RIAA Loss Report Contradicts Nielsen Sales Record
DerekAtLC writes "In a not-so-surprising twist of the tables, RIAA reporting of 'losses' is a little bit off. An interesting blurb at Ars Technica referencing a Kensei News article points out that Nielsen's Soundscan (Which tracks retail point-of-sale numbers for the music industry) shows a 10% increase in sales from Q1 2003 to Q1 2004. The RIAA has recently reported drops in revenue from last year, citing online piracy as the main problem. The crux of the issue? The RIAA hasn't been talking about sales or revenue in terms of sales to consumers or money generated via those sales. The RIAA talks about losses in terms of number of units shipped to retail outlets. The article points out plenty of problems with this (and reasons why we are seeing the trend), but it is fairly obvious that the RIAA is not reporting the most 'useful' numbers to the public."
Another interesting thing has happened over the last few years. The growth of mega-chains such as Best Buy plus the .com's joining into the marketplace have knocked mom and pop record stores out of existance.
Less stores selling music means not only are stores keeping smaller inventories, but some store inventories fell to zero as they left the business. There's just plain less "unsold" disks sitting in the system.
What will be interesting will be to see how much play this gets in the mainstream media. Probably no more than any of the other facts that aren't convenient for the "hackers steal $billions on teh intarweb" headlines they like to run. :-|
They also tend to count every single pirated copy as a loss. Even though, if forced to buy, most of it would not be purchased.
In America we are imprisoned by our fear of them.
I'm sure you know ever really getting hard numbers on piracy is impossible just because the nature of the industry and who would really buy something if they couldn't get it for free.
Honestly the responce to it? I think they should embrace and encourage, maybe give a biz model similar to what Napster was pushing for. A distributed model (sign the music so you know it isn't tampered with) that will is a premium up and above the free realm stuff like kazaa. That way people still get their free stuff, the music companies get a shit load of revenue without much effort on their part and everyone is a little happy.
Of course they want to have absolute power over their product, think of the profit that could be made if they could control it no matter what. Or if they could do a pay to play model(pay per view), or if they could figure out a way to pull a microsoft in that they have a limited seat license that only one or 2, etc people could watch that copy of the movie at one time. That is a gold mine in their eyes and will be what they go for. Is it right...? No, but do they want it? Yes.
Piracy, P2P, and etc are just the latest buzz words for them to try and get what they can. Remember a couple of years ago how piracy was akin to supporting terroism, it is just getting more attention from you and I because it is now in a field that is affecting us more as techies.
If they included more DVDs with albums I might not mind buying them. It's a shame really as they realize that no one wants to pay for what they can easily get for free. People pay for content and they give us crap!
Sales are down for the RIAA... they're considering a CD sold at the point when they get paid for it, the point that it lands in the warehouse of a store chain, not the point at which it lands in a consumer's hands which is where Soundscan sets up its counting points.
The fact that store shelves are holding less in inventory is bad for them, but isn't exactly a sign of piracy, just a sign that the RIAA's business model is becoming dated.
I'm pretty sure that the major chains such as Wal-Mart and Best Buy would love to have a small CD factory in the back of each store in which they could print the discs and surrounding paperwork on a just-in-time basis. Afterall, both the music and liner notes could be available to the store over a digital network. Why ship physical packages that might not sell when you can just ship blank disks and figure out what to put on them later?
Bottom line, it's going to get worse for the RIAA. They profit from the wastes in the system, and the system just keeps getting better at not buying things that can't be sold to consumers...
If they have the moral and legal right to seek action against people who pirate music in the case where piracy is costing them lots of sales, then they have that same right in the case where it doesn't hurt them much or at all (or even helps them). Whether you have the right to copy music should not be decided based on how it affects the profits of the companies who make it. Either it belongs to them and these restrictions are permissible, or they are not.
I'd rather be lucky than good.
the RIAA is not reporting the most 'useful' numbers to the public."
OMG! Someone is using statistics to slant an issue their way! OMG!
... they have to hide the money they are keeping (stealing) from the artists somehow...
It's a very common practice in many industries to "tilt" the facts to their favor. Look at the hard drive industry and tell me why my 80GB drive ends up being a 74.5GB drive when I format it.
From all those companies lying about their revenue during the height of the stock market bubble/scam? Are the numbers the RIAA is reporting to us any better than the numbers Enron or Tyco reported to us?
I'm trying to teach myself to set people on fire with my mind... Is it hot in here?
Soundscan would also count an "unsigned artist's" CD just the same as any other because it went through the cash register... but the RIAA's stat doesn't include CDs sold by companies that aren't members of their group.
The RIAA represents most of the recording industry, but not all of it. Sales going down for the RIAA members does not always equate to sales going down for the industry...
You've got to make sure you know what a stat was really counting before you make conclusions based on it.
The bottom line is that anything big businessmen have to say should be taken with a pinch of salt.
Drill baby drill - on Mars
This trend is commonplace everywhere. Retail outlets don't want things sitting on their shelves for two reasons: First, because they have to PAY for them and second if they don't sell, they have to PAY to ship them back.
What the record stores are doing has been done for years in most other retail outlets. It's called "Just in Time" inventory. For example, a grocery store tries to predict how much lettuce they'll sell and only buys that much, lest they get stuck with rotting produce. McDonald's made a science of this back in the '90's.
Now, the RIAA wants to use this new inventory trend to SPREAD THEIR LIES! It shows just how dirty rotten to the core they are! They KNOW what's going on; they're cherry picking stastics to LIE!!
Apparently, people who deny that magic is real haven't looked at statistics. After all with statistics and polls you can take information that you want to see and conjure up some arcane formulation that will make it look as if that information is in fact the truth.
If we follow this vein, there are many other forms of magic, such as economics. Following this even further, we can point out the evil warlocks of the world, those who practice their economics and statistics steeped in their own lies.
I'm sorry, it's Thursday night.
The US census is now counting every possible sperm-egg combination as a "potential" citizen.
Unknown host pong.
just don't use it to justify theft... if the RIAA charges more than you want to pay, that doesn't mean you get to take it anyway. Check out emusic or other sources of indie music instead.
Of course the RIAA is going to fudge the numbers. If word got out that they were *GASP* not losing money, or at least not as much as they lead people to believe, it would make it oh-so-harder to justify their legal pursuit of grannies and pre-teens to the general public. As it is, it's a game of "oh look at us, we're the poor RIAA, we are making so much more money in a week than you poor consumers will ever make in our lives, but it's not as much as it used to be... we used to make more in a DAY than you would make in your entire life! Take pity on us, and understand why we are fucking the artists, and giving them pennies for every CD sold, so that we can afford limousines and caviar for our poor underfed kitties!". And the consumers eat it up, as evidenced by the ill-informed dolts saying things like "duh, anybody who downloads music off the internet is a thief". The RIAA makes it so that even if you download music that you're ALLOWED to (like Indy) it has a stigma associated with it. It's not about protecting "the artists", or the IP, it's about ensuring their lifestyle. They're thieves too, but in a way that is so much worse than average Joe Public who jumps on Kazaa or SoulSeek to download the new Creed/Eminem/[insert shitty pop band here] song-- Joe Public downloads the song because he likes or loves music, the RIAA and MPAA'ers of the world do what they do because they are money hungry fucks who will do anything they can to maintain their dominance.
I'm not a religious person, and I normally don't resort to Biblical citations, but I think this one applies:
"The love of money is the root of all evil." (also one of the most misquoted passages in the Bible just for the record).
On the reverse side, piracy is not the ideal situation either. I am a musician, and I hope someday to make a living off my music, but I know it won't be with a record deal-- and I sure as hell know it probably won't be from selling records. Hopefully by the time I am ready to try my music as a full time career we'll have something a bit more established that will allow truly independent music distribution, with a vehicle that guarantees the artist will at least see some money for their hard work.
Dan
Just like driving a car:
(D) to go forward
(R) to go backward
I believe the word you were searching for was "honest", not "useful".
Then again, this is peanuts compared to Hollywood which manages to make it look like every single movie looses (or makes very little) money so they don't have to pay taxes or pay people who are supposed to get a cut of the profits.
Of course, most of corporate america does exactly the same thing, which is why they've gone from a 52% tax share (versus individuals) to under 5% in 50 years.
Please help metamoderate.
There was a book out in the '60's called: "How to Lie With Statistics" Basically, you can find (or create) a statistic to say anything you want.
Heh...
..
.. ???
Massive power hungry, money grubbing corporations telling lies
Who would have thunk it
``` ~~~
O_o
Jerry: "The ocean called, they're running out of shrimp"?? [He said that to you??]
George: Yeah, yeah, but then I said to him: "The jerk store called and they are running out of YOU!"
Jerry: You SAID that to him?
George: Well, *hmm* actually I thought it up on the way over here.
Jerry: *Ohh*, THAT's not quite the same
Like other people have mentioned, record stores have been getting out of the business left and right. Either they've been closing, or switching over to more mixed media stores. The big boxes don't order huge inventories, especially of back catalog items, and smaller stores have been switching to other media types (DVDs and games mostly, very lucrative and growing markets)
So is this due to piracy?
Err..no.
Sales of the hit new music has remained pretty constant (which is expectable in a mostly stable marketplace), which are often the most easy to download, so it makes it obvious that something else is at play here...
Maybe it could be the MASSIVE growth of used media stores that have been popping up all over the place?
So what can be done about that? It's obviously legal, and easy to say that it's ethical to do, after all, we do have the right to sell what we have paid for...
My suggestion for the RIAA is to actually lay off the worrying about piracy, and instead, run an information and advertising campaign informing consumers about how when they buy a used CD, they are in fact ripping off their favorite artist. By changing the focus, and acting through education and not litigation they can regain some respectability, especially if they make a good argument for it.
You know what they say 97.89% statistics are made up on the spot....
This was obviously a farce from the get go. Mp3's open people up to music they would have never bought, same can be said with libraries and books.
If we don't make light of everything, we are just stumbling in the dark - Blank
Because that's not how real CDs are manufactured.
See here for example.
LOAD "SIG",8,1
Ahh, statistics are wonderful things, aren't they?
Reminds me of a couple of classic quotes about statistics:
Aaron Levenstein once said "Statistics are like bikinis; What they reveal is suggestive, but what they conceal is vital."
and Thomas Carlyle once said, "A witty statesman said, you might prove anything by figures."
The thing is, I dislike the RIAA quite vocally, but I'd still probably believe them if they said their revenue is down. But the first thing they teach you about statistics in math is that "Correlation does not equal causation."
Oh I get it, they take a loss with every sale, but then make it up on volume.
[Set Cain on fire and steal his lute.]
This is why I support The Coalition of Independent Music Stores.
This is another example of the kind of deceptive practices that the RIAA is using to convince congress to pass laws that turn our kids into criminals. The RIAA will continue to pursue this path until they learn that consumers will actually take a stand against it.
I would like to urge people to declare their independence from the RIAA on the week of July 4th, 2004. Boycott them. Do not purchase music or listen to the radio during that time. Instead, why not check out the independent artists that distribute their music for free? Show the RIAA that you know how to hit them back where it hurts... in the wallet.
-All that is gold does not glitter - Tolkien
www.ra
In other words, the geek boycott of RIAA labels is failing. I don't really see this as good news.
You see? You see? Your stupid minds! Stupid! Stupid!
Things change. Typically, no, commercial CDs aren't burned by a Plextor drive at the factory, but the market is changing and that's directing the industry to change too.
If burned discs aren't a solution, then they have to come up with a different solution. If they find a way to press one-off CDs because of the prodding, great for everybody. But maybe, just maybe, that's the hint that CDs themselves aren't the solution.
Don't consider it a problem that it can't be done now - it's an opportunity for a new product to be invented, a new mechanism to be introduced. Could be a digital distribution medium that will actually be researched rather than the crap they've been hacking together lately.
-N
I've nothing to say here...
Sue them when they lie. Commercial speech isn't free. And if they're lying to make money maybe they can be held liable. But most importantly, they're on the defensive instead of the consumer. They have to defend not only the actions in a court of law, but in the court of public opinion as well.
This shipping product to your retailer/resailers just to have it round trip and come back to you later is called 'stuffing the channel' its an old trick. Sales Scum (tm) use it all the time to inflate numbers at the end of a quarter. If they (RIAA) is going to count numbers by the overly simple math then lets beat them at their own game. I say we setup a "Retailer" that never sells anything but just orders shipments like crazy. This "Retailer" Hoovers up as many units as they can ship. Then it just turns around and ships them back as unsold stock. We might even be able to work out a deal with the delivery companies to not even deliver the units just move them from the shipping dock to the recieveing dock at the distribution points.
ARIA tried to hide their record CD sales from the Australian public Music industry way off track with song and dance about falling sales
Damn, I left my good sig in my other pants
1.) Announce a wholesale price hike, causing retailers to stock up on inventory, and purchase less the following year
2.) Attribute "fewer sales" to P2P
3.) Sue the butts off of "pirates"
4.) Appeal to the public as being truly hurt by these individuals, while extorting money from defenseless individuals who couldn't afford music in the first place
5.) ???
6.) Profit!!!
Note: By "pirates", I am referring to individuals who share music they MAY indeed own yet are "breaking the law" by doing so.
I don't say piracy is right or wrong. For those who can afford licensed media yet pirate, shame on them! For those who are concerned with the cost of living - I can't blame them. The RIAA isn't any better than the "pirates" they sue, as long as they employ dubious tactics.
Netcraft reports, .., RIAA,..., Red ink, ;)
It would make a great troll!
I am the unwilling control for my Origin.
Since most of the "losses" come not from file traders but from those who copy the full disc, including the liner notes and sells those on the street and even to music stores.
The RIAA once reported one in six discs that you buy is a pirate disc. This is where they are truly losing money. However if all this contrary information were to make it to the courts that are granting the search warrants for ISP's then it would be that much hard for the RIAA to get those warrants....and that would prevent them from getting the easy money from going after file traders.
Speaking of this easy money, has anyone seen the figures of how much the RIAA has brought in from these Nazi tactics and how much of that total was reimbursed to the artists who lost sales? Also how does the RIAA determine who has been pirated and how are the reimbursed? If someone were to bring these point up to the judge who is issuing warrants then the RIAA might really have to do something more than whine to get a warrant.
Yeah, I'm not sure if you know you yourself just misquoted the passage. It's 1 Timothy 6:10a "For the love of money is _a_ root of all kinds of evil." There is plenty of evil that doesn't involve money. The passage goes on to say people eager for money have "peirced themselves with many greifs" a.k.a. Mo Money Mo Problems!
People say my sig is the best thing about me.
Thats just marketing and lies, and those are the roots of all evil.
capitalism is the root of all evil?
Stealing and infringement are different things.
One is a real cost, the other is an opportunity cost which has some real value. But that can be negligable when compared to the real cost, and is at best difficult to quantify.
They *are* different. Potatoes are not tomatoes, yet both are plats and foodstuffs. You may like to use the terms interchangibly, but that just means you don't know any better. If you refuse to know any better, then you are stupid by choice. Again, it's a free internet, so organize your priorities however you wish.
Err, how did you arrive at that implication?
why not create an alternative music business together with unknown artists? i just had an idea of a new promotion method - the permanent listening test... i posted it here
nico
While I'm quite sure they do possess the chutzpah to try such a thing, it would be kind of hard for the RIAA to persuade the gummint to pass laws like the DMCA if they didn't have statistics to whine about, claiming RIAA members are bleeding money from every orifice due to piracy.
They believe that every single pirated song was a guaranteed sale, which is not the case.
Just because a person has 4,000 songs doesn't mean that they would've purchased ALL of those CDs had they not had the means to download them... but the RIAA stands firm in their belief that this is possible.
We have secretly replaced these Slashdot mods' sense of humor with a rusty nail. Let's see if they notice!!
Just like I could say:
... The grace of the Lord Jesus be with God's people. Amen'" (that is Genesis 1:1 and Revelation 22:21)
:-)
"and the bible says 'In the beginning God created the heavens and the earth
gotta love taking things out of context
Just like driving a car:
(D) to go forward
(R) to go backward
- fake products -- scam artists shipping stuff to stores that RIIA membership doesn't know about -- but good enough to fool consumers (haven't heard of this running rampant).
- Less spoilage (shipping fewer, selling more, returning way less). Better profits all the way 'round. Works for stores, artists get more money, so does the RIAA.
- RIAA scam (they tell artists "140M records", but they sell 160M) -- but the RIAA wouldn't do that would they???
Note that, in all possible circumstances, record sales are up.Only in (1) would the RIAA (and artists) actually get less money, but that's not the fault of the "pirate scum" 12 year olds that the RIAA insists on suing. If this is the case, then the RIAA needs to start going after the real pirates, and stop suing kids.
For (3), The artists are getting less money, but that would be because the RIAA is scamming on both ends (cheating artists, raising prices, suing customers). It'd take a public scandal to fix that.
Free Software: Like love, it grows best when given away.
There are 2 ways to get music, buy and and steal it (and please no diatribe on whether steal is the right word).
OK, you *know* it's the wrong word, and yet you use it anyway? You sir, are being an industry shill.
So if you stole it, it should be considered a lost sale, as you obviously wanted the music but chose to steal it instead of buying it.
A "lost sale" is someone stealing a CD off the counter, or even a customer walking out without buying anything because the clerk pissed them off - but we are talking about copying from media that has alrady been bought, not the theft of a product. It's a subtle difference that business doesn't like to acknowledge because all they see is dollars that they didn't get. It's like NOS getting pissy abuot "lost sales" when people build a DIY nitrous system for their car. Sure, they didn't sell a kit to someone who was interested in their stuff, but if the price was closer to the reproduction cost + hassle of DIY, they probably would have. Not being competitive in the market place is the reason they "lose" sales like this, plain and simple.
Once again, it's not a lost sale if you weren't going to get it anyway. I'm interested in lots of music, but I'm not going to buy a $32 NZD industry backed CD because they are a complete rip-off (I also don't download MP3s either). Having said that, I bought a $5 NZD CD of driving music from the gas station last night. Pricing is a key issue - they'll bleat about the cost of producing new music, but if the industry wasn't snorting their profits and spent less playing at being rock stars prices would be more realistic.
And BTW, the same retail vs wholesale thing is the reason (pop star|idol) tops the charts the week of release - nobody bought it except the stores, but the punters see it in the charts and buy it 'cos a) it *must* be good if it's in the charts, b) it's advertised everywhere so it's all they know. The music recording industry is a joke - go down to the pub this weekend and supprt your local bands instead.
Forget thrust, drag, lift and weight. Airplanes fly because of money.
I'll try to be fair with the RIAA, but when it comes down to it, I'll do it my way.
Windows, yes; I'm dubious that Internet Explorer is still in favor among Slashdot readers. I know of few people that have tried recent builds of Firefox and still prefer MSIE. Mozilla used to be well behind when it came to user experience, but things have seriously changed.
I'm using a Windows machine at the moment because I'm not near my own computer, and I can't exactly put Linux on someone else's computer.
May we never see th
> Another interesting thing has happened over the last few years. The growth of mega-chains such as Best Buy plus the .com's joining into the marketplace have knocked mom and pop record stores out of existance.
Excellent point. But it goes further than you suggest.
It is much easier for a mega-store to predict its sales, and manage its inventory efficiently, than it is for a small store.
For example, a small store might receive shipments once a week, or even once a month. For a given CD, that store might expect to sell just two copies before the next shipment, but a week or a month is a long time to be sold out of something, so that store will want to stock three, or more likely four copies of that CD. That's 50% excess inventory on average. Plus, there is nothing the small store can do with that excess except to return it with the next delivery truck.
But a mega-store will receive shipments every day. Plus, the mega-store might expect to sell 5 copies per day of that same CD. So let's say the mega-store keeps 10 copies of that CD on the shelf, with re-orders every day, and ends up returning the excess 5 copies at the end of a month. But that's 5 copies returned on a month's sales of 150 copies, which, in the long run, only represents an excess inventory of 3%.
And let's not forget the mega-stores' other advantages for efficient inventory management, including computerized check-outs, and the ability to move inventory around from one store to another.
So it shouldn't surprise us if excess CD shipments have been drastically reduced.
I can see another way in which Internet Radio, and music downloads would lead to more efficient sales. Today's buyer will go the the record store with better knowledge of what he/she likes and wants. Thus, that buyer will be less likely to pick up the mass-marketed Britney Spears CD, and more likely to pick up some lesser known band. It's not worth it to the record store to stock extra boxes of a small band's CD, the way they would with a Britney Spears CD. Plus, it's less likely for there to be a sudden rush on that small band. Thus, the trend is away from the mass-marketed items, where it's worth it to be wasteful (and necessary, to meet the peaks), and toward more highly focussed items, which sell a few at a time. And let's not forget the increase in the almost-100%-efficient special order sales.
As to the drop in international sales, I think that is more likely to be a shift away from the heavily-advertised American groups, and toward the less-advertised local groups in each country. Once again, Internet Radio and downloads would allow listeners in each country to discover those other groups, rather than simply being led by U.S. advertising. I assume that many, if not most of those smaller groups' sales in other countries are _not_ measured by the RIAA.
Fine, and you can buy them. I don't want crap quality CDs that die in two years, myself.
LOAD "SIG",8,1
Wal-Mart is renowned for forcing it's suppliers to radically revamp their operations to meet Wal-Mart's needs. Wal-Mart dictates to it's suppliers, demanding just-in-time inventory control and annual - if not quarterly - wholesale price drops. 20% of CD and DVD retail dollars now flow through Wal-Mart. With that kind of buying pull, recorded music became yet another consumer item that Wal-Mart could live without, but that couldn't live without Wal-Mart. If we go with the theory that Sam Walton's boys popped the RIAA's cherry during the buyer's renegotiations, that probably provided leverage for other retailers from Kmart to Tower Records to cut the same deal, especially during a down economy.
I wouldn't be surprised to find that the gusto with which the music industry tries to squeeze more blood out of consumers by lobbying Washington and other capitals was in direct relation to how much of they're getting squeezed in Bentonville, AR.
Luke, help me take this mask off
The RIAA wants to remove the Fair Use provisions in the law -- provisions that give you the right to legally copy _your own_ CDs and DVDs. Thus, you would no longer be able to make backups, or listen to your CDs on your computer, and so on.
Further, the RIAA wants to impose DRM restrictions, which would force you to buy only RIAA-approved CD and DVD players -- at a higher price.
And now it turns out that the RIAA's claims may be based on a lie?!!
And you don't have a problem with that??!!!
Either you're a fool, or you're working for one of the company's, such as Microsoft, that is hoping to profit from government-imposed DRM. I can inderstand why Microsoft would want the RIAA's lies to go unchallenged.
I can turn it right around and have just as valid an argument:
/. reported on it. Two universities found just what I have reasoned here: That very few copies translate to lost sales.
There are 2 ways to get music, buy and and copy it (it's not theft, get a dictonary, theft requires removal of property). Copying costs nothing, so you can do it even if you have no money. So if you copy something, it should not be considered a lost sale, as you obviously didn't want or were not able to spend the money to buy it.
The reality of the situation is as simple as ECON 101 and the law of supply and demand. The cheaper something is, the more people will want it. I do not want a Plasma TV at $5000. I can't afford it, even if I cared to. I still wouldn't want it at $1000. I could afford that, but it would be too high an oppertunity cost for what I'd gain. I would want one at $200, and would purchase it at that price.
The same is true of music, or any other good. Copying music costs nothing, or rather the costs are things you already pay for (such as a computer and an Internet connection). Thus you only have to want something a little bit (enough to make it worth your time) to copy it. CDs cost $15-$20. That means you have to want them enough to feel they are worth that amount of money, and also have that amount of money free to spend. If not, you don't buy it. Thus just because you wanted it for free does not mean you want it for $20.
What's more there is the case of tradeoff and oppertunity cost. I had $600 to spend on computer upgrades. I wanted a new monitor (Lacie Electron Blue), new graphics card, new processor, and better cooling/acoustic gear. The monitor alone is about $600, the other items total to about $600. Thus I had to make a choice. I opted not to get the monitor, because I wanted the other parts more. That doesn't mean that I don't want the monitor. It also doesn't mean that I would have bought it if I could have (if both choices had been $300 day), or if it had been offered to me for free. This applies to music as well. Just because someone copies 30 CDs does not mean there were 30 potenital sales. It is highly likely that they did not have the available cash to be able to buy all those. If their available cash that they could spend on CDs was only $40, then at most two of those 30 could have been purchased. However, at $0, all 30 were wanted enough to be worth getting, and within the available resources.
You, and the record companies, are comming to a conclusion based on insufficient premises. You cannot conclude that a copy equals a lots sale, it doesn't logically follow. So, revise your thinking.
Oh, and there HAVE been empirical studies done on this. I cannot find the link presently, but
HA! HA!
As others have noted, Just In Time inventory is getting real popular. Since shipping now happens quickly and you can track everything on compuer from what your supplier has, to what's on trucks, to yout warehouse to your stores, it is now feasable to have much less on hand and just replenish it more often. It is VERY popular these days since it keeps costs down (it's expensive to have shit sit on shelves).
The RIAA is lying because, like most corporations, it is only interested in the preservation of its profits.
He read today's userfriendly?
Protoplasm. Quiet Protoplasm. I like quiet protoplasm.
on a shared cab ride 2 days ago, and we got to talking about P2P, so I slyly asked her if perhaps they had considered that "maybe DVDs, game consoles, cell phones, and gameboys may be competing for entertainment dollars?"
"NO, Absolutely not - its P2P, the children don't understand and need to be educated. Those other explanations are nonsense." she said
I said "hmmm, well are you sure, cause it..."
"Yes we are absolutely sure. These P2P programs are set up to steal and kids don't realize what they are doing it wrong. Its silly and inexcusable, we need to change their attitude."
So you see - they don't CARE to see any facts or evidence that point away from their view. They don't WANT to hear it. And this not wanting or caring will re-enforce their current behavior patterns. It will also cloud their minds such that EVERY way they approach the problem will have P2P destruction or absolute control in mind.
What they DO understand that "war does not determine who is right, war determines who is left".
Is the juice worth the sqeeze?
Populus vult decipi, ergo decipiatur.
Using the great and wonderful words program, I find you're using passive mood and subjunctives, but, alas, I never reached those chapters in my Latin text book.
I'm guessing "The people wish to be deceived, therefore they may be deceived."
Quattuor res in hoc mundo sanctae sunt: libri, liberi, libertas et liberalitas.
as opposed to crap quality CDS that die in two years due to scratches?
I think the problem that is affecting groups like the RIAA, MPAA, the television networks, and so on is the fact that their techniques for measuring things like sales and viewership are being rapidly obseleted by changes in communications technology.
If you're read Alvin Toffler's book The Third Wave, Toffer some 25 years ago said that as more communications choices for consumers become available, old means to measuring "eyeballs" won't work anymore. I mean look at what has happened since The Third Wave was published in 1979:
1. Consumers now possess the technology to time shift TV programming by videocassette recorders and increasing digital Personal Video Recorders, which is making the idea of prime time meaningless.
2. The choice of TV programming has literally increased exponentially. Back in 1979, most Americans could only watch at most 5-7 channels of TV programming on over-air broadcasts; today, cable TV has expanded the available channels to over 70 and small-dish satellite TV has expanded the available channels to over 200!
3. The rise of pre-recorded videocassettes and now DVD's have drastically altered the landscape of both movies and TV programming. Indeed, many movies are only breaking even with home video sales (or doubling their profit with home video sales!) and there's now the new trend of complete TV seasons available on DVD! I'm sure HBO has enjoyed healthy sales of full seasons of The Sopranos, Sex and the City, and Six Feet Under on DVD sets.
4. The rise of the public Internet has also started to affect TV viewership, as several recent surveys have shown.
5. Current methods of measuring TV viewership don't take into account the increasing trend of large scale public viewing of TV programs at public gathering places and/or having a large group of friends watching the program at someone's residence. For example, the final episode of Friends probably got underreported by Neilsen tracking because a large portion of viewers probably saw it in a group setting either in a public place or at a private residence with a large living room.
6. Tracking sales of music will have to be revamped, especially in light of the way Wal-Mart handles sales inventories, the sheer retail power of Best Buy, the heavy use of online sales at Amazon and Barnes & Noble web sites, and individual song downloads at various legal sites such as Apple's iTunes web site.
I think if the various media companies actually bother to change their way of monitoring sales/viewership they could actually get a far more accurate measurement, something that could eliminate underreporting of actual sales/viewership.
When meta-modding, how are you supposed to know if a redundant moderation is fair or not without reading way too much?
That's why I haven't been meta-modding redundant posts lately. I just leave the radio button where it is, and don't mod anything Redundant.
I found the meaning of life the other day, but I had write-only access.
True...but unfortunately, they've been able to convince (lobby, bribe, blackmail, or put your own descriptor in here) Congress and the courts that they're right. So, once again we have the best Govt. $$ can buy!
Who knew?
Mr. Avalon almost got a clue there, but he missed the forest because he was able to identify two new varieties of trees.
Maybe next year he'll notice that:
a) Soundscan reports millions more CDs sold at retail than the RIAA reports having shipped to retail outlets (about 60 million for the past two years);
b) Since 2000, the numbers of "units" shipped to "promotional and specialty" outlets (aka record clubs), has dropped by 50%, accounting for the bulk of the industry's decline;
c) The REAL important numbers are how many units were shipped and how many units were returned.
The RIAA's numbers are designed to provide no useful data whatsoever.
If you are a publicly traded company you can't. RIAA is just a trade association, so I don't know how much trouble they can get into for misleading the public. However, depending on how AOL, Sony, and friends go about 'not giving the full picture,' they can easily land themselves in class action lawsuits and hefty fines.
Congratulations on a fabulous advertising campaign Mr RIAA. You do yourself credit. The way you can flick through your own sales statistics and prove what you like. I am sure given enough numbers, I could come up with a good statistically backed arguement as to why file shareing must not be stopped for the good of the music industry. Please do not insult our collective intelligences by lying to us. We share information now, so this will mean that we can spot a lie from quite a ling way away. You don't like this? You don't have to. This is the environment you must either do business in or shut up shop. As a musician, I can say with all certainty that your demise will not prevent people playing music. Neither will it prevent people recording and sharing music. Accept this and move on. By the way. Theft is not copying. Neither is copying theft. Beware of the confusion that such language will bring about. It will bite you on the buttocks.
"...let him deny himself, take up his cross daily, and follow Me."
...I Wonder what verse that is?
Anyway, whether I Tim 6:10 hold a definite or indefinite article is of ill-consequence, because, according ot Matthew 6:24, "No one can serve two masters; for either he will hate the one and love the other, or else he will be loyal to the one and despise the other. You cannot serve God and mammon."
Most theologians recognize the word mammon to mean money or materialistic wealth. As a matter of fact, the NIV flat-out replaces mammon with money. In any regard, the reason that I Tim 6:10 is so often misquoted is because most of the time some Marxist wants to advance his agenda by making it more palettable to unsuspecting and - dare I say it - willfully ignorant Christians. But, the most important part about this verse is that whether you are Christian, Muslim, or Jew (yes, even Jews. Read Joshua 24:20 from the Amplified for a clearer understanding) greed steals from the soul and brings you closer to Hell.
I think I'm done with the theological discussion, unless someone else has something else to add.
"Good, Fast, Cheap: Pick any two" -- RFC 1925
Music piracy (or whatever you'd like to call the rampant copying of music) is unrelated to the numbers. It's wrong. It's always been wrong and sitting here trying to come up with excuses is hypocritical from a group that zealously defends Open Source.
After all:
* No one loses the use of the original source when someone like Linksys modifies the source and doesn't release it.
* No one loses money because a company doesn't release its changes back to the community.
In short, if copying music is okay, then taking open source projects, modifying them, and selling them commercially without releasing the source can't possibly be bad.
Either intellectual property means something, or it doesn't. But make sure you appreciate the ramifications before espousing the "anyone should be able to do anything" argument.
Steve
When I am hungry and I have no money I steel the food.
That simple.
If I died hunger, would that be more ehtic in your view ?
Besides that, your example with the cab-driver does not work. The homeless would intrude a foreign property and force (kidnap, so to say) a human. There is a big difference, not alone in the amount of violence required.
Four years ago I went to the music-store. I wanted to buy the Bomfunk MC's "Burning Sneaker" CD. I could have downloaded it from the net. I didn't, simply, because I like the band and wanted to reward them for my funky funky.
Guess what ?!
The CD did cost 10% of the (then) monthly netto income of the country I live in. Again in words: TEN FUCKING PERCENT OF MONTHLY NETTO INCOME.
And it got better:
The CD read: Not compatible with PC and MAC.
Too bad I have sold my CD player and replaced it with a HTPC...
The CD is published by SONY music!
Did you know, that SONY got big by COPYING US radios ? Heck, half if not more of the Japanese economy got built on copying and imitating other people's invention. _Then_ they started innovating. With the money, they got by copying other people's stuff. Right.
So, I had to pay for a CD, costing 10% of this countries monthly netto income, which was not usable on my AV entertainment system...
Of course, I didn't.
Guess what ?
I downloaded it!
Hello?? Fred?! Is this you?
(While I use Clint Eastwood just because I saw BttF3 recently, the above applies to any other person.)
Of course, compare with copying a song - if, within the confines of one's home, it's in a closed system and not theft. But if you were to alter the master copy of that song or deprive the "owner" of that song... but how likely is that?
Copyrights, Patents, Trademarks: temporary loans from the Public Domain, not real property ("intellectual" or otherwise)
I cannot believe that the Sony music executive has effectively ignored what Alvin Toffler warned about in his book The Third Wave when that book was published in 1979!
With today's communication technologies, the market for movies, TV shows, and recorded music has been severely fragmented compared to what it was like in 1979. Doesn't the executive realize that things like changes in the way CD's are sold (thanks to supersized retailers with tight inventory controls like Wal-Mart and Best Buy and the rise of online retailers like Amazon.com), the rise in the last few years of legal music download sites like Apple's iTunes web site, and competition from DVD and various kinds of game consoles has severely cut into what was once a monolithic market for music sales?
They don't have anything I want anyway.
I have to disagree with you. On the contrary, I think the majority of people would choose buying something over getting it for free. The catch here is that the item has to be priced reasonably. It all comes down to economics. At $5 a cd, piracy would drop to negligible levels. If you go even lower to $2 a cd I daresay no one would even bother to copy them anymore (except for making mix cds). Why? Because it's simply not worth the time and effort when you get a shiny pressed cd with artwork and a case for your pocket change.
I think they should embrace and encourage, maybe give a biz model similar to what Napster was pushing for. A distributed model (sign the music so you know it isn't tampered with) that will is a premium up and above the free realm stuff like kazaa.
Again, I have to disagree. There is simply no way people are going to willingly give up their bandwidth and hard drive space so a company can make money off that. I suppose if you're clever though with the spin, you could get the crowd that clicks on the punch the monkey ads to run it.
The sending of this message pretty much inconveniences everyone involved.
See a movie.
Go to a concert.
Get a car repair (excluding "parts" cost).
Go to an amusement park.
Go to a doctor's office.
What there is tangible? Try doing it with no money in your pocket, though, and you'll be booted as soon as you're caught.
You are using false analogy to compare things that aren't even remotely equivelent.
If you try and stiff your auto mechanic it isn't theft, it's a contract breach. You agree to pay for services rendered. Refusal to pay is breach of contract. You cannot "steal" someone's time as time is something intangible. You are guilty of failing to meet your contractual obligations. The doctors office is the same idea. It is NOT theft, or stealing, despite the propaganda.
Sneaking into a movie/concert/amusement park without paying is TRESPASSING, not THEFT. All of those places are private property, and you do not have permission to be there without paying. You can't be arrested for stealing if you don't take any physical property. You can be charged with trespassing.
The only difference between a concert and a recording is that the recording is time-shifting the work from its original time and location. If you're not paying for the recording, it's tantamount to hiring without pay.
Uh, wrong again bucko. Saying an apple is an orange does not make it so. First of all, you aren't paying for the recording, you are paying for a copy of the recording. (That is what copyright is all about...control of copying). Did you hire the musician directly? No. Purchasing a copy of a work is not the same as hiring someone on contract to perform. If you think copyright infringment is theft, I suggest you look at the law itself. Secondly, not paying for a concert can't be considered theft under any definition. If I hear a copyrighted work in the open air without paying am I guilty of theft? Of course not! The only thing I would be guilty of is being on private property without permission...trespassing.
Your logic is troubling, because it is Orwelliean speak. Instead of using the proper words and definitions, words with stronger connotations are used.
Words have distinct meanings/definitions, and if you deliberately distort words to invoke passions in your audience you are no better than Goebels in the Third Reich or any other propagandist! The meaning of a word does not change just because a few elites claim it does. "Moral equivelancy" is hogwash for the simple reason that the law does not make such equivelences. "Moral equivelency" is for people making rationalizations based on their personal opinions, not facts, laws, or even basic definitions found in the dictionary.
I am _not_ saying copyright infringement is morally sound, but I am stating that you get either a) a dictionary or b) some legitimate legal definitions before you throw around such drivel.
You mean to tell me you see no difference in organized crime pressing counterfeit copies of cds, replicating them right down to the artwork and jewel cases, and a 12 year old sharing a lossy compressed version of the songs online?
There is an enormous difference. Organized crime sells the counterfeit copies, keeping all the profit and literally stealing sales from the copyright owners. The 12 year old merely infringes on their temporary monopoly. We've got thirty frickin' posts about "It's not stealing, it's infringment!!!" You come along, doublespeak your way through the same argument, get +5 insightful, and 8 trailing posts that saying "You're right, but they LIED"?? Did you borrow Steve Jobs' RDF this morning or something? Good grief, I wish more people actually understood copyright. This is one of the PRIMARY reasons copyright law is so screwed up. It makes no distinction between the twelve year old fans, and the mobsters with guns.
Go ahead and wow 'em with your next distorted argument. Let me guess, performing a Metallica cover at the amphitheater is the same as singing Happy Birthday at Denny's, right?
The article does a good job of exposing the fraudsters.
But I believe he missed the bigger story. Filesharing is evil, and Congress is knee deep in artist royalty monies used to give total legislative control to the entertainment cartel lawyers so that they themselves can write the legislation and issue talking points to the Congressmen/women who have trouble finding their dentures and canes in the morning.
The bigger headline, is how the accounting fraud, and specifically these numbers are probably being used to cheat artists out of royalties for their work.
The author screwed up his example by reversing his numbers. A better example would be to show 1000 shipments in 2002, 800 sales, then in 2003, 800 shipments and 800 sales, and they get to report 20% loss in shipments, 20% less royalty payments, and still get the same revenue. And with the lower royalty payments, they actually make a higher profit.
They can do this for years, then when the numbers start to get tight, they can change the measurement, until they can rejig the numbers.
And let's not forget that it's also profitable to "forget" to pay some royalties as well.
As long as you have Congress in your pocket...
I have read through the posts so far, and a considerble number of the posts made on the subject before and a lot of the analogies come close, but don't hit the heart of it for me.
Here is the way it is for me.
Many years ago (I don't know how many - google it yourself if you're interested), Natalie Imbruglia came out with a song called Torn. I have listened to this song so many times I can almost repeat every note she sings, AND every note the rest of the band plays.
This song ranks among my top 10 all-time favorite songs. It fucking gives me goose bumps on occasion when I listen to it, just because of the way she uses her voice. On the basis of this one song, I am ready to claim that she has a vocal talent worthy of note (even if....(see rest of post)).
So, when all these p2p networks started springing up, I checked into them, in the interest of deciding which CD's would be worthy of MY hard earned dollars. Natalie was my first test case.
My purpose for this was not to download mp3's (at least in the final stage). I happen to like a lot of music where even the tinniest ear can detect the difference between formats. I certainly can. My purpose (as far as Natilie was concerned) was to see if there was enough of her other stuff I liked to purchase a CD of hers. This was the first time I used a P2P network. (I get my porn elsewhere.....tttthhhhhuuuuuppppppttttt).
Not a chance (so far..... I understand she is working on a third alblum).
She seems to be techno-pop, a genre I'm not all that interested in, but I downloaded all of the songs off of the two released CD's I could find of her for sampling.
Conclusion: I still think Torn may be one of the best songs ever written - as it was performed by Natalie. One of these days I will get around to seeing if she wrote it, or it was done by committee and she was only the performing artist. It doesn't really matter to me.
BECAUSE: I found (so far at least) that this is the only song of hers I like. I don't know if the one song was in line with her normal fare and I just can't appreciate the rest of her music - or this is a fluke and the only good song she did.
For the purpose of discussion, it doesn't really matter. What mattered to me was with the availabilty of downloadable mp3's, I SAVED at least 20 dollars because I didn't buy either of her CD's for ONE FUCKING SONG.
I've got more than a few years in me still but I ain't exactly young. Like many, over those years I have purchased LP's, 8-tracks, and cassettes of whole alblums because there was one or two songs on it I liked.
Those days ended long ago.
(okay, about 1975, when I had to start earning my own money).
In the last five years I have purchased two CD's. Alice Cooper - Welcome to My Nightmare, and Black Sabbath - We Sold our Soul for Rock and Roll. As you can see, Natalie isn't exactly my normal fare. For these two CD's I payed what I considered to be an equitable price. $7.99 and $5.99 respectively.
So maybe the RIAA counts the two Natalie Imbruglia CD's as lost sales, because I didn't buy at that time without listening to them first. If so, well.... everyone else has expressed an opinion on this many times that pretty much coincides with mine, but maybe for different reasons.
I don't buy ANYTHING now without listening to it first. Either I listen to it at the local library, the local Borders, or borrow it from someone I know who has it. If I don't like more than one or two songs on a CD, then there isn't a chance in hell I will buy it. If there is a song I really like, I may rip a copy of it off a friends CD, but this is not a lost sale, because I WILL NEVER BUY THE FUCKING CD AT FULL PRICE to begin with. I will wait until I can get it at the local Salvation Army for $0.25.
And that's the way it is.
To the RIAA: Deal with it fuckers. In the last 10 years you've managed to produce about 6 songs I like. Not exactly an exemplary sales position, is it.
I am a music geek and all the music I buy is pretty much vinyl. claiming "fair use" I download stuff to my ipod so I can listen to it in the car. I only buy CD's when it is stuff that I can't get on vinyl and can't find it to download. In the past year I've bought about 15 records and 4 cd's.
Not a single CD was an RIAA disc, and maybe 2 records were.
Prior to having a cd-burner/broadband, I would buy about 20 cd's a year, and about 1/3 third of those were purchased used.
Almost all independent labels worth their salt put their stuff out on vinyl. My favorites are Fat Wreck Chords, Jade Tree, and Springman.
You can also find mainstream stuff on vinyl. Recently I've picked up System of a Down, Radiohead and Sublime.
Best Buy and Wal-Mart of course, don't carry vinyl and they sell their cd's at pretty close to cost. The make it up by selling you CD players, and batteries to run your CD player. I buy most of my music at independent retailers like Amoeba Music or online. Most Independent labels sell full length records and cd's for $8-12.
Call me a thief(I have 50 gigs of mp3s), but I feel like I have supported artists who deserve it. I will never pay $18 or even $15 for a cd.
sorry 'bout the mess...
Just another reason to add to my list why i will never buy another piece of music again, regardless of whether the deal the RIAA has sealed with Satan expires and the organisation is taken over by Jesus H. Christ himself. It's not like they will miss my monetary input, I haven't bought a CD since 1998 or so, but it's indicative of how irrelevant the organisation has become.
Again? Pigs must be flying in flocks these days!
Not Buzzword 2.0 compliant. Please speak english.
Let's say I'm a big fan of the mona lisa. I am also a college student that has very little spending money. The mona lisa is up for sale for say $1 billion. I see it at an auction, and I take a picture of it with my 35mm camera. The picture is lower quality, but good enough for me. Now, did I rip the seller off of $1 billion? Of course not! Is their original, high quality copy going to be worth less because of me? I don't think so! So would the seller be justified in suing me? I sure hope not!
warning: This post is likely to contain gobs of dripping sarcasm. Consume at your own risk.
So you are saying that omiting vital information to distort the picture to give an impression exactly opposite how things really are, really isn't lieing.
You're probably right. If I lead people to believe something that clearly isn't true, based on subjective selection of information, but not telling anything provably wrong, it can't be lieing.
You're just being an asshole with an agenda. This is normal. However, I have a serious beef when people like this has govermental influence.
Call me naive, but I'd like to think that things haven't allways been this bad.
Oh! And feel free to suggest laws against this kinda trickery though. But that would probably backfire on Mr. Bush, so he'll probably be against it.
Not Buzzword 2.0 compliant. Please speak english.
I'm using a Windows machine at the moment because I'm not near my own computer, and I can't exactly put Linux on someone else's computer.
Knoppix.
I'm guessing that wasn't on their radar screen...
...something about grandmothers making toys called "Cabbage Patch Kids" created a peculiar image.
I buy a lot more overseas and independent labels now than I ever did; and it's more due to internet radio and maturity than anything else... OMG OMG OMG they'll be going after streaming radio next... and making me take pills that turn me back into a kid??
I think with the interesting people, their lives can't possibly be wrapped up into a nice little package.
They help the RIAA's cause to clamp down on their customers rights and make them appear to be 'just protecting their musicians'
Just another fraud in big business, go figure. They are all corrupt to the core.
---- Booth was a patriot ----
...is exactly what the phrase "intellectual property" means. Honestly: Who can own a meme?
Wouldn't that be MI3, the British Spy agency?
I'd love to be able to go to a store and pick up a USB memory stick with an album on it, instead of a CD.
http://www.magnetbox.com/riaa/
http://www.boycott-riaa.com/membership
http://www.srcf.ucam.org/fair-music/
Back to my point - isn't it more likely all the time that, yes, the RIAA's sales may be down, but it may be at least in part because the popularity of non-RIAA music has grown, taking their sales down the good old-fashioned, legal capitalistic way?
Hell's bells, even Newsweek is at least partly hip to this - there's an article in this week's issue ( http://msnbc.msn.com/id/4933394/ ) about how much more popular indie bands (more commonly non-RIAA, needless to say) are becoming. Yeah, so some of the bands they mention - Flaming Lips, etc., - are major-label, but the trend they're pointing out is that online sharing has enabled these indies to get the word out and generate sales without going through a major label and its marketing machine, and also that the deluge of information available has made the indie musos more hip to the scumbaggery of the major labels in the first place, and so less likely to cave in and sign a contract with one.
Maybe I'm just being jaded, but I'm wondering if the more accurate numbers would be the number of dissolved nasal septums of record executives from a certain sniffing habit.
The RIAA must have used the same research firm that helped Dub-yah miss global warming.
"Can there be a Klein bottle that is an efficient and effective beer pitcher?"
You're thinking of MI5, I believe. That would make the quote a lot less funny. :-)
LOAD "SIG",8,1
You keep treating your CDs like shit, they will become shit. No surprise there. Moron.
LOAD "SIG",8,1
It's an amazing mindset: "I deserve to enjoy my past revenues plus a growth rate -- if for any reason I don't receive that, then some one must be stealing from me."
This time, they didn't get their revenues because their retailers learned not to purchase inventory in excess of (rising) demand. Last time, people decreased entertainment spending and bought less in a bad economy. Next time, online download sales (for which they're paid) will have risen so high that they visibly reduce CD sales.
No matter what happens, they blame "piracy". They might as well just call it "witchcraft" and start trying people for practicing black magic. Oh wait, . . .
"We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
If I hear a song on the radio, and it's real catchy... and I go and download it for free. How is it a lost sale considering that most labels no longer sell CD singles? Do they account 1 lost sale of an entire album containing that 1 song? Shouldn't it be pro-rated based on the total number of tracks on the album?
And even if they have CD singles... they usually are packed with a bunch of other tracks I don't want, in order to justify a higher price tag. My 1 song download... is it a lost sale of that entire CD? I think not!
It's interesting how this whole thing started with the RIAA saying that consumers only own the "license" to listen to the music they purchase. According to them, the media doesn't matter. Using that logic, why I can't I return my scratched CD for a new media? If a CD is lost or stolen, why can't I mail someone a receipt and get a new disk since I own the license to the music? Why can't I convert my tape collection to CD for free. I OWN the license don't I? Its so hypocritical.
How can I feel sorry for their plight? Most music that I download consists of CD's or tapes which I own and are scratched; or owned at one time where it was lost or stolen.
If the music industry wants find out why sales are down (if what they say is even true) they should look no further than the crappy products that are hitting the shelves. There is only so much Britney Spears and candy ass boy bands the world can handle. Where is the quality music? Where are the artist that can actually play a instrument? Most of us are getting sick of listening to so called musicians who are nothing without producers, talented audio techs, and a drum kit.
Knoppix is not a great solution for serious use; I think it's wonderful for troubleshooting and hope that it stays around, but the inability to update software and the like is a pain in the ass.
May we never see th
No, I don't mean to tell you that. I didn't say anything similar to that. You have only constructed that by taking a quote from my post way, way out of context. As a general rule, if someone says something like "I don't think it matters", you need to take into consideration what the "it" is that's being discussed.
If the story was about them going after a twelve year old the same way they go after organized crime, and the twelve year old getting similar penalties, then everything you say would be legitimate. But that's not the story we're discussing. Did you look at the story? What happened is that the RIAA apparently gave misleading figures about how much piracy as an aggregate costs them. And I said that how much piracy as an aggregate costs should not be the deciding factor in what laws we pass. Instead, we should only consider whether people should have the right to copy things or not, and in what circumstances. If that results in certain people gaining or losing money, then so be it.
To interpret that statement as profit not mattering when considering individual crimes (or non-crimes) is truly impressive. It's as if you ignored the story, ignored the headline, ignored every other post and just read mine.
I'd rather be lucky than good.
Well there are other ways that copyright infringement is like real theft. For instance, if you altered the song, or distributed a fake version pretending it was real, and ended up making people think the original was awful, then you'd be damaging the song's owner. This is like libel/slander.
But, there's still a fundamental difference between that and theft. Even identity theft is a misapplied label. It's not that when someone 'steals your identity' that you no longer have one, it just means that it's no longer unique. It has been diluted. Identity theft would be when someone steals your identity and you no longer have one -- they are the new 'Clint Eastwood', to use your example.
At the top of the pile is Wal-Mart, with the thinnest inventory on hand and the highest rate of inventory turns. The mom and pop store keeps (relatively) more inventory since 1) they know less about upcoming demand than the big boys and 2) they are less willing to dissapoint customers by not having what the customer needs. Small retailers need their customers more than mega stores do.
If you supply product to the Wal-Marts of the world (from actual stuff on shelves to the guy that contracts to sweep the parking lot) they will put you under intense pressure to minimize your own inventory by constantly grinding for every penny of price. When you have cut out all possible costs for them they will still come back month and grind some more. If you want to continue as a supplier you will be forced to cut wages/benefits to your employees and/or offsouce everything possible to China to cut costs. If you won't - you will be replaced by a supplier that will.
-- your Web browser is Ronald Reagan
The first time I heard of this inventory model being used is when they constructed the Empire State Building back in the 20's. Because they were building in the middle of the city they didn't have room to store inventory and so they simply had to use the Just In Time system.
"The moment "pride" is lost, "freedom" is also lost." - Ramza.
I know that their prices are too high. I know that music piracy is cutting into their profits some, but not as much as they make it out to be. I know that if CDs were priced at $5 or whatever, many P2P downloaders say they would buy instead, but would they? Or would they say it's still too high, or just buy the one every other month that they really really want, while downloading three or four others?
There is such a large outcry that the RIAA should change their business model, and until they do, they're forcing you to download free instead--yeah, right. There are some of you that have the correct idea with recommendations to boycott (that means don't USE as well as don't buy) RIAA or to support indie bands instead. For the unauthorized P2P downloaders, though, you have no right to claim any moral high ground when you will not do without the product as part of your protest. Listen to the music you have instead of "acquiring" new, or if there's a new song you really like, buy that track from iTunes.
If you want to protest them, but do the right thing, cut your music consumption. If P2P downloading of their music decreases, and they still only get a few dollars a year from each person by buying individual tracks, they will get the message. (Not that they will honestly present message in the media, though)
We may experience some slight turbulence and then...explode. -Capt. Mal Reynolds
In a not-so-surprising twist of the tables, RIAA reporting of 'losses' is a little bit off. Is anyone seriously surprised that lawyers would lie to us? I do my shopping on line to the extent possible because it's convenient and cost effective. Depending on the size of the orders I may or may not pay shipping - but I never pay the 8.5% tax which is always more than shipping.
We may experience some slight turbulence and then...explode. -Capt. Mal Reynolds
the losses of RIAA was due to them overpayi.. erm over-sponsoring the senators and congressmen..
What could be easier than burning a new CD? The part where software is installed is write-only so it's going to be hard to root it.
"You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
...I'm not saying that there's no merit, but not being able to easily write to the CD with updates is not a trivial issue, and having to rewrite new CDs is a bit of a pain (and would require at least some scripting if you wanted this to be reasonably low-effort). I'm not willing to go through that degree of effort for a relatively slow copy of Linux when all I'm doing is web browsing -- the Windows version of Firefox hardly differs that much from the Linux version.
Now, if I were writing software or something, then things might be different.
May we never see th
Wikileaks, no DNS
Unless you lived in an elevator or beneath a secretary's desk, you may recall that the record industry was going nowhere until MTV arrived and introduced millions of viewers/listeners to hundreds of new acts. None of those listeners paid $0.99 to MTV per song (never seen the math based on a cable bill, though) but millions of those listeners ran out and plunked down $16 or so for a sparkling-new CD or relatively-new cassette. MTV+Sony Walkman+CD = Revived music industry. Internet+Apple iPod+IMS = Potential to re-revive music industry.
The music industry, like all collective monopolies, is terrified of disruptive technologies/innovation, even if the pay-off is beyond their wildest dreams. Very simply, they fear that the pay-off will be to SOMEONE ELSE like say... a computer company with tiny but loyal market share.
Watch for FUD, followed by lawsuits, followed by hostile takeover attempts, followed by legitimate offers with tail between legs. Repeat when next innovation comes. Kaut kas tam lidzigs...
MD.
the assfuck who did just got meta modded unfair