagine it would've taken me a while longer as well.
MS went one better in Vista and 7. Audio volume can be adjusted individually per application, so for example you can set system sounds to a very low volume, but still have your media player app or web browser as loud as you want them. One of the nicest features of Vista, IMO, and especially nice on a living room media center PC. Of course, because of this and many other changes to audio, it broke a lot of audio drivers so you couldn't use the XP versions in Vista, but small price to pay IMO.
"How can this make a difference??? ..... Here is a test for all you Silver Rock owners. Try removing the bakelite knobs and listen. You will be shocked by this! The signature wooden knobs will have an even greater effect...really amazing! The point here is the micro vibrations created by the volume pots and knobs find their way into the delicate signal path and cause degradation (Bad vibrations equal bad sound). With the signature knobs micro vibrations from the C37 concept of wood, bronze and the lacquer itself compensate for the volume pots and provide (Good Vibrations) our ear/brain combination like to hear...way better sound!!"
$485!
Un-freaking-believable. Are audiphiles people of low IQ that they are so easily suckered? Maybe I ought to put some of these knobs on ebay
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
Oh, that's right. There are some quaint souls out there that still watch NETWORK TELEVISION, without modern technologies like Tivo. And you see, there's this new technology called the DVD. With Netflix and/or renting, borrowing or buying DVDs, I can watch TV shows and movies whenever I want, and the only commercials I ever see are a few trailers for other films. In fact, my local library has a great selection, and it's what I'm getting for paying my property taxes, so I might as well get my money's worth there, eh?
I know what audio "dynamic range" compression is. Not unfamiliar with the term as my PC's soundcard has that feature, and the decency to explain that dynamic range takes a hit.
However, only audiophiles notice stuff like that. I've done enough blind tests to know that I don't. Of course, my speakers are built into the telly so they likely introduce bigger distortions than the digital signal processing. I was able to pick out a slight difference when using headphones on my PC, but even then wasn't able to say which was the original uncrushed signal on 128k mp3s - and though high quality MP3s did sound a tad worse they still sounded better than 128k MP3s (and 128k MP3s are good enough for us non-audiophiles).
Simply get an RMS of the show before airing it
Can't you leave Stallman out of this? Hasn't he done enough?
.there is enough of everything for everyone.
Audiophile, noun: A person who listens to the equipment rather than the music.
Because only TV networks can produce content isn't that right guys?
Have a look at the Fletcher-Munson curves and think what happens to sound when you apply a uniform gain/attenuation to it. If sounds at all frequencies move by the same amount, then adjusting the volume will change the character of what you are hearing. Try turning down the volume on your music and see how you lose the bass and treble, and all that remains is the stuff in the vocal region.
is DVDs having a "Dialogue-Boost" audio track. If you live in a house with other people, and try to watch any DVD that's not an episode of Mad Men at night, you'll find invariably that every film and television program that exists consists solely of about twenty seconds of unintelligible dialogue, which you have to crank the volume up to 11 to make out, and as soon as you do, you're hit with three minutes of discordant score and explosions, then twenty more seconds of unintelligible dialogue (repeat ad nauseum). It wouldn't be too hard to add in an audio track that mixes down the music and sound effects and turns up the dialogue so you can just hear what the fsck they're talking about without waking up your entire neighbourhood.
I swear, the Brotherhood of Foley Artists and Phillip Glass Wannabes, Local 523 makes Jimmy Hoffa look like Mother Theresa.
MSIE: The world's most standards-complaint web browser.
Makes me wonder if the first commercial spot is worth more.
It is. And the earlier in the program, the more the spot can be sold for, as well. Prices spike back up at the tail end of shows, too, to ride the coattails of the next show. Ditto the 10 minutes on each side of the bottom of the hour in an hour-long show.
IWAMCO (I was a master control operator -- the "DJ" for TV.)
Populus vult decipi, ergo decipiatur...
"Force shits upon Reason's back." - Poor Richard's Almanac
...that I would make sure not to play music with siren sound effects off of CDs played into the car stereo. Howeve,r nto as big of an issue with the self-selection involved.
(NWA's "Gangsta Gangsta" is the only track i have that comes to mind right now as having that sound effect.)
I listen to both RIAA and non-RIAA stuff if I like the music, tangential business/politics nonwithstanding.
It's about time someone clamps down on this. To make matters worse, some stations lower audio the first minute the shows come back on. I'm constantly fiddling with the volume control or mute button.
I mean, something as nearly universally annoying to the public, and it literally takes an act of Congress. Just like the Do Not Call registry.
Do we need to jump through this hoop every time some sociopathic weasel exploits some loophole or weakness in technology (or other)? Or, do we need some baseline of understanding that we have a basic human right to peace and tranquility?
I know that there is a whole judgment thing (who would appropriately judge such things), but come on, and act of Congress?
This will make commercials harder to identify automatically, not that anyone would use that to drop commercials, of course.
However, not to worry. Note that the House and Senate passed different bills, allowing them to say "we are protecting you" at election time. If you think they will resolve the differences between the versions and actually pass any law, then you are pretty gullible. And if such a bill were passed and signed into law, the Supreme Court would probably rule that volume is part of Freedom of Speech, just like money, even though my version of the amendment doesn't include any right to make me listen.
On a related note, I see that politicians can bypass "do not call" if you ever voted, since that now counts as a "prior business relationship." I get calls from parties I never joined, and they assure me they have the right. My right to blow a whistle in their ear is protected, too.
Well, replay gain is pretty much what I wanted, though it would be nice if you could easily manually set it.
Some Samsung TVs used to have that built in. The idea was that the user sets a volume level they want to listen at, not a level the want to attenuate whatever sound is currently being broadcast. It worked pretty well.
They also did a compressor for late night viewing that made it easier to hear DVDs with a lot of dynamic range at low volume levels.
const int one = 65536; (Silvermoon, Texture.cs)
SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
Well, some of that could really be about volume, but it's more about averages. In a real TV show, you have dynamics... it's mid-range, people are talking, etc. Then it gets really quiet, as Col. Jack O'Neill, Samantha Carter, and T'ealk are sneaking down the hallway, trying not to be seen. Almost too quiet. Then it gets really loud, as the Replicators spring into action and everyone's shooting them to pieces... or was it a bunch of Goa'uld up to their old tricks.
Anyway... dynamics. There's a range, ideally something like 90dB or so, between quiet and loud.
Then an ad comes on. That ad has been processed through a compressor, which puts the quiet parts at 85dB, the midrange at 90dB, and the very loud parts at full range 96dB (this is assuming a 16-bit audio sample, which is what you have in most digital TV systems using AC-3 or MPEG Layer 2 audio). Now of course, they've taken that nice 16-bit potential and dropped it down to about two or three effective bits of resolution, but they don't care, long as it's as loud as your explosions ever get.
You can tell if the originator really dials down the show volume. That's really unlikely -- for one, you'd be getting huge variations in volume from channel to channel, which I've never seen. But in normal audio, the average is probably around -20dB from peak, and your loud ads with their compression probably average out at -10 to -5dB from peak... in other words, they can actually be 2x-3x louder in practice than the television show, even without playing any evil games with your show's normal volume. And if they did that, they'd really be cheating you, because the show's audio would have to be compressed, or you'd simply miss part of it.
If there are ads that really show up a VU meter louder than the loudest explosion peak, that's proof they're really messing with the overall show's volume. But I don't believe that's necessary.
In fact, popular music has already been though a loudness war. Years back, with the advent of cheap audio gear and more bands getting more involved with the technical side of their own work, music started getting louder. This was also new for the digital era -- you simply couldn't make an LP that loud, the mechanics of it were against you. But enter CD, and the issue of "too compressed" goes away, at least if you don't care about dynamics. Again, not really louder in peak, but louder over all -- more compressed, so the effect is louder. Here's the ever-present Wikipedia link: http://en.wikipedia.org/wiki/Loudness_war. And here's a short article about it as well: http://georgegraham.com/compress.html. Same principles as the loudness escalations on TV.
-Dave Haynie
Well, replay gain is pretty much what I wanted, though it would be nice if you could easily manually set it.
Although there are no MP3 players that "remember custom volume settings for individual files" (which is what you seem to want), it's trivial to use replay gain metadata on individual files to set whatever volume you want, even though that wasn't the original intent of the system.
Basically, after you analyze the file, you can use the tools and manually set the volume 3dB higher, etc., to your heart's content. MP3Gain even lets you set the volume level differently on each channel of the MP3 (although I don't know why you'd want to).