Slashdot Mirror

foolinator writes "Wired News has reported that Futurama could be making a comeback! From the article: "Last year, Futurama and Family Guy reruns did so well that it's likely both shows (which Fox killed in prime time) will produce new episodes." " Now if only I could get more Firefly, TV might be worth watching again.

foolinator writes "Wired News has reported that Futurama could be making a comeback! From the article: "Last year, Futurama and Family Guy reruns did so well that it's likely both shows (which Fox killed in prime time) will produce new episodes." " Now if only I could get more Firefly, TV might be worth watching again.

michalas writes "Wired reports on the IPO filing of adware/spyware kings Claria who have recently changed their name from Gator. Claria on Thursday filed for an initial public offering to raise $150 million to continue developing its 'behavioral marketing platform.' Claria had a net income of $35 million on revenues of $90 million in 2003. In addition, Claria said it has 43 million active users and 425 advertisers."

digidave writes "Six months after the sit-down, TechFocus.org has published their interview with renowned hacker Adrian Lamo. Done before his arrest, TechFocus kept the interview secret so as not to influence the outcome of his trial. It remains his only interview since being arrested."

In high school debate, twenty years ago, I ran a case for auctioning pollution permits, the application of the free market to pollution. We did pretty well because there was nothing written against it. In the last week, it's hit the headlines. Wired points out that sulfur dioxide went on the market in 1993. Paul Krugman argues that the market fails in the case of local pollutants like mercury (though his research has been questioned). And after reading WorldChanging's take on pollution permits, I have to wonder, why aren't these sold on E*TRADE? If I want to take 5 tons of pollution off the market, why should I have to go through a broker? And if I buy 5 tons, what stops Congress from releasing 10 more tons tomorrow?

mordicus writes "Reuters is reporting that Japanese Trade Officials have raided Intel's Japan Offices. From the article: 'Japan's fair trade watchdog raided the offices of Intel Corp's Japanese unit on Thursday and a government source in Tokyo said the chip giant is suspected of violating antitrust laws.' Japan seems to be rather vigilant in enforcing its antitrust legislation. Microsoft's Japanese unit was target of a similar operation less than two months ago."

Thanks to Wired News for its article analyzing the commercial potential of the trade in MMO virtual items, focusing on Internet Gaming Entertainment (IGE), of which CEO Brock Pierce claims "has more than 100 full-time employees in Hong Kong and the United States... [and] is hiring about five new people a week." Pierce also makes claims that: "In this industry, it's eBay and us... we're the major players", and elsewhere, a Sony Online spokesperson "is aware of IGE and has spoken with the company" with regard to their EverQuest item sales, concluding: "At this point, we're still sort of trying to decide what direction the company's going to move in on this topic." We've previously covered the financial dealings of IGE.

Universal Nerd writes "Could Real be its own downfall? According to 'Find the Download in a Haystack', it could be. The difficulty folks have in reaching the free version of RealPlayer is forcing Minnesota Public Radio to look towards Windows Media Player as an alternative. I prefer good old MP3 or OGG streaming like the feeds offered at WCPE but I'm sure no 'serious' company would consider it because they don't have their digital rights preserved." See the CarTalk story from yesterday.

Roland Piquepaille writes "In its April issue, Wired Magazine argues that we need a second Moore's law, this time about overall efficiencies of our computers and other electronic devices. The subtitle of the article summarizes it: "If we don't do something about increasing battery life, we're toast." Michael S. Malone, the author, says that the first Moore's law is endangered, not because the semiconductor industry cannot build new generation of chips, but because we will not be able to provide them with enough power. And he contends that the problem arises from the fact that we are using more and more wireless devices, which obviously are not connected to a plug. This overview contains selected excerpts of this eye-opening article."

qtp writes "Wired reports that a group called the National Cyber Security Partnership, which consists of 'leading software companies' including Microsoft and Computer Associates and industry organisations such as the BSA, has asked the Department of Homeland Security to regulate what they call 'Cyber Security'. Representatives from Microsoft, Computer Associates, and the BSA headed the Security Across the Software Development Cycle Task Force that submitted this report to the Bush administration today. (For all of you who dread reading 123 page reports, there is a three page summary available as well. The Washington Post, Forbes, and Other Sources are covering this story as well. I hope this is just another [late] April Fools Day joke, but I'm afraid that this looks too scary to be real."

sushant_bhatia writes "Wired News has a story about seeing-eye computer guides for the blind. This is an interesting piece on efforts at Arizona State University and Wright State University to provide features for individuals who are blind. A very interesting project is called the iCare Reader, which allows any individual who is blind to read a normal library book through this product, which 'uses optical character-recognition software along with other software that compensates for different lighting conditions and orientations of the text.' Further details on this can be found at The Center for Cognitive Ubiquitous Computing (Cubic)."

Digitus1337 writes "Wired has the scoop on a new type of rice that was just approved for production by a narrow vote. 'Ventria believes growing drugs that produce proteins like lactoferrin and lysozyme in rice could be a cheaper way to develop drugs than building and maintaining expensive manufacturing plants... Opponents say growing the crops in open fields endangers organic and conventional crops, as well as human health...'" Update: 03/30 23:15 GMT by T : That should probably read "growing rice that produces proteins like lactoferrin and lysozyme."

Digitus1337 writes "Wired has an article up about a new online service known as 'FunHi.' You sign up and join a community, and give your fellows gifts, but as Wired has reported, 'these are not ordinary gifts. They're purely digital: little flashing icons of cars, planes, diamond rings and other virtual representations of expensive items included in messages members send each other. And FunHi members don't seem to care that the real money they're spending on the gifts, at prices as high as $30 an item, is going straight into the company's coffers." This leaves just one question unanswered... why didn't I think of this?" It sounds like an April Fool's Joke, but then, so does online trading of Everquest loot.

An anonymous reader writes "Wired describes over ten different probes launched (and about to be launched) within the decade."

certron writes "Xeni Jardin has written a story for Wired about the "Protecting Intellectual Rights Against Theft and Expropriation Act of 2004" aka the PIRATE Act. It and another related bill are designed to criminalize P2P filesharing by lowering the burden of proof for law enforcement and proposing jail terms of up to 10 years. The bill was introduced by Sens. Orrin Hatch and Patrick Leahy, both of whom received large contributions from the entertainment industries. Under the bill, even sharing a single file (if a judge decides the value is over $10,000) could land a user in jail. Read the full text of Orrin Hatch's remarks."

Fluidic Binary writes "Now instant messenging can waste our time in exciting 'new' ways, according to Wired News, who reveal that an improved unofficial AIM bot has been created to play Infocom games via AOL's messenging client. According to the article: 'The bot, designed by 26-year-old Web programmer Andy Baio, is a Perl script that acts as an intermediary between the games, which are hosted on his server, and AOL's network.'"

Peter Wayner writes: "When jury duty called, I was lucky enough to have a copy of Larry Lessig's new book, Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity, to take along. The Mitchell Courthouse in Baltimore is one of the most beautiful and ambitious marble allegories for how the law can be elegant, ornate, and permanently imposing. It was the perfect place to read a new book devoted to stopping the old guard media czars from using law to keep the couch potatoes down." Read on for the rest of Wayner's review of the book -- which is released today in hardcover, but also available for free online. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity author Lawrence Lessig pages 388 publisher Penguin rating 9 reviewer Peter Wayner ISBN 0375505784 summary Lessig takes a serious but accessible look at how law has been subverted by Big Media and proposes workable steps for taking it back.

Lessig is now famous for a number of reasons, including his two previous books, Code and Other Laws of Cyberspace and The Future of Ideas : The Fate of the Commons in a Connected World. In the first, he was one of the first to affirm what many Slashdot readers know almost instinctively: whomever writes the code determines how the world works. Making the right decisions about power and control when designing a computer system is just as important as writing laws for the future. In the second, he writes of the importance of a vast cultural commons which acts as the wellspring for our expression and the grounding plate for our souls.

His new book is his most casual and most accessible. His prose is improving as he drops the footnote-heavy habit of legal writing and adopts a bloggier style driven by anecdotes and personal revelation. And what anecdotes he has -- Lessig's years on the barricades have given a surprisingly large collection of tales that will make any artist or citizen cringe. Time and time again, the powerful warlords of the entertainment conglomerates have banded together to try to stomp out the sharing and cooperation emerging from the Internet. After years of amassing a strangehold on the world's culture, the conglomerates aren't letting this cheap, fast and out-of-control technology sweep it all away.

My favorite anecdote, if one could be said to stand out, comes from a film maker documenting an opera company. When the camera caught a snippet of the stagehands watching the Simpsons with the sound turned down, the director wanted to add a four-second clip to the movie. Matt Groening said "Yes." The lawyers said it was clearly fair use. But Fox's executives responded with the kind of obscenity that doesn't upset the FCC: pay us $10,000. The clip didn't make the film because the director couldn't afford to go head-to-head with the Fox legal department.

This is just one of a number of stories of how interesting, invigorating content and innovation was strangled at birth by old guard. The anecdotes are, I think, an effort to atone for his loss in the Eldred case and reargue it. He presented the Supreme Court with a very logical and legal reading of why it was wrong for Congress to continue extending the length of a copyright monopoly and the court didn't buy it. A friend of his said that this tack was wrong because the court wanted to feel the depths of the injustice. The justices didn't want laws and footnotes, they wanted something human. Lessig blames his loss on not taking this advice. (As an aside, Lessig's personal description of taking a case to the Supreme Court is a good way to understand just how human the game can be.)

This time around, he piles the examples on top of more examples to show just how the conglomerates can hurt the artist and culture in general. After this case failed, Lessig tried another compromise that exposed the true goals of the copyright czars. Lessig describes his efforts to recreate a copyright registration system. If someone wanted to keep a copyright in force after 50 years, Lessig suggested getting them to pay a $1 fee. This would help everyone keep the copyright straight and make it simpler for everyone to understand just who has what rights to an art work. Any art work that goes unregistered flops into the public domain. Anyone who's tried to clear rights to a project will see this as a step in the right direction. The copyright industry, however, rejected this structure in a way that Lessig suggests illustrates how much this is about power and control, not creativity and expression.

Lessig has other tricks up his sleeve. If he can't convince the U.S. government to change the law, he can appeal to the artists themselves who have the ultimate control. He started his Creative Commons project several years ago and now artists can use several boilerplate licenses that reserve some of the rights while releasing others.

This new book itself is also available for free (PDF) under the license, a tactic that has worked well for Cory Doctorow and myself in the past. When I released Free for All under the license several years after the book was published, I watched the asking price on Amazon's used book market rise more than 40%. It wasn't a big jump, but it was still a bit counterintuitive. The freely available text encouraged people to buy the more readable printed version. I think Lessig will see the same effect. The sales driven by the people who read the electronic version will be greater than the sales lost to the people who just read the downloaded copy.

The good news is that the markets and the consumers are already heeding Lessig's advice because they instinctively disdain a monopoly. The power of the old networks is rapidly disappearing and the increasing concentration among the old guard is as much an illustration of the last ditch effort by the executives to cash out by taking large bonuses from the transactions. Some worry about the concentration of power in the radio world by companies like Clear Channel. But who listens to radio for music any longer? One Clear Channel station near my house plays traffic reports every 10 minutes during the day because their audience is dominated by people trapped on aptly named "parkways". The station may play as few as three songs an hour between 6:30am and 9am. The rest of the time, they yak about movies or the weather and their influence upon music continues to drop.

There are surprisingly good alternatives developing to take over the space. Lessig does an excellent job describing how the Internet radio stations were mugged with unfair regulations, but it's important to remember that they continue to exist because they offer something better than endless traffic reports. Furthermore, competition is coming from strange places. Starbucks is just one such company selling commercial- free mix tapes that are, for almost all intents and purposes, just a plastic disk version of a cool DJ. More and more radio-like venues are appearing.

There are other reasons why the concentration is backfiring. Lessig does a good job explaining how the television networks are squeezing out competition from independent producers. He describes how Norman Lear was only able to bring us "All in the Family" because he was free to take his work from ABC to CBS. That freedom disappeared after Congress repealed the laws forbidding the networks from owning stakes in the shows they broadcast. Now, if you want to get on CBS, it helps to sell a part of your show to CBS or, even better, just sell the whole thing.

But is this strategy really working for the networks? Their ratings continue to plummet. There's a reason why there are so many drug commercials for arthritis remedies on network air. That generation is the last one who watches network television almost instinctively. Lessig likes to complain about the "soviet" nature of these networks. It's a wonderful word that reads on many levels. The more they squeeze out competition and aggregate power in the committees, the more they lose the fluid competition that lets cream rise to the top.

So, who really cares if CBS isn't available on the Dish network? There are hundreds of other channels offering good fare. It was a different story in the 1970's when there were only three networks and CBS offered shows like "All in the Family" and "Mary Tyler Moore". Then, they controlled the heart of our popular culture. Today, the network ratings are so low on Saturday night that all of the networks are looking for a way to stop broadcasting on that day. Aside from the NCAA basketball tournament, I've lived without CBS for years without missing a thing. (Even then, I get most sports news from the websites.) The DVD player is a very, very powerful and destructive technology. When you can buy 50 movies for $30, who even needs CBS, the Dish network or HBO?

All of these idea swirled through my mind as I read Lessig's book and waited during jury duty. Are things getting worse or better? Are the 40+ million plus fileswapping pirates winning, or are the draconian laws crushing our creativity like a jackboot? I spent my time thinking of this balance while waiting for the judge and the attorneys to sift through 150 people to find the right 12 folks to render a fair and impartial verdict. On one hand, it was remarkable that society was being so careful before imprisoning someone for attempted murder. On the other, it was clear that the effort can't be sustained for the 40 million+ file sharing pirates who are thumbing their nose at the law.

Lessig understands this. One of his most persuasive arguments is that the current law becomes more marginalized as it becomes increasingly less fair. Prohibition of alcohol corroded the law and now the increasing prohibition of fair use is eroding respect for copyright.You only need to travel a few blocks from the Mitchell court house to end up in dangerous regions of Baltimore where the marble and the pomp can't do much to protect you. Lessig, the lawyer, knows the law can only work when it is fair and equitable. This new book is a strong and passionate argument for how we can restore some sanity to the system and restore our faith in copyright law. Some people think that Lessig is trying to "smash" the copyright system, but I think he's just trying to restore its ability to function.

Peter Wayner is the author of Free for All , a book on the open source movement and Policing Online Games, a book on how to build the Mitchell courthouse in cyberspace. You can purchase Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page. mpawlo points out you can get the book free and gratis via Bittorrent.

Peter Wayner writes: "When jury duty called, I was lucky enough to have a copy of Larry Lessig's new book, Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity, to take along. The Mitchell Courthouse in Baltimore is one of the most beautiful and ambitious marble allegories for how the law can be elegant, ornate, and permanently imposing. It was the perfect place to read a new book devoted to stopping the old guard media czars from using law to keep the couch potatoes down." Read on for the rest of Wayner's review of the book -- which is released today in hardcover, but also available for free online. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity author Lawrence Lessig pages 388 publisher Penguin rating 9 reviewer Peter Wayner ISBN 0375505784 summary Lessig takes a serious but accessible look at how law has been subverted by Big Media and proposes workable steps for taking it back.

Lessig is now famous for a number of reasons, including his two previous books, Code and Other Laws of Cyberspace and The Future of Ideas : The Fate of the Commons in a Connected World. In the first, he was one of the first to affirm what many Slashdot readers know almost instinctively: whomever writes the code determines how the world works. Making the right decisions about power and control when designing a computer system is just as important as writing laws for the future. In the second, he writes of the importance of a vast cultural commons which acts as the wellspring for our expression and the grounding plate for our souls.

His new book is his most casual and most accessible. His prose is improving as he drops the footnote-heavy habit of legal writing and adopts a bloggier style driven by anecdotes and personal revelation. And what anecdotes he has -- Lessig's years on the barricades have given a surprisingly large collection of tales that will make any artist or citizen cringe. Time and time again, the powerful warlords of the entertainment conglomerates have banded together to try to stomp out the sharing and cooperation emerging from the Internet. After years of amassing a strangehold on the world's culture, the conglomerates aren't letting this cheap, fast and out-of-control technology sweep it all away.

My favorite anecdote, if one could be said to stand out, comes from a film maker documenting an opera company. When the camera caught a snippet of the stagehands watching the Simpsons with the sound turned down, the director wanted to add a four-second clip to the movie. Matt Groening said "Yes." The lawyers said it was clearly fair use. But Fox's executives responded with the kind of obscenity that doesn't upset the FCC: pay us $10,000. The clip didn't make the film because the director couldn't afford to go head-to-head with the Fox legal department.

This is just one of a number of stories of how interesting, invigorating content and innovation was strangled at birth by old guard. The anecdotes are, I think, an effort to atone for his loss in the Eldred case and reargue it. He presented the Supreme Court with a very logical and legal reading of why it was wrong for Congress to continue extending the length of a copyright monopoly and the court didn't buy it. A friend of his said that this tack was wrong because the court wanted to feel the depths of the injustice. The justices didn't want laws and footnotes, they wanted something human. Lessig blames his loss on not taking this advice. (As an aside, Lessig's personal description of taking a case to the Supreme Court is a good way to understand just how human the game can be.)

This time around, he piles the examples on top of more examples to show just how the conglomerates can hurt the artist and culture in general. After this case failed, Lessig tried another compromise that exposed the true goals of the copyright czars. Lessig describes his efforts to recreate a copyright registration system. If someone wanted to keep a copyright in force after 50 years, Lessig suggested getting them to pay a $1 fee. This would help everyone keep the copyright straight and make it simpler for everyone to understand just who has what rights to an art work. Any art work that goes unregistered flops into the public domain. Anyone who's tried to clear rights to a project will see this as a step in the right direction. The copyright industry, however, rejected this structure in a way that Lessig suggests illustrates how much this is about power and control, not creativity and expression.

Lessig has other tricks up his sleeve. If he can't convince the U.S. government to change the law, he can appeal to the artists themselves who have the ultimate control. He started his Creative Commons project several years ago and now artists can use several boilerplate licenses that reserve some of the rights while releasing others.

This new book itself is also available for free (PDF) under the license, a tactic that has worked well for Cory Doctorow and myself in the past. When I released Free for All under the license several years after the book was published, I watched the asking price on Amazon's used book market rise more than 40%. It wasn't a big jump, but it was still a bit counterintuitive. The freely available text encouraged people to buy the more readable printed version. I think Lessig will see the same effect. The sales driven by the people who read the electronic version will be greater than the sales lost to the people who just read the downloaded copy.

The good news is that the markets and the consumers are already heeding Lessig's advice because they instinctively disdain a monopoly. The power of the old networks is rapidly disappearing and the increasing concentration among the old guard is as much an illustration of the last ditch effort by the executives to cash out by taking large bonuses from the transactions. Some worry about the concentration of power in the radio world by companies like Clear Channel. But who listens to radio for music any longer? One Clear Channel station near my house plays traffic reports every 10 minutes during the day because their audience is dominated by people trapped on aptly named "parkways". The station may play as few as three songs an hour between 6:30am and 9am. The rest of the time, they yak about movies or the weather and their influence upon music continues to drop.

There are surprisingly good alternatives developing to take over the space. Lessig does an excellent job describing how the Internet radio stations were mugged with unfair regulations, but it's important to remember that they continue to exist because they offer something better than endless traffic reports. Furthermore, competition is coming from strange places. Starbucks is just one such company selling commercial- free mix tapes that are, for almost all intents and purposes, just a plastic disk version of a cool DJ. More and more radio-like venues are appearing.

There are other reasons why the concentration is backfiring. Lessig does a good job explaining how the television networks are squeezing out competition from independent producers. He describes how Norman Lear was only able to bring us "All in the Family" because he was free to take his work from ABC to CBS. That freedom disappeared after Congress repealed the laws forbidding the networks from owning stakes in the shows they broadcast. Now, if you want to get on CBS, it helps to sell a part of your show to CBS or, even better, just sell the whole thing.

But is this strategy really working for the networks? Their ratings continue to plummet. There's a reason why there are so many drug commercials for arthritis remedies on network air. That generation is the last one who watches network television almost instinctively. Lessig likes to complain about the "soviet" nature of these networks. It's a wonderful word that reads on many levels. The more they squeeze out competition and aggregate power in the committees, the more they lose the fluid competition that lets cream rise to the top.

So, who really cares if CBS isn't available on the Dish network? There are hundreds of other channels offering good fare. It was a different story in the 1970's when there were only three networks and CBS offered shows like "All in the Family" and "Mary Tyler Moore". Then, they controlled the heart of our popular culture. Today, the network ratings are so low on Saturday night that all of the networks are looking for a way to stop broadcasting on that day. Aside from the NCAA basketball tournament, I've lived without CBS for years without missing a thing. (Even then, I get most sports news from the websites.) The DVD player is a very, very powerful and destructive technology. When you can buy 50 movies for $30, who even needs CBS, the Dish network or HBO?

All of these idea swirled through my mind as I read Lessig's book and waited during jury duty. Are things getting worse or better? Are the 40+ million plus fileswapping pirates winning, or are the draconian laws crushing our creativity like a jackboot? I spent my time thinking of this balance while waiting for the judge and the attorneys to sift through 150 people to find the right 12 folks to render a fair and impartial verdict. On one hand, it was remarkable that society was being so careful before imprisoning someone for attempted murder. On the other, it was clear that the effort can't be sustained for the 40 million+ file sharing pirates who are thumbing their nose at the law.

Lessig understands this. One of his most persuasive arguments is that the current law becomes more marginalized as it becomes increasingly less fair. Prohibition of alcohol corroded the law and now the increasing prohibition of fair use is eroding respect for copyright.You only need to travel a few blocks from the Mitchell court house to end up in dangerous regions of Baltimore where the marble and the pomp can't do much to protect you. Lessig, the lawyer, knows the law can only work when it is fair and equitable. This new book is a strong and passionate argument for how we can restore some sanity to the system and restore our faith in copyright law. Some people think that Lessig is trying to "smash" the copyright system, but I think he's just trying to restore its ability to function.

Peter Wayner is the author of Free for All , a book on the open source movement and Policing Online Games, a book on how to build the Mitchell courthouse in cyberspace. You can purchase Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page. mpawlo points out you can get the book free and gratis via Bittorrent.

n9fzx writes "The San Jose Mercury News reports on a study by the Computing Research Association which finds that 'Undergraduates in U.S. universities are starting to abandon their studies in computer technology and engineering amid widespread worries about the accelerating pace of offshoring by high-technology employers.' Enrollment in those fields has dropped by 19% in the past year alone." Update: 03/24 23:40 GMT by CN : jlechem wrote in with a related story: "Wired News has a story about how American companies are outsourcing not because of cheap labor but because of the American school system not being up to snuff. In a report by the AeA, they contend that American schools don't teach enough math and science anymore."

Patik writes "The RIAA today issued 532 new subpoenas for music file swapping, many of them college students using their campus networks. They will not say which ISPs or colleges were involved, but that the users were sharing "substantial amounts" of music files. This brings the total number of subpoenas to 1,977. The RIAA has been averaging $3,000 per settlement so far." Readers Digitus1337 and Warpedcow point to stories respectively at Wired and Reuters.

charlie writes "Bruce Sterling has been writing on the cutting edge of SF for close to thirty years now. After 2000's Zeitgeist he took some time out to write a non-fiction book, Tomorrow Now -- but it's nice to see he's returning to fiction with a new novel, The Zenith Angle, due out in hardcover on April 27th. While his first novels were set in the far future, his recent novels have approached ever closer to the present moment, so it's not too surprising to see that The Zenith Angle is being marketed as a technothriller." Read on below for the rest of Stross' review. The Zenith Angle author Bruce Sterling pages 320 pages publisher Del Rey rating 10 reviewer Charles Stross ISBN 0345460618 summary High-impact infowar technothriller for the technoliterati

Full disclosure forces me to mention that the publisher sent me an advance copy in the hope that I'd write a cover blurb it -- and I did. I'm really impressed. To sum it up in a single sentence suitable for a dustjacket slot, Bruce has written a Catch-22 for the Slashdot generation: a wry, cynical, informed peek at the paranoid world of the post-9/11 cyberspookerati that shines a bright light on the hidden arsenal of infowar.

So what's it all about?

Meet Derek Vandeveer: your typical shy, retiring, brilliant computer scientist working for an internet startup, married to an equally shy and retiring astronomer. And his former college roommate, Tony Carew: your typical dot-com boardroom monkey, a slick, extroverted hustler with a bizjet and a girlfriend from Bollywood. 9/11 happens, and their worlds are never going to be the same again. One of them is going to betray everything he holds precious, the other is going to dive head-first into the twilight world of internet-era espionage, and when they meet again the consequences will be explosive.

The plot romps along with ironic, discursive energy, from the Rocky Mountain hideaway of an increasingly eccentric billionaire industrialist to the bolt-hole basement where America's guardians wait out the long watch for an act of atomic terrorism -- but we're in safe hands here, because we've got Sterling for a guide. This is the future. This is now.

At this point in a normal review I'd start comparing the product to other novels. In fact, if I was Bruce Sterling reviewing this book and it was written by somebody else, I'd say something like: "this is a book that stands proudly in the tradition of Neal Stephenson's Cryptonomicon [if Cryptonomicon was, like, a normal-length novel instead of a trilogy in a corset] and Bruce Schneier's Secrets and Lies"[but hang on, Secrets and Lies isn't even fiction -- where am I saying, here?] ..."

But I'm not Bruce (and I don't have the chutzpah to put words into his mouth because he's a better reviewer than I am). So let's just say, my take on affairs is that The Zenith Angle doesn't really stand in any kind of tradition at all (even though it does read better if you also dig Schneier and Stephenson). It's one of a kind. What we've got is one of the godfathers of cyberpunk taking a long, hard look at where we've come to. And it's a frightening place indeed. He's been tracking this territory in WIRED for several years now: from the frontiers of hacking (which he documented in 1994's The Hacker Crackdown ) to the weirdly convoluted secret history of the military-industrial complex.

By inclination and occupation Sterling is one-half journalist, one-half futurist, and one-half gonzo cyberpunk novelist -- and he somehow crams it all into this book, a 150% full-on technothriller with science fictional sensibilities, or an SF novel about a future that has imploded into the present. This is good, excellent, stuff. Trust me, you'll like it. Pre-order it from Amazon or buy it next month when it comes out -- but read it anyway. It's seminal and it's scary.

Besides Amazon, you can pre-order The Zenith Angle from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

thefultonhow writes "Wired News is running a story about Napa County, CA's problems with their new E-voting system. Not only did an optical scanning machine fail to record absentee ballots properly, necessitating a recount of 13,000 ballots, but now Registrar of Voters John Tuteur is saying that the machine used in precincts failed to count 6,692 votes. The incumbent Napa County Supervisor had originally lost his bid for reelection by only 50 votes (the recount of absentee ballots bumped that up to 107 votes), so with nearly 7,000 votes gone AWOL, this is a big deal." The first Wired link above shows that the discovery of the problem was apparently mostly chance: if none of the 10 (ten!) ballots picked for rescanning had exhibited the problem, they might not have figured it out. It also suggests a new strategy for rigging the vote: pass out pens of a certain type in districts unfavorable to your candidate, then calibrate the machine not to read that type of ink.

thefultonhow writes "Wired News is running a story about Napa County, CA's problems with their new E-voting system. Not only did an optical scanning machine fail to record absentee ballots properly, necessitating a recount of 13,000 ballots, but now Registrar of Voters John Tuteur is saying that the machine used in precincts failed to count 6,692 votes. The incumbent Napa County Supervisor had originally lost his bid for reelection by only 50 votes (the recount of absentee ballots bumped that up to 107 votes), so with nearly 7,000 votes gone AWOL, this is a big deal." The first Wired link above shows that the discovery of the problem was apparently mostly chance: if none of the 10 (ten!) ballots picked for rescanning had exhibited the problem, they might not have figured it out. It also suggests a new strategy for rigging the vote: pass out pens of a certain type in districts unfavorable to your candidate, then calibrate the machine not to read that type of ink.

thefultonhow writes "Wired News is running a story about Napa County, CA's problems with their new E-voting system. Not only did an optical scanning machine fail to record absentee ballots properly, necessitating a recount of 13,000 ballots, but now Registrar of Voters John Tuteur is saying that the machine used in precincts failed to count 6,692 votes. The incumbent Napa County Supervisor had originally lost his bid for reelection by only 50 votes (the recount of absentee ballots bumped that up to 107 votes), so with nearly 7,000 votes gone AWOL, this is a big deal." The first Wired link above shows that the discovery of the problem was apparently mostly chance: if none of the 10 (ten!) ballots picked for rescanning had exhibited the problem, they might not have figured it out. It also suggests a new strategy for rigging the vote: pass out pens of a certain type in districts unfavorable to your candidate, then calibrate the machine not to read that type of ink.

eoyount writes "Wired has an interesting story about a really simple idea I wish I had thought of. Transferring large files across the Internet isn't easy for your average joe, but a combination of RSS and BitTorrent technology might just make it easier - Slashdot ran a previous story on the theoretical blending last year." (LegalTorrents is run by the strangely familiar simoniker, who wrote a short piece on the O'Reilly Network about how it was set up, and offers observations on how well the combination fares.) Update: 03/17 21:45 GMT by T : Ernest Miller submits two related postings he's written on RSS+BitTorrent, a combination he calls "broadcatching."

eoyount writes "Wired has an interesting story about a really simple idea I wish I had thought of. Transferring large files across the Internet isn't easy for your average joe, but a combination of RSS and BitTorrent technology might just make it easier - Slashdot ran a previous story on the theoretical blending last year." (LegalTorrents is run by the strangely familiar simoniker, who wrote a short piece on the O'Reilly Network about how it was set up, and offers observations on how well the combination fares.) Update: 03/17 21:45 GMT by T : Ernest Miller submits two related postings he's written on RSS+BitTorrent, a combination he calls "broadcatching."

An anonymous reader writes "In another example of Microsoft Word meta data coming back to bite you, Wired News reports that a document circulated by the California Attorney General to fellow lawmakers supporting new restrictions on P2P software was actually authored by a senior vice president of the Motion Picture Association of America."

An anonymous reader writes "In another example of Microsoft Word meta data coming back to bite you, Wired News reports that a document circulated by the California Attorney General to fellow lawmakers supporting new restrictions on P2P software was actually authored by a senior vice president of the Motion Picture Association of America."

Nuclear Elephant writes "DSPAM v2.10 is finally available, after four months of development. This is the first stable release to include Bayesian Noise Reduction which was recently mentioned on Slashdot and in Wired News as an algorithm providing accuracy levels as high as 10x that of a human. Some other new features include Neural Networking - which finds nodes in a network that are contextually similar to form a decision matrix, Global Filtering - which provides SpamAssassin-like out-of-the-box type filtering for new users until they build up their own wordlist, Automatic Whitelisting - which automatically learns who your trusted senders are, and many other optimizations and enhancements. Head on over and download the latest tar ball."

Ant writes "Wired News has an article on a campaign for the presidency of Alphaville, the biggest city in The Sims Online. Two challengers will square off in a final primary for the opportunity to unseat Alphaville's incumbent president, the appropriately named Mr-President, in next month's general election."

Ant writes "Wired News has an article on a campaign for the presidency of Alphaville, the biggest city in The Sims Online. Two challengers will square off in a final primary for the opportunity to unseat Alphaville's incumbent president, the appropriately named Mr-President, in next month's general election."

GraffitiKnight writes "After only 1 team managed to successfully navigate the DARPA Qualifying course, DARPA has rewritten the rules to let almost everyone compete. Wired has the story, which also mentions rumors that the race will run to 150 miles, much less than the original plans of 210 - 300 miles." Here is some earlier Slashdot coverage of the race.

GraffitiKnight writes "After only 1 team managed to successfully navigate the DARPA Qualifying course, DARPA has rewritten the rules to let almost everyone compete. Wired has the story, which also mentions rumors that the race will run to 150 miles, much less than the original plans of 210 - 300 miles." Here is some earlier Slashdot coverage of the race.

enrico_suave writes "Wired Magazine had an interesting perspective on how Hollywood has 'pirate' roots in its history, as well as radio, cable TV, and the music industry. Is P2P any different (except for the fact that the industry being replaced has much more money and political sway than ever before)?"

ackthpt writes "Wired is carrying news that Microsoft, America Online, Earthlink and Yahoo are filing suits against spammers under the CANSPAM act. They will 'follow the money' to find the perpetrators and shut them down. Suits currently filed against John Does will have actual names attached once subpoenas get the names of the actual persons. I wish them all the luck, as I clean about 500 pieces of drek a day from my mailboxes." Other readers point to coverage from the BBC and from the Associated Press (here's the AP story as carried by the Boston Globe).

unassimilatible writes "Wired reports that Wisconsin has decided to join a controversial interstate antiterrorism database that holds billions of records of ordinary Americans' activities known as the MATRIX, or Multistate Anti-Terrorism Information Exchange. Is your state next?" Update: 03/10 19:05 GMT by T : Thanks to reader philthedrill for a correction: according to an article in the University of Wisconsin-Madison's Daily Cardinal, Wisconsin has backed out of the Matrix, effective yesterday.

sammy baby writes "Software missing its ship date is commonplace enough that it's usually only mentioned for yuks. However, subscribers to Microsoft's Software Assurance program are discovering that it can have some very real repercussions. According to NetworkWorld, many licencees are discovering that due to slipping release dates, many thousands of dollars spent on these contracts have brought them zero return."

agwadude writes "Wired News has a story about a British software firm called StarBrite that is selling a virtual iPod that runs on Microsoft's PocketPC operating system. It mimics the iPod interface exactly, including the unique scroll wheel. It's a mere $20 but this seems right considering it's only software, and it only supports MP3. MacDailyNews has a shorter story."

Iphtashu Fitz writes "If you'd like to play classic arcade games from the 1980s, then it might be time for you to take a trip to New York, according to Wired News, since the American Museum of the Moving Image is holding an exhibition called Blip! where you can play a selection of the classics, including some of those referenced in an earlier exhibition. Also mentioned on their site is the X-Arcade cabinet for playing arcade-style classics at home through emulation." Much easier than building your own cabinet.

pvt_medic writes "In a set back for the RIAA, last Friday a judge ruled that they have to file lawsuits individually. The judge's decision was that for each John Doe that the RIAA wanted identified they would have to file an individual lawsuit."

quiddity writes "Following the Goofy USB Devices post, one has to know what can be self-powered when the batteries all die. You can handcrank your Gameboy, recharge your cellphone or pda (even grandpa), wind up a webserver (with minions, a beowulf..), see in the dark, and project a movie. What else can we propel through the next blackout/apocalypse?" Some of these devices have have been on Slashdot before; what cool hand-powered tech hasn't been and should be?

rocketjam writes "Foster City, California-based ISP Hypertouch, Inc. has filed the first lawsuit alleging violations of the new Federal CAN-SPAM Act of 2003. The lawsuit was filed against BobVila.com and the spammer they hired, Bluestream Media, for sending Hypertouch customers unwanted, unsolicited email advertisements for Vila's "Home Again Newsletter." The suit alleges the defendents sent spam email ads with fraudulent headers and no physical address. It also alleges the emails were sent to randomly generated and harvested addresses as well as addresses that had replied to opt-out links in other spams. Hypertouch's attorney, John L. Fallat, said the CAN-SPAM Act offers little protection to the public, but they would use the few protections it offers to punish spammers." Reader Clemence links to Wired's coverage of the suit.

Vaystrem writes "Wired's Article 'The Masters of Memory' details the outcome of the recent U.S. Memory Championship ,where 'three dozen people who had, in just five minutes, memorized the positions of 52 cards in a shuffled deck and were now happily organizing cards in a new deck into the same order as the pack they had memorized.'" The article includes details of "the mind numbing upcoming world championship. Could you in a half hour 'memorize a random string of thousands of 1s and 0s'?" I'm still working on the mnemonic alphabet.

retro128 writes "Wired News is carrying a story about a new product from Chameleon Network that's supposed to replace all of your credit/debit/customer cards. It can read the information off of the magnetic strips of credit/debit cards, scan the barcode off of customer loyalty cards, and even memorize the RFID signals of devices like the Mobil SpeedPass. All of this information is stored in a device called the Pocket Vault, and is unlocked with the user's fingerprint. If you wish to use a magnetic strip card, you select the card from the touch screen and put a Chameleon card, which looks like and can be run in standard readers like a credit card, in the Pocket Vault. The Chameleon card will then assume the identity of the card you selected, but only for 10 minutes. In this way, if the card is lost or stolen, nobody can use it. In the case of RFID, you just hold the Pocket Vault up to the RFID scanner for a reading. For barcode-based cards, the barcode will appear on the screen and can be scanned by a standard barcode reader. Chameleon Network says this technology will be available in early 2005 and is expected to cost under $200."

retro128 writes "Wired News is carrying a story about a new product from Chameleon Network that's supposed to replace all of your credit/debit/customer cards. It can read the information off of the magnetic strips of credit/debit cards, scan the barcode off of customer loyalty cards, and even memorize the RFID signals of devices like the Mobil SpeedPass. All of this information is stored in a device called the Pocket Vault, and is unlocked with the user's fingerprint. If you wish to use a magnetic strip card, you select the card from the touch screen and put a Chameleon card, which looks like and can be run in standard readers like a credit card, in the Pocket Vault. The Chameleon card will then assume the identity of the card you selected, but only for 10 minutes. In this way, if the card is lost or stolen, nobody can use it. In the case of RFID, you just hold the Pocket Vault up to the RFID scanner for a reading. For barcode-based cards, the barcode will appear on the screen and can be scanned by a standard barcode reader. Chameleon Network says this technology will be available in early 2005 and is expected to cost under $200."

XiceeX writes "Wired has up a story about HP, as part of a larger drive to figure out how ideas ideas 'infect' large groups of people, scientifically proving what most people already knew: bloggers steal their ideas from other bloggers."

XiceeX writes "Wired has up a story about HP, as part of a larger drive to figure out how ideas ideas 'infect' large groups of people, scientifically proving what most people already knew: bloggers steal their ideas from other bloggers."

spikedvodka writes "Wired is reporting that the "Database and Collections of Information Misappropriation Act (HR3261)" is under consideration. It passed the house Judiciary Committee, and is on it's way to the Commerce Committee. This bill would allow companies to copyright databases. (Think phone-number databases) and goes directly against the idea that nobody can own a fact." (See this earlier posting.)

Roland Piquepaille writes "George Aldrich works at NASA and is not an astronaut. Instead, he's a 'master sniffer.' He tests everything that goes up in space on the shuttle or on the ISS for smelliness, from tennis shoes to teddy bears, and from refrigerators to socks or mascara. Why? Because things smell different in spacecrafts which experience a full day/night cycle every 90 minutes. And bad odors into a spacecraft can even lead to the abortion of a mission, like it happened to a Russian mission back in 1976. Wired Magazine tells us more about NASA's nasalnaut, a man whose colleagues call "Most Smella Fella" and has performed 771 flawless smelling missions. This overview contains more details and selected excerpts from a previous interview with Aldrich given to New Scientist. It also includes a picture showing how the NASA's nasalnaut smells things."

scubacuda writes "Wired: Inspired by McKenzie Wark's The Hacker Manifesto , Madrid's MNCARS's exhibit, Hackers: The Art of Abstraction , explores the connections between hackers, artists and anyone engaged in any kind of creative work. The centerpiece of the exhibition are documentary films and videos made by independent filmmakers and hackers from all over the world, including Freedom Downtime by Emmanuel Goldstein, Free Radio by Kevin Kayser, The Hacktivist by Ian Walker, Unauthorized Access by Annaliza Savage, New York City Hackers by Stig-Lennart Serensen and Hippies From Hell by Inne Pope."