New Red Dwarf Series Threatened By the Twitter Era
An anonymous reader writes "The announcement that the new series of Red Dwarf is likely to be shot in front of a studio audience, which hasn't happened for the show since 1998, has made one of the show's actors wary of the practicality of it. Commenting on his blog, Robert Llewellyn, who plays servile robot Kryten in the hit British SF comedy show notes: 'The fear among the producers now is that it's impossible to imagine an audience of around 400 people at the recording of a TV show like Red Dwarf, where nobody does a bit of a hint on Twitter, or sneaks a picture on Facebook or posts a bit of badly shot video on YouTube.'"
This is why we can't have nice things.
Those that want the show spoiled will have the show spoiled, those that don't (which you can be assured is the majority of viewers) won't view any spoilers.
Why are you even concerned?
captcha: sequel
How far into retardoland can these fucks get? It's like "oh no, artists can't do tours anymore since anyone can post their performance online".
fucktard is a tenderhearted description
Even more shocking is that the new series might be doomed because of a sensationalist headline on slashdot!
The fact that they are doing the new series is worthy enough news, you don't need to build up a non-existing story to promote it. Even the summary shows what a crock the headline is when it says that one of the show's actors was "wary of the practicality of it". If it was such a concern, then they could just not film it in front of an audience.
Would it be plausible to record in a Faraday Cage or equivalent, negating both cell phone and internet device access for the duration of the recording?
I can understand the appeal of actors being able to react subtly to the audience - but I always found the blurts of audience sounds annoying - ESPECIALLY in shows with canned laughter or artificially "enhanced" audience reactions.
Red Dwarf seems like it would be better with a smaller audience of insiders anyway - comedians playing to other comedians are always filthier, funnier, and less self-censoring, and I think that would be a better result.
Ryan Fenton
All Twitter, Facebook, and YouTube posts will do is generate extra hype for the show at no extra cost to the producers. No one is going to watch a shitty YouTube cell phone capture instead of the actual show. Free advertising is always good and word of mouth is extremely valuable. If someone sees a commercial for a TV show they just file that away with all the other advertising they ignore. If they get the pitch from someone they know or better someone with similar interests they're way more likely to pay attention. If I was making a TV show I'd beg my audience to talk about it on every channel they had available.
I'm a loner Dottie, a Rebel.
five extras in Spiderman.. so no worries there.
I am very cross. You shouldn't have run away from me. What are we going to do with those twitter posters?
I have an idea, but who would clean up the mess?
Try to hack my 31337 firewall!
Maybe this could be a neat twist..several advantages can come from this, not to mention free advertising.
Writers could get creative, and write a few extra scenes, some make it in the show, some don't, etc.. So what people Tweet or share may never even appear, etc..
I dunno, it's 2011, stop making it all doom and gloom about technology. I thought Red Dwarf was a sci fi comedy...?
Red Dwarf is a classic Sci Fi series and something I grew up on and still enjoy today, but it is clearly a series that doesn't work any more. They tried to revive it before when they did a mini series and it was by far the worst episode(s) of the entire thing.
People always cry for remakes and updated versions of older TV series, but some things just don't work in the current climate. Doctor Who is a prime example of a TV series that doesn't work in the modern climate, so when it was brought back it was massively retoned to suit modern TV. But Red Dwarf can't be retoned, when they tried it, it just didn't work. Some times you just need a budget of £10 an episode and a dude wearing a spandex suit rather than massive CGI scenes and unlimited funds.
Red Dwarf is an all time classic and something I hope anything I spawn will get to watch and enjoy as I did, but it feels like the actors have no careers any more (especially Craig Charles, who is now badly dubbing Japanese game shows for cable channels) and just want to milk sucess 30 years ago.
I like muppets.
The WWF (now WWE) has had to deal with this for ages, as their shows are often broadcast days after they're actually performed.
Their solution? Do jack shit.
The fans who don't want to be spoiled, don't look up the spoilers.
The fans who do, do.
Nobody really loses out unless someone on the cast has an unexplained need for secrecy. This isn't Survivor.
It's better to vote for what you want and not get it than to vote for what you don't want and get it.
- E. Debs
This is how I get to see the Daily Show five hours early each day: all those audience- created YouTube uploads.
Not everyone reads every twitter or is friends with the guy on facebook. Not everyone will see the youTube clip (which can be taken down quickly anyway). Even if they do it's not going to stop them from watching the show.
Once you show a show to 400 people, the cat's out of the bag. Any one of them might know or even be a TV journalist.
You've been Krytered. I suggest two hours W.O.O.
'The fear among the producers now is that it's impossible to imagine an audience of around 400 people at the recording of a TV show like Red Dwarf, where nobody does a bit of a hint on Twitter, or sneaks a picture on Facebook or posts a bit of badly shot video on YouTube.'
Wow just wow . How about adapting and embracing new technology instead of moving a step backwards ? This confirms still, how old fashioned some in the entertainment industry think. E.g. why not offer a 'live' showing per stream in HD ? If it is a good show and not some _crap_ then why are they so afraid of twitter, youtube, etc etc. Actually if enough people talk positive about it isn't that a bonus for the show? There are many possibilities how to adapt to new models but instead of thinking about the positives of using new models, these types concentrate on the new negatives.
So now live viewers will most likely have tight security before entering the viewing. Leave all electronic devices with security pick up after show etc (same old story). Because some decision makers can't think outside the box.
We already invented a thing for this, it's called the spoiler alert.
Until they find out that everyone's going to get it via bit torrent, anyway.
Also, have these people never heard of America? We get british stuff ages after it airs in the UK. And the UK often gets our stuff ages later. It's not like any of this is new.
They could always just fill the seats with robots.
Then at the flip of an executive-controlled switch, they could all burst into cold, robotic laughter. Even better, special appearances from Robot Wars contestants could make their way into the program to give the audience something to relate to. Kryten might even end up the next Justin Bieber.
I don't know what kind of time is needed between a show being shot, the networks needing the content, and the actual airing, but if this is such a big issue, why couldn't they drop the "live studio" part and screen the episode for the audience shortly (i.e. days) before its premier, record the audience noise then, and tack it on?
It obviously "just wouldn't be the same", but if you're that worried about it...
(Which apparently they aren't, because according to the summary, the only one known to be worried is one of the actors.)
sometimes it's hard to avoid spoilers, especially when perusing other info related to the franchise, the kind of stuff that big fans would care to look at.
I listen to both RIAA and non-RIAA stuff if I like the music, tangential business/politics nonwithstanding.
How about, I don't know, getting rid of one of the single most annoying thing about British comedies. The damn studio audience. I swear they bus in the most idiotic people around for them. I've heard the people involved with I.T. Crowd mentioning that they have to give a lecture to the audience to try not laughing at anything too dumb. In particular I remember hearing someone mention being exasperated because the audience would laugh at toilets. Not doing anything with a toilet, just, apparently, the fact that a toilet could exist.
Everything will be taken away from you.
I follow a few bands with semi-elaborate stage shows and I've heard complaints (mostly from other fans) about accidentally seeing spoilers for the concerts. Because I guess knowing what outfits are worn totally ruins it or something. *shrug*
http://transformativeworks.org/
Big deal, think of it as pre-release publicity, for free. As long as you have an audience there will be leaks.
As to the show itself, even though I thought the old cast was fantastic, go for a new one. Obviously base it on the original British version, not that horrible American version that never got released.
And as a small note, even though I loved the show, that last thing they did,"Back to Earth", was horrible and should be forgotten with as much prejudice as possible.
Whenever they reboot, respin, retcon, or remake something I love, I'm usually just happier watching what I love. The original Red Dwarf episodes are amazing. If a recombobulation ever does come to be, have a watch party and pop in the classic.
I know its probably hard as hell to do this - but wouldn't it be cool to do the show live and run it at the same time? This way the fans can watch and the tweeters can tweet at the same time and no one is getting in on the plot before anyone else. Hell it might even make more people want to watch it, so the outcome doesn't get spoiled by the netverse.
I'm sure it'll probably be really hard to do but when theres a will theres a way.
Just borrow a TSA squad - complete with embarrassing scanner - from the USA. That'll fix it. Leave your guns AND your gadgets (and your privacy) at the door, buddy!
Do it live, not just a live audience. (If they could manage the sets this way, it'd be hilarious.)
That said, people aren't going to post all the jokes from the show on twitter. They are more likely to say the show is crap if its crap though, which I think is the real concern.
Am I the only one here who hates British humor*? I may be an American, but I'm tired of being told that I'm a brash yank who doesn't understand the subtleties of british humor. I know damn well what it is. It's people doing really weird things nonchalantly, often intentionally. And nothing else.
*Okay, you've got me. I liked Monty Python's Flying Circus. Still, I can't help but see every other example of british humor as an inferior copy of Flying Circus.
He's a likeable chap, but not the sharpest droid in the box. To wit, he's rabidly in favour of electric vehicles, to the point where he accuses anyone pointing out the obvious flaws with current vehicles - production costs, bad and reducing range, battery recycling issues, and that the vast majority of the electricity still comes from fossil source - as being biased shills.
So, well intentioned fellow, but rather superficial in the thinking department.
If you were blocking sigs, you wouldn't have to read this.
I think Kryton needs to switch off his paranoia chip.
And yet The IT Crowd somehow manages to survive being shot in front of an audience of geeks.
No show has been shot in front of a studio audience since 1998? Doubt it. Hot in Cleveland is currently being produced and announces that it is indeed shot in front of a live studio audience and proclaims so at the start of each episode.
The types of people that will read about the episodes on twitter or watch terrible videos from the audiance on youtube are the same types of people that will watch an episode 15x so they can come to work and annoy me with sad quotes. Then they'll buy your show on DVD, the "Editors edition" DVD, the "Extended cuts" DVD and then the box set.
Use that to create buzz and get people more excited about the whole thing.
Yet another example of someone not getting the Internet. Nothing to see here, move along.
If they are so concerned about Spoilers, then why not do it as live television in front of a live audience? Or are modern series so stuck on special effects and multiple takes, that this can't be done like a stage play or vaudeville? Gee, it might even be "different."
I ended up watching Star Trek 5 twice because I was sure I'd never seen it and just could not remember what happened in it. I still can't remember anything at all about it. It must have been pretty bad because I can still remember the Paris and Janeway amphibian sex episode from Voyager which is pretty close to the bottom of the barrel.
Honestly, surely it can't just be me who thought the audience laughter canned or not was the worst thing about Red Dwarf by far.
Shoot it without an audience, and don't add any recorded laughter either.
Solves both problems.
aside from the logistics, you'd be breaking the Law by *deliberately* blocking telecoms like this.
In the UK this is not allowed.
The people watching are fans the people seeking out the sneak peeks, virals, bloopers, etc are also fans. Its not like they are going to loose anything by letting this stuff get out. Most fan sites are good about hiding "spoilers" for those that don't want to know..and for those that do all it does is generate hype and buzz...which usually is something niche programming clamors for.
Personally, as a Canadian, I enjoy the surreal British humour alongside the "proper" humour. Stuff like Monty Python and The Mighty Boosh get equal laughs as Yes Prime Minister and The IT Crowd.
To disown the surreal and silly just because it goes against a standard is idiocy. Some of the most memorable and revolutionary things were purposefully done against the standard, very much so for art and music too. Monty Python laid the groundwork for generations of comedians. (Especially Canadian comedians.)
Does it make you happy you're so strange?
What the producers don't realize (or don't want to acknowledge) is that these sort of "leaks" just drive demand for the product (show). They need to get their head out of the sand - this stuff is going to hit the Internet anyway, so they might as well embrace it.
Sometimes, real fast is almost as good as real-time.
I must be missing the point because I don't understand why this is such a big problem for Red Dwarf and not for any of the many other sitcoms that are recorded in front of an audience.
How much damage to the show's popularity can a Twitter post or a Facebook picture do? If anything, they're running a rick of one of the "badly shot videos" going viral and 25 million people tuning in to see what it supposed to look like during the actual episode.
Bow before me, for I am root.
There's at least one major TV show that is done in front of a live studio audience. Saturday Night Live seems to do fine despite YouTube, Twitter, etc.
Honestly, I can't see how this is going to work. Are they bringing back the old cast or starting over with a new one? is it going to be the same story following "Back To Earth" or a complete reboot like the recent "Star Trek" feature film versus the TOS version?
If it is a set of new characters, who are they... Lister's kids, a Rimmer Jr created by Rimmer and instructed to activate in 20 years, cloned versions of the cat, only younger, with kryten left to baby sit them all? And what about holly... crashed, hologrammed like Rimmer was or replaced by Kryten as Red Dwarf's main computer?
Personally, I think Red Dwarf needs to stay dead. The entire series is on NetFlix now if I get the urge to watch it again, and I doubt the series could survive in the same context it did in the 90's. Hell, just look at how tame The Simpsons has gotten in the last 20 years compared to the early years. They can't even show a character's butt in the current episodes without a disclaimer or a time shift, something that was perfectly acceptable early on. (Yet, the syndicated episodes are still shown with butt crackss intact.)
If you really want new brit space humor, I recommend checking out "HyperDrive" (which is also on NetFlix). Granted, the show is still rough around the edges, there is potential.
8==8 Bones 8==8
Security watches the audience, and presumably if they spot someone using a phone, that person gets thrown out.
September 2011: Looking for Cocoa/iOS work in Boston area Cocoa Programmer Quincy, MA
I enjoyed 6 well enough, but 7 and 8 lost me completely. Bringing back the annoying, superior Kochansky and losing the gritty, mining-ship feel of the sets and costumes did not go down well with me. Moreover, I liked the limited cast of the original seasons, so bringing back the crew didn't work for me either.
I'm also going to say that the nanobots were some of the most annoying dei ex machinae I've come across as well. Magic tech is fine, but only as long as it doesn't become godlike.
And that's without going into the writing. As others have pointed out, Grant/Naylor made a great team. Either one on his own, not so much.
Maybe I'm wrong, and they could succeed in rebooting the series, but I very much doubt it.