Slashdot Mirror


MPAA Puts Words in Mouth of CA Attorney General

An anonymous reader writes "In another example of Microsoft Word meta data coming back to bite you, Wired News reports that a document circulated by the California Attorney General to fellow lawmakers supporting new restrictions on P2P software was actually authored by a senior vice president of the Motion Picture Association of America."

685 comments

  1. Woah by neoform · · Score: 5, Funny

    You mean government officials are just puppets to large corporations?!

    --
    MABASPLOOM!
    1. Re:Woah by SFBwian · · Score: 3, Funny

      Duh, they just contract out the Henson Co. It's much cheaper than relying on Sony or Mitsubishi to make a robot version (plus, there's that language barr--er, nevermind, I forgot about Schwartz-his-name)

      --
      I'm looking to get rich. I've got steps #2 (????) and #3 (PROFIT!) planned out, but am having trouble coming up with #1.
    2. Re:Woah by EinarH · · Score: 5, Interesting
      You know the scary thing about this is not that gov. officials are just puppets to large corps. Every american with a working brain knows that.
      The scary thing is that it's so common that many people find it to be completely normal.

      Like a recipent told me; "It's not corruption when we call it campaign contributon"

      --

      Melius mori in libertate quam vivere in servitute.

    3. Re:Woah by thelasttemptation · · Score: 2, Funny

      Re your sig:
      Step #1 is figuring out Step #1...

    4. Re:Woah by Anonymous Coward · · Score: 0

      I'm not even really sure why this article is considered news. Anyone who *does* think this is newsworthy must have their head in the sand.

    5. Re:Woah by ZoneGray · · Score: 1

      What's most astonishing is that people continue to advocate moving more of the economy under government control, and implementing "reforms" that will somehow make the process work honestly.

      Like that's never been tried before.

      The only way to get the money out of politics is to get the money out of government. As long as there are goodies and privileges to be given out, people will find a way to buy them.

    6. Re:Woah by Bull999999 · · Score: 1

      I don't see a problem with that if the citizens are willing to just sit on their asses and do nothing. If anything, thing like this should give the people incentive to be more politically proactive.

      --
      1f u c4n r34d th1s u r34lly n33d t0 g37 l41d
    7. Re:Woah by frisket · · Score: 1
      This particular story isn't really about P2P or its legality or its suppression.

      It's about the deceit of a state official putting out a document written by a corporate interest with an axe to grind. Clearly they think it's OK for them to lie about the provenance of a document.

      It's also about a lot of other things, of course, including the technical illiteracy of senior officials who nevertheless purport to take an authoritative stance on the use of technology.

      Remember that when you go to the poll next election.

    8. Re:Woah by NorwBlue · · Score: 1

      Well, as a Norwegian It actually is more scary that most of the contributions here in this discussion argues on a basis that the net is an American thing. We really need to talk in a global context here. There is more people outside od the u.s. than any other place, and quite frankly an american sollution just wont work. If I make a site with free downloads of something that is legal in Norway(nothing springs to mind, but maybe deccs now that the court have freed jon ;-) there is not really anything anyone in America can do about it(except maybe take me to court if i go to the u.s.) And btw why should a Norwegian give a damn about the law in the u.s.? Cause im putting it on the net? Will this make me liable in any country? Personally this is the issue that should be discussed, but what do I know, I'm just a simple Norwegian with a head injury

    9. Re:Woah by B1ackD0g · · Score: 1

      This whole dicussion seems to have digressed into the same tired arguments about P2P vs. MPAA/RIAA. Mod that as a troll if you have to.

      The BIG issue is exactly what the first poster pointed out. A government official is circulating a document on policy that was written or at least corrected by a single industry representative. This guy is president of an association of state attorney generals and the RIAA/MPAA is mainlining their message directly through him to the country. What happened to the dialog that government reps are supposed to engage in, even AG's, when it comes to policy.

      Maybe I'm ranting, but that to me is offensive and wrong and that's what we should be discussing in this thread.

      --
      When I'm feeling down, I like to whistle. It makes the neighbor's dog run to the end of his chain and gag himself.
    10. Re:Woah by TheLink · · Score: 1

      Uh, DVD Jon still had problems with the damn US laws. It doesn't matter if its legal in your country. Even if it is legal would it potentially cause you an inconvenience, and if it does, would it still be acceptable? There are other factors to consider of course.

      The US are already trying to extradite an Australian.

      --
    11. Re:Woah by Zork+the+Almighty · · Score: 1

      At first I thought it was the Canadian Attorney General, and I was thinking "oh crap!". But I think we just have the justice minister, although provinces have AG's.

      --

      In Soviet America the banks rob you!
    12. Re:Woah by aralin · · Score: 1

      In any sane place, the AG would resign immediatelly, the fact nobody even asks for it is a sign of a really wrecked place. Just a thought

      --
      If programs would be read like poetry, most programmers would be Vogons.
    13. Re:Woah by morleron · · Score: 1

      It is funny, but also only too true. This is the sort of thing that helps make conspiracy theorists look better. It seems to me that this incident needs to be investigated more. The AG should not be let off easily on this as, whether the original came from the MPAA or was reviewed by them, there is evidently much too close a connection between them and the office of the AG.

      Just my $.02,
      Ron

      --
      Impeach Barack Obama for violating the Constitutional requirement to be a "natural born" citizen to hold the office of P
    14. Re:Woah by Thing+1 · · Score: 1
      Rule 1 of step club: you must not talk about step club!














      This baby seal walks into a club...

      --
      I feel fantastic, and I'm still alive.
  2. Cynical by lukewarmfusion · · Score: 5, Insightful

    So I'm not surprised by this. It's been happening for a long time - his pockets (and the pockets of many others) are probably lined with MPAA/RIAA green.

    1. Re:Cynical by Naffer · · Score: 4, Informative

      Flamebait? Honestly guys, give the massive negative moderation a break. The MPAA gives money to politicians. Here's an old PCworld Article.

    2. Re:Cynical by lukewarmfusion · · Score: 2, Interesting

      No kidding. I'm not trolling.. I'm very serious. Lobby, corporate and special interest groups are very persuasive when it comes to politicians. That means campaign contributions, "donations" or whatever. The RIAA and MPAA are behind legislation.

      Drug companies are represented by some major players - some politicians listen to the money, not to the constituents.

    3. Re:Cynical by WC+as+Kato · · Score: 1

      I'm not too surprised by this either. Big corporations hire lobbyists for their cause all the time. Throw enough money around and you have a good chance of getting your way.

      --
      --- I'm Green Hornet's sidekick not Inspector Clouseau's!
    4. Re:Cynical by Anonymous Coward · · Score: 1, Funny
      some politicians listen to the money, not to the constituents.

      Yeah, but I hear that that guy's days are numbered. So soon it will be all, not some.

    5. Re:Cynical by Anonymous Coward · · Score: 5, Interesting

      Something I found on Raymon Chen's weblog.

      "A Georgia State University study shows that U.S. senators have an uncanny knack for picking stocks that outpace the overall market. Professor Alan Ziobrowski's analysis of senators' financial disclosure data found that over a period of six years, the lawmakers outperformed the market by 12 percent."

      Link to npr (I realise this is possibly not the favoured radio station round here...)

      http://www.npr.org/features/feature.php?wfId=175 11 62

    6. Re:Cynical by Anonymous Coward · · Score: 0

      The modding done to the above comments is disgusting. The truth is overrated?

      Very said...

    7. Re:Cynical by Anonymous Coward · · Score: 0

      Could it be that the RIAA/MPAA have created slashdot accounts and are trying to abuse the moderation system? Overrated/underrated modding is not subject to metamoderation...

    8. Re:Cynical by dAzED1 · · Score: 1
      that's not a huge margin. You know, without getting any insider info, it just possibly *could* be the case that Senators are slightly more intelligent than your average investor, and slightly more aware of what's going on.

      Then again, Hillary made some 1000% quick returns...that certainly skewed the average some, I'm sure. And I make no excuses for Hillary.

  3. This is why... by jwthompson2 · · Score: 5, Insightful

    metadata is a good thing, as long as it is accurate and useful. Go Metadata!

    --
    Even if I knew that tomorrow the world would go to pieces, I would still plant my apple tree. -Martin Luther
    1. Re:This is why... by anachattak · · Score: 5, Insightful

      I think somebody needs to write an open letter to Microsoft, thanking them for including metadata in Word docs. This simple feature has revealed more inept backroom deals than a hundred crack investigative reporters. My hat's off to the Bill "The Great Satan" Gates and his minions!!! Keep up the mediocre work, guys!!!

    2. Re:This is why... by KillerHamster · · Score: 2, Insightful

      Until it comes back to bite YOU someday.

    3. Re:This is why... by Anonymous Coward · · Score: 0

      Ok mods stop and re-read the parent..

      It funney laugh

    4. Re:This is why... by TwistedGreen · · Score: 2, Funny

      Perhaps during a trip to Soviet Russia...?

    5. Re:This is why... by jwthompson2 · · Score: 1

      I guess that could be bothersome, but anything I produce I accept responsibility for so if it bites me I should have seen it coming anyways. Metadata really bites the people who abuse information because if you plagarize or in this case are a mere mouthpiece you will be found out if you aren't careful because the original author is discoverable. The MPAA probably isn't too upset except with the fact that they have an idiot in their pocket as their advocate. The real person to get bit was the person who distributed the document as his own without properly disclosing its origin. The abuser of information suffered more than the originator of that information.

      Yat for metadata!

      --
      Even if I knew that tomorrow the world would go to pieces, I would still plant my apple tree. -Martin Luther
    6. Re:This is why... by Smidge204 · · Score: 2, Insightful

      as long as it is accurate and useful

      Aye, there's the rub. How easy is it to forge metadata, or remove it completely?
      =Smidge=

    7. Re:This is why... by Mr+Smidge · · Score: 1

      Not particularly difficult to remove:

      Office 2003/XP Add-in: Remove hidden data.

      P.S. Nice nick, Smidge ;-).

    8. Re:This is why... by Smidge204 · · Score: 1

      Smidge204 (605297)
      Mr Smidge (668120)

      I had it before you! (And thanks for the link)
      =Smidge=

    9. Re:This is why... by silicon+not+in+the+v · · Score: 1

      Wow! That was sweet, now I'm waiting for the following so I can reap the +1 Funny rewards:

      "You know what I imagine?"
      "How do you like hot grits served?"
      "Do you think I'm insensitive?"
      "Do you have a business plan to make us profitable?"

      ok...any time now...go ahead, I'm ready.

      --
      We may experience some slight turbulence and then...explode. -Capt. Mal Reynolds
  4. However by ThePretender · · Score: 4, Funny

    if you switch a few of the words and/or key players in this issue you'd have a tin-foil hat brigade flooding the comments.

  5. What? by pherris · · Score: 2, Funny
    MPAA Puts Words in Mouth of CA Attorney General

    I think the MPAA has got something else in Lockyer's mouth too.

    --
    "And a voice was screaming: 'Holy Jesus! What are these goddamn animals?'" - HST
    1. Re:What? by Maskirovka · · Score: 1

      I think the MPAA has got something else in Lockyer's mouth too.

      They didn't want there to be any hickups on his part.

  6. nice, puppeteers... by garcia · · Score: 5, Funny

    "But we remain concerned about the potential dangers posed to the public by peer-to-peer file-sharing technology."

    Oh thank you! I am so glad that a piece of software for sharing innocous content is being watched by out government so that I am not harmed in any way by the pure evil contained inside.

    If P2P software can be used to violate law, the argument goes, its makers should be obligated to incorporate a warning on the product or face liability for deceptive trade practices.

    Yes, because we all know that hammers, cars, broken beer bottles, rolls of duct tape, and pieces of rope all incorporate these warnings...

    We view with grave concern reports that at least some P2P software developers may be adding features deliberately designed to hinder law enforcement in its prosecution of crimes using P2P software.

    Awww, I view with grave concern the fact that the MPAA is paying off government officials so that they can control their market by influencing, greatly in their favor, the laws that are passed and excuted upon everyday citizens.

    Whether it is the widespread availability of pornography, including child pornography, the disclosure of sensitive personal information to millions of people, the exposure to pernicious computer worms and viruses, or the threat of legal liability for copyright infringement, P2P file-sharing software has proven costly and dangerous for many consumers.

    This is my favorite. Widespread panic techniques. Mention that it has child porn abilities! The exposure to viruses is the OS' and the users' fault not P2P software.

    God, what a bunch of trash. Glad that we have these people in office so that others can use them as puppets.

    1. Re:nice, puppeteers... by SFBwian · · Score: 2, Funny
      God, what a bunch of trash. Glad that we have these people in office so that others can use them as puppets.

      Man, it just makes me want to SOCK them.

      --
      I'm looking to get rich. I've got steps #2 (????) and #3 (PROFIT!) planned out, but am having trouble coming up with #1.
    2. Re:nice, puppeteers... by the_mad_poster · · Score: 5, Interesting

      The problem with all of this is that it's so hard to determine who's the good guy in it. It's like watching a bad western with only black hats in it.

      On one side, you have the kids that are freely breaking copyright laws left and right because they want to watch a movie or listen to a song but for whatever moronic reason don't feel they should have to compensate anyone for it (to the dolts that will undoubtedly say "but it costs too much, they're just ripping us off.. waahh waahh.. let me suck my thumb like a little baby" - deal with it. It's called making an informed decision. If you don't think it's a value purchase, don't make the purchase. Doesn't mean you can just rip off a copy for yourself without compensating anyone).

      On the other side, you have these assmunching wonders who are penning laws and signing the dotted line with the names of public officials. WTF?

      Sigh... if you need me, I'll be working on my rocket ship to Mars. The rest of you bozos can fight it out amongst yourselves. There's no "good fight" here to join...

      --
      Alito: A vote for Alito is a punch in the eye to put that bitch back in her place!
    3. Re:nice, puppeteers... by maxwell+demon · · Score: 4, Insightful
      the disclosure of sensitive personal information to millions of people

      Hmmm ... given that the information about the true origin of the file (which the MPAA would surely consider sensitive personal information) was obviously disclosed through a product named Microsoft Word, does that mean MS needs to add a warning, of even have to face liability?
      --
      The Tao of math: The numbers you can count are not the real numbers.
    4. Re:nice, puppeteers... by Nicholas+Q+Name · · Score: 0

      It's called making an informed decision. If you don't think it's a value purchase, don't make the purchase. Doesn't mean you can just rip off a copy for yourself without compensating anyone).

      Well it does mean that - at least here in the real world. My "informed" decision is not to spend 14GBP ($20) on a cd when I can dl it free. I'll happily compensate the producers of the music, whenever they get their act together to cut-out the blood-sucking middlemen (who, as ever, are doing most of the crying)

      --
      Sig: Closed for refurbishment.
    5. Re:nice, puppeteers... by EastCoastSurfer · · Score: 1

      If you really wanted to force a change you wouldn't listen to the music at all. You don't like the way the *AA do business? Boycott them. By downloading *AA products your only giving the blood-sucking middlemen amunition to push through more laws.

    6. Re:nice, puppeteers... by Anonymous Coward · · Score: 1, Insightful

      There's no "good fight" here to join...

      You're missing the third side: those of us who think that corporations shouldn't be throwing money at politicians to buy laws, and think that copyright is actually a good idea when implemented properly (i.e. limited to a couple of decades max and actually limited to the right to copy, rather than preventing people from decoding DVDs to watch, etc).

    7. Re:nice, puppeteers... by 10537 · · Score: 0

      I for one second that. If Random P Musician and His Beat Combo comes up with a catchy little tune that I like, I'd happily pay him for his troubles. What twists my melons is that if I bought the song on CD from a shop, Random P gets a tiny percentage of the money I paid, and some fat-assed loon who did nothing but "lend" Random P some money to record it and then press a bunch of almost worthless plastic disks and send them to shops gets the lion's share. Remunerate the talented, and leave the dinosaurs out to die!

      --
      This sentence no verb.
    8. Re:nice, puppeteers... by Anonymous Coward · · Score: 0

      On one side, you have the kids that are freely breaking copyright laws left and right because they want to watch a movie or listen to a song but for whatever moronic reason don't feel they should have to compensate anyone for it

      Yeah- those damn kids watching TV and listening to Radio. Kill 'em. Kill 'em all!

    9. Re:nice, puppeteers... by Wylfing · · Score: 1
      ++ P2P file-sharing software has proven costly and dangerous for many consumers.
      + This is my favorite.

      What's really great about it is that P2P software hasn't proven costly at all. It saves its users a bunch of money, actually. OTOH, the RIAA lawsuits have proven extremely costly. Therefore, by this logic, to protect the citizens, the AG has a responsibility to shut down the RIAA.

      --
      Our intelligent designer has never created an animal that we couldn't improve by strapping a bomb to it.
    10. Re:nice, puppeteers... by torpor · · Score: 1

      "But we remain concerned about the potential dangers posed to the public by peer-to-peer file-sharing technology."

      Here he is clearly talking about the economic dangers. If p2p kills the media business, the idea is that this will be the end of 'open media' ... as if ...

      Big Media is scared, nothing could be plainer. The time to unleash massive new p2p technologies is -now- and deliver the final death blow to the hollywood distribution mechanism, immediately.

      New media companies are going to be the ones with the most torrents ... not the most lawyers.

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
    11. Re:nice, puppeteers... by swv3752 · · Score: 1

      If things were delivered in a method that was easy to obtain, then people would buy it.

      --
      Just a Tuna in the Sea of Life
    12. Re:nice, puppeteers... by Nicholas+Q+Name · · Score: 0

      The change is happening. Its evolving under its own power. The RIAA and the parrallel orgs in Europe are dinosaurs - big, brutal and capable of doing damage. But their days are surely numbered.

      --
      Sig: Closed for refurbishment.
    13. Re:nice, puppeteers... by Mad+Quacker · · Score: 1

      Welcome to the real world, neo.

      --
      "I don't know that atheists should be considered citizens, nor should they be considered patriots." George HW Bush
    14. Re:nice, puppeteers... by trezor · · Score: 1
      • was obviously disclosed through a product named Microsoft Word, does that mean MS needs to add a warning, of even have to face liability?

      Microsoft? Liability? Yeah, that'll happen. About the same time as hell will be hosting the winter-olympics, I guess.

      --
      Not Buzzword 2.0 compliant. Please speak english.
    15. Re:nice, puppeteers... by Knetzar · · Score: 1

      If things were delivered in a method that was easy to obtain, then people would still steal it.

    16. Re:nice, puppeteers... by Tiro · · Score: 1
      Since you brought it up, westerns with all black hats tends to be the best ones. See esp. The Good, The Bad, and the Ugly and Unforgiven.

      On the white hat/traditional western side, I thought High Noon was good but the rest were mostly mediocre.

    17. Re:nice, puppeteers... by PyromanFO · · Score: 1

      If things are delivered in a method that is hard to obtain, people still steal it

    18. Re:nice, puppeteers... by AstroDrabb · · Score: 1

      Your suggesting that people go without artistic input in their lives? That is silly. Art has been a part of history far, far longer then the RIAA/MPAA, Brittany Spears, Metallica, etc, etc. Art is a very important part of life for many. What right does some scumbag middle man company have to come and hold it hostage and demand eye-gouging prices? It is only because of our corrupted politicians that this has happened. The RIAA/MPAA just bribes the politicians and continually gains more control. The whole original point to copyright was to move works into the public domain. And thanks to bribes of our politicians, we now have 95+ years for works of art to be public domain. Oh, and I would also like to see anyone organize a large number of Americans to boycott the *AA. We Americans are just too lazy. Give us a couch, a TV and McDonald's and we will sit quietly by and watch our rights slowly be taken away.

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    19. Re:nice, puppeteers... by EastCoastSurfer · · Score: 1

      You make an excellent point. Then, let me rephrase my original point to say listen to music but don't steal it. Buy used CDs, go to concerts, support your local artists, etc... By illegally downloading music you simply help to perpetuate the myth that the music industry is the good guy being harmed by criminal file swappers.

  7. Finally P2P restrictions from the right place... by dada21 · · Score: 4, Interesting

    Our Constitution in the U.S. prevents Congress from making any law infringing on our natural freedom of speech. To me, P2P is communication, which is speech. Therefore, the federal government has no mandate to restrict it.

    Our 9th and 10th amendments to the Constitution allows the State and/or the People to cover anything the federal government can not. Should California desire to restrict P2P, it should be able to. If you disagree with California's take on this restriction, you can move to Arizona or Delaware, or another state that doesn't have such a restriction.

    I'm a firm believer that State governments should be manacled by the Constitution as well, and in my perfect world the State would be just as restricted in making laws against speech. But nonetheless, I'd rather see bad laws at the State level rather than the federal level.

    Keep the goons in Congress restricted from making laws, and you'll find almost everyone is happier.

  8. Open Office looking more attractive? by westcourt_monk · · Score: 3, Insightful
    Hehehe.. can't help but laugh at these high ups that put trust in MS products only to find it bite them in the arse. Not saying that is a bad thing. For once (well twice so far) MS products are coming in real handy. I wonder how loud the 'doh' was coming from the AG's office?

    --
    I am going to hell and I am going to take all of you with me.
    1. Re:Open Office looking more attractive? by the_mad_poster · · Score: 0, Offtopic

      I going to hell and I am going to take all of you with me.

      Can we drop you off at a basic English grammar class on the way? You sound like that kid from Flowers for Algernon. :-)

      --
      Alito: A vote for Alito is a punch in the eye to put that bitch back in her place!
    2. Re:Open Office looking more attractive? by Anonymous Coward · · Score: 0

      Dude, OOo has metadata in its doc format too.

    3. Re:Open Office looking more attractive? by westcourt_monk · · Score: 1
      But you could alter the open source to protect your documents in a way you wish. As it is they all are at the mercy of a $500 per copy upgrade that _may_ fix the problem and likely open up another security hole.

      --
      I am going to hell and I am going to take all of you with me.
    4. Re:Open Office looking more attractive? by westcourt_monk · · Score: 1
      Ahahahah i not evered noticed dat, eh?

      --
      I am going to hell and I am going to take all of you with me.
    5. Re:Open Office looking more attractive? by iantri · · Score: 1
      What's your point? OOo has meta-data too.

      Sorry to ruin your MS bashing..

    6. Re:Open Office looking more attractive? by Anonymous Coward · · Score: 0

      The only problem here, AFAIK, is that some absent minded corporate exec left his name in the document's metadata. This could easily happen with OOo. Granted, maybe Word inserted his name without his knowledge, in which case I'd say that's a configuration problem (unless it's unconfigurable in Word, in which case, and only then, I'd call it a bug).

  9. Bitten In the But by Anonymous Coward · · Score: 0, Funny

    I suppose that the words authored by the head
    of the MPAA were "Iraq has WMD ready at 45 mins notice".....oh no that was Tony ("I didn't sex up that document") Blair

  10. Corporate Policymaking by schmidt349 · · Score: 5, Insightful

    This new governmental policy of letting the corporations dictate public policy has just got to stop. America is being overrun by special interest politics, and with so many politicians with their hands in the cookie jar, the MPAA and related organizations essentially have a free hand in drafting legislation, policy notes, you name it.

    I'd be very interested to know whether this Attorney General received campaign "contributions" from the MPAA, and how much. What do you have to pay to buy an Attorney General these days? $10,000? $50,000? I hate that everyone has their price, but what really makes me sad is how low that price is sometimes...

    1. Re:Corporate Policymaking by IAmTheDave · · Score: 5, Insightful

      This has GOT to be illegal. Right? RIGHT? The simple fact that a corporation had any insight into political draft documents and help write them shows intense political and corporate based motivation for law.

      Lobbyists are one thing. Talking in someone's ear, buying them lunch, being recieved by a politician to discuss your views and desires. But to have actual direct input into policy making as the VP of a for-profit organization must be illegal and if it is not should be made so immediately.

      This makes me nothing short of sick, SICK. And it has nothing to do with P2P, it has everything to do with for-profit agencies running the government. I mean damn, if the MPAA and RIAA are allowed to write policy and law, it will soon become government "against the people."

      --
      Excuse my speling.
      Making The Bar Project
    2. Re:Corporate Policymaking by Brando_Calrisean · · Score: 1

      Apparently, $50,000 is close, but not enough.

      (from his site)

      Attorney General Lockyer Issues Statement on Decision to Return Oracle Contributions
      May 8, 2002
      02-053
      FOR IMMEDIATE RELEASE
      (916) 324-5500
      (SACRAMENTO) - Attorney General Bill Lockyer today issued the following statement regarding his decision to return campaign contributions from Oracle Corporation:
      "As I have previously indicated, two weeks ago, in my capacity as the state's chief law officer, I launched investigations into circumstances surrounding the state's Enterprise License Agreement with Oracle Corporation to determine if there have been any violations of civil or criminal law. While it would be inappropriate and unfair to discuss the particulars of our investigation, our efforts are ongoing, aggressive and comprehensive.
      In an effort to insert political considerations into a non-partisan law enforcement endeavor, some elected officials have speculated that my office will not be able to conduct a thorough and fair investigation due to the fact that the governor and I are from the same political party and because I have received campaign contributions from Oracle.
      While their speculations are baseless, because the investigation involves allegations of wrongdoing at the highest levels of state government and because politicians with a partisan agenda threaten to distract the attention of the public and policymakers from the investigation, today I returned the $50,000 Oracle has contributed to my campaign during my term as Attorney General.
      These contributions neither create a conflict of interest for me or my office, nor do they constitute any violation of law. Further, the contributions I received from Oracle came long before I or anyone in my office learned of any controversy involving the ELA or any other issue involving it and state government.
      I have decided to return the contributions because it is clear to me that given the unique aspects of this investigation it is more important to the good reputation of the Office of the Attorney General to assure the public that our investigation of the Oracle contract is fair, non-partisan, and non-political than to retain campaign contributions simply because they were legally made.
      Full, fair, non-partisan and non-political investigations have always been the standard for this office. Returning the campaign contributions from Oracle will help ensure that partisans don't undermine public confidence in the integrity of the ELA investigation by the California Attorney General's Office."

      --
      Don't call me a cowboy, and don't tell me to slow down!
    3. Re:Corporate Policymaking by RLiegh · · Score: 1

      Great, I did not realise the extent of this problem, thank you for pointing it out to us.

      Now, what do you suggest? Writing letters to politicians who are funded by some sort of Special Interest of one sort or another? ("please, kind senator, vote against the people who are funding your campaign. pleeeeeeze..."). Vote The Bastards out ("Don't blame me, I voted for Kodos!")? Start an petition online (snicker)? Violent revolution (Tianamen square, USA!)?

      In short, give with the workable -Viable answers, or just admit that we are, in fact, hopelessly fucked...

    4. Re:Corporate Policymaking by jocknerd · · Score: 1

      Who do you think wrote the DMCA? Politicians? Not likely. I bet if Word documents from then had the metadata that Word has now, the metadata would be very interesting.

    5. Re:Corporate Policymaking by 222 · · Score: 1

      I couldnt find anything regarding Bill Lockye in the few moments i took to search, but Open Secrets is a wonderfull resource when checking out political contributions.
      I know, I know... doing homework is HARD, but it really serves the best interest for all of us to check out what our politicians stand for, and more importantly, who pays them to stand for it ;)

    6. Re:Corporate Policymaking by illumin8 · · Score: 3, Insightful

      This has GOT to be illegal. Right? RIGHT? The simple fact that a corporation had any insight into political draft documents and help write them shows intense political and corporate based motivation for law.

      No, this isn't illegal. Take a look at what Cheney did with the energy task force. Having Enron write their own energy laws is like having the fox guard the henhouse, but there is nothing illegal about it. Government has been having "industry leaders" draft legislation affecting their industry for years now. That's why large corporations can pollute the environment with little or no responsibility. When the industrial polluters are writing pollution laws, business is good for everyone, except those unfortunates that live downwind.

      --
      "When the president does it, that means it's not illegal." - Richard M. Nixon
    7. Re: Corporate Policymaking by Black+Parrot · · Score: 1


      > This new governmental policy of letting the corporations dictate public policy has just got to stop. America is being overrun by special interest politics, and with so many politicians with their hands in the cookie jar, the MPAA and related organizations essentially have a free hand in drafting legislation, policy notes, you name it.

      On a related topic, though less geek-oriented, 60 Minutes had a nice segment last night about how the pharmaceuticals buy off Congress to keep USAians paying twice as much for drugs as any other industrial nation does, even when the drugs roll out of the same outsourced factory.

      --
      Sheesh, evil *and* a jerk. -- Jade
    8. Re:Corporate Policymaking by starcraftsicko · · Score: 2
      In short, give with the workable - Viable answers, or just admit that we are, in fact, hopelessly fucked...
      We are hopelessly fucked. We are Fucked because even if you hear the answer you'll fear it. We are Fucked because, in America, we have only two major political parties, we are Fucked because in choosing betwixt them every couple of years, we can at best choose which group of wealthy special interests we want to allow to fuck us over this time...

      Bush and his Republicans favor large corporations that have money and political clout. Kerry and his Democrats favor large trade unions that have money and political clout. The only question is we get to answer is which bunch of criminals we want in office. And we get no good choices.

      You want to fix the problem? Don't vote for Bush, or for anyone in his party. Not even for School board. Don't vote for anyone endorsed by the local or national chamber of commerce. Don't vote for Kerry or anyone from his party. Don't vote for anyone endorsed by your union. Don't vote for anyone who is endorsed by ANY union. Even if you like their message or ideology, remember that these people are all in the pocket of a special interest.

      The ABA, AMA, NRA, NAB, and even AAA are all special interests. Look to see who they like. Then vote for somebody else.

      BUT ALWAYS VOTE!

      You want to fix the problem? Really? Run for office yourself. It won't pay very well if you're honest. But if you know what is wrong with the system, you are a hypocrite if you don't try to fix it. Yourself.
    9. Re:Corporate Policymaking by RAMMS+EIN · · Score: 4, Insightful

      ``it will soon become government "against the people.''

      And the US sets the trend. In Europe, there has tended to be much more concern for the weak. Unfortunately, this has started to change lately, with rightist governments in power and under pressure from the USA. I cheer for the left wing victory in Spain, and hope the same will happen elsewhere, though rather without the help of terrorists.

      --
      Please correct me if I got my facts wrong.
    10. Re:Corporate Policymaking by frankie · · Score: 5, Informative
      But to have actual direct input into policy making as the VP of a for-profit organization must be illegal and if it is not should be made so immediately.

      Not illegal. Not even close. In fact, there are many currently-standing laws that are:

      1. written entirely by private organizations
      2. copyrighted by those organizations, with a limited license granted to the government for enforcement purposes
      3. if you want to read the frickin law you must buy a copy from the private company
      And for the grand finale: any other person who makes copies of these laws available to the public is prosecuted for copyright violation! Note that the this case was appealed to the US Supreme Court, but they refused to hear it.

      The law of the land is: you don't talk about the law of the land.

    11. Re:Corporate Policymaking by negacao · · Score: 0

      ... it will soon become government "against the people."

      With the DMCA and other draconian measures put into law solely by corporations, I think it is already the government against the people.

    12. Re:Corporate Policymaking by IAmTheDave · · Score: 1

      Wow.

      --
      Excuse my speling.
      Making The Bar Project
    13. Re:Corporate Policymaking by RLiegh · · Score: 1

      "BUT ALWAYS VOTE"
      yeah, I usually vote a straight kodos ticket myself...

      "But if you know what is wrong with the system, you are a hypocrite if you don't try to fix it. Yourself. "

      So, what office are you holding or running for, then?

    14. Re:Corporate Policymaking by starcraftsicko · · Score: 1
      So, what office are you holding or running for, then?
      State Rep. Running for.
    15. Re:Corporate Policymaking by Rick+and+Roll · · Score: 3, Insightful
      Absolutely ridiculous.

      That cuts to the heart of the constitution, when you can't talk or write about the law of the land. It is really pathetic how only one judge would think of the moral issue, that a law was being enforced that he couldn't even read about. All of the other appeals court judges, in their writing for the judgement, cited the reason for being able to copyright law as convenience.

      That is pure ignorance.

    16. Re:Corporate Policymaking by mkro · · Score: 1

      Remember the BSA and the European Commision directive?

      "Interestingly, the MSWord document contained a hidden author's field with the name Francisco Mingorance. This indicates that he has at least revised the text on his machine, and further evidence suggests that he played a major role in the drafting."

      Fight. Fight, I tell you.

      --
      I shall go and tell the indestructible man that someone plans to murder him.
    17. Re:Corporate Policymaking by Rick+and+Roll · · Score: 1
      it has everything to do with for-profit agencies

      I'm not so sure about non-profit agencies (though I think the status given to them is wrong). I had a "non-profit agency" interrupt a peaceful afternoon at home with a pre-recorded call about their debt consolidation service. The call only served to remind me that my finances sucked (I am a student who is about to graduate, can't find much time to work). I wanted to shove the phone up the throat of whoever was behind it.

    18. Re:Corporate Policymaking by theancient2 · · Score: 1

      Canada's government recently passed a campaign financing reform bill, just in time for this year's election.

      "Bill C-24 limits corporate and union donations to political parties to a maximum of $1,000 and allows them only at the riding association level, not directly to federal parties. The bill also places a $5,000 limit on individual donations.

      "A new system of public funding will be established to compensate for the funding shortfall, and will be based on the number of votes received by each party. Every vote received by a party in the previous election will earn a $1.75 taxpayer subsidy.

      "Introduced on January 29, 2003, Bill C-24 is aimed at drastically reducing the amount of money that business and labour interests can give to political parties."

    19. Re:Corporate Policymaking by Danse · · Score: 4, Insightful

      That's one of the more repulsive decisions I've heard about in a while. They are basically saying that the law can be copyrighted and sold because to do otherwise would be too expensive for the government. First of all, the government could contract out such work on standards codes, making them works for hire that the state would own the copyright to. It's fine to pay someone for their expertise in crafting a law. It is definitely not fine to require people to pay for access to the text of the law. Seems like that would make ignorance of the law a valid defense.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    20. Re:Corporate Policymaking by red+floyd · · Score: 1

      Didn't find much, but LOCKYER 2006 got $500 from ASCAP (and interestingly $1000 from Intuit).

      --
      The only reason we have the rights we have is that people just like us died to gain those rights. -- Cheerio Boy
    21. Re:Corporate Policymaking by Brandybuck · · Score: 1

      This new governmental policy of letting the corporations dictate public policy has just got to stop.

      "As goes California, so goes the rest of the nation." The Attorney General, Bill Lockyer, is the classic California Democrat. He's one of the Gray Davis crowd. The recent election my have put the Governator in office, but it didn't replace the rest of the Democrat officeholders selling California to the highest bidding corporation.

      --
      Don't blame me, I didn't vote for either of them!
    22. Re:Corporate Policymaking by AstroDrabb · · Score: 1
      BUT ALWAYS VOTE!
      Vote for who? Bush? Kerry? Please.... When there is a viable candidate, that is when I will vote. How in the world could I vote for W? Or Kerry the "war hero"? No thanks, I don't want either of them, and sadly, I will be stuck with one or the other for 4 years.
      You want to fix the problem? Really? Run for office yourself. It won't pay very well if you're honest. But if you know what is wrong with the system, you are a hypocrite if you don't try to fix it. Yourself.
      You cannot play a fair game in which all of the other players are cheating. Go ahead and try to run for office and be honest, not take bribes/contributions, etc. You will not get very far in the current political game. We need more candidates from more politcal parties to be able to run for president. Has there every been a time when there were more then two candidates for president? Or that the only two parties were Republican and Deomcrat? IMO, the only way to fix things is to look into our past and do what our founding fathers did to build a once great nation. That is to revolt. Get our rifles and bring down the current political game. Rebuild on the foundation of the original constitution, and maybe try to make it more "locked tight" as to prevent abuse in the future. I would also create a REAL democracy and not a "represented" one.
      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    23. Re:Corporate Policymaking by SubtleNuance · · Score: 1

      What like the Energy Policy that Enron wrote? The Whitehouse has been fighting tooth and nail to prevent the notes from Mr.Cheney's consultation with the energy giants.

      Or that Schwarzenegger met with Ken Lay and other republican plutocrats to let arnold in on the fleecing of California..

      The US Government is as bought-and-paid-for as any other third rate dirthole. You people *really* need to wake the hell up -- legislation is LITERALLY being written by industry.

    24. Re:Corporate Policymaking by rabel · · Score: 1

      The technical term you are searching for is "fascism."

      Introduction to Fascism

    25. Re:Corporate Policymaking by Anonymous Coward · · Score: 0
      Replace "more concern for the weak" with "eagernesss to play to the demands of those who don't like to work" and you've captured the growing economic woes of France and Germany almost perfectly.

      The unfortunate thing is that, burdened with all these deadbeats, a society eventually doesn't have the resources to care for those who are actually weak. The roughly 15,000 French elderly who died in the heat wave last August did so because France's socialized medicine is poorly run and all too willing to cater to a medical staff who're eager to take their usual August vacation.

    26. Re:Corporate Policymaking by starcraftsicko · · Score: 1
      We need more candidates from more politcal parties to be able to run for president. Has there every been a time when there were more then two candidates for president?
      Yep. Happened Pre-civil war. The republicans were the 3rd party. Lincoln won. In modern history, Teddy Roosveltran ran 3rd party once. In the Late '40s there were some semi-serious 3rd parties (dixiecrats anyone), and let us NEVER forget Ross Perot in the '90s.

      So it has been done.
      the only way to fix things is to look into our past and do what our founding fathers did to build a once great nation. That is to revolt. Get our rifles and bring down the current political game. Rebuild on the foundation of the original constitution, and maybe try to make it more "locked tight" as to prevent abuse in the future. I would also create a REAL democracy and not a "represented" one.
      Um... right.

      Actually a CON-CON just about now might be a good thing. The fact that our constitution is older doesn't make it better. Armed revolt though? You first.

      As for non-represtative democracy... why not just hand everything over to the broadcast media? Keep in mind that they too are a special interest.
      You cannot play a fair game in which all of the other players are cheating. Go ahead and try to run for office and be honest, not take bribes/contributions, etc. You will not get very far in the current political game.
      Maybe not. But I'll get further than I would plotting armed revolt. Might even live to tell about it.

      Anyone but BUSH. Anyone that is, except for KERRY!
    27. Re:Corporate Policymaking by Anonymous Coward · · Score: 0

      So your vote is for the terrorists to win? There sure as fuck did in spain, and it's going to cost us 200 lives before the next election.

    28. Re:Corporate Policymaking by silicon+not+in+the+v · · Score: 2, Interesting

      Here is what's even more repulsive about it. The judges in that building codes case blindly assumed something in making that decision. They don't see anything wrong with it because you can still request or buy a copy of the law from the copyright holder. Here's the big problem with that: they are assuming the copyright holder will make it available. They never really have to, though. That is where this ruling can accidentally be applied in a police-state kind of way. The law can be enforced on the citizens potentially without their having any way to see what the law actually is.

      Woe unto U.S. citizens if a company drafts and copyrights legislation like this, and then sets up an under the table deal to receive kickbacks on fines imposed against violators. The financial incentive to show the law would be gone as it would dry up the revenue stream of fines.

      --
      We may experience some slight turbulence and then...explode. -Capt. Mal Reynolds
    29. Re:Corporate Policymaking by innocent_white_lamb · · Score: 1

      Government has been having "industry leaders" draft legislation affecting their industry for years now.

      The question becomes, who else would you have write it then?

      Expertise and knowledge of a field is required to regulate it properly. If I know nothing about the game of football other than the fact that I watched a game on TV last Sunday, should I be the one to write the rules for the playoff games?

      In environmental or industrial issues, would you have David Suzuki write the rules for industrial pollution, or Union Carbide? One way you have no factories at all (and no products) and the other way you have excess pollution of all kinds.

      So, how to strike the proper balance? And who gets to decide what "proper" is?

      --
      If you're a zombie and you know it, bite your friend!
    30. Re:Corporate Policymaking by RAMMS+EIN · · Score: 2, Informative

      ``Replace "more concern for the weak" with "eagernesss to play to the demands of those who don't like to work" and you've captured the growing economic woes of France and Germany almost perfectly.''

      There are always people trying to abuse the system. Care for the weak and people will fool you into thinking they are weak while actually they're lazy. Don't care for the weak and they will be crushed by greedy big shots. I happen to prefer the first one.

      Incidentally, I and many others believe that the economic downturn in Europe was mainly caused by the economic downturn in the USA and the belief and FUD that there _was_ an economic downturn, which is a self-fulfilling prophecy. Speaking from experience, I know that in the Netherlands things weren't so bad. There were a few market segments where people had abused the switch from guilder to euro to inflate prices, and many businesses were seeing their revenues drop once people were realizing how expensive things had gotten. Prices have fallen now, and people are starting to buy again. Go figure.

      As for the elderly who died; well, if you didn't care for the weak they would have died by default. It's not like France is a poor country that can't support its population. If you want numbers, go check the CIA World Factbook and you will find that the population below the poverty line is twice as high in the USA as in France. And the current governments in western countries (in particular the USA, western europe, and Israel), are mainly right-wing, liberal, leave-the-economy-alone-style. I'm not saying that's what caused the economic downturn, just arguing against the notion that the relatively leftish, socialist, support-public-interests politics in Europe caused it.

      --
      Please correct me if I got my facts wrong.
    31. Re:Corporate Policymaking by RAMMS+EIN · · Score: 2, Interesting

      ``So your vote is for the terrorists to win? There sure as fuck did in spain, and it's going to cost us 200 lives before the next election.''

      They did, and I'm not saying I'm happy with that. You need to consider, though, that terrorists don't just kill people for the fun of it. The acts you hear about are organized, which requires support, which requires that people agree with your cause, or with your power. Where the West has money to persuade and armies to enforce, its opponents have to use the means they have. It's more effective to blow up innocent people than to try and assault government officials.

      The USA has made lots of enemies, and they are fighting back. Spain allied itself with the USA, and now suffers the consequenses. The USA has unilaterally attacked Iraq under the pretense of having evidence of weapons of mass destruction, which apparently are a crime for some countries to have but not for others. It has been punishing countries that didn't support it by not allowing businesses from those countries to get contracts, and Bush has repeatedly said that those who do not support him are against him and will be punished. Nobody in this war has clean hands.

      All this killing and trickery to control others just makes me sick. Spend your energy on something constructive, for goodness' sake.

      --
      Please correct me if I got my facts wrong.
    32. Re:Corporate Policymaking by sybert · · Score: 1
      This new governmental policy of letting the corporations dictate public policy has just got to stop.


      This is California where having corporations dictate policy is actually a big step forward from having labor unions and trial lawyers dictate policy. There are short term limits for the polititions but no term limits for the special interests so the special interests end up authoring much of California legislation. Having Bill Lockyear actually trying to enforce any law is another big step forward for him. It's pretty pathetic that this little snafu actually increases my opinion of our Attorney General. We can have the people try to dictate California policy. There is a petition out to recall Bill Lockear.

  11. How can I too read this meta-data? by trp642 · · Score: 5, Informative

    Use the Antiword!

  12. Comment removed by account_deleted · · Score: 0, Informative

    Comment removed based on user account deletion

  13. Democracy by gid13 · · Score: 5, Interesting

    Power is transferring from the state (the general state, not just California) to corporations. If this continues, companies will rule. This is perhaps the ultimate downfall of democracy, and the end point of capitalism.

    It gave me an interesting idea, though. If this situation actually happens, or even if it doesn't, imagine a company run as a democracy. Regular elections for CEO (of course there would have to be some accountability rules so they don't milk it for personal gain before stepping down, but that'a already a problem anyway). I can imagine workers for such a company being more motivated, and certainly more financially healthy since the massive salaries at the top would essentially be spread around.

    1. Re:Democracy by perly-king-69 · · Score: 5, Insightful

      Now, what was it Mussolini said about Fascism being about the merging of the State and Corporation?
      Welcome to the future.

      --

      --
      This sig is inoffensive.

    2. Re:Democracy by ravind · · Score: 1

      This has been tried out, by a south american corporation. Unfortunately, I forget the name of the person that introduced this. Employees decided their own salaries, but their co-workers voted to decide whether they wanted to keep them at that salary. The company's accounts were also open to all the employees, so they could see where the money was going.

    3. Re:Democracy by bsartist · · Score: 4, Funny

      This is perhaps the ultimate downfall of democracy, and the end point of capitalism.

      On the other hand, it's the beginning point of a lot of really good sci fi books.

      --
      Lost: Sig, white with black letters. No collar. Reward if found!
    4. Re:Democracy by Trashman · · Score: 2, Interesting
      If this situation actually happens, or even if it doesn't, imagine a company run as a democracy.


      As great as that sounds in theory; In practice, absolutley nothing would get done. The CEO example sounds nice but Why don't we drill down to the "peon" (my) level.

      I can see it now:

      PHB: I need you to restore this file, for joe VP user.

      Employee: I will not. The software we use is made by company that only writes software for the product of another company who is a convicted Monopoly. That monopoly is accused of conspiring with Hollywood who is using the Legal system to pass laws that are in it's favor. In addition, I am swamped with this other thing I'm working on.

      PHB: Well, you have the right to disagree. This is a democracy after all. I'll call a meeting and we will vote on it.
      --
      Do not read this .sig
    5. Re:Democracy by oferic · · Score: 4, Informative

      Now, what was it Mussolini said about Fascism being about the merging of the State and Corporation? Welcome to the future

      I think the actual quote was:

      "Fascism should rightly be called corporatism as it is a merger of state and corporate power."

    6. Re:Democracy by Nicholas+Q+Name · · Score: 0

      Seems to me that fascism is always the endpoint of capitalism - hey, was that supposed to be a secret?

      --
      Sig: Closed for refurbishment.
    7. Re:Democracy by Slowping · · Score: 1


      It gave me an interesting idea, though. If this situation actually happens, or even if it doesn't, imagine a company run as a democracy. Regular elections for CEO (of course there would have to be some accountability rules so they don't milk it for personal gain before stepping down, but that'a already a problem anyway). I can imagine workers for such a company being more motivated, and certainly more financially healthy since the massive salaries at the top would essentially be spread around.


      You mean in the same way that average citizens have real decision power over their government (other than throwing one party out of power once in a while, only to face the same problem with the other one) and the politicians unable to creatively milk taxpayer money for their own benefit?

      --
      (\(\
      (^.^)
      (")")
      *beware the cute-bunny virus
    8. Re:Democracy by Anonymous Coward · · Score: 0

      Why not do something about it and file a complaint >:)

    9. Re:Democracy by eraserewind · · Score: 1

      What should happen in any representative democracy is that corporate donations would be made highly (i.e. serious jail time) illegal. After all, corporations aren't alive, and don't vote. Their legal personhood is just a convenient legal fiction. They should have no influence on government except indirectly through how their individual members vote, since in a democracy, the sum of those votes is exactly how important they are. Individual donations should be limited to $50 anually, or similar token amount, since in a democracy it is not how rich you are that determines your worth. Of course there is not a chance in hell of that happening, but anyway...

    10. Re:Democracy by MoreOrLess · · Score: 1, Insightful

      I have a good idea for company run as a democracy. I will create something called "shares" and distribute them equally with all of the employees. This "share" would enable everyone to vote in important matters of the democracy, such as the election of the officers to run the company. If the elected officers fail to perform their duties, one of the shareholders could call a "shareholders meeting" to take appropriate actions and remove them. Profits of the company could then be distributed according to these "shares", in a sort of "dividend".

      Over time, employees that were particularly good could perhaps receive additional shares as a result of their help in increasing the value of the firm and as a valid motivational and performance tool. Similarly, there may be some new employees that join, and they certainly should not be entitled to the same number of shares as those who had put in much hard work, as that would hardly be "fair".

      Thus, this would allow varying the number of shares of each of the participats in this venture, while still preserving the "democratic" aspect. However, what to do when somebody wants to leave the company? It would be unfair to have him/her simply give up their ownership involuntarily, conversely it would not make sense for him/her to be forced to hold said "shares" when they no longer are a willing participant in the venture. One solution would be a "market" which would allow people in the company to exchange their "shares" for another store of value, such as "cash".

      Now while it might make sense to restrict this "market" to employees, this might not ensure that the price for shares received was fair, as a smaller market might not be as transparant or efficient. Additionally, if the venture needed money for new products, marketing, etc, it might be hard to keep asking the employees to put in more. It would seem opening this "market" to other non-employee participants could address this.

      What do you think of this idea? I will also create something called a "patent" so you don't steal it.

    11. Re:Democracy by Sentry21 · · Score: 1

      Power is transferring from the state (the general state, not just California) to corporations. If this continues, companies will rule. This is perhaps the ultimate downfall of democracy, and the end point of capitalism.

      The United States being a republic, I believe Ambrose Bierce said it best:

      REPUBLIC, n. A nation in which, the thing governing and the thing governed being the same, there is only a permitted authority to enforce an optional obedience. In a republic, the foundation of public order is the ever lessening habit of submission inherited from ancestors who, being truly governed, submitted because they had to. There are as many kinds of republics as there are graduations between the despotism whence they came and the anarchy whither they lead.
    12. Re:Democracy by gid13 · · Score: 1

      I think if it's really an even remotely accurate implementation of what I was talking about, then I guess democracy doesn't work for companies either. :)

    13. Re:Democracy by hyphz · · Score: 1

      I don't know what your point is.

      In the vast majority of companies, 51% of the shares are held by a single individual or a limited cartel who work together at a lower level, thus rendering meaningless any control granted by the other shares.

      Just because companies offer shares doesn't mean they support democracy.

    14. Re:Democracy by hal9000 · · Score: 5, Informative

      Actually, the untruncated quote is:

      The first stage of fascism should more appropriately be called Corporatism because it is a merger of state and Corporate power.

      --
      Look out honey, 'cause I'm using technology; Ain't got time to make no apology
    15. Re:Democracy by MoreOrLess · · Score: 1

      You have the right to set up your business in any manner that you see fit. You can set up as a non-profit, partnership, corporation, etc.

      A company constantly voting with their masses of employees on strategic issues would not be able to react quickly, discretely, consistently or at times intelligently. Of course employees are intelligent. However employees 1) don't have the time or expertise to govern on a regular basis, and 2) are not necessarily the owners, and thus their interests are not always aligned. The shareholders are the owners of the firm, and elect the governing officers to protect their interests, which seems fair considering they took the financial risk of starting the business.

      Now I'm sure someone can cite a few companies with other governance schemes that work for that company, fine. As stated, there is nothing stopping anyone from creating a purely democratic governing model. So if you want to, go ahead.

      However, the larger companies in the world would seem to be run as shareholder-owned corporations. And despite the claim that the "vast majority" are controlled by individuals or small cartels, this is likely not true of the vast majority of sizeable (i.e., exchange traded) ones, which would be likely the ones with any meaningful influence anyway (after all, there are many single person "companies"). This is a function that companies need money to expand, every time they get money they are diluted, the ownership grows and becomes more diverse when sold to the public, and thus more democratic.

    16. Re:Democracy by halbritt · · Score: 1

      Power is transferring from the state (the general state, not just California) to corporations. If this continues, companies will rule. This is perhaps the ultimate downfall of democracy, and the end point of capitalism.

      This is not a failing of capitalism, but a failing of corporatism. Our economic systems is pretty far from a purely free market. We have these artificial citizens that are free from liability and have no capacity for moral behavior with a singular motive (quarterly stock price gains, not profit) and a desire for an artificial monopoly. Corporations don't seek to profit, nor do they seek to compete. These things are difficult to achieve in a corporate environment. If you perceive corporations as what they are, then actions like this are easily understood.

    17. Re:Democracy by marko123 · · Score: 1

      Infactually, the complete and un-taken out of context quote is:

      The triumph of money over common sense is what this war is the first stage of. Fascism should more appropriately be called Corporatism. Because it is a merger of state and Corporate power,however, war will always beat fascism pants-down for hosting a popular economic self-raping of a country.

      --
      http://pcblues.com - Digits and Wood
    18. Re:Democracy by hal9000 · · Score: 1

      Interesting. Just curious where you found that-- it's not showing up on google. Thanks

      --
      Look out honey, 'cause I'm using technology; Ain't got time to make no apology
    19. Re:Democracy by marko123 · · Score: 1

      It doesn't exist. I think I should have type unfactually, instead of infactually.

      --
      http://pcblues.com - Digits and Wood
    20. Re:Democracy by hal9000 · · Score: 1

      The "pants-down" thing shoulda tipped me off...

      --
      Look out honey, 'cause I'm using technology; Ain't got time to make no apology
    21. Re:Democracy by johnmeier1 · · Score: 1

      If you want one Science Fiction author's theory, try reading "Islands in the Net" by Bruce Sterling where the main character is a member of a Democratic/Republic organized corporation.

  14. Re:Stupid Bush! by Ryvar · · Score: 5, Insightful

    While a staunch anybody-but-Bush voting liberal, even I have to confess that rank corruption in the realm of intellectual property legislation is universal - the voting record declares authoritatively that both Democrats and Republicans alike have, on this issue at least, sold out to special interests with fervor and abandon.

  15. How many times do I have to say this by DNS-and-BIND · · Score: 5, Insightful
    Save as .RTF, people! The .DOC format is poison for sensitive business documents! In addition, the .RTF format is far more portable.

    Ah, who cares. I'll continue to reap rewards from vendors and lawyers who send .DOC files.

    --
    Shutting down free speech with violence isn't fighting fascism. It IS fascism!
    1. Re:How many times do I have to say this by AndroidCat · · Score: 1
      That's why I routinely flush the Word copy of my resume (for places that insist on it). No history switched on that I can see, but the damned file keeps growing!

      Not that I have anything to hide in there, of course. It's just highlighting and customization, yeah that's it. :^)

      --
      One line blog. I hear that they're called Twitters now.
    2. Re:How many times do I have to say this by Anonymous Coward · · Score: 0

      I am shocked at the number of people on jokedot that are prepared to admit they use M$ Word!

      There used to be a time that slashdot was a place for a good technical discussion on linux-related stuff (or stuff likely to be interesting to a linux hacker). The quality of editorial has plummeted, and so has the readership :=(((

    3. Re:How many times do I have to say this by Anonymous Coward · · Score: 0

      Or copy and paste the contents from the old Word file to a blank new one. It doesn't copy the meta-data does it? It also won't copy the history of changes right? But then, you shouldn't have to circumvent your own software!

    4. Re:How many times do I have to say this by ajs318 · · Score: 1
      That's why I routinely flush the Word copy of my resume (for places that insist on it). No history switched on that I can see, but the damned file keeps growing!
      Or you could save it as .rtf and change the extension to .doc. Almost nobody will notice the difference.
      --
      Je fume. Tu fumes. Nous fûmes!
    5. Re:How many times do I have to say this by Dahan · · Score: 1
      RTF can include metadata too. Try it out!

      {\*\generator Microsoft Word 10.0.6612;}{\info{\title A Letter to Some Guy}{\author Dave Huang}{\operator Dave Huang}{\creatim\yr2004\mo3\dy15\hr14\min4}{\revtim \yr2004\mo3\dy15\hr14\min5}{\version1}{\edmins1}{\ nofpages1}{\nofwords2}{\nofchars15}
      {\*\company Azeotropic Solutions}{\nofcharsws16}{\vern16389}}
      Hmm... \nofwords2? Does that mean I used the "F" word twice in my document? :)

    6. Re:How many times do I have to say this by diablomonic · · Score: 1

      alittle :)

      --
      watch "the money masters" on google video
    7. Re:How many times do I have to say this by Anonymous Coward · · Score: 0

      When was that? 5 years ago?

  16. Not surprising.... by anachattak · · Score: 5, Insightful

    Considering the MPAA's activity in Tennessee this year. The MPAA is a super-powered lobbying machine, fueled by your movie theater ticket and DVD sales. We initially gave them the power to protect their products, which has been increasingly leveraged by turning consumer dollars into political "donations", which in turn allows them to increase the duration of their copyrights, ad infinitum.

  17. Why shouldn't he ... by DangerSteel · · Score: 0, Troll

    take memo's and probably money from groups like the MPAA. He's already shown he doesn't have any respect for the law. As shown hereA> [CNSNEWS.com]

  18. Thats nothing....... by MrIrwin · · Score: 0, Troll

    I have been analyzing /.'s meta data and have discovered that it is all being done by a copy of Scrivener running on a CP/M enabled Apple II.

    --

    And if you thought that was boring you obviously havn't read my Journal ;-)

  19. This is news? by Anonymous Coward · · Score: 1, Insightful

    CALIFORNIA ELECTS GOVERNOR FROM HOLLYWOOD, GOVERNOR OFFERS FAVORS TO HOLLYWOOD. NEWS AT 10

    You elect a governor with vested interests in preventing movie piracy so he can rake in the residuals from Junior, Last Action Hero and Twins, and you're surprised when his government turns around and follows through on those interests?

    1. Re:This is news? by marcop · · Score: 1

      I don't believe your theory. Come on, you assume people WANT to buy movies like Junior, Last Action Hero and Twins? Sheesh.

    2. Re:This is news? by zerochance · · Score: 1

      Obviously, you either don't live in California or you haven't come out from under your tinfoil hat lately. In any event, the Governator is one of those rare, in California at least, Republiboobs and the AG, a Mr. Lockyer, is one of the more numerous Dummycrats that have infested the Sacramento area lately. And lately, what with all the gay marriage fuss going on lately, neither the Governator or the AG are exactly on speaking terms after the AG got 'ordered' to enforce the existing laws. So the notion of the AG doing something that would benefit the Governator is a bit far fetched to say the least. On a side note to the moderators: Since when is pandering to the silliest of prejudices found here 'insightful'?

  20. Not just microsoft word by Anonymous Coward · · Score: 4, Insightful
    Nearly every word processor supports meta data.

    • OpenOffice.org Writer
    • Word perfect
    • XML
    • PRF
    • HTML


    These and many more support meta data. No word processor is safe. If your going to write controversial material, click File, Properties in the menu of your word processor and edit out the meta data!
    1. Re:Not just microsoft word by Anonymous Coward · · Score: 0

      please who me the metadata that is in ANY of what you mention if I save as RTF format.

      oh wait, theere is none... even in the evil Word program....

      how about educating the morons that run the software?

    2. Re:Not just microsoft word by Anonymous Coward · · Score: 0

      If your going to write controversial material, click File, Properties in the menu of your word processor and edit out the meta data!

      Only if you trust is to present all of the metadata to you. If you are dealing with data imported from another tool, another format, or even another version of the same tool, there is a decent chance that there is something it isn't displaying for you.

    3. Re:Not just microsoft word by DrVomact · · Score: 1

      Actually, I just don't let my computer know who I am. When Windows asks for my name during installation (the nerve!), I make one up. So my pseudonym might show up in the metadata, but not my real name.

      --
      Great men are almost always bad men--Lord Acton's Corollary
    4. Re:Not just microsoft word by Anonymous Coward · · Score: 0

      That's only marginally better unless your pseudonym is very generic - like "John Doe." I encourage people to use "Windows User."

  21. Re:Finally P2P restrictions from the right place.. by MoneyT · · Score: 5, Insightful

    However, if you kept reading your law book, you could have found that the 14th (IIRC) amendment has been established by the courts to extend the restrictions placed on the government in the bill of rights to the states as well.

    IOW, California has no right to do this either.

    --
    T Money
    World Domination with a plastic spoon since 1984
  22. This isn't just about RIAA/MPAA by turnstyle · · Score: 5, Interesting
    Even though every time this comes up, it's always cast as "freedom" vs. Great Satan, it's more complicated than that.

    Independents like me are also protected by copyright.

    But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

    Would you add a new Internet tax that everybody should pay?

    Would you add new monitoring software so that an agency can track what people are doing on the net?

    Would it actually be any more helpful to independents?

    Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?

    These are the real questions...

    --
    Here's what I do: Bitty Browser & Andromeda
    1. Re:This isn't just about RIAA/MPAA by NorwBlue · · Score: 4, Insightful

      Yea right tax the net. Who have the mandate to tax Norwegians/Albani or Korean net-users? How can we differentiate the ones who download and the ones who dont?

    2. Re:This isn't just about RIAA/MPAA by zephyr1256 · · Score: 5, Informative

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it? The EFF has come up with a solution called Voluntary Collective Licensing that would allow artists to be paid for filesharing that is going to occur anyway.

    3. Re:This isn't just about RIAA/MPAA by dedalus2000 · · Score: 1

      Isn't the real money for performers in concert seats and merchandise?

      --
      My keyboads not woking popely.
    4. Re:This isn't just about RIAA/MPAA by turnstyle · · Score: 4, Interesting
      Exactly. As soon as you remove the standard-issue RIAA rhetoric, the p2p situation becomes a lot more complex (and interesting).

      People say: "the artists should get paid!" but the same then say "but a tax isn't fair!" and so on.

      Unfortunately, gropus like the EFF want you to keep thinking about this as no more than a struggle with an Evil Oligopoly, but the same stuff applies to every author protected by copyright.

      Again, it only makes sense to consider the full context as well as the solutions put forth by groups like EFF before you make up your mind.

      --
      Here's what I do: Bitty Browser & Andromeda
    5. Re:This isn't just about RIAA/MPAA by SilkBD · · Score: 3, Insightful
      Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?
      Yes.
      --
      00101010
    6. Re:This isn't just about RIAA/MPAA by proj_2501 · · Score: 1

      that's a completely different issue. a "Straw man" as they say.

    7. Re:This isn't just about RIAA/MPAA by gfxguy · · Score: 5, Insightful

      The worst thing is to put a blanket tax on a particular medium to the advantage of one or a few groups of people.

      I don't download music, why should I be punished? My company doesn't burn music CDs, we archive our projects and data on CD and DVD, why should they have to pay the RIAA tax? My CD burner at home is used mostly for storing my digital pictures. Why should I pay the RIAA tax?

      I hate to say this, but there is ALWAYS going to be some sort of theft going on somewhere. People still steal CDs from retail stores, after all. The internet may have made it easier to break the law, but if they just made it easy to comply with the law, instead of punishing their would be customers, copyright infringement would drop.

      Apple and several other companies have already proven that given a reasonable and easy method to legally download music, people will do it. If those were real mp3s instead of a restricted format, I bet there'd be a LOT more people downloading. If there were a convenient method for me, I'd do it. I just haven't seen one that I think is worth it.

      So I don't buy. I also don't steal. I simply do without. I shouldn't have to pay a fine for using the internet.

      On the other hand, like the audio cassette and CD fine that I'm already forced to pay, I think it would legitize copyright infringement. After all, if I'm going to be punished one way or another, I might as well take advantage.

      --
      Stupid sexy Flanders.
    8. Re:This isn't just about RIAA/MPAA by Ryvar · · Score: 4, Insightful

      This isn't going to sound very pleasant to you, I suspect, but the fact is that your industry is undergoing rapid and catastrophic - for good or ill - changes, and like any other intelligent creature you are going to have to learn how to adapt to best take advantage of the new environment forming around you.

      Two tips come immediately to mind:

      1) View all studio recordings as advertisement and nothing else. If people are willing to pay for a physical copy of that advertisement, so much the better - but don't expect them to. Your prepared music being distributed VIA ANY FASHION in the modern music industry has but one primary purpose to serve: to get your name out there.

      2) Start viewing live performances as your bread and butter and your only means of actually, you know, making money within the industry. If your style of music doesn't lend itself well to live performance (techno, etc.), come up with a different form of spectacle to keep the audience entertained - they want to pay you money to participate in an event, and you need provide that event. This is your new means of earning an income - selling spectacle to the masses.

      --Ryvar

    9. Re:This isn't just about RIAA/MPAA by turnstyle · · Score: 1, Insightful
      "The EFF has come up with a solution called Voluntary Collective Licensing that would allow artists to be paid for filesharing that is going to occur anyway.

      As for the EFF's VCL:

      1) Do you really think that the record companies are now going to voluntarily agree to this?

      2) Do you really think that downloaders are going to voluntarily agree to pay?

      Also, from the EFF's VCL, under the section "What about file sharers who won't pay?", I quote:

      "Copyright holders (and perhaps the collecting society itself) would continue to be entitled to enforce their rights against 'free-loaders.'"

      What does that sound like to you? ;)

      --
      Here's what I do: Bitty Browser & Andromeda
    10. Re:This isn't just about RIAA/MPAA by Killjoy_NL · · Score: 1

      "But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?"

      hehehehe I read that as

      "But note: if the goal is to "legitimize" p2p so that artists get laid, how would you do it?"

      Dirty mind is a joy forever eh ???

      --
      This is the sig that says NI (again)
    11. Re:This isn't just about RIAA/MPAA by ivan256 · · Score: 5, Insightful

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      I would do nothing, since the exchange of information between two individuals is already a legitimate practice.

      Of course, based on the hypothetical "solutions" you're suggesting, the real question you're looking to answer is "How do you maintain the viability of selling recordings?". If the people who stand to benefit from that can't figure it out, then let them go out of business. Performers can go back to making their money the way they have throughout the majority of human history: Live performances, and commissioned works. The best part about this? The money will be well spread amongst musicians instead of making a small few vastly wealthy and screwing everybody else. The idea of being able to create a recording and have it be an endless fountain of wealth with no more input of labor from the creator was broken anyway. Nobody deserves a free lunch.

    12. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 1, Insightful

      Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?

      These are the real questions...

      No, the real question is just the inverse : in a world where copyright is unenforceable, why do you expect the courts to protect an industry whose time has been and gone? If you were looking for another job, ask yourself whether you'd consider training to be a buggy whip manufacturer.

    13. Re:This isn't just about RIAA/MPAA by 0x0d0a · · Score: 4, Interesting

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      P2P is already legitimate. P2P has never been illegitimate. The statement has as much basis as "knives are illegitimate", "fire is illegitimate" or "sports cars are illegitimate".

      The problem is people trying to *il*legalize it.

    14. Re:This isn't just about RIAA/MPAA by retards · · Score: 4, Insightful

      Listen, this is the REAL issue:

      Someone's current chosen profession and it's ability to feed them or their family should not dictate my personal freedoms.

      So what if artists don't get paid? Who the hell promised that they WOULD get paid forever? Will people will stop making music just because they can't sell 10 million CD:s? No. Can I get a job as a professional scribe, doing nothing but copying bibles by hand? No. Can I make a living building sextants? No.

      Nobody gives a rat's ass about the people that got laid of in the automotive industry because of robotics. Just think of all the lumbermen we could employ if we outlawed concrete! And tractors, what evil! There used to be millions of hard working people just barely making a living planting crops! Oh, the good old days of Old Industry before all of these horrbile, apocalyptical, communist inventions ruined our society and took away the ability to make a living!

      If new thechnology will kill the music INDUSTRY, then let it die, since it is obviously flawed. It's called a market economy, if nobody wants your stuff, your fucked. Laws are not going help.

    15. Re:This isn't just about RIAA/MPAA by MoneyT · · Score: 4, Insightful

      Even though every time this comes up, it's always cast as "freedom" vs. Great Satan, it's more complicated than that.

      Independents like me are also protected by copyright.


      Indeed, I fully agree.

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      There are lots of suggested methods, you could tax CD-Rs which are most commonly used by P2P users for backup of the files they download. You could start a subscription service, under which you pay a (small) fee and have access to a P2P network (note this differs from such things like iTMS et al in that it's a P2P network, not a store). There are lots of proposed solutions, it's just that no one is listening. It's also possible that artists may have to take a loss here and find another way of making income. Maybe CDs on demand instead of mass production.

      Would you add a new Internet tax that everybody should pay?

      of course not, that's senseless. The only people that should pay are those that use the services, a net tax will not do that.

      Would you add new monitoring software so that an agency can track what people are doing on the net?

      Again, no, we only want to charge those that use the services.

      Would it actually be any more helpful to independents?

      It seems to be fairly helpful to a lot of them. But what does this have to do with anything? If it's not more helpful to the independents we shouldn't do it?

      Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?

      If need be, yes. You are not entitled to an icome via your method of choosing.

      Look I'm not some kid that only wants free music, I'm on the music making side of this too. But I'm realistic about this too. My groupd puts out CDs, and yes they can be very expensive to produce, but we have come to realize the money isn't in the CDs. We make more money charging $5 a head for a concert than we do selling CDs for $10 a piece. That's just life someimes. Sometimes you take a loss in one place to gain in another.

      --
      T Money
      World Domination with a plastic spoon since 1984
    16. Re:This isn't just about RIAA/MPAA by turnstyle · · Score: 1
      "No, the real question is just the inverse : in a world where copyright is unenforceable, why do you expect the courts to protect an industry whose time has been and gone? If you were looking for another job, ask yourself whether you'd consider training to be a buggy whip manufacturer."

      Egads! Here comes the tired old "buggy whip" argument. The automobile took over from horse and carriage because it won over the market. The analogy to P2P is useless.

      If the quesion is, why is there a copyright at all, the answer is to provide incentive to authors to invest considerable effort and time in creating complex works, and then have the hope of benefitting from copyright to recoup on that investment.

      --
      Here's what I do: Bitty Browser & Andromeda
    17. Re:This isn't just about RIAA/MPAA by thelasttemptation · · Score: 1

      Doing what? Coding is selling their own copyrighted work, Actually, most professionals rely on selling their own copyrighted work, so I guess everyone should work at Mc. D's?

    18. Re:This isn't just about RIAA/MPAA by Dashing+Leech · · Score: 5, Interesting
      Unfortunately, gropus like the EFF want you to keep thinking about this as no more than a struggle with an Evil Oligopoly

      Not true at all. Depending on who you talk to, the problem with the RIAA/MPAA isn't that they are trying to protect copyrights. The problems include:

      They are trying to hang on to an archaic business model and distribution system.

      They are trying to outlaw a better distribution system and technological progress.

      They are trying to maintain overinflated prices.

      They are using unethical tactics.

      Money they "win" does not go to the artists.

      Copyright law has been modified from its original intention to support maximizing corporate profits at the expense of public rights, progress, and costs.

      If you actually read the EFF position on these sorts of things, you'd see that they have sound arguments against the RIAA and MPAA.

    19. Re:This isn't just about RIAA/MPAA by YrWrstNtmr · · Score: 5, Insightful

      2) Start viewing live performances as your bread and butter and your only means of actually, you know, making money within the industry. If your style of music doesn't lend itself well to live performance (techno, etc.), come up with a different form of spectacle to keep the audience entertained - they want to pay you money to participate in an event, and you need provide that event.

      As you say, not everything lends itself to a live performance. But some things can only be done (and recorded) live.
      Should the London Philharmonic income be limited to only those who can actually attend the performance? Or some group such as Mannheim Steamroller? I don't really want to buy a t-shirt from them.

      Not everything lends itself to 'spectacle' or live performance.

    20. Re:This isn't just about RIAA/MPAA by kk5wa · · Score: 1

      So you have no solution yourself, other than keeping a corrupt and broken system working?

      One way or another something will have to give. It would be in your best interests as an artist, and mine as a consumer, that it is not the corporate solution that comes out on top.

      --
      sine puella vita suget
    21. Re:This isn't just about RIAA/MPAA by PortHaven · · Score: 3, Interesting

      And what about theft by RIAA...

      Which prevents me from using songs from CDs I already own as ringers for my phone. Instead they want me to pay $2 for a crappy version.

      WTF?

    22. Re:This isn't just about RIAA/MPAA by turnstyle · · Score: 4, Interesting
      "Unfortunately, gropus like the EFF want you to keep thinking about this as no more than a struggle with an Evil Oligopoly"

      • "Not true at all. Depending on who you talk to, the problem with the RIAA/MPAA isn't that they are trying to protect copyrights. The problems include:"

      Of course, you just did exactly what I'm talking about, flow the dialog into the same old anti-RIAA thing.

      Look, I agree that P2P tech itself should not be held accountable. And I agreed with the EFF when that was their position. And note also that the EFF used to suggest that the RIAA should be suing infringers.

      But the EFF has come to adapt a pro file-sharing-even-when-it's-copyrighted schtick, and that's when they got off track.

      --
      Here's what I do: Bitty Browser & Andromeda
    23. Re:This isn't just about RIAA/MPAA by tomstdenis · · Score: 1

      This is a case of the "also" clause being abused.

      You can use guns to target practice and *also* kill.

      You can use "vulgar" language to promote free speech and *also* lower the quality of life of others.

      You can use p2p to promote sharing and *also* to promote piracy.

      The point is murder is illegal, hate crimes are illegal and piracy is illegal. No need to make special laws because new technology lets you do it easier. Sure prosecute P2P people who violate copyrights. Why make P2P illegal though?

      As for the idea of a "tax" I find it leaves man people out. Here in Canada I pay a levy for CD-Rs despite the fact I only use them to backup *my* software. In fact, CDRs are used to pirate software probably more than audio. So when do I get my levy money?

      Tom

      --
      Someday, I'll have a real sig.
    24. Re:This isn't just about RIAA/MPAA by thrillseeker · · Score: 3, Insightful
      if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      That is not the goal - your statement assumes that people should not have the freedom to use a tool without the oversight of a nanny government because that tool can also be used for illegal purposes.

      The goal of the MPAA appears to be to "delegitimize" p2p applications because it can also be used to bypass payment schemes of copyrighted material - and any legal use, or users, can just be damned.

    25. Re:This isn't just about RIAA/MPAA by Lumpy · · Score: 5, Interesting

      well then good.

      I have one simple question for you then. as a Fellow Indie film maker....

      why do you make films? I make them to be seen and I am honored when it is good enough to be "violated" and "stolen" by people on Kazaa. Hell my next large film to be soon released by the new film group I have joind/formed. will be available 100% free in a low-res form online. but still purchaseable for $9.99 online in DVD form.

      do I care if someone thinks my film is great enoguh to be copied (no I wont have any protection what-so-ever on the DVD) and distributed?

      nope, It's a gague that the film is a gigantic success, and I need to start submitting it heavily to festivals.

      Hollywood is acting out of greed not out of any noble intentions... and nobody should ever see anything that hollywood does as anything but suspect.

      --
      Do not look at laser with remaining good eye.
    26. Re:This isn't just about RIAA/MPAA by azaris · · Score: 5, Interesting

      If the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      How about starting by turning the royalty system from a cashcow from the rich to an incentive to the working musician?

      Do Beatles^H^H^H^H^H^HMichael Jackson need any more money out of the Beatles recordings made in the sixties? Why are dusty recordings by dead people more valuable than new, innovative stuff recorded today? Why do artists have expectations of recording one album and living off the proceeds for 30 years when nobody else has that kind of realistic expectations about their own work?

      I'm not saying "old" means "bad", I have loads of albums and MP3's from the fifties and sixties, I'm saying that maybe more of the current compensation should go to people who are still alive and making their living out of music. The people who had one hit 20 years ago can frankly go find another job rather than expect to leech off the public forever.

      One idea: create a system that rewards musicians who allow live recordings of their performances to be distributed for free or for low cost.

    27. Re:This isn't just about RIAA/MPAA by Prior+Restraint · · Score: 5, Interesting

      Coding is selling their own copyrighted work

      Not necessarily. My job is to write code for use by my coworkers. I don't sell anything. In fact, I don't even hold the copyright to the code I've written: it's a "work for hire," so my employer holds the copyright. Neither I nor my employer sell this code, yet I manage to make a great deal of money doing this.

      I fail to see why artists can't adopt the same model: if you want to get paid for producing something, get someone to hire you to produce it.

    28. Re:This isn't just about RIAA/MPAA by minas-beede · · Score: 1

      Here's another real question: is p2p inherently copyright violation?

      My answer is: "no."

      You are on the mark when it comes to the nature of copyright and the reasons for it. Surely this is an old debate. First there were audio tape recorders, then video recorders, now CDR and DVD-R writers - plus p2p. No doubt attempts were made to hobble each of those other technologies - but obviously the attempts weren't fully successful. The network started out p2p - and still retains many of the p2p features and programs (ftp, for one.) There are all sorts of technologies that can be misused - and are. Stomping on a technology because it is misused by some is not a good approach.

      Still, what you say about copyright needs to be remembered. Even in this day of instant perfect digital duplication there are rights to original material and intellectual property and the proper course is to respect those rights. Making a copy of any copyrighted work and sending it to anyone else is illicit publishing of the work. The owner of the copyright, even if it is a big, nasty corporation (and such exist) has the right to stop that activity and to seek redress against those who do it. Whether they do or not, whether they win or not, if they started out as a big nasty corporation they remain one - but they also still have the right to restrict copies of the works they control. Nice guys with copyrights also have exactly the same rights, of course - and remain nice guys (I hope) if they take action against those who steal from them.

      Keep p2p, stop using it to steal.

    29. Re:This isn't just about RIAA/MPAA by lynx_user_abroad · · Score: 1
      Would you add a new Internet tax that everybody should pay?

      Don't call it an "Internet" tax. I'm sure you'd like to be paid even if people aren't trading your copyrighted material on the Internet.

      If we as a society value the tunes artits (including you Independent types) create, then we should agree to compensate you. (Although Free Market type could also argue "If you don't like what you're gettin' pain, get a new job...")

      Currently, we are already being taxed for these creative works. Copyright is a form of Tax (everybody but the scofflaws has to pay) paid by us and 95 years of our childern and grandchildren.

      Many of the arguments I've heard boil down into complaints that it's too easy for scofflaws to shift the tax burden to the rest of us, complaints that the tax burden (95 years, or so) is too heavy, and complaints that the taxes which are being collected are primarily benefiting the publishers, rather than compensating the artists who's creative work we actually value.

      don't have any amswers to add here. I was just hoping that seeing the problem form a different perspective might shed some light others could use.

      --

      The thing about things we don't know is we often don't know we don't know them.

    30. Re:This isn't just about RIAA/MPAA by PhilippeT · · Score: 0

      Even with the levy now the Canadian RIAA wants to sue people on P2P it's funny becauze they gave up that option when they started the levy... but that wont stop them or get the levy lifted

      --
      A psychopath can't tell the difference between right and wrong. A sociopath knows the difference - he just doesn't care.
    31. Re:This isn't just about RIAA/MPAA by turnstyle · · Score: 3, Interesting
      "So you have no solution yourself, other than keeping a corrupt and broken system working?"

      "One way or another something will have to give. It would be in your best interests as an artist, and mine as a consumer, that it is not the corporate solution that comes out on top."

      Here's the deal -- once you understand the details of the alternative, only then can we compare them to what we have now and see how they both measure up.

      But as long as the dialog reamins fixated on freedom vs. Great Satan, we're not really talking about anything meaningful.

      I have read the alternatives, and I reamain unconvinced that they are better.

      1) I don't like the idea of a new government agency to track Internet use.

      2) I don't think it's practical to hinge it all on "voluntary" terms.

      3) The alternatve would just be a new agency that pays out to the RIAA anyway.

      And so on. The point is that rather than talk about how much wind the RIAA sucks, we should be talking about how much better the alternative system would be.

      --
      Here's what I do: Bitty Browser & Andromeda
    32. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?

      Yes. Especially if you put it this way.

      Do you think that everybody whose income depends on their ability to write a program should just have to find another job?

      Consider yourself outsourced.

    33. Re:This isn't just about RIAA/MPAA by Dun+Malg · · Score: 2, Interesting
      Isn't the real money for performers in concert seats and merchandise?

      that's a completely different issue. a "Straw man" as they say.

      His point was that nobody but the record companies makes any significant money off selling CDs already, so is it really even a question of "ensuring the artist gets paid" in the first place. It's not a straw man. He's questioning the basic premise of the argument. The man asks "how will independents get paid", and he is asking "does anyone even make money selling CDs now?"

      --
      If a job's not worth doing, it's not worth doing right.
    34. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 2, Funny

      You're seriously trying to make an argument by stating that Mannheim Steamroller deserves more money? Jesus.

    35. Re:This isn't just about RIAA/MPAA by thelasttemptation · · Score: 1

      So you are contracting to sell your future copyrighted work to your employer?

      They are, they get contacted by the label to make the music. but if the label doesn't make money off of the cd, why should the label keep hiring the band to make more cds so they lose more money?

    36. Re:This isn't just about RIAA/MPAA by wfberg · · Score: 1

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      Would you add a new Internet tax that everybody should pay?

      Would you add new monitoring software so that an agency can track what people are doing on the net?

      Would it actually be any more helpful to independents?


      How do you get paid when your stuff is played on the radio?

      --
      SCO employee? Check out the bounty
    37. Re:This isn't just about RIAA/MPAA by silentbozo · · Score: 1

      Can I make a living building sextants?

      Sure you can. You just have to price to the market (ie, target rich guys who want to show off how they can "navigate by the stars" when cruising to Tahiti in their 200 ft yacht.)

      Can EVERYBODY make a living building sextants? No - because there aren't that many rich guys who have the money and the time to go galavanting off at sea.

      The death of an industry does not mean the death of the trade or craft, but it does mean that the market economics have changed - the available number of consumers can't support the same number of jobs in that field as they used to, nor should you expect them to.

    38. Re:This isn't just about RIAA/MPAA by turnstyle · · Score: 5, Insightful
      "His point was that nobody but the record companies makes any significant money off selling CDs already, so is it really even a question of "ensuring the artist gets paid" in the first place. It's not a straw man. He's questioning the basic premise of the argument. The man asks "how will independents get paid", and he is asking "does anyone even make money selling CDs now?" "

      Here's the response:

      1) if the record companies are making money off CD sales, then money can be made of CD sales

      2) if the artists start to throw off the record industry and take control over their work, that could be their money instead of the record companies'

      3) in an effort to screw the record industry now, p2p disenfrachizes those CD sales

      4) that, in turn, disenfranchizes the hope of those same artists from reclaiming those CD sales

      --
      Here's what I do: Bitty Browser & Andromeda
    39. Re:This isn't just about RIAA/MPAA by UberGeeb · · Score: 1
      There are plenty of people out there doing fine selling their own copyrighted works. Including the MPAA and RIAA members. But legislating an entire internet industry out of existance because a few people abuse it is ridiculous. By the same argument, the anti-p2p groups should be trying to restrict scanners, photocopiers, tape recorders, even pencil and paper because they can be used to make unauthorized copies of copyrighted work.

      This isn't an argument about "freedom" vs. Great Satan. It's not even an argument about sharing music. This is about destroying an industry whose potential hasn't come close to being realized yet in order to increase the bottom line for a few. Think where we would be now if the copy machine or the VCR were deemed illegal and never came into common use.

    40. Re:This isn't just about RIAA/MPAA by pclminion · · Score: 5, Interesting
      If new thechnology will kill the music INDUSTRY, then let it die, since it is obviously flawed. It's called a market economy, if nobody wants your stuff, your fucked. Laws are not going help.

      But your analogy is completely wrong. People do want the stuff.

      The real question is, can you get people to pay any amount at all for it, when there's a "free" option on the Internet?

      Listen to your own attitude. You sound like the type of person who does the absolute minimum to follow the polite rules of society but beyond that, fuck everyone else. I mean, look at this statement:

      Someone's current chosen profession and it's ability to feed them or their family should not dictate my personal freedoms.

      You mean, your freedom to use their copyrighted material without compensating them? Selfish attitudes such as yours are actually quite prevalent in the world (imagine that), and believe it or not, most musicians and movie makers are not going to stand on street corners and manifest their arts for free, to anyone who comes by, out of the kindness of their hearts.

      Your analogy was of new technology coming in and displacing the old. But the analogy is wrong, and it doesn't event make sense, because there is no "new music" coming in and replacing the "old music." What has happened is that technology has given us a way to very easily deny artists compensation for their work.

      The trick in the next century will be to provide people with a way to pay what they think is fair for artistic creations. Then we'll see if the majority of people are fundamentally greedy.

      Answer this, honestly: is the $10 price of a DVD so unfair, really? Do you really think you should be able to get it free just because there's a convenient technology available to do it? If $10 is too high, what would you pay?

      You fly back to "capitalism" as an excuse for your greedy attitude, yet you don't seem to realize that if you have a method whereby you can always acquire a product for free, you completely undermine the basis for the system, which is that buyers and sellers agree on a price through the action of supply and demand. You've artificially turned the "supply" dial to infinity, and it's wreaking havoc.

      (None of this is to say that music or other content isn't extremely overpriced, but making it impossible for artists to get any compensation whatsoever for their work is not the solution.)

    41. Re:This isn't just about RIAA/MPAA by stoofa · · Score: 1
      Beautifully stated, but misses the point entirely. Automated processes replacing manual labour is technical progression. That's a harsh summation I know, so apologies to all the highly-skilled hands-on people I've just offended.

      The issue here is about creativity, not technical progression of manual tasks. The issue here is that people are taking something they want without replenishing the creative source in order to enable them to make more of the same in the future... or should that be make more that is different. If we want more of the same, we always have Pop Idol.

      Does this mean I am waving the banner for the RIAA? Not at all, but the analogy of manual labour replacing human beings on automated tasks in this instance is flawed.

      We're talking about taking the creativity out of the hands of the corporate leeches and into the hands of some system that fairly pays creatives to stay creative without blanket taxing humanity.

      As for the answer, I admit I do not have one to hand, but I'm sure many other people here have one ;)

      Christian Cook
      www.thinctanc.co.uk

    42. Re:This isn't just about RIAA/MPAA by eXtro · · Score: 4, Interesting

      You're only going to ever legitimize some percentage of the population. Before p2p there were people who'd make a physical copy of a CD after borrowing from their friends. Before that there were people who'd tape copies of albums or even broadcasts off the air. I'm sure there were people who listened to music that they didn't pay for even before that but it's before my time.

      Peer to peer filesharing would appear to make the percentage of people who've paid up decrease substantially but I'm not entirely sure it's true. I can only explain my own observations but take what you want out of them.

      When I was a teenager there were several good local stations that played music in the genre that I enjoyed. Within that genre they played music from a wide variety of bands, some really succesful and some not so succesful. I listened to the radio every chance I could. I listened to it between classes on my walkman, in my friends cars on the way to school, on ghetto blasters during shop classes and at home on my stereo. The amazing thing was that despite that amount of exposure you'd always hear something new and wouldn't hear a lot of repeats. In fact the local stations made a big deal about no repeats (I lived near Detroit: WRIF, WLLZ and later WCSX were the stations I listened to). Based on what I heard and what I liked I bought a lot of albums and later compact discs. I still love music as much as I ever did, maybe more, I've widened the types of music I enjoy. I can't find a radio station that doesn't rely on a playlist of 20 to 40 songs with the occasional diversion from the playlist. Even though there's a couple of local stations that I find tolerable I'm not induced into buying a lot of albums. Why? They don't play a lot of songs. The time between repeats is down to at most a couple of hours and I'm not interested enough to buy every album I hear a track from. The radio stations format no longer acts like a drug dealer: "The first hits free, but if you want more then you've got to buy the album." Instead they play the same tunes over and over until quite frankly I'm sick of even the ones I once enjoyed.

      I feel that P2P networks should become the new radio. If you log into a P2P network you can only search for stuff you already know about. Somebody needs to get the idea of letting people putting together setlists of songs that form virtual radio stations. Most music I do purchase now is from people telling me to give something a listen. P2P with some added infrastructure is perfect for that. Out of the chaos there would grow a handful of excellent stations that cover a variety of genres. These would be the ones that most people tune into, at least the ones that really like music as opposed to people who really like being trendy. This would rebuild something that fulfills radios old purpose: Exposing bands to people.

      Some people would just snarf up entire catalogs via p2p and not pay for it, but people have always done this, the only thing that has changed is the technology. But if you're exposed in a meaningful way to more people then you'll sell more albums.Live365.com is close to what I'm talking about but isn't P2P.

      This doesn't mean you'll be succesful. Being an artist doesn't guarantee your success just like earning a degree or learning a skill doesn't guarantee you'll get paid. The term starving artist has been around a lot longer than P2P networks.

      I personally pay for everything I listen to. I have downloaded stuff off of p2p to get a feel for it and not paid for it but then I'm not listening to it. I decided I didn't like it and deleted it or lost track of it.

      You could tax everybody but I would not be at all shocked if the average artist ended up getting less money. I know that if I had to pay a tax on blank media and such I would take it as a sign that I'm entitled to fill it up with whatever I want. So the average artist would have to rely on the good will of the industry to dole out their fair share of the taxes.

    43. Re:This isn't just about RIAA/MPAA by proj_2501 · · Score: 1

      right. it's a different question. whether anyone makes money off a record has absolutely fuck-all to do with file sharing or copyright law.

    44. Re:This isn't just about RIAA/MPAA by jshaft · · Score: 1

      It should be noted that the RIAA/MPAA aren't really "losing" money from P2P. The fact of the matter is that the vast majority of people who steal music using P2P wouldn't buy the albums even if there wasn't P2P. They'd just go with out. The same goes for movies and games. So while I agree that downloading the lastest hit by so and so is stealing, the RIAA isn't _losing_ money because chances are you wouldn't buy the album unless you were a big fan, and if you are a big then you will probably still go out and buy the album. So I find it ridiculous that the RIAA is blaming P2P for lost revenues. Something else that few seem to realize is do "artists", and I use that term losely, really deserve to be million/billionaires? Does Britney Spears need to bathe in spring water? No. Especially not when Joe Sixpack is only making 50 000 a year.

    45. Re:This isn't just about RIAA/MPAA by comedian23 · · Score: 1

      Since you are a musician, judging from you post, can I get you to explain how it all works a little more in depth? I keep hearing how musicians can't make much money on CDs, which I completely believe. But then I also hear how some musicians don't make money at concerts either, which I question. So I don't really see how and where musicians make money at all, except for the huge stars who get endorsement deals, etc.

      If you have a minute I would really like to know what kind of percentages the musicians get from CD sales, shows etc. I assume it varys greatly depending on who you are, what kind of recording deal you have, etc. but just some overall facts and figures would be greatly appreciated.

      TIA for your time.

      -Comedian

    46. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 2, Interesting

      At last some sence at /. :)

      As a recording artist, this is what I think it should be about. My mp3's allow me to turn up almost anywhere, and get an audiance. If I work hard and well, word will get around, and I'll make enough money (notice "enough"). I don't think I should be repeatedly(?) payed for work I did XX years ago.

      Contravertial huh, someone thinking they should work for their money.

      To all those who say that studio time costs cash 2 weeks cost me about 2 grand (uk).

      Have Fun

    47. Re:This isn't just about RIAA/MPAA by sroddy · · Score: 2, Informative


      Can I get a job as a professional scribe, doing nothing but copying bibles by hand? No.


      Well.... Actually.... If you are Jewish, yes... :-)

      scribe

      "Jewish law demands that these objects be written by hand and comply with the strict standards conveyed to us by Moses at Mount Sinai over three thousand years ago. All products I sell conform to Jewish law."

      Can I make a living building sextants? No.


      Well... Actually.... yes.... Believe it or not there is a market for sextants.

      buy your sextants here...
    48. Re:This isn't just about RIAA/MPAA by Bombcar · · Score: 4, Interesting

      Can I make a living building sextants? No.

      Yes.

      Can I get a job as a professional scribe, doing nothing but copying bibles by hand? No.

      No, but you can donate them!

      Just wanted to point out that long after an industry has died, it will have some remnants doing it for the fun and the novelty. Also see swordsmiths, buggy whip manufacturers, and so on.

    49. Re:This isn't just about RIAA/MPAA by Flamingcheeze · · Score: 1
      The biggest problem with a tax on the 'net in order to pay artists is that the model assumes that each artist's works are worth the same amount.

      I'll tell you one thing, if a tax is put in place, I'm going to go out and cut a shitty record so I can get my money back by collecting on my "artist tax."

      --
      The Philosophy of Liberty | lewrockwell.com
    50. Re:This isn't just about RIAA/MPAA by Kismet · · Score: 4, Informative

      Why can't independents thrive off of the merits of their work?

      Scenario:

      You publish some of your creative content. Once published, content is essentially accessible to the general public at no cost. That's the nature of it. Your ideas become public property because ideas, once released, force themselves onto everyone who comes in contact with them, just like Jefferson said.

      Now, your copyright identifies you as the original creator and the source for potential future works. Perhaps copyright will protect you from parasites who might try to hijack your work for their own exclusive gain, but nothing more.

      You have made little or no money from your initial offering to the public. Your work, so far, is merely an investment. If you are any good, people will appreciate you. They will hope for more.

      You will say: I own other ideas; ideas that are uniquely mine, and that nobody else has but me. These ideas are worth something to the public, and I will release them to you if you make it worth my effort.

      If the public, based on the merits of your previous ideas, would like to be edified by your continuing work, then they will support you in your work. And if you become so astoundingly popular, why not hire a publishing house to get the word out to the masses? They could even take a small cut of your earnings. What a novel idea.

      How can this go wrong? Why not use a system that actually cultivates excellence by feeding the true masters? Why not let the mediocre find something else they truly excel in? Why do we celebrate mediocrity? If the people still want the latest sexed-up teenage sensation, why, they can still vote with their money.

      Isn't it time for people to think about what they really want? Why is it that we are force-fed our culture, as it were, through an I.V.?

      It is not a hard issue. Why is there such debate?

    51. Re:This isn't just about RIAA/MPAA by glassesmonkey · · Score: 5, Insightful

      Start viewing live performances as your bread and butter and your only means of actually, you know, making money within the industry.

      Do you know who controls most music venues? Do you know who owns the most radio markets and controls the playlists? Do you know who earns the majority of the money from your concert performances? The answer is Clear Channel.. and no that's not tin-foil goodness, that sadly is true.

      Corporate influence bought deregulation resulting from the Telecommunication Act of 1996 and the whole MPAA issue is probably small peanuts relative to Clear Channel's influence.

    52. Re:This isn't just about RIAA/MPAA by ichimunki · · Score: 2, Interesting

      Coding is not selling copyrighted work. Coding is selling the service of coding. Most code is not universally useful. Neither are most "copyrighted" works. And in most of these cases, we find that copyright law is actually being used to deprive workers of "ownership" over "property" that they created. If I write a program for my employer, I cannot write that same program for someone because my employer would own the copyright on the so-called original and has the exclusive right to create derivative works. And before some libertarian gets all property rights on me...The Libertarian Case Against Intellectual Property Rights.

      --
      I do not have a signature
    53. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      See Courtney Love's rant (in Salon, now all-over the web) for the economics of being a rockstar. She's right, but she has yet to do anything truly-radical for some reason...
      me

    54. Re:This isn't just about RIAA/MPAA by apol · · Score: 2, Insightful
      Not everything lends itself to 'spectacle' or live performance.

      OK, so let those who depend on selling copyrighted music run the risk of having to live of something else if they had to opportunity to think about this issue for a minute.

      I prefer that to the risk of being sued for sending a "remember that song?" email with to an old friend with an mp3 attached. And I am sure most people would agree with me.

      Copyright should be imposed to commercial utilisation of someone else's work. That should be enough to let every artist survive. Of course any time you change a law -- or open a new road, or change the tax system -- there can be telented people harmed. But to restrict the freedom to share the information we want with friends is for me more incompatible with the basics of our civilisation than to ask this effort for the artists.

    55. Re:This isn't just about RIAA/MPAA by ichimunki · · Score: 1

      Hmmm. Now with even more hyperlinkability: The Libertarian Case Against Intellectual Property Rights.

      --
      I do not have a signature
    56. Re:This isn't just about RIAA/MPAA by gfxguy · · Score: 1

      Hey! Exactly! That's why I believe we should be able to buy and download music in a free and unrestricted format - not to enable copyright infringement, but as a measure to actually dissuade it.

      --
      Stupid sexy Flanders.
    57. Re:This isn't just about RIAA/MPAA by agentforsythe · · Score: 2, Funny

      hehe I misread your comment as something amusing

      alas it wasn't

    58. Re:This isn't just about RIAA/MPAA by weez75 · · Score: 2, Interesting

      The problem with the EFF's collective sharing proposal is that it leaves artists no choice. Their stance is that we create this system similar to radio where artists collect their checks from some organization like BMI or ASCAP. Those who do not participate in this system basically are out of luck. It offers no protection for those people--essentially you either do as they say or your hard work is fair game for everyone else.

      --
      Of course we torture people, we need the information --Gen. Pinochet
    59. Re:This isn't just about RIAA/MPAA by dthree · · Score: 2, Informative

      "Your analogy was of new technology coming in and displacing the old. But the analogy is wrong, and it doesn't event make sense, because there is no "new music" coming in and replacing the "old music." What has happened is that technology has given us a way to very easily deny artists compensation for their work."

      Thats not whats really happening. Recorded music WAS a new technology and income stream to musicians when it was invented. Before that, as someone mentioned, the only way for musicians to make money was live performance or commisioned compositions. Now, that income stream is drying up and the smart musicians are moving on and using recordings as advertising for thier shows or other media products.

      --
      "I forgot my mantra."
    60. Re:This isn't just about RIAA/MPAA by Shakrai · · Score: 0
      If those were real mp3s instead of a restricted format, I bet there'd be a LOT more people downloading.

      As much as I hate even the barely restrictive DMA that comes with iTunes (it's more like a joke then actual protection) I must disagree with this statement.

      The average teeniebopper using Dad's credit card to download songs doesn't know or care what DMA is. Esp the iTunes kind -- they aren't going to run into it unless they burn the same playlist ten times. The average middle-aged person using iTunes isn't going to burn ten times and doesn't know what DMA is -- all he/she cares about is that the songs play and they sound good.

      If they dumped the DMA perhaps a few more geeks like us would use it -- but that's nothing in the grand scheme of things. Like many things I fear DMA is here to stay thanks to the ignorance of the general public.

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
    61. Re:This isn't just about RIAA/MPAA by evilad · · Score: 1

      You're not happy with the buggy-whip analogy because nobody wants them anymore. We'll leave your rhetoric aside for the moment.

      You like air. You use a fair bit of it. You expect it to be free; it always has been.

      Imagine the air got sooooo polluted that you could only breath it by using filtermasks. You would essentially be paying to breathe. By sponsoring the polluters and not forcing them to pay for secondary effects of pollution, the governments are effectively giving filtermask producers a limited monopoly on breathing.

      If the air ceases to be polluted, do you then have an obligation to support the filtermask manufacturers?

      Just because you want something, and it exists, does not mean that natural law dictates that you must pay someone for it.

    62. Re:This isn't just about RIAA/MPAA by bob670 · · Score: 1

      But people do want the stuff, they just don't want to pay for it. Perhaps you should seek a refund for any education you have paid for, clearly they didn't properly instruct you on critical thinking and analogy?

    63. Re:This isn't just about RIAA/MPAA by lambadomy · · Score: 1

      The solution for the artists, as stated elsewhere, is to perform live, or to get a sponsor. This is how it works in, say, china, who's media piracy "problem" is at a whole other level. Obviously no one expects these people to stand on street corners for free, because their personal live performance is something that is naturally limited, and therefore much more valuable.

      Services like iTunes are evidence that *someone* is willing to pay, even when there is a free option on the internet. And at .99 a song, they still seem pretty overpriced for a product with a marginal cost of almost nothing. What the fair price will turn out to be, I'm not sure, and maybe no one will be willing to pay more than $0. But factors like ease of use, ease of finding what you want, and fear of prosecution will likely make pay downloads viable, completely disregarding the "are people greedy or not" issue.

    64. Re:This isn't just about RIAA/MPAA by sean.peters · · Score: 4, Insightful
      You mean, your freedom to use their copyrighted material without compensating them? Selfish attitudes such as yours are actually quite prevalent in the world (imagine that), and believe it or not, most musicians and movie makers are not going to stand on street corners and manifest their arts for free, to anyone who comes by, out of the kindness of their hearts.

      Okay. I'm fine with that. I'll either make do with what's in the public domain, commission a work, or (gasp) create my own art. Where did people get the idea that the "recording industry" was a necessity for life?

      Sean

    65. Re:This isn't just about RIAA/MPAA by pclminion · · Score: 1
      If the air ceases to be polluted, do you then have an obligation to support the filtermask manufacturers?

      Again, this analogy is completely wrong. People won't want filter masks once the air is clear. But people want music. To propogate this back into your analogy, it's like the air clears, and people for some reason still want the masks. Yet you're saying they should now be free, because the air isn't polluted?

      You people come up with some real weird analogies. Does greed cloud the mind, you think?

    66. Re:This isn't just about RIAA/MPAA by retards · · Score: 2, Interesting

      The real question is, can you get people to pay any amount at all for it, when there's a "free" option on the Internet?

      No, that is not the question. The question is, can you make enough money to save the CURRENT publishers from bankrupcy. Heard of iTunes? Hello?

      You mean, your freedom to use their copyrighted material without compensating them?

      No, my personal freedom to own a P2P-application. Or to read newsgroups. Or to chat on IRC. I'm not expecting a free lunch at all. What I AM demanding is that the people that cannot continue to make money due to a broadband connection in every home to get another job and start doing something useful instead griping about how unfair all this new tech is.

      Why should this one facet of human life and industry be the single one ever to be saved by laws that will as a byproduct destroy some of the very pillars on which our civilization stands (freedom of expression and freedom of choice)?

      The trick in the next century will be to provide people with a way to pay what they think is fair for artistic creations.

      WHAT?? Most artist get jack shit for what they do, they have daytime jobs that barely pay for material, instruments, whatever.

      yet you don't seem to realize that if you have a method whereby you can always acquire a product for free, you completely undermine the basis for the system

      This is not an issue concering theft or greed in the general public, but about if we are to allow copyright laws to be used as a weapon against ordinary people and their civil rights.

      If you think it's a good idea to transport and distribute plastic discs all over the planet instead of using wires that are already there to transmit it digitally, you are completely mad. Do you have any idea of the ecological consequences of the current distribution methods? To outlaw or hobble digital distribution methods to save the current players in the music and movie industry is like outlawing email so that UPS never has to rethink it's business model.

      The system will not break if platic discs stop moving around the world, there will just be less platic discs (oh no!).

    67. Re:This isn't just about RIAA/MPAA by TheLink · · Score: 1

      Thing is, it's not that easy to pay most artists directly. PayPal is not supported by everyone and everywhere.

      There's kagi, but the area they're operating in is quite different from the music industry. Marketing is important.

      Not sure if bandwidth is cheap enough for a company to start a artist hosting site and take a cut from each payment to various artists.

      Still, people pay for ringtones, and lots of money too. The phone manufacturers and telcos make it easy to pay for ringtones and somewhat hard to copy em, so maybe that's not a good comparison.

      Hmmm how about ebay music. Is it possible to pay someone via Ebay after getting stuff from them from some other means? e.g. you already got a copy of the music/software/work/art/whatever from somewhere - who cares how, you just want to pay em using your credit card or whatever is convenient, and they get the money somehow.

      A likely problem would be money laundering. The Govs etc will chuck a spanner into this and might reduce the efficiencies significantly.

      --
    68. Re:This isn't just about RIAA/MPAA by MoneyT · · Score: 1

      Well for us, to cost of recording a CD (Studio time, mixing, pressing etc) for our last CD came out to a bout $800 - $1,000. A lot of it depends on where you go and what equipment you use. We're currently talking with a local guy who has his own studio in his house (and we've listened to some stuff he's recorded already from it, so we've verified the quality) and we're looking at negotiating out a cheaper run, hopefuly about $600 total.

      At $10 a CD, it would cost us between 80 and 100 CDs to recoup our last recording costs.

      After any given concert, we sell maybe 5 or 10 CDs, and our sales outside of concerts are little or none.

      The costs to perform can vary depending on where we go. Some places let us use the facility for free and we get back the full ticket price (usualy $5 a head, sometimes $8). Other places we perform at (like the local college) charge about $300 for 2 hours, but this includes a full sound crew as well. Usualy the concerts held there are a combination of ourselves and other groups, and we as the hosts pay the full facility charges, and get full profits, while the other groups get free advertising.

      I should mention that we are a small a capella group, so we don't have much in the way of equipment costs. Our incomes don't rely on our sales (we all have jobs outside of this), but it's always nice to have extra income.

      In all, we do this for fun, but obviously we have cost incurred and an interest in selling CDs and music (recording costs come out of our pockets untill we recoup the costs). It's obvious to us though that the CDs are not where the money is. People come to see and hear us perform. They like the concerts and the live sound. The recordings are mostly an extra feature.

      --
      T Money
      World Domination with a plastic spoon since 1984
    69. Re:This isn't just about RIAA/MPAA by scrytch · · Score: 2, Interesting

      > Also see swordsmiths, buggy whip manufacturers, and so on.

      I've heard it mentioned that there are probably more buggy whips being made now than at any other time before. The difference is that these days it's usually not a horse that's on the receiving end...

      --
      I've finally had it: until slashdot gets article moderation, I am not coming back.
    70. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      I for one welcome our new Motion Picture Attorney General Overlords.

    71. Re:This isn't just about RIAA/MPAA by BLKMGK · · Score: 4, Insightful

      First of all - FEW DVD are $10 where I'm at - $20 is more the norm. Is a DVD of content wish to listen to worth that? Yup, I've purchased more than 300 of them to prove it. Now, is a CD that's 99% TRASH worth that SAME amount? Nope! I have plenty of MP3 from old CDs and from friends. I purchase songs from iTunes occasionlly and will once in awhile buy compilations and "best of" CDs. For the most part the RIAA can piss off so far as I'm concerned - the motion picture guys are doing a little better in my book. when they decide to break compaability with my current player, change to a different encryption scheme, or succeed in screwing up the HDTV standard (it's coming) then I will cease and they too can piss off.

      P2P isn't about just trading feature movies despite what these bozos would have the legislature believe. I know more than a few people who use it to get free amatuer p0rn clips, race videos, and other USER made stuff - they have NEVER gotten an MP3 from P2P. Why should they be penalized?

      The heart of this matter - despite everyone turning this into an RIAA debate - is that a member of the Motion Picture trade association appears to be helping AUTHOR documents for a legislative office. If this were a gun manufacturer or P0RN industry executive would we be a little more incentivized to talk about the REAL issue here perhaps? These people have NO business attempting to shape legislation in this manner - why is everyone debating P2P when that is NOT the issue here?

      --
      Build it, Drive it, Improve it! Hybridz.org
    72. Re:This isn't just about RIAA/MPAA by esme · · Score: 2, Insightful
      Not everything lends itself to 'spectacle' or live performance.

      that's what commissoned works are for.

      before copyright, works that couldn't be developed based on performance revenues were commissioned by the local royalty, wealthy families, church, and/or government. if you can't get people to pay to see it, and you can't get someone to commission it, then you need to find something else to do to make money.

      copyright, as it now stands, doesn't do a terribly good job of getting money to performers, and it seriously intrudes on my right to copy and exchange sound and video recordings. that's a terrible bargain that we should be getting rid of as soon as we can.

      -esme

    73. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      Nothing pisses me off more than typical assumed Slashbot rhetoric.

      You mean, your freedom to use their copyrighted material without compensating them?

      Did the parent to your post say this outright? No. For Five Cents, he didn't even imply it. Your assumption shows clearly.

      Let's face facts: it's very difficult to control the flow of information, especially digital bits. However, digital bits are not the core of this discussion, as much as the oligopies want to convince you they are.

      The core of the issue is IP itself. Eminem can sue Apple because a little kid sings two lines. It's a damn good thing Shakespeare isn't around to sue the shit out of everyone that ever quoted Hamlet.

      Is it fair that people are downloading studio works for nothing? Hell no. Is it fair that I can't record a 12-second silence track and put it into my CD without getting sued? Hell no.

      Mind you, noone has come up with an ideal solution. IP has gone way, way, way too far. Music should be more about performance, but it feels hipocritical to say that when comparing it to software, say.

      While it isn't ideal, I still think the 'tip jar' idea is the best one. Let other people share your music but include a link in your MP3 (maybe through an ID3 tag) back to a tip jar. That way the artist doesn't have to pay for the bandwidth of the sharing and might actually make a buck.

    74. Re:This isn't just about RIAA/MPAA by pilgrim23 · · Score: 2, Insightful

      We have faced this sort of situation before many times. Here is one example: In the Middle ages the Church had an interesting strangle-hold on society: Forgiveness of sin. and, to insure such forgiveness, the Church would issue a slip of paper good for any future sin (I am NOT kidding). This "get out of jail free card" was called an Indulgence. An Indulgence was issued upon receipt of a small "contribution" to God's representative on Earth. I mean, who could refuse a deal like this? Teams of clerics (sweat shops) worked night and day with quill and parchment churning out Indulgences. The money thus generated was a major revenue stream for the Church. Many of the major Cathedrals of Europe were paid for mainly by the income from: Indulgences. Then, along came Gutenberg...At first the printing press was a boon to this "business". Printed indulgences were far cheaper to produce then hand made. The only people hurt by the technology change were the "artists". Then two things happened in quick succession: First, pirate presses churned out unauthorized indulgences and flooded the "market". Quick fortunes were made and the local parish priest threatened "dire woe". Second: Joe Peasant FINALLY awoke to the scam and figured out that the indulgence was not worth the paper it was printed on (expect for a trip to the jakes). Paradigm shifts are not new, but, the power structure of the day is usually the last to let go of a proven money maker, even after it no longer works.

      --
      - Minutus cantorum, minutus balorum, minutus carborata descendum pantorum.
    75. Re:This isn't just about RIAA/MPAA by arkanes · · Score: 1

      They should get a better model that reduces the production risk of creating a CD. Most of the "cost of creating a CD" is promotional and expense padding. It's an inefficent way of working and doesn't deserve any special consideration.

    76. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0
      How about finding a new business model that takes advantage of the medium, instead of trying to make it just like another medium that was invented a hundred years ago. For example:

      Street Performer Protocol

      Any files you release should be considered advertisements for your future work, for which you take payment in advance.

    77. Re:This isn't just about RIAA/MPAA by meta-monkey · · Score: 4, Insightful

      Wow, someone give this man a clue.

      Artists should get paid the same way everybody else gets paid. They provide a service. Indviduals choose whether or not they would like to part with some of their money for said service, at the price set forth by the service provider. It's the same business model as everybody else in the world. So, what do you do for a living? Write code for an employer, maybe? Well, you provide your service (code writing) to the employer, who chooses to part with some of his cash in exchange for your services. It's the same thing for motion picture artists. Peter Jackson and crew spend considerable time and money creating The Lord of the Rings film adaptation. You decide you would like to see it, so you part with $10 to view the film.

      The difference is as such. While your skills are only of interest to one person (your employer), the artists skills are of interest to many, many people. It's also much easier to rip off the artist, and not pay for his service, than it is to rip you off by not paying your salary. Your current chosen profession and it's ability to feed you or your family should not dictate your employer's personal freedom to consume your services, and not cut you a check, right?

      I agree, business models have to change, and they are. I make my living as a photographer, mostly weddings and portraits. In the last five years, the average cost of wedding photography has right about doubled, because of copying. It used to be that photographers made most of their money off reprint orders from families. Those orders have pretty much ended since everybody and their brother has a scanner and a printer, or the "Make Prints from Prints!" kiosk at Wal-Mart.

      The business model used to work like this:

      1) Look at your costs. $30,000 worth of equipment plus insurance, maintainance, replacements, backups, etc. Studio overhead, business overhead. Film, developing, printing. Health insurance, mortgage, food, etc.
      2) Determine profit necessary to stay in business, and eat. Say, $2,000
      3) Charge the couple $1,000. Make another $1,000 off reprint orders from parents, grandparents, friends, family.

      Today, step 3 is ) Charge couple $2,000, and give them the negatives/high res image files. Let them deal with making crappy prints from their home printers to save a few bucks, because they don't listen when you tell them to bring them to a pro lab.

      So who wins here? Nobody. Who loses? The customer. Now the couple is paying more, and getting worse quality. Technology is a two-edged sword...

      --
      We don't have a state-run media we have a media-run state.
    78. Re:This isn't just about RIAA/MPAA by retards · · Score: 1

      Well, with "the stuff" I meant something you could buy, not just the product, but the product at a price. I guess I could have made it a bit clearer.

      Still, it's a big argument. If I make a copy, I did it with my time and with my resources. Should I really be forced to pay someone for that? Maybe, maybe not. Should society as a whole be forced to change so that payment could be guaranteed? Not in my opinion.

      PS: I happen to live in a country where you don't pay for education, so I guess no refunds for me.

    79. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0



      Just curious - how do you explain the bottled water industry then?

    80. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      Escrow is the answer to getting paid.
      You work once, you get paid once, just like the rest of us.
      See the street-performer protocol for just one possible implementation.

    81. Re:This isn't just about RIAA/MPAA by Savatte · · Score: 2, Interesting

      why do you make films? I make them to be seen and I am honored when it is good enough to be "violated" and "stolen" by people on Kazaa. Hell my next large film to be soon released by the new film group I have joind/formed. will be available

      So you see your films in terms of marketing and profits. You don't make films for artistic purposes or just for the joy of making films?

      Hollywood is acting out of greed not out of any noble intentions... and nobody should ever see anything that hollywood does as anything but suspect

      If you're making films whose main purpose is to be seen, that's just like Hollywood. The only difference is you have a smaller budget.

    82. Re:This isn't just about RIAA/MPAA by Helpless+Will · · Score: 1

      "...why should the label keep hiring the band to make more cds so they lose more money?"

      Isn't this the way it works everywhere?

      If the poster you're replying to no longer generates revenue for his employer, or aids in the generation of revenue by writing code, or other copyrighted material, would they continue to employ him?

      The RIAA and / or MPAA aren't in the business of facilitating artists' need to create, they are there to make money, as is any other business, and the artists that no longer generate revenue are dropped like hot rocks regularly.

      Not that I think that was a point you were trying to make, just a conclusion that can obviously be drawn from what you did have to say.

      As for protecting the rights of copyright holders with this "new" medium of content delivery...

      Isn't it sort of pointless? Provided any copyrighted material can be rendered into a form that is easily distributable electronically, it will be disseminated. Right, wrong, or indifferent, mp3's will be traded, movies will be "pirated," and pdf versions of your favorite novels will all be swapped, the only questions is how visible this will be to the general public and what risks those doing so will run.

      As an example of what I'm getting at, look for some of the more "private" or exclussive file swapping networks.

      From there, it's easy to draw the conclusion that all copyright holders are, at the most basic level, going to be relying on the goodwill of their fellow "netizens" to reimburse them, or to generate revenue from their ideas, art, or other copyrighted works.

      As long as things are distributable via an electronic format, any technological means of protection, are going to be fairly readily circumvented. It's a given. The nuances of that can be argued to death, but I believe it to be an essential truth of the situation.

      We're then left with the social arena to help insure copyright. Produce works profound enough that the audience is left willing to pay, educate the masses that copyright violation is a "bad thing," and that those who do so are morally unsound. Sure, human nature being what it is, that's sort of like whistling in the dark. It's just not going to happen on a wide scale.

      So, like anything else that can be easily made off with there must be a level of deterence involved. Come up with something that simply makes it more hassle than it's worth for the general public, and we're doing that now. Encryption of files, a certain level of hassle free DRM can be equated to a car alarm, or those anti-shoplifting tags in books and on CD's.

      They're not going to prevent someone who really wants to steal your stuff, but they deter the average schmoe.

      I guess I fail to see what all the furor's over then. Sure, the RIAA and MPAA are being butt heads about the process, but beyond that, what's the big deal?

      -H

      --
      "If there's anything more important than my ego, I want it caught and shot now." -- Z. Beeblebrox
    83. Re:This isn't just about RIAA/MPAA by Aceticon · · Score: 2, Insightful


      > Someone's current chosen profession and it's ability to feed them or their family should not dictate my personal freedoms.

      You mean, your freedom to use their copyrighted material without compensating them?


      Actually, copyright is a protection extended by society to an author's intelectual works. The intention being to improve everybody's "wealth" by stimulating each person or groups of person's to be creative.

      The other side of this is that intellectual property (incl copyright) is an artificial construct.

      If we take that in account, then the reasoning of the original author can be read as: "I will not support [artificial] garantees of income to someone in any profession they choose if that limits my personal freedoms".

      Just my 2 cents.

    84. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      These are the real questions...

      This isn't the first time we've asked these questions though.

      Some of the better-known examples.
      Printing Press
      Photocopier
      Audio Cassette
      VCR

      Anytime a technology has been developed which increases a communicator's ability to reach their audience we have seen a reaction of this nature.

      The fact is that P2P is disruptive. We have to look at things completely differently. For example, one of your alternatives is a "user fee" where the use of P2P products is monitored and the artists are compensated accordingly. This raises so many questions it becomes immediately clear the that fundametal assumptions are completely off base: Who does the monitoring? What do they monitor? How do the monitors get paid (and how much)? How do the content providers get paid? Do they register? How, with who and what if they don't? How do the P2P users pay? What about failed downloads? What if the song/movie/show/lecture/cartoon/picture/software/d ata/plans/ideas/etc. that they downloaded are damaged, crappy or otherwise not as advertised: how do you NOT pay?

      Personally I believe that everyone whose income depends entirely on copyright enforcement and control fo the distribution chain should have to look elsewhere for work. That will open the door for artists whose audiences are willing to pay.

    85. Re:This isn't just about RIAA/MPAA by Unregistered · · Score: 2, Insightful

      Get rid of the labels and sell cds cheap. No p2p network is really that great for dling music. Kazaa is full of crap, soulseek (the best out there) doesn't have a decent client that i know of, though that may change. (The client works, but the dl and search features are very primitive). I would be willing to pay a few bucks for a cd. Prehaps, the artist's share (about $2, right?) plus a little for dist. costs. So it would be $3-4 for a cd. That would be fair. Artists coutld also offer downloads for less, maybe $2.50. This does not seem like it would hurt the artists much, but everyone (except the labels) would be happy. The labels don't seem to do much to help artists signed with them. All they do is make sure as few people as possible hear about artists that didn't sign with a major label.

    86. Re:This isn't just about RIAA/MPAA by comedian23 · · Score: 1

      I didn't realize that musicians often pay to perform. I guess that is how it is with the huge superstars on a tour also. All of the roadies, sound people, stage hands, advertisement, venue, lights, electricity, etc. all cost money so they need to charge enough to cover that and still make some money too. Hmmm, that $50/person I paid for my last concert ticket doesn't seem like that much after I consider how many people it takes to put on a show like that. Thanks a bunch for the insider's look at the music industry!

      -Comedian

    87. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      So what you are saying is that P2P removes the faint hope that an artist may make more money because maybe someday the record labels could have a sudden change of heart and start paying the artists for their work?

      Most independant, struggling and alternative artists would trade that faint hope in a heartbeat for the chance to distribute their music to a worldwide audience and to maybe generate some interest and to actually profit from the sales they do make.

    88. Re:This isn't just about RIAA/MPAA by Short+Circuit · · Score: 1

      I happen to agree with this comment.

      Perhaps an antitrust lawsuit by artists that would gaurantee that the artist gets a fixed percentage of the sale price to distributors or (if the RIAA member does direct sales) the consumer would be in order. Then the RIAA, as a group, could run their own P2P service, and cut down their cost to market by distributing the sources of the product.

      Or a court directing that the price of an album accurately represented the cost of selling that album.

      And/or DRM, with court-ordered restrictions on the limitations it was allowed to impart.

      All of these would benefit the artists, the distributors, and the consumers.

      But I bet the RIAA would oppose every one of them.

    89. Re:This isn't just about RIAA/MPAA by AstroDrabb · · Score: 2, Interesting
      Your analogy was of new technology coming in and displacing the old. But the analogy is wrong, and it doesn't event make sense, because there is no "new music" coming in and replacing the "old music." What has happened is that technology has given us a way to very easily deny artists compensation for their work.
      I think he was talking about a business model and not the technology. It is the RIAA/MPAA business model that needs to go.
      The trick in the next century will be to provide people with a way to pay what they think is fair for artistic creations. Then we'll see if the majority of people are fundamentally greedy.
      How can someone pay the artist when the RIAA/MPAA strips the artist of all copyrights? The RIAA is a useless middle man and is only there to collect money and enforce an monopoly. It is extremely difficult for a new artist to publish an album on his/her own. So they have no choice but to go to the RIAA and hand over ownership.
      Answer this, honestly: is the $10 price of a DVD so unfair, really? Do you really think you should be able to get it free just because there's a convenient technology available to do it? If $10 is too high, what would you pay?
      I think $3 - $5 USD would be far more fair. It cost nothing to mass-produce a CD/DVD. Look at Home Depot/Lowes vs. the independent hardware store. The mom-n-pop hardware store wants to sell a screw driver for $10 while Home Depot/Lowes wants to sell 10 screw drivers for $1. Also, are you aware that the MPAA takes just about all of the money made in a movie theatre during the first few months? The only way a movie theatre can survive is by charging us consumers $5 USD for stinking hot dog. You can buy 16 hot dogs for that price. $10 for a bag of popcorn and a soda is not uncommon.

      Also, have you noticed that there is no competition in the record/movie industry? It is not like each label/studio tries to compete on album/movie prices. All the albums/movies are about the same price. I think it is fair to call that "price fixing". The most important thing in Capitalism is not a buyer and a seller, but a free market. You cannot have a free market when there is a monopoly. By all the record labels and movie studios joining together, they have eliminated competition for themselves and are free to ask any price. The consumers and artist are the ones getting bent over here.

      I also wonder what percentage of total CD/Movie sales goes to the executives vs. the artists? I bet we would all be surprised to see that the money we spend on CDs/Movies does not support the artists, but instead, that money pays for the large homes, boats, vacations, etc of a few over-paid executives.
      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    90. Re:This isn't just about RIAA/MPAA by gfxguy · · Score: 1

      I will argue that the DRM in use is generally not so bad for most people who stick withing certain guidelines. Most people, being generally honest, will not run into the brick wall of making too many copies - they might make a CD and listen to the music on some compatible portable device.

      In fact, everything else being equal, that in itself isn't the problem. The problem, as I see it, is that you are restricted in the hardware and software to play back the music.

      What do you have to do, for example, to play songs downloaded from Apple on a generic mp3 player? From what I understand you must burn and then rip a CD. I wonder if you can use rewritables to that end?

      So, sure, a lot of people are enjoying iTunes now, but I believe that, given a choice of using more flexible formats, that even more people would use the service. There will always be copyright infringement, but the easier you make it for people to use what they buy, the more you will get people to do things the honest way.

      I'm not saying there is an excuse for being a crook, I'm just being realistic. Again, I haven't bought a CD in quite some time... probably two years or so, and I don't file trade, either. I personally also don't think that paying $0.99 for a restricted, less than optimal sound quality file is worth it. Like a lot of people here I have my own opinions of the optimal service, and I won't go into it, but I will point out that the industry had, despite it's whining to the contrary, made out like bandits when technology made it easier to copy and distribute music, and when technology made formats that were easier and more convenient for consumers.

      --
      Stupid sexy Flanders.
    91. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      No, I say art should be for art's sake. It's not a corporate issue.

    92. Re:This isn't just about RIAA/MPAA by dasunt · · Score: 1

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      What if p2p will never pay the artists?

      Right now, there is plenty of free-beer music out there on the net. P2P might be the most efficient way of transferring free music without imposing large bandwidth fees on the artist (although, bit torrent would also work)

      What happens 15 or 20 years down the road when its possible to easily reproduce song-quality voice on a home PC? Right now, a good keyboard and a mediocre machine (with an expensive soundcard) does an adequate job of replacing a studio for a lot of artists.

      Perhaps commercial mass music is the exception, not the rule.

      <tinfoil hat>The reason why the RIAA does not crack down on the p2p networks is that a p2p network spreading commercial music is a lot less dangerous then a p2p network that is forced to only allow free music.</tinfoil hat>
    93. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      iTunes DMA is irrelavent. The hole in their copy protection scheme is allowing songs to be burned onto CD's. I downloaded songs off of iTunes courtesy of the Pepsi Bottle Hack and burned them to a CD and ripped them back onto my computer. Now their floating around on my xbox, laptop and mp3 player all in a DMA free format.

    94. Re:This isn't just about RIAA/MPAA by IWantMoreSpamPlease · · Score: 1

      >> if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      Would you add a new Internet tax that everybody should pay?

      Would you add new monitoring software so that an agency can track what people are doing on the net?

      Would it actually be any more helpful to independents?

      Perhaps we shouldn't?

      --
      So rise up, all ye lost ones, as one, we'll claw the clouds.
    95. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      We don't need analogies just like we don't need distribution cartels.

    96. Re:This isn't just about RIAA/MPAA by MoneyT · · Score: 1

      A lot of it depends on the place, for example, my uncle owns a nightclub/bar which hosts live music almost every night, he has a couple regular bands that play and they perform and retain the full profits of their ticket sales because they almost always sell the place out and the money my uncle makes off selling food and drinks at those shows more than outwieghs the productions costs.

      But yeah, in a lot of places, the band usualy pays some facility charge whether it's for crew or just the venue. The size of the location changes the cost too, a place that can only hold 50 people is going to be much less expensive to play at than a place that seats 300

      --
      T Money
      World Domination with a plastic spoon since 1984
    97. Re:This isn't just about RIAA/MPAA by wolrahnaes · · Score: 1

      "buyers and sellers agree on a price through the action of supply and demand. You've artificially turned the "supply" dial to infinity, and it's wreaking havoc."

      This is an interesting point that brings up a new set of questions.

      How does supply/demand work in the digital world, where supply is truly infinite due to near-zero replication costs?

      The supply of digital product X is effectively limitless. Pricing is entirely based upon demand.

      This also has an effect on the old warehouse logic of selling for less than cost just to get it out of there and free up storage/shelf space. With digital storage space being as cheap as it is, a digital retailer can easily hang on to a slow selling product and keep the price high enough to make a profit indefinately.

      I don't work in this industry, so I'm probably wrong on some points, but I feel this might start an intelligent discussion in which those erroe can be ironed out.

      --
      I used to get high on life, but I developed a tolerance. Now I need something stronger.
    98. Re:This isn't just about RIAA/MPAA by gfxguy · · Score: 4, Insightful

      iTunes DMA is irrelavent. The hole in their copy protection scheme is allowing songs to be burned onto CD's. I downloaded songs off of iTunes courtesy of the Pepsi Bottle Hack and burned them to a CD and ripped them back onto my computer. Now their floating around on my xbox, laptop and mp3 player all in a DMA free format.

      No, it's not irrelevent, it's annoying, and that's why more people aren't using it. If you could just download mp3s instead, you wouldn't have had to jump through those hoops. It's not irrelevent, it's symbolic of the stupidity in the industry, they only manage to annoy their honest customers while the people who steal the music enjoy greater freedom and less hassle.

      --
      Stupid sexy Flanders.
    99. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 1, Interesting

      huh?

      where do you see that? I dont, I see someone beign sarcastic about how "artists" and I use that term loosely, whine how they are "violated" and "raped", "pillaged" and have their workds "stolen from them", and how their vision is "sodomized" on kazaa....

      how in your twisted little mond do you see viewing the films in terms of "marketing and profits" from that?

      I suggest you read Lumpy's post again, and then tell the rest of us what the hell are you talking about?

    100. Re:This isn't just about RIAA/MPAA by dgatwood · · Score: 1
      The average middle-aged person using iTunes isn't going to burn ten times and doesn't know what DMA is

      Until he/she turns DMA off and suddenly it takes thirty minutes to boot.... :-)

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    101. Re:This isn't just about RIAA/MPAA by cpt+kangarooski · · Score: 1

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      That's not necessarily the goal. I think that it'd probably be better to make it non-infringing for natural persons to do what they like non-commercially. Without having to pay for it.

      It's more important that we do what is in the best interests of the public than that we make sure artists get paid.

      Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?

      No. But nor do I think they're entitled to keep on doing what they're doing. If the public is best served by this, then by all means, let's have it keep going. If not, then I'm not going to cry any tears when they do have to find new jobs. Because in that scenario, not only would the loss of artists be offset, but everyone would actually end up better off overall.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    102. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      This isn't going to sound very pleasant to you, I suspect, but the fact is that your industry is undergoing rapid and catastrophic - for good or ill - changes, and like any other intelligent creature you are going to have to learn how to adapt to best take advantage of the new environment forming around you.

      When I initially read this I thought you were talking software jobs and outsourcing here.

      1) View all studio recordings as advertisement and nothing else. If people are willing to pay for a physical copy of that advertisement, so much the better - but don't expect them to. Your prepared music being distributed VIA ANY FASHION in the modern music industry has but one primary purpose to serve: to get your name out there.
      2) Start viewing live performances as your bread and butter and your only means of actually, you know, making money within the industry. If your style of music doesn't lend itself well to live performance (techno, etc.), come up with a different form of spectacle to keep the audience entertained - they want to pay you money to participate in an event, and you need provide that event. This is your new means of earning an income - selling spectacle to the masses.


      I'd like to add:

      3) Suicide is ALWAYS an option.

      Life got you down?
      Suicide is always your friend
      The cause and solution to
      all of lifes problems

      Suicide, suicide, suicide
      is your best friend
      Suicide, suicide, suicide
      do it and do it again

      I kill myself. Hanging from the ceiling
      Gun to my head. Blow my brains out while I fall from a building

      Stomach full of drugs and alcohol
      I've snorted enough cocaine and heroine
      to kill an elephant
      Throw a little ecstacy into the mix
      just for kicks.

      Then all of sudden, my drug vision makes me want to live again
      if only so I can reach this point again
      but I'll need lots of money

      So I become a RIAA executive
      and rape and pillage the land
      steal from peoples' pockets
      even little children

      So I now I've got a ton of cash
      to buy my cocaine and heroine
      I'm high all the time
      I'm alive and kicking it

      Artists can get fucked
      pay me $19 bucks per album
      here's a penny for your thoughts
      recorded with 0's and 1's

      $50 a gram? Shit, I gotta sell 3 albums
      just to be high for a few hours
      which is nothing

      Cause I got the kids, glued using MTV
      fuck the reality TV, buy the fucking CD's

      Buy this fucking corporate rock
      slick marketted, sound engineered
      in the lab. Hell, the vocalist
      doesn't even sound like that

      Got a problem with my ways?
      I'll drop the law on your ass, Beyotch
      Got a problem? Suicide will solve it
      Look what it has done for me

      -RIAA Executive

    103. Re:This isn't just about RIAA/MPAA by danila · · Score: 4, Insightful

      Market is not perfect. Most people living in capitalist countries usually suck it with the milk of their mother that markets are perfect, but that's a big lie. Markets are good at one thing - achieving equilibrium between supply and demand. All other efficiencies can only be proved if you postulate the market equilibrium is the most efficient solution.

      Now back to the issue at hand. Not everything lends itself to 'spectacle', but not everything lends itself to a CD or radio performance as well. Market develops a framework, inside which people and businesses need to operate. If that framework changes, that may harm a few players, but that's a fact of life. They have to deal with it. Many things are not practical today, in the current environment. Clever hard sci-fi movies are one example, there are simply none of them made. One or two small budget productions per decade at most. That's just one example, there are thousands more examples of things markets do not provide, but we do not miss them, because we don't have them.

      The alternative, of course, is a shift to a more planned economy (at least in the field of music). There is nothing wrong with state support, as witnessed by the European filmmakers and art in the Soviet Union (not kidding). And a nice side effect is that artists suddenly find that they can live on $50000-200000 just fine. :)

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    104. Re:This isn't just about RIAA/MPAA by Vindicator9000 · · Score: 1
      Anecdotal evidence:

      My band (an independant) self-produced a CD a couple years ago. It was of fairly high quality - not quite up to major label standards, but more than adequate for a small local band. Our drummer's brother recorded it for free in his basement with about $1200 worth of mikes and mixers, and an $899 Gateway computer. Marketing was done with street teams (basically us handing out singles to people in line at other shows in the St. Louis area), and through our website. Cost: Almost free.

      We sold them for $5 on the website, and asked a "suggested donation" of $5 to buy them at shows. We put all of the mp3s up on the website, and gave out maybe half of our few hundred copies for free (as promotional copies). We found with the suggested donation model that almost everyone would give something, and all it took was $1 to get back the cost of the CD. This was offset by the fact that some people would give $10, instead of $5.

      Result? We made back the cost of the CD, and had more than enough money to make more merch. In fact, our goal was never to make money off of the CD, but to make enough back to pay for it. That's why we gave half of the run away for free.

      Point being: I don't feel sorry for these people in any way, shape, or form. If the RIAA cannot make money back selling a CD for $17-20, then it's time for them to start looking at 1. Why the CD costs that much to begin with, and 2. Why people don't want to pay for the crap that's on the CD. We weren't the best band in the world *by far,* but people were still willing to buy the CD because we got out there and played shows to promote it. Yes, money can be made by CD sales, even with P2P.

      Before anyone asks: yes, I know the link in my sig is broken again, but I'll fix it when I get home. #$*%%#$ IIS!

    105. Re:This isn't just about RIAA/MPAA by papik · · Score: 1
      But your analogy is completely wrong. People do want the stuff.

      I think that some analogies are right:

      Can I get a job as a professional scribe, doing nothing but copying bibles by hand[...]people that got laid of in the automotive industry because of robotics [...] hard working people just barely making a living planting crops

      People still want to read the bible, drive cars and eat.
      It's just the conclusion that is false.

    106. Re:This isn't just about RIAA/MPAA by WNight · · Score: 1

      Do you think that people should stop doing something simply because someone has found a way to base an income on providing that service?

      This is the root of the issue. Copyrights are an artificial limitation on normal actions (hear a song, remember it, sing it later) and while they might serve some interests, they interfere with others. We can't simply go around passing laws because someone finds them economically convenient - they need to serve society as a whole.

    107. Re:This isn't just about RIAA/MPAA by danila · · Score: 1

      What is fair? Is change fair? Is status quo fair? We can't get the answer, perhaps because we are asking the wrong questions.

      Think about equilibrium. Not the movie (although it has a nice hidden anti-RIAA message as well), but the market equilibrium. Today we have the situation where a few large producers make a billion CDs per year from, let's say 10000 artists. The consumers pay $10 bn for the CDs and download a certain amount of music for free. The situation is value-neutral, that's just how things are. Some people are employed in the industry, but that alone says nothing about fairness of the situation.

      Now imagine another world, the world where there are no labels, where there are 3000 artists making music and all that music is available for free, because copyright laws explicitly allow filesharing. Customers pay $1bn for performances, T-shirts, dinners with the artists, some CDs, inflatable love pillows and other stuff. :) Again, some people are employed in the industry, although, probably, less of them.

      Is the new situation fair? Again, by itself it is neither fair, nor unfair, it just is (or would be).

      What about the change? Yes, it is difficult and it hurts, as change always does, but that's life. It's not unfair that we have to adapt to chaning environment, because that's the way things were on this planet for the last 4 billion years or so. Adapt or die was the rule. Adapt or get the welfare is the rule now.

      If we compare the two situations, they are equal in terms of fairness from the market point of view. Both are the equilibriums, both have supply and demand matching each other. If you want to live in the free market society, there is no authority to argue which equilibrium is better. And the interesting thing is that the second alternative might actually be better for a whole lot of folks. Consider that - if the music is free, most people will listen to more artists, more albums, more songs and more music in general than he can do today. Of course, some variety will be lost, but on average every listener will gain!

      Isn't it fair to promote the progress of useful arts and enrich the public domain? I believe it is and allowing free distribution of digital music might do exactly that.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    108. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 2, Insightful

      > 2) Do you really think that downloaders are going to voluntarily agree to pay?

      I would. About 1/3 of the songs I have are from artists who's records are either:
      a) No longer produced (I can't even find them in used CD stores)
      b) Produced in some other country and I have no clue on how to pay them.

      If it was standard practise for MP3s to include metadata that tells where you can pay (along with a PGP signature), I'd happily pay.

    109. Re:This isn't just about RIAA/MPAA by tomstdenis · · Score: 1

      That's the cool thing about lawsuits with these types of corporations. They can afford to cast useless fly-fishing lawsuits cuz afterall, the next titney speers album will just cost 29.95$ instead of the low low 22.95$ it costs now. ;-)

      Tom

      --
      Someday, I'll have a real sig.
    110. Re:This isn't just about RIAA/MPAA by cpt+kangarooski · · Score: 1

      You mean, your freedom to use their copyrighted material without compensating them? Selfish attitudes such as yours are actually quite prevalent in the world (imagine that), and believe it or not, most musicians and movie makers are not going to stand on street corners and manifest their arts for free, to anyone who comes by, out of the kindness of their hearts.

      True. Nevertheless, it is a totally legitimate desire to want to enjoy (not merely use, but also copy, distribute, alter, etc.) other people's works for free. In fact, that's one of the two pillars upon which copyright stands.

      The other pillar is that people want as many works created as possible, be they original or derivative.

      Thus, in a situation where sacrificing some of the enjoyment desire does not yield a commensurate satisfaction of the creation desire -- there's no point in having copyrights at all. They would not, in that scenario, cause any more art to be out there. In fact, really an increase in the satisfaction of the one interest that was equal to the decrease in the other wouldn't be enough; the increase has to be more than the decrease, so that there is a net benefit to the public.

      See, what you're forgetting is that the public does not grant copyrights to artists out of the kindness of our hearts either.

      We want something for it. In fact, we want more back than we're putting in. Both sides (though n.b. that artists are also part of the public side) are self-interested. That's totally fine.

      But since artists are the inferior party in that they can't just magically get copyrights -- they have to get the public to go along with them, pass the appropriate laws, etc. -- the system is going to be biased in favor of the public.

      So there's nothing wrong or bad about saying that we should reform the system in a way that is best for the public even if it throws legions of artists out of work. For them to have even _been_ artists indicates that either a) the situation has changed significantly, requiring that the law be brought into alignment with reality, or b) they never should've been artists in the first place; they were enjoying their position unjustly.

      What has happened is that technology has given us a way to very easily deny artists compensation for their work.

      And? I could care less whether artists get paid with regards to copyrights. (Paying for actual labor or personal property is a different matter -- we're basically talking about royalties, not comissions or pieces)

      I just care what makes me -- and you, and everyone -- best off. Best off in that we want our cake and we want to eat it too. Right now there is a lot of cake, but little eating, and that's bad. Alternatively there could be little cake and unrestricted eating, and that isn't great, but it's not the worst thing ever. There's probably an optimal point in the middle somewhere, though. That is what I want.

      So I'm not against copyrights (so long as I think they are capable of yielding a net public benefit), but I am against copyrights that go too far. So I don't think it's good to totally deny artists all compensation, but OTOH, I think it's probably likely that we'll be cutting what they do get pretty sharply.

      The trick in the next century will be to provide people with a way to pay what they think is fair for artistic creations. Then we'll see if the majority of people are fundamentally greedy.

      Answer this, honestly: is the $10 price of a DVD so unfair, really? Do you really think you should be able to get it free just because there's a convenient technology available to do it? If $10 is too high, what would you pay?


      People probably are greedy. Artists want to get paid, and that's greedy. And people don't want to pay them, and that's equally greedy. I don't really find either offensive.

      And I sure don't mind getting free DVDs. Who precisely _doesn't_ like getting stuff for free? I imagine most people come to this realization pretty early in life.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    111. Re:This isn't just about RIAA/MPAA by guiscard · · Score: 1

      Who are Albani? Albanians? They have no copyright laws anyways. I was just there and the t.v. has 30+ regular (commercial) channels with new movies on half of them, some still out in theaters in the U.S. Don't think they'll be paying a tax on the web for entertainment anytime soon. (Best t.v. I ever saw by the way).

    112. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      > 2) Start viewing live performances as your bread and butter and your only means of actually, you know, making money within the industry. If your style of music doesn't lend itself well to live performance (techno, etc.), come up with a different form of spectacle to keep the audience entertained - they want to pay you money to participate in an event, and you need provide that event. This is your new means of earning an income - selling spectacle to the masses.

      Hmmmmmmm - I guess the Beatles wouldn't have done very well nowadays; they deliberately ceased touring and became a studio band, and several of their albums could not have been done live.

    113. Re:This isn't just about RIAA/MPAA by Hard_Code · · Score: 1

      Piracy is not the issue. First of all the most-pirated music is usually the most-popular music, and the most-popular music is already usually generating a decent profit for those artists who manage to hit it big. Anybody can burn a CD anyway. That's not new.

      The question is, "what exactly does the RIAA provide", and "what exactly does the artist and/or consumer lose by bypassing the RIAA". Well, the first answer is supposedly marketing and distribution, and also to some extent professional music services, recording, editing, mastering, blah blah blah. Note that there is nothing implicit in those services that requires the service provider to own and control the client's music. Let's say the RIAA does in fact provide these services. Who is it providing the services to? Well, mostly bands which they can pump and dump, a very small percentage that they can extract the most amout of revenue from. Is this in the interest of MOST consumers? No. Is this in the interest of MOST musicians. No.

      So now we have the internet which essentially does marketing and distribution itself. Sure, the counter argument is that you are not going to get the massive marketing and distribution afforded to that top few percent of massive revenue generating bands. Well boo-fucking-hoo. I would rather MANY bands have a MEDIOCRE income, than a FEW bands having ASTRONOMICAL income. That is better both for the bands and for the consumer. Of course that only answers the "marketing/distribution" side. Now the professional services side is trickier. However: 1) many bands start out with el-cheapola demos anyway, affording them zero-cost introduction to listeners 2) the cost of prosumer music production software and hardware is coming down. That leads me to believe that in the absence of an RIAA monopoly, that there is a good chance for a thriving music SERVICE industry.

      The last remaining problem, I will grant, is figuring out how to increase internet sales profits from MEASLY to MEDIOCRE.

      I think this can be done. I think people are generally honest and will really pay musicians. Even people who pirate music buy the damn t-shirts!

      I think this is slowly proving itself through iTunes etc. (notwithstanding that a lot of iTunes music is just relicensed...let's see where Apple goes with their new label)

      --

      It's 10 PM. Do you know if you're un-American?
    114. Re:This isn't just about RIAA/MPAA by cayenne8 · · Score: 1
      But, this might be a good thing. Right now, I don't think there are that many legitimate artists out there. Just a bunch of corporate crap generated to be the latest 'thing'.

      Maybe getting rid of the industry...and having the music distributed more or less free....would give real bands a chance again. Bands that actually hit the road to perform.

      'Back in the day'....I usually felt the songs I heard on the radio, or the albums my friends and I bought and traded to record...we just fodder to get us interested in seeing the bands LIVE. Of course...these were bands that could actually play their own instruments...no lip synching...and gave you a real SHOW. They made a ton of money off the tours, tshirt sales..etc. Maybe all of this will lead again to bands that actually have talent....and tour...

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    115. Re:This isn't just about RIAA/MPAA by Illissius · · Score: 1

      Er, I may be missing something here, as it seems fairly obvious and no one's suggested it yet (or are you thinking of the same thing, but merely haven't stated it plainly?), but the great gift of the Internet is you can distribute your work practically for free (not as in you give it away, as in you don't have to pay to have it put on CD, sent to stores, etc.). I mean, an artist could make a website, and let people pay to download it using PayPal (of course, probably while giving a sample or two away (or the entire album for a one-time listen only, assuming that DRM thing works out), as no one pays for something they don't know anything about), and effectively cut the RIAA and all other middlemen out of the process. Or just put it up on iTunes, if Apple is open to that sort of thing. If the music is good, word will spread, and money will be made, which can the be used for advertising or distribution via physical media, if the artist so desires. A new 'Artist's Union' could then be formed (once some money was made), which would basically do the same thing the RIAA is now - attempt to stop people from filetrading copyrighted materials, except without denying the artists of their rightful revenue in the process, as it would essentially be 'by the artists, for the artists'. (I'm assuming the RIAA wouldn't be too willing to take on such a role by itself, and would - eventually - be obsoleted. And with the iTunes route, perhaps Apple, but I wouldn't trust them solely based on their being a corporation.) Is there anything fundamentally wrong with this strategy? The only thing that seems to be missing is for the artists to actually start doing it. The RIAA isn't going to go away just because we ask it to.

      (On the Artist's Union thing, one thing that seems like it may be a problem is, how could it be solved for the artists to all give money evenly for the cause? I don't think this would become an issue, as the successful artists' work would be pirated the most, and those artists would have money, which they'd gladly give to fight the piracy - whereas for relatively unknown artists without money, they need all the exposure they can get, in the beginning even moreso than money itself, and file trading could act as a sort of free advertising.)

      --
      Work is punishment for failing to procrastinate effectively.
    116. Re:This isn't just about RIAA/MPAA by gcaseye6677 · · Score: 1

      Are Clear Channel and Ticketmaster by chance owned by the same people? They seem to operate almost side by side to completely control the concert/venue industry.

    117. Re:This isn't just about RIAA/MPAA by jp10558 · · Score: 1

      Answer this, honestly: is the $10 price of a DVD so unfair, really?

      No. However I would own many less movies than I currently do. Also - most DVD's are $17-$25 so I'm guessing this is more of a suggestion of what it should(or what you think it should) cost.

      If $10 is too high, what would you pay?

      About what it would cost me to make a copy from a rental store + what that computer time is worth to me. DVD rental is somewhere around $4, 2 DVD-R is about $1.50 and 4hrs at night on my computer is worth about $2 to me for the hassle of changing disks sometime...
      So if I look at this logically, I'd pay about $7.50 a DVD. Oddly enough my gut instinct was about the cost of a movie ticket or $5 so I guess most people are greedy and eyeball low. The problem with low cost purchasing of DVD's is it puts Bolckbuster out of business.

      --
      Opera, Proxomitron-Grypen,GPG 0x0A1C6EE3
    118. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      Beautifully stated. Everyone seems to burst a blood vessel about artists being cheated or someone's intellectual property rights being violated. Rights such as this are so abstract as to become meaningless with today's technology. Private property is already a stretch for the imagination (Do you own the air above your house? how high up? Do you own the ground under it? How deep? Do you own water that flows through your property? If your neighbor's tree falls in your yard do you own the wood? ...)

      If you regard yourself as an artist then quit whining and realize that the important thing is not to "do something original", or "protect your invention", you need to reach hearts and minds! The best way to do this is to utilize a maximum of media outlets, particularly "free" outlets such as P2P. Don't be a court jester, make a positive contribution to society and you will be rewarded and provided for.

    119. Re:This isn't just about RIAA/MPAA by johnos · · Score: 1

      Yes, those are real questions. But they can't get answered until we overcome the present industry structure. The **AAs are trying to use artist compensation, copyright law and the courts to protect their business models. The Internet has started to make those models irrelevant.

      Those who create copyright content are rightly concerned that free-for-all culture that has developed might deprive them of a living. Unfortunately, the **AAs are happy to exploit those very realistic fears, and the "freedom-fighter" opposition are happy to dismiss those same fears, or cast the issue in apocalyptic evil corporations/vs human beings terms. Both exploit the unlucky artist. However, while the freedom-fighters and file sharers may be depriving artists of money (this has not been definitively demonstrated), the industry associations, particularly the RIAA members, have been robbing artists blind for generations. I don't know how to answer the poster's questions except to say that unless the present regime is gotten rid of, that's not going to change.

    120. Re:This isn't just about RIAA/MPAA by gcaseye6677 · · Score: 1

      This is one of the best practical explainations of the free market I have ever heard. Something does not have to be essential, or even all that useful for someone to buy it. The item (or service) has to have some PERCEIVED value. Why would someone spend thousands on a Rolex when a Timex will get the job done for less? Because they perceive the Rolex to be worth more.

    121. Re:This isn't just about RIAA/MPAA by Waffle+Iron · · Score: 1
      It offers no protection for those people--essentially you either do as they say or your hard work is fair game for everyone else.

      So? If copyright law were to be changed so that an ASCAP-like system were the way people got paid, then that would be the way people get paid. Prospective artists could evaluate that before they decided to try to make a living by making recorded music. If they don't want to participate in that system, they are free to become a stock broker instead.

      At any rate, it would likely end up being better for more artists than the current system with its de-facto monopoly on distribution. Today, if an artist doesn't want to participate in the recording industry system, they have little prospect of getting much income from recordings. If they do participate, then they still have little chance of making very much income.

      The bottom line would be that the public would pay less total money for entertainment, and the artists would receive more total money. The only people who would lose out would be the coke-snorting leeches who currently siphon off most of the money.

    122. Re:This isn't just about RIAA/MPAA by danila · · Score: 3, Insightful

      But the EFF has come to adapt a pro file-sharing-even-when-it's-copyrighted schtick, and that's when they got off track.
      May be it's because they got on FastTrack. Seriously, the freedom to copy information trumps the freedom to make money. There are few things that should not be freely distributed, very few... What few examples I can think of are really far-fetched.

      Yes, freedom of information can harm businesses. Like in the case of Enron wistle-blowers. Or in the case of people downloading the latest Brittney's album for free. But in both cases the right to freely disseminate information (even when this information is a trade secret, commercial secret or copyrighted work) should prevail.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    123. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      "Start viewing live performances as your bread and butter and your only means of actually, you know, making money within the industry."

      the problem here is that in the US theres an even WORSE monopoly on live performance than there is on recorded ones.

      i refuse to pay the ticketmonster tax, and so i havent been to a real concert in about 10 years.

    124. Re:This isn't just about RIAA/MPAA by torpor · · Score: 1

      Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?

      Well, why not? This is not a troll, but have you ever considered what the US would be like if all the 'virtual-worth' people actually were forced to get real jobs? This may actually happen, and if it does, it may as well be because it was decided -early- in the game, and not after a major economic catastrophe (such as has been predicted for the US in 2010/2020...)

      Fact is, America's economy is in a shambles. One of the reasons for that is so many lazy people whose actual production doesn't result in anything tangible, which can be used consistently in the effort of feeding a nation.

      Not saying you're lazy, but maybe just step out of it for a moment.

      Why *shouldn't* there suddenly be a re-assessment of the arbitrary values being placed on things? A bit of information 'being worth $1,000,000' as a line-item in some mega-corps accounting, certainly inflates things just a little more than is healthy for an economy.

      The over-inflated value of copyrights, suddenly devalued, could mean a level playing field, and new periods of growth in the creative fields. Why shouldn't a nation be able to do that, overtly, as a means of treating inflation?

      Please don't treat this as a troll. I'm not trying to argue for anything ... just considering a 'what if copyrights were suddenly worthless?' viewpoint ... wouldn't this be a good thing to do, every hundred years or so?

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
    125. Re:This isn't just about RIAA/MPAA by kgarcia · · Score: 1

      Well, they can get contracted by a company to make music for commercials, movies, radio spots, promotional outdoor advertising, night gigs, nightclubs, etc. We're not talking about "Contracted by a label" We're talking about contracted to create a product.

    126. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      If your style of music doesn't lend itself well to live performance (techno, etc.)

      FYI: Techno lends itself to live performances as well as most other forms of music. The difference is that most DJs play mostly other people's music and only sometimes play their own. Many of the top tier DJs routinely get $10k - $20k / night jobs. I know local DJs who make $500-$1000 per job on weekends and $200 for a couple of weekly club nights. So when they spin on Friday and Saturday night, they do more than alright. DJs don't really need to pay support staff like many other musicians, so the only cost of putting on a show is the cost of buying records.

      If anything, techno is a good example of how money is being made performing live. I would imagine that the Tiesto/Van Dyk/Oakenfolds of the world already view playing at clubs as their "bread and butter" and sales of their CDs as gravy...

    127. Re:This isn't just about RIAA/MPAA by VTBassMatt · · Score: 1

      >You've artificially turned the "supply" dial to infinity, and it's wreaking havoc.

      Only to counteract the industry associations' turning the "supply" dial artificially to "limited".

    128. Re:This isn't just about RIAA/MPAA by rilister · · Score: 1

      I hope you're not right. I really do.

      I know for a fact that many of my favorite albums only got made because 'people' were prepared to put faith and money *up front* in recording an album (My Bloody Valentine, Talk Talk, etc, etc).

      Those people were the record industry, major *and* independent - it's not just Michael Jackson albums that cost a fortune - if you don't think your favorite musicians benefited from that nasty 'fucked' industry, think harder.

      --
      'This writing business. Pencils and what-not. Over-rated if you ask me. Silly stuff. Nothing in it' - Eeyore
    129. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      A CD that's 99% trash? What is trash to you isn't trash to a 13 year old who wants to listen to the latest pop sensation. If you don't like the content, don't buy it. If you like the band, why aren't you supporting them and making a purchase so they will continue to make music for you to hear? I still buy CDs of my favorite bands and I don't download anything (porn, MP3s, or movies)off of P2P networks, so I can't comment on the user-made content people share. I'm guessing that it's a very small percentage of the number of files out there.

      If you like the band enough, paying $20 to be able to hear their latest album is a small price to pay.

    130. Re:This isn't just about RIAA/MPAA by CFTM · · Score: 1

      It's not even a "restricted format". All you have to do is burn the music to a CD and then rip it back in to MP3 format and presto, the restricted format is gone. Everyone knows it too, but by saying it's restricted it gets the RIAA off Apple's back (I think Apple says some nonsense about how the play quality is reduced if you try to rip it back but I news article I read said otherwise. I am yet to do it because I don't really care).

    131. Re:This isn't just about RIAA/MPAA by jhoger · · Score: 1

      You know what? The same thing happened to programmers as our industry started to mature.

      Not all that long ago, you would hear about kids making some video game and becoming instant millionaires. Or small startups that sold so many copies of xyz spreadsheet that they became millionaires. Royalties/license fees are great.

      Then with the maturing of the industry we realized that it is really hard to compete with larger software houses. So we've gone one of two ways: we work for a proprietary software house for a reasonable wage (no one becomes millionaires, generally unless they are an Owner), either while being on contract or salary.

      A large number of civilized programmers are actually giving away their code in the F/OSS community because that is what they like to do.

      It just turns out that the reality today is you're probably going to just be paid for the "performance" or perhaps just with gratitude.

      Get used to it... things change. Copyright attempts to artificially make information a marketable quantity. It no longer is and the Network is going to enforce its own laws. You'll just have to work for every buck like the rest of us.

    132. Re:This isn't just about RIAA/MPAA by shark72 · · Score: 1

      "Do Beatles^H^H^H^H^H^HMichael Jackson need any more money out of the Beatles recordings made in the sixties?"

      Michael Jackson's apparent fondness for little boys aside, does this bother you? In other words, do you resent it when people make what could be considered to be too much money?

      "Why do artists have expectations of recording one album and living off the proceeds for 30 years when nobody else has that kind of realistic expectations about their own work?"

      It's this hope that causes many people to become artists. Trying to make money as an artist, as opposed to a boring-but-steady career as, say, an accountant, is a tough, tough business. For many artists it means a life of poverty. That chance of making it big with that one hit song or that Pulitzer-prize winning book is what makes the profession unique. I don't think this is a bad thing.

      "The people who had one hit 20 years ago can frankly go find another job rather than expect to leech off the public forever."

      I do not see how it is "leeching." The Beatles will continue to generate revenue for as long as people have a desire to buy music by The Beatles. This is the case not because people are forced to into choosing a Beatles CD over another CD, but because people still like The Beatles.

      There is plenty of music and literature released in the Beatles era that enjoys little or no sales today. In fact, it may be safe to say that the majority of popular music and literature in the 1960's has been forgotten to the point that it generates effectively no money today. The majority of pop music stars in the 1960's probably did go on to get another job. But a few novelists, poets, musicians and other artists of that era had the right combination of talent, perserverence, or simple luck to create work that has endured the test of time and is still sought after today. In this way, being an artist is much like being a programmer or an IT manager: those with talent, perserverence or simple luck tend to make more money.

      I think that there should be no legal or societal limits placed on any profession. If somebody finds a way to become a millionaire by being a dog walker, then God bless 'em. They get no resentment or jealousy from me. While a truly classless society is probably an impossible ideal, I am disheartened by the notion of copyright reform being percieved as a way to take uppity artists down a notch or two.

      --
      Sitting in my day care, the art is decopainted.
    133. Re:This isn't just about RIAA/MPAA by BrynM · · Score: 1
      before copyright, works that couldn't be developed based on performance revenues were commissioned by the local royalty, wealthy families, church, and/or government
      These days we call it soundtrack, jingle and scoring work. There are lots of professional musicians making very good livings doing it. Danny Elfman anyone?
      --
      US Democracy:The best person for the job (among These pre-selected choices...)
    134. Re:This isn't just about RIAA/MPAA by SpeedyG5 · · Score: 1

      Actually the Grateful Dead were one of the most prolific bands ever. They made all there money on merchandise and live performances and they did it for close to 30 years. Not only that, but most of their music is freely traded on the internet with no fear of reprisal from any record company. They didn't like the deals they got from record companies and I believe they created their own record company to boot.

    135. Re:This isn't just about RIAA/MPAA by CreatureComfort · · Score: 1


      Yes! My new hobby. After the **AA goes the way of the dino and dodo, I personally will be happy to take a recording of your performance, make copies of it, and sell it to whomever I can get to buy it. Paying you 1% of all profits, and keeping the rest.

      All for the fun and novelty... of course.

      --
      "Unheard of means only it's undreamed of yet,
      Impossible means not yet done." ~~ Julia Ecklar
    136. Re:This isn't just about RIAA/MPAA by xxyyxxzz · · Score: 1

      The major change going on in the content arena is content producers have been so accustomed to being proce makers they largely don't understand they need to rapidly move to becomming price takers in order to make money. Flat fee payment for music - where nearly all CDs are the same price - is no longer a reality because people have the option of bypassing the official distribution channel for an alternate route. If the content producers are not adjusting for this reality, they have no business selling things.

    137. Re:This isn't just about RIAA/MPAA by Chris+Carollo · · Score: 1
      Seriously, the freedom to copy information trumps the freedom to make money. There are few things that should not be freely distributed, very few... What few examples I can think of are really far-fetched.
      How exactly am I supposed to fund a $10M video game if it's freely distributable as soon as I release it? How well does that seem to be working for non-crippled shareware?

      Restrictions on copying information don't exist solely for the preservation of business. They also exist because some organization of information takes real work, and therefore has real value. If you take away the value, doing the work either becomes thankless or impossible.
    138. Re:This isn't just about RIAA/MPAA by sparrow_hawk · · Score: 1

      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      For starters, I would stop suing my customers. As a music consumer, I refuse to buy major label music because I know my money will go to suing people for downloading stuff. As a P2P user, I try to avoid downloading major label music, because I am thereby helping to promote it ("yeah, man, downloaded the new Metallica album last night... it rocks!") and upping the illegal-download statistics. I have *no* problem with people downloading copyrighted music for free, but I don't want to feed the monster that is the RIAA -- I want to kill it.

      What's missing from this discussion is the fact that the RIAA killed the goose that laid the golden eggs. Napster was the goose -- CD sales were up because of the economy and the exposure from P2P, artists *and* Napster were doing well, but the RIAA wanted a bigger cut, saw all those illegal downloads, and thought, "Oh, hmm, maybe if we shut down Napster and sue our customers, they'll buy even *more* CDs." Of course, the economy tanked, people got skittish about P2P, and iTunes made a big splash, but the point is that before the RIAA started making a big to-do about it, the artists *were* being compensated for the songs distributed with P2P.

      I've done it myself -- downloaded a song or three, liked them, and bought the album. I still do it today with independent music -- I would never have discovered Flogging Molly (or bought their album Swagger) if I hadn't downloaded their music first and listened to it. The 30-second previews on iTunes aren't really enough for me, since I have to listen to some songs for a while before I decide whether I like them. Some artists recognize this, and some don't, but I really wish the RIAA had recognized a good thing when it had it.

    139. Re:This isn't just about RIAA/MPAA by Chris+Carollo · · Score: 1
      I fail to see why artists can't adopt the same model: if you want to get paid for producing something, get someone to hire you to produce it.
      This may work when you're providing a product to a particular person or entity, but if you're selling to the public, it clearly doesn't work at all.

      Do you really think the general public will put up the money for a movie ticket a year in advance of the film being done? Or $50 years before a video game is released?
    140. Re:This isn't just about RIAA/MPAA by Oligonicella · · Score: 1

      Next time, hop on your bicycle and pedal out to Ohio, California, or wherever whatever you want is grown/made and drag it back yourself.

      Sure.

    141. Re:This isn't just about RIAA/MPAA by azaris · · Score: 1

      Michael Jackson's apparent fondness for little boys aside, does this bother you? In other words, do you resent it when people make what could be considered to be too much money?

      Artists' compensation for intellectual property is a social contract. There is no inherent value in music or literature (they are not natural resources nor unique items), but society has decided that it has a worth and has created a system where authors are compensated for releasing their works to the public.

      By adjusting the compensation given to artists we could increase the amount of new art being produced - favor those who produce original, fresh material. Instead we reward those who recorded a few popular albums years ago and sold a lot of plastic disks that no longer exist. Worse, we reward the people who had nothing to do with the art but managed to negotiate the rights to other people's works of art.

    142. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      Egads! Here comes the tired old "buggy whip" argument.


      Just because you're tired of it doesn't make it any less true.


      If the quesion is, why is there a copyright at all, the answer is to provide incentive to authors to invest considerable effort


      Authors invested considerable effort before there was copyright. If you won't create works without a forced monopoly backing you up, then fine, don't create. That doesn't matter. Stuff will still be created. We just won't have to listen to whiners like you, desperate to live in a bygone era. Get over it. Judging by your posts, your stuff was probably lame and of no use to anyone anyway.

    143. Re:This isn't just about RIAA/MPAA by Master+of+Transhuman · · Score: 1


      The "full context" has to include the basic nature of property and trade, and the basic nature of government and law.

      Once you DO take the "full context" into scope, the conclusions are that the state, law, and hence copyright are totally wrong and should be abolished.

      People who argue from the premise that "people have a right to get paid" (which is false - people do not have "a right" - they have an opportunity) to the idea that the law must control trade are latent fascists - whether they know it or not.

      --
      Richard Steven Hack - This sig is TOO GODDAMN SHORT TO DO ANYTHING USEFUL WITH! MORONS!
    144. Re:This isn't just about RIAA/MPAA by Strange+Ranger · · Score: 1

      Movies = agreement w/ you.

      Music on the other hand is a different story. If you're writing music, then sell the written music for others to play. If you're performing music, the PERFORM it! If you want paid again, go perform it again. People don't tend to read the same book over and over, and they don't watch the same movie over and over again, but if you're a good enough musician they'll pay to hear you play, over and over again.

      Secondly, a copy of a book is an exact copy of that book. A copy of a film is an exact copy of that film. Those art forms are inherently tied to their respective media. Music has NEVER been tied to any form of media. As such, a playback of a studio recording is a sterile imperfect recreation of a real performance (maybe a terrible reproduction depending on your sound system). A recording never properly captures the experience of being there and hearing it for real. In fact, a studio recording never properly captures the real thing for the artist either. There's no crowd to play to, no atmosphere to guide the mood of the performance, etc. A studio recording is a way to approximate a live performance. As such, they should be treated like flyers.. "Here take one, come see me play if you like it."

      The only "musicians" I've ever come across who are opposed to file sharing are the ones dependant on mass marketing in order to sell their latest album (aka Brittany Spears) and most of them are NOT what real musicians consider peers. Real musicians are about making music, not albums, and real musicians are about connecting with an audience, not a studio exec.

      --

      Operator, give me the number for 911!
    145. Re:This isn't just about RIAA/MPAA by filmsmith · · Score: 1

      Thank You.

      There seem to be so few artists on this site lately (especially when it comes to the RIAA/MPAA arguments) that the brazen display of greed enrages me. Fortunately, I always stop myself before hitting submit since I don't want to be dragged into 'You're a poo-head!' arguments.

      Again, thank you for posting clearly and concisely from the vantage point of the independent artist fighting a world of seemingly freeloaders.

      I once had someone tell me 'I wasn't going to pay to go see the movie anyway, so what's the harm if I download and watch it?' The breakdown in that logical train of thought dumbfounded me, yet he failed to grasp it.

      I believe that the Copyright Laws need to be reworked, but I don't believe they need to be abolished. Without some way of making a living on my career, I'll have no means by which to continue doing it.

      Now I've gone and rambled.

      fs

    146. Re:This isn't just about RIAA/MPAA by Master+of+Transhuman · · Score: 1


      Right on. Intellectual property rights are an oxymoron. And speaking of morons, only morons believe in intellectual property rights. Lawrence Lessig is condemned to fighting a battle with both hands tied behind his back as long as he continues to advocate the validity of copyright while trying to avoid its abuses by the state and its owners, the corporations.

      --
      Richard Steven Hack - This sig is TOO GODDAMN SHORT TO DO ANYTHING USEFUL WITH! MORONS!
    147. Re:This isn't just about RIAA/MPAA by babyrat · · Score: 1

      Nobody deserves a free lunch.
      Well except the people getting a free lunch illegally grabbing free songs via P2P...right?

    148. Re:This isn't just about RIAA/MPAA by shark72 · · Score: 1

      "By adjusting the compensation given to artists we could increase the amount of new art being produced - favor those who produce original, fresh material. Instead we reward those who recorded a few popular albums years ago and sold a lot of plastic disks that no longer exist. Worse, we reward the people who had nothing to do with the art but managed to negotiate the rights to other people's works of art."

      Thank you for the reply. If I understand you correctly, you would like to see the production of art move away from a free market, demand-driven system, to one in which there is third-party control of the earnings that artists can make. The music business in this country would become more like Canada's socialized medicine program, where the government steps in to control who gets what. Am I summarizing your view correctly?

      For what it's worth, I don't think the existence of older material that's still in demand by consumers (such as The Beatles) is putting an unreasonable burden on newer musicians. Then as now, water seeks its own level -- if you're a talented musician and you record something that people want to hear, people will buy it -- and if you don't have the skills, they won't. If the consumer is choosing, say, Pink Floyd's Dark Side of the Moon over your CD, the impetus for you as a musician is to create work that the customer will choose over Pink Floyd. As nonsensical as the sentence I'm about to write may sound: I don't think it's the government's job to protect musicians from Pink Floyd.

      --
      Sitting in my day care, the art is decopainted.
    149. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      um, dude, I think you missed savatte's point. While I don't necessarily agree with what he says about making movies only for artistic reasons, I think he was saying about how when you make movies solely to increase awareness about your own movie making, you lose track of the reasons why you make movies in the first place.

      Of course, I think there is a common ground between commerce and art.

      --luciemaster

    150. Re:This isn't just about RIAA/MPAA by etn991 · · Score: 1

      but if they just made it easy to comply with the law...

      1. Delete all your illegally downloaded files.
      2. Uninstall Kazaa, Morpheus, etc.
      3. ...
      4. Compliance (er, Profit!!).

    151. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      A then B because C
      Therefore F then G because C

      There's nothing true there.

    152. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      Who the hell promised that they WOULD get paid forever?

      The People of the United States and citizens of signatories of various treaties have promised that, for a limited time, artists would be able to control the fruits of their intellectual labors.

    153. Re:This isn't just about RIAA/MPAA by babyrat · · Score: 1

      The people who had one hit 20 years ago can frankly go find another job rather than expect to leech off the public forever.

      So the public should be able to leech of the people who wrote a hit song? Huh?

    154. Re:This isn't just about RIAA/MPAA by WNight · · Score: 1
      Someone's current chosen profession and it's ability to feed them or their family should not dictate my personal freedoms.

      You mean, your freedom to use their copyrighted material without compensating them? Selfish attitudes such as yours are actually quite prevalent in the world (imagine that), and believe it or not, most musicians and movie makers are not going to stand on street corners and manifest their arts for free, to anyone who comes by, out of the kindness of their hearts.


      No. We mean that it's not society's responsibility to ensure that any chosen profession is profitable. There are many web-based businesses that might be profitable if micropayments worked, but it's not our responsibility to either pass laws to ensure that micropayments do happen, or to feed those web developers until micropayments happen. If they see an opening they're welcome to move in and fill it, but they have to understand that things change. A great niche ten years ago is a dead niche today and vice versa. There used to be guild-exclusivity laws, where you were not allowed to provide a service if you were not a member of the appropriate guild - often a hereditary status, and society seems to be working now even though the laws have changed even though I'm sure it caused some temporary discomfort to people in now publicly accessible industries. Change happens and it's not always bad - I'd venture to guess that the economy (and by extension, even the families of those in the once-protected industries for the most part) are richer because of the change.

      Copyright *is* well-meaning. It is intended to ensure that nobody else profits from your work without going through you. It is not intended to ensure that you profit from your work - the quality of your work has something to do with this. However, lately the trend has been to strengthen the law, removing more and more rights from the public in order to ensure an income for copyright holders. It used to be a right for someone who heard a story about a mythical hero to invent a new story with the same hero to pass along. Now characters are copyrighted and this isn't legal. It used to be a right for people to sing songs around a campfire, even if they merely learned the song from someone else and didn't write it themselves. Now this isn't legal, unless you stay to music published before 1923(?).

      The law should be ensuring that if anyone makes money by publishing a song book including your work that you get payed, not ensuring that nobody is able to participate in their culture without sending you a cheque. Did you invent your works from whole cloth, or are they merely a product of the culture in which you were raised? Why do you get the benefits of a rich public domain and yet get the right to forbid the same right to my children?

      This is not an issue of greed, of wanting without being willing to pay, it's an issue of wanting the right to participate instead of being a consumer, unable to hum a tune without making payments to the estates of long-dead musicians.
    155. Re:This isn't just about RIAA/MPAA by Danse · · Score: 1

      I think it is fair to call that "price fixing".

      The courts have decided that it's called price-fixing too, more than once. Unfortunately it doesn't matter because the penalties for price-fixing aren't severe enough to be a deterrent. The customer always gets screwed, and there isn't anything we can do about it under the law.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    156. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      But maybe, just maybe the audience of Mannheim Steamroller or the London Philharmonic would be willing to make a donation (think busking) or buy the CD online if that avenue was available and the audience recognized that that was the best way to fund the music they enjoy. The alternative is the current system where 70% of the money you pay for a Philharmonic CD goes to funding lawsuits against 12-year-olds and 20% goes to manufacturing the Next-Kids-On-The-Block.

      Buskers don't make their money by fencing off the crowd and charging admission. They try to put on a good show and hope 10% of the crowd is willing to give them some fraction of what admission might be. The talented ones make a good living.

    157. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0
      But note: if the goal is to "legitimize" p2p so that artists get paid, how would you do it?

      There are lots of suggested methods, you could tax CD-Rs which are most commonly used by P2P users for backup of the files they download.


      Hmm.. I also understand that many people who download via P2P also use electricity to power their PCs and sit on chairs while doing it... let's put a tax on electricity and chairs then.. that would be fair...
    158. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0
      How can this go wrong?


      I dunno but you might want to ask my coworker who has multiple gigabytes of music on his computer and never buys any musical recordings.

      As a musician, I've been planning on doing something similar to what you suggest. However, the only reason I can is because I am already very gainfully employed elsewhere. It should not be the standard operating procedure because it is as viable as Marxism. It depends and operates on the idea that most people will act honorably and reasonably when it comes to money and if I have to finish this sentence to explain what's wrong with that idea, then trying to have a conversation about this topic isn't going to work.
    159. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      So who wins here?

      Sounds like the photographer did just fine in your example. He charges more upfront and hands over everything. No problem.

    160. Re:This isn't just about RIAA/MPAA by iminplaya · · Score: 1

      ...the answer is to provide incentive to authors to invest considerable effort

      Oh, no. The tired old "incentive to create" argument. More likely, it provides incentive to create something and then sit on it (lock it down) until someone comes along and offers you a million dollars for it. It provides incentive to clog up a gov't beaurocracy(sp) with useless "inventions, creations, etc. for the same purpose. We're innovating simply to make money, not to produce anything really useful or needed. It's like computers. They generate so much useless information. Yet, now we seem to need all that useless information on even the simplest transactions. I can't buy a video cassette without watching the cashier punch in a 20 digit code and then get a foot long reciept. If you want to see REAL innovation then the system has to go. Anything less is just show. It is obsolete. Computers and the net just made it painfully obvious. Like the RIAA, etc. you just have to find a new business model. Furthermore, there will be no solution to the problem until we completely re-think how we deal with each other. This whole idea of creating wealth through scarcity is getting pretty lame also.

      --
      What?
    161. Re:This isn't just about RIAA/MPAA by platypibri · · Score: 1
      Since we all agree that copyrights are good, but large corporations abusing the system is bad. Try this.

      Ditch Britney, Snoop, 50 Cent and the like and listen to underground music, and local music. People who are recieving 10 bucks for the 10 dollar cd you buy. These are the people who are willing to explore p2p solutions, who have never hassled me about fair use, who are going to still be there if the whole RIAA structure goes bankrupt tomorrow.Your dollars paid in boosting sales for major "artists" is what gives the RIAA their muscle.

      The fact is, currently, p2p downloads are dominated by top 40 acts. Nobody is really screaming about the downloads I made researching music for my 70's coverband. But, if you like the current pop music, and you STEAL it... OF COURSE those rich people want to stay rich. What did you think they'd do? Here, I'll start you off. Here's the url for a cool local (so cal) band with tunes you can download for free. http://www.jointheconspiracy.com

      Just don't /. them. It's hard rock. If your not interested, move along.

      --
      Yeah, I guess I'm funny like that.
    162. Re:This isn't just about RIAA/MPAA by shotfeel · · Score: 1

      Where do you live?

      Most of the live music venues around here are locally owned and operated. Maybe you're thinking only about the big "arena" style performances. I'm thinking everything from churches to bars, and all kinds of smaller theatres both privately and publicly owned.

    163. Re:This isn't just about RIAA/MPAA by hesiod · · Score: 1

      > Here comes the tired old "buggy whip" argument.

      When you say "tired," I say "tried & true." The Internet is a new medium, not a standalone phenomenon that does not use the same rules. If a business cannot keep up with new technology and that tech is what their customers want, the company deserves to die off, not be granted new abilities by the government just because they are a rich collapsing dinosaur. To prop them up in any way is against the point of Capitalism, although it seems that there aren't any Federal politicians who do know the point.

      > The automobile took over from horse and carriage because it won over the market.

      And the "market," assuming the true meaning of "people," and not "corporations," has decided that free music sharing is what they want. So MP3s, in essence, have won over the market.

      > The analogy to P2P is useless.

      Stating a belief does not make it true. Give reasons why, don't just say "this is the way I think it should be, so that's the way it is."

      > why is there a copyright at all

      To protect, for a limited time, the owner's monopoly (not in a bad way) on their creations. That "limited time" no longer exists, and copyright has grown to include many things not previously covered because a big company bought laws.

      > then have the hope of benefitting from copyright to recoup on that investment.

      By selling their song? Fine, that still exists. They CAN hope to recoup on their investment. The key word is "hope." Artists are not guaranteed money just because they make a song. Everyone (I hope) knows that. If you cannot make a living at your job any more, do you just stay there & whine about it? No. If you cannot make a living making music, perhaps you should look into a part-time job to support yourself. You aren't entitled to anything. If you are good at what you do, you can make a lot of money. Dave Matthews is a perfect example. I think his music sucks, but there are millions who love it. He was successful without joining a RIAA record label -- how did he do it? He has shitloads of talent and he puts on an amazing live show. Ever tried finding a DMB song on Napster/KaZaA/whatever? Impossible to find a studio version, since the live ones are usually as good or better, or at least slightly different. That is what draws the audiences. If you aren't good enough or driven enough to do that, is that my fault?

      Do you not believe that the desires of the people should guide what a business does? Should market forces be controlled so that consumers do not have a choice? I hope you don't think that.

    164. Re:This isn't just about RIAA/MPAA by steveit_is · · Score: 1

      You've artificially turned the "supply" dial to infinity, and it's wreaking havoc.

      No. Music is information. Movies are information. DNA is information. Eventually everything except services will be just more information. Information wants to be free, and the supply was always unlimited, we just didn't know it yet and we were stupid enough to pay for it. Some of us aren't that stupid anymore. The rest of us wont be for long. Welcome to the Diamond Age MF'er. :)

    165. Re:This isn't just about RIAA/MPAA by bay43270 · · Score: 3, Informative

      • Of course, you just did exactly what I'm talking about, flow the dialog into the same old anti-RIAA thing.

        Look, I agree that P2P tech itself should not be held accountable. And I agreed with the EFF when that was their position. And note also that the EFF used to suggest that the RIAA should be suing infringers.

        But the EFF has come to adapt a pro file-sharing-even-when-it's-copyrighted schtick, and that's when they got off track.


      You need to read the EFF site a little. The EFF isn't trying to get rid of copyright, or make file sharing (in its current form) legal. Their trying to get the law to catch up to the technology in a way that benefits both consumers and artists (but not necessarily the RIAA/MPAA). The reason the RIAA/MPAA are portrayed as 'evil' is that they fight these efforts at every step (as they probably should, for the sake of their business).

      The EFF has not adopted a anti-copyright view (as you suggest). If you would read their website, you would see that the "EFF advocates offering fans a legal way to use P2P programs while ensuring that artists get paid."

      Rather than assuming you understand the position of the EFF based on conversations on /. (including this one), you should read their site. They spell it all out in plain English.
    166. Re:This isn't just about RIAA/MPAA by thirdofnine · · Score: 1
      Trunstyle,

      Well, think of it this way, if we were able to copyright our IT jobs, then maybee we could prevent them from going to India, as India would be breaking that copyright by copying my job.

      BUT THAT IS NOT HAPPENING, we in IT are expected to find another job, when the one we are in moves offshore.

      "should just have to find another job" is the same line every IT worker is told when his/her job goes offshore. So, let me ask you, what you doing to protect our profession. Since you want us to protect yours.

      Thirdofnine.

      --
      Well, um, yes.
    167. Re:This isn't just about RIAA/MPAA by ichimunki · · Score: 1

      And here I thought I was the only one who was critical of Lessig for that exact reason. :)

      --
      I do not have a signature
    168. Re:This isn't just about RIAA/MPAA by filmsmith · · Score: 1

      I think $3 - $5 USD would be far more fair. It cost nothing to mass-produce a CD/DVD.

      Yet, as a filmmaker, I can tell you it DOES take some cash to make a movie! I'm working on a 5 minute short right now and my budget is around $5,000 and that's after using every trick in the book to cut costs by shooting as 'renegade' as possible.

      fs

    169. Re:This isn't just about RIAA/MPAA by ivan256 · · Score: 1

      Hah! Nice troll.

      Those people are already breaking an existing law. No debate required over what new laws need to be passed.

    170. Re:This isn't just about RIAA/MPAA by hesiod · · Score: 1

      > Somebody needs to get the idea of letting people putting together setlists of songs that form virtual radio stations.

      Ummm... you mean streaming audio, which was around before P2P filesharing?

    171. Re:This isn't just about RIAA/MPAA by Kismet · · Score: 1

      Perhaps you should look more closely at my argument: It isn't remotely based on the honor system. The CURRENT system of Intellectual Property is based on the honor system. My system is based on logic.

      Let me reiterate my logic to you: Ideas, once they have been let out, are essentially commodities, and are worth nothing. This is because, once an idea is out, there becomes (effectively) an infinite supply of that idea. This is a fact that can't be denied (music, books, programs, data; all of these things are trivially copied and distributed).

      My suggestion has to do with ideas that are still property. Now, how can an idea be property? Only if the idea belongs to one, and only one, person. Property, by definition, can only belong to a single proprietor. The ridiculous IP laws pretend to give out "rights" to ideas as property. These rights (which are actually priveleges) are based on the honor system! People REALLY can't steal your music, because YOU STILL HAVE IT! People can only deprive you of an artificial right that has been granted by legislation.

      Now think about something. How can someone copy your idea if you haven't divulged it? They can't! A person might be fortunate enough to independently think of the exact same idea; a difficult thing indeed if your idea is truly unique. That is the key. You say: I have an idea. The public says: Let me have your idea. You say: Pay me first.

      Now, tell me: How is that the honor system? Either people pay you, or they don't. If people don't pay you, they don't get your property. For some reason we are operating under a false assumption that ideas, once they have been divulged, are still property. That doesn't work, and you have just described the reason why. It can only work on the honor system that yout describe.

      My suggestion eliminates the honor system all together. My suggestion works on the proven concept of supply and demand, but you must first prove that you have something worth paying for. There is no Marxism in my suggestion.

    172. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      People have pirated software for years. Kazaa makes this easier than ever. People have also been pirating music for a few years now.

      Both industries have survived. They will continue to survive. They might not make as much of a profit as they would if they could completely crush piracy, but they will survive.

      There are also benefits to piracy.

      A lot of people who pirate software do it when they don't have the money to buy the software, but they end up learning how to use it, and when they get a job in the future with an employer, that employer then purchases the software thier worker knows how to use. Or it makes it easier to find employees experienced in a particular package, which makes your package more appealing.

      This applies a lot ot graphics and sound applications. Frankly, if I was Autodesk, I'd be giving Max away free to college students, before Maya does.

      This applies less to games, but there's still word of mouth that a game is cool which gets other people to buy it. And along the same lines it would be a very bad idea to put piracy protection into a product which discreetly causes it to crash at random, because the pirates would tell their friends the game sucks and crashes a lot.

      It's even beneficial to Micrsoft. If I didn't pirate Windows 95, I'd have kept using DOS for another three or four years. This in turn, on a larger scale would have slowed the acceptance of Windows, and the appeal of developing for it. If one assumes half of all copies of Windows are pirated, then one must also assume that those folsk who pritated it would likely not buy the product and that that would in turn mean far fewer users and a much slower acceptance of the product, with less software written for it.

      I would argue that the lack of pirated software being easily available for the Mac, (because there aren't a lot of mac users and not a lot of software for it) is a large part of what has led to the Mac playing second fiddle to the PC.

    173. Re:This isn't just about RIAA/MPAA by filmsmith · · Score: 1

      Except, as an artist, he's likely disheartened that his lovely pictures are receiving poor treatment by techno 'do-it-yerself'ers.

      I know I certainly would be.

      fs

    174. Re:This isn't just about RIAA/MPAA by timbit · · Score: 1

      Here in Canada, however, we already pay a tax on just about everything that could be used as a medium to store copyrighted material. This tax supposedly reimburses the artists the money they lose to piracy. Now, I don't really mind paying the tax, but if I'm paying it, then I don't think that the RIAA (canadian version) should be allowed to come after me. After all, not everyone who buys these mediums are going to be pirating, but they all have to pay. Therefore, one would imagine that the recording industry is making some dough on this deal. The tax is fair (by canadian standards, we're all about subsidization lol) but then I should be able to download freely. Right now, we can. But the RIAA is trying to change that. They need to get it through their skulls that if they get a tax implemented, then they can't go after people for downloading stuff afterwards. And I don't think they understand that.

    175. Re:This isn't just about RIAA/MPAA by gfxguy · · Score: 1

      I answered this above, but it IS restricted. Moreover, the point is that even restricted formats allow users to do a lot with them, but they are still restricted. In other words, if I download illegally, I get to use the content with no chains, no hassles, no restrictions.

      It's the honest customers that have to put up with "it's not restricted, all you have to do is download, burn a CD, rip the CD back to mp3!" That's pretty damn annoying, if you ask me.

      --
      Stupid sexy Flanders.
    176. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      > Do you think that everybody whose income depends on their ability to sell their own copyrighted work should just have to find another job?

      Yes. That's what everyone else does.

      I like to be creative, too, but I don't expect that to exempt me from working for the rest of my life.

    177. Re:This isn't just about RIAA/MPAA by entrigant · · Score: 1

      You so wildly missed the point I have to wonder if you were joking. One of th emore gratifying things as an artist is to have your art appreciated and admired by others. The popularity of it happens to be a good indicator of that. Just because when something is done purely for profit popularity is also important doesn't mean both types are wanting the same thing.

      The difference is the parent poster would be proud to have his work viewed and admired by millions of people regardless of how they came about it. Hollywood, on the other hand, could care less as long as those millions of people payed for it.

    178. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      "
      Of course, you just did exactly what I'm talking about, flow the dialog into the same old anti-RIAA thing.
      "

      Well, I wonder why people are anti-RIAA / MPAA? Perhaps because they do, in fact, suck? Turnstyle's desire to de-polarize the discussion is admirable, but if it looks like a duck, smells like a duck, and quacks like a duck...

      Allow me to paraphrase the discussion so far:

      *everyone* "We don't like the mode of operation of the current content brokers."

      *Turnstyle* "Let's not come down too hard on the content brokers. Let's look at the situation more deeply. This isn't just about the RIAA/MPAA."

      *everyone* "No, we've already taken a vote, and we don't like the way things are going. Not about the RIAA/MPAA? Maybe you were involved in some different discussion?"

      In his post (http://slashdot.org/comments.pl?sid=100505&cid=85 68300) Turnstyle brings up that there are complex questions involved in the P2P issue, and I can totally grant him that.

      But the fact is that you don't necessarily have to know what's right in order to know what's wrong.

      EG - I know where I _don't_ want to go out to eat all the time...

      Adam T

    179. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      That is a very insightful comment. That's exactly the problem with copyright and DRM that's constantly being identified - that the protections continue to apply regardless of whether a work can be obtained in any other way.

      Want to buy a CD, but it's out of print? Sorry, you're out of luck. Don't go downloading the songs, that's a criminal offense.

      Want to buy a DVD, but it's not available in your region? Too bad. Don't even think about trying to use a region-free player, you might fall foul of DMCA. (And even if you don't, you can bet that whatever replaces DVD will be designed to make sure you would.)

      Want to play a classic video game? You'd better hope you can find the hardware and an original copy of the game, then. Don't even think about using an emulator (if your hardware's bust) or downloading the game (if it's not only out of print but sufficiently rare that there aren't even any copies on eBay). That's a crime too.

      The last of them is the one that affects me personally. If I look at my collection of "illegally" downloaded classic games, and perform an RIAA-style calculation of how much my "piracy" has cost the industry, it probably runs into hundreds of thousands of dollars. If I calculate a reasonable price - what the games would cost at current retail prices for today's new games - it comes to several thousand dollars. And I'd pay those thousands of dollars with pleasure if the companies I'm "stealing" from were willing to take the fucking money and give me a license to play the games.

      But apparently that's not economically viable. Apparently it's better for them to sit on their products and call me a criminal than for them to actually sell me the things I want to buy...

    180. Re:This isn't just about RIAA/MPAA by Dashing+Leech · · Score: 1
      Of course, you just did exactly what I'm talking about, flow the dialog into the same old anti-RIAA thing.

      What are you talking about? I pointed out factual errors that you made. I directly quoted you and pointed out, with a reference, that it is not true. And yet you state it again:

      But the EFF has come to adapt a pro file-sharing-even-when-it's-copyrighted schtick, and that's when they got off track.

      Please provide references for this. I've seen the EFF argue about changing copyright laws, but I've never seen them arguing that people should be allowed to violate copyright laws. You seem to be mixing the two concepts.

      P.S. You should actually read the articles you reference. In the article the EFF clarifies the misquote you seem to have adopted yourself. They never said the RIAA should sue end-users, they said the RIAA arguments only make sense if they sue end-users. AFAIK, the EFF has never liked the idea of suing end-users, but realizes it is the law. It just shouldn't be.

    181. Re:This isn't just about RIAA/MPAA by maxpublic · · Score: 1

      Sometimes it's a question of which is the greater evil: allowing some measure of piracy through p2p networks, or enacting draconian privacy-violating laws in a (futile) attempt to shut down those networks altogether?

      The greater evil here is rather obvious, at least to those of us who still hold on to the hope that at least some part of the Constitution will survive into the 21st century.

      Max

      --
      My god carries a hammer. Your god died nailed to a tree. Any questions?
    182. Re:This isn't just about RIAA/MPAA by BillyBlaze · · Score: 1
      You've artificially turned the "supply" dial to infinity, and it's wreaking havoc.

      There's nothing artificial about it. The supply of copies of information, given the existance of one copy, is naturally infinite. Copyright places an artificial limit on that supply, because we arguably want creating popular information to be profitable. The extent to which we should artificially limit the supply to achieve this goal is debatable.

      Don't get me wrong, I think copyrights are generally good and mass copyright infringement is bad. I also think the term should be something like 10 years, and only distributing the copies to others, not making copies for yourself, should be limited. My point is, don't think that copyright is the natural state of things, recognize it as the compromise that it is.

    183. Re:This isn't just about RIAA/MPAA by WNight · · Score: 1

      But the same copyright law that serves a purpose in ensuring I don't unfairly profit from your work also enables you to be able to prevent me from singing a song I've heard you sing.

      That law has gotten in the way of millenia of established precident - that our oral culture is in the public domain, that everyone is free to take what came before, modify it if desired, and pass it on.

      Certainly, I shouldn't profit simply from the distribution of your works, as in producing and selling recordings of you, but what about when my art is based on the oral reproductions of popular culture? Copyright law then favour you over me, and doesn't begin to address the issue of you having full access to the popular culture you grew up with, yet denying access to new culture to the next generation.

      There's a right to make money from your labour, few people will support someone else coming in at the last minute and appropriating your work as their own, but there's the much older issue of the shared knowledge-base of our race. You didn't invent the language you wrote your song in, I see you as owing something to the society that invented these things for you to use - you owe them (us all) the right to build on your creations.

      Can you imagine the insanity if every "creative work" (language, vocabulary, etc) invented through history had a price tag attached to it? If you had to pay the estates of people long-dead for the right to use your language, or western musical scales, or the inventor of a guitar, etc?

      At some point these things need to be part of the public domain. Until the law allows for things like this it isn't going to be equitable and people aren't going to respect it, even if that hurts some musicians in the meantime.

    184. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0
      Let me reiterate my logic to you: Ideas, once they have been let out, are essentially commodities, and are worth nothing. This is because, once an idea is out, there becomes (effectively) an infinite supply of that idea. This is a fact that can't be denied (music, books, programs, data; all of these things are trivially copied and distributed).


      Your argument essentially dismisses all notion of intellectual property rights and controls outside of using trade secrets. Not only is this a ridiculous notion, it still doesn't cover musical recordings. Musical recordings are not in any sense free: not in creation, not in distribution, not in storage and not in listening. Creation of musical recordings is extremely expensive, even for modest records. I've been saving for 4 years in order to put out my first album and I expect to spend close to $50k in order to finish it. Distribution of musical recordings is not free either. For one person to get a recording from another person, there is a discrete, controllable event. This event can be regulated as heavily or as lightly as the government wants. The storage of musical recordings always involves some type of medium, which again is not free and is again completely possible to regulate. And finally, even the playing of musical recordings requires devices to translate the recording into sound - devices which are not free - and this translation is again a discrete event that is completely subject to regulation. You are correct that the idea of a song is free and can be transferred but the musical recording of the song is in no such way free.

      I had much more written before this but I think this point that musical recordings are in no way free is important enough to have its own post.
    185. Re:This isn't just about RIAA/MPAA by BillyBlaze · · Score: 1

      I couldn't agree more, and wish I had mod points. But even people without them can also foster this idea, simply by using the right terminology. Don't debate P2P with your friends, don't even debate theft with them - debate copyright infringement with them. I think the names we call these things really is important.

    186. Re:This isn't just about RIAA/MPAA by Sangui5 · · Score: 1

      Hmm, the length of this post got a little out of control....

      yet you don't seem to realize that if you have a method whereby you can always acquire a product for free, you completely undermine the basis for the system

      You seen not to understand the full nuances of price theory. Here is a decent overview of the concept of marginal cost.

      For the lazy amoung you, the point is that if it is possible to get a product for free, then that is going to be its price. More formally, in a non-distorted market the long run price of any good will approach the marginal cost or production--that is, the cost to produce the last additional unit. Prices above the marginal cost are, in the long run, unsustainable in a fair, undistorted market, since any competitors can increase their total profits by increasing production and reducing price, and new firms will find it profitable to move into the industry and begin producing and selling nearer the marginal cost.

      It is important to note that fixed costs do not come into the picture at all--they increase the average cost, and cut into profits, but in a fair market they have little effect on actual prices. Fixed costs do effect whether firms decide to produce at all, though. So if it isn't possible to recover your fixed costs by selling at your marginal cost, then you simply leave the industry (AKA go out of business) or neglect to enter the industry at all. And we can note that high fixed costs do not equate high prices--look at the semiconductor industry. Fabs are **expensive**, but most parts sell for close to marginal cost, collusion and short-term fluctuations notwithstanding.

      The most glaring example of prices approaching marginal cost in action can be seen in farm goods. This is an open market, where the individual firms (farms, in this case) have been unable to collude, that has been around for long enough for long-run forces to take full effect. The price of corn, milk, eggs, flour, etc. _is_ the marginal cost of the least efficient producer still in business. Well, there could a few firms which are selling at below their costs, and they will shortly go out of business, or it is possible that demand has driven up prices short term and new firms haven't yet entered the market, but those are short-term boundary effects. Unless you have better land, equipment, or intrinsic skill as a farmer than the marginal producer, there is no money to be had in farming--as farmers have been bemoaning for years.

      True, DVD movies are not nearly as fungable as corn or rice. But to a large extent, any one action film is a good substitute for another. So it should be possible for a new movie studio to start up shop and start producing action movies, charging movie theatres less to show them and selling the DVDs at $10 each rather than $20. And they should therefore by competitive pressure force the other studios either to reduce their prices or to go out of business by loss of market share.

      We can observe that since the cost of a DVD movie is obviously waaaay more than the marginal cost, the market for movies must be distorted. Some of the distortion can be explained by the effects of copyright law--a necessary distortion. But $20 for something which has a marginal cost of closer to $5 cannot be explained away by copyright's distortionary effects alone. There must therefore be some other form of market distortion--either outright collusion or some other unfair trade practice.

      More evidence can be seen in the cost/gross numbers of most movies. Take "Tommorrow Never Dies". While it can sell on the strength of the 007/James Bond brand, it is mostly a standard action film. An expensive action film to be sure--$110 million to produce. But it has grossed $210 million--a $100 million dollar net. Lets assume (for the sake of argument) that the money arrived in $21 million dollar increments over 10 years. These assumptions heavily unde

    187. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0
      [Here's the rest of my post, which actually was written before the previous post. I'm not going to edit it as I should do some work.]

      Now, tell me: How is that the honor system? Either people pay you, or they don't. If people don't pay you, they don't get your property. For some reason we are operating under a false assumption that ideas, once they have been divulged, are still property. That doesn't work, and you have just described the reason why. It can only work on the honor system that yout describe.

      My suggestion eliminates the honor system all together. My suggestion works on the proven concept of supply and demand, but you must first prove that you have something worth paying for. There is no Marxism in my suggestion.


      You seem to have forgotten your previous post:

      You have made little or no money from your initial offering to the public. Your work, so far, is merely an investment. If you are any good, people will appreciate you. They will hope for more.

      You will say: I own other ideas; ideas that are uniquely mine, and that nobody else has but me. These ideas are worth something to the public, and I will release them to you if you make it worth my effort.

      If the public, based on the merits of your previous ideas, would like to be edified by your continuing work, then they will support you in your work. And if you become so astoundingly popular, why not hire a publishing house to get the word out to the masses? They could even take a small cut of your earnings. What a novel idea.


      Basically, your suggestion reads as such: The public gets a work by the artist for free and then if they like it they might possibly pay him some money to get more music. If they don't pay him money he can decide to not make more music but he will never actually be paid for the music he makes, just given money by people who think they'd like to hear more music. Even those people who don't pay him any money at any time will always have free access to any songs or albums that he creates so long as he lets anyone outside of himself hear it. That relies on what I would call the honor system.

      This has similarities to what Mitsubishi did with their 0 down 0 interest 0 payments for 2 years (I believe) payment plan for cars. People were free to use the cars with the understanding that eventually they would have to make payments. Well, once they had to make payments Mitsu suddenly found their good will was gone, a huge portion of the people defaulted and Mitsubishi came and remains very close to insolvency. And this was with goods Mitsubishi could reclaim; artists, under your plan, have no claim to their recordings (other than possibly a "Made by" label) once they let anyone hear their work.

      You seem to think it's viable for an artist to release an album and call it an investment and then hope for many people to decide to give him money with no obligation and no contractual obligation for goods or services rendered. The community will band together to fund good artists because they want to hear more music they like, when in fact they can decide to not give him any money and they will still hear whatever music he makes. I'm not sure what business model this is but it is what I would call the "pan handler" method of making money. Everyone gets to hear them for free and afterwards the artists get to hold out their hat and beg for money. I'm not economist but I think if this were an effective business model, more companies would use it.
    188. Re:This isn't just about RIAA/MPAA by BillyBlaze · · Score: 1
      The average teeniebopper using Dad's credit card to download songs doesn't know or care what [DRM] is.

      Of course they don't - if they knew or cared, they wouldn't be using iTunes. But there is a good-sized market who does care, and would use iTunes if not for the DRM.

    189. Re:This isn't just about RIAA/MPAA by Shakrai · · Score: 1
      What do you have to do, for example, to play songs downloaded from Apple on a generic mp3 player? From what I understand you must burn and then rip a CD. I wonder if you can use rewritables to that end?

      Umm I hadn't considered that. I'm still living in the dark ages without a personal mp3 device -- I burn audio CDs and use them in my car :)

      I still think Apple got the best of both worlds. There's simply no way in hell that RIAA was going to allow DRM free music. If you want to change that I suggest we find a way to kill off RIAA -- I think we'll discover that to be easier said then done.

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
    190. Re:This isn't just about RIAA/MPAA by WNight · · Score: 1

      As little as you like it, the buggy whip analogy is a valid one. For one reason or another, fair or not, it is becoming impossible to restrict the duplication and distribution of copyrighted works in a manner required to make cd sales a viable business method.

      Do you recognize this and cope with it, or do you order the tides to stop?

      You can't stop the expansion of computers and by extension, digital media transfer. If you watermark your music it'll be wrapped in a zip file, if you put DRM into computers it'll be stripped out, emulated around, or otherwiser made irrelevant.

      If you persist in trying to protect your outdated business model (the buggy whips) you'll lose, but only after costing everyone billions and laying waste to a generation of advancement by mandating broken-by-design restrictions.

      There's a seperate discussion about the validity of copyright, and it's not a simple issue either, but this is a buggy-whip issue. The selling of plastic disks is dead, recognize it and move on. The selling of individual access to copyrighted works is in a coma and not expected to survive, recognize this and plan for its demise.

    191. Re:This isn't just about RIAA/MPAA by BlueStrat · · Score: 1

      "Will people will stop making music just because they can't sell 10 million CD:s? No."

      Well, if I can't afford to keep myself in strings, food, rent, etc., then yes, I won't be producing any music. The problem is the middlemen making it necessary to sell 10 million CDs in order for the artist to get enough money to keep producing music. An artist creating new music isn't comparable to a buggy-whip manufacturer. Creating new/unique music isn't obsolete, just the distribution model set up by the labels/RIAA is. You need to differentiate between artists/musicians, and the media industry. The situation is more comparable to a buisiness owner in a city being forced to use the local mob-run delivery company. You wouldn't (I hope) argue that the buisiness owner should give up trying to make a living from his buisiness, rather than stopping the mob-run delivery company from extorting money at both ends, would you?

      --
      Progressivism (aka US 'Liberalism'): Ideas so good they need a police/surveillance-state to enforce.
    192. Re:This isn't just about RIAA/MPAA by innocent_white_lamb · · Score: 1

      How exactly am I supposed to fund a $10M video game if it's freely distributable as soon as I release it?

      Maybe you aren't. Not all nice-to-have projects are economically possible to accomplish.

      Whether that is good or bad depends on your point of view and your opinion of the project.

      --
      If you're a zombie and you know it, bite your friend!
    193. Re:This isn't just about RIAA/MPAA by innocent_white_lamb · · Score: 1

      Or $50 years before a video game is released?

      Some do. "Pre-orders" are not uncommon in many industries.

      --
      If you're a zombie and you know it, bite your friend!
    194. Re:This isn't just about RIAA/MPAA by Burger+King · · Score: 1

      Setup a webpage with preview albums for relatives to view and order prints from. You could even offer the customer a discount if the reprints are popular.

    195. Re:This isn't just about RIAA/MPAA by Trolling4Dollars · · Score: 1

      There is always the possibility that some of us don't need/want to get paid. There are two forms of "creative" product:

      Music as art/Music as a business
      Film as art/Film as a business
      Writing as art/Writing as a business

      Guess which approach is longer lasting?

      (Feedback anyone?)

    196. Re:This isn't just about RIAA/MPAA by M.+Baranczak · · Score: 1

      My CD burner at home is used mostly for storing my digital pictures. Why should I pay the RIAA tax?

      You shouldn't have to pay a tax to the RIAA for those. You should just pay a tax to the porn industry.

    197. Re:This isn't just about RIAA/MPAA by AstroDrabb · · Score: 1

      I am sure it does cost money. However, think of your typical major motion picutre. "Big-time" actors get paid 1 million+ for the movie up front. Why not pay them a small wage up front and pay the actors based on how the film does? I think that would actaully be more fair, since movies like LOTR and The Passion that have brought in mega-bucks would compensate the artists better. Also, at $5 bucks to see a movie in a theatre and $3-$5 to buy it, I think you would get many more people to go and see a movie or purchase them. It is a smaller investment if you don't like the movie. Also, think Home Depot/Walmart/Lowes here. Instead of having 1,000,000 people see a movie at $8-$10, maybe you could draw out 25 - 100 million at $5? I am sure people would purchase more music, and go see more movies if they thought it was a better value for their money, I know I would. The way it is now, I go and see maybe one or two movies a year because I think it is over priced. I remember when I was younger, I would go once a month. I know my wife and I would enjoy doing that again if it was a better value for the money. Oh, and putting less smut in movies would help as well : )

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    198. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      So you advocate making films people don't want to see, and then forcing them to pay for it? Moron.

    199. Re:This isn't just about RIAA/MPAA by Kismet · · Score: 1

      No, no, nonono. Both of my posts are in perfect agreement.

      Let me ask you this. You want to start a business. What do you use to start it with? You haven't sold anything. So you borrow money! You get an investor! You use your own money! Thousands, millions of dollars, even. You hope that your business is good enough to recoup the costs, but chances are you will lose everything. Most startups do.

      This is simply what I am suggesting with the IP biz. Nothing different. You put in your initial investment, and it either succeeds or fails. If it fails, you STOP DOING IT.

      I don't know what it is with you music people. You think that because you spent some effort making something, that people should pay you to keep doing it. You expect them to work on the honor system, and to not copy it.

      NORMAL business rely on the scarcity of their goods to make money. So if you are a famous artist and not making money, then make your work SCARCE. If people REALLY like it, they will pay you for it.

      You do not understand what I am saying. In every other scenario where money is exchanged for goods, you ALWAYS pay before you get the goods. Why do artists let their goods out before they have been paid? You should work on commissioned works or on merit payments ONLY! It's crazy to publish something and expect consumers to repect your IP on the honor system. No other industry is crazy enough to do this.

      If you insist on releasing your work for the love of it, then you qualify as a donor, ala the Open Source crowd. You either work for the love of it, or the money of it. That's economics. The RIAA doesn't get it.

    200. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0
      You do not understand what I am saying. In every other scenario where money is exchanged for goods, you ALWAYS pay before you get the goods. Why do artists let their goods out before they have been paid? You should work on commissioned works or on merit payments ONLY! It's crazy to publish something and expect consumers to repect your IP on the honor system. No other industry is crazy enough to do this.


      That's funny because I work for a company that makes biochips using a patented technology. The patents for it are out there, available for reading and people would be free to copy the design with us not making a dime. Even if there were no such things as patents and we tried to keep our design a secret, it would just be a matter of studying our product and other people would be able to take our design and we might never see another dime because other companies with more money would be able to push us out of the market. Except for patent law. Patent law for my company does the same as copyright does for my music - it prevents people taking advantage of someone else's creation before they have the opportunity to generate profit from it, thus encouraging more innovation.

      Patents and copyrights are not the "honor system". They are law and people who do not follow copyright law are criminals. Your suggestion of an artist putting out a first album in the hopes people pay them money for a second, without any legal binding contract involved anywhere in there, is the honor system.

      You're also trying to put the chicken before the egg before the chicken... First you talk about putting out an album to consider an investment that won't directly make any money. Then you talk about ALWAYS getting paid first before you release the goods. So which is it? You're talking about upping the barrier to entry for musicians, too, as you're saying they basically have to put out an album with no hope of making money from it. And from the number of idiots who already bow down to the RIAA just to get a recording made, do you really think it's a wise idea to lessen the chances of an artist being able to make money? By your model, Operation Ivy and Minor Threat never would have made any money from their albums because they both only ever put out one album.

      NORMAL business rely on the scarcity of their goods to make money. So if you are a famous artist and not making money, then make your work SCARCE. If people REALLY like it, they will pay you for it.


      Normal business relies on people paying for goods or services. So how about people pay when they want to listen to a music recording? If nothing else, one solution that meets both our models is for artists to use extremely draconian DRM measures (e.g., streaming only format which requires a credit check, embeds your personal information into the audio stream and requires a $100 deposit to listen held for a period of one year afterwards) and make laws to outlaw analog audio playback and recording devices (anything at all analog before the speakers) and destroy used ones. Then people wouldn't be able to listen to the music before they paid money. And hey, music would be scarce too, which you seem to think is the sole factor that generates profit. (Gumballs aren't scarce, yet companies still make profits from it.)
    201. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0

      Turning the supply dial to "infinite" (after an initial, limited copyright period) is a Good Thing.

      If something creates wealth, and it's available in infinite supply, at a zero or near-zero cost, then the way to maximize wealth is to encourage everyone to use as much of it as they like!

      This is similar to the rationale behind using a free market to govern trades of things that are naturally scarce (labor; real property). For a free market, the assumption is that people will often value resources differently. Trades that give each party something they like more (than the item they traded away) increase wealth/happiness.

      In either case, the goal is to GROW the pie, by making the most efficient and least restrictive use of resources relative to cost/availability.

    202. Re:This isn't just about RIAA/MPAA by Anonymous Coward · · Score: 0
      If nothing else, one solution that meets both our models is for artists to use extremely draconian DRM measures (e.g., streaming only format which requires a credit check, embeds your personal information into the audio stream and requires a $100 deposit to listen held for a period of one year afterwards) and make laws to outlaw analog audio playback and recording devices (anything at all analog before the speakers) and destroy used ones.
      This is called trashing the Constitution and the Bill of Rights (First Amendment; spirit of Third Amendment and Fourth Amendment; etc.). It is a proposal fit only for a slave population, not a free people.

      It also is a proposal to intentionally cheat the public domain. Without copyrighted or patented works reverting to fully-copyable public domain, Congress has NO Constitutional authorization to grant artificial monopolies.

    203. Re:This isn't just about RIAA/MPAA by Perky_Goth · · Score: 1

      IANAA (i am not an american)
      what is clear channel?

    204. Re:This isn't just about RIAA/MPAA by Kismet · · Score: 1

      You're also trying to put the chicken before the egg before the chicken... First you talk about putting out an album to consider an investment that won't directly make any money. Then you talk about ALWAYS getting paid first before you release the goods. So which is it?

      OK, here is our disconnect. Yes, I am saying that you should take payment before giving up the goods. However, I am also saying that your must first invest in your business before you can have your business. In other words, you have to prove that you have the goods before you can sell them! Here is what I think you don't understand about my argument: I suggest selling the actual idea, not copies of the idea. I maintain that in order to sell an idea, you've got to give one away first. The first idea is the only one you ever give away - it's the investment you put into your business to encourage interest. It's advertising, if you will. You might provide tantalizing snippets of future ideas, but you refuse to let those ideas out until you get what you think they are worth.

      So my parallel is between the initial investment in a startup (which is the capital used to finance the operations and produce the first goods) and initial investment in an IP venture, where the goods are intangible. My observation is that the only way to make IP successful is to make IP subject to the same laws of availability that tangible goods are subject to.

      As it turns out, the RIAA and MPAA have the same idea as I do, only they want to make IP scare by putting artificial constraints on the copies of it. They want to make IP difficult to copy and distribute, so that only they can do it. I say this is bogus. That is not the right way to do it. DRM is clearly a power-grab and way oversteps its stated use by giving huge power to publishing houses. Watermarking and copy protection have been repeatedly proven to be ineffective.

      All we really have right now are laws that say that making copies is wrong, and so please don't make copies or you will go to jail if you get caught. To me, that sounds like the honor system: big business has legislated IP laws, and we, the people, promise to obey them. The problem is that most people don't see the ethical problems in making copies of things that are trivial to copy.

      And so I am pointing out the fact that you can't make a copy of something that exists only in the artist's head. There is you bulletproof IP protection.

      What does this mean?

      1) It puts the power back in the hands of content creators (artists), and takes control away from publishers who currently decide what gets published and who gets paid. Creators should pay publishers a cut of the profits, not the other way around.

      2) It provides incentive to produce the best quality work because nobody is going to pay for junk. So, yeah, some artists are going to fail and say that the system doesn't work because they refuse to see their own shortcomings.

      3) It eliminates the honor system, because nobody gets your idea until after you have decided that it has been paid for. You have only provided a reason for the payments by proving you have the goods. People aren't paying for what they got from you, they are paying for you alone have, and what they want.

      4) It eliminates piracy and lawbreaking and all of the associated overhead incurrend with these new sorts of criminals we have created because of IP law. It eliminates the idea of DRM and other draconian measures that could be just as easily used to take rights away from the many as they could be used to grant rights to the few.

      There is a semi-good example of my idea at work. A company called NaN produced a shareware 3D modelling and rendering program called Blender. The shareware version was crippled, but there was a full commercial version available for pay. NaN made a little bit in their commercial venture, but did not really do too well selling this program in the traditional way. Shareware

    205. Re:This isn't just about RIAA/MPAA by tbradshaw · · Score: 1

      So you advocate an alternative, that instead of having people pay for what they want... you have taxes take money from everyone to make movies and music that most people don't want.

      I love clever hard sci-fi movies, and I make sure to support those couple low budget movies so that maybe they'll hopefully make enough to bring another. But I would never want the state to act as armed thugs stealing money from the people so that I can personally enjoy an unpopular movie format.

      Sheesh, and planners say that capitalism is selfish...

    206. Re:This isn't just about RIAA/MPAA by iminplaya · · Score: 1

      Without some way of making a living on my career, I'll have no means by which to continue doing it.

      Sure you can. It's called "work for hire". It's how regular people make their money. Do the project. Get paid. Forget about it. There's no reason why artist should get special laws made for them, just so they can re-sell old stuff. I would love to fix a machine, and then continue to get paid for it for 75 years without doing anymore, but I can't do that, and you shouldn't be able to, either.

      --
      What?
    207. Re:This isn't just about RIAA/MPAA by iminplaya · · Score: 1

      You should get that money from the people that hired you to make the movie, not from people 75 years later. If you want to make a movie on your own, find sponsers to pay for it, instead of extorting from the future.

      --
      What?
    208. Re:This isn't just about RIAA/MPAA by filmsmith · · Score: 1

      You're talking about making commercials. You want Hollywood to just make commercial 'Hollywood Garbage?' (How's that for spanning posts?) because that's what you're advocating.

      I, for one, will rue the day arts die in favor of commercialism and will fight until my last breath to create art and my right to a temporary (seven years should be fine) monopoly.

      I should point out AGAIN that I oppose current copyright laws and their ridiculous time-spans and move to junk the laws and start over. A blanket move of 'All Copyrights Forever' is just as bad as 'No Copyrights EVER!'

      It's called moderation.

      fs

    209. Re:This isn't just about RIAA/MPAA by iminplaya · · Score: 1

      I don't care what Hollywood makes. (Maybe a little less propaganda would be nice. Did you see what they did to "Cheech and Chong's Next Movie during Reagan's zero tolerance reign of terror?) I watch what I like and skip the rest. Good movies can be made as a "work for hire", just like anything else. Copyright makes all this crass commercialism possible. 'No Copyrights EVER!' hasn't been attempted, so you can't possibly know whether you can live without it or not.

      --
      What?
  23. Re:Finally P2P restrictions from the right place.. by GigsVT · · Score: 3, Insightful

    The federal constitution is still the supreme law of the land. If you argue the federal government is forbidden from restricting P2P on first amendment grounds, then you can't argue that the state or local government has any more ability to restrict it.

    --
    I've had enough abrasive sigs. Kittens are cute and fuzzy.
  24. Re:Finally P2P restrictions from the right place.. by Anonymous Coward · · Score: 1, Informative

    So you say P2P is protected by the constitution so the federal government can't restrict it, but then you say that a state should be allowed to restrict it?

    Maybe you failed Government 101 but when something is in the United States constitution no states can have laws against it.

  25. In other news.... by fuzzy's_world · · Score: 2, Funny

    ...speeches by California Governor Arnold Schwarzenegger are also scripted by the MPAA....

    1. Re:In other news.... by Anonymous Coward · · Score: 0

      Sorry, Lockyer is pre-Ahnold and a Democrat, and has shown his hunger for Jack Valenti's cock. Ahnold hasn't as of yet.

  26. Key Words by Bill,+Shooter+of+Bul · · Score: 3, Funny

    Our Constitution in the U.S. prevents Congress from making any law infringing on our natural freedom of speech. To me, P2P is communication, which is speech. Therefore, the federal government has no mandate to restrict it.

    To me, the federal government is my servant and as such they should pay me taxes, not the other way around.

    --
    Well.. maybe. Or Maybe not. But Definitely not sort of.
    1. Re:Key Words by Illissius · · Score: 1

      You're actually right about the first part. Whatever happened to the idea of government serving the people?

      --
      Work is punishment for failing to procrastinate effectively.
    2. Re:Key Words by Jim+Starx · · Score: 1

      How are they gonna serve you if they're broke??

      --
      The darkness... controls the music. The music... controls the soul.
  27. Illegal sharing by marvin_pa · · Score: 2, Funny

    I would say the document was "shared illegally".

  28. Misleading summary by RyoSaeba · · Score: 5, Informative
    Summary is misleading:
    was actually authored
    but the article states:
    it was either drafted or reviewed by a senior vice president of the Motion Picture Association of America.
    (emphasis mine)
    --
    Tsuyoikoto ha taisetsu da ne, dakedo namida mo hitsuyousa (Strength is an important thing, but tears too are necessary)
    1. Re: Misleading summary by Black+Parrot · · Score: 1


      > it was either drafted or reviewed by a senior vice president of the Motion Picture Association of America.

      And I'm so glad the MPAA is there to review what an AG is going to say before he goes public with it.

      --
      Sheesh, evil *and* a jerk. -- Jade
    2. Re:Misleading summary by Alsee · · Score: 1

      Further down the story states that a source said it was authored by the senior vice president of the MPAA.

      An unidentified source wouldn't be very signifigant alone, but combined with the evidence recorded in the document the source and his statement are probably legit.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  29. Tricksy word processors by AndroidCat · · Score: 5, Funny

    Okay I think I've almost got it. CTRL-C is cut. CTRL-V is paste. But which key is "file off the serial numbers"?

    --
    One line blog. I hear that they're called Twitters now.
    1. Re:Tricksy word processors by websensei · · Score: 3, Funny

      I think you need even more help:
      CTRL-C is "copy" (not cut)
      CTRL-X -s "cut"
      CTRL-ALT-DEL + ALT-S is "secure your windows box"

      --

      La via sola al paradiso incommincia nel inferno
    2. Re:Tricksy word processors by Anonymous Coward · · Score: 0

      Actually CTRL-C is copy. CTRL-X is cut.

      ## nit-picking complete ##

    3. Re:Tricksy word processors by Anonymous Coward · · Score: 0

      CTRL-C is copy... CTRL-X is cut.

      Not sure about the serial numbers keystroke. Perhaps it is CTRL-ULTRAEDIT?

  30. We are not a Democracy! by dada21 · · Score: 2, Informative

    This is a big reason why anarchocapitalists (and most libertarians) are anti-democracy: in a democracy, power tends to trickle up to the connected few who can say they have the mandate of the many.

    This country was founded on a Constitution that limits the power of the majority. 51% of the country could vote to kill the other 49%, and the Constitution does not allow them to. Don't believe the hype presented by Democrats and Republicans alike, the only mandate they have is for powers specifically delegated to them by the Constitution. Those powers are small, not wide reaching, and very limited in scope.

    Living document it is not. If we are to return to personal responsibility, we need to disrupt the current authoritarian control of the federal government.

    1. Re:We are not a Democracy! by lambent · · Score: 1

      Yes, the 10th amendment is great and all, however, it hasn't been literally interpreted for over a hundred years. Too bad there's several mountains of caselaw and defacto evidence that says that that's not the law anymore. (and one or two ammendments to the constitution, too ... some of those high-numbered ones that noone bothers to read anymore)

      Also, we (the US) were NEVER a democracy. There has never been a stable democracy on the face of the earth that was able to sustain growth and self-regulate (at least of any meaningful size (country-sized, that is)). We are a Republic.

      And now we are completely offtopic.

      And, if you were being tongue-in-cheek, i apologize for being literal. (i think that's all the caveats ...)

    2. Re:We are not a Democracy! by Frizzle+Fry · · Score: 2, Informative
      --
      I'd rather be lucky than good.
    3. Re:We are not a Democracy! by lambent · · Score: 1

      Main Entry: republic
      Pronunciation: ri-'p&-blik
      Function: noun
      Etymology: French republique, from Middle French republique, from Latin respublica, from res thing, wealth + publica, feminine of publicus public -- more at REAL, PUBLIC
      1 a (1) : a government having a chief of state who is not a monarch and who in modern times is usually a president (2) : a political unit (as a nation) having such a form of government b (1) : a government in which supreme power resides in a body of citizens entitled to vote and is exercised by elected officers and representatives responsible to them and governing according to law (2) : a political unit (as a nation) having such a form of government c : a usually specified republican government of a political unit

      www.m-w.com

      There is another definition of democracy, particularly in constitutional theory and in historical usages and especially when considering the works of Aristotle or the American "Founding Fathers." According to this definition, the word "democracy" refers solely to direct democracy, whilst a representative democracy is referred to as a "republic". This older terminology also has some popularity in U.S. Conservative and Libertarian debate.

      http://en.wikipedia.org/wiki/Democracy#Democracy _v ersus_Republic

    4. Re:We are not a Democracy! by Frizzle+Fry · · Score: 1

      I don't understand what you are trying to prove by providing a definition of republic. I have never heard anyone seriously question whether the United States is a republic or not. What is in question is whether it is also a democracy. You are right that the United States is not a direct democracy, but this is very different than saying it is not a democracy, which was your original claim and is (as you say) only true using an old/ specialized meaning of the word that is clearly not what most of us mean when we use it in discussion.

      --
      I'd rather be lucky than good.
    5. Re:We are not a Democracy! by lambent · · Score: 1

      I am supplying rote definitions because the parent (Frizzle Fry, who responded to me, hey that's you!) did the same. The original poster to whom i replied (and sadly never responded) started talking about anarchocapitalists, libertarians and anti-democracy. (read upwards to get the context).

      I chose to use the 'old' terminology (that it's old is news to me), or rather, the original 'literal' definitions because that is what best describes the situation. That is the terminology that the founding fathers used. That's what everyone used until all of this revisionist history crap started. (was america a democracy when only wealthly, land-owning white men could vote?)

      To redefine your words to change the context of discussion to prove yourself correct is a very old trick.

      Democracy: rule by the people (literally). When protestors are jailed, when corporations are the first mouths that the politicians hear, when you have to lobby your government to maintain rights that were handed down to you 200 years ago and supposedly set in stone and inviolate ... that is not democracy.

      And finally, now that we're completely off topic, i think we should all stand and say the pledge of allegiance.

  31. Take the tinfoil hat off, sir by Anonymous Coward · · Score: 1, Informative

    The California Atty. General is an elected office, not appointed.

    1. Re: Take the tinfoil hat off, sir by Black+Parrot · · Score: 1


      How can we trust the words of someone who isn't wearing a tinfoil hat?

      --
      Sheesh, evil *and* a jerk. -- Jade
  32. In other news... by frs_rbl · · Score: 5, Funny

    metadata in Bush memo shows it was written by his dog Spot

    --
    This is not my opinion. Actually, it's not even an opinion. And I'm nowhere to be seen near it
    1. Re:In other news... by iNetRunner · · Score: 1

      What? Wasn't it written by Rocky? *Besides Spot is probably marking his territory on to the edges of clouds..*

      --
      Store with salt
  33. Say it with me by FictionPimp · · Score: 5, Funny
    Come on guys, Say it with me now

    PDF!

    1. Re:Say it with me by SFBwian · · Score: 1

      Yes, I'd much rather be an Adobe-whore than a Microsoft-whore. It's good to know there's a nice company like Adobe to keep my best interests at heart!

      --
      I'm looking to get rich. I've got steps #2 (????) and #3 (PROFIT!) planned out, but am having trouble coming up with #1.
    2. Re:Say it with me by Weird+O'Puns · · Score: 1

      What makes you think you have to be adobe whore to use pdf documents?

    3. Re:Say it with me by lambent · · Score: 1

      howsabouts ... PS? LaTeX?

      mmmmm .... ascii .... (drool)

    4. Re:Say it with me by Wun+Hung+Lo · · Score: 1

      If you look at the Adobe document summary, it will show the author of document (which I assume it reads the metadata of the converted document).

  34. How soon until we see sanctions... by EvilTwinSkippy · · Score: 4, Interesting
    against the MPAA.

    That's just plain dirty pool. And since when does an Attorney General have time to combat crap like this, in a state where illegal immigrants flow across the border, you have one of the largest open-air markets for drugs, and your state was just taken up the poop shoot by Energy producers.

    Screw the media companies. They can fend for themselves. It's the citizens of California the AG is sworn to protect.

    --
    "Learning is not compulsory... neither is survival."
    --Dr.W.Edwards Deming
    1. Re:How soon until we see sanctions... by SFBwian · · Score: 1
      I keep wondering why larger states are still headed by a generally same about of people as smaller ones, as far as the public is concerned. In the past, we have split up states, and does anyone else think that a North California and South California would be out of the realm of feasibility?

      It's the citizens of California the AG is sworn to protect.

      Yes, and he is "protecting" them from the evils of P2P sharing of copyrighted material and other illegal actions. It's evil.

      --
      I'm looking to get rich. I've got steps #2 (????) and #3 (PROFIT!) planned out, but am having trouble coming up with #1.
    2. Re:How soon until we see sanctions... by grasshoppa · · Score: 4, Insightful

      It's the citizens of California the AG is sworn to protect.

      You poor, naive fool. The AG's purpose is much the same as everyone's purpose: To keep his/her job.

      Doing what's right for the people don't make a popular politician.

      --
      Mod me down with all of your hatred and your journey towards the dark side will be complete!
    3. Re:How soon until we see sanctions... by Anonymous Coward · · Score: 0

      Slang nazi says it's poop chute, not poop shoot.

  35. Re:Stupid Bush! by Stoutlimb · · Score: 5, Insightful

    That's because when you get to choose only between the Republicans and the Democrats, in reality, you have no choice at all.

    It's about time Americans stopped calling themselves a democracy.

    .

  36. Amusing juxtaposition by dmomo · · Score: 2, Funny

    After reading the article on Wired, I look up, and boom. I see an ad for MSN!!

  37. Re:Finally P2P restrictions from the right place.. by dada21 · · Score: 1

    I completely agree, and my original post didn't convey the intent I had in offering a second view if P2P was not "speech." Even if P2P isn't speech, it still doesn't seem to be an area that the federal government has a mandate to restrict, regulate, tax, or otherwise deny. If P2P is something other than speech, the States should have a right to restrict it or let the People do it.

    My apologies to the confusion!

  38. Re:Finally P2P restrictions from the right place.. by Anonymous Coward · · Score: 0

    thats ok .. they'll just get the MPAA to write an amendment to the constitution .. don't get lippy bwoy! ;)

  39. Just like energy policy by Anonymous Coward · · Score: 1, Interesting

    This (situation) sounds nearly exactly like the energy policy of the US government in 2001. Back when Cheney headed up writing national energy policy in private / without congress or some members of the cabinet available to discuss policy.

    So it seems it is possible to have something better than a blank check.

  40. Microsoft was taking care of this right? by Anonymous Coward · · Score: 0

    Dont people learn...

  41. THIS IS *NOT* FUNNY. by Anonymous Coward · · Score: 0

    For fucks sake mods.. This is far from FUNNY. It is insightful, informative, or scary, but certainly NOT funny.

    Re-moderate accordingly please.

  42. The Spirit of Steve Dallas lives on! by The+I+Shing · · Score: 5, Interesting

    This article's mention of product liability warnings reminds me of that Bloom County strip in the 80s where sleazy lawyer Steve Dallas is contemplating whom to sue after getting pummelled and hospitalized by Sean Penn's forehead.

    After explaining why he shouldn't sue Sean Penn ("juries love famous people, and he might return to beat up the plantiff"), or his wife, Madonna ("proving liability might be difficult, and she might return to beat up the plantiff"), or Opus the Penguin ("never, ever sue poor people"), he settles on suing the Nikolta Camera Corporation, a "huge, multinational corporation with gobs of liquid cash," on the grounds that they were "criminally negligent in not placing a warning sticker on their cameras that reads, 'serious injury may result from photographic psychopathic Hollywood hotheads.'"

    He then finishes up by waving a flag and declaring, "America, Land of the Lawsuit... God bless her!"

    I guess the P2P software companies are likewise criminally negligent in not warning people that their products could lead to some harm.

    Since there's no warning sticker on this spindle of blank CD-ROMs on my desk, I think I'll see how many of them I can shove down my throat.

    On the same subject, have you seen some of the warning stickers manufacturers DO put on their products? Can I get a reply with some examples? I'll start off by citing the sticker on the baby stoller that reads "Do not fold stroller with infant inside."

    --
    You are in error. No-one is screaming. Thank you for your cooperation.
    1. Re:The Spirit of Steve Dallas lives on! by PhilippeT · · Score: 1, Funny

      "Do not fold stroller with infant inside."

      So thats what i have been doing wrong all these years

      --
      A psychopath can't tell the difference between right and wrong. A sociopath knows the difference - he just doesn't care.
    2. Re:The Spirit of Steve Dallas lives on! by Battle_Ratt · · Score: 1

      Here is just a couple.

    3. Re:The Spirit of Steve Dallas lives on! by tweek · · Score: 3, Funny

      "Do not immerse head in spackle."

      I shit you not.

      Or the one every techie has seen:

      "This is not candy. Do not eat silica"

      --
      "Fighting the underpants gnomes since 1998!" "Bruce Schneier knows the state of schroedinger's cat"
    4. Re:The Spirit of Steve Dallas lives on! by crywolf · · Score: 1

      My sig says it all. I'm ready to build my Outside the Asylum now.

      CryWolf the Sane

      --
      CAUTION: Product may be hot after heating
    5. Re:The Spirit of Steve Dallas lives on! by 0x0d0a · · Score: 1

      Damn, and I always loved that free candy that they bundled with my tennis shoes. Well, so much for shoe brand loyalty for me!

    6. Re:The Spirit of Steve Dallas lives on! by The+I+Shing · · Score: 1

      Now, this is totally off-topic, but wouldn't it be cool if they could get David Bowie to play Wonko the Sane in the upcoming HGTG movie?

      I doubt that the movie will get that far in the storyline (maybe the third one will), but Bowie is at the perfect age right now to play the character that was described as looking like him.

      --
      You are in error. No-one is screaming. Thank you for your cooperation.
    7. Re:The Spirit of Steve Dallas lives on! by dominator · · Score: 3, Funny

      On Planters (tm) Peanuts cans and various jars of peanut butter I've seen:

      "Warning: product contains nuts"

    8. Re:The Spirit of Steve Dallas lives on! by Anonymous Coward · · Score: 0

      My favourite warning is the one on Pop Tarts that says "Warning: Contents may be hot when heated". It's true, I'm not making it up!

    9. Re:The Spirit of Steve Dallas lives on! by pjt33 · · Score: 1

      Better than "This product may contain nuts".

    10. Re:The Spirit of Steve Dallas lives on! by Wyzard · · Score: 2, Informative

      That one's at least understandable, because peanuts are legumes, not nuts.

    11. Re:The Spirit of Steve Dallas lives on! by red+floyd · · Score: 4, Informative

      Yep. That's incredibly necessary.

      My daughter is allergic (as in "drop dead allergic", not as in "itchy itchy allergic") to nuts (tree nuts -- walnuts, cashews, pecans, etc...), but not to peanuts (which, as the parent notes, are legumes). So, if I look at a jar of peanuts, I need to know if it's been processed on the same equipments as tree nuts (aka "nuts"), so that I won't buy it and give it to my daughter.

      --
      The only reason we have the rights we have is that people just like us died to gain those rights. -- Cheerio Boy
    12. Re:The Spirit of Steve Dallas lives on! by Anonymous Coward · · Score: 0

      Dude, is your daughter named Pink? What time is the party getting started?

  43. Re:Stupid Bush! by devilspgd · · Score: 2, Funny

    Well sure, but think about how many different breakfast cereals are available!

    --
    Give a man a fish, he'll eat for a day, but teach a man to phish...
  44. Not really by 0x0d0a · · Score: 1

    Okay, "reviewed" may be a legitimate complaint (though I find it disturbing that flow-of-control of legislation would go through the MPAA, rather than sending him a *copy*).

    However, "drafted" is roughly equivalent to "authored", for our purposes. We don't care whether the guy could spell -- we care about who is coming up with the bulk of the ideas.

  45. Isn't it amazing that the same legal arguments by reverendG · · Score: 5, Interesting

    are being studiously ignored in so many other ways?

    Let's take a look at guns, for example. REPLACE([Wired Article],'P2P software','assault rifles') and suddenly you've got the arguments for every single pro-gun-control group in the USA. Personally, I'm much more worried about the imminent public danger of a submachine gun than I am worried about the threat to public safety presented by Kazaa. Yet why is the state AG not addressing gun control instead of P2P?!

    If we wanted to pull this little idea out a little further, how about we apply it to speeding? Car companies sell us their cars by telling us how fast we can go! McDonalds only recently started cutting back on portion size, but I don't remember any state AGs railing against the public safety risk of a Big Mac.

    It's no surprise that our politicians are in the pockets of big corporations. When I talk to people about situations like this, they most often say, "business as usual," shrug, and turn away. Not enough of them get angry and vote. Our politicians are crooked because they are ALLOWED to be.

    --

    Why should I argue rationally with someone being irrational? I'll just mock them instead.
    1. Re:Isn't it amazing that the same legal arguments by Pig+Hogger · · Score: 1
      Our politicians are crooked because they are ALLOWED to be.
      No, they are because voters let them be.
    2. Re:Isn't it amazing that the same legal arguments by unperson · · Score: 2

      Let's take a look at guns, for example. REPLACE([Wired Article],'P2P software','assault rifles') and suddenly you've got the arguments for every single pro-gun-control group in the USA. Personally, I'm much more worried about the imminent public danger of a submachine gun than I am worried about the threat to public safety presented by Kazaa. Yet why is the state AG not addressing gun control instead of P2P?!

      As an avid gun rights supporter, I feel obligated to point out that the term "assault rifle" can not be interchanged with the term "submachine gun". As the US's 1994 Assault weapons ban is set to expire this September, I feel it is important to thwart any possible misinformation on this subject when I see it (especially if its in a highly moderated comment).

      A "submachine gun" is a fully automatic machine gun, usually characterized by its design to accept a smaller caliber pistol cartridge, such as the 9mm Parabellum. Submachine guns, like all machine guns, have been highly regulated in the US since the National Firearms Act of 1934, and production of machine guns for the civilian market has been halted since 1986.

      An "assault rifle" is a semiautomatic military style weapon. Functionally speaking, an "assault rifle" is equivalent to any other semiautomatic firearm. Even the term itself is often rejected, as no one can really say what makes a firearm "military style". In terms of the definition of "Assault rifles" in the current ban, they posses 2 or more particular cosmetic features, ...ie, have pistol grips, collabsible stocks, etc.

    3. Re:Isn't it amazing that the same legal arguments by MoneyT · · Score: 2, Insightful

      Yet why is the state AG not addressing gun control instead of P2P?!


      Oh they are, have you looked at the gun legislation in california recently? But that's besides the point because the right to keep and bear arms is a constitutionaly protected right.

      The right to "infringe on copyright" is not.

      Our politicians are crooked because they are ALLOWED to be.


      No, I think George Carlin put it best. Our politicians suck because the public sucks. There are no public serving selfless humble politicians out there that are just waiting to run for office if only they would get the vote. The fact is, America is full of selfish self serving pricks who's only true goal in life is to get what they want for themselves and to hell with everyone. The politicians we elect are the best this country has to offer. And that's sad.

      --
      T Money
      World Domination with a plastic spoon since 1984
    4. Re:Isn't it amazing that the same legal arguments by hyphz · · Score: 1

      > But that's besides the point because the right
      > to keep and bear arms is a constitutionaly
      > protected right.
      > The right to "infringe on copyright" is not.

      But that's not comparing like with like. The right to use your own computer without being spied upon *is* a protected right (although it may not be constitutional).

      The right to infringe copyright isn't protected, but neither is the "right" to go around shooting random people in the face.

    5. Re:Isn't it amazing that the same legal arguments by alan_dershowitz · · Score: 1

      What are they ignoring? California has some of the strictest gun laws in the union!

    6. Re:Isn't it amazing that the same legal arguments by BgJonson79 · · Score: 1

      And just look at the low crime rate as a result!

      Oh, wait...

      --

      There are four boxes used in defense of liberty: soap, ballot, jury, ammo. Use in that order.

    7. Re:Isn't it amazing that the same legal arguments by MoneyT · · Score: 1

      I'm not quite sure what you're saying here.

      Yes you have a right to use your computer without being spied on, but once you open a public port on a public network accessable to anyone for any reason, any information you display on that port is public information for anyone who cares to read it.

      --
      T Money
      World Domination with a plastic spoon since 1984
    8. Re:Isn't it amazing that the same legal arguments by xerx · · Score: 1

      I would like to add that "assault rifles" with these primarily cosmetic features are unlikely to be used in crimes. Basic hand guns are primarily used in crimes with older criminals prefering revolvers and juveniles prefering semi-automatic pistols. Most guns recovered at a crime scene were not obtained through legitimate purchase.

      CA tried to ban the 50 caliber rifle, a gun not ever used in crime. Sure they look bad ass, but are extremely heavy and can only be accurately fired under ideal firing conditions after lots of pratice. For a crime or even a terrorist act it would be a poor choice.

    9. Re:Isn't it amazing that the same legal arguments by DrVomact · · Score: 1

      Was it Robert Heinlein who said, "People get the kind of government they deserve"?

      --
      Great men are almost always bad men--Lord Acton's Corollary
    10. Re:Isn't it amazing that the same legal arguments by unperson · · Score: 1

      I would like to add that "assault rifles" with these primarily cosmetic features are unlikely to be used in crimes. Basic hand guns are primarily used in crimes with older criminals prefering revolvers and juveniles prefering semi-automatic pistols. Most guns recovered at a crime scene were not obtained through legitimate purchase.

      A department of justice study (or perhaps it was the one that the CDC did...need checking) stated something like "The maximum measurable effect of the Assault Weapons Ban would be too small to detect statistically". You see, even before the AWB was passed in 1994, only 2% of crimes were committed with them.

      Most guns recovered at a crime scene were not obtained through legitimate purchase.

      Hmmm...so laws only affect "law abiding" citizens....interesting :)

      Seriously though, it always amazes me that more people don't see it this way. Something like 80% of guns used in crime are either taken from a family member or otherwise obtained illegally. I think we can go out on a limb and say that those remaining 20% of criminals could get a gun this way if it was the easiest option. Right there is a good starting point for the argument of why gun control doesn't work.

  46. The Real Issue? by jkubecki · · Score: 4, Insightful

    Everyone is commenting on the fact that the MPAA wrote this document, but what is more disturbing to me is the actual precedent this kind of thing sets, as mentioned in the article:

    "It's one thing for the MPAA to come up with a theory like that," said Electronic Frontier Foundation senior intellectual property attorney Fred Von Lohmann, "But it would be quite another for a state attorney general to adopt it. The principle has no limit -- you can use Internet Explorer to violate the law or unintentionally access pornography, so does he want to suggest that Microsoft is also breaking the law? Why stop at the Internet -- should Ford be held liable for failing to warn drivers that exceeding the speed limit will expose them to citations?"

    And it's interesting that this comes right around the time that Congress is passing legislation banning liability suits against the fast food industry...

    So, while Congress says "Hey you have to be responsibile for your own actions with regard to the products you use, even if you use those products as intended", the state attorneys general are saying "Hey if you get in trouble, it's the product manufacturer's fault, even if you're choosing to use the software in a way not intended by the company."

    So why not take the EFF's argument one step further? If I drive a Ford to rob a bank, is Ford then responsible also for not warning me not to do so?

    Of course, I'll probably get modded down for being off-topic...

    1. Re:The Real Issue? by Anonymous Coward · · Score: 0
      So why not take the EFF's argument one step further? If I drive a Ford to rob a bank, is Ford then responsible also for not warning me not to do so?

      While I agree with your sentiments, the counter-argument I hear from others would say it's not a valid analogy, because Ford vehicles are predominantly used for legal purposes. P2P, however, is predominantly used for the illegal trading of copyrighted material. If Fords were used to rob banks in 90% of cases, would it not be reasonable to ban them, even if they do have legal uses as indicated by the other 10%?

      What is the response to that counter-argument?

    2. Re:The Real Issue? by khallow · · Score: 1
      That is incorrect. Ford products are predominantly used for illegal purposes. Particularly, they are used to convey cargo and passengers in excess of the lawful speed limits. A crime which I might add is comparable in seriousness to illegal trading of copyrighted material.

      Also, there are numerous reports of other unlawful and often reckless behavior committed with Ford products. Finally, Ford products kill more people per year in illegal activities (eg, drunk driving) than P2P networks do.

    3. Re:The Real Issue? by Anonymous Coward · · Score: 0
      That is incorrect. Ford products are predominantly used for illegal purposes.

      No, that is is easily countered, because it is itself incorrect. For every trip in which Joe or Jane Average does something illegal (like speeding or, heaven forbid, driving recklessly and killing someone) there are tens of trips to work, shops, school, and so on where they do nothing illegal at all. Hence, the predominant use is legal. With P2P, on the other hand, the majority of "trips" (i.e. downloads/uploads) are an illegal act.

      So while I also agree with your sentiment that Ford vehicles are much more harmful than illegal P2P trading, I'm going to need a better response than that if I'm to hold my own against the anti-P2P arguments :(

    4. Re:The Real Issue? by khallow · · Score: 1
      No, that is is easily countered, because it is itself incorrect. For every trip in which Joe or Jane Average does something illegal (like speeding or, heaven forbid, driving recklessly and killing someone) there are tens of trips to work, shops, school, and so on where they do nothing illegal at all. Hence, the predominant use is legal. With P2P, on the other hand, the majority of "trips" (i.e. downloads/uploads) are an illegal act.

      No I strongly disagree. The majority of uses of Ford vehicles involve illegal speeding. I think it is fair to say that if you do a study of Ford vehicles in the US and compared the road speed to the legal posted speed at each point of the trip, you would find that a majority of trips performed with Ford vehicles exceed the speed limit at some point during the trip. In other words, the Ford vehicle would be used illegally most of the time!

      This is indeed comparable to P2P networks.

      Second, seeing as RIAA members are themselves deploying networks that compete with these P2P, it appears to me that the RIAA uses the political and legal system rather than economic efficiency to eliminate the competition. That seems questionable rent-seeking behavior to me, but as you point out, would not be relevant to an RIAA supporter.

      I think the real question should be why should we impose serious restrictions on society and destroy a useful technology in order to support an obselete business model? These companies are on the edge of a long fall. Why should the US legal system and society get involved in the collapse? These poorly thought out laws won't go away just because the businesses that funded them disappear. Let them die.

  47. hmmm, by grungefade · · Score: 1

    can anyone say 1984?

    1. Re:hmmm, by Killjoy_NL · · Score: 1

      1984 :P

      --
      This is the sig that says NI (again)
    2. Re:hmmm, by agentforsythe · · Score: 1

      11111000000

    3. Re:hmmm, by Dyolf+Knip · · Score: 1

      1489? Dang!

      --
      Dyolf Knip
  48. buying influence by Anonymous Coward · · Score: 5, Interesting

    Are people really surprised? I have to thank microsoft for the metadata feature. Without it, this particular push by MPAA would have slipped by with fewer people getting pissed. Businesses have been buying influence for a long time people. Get over it. Those who think this kind of isn't happening are living on mars. Just look at the fat tax cuts Bush gave the richest 10% of america. The rich will always try to screw us, unless we educate ourselves and make sure we don't let them. So far, it looks like the efforts of the rick to deprive the middle class is going swell. Public education is getting worse, jobs are going over-sea and business aren't hiring. Life is great, if you're rich. Otherwise, you have to keep bustin' your butt. People need to get out the vote and think for themselves. That means not buying into party lines and thinking critically for yourself.

    1. Re:buying influence by Anonymous Coward · · Score: 0
      [diatribe against the Evil Rich] followed by "People need to get out the vote and think for themselves."

      So thinking for myself involves delusional, bipolar class paranoia and a complete void of factual information? OK. I'll jot that one down. Thanks!!

    2. Re:buying influence by zoloto · · Score: 1

      Damn, and I thought there weren't any slashdotters with common sence! Even as AC, I'll say "kudos to you"!

      z

    3. Re:buying influence by entrigant · · Score: 1

      Businesses have been buying influence for a long time people. Get over it.

      Get over it? Well damn, I never thought of it that way... It's so simple. I should just get over it. It's so obvious! Here I thought I should do what I can to fight it and prevent it, and all I had to do was get over it.

  49. Re:Stupid Bush! by The_Mr_Flibble · · Score: 1

    What ever happened to, a goverment for the people by the people.

  50. Sorry, dumbass by Anonymous Coward · · Score: 0
    but the California AG is a Democrat.

    I'm no Bush fan, but you are still a dumbass.

    1. Re:Sorry, dumbass by Anonymous Coward · · Score: 0

      but the California AG is a Democrat.

      So? Maybe he has different eye color to Bush as well, it has about as much relevance to... well, anthing.

  51. Re:Stupid Bush! by MrAl · · Score: 2, Insightful

    We're a representative republic. But I guess democracy sounds so much better.

    Or something.

  52. Micosoft's best technology of Word(TM?) by School_HK · · Score: 5, Interesting

    I think the most suitable term for describing the innovation by Microsoft Word is meta-data. It symbolizes the real freedom to non-word users like me, and fight against secrets that the public should know. From the case of SCO-Microsoft, to the case of P2P-sharing, this technology opens another world of computer usage of Microsoft Word. Who's benefit from it? Of course are the public.

    From another point of view, the usage of meta-data is serious, which means that if you don't want your words logged by anything, you should use plain text editor.

    1. Re:Micosoft's best technology of Word(TM?) by PetoskeyGuy · · Score: 1

      I agree, but I think it's silly to point out not just how they got it, but also how to disable it. Litigious Bastards maybe evil and ignorant, but they are not stupid. Don't count on finding meta data in DOC files very much longer.

      If only they could just say "Sources Confirm" and leave protect the source.

    2. Re:Micosoft's best technology of Word(TM?) by base3 · · Score: 1
      If only they could just say "Sources Confirm" and leave protect the source.

      That would have been beautiful. They'd have been looking amongst their pol buddies and themselves for the leaker :).

      --
      One CPU cycle wasted on digital restrictions management is ONE TOO MANY.
  53. Re:Stupid Bush! by jocknerd · · Score: 1

    That went out the first time an elected official decided he could make a career out of politics.

  54. Re:Stupid Bush! by The_Mr_Flibble · · Score: 2, Funny

    My bad. It was a goverment for the people buy the people.

  55. And not to forget MS by the_laotse · · Score: 1, Funny

    Well this time around a product of M$ actually came in handy!

  56. Then VOTE! by SuperBanana · · Score: 4, Insightful
    This new governmental policy of letting the corporations dictate public policy has just got to stop

    Then get off your ass and VOTE, or run for office. These days the political climate is overwhelmingly in favor of the little guy, because people are so disenfranchised. If some 80 year old farmer from Vermont can get elected to congress for being a "regular hard working guy", why can't you? There's something like less than a 20% turnover of elected officials these days; our government is chock full of career politicians more interested in getting reelected than actually representing the people or working for good government.

    People whine about corporate involvement in government, then do nothing when it comes time to do the one thing corporations can't- actually place a vote, or run for office. Voter turnout in this country is pathetic; 3rd world countries have better turnout than us, and they have to deal with gunslinging "supporters" and whatnot. In Russia, Putin's opponents simply disappear.

    What's your excuse?

    1. Re:Then VOTE! by schmidt349 · · Score: 1

      For the record, I do vote in every election I can. That doesn't stop me from being pissed off when I see corporations dictating policy and corrupting the democratic process.

      We need more than voter turnout. We need to turn out the corporations from the public sphere-- permanently. The people have representation; moneymaking entities created by people should not.

    2. Re:Then VOTE! by Whatsmynickname · · Score: 4, Insightful

      (BTW, I Vote) Vote? Vote for WHOM? For example, in the upcoming presidential election, do you think either Kerry or Bush is going to have the interests of P2P users or the MPAA/RIAA at heart? Then you have the hundreds of millions who say "duhhh, well I HAVE to vote for Kerry or Bush, or my vote won't count... In order for a vote to COUNT, an underlying assumption is we actually have a CHOICE, instead of two republicrats.

      Hell, things have gotten so bad, Bush is now spending like a socialist and not doing anything about the borders! You have some right-wingers scratching their head wondering if this goofball is really a Republican at all (never mind the usual Rush apologists for this behaviour) aside from the terrorism stance. And of course you have Kerry, whose a multi-millionare, so yeah, he's REAAALLLY going to look out for the little P2p downloading guy or girl! Right!

      Right now, I'm really stumped as to who to vote for in many elections because I really don't see too much of a choice nowadays...

    3. Re:Then VOTE! by mcb · · Score: 0

      it's easy to choose who to vote for in any election where a bush is running: the other person.

    4. Re:Then VOTE! by MoneyT · · Score: 1

      Vote for a third party, it may not help this time, it may not help next time, but don't you think that it will be easier to convince those hundreds of millions if the numbers of votes for a thrid party candidate keeps going up?

      But it's not just Kerry and Bush, they don't have much to do with the bullshit that comes out of congress. Start outing your senators. Get people up and moving. Hell if California can recall it's gov, we should easily be able to recall a senator or congressman. Start a campagin showing these people aren't servign the public interest anymore and get rid of them. Dont' just vote them out, remove them with the political power of the people.

      --
      T Money
      World Domination with a plastic spoon since 1984
    5. Re:Then VOTE! by comedian23 · · Score: 1

      Vote for which ever candidate is closest to your views, especially if that person isn't Kerry or Bush. That is the only way Democracy works. Any time you vote for someone you are endorsing their beliefs with your signature. Don't take that lightly.

      If you think Bush sucks, and Kerry is not much better, then vote Green or Libertarian or whatever. If the Dems loose enough elections by putting up people like Kerry eventually they will catch on and put up someone different. They care about 1 thing and 1 thing only, votes. Take that away and you will eventually get a response.

      -Comedian

    6. Re:Then VOTE! by Danse · · Score: 1

      it's easy to choose who to vote for in any election where a bush is running: the other person.

      That kind of thinking is why things are so screwed up now. Everyone seems to think there are only 2 choices in an election, which happens to be exactly the way the 2 major parties want you to think. People need to wake up and start looking at other candidates. Even if they don't have a snowball's chance in hell of winning, vote for the person whose views are aligned with your own. One of the biggest problems with our election system is the stupid plurality vote model which encourages a 2-party system. If we could get that changed to something sane, then I think elections would go a lot differently. Unfortunately that's exactly why our government would fight tooth-and-nail against such a change.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    7. Re:Then VOTE! by Anonymous Coward · · Score: 0

      Voter turnout in this country is pathetic

      Which country would this be? Oh wait, you're assuming your country == everyone, so the USA, I guess. Am I right?

    8. Re:Then VOTE! by Anonymous Coward · · Score: 0

      i live in missouri, i voted for a dead man for the sole reason that ashcroft is a lunatic & has no business holding power of any kind.

      whats my reward? hes now attorney general of the whole damn country instead of just my state.

      this was a lose-lose situation for every misourian (as well as all americans) and if theres any lesson to be learned in it, im not sure what it is.

      after this, watching bush get away with election fraud, and watching diebold narrowly miss an outright coup on our voting system, im not seeing much hope for the US election system, or indeed our goverment at large.

    9. Re:Then VOTE! by AstroDrabb · · Score: 1
      Right now, I'm really stumped as to who to vote for in many elections because I really don't see too much of a choice nowadays...
      Exactly. I always hear people whine about "if you don't vote, you have no one to blame but yourslef". However, who in the world would I vote for in this election? Or, any presidential election for the past XX elections? For me, picking between Bush and Kerry is like picking between drowing in mayonaise or ketchup.
      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    10. Re:Then VOTE! by Anonymous Coward · · Score: 0

      ... or run for office

      I can't, I've done enough things in the past that are illegal that I can't anger anyone who has access to the law enforcement of this country. Unfortunately, this is the exact situation that people in power hope for. Since everyone has broken some laws, they can lock up and/or threaten anybody that gets 'in the way'. God, how I hate what parts of this country have become. In any case, I vote Libertarian, so it's your fault these Democrats and Republicans are in power, not mine.

    11. Re:Then VOTE! by metamatic · · Score: 1
      What's your excuse?

      I'm not allowed to vote. I just live here and pay taxes. So much for the American Revolution.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    12. Re:Then VOTE! by Anonymous Coward · · Score: 0

      I'm sorry but this is the typical slashdot meme of putting technicality and ideology ahead of practicality. It's a nice gesture, but it won't do anything.

  57. Re:And the real answers are ... by makapuf · · Score: 1, Funny

    42.

  58. Spot is Dead by Anonymous Coward · · Score: 0

    Spot is dead you insensitive clod!

    1. Re:Spot is Dead by Anonymous Coward · · Score: 0

      Even a dead dog makes more sense...

    2. Re:Spot is Dead by Anonymous Coward · · Score: 0

      I've just heard on talk radio that Spot, Bush's dog, is has died at the age of 94. Whether you liked the way he humped your leg or not, you can't deny the contribution he made to the White House lawn. Truly a canine icon.

  59. Answer: Not In Our Lifetime by Anonymous Coward · · Score: 0

    period.

  60. Or, the lawyer is pirating MSWord? by dnorman · · Score: 5, Funny

    The alternative would be that the CA lawyer is just running a pirated copy of MSWord, which was obtained from sources in MPAA....

    --


    It is pitch dark. You are likely to be eaten by a grue.
  61. Laziness by H8X55 · · Score: 1

    And all he had to do was copy and paste the text into a new .doc and everything would have gone through with out any further attention.

    I'm now sending all my important memos, demands, etc in wordpad.

  62. I don't care what the AG says by 0x0d0a · · Score: 5, Insightful

    As a P2P software developer and distributor, we believe you have the ability and responsibility to better educate consumers about these known risks, and to design your software in a manner that minimizes the risks. We view with grave concern reports that at least some P2P software developers may be adding features deliberately designed to hinder law enforcement in its prosecution of crimes using P2P software. Companies that engage in such conduct, and fail to meet the important responsibilities referenced above, harm the interests of consumers in our States.

    Yes. God forbid we have anonymity or encryption.

    [shrug] Well, as I said earlier, I have no interest in following directives like these. Software can be developed privately and via anonymous access through Freenet if necessary. It'd be a pain in the ass, but I'm

    * Not interested in adding back doors to my work

    * Not interested in stopping work on problems of how to provide secure/nonabusable/anonymous P2P systems (yes, part of that is to benefit users concerned about law enforcement attention).

    If the AG wants to do something to go after people operating in legal gray area, he can go after people with radar detectors (speeding can, y'know, kill people, whereas a pirated song only means that a large company gets a small amount less money), or those committing corporate accounting hanky-panky, or any number of other more damaging actions. Admittedly, there aren't people with deep pockets and old-boy connections to the government trying to finance hunting people down (note: AG can also go after corrupt government officials, IMHO), but theoretically that AG was appointed to be the servant of the people, and as the House is demonstrating, popular support for the RIAA is awfully low.

  63. News at 10 by Odinson · · Score: 5, Insightful
    Wow this is a major scandal! I expect to watch it on the news tonight.

    Oh wait.. it's the same comapanies...

    Well at least I'll hear about on the radio...

    Oh wait those are the same companies too...

    Well at least they will discuss it in the next session of congress...

    Oh right I keep forgeting.....

    1. Re:News at 10 by Rick+Zeman · · Score: 1

      Wow this is a major scandal! I expect to watch it on the news tonight.
      Oh wait.. it's the same comapanies...
      Well at least I'll hear about on the radio...
      Oh wait those are the same companies too...
      Well at least they will discuss it in the next session of congress...
      Oh right I keep forgeting.....


      And here I just burned up the last of my mod points. :-(
      Just wait til we have the Time-Warner party, the Viacom party or the (god forbid) Clear Channel party, each with Michael Powell as their candidate. :-)

    2. Re:News at 10 by Anonymous Coward · · Score: 0
      Just wait til we have the Time-Warner party, the Viacom party or the (god forbid) Clear Channel party, each with Michael Powell as their candidate. :-)

      I believe the grandparent poster's point was that this is already the case. Is that why you're smiling?

  64. Normal business practice by NoSuchGuy · · Score: 5, Insightful

    What do you expect, that's normal business practice.

    It's called lobbying.

    Big companies talks to politican and tells him: "We know our business better than you.
    - P2P is bad for the public in gerneral and bad for my business.
    - Terrorist use P2P to coordinate their attacks.
    - P2P is used for distributing kiddie porn, P2P Software comes from shady sources.
    - These are bundeled with spyware and zombie bots to attack other websites.
    - What about $2000 I spend for your reelection champaign?
    - ..."

    --
    Grundgesetz * 23. Mai 1949 - 30. November 2007 - http://www.vorratsdatenspeicherung.de/
  65. same as futher north by glassesmonkey · · Score: 2, Informative

    The same has happened in Ohio (here and here) where a new bill has been signed and is now law (thank you MPAA & Gov. Taft) directly written and influenced by big-cinema. When the public (and media) starting questioning the bill and the stealthy way it was snuck through -- also the nagging fact that a cell-phone that takes video snippets can now make you a felon if you bring it to a movie theatre.. (ok, I am exagerating, the first offense is a misdemeanor; the next one is a felony) The MPAA responded to the effect of "just pass the law like it is written and you can always go back and amend it". And, YES, in Ohio you are now a criminal if you press record on any electronic recording device in any public place that has a movie being played (ie. Walmart or BestBuy).

    MPAA is also trying to sneak one through in Hartford and probably also your own state legislatures. (A similar law took effect Jan. 1 in California. Michigan lawmakers introduced legislation in December, and Wisconsin and Pennsylvania passed equivalent bills in 1999)

    And you truely are a fool if you are one of those who say, well even though *technically* it is the law, they'll never *really* enforce it that way. Forget police state. Just go look at EFF, I'm starting to be worried we'll all soon be living in a corporate state.

  66. The dumbass parade continues by Anonymous Coward · · Score: 0
    can anyone say 1984?

    Can anyone say bad analogy?

    1. Re:The dumbass parade continues by Rick+and+Roll · · Score: 1
      I'm with that. I read the book, liked it, but there's more literary examples of political corruption than 1984. 1984 is just the most popular example, so it gets used all the time.

      Not sure what book I would relate to this one. But not 1984.

  67. Black-mail by meta data is called... by Zarf · · Score: 2, Funny

    Meta-Black-mail. Or Meta-mail.

    Meta data terrorism: Meta-Terrorism. Or Metorism.

    Gotta go Meta.

    --
    [signature]
  68. Legal recourse for users who are prosecuted? by Token+Limey · · Score: 2, Funny

    So does this mean that if I get prosecuted for using KaZaA I can then sue Sharman Networks for failing to warn me of the legal implications of my use of its software?

    1. Re:Legal recourse for users who are prosecuted? by PhilippeT · · Score: 0

      Essencialy yes it does. Aint the USA wounderfull thats why i will never step foot in it... EVER!

      --
      A psychopath can't tell the difference between right and wrong. A sociopath knows the difference - he just doesn't care.
    2. Re:Legal recourse for users who are prosecuted? by EmagGeek · · Score: 1

      No more than you could sue McDonalds for making you a fatass...

  69. Re:Finally P2P restrictions from the right place.. by primordial+ooze · · Score: 2, Interesting

    I'm a firm believer that State governments should be manacled by the Constitution as well, and in my perfect world the State would be just as restricted in making laws against speech.

    Um, they are. States cannot make laws which (explicitly) violate the US constitution.

    A recent (and highly controversial) example of this would be the US Supreme Court ruling that the Texas anti-sodomy laws are unconstitutional. The majority decision read in part - "[consenting adults'] right to liberty under (the US Constitution) gives them the full right to engage in their [personal] conduct without intervention of the government...".

    (Btw, Justice O'Connor agreed with and voted with the majority decision, but in a separate opinion indicated that the law should have been overturned because it violated the 14th Amendment which guarantees equal protection for all persons. Another example of the principle of US law trumping state law).

    (Also btw, I am just using the above example because it is a recent and clear example of US Constitutional law trumping state law. I don't wish to get sidelined into a flame/discussion about the validity of decriminalizing homosexual behaviour (at least in this thread)).

    So, getting back to the parent's original point - if the Feds decided that P2P was inherently constitutional, it would make it extremely difficult for states to pass law restricting it. Conversely, were the US gubbamint to place significant restrictions on P2P and those laws held up in the federal courts, then that would pretty much preclude it's use anywhere in the US, given the interstate nature of the 'net.

    Oh yeah - IANACLE.

    - Jeff

    "Long as you're not afraid, nobody can run your life for you. Remember that. Hell is being scared of things. Heaven is refusing to be scared." - Tom Robbins

  70. Parent is wrong on three counts! by jkbull · · Score: 1
    Our Constitution in the U.S. prevents Congress from making any law infringing on our natural freedom of speech. To me, P2P is communication, which is speech. Therefore, the federal government has no mandate to restrict it.
    Wrong. If P2P is speech, it means the federal government may not restrict it.
    Our 9th and 10th amendments to the Constitution allows the State and/or the People to cover anything the federal government can not.
    Wrong. State governments may not enact laws which violate people's rights under the federal constitution.
    Should California desire to restrict P2P, it should be able to. If you disagree with California's take on this restriction, you can move to Arizona or Delaware, or another state that doesn't have such a restriction.
    Wrong. See above.
    1. Re:Parent is wrong on three counts! by dada21 · · Score: 1

      Wrong. If P2P is speech, it means the federal government may not restrict it.

      That is what I said. Re-read my original post that you quoted. When I said "has no mandate to restrict it" it means may not restrict it. Duh.

      Wrong. State governments may not enact laws which violate people's rights under the federal constitution.

      No, sir, you did not read again. The State governments may enact laws that they are not provided for to the federal government and are not considered again natural right. I reiterated this in another reply.

      Wrong. See above.

      Again, you fail to read and think about my reply. If P2P is speech, it can not be regulated or restricted or tax. If it is not speech, it is not within the grasp of the federal government, therefor it MAY be regulated by the States or the People, if desired.

      We agree on every point, yet you seem to think we don't. Puzzling.

    2. Re:Parent is wrong on three counts! by Anonymous Coward · · Score: 0

      Probably because you suck at writing. Your writing made it look like you thought the federal government should not be able to restrict P2P because of the constitution, while states should be able to.

      Judging by the number of replies I would say most people thought you meant that.

      So just fess up and admit that you suck at getting your point across.

  71. AG is quilty of copyright infringment himself! by ericspinder · · Score: 4, Funny

    The AG didn't even cite the IP of the hardworking Record Industry Exec. I say he needs to pay for his flagrant copyright violation. Think of the children! What is Stevenson's children supposed to eat, when people are stealing his work wholesale.

    --
    The grass is only greener, if you don't take care of your own lawn.
  72. Money and Power by 0x0d0a · · Score: 1

    The problem is that if wealth has a direct impact on the operations of government, it's easy to form a feedback loop where the richer just get more rich and powerful, and the entire nation moves further and further away from the (ideal) meritocracy that benefits almost everyone in the long run.

  73. GoodBye Government by pestihl · · Score: 1


    I thought we at least got to vote for the law makers.

    --
    "What do you do with the mad that you feel when you feel so mad you could bite?" - Mister Rogers
  74. Re:Finally P2P restrictions from the right place.. by Lord+Kano · · Score: 2, Interesting

    However, if you kept reading your law book, you could have found that the 14th (IIRC) amendment has been established by the courts to extend the restrictions placed on the government in the bill of rights to the states as well.

    Through a process called "Selective Incorporation", meaning that each amendment is applied to the states as soom as a court says so. This is why your local/state can't violate your 1st amendment rights, but it is currently legal for cities like Morton Grove IL to outlaw handguns.

    LK

    --
    "Hi. This is my friend, Jack Shit, and you don't know him." - Lord Kano
  75. Meb. Not impressed. by LittleGuy · · Score: 4, Funny

    What I want to see is the Attorney General make an official statement while a senior vice president of the MPAA drinks a glass of water....

    --
    Mod Karma -1: I sed bad wurds. If I cep my mouf shut, I wud be at riyses.
    1. Re:Meb. Not impressed. by Alsee · · Score: 1

      Better yet make it a BigGulp of Ex-Lax.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  76. MPAA Song by Anonymous Coward · · Score: 2, Funny
    Sing to the tune of YMCA

    Young man, turn that computer off.
    I said, young man, listen up we're the boss.
    I said, young man, you're causing us loss.
    You've got no right to download those films.

    Young man, there's a place we'll send you.
    I said, young man, you're gonna ache when we're through.
    I said, young man, you're gonna get the big screw.
    You're gonna die young in jail.

    It's fun to work for the M.P.A.A.
    It's fun to work for the M.P.A.A.
    You can supress, all the creativity.
    And wipe out those brats for free.

    Business, is the king o' the game.
    I said, business, the money's insane.
    I said, business, no work and all gain.
    Everyone of us will get rich.

    Congress, is gonna listen to us.
    I said, congress, they know we's the boss.
    I said, congress, we don't care what it costs.
    They gonna do all we say.

    It's fun to work for the M.P.A.A.
    It's fun to work for the M.P.A.A.
    You can work there, with your Harvard degree.
    You can change all the laws for free.

    M.P.A.A.
    M.P.A.A.
    M.P.A.A.
    M.P.A.A.

    Copyright RIAA, 2004. Reproduction in any form strictly prohibited and subject to excessive civil and criminal penalties.

  77. Funny, that's what the RIAA's trying to do... by crovira · · Score: 2, Funny

    "Since there's no warning sticker on this spindle of blank CD-ROMs on my desk, I think I'll see how many of them I can shove down my throat."

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
  78. We NEED to be thanking M$ for this... by i_want_you_to_throw_ · · Score: 4, Funny

    It has unintentionally made life miserable for some many people who actually deserve it.

  79. Re:Stupid Bush! by squiggleslash · · Score: 2, Interesting
    That's a type of democracy.

    Democracy isn't a system of government, it's a determination of accountability. The US has been a democracy pretty much since the beginning, even when State governments were allowed to pick Senators (because all of the state governments were democratically elected.)

    Even the Bill of Rights, long held to be an example of something that trumps democratic involvement and hence, somehow proof America isn't a democracy, is modifiable should the people choose to modify it.

    --
    You are not alone. This is not normal. None of this is normal.
  80. at least some of the document was correct by Raleel · · Score: 2, Interesting

    Well, i would easily believe that P2P software is used mainly for trading of copyrighted material and pornography. Even done a search for something other than porn or copyrighted material? Probably some people have, but not everyone, probably not even a majority

    Now, I am aware of bittorrenting legally and the like (indeed, I got bittorrent banned at my work because I use it to get redhat isos), so please don't jump on me for actually supporting a point in the article.

    Doesn't make it right that they write up these docs for the AG.

    --
    -- Who is the bigger fool? The fool or the fool who follows him? --
  81. Here's how I'd do it... by e-gold · · Score: 1

    No monitoring software or new taxes, and independents already use it right now. Magnatune, which features the 49%-sad & 51%-hilarious slogan: "We are not evil," and doesn't seem to have work very hard to explain such a slogan these days... If you want try-before-you-buy and think artists should benefit as much as publishers (say, 50-50!) you should check out Magnatune (their music's also surprisingly-good!).
    JMR

    Speaking ONLY for myself (but yes, I'm commercially-biased, etc.)

    --
    Try e-gold - (contact me). I'm NOT e-
  82. Re:Stupid Bush! by Anonymous Coward · · Score: 0

    What ever happened to, a goverment for the people by the people.
    the people got bought out in a hostile takeover

  83. How too can I find dirty corporate laundry? by 0x0d0a · · Score: 3, Informative

    Go to hotbot.com, click on "Advanced Search", check the "MS Word" box under "Page Content". Then search for whatever you're interested in.

    For example, checking this box and then searching for "sco" returns 4600 web pages containing a link to a .doc file relating to SCO. One wonders what facinating goodies might be hidden in metadata in SCO documents...

  84. better yet by BoomerSooner · · Score: 1

    Send PDF files that are encrypted from editing.

  85. Re:Democracy in corporations. by I+am+Jack's+username · · Score: 5, Informative
    > This has been tried out, by a south american
    > corporation. Unfortunately, I forget the name
    > of the person that introduced this.
    > -- ravind

    The company is called Semco, it's in Brazil, and the CEO is Ricardo Semler. You can read about it in his excellent book Maverick!. He's written a follow up called The Seven Day Weekend which I'm getting when it's available here in paperback.

    "If democracy and self-rule are the fundamentals, then why should people give up these rights when they enter their work place? In politics we fight like tigers for freedom, for the right to elect our leaders, for freedom of movement, choice of residence, choice of what work to pursue -- control of our lives, in short. And then we wake up in the morning and go to work, and all those rights disappear. We no longer insist on them. And so for most of the day we return to feudalism. That is what capitalism is -- a version of feudalism in which capital replaces land, and business leaders replace kings. But the hierarchy remains." - Kim Stanley Robinson, Blue Mars, 1996

  86. Your comment has been obscured with lead paint by ianscot · · Score: 4, Informative
    You want corporations setting policy? Take a nice long look at the Bush Administration and environmental policy. Steps at the Centers for Disease Control and Prevention's Advisory Committee on Childhood Lead Poisoning Prevention:
    1. Committee is considering lowering the acceptable levels of lead in children's blood.
    2. Bush adminstration revamps the committee, removing three members and adding three new ones who have ties to the paint industry. Example: William Banner, who's been an "expert witness" for Sherwin-Williams in court.
    3. One of the new members suggests making the limit two-and-a-half times as high as it's been since the 1970s.
    4. Committee tables the proposed change to the standards for now. They're being "considered."

    That's in a case where the water isn't nearly as muddy as with the MPAA's shenanigans. There are legitimate reasons for which copyright laws exist, the MPAA is maneuvering behind those.

    I have 10-year-old twins, one of whom once testing a little high for lead levels in my old apartment; gee, I guess there was no danger after all. Is there any cover at all for stacking a CDC board's medical decision with voices from the paint industry?

    --
    "Fundamentalism" isn't about divine morality. It's about human authority.
  87. US Government: The Best that Money Could Buy by myownkidney · · Score: 3, Insightful
    This is part of the vicious circle that makes rich richer and poor poorer.

    It maybe that Money != Power
    But money can buy you power, awful lot of it. And then it maybe that Power != Money
    But power can earn you an awful lot of money. It is as simple as that.

    It is not only that: the US government is willing to jail a guy for swapping an MP3, and denting the profits of a record company by, say, US$2. But the guy who stole US$7 trillion from his own employees and shareholders goes scott free.

    I don't know how one can even consider US government a democracy, when it is definitely not the wish of the people that is being carried out. Money speaks: loud and clear.

    The saddest part is, there's really no difference between the Democrats and Republicans when it comes to carrying out the wishes of their big corporate bosses.

    And the US is the leader of the free world. And you are not safe even if you are in Australia. Right.... time for me to move to the new planet

    1. Re:US Government: The Best that Money Could Buy by Anonymous Coward · · Score: 0

      I am confused. The DA is a dem i thought dem were for the poor?

    2. Re:US Government: The Best that Money Could Buy by sadler121 · · Score: 1

      Dem's also get a lot of ther funding from the entertainemnt industry. As a democrat that does bother me, though I would prefer Kodos, err I mean a Dem in office over Bush any day!!

    3. Re:US Government: The Best that Money Could Buy by Anonymous Coward · · Score: 0

      Nice post Mr. Obvious.

      I wonder how long it will take the American people to figure out they are not living in a free democracy anymore?

  88. mod parent UP by corbettw · · Score: 4, Interesting

    So what if artists don't get paid? Who the hell promised that they WOULD get paid forever? Will people will stop making music just because they can't sell 10 million CD:s? No. Can I get a job as a professional scribe, doing nothing but copying bibles by hand? No. Can I make a living building sextants? No.

    Beautifully stated. I wish my friends in the movie and music industries would all listen when I try to tell them the same thing. But they won't, so they're doomed to follow the buggy whip manufacturers to death and obscurity.

    Besides, artists will always be able to earn a living. Britney and Beyonce may not make millions of dollars a year anymore (actually, those are bad examples, since Pepsi will probably keep paying them both for a while, especially if they do a commercial where they kiss each other, but I digress), but they'll still do better than Joe Sixpack ever will. It's the industry executives, with nothing really to fall back on, who are really and truly screwed.

    --
    God invented whiskey so the Irish would not rule the world.
    1. Re:mod parent UP by Anonymous Coward · · Score: 0

      "Besides, artists will always be able to earn a living. Britney and Beyonce may not make millions of dollars a year anymore..."

      You obviously don't know many artists.

      Most artists don't make a living with their art.

      Artists making a living from their art are an exception.

      Why do you think phrases like "day job" and "starving artist" are so common when refering to the creative people in our communities?

      You must live in a nicely insulated little world...

    2. Re:mod parent UP by Anonymous Coward · · Score: 0

      Good point, but what it really means is that P2P has absolutely no effect on most artists.

  89. You know ... by LaCosaNostradamus · · Score: 3, Insightful

    I can't imagine who at Slashdot would have a problem with what happened. It's effectively Open Source Legislating (OSL). The "code" was stamped with the author's name, and was reused with attribution.

    --
    [You have a stable society when some nut guns down a schoolyard and the law doesn't change.]
  90. Political Action by Anonymous Coward · · Score: 3, Insightful

    Its time to take political action against the MPAA and RIAA including a campaign to try and reduce copyright length back to the originoal 14 years (with 1 manual extention allowed for 28 years maximum).

    With millions of P2P users I am sure a political party (like the Green party maybe) that supports a progressive copyright reform platform can get elected.

  91. There *is* a good fight. by gosand · · Score: 4, Insightful
    On one side, you have the kids that are freely breaking copyright laws left and right because they want to watch a movie or listen to a song but for whatever moronic reason don't feel they should have to compensate anyone for it (to the dolts that will undoubtedly say "but it costs too much, they're just ripping us off.. waahh waahh.. let me suck my thumb like a little baby" - deal with it. It's called making an informed decision. If you don't think it's a value purchase, don't make the purchase. Doesn't mean you can just rip off a copy for yourself without compensating anyone).

    I agree with you. I don't normally download copyrighted materials without permission (as far as I know). I have on occasion. Whooptie-doo, come get me. I do download copyrighted works with permission, from indie artists and such. And I downloaded a bunch of Metallica stuff from their website. I was a sucker and bought their latest CD. The only redeeming quality was the passcode included with it that allowed me to download a bunch of free tracks from their website. What if I put those on a P2P network?

    See, here is the dividing line for me on this whole issue. There are bad guys on both sides, but there are no good guys that I can see on the MPAA/RIAA side. I don't believe their BS about "protecting the artist" for one AMD clock cycle. They are in it to retain their stranglehold on the music industry. At least with P2P, there are some legal uses for it. Placing restrictions on it for the benefit of the corporations is NOT the correct thing to do. People are using it to break the law? Go after them, that is your right. They tried this, but in a half-assed attempt and got a nice PR road rash from it. The laws are there, they don't have to get any new ones passed. Just because they couldn't easily reach out and grab the perps isn't the rest of the world's problem.

    There's no "good fight" here to join...

    I think the fight to join is the fight of freedom. With freedom, you have the choice to break the law or not. Without it, your only choice is to conform or to break the law. Look at the recent goings-on with Howard Stern and other DJs who are getting hammered by the puppets at the FCC. Clear Channel is using a government agency to do its bidding. I heard people at work say "I am glad Stern is getting kicked off the air, I hate him." I could have argued, but instead I educated them. It doesn't matter if you like him or not, he is being thrown off the air because he spoke out against Clear Channel, GWB, and the religious right. It doesn't matter if you like him or not, he should have the right to say what he wants to say (within the established rules, of course). He didn't violate any rules. They pulled some clips of him from 3 years ago, and said it violated their standards! And instead of fining him, they just cut his show from their stations. There was no appeal, no nothing. And what he said was nothing you can't hear elsewhere on TV/Radio. It is a farce, and it is only one of many going on in this country. And before you say "Hey, if you hate this country so much, why don't you leave?", remember this - I love this country, and the reasons this country is so great is BECAUSE of our freedom. Freedom that is systematically being taken away from the people in favor of large corporations.

    --

    My beliefs do not require that you agree with them.

    1. Re:There *is* a good fight. by ryanwright · · Score: 1

      It doesn't matter if you like him or not, he is being thrown off the air because he spoke out against Clear Channel, GWB, and the religious right. It doesn't matter if you like him or not, he should have the right to say what he wants to say (within the established rules, of course).

      He does have the right, just as soon as he goes out and buys his own radio stations. I'm sorry, but I don't see the "freedom" issue here. A corporation is refusing to carry somebody's show. What freedom is being violated? The "freedom" to voice your opinion on a radio network owned by somebody else?

      --
      -Ryan, with the unoriginal sig
    2. Re:There *is* a good fight. by Anonymous Coward · · Score: 0

      The bloke is not a spokesman - he is, well, a pundit. A journalist should have the freedom to investigate anything - even his own company's shenanigans. If he uncovers something and gets the sack that is real bad. Journos are now PR people.

  92. Blanket Taxes by eluusive · · Score: 2, Insightful

    Interestingly, several times I've heard mentioned today flat taxes on media to support artists. ( Rather than replying to one commentor, out of the many, I thought I should start a new thread. ) The biggest arguement to this is that "I shouldn't be charged, I don't listen to music," or "I don't burn music onto CD-Rs."

    This is a silly arguement. Not everybody is on is on welfare, but who pays? There are several good reasons for there being things everyone pays into, and only a few people get benefits from. ( Welfare helps to stimulate the economy, single mothers don't horde their cash. )

    However, I too think that a flat tax for music _IS_ silly. Why should any person declaring themselve an "artist" get welfare. The issue with flat taxes are not so much who pays, but WHO _gets_ paid.

    1. Re:Blanket Taxes by PhxBlue · · Score: 1

      No, the silly argument is that everyone should have to pay taxes to support musicians in the first place. As others have said (in slightly different words): if you can't make a living as a musician in the contemporary market--be it through MP3s, CD sales, or tours--you suck. Find another job, or at least get off your ass and petition the government for an art grant.

      You may as well ask me to fund someone's crack habit. Either way, my answer is no.

      --
      !#@%*)anks for hanging up the phone, dear.
    2. Re:Blanket Taxes by Bassman59 · · Score: 3, Insightful

      PhxBlue pontificates: "No, the silly argument is that everyone should have to pay taxes to support musicians in the first place. As others have said (in slightly different words): if you can't make a living as a musician in the contemporary market--be it through MP3s, CD sales, or tours--you suck."

      Sucking is usually an important part of being a successful musician/artist!

      It's the talented and challenging musicians who get ignored by the Clear Channels and the Music Industry.

      And putting a tour together for an unknown band is really a Catch-22. Venues/promoters won't book bands that no one's ever heard of, and no one will be able to hear your band if you can't get booked.

      And nobody buys CDs by bands they've never heard.

      As for the tax issue, it's of course completely wrong. The tax is really to ensure that The Music Industry's income stream isn't affected by downloading. It's an even money bet that NONE of this tax money will ever filter down to an actual artist.

  93. Bill Lockyer, have your resignation letter on my d by lordkimbot · · Score: 1

    You corrupt, self-serving, MPAA tool. How much money will you get from your corporate overlords on this one, scumbag?

    I wonder how many other states AD's will be lining up for freebies as well?

    We truly are a nation of whores. Gotta love MSWord noobs.

    Will this affect my dazzling karma?

    --
    sig mind freed
  94. Remember the Carnivore PDF? by Guru2Newbie · · Score: 2, Interesting
    PDFs aren't immune to inadvertent release of information either.

    Remember what happened when the PDF regarding Carnivore was released with the "sensitive material" (like developer names and such) blacked out? Someone figured out how to easily reveal the names and re-released the document, embarrassing the FBI.

    1. Re:Remember the Carnivore PDF? by Loosewire · · Score: 1

      i noticed tthe same with the Rfid trial document, they blacked out the products to be tested in the pdf and beacuse my machine is slow and so is XPDF there was about 2 seconds when loading a document where the blob of black hadnt been applied to the GILLETTE VENUS FOR WOMEN! razors logo

      --
      Slashdot - The one stop shop for procrastination
    2. Re:Remember the Carnivore PDF? by TheLink · · Score: 1

      Yeah, and Adobe is busy making PDF just as bad as word - have you checked out the options and preferences of the latest versions of Acrobat reader yet? They've got all those auto launch/open stuff and link to etc etc.

      If you want to use PDF, print it out to a virtual printer as postscript first then convert to PDF. That seems to work pretty well. Of course people can't do "select text" or "find text" on your docs, but maybe some people think that's a feature.

      --
  95. Killer Feature! by Anonymous Coward · · Score: 0

    You know, I'm really starting to love Microsoft. This meta-data in Word thing is a killer feature!

  96. Uh Huh... by ThisIsFred · · Score: 1

    A lot of laws passed are pretty obviously penned by lobbyists. I wouldn't be surprised if the people voting on it even read the thing all the way through. You'd think that laws would be influenced by two main groups: Regular citzens, and law enforcement. But really, you don't have to be a Supreme Court Justice to figure this one out. As if the people of California are picketting in the streets asking for an end to P2P programs.

    At least the blood isn't on my hands. I don't download copyrighted songs off of p2p networks, and I don't buy any music on any media that is produced and distributed through channels associated with the RIAA.

    --
    Fred

    "A fool and his freedom are soon parted"
    -RMS
  97. That's easy by Anonymous Coward · · Score: 0

    If the "kids" win in your example, then Hollywood has to find another business model.

    If "hollywood" wins, then I've got to change my PC, the way I use the internet, the way I use DVD's, CD's etc etc etc.

    Easy choice.

    1. Re:That's easy by Anonymous Coward · · Score: 0

      Easy for you to say. You don't work in the entertainment industry. You would be out of a job -- actually, you would be out of a CAREER and you would have to start over from the bottom in some other industry.

    2. Re:That's easy by Anonymous Coward · · Score: 0

      "You don't work in the entertainment industry."

      Isn't that the point? I mean at least part... somebody is going to be greatly inconvenienced. Should Hollywood be inconvienced or the rest of the tech world?

      Again, that's easy. From a numbers standpoint...number of people, dollars of Computer business, and electronic business Hollywood et al is far smaller. The smallest dislocation will come from Hollywood changing its business model.

      "You would be out of a job -- actually, you would be out of a CAREER and you would have to start over from the bottom in some other industry."

      A false strawman. Today, P2P exists and hollywood and the record industry seem to make a profit. Lets assume it got worse. So that profits were down 20% in hollywood and records. Well, that means worst case that a few people will move from the recording industry to something else.

      But why is the government (aka "the people") obligated to guarantee your business model will work? Short answer... they aren't. Get over it.

      Find a new way to distribute content. But I find your continually begging at the teat of governement annoying and immoral. If that's your attitude, I hope your industry *does* die, because its archaic and corrupt.

  98. The child porn card by obsid1an · · Score: 1

    Everytime I see a statement from the MPAA/RIAA they always feel the need to play the child porn card. Considering that child porn makes up what looks to be about 1% of all content from a quick search (no I didn't download anything), that is pretty sad to be calling it "widespread." I haven't bought a CD in about 2 years. It might be time to do the same with DVDs.

  99. That last sentence is the most important. by danaris · · Score: 5, Insightful

    After all, if I'm going to be punished one way or another, I might as well take advantage.

    This is the exact same reason the murder rates were ridiculously high several hundred years ago in Europe (or at least Britain). There were so many poor people, the theft rate was quite high. The penalty for theft was made death by hanging, and hey, whaddaya know, that's the same as the punishment for murder. So why not kill the guy so you can take more of his stuff with less risk of getting caught?

    If the punishments for minor infractions are made similar to those for greater infractions, people will tend to think less of committing the greater. If we're forced to pay more for using the Internet because of the people piracy, well then, why shouldn't we commit piracy, too? After all, we've already paid for it, haven't we?

    Of course, they'll still sue you. And levy the taxes on a dozen forms of media, and raise CD/DVD/movie prices. Because they don't get that treating customers as criminals is not the way to handle this, and all they see is $$$$.

    Dan Aris

    --
    Fun. Free. Online. RPG. BattleMaster.
    1. Re:That last sentence is the most important. by B.D.Mills · · Score: 1

      There were so many poor people, the theft rate was quite high. The penalty for theft was made death by hanging, and hey, whaddaya know, that's the same as the punishment for murder. So why not kill the guy so you can take more of his stuff with less risk of getting caught?

      An interesting point. I find it interesting how the DMCA has much harsher penalties for stealing music online than you would get if you stole the same CD's from a music store. What's the security like on CD's in music stores in America at the moment? Is there an increasing trend in protecting CD's from theft?

      --

      The only thing necessary for the triumph of evil is for good men to do nothing. - Edmund Burke
    2. Re:That last sentence is the most important. by Anonymous Coward · · Score: 0

      I just want to point out these monopolistic industries want to set up a multi-pay infrastructure using the law. Once everything is in place, they won't care about doing what they're doing to improve quality. They know their distribution system is going to die, and they'll have to compete like everybody else.

      They want something for nothing here, and they're using P2P as a ticket out.

    3. Re:That last sentence is the most important. by Vaughn+Anderson · · Score: 1
      ...why shouldn't we commit piracy, too?

      Please define in "legal" terms of what piracy is. I make copyrighted works, and I also was sued (frivalously) by my first client after I graduated from college. So I am concerned about this from both perspectives.

      I have to say though that 2 million people could "steal" my copyrighted works and WILL NOT hurt me one bit.

      But the stupid lawsuit (which thankfully the judge saw right through as well as my attorney) cost me thousands of dollars, many, many days of lost work due to extreme stress and wasted time defending myself over an entire year, for nothing.

      Now consider _all_ of the suits against music file sharer's by the RIAA in the last year, I have to say that even though they had more of a case against people who shared thousands of songs, but ask yourself this, was the damages they were seeking even remotely close to what the real damages were?

      I would have to say the real damages in each individual case was, _zero_. Just the same in every case that is someone were to take my works and share them, I'd loose nothing.

    4. Re:That last sentence is the most important. by danaris · · Score: 1

      Please define in "legal" terms of what piracy is.

      *shrug* I don't have to. The RIAA and MPAA are doing a perfectly good job of it themselves.

      It really doesn't matter a) what the financial and economic realities are, or b) how sane any particular definition of "piracy" is. They are defining, in legal terms, what "piracy" is, at least for the time being. I am quite confident that, within a few (~5-20) years, they, and their definitions, will be quite completely out of the picture, but for now, they're defining it perfectly to their satisfaction.

      I could put forward my own definition, but it would probably be less legally sound (after all, I'm no lawyer and I don't have several thousand working for me), and it would definitely be totally ignored. So we might as well accept that theirs is the definition that's getting accepted and either do something constructive to change it in the law's eyes, or find our own ways to work around it.

      Dan Aris

      --
      Fun. Free. Online. RPG. BattleMaster.
  100. Re:Stupid Bush! by Anonymous Coward · · Score: 1, Informative

    You should look at the memos of the Democrats on the Senate Judiciary Committee.

    It was totally unethical of the Republican staffers to even look at the memos, let alone leak them to the newspapers and ultimately the web. But the memos are very revealing.

    Pressure groups determined exactly which of Bush's nominees they would oppose, when to raise opposition, and exactly how to oppose them.

    Of course I am not naive enough to think that it's any different for Republicans.

    The point is: right now the legislative process, on both sides, is almost entirely determined by a few alliances of special interest groups. The entire system seems to be set up to punish heavily any congressman who dares to think for himself and not toe what used to be called 'the party line'... though it seems that the parties themselves are slaves to the special interests.

  101. Re:Finally P2P restrictions from the right place.. by b-baggins · · Score: 1

    To me, shooting you with a bullet is communication (I'm communicating that I want you dead), which is speech, therefore the federal government has no mandate to restrict it.

    The fallacy you are engaging in is called slippery slope.

    The first amendment is to protect political speech, or the ability to criticise government without fear of getting locked up in a gulag. Unfortunately, certain groups have successfully convinced people it is something else entirely. So while folks shout for the right to display kiddie porn, we have secret service agents hauling women off to jail in Chicago for yelling out a criticism to the President during a parade (and, no, the president wasn't Bush, it was the guy before), and we have congress ramming through a bill that is upheld as consitutional that makes it illegal for anyone to criticize a public candidate by name sixty days before an election.

    Can you imagine the outcry our founding fathers would have made had they learned that in America you can now be jailed for publicly criticizing an elected official 60 days before an election? And yet most of the people on slashdot hailed it as a great breakthrough in cleaning up politics.

    According to that line of thinking, Iraq had the cleanest politics in the world: One candidate, no negative ads, and a 99% voter turnout.

    --
    You can tell a great deal about the character of a man by observing those who hate him.
  102. And this is surprising because? by crovira · · Score: 2, Insightful

    Ninety-nine percent of all laws are passed by the interested parties. The law makers are just reacting to the 'paying' constituency.

    Pick an issue, a 'dead dog' issue, and start up some agit-prop about it, real agit prop no the freebie email campaign kind, and you'll be able to get whatever you want passed without recourse to the law.

    Your problem is that you aren't pre-emptive. You guys wait until the opposition is 'talking to its friends', who aren't its friends at all but merely respond to whoever makes the most noise, and of course they put the screws to you.

    Why wasn't P2P agitating way back since the beginning FOR, instead of trying to row upriver...

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
    1. Re:And this is surprising because? by BCW2 · · Score: 1

      This is a surprise? Special interests have more clout that we do, and use it accordingly.

      --
      Professional Politicians are not the solution, they ARE the problem.
  103. Warning Labels - What a Good Idea!!!! by gradualstudent · · Score: 3, Insightful

    Wow!!! That is quite a plan. Surely it has to work. I think we might be in the midst of one of the greatest cultural awakenings of all time! Why don't we put them on other instrumentalities of crime, such as knives, cars, baseball bats,and guns (i forgot...people kill people, not guns...so label all of the people instead). We can make these warning labeled people register to buy panty-hose and ski masks (wait...some towns have already outlawed those). As we all know, warning lables have rid our society of smoking, drunken driving, and climbing up the wrong side of ladders. We should encourage our lawmakers to keep up the good work. As for the involvement of an organization with deep pockets, I am neither shocked nor surprised. In fact, my faith in the American Way would have been destroyed if business interests weren't somehow involved in the drafting of legislation.

  104. Re:Stupid Bush! by WoodstockJeff · · Score: 1, Insightful
    It's about time Americans stopped calling themselves a democracy.

    Quite right! If we were truly a democracy, we could vote all sorts of evil upon any group too small to gather 50.1% of the electorate!

    Don't like [insert ethnic group here]? In a true democracy, you could vote to have them ousted from the country, or make it legal to kill them. The mob truly rules.

    I'm glad I live in a representative republic...

  105. Re:Finally P2P restrictions from the right place.. by dada21 · · Score: 1

    The first amendment is to protect political speech, or the ability to criticise government without fear of getting locked up in a gulag.

    The first amendment is specifically aimed at preventing government from trampling on a right that is inherent in every human -- one that is God-given or natural depending on your theism or lack of it. Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

    Our founding fathers would have not cried out against anything our governments do today, they would have rebelled again, spilled the blood of many, and stood firm against tyranny. In fact, they did this. When the U.S.'s greatest tyrant Abe Lincoln attempted to control the People, millions seceeded to form a new union of individual States, and were ultimately destroyed for their free thinking.

    Most of the people on slashdot don't understand that campaign finance is a free speech issue. http://www.realcampaignreform.org/ attempted to fight this issue. The average slashdotter is very authoritarian, and doesn't understand that campaign finance would do NO harm (even if Al-Qaeda openly financed a campaign) if you shackle the hands of government by limiting the scope of their power.

  106. lockyear is a tool by b17bmbr · · Score: 2, Interesting

    this is the same guy who wouldn't stop the SF mayor from issuing gay mariage licenses. whatever you think of gay marriage, an AG is supposed to uphold the law, and let the courst/legislators make changes. he is a favorite for governor. and you wonder why my great state is so fsck'd up.

    --
    My problem? I was perfectly gruntled, until some numbnuts came by and dissed me.
  107. Re:Finally P2P restrictions from the right place.. by MoneyT · · Score: 1

    The first amendment is to protect political speech, or the ability to criticise government without fear of getting locked up in a gulag

    Not quite. The first amendment does protect all kinds of speech, no matter their original nature. If it was intended to be only political speech, it would have said as much. The question is though, what is speech, and what speech violates the over riding mandate of the government to protect the lives of it's citizens?

    For example, the reason yelling fire in a crowded theater when there is no fire is not protected speech is because it poses an iminent danger to the lives of the people in that theater. Child pornography has been determined to pose a direct danger to the lives and well being of the children. That is why thise speech is unprotected.

    --
    T Money
    World Domination with a plastic spoon since 1984
  108. Not just about MPAA/RIAA? Exactly. by MunchMunch · · Score: 4, Insightful
    "Unfortunately, gropus like the EFF want you to keep thinking about this as no more than a struggle with an Evil Oligopoly, but the same stuff applies to every author protected by copyright."

    It sounds like you're doing exactly what you're accusing the EFF of doing. If you want to engage in substantive dialogue rather than gross generalizations, talk about what you find wrong with their clearly labelled premises and conclusions.

    Personally, I think the concept of a tax is incorrect as well. However, if you've read The Future of Ideas by Lessig, or Digital Copyright by Jessica Litman, you might be more amenable to look at copyright historically, and see that the EFF is actually taking a dangerous route by allowing any compromise in this area (because in the 20th and 21st centuries, the public's side always compromises, while the copyright holder's side always has remained relatively rigid. The result is less and less rights for a public that wishes to participate in culture and not simply consume).

    Copyright is an important law, but it is not a moral black/white law, and it has always functioned best when it is loose. As heretical as it sounds to today's ears (inculcated as we have been with an increasingly propertized concept of copyright over the last few decades), I don't think noncommercial usage should require payment, and I think stepping back from a 'solution' that is the only solution we should allow. Any other fix, via a tax or a 'smart' internet which charges and monitors for copyrighted-work transfer, would be a much more serious loss to all the public, including and especially future artists, than noncommercial personal copying.

  109. Re:Stupid Bush! by azaris · · Score: 1

    Quite right! If we were truly a democracy, we could vote all sorts of evil upon any group too small to gather 50.1% of the electorate!

    This is one of the common idiocies some Americans keep spouting. Truthfully, the system of American democrary in politics is not all that different from the European version. Except that the two-party system gives disproportionate power to one side, which almost borderlines on aristocracy. I wonder what would happen were it not for the powerful US courts that keep the politicians in check? But then again, the highest level judges are appointed by the politicians themselves...

    And if referendums are such an evil, why do many US states hold them? Have you seen any "Vote YES on 63 to kill all Muslims" plaques around?

  110. Patronage System by ParadoxDruid · · Score: 1

    Here here!

    You'll note that most of the greatest painters and sculptors that ever lived did just this-- they worked for commission under a patronage system, creating works of art for those that paid them up front.

    In fact, I recently spoke to one established novelist pondering trying this out-- trying to get the money for a novel from his fans before-hand, with a contract holding him responsible for delivering.

    --
    This statement is solely an opinion. Kindly take it as such in all cases.
    1. Re:Patronage System by Stray7Xi · · Score: 4, Funny

      A system like that just means they're not really held responsible for the quality of the upcoming work. If it gets crappy reviews, they already have the money. This would mean moviemakers would work just hard enough to get popular then release movie after movie with lame deritive plots, poor acting (but of course important celebrities), and repetitive explosions... oh wait.

    2. Re:Patronage System by ParadoxDruid · · Score: 1

      Look at the works of say, Da Vinci.

      He did good work for several reasons. One, I assume that he enjoyed his work and wished to do well at it.

      But additionally, if his work was not good, he would NOT continue to receive funding. The patronage would stop as soon as his patrons were unsatisfied.

      Moviemakers might get patronage and make one bad movie, but then who would hire them again? Better to hire someone who will make a good movie.

      --
      This statement is solely an opinion. Kindly take it as such in all cases.
    3. Re:Patronage System by WNight · · Score: 1

      This happens in every industry. You show off to get a job, then start slacking until the boss decides you aren't worth it, and you get fired. He doesn't get to demand your wages back for the time you slacked, it's simply his responsibility to monitor the value he gets for his investment on an ongoing basis.

  111. Shadowrun?? by Anonymous Coward · · Score: 0

    Anyone remember this p&p rpg? it was all about a world (ours) where the power had shifted to big corporations. It was scary then, and it still is

    1. Re:Shadowrun?? by hyphz · · Score: 2, Interesting

      The classic cyberpunk situation of no government at all other than the 'megacorps' doesn't seem to fit too well.

      I actually prefer the model in SLA industries, which is a world in which all of the corporations eventually merged into a single huge one which basically makes everything.

      If it's active in a particular country, it can undercut or buy out ANYTHING that country's industry can produce several times over, so if it's there, everyone works for them, and then buys stuff made by them. SLA actually print their own money for countries it is active in. Of course, you can choose to be paid in local currency instead if you choose, but since you're inevitably going to buy from SLA eventually and you'd incur a fee turning it back to SLAbucks there's no point.

      There are still governments, too. They say stuff sometimes. But basically they know they have the choice of either having SLA in their country or not. If they hack it off, SLA can just leave, leaving the country to build an entire economic infrastructure from scratch with no ability to trade with any SLA-linked nation (SLA won't stop them, but they'll have nothing to offer that SLA can't offer better). So they effectively have control with the illusion of choice.

      That's exactly the same kind of "control" that firms have in the real world, which is why I prefer that model.

    2. Re:Shadowrun?? by Anonymous Coward · · Score: 0

      Very interesting, is this a homemade idea or featured in any commercial rpg? I would like to hear more about it.(I haven't played shadowrun even if I heard some about it)

      posting anon since this is getting offtopic //Bwerf

    3. Re:Shadowrun?? by Anonymous Coward · · Score: 0

      Doh! it was the rpg that was named SLA, I should've googled first and waited with asking.

  112. Re:Stupid Bush! by biggerboy · · Score: 1

    "It's about time Americans stopped calling themselves a democracy."

    Yeah, I prefer the large number of choices I get in life from living under Taliban rule.

  113. Re:Stupid Bush! by Anonymous Coward · · Score: 0

    Cocoa Puffs for President!

  114. Contradiction by phorm · · Score: 1

    you could tax CD-Rs which are most commonly used by P2P users for backup of the files they download

    of course not, that's senseless. The only people that should pay are those that use the services, a net tax will not do that.

    I wouldn't have responded had this comment not been modded up, but seriously - how is a CD-R tax better than an internet tax? I'm Canadian, and get taxed up the wazoo for my recordable media. I also tend to use it mostly for backup or archival purposes. I haven't downloaded an RIAA song in years, much less burned one. One overly-encompassing tax is no better than another.

    1. Re:Contradiction by MoneyT · · Score: 1

      I realized that after I posted, but there's no edit function for slashdot. But yes, that's not a better solution either.

      --
      T Money
      World Domination with a plastic spoon since 1984
  115. Illegal? Business as usual! by swb · · Score: 1

    This happens all the time. I'd say that half of our laws are drafted by people outside of government, whether they're corporate interests or other lobbyists.

    Of course the process can work for the good, and many people involved in the legislative process will tell you that this is actually a good thing and only appears to be evil.

    Take, for example, a reform or change in the way that the counties in a state handle exchanges of prisoners between counties. There's expenses, rules, etc that have to be uniform statewide. The counties really want the system reformed (as its in everyone's tax interest and safety interest), but its inefficient and unproductive for a group of legislators to try to draft complex rules for entities and processes its unfamiliar with (without years of study and dedicated staff time, which nobody can afford).

    So the counties get together, forge a compromise about how they want this to work, draft the legislation themselves and get representatives to submit the legislation. Assuming it passes, we just got a new law that regulates something important, largely written by those most impacted.

    It sucks when its obvious payback for corporate interests, but does anyone have any stats as to "good" use of this technique vs. evil?

  116. The not-selling-it problem by Anonymous Coward · · Score: 0

    I think a lot of the P2P piracy of audio and especially video files has to do with a lack of a reasonable paid solution.

    I downloaded and watched my first Sopranos episode yesterday (no, I don't have HBO, or a TV).

    There were a couple glitches in the file but it was high-quality by Kazaa standards.

    Now, if HBO had let me download that (with DRM for all I care) for a buck, I would've happily paid it. Even if I could just watch it once or twice.

    Of course, with something like the Sopranos (pretty good I thought), it would be smarter to let me download the first episode free, then charge me a buck for each later episode.

    My point is that if it only costs a dollar, and I can get it from a reasonably fast server or maybe even a torrent, then I'm gonna *pay the buck* instead of taking my chances on file integrity off of Kazaa. And I think most people over the age of 16 would do the same.

    And yes, a buck would make it a low-margin business after you count bandwidth, servers, DRM development, etc. But does it really matter? You set it up and it makes you money, a low margin is still a profit.

    Generally, I agree with you, but I think the rights holders are not doing themselves any favors by refusing to *compete* with the black market.

    ------
    my experimental new AC sig

  117. what punishment do they deserve? by Ender+Ryan · · Score: 2, Interesting
    Death?

    Haha, why not? They are guilty of treason, tyranny, corruption... Spies get put to death, and these people are far more damaging to our country than most spies. Furthermore, our public officials should be held to much higher standards than citizens.

    No, I don't really think killing them would be just, but given that citizens who betray this country are often sentenced to death, I say, "String em up!"

    Seriously, some fucking heads need to roll for this sort of thing.

    --
    Sticking feathers up your butt does not make you a chicken - Tyler Durden
  118. Welfare Economics by Anonymous Coward · · Score: 1, Insightful

    People vote for the best possible outcome with their wallets. Do I get more from buying CDs or from free downloads? I'm much happier getting it free. I and 99% of the world (everyone except the RIAA) get a massive benefit from not buying but downloading. Until the RIAA can make buying music worth more than downloading, I see no need to spend money instead of bandwidth. Threatening me with lawsuits only means I start hating them and downloading out of contempt. That's why I give away complete sets of Metallica CDs:)

    How about the RIAA gives me a motivation to buy instead of a motivation to fsck them over? Like a $15 off concert admission with the CD? Or a 'The Making of ...' DVD I wouldn't download? Or candy? I can't download candy yet.

  119. Offensive by crawdaddy · · Score: 1

    But if the conclusion of the leaked draft is an accurate reflection of the attorney general's intent, P2P software makers should brace themselves for what could be a significant legal offensive in the immediate future

    I bet the first words of said offensive are "Assume the position."

  120. Legislated business models make for terrible law. by obtuse · · Score: 1

    Laws being driven entirely by what is good for one particular business are wrong in principle, and these people are the most destructive sort of Luddites.

    Any conservative should oppose legislated business models. If government run business or trade restrictions are destructive, how can this be anything but worse? It doesn't just make competition difficult, or irritate our trade partners to no good end. It hamstrings everyone who lives in this country and abides by the laws. This is the worst sort of protectionism and legislated inefficiency.

    Any liberal should be opposed to this because public policy and individual rights are not to be determined by industry.

    If you live in California, write a letter about this now. A single point, put down on paper, concise and polite. Send a signed copy to your legislators, your assemblyman, Bill Lockyear too. I'm afraid our Governator is a lost cause, or I'd suggest him too.

    I'll be writing two letters to each, one about P2P and legislated business models (maybe still too complex) and one about Lockyear's shameful parroting of corporate policies that are legally outrageous and unprecedented. It would be less offensive if the letter actually made sense, but it's just a smear.

    Help! There are a lot of us in California. Let's demonstrate that internet advocacy isn't totally impotent. All you have to do is find out who your legislators are, write a paragraph, and mail a leter.

    --
    Assembly is the reverse of disassembly.
  121. Re:Not just about MPAA/RIAA? Exactly. by turnstyle · · Score: 1
    "I don't think noncommercial usage should require payment"

    And so, since my guess is that you consider most P2P use to be noncommercial, am I correct in thinking that you also think that these authors should not get paid?


    "Any other fix, via a tax or a 'smart' internet which charges and monitors for copyrighted-work transfer, would be a much more serious loss to all the public, including and especially future artists, than noncommercial personal copying."

    Agreed, and that's exactly what I'm taling about.

    BUT all the anti-RIAA rhetoric is taking us in exactly that direction.

    Again, it's fun to hate the RIAA, but when you get familiar with the details of the alternatives, they can get pretty creepy.

    --
    Here's what I do: Bitty Browser & Andromeda
  122. Hack the system by AndroidCat · · Score: 2, Funny
    Ahhh, but that would be missing an opportunity to hack the system! Many of the places that insist on Word format resumes simply toss them, unread by humans, into keyword search software. If their software isn't very smart (safe bet), it'll probably search the hidden text too.

    I don't like to include all the damned names and TLAs of every product that I've used in the human readable text of my resume--looks like hell--but why not pile in all the keywords that their poor software is scanning for into hidden text?

    --
    One line blog. I hear that they're called Twitters now.
  123. Overly Cynical by arrianus · · Score: 2, Insightful
    I've done government work. In general, government people are lazy. When you apply for grants, you have two choices:
    • Use LaTeX and xv for text and presentations
    • Use Word and Presentations, and give the guy a copy
    After you do the presentation, if the guy likes you, he'll do a presentation to his boss, who will pick out his favorite projects from the first filtering from his underlings. The underling you presented to is usually lazy, so in all likelyhood, this presentation will consist of cut-and-pasting from your Word and Presentations documents. If you give him the documents in .tex/.dvi/etc. formats, unless your grant proposal is absolutely, completely brillian, he'll probably be too lazy to redo your presentation, so he will just not bother presenting you to his boss, and you lose the grant.

    If I were a lazy administrator drone in the attorney general's office, I would have documents on my desk from MPAA, P2P United, EFF, FSF, RIAA, etc., all in .doc format. I would then read all of the documents, discuss with the attorney general what our stance should be, and cut-and-paste sections presenting that stance from all of the documents on my desk. It saves me time, and avoids duplication of work. It's how the government works.

    I don't doubt many politicians are corrupted by the RIAA/MPAA. The fact that they have MPAA-authored text, however, is not direct evidence of this. The best ways to find corruption is to follow the money, as well as to look for unreasonable actions. This may be an unreasonable action, but the fact that the document went through or from the MPAA/RIAA says nothing.

  124. Why should I feed musicians? by blanks · · Score: 3, Insightful

    How can they think a tax is the right way to go about this.

    Your saying even though I dont download music I have to pay a tax to musicians I hate, and would never listen to, we should have to pay a tax?

    Being musicans is their job, if they cant afford to live off their music, they should get a better job.

    If the Music industry cant surive off their current technology, they need to change it, not change the world around them.

  125. or fax it. by morcheeba · · Score: 1

    I worked at a place that had some old-school secrataries that were incredible typists. I had a two-page document they needed, but it was in the wrong format. I was about to go back downstairs to my office to save it in another format, but they said it would be easier to retype... sure enough, a few minutes later when the smoke cleared from the keyboard, they had my document retyped, error-free. Amazing.

  126. Apathy is bad, excuses may be worse by reverendG · · Score: 1

    our policiticians suck because the public sucks

    This is the sort of non-excusing excuse that I was talking about when I said that people shrug and say "business as usual." There ARE public serving selfless politicians out there. There ARE people who run because they want to make things better. They do not get the monetary support that they need in order to compete with greedy, bribe-able politicians in the media, because they have scruples.

    Stop being a sheeple and start being a human. Vote your conscience. Make a difference. Express yourself so that things will improve instead of being a part of the problem.

    And the right to bear arms is a constitutionally protected right. You are correct. What does that mean, though? Does it mean that there is no onus on the government to protect the public as much as possible while still affording people the right to bear arms?

    --

    Why should I argue rationally with someone being irrational? I'll just mock them instead.
    1. Re:Apathy is bad, excuses may be worse by MoneyT · · Score: 1

      There ARE people who run because they want to make things better. They do not get the monetary support that they need in order to compete with greedy, bribe-able politicians in the media, because they have scruples.


      Where? Where are they? I haven't seen one. You see a couple of them at the local level, but I haven't seen a single one beyond that.

      I'm not excusing anyone, I'm saying the problem we have is that the public sucks. These are the people we're electing to office because they are the best we have. And that's sad. We need to demand that our politicians hold our interests at heart, and when they don't get rid of them. Maybe then we can gain some ground. But the problem is, public interests are varried. There's no way to win because everyone is self serving. In otherwords, it's a vicious cycle.

      --
      T Money
      World Domination with a plastic spoon since 1984
  127. Mannheim Steamroller by Jerf · · Score: 4, Informative

    Mannheim Steamroller is a great example of a successful music group that can't live on concerts, IMHO. I love Chip Davis' work and own all the Fresh Aire and Christmas CDs. But I don't like going to their performances.

    I've been to a couple, but the problem is, they sound just like the CD. One, the Ice-Capades-alike, I honestly didn't realize the band was there until the end, when they stood up for applause. I thought they were just playing a CD. Thanks to synthesizors, amplifications, click tracks, and a few other technology bits, the performances are indistinguishable from playing the CD.

    If the CD can stand in that well, I don't know why they perform at all. I'd rather just have the CD, thanks.

    I know they aren't the only group who does this. I know I've also seen a lot of things like Superbowl performance or Emmy performances that are indistinguishable from the CD (and I don't think they were all lipsynching, though maybe I'm wrong). Living on performances isn't a good idea for a lot of groups who make good music, but don't really gain any benefit from giving a "concert".

  128. The Surveillance Society by Featureless · · Score: 0

    It's satisfying, isn't it, to watch these hapless politicians snared by metadata.

    But take a moment to remember what metadata is for. What it represents.

    The Soviets, I'm told, used to put serial numbers on xerox machines (and think about the fact that we are now planning on putting them on CPUs - but I digress). In a totalitarian society, information technology is a dangerous weapon.

    Metadata, while it has many prosaic uses, is the tip of the surveillance iceberg in Microsoft's Office suite. In addition to parroting whatever you typed when you installed Office or changed Word's preferences, documents are tagged with GUIDs designed to uniquely identify your computer.

    All of these features would never see the light of day in any office software I had anything to do with. Because, despite whatever benefits they may have, they are Soviet. They violate our privacy. They are part of an expanding constellation of invasive technologies that are rapidly eroding our very expectation of privacy - and, while not many know it yet, you don't want to live in a world without privacy.

    We have only one consolation prize for what seems like the public's powerful apathy when it comes to their privacy. It exposed the pathetic government functionary, Bill Lockyer, for the weasel that he is - and there have been other, humorously similar revelations.

    Here is the silver lining of the surveillance society. The hope, or perhaps the dream, that we can at least surveil those in power.

    There are, of course, times where national security or respect for its citizens will require that our elected leaders keep secrets. But those times are far, and few between, in the whole scope of the government's business. And there are even ways to put checks and balances on the decisions about what should be secret and what shouldn't.

    If you think about it, a real Democracy practically requires it. The Big Brother Show should be in Washington - and our politicians, and their pet bureaucrats, should be the stars. They shouldn't have a moment off camera. It's the public life, after all.

    1. Re:The Surveillance Society by Tony-A · · Score: 1

      Here is the silver lining of the surveillance society. The hope, or perhaps the dream, that we can at least surveil those in power.

      Pipe dream. Figure the odds. We manage to catch a fluke or two. They catch all the non-flukes.

  129. Ask and Ye Shall Recieve by Greyfox · · Score: 1
    Yoink! You can drill down and see who's giving him stuff. I don't see the MPAA in there but Disney gave him 3 grand and there are a lot of individual donors who I suppose could be associated with the MPAA if they wanted to cover their tracks.

    As to the answer to your question, based on the level of the donations it looks like you could get a piece of the action for as little as $500 although you'd probably have to give in the $10K range to get the platinum level governmental access. Complete speculation on my part of course.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  130. Re:Finally P2P restrictions from the right place.. by Asprin · · Score: 1


    Our Constitution in the U.S. prevents Congress from making any law infringing on our natural freedom of speech. To me, P2P is communication, which is speech. Therefore, the federal government has no mandate to restrict it.

    I agree with you as long as you wrote (and own) the "speech" you're "speaking", but the BOR cannot sanction other violations of the law such as theft, plagiarism, piracy and violation of the copyright restrictions placed on a work by it's owner.

    This is where the xxAA's get involved, and despite the fact that they are too stupid to realize there are legitimate uses for P2P as well, they have a point(*): the overwhelming majority of people who are using P2P are doing so illegitimately with the intention of circumventing copyright law to distribute music and movies for which they do not own the copyright.



    (*) NOTE: It may sound to the untrained ear like I think the xxIAs are cool. I do not, and they are not. As far as I'm concerned, we'd certainly be better off without the RIAA companies - the music business is soooo out-of whack, it can only be fixed by "blowing it up" (speaking figuratively, of course) and starting over. I haven't made my mind up yet about the MPAA - they are a smidgeon closer to 'getting it', but they need a lot more therapy before they stop suggesting dumb stuff like this.

    --
    "Lawyers are for sucks."
    - Doug McKenzie
  131. Re:Not just about MPAA/RIAA? Exactly. by gaijin99 · · Score: 4, Interesting
    The thing about the RIAA is that they are self-evidently not in the business of helping artists. It is quite easy for a musician to sell millions of albums and come out with a profit of around $50K. The actual financial benefit coming to an artist from an RIAA authorized CD is around $.05-$.25. The lions share of the rest of the $16-$20 goes streight to the RIAA with a small bit given to various middlemen.

    It is obvious that artists deserve compensation for their work. Anyone who claims otherwise is a twit. However it is also obvious that the RIAA is not the way to give artists compensation for their work. I agree that it'd be nice to build a perfect replacement for the RIAA then dismantle the RIAA. Unfortunately we don't live in a perfect world, so that isn't going to happen. Whatever we replace the RIAA with will also have problems and unfairness built into it, I guarantee. I think that a "pay the musicians internet tax" is a very bad idea, as are taxes on blank media. The main reason is that a) under the current setup the money goes to the RIAA, not artists, b) it charges everyone not just people who want music, and c) It means that my money goes to support bands I don't like, I want more specific payments.

    The "Tip Jar" model has multiple problems, primary among them is that it relies on the honesty and generosity of Joe/Jane average. I honestly don't know what a good solution will be, I do know that to meet my definition of "good" any solution must include the destruciton of the RIAA. Not because I hate them, but because its self evident that they are leeches who impede the idea of getting money to artists.

    I do know this though: if we can find a way to get even $.50 to a band for every album downloaded they'd be making double what they make now. Hell, I'd pay $.25 per track (around $2.50 per album at an average of ten tracks per album). I think that given the relatively low price people may be more willing to pay than conventional wisdom says they are. How to get and gather those payments I don't know.

    --
    "Mission Accomplished" -- George W. Bush May 1, 2003
  132. Ha ha. by Anonymous Coward · · Score: 1, Funny

    Yet another victim of outsourcing.

  133. Please accept my apologies by reverendG · · Score: 1

    You are definitely correct, a submachine gun is most definitely NOT an assault rifle. As an avid gun rights supporter, the absolutely last thing that I would wish to do is to offend you. The way in which I glossed over any distinctions between an assault rifle and a submachine gun was done simply to ease the reading of my comment, and had no basis in fact.

    As an avid supporter, not of gun control, but meaningful discourse, however, I would like to point out that both a submachine gun (which can certainly be semi-automatic) and an assault rifle (which is NOT functionally speaking equivalent to any other semiautomatic firearm) both are weapons that are expressly designed for killing other human beings. I do not have a problem with this. I do not think that their being designed expressly to end the lives of other people should mean that they should be banned. This is the reason that the right to bear arms is constitutionally guaranteed, so that we the populace can rise up and slay our oppressive overlords! In order to do so, we will definitely need to kill other humans. I do, however, think that the distribution infrastructure should be designed to ensure that life-termination tools do not become easily obtainable on the black market, as they currently are today.

    The use of firearms to end the lives of others in our country is not a small problem. It is a much bigger problem than P2P filesharing. I do not think that we need to all out ban firearms, but there's obviously something wrong that needs to be addressed.

    --

    Why should I argue rationally with someone being irrational? I'll just mock them instead.
    1. Re:Please accept my apologies by unperson · · Score: 1


      As an avid gun rights supporter, the absolutely last thing that I would wish to do is to offend you.


      :)


      The way in which I glossed over any distinctions between an assault rifle and a submachine gun was done simply to ease the reading of my comment, and had no basis in fact.


      I can appreciate that. But if you want to appreciate why I felt the duty to be nitpicky about it, you need only understand few things:

      1. Most people don't know the difference.
      2. Most people believe that fully automatic weapons should be banned (or at least regulated).
      3. Combining (1) and (2) implies that many people will support banning assault weapons under a false pretense.

      CNN did a piece about the *assault weapons* ban last summer where they showed someone firing *fully-automatic machine guns*. I read an article a few weeks ago where a journalist for the NY Post explicitly said that the AWB addressed machine guns. Take a look:

      http://www.nypost.com/news/nationalnews/19640.ht m

      Anyway, my point wasn't to address your line of reasoning comparing P2P filesharing to other issues which seem to be treated differently...I agree with you there. I just wanted to nitpick a detail, because this subject is important to me.

    2. Re:Please accept my apologies by Anonymous Coward · · Score: 0

      Burt Gummer lives!

  134. Revision log utility? by timothv · · Score: 1

    Anyone know where I can download the revision log utility to view changes in .doc files? I've searched google and usenet, and found nothing.

  135. Easy by Douglas+Simmons · · Score: 2, Interesting


    Just use xtraceroute!

  136. MTV by Anonymous Coward · · Score: 0

    is still making CRIBS so I don't see the issue?

  137. Re:Stupid Bush! by Rick+and+Roll · · Score: 1

    In fact, there really is no reason to mention Bush here. This kind of thing has been going on since the Clinton era. Who the hell came up with the terms in the DMCA? Not a champion of the people, that's for damn sure. Special interests whores were behind that. The only reason I would mention both this guy and Bush in the same sentence is that they're both special interest whores.

  138. A P2P tax by Gr8Apes · · Score: 1

    P2P is an extremely disruptive technology that's going to cause a massive shift in several industries. With that in mind, and noticing the effects it has already had, some common threads have been coming up time and again in this thread.

    • Copyrighted material should give the copyright holders some income stream if they're material is used
    • Currently, there are a number of revenue streams for copyrighted material that is used in "uncontrolled" ways (music fee paid by businesses, fees paid by web broadcasters, etc)

    with those things in mind, and it rankles to suggest it, but ISPs (under gov regulations) should probably be the ones to tax P2P networks, or some service provider (Kazaa, Morpheus, etc) could also do that.

    Of course, that suggestion makes me shiver, as I think about the "email" tax our #1 defender of the free, Billy Boy, is punditing. After all, P2P networks are generally services run on well-known ports, even if they are outside the bottom 1024. Email certainly is a service running on a well-known port. If a collection mechanism is set up for one, how long until that is extended to the others, esp knowing how much government entities love new tax revenue sources?

    --
    The cesspool just got a check and balance.
    1. Re:A P2P tax by Anonymous Coward · · Score: 0

      Of course, that suggestion makes me shiver, as I think about the "email" tax our #1 defender of the free, Billy Boy, is punditing.

      If spammers are already breaking the law with their spamming (whether by doing it from offshore havens or by worm-installed proxies on other peoples' computers), what makes you think they're going to pay a bloody tax?

      Actually it seems to me that Microsoft could be in big trouble if this happens. Computers running Windows XP get compromised and spammers use them to send spam. Computer owners get sent tax bill for spam sent from their computers. Microsoft gets class action lawsuit from computer owners because their software holes are responsible.

      What's that you're saying? Palladium will prevent that from happening? Sure it will; keep on saying that and some may believe it. The O/S/hardware is going to constantly be calculating cryptographic checksums on each cache line to makes sure no buffer overflows or other exploits can happen. Uh-huh.

      No, the low hanging fruit will be gone; that's all. You'll need to be a little smarter than a script-kiddie modifying social-engineering e-mail worms to get a bunch of zombie hosts. But it's not going to stop, even with hardware support.

  139. You are the weakest link... by Anonymous Coward · · Score: 0

    Goodbye

  140. Of, by and for the highest bidder. by mindlessrabble · · Score: 1

    California has always been a state that believes in government of the highest bidder, by the highest bidder and for the highest bidder; going back to the railroads.

    If you don't like it leave. Oh, wait all the really innovative technologies already are. Neeeevvvvveeeeerrrrrrr miiiiiinnnnnnnddddddd.

  141. MPAA Puts Words in Mouth of CA Attorney General by mydn · · Score: 1

    [quote]by the California Attorney General to fellow lawmakers[/quote] The Attorney General is not a lawmaker.

  142. This is about Might Makes Right by stankulp · · Score: 1

    "Independents like me are also protected by copyright."

    True only until somebody with deep pockets and lots of lawyers decides that your "intellectual property rights" are an inconvenience to them.

    Remember Stacker disk-compression software?

    They went out of business long before they were able to enforce their "rights" against Microsoft's theft of their technology.

    --
    We must be alert to the danger that public policy could become captive to a scientific-technological elite. - Eisenhower
  143. Daddy AG Knows Best by Sumbody · · Score: 1


    We won't really be losing anything by having these P2P programs outlawed - we'll be just like Americans, only without all that freedom stuff to confuse the issues.

  144. There's a tax on blank cassettes by Darth23 · · Score: 1
    and that money goes (supposedly) to musical artists, more likely straight to the RIAA. So if I buy a cassette to record myself I still have to pay the tax that assumes I'm violating a copyright by making a tape of a CD or record that I did not purchase.

    Some general tax on blank CDs/DVD's and bandwidth would probably be an answer that artists could live with. Though right now the RI-MP-AA doesn't seem to want to seek a reasonable solution to the problem.

    The longer they attempt to stamp out all P2P sharing, the greater the grassroots backlash will be against them.

    --

    -------- In Soviet Russia, "Soviet Russia" sigs hate Slashdot.

  145. Stop downplaying this, dammit! by evilviper · · Score: 4, Interesting

    Everyone is just posting comments like "this is what happens all the time". Well, that may be true, but they can always spin it to appear that they were not influenced (see: Pres. Bush) by contributors.

    This is hard proof that our Attorney General (if you live in CA) is undeniably in-bed with the MPAA. If you look up the political donations, and find the MPAA as a big contributor, then not only could you get him kicked out of office, but he could potentially face criminal charges.

    It's one thing when corruption is subtle. It's quite another when corruption can be proven beyond a reasonable doubt in a court of law.

    --
    Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  146. Re:Finally P2P restrictions from the right place.. by Anonymous Coward · · Score: 0

    dude, you're bonkers.

  147. Warning found on a crowbar: by Amerist · · Score: 5, Funny

    In accordance with U.S. Law we are obligated to warn you that this device can be used in illegal activities such as Breaking & Entering, Public Defacement, and even Murder. We urge you to maintain usage of this tool (crowbar) in only legally sanctioned activities and remain aware of and avoid these illegal activities.

  148. Vote and Quit Whining by Anonymous Coward · · Score: 0

    So if you hate how things are going in the U.S. get out and vote. Get your neighbors to vote. Volunteer time to assist a political party you support.

    People (eg. Ralph Nader) keep whining about how corporations are running the show and that the politicians are corrupt. What they fail to acknowledge is that the vast majority of Americans seem to be okay with this. Why else are voter turnouts so low?

  149. Re:Not just about MPAA/RIAA? Exactly. by RatBastard · · Score: 1

    The RIAA isn't perfect and it does eat the lion's share of aernings from CD sales. But for most artists it's the only way to get exposure and seed money to make albums. If there is a monetary battle with the RIAA it's not between you and the RIAA, no matter what you think. It's between the signed artists and the RIAA.

    If the artist gets $1.00 for each CD sold (and I'm guessing, I don't know how bad it really is) and the RIAA eats the rest it is not fait to the artist to distribute his/her/their work without any compensation just to "stick it to the Man, man!". They got a raw deal, and you screwing them doesn't make it any better.

    --
    Boobies never hurt anyone. - Sherry Glaser.
  150. AHHHNOLD... by Anonymous Coward · · Score: 0

    Time for Arnold to terminate the CA Attorney General.

    "You have been...terminated."

  151. What the? by Slime-dogg · · Score: 4, Insightful

    But we remain concerned about the potential dangers posed to the public by peer-to-peer file-sharing technology.

    p2p is terrorism at it's finest! It causes the death of many people, and is more fatal than second-hand smoke! Fellow members of society are adversely affected by your useage of such applications, because surely the data residing on your machine can cause heart problems for your neighbor, will cripple their offspring, and will ultimately blow up their house.

    "Harmful to the public." What kind of bullshit are they trying to pawn on us? One can argue that the RIAA and MPAA are harmful to the public, by way of the negative influences upon the younger generations of society. One can argue that I could fend off an army of attacking barbozons with a spoon. One can argue that Rush Limbaugh is both detrimental and beneficial at the same time. I don't know how they can argue that p2p applications themselves, though, are harmful to society.

    --
    You need to restart your computer. Hold down the Power button for several seconds or press the Restart button.
    1. Re:What the? by t_allardyce · · Score: 1

      P2P is harmful to the public (the public being Ben Asslick and co.) not to mention the fact that people such as lighting technicians and editors, who would normally only be ripped off by the studios are now ripped off in a hypothetical way by students on their computers who would otherwise have paid the full artificially inflated price of a dvd! The real loosers in the p2p terror however are the pirates! these poor groups slave away over racks and racks of video machines trying to copy finding nimo so they can make some money and p2p has stolen their entire industry!

      So, who gains in this p2p world? well i can tell you now, the only people who gain are the politicians, they stand to make a small fortune from law-fees paid by the MPAA/RIAA.

      --
      This comment does not represent the views or opinions of the user.
  152. Required by law by retostamm · · Score: 2, Interesting

    It'd be nice if this kind of disclosure would be required by law. (Who had what kind of input into this Document, a Change History, etc.)

    I don't think it's necessarily bad if this kind of things happens, but it should be transparent.

  153. Regulatory Capture by Anonymous Coward · · Score: 0

    There is a term for this. Usually it occurs when there is a regulatory agency set up specifically to police an industry, but it isn't limited to those cases. The term is Regulatory Capture. It is all but unavoidable, and it is undesireable to everyone except the regulators and the regulated industry.

  154. But it's a relavent argument. by Anonymous Coward · · Score: 0

    The fact is the RIAA/MPAA do control the marketplace artificially. The copyright protection really only does flow one way. In theory it protects everyone, in practice, it protects the very few who aren't artists, who don't do a good job finding artists, and who are almost totally ineffective at distributing art. Their function is, purely, to enforce copyright laws which they have bought with bribes at the expense of everyone else.

    Tyra Banks. Pretty. Wants to be a singer. Random! What does she do? Gives away a single. If people like enough they will buy it (if they can find it).

    My first They Might Be Giants? A bootleg of Apollo 18. Today I've been to concerts and own 1 of nearly every CD they've ever made. Bare Naked Ladies, a bootleg of Gordon, same deal. There is something to be said for owning the product. It's more than just having the music. It's having the music without pops, with the right art on the CD and in the case, and the lyrics so I'm not singing about asian men in the shower. I'm not the only one I know who has a history where this kind of thing is a pattern. Now my bootlegs of dance/techno/trance/etc come in the form of mp3. It's not always much easier than tracking down one of the few remaining TMBG singles that have eluded me, but I do manage to find my share of the songs I like. And if I was constrained to the radio the RIAA wants me to hear, and my god what a brutal decade THAT would have been, those artists, more independent artists, wouldn't have seen a dime. The people who care about what they put out, frequently put out something worth having. People inately feel they have a right to a survey of what's really out there. I'm not sure they're wrong. P2P fills that void. It puts the power deciding, and finding what they like in their hands, in a practical manner that truly makes their life richer. It gives them time back, and allows them to be more discriminating. People aren't going to give it up. They're taking back what was taken from them. Some of the more innocent might well be caught in the crossfire. But I'd argue on balance, they're going to reap the greater rewards through an enhanced presence that's more durable than those created by the industry hype machines.

    And C89.5, the best station in Seattle, thanks for not sucking.

  155. Coal man, the oil truck. by SmallFurryCreature · · Score: 3, Insightful
    My grandfather used coal to keep his house warm. As a kid we had a big truck drive up to our house deliviring oil to warm our house.

    Nowadays in holland we are all hooked up the gas network. How does the coal man and oil man make his living? Answer they don't. They lost their job because of changes in technology. Same with factory workers. Typists. Farm hands. Miners. Type setters. Etc Etc Etc.

    Artist are a spoiled lot. Everyone else has had to adjust to technology taking their jobs away. Now it is your turn. Exactly were is it written you are guaranteed to make a living selling pieces of plastic at 100 times production cost?

    Maybe you will just have to go back to 100 years ago. Before copyright and the music industry and simply perform live. At least you job is not entirely gone. You will just have to work like all the other performers who work live.

    Did shakespear, beethoven and all the other greats need the MPAA/RIAA?

    So my answer is: YES. Others have lost their jobs because of changes. Answer me in turn: why should you be excempt?

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  156. Not what happened. by SmallFurryCreature · · Score: 2, Insightful
    Try it if you got word installed. Take a source document, with all the meta data showing it came from the MPAA, and copy and paste text from it to your own new document. Now closely examine your own new document. See? No MPAA meta data.

    The only way this could have happened if they used the MPAA wordfile to add their own text too.

    So they did not use simply the text. They used the entire MS word file from the MPAA. You only do this if your own additions are going to be minor. At least that is how it works when I write a document.

    Copy and pasting a quote, acceptable. Just adding your name to an MPAA drafter document, unaccaptable.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:Not what happened. by Ben+Hutchings · · Score: 1

      The screenshot of the document properties appears to show that the MPAA guy was not just the original author but the last to edit it. However, since the editing time is shown as only 8 minutes, it may be that he copied text prepared by the AG into a new document which he then circulated.

  157. Wise comment by cgenman · · Score: 1

    If I had mod points, you would have one.

    Some artists just don't come across in recordings. Actual Proof, for example, is a little band in the North East that plays incredible live Drum 'n Bass, but on disk it comes out as light jazz.

    There are a few revenue streams that haven't been mentioned yet. At the risk of breaking the "me-too" format, here are some of them.

    Licensed movie soundtracks
    Licensed TV soundtracks
    Licensed videogame soundtracks
    Commercials
    Corporate anthems
    Ringtones (cough cough)
    Grants
    Webcasting fees
    Radio writer's fees

    I would argue against a market "equilibrium," but I should get back to work. My art, sadly, is not government sponsored.

  158. "Crooked" by fadethepolice · · Score: 1

    It should be easy to check the public records to see how much money this "senior vice president" and those who work underneath him have donated to the legislative sponsors of the bill. That could easily be construied as "paid access" to the legislature, or bribery. We will see who will be going to court first...

  159. Is what happened by Anonymous Coward · · Score: 0

    You usually start with the document that contains the most of the information you want. You don't just cut-and-paste into your own, but you revise from the most complete starting point. I mean, you're welcome to call this unacceptable. I agree it's subideal, but it's the way the government (and most other lazy beaurocracies) work. You do the least amount of work to get the document you need. If I get 25 drafts on my desk, and one is somewhat close to what I'm writing, I'll use it. Then I'll cut-and-paste relevant sections from the others, cut out irrelevant sections from the original, and that'll by my draft.

    If you think this should be illegal, lobby your local government. You are, however, unlikely to get anywhere.

  160. Re:Stupid Bush! by redKrane · · Score: 0

    I believe 2 options is, by definition, a choice. Maybe you'd like more choices, but there is, nevertheless, a choice.

    --
    that's my word, holla...
  161. hear, hear by Anonymous Coward · · Score: 0

    ...and what're the WTO and assorted trade agreements for anyway? US wants other countries to follow its laws, and does have many following its laws, simply because it's very wealth and powerful.

    GrimRC

  162. broadband good for artists by Anonymous Coward · · Score: 0

    Magnatune

    Try before you buy. When you buy, you have the option of downloading pristine versions to burn a high quality CD from.

    The problem at the moment is that in order for this to be doable with an album, you need high speed internet. Otherwise it takes a long time to download a half gig.

  163. Overstating a bit... by MoebiusStreet · · Score: 2, Insightful
    They are trying to outlaw a better distribution system
    To be fair, you can only say that it might be better. We need to actually try it in the marketplace to see what happens.
    They are trying to maintain overinflated prices
    If the market is willing to pay what the seller's asking, then that's the price. That's how markets work. If you don't like the pricing, don't buy.
    1. Re:Overstating a bit... by d34thm0nk3y · · Score: 1

      if the market was willing to pay the price people would not be heading to p2p for a lower quality product in the first place.

    2. Re:Overstating a bit... by Dashing+Leech · · Score: 3, Interesting
      To be fair, you can only say that it might be better.

      No, it is clearly a better distribution system in terms of efficiency, cost, and convenience. (For example, see Eban Moglen's discussion of the topic.)

      If the market is willing to pay what the seller's asking, then that's the price.

      1. Have you never heard of a monopoly?
      2. If a company (or group of companies) jacks up the price because people will pay it, that is by definition over-inflated.
      3. The price would be a lot cheaper if they fixed the business model and using modern technology. Right now, the recording industry benefits most by overspending. It makes money on both ends: performing recording services, and selling the recordings. Because of their monopoly on the sales, they benefit most by being inefficient in the recording services.

    3. Re:Overstating a bit... by MoebiusStreet · · Score: 1

      The only thing over-inflated here is your confidence in your own opinions.

      1) Yes, a monopoly is when production of a good or service is controlled by a single entity. But here, we've got many -- Sony, BMG, etc. NOT a monopoly. While frequently their interests overlap, it's a sure bet that any one of them would love to grab the others' market share. So we clearly can't regard them as a single entity.

      2) "Jacks up" relative to what? Are YOU the final authority on what a CD "should" cost? Of course not! Only those involved in the transaction are. The amount that "should" be paid is precisely the point at which buyers are willing to pay, and sellers are willing to take. Since this seems to be occurring now, without the record sellers reaching into buyers' pockets, there must be an agreement that the price is, in the context of today's market, fair. Or would you rather see a fascist society in which some government agency sets a "correct" price for goods?

      3) It's true that in the presence of additional choices, the point at which that balance occurs might shift. But on the other hand, for some people -- say, my Mom, who has no use for MP3s as such nor the knowledge to burn her own CDs -- the current model may still be optimal.

      And to the previous replier -- some people are moving to p2p as an alternate medium, but this is certainly a minority. The recording industry is still selling gazillions to happy Britney Spears fans.

      The new models may be better for some people. But (a) not for my Mom, and (b) the means for artist compensation and other factors still needs to be shaken out -- there IS no "new model", just a bunch of experiments that people are trying.

    4. Re:Overstating a bit... by narrowhouse · · Score: 4, Insightful

      I think if you analyze your own questions you will get some of the answers without too much trouble.

      1) The RIAA and MPAA are groups that include all of the major content distributors. Sony is not a monopoly, but the RIAA and MPAA are literally "the many as one" mono=one poly=many.

      2)You are correct that the people involved in a transaction are the final arbiters of what the "correct" price in the transaction is. When enough people are will to defect to an illegal method with an inferior product you might take that as a vote that CD prices are too high.

      3) Again, for the people who haven't opted out of this system CD prices are "correct" for others they are sub-optimal. There are people who will buy a $300,000 car, that does not mean that is the proper price point for all cars.

      Don't misunderstand me, downloading music you have not paid the producers and/or distributors for is against the law (though I have downloaded songs that I DO have on CD because it was easier that ripping it myself- is that wrong?) but the fact that it is so common now indicates that the winds of change are stirring. Breaking the law is not disincentive enough to stop people, there has to be a greater good in not breaking that law. People stop at red lights because they realize there is a social contract between them and the other drivers that benefits everyone. Copyright has hit the pivot point where it benefits too few of the people to be respected. This is the same thing that happened to prohibition, a law that benefits too few or inconveniences too many can't survive long.

      --


      Insert pithy comment here.
    5. Re:Overstating a bit... by 0x0000 · · Score: 1
      If the market is willing to pay what the seller's asking, then that's the price. That's how markets work. If you don't like the pricing, don't buy.

      Heheh. Well, that is and interesting point.

      It seems that more and more, lately, consumers are not willing to pay the inflated prices demanded by the non-artists at RIAA/MPAA. And RIAA/MPAA is pissed about it.

      Of course, many people are willing to pay the much smaller cost associated with acquiring a shared version of the material (note that even files acquired thru P2P sharing are not free -- there are hardware and bandwidth costs). The message seems to be that the material distributed by RIAA/MPAA is not worth what they have been charging for it. Unfortunately, RIAA/MPAA prefers to believe that the message is actually the vast majority of people who listen-to/watch our products are theives enabled by technology.

      Imo, the fact that RIAA/MPAA continiues to assert the intrinsinc worth of a product that many of us knew was crap decades before there was such a thing P2P file sharing (and which some of us have consistently declined to purchase over those decades) -- the fact that RIAA/MPAA asserts that their product has a given value does not make that product worth what they claim it is worth. Period. The market is proving that point. P2P file sharing is just proving that point. RIAA/MPAA continue to whine about it long and loud, but they can't change what is no obvious to everyone; that no one is really willing to pay their set rates for their product.

      OTOH, there is still a discussion to be had about copyright and how it pertains to the Artists' right to make a living. Of course, that is another discussion the RIAA/MPAA is desperate to keep out of the public eye. Evidence their pro-active legal stance against consumers, rather than in favour of artists. Note that the membership of e.g. Recording Industry Artists Association (RIAA) is glaringly short of actual recording artists, consisting instead of publishers, legalists, and mobsters... Racketeering parasites on the backs of artists and performers, in short.

      --
      "The Internet is made of cats."
    6. Re:Overstating a bit... by Dashing+Leech · · Score: 1
      You don't seem able to understand your own statements:

      1. I never said the record companies were monopolies, though they arguably are. You said "If the market is willing to pay what the seller's asking, then that's the price. That's how markets work. If you don't like the pricing, don't buy.". This is a general statement. By this definition, monopolies are fair, regardless of the market or context.

      As to whether the record/movie companies are a monopoly or not, it's a grey area. First, there's the RIAA and MPAA which set policy for their member companies. Second, you missed the point that these companies control both the recording services and the distribution, and lock the artist into these. If you want to buy music from a certain artist, the competition only shows up at the record store level, and at that point the costs have already been jacked up because of the recording and distribution costs. These companies benefit by being inefficient and charging the end user for their inefficiency. We can't get the same product through a competitor who is more efficient.

      2. Now you are saying there's no such thing as "jacking up" prices? This rules out the possibility of gouging. Are these just made up words? You seem to rule them out as possible by your definition that whatever they want to charge is a fair price.

      3. That's fine. If your mom wants to pay more for what is "easiest" for her, that's her prerogative. Nobody said they couldn't still produce CDs and distribute them in the same way. The point is that this inefficient approach is not necessary and artificially inflates the prices for end-users.

      The technology is there, give us the option. Stop forcing us into a bloated inefficient business model that costs us extra. Competition is supposed to create progress and lower prices in this way. The RIAA approach is counter to the point of competition. That's the point you're missing.

    7. Re:Overstating a bit... by MoebiusStreet · · Score: 1

      I think we must be talking at cross purposes, because some of what you're seeing seems transparently incorrect to me, and apparently you feel the same way.

      1) You claim that you "never said the record companies were monopolies", but in message #8572595, your rhetorical question "Have you never heard of a monopoly?" clearly implied it.

      You say that my definition of correct pricing is a general statement implying that monopolies are fair. This doesn't make sense. First, my definition is objectively true. I can't see any other way to define pricing unless you want to resort to fascistic government price controls, and you certainly haven't offered any alternate definition other than an abstract "too high".

      Second, the way that prices are agreed upon in a market has nothing to do with the fairness of a monopoly (and again implies that you believe the record industry as a whole is a monopoly, an implication that you deny).

      Your comment about control of both recording and distribution is an interesting one. But the fact remains that there are still multiple (if few) separate major record companies, even if they are quite vertical. Who decides where the lines between businesses should be drawn? You imply that production and distribution should be separate; need we also enforce separation between the various endeavors of manufacturing, marketing, talent search, etc.?

      While compelling on the face, your argument has no objectively correct answer that I can see -- again, it would necessitate taking some person or group's opinion and impressing that on the entire industry -- precisely what you're objecting to!

      2) Of course there are things that we think we're being overcharged for. The goods that the record companies produce are, by definition, THEIRS, and so they can charge whatever they want, take it or leave it. Are you asserting that you have some RIGHT to Britney Spears music, and thus should be able to get it for a minimal price?

      3) Which was exactly my point at the start. It sounded as if you advocated completely scrapping the existing business. This would be wrong, as the status quo does have some advantages for at least some people.

      That said, the opportunity for disruptive technologies and business models to shake up the status quo, giving us the possibility of something better, is every bit as important as avoiding the assumptions I worried about above.

    8. Re:Overstating a bit... by Dashing+Leech · · Score: 1
      your rhetorical question "Have you never heard of a monopoly?" clearly implied it.

      No, you incorrectly inferred it when it wasn't relevent to the point. You had stated "If the market is willing to pay what the seller's asking, then that's the price." in response to a comment about "over-inflated prices". Your statement rules out monopolistic pricing as a problem. Your statement and my response are not tied to any reference to the music industry.

      The goods that the record companies produce are, by definition, THEIRS, and so they can charge whatever they want, take it or leave it.

      Yes, and such a price might very well be over-inflated. Even you said that is possible, but when I said it you said it wasn't.

      Are you asserting that you have some RIGHT to Britney Spears music.

      My god, no. If anything, the opposite. However, you seem to be confusing the concept of "over-inflated" with a "right" to a price. As a recap, here's the progression of points:

      I said "They are trying to maintain overinflated prices", which you quoted directly and responded with "If the market is willing to pay what the seller's asking, then that's the price. That's how markets work. If you don't like the pricing, don't buy." Which lead to where we are now.

      The point is, and has always been, that they are improperly, and possibly illegally, trying to force out competing technology which would reduce prices. That is anti-competitive. You seem to claim that they can set whatever price they want, but they can't do so by eliminating competition. Competition doesn't only mean companies, it also includes technologies and processes.

      It sounded as if you advocated completely scrapping the existing business.

      No, not at all. The business model, yes. It is inherently inefficient and artificially expensive at the expense of both consumers and artists. It's the middle-men who profit from inefficiency and they control it all, and are working hard to eliminate any competition or loss of this control.

  164. How would I do it? by the0ther · · Score: 1

    Who cares how I would do it. The proper question is how does iTunes Music Store do it?

  165. How easy is it to fake Meta Data? by angle_slam · · Score: 1

    How do we know that someone didn't falsify the meta data, then forwarded it to Wired, knowing that Wired will look at the meta data?

    1. Re:How easy is it to fake Meta Data? by TiggsPanther · · Score: 1

      If anything, this might be the bigger concern about the whole issue. Forget the whole "the **AA is behind political denunciations of New Technology" angle - that's nothing new. At least, here on Slashdot it's widely assumed if not wholesale proven.
      No. Metadata in your document files is getting mroe and more worrying.

      Whether it can be faked or not, it's worrying enough to know that anything you write may well have a full change-history encoded somewhere into it. Today it might just be the username of the person who wrote it, but what's to stop any company writing an app which includes stuff like PC name and current IP-address in the last-modified data?

      And if this data can be easily faked, that just makes it more worrying. Not only can anything I do write be traced back to me, but anything I don't write could be as well. So someone could conceivably write a terrorist threat and change the metadata so it looks like it was written by someone they want to frame.
      Or, on the other side, they could alter the metadata to make it look as if someone other than you wrote something. And whether you're a strong believe of copyright or not, this is still somewhat worrying.

      Tiggs
      --
      Tiggs
      "120 chars should be enough for everyone..."
  166. Re:Not just about MPAA/RIAA? Exactly. by Wellmont · · Score: 1

    "(because in the 20th and 21st centuries, the public's side always compromises, while the copyright holder's side always has remained relatively rigid. The result is less and less rights for a public that wishes to participate in culture and not simply consume)."
    I'm a computer graphics artist, my short(which is never going to be finished the way i work) is something that I will give away for free. But at the same time what the EFF proposes is that the very laws that protect artists (and sadly large corrupt corperations) should be circumvented because of culture? I'm sorry to say but I just can't support the ransacking of someone's creative mind so that culture can use it as a parade float. I've become a productive internet user that hasn't had a file sharing program on my computer for 2 years now. I've grown up and realized that I don't need to run around seeing movies before they come out, or downloading someone's latest album purely for the "supposed" reason of try-before-you-buy...

    I do agree the Copyright is an important law, but obviously we've seen the use of its non "moral black/white" nature in cases such as SCO...it's become the boon of the corperation, but it shouldn't be forgoten as the savior of the small business person and the very thing that created the equal business places of America.

    PS: why the hell does everyone care about the RIAA and MPAA right now....their industries haven't released anything good (save LOTR) in almost 4 years.

    PPS: Janet jackson, Eminem, 50 cent, and Britney Spears are not artists in the same way Matisse, Aguste Rodin, and Leonardo Davinci were artists. No matter how much P-diddy-combes claims white 11-17 year olds are steeling the hub caps off his new Cadellac SUV by downloading his music off the internet I just don't have compasion for artists of that nature....(yes i know it's a paradox to support one and not the other in this case....but i'm entitled to my paradox...or two)

  167. Tell the robots what you think. by Ohreally_factor · · Score: 4, Informative

    Write and complaint to the Office of the Robot, er, the Office of the Attorney General of the State of California.

    CA State AG Public Inquiry Unit

    or

    You can contact the Public Inquiry Unit at (916) 322-3360 or, within California, by calling (800) 952-5225.

    --
    It's not offtopic, dumbass. It's orthogonal.
    1. Re:Tell the robots what you think. by SacredNaCl · · Score: 2, Interesting

      A draft letter purportedly circulated by Bill Lockyer to fellow state attorneys general characterizes P2P software as a "dangerous product" and describes the failure of technology makers to warn consumers of those dangers as a deceptive trade practice.

      By the standard he is using you could just as easily sue Microsoft for "deceptive trade practices" for enabling P2P networks to distribute files in a LAN or WAN. As a P2P software developer and distributor, we believe you have the ability and responsibility to better educate consumers about these known risks, and to design your software in a manner that minimizes the risks. We view with grave concern reports that at least some P2P software developers may be adding features deliberately designed to hinder law enforcement in its prosecution of crimes using P2P software. Companies that engage in such conduct, and fail to meet the important responsibilities referenced above, harm the interests of consumers in our States.

      It is widely recognized that P2P file-sharing software currently is used almost exclusively to disseminate pornography, and to illegally trade copyrighted music, movies, software and video games. File-sharing software also is increasingly becoming a means to disseminate computer worms and viruses.


      By the standard this guy is using, every single copy of Windows 95/98/ME/2000/XP is an unfair trade practice set up with law enforcement evading equipment (IPSEC, VPN..)and Microsoft (and the Linux Samba team for that matter) have failed to adequately warn people of the dangers.

      You could also go after anyone who runs an email server by that standard. I mean, my god man, the SMTP standard doesn't even confirm who you are! Email is dangerous! Tons of people get viruses and worms, they weren't warned when they downloaded the message! Or anyone with an email client that gives access to newsgroups or lets you download files. Or anyone who runs a webserver or an FTP server (the files *could* contain anything!)

      Ahh, I love America...Land of the lawsuit.

      Would he go away if we put a 200 page disclaimer on bootup?

      --
      Freedom is merely privilege extended unless enjoyed by one and all.
    2. Re:Tell the robots what you think. by uncoveror · · Score: 1

      I am confused. Is the capitol of California Sacramento or Hollywood?

      --
      The Uncoveror: It's the real news.
  168. Re:Not just about MPAA/RIAA? Exactly. by MunchMunch · · Score: 1
    "Again, it's fun to hate the RIAA, but when you get familiar with the details of the alternatives, they can get pretty creepy."

    There are other options than "hating the RIAA" and "choosing social-benefit-harming alternative payment methods."

    And, yes, I don't think individuals trading files on P2P should require payment or should be liable under current copyright infringement law -- law that is created to punish commercial publishers of unauthorized content. The entire concept of regulating personal noncommercial use is more persuasive in the abstract and especially so if (like you) you hold copyrights you feel are being diluted by such sharing, but the devil's advocate has a strong positiong when you realise:

    A) commercial distribution, thanks to market forces, can easily be more efficient and convenient and thus more attractive than P2P, as soon as content industries stop screaming bloody murder and trying to control personal uses and instead focus on their original purpose--distributing music to fans

    and

    B) the social benefit that is being provided--that of exposing citizens and artists to more perspectives and enriching society through the dissemination of ideas *and* expressions-- is wholly honorable, and has outweighed commercial concerns since the time of the Federalist papers when Jefferson made his oft-quoted 'when my friend lights his taper to mine' argument against strong copyright.

    Copyright law is created for social benefit, not personal reward. Personal reward is a side effect, the latter enacted to encourage the former. There has not been a cogent or persuasive argument that says P2P is any different from other 'technology' shocks of the past, from piano rolls to home mix tapes to VHS time-shifting -- and there's no reason to think that just because a person can download a CD or film online that that means that the publisher is being deprived of a sale.

    Further, because culture itself is now locked up via copyright more than any other time in history, there's a very strong argument for P2P as a release valve to head off self-perpetuating class divisions. But all of these arguments are only meant to add up to one thing, which is sufficient to justify P2P under copyright law, if someone would take the unpopular but absolutely necessary position of the Framers: P2P enables more creativity and social participation than it disables, and therefore should be allowed to remain free (as in speech) in the place of any protection system, technological or legal, that would be placed on it and would inhibit the free exchange it provides.

  169. Re:Stupid Bush! by /dev/trash · · Score: 1

    I am not sure who you hang out with but no one I know calls America a democracy.

  170. New warning on rocks: by skintigh2 · · Score: 2, Insightful

    Warning: it is possible to do illegal stuff with this rock. Doing illegal stuff with this rock is illegal. The Maker of this rock will not be held liable for any illegal activity done with this rock.

    "The document proposes an unprecedented legal theory with regard to peer-to-peer file-sharing services. If P2P software can be used to violate law, the argument goes, its makers should be obligated to incorporate a warning on the product or face liability for deceptive trade practices."

  171. Re:Not just about MPAA/RIAA? Exactly. by MunchMunch · · Score: 1
    "I've become a productive internet user that hasn't had a file sharing program on my computer for 2 years now."

    This is a common theme. This is what Siva Vaidhyanathan would say a move from "Copyright Poor" to "Copyright Rich."

    In sum, you learned what you know, whether you realize it or not, from a very large body of publicly available once- or still-copyrighted material. Like the early United States, the early motion picture/recording industries, you benefitted from various 'loose' copyright protection effects. Now that you produce content, however, your tune has changed. Now that the money being made is your own, you are protective. This is unsurprising and completely rational for obvious reasons. Your position, which is now closer to a moral right position (see your "creative mind" indignant comment), is nonetheless not realistic in terms of how creativity works, and was rejected at the time of copyright's creation in the US.

    Thus, I urge you to remember that as much as 'social benefits' have a bad name and are usually used more for rhetorical purposes than in actual arguments, usually those who are seeking to remove those benefits are those who have no need of them (anymore).

  172. USA by Anonymous Coward · · Score: 0

    In a comment to an article about American legislation, why should he care about voters in other countries?

  173. Re:Not just about MPAA/RIAA? Exactly. by shark72 · · Score: 1

    "It is quite easy for a musician to sell millions of albums and come out with a profit of around $50K. The actual financial benefit coming to an artist from an RIAA authorized CD is around $.05-$.25. The lions share of the rest of the $16-$20 goes streight to the RIAA with a small bit given to various middlemen."

    Do you know of any CDs that have gone double platinum for which the artists have netted only $50K?

    Artists' royalties are higher than you state. Mechanical royalties alone, when they apply, can be up to $0.70 per CD. Depending on the label (indies pay more), royalties can be between a buck and three bucks.

    Believe it or not (and many people don't), the average selling price of a new release is down to $13.42 in the US. The sell-in price to the retailer is about eight or ten bucks. Anything beyond that eight or ten bucks is money that the record company doesn't see.

    The difference between the artists' royalties and the sell-in cost does not go "directly to the RIAA." It pays for the engineering, production, duplication and distribution costs of the CD. It goes toward advertising and promotion. In short, it goes to salaries of all the people who are necessary to produce a CD. If the CD sells enough copies the record company will eventually make a net profit that will not immediately go to somebody's salary, but they're not required to pay a tithe to the RIAA.

    By the way, major label records typically need to sell about a million copies of a CD before it breaks even. The indie labels, whose overhead is much lower, need to sell only about 100,000 pieces.

    "I think that a "pay the musicians internet tax" is a very bad idea, as are taxes on blank media. The main reason is that a) under the current setup the money goes to the RIAA, not artists,"

    It's a bit of a complex read, but US copyright law does clearly define who gets the money from the tariff on blank audio CDs. Most of it goes to artists and musicians. Some goes to record companies. None goes to the RIAA. By the way, that tariff is only on blank media and hardware sold expressly for audio recording. Stick to the regular blank CD-Rs and use a CD-RW drive instead of a Philips set-top CD burner, and you'll avoid the tariff.

    "I do know this though: if we can find a way to get even $.50 to a band for every album downloaded they'd be making double what they make now."

    Have you checked out the iTunes music store? The selection is reasonable, the DRM is easy to live with, and artists get a cut of each track downloaded. If you download an entire album, the artist will make about $1 - $3. This is an excellent deal for the artist compared to Kazaa, which pays the artist nothing.

    --
    Sitting in my day care, the art is decopainted.
  174. Here's your alternative business plan by metamatic · · Score: 1

    Put together a good web site. Sell MP3 files of your music, encoded with a good encoder (e.g. LAME) from the original master tapes. Make sure you catalog everything in the ID3 tags. Make sure it's really easy to buy an entire album and download all the MP3s together in a zip file, or just buy individual tracks. Charge somewhere from 50 cents to a dollar per track, or comfortably under $10 for an album. Put a good search engine on the front, and let people listen to a preview of the tracks before buying.

    That's it. That's all you need to do. People like me will rush to purchase music from you, even though we could be pirating it. Why? Convenience. You are providing a convenient high quality product, and that's worth some money to me.

    Not convinced? Look at Starbucks. I can drink free coffee in the office any time I want, but I walk across the street (in the cold!) to buy coffee at Starbucks because the quality is a bit better, the ambiance is more pleasant, and the selection is better.

    Look at suicidegirls.com. OK, you can stop looking. No, really, come back... The site owner was initially angry when he found copies of images from the site on P2P systems. Then after a few weeks, he noticed that a big chunk of people signing up for the site had heard about it because they'd downloaded a pirate image or ten, liked them, and decided it was worth paying money for convenience and quality.

    I'll throw in my obligatory plug for bleep.com, who have worked out the whole "online music sales" thing, as described above.

    The point is, you don't need elaborate DRM, monitoring systems, or taxation, if you're prepared to settle for making a reasonable profit in spite of piracy. Just view piracy as a business overhead, a fact of life, something that cannot be eliminated--and then spend your time working out how to entice customers into giving you money anyway. Use the carrot, not the stick.

    --
    GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
  175. I think copyright has to give... by Lonath · · Score: 1

    I do feel for you, but I don't know what to do about the problem.

    Here's the problem as I see it: Computers are machines that are designed to send, receive, copy, modify, and present huge amounts of arbitrary data.

    The four rights you can restrict when you copyright something are the ability to copy, the ability to distribute, the ability to modify (create derivative works) and the ability to perform or display the copyrighted work.

    The essential problem is that computers are designed to break copyright (not intentionally, but that's what they do) so the choice is copyright or computers. I don't know how to get around this problem, but I can't imagine restricting computers will succeed because they're too important to science, and you can't use IP to hinder the progress of science, you can only use it to promote the progress of science. (Assuming the Constitution still counts for something.)

    I don't know how to help people who work for copyright, but what I would support is a separate and independent distribution and playback system where things are locked up in hardware and such (content appliances as opposed to computers), as long as people leave real computers alone. Think juiced up cable boxes hooked up to TVs/terminals in each room in a house.

    I think for a reasonable price, people would be willing to get their content from devices like that, but it might not be as much money as people get now.

    However, I don't see how to help independents at all since anything that will make copyright protections succeed will require massive amounts of control in hardware and the network, which means it will require giant corporations to implement, and they will still want to control the distribution channels. I think it will be impossible for indies to get good copyright protection without becoming a part of a giant corporate machine since there's nothing in it for them really.

  176. hey by Anonymous Coward · · Score: 0

    let's give arnold a call and tell him you go kick his ass!

  177. how many times does krusty/homer have to be explai by Anonymous Coward · · Score: 0
    ned???

    jackass.

  178. Elton John - there's a great live performer! by Buran · · Score: 1

    Elton John, on the other hand ... his live playing is beautiful. It's incredible. His version of The One recorded at the Greek Theatre in Los Angeles ... wow. I wish I could play like that! Flowing, up and down the keyboard, some of it rehearsed, some of it sounding (beautifully) improvised. I'd love to go to one of his concerts ... but $200 for a ticket? Come on already!

    I'm a die-hard fan and I'd love to show support by going to a concert, but it's beyond what I can afford, and there aren't many live CDs available and those that are all cover the older stuff, which I do love - but I want the new stuff too, and requests to Rocket Records and iTunes so far haven't been successful -- so I did have to go to P2P for the live stuff. But I'd pay if the AACs were available! (or for a CD of live stuff if it were fairly priced!)

    I don't see why it's so hard to produce more live recordings. I would think it would be quicker, simpler, and certainly bypasses the trouble of booking studio time. And this is a guy who can go from nothing to having something polished and professional in 30 minutes or less -- so it's certainly within his abilities.

  179. Forbes Magazine has more by serutan · · Score: 2, Insightful

    So far this story doesn't appear to be getting a lot of mainstream press, but Forbes Magazine does cover it in this article. A lobbyist for the MPAA confirms that they had something to do with it, but the MPAA VP denies authorship: "They sought our input. We didn't write the letter." Otherwise there doesn't seem to be much media interest. Not at all surprising.

    I wonder how many of Lockyear's words in this DVD decryption case also came out of the mouth of the MPAA.

    Side observation:
    In the excerpts from the letter, the attorney general uses the term "consumer" 7 times to refer to the general public. He uses the term "citizen" only once, urging the business audience to be "good corporate citizens." Our government increasingly refers to us as "consumers." Apparently they recognize who the actual "citizens" are, whose rights they diligently strive to enforce.

  180. Corporations are superceding the Nation-State by Kiyooka · · Score: 1

    in both cultural and economic influence. People are now less Japanese, American or whatever. They are now either Nike jocks, generic GAP citizens, Gucci and Holt Renfrew cosmopolitans, etc.

    There's a great sci-fi book called 'He, She & It' where people live in fortresses/countries, with each one being a corporation. You didn't just live in a place, you worked and "belonged to" that corporation, which had it's own laws and police force. Nations were a thing of the past. Scary.

    Oh yeah, there will likely never be the possibility to "elect" a CEO, because a CEO writes the company laws, and will never undermine his own standing when he can have total power and make gazillions he's never be able to spend. They're mostly powerhungry greedy people who will not fall from being CEO, which is the top. THey wanna stay king of the hill.

  181. Old business models by NtroP · · Score: 1
    Many of the comments today have revolved around the fact that "times, they are a-changin'". On one side, we see that the new technology has, almost overnight, obsoleted an entire industry (as it currently stands) especially WRT distribution and the infrastructure forced in place to support it.

    On the other hand we have a technology which completely eliminates the burden and costs in distribution (and even advertising in large part), but will put the "mob" and the "teamsters" out of business. Although, idealogically, I tend to come down squarely on the side of freedom (as in speech - not beer), I am educated and intelligent enough to realize that this is NOT a black and white situation.

    Today we have a huge number (admit it) of people getting something for nothing and then trying to come up with a myriad of justifications for it. This includes me ;-) I have a ton of MP3's downloaded for free. Most of them, I also already own on cassette tape from years ago - which is my justification. I know, in my heart-of-hearts that it is a very tenuous argument, because no one promised me that I would have access to that particular recording for eternity accross the various delivery formats. But even when switching from vinyl to cassettes, I still have some hand-labelled ones that represent my own recordings from my albums to blank tapes.

    When iTMS came out, I was happy. I re-downloaded a butt-load of tracks that I loved, but was unable to find a decent version of on-line. The IRAA's best friend is idiots who can't rip worth a damn. I now have almost all of my primary (ie, music I listen to consistently) tracks purchased from iTMS. I could really do without the DRM, because I have 4 main computers at home and can only allow 3 to contain a copy of the tracks, but this is all but eliminated because I just keep iTunes up in the background and my family can stream all my purchased music. I also make MP3 backups of everything I download to CD for strorage and playing in my car.

    It works for me and, speaking only for myself, I'm obviously willing to spend $0.99 per song for the ones I downloaded. I'd like many others, but they aren't worth that much to me - I won't listen to them that often, so I don't buy them. This brings up the point that Apple, the RIAA, etc., would get more of my money if the price-point were better - but they have to balance their costs/greed/whatever. In the mean-time, I'll download music from P2P and get the hit-and-miss encoding for the songs I'm curious about or know I won't listen to more than once or twice anyway.

    I'll not even try to claim that this is ethical, moral or legal. Let me say this though: as someone who normally does NOT buy a lot of music, I have actually stumbled accross some bands which do not get national play which I have REALLY liked on P2P. And due to this I have actually gone to iTMS and purchased several full albums (if they had them) which I would never have even known about because they aren't mainstream or in good enough graces with the powers that be to get any play on the local radio stations. So, on the one hand the RIAA wouldn't get any more money out of me anyway, and on the other, P2P has introduced me to bands and performances that I have spent more money on.

    I can see this is going to be a long post, since I haven't even gotten to my main point yet, so if you are still with me, cool :-)

    In reading the other "business model" posts I started thinking about what the future might bring, which might have even greater imact on "business as we know it". I started to think about the 3D printers and nano-tech. What happens to industry and manufacturing as we know it, when each home has a nano-assemby appliance that can take a digital representation of an object and assemble it from raw materials (perhaps pulled from dis-assembled products and garbage)? Think StarTrek replicators.

    What happens to the business models of all those industries when

    --
    "terrorism" and "pedophilia" are the root passwords to the Constitution
  182. Value Added by That_Guy_Again · · Score: 1
    There are several issues at hand here.

    I agree that the issue boils down to one of supply and demand. One one hand, you have a base of people who effectively made the supply infinite, as you say. On the other hand you have the Industry setting artificially high demand through legislation and pricing (lack of fair use, price fixing).

    The RIAA / MPAA are facing similar issues and have chosen to deal with them in noticably different ways. The MPAA has at least delt with the issue of value added commodities.

    Lets assume for a moment that I can get a hold of a movie without hassle from somewhere on the internet. Lets say that I like the movie as well. I now have the following choice. I have availiable to me the effectively free version (movie only at reduced bitrate video, possibly reduced channel sound) and the DVD version for a cost at the store. These version differences alone are unlikely to motivate me to buy the DVD.

    Ah, but wait! The DVD also includes multiple endings, film analysis, director's commentary and perhaps director's cut additional footage. These additions are the value add that the MPAA has introduced to motivate people to continue buying DVDs.

    Meanwhile, the RIAA has not added value to their product while enforcing prices that do not match the value of the product. I will use movie soundtracks as an example since a valid comparison exists. The soundtrack for a given movie costs only slightly less than the movie itself. Most would reason that $(value of movie content other than soundtrack) != $(cost of movie) - $(cost of soundtrack). This is an imbalance.

    Granted, the MPAA also does its share of Dr. Evil cackling (broadcast flag, region encoding, DeCSS). They, however, have started to adapt.

    It is this adaptation that must continue - not strong arm legistlation - for both the RIAA and MPAA to continue in anything resembling their current form.

    --
    One of life's lessons: Its always easier to ask for forgiveness than permission.
  183. Not Uncommon in Legal Circles by W.+Justice+Black · · Score: 1

    My first job was working for a criminal defense attorney, and I can assure you that this is business as usual.

    Elected officials, judges, and their ilk are quite busy, so attorneys will usually draft motions, statements, etc, and the official/judge will simply sign it. Almost every trial motion ever has been done this way, though on occasion you'll see a judge strike a sentence or paragraph (literally crossing it out and initialing it) if s/he doesn't agree with that bit.

    I'm in no way pro MPAA/RIAA, but this isn't as big of a media conspiracy as you might think--it's just business as usual in the legal profession. The fact that the attorney general would agree is really the bigger deal, not who wrote the opinion.

    --
    "Time flies like an arrow; fruit flies like a banana." --Groucho Marx
  184. Re:Stupid Bush! by orasio · · Score: 1

    Maybe he meant that they are the same, thus just one choice.

  185. Yeah, but the difference is... by AzrealAO · · Score: 1

    That people weren't just taking the coal and oil, bypassing the coal and oil deliverymen. They switched over to gas (and they're paying the Gas company to deliver it to their house via pipelines)

    These analogies almost always break down because they ignore the fact that artists aren't losing their jobs to technology, artists are having their creative works taking by people, using technology. They're still creating works, they're just being taken because people don't want to pay for them.

    No, Shakespeare and the other greats didn't need the MPAA/RIAA to protect their creative works. They relied on thugs with clubs and incendiary devices to protect their creative works.

    1. Re:Yeah, but the difference is... by 0x0d0a · · Score: 1

      Shakespeare and artists of the time had their work duplicated all over.

      The question is whether the IP laws we put into place have produced a worthwhile increase in content production in the arts.

      My personal take is "sometimes yes, sometimes no".

  186. but a tax isn't fair! by Anonymous Coward · · Score: 0

    What tax is?

    Do you like paying your parents social security, the roads you don't drive on (because you use public transport.) A plethora of phone taxes that are most likely used to fund things like carnivore because their original purpose is no longer valid.

    Since a majority drives, ALL must pay taxes to keep roads and infrastructure working.

    Since a majority P2P's, ALL must pay taxes to keep new content being created (and pay for backbone services or some crap.)

    yeah right... no

  187. Re:Not just about MPAA/RIAA? Exactly. by Wellmont · · Score: 1

    Actually i've yet to make money using rights to my work...just what I provide free of strings to my clients. for a one time charge.
    But instead of assuming that my change from lack interest/support of copy rights to a strong stance in support of producers/copyrights is based on my new found production, it should instead be pointed out I came to this realization when I'm still in college throwing money down the public drain.
    I'm not simply saying that because producers produce things that they should support copyrights, I'm saying it is childish, and meglothymic for people to download something that they didn't or don't have rights to.
    I indeed have uses for the benefits of a RIAA and MPAA free world. I do feel that some things should be shared....such as information and public source. But what i can not condone even if i was a blue collar laborer is the theft of creative reproduction.

    Tell me it's not true that what filesharers do is purely the reasoning of their Thymos instead of their MORALS.

  188. Democracy by WoodstockJeff · · Score: 1
    And if referendums are such an evil, why do many US states hold them?

    Gee, I don't remember mentioning referendums, or implying that they are evil. That's done mostly politicians who hate the idea of living under restrictions that referendums often impose upon their spending habits. Referendums are usually hard to get on ballots, in part because it will take a lot of activism (and anger to drive it) to bring it to a vote.

    As for referendums to kill some minority group, they would be struck down by enforcing our Constitution - no matter how "democratic" the referendum was.

  189. Want to complain? go here by Anonymous Coward · · Score: 0

    http://caag.state.ca.us/consumers/mailform.htm

    this is the web from to complain to the offender... funny it's supposed to be a place the consumer can complain about being wronged and look who is wronging who!

  190. are you a responsible corporate citizen?????? by diablomonic · · Score: 3, Insightful

    does anyone else (maybe just non americans?)find this line in particular a bit scary?
    In the future, we will not hesitate to take whatever actions we deem necessary to ensure that you fulfill your duties as a responsible corporate citizen.
    I'd like to think of myself as a free human being personally, and have feel no responsibility to any corporation, only to me, people I care about, and our dying world.

    --
    watch "the money masters" on google video
  191. the most compelling reason to upgrade ms office by Suppafly · · Score: 1

    is the ability to permanently remove meta data such as this.

  192. Re:This isn't just about RIAA/MPAA OT by diablomonic · · Score: 1

    this is off topic, response to your sig. having been quite involved with various country fire brigades in my area, I have to say, being a fire bug (ie loving fire) is a VERY common characteristic of fire fighters. How else do you Legally get to regularly watch houses burn, bush fires etc?

    --
    watch "the money masters" on google video
  193. Alternate Distribution Models by BlueStrat · · Score: 1

    ..may be what's needed. I'm a musician myself, and I personally wouldn't sign with a label if offered. I would like to see an expansion of websites like Taxi and mp3.com, among others. If more artists/musicians were educated/informed about what's available for them online as far as distribution and sales, the lack of artists/musicians willing to sign with the labels would eventually make the whole point moot. Most musicians I've met have absolutely no clue when it comes to computers and the internet, and are blown away with the possibilities of independent marketing and sales of their work that are possible (not to mention keeping the lions' share of the money) online. I feel that *if* more musicians/artists were informed about what resources are already available online now to sell/distribute their work, a significant percentage would refuse to get sucked into the labels/RIAA meatgrinder, and more independent distribution/sales websites would spring up to satisfy demand. This would effectively move the RIAA comepletely out of the loop, and force a change in the industry. As long as artists/musicians continue to view the labels/RIAA as the only viable means to get their work sold/distributed/marketed, the labels and the RIAA will continue to be able to dictate terms, to both the artists/musicians, and to consumers.

    --
    Progressivism (aka US 'Liberalism'): Ideas so good they need a police/surveillance-state to enforce.
  194. AG Elected in CA by Anonymous Coward · · Score: 0

    He won't be getting my vote in the next election.

  195. Not likey by max+born · · Score: 1

    Nothing to worry about here. Relax folks, it won't happen. This is just politicians hoping for campaign contributions to their favorite political parties and leading the entertainment industry into believing they can get something for them.

    As soon as they start trying to word such legislation they'll be trouble. People will ask difficult questions like:

    What's peer-to-peer? If I telnet to port 25 of some host and start piping a file would this constitute a P2P network? Why not?

    Where do I put the warning for my sourceforge project? Is a README.txt enough? Or do I have to have WARNING-FROM-MY-GOVERNMENT.txt? Or should the warning be embedded in the program? My program is command-line only, where does the warning go?

    I'm firm believer in zero documentation. People should read the source if they need to know. Therefore I won't be including your warning. Are you going to lock me up for refusing to include documentation in software I wrote under my First Amendment right to free expression?

    --
    The pump don't work cause the vandals took the handle. --Dylan

  196. Message to P2P devs by Quelain · · Score: 1

    The draft says:

    "In the future, we will not hesitate to take whatever actions we deem necessary to ensure that you fulfill your duties as a responsible corporate citizen."

    Oh, right. I have a duty to be a responsible corporate citizen now?

    WTF does that mean anyway, and why the fuck should I care?

    --
    Cthulhu loves you.
  197. Re:Stupid Bush! by Perky_Goth · · Score: 1

    the point was the difference between republic, democracy, plutocracy... etc.
    i don't understand it either, one day i'll search it. but it's not a "the other guys are right" kind of argument.

  198. NOt a problem by seabreezemm · · Score: 1

    Arnoolddd will just terminate it!

    --
    Karma: a simple way of silencing those with unpopular views regardless how correct or just that view might be.
  199. Disturbing by Evets · · Score: 1

    I don't think any of us are under the impression that corporate america and the extremely wealthy don't get special priveleges with government higher ups.

    When it's staring you in the face like this, it is deeply disturbing.

  200. How long would that last? by DrMorpheus · · Score: 1
    Ah, but wait! The DVD also includes multiple endings, film analysis, director's commentary and perhaps director's cut additional footage.
    Exactly how many minutes would elapse before someone posted the added-value contents of the DVD onto some P2P network?

    And exactly how long before the sales of the DVD plummet to the point there's no profit motive to add those "value-added" materials to any DVD?

    --
    Debunking the "59 Deceits"
  201. Yeah, give corruption a break by serutan · · Score: 1

    This story isn't about giving government officials money, although most likely that was part of the process. It's about a government official acting on behalf of a special interest group to the extent of presenting their words as his own. At that point, Lockyear ceased to be the Attorney General. The MPAA vice president was the Attorney General, and Lockyear was just a messenger boy. That's not what he's there for.

    There's a federal law against giving money, favors or anything else to any government official to influence an official act. California no doubt has a simliar law. I know it happens all the time. It's called Campaign Financing. Whether we are used to it or not, it's illegal, and the politicians who do it are criminals.

    There's no easy solution, but life is full of problems with no easy solution. Lots of people manage to get through them anyway, without breaking the law or betraying the trust of others. It's called honor. We are governed by dishonorable criminals who sometimes, when it doesn't conflict with the bribes they've taken, do the right thing. When they get caught they deserve no sympathy and no respect.

    In my opinion Lockyear deserves a long prison term. I'm sure many of the inmates would welcome him with open arms.

  202. Monopolies and pricing by MoebiusStreet · · Score: 1

    1) I must disagree. There are certainly broad areas in which the large players act in alliance. But don't believe for a second that if BMG had the opportunity to acquire Sony's market (say, by some marketing gimick) that they'd hesitate to hammer nails into Sony's coffin. And this jockeying for position is what enables markets, and prevents the thype of monopoly that is (I think) being referred to here.

    Looking at it another way, the classic solution to Sherman Antitrust cases is breaking up the entity, e.g., ATT into the baby bells, Standard Oil, the IBM "Chinese wall", and the various Microsoft proposals (extra points for working MS into the thread?). Since Sony, BMG, etc., are *already* legally separate, what would break this hypothetic "monopoly"?

    2&3) These points seem to be merging. Obviously each one of us puts different values on the various features of cars and music media, and therefore formulates an individual value for those goods. So it was absurd for the root post of this issue to suggest that CD prices are universally too high. It's clearly true for *many* people, but as judged by sales, there are still a very large minority willing to work within the status quo.

  203. easily faked by clymere · · Score: 1

    i'm amazed that noone has pointed out that something like this is easily faked. On the one hand, it wouldn't surprise me if this was for real, and someone from the MPAA really did write it. On the other hand, the reaction from the Attorney General didn't seem very severe at all, implying that they had some knowledge of this. Seems to me that the worst case is that they had the MPAA reviewing their document, which really isn't all that out of the ordinary in government...they had representatives from Sun look over documents in the case against MS...how is that different? And obviously, its very possible that these were faked to begin with. I wouldn't be particularly surprised if someone decided to put the MPAA president's name on a word file. This seems a lot more likely then him being dumb enough to try and fake a letter from the Attorney General and leave his own metadata.

    --
    once you go slack, you never go back
  204. You completely missed his point... by DrMorpheus · · Score: 1
    ...in a non-distorted market...
    His point being that P2P networks distort the market.

    Your link overlooks the fact that it is control over supply and control over demand that determines price.

    In a "free" (i.e., unregulated) market monopolies and oligopolies naturally arise. And these entities quickly use their power to arbitrate prices.

    Now you may argue that the market is no longer "free" and it isn't. But that only shows how unregulated Capitalism is inherently self-destroying.

    It requires government intervention to maintain Capitalism. So markets can never be "free" anymore than can surfaces be frictionless or gases "ideal".

    --
    Debunking the "59 Deceits"
    1. Re:You completely missed his point... by brettper · · Score: 1

      It requires government intervention to maintain Capitalism. So markets can never be "free" anymore than can surfaces be frictionless or gases "ideal".

      Damn I wish I had some mod points.

  205. Re:Stupid Bush! by ElizabethP · · Score: 2, Insightful

    But the two-party system provides an outlet through which the electorate can voice their opinion on whether upper-class politicians whom corporations have wrapped around their little fingers get into power or well, higher upper class politicians in the pockets of the corporations get into power. Dude, we have like, plenty of choices, yeah?

  206. Re:This isn't just about RIAA/MPAA OT by 0x0d0a · · Score: 1

    Yeah, Uggy said the same thing. :-)

    I still think that it does a decent job of getting the idea across, though, since most people will assume the stereotypical firefighter, which isn't a firebug.

    Ah, we're a cynical bunch.

  207. Re:Not just about MPAA/RIAA? Exactly. by MunchMunch · · Score: 1
    I'm saying it is childish, and meglothymic for people to download something that they didn't or don't have rights to. I indeed have uses for the benefits of a RIAA and MPAA free world. I do feel that some things should be shared....such as information and public source. But what i can not condone even if i was a blue collar laborer is the theft of creative reproduction.

    I've had a lot of conversations about copyright, and it never fails to amaze me how misunderstood copyright law is by people nowadays. The 'theft' theme continues to pop up. People seem to adopt the notion that copyright infringement is theft, and I understand that it's an attractive idea, especially ever since the completely misguided term 'intellectual property' entered the common vocabulary.

    However, you should understand that the Framers of the constitution entertained and roundly rejected any notion of copyright as a moral right, and hence on equal terms with physical theft. They have moral rights to copyrighted material in England, not in the US. Here, copyright is a temporary grant of power in order to further creativity. It has absolutely no basis in any Foucaltian concept of author as actual creator with a moral, ownership stake in their creations. Rather, the Framers understood that copyright is not a grant of nature, but of man. Yet nothing less than a natural right would allow for the property-style protection that you need in order to make the word 'theft' make sense.

    It also doesn't take a genius to realize that information is a nonrivalrous resource that does not deplete when shared. It is thus fundamentally different from physical property, and cannot be 'stolen' in any but the most misleadingly analogous sense of the word.

    My own position is that you did not see the light and come to understand copyright better. You simply became convinced, probably through the copious amount of 'property' language that we increasingly use to talk about information, that information and copyrighted work was or could be functionally the same as property (sadly like almost everyone else I talk to in today's copyright-fearing world). It is an easy argument to accept, insofar as it requires very little actual thought and just 'clicks' in the minds of people who already understand regular property. Heck, you don't have to do any actual analysis at all. Even many filesharers accept it as well (and just share in guilt). But it is logically and, insofar as it inappropriately confers moral standing to essentially a pragmatic law, morally corrupt to talk this way.

  208. Things that make you go hmmm... by banzaikai · · Score: 1
    Okay, let's see if I've got this straight:

    The voters of CA booted out one Gov, and elected an actor (the second one, IIRC), and now they're pissed because the MPAA is authoring the AG's letters?

    Hmmm...

    Ask, and ye shall recieve!

    Not saying we're any better, but our Gov (http://www.michigan.gov/gov) is MUCH better looking!

  209. MPAA Puts Words in Mouth of CA Attorney General by jcj7161 · · Score: 1

    I am so tired of this country being controlled by large and small(check your local town councils) corporations to the point where they are writing press releases for Attorney Generals/politicians and directing their lawsuits and legislation. We have lost control of this country and it will never be for "for the people again". I always thought this country would have a major change like the USSR had, but apparently the control of corporations and television is stronger that of a totalitarian state. Even now Putin has learned to control Russia like we are controlled in the US.

  210. MPAA Grind Organ for their AttGen Dancing Monkey by lifespan · · Score: 1

    Talk about being caught with your pants down. lol I'll bet we've all seen the Date Created and Date Modified field cause some pretty major embarrassments over the years too! Funny that it's usually the dodgey and dishonest who suffer that fate.

    --
    -- Howto: Get +5 (1) Whine about M$ (2) Namedrop Gentoo (3) Casually Abuse Mods (4) Namedrop Early Computer Model
  211. Vote for whom? by arkarumba · · Score: 1
    (BTW, I Vote) Vote? Vote for WHOM?

    hmmm.... how many participants does slashdot have is the USA?

    Given the low voter turn out we hear about so often, it would be REALLY interesting to see if the elections could be slashdotted. Isn't there some long standing member of respect with a balanced world view who could run?

    Don't bother campaigning... just request donations from invididuals covering the application fee. Call it something like the Public Betterment Technology Party; or the Tech4U party. (suggestions anyone?) Of course, there'll now be a thousand ppl volunteering, so perhaps just the site owners, or their nominees. Also, once you get in and the corporate campaign donations start rolling in, you'll turn to the dark side and slashdot will go to sh*t.

    ...but heh! it could be fun, and an interesting experiment.

  212. Vote for Slashdot by arkarumba · · Score: 1

    To add to my own comment, I'm concerned for Australia's impending homogenisation with USA's IP laws. I'll donate from here to get one of you guys in as a voice of reason. Quit all this lobbying...