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Non-Copied Photo Is Ruled Copyright Infringement

An anonymous reader writes "A UK judge ruled that a photograph inspired by another photograph, but clearly different from it, infringes the original photo's copyright. The two photographs were shot in the same location, have the same subject, and use the same distinctive post-processing treatment. However, the angle and composition are different. From the article: '[The judge] said a difficult decision hinged on a "qualitative assessment of the reproduced elements." He defined Fielder's image a "photographic work," as distinct from a simply a photograph, in that "its appearance is the product of deliberate choices and also deliberate manipulations by the author," and concluded that those aspects had been copied.'"

657 comments

  1. Misleading to call it "non-copied" by Overly+Critical+Guy · · Score: 5, Insightful

    You know, having read the judge's reasoning, the headline and summary for this story are somewhat misleading. Yes, the photograph is "clearly different" in that it's not the exact same photograph, but it is clearly the same compositional idea, with the only practical difference between a difference in angle. Also, the second photo was intentionally made to avoid licensing fees from using the original.

    The judge offered his logic behind the decision:

    The judge concluded that the claimant (Justin Fielder)'s image is original and that the intellectual creation resided both in the compositional elements of the image and the contrast aspects. Specifically, Judge Birss QC highlighted two visual contrasts: 'one between the bright red bus and the monochrome background, and the other between the blank white sky and the rest of the photograph.'

    He also took into account the evidence that Mr Houghton was aware of Mr Fielder's image (the two had previously been to court when they had failed to reach a licensing agreement over Houghton's previous infringement of Fielder's copyright), to conclude the similarities were causally related.

    In the end, Birss said a difficult decision hinged on a 'qualitative assessment of the reproduced elements.' He defined Fielder's image a 'photographic work,' as distinct from a simply a photograph, in that 'its appearance is the product of deliberate choices and also deliberate manipulations by the author,' and concluded that those aspects had been copied.

    In other words, the original wasn't simply a photograph of something but a specifically processed piece of artwork, and the second piece attempts the exact same style and processing. The defendant commercially used the original without licensing it from the plaintiff and was sued by his company, and the second photo was only taken afterward to avoid paying the licensing fee, so the intent of the photo was specifically to copy the original and not borne of parallel-developed artistic expression.

    So to say it's a "non-copied photo" is, in my opinion, wrong.

    Howeverthe comments to the article also point out that this kind of shot is common: example, example, and example (note that these pictures have no dates provided). The article says alternative examples were in fact brought up in court, but the judge said they worked against the defense because they "served to emphasize how different ostensibly independent expressions of the same idea actually look." But I think they're all a close enough idea that the differences in angle and position don't serve to make them different enough, because the core idea of all the pictures is this specific London red bus in front of a monochrome Big Ben scene.

    If it can be proved that there existed images like this before 2006, then the plaintiff shouldn't have won, but apparently, the examples given in court were undated.

    --
    "Sufferin' succotash."
    1. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      Ideas aren't and shouldn't be protected by copyright. This is a dangerous, if unsurprising, precendent. Big copyright is succesful in their quest to limit creation and people like you will be cheering them on right up until your cheering is ruled to infringe on something or another.

    2. Re:Misleading to call it "non-copied" by mark-t · · Score: 5, Insightful

      Except for one key fact...

      You cannot copyright an idea.

      That is utterly incontrovertible. And so yes... he copied something. He copied the idea. But that is *ALL* that he copied. The original photographer does not own a copyright on that idea, he owns a copyright on the photo.

      The second photographer did not copy the original photographer's photo. He copied the *IDEA* that the original photographer had.

    3. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Now if you create fan art, expect a DMCA takedown notice.

      Wait, you probably could've expected that anyway..

    4. Re:Misleading to call it "non-copied" by camperslo · · Score: 1

      I wonder what the company that wrote the effects software has to say about this.

    5. Re:Misleading to call it "non-copied" by CrystalFalcon · · Score: 5, Insightful

      It's not misleading in the slightest to call it non-copied for the simple reason that it was not a copy, and that the copyright monopoly only covers direct copies, nothing else.

      Yes, they used similar inspiration and similar techniques. But that is specifically not covered by the copyright monopoly, which has always been about protecting a specific expression of a creative idea, and never the idea itself.

      For more, see this article on Falkvinge on Infopolicy.

    6. Re:Misleading to call it "non-copied" by jythie · · Score: 2

      Not likely since this was a UK court decision and DMCA is a US law.

      Though it is not unusual for US courts to reference decisions in the UK or Europe (since the rest of the world does not seem to legally exist) so I would not be surprised if this comes up domestically....

    7. Re:Misleading to call it "non-copied" by polymeris · · Score: 5, Informative

      Also, the second photo was intentionally made to avoid licensing fees from using the original.

      original, you say?

    8. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Welcome to the new world. Everything you thought you knew about law means nothing...

    9. Re:Misleading to call it "non-copied" by martin-boundary · · Score: 5, Informative

      The judge is an idiot, or maybe he doesn't go much to the movies. The compositional idea isn't original at all. girl in the red coat

    10. Re:Misleading to call it "non-copied" by MightyMartian · · Score: 4, Insightful

      The law is nothing. Everything you thought you knew about human cultural transmission means nothing. We are now living in a world constructed completely of lawyers, by lawyers and for lawyers. What a sad, pathetic, worthless place we've made for ourselves, and for what? So some fucking cunt can harass fellow photographers over a fucking picture most people won't even see?

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    11. Re:Misleading to call it "non-copied" by johnsnails · · Score: 1

      Let google do the hard work... http://goo.gl/yqR3w not sure if this will work...

    12. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 3, Insightful

      "Ideas aren't and shouldn't be protected by copyright. This is a dangerous, if unsurprising, precendent."

      The idea isn't. The point is that a derivative work is when you look at someone's work and make a similar one that you would not have produced without first viewing the original (at least in the US). If you are a derivative work, then you can be subject to copyright infringement. This has always been the case.

      Consider Snoopy. If I look at the snoopy character and draw a similar dog called Smarpy, which isn't quite the same, and perhaps make him a comic book character, is that a derivative work? Sure it is. Same deal for the photo. It is a complete defense in the US though, to prove you never saw the original.

    13. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Interesting that the original was so much better.

    14. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      By your logic almost all FPS games could be seen infringing. What if two people independently have the same idea. The judge is thinking like it is a patent when he should be thinking more about copyright. The infringer should know he is copying something. Another good example would be the Star Wars collaboration. George obviously created a lot of the concepts they used, but they didn't copy any of his material. A question needs to be asked about if copyrights make sense. There is no clear indication when something gains enough sophistication to deserve copyright. Personally I don't believe in copyrightable material existing.

    15. Re:Misleading to call it "non-copied" by DragonTHC · · Score: 1
      --
      They're using their grammar skills there.
    16. Re:Misleading to call it "non-copied" by Dahamma · · Score: 2

      And since it's estimated that less than 10% of any ideas are original, according to this judge 90% of the population is guilty of copyright infringement!

      (and I made up the entire statement above without any reasonable proof or evidence, but I'm sure someone has thought it before so don't blame me, I'm just quoting someone else's idea...)

    17. Re:Misleading to call it "non-copied" by DragonTHC · · Score: 1
      --
      They're using their grammar skills there.
    18. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 3, Insightful

      Yup. Even though what Overly Critical Guy says is quite correct in technical point, the fact is that there IS an absolute line in the sand and this decision crosses it. Its time to start scaling copyright right back to zero, its time has obviously long passed.

    19. Re:Misleading to call it "non-copied" by anubi · · Score: 1

      How much of this will we tolerate? Of course, the second photo was made to avoid licensing fees from the original!

      Am I about to be sued by McDonalds because I went home and grilled my own burger? Or will Burger King get sued?

      Wasn't competition and free markets the basis of free enterprise?

      If I declaw a cat, do I assume the responsibility of feeding and protecting it?

      If I can persuade Congress to pass law telling someone else he can't do something cause I did it first, do I incur responsibility to accept taxation so the other guy, at my insistence, foregoes doing this?

      I pay for my right to force others not to camp on my yard - its called property tax. Its a bit over 1% of assessed value. Can one claim "rights" without paying for that right? Isn't that theft?

      As Congress transforms this nation from a production-based society to an ownership-based society, our tax codes must be updated accordingly or I guarantee we will have significant social unrest.

      Land of the free, home of the brave???

      Land of the wimps if you ask me. ( yes, I am a wimp too ).

      --
      "Prove all things; hold fast that which is good." [KJV: I Thessalonians 5:21]

    20. Re:Misleading to call it "non-copied" by Overly+Critical+Guy · · Score: 3, Insightful

      I'm not "cheering" anything. I'm saying that the photograph is clearly copied from the other on an artwork level--that being the artistic expression comprised of the subject matter, processing, and overall "tone". It's also a matter of fact that it was specifically intended to be a copy of the original.

      I mean, if you saw a movie called "Triassic Park" with a logo using the same font as the original and a different angle for the T-rex silhouette, and the same storyline but with different actors and slightly different shots, and a soundtrack that resembled the original but for a few changed notes, you'd still consider it a rip-off of Jurassic Park. At some level, it's just common sense.

      --
      "Sufferin' succotash."
    21. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      The judge is not describing a copyright situation he is describing a patent. The original author does not own a patent on the specific process he used to create the photograph. You cannot copyright an idea. This judge is clearly and idiot and I truly hope this is knocked down on appeal and the original judge called out for his stupidity in the appellate decision.

    22. Re:Misleading to call it "non-copied" by DragonTHC · · Score: 1
      --
      They're using their grammar skills there.
    23. Re:Misleading to call it "non-copied" by timeOday · · Score: 1

      The effects don't appear to be anything special. It's just a shot of Big Ben with a double-decker bus, converted to monchrome, with the bus colorized red to make it jump out. No reason to think they used the same software - except that so many people use photoshop there's a good chance these two did.

    24. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Interesting

      Apples and oranges. As pointed out below by someone else, photos are barely copyright-able at all, because they're simply a recording of something. Your example of Snoopy is something entirely different. Furthermore, even in derivative works fair use generally applies, meaning it's still OK.. The main reason you can't reproduce things like Snoopy is because they're trademarked.

    25. Re:Misleading to call it "non-copied" by careykohl · · Score: 1

      So if someone takes a picture of something you are actually arguing that anyone else who ever takes a picture of that thing again is infringing some mythical copyright? That is preposterous!

      Art is art!

      And yes, if you charge more then someone can afford for your art, they should always be allowed to recreate it themselves, and as precisely or imprecisely as they wish.

      If someone wishes to use a particular photo as a trademark, or logo of some kind that is an entirely different issue from copyright.

    26. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      I'm the anonymous coward who submitted this story, and I stand by my title and summary. In my view as an enthusiast photographer, the two photos are clearly different, and the second is not a copy of the first. What you call "angle" (and I call "composition") is a lot of what makes or breaks an image. Photographers strive to place objects in the frame so that they relate to each other and to the frame and lead the eye (here is an interesting article on composition).

      These two photos are completely different in the way the shot was composed -- the original photo is by far superior in my opinion... For example, the original image has a clear "direction", as the line of the bridge, the direction in which the viewer knows the bus is moving, and the staircase on the bottom left all lead the eye from the right to the left of the frame. In the second photo there is a less strong sense of direction: your eye is mostly drawn just to the bus (and then maybe moves a little towards the bottom left, but the lanes on the bridge converge in the opposite direction, leading the eye back up). I could go on about the differences -- the first photo is much more subtle in its use of color emphasis because the bus takes up a much smaller part of the frame, etc.

    27. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Well said. And I completely agree with you. It's turned into a piece of shit by these assholes.

    28. Re:Misleading to call it "non-copied" by erroneus · · Score: 5, Insightful

      Actually, according to the summary, the composition was different as was the angle. It was the subject and the 'style' which were the same.

      This is an extremely slippery slope where the arts are concerned. EVERY bit of art owes style, composition and subject matter to other, previous works by other people. This judge has essentially ruled that by copying someone's style and using the same subject, they have copied the work of another. That's a bit problem. It's like "patenting" art.

      In order to improve our own art, at times we seek to duplicate the styles of other art we enjoy. As a former art student, I know very well about the application of style in classical arts such as sculpture, painting and sketching. I also know very well about the digital arts where styles and methods used in creating manipulating graphics are often borrowed, simulated and quite often duplicated by simply using the same photoshop filters.

      We have had discussions about photography and objects on public display before. It's simply ridiculous to say that images of such objects fall under copyright. And in this case, the use of color on an object while not having color on all other things has been going on for a VERY long time. This technique, I believe was likely born of marketing and advertising drives, is far from new and far from being "ownable" by anyone in particular. The technique is fairly common and fairly simple.

      This is a case of a judge simply not knowing how art works and then ruling on it setting up a precedent with huge unintended consequences.

    29. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      This has always been the case.

      No it hasn't. All i have to say from your comment is that you know absolutely zero about the human creative process. The Beatles mimicked elvis and the crickets. Mickey Mouse is a derivative of Oswald the Lucky Rabbit (with slightly different ears) and from vaudeville and minstrel shows before that. Take any creative work of value-- anything-- music, literature, movies, paintings-- and I can guarantee you it was influenced by an earlier artist whose formative efforts involved watching and learning from whatever came before.

      Every creative work, much like scientific advancements, stands on the shoulders of and is influenced by its predecessors. Culture doesn't self-generate spontaneously-- and when it comes to copyright, is the EXPRESSION of the idea in a fixed medium that counts, not the idea in and of itself.

      That this work should be found to violate copyright, is in my opinion, nuts.

    30. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      0% of any ideas are entirely original, and 100% of the population is guilty of copyright infringement.

      FTFY

    31. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      "It is a complete defense in the US though, to prove you never saw the original."

      I find that hard to believe. Do you have a link to back that up?

    32. Re:Misleading to call it "non-copied" by Overly+Critical+Guy · · Score: 1

      By your logic almost all FPS games could be seen infringing.

      Dude, it's not my logic. I'm just explaining why the judge said what he did. Apparently, copyright law in the UK covers something called "intellectual creation" including photographs.

      As for FPS games, if there was a game called Half-Lifer that took place at the Black Plateua Research Facility starring Gordan Freelam and had the same storyline but with slightly different levels and character designs, yeah, I'd imagine Valve would be a-suin'.

      --
      "Sufferin' succotash."
    33. Re:Misleading to call it "non-copied" by snowgirl · · Score: 5, Insightful

      The law is nothing. Everything you thought you knew about human cultural transmission means nothing. We are now living in a world constructed completely of lawyers, by lawyers and for lawyers. What a sad, pathetic, worthless place we've made for ourselves, and for what? So some fucking cunt can harass fellow photographers over a fucking picture most people won't even see?

      Dude, that's the world Jesus was purportedly born into. Have you seen how highly-observant Jews "haggle" over their mitzvot, and debate them and argue about them looking for essentially loopholes and such?

      A world defined by legal red tape is hardly a new invention...

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    34. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      In the music industry, this is called a sound-alike. Video commercial producers ask for sound-alikes when they cannot secure the rights of the original. Either because the artist refuses or because the price is simply too high.
      This proces is perfectly legal if not very annoying. Some commercials go a step further and als hire a look-alike of the artist to play in the commercial, suggesting endorsement from the artist. This, in my opinion, is fraud. But still not copyright infringement.

    35. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      The point is that a derivative work is when you look at someone's work and make a similar one that you would not have produced without first viewing the original

      Congratulations. You just abolished every form of art because every single artist in history did this at least in the beginning when he was still learning. Sorry, no more new artists. Got to protect corporate profits.

    36. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      Same deal for the photo. It is a complete defense in the US though, to prove you never saw the original.

      When copyright was first introduced the architects argued that building designs should be protected by copyright, otherwise photographers could just take a picture och buildings and people could watch them everywhere instead of having to go to the building and look.

      The ways copyright law is written and the way it is used is at best arbitrary and at worst based on who had the best lobbyists. It is not very wise to look at how it is applied for one set of work and make assumptions on how it should be applied on another.

    37. Re:Misleading to call it "non-copied" by hedwards · · Score: 1

      There can be a fine line at times. In practice unless two images are so similar that even the photographers can't tell them apart there isn't an issue.

      In that case there is an argument to be made for protecting photographers against slavish recreations, but that isn't something that is covered under current copyright law. And I also don't believe that it's common enough to even bother commencing a debate. Such cases are virtually always the result of formulaic creation and lacking in originality.

    38. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      I mean if something entirely unrelated happened then shouldn't you be accused of murder? It's just commons sense (this part makes it unarguable).

    39. Re:Misleading to call it "non-copied" by Epimer · · Score: 5, Informative

      There is significant precedent in UK law that if one takes a "significant portion" of the original work then it constitutes copyright infringement. This provision exists to prevent someone from circumventing infringement by making trivial differences and then claim they haven't directly copied a work. This case absolutely does not extend to the protection of an idea. For copyright infringement to be found, one must demonstrate a causative link between the original work and the alleged infringing work; hence, independent creation of (in this case) a photograph wherein it can be demonstrated that the defendant was unaware of the original work is not an infringing act. Those are not the circumstances of this case. The defendant was aware of the claimant's work; in fact, there had been a licensing disagreement concerning exactly that work which was claimed to be infringed. The relevant case law for this type of thing is Bauman v Fussell, Krisarts v Briarfine, and for the "intellectual creation" reasoning (brought in to harmonize with existing EU law and somewhat overriding the previous "skill, labour and judgment" basis which used to be UK law), see the Infopaq cases.

    40. Re:Misleading to call it "non-copied" by hedwards · · Score: 4, Insightful

      I see so you're an expert in art? I've studied photography pretty seriously for years, and I can tell you that there's a lot more that goes on than just capturing what you see. Seeing it is a talent that requires a lot of study, but most photographers, even most nature photographers and some photojournalists, stage the photos. Just because the medium requires a click at the end does not suggest that any less work went into the photo than a comparable painting.

      The truly talented can end up going months between inception and creation.

      Then again, you're a troll, so who gives a damn what you think.

    41. Re:Misleading to call it "non-copied" by hedwards · · Score: 4, Insightful

      It's not clearly copied. The only things about it that are in common are the general location and the subject. Everything about it is incredibly unoriginal. Selective coloring is kind of cool, but it's not really justification for granting protection. Neither is cutting away the sky. Sure, it was kind of a dickhead move creating an image that he knew might be confused for somebody elses work, but the two images shouldn't be considered the same for copyright images.

      Of course this is the UK and it's somewhat different over there.

    42. Re:Misleading to call it "non-copied" by hedwards · · Score: 2

      The main difference is that it's no longer just the intellectual elites that need concern themselves with it. People on slashdot do as well.

      One of the very serious problems with life in the US, and I suspect the UK as well, is that one is not allowed to plead ignorance even though one would have to be a highly skilled attorney to know where the line is. Often times they don't even know until the courts rule.

    43. Re:Misleading to call it "non-copied" by Golden_Rider · · Score: 4, Informative

      I'm not "cheering" anything. I'm saying that the photograph is clearly copied from the other on an artwork level--that being the artistic expression comprised of the subject matter, processing, and overall "tone". It's also a matter of fact that it was specifically intended to be a copy of the original.

      I mean, if you saw a movie called "Triassic Park" with a logo using the same font as the original and a different angle for the T-rex silhouette, and the same storyline but with different actors and slightly different shots, and a soundtrack that resembled the original but for a few changed notes, you'd still consider it a rip-off of Jurassic Park. At some level, it's just common sense.

      It looks similar, but the point is that it is not clearly copied from that particular photograph. Do a google image search for "bus big ben", and you will see HUNDREDS of photographs which look similar. So I do not know why anybody here should be able to copyright the "look" of these photographs...

    44. Re:Misleading to call it "non-copied" by hedwards · · Score: 1

      Generally fan art is derivative and not to mention a trademark violation. That hasn't changed recently nor would I expect it to any time soon. Anybody creating such works really ought to have an attorney on retainer as it's generally a matter of time before one is going to get a cease and desist letter.

      Now, some of it is going to be fair use, and that's why one ought to have an attorney if one is going to engage in such things, or just plan to pull the work and hope not to get sued.

    45. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      The photos are not that similar. The general idea is similar (a black and white photo, a red London bus on a bridge (same in bridge in both photos) in front of two important landmarks (same landmarks in both photos). But the angle in both photos is very different, thus making both photos very different. If you superimposed the photos, you'd notice they really don't fit on each other.

      Ideas are not copyrightable. If one of these photos infringes on the other, then people who take photos of themselves "holding" the Pisa tower infringe on the first photo of somebody doing this.

      And try applying your reasoning to other forms of art.
      Novels for instance: if you just take detective novels, you'll find that many share the same "general idea".
      For example. a rich man kills his wife in their manor located in a village. He does so by poisoning her glass of wine at diner because she was having an affair. A male household employee is the main suspect until a reluctant maid comes forward with information that helps find the truth.
      Heroic fantasy novels can also be accused of copying each other due to the sheer amount of similarities in setting (magic, knights, Orcs, Elves...) and storyline (many such novels I have read basically follow the following plot: the main character is a nobody who gets in some trouble and must go on a journey where he will learn to become a great warrior and make valuable friends (and find a girlfriend). When he comes back home, he faces the main bad guy, kills him and saves the world).

      If you want a specific (and recent) example, read Eragon. The first book is a complete Star Wars remake. The second book adds more similarities between the two franchises (haven't read the third... got too tired of the series by then). Eragon really is "Star Wars in a medieval fantasy universe". And I'm sure a Google search can give you reviews that compare the two franchises in detail. I don't think replacing light-sabers with iron swords and X-Wings with dragons is better than taking a photograph from a different angle.
      Here's a summary of the beginning of the novel though: a (elven) princess and her guards are on the run from the bad guys. She's stolen something they want (a dragon egg). As capture is imminent, she makes the stolen item disappear (by using magic instead of an escape pod). Eragon, a farmboy adopted by his uncle and who is the main character, randomly finds the egg. The bad guys get on Eragon's trail, thankfully Eragon meets an old and weird man who is actually a retired Dragon Knight (the Jedis of the novel's universe). The old Dragon Knight went in hiding after the Dragon Knights were hunted down by the bad guys (and it gets better: Eragon's father was a Dragon Knight who betrayed the Dragon Knights and joined the bad guys). While Eragon is meeting the old Dragon Knight, the bad guys kill his uncle and burn his farm. Did I mention the old Dragon Knight gives Eragon his father's sword and teaches him what he can, before being killed? Also, Eragon infiltrates the bad guys' lair and saves the (elven) princess. There's more similarities, I don't remember them all.
      But Eragon is also unique in some respects, it's not a complete Star Wars ripoff, just like these two photographs share similarities but aren't the same.

      If these photographs are infringing on each other, then Eragon is infringing on Star Wars. And then art dies, because nobody can make art that is not similar to some other art.
      Two years ago, Coldplay was accused of ripping off some other song's music in their song "Viva la Vida". The similarity was far from obvious when listening to the two songs, and apparently it took a very talented musician to notice there were similarities. You also had to play the two songs at the same rhythm and pitch to notice a similarity. And we're not even talking about the whole song, just a short part of it (the chorus I think). It was just a short succession of notes that were deemed infringing. I doubt Coldplay consciously copied that other song. It was most likely to be a

    46. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Also, the second photo was intentionally made to avoid licensing fees from using the original.

      original, you say?

      I see lots of prior art on that google image page...

      The judge is an idiot.

    47. Re:Misleading to call it "non-copied" by arose · · Score: 1

      NIce, all (of what passes for) the creative element claimed is right there.

      --
      Analogies don't equal equalities, they are merely somewhat analogous.
    48. Re:Misleading to call it "non-copied" by snowgirl · · Score: 3, Insightful

      The main difference is that it's no longer just the intellectual elites that need concern themselves with it. People on slashdot do as well.

      One of the very serious problems with life in the US, and I suspect the UK as well, is that one is not allowed to plead ignorance even though one would have to be a highly skilled attorney to know where the line is. Often times they don't even know until the courts rule.

      Indeed, but that's the problem with every legal system. Being able to plead ignorance about the law means basically that you could get out of any criminal act with just a simple, "oops, sorry, didn't know!"

      In general, if you chose to get into doing something, it is well-known that there are laws governing that behavior, and you need to inform yourself about the laws prior to striking out and doing it. Failure to do so indicates a willful ignorance of the law, and not an accidental ignorance of the law. You KNEW that there would be laws, and yet you declined to inform yourself about them.

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    49. Re:Misleading to call it "non-copied" by reub2000 · · Score: 5, Interesting

      A derivative work is taking something and changing it, like translating it into a different lanugage or creating an abridged version. Taking ideas, and creating something that is stylisticlly similar is called art. All of the impressionists saw what monet could do with a few tubes of paint and what looked like sloppy brush strokes and created similar work. The heavy metal bands listed to steppenwolf singing about "heavy metal thunder" with loud and distorted guitars, and thought they could make something even louder. Such is art.

      Besides making a photograph mostly black and white except for a single object isn't exactly creative. The idea goes back to the days of the daguerreotype when peoples faces where hand tinted.

    50. Re:Misleading to call it "non-copied" by mwvdlee · · Score: 1

      If I were in London, happening upon a scene of the big ben with a red bus in the foreground somewhere, it's likely I would have used the same type of effect (though it's kind of outdated IMHO, but that's besides the point; it's still used by many other people). If I coincidentally was in the roughly the same location (i.e. within some 30 meters), would I be violating copyright as well?
      It's such a stereotypical and obvious scene that I think it's likely many amateur photographers made nearly identical "copies" without ever having seen the "original".

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    51. Re:Misleading to call it "non-copied" by WCD_Thor · · Score: 1

      A photograph is not an idea. I don't know UK law, but I know that in the US, ideas are not subject to copyright protection, the expression of one is. As I wrote that, I discovered I had misinterpreted your point. I don't think this ruling would happen, or at least be upheld by a higher court, in the US. Clearly the "copy" is going after the same idea, but it's a completely different image, mostly because of the angle, and would be considered not a copy here in the US. As to some of the responses calling this a derivative work. I'm pretty sure a derivative work is one that is in a different medium than the original. I'll get the answer to that question on Monday though (currently in a law school class on copyright. Have taken basic IP and an Entertainment law course that cover copyright). A real world example of what I know to be derivative works: movies based on comic books. Oh, and to the idiot below who said that photo's are barely copyrightable? Not true, at least not in the US. These two photos would both be subject to copyright protection in the US, and not just what we call "thin copyright."

    52. Re:Misleading to call it "non-copied" by DreadFuzzy · · Score: 1

      Congratulations on the US-centric view of the world. However, whether or not you agree with the decision this is a UK case and has sod all to do with the US, legally or otherwise.

    53. Re:Misleading to call it "non-copied" by alci63 · · Score: 2

      The point is that a derivative work is when you look at someone's work and make a similar one that you would not have produced without first viewing the original.

      Yeah. Cool news for Plato's descendents, as pretty much everything in western thinking was inspired by its work. Unless they are sued by Socrates rights owner of course.

    54. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Note Temple Island claim they created it in 2005 so a random search isn't useful but clearly didn't come up with the composition (including sky) e.g. this 2004 shot, and the "post process to highlight in colour against monochrome" idea is a ludicrous claim - the red girl in Schindler's List etc etc.

      The two together being novel? DIAF.

    55. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      So, now you can copyright the "woman with child" composition and require money from everybody that photos, film, paint or maybe even just -talk- about a woman with a child?

    56. Re:Misleading to call it "non-copied" by Darinbob · · Score: 3, Insightful

      But then you can't copyright books; books are just ideas that are written down. Books and music and plays are expressions of ideas. So photographs are also expressions of ideas.

      If you duplicate a painting by being extremely close to it as much as possible, in oil instead of latex, isn't that violating copyright? These two photographs are much the same, the second is clearly trying to copy the fundamentals of the original. The original photograph is not just a composed photo of a natural scene, it's been processed specially (red bus as only color in black and white photo).

    57. Re:Misleading to call it "non-copied" by sjames · · Score: 5, Insightful

      So, you advocate that we stamp out Newton's standing on the shoulders of giants nonsense? It's gonna be a very boring and unproductive century at this rate.

    58. Re:Misleading to call it "non-copied" by Darinbob · · Score: 4, Informative

      This original photo in question is not just a recording of something. Have a look at it. It's been greatly modified from what the camera actually recorded.

    59. Re:Misleading to call it "non-copied" by xenobyte · · Score: 1

      I most certainly disagree with the judge.

      The two photos are *very* different. Sure, they're both a picture of a classic red London double decker bus crossing the same bridge in front of Whitehall and Big Ben, and both have all colors of everything except the red bus reduced to monochrome, but the viewpoint and framing are very different.

      So what is unique about the original? - Nothing really.

      The idea of using monochrome with a rare splash of color (often red actually) has been used many times, both in countless stills and in motion pictures, most obvious and iconic being "Schindler's List" from 1993 (long before the original picture in this case), so that process and effect cannot be said to be unique.

      The idea of combining an iconic red double decker bus and Big Ben has also been used billions of times in everything from adverts, over tourist photos to postcards and souvenir prints on mugs, t-shirts etc.

      Combining these two are not in any way a unique creative leap. It's just applying a specific concept to a classic scene. Nothing more.

      If this is allowed to stand it would instantly make a trillions of pictures infringing because someone, somewhere most likely have snapped a comparable photo and thus using the Bern Accord have copyright on 'the idea' of taking a picture of the scene in question. This consequence is of course absurd but the direct result of such a ruling.

      Now, someone claimed that the second photo was made specifically to avoid licensing the original, and that should make the case more obvious in favor of the original, but it's just the other way around. It is *normal* to do just that, i.e. make a similar but different product in order to avoid patents and licensing fees. This is a good thing because it creates variation; the alternative being a static and sparse selection, usually at a very high price because of lack of competition. Imagine if the concept of a pen was interpreted as loosely as in this case - there would be exactly one brand on the market and it would be expensive. Competitors would have to pay a licensing fee that would make their version more expensive than the original and thus a failure before they even are made.

      --
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    60. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      Well, I notice that movies seem to come out in pairs these days. There won't be ONE summer movie featuring a volcano destroying a town, there will be two or there will be none. There will be two or no movies about saving the Earth from an asteroid collision.

    61. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      And, of course, the nearly obligatory person holding up the leaning tower photos.

    62. Re:Misleading to call it "non-copied" by dadioflex · · Score: 4, Insightful

      "Culture" is being removed as an expression of natural human interaction with the ideas around them and being replaced with something manufactured and protected by corporations. Less "culture" and more "cultured", the way you do with slime in a petri dish.

      Also, Heathcliff/Garfield.

    63. Re:Misleading to call it "non-copied" by chromas · · Score: 1

      A giant query string that Australian Google seems to ignore, leading to the front page; must be session-dependent.

    64. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      The law is nothing. Everything you thought you knew about human cultural transmission means nothing. We are now living in a world constructed completely of lawyers, by lawyers and for lawyers. What a sad, pathetic, worthless place we've made for ourselves, and for what? So some fucking cunt can harass fellow photographers over a fucking picture most people won't even see?

      Agree. However - this has always been the case. Except when the world was constructed of warriors, by~ and for~. Historically I think we're in a winning phase. You might get sued into destitution, but at least you probably won't get maimed.

    65. Re:Misleading to call it "non-copied" by Twinbee · · Score: 1

      I don't disagree with you generally, but saying "every bit of art owes to previous works" is misleading, because obviously, some art owes more than other art. Some pieces may hardly copy at all, whilst others could copy 99%. Just because we can't say for sure what this value is, that doesn't mean it doesn't exist.

      --
      Why OpalCalc is the best Windows calc
    66. Re:Misleading to call it "non-copied" by dadioflex · · Score: 1

      I find your mention of advertising interesting. Isn't this going to open the door for a lot of artists to sue, should they choose to lower themselves to it, a bunch of advertising companies who have ripped off their style in the past? I found This site when Googling which compares a bunch of similar ideas. It's French so, ya know, NSFW if you're buttoned-up. Most of it is ad-men feeding off other ad-men, but the occasional artist or photographer does seem to be a victim too.

    67. Re:Misleading to call it "non-copied" by sjames · · Score: 4, Insightful

      The caution you advocate is literally impossible. Even professional lawyers must go to expensive schools for years, specialize in a narrow area of law (much narrower than the scope of an individual's activities), constantly consult a law library and other lawyers, and for all of that STILL cannot say with certainty if some things are or are not illegal. In other words, even if we were all lawyers and all determined to scrupulously obey the law at all times, we would still see people convicted of crimes. If they can't do it, what chance does a layperson have?

      We could apply a reasonable man test to a plea of ignorance. No, nobody at all believes killing someone for a stick of gum is legal. No, nobody believes it's OK to rob the liquor store on alternate fridays. Yes, I can see why you might not realize that it's illegal to whistle Dixie after 3 PM on a Sunday if you're wearing sneakers.

      It simply is not ethical to expect people to obey a code of conduct that is too complex and voluminous for them to know and understand.

    68. Re:Misleading to call it "non-copied" by dadioflex · · Score: 4, Interesting

      You know, I think I've gotten my head around this now. If you happened upon the scene, post-processed it the same way (using standard Photoshop tools) and presented it as your own idea then you'd be perfectly okay to do so. What happened here was the two parties had a prior arrangement and an effort was made to deliberately copy the style of the original image to avoid paying licensing fees, in the opinion of the judge. I'm losing faith in copyright on a daily basis, but I actually get this decision. Don't agree with it so much, but I don't think it's as crazy as some people are making out.

    69. Re:Misleading to call it "non-copied" by SplashMyBandit · · Score: 1

      In software (and I believe most engineering disciplines) it is a derivative work if you take the original and modify it. Making an functionally compatible copy is permitted for interoperability reasons. From that point of view making an artistically similar photo without using the original should not breach copyright. In order to breach copyright you need to *make a copy*. Making something similar is not copying. As someone else pointed out, many people confuse the defense of trademarks and patents with breach of copyright - they are not the same!

    70. Re:Misleading to call it "non-copied" by madprof · · Score: 5, Informative

      This is a bit like music, in that I can write a tune that has a similar melody to someone else using totally different instruments and if it is too similar the original composer can sue me and claim royalty payments. This has been the case for years.

      The Beatles are a great example in fact. The music and lyrics to Come Together? Partly ripped off from Chuck Berry. They settled out of court in the end but there was a lawsuit. They allegedly even tried to slow it down to make it more original.

      This is not a new idea in copyright of artistic works I am afraid.

    71. Re:Misleading to call it "non-copied" by 1u3hr · · Score: 5, Insightful

      The idea isn't. The point is that a derivative work is when you look at someone's work and make a similar one that you would not have produced without first viewing the original (at least in the US). If you are a derivative work, then you can be subject to copyright infringement. This has always been the case.

      Bullshit. Look for instance at TV shows: How many CSI-clones are thers? How many "supernatural detective"? How many Twilightish vampires? How many have been sued for copyright infringement?

      How many old SF books, stories and movies did Star Wars rip off? But lack of originality isn't infringement. Frank Herbert didn't copyright "Mystical warriors on desert planets" with Dune.

      This red bus on the bridge is clearly inspired by the original. But the "original" didn't invent the concept either. Whole moves have been made in that style (Pleasantville, eg).

    72. Re:Misleading to call it "non-copied" by repapetilto · · Score: 5, Insightful

      You would do it anyway because you enjoy it. If not you, someone like you but retired could probably figure out the same thing. To me, at least, the correct argument is that copycats profiting off your work that you shared freely is bs.

      If you wouldn't do it out of enjoyment, it probably sucks compared to what the guy who did it for himself would do. You should want people to copy your art, if not you are doing it wrong.

    73. Re:Misleading to call it "non-copied" by hairyfeet · · Score: 2

      If I had mod points you'd be at +5 because you nailed it. What this guy did was no different than a Romex watch, he saw a picture he liked and when he couldn't get the guy who made it to basically hand it over he produced a knockoff. While i believe copyrights and patents need serious reform this is actually a textbook case of what they were originally meant to do, protect someone from cranking out knockoffs and stealing their work for nothing. It isn't like he had never seen the other pic and simply stumbled over the same idea, he knew about it, tried to buy it, didn't like the price and decided to rip it off. open and shut case IMHO and I applaud the judge for having common sense.

      --
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    74. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      Star Wars is BSG. (Seriously, tell me Rebel technology is not based off the Viper.) Lord of the Rings is the Norse Eddas. Babylon 5 is Lord of the Rings in space with giant energy squids instead of wizards. Star Trek is every Western ever created, in space. Firefly is Cowboy Bebop. Slashdot is Usenet with moderation. Google is Yahoo is Alta Vista. KDE is Windows. Windows is Apple. Apple is that thing what was from Xerox. Linux is Unix. AMD is Intel. C++ is C after a pipe of crack. PHP is Perl/Apache::ASP.

      Copyright Infringement is NOT piracy; piracy is laying alongside Chris Dodd's yacht at pistol shot, thumping in three brisk broadsides and boarding in the smoke.

    75. Re:Misleading to call it "non-copied" by gnasher719 · · Score: 1

      If I were in London, happening upon a scene of the big ben with a red bus in the foreground somewhere, it's likely I would have used the same type of effect (though it's kind of outdated IMHO, but that's besides the point; it's still used by many other people). If I coincidentally was in the roughly the same location (i.e. within some 30 meters), would I be violating copyright as well?

      As you describe it, you wouldn't have copied anything. The defendant in this case tried to get a license to sell copies of the original and failed, he then created the second image. While your image is clearly not derived, the second one clearly is; the question is if there is enough derivation to make it copyright infringement. I would say yes, looking at the pictures.

    76. Re:Misleading to call it "non-copied" by Cant+use+a+slash+wtf · · Score: 2

      So, pretty much every newly produced song in the last 100 years should be illegal?

    77. Re:Misleading to call it "non-copied" by Jafafa+Hots · · Score: 5, Insightful

      It actually IS a relatively new idea.
      I mean, it is a bit over 100 years old which may SEEM old, but it's a newborn compared to the system it replaced.

      The system that IP law replaced, which gave us all art, all music, all culture, all language, all technology right down to bows and arrows and rock hammers and agriculture and the loin cloth - everything that got us out of caves and which separates us from the other great apes, is over 100,000 years old.

      This new upstart idea, Intellectual Property is replacing the time-tested and seemingly obvious concept (you can't "own" an idea) that has proven over 1000 centuries to enrich everyone and essentially create what we consider to be "humanity," with a virtually untested (results are mixed so far) system that promises to enrich... well, a tiny fraction of a percent.

      I mean, I KNOW it may sound like a great idea - replace the system that gradually dramatically increased the quality of life of most of the billions of humans who have ever lived with one that exploits billions of humans for the enrichment of a few... but oddly enough although the new system has worked as advertised and created a few multibillionaires and hundreds of millions of exploited people, the overall satisfaction rate is plummeting.

      Seems oddly counterintuitive, I know. I mean, who WOULDN'T want to work long abusive hours locked into a factory for pennies until you are driven to suicide so you can make some other guy rich?

      How is that not a great deal?
      There's even the possibility that if you save for a few years before jumping off the factory roof, you might be able save up enough to buy a used, outdated version of the product you've personally made tens of thousands of!

      --
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    78. Re:Misleading to call it "non-copied" by bruce_the_loon · · Score: 2, Insightful

      Strawman argument. You can copy an artwork, you just can't make a profit from copying if the original is still in copyright without the owners permission.

      --
      Trying to become famous by taking photos. Visit my homepage please.
    79. Re:Misleading to call it "non-copied" by 91degrees · · Score: 2

      I hope my book about a young boy who goes to a school for wizards, meets a red headed best friend from a large family and a bookish girl with wild hair, then defeats the evil wizard at the end does well. When does it violate J K Rowling's copyright?

      I guess the argument is whether the second photographer would have created the work without seeing what the first photographer did, and whether there was any different creative decisions, (i.e. did he actually copy) and whether this would reduce the value of the work of the first photographer.

      To be honest, I disagree with the judge here. I think the photographs are sufficiently different, but I can see the reasoning.

    80. Re:Misleading to call it "non-copied" by IrrepressibleMonkey · · Score: 4, Informative

      It looks similar, but the point is that it is not clearly copied from that particular photograph.

      You didn't read TFA, did you? The Judge was able to determine that the image was clearly copied from that particular photograph precisely because that particular photograph was being used by the defendant without permission until a court ordered him to pay licensing fees. Only then was the new photograph was created.
      Group think on Slashdot is reaching new levels of stupidity. This isn't a case of artistic freedom, this is about using someone else's art to sell tea and refusing to recognise their efforts.

    81. Re:Misleading to call it "non-copied" by SecurityTheatre · · Score: 2

      See, does copyright law really specify the intent of the person who violates the copyright?

      Are you really claiming that this is important? If I saw the same photo and merely thought to myself "cool idea, i should try it" and came up with the same thing... that this is somehow different?

      I'm really angry about you calling this groupthink. I don't fucking care what the OP or the GP or whoever said... I THINK that it is BS. I don't frankly care what YOU THINK.

    82. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      "The second photographer did not copy the original photographer's photo. He copied the *IDEA* that the original photographer had."
      And since he was sued, it's very likely he did a better job of it.

    83. Re:Misleading to call it "non-copied" by inflex · · Score: 1

      I'd be very curious to see what people thought about the similarities of these two images -

      http://elitadaniels.com/images/zombie-cover.jpg

      vs

      http://www.criticnic.com/wp-content/uploads/2010/12/Passion-by-Lauren-Kate.jpg

      Because while we did our artwork first, the Lauren Kate one has been more widely publicised. Every month we get people messaging us asking "Why did you copy the Passion cover? Epic fail!".

      The only common element between these two book covers is that the central stock art image of the girl.

    84. Re:Misleading to call it "non-copied" by rtb61 · · Score: 1

      In this case a totally false analogy.

      Here is a simply business example. I want some art work a bus in front of Big Ben. They come across the original photo and dislike the framing. So now they a denied the ability to take an alternate photo and use it for the next fifty years. http://tinyurl.com/86wy5u2 well crap all london double decker buses are blue ( and look there are a bunch with buses in front of big ben, umm)

      Big Ben also ain't no technicolour edifice, I'll ket you guess what colour it is. Of course what colour are the skies over London typically known for, big hint here it ain't for being clear blue.

      So red double decker bus, with grey Big Ben and grey skies is a well known association used for many years by many people. So these copyright interpretation is horrific. It pretty much would force the majority of web sites on the internet to shut down until they come up with alternate layouts for their web site.

      For the defence lawyer to lose this case, well, they gotta pretty much suck and the defendant should sue. All this can be demonstrated by a goggle image search, ohh look, no different on Bing http://www.bing.com/images/search?q=london+bus&qpvt=london+bus&FORM=IGRE.

      --
      Chaos - everything, everywhere, everywhen
    85. Re:Misleading to call it "non-copied" by TaoPhoenix · · Score: 2

      Nice recall on Pleasantville - I liked that movie. Earlier in the thread I also noted the TV series John Doe.

      But I like your other point even more. It's becoming like a small town ticket-revenue cop hanging out instead of fighting/solving crimes. "Oh, the 5th guy to use a technique is infringing the copyright of the fourth guy to use the technique". Persons/Corps #1-3, where do they factor in?

      So what this decision does is not only do we get "pure copyright" issues, we also get the situation where no/fewer artistic movements can grow. They BARELY allow public domain, which I'm sorry to say is generally creaking with age by now (except for the additions a few enlightened post-modern geniuses) and I recall they even want to yank that away.

      --
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    86. Re:Misleading to call it "non-copied" by alexhs · · Score: 1

      Hum, what about some context ?

      Old "New English Teas" tin
      New "New English Teas" tin

      (Thanks to johnsnails (1715452) for the Google search pointing me to these images)

      Obviously New English Teas didn't want to pay the original author while maintaining the branding. You seem to think that it is ok ?

      --
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    87. Re:Misleading to call it "non-copied" by cpu6502 · · Score: 1

      Copyright is BS. Just as Microsoft or Google do not deserve to have a monopoly over OSes and search engines, neither do photogs deserve grants of monopoly over images of the world.

      Furthermore stealing means depriving a person of his item (like when I steal a baker's bread). But if I clone the bread, leaving the baker with his original loaf, then the baker has not been deprived of anything. No theft occurred.

      "The thinking power of an idea cannot then, by natural right, be exclusive property. It has been peculiarly designed by nature, like fire, to be shared and light all of mankind." - Thomas Jefferson.

      --
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    88. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Precedent how? This has always been the case in other media, such as painting, and it's nothing new, you need to diverge sufficiently from the original work for it to no longer be considered a derivative work, but a new work in its own right. Changing the angle but retaining the same composition and post processing, is not sufficient enough a divergence to be qualified as a new work on its own, given that the photograph in question was expressly taken to avoid paying out license fees.

      Everything has been done before, the London double-decker in front of big ben has been done to death, the desaturation of the background in a photograph as been done to death, that's not really the point here, rather than it being a blatant attempt to side step licensing. This ruling doesn't "limit creation" (I think you might mean creativity). there's nothing wrong with doing a shot that's been done before, but adding your own personal style and flair to it (thusly diverging enough for it to consitute a separate, new work on it's own, it's the same premise of using sampling in music). This is the intellectual equivalent of copying someone else's essay, changing a few words here and there and insisting that it isn't plagarism.

      If nothing else, such a ruling encourages originality and creativity, as again, if the work in question was original and creative enough, this wouldn't be an issue.

    89. Re:Misleading to call it "non-copied" by Rogerborg · · Score: 1

      The defendant commercially used the original without licensing it from the plaintiff

      Slight correction, the defendant did license the original, the dispute that led to them commissioning their own version was simply about how much they owed.

      This decision is based on the very specific circumstances of the case, and if any of us been in the situation of the plaintiff we'd be utterly convinced that we'd been ripped off in the most shoddy, tawdry fashion. The only real question is whether the law has the intent to protect creators from that most sincere form of flattery.

      To ply the old legal saw, perhaps the judge can't define infringement, but he knew it when he saw it.

      --
      If you were blocking sigs, you wouldn't have to read this.
    90. Re:Misleading to call it "non-copied" by TFAFalcon · · Score: 1

      And how do you prove that? Unless the original has been locked in a safe from the beginning, proving that you never saw it is going to be impossible.

    91. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      If they paid him before, yes. Why the fuck is everybody expecting they can repeatedly get paid for a job they've done once? Want to get paid? Go fucking work, sell more pictures.

    92. Re:Misleading to call it "non-copied" by C0R1D4N · · Score: 4, Informative

      Star Wars (1977) Battlestar Galactica (1979)

    93. Re:Misleading to call it "non-copied" by TFAFalcon · · Score: 2

      So why stop them from using the NEW photograph? Fine them for 200% of the income they made selling the ORIGINAL photo, but the new one is something they made themselves.

    94. Re:Misleading to call it "non-copied" by silentcoder · · Score: 1

      So, pretty much every newly produced song in the last 100 THOUSAND years should be illegal?

      FTFY

      --
      Unicode killed the ASCII-art *
    95. Re:Misleading to call it "non-copied" by silentcoder · · Score: 1

      >I mean, if you saw a movie called "Triassic Park" with a logo using the same font as the original and a different angle for the T-rex silhouette, and the same storyline but with different actors and slightly different shots, and a soundtrack that resembled the original but for a few changed notes, you'd still consider it a rip-off of Jurassic Park. At some level, it's just common sense.

      Indeed, and more blatant ripp-offs happen all the time. Hollywood has made a string of them in recent years without even changing the titles. They call them "remakes" or "re-imaginings" - Nobody has yet been sued for copyright infringement. You can't copyright an idea.

      --
      Unicode killed the ASCII-art *
    96. Re:Misleading to call it "non-copied" by trout007 · · Score: 1

      Dude. You completely copied the ideas in my previous posts. Thank you. Now if we can just get this idea to spread.

      The proof that ideas aren't property is that even the founders had to put them in another section of the Constituion than where real property is protected.

      IP like slavery is going prove to be an unjust concept that is thrown into the dustbin of history.

      --
      I love Jesus, except for his foreign policy.
    97. Re:Misleading to call it "non-copied" by Paradise+Pete · · Score: 1

      Ideas aren't and shouldn't be protected by copyright. This is a dangerous, if unsurprising, precedent.

      Except it's not the idea that was held to be protected. It's the expression of that idea, which is exactly the intent of copyright law.
      As much as I despise the current incarnation of copyright law, the ruling seems reasonable to me.

    98. Re:Misleading to call it "non-copied" by pugugly · · Score: 1

      The problem is, going by the judges reasoning, I'm not sure you can produce any photo that wouldn't qualify as infringing an earlier work. The "Copying" is in the setting and the technique, and neither those nor the sum of those is copyrightable -- or at least was not until now.

      Would love to find an earlier photo, buy the copyright off of the owner for a pittance, and sue both of them.

      Pug

      --
      An Invisible Entity of Vast Power whose existence must be taken on faith alone: Liberal Media
    99. Re:Misleading to call it "non-copied" by TFAFalcon · · Score: 1

      I'm pretty sure there are laws about just about everything. So unless you have time to read a few books of laws every day, then you're going to be ignorant of quite a few laws that concern you.

      And even if you have the time, there is a high probability you won't understand the laws as they are written, unless you are a lawyer (and maybe even then).

    100. Re:Misleading to call it "non-copied" by silentcoder · · Score: 4, Interesting

      >But then you can't copyright books; books are just ideas that are written down

      Bullshit, a book is an EXPRESSION of an idea. What you can't copyright is somebody writing a book with a similar plot and characters.
      Or do you think every vampire book after Bram Stoker's Dracula violates copyright ? As much as I'm in favor of banning Twilight -that is NOT the way to do it.

      >If you duplicate a painting by being extremely close to it as much as possible, in oil instead of latex, isn't that violating copyright?

      No, it isn't. In fact it's a required practice in artschool to learn to paint "like the masters" in this manner. Of course if you then claim your version IS the original you are guilty of a crime and that crime has nothing to do with copyright, that crime is "fraud".

      >These two photographs are much the same, the second is clearly trying to copy the fundamentals of the original

      So what ? Every photographer looks at his favorite photographers and try to reproduce their fundamentals, it's how we learn. The the better ones take what they learned, mix it in with other lessons from other masters and some of their own ideas and come up with something unique. Most of them would love nothing more than to think that some day, some other young photographer will study their photos and try to replicate their techniques. So common is this that some of the more well-known processing styles of famous photographers are built into image processing programs like Gimp and Photoshop so that photographers can see how their pictures would have looked with the same effects applied (or even use them with those effects).
      The style of "one item in color" is not original in the least, it's a fundamental archetype in photography. One of the basic styles every photographer learns early on because it's so powerful. I've used it for portraiture years ago, and I never had any illusions that the idea was original - but I could try to be original in my expression of it. In fact the book "Gimp for photographers" includes a chapter teaching exactly this technique as the author considers it a vital skill every photographer OUGHT to have !

      --
      Unicode killed the ASCII-art *
    101. Re:Misleading to call it "non-copied" by TFAFalcon · · Score: 1

      What if there was a whole series of games about that same research facility, by many different developers. Then Valve decides to sue someone because their game features a Gordan (there have been other Gordans, but they were before the one Valve created).

    102. Re:Misleading to call it "non-copied" by Ihmhi · · Score: 4, Interesting

      And amazingly, we seem to be returning to the patronage model.

      Unless you were an artisan (potter, blacksmith, etc.) the masses couldn't really afford things like paintings or sculptures. The royalty, wealthy, and churches ended up paying these men and women for their services.

      Nowadays, we have a similar situation where people are acting as artists and performers and leaving out a digital chip jar. Now the whole world are the patrons. The model has been very successful if you have a quality enough product - just look at all the webcomics where people live 100% off of the donations they receive, or the ones who segue into merchandising.

    103. Re:Misleading to call it "non-copied" by silentcoder · · Score: 1

      >So if someone takes a picture of something you are actually arguing that anyone else who ever takes a picture of that thing again is infringing some mythical copyright? That is preposterous!

      On the other hand, if every nude model on earth can only ever pose for ONE photographer ONCE - then they'll be able to make a fortune ! :P

      --
      Unicode killed the ASCII-art *
    104. Re:Misleading to call it "non-copied" by funfail · · Score: 1

      Mickey Mouse is a derivative of Oswald the Lucky Rabbit

      This would be a bad example as both were drawn by Walt Disney.

    105. Re:Misleading to call it "non-copied" by somersault · · Score: 1

      Firefly is Cowboy Bebop

      I saw a lot more resemblance in Outlaw Star, right down to the girl in cryogenic storage, and the "Miranda" thing.

      Some people say Outlaw Star is a ripoff of Cowboy Bebop though.

      --
      which is totally what she said
    106. Re:Misleading to call it "non-copied" by alexhs · · Score: 1

      Well, blame copyright laws, don't blame the judge for his application of broken laws.
      What I wanted to point is that the judge ruling is fair according to current laws : the defendant shot a close-looking photo on purpose to avoid a licensing fee for a copyrighted work.

      If they paid him before, yes.

      Actually, at first, they didn't pay him, so there was a first lawsuit
      They then settled for a royalty of 5% of the trade sale price, for past and futures sales.
      Not willing to pay the royalty for future sales, they changed the picture.
      Hence the second lawsuit.

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    107. Re:Misleading to call it "non-copied" by IrrepressibleMonkey · · Score: 4, Insightful

      Read the article. Read the full judgement that is linked in the article. Pay specific attention to the part when the Judge sums up his findings on Independent Creation and the fact that the defendants dropped any claim that their image was designed independently.
      Jesus, for a guy who doesn't care what I think, you seem a little wound up...

    108. Re:Misleading to call it "non-copied" by noodler · · Score: 2

      "So some fucking cunt can harass fellow photographers over a fucking picture most people won't even see?" Did you even read the story or the judgement? It's about one company making a photoshop. Then another wants to use it for their own brand but doesn't want to pay licensing fees. Then this second companie goes on to make a somewhat different photoshop that looks a lot like the original just to circumvent paying these fees. The story has very little to do with everyday fellow photographers. And it is, in fact, not about photographs. It is about photoshops and companies using them.

    109. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      False

    110. Re:Misleading to call it "non-copied" by UglyMike · · Score: 2

      Yes, Disney was the artist of both characters, but That is immaterial. (I mean, who gives a f*ck about the artist when money is involved) The point is that Oswald's copyright did not belong to Disney when he created Mickey, an Oswald look-alike with round ears. So according to this, Mickey is clearly a rip-off of the copyrighted Oswald image and Disney should have been sued into the ground for STEALING SOMEONE ELSE'S PROPERTY!!

    111. Re:Misleading to call it "non-copied" by mwvdlee · · Score: 1

      If you happened upon the scene, post-processed it the same way (using standard Photoshop tools).

      I should be assuming stupidity over malice here, so let me explain a bit further.
      The idea of making everything grayscale except for one object or detail predates digital post-processing by quite a long time and is a very well-known effect. I have done it before on other types of scenes and nowadays I think most amateur photographers have done so a number of times. Any amateur photographer will know the effect and most will know how to do it. Many amateur photographers will also see the opportunity for this particular effect in the scene described; big ben + bright red bus in front".

      As for the decission, it's much more about the fact that the photograph was explicitely made to copy the original rather than the actual content of the photographs.

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    112. Re:Misleading to call it "non-copied" by Asic+Eng · · Score: 1

      I think the relationship is way off. A very original piece of art, still draws on thousands of years of art history. The actually original part of a breakthrough work is probably less than 5%, while a very derivative work might be in the 1% range. Think of all the stuff people have learned about picture composition, the use of light, all the techniques to apply paint to some sort of substrate etc. The contribution of an individual artists - however valuable - is still miniscule in comparison.

      In the case of photography there is usually also the reliance on objects which have been placed in the physical world by someone else. Even if the photographer spent a month in setting up that shot, that's still insignificant compared to the amount of work which went into the design of a bus tire.

    113. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Um, that's the fricking point. No artist has ever had copyright to the IDEA behind the work, they have copyright over the EXPRESSION of the idea -- i.e. the actual work, cast into some kind of medium. The whole premise of copyright allows you to create a different work that may resemble a previous one, otherwise how could you possibly invent anything new as people make more and more works? If I really wanted to cause trouble, maybe I'd spend a few weeks taking thousands of photographs of some famous object from obvious locations (let's say for example: Big Ben in London), and then spend the next few years trolling through the web looking for anyone else's photos of Big Ben that resemble mine and asserting copyright over them with the help of my lawyer. If I worked hard enough at it, maybe I could corner the market on Big Ben photography and demand license fees from practically every use of an image of Big Ben. Obviously one defense would be to say there are plenty of previous pictures of Big Ben, but what if we were talking about a new building or other object that hardly anyone had photographed yet?

      Then maybe it would sink in how stupid this ruling is. The fact that this guy took a different photo on a different day in different light in order to avoid licensing another photo is irrelevant. The second photo was not cut-and-pasted from the first one. It uses no part of that work other than the idea. It's a different photo created whole from the same subject in a similar style. A photo is not bound by patents or similar concepts that do involve a monopoly license on an idea.

      I'll tell you one thing: if copyright did expand to directly include ideas, then they better damn well expire in a sane timeframe (say, 20 years or less).

    114. Re:Misleading to call it "non-copied" by Gideon+Wells · · Score: 4, Informative

      Not the first time. Look up Kimba the White Lion. Disney had Pinochio created and in the can waiting to go public at the first possible moment the original copyright on Pinochio faded to public domain.

      That's Disney's general M.O. for self produced movies.

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      by Anonymous Coward: I, for one, welcome the shift from car analogies to pizza analogies. um.. overlords?
    115. Re:Misleading to call it "non-copied" by MattBecker82 · · Score: 5, Funny

      Linux is Unix.

      However, GNU's not.

    116. Re:Misleading to call it "non-copied" by flyneye · · Score: 1

      Let's augment this line of reasoning with the missing ingredient, obviously overlooked by a judge too close to his work to be effective; REALITY!
      A photograph is literally that, a copy of the perspective of a photographer. Unless that photographer took up the same physical space at the very moment the shutter went off and at the same exposure and light setting the judge is wrong Wrong WRONG!
      In spite of an intention to PARODY the photo, it is no more a copyright malfunction than the cup of coffee the judge had that morning. Was the coffee a copyright violation? The flavor , color and temperature in the Starbucks were surely a ripoff of "Chock Full O Nuts" intellectual property. Stupid bastards with a gavel are surely a worldwide disease that needs vaccinated out of existence. Along with copyright for more than 4 years anywhere on the planet. Hmmph, morons...

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    117. Re:Misleading to call it "non-copied" by jmcvetta · · Score: 1

      Nah - just don't make any art. That's a much better solution, and will be certain to keep the lawyers from attacking you. Remember, your creativity isn't worth as much as the trademark holder's creativity.

    118. Re:Misleading to call it "non-copied" by asc99c · · Score: 2, Insightful

      If you read TFA (which admittedly, also very nearly misses the point) you'll see the point is this photo isn't just a recording of something. There are certain aspects of it chosen by the artist - the white sky, the monochrome background, the red bus - which therefore can be copyrighted. And furthermore, the defendant had photographed the second image especially to avoid having to pay a licence for the original image.

      While the second image isn't copied either digitally or by photocopier, it is still a copied image. If the defendant had the idea for the image independantly, it would be arguable, but in this case it is well documented that he did not.

    119. Re:Misleading to call it "non-copied" by argStyopa · · Score: 1, Informative

      Obligatory geek-cred correction:
      "Star Wars is BSG. (Seriously, tell me Rebel technology is not based off the Viper.) "

      Er, considering Star Wars came out in 1977, and Battlestar Galactica 1978, that's probably not possible.

      --
      -Styopa
    120. Re:Misleading to call it "non-copied" by AmiMoJo · · Score: 2

      The key difference here is that there was a previous history of the two parties being unable to agree over royalties, so the defendant decided to simply copy the accuser's new work. Not be inspired by it to create something original, just to copy it to avoid paying licensing fees.

      Now, I'd still say it is the wrong decision because that sort of thing happens all the time in other industries, e.g. fashion and TV. But this really isn't a case of one artist being inspired to produce something new an valuable.

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    121. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      In other words, the original wasn't simply a photograph of something but a specifically processed piece of artwork, and the second piece attempts the exact same style and processing. The defendant commercially used the original without licensing it from the plaintiff and was sued by his company, and the second photo was only taken afterward to avoid paying the licensing fee, so the intent of the photo was specifically to copy the original and not borne of parallel-developed artistic expression.

      So to say it's a "non-copied photo" is, in my opinion, wrong.

      Thanks for a well-written and informative post. I trust your assessment of the ruling, but I think it's doubtful you can call it a "copy". The defendant didn't scan or photograph the original photograph, nor did he try to recreate it as faithfully as possible; he merely tried to make his own version that was similar enough for his purposes (but with some differences). It may be a derivative work, but not a copy.

      I understand that from a legal perspective, it makes a difference that he was inspired by the original when he made his own version, but I feel it should be pointed out that it doesn't make any difference that he was trying to avoid paying licensing fees. There's nothing wrong with taking your own, similar, photograph to avoid paying licensing fees, as long as the photograph itself isn't infringing. Just as there's nothing wrong with mixing your own soft drink to avoid paying money to The Coca Cola Company, or making your own spare parts to avoid buying expensive spare parts from your computer manufacturer.

    122. Re:Misleading to call it "non-copied" by StikyPad · · Score: 1

      I agree it's scummy that they wouldn't just pay the licensing fee, but taking a new photo with the same post-processing effects isn't creating a derivative work. If it is, then where do you draw the line? Photos of sunsets in black and white? Cover shots of naked women with hairs and blemishes removed? It's a bad precedent regardless of the merits of this particular plaintiff's case.

    123. Re:Misleading to call it "non-copied" by Gideon+Wells · · Score: 1

      There is a fine line though at what point an idea becomes something more tangible. With something like you would need to look at intent and motive.

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      by Anonymous Coward: I, for one, welcome the shift from car analogies to pizza analogies. um.. overlords?
    124. Re:Misleading to call it "non-copied" by jmcvetta · · Score: 2

      So let's say someone asks to buy a copy of my super deluxe "hello world" app. I quote him $1,000,000/yr license fee. Finding my price excessive, he writes it himself. If I were English could I sue him now?

    125. Re:Misleading to call it "non-copied" by Talderas · · Score: 1

      I prefer the pushing over the tower photos.

      --
      "Lack of speed can be overcome. In the worst case by patience." --Znork
    126. Re:Misleading to call it "non-copied" by rollingcalf · · Score: 4, Insightful

      Copyrighted music is different because you're actually creating an original sequence of sound, whereas with photography of public domain objects you're capturing something that's already there.

      If you're going to mention music, a better analogy would be recording something musical that is already in nature, like the mating calls of birds. Somebody else going into the same forest to record the same birds shouldn't have to be blocked by copyright just because somebody else was there to record it first.

      --
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      There is inferior bacteria on the interior of your posterior.
    127. Re:Misleading to call it "non-copied" by quacking+duck · · Score: 1

      Bad example--the originals are owned by the studios, who authorized the remakes. That's why the remake of Karate Kid is called that, despite the fact it's more kung-fu than Karate, and they moved it to China--they had to keep the name in order to keep the right to re-use 99% of the plot.

    128. Re:Misleading to call it "non-copied" by Stormthirst · · Score: 0

      So you're saying a recording of my voice isn't copyrightable? I think every musician in existence would disagree with you - and they'd be right too.

      Something can't be barely copyright-able. They either are, or they aren't!

    129. Re:Misleading to call it "non-copied" by minio · · Score: 2

      Those squids in Babylon5 are inspired by "Elder Thing" from Lowercraft, according to Straczynski.

    130. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      But this is more akin to looking at someone's code, and then writing your own program where the code itself is very simlar.

    131. Re:Misleading to call it "non-copied" by ehlo · · Score: 2

      I think that the main point of his argument was not to offend anyone but to establish the defenses to copyright infringement, as evidence by his concluding statement: "It is a complete defense in the US though, to prove you never saw the original.". There will be a legal test to determine whether or not you are guilty and never having seen it accomplishes that, hence a complete defense.

    132. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      And even if you do read (and understand) a few books of laws every day, you're probably still going to die of old age before you finish reading the complete legal code of your country and state and city and county. (And that assumes you never travel outside any of those 'zones'.)

    133. Re:Misleading to call it "non-copied" by goldspider · · Score: 2

      You might also want to consider the amount of technological progress that has taken place over the last 100 years and compare it to the last 100,000 years.

      I'm not saying the system is perfect, or even that its current manifestation serves the public particularly well. But you can't simply disregard the entire concept of Intellectual Property and pretend that it hasn't encouraged (and rewarded) innovation.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    134. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      If ideas shouldn't be protected you can be damn sure this is the only one from my mind you will ever get!

    135. Re:Misleading to call it "non-copied" by Bill_the_Engineer · · Score: 2

      It actually IS a relatively new idea. I mean, it is a bit over 100 years old which may SEEM old, but it's a newborn compared to the system it replaced.

      Actually it's a bit over 300 years old, the earliest copyright law that comes to mind is the British Statute of Anne 1709.

      The system that IP law replaced, which gave us all art, all music, all culture, all language, all technology right down to bows and arrows and rock hammers and agriculture and the loin cloth - everything that got us out of caves and which separates us from the other great apes, is over 100,000 years old.

      You only assume this to be true. Aristotle and Plato purchased books. The Code of Hammurabi (1772 BC) is the earliest recording of laws that included trade. You only assume that man was altruistic when in fact we owned slaves (or were slaves). For all we know an individual disgruntled over someone claiming his work as their own was dispatched quickly with a rock, club, or bow and arrow.

      Besides societies evolve...

      Seems oddly counterintuitive, I know. I mean, who WOULDN'T want to work long abusive hours locked into a factory for pennies until you are driven to suicide so you can make some other guy rich?

      Yea because the Egyptian slaves constructing the pyramids were better off.

      How is that not a great deal? There's even the possibility that if you save for a few years before jumping off the factory roof, you might be able save up enough to buy a used, outdated version of the product you've personally made tens of thousands of!

      Again let me introduce you to a very very old concept called slavery.

      --
      These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    136. Re:Misleading to call it "non-copied" by imakemusic · · Score: 1

      If you are a derivative work, then you can be subject to copyright infringement.

      I am a derivative of my parents. Should I speak to my lawyer?

      --
      Brain surgery - it's not rocket science!
    137. Re:Misleading to call it "non-copied" by imakemusic · · Score: 2

      Consider Snoopy. If I look at the snoopy character and draw a similar dog called Smarpy, which isn't quite the same, and perhaps make him a comic book character, is that a derivative work?

      How about if you animate it and call the dog Brian?

      --
      Brain surgery - it's not rocket science!
    138. Re:Misleading to call it "non-copied" by Savage-Rabbit · · Score: 2

      Lord of the Rings is [based off] the Norse Eddas.

      I think any threat of copyright retribution on that one expired centuries ago when Snorri Sturluson's great, great grandson Throgrim the Skull Splitter died from a burst bladder after a particularly lively drinking binge with his berserkers in the local mead hall.

      --
      Only to idiots, are orders laws.
      -- Henning von Tresckow
    139. Re:Misleading to call it "non-copied" by Flammon · · Score: 1

      You're right. There's obvious copyright infringement in these photographs. We should stop taking photos of the Pyramids and the Eiffel tower too, just in case. Wouldn't want to get sued.

    140. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Looking at the two pictures, they are different in:
      1) location (one on stairs by the bridge, or even on the road on the side of the Thames)
      2) lens effect (the second one has a stronger perspective -- it is closer and uses a wider-angle lens)
      3) lighting and contrast (upper one taken on an overcast day with muted shadows, lower one has the contrast pushed and/or a clearer day with stronger shadows)
      4) Big Ben looks different (squarish facade in the second one on the clock face, probably related to maintenance)
      5) upper one has an ornate lamp post visible, the lower one doesn't.

      And, hell, in terms of aesthetics, I just plain like the perspective in the lower one better, even though the resolution of the image itself is too low. The bus isn't obscured by the railing of the bridge and by people, and it's more the focus of attention.

      I'm not even an art/photography critic and I can see LOADS of differences, including in the artistic composition of the photo. About the only parallel in these images is subject (Big Ben + bus) and the (rather obvious) idea of highlighting the bus by leaving it in colour, which is a pretty standard technique for emphasis. Even leaving aside what's wrong with the principle of being able to copyright an idea like this, is the guy demanding the license really claiming to be the very first person to come up with this artistic idea, and therefore expecting to be able to demand licenses for life + 75 years?

      The judge is freaking nuts.

    141. Re:Misleading to call it "non-copied" by betterunixthanunix · · Score: 1

      This is a bit like music, in that I can write a tune that has a similar melody to someone else using totally different instruments and if it is too similar the original composer can sue me and claim royalty payments. This has been the case for years.

      Then almost all the music on the market today would be in violation. It all follows the same basic patterns, has similar lyrical themes, uses the same instruments, etc. Yet the RIAA has the nerve to call everyone else "thieves" for downloading music...

      --
      Palm trees and 8
    142. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      Yes, indeed. And it comes down a lot to the same case as "driving too fast for condition". If you have a car accident where going slower would have prevented the accident, then you were driving too fast for conditions. "But there's no possible way that I could have known what the proper speed for the conditions were!" Indeed, but that doesn't matter... you were still driving too fast for conditions.

      Look, it's clearly not cool that people can be found guilty of committing crimes that they didn't even know were criminal acts, but ignorance of the law is simply a lame excuse, no matter how complex the law gets. The idea is that the law should apply equally to all people, and that criminal law is written against behavior that is in and of itself wrong. Homicide is wrong, under all cases (except justification), the death of a human being through the direct action of another should be punished regardless of the state of the person making the act. Even if you're written off as incapable of constructing criminal intent, or understanding the difference between right and wrong, you are still punished, because killing someone else is wrong. PERIOD.

      Look, yes, the law is complicated, I've looked at a lot of it, and yes it sucks that you can be held accountable to laws that you didn't even have a clue existed. And that's why you should never ever ever talk to the police, because even if you're a lawyer, you don't know the specific details of the laws you might be accused of.

      But let's take an even lighter example, a civil infraction. There is a law that you must come to a full stop before making a right-hand turn on a red light. Someone else is making a perfectly legal maneuver through the intersection, as you fail to stop, and there is a collision of your vehicle with theirs. Now, say you didn't know that it was illegal to make a right-hand turn on a red light without stopping. That's reasonable, I mean, tons of people are unaware of that law. So... the person who's car you hit. They just get fucked because you were ignorant of the law, and so you can't be held accountable?

      IT SUCKS, it's harsh, it's sometimes cruel, but it's THE ONLY WAY TO BE FAIR.

      --
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    143. Re:Misleading to call it "non-copied" by Rob+the+Bold · · Score: 1

      You know, having read the judge's reasoning, the headline and summary for this story are somewhat misleading. Yes, the photograph is "clearly different" in that it's not the exact same photograph, but it is clearly the same compositional idea, with the only practical difference between a difference in angle. Also, the second photo was intentionally made to avoid licensing fees from using the original.

      I'd call it "recreated" more than copied. And even then, I don't think it's quite the right word.

      Did K-Tel records do business in the UK? Did they have any legal trouble there with their "Recordings by the Original Artists" compilations? This exact sort of thing was their bread-and-butter, although their "recreations" were somewhat more "faithful" to the original, for certain definitions of "faithful."

      --
      I am not a crackpot.
    144. Re:Misleading to call it "non-copied" by LurkerXXX · · Score: 2

      Aristotle and Plato purchased books.

      Of course Aristotle and Plato purchased books. Because some scribe had to spend a long time laboriously copying the original. They couldn't just download a copy off the net.

      Did the original author get a cut of their purchase price? That's an entirely different question which would be relevent to the discussion, but which you don't know the answer to.

    145. Re:Misleading to call it "non-copied" by hairyfeet · · Score: 1

      Not even similar, he copied the place, composition, color schema, subject matter, answer me this, does Rolex have the right to stop vendors selling genuine Romex watches? Because if you say yes then you have to side with the original artist as that is EXACTLY what this guy has done. i'm a musician and am about to sink a couple of grand into getting my album recorded, do you think someone ought to be able to change a couple of words in the chorus of one of my songs and call it his own? You don't get to steal something just because you don't like the price you know, there are literally thousands of CC and public domain pictures he could have helped himself to but that wasn't good enough, he wanted THAT picture and when he couldn't get it for nothing he just took it, no different than some record company taking my album and sticking a new label on it and selling it. this isn't "kinda sorta' similar its a bald faced ripoff that even a blind man could see, hell he even copied the filters!

      --
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    146. Re:Misleading to call it "non-copied" by mgblst · · Score: 1

      I would rather see group think than moron thinking that you are exhibiting.

      This case is ridiculous, this is a stupid ruling, there is no way about it.

    147. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      Copyright Infringement is NOT piracy; piracy is laying alongside Chris Dodd's yacht at pistol shot, thumping in three brisk broadsides and boarding in the smoke.

      Now, that's the kind of piracy we can all relate to!

    148. Re:Misleading to call it "non-copied" by metacell · · Score: 2

      You didn't read TFA, did you? The Judge was able to determine that the image was clearly copied from that particular photograph precisely because that particular photograph was being used by the defendant without permission until a court ordered him to pay licensing fees. Only then was the new photograph was created.
        Group think on Slashdot is reaching new levels of stupidity. This isn't a case of artistic freedom, this is about using someone else's art to sell tea and refusing to recognise their efforts.

      But the defendant's intention shouldn't make any difference. It should be obvious *from the photographs themselves* that they're derived from each other.

      The law isn't there to force people to pay licensing fees. It's perfectly legitimate to avoid licensing fees by making your own photograph of the same subject. The law is only supposed to stop photographs which are so similar, they must be directly derived from each other.

    149. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      No, he's not advocating Newton not do that. He's advocating that Newton pay to do that, so that giants have incentive to be giants.

    150. Re:Misleading to call it "non-copied" by Savage-Rabbit · · Score: 1

      Copyrighted music is different because you're actually creating an original sequence of sound, whereas with photography of public domain objects you're capturing something that's already there.

      If you're going to mention music, a better analogy would be recording something musical that is already in nature, like the mating calls of birds. Somebody else going into the same forest to record the same birds shouldn't have to be blocked by copyright just because somebody else was there to record it first.

      In this case it's not the "capturing of something that's already there" that is the issue. What the judge referred to was the post processing applied by Justin Fielder which in the judge's opinion made that photo:

      ...a 'photographic work,' as distinct from a simply a photograph...

      Nick Houghton tried to create a derived work and he did not derive it enough to satisfy the judge. This does not mean that Justin Fielder now has the exclusive right to sue anybody who makes a grayscale picture with a colored element in it. Somebody could make a picture of a ruined Mosque in Grozy, grayscale it and highlight only the Russian tank driving by in color, for dramatic impact, without infringing on Mr Fielder's London bus picture. And contrary to what somebody else here said, anybody is free to color highlight an item in a grayscale photograph so long as they don't copy the exact setting, composition, lighting and processing of somebody else's photographic work. Mr Fielder has not patented the idea of color highlighting objects in grayscale photos and I'm sure he doesn't pretend to either. Cases like this are always contentious and difficult to judge and it gets even worse when you get artists like Andy Warhol who use copyrighted stuff to create pretty undeniably unique works of art. That falls under 'appropriation' which is a legitimate practice but that has not prevented artists from being sued over works of appropriation art.

      --
      Only to idiots, are orders laws.
      -- Henning von Tresckow
    151. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 2, Insightful

      the lion king is just hamlet WITH ANIMALS

    152. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      True, but the point is that the first person should be credited because he came up with the idea of doing the recording in the first place. If the second person does it too afterwards, then they are clearly copying the idea.

    153. Re:Misleading to call it "non-copied" by Dorkmaster+Flek · · Score: 1

      So I guess I can create a free open-source Super Mario Bros. game and use all Nintendo's copyrighted sprites and artwork then? I'm not making a profit off it, so it should be fine, right? Yeah, good luck trying that.

      --
      I like to think of online DRM as something akin to a college -- you pay for lessons until you learn something.
    154. Re:Misleading to call it "non-copied" by Bill_the_Engineer · · Score: 1

      Did the original author get a cut of their purchase price? That's an entirely different question which would be relevent to the discussion, but which you don't know the answer to.

      You're correct, I do not know if the original author got a share but that wasn't the point. Jafafa Hots created a strawman and then went off topic. I just provided counter examples. My point was that he only assumed that man was altruistic all these thousands of years, and I provided evidence that this may not have been the case.

      --
      These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    155. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      Nice attempt at side-stepping the issue.

      Just because you can spend a great deal of time setting up a photograph doesn't mean you must, and the photograph is copyrighted exactly the same either way.

      One thing you can be certain of is that getting a photo like the one TFA does not require anywhere near what you describe. Plenty of tourists have captured very similar photos just as a spur-of-the-moment thing. The rest is mostly done by software.

      And none of that changes the fact that you still can't copyright an idea. Copyright is not what prevents anyone from drawing and selling their own version of Mickey or Snoopy. As stated above, that's only because of trademarks.

      And BTW, my sister is a professional photographer so I actually have a very good idea of what is involved.

    156. Re:Misleading to call it "non-copied" by Hatta · · Score: 2

      Before too long, there won't be any choice but patronage. Increasing wealth inequality will leave the lower class with nothing to spend on entertainment.

      --
      Give me Classic Slashdot or give me death!
    157. Re:Misleading to call it "non-copied" by Jmc23 · · Score: 1
      Your examples don't really support your point. The three pictures you gathered have a red bus and big ben prominently displayed in the background, typical tourist advertisement/postcard. The two photos in question aren't like this, they're much wider shots and they use the landscape as compositional elements, big ben being there but not dominating the scene. They in fact pretty much have the same vanishing point, you could almost view it as the second one being a zoomed in photo takena few seconds before the zoomed out one.

      It's quite easy to see the guy copied it, and copied it badly. If you read the article it says he's had problems with the same copier before. He copied it badly because while the original downplayed big ben to be able to use architecture as compositional elements the copy tried to revert to the more commercial touristy side of things with big ben eclipsing everything, not so much in the copy but enough to start ruining the lines, horizon:height ratio and color balance.

      --
      Don't complain about syntax, grammar, or spelling. There is no.hell like input on android.
    158. Re:Misleading to call it "non-copied" by Jason+Levine · · Score: 1

      How similar do non-copied photos need to be to infringe on copyright. Let's say I take a photo of my family with a mountain range in the background. According to this ruling, gathering my family at that mountain range and taking a similar photo would infringe copyright. What if it was a different (but similar looking) mountain range? What if it wasn't my family, but people who looked like them? What if the people bore no real resemblance but wore the same kind of clothes my family was wearing? What if you took a group of look-a-likes of my family in similar clothes to the original photo and had them pose exactly like in the copyrighted photo, only in front of other objects? At what point does the copyright on the photo fail to be infringed.

      In my opinion, this is a very dangerous ruling as it could be used to suppress photography. (Building owner: "We took a photo of our building and sell copies of it in the lobby gift shop. You taking a similar photo of it is copyright infringement and we'll sue you for $750,000 unless you delete that photo right now!")

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    159. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Did anyone mention that both photos are shit.

    160. Re:Misleading to call it "non-copied" by Svartalf · · Score: 1

      Here's a hint... Does it describe the EXACT same image? If it does not...this is a questionable decision.

      Copyright does not protect an idea, but rather a specific expression thereof.

      eg. If I make a story very similar to Harry Potter, but doesn't use the characters or a substantive part of the verbiage I've not violated Copyright.

      Not seeing the pictures, I can't say...but it's fishy to say the least.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    161. Re:Misleading to call it "non-copied" by Svartalf · · Score: 4, Informative

      You can't Copyright an idea. Only the EXPRESSION thereof.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    162. Re:Misleading to call it "non-copied" by flappinbooger · · Score: 1

      So if I wanted to make a movie about, say, a young man who meets up with some robots, say one is shaped like a trash can and one is gold colored, who then goes on to have an adventure running about the galaxy in an old POS space ship and then finds out his biodad is the chief bad guy, and he also finds out how to use some sort of spooky zen telekinesis thing, I'd at least better not name the lead character Luke and I shouldn't have one of the main characters suffer from a body hair problem or I'll have some legal issues down the road?

      But otherwise it's just a derivative work and not a copyright issue?

      This ruling was undoubtedly difficult but to me it's opening up a huge can of worms precedent-wise.

      I mean, at what point can lucas go and sue over the movie SPACEBALLS?

      --
      Flappinbooger isn't my real name
    163. Re:Misleading to call it "non-copied" by hrimhari · · Score: 1

      Oh, ok then, keep your ideas to yourself. I'm sure you'll have lots of fun inside your head.

      --
      http://dilbert.com/2010-12-13
    164. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      The guy didn't help his cause since he first tried to use the original without paying. Clearly he's a bit of a shady character, but that shouldn't change the fact that he then went out and took his own photo and did his own post-processing. If you're doing all the work that's required to make the original, in what way is this copying? If I paint a Rembrandt, and manage by artistic skill to reproduce every single brush stroke and texture perfectly then I've put in literally all of the work required to make the original except the idea itself, and we all know ideas aren't copyrightable, so I've copied nothing.

    165. Re:Misleading to call it "non-copied" by mark-t · · Score: 1

      Not wanting to pay licensing fees is entirely irrellevant. He took the second damn photo, and by every right that is conceivable under ordinary copyright law, he properly owns the copyright on that original photograph as a unique work. Taking his own photo and manipulating it to reflect the same idea as somebody else's work of similar subject matter may very well be copying somebody else's idea, but again... and this cannot be overstated, you *CANNOT* copyright an idea. Either copyright law will have to change to reflect this decision (a idea so catastrophically stupid that it cannot be overstated, and that would probably, in the end, completely destroy the entire notion of copyright), or the judge's decision will be overturned when this is appealed.

    166. Re:Misleading to call it "non-copied" by xclr8r · · Score: 1

      This is plagiarism not copyright infringement. Yes there was a separate instance of CR infringement before the 2nd photo was taken. However, this photo is not even the same composition. Frankly if I were the original photographer I'd be insulted that some one would suggest that the original was being infringed on. The 2nd one is poorly framed and very in your face and amateur like.

      --
      Beware of those who profit off the docile and persecute the unbelievers.
    167. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Star Wars (1977)
      Battlestar Galactica (1979)

      http://en.wikipedia.org/wiki/The_Hidden_Fortress#Influence

      Or, if you prefer Westerns and/or samurai films:

      http://en.wikipedia.org/wiki/Yojimbo_%28film%29#Influence
      http://en.wikipedia.org/wiki/A_Fistful_of_Dollars#Sources

      http://en.wikipedia.org/wiki/Seven_Samurai#Legacy

    168. Re:Misleading to call it "non-copied" by Jason+Levine · · Score: 1

      Sadly, the "reasonable man test" fails when it is applied by some people. For example, if a group of people believed that whistling Dixie after 3PM on Sunday while wearing sneakers was an invitation for Satan to come and devour the souls of everyone in town, they'd ban the activity. To them, the ban was perfectly reasonable. To the rest of us, it's nuts.

      It also fails in the grey areas of the law. Say, someone breaks into your house. You feel threatened, take out a gun, and wind up killing them. Are you guilty of murder? Probably not. What if the person was clearly fleeing your house at the time, though? What if the person was outside your house at the time you shot them? What if it was broad daylight and the person rang your doorbell? At some point, the "self defense/home invasion" rationale breaks down, but where it breaks down isn't always clear. Laws are broad generalities but real life is rarely as clean cut.

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    169. Re:Misleading to call it "non-copied" by iter8 · · Score: 1

      You mean like Warhol did with Superman?
      "Art is what you can get away with." - Andy Warhol
      It seems like you can't get away with as much these days, so art suffers.

    170. Re:Misleading to call it "non-copied" by WalkingBear · · Score: 1

      I think the word you're looking for there is 'busker'. We're all becoming digital buskers with infinite street-corners on the digital highway.

    171. Re:Misleading to call it "non-copied" by hrimhari · · Score: 4, Insightful

      - Taking a picture of London's double-deck red bus: common place.
      - Taking a picture of London's double-deck red bus in front of the Big Ben: common place.
      - Doing selective desaturation with Photoshop: common place.
      - THINKING about taking a picture of the red bus in front of the big Ben and selectively decolorizing the picture: common place (only takes a semi-professional photographer).
      - But DOING it is now Copyright Justin Fielder, thank you very much.

      [Insert your worst insult here] you!

      --
      http://dilbert.com/2010-12-13
    172. Re:Misleading to call it "non-copied" by delinear · · Score: 1

      Only if you live under a rock and fail to recognise that IP law creep is a global issue right now.

    173. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      I would argue that copyright law is approaching dangerous levels of stupidity.

      This is absurd.

      If your image looks like it may have been copied from another image, you can be punished for violating copyright.

      Is this really the kind of precedent you want to support? Even if the intent to "mimic" was there, that's not a violation of copyright!!! The copyright is for the image, not the artist's style. These loose interpretations are going to have incredibly nasty repercussions, just like they do in the music industry.

    174. Re:Misleading to call it "non-copied" by Rary · · Score: 1

      Actually, copyright is not that simple. It is a complex collection of rights that applies to many things. This case is the photographic equivalent of recording and selling a cover song. A cover song is not a copy of the original expression of the music, but it is a copy of the content of the music. This case involves a copy of the content of a photograph, rather than the original expression of that content.

      And guess what? Cover songs are, and have long been, covered by copyright law. Recording a cover song requires a mechanical license. The judge in this case seems to be extending that concept to the world of photography.

      I'm not saying it's right or wrong, just that it's nothing new.

      --

      "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

    175. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      False, actually. Making any copy for any purpose constitutes infringement. You may be able to assert various defenses, such as limited copying for educational or critical purposes, but just copying an entire painting so that you can learn the style? Infringement. Not likely anybody's going to sue you unless you try to make a profit, but that does change the stupidity of the law.

    176. Re:Misleading to call it "non-copied" by spire3661 · · Score: 1

      A true musician doesnt give a shit about copyright, only performers do.

      --
      Good-bye
    177. Re:Misleading to call it "non-copied" by Pope · · Score: 1

      Indeed, and more blatant ripp-offs happen all the time. Hollywood has made a string of them in recent years without even changing the titles. They call them "remakes" or "re-imaginings" - Nobody has yet been sued for copyright infringement. You can't copyright an idea.

      Nobody has been sued because the remakes have been done by complying with the current copyright law, you dumbass.

      --
      It doesn't mean much now, it's built for the future.
    178. Re:Misleading to call it "non-copied" by Tsingi · · Score: 0

      Worked for me.

    179. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      The system that IP law replaced, which gave us all art, all music, all culture, all language, all technology right down to bows and arrows and rock hammers and agriculture and the loin cloth - everything that got us out of caves and which separates us from the other great apes, is over 100,000 years old.

      [Citation Needed]

      Cro-magnon man sure as hell wasn't debating contract theory and derivative works compensation 30,000 years ago, though I'm sure you'll give an example by which they were. The idea that current IP law is some vast cultural savior for modern times, when in actual practice is quantitatively nothing more than a legalized protection racket, is quite amusing and sad considering all of it logically derives under the heading, free speech.

      The fact that your arguing how IP law didn't work out for everyone equally under the protection of 'ideas', validates that the concept itself is secondary to external systems, namely economics, thus makingf IP law completely dependent upon it as an implemented and effective system. You can spew all day about ownership, ideas, creativity, and the evolution of modern day IP, but that fact is that the system that IP rights was intended to protect and foster from, is now a shadow of itself lost in an economic wasteland.

      I would offer a way to fix it, but sadly, it's likely under Copyright.

    180. Re:Misleading to call it "non-copied" by spire3661 · · Score: 1

      You are confused. Microsoft and Google do not have GOVERNMENT GRANTED monopolies. Also, monopolies in and of themselves are NOT illegal in any way, shape or form.

      --
      Good-bye
    181. Re:Misleading to call it "non-copied" by Bobb9000 · · Score: 1

      Actually, something can be "barely copyrightable", in the sense that only the literal and precise expression of the work can be protected by copyright. In most cases, minor variations on a work do not excuse copyright - for example, I can't take Harry Potter, change all the character's names, and then release the books as my own. However, if the work is an expression of otherwise public domain material, and doesn't show large amounts of input on the part of the creator beyond the bare minimum required to create it, then only the precise expression can hold copyright. Sometimes, you can't even get copyright at all, as in photographs of paintings designed solely to reproduce the painting.

      --
      Bobb9000 - raised by the wolves,
      Oxford education as phrased by the wolves.
    182. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      If it's that easy to imitate, maybe the original author doesn't deserve to have copyright protection. Similarity is not copying or stealing (but some moral issues do arise in such cases).

    183. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      Finkle is Einhorn?

    184. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      This is a case of artistic freedom. If you don't want to pay for my sculpture, painting or song to use for whatever purpose, you are free to make your own similar, but not identical sculpture, painting or song. If you don't want to pay the writer to record a song you want to cover, writing a song with the same subject, instruments, effects, processing and even chords and structure is perfectly legal and acceptable. "Country love song about woman who left me with guitar,bass,drums and fiddle, reverb, autotune, G,C,F Verse Chorus Verse Chorus Verse Bridge Chorus Chorus" isn't copyrightable and probably is about 20% of modern country. IMO, it still should be stopped, not with the courts, but with a baseball bat.

      Although I kind of wish it didn't work that way, because "Nickleback sues Nickleback" would be a great headline.

    185. Re:Misleading to call it "non-copied" by CptNerd · · Score: 1

      And if I remember correctly about Westlaw, even reading the law books may be illegal in some instances.

      --
      By the taping of my glasses, something geeky this way passes
    186. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      This is ridiculous and could is already getting out of hand. If I take the time to photograph every building in Chicago from most angles does that mean that nobody else can take pictures in Chicago? I could easily own the copyright to an entire block in less than a week.

    187. Re:Misleading to call it "non-copied" by TheLink · · Score: 5, Informative

      Just because it takes lot of work and effort does not mean you deserve a _monopoly_ on the _concept_.

      A bricklayer spends lots of time putting bricks on bricks to build a house, that should not give the bricklayer the right to prevent others from building a house by putting bricks on bricks. Even if it's a house with the same colour scheme (but different shape).

      So what is covered? Does this ruling mean that any picture with "coloured iconic object in monochrome background" is now infringing?

      I'm not photographer, but it seems silly for any photographers to be happy about this ruling. In my unlearned opinion what this ruling means is that just taking a picture of a famous monument that's been processed in some (not too trivial?) way would be infringing on any previous similar photos. You really sure you want that? You might not be able to do much non-infringing professional or "value-add" photography, or maybe if the judges get more insane, you might not be able to do much noninfringing photography of popular objects/sites.

      The main difficulty is not ideas and concepts, the difficulty is coming up with a high quality result from the original idea. So giving a person a monopoly on a concept seems ridiculous. I can have plenty of ideas on photography - that does not mean I can produce a good "photo".

      In fact to me the two photos are very different other than the colour schemes: one has sky, skyline, stairs, bridge and river. The other is sky, famous building, the bus on a long road and the bus is "smack in the front". As a result In the latter the bus is more prominent, more of a main subject, whereas the former, the bus is a highlighted object but in a more varied background.

      --
    188. Re:Misleading to call it "non-copied" by Courageous · · Score: 1
    189. Re:Misleading to call it "non-copied" by K.+S.+Kyosuke · · Score: 1

      There are certain aspects of it chosen by the artist - the white sky, the monochrome background, the red bus - which therefore can be copyrighted.

      Yes, and according to many people, it can't be copyrighted by New English Teas because it's older than dirt and it had already become dead horse even before New English Teas used this technique for themselves.

      --
      Ezekiel 23:20
    190. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Finkle is Einhorn, Einhorn is Finkle

    191. Re:Misleading to call it "non-copied" by SkimTony · · Score: 0

      Given that even true musicians still need to eat, most of them (that I've met) still do care about copyright, at least inasmuch as it is part of the field in which they operate.

    192. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      But let's take an even lighter example, a civil infraction. There is a law that you must come to a full stop before making a right-hand turn on a red light. Someone else is making a perfectly legal maneuver through the intersection, as you fail to stop, and there is a collision of your vehicle with theirs. Now, say you didn't know that it was illegal to make a right-hand turn on a red light without stopping. That's reasonable, I mean, tons of people are unaware of that law. So... the person who's car you hit. They just get fucked because you were ignorant of the law, and so you can't be held accountable?

      Piss poor example. Most everyone knows that you need a driver's license to be able to legally drive, yes? I mean, this is not some esoteric area of the law. Furthermore, to get a drivers license, one must take a written exam that covers the legal aspects of driving. The study guide is usually free of charge. The acceptance of a driver's license implies that the driver is familiar with the laws concerning driving. The driver doesn't have to travel to a law library and sift through a bunch of case history and whatnot to familiarize himself with the law.

    193. Re:Misleading to call it "non-copied" by Agent0013 · · Score: 1

      I do agree with you that ignorance of the law can not be allowed as an excuse. But it does seem rediculous to me that the legal code continues to get bigger and more complex while almost nothing is ever removed. It is illegal to eat an orange in a hotel room in California, and one new england state still has a law on the books that a woman driving a vehicle must be led by a man waving a flag as a warning. Then on top of all of that, we (in the US) now have secret laws that you aren't even allowed to know about. How is it possible to learn the laws to follow when it is illegal to learn the laws to follow.

      I think there should be a group in goverment who's sole job is to remove old or uneeded laws. Congress' job is to pass new laws. They can and do change laws, but rarely do they remove out-dated laws. Either every law should have a sunset time, where it must be voted in again to stay current, or another section of the government should have the sole job of going though the law code and pruning it from the crap that accumulates.

      --

      -- ssoorrrryy,, dduupplleexx sswwiittcchh oonn.. -Quote found on actual fortune cookie.
    194. Re:Misleading to call it "non-copied" by Courageous · · Score: 1

      No, it isn't. In fact it's a required practice in artschool to learn to paint "like the masters" in this manner.

      Your are mistaken. If painter manually reproduces the work of another artist, matching the details of the original photograph or painting, this is derivative work. Congress assigns the sole right to derivative works to the original author.

      C//

    195. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Ridiculous - Copyright terms have been progressively longer and extended more than once - things that were made 30 years before your birth will still be copyright when your kids have grandkids. Anything other than an exact copy should be fair use. As for the article, I have seen the same style used in dozens of other photographs, the judge is clearly bonkers

    196. Re:Misleading to call it "non-copied" by TheLink · · Score: 1

      If you want to use your analogy and reasoning in this case the original right-owners would be the people who came up with the designs of the buildings and the bus.

      Not the photographers who took a picture of them.

      If you're going to say the photographer came up with a novel composition that's why it's copyrightable, then I'd say the two photos have very different composition. The first has bus, sky, skyline, _bridge_ (and stairs) and _water_, with the red bus being "in the middle offset". The other has bus, sky, building, road, with the red bus being "smack in the front".

      If instead you're going to say "coloured iconic object in monochrome background" can be a monopolized idea, I think bet the original person who came up with this concept is not the complainant in this case, and it's ridiculous to allow such a monopoly. Any serious photographer would be insane to be happy with such a ruling, since it'd be hard to not infringe. Does that mean you can't take a picture of the "classic red telephone box"[1] and have the background in monochrome, because it would infringe on this concept too? How about red rose/apple and monochrome background? Or the many other images with a similar concept: http://goo.gl/VjRlb

      Do people really want to spend more time in court than in taking photographs? If no, they should protest this ridiculous ruling.

      [1] http://en.wikipedia.org/wiki/Red_telephone_box

      --
    197. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      The famous Beatles "Abbey Road" crossing shot pops to mind.
      How many thousands of people have reenacted that shot I wonder?

    198. Re:Misleading to call it "non-copied" by Courageous · · Score: 1

      ....and that the copyright monopoly only covers direct copies, nothing else....

      You are mistaken. Congress assigns sole rights to "derivative" works to the original author. I would provide you with some clarity here on what does or does not constitute a derivative work, however in fact the situation is quite muddy. Regardless, rest assured that supposing you were to create a bit of fiction involving two characters named Gandalf and Frodo, you need to take care.

      C//

    199. Re:Misleading to call it "non-copied" by jdgeorge · · Score: 3, Funny

      Oh.... So the photograph should enjoy patent protection, rather than copyright?

    200. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Exactly. It was also the most correct system. Intellectual property laws have nothing to do with protecting the inventor. If they did they would respect the ideas the invention comes from, the banality of the idea, and make it impossible for the author to give up rights to publishers (since technology has made them irrelevant). Those laws are made to maintain the status quo and control channels of distribution. I guess even those channels left free but not protected by anonimity are useful. They keep people trackable, controlling or even influencing trends. I hope I am wrong and there is indeed some resistance. Invoking justice on work got more or less rightfully from authors who themselves stand on the shoulders of giants is a complete joke.

    201. Re:Misleading to call it "non-copied" by UnknownSoldier · · Score: 2

      >> It actually IS a relatively new idea. I mean, it is a bit over 100 years old which may SEEM old, but it's a newborn compared to the system it replaced.
      > Actually it's a bit over 300 years old, the earliest copyright law that comes to mind is the British Statute of Anne 1709.

      And people seem to forget it was PUBLISHERS that were the driving force behind copyright because they didn't want other _publishers_ from selling public works !

      Copyright, originally, was _never_ about stopping other authors who have the same idea -- only to stop other _publishers_ from DISTRIBUTING works (and thus PROFITING.)

    202. Re:Misleading to call it "non-copied" by jcdill · · Score: 1

      the second photo was intentionally made to avoid licensing fees from using the original.

      This is the key factor. There was a copyright infringement case that centered on the same issue back in the 1970s, about a photo that was used on an album cover. The photo was of a woman on a beach at sunset, with the sun coming thru between her legs and creating a starbust (rays of light) spreading out from the sun. The band liked the photo but balked at paying the licensing fee, and hired another photographer to create a photo that was not identical, but which had the same key features (woman, sun, starburst, beach). They lost the lawsuit and had to pay a 6 figure copyright infringement fine.

      I will post a follow-up if I can find the cite to the photos in question.

      --
      "I'd much rather be mistaken as a lesbian by a bigot than be mistaken as a bigot by a lesbian."
    203. Re:Misleading to call it "non-copied" by yuna49 · · Score: 1

      Actually most characters like Mario are covered by trade marks, which have an entirely different body of law applied to them than copyright law. For instance, trademarks don't expire like copyrights do. (Yes, yes, Sonny Bono, etc.) Also the standards for proving infringement are different. Here's a quick summary: http://brandgeek.net/trademark-copyright/

    204. Re:Misleading to call it "non-copied" by gr8_phk · · Score: 1

      I see so you're an expert in art? I've studied photography pretty seriously for years, and I can tell you that there's a lot more that goes on than just capturing what you see. Seeing it is a talent that requires a lot of study, but most photographers, even most nature photographers and some photojournalists, stage the photos. Just because the medium requires a click at the end does not suggest that any less work went into the photo than a comparable painting. The truly talented can end up going months between inception and creation.

      So as an expert, you've undoubtedly had some formal training in photography. Or at least studied different techniques online, or in some way learned your technique from others rather than figured it all out yourself. If you want to claim that the composition and post-processing of a photograph are copyrightable that's very close to putting yourself out of business since someone else developed those methods and you learned from them. When the techniques become property, you're all infringing. When publicly visible scenes and objects are copyrightable, you're all infringing (the try to make some of these claims in Canada - that buildings are copyrighted and you can't take a picture of them).

      The term "work" in copyright refers to the product, not the "effort that went into making it". If someone else wants to put in the effort, then they can create a new "work" that is distinct from the original and not infringing. The problem with moving beyond this simple (or even simplistic) definition is that it become fuzzy and the guys with the most money will eventually win. Say you have a really nice photo of a snow covered mountain with a 1/4 moon in some arrangement. Some guy sees it and takes a similarly arranged scene but with a different but similar looking mountain in another geographic location. What now? If that's infringing, what about people who paint portraits? How many possible poses do you think there are? What about painting a standard head and shoulders of the subject? Once you move the line beyond literal copying of the actual photo you open the door for "interpretation" and the line will be continually moved further and further until you reach a point where no one can take a picture. They'll get around this practical problem by ruling that "personal use" of your "own" photos is OK. That way the public won't have to worry about family vacation pictures, and hence bring the absurdity of this to the masses.

      We also have precedent in the software world that you can't copyright the "look and feel" of a program - see Apple vs Microsoft.

    205. Re:Misleading to call it "non-copied" by DerekLyons · · Score: 1

      Yes, the photograph is "clearly different" in that it's not the exact same photograph, but it is clearly the same compositional idea, with the only practical difference between a difference in angle. Also, the second photo was intentionally made to avoid licensing fees from using the original.

      And here, you've hit the nail squarely on the head - but sadly these points are whooshing right over the heads of most commenters. They've entirely missed that was this was a deliberate and admitted attempt to copy an existing work in order to avoid paying the creator of said existing work.
       
      Like the earlier suit over an album cover, this judgment reinforces that while being 'inspired by' is acceptable, direct copying of significant style elements is not.

    206. Re:Misleading to call it "non-copied" by nitehawk214 · · Score: 1

      I agree that Mr Houghton was almost certainly trying to copy Mr Fielder's image, however the article doesn't say if the former was tying to sell his image or just put it in his portfolio. (I assume that both are professional photographers money was involved). I don't know if I agree that the lawsuit is reasonable.

      My issue with the case is... a lot of photographers are fantastic artists, and even more just take pictures of cliches and call them art. A double decker bus in front of Big Ben? Wow, who would have thought of taking a picture of perhaps the two most iconic features of London (with possible exception of the tower bridge). Making one element of a photo in color with the rest black and white? Every single couple that has wedding photos done professionally does this.

      However who gets to draw the line between copyrighted art and easily reproducible and copyable stock photos? I suppose it is best left up to the courts.

      --
      I'm a good cook. I'm a fantastic eater. - Steven Brust
    207. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Even if all that is true, it just emphasizes why it would be better for photographers, and the art overall, would be better if we did away with that kind of protection. (Yes, I am one, though there are plenty who would disagree.) Being able to learn, first by mimicing, is good. Being required to compete by developing a unique vision or reputation, also good. Being able to profit by your efforts, good. The tiny amount of risk presented by "someone else can do the same thing" is far outweighed by the benefits of everyone being able to learn, grow, and participate in the marketplace.

      "But, but - he made MONEY of MY idea..!"

      So what? Can you imagine how much the IT industry would be set back if we weren't allowed to hit up google for scripts to solve our problems, or we could but we had to rewrite them to appear different? You're throwing away thousands of dollars of value to protect a few dozen based on a false understanding of how creativity actually happens. You made money off of someone else inventing the camera, thousands of people developing the art form on film, someone else disigning the camera, others writing the software, etc. Most of those people deal with competition and work-alikes every day, and as long as they actually do the work of building the product (notice that the copier actually produced their own image), they manage just fine. The ones who can't aren't missed.

    208. Re:Misleading to call it "non-copied" by Dorkmaster+Flek · · Score: 1

      Okay, so I'm infringing on two IP laws: their trademarked character, and their copyrighted artwork. If I call the game Super Same-io Bros. instead and change all the Mario text to Same-io, but still use Nintendo's sprites and artwork, I'm still infringing on their copyrighted work. My point was that you cannot copy copyrighted art if you just "don't make a profit". That's ludicrous.

      --
      I like to think of online DRM as something akin to a college -- you pay for lessons until you learn something.
    209. Re:Misleading to call it "non-copied" by mcgrew · · Score: 1

      Yes, the photograph is "clearly different" in that it's not the exact same photograph, but it is clearly the same compositional idea

      Obviously, neither you nor the judge have seen many classical paintings. There is one composition with a nude woman laying on a couch with a clothed servant standing beside her that at least six different artists, all of whom are hanging in museums now, painted.

      That's how art works. It's like science and technology, in that everything comes from what came before. I thought the "both have blank skies" incredibly stupid, because look at almost any black and white photo taken outdoors without a filter -- the skies are ALL blank..

      You should NOT be able to patent an idea and you should NOT be able to copyright a composition. When I wrote this short science fiction story, it was pointed out that it resembled They're Made Out Of Meat, and yes, it was influenced by that and many other stories. Should Terry Bison be able to sue me for copyright violation? This judge would probably think so.

      In other words, the original wasn't simply a photograph of something but a specifically processed piece of artwork

      As was the second. They're similar, yes, but they're not the same. Should Paramount sue whoever made Babylon Five because both are in outer space? Should they sue Lucas because Star Wars had aliens that looked almost human?

      Copyright protects a copy. You have the right to protect a copy of your work, not something that is similar to your work.

      The actual idea behind the story I linked is, afaik, pretty damned original. Should I be able to sue someone who takes that idea and writes a different story similar to it? Hell no!!!

      Copyright protects copies. This wasn't a copy. The ruling was retarded.

    210. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      This is the most beautiful and clever use of sarcasm I've ever seen. Cheers. :)

    211. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Star Wars is the Hidden Fortress.

    212. Re:Misleading to call it "non-copied" by Toze · · Score: 2

      To use slightly more widely recognized examples of "real art," which might speak to the luddite, Michelangelo's Creation of Adam in the Sistine Chapel was a copy of Lorenzo Ghiberti's bronze casting of the same theme in the Gates of Paradise.

      --
      No OS on the planet can protect itself from a user with the admin password. - Yvan256
    213. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Incorrect,
      education use is a noted exception to copyright.

    214. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      Obviously New English Teas didn't want to pay the original author while maintaining the branding. You seem to think that it is ok ?

      I do. The original artist deserves to get paid for his work with planning, taking and processing the photograph, but he doesn't deserve a stake in New English Tea's branding for his lifetime + 70 years. New English Tea wanted a similar picture because their customers were used with the old branding, not because it was particularly special or unique.

      The picture looks very well-made and I'm sure the original artist put a lot of work into it, but so did the new artist. I don't think the composition and style are so unique that the second artist saved a lot of work by referring to the old picture. With art, as with other types of work, most of the effort is spent in implementing an idea, not in coming up with it.

    215. Re:Misleading to call it "non-copied" by shaitand · · Score: 1

      No but you can read harry potter, make an outline of the entire story, using the same names, and rewrite the book in your own words from the outline. At least from the perspective of copyright (Don't do this, you'll be trademarked into oblivion).

      This is no different than artists sitting in the Louvre copying the paintings of the masters.

    216. Re:Misleading to call it "non-copied" by DriedClexler · · Score: 1

      For a recent example of a legal expert rationalizing why all that is a good thing, check out this thread on HN/YC.

      --
      Information theory is life. The rest is just the KL divergence.
    217. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Ok, this is the absolute one time in life that an Arts major will have a use. Are any of them here to weigh in on this? Odds are this opportunity won't come up again for another 50 years.

    218. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Eh, I could have done this with a bunch of different apps. What absolutely kills me, as a designer, is that this tripe is so blatantly, trivially, amazingly, flat out fucking easy to do. We're talking 10 minutes of time with Photoshop, maybe 15 with GIMP (I'm rusty there).

      I do this ALL THE TIME for people - sometimes it's the ugly kid in the family, sometimes it's a dog, sometimes it's the Christmas tree. Yeah, sometimes it's even a bus. In absolutely no possible reality, this one or alternate, would I expect to have any of my work "protected" from future "infringements" upon my "stupid" idea. This "technique" is not all that clever, and the ONLY time I've ever thought it was used to full potential was in Schindler's list.

      As an artist: Please don't use a specific image that I haven't placed into public domain (I do this sometimes for things I'm especially proud of, but don't have time to use myself) without asking me. I'll probably ask for a fee that's proportional to how much you expect to profit from the use, but I'll also probably let you use it. That's fair, I think, considering my work saved you the time of learning to do it yourself, and then actually doing it. Maybe you even like my particular style, which would be sweet and make me feel proud of my work. If you choose NOT to pay me for my work, that's ok too. Perhaps the time-savings or aesthetic value isn't worth the fee I asked for, and negotiating didn't resolve this. You can go take your own photo and do your own digital manipulation; I won't be mad, bro. You came to me for help, so if you decide you don't need that help anymore, why would I be upset? It's cool. And if you do well, then great! Maybe we can even work on a project together in the future!

      (By the way, this NEVER happens, unless another artist runs out of time on a project, comes to me for existing stock photos, and then finds the time, changing his mind. This does NOT make me mad because I do the same fuckin thing when I'm in a bind.)

      An artist that demands anything more than the above is displaying a bullshit level of entitlement that's supremely difficult to stomach, coming from a designer who works for his rent rather successfully.

    219. Re:Misleading to call it "non-copied" by shaitand · · Score: 1

      Nobody is pretending. IP has NOT encouraged innovation. Correlation isn't causation. The rapidly increasing rate of technological innovation is an effect of the technology previously innovated building on itself. NONE of the credit for that rests in the hands of IP.

    220. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      What I wanted to point is that the judge ruling is fair according to current laws : the defendant shot a close-looking photo on purpose to avoid a licensing fee for a copyrighted work.

      What's wrong (or illegal) with that?

      If the manufacturer of jars is too expensive, they switch to a cheaper one. If their transport company is too expensive, they switch to a cheaper one. Why can't they switch to a cheaper artist and ask him to do the same job?

      As long as the new artist doesn't actually copy the old picture, I don't see why it should be illegal to produce a similar one. It takes as much work for the new artist as for the old one. The old artist already got paid for his work in the first lawsuit (which I think is fair).

    221. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      And yet all art, even new art copies from others. We wouldn't have genres if there weren't similarities. At what point is it copying and at what point is it part of a genre? If it's just the opinion of a judge, then we're in trouble.

    222. Re:Misleading to call it "non-copied" by mcgrew · · Score: 1

      Seeing it is a talent that requires a lot of study

      True. Well, almost true; leave out the word "it" and you're accurate.

      Just because the medium requires a click at the end does not suggest that any less work went into the photo than a comparable painting.

      Absolute bullshit. How long would it take for you to do this with a camera? Audrey Flack did it with an airbrush!

      You claim to have studied photography "pretty seriously" for years, did you do so at a university? Somehow I doubt it, or you would know that many, many compositions are done over and over by different, GREAT artists who are now all hanging in art museums. Take a few art history courses, it will do your photography wonders.

      The truly talented can end up going months between inception and creation.

      Then I must be the most creative person on the face of the earth (no, I'm not). I whipped this out in less than ten minutes, the inspiration was a shlashdot story about a power outage at the LHC. Asimov (far better a writer than me) wrote similar stories in even less time; he wrote one on the Tonight Show during a commercial break! Using a typewriter!

    223. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Your posting uses the exact same font as the one before it. It uses the same English language. It is made up into paragraphs. Even the subject is the same. Who knows how dangerously close to copyright infringement you are...

    224. Re:Misleading to call it "non-copied" by JAlexoi · · Score: 0

      The truly talented can end up going months between inception and creation.

      Then again, you're a troll, so who gives a damn what you think.

      Entitled much? Comparing photographers to painters is just ridiculous. The best photos took unmeasurably low number of hours to complete compared to the best paintings. Just like comparing sculptors to painters is ridiculous.
      Just because you took 1000's of pictures and two of them look good, don't make you as an artist like a painter that made 100 sketches and took thousand hours to complete a masterpiece.

      Photography is the laziest art form out there...

    225. Re:Misleading to call it "non-copied" by tehcyder · · Score: 1

      An actual photograph used for commercial purposes that mimics another photograph to avoid having to pay licence fees is not an "idea", except in the sense of "wouldn't it be a good idea if we got our own guy to shoot versions of other people's photographs so we could save money".

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    226. Re:Misleading to call it "non-copied" by tehcyder · · Score: 1

      even in derivative works fair use generally applies

      Copying something and changing it very slightly, then using it for commercial purposes, is not "fair use".

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    227. Re:Misleading to call it "non-copied" by shaitand · · Score: 1

      Which is beside the point. Even without trademarks you can't do this. Copying is illegal regardless of profit motive.

    228. Re:Misleading to call it "non-copied" by tehcyder · · Score: 1

      Then again, you're a troll,

      You're being too generous to him. His views are actually the norm on slashdot, i.e. philistine knee jerk reactions to the mention of the word copyright.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    229. Re:Misleading to call it "non-copied" by shutdown+-p+now · · Score: 1

      Aside from removing colors from everything except for the bus in the picture (which is a trivial operation in Photoshop), how else is it modified?

    230. Re:Misleading to call it "non-copied" by hippo · · Score: 1

      Have you actually been there? London is dark grey and grimy, The sky is completely grey. If you overexpose that you get grey buildings, white sky and the only thing with paint on it is the bus. I don't think overexposing counts as art.

    231. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      I see you're actually pretty ignorant of art history.

      The sad thing is, it's all to make a buck, to protect the dream that you too may one day be able to "strike it big", well beyond what a human needs to lead a rather luxurious lifestyle. You, and people like you, are a much bigger threat to art than the much maligned copycats and hacks.

    232. Re:Misleading to call it "non-copied" by tehcyder · · Score: 3, Interesting

      To me, at least, the correct argument is that copycats profiting off your work that you shared freely is bs.

      Why? If you think everyone shold just share everything freely, how can you stop someone from using that to make money? That's right, you'd have to have copyright laws of some description.

      Just because the US has decided to allow Mickey Fucking Mouse to be copyrighted until the eventual heat death of the universe doesn't mean that the whole idea of copyright is wrong.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    233. Re:Misleading to call it "non-copied" by shutdown+-p+now · · Score: 1

      the time-tested and seemingly obvious concept (you can't "own" an idea)

      Sure you can own the idea; you just don't tell it to anyone else, that's how.

      And that's precisely what humans were often doing before patents and the like came up. Sometimes it would be a trade secret of one particular smith or artisan, and sometimes they'd have some sort of a guild that would jealously guard it on behalf of all its members, but history is rife with examples of techniques that were kept secret to maintain a competitive advantage, and many of which were ultimately lost because of it.

    234. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      It doesn't matter why the second photo was made. It's not illegal for me to cook eggs in my kitchen, regardless of why I'm making them. It's also not illegal for me to drive my car, regardless of where I'm going. Sure, I could be making eggs for *terrorists* I'm harboring, or I could be driving to my local bank for some smash and grab, but neither the egg-making or driving is illegal.

      If there was a crime committed, find it, define it explicitly, and prosecute that. This is NOT infringement. At the very worst, it's some sort of nebulous fraud/extortion thing, but even that is doubtful.

      More likely it's: "Johnny copied me!!!" Johnny: "Did not!" Distracted Parent: "Stop copying your brother, Johnny."

      Also, I just read the judge's decision. What follows shows the judge is retarded (emphasis mine):

      "In summary the manipulations Mr Fielder undertook were: the red colour of the bus was strengthened; the sky was removed completely by (electronically) cutting around the skyline of the buildings; the rest of the image was turned to monochrome save for the bus; some people present in the foreground of original photograph were removed (there was a small group on the stairs and a person at the top under the lamppost); and the whole original image was stretched somewhat to change the perspective so that the verticals in the buildings were truly vertical. Mr Fielder spent about 80 hours on this including the photography trips."

      If even ONE of those 80 hours was spent manipulating the image, then Mr Fielder is NOT qualified to speak on his own behalf, nor take any further pictures, ever. "Red thing over black and white background" is so trivially easy with Photoshop that claiming the time spent to digitally manipulate the work is a factor in the value of his image is completely ridiculous.

    235. Re:Misleading to call it "non-copied" by shaitand · · Score: 1

      All IP is a form of government granted monopoly and Microsoft and Google have tons of IP. Government granted monopolies ARE illegal. We largely went to war with England because of government granted monopolies on tea.

    236. Re:Misleading to call it "non-copied" by JAlexoi · · Score: 1

      masses couldn't really afford things like paintings or sculptures

      And you are implying that the masses can afford owning movies, paintings and sculptures of significant artistic value? Though, you could get a Van Gogh painting for mere pittance when he was alive, and that was still in the era of patronage.

      royalty, wealthy, and churches ended up paying these men and women for their services

      Yep, pretty much how I would describe the media conglomerates these days. There is little difference. The masses used to pay the church to be able to touch the holy relics, now the masses pay media conglomerates to view/hear/play something.
      If it were a digital chip jar but still patronage, then after earning X million in commission they would release their works as public domain, since the public paid for it handsomely.... You do know that patrons took the full rights to the art pieces when the artists were done, do you?

    237. Re:Misleading to call it "non-copied" by Quirkz · · Score: 1

      Good point. This often gets overlooked in slashdot discussions about copyright, which tend to focus on how copyright affects the average consumer, rather than the components that provide protections against commercial competitors.

    238. Re:Misleading to call it "non-copied" by reub2000 · · Score: 1

      Well that's bargaining. If the first person you talk to wants to charge too much, then you find somebody else to do it cheaper. Sort of like how Westinghouse had to create their own lightbulb when Edison wouldn't license his for the Colombian Exposition. But I do not see the 2 photographs as being similar. The subject matter in the 2 photographs is very different. The first one emphasizes the Thames and a bridge over it. In the first one, the viewer is passive, taken to the side, where the second one this is not the case. So different. He appropriated the first photographers style, but so what? Stuff like this only has a chilling effect on creativity.

      Also, I'm calling bullshit on his claim that it took him 80 hours to shoot that. I don't think I've ever spent more than 10 hours on a single shot. This includes scouting out for a location, returning to shoot, processing of film, printing, and processing of paper.

    239. Re:Misleading to call it "non-copied" by spidercoz · · Score: 1

      Some people say Outlaw Star is a ripoff of Cowboy Bebop though.

      Those people are chronologically challenged. Or just idiots.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - Evelyn Beatrice Hall, re Voltaire
    240. Re:Misleading to call it "non-copied" by Quirkz · · Score: 1

      ... so long as they don't copy the exact setting, composition, lighting and processing of somebody else's photographic work.

      Even in that case you can probably get away with it, if you haven't already been to court with that individual over using their original image without their permission.

    241. Re:Misleading to call it "non-copied" by UnknownSoldier · · Score: 1

      > the world Jesus was purportedly born into. Have you seen how highly-observant Jews "haggle" over their mitzvot, and debate them and argue about them looking for essentially loopholes and such?

      Correct -- to expand on your point:

      Notice how he said "ALLl the Law and the Prophets hang on these two commandments. Love God with whole being. Love your neighbor as yourself." Basically, just respect everything.

      The Pharisees were too busy making money off their self-imposed legalism -- it was an exercise in what Paul called the "letter that killeth" while they missed the (spiritual) intent. i.e. They had rules _against_ doing good -- simply because it was a "sabbath" (Jesus asked the Pharisees and experts in the law, âoeIs it lawful to heal on the Sabbath or not?â But they remained silent. So taking hold of the man, he healed him and sent him on his way. Then he asked them, âoeIf one of you has a child[a] or an ox that falls into a well on the Sabbath day, will you not immediately pull it out?â And they had nothing to say. )

      --
      "Any ideology taken to an extreme becomes legalism whose power corrupts"

    242. Re:Misleading to call it "non-copied" by Oligonicella · · Score: 1

      "If you wouldn't do it out of enjoyment, it probably sucks compared to what the guy who did it for himself would do. You should want people to copy your art, if not you are doing it wrong."

      Right. You're what, sixteen?

    243. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      "The defendants are free if they wish to create a red on grey London icon image. They can even have a Routemaster before the Houses of Parliament. As their own evidence shows, these can be depicted in all sorts of different ways. But what they cannot have is a southbound Routemaster on Westminster Bridge before the Houses of Parliament at the same angle as the claimant's work on a greyscale background and a white sky, in circumstances where they have admitted seeing the claimant's work."

      An amazing lack of fact in today's discussion, isn't there?

    244. Re:Misleading to call it "non-copied" by somersault · · Score: 1

      Hmm yep, I had the idea that Outlaw Star was made before Cowboy Bebop, but I saw in a forum earlier today the sentiment I expressed above, and assumed I was mistaken. Should have checked.

      --
      which is totally what she said
    245. Re:Misleading to call it "non-copied" by bobaferret · · Score: 1

      There is always Jury Nullification. Which is essentially what you're speaking of. No Jury has to convict you if they don't want to. Let's say you went back in your Delorian and ran over Hitler on purpose. Then came back and found that they had pictures of you in the act, and proof it was you. etc etc. The state decides to try you for 1st degree murder, of which you are obviously guilty. The jury can simply decide that they don't like the law and that it shouldn't count because of the countless lives you changed/saved. That it's not fair in your case. And away you walk scott free. Most jurors just don't know that they have that kind of power. I think it would apply in this situation. You just have to convince the jury that not knowing about a particular law in this case is reason enough to be acquitted of breaking it.

    246. Re:Misleading to call it "non-copied" by Oligonicella · · Score: 1

      Copyrights were issued by the Queen of England in Elizabethan times. A hundred years? Other licenses for exclusivity were also issued. The concept is hardly new.

    247. Re:Misleading to call it "non-copied" by Oligonicella · · Score: 1

      "IP has NOT encouraged innovation."
      "NONE of the credit for that rests in the hands of IP."
      "Correlation isn't causation."

      And assertion is not fact, regardless of the use of all caps.

    248. Re:Misleading to call it "non-copied" by spire3661 · · Score: 1

      Bah, I knew I shouldnt have used that absolute, i stared at it regretfully after i pressed submit. Thank you for exacerbating it. :/

      --
      Good-bye
    249. Re:Misleading to call it "non-copied" by swalve · · Score: 1

      I have to agree. If these two photographs were completely coincidental, I would think it is a wrong ruling. (IE, the second guy got the idea independently and sold his photo for big $$$, and then the first guy pulls out a snapshot and tries to cash in.) But the second photo was created in an attempt to mimic the first one after negotiations at licensing failed. The second guy wasn't creating his own work, he was copying someone else's. The "it still took a lot of work" argument fails, because it doesn't really matter how much work it takes. Intent is the only thing that matters.

      I also think this would have failed had the original been simply a true-life photograph (or recording) of the same scene. But the post-processing makes the original a unique creation. Had the second guy instead made the background out of focus, or even just less saturated rather than completely black and white, or with clouds in the sky instead of the stark over-exposed whiteness, I think it also would have failed.

      Perhaps copyright shouldn't be this particular, but it currently is whether we like it or not, and this seems like a correct application of the law.

    250. Re:Misleading to call it "non-copied" by Oligonicella · · Score: 1

      Someone else without a dictionary, I see.

      piracy
      1. practice of a pirate; robbery or illegal violence at sea.
      2. the unauthorized reproduction or use of a copyrighted book, recording, television program, patented invention, trademarked product, etc.: The record industry is beset with piracy.
      3. Also called stream capture. Geol. diversion of the upper part of one stream by the headward growth of another.

      You are incorrect.

    251. Re:Misleading to call it "non-copied" by SplashMyBandit · · Score: 1

      For it to be akin the second photographer would have had to observed the first photographer. Otherwise, they have just *independently* produced a compatible *interface*. This is why the ruling is so bad - it is taking copyrights into the same realm as patents. With this ruling you cannot *independently* produce something similar but slightly different. I hope this is overturned on appeal - usually the Privy Council has its head screwed on about these things.

    252. Re:Misleading to call it "non-copied" by residieu · · Score: 1

      This isn't twitter. you can use full URLs. Skip the url-shortening services when they're not needed.

    253. Re:Misleading to call it "non-copied" by MillerHighLife21 · · Score: 1

      It seems like this could get pretty broad. Is Photoshop a derivative work of MS Paint? Is Pixelmator or GIMP a derivative work of Photoshop? Is Open Office a derivative work of MS Office? Is MS Office a derivative work of Lotus Notes?

      --
      "Don't teach a man to fish, feed yourself. He's a grown man. Fishing's not that hard." - Ron Swanson
    254. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      What I really hate about C++ is, it borrows money for the crack and then won't share. Jerk.

    255. Re:Misleading to call it "non-copied" by cfulmer · · Score: 1

      So, first of all, this is more than a straight photograph -- it's clearly undergone a lot of post-processing. Secondly, the "photos are barely copyrightable at all" line was rejected about 100 years ago, not long after photography first came into being. The photographer makes a lot of creative choices -- the camera settings, lens choices, the angle of the camera, time of day, subject matter, any posing of the subject matter, etc.... All those are "creative expression," which is what the copyright act is intended to protect. Of course, there are certainly some photos which don't warrant copyright because all of those things are completely determine by the application -- video from security cameras is a great example. Snoopy is subject to both copyright and trademark. But, those two bodies of law protect different things.

    256. Re:Misleading to call it "non-copied" by shaitand · · Score: 1

      I'm prepared to support my assertions. Are you prepared to dispute them?

      "regardless of the use of all caps."

      I used selective caps LIKE this. THIS IS ALL CAPS. Note how one has some caps to highlight specific key words and the other is ALL caps.

    257. Re:Misleading to call it "non-copied" by swalve · · Score: 1

      The thing is that it isn't just similar, but that it is an attempt to recreate someone else's work. EVERYTHING is the same, except for the angle, which appears to have been an attempt to do an end-run technicality around the original guy's copyright.

      As for the public building thing, I think that rule depends on what the subject of the photograph is. "Here is my photo of the Chrysler Building" is a lot different from "here is my photo of grandma in NYC in front of the Chrysler building" or "here is my photo of the skyline as I saw it from my balcony" or even "here is my photo of lightning striking the Chrysler Building". The difference is, what is the subject of the work, and where does the value of the work come from? In the first one, the value comes from the fact that it is their building. The rest are other things that their building is ancillary to. Preventing someone from deriving value from someone else's creation is what copyright is for.

      Also, there is a big difference between "taking a photo" and "taking a photo and using it to make money."

    258. Re:Misleading to call it "non-copied" by shaitand · · Score: 1

      P.S. For anyone who isn't watching closely enough I've asserted only the negative, IP is not the cause of increased innovation, which is the logical default. The burden of proof is upon those who claim the positive, that IP is the cause of the increased innovation. So far the only support for the positive offered is correlation which doesn't establish that one is the cause of the other. The correlation isn't even a good one, the technology was already advancing at an exponential rate that can be clearly seen as starting in the renaissance which is well before copyright.

    259. Re:Misleading to call it "non-copied" by bzipitidoo · · Score: 1

      And you might want to consider progress per population rather than years. I expect technological advance is more even when based on "man hours".

      There are all kinds of other factors you have not mentioned in your simplistic correlation. Why did Europeans from 1500 onwards advance past the rest of the world? One idea is plurality. Because Europe was politically fragmented, no one political entity could retard growth and advancement, as seems such entities are wont to do. And IP laws? Probably not.

      In fact, IP laws worked against progress. IP laws are exactly the sort of tool that monolithic political entities use to maintain a status quo. The church was an early promoter of IP law, in order to maintain a monopoly on the Bible. They were very anxious to stamp out heresies, and one way heresies could arise was through the distribution of poor translations. They were slow to produce translations themselves, preferring instead that people learn Latin. Does that sound familiar, just like the RIAA's slowness to sell mp3s rather than CDs? The church cut deals with printer's guilds, so that no one could buy their services to print Bibles without church authorization. They even burned a few people at the stake for writing and printing unauthorized translations of the Bible. But that was too much for the public, and the church was forced to back off. The modern equivalent of a burning would seem to be an agonizingly long trial ending in a judgment of millions in damages for allegedly sharing as few as 24 songs online. It is rather ironic that today the Bible is often held up as an example of a work that should not be protected by copyright because 1) it is definitely too old, and 2) it belongs to everyone.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    260. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      Actually the other driver doesn't get screwed in the red light case. Criminal guilt and civil liability are entirely separate issues. The outcome is that your insurance has to pay because you caused the accident but you don't also get a massive fine and/or jail time. And yes, you DID know insurance was legally required because you were made aware of that when you got your license and again when you registered your vehicle. And you DID know you had to register your vehicle because the cop that pulled you over last month informed you of that requirement (then issued a written warning to that effect for the record). For that matter, you had to know that you were required to stop in order to pass the driver's test in the first place.

      If ignorance of the law is to be no excuse, then ethically, the body of law must be constrained to be small enough for a person to know all of it. Otherwise the law and police become indistinguishable from predators. and the collectively rational course of action for a neighborhood watch is to shoot them on sight.

    261. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      You can't copy, without permission. you might not incur fines, but that's only true if the copyright is not registered. If the copyright is registered, then simply making copies incurs fines.

    262. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      If we create sufficient economic friction, it amounts to the same thing. We even see that now with works that might or might not be under copyright and where the copyright holder is nowhere to be found (if there is one). Those works might as well be erased from history at this point.

      I propped up a leg on a wobbly table with a matchbook first, pay me! Hey, I hit someone up for cash for having the same trivial idea as me first, pay up! I uttered the phrase pay up before you ever did, so pay up. The logical conclusion is that we all starve to death as all productive activity comes to a halt while we try to figure out who is owed what..

    263. Re:Misleading to call it "non-copied" by AnonyMouseCowWard · · Score: 1

      Copyright is about the expression of an idea, not an idea.

      A dog that talks, lives with humans and has adventures with them is an idea. If you create a comic book based on that idea, you are not violating copyright.

      You would be violating copyright if your dog happens to look like Snoopy, has adventures involving baseball and a yellow bird as friend, because then you're deviating from the idea to simply copy someone else's expression of it.

    264. Re:Misleading to call it "non-copied" by repapetilto · · Score: 1

      No, but I make art as a hobby. Also, all my friends who went to art school end up hating it and doing something else.

    265. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      If I wanted to create a movie about dinosaurs that was filmed on-site at the same locations as Jurassic Park, I damn well would be allowed to do so. No, I can't copy the music or the name or the logo, but I can shoot the same scenery and apply the same post-production work to the film.

      What if i called it Dinosaurs Take Over Hawaii and use the exact same filming locations as JP?

    266. Re:Misleading to call it "non-copied" by repapetilto · · Score: 1

      I never said everything should be shared freely. I just said his argument is crappy. Just because something takes alot of effort doesn't mean it is valuable to society. Many artists are intrinsically motivated to do their thing, I don't see why anyone would want to corporatize art.

    267. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      Generally fan art is derivative and not to mention a trademark violation. That hasn't changed recently nor would I expect it to any time soon. Anybody creating such works really ought to have an attorney on retainer as it's generally a matter of time before one is going to get a cease and desist letter.

      The first two sentences I agree with, but not the third. There are a lot of rightsholders who have realised that fan art doesn't hurt them and increases the popularity of their products, so they tolerate it, as long as it's non-commercial.

      For example, J.K. Rowling has publicly given her blessing to Harry Potter fan fiction, as long as it's not commercial or obscene.

      Most commercial franchises, such as comic book publishers and TV producers, tend to tolerate non-commercial fan fiction, without giving explicit permission to it, presumably so they have the option of taking it down if the need should arise.

      Head over to fanfiction.net, and you'll see that the list of rightsholders who have asked for works to be taken down is very short, even though the site contains thousands of stories with characters from novels, comic books, TV series and computer games.

      In short, it seems risk-free for a private person to put up fan fiction on the Internet. In practice the worst that can happen is that the rightsholder asks for the work to be taken down, and I'd hate for anyone to be discouraged because they think they risk getting sued.

    268. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Nope, copyright applies even for nonprofit.
      Well, depends on which country. Here it does.

    269. Re:Misleading to call it "non-copied" by gr8_phk · · Score: 3, Informative

      Also, there is a big difference between "taking a photo" and "taking a photo and using it to make money."

      No, no there is not. Can you take photos of the pages of a book if you're not going to sell them? No. Buildings are not copyrightable in the US. In Canada, I was going to take a picture of my wife in front of a fountain inside casino windsor and was asked to put the camera away due to copyright. You really seem to be in with the copyright lobby. Let me just ask a simple question:

      Is is OK to go to London (stupid American, I think that's where the photo in the article is from), stand by those stairs (or even the side of the road - the shots are from very different angles and with different lens), set my camera to "black and white -except red" and take a picture of a bus?

      And now some extra questions:
      Can I sell it? Can I get a large print and hang it on my wall? Can I set the camera to yellow and wait for a taxi? In new york? Where exactly IS the line that this guy is supposed to have crossed?

    270. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      It's not misleading in the slightest to call it non-copied for the simple reason that it was not a copy, and that the copyright monopoly only covers direct copies, nothing else.

      The copyright monopoly also covers derivative works. Both Swedish and American copyright laws treat derivative works as separate cases from copies.

      I agree with you on the main issue, though - I don't see why the original picture needs protection from someone creating a similar-looking picture.

      Yes, they used similar inspiration and similar techniques. But that is specifically not covered by the copyright monopoly, which has always been about protecting a specific expression of a creative idea, and never the idea itself.

      For more, see this article on Falkvinge on Infopolicy.

    271. Re:Misleading to call it "non-copied" by hrimhari · · Score: 1

      "The defendants are free if they wish to create a red on grey London icon image. They can even have a Routemaster before the Houses of Parliament. As their own evidence shows, these can be depicted in all sorts of different ways. But what they cannot have is a southbound Routemaster on Westminster Bridge before the Houses of Parliament at the same angle as the claimant's work on a greyscale background and a white sky, in circumstances where they have admitted seeing the claimant's work."

      An amazing lack of fact in today's discussion, isn't there?

      So, what are you implying?

      That the defendants are innocent? (If not, are these the wrong pictures? Source: the article referenced by the article referenced by this /. article)

      That it's possible to establish the line between infringement and non infringement by considering the direction the bus is going and the angle from where the picture was taken?

      That the judge was stoned?

      Or that all the process is perfectly correct and people should now fear copyright infringement every time they hope to publish a neat picture?

      --
      http://dilbert.com/2010-12-13
    272. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      Sorry, I accidentally left some of the quoted text outside quote tags in the post above. Just disregard the last two paragraphs.

    273. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      Copyright protects a specific expression of an idea. In the case of a photograph, the expression is the photograph itself. In the case of computer programs, the expression is the code (not the functionality or looks of the program).

      Creating a photograph that looks similar, is analogous to creating similar code.

    274. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      You're quite eloquent and well-prepared. Not bad to write such a long answer the exact minute the story was posted.

    275. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      Then it's a good thing that artists give away their work for free, and spending money on patronage or merchandise is optional.

    276. Re:Misleading to call it "non-copied" by kenboldt · · Score: 2

      I find it hilarious that your generic Google image search managed to support your point so unbelievably well. The second result that I saw was this photograph, which is of a "London Bus photographed in the mid 1990's in north east London, highlighted in full color reproduction against a black and white background"
      http://www.zazzle.com/london_bus_spot_colour_on_black_white_background_card-137838509666484240

      It just makes this ruling by the judge absolutely insane.

      Quick, give me a copyright on "a photograph of a person's face where they are the central subject and both the foreground and background are out of focus"
      JACKPOT!

    277. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Then they should have gone after the royalties from the use of the "original". Just because they decided to circumvent this doesn't justify setting such a chilling precedent.

    278. Re:Misleading to call it "non-copied" by mcgrew · · Score: 1

      Apparently you can in Britain. It's wrong in my view, but apparently that's how it is there.

    279. Re:Misleading to call it "non-copied" by orgelspieler · · Score: 1

      First of all, the idea of prior art does not come into play with copyright. The important thing here is that the defendant knew the image and specifically set out to replicate certain aspects of it. Whether those aspects can be seen in a photo from 1979 or not is completely beside the point. The judge wasn't saying Mr. Fielder was the first to come up with the idea. He was saying that Houghton's photo was a derivative of Fielder's.

      The image is clearly not a copy: the field of view, vantage point, lens, foreground, and most importantly composition are all different. This is so different from the original that I would not have ever guessed one was derived from the other. Furthermore, if I were to buy a print of one of those two photos, I would choose the one on the tea. The "original" one is crap. Even if Houghton's is a derivative, Fielder shouldn't be able to sue for any damages because the value of his image in just about nil.

      What I don't understand is how people like Roy Lichtenstein were somehow "artists" while this guy is somehow an "infringer." Lichtenstein replicated complete panels of comics, and was lauded as some kind of visionary.

    280. Re:Misleading to call it "non-copied" by DarKnyht · · Score: 3, Informative

      And to further that line of thought, the issue was that the second person was using the first person's photo without paying copyright. When he was sued, he went out and produced a photo as close to the original as possible to avoid paying licensing fees. So the intent has a lot to do with the ruling.

      --
      Voting them all out of office, now that's change I can believe in.
    281. Re:Misleading to call it "non-copied" by trimpnick · · Score: 1

      but ignorance of the law is simply a lame excuse, no matter how complex the law gets.

      These are my laws, you must follow them or be found guilty:
      fhlkadbnfvadskbn;aedkljnmb;dn;eotinmtglnmd`g`gn dgfgdfgdfgdf p;djklnbflkjbfd;s hth
      ldfkgndf;bngfb;nmgfmbgfb klahjblkjfdbnvlkjdfbiurrhg dfguhdfgkhdfg dfoghodfhdpgh drfghidbvididf bpodfghbdf gpbh
      dkfjghvldkfhbvdhg rgphg erghdfghdfghr g rghdrpghdrugh rgh7g rghre gerhge gehgeadrag rhg grepg

      Since you can't ignore them, no matter how complex they are, I already find you guilty of infringing them. Extreme exemple, maybe, but nonetheless, almost as clear as some real laws....

    282. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      Strawman argument. You can copy an artwork, you just can't make a profit from copying if the original is still in copyright without the owners permission.

      Only in private. If an art school used copyrighted pictures for their students to copy as practice, they'd quickly get a reminder from the copyright holder. Copyright law generally permits personal use, but not use by non-commercial organisations such as churches or the Girl Scouts.

    283. Re:Misleading to call it "non-copied" by Forbman · · Score: 1

      ...and then the point of being a lawyer becomes arguing that the law doesn't actually apply to your defendant, or does apply to the entity you're suing despite what its attorney is arguing.

    284. Re:Misleading to call it "non-copied" by Darinbob · · Score: 1

      You can make the derivative work, you just can't sell it.

    285. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      Cover songs are, and have long been, covered by copyright law. Recording a cover song requires a mechanical license. The judge in this case seems to be extending that concept to the world of photography.

      A cover song is different, because the elements you take from the original work - the melody and lyrics - were created by the copyright holder. In the case of this photograph, the parts they took from the original photograph were the images of Big Ben and a London bus, which were not created by the copyright holder.

      It seems to me that what the second artist "copied", was merely the idea of making a picture of those objects from that angle in that style.

    286. Re:Misleading to call it "non-copied" by mcgrew · · Score: 1

      A couple more examples: George Harrison was sued because "My Sweet Lord" uses the same chords as "She's So Fine" and has a similar melody. ZZ Top was sued by Howlin Wolf for the "Ah how how how" in "La Grange".

      It should not be like this. I agree with Pete Seeger, who I would quote if wikipedia hadn't excised the quote (and google fails me), but it went something like "this is our'n music. You can sing it, play it, hum it, we don't care what you do with it."

      Wikipedia also excised the photo of him with the guitar with the bumper sticker that read "this machine kills facists".

      You say "This has been the case for years", but not that damned many years, and years really aren't that long. See the other response to your comment, it's insightful.

      The old blues legends like BB King and John Lee Hooker freely took from other artists, and didn't give a damn if you took from them. In fact, he could have easily sued Jesse Stone (Charles E. Calhoun) for "Shake, Rattle and Roll" in the fifties because it was nearly identical to his "Shake, Holler and Run" from fifteen years earlier.

    287. Re:Misleading to call it "non-copied" by steelfood · · Score: 1

      That may have been the definition of copyright infringement yesterday, but in case you haven't noticed, what constitutes as copyright infringement has changed recently.

      Oh, and it's not profit either: the word you're looking for is revenue. You can't sell copies of the copyrighted work, period. Now, you can't even make them without infringing on the copyright, much less distribute them, much less distribute them for money.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    288. Re:Misleading to call it "non-copied" by IrrepressibleMonkey · · Score: 1

      But the defendant's intention shouldn't make any difference. It should be obvious *from the photographs themselves* that they're derived from each other.

      IANAL, but I did read the Judge's summary. His interpretation of the law differs from yours. Don't know how much training you've had in UK law, but for now I'm going to assume that he has a better grasp than you. No offence intended.

    289. Re:Misleading to call it "non-copied" by Rary · · Score: 1

      Well, you could argue that the melody and lyrics are just notes and words, which were not created by the copyright holder. They were merely arranged into that particular song. Similarly, the photographer didn't create the buildings and bus, but arranged them into that particular image.

      The "thing" that copyright is protecting in both cases is an artistic impression. In the case of the song, the artist recording the cover might even change a few lines or play it in a different key or at a different tempo, but it is aesthetically recognizable as being a copy of another work of art. Similarly, the photograph probably used a different, although similar-looking, bus, but it is aesthetically recognizable as being a copy of another work of art.

      This is the thing with a lot of art. The physical manifestation is not as important as the aesthetic impression, and that is what's being copied in the case of a cover song, and also a "cover photograph", if I can call it that.

      --

      "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

    290. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      In composition the 'original' seems derived from a photo taken a century ago:

      http://www.images-of-london.co.uk/jss/product.php?xProd=27&jssCart=d010ab23d84837e0cd0a8b056e12e4a2

    291. Re:Misleading to call it "non-copied" by TheLink · · Score: 1

      color monochrome background works too. Hope the judge's ruling gets smacked down in some higher court.

      Even if you don't live in the UK, the ruling can still affect other countries: http://en.wikipedia.org/wiki/Persuasive_precedent

      This might also put an end to "homage shots" in the film industry: http://tvtropes.org/pmwiki/pmwiki.php/Main/HomageShot

      A weak flame sputters and shrinks from lighting other wicks. A strong flame spreads light and warmth without hesitation or waning.

      --
    292. Re:Misleading to call it "non-copied" by mcgrew · · Score: 1

      You might also want to consider the amount of technological progress that has taken place over the last 100 years and compare it to the last 100,000 years

      I'd say the invention of the wheel, the hammer, the tong, taming fire, the airplane, the internal combustion engine, agriculture, use of animals, boats, clothing, cooking, the arrow, the spear, the firearm, explosives, mathematics, telephones, electrical generators, and (the list goes on and on) far overshadow the computer, TV, VCRs, and the internet, none of which would be possible if it wasn't for all the progress done in the previous 100,000 years.

      Copyright and patent have encouraged technological and artistic innovation, but the VERY recent idea of "intellectual property" (less than 20 years old) is a huge step backwards and has not fostered progress of any kind.

    293. Re:Misleading to call it "non-copied" by CimmerianX · · Score: 1

      There was an episode of Fairly OddParents where Timmy is dreaming and he pictures himself as 'spiderman' but with 4 arms and slightly different logo. Is it spiderman? Well not exactly, but its the same style and obviously ment to look and be spiderman, just with minor differences to avoid paying license fees.

      Would that now be considered infringement too?

    294. Re:Misleading to call it "non-copied" by Coren22 · · Score: 1

      Copyright is BS. Just as Microsoft or Google do not deserve to have a monopoly over OSes and search engines

      Are you sure you don't mean patents there? Copyright is what prevents you from making copies of Windows 7 disks and selling them to all your friends.

      --
      APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
    295. Re:Misleading to call it "non-copied" by matthewv789 · · Score: 1

      I don't agree that you example is (or at least should be) a derivative work, but it might constitute trademark infringement if the similarity is confusing enough.

      I also don't agree that the "replicated" photograph from the original article should be considered a derivative work. If a complicated process was required to reproduce a photo, the second photographer would need to be quite experienced to figure out what that process was and replicate it - and it would take some effort to do so (having the equipment, going to the location, setting up the shot, doing all the processing and manipulations, etc.). It's not like they just copied the original photo, skipping all that knowledge and effort.

      If the first photographer didn't get a patent on the process it took to make the photo, then it should be fair game for others to try to replicate it; if the original photographer publicized instructions for how it was done (allowing people to easily replicate it without figuring it out for themselves), then it should be fair game to follow those instructions; they'd still need to have the equipment and put in the effort to do so.

      Being thematically similar enough to be confused with the original should not be protected by copyright; that's a job for trademarks, and if the original photographer didn't take out a trademark on it, then it should have no protection in that area.

      Copyright is meant to prevent verbatim (in whole or in substantial part) lifting of work someone else already did. It is neither meant to prevent other works inspired by or paraphrasing the original, nor to prevent confusion between similar works (that's what trademarks are for), nor to stop someone from using a similar process in creating another work (that's what patents are for).

      Rather than being offended and trying to claim copyright infringement, the original photographer should be flattered that their work was inspiring enough to be mimicked, which in the process will probably draw more attention to it, increasing the photographer's fame and income.

    296. Re:Misleading to call it "non-copied" by Dastardly · · Score: 1

      A long time ago I heard about an infringement case that said something like 4 notes was a copyrightable melody. I then heard some one calculated how many unique combinations that you can get with 4 notes including various timings of the notes and what not. It was fairly small like 100,000 combinations. The thing I always thought about that is that there is 100s if not 1000s of years of public domain music. Wouldn't that make the easiest defense to such an infringement case that you actually copied a public domain work? Even better if you can find the work.

      Plaintiff: You copied these 4 notes from my defendant.
      Defendant: No. Both your defendant and I copied those notes from this Beethoven symphony which is public domain.
      <play 4 notes from symphony>
      Judge: Case dismissed.

      The real challenge would be to not identify a specific work, but convince a judge mathematically and historically that the melody in question must be public domain.

    297. Re:Misleading to call it "non-copied" by Dastardly · · Score: 1

      Depends on how many sounds. Music has been around for thousands of years, there a only a relatively few distinguishable notes. So, all sequences of notes shorter than a certain length must have been copied from the public domain.

    298. Re:Misleading to call it "non-copied" by Coren22 · · Score: 1

      Two movies about bugs running around too. That one kinda made me laugh (Bug's Life/Ants)

      --
      APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
    299. Re:Misleading to call it "non-copied" by Epimer · · Score: 1

      Two works from a common source material cannot infringe each other because one *was not a copy of the other*.

      Quite fittingly given the topic, Krisarts v Briarfine was a case concerning painted postcards of views of the Houses of Parliament and other London landmarks. Both artists' final works looked for similar; but there was no copyright infringement because they merely worked from common source material. This is directly comparable to your situation.

    300. Re:Misleading to call it "non-copied" by mcgrew · · Score: 1

      Actually it's a bit over 300 years old, the earliest copyright law that comes to mind is the British Statute of Anne 1709.

      Copyright is over 300 years old, but the concept of "intellectual property" isn't even past puberty. Before the Bono Act (and according to the US Constitution) you do NOT own intellectual "property", you have a limited-time monopoly on it. This "property" belongs to everyone, or at least it did before 1998.

      If things keep going the way they have, Mark Twain's heirs will be getting royalties from Huckleberry Finn.

    301. Re:Misleading to call it "non-copied" by Epimer · · Score: 1

      I erred, that should read "substantial part".

    302. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      > Just because the medium requires a click at the end does not suggest that any less work went into the photo than a comparable painting.

      That's the most moronic thing I've ever seen written on Slashdot. And I've been lurking here for years.

    303. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Agreed. I suspect that if the people hadn't been able to stick a witness on the stand who could say that the other one was trying to buy their photo this would have gone the other way.

      This is just a business trying a fast one on another business, and courts deal with that all the time.

    304. Re:Misleading to call it "non-copied" by ChrisMaple · · Score: 1

      If I were the first person in the world to build something with bricks, I would be eligible to get a patent on brick buildings.

      I think the decision is bad. The images are substantially different, and there's nothing new about having a single colored object in a B&W photo. Making a quality image of this sort is quite easy. FWIW, I think the original is superior due to better composition.

      --
      Contribute to civilization: ari.aynrand.org/donate
    305. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      The episode near the beginning of the first Star Wars episode, where Luke comes home to find his adopted parents' house burning, is lifted right out of the western "The Searchers." I mean almost an exact copy. Plus the entire plot of that first Star Wars film was lifted almost exactly from Kurosawa's "The Hidden Fortress."

      Replacing Comanches with Storm Troopers, or samurai with spacemen... that's less of a change than we saw in those two photos.

      So how come Star Wars isn't a violation, but the Lucas organization can run around suing anybody who even faintly mimics their rip-off?

    306. Re:Misleading to call it "non-copied" by steelfood · · Score: 1

      I advocate bringing back the deprecated civil trial methods, starting with dueling. How much could words matter when it's actions that determine the outcome.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    307. Re:Misleading to call it "non-copied" by ChrisMaple · · Score: 2

      If you want to claim that the composition and post-processing of a photograph are copyrightable that's very close to putting yourself out of business since someone else developed those methods and you learned from them.

      Learning something in class, particularly things that have been known for decades or are explicitly public domain or are obviously not subject to legal restrictions, cannot reasonably be considered things you can't do in plying your trade. That's probably the main reason you took the class, to learn the techniques. The same applies more obviously to things you figure out on your own. However, a unique postprocessing technique, new, inventive, and sufficiently complex, producing a wholly unprecedented visual experience, should be able to claim some small protection for a short time. The photo in the article doesn't qualify.

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    308. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      That's Disney's general M.O. for self produced movies.

      Mortally Obese?

    309. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      if any of us been in the situation of the plaintiff we'd be utterly convinced that we'd been ripped off in the most shoddy, tawdry fashion

      Well, obviously.

      As would any photographer who contracted for a photo's use and was then told "we like the photo, but we don't like the price. since we have photographers who will take pictures more cheaply than you, hows about we take our own very similar photo and tell you to go pound rocks".

      That's part of the danger of profiting from creativity. You have to find some way of being paid for your creativity before it's possible for them to say "yeah, our other guy can do the same thing as you for less money".

      tl;dr: cry me a River Thames, build yourself a Westminster Bridge, and get your big red bus over it.

    310. Re:Misleading to call it "non-copied" by steelfood · · Score: 1

      Wrong. Defendent is still liable for copyright infringement, but not for producing a new photograph. Defendent is liable for the damages from having previously used the other copyrighted photograph without permission.

      To say that the new photograph somehow infringes on the old photograph is utter crap.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    311. Re:Misleading to call it "non-copied" by Relic+of+the+Future · · Score: 1
      (Note: interpretation based mostly on US law; UK is similar but not identical. If there's something I've got specifically wrong because of that, please let me know.)

      If they guy made a reproduction of the original, and tried to sell it AS the original, that's counterfeiting; that's illegal. He didn't; he was clearly inspired by the original, but that's not illegal, THAT'S ART.

      If there were some patented process that the original author used to create the work, and this guy used that without permission, that's patent infringement; that's illegal. But you can't patent a series of photoshop steps.

      The first guy took a picture, and applied a bunch of filters to it. The second guy took a picture--a notably different one, so obviously no copyright issue--and applied a bunch of filters to it, something which SHOULD have nothing to do with copyright, and yet this judge decided it did.

      No, no, no.

      Maybe, MAYBE, the original artist could claim that set of filters is his trademark, in which case he'd need to show that potential customers could be confused by the second photographers usage of it. But they did not even try to show that.

      --
      Those who fail to understand communication protocols, are doomed to repeat them over port 80.
    312. Re:Misleading to call it "non-copied" by Keychain · · Score: 1

      Not to rain on your anti-IP parade (im not terribly pro-IP, at least not in their current state, but i do like argument based in fact and not around fantasy), but if you study European history a bit, you'll find that copyright and patent effectively ended the guild system (think organized mob that would disallow anyone not affiliated to use their idea). So yes patent and copyright aren't exactly old idea, but they certainly didn't replace free information exchange. (fun fact : guilds were called corporations in france, draw parallel, etc., etc.)

    313. Re:Misleading to call it "non-copied" by jmcvetta · · Score: 1

      he copied the place, composition, color schema, subject matter

      No, he didn't copy any of these - he imitated them. The two pictures are clearly not identical copies, and neither one of them has what I would subjectively call originality or artistic merit.

      does Rolex have the right to stop vendors selling genuine Romex watches?

      Can't say I'm familiar with the Romex brand per se. If it is just a good imitation - it looks pretty much like a Rolex, but is not sold so as to fool people into thinking they have actually bought a Rolex - then sure, good for them making a cheaper alternative to an expensive toy. Otoh if Romex markets their watches in such a way that a reasonable person would believe he was buying a Rolex, when in fact he got a Romex, then they are committing fraud.

      Afaik the defendant in this case was not selling copies of his photograph under the pretense they were the work of the plaintiff. He was rather using his own photograph for his own business purposes.

      i'm a musician and am about to sink a couple of grand into getting my album recorded,

      Do you really think it's wise to invest your hard-earned money into a moribund, socially regressive business model?

      do you think someone ought to be able to change a couple of words in the chorus of one of my songs and call it his own?

      Absolutely! Now if he recorded his own version of the song you wrote, and tried to sell it by misrepresenting it as a recording of you singing, then he would be a fraudster. So long has he identifies it as his own work, good for him.

      You don't get to steal something just because you don't like the price you know,

      Whoa, whoa, whoa... I recall no mention of burglary in TFA. Where's this theft you're talking about? Infringing a monopoly on Idea Property is not even similar to theft, everyone knows that. Now if the defendant had broken into the plaintiff's studio and physically stolen his negatives/disks/etc then this would be an completely different case.

      there are literally thousands of CC and public domain pictures he could have helped himself to but that wasn't good enough, he wanted THAT picture and when he couldn't get it for nothing he just took it, no different than some record company taking my album and sticking a new label on it and selling it.

      Except it's a totally different photograph, that happens to be unoriginal and hackneyed in a similar way to the first photo.

    314. Re:Misleading to call it "non-copied" by ChrisMaple · · Score: 1

      Increasing wealth inequality will leave the lower class with nothing to spend on entertainment.

      Do you stop to think before you post? There are myriad forms of entertainment available to poor persons, and that has been the case back into prehistory when most people were so poor that by today's standards they would be considered to have zero wealth. Modern technology has brought on many more forms of entertainment that can be had extremely cheaply. If you can't afford a deck of cards or a radio, most libraries throw out more books in a year than I can read in a decade. Within 10 miles of where I live there are 20 free music concerts a year, and probably 100 within 25 miles. There are free fireworks displays. The local library has well over 100 "events" a year (mostly preschooler "storytime"), and other libraries are similar. Most towns have recreation departments and maintain parks and organize sports.

      If you can't find almost free entertainment, the problem is not lack of money, it's lack of mind.

      --
      Contribute to civilization: ari.aynrand.org/donate
    315. Re:Misleading to call it "non-copied" by Dog-Cow · · Score: 1

      What does what you write have to do with the topic on hand? Copyright law does not depend on the intent or desire of the creator of a specific piece of art. If photography is an art, it's an art. It doesn't matter whether "society" values it or not. That's completely irrelevant.

    316. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      over 500 years old, the first copyright laws in Europe followed shortly after Gutenberg, Even in the USA copyright laws are 200 years old

    317. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      I don't interpret the Judge's summary that way. For example, he makes very clear that the defendants didn't intend to infringe copyright:

      10. It is quite obvious that in no sense has any photocopying style reproduction taken place. The defendants' work was created from photographs Mr Houghton took himself. It is also quite obvious that the point of the exercise was to avoid infringing. Mr Houghton was clearly trying to avoid infringing. His and his company's case is that the claimant cannot use copyright law in effect to give them a monopoly in a black and white image of the Houses of Parliament with a red bus in it. He clearly knew about the claimant's work when the second image was produced because the whole point of the exercise was to produce a non-infringing image given the complaint about the first image the defendants had used.

      You're right that it makes a difference whether the photographs were independently created (according to UK law), but that's a matter of knowing about the original work, not a matter of intent.

      I also think it's a bad practice. The purpose of copyright is to encourage publication of works, the assumption being that publication is discouraged if someone else can come along and compete by publishing the same, or essentially the same, work. The discouraging effect on the first artist is the same, whether the second artist created his work independently or not, so we have just as much reason to treat the second artist's work as infringing in either case. If we treat independent creation as a valid defence, we also discourage the artist from looking for similar works before he creates his own, so he can claim to not have been influenced by them.

    318. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      I see so you're an expert in art? I've studied photography pretty seriously for years, and I can tell you that all art is derivative. There's nothing new that hasn't been done before. Troll all you want, but most artist I know will admit it.

    319. Re:Misleading to call it "non-copied" by Dog-Cow · · Score: 2

      The judge determined that the purpose of the infringing photo was to recreate the original photo. If the original is copyrighted, the second is a derivative work, by intent, if not through PhotoShop skills.

      Why are so many on slashdot completely unable to realize that Judges are perfectly within their rights to judge intent, as well as mechanical actions taken? The law is not a computer program, no matter that you want it to be.

    320. Re:Misleading to call it "non-copied" by Dog-Cow · · Score: 1

      Where did you get the idea that an idea has been copyrighted? It's very clear, even from the summary, that it is a particular photograph and the compositional elements which comprise the image that are considered to be under copyright.

    321. Re:Misleading to call it "non-copied" by fuzznutz · · Score: 1

      Don't know how much training you've had in UK law, but for now I'm going to assume that he has a better grasp than you. No offence intended.

      I would assert that "training" and education does not prevent someone from being a dumbass and making poor decisions, even in their field of expertise. I would suspect that this judge wanted to punish New English Teas for their (IMHO) reasonable effort to avoid incurring royalties and worked backward to justify the decision he had already established.

      As was pointed out in TFA comments, the "copy" was the more interesting photo anyway. And the artistic elements were not particularly original.

    322. Re:Misleading to call it "non-copied" by jcdill · · Score: 1

      Found it. It's the photo used on the cover of Fatboy Slim's album Halfway Between the Gutter and the Stars, which was found to infringe on Ernst Haas photo Sunset Silhouette.

      Details on the lawsuit here: http://business.highbeam.com/2025/article-1G1-93613520/getty-collects-fatboy-slim-infringement

      --
      "I'd much rather be mistaken as a lesbian by a bigot than be mistaken as a bigot by a lesbian."
    323. Re:Misleading to call it "non-copied" by fuzznutz · · Score: 1

      Do you have a point?

      Are you trying to argue that I may not take my own photograph and use it just because it looks "a lot like the original?" You must be nuts if you think any photographer has innate rights over a theme or a style just because they took a photo. As has been pointed out many times, the subject matter and the post processing were not original. The fact that the photo was taken to "circumvent" paying license fees is absolutely irrelevant. This decision is bad. There are no two ways about it.

    324. Re:Misleading to call it "non-copied" by repapetilto · · Score: 1

      Sorry for not being clearer,,,,
      Scenario: I take a funny photo of a dog and show it to you, then the next day you see the same dog in the same spot and take a similar picture of it doing the same funny thing...
      1) Have you infringed on my copyright under the current law?
      2) Should that be considered infringement?
      How would someone determine the answer to the second question? What is the purpose of copyright law? Once a law is in place how should it be interpreted, does the law remains useful under the interpretation chosen? These are the issues we were discussing.

      To recap, the OP made a normative claim that photo's are "barely copyright-able":

      Apples and oranges. As pointed out below by someone else, photos are barely copyright-able at all, because they're simply a recording of something.

      The next poster claimed that they should be copyright-able due to the amount of work that can go into getting a good photo.(also normative)

      Just because the medium requires a click at the end does not suggest that any less work went into the photo than a comparable painting.

      I enter the discussion to make my (normative) claim that I have doubts that any art should be copyright-able, but at the very the least the argument used by the poster above is faulty.

      You would do it anyway because you enjoy it. If not you, someone like you but retired could probably figure out the same thing. To me, at least, the correct argument is that copycats profiting off your work that you shared freely is bs.

      Someone responded to me, who makes his claim that copyrights are valuable. Another normative claim.

      Just because the US has decided to allow Mickey Fucking Mouse to be copyrighted until the eventual heat death of the universe doesn't mean that the whole idea of copyright is wrong.

      I repeat my response to the photographers claim that hard work meant that photos should be protected by copyright, and again question the usefulness of copyright law.

      Just because something takes alot of effort doesn't mean it is valuable to society. Many artists are intrinsically motivated to do their thing, I don't see why anyone would want to corporatize art.

      Then you ask:

      What does what you write have to do with the topic on hand? Copyright law does not depend on the intent or desire of the creator of a specific piece of art. If photography is an art, it's an art. It doesn't matter whether "society" values it or not. That's completely irrelevant.

      You are the only one in this thread talking about legal technicalities (my question #1, above), the rest of us were discussing question #2, so it is actually your post that is irrelevant here. Still I would welcome any insight regarding the legal technicalities here.

    325. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Copyright does not protect the work that you did. The work that you did is a process, and processes are patentable, not copyrightable.

      Copyright protects the result of your work. It does not protect you from having someone else use your (obvious) process and getting a very similar result.

    326. Re:Misleading to call it "non-copied" by Ihmhi · · Score: 1

      I understand what you're saying, but I also want to expand on what I said a bit and make sure that you (and others) will have a clear understanding of it.

      The original patronage system basically broke down to "a rich dude or organization pays you because they want this art or they have an appreciation for it." The "art" could have been music, poetry, pictures, etc.

      I'm saying that nowadays we are essentially in a similar system. (Ironically, it's probably an even more capitalistic system than what we currently have with the MAFIAA.) The difference is that thanks to the Internet, you don't need a papal sugar daddy to pay the bills. You can (easily) distribute your stuff to nearly anyone in the world and they can pay you for it. That is a very, very significant market change, and it's only really in the last 10 years that this has become a feasible living.

    327. Re:Misleading to call it "non-copied" by HapSlappy_2222 · · Score: 1

      Agreed. Still, just because the specific case was well reasoned and the judge correctly arrived at the "hey, that guy IS a fucktard, good call." decision correctly, does NOT mean that the precedent isn't terrible.

    328. Re:Misleading to call it "non-copied" by Ihmhi · · Score: 1

      I suppose busker might be more accurate, although traditionally it's only really been street musicians and performers that are buskers. You'd have a hard time gathering a large crowd by painting a landscape.

      Regarding buskers, here's a hilarious law from my home city (tl;dr after the quote box):

      CHAPTER 6 STREET MUSICIANS

      5:6-1. HAND ORGAN PLAYER LICENSE; FEE; TERM OF LICENSE.

              a. No person shall play upon or use for the purpose of making music any instrument called or commonly known as a "hand organ" on the streets in this City without having first procured a license from the Director of the Department of Finance and/or his designee. All such licensees shall be called "organ grinders" and licensed as such.

              b. The annual fee for such license shall be ten dollars and fifty ($10.50) cents. The fee shall be payable upon the presentation of the application and shall be returned, less the sum of two ($2.00) dollars in the event such license is not granted. All licenses issued, and renewals thereof, under this chapter shall be for a period of one (1) year from the date of issuance. The Division of Tax Abatements/Special Taxes shall establish administrative rules and/or regulations pertaining to scheduling for the issuance of an organ grinder's license.

      (R.O. 1966; R.O. 1966 C.S. 5:6-1)

      5:6-2. USE OF CHILDREN TO COLLECT MONEY PROHIBITED.

              No person playing a hand organ or any other musical instrument shall employ or use for the purpose of collecting or soliciting money for such playing, any female child under the age of eighteen (18) years, or any male child under the age of fourteen (14) years. (R.O. 1966 5:6-2)

      5:6-3. PROHIBITED ACTIVITIES.

              No person or any member of a band of musicians, using either string or wind instruments, shall go in or on any street or public place or from house to house to play the instruments and solicit or receive any contribution of money or anything whatsoever from any person for so playing; provided, that nothing in this section shall apply to any licensed organ grinder licensed under Section 5:6-1. (R.O. 1966 5:6-3)

      CROSS REFERENCE: For ordinance prohibiting certain annoyances by musical instruments, see Chapter 3 of Title XX, Offenses, of these Revised General Ordinances.

      5:6-4. PENALTY.

              Any person who violates any provision of this chapter shall, upon conviction thereof, be punished by a fine not exceeding five hundred ($500.00) dollars or by imprisonment for a term not exceeding ninety (90) days, or both. A separate offense shall be deemed committed on each day during or on which a violation occurs or continues. (R.O. 1966 5:6-4)

      Organ grinder? Legal in the biggest city in NJ if you get a license. Street guitarist? 100% illegal and no way to get a license. No wonder we're broke.(You can view the law here.)

    329. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Thanks for the clarification - appreciated.

    330. Re:Misleading to call it "non-copied" by alonsoac · · Score: 1

      how would you prove you did not see something? Wouldn't the prosecutor have the burden to prove that you did?

    331. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      So what you're saying is ... if he had used the new photo first without using the old one (he should have licensed) then this wouldn't have been copyright infringement?
      His accountability is determined by his history?

    332. Re:Misleading to call it "non-copied" by alonsoac · · Score: 1

      also.. it is difficult to remember if one saw somthing, I see a hundred photos in facebook every week, sometimes at work sometimes drunk at home, sometimes I see an album again because I don't remember seeing it before but then one photo in the album which I do remember makes aware I had seen them all before.

    333. Re:Misleading to call it "non-copied" by SplashMyBandit · · Score: 1

      Interesting. But creating *similar* code *is* permitted if you didn't copy any part of the existing code. Moving back to photographs you would have to say the second photographer certainly copied the idea of the first photographer without actually copying the image itself. That is, *none* of the actual first image was using in creating the second - only the idea was used. It is prevention of *copying* that is protected by copyright, not the protection of (non-obvious) ideas, which is covered by patents. The judge here has leapt from saying copyright covers the copying of the expression of an idea (that is, copying any portion of the first photograph) to prevent copying of the idea - an independently created second photograph that uses no (physical/digital etc) portion of the first photograph, only a similar (not same, the shots differ) idea. This is why the ruling is actually a selective interpretation of the copyright law, at odds with the original intent of copyright. But then, it is a legal system, not a justice system.

      In the case of code, looking at the code means you will probably copy some part of it into the second, so is more hazardous. By looking at the program from the outside there is no chance you'd be seeing the code - that's why doing this is clearly not a problem.

    334. Re:Misleading to call it "non-copied" by madprof · · Score: 1

      One could argue that the notes are already there to be put into a particular sequence. You could argue that (in a limited way but still giving a massive choice) this is a bit like objects existing and you happening to choose a particular aspect of them.

      I don't know how specious this is but it's a thought. Don't want to avoid giving you credit for your response though, it's a fair point to make. If I had mod points (which I can't have for this story!) then I'd have modded you up too.

    335. Re:Misleading to call it "non-copied" by Hatta · · Score: 1

      Do you think before you post? The problem isn't the abundance of entertainment, but the type of entertainment.

      If I'm poor, sure I can pick up a free copy of People from the dumpster outside the Doctor's office. But I don't want to read people, I want to read Retrogamer. If I don't have the money to buy Retrogamer, it doesn't get made, and I only get the kind of entertainment rich people want me to have.

      --
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    336. Re:Misleading to call it "non-copied" by ChrisMaple · · Score: 1

      Your right turn on red example is defective, because he would most likely be hit by someone going straight, through a green light. The guy with green has the right of way, which should be clear to anyone with a legally obtained license.

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    337. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Babylon 5 is Lord of the Rings in space with giant energy squids instead of wizards

      Babylon 5: A hidden power gradually corrupts several governments, then attacks in order to sow chaos and eliminate weaker races in a misguided attempt to drive evolution. A space station fights this power, and its own government, to help bring peace to the galaxy.

      LOTR: ...

      Babylon 5: A presidential assassination results in a man (and potentially a shady organization of telepaths guiding him) taking control of the Earth government, dissolving the Senate, and installing his own though police called the "Ministry of Peace" (which is outright referred to as "Minipax").

      LOTR: Uh...

      If anything, it's 1984 combined with... uh. Something. Battlestar had seraphim which were almost like the Shadows/Vorlon. Maybe? I don't know.

    338. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Oh, 1984 combined with Lovecraft, duh.

    339. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Really? Someone really ought to tell the MPAA/RIAA this.

    340. Re:Misleading to call it "non-copied" by BoberFett · · Score: 1

      You can read them, just don't remember the page numbers. Yes, West tried to claim that their page numbers were creative output and protected by copyright. A startup I worked for back in the 90s had to fight West on this, so I'm intimately familiar with West douchebaggery.

    341. Re:Misleading to call it "non-copied" by Myopic · · Score: 1

      the copyright monopoly only covers direct copies

      Are you totally sure about that? I don't personally know, myself, but are you really claiming that you know copyright law better than the judge who made this decision?

    342. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      It should not be like this. I agree with Pete Seeger, who I would quote if wikipedia hadn't excised the quote (and google fails me), but it went something like "this is our'n music. You can sing it, play it, hum it, we don't care what you do with it."

      Close-- it's Woody Guthry's copyright notice for a songbook:

      "This song is Copyrighted in U.S., under Seal of Copyright #154085, for a period of 28 years, and anybody caught singin' it without our permission, will be mighty good friends of ourn, cause we don't give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do."

    343. Re:Misleading to call it "non-copied" by dinodriver · · Score: 1

      "If it can be proved that there existed images like this before 2006, then the plaintiff shouldn't have won, but apparently, the examples given in court were undated." I don't think this is accurate. The defendant admitted in court that he purposefully copied the plaintiff's photo (because he didn't want to pay the licensing fee). The photographers of older images than the plaintiffs could try suing him, but they'd have to show that he knew of their photos and purposefully made their own photo based on it. Furthermore, even if this plaintiff lost suits to other photographers, it would have no effect on an appeal of this here case because it would not change the facts that this defendant purposefully copied the plaintiff's photo for commercial gain.

    344. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 1

      This would be a bad example as both were drawn by Walt Disney.

      OP here. I picked Oswald the Lucky Rabbit specifically because it WAS created by Walt Disney. But he had sold the rights to that character. So when he wanted a character for his own company, he created a derivative version of his OWN creative work which he called "Micky Mouse".

      It was intended to highlight an example where the derivative character was undeniably influenced by a previous copyrighted character-- since in this case was created by the same person.

    345. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Actually what they probably wanted to use most of all was the title "The Karate Kid".

    346. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      But the "original" didn't invent the concept either. Whole moves have been made in that style (Pleasantville, eg).

      The Girl in Red from Schindler's List.

    347. Re:Misleading to call it "non-copied" by tragedy · · Score: 1

      Actually, there's also a notion of copyright existing on characters as well as trademark existing on them.

    348. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      Piss poor example. Most everyone knows that you need a driver's license to be able to legally drive, yes? I mean, this is not some esoteric area of the law. Furthermore, to get a drivers license, one must take a written exam that covers the legal aspects of driving. The study guide is usually free of charge. The acceptance of a driver's license implies that the driver is familiar with the laws concerning driving. The driver doesn't have to travel to a law library and sift through a bunch of case history and whatnot to familiarize himself with the law.

      And everyone knows that you need to get a license in order to run a business as well... and by getting that license you are implying that you are familiar with the laws concerning businesses.

      Everyone knows that there are laws surrounding dumping waste... and they would know that they need to familiarize themselves with those laws before they just go out dumping wasting willy-nilly.

      The example is not piss-poor, but it is basic and clear cut: we understand that there are laws that cover nearly all aspects of our life, and so we need to familiarize ourselves with them prior to performing that act. To think that starting a business, or dumping waste or any other activity is devoid of laws would be a ludicrous notion.

      And while it is true that numerous aspects of the law are unclear and lawyers cannot say definitively what is and is not illegal in some cases, the vast majority of law (80%, let's say?) is relatively clear, and can be covered fairly easily.

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    349. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      Unenforced laws that are outdates certainly are an issue, but they're hardly a "problem". Because as noted: no one is going to enforce them. Also, those who would enforce them are generally aware that such laws would never carry through a court case, and the charges would be dismissed. (For instance, the "a man must precede a female driver with a warning flag" case: this is clearly a violation of equal protection under the law, and therefore unconstitutional. It may be on the books, but no one is going to enforce it, because no one is going to stand behind the enforcing officer and defend that law.)

      So, a lot of laws end up hanging around on the books because they've never been properly repealed, but at the same time will never get enforced (until some idiot does try and enforce them, like the guy/girl who called up the authorities on his/her ex-wife/ex-husband cohabitating with someone else. They were charged with cohabitation, but later, the prosecution dropped the charges realizing that attempting to uphold that law in court would be nearly impossible.)

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    350. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      If ignorance of the law is to be no excuse, then ethically, the body of law must be constrained to be small enough for a person to know all of it. Otherwise the law and police become indistinguishable from predators. and the collectively rational course of action for a neighborhood watch is to shoot them on sight.

      I disagree with your assessment. Most crimes stem from from activities that all humans should understand are wrong, and the complexity of the law behind them is in finding the correct level of circumstances that apply to mete out the appropriate punishment. (In the US. In the civilized world, it's about finding the appropriate level of rehabilitation to get the offender.)

      Civil infraction-wise, there are a large number of laws that pertain only to a specific area of activities. Let's take for example, I'm an incredibly well read person under the law... however, I know nothing about hunting laws. Does this mean that since I have more knowledge of the law beyond a reasonable person that such knowledge, being out of my scope of knowledge is thus too expansive and so we should not regulate hunting laws at all? Or should we recognize that anyone seeking to engage in an activity has a duty to learn about the laws surrounding that activity, so that they can avoid infringing upon the law?

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      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    351. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      but ignorance of the law is simply a lame excuse, no matter how complex the law gets.

      These are my laws, you must follow them or be found guilty: ...*snip*... Since you can't ignore them, no matter how complex they are, I already find you guilty of infringing them. Extreme exemple, maybe, but nonetheless, almost as clear as some real laws....

      Natural law holds that if you can exert your authority over me, you are capable of enforcing whatever laws you wish. Even the arbitrary "all users with the username 'snowgirl' are to be put to death"...

      However, there are more powerful authorities than even you in this world, and they will likely object to this behavior.

      However, if you want to sit down an construct real laws that are enforceable with another person, all nomic style, then actually you're completely allowed to. Sharia law, Kashrut law, Mormon law, and Scientology law all have a basis in that one contractually consents to be covered by those laws, and so long as they do not conflict with local, state, federal statutory law, then you're free to enforce those laws under the term of whatever contract you have.

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      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    352. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      Your right turn on red example is defective, because he would most likely be hit by someone going straight, through a green light. The guy with green has the right of way, which should be clear to anyone with a legally obtained license.

      And? You're not disproving anything I'm saying here.

      You're literally saying that anyone who would be legally driving would have known that they had to inform themselves of the rules surrounding driving.

      Duh. That's exactly what I said.

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      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    353. Re:Misleading to call it "non-copied" by metacell · · Score: 1

      This is why the ruling is actually a selective interpretation of the copyright law, at odds with the original intent of copyright. But then, it is a legal system, not a justice system.

      In the judge's defense, he just followed established practice in the EU. It's not the first ruling of its kind. But, yeah, I doubt this kind of copyright has any benefit to society.

      I think we agree that copyright should exist to benefit society as a whole, not to protect the interests of individual artists.

    354. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      And what of the cases where even respected authorities on law cannot be certain if something will or will not be found to be a violation of the law (or they are simply unaware of the law)? Do we have a duty to all become better lawyers than the foremost experts?

      We do have a responsibility to learn the relevant law to the degree we can, but it is not actually humanly possible to know all of it. Some of it is literally unknowable (see above). Is it at all reasonable to hold someone responsible for breaking the law when even experts are dumbfounded that the act in question is found to be illegal?

      The fact of the matter is that most people resort to doing what seems right and just hoping the law agrees. That's why legal scholars have stated that in all probability every citizen unknowingly violates one or more laws daily.

      Hunting and firearms ownership in general have a mechanism already to make people aware that there are a number of laws to obey there. There are even brochures that outline them. Those could be tightened up a bit more just to prevent people from slipping through the cracks.

      Meanwhile, have you actually pulled up all of the laws the president signed last year and applied the patches to the master copy? Of course you haven't, there is no master copy and all attempts to produce one have ended in failure. Nobody actually knows the law! How many laws did you break last week? Any idea? How sure are you?

    355. Re:Misleading to call it "non-copied" by dwiget001 · · Score: 1

      Ideas are not covered by copyright -- patents do that. In the case of a work, like a photograph, the idea of a picture, even of the same item, area, etc. as revealed in the article, are not the same picture. No copyright infringement is involved here, the judge is very clearly wrong.

    356. Re:Misleading to call it "non-copied" by dwiget001 · · Score: 1

      The purpose of the photo is irrelevant, has absolutely nothing to do with copyright law, the judge is clearly wrong, by any stretch.

    357. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0
    358. Re:Misleading to call it "non-copied" by Agent0013 · · Score: 1

      My examples may be ones that are unenforcable, but there are plenty of laws that are unenforced in general, until they decide to enforce it so they have a reason to arrest a person. Less laws that can be selectivly enforced would be a good thing in my book.

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      -- ssoorrrryy,, dduupplleexx sswwiittcchh oonn.. -Quote found on actual fortune cookie.
    359. Re:Misleading to call it "non-copied" by fuzznutz · · Score: 1

      This the heart of why this decision is so wrong. The original "creator" did not create the subject matter elements of the photograph any more than anybody else who has ever photographed Big Ben or a city bus. To use your "cover song" analogy, this would be equivalent of recording a songbird and claiming nobody else could do the same. It is insane on its own merits.

      As technology reduces the costs and accessibility of quality photography and processing, the value of any individual photo is bound to decrease. Any photo that has common subject matter can no longer develop the value of one that cannot be recreated except by direct copying. This suit is all about someone pissed off that their cash cow was bypassed by someone who decided to roll their own.

    360. Re:Misleading to call it "non-copied" by tmarsh86 · · Score: 1

      Yea because the Egyptian slaves constructing the pyramids were better off.

      There's plenty of evidence discovered recently that point to the pyramids not being built by slaves. But don't let that get in the way of your argument. Preach on!

    361. Re:Misleading to call it "non-copied" by fuzznutz · · Score: 1

      Don't confuse copyrights with trademarks.

      And copyright scope is independent of the intentions and purposes of the "infringer." Don't let anger or disgust color your judgment of whether or not a particular work is considered infringing. That is the crux of the whole matter. The subject elements were not particularly original, nor was the processing technique. Being pissed off because somebody decided to make their own work instead of paying somebody else for theirs is not a valid method to judge infringement.

    362. Re:Misleading to call it "non-copied" by fuzznutz · · Score: 1

      It's funny that you claim the photo was "copied" and then talk about how it was not copied by describing the differences between the two. It is crazy to extend copyright scope over the subject elements for a photo in such a famous location. This case all boils down to a common post processing technique and a pissed off former licensor.

    363. Re:Misleading to call it "non-copied" by shaitand · · Score: 1

      Why so there is. It doesn't generally cross medium and the character itself has to be unique enough to warrant copyright independently. The general idea of a character does not qualify for copyright. Harry Potter becomes copyrightable only with a description and only a Harry Potter who meets that description is copyrighted.

    364. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      My examples may be ones that are unenforcable, but there are plenty of laws that are unenforced in general, until they decide to enforce it so they have a reason to arrest a person. Less laws that can be selectivly enforced would be a good thing in my book.

      It wouldn't help. Cops would still pull people over for crossing the center line without signalling.

      Cops really don't have to pull out esoteric unenforced laws to arrest people... there are perfectly applicable laws that would survive any legal cleanup that would allow cops to arrest a person just to do it.

      Not to mention, in most cases, officers do not necessarily need an actual charge under which to arrest you. Which is why lawyers advise you not to ask an arresting officer "what charge are you arresting me for?" You won't always get any sort of useful answer, and they don't actually have to file the charges that they're arresting you for anyways.

      So, yeah, your ideas sound happy and pretty, and like they would make a utopia, but they're fundamentally flawed in that your ideas won't actually fix anything at all. People aren't being arrested for driving as a female without a male escort waving warning flags, or eating an orange in a hotel room. They're arrested on suspicion of theft, or resisting arrest, or any of a number of other charges that would never go away even with sunset clauses for laws, and legal reviews for archaic and inapplicable laws.

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      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    365. Re:Misleading to call it "non-copied" by TheVelvetFlamebait · · Score: 1

      That is utterly incontrovertible. And so yes... he copied something. He copied the idea. But that is *ALL* that he copied. The original photographer does not own a copyright on that idea, he owns a copyright on the photo.

      The second photographer did not copy the original photographer's photo. He copied the *IDEA* that the original photographer had.

      I don't think it's that clear cut. If I start making a meticulous stroke for stroke copy of some painting, am I copying the painting, or am I copying the idea? How is it different, in effect, to a photocopier? Whether the splotches on the page arise from ink from a cartridge or paint from a pen, it doesn't really matter either way with respect to the purpose of copyright. The point is that the work is copied; the artistic merit is the original not the copy, and so the original artist deserves copyright whereas I do not.

      Now, I know the photo was taken from a different angle. But, again, this is just a derivative work. I cannot take a copyrighted song, play it sound for sound, but sing over the top of it, without expecting to be sued for copyright infringement. What am I copying, parts of the work, or the idea? The photographer copied most of the important parts of the art in the photograph, just changing enough to make it evident that another picture was taken. As far as I see it, that's a derivative work. Whether it was taken with a camera or copied with a photocopier (just like whether my painting was by hand or by print) is a red herring, totally removed from the purpose of copyright.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    366. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      And what of the cases where even respected authorities on law cannot be certain if something will or will not be found to be a violation of the law (or they are simply unaware of the law)? Do we have a duty to all become better lawyers than the foremost experts?

      This is where the primary misunderstanding of the law comes into play I think. Everyone seems to think that illegal means don't ever do it, and legal means it's what you should do.

      Breach of contract is illegal (not criminal, but still illegal), yet there is a whole examination into when contracts should be breached, and how to handle breaches of contract, and the obligations of the part aggrieved in such a breach.

      The law is about explaining your options to people. "Sure, you can continue to follow her... but you may end up going to jail over it." "Sure you can post this article calling your governor a pedophile, but you may be sued for libel if you can't prove it in court." There's very little in law that can EVER be said for certain. Even if someone has clearly killed someone, they might get away with it, because the police totally botched the investigation and so, the prosecution could not present any of the damning evidence that they have, because it was would violate the civil rights of the accused to allow the police to use the evidence (say, it's been collected illegally).

      One shouldn't expect the law to be crystal clear and unambiguous in all cases, because the real world is raw, grainy, and gray. A wife shoots her husband, is that legal or illegal? Obviously illegal. Oh, except he was a serial abuser. Self defense? Oh, that's legal. Except he was sleeping at the time. Oh? Wow, that's not legal. Except that he had been talking about how he was planning to kill her, and she started to believe that he would actually act upon this, and this was her only way to defend herself. Oh, wow, ok... that might be legal. Do you see how it works? Even the most clear cut legal case can be turned on its head by just the right tiny little nuance of a detail here or there.

      The law will ALWAYS be complex, and there's no solving this problem, and sometimes, shit can only be worked out after the fact. But just because we cannot determine 100% if something was legal or illegal at the time of the act, and after the fact, we still require a magnifying glass to evaluate it, does not mean that we're being unfair, or that the person should get off scot free, because they couldn't know the law.

      In civil law, the purpose is to restore the person to the state that they were at prior to the act or omission of the defendant. There are cases were mere negligence is sufficient to hold the defendant liable.

      Look, I'm getting frustrated, because I TOTALLY UNDERSTAND THE ARGUMENT that you guys are trying to present: that it doesn't seem fair to hold people legally accountable for things that they didn't know were wrong in the first place. But the world doesn't work that way. A volcano doesn't care if you don't know that it's about to erupt; it will kill you regardless. Fire doesn't care if you know that it will burn you if you stick your hand in it; it will burn you regardless. The law doesn't care if you knew your actions were illegal at the time; it will hold you responsible regardless. Because the law applies to EVERYONE EQUALLY... the ignorant and the knowledgeable alike.

      The whole idea that someone should be able to get away with a crime just because they didn't know it were a crime is ludicrous... you would create a situation like with patent infringement, where you're legally better off NOT KNOWING that you're infringing, otherwise you will triple the damages. If they permitted people to get off just because they were ignorant of the law, the first thing every lawyer would tell people is not "don't talk to police" but rather, "don't fucking ever look at a single law, EVER!" It would bread a massive population of people who are intentionally ignorant of the law out of legal advice from council. No one would

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    367. Re:Misleading to call it "non-copied" by mark-t · · Score: 1

      But, again, this is just a derivative work"derivative" has a certain meaning in the context of copyright, and it only applies to things that are copyrightable in the first place. Ideas are *NOT* copyrightable. And if you copy the idea behind something that is copyrighted, then you are not infringing on copyright (although you may arguably be playing unfairly).

      Consider also, there are commercial entities that specifically do not ever utilize GPL software in their own products because they do not want to deal with the consequences of being required to release their own source code for free. Instead, they develop "clean room" implementations that may work very much like the free software... all *specifically* to avoid working with somebody else's copyrighted work. If they could be held accountable for copying the mere ideas that software that inspired them had, the entire notion of "clean room development" would not exist.

      And hey... should the creators of GIMP be liable to Adobe for copying the idea behind Photoshop? Should the creators of Inkscape be liable to Corel for copying the idea behind CorelDraw? Should every company that ever made a spreadsheet program pay licensing fees to the inventors of Visicalc?

      "Inspired by" does not equate to "derivative work" under copyright law. Copyright law would have to change to accommodate this for that to be the case, and such a change would likely spell the end of copyright within a decade.

    368. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      Look, I'm getting frustrated, because I TOTALLY UNDERSTAND THE ARGUMENT that you guys are trying to present: that it doesn't seem fair to hold people legally accountable for things that they didn't know were wrong in the first place.

      You just showed that you don't understand. It is wrong to hold people accountable for a law they COULD not have understood. Laws so unclear that nobody actually knows what it is. The process of a trial at that point is completely capricious.

      The law will always be complex. The appropriate action then is to err on the side of not guilty. The necessity of criminal intent is a cornerstone of law.

      As for patent law, you're already better off not knowing. Engineers are routinely advised to avoid reading patents. If you know, it's willful infringement and damages are trebled.

      You're missing a great deal of subtlety. Simple lack of knowledge isn't enough to get away with something. In fact, being pointedly ignorant of a law would be the sort of thing that would help the DA build a case against you (clearly you had criminal intent or you wouldn't have so pointedly avoided learning the law. You must have known you wouldn't like what you read).

      Going to your example of hunting, the right answer is to require you to sign a legal document stating that you have read and understood the laws pertaining to hunting (and include a specific text containing those laws by reference) and have understood them. You are now on record proclaiming your knowledge of the law.

      We do that now for the drivers license. Everyone must pass a test (both a written and a practical) demonstrating knowledge of the traffic laws before they get their license. By virtue of that, they may not later claim ignorance of the relevant law.

      At one time, this wasn't so much of an issue. It is rapidly becoming one as DAs are increasingly willing to prosecute even marginal cases sometimes using frankly bizarre theories of guilt and mandatory sentencing is preventing judges from correcting some of the more obvious ethical problems.

      As for your analogies of fire and volcanoes, the law is not a force of nature, it is an act of man. And if you negligently allow your fire to harm someone who is ignorant of it's properties (a baby for instance), you are civilly and criminally liable. (a reasonable person could anticipate the harm, and a reasonable person knows that allowing such harm is illegal. Of course, if a reasonable person would have expected no baby in the area, that liability might be limited or entirely absent). If you had any actual power to stop the volcano on your property from harming people and you failed to do so, you are liable. If you had no such power, you are not.

    369. Re:Misleading to call it "non-copied" by Iman+Azol · · Score: 1

      Whenever someone says "you can't "own" an idea," I realized I'm communicating with a jealous retard who's incapable of creative product. In the example you give, were a flintknapper come up with a new way to knap flint arrows, he would be fed and supported by his community (effectively paid royalties) and the idea would not be shared with other tribes. He would, in essence, own the idea, until he could teach a worthy apprentice the same trick. If that idea were stolen by another tribe, it would be deemed a loss. If it were shared at a council, then an idea or other value would be expected in return. This is not to say the OP is a clear case one way or the other, or that there aren't issues with IP law. But one can, does, and for a long time have owned ideas. The only people who argue this want the benefit of others' creativity for their own selfish use, without offering value to the creator. Also, any cursory reading of history will show that IP, replacing patronage, led to an explosion in arts and sciences. But hey, feel free to live in your mythical stone age, if it's so wonderful.

    370. Re:Misleading to call it "non-copied" by Iman+Azol · · Score: 1

      Star Wars is Kurosawa's Forbidden Fortress crossed with the Dambusters, Dune and Decline and Fall of the Roman Empire. Dune is Exodus crossed with Lawrence of Arabia. I agree with your definitions of infringement vs piracy.

    371. Re:Misleading to call it "non-copied" by Jafafa+Hots · · Score: 1

      "Whenever someone says "you can't "own" an idea," I realized I'm communicating with a jealous retard who's incapable of creative product."

      That's interesting, considering that my career was in art, I'm known for my writing (just won an award last month) and am always encouraged to write more, but I don't because now besides art I'm focusing on my classical and jazz piano composition, along with playing and composing on several other instruments. A little photography on the side too.

      But it was a good guess.

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      This space available.
    372. Re:Misleading to call it "non-copied" by wasme · · Score: 1

      I'd say the invention of ... the airplane

      The Wright brothers 'fought' a major 'patent war' over the issue of 'who invented the airplane.'

      telephones

      There was a long-running lawsuit over who owned the rights to the patent on the telephone.

      electrical generators

      Tesla and Edison fought a long battle against each other for AC vs. DC current based electrical generation. Part of this was fought in courts over patents.

      Patents have been around for a few hundred years now. (The first patents were granted in Italy during the renaissance.) And they have been bitter contested in courts for the past 200 years. This is not a new issue we are facing.

    373. Re:Misleading to call it "non-copied" by wasme · · Score: 1

      Yea because the Egyptian slaves constructing the pyramids were better off.

      Just to nitpick, but most historians of ancient Egypt now believe that the pyramids were built by farmers paying their taxes in the form of a few weeks of labour every year. There is plenty of archeological evidence that they were in fact very well treated during that time. Including evidence of very advanced (for the time) medical care.

    374. Re:Misleading to call it "non-copied" by tragedy · · Score: 1

      Right. But what features the description has to cover are a bit vague. Separate types of intellectual property on characters create weird intersections. The comic book market is where you'll see some of the odder ones. For example, both Marvel comics and DC comics have a Captain Marvel. They're different characters with the same name so they have their own independent character copyrights, but the trademark on the Captain Marvel name belongs to Marvel comics, even though the DC Captain Marvel has been around longer (that's the situation as of ten years back, anyway, it's possible it's changed in the meantime, I haven't checked). So, even though Marvel wasn't even publishing a regular Captain Marvel comic book,DC's Captain Marvel book couldn't actually have "Captain Marvel" in the title. It's especially ridiculous when you consider the actual original purpose of trademark. There's essentially 0 chance of a comic book reader suffering any brand confusion whatsoever. That's the way "Intellectual Property" rights go, however, once they're established, people start thinking of them as a form of property rather than as a form of consumer protection.

    375. Re:Misleading to call it "non-copied" by tjhart85 · · Score: 1

      Many cameras have this ability built in as well. I've also seen some that can change a specific color to another (and these are $250 point and shoots, so I'm sure the expensive cameras have even better functions).

    376. Re:Misleading to call it "non-copied" by cbiltcliffe · · Score: 1

      Using that logic, or at least incredibly similar logic, most animated Disney movies (Snow White, Cinderella, Aladdin, etc) should all be considered public domain, because they're all based on very old stories that are public domain.

      I've got two kids and a third on the way. That logic works for me.

      --
      "City hall" in German is "Rathaus" Kinda explains a few things......
    377. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      That free entertainment is all payed by through taxes, though. Those taxes might be either the normal public benefit kind, or that of surrendering your political influence to the local "ruling elite". Some people cross the world apparently don't want to pay the former kind but prefer the latter.

    378. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      It could be said that the BSG is derived from the original idea of Star Trek as it was said to be a "wagon train to the stars" and BSG is definitely a wagon train of space ships surrounded by hostile robot indians in starts, headed to the promised free land of the west (earth).

    379. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      Going to your example of hunting, the right answer is to require you to sign a legal document stating that you have read and understood the laws pertaining to hunting (and include a specific text containing those laws by reference) and have understood them. You are now on record proclaiming your knowledge of the law.

      What are you blathering on about? You think just because you have people sign a document that says that they understand the laws governing their behavior that that means that anyone will actually understand the laws?

      Here, let me show you how it goes:
      Licensor: You can't hunt without signing this document.
      Licensee: What does it say?
      Licensor: That you understand the laws governing hunting.
      Licensee: But what if I don't?
      Licensor: Then you don't get to hunt.
      Licensee: So, all I have to do is sign this, and say that I understand the law, and I can go hunting?
      Licensor: Yes, ma'am.
      Licensee: Then of course I understand the laws.

      You've replaced the problem that you're complaining about: that people can't possibly understand the laws that they're expected to follow, with: the government is coercing you into agreeing that you understand the laws that you're expected to follow, even if you're not.

      Everyone must pass a test (both a written and a practical) demonstrating knowledge of the traffic laws before they get their license.

      Ah, the solution now is a test! Ok... what is the difference between a yellow and a white speed limit sign? You are approaching an intersection, where you have a sign indicating "Yield", in another direction of travel, another driver has a sign indicating "Stop". There is a collision at that intersection, who is at fault? You're traveling down a four lane divided highway, and in the other direction of travel, a bus stops, and puts up its flashing red sign indicating "Stop", do you have to stop? How many headlights may a motorcycle legally have? A friend hands you the keys to his car, so that you can drive his car, as he is drunk, and you have not had a single drink all night, you are pulled over for an expired registration, and when collecting the car's documents for the officer, you become aware that the car also is not insured. Who gets the ticket? Which passengers in a motor vehicle must wear seat belts, and who is at fault if they are not wearing them, the passenger himself, or the driver? When is it legal to pass another vehicle on the right? You're traveling down a residential street with striped lines, and a car is parked in the road. In order to safely travel around the vehicle, you will have to cross into the opposing lane of traffic. How do you perform this legally? You're leaving a parking lot, between the parking lot and the road, there is a sidewalk. Where does the law state you are required to stop? You're traveling towards an intersection, and the light turns yellow, you enter the intersection and the light turns red. Have you run a red light? You're stopped at a traffic signal that only has red-yellow-green indicators, and you wish to make a left-hand turn, but there is a car ahead of you that also wants to make a left-hand turn. You have both entered the intersection, preparing to make a left-hand turn, but the on-coming traffic does not let up until the light has already turned red, because someone performed the maneuver stated just prior to this one. The person in front of you clears the intersection, are you legally allowed to clear the intersection, or have you already committed a traffic infraction?

      In order for your position to be justified, 100% of all people passing the driver's ed tests must be able to answer at least all of these questions correctly, otherwise tests do not prove that people are fully able to understand all the laws pertaining to the acts that they seek to engage in.

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    380. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      The point is that people are given the opportunity to understand the law and are given fair notice as to what that law is. If it is too complicated, it will then cause a rightful uproar as people look at the crazy booklet. Lawyers might argue that the signature is meaningless as the law is sufficiently confusing that even if you think you understood it, you probably didn't. If it is as simple as it can be and readily comprehensible, it will be no problem.

      The test itself isn't the key part, the fact that you cannot get a drivers license without being aware that there are laws that apply and that you have a source of official information about those laws is the key part. The test itself is simply one possible act of affirmation.

      I am not attempting to defend willful or pointed ignorance here. I do believe there is a duty to understand the law, just as I believe there is a duty to make the law understandable. I just believe that where the latter has failed miserably (perhaps willfully), the former is to be excused.

    381. Re:Misleading to call it "non-copied" by snowgirl · · Score: 1

      The point is that people are given the opportunity to understand the law and are given fair notice as to what that law is. If it is too complicated, it will then cause a rightful uproar as people look at the crazy booklet.

      You're arguing circles. People are already exposed to how complicated the details of traffic law are, and people are not in an uproar. No less, people in generally understand that the whole legal system is vastly complex, and that it requires not just an expert, but specialized experts to understand properly.

      And to what end? Any booklet that you give people is going to be a simplification of the actual laws that are enacted. Even if we only take the most basic traffic laws, printing them out in a "for dummies" format would readily expand beyond the size of a booklet.

      Lawyers might argue that the signature is meaningless as the law is sufficiently confusing that even if you think you understood it, you probably didn't. If it is as simple as it can be and readily comprehensible, it will be no problem.

      But the first and VERY FIRST thing that any lawyer is going to argue in court if you enact your distopian concept of law, would be that the law was too complex to be properly understood.

      Seriously, this is starting to drive me crazy that you think that you can just simplify all the rules down to a simple little stone tablet that everyone can understand...

      I'm sorry to get kind of offensive here, but it portrays an incredible lack of ability to follow a logical thread to its conclusions.

      Here, I know, let's throw out the entirety of law as it already stands, and only consider a simple Nomic. Every Nomic becomes dominated by individuals who are capable of logical and reasoned debate. They will quickly explode any ruleset into a massive complex web of rules, interconnected and disjoint at the same time, where certain individuals are quickly recognized as the person you WANT to argue your case before whatever arbitration exists because they make the best arguments, and are the most likely to have arbitration side with their arguments.

      A group of TEN PEOPLE playing a GAME can't even keep the rules simple enough for every person subject to those rules to be aware of them and understand them properly enough to meet the criteria that you set forth for people to be held accountable to those rules.

      Even in a game where the purpose of the game is not to alter the rules, the rules are complex enough that disputes can arise in even the highest levels of game play.

      And all of this is assuming unambiguous rules... English as a language is ambiguous in ways that we've had to have computers point out to us. What happens when someone does understand the law, but understands the law to mean something completely different than other people understand it to mean? So, we just make the laws unambiguous, but again, this is not perfectly possible... there will always be some form of ambiguity, and in fact, disambiguating laws make them longer, and more difficult to understand, because you're no longer using simple language.

      It's like you're completely missing the innate complexity of language, as well as rules. We cannot make useful laws simple enough that everyone would understand, and affording a person innocence by ignorance of the law... is incredibly bad policy. Affording a person innocence instead because the law is too complex to be understood by a reasonable person? You're asking people who's profession is to actually understand the details of the law, to decide what is too complex for a reasonable person.......

      It just doesn't make sense to me how you could champion an idea who's consequences would be overwhelmingly distopian.

      You commented earlier: "the law is not a force of nature, it is an act of man", but the complexity of natural language is a FACT OF NATURE, as sure as gravity, or evolution.

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    382. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      You forgot about the part where you have Dodd over a barrel.

    383. Re:Misleading to call it "non-copied" by sjames · · Score: 1

      Frankly, I consider YOUR vision of the law dystopian. At least in my world you don't find yourself tried and convicted and never properly understand why. Frankly that sounds an awful lot like a Kafka novel. Further, it creates a situation where EVERYONE is guilty of something (more likely guilty of many small offenses). Become politically inconvenient enough or encounter a DA having a bad day and your life becomes that Kafka novel overnight.

      You have apparently not considered that in such a world as I suggest, the inability to create the booklets I suggest are what force lawmakers to simplify the law to a more comprehensible whole. After all, that's how people are actually behaving now, and the world isn't at an end. That can only mean the complexity is NOT actually required, except to keep our lawyers employed (there's a reason we have more lawyers per capita than any other country).

      Consider too, how can the law be enforced if the enforcers aren't sure what they're enforcing. In fact, they just arrest people doing things they don't think are right and then go ask 'the oracle' if they should be charged.

      I am well aware of the complexity of language. I am also well aware that people manage to routinely use it successfully to communicate. I am aware that in every case but law, we consider it the speaker's (or writer's) failure if meaning is not conveyed in language. Even in law, where there is a duty to warn or notify, it is only discharged if the warning or notice is given clearly. Apparently, only the law itself is exempt from that requirement.

      The approach I advocate has the advantage that it is not constructively capricious.

    384. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 0

      Actually, much of the time those "expensive cameras" have much better optics but expect the user to import the pictures into Photoshop to do anything fancy such as changing colors.

      It makes some sense: you can shoot in grayscale, or you can shoot in color. If you shoot in color, you can easily make a grayscale copy on the computer, but if you shot in grayscale, you can't very easily make a color copy.

      High-end digital cameras tend to shoot exactly what they see in the best possible quality (often in RAW mode) and expect you to do any post-processing on the computer.

    385. Re:Misleading to call it "non-copied" by treeves · · Score: 1

      Interesting that they specifically ban "string or wind instruments", but not percussion instruments or electronic instruments, under the umbrella of "prohibiting certain annoyances by musical instruments".
      If I'm going to be annoyed by musical instruments, percussion is at least as likely to do so as string or wind instruments.

      --
      ...the future crusty old bastards are already drinking the Kool-Aid.
    386. Re:Misleading to call it "non-copied" by jwhitener · · Score: 1

      We know for sure that IP has rewarded innovation. But we can't be sure whether that reward led to a net gain in the amount of ideas produced.

      Certain ideas were not allowed to grow or be expressed due to conflicts with similar patented/copyrighted ideas. What percent of new ideas are being suppressed vs what percent of ideas are worked on because of the incentive of a reward via monopoly? I doubt that anyone can answer that question without redoing the last couple centuries minus IP laws.

    387. Re:Misleading to call it "non-copied" by larys · · Score: 1

      The real problem isn't the copyrighting of ideas -- or the copyrighting of anything really -- it's the way companies and individuals have begun to use (or rather, to abuse) copyright law that has turned many legal systems into circuses rather than something to be taken seriously. What's truly sad about this is that the time periods in which human beings were most prolific in the arts were also time periods wherein copyrighting didn't exist. In fact, that lack of constraint -- though it likely lead to some disputes -- actually helped to encourage more free expression. The problem is a grander one, because we now have to choose: get rid of copyrights for others yet not have our own works protected at all if we should produce any, or leave it in effect for ourselves and others and suffer the current consequences.

    388. Re:Misleading to call it "non-copied" by virg_mattes · · Score: 1

      The thing I see here that makes it fly isn't the amount of effort but the obvious duplication of effort. The defendant tried to use the plaintiff's photo commercially and was called to task for it. They couldn't come to an agreement about licensing fees for that photo, so the defendant went out and made an obvious effort to reproduce the photo himself, for the express purpose of circumventing the copyright. It's that duplication of effort to evade copyright that leads me to view this as infringement. If the defendant had simply made a similar photo without first laying the groundwork for motive to evade paying licensing fees, then I'd feel that it was overstepping (and the law agrees which is why proof that you've never seen the original is a complete defense against infringment charges), but in this particular case it's pretty plain why he made and processed the photo as he did.

      Virg

    389. Re:Misleading to call it "non-copied" by MichaelKristopeit426 · · Score: 1

      The thing I see here that makes it fly isn't the amount of effort but the obvious duplication of effort.

      It doesn't matter. Copyright protects the result of a creative idea, not the creative idea itself. You can't copyright an idea.

      Anyone who duplicates your work can make a similar work for which they own the copyright. This is as it should be.

      This is exactly what should have happened: tell the infringer to either pay the licensing fees, or go and duplicate the effort to create his own picture. The idea is not copyrighted; he is free to copy the idea.

      And, fwiw, his picture sucked. The original was much better. Apparently the guy had no artistic talent whatsoever and thought "bus on bridge in front of Big Ben... that's easy". Most of the appeal of the original was lost; the lines, the perspective, the river, heck, most of the bridge - it just isn't there.

      --
      I am not the real Michael Kristopeit.
    390. Re:Misleading to call it "non-copied" by virg_mattes · · Score: 1

      The law entirely disagrees with you, and beside that, the judgement wasn't against the photo the defendant took, it was against the defendant and the photo was part of the evidence against him. The judge determined that the defendant's purpose in taking the photo was a direct attempt to circumvent copyright so that he could avoid paying licensing fees. He was actually using the original photo for commercial purposes and only took his own when he was told he couldn't do that without paying a fee to the original photographer. On top of that the photo he took was obviously derivative of the original, even down to the same method of postprocessing, with minor changes to again try to sidestep the copyright. In the absence of all of this, I doubt the judge would have considered the case, but it rarely gets this blatant so the defendant got burned.

      Virg

    391. Re:Misleading to call it "non-copied" by shentino · · Score: 1

      All your post proves is that the one who has the gold makes the rules.

      You or I couldn't have created mickey as a ripoff of oswald and gotten away with it.

      Disney, however, could.

    392. Re:Misleading to call it "non-copied" by eldorel · · Score: 1

      Honestly, I feel I have to chime in here.

      Snow,
      Unless I misunderstand your stance here, you feel that complex laws are not only needed, but unavoidable.
      You also seem to be arguing that it is the responsibility of the citizen to actively understand the laws that relate to actions they may choose to take.

      On the surface, I agree with both of these assertions.

      You have been very good at giving examples of laws which support your arguments.
      For example, you have referenced Basic Traffic law, manslaughter, and hunting.

      However, your choices for example themselves are flawed.

      All of these are easily read, understood, and (generally speaking) follow commonly accepted behavior patterns.
      These are areas of law where an average person has at least a chance to understand the what and the why that the law is meant to address, and most of these laws specify in (fairly simple terms) exactly what actions are and are not allowed.

      I believe that I have found an extreme enough example (currently on the books, and affecting anyone who owes money to the state of ohio) to make sjames' point.

      Please go look at This Link. (I will copy the pertinent sentence below, but for readability, it will be below my comment. )

      Now, can you explain what that sentence means? I have a vague idea, but I am fairly confident that no lawyer would be willing to bet on his ability to accurately summarize that wall of text.

      Unfortunately, there are thousands of pages of law that look almost exactly like this. Tax code in the USA is almost entirely this type of language, but the criminal code in many places is equally guilty.

      The federal penal code is an excellent example. There are enough regulatory laws on the books that just about everyone has broken at least a few of them.
      The primary issue isn't that people aren't aware of these laws, it's that you probably can't understand them.
      Even the example i gave above has several references to other laws and documents.
      ""under section 118.19 of the Revised Code""
      ""under Section 6 of Article XIII and Section 13 of Article XVIII, Ohio Constitution""

      So how many pages of law does this sentence actually reference?


      Additionally, as sjames stated below, there are many laws on the books that aren't actively enforced.
      These aren't just obscure laws about outdated, silly things like eating oranges in hotel rooms.
      Many of them are regulatory requirements for documentation or storage requirements, with mandatory sentences.

      Often, these lesser known, normally unenforced laws are used as an alternative method for "punishing criminals" who were acquitted of other crimes (or got on the wrong side of a law enforcement officer).

      For example, without a hazmat placard and a Commercial drivers license you cannot transport more than 1000 lbs of liquid fuel (including the weight of the tank it is stored in).
      This means that any of the larger RV camper trailers with 150gallon tanks are technically illegal to drive across state lines!
      NOTE: I confirmed this limit with 3 law enforcement officers and the local fire department dispatch, but not a single one of them could cite the reference number for the law, only that it was a federal regulation. I managed to narrow it down to an epa regulation from 1981 but the search on http://nepis.epa.gov/ does not appear to work correctly.


      So, if you get pulled over for a "seatbelt check" or "random traffic stop", and the officer decides he doesn't like you, you may find yourself being charged with Illegal transport of hazardous materials.

      Good luck finding these laws ahead of time, even knowing about this one, I still couldn't locate it!

    393. Re:Misleading to call it "non-copied" by eldorel · · Score: 1

      I actually found the "working reference" that all of these officers/firemen were trained from.

      It's CFR 29 1910.110

      But this isn't the law itself, just the reference manual.

    394. Re:Misleading to call it "non-copied" by virg_mattes · · Score: 1

      This is exactly what should have happened: tell the infringer to either pay the licensing fees, or go and duplicate the effort to create his own picture. The idea is not copyrighted; he is free to copy the idea.

      There are limits to this idea, which I can show with another example. Suppose you write a book. Now suppose someone else uses direct copies of your book to make money. You insist either that he pay a license fee or desist, and in response he "writes" his own book, using the same plot and characters and chapters and wording, but renames the main character and starts marketing "Harry Johnson and the Sorcerer's Stone" for profit. Does this sound like he's taking the idea and recasting it, or does it sound more like he's still ripping off the creative content but trying to veneer it enough to dodge the original intent of copyright? If he had spelling errors in his book, it still wouldn't change the creative intent and that's what happened here. It's not the copyright of ideas so much as the "replace an infringing work with a replica that's as identical as I'm capable of making it" that burns his case down. The fact that he was incapable of the effort doesn't change the fact that his intent was to create a replica for the sole reason of evading copyright.

      Virg

  2. The Judge Wears a Wig that is Copied From Others by itsybitsy · · Score: 4, Funny

    without their permission, toss the judge in the Thames along with his ruling.

  3. Actual 2 photos by Frankie70 · · Score: 4, Informative

    Link here

    1. Re:Actual 2 photos by Digital+Vomit · · Score: 4, Insightful

      As unbelievably stupid as this ruling is, actually seeing the two images side-by-side adds an entirely new dimension to the sheer idiocy.

      --
      Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    2. Re:Actual 2 photos by Anonymous Coward · · Score: 2, Informative

      That's a PDF link. Here are the photos linked in the article: http://3.s.img-dpreview.com/files/news/1166562748/Fielder.jpg

    3. Re:Actual 2 photos by polymeris · · Score: 1

      +5 Informative?

      The shots are in the linked article by TFS, too.

      Anyways, don't know what the fuzz is about. Neither is a good photo, (Bleargh, selective color) or very original (I am sure there are zillions of pics of London's landmarks).

    4. Re:Actual 2 photos by justforgetme · · Score: 2

      That's what happens when you let monochrome/boring people rule over domains they haven't
      got the slightest clue about.

      No, seriously anyone who understands photography (or art) will very clearly tell you that those
      two pictures do not represent the same thing.... Damn justice! You can do better than that!

      --
      -- no sig today
    5. Re:Actual 2 photos by Anonymous Coward · · Score: 0

      Technology has elevated the capacity to reproduce art to a point where it clearly exceeds the ability to control such reproduction. It would seem that someone has to lose in this circumstance, that the middle ground is just too far & deep between consumer & artist, now; I don''t believe it is in the general interest to lay bare the public at large, in order to protect the unprotectable, nor is promoting artists to a special class of citizen a move for the common good. Perhaps art output may suffer for a generation of artists expecting gross patronage, but the next generation of artists (lacking unreasonable expectations) will pick up where the sell-outs dig in. I mean, c'mon, it's not like this would be the first time in human history where artists were closer to the bottom of the economic food chain, than the top. Markets change, and copyright has become an anachronism, and com-modification of art has run its course. Creative creators will have to find another way.

    6. Re:Actual 2 photos by L4t3r4lu5 · · Score: 1

      Ha! You still think this is about justice.

      Expect this to be an indication of how the media corps will go after tribute bands and cover artists. "... as made famous by" just died.

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    7. Re:Actual 2 photos by Magada · · Score: 1

      What the actual fuck

      --
      Something bad is coming when people are suddenly anxious to tell the truth.
    8. Re:Actual 2 photos by Anonymous Coward · · Score: 0

      Actually it doesn't. Two different photos, one lousy gimcrack idea, big fat hairy deal. No copyright infringement, no idea what how the judge can make such a decision, his logic is a complete fail based on the law at hand.

    9. Re:Actual 2 photos by Anonymous Coward · · Score: 1

      You're ignoring the fact the second one was created purely to avoid licensing the first.

  4. *sigh* by Anonymous Coward · · Score: 0, Flamebait

    Copyright is such garbage.

  5. We can only hope... by mpetch · · Score: 1

    That this judgement isn't reproduced in the future

    1. Re:We can only hope... by afidel · · Score: 1

      If the UK has a sane legal system the judgement will be overturned and the judge smacked. I mean a picture of a red double decker with a black and white big ben isn't exactly a unique or novel concept. I mean what's next, copyrighting a woman in a red dress popped from a black and white photo?

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    2. Re:We can only hope... by whoever57 · · Score: 1

      Someone in the UK must have a photograph that is sufficiently similar that this judge would consider that that the plaintiff in the case was himself infringing on someone else's work.

      --
      The real "Libtards" are the Libertarians!
    3. Re:We can only hope... by Anonymous Coward · · Score: 0

      well hopefully this madness means that the first judge has copyright on the judgement, so if a similar case comes up with a new judge then judge2 would have to make a substantially different judgement in no way inspired by the composition of the original work of judge1.

  6. On further review, bullshit by SuperKendall · · Score: 5, Insightful

    I was thinking, I could see the point - if you nearly duplicated the angle, and used a similar treatment then yeah I think a photo could be close enough for infringement even if not the same.

    But looking at the actual shot, the angle is totally different. The "treatment" is simply the (by now VASTLY overused) technique of leaving one object in color with the rest greyed out. Come on! That is in use everywhere as a common element, and I'll warrant it was even in use a fair amount before the original was taken. If ever there was a call for some kind of copyright "prior art" this is it.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:On further review, bullshit by Anonymous Coward · · Score: 0

      Agreed.

      I can't believe a judge ruled that way. With the exception of the over-used technique you mentioned the supposedly infringing photo has as much in common with the copyright photo has hundreds of thousands of other people's photos of those same landmarks!

      The problem here is that if the defendant is not of serious means, this case has just been "won" and "justice" is served for the original copyright holder... now future cases will cite this one as precedence.

      Hopefully there is some major industry out there who can back additional defense so that this can get in front of a REAL judge who isn't a complete idiot.

    2. Re:On further review, bullshit by Theaetetus · · Score: 1

      I was thinking, I could see the point - if you nearly duplicated the angle, and used a similar treatment then yeah I think a photo could be close enough for infringement even if not the same.

      But looking at the actual shot, the angle is totally different. The "treatment" is simply the (by now VASTLY overused) technique of leaving one object in color with the rest greyed out. Come on! That is in use everywhere as a common element, and I'll warrant it was even in use a fair amount before the original was taken. If ever there was a call for some kind of copyright "prior art" this is it.

      If you read the article or judgement, rather than just looking at the actual shot, you'll find the judge discussed what you're calling "prior art", even going back to Schindler's List. And if the defendant had simply independently created the photo using that technique, having never seen the original, it wouldn't have been copyright infringement. However, he didn't. In this case, the defendant had used the plaintiff's original photograph without permission, got sued and refused to pay licensing fees, and had a look-alike photo created specifically to avoid those licensing fees. That's what makes it copyright infringement.

      Want another example? If you've been living in a cave for the past 15 years with no contact with popular culture (and can prove that) and one day emerge from your cave with a manuscript you've been working on called "Larry Totter and the Wizard's Gem" about a boy who goes off to magic school with some half-wit ginger and a blond girl, you wouldn't have committed copyright infringement. Hell, you could even call it Harry Potter and the Sorcerer's Stone, if you really, truly, independently created it without knowledge of the original, and you could prove that.

      But if you read Harry Potter, tried to license it from Rowling to make a movie and she refused, and then you wrote Larry Totter and the Wizard's Gem, you've made a derivative work that infringes her copyright. The key for derivative works is that causal link - the derivation. In this case, there was that causal link, and that's why it's copyright infringement.

    3. Re:On further review, bullshit by Anonymous Coward · · Score: 0

      Time to use the judges own ruling against him.

      Any UK residence who wish to cause him some trouble?
      All of you come forward together and claim the judge infringed your copyright on baby pictures. After all, any baby pictures the judge has taken use the exact same copyright infringing action of including a baby, with the camera angle pointed down, with the same exact post-processing most people do (trim and crop)

      Clear cut 100% violations against tens of thousands of pictures taken before the judge did.
      At 80,000 pounds per infraction, that's a lot of of criminal activity he has done!

    4. Re:On further review, bullshit by metacell · · Score: 1

      If you read the article or judgement, rather than just looking at the actual shot, you'll find the judge discussed what you're calling "prior art", even going back to Schindler's List. And if the defendant had simply independently created the photo using that technique, having never seen the original, it wouldn't have been copyright infringement. However, he didn't. In this case, the defendant had used the plaintiff's original photograph without permission, got sued and refused to pay licensing fees, and had a look-alike photo created specifically to avoid those licensing fees. That's what makes it copyright infringement.

      The fact that the defendant created the photo to avoid licensing fees has nothing to do with copyright violation. The only thing that has relevance to the copyright case is that he referred to the original picture when he created (or commissioned) the second one.

      There's nothing illegal or immoral about switching to a cheaper artist if the first artist is too expensive, just like there's nothing illegal or immoral about switching the manufacturer for the tea jars if the first one can't do it cheaply enough. The second artist isn't mooching off the first artist's work; it takes just as much work to create a similar-looking picture as the original (with the possible exception of truly original, ground-breaking work).

    5. Re:On further review, bullshit by Theaetetus · · Score: 1

      In this case, the defendant had used the plaintiff's original photograph without permission, got sued and refused to pay licensing fees, and had a look-alike photo created specifically to avoid those licensing fees. That's what makes it copyright infringement.

      The fact that the defendant created the photo to avoid licensing fees has nothing to do with copyright violation. The only thing that has relevance to the copyright case is that he referred to the original picture when he created (or commissioned) the second one.

      See bolded part above.

      There's nothing illegal or immoral about switching to a cheaper artist if the first artist is too expensive, just like there's nothing illegal or immoral about switching the manufacturer for the tea jars if the first one can't do it cheaply enough. The second artist isn't mooching off the first artist's work; it takes just as much work to create a similar-looking picture as the original (with the possible exception of truly original, ground-breaking work).

      There is, however, something illegal or immoral about commissioning a cheaper artist to duplicate the first artist's work.

    6. Re:On further review, bullshit by metacell · · Score: 1

      There is, however, something illegal or immoral about commissioning a cheaper artist to duplicate the first artist's work.

      Why?

      I don't think it's substantially different from hiring a new clerk in a store and instruct him to do everything exactly like the old clerk did, because the customers are used to it.

      The tea manufacturer didn't try to create a similar picture because the first one was so unique and original, but because it was well-known to his customers.

    7. Re:On further review, bullshit by Theaetetus · · Score: 1

      I don't think it's substantially different from hiring a new clerk in a store and instruct him to do everything exactly like the old clerk did, because the customers are used to it.

      In that case, you own the store. The new clerk is merely moving your goods. In the case of the photographer, it's his store. This would be like opening a new store next door to someone else's store and having your employee spy through the glass and copy whatever the other clerk does.

      But the analogy is breaking down - you don't want to open a store, because you're the customer.

      No, this is more like hiring a forger to duplicate the work of an artist you like, rather than buying from the artist.

      The tea manufacturer didn't try to create a similar picture because the first one was so unique and original, but because it was well-known to his customers.

      It was only well known to his customers because he used the first one without paying license fees. Say I download a copy of Windows 7 from some torrent site, and the BSA comes after me to pay for a license. If I hired a team of programmers to reverse engineer Windows 7 and write something that looks the same, so that I don't have to pay for that license to Microsoft, I can't very well claim that I'm justified in copying because I was so used to using Windows 7.

    8. Re:On further review, bullshit by PaladinAlpha · · Score: 1

      No, this is more like hiring a forger to duplicate the work of an artist you like, rather than buying from the artist.

      I believe the level of duplication going on is the point of contention, here. The two photos are obviously not identical. They can both be succinctly described as "photos of a bus with big ben in the background, with the image manipulated to remove all color except the bus." This is a tremendously dangerous precedent, because it is now not clear what constitutes non-infringing work.

      If I take a photograph of a basketball on an empty outdoor court and do the same trick (greyscale all but the ball), how much of that is my property? If someone takes a photo from the same angle at the same court, that would certainly seem in violation here. What about the same angle at a different court? A different angle at this court? What if the basketball is made a different color? What if it's the same angle but a soccer ball instead?

      Rulings like this categorically decrease the creative space. The fewer words that are required to describe infringing works, the fewer total works that can exist without infringing. I do believe that the infringing party here did so willingly, and the original copyright holders should perhaps have a claim on a trademark violation for their "distinctive red bus." But for this to get settled under copyright protections is ridiculous; no copying was done.

    9. Re:On further review, bullshit by metacell · · Score: 1

      It was only well known to his customers because he used the first one without paying license fees. Say I download a copy of Windows 7 from some torrent site, and the BSA comes after me to pay for a license. If I hired a team of programmers to reverse engineer Windows 7 and write something that looks the same, so that I don't have to pay for that license to Microsoft, I can't very well claim that I'm justified in copying because I was so used to using Windows 7.

      Of course you can. You haven't copied anything, you've independently created a lookalike. It's you who've hired the programmers, so the product of their labour is yours.

      In fact, this is similar to what the Wine project is doing, although they're trying to create a software layer which is functionally equivalent to Windows, and are less concerned about the graphical look.

    10. Re:On further review, bullshit by Theaetetus · · Score: 1

      Of course you can. You haven't copied anything, you've independently created a lookalike. It's you who've hired the programmers, so the product of their labour is yours.

      But, the artistic work of the original programmers is theirs. The fact that paid someone else for their labor doesn't automatically mean I legally own all IP that they infringe.

      In fact, this is similar to what the Wine project is doing, although they're trying to create a software layer which is functionally equivalent to Windows, and are less concerned about the graphical look.

      Exactly. Now you see the distinction, I'd hope. WINE avoids the trademark and copyright issues by not using those graphics. If the defendant in this case had avoided the specific artwork, and instead merely took another functionally equivalent picture, he would have been fine, too.

    11. Re:On further review, bullshit by metacell · · Score: 1

      I see what you mean. I don't think the fact that the defendant tried to avoid licensing fees has any relevance, though, only that he had knowledge of the first picture and was referring to it when creating the second.

    12. Re:On further review, bullshit by Theaetetus · · Score: 1

      I see what you mean. I don't think the fact that the defendant tried to avoid licensing fees has any relevance, though, only that he had knowledge of the first picture and was referring to it when creating the second.

      That exactly right. The trying to avoid license fees bit may be important for statutory damages (as it indicates willful infringement), and is certainly great for undercutting any "I never saw it before" defense, but it's the knowledge of the first and intent to create something similar that makes the second one a derivative work.

    13. Re:On further review, bullshit by Anonymous Coward · · Score: 0

      No, this is more like hiring a forger to duplicate the work of an artist you like, rather than buying from the artist.

      So it's basically what Apple did to Xerox, after getting a full tour of their product (Xerox believing that there was a potential for a licensing deal) and then hired their own developers to create a copycat.

      IIRC the conclusion was "a-okay" because Apple had been given the tour and there was no real obligation from Apple to actually proceed in licensing Xerox's material.

    14. Re:On further review, bullshit by metacell · · Score: 1

      But he didn't try to infringe. He created the second picture so he wouldn't need to infringe. From the judge's summary:

      10. It is quite obvious that in no sense has any photocopying style reproduction taken place. The defendants' work was created from photographs Mr Houghton took himself. It is also quite obvious that the point of the exercise was to avoid infringing. Mr Houghton was clearly trying to avoid infringing. His and his company's case is that the claimant cannot use copyright law in effect to give them a monopoly in a black and white image of the Houses of Parliament with a red bus in it. He clearly knew about the claimant's work when the second image was produced because the whole point of the exercise was to produce a non-infringing image given the complaint about the first image the defendants had used.

      There's nothing illegal, immoral or suspicious about trying to avoid paying royalties.

    15. Re:On further review, bullshit by Theaetetus · · Score: 1

      But he didn't try to infringe. He created the second picture so he wouldn't need to infringe. From the judge's summary:

      10. It is quite obvious that in no sense has any photocopying style reproduction taken place. The defendants' work was created from photographs Mr Houghton took himself. It is also quite obvious that the point of the exercise was to avoid infringing. Mr Houghton was clearly trying to avoid infringing. His and his company's case is that the claimant cannot use copyright law in effect to give them a monopoly in a black and white image of the Houses of Parliament with a red bus in it. He clearly knew about the claimant's work when the second image was produced because the whole point of the exercise was to produce a non-infringing image given the complaint about the first image the defendants had used.

      Yes, but the problem is that he didn't go far enough to avoid creating a derivative work. He clearly avoided copying, as the judge notes, but his image was still too close to the original, and lacked independent creative effort.

      There's nothing illegal, immoral or suspicious about trying to avoid paying royalties.

      Doesn't that depend on how you try? For example, if I set fire to your office so that you lose all your royalty invoices, isn't that illegal and immoral?

    16. Re:On further review, bullshit by metacell · · Score: 1

      My point is that he tried to be legal, but misjudged how different he had to make the picture in order not to infringe.

  7. Fine all the tourists. by Anonymous Coward · · Score: 5, Insightful

    I bet big ben has been photographed from nearly every angle, under nearly every lighting condition and season. If this holds up, they should just issue tickets to anyone holding up a camera in front of it. That and station police at every location marked as a scenic wayside.

    1. Re:Fine all the tourists. by hedwards · · Score: 4, Interesting

      I thought common practice was to arrest them on terrorism charges and hold them until they're no longer interesting.

    2. Re:Fine all the tourists. by xenobyte · · Score: 1

      Actually... There's a bunch of cases pending where people have been prevented from taking pictures from public ground of a public (or semi-private) location like an elevated subway station or a mall. The rent-a-cops prevents people from snapping pics to the extent of confiscating cameras and having people arrested. The reason given is that XXX owns the right to all pictures of YYY and if you don't have an explicit written permission, you're infringing on their rights.

      Also the fear of terrorists are often mentioned. Usually extremely ridiculous as a simple Google search usually reveals a lot of pictures, often much more detailed, not to mention street view and Google maps.

      --
      "For every complex problem, there is a solution that is simple, neat, and wrong." -- H.L. Mencken (1880-1956) --
  8. If inspiration is copyright infringement.... by mark-t · · Score: 0

    ... then why didn't Apple win their "look&feel" lawsuit against Microsoft when they came out with Windows?

    1. Re:If inspiration is copyright infringement.... by Zimluura · · Score: 1

      then both ms and apple owe xerox quite allot of money.

    2. Re:If inspiration is copyright infringement.... by jamstar7 · · Score: 1

      The BSA wasn't as strong as it is today. If the Apple GUI and Windows came out tomorrow, Apple would win and everybody would be cheering on Microsoft as the underdog.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    3. Re:If inspiration is copyright infringement.... by Anonymous Coward · · Score: 0

      Apple did pay Xerox upfront for the rights, MS on the other hand

    4. Re:If inspiration is copyright infringement.... by pbjones · · Score: 1

      because a decade had passed and it was too hard to then identify what was 'new' in the original versions of MacOS vs what had been included in windows. And NO, Apple didn't steal the look and feel from Xerox, they used the idea of a window and mouse. The irony is that the current versions of Win and Mac GUI are based on NeXTSTEP/OPENSTEP.

      --
      There was an unknown error in the submission.
    5. Re:If inspiration is copyright infringement.... by Anonymous Coward · · Score: 0

      ... then why didn't Apple win their "look&feel" lawsuit against Microsoft when they came out with Windows?

      Because during the court proceedings ample evidence was offered showing that Apple's "look & feel" wasn't unique and copyrightable. And even if it had been, there was plenty of prior art so it would have been Apple and MS owing somebody else money.

    6. Re:If inspiration is copyright infringement.... by hedwards · · Score: 2

      Not quite, Xerox would have won, and Apple and MS would probably be relegated to some minor role the way that Boreland was.

    7. Re:If inspiration is copyright infringement.... by Asic+Eng · · Score: 1

      Xerox got payment (stock) from Apple for the right to get a look at their products. Apple didn't invent the GUI elements they got from Xerox, but there was an implied understanding that they had the right to use them.

    8. Re:If inspiration is copyright infringement.... by mark-t · · Score: 1

      ample evidence was offered showing that Apple's "look & feel" wasn't unique and copyrightable

      Neither are red double-decker busses, nor photographs of them. Neither are photos of Big Ben. Neither is using a technique to desaturate everything in a photograph but one specific item in the picture.

      This is quite possibly the single stupidest copyright ruling I've seen in the past decade.

  9. The MPAA and Porn will save the day. by OzTech · · Score: 2

    The film and porn industries won't sit by and let this one survive because it will put them all out of business overnight.

    1. Re:The MPAA and Porn will save the day. by jythie · · Score: 1

      Eh, MPAA members have done a good job over the years of somehow convincing judges that their near duplication of other people's work counts as 'fair use'... so they are safe.

    2. Re:The MPAA and Porn will save the day. by Anonymous Coward · · Score: 0

      They should really take it to court. I'll do jury service. Imagine the judge trying to make a judgement on that. How would that go?

  10. Imagine that by Anonymous Coward · · Score: 1

    This is exactly the bullshit we reap when we submit to the whims of the copyright lobby. Is anyone surprised at the general apathy most people have regarding upholding copyright?

  11. They will ruin copyright by mbone · · Score: 4, Insightful

    10 years ago I said that the people pushing copyright everywhere would eventually wind up with copyright nowhere (i.e., with no copyright at all, due to a total loss of public support). This sort of crap does nothing to change that feeling.

    1. Re:They will ruin copyright by Anonymous Coward · · Score: 1

      That was not just you; countless people have been quoting princess Leia addressing Grand Moff Tarkin about the more he squeezed the more systems would slip through his fingers. Tarkin (RIAA/MPAA) kept on squeezing. The difference with you is that those people were happy to see draconian copyright go.

    2. Re:They will ruin copyright by dissy · · Score: 1

      Thomas Babington Macaulay's speech in the House of Commons, 5 February 1841 on the obscene extension of the term of copyright protections:

      I am so sensible, sir, of the kindness with which the House has listened to me, that I will not detain you longer. I will only say this, that if the measure before us should pass, and should produce one tenth part of the evil which it is calculated to produce, and which I fully expect it to produce, there will soon be a remedy, though of a very objectionable kind. Just as the absurd acts which prohibited the sale of game were virtually repealed by the poacher, just as many absurd revenue acts have been virtually repealed by the smuggler, so will this law be virtually repealed by piratical booksellers.

      At present, the holder of copyright has the public feeling on his side. Those who invade copyright are regarded as knaves who take the bread out of the mouths of deserving men. Everybody is well pleased to see them restrained by the law, and compelled to refund their ill-gotten gains. No tradesmen of good repute will have anything to do with such disgraceful transactions. Pass this law, and that feeling is at an end. Men very different from the present race of piratical booksellers will soon infringe this intolerable monopoly. Great masses of capital will be constantly employed in the violation of the law. Every art will be employed to evade legal pursuit; and the whole nation will be in the plot.

      On which side, indeed, should the public sympathy be when the question is, whether some book as popular as 'Robinson Crusoe,' or 'The Pilgrim's Progress,' shall be in every cottage, or whether it shall be confined to the libraries of the rich for the advantage of the great-grandson of a bookseller, who, a hundred years before, drove a hard bargain for the copyright with the author when in great distress?

      Remember, too, that, when once it ceases to be considered as wrong and discreditable to invade literary property, no person can say where the invasion will stop. The public seldom makes nice distinctions. The wholesome copyright which now exists will share in the disgrace and danger of the new copyright which you are about to create. And you will find, that, in attempting to impose unreasonable restraints on the reprinting of the works of the dead, you have, to a great extent, annulled those restraints which now prevent men from pillaging and defrauding the living."

  12. This is how you do it. It's the whole damned idea. by CrystalFalcon · · Score: 5, Informative

    Yes, the images are arguably similar. But there is absolutely no merit whatsoever to the claim that one would be a copy of the other, thus violating the copyright monopoly. What the judge has done here is to set a precedent that states that the monopoly does not just cover the creative work, but extends to a general creative idea, which completely shatters the traditional notion that the copyright monopoly only covers a specific expression of an idea, and never the idea itself.

    So what’s the big deal, then? In this case, they sought to recreate the image and took a similar one. Why is that not a violation of the copyright monopoly?

    Because that’s exactly how you do it if you don’t want to pay a license fee on the original terms. You create a similar work yourself, entirely by yourself, and compete. It’s the whole damned idea.

    Article by Falkvinge on this verdict.

  13. What about Google's Streetview of my house? by Anonymous Coward · · Score: 1

    If I had taken a color picture of my house from the street prior to the Google Streetview car, are they infringing on my copyright? Their picture would look closer to mine than the two in this case.

    Am I now prohibited from taking street view pictures of my house if I had not done so previously?

    1. Re:What about Google's Streetview of my house? by El+Rey · · Score: 1

      I knew I should have tried to sell Google a picture of my house...

  14. WHERE DOES IT END! by Frosty+Piss · · Score: 5, Insightful

    So what you are saying, OCG, is that attempting to avoid a licencing fee by using a similar but different piece of "intellectual property" should be illegal?

    Apple Computer agrees with you. As you know, they own flat glassy tablets with rounded corners. Don't try to avoid patent licencing by making similar but different tablets...

    --
    If you want news from today, you have to come back tomorrow.
    1. Re:WHERE DOES IT END! by Overly+Critical+Guy · · Score: 0, Informative

      So what you are saying, OCG, is that attempting to avoid a licencing fee by using a similar but different piece of "intellectual property" should be illegal?

      Like I said, if there existed examples of common red London bus/b&w Big Ben artwork before 2006, then that would constitute prior art, and the plaintiff shouldn't have won. However, TFA says that the defendant could not provide dates for the examples he offered.

      Apple Computer agrees with you. As you know, they own flat glassy tablets with rounded corners. Don't try to avoid patent licencing by making similar but different tablets...

      Apple isn't suing over glassy tablets with rounded corners. It's the overall combination of similar design elements that obviously came from Jonathan Ive's design studio which no tablets or smartphones looked like previously: the exact same black border with the same spacing, the same chrome back with just enough peeking over the sides to frame the black front, the same hardware dimensions, the same earpiece slit, the same software icon grid with in many cases the exact same icons...I mean, come on. That entire combination of so many visual and behavioral similarities is clearly a design copy.

      Take a look at these iOS devices and you can all the industrial design elements that the copies incorporate to resemble the originals as closely as possible. It's not just simple variations but complete recreations, without having done the design work that Apple had to go through to come up with them (Jobs probably had a whip). There weren't smartphones or tablets that looked like those devices before Apple put those designs out on the market.

      And by the way, the previous link is a trick. Those are Toshiba devices, not iOS devices. You literally can't tell the difference from the picture. That's how much of a clone they are. So I don't blame Apple at all for going after competitors who just repackage their work, especially because, as has been mentioned before around here, if the knock-offs are poorly made or faulty in some way, it can actually damage Apple's brand because the devices are intentionally made to look so similar.

      --
      "Sufferin' succotash."
    2. Re:WHERE DOES IT END! by snowgirl · · Score: 2

      So what you are saying, OCG, is that attempting to avoid a licencing fee by using a similar but different piece of "intellectual property" should be illegal?

      Apple Computer agrees with you. As you know, they own flat glassy tablets with rounded corners. Don't try to avoid patent licencing by making similar but different tablets...

      ... "patents" are different from "copyrights". Yes, they are both intellectual property, and yes they both have problems. However, in the case of patents, you are allowed in no way to reimplement something in order to avoid licensing fees. With copyright, as long as you had no access to the original material, you are allowed to reimplement an idea.

      It's kind of already well-known in the F/OSS world that if you should separate your reverse engineering work from the reimplementation work, where the reimplementors are working solely off of design documents that are completely absent of code by the reverse engineers. It's called "clean box" reimplementation, and it's the safest way to ensure that your reimplementation does not infringe upon someone else's copyrights. Because if the person performing the reimplementation has access to the original assembly code, they might just get lazy and copy some assembly instructions rather than actually code the boring stuff out.

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    3. Re:WHERE DOES IT END! by Anonymous Coward · · Score: 0

      [...] that would constitute prior art

      The (non)existence of prior art would be relevant only if this were a patent case.. but then you can't have a patent on the idea either.

    4. Re:WHERE DOES IT END! by repapetilto · · Score: 1

      This all sounds like a waste of everyone's time and effort. Probably not worth it in the long run. Instead of devoting their time to circumvent nature's obstacles to a productive, fulfilling life for everyone, people need to devote it to finding ways around man made regulations. And I don't mean that in a utopian way at all.

    5. Re:WHERE DOES IT END! by jmcvetta · · Score: 1

      That entire combination of so many visual and behavioral similarities is clearly a design copy.

      They're clearly very similar; but they're also clearly not exact copies. Toshiba isn't trying to fool anyone into thinking they have purchased an Apple product - they're just slavishly imitating a popular design. Immitation != copy.

      Those are Toshiba devices, not iOS devices. You literally can't tell the difference from the picture.

      It's not the greatest picture. But I can still tell they're not Apple devices just by looking at them.

    6. Re:WHERE DOES IT END! by Anonymous Coward · · Score: 0

      Those are Toshiba devices, not iOS devices. You literally can't tell the difference from the picture

      Literally can't tell the difference? Odd, because the first thing I literally can't tell from the picture is where the home button is. Or did you not literally mean literally.

    7. Re:WHERE DOES IT END! by Anonymous Coward · · Score: 0

      While patents and copyrights are different, judgments like this will blur the line. If you have to pay "royalty", or they can have your "offending" material removed, then what is the difference? Now, one can claim copyright and not have to pay for a patent. Of course, the next step is to be able reasonably prove one has seen that work (e.g. search engine, barber shop book, magazine, etc... ), then it is protected. So, this means those in place will trump ANY further attempts.

    8. Re:WHERE DOES IT END! by Anonymous Coward · · Score: 0

      But what if they DID have access to the original assembly code, and did NOT copy the instructions, but rather wrote similar functionality with different actual code?

      This is what the photographer who "copied" the original photograph did (basically, he did the work to get his photo to have similar attributes to the original). Sure, it sounds kind of like a dick move with the limited background information we have, but it definitely shouldn't be illegal.

      I've now made the same point as various other posters, so I'm posting AC in order to avoid getting sued.

    9. Re:WHERE DOES IT END! by metacell · · Score: 1

      It's nice to discuss with someone who argues intelligently in favour of intellectual property.

      I agree that Toshiba, Samsung and so on copied a large part of the design from Apple. Some parts of it are just functional common sense, such as making them as thin as technology allows, and making the edges around the screen as thin as technology allows while still leaving enough room to hold the device without interfering with the touch screen, but other parts, such as the chrome back which barely peeks over the sides, are clearly copied from Apple.

      I don't see why Apple should have a monopoly on those design elements, though, just because they were first. Competition is based on copying your competitor's best products and then trying to make them a little bit better or cheaper. Apple has had plenty of time to recoup their investment from researching that design; holding back their competition to allow Apple to earn even more money on it, is likely to make them less innovative, not more.

    10. Re:WHERE DOES IT END! by fuzznutz · · Score: 1

      First, I think you mean clean room implementation, not clean box.

      Second, the purpose is to avoid having the implementation engineers accidentally reusing some of the original sources. The separation is not legally required. It just boosts legal defenses if the original creator decides to sue.

    11. Re:WHERE DOES IT END! by zeroshade · · Score: 1

      Like I said, if there existed examples of common red London bus/b&w Big Ben artwork before 2006, then that would constitute prior art, and the plaintiff shouldn't have won. However, TFA says that the defendant could not provide dates for the examples he offered.

      This is copyright, not patents. Prior Art means nothing.

  15. Neither pic is original by Anonymous Coward · · Score: 0

    Just ask "Little, yellow, different" Nuprin.

  16. Both pictures are clearly infringing by artor3 · · Score: 0

    Both pictures are clearly infringing on Louboutin's trademark on "red". Not a particular shade, or a particular usage. Just, you know, red.

    1. Re:Both pictures are clearly infringing by xenobyte · · Score: 1

      Yes! - I'm sure someone, somewhere have used both Big Ben and a Louboutin shoe in the same picture do there's no doubt here! :)

      --
      "For every complex problem, there is a solution that is simple, neat, and wrong." -- H.L. Mencken (1880-1956) --
  17. The red bus thing on grey and System V is... by AHuxley · · Score: 4, Insightful

    http://www.ikea.com/us/en/catalog/products/40152586/
    Seems like a lot of artists should get some legal PO Box in the UK and a good UK lawyer. From patent trolling to art trolling?
    As for the US Unix is Linux case, if only they had thought about UK law and followed the libel tourism trade :)
    "When you go to the bookshop and look in the UNIX section, there's books on 'How to Programme UNIX' but when you go to the Linux section and look for 'How to Programme Linux' you're not gonna find it, because it doesn't exist""

    --
    Domestic spying is now "Benign Information Gathering"
  18. What?? by epp_b · · Score: 1

    First, it's not even close. It seems like the judge took a quick glance and thought, "derp, there's a bus, there's a pointy building, it's mostly black & white, yup they're the same."

    Second, whether it's similar is hardly relevant. The "copy" wasn't made in 2 seconds by downloading it online. It's a separate and vaguely similar work, but not a "copy". A copy is exact or very close to it (this isn't).

    If someone did all the work, bought all the gear, went to the same location, waited for the same conditions and created the image, it's not a copy. Knock-off, fake, second-tier, call it what you want, but its not a copy in the technical sense of the word. This technical sense is what copyright is supposed to deal with because copyright is a response to technology that makes duplicates of works more quickly than it takes to create the original.

    1. Re:What?? by Anonymous Coward · · Score: 0

      If someone did all the work, bought all the gear, went to the same location, waited for the same conditions and created the image, it's not a copy. Knock-off, fake, second-tier, call it what you want, but its not a copy in the technical sense of the word. This technical sense is what copyright is supposed to deal with because copyright is a response to technology that makes duplicates of works more quickly than it takes to create the original.

      Not even close. It doesn't matter how much it takes or costs to create the reproduction and it doesn't matter what "technology" was used. What matters is the artistic originality. If your work is artistically original enough, you might even be allowed to use exact copying as a technique without a license. On the other hand, if your work has no originality, even changing the medium doesn't shield you from copyright claims.

    2. Re:What?? by xenobyte · · Score: 1

      If your work is artistically original enough, you might even be allowed to use exact copying as a technique without a license.

      Yes, that's fairly common. An example would be artists that either recompose an iconic images ("The Scream" by Edvard Munch for instance or cut them up to produce collages and similar.

      On the other hand, if your work has no originality, even changing the medium doesn't shield you from copyright claims.

      Perhaps, but that doesn't make it right. Sometimes the original has so much 'weight' that it severely limits similar artistic expression. Try making any movie or ad campaign where the lead is a tramp with a bowler hat, big shoes and a came... no matter if you make the tramp a 7 feet tall black heavyweight wrestler/boxer or similar variations - you're still infringing on Charlie Chaplins many trademarks and you *will* lose in court.

      --
      "For every complex problem, there is a solution that is simple, neat, and wrong." -- H.L. Mencken (1880-1956) --
  19. Apparently you can copyright ideas now. by flimflammer · · Score: 2, Insightful

    This judge should be slapped.

    1. Re:Apparently you can copyright ideas now. by Anarchduke · · Score: 3, Funny

      I already had that idea. I am now going to sue you for infringing on my entirely original idea of slapping the judge.

      --
      who prays for Satan? Who in 18 centuries has had the humanity to pray for the 1 sinner that needed it most? ~Mark Twain
    2. Re:Apparently you can copyright ideas now. by Anonymous Coward · · Score: 0

      Modded as "Insightful".
      I love you, Slashdot. : )

    3. Re:Apparently you can copyright ideas now. by L4t3r4lu5 · · Score: 1

      Hold on there, bub. Did you post a comment on an internet forum about administering corporal punishment to a member of the judiciary, and the comment was posted using a computer?

      You'll be hearing from my solicitor.

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    4. Re:Apparently you can copyright ideas now. by Anonymous Coward · · Score: 0

      This judge should be BITCH slapped. Repeatedly.

  20. taking pictures of sunset/moon/generic x illegal by Anonymous Coward · · Score: 1

    taken from same place (earth usually) having the same central subject.

    there are so many examples. this is really poor judgement.

  21. Not the same compositional idea by SuperKendall · · Score: 5, Informative

    I think to say the sky/building contrast was a choice is wrong; That's simply a byproduct of B&W conversion in a place that has uniformly grey skies a lot of the time. Perhaps if the artist had done extra work to get the sky that color but having done some B&W conversions I very much doubt that is the case.

    The one actually coped element is simply the treatment of the red bus in color contrasting with everything else. But that practice was in use well before 2006.

    The rest of the work compositionally speaking, is totally different - the relation of the bus to the buildings, even the relation of people to the bus or the use of people within the image is totally different.

    I guess he just had a really inept defense because this judgment should not have ended up this way based on that image.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Not the same compositional idea by snowgirl · · Score: 4, Insightful

      I guess he just had a really inept defense because this judgment should not have ended up this way based on that image.

      There is also the special case that he redid the photo just to avoid a licensing lawsuit...

      It's the worst example of how not to do reverse engineering: infringe someone else's copyrights at first, then when you're called out on it, go out and reverse engineer and reimplement without a clean box...

      It is highly unlikely that the defendant ever would have been in trouble, if he had not previously infringed fully on the copyright, by reproducing the original without permission.

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    2. Re:Not the same compositional idea by delinear · · Score: 1

      Indeed - it's ironic that if he'd used a London black cab instead of a London red bus he'd probably have been okay, even though the thing the judge seems to be claiming he copied would be fundamentally the same. Combination of a bad defence and a clueless judge, I'd hope this would be appealed and reversed because I don't want to have to pay a professional photographer next time I want to bring home some holiday snaps with me and put them online.

    3. Re:Not the same compositional idea by delinear · · Score: 1

      I agree that he did nothing to help his case, he seems to have acted in quite an underhand manner, but you can't wield the law in this way, as a mallet to punish him for a previous transgression. If that unfluenced the judge's decision then the judge was wrong.

  22. The Judge is an idiot by Anonymous Coward · · Score: 2, Insightful

    "a specifically processed piece of artwork"

    There's no such thing, he had no IP rights to the 'partial desaturation' technique, there is no special right to using that technique on some scenes. The judge here is trying to extend copyright to something it doesn't cover.

    Photography can and always was at the fringe of what could be copyrighted, since its just a mechanical record of a fact. What the judge is claiming is that by applying a processing technique to that fact (which the guy had no special exclusive on), somehow creates something more. He then goes on to further extend that to say it covers a class of similar photographs.

    i.e. if X is his copyright, copyright law says infringement = X

    Judge is saying that X+Y creates a right (X+Y-0.1) Infringment (X+Y+0.1)

    However the only thing that could extend photography copyright into a CLASS of similar images is the 'Y' and Y is zero, he has no special right to that technique and its a common technique, Y is zero.

    In doing so he is devaluing that technique. It would be like I invented a super machine, patented it, and the first user claimed that applying that to it's purpose created copyright and he holds the copyright, ergo I cannot profit from my invention!!

    So that technique is reduced by this decision.

    This should and will be overturned on appeal. It's a garbage decision. The judge should be ashamed, idiot.

    1. Re:The Judge is an idiot by Anonymous Coward · · Score: 0

      There's no such thing, he had no IP rights to the 'partial desaturation' technique, there is no special right to using that technique on some scenes. The judge here is trying to extend copyright to something it doesn't cover.

      The UK Copyright Designs and Patents Act 1988 cited in the judgement says that there were IP rights to the piece. Is ANYONE reading the damn article?

  23. look and feel by pbjones · · Score: 1

    Apple vs Microsoft all over again! I can see that if this is used for commercial purposes then there is a case to answer, the basic content and style is duplicated, although the photo is from a different position, it is clearly intended to duplicate eliments of the first photo.

    --
    There was an unknown error in the submission.
  24. Dirty vs Clean Programmer by ToasterTester · · Score: 1

    One of the companies I worked for the legal department had to come to our dev team meeting. Some guy had been sending copies of his software to our developers. We had a new version of an add-on product coming out. He also made add-ons and knew was guessing the direction we were going and probably many aspects would be the same.

    What our legal department said was if our programmer's have never seen the other guys program they are "clean" programmers and no copyright violation if similar things show up. If our programmers had seen or been show the other guys program then wrote similar thing they are "dirty" programmer and what they do would be copyright violation. So legal dept collected all the still sealed copies and held them then ripped the other guy a new one.

    Now what is really strange is legal said if marketing sees the other guys product and then describes a feature to a programmer the programmer is still considered a "clean" programmer. Geez no wonder there is no consistency in legal decisions.

    1. Re:Dirty vs Clean Programmer by Anonymous Coward · · Score: 0

      "What our legal department said was if our programmer's have never seen the other guys program they are "clean" programmers and no copyright violation if similar things show up."

      If they're not a COPY then this is irrelevant, even if they'd seen it.

      You're missing the really big picture here, if it's not a copy, it's not covered by copyright. There is no class coverage of the underlying idea behind a photograph, there is no such right, no such law. The Judge is a buffoon.

      Indiana Jones scene by scene using similar old movies:
      http://www.youtube.com/watch?v=Ns8bG9AbfwM&feature=player_embedded

      Buffoon, does he understand what damage he's done??

    2. Re:Dirty vs Clean Programmer by SplashMyBandit · · Score: 2

      Your legal department are dullards. if we ignore patents, you can make a *compatible* interoperable copy of any software provided you didn't use the bits or source of the original. Now, it is much easier to prove this if your guys are not 'tainted' by seeing the other fellows product, but it is not necessarily required - just harder to prove. This has been tested over and over again in court. Consider something like SAMBA. It is designed to be *exactly* like a Windows SMB system, and is permitted to be for the purposes of interoperability. Your lame legal department schmucks should have known this - it is their job to, after all.

  25. Notes on the scale by fatalGlory · · Score: 1

    If I was in the UK, now would certainly be the time to release a copyrighted sound-effect pack containing each note on the musical scale (let's say one set on piano and one on a slightly distorted guitar). Bam. Now I can apparently legitimately claim that essentially every song in existence infringes my copyright. Sure, the song uses my copyrighted notes in a particular arrangement, but they still recorded their own copy of middle-C to avoid paying the 100-euro-per-play licensing fee for using the middle-C from my sound-effect pack.

    Ridiculous.

    --
    Censorship is the opposite of education. If neo-darwinism were defensible, people would not need to try and censor ID.
    1. Re:Notes on the scale by Epimer · · Score: 1

      Except that none of those "works" would be protected by copyright in the first place. There is a minimum standard of "originality" to be met, where for copyright to subsist in a work the author must have exercised adequate "skill, labour and judgment" in producing said work. A note pack as described would not meet those minimum criteria, no copyright would subsist in them, and you couldn't accuse anyone of infringement.

      There are quite a few specious arguments in this thread. This is another one.

  26. Hollywood Quakes by Anonymous Coward · · Score: 0

    Romantic comedy writers across the world are frightened by this verdict.

  27. Does anyone else want to eliminate copyright? by EuclideanSilence · · Score: 1

    The subjectivity of this legal argument, the subjectivity of fair use in general, the fact that it's impossible to browse the internet without unintentionally violating copyright, the enforcement of copyright being so infrequent and partial -- these characteristics on any law show that the law is a terrible idea. This ruling wasn't based on uncertainty of the facts of the case, it was based on uncertainty of whether the law had been broken at all when all the relevant facts are undisputed.

    Furthermore, the terms on copyright are limited and the duration of copyright terms are arbitrary. If people really believed in copyright then there would be no limit on terms, or there would be a very soundly derivable reason for the limit to be exactly what it is set to.

    Copyright is a law that gets 99% of it's support from the fact that it exists and people are afraid to challenge the status quo. Given that so many people even intentionally violate this law (which is not even properly a right since it places no demands on government other than general enforcement of laws), I really am astonished that the idea of eliminating copyright altogether is such an unpopular position.

    1. Re:Does anyone else want to eliminate copyright? by Anonymous Coward · · Score: 0

      Yes, I have for a long time. But anyone I tell thinks I am radical and extreme.....OK, they think I am really crazy when comes to this, tbh. I, however, think it is a no-brainer.

      I believe that if it weren't for copyright and all IP we'd have advanced further ( e.g. technologically) by literally several hundred years.

      We need to let go of the past, especially these business models ASAP, for humanity to survive as well as prosper. IP is keeping us hostage as savages.

      Joel

    2. Re:Does anyone else want to eliminate copyright? by captjc · · Score: 1

      Copyright is not evil in and of itself. I believe that it is a good thing. Artists deserve to profit from their work. I completely agree with the notion that taking someone else's hard work and calling it one's own should be illegal. The problem isn't copyright in general, it is the terms of copyright that are unethical. Reforms need to be made including what can be copyrighted (there are too many things that are getting copyrighted that are way too broad and really shouldn't be), and definitely length (should be 20 years or life of author -- which ever comes first). What constitutes fair use also needs to be broadened. I also feel the same way about the patent system. The thing is copyright has been corrupted and misused. The solution is not to abandon it all together but to reform it so that it again works in the interests of the people and not the corporations.

      --
      Slow Down Cowboy! It's been 1 hour, 47 minutes since you last successfully posted a comment
    3. Re:Does anyone else want to eliminate copyright? by brit74 · · Score: 1

      No, I don't want to eliminate copyright. Eliminating copyright will largely eliminate most of the time and money investment that goes into creating works. Sure, copyright could be shorter. I see no problem with that. It could be altered in various ways. But, I see a copyrightless world as one dominated by a lot of cheap work (and I mean "cheap" in both senses of the word). And, no, it wouldn't cause the world to advance "hundreds of years" (as the other commenter suggests).

    4. Re:Does anyone else want to eliminate copyright? by EuclideanSilence · · Score: 1

      No, I don't want to eliminate copyright. Eliminating copyright will largely eliminate most of the time and money investment that goes into creating works.

      I find the argument that people will stop making music when others are allowed to distribute that music to be an extremely depressing position. I think people will still create music and art.

      Sure, copyright could be shorter. I see no problem with that.

      Didn't you just say "Eliminating copyright will largely eliminate most of the time and money investment that goes into creating works" ? Why would you want to partially eliminate it then? That choice would just contribute to the negative view:

      ...a copyrightless world as one dominated by a lot of cheap work.

      Perhaps in a poorer society the lack of copyright law would result in "cheap work". Or perhaps it will result in a world where the popularity of music and art isn't determined by corporate bottom lines trying to edge in on fads to make a quick dollar, but will instead be created by people who really enjoy the practice and do so in their free time. You say a copyrightless world would be dominated by "cheap work", you must live in a country where the radio music and television shows aren't the talentless work played in the USA.

    5. Re:Does anyone else want to eliminate copyright? by EuclideanSilence · · Score: 1

      Thanks for responding, and please don't take my disagreement personally.

      Copyright is not evil in and of itself. I believe that it is a good thing.

      That's certainly the popular opinion right now, but what if I was to suggest that restricting people's freedom to copy information freely is the greatest evil imaginable? "Freedom of speech" is not something to be casually ignored. Besides the freedom to copy information freely being a guard against all other forms of abuse, I would suggest that maybe to say to someone "stop singing that song you heard, it's copyrighted" is about as "evil" a law as could ever be imagined. That's just my opinion though, I can see where others might not agree.

      Artists deserve to profit from their work.

      What if I was to suggest that the only work people deserve to profit from is that work that others have voluntarily agreed to pay for?

      I completely agree with the notion that taking someone else's hard work and calling it one's own should be illegal.

      That's actually plagarism and potentially trademark infringement, not a copyright issue. I completely agree with you on trademark issues, but even plagarism tends to be punished naturally when it's found out and is a bit too subjective to try to put to law.

      The problem isn't copyright in general, it is the terms of copyright that are unethical. Reforms need to be made including what can be copyrighted (there are too many things that are getting copyrighted that are way too broad and really shouldn't be), and definitely length (should be 20 years or life of author -- which ever comes first).

      Why 20 years? Why not 19 years, or 21 years? Why have any limit at all if you really believe that "artists deserve to profit from their work"? Putting a limit only reduces the compensation that was claimed to be "deserved". Why would they deserve the compensation in the first place, but then not also deserve the compensation from selling the freedom to copy their work to someone who would use it for a longer term?

    6. Re:Does anyone else want to eliminate copyright? by brit74 · · Score: 1

      > I find the argument that people will stop making music when others are allowed to distribute that music to be an extremely depressing position. I think people will still create music and art.
      I actually think that music is a special case. People aren't going to stop making music if anyone can distribute it. The music business is unusual in that there are multiple revenue streams for music: music sales (to consumers), music licensing (for commercials, movies, etc), and live music. If music sales to consumers were eliminated, the other revenue streams would still exist. I think software and movies are in a different position because there are no "software concerts" or "movie concerts". They make their money from selling digital copies. This makes them much more dependent on the one revenue stream called "selling digital copies".

      Didn't you just say "Eliminating copyright will largely eliminate most of the time and money investment that goes into creating works" ? Why would you want to partially eliminate it then? That choice would just contribute to the negative view:
      I don't believe so because creators make most of their money early in the sales cycle anyway. If copyright was 20 years instead of 100 years, then the creator will miss out on: sales after the creator is dead and sales long after sales numbers have declined. I started selling my own software about 3 years ago. Sales numbers peaked the first month and have declined since then. I'm not selling much anymore. I figure I've probably made 90-95% of the sales I'm ever going to make and this is only 3 years after the product's release. If copyright on software was 10 or 20 years instead of 100+ years, I could say, "I make 99% of the money that I would've made, so it's not a big deal. It's not like I need another 80+ years to try to scratch out anther 1% in sales."

      > Perhaps in a poorer society the lack of copyright law would result in "cheap work". Or perhaps it will result in a world where the popularity of music and art isn't determined by corporate bottom lines trying to edge in on fads to make a quick dollar, but will instead be created by people who really enjoy the practice and do so in their free time.
      Those people can make music right now. Copyright isn't stopping them.

      > You say a copyrightless world would be dominated by "cheap work", you must live in a country where the radio music and television shows aren't the talentless work played in the USA.
      I disagree that radio music and television shows are dominated by talentless people. I think that's overly cynical. My own opinion is that I don't qualified to judge all music for all people. If people's goal is to find music that they enjoy listening to, and music like Justin Beiber and Nickelback fulfill that role, then even if I'm not personally interested in listening to that music, I still think it has value because it makes other people happy. I don't feel that my tastes mean that I'm right in some objective way, or that those people need to be educated to listen to "real music" like [insert the name of your or my favorite band here].

    7. Re:Does anyone else want to eliminate copyright? by captjc · · Score: 1

      The crux of the matter is that copyright, like many things are too nebulous to be perfect. If it is defined as too broad and all encompassing it can easily be corrupted and abused, as it is now. If it is too narrow and permissive it is useless. Since the widespread use of computers and the development of the internet things have drastically changed everything, then people, businesses and society needs to change with it. However, that doesn't mean tearing it all down, but molding what we do have to fit the reality of our own advancements.

      That's certainly the popular opinion right now, but what if I was to suggest that restricting people's freedom to copy information freely is the greatest evil imaginable? "Freedom of speech" is not something to be casually ignored. Besides the freedom to copy information freely being a guard against all other forms of abuse, I would suggest that maybe to say to someone "stop singing that song you heard, it's copyrighted" is about as "evil" a law as could ever be imagined. That's just my opinion though, I can see where others might not agree.

      What if I was to suggest that the only work people deserve to profit from is that work that others have voluntarily agreed to pay for?

      You are correct, artists do not deserve to to profit from their works. The deserve the potential to profit from their works. Just because I write some crappy story doesn't mean I deserve money. What if this is not some crappy story, maybe it is the great American novel like "Moby Dick". I deserve to be able to market it and print it and sell it. Without copyright what is keeping some rich publisher from taking my story, publishing it, and never giving me a dime. It is only words on a page. Lets say that is illegal. What is keeping them from taking my novel, changing the characters names and maybe changing a few random words. Instead of "Moby Dick" we have "Dicky Moe" the great black whale, It is now a new, albeit highly derivative, work. The problem with this is where is the line crossed? Should I hold all rights to stories about whales? No. What if someone decides to make a movie out of my book. The story and characters are mine maybe even some of the dialog, but I didn't write the script. I may not even know the movie is being made. Should I be compensated in any way? Should I have any say in the artistic direction of the movie?

      Copyright says what you can and can't do with my work. I believe more strongly that is should be defined as what you can and can't do with my work for profit. Right now, copyright is being used by corporations to exploit the customers while it should be used to protect artists from those same corporations. That is why fair use is extremely important. Most (reasonable) artists wouldn't tell some random guy on the street to "quit humming my song" but they might tell Fox, "Don't use my song on American Idol". Most reasonably playwrights wouldn't care if some middle school puts on a production of their play but would be pissed if it went to Broadway without their permission.

      Why 20 years? Why not 19 years, or 21 years? Why have any limit at all if you really believe that "artists deserve to profit from their work"? Putting a limit only reduces the compensation that was claimed to be "deserved". Why would they deserve the compensation in the first place, but then not also deserve the compensation from selling the freedom to copy their work to someone who would use it for a longer term?

      20 years is an arbitrary number. Artists do deserve the potential to profit from their work. However, there is an unwritten social contract with artists that says that art and culture of all kinds enrich the community and indeed the World. To give incentive for people to create, we the people will cede certain rights for a short period of time so as to give them time to try to profit from their work. Once that time is over, their work belongs to everyone. I believe that ~20 years

      --
      Slow Down Cowboy! It's been 1 hour, 47 minutes since you last successfully posted a comment
  28. historical analogy by Max_W · · Score: 1

    In 1912 new automobile companies definitely infringed on horse cart companies.

    But was it possible to ban automobile in the world? Or was the innovation by itself (automobile) stronger than the international legal system of that time?

  29. Sepia filter by Anonymous Coward · · Score: 0

    Step 1. Buy a digital camera
    Step 2. Take photographs of popular monuments using my cameras Sepia filter.
    Step 3. Sue everyone using the sepia filter for copyright infringement of my photographs.
    Step 4. Sue camera manufacturers for putting sepia filter in their cameras, aiding copyright infringement.
    Step 5. Profit.

    That Judge isn't fit to deal with copyright infringements if he doesn't even understand the basis for copyright.

    1. Re:Sepia filter by Anonymous Coward · · Score: 0

      And you shouldn't comment about copyright if you're not a lawyer and didn't even read the judgement. The UK Copyright Designs and Patents Act 1988 says copyright covers "intellectual creation" in photography.

    2. Re:Sepia filter by SplashMyBandit · · Score: 1

      Of course the act talks about "intellectual creation", but does this mean *techniques* are copyrighted ?- no, of course not, they are processes and come under patent law not copyright law. Copyright says you cannot make a *copy* of some one else's photograph without their permission. This will be the content of the law you cite. There is no copyright restriction on taking a *similar* photo by yourself because you are not *copying* the original (and copyright is about *copying*). There may be patent restrictions on the process though. This is why the judge's interpretation is so ludicrous and we are taking umbrage at it - it is an extension of copyright which flies against all the existing cases. This should be appealed to the Privy Council to sort out - the judge has it wrong.

    3. Re:Sepia filter by Epimer · · Score: 1

      The judge's interpretation is completely consistent with the law as written and legal precedent as established.

      Section 16(3) of the Copyrights, Designs and Patents Act 1988:

      "(3)References in this Part to the doing of an act restricted by the copyright in a work are to the doing of it—

      (a)in relation to the work as a whole or any substantial part of it, and..."

      Note "substantial part". That is the basis of the judgment, along with the precedent established in cases I've mentioned up-thread.

    4. Re:Sepia filter by SplashMyBandit · · Score: 1

      The second photograph has *no* part of the first. A 'substantial part' would be if the second photographer had some part *taken from the original* in his photograph (eg. as a background, or half the image, or a thumbnail etc etc). Merely duplicating shooting and processing an image *independently* takes no part of the original - this is why the judges ruling is unusual enough to make news - usually making something similar independently is not covered by copyright, as you well know. I guess the judge decided they were too similar - even though the common man would argue the pictures were significantly different - but where will this end? Any picture of Westminster and Big Ben with a bus on it? any picture in grey with a colour highlight? This is why the judge's ruling makes the news.

    5. Re:Sepia filter by Epimer · · Score: 1

      The key word is "independently". This was *not* an independent work within the meaning of (UK) copyright law and the legal precedent. The motivation to create the image was to take a "substantial part" of the infringed work; "substantial part" does not have a purely literal meaning in this content. See the obiter in the Infopaq cases for why this is the case - under a more European/civil law interpretation of the role of copyright, the "substantial part" is in reference to whether the extension of the author's personality which the work represents has been conveyed by the allegedly infringing work. It doesn't mean "he dun cut out a big chunk of dat image"; it's a more subtle argument than that. The "part" that is taken isn't a physical part, it's the - if you will - steps taken to produce that image, with the intention of recreating the infringed work.

      The allegation infringement isn't because he happened to use similar techniques to construct a similar image. That, indeed, would fall outside the purvue of copyright law as both written and practised. The issue at hand is that the infringing work was *specifically created* to obviate the need to pay the claimant for use of their work. Thus there is an extremely clear causative link between the infringing work and the infringed work.

      Any picture of Westminster and Big Ben with a bus on it would not necessarily infringe the claimant's work here because there would be *no evidence that the person who took that photograph was intending to "copy" the claimaint's work*. That is the entire point.

    6. Re:Sepia filter by Epimer · · Score: 1

      And the criteria which define "originality" with respect to photographs have been mentioned elsewhere here. If a "substantial part" of those criteria have been taken (along with the causative link), then an infringing act has certainly occurred within the meaning of the CDPA1988.

    7. Re:Sepia filter by SplashMyBandit · · Score: 1

      Thanks for taking the time to patiently explain. I understand what you mean and why the judge has chosen to interpret the law in that way. That is not the only way the law could have been interpreted, and I think you'll agree that a significant part of the application of law relies on interpretation of them - there can be more than one way to interpret many laws. Depending on the circumstances, a ruling (even this one) could have gone the other way, since statutes are not absolute laws in the same way as physical laws are (such as Conservation of Momentum - can you tell I'm a former astrophysicist? :) ). So I hope we agree that some part of interpretation of the law is required to be performed by a judge, since the *intent* of laws themselves can be ambiguous and even legal language is not absolutely precise (at least not in the same way that mathematics can be absolutely precise in its definitions). This means that any law does not automatically lead to a particular outcome - sometimes the judge could rule one way or another. My belief is that the judge made a poor decision in this case as he chose to interpret the law in a particular way, which happens to have consequences that are detrimental to creativity and the freedom to create other original works (in a literal sense; since in an abstract sense it can be shown that every work is dependent on previous works and artists for inspiration - this is how art works).

      If I can take a different approach I'll try a thought experiment to deconstruct the judges interpretation by logical extension by starting with a small (atomic) unit and building from there. So I'd like you to consider the question, "Would it be ever permissible for someone else to take a photo of Parliament Buildings because they didn't want to pay for an existing postcard/photo of those buildings?". Either you agree, and I'll continue my train of thought, or you disagree and then the logical conclusion is that an implicit monopoly has been granted by "European/civil law interpretation" to the first person to take a photograph of that object. Ok, it's more complicated than that, but we'll get to the complications later. So, the question before you was, "Is it ever permissible for someone else to take a photo of an object because they didn't want to pay for an original copyrighted work of the object?". Much of my argument is my belief that it should be possible to create comparable works because you don't want to pay for an existing work. Consider: you make a nice kitchen table in your garage, similar to those found in shops, because you want to save money - under the interpretation of the law the judge has made you would infringe the copyright of the existing table manufacturers. Sound sensible? it doesn't to me.

      Here I'll assume that you came to the conclusion that a second photo of an object like Parliament should not infringe the copyright of the author of the first object. Even if the second creator didn't want to pay the first creator for their photo, and even if the second creator had seen existing works of the Parliament buildings that would still not be infringing on the copyright of the first creator - using a 'literal' interpretation (which is how the copyright laws were intended and enforced until very recently). Ok, now what happens if we add in one more building into the scene? The logical conclusion would be that the merely adding a building would still not prevent someone from taking a non-infringing picture of the same scene. The sum is not more than its parts in this view. However, based on the judge's interpretation at some point composing a scene based on simple objects, even in a very obvious way, adds sufficient 'magic' so that it becomes protected as an "extension of the author's personality". Now how well defined is that last concept? not very, I would imagine. If we accept "extension of the author's personality" a a reason for protection and extend it in a logical manner we find we grant implicit monopolies since 'only van Gough would be allowed

  30. Re:This is how you do it. It's the whole damned id by Anonymous Coward · · Score: 2, Insightful

    The common law rule for photographs is well known and straightforward, and is the same in the US and England. The three elements are 1) RENDITION (angle of shot, light and shade, exposure, effects achieved by means of filters, developing techniques, etc); 2) TIMING; and 3) ARRANGEMENT (manipulation of the objects in the scene). None of these elements are necessary, nor are they individually sufficient. But this is your starting point. Nothing in that case is even remotely shocking from a legal theory perspective.

    It's also worth noting that the touch stone of copyright is originality. It doesn't matter if your photograph looks exactly like another if you in fact had never seen that other photograph. But originality matters because copyright does extend to the "idea" of the work. In other words, when lawyers say that copyright covers "expression", they don't just mean the physical work, but the abstract, mental expression. The idea/expression dichotomy isn't about real versus conceptual. Both are conceptual. The different is fundamentally one of degree. If your mental expression derives from someone else's, and you fix that expression into a physical work, then you've violated the copyright. Right or wrong. This is very basic copyright law.

    The reason why you don't see more of these photograph cases is that the claimant has to prove other elements, too, including similarity, actual copying (at a minimum showing that the violator had access to the other work), and originality in the claimant's work. This isn't very easy, especially for photographs lacking the third element of arrangement. Note that it appears to have had the first element (rendition) in spades.

  31. Uh oh. Big Trouble by multimed · · Score: 4, Insightful

    So all the people who have taken photos of people "holding up" the Leaning Tower of Pisa are in for a world of hurt, huh?

    --
    Vote Quimby.
    1. Re:Uh oh. Big Trouble by headkase · · Score: 1

      Damn you, you beat me to it!

      --
      Shh.
    2. Re:Uh oh. Big Trouble by Anonymous Coward · · Score: 0

      I guess this means trouble then: http://bernhardjantscher.wordpress.com/2011/09/09/the-leaning-tower/ ;)

    3. Re:Uh oh. Big Trouble by nomoreunusednickname · · Score: 1

      I wonder now who started this. Is there a 13th century oil painting of someone holding up the tower?

  32. I'm holding up the tower! by headkase · · Score: 1

    Wait until the tourist board for the "Leaning Tower of Pisa" get a hold of this!.

    --
    Shh.
  33. Re:Support from another link... by Anonymous Coward · · Score: 0

    http://www.dpreview.com/news/2012/01/25/Imitated_Image_Copyright_Case

    By Sixpm (Jan 26, 2012 at 04:21:56 GMT)

    It saddens me when I see that we all have been brainwashed and indoctrinate to fight for survival or for money, which is just a tool for mass control. Isn't it time for people to wake up that our world is full of abundance and scarcity was created to manipulate the masses into believing that we have to fight in order to get fed?

    Our world is free for all to share, to enjoy all of our creativity, copyright law and patent laws are just a few 'regulations' to make sure we are 'trapped' in our own selfish mindsets to maintain our selfish ways of life.

    Wake up and to realise that we are all living on a prison planet, undermine and controlled from the moment we're born. No one owns another, so the idea of one has the 'right' over another is totally absurd. Peace out!

    Men are moved by two levers only— fear and self interest.

    Napoleon Bonaparte

    For the love of money is the root of all evil: which while some coveted after, they have erred from the faith, and pierced themselves through with many sorrows.

    The Bible (King James Version) 1 Timothy 6:10

    This is why life on this planet is in such a mess for most of the people on it.... :(

  34. Oops! by ioncann0ns · · Score: 1

    My comment has a similar format to previous commentors.
    My comment is over the same topic too!
    Copyright violation here we come.

    In all seriousness though, this is a horrible ruling, and sets a disturbing precident.
    Yes, protecting artists' works are good, but these pictures aren't even that similar!
    Copyright in it's current form is abused, if copyright spreads to ideas, we're all sunk.

  35. Just another Mickey Mouse judge by harvey+the+nerd · · Score: 1

    The Disney Company surely blesses you, if it doesn't already own you.

  36. Statements from the full judgement by Overly+Critical+Guy · · Score: 1

    The full judgement is here that provides the legal basis for the decision, which states that copyright covers "intellectual creation". Specifically, note the following in the "Subsistence of copyright" section:

    17. Copyright subsists in original artistic works (s1(1)(a) of the Copyright Designs and Patents Act 1988). "Artistic work" means "a graphic work, photograph, sculpture or collage irrespective of artistic quality" (s4(1)(a)). "Photograph" means a "recording of light or other radiation on any medium on which an image is produced or from which an image may by any means be produced, and which is not part of a film" (s4(2) of the 1988 Act).

    18. At trial it was common ground that the impact of European Union law meant that the judgment of the CJEU in the Infopaq case (C-5/08 [2010] FSR 20) was such that copyright may subsist in a photograph if it is the author's own "intellectual creation". After trial it was also common ground that the recent judgment of the CJEU in the Painer case (C-145/10, 1st December 2011) was to the same effect and did not necessitate further submissions from the parties.

    19. Mr Edenborough also referred me to and relied on O (Peter) v F KG ([2006] ECDR 9) decided on 16th December 2003. This is a decision of the Austrian Oberster Gerichtshof (Supreme Court). It is a court which comprises judges with considerable expertise in intellectual property matters. The court there was considering a claim to copyright in photographs of grape varieties used as illustrations in a book. They were applying an approach to copyright based on the principle that the work must be the creator's own intellectual creation. They held (in translation):

    In accordance with more recent jurisdiction of the finding Senate, photographs are to be considered photographic works in the sense of s.3(2) UrhG (Copyright Law), if they are the result of the creator's own intellectual creation, with no specific measure of originality being required. What is decisive is that an individual allocation between photograph and photographer is possible in so far as the latter's personality is reflected by the arrangements (motif, visual angle, illumination, etc.) selected by him. Such freedom of creation does certainly exist not only for professional photographers with regard to works claiming a high artistic level, but also for a lot of amateur photographers, who take pictures of everyday scenes in the form of photos of landscapes, persons and holiday pictures; also, such photographs shall be deemed photographic works, as far as the arrangements used cause distinctiveness. This criterion of distinctiveness is already met, if it can be said that another photographer may have arranged the photograph differently []. The two-dimensional reproduction of an object found in nature is considered to have the character of a work in the sense of copyright law, if one's task of achieving a representation as true to nature as possible still leaves ample room for an individual arrangement [].
    (Paragraph 2 1. of the judgment. References have been omitted.)

    20. Although the language used in this judgment differs from the way in which an English court would traditionally express itself in a copyright case, I believe there is no difference in substance between the law as applied here by the Austrian Supreme Court and the law here. A photograph of an object found in nature or for that matter a building, which although not natural is something found by the creator and not created by him, can have the character of an artistic work in terms of copyright law if the task of taking the photograph leaves ample room for an individual arrangement. What is decisive are the arrangements (motif, visual angle, illumination, etc.) selected by the photographer himself or herself.

    --
    "Sufferin' succotash."
    1. Re:Statements from the full judgement by metacell · · Score: 1

      But that only addresses the issue of photographs being copyrightable in themselves. It doesn't explain why another photograph can infringe by having similar motif, lighting and post-processing.

  37. Appeal? by Anonymous Coward · · Score: 0

    I would donate funds to an appeal of this ruling. Utterly absurd.

  38. Re:The Judge Wears a Wig that is Copied From Other by Anonymous Coward · · Score: 0

    There is a special place at the bottom floor of the Tower of London for the judges like this, just by the Thames. The wig shall not help him to escape, this time.

  39. RTFA by Anonymous Coward · · Score: 0

    If you'd RTFA, you'd see that it says the judge was shown other examples of this idea, and said that they were not only undated (and so couldn't be determined to have originated before 2006, the year of the first photo's creation) but also different enough to actually hurt the defendant's case, because they provided examples of expressing the basic idea without infringing.

  40. "Intellectual creation" by Overly+Critical+Guy · · Score: 1

    In the UK law cited in the text of the full judgement, copyright covers "intellectual creation". The judge interpreted the second photo as a reproduction of the first photo's intellectual creation and decided that was an infringement.

    --
    "Sufferin' succotash."
  41. I'll bite by slew · · Score: 5, Insightful

    You don't get it (nor do many of the folks on this thread).

    Let's put this into other terms. Let's say there is a movie (say the matrix for argument's sake), and someone watches the movie in Brazil and says, "hey, I like that movie, I'd like to license that movie and sell it in Brazil". Then they try to negotiate a license to distribute the movie, but can't come to an agreement on price. Then they get another studio to make a movie about a future world where machines take over and use people as batteries and trick them into not committing suicide by putting them in a virtual reality world. Probably won't get sued. However, if they make the same movie and put in bullet time special effects into the movie and the script has similar scene order and shot perspective and they end up calling the movie "The Tensor", many folks might think they crossed the line (maybe).

    Why? it would have copied so many aspect of what made the Matrix, the Matrix, that it is considered a derivative work that lacks any transformativeness. If they, however, added some artistic element (say like make it a parody like space balls vs star wars), such that the work could be considered a new work under copyright law. Similarly, if the movie had the bullet time effects, but say was a movie about terminators, well, that's not the same movie. Or if the movie didn't have digital rain, or bullet time effects, but was say a movie with a plot like say dark city, that had a different effect say like moving buildings... etc...

    It doesn't have to be an exact copy to be a "copy" under copyright law. Otherwize, someone could hire an army of people from some 3rd world country, give them the linux source code after the pre-processor and have each person memorize a function and type in another version from memory with variables converted to camelCase reverseHungarian and all the for loops turned into while loops and maybe some switch statements converted to if/else, run it through a pretty-printer and re-intepreted by a few code cleaning scripts and auto-doc tools to make some comments, and voila! a non GPL version of Linux could emerge! NOT! That work would also likley be inspired enough by linux that it wouldn't pass the test of being a new work (unless say they made it a microkernel instead of a megakernel which would be "new" or maybe "old" depending on your point of view)

    1. Re:I'll bite by sjames · · Score: 2

      OK, have a look. Looks like six similar shots on the first line alone. I very much doubt that the plaintiff was the first to ever do that and I very much doubt that he'll be the last.

      If the plumber wants too much money to put in a new toilet, I'll do it myself. If the photographer wants too much money for yet another shot of a bus with Big Ben in the background, I'll take one myself.

      As for the Linux case, how about if they do what the photographer did and have a look at the ABI and make a brand new implementation of it (with a few twists) to produce yet another Unix like kernel?

    2. Re:I'll bite by Asic+Eng · · Score: 1

      Obviously it can't be ok just to copy the script, but I don't think Waterworld is infringing on Mad Max, even though there are many common ideas.

      There need to be very tight limits on copyright, otherwise we won't be able to create anything anymore, and the photographer will be sued by the designer of that bus and the architect of the bridge.

    3. Re:I'll bite by metacell · · Score: 1

      It doesn't have to be an exact copy to be a "copy" under copyright law.

      It's a "derivative work", not a "copy". Copyright law treats "copies" and "derivative works" as two different cases.

    4. Re:I'll bite by Anonymous Coward · · Score: 0

      This wasn't a derivative work, nor was it a direct copy. It's unfortunate the parties couldn't come to a licensing agreement for the original (crappy IMHO) photo. Had the company offered the photographer a token payment (since they openy admit his photo was the inspiration) then the judge would probably have ruled differently. Unfortunately the case law will have repercussions in other contexts beyond this dispute.

      What we have here is a common post-processing technique being applied to a common scene (a bus must go by every 10 minutes). Copyright should end at the expression or in this case the original photograph -- there is nothing creative here.

    5. Re:I'll bite by delinear · · Score: 1

      Yup, if the limits of copyright are "common scene" (a london bus in front of Big Ben is such a cliche) + "common post processing technique" (selective colouring of the object in this case) then we're in big trouble. Cameras (and even phones) are starting to come with this kind of post-processing built into the device. Pretty soon you won't be able to take holiday snaps without infringing copyright. This needs to be nipped in the bud right now.

    6. Re:I'll bite by Anonymous Coward · · Score: 0

      I fail to see why your Matrix example should be considered infringement.

      Most of the early first person shooters were straight copies of Doom or Wolfenstein 3D and I see no problem with that, imitation being the sincerest form of flattery and all that. If your standard were universally applied, new romantic comedies would no longer be created since their plots are essentially copies of each other and often even the actors and settings look very much alike.

    7. Re:I'll bite by slew · · Score: 1

      I fail to see why your Matrix example should be considered infringement.

      Most of the early first person shooters were straight copies of Doom or Wolfenstein 3D and I see no problem with that, imitation being the sincerest form of flattery and all that. If your standard were universally applied, new romantic comedies would no longer be created since their plots are essentially copies of each other and often even the actors and settings look very much alike.

      Perhaps you should read my example more carefully. If the plot was copied, then probably not, but if the copied movie had bullet time special effects and digitial rain and called themselves the "Tensor", then I think many folks would say that it crossed the line. However if they didn't use bullet time effects, but say $6M "bionic" effects and didn't use digital rain, but used pixelization effects, well, that is using different movie that has a different artistic content (that matrix plot has been done many times before e.g. Logan's Run anyone?).

      Feeding that back to the "bus&ben" picture, you can make another "bus&ben" picture, but you shouldn't copy the "look" of the art, you should apply your own artistic element to make it transformative to avoid copyright law problems.

    8. Re:I'll bite by Epimer · · Score: 1

      But this still misses the point: the judge found copyright infringement in this instance because there was a causative link between the infringing work and the claimant's work. They didn't have the same idea independently and independently created them from common source material. The defendant specifically set out to replicate the claimant's work to avoid having to license it. That is not independent creation. The circumstances are key.

    9. Re:I'll bite by Anonymous Coward · · Score: 0

      Hmm. I think your analogy breaks when you bring it a little closer to the real scenario. Would a single frame of "The Tensor" infringed on "The Matrix"? That is what is being questioned.

      I read the judge's decision, and his reasoning was actually not bad. He basically said "The defendant's image had too many things in common with the original, the fact that he was attempting to create an image to circumvent copyright in the first place proves he got the idea from Mr Fielder originally, and the fact that the defense provided all these images found on the internets doesn't help because a) they show differing perspective and b) they couldn't be dated, and as such, the only passing relevance they may have had to the case (prior art, literally) was lost. Oh, and the defense attorney's bungled a few things and made me grumpy."

      I get where the judge is coming from, and I think the defendant was a dick for trying to get Sphere to do what they did in order to sell tea without paying an artist for his work.

      But, and this is the kicker. Creating a photo (or painting, or sketch) based on an existing idea is not, and should never be, copyright infringement. The reason for the creation is irrelevant, and if the new work is intended for illegal use, the illegal use is the crime, not the creation. If this precedent gets set, we immediately lose the ability to train new artists based on the works of existing masters, we lose photography and painting as hobbies, we lose the ability to freely and comfortably integrate existing ideas into our own works, and guys like me find their jobs are now wading through mountains of copyright requests and cover my ass forms.

      I print fine art canvas and inkjet photos for a living. I know full well what I can print and what I cannot. Trust me, it's taken YEARS to learn the ins and outs. I also know that I am well within my rights to stage a photo session based on what a client wants, much like a hair salon can approximate a haircut found in a magazine. At least, I thought I was. Now, well.... this judge's decision is a direct threat to this.

    10. Re:I'll bite by Anonymous Coward · · Score: 0

      What you're describing is a parody and it is allowed.

      For instance, "Smells like Nirvana" (song and video by Weird Al Yankovic) would have to be considered an infringing derivative work of "Smells like Teen Spirit".

    11. Re:I'll bite by sjames · · Score: 1

      There's a causative link in each case I named. I saw the plumber's estimate and that caused me to put it in myself to avoid having to pay him. I saw the retail price of windows *and a bunch of other drawbacks) and that caused me to look into that linux thing to avoid having to license Windows.

      Ernie Ball getting audited by the BSA caused them to switch to Linux to avoid having to go through that again.

    12. Re:I'll bite by Epimer · · Score: 1

      I was referring to the first line of your post - sorry if that was unclear.

      My point was that it doesn't matter that the claimant wasn't the first person to create such an image, because that's not what "original" means in UK copyright law; it means, roughly, "originating from the author" rather than "novel". It's only an infringement because the defendant set out to replicate the claimant's work, *not* purely that similar works have existed before.

      The causative links you've demonstrated aren't equivalent to the relevant causation in this case.

    13. Re:I'll bite by sjames · · Score: 1

      I'm unsure how the causative links I mentioned aren't equivalent. All of them are reproducing (to some extent) the work another has done because I would rather not have to pay them.

  42. UK copyright law covers "intellectual creation" by Anonymous Coward · · Score: 1

    Ideas aren't and shouldn't be protected by copyright

    UK copyright law covers "intellectual creation" in so-called "artistic works," which covers photographs. All this stuff is listed in the online text of the ruling linked in the article.

  43. In other words by Opportunist · · Score: 1

    99% of the artists in history would today be behind bars. Because this is how in the past great artists became artists in the first place, copying the works of other artists and learning the technique.

    Guess it's time to raid a few galleries and museums and destroy a few old copycat pieces.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  44. The world of Art by inode_buddha · · Score: 2

    The artistic world would entirely disagree with this Judge. By that I mean, the entire population of visual artists who work in traditional media. It has been acknowledged and even encouraged for hundreds if not thousands of years to study each others works and to do ones own version them. Usually one would subtitle "A study after so-and-so..." and its all good. Much in the same way a music group will do a "cover" of another band's song. *ALL* of the Masters learned their trade by copying others - even Rembrandt, Michelangelo, et al. NONE of them were "self-taught"!!!

    --
    C|N>K
    1. Re:The world of Art by lavaboy · · Score: 1

      well, the entire population of visual artists excluding at least the dumbshit photographer who filed the case. I'm pretty sure he's quite happy with the ruling. Somebody needs to find a photo by this guy, and then find a previous photo from another photographer with "appropriate" stylistic and compositional similarities, and then convince the other photographer to sue. If we can manage to do this often enough, we will eliminate all culture and arts, and could at least in theory insure that the direct descendents of the cave painters of Chauvet-Pont-d'Arc Cave (or the Corporation that bought the rights) finally get the royalties they so desperately "deserve".

      This is obviously the goal of big copyright.

      --
      Steve -- If you have to call it a system, you don't know what it is.
  45. Re:This is how you do it. It's the whole damned id by snowgirl · · Score: 1

    The reason why you don't see more of these photograph cases is that the claimant has to prove other elements, too, including similarity, actual copying (at a minimum showing that the violator had access to the other work), and originality in the claimant's work. This isn't very easy, especially for photographs lacking the third element of arrangement. Note that it appears to have had the first element (rendition) in spades.

    Exactly. And in this case, the defendant had previously infringed on the copyright of the plaintiff, and went out the reimplement the photograph just to avoid further licensing fees. The judge is simply reminding the defendant, "yeah, you can't do that now."

    --
    WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
  46. Sue me for being a karma whore by theNAM666 · · Score: 1

    This comment is clearly copying all preciou karma whores, and seeking to avoid IP licensing fees to the original virgin karma whore. (She who shall-not-be-named).

  47. The Judge by koan · · Score: 1

    Is quite possibly the recipient of a large sum pf money or quite stupid.
    The photos in question:
    htt^://www.swanturton.com/multimedia/docs/Temple Island v New English photographs.pdf
    Remove the carat!
    I don't see how this can be even remotely contemplated without making literally everyone with a camera a copyright violator.

    So if a room full of journalist take a photo of the queen does only the first photo get to be copyrighted and all others after that one disposed of?

    --
    "If any question why we died, Tell them because our fathers lied."
    1. Re:The Judge by Epimer · · Score: 1

      They are all copyright works. They were each created independently. None of them would be infringing works because none were copied from the other. Such a situation is a poor comparison to the facts of the case in the OP.

  48. Re:This is how you do it. It's the whole damned id by Anonymous Coward · · Score: 0

    > Note that it appears to have had the first element (rendition) in spades

    You should take a look at the images again. The angle of shot is completely different.

  49. Imaginary Property by peppepz · · Score: 1
    We bombed Afghanistan because people weren't free to take photos there, as they believed that pictures would take people's soul away or something like that.

    We ended up in the same situation at home, since now we can't shoot certain photos because it would take some economic entity's imaginary property away.

    This is the obvious result of starting to grant rights to people over imaginary things: there's no limit to imagination!

    On a side note, I hope the UK will start publishing official, government-approved books containing all the photos ever made, so that photographers can consult them every time they're about to take a picture, to be sure that they won't be sued by someone who happened to take the same photo some decade before.

  50. Wonder how the judge would deal with Kubism by SmallFurryCreature · · Score: 1

    Kubism as a movement in art to portray things in a certain way. There are others but Kubism was specifically invented in relevant recent times by well known artists... AND used by a lot more. With no problem. It was invented but it was also a copy, it was based on more primitive art, some statues from Africa have similar stark angular lines that you can buy at any tourist trap but are most certainly not Kubist themselves but based on far far older works.

    For that matter, how would this judge deal with portraits? That style is so copied that it has become law, your passport portrait MUST look a certain way.

    Sometimes judges rulings should be pre-read and if they open to big a can of worms they should be shot (the judges, not the worms) and replaced with a more sensible judge. You can bet your ass that this ruling WILL be abused. There are so many compositions that have been copied over and over again. It was for thousands of years considered normal, a tribute to the original, a sign you inspired others.

    What will now happen to anyone who copies the composition of the Abby Road album cover (the 4 beatles on zebra crossing)? What about the composition idea of taking a shot of big ben in such a way that the person in the foreground seems to be the same size? You would have to lock up and brutally torture every tourist... oooh, not bad at all. Sometimes a stupid ruling is worth it after all!

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:Wonder how the judge would deal with Kubism by lennier · · Score: 1

      Kubism as a movement in art to portray things in a certain way.

      You mean with lots of apes tossing bones which become space stations, Peter Sellers in a wheelchair, and the ol' Ludwig Van?

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
  51. You got do be kidding me by devent · · Score: 5, Insightful

    Now a freaking IDEA is protected under copyright? Great, open the gates for all the lawyers, and people wonder why we hate them so much. No need for a patent or trademark anymore, just claim you have the copyright on the whole process how you did something (which are clearly what patents are suppose to cover).

    "its appearance is the product of deliberate choices and also deliberate manipulations by the author," and concluded that those aspects had been copied.'"

    But those aspects are just how he did it. This is not a work of art, the same way as if I carper a table, the nailing and sawing are also "deliberate choices and also deliberate manipulations", but they cannot be copyrighted.

    Fuck copyright. I never will abid to the stupid laws of copyright if I can get away with it. Sorry for all the artists that I will not give my money, but as long as the copyright laws are as such I will not recognize them. Maybe you (the artists) should get together and press to make them moral again, than I will concider to recognize them again.

    --
    http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute
    1. Re:You got do be kidding me by swillden · · Score: 2

      Now a freaking IDEA is protected under copyright?

      Though this ruling reaches a little bit further than most, that's already been the case for a while. If you write a book that uses characters and plot are too similar to an existing book, you can be successfully sued for copyright infringement. Same for movies, same for movies made from books and vice versa, or video games, etc.

      This case focused mainly on the bad faith of the creator of the second photo, and I agree that he did act in bad faith -- first using the original photo without paying for it, and then making the second as a workaround -- but the precedent it sets is frightening.

      IMO, copyright is fundamentally a good idea, if implemented with an appropriate sense of balance. But it's an idea based on a social contract that is intended to benefit the public as a whole, not creators. This ruling and many more of similar ilk, not to mention all of the massive legislative expansions of copyright, in time, space and subject matter, are all based on a misapplication of copyright, one where copyright is assumed to be for the benefit of the creator, not for the benefit of the public domain. That view of copyright is, IMO, a fundamentally bad idea that impoverishes the public domain rather than enriching it. It's just dumb for society to spend time and effort impoverishing itself.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    2. Re:You got do be kidding me by cfulmer · · Score: 1

      First of all, what you're seeing is nothing new. Lots of people thing that the right to copy only includes the right to make a direct "slavish" reproduction of the work itself. That has never been the rule in US law. In 1977, for example, a court found that Mayor McCheese (of McDonald's fame) infringed H.R. Puffnstuff even though one was clearly not a copy of the other. The dividing line between idea and expression does not just occur at the item itself -- it's possible to infringe by copying expressive elements of an original and not the entire original. In this case, the red bus against a black and whilte London background are both expressive elements and both have been copied, along with a lot of other aspects of the original. I could write a book about a boy wizard attending a british boarding school for witches and wizards, who has a scar on his forehead, wears glasses and battles an evil wizard lord whose name people don't want to use, and where there's a government organization whose existence is not known to non-magical people. If I copy enough of JK Rowlings' expression -- her characters, her plots and her scenes -- I will have infringed Harry Potter, even if I don't use any of her words.

    3. Re:You got do be kidding me by dissy · · Score: 0

      This case focused mainly on the bad faith of the creator of the second photo, and I agree that he did act in bad faith -- first using the original photo without paying for it, and then making the second as a workaround

      Specifically this statement: IMO, copyright is fundamentally a good idea, if implemented with an appropriate sense of balance.

      Sorry, I've said that same thought before, so you owe me royalties now.
      You clearly didn't use any of the same words I've used, but you expressed the exact same idea I had, and so both broke UK law as well as admitted in writing you agree what you did should be a crime.

      Just paypal me the ten thousand dollar license fee and I won't press charges :P

    4. Re:You got do be kidding me by swillden · · Score: 1

      This case focused mainly on the bad faith of the creator of the second photo, and I agree that he did act in bad faith -- first using the original photo without paying for it, and then making the second as a workaround

      Specifically this statement: IMO, copyright is fundamentally a good idea, if implemented with an appropriate sense of balance.

      Sorry, I've said that same thought before, so you owe me royalties now.
      You clearly didn't use any of the same words I've used, but you expressed the exact same idea I had, and so both broke UK law as well as admitted in writing you agree what you did should be a crime.

      UK law, maybe. But I did not agree that it should be a crime. In fact I was arguing that it should NOT be a crime.

      When implemented properly, copyright does not cover ideas, only expressions (that's part of that balance I mentioned), and it doesn't even cover independent but identical expressions, so it wouldn't matter if you had used exactly the same words.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
  52. copyright everything! by Anonymous Coward · · Score: 0

    There are free apps on my phone can make a picture that looks exactly like the original. Even if they were matched frame for frame (which would be impossible unless the traffic was the same and the bus was the same) a picture of something that exists in the world shouldn't be copyrighted.

    If I go outside and photograph a tree that shouldn't be protected. If I decorate the tree then take a photograph, that should. If someone else decorates the tree every day and I take a photo one day, then another person takes the same photo the next day, no protection.

    But that is my opinion.

  53. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  54. Class Notes by aaronb1138 · · Score: 1

    Based upon the ruling and its basis, I should immediately start copyrighting all the notes I make in university classes. Can I then accuse other students of mimicking my intent and execution with their notes and require they pay me royalties to keep their notes when exam time comes?

    Yes, the defendant's firm should have been found guilty for their prior infringing use, but the subsequent replacement with their own image should have been perfectly legal.

    Someone needs to send this judge a collection of Getty DVDs. Clearly he understands nothing about commercial photography.

    Frames are frequently sold one at a time from a shoot where 100s of pictures of the same subject, same setting, same composition are snapped. The original photographer still retains copyright on the distinct images he does not sell or license, and likewise his buyer has the same on their portion they purchase.

    1. Re:Class Notes by Epimer · · Score: 1

      Your university notes are probably already copyright works. The reason you couldn't bring copyright infringement actions against your classmates is because there is no direct causative link between *your* notes and *their* notes - they did not copy your work, your work and their work were created from a common source.

      Do you see how that's different from the original case? If not, you don't appear to be the only one.

  55. What about Schindler's list? by jfern · · Score: 4, Interesting

    Everything was black and white except for that one girl with the red dress.

    1. Re:What about Schindler's list? by Anomalyst · · Score: 2

      Ripped off from the scene in "The Matrix".

      --
      There is no right to feel safe thru security vaudeville at the expense of everyone's freedom, privacy and tax money.
  56. Similar ideas are created all the time. by Anonymous Coward · · Score: 0

    Some of the most profound scientific concepts have been discovered by different people decades apart without them knowing each other.
    Similar ideas in similar cultures are generated independently because they are based on sampling and inspiration by that very shared culture and heritage.

    The bus-example is hardly unique. As a matter of fact, it's very clichéd in both subject and post-processing. The intellectual process and conceptual insight would probably've gone like this:

    talentless art-director: "i'd like a London-y feel."
    designer/photographer: "what's a london-y feel?"
    talentless art-director: "Big Ben, a double-decker bus, umbrellas."
    designer/photographer: "Really?"
    talentless art-director: "Keep the red."

  57. Portrait photo by SmallFurryCreature · · Score: 2

    How does a simple portrait photo survive your thinking? Same angle, same composition, some treatment. Oops!

    What about a CV or any standard document? My CV is certainly my creation so if you copy my style, are you an infringer?

    Terry Pratchett is rather famous (a reviewer on the BBC I think slammed him for it and was torn to shreds for it) for not using chapters. So if I write without chapters, I am infringing? Only one person can write without chapters? For that matter, isn't the idea of dividing a story in chapters a copyrighted idea?

    There are some compositions that stand out, I wrote another comment about the Abby Road cover but what of that shot in Star Wars of Luke standing with two suns in the background? It is a classic shot, with a very simple effect it instantly creates an alien world. But it is NOT a new idea, lots of covers of old sci-fi and fantasy books do the same, showing the hero looking out over an alien landscape. HOW the landscape is alien might differ, dragons in the sky, a gigantic moon, rings in orbot, but the idea is the same. Who owns that composition?

    The idea of owning a specific composition, an idea, is frightening. It is one thing for the Disney corporation to have infinite copyright on Mickey Mouse but to give them ownership of the idea of a cartoon mouse... EVEN Disney would not go, has not gone, that far. See Tom and Jerry, The Secret of Nimh and others.

    For that matter, what would happen to the web? How many sites use the same composition, header, footer, body? Are newspaper columns now owned by the first newspaper? The BBC itself is in serious trouble, who owns the composition off the news reader looking straight into the camera from behind a desk while reading the news? Can you imagine the hazzle of every news show having to come up with a new composition that isn't to similar to every one elses? There are 179 or so countries, each with at least 1 news show...any new program would have to come up with something amazing not to infringe.

    No, I think this Judge let himself be ruled by the other infringement facts of the case and wanted to rule against the defense no matter how it would affect the rest of the world. The 2nd foto was taken to avoid paying for the 1st one, that is not nice BUT to make it illegal to punish the not so nice defendant is to let loose the lawyers of frivolous lawsuits. This judge will be remembered for a long time. And not in a good way.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  58. Same composition my ass. by he-sk · · Score: 1

    The original has the bus in the middle slightly to the left, whereas the so-called copy has it in the lower right corner. Also the original appears to be shot with a 50mm equivalent lens, but the so-called copy uses a wide angle. Then the steps to the bridge which are dominating the lower part of the original photograph are completely missing from the so-called copy as is the river. Finally, the lighting appears to be different. The shadows in the so-called copy are more distinct, because it was shot on a sunny day whereas the original sky was probably overcast.

    Regarding the treatment -- so putting a bright red object on a monochrome background is forbidden now? I now it's cliché and overused, but that's no reason to ban the technique. (Which was used by Steven Spielberg in Schindler's List for great effect. There you have your prior art.)

    Never mind the fact that artists have been copying each other since forever. It's how you learn and how art works.

    Gawd, I hate copyright law.

    --
    Free Manning, jail Obama.
  59. This will actually work against copyright by Sqr(twg) · · Score: 1

    Too broad interpretaions of copyright are as detrimental to the copyright system as too narrow ones. You can't claim copyright on a copyright infringement. (Unlike with patents, where you can patent an incremental improvement to a previously pantented design.)

    - Hey you copied my image.
    - Yes, I copied the image, but you can't claim copyright on it. See how similar it is to this earlier image that I found on the interwebs?

    1. Re:This will actually work against copyright by PPH · · Score: 1

      Not really. There have been cases of copyrighted materials (mis?) appropriated and re-copyrighted. The Amen Break being one example. It was sampled and eventually incorporated a compilation of samples, copyrighted by another party, as described here at about 13:20. Theoreticaly, The Winstons should have the say over who uses that break and how. And if they've effectively put it into the public domain (or its copyright lapsed), then nobody should be able to re-copyright that work at a later date. The Winstons' grant of use (or refusal to enforce their rights) should apply to Zero-G's sample as well. But that's not the way things work.

      Its not a question of what is right and wrong. Its that my lawyers are bigger than yours.

      --
      Have gnu, will travel.
    2. Re:This will actually work against copyright by Sqr(twg) · · Score: 1

      From what I can understand, the Amen Break seems to be the flip side of the same coin. If fair use provisions allow me to reproduce a few seconds of your song without infringing on your copyright, then I can include those few seconds in a larger work and copyright that.

      With a more narrow interpretation of copyright, the collection would not have been eligible for copyright. In the extreme case, nothing would: "I've already used the 'c' note in my copyrighted song, so you'll have to do with the other notes".

      In summary: For copyright to be effective, the interpretation can be neither too broad, nor too narrow. Legislators seem to have found an optimum in the sense that copyright law maximizes the power of record companies.

  60. I have never heard such a silly ruling by Anonymous Coward · · Score: 0

    I have never heard such a silly ruling

    Composition of a single person, from the chest up, looking at the camera with a plain background is infringing the passport photo copyright

    Composition of a parked car in a street scene is infringing the classified add copyright!

    Composition of a pretty girl on a beach scene with natural lighting is infringing the holiday snap copyright

    Need i go on?

  61. You all are worst than our leaders.. by WarlockD · · Score: 1

    "AHH! All the world is going to shit because ONE judge ruled in ONE case not even in my same country!"

    Seriously, as some smarter posters had posted, the defendant is a moron. He didn't want to pay licence costs for it, got sued, THEN painted another Mona Lisa with a different hair color to get around said licencing fees. This ruling was about his intent. Had he commissioned the photo and claimed he had never seen the original it would of been different. There is a reason why clean room reverse engineering is so expensive but also so valuable here in the states:P

    I am sure the judge knew the implications to it and I am sure everyone is going to go nutters about this once it reaches the 5th page of the news. But how else was he supposed to rule? The defendant was clearly trying to get around paying for the original work. Do you punish the photographer who made the original art or the guy who wants a free ride.

    Please slashdot, tell me why I, Leonardo Polizzi can't charge $50 to look at my Mona Lisa

    PS - Bad example as its just the original with some junk on it. But what if I painted it exactly as it was, strokes and all, even the same smile, but changed the hair color?

    1. Re:You all are worst than our leaders.. by Anonymous Coward · · Score: 0

      Oh Snap II! I was gonna say "Nick Houghton is clearly a moron". He is, clearly a moron. If he'd used parody he mite have gotten away with it.

    2. Re:You all are worst than our leaders.. by metacell · · Score: 1

      He didn't want to pay licence costs for it, got sued, THEN painted another Mona Lisa with a different hair color to get around said licencing fees. This ruling was about his intent.

      His intent shouldn't matter for the purposes of copyright law; the only thing that matters is whether the first picture influenced the second. And that'd be hard for him to deny no matter what he did, since he initially used the first picture on his tea jars.

    3. Re:You all are worst than our leaders.. by Forbman · · Score: 1

      Sure, the defendant was trying to get out of paying for the original work. Just like my company might not want to pay Corbis or whatnot their fees to use their stock photos, so it hires a photographer to take similar pictures (even though it probably cost far less to use the stock pictures). Now, according to this judge, Corbis (or any other stock photography shop) could go through their picture archives and sue my company for copyright "infringement"? That sucks.

      But would be OK if all the stock image companies started suing each other over whose stock images were "more original".

  62. Re:This is how you do it. It's the whole damned id by SplashMyBandit · · Score: 0

    Interesting interpretation about photographs, but totally wrong when it comes to software. You can make software that has *exactly* the same interfaces but as long as you didn't copy the bits or the source you are allowed to do it for the purposes of interoperability (eg. why SAMBA lives on despite Microsoft dearly wanting to destroy it many years ago). This has been tested in court and compatible implementations were not found to breach copyright (now with all the idea patent nonsense you would get pinged on that - but not for breaching copyright).

  63. what the fuck by blind+biker · · Score: 1

    There is no way in hell the second photograph violates the first one's copyrights. If this ruling sets a precedent, pretty much everybody is in some kind of shit.

    I'll repeat that more precisely: if that ruling sets a precedent, you cannot take a photo without infringing on some other person's copyrights.

    --
    "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
  64. Not surprising by Anonymous Coward · · Score: 0

    Once i read the line that the two photographers has been sparring in court before, it dident take long to figure out why the outcome is the way it is. Obviously you dont go trying to license something, and cant come to an agreement so you "make" one of your own that uses the same elements as the origonal photograph. Had the photo been in all black and white or all colour the outcome may have very well been diffrent.

  65. Methinks the people here doth protest too much... by Anonymous Coward · · Score: 1

    A major feature of this case was that the photograph was first blatantly copied, in breach of copyright, without payment, and the second one only taken when a court case had proven this. So there is lots of bad faith here, and it's easy to prove that the second user was intentionally copying the 'look and feel' of the photograph.

    This was an extreme case where the second photographer was cocking his snoot at the judicial system. I don't think it can be taken as a precedent for banning all 'similar photographs'...

  66. actually by Anonymous Coward · · Score: 0

    that's not irony.

  67. Re:Misleading - What if I actually go there?!? by scsirob · · Score: 1

    These rulings are so stupid that they make me sick...

    What if I do not take a picture at all. What if I go to the location itself, stand there and look at the scenery. I will see the same as what is on the 'copyrighted' picture. I will probably even enjoy it more than just the picture. Can I now be forbidden to see things??

    What a total load of balloney this world is turning into.

    --
    To Terminate, or not to Terminate, that's the question - SCSIROB
  68. That's what "derivative work" means by Anonymous Coward · · Score: 0

    You intend to create a work derived from the original.

    If you copy the idea, where, exactly, is the creative work that YOUR copyright comes from?

    1. Re:That's what "derivative work" means by TFAFalcon · · Score: 1

      An implementation of that idea. Just look at most art. It's basically one person doing something weird, then a lot of others start copying them. Should 99% of artists be sued for ripping of ideas?

    2. Re:That's what "derivative work" means by metacell · · Score: 1

      If you copy the idea, but the result turns out differently, then your creative work is in the details.

      Ideas are rarely as important as people think. For example, two writers who start out with the same story idea usually produce very different stories. And the unskilled writer's story doesn't turn out any better because he copies the idea from a skilled writer.

      But, yeah, if someone copies both the idea and the way of expressing it, then it's not very creative.

  69. photograph mostly black & white except for obj by TaoPhoenix · · Score: 2

    (Reading Article to try to stay on target)

    Specifically, Judge Birss QC highlighted two visual contrasts: "one between the bright red bus and the monochrome background" ...

    Okay, so now we get to see if the Judge did any homework:

    John Doe (TV series)
    http://en.wikipedia.org/wiki/John_Doe_(TV_series)

    The entire plot revolves around why a couple of people in John Doe's life are in color while the rest of the world is monochrome. So I think the judge had better talk to Brandon Camp, Mike Thompson, Mimi Leder, and Fox TV.

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  70. Oh snap! by GrBear · · Score: 1

    In one fell swoop this will end the current generation's pop music industry.

    1. Re:Oh snap! by trnk · · Score: 1

      And nothing of value was lost.

  71. Abbey Road by Anonymous Coward · · Score: 0

    you can't begin to imagine how many times people have replicated that cover

  72. Where's the creative element in the second? by Anonymous Coward · · Score: 0

    Just for an example. It's clearly done to avoid licensing the original (which had been infringed before), if you read WHAT THE PERSON DID, you know, the putative criminal, rather than just look at the scene of the crime and go "I saw this on Columbo, it clearly isn't a murder!".

    But lets say that this person just went to the same place, did the same thing and got very much the same picture. Since there was no creative process in this, where is the second "author's" creative input that enables any copyright in his work at all?

  73. Re:This is how you do it. It's the whole damned id by jez9999 · · Score: 1

    Exactly. And in this case, the defendant had previously infringed on the copyright of the plaintiff, and went out the reimplement the photograph just to avoid further licensing fees. The judge is simply reminding the defendant, "yeah, you can't do that now."

    Then that sucks. I don't agree that this definition of copyright is remotely in the public interest, and I think it should be revoked.

  74. And that is why copyright is wrong by Snaller · · Score: 1

    And detrimental to creation

    --
    If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
  75. Celebrity pics by Anonymous Coward · · Score: 0

    Does the first photo of a celebrity at a photo station become the copyright for all the subsequent photos taken of the celebrity that night? Everyone could license the that first photo.

  76. software patent's visualized ! by Anonymous Coward · · Score: 0

    This is exactly how I see most software patents being applied.

    I'm losing my motivation to do anything.

  77. Re:photograph mostly black & white except for by reub2000 · · Score: 3, Insightful

    If you want examples of mostly black & white photographs with a touch of color, then you need to go back to the 19th century:
    http://commons.wikimedia.org/wiki/File:Dubbelportr%C3%A4tt,_Sven_Alarik_Bergstr%C3%B6m_och_hans_hustru_Flore_Jos%C3%A9phine_Constance,_f._Pontus_-_Nordiska_Museet_-_NMA.0052773_1.jpg

  78. Re:Methinks the people here doth protest too much. by Geeky · · Score: 2

    Exactly.

    From the judgement: "Conversely the claimant says: The defendants are free if they wish to create a red on grey London icon image. They can even have a Routemaster before the Houses of Parliament. As their own evidence shows, these can be depicted in all sorts of different ways. But what they cannot have is a southbound Routemaster on Westminster Bridge before the Houses of Parliament at the same angle as the claimant's work on a greyscale background and a white sky, in circumstances where they have admitted seeing the claimant's work"

    The judge shot that down as putting the case too high. What he seems to be saying is that seeing a picture of a red southbound routemaster bus in a desaturated view of Westminster bridge, as used to advertise one product, and then asking a photographer to create something similar to advertise your own product is copyright infringement.

    Having said that, I think the compositions are different enough to avoid any risk of confusion.

    And secondly, if I'd been responsible for either image I'd be hiding in my corner that taste forgot rather than making a big deal out of it. Seriously, selective colouring? Still?

    --
    Sigs are so 1990s. No way would I be seen dead with one.
  79. Infringement or counterfitting? by Sigg3.net · · Score: 3, Insightful

    The precedent here is that all (not very creative) artists who emulate someone (in awe or poor taste) have done something illegal. This is wrong.

    Society will punish these artists "socially" (=bad reputation) as we have always done, and not through legal action.

    Good taste and not lawsuits should dictate our behaviour.
    People pay millions for "the original" for the right to say "but this is the original", which makes us marvel at the work, study the details aso. While anyone can get a copy online or at Ikea..

    How will this precedent fare with stock photography, for instance? Or Disney's fairy tales that are clearly inspired by Old world tales?

  80. Maps by EmagGeek · · Score: 1

    So, if I buy data from USGS, DOT, and other sources, the same data that anyone else can buy, and use it to create a road atlas, I'm infringing on another map-maker's copyright because my map looks just like theirs, even though it might have different fonts, colors, and other unimportant things.

    Got it.

    1. Re:Maps by Rui+del-Negro · · Score: 1

      No, clearly you didn't get it. Go read the actual verdict and stop making a public show of just how much you didn't get it.

    2. Re:Maps by EmagGeek · · Score: 1

      Oh my God! An Internet smackdown?!?!? Whatever will I do with myself now?

  81. 80 hours?! by Anonymous Coward · · Score: 0

    From the judgement:

    In summary the manipulations Mr Fielder undertook were: the red colour of the bus was strengthened; the sky was removed completely by (electronically) cutting around the skyline of the buildings; the rest of the image was turned to monochrome save for the bus; some people present in the foreground of original photograph were removed (there was a small group on the stairs and a person at the top under the lamppost); and the whole original image was stretched somewhat to change the perspective so that the verticals in the buildings were truly vertical. Mr Fielder spent about 80 hours on this including the photography trips

    80 HOURS! That's two working weeks. At a push I reckon I could have my own version of this image on a tea-towel by the end of the day.

  82. I actually don't think there is a more... by Anonymous Coward · · Score: 0

    I actually don't think there is a more done to death concept

    but a few:-

    http://www.popartuk.com/g/l/lgpp31718+red-double-decker-bus-london-photography-poster.jpg
    http://v2.lscache6.c.bigcache.googleapis.com/static.panoramio.com/photos/original/10378421.jpg
    http://hydeparktowershotel.com/uploads/images/see_london_gallery/Aged_Big_Ben_with_a_classic_London_bus_in_red.jpg
    http://www.maidenhead.cc/pub/Main/CompImages2009to10A/IngridGledhill-Development-LondonBus.jpg
    http://static.panoramio.com/photos/original/2084100.jpg
    http://www.moss247.com/ekmps/shops/mossbristol78/images/london-bus-3d-a3-503-p.jpg
    http://www.popartuk.com/g/l/lgPP32176.jpg

  83. Does this mean that all those tourist photos of by mark_reh · · Score: 1

    people crossing Abbey road are also copyright infringers? Jesus, the British courts are going to be up to their eyeballs trying to prosecute all of those!

  84. I have no idea how this has got past a judge. by trnk · · Score: 1

    This kind of thing happens all the time in advertising. (NSFW for language).

  85. You miss the point by Anonymous Coward · · Score: 0

    You miss the point. The "idea" of it is copied. NOT the thing itself. Ideas CANNOT and more importantly for society SHOULD NOT be copyrightable.

  86. Ridiculous!!! by Anonymous Coward · · Score: 0

    So now this goes to say that if my kid goes to school on picture day and gets their picture taken, but then they come home and I decide to take a picture of them then I could be violating copyrights??? The judge should be slapped. The original photographer and the other should both be slapped for even wanting such a crappy picture.

  87. Re:Methinks the people here doth protest too much. by MattBecker82 · · Score: 1

    "But what they cannot have is a southbound Routemaster on Westminster Bridge"

    They don't. Westminster Bridge runs East-West.

  88. Not copied by Anonymous Coward · · Score: 0

    Except it isn't a copy.

    "This isn't a case of artistic freedom, this is about using someone else's art to sell tea and refusing to recognise their efforts."

    It's not a copy, it a photograph of a bus put through a Photoshop selective desaturation filter. There's no special right to the idea behind it. Copying the idea of using a desaturation filter on a bus is irrelevent, BECAUSE THERE IS NO SUCH IP RIGHT!

    The judge is an idiot. You are just repeating the mindless nonsense from an idiot.

  89. Anybody Notice... by ios+and+web+coder · · Score: 1

    That the "copied" image was applied to a branded item, and that the original image WAS the brand? This is one of those brands that sells the image, on many different things (cups, keychains, greeting cards, etc.).

    This was a case of brand infringement. However, they used copyright law to bring the suit. Not exactly sure why. I would think a trademark suit would have worked.

    --

    "For every complex problem there is an answer that is clear, simple, and wrong."

    -H. L. Mencken

  90. lol by Anonymous Coward · · Score: 0

    Does this mean that any photo from inside a car is now copyright infringment, given that google has already taken a very similar photo of the same view?

  91. Re:photograph mostly black & white except for by broseidon · · Score: 1

    I'll see your John Doe, and raise you The Giver. http://en.wikipedia.org/wiki/The_Giver

  92. Judge is mistaken, end of story. by Anonymous Coward · · Score: 0

    If the photo wasn't copied, it wasn't copied, end of the fucking story.

    Judge, go get your head examined, because you are so off base here.

    Copyright only protects the image, not what's in it.

    From what you're saying, any 2 artists who paint a bowl of fruit are infringing every other artist's bowl of fruit painting.

    Photographers have always and I do mean always tried to get their own versions of shots they like. That doesn't infringe copyright, never has, never will.

    Copyright protects that exact image, nothing else.

    So, get off your stupid horse and fix the ruling.

  93. Google Owns us all by sdinfoserv · · Score: 1

    By this same logic, since Google Streets has photographed pretty much the entire Earth.. street by street.. they how hold the patent to the planet.

  94. mmmm spachetti by Anonymous Coward · · Score: 0

    Musicians typically need permission to cover another bands song on a new studio album. The Spaghetti Incident did not happen by accident. Well, perhaps it did, but that is not the point.

  95. Stock Photo Industry by tekrat · · Score: 1

    So leeme get this straight... I have a stock photo from a photo company showing a young white guy in a white shirt and tie sitting at a desk smiling. Behind him is a black lady in a pant-suit outfit and an older grey-haired white guy in a full suit. Basically, your very standard business stock photo. Used *everywhere*.

    So, if I hire some models and shoot something similar, but say, the black girl is the one sitting, and they are different models (it would be nearly impossible to find the original models anyhow), it's still an infringement on the original copyright because they are "in an office setting" or "similar composition" or because a judge arbitrarily sees three generic businesspeople in a photo and concludes that I'm ripping off the original photo???

    Seriously, WTF???

    I can see two stock photo houses clubbing each other to death with lawyers over that. I mean, every stock photo house the same generic photos, all just slightly different from the other guy's photos.

    Clearly, this is infringement, and could tie up the legal system for so long, no actual criminal cases could find time to be tried. Murder suspects will die of old age awaiting their trial date.

    --
    If telephones are outlawed, then only outlaws will have telephones.
  96. Ridiculus by jason777 · · Score: 1

    A client of mine wanted the pittsburgh skyline in his website design. So I went up to mt washington where thousands of other photographers have snapped this photograph overlooking the city so that I could have my own copyrighted photo to use royalty free. So according to this ruling, I would be in violation of copyright since other "artists" have snapped the same photo from the same angle? Ridiculus.

  97. so by Anonymous Coward · · Score: 0

    i put a box on a table you shoot it at front
    i walk around back and shoot it

    your saying the first guy has copyright over my image? that's way this sounds and it utter nonsense
    appeal this and win

  98. completely assinine and without merit by blackbeak · · Score: 1

    If this ruling stands, then there are millions of photographic infringements snapped daily. Many subjects, the Statue of Liberty comes to mind, offer limited viewing angles from which to take a picture. Google (images) the statue and just see how many people have infringed on my copyright of a nearly 3/4 view from a low angle against a blue sky! Oh, and my straight on shot from the Circle Line in the water, and .... you bastards! I used a polarized lens on other shots, so that's copyrighted too.

    Heads up all: I've recently patented relieving oneself through an anal sphincter. Be warned!

    --
    Everything and its opposite is true. Get used to it.
  99. Mistake to favor copy right holder by kvnslash · · Score: 1

    In this kind of grey area of copyright infringement I think it's a mistake to favor copy right holder. I'm no lawyer but this seems like a case that wasn't actually proven beyond a reasonable doubt. This crap is so subjective to the eye of the beholder, you can't actually prove it one way or the other, so it is mistake to assume guilt (innocent till proven guilty, right?.. right??)

  100. LOL by Anonymous Coward · · Score: 1

    There's even a Photo App that includes a preset "London" - makes everything grey except the reds: http://androidforums.com/android-applications/153410-review-vignette-camera-app-android.html

  101. Problem solved! by blackbeak · · Score: 2

    Uhm, I've got international copyright protection on "convoluted logic processing resulting in obviously stupid legal judgements" - so stand down, infringing Judge!

    --
    Everything and its opposite is true. Get used to it.
  102. I had a similar "ripoff" happen to me by Anonymous Coward · · Score: 1

    I took a scenic photo along the Ice Age Trail in Wisconsin. I emailed the link to where my photo could be viewedalong with information on where it was taken, to somebody at the Ice Age Trail foundation. A couple of months later, their quarterly journal came out, with "my" picture on the cover (cropped). However, I was surprised when I viewed the attribution that the photographer was the person to whom I had sent the link, not me! Then, on closer inspection, I saw that it was NOT my photo, but a VERY similar one taken from the exact same location.

    I don't believe his act (which was almost certainly a deliberate "knockoff", even though I offered them the use of my photo free of charge) was illegal (nor should it be, IMO), but it was, I think, at least borderline unethical.

  103. Highly misleading summary by Anonymous Coward · · Score: 0

    The "copied photo" isn't even a photo. It's a Photoshop montage (the bus was taken from an image bank) made with the express intent of copying the look of the first photo, after the same company had tried to use that photo without paying or giving any credit to the author.

    Before you post nonsense, read the actual verdict. If anything, this judge showed a sudden and unexpected outbreak of common sense.

  104. Re:This is how you do it. It's the whole damned id by Theaetetus · · Score: 1

    Yes, the images are arguably similar. But there is absolutely no merit whatsoever to the claim that one would be a copy of the other, thus violating the copyright monopoly. What the judge has done here is to set a precedent that states that the monopoly does not just cover the creative work, but extends to a general creative idea, which completely shatters the traditional notion that the copyright monopoly only covers a specific expression of an idea, and never the idea itself.

    I take it you've never heard of derivative works, then?

  105. Re:completely assinine comments by Anonymous Coward · · Score: 0

    Looks like you didn't actually read the verdict (let alone understand the law), but still think you're qualified to comment on it. Maybe you should avoid further embarrassment by reading what the judgement actually says.

    Hint: it has nothing to do with the subject of the photo.

  106. A bad decision by john82 · · Score: 1

    The judge is declaring that the style of the photo is central to the copyright of the composition. It's almost as though we're supposed to consider this as a patent. Yes, I know it's not but allow me the point. Houghton's image is not the first I have seen given this treatment (a color object in a B&W field). Admittedly, the other instances which come to mind are nature photos, but the intent is the same. My point is that Houghton is not original in the treatment. He did not design the central items in his composition (Parliament, the bridge, and the distinctive bus). There is too much variation in the composition between the two photos for me to come to the conclusion that this is infringement. Further, I think the judge is setting a vary chilling and dangerous precedent with regard to specifically photography but other expressions of art as well. Musicians should hope that this judge, abetted by some slimeball with a law degree, does not take in his head to look into the copyright of arrangements.

  107. Can't even spell "ridiculous"... by Anonymous Coward · · Score: 0

    I'm guessing you didn't read the verdict, but still thought people would somehow be interested in hearing your opinion about some fictitious ruling that only exists in your head. Do yourself a favour and go read the verdict.

  108. Points 66 and 67 of the judgement by Alistair+Hutton · · Score: 1
    66. On the first point, Mr Fielder's image is not what I will call a mere photograph; by which I mean an image which is nothing more than the result of happening to click his camera in the right place at the right time. I do not need to grapple with the scope of copyright protection arising from such a photograph. Mr Fielder's image could perhaps best be called a photographic work; by which I mean to emphasise that its appearance is the product of deliberate choices and also deliberate manipulations by the author. This includes choosing where to stand and when to click and so on but also includes changes wrought after the basic image had been recorded. The image may look like just another photograph in that location but its appearance derives from more than that.

    67.On the second point, the collection of other similar works relied on by the defendants have worked against them because the collection has served to emphasise how different ostensibly independent expressions of the same idea actually look.

    They are key and paint the case in a far different light from the scare mongering sensationalist headlines that have been produced about the case.

    --
    Puzzle Daze is now my job
  109. re: photography and art by King_TJ · · Score: 1

    Well, I definitely don't think I'm trying to troll here. Yet you bring up a point I've often gone back and forth about myself. (For the record, I enjoy photography as a hobby but am certainly not a "pro photographer". Several of my good friends, however, have photography as their profession.)

    No argument a good photographer could spend days, weeks, or even months attempting to compose just the right photograph. But still, it's not really the same as the artist drawing a sketch by hand, IMO. After all, the artist could invest every bit as much time "up front" as the photographer did, locating just the right scene in the right lighting conditions to sit down and draw. But in the end, the artist is painting or drawing a rendition manually, and a photographer is using an electro-mechanical device to capture a copy of that moment in time with a press of a button.

    Does that make the photographer less talented than the painter? Not necessarily... but that's irrelevant anyway. The issue at hand is the concept of copyright, and I think a strong case can be made that photographers push the limits of what's really copyrightable. Prime example? Look at the industry of taking school portraits. A photographer goes into the school, sets everything up, and in an assembly-line manner, runs kids through one after the other, taking the same basic head-shot photos of each one. Then, not only are parents expected to pay a fairly steep price for a copy of these photos in various sizes, but they're told the images are copyrighted (property of the photographer), so any reprints must be obtained through the photography business! All the photographer did was capture an image a kid's face -- a face that has unique characteristics making it worthy of photographing in the first place only because it's a result of the unique interactions of the DNA of the child's PARENTS. So logic would tell you that once paying for the SERVICE of having the initial photos taken, the right to duplicate the prints now possessed should belong to the parents!

  110. Not even the same by gr8_phk · · Score: 1

    The one on top looks like a picture of the bridge with the city in the background with a red bus (not sure why that's red). The bottom one looks like a picture of a red bus with the city in the background. There are some similarities, but these pictures don't even feel the same to me. I could believe they were taken by the same guy on the same day with the same camera that can be told to automatically make everything black and white and highlight red (there are cheap cameras that can do that you know). But these are clearly not the same image or even close to the same image.

  111. What planet do you live on? by Rui+del-Negro · · Score: 1

    Did you even bother to read the verdict? Nevermind, it was a rhetorical question (if you had, you would know that there no connection between this case and stock photography, because the basis of the verdict isn't even the photo itself, it's mainly the artistic work done on the photo, and the events that led to the creation of the "knock-off" image).

    1. Company X was using artist A's image commercially (on its products' packaging) without giving credit or paying royalties.
    2. (2011 verdict) Court ordered company X to pay the artist.
    3. Company X director decided to create a similar image, to avoid paying the author.
    4. Company X director wasn't even able to take a similar enough photo so he photoshopped elements from an image bank plus some of his photographs (and removed people, erased the sky, etc.) to create something similar to the work of artist A, and used it in his company's packaging instead of the original.
    5. (this verdict) Court rules that company X is still trying to profit from artist A's work and must compensate him.

    Which part of this do you have a problem with, exactly? How do you expect "society" to punish company X through "good taste" ? How are the people buying company X's products even supposed to know that their packaging uses a knock-off version of someone else's art? Do you think Microsoft or Zynga should be allowed to copy any independent game they come across without any compensation or acknowledgement of the original authors' work?

    Good taste and not lawsuits should dictate our behaviour.

    What planet do you live on? Is this some sort of Hyacinth Bucket form of free capitalism? "Oh, dumping all those chemicals into that river was in such poor taste. No, Richard, don't sue the factory, let's just glare at them disapprovingly, I'm sure the people buying their products on the other side of the world will vote with their wallets and everything will magically fix itself."

    Laws exist for a reason, and, if anything, this case shows that (occasionally) copyright law can still be used to protect the actual artists. I'd expect Slashdot's readers to praise the judge, but of course, for that they would have to actually read the verdict, which I guess is asking too much. It's so much easier to post self-important rants about how clueless judges are and how any verdict spells doom for mankind due to [insert totally unrelated comparison].

    1. Re:What planet do you live on? by Anonymous Coward · · Score: 0

      Read the verdict? Sorry, I thought I was on /. (haha! sorry, end of sarcasm)

      As I stand corrected on the specifics here, we are both in agreement that the judge's ruling was correct. I had an opposite understanding of the matter. I was on the sh*tter, and did not feel much like reading court rulings. Instead, how about some moral philosophy?

      I think we should not avoid the larger view; namely that society in the nominal case would react negatively on those who profit from other people's work (counterfeiting), but still reserve people the right to make fools of themselves (bad copies). I may agree that the view is somewhat old fashioned, and easily exploited by evil corp (tm), but I think the term gentleman should be re-instituted into these matters of dispute; and as such the company X behaved in a most ungentlemanly manner.

      I am not a "free capitalist" evangelist either. This is simply an interesting observation of the way we behave in society regardless of law (who is made by arbitrary beneficiaries), from a somewhat Nicomachean corner of the men's room:)

      And to answer your pointed remark: I live on planet earth. But I cannot leave. Therefore I have a vested interest in making it better. Further, if the world was such that company X would have to consider their actions in light of the community's reactions, the very same community they thrive in today, cases such as these would not have needed take up the court's precious time.

      I should perhaps avoid the idiomatic "good taste", but Kant's categorical imperatives also yield a refined stomach for social issues, so I find the term fitting. Still, I reserve the right to make a fool of myself through laziness, so that society may react and help me correct my ills. Like you just did.

  112. Re:And that is why not reading TFA is wrong by Rui+del-Negro · · Score: 1

    Wait, so when a judge uses copyright law to protect an artist from a company trying to rip off his work without any payment or acknowledgement, that's "why copyright is wrong"...? So I guess you think that if Sony or Universal decided to rip off some indie band's songs, put together an autotuned boy band to sing them, and then sell that version without any compensation or mention of the original authors, it would be "wrong" to sue them?

    I have a feeling you didn't bother to read the actual verdict or understand what this case is about (but somehow still thought your opinion would be relevant). At least I hope you didn't, otherwise what you're saying is that there's no point in trying to make a living as an artist, because any company should be allowed to copy your work and keep all the profits.

  113. Bwian? by zooblethorpe · · Score: 1

    Bwian?

    No, theah's no one named Bwian awound heah.

    --
    "What in the name of Fats Waller is that?"
    "A four-foot prune."
  114. I doubt they'd want to own you by Anonymous Coward · · Score: 0

    When you say "by the same logic" you're referring to the (lack of) logic in your brain, where you choose to comment publicly about a verdict that you clearly didn't read, thus making a fool of yourself?

  115. Re:This is how you do it. It's the whole damned id by Anonymous Coward · · Score: 0

    Who cares if it's wrong about software? That's not what we're talking about. Any discussion about software should be marked off-topic where it belongs.

  116. Ownership of the object by PPH · · Score: 1

    So, if some photographer snaps a pic of some object, they establish an ownership right of that representation of the object. Even if they don't own it themselves. Celebrities aren't going to be happy about this, having had themselves photographed extensively by paparazzi. If they'd like to pose for a shot, now they'll have to see if some other photographer already owns the rights to that pose. Porn stars are even worse off. Some porn producer has staked claims to practically every square inch of their bodies.

    Various tribal societies were right. When someone photographs you, they steal a part of your soul.

    --
    Have gnu, will travel.
  117. Rewritten Code in Linux by painandgreed · · Score: 1

    Read the article. Read the full judgement that is linked in the article. Pay specific attention to the part when the Judge sums up his findings on Independent Creation and the fact that the defendants dropped any claim that their image was designed independently. Jesus, for a guy who doesn't care what I think, you seem a little wound up...

    Well, I remember during SCO that Linus said that if there was any infringing code, to tell them and they'd just rewrite it. Unless photos follow different rules, this would seem to indicate that a case can be made that the code couldn't be rewritten from scratch to avoid copyright, because it was written to do the same thing the infringing code was doing. Thus not designed independently.

  118. Linux is a Violation of UNIX Copyright by Anonymous Coward · · Score: 0

    Using the judges reasoning, Linux and all of the GNU tool that duplicate functionality found in UNIX, violates the rights of UNIX's copyright holders, since GNU and Linux came about because their respective creators did not agree with some or all aspects of the UNIX licensing terms.

    Image the outcome of the SCO cases if this decision existed then?

  119. Judge did right. by Anonymous Coward · · Score: 0

    Claimant was selling souvenirs with his pic on them at the side of the road. Doing well.

    Defendant figured, "I want some of that sweet action." Made his own copies.

    Claimant says, "What the?! That's my idea, my product. I'm suing."

    Claimant wins because Defendant was a sneaky dick and I'd want to clock him as well. This was an example of copyright being used effectively.

    End of that story. The devil is in the details.

  120. Has Samba become a derived work of MS Windows? by Sloppy · · Score: 1

    I think adding this to copyright law, for distinguishing between derived and not-derived works, would eliminate "clean room" reverse engineering as a defense.

    Reverse Engineering's intent always is to produce something that copies another work's "qualitative" and "specific processing" and "compositional idea", and to do it while avoiding having to license the original. The causal link always exists, and the reproduction of behavior/interface always exists (and behavior and interface are the qualitiative expression -- the composition -- of software, or at least proprietary software). These things are the whole point of reverse engineering.

    The clean room process is to guarantee that these aspects of the original are the only things that will be copied, but if these things alone are enough to make something be a derived work, then clean rooms are no defense. Indeed, there can't ever be any defense; all reverse engineering will be be copyright infringement. How could it not be?

    There are so many ways to service SMB requests, Samba just happens to do it qualitatively the same as Windows? Linux' NFS server just happens to do it qualitatively the same as Sun's?

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  121. I disagree by SuperKendall · · Score: 1

    He was told he violated copyright, so he took what I think he rightfully thought is a very different picture. It should not matter for the sake of copyright if he had seen the image or not. You either are infringing or you are not, intent to me seems irrelevant except in determine damages.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  122. Re:Methinks the people here doth protest too much. by metacell · · Score: 1

    What he seems to be saying is that seeing a picture of a red southbound routemaster bus in a desaturated view of Westminster bridge, as used to advertise one product, and then asking a photographer to create something similar to advertise your own product is copyright infringement.

    Both images were used to advertise the same product. The defendant originally used the claimant's picture, but when it proved too expensive he commissioned another artist.

  123. Intent is irrelevant regarding infringement by SuperKendall · · Score: 1

    Intent should come into play in terms of damages. Intent should not be a part of choosing if something really violates a copyright. If a four year old saw that picture and replicated it in crayon would it really be an infringing work? You and the judge would seem to say "Yes".

    It CANNOT be the case that once you see that image you are forbidden from ever taking a picture of a red bus and then desaturating the background, that is a grievous overstepping of what copyright provides.

    Just accept there will be other takes made of a good work. It's not even like the knock-off was as good as the original.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  124. It could, but there are other factors by SuperKendall · · Score: 1

    How does a simple portrait photo survive your thinking? Same angle, same composition, some treatment. Oops!

    Actually it very well could be the case, if the lighting were duplicated exactly as well - some high-end portrait photographers have specific shapes of flashes they use and if you replicated that to get a shaped glint in the eye, they could easily sue.

    But an average straight on portrait in average light is always going to differ in some degree, in expression if nothing else.

    The idea of owning a specific composition, an idea, is frightening.

    Look, I agree with that assessment. I was simply saying I could see how they MIGHT have arrived at that judgement if that were the case - ALONG WITH the specify treatments (which I left unstated).

    But the fact is that if you go and take exactly the same image in the same conditions it is truly a copy. Greta Photography literally is a matter of inches and I think it fair to say some compositions along with treatments and other carefully chosen elements in an image should be able to come together in a protected work.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  125. The base Plotline is not copylocked by RobertLTux · · Score: 1

    The concept of a Young persons journey to Destiny (which happens to involve "magic") is not copylocked but of course to cover yourself you may want to ring up JKRawlings and get the perms to make different references as you need to (even if some stuff is not in fact an actual reference).

    --
    Any person using FTFY or editing my postings agrees to a US$50.00 charge
  126. Re:This is how you do it. It's the whole damned id by metacell · · Score: 1

    It's also worth noting that the touch stone of copyright is originality. It doesn't matter if your photograph looks exactly like another if you in fact had never seen that other photograph. But originality matters because copyright does extend to the "idea" of the work. In other words, when lawyers say that copyright covers "expression", they don't just mean the physical work, but the abstract, mental expression. The idea/expression dichotomy isn't about real versus conceptual. Both are conceptual. The different is fundamentally one of degree. If your mental expression derives from someone else's, and you fix that expression into a physical work, then you've violated the copyright. Right or wrong. This is very basic copyright law.

    So you can basically copyright the idea of an artwork?

    What if you derive an idea from someone else, but add a few elements of your own - is that sufficient to avoid infringing copyright?

  127. If you had read everything... by bloggerhater · · Score: 1

    This ruling is CLEARLY in the spirit of copyright law. The defendant used someone else's work illegally, was caught. Tried to create his own version of the same image, and was caught. There is no question of parallels here. His trail is well documented. You know, id assume the coders here would have figured this one out. And the musicians. Wtf guys.

  128. I own the copyright on Mt. Rushmore... by bodland · · Score: 1

    I took a picture in 1968 from the visitor center......I registered it and have been receiving millions of dollars each year....

  129. sketchy ethics by Anonymous Coward · · Score: 0

    If I'm not mistaken, the defendant company licensed the original photo from the plaintiff company. They didn't want to keep paying the licensing fee so went to the location and shot a similar photo themselves.

    There is a difference between seeing a photo and saying "hey that's neat and I know where and how to do that too", vs. paying someone for their original photo, use it, then not want to keep paying the licensing fee for it so deliberately copying the location & style of the original photo.
    One is being inspired by others creativity, the other is screwing someone from legitimate income.

    How many wedding or sports photographers are inspired by a photo in a book, then go out and try to recreate that shot at their next event?

  130. Motif #1 by cstacy · · Score: 1

    So, which of the paintings and photographs of Motif #1 are infringing, then? http://en.wikipedia.org/wiki/Motif_Number_1 http://www.rockportusa.com/motifone/motif_named.html

  131. Eiffel tower postcard by Anonymous Coward · · Score: 0

    Google image search it. It's like the hiroshima of copyright infringement. Every manufacturer should sue each other and bind of the courts for 10 years. ...ohh and file in that court.

  132. Re: photography and art by ChrisMaple · · Score: 1

    When I looked into the subject about 40 years ago, the owner of the photographic film became owner of the images on the film.

    If you're interested in another technology that blurs the boundary between art and photography, look into "bromoil".

    --
    Contribute to civilization: ari.aynrand.org/donate
  133. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  134. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  135. Time for a crowd sourced reality check.. by wormout · · Score: 1

    Hear me out, there might be something that can be done about this..

    It's not often these days I have any faith in protest actions by the general public having any meaningful impact, but to me this incident is just crying out for some action to at least cause the waste of oxygen who brought the lawsuit some hassle, and hopefully make anyone else considering similar actions think twice. What needs to happen is for as many people as possible to take the same photograph on their cameras and upload to image sites, forums, wherever, with a link or explanation included. Ideally, someone would host a website containing the explanation people can link to (no need to actually host any images there and make oneself a DMCA magnet). The uniqueness original work will become so diluted as to be worthless, awareness of this bullshit ruling would be spread, and there's no way you take down all the 'infringing' images.

  136. It's not setting a precedent, it's following one.. by jcdill · · Score: 1

    TFA claims this is a precedent setting ruling, but that's not true. Getty Images collected on behalf of Ernst Haas in a very similar case of Copying (shooting a substantially similar photo) specifically to Avoid Paying a License Fee.

    --
    "I'd much rather be mistaken as a lesbian by a bigot than be mistaken as a bigot by a lesbian."
  137. Precedent in the US by plopez · · Score: 1

    There is a precedent to something like this I believe in the US, IMO (IANAL, so correct me if I am wrong). Curtis v. General Dynamics Corporation , see http://www.owe.com/legalities/legalities27.htm

    I took a couple of photography classes years ago and the instructor, who taught us well, showed us the image and cautioned us on making photos too much like another work except for personal use. Too much "look and feel" is bad an shows a total lack of originality, IMO. I have problems w/ current copyright law but I hate a copycat.

    --
    putting the 'B' in LGBTQ+
  138. The defendant admitted he purposefully recreated by dinodriver · · Score: 1

    The defendant in this case admitted he purposefully recreated the photo after getting caught using the original (for commercial purposes) without a licensing agreement. He didn't want to pay so he hired someone to recreate it. The fact that his image is somewhat different actually worked against him because it was further proof that he was copying the original and just tweaking it slightly because he thought this would protect him (he was wrong). So it's pretty silly of you to say that it is not copied - it just shows you haven't read the article(s) and the judgement in question.

  139. Re: photography and art by Culture20 · · Score: 1

    Look at the industry of taking school portraits. A photographer goes into the school, sets everything up, and in an assembly-line manner, runs kids through one after the other, taking the same basic head-shot photos of each one. Then, not only are parents expected to pay a fairly steep price for a copy of these photos in various sizes, but they're told the images are copyrighted (property of the photographer), so any reprints must be obtained through the photography business! All the photographer did was capture an image a kid's face -- a face that has unique characteristics making it worthy of photographing in the first place only because it's a result of the unique interactions of the DNA of the child's PARENTS. So logic would tell you that once paying for the SERVICE of having the initial photos taken, the right to duplicate the prints now possessed should belong to the parents!

    Take a ton of photos of your kid with standard "school photo" backgrounds the morning of photo day then sue the photographer for copyright infringement based on this new precedent.

  140. FSCK! by DarthVain · · Score: 1

    People are copying my reality all the time! Get the heck out! I am going to sue all of you for using it!

    P.S. Stop breathing my air!