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The Grateful Dead vs. Archive.org

Posted by Zonk on from the not-quite-dead-yet dept.

An anonymous reader writes "E! Online has an article about friction between archive.org and the surviving members of the Grateful Dead. They have come to an amicable understanding after some confusion involving online bootlegs." From the article: "A week after some of the surviving members of the Grateful Dead ordered a nonprofit site to remove free downloads of the seminal jam band's concerts--sparking massive online backlash and a Deadhead petition calling for a boycott of all band-related merchandise--the band has reversed its position. 'The Grateful Dead remains as it always has--in favor of tape trading,' spokesman Dennis McNally tells the Associated Press. "

68 of 395 comments (clear)

  1. WWJD by Anonymous Coward · · Score: 4, Funny

    What Would Jerry Do?

    1. Re:WWJD by /ASCII · · Score: 5, Interesting

      This kind of reminds me of the "This land is your land"-debacle. Woody Guthrie, who originally wrote the song, used the following copyright:

      This song is Copyrighted in U.S., under Seal of Copyright # 154085, for a period of 28 years, and anybody caught singin' it without our permission, will be mighty good friends of ourn, cause we don't give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do.

      Still, somehow the above copyright notice was revoked, and after Guthries death, the song passed into ownership of a record label, that claims ownership to it.

      I am a strong beliver in the capitalist system and right to own property, but that right _must_ include the right to give property away.

      --
      Try out fish, the friendly interactive shell.
    2. Re:WWJD by BodhiCat · · Score: 5, Insightful

      Jerry and the rest of the band were part of the idealized Haight Asbury community. Although it later collapsed into hard drugs and violence the community was visualized as one where everything was shared in common. This is expressed in their song Box of Rain, "What can I do for you to see you through ..."

      The Grateful Dead like most of the others of the 60's counter culture eventually became part of the main stream, signed a record deal (for which they were chastised at the time by many Haight-Asburians as sell outs) and went to work, making money from touring, record sales and merchandise sales. The taping of the shows was a carryover from the ideal days of the late 60's. "Hey we are just here making music, if you want to sit in front with a tape recorder that's cool with us."

      The tape network grew over the year as tapers traded recordings of shows. However, this was a network which required a "buy in" of having some tapes that you made your self or that you scored from a friend.

      The internet and digital media changed all that. It was now easy for someone to put their recordings on a web site where any one could download them. There was no re-precocity involved. This has led to many who have never attend a show to build up a sizable collection of recordings. (Including, admittedly, Bodhicat himself)

      I don't really have any conclusion to this. Should the 60's ideals be carried over into the internet? Should the "surviving members" be willing to give up profits from CD sales to preserve these ideas? Who owns music? "Its just sounds in the air, man." In the sixties there was an idea that everything should be free, can these ideals be carried over into the digital age?

    3. Re:WWJD by 91degrees · · Score: 4, Informative

      Yes. It turned out Copyright hadn't been renewed (and that was a requirement at the time), so it had been public domain since the 1970's.

    4. Re:WWJD by dsgitl · · Score: 2, Interesting
      Wow, excellent observation. You have encapsulated my feelings and concerns about the whole issue very well, and I think your question is at the exact heart of the matter. I'm 24, and there are many people my age that had no contemporary appreciation for the Dead that are probably up in arms over the whole thing.

      To extend the debate, I have been downloading and burning Dave Matthews shows like crazy. They are widely available, easy to find, and for the most part, are very high quality. I've seen one of the band's shows live and own exactly one Dave Matthews DVD, that I bought with a gift certificate, no less.

      So what do I own the band? Technically, I'm breaking no laws and am not selling these shows for profit. If Dave Matthews gets tired of my free-loading and decides taping at DMB shows is no longer allowed, do I have the right to be upset? It would appear not. But having something taken away that I enjoyed would probably hurt.

      The answer? Do what Pearl Jam did a few years ago. Sell a bunch of "bootlegs" in the stores for $15 apiece, and watch as the rabid fan base eats it up. Sigh.

    5. Re:WWJD by BiggerBoat · · Score: 2, Interesting

      And yet the JibJab guys still got threatened with a lawsuit last year, even though a), their Flash was satire/parody and should fall under fair use, and b), the song has been public domain since the 70s?

      So was the publisher that claimed ownership and threatened the lawsuit just clueless?

    6. Re:WWJD by Hatta · · Score: 3, Informative

      The taping of the shows was a carryover from the ideal days of the late 60's. "Hey we are just here making music, if you want to sit in front with a tape recorder that's cool with us."

      The taping of concerts is a tradition Jerry picked up from his days as a bluegrass musician. You may not know it, but Jerry started out on the banjo, and was rather good at it too. What the internet did for the grateful dead's boots, it also did for these old bluegrass tapes. Check out Bluegrassbox and The Steam Powered Preservation Society.

      --
      Give me Classic Slashdot or give me death!
    7. Re:WWJD by Shelled · · Score: 3, Insightful

      It's a reasonable suggestion the Grateful Dead wouldn't be more than an interesting 'Hits of the Sixties' or 'Where are They Now' trivia question if it weren't for those Haight Asbury ideals of community and sharing. The Dead invited the audience to be part of the group and gave freely, getting a liftime of adoration, appreciation and financial benefit in return. Given the long-unpopular style of music the Dead played they'd could have been just another Quicksilver Messenger Service otherwise. The Dead are one of the best counter-arguments against DRM. Real artists, as opposed to what media companies today term 'product', can survive and flourish, give to society freely and get a lifetime of riches in return, under the notion of copyright as first intended - a limited license on commercial distribution instead of property, or 'music ownership'.

    8. Re:WWJD by Anonym1ty · · Score: 3, Insightful

      I find it hard to believe that fans of the Grateful Dead could boycott any band related paraphernalia for any length of time.

      --
      See the Pictures of the Flood of '08
    9. Re:WWJD by fmaxwell · · Score: 2, Insightful

      I said "their song" meaning a song the band played, not one that Jerry wrote.

      Anyway, I think the line I quoted ("What can I do for you to see you through.") can be generalized to encompass the concept of a culture of sharing which many in the 60's talked about, even if it wasn't always practiced.

      Reading that, I can't help but quote a scene from "This Is Spinal Tap":

      MARTY: You play to predominantly, uh predominantly a white audience, you feel your music is racist in any way?
      DAVID: No!
      NIGEL: No, no, of course not....
      DAVID: We pro...we say, we say "love your brother", we don't say it, really, but..
      NIGEL: We don't literally say it.
      DAVID: No, we don't say it ...at all.
      NIGEL: No, we don't literally mean it, but we're not racists.
      DAVID: No, we don't believe it either, but...that message should be clear anyway.

    10. Re:WWJD by Jim+Narem · · Score: 2, Informative

      The song "Box of Rain" is actually about a son (Phil Lesh) dealing with the slow death of his father. The
      lyric "What can I do for you to see you through ..."(sic) is a lot more personal that just a bunch of hippies
      sharing dope in Haight-Ashbury.

      See http://arts.ucsc.edu/gdead/agdl/box.html for a discussion of the song.

  2. Surprisingly large protest by PurifyYourMind · · Score: 5, Informative

    Fans pissed off at the merchanise type people put up a petition at http://www.petitiononline.com/. Theirs is one of the largest petitions on the site.

  3. Forgetting the most basic right: property by dada21 · · Score: 4, Interesting

    The Grateful Dead has been one (big) example of a band that succeeded without the need for coercive copyright protections. One could argue that they did still use trademark, but they are closer to the anarchocapitalist goal than most popular bands.

    The Dead made their money the right way -- by performing a service for their customers worthy of continual profits. No job requires copyyright.

    I don't believe in copyright as I don't see how anyone can use Congress and the courts to enforce income on non-continuing work. It is ridiculous.

    The Dead's backtrack on their standards shows how corrupting law can be. How a band that has made millions over decades could turn is beyond me. The law is culpable -- the temptation to forcibly control what isn't in your possession is that strong.

    I think this could be a huge blow to that scene (as well as the aging of the fanbase and the unconstitutional drug laws). I've been supporting (financially) only bands who don't support copyright, and I'm meeting and convincing more bands to forgo the protections in order to command a higher ticket price. Give away 1000 CDs ($215), include your next 4 months concert schedule and ask for $1 more per ticket. If the music is good, you'll profit with no use of force.

    The strict anarchocapitalist view hoods that property rights are what sets all other rights. Property is physical, not ethereal. Once the physical item is bartered, you lose control of that particular item. Copyright started as a 7 year protective mechanism solely for the creator. We can see that all legal coercion is bad as there are no checks on the extension of power.

    (note I blogged about this today)

    1. Re:Forgetting the most basic right: property by dada21 · · Score: 5, Insightful

      How exactly is an author going to make any money if not from selling his non-continuing work?

      I am an author and I have always offered my writing (books, newsletters, e-mails) for free. As the Internet progresses, more and more books and writings will be available illegally (freely), so authors need to now adjust before they miss out as the music industry did.

      Authors have many ways to make money on their books. First, authors can co-op (not in the forceway way that the MPAA and the RIAA have) to go to book sellers and agree to not provide their stores if the book sellers sell third party copies of the books. Books can be freely copied, yet MANY readers will want to buy the official author's book, as long as it is reasonably priced. When I see $2 bootleg CDs, I know the original band isn't making jack. When I see $15 official CDs, I know the original band isn't making jack. I won't purchase either copy. Yet when an indie band is offering CDs for $10, I know I am helping the author.

      This viewpoint is something we need to work on as a society, yet we won't because the current system (protected by copyright) puts the power of media in the **AA companies, not the bands. The distributors control the radio, MTV and even the rock trades. The Internet is changing all this. Copyright isn't useful for authors, anyway. Most "bestsellers" net their authors very little. You can write a best seller and make less than $30,000.

      How do I, as an author, make money? Public speaking engagements. Consulting. Distribution of new text to those who want it first. It is very lucrative, moreso than the actual book sale.

    2. Re:Forgetting the most basic right: property by raddan · · Score: 3, Insightful
      We also see that the term "intellectual property" has skewed the original intent of copyright. Works are not analogous to property, but when you call them property it becomes easy to mistakenly think that the same crimes apply too, i.e., theft and vandalism. Copyright crime is copyright infringement.

      Copyright is a privilege that is extended to the creator of a work as an incentive to release those works into the public. The holder of the copyright is granted an exclusive monopoly on distribution for a time. This is a fair incentive, IMHO, so long as the work eventually reverts to the public domain. The current term of copyright is absurd, but unfortunately it is within the law (even if it doesn't adhere to the spirit of the law).

      I'm not so sure that anarchocapitalism applies here, since we're not talking about a physical object. But I agree on your main point-- copyright doesn't need to be the main vehicle for profit. Obviously, this is something that people in IT a realizing about now; look at all the people out there making money on permissive copyrights! Amazing.

      As a side note, someone came to me yesterday asking how to move raw PCM data recorded on VHS tape (44.03 kHz) to a computer. Apparently, he has amassed a large collection ("hundreds") of Grateful Dead bootlegs in digital format. He was wondering if he could transfer them digitally to his hard disk-- I really had no idea. Anyone ever heard of this before? He said that bootleggers used to show up with all kinds of crazy recording equipment.

    3. Re:Forgetting the most basic right: property by flyingsquid · · Score: 3, Insightful
      No job requires copyyright.

      Writer? To be fair, my understanding is that many authors make a lot of their money from book signings. But if you write books on, say, "Home septic installation made easy" I somehow doubt the local independent bookstore is going to arrange a signing. Likewise, it's going to be difficult getting an advance on your work if the publisher can't be granted exclusive rights to it, and you can't sell the rights to Hollywood if there is no law against simply stealing the story.

      I'm not saying that means that Stephen King's great-great grandchildren need to be collecting royalty checks on "The Shining" at 117 years old, but it's hard to see how writing would work if there was nothing to prevent someone from taking your work without compensation.

    4. Re:Forgetting the most basic right: property by dada21 · · Score: 3, Informative

      Physical objects are all that property is about: your body, your car, your land, your house. I don't see how anything non-physical can be considered property. The short term monopoly encourages manipulation of the power that forces that monopoly, it does not encourage creation.

      As for the PCM data recorder on VHS, the hardware to extract it will not be cheap. I messed with these devices in the 80s as a cheap data backup for the PC:

      http://www.merlineng.com/ME-981_991.html

      http://www.gracey.com/descriptions/teac-5000-d1.ht m

    5. Re:Forgetting the most basic right: property by flyinwhitey · · Score: 2, Insightful

      "The Dead's backtrack on their standards shows how corrupting law can be."

      Don't blame the law. Humans have been hypocrites since before laws existed.

      --
      How pathetic are you that you follow me from topic to topic and waste all your mod points at once modding me down?
    6. Re:Forgetting the most basic right: property by goldspider · · Score: 2, Insightful

      "First, authors can co-op to go to book sellers and agree to not provide their stores if the book sellers sell third party copies of the books."

      And as a book retailer, I would...

      1. Tell the author to go pound sand.
      2. Produce and sell exact duplicates of the author's "official" book.
      3. PROFIT!!

      Without copyright laws, what would stop a book seller from doing that? How exactly does the author benefit from having no legal protection whatsoever?

      I think your idealism clouds your logic.

      "How do I, as an author, make money? Public speaking engagements. Consulting."

      If the majority of your income comes from consulting and speaking engagements, you are not an author by trade.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    7. Re:Forgetting the most basic right: property by dada21 · · Score: 2, Insightful

      And as a book retailer, I would...

      1. Tell the author to go pound sand.
      2. Produce and sell exact duplicates of the author's "official" book.
      3. PROFIT!!

      No you wouldn't. Retailers who work like this would lose authors. That is a reality. When I submit my writing to a publishing house, I can't copyright it. In fact, if you say "(C) 2005" on your "book" they'll put it in the circular file (trash).

      Publishing houses don't steal works, they NEED the works. Retail stores need the authors as well. In fact, if a retail store steals the work, they're accepting way more work than if they just accepted a book and sold it. Can you imagine knocking off 500,000 different books a year? Maybe the top 50 would be stolen, but if they DID get stolen by Borders, that popular author would never offer Borders the first right to sell future best sellers.

      The market doesn't work the way you think it does. It works through voluntary exchanges of products and services -- until government comes in and forces unvoluntary exchanges.

    8. Re:Forgetting the most basic right: property by mumblestheclown · · Score: 3, Insightful
      No job requires copyyright.

      Only on slashdot will you find posts so naive and ignorant, and yet so brazen about it.

    9. Re:Forgetting the most basic right: property by dada21 · · Score: 2, Interesting

      Awesome. Thanks for the info on PCM VHS stuff. I'll forward it on. This guy says that money is no object. Apparently I'm not getting paid enough around here!

      You can have him e-mail me and I can probably find him a service that will retrieve the data. I'm sure he can pay per linear foot or megabyte.

      I agree, property is all about physical objects. But we're not talking about property, we're talking about copyright. Are you saying that a monopoly on distribution can only apply to physical objects?

      No, I am saying that a barter or exchange can only be performed on physical objects and physical actions. IAFM (in a free market), when you go to a concert "for the music" you're actually paying someone to play the music. IAFM, when you buy a CD "for the music" you're actually paying someone for the physical CD.

      Even if that's a tenet of anarchocapitalism (which I'm admittedly not familiar with), it seems to be wrong: we currently allow a monopoly on distribution of copyrighted works in a completely non-physical domain. iTMS is a good example of this.

      Correct. With iTMS, IAFM, you'd be paying for the bandwidth, processing and search capabilities of the service. The actual content is "non existant ethereal" and really has no value as it is infinitely available. Demand/Supply = Price. X/infinite = 0.

      If so, I think this is true, but not limited to monopolies. I believe that the power-hungry will always try to change the law to make it more favorable to themselves.

      Which is why I am against public laws and public courts in the first place. The market and society would be far better off with private laws and mutual agreements.

      I believe the law WAS needed for thousands of years, but now we have the Internet and we have instant communication. I think the law is no longer valuable or worthy. Horses were replaced by cars, bulbs replaced gaslamps, the Internet replaced morse code. Freedom should replace the law.

    10. Re:Forgetting the most basic right: property by rizzo420 · · Score: 2, Insightful

      before P2P, people would request songs on the radio and then tape them. people have been recording music off the radio long before P2P existed. don't blame the internet. music has wanted to be free for much longer...

      and let's not forget about bootleg recordings of bands that never allowed it...

      --
      please me, have no regrets.
    11. Re:Forgetting the most basic right: property by Spacejock · · Score: 5, Interesting

      It's well known that the average book signing is attended by 4 people. At $1 - $2 per copy royalty the author can just about buy themselves a cup of coffee and a muffin with the proceeds.

      Authors make money by taking a small percentage from the cover price of each book sold. They can't make money from live performances (authors are usually a pretty boring bunch) and the money they DO make from selling their books isn't enough to live on in 99% of cases. Therefore they teach or lecture or work as writers-in-residence or have part- or full- time jobs, all of which means they write less than they would if they were full time writers.

      Yes, I'm a published author and no, I can't see how any system other than what we have now is going to work better - or even come close. Forget about six-figure advances and 'richer than the queen' - only 2 percent of books released each year sell more than 1000 copies. 1000 copies == peanuts in royalties == don't give up the day job. The occasional mega-best-seller skews public perception so that published author equals mega wealthy. As if, and if only.

      The first book in my Hal Spacejock SF/Humour series is selling well (Reached #3 on the Dymocks SF/Fantasy bestseller list), although I'm still a complete unknown and my books are only available in Australia so far. On the bright side, anything better than 1000 copies puts me in the top 2% of all published authors ;-)

      --
      Hal Spacejock: Science Fiction with Nuts
    12. Re:Forgetting the most basic right: property by goldspider · · Score: 3, Insightful

      "No you wouldn't. Retailers who work like this would lose authors."

      Without copyright laws, why would retailers need any kind of business relationships with authors to begin with? If The author distributes his/her works freely, as you suggested they should ("Books can be freely copied"), what would stop the retailers (or anybody for that matter) from simply downloading, printing, and selling it from their stores?

      If you are going to advocate anarchocapitalism, you'd better be willing to accept that freeloaders have a lot to gain from such an unregulated system.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    13. Re:Forgetting the most basic right: property by dada21 · · Score: 2, Insightful

      A writer works hard to complete a story or a novel or a picture. A pubisher takes that and produces a book. The publisher sells the physical object for whatever price they can for years and years and years. If there were no copyright, what obligation would the publisher have to pay the writer or the artist any income at all from the on-going sale of the object they were responsible for?

      This is completely untrue. Publishers that steal stories from authors would not have authors negotiating with them. Publishers are good at distributing, authors are good at writing. They both need each other, even in a copyright-free world.

      There have been publishers who printed more books than the author knew about and the publishers didn't last long.

      In a non-law world, we'd still have ways to moderate the actions of people and companies. In fact, in a non-law world the business of action-moderating would be a decent career. You'd pick a company to moderate your transactions, a publisher would do the same. You do a job, you tell your customer "hey, go and moderate me!" Others can see how you handle yourself.

      We're seeing moderating systems come into existance already. MySpace has changed the dating life of teenagers (instead of hiding your cheating, it is now considered OK as long as you're honest, which is a good thing). Slashdot has changed the commentary system on the web. Ebay changed the way items are bought and sold. Moderation by private companies for transactions is the future -- why worry about credit checks and the like?

      Of course, if you were person had bad moderation, they could theoretically dump their old moderation company and pay for a new one. Now you come across Mr. George Jones, who is 29 years old and has zero moderation. What do you do? Trust him? You come across Mr. John Michaels who is 29 years old and has 910 positives and 14 negatives.

      That is how a free market would work. Publishers that cheat get negative moderation. Authors who cheat get negative moderation.

    14. Re:Forgetting the most basic right: property by ScentCone · · Score: 2, Insightful

      by performing a service for their customers worthy of continual profits. No job requires copyyright.

      How do you define "continual?" Say I publish a book and sell it today. Why, my work might even interest people for the whole rest of the week, selling copies for days on end. So, I worked for the last 3 years to produce the material, and then - whoa! - I'm making "continual" profit for several days following! You must be horrified by my greed and the "monopoly" on my own work. Just continuing, Monday, Tuesday, Wednesday - all week!- to make money on years of work that I'm no longer doing. Shameful.

      The strict anarchocapitalist view hoods that property rights are what sets all other rights

      And you say that as if it matters. Why, the strict slave-holding view holds that if I point a gun at you, I can make you clean my toilet, too. You're my property then, aren't you? Frankly, I don't care how benignly you try to use the word "anarcho" as a prefix for anything. Actually practice it for real, and all bets are off. May the best armed win.

      we see that all legal coercion is bad

      But we don't see that at all. You don't make that case, and the very concept is irrational. If your neighbor wakes up each morning and shoots one of your cattle for fun, any sensible legal framework must include the ability for the rule of law to coerce different behavior on the part of your neighbor. If no body/institution is invested with those constitutionally structured powers, then we're back to The Best Armed Guy Wins. And while I am the best armed guy in my neighborhood, I prefer to reserve that for coercing venison and pheasant meat into my freezer.

      (note I blogged about this today)

      Whew! That's good news. I'd hate to think of the dreadful loss to intelligent, reasoned discourse if you hadn't. And to think that I was going to spend my day writing so that, during some distant week when I wasn't going to be providing a service in real-time, I could realize some income as a return on my investment. But now I see that I should become a wandering lecturer/trubador, working for room and board as those opportunities present themselves, and spend today reading your blog instead.

      --
      Don't disappoint your bird dog. Go to the range.
    15. Re:Forgetting the most basic right: property by xoboots · · Score: 3, Funny
      Only on slashdot will you find posts so naive and ignorant, and yet so brazen about it.


      Which ironically explains YOUR comment.

  4. Not quite reversed by LiquidCoooled · · Score: 5, Informative

    From boingboing (where I saw this initially) comes the following:

    He said the band consented to making audience recordings available for download again, although live recordings made directly from concert soundboards, which are the legal property of the Grateful Dead, should only be made available for listening from now on.

    They are not reopening it back up fully. They are removing something which was granted to them earlier.

    --
    liqbase :: faster than paper
    1. Re:Not quite reversed by just_another_sean · · Score: 2, Insightful

      I don't have a problem with this. Yes they took it away. But if you already have it you can still trade it/give it away. The audience tapes turned downloadable files were the real issue for me. They were made by someone besides the band with the band's blessing. People spent a lot of time taping them, converting them and then putting them up on archive. Let us keep them.

      Their vault from the sbd is theirs to do with what they will and although I feel I may need to wait a while before I'll be able to buy many of them "from the vault" I will do so as much as I can.

      In the meantime however, there are plenty of folks who have copies, the Dead don't DRM their stuff and we are all still free to trade what we have. All in all I think it is a perfectly acceptable compromise.

      --
      Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
  5. Quotes from the band by rsidd · · Score: 4, Informative
    Phil Lesh (bassist) was not consulted about the takedown.

    John Perry Barlow (lyricist, but he has other claims to fame outside the Dead) was not happy. In this story he blames it on the drummers (Mickey Hart and Bill Kreutzmann). The NYT quoted him as having had a "pretty heated discussion" with Weir, guitarist and his songwriting partner. Robert Hunter (Jerry Garcia's lyricist) was reportedly not happy either but is silent.

    I'm just disappointed, that's all.

    1. Re:Quotes from the band by JabberWokky · · Score: 4, Informative
      The drummer is the least significant component of any rock band. How these guys managed to call the tune is beyfond me. Just sit at the back and bash the pads, would you

      You are clearly not a Grateful Dead fan... or at least have not listened to the long jam sessions in their live shows. The reason they have two drummers is because they are real percussionists -- rather than being in the band because they were "Nick's friend who owns a kit". The two of them work together and do some very spacey and complex stuff.

      Unlike in most bands, the bassist doesn't simply repeat six notes and the drummers not only actually work hard, they use more than just the one drum kit in one song (another reason for two drummers -- so one can keep the beat while the other is running to a new instrument). Much of the quality that people like about the Dead is the fact that the underlying music is complex and slowly rotates across a long jam.

      --
      Evan

      --
      "$30 for the One True Ring. $10 each additional ring!" -- JRR "Bob" Tolkien
    2. Re:Quotes from the band by freshman_a · · Score: 2, Informative


      The drummer is the least significant component of any rock band.

      Uh...

      Tommy Lee?
      Lars Ulrich?
      Mick Fleetwood?
      John Bonham?
      Alex Van Halen?

      Better let those guys know they weren't/aren't significant. So, how much rock music do you listen to?

      --
      Slackware
    3. Re:Quotes from the band by captain_dope_pants · · Score: 3, Funny

      Obligatory drummer jokes:
      "Mom, when I grow up, I want to be a drummer."
      His mother scoffs and replies... "Well, you can't do both."

      What do you call someone who hangs around with musicians?
      A drummer.

      What's the difference between a drummer and a drum machine?
      You only have to punch the information into the drum machine once.

      Why are orchestra intermissions limited to 20 minutes?
      So they don't have to retrain the drummers.

      How do you get a drummer to play an accelerando?
      Ask him to play in 4/4 at a steady 120 bpm.

      --
      while (true != false) process_more_stupid_code();
    4. Re:Quotes from the band by MattBurke · · Score: 2, Interesting

      When Metallica played at Download Festival in the UK earlier this year, Lars Ulrich wasn't there so they recruited Joey Jordison (Slipknot) and Dave Lombardo (Slayer) to play in his place. After alledgedly only an hour of practice, they did a flawless set easily matching Lars's playing.

      Incidentally, Hetfield's guitar was cringingly flat and his voice was all over the place. Funny how those problems disappeared on official "recordings" and when I watched it on TV...

  6. Let them eat Stream by warmcat · · Score: 5, Insightful

    ''Grateful Dead "reversal" on fan-recordings is a smokescreen

    Yesterday, I blogged stories about various Grateful Dead spokespeople and band-alumni making promises to reverse their attack on fan-recordings that are hosted at the the Internet Archive (these recordings were made by dedicated fans with the band's explicit blessing, and have been the core of an decades-old evangelical unpaid promotional campaign by Deadheads that has returned a gigantic fortune for the band).

    However, it appears that all the talk about "communications SNAFUs" was a smokescreen for a half-assed compromise that leaves the highest-quality recordings available only as streams, meaning that they can no longer be simply downloaded from the Archive and traded on. ...''

    Whole article

    1. Re:Let them eat Stream by goober · · Score: 3, Informative
      I don't understand the difference between the recordings being available only as streams, and for downloading.

      The recordings that are no longer available were lossless. The streams are lossy.

  7. SUMMARY by GreyPoopon · · Score: 4, Informative
    In summary:

    Bob Weir, Mickey Hart and Bill Kreutzmann were greedy because they felt the 50,000,000 per year that the band earned while Jerry Garcia was alive just wasn't enough to retire on. They threw a tantrum. Archive.org attempted to do what they though the Dead wanted and removed all the music.

    John Perry Barlow, Phil Lesh and others disagreed, holding true to Garcia's attitude about trading. Live-recorded music (by fans) is restored to Archive.org; studio recordings are not.

    Deadheads are freaking out and suffering from disillusionment. The question of whether the more pristine studio recordings should be allowed is not yet answered.

    --

    GreyPoopon
    --
    Why is it I can write insightful comments but can't come up with a clever signature?

    1. Re:SUMMARY by BushCheney08 · · Score: 4, Informative

      Close. My understanding is that it's the soundboard recordings of concerts that are still being disallowed. Obviously, studio recordings wouldn't be allowed anyway under copyright law.

      --
      Be a real patriot: Question authority. Think for yourself. Formulate your own conclusions.
    2. Re:SUMMARY by LiquidCoooled · · Score: 3, Informative

      Even closer, soundboard recordings are to be available, but in streaming format only.

      --
      liqbase :: faster than paper
  8. They have every right by dbmasters · · Score: 3, Interesting

    Much like Metallica and any other band that stuck their nose into this whole issue, they have every right to try to control their music any way they want to. It's their intellectual property.

    That saidm as the Grateful Dead has always stood in favor of tape trading, going so far as to set up special areas at shows for "tapers", they really should have seen the backlash and shut their mouths. I am a life long deadhead, with many tapes of shows...the unique thing that set them apart from the pack is the fact they were not a studio band, they were a live band. No recording, audio or video, will ever capture the moment of a show. I have seen many, the vibe in the room, among the people and the band, the long shows, long free for all jams inspired by the moment can be replayed and replayed again, but those same notes, same chords, same jams on tape will never match standing there, beer (or whatever) in hand, watching it unfold live.

    It's not the music with the Grateful Dead, it's the experience.

    --
    dB Masters
  9. Nice transition by GroeFaZ · · Score: 5, Funny

    From Grateful over Ungrateful back to Grateful. The REAL news, however, would be if that transition happened with the other part of their name.

    --
    The grass is always greener on the other side of the light cone.
  10. Re:Forgetting the most basic right: property[OT] by dada21 · · Score: 3, Informative

    Many of our federal drug laws were founded on discrimination and collusion with the medical boards and prescription narcotic companies. I've researched the enumerated federal powers and nowhere in the Constitution do I see any allotment for the Congress to control, regulate, criminalize or even define drug use. The 9th and 10th Amendments are very clear that the right to use drugs is protected and within the individual States or the People to control.

    Illinois could criminalize drugs, but the federal government absolutely cannot. The use of force by the feds to criminalize non-violent drug use is treason and worthy of the ultimate penalty for those enforcing these unconstitutional laws.

    I do not use drugs of any kind, FWIW.

  11. It's just a matter of time... by SlashAmpersand · · Score: 5, Funny

    The RIAA announced lawsuits against 1244 Deadheads today. Although the Deadheads are downloading the music legally, the RIAA is going after them anyway. "These Deadheads, they're sitting there with their tie-dye t-shirts, their sunglasses and bandannas, and their downloading music! We're confident that we'll prevail, because downloading music is wrong in the strict Biblical sense. Have you ever heard of Jesus downloading music? Did Moses use Limewire? No. Let's face it, we're on the right side here." The latest set of hearings were delayed when the RIAA representative noticed that the courtroom stenographer was wearing a set of earphones, and accused her of downloading music, leading to an attack by the RIAA lawyers. The courtroom was cleared, but not before the stenographer's wallet was picked bare and she'd been served with two separate lawsuits.

  12. Jerry wanted the music to be free... by digitaldc · · Score: 5, Informative

    "once we're done with [the music], you can have it." - Jerry Garcia
    Bassist Phil Lesh echoed that sentiment--quoting Garcia in an interview with Charlie Rose on CBS's 60 Minutes in 2004: "Jerry put it the best, as he frequently did, 'Let 'em have it. When we play it, we're done with it."
    from: http://www.archive.org/iathreads/post-view.php?id= 49496

    The Dead also released a disclaimer about their live music:
    MP3 STATEMENT TO MP3 SITE OPERATORS
    The Grateful Dead and our managing organizations have long encouraged the purely non-commercial exchange of music taped at our concerts and those of our individual members. That a new medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard.
    Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follows:
    No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means.
    All participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music.
    This notice should be clearly posted on all sites engaged in this activity.
    We reserve the ability to withdraw our sanction of non-commercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work.

    Jerry Garcia did not care about people taping or downloading their music, he thought any live show could be shared and traded by anyone for their personal use, but not to copy and sell for profit. I would think the rest of the band would respect his wishes. Long live Jerry.
    http://www.people4peace.net/pix/people4peace/jerry -garcia.jpg

    --
    He who knows best knows how little he knows. - Thomas Jefferson
    1. Re:Jerry wanted the music to be free... by rizzo420 · · Score: 2, Interesting

      i believe jerry's widow was part of the decision making process considering she's probably not making that much money off his estate. regardless, it was a dick move by those who decided... phil wasn't included because phil would've been completely against the decision (and he's the one making the most money from other projects now).

      --
      please me, have no regrets.
    2. Re:Jerry wanted the music to be free... by digitaldc · · Score: 3, Informative

      Phil and Jerry tend to think alike, I am not so sure about the rest of the band.

      It's a shame it only took 10 years for the rest of the band to start squabbling about downloading their music. They are all very wealthy and probably get many things for free from their beloved fans, so why not return the favour?

      On a side note, I have many Dead bootlegs, but I have actually purchased Dick's Picks in order to help support the band, and to get an undoubtedly clean copy direct from the master tapes.
      If anyone is curious: http://stores.musictoday.com/store/dept.asp?band_i d=171&dept_id=1541&sfid=7

      --
      He who knows best knows how little he knows. - Thomas Jefferson
  13. Only one way to describe this farce... by gowen · · Score: 3, Interesting

    What a long, strange trip it's been...

    --
    Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    1. Re:Only one way to describe this farce... by jpiggot · · Score: 2, Funny

      Don't you mean "What a long, strange "rip" it's been..." ?

      --
      StupidChildren...the reason jesus is crying
  14. Be Like Mojo by Bullfish · · Score: 2, Interesting

    Too bad more bands aren't like Mojo Nixon. This kerfuffle never would happen. He actively encourages you to download his music and share it. Mind you, he doesn't have to wrassle other members of the band.

  15. What? by Anonymous Coward · · Score: 2, Insightful

    "The Grateful Dead remains as it always has--in favor of tape trading,"

    Except for last week, when we were against it.

    It's a dead giveaway (no pun intended) when someone claims they're not about money, that they're most likely about money.

    No amount of backtracking will change that now, you've shown your true colors guys.

    1. Re:What? by li99sh79 · · Score: 3, Informative

      Not true, the Dead never said anything about trading recordings of their shows, that was still kosher. What they yanked was the ability to go to a single resource, archive.org, and download a copy. bt's were still viable, as were regular old snail-mail trades/B&P's. Now, to the best of my knowledge, you can still trade the sbd's, you just can't download from archive.

      It's not really that big a deal since there are plenty of bands that allow taping but don't allow their shows to be hosted on archive.org (phish, DMB, ABB to name a few).

      -sam
      --
      I was just here, where did I go?
  16. is there any reason... by JimmyJava · · Score: 2, Insightful

    that they call them the "surviving" members? it's not like the're lynyrd skynyrd.

    1. Re:is there any reason... by OctoberSky · · Score: 2, Informative

      Jerry Garcia (guitar/vocals): Dead
      Ron "Pigpen" McKernan (keyboard/vocals): Dead
      Keith Godchaux (piano/keyboard): Dead
      Brent Mydland (keyboard): Dead
      I am sure I missed someone.

      Note to self: Don't play Keyboards for the Grateful Dead

  17. Re:Forgetting the most basic right: property[OT] by dada21 · · Score: 4, Insightful

    The federal gov't can if it can rationalize that drugs are an interstate concern.

    The Interstate Commerce clause is the most widely abused clause in the Constitution. It was originally provisioned so that the Federal government had a check on States abusing commerce between them. There was to be no taxation, tariff or other regulations in trade between States.

    The clause now extends the federal government numerous powers (DUI laws, speed limits, drug use, porn, Internet controls, telecommunications controls, etc).

    Reading up what the founding fathers intended isn't needed if you just read the text of the interstate commerce clause. It is also one clause I'd dump completely if I had a hand in Constitution version 3.0.

  18. Long live bt.etree.org! by just_another_sean · · Score: 2, Informative

    If they don't have it archive try bt.etree.org, The Traders Den or FurthurNET. You may even get to talk to some cool chicks or hoopy froods... :-)

    --
    Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
  19. Right to REPUBLICATION FOR PROFIT, not copyright by Morgaine · · Score: 2, Interesting

    so how should writers be compesated for the books they write?

    How about, by being the only ones allowed to publish their material for profit?

    It's not the act of private copying or private downloading that is inherently unfair for authors --- after all, each copy taken makes them better known, which is what all upcoming authors want. It's the act of taking their material and then selling it for your own personal gain without having done the work that the authors did that is inherently unfair. This applies to all media.

    The problem is REPUBLICATION FOR PROFIT, not copying.

    --
    "The question of whether machines can think is no more interesting than [] whether submarines can swim" - Dijkstra
  20. Re:Ahh dammit by dsgitl · · Score: 2, Informative
    Oh whatever. I can't think of a band's music that is easier to collect over the Internet than the Grateful Dead. Any torrent site is teeming with GD shows (just look at bt.etree.org), and there are GD-specific sites, and every other trader on a site like etree.org has hundreds of GD shows.

    I find the GD complaints to be a bit much. The Internet Archive was probably not meant to be a Grateful Dead repository, but over the past week or so, it's been good for little else.

    I could care less about Jerry's vision. Pardon me for wanting what I want and being annoyed by the crybabys getting in the way. I would think that a member of Slashdot would more than understand that attitude.

  21. there goes the illusion by ehrichweiss · · Score: 2, Interesting
    I should be used to this by now, having my ideals shattered but this is ridiculous. If it weren't for Phil in all this, I'd be selling all my Grateful Dead merchandise right now. As it stands I think I have some Mickey Hart CD's that I want to give away. Really.

    Bob, Bill, Mickey, I had great respect for you but now I think it's time you guys move on as it's gone now and there's really no way to get it back. Don't expect any sales of your collaborative works as I refuse to support you should you decide to try this again.

    Phil, be prepared for a rise in merchandise sales. You sir, show great integrity both in your music and in your belief system and for that you will be rewarded.

    --
    0x09F911029D74E35BD84156C5635688C0
    1. Re:there goes the illusion by dsgitl · · Score: 2, Insightful
      I don't get it. Your fandom is so fickle, that one week of bad news for you, and suddenly you hate the band? I can't believe the reaction I'm seeing from GD fans. For a long time, the Internet Archive and the Grateful Dead were freely GIVING away high quality show downloads. There were hundreds and hundreds of shows available for your collection and you had ample time to save each and every one. To this day, every single show is still available for your listening whenever you want.

      Morals established in the 1970s are, for the most part, being carried today. If the band really wanted to be pricks, they would find every single GD torrent site and shut those down too. It would be really easy to police GD downloads, and they choose not to. In fact, they are STILL encouraging the trading of GD shows. This isn't good enough for you? A lifetime of on-demand free material, and you still aren't happy? Give me a break.

  22. Re:Forgetting the most basic right: property[OT] by tdemark · · Score: 2, Funny

    I hate drugs and I think that even the harmless ones end up being a gateway

    For some reason, any time someone says something similar to this, I always envision them with a cigarette hanging from their lips and a cup of coffee in their hand.

  23. Glad it's back - for music education! by pbooktebo · · Score: 3, Interesting

    I have used this archive on archive.org of Dead music with my students. I'm interested in teaching students not only that downloading music can be illegal, but that much content is completely legal (as well as free and open source/Creative Commons, etc.).

    The Dead music has one of the clearest statements that non-commercial sharing of their live recordings (save a few dates that were listed in the agreement) is legal, and I like to have my students make a mix CD of great tunes, with liner notes, etc. Fun, legal, and the music is also interesting to talk about.

    I was truly disappointed in the news initially, and think that this is an acceptable compromise.

  24. Re:Forgetting the most basic right: property[OT] by amarrero · · Score: 2, Informative

    The Commerce clause is also the reason why states and private business cannot discriminate because of gender and race. The Commerce clause is also one of the main reason for the economic development of the United States. A study of the history of the Commerce clause is a study of the history of economic development in the United States. Therefore, I would leave the Commerce clause in Constitution 3.0 unless you want to go back to having separate facilities for persons of difference races.

    Certainly, Congress has overextended itself in using said clause in its legislation (like regulating guns around schools, which was revoked by the Supreme Court), and the Supreme Court has historically given Congress lots of leeway in this regard.

    However, in the past decade, the Supreme court has changed it's stance on the reach of the Commerce clause. No longer can Congress simply said "Commerce clause," it now has to demonstrate a more direct link (mere numbers are insufficient). The Rehnquist-led US Supreme Court was certainly pro-States and I don't believe that will change now that Roberts is the Cheif Justice and with another conversative judge likely to succeed Justice O'Connor. See http://en.wikipedia.org/wiki/United_States_v._Lope z and http://en.wikipedia.org/wiki/United_States_v._Morr ison as evidence of said reversal.

  25. Re:Ahh dammit by geminidomino · · Score: 2, Informative

    Oh whatever. I can't think of a band's music that is easier to collect over the Internet than the Grateful Dead. Any torrent site is teeming with GD shows (just look at bt.etree.org), and there are GD-specific sites, and every other trader on a site like etree.org has hundreds of GD shows.

    Yeah, that couldn't be because that's what the Dead WANTED to happen or anything.

  26. To protect you against imposters, etc. by charnov · · Score: 4, Interesting

    Copyright helps protect the owner from several bad things including: keeping someone else from modifying your work in a way you do not want it to be and then attributing it to you (What if someone changed Schindlers List to be favourable to the Nazi's and then stamped Speilbergs name on it? It's copyright law, among others, that protects against this. In most of Europe, the original copyright owner cannot give up his right of "creative control" although in the US you can sell that right and it is usually demanded), knockoffs and forgeries (I am all for sampling, etc. and so are some copyright holders, but full fledged forgeries are out and out stealing. It takes a lot of work and money to make a brand or name, etc. and when someone co-ops that for financial gain, it is theft of real value.)

    If you want to go after someone about how screwed up copyright laws are (especially in the US but it is having a viral effect accross the pond), then go after Congressmen and the lawyers egging them on. I like the idea put forth by a Judge in Canada (sorry, can't remember my source to cite) where he proposed limiting the length applied (it used to be 28 years max here) and change copyright to fall under tort rules. Meaning that you could never really criminalize it. Tort law litigation would mean that a plaintiff would actually have to prove they were legally "wronged" and further prove real damages. The only results would either be an order to stop the injurous activity and/or monetary damages. None of this "you will go to jail if you copy that CD" BS. I think that makes a whole lot more sense than the pseudo-criminalization we have now.

    --
    [RIAA] says its concern is artists. That's true, in just the sense that a cattle rancher is concerned about its cattle.
  27. The Dead == The Man by Doc+Ruby · · Score: 2, Interesting

    "The site will restore fan-made recordings; however, the more pristine soundboard recordings will remain off-limits for now."

    That article is full of PR - known to Deadheads as "BS". The band has not reversed its decision: they are keeping the soundboards off Archive.org, just like they originally did. Obviously their lawyers told them it would be much harder to control audience mic recordings that they sanctioned, which they authorized people to make, and which people likely own their own copyrights on.

    Phil Lesh, the best musician (bass) in the band after Garcia, and long the innovator in their archives, said " "I was not part of this decision-making process and was not notified that the shows were to be pulled". This is the guy who instigated Grefolded, probably the best production of GD recordings, and also the only post-GD performer consistently worth seeing (if you're into that kind of thing). Not only did the band change their policy against his own, but they didn't even ask or even notify him that his "legacy" was now interrupted.

    David Gans, professional Deadhead (selling "official" Deadhead books and ads on his Deadhead radio show), spewed doubletalk:

    '"First of all, when Jerry said that...tape trading was an important aspect of life in the Deadhead community. It was a one-to-one affair, for the most part...largely a manifestation of our love for the music and our desire to enlighten the world and turn our friends on.

    "That is a far cry from what is happening now. The Internet Archive and all the other online distribution sources are high-speed, mass-distribution systems that make the best quality recording available to all who know where to look for them. That is a good thing, of course, culturally--but there is an economic element to this that must be taken into account."    '

    Even as he admits the Archive.org soundboards are "good culturally", he introduces his own vested interest opposing that culture: the "economic element" that appears nowhere in Garcia's original policy, or anywhere in the love for music or desire to enlighten the world or turn friends on. FWIW, Gans never respected archives except when he could profit from them. The archivist of Bill Graham Presents (long their show producer in the SF area, NYC and beyond) was shocked to find that Gans, after being left alone with the BGP archive of GD material (photos, posters, letters, etc), had cut them up and stolen a lot of irreplaceable material, to make his 1980s book. This guy doesn't care about the legacy, the archives, the music, or anyone else's access to it, except after he has taken his cut, regardless of the damage he does.

    The fact is that the Grateful Dead lasted a lot longer than anyone expected: 30 years. Along the way, lots of people got a ride on the gravy train. The Dead's commercial recording releases were never that good, never made them as much money as their neverending tours. They mismanaged most of their careers, paying for a huge, fun extended family that required 200 performances a year for decades, rather than creating a self-perpetuating system to profit off the vast audience that has outlived the band (and several of its members). Free distribution among fans kept the dream going, promoting music that the music industry, including the band, never could promote commercially. Deadhead traders have always been at the forefront of field recording, reproduction/remastering, the Internet itself, as well as psychedelic frontiers for which they're better known. But now that the drummers and some hangers-on can't sell tickets to their shows, haven't invested their totally unexpectedly profitable youth in sustainable champagne and caviar for their old age, they're grabbing at any profits they see dancing away. They have become just like the rest of the poser hippies-turned-yuppies who lied about seeing them at Woodstock. Too bad they're trying to fight the Internet they helped create: just another gang of Baby Boomers who won't even be noticed as the Net drives over their carcass, roadkill on the Info Superhighway.

    --

    --
    make install -not war

  28. Debra is NOT a "surviving member" by fishbowl · · Score: 2, Interesting

    The "surviving member" is nobody but the woman who inherited control of the trademark and partial interest in the songwriting and performance rights.
    Nobody in the band can stand her. She's why they started performing as "The Dead", so separate themselves profesionally from what was left of the management organization that found itself under control of Garcia's widow.

    Archive.org got threats and responded to them, but Phil didn't know this was going on. See, Phil actually has the right to permit this material to be distributed, and he's not too happy about someing going over his head, essentially, abridging his own rights as one of the artists involved. I predict this incident will have the effect of reducing Debra Koons' influence again, and also, another resource for this material will manifest, better than Archive.org was, perhaps under control of someone like the Rex foundation, or someone like that who won't be disposed to cave in the first time they get a letter from a lawyer.

    Personally I think Archive.org should have insisted on a court order, since they have powerful enough allies who have equal claim to the distribution rights of this material.

    --
    -fb Everything not expressly forbidden is now mandatory.
  29. Re:Forgetting the most basic right: property[OT] by dryeo · · Score: 2, Interesting

    The illeagalization of hemp was protested by the AMA, at that the only ones who showed up at congress to argue the illegalization of hemp were doctors.
    The main reasons for making hemp illegal was that it threatened industry. Hearst was bringing pulp wood paper out and hemp threatened the pulpwood paper industry by producing more paper per acre and also higher quality paper.
    Dupont was branching out from being mostly a pure military supplier and hemp fiber threatened their new product called nylon (also rayon).
    Hemp seed oil competed with the oil industry.
    Also there was a lot of unemployed G-men after prohibition ended who needed a new job.

    --
    https://en.wikipedia.org/wiki/Inverted_totalitarianism