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No Need For Trek Anymore

dcsmith writes "In an article at the LA Times, Orson Scott Card says 'So they've gone and killed Star Trek. And it's about time.' SciFi blasphemy? Not really. Card makes several good observations about the growth of SciFi over the past 30+ years. The article also comments on several other genre gems, including Joss Whedon's Firefly." From the article: "...the hungry fans called their friends and they watched it faithfully. They memorized the episodes. I swear I've heard of people who quit their jobs and moved just so they could live in a city that had Star Trek running every day."

141 of 790 comments (clear)

  1. SUMMARY: Star Trek should NOT by xmas2003 · · Score: 3, Funny

    Live long and prosper ...

    --
    Hulk SMASH Celiac Disease
    1. Re:SUMMARY: Star Trek should NOT by Foobar+of+Borg · · Score: 2, Funny
      or, you could say:

      Spock: "Jim, we're dying."

      Kirk: "Let us die!"

  2. So They Have Gone and Killed ... by waynegoode · · Score: 4, Funny
    The outcome of this is clear. All we have to do now is wait to fill in the blank.

    Enraged Trekkie __________ attacked Orson Scott Card today and beat him senseless with a 1960s-vintage officially licensed Star Trek (tm) phaser. Other trekkies soon arrived in mass and quickly stoned the defenseless Card to death with their DVD box sets of TOS, TNG, DS9, Voyager and Enterprise.

    Card had made the mistake of making comments in a Los Angles Times op-ed piece about the Star Trek franchise that did not deify all people ever involved in the series, including bit-part actors who barely had speaking parts. He even went so far as to suggest that perhaps Star Trek was not the best TV series of all time.

    "He made some good points in the article," said a fellow sci-fi writer who feared for his life and did not want to be identified. "Too bad he had to make them about Star Trek. I'll miss him."

    1. Re:So They Have Gone and Killed ... by ral315 · · Score: 5, Funny

      No way. They wouldn't take the phaser out of the box.

      The DVD Box sets, that's another story.

    2. Re:So They Have Gone and Killed ... by Raul654 · · Score: 5, Funny

      ...And so the Trekkies were executed in the manner most befitting virgins - they were thrown into volcanoes -- Futurama

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    3. Re:So They Have Gone and Killed ... by Tumbleweed · · Score: 2, Funny

      "*ahh!*"

      "He's dead, Jim."

      "*ahh!*"

      "He's dead, Jim."

      "*ahh!*"

      "He's dead, Jim."

      , etc.

      Best...Futurama...episode...EVAR!

      "Yes, front row!"
      - Jonathan Frakes

    4. Re:So They Have Gone and Killed ... by AKAImBatman · · Score: 4, Insightful

      Screw the enraged Trekkies, he's knocked SciFi as a whole by listing such a crap set of unabashedly mainstream and modernly-popular authors - with the exception of Ellison - to represent 'Sci-Fi of the time' or whatever he calls it.

      I was just re-reading his comments when I noticed these gems:

      Charlie Kaufman created the two finest science fiction films of all time so far: "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind."

      Through-line series like Joss Whedon's "Buffy the Vampire Slayer" and Alfred Gough's and Miles Millar's "Smallville" have raised our expectations of what episodic sci-fi and fantasy ought to be.

      Malkovich? Smallville? *These* are what he thinks are the paramount of Sci-Fi? This guy needs his head checked!

      Whedon's "Firefly" showed us that even 1930s sci-fi can be well acted and tell a compelling long-term story.

      Well, at least he got one right. :-/

    5. Re:So They Have Gone and Killed ... by LurkerXXX · · Score: 3, Insightful

      Exactly what I was thinking. "Being John Malkovich", that's great sci-fi??? Card should go back and hope he can write another good book like Enders Game. Most of the rest of his work has been very very non-memorable. I think he's shown he dosn't have any better of an idea what good sci-fi is than the Trek freaks.

    6. Re:So They Have Gone and Killed ... by Macadamizer · · Score: 3, Insightful

      I don't know that Heinlein and Asimov, not to mention LeGuin, Clarke, Moorcock and Silverberg, really need to be slagged as a "crap set" of authors. Seriously, if you are looking at the late 60's and early 70's, which is the time frame he was talking about, which authors would you consider to be "not crap"? Sure, he left out Philip K. Dick and Frank Herbert and Fritz Leiber, and I'm not sure I would rank Niven or Aldiss equal to Asimov or Clarke or Heinlein, but honestly, who do you think should be on that list? I'm very interested.

      --

      "That's not even wrong..." -- Wolfgang Pauli
    7. Re:So They Have Gone and Killed ... by axonal · · Score: 2, Funny

      If I were him, I would have rather gotten "tribbled" rather than stoned.

    8. Re:So They Have Gone and Killed ... by MrAnnoyanceToYou · · Score: 2, Interesting

      Niven and Aldiss are the ones that tear it for me. The rest, I'm cool with. The calling of it a 'crap set' is mainly due to his mismatching and popularizing.... My main problem with OSC is his close-mindedness, and the problems that creates for him when rating. He'd love to be Asimov, but just doesn't.... quite.... make it..... I, Robot and the Foundation Trilogy and even Positronic Man are all quite mainstream now, but were more groundbreaking than all of OSC's work put together. There are a few authors I just love which just don't get the press these guys do, because they were just a bit older or more obscure... Authors should pick people not everyone has heard of to push forward, not the same cookie cutter preferences. Especially when being angry about there being a cookie cutter TV series that set the making of THEIR series / movie / whatever a bit behind.....

    9. Re:So They Have Gone and Killed ... by John+Harrison · · Score: 2, Insightful
      There is an odd quality to your post and that of some others here. This is a guy that makes a living writing mostly sci-fi. He probably knows something about it. His definition of sci-fi is pretty broad too, and many of his books are probably on the boarders of what is considered sci-fi. I am the first to admit that every one of his books isn't amazing, but his opinion has to be at least as valid as yours on the subject. Unless you are Ray Bradbury or something...

      That said, I don't understand how he left Battlestar Galactica off the list. I would love to know what he thinks of it, especially given the whole Mormon thing.

    10. Re:So They Have Gone and Killed ... by susano_otter · · Score: 2, Informative

      On the other hand, "en masse" means (literally) "in mass". The two terms have the same utility in conversation, and could be used interchangeably in almost any English sentence (assuming you will allow commonly-used foreign phrases in an English sentence). Nor is any of the meaning of "en masse" lost, when you replace it with "in mass".

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    11. Re:So They Have Gone and Killed ... by Bastian · · Score: 3, Insightful

      Well, there are a lot of definitions of science fiction floating around. For some, all it takes is that humans descended from Earth live on a planet other than earth, even if all the technology that the characters posess is no better than what we had in the 18th century. For others, it has to involve scads and scads of technology that we don't have or can't exist, preferably with lots of robots and space travel.

      However, I think for a lot of science fiction writers and "high brow" literary types who get into science fiction, the boundaries of the genre are much softer. In this case, any literature which uses some piece of unusual or advanced technology as a plot element through which some human theme can be explored counts as science fiction. Apparently for Card, the technology itself doesn't even have to be given much stage time, if he considers Being John Malkovich (which I think is deep in a gray area) to be sci-fi.

      Personally, I prefer this final definition. While I frequently enjoy "rocket" science fiction and used to watch TNG and DS9 almost religiously, I tend to think of the period when all sci-fi was oozing with gadgets to be pretty typical for any genre in its infancy/childhood. Sort of like in early animation where EVERYTHING was moving CONSTANTLY, even many inanimate objects.

    12. Re:So They Have Gone and Killed ... by MrAnnoyanceToYou · · Score: 2, Interesting

      Kuttner. I LOVE Kuttner's Proud Robot collection. An 'engineer' who can't do anything unless he's completely blitzed, and then spends his sober hours figuring out what on earth he's done.

      Ellison is getting more mainstream as he gets older, but "Repent Harlequin Said the Ticktockman" is probably one of the top ten Sci-Fi stories ever written.

      Zelazney's short fiction is quite good. Some of it is campy, but Lord of Light is something many people haven't read but enjoy quite a bit on their first read.

      Generally, I like to read a lot of anthologies - Sci-Fi is like normal fiction; you hear a lot about novels, but if you read short stories you get the authors who aren't so worried about cover count on books sold. You get a lot of authors who pack their stories tightly. You get a lot of authors whose fiction is amazing. My favorite collection of all time is, "The World Treasury of Science Fiction." Good luck finding a copy...

      Another good way to go is early novellas from people - Blood Music was sold as a novel but better as a novella. (In-My-Never-Humble-Opinion-No-Matter-How-Hard-I-T ry) Bear did a wonderfully snide and macabre short story in "Heads" as well...

      Can't think of anything else off the top of my head, unfortunately. Sometimes, I like to go buy two or three anthologies and spend a weekend digesting 2k pages. It's fun.

    13. Re:So They Have Gone and Killed ... by LurkerXXX · · Score: 2, Insightful
      This is art (writing) we are talking about, not science. There are no facts about which is intrinsically better, only opinions, and mine are just as valid as his. That's what I was saying about those crazed trekkies know as much about good sci-fi as much as he does. They might not write it, but they very well may read/watch as much or more than he does.

      Frankly you are right, some of the great "sci-fi" Card was talking about is fantasy, not sci-fi. More than Galactica, I'm surprised he didn't mention the change the studios/networks were willing to go to with Babylon 5 and it's 5 year story arc. Yes, the acting was cheesy, but the commitment to a long changing character cast and plot was a big leap for the networks vision of what a sci-fi show could be like.

    14. Re:So They Have Gone and Killed ... by DavidTC · · Score: 2, Insightful
      ...some of the great "sci-fi" Card was talking about is fantasy, not sci-fi...

      Maybe Card realizes that there is a class of literature that is involves fictional settings (As opposed to just fictional people and plots.), and it really doesn't matter if the made-up setting is 500 years in a future, in another dimension where magic works, or 100 years in the past where the Confederacy won the civil war.

      People who think there's a real difference are just silly. You can like 'fictional setting that involves future technology' and not 'fictional setting that involves magic', just like you can like Hercules Poirot and not Sherlock Holmes, but genre-wise, they are the same.

      The genre, whatever you call it, just changes the 'universally assumed setting' that all other fiction is set in (Our universe, past or present, perhaps with a fictional town or president or something, but 'our universe'.) and explore how that difference affects characters and events.

      --
      If corporations are people, aren't stockholders guilty of slavery?
    15. Re:So They Have Gone and Killed ... by DavidTC · · Score: 2, Funny

      Wait, I thought Ayn Rand was the second-rate Ayn Rand.

      --
      If corporations are people, aren't stockholders guilty of slavery?
    16. Re:So They Have Gone and Killed ... by gilroy · · Score: 2, Informative


      The point of literature is to help the reader/viewer answer "What does it mean to be human?" Convetional fiction does it by showing us what it means to be some other human, in some other circumstance. Historical fiction does it by showing us what it was to be human in some other time. Science fiction does it by showing us things that are not humans or by showing us humans in situations we've never been in before. By that measure, it doesn't really need ubertech, though it clearly helps.
      <pompous intellectual mode off>

    17. Re:So They Have Gone and Killed ... by LurkerXXX · · Score: 2, Insightful
      What about a regard for the authors/artist orignal intent, do you not think that should be given some level of creedance above and beyond my own interpertation of a given piece of artwork?

      Oftentimes fans and critics read much into a piece of work that an author/artist never intended. Some of the artists hate this. Others love it. Which is right? Neither. It's subjetive.

      Why are there so many schools of thought? Why so many methodologies? Because it is subjective.

      I can talk about my work to another scientist from the other side of the world, from an entirely differnt culture. When I talk about an experiment I did that show phosphorylation on the 7th amino acid of a particular protien under certain conditions, he can study the phosphorylation using a different experimental method, and he will come to exactly the same conclusion. It's a fact.

      Good vs Bad is subjective. Always. Doubt it? Give me an example of something that is universally 'good'. Universally 'bad'. In philosphy, there is the study of 'truth'. Not the study of 'good'. Why? Good is subjective. There is the hope that truth isn't ;)

      What about experts in the same field?

      You mean like professional critics who have had all that fancy lurnin like you?

      Lets look at professional movie critics. I guess they all agree if a movie is good if it 'truly' is, right? Nope. How about theatre critics. All the learned critics in New York must all give similar reviews to new plays right? Nope. How about artwork in galleries? Nope.

      Why? Because it is all subjective.

      Why do folks watch Siskel and Ebert (Roper now) or read the reviews of any critics? Do the two critics always agree? Nope. People are familiar with them and their reviews. They know roughly how they judge movies, what they generally like and what they hate. From these reviews, they can evaluate if the movies are probably to their taste, even if they aren't to the critics.

      What I am pushing towards is that artwork and its interpretation are not a matter of opinion, it is a matter of facts. Facts about the author and his culture. Facts about the viewer/reader and his culture.

      Yes, yes it is a matter of opinion. It is not fact. Just because an artist intended to express something, that doesn't mean he work was successful in expressing that intent to the audience. Even an audience of experts. Perhaps he expressed something entirely different to them than what he intended.

      We can establish that there are certain facts about an author and his intent

      No you can't. First of all that would require you have to direct information direct from the artist about that piece of work. Some artists don't like to express their intent. They prefer that you infer what you like. Some are just recluses and don't like talking to others about their work. Some die before anyone can ask them about some piece.

      Even if an artist does tell you what he intended, how do you know he is telling the truth? What if he was intending something else subconsciously? Once again, you have no real FACTS.

      I also say we can establish certain facts about person making the critique's ability to understand a given piece of art and his cultures ability to understand it.

      That's a loaded piece of crap. You are making HUGE assumptions if you think you know my or any other critics background, training, or baggage. There is an entire industry in trying to figure out what the general public, as consumers/critics will like. The professionals fail at it regularly. Often quite horribly. You don't know all the FACTS about any audience.

      If we take these four facts and judge someone's interpretation against them, we can make a value judgment about that piece of art within my context and within the artists context.

      How pompous can you get? You are making a subjective value judgment about how well someone else has made

    18. Re:So They Have Gone and Killed ... by goldrybluszco · · Score: 2

      I always thought Card was an idiot, but this article really proves it. What a shill. I think he's a fine writer (pretty good anyway) but his artistic opinions are a bit lame. Does't he know he's a hack sci fi writer? Nothing wrong with that. But embrace it man. I mean really ?! (to quote the article):

      Charlie Kaufman created the two finest science fiction films of all time so far: "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind."

      uh? 2001? Whatever. Charlie Kaufman is a great writer, but ESSP is just a Phillip K. Dick story (who wasn't even mentioned in the great pulp heros of the past list!)

      Some humility please.

  3. Thank god for Card by hikerhat · · Score: 4, Funny

    I wasn't sure if it was OK for me to not like Star Trek anymore. If it wasn't for Card telling me what to think I would probably never make up my mind.

    1. Re:Thank god for Card by TodPunk · · Score: 2, Interesting

      Isn't that true of all critics, though? They just share an opinion, and if they're good, back it up with some information. If you're stupid, you just listen to your favorite critic like the sheep you are. If you're intelligent, you listen, you process, you get more information, further process, and come out with your own opinion.

      Personally speaking, Card's not too far off from my own opinion. Star Trek could use a face lift it needs to continue, otherwise, I really won't (read: haven't for years) miss it. If that enrages you, hey, fine. I'll just be over here enjoying something outside the limited scope Trek had for Sci-Fi.

      --
      This forum Sig is licensed under the LGPL.
  4. He thinks trek always sucked by AKAImBatman · · Score: 4, Insightful

    In summary, he states that Trek has always sucked, Roddenberry was a hack, and the Klingon language is stupid. I've got some tar over here, anyone else got some feathers?

    Honestly, it's great that he doesn't like Star Trek. I'm happy for him. Really. But not everyone is looking to have their heads messed with when they watch Science Fiction. They don't necessary need to find the "deeper connection", "reveal the hidden truths", or "find another plain of existence". Sometimes people are happy addressing issues that are relevant today rather than issues from some dysotopian future. Star Trek did that. It used allegories (e.g. Klingons == Russians) and analogous situations (e.g. A Private Little War) to help put current issues into perspective. In addition, Roddenberry made Star Trek nothing more than a canvas for far more experienced writers to make their points.

    In short, people loved Star Trek because it was both thought provoking and accessable to people who aren't interested in "hardcore sci-fi" visions of the future.

    Side Note: Has anyone ever noticed that when Star Trek addresses a topic that some find to be a repulsive trait of hardcore Sci-Fi (e.g. telepaths), the blow is somehow softened to where the concept is easy to accept? Perhaps there's even more missing than Mr. Card realizes.

    "I wonder sometimes if the motivation for writers ought to be contempt, not admiration." -Orson Scott Card

    Well, that explains everything. :-/

    1. Re:He thinks trek always sucked by zerocool^ · · Score: 3, Insightful


      Yeah, I mean, star trek was a "Wagon train to the stars", as far as I knew. It wasn't supposed to be deep. Think about the next generation - random alien shows up, strange problem happens, strange problem stems from a problem with random alien, who is outwardly scary but inwardly kind and vastly misunderstood, enterprise makes friends, credits. But, you know what? It was good.

      If you enjoyed watching it, it was good. I'm not putting on ears and going to conventions, but come on - it's not cool to hate everything. Just like what you like, for your own reasons.

      ~Will

      --
      sig?
    2. Re:He thinks trek always sucked by dfn5 · · Score: 2, Interesting
      and analogous situations (e.g. A Private Little War) to help put current issues into perspective.

      I don't want to watch Sci-fi to put current events into perspective. That is what The Daily Show is for. I want series long plot development, not episode long one offs. When Enterprise started out I thought it kinda sucked. The season long story about the Xindi was good because it was continuous. This is why Babylon 5 was really good. Firefly looked like they were heading in this direction too, just not enough episodes to find out.

      --
      -- Thou hast strayed far from the path of the Avatar.
    3. Re:He thinks trek always sucked by Scott7477 · · Score: 2, Insightful

      Great comments, I agree with everything you say here. I have enjoyed many episodes of all of the different series. The main problem I had with ST is the limitations placed on the producers by Roddenberry's will and the framework of the storyline. Let's face it, every TV series reaches a point where it is creatively exhausted. Trek can really be considered one of the most successful series ever if you take all of the series and consider them as one.
      Of course, ST might have lasted longer if they had fired Berman and Braga. Those guys have obviously been phoning it in for a while.
      I think that a real opportunity was missed when the powers that be didn't let Frakes do more directing. The movie that he was in charge of was extremely well done. Must have been a power struggle with the B+B buttheads...

      --
      "Lack of technical competence coupled with the arrogance of power, as usual, leads to no good end."
    4. Re:He thinks trek always sucked by Che+Guevarra · · Score: 3, Insightful

      Since when does Card write hardcore Sci-Fi? I didnt' find Ender's Game to be particulary technical. If you want hard sci-fi, read Eon by Greg Bear.

    5. Re:He thinks trek always sucked by netsphinx · · Score: 5, Insightful

      Good point regarding the allegories...the technique is classic, and Star Trek (has been at times) one of the finest examples in popular fiction.

      Take issue A. Not everyone really wants to deal with issue A in a serious context all the time. And if issue A is something so divisive or ugly that people don't even want to consider it, you may be in danger of offending people in any discussion or scenario in a realistic setting. So take issue A and set it on another planet, (or in another country--Shakespeare was always lifting recent English politics into Rome/Italy/Denmark) where you can explore the bejeazus out of it without naming names or identifying your readers or viewers as villains.

      I'd have to say that science fiction used to be a prime place for this, particularly on highly-censored media like television. Frankly, though, television doesn't need to worry as much about offending anymore...can anybody find me a social issue that isn't dealt with in documentary or mainstream fiction these days? (Within a script-cycle on Law and Order, for one.)

      Also, with that breed of social sci-fi/fantasy has always been at risk--see Utopia, Erewhon, Planet of the Apes (the book, folks)--of becoming a preachy polemic on the author's ideals. Roddenberry and the original writers rode the edge well, for the most part, for their time, and they really made "ripping good yarns" out of some of the episodes. (Anyone wants to argue "all" is kindly asked to watch "Spock's Brain before posting).

      But I think that long-term interest--both the kind that makes the whole dorm show up for each new episode AND the kind that makes every succeeding generation turn to their kids and say, "Hey, you're old enough, read/watch this," have been lacking for a -long- time in too many of the shows.

      Anyway, returning to my main point...there are other shows out there visiting an allegory a week, and there have been for a while. Original Trek had to compete with Lost in Space--no contest. STNG owned the dial at our place (Dr.Who came on late Saturdays only). Since then, though, DS9, Voyager, and Enterprise have had to endure comparisons with B5, Stargate, Farscape, Firefly, Battlestar Galactica, and Atlantis...none of which are or were saddled with as much backstory...and all of which were free (see parent sidenote) to look at the grimy side of the future and present in ways that Trek was not.

    6. Re:He thinks trek always sucked by NanoGator · · Score: 2, Insightful

      "Yeah, I mean, star trek was a "Wagon train to the stars", as far as I knew. It wasn't supposed to be deep."

      It was also made at a time when Scifi was virtually non-existent on TV. Roddenberry had a real difficult time getting Paramount to do it. For example: The rule about most aliens being basically humanoid with bumpy heads was a pitch to prove that the budget wouldn't need to be astronomical.

      Star Trek TMP almost didnt' get made because of Star Wars. It was felt back then that the market could only sustain 1 science fiction movie. If Close Encounters hadn't have happened, the Star Trek movies wouldn't have. It proved that a significant amount of people out there really did like sci-fi.

      To chew on Star Trek for not meeting high standards of science fiction books is like chewing on Nasa for not building a moon base yet.

      --
      "Derp de derp."
    7. Re:He thinks trek always sucked by skingers6894 · · Score: 2, Insightful

      "Think about the next generation - random alien shows up, strange problem happens, strange problem stems from a problem with random alien, who is outwardly scary but inwardly kind and vastly misunderstood, enterprise makes friends, credits."

      You forgot the bit where Jordi reroutes power to the main deflector dish to tickle the alien with a tachyon particle stream. Alien laughs, humans cheer, Picard says something inspirational to the crew, Riker eyes off Troi, Data says something logical but funny in the circumstances and looks bemused at the response, Wesley chimes in with something annoyingly childish but loaded with wisdom beyond his years as he finished his nobel prize winning science experiment. THEN the credits roll.

      PS there's usually a game of poker in there somewhere too

  5. Insert comment about Wesley Crusher here. by aussie_a · · Score: 3, Interesting

    I use to have a crush on Wesley Crusher.

    1. Re:Insert comment about Wesley Crusher here. by Dogtanian · · Score: 4, Funny

      I use to have a crush on Wesley Crusher.

      So, does this account replace your old one, or are you still posting as 'CleverNickname'?

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
  6. Star Trek gave us hope by dsanfte · · Score: 5, Insightful

    Star Trek gave many people a vision of a future much more peaceful and prosperous than the present day, and awakened who knows how many minds to the potential and wonder of the universe and science. I'm in the sciences today because of it.

    The hope that tomorrow can be better than today is what keeps all people going. Star Trek really connected with people on a level I've rarely seen.

    --
    occultae nullus est respectus musicae - originally a Greek proverb
    1. Re:Star Trek gave us hope by Shadow+Wrought · · Score: 2, Interesting
      Star Trek gave many people a vision of a future much more peaceful and prosperous than the present day, and awakened who knows how many minds to the potential and wonder of the universe and science.

      And it did it while dealing with the social and political issues of the day. It was that element which I think resonated so strongly with the people. Rodenberry used it as a means of social commentary, and it is that element which seems to be lacking in the most recent incarnations of Trek (for which I blame Rick Berman- along with a host of other things). That torch of social concious has been picked up by shows like South Park and The Simpsons, and those are the ones which seem to now have the hardcore fan base memorizing lines.

      The original Star Treks may not have been "good" Science Fiction, but they were very good at telling stories relevant to their viewers. I have enjoyed reading many of the authors that he has listed (though I have not yet read any of his work) and many of their stories also provide parallels to society. The ideal solution would be the ability to read and watch good stories, be they "hard" SciFi, "soft" SciFi, or Fantasy.

      --
      If brevity is the soul of wit, then how does one explain Twitter?
    2. Re:Star Trek gave us hope by Rosco+P.+Coltrane · · Score: 3, Interesting

      Star Trek gave many people a vision of a future much more peaceful and prosperous than the present day, and awakened who knows how many minds to the potential and wonder of the universe and science.

      The vision of the future in Star Trek is called ideal socialism: no currency (because everything is so well managed that no one needs to pay for anything, since it's essentially free), no personal possessions apart from the few toys and artworks found in rooms onboard the enterprise, a very flattened organization in terms of social ranks, despite the actual ranks onboard (i.e. Wesley Crusher can address the captain more or less freely despite being just a little brat) ...etc.etc...

      Not that there's anything wrong with socialism, aside from being a complete utopia :-)

      I'm in the sciences today because of it.

      I'm sure there are a lot of people at Nokia who got inspired by the communicator thing. And I'm quite sure there are a lot of people who went into the toupet-making business and the gay fashion industry after watching late ST1 episodes with Shattner.

      --
      "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
    3. Re:Star Trek gave us hope by epiphani · · Score: 3, Funny

      That accually reminds me of a story a friend of mine told me. He's in 4th year physics at Waterloo, and near the end of the class, as people were starting to pack up, the teacher made some reference to Patrick Stewart.

      One student in the class, who grew up in North America to an english speaking family, asked "I've heard a number of reference to Patrick Stewart in your class - who is he?"

      The room went dead silent. Another student goes "You're in fourth year physics and you dont know who Patrick Stewart is?", agast.

      And thats the end of my story.

      --
      .
    4. Re:Star Trek gave us hope by TopShelf · · Score: 2, Insightful

      Good science fiction is an exploration of ideas. Star trek is more a vision of utopia. A glass-half full template for the future.

      I wouldn't say it was a vision of utopia, but a vision of a future that was further along that road, but still facing many of the same challenges that we face today. Nothing wrong in that.

      Overall, I thought Card's article rather unfair. To say that Firefly is a far superior 1930's-style serial than Star Trek is to basically just give credit to the advances made in television drama over the decades. Let's face it, just about every show on TV has more developed characters, dynamic storylines, etc. than predecessors from the 60's and 70's.

      It's like comparing CSI to Quincy and ruling that Quincy sucked eggs. But hey, give Jack Klugman a background with casinos, a cavalcade of sexual deviants and a sexually-overcharged female coworker, and Quincy would've ruled the roost.

      --
      Stop by my site where I write about ERP systems & more
    5. Re:Star Trek gave us hope by raehl · · Score: 4, Insightful

      a future much more peaceful and prosperous than the present day

      Except, of course, when the federation is blowing up, or being blown up by, Klingons, Romulans, Cardassians, Ferrengi, etc.

      One of the things I thought made DS9 really good, especially in the later seasons, was precisely that even though the Federation was supposed to be this nice happy place, DS9 showed that the only reason everything was hunky-dory on Earth was that there were people at the edge of the federation holding back the things that wern't so hunky-dory.

      Even in the Star Trek future, peace and prosperity are only guaranteed by phasers and photon torpedoes. Star Trek just pushed the line between peace and conflict further away from home.

    6. Re:Star Trek gave us hope by sjames · · Score: 3, Insightful

      Even in the Star Trek future, peace and prosperity are only guaranteed by phasers and photon torpedoes. Star Trek just pushed the line between peace and conflict further away from home.

      That strikes me as a recofnition of an unfortunate reality. Of course, without that reality, the whole show would be a lot less believable.

      There's nothing to be done about that reality n ow or in a more developed society. The hopeful part is quite interesting to compare to today's reality. It is thought provoking if (like anything thought provoking) the viewer allows the thoughts to happen.

      Notice that nobody frets about being downsized and how they will pay their bills? Nobody's concerned about being wiped out by unexpected medical bills?

      Career focus is on achievement and fulfillment rather than on pay.

      That all sounds rather idyllic compared to today's society. It's too easy to dismiss that entire aspect as fiction and focus on the action.

      Instead, what we should really be asking is why does that seem so unrealistic? Why is it that anyone can't afford food in a country that pays farmers to NOT produce? Why do people work such long hours in an economy that doesn't have as many jobs as there are people to fill them? Why do we have human beings doing the job of a robot? Any of that would be repugnant to the people of the Star Trek universe. Even a failed Ferengi (Oa society clearly modeled as a natural extension of ours today) has better prospects than a laid off factory worker.

      Those are the questions implied by the shows. The background of the show offers an alternative to the idea that if such conditions were made true, everyone would become a couch potato and society would collapse.

      Given the number of people in our society who are still inclined to screech about the evils of communism (promptly drawing examples from states that were communist in name only) the only way to even ask those questions and make those suggestions in mass media is under the cloak of science fiction.

  7. New focus needed by Anonymous Coward · · Score: 4, Interesting

    Everythings become so staid or stupid in StarTrek. They need to get name authors to pen plotlines if they ever want to do Trek again. Perhaps if they set everything in the Mirror Universe, it would be good. Afterall, how many TV series set out to be evil all the time?

    1. Re:New focus needed by ddkilzer · · Score: 2, Interesting

      The last two episodes of Enterprise, "In a Mirror, Darkly", did just that! They even changed the show's theme (at both the beginning and end of the show) and the title sequence. I thought it was very well done, but then I'm also a Trek fan and hated to see the series end.

    2. Re:New focus needed by Sponge+Bath · · Score: 3, Funny
      "In a Mirror, Darkly", did just that!

      And it was entertaining!
      Spin that off as the next series: Star Trek Empire
      Every episode full of busty women and wanton violence!

      Prime directive, my ass!
  8. Your franchise is dead when... by mfh · · Score: 3, Funny

    ... people love discussing it's demise! Two "trek dead" stories in two days on /.

    I still say they should do a trek reality series that follows Romulan assassins weeding their way into Romulan culture and the Federation. 24 in space type thing...

    --
    The dangers of knowledge trigger emotional distress in human beings.
  9. Wow by Neil+Blender · · Score: 4, Funny

    Who would have thought Star Trek would outlive Star Wars?

  10. Ummm.... yea by Raul654 · · Score: 5, Insightful

    Through-line series like Joss Whedon's "Buffy the Vampire Slayer" and Alfred Gough's and Miles Millar's "Smallville" have raised our expectations of what episodic sci-fi and fantasy ought to be.

    Fantasy, yes... science fiction, no.

    --


    To make laws that man cannot, and will not obey, serves to bring all law into contempt.
    --E.C. Stanton
    1. Re:Ummm.... yea by qengho · · Score: 2, Insightful


      I haven't read the article and don't intend to (I stay clear of Card's writings)

      Why is that? Because you ran across one of his articles on ornery.org and decided he was a Christian asshole?* Like most authors, some of his work is dreck and some is good. Card has produced some truly excellent fiction (the first two books in the Ender series and the Homecoming novels). He focuses on characterization, sometimes to the detriment of plot, but his best work is definitely worth reading. If you like science fiction, give him a shot.

      *<flame-shield>I'm an athiest and don't always agree with his columns, but they're always well-written and provocative.</flame-shield>

  11. Re:Orson Scott Card by Doc+Ruby · · Score: 4, Informative

    Card is an excellent writer - his Ender character is immortal, and the writing is some of the best in the genre of his contemporaries. But outside of his own novels, who cares what he thinks about anything else? For example, he's an insane Christian homophobe. That doesn't affect his SF writing, but it does impugn his judgment about "society", even the place of the writing of others in society.

    --

    --
    make install -not war

  12. P.S. Can I have my own TV show? Signed, Orson by Anonymous Coward · · Score: 2, Funny

    Oh, c'mon. Orson is not so very subtly saying:

    My sci-fi show wouldn't suck, so hire me.

  13. Card's a moron. What's your point? by Moryath · · Score: 3, Insightful

    Orson Scott Card is a gifted writer. Nobody denies this. Well, maybe a few.

    But let's be serious here. As far as "Sci Fi" goes, he's off the deep end. He's the sci-fi world's equivalent of some british royalty gimboid sipping tea from a saucer with their little finger sticking out, mumbling on about how the "unwashed commoners" don't truly appreciate horse racing, or polo, and how ghastly sports like soccer are.

    So he champions the hardcore sci-fi shows. That's fine. I've watched them. Some of them, I've actually enjoyed.

    I doubt if Orson Scott Card has seriously watched a Trek series, ever.

    I doubly doubt if he's paid attention to some of the absolutely amazing episodes Enterprise has had this year.

    And I really don't understand why anyone gives a shit what this ivory-tower sci-fi snob has to say on the subject.

  14. I agree with the basic premise by Marxist+Hacker+42 · · Score: 5, Insightful

    The problem though comes from a friend who doesn't have the money for cable or Satelite. Unless NBC starts carrying BattleStar Galactica, Enterprise is the ONLY current BROADCAST space-opera style sci-fi. When you consider that there will always be a younger generation of kids discovering science fiction for the first time, space opera still has a place. Maybe not Star Trek- which is particularily bad space opera- but space opera all the same.

    With Firefly and Enterprise canceled- and fewer stations than ever before carrying the syndicated version of Stargate and Andromeda (the second of which I'm sure Mr. Card would say suffers from the Roddenberry curse) what can step up to take the hole?

    --
    SJW: a person who perceives an injustice, and while correcting it, commits a greater injustice.
  15. The best Sci-Fi is short. by Future+Man+3000 · · Score: 4, Interesting
    It drops you into a not-entirely-alien universe, first amazing you with how different things are then amazing you with how little has really changed. Then it ends at the end of one or two books or two seasons, wrapping everything up.

    The worst stuff just drags on and on, rehashing the same tired prejudices and routines with regularity until it's mercifully cancelled. You're not normally supposed to hate the protagonists and root for the end of humanity by raging alien hordes, but each Star Trek has gotten better at inspiring this kind of "hope".

    --

    I never vote for anyone. I always vote against.
    -- W.C. Fields

  16. The problem with Star Trek by halivar · · Score: 2, Insightful

    In the 1960's, Star Trek presented a vastly different culture than our own, with ideas that clashed with the popular world view, such as human equality and tolerance, fused with America's nascent desire to pioneer space.

    Today, the civil rights movement has come and gone, there's equal rights and opportunity for almost everyone, and no one gives a crap about a mars base, much less colonizing space. The core themes of Star Trek have lost relevance with today's generation.

    Now it's just another whiz-bang space opera. Might as well be watching Lost in Space.

  17. Re:Orson Scott Card by soupdevil · · Score: 2, Insightful

    It does affect his writing -- if you have read the Homeworld or Alvin Maker series.

  18. Helpfull to see this as I'm reducing my... by Gojira+Shipi-Taro · · Score: 2, Insightful

    Comic Pull List.

    Guess Iron Man is off my list now, Mr. Card. Didn't really like what you did to the origin anyhow.

    Why people think the mere existance of Star Trek somehow stifles thier ability to put other SF out there is beyond me.

    As far as going to the pot to many times, I think that was proven with the Enders Game books (re-telling an entire book from a diffent character's perspective? *), so I guess in a way he knows whereof he speaks...

    * of course the Card fans out there will deny that being in any way derivitive or limiting or "more of the same" and crow about how "innovative" it was. Meh.

    --
    "Oh my God. This is terrible. This is the end of my Presidency. I'm fucked."; ~ Donald J. Trump
  19. I Don't Want To Admit It ... But It's True by rewinn · · Score: 3, Insightful

    From the article:

    Screen sci-fi has finally caught up with written science fiction. ... There's just no need for "Star Trek" anymore.

    I don't want to admit it, but Card is right. Star Trek was wonderful in large part because it was the first of its kind on TV. Now SF is not a gamble TV and is all over the place. That's a good thing since we can now concentrate on good story, characters and so on.

    This is perhaps a natural step in the development of a genre. Even Homer was great mostly because he was the first (have you every actually read the Illiad (even in translation?) It's not that good!)

    I still have a warm place in my heart for Star Trek that will never go away, but it must seem mysterious to those young whippersnappers who have never lived in a universe without Star Trek.

    1. Re:I Don't Want To Admit It ... But It's True by Marxist+Hacker+42 · · Score: 2, Insightful

      Now SF is not a gamble TV and is all over the place.

      Really? I can't name a single space-opera style show OTHER than Trek that has made it more than two seasons on broadcast network TV since Babylon 5 ended. Not everybody knows enough about sci-fi to spend money subscribing to a cable or sattelite service just to watch BattleStar Galactica on Friday nights.

      For entry-level kid sci-fi, there is nothing on broadcast OTHER than Enterprise right now- and while I agree with the Bring Back Firefly or at least something better than Trek clan- there is an evolutionary niche for space opera.

      --
      SJW: a person who perceives an injustice, and while correcting it, commits a greater injustice.
    2. Re:I Don't Want To Admit It ... But It's True by daigu · · Score: 4, Interesting
      Even Homer was great mostly because he was the first (have you every actually read the Illiad (even in translation?) It's not that good!)

      Homer is great because he captured Greek culture and managed to pass down to posterity a story that express the goals, hopes and dreams of that culture. The Illiad is the closest the Greeks have to a Bible, and it is brilliant.

      Perhaps you read a bad translation. Try Lattimore. You might also want to try a good commentary (although, I haven't used this particular one). For other suggestions on what else you might read to really appreciate Homer, try The New Lifetime Reading Plan which suggests good translations and sources for literary criticism, historical background, and other information.

      The New Lifetime Reading Plan is - without question - the most important book I have ever owned. It can help you to appreciate Homer just at it helped me to read what I thought was unreadable - James Joyces' Ulysses. The key tip is that Ulysses should be read with the help of Stuart Gilbert.

    3. Re:I Don't Want To Admit It ... But It's True by Dun+Malg · · Score: 4, Insightful
      Homer is great because he captured Greek culture and managed to pass down to posterity a story that express the goals, hopes and dreams of that culture. The Illiad is the closest the Greeks have to a Bible, and it is brilliant.

      And don't forget the Odyssey. Have you ever seen a "military guy gets revenge on his enemies and slays them all single-handedly" scene in a movie that came anywhere near the one at the end of The Odyssey? Man, when he strings that bow and those jackass suitors realize it's him and then find out all the doors are locked? Fantastic!

      --
      If a job's not worth doing, it's not worth doing right.
  20. By Grapthar's Hammer by ckaylin · · Score: 2, Funny

    By Grapthar's Hammer they shall be avenged!

  21. is Enterprise in trouble? by Marko+DeBeeste · · Score: 2, Funny

    Why didn't somebody say something?

    --
    Faith: n. -- That human impulse that drives them to steal appliances when the power goes out
  22. I agree. by jd · · Score: 2, Interesting
    We need more depressing series on TV - Terry Nation's "Blake's 7", or his "Survivors" series (where almost everyone dies of a horrible genetically-engineered disease in the first episode and many others die horribly later on).


    Let's face it. These are far more realistic than Star Trek, and present a much clearer understanding of politics.


    Maybe someone should get the rights to produce a prequel of "The Prisoner" (set in The Village, but not with No. 6), or something based on the Quatermass series (where the only way to succeed is to perish in a horrible, ghastly manner).


    Science Fiction has plenty of utopias AND plenty of dystopias. I would agree with the idea that having only one of these is not truly representitive of Science Fiction as a whole, but I would NOT agree that a series is "bad" merely because it happens to be on one side of said fence.


    IMHO, we need the extremes and even some examples of Universes between those extremes. Science Fiction ceases to be interesting the moment it stagnates on a single formula. Stagnation is the problem, not the brand.


    It would be good if American TV were more adventurous, looking at possibilities on where to go next, rather than trying to live on past dreams. The past fades, no matter now good it was back then. It's good to KEEP the past (NOTE TO THE BBC: This applies to you!!!) but it is not good to assume that you can live in it all the time, forever and a day.

    --
    It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  23. If it were only that simple by alexwcovington · · Score: 3, Insightful

    Yes, Sci-Fi has grown up over the last 30 years. I love Firefly and Stargate. But that doesn't mean old ideas are inherently worse; the new Battlestar Galactica series is fantastic. The problem is that since Star Trek: The Next Generation made it OK for shows like Quantum Leap to take to the air, Star Trek itself has had closed-in ideas and stagnant leadership. Deep Space Nine was alright, Voyager was decent, but Enterprise just got worse as it went along. They didn't realize it until it was too late. Manny Coto might have done a lot for Star Trek. He may yet have the opportunity. What's needed is a new vision. When legends like J. Michael Straczynski are lining up to reboot Star Trek, something is up. Maybe something great. If only Paramount would shake off the stranglehold Rick Berman has on the franchise, they could really make progress.

    --
    (It's never too late to join the Renaissance)
  24. Re:Orson Scott Card by Doc+Ruby · · Score: 3, Interesting

    It's almost like he learned nothing from Rodenberry's secular humanist vision of the future. No wonder he's glad to see Trek go. And no wonder he's got all kinds of other reasons to say he's glad. He probably doesn't even realize he's lying - that's one of the most effective characteristics of his cohort in America.

    --

    --
    make install -not war

  25. Astroturfing for OSC Movie by Anonymous Coward · · Score: 2, Informative

    An Orson Scott Card editorial in the LA Times? Get real: there's no nudity, no scandal, and the intersection of folks that have ever heard of OSC and folks who read the LA Times is probably nil. For many readers of the LA Times, this will be the first time they've ever heard Card's names, and that's exactly the point.

    Ender's Game is coming out eventually, and the studio wants it to be a hit. The book is literally a masterpiece (one of several by Card) and should be required reading for everyone serious about life, before they enter kindergarten. It was inevitable that someone who had read the book would eventually get the word to a moron at one of the big movie studios, and via blackmail or drug haze, a studio would pick it up. We're not far away from the release.

    This story is the introduction of Orson Scott Card to the moviegoing world. There's no telling how much planning went into what story should go and when it should go out, but the fact of the matter is that you're all being played. The world of dumbasses doesn't touch the world of genius without reason, and money is a good enough reason.

    1. Re:Astroturfing for OSC Movie by bani · · Score: 2, Interesting

      ender's game a masterpiece? please.

      ender's game was incredibly shallow and easily predictable, and the ending was telegraphed light years away. not a single one of the characters was even remotely interesting, including ender. developments in the story are about as subtle as a baseball bat, including osc's very shallow black and white portrayal of 'good' vs 'evil'.

      ender's game isn't terrible (i've read far worse), but it's not good. i can see it mainly appealing to angsty teens. however there's so much better stuff available, ender's game should be toward the bottom of the list when looking for stuff.

      i haven't read osc's other works so maybe he's gotten better since then, but ender's game didn't impress me at all .

  26. Re:Orson Scott Card by Anonymous Coward · · Score: 3, Insightful

    Yes, God forbid anybody should be a Christian. Everybody knows that Christians are all evil and bad. Except we can't say they're evil and bad, because nothing is really good or evil, you know? That's Christian thinking, and we reject that. Because Christians are bad.

    Also, anybody who disapproves of sodomy is really just scared of it. Don't dignify their positions by saying that they disagree or that they don't approve. Instead, accuse 'em of having a phobia. That way was can totally ignore their point of view without having to feel bad about doing it.

  27. Re:Orson Scott Card by Future+Man+3000 · · Score: 5, Interesting
    If anything, his background enhances his SF writing. I disagree that he's insane (although I reject his opinions in that essay) but I've noticed that much of my favorite science fiction has been written by people with radically different opinions or, um, mental deviations from contemporary social norms.

    Part of what makes this country great is the (unfortunately declining) encouragement to tolerate people that are wrong. The alternative is worse.

    --

    I never vote for anyone. I always vote against.
    -- W.C. Fields

  28. Re:Orson Scott Card by stoolpigeon · · Score: 2, Informative

    He's not a Christian - he is a Mormon.

    --
    It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
  29. Card Doesn't Read Credits by erturs · · Score: 2, Informative
    In his criticism of the original series, Card writes:
    As science fiction, the series was trapped in the 1930s -- a throwback to spaceship adventure stories with little regard for science or deeper ideas... Which was a shame, because science fiction writing was incredibly fertile at the time, with writers like Harlan Ellison and Ursula LeGuin, Robert Silverberg and Larry Niven, Brian W. Aldiss and Michael Moorcock, Ray Bradbury and Isaac Asimov, and Robert A. Heinlein and Arthur C. Clarke creating so many different kinds of excellent science fiction that no one reader could keep track of it all.
    It's ironic that Card chose these examples, since Harlan Ellison wrote for the original Star Trek, and Larry Niven wrote for the animated series. Other notable SF and horror writers like Theodore Sturgeon and Robert Bloch did so as well. If only Star Trek had continued to pay attention to good writing, the franchise might not have spiralled into the ground the way it did.
  30. Make that "No need for Star Trek:TOS" by mblase · · Score: 5, Insightful

    It's puzzling, to me, that Card (a writer whom I respect greatly, BTW) spends his entire column arguing that the "Star Trek" series(es) should be cancelled because ST:TOS was a bad show.

    Why should that even matter? ST:TNG was (by the third season, anyway) a far better series, and DS9 was better still, despite stealing ideas left and right from "Babylon 5". It's the last twenty years of Trek that's being cancelled, not the first three.

    Postscript: Now we finally have first-rate science fiction film and television that are every bit as good as anything going on in print. If only....

    1. Re:Make that "No need for Star Trek:TOS" by kongjie · · Score: 2, Insightful
      Exactly.

      You can't attack, for example, DS9 on the same grounds as ST:TOS.

      The only conclusion I can reach is that OSC is speaking out of bitterness...maybe he has been burned one too many times by television or something. Really, his article is simply a statement of his inability to understand why TOS became such a cult hit and inspired such extreme fan loyalty. I've read better assessments of ST shortcomings on fan sites.

      And then he really goes overboard by calling Being John Malcovich one of the greatest science fiction films of all time. He's trolling, of course, just dying for you to write in and say Hey, that's not science fiction!. Sure, Being was a fun ride, but a little too clever for its own pants, and certainly one of the most overrated films of all time.

  31. Re:It's true... by sremick · · Score: 2, Informative

    Heh... well considering Wil Wheaton reads Slashdot and posts sometimes, he might leave his own comment.

  32. Re:Orson Scott Card by e40 · · Score: 4, Insightful

    The problem is the same as actors blabbing about stuff you think is stupid: it makes it harder for you to concentrate on their major work. Once I knew that Tom Cruise was a $ceintologist, it made it damn hard to sit through a his movies without thinking "gee, he thinks the souls of dead aliens makes us do bad things"... the same for Card. It's now hard to read a book, knowing he's so kookie, and not be distracted by it.

    And, there's the whole I don't want to support his bullshit views (by helping to make him rich).

    I'll admit, this might not be a problem for everyone, but it is for me.

  33. Re:Orson Scott Card by Abcd1234 · · Score: 3, Insightful

    Yes, God forbid anybody should be a Racist. Everybody knows that Racists are all evil and bad. Except we can't say they're evil and bad, because nothing is really good or evil, you know? That's Racist thinking, and we reject that. Because Racists are bad.

    Also, anybody who disapproves of Blacks is really just scared of them. Don't dignify their positions by saying that they disagree or that they don't approve. Instead, accuse 'em of having a phobia. That way was can totally ignore their point of view without having to feel bad about doing it.

  34. Respectfully Disagree by DumbSwede · · Score: 2, Interesting
    OK maybe I'm just showing my age here, but I think some episodes of TOS hold up extremely well and are well written. Yes the original series was not episodic, though the movies were.

    I hold Mr. Cards books in high regard, but not necessarily his role as film critic. He makes some points, but not all of them are well founded. I would concede that TOS is like short fiction and later TV Sci-Fi like novels. Short stories are not by definition worse or more lowbrow than books. I would argue the same for this comparison of these two art forms (episodic versus non-episodic).

    Production values are much higher these days, but that can sometimes be a detriment to story telling. Try viewing TOS and viewing it as a Play rather than a Movie and you might find its exaggerated acting holds up better.

    Most off track is Card's indicating TOS could have benefited from the great writing talents of its day. It did. Several episode were penned by guests writers, well known Sci-Fi novelists of the day -- not so coincidently some of the best episodes. (I'm sure some other post will list the episodes and authors).

    I wouldn't deny that TOS had some clinkers, but come on, compare it to "Lost in Space" or the hardly known "Star Lost" I'd say it took TV Sci-Fi twenty to thirty years to catch up where Star Trek had boldly gone.

    Card, why you gotta be hatin'?

    P.S. I have never been to a ST convention or worn vulcan rubber ears.

  35. Re:Orson Scott Card by Anonymous Coward · · Score: 2, Informative

    For example, he's an insane Christian homophobe. That doesn't affect his SF writing...

    You're talking about a guy who had little kids running around killing "buggers" in his most famous novel...

  36. Re:Orson Scott Card by moonbender · · Score: 2, Insightful

    Okay, he's a right-wing Christian who hates gay people. I don't think he is "bad" because that's a horribly vague term. But I have considered his point of view, and I think he must be insane.

    You're right, that's much better!

    --
    Switch back to Slashdot's D1 system.
  37. Re:Orson Scott Card by stoolpigeon · · Score: 3, Insightful

    The only people who consider mormons Christians are mormons. As my favorite History of Christianity prof used to say - (my paraphrase) - 'Take a look at all the Christians through the history of Christianity. Find what they have in common, discard what they don't. Then you will have what defines Christianity.' Using such an approach one finds that mormonism does not fit the definition.

    Interestingly enough it bothers many mormons when someone challenges their attempt to redefine the term Christian-- it also bothers them if you call the polygamist mormons, mormons. Go figure.

    --
    It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
  38. Mr Card... by Dun+Malg · · Score: 2, Funny
    "Mister Card, you should know better than to speak against Star Trek"

    "Your Agonizer, please"

    --
    If a job's not worth doing, it's not worth doing right.
  39. It's not a fair evaluation. by raehl · · Score: 5, Insightful

    In short, people loved Star Trek because it WAS both thought provoking and accessable to people who aren't interested in "hardcore sci-fi" visions of the future.

    Emphasis on the WAS.

    The problem here is too many people view Trek as one big, indivisible thing. It's not. You can't have a rational conversation about "Trek is Good" or "Trek is Bad". Some Trek was good. The current state of Trek is bad.

    The worst thing that can happen to a piece of Sci Fi is for it to become commercially successful. The more commercially successful something is, the greater the temptation to extend the franchise just for the sake of profit. The more money a franchise is worth, the lower you can set your creative standards and still justify releasing a product.

    Why do half of the Star Trek movies suck? Because PAramount wanted to make a Star Trek movie, regardless of whether the script was any good. Sometimes they got good scripts, sometimes they didn't. But the people who get to decide whether a Star Trek movie should get made don't make that decision on whether the script is going to produce a good movie. They make that decision based on whether money in will be greater than money out.

    The Original Series was a ground-breaking series that only happened because Roddenbery believed in it and made it happen. Next Generation only happened because Roddenbery believed in it and made it happen. Star Trek XXXVJWII, Voyager, and Enterprise was made because if Paramount didn't churn out new Trek they'd be wasting this huge, profitable sci fi franchise they'd built.

    That can't go on forever though - eventually you produce so much crap just for the sake of making a buck that your franchise becomes worthless.

    Unprofitable or New Sci Fi will only happen if it's good. Profitable Sci Fi will happen REGARDLESS of whether it's good.

    If Star Trek hadn't been successful, it would have died after DS9 or earlier, and we'd all still think Trek is Good. But it didn't. But new trek being bad doesn't make old trek any less good.

    1. Re:It's not a fair evaluation. by MrAnnoyanceToYou · · Score: 3, Informative

      Correction:

      If Star Trek hadn't been successful, there would have been no TNG or movies. It would have been something different that milked the nerd-urge of the seventies and eighties. Trek had decent grounding and so got quite a bit more popular, but TNG was what made Paramount their real cash on TV, and the movies made a killing.

      Without its rabid fanbase that created success, Trek would have died an earlier death. A much earlier death...

  40. Exactly by burndive · · Score: 2, Funny

    So what are we waiting for?

    --
    ...because "hacker" sounds way sexier than "code drone."
  41. RTFA by StarManta.Mini · · Score: 4, Insightful

    That's the exact opposite of what the article was claiming. He says that Star Trek sucked from the beginning, but it was the only sci-fi most people knew for generations (because they didn't read). Now that decent sci-fi is starting to come into its own (ex: Firefly), Star Trek can actually die.

    1. Re:RTFA by susano_otter · · Score: 2, Interesting
      Actually, since Science Fiction, as a genre, is concerned with telling stories about the relationships between humans and their technology, Firefly doesn't count as SciFi either. It's really just "crime stories... in space!"[1]

      Firefly is also a great show, of course. I'm just saying that its greatness does not stem from it doing SciFi better than Star Trek, or at all[2].

      ----------

      [1]Seriously. Firefly is not SciFi. Replace any piece of technology in the story with current technology or no technology at all, and the story still stands.

      [2]Star Trek is also not at all SciFi, either. Compare

      "let's write a story examining how transporters and matter replicators might change human society
      with
      "let's use transporters and matter replicators to handwave away all of the practical considerations of our futuristic soap opera, so we can focus on the soap opera itself"
      See what I mean?
      --

      Any sufficiently well-organized community is indistinguishable from Government.

    2. Re:RTFA by cosmo7 · · Score: 4, Funny

      Caaaaaaaaaaaarrrrddd!

    3. Re:RTFA by freak132 · · Score: 2, Informative

      According to that definition The Outer Limits is a prime example of a SciFi. Its always been about the technology and how we'd interact with it. They also did away with continuing storylines or characters. The lessons they describe at the end are always interesting.

  42. Re:You've gone and done it now.... by AlphaSys · · Score: 5, Funny

    OMFG!! I can't believe you played the Orson Scott Card!!!

    --
    Can I bum a sig? I left mine at the office.
  43. six days off by peter303 · · Score: 3, Interesting

    Last Trek: May 13

    Last Star Wars: May 19

    1. Re:six days off by FuzzyBad-Mofo · · Score: 2, Informative

      What about the recently-announced TV series?

      (Ironically, there's a SW Ep 3 banner on the comment page as I write this.)

    2. Re:six days off by WillWare · · Score: 3, Funny

      This will a month long remembered. It has seen the end of Roddenberry, it will soon see the end of the Star Wars franchise.

      --
      WWJD for a Klondike Bar?
  44. Re:Orson Scott Card by Rei · · Score: 4, Insightful

    I'm no trekkie, but that's one thing that I noticed Card didn't mention a word about: original Trek was very progressive for television of the time. In fact, during the original pilot, the first mate of the ship was a female spock-like character called "number one" (they never gave her a name), who had better knowlege of the ship than the captain, in a uniform similar to that of the men. NBC ordered her cut because audiences wouldn't be able to identify with a powerful woman. Even Uhura, who made it into the show, was a pretty impressive step - a high ranking, non-submissive, black female officer was something you didn't see much of at the time. As for racism, a quick look at the bridge of original trek speaks wonders for its progressive view at the time.

    --
    It's a Cyrillic alphabet. It's like all those keys you never push on a calculator.
  45. Card is not a saint, people. by Gondola · · Score: 5, Insightful

    As geeks, we LOVED Card because he wrote about Ender Wiggin; a very bright young boy who could not get along with his peers because of his intellectual capacity. C'mon, this is Slashdot. If you read Slashdot, and you've read Ender's Game, you identified with Ender to some extent.

    We all like to believe that we are special. Geeks like to believe they are smarter than the average person. Is it so crazy to believe that maybe it wasn't Card's extraordinary writing and plot that made Ender's Game so popular -- perhaps it was because Ender's Game was the ultimate braniac dream? To be smart enough to save the world, and get the accolades that go along with it.

    His blatant religious proselytizing in his other books, most notably the Alvin Maker series, choked me with its sickly-sweet taint. I enjoyed the series at first because it was well written and fun, but it soon turned into a carousel of reptition. Alvin did and said the same things over and over, Card using him as a hand-puppet to express his Love Thy Neighbor and Turn the Other Cheek platitudes until I was racing through to the end of the novel not out of enjoyment and eagerness to see what happened, but just to be able to put the book down and go wash the veneer of his homophobic Christianity from my hands.

    Card is not a saint. He wrote something that we all very much wanted to read; that we were alienated from our peers as children for a reason. There's a destiny waiting for us so we can use these big brains. We were humiliated on the playgrounds in grade school, but we'll show them! Someday!

    Card gave us this pipe dream. But it's time to let go of the security blanket, Linus. You're smart, but you don't need a writer to give you a raison d'etre in a science fiction fairy tale.

    1. Re:Card is not a saint, people. by LionMage · · Score: 4, Insightful
      [...]but just to be able to put the book down and go wash the veneer of his homophobic Christianity from my hands.

      Some of us would contend that it's not even really Christianity. Card is, after all, a conservative Mormon apologist. This is the guy who wrote a now infamous article when I was an undergrad, in which he opined that it was a good thing for government to retain laws which proscribe homosexuality. Even though I wasn't as cravenly PC as my classmates, I found Card's thesis objectionable.

      The man does not believe in the separation of Church and State. (My ex-Mormon friends assure me this is endemic to Mormonism, though that is entirely another topic.) He mixes religious themes freely into his Science Fiction, which in my humble opinion brings it closer to the realm of Fantasy than SciFi.

      Mr. Card has a very specific view of what constitutes Science Fiction, and it doesn't mesh with mine. His opinions of SciFi are therefore suspect. It's not just that he chose to slay a sacred cow (Star Trek); his arguments are specious and slanted. Maybe he's suffering from Hemingway syndrome (i.e., wrote all his best material first). Part of me thinks his Ender series is just a cynical exploitation of empowerment fantasies shared by most geeks. But I never felt that Card was legit; I always felt that he was a poseur, that he never really "got" the genre he was writing in. I'd say this LA Times article is proof.
    2. Re:Card is not a saint, people. by Sumo+spice · · Score: 2, Insightful

      Actually I liked Card more for "Speaker for the Dead" than "Ender's game". "Speaker for the Dead" raised intriguing questions of interpersonal relationships (human-human, human-AI, and human-alien) and was arguably one of the more realistic depictions of what the first interactions with an alien race might be like.

      Ender's game did appeal to me in the way that you said. But the book was also well written. Furthermore, it did have insight into the way we demonize our enemies and the cost that war has on personal morality.

      I agree that his career after that has been one steady slide into mediocrity and thinly veiled religious peddling of religious doctrine.

    3. Re:Card is not a saint, people. by Animats · · Score: 2, Interesting
      As geeks, we LOVED Card because he wrote about Ender Wiggin; a very bright young boy who could not get along with his peers because of his intellectual capacity.

      Actually, "Ender's Game" reminded me of Heinlein's juveniles. And his idea of military strategy is a joke.

      Armchair generals talk strategy. Real generals talk logistics. Read "Moving Mountains", by Gen. Gus Pagonis, the head logistician for Desert Storm. If you can get most of the right stuff to the right place at the right time before the battle, and the other side can't, you usually win the big battles.

    4. Re:Card is not a saint, people. by nasor · · Score: 2, Insightful

      "If you want to demonstrate the meaning of tolerance to OSC, you should judge his books by their quality, not by his religious views. To do otherwise would be intolerant yourself."

      You'll notice that the original poster wasn't complaining about the fact that Card is a conservative Christian, but rather about the way in which Card's books are often filled with thinly veiled propaganda for conservative Christianity in general and Mormonism in particular. This drags down the overall quality of his stories, and often ruins books that had the potential to be very interesting. Most people probably wouldn't care if Card wrote great books and also just happened to be a religious fundamentalist. Sadly, he doesn't seem to be able to write much without cramming it full of his personal ideological beliefs.

  46. Re:Orson Scott Card by MmmmAqua · · Score: 3, Insightful

    From TFA you linked to: The fanatical Left will insist that anyone who upholds the fundamental meaning that marriage has always had, everywhere, until this generation, is a "homophobe" and therefore mentally ill.

    What's funny is, you've just proven him absolutely correct. About the above quote, not the rest of his article.

    --
    Arr! The laws of physics be a harsh mistress!
  47. Re:Orson Scott Card by KillerDeathRobot · · Score: 2, Informative

    How about "Person who believes that Jesus Christ is his savior?" The only thing I've seen that says Mormons don't fit the definition of Christian is that they don't believe in the trinity. That's really a nitpick though because Mormons believe in something really similar to the trinity.

    --
    Thinkin' Lincoln - a web comic of presidential proportions
  48. MOD PARENT UP by hellfire · · Score: 2, Insightful

    Okay I don't want to seem like a troll but the parent is right. Name a sci fi series that in the past 20 years has lasted more than two seasons on network (NETWORK) TV.

    To further this point, think about the ones that have. I can name "quantum leap" as one of these series, but how sci-fi was it really? It had a sci fi premise, but the theme wasn't steeped very deep in sci-fi. It was a great show don't get me wrong, but in order to be successful with sci-fi and the american viewing public you have got to either mask it a bit, use an established name like star trek, or go onto the sci-fi channel.

    Bab5 was an exception, and even then, in the height of its popularity, it wasn't pulling enough of a ratings share and the time slot moved a hell of a lot until TNT finally said enough, we'll air the last season and shut the networks up.

    Sci-fi still is a big risk and it will be until general fan base for sci fi grows. It hasn't for years and won't for a long time.

    --

    "All great wisdom is contained in .signature files"

  49. Re:Orson Scott Card by AEton · · Score: 2, Interesting

    I've always felt like Card is an outsider to the science fiction world. Nowhere was this more clear than reading the introduction to his collection of short stories Flux - he relates his entry into the community and his writing for a Mormon audience lucidly, and it reveals a lot about his attraction to the genre.

    Some people seem to me like they're just living in a different world from everyone else. This isn't a good or a bad thing; they're very remarkable people, but they just don't share the same existence as the rest of us. A loose friend (whom I haven't seen in years) is a bit of a pyromaniac, a megalomaniac with moderately serious plans of world domination, and a significantly above-average intelligence. I don't actually expect him to conquer the world, but he sees it in a way that most other people don't. It's hard to express but easy to see.

    Card is one of these people, too; reading his work, I can feel the alien nature of his message, his plots, and his characterization. It's very much the intangible sense you get from a zealot - the absolute dedication to a worldview which is almost, but not quite, completely unlike your own. In many cases, this adds a great deal to his fiction, but it's also uncomfortable to realize just how distant his strict Mormon perspective is.

    I can't find the link (or the title) now, but Card's approach to the science fiction field reminds me in some subtle way of a sf story about a brilliant molecular geneticist who engineered a virus that would promote his religion's idea of chastity but didn't have quite enoug foresight to predict all its effects. (Does anyone know what I'm talking about? It's fairly well-known.)

    All qualitative things aside, Card's open assertions (cf. that 1990 article, or the one you linked) that the government should legislate against homosexual people are downright scary. I'm glad that he's a writer and not a politician. (But there are plenty of politicians in Utah, and who knows how much influence there is in Card's stories - especially the ones he produces and performs only for Mormon audiences?)

    (It's amusing that although Card hates what gay people do, according to the introduction to Flux, his first calling was as a playwright.)

    --
    We recently had heard in the office over one of the Yellow Machine that's made by Anthology Solutions.
  50. Re:Orson Scott Card by guidryp · · Score: 3, Insightful

    I was wondering the same thing as I read his piece on trek, when one the most oft cited things you see on things like "trekkies" is the socially progressive and accepting nature of the Trek Universe presenting for many fans a optimistic view of the future.

    But then after reading his marriage essay, you quickly realize, progressive and social change are things that OSC is not comfortable with, so then it makes more sense that he was not a fan.

  51. SF writers can't wait for Star Wars to end, too by geekotourist · · Score: 4, Insightful
    Because
    "What George Lucas may have seen as eternal in his "Star Wars" blockbusters, science fiction writers have tended to see as antique"
    SF writers look forward to it finally finishing, according to Episode VII Revenge of the Writers.
    It started out 30 years behind," said Ursula K. Le Guin. "Science fiction was doing all sorts of thinking and literary experiments on a totally different plane. 'Star Wars' was just sort of fun."

    "It takes these very stock metaphors of empire in space and monstrously bad people and wonderfully good people and plays out a bunch of stock operatic themes in space suits," she said. "You can do it with cowboy suits as well."

    If truth be told, sci-fi writers say, their work and "Star Wars" never had much in common.

    Like science itself, science fiction has evolved since the days of H. G. Wells and Jules Verne in the late 19th and early 20th centuries. Since the end of World War II, the genre has shifted its focus from space and time travel to more complex speculations on how the future, whatever its shape, will affect the individual.

    That shift has only accelerated in recent years, as biotech and genetic engineering have moved to center stage in science and captured writers' imaginations, and as the lines between science fiction and other genres begin to blur. . . .

    One problem with "Star Wars," science fiction writers say, is that it is not, ultimately, concerned with science, but rather with a timeless vision of good and evil. . . .

    I've written that media SF has often been a good few decades behind written SF, especially movies. They quote Richard Morgan in the NYTimes article ("That's the past of science fiction you're talking about, . . .It's just such a huge shame," he said. "Anyone who is a practitioner of science fiction is constantly dogged by the ghettoization of the genre. And a lot of that comes from the very simplistic, 2-D Lucasesque view of what science fiction has to offer."). Star Wars and Star Trek do capture the look and feel of written SF of the 30s and 50's (respectively). But I can't imagine either franchise being able to capture a fraction of the feel or ideas in the first few pages of Morgan's Broken Angels. Digital human freighting, sleeves, future warfare...

    The literature is filled with writing by Greg Benford, the 'how to empathize with ordinary deathless people' writer Greg Egan, Ken Macleod, Richard Morgan, Ian Banks, Cory Doctorow , or Charlie Stross. Movies haven't made it past the 70's (Bladerunner, the Matrix) other than perhaps 'Eternal Sunshine' (similar to a few 80's stories), and T.V. shows have only tentatively reached the 80's or early 90's (some Outer Limits and Twighlight Zone episodes). With Star Wars and Star Trek out of the way perhaps there'll be more room for the average media SF to catch up to at least the 80's.

    1. Re:SF writers can't wait for Star Wars to end, too by ardor · · Score: 2, Interesting

      Hmm..
      where does "Alien" fit in? 70s?

      A while ago I played a PC game called "Iron Seed". It was some strange mix of Master Of Orion and Battlestar Galactica. Interesting thing is, that for the FTL drive to work, the mass of the ship has to be as small as possible. Thus, the crew of 250.000 people was digitalized, and their "engrams" now control the ships. The bodies of 250k people made a huge difference in mass. Unfortunately, the "engrams" need to be connected to a body, otherwise they get insane. Therefore a virtual body is periodically created, and the engrams put in for a while. This way, they stay sane.

      Another one (I can't remember its name) was about a future with highly developed technology, and FTL travel - but no starships. Instead, people developed the ability to interact with space on a quantum level, shifting and bending the very fabric of spacetime as they wish.

      --
      This sig does not contain any SCO code.
  52. Surprisingly... by Fizzog · · Score: 2, Interesting

    ... there was a similar story in this morning's Seattle Times:

    http://seattletimes.nwsource.com/html/artsentertai nment/2002260546_startrek03.html

  53. Re:Orson Scott Card by aussie_a · · Score: 2, Interesting

    That's the problem with modern Trek. They refused to stop being progressive.

  54. Homophobic Mor(m)ons by SimHacker · · Score: 3, Funny

    "I swear I've heard of people who quit their jobs and moved just so they could live in a city that wasn't full of Homophobic Mor(m)ons like Orson Scott Card running the place."

    --
    Take a look and feel free: http://www.PieMenu.com
  55. OSC is not known for judgement... by joeldg · · Score: 4, Informative

    As much as I like his books (at least ones that are not trying to turn me into a drooling mormon) he is a dispicable human and an outrageous bigot:
    See
    http://dir.salon.com/books/feature/2000/02/03/card /index.html
    and his actual views
    http://www.nauvoo.com/library/card-hypocrites.html

    Those articles will turn you off on that guy.. or at least stop purchasing his books.

    1. Re:OSC is not known for judgement... by rblancarte · · Score: 2, Interesting

      IMHO, this is immaterial to the discussion if I am going to buy his books or not. There have been many cases in the course of history where someone who did some phenominal work was a "bad guy". Beethoven was, a 'jerk'. Van Gogh was pretty much nuts (he cut off an EAR to give to a woman!!). Roman Polanski was convicted of having sex with a 13 year old girl.

      Again, to me, you can't mix up the two. If someone produces good work, regardless of what they do, you have to respect at least the quality of their work. But I don't get denying yourself quality works, just because you don't agree with the point of view of the one who produced it.

      RonB

      --
      It is human nature to take shortcuts in thinking.
    2. Re:OSC is not known for judgement... by jmacleod9975 · · Score: 2, Insightful

      I read the first interview and it seemed like OSC was being completely reasonable and the journalist was unable to divorce her issues from the interview. The second article bored me half way through, but he didn't say anything too outrageous. The guy thinks that homosexuality is not natural. Many people disagree with him. He is just saying people should have compassion for homosexual people and forgive them because that is what Jesus would do. Starting from what he believes, and what he claims to have experienced in his life that seems pretty reasonable. I don't agree with his views, but it is a little harsh to say he is "a dispicable human". Those articles did not "turn off on that guy" or cause me to "stop purchasing his books". I liked to read through his reasoning (well until I got bored in the second article) even if it is a little out there.

    3. Re:OSC is not known for judgement... by SmallOak · · Score: 2, Funny

      Card called for the crimilization of homosexuality in one of his articles. Do Mormons consider SF beyond the pale? If they do that may explain why he folows a very conservative view point.

  56. Re:Orson Scott Card by stoolpigeon · · Score: 3, Insightful

    I posted another reply already that lists what is commonly held to be the primary doctrines of Christianity. The trinity is the first. I don't think the concept of the trinity could be considered nitpicking. It is the thing that most differentiates Christianity from the other Abrahamic religions. In fact were it not for that-- Christianity would be more an offshoot of Judaism than anything else.

    The ramifications of the trinity are huge. They show up in the places where the mormonism and Christianity don't meet. God being spirit. The incarnation. Humankinds destiny in regards to after this life. The list is long.

    --
    It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
  57. Re:Orson Scott Card by AhtirTano · · Score: 4, Informative
    There is no need for this to be an issue of opinion. Words have definitions.

    Good point. Let's check the Oxford English Dictionary.

    Christian, a. and n.
    B. n.
    1. a. One who believes or professes the religion of Christ; an adherent of Christianity.
    2. One who exhibits the spirit, and follows the precepts and example, of Christ; a believer in Christ who is characterized by genuine piety.

    The official name for the Mormon church is The Church of Jesus Christ of Latter-day Saints. The subtitle of the Book of Mormon is Another Testament of Jesus Christ (the first being the Bible). Articles of Faith 1, 3, and 4 (which they basically brainwash their children with via ritualized repetition) all claim belief in Jesus Christ as a member of the Godhead and their personal savior.

    Ergo, Mormons fit the definition of "Christian".

    As you said "There is no need for this to be an issue of opinion. Words have definitions."

    (For the record. I'm an ex-Mormon. I was raised one, but left once I actually started thinking about what I was told rather than just accepting things.)

  58. OSC is known for bad judgement... by joeldg · · Score: 4, Informative

    As much as I like his books (at least ones that are not trying to turn me into a drooling mormon) he is a dispicable human and an outrageous bigot:
    See
    http://dir.salon.com/books/feature/2000/02/03/card /index.html
    and his actual views
    http://www.nauvoo.com/library/card-hypocrites.html
    Those articles will turn you off on that guy.. or at least stop purchasing his books.

    (this was originally buried in another thread, but reposting here as OSC is really not a nice guy, so does not surprise me that he would turn on a large segment of his fans.)

  59. Roddenberry a secular humanist? by Jonathan · · Score: 2, Insightful

    I think not -- at least as far as Trek shows. Not that there's anything wrong with secular humanism -- it's more or less my viewpoint -- but consider the Trek evidence (no, I don't know episode names or exact wording -- I'm not *that* much of a Trek fan):

    1) The episode where Kirk meets an alien who was the god Apollo in Greek times -- Apollo wants people to worship him but Kirk says "Humanity doesn't need gods -- we find the one sufficient" -- implying that some sort of monotheism is still there in the Trek universe

    2) The "20th century Roman Empire" episode the rebels fighting the empire are thought to be "sun worshippers" and the Enterprise crew is surprised to find how noble they are (pagans are evil, ya know) but then Uhurua figures out that they are "son worshippers" -- that is christians, and it all supposedly makes sense.

  60. Authors Website by TexNex · · Score: 2, Informative

    For an indepth view of the Authors personality and thoughts take a look at http://www.hatrack.com/ The Official OSC website

  61. Re:Orson Scott Card by prockcore · · Score: 3, Funny

    Once I knew that Tom Cruise was a $ceintologist, it made it damn hard to sit through a his movies without thinking "gee, he thinks the souls of dead aliens makes us do bad things"

    So that's who's to blame for Vanilla Sky!

  62. What a jerk by GrouchoMarx · · Score: 3, Insightful

    Well, having read TFA, I can say I have no interest in reading anything by Mr. Card, ever. It's rare that I see such pure arrogance. The last time I saw it was in my high school short story lit book, which talked about "mature readers" wanting deep, moving stories and only "immature readers" cared about actually enjoying the story.

    Mr. Card, perhaps you were not aware that Trek, when it's good (meaning not when Berman is running things), offers some of the best and most insightful social commentary and discussion you'll see on film. There is a group where I live that gets together monthly at a Unitarian Church to watch an episode or two and then discuss the social, ethical, and moral implications thereof. It's been meeting for about 6 years, I think. Are there any groups that do that with Firefly? Or Smallville? I didn't think so.

    Just because more people like Star Trek than like your books is no reason to declare them all immature grade schoolers. That's very grade school of you.

    --

    --GrouchoMarx
    Card-carrying member of the EFF, FSF, and ACLU. Are you?

  63. Decent Sci-Fi by exp(pi*sqrt(163)) · · Score: 2, Interesting

    I'm coming to the end of the Firefly DVD set. Seems little different to Star Trek to me. Yes, it's a bit grittier, but that's just the simple transformation you get from applying dirt to the set and throwing a few expletives into the dialog. It has exactly the same format as Star Trek: The Morality Play. Each episode some of the characters lectures some of the others on how their ethics need improving.

    --
    Doesn't it make you feel good to know that our freedoms are protected by politicans, lawyers and journalists.
  64. Re:Orson Scott Card by Tim+Browse · · Score: 2, Funny
    Part of what makes this country great is the (unfortunately declining) encouragement to tolerate people that are wrong.

    I agree, that is indeed part of what makes the UK great.

  65. Re:I beg to differ! by LionMage · · Score: 3, Insightful
    Then again, the Left have all but beaten the Right into submission, but still play the role of martyrs.

    If that's true, why is it that the Right is firmly in control of the United States, the only remaining Western superpower? I call Troll. (Or Flamebait, take your pick.)

    Yeah, we can see how badly beaten the political Right is. Please, spare me.
  66. Re:Orson Scott Card by lysergic.acid · · Score: 2, Insightful

    that's only true if you believe that reserving marriage as the exclusive right of heterosexuals is upholding the fundamental meaning of marriage and isn't implicitly homophobic.

    it's kinda like if i said: the fanatical Left will insist that anyone who calls black people niggers is a "racist." inevitably most people would respond that such sentiments are implicitly racist. would such a response somehow prove me right(or less wrong)?

  67. It's the optimism, stupid! by Glomek · · Score: 5, Insightful
    Star Trek is optimistic. It shows us a vision of the future where humans live in peace not only with each other, but also with multiple alien races.

    People slag Star Trek for having every alien be humanoid, but that is deliberate. Roddenberry wanted people to see the humanity in every character.

    Personally, I don't watch much Sci Fi because most of it shows a future which sucks. Star Trek shows a future that I want to believe in.

  68. Correcton: Re:So They Have Gone and Killed ... by Tiger4 · · Score: 2, Funny
    The previously run article concerning the violent death of Orson Scott Card was in error.

    "officially licensed Star Trek (tm) phaser."

    Should have read "officially licensed Star Trek (tm) phaser in mint condition."

    "their DVD box sets of TOS, TNG, DS9, Voyager and Enterprise"

    Should have read "their collectible DVD box sets of TOS, TNG, DS9, Voyager and Enterprise in pristine wrappings"

    The Times regrets the omissions.

    --
    Behold, this dreamer cometh. Come now, and let us slay him... and we shall see what will become of his dreams.
  69. skillz by whoisshe · · Score: 2, Funny
    I swear I've heard of people who quit their jobs and moved just so they could live in a city that had Star Trek running every day.

    luckily cashiering at soft-serve ice cream joints is a portable skill.

    --
    who is she? leave a comment!
  70. Are they REALLY good points? Are they valid? by LionMage · · Score: 3, Interesting

    The Slashdot article suggests Card makes some good points about the development of SciFi over the last 30+ years. I'm not entirely sure, because based on what Card holds up as paragons of good SciFi, it's pretty clear to me that his definition of SciFi doesn't match mine. (Another poster echoed this sentiment, stating that many "examples" were more Fantasy than SciFi.)

    To be clear: Science Fiction is fiction in which, when you remove the science element, it no longer makes sense. Science is integral somehow. Mary Shelly's Frankenstein is SciFi; without the premise of reanimation with electricity, it just wouldn't be the same story. (I can just hear the Fantasy apologists chiming in with the "Fantasy is indistinguishable from SciFi" argument, by claiming that magic is indistinguishable from technology. I don't want to get mired in this debate, however. Good fantasy requires some kind of self-consistency on some level, just like good SciFi, but fantasy doesn't have to square with conventional reality in any way. Even "far out" SciFi concepts are usually extrapolations of current ideas or trends or technologies.)

    By this definition, most space opera is not SciFi. Star Wars, minus the SciFi trappings of spaceships and futuristic weaponry and droids, would be a Western with some metaphysical overtones. Now, it's true that Star Trek was sold to NBC as a "wagon train to the stars." This was because Westerns were the popular milieu of the day; most of the successful TV shows at the time were Westerns. But there were still stories being told against that backdrop that had real science fiction in them.

    Orson Scott Card's LA Times article does a lot of name dropping. He mentions Larry Niven and Robert Silverberg and Harlan Ellison. And yet, many of these writers wrote episodes for Star Trek. (Ellison's script won an award, even though Roddenberry rewrote it for the screen. The episode was "City on the Edge of Forever," and won a Hugo. Ellison's original script won a Writers Guild of America award. Niven wrote for the animated series.) Some young SciFi authors got their start because of Star Trek -- remember David Gerrold? He wrote "The Trouble with Tribbles," and is now a respected SF author in his own right.

    What is Card's problem with 1930's SciFi? Not all of it was episodic pulp crap or low-budget moviehouse serials. Some of the best SciFi I've read has come from the 1930's and 1940's.

    He's right that later incarnations of Star Trek were better acted, and wrong that the content stagnated. At least with ST:TNG, many thought provoking stories were told, and would actually qualify as "real" SciFi by my test above, providing you're willing to forgive Star Trek physics and some of its consistent inconsistencies with real physics. Even the mundane backdrop trappings of the Star Trek universe were the subject of fascinating books.

    I will grant that Card's right about one thing: Star Trek popularized Science Fiction. Some would say Trek diluted the pool of good stuff by filling the airwaves with mediocre material. This is an opinion I do not share.

    I would also argue that Card's wrong about the quality of modern SciFi on television and film; I disagree that it's every bit as good as what's in print, if only because there are many things that can only be approximated with special effects, things that the human imagination is much more adept at rendering. (But then, I have long believed that Card simply doesn't "get it," and wouldn't recognize truly good SciFi if it bit him on the ass.)

    While the recent incarnations of Trek have been painful to watch (with season 4 of Enterprise being what the show should have been all along, but too little, too late), I don't think the "need" for Trek has diminished. Trek was more than just a vehicle for telling stories in a SciFi milieu. Trek was more

  71. Re:Orson Scott Card by adiposity · · Score: 2, Insightful

    He hasn't proven Card "absolutely correct" unless you can show:

    1. He is a member of the fanatical Left (a loaded term to say the least)

    2. There *is* a "fundamental meaning that marriage has always had, everywhere, until this generation".

    3. Grandparent thinks Card and all other "fundamentalists" are not only a homophobes, but also mentally ill (are the two synonymous? I wasn't aware of this).

    4. All others in the "fanatical Left" agree with grandparent.

    Yeah, I don't think he's proven much of anything, except that he views such hyperbolic statements defending (what he views as) discrimination against homosexuals as homophobic.

    -Dan

  72. Re:The REAL tragady of P2P by sillybilly · · Score: 3, Interesting

    Star Trek has been soul food for people with open minds. It's always been a story of moral questions, even if it was under the guise of scientific mumbo-jumbo. Unlike Star Wars, where the adolescent view of evil dark side and the good light side fight, Star Trek always probed the grey areas where good/evil don't really make sense. It was always about how to be human when faced with radically new circumstances. Holographic doctors treated with dignity, just like the rest of the crew, fighting the Borg collective that thinks it's perfect, and it only gets anywhere by assimilating, never creating something from scratch. You name it .. if that's not food for thought, than I don't know what is. The new scifi series, like Andromeda or Stargate fall back to the adolescent posturing, and zero challenge to your moral views. I guess the establishment had enough of free thinkers, now it's time to make everybody dumb and controllable by peer pressure - welcome Apprentice, Survivor, Americal Idol, Fear Factor.

  73. Did anyone RTFA??? by xQx · · Score: 2, Insightful

    He said "Lost" is the best Sci-Fi currently running??!!

    Are you Americans watching a different Lost than what we get out here? Because I've watched about 12 episodes of some drama/survivor series and *still* we don't know what killed the bloke in the first hour.

    I'm trying to keep this post above the level of the average troll, but could someone *PLEASE* explain how Lost is a Sci-Fi, or ... Good?

    1. Re:Did anyone RTFA??? by rblancarte · · Score: 3, Interesting

      Lost is sci-fi in that it has an element of the supernatural, etc. I mean, it really depends on your definition of sci-fi too. Some people would look at X-Files and say "Not Sci-Fi", and under a classical definition it is not. But then in many ways it is. It is all on your point of view.

      As far as being good. That is your own taste. I think it is VERY well written. The fact that each character was pretty much defined by a different person has made the show pretty interesting. The way their paths crossed before the island is interesting. And just overall what is going on is fascinating. I think it is one of the best shows on TV (regardless if you think it is Sci-Fi or not).

      RonB

      PS - We are up to episode 20, and we still don't know what the thing in the jungle is.

      --
      It is human nature to take shortcuts in thinking.
    2. Re:Did anyone RTFA??? by GreenSwirl · · Score: 2, Interesting

      Shows like Lost, Smallville and Buffy represent a shift in fantasy programming towards long story arcs over self-contained episodes. For the type of fanatical viewers that typically follow a show like Trek, it makes sense that you will involve them even more with some long-term character and story development.

      The potential pitfall is that the series becomes impenetrable to new viewers. But the potential upside is that you can build a highly devoted fanbase that is motivated to get their friends watching. That certainly seems to have happened with Lost.

      A show with an ongoing arc is now positioned as a premium commodity, thanks in large part to the Sopranos and its HBO successors. (And don't forget Twin Peaks.) 24, Lost and Desperate Housewives represent the broadcast networks' latest efforts in this format, and each is an unqualified ratings success.

      Unless they go with an anthology format, the next Trek show had best pick up on this trend and deliver season-long story arcs. Battlestar Galactica and the new Star Wars live action series have both beat it to the punch.

      Critical to success in this format is an uninterrupted airing schedule. Don't start airing episodes until there are enough in the can to run a whole season without reruns. Better still, produce the whole season, fine-tune edit it to bring out details that reward the devoted viewer, then air it.

  74. Re:Orson Scott Card by stoolpigeon · · Score: 3, Interesting
    I have not read the entire book of Mormon. I have read a good portion of it. I own a copy of it and some other significant Mormon literature. I have seen those parts of mormon worship that are open to be seen by someone who is not a part of their church. (this is not a knock on them-- just clarification on what I know)

    I'm not trying to troll. I would think that this is apparent in the fact that I have done my best to carry on the discussion that I started. (I had no idea it would be like this though)

    Mormonism does not add a layer to Christianity-- adding but not subtracting. I would posit that it alters the very core of Christianity and this is why I object to the lack of a distinction between the two. Here is why I think so.

    • Christianity teaches that God the father is Spirit- Mormonism denies this
    • Mormonism teaches that God the Father and God the Son (Jesus) are one and the same person - Mormonism denies this
    • Christianity teaches that Satan is a fallen creation of God- Mormonism teaches that Satan is equal with Christ- his brother
    • Christianity teaches that Christ though fully God became man incarnate- Mormonism teaches that Christ came to be as the result of an incestuous relationship between God and Mary (not my words- a leader of the mormon churches words)
    • Christianity teaches that God is 'wholly other' and created man. Man will always be below God as man. Mormonism denies this - all men are God's direct offspring and may someday be Gods themselves.


    I think this goes beyond just adding. But I truly am not trolling. I am taken aback by the number of vehement responses I've generated. I am searching for the why in this. Why my saying mormonism and what has been called Christianity for the last couple thousand years are different is such a big deal.
    --
    It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
  75. Episodic programming vs sitdramas by cgenman · · Score: 4, Insightful

    The main point of his entire rant seemed to be that episodic programming with larger character development arcs provides more compelling fiction than programs that start and end at the same place. When Xander is scared for his life and reaches for Willow's hand, it's a lot more compelling if they've gotten near to a relationship, he burned her badly by going with someone else, then they spent the last 3 episodes working their way to the point where they are speaking again. When Bones takes a jab at Spock, it's meaningless because their relationship never changes.

    Being John Malkovich was a popular, excellent movie, and while I'd put it more in the category of fantasy than Sci Fi, if you read Card's books the distinction is academic. Plus the characters to go through an immense arc throughout the film, falling in love, falling out of love, changing... evolving as characters in exactly the way that Homer Simpson doesn't. Again, the focus, as in all good Sci Fi, is on the character evolutions.

    Smallville isn't the best series ever by a long shot. But like Buffy it is a popular show that opened people's eyes to what can happen when characters evolve across episodes.

    Trek did and does follow an antiquated model, and he's right in thinking that it would only continue to do so. Probably the best bit of Trek, the last few seasons of DS9, took place when Paramount's main people were focused on Voyager and allowed a smaller group of people to create a broader story focused more on large story arcs and developments. The best season of Enterprise has been this last one, when multi episode story arcs were plentiful.

    Orson's books reflect this thinking, of course. His most popular work, the Ender's series, follows one character along his evolution from a weak abused nobody kid to a reclusive man hiding from unwanted fame from his past, to an old man accepting of his place in the world. And the latest Ender's book takes place in the same time frame as the original, exploring another character who isn't the hero, but who evolves from a lone troubled genius striking out at anyone or anything that might subjugate him, to being a mature, willing second, giving himself over to a man he believes deserves it.

    Oddly enough, I've always felt Asimov was at his best in short stories, but even then his characters were undergoing tremendous evolution within the span of several pages.

  76. Trek != Science Fiction. by sbaker · · Score: 2, Informative

    Whilst I'm a big fan of all five series of Trek, it's not remotely what I'd call great science fiction.

    Here is a case in point:

    They find a Dyson sphere!!! Wow!!! SciFi addicts are drooling. Against all odds, they find an easy way inside!!! We're on the edges of our seats!

    But oh - wait - we spent too much time on the interpersonal stuff between Scotty and LeForge - so now all we can do is to invent some reason why they have to immediately escape from the sphere and leave all of the interesting stuff to someone else.

    Bah! I wanted to know how the Sphere designers solved the problem of needing day/night cycles - how the poles are structurally abilised - about how the land area inside is so vastly huge that many civilisations must be spread across it's internal structure. How the population of the sphere probably exceeds that of the enture galaxy outside.

    Now go read RingWorld to see how a Science Fiction plot line *should* be done.

    Now, I have to say, I enjoyed that episode - but it just didn't have very much to do with SciFi.

    Most Trek episodes do something like this - they usually end with the ships' deflector dish being redesigned with three keystrokes to emit wibble-rays which remodulate the theta band babbleometer and thereby save the day in the last 2 minutes. This only works because it's not being treated as a SciFi program.

    This isn't necessarily a bad thing - and it certainly made the series popular amongst people who wouldn't know a SciFi plotline if it bit them in the leg.

    --
    www.sjbaker.org
  77. Re:Orson Scott Card by rewinn · · Score: 2, Informative

    > I don't think the concept of the trinity could be considered nitpicking. It is the thing that most differentiates Christianity from the other Abrahamic religions.

    I diagree on two counts:

    1. Christ = Messiah is the fundamental belief that differentiates Christianity from Judaism & Islam.

    2. Trinitarianism is but one, very successful branch of Christianity. At one time, most Christians were non-trinitarian, but that was a long time ago and mixed up in Imperial politics. Today there are still a few Unitarians.

  78. Re:Coke or Pepsi by Doc+Ruby · · Score: 2, Informative

    Christians believe that Jesus was the messiah. Everything else is brand differentiation.

    --

    --
    make install -not war

  79. Re:It's true... by nmb3000 · · Score: 2, Informative

    Captain James T. Kirk of the starship Enterprise. Damn, he's so sexy.

    Now, now. If you're going to bring that up, we've got to post the originals too! These are definitely worth looking at.

    The Picard Song (Flash) [coral cache] You can hear the entire song here [coral cache].

    There's several other Star Trek animations on that site that are pretty funny. There's also some very odd ones, like the Unlucky Ant (dealing somewhat with the Schiavo issue).

    --
    "What do you despise? By this are you truly known." --Princess Irulan, Manual of Muad'Dib
    /)
  80. Re:Finest of all time... so far? by Teancum · · Score: 3, Interesting

    For my own viewpoint, one of the best SciFi movies ever made was "Contact" starring Jodi Foster. It was also an incredible improvement over the book, which IMHO is a pile of political activism and dribble that I expected better from a professional scientist like Carl Sagan. The book was fair on science but poor on the English and character development.

    Occasionally you see some good SF come around and an attempt to make it into a movie, but it is a difficult task. Most good SF authors have some section of their book where a narrator of some sort (sometimes written into the dialog of the characters, but often simply described by a narrator or an entry in "Encyclopedia Galactica") where the hard science is explained. To a reader this is good background material, but in a movie this is either very boring or slows down the flow of the movie to the point that it has to be cut out and removed.

    The only person I've seen to successfully put in a "galactic guide" entry into film was Douglas Adams... in part because HHGG is humorous and these entries had a life of their own as another character on screen. Even then, it only worked because the guide was the focus of the entire production. (I'm speaking about the TV series BTW... as I have yet to see the movie. I hope they've captured at least some of the guide in the movie in a somewhat similar fashion).

    The other problem with producing SF into film is that the people who make movies in Hollywood (or Baliwood) simply are not SF fans to start with. You get some people like George Lucas or Robert Rodriguez that are familar with SciFi movies done in the past, but aren't exactly fans of classic SF books like Heinlein, Asimov, Clarke, or Bradbury. The movie "I, Robot" starring Will Smith is a good example of SciFi taking over done by SciFi fans and not the hard SF fans... particularly where the shortcuts were made to make the movie flow.

  81. WTF ? by LordPixie · · Score: 2, Insightful

    How exactly did you write a post on ongoing plotlines in a TV series, and fail to mention Babylon 5 ? Especially given the SciFi context ! B5 unquestionably led the way with the concept of one gigantic story arc, to the point where its creator was repeatedly told that it just wouldn't work.


    --LordPixie

  82. Re:Orson Scott Card by whiskeypete · · Score: 2, Informative

    A couple of corrections...
    [Christianity] teaches that God the Father and God the Son (Jesus) are one and the same person - Mormonism denies this

    Depending on how you want to define the Trinity, I'm pretty sure many Christians would have a problem with the idea that they are the same "person." But you are correct in that Mormonism holds that God the Father and God the Son (Jesus Christ) are two separate individuals.

    Christianity teaches that Satan is a fallen creation of God- Mormonism teaches that Satan is equal with Christ- his brother

    Mormonism does NOT teach that Satan is equal with Christ. It does teach that we are all spirit brothers and sisters, as all of our spirits were created by God. Mormons believe that Jesus Christ is the Redeemer of the world who atoned for our sins and is a member of the Godhead. Satan is a fallen angel who stands in eternal opposition to God. I'll give you one point on the brother part, but minus a infinite number of points on the "equal" garbage.

    Christianity teaches that Christ though fully God became man incarnate- Mormonism teaches that Christ came to be as the result of an incestuous relationship between God and Mary (not my words- a leader of the mormon churches words)

    Absolute total utter BS!

    Mormonism doesn't teach that, and I would love to see your "leader of the mormon churches words." I can guarantee you that you there isn't a single quote out there from a Mormon leader.

    I'm not doubting your motives. You probably honestly believe the anti-mormon propaganda that your have read. Just realize the method that they use: For every truth add in a couple of lies for good measure. Good enough to confuse those who don't know the difference. It worked on you.

  83. Re:The REAL tragady of P2P by Reziac · · Score: 2, Interesting

    I think it's the other way around (speaking as someone who was there at the beginning). Star Trek was about taking moral grey areas, and forcing them to be black or white, where only one outcome was 'correct'. Star Trek has a very idealised view of the universe (which it came by honestly, since Roddenberry was pretty damned narrow-minded, I say having spoken to the man myself).

    Whereas Star Wars started with an apparently black-or-white, good-or-evil premise, and gradually blurred the lines by showing just how grey life really is.

    Stargate (like most character-driven SF) is much more akin to Star Wars, in that outcomes are frequently uncertain or even negative, and the moral stance that you thought was so black-or-white is in fact grey with pulsating purple stripes, or even no valid colour at all. The challenge isn't to find a black or white moral view, but to find one that works at all in the context of situations that don't fit any preconceived pattern.

    I've noticed over the decades that very consistently, ST appeals more to people who like the universe to be neatly pigeonholed, whereas SW and its kin appeal more to folk who prefer a flexible or unpredictable universe. (The ST exception is DS9, which falls into the grey camp.)

    BTW, I write SF (character-driven space opera), and mine is both rainbow-grey and smells funny. :)

    --
    ~REZ~ #43301. Who'd fake being me anyway?