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8 MegaPixel Digital Sensor Unveiled

hdtv writes "Micron has unveiled an 8-megapixel digital sensor, that 'enables pocket-sized cameras and cell phones to capture bursts of 10 high-quality photos in a single second or even high-definition video.'" From the article: "'We're saying it can go in a point-and-shoot camera selling in the $200 to $300 range,' said Suresh Venkatrama, Micron's director of the digital camera segment. 'It brings high-quality digital video and photography down to the consumer space.' The new sensor is a type of chip known as a 'complementary metal-oxide semiconductor,' or CMOS. Analysts say the technology, which is also used in memory chips and microprocessors, will challenge the dominance of traditional light-sensing charge-coupled devices, or CCDs."

279 comments

  1. Just wonderful by Anonymous Coward · · Score: 5, Funny

    Now instead of having people post unscaled 2592 x 1944 digital pictures on the web for no reason, we can worry about NASA-sized pictures of cats!

    1. Re:Just wonderful by linzeal · · Score: 2, Informative

      This is too true, in the last year since my sister got her 5 megapixel camera my Gmail has gone from 3% full to 40%, by this time next year it 3 gigs of club photos and business parties.

    2. Re:Just wonderful by Anonymous Coward · · Score: 0

      But but but. I like my pr0n to be almost life size :(

    3. Re:Just wonderful by Anonymous Coward · · Score: 0

      My god! These giant kittens will destroy us all!!!!

    4. Re:Just wonderful by ByteGuerrilla · · Score: 2, Funny

      I believe the appropriate response is "I for one welcome our giant high-definition feline overlords."

      --

      A block of code, sufficiently well-written, is indistinguishable from magick.

    5. Re:Just wonderful by Surt · · Score: 1

      I know this was rated funny, but in case anyone doesn't know, the advantage of posting an unscaled pic is that you don't have to worry about your target audience ... if they have an apple cinema display with a 2560x1600 resolution, they can see pretty much all that detail. If you scale your pic down in advance to 1024x768 those users lose 75% of the viewable detail.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    6. Re:Just wonderful by theguyfromsaturn · · Score: 1

      Resolution of the photographs has nothing to do with this my friend. My cousin used to completely choke my mailbox with e-mails containing a couple of multi-megabyte pictures. So, I showed her how to use the gimp to reduce the resolution, and even wrote a image magick script for her to downsize an entire folder worth of pictures to manageable sizes. My mistake. Now she chokes my mailbox with e-mails containing 50+ low resolution pictures... The point of the story, is that it won't increase the problem, just that people will e-mail you a lower number of pictures because it will take them so long to upload them even on high speed. Upload speed is the key in making your life worse. Now this is not the case for browsing webpages... there the number of people being able to upload pics without making previous thumbnails will make navigation more hazardous.

      --
      I like my dinosaurs feathery, and my pterosaurs hairy (or is it pycnofibery?)
    7. Re:Just wonderful by linzeal · · Score: 1

      You want me to explain to an International Business Major how to use Gimp, lol. She sends what the camera takes, she has like a terrabyte of storage at home and literally hundreds of backup CDs and DVDs. Until she runs out of room she will assume 10-20 2-4 meg pictures per week is fine, and all honesty it should. Gmail should have 1 terrabyte of disk space, methinks when there is a breakthrough in one of the many storage technologies coming to fore.

    8. Re:Just wonderful by Anonymous Coward · · Score: 0

      And that is why I just delete most of the emails my friends send me.

    9. Re:Just wonderful by Fluffy+the+attack+ki · · Score: 1

      I know this wasn't rated funny, but it should have been. The advantage of posting a scaled (and compressed) image is that one doesn't need to worry about what sort of connection the audience has. Not everybody has a broadband connection and the vast majority do not have that $2499 display you speak of. More people have dialup than have their monitors cranked up to 1600x1200 or above. One might also take into consideration that having to wait 5 minutes for a picture is a heck of a lot more annoying than being forced to view it at only 1200x900.

      Please, don't be a jerk; save the super high resolution images for printing. The picture is none the worse for not being able to zoom in and count individual nose hairs.

      -Fluffy the attack kitty

    10. Re:Just wonderful by jordank2001 · · Score: 1

      Bring on the giant high-definition pussy!

    11. Re:Just wonderful by somersault · · Score: 2, Funny

      I prefer just not to have any friends

      --
      which is totally what she said
    12. Re:Just wonderful by hjf · · Score: 0

      What's a terrabyte? I know about TERABYTES (1000 GIGABYTES), but a terrabyte? Is that a byte about as big as the earth? (earth=terra).

  2. Haha! by mboverload · · Score: 0, Offtopic

    Wow, quality shots from a hole thats .8mm wide? Now I've heard everything.

    1. Re:Haha! by remembertomorrow · · Score: 2, Funny

      How else would the NSA discreetly film you at home?

      --
      Registered Linux user #421033
    2. Re:Haha! by DrDitto · · Score: 1

      Right. The sensor is effectively diffraction limited.

    3. Re:Haha! by Niebieski · · Score: 1

      Wow, quality shots from a hole thats .8mm wide? Now I've heard everything.

      Actually, the clearest shots you can take (depth of field wise) are from extremely small holes (ideally infinitely small). It just takes a heck of a lot of light to get a good exposure.

    4. Re:Haha! by joe+155 · · Score: 1

      I don't really know why you were modded down, it's a good point - the lens is the most important part of a camera (or at least one of the most important). you could stick all the brilliant stuff you want in a camera which costs $200 and because of the really cheap lenses (and other stuff as well as small holes for the light to go down) the pictures will still be really bad

      --
      *''I can't believe it's not a hyperlink.''
    5. Re:Haha! by mph · · Score: 1
      Actually, the clearest shots you can take (depth of field wise) are from extremely small holes (ideally infinitely small). It just takes a heck of a lot of light to get a good exposure.
      You're ignoring diffraction.
    6. Re:Haha! by cristij · · Score: 1

      Wow, quality shots from a hole thats .8mm wide? Now I've heard everything.

      Of course your pupil is only 1.5 mm and cameras can already outperform the human eye in many respects.

    7. Re:Haha! by misleb · · Score: 1

      Of course your pupil is only 1.5 mm

      Some LSD will take care of that right quick and your "vision" will easily outperform any camera.

      -matthew

      --
      "THERE IS NO JUSTICE, THERE IS ONLY ME." -Death
    8. Re:Haha! by mph · · Score: 1
      Of course your pupil is only 1.5 mm
      Uh, my pupils are usually larger than 1.5 mm in diameter. Maybe you meant 15 mm (1.5 cm)? That seems a bit large, except maybe in very dark conditions.
    9. Re:Haha! by ChrisA90278 · · Score: 1
      Of course your pupil is only 1.5 mm and cameras can already outperform the human eye in many respects.

      The above is exactly correct. but those cameras that perform so well have an aperture greater than 1.5mm. Actually the human eye can open up to as wide as 7mm in the dark with 5mm being more typical for many people. But yes 1.5mm is normal in good light

      An optical system's resolving power is proportional to the diameter of the optics over the wavelenght of light. Bigger is always better

    10. Re:Haha! by Experiment+626 · · Score: 1

      Wow, quality shots from a hole thats .8mm wide? Now I've heard everything.

      In photographic terms, a "hole thats .8mm wide" is an f/22 aperture, and can definitely produce quality shots. You do need a lot of light however, about 1/30 to properly expose ISO 100 under sunny conditions, so most photography with such an aperture would be done using a tripod.

    11. Re:Haha! by djdanlib · · Score: 1

      True.

      f/32 and MAYBE f/45 if you have a good camera is usually about the limit before diffraction starts to affect a picture.

      But, have you ever seen one of those pinhole photographs made on an entire wall? Those are nice.

    12. Re:Haha! by mph · · Score: 1
      f/32 and MAYBE f/45 if you have a good camera is usually about the limit before diffraction starts to affect a picture.
      It depends on the size of the film or sensor. At f/32 and 550 nm light, the circle of confusion from diffraction will always be ~42 microns. But a 42 micron CoC on 8x10 inch sheet film is a lot more tolerable than on 35 mm film, which in turn is a lot more tolerable than on a sensor the size of my pinky fingernail.

      That's why Ansel Adams and colleagues who shot on large-format camera formed "Group f/64", but you'll rarely see a 35 mm camera lens that goes that far. Mine bottom out at f/16 to f/32.

    13. Re:Haha! by djdanlib · · Score: 1

      You're absolutely correct. I wasn't expecting anyone to consider the possibility of larger format sensors or film! Good work.

      Group f/64 was such a great idea... I'd join something similar if I had the money for a nice Sinar field camera. I enjoy using those very much. You just can't beat f/64 for incredible depth of field when you're doing architectural work.

    14. Re:Haha! by mph · · Score: 1

      May the Scheimpflug principle be with you!

  3. I have to by denisbergeron · · Score: 1

    see the ratio signal noise on this one ! It should be horribilis !

    --
    Ceci n'est pas une Signature !
    1. Re:I have to by Alias777 · · Score: 1

      Utterly horriblis!

  4. Canon already uses CMOS by Drubber · · Score: 1, Redundant

    Canon has been using CMOS sensors for years.

    1. Re:Canon already uses CMOS by Graboid · · Score: 1

      Yes, but they've been putting them into $1k + camera bodies. The article is about bringing CMOS to the masses which is new.

      BTW, Canon has a nice site discussing the CMOS sensor technology and tradeoffs: http://web.canon.jp/Imaging/cmos/index-e.html

    2. Re:Canon already uses CMOS by abstractrude · · Score: 1

      This is not news! CMOS has been at a consumer level for years! It was supposed to be super promising and kodak talked about how it would change digital photography forever. I remember using it on a kodak DCS. Turns its out its not any better than a good CCD. Plus the range of values you get from a CCD are better than a CMOS chip. I have shot RAW on both formats.

      The reason I think the media is picking this up as news, is because CMOS chips might work well inside of cell phones, lower power consumption and no need for great quality.

      Makes me wonder though, when the hell are they gonan put a good flash on a cell phone!

    3. Re:Canon already uses CMOS by Ohreally_factor · · Score: 1

      Indeed, the technology itself is over 40 years old.

      --
      It's not offtopic, dumbass. It's orthogonal.
    4. Re:Canon already uses CMOS by N-Bomb · · Score: 1

      Actually they've been putting them in $1k camera bodies too. That's what all the hype's been about since 2003 with the EOS 300D and Rebel XT. Never mind that this tiny 8MP sensor is going to be noisy as hell. Yeesh.

    5. Re:Canon already uses CMOS by adamjaskie · · Score: 1

      And it is going to be put into a camera with a shitty lens the size of a dime, which is the main problem with P&S cameras.

      --
      /usr/games/fortune
    6. Re:Canon already uses CMOS by Chosen+Reject · · Score: 1

      Funny, I thought the reason the media was picking up on this was because it was a press release and a slow news day.

      --
      Stop Global Warming!
      Just say no to irreversible processes!
  5. ready on 2015 by Anonymous Coward · · Score: 0

    Of course, this will not be available until they send us 2,3,4,5,6,7,8,9 megapix. cellphones.

    1. Re:ready on 2015 by Ant+P. · · Score: 0

      That post seems lacking in somethi.

  6. That is gonna be a noisy sensor by xmas2003 · · Score: 4, Informative

    Size matters when it comes to sensors ... so by cramming 8 megapixels into a tiny sensor, it will be pretty darn noisy for image quality - don't even try bumping the ISO! A several year old 4MP DLSR (even using older technology) will yield better images ... but yea, won't be as portable. Just be aware of the tradeoff and arguably sensor size is more important than megapixels.

    --
    Hulk SMASH Celiac Disease
    1. Re:That is gonna be a noisy sensor by Anonymous Coward · · Score: 0

      I'm still wondering why there is not a single wide-angle camera with a decent resolution and light sensitivity on the market. People want to take photos indoors and with natural light (i.e. relatively low light, no flash). Casual indoor photography just asks for a 28mm equivalent lens and the typical indoor light situation requires ISO800 sensitivity or higher (and no, noise reduction does not substitute for sensitivity).

    2. Re:That is gonna be a noisy sensor by monopole · · Score: 1

      Only if you are using the pixels for pure imaging. Several techniques such as cubic phase mask techniques http://www.cdm-optics.com/site/wf_overview.php use the spare pixels for wavefront sensing allowing tremendous depth of focus with fixed low f/# lenses via postprocesing.

    3. Re:That is gonna be a noisy sensor by ceoyoyo · · Score: 1

      CMOS is noisier than CCD too.

    4. Re:That is gonna be a noisy sensor by ceoyoyo · · Score: 2, Informative

      No... it'll still be noisy. An individual pixel on an image sensor detects a certain amount of light (signal) and produces a certain amount of noise. If you divide that pixel into four, doubling the resolution of your sensor in x and y, each of those smaller pixels will detect a quarter as much light but produce about the same amount of noise, resulting in a factor of four reduction in SNR. If you use the extra pixels for something besides imaging it still leaves you with smaller, noisier pixels all around.

    5. Re:That is gonna be a noisy sensor by drinkypoo · · Score: 1

      It's called a digital rebel. Granted, it's spendy, but it comes with a 18-55mm macro/zoom lens. I plan to never buy another non-SLR digital camera unless it's built into my phone.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    6. Re:That is gonna be a noisy sensor by Andy+Somnifac · · Score: 1

      Speaking as someone who works for the American arm of a company that manufactures digital cameras, I would say that straight resolution is more important to many people than raw image quality.

      The number of people who ohh and ahh over the latest camera that uses a sensor with as many pixels crammed onto it is astounding. It doesn't matter to them that the detail in the photo has been transformed to mush, it only matters that they have the BIGGEST camera (in their mind).

      Most people will never need an 8MP camera anyway.

    7. Re:That is gonna be a noisy sensor by Anonymous Coward · · Score: 0

      Yeah, got one of those. It makes a loud *clack* for every picture, it gets dust on the sensor (how on earth can they sell it without a solution to that problem?), it's huge and heavy compared to point-and-shoot cameras and (depending on your perspective this is good or bad) people treat you like a pro-photographer if they see you with it. I do like the speed, the quality of the pictures, especially RAW and the low noise at ISO400, the flash, the control, the battery life and the option to use out of the ordinary lenses. But the camera in my pocket is not a Digital Rebel.

    8. Re:That is gonna be a noisy sensor by bill_kress · · Score: 1

      I Expect that you would couple it with a lens better than the pinhole lenses that are used on cameras today.

      If the lens is much better, pulling in 4x as much light, wouldn't the picture be much better too?

      It's strange how people don't think of things like that.

      What I hate is how still you have to hold your hands, but that seems to have more to do with optical zoom level than pixel density.

      Hey, why hasn't anyone made a processing system that can take a long exposure movie at low res (Say 3 seconds) including all the bumps and jitters and process it into a single picture with a significantly higher resolution, say 100x higher? You've got so many more data points in video than you will ever get with a still-shot.

      hec, for that matter, couldn't you pan a movie camera back and forth across a large scene and have software process it into an ultra hi-rez panoramic still?

      Seriously, what gives?

    9. Re:That is gonna be a noisy sensor by drinkypoo · · Score: 1

      I've all but given up on pocket cameras. I still don't have a digital rebel because I don't have $600 and if I did I'd probably buy a fucking camcorder (you can get a pretty nice minidv for that) so I bought a craptacular panasonic 5.1MP. It was $120 with a bag and a 128MB SD though, and it does shoot video. But the thing is, nothing that isn't huge seems to have any kind of worthwhile continuous mode; certainly they're all larger than pocket size. So I might as well just get a rebel and hang it around my neck.

      By dust on the CCD, do you mean when the lens is changed, or any time?

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    10. Re:That is gonna be a noisy sensor by Anonymous Coward · · Score: 0

      Dust gets on the sensor whether you change the lens or not (actually it gets on the filter right in front of the sensor, and it's a CMOS sensor, not a CCD). It's more likely when you change lenses a lot, but it will happen even if you put the lens on right away and never change it, because the camera isn't air-tight and the lens pumps air as it focusses and zooms. As long as you shoot with apertures <8, you'll probably not even notice the dust, but if you need a little more focus depth, then dust on the sensor shows as blurry, round, slightly darker spots. And what does Canon deem an appropriate countermeasure? The camera has a sensor cleaning mode where it locks the mirror up and turns off the sensor (so that it isn't statically charged). And then you're supposed to blow dust off with a bulb blower, which doesn't work for all but the loosest pieces of dust. You can't reach inside the camera or you'll void your warranty. If you do it anyway and scratch the filter, you can kiss your $600 camera goodbye because repairing it will cost just as much as a new one.

      Seriously, how they market this thing to the masses is a travesty. The fact that it even requires sensor cleaning is incompatible with the target market, but it's a cruel joke that the only permitted method doesn't really work and you have to void your warranty to actually get the dust off. If you really want a DSLR, Olympus offers an ultrasonic sensor cleaning mechanism. I have no idea if that works as advertised, but at least they try to do something about dust on the sensor.

    11. Re:That is gonna be a noisy sensor by Anonymous Coward · · Score: 0
      Hey, why hasn't anyone made a processing system that can take a long exposure movie at low res (Say 3 seconds) including all the bumps and jitters and process it into a single picture with a significantly higher resolution, say 100x higher? You've got so many more data points in video than you will ever get with a still-shot.
      It's called superresolution (or in astrophotography, stacking, although that's not exactly the same thing). It's doable, but not with today's hardware (the reconstruction of a sufficiently high-res image takes minutes or even hours with current top end PCs). Still, I would expect to see such developments in the next 10 to 15 years. For the time being though, classic mechanical optical stabilization works better.
    12. Re:That is gonna be a noisy sensor by ceoyoyo · · Score: 1

      Sure, if you can just slap a lens that gathers 4x as much light on it. Try doing that in a compact camera or cell phone -- where this chip is being targeted.

      There are two ways to make a high resolution image from a bunch of low res ones. You can stitch them together to make a shot with a wider field of view than the originals. That's done all the time and is quite simple. The second way is to keep the same field of view but increase the resolution. That's called super resolution and it's very hard, often doesn't work very well and doesn't work at all outside of carefully controlled circumstances. It's only used in a couple of areas where it's the only option.

    13. Re:That is gonna be a noisy sensor by bill_kress · · Score: 1

      Could it be that the super resolution problems are mostly in in current software design and current hardware performance and not true (permanent) problems? I'd really love to see--for instance a movie pan broken into individual frames and combined into a giant very high resolution panorama.

      Once we can do things like this with video, a whole new world opens up--seriously, possibly as big a change in our world as the computer revolution itself.

      I should get into image processing.

    14. Re:That is gonna be a noisy sensor by ceoyoyo · · Score: 1

      The panorama is no problem -- you can do that now, although it takes a bit of processing power. People stitch photos together to make panoramas all the time.

      Superresolution is where you take a picture, shift the camera by a fraction of a pixel (half a pixel or a quarter, or an eighth, etc. depending on how many pictures you're putting together), take another picture and then combine them into a single shot that shows the same thing (the pictures all overlap by all but a fraction of a pixel unlike the panorama) but at a higher resolution than your original.

      The whole process introduces noise and artefacts and depends on making that fraction of a pixel shift very precisely. I don't think anybody will come up with a way of doing it handheld. It's kind of a loophole. The best use I've heard of is in light microscopy where you can shift the microscope stage very precisely. You can use superresolution to get an image that resolves things a bit smaller than the wavelength of light you're using... something that's ordinarily impossible.

      There are a couple of problems with the waving a video camera around approach too. Video images tend to be very noisy... we just don't notice because our eyes are very good at eliminating noise in video. Look at a still sometime though, and you'll see just how bad it is. The noise level tends to be so high because to avoid blur in the video (and to shoot at 30 fps) you need to have a fairly short exposure time. You'll get better results by shooting a series of frames with a still camera and stitching them together.

  7. I believe Nikon already have this by Flying+pig · · Score: 3, Informative

    At least one of their recent digital cameras has a CMOS sensor in the "APS" format. The main benefit of CMOS is power consumption, because the clocking needs are simpler. People who used to crack off the covers of the old dual in line DRAMs and make crude 1-bit sensors (with gaps for the read and write circuitry) will remember how far back the CMOS approach goes.

    --
    Pining for the fjords
    1. Re:I believe Nikon already have this by Tim82 · · Score: 3, Informative

      Yes, the Nikon D2X has a 12.8 MP CMOS.

    2. Re:I believe Nikon already have this by kisielk · · Score: 1

      Also all current Canon digital SLR's use CMOS sensors, with the largest being the 16 MP sensor in the 1Ds MK II

    3. Re:I believe Nikon already have this by sharrestom · · Score: 1

      Sony's R1 is a cmos 10 MP APS sensor, in a fixed lens configuration.

  8. Interesting, but... by RedBear · · Score: 4, Insightful

    Interesting news, but does it have improved dynamic range and low-noise high-ISO sensitivities? Because those are the main problems with digital capture these days, not resolution. I don't want a compact 8-megapixel camera that churns out 10 crappy pictures per second.

    1. Re:Interesting, but... by Mark_Uplanguage · · Score: 4, Informative

      Google on "digital photography cmos chips" found this nice article http://www.dpreview.com/news/0512/05121201new_chip s.asp which explains the benefits and seems to answer some of your questions, althouth I'd suggest salt-to-taste.

      --
      "The difference between stupidity and genius is that genius has its limits." -- Albert Einstein
    2. Re:Interesting, but... by wmshub · · Score: 1

      Agree 100%. I like my camera (one of the Nikon Coolpix ones) in every way, except that the damn lens is so small, and the CCD is so slow, that you need a flash unless you're in bright sunlight. I dislike flash pictures, unless you have a great flash (which a tiny point and shoot never does) and know how to use it, it adds ugly problems like redeye, highlights, and shadows.

      I'd happily give up 25% of the resolution and/or pay $50 extra for the camera to get one that can take a picture in typical room lighting with no flash. But apparently that isn't something that sells to most people, because I can't find such a camera for sale.

      I use to work for a company that made digital security cameras. The saying around the office was "the CCD can be hi-res, fast, or cheap, but not all three," but I wish cameras would put less cost into "hi-res" and shift some into "fast."

    3. Re:Interesting, but... by ceoyoyo · · Score: 1

      Everybody knows megapixels are good and nobody wants to try explaining ISO or f-stop to consumers. Thus, high megapixel, noisy (or slow, your choice) sensors. Unless you opt for expensive and get an SLR.

    4. Re:Interesting, but... by RedBear · · Score: 1

      I'd happily give up 25% of the resolution and/or pay $50 extra for the camera to get one that can take a picture in typical room lighting with no flash. But apparently that isn't something that sells to most people, because I can't find such a camera for sale.

      Try the Fujifilm Finepix F30, if you can find one. 6MP compact camera with max ISO 3200, surprisingly low noise, about $350. It's predecessor, the F10/F11 had decent high ISO image quality and max ISO of 1600. It was very popular. The F30 should be even better at low-light shooting.

      If you order online from New York don't buy from anyone besides B&H Photo, Adorama or Tri-State Photo, no matter how good the price seems. Check resellerratings.com for reviews before buying. Good luck.

    5. Re:Interesting, but... by benh57 · · Score: 1
      Yes, the dynamic range is MASSIVELY improved. http://www.dpreview.com/news/0512/05121201new_chip s.asp
      Existing CMOS sensors can record light 1,000 times brighter than their dimmest detectable light, a dynamic range of 1:1,000, while the Rochester technology already demonstrates a dynamic range of 1:100,000.
      This chip is also great in that it uses about 1% of the processing power to capture an image of normal sensors. (according to the link above)
    6. Re:Interesting, but... by RedBear · · Score: 1

      How do you know this is the same chip the Rochester guys came up with? Seems a little soon for it to be going into consumer cameras. This new one is from Micron, and the article didn't say anything about the chip being highly power efficient.

  9. It's not the megapixels, its the quality by RedMage · · Score: 5, Insightful

    Several things will still be a challenge in "consumer" level images devices (i.e. cameras)
    1. More pixels mean higher demands on the lenses. And good lenses are NOT cheap.
    2. More pixels mean higher demands on storage. Storage is getting cheaper.
    3. More pixels mean higher demands on bandwidth. Bandwith is not universal.

    For your typical user of a point-and-shoot camera, 8+ megapixels won't mean much. Most people print images at 4x6" at best, or view them on the screen. For your pro or semi-pro user, they're not that affected by the point-and-shoot market, and will be looking for sharpness, clarity, color fidelity, and lack of noise. None of which are areas that CMOS sensors have excelled in.

    --
    }#q NO CARRIER
    1. Re:It's not the megapixels, its the quality by Anonymous Coward · · Score: 1, Informative

      every canon DSLR has had a CMOS sensor for years. CMOS is a fairly mature technology with low noise.

      Other than that, yes you're spot on about lenses storage and bandwidth.

    2. Re:It's not the megapixels, its the quality by RedMage · · Score: 1

      Yeah, I realized right after I wrote it that I had it backasswards... but you got the point... (I own a Canon 10D myself...)

      --
      }#q NO CARRIER
    3. Re:It's not the megapixels, its the quality by Pleb'a.nz · · Score: 1

      Two words, "Nikon D2x". (and whatever Canon's models use CMOS sensors).

    4. Re:It's not the megapixels, its the quality by badasscat · · Score: 1

      (and whatever Canon's models use CMOS sensors).

      That would be all of their DSLR's.

      I believe some of their P&S's too.

      CMOS is a fine technology but there is nothing magical about it. Canon has proven that it is at least a match to CCD, but I don't get why a new 8mp CMOS sensor is any big deal (I'm not blaming Slashdot, I saw this story on CNN too). And I don't get why the fact that it's CMOS means it can automatically take 10 shots per second, either - that's a function of memory bandwidth and processing speed, not the sensor. And the processors and memory in cell phones are hardly anything to write home about.

    5. Re:It's not the megapixels, its the quality by Pleb'a.nz · · Score: 1

      CMOS is a fine technology but there is nothing magical about it. Canon has proven that it is at least a match to CCD, but I don't get why a new 8mp CMOS sensor is any big deal (I'm not blaming Slashdot, I saw this story on CNN too). And I don't get why the fact that it's CMOS means it can automatically take 10 shots per second, either - that's a function of memory bandwidth and processing speed, not the sensor. And the processors and memory in cell phones are hardly anything to write home about.

      I think this is mainly the long term problem of power source. There's been no real advancement (Li-Lo isn't that much of an advancement) in this sector for a very long time. And to be honest, I own a D2x and the battery life is awesome. I have my D70s which has a CCD sensor and that consumes batteries almost twice as fast.

      Now back on topic, it doesn't matter at the moment the type of sensor they still have light range limitations greater than film. This is a hurdle that should be attempted with dual sensors (one attacking shadows and one attacking highlights) just for experimentation sakes. I'd be keen to see if someone's tried this or if there's a link on the interweb anywhere ?

  10. Yeah, and that's all you need for great pics! by Quiet_Desperation · · Score: 3, Informative
    The lens doesn't have ANYTHING to do with it. Nope. Nada. Not a thing.

    This reminds me of a quip Jay Leno made years ago when he was still guesting on Letterman. He asked what the point of Twisted Sister on CD was. Are we missing some subtle nuance lost in older analog media?

    So now instead of 1-2 megapixel poorly lit, blurry shots up some woman's skirt, we'll see 8 megapixel poorly lit, blurry shots up some woman's skirt.

    1. Re:Yeah, and that's all you need for great pics! by xxybermancer · · Score: 1

      Physics are such a hard thing for some to grasp. I sell digital cameras nearly all day and many customers want the "smallest" and "cutest" camera out there. Unfortuatenly, Sony has marketed a "T" series camera that up until a few months ago (most compact cameras are its size at this point) had a surprisingly small body. But this was because the lens was inset into the camera and about the size of a dime, if not a little larger.

      I almost scream everytime someone asks me why the camera won't take a good pictures indoors. I dunno, can you see well when you have your eye half closed?

      The point is, a sensor this size is definitely useless to any professional and most consumers will be amazed with how worse grainy there pictures will be. I have no clue how they plan to gather enough light for an 8MP sensor that size to take a decent enough photo AND be realitively noise free. But chances are they won't bother.

    2. Re:Yeah, and that's all you need for great pics! by Anonymous Coward · · Score: 5, Funny
      So now instead of 1-2 megapixel poorly lit, blurry shots up some woman's skirt, we'll see 8 megapixel poorly lit, blurry shots up some woman's skirt.

      And that, my friend, is progress.

    3. Re:Yeah, and that's all you need for great pics! by MightyYar · · Score: 1
      LOL. I just got my first camera phone, and I can't believe they bother. Still, I've used it a few times to take pictures of some random thing that I thought was funny - not exactly indispensable.

      It can be very hard to find a camera that balances picture quality (a.k.a. lens) and portability. Sure, it's hard to beat a digital SLR - but would you actually use it? I have an old AE-1 sitting in a drawer simply because it is too damn big to drag around with me. My first digicam was a little 1.3 MPixel Olympus, which took horrid photos because of it's little lens. I learned my lesson and bought a 4 MPixel Fuji with a big honking lens on it and it took really nice photos, but was too big. After I left it in a cab (sigh), I bought a Sony P100. Except for the stupid overpriced memory stick, this is the camera that I wanted back when I bought the Olympus. Compact, but with a slightly bigger lens. The photos aren't as sharp as they were with the Fuji, but the fact that I actually can put the thing in my pocket means that I'll actually bring it with me.

      The thing is, though, that this camera would not really benefit from more resolution - you can already see the optical limitations at 5 MPixels, so I can't imagine wanting 8. That won't stop the Sony marketers from selling it though!

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
  11. A challenge to CCD? I don't think so... by Anonymous Coward · · Score: 0
    Analysts say the technology, which is also used in memory chips and microprocessors, will challenge the dominance of traditional light-sensing charge-coupled devices, or CCDs.


    Yeah, 'cause Nikon, Fuji, Canon, Olympus, Kodak never looked at CMOS. In fact they're not even paying attention.

    How's the noise on that CMOS sensor?
  12. Bah by Anonymous Coward · · Score: 0

    My 486 had that CMOS feature built into it.

  13. What's new exactly? by TangoCharlie · · Score: 2, Interesting

    CMOS isn't new.
    Digital camera's aren't new.
    CMOS digital camera's aren't new.
    So, what's new? So cameras can take 10 pictures in quick succession... Is that new? Erm.... no. My 3yrl old Minolta can store pictures in RAM before they get stored to the SD card so that you can take pictures quickly.

    Nothing to see, please move along.

    --
    return 0; }
    1. Re:What's new exactly? by Anonymous Coward · · Score: 1

      Please learn to use apostrophes correctly. It's not that fucking hard.

    2. Re:What's new exactly? by Jerry+Coffin · · Score: 1
      CMOS isn't new.
      Digital camera's aren't new.
      CMOS digital camera's aren't new.
      [ ... ]
      Nothing to see, please move along.

      There is a bit to see here, but most people are missing it.

      The sensor market has been (mostly) split into two parts. CCD sensors are sold on the open market, so (for example) the 8 MP cameras from Konica/Minolta/Sony, Nikon, and Canon (and often a few others) frequently use exactly the same sensor.

      CMOS sensors, however, have been mostly custom-designed and built for one specific camera -- Canon's been using them for quite a while, but Canon's sensors are used only in their own cameras. Nikon's built a CMOS-based dSLR as well, but (again) it's used only in that one model of camera.

      I can't imagine Micron entering the camera market, so it's a pretty fair guess that this will be offered on the open market -- nearly a first for CMOS sensors. It's also notable that up until now, even if they offered the sensor for others to buy, the sensors have been built by companies that sold cameras (possibly in addition to a lot of other stuff). Micron is a pure semiconductor house, with almost no previous interest in the camera world at all. Given the small number of sensors that really make up the majority of cameras, nearly any new entry into the market is probably a good thing.

      --
      The universe is a figment of its own imagination.
    3. Re:What's new exactly? by dinther · · Score: 1

      There is always someone who thinks they can tell people to "Move along" without understanding the impact of the new technology presented. I even doubt if you read the article in the first place.

      If you would have taken the trouble to actually read stuff before you hurry your "move along" reply into slashdot you would have found that this is a very exciting development that will lead to low power camera's with a very high signal to noise ratio. Yes CMOS is done and many other but that doesn't mean it can't be improved on.

      I can't see the value of a 8mp camera in a phone using a crap pinhole lens but the chip would do wonders in regular cameras and compact flash based HD Video cameras.

    4. Re:What's new exactly? by pikine · · Score: 1

      It sounds like the press release hints a breakthrough in the CMOS manufacturing process but is stripped of any serious technical details.

      Pixel count alone, as the rest of Slashdot comments already concurred, doesn't usually mean too much to the casual photographer. But pixel count breakthrough on CMOS sensor means a lot to the manufacturing plant, since every pixel comes with its own digitizing circuitry, and high pixel count means the circuitry becomes very dense. To make this possible, it is likely that a new CMOS manufacturing process has been developed.

      Maybe Micron acquired or developed new nanometer fabrication technology and wants to impress its investors. Or maybe it's trying to get the customers (digital camera and mobile phone makers) excited without leaking too much business secret. Either way, we get a watered down press release like this that doesn't make much sense.

      --
      I once had a signature.
  14. 8MP CMOS is nothing new.... by Tim82 · · Score: 1, Informative

    Canon already has an exceptionally good 8 megapixel CMOS sensor in its 350D... This retails from around $500 upwards. Surely the fact that it is a DSLR rather than a compact accounts for the price difference from that quoted? If so, this is very old news.

    1. Re:8MP CMOS is nothing new.... by Amouth · · Score: 1

      yeap .. 8.5PM of perfection for lowend pro market.. i got to use one last year and fell in love - but with any camera the real trick with it is the lens got to have a good lens to get good pictures.. and i have yet to see a compact that had even a slitly decent lens....

      --
      '...if only "Jumping to a Conclusion" was an event in the Olympics.'
  15. Re:CMOS? by Sebastian+Jansson · · Score: 1, Informative

    High end cameras use CMOS too. So there's no limit in the technology itself. I guess it's just that it 's also easier to make cheaply.

    good quality CMOS sensors = expensive
    low quality CMOS = cheap
    Medium quality CCD = middleground

  16. Re:CMOS? by Mycroft78 · · Score: 3, Informative

    How is this new? The Canon Digital Rebel XT comes with an 8MP CMOS sensor and can shoot at 3fps for less than $1000.

    Quality wise I can tell you the CMOS vs CCD isn't an issue anymore. Plus CMOS takes alot less power.

  17. Where's the useful cut-off point? by EmbeddedJanitor · · Score: 2, Interesting
    After a certain pixel count, there's not much point in going much further in consumer devices. You're just adding data, but not improving the viewable image. Why have an image that is higher res than a monitor or your eyeball's ability to process data? Where is that cut-off?

    A bit like sound... once you get to CD quality, there's not much point in going any further because the speakers, amplifiers etc cause the most distortion and any improvement at theCD end will not make it to your ears.

    --
    Engineering is the art of compromise.
    1. Re:Where's the useful cut-off point? by Ant+P. · · Score: 2, Insightful

      A picture at monitor res is useless for printing, in the same way as a 128kbps MP3 isn't much use in a live performance.

    2. Re:Where's the useful cut-off point? by TripMaster+Monkey · · Score: 2, Insightful


      You're just adding data, but not improving the viewable image. Why have an image that is higher res than a monitor or your eyeball's ability to process data?

      While there is indeed a limit to how good the original image may be, I believe the major benefit of higher and higher res is the ability to blow up smaller and smaller portions of the original image, while still retaining something viewable.

      Of course, once you exceed a certain threshold, the accuracy of your camera lens starts playing a major role in your ability to blow up images, so for this application, that could also be considered a 'cut-off' point.

      --
      ____

      ~ |rip/\/\aster /\/\onkey

    3. Re:Where's the useful cut-off point? by dextromulous · · Score: 4, Informative

      A high pixel count has many benefits. Your effective "zoom" is increased. Low light pictures may be enhanced using DSP. Other grainy photos can be enhanced. Photo editing looks better when done on hi-res images. Also, we are not limited by our monitors with digital photos, it just means we can print better (or larger) pictures.

      --
      There are two types of people in the world: those who divide people into two types and those who don't.
    4. Re:Where's the useful cut-off point? by Dg93 · · Score: 5, Informative

      A high pixel count also means smaller physical sizes for each pixel on the sensor which means an increase in noise.

      I'll take a 3 megapixel APS-C sized sensor over an 8 megapixel sub-fingernail sized sensor any day of the week and twice on sundays.

      --
      --Dg
    5. Re:Where's the useful cut-off point? by powerlord · · Score: 4, Informative
      Where is that cut-off?


      FTFA "... A 2-megapixel digital picture file can be printed in the normal 4-inch-by-6-inch format without noticeable graininess while an 8-megapixel picture can be printed in the larger 8x10 format without a loss of quality. ..."

      In other words, if all you're going to print is 4x6" pictures, 2Mp is "enough".

      If you're trying for 8x10" pictures, 8Mp is "enough".

      If you're trying for "Poster Size" or "Billboard Size"? In this case "enough" is defined by what you plan on doing with it.

      My wife and I have a 4 year old 4Mp camera. The picture quality is fine, however the recycle time and shutter delay are what finally made us upgrade more than anything else. In the case of the new sensor, the Mpixels might be nice, but the "must have" features are:

      "Micron's new sensor includes a faster processor that eliminates usual point-and-shoot delays between taking pictures. That means users can shoot up to 10 images per second at 8-megapixel resolution or 30 frames per second at a resolution of 2-megapixels."

      and

      "The sensor's rapid capture rate and high resolution also allows smaller cameras to incorporate features such as image stabilization, faster auto-focus, higher quality digital zoom and recording HD video, said Micron, which also is the largest U.S. manufacturer of computer memory chips."

      This means that "pure" digital video cameras are gonna drop in price, of course, the Mega-Pixels might need to increase a bit before they're good for shooting anything more than a 4x6 picture.
      --
      This space for rent. All reasonable inquiries will be entertained at proprietors discretion.
    6. Re:Where's the useful cut-off point? by dextromulous · · Score: 1

      I wasn't saying that this sensor was particulary good because it was high-pixel, EmbeddedJanitor was inquiring as to why one would want a high-pixel count, and I supplied suggestions. However, your points are still valid, pixel count is not the be-all-end-all.

      --
      There are two types of people in the world: those who divide people into two types and those who don't.
    7. Re:Where's the useful cut-off point? by javamann · · Score: 5, Funny

      But I just saw on CSI that you can enlarge a picture and recover the image already.

    8. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      There is no such cut-off. Provided you can actually produce a sharp and bright enough picture on the sensor, resolution is always useful. If you're not going to use it for higher detail, you can use it for a wider angle of view (framing, zooming and levelling deferred to post-processing) or anti-shake. A 2x digital zoom takes 4 times the pixels in the original image. How would you like a camera that you can point in the general direction of the object you want to take a picture of, and when you get home, you'll notice that the picture is sharp, even though you took it with a stretched out arm and just one hand on the camera. Not only is the picture sharp, your camera has automatically rotated the picture so that it isn't tilted to the side like 90% of all point-and-shoot pictures today. You'll also notice that the object was surrounded by rather uninteresting scenery, but you can cut that away because you have plenty resolution left in the final image. To see how much zoom may be useful, take a look at the gigapixel camera page and tell me you don't want one of those.

    9. Re:Where's the useful cut-off point? by wisdom_brewing · · Score: 2, Informative

      look at highger end cameras, the problem there lies not with the CCD sensors in getting several photos a seconds, its the memory. CCDs are not the problem here, its the rest of the hardware. I own a nikon D70, a low end Digital-SLR and that can take around 4 photos a second continuously for a good 10 seconds before the buffer gets full and thats with and 80x Compact Flash card. Consumer cameras arent designed for that, even the higher end ones have buffers which hold at most 3 photos at top quality and resolution. And thats JPEGs not raw data...

    10. Re:Where's the useful cut-off point? by DragonWriter · · Score: 1
      After a certain pixel count, there's not much point in going much further in consumer devices. You're just adding data, but not improving the viewable image. Why have an image that is higher res than a monitor or your eyeball's ability to process data? Where is that cut-off?
      Well, monitors don't matter much, since the images taken by consumer cameras are often used for other media -- notably print -- that require much higher resolution than on-screen viewing. 8 megapixel resolution, IIRC from the various FAQs I've seen, is considered about the minimum resolution for images if you want to make them available as digital stock photography; Probably something in the 12-14 megapixel range is about as much as you need for most uses, unless you are going to be (e.g.) doing large blow-up prints of parts of the image.
    11. Re:Where's the useful cut-off point? by Minwee · · Score: 2, Funny
      "I'll take a 3 megapixel APS-C sized sensor over an 8 megapixel sub-fingernail sized sensor any day of the week and twice on sundays."

      If you were trying to install a camera on your fingernail, you might think differently.

    12. Re:Where's the useful cut-off point? by TheJediGeek · · Score: 1
      pixel count is not the be-all-end-all.

      shhhhhh.... don't tell that to the people going in to Best Buy for a camera. Best Buy may sue you for declining profits. (The RIAA seems to think it's a viable business model)

    13. Re:Where's the useful cut-off point? by TheJediGeek · · Score: 1
      While many people do use digital pictures to print, this really isn't as common as you may think.
      Most commonly people take pictures with their new digital camera that they just bought for the vacation to email them to friends/family.

      There's a major disinformation in education happening in retailers where they are saying that more pixels = better. It is useful to start with a high pixel count so you have the flexibility to do stuff, but the big problem comes in emailing and power point.
      Right now, most people will take that 6MP photo and email it to everyone and their cousin and then take that photo and the 642 others and put them right into Power Point for one of those classically boring Family Vacation(TM) slideshows. They then wonder why it takes 5 minutes to load the power point and why it won't fit on a blank CD.

      What is lacking is a way to scale down photos for such uses that Joe Winblows User/Best Buy Shopper can understand.

    14. Re:Where's the useful cut-off point? by Ced_Ex · · Score: 4, Funny

      CSI blows up 2 pixel images from grainy security cameras to look into the reflection on the suspect's eye to read the licence plate of the getaway car.

      You can only imagine what they can do with an image from 8MP sensor! Anyone holding electron microscope stocks can kiss their profits good-bye!

      --
      Live forever, or die trying.
    15. Re:Where's the useful cut-off point? by plumby · · Score: 3, Insightful

      In theory, that's true. However, I've got a Sony 3mega-pixel camera a later model Sony 7 mega-pixel one. I've taken identical photos on both of them on max detail and resulution. The picture quality is almost exactly the same (although the file sizes aren't!) - I've tried zooming in and that makes no difference. However, I've also got an 8 mega pixel Canon digital SLR, and the picture quality is vastly superior - I can zoom in far further at an acceptable quality than with the 7 MP Sony.

    16. Re:Where's the useful cut-off point? by pclminion · · Score: 1
      After a certain pixel count, there's not much point in going much further in consumer devices. You're just adding data, but not improving the viewable image. Why have an image that is higher res than a monitor or your eyeball's ability to process data? Where is that cut-off?

      Uh, some of us like to PRINT our images. Being able to make large prints is a hugely good thing. Not to mention being able to ZOOM IN on small parts of an image and still see detail.

      It staggers me that no other use occurs to you for a digital photo than on-screen viewing. Hello?

    17. Re:Where's the useful cut-off point? by Cheeko · · Score: 2, Insightful

      Aside from digital zoom, you also have to consider image editing. Its probably not in the realm of most people's use of digital cameras, but I enjoy being able to take digital images and either blow up specific sections into seperate pictures, or crop/resize the relevant portions of a picture later. For the hobbiest photographer, who doesn't want to spend thousands and thousands on a camera, open source editing software (GIMP) and a high resolution point and shoot camera is a viable alternative. Even if the picture I get isn't great from a composition standpoint with that $200 camera, with a very high rez, I can edit it much more easily to get the pieces of the image I want.

    18. Re:Where's the useful cut-off point? by Intron · · Score: 1, Interesting

      "A high pixel count also means smaller physical sizes for each pixel on the sensor which means an increase in noise." Hunh? Externally generated noise hits a large pixel and changes it 25% or hits a small pixel and changes it all the way from black to white. Net result in image quality - looks the same because the three other small pixels around it didn't change. You can make the same arguments for internal random shot noise. The amount of noise hitting the camera doesn't change, so its net effect on the resulting image doesn't change.

      --
      Intron: the portion of DNA which expresses nothing useful.
    19. Re:Where's the useful cut-off point? by kisielk · · Score: 1

      The issue is not externally generated noise but thermal noise in the sensor itself.

    20. Re:Where's the useful cut-off point? by modecx · · Score: 3, Interesting

      Where is that cut-off?

      There is no cut-off. That's the point. It may be that in our future, we have higer resolution displays, holograms, holo-deck, whatever. Who cares.

      Personally, I won't say "That's Enough" until I can capture an entire landscape with such resolution that you can zoom in and clearly see the eyes of every damn ant that happened to be crawling around that day... Or better yet, print the whole thing at life-size, to cover a skyscraper or something. Okay, so that's probably not going to happen, and even if it did happen, it might not even be useful, but goddamn, it WOULD be cool.

      Now, 8MP in a phone camera probably isn't going to be more useful than say, a 5MP sensor in a phone, as the resolution will certianly be limited by the cheap-ass plastic lens they put in front of it--and by any pocket-lint that it may have gained. The size of the aperture will limit the amount of light it can collect, and the noise generated by all those tiny sensors packed in there will probably not be a good thing for image quality--you'll just get even larger grainy, blury photos than you would with the 5MP sensor, which would be useful if you wanted to take big-ass grainy photos, I guess. I'm sure someone will find an art in it.

      --
      Constitutional rights may be respected, repealed, or modified; but they must never be ignored.
    21. Re:Where's the useful cut-off point? by Intron · · Score: 1

      Which part of "You can make the same arguments for internal random shot noise" did you not understand? You get a constant amount of thermal noise over a given sensor area, regardless of the number of pixels it is divided into.

      --
      Intron: the portion of DNA which expresses nothing useful.
    22. Re:Where's the useful cut-off point? by DragonWriter · · Score: 1
      What is lacking is a way to scale down photos for such uses that Joe Winblows User/Best Buy Shopper can understand.
      Good point, though I'd rephrase slightly: what's missing is any communication of the need and value of scaling down photos to Joe Winblows user.
    23. Re:Where's the useful cut-off point? by Em+Adespoton · · Score: 4, Insightful
      What is lacking is a way to scale down photos for such uses that Joe Winblows User/Best Buy Shopper can understand.

      You must use Linux. On Windows, the OS says, "I see you're trying to email a picture. Would you like me to scale it down for you?"; on MacOS, there's a Resolution menu available when you attach a picture for mailing. Same thing happens with slideshow presentations on both platforms.

      The problem *I* have is that when I ask someone to email me the original photo, I invariably get a 640x480 copy that their computer has automatically scaled down for emailing.

    24. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      Wrong on every single point.

    25. Re:Where's the useful cut-off point? by cetan · · Score: 1

      For all the uselessness that are Kodak digital cameras, I have found their software to be fairly powerful in this respect. Emails from family members by way of the Kodak software always comes in with 640x480 or sometimes 800x600 resized images. And the end uers of these cameras don't need to know what these values even mean, they just email the photos. It works and it keeps my mailbox from being full.

      --
      In Soviet Russia...michael would be rotting in Siberia!
    26. Re:Where's the useful cut-off point? by Pulzar · · Score: 1
      I own a nikon D70, a low end Digital-SLR and that can take around 4 photos a second continuously for a good 10 seconds before the buffer gets full and thats with and 80x Compact Flash card. Consumer cameras arent designed for that, even the higher end ones have buffers which hold at most 3 photos at top quality and resolution. And thats JPEGs not raw data...


      Although that is one of the limitation, it's not a particularly hard one to solve (increase the buffer size and there you go). The main reason why the bigger buffer wouldn't help point and shoots is because one sensor is used for auto-focus, exposure metering, white balance, taking pictures, and previewing the pictures on the screen! And, going from one mode to another takes a while and that's why you have such a long button-press to shutter delay. The preview-to-capture delay is the longest one there.

      On a digital SLR like your D70, you have a specialized sensor doing the metering, and also 5 (or more) auto-focus sensors that are on all the time... The preview is done through the lens, so the main sensor is in standby, ready to be activated. So, when you press the button, the camera is ready to take the picture right away, and it takes only a little bit of time to adjust the exposure/focus between shots.

      Now, if this new sensor delivers much shorter times in switching from preview to capture, then you could have a point-and-shoot camera taking shots fast (i.e. short press to capture delay). But, taking a series of shots fast isn't as much of a challenge for current point-and-shoots -- after all, they can take videos at 30 frames per second.

      --
      Never underestimate the bandwidth of a 747 filled with CD-ROMs.
    27. Re:Where's the useful cut-off point? by spun · · Score: 1

      Consider that 400 speed film has a resolution of about 6.5 megapixels per square inch, based on the grain size of the film. 35mm film uses a surface area of about 1.33 square inches per picture, for about 8.5 megapixels per picture of useable resolution. We are just now reaching the resolution of regular film.

      The main issues with digital cameras are twofold, one is the lack of tonal range, the other is the quality of the optics. Digital cameras do not pick up low light and shadow details as well as film, and generally have inferior optics which limit image quality far more than resolution does.

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    28. Re:Where's the useful cut-off point? by DrDitto · · Score: 3, Interesting
      300dpi is considered a high-quality print.

      Which means for an 8x10, you need an image that is 2400x3000 (or 7.2 megapixels).

      Many claim that the human eye can indeed resolve the differences between 300dpi and 400dpi. At 400dpi, an 8-megapixel sensor falls well short of an 8x10 print.

      Personally I shoot with a large-format 4x5" camera. This gives me 20" inches of film area, and when scanned at a modest 2400dpi, this gives me 115 megapixels. And my equipment (besides the scanner and film) is 30+ years old.

    29. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      OK Mr. AC. Please tell me about this new magic semiconductor that knows whether two points in its lattice are in the one large sensor or two small sensors. Or are you claiming that the noise knows this?

    30. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      What is wrong with you people? Do you hate your friends and family or why don't you want to see their pictures in sizes that actually fill the monitor without blurring? Everybody drools over 4k digital cinema (that's 8 megapixels), but the people you live with must fit into SVGA? It's the 21st century: the net can handle it and $1 worth of harddisk space stores approximately 1000 8MP fotos.

    31. Re:Where's the useful cut-off point? by GregWebb · · Score: 2, Informative

      Yup, it's the lens.

      I shoot a Nikon D70 and it's standard lens has a reputation for being sharp (for a kit lens, that is). I still can't do a major enlargement to 100% pixel size on screen and retain full sharpness without post processing.

      --

      Greg

      (Inside a nuclear plant)
      Aaaarrrggh! Run! The canary has mutated!

    32. Re:Where's the useful cut-off point? by drsquare · · Score: 3, Insightful

      Why are you assuming that monitors will not increase in resolution/DPI?

    33. Re:Where's the useful cut-off point? by stunt_penguin · · Score: 1

      Heh a geeky friend and I always egg on the people doing the 'image inhancement' with shouts of 'go on, get the numberplate, you can do it, just use the enhance button!! and then cheering loudly when they get the cellphone number of someone the suspect is calling by 'enhancing' the image. You can only laugh at that stuff. The enhancer guy has become a trope of sorts.

      --
      When the posters fear their moderators, there is tyranny; when the moderators fears the posters, there is liberty.
    34. Re:Where's the useful cut-off point? by Matt_R · · Score: 2, Informative
      Digital cameras do not pick up low light and shadow details as well as film, and generally have inferior optics which limit image quality far more than resolution does.

      The dynamic range on digital cameras is getting better all the time, but what you say about the lenses isn't true. These days digital cameras use the same lenses as film cameras, and my EOS 350D takes better photos than my EOS 300 film using the exact same L lens.

    35. Re:Where's the useful cut-off point? by Cochonou · · Score: 1

      Greetings,
      do not forget that each pixel is having its own amplification chain in an Active Pixel Sensor. That means that in addition to the thermal noise induced by defects in the lattice you were talking about, you also have to take into account the noise of the MOS amplifiers. As this noise does not have a linear dependency to the surface of the pixels, you are going to end up with a worse signal to noise ratio with the smaller pixels.

    36. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      ah no, that was in Blade Runner, haven't seen CSI blow a photo up that much :)

    37. Re:Where's the useful cut-off point? by spun · · Score: 1

      You are absolutely right, I should have been more clear. What I really meant was spend money on good lenses rather than more megapixels.

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    38. Re:Where's the useful cut-off point? by Xyrus · · Score: 2, Interesting

      "If you're trying for 8x10" pictures, 8Mp is "enough"."

      Don't know what camera you're using, but with a Nikon D70 6 MP camera I can blow up pictures a good deal larger than 8x10 and still have it look just fine. I'm not saying you could create a poster out of it but you can definately do larger than 8x10 with no significant loss of picture quality.

      As was stated earlier, it all depends on the sensor size. A 6MP DSLR will give you much better pictures than a 6MP PAS.

      ~X~

      --
      ~X~
    39. Re:Where's the useful cut-off point? by WuphonsReach · · Score: 1

      After a certain pixel count, there's not much point in going much further in consumer devices. You're just adding data, but not improving the viewable image. Why have an image that is higher res than a monitor or your eyeball's ability to process data? Where is that cut-off?

      The "limits" have more to do with the quality of the optics in the camera rather then your eyeball or your monitor. Beyond a certain pixel density, you exceed the resolution/detail (there's a better technical word for this) of what the optic components are capable of resolving.

      You can improve the optics by using better materials (optical grade glass instead of cheap plastic) or you can make the optics larger. Both are ways to improve the resolution that the optics are capable of capturing.

      (Sorry if that's poorly explained, it's been a while since I've seen it explained.)

      Now, is it practical for a consumer level point-and-shoot to capture high amounts of pixels? Eh... if they can make the sensor cheap enough, why not? The consumer will buy the pixel size that they feel gives them the most value for the dollar. I may think it's foolish while the next person down the line thinks it's a great value.

      --
      Wolde you bothe eate your cake, and have your cake?
    40. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      The improved image quality with the SLR is because of better lenses. For the last few years, optics have been the limiting factor on digital cameras. Sure you could drop a 10 megapixel sensor in a cell phone... but the images will look terrible, because small lenses don't perform as well as large lenses.

    41. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      On Windows, the OS says

      Does it ? Or is it your email user agent ?

    42. Re:Where's the useful cut-off point? by swillden · · Score: 4, Interesting

      However, I've also got an 8 mega pixel Canon digital SLR, and the picture quality is vastly superior

      What lens do you have on that? I just bought a Rebel XT and although I was really impressed with the quality of the images, it was pointed out to me that the 18-55mm f/3.5-5.6 lens it came with really isn't a very good lens. It's not very sharp, especially in the corners, it's a slow lens, doesn't have very good depth of field, etc. At a friend's suggestion, I bought an inexpensive 50mm f/1.8 prime (non-zoom) lens, and I have been amazed by how much better the image quality is. I've shot the same scene with both lenses and the difference isn't subtle at all. Not only is the 50mm much sharper, but when you look at the pictures side by side, it's obvious that the 18-55mm gathers light unevenly. The picture is darker in all of the corners and in the right and left edges. Pictures with high contrast edges show pretty obvious color distortion with the 18-55 as well.

      Oh, and if you're taking pictures indoors, that f/5.6 is just way too slow. You need a lot of light with that lens.

      Note that I'm not actually knocking the 18-55; compared to my old camera (which wasn't junk, either) it takes *fantastic* pictures. But experimenting with the 50/1.8 has made me realize that the optics matter -- a lot. That seems like kind of a stupid thing to say, in retrospect, since it should be utterly obvious that optics are important to a camera, but I kind of assumed that the differences between lenses, other than zoom power, were subtle and maybe even subjective. They're not. Which makes it obvious that the tiny lenses that can be crammed into a compact camera are always going to be limited. No matter how many megapixels the sensor can capture, if the glass can't focus the light onto it properly, the pictures aren't going to be very good.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    43. Re:Where's the useful cut-off point? by N+Monkey · · Score: 2, Informative
      The issue is not externally generated noise but thermal noise in the sensor itself.
      The issue now, apparently, is that the geometry is so small that the number of photons landing on an individual sensor, in a typical exposure, is tiny and, since they arrive randomly, you don't get a chance to get an accurate average.
    44. Re:Where's the useful cut-off point? by fbjon · · Score: 1
      How do you scan a 4x5 negative, is there some adapter for it?

      Anyway, you can do some trickery to achieve higher detail, sort of, by using noise reduction and some intelligent sharpening. I use Neat image and Focus magic, but there are others. Then, if you can shoot RAW, you can upsample to e.g. a 12-mp image, and remove the slight blurriness with Focus magic. In reality you won't get any more detail than was possible to record on an 8-mp sensor, but it will look like you do, because of slight blur in the original from the lens, noise, etc.

      I haven't printed such an image yet though, so the actual effect remains to be tested.

      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    45. Re:Where's the useful cut-off point? by plumby · · Score: 1

      Mine's a 20D (wish I'd waited a few months for the 30D!), and I'm using the standard Canon 18-55 lens that came with it - not sure if it's the same on as the XT, and a Sigma 55-200. I have thought about investing in better lenses, but at the moment the quality is such a step up from the compact that I had that I'm probably going to wait for a bit. I will look into the 50mm you mentioned though.

    46. Re:Where's the useful cut-off point? by maxume · · Score: 1

      In $X00 dollar cameras, the electronics are already far ahead of the lenses. Check out the prices on professional photo equipment sometime, when you look at the lenses, a $4000 body seems nice and reasonable.

      --
      Nerd rage is the funniest rage.
    47. Re:Where's the useful cut-off point? by Intron · · Score: 1

      The question was why dividing a given array into more pixels would result in more noise. This requires that each sensor be made smaller, and that there be more amplifiers, but it does not require that the amplifiers be smaller. That would only follow if the amplifiers took up a significant area relative to the sensor size. The metallization is smaller with a finer geometry, but the transistor area can be whatever the designers choose.

      --
      Intron: the portion of DNA which expresses nothing useful.
    48. Re:Where's the useful cut-off point? by DrDitto · · Score: 1

      How do you scan a 4x5 negative, is there some adapter for it?

      A $400 Epson flatbed can scan up to an 8x10 negative. They claim 4800dpi, but in reality (because it is a consumer flatbed), I get about 2000dpi. Still good for 80 megapixels w/ 4x5 film. This is the nice part about huge negatives-- you don't need a great scanner! If I want a higher-quality scan, my local professional lab can do a drum scan at 4000dpi (or higher).

    49. Re:Where's the useful cut-off point? by pen · · Score: 1

      I would say that the useful cut-off point is when the quality of the digital image approaches the image you could've captured on 35mm film.

    50. Re:Where's the useful cut-off point? by podperson · · Score: 1

      DSLRs produce pictures that are vastly superior to compact digitals (I own several Sonys and a Nikon). Even the less than outstanding kit lenses on a low-end Nikon or Canon DSLR is a much better piece of glass than the lens on a Sony digital (which itself is a cut above most digital compacts).

    51. Re:Where's the useful cut-off point? by swillden · · Score: 1

      On Windows, the OS says, "I see you're trying to email a picture. Would you like me to scale it down for you?"

      It does? Then why do I get so many 10MB e-mail messages from Windows using relatives whenever they want to show me a half-dozen snapshots of their new dog?

      It definitely sounds like a feature the lowest-common-denominator e-mail client *should* have, though.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    52. Re:Where's the useful cut-off point? by Intron · · Score: 1

      This source agrees with you, and he lists 8M-pixel sensors in his article:
      "It turns out that the noise in good modern digital cameras is dominated by photon counting statistics, not other sources."

      This pretty much says thermal noise is not a factor.

      --
      Intron: the portion of DNA which expresses nothing useful.
    53. Re:Where's the useful cut-off point? by DrLex · · Score: 1

      A 128kbps MP3 isn't much use for anything, except playing music on crappy headphones while jogging or so, when there's enough background noise to mask the artefacts. Yet in many places people are replacing vintage sound systems with a PC stuffed with MP3's of questionable quality, like in pubs. Considering the fact that psychoacoustic compression artefacts become more audible when the volume is louder, it's as if the pub floor is covered with broken glass and the people are dancing in it on the rhythm of the music, but the average person doesn't care.

      It's the same with images. The average person doesn't care if the images are full of blocks and squares, if whatever's in the image is recognizable. Just look at the movies that are posted everywhere, most of them are total crap. In this aspect, this sensor is just pearls before swine.

    54. Re:Where's the useful cut-off point? by tricorn · · Score: 1

      There doesn't seem to be much use for monitor resolution better than 100DPI (at a typical 2-3 feet). Typical human visual acuity is about 1 minute of arc, at 2.5 feet that is about 114DPI. For print, at 1 foot, that's 285DPI, which matches pretty well with the typical 300DPI of print, or even 600DPI for viewing at 6 inches. At 300DPI, an 8x10 photo is about 7.2 mega-pixels, to go to 600DPI would require a jump to about 30Mp.

      As someone else pointed out, 8Mp is pretty close to 35mm film resolution (at the speeds most people use), which has been adequate for everyday purposes for quite some time now. Sure, for 16x20 at 600DPI, you'll need about 120Mp, but only a really serious professional, or an extremely rich hobbyist, is going to want to deal with the storage and processing requirements of something that big, at least not any time soon.

      I'd love something that gives a 360x360 degree image with, say, 10 times the visual acuity of the human eye, but that would be about 14 giga-pixels. I think you could safely say that 14 giga-pixels is "enough" for the foreseeable future. Can you imagine a full motion video filmed like that? Now there's some storage requirements!

    55. Re:Where's the useful cut-off point? by Anonymous Coward · · Score: 0

      I'd love something that gives a 360x360 degree image with, say, 10 times the visual acuity of the human eye, but that would be about 14 giga-pixels. I think you could safely say that 14 giga-pixels is "enough" for the foreseeable future.

      Not arguing the "foreseeable future" part here, but notice that there is no reason to stop there. Let's say you want to shoot at 10x the resolution of the human eye (which means 100x the number of pixels). Converted to a typical field of view (35mm), that's equivalent to a 600 megapixel camera. These pixels cover a tiny angle of view and you need a big aperture to collect enough light. A big aperture means that you get only a very short focus depth. So, even though 600 megapixels sounds astronomical by todays standards, even more pixels could be useful: Plenoptic cameras can use higher resolutions to extend focus depth. A camera is a measuring device, and spatial resolution in the image plane isn't the only goal that can be achieved by increasing the pixel count.

  18. Maybe not all that it's cracked up to be by Anonymous Coward · · Score: 0

    People get all excited about the possibility of using cmos technology to build sensors. One company, who will remain nameless, started hiring cmos specialists a couple of years ago. Then the project died. It seems that it is hard to get the advantages of cmos AND decent performance at the same time. The company in tfa isn't actually building the chips yet so I'll believe it when the chips get to the market.

  19. enjoy it while it lasts.. by Anonymous Coward · · Score: 1, Funny

    next year she'll start sending you hi-def video according to the article.

  20. Who Cares by Ramble · · Score: 1, Insightful
    This isn't really news, sure, the resolution will be higher, but resolution compared to lens quality and sensor size is nothing.

    When phones start coming with a good lens assembly, then it'll be news.

    Everyone also neglects the fact that phone memory is still very small, and high-res desktop monitors hardly bump 2 megapixels, nevermind 8. The only reason someone would need 8 is for print work, and anyone doing print work with a mobile phone deserves to be shot.

    --
    "Oh boy"
    1. Re:Who Cares by Carnildo · · Score: 1

      Everyone also neglects the fact that phone memory is still very small, and high-res desktop monitors hardly bump 2 megapixels, nevermind 8.

      My $250 3-megapixel "high-res" desktop monitor is a pretty good match for my 4-megapixel digital camera. I know there are even larger monitors out there with reasonable prices -- did you perhaps forget that CRTs still exist?

      --
      "They redundantly repeated themselves over and over again incessantly without end ad infinitum" -- ibid.
    2. Re:Who Cares by ChrisMaple · · Score: 1

      Except for the Foveon sensor http://en.wikipedia.org/wiki/Foveon_X3_sensor, cameras add the pixels for each color to get a total count 4X higher than the true pixel count. CRTs count each triad, for a much more nearly honest number. An 1800x1440 CRT is a good match for an 8 megapixel sensor.

      --
      Contribute to civilization: ari.aynrand.org/donate
  21. Quality? by Clueless+Moron · · Score: 2, Informative
    Devices using the new chip should reach consumers by late 2007 and will feature high-speed, high-megapixel digital photography capabilities normally found in more expensive, single-lens reflex cameras.

    Uh, what makes the single-lens reflex cameras so good is not so much the big sensor, but the fancy-ass $800 lenses, through-lens multi-point sensing, precision alignment, etc.

    It's pointless to put an 8 megapixel sensor behind a cheap lens. The image will still be just as blurry, colour-fringed, barrel distorted, and unevenly exposed. It's just that now the defects will be 20 pixels wide instead of 2.

    1. Re:Quality? by cens0r · · Score: 1

      The big sensor helps too. I can tell you that my APS size 6MP sensor is going to take better pictures than a fingernail size sensor, even if they used identical optics. Of course I also have the option of using much better optics.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    2. Re:Quality? by Gordo_1 · · Score: 4, Informative

      You're mostly right, but the larger sensor size is also a major advantage in favor of dSLRs. When you squeeze 8 megapixels into something half the size of your pinky nail (which is approximately the sensor form factor most point-and-shoot digitals use) the pixels' close spacing causes interference which translates into higher overall noise (especially with higher ISOs).

      When you increase the size of photoreceptors so they fill a larger APS or 35mm format sensor (typical of most dSLRs), there is less interference, which translates into smoother output independent of such factors as number of megapixels, sensor technology (CMOS vs CCD), lens size/quality, metering instruments/algorithms, etc...

    3. Re:Quality? by ChrisMaple · · Score: 1

      Signal amplitude increases in proportion to the area of the pixel, noise should increase at most by the square root of the area of the pixel. Bigger pixels mean improved signal/noise.

      --
      Contribute to civilization: ari.aynrand.org/donate
  22. Re:CMOS? by codemaster2b · · Score: 2, Informative

    Are you kidding me?

    ALL top-end cameras use CMOS sensors. Here's the rule of thumb - Digital SLR's use CMOS. Point-and-shoot use CCD.

    --
    And over there we have the labyrinth guards. One always lies, one always tells the truth, and one stabs people who ask t
  23. It won't work. by AntEater · · Score: 3, Funny

    You don't know about complementary metal-oxide semiconductors. I do.

    --
    Alex, I'll take keybindings not used by Emacs for $400....
    1. Re:It won't work. by Knightfall · · Score: 1

      That "whoooshing" sound was your joke flying over a lot of heads.

      Since I don't have any mod points I'll simply say, "Good one."

      --


      Knightfall
    2. Re:It won't work. by xmorg · · Score: 1

      Does it have anything to do with war of the worlds?

    3. Re:It won't work. by Frumious+Wombat · · Score: 1

      For those needing a clue: "...This actors career will self-destruct in 10 seconds".

      --
      the more accurate the calculations became, the more the concepts tended to vanish into thin air. R. S. Mulliken
    4. Re:It won't work. by Anonymous Coward · · Score: 0

      I got it right away. I think this should join the Slashdot meme family. It's obnoxious enough.

      See this if you still don't get it.

      http://www.drudgereport.com/flash3tc.htm

  24. Re:CMOS? by Dg93 · · Score: 4, Insightful

    Seems that most (if not all) the CMOS based cameras that are out now are considered low end junk.

    You mean like Canon's digital SLR series or Nikon's digital SLR series?

    Granted - the medium format digital backs are using CCDs at the moment, though i've heard that some of that has more to do with the difficulty of manufacturing CMOS chips to the size and density needed to make a 50mm x 37mm sensor.

    CCD also has a higher dynamic range - but that comes at power cost - and also slightly less responsiveness.

    So generally speaking, I'd say these days that CCD vs. CMOS comes to a draw, depending on what you're looking for. I'm sure the CMOS vendors will work on increasing dynamic range while the CCD vendors will work on their power/speed costs.

    --
    --Dg
  25. Consumer Level Camera Use by fdiskne1 · · Score: 3, Interesting

    My first thought was, "Cool! Higher resolution is dropping in price again." My second thought was, "Crap, now my users will be trying to email each other 3 megabyte and larger photos on a regular basis." I'm wishing there was some way new digital cameras could come with an education of what filesize means and how it relates to emailing and otherwise sharing with others. A large number of non-technical users have no idea of the concept. I've run across people wanting to email software CDs and copy DVD movies (inhouse, not MPAA) onto WAN-wide file shares.

    --
    But why is the rum gone?
    1. Re:Consumer Level Camera Use by Amouth · · Score: 2, Interesting

      i have given up on teaching users this.. when they ask why it is slow i tell them it is big and will take a while..... and some times they wait...

      --
      '...if only "Jumping to a Conclusion" was an event in the Olympics.'
    2. Re:Consumer Level Camera Use by Anonymous Coward · · Score: 0

      And why wouldn't they want to do that? Seriously, it's only natural to think that a system which delivers data from one person's computer to another person's mailbox can be used to send the contents of CDs and DVDs. Can't you watch videos on the internet, without waiting for them to be downloaded even? Your internet connection is probably measured in Mbps. At 6Mbps, a DVD takes just over one and a half hours, a duration in which the DVD can't be shipped physically. That typical broadband internet connections aren't symmetric is a sad deviation from the way it should be. That email doesn't handle big chunks of data well is a technical detail of the implementation, but not inherent to the concept. It should be able to do that.

    3. Re:Consumer Level Camera Use by wisdom_brewing · · Score: 1

      There should be a piece of software bundled with a camera to rescale the photo for emailing/sending over IM. Most users dont have the patience to do it manually, and taking photos at a lower resolution limits scope for their future use (maybe a photo will come out great and theyll want it blown up? or theres some little detail there?) Maybe if camera photo albums automatically created 2 folders (i know disk space, blah, blah) with one set to the native resolution of the camera, and the other with, say, 1280x768 or the like for other uses? I resize my photos, well, have photoshop do it for me, if im going to be sending them, but it is a lot of hassle, especially if im not near a computer with at least some software for it...

    4. Re:Consumer Level Camera Use by jmodule · · Score: 1
      There should be a piece of software bundled with a camera to rescale the photo for emailing/sending over IM [...]

      Picasa has this IIRC. If you click the email button with photos selcted it will automatically resize them. It's free too, but of course it doesn't come with the camera. :-/

      --
      The jModule
    5. Re:Consumer Level Camera Use by owlstead · · Score: 1

      Huh, I've tried to explain the difference between JPEG and GIF/PNG and even that did not succeed. Fortunately some of these camera's seem to create smaller sized pictures by default. Funny enough, if they do not buy huge sized memory cards and shoot a lot of pictures (or high def. video), I've noticed that most people suddenly do understand that turning down the resolution a bit might help.

      Users are smart. They are just very short range smart. If there is an immediate benefit to them, they will do it.

    6. Re:Consumer Level Camera Use by liangzai · · Score: 1

      Mail clients like Apple Mail have a resize function built-in for this purpose.

      That is the correct user implementation.

  26. amazing new technology! by Anonymous Coward · · Score: 0

    In addition, the chip is mounted on something called a PCB, otherwise known as a Printed Circuit Board!

  27. Re:CMOS? by original_nickname · · Score: 2, Informative

    I am not an expert, but...



    I think low megapixel CMOS chips are quite cheap (to produce and/or run), so are fitted to cheap mobile phone and no name cameras. CMOS chips can suffer from problems with noise and so without compensation will produce poorer results.



    However, this seems to have been achieved, and high quality ones are also fitted to more expensive cameras, for example this Sony.



    This article says it a lot better than I ever could do :) :Shutterbug article.



    However, you are probably still be right, there are hundreds of thousands of cheapo CMOS cameras about, so the majority are probably junk. Be aware that there are also great, expensive ones for pros, too

  28. CMOS is already here by Starker_Kull · · Score: 4, Informative

    The 5D, with a 13.1 MP full-frame sensor is CMOS. Most camera makers are slowly going over to them because of their much lower power consumption - I presume the reason any one cares about this particular one is because it's cheap.

    The main limiter with image quality (unless you're talking medium format or bigger) isn't the sensor any more, it's the lens. And right now, a picture made with a small piece of cheap plastic in front of an 8 MP sensor will reveal exactly all the flaws and distortions in said lens rather than a better image.

    1. Re:CMOS is already here by LordKronos · · Score: 1

      The 5D, with a 13.1 MP full-frame sensor is CMOS

      As are all other canon DSLRs for the last 4 or 5 years, including the 1Ds Mark II (16.7 MP), 1Ds, 1D, 1D Mark II, 10D, 20D, 30D, Rebel, Rebel XT, D60, and D30 (3.2 MP).

    2. Re:CMOS is already here by Starker_Kull · · Score: 1

      Yep - Canon's been at the forefront of CMOS technology. I'm trying to figure out what is so special about this particular CMOS sensor that it rated a /.ing. Any idea?

    3. Re:CMOS is already here by Overzeetop · · Score: 1

      Actually, I'd put lens quality neck and neck with sensor size. There are just so many photons to go around, and shrinking the sensor means less of them available for a fixed time frame and lighting. I bought a minolta X50 (5MP) when it came out and loved the camera - simple, compact, bulletproof...and utterly useless in anything but full daylight. The noise at anything other than ISO50 equivalent was overwhelming - the shots in low light were just as poor as the 1MP Fuji freebie I got with the launch of XP two or three years earlier - just at higher resolution.

      I won't argue that lens isn't a huge factor, but putting 8 million sensors in a little package is going to be good for nothing but outdoor shots at the beach.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    4. Re:CMOS is already here by IcePop456 · · Score: 1

      I'm still not convinced the lense is to be blamed for the poor color fidelity. Granted I'm optics expert, but even a cheap piece of plastic can be clear. I agree about sharp/crisp images will be impossible with these cheap lenses, but the color is absolutely horrible. I may experiment with my Nikon D50 and see what happens with clear plastic blocking the lense (not sure if this even relates). Either way, I'm willing to bet that the image may not be sharp any more, but I bet the color will be 1,000x better than any cell phone camera now.

      I believe the sensor has extremely poor dynamic range and simply cannot capture RGB evenly. Once that gets better, then I would start engineering better lenses.

    5. Re:CMOS is already here by ceoyoyo · · Score: 1

      The press release said it was an 8 MP sensor that they were going to put in a cell phone. Most people can only understand a linear scale that's good on one end and bad on the other end so 8MP in a cell phone sounds like a cool idea. Thus the Slashdotting.

    6. Re:CMOS is already here by jgoemat · · Score: 1

      The image sensor still has quite a lot to do with image quality, especially how much noise is produced. Lower quality sensors produce a lot of noise at even ISO 400, whereas better quality sensors can go up to ISO 1600 without generating as much noise.

  29. Re:CMOS? by Dg93 · · Score: 2, Informative



    More like middle upper end - the 1Ds's and D2Xs of the world.

    The high end medium format digital backs (e.g. the PhaseOne P45 39 megapixel medium format digital back) are still CCD.

    --
    --Dg
  30. But.... by Anonymous Coward · · Score: 0

    Pacman ate all the megapixils

  31. Re:CMOS? by mustafap · · Score: 0, Redundant

    The quality of the lens will be more important. Not much point having a large imaging array if you have a cheap plastic lens between it and the subject.

    --
    Open Source Drum Kit, LPLC deve board - mjhdesigns.com
  32. Dear Micron, by blackcoot · · Score: 3, Insightful

    Congratulations! Instead of a relatively low noise, moderately power hungry CCD sensor, I now have a relatively high noise, low power CMOS sensor that needs to be cooled to suppress dark current enough to get usable imagery. Thanks! I sure am looking forward to seeing digital cameras with TECs or cryo-coolers like my FLIR uses in them.

    1. Re:Dear Micron, by takitus · · Score: 1, Insightful

      Canon seems to do just fine making CMOS sensors noise free for their cameras. I dont see why this should be any different. In fact canon CMOS sensors outperform their nikon rivals (which are made by sony). You should welcome your new CMOS brethren.

    2. Re:Dear Micron, by Kaa · · Score: 1

      Congratulations! Instead of a relatively low noise, moderately power hungry CCD sensor, I now have a relatively high noise, low power CMOS sensor that needs to be cooled to suppress dark current enough to get usable imagery.

      Um. Dude. Canon's been using CMOS sensors in its high-end cameras for years. In case you're still wondering, yes, they work quite well without cooling.

      --

      Kaa
      Kaa's Law: In any sufficiently large group of people most are idiots.
    3. Re:Dear Micron, by blackcoot · · Score: 1

      this is pretty counter my experience with CCD v. CMOS video cameras. the CMOS cameras that i evaluated about 14 months ago had noticably worse noise characteristics than the CCD cameras. i suppose that it probably doesn't matter too much for a still camera, but for video (at least when i last looked), it wasn't so great.

  33. I want a faster camera, not more pixels by mooncaine · · Score: 1

    2 things I want to see in a digital camera:

    a. fast operation. Whatever the operation, I want it to be as fast as it was on the old SLR with 35mm film and a power winder. Snap, snap, snap. No waiting for camera to boot. No waits between pics.

    b. take that fast operation and put it in a camera that is as dead simple as Kodak Instamatics, so my Mom will be happy with her camera. No zoom, no autofocus, no different exposure settings. Snap, snap, snap -- oh darn, that one came out too dark, but I took 20 more and one was just fine. That's what Mom wants, and I want her to have it so I don't have to be an on-call digital camera consultant.

    When she used Instamatics, she never had to ask anyone for help, and was satisfied. Now, it's confusing for her, and usually involves some frustrating delay.

    1. Re:I want a faster camera, not more pixels by nuggz · · Score: 1

      You want a fast camera, get a SLR.
      The entry level models are all very fast with good quality.
      They tend to be memory card speed limited.

      They can turn on almost instantly.

    2. Re:I want a faster camera, not more pixels by cens0r · · Score: 2, Informative

      a. fast operation. Whatever the operation, I want it to be as fast as it was on the old SLR with 35mm film and a power winder. Snap, snap, snap. No waiting for camera to boot. No waits between pics.

      Get a Digital SLR. Mine boots up in less than a second (it's ready to take pictures before you can bring it to your eye). It can easily take 5 pictures at about 3 frames a second, and about 1 more a second after that.

      I'm sure someone makes a digital camera with a fixed focal length fixed aperture lens. I'm not sure there is a huge demand for one though. The majority of bad pictures I see people taking are simply because they are asking the camera to do something it can't. Like take a picture of something moving in low light. Or shooting in darkness with no tripod.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    3. Re:I want a faster camera, not more pixels by mooncaine · · Score: 1

      I should have been clear: I want to see 2 different cameras, one for me, and one for Mom. The digital SLR sounds good for me. Now we need something for Mom -- simple as an Instamatic, no frills, just family snapshots of the birthday cake and the grandbaby's new dress.

    4. Re:I want a faster camera, not more pixels by Clueless+Moron · · Score: 1
      A dSLR like a Canon EOS line can be as "pro-sumer" intricate as you might want, but it can also be set to full auto P&S mode. And it does an awesome job. In fact, I find it a bit depressing how in full auto mode it far too often tends to set everything just how I wanted it anyway.

      You point and squeeze. It uses 9 sensing points, cleverly figures out which ones you probably wanted from the framing, perhaps pops up the flash automatically to fire off a few blips of light to fine tune the focus and figure out what a good ISO and shutter/exposure setting would be given the scene and if it really will need the flash, guesses a reasonable white balance and - kaclick - squeezes off yet another impressively good picture.

      Yet all you did was point and click. The camera turn-on lag is a tiny fraction of a second, and it typically shoots at a rate of around 5 frames per second, which easily matches or beats a film SLR. In full auto it's like a machine gun.

      Really the only drawbacks are that they're bulky and expensive.

    5. Re:I want a faster camera, not more pixels by swillden · · Score: 1

      It can easily take 5 pictures at about 3 frames a second, and about 1 more a second after that.

      Here's a tip: If you want better continuous shooting, buy faster storage. I bought a 100X speed CF card for my Rebel XT, and I can get about 7 shots before it slows down, in RAW+JPEG mode. In straight RAW mode, it will do 9 shots. In Large/Fine JPEG mode, 32. In any other mode it never does slow down. I almost wish I would have bought that 150X.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    6. Re:I want a faster camera, not more pixels by Anonymous Coward · · Score: 0

      Try the Casio Exilim series. They are slim, small, fast, and do the trick nicely with the standard settings.

  34. a little about average consumers by Burlap · · Score: 3, Insightful

    FTA
    "This will immediately appeal to photography enthusiasts, but the average consumer is really more of a middle- to late-adopter and doesn't pay attention to the specs and features as much,"

    now, I worked in retail for 6 months (thank god thats past tence) and i have to call BS on this one. If anything, the average consumer is OBSESSED with specs and features. Just because they dont always know exatly what each feature really does, or which cameras have it does not meen that they arnt concerned with them. You will never see someone go into a store and say "oooo! that one looks cute, buy it".

    they bring out a cheap 8Mpix camera and it will fly off the shelves... signal to noise ratio? thats stuff that 99% of the salesfolk wont understand and therefore wont mention it to the customer. they will just see 8Mpix and a cheap price and pick it up

  35. Re:CMOS? by Anonymous Coward · · Score: 0

    Wow....look at all the whitespace! Tripmaster Monkey would be proud!

  36. Re:CMOS? by cens0r · · Score: 1

    Canon uses CMOS. Pentax, Nikon, KonicaMinolta (now Sony), and Olympus still use CCD.

    --
    Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
  37. That MSBC news story misses the important feature. by Brit_in_the_USA · · Score: 5, Informative

    ..instead read this one at CNET

    http://news.com.com/2100-1041_3-6073584.html?part= rss

    The new important thing for this sensor (to consumers anyway) is that it can capture 2mp at 30fps.

    It has been designed with capturing full motion 720p video in mind.

    This is great- I have long wondered why, as camera mega pixels sizes go up, we are still stuck with VGA video. I would love a digital camera still that can double as a HD video camera.

  38. statistical noise reduction by spectrokid · · Score: 1

    There is an algorithm out there where you reduce the number of pixels and replace them with a median value. This reduces the noise, but can obviously only be done with high resolution thingies. Could get you a 2 megapixel stable image out of a 8 megapixel noisy one...

    --

    10 ?"Hello World" life was simple then

    1. Re:statistical noise reduction by gwayne · · Score: 1

      It's called down-sampling, and photoshop has several algorithms to do it.

  39. Lens vs. MP by tinkerghost · · Score: 2, Informative

    Just for the record I would rather have a SLR 2MP camera than a P&S 8MP. The difference in focal precision and lens quality more than makes up for the difference in resolution. Let's face it a web pic is 72dpi & that's where most of these images are going to end up - 1280X1024 is only 1.3MP for 32bit color depth full screen image. 2MP is what?... 4X6 at photographic resolution? So unless I want an 8X10 (rarely) I am wasting 75% of the data 90+% of the time.
    I hear this all the time, oh this camera sucks because it's only a 3/4/5 MP one. I need to get the new X MP camera to take a good picture.... No you moron, you need to learn the basics of photograpy and get a decent camera. Pixel density has an upper limit where it is useful. After about 1MP for web work, and 2MP for general use, you're wasting your money. If you are a professional photographer or you do keep 8X10s of everything then you might need a 10MP, but if you do, you probably don't want a P&S anyway.
    *SLR - Single Lens Reflex - what you see in the viewfinder is exactly what the iris of the camera will see - CMOS, CCD, film. The light comes from a lens - hits a prism & get's split to the iris & the viewfinder.
    *P&S - Point & Shoot - seperate lenses for the iris & the viewfinder - usually fixed focal length for the viewfinder, and a guestimated focal distance based on image centering algorythms. Note the similarity between P&S and PoS.

    1. Re:Lens vs. MP by a_nonamiss · · Score: 1

      Man, don't be such a camera snob. I have a layman interest in photography, and I appreciate the quality difference between SLR and P&S. Sure, if I'm taking pictures for a magazine or professional pictures, I would definitely want to use SLR. On the other hand, if I'm going out with friends, or taking a quick weekend trip somewhere, I don't want to lug around a big SLR camera. A Canon Elph will easily fit in my shirt pocket, and while it doesn't produce the rich color, crisp detail and depth of field of SLR, that doesn't mean it's crap. Plus, I can hand the camera to a passerby and ask them to take my and my wife's picture in front of a beautiful fountain without having to give them a 20 minute lesson on how to take the picture. They are different tools for different purposes.

      And I'm not just picking on you. There are tons of posts on this thread with people dissing P&S cameras. It's just silly to think that one type of camera can meet all needs.

      --
      -Arthur
      Cave ne ante ullas catapultas ambules
    2. Re:Lens vs. MP by powerlord · · Score: 1
      *P&S - Point & Shoot - seperate lenses for the iris & the viewfinder - usually fixed focal length for the viewfinder, and a guestimated focal distance based on image centering algorythms. Note the similarity between P&S and PoS.


      Yes ... thats one of the reasons I usually use the LCD display as my viewfinder. What the cameras shows you is what you see (and what it will record).

      Sure, it uses more battery life, but to decide that SLRs are "perfection" and P&Ss are PoSs is like saying "Everyone needs to drive the same type of vehicle. Cars are good because you can always see out the back window, so if you're going to hit something backing up, you can see. Trucks? Mirrors to see whats behind you, not the same line of site. Notice how close Trucks are to F***s?"

      SLR and P&S cameras serve different purposes and, theoretically, different markets.

      I agree with your complaint about "uneducated masses" though. We just updated our 4,3 MP digital camera to an 8MP one, not because of the MPs, but because of the vast improvement over the past couple of years in recycle time and shutter speed (or whatever the time between pushing the button and taking the picture is).
      --
      This space for rent. All reasonable inquiries will be entertained at proprietors discretion.
    3. Re:Lens vs. MP by DragonWriter · · Score: 1
      Plus, I can hand the camera to a passerby and ask them to take my and my wife's picture in front of a beautiful fountain without having to give them a 20 minute lesson on how to take the picture.


      While I agree with most of what you say (P&S definitely still has its place), if you've got a DSLR with an auto-everything mode, you set it on that, and tell them "push halfway down, it'll adjust, then finish pressing down"; its not that much harder than a P&S.

      Or, heck, most of the places I've been vacationing in the last few years, it seems, you could pick the 1 in 4 passerby that are carrying an SLR case, and ask them.

  40. Focus, DAMN IT! by Palal · · Score: 2, Insightful

    My biggest problem with the point-and-shoot digital cameras (not the DSLRs) is the lack of decent focus. Many images come out blurry and the focus mechanism takes forever. On the DSLRs it's a different story and pictures come out near-perfect every time.

    --
    -Palal
    1. Re:Focus, DAMN IT! by zalas · · Score: 1

      Having that many extra pixels allows one to capture higher resolution light fields and thus allow for after-the-fact refocusing:
      http://graphics.stanford.edu/papers/lfcamera/

  41. Dead wrong by frovingslosh · · Score: 5, Informative

    Actually, this article demonstrates what is wrong with the "more pixels" mentatlity and the above post shows just how lame some people think (particularly ACs). The truth is that the camera on the NASA MARS rover that has retured all of those great pictures of the red planet (or the studio mock-up of the red planet if you prefer) is 1.3 mega pixes, as was reported here previously on /. It's not all about the pixels, much more important is the quality of the lenses and the quality of the sensor. Using a 8 megapixel sensor on a camera with a cheap lense is a senseless mix, it will waste memory in each shot but will not give quality pictures. And, while I have not had a chance to evaluate this particular device, in general CMOS devices have a much poorer quality than CCD devices. So unless this chip somehow manages to give much better results than we have any reason to expect, it will only be used to hype "8 megapixels" and waste memory space with each shot, not provide better quality pictures.

    --
    I'm an American. I love this country and the freedoms that we used to have.
    1. Re:Dead wrong by Anonymous Coward · · Score: 2, Funny

      There is nothing wrong with "more pixels" if you actually have them (and not just blurry spots spread over more pixels or 4bit intensity resolution due to noise). The way most digital cameras on the market use them is obviously not going to scale in a useful way. A typical print simply doesn't need more than 3 to 4 megapixels. But that doesn't mean there aren't ways to use even dozens of megapixels. Take a look at the typical problems that non-photographers have with their point and shoot cameras: Tilted picture, bad framing (mostly too little space around the object) and motion blur. To solve all of these problems, you need more pixels and a wider angle lens. People aren't NASA scientists who plan each and every shot in a committee and typical motives on this planet are a little more agile than a dead rock circling the sun. Should a marsian jump in front of the rover, I bet the picture will be blurry and his head will be cut off.

    2. Re:Dead wrong by david.given · · Score: 4, Informative
      The truth is that the camera on the NASA MARS rover that has retured all of those great pictures of the red planet (or the studio mock-up of the red planet if you prefer) is 1.3 mega pixes, as was reported here previously on /.

      You may be unaware that although those cameras do have really great optics, those startlingly good images are mostly made by taking lots and lots of 1.3 megapixel images and then painstakingly piecing them together (by hand) into a mosaic back here on Earth. There are a hell of a lot of pixels there.

      One of the rovers is, I belive, doing a major pan right now. It's taking about two weeks to take all the pictures and transmit them back home.

    3. Re:Dead wrong by ceoyoyo · · Score: 2, Insightful

      What a strange press release overall. CMOS image sensors are nothing new, nor are high resolution ones. CCD is used a lot in SLRs because it usually produces lower noise. CMOS is used a lot in point and shoot cameras because it's cheaper.

      People will buy the high pixel counts though. Really, nobody ever zooms in on their photos enough to realize that the picture they took with their cell phone is really only two effective megapixels anyway because of the sucky lens.

    4. Re:Dead wrong by coult · · Score: 3, Insightful

      Technically you are correct that the rovers' main camera is 1.3 megapixel...however, the camera takes color images by snapping 3 different pictures with 3 different filters. This corresponds more accurately to a 3.9 megapixel consumer camera, since all but a few consumer digital camera have one third of their pixels for red, one third for green, and one third for blue; the final full RGB image is created by interpolating the missing colors, so the true resolution of a 3.9 megapixel consumer camera is probably about the same as the rovers' 1.3 megapixel camera, assuming identical optics.

      Another poster made the point that most of the images you see from the rovers are actually multiple images stitched together, resulting in even more 'megapixels' per image.

      On a separate point, what distinguishes good from great cameras is not megapixels but optical quality. A terapixel camera with a pinhole lens would produce much lower resolution photos than a 6 megapixel Nikon with mulithousand dollar glass attached.

      --

      All is Number -Pythagoras.

    5. Re:Dead wrong by chasingporsches · · Score: 1

      CMOS chips are used in canon DSLRs, even their EOS series. CMOS chips are great for pictures, and better than a single CCD for video, but, and this is debatable, not as good as 3 CCD for HD video. i'd imagine not as good as 3CCD for SD video as well.

    6. Re:Dead wrong by yfkar · · Score: 2, Insightful
      since all but a few consumer digital camera have one third of their pixels for red, one third for green, and one third for blue
      Nope. It's 1/4 red, 2/4 green and 1/4 blue.
    7. Re:Dead wrong by coult · · Score: 3, Funny

      >Nope. It's 1/4 red, 2/4 green and 1/4 blue.

      Crap! Well, forget everything I said then.

      --

      All is Number -Pythagoras.

    8. Re:Dead wrong by ceoyoyo · · Score: 1

      Yes, the transition to CMOS is almost finished for SLRs. An SLR has huge sensor sites compared to a point and shoot though, especially an 8MP point and shoot.

    9. Re:Dead wrong by tjrw · · Score: 1

      Exactly. The trick as I recall is dealing with the noise levels. Canon have been doing this for a long time, so it is amusing to see the "analysts" quote. Not that it surprises me. It seems that very few analysts live up to their name, i.e. actually do analysis.

    10. Re:Dead wrong by TWooster · · Score: 1

      NASA also helped pioneer a very useful method of increasing the detail of an image. This is called "super-resolution" and results from essentially overlaying many different stills of the same scene. Due to small vibrations in the lens, and to the rover, the images taken are always very slightly off from eachother. Once the images are combined, the resultant detail -- hence resolution -- is far better than would be obtainable from a single shot.

      Couple that with # of filters, and you're probably looking at even more than 3.9 effective mega-pixels.

      Google for it, there's some side-by-side comparisons of some rover shots in original and super-resolution form.

    11. Re:Dead wrong by tricorn · · Score: 1

      A pinhole "lens" isn't low resolution, it just doesn't gather very much light. An extremely sensitive terapixel sensor with a pinhole lens would do just fine. It also has an infinite depth of field (if you want to simulate depth of field effect of a lens, you'd need 2 or more pinhole lens/sensors).

  42. Old news? by a_nonamiss · · Score: 1

    I might be jaded, but I worked in digital imaging about 6 years ago, and I remember a big splash hitting when Kodak (I think) announced a 6 megapixel CMOS sensor for digital cameras. At the time, they were touting that the chip was so cheap, we'd be seeing disposable 6MP digital cameras within a year or so. It was hailed as a huge breakthrough. It captured images faster than CCD (meaning faster file times) more accurate colors and it cost pennies to produce. Now, in 2006, I see an announcement that touts a new breakthrough CMOS sensor. It's fast, cheap, better quality...

    I wish I saw some fruits of these grandiose announcements. Seems like PR magic to me.

    --
    -Arthur
    Cave ne ante ullas catapultas ambules
    1. Re:Old news? by Whyzzi · · Score: 1
      Seems like PR magic to me.

      Hurry, everyone buy Micron stock NOW!!!

      --
      "BSD is about people pissing each other.." (Moid Vallat)
  43. CMOS doesn't excel? by Anonymous Coward · · Score: 0

    What sort of crack are you smoking? It must be damn good shyte. Go look at the specs on Canon's professional DSLRs: 16MP CMOS sensors. Then come back and tell us you were mistaken :)

  44. But the optics! by hhr · · Score: 2, Insightful

    Will the crappy optics in cell phone cameras actually be able to do anything with an 8MP picture?

    Sure, you can zoom in more on an 8MP picture. However, when your lens is always out in the open, covered with finger prints, dust, grease, scratched and soo tiny, that extra resolution will just capture noise.

    1. Re:But the optics! by powerlord · · Score: 1
      Try combining the CMOS with this liquid lens that showed up on Slashdot last August.

      http://hardware.slashdot.org/article.pl?sid=05/08/ 17/1428223

      From THAT Fine Article:
      Named Fluidlens, this lens is made of liquid and is no bigger than a contact lens, but can achieve an optical zoom of up to 10 times, matching the zoom capabilities of lenses found on mid-range and high-end digital cameras and superior than most cellphone cameras which use digital zoom that relies on software rather than the lens to zoom in on an object.


      and
      PGS Precision will run field tests over the next 18 months and is currently in talks with cellphone makers. It expects to make 10 million lenses a year after tests are completed.


      That "next 18 months" I assume was counting from Aug 2005 (the date on the article), so figure ~6 months before those go into production (assuming they're still keeping to their time-table). Seems like just about the right time for a device (or several) to hook into a new CMOS imaging sensor that is coming on the market.
      --
      This space for rent. All reasonable inquiries will be entertained at proprietors discretion.
  45. Uhh...? by g0at · · Score: 2, Informative

    Clearly, slashdot editors aren't much into photography. First of all, even a toddler knows that the sensor is worthless (no matter its esoteria or expense) if the lenses in front of it are garbage. Secondly, the idea of CMOS isn't new; Canon has been using them for quite awhile now (e.g. 350D).

    -ben

    1. Re:Uhh...? by Anonymous Coward · · Score: 1, Funny

      It won't be worthless to the providers who get to charge people (by the byte) to download big blurry 8 meg images from their cell phones...
      Who would do such a thing? Why the same consumers who created a multibillion dollar ringtone business!

  46. Re:CMOS? by Myrv · · Score: 3, Informative

    CMOS sensors suffer from "fixed pattern noise" since each pixel has its own amplifier and not all of the amplifiers work at an equal level. This noise can be partially removed in post signal processing (Cannon I believe actually takes images 10 ms apart when you click the button, one lit and one dark and subtracts them, or something like that). CCD sensors suffer from charge migration (or smear) where some of the charge from one pixel can migrate to it's neighbours during the read process.

    CCD sensors have a higher fill factor (close to 100%) and offer greater sensitivity to light (although they can also suffer from over exposure - haloing). CMOS have much lower filling factors since each pixel needs the amplifier and processing circuitry packed in beside it. These lower fill factors are not as much an issue when you have a large sensor as in most SLR cameras.

    CCD sensors tend to be more expensive because they require a unique manufacturing process whereas CMOS sensors can leverage the existing CMOS manufacturing capacity. You can also build logic processing into a CMOS chip (offering higher chip integration) whereas all processing is done offchip for CCD's. And CMOS sensors tend to consume less power.

    Which is better? Darned if I know.

  47. Still won't help me with YouTube ;-) by Anonymous Coward · · Score: 0

    If I upload a 720p video to YouTube it will still be converted into a crappy looking .flv file. Hopefully a higher bandwidth successor to YouTube will fix this someday. Then I can watch sexxiebebe23 the way she was meant to be watched.

  48. 256x Digital Zoom in 23 Years by Doc+Ruby · · Score: 1

    I remember when Steve Ciarcia reported in _Byte_ magazine on a RAM chip, its cover ripped off and replaced with a lens, offering a 256x128pxl (32Kpxl) imaging chip marketed by... Micron Technology.

    --

    --
    make install -not war

  49. Wondering about the noise by Pendersempai · · Score: 1

    A lot of comments seem to make a big deal out of the potential noisiness of the data. But if this thing can take ten snapshots per second, couldn't it take three shots in a third of a second and average the results to reduce noisiness without sacrificing resolution? I don't know much about photography, but it seems like this should be quite effective to me.

    1. Re:Wondering about the noise by BurntNickel · · Score: 1

      A lot of comments seem to make a big deal out of the potential noisiness of the data. But if this thing can take ten snapshots per second, couldn't it take three shots in a third of a second and average the results to reduce noisiness without sacrificing resolution? I don't know much about photography, but it seems like this should be quite effective to me.

      This will improve the noise level but will also result in signifigant bluring in the resulting picture if anything is moving during the exposure.

      --
      And the knowledge that they fear is a weapon to be used against them...
    2. Re:Wondering about the noise by Carnildo · · Score: 1

      But if this thing can take ten snapshots per second, couldn't it take three shots in a third of a second and average the results to reduce noisiness without sacrificing resolution? I don't know much about photography, but it seems like this should be quite effective to me.

      If you're shooting a static scene from a tripod, sure. Astronomers do it all the time. But just *try* holding a digital camera perfectly steady for a third of a second, or taking a picture of a flag blowing in the wind.

      --
      "They redundantly repeated themselves over and over again incessantly without end ad infinitum" -- ibid.
    3. Re:Wondering about the noise by Anonymous Coward · · Score: 0

      No. Most of the noise is not noise in the sense of random differences from shot to shot. The "noise" is consistent, sometimes called "dark current". Photographers making long exposures can take advantage of this consistency by taking the intended exposure and subtracting out a second "dark frame" of the same duration. Since the noise component is the same in both images, subtracting the dark frame from the long exposure leaves only the intended exposure.

  50. Re:That MSBC news story misses the important featu by Inebrius · · Score: 1

    Funny, I was looking at webcams today, and find it annoying that they all have nearly the same specs for video. The same thing goes for digital cameras.

    This will be a selling point for video, even if it is not top quality for still images.

  51. this is good news... by Connie_Lingus · · Score: 1

    ...most the women I know like 8 a lot more than 4-6...

    --
    never bring a twinkie to a food fight.
    1. Re:this is good news... by karnal · · Score: 1

      ...most the women I know like 8 a lot more than 4-6...

      Let me guess, a lot of women you know don't like you?

      --
      Karnal
  52. What's the point? by gilesjuk · · Score: 1

    What use will an 8 megapixel sensor be when half of the pixels will be noise?

    If you know anything about digital sensors then noise at high ISO is a serious issue when using small sensors. Also the optics are important.

    I don't see the point of blurry, noisy 8MP images.

  53. Canon CMOS sensors are world leaders by gilesjuk · · Score: 1

    Canon have improved CMOS dramatically, noise was a problem with CMOS and their sensors are better than CCD for noise now.

  54. Which CMOS technology are they using? by Moekandu · · Score: 1
    I just gotta wonder whether or not Micron is licensing the CMOS technology from http://foveon.com/. Granted, Foveon is marketing toward the high-end market, but it wouldn't suprise me if Micron is licensed the IP for the low-end.

    I've gotta friend that has the Sigma SD10 (a DLSR) that uses the X3 chip. He giggles like a school girl when he talks about it. It's kind of disturbing. Of course, the pics he takes with it are phenomenal.

    --
    Mediocrity knows nothing higher than itself; but talent instantly recognizes genius. -- Sir Arthur Conan Doyle
    1. Re:Which CMOS technology are they using? by Anonymous Coward · · Score: 0

      I just gotta wonder whether or not Micron is licensing the CMOS technology from http://foveon.com/.

      Nope, MU has been developing CMOS image sensors for years. It's an in-house product. I know because the firmware programmers are right around the corner from my office.

  55. Sensors? Pfft... by Locus+Mote · · Score: 5, Interesting

    In terms of high-end photography, there are several requirements which rate MUCH higher than simple FPS:

    Input Dynamic Range. This is the range of light values in a scene which the sensor "sees" and is able to record. In order to understand this, think of light at dusk reflecting off wet pavement in the distance. The super bright orange glare hitting your eyes is extremely high intensity light, while the shadowed sides of houses and trees and things are low intensity light. Both of these elements have detail that can be recorded. With a low dynamic range, one or the other can be exposed properly. With a high dynamic range it is possible to capture the detail in very dark shadows and very bright highlights without clipping. (Clipping is truncation to flat black or white pixels with no detail). Chemical film, especially positive film (slide film), has a dynamic range which obliterates the best digital sensors.

    Falloff. This is the ability to clip gracefully. When using any type of transducer, whether it's a microphone, a square of film or a digital sensor, there is a response curve which maps values input values (light/sound) into recordable output values. In the age of analog (vacuum tubes, vinyl records and chemical film) the response curves were all based on Calculus. They literally rolled off (logarithmic) at the ends. This meant that as the microphone, vacuum tube or film overloaded, it did so gracefully with a smooth transition to clipping. In the digital world, our chips are "dumb". They can only do algebra, not calculus. Their falloff is linear. 8-bit = 256 values, 16-bit = 65536 values, etc. Anything above or below this is immediately clipped to white or black, on or off. The digital world is flat, if your input source is flat, you sail right off the edge into infinity.

    Single Pixel Resolution. 99.99% of digital camera sensors use a single layer of matrixed sensors (Bayer array). These sensors are located in gangs of three, similarly to the pixels on an old CRT television. The problem is that each sensor can only see red, green or blue. There is a lot of jibber-jabber that I could go on with, but essentially, bayer sensors really only see 1/3 of the picture information their lenses dump on them. Chemical film is stacked in layers, thus each pixel location "sees" all three RGB. Currently only the Foveon X3 sensor in Sigma digital cameras is capable resolving all the information in each color channel at each individual pixel location.

    Now, even if this new Matrix chip performs at even the sub-par level of today's CCD camera sensors, simply buying a camera with one in it does not by any means guarantee quality photography. Back when the sensor (film!) was interchangable from camera to camera, there was still intense competition between camera and lens manufacturers. This is because the sensor can only "see" the image that the lens and camera body deliver to it. The most important factor is the lens! Imagine rubbing vaseline on your glasses and walking around like that all day. This is life with a cheap camera lens. There's a reason why most professional lenses, without a camera body, cost betweed two and ten times as much as an entire point and shoot camera. If a lens is a valve for light, then a professional lens is like a firehose, a prosumer is like a garden hose, a point and shoot is a drinking straw and a cameraphone is a hypodermic needle.

    --

    That's my 2(6.022*10^23) cents worth.

  56. Quoted for Truth by Anonymous Coward · · Score: 0

    I recently bought an olympus 720sw point and shoot (7.1 megapixels) and it doesn't take nearly as good of photos as my canon G3 (4-5 megapixels).

    It does however remain waterproof up to 3 meters which is nice if you like to snorkel.

  57. cmos used in disposable toy cameras by peter303 · · Score: 1

    CMOS camera sensors are really cheap because they use coventional silicon chip manufacturing technology. They've been used in low end camera devices for years.

    1. Re:cmos used in disposable toy cameras by Anonymous Coward · · Score: 0

      CMOS camera sensors are really cheap because they use coventional silicon chip manufacturing technology. They've been used in low end camera devices for years.

      They've also been used in professional digital SLRs for years, what's your point?

  58. Moron by Anonymous Coward · · Score: 0

    The original poster is a moron. CMOS has been used in cell phones and security cameras for years. Canon's high end DSLRs have been using them for nearly as long. This is not some new fangled imaging technology. Please stop sensationalizing stories.

  59. That's why professional reviews are the key by porky_pig_jr · · Score: 1

    for choosing the camera. Like those in dpreview. Many instances of gorgeous-looking cameras with great specs, and then review finds so many glitches it ends up being the 'average' or 'above average'. With a noise as one of key factors.

  60. Too much animated media? by powerlord · · Score: 1
    Uh, my pupils are usually larger than 1.5 mm in diameter. Maybe you meant 15 mm (1.5 cm)? That seems a bit large, except maybe in very dark conditions.


    You wouldn't happen to be an Anime character would you? :)
    --
    This space for rent. All reasonable inquiries will be entertained at proprietors discretion.
    1. Re:Too much animated media? by mph · · Score: 1
      You wouldn't happen to be an Anime character would you? :)
      No--I'm a squid, you insensitive clod!
    2. Re:Too much animated media? by powerlord · · Score: 1
      You wouldn't happen to be an Anime character would you? :)

      No--I'm a squid, you insensitive clod!


      My apologies to you my fine cephelopod but ... [looks closer] ... tenticles ... big eyes ... [shrugs] ... If you say so ... :)
      --
      This space for rent. All reasonable inquiries will be entertained at proprietors discretion.
  61. Light matters more by erice · · Score: 1

    Size matters when it comes to sensors

    I'm not convinced that it does. What matters is light. Less light on a pixel means more noise. Small sensors are usually paired with small aperature lenses.
    They don't have to be. As long as each pixel of the sensor gets the same amount of light, it shouldn't matter how big the pixel is.

    Do you know of another mechanism that would cause small sensors to be noisier?

  62. how did this get modded insightful? by Anonymous Coward · · Score: 0

    all modern point and shoot cameras have excellant spot focusing ability. it's quite trivial to do/implement. it's when the camera is set to multi point focus, or the user doesn't know how to properly focus a camera that you get blurry images. that, or shutter speed has been set too slow and blurriness is from hand shake.

    i would say look to the user for the error. yes, point and shoot cameras are made for dumb users, but there are always dumber users than you think.

  63. Re:That MSBC news story misses the important featu by Surt · · Score: 1

    The problem is that the same people make cameras in both markets, and are terrified of the day when you won't have to buy two devices from them. But inevitably, that day is coming.

    --
    "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
  64. cmos? by Anonymous Coward · · Score: 0

    zomagawd!!!! what will we do with this new amazeing thing!!!

  65. CMOS quality is nearly the same now by rebelcool · · Score: 1

    These days CMOS sensors have made great strides in quality due to 2 things: microlenses, and on-chip noise reduction.

    CMOS sensors used to be pretty crude because the photon-buckets were small and far apart because the chip circuitry had to be placed between pixels. Small buckets made for lots of noise and poor sensitivity. Microlenses solved sensitivity issues by allowing focusing light from a wider area onto the bucket, and on-chip noise reduction removes much of the noise at the chip level. CMOS was once promised to be cheap and plentiful because it was based on existing microchip manufacturing technology - but the need to add things like microlenses has made the manufacturing nearly as expensive as CCD.

    CCD is more common in very high end applications like astronomy and medium format digital. The quality argument is alot like those arguments between audiophiles - very few people can tell the difference and it has more to do with the after-capture processing rather than what type of chip captured the image.

    Indeed nowadays the decision to use CCD or CMOS is more electrical design than anything. What works best with a company's existing product facilities and what previous components in stock they can re-use...

    --

    -

  66. One small step for optics.. by ak-74 · · Score: 1, Funny

    ..one giant step for pornography.

  67. 8 Million pixels, and not one of them... by CokeJunky · · Score: 2, Insightful

    worth looking at.

    The problem with most low-end cameras and especially cell-phone cameras lies in the lens, not the sensor. Simply put, a small lens tends to have more distortion, and can't gather as much light to see in the dark well. Add that on to a light weight camera that is difficult to hold still, and you are garenteed that half your pictures will be blurry and dark.

    It's not that I have anything against it, but it looks like a product targeted at being able to sell a 8Mega pixel camera for $300 that people will compare with the $800-3000 offerings in the same pixel range and think they are getting a good deal, but really they will not get something worth having. For that matter, they would be better buying a $50 PHD camera (my mother-in-law who has a PHD in engineering calls them that for 'Push Here Dummy'), and spending the money saved on film and processing -- You will still have a crappy lens, but you will probably get better pictures.

    --
    More Caffeine. NOW
  68. over a dozen filters.... by Cryptnotic · · Score: 2, Interesting

    Actually, the Mars rover camera used a filter wheel with over a dozen filters (not just red, green, blue, but different shades and ultraviolet and infrared, if I recall correctly). They would take one image at each camera position with each filter, then those would be composited back on Earth. Then the camera was repositioned for the next position and the sequence was repeated. The resulting set of images were stiched together into large panoramas.

    --
    My other first post is car post.
    1. Re:over a dozen filters.... by Rxke · · Score: 1

      why do you talk as if the rovers are a thing from the past? They're both still functioning, sending pictures on a daily basis, see for example the latest great composite shots of Burns Cliff, generated out of separate pictures, on the fly on your own machine in the great browser: http://midnightmarsbrowser.blogspot.com/

  69. Tell that to EOS-1D Mark II owners by jgoemat · · Score: 1

    One of the best rated and best image producting cameras uses CMOS. I believe CMOS are actually less sensitive to heat fluctuations than CCD and they use less power, not more. CMOS in general provides lower picture quality generally because each pixel has its own circuitry whereas they all pass through the same in a CCD, so the CCD can be more uniform. However, while CCD manufacturers have been working on power use, CMOS manufacturers have been working on image quality.

  70. I want a BIG sensor by billcopc · · Score: 1

    Okay, this is neat, big resolution in a small package, though the image quality must suck as these small circuits are more susceptible to noise. I'm sure the engineers have done their best to minimize interference artifacts but it's still pushing the limits. What I'd REALLY like to see is this type of miniaturization applied to a big sensor, so that we could attain very high pixel counts. An 8.0 mpix mini camera is cute, but a 50 mpix SLR would make me drool at 8000x6000. We'd finally beat film quality and tap into a whole wealth of new photo-editing possibilities.

    --
    -Billco, Fnarg.com
    1. Re:I want a BIG sensor by Locus+Mote · · Score: 1

      Lowering the noise-floor is one of my highest priorities for sensors, too. There are ways of doing this other than increasing the resolution. I can't even imagine trying to edit a 50 megapixel camera RAW file... your machine would get sooooo sloooowwwww....

      However, low noise and high resolution aren't the only hurdles required for digital to surpass the quality of film. You could have a black and white security camera with ultra-high resolution and very low noise, it wouldn't do you much good. It also calls for a high dynamic range, which film currently has in spades over digital. A logarithmic response curve, like film, would allow digital to finally handle clipping gracefully. And while we're at it why not toss out the single layer bayer mosaic sensor in favor of a layered system like Foveon's?

      I can't wait for digital to surpass film. Unfortunately, we have a ways to go.

      Read more, here: http://slashdot.org/comments.pl?sid=186114&cid=153 60697/.

  71. Errr... by DaFrog · · Score: 1

    Did they copy the Canon APS-C 8.2 megapixels CMOS sensor?

  72. Re:Better not tell Canon CCD CMOS by Anonymous Coward · · Score: 0

    They've only dominated the market using those "much poorer quality" CMOS devices. 30D 60D 10D 300D 350XT 20D 30D....the entire line of digital SLRs.

    Any new sensor claiming high resolution and frame rate should be suspect until proven, esp if it's aimed at $300 price points.

  73. Mars is damn cold by r00t · · Score: 1

    Sensor noise is related to heat.

    To fix this for Earth cameras:

    a. add a Peltzier cooler
    b. add big thick black copper cooling vanes
    c. put a reflective cover over the camera to stop the sun (leave holes so hot air can rise)

    1. Re:Mars is damn cold by ChrisMaple · · Score: 1

      d. Use a big lens so that the S of S/N is improved.

      --
      Contribute to civilization: ari.aynrand.org/donate
    2. Re:Mars is damn cold by zippthorne · · Score: 1

      Won't solve the dark count problem, since the noise will come from the lens itself as well as baffles, and the surroundings. Increasing the lens just increases the N, so your S/N doesn't get any better. (really a problem if you're trying to do infrared photography)

      --
      Can you be Even More Awesome?!
  74. both suck by r00t · · Score: 1

    Both viewfinders you describe are stupidly failing to take advantage of the digital sensor.

    The dSLR is a bad joke.

    You can't see exactly what you will photograph. You get 95% usually. You're not seeing via the sensor, but via a complex set of mobile mirrors and/or prisms. That crazy contraption will never be perfectly aligned because it has to move.

    Now, take the picture. Whee. You can't, until the silly viewfinder contraption moves out of the way. That's lag. You also get vibration.

    The contraption is one more mechanical part to fail. You probably also have a physical shutter to break.

    Because of the mirror, the lens-to-sensor distance can not be small. This makes wide-angle lenses expensive and shitty. (more distortion, more abherrations, etc.)

    Better would be to just use the display. Not a good display? Battery life? Put the money and weight of the crazy mirror contraption toward the display and battery. Problem solved.

    Bonuses: video operation and web cam operation.

    1. Re:both suck by ipfwadm · · Score: 1

      Sounds like you've never actually used a dSLR.

      You can't see exactly what you will photograph. You get 95% usually.

      Who cares? The outside 5% is irrelevant anyway. If you're framing a print, that 5% will be covered by the frame or mat. And it's still much better than parallax error, which is what you get if you use some P&S cameras without using the LCD. My dad has a whole card full of pictures of halves of flowers because of this. Oh and this 95% bit is not new to digital SLRs, film SLRs had the same thing.

      Now, take the picture. Whee. You can't, until the silly viewfinder contraption moves out of the way. That's lag.

      If the lag on dSLRs was as much as a P&S, you'd have a point. Even in absolute terms the lag is minimal, and not really noticeable. Specs on the Canon 30D claim 65 milliseconds when prefocused. This is about half of the average human's reaction time. And again, not new to dSLRs.

      You also get vibration.

      Which is utterly irrelevant at most "typical" shutter speeds, i.e. those faster than 1/50 of a second or so. It is also irrelevant at speeds longer than 1 second. For those in-between speeds, mirror lock-up is available. One more that's not new to dSLRs.

      Because of the mirror, the lens-to-sensor distance can not be small. This makes wide-angle lenses expensive and shitty. (more distortion, more abherrations, etc.)

      Hmm, more crap. While Canon's 10-22mm (16-35mm 35mm equiv) may be expensive, that has nothing to do with the lens-to-sensor distance. Compare it to the 16-35mm and it's downright cheap. Though that's not entirely fair since the 16-35 is a constant f/2.8. The 10-22 is just about identical in price with the 17-40 though. And as for being "shitty", the 10-22 is widely considered to be very non-shitty.

      Oh and if you have a full-frame dSLR, you can use the non-shitty 16-35 or 17-40 just as you would on a 35mm camera.

      I don't disagree with you that an electronic shutter would be better (less mechanical parts, faster flash sync speed, etc). I do disagree that an electronic viewfinder would be better. EVFs will have to get much better than they are before they will be capable of useful manual focusing. The LCD screens can be very difficult to see in bright light. There is currently some small amount of lag between moving the camera and the view updating. Etc.

  75. Since when... by Khyber · · Score: 1

    is 10fps considered high-quality digital video??

    --
    Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
  76. film specs are misleading, like printer specs by r00t · · Score: 1
    Digital cameras are comparable to computer monitors. Each pixel can take on many values.

    Photo film is like a printer. Each dot (film grain or ink droplet) can take on only two values.

    The way film works is that a grain changes when it collects several photons in quick succession. The change is sudden and complete. So-called "analog" film is rather binary. A single 8-bit or 12-bit pixel is worth very many 1-bit film grains if you want decent color.

  77. SLR fast? No way! by r00t · · Score: 1

    An SLR can't take a picture until a crazy mirror contraption gets yanked out of the way. This is lag. It also contributes to vibration.

    Some very expensive models can do mirror lock up, but then you can't see through the lens anymore. In other words, you unSLRed the camera, turning it into a P+S w/o a viewfinder.

    1. Re:SLR fast? No way! by nuggz · · Score: 1

      It takes very little time for the mirror to flip out of the way.
      If you're concerned about the vibration from the mirror you should be using a tripod and then mirror prefire is an option.

  78. something moving in low light by r00t · · Score: 1

    Grrr. That's all I want. I'm pissed that my expensive dSLR can't do it. WTF? I got the biggest sensor I could afford. (largest of the APS-C ones) I even got physical (not software) image stabilization.

    I hate flash photos. I suppose a set of remotely operated flashes could work great, but let's not go there. The sliver of shadow on one side (usually right or bottom) is nasty. The light fall-off with distance is nasty. The reflections are nasty. The red-eye is nasty. The light fall-off with angle is nasty.

    I just want to take a zoomed-in photo of an active baby 20 feet (6 m) away in a room lit by a plain ordinary bulb. Why is this too much to ask? My eyes are over 30 years old, and I can see the baby just fine.

    1. Re:something moving in low light by cens0r · · Score: 1

      What kind of lens are you using? The kit lenses that come with the DSLRs are rarely fast enough. They're usually around F4 or F5.6. In low light you can't use a really fast shutter.

      Depending on you make of DSLR you should buy a low light portrait lens. Since I have a Pentax, I was able to find a used lens that is compatible. For under $80 I got a F1.7 50mm. For just a little more I could have gotten a F1.4 or F1.2.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    2. Re:something moving in low light by mttlg · · Score: 1

      Grrr. That's all I want. I'm pissed that my expensive dSLR can't do it. WTF? I got the biggest sensor I could afford. (largest of the APS-C ones) I even got physical (not software) image stabilization.

      I have a feeling that the camera can do it, but you don't know how to do it. First of all, while IS helps when shooting handheld at low shutter speeds, it won't stop motion. If you're trying to get good handheld low light pictures, you'll need to start with a fast prime (f2.0 or better). A fast zoom (f2.8) may work in well-lit indoor environments. Next, you'll need to boost the ISO to at least 800. Without knowing what camera you have, I can't tell you how high you can go before noise becomes overwhelming. Canon's DSLRs give decent results at ISO 1600, Nikons are a little bit behind, and I don't know where the other brands stand. This should be enough to get you at least a 1/60s exposure in decent indoor lighting.

      I hate flash photos. I suppose a set of remotely operated flashes could work great, but let's not go there. The sliver of shadow on one side (usually right or bottom) is nasty. The light fall-off with distance is nasty. The reflections are nasty. The red-eye is nasty. The light fall-off with angle is nasty.

      You can't change the laws of physics, but you can get rid of the shadows by diffusing the flash. Something like a Lightsphere or a Sto-fen Omnibounce should do the trick. Even without a diffuser, you shouldn't be getting much redeye except at large distances (and even then it can be corrected in software). How far away is your subject and what flash are you using?

      I just want to take a zoomed-in photo of an active baby 20 feet (6 m) away in a room lit by a plain ordinary bulb. Why is this too much to ask? My eyes are over 30 years old, and I can see the baby just fine.

      I'm sure your camera can see the baby just fine too, but your eyes aren't trying to freeze motion (and they aren't zooming in on your subject, further reducing the amount of light to work with). You'll probably want a lens equivalent to Canon's 85mm f1.8 or 135mm f2L.

  79. Size Does matter... by bwcbwc · · Score: 1

    Well the interference doesn't depend so much on the size of the photo-receptor as the spacing between them. The smaller the spacing/insulation, the greater the leakage. Leakage also makes things run hotter (like 90nm Pentiums), which increases thermal noise (electrical "sparks" due to random electron jumps into conductivity and back down again). Leakage also increases with the intensity of the light hitting a sensor. This means that sensors separated by a smaller gap are more vulnerable to "blooming" where a light source blots out the surrounding pixels because the current from the pixels that are actually hit by the light leaks into the adjacent ones.

    CMOS has traditionally been considered noisier than CCD, but when the pixels get this small and this close together that distinction is less important.

    --
    We are the 198 proof..
  80. Chromatic abberation by pedestrian+crossing · · Score: 1

    I may experiment with my Nikon D50 and see what happens with clear plastic blocking the lense (not sure if this even relates).

    It doesn't. The difference between plastic and glass won't show up if you just use a flat sheet, because the light isn't being refracted (bent) by the flat sheet.

    Chromatic abberation shows up when a lens bends different wavelengths by different amounts, resulting in a band of color along the edge of bright objects.

    This is easy to see if you compare a cheap zoom lens with a big zoom range (ie., 50-300mm) with an expensive fixed focal length lens on a brightly-lit scene with white areas.

    --
    A house divided against itself cannot stand.
  81. Can it see in the infra-red range by Proud_to_be_Pinoy · · Score: 1


    and will the cameras have a toggle for the infra-red filter? everyone already has a megapixel camera, what we need are the "look thru the blouse and pants" x-ray viewer thingies

    --
    no sig = no personality(?)
  82. Canon have used 8Megapixel CMOS sensors for years by bWareiWare.co.uk · · Score: 1

    The Canon Digital SLR cameras (Digital Rebel) have been using CMOS sensors for years. The low-end (for SLR) 350D (Rebel XT) hit 8 megapixels over a year ago.

    I accept these are good sensors and it is nice they are going to be put in cheaper cameras (thought at this level it usually is the lens not the sensor that matters), but this is hardly news.

  83. no, I do have a dSLR by r00t · · Score: 1

    I bought a Maxxum 5D because I wanted a decently big sensor, and nobody will sell me a sanely designed camera with a big sensor.

    Film SLRs can be excused many flaws because film isn't reusable or immediately displayable. Digital has no such excuse.

    I don't think I've ever used any setting faster than 1/40 of a second, never mind 1/50 of a second. Typical is 1/10 to 1/30. I've gone as low as 1/4, which takes some steady hands despite the stabilized CCD. BTW, that 1/4 was with f/5.6 and ISO800 at 70.0mm (35mm equivalent: 105mm).

    (Which reminds me: this century-old analog terminology is insane. Really, mm instead of FOV degrees?)

    Mirror lock-up is how you turn a dSLR into a P+S w/o a viewfinder. :-) It's only available on the dSLRs that manage to make mine look cheap; mine can do so in a cleaning mode so clearly there isn't a physical difference that justifies the extra cost. Grrr... reminds me of SCSI.

    Wide angle lenses have been made as low as 6mm. I don't think you'll see that in an SLR.

  84. no flash by r00t · · Score: 1

    I have a Konika-Minolta Maxxum 5D with the 18-70mm kit lens. I hesitate to be changing lenses since that would introduce dust. (the downside of digital: no film advance to get rid of the dust) Messing with the camera is also a good way to lose the opportunity to take the picture.

    As I said, I hate flash photos. I never use the flash. The whole point of buying a camera with a big sensor was to get decent low-light performance so I wouldn't depend on a flash.

    In addition to all the image-related problems I mentioned, flashes greatly annoy the subject and ruin the mood.

    I usually use ISO800 and f/5.6 at 70mm (105mm equivalent). At ISO1600 the noise starts to get annoying. That leaves shutter speed to play with; 1/12 to 1/25 second is fairly normal for me. I've gone as long as 1/4 second, hand-held, which made a nice picture of a 6-year-old who sat very still.

    1. Re:no flash by mttlg · · Score: 1

      I have a Konika-Minolta Maxxum 5D with the 18-70mm kit lens.

      In general, kit lens = low cost, low performance. Kit lenses may produce good results in favorable conditions, but they tend to be poor in low light.

      I hesitate to be changing lenses since that would introduce dust. (the downside of digital: no film advance to get rid of the dust)

      The dust issue isn't as bad as some people make it sound. Unless you frequently change lenses in extreme conditions or frequently use small apertures (around f/22 or so), basic routine maintenance will keep most dust under control.

      Messing with the camera is also a good way to lose the opportunity to take the picture.

      Without the right equipment, you risk not being able to get the picture at all. If you select the equipment you need beforehand and make changes as the situation changes, this shouldn't be a problem.

      As I said, I hate flash photos. I never use the flash. The whole point of buying a camera with a big sensor was to get decent low-light performance so I wouldn't depend on a flash.

      I think you misunderstand what the larger sensor does for you. With a larger sensor, you can expect to get an additional two to three stops of useable ISO. This allows you to get pictures of moving subjects in low light when used with the proper lenses. If anyone told you that you could use the kit lens at full telephoto in low light, you were lied to.

      In addition to all the image-related problems I mentioned, flashes greatly annoy the subject and ruin the mood.

      In extreme conditions, flash is your only option. The autofocus illuminator on a decent flash will also greatly improve focusing in low light. If you automatically dismiss a tool, you'll miss out on opportunities.

      I usually use ISO800 and f/5.6 at 70mm (105mm equivalent).

      f/5.6 won't cut it for low light; f/2.8 is even debatable. Based on the shutter speeds you're getting, it looks like you need another two or three stops, which would mean f/2.0-2.8. It doesn't look like there are many fast primes for the Minolta mount; either the KM 50mm f/1.4 or 85mm f/1.4 might work for you, but the 85mm is a bit expensive and availability of both appears to be very limited. A fast zoom might be easier to get; Tamron makes a 28-75mm f/2.8 that gets fairly good reviews, a 28-105mm f/2.8, and has a 17-50mm f/2.8 due out soon. KM also has a 28-75mm f/2.8. Sigma also makes a 70-200mm f/2.8 lens for the Minolta mount, so that might be a better option if you could use some extra reach. You might want to check out the DPReview Konica Minolta SLR Forum for more information.