Refocusable Plenoptic Light-Field Photography
virgil_disgr4ce writes "Wired is reporting that a Stanford student using about 90,000 microlenses has developed a plenoptic camera whose images can be refocused, via software, after they are exposed." From the article: "'We just think it'll lead to better cameras that make it easier to take pictures that are in focus and look good,' said Ng's adviser, Stanford computer science professor Pat Hanrahan."
Better Porn!
sigfault. core dumped.
Fuzzy monsters like Bigfoot shalt no longer wreak havoc on unsuspecting rednecks who would have means of affording such a 16-megapixel camera. It'll be like Oliver Wood meets Bo Duke.
Automatic focus available only on next years model.
As soon as I heard of this, I immediately realized how to do it. But I would not have thought to do it on my own. This kind of smart thinking is why we have a patent system. The patent system was not designed to protect business methods, such as completing a sale using n clicks instead of n+1.
A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
http://graphics.stanford.edu/projects/lightfield/ If you've attended siggraph for the last 8 or 9 years you yawn with me.
I'm curious... how adjustable is the post-processing focusing? E.g. depth of field, f/stop, etc. Do you basically get to adjust ANY of that after the image is recorded?
$nice = $webHosting + $domainNames + $sslCerts
I wonder if the image data gathered by such a camera could somehow be transformed into basic 3d depth information. If so, this could be the beginning of 3D imaging for the consumer.
This is great technology but the author of the article used an incorrect title. Blurry photos are almost always caused by camera shake, not focusing on the wrong subject in a depth of field situation.
This technology doesn't do anything to prevent camera shake. Most modern cameras are extremely good at autofocusing on the correct subject in a short depth of field situation. The camera designed by the Stanford guys is an amazing invention and will revolutionize action, sport, and scientific photography (especially at the macro level) but it will do nothing special for the consumer who simply doesn't understand that the longer the exposure the more likely the blur from camera shake.
Please mod me only (+) Underrated or (-) Troll
Having seen this stuff in action first hand, it's cool as heck. Also a tad scary. Miniblinds not closed 100% then you can see in, tree in the way no problem.
Basically what we see as solid with 2 eyes, may not be solid at all. So much like the IR/UV cameras, this new toy has a dark side.
- Adam L. Beberg - The Cosm Project - http://www.mithral.com/
Have you seen how in movies and TV they can zoom and then sharpen any image using software? We'll it seems that technology is finally comming to real life!
please excuse my apathy
can be found here
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"The patent system was not designed to protect business methods, such as completing a sale using n clicks instead of n+1."
How abot the "rootkit" business method?
I can make up really technical sounding names, too!
I am scientifically inaccurate.
Countdown until you hear about someone using one on CSI: 5... 4... 3...
I am scientifically inaccurate.
This is quite an amazing and exciting (discovery?). Should be very helpful to sports photographers.
"You won't eat our meat, but you'll glue with our feet.." --Some cow
I'm sick and tired of the sensational headlines here on Slashdot. I prefer my news delivered in the most boring manner possible.
The linked article comments that there's an effective loss of resolution, but goes no further.
Obviously taking a camera that's designed to record light intensity and modifying it to record light intensity and direction isn't free. In the worst case, you're decreasing your effective resolution by the number of new lenses, or by a factor of 90,000. I don't think that's quite what happens though, because many of these lenses will be recording essentially the same information, and while only one may be perfectly focussed on part of the frame, nearby lenses can probably contribute color and intensity information as well. If we assume a 2Mpixel image is "good", the article's comment that the student's using a 16Mpixel camera but that an 8Mpixel camera might be good enough seems to support a roughly 4x to 8x decrease in effective resolution. Can the poster who claims to have heard the actual discussion at Siggraph comment?
That's a high price to pay for not having to use the viewfinder. It's cool tech, and I'm sure there are practical uses for it somewhere, but I don't think consumer cameras are the place for it just yet.
High-speed Road Trip (18.000KPH)
Yes, the plenoptic camera has some neat benefits, including the ability to reconstruct the field of view from the perspective of any point on its objective lens. But for the image to contain all that information, it by necessity does NOT contain information that it otherwise would--in this case, resolution.
Look at the sample images. Even the sharpest-focused regions are soft-focused. This is a 16-megapixel camera with an effective resolution less than 1/3 that of VGA. Granted, the images can be refocused and depth information can be extracted, but do you really want to have to buy a 188-megapixel plenoptic camera to get sharp 1-megapixel images? Is focusing really that hard?
The more potential focal points you want, the less resolution you can have for any particular one of them. You have to record information for all possible focal points on the CCD. Conceptually it's no different from, say, dividing the CCD into four parts and recording an image with a different focal point on each of the quarters, then post processing to combine them as required. I think. So photographically speaking the image is degraded compared to just getting the focal point right in the first place. Which isn't to say there aren't cool things you can do with it.
I'm not wrong. You haven't thought about it hard enough.
http://en.wikipedia.org/wiki/The_Endochronic_Prop
This will not only ensure that your photo of Auntie May is in focus, but the camera will make sure that the image is captured at a time when her eyes are open and she's smiling.
The next step is to pair the cameras and the LED image emitters, similar to night-vision goggles, to make a really kewl pair of corrective lenses. Truly the ultimate nerdwear!
--- Attorneys Assisting Citizen-Soldiers & Families -
If it is blurry, it is art.
Will this mean the end of artsy photos?
Finally, something more to cameras than megapixels.
"he drew his sword Ringil that glittered like ice... and he wounded Morgoth with seven wounds..."
using about 90,000 microlenses
Patents brought to you by the fly people.
Table-ized A.I.
Very cool, but it's an other step of loosing privacy.
Like, the sigfificance is that now you can get more mini-lenses on the CCD.
it's a prototype. They're just testing out the technology to see if it can be done. It can have many uses (the other reply to your post offers a few) but no one is saying that it's perfect yet. When you add in one respect you almost always lose something in another, it may take a while to get them both working well at the same time.
"...describing experiments on a compound, thiotimoline, that was so soluble that it dissolved in water up to 1.3 seconds before the water was added."
i burst out laughing when i read this. i love it
Can they put it on a big frigging shark?
All's true that is mistrusted
Just when I thought the last big thing in photography would be the multi-snapshot, multi-angle camera that allows action to be frozen, the spun around... Then there comes this. And I agree with the prior post, it is more or less obvious once you read the technique, but it never would have occured to me. No matter how many times I look at a focal-plane diagram.
What was that 3-D freeze and rotate camaera called? It has a bunch of camera on an arc, and it was used in the Matrix.
From the looks of it, this takes hundreds of images and stores them in one file. Then uses software to create a single, desired, image. This means that conventional storage will no longer be enough, for while one image now takes up several hundred kilobytes to a couple megabytes (JPEG compression), this new method will take up hundreds times that size. >.
-illumina+us "I put on my robe and wizard hat..."
You could always go to a pin hole camera and eliminate the problem entirely. Alright so you'd need 10,000 ASA film or .1 lux for video but focas would never be an issue. Always been a massive fan of pin hole cameras. It's also a handy trick for those of us with failing eyesight for reading fine print. There have also been lensless cameras that use a rotating slit. There are 360 cameras that use the principal. Fun with optics
With some improvements to the manufacturing technology, we could have a revolutionary camera based on a large, flat plate of microlenses, scaled up to whatever the manufacturing allows, or even multiple plates tiled together, with the software allowing for the seams. And that's it - you could stick them to anything - phones, for example, or walls or whatever.
The linked paper shows how to use Fourier processing for (re)focusing the data on any point, but with a large enough plate you could also get enough parallax for a limited 3D result.
It'd also avoid the limited-aperture optics issues we're running into with sensor size vs lens size. You can scale them (or tile them) up, collect a lot more incident light & get a lot more resolution too, without having to shrink the sensor elements further or use a ginormous conventional lens. The bigger you make these things (or the more that are tiled together), the better & more flexible your result. There's more data to process, of course, but that's what Cell is for, isn't it?
Why would anyone engrave "Elbereth"?
Sounds like this is a popularized writeup about the work that was just published at SIGGRAPH in July. So it's more recent than 1996.
The best 3D technology we have now still sucks. Its basic premise consists in showing different images to each of your two eyes, but those images are taken with standard photo equipment, so some portions are blurry and others are sharp. This really makes people nauseous at 3D movies. It sucks, really takes away the realism! So I wonder if a retinal projection of a 3D movie shot with these cameras could make the focus more natural. Basically, it would read the depth of your retinal focus and adjust the image focus on the fly so that it looks just right. Of course, each frame would have to encode all that depth data, and that would be lots of data. But who thought that Blu-Ray would be our last movie format? I say we don't rest until movies are 100% holographic, and this may just be the technology that makes it work!
What the fuck? 3D sucks? You suck!
Even better you can do this with a single lens and an ordinary camera. just take one photo in focus and one photo at a different focal plane. Voila. all the information you need to reconstruct the phase front for perfect focus. Bonus is that if it is ion focus then one of the photos is probably good enough right from the start without any signal processing. This whole 90,000 lenslet camera seems liek the hard way.
Some drink at the fountain of knowledge. Others just gargle.
The best way to think of it is take a standard good quality camera with big pixels, subdivide each pixel into a grid of 12x12 or so tiny pixels - more like the size of pixels in cell phone cameras - and put a microlens over it. You get the same spatial resolution as the good camera, roughly the same noise characteristics, and the ability to refocus and pull other light field tricks like hitchcock zooms.
You just have to be aware that treating the data as a light field it's very noisy, like a crappy cell phone camera, but when you add up pixels to make a focused image, the noise drops back to regular good camera levels.
It's just harder to deal with the amount of data you get off a large sensor with tiny pixels, and they're also harder to build, but neither point is a showstopper and these are mere engineering issues...
Would o been nice instead of .avi to have it in Macromedia Flash, where you can change zoom as you wanted. (And compared to 77mb - with vastly lower filesize?)
"4D light field" sounds interesting though, if only for the "4D" part. I'm thinking and I can't really come up with anything it would be useful for, for the average photographer. I am though reminded of a cam (by the company that did Painter / Kais Power Tools [and eventually sold it all away to concentrate on some web technology...]) which took 2 photos at once, 2 lenses, was a horizontal thing, anyway, the 2nd photo was a 3d image - a radar kinda image. It's a shame we have 5.1 - 3d sound, and still only 2d images - it seems the only technology is in higher reses, not higher dimensions?
the sun is god
All sorts of optical technologies have been around for a long time, and only nowadays are people saying "Of course! Add this to this and I get a great thing!"
Off the top of my head... parallax barrier cameras and newer parallax barrier 3D displays... same thing with lenticular screens... Um... This was so much easier a year ago.
Ren Ng gave a talk on this work last April at the University of Washington, and IIRC, he argued that the resolutions of CCDs are increasing exponentially, and after a certain point, the extra resolution is pointless, so why not use that extra resolution to encode additional information not normally captured? I believe he also speculated that the rate of resolution improvements isn't nearly as high as it could be, and technology that could take advantage of the extra resolution would motivate development of extremely high-resolution CCDs.
Is focusing really that hard?
I was working a year ago on a 3D imaging system that used parallax barriers. We would've killed to have had the kind of continuously-focusable output this camera could produce; one of our biggest problems was deciding what part of the image to focus upon, and then keeping the camera and light steady between shots--especially outdoors. We would have huge problems on cloudy days because the ambient light would change so much between shots at different depths of focus.
Combine this continuous focusing with dynamically sized parallax barriers, and the results might be interesting.
If one can get multiple focal points from just a single exposure, it seems like this technique could speed up systems which take multiple "slices" of an object to build a 3D representation of that object's structure. Brain scans for instance.
This is huge. Imagine this in the video cameras used for movies. The cinematographer can now try multiple focus effects in a single take!!!
Could this be used to sharpen what we see in an x-ray image of a person? Take an x-ray of the whole body and then refocus to concentrate on one particular cross-sectional plane?
Want to improve your Karma? Instead of "Post Anonymously", try the "Post Humously" option.
Insects' eyes are made op zillions of individual "facets", with each its own microlens and microretina.
I saw this article about a week back. I am quite sure that this will never see a practical application ... They take a 16MP input image to produce a 0.08MP output image!!! They are using a $15000 camera system to produce images one quarter the size of VGA!!! Say what you want, but there are better ways to improve DOF.
w topic=9354
They reduce resolution by a factor of 180, but only improve depth-of-field by a factor 7. This is particularly silly because the only reason they have a bad depth-of-field is because they are using a huge expensive sensor. If they would switch to a small cheap sensor like you find in any cheap digicam (1/1.8"), they would get the same improvement, and save $14800.
The light-performace of this small sensor would be just as good as their large one - if you use the same huge pixels that they do (to produce a 0.08MP image), you will get the same low light performance.
If you want more details on why this idea has no use, check out this thread:
http://luminous-landscape.com/forum/index.php?sho
Interesting article, no practical application.
But will it take your finger out of the way of the lens when you snap the picture?
That's quite an accomplishment
I'm not enough of a scientist/mathematician to know the answer, but this sounds very similar to "wavefront coding" from the U. of Colorado.
This is already being used commercially, and the company was formed in 1996 - so I assume the research substantially pre-dated that.
http://www.cdm-optics.com/site/
BugBear
Ignorance is curable. Stupid is forever.
That thing reminds me of High Dynamical Range imaging when it gets to the software-focusing thing (as HDR imaging uses software-controlled-exposure). In HDR you can "mix" together pictures at different exposures to obtain one good looking picture. Could you do the same with that thing to obtain a picture where all objects at all distances are focused, by "putting together" parts of the image when focused? If so that would be kind of interesting to obtain out of it something that's not normally possible, unless you use an impossibly small lens.
You just got troll'd!
are the parents of inventions. The patent system is just the pimp. "The student, Ren Ng, ran out of patience with taking pictures the traditional way" This is the reason why he came up with the idea, not the patent system. What does "protecting" an idea mean anyway? What patents do is protect a monopoly on an idea.
Set your phasers on "funky"!
So this is awesome! I imagined this idea becoming practical only in the far future. Now it looks like it merely needs more megapixels.
Could the principles be used to correct for atmospheric distortion of stellar images in ground-based telescopes? It would seem so if the image was spread over more than a few pixels. Could it also be used to correct for optical flaws in a lense?
"Consensus" in science is _always_ a political construct.
using this sort of method may lead to a massive increase in image file size.
... must be running freeBSD
this is not necessarily a terminal problem
crucially, by what factor are files bigger ?, I presume O(n)
I hope not O(n^2), or worse
btw, well done graphics.stanford.edu, you have survived slashdotting !!!
When the seagulls follow the trawler, it's because they think sardines will be thrown in to the sea
My Aunt(-in-law) has a HUGE collection of family pictures. But more than half of them have her finger in the middle. She can't be convinced to get an SLR or digital camera. She likes her instamatic. I think she buys her film by the three-pack so she can get a full usable (one roll) set of prints from them.
We discussed this in a thread about 2004 SIGGRAPH conferencew. Several researchers were asking the question "what can you do with dozens or hundreds of simultaneous imaging systems?" These would be be line or plane array of cameras. People at SIGGRAPH were demonstrating real-time 3D telkevision. Also you can image a 3D volume simultaneously and select any subsection of volume. Stanford's classic exmple is "x-ray vision" through a hedge. A single camera/eye can only see a few scattered holes through a hedge. But a planar array of cameras is likely to find some light path to every object on the other side of the hedge and successfully construct the whole scene.
Commodity cameras, lense, and computer clusters make the construction of real-time planar imaging systems with the reach of professor's research budget or a clever hobbyist.
You could, for example, put a 2-meter region of depths containing your subject in perfect focus, and have a sharp transition to blurriness at the edges of that 2-meter region.
Sure this is easy to do with video. Just a beam splitter that adds extra path length to a second CCD or to half of the main CCD
Some drink at the fountain of knowledge. Others just gargle.
is whether the invention enables to take images past the diffraction limit of the conventional optics or not. Suppose you take a tripod-mounted image of a static object at f/45 with long exposure. The resulting image has a great depth-of-field but the details of objects within this depth-of-field are uniformly not sharp, due to light diffraction on the small aperture. Now, would the new design in principle allow to take the image with the same depth-of-field but less diffraction blur for objects within the depth-of-field?
17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
Available here. I think this will explain the device much better than the other links that were posted.
As long as the finger isn't fat enough to cover the whole lens, yes, you could remove it.
Dupe. :)
This is what you get when you don't click carefully on each one of the links.
...imagine how much more information you could extract from e.g. the Zapruder film if it had been captured this way.
Actually, it would likely have been rendered completely unusable. The Zapruder Film was taken on a Bell & Howell Zoomatic using Kodachrome II Super 8mm safety film, which had a stated resolution of 63 lines/mm. That gives each frame an effective resolution of about 85,000 pixels.
A plenoptic camera of the type described here, using this film as the detector, would have an effective resolution of less than 480 pixels, or about a 25x19-pixel field. The result might let you determine roughly how far away the Lincoln Continental was from the camera, but that datum wouldn't be 0.00001% as valuable as the details you sacrificed to get it.
If you feel that the 'problem' is that there is a depth of field.. then yes, a pinhole camera will do the trick - to a point, as the pinhole gets too small you get diffractive issues - but that's another topic.
However, you can never -change- the focus on a pinhole camera image properly. The reason for this is that you have no depth information whatsoever. The best you can do is manually mask out bits of the image and (gaussian) blur it to your liking.
This technology, however, allows you to create perfect focus all over... or just on what's near, or just on what's far. You can even, as they show in the video, change the point of view - if you so desired. Or perhaps increase / decrease the perspective (simulate a closer distance with a larger field of view / a larger distance with a smaller view of view)
So if you don't find unfocused parts in itself a problem, just the distance at which the focused part is, the tech is for you. If you just want near-100% sharp pictures... use a camera with a 'fast' lens, large sensor and a high an f-stop (small an aperture) as you can get it. Or, also use this tech, with a much cheaper sensor/etc.
A few years ago I went to Las Vegas and stay at Luxor hotel. I found out that the hotel has an iMax theater, so a friend and I thought we'd stand in line for about an hour to see "Mario Andretti's Super Speedway". (http://www.audio-ideas.com/reviews/dvd/super-spee dway.html) It had been my first time in an iMax so the thrill was out of this world. So, large, so close, great sound, etc., but there was one thing seriously missing and think this lens technology is the closest thing to fix the problem.
The problem is that when a camera focused on a subject, observers were forced to look at it and lot allowing a single observer to enjoy viewing other parts of the video. For example, Andretti was cruising down a long country road and the camera position was about 100 yards away at low altitude. The car and Mario were the subject; however, the scenery beyond the road appeared beautiful, but out of focus.
Here are two scenarios of usage:
1) Using the statue pictures on wired, imagine that you are looking at the far statue. Light-weight Eye-tracking glasses could track the x/y coordinates and quickly adjust the "z" focus my switching the image (on the video end, not the obsrever's glasses). When your eyes move to the right to the near statue, the software switches to that image. Very simple actually, but, this idea is only good for one observer. Think of the virtual reality possibilities!
2) Now back to Mario's scenario and the most expensive (I would think) solution. The observer is a "lens shifter" if you will. Essentially, the image the observer is seeing is either all out of focus to serve as a "common focus" or just focused on the subject. (I think all out of focus will work better.) A headset is worn by the observer containing thousands, if not millions, of small lenses and eye tracking capabilities. Auto-magically, the lenses adjust x/y viewpoints of the eye.
Perhaps we've been thinking too much about putting TVs on our heads rather than lenses and using a commonly-focused scene as a base. Kudos to Ng, this is the beginning of a great era in photography and movie making.
Looks like an idea that been around the block for a while.
1994