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RIAA Sues Stroke Victim in Michigan

NewYorkCountryLawyer writes "The RIAA has now brought suit against a stroke victim in Michigan in Warner v. Paladuk. The defendant John Paladuk was living in Florida at the time of the alleged copyright infringement, and had notified the RIAA that he had not engaged in any copyright infringement. Despite the fact that Mr. Paladuk suffered a stroke last year (pdf), rendering him disabled, the RIAA commenced suit against him on February 27, 2007. Suing the disabled is not new to the RIAA. Both Atlantic v. Andersen in Oregon and Elektra v. Schwartz in New York were suits brought against disabled people who have never engaged in file sharing, and whose sole income is Social Security Disability. Both of these cases are still pending. The local Michigan lawyer being used by the RIAA in the Paladuk case is the same lawyer who was accused by a 15 year old girl of telling her what to say at her deposition in Motown v. Nelson. In the Warner v. Scantlebury case, after the defendant died during the lawsuit, the same lawyer indicated to the court that he was going to give the family '60 days to grieve' before he would start deposing the late Mr. Scantlebury's children."

328 comments

  1. Someday... by __aaclcg7560 · · Score: 0, Redundant

    The RIAA is going to run out of people to sue and then they will have sue themselves.

    1. Re:Someday... by SRA8 · · Score: 5, Insightful

      Frankly, we have no one to blame but ourselves. We continue to purchased $21 CDs with two good tracks because we dont have the principles to really boycott the industry.

    2. Re:Someday... by sumdumass · · Score: 4, Insightful

      At this point, I doubt it would matter. If we stopped buying the cds they would claim it as proof of pirating.

      RIAA is a fanaticle group. Any traditional tactic that could be used to display displeasure of something is only fuel to their cause. It is past the point were a boycot could work. It is past the point were you or i could make a difference. And that is because we could never make a difference. RIAA is the sole reaction to the market trying to prove a point.

      What RIAA is doing right now is covering for lack of sale and bad business decisions. They are giving the recording industry excuses for artist not making the money they deserve and they are giving excuses to share holders for producing run of the mill stuff and passing it off as something it isn't. The more RIAA sues, the more smoke covers how the artis is being treated and paid.

    3. Re:Someday... by cheater512 · · Score: 1

      Um...I dont know about you but I stopped even thinking about buying their crap years ago.

    4. Re:Someday... by ozzee · · Score: 1

      My standard response is - I have. I only buy from non RIAA affiliated artists.

      I especially like candyrat. These artists are truly amazing.

    5. Re:Someday... by oGMo · · Score: 1

      Depends. Last CD I bought was Conjure One... I'm not sure if the label is RIAA or not, but I don't think there is a bad track on the CD.

      Personally I think it's just a matter of time before someone goes "oh" and finds a business model that takes root and will really start to kill the traditional record companies off. I mean, what do you need, really? These days you can put together your own studio for under $10k. Indie artists can really be indie; buy your gear for a few grand out of pocket (or get a loan... that's all you get from the labels anyway)... sell on the internet... all people really need is cataloging and publicity. Even that probably exists, and is waiting to take off.

      --

      Don't think of it as a flame---it's more like an argument that does 3d6 fire damage

    6. Re:Someday... by KDR_11k · · Score: 5, Interesting

      At this point, I doubt it would matter. If we stopped buying the cds they would claim it as proof of pirating.

      Then let them. Claims don't keep their business afloat, money does. They can't make you buy CDs, they can only stop illegal copying. If all this anti-piracy crap doesn't increase their sales numbers they'll run out of options sooner or later.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    7. Re:Someday... by Magee_MC · · Score: 1

      If a boycott of the industry took place, and led to steep declines in the record sales of RIAA members, the RIAA would just present that as evidence of rampant piracy spiraling out of control and demand more draconian laws to protect their revenue streams.

      Reality and truth don't matter to them.

    8. Re:Someday... by fonik · · Score: 2, Insightful

      I like http://www.metropolis-records.com/

      I know about RIAA Radar, the site that lists music that IS RIAA owned, but is there a site that reviews music that ISN'T owned by them? I'm an Industrial/DnB fan and I'd like to not give money to people who sue children and the disabled.

    9. Re:Someday... by SkyDude · · Score: 2, Insightful

      At this point, I doubt it would matter. If we stopped buying the cds they would claim it as proof of pirating.

      They could try, but when the artists they claim to be protecting start to scream for the heads of the lawyers, things would change.

      It would only take a 20 - 30% drop in a short period to get their attention. The trick is getting the boycott organized and getting publicity.

      --
      == First cross river, then insult alligator.
    10. Re:Someday... by NewYorkCountryLawyer · · Score: 2, Informative
      RIAA Radar lists non-RIAA music, not RIAA music.

      I've been collecting a list of links I call Liberated Music.

      --
      Ray Beckerman +5 Insightful
    11. Re:Someday... by Gryle · · Score: 2, Informative

      Try Jamendo. All music on the site is entirely free to listen to and download.

      --
      Only two things are infinite, the universe and human stupidity, and I'm not entirely sure about the universe - Einstein
    12. Re:Someday... by Anonymous Coward · · Score: 1, Insightful

      someday...
      someone with nothing to lose will stroll into the RIAA headquarters strapped with explosives. Who will be the first martyr?

    13. Re:Someday... by Anonymous Coward · · Score: 0

      As far as the numbers go, the anti-piracy movement has only decreased the sales of Music from what i've heard. Not too smart really. They're loosing money and dumping more into outhouse as well. All of this suing crap is funny.. cannot get blood from a turnip. Do they think music pirates are rich or something. RIAA is CHUD.

    14. Re:Someday... by Almost-Retired · · Score: 1

      Not bad if one is a guitar afficionado. There are some nice licks. But it appears that jazz/balladier is about all they have, and my tastes run toward a different stream.

      --
      Cheer, Gene

    15. Re:Someday... by NewYorkCountryLawyer · · Score: 1

      Thanks for the information. I've added Jamendo.com to my list of links to non-RIAA music, "Liberated Music".

      --
      Ray Beckerman +5 Insightful
    16. Re:Someday... by Khaed · · Score: 1

      We? Who is this "we"? I've never bought a $21 CD. You must be shopping at a music store. Don't do that.

      The last CD I bought was around $16, and I liked all the tracks. I don't buy crappy books, crappy games, or crappy movies. I'm not going to buy crappy music. I don't listen to the radio often, either.

      If a CD just had two good tracks on it, then those two tracks probably aren't really that good, either. They're just getting radio play and stuck in your head.

    17. Re:Someday... by Xenographic · · Score: 1

      > They could try, but when the artists they claim to be protecting start to scream for the heads of the lawyers, things would change.

      As I understand it, they screw the artists at least as much as the public. The artists make the bulk of their money on touring and get almost nothing unless they have some really high sales. About the only thing that's worse is Hollywood's accounting for movies (net points are worth exactly $0, even for highly profitable movies, I've yet to hear of a case where they were worth *anything*, gross points, however, have actual value, but ask Peter Jackson how they work...)

      If it's any consolation, I don't buy any of their crap.

  2. And of course by Timesprout · · Score: 4, Insightful

    We all know the ill and disable are pure of heart, love their moms and are made of kitten whiskers. Slashdot is getting seriously pathetic trotting out extremist nonsense like this.

    --
    Do not try to read the dupe, thats impossible. Instead, only try to realize the truth
    What truth?
    There is no dupe
    1. Re:And of course by Timesprout · · Score: 0, Troll

      Since I have been modded flamebait I will just say that next time I find some GPL code worth using I will take it and tell Mr Stallman I had the flu when I did it all everything will be cool.

      --
      Do not try to read the dupe, thats impossible. Instead, only try to realize the truth
      What truth?
      There is no dupe
    2. Re:And of course by Anonymous Coward · · Score: 0

      I think the point is that considering how many people pirate stuff off the internet, going for children, dead people, and disabled people, is pretty damn low.

    3. Re:And of course by tsa · · Score: 3, Insightful

      Who modded this flamebait? Disabled people can be criminals too you know.

      --

      -- Cheers!

    4. Re:And of course by sumdumass · · Score: 2, Insightful

      This isn't the first time Slashdot has been a tool to rally the rightous. It won't be the last. Let the kids have their fun...

      And yes, Disabled people could do thing wrong. The objection is that they are on limited income and probably don't have the ability to defend themselves or pay the settlment. Also, people with disabilities are often seen as needing special exceptions. So take it for what it is worth. It does show how low RIAA will go but then again it reflects more on what society values or more likely, how society values the crap RIAA is producing. It is worth having it is it free but not worth it if you have to pay!

    5. Re:And of course by rolfwind · · Score: 1

      Criminal? You know what, if the guy is alleged to commit murder before his stroke, I wouldn't be so willing to give him a free pass.

      But considering this isn't a criminal trial, and considering the charges, I am more than willing to give him a free pass. Maybe I'm a bleeding heart.

    6. Re:And of course by iminplaya · · Score: 1

      It is worth having it is it free but not worth it if you have to pay!

      That's how the junk collector makes his money :-)

      --
      What?
    7. Re:And of course by Tama00 · · Score: 1

      Why do people in America sue for profit?

    8. Re:And of course by Yetihehe · · Score: 1

      Erm, because it gives profit?

      --
      Extreme Programming - Redundant Array of Inexpensive Developers
    9. Re:And of course by Spock+the+Baptist · · Score: 1

      It's far worse than low...

      It's imbecilic.

      STB

      --
      "Oh drat these computers, they're so naughty and so complex, I could pinch them." --Marvin the Martian
    10. Re:And of course by tsa · · Score: 2, Insightful

      The guy being disabled should make no difference whatsoever to the case. It just has nothing to do with it. The fact that he is disabled should not make a difference in the outcome of the trial. And BTW, I agree with you that the RIAA are moronic retarded greedy bastards etc. I wonder if they have to pay the legal costs of the defendants when they lose cases like this.

      --

      -- Cheers!

    11. Re:And of course by Anonymous Coward · · Score: 1, Insightful

      why?
      you think we should discriminate so that disabled people are presumed mroe innocent than fit people?
      what horsehit.
      this is typical slashdot bollocks to justify whining about the RIAA, and defending copyright theft again. frankly its pathetic.

    12. Re:And of course by TheVelvetFlamebait · · Score: 1

      Slashdot is getting seriously pathetic trotting out extremist nonsense like this.
      Well at least you admit it...
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    13. Re:And of course by Anonymous Coward · · Score: 1, Insightful

      I wonder if they have to pay the legal costs of the defendants when they lose cases like this.


      See recent Slashdot article for related info and links.

      Have to wonder if the lawyer(s) for the current victim is looking up precedence for appending invoices for related medical expenses to a countersuit. Stress related costs at least imo should be included. Even if the accused doesn't have to appear in court (which might would require additional medicines and/or the presence of medical assistance, special transport, etc) the stress could effect his state of mind and body and require additional treatments. If depositions are taken either at the defendants home, hospital room, doctor's office or even the lawyer's offices, similar costs would arise and additionally anything outside of the lawyers' offices makes for extra costs to the lawyers even if not billable. It might even be wise for a lawyer to insist upon medical observation of deposition or court appearance for the sake of liability. Even obtaining a doctor's opinion on whether or not this is necessary has a costs involved.

      IANAL or a doctor, but I am sure if I left anything out or got excessive that Ray or another will correct me. In fact I am hoping for some doctor and lawyer opinions/facts here and that some of them might actually help the victims of the RIAA.

      Have to wonder if any of the deaths before trial process might have been hastened by stress related to being sued by the RIAA. RIAA lawyers may even be hoping those with medical problems settle instead of fighting just to avoid the stress and additional costs. Defendant's lawyers in these cases can be the shining knights for protection of the ill and downtrodden. Too many in this country settle instead of fighting the good fight, we need more shining knights and fewer facilitators of the system.
    14. Re:And of course by Faylone · · Score: 2, Insightful

      In a word, greed.

    15. Re:And of course by SCHecklerX · · Score: 1

      Yeah, really.

      This is sensationalist.

      Gosh, I was fired from my job while still not allowed to drive for a few more weeks due to surgery. Call the presses!

    16. Re:And of course by vertinox · · Score: 1

      We all know the ill and disable are pure of heart

      IANAL, but being ill and disabled will either:

      1. Get you from being convicted guilty (as in a person with mental retardation cannot be expected to get the death penalty)
      2. May get you out of jail sooner if you have an illness (Al Capone comes to mind)

      Like it or not, law favors those ill and disabled and to the chagrin of lawyers... So do juries.

      The question should not be "Can disabled can do illegal things?" but rather "Did this persons specific disability even leave them with enough functionality to use a computer and perform said tasks?"

      --
      "I am the king of the Romans, and am superior to rules of grammar!"
      -Sigismund, Holy Roman Emperor (1368-1437)
    17. Re:And of course by jahudabudy · · Score: 1

      Of course it is mostly for the profit, but sometimes, forcing someone else to pay $BIG_MONEY for their misdeeds is a good way of convincing them (and others) not to do such misdeeds in the future. But yeah, just like everywhere else (WTF, Americans? troll much?) it's mostly all about the money.

      --
      ...sometimes, in order to hurt someone very badly, you have to tell that person terrible lies. - PA
    18. Re:And of course by Oligonicella · · Score: 1

      "It is worth having it(if) is it free but not worth it if you have to pay!"

      What utter bullshit. If it's not worth paying for, it's not worth having. Your stance is, of course, the first step in the line of the "I want it free" crowd. Since it's "not worth paying for", force people to give it to you or rip them off , because heaven forbid those that don't feel it's worth paying for actually develop the ballocks to not buy it.

    19. Re:And of course by NewYorkCountryLawyer · · Score: 5, Informative

      As someone who speaks to the victims of the RIAA lawsuits on a daily basis, I can definitely say that this stuff causes extreme anxiety and stress, and I'm sure it has contributed to depression and even to deaths.

      --
      Ray Beckerman +5 Insightful
    20. Re:And of course by veganboyjosh · · Score: 1

      same reason dogs lick their balls.
      because they can.

    21. Re:And of course by thanksforthecrabs · · Score: 1

      Amen.

      I'm going to use ADD to get out of my next speeding ticket. I'm going to use the thinning hair excuse to get out of taxes next year.

      Thanks, Slashdot!

    22. Re:And of course by sumdumass · · Score: 2, Interesting

      What utter bullshit. If it's not worth paying for, it's not worth having.
      OK, So the wording was wrong. it isn't worth having for the price they want to charge. And technicly, some of it is bearly worth having if the cost was free.

      Your stance is, of course, the first step in the line of the "I want it free" crowd.
      It may be. But don't automaticly assume the intention behind words are one way becuase someone else has said them. You get the music from several sources with little to no money out of your pocket. It is in essence free to you when you listen to it in the radio or watch the video on TV. You get it for very cheap when you goto a concert, dance club or do what I like to do and watch local bands at the bar-festival-where ever play the same songs. It isn't that I want it free, It is that I don't see the value the record companies place on it.

      Since it's "not worth paying for", force people to give it to you or rip them off , because heaven forbid those that don't feel it's worth paying for actually develop the ballocks to not buy it.
      I can record a radio broadcast and listen to it without paying for or the 13 songs I don't like. I can do this for reletivly cheap. And I am never advocating ripping anyone off. This is another one of your assumptions that are wrong. If it is on the radio, it is free to me, it is worth having. If it cost me 20 bucks to listen to the next 20 songs over and over again, I'm turning the radio off. And personaly, I'm starting to see a reason to pirate music just so i can rebel against uptight asses like you.
    23. Re:And of course by jets_ya · · Score: 1

      Sit comfortable with your heart of stone, buddy. It's the RIAA that is extremist. If the music industry woke up and adjusted pricing to fit the "new" marketplace, they would not have to sue their customers. When a book comes out in hard cover, and then at a reduced price in soft cover; that makes sense. The record industry has been trying to sell music for ever increasing prices for years and years. Now, that folks are file-sharing music to get around this predatory pricing, everyone's a criminal. Wow, talk about out of touch. Slashdot and it's contributors should continue to publicize these horror stories brought about by the greed of the music industry.

    24. Re:And of course by gsslay · · Score: 1
      The record industry has been trying to sell music for ever increasing prices for years and years.

      Please demonstrate (factually) these "ever increasing prices", because I'm not seeing them.

      Or shall we just assume everything you're saying is bollocks?

    25. Re:And of course by jez9999 · · Score: 1

      What utter bullshit. If it's not worth paying for, it's not worth having.

      Damnit. That's gonna come as really shitty news to all those poor people who love their partners and/or children.

    26. Re:And of course by Anonymous Coward · · Score: 0

      You are a sack of sh1t. The RIAA is a bunch of money-grubbing lawyer loving bastards.

    27. Re:And of course by anagama · · Score: 1

      Jerk. I was all fine and happy till you reminded me about taxes.

      --
      What changed under Obama? Nothing Good
    28. Re:And of course by NewYorkCountryLawyer · · Score: 1

      Yesterday a man called me, said he's just been sued, he's 63 years old, and he's "very scared".

      --
      Ray Beckerman +5 Insightful
  3. Evil much by zeroharmada · · Score: 5, Interesting

    It is times like this that I wish America would switch over to a system where blank media is taxed and they don't prosecute piracy. Sure it might stretch the bottom line for the Mafiaa, but wouldn't it be beneficial to society at large? Hopefully in a decade or so it will be a big enough hot-button topic to spur actual political change. Until then keep it up RIAA... if you stop being the stereotypical evil corporation all we will have left to overthrow when the revolution comes is Microsoft :-)

    1. Re:Evil much by bconway · · Score: 1

      It is times like this that I wish America would switch over to a system where blank media is taxed and they don't prosecute piracy.

      Why not do both? I'm surprised we're behind Canada on this one.

      --
      Interested in open source engine management for your Subaru?
    2. Re:Evil much by Seumas · · Score: 5, Insightful

      I should totally be taxed on something I intend to store family photos on or backup my legally purchased digital downloads on and that profit should go right to the RIAA and MPAA and BSA who have nothing to do with the medium and content I'm placing on it.

    3. Re:Evil much by friedman101 · · Score: 0

      I've never understood the logic behind this. It's like charging $500 for a coat hanger and giving the proceeds to Toyota. There are plenty of ways to use blank media (or a coat hanger) legitimately and those who wish to do so shouldn't be punished. Canadians think they're ahead of the game here but the fact is the RIAA would have a government enforced private tax. If I don't buy (or steal) their product they should not get my money, period.

    4. Re:Evil much by idobi · · Score: 1

      Blank media is taxed. Google Audio Home Recording Act of 1992.

    5. Re:Evil much by punch.perm · · Score: 1

      Sure, let me pay fines in advance for crimes I will never commit.

    6. Re:Evil much by bky1701 · · Score: 1

      The RIAA doesn't want that. Personally *I* don't want that (I think I would start buying CDs from Mexico if that happened).

      The RIAA doesn't want it because then they CAN'T complain. They LIKE to complain. In fact I'd dare say that's why they exist.

      The user doesn't want it for obvious reasons.

      Perhaps Canada's *IAA is simply not quite as evil, or more shortsighted, or maybe the government is just less in the pocket of companies.

    7. Re:Evil much by sumdumass · · Score: 1

      In the past 10 years I have puchased 3 cds. Before that probably 20 tapes and records. Half of those were used to boot. I don't download any music, I have what I nee and listen to the radio for what I don't have.

      In the same time span, I have went through over 2000 CDs, more floppies then I can count, About 200 DVDs and I don't know how many flash memory cards for various devices. Why should I have to pay more for them so a tax could be collected and given to RIAA, MPAA and whoever else? And What is to stop some other Business from demanding thier model be supplimented by taxes on unreated materials?

      And if you think the music is bad now, Wait until everyone is charged a tax and I start signing every garage band to contracts and produce worhtless CDs just to get my share of the money. And of course when the lions share is thin, the pack needs to hunt again so up goes the taxes so my portion can be bigger. What a business model.

    8. Re:Evil much by sumdumass · · Score: 1

      RIAA doesn't want it because their job is to justify why artist aren't getting paid and cover for the record companies taking all the profits.

      Canada passed the law and tax before it became such an issue. It wasn't a direct reaction to internet pirating but rather home recordings. They may have increased it since internet Pirating became an issue but it had nothing to do with it originaly.

    9. Re:Evil much by Anonymous Coward · · Score: 1, Insightful

      Why not? People without children pay taxes to run elementary schools. People without cars pay taxes to build roads. Living in a civilized society means sometimes making sacrifices for the benefit of the group as a whole.

    10. Re:Evil much by Seumas · · Score: 1, Troll

      Yes, exactly. Contributing taxes to the government to pay for other people's snot-nosed kids (while the ungrateful parents act like they're doing society a favor by foisting their little shits on us) is EXACTLY like subsidizing the movie and music industries by giving into them and letting them tax us on everything that could possibly store data.

    11. Re:Evil much by Anonymous Coward · · Score: 0

      you are comparing apples to oranges here
      contributing to government is not the same as contributing to an organizations bottom line

    12. Re:Evil much by Anonymous Coward · · Score: 0

      If I find you one day collapsed on the sidewalk with a stroke or some other condition, please remind me to leave you there to die. After all, that's your own problem, right?

    13. Re:Evil much by Anonymous Coward · · Score: 0

      Why not? It's not like the government keeps that money. Eventually it goes into some company's bottom line, whether it's paying for the pens and paper the government uses, or whether it's paying for the contractor who paves the interstate highway.

    14. Re:Evil much by MPAB · · Score: 1

      No way! They've been doing it for a while in Spain and now blank CDs/DVDs cost at least twice more: The SGAE (local RIAA) even managed the government to pass the law with retroactivity and lots of family stores went broke facing canon (CD tax) bills of $50000 and up.

      The only ones that sell untaxed blank media are the chinese stores (free from taxes because China "asked" Spain to be so) and ... the pirates. They buy and produce their CDs/DVDs en masse elsewhere.

      What's worse: Because their experiment was a success and the socialists are in power, they next version (canon v2) to be approved by the end of this month is intended to even tax the desktop printers with a 20% because, they argue, they can be used to print covers.
      It will also tax hard drives, mobile phones, digital cameras, memory cards ... everything you can name.

      If you think letting "just one" tax in is worth it, remember this case. It only takes a good lobby from a powerful sector to turn it into almighty by the government's greed.

    15. Re:Evil much by KDR_11k · · Score: 0

      The money with those goes to the government who's supposed to have the people's best interest in mind and represents all of them. the RIAA, MPAA and BSA are private organizations that represent a part of their respective industries and aim to maximize profits for their clients. The government represents the people it charges, the RIAA, MPAA and BSA represent a group that's mostly disjunct from the people this would charge.

      I would never consider paying the RIAA, MPAA and BSA a sacrifice for society as a whole, only a sacrifice for those who can afford membership with these organizations.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    16. Re:Evil much by KDR_11k · · Score: 1

      That and giving shareholders excuses for why sales are declining because they can't say "videogames are cutting into our market". They can preternd to do something about illegal downloading but they can't do anything about videogames.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    17. Re:Evil much by MadJo · · Score: 1

      Taxes on blank media to stop these lawsuits? That won't do you any good. It won't stop, they'll just say "well, it's to allow you to make a personal backup copy of a disc you legally own." not to stop suing 'piracy'.

      We in The Netherlands are being taxed on our blank cds and dvds (and they wanted to add taxes on mp3-players, hard drives and flash media as well, though that's been stopped for now by the Dutch government).
      And the only thing that has stopped the rights groups to sue people is this thing called the privacy law. ISPs aren't allowed to give out the addresses of people that BREIN (and others) suspects from copyright infringement. It's not the taxing that stops BREIN (and it certainly wouldn't stop the MAFIAA suing you)

      Incidentally, downloading music isn't illegal here, uploading however is.

    18. Re:Evil much by mpe · · Score: 4, Insightful

      Why not? People without children pay taxes to run elementary schools. People without cars pay taxes to build roads. Living in a civilized society means sometimes making sacrifices for the benefit of the group as a whole.

      The difference is that there are credible arguments for education and road building being of help to society as a whole. Thus it is perfectly possible that people without children may derive a benefit from everyone being given a basic education and people without cars may derive a benefit from the existance of roads.
      The difference is that there are a lot fewer aguments in favour of supporting an obsolete business model. At least from the point of view of society as a whole.

    19. Re:Evil much by schizoid4 · · Score: 2, Funny

      Let me get this straight: you hate the RIAA, so you want to tax me and give my money to the RIAA? Could you please stop hating the RIAA and hate me instead?

    20. Re:Evil much by risk+one · · Score: 1

      It is times like this that I wish America would switch over to a system where blank media is taxed and they don't prosecute piracy.

      Don't think that that one follows logically from the other. Blank media are taxed in the Netherlands, but our *iaa's are trying anything they can to get people into court. Currently the ISP's aren't playing along, but not too long ago UPC accidentally released personal information for two of its customers, leading to the first file sharing lawsuit of the Netherlands.

      As another example the Dutch anti-software piracy body, up until a year ago, had the legal power to get a warrant and search businesses (and perhaps even people's homes).

      The basic idea is that we are allowed to make backup copies of our media for ourselves, and only for ourselves. And for that marvelous privilege, we are taxed on blank media. The logic seems to be that the poor starving artists are missing out on sales because I'm not buying a copy of their cd for every cd-player I have.

    21. Re:Evil much by Anonymous Coward · · Score: 0

      Personally I believe having a website where people pay to have these lawyers and CEO's have "accidents" a far better idea.

      If the RIAA finds most of their lawyers have been in lots of accidents and they dont want to bring any lawsuits thathave no merit they might back off.

      Anyone know if the canoli family has a website where we can all donate $10.00 to someones accident fund?

      I am joking of course, but some of these lawyers it seems that would the the only way to get their attention.

    22. Re:Evil much by dosquatch · · Score: 1

      It is times like this that I wish America would switch over to a system where blank media is taxed and they don't prosecute piracy.

      Hey, now, you're trying to mess with the mafiaa's good thing. Right now they have the best of both worlds - the US taxes blank media (and recording devices), and the recording industry can still sue customers.

      --
      "Hey, the third matrix movie would have been good except for the plot,story, and acting." --AC
    23. Re:Evil much by cpt+kangarooski · · Score: 2, Interesting

      But since the AHRA is so rarely applicable due to all of the conditions that go with it (it only works if you use certain, uncommon, media or devices, and only for certain types of works, and only for one type of infringement) that virtually no one is ever shielded by it. It's just not that much good in the modern real world.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    24. Re:Evil much by NewYorkCountryLawyer · · Score: 1

      Glad you pointed that out, Captain, in response to the overly simplistic parent.

      --
      Ray Beckerman +5 Insightful
    25. Re:Evil much by ScrewMaster · · Score: 1

      More to the point, taxes are paid to support public works, which so far as I understand the term means things such as roads, bridges and other infrastructure. Nobody in their right mind would consider BMG, Vivendi, Universal, Sony or any of the rest of the big studios to be public works. They're corporations, non-governmental organizations that have to survive in whatever economic climate they happen to find themselves. Or, maybe they don't survive. Either way, that's their problem, not ours, and certainly not our government's problem. Put it this way, there used to be a lot of companies in the United States producing all sorts of goods: the Federal Government provided them with no economic shield at all, in fact actively encouraged their destruction with artifices such as "Free Trade". Why is it, exactly, that the media companies (the bulk of whom aren't even U.S. corporations and take their profits elsewhere) feel that we should provide them from some special protection against the winds of change? Do they really believe that they are one of God's most important gifts to Man? It does look that way.

      Every company since the dawn of the Industrial Age that has been faced with obsolescence has found itself at a crossroads: adapt or die. Some went one way, some went the other. Now a few have found a third way: conscript the power of as many major world governments as possible to prop up your failing businesses. That's bad enough in and of itself, but the collateral damage to various legal systems makes this behavior simply intolerable. So no, I don't feel I have to compromise with these people.

      Besides, a blank media tax simply diverts tax funds (and yes, if I have to pay it involuntarily it's a tax) to private entities, known corrupt entities at that. Personally, that bothers me. Heck, I'd rather spend the money on the Iraq war than any of the big studios or their mouthpieces.

      --
      The higher the technology, the sharper that two-edged sword.
    26. Re:Evil much by Anonymous Coward · · Score: 0

      The whole point of copyright is to promote the benefit of society as a whole, by granting artists a limited monopoly. At its root, this is not fundamentally different than with roads or schools. Perhaps they differ in terms of scope and relative utility (we *need* roads and schools, art less so), but basically we, the public, are giving up something to allow the development of these things that benefit us all.
      The idea of collecting taxes to pay artists for their work is a new model for compensating artists for their contributions to society, not an old one. The old model was the limited monopoly of copyright, the new one taxes. Instead of us, the people, giving up the right to copy, we give up a few dollars instead. This is potentially a radical change in the way artists and the public interact, and should not be dismissed so easily.

    27. Re:Evil much by Anonymous Coward · · Score: 0

      THe only problem is that this "tax" isn't a tax for government, it is forcibly taking money from you because you happen to make a certain purchase - and then GIVE THE MONEY to some business that is not involved in making the actual product you bought. Why should everyone be taxed for purchasing certain media (first CDR's, then DVDR's, next it will be flash disks, hard drives, and so one) because some people do something a business doesn't like?

      Okay, so let's have a tax on all bottles and containers, and give it to the oil companies, since you MAY use that container to carry or store gasoline.

    28. Re:Evil much by ansinn · · Score: 1

      I'm from a country (Germany) where there is a "copying tax" on blank media, DVD writers, and so on (even printers, xerox machines and the like!), and I can tell you one thing: the fact that you're paying doesn't make the lawsuits stop. So be careful when you make pacts with the devil; you might get that tax, but who says that nobody would get sued anymore? Unless you have a way of applying pressure to the MAFIAA to *force* them to stop, they'll just collect your money *and* sue you into oblivion.

    29. Re:Evil much by bodesign · · Score: 1

      Why not? People without children pay taxes to run elementary schools. People without cars pay taxes to build roads. Living in a civilized society means sometimes making sacrifices for the benefit of the group as a whole.

      Uh, no. If the argument cannot stand on its own merits then it is unprincipled and fails. Associating it with something else, whether practiced or not, doesn't make the argument stronger. In fact, the current state of how elementary schools and roads are funded doesn't make their existence right or wrong. If the current manner that these are funded are unprincipled then you have just made an argument for progressing down a slippery slope.

      Civilized society is a society where each is able to attach their own value to their own choices - not have some over-arching law that mandates a value to everyone. Don't be afraid to let someone else value something less - or even more - than you do. Regardless of how others value something, you are more than welcome to send your money to the RIAA, the schools and/or the roads whether the rest of society does or not.

      Civilized society allows me to be philanthropic, charitable and humane of my own accord. The moment that I am forced to make sacrifices for the benefit of the whole then it is no longer a sacrificed and much of the benefit/growth sacrifice is taken from me.

      Why is it that people fear that the sick and poor (and even the RIAA) will not be taken care of unless everyone is forced to do it? My best guess is that those that want to use the threat of force (i.e. government) to cause everyone to do this actually fear themselves. They fear that unless government makes them sacrifice that they wouldn't do it themselves and so they have no expectation that others would sacrifice without the force/threat of government.

      Government is not reason, it is not eloquence, it is force; like fire, a troublesome servant and a fearful master. Never for a moment should it be left to irresponsible action.

      -- George Washington

    30. Re:Evil much by anagama · · Score: 0, Flamebait

      Personally, if I had a choice, I'd rather pay a media tax than pay for breeders' kids. I figure with a media tax, I'd pay something and get something. With the "kid" taxes we're inundated with, I should get to screw a bunch of MILFs (without the jealous husband/she wants a relationship/you never buy me flowers/can you babysit the kid while gI o shopping BS). Now, if I had free range of all the MILFs sucking on my wallet, I'd think of the kid taxes as "OK" too. As it is, I get the bill and none of the pleasure.

      --
      What changed under Obama? Nothing Good
    31. Re:Evil much by Seumas · · Score: 1

      Because suffering a stroke is precisely like arrogantly expecting and demanding society to foot the bill for the xerox copies of yourself that you so carelessly squirted into the world. Completely.

    32. Re:Evil much by mpe · · Score: 1

      Put it this way, there used to be a lot of companies in the United States producing all sorts of goods: the Federal Government provided them with no economic shield at all, in fact actively encouraged their destruction with artifices such as "Free Trade".

      One irony is that special protection for copyright related industries often turns up in so called "Free Trade" agreements between the US and other countries.

      Why is it, exactly, that the media companies (the bulk of whom aren't even U.S. corporations and take their profits elsewhere) feel that we should provide them from some special protection against the winds of change?

      Many large corporations are effectively "stateless" when it comes to matters of tax avoidance. Typically they are hypocritical in welcoming "globalization" when it means they can choose where in the world to bank their profits or build factories but activly trying to prevent customers (including retailers) being able to chose where in the world to buy their products from.

      Every company since the dawn of the Industrial Age that has been faced with obsolescence has found itself at a crossroads: adapt or die.

      This has probably been going on since the paleolithic. Just that then the "company" was one person making tools and since the payment was in food they would literally die if they didn't keep up with technological developments.

      Now a few have found a third way: conscript the power of as many major world governments as possible to prop up your failing businesses. That's bad enough in and of itself, but the collateral damage to various legal systems makes this behavior simply intolerable.

      The collateral damage isn't just confined to legal systems. It also includes additions to machines which impair their functionality. Such as software to manage DRM and "region coding".

    33. Re:Evil much by ScrewMaster · · Score: 1

      On the other hand, the money already being collected isn't going to the artists, and given the fundamentally corrupt nature of that business, I don't see how letting them get their hands in the public till is a good idea.

      --
      The higher the technology, the sharper that two-edged sword.
  4. And that matters why? by koreth · · Score: 4, Insightful

    Having a stroke and/or receiving disability payments renders one incapable of copyright infringement? Does the BitTorrent client refuse to install if it detects a Social Security check in the vicinity?

    Being disabled isn't evidence of innocence, unless the disability is such that one is incapable of even using a computer. If the guy broke the law, he broke the law. I happen to think the law sucks and needs to be changed post haste, but it sucks for everyone, not just stroke victims and the handicapped.

    In short, the RIAA is as within its rights here as it is in any of its other cases.

    1. Re:And that matters why? by synjck · · Score: 2, Insightful

      i generally agree that disability, to a certain degree, does not exempt one from guilt in these cases.

      check out that lawyer, though. ten bucks says he's on the naughty list.

    2. Re:And that matters why? by Nymz · · Score: 1

      The title of the submission is "RIAA Sues Stroke Victim in Michigan".
      Not, "RIAA Sues Copyright Infringer in Michigan".

      I too cringe when I see artcles making issue over whether defendants are moms, grandmothers, or little girls with pigtails. As if we all aren't being equally victimized by the current mess of balancing fair-use rights, with copyright infringment terms, with new invasive restrictive technologies, and with legal system corporation racketeering.

      Request to fellow Slashdotters:
      Please, next time a submission reports news of some new law or draconian effort in one part of the world, let's not all bash the people of that country. In fact, we should do the opposite, because as citizens of each country lose their freedoms, then our own freedoms becomes all the more threatened.

    3. Re:And that matters why? by CompMD · · Score: 4, Interesting

      I know this because this is slashdot, people rarely actually RTFA, but come on and RTF post at least.

      "...suits brought against disabled people who have never engaged in file sharing..."

      and then RTFA, the guy in this case is half paralyzed, do you think he is spending a lot of time sitting at his computer downloading Christina Aguilera or something? There needs to be a preponderance of evidence in order to proceed with a case. So far you have a guy who probably can't use the bathroom himself who didn't live in the state in which he is accused of committing infringement. Where's that preponderance of incriminating evidence?

      "Evidence of innocence" is pure idiocy, and contrary to the tenets of the judicial system. It is NOT this man's burden to prove his innocence, it is the RIAA's burden to prove him guilty.

      Heh, and the captcha for this is "falsify."

    4. Re:And that matters why? by Anonymous Coward · · Score: 0

      my friend, just because something is legal doesn't mean it is right. when the only way you want to stop crime is to shoot the criminal, you are mistaking justice with revenge. justice is about what the future should be, not about what compensation can we make for the past. thats why even criminals with consistent criminal record are let go again and again so that may be some body would turn over to the good side.

    5. Re:And that matters why? by Leuf · · Score: 1

      It seems a little more relevant that the guy was living in Florida when they said he was infringing in Michigan. And yet this seems to be of little consequence in the summary and article.

      I like the part of the article that says "Although the defendant... had notified the RIAA that he had not engaged in any copyright infringement" Because you know, if you tell them you're innocent they're supposed to just say "Sorry" and leave you alone.

    6. Re:And that matters why? by whoever57 · · Score: 3, Informative

      "Evidence of innocence" is pure idiocy, and contrary to the tenets of the judicial system. It is NOT this man's burden to prove his innocence, it is the RIAA's burden to prove him guilty.
      This is not a criminal case and the RIAA are not prosecuting him: they are suing him and the standard is "the balance of probabilities (BOP) also known as the "preponderance of evidence." So, it is up to him to prove his "innocence".
      --
      The real "Libtards" are the Libertarians!
    7. Re:And that matters why? by SiliconEntity · · Score: 1

      "...suits brought against disabled people who have never engaged in file sharing..."

      No doubt they claim never to have engaged in file sharing, but that doesn't automatically make it true.

    8. Re:And that matters why? by bky1701 · · Score: 1

      The reason it's news is because the RIAA uses the "poor artist" appeal to emotion so much. Poor artist parallelized guy.

    9. Re:And that matters why? by bky1701 · · Score: 1

      Gah, the less-than symbol didn't come out, stupid me for not remembering to use the HTML code.

    10. Re:And that matters why? by Psychotria · · Score: 1

      Well, that's ok then

    11. Re:And that matters why? by lieden · · Score: 1

      Agreed.
      Quite apropos to the upcoming indictment in NY (almost every media reference to the case centers around the fact that the man who died was to be "married to the mother of his children" on the following day).
      Since when did emotion play such a large role in determining culpability?*

      *aside from certain cases of 'hot' murder/manslaughter (mens rea).

    12. Re:And that matters why? by koreth · · Score: 1

      RTFA, the guy in this case is half paralyzed, do you think he is spending a lot of time sitting at his computer downloading Christina Aguilera or something?

      If I were half paralyzed and unemployed, I'd probably be in front of my computer most of the day. (Hell, I already am, and I'm physically able to get up whenever I want.) Doesn't seem like that outlandish a possibility to me.

      Not saying he's guilty, of course, just that his condition isn't grounds for automatic dismissal of the case the way the story seems to imply.

    13. Re:And that matters why? by iminplaya · · Score: 1

      "What are you saaaying??"

      --
      What?
    14. Re:And that matters why? by sumdumass · · Score: 3, Insightful

      Oh, so the story here isn't that a stroke victom is being sued for copyright infringment, It is that he was being sued for copyright infringment that supposedly happened in a state were he wasn't at and because of his disability and limited income doesn't have the means to go there and defend himself?

    15. Re:And that matters why? by Jekler · · Score: 2, Informative

      They're not claiming he pirated music AFTER he had the stroke. The fact that he had a stroke and his alleged pirating could be completely unrelated.

      I don't believe pirating music should be illegal or a civil offense, but I take the laws as they're given to me, and the disabled are not exempt from them.

    16. Re:And that matters why? by Sinbios · · Score: 1
      >> the guy in this case is half paralyzed, do you think he is spending a lot of time sitting at his computer

      If I were half paralyzed, that's what I'd do :D

      --
      Anyone can "stand up for what they believe", but it takes a very brave individual to change what they believe. - Loundry
    17. Re:And that matters why? by devnulljapan · · Score: 2, Interesting

      Of course, this guy's main crime is being poor. If OTOH he was a highly paid CEO, his disability would have automatically disqualify him from legal problems just like this lady.

    18. Re:And that matters why? by Anonymous Coward · · Score: 0

      and then RTFA, the guy in this case is half paralyzed, do you think he is spending a lot of time sitting at his computer downloading Christina Aguilera or something?

      If you're half-paralyzed, then yeah, you probably would spend your time sitting at the computer downloading shit.
    19. Re:And that matters why? by Quantam · · Score: 1

      I'll let you in on a little secret, but you have to promise not to tell (it's certainly not something that many people know): there is only one truth; regardless of whether anyone knows it, or how many people think how many different things, there is only one truth. "Presumed innocent until proven guilty" is nothing more than a formality to attempt to minimize the probability that an innocent person will be found guilty, given that it isn't always possible for us to know the truth. A criminal is still a criminal if there isn't enough evidence to convict them beyond a reasonable doubt, and an innocent person is still innocent if there is enough evidence to convict them. You seem to not have reached the level of fuzzy logic processes yet. You see things as either being true or false, and you have default values attached to different cases. As a scientist, I can't afford false negatives any more than I can afford false positives. Just because an experiment does not prove something beyond a reasonable doubt (there's a similar concept in science, as well; but we have a much better grasp of what it really means) does NOT mean that it isn't true; similarly, even if an experiment "proves" something beyond a reasonable doubt, it may still be false. If scientists had such a black and white outlook, you'd probably go to the witch doctor every time you got sick.

      --
      You have tried to support your argument with faulty reasoning! Go directly to jail; do not pass Go, do not collect $200!
    20. Re:And that matters why? by Quiet_Desperation · · Score: 1

      Being disabled isn't evidence of innocence,

      Gosh, then I guess it's a good thing that innocence doesn't require evidence. Only guilt does.

    21. Re:And that matters why? by Kierthos · · Score: 2, Informative

      You are correct in that a civil trial uses "preponderance of evidence" rather then "beyond a reasonable doubt", which is the burden in criminal trials.

      However, it is still the burden of the RIAA to prove him civilly liable. It is assumed that the defendant is innocent of any charges leveled against him in a court of law. Not just a court of criminal law, but civil law as well.

      --
      Mr. Hu is not a ninja.
    22. Re:And that matters why? by fyoder · · Score: 1

      They shouldn't be suing their customers AT ALL, never mind the legal shit. When they sue children, the disabled, the dead, and so on it's even worse. It really gets my goat that people will defend these bastards. They have reduced my purchasing of CD's dramatically, and I'm sure I'm not the only one who checks riaaradar.com when considering a CD purchase. What they're doing is not only wicked, it's stupid.

      --
      Loose lips lose spit.
    23. Re:And that matters why? by Gazzonyx · · Score: 1

      Please mod parent up. How does this stuff always get buried?

      --

      If I mod you up, it doesn't necessarily mean I agree with what you've said, sorry.

    24. Re:And that matters why? by TechForensics · · Score: 1

      Having the right to do something is not the same as being right in doing it.

      --
      Those are my principles, and if you don't like them... well, I have others.
    25. Re:And that matters why? by Anonymous Coward · · Score: 0

      even more stupid of you to spell parallelized instead of paralized...but that's just my pederastantism.

    26. Re:And that matters why? by mpe · · Score: 1

      This is not a criminal case and the RIAA are not prosecuting him: they are suing him and the standard is "the balance of probabilities (BOP) also known as the "preponderance of evidence."

      The plaintiff still needs to prove their case. The difference is that the standard of proof is lesser than in a criminal case.

      So, it is up to him to prove his "innocence".

      Since proving "innocence" may require proving a negative this isn't very practical. Instead what the accused does is to defend themselves (hence they are called the "defendant") against the accusations made against them.

    27. Re:And that matters why? by PhotoGuy · · Score: 2, Insightful

      and then RTFA, the guy in this case is half paralyzed, do you think he is spending a lot of time sitting at his computer downloading Christina Aguilera or something?

      Ummmmm, the guy is housebound? Do you think he'd do more playing, downloading, etc, on the computer, or less, than the person who has a full time job, kids, goes to the gym, etc., etc.? Of course he probably uses the computer more, as a great outlet considering his disability.

      And while I disagree with current fair use policies, and movie pricing schemes, etc., I don't see any reason why a disability should be an exemption from any of the rules of society (other than parking in handicapped spaces).

      Yes, there is an instinctive "let's show some compassion and cut this poor bugger some slack" reaction, but until something like that is actually written into a law, one can't fault any organization (who likely wasn't even aware of his problem) for treating him as shittily as they treat the rest of the population. The fact they treat the rest of the population so shitty, is the problem.

      --
      Love many, trust a few, do harm to none.
    28. Re:And that matters why? by katsklaw · · Score: 1

      The RIAA may be within their rights, no argument there. The sickning crap is the fact that the Social Security check is the *ONLY* income and the disabled person can not get a job to earn money to pay fines so the fines comes out of the Social Security check and leaves the payee with nothing, to slowly starve to death at the hands of the RIAA, which obviously have plenty of money. This slowly starving to death is conceptually cruel and unusual punishment, which is banned in the USA. Mass murders and other criminals that commit the most sickning crimes against humanity will have 3 meals a day and shelter (in prison) and have protection against cruel and unusual punishment, whereas this person is likely to die slowly of starvation and homeless sleeping under a box.

    29. Re:And that matters why? by NewYorkCountryLawyer · · Score: 1
      I guess (a) you didn't read the article, the part about the guy not having done any file sharing, and (b) you don't know anything about copyright law if you think the RIAA is "within its rights". Who pays you to write this stuff, the RIAA or the MPAA, or both?

      Calling all Slashdot readers: the RIAA trolls are really out in force on this one.

      This is going to be fun.

      --
      Ray Beckerman +5 Insightful
    30. Re:And that matters why? by Lumpy · · Score: 1

      Glad to see you are with the rest of the sheep and ignore that you are supposed to be INNOCENT until proven guilty.

      the RIAA should have to have the burden of proof, but since you support the current legal system of he who has the most money to fight wins..... Well we all know that the poor are evil.

      How dare they soil the air of us that are more fortunate!

      --
      Do not look at laser with remaining good eye.
    31. Re:And that matters why? by Anonymous Coward · · Score: 0

      >unless the disability is such that one is incapable of even using a computer

      Short of being comatose (not a disability) , is there any form of disability that'd completely prevent you from using a computer ?

      ALS hinders things slightly but that doesn't stop Hawking from browsing the web.

      Should one lose all motor control, there's always direct brain control.

    32. Re:And that matters why? by niew · · Score: 1
      the guy in this case is half paralyzed, do you think he is spending a lot of time sitting at his computer downloading Christina Aguilera or something?

      Which half?

    33. Re:And that matters why? by Anonymous Coward · · Score: 0

      Doesn't seem like that outlandish a possibility to me.

      Ah, but if you were half paralyzed and unemployed in Florida, would you be sitting in front of a computer in Michigan all day?

      It seems that RIAA and the article submitter both flunked Geography.

    34. Re:And that matters why? by NewYorkCountryLawyer · · Score: 1

      1. The defendant is not a copyright infringer; read the story.

      2. You should be cringing at bringing frivolous lawsuits against helpless people.

      --
      Ray Beckerman +5 Insightful
    35. Re:And that matters why? by vertinox · · Score: 1

      Having a stroke and/or receiving disability payments renders one incapable of copyright infringement?

      To be fair, having a stroke renders one inable to speak, feed themselves, or wipe their own butts depending on the severity.

      --
      "I am the king of the Romans, and am superior to rules of grammar!"
      -Sigismund, Holy Roman Emperor (1368-1437)
    36. Re:And that matters why? by NewYorkCountryLawyer · · Score: 1

      They're not within their rights. Their complaint is based upon a false, basically fictional, reading of copyright law, and upon zero evidence. See Elektra v. Barker and their "expert witness" deposition.

      --
      Ray Beckerman +5 Insightful
    37. Re:And that matters why? by katsklaw · · Score: 1

      I was refering to their right to sue in general, not any one specific case or set of circumstances.

    38. Re:And that matters why? by AutomaticCautionDoor · · Score: 1

      And even more stupid that you correct someone's misspelling with a misspelling.

      The word is "paralyzed."

      Disclaimer: Am aware that may be missing intended irony of the misspelled correction.

    39. Re:And that matters why? by AutomaticCautionDoor · · Score: 1

      New York Country Lawyer, I've read your submissions and comments on the file-sharing/lawsuits issue for some time. While I'm generally on the opposite side of the debate, I've typically found your remarks to be reasonable and intellectually sound.

      That's why I'm a little surprised, maybe even disappointed, to see you lob the "RIAA trolls" line. It doesn't become you or your standard style (unless I've missed a previous tendency on your part to engage in ad hominems). It's not an argument.

      Oddest of all is that of everyone here, you're among the most susceptible to unfair charges of being "bought and sold." Given your real-life work, it's YOUR stance that could be countered with, "Who pays you to write this stuff?"

      I'm not saying that would be a worthwhile argument. I'm simply saying that you, of all people, should recognize that it's not.

    40. Re:And that matters why? by NewYorkCountryLawyer · · Score: 1

      I have no problem with honest partisanship and differences of opinion. I don't appreciate people masquerading as something they're not. On my own blog RIAA PR flacks are welcome to participate if they announce themselves. In your case, how do I know who you are, or that you are not one of them?

      --
      Ray Beckerman +5 Insightful
    41. Re:And that matters why? by zakezuke · · Score: 1

      I don't believe pirating music should be illegal or a civil offense, but I take the laws as they're given to me, and the disabled are not exempt from them.

      This could be true, but being disabled and on so-so security should be taken into account. The fact that he suffers from "...paralysis of his entire left side and severely impaired speech" would sugest that he might not be physicaly able to commit the offence, nor have the ability to settle for the usual RIAA thousands. Defending him self would be difficult with "impaired speech". If laws are absolute, there can be no justice.

      So, to be fair, the RIAA should only sue 1/2 of his body. It should go to trial and the gent would have to testify via typing very very slowly, and should he be found guilty, his income should be taken into account, and the RIAA should be awarded $1.00.

      Even if you take the laws as they are given to you... you have to admit it's stupid to sue someone when it would cost more than you can possibly win.

      --
      There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
    42. Re:And that matters why? by NewYorkCountryLawyer · · Score: 1
      It is the norm in the legal profession to attempt to compromise disputes without resort to litigation... the RIAA doesn't compromise.

      It is the norm in the copyright bar to send a cease and desist letter, and enter into a cease and desist agreement, without demanding the payment of money, except in exceptional cases.... the RIAA doesn't do that.

      It is required of lawyers to conduct a factual investigation before signing a pleading.... the RIAA lawyers don't do that.

      It is required of lawyers that their pleadings state actual legal claims.... the RIAA lawyers don't do that.

      Bottom line, I do not consider that they are acting within their rights at all in bringing these lawsuits. I think they are outlaws.

      --
      Ray Beckerman +5 Insightful
    43. Re:And that matters why? by AutomaticCautionDoor · · Score: 1

      No, I'm not "one of them." But good Lord -- what would it matter if I were? In what way would it affect the merits of my arguments themselves?

      Surely you see the bad logic at work here:

      1. Defend position X.
      2. Demonize an organization that opposes position X.
      3. Smear position-X opponents by associating them with the organization you've just demonized.

      Under such a scenario, then, there can be no honest debate about X.

      Nobody is erecting an extra rhetorical hurdle for you to leap in these arguments (e.g., "you're tainted because you get paid to defend X"), so I'm not sure why you feel it's OK to erect one for others. I mean, maybe you simply view Slashdot as a jury you need to convince. I figured the debate functioned with a different purpose, and thus on a different level.

    44. Re:And that matters why? by Nymz · · Score: 1

      1. The defendant is not a copyright infringer; read the story.
      2. You should be cringing at bringing frivolous lawsuits against helpless people.

      1. The subject (and subject heading) is "And why that matters?"; read the parent post.
      2. So you think "legal system corporation racketeering" is a good thing? Frivolous indeed.

      If you were really a lawyer, like your screen name says, then you would know the RIAA tactics aren't "friolous lawsuits", as they would be thrown out and told to desist. But instead are a form of organized extortion, you know... racketeering, by means of the legal system, by a corporation, and they won't stop until we have more explicit legislation regarding the grey areas of copyright & fair-use.
    45. Re:And that matters why? by jb.hl.com · · Score: 1

      The fact that he had a stroke and his alleged pirating could be completely unrelated.

      They are unrelated.

      --
      By summer it was all gone...now shesmovedon. --
    46. Re:And that matters why? by GnomeThinker · · Score: 1

      Lol did you actually click on his link? He is the Lawyer for a couple of the contested cases out there.

    47. Re:And that matters why? by NewYorkCountryLawyer · · Score: 1

      "Nymz" doesn't have to read, he's an RIAA troll. Don't waste your time on him. He knows the cases are frivolous, which is why his moron employers are getting hammered for attorneys fees.

      --
      Ray Beckerman +5 Insightful
    48. Re:And that matters why? by Nymz · · Score: 1

      Lol did you actually click on his link? He is the Lawyer for a couple of the contested cases out there.

      Obviously I did click his link, hence my pointed "lawyer" statement. The subject that is being discussed is the parent-posters subject, hence the subject heading "Re: And that matters why?".

      His point is... who knows, but he sure has spammed this thread accusing many Slashdotter of being RIAA trolls. Damn, I guess he foiled our plans, we give up, we're sorry, lol.
    49. Re:And that matters why? by koreth · · Score: 1

      Thanks! That's the best laugh I've had all week. I'd say "meh, I've been called worse," but I'm not sure that's actually true. In any event, you must have missed the parts where I said "the law needs to be changed post haste" and "they are as within their rights as they are in other cases" (which is an entirely different thing than saying they're within their rights in any absolute sense.)

      You might want to do a quick search through people's posting history before launching into the ad-hominem attacks. In my case, let's just say if I'm an RIAA troll, I'm not very good at my job!

      As for the guy sharing or not sharing files, all I have to go on is his claim. Or actually, a secondhand report of his claim. People claim false things all the time when they think they'll get into trouble. Maybe he's innocent, maybe he's not; I can't know that for sure. My point is simply that his disability is not automatic proof that he's telling the truth.

      (By the way, I think you're doing great work for the public good. Keep it up!)

    50. Re:And that matters why? by Reziac · · Score: 1

      Interesting point. So... is there any prospect of turning the tables on The RIAA Gang, so they find themselves swinging from the noose?? Would going after RIAA lawyers via their local Bar (or a class action) be feasible?

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    51. Re:And that matters why? by Slashdot+Parent · · Score: 1

      preponderance of evidence in order to proceed with a case
      No, preponderance of the evidence is required to win a civil case, not proceed with one.

      Civil cases are blocked from proceeding only when there is zero possibility of the plaintiff winning. Like if I sued you for back rent for one of my apartments. Well, you never even rented one of my apartments, so that would get dismissed.

      But if you had rented from me in the past, but just simply did not owe me any money, that wouldn't be grounds for dismissal. That would be the judge's decision after hearing the case. That you did not owe me any money.
      --
      They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
  5. How Long... by FiniteElementalist · · Score: 4, Funny

    How long until they start suing dead people? ... They haven't sued dead people, have they?

    1. Re:How Long... by Monsterdog · · Score: 1

      When it comes to the RIAA, Death Does Not Release You.

    2. Re:How Long... by Anonymous+Brave+Guy · · Score: 1

      <obligatory> RIAA Lawyer: I sue dead people. </obligatory>

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  6. (It's actually about compassion, not guilt.) by Anonymous Coward · · Score: 0

    We all know the ill and disable are pure of heart, love their moms and are made of kitten whiskers. Slashdot is getting seriously pathetic trotting out extremist nonsense like this.
    Hey! Slashdot just happens to have a very serious illness, you insensitive clod.
  7. stroke me, stroke me by User+956 · · Score: 3, Funny

    The RIAA has now brought suit against a stroke victim in Michigan in Warner v. Paladuk.

    And by "stroke victim", they don't mean someone with a medical condition. That's just what they call someone who gets caught downloading a Billy Squier album.

    --
    The theory of relativity doesn't work right in Arkansas.
    1. Re:stroke me, stroke me by metlin · · Score: 1

      Or a Sylvester Stallone movie. =)

    2. Re:stroke me, stroke me by ArcherB · · Score: 1

      And by "stroke victim", they don't mean someone with a medical condition. That's just what they call someone who gets caught downloading a Billy Squier album.

      Of course, they could also get Michael Jackson's "Beat It" for the same effect.

      In either case, their next download will have to be "Lick it Up" by Kiss.

      --
      There is no "I disagree" mod for a reason. Flamebait, Troll, and Overrated are not substitutes.
    3. Re:stroke me, stroke me by Psychotria · · Score: 1

      I have seen everything now. WTF kind of country do you people live in? :-)

    4. Re:stroke me, stroke me by iminplaya · · Score: 1

      We're talking about the RIAA. So it would have to be a Frank Stallone album

      --
      What?
    5. Re:stroke me, stroke me by metlin · · Score: 1

      Oh come on. We're all a big happy Italian family here.

      RIAA, MPAA, MAFIAA, thugs, rogues, thieves. What's the difference? One wears a suit and one does not?

    6. Re:stroke me, stroke me by Anonymous Coward · · Score: 0

      oh. i thought you were going for a "the strokes"-joke.

  8. you know... by defy+god · · Score: 3, Interesting

    I've read articles where the RIAA have sued a person who had no computer. Even then, they don't get as much sympathy as someone who has a disability.

    What I really want to see is the RIAA sue someone that is deaf (and MPAA sue someone that is blind). If reported properly, then maybe the general public will finally realize how stupid all these lawsuits are. Instead of being outraged by a nipple on TV, we (the collective we, as a nation) can rise against something that is worth it.

    I know it's a slimeball move to exploit someone with a disability, but if they were to be sued, I'm sure they'd love to go after the MAFIAA as well. You have to fight slimeball moves with slimeball moves.

    --
    hackers of the world unite!
    1. Re:you know... by DrEldarion · · Score: 1

      Instead of being outraged by a nipple on TV, we (the collective we, as a nation) can rise against something that is worth it. Haha! Oh, defy god, you're so naive.
    2. Re:you know... by Anonymous Coward · · Score: 1, Interesting

      I went to a school that happens to also house a large Deaf population. You'd be surprised how many of them listen to music, and even have large collections. They can't hear the music, but they can feel it. (600 watt stereo + large collection of house trance + slutty deaf chicks != something you want to have the floor above you.) Some of the best sharers on the local filesharing hub were deaf, and kept fairly "normal" collections of MP3's, whether it was because they liked the vibrations or just cause.

    3. Re:you know... by westlake · · Score: 1
      I've read articles where the RIAA have sued a person who had no computer.

      You read these articles in an echo chamber which repeats these tales endlessly as if they were the norm.

      Settlements are made every day with downloaders whose sob stories rate no more than a paragraph or two in their local newspaper -- and are instantly forgotten thereafter.

    4. Re:you know... by NewYorkCountryLawyer · · Score: 1

      Usually the person sued does have a computer. But I would say in more than 50% of the cases the person sued did not engage in file sharing, let alone copyright infringement through file sharing. I.e., even apart from the problem with the RIAA's imaginative legal theories which attempt to expand copyright law beyond anything the statute provides, more than 50% of the defendants did not do what the RIAA says they did. That is not an acceptable margin of error.

      --
      Ray Beckerman +5 Insightful
    5. Re:you know... by RobertM1968 · · Score: 1

      Hi Mr. Beckerman,

      I have a question for you... lets say hypothetically I listen to a band named Iron Maiden. Said band's releases are through an RIAA member (EMI or Sony). Said band maintains copyrights (and usually publishing rights) to all their music. Said band has stated publicly, on numerous occassions, that they (1) will refuse to sue fans, (2) see nothing wrong with fans sharing their music (even directly referring in the comment to file sharing and referenced the Napster suit), and (3) have went so far as to tell fans at concerts to record the concerts and post them online to share with the world. Hypothetically, what chance would the RIAA have of pulling off a suit against me if I hypothetically shared Iron Maiden albums with friends? As no RIAA member owns the copyrights to the music, and consent has been explicitly given, would they even be able to bring suit? And if so, would (should) it be thrown out?

      Just curious... partially because I am interested in knowing how far you think the RIAA will go, partially because I am interested in your opinions of how the courts would handle it, and partially because I am very impressed with Maiden's attitude on file and music sharing.

      Thanks for your time,
      Robert

      PS: They're one of the few bands under an RIAA label I will willingly buy nowadays (and only listen to the rest on the radio) - and often buy additional copies if a CD gets scratched, lost or a better release (ie: picture CD or CD with bonuses) comes out.

    6. Re:you know... by NewYorkCountryLawyer · · Score: 1

      Sorry, that question calls for legal advice. That's not what I'm on Slashdot to do.

      --
      Ray Beckerman +5 Insightful
    7. Re:you know... by RobertM1968 · · Score: 1

      Hi,

      I'm not being sued. I havent been threatened with a suit. I have never been suspected of such activities. I chose the examples I did because the band is very high profile, their statements are public record online and their label is definitely RIAA - and were using them for example purpose only.

      I was more asking for an explanation of the relevant law as it pertained to my example - which could have included any number of bands (like numerous in Canada who have formed a coalition to fight against such issues).

      Basically the real question is would the RIAA have the right to enter into such a suit? Insert any such band who fits those criteria. If you think still, that such an answer is legal advice, I apologize for asking. I figured such an answer would be far less likely to be legal advice than some of what is found on your site.

      Either way, thanks - and thanks for keeping us up to date on the RIAA world.

    8. Re:you know... by NewYorkCountryLawyer · · Score: 1

      If the record company does not own any kind of copyright in the sound recording or in the underlying musical composition I do not see what standing it would have to bring a copyright infringement action. If however the band owns the copyright in the musical composition but the record company owns the sound recording copyright, then the record company would have standing to enforce its sound recording copyright. I've never heard of a record company not owning the sound recording copyright.

      --
      Ray Beckerman +5 Insightful
    9. Re:you know... by RobertM1968 · · Score: 1

      Much thanks for the response. All their material states (c) them, and they select and use their own studios, release them through their record label, and it then gets distributed by an RIAA member - I should have clarified that. I guess this would apply to very few bands then, as most dont do their own recordings, or have their own label. :-)

      I guess that's why non-RIAA music is generally so important (you thus cleared up another point for me as well).

      Thanks again,
      -Robert

  9. They have to do this, folks, you don't understand by Anonymous Coward · · Score: 1, Interesting

    I'm no fan of the RIAA, but those of you who aren't in the legal field fail to understand that RIAA has to continue this suit or risk being found to have abandoned its copyright infringement cases and being found to have used what is known in the legal business as "selective prosecution" or "de facto" prosecution.

    Selective prosecution would render virtually all of RIAA's future cases moot because they would fall under the legal status of "unequal prosecution" and essentially be considered extortion.

    Much like defending trademarks (or risk abandonment and loss of trademark), these types of lawsuits have to forge ahead. Otherwise it gives the appearance to the courts of favoritism and targetted vengeance.

  10. Straight to hell huh by pembo13 · · Score: 3, Informative

    Satan must be a pirate too, cause these guys seem to be trying to get an express ticket to his crib.

    --
    "Thanks for all the money you paid to us. We've used it to buy off ISO among other things" -Microsoft
    1. Re:Straight to hell huh by Anonymous Coward · · Score: 0

      Satan must be a pirate too, cause these guys seem to be trying to get an express ticket to his crib.


      Satan is trying to download all the Soul he can while Jesus is trying to keep the uploads going.
    2. Re:Straight to hell huh by numbski · · Score: 1

      Now if I could just get the Cable and DSL guys to quit capping the upload speeds...

      --

      Karma: Chameleon (mostly due to the fact that you come and go).

  11. This guy should be suing the RIAA. by Seumas · · Score: 0, Redundant

    He suffered from the stroke ? Shouldn't he be suing the RIAA and Billy Squier?

  12. The "RIAA" by twilight13 · · Score: 5, Insightful

    The more I hear "RIAA" the more I wonder what it's really for. It seems like whenever stuff like this happens, we say the RIAA is suing a stroke victim. The RIAA sues dead people. It seems like the RIAA is doing a great job redirecting all of the bad press for this campaign. To me it looks like Warner is suing this guy, not the RIAA. Let's at least identify who is calling the shots here. Maybe if more people heard about Warner's actions, they would buy CDs from other record labels. (Yes, I know other labels sue people just as much, but it'd be nice if there was some bad press to come with stuff like suing disabled people.)

    1. Re:The "RIAA" by sumdumass · · Score: 4, Insightful

      RIAA's job is to create a smoke screen. It is to hide the artist getting screwed by record companies. It wouldn't be too far out there to think they would be protecting the image of the recording companies.

      Artist:"why am in not getting a bunch of money?"
      Record industry: "because everyone is downloading your songs without paying for them instead of buying the CD!"
      Artist: "Are you doing anything about it?"
      Record industry:"Sure, we are going after them thru RIAA.".

      And then the record company laughs before depositing all their profits, They pause to light their cigars with burning 100 dollar bills.

    2. Re:The "RIAA" by Anonymous Coward · · Score: 0

      One word: libel

    3. Re:The "RIAA" by hotdiggitydawg · · Score: 1

      RIAA's job is to create a smoke screen.... They pause to light their cigars with burning 100 dollar bills. Well, they gotta get the smoke from somewhere...
  13. Re:They have to do this, folks, you don't understa by moosehooey · · Score: 1

    Can you cite a source on this? I've only ever heard of this with trademarks, not copyrights.

  14. I think we get the idea by Anonymous Coward · · Score: 0

    Okay, I'm pretty sure that we all understand that the RIAA is not the nicest organization by now. How many more of these stories do we have to read?

    1. Re:I think we get the idea by Jimslam · · Score: 1

      I'd like to take this opportunity to point out that, while contrary to popular belief, we are not all required to read any /. article. Participation in the reading of posted articles is entirely discretionary.

  15. find me more cripples! by Anonymous Coward · · Score: 0

    did they even know he was disabled? when you're flinging out lawsuits left and right, you're bound to hit a few disabled folk.

    they probably have no idea, but they probably don't care, either.

  16. No way in hell that will ever work by scenestar · · Score: 0, Flamebait

    It might work in pansy liberal love fests like the netherlands but with the various fringe groups that inhabit the USA such a system involving fees on blank media would never work.

    first of all you got the "tough on everything" morons that will think it "sends out the wrong message" and secondly you got the "randian" cultists^h^h^h^h^h^h^h^h libertarians who will cry bloody murder over the fact that "they might use the blank media for something else".

    --
    perpetually dwelling in the -1 pits
    1. Re:No way in hell that will ever work by richie2000 · · Score: 1

      It might work in pansy liberal love fests like the netherlands but with the various fringe groups that inhabit the USA such a system involving fees on blank media would never work. USC TITLE 17, CHAPTER 10, SUBCHAPTER C, 1003:

      (a) Prohibition on Importation and Manufacture.-- No person shall import into and distribute, or manufacture and distribute, any digital audio recording device or digital audio recording medium unless such person records the notice specified by this section and subsequently deposits the statements of account and applicable royalty payments for such device or medium specified in section 1004.
      "Pansy liberal love fests like the USA". Heh, I think I'm going to start using that quote.
      --
      Money for nothing, pix for free
  17. Ob Simpsons by prakslash · · Score: 3, Funny
    The article summary reminded me of The Simpsons:


    Judge: Are you the Sony BMG lawyer who defended the root kit?

    Lawyer: No, that was the Warner lawyer.

    Judge: The same Warner lawyer who indicated to the court that he was going to give the family '60 days to grieve' before he would start deposing?

    Lawyer: No, that was the Motown lawyer

    Judge: The same Motown lawyer who was accused by a 15 year old girl of telling her what to say at her deposition?

    Lawyer: No, that was the Michigan lawyer

    Judge: The same Michigan lawyer brought suits against disabled people who have never engaged in file sharing, and whose sole income is Social Security Disability - a lawyer whose story that has just been posted on slashdot?

    Lawyer:Dohhh!!

    1. Re:Ob Simpsons by Anonymous Coward · · Score: 0

      That was actually in the Simpsons?

    2. Re:Ob Simpsons by Anonymous Coward · · Score: 1, Informative

      It's a reference to an episode where Homer is mistaken for Krusty the Klown and tries to convince the mafiosi he's someone else. The exchange went pretty much as described:

      Homer: I'm not Krusty, I'm Homer Simpson!
      Maifia: The same Homer Simpson who...?
      etc.pp.

  18. In Soviet Russia... by Anonymous Coward · · Score: 0

    the RIAA victim strokes you!

  19. Dream On! by Anonymous Coward · · Score: 2, Insightful

    Look at all the bullshit this nation is willing to put up with!

    Do you really think this means anything?

    The American ideal is dead. We are all just trying to keep our heads down and to survive the machine we have built.

    1. Re:Dream On! by gfreeman · · Score: 1

      The American ideal is dead.

      It'll be next on the RIAA-to-sue list then.

      --
      Ceci n'est pas un sig.
  20. Too close for comfort by AndrewNeo · · Score: 3, Funny

    I just saw 'RIAA sues victim in Michigan' and thought crap, they're getting closer!

    1. Re:Too close for comfort by Anonymous Coward · · Score: 2, Funny

      And next thing you know, with your website attached to this, and a nifty domain whois, they'll be marching through Saginaw to meet you.

    2. Re:Too close for comfort by spiderbitendeath · · Score: 1

      Least I'm not the only one. :)

      --
      Sometimes when I'm working on projects things disappear, I suspect gremlins.
  21. Re:i just need to know by Anonymous Coward · · Score: 1, Insightful

    You are, by purchasing their steaming piles of shit (err, music). Well, possibly not you personally, but the royal You, as in everyone who supports the extortionist business model on the back end.

  22. Comment removed by account_deleted · · Score: 2, Funny

    Comment removed based on user account deletion

  23. Do NOT "share" and AVOID the Penalty of LAW by Anonymous Coward · · Score: 0



    It is the job of a lawyer to do what is being done to the theifs out there. If you do not want to be at on the wrong side of the table do NOT "share" what is not yours to "share". Don't STEAL and you won't get wrung.

    1. Re:Do NOT "share" and AVOID the Penalty of LAW by Solra+Bizna · · Score: 1

      Don't STEAL and you won't get wrung.

      The RIAA has successfully sued people who were never proven or even reasonably suspected to have been filesharing.

      -:sigma.SB

      --
      WARN
      THERE IS ANOTHER SYSTEM
    2. Re:Do NOT "share" and AVOID the Penalty of LAW by dalleboy · · Score: 1

      Sharing is caring.

    3. Re:Do NOT "share" and AVOID the Penalty of LAW by Sethosayher · · Score: 1

      Wait, what!?

      --
      Current State: Pirates > Cowboys + Ninjas + Robots Yarrrr
  24. Whats the big deal? by Anonymous Coward · · Score: 0

    Whats the difference between recording music you hear on the radio and downloading the same song from the Internet?

    Honestly expecting one to be illegal and the other not and somehow your doing something wrong and "stealing" and hurting the world by using one over the other is utter nonsense.

    The fact that the US has gone off the IP deep end is just a reflection of bordom caused by technology making life way too easy for people. If people had a goal/mission that they really cared about they certainly would care much less about IP lawyers, who copied who..etc and do something that adds actual value and improves peoples lives.

  25. It works with books by Harmonious+Botch · · Score: 1

    It is times like this that I wish America would switch over to a system where blank media is taxed and they don't prosecute piracy.

    Why not do both?... Or most of both: tax the media and prosecute large scale piracy.

    It works with books. People who illegally do large production runs of coprighted material are almost almost always prosecuted, but those who xerox a few pages - or even a whole textbook - seldom are. Prosecute the large scale copiers and the small scale copiers will be discrete. Publishers don't suffer much from the small copier.
    And while there is no significant tax on paper, the intrinsic cost of it functions much like a tax.
    The US book publishing business has been stable in this regard for decades.
    1. Re:It works with books by sumdumass · · Score: 2, Insightful

      Do you understand this logic?

      Distributing something across the internet would be considered large scal productions. If you have a torrent and there are 20 people leaching from your half downloaded song and then you leave the torrent for a week, you have effectivly let several thousand people have the song. You are a large scale producer/pirater. And you need to get it from somewhere so you will need to have some large scale pirating system set up to get the ball rolling.

      Otherwise, you have exactly what we have today but now RIAA gets a cut from every picture CD you make of you last trip. Riaa gets a profit from you doing a backup to DVD of your documents. The only difference would be RIAA getting money for stuff totaly unrelated.

    2. Re:It works with books by ScrewMaster · · Score: 1

      Yes, but there's also the issue of profit. The individual running that torrent makes no money, earns himself nothing, could be seen as a net loss if he has to pay any bandwidth charges. Anti-piracy laws, so far as I understand, were targeted at large-scale copying operations selling copyrighted works for profit, i.e. the true pirates. Such pirates had to invest substantial sums in equipment (printing presses and so forth) and all the other expenses a big business incurs. Consequently, it was decided that similarly large penalties were needed to provide an adequate deterrent effect and/or punishment.

      The idea that a single individual could replicate a copyrighted work on a similarly massive scale worldwide with a few taps on a keyboard, with no investment in personnel or physical plant, was never considered when those old laws were penned. Yet, the penalties meant for illegal production facilities are being applied to individuals, which is insane. At least, the threat of such penalties is being used, which I guess is why so many people settle their cases out of court.

      In the United States, I believe the RIAA already gets a cut from blank media sales, as it is presumed they'll be used for copyright infringement (the MPAA/RIAA's default position always seems to be that there is no "substantial non-infringing use" for any new technology.) Was it the Audio Home Recording Act that authorized this? Can anyone enlighten us as to the facts there (I haven't had any coffee yet and I'm too tired to Google.)

      --
      The higher the technology, the sharper that two-edged sword.
    3. Re:It works with books by sumdumass · · Score: 1

      Yes, but there's also the issue of profit. The individual running that torrent makes no money, earns himself nothing, could be seen as a net loss if he has to pay any bandwidth charges. Anti-piracy laws, so far as I understand, were targeted at large-scale copying operations selling copyrighted works for profit, i.e. the true pirates. Such pirates had to invest substantial sums in equipment (printing presses and so forth) and all the other expenses a big business incurs. Consequently, it was decided that similarly large penalties were needed to provide an adequate deterrent effect and/or punishment.

      Your correct. It is about profit but it isn't about the profit someone else could make. It is about the profit the copy right owner could make. It doesn't matter if you made a fortune or lost it in the process, what matters it that you took that opertunity away from the proper legal owner.

      You do just as much damage to me finacialy if you give ten thousand copies away or if you charge the same amount as I do (or more) for those same ten thousand copies. The fact that you don't charge for it might have some relevence to the punishment or remedies availible but has nothing do in justifying the actions outside that you might be in less trouble if you didn't profit. The damage to the copyright owner is the same reguadless of your ability to profit.

      The idea that a single individual could replicate a copyrighted work on a similarly massive scale worldwide with a few taps on a keyboard, with no investment in personnel or physical plant, was never considered when those old laws were penned. Yet, the penalties meant for illegal production facilities are being applied to individuals, which is insane. At least, the threat of such penalties is being used, which I guess is why so many people settle their cases out of court.

      So, If i could find a way to replicate the mass marketing CD stamping that is as simples as a few tapps on the keyboard with no investment in personnel or a physical plant then I should be allowed to do it then?

      How about I creat a program, sell advertising in that program, maybe some suscription fees and let the sole purpose of this program revolve around you making your own CDs of music that you found distributed with my program. I have just did exactly what you described, I created a mass markete piriating operation without investment in personel or a physical building and machinery along with making it as simple as doing a few keystrokes on the keyboard. How is this differen't? The same amount of damage is done to the copy right holder if I built a stamping plant in China and sold the CDs at a lower cost then you do.

      In the United States, I believe the RIAA already gets a cut from blank media sales, as it is presumed they'll be used for copyright infringement (the MPAA/RIAA's default position always seems to be that there is no "substantial non-infringing use" for any new technology.) Was it the Audio Home Recording Act that authorized this? Can anyone enlighten us as to the facts there (I haven't had any coffee yet and I'm too tired to Google.)

      In the united states, 3% of the blank media sales goto the recording artist if and only if the media is labeled for music use. Ever wonder why when you buy a box of CDs, you have the choice of data or music cds? It is because there is a tax on the music CDs but not the data one. The only difference is in the labeling and the tax associated with it. But the act is intended to compesate for you recording something from the radio and copying your existing music collection.

      Napster tried to use this as an excuse in thier court case that left them high and dry. You see, copying music for your own personal use when you have already recieved the music from a legal vendor/source is called/considered fair use. Downloading music from someone who is distributing it against the copyright owners permision or wishes and then mak

  26. RIAA by ms1234 · · Score: 3, Insightful

    Instead of using RIAA start calling it the record labels. Now they're just pushing the bad pr over to an organisation that has nothing to lose.

    1. Re:RIAA by Anonymous Coward · · Score: 0

      Although I know plenty of people are unaware of it, there are some great record labels other than those which are direct or indirect members of the RIAA. Referring to the RIAA as "record labels" would only make the description less accurate and have even less of a direct association to the specific record labels (and their subsidiaries) which are involved.

  27. Then your justive system sucks by aepervius · · Score: 3, Insightful

    How do you prove you did not commit anything ? Find an alibi ? That's right : in most of the case you won't be able to prove you DID NOT commit anything. Proving a negative/absence of crime is illogical and neigh impossible. That should be the RIAA job to prove you commited infringement without reasonable doubt.

    --
    C. Sagan : A demon haunted world:
    http://www.amazon.com/gp/product/0345409469/
    visit randi.org
    1. Re:Then your justive system sucks by Anonymous Coward · · Score: 0

      That should be the RIAA job to prove you commited infringement without reasonable doubt.

      A criminal case requires "proof beyond a reasonable doubt", a lawsuit only requires a preponderance of evidence. The principle of "proof beyond a reasonable doubt" is too often ignored by juries, just belief that a person is guilty should never be sufficient to arrive at a guilty verdict. Lawsuits too often end in results related to the salesmanship of the attorneys and their paid for "expert testimony".

      In reference to the rest of your post the SCO case and the way the IBM lawyers are handling it is an example of telling the court "we don't have to prove our client innocent, the opposing lawyers need to specify what they say our client is guilty of and show some evidence of guilt". SCO lawyers keep saying they want IBM to show them what IBM is guilty of and present the evidence so they can use it against IBM. Having gone through this discovery process IBM is now telling the judge that SCO has not given any evidence of wrongdoing by IBM and is asking for summary judgement on the suit and their countersuit that they have shown evidence that SCO violated IBM copyright. Further they state they do not have to provide a defense because SCO hasn't shown any evidence they did anything wrong. The RIAA uses discovery in much the same way as SCO, IBM can afford all this nonsense but the general public can be ransacked by it.

      I think we need to enforce the constitutional principle of being secure in your home, person and private documents and apply the fifth amendment to them as well, people should not have to provide any evidence of their possible guilt beyond items that are known to exist and to be in their custody in a specific location and so listed by a search warrant. If the government or others can not prove something against you without seizing unknown evidence from you they should shut up and go away until they can.

    2. Re:Then your justive system sucks by digitig · · Score: 1

      It sucks lsee than any alternative that I know of. The defendant only has to "prove" themselves innocent better than the prosecution proves them guilty; that's what "Balance of probabilities means". If he can prove he wasn't in the State in which it happened, what are the RIAA going to have against him that trumps that?

      --
      Quidnam Latine loqui modo coepi?
    3. Re:Then your justive system sucks by Ronin+Developer · · Score: 1
      How do you prove you did not commit anything ? Find an alibi ?

      According the way the US justice system is supposed to work - you don't have to prove anything - the prosecution has to prove you committed the crime.

    4. Re:Then your justive system sucks by ScrewMaster · · Score: 1

      On the other hand, these aren't criminal cases. They're civil cases. I don't believe that "beyond a reasonable doubt" applies here ... something about a preponderance of evidence, which is a lower standard. But then again, I'm not a lawyer.

      --
      The higher the technology, the sharper that two-edged sword.
    5. Re:Then your justive system sucks by Anonymous Coward · · Score: 0
      The top line of my post was supposed to be blockquoted but apparently I erred somehow (preview showed it to be working though). However my part of the post begin with:

      A criminal case requires "proof beyond a reasonable doubt", a lawsuit only requires a preponderance of evidence.


      Then to complete the first paragraph I posted first a sentence on my opinion that juries fail to keep "proof beyond a reasonable doubt" in mind when making their decisions and then followed it with a sentence giving an opinion on lawsuit results.

      Hopefully now it is apparent that I agree with your stated understanding of the law and I apologize for my lack of clarity and hope my blockquote works after submit this time.
    6. Re:Then your justive system sucks by westlake · · Score: 1
      How do you prove you did not commit anything ? Find an alibi ? That's right : in most of the case you won't be able to prove you DID NOT commit anything. Proving a negative/absence of crime is illogical and neigh impossible. That should be the RIAA job to prove you commited infringement without reasonable doubt.

      What is it about the Geek that he can never quite grasp the most elemental distinctions between civil and criminal law?

      The RIAA doesn't have to prove its case beyond reasonable doubt.

      The RIAA only has to persuade a judge and jury that, on balance, its explanation is the more plausible.

      More to the point - since the odds are a bare 1% that a civil case ever will go to trial - much less to a verdict - it only has to make a credible argument for a pre-trial settlement.

    7. Re:Then your justive system sucks by Xenographic · · Score: 1

      > What is it about the Geek that he can never quite grasp the most elemental distinctions between civil and criminal law?
      > The RIAA doesn't have to prove its case beyond reasonable doubt.
      > The RIAA only has to persuade a judge and jury that, on balance, its explanation is the more plausible.
      > More to the point - since the odds are a bare 1% that a civil case ever will go to trial - much less to a verdict -
      > it only has to make a credible argument for a pre-trial settlement.

      Well, I think the point was that they haven't done that. They haven't shown *any* reason to think that they have credible evidence save a highly tenuous link given by letters from ISPs which have proven to be far less than accurate in the past. Believe me, were I on a jury, I'd demand more clear-cut evidence than "we have a letter from their ISP saying it was done from their account."

      Also, vulturing people too poor to defend themselves in the courts on the theory that your shoddy evidence can force them into a settlement isn't exactly endearing. It may, from a purely tactical point of view, be all that they have to do, but...

    8. Re:Then your justive system sucks by Slashdot+Parent · · Score: 1

      GP use a poor choice of words.

      Sure, you have to "prove your innocence" as a civil defendant, but only to the extent that your "proof of innocence" is better than the plaintiff's "proof of guilt".

      I see this all the time in one of my businesses: Landlording. If a tenant were to damage one of my apartments, I can sue him for damages, to the extent that his security deposit doesn't cover the cost of repairs. Now if I go in and say, "tenant made damages", and the tenant says, "No I didn't", then the judge will pretty much just toss the case.

      On the other hand, I take pictures of each apartment on move-in, and I'll take pictures of any damage a tenant caused. So when I go into court with my before and after pictures, the tenant is pretty much screwed. Unless he can produce some evidence that is more compelling than my photographic evidence, then he's going to lose.

      But that's not "proving your innocence" in the sense that I can make a wild accusation and it's up to you to prove beyond reasonable doubt that I'm a crackpot. Really, it's just "whomever presents the most compelling evidence in court wins".

      --
      They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
  28. Re:i just need to know by Psychotria · · Score: 1

    Yes, Valve is bad, but Steam isn't as bad as you're making out

  29. Consumerism Stroke by gekoscan · · Score: 0

    The more the RIAA presses these bullshit lawsuits the less I feel the need to purchase a cd ever again. I now make it a point to download/steal any song that I require.

  30. I have over 100,000 illegal mp3's and counting by Anonymous Coward · · Score: 0

    Come get me you pieces of shit. *waving my giant cock*

  31. In D&D Terms by ChromeAeonium · · Score: 1

    In short, the RIAA is as within its rights here as it is in any of its other cases. That's usually called Lawful Evil. They may be in full compliance with the law, but the whole thing's still pretty nasty.
    1. Re:In D&D Terms by edward2020 · · Score: 1

      And it all comes full circle...

      --
      Don't worry about the mule, just load the wagon.
  32. Mod Up - bogus argument by Weaselmancer · · Score: 4, Insightful

    This is an Appeal to Pity.

    Yes, we all know the RIAA kills puppies and causes gout. But is it too much to ask to find articles about the RIAA that simply tell the facts as they are about them? They're bad enough, and they'll stand on their own.

    --
    Weaselmancer
    rediculous.
    1. Re:Mod Up - bogus argument by nacturation · · Score: 1

      Thank you for posting that... I actually have that link in my clipboard and was about to post something similar.

      --
      Want to improve your Karma? Instead of "Post Anonymously", try the "Post Humously" option.
    2. Re:Mod Up - bogus argument by NewYorkCountryLawyer · · Score: 2, Insightful

      Which part of the story isn't factual?

      --
      Ray Beckerman +5 Insightful
    3. Re:Mod Up - bogus argument by jb.hl.com · · Score: 1

      None of it. However, there is a deliberate attempt to use facts (e.g. disability) for no other real reason than to slant the story in the defendant's favour. An appeal to pity.

      --
      By summer it was all gone...now shesmovedon. --
    4. Re:Mod Up - bogus argument by theckhd · · Score: 3, Informative
      For no reason than to slant the story? Really? Funny, when I read the summary, I noticed:

      defendant John Paladuk was living in Florida at the time of the alleged copyright infringement

      Mr. Paladuk suffered a stroke last year

      sole income is Social Security Disability

      The mention of the stroke does indeed have a purpose beyond emotional appeal. The medical bills from the stroke, combined with the fact that his base income is already small if he's on Social Security Disability, give the distinct impression that he might have financial difficulty mounting a strong defense in a case such as this.

      The whole point is that the RIAA is suing someone, who based on the evidence available is most likely innocent, just because he probably doesn't have the money to defend himself successfully. They probably hope he'll cave in and settle because it'll cost less than the extended legal battle he might face.

      I think NewYorkCountryLawyer included the medical information because it has a direct bearing on the interpretation of the RIAA's actions in this case. If all you saw was an appeal to pity, then maybe you need to re-read the summary again.
    5. Re:Mod Up - bogus argument by NewYorkCountryLawyer · · Score: 1
      Thank you, "theckhd".

      "jb.hl.com" complained that he wanted facts. I asked him which parts of the story weren't factual and he admitted that it was all factual.

      So what is his problem? That the facts make the RIAA out to be scum?

      What facts does he want? Facts making the RIAA out to be decent. legitimate businesspeople? I don't know of any.

      From their payola, to their oppressive recording agreements, to their lying to the Justice Department, to their collusion and pricefixing, to their suing children, disabled people, and lots of people who never even heard of filesharing, to their distortion and lies in court proceedings.... all the facts I know of make the RIAA out to be vermin.

      Sorry, "jb.hl.com", I can't make up facts for you. Only the RIAA lawyers can do that.

      --
      Ray Beckerman +5 Insightful
    6. Re:Mod Up - bogus argument by Reziac · · Score: 1

      I think the problem here is that the appeal to pity is perceived as exactly the same sort of tactic as the RIAA's use of fear -- emotional first and foremost, thus dishonest. And to others here, both points are factual enough, but neither is physical evidence, thus not (to their view) valid.

      But in court you've gotta use every weapon you're handed -- and as I understand it, that's also the defense lawyer's duty to his client, just as the RIAA lawyers' duty is to use every weapon they can for their client. If that requires a battle of good emotions vs nasty emotions, well, that's what you do. :(

      Whilst RTFA'ing, I did wonder why the RIAA doesn't just sue EVERYONE and get it over with. :/

      Hmm. Is there such a thing as an inverse class action suit, where an entity can bring suit against a broad class of the Public?? (As contrasted to the public class bringing suit against an entity.)

      What a horrifying idea. I think I'll go wash my brain out with soap.

      Hmnmmmmm.... this is probably just a soap bubble, but what about a class action suit against the RIAA, alleging emotional abuse?? probably wouldn't go anywhere, but if it made a stink and tied up their resources, it might have value.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    7. Re:Mod Up - bogus argument by NewYorkCountryLawyer · · Score: 1
      Well all I can say to those who are under the impression that compassion, and pity, and mercy, and ordinary decency, have no place in the law... (1) you are wrong, and (2) I would not be a lawyer if I agreed with you.

      If you think it's okay for our justice system to oppress helpless people, I beg to differ.

      --
      Ray Beckerman +5 Insightful
    8. Re:Mod Up - bogus argument by NewYorkCountryLawyer · · Score: 1
      Also, by the way, I do not consider it okay for a lawyer in civil litigation to "use every weapon you're handed". I believe lawyers should in civil cases should be selective about who they represent, and should not use every weapon they're handed. This is not about the law of the jungle.

      Civil litigation should be carried out honorably, and fairly.

      At least that's the way it is among the better lawyers.

      The RIAA lawyers use every weapon they can envision, even ones that backfire.

      --
      Ray Beckerman +5 Insightful
    9. Re:Mod Up - bogus argument by Reziac · · Score: 1

      I certainly don't believe it's okay to use the justice system to oppress people; quite the reverse. I've been screwed over by a glitch in the justice system myself. And I'm in a profession where under local law, my constitutional rights can be trampled with impunity.

      What I was pointing out is that a lot of people here, being they're still at that stage of life where everything fits into tidy and logical pigeonholes, just don't see why pity and mercy have a place in the courtroom, or should be considered along with physical evidence.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    10. Re:Mod Up - bogus argument by Reziac · · Score: 1

      Well, that's because you're an ethical lawyer, not a sleezebag :)

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    11. Re:Mod Up - bogus argument by Xenographic · · Score: 1

      > If you think it's okay for our justice system to oppress helpless people, I beg to differ.

      I'm not sure that many people think it's "okay" so much as they think it's within the rules. And by "within the rules" I mean that they think that the RIAA can get away with it, at least for the most part.

      Which is why I'm glad that you're helping people fight back. I sincerely hope you manage to turn the tide against them, but I have to wonder. Did you this discussion about how file sharing is "harmful to children" because, of all things, "peer-to-peer networks could manipulate sites so children violate copyright laws more frequently than adults, exposing those children to copyright lawsuits and, in turn, make those who protect their copyrighted material appear antagonistic"? This is really getting out of hand... :/

    12. Re:Mod Up - bogus argument by NewYorkCountryLawyer · · Score: 1

      Well there's a word for a person who thinks pity, compassion, mercy, and ordinary decency aren't important; it's "sociopath".

      --
      Ray Beckerman +5 Insightful
    13. Re:Mod Up - bogus argument by Reziac · · Score: 1

      I wouldn't argue that slashdot lacks for sociopaths :/ That's one of the problems with the "everything fits in a pigeonhole" mentality. There's no room left for humanity.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    14. Re:Mod Up - bogus argument by NewYorkCountryLawyer · · Score: 1

      Well let's fight back against that kind of thinking. We are humans first.

      --
      Ray Beckerman +5 Insightful
  33. Re:They have to do this, folks, you don't understa by sumdumass · · Score: 1

    All RIAA has to do is say they reviewed their facts after considering the defendents reply, We now understand that a mistake was made. It is likely they were wrong on this one particular case.

    OR they could talk to the defendent and make a deal with him and say, "We have come to an agreement that settles the dispute on copyright infringment without going to trial." "We move to have the case dismissed."

    There isn't anything binding them to court. There are provisions within the realm of law that will allow this to be stopped without any ill effects to their position. Any lawer with enough imagination to get into this mess certainly has enough to get out if he wished to.

  34. O rly? by Pichu0102 · · Score: 1

    Suing the disabled is not new to the RIAA.


    Understatement of the year brought to you by Slashdot.
  35. RIAA are terrorists? by geoff+lane · · Score: 2, Interesting

    Why not? Their tactics are intended to scare people into changing their behaviour without regard to the victims involvement in the process. Isn't that the definition of terrorism.

    1. Re:RIAA are terrorists? by symes · · Score: 2, Interesting

      Why not? Their tactics are intended to scare people into changing their behaviour without regard to the victims involvement in the process. Isn't that the definition of terrorism.


      You have a good point here - except that terrorists don't tend you act within the law. But it does raise a related issue. Americans, in particular, have had a long and healthy tradition of taking up arms and fighting against organisations/people who have threatened their rights for freedom. As its beginning to look that the legal issues of downloading are just not what the majority of US citizens want I wonder how long before some slumbering giant is woken?

    2. Re:RIAA are terrorists? by Urza9814 · · Score: 1

      Uh, I'm pretty sure that the RIAA doesn't always act within the law either. They just pretend they do.

    3. Re:RIAA are terrorists? by NewYorkCountryLawyer · · Score: 1

      They are totally outside the law on this litigation campaign, making up the law as they go, resting their case on slender to non-existent evidence, and making up for it with an endless stream of lawyers and money.

      --
      Ray Beckerman +5 Insightful
    4. Re:RIAA are terrorists? by homer_s · · Score: 1

      resting their case on slender to non-existent evidence, and making up for it with an endless stream of lawyers and money.

      The fact that the system allows this sort of behaviour is the bigger problem (and it is not an accident that it is setup this way).

    5. Re:RIAA are terrorists? by NewYorkCountryLawyer · · Score: 2, Informative

      Yes it is a problem, only I'm not sure the system does allow it. They are getting their head handed to them in Capitol v. Foster, and I am hopeful the 'system' is catching up to them elsewhere.

      --
      Ray Beckerman +5 Insightful
    6. Re:RIAA are terrorists? by Reziac · · Score: 1

      [goes off, reads blogstuff]

      Hmm. If the RIAA sues the average defendant for $3800, and the average case COSTS the RIAA [pulls number out of ass] $20,000 -- how long can they get away with this circus before it becomes evident to the courts that it has absolutely nothing to do with any money they're losing from filesharing, since it's costing them more for each suit than they ever *planned* to collect??

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  36. % Disabled? by Quantam · · Score: 1

    Has anyone ever compared the percentage of the people RIAA has sued that are disabled to the percent of disabled people in the general population?

    --
    You have tried to support your argument with faulty reasoning! Go directly to jail; do not pass Go, do not collect $200!
    1. Re:% Disabled? by Reziac · · Score: 1

      A couple years ago, I speculated that the RIAA is doing financial assessments of their targets prior to filing suits -- because ISTM that the victims were disproportionately in an economic class that would be unable to fight such suits, and would find the numbers so scary that they'd quickly cough up their life savings rather than fight it. And in my experience, disabled people are *more* likely than average to just roll over and take it, and are *more* likely to be on a fixed income and without the resources to fight a lawsuit. So as you suggest, these disabled targets may not be all that random... even if the nonrandom factor is primarily the economic bracket being targeted, rather than disabled persons as such.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  37. Don't steal....and don't buy BOYCOTT!!!!! by gridsleep · · Score: 1

    I say BOYCOTT THE ENTIRE ENTERTAINMENT INDUSTRY! Don't steal their putrid crap, don't give them any excuse to indemnify you. But don't buy it, either. Don't go to movies, don't rent movies, don't buy DVDs, don't buy CDs, don't download music for 99cents a pop, don't do any of it. Attack them legally by not giving them any more money. Show them who's boss. Us. The people. Remember, if you go see a movie or buy a song, you are financing these scum sucking litigants. Power to the people.

  38. FUCK YOU RIAA by Anonymous Coward · · Score: 0

    god damn ri FUCKING aa recording asshats fuckers can suck my ass and die. EAT SHIT fuckwads i'll rip yer doddamn balls off you piece of shit cumswallowing gay shit pushing fuckwads you GODDAMN DISABLED PARALYSED GRANDPA RAPE FUCKERS!!!!!!!

  39. Oh yea smarty pants ... by Anonymous Coward · · Score: 0

    How long untill they sue the deaf?

  40. Correction! by Builder · · Score: 1, Redundant

    Warner Music are suing this person. Where does it say that the RIAA are suing ?

    1. Re:Correction! by novus+ordo · · Score: 1
      Summons says :

      WARNER BROS. RECORDS INC.; UMG RECORDINGS INC.; SONY BMG MUSIC ENTERTAINMENT; ARISTA RECORDS LLC; and BMG MUSIC
      Those are the big boys of RIAA. Learn 'em, avoid 'em. There's plenty of artists out there who aren't sellouts. I am not a fan of music created in indentured servitude. It ends up sounding plastic and pathetic. And you're likely to disappointed in a live show when you figure out all the "enhancements" they have so blissfully done. Music should come from the heart and not from some contract on some synthetic schedule and then get gutted in the editing room ready for consumption by zombies.
      --
      "You're everywhere. You're omnivorous."
    2. Re:Correction! by NewYorkCountryLawyer · · Score: 1

      It doesn't "say". That's part of the RIAA's scam. But in fact the RIAA is running the litigation.

      --
      Ray Beckerman +5 Insightful
  41. What do they hope to win? by SleepyHappyDoc · · Score: 1

    I'm not completely familiar with the US disability system, but I know that in other countries, disability cheques are protected income...they can't be garnished or otherwise taken from the recipient by any means, as the money is legally considered to be the bare minimum the person needs to live. Can the sued guy not just say to the court "Yup, I did it. I'll send the RIAA a cheque as soon as I can afford it." (meaning never)?

    --
    Stasis is death. Embrace change.
  42. BTDT... by msauve · · Score: 1

    where have you been?

    Copy all the CDs you want, legally!

    17 USC, Chapter 10, Subchapter A, Section 1008 specifically states:
    No action may be brought under this title alleging infringement of copyright based on the manufacture, importation, or distribution of a digital audio recording device, a digital audio recording medium, an analog recording device, or an analog recording medium, or based on the noncommercial use by a consumer of such a device or medium for making digital musical recordings or analog musical recordings.

    Section 1001 defines a "digital audio recording medium" to be:
    any material object in a form commonly distributed for use by individuals, that is primarily marketed or most commonly used by consumers for the purpose of making digital audio copied recordings by use of a digital audio recording device.

    In more common language, this refers to audio/music CD-R discs, which are made to work in digital audio recorders. These discs are different from the more common data CD-Rs, in that they contain special digital markings (standard data CD-Rs won't work in digital audio recorders). In addition, by law a royalty has been paid on this blank media. These royalty payments are in turn distributed to copyright holders (see Section 1006 of the law cited above). They usually cost slightly more than data CD-R discs, but they can be found for less than $0.50 each.

    So go ahead, make copies onto music/audio CD-R discs, even give copies to your friends. You can do so legally and ethically - you've paid for the right to do so. (And the RIAA fought for this law. Thanks, MAFIAA!)

    --
    "National Security is the chief cause of national insecurity." - Celine's First Law
    1. Re:BTDT... by cpt+kangarooski · · Score: 2, Interesting

      No, you can't give them to your friends. That would infringe the distribution right due to an extremely careful bit of rewording of the bill that RIAA got through without anyone really thinking about the effect. You see, the big exception to the distribution right is the first sale exception, which applies to any copy lawfully made under the Copyright Act. But AHRA compliant copies are not lawfully made, technically, they're just not actionably made. That is, they're infringing but no lawsuit can be brought on the basis of their making.

      So it'd be better to lend people the original, lawfully made CDs and let people make their own copies. Except of course that the RIAA also got a law passed to prohibit the lending and rental of music (otherwise it'd be just as legal as video rental, which anyone can do for free, so long as they use lawfully made copies) with broad language that probably applies to individuals. This means that when you lend a friend a CD, you probably have to rely on fair use, which is fine for ordinary lending, I'm sure, but probably no good if you're doing so for the purpose of having them make copies as a substitute for having to buy their own.

      So let's not thank them too much.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:BTDT... by Anonymous+Brave+Guy · · Score: 1

      This means that when you lend a friend a CD, you probably have to rely on fair use, which is fine for ordinary lending, I'm sure, but probably no good if you're doing so for the purpose of having them make copies as a substitute for having to buy their own.

      And the problem with that is...?

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    3. Re:BTDT... by msauve · · Score: 1

      If you give the media (transfer title, which is different than physical possession) to your friend first, then copy onto it, you are not "distributing" the material. And, as you say, no action can be brought for the actual copying.

      Of course, ethically there is no problem, since royalties are paid on every piece of blank media. There's further legal argument to be found there.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
    4. Re:BTDT... by cpt+kangarooski · · Score: 1

      My problem with it is that I think that there should not be a special rule for phonorecords. They should fall fully under section 109, the same as videos, books, and everything else. No one seems to think that it is objectionable that a video rental store ought to be able to buy copies of DVDs from ordinary retail stores and then rent them to the public for profit without the authorization of the copyright holder. Why shouldn't the same be true for music? It's common in other places around the world (e.g. Japan) and seems not to have had adverse effects. I think that we ought to do it here.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:BTDT... by cpt+kangarooski · · Score: 1

      True, but if the transfer is perceived as too much of a straw transaction then it will be ignored. It would be risky to try to do get around the limits in 109 without losing too much control. (e.g. giving your friend the copy and then having them never give it back, which would be fair of them if you had really given it in the first place and had no further interest in it)

      Also, n.b. that royalties are not paid on all blank media. Only on certain blank media. For example, an ordinary CDR is not the same as an Audio CDR; only the latter has an AHRA royalty.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    6. Re:BTDT... by Anonymous+Brave+Guy · · Score: 1

      Perhaps I'm misunderstanding your objection. I don't see a problem with lending out a copy of a work you have fairly bought for others to enjoy temporarily (regardless of media type). What I do see a problem with is lending works out so that others can then make copies for themselves to keep instead of buying originals. That collective act is no longer simple lending, it is duplication, and contrary to the very principle of copyright. Your earlier post -- at least, the part of it I quoted -- seemed to be saying that you thought this was OK too.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    7. Re:BTDT... by msauve · · Score: 1

      It would be risky to try to do get around the limits in 109 without losing too much control. (e.g. giving your friend the copy and then having them never give it back, which would be fair of them if you had really given it in the first place and had no further interest in it)

      I don't follow.

      The intent is for the friend to have a copy (I don't want it back, I have an original). The process is to give the blank Audio CDR (part of "all media," in this context) to the friend, and then copy onto it as allowed by the AHRA. It is then theirs. This is not substantially different than them providing the blank media, onto which I copy.

      The copy they then have is not subject to the first sale doctrine, so they could not sell or give it away (not even back to me). They could, however, repeat the same copying process under the AHRA.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
    8. Re:BTDT... by cpt+kangarooski · · Score: 1

      Well, what I'm saying is that we have the AHRA, and that in the rare case that someone complies with the AHRA, they are protected from being sued based on their AHRA-compliant reproduction. And third parties who would ordinarily face secondary liability suits that used that reproduction as the necessary direct infringement, are also protected by the AHRA. So if Alice distributes a CD to Bob, with knowledge at the time that Bob will make a copy pursuant to the AHRA, Bob cannot be sued, and Alice cannot be sued for her contribution to Bob's non-actionable infringement. But distribution is an act of direct infringement, and so Alice could be sued for that, and the AHRA would not protect her. Neither would fair use, most likely. And due to the special exception in first sale, neither would first sale.

      I think that there is no reason to treat music specially. If we had an AHRA that applied to videos instead of to music, then Alice would be protected in the above scenario, mutatis mutandis. And even if we didn't, she would at least have a fighting chance in arguing that first sale effectively protected her under a secondary liability theory.

      So first, if we're going to have an exception for some reproduction, then we ought to permit lending incident to that. For AHRA cases, rare as they are, the AHRA moots your objection to permitting reproduction. Second, it would be desirable to treat music the same as other media. The world of books does not seem to be adversely affected by libraries and book-lending, both public and private. The world of film does not seem to be adversely affected by libraries, video rental stores, and video-lending, both public and private. I do not see that music is any different at all.

      As for whether I personally think that reproduction is okay -- as apart from whether the law permits it at times, e.g. under the AHRA -- I think that an excellent change to copyright law would be an exception for all activity engaged in on a strongly noncommercial basis (e.g. no ads, no exchange of money, no exchange of works) by natural persons. This is because the "very principle of copyright" is not that reproduction should be regulated, but that the public interest should be maximally satisfied. Part of the public interest is encouraging works to be created and published, but another, equal part is having no or minimal copyrights. If the benefit of the affected persons not being restrained by copyright would outweigh any lack of benefit caused by a reduction in works created and published, then it ought to be done. I think that this is likely the case, especially given that we're very nearly in that situation now, and yet plenty of works still seem to be created.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    9. Re:BTDT... by cpt+kangarooski · · Score: 1

      Well, there are a few likely possibilities:

      1. Alice has an authorizedly-made CD. She makes a copy pursuant to the AHRA. She gives the AHRA-copy to Bob. This infringes on the distribution right because it is a distribution, it is not exempted by first sale (which only applies to lawfully-made copies, which AHRA-copies are not), and is likely not exempted by fair use (since it's meant as a way for Bob to avoid having to get a lawfully made copy).

      2. Alice has an authorizedly-made CD. She gives the authorizedly-made copy to Bob. Bob makes his own AHRA-copy. Bob gives Alice the authorizedly-made copy back. If this was a transfer of ownership in the authorizedly-made CD, then it is exempted by first sale. But if it is lending, and is not otherwise exempted (again, fair use is likely no help here), then it is infringing. A court can look at the underlying nature of the transaction; 'sale' or 'transfer' are not magic words that dictate what the transaction actually is.

      3. Alice has an authorizedly-made CD. She makes her own AHRA-copy. She gives the authorizedly-made copy to Bob. Bob keeps it. Maybe in the future, Bob will make an AHRA-copy and give the authorizedly-made copy to Carol. Alice will never get the authorizedly-made CD back. This would be lawful. But I think it's probably the least likely scenario. I suspect that most people would prefer to have the pressed CD than to be left with a burned one. (Actually I suspect that hardly anyone ever uses AHRA or would bother even if they knew about it and knew how to, but let's not drift off point)

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    10. Re:BTDT... by cpt+kangarooski · · Score: 1

      I took a look at the statute in question and found that my recollection of it was mistaken: it's only not first sale to lend a phonorecord for purposes of commercial gain. My argument still stands re: commercial lending of phonorecords, but moots the private lending issue. Sorry about the mistake.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    11. Re:BTDT... by Reziac · · Score: 1

      Copyright didn't originally mean the right to COPY; it conveyed the right to PUBLISH. This distinction has been lost in recent years, but were it to be regained, private noncommercial copying such as you describe should be allowed by default, because by definition it is not *publishing* (ie. making PUBLIC).

      Back in 1975, the Library of Congress itself informed me that if I wished to register a copyright, I *must* publish, that is, make the work available to the public (in the original sense of the word "publish"). This point seems to have gone away as of the change that made all works copyrighted the moment they're created, without necessity of registration.

      So... I find your concepts in complete agreement with the original intent of copyright.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    12. Re:BTDT... by cpt+kangarooski · · Score: 1

      Well, you may have me slightly wrong, though you're right about your history.

      The original intent of copyright wasn't to regulate publishing, but to better satisfy the public interest. It merely did this by means of regulating publishing. Personally, I'm not married to any specific means of accomplishing the goals of copyright. If regulating publishing will do the trick better than anything else, then that's fine, but if not, then that's fine too. What I'm mainly concerned about is how to get the most satisfaction of the public interest for the least cost to the public.

      So in fact, I think that so long as it was noncommercial and only engaged in by natural persons (i.e. human beings, not corporate entities, etc.), even public copying would be okay. Thus things like unrestricted P2P networks would be legal, at least so long as there were no ads involved at any step along the way, nor sharing quotas, nor exchange of money, etc. Certainly this would have a significant negative effect on the market for works, and would result in fewer works being created. OTOH, I think that those downsides to this would be more than made up for by the increased freedom of the public with regard to those works, since that is also just as much in the public interest. Further, this sort of piracy is widespread and hard to stop right now, even with our awful copyright laws. Yet there still seems to be a pretty booming market. I know plenty of people who engage in piracy, but who also go to the movies, go to the theater, buy authorized copies of things, etc.

      Also I'd like to see registration as a necessary formality again, but I'm sure we don't need to get into the whole of my agenda.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    13. Re:BTDT... by Reziac · · Score: 1

      I do agree with you about the public interest. And when copyright is used as originally intended, it serves both to increase the public good, AND to increase the good (ie. profits) to individuals; that is, to natural persons, who by definition are part of the public. Conversely ISTM that the only real winners under the altered copyright laws are the corporations.

      There are only two points where I disagree with you:

      I think removing the fear from piracy, ie. making natural-human, noncommercial copying legal, would *increase* the market for most works, by sheer increased exposure.

      In my experience, just hearing something once or twice seldom produces the urge to own The Real Thing -- but multiple exposures can create a sort of addiction that demands to be satisfied with a better grade of fix (ie. The Real Thing). And clips don't do it -- in fact, they usually annoy the ear, rather than cause one to want to hear the whole song. -- Radio used to fulfill this job of multiple exposures to create addiction (and still does for the Top 40 market), but now P2P does the same job, for not only the Top 40 but also for all the little guys. It's literally free advertising for everyone. The only losers here are the people who *sell advertising* TO commercial radio... P2P gives them no ears and no market demographics.

      In fact, in my observation P2P has already had a huge positive impact for the little guys, who otherwise would never get heard at all by the greater market. Between P2P and internet radio (functionally the same thing) these small local bands can now reach a global audience, and it becomes worth their while both to tour, and to press/sell commercial CDs. Thus garage bands' audience is no longer limited to local sock hops and gin joints, and the wider public receives an increased choice of music (thus the public good is served both ways).

      Witness: There are over 6000 touring bands listed on pollstar.com -- most of them bands that couldn't have got a gig out of their local town 10 years ago. And there are thousands of minor bands' albums available at major retail outlets (albeit primarily online, but who'd call Amazon trivial?), that in previous decades were only seen as DJ promo copies or special orders; you couldn't just buy them off the shelf.

      And point #2 -- as I've said elsewhere, I think P2P could be used as a paid distribution medium for commercial works: watermark and track each file, and make micropayments to people who host and distribute these files to paying customers. (Rapidshare and similar outfits already do something sortof like this -- people who host files there get "points" for every file that's downloaded from their account.) Yeah, some would escape into the wild and propagate outside the system, but how does that differ from today's situation?? And if the price is right, most people will take a convenient, known-good source over having to hunt all over hell for the same content.

      And as to your whole agenda, I find your views very interesting, and mine aren't set in stone, so feel free to expound :)

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  43. I Have A Dream by TechForensics · · Score: 1

    ..that one day, our Congress will rise up and force the **AAs to give back the money they extorted from every single file sharer, all 50,000 or so who were ever sued.

    --
    Those are my principles, and if you don't like them... well, I have others.
    1. Re:I Have A Dream by EzInKy · · Score: 1

      ..that one day, our Congress will rise up and force the **AAs to give back the money they extorted from every single file sharer, all 50,000 or so who were ever sued.


      Since the RIAA has Congress so firmly in their pockets I believe we will have to bypass it altogether.

      There are essentially two ways spelled out in the Constitution for how to propose an amendment. The first method is for a bill to pass both houses of the legislature, by a two-thirds majority in each. Once the bill has passed both houses, it goes on to the states.

      The second method is for a Constitutional Convention to be called by two-thirds of the legislatures of the States, and for that Convention to propose one or more amendments. These amendments are then sent to the states to be approved by three-fourths of the legislatures or conventions.

      My suggestion would be for an amendment that would be worded along the lines of "Congress shall make no law prohibiting the free sharing of information among the people."

      --
      Time is what keeps everything from happening all at once.
    2. Re:I Have A Dream by j00r0m4nc3r · · Score: 1

      ..that one day, our Congress will rise up and force the **AAs to give back the money they extorted from every single file sharer, all 50,000 or so who were ever sued.

      Is that the same dream where Carmen Electra and Heidi Klum both end up naked in your bedroom with two suitcases full of cash each, while you polish your Nobel prize and smoke fine cuban cigars? I love that dream...

  44. For the RIAA it is an AND no an OR situation by SmallFurryCreature · · Score: 1

    They want a tax on blank media AND prosecute file sharers. That at least is the case in the netherlands and you can see them trying to do the same in canada. Just because the judges have made it "legal" to download in the frozen wastelands of north america does not mean it is legal to upload.

    So no a tax on blank media would NOT be good, not until the RIAA and the likes learn to accept that they cannot have it all.

    What you have to remember is that the RIAA is not so much against file sharing but against any loss of absolute control of what happens to content. If you elimated all filesharing right now they would launch a crusade against people ripping CD's and putting them on mp3 players, you would have people in court being charged with having more then one copy of a song they bought.

    Somewhere in the media industry the idea has grown that they have the absolute god given right to control exactly what happens to their product even after it is sold. It is unique to the content/software industry and it is an evil thought. Imagine for a second any other industry doing the same, Ford saying that you cannot share your car with your wife, cookie company forbidding you to go halfies, it would be idiotic.

    You cannot reason with the RIAA. It would be like trying to reason with a hungry shark and you in the water, miles away from land. Sure I suppose you could cut of your finger and feed it to the shark and hope that will satisfy it. It is a novel approach and untested. Or maybe people tested it and for some reason they were never heard from again. I wonder why.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  45. Somebody make a movie!! by xtracto · · Score: 1

    Really, someone should make a documentary or movie about all these lawsuits. I think there is *enough* material for a good documentary and I am sure people in USA would pay more attention if the information was spoon fed by TV.

    Were are the "The Corporation" guys or Michael Moore when he is needed? ...

    --
    Ubuntu is an African word meaning 'I can't configure Debian'
    1. Re:Somebody make a movie!! by NewYorkCountryLawyer · · Score: 2, Informative

      There are, in fact, several documentary films about it in the works right now as we speak.

      --
      Ray Beckerman +5 Insightful
    2. Re:Somebody make a movie!! by Anonymous Coward · · Score: 0

      Unfortunately there are also many of them paid for by RIAA/MPAA etc out there and no doubt more in production that are fed to our children, teachers, politicians and media. Hopefully some of these you speak of will replace the propaganda pieces used currently in the school systems with valid copyright education.
      Perhaps a bit offtopic but relevent to my previous statement: Would love to see some discussion in schools and in the media over how, for example, Disney has locked in previously public domain stories for their own use. Hopefully, one day the tide will turn.

  46. Oh goodie by SmallFurryCreature · · Score: 1

    First off some people have trouble admitting something in court that they did not do. Silly isn't it?

    It would also mean that he owes that money for the rest of his life (even presuming that in the US they have socialist protections against people being forced to live below the bare minimum, hell even in the EU these basic human laws are being torn apart by the servants of evil)

    Imagine he won the lottery or got an inheritance OR even managed to recover, he would then have to pay the RIAA whatever he got for something he didn't do.

    That is your idea of a smart move?

    The guy claims he wasn't in the state were the infringement took place, offcourse that in itself doesn't prove a thing, there is after all remote access. I am not in the same province as my webserver either, doesn't mean I am not responsible for it. IF he is telling the truth then he is innocent. I would hate to think that innocent people have to say they are guilty just to avoid the cost of a lawsuit. I am aware that this happens in criminal cases already and it is extremely bad. It is a fundemental attack on the very basis of a fair legal system. Make it so costly to defend yourselve that the poor are criminals by default.

    The witch hunts worked this way. I think that in general it was thought to be a good thing that these and similar practices were ended and that everyone deserves a fair trial. Even the innocent.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  47. Re:Don't steal....and don't buy BOYCOTT!!!!! by IceDiver · · Score: 1
    I'm doing my part!

    I haven't even owned a television since last summer!

  48. Public Media by nurb432 · · Score: 2, Insightful

    This is just insane but it doesn't do much good for us all to sit here and whine about it to ourselves. *we* are not the market that keeps funding these people. Howver, *we* have a responsibility to mobilize and get the word out to the *regular public*. Call every talk show you can print flyers.. Spread the word, while we still have the right of "freespeech" on our side.

    --
    ---- Booth was a patriot ----
    1. Re:Public Media by boriquajake · · Score: 1

      Ahhh yes, I remember when I was 17 too. How freaking cute.

      --
      I only scored 35% on the Nerd Test, I'm sorry.
    2. Re:Public Media by nurb432 · · Score: 1

      Do you actually have a point? Or was it yesterday when you turned 17 and now you are supposedly an adult? Idiot.

      --
      ---- Booth was a patriot ----
    3. Re:Public Media by boriquajake · · Score: 1

      Look I don't mean to get into some kind of gay flame war. I don't have time or energy to get into an argument over why trying to fundamentally alter human behavior to make a point is ridiculous. It is just pretty obvious that only someone under 20 or mildly retarded would actually post what you posted. Anyone who has known how to read for more than 15 or so years would know that what you were saying is absurd. Write back when you have had to pay bills on your own for a few years, oh callow one.

      --
      I only scored 35% on the Nerd Test, I'm sorry.
    4. Re:Public Media by nurb432 · · Score: 1

      Dont want to get involved an a 'gay flame war'? Well, you might want to consider your responses first, as they are rather inflammatory by nature.

      You have issues, i think a therapist might help you out some. Or perhaps jump off a bridge.

      And feel free to respond however you wish, and get the last word in, I'm done with this, and you.

      --
      ---- Booth was a patriot ----
    5. Re:Public Media by Anonymous Coward · · Score: 0

      It's obvious to me that only someone whose mental age is under 12 would use the words 'gay' and 'retarded' as you did.

      Idiot.

  49. How does this happen in America? by okinawa_hdr · · Score: 0, Offtopic

    Here, I propose an easy solution: 1. Grab pitchforks 2. Storm RIAA headquarters with 1,000,000 people 3. RIAA never screws with an American (Disabled or not) again Problem fucking solved. You're welcome.

  50. Re:They have to do this, folks, you don't understa by NewYorkCountryLawyer · · Score: 4, Informative

    1. The surest sign of an RIAA troll is a post that starts out

    "I'm no fan of the RIAA, but ...."

    2. That is a complete fabrication about the law; there is no such thing as "selective prosecution" in civil litigation. (In fact, even in criminal law it's a concept that exists on paper, but is almost never an issue in reality. Prosecutors are supposed to be selective and have "prosecutorial discretion" to pick some cases as worthy of prosecution, and others not.)

    --
    Ray Beckerman +5 Insightful
  51. Let's Play "Spot the Troll" by NewYorkCountryLawyer · · Score: 1, Flamebait

    1. This story, for some reason, has the RIAA trolls out in droves.

    2. I don't know if it's several of them, or if it's one person with several ID's.

    3. But I'm finding it fun to spot the user ID's that are trolling for the RIAA, and marking them "foe", other than the AC's.

    4. I hope you'll all join in the fun.

    5. I hope those of you with moderation points will play, too.

    --
    Ray Beckerman +5 Insightful
    1. Re:Let's Play "Spot the Troll" by Reziac · · Score: 1

      [goes off, in the interests of evidence reads a couple hundred posts by NYCL's foes]

      Far as I looked (at about half your foes and mainly at their comments re RIAA/DMCA/DRM) I only see one probable-RIAA-shill (I didn't mark who it was, but speaking as an experienced editor, his posts had the flavour of ad-agency writing and copy-and-paste). The rest are expressing pretty much the same opinions they always have on any related topic, and some of these folks were here way before the lawsuits started.

      Sadly, there are a few people here as everywhere who honestly believe that if someone is accused of $foo, they are certainly guilty of $foo, because anyone who gets themselves so-accused is just too cheap to pay for anything. Likewise, there are some people who believe that The Law Is Always Right, and if you object to unfair laws and unfair applications of those laws, it can only be because you want to Break The Law With Impunity.

      This doesn't preclude vested interest, but it doesn't necessarily follow that someone is an RIAA shill, either. Frex, I have a computer client who is an independent writer, and he LOVES the DMCA and the lawsuits, and will quote you chapter and verse in support of his viewpoint; in fact he's busy suing libraries himself (allegedly some of his old articles are being infringed by being included by indexing services). He sees the DMCA as a potential source of free money, much as the RIAA does. If he did forums, he'd be flaming away with the best of 'em, expressing his honestly-held if misguided belief that we're all a bunch of thieves for objecting to abuses encouraged by the DMCA. But I don't think that qualifies him as a "troll".

      [Industrial-sized irony: my client's articles were not exactly "original"; they consisted *entirely* of regurgitated promotional literature.... er, "research".]

      Anyway, I'll go back to the cheering section now -- all the above aside, I'm very glad we have people like you with the guts to defend regular folks from the RIAA's abusive tactics. Keep up the good work!

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  52. As a creative artist, I hate these people... by Garwulf · · Score: 1

    Okay, I've got to say this about the RIAA - I well and truly hope that somebody puts them down for good. A class action suit, SOMETHING.

    I am a published author, and assuming nothing falls through with my publisher, I've got a book coming out later this year that should be quite interesting - and, I want my copyright protected. I don't want people pirating the year and a half of hard work of myself and my co-author. I'm not greedy, I'm not evil - I just worked (and am still working) hard on this, and I want what is reasonable - that my, and my co-author's, wishes in regards to how it is distributed be respected. That's all.

    What are these wishes? That the students who buy it (it's a textbook on ancient Greek and Roman humour) buy it as it is published - as a printed book. We're even looking at having an electronic copy attached on CD that they can use on their laptop during class. If they want to sell it to a friend when they're done with it, that's fine. If they want to buy it from a used bookstore, that's fine too. It's if they take the book and post it on a newsgroup or website for anybody and everybody to download, undercutting my publisher - that's when I object. All of this is reasonable, and none of this takes away from the rights of the purchaser to do what is reasonable with their copy of the book.

    But the RIAA - they're being completely unreasonable. The problem isn't the people who are downloading music, it's the people who are uploading it. And, in the process of filing lawsuit after lawsuit against people who are doing so little damage as to not even be worth the time, they're painting the entire artistic field in this litigious light. I'm tired of seeing my profession demonized as being greedy and evil, when most of us writers barely make enough to survive, because of these bastards.

    It's one of those moments where I really wish I lived in the United States, just so I could have a chance to fight them. But, as a Canadian, I can't do that without it being meddling. Sigh.

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
    1. Re:As a creative artist, I hate these people... by alexgieg · · Score: 1

      Sorry to say this, but what you're asking is not reasonable.

      When a customer of yours buys a copy of your book, the book becomes his possession, his private property. What he does from then on isn't your business, it's his. If he purchases a printer, the printer is his private property. If he purchases a scanner, the scanner is his private property. If he purchases a computer, paper, ink, DVD-R writer, all of these are their property, exactly as your book you sold him is now his property. If he then wishes to use all of his properties together, then sell the result of this mix, which also is his property, to someone else, to become that persons' property, not a single step on this whole process is your business.

      Copyright and patent laws are means by which a 3rd party, namely you, is granted power (and by that I mean power to inflict pain and suffering) over other people's private property, so that their private property isn't entirely theirs anymore. If you can say to someone else: "Do you know this printer in your desk? Well, you can use it in such and such ways, but not to do so and so", this ipso facto means you own the printer, not him. Being the owner of something is the right to do with it whatever one wants. If I cannot do with something what I want, I'm not its owner. It's as simple as that.

      Then you say: "Oh! But if we were to strongly protect private property, I would lose money! My job wouldn't be respected!", to which I answer that no, you are not losing a single penny. Look at the list of your properties and at your bank account's statement before someone copied your book. Look after the book was copied. Noticed something different? No, nothing is different. What you lost is the possibility that maybe, someday, who knows, luckily, if God wished, evolution didn't forbid and the astrological charts were properly aligned, the person who got the copy would dream of maybe spending the money to purchase your book from someone who, again with some luck, would pass part of the money to you. What, to make things worse, by definition excludes used books shops. In other words, the only thing you "lost" was the shadow of a cloud of smoke, if that.

      What most authors, including you, don't understand, is that the whole copyright idea is bogus, that it's founded on a lack of understanding on what authoring actually is. Authoring is a service. Nothing more, nothing less. It's something you should be paid for while you're doing it. By whom? By whomever was interested enough in it to contract you to do it. Writing your book took 18 months? So, you should have been paid a reasonable income for the 18 months it took you to do it. Service completed? Go provide your specialized kind of service (authoring) to someone else. No one stays paying the cleaner for a cleaning that got completed a year ago, the chef for a dish he eat a month ago, the flight company for a flight he took 20 years ago.

      Authors and inventors usually think of the intellectual nature of their work as being too above the mere service providing of other careers to accept the notion that what they're doing is in the same class. That's why nonsensical concepts such as copyright and patents have arisen, got lobbied for, and ended up being approved as law. The Internet has proven how wrong they are, but they still don't accept it. It's a misconception that must die. With time it will, authors finally recognizing their work as the service providing it has always been. Unfortunately this recognition will be a painful process, since old habits, even the most nonsensical ones, struggle to survive. But that it will happen, it will. The transitional means (GPL, Open-Content etc.) have already been established and shown successful. Reality has its ways to reassert itself, and we're watching this process unfolding before our eyes.

      Embrace it or reject and fight it, there's no going back. The destruction of these old legal fantasy concepts and it's substitution for sound ones is irreversible. You can embrace it since now, or wait until it reaches you, but one way or the other, things won't remain as they are. Copyright is dead. It's just unaware of its demise.

      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
    2. Re:As a creative artist, I hate these people... by Garwulf · · Score: 1

      I find it very interesting that while you're putting words in my mouth, you came out with this statement: "What most authors, including you, don't understand, is that the whole copyright idea is bogus, that it's founded on a lack of understanding on what authoring actually is." I'm afraid I'm not the one with a lack of understanding here, although from your rhetoric, I doubt you really want to understand. So, I'm going to rebut this, but only once. If you don't like the truth, that's your problem.

      "Copyright and patent laws are means by which a 3rd party, namely you, is granted power (and by that I mean power to inflict pain and suffering) over other people's private property, so that their private property isn't entirely theirs anymore."

      What is this pain and suffering? First of all, a book is an inanimate object, and cannot feel pain. Secondly, aside from ripping the book in half, how would you inflict any suffering on it? This part of the rhetoric is empty.

      What is not empty is that there is power granted, but it is not power over the physical object - it is power over the text. That is what intellectual property is - an understanding that somebody's hard work can transcend the physical object in certain circumstances. And, the power I have over the contents of the text itself are quite limited. I can say that the reader may not turn himself (I am using "him" and "he" here just for simplicity of prose) into a distributer of the text by posting an electronic copy online, which is perfectly reasonable, as I have already given the rights for publication to a specific publisher under contract. I cannot, nor should not, tell him not to sell the book to a used bookstore. The physical book the reader can use however he likes - he can build a fort with it, if he wants. I cannot prevent a reader from quoting a reasonable amount of the book in his own work - that is fair use.

      Copyright allows me control over my intellectual property with derivative works, to a small degree. I can prevent somebody from using my specific characters or imagined settings. I cannot, however, prevent another writer from using names I used, or prevent a writer from writing a book with a similar plot and characters. You cannot copyright an idea - you can only copyright the specific implementation of an idea, and even there some of it is subject to fair use. The power you give me credit for is far greater than any power I actually have.

      "Then you say: "Oh! But if we were to strongly protect private property, I would lose money! My job wouldn't be respected!", to which I answer that no, you are not losing a single penny." This is wrong on both counts. First of all, I never said that my job wouldn't be respected - frankly, around Slashdot, it's not respected right now anyway, as your post quite aptly shows - I said my WISHES wouldn't be respected. My profession is losing respect because a bunch of litigious jackasses are using copyright for a racketeering scam. Undercutting my wishes in regards to publication, when I have signed a contract stating that publisher X has sole publication rights, is quite a different thing.

      And frankly, you are wrong about me not losing money. By your argument, I could hire a secretary or office assistant and then refuse to pay him, and it's all right because they haven't lost any money. But they have - they've worked hard, and they were not given the compensation they earned, and any labour lawyer will tell you that it does constitute lost income. When dealing with piracy of intellectual property, the same model applies.

      Let's do some math. Let's say I've written book X, and 1,000 copies are distributed and being read (I'm trying to keep this simple - real numbers in any case WILL vary). Each copy sold by my publisher generates $5.00 of royalties to me. Of these 1,000 copies, 100 are distributed by some online book pirate via his website. People read books based on the merit of the book - every copy distributed is being read because somebody liked wh

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    3. Re:As a creative artist, I hate these people... by alexgieg · · Score: 1

      What is this pain and suffering? First of all, a book is an inanimate object, and cannot feel pain. Secondly, aside from ripping the book in half, how would you inflict any suffering on it? This part of the rhetoric is empty.

      On the person whose private property you're taking possession. If he doesn't obey your demands on how she "should" use her private property, you're entitled to demand from the government that it confiscate money from her and even that it removes her liberty, sending her to prison. It's a power in your hand to inflict pain and suffering to others.

      You explaining what copyright is supposed to protect is not necessary. My original post was a rebuttal of the whole concept. You reexplaining it won't make my rebuttal go away. My position is quite simple actually: if something isn't limited, it isn't property of any kind. Using and old example: if I have an apple and you take it from me, you end with an apple and I end with none. On the other hand, if I have a book and you copy it from me, you end with the book and I retain mine. Intellectual goods are "infinite" by nature, because from one (copy) I can produce infinite (copies) without neither the original nor me losing anything. And anything that is infinite is by itself devoid of economical valuation. The only way an intellectual good can become economically valuable is if there's an artificial limitation on its ability to be copied. And the most effective limitation is the treat of strong punishment by a 3rd party, which in the end is always the government, the only entity that can officially use violence to achieve its goals, and the goals of whom it supports.

      And frankly, you are wrong about me not losing money. By your argument, I could hire a secretary or office assistant and then refuse to pay him, and it's all right because they haven't lost any money. But they have - they've worked hard, and they were not given the compensation they earned, and any labour lawyer will tell you that it does constitute lost income. When dealing with piracy of intellectual property, the same model applies.

      No. X contracts you to write a book. X is obliged to pay you. This is a contract after all, you're working for him. Then comes Y and copies the book. Y isn't obliged to pay you, because you have no contract with him. Same thing when you enter a place that was cleaned by Z. The place owner is the one who must pay Z, not you. Same thing with the secretary you contracted, you must pay her, not, let's say, the person to whom she sent a letter you told her to send, or the 3rd party who read the letter that was open in the addressee's desk.

      Let's do some math.

      Instead of dreaming highly hypothetical math that has no bearing on reality, you should seek information on what actually happened to publishers who posted themselves their books for free on the Net. Want an actual example? Here's a good one.

      You're showing the same lack of understanding on the way intellectual content actually works in an free information exchange reality that RIAA shows. I congratulate you on your despising their methods, but the fact is that you, and probably your publisher, as well as RIAA, all of you still aren't taking the subject from the proper angle. When, and if, you do, you'll finally understand what's wrong with the whole concept.

      Boy, there's a part of me that wishes you were right about this. I'd be so much better off financially if you were. Unfortunately, you're entirely wrong. This is the reality:

      This is the reality because the legal framework is distorted and publishers work based on the absurd concept of copyright. Were this nonexistent and the market would realign itself to the new situation. In the new scenario, authoring as a service is as any service: you must prove to whomever would contract you that it's worth the investment. Ask any open-source

      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
    4. Re:As a creative artist, I hate these people... by powerpants · · Score: 1

      You've raised some interesting points about the concept of copyright in general, but your approach seems to me like it would destroy the commercial value of R&D. Are you really advocating the complete abolition of copyrights and patents?

    5. Re:As a creative artist, I hate these people... by AutomaticCautionDoor · · Score: 1

      Authoring is a service. Nothing more, nothing less. It's something you should be paid for while you're doing it. By whom? By whomever was interested enough in it to contract you to do it. Writing your book took 18 months? So, you should have been paid a reasonable income for the 18 months it took you to do it. Service completed? Go provide your specialized kind of service (authoring) to someone else.

      That's all fine and well. But who exactly, in your no-copyrights utopia, is going to be "interested enough in it to contract you to do it"? A charity service?

      The "contracting" scenario you've outlined already exists. It's called work-for-hire. It's probably the most common arrangement in the production of creative works. And it exists because the "hirers" know that society has ensured them exclusive control of the "work," via copyright, and thus they risk the investment.

      You're arguing on the one hand for the elimination of copyright, and on the other for a "solution" that then wouldn't exist. You seem unaware of the conflict.

      Book Writer: "Alex Gieg says it would be cool if you just pay me for the 18 months of work I've done on this manuscript. Here, I'll just give it to you if you'll give me that cash."

      Publisher Guy: "Well, Alex Gieg says copyright is now dead. You think I'm gonna pay you for something that everybody else can just reproduce and distribute without paying me? I'm not even gonna be Publisher Guy tomorrow; I'm going into the cleaning business. Hey, just post it on the Internet. I know you probably won't feel like risking 18 months of your time in the future, since there's no chance of payoff, but Society Will Be Better Off having free access to this one manuscript you've done."

    6. Re:As a creative artist, I hate these people... by bratwiz · · Score: 1

      "Copyright and patent laws are means by which a 3rd party, namely you, is granted power (and by that I mean power to inflict pain and suffering) over other people's private property, so that their private property isn't entirely theirs anymore."

      What is this pain and suffering? First of all, a book is an inanimate object, and cannot feel pain. Secondly, aside from ripping the book in half, how would you inflict any suffering on it? This part of the rhetoric is empty.

      Well.... you could hit someone with it...

      I don't see how removing the copyrighting system will help anybody, authors or publishers. Your original assertion that UPLOADING the work to the Internet (as someone who does NOT own the work and/or is NOT entitled to some portion of its proceeds) is wrong. An author has the right to control the work's dissemination and should have reasonable protection on its being copied, both literally and to a lesser degree in derivative works. I think the original copyrighting system we (America) has had in place was a pretty good one. It wasn't until computers came along that gave us the ability to have works published in an electronic medium, and the Internet came along that provided a very large (worldwide even) distribution system for those works that the system of copyrighting we used to have didn't work any more.

      Since that time, nothing has changed. Authors haven't changed, publishers haven't changed, the people reading the books haven't changed-- only the methods of distribution available have changed. Authors write books for any of the following reasons (probably several): because the love the subject, want to educate (or entertain), get money for writing the book, and/or acclaim for being the book's author. Publishers distribute the book because they believe that the book has enough potential readership (meaning, people who will buy the book) to turn a useful profit which they can then share with the author via whatever contract they have in place. The reading public purchases the book because it seems interesting, relays information about some subject or topic they were interested in, or because the book is able to entertain them in some manner.

      Libraries have always been a problem however in the copyrighting system. A library is a place where one agency (the library) can purchase the book and permit many (potentially unlimited) numbers of people to read it without further compensation to either the publisher or the original author. So in that sense, libraries have always been in violation of the covenant between author, publisher, and the book-buying public. And conversely, authors and publishers have always had to accept libraries as a type of "cost of doing business" and a "business risk" -- ie, hope fervently that the book-buying public isn't going to suddenly trade in their wallets in favor of their library cards. That would be bad!

      So now we have the ability to disseminate books via electronic means, and the Internet as a world-wide platform from which to do it. Here's the thorny question: What is the Internet? Is it a medium to exchange knowledge and ideas? Is it a medium for commerce? Is it a platform for fun and games? Is it a library? Is it a method to share a book or some music with a friend? How about two friends? Ten friends? Ten-Thousand friends? How do authors and publishers maintain their respective rights to control the spread and dissemination of their works and collect the monies they are entitled to collect as the owners and agents of the various works? To what degree is the book-buying public bound to view such items are copyright-able works? And put the other way, to what degree must authors and publishers view the Internet as being a very large library? Or a collection of libraries?

      THESE are the questions without answers. THIS is where the friction lies between authors, publishers, book-buyers, book-readers, technologists, free-loaders, and thieves. It will take time, and all sides will be heard, either directly-- online or in various me

    7. Re:As a creative artist, I hate these people... by alexgieg · · Score: 1
      I've already replied to the OP's reply, so I'll leave out of this text what I've already explained there and on other answers in this thread.

      I don't see how removing the copyrighting system will help anybody, authors or publishers.

      There are three ways to work or approach the subject:

      a) One starts from the "principles" and goes towards a conclusion. It is the one I'm using the most: you look at the abstract concept and judge from it's internal and external coherence with other well assumed principles, such as, in this case, that of the nature of private property, and of the equity of law (that the government mustn't favor different groups with different laws), both amounting to a solid ground inside the classical liberal tradition.

      b) The second one, which I use only as a supportive argument, is that of the state of affairs in reality. You can call it the "moral" argument, if you accept using the word in its value-free meaning of uses and customs, or more precisely, "what people do and think is correct and armless". You're also using it secondarily when you refer to the way publishers, writers etc. worked in the decades past. I'll come back to this below.

      c) The third way is that of the "utility" of something based on variable criteria. This is both your and the OP's main argument. The OP talks mostly about the utility of copyright for himself, while you, on the quote above, add the consideration of the utility of the copyright system for the whole of society.

      I personally think "c" is a despicable kind of reasoning because it's very easy to incur in sophistry with it. You ask any special interest group why he should be benefited by some special kind of legislative provision, and the special interest group representatives, or even it's typical members, will always answer the same way: that although it will directly benefit only its own members alone, it indirectly serves the good of the population as a whole.

      Writers, music authors etc. are in no way different, and your one line quote above proves as much: they're a special interest group; they strongly benefit from certain legislative measures; if these measures go away and the legal system gets simplified, with all the laws becoming generic, they'll have to accommodate and lose power and favors; so they argue that their special benefits are actually good not only for themselves, but for everyone.

      But as is always the case, in reality (and we come back to "b") this is not so. All that the copyright system causes is that everyone is forbidden from fully enjoying their private property. No matter how much you argue on "c" about the virtues of everyone being legally forbidden to actually fully own what's theirs, the matter of fact is that they're being forbidden. And for what? For the sake of higher profit making for 3rd parties (writers and publishers, music authors and labels, film directors and movie studios, etc.) who didn't help anyone with a single dime in the purchasing of said property.

      No amount of rhetorics will ever be able to change this simple fact. If the rhetorics is well done it can surely convince lots of people that their bad is actually their good. But the facts that such rhetorics are trying to cloud remain unchanged, and unchangeable. Copyright violates private property, it violates privacy, it violates morals (in the above value-free meaning), and so on and so forth. Utility-wise, it's not a good thing for anyone but the interest group, as is always the case with each, every and all legislation specially enacted to favor an interest group.

      Since that time, nothing has changed. Authors haven't changed, publishers haven't changed, the people reading the books haven't changed-- only the methods of distribution available have changed.

      This, and the remaining of your post, take us back to "b", the moral argument. I agree with most of wh

      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
    8. Re:As a creative artist, I hate these people... by alexgieg · · Score: 1

      That's all fine and well. But who exactly, in your no-copyrights utopia, is going to be "interested enough in it to contract you to do it"? A charity service?
      Easy enough: whomever needed the specialized knowledge that that author, and no one else, had.

      I think it interesting that, even here in Slashdot, with all the knowledge people have on the inner-workings of the "for-profit free software" (free both in "as in beer" and "as in speech" meanings, mind you) companies, many still don't know how to generalize the idea to all areas of intellectual content production. Everything would work the same way: software, books, music, movies etc. There's simply no reason why software can work this way, but other kinds of content cannot.

      Now, it's obvious that a publisher would work in different ways in a copyrightless legal framework than what he does in a copyright one. Don't RedHat, Novell, Canonical etc. have working business models, even giving away their intellectual goods for free? Why would not an author's "official publishing house" be able to develop ways to profit from its "official" status? Don't you now and then buy official DVDs even when "pirated" copies are being sold for a tenth of the price 200 feet away from the "officials only" store, or for $0 a click away from the "officials only" webstore? The copyrightless legal framework would redefine some things, sure, but it wouldn't destroy the intellectual goods market.

      So, make no mistake. The "work-for-hire" doesn't exist "because" of the copyright. It existed way before copyright was invented, and will continue existing way after is disappears in the shadows of History. For details on this, see my other answers in this thread, more specifically this one.
      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
    9. Re:As a creative artist, I hate these people... by alexgieg · · Score: 1

      You've raised some interesting points about the concept of copyright in general, but your approach seems to me like it would destroy the commercial value of R&D.
      I don't think so. Companies would still want to sell new goods to consumers. But R&D would probably become a more collaborative effort between companies, not so much of an individual thing. After all, reverse engineering nowadays is almost trivial.

      Are you really advocating the complete abolition of copyrights and patents?
      Yes, I am. :)
      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
    10. Re:As a creative artist, I hate these people... by AutomaticCautionDoor · · Score: 1

      Easy enough: whomever needed the specialized knowledge that that author, and no one else, had.

      "Knowledge"? Without trying to sidetrack the argument here, I'd say this is a pretty limited view of what writing -- and other arts/crafts -- are all about. Many of history's top-shelf authors had no particular "knowledge" that made them valuable; they had a gift for molding and massaging language. It's not just about function. It's also about aesthetics.

      More to the point, their knowledge is not what copyright protects in the first place. Copyright doesn't restrict the use of an author's ideas -- the function part. It protects the specific way in which they are expressed -- the aesthetics part.

      As for your speculation about a "copyrightless" future...

      Tell you what: Starting tomorrow, let's eliminate copyright protection for all new works. While I don't think it will lead to a fruitful environment, we'll give it a shot. But if I agree to that, can you agree that we should protect the works that were created during the copyright era? These are the works that were created in a good-faith understanding with society -- that the investment (of time, energy, talent, money, whatever) would result in something over which the creator had exclusive rights.

      It is this reneging on the deal, undertaken by file-sharers and promoted by many Slashdotters, that most bothers me about the current situation. You wanna get rid of copyright for future works? Fine -- we'll try your brave new world. Just quit advocating harm to those whose work was created under the existing social contract.

    11. Re:As a creative artist, I hate these people... by alexgieg · · Score: 1

      "Knowledge"? Without trying to sidetrack the argument here, I'd say this is a pretty limited view of what writing -- and other arts/crafts -- are all about. Many of history's top-shelf authors had no particular "knowledge" that made them valuable; they had a gift for molding and massaging language. It's not just about function. It's also about aesthetics.
      Knowledge is one proficiency that's worth paying for. Good storytelling is another. Fiction authors, and the publishing houses, would have to adjust the way they work, having to try several business models until finding one that worked, and of course having to deal with some errors in the way, but in the end the market would find a new equilibrium, be it through serialization or not. Where there is offer and demand a price structure develops and people start to profit and lose as usual. It's in the nature of things.

      By the way, I don't know about the USA, but here in Brazil some of the most important works in our XIX century literature were published as serializations in newspapers of the time, only appearing in books form much later. Do you think weekly and monthly magazines, or daily newspapers, wouldn't sell anymore just because the same content might appear elsewhere afterwards? I wouldn't bet on that. They would adjust, and that's it.

      Tell you what: Starting tomorrow, let's eliminate copyright protection for all new works. While I don't think it will lead to a fruitful environment, we'll give it a shot. But if I agree to that, can you agree that we should protect the works that were created during the copyright era? These are the works that were created in a good-faith understanding with society -- that the investment (of time, energy, talent, money, whatever) would result in something over which the creator had exclusive rights.
      I have no problem with that idea. I myself prefer to purchase "official" releases instead of "pirated" ones whenever I can, and I can see how a transition period would be useful, if not for other reason than allowing authors, publishers etc. the time to adapt in a reasonable pace. Just make sure that whatever is still copyright protected, remain protected only by the original terms valid at the time it was produced. It's not reasonable for something that was originally protected for 50 years to become, out of nowhere, protected for the life-time of the author plus 75 years (or has it already been Disney-extended to life+95?).

      Too bad it won't happen that way. The MAFIAA lobby is too strong to allow for the transition to happen smoothly. They're going to fight teeth and nail until the point they'll have to forcefully accept reality as it is. It'll be an ugly fight, but they simply cannot win.
      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
    12. Re:As a creative artist, I hate these people... by bratwiz · · Score: 1

      A very interesting reply, thanks!

      My own personal beliefs/value-system vacillates between the notion of protecting the creator/inventor/writer/whatever in some way as a reward for giving society something new (be it a book, gadget, song, whatever) and the notion that "information wants to be free". And of course, in real life this generally means: "When _I_ create something, I want protection and some sort of reward, but when I _want_ something, I want it to be free (to me)." And that, I think, is the dual edge upon which this issue lies. People have a hard time understanding (innately) how an idea, song, poem, or any work of pure-knowledge _cannot_ be free. If, for example, I go up to the author and ask, he's very likely to just _tell me_ personally (gratis, for free), after which _I_ will know. And if I then go tell someone else then _they_ will know. And if they tell someone else, etc. In that sense, a book (let's say to keep it simple) is just an "idea amplifier", in a sense, in that it permits many people to be exposed to the book's (and by extension, the author's) ideas and concepts. So in a very basic and fundamental way, the book is nothing more than a method to permit the author to reach a larger audience than s/he could reach personally. On the other hand, let's take another idea-- that of a performance-- where people pay to be allowed to see/hear/be exposed to one or more people who then expose them to some sort of experience: musical, literary, dramatic, whatever. In my experience I have rarely heard anybody espouse that a performance ought to be free. People seem to innately recognize that that group of (one or more) people deserve to be rewarded in some manner for their effort. Finally there is the type of information that is only obtained at great cost and sacrifice-- scientific discovery, medical research, weapons research, covert information obtained through spycraft or torture, etc. This type of information certainly is not free and great care is taken in most instances to guard its dissemination and to control its application for the advantage and purposes of the information-holder.

      So what is the take-away here? Is information free or isn't it? What is the difference between an author writing a book and a performance? What constitutes personal cost and sacrifice? What right does the audience have to a performer's work? Can you go listen to Bill Cosby or Jerry Seinfeld and then go out the next night and duplicate the act on-stage for money? What about performing excerpts from the act for the guys around the water-cooler the next day? What about reporting the show in the newspaper, can you relate the act word-for-word, or even insert a complete recording of the performance so that all the readers of the paper can view the performance without having to attend? .... or reenumerate the performers? So what about a lecture where the actual purpose is to disseminate information while at the same time rewarding the speaker for his time, cost-of-obtaining the knowledge, etc? In that instance the whole point _IS_ to take away knowledge and presumably the information is then "free" to be shared and used in whatever way the audience participant chooses. S/he can tell a friend, two friends, or ten-thousand friends. However, at some point the original lecturer may feel infringed upon and want some sort of mediation or injunction to stop or slow-down the spread of the information. Would s/he be right in asking? Is it right for someone who attends a lecture to turn around and use their potentially-greater powers of dissemination to spread the knowledge at a greater rate than the original lecturer/performer? What separates the information from the artist or performer who reveals it? What right does a member of the audience have to that information?

      What about a historical work? What about a recording of a performance which occurred many, many years ago and now all the original performers are dead, any publishers involved are out-of-business, and any members of the original audien

    13. Re:As a creative artist, I hate these people... by alexgieg · · Score: 1

      I appreciate your response, but I don't think it addressed any of these issues. Information has always been a commodity. Someone owns it and controls it for a while until its usefulness wanes, or until it is stolen, or otherwise revealed by some other means. However it is true, for the most part, that once freed, information is rarely able to be contained again. So it could be argued perhaps that information has value as long as it is able to be controlled, and that as soon as it gets beyond its owner to control, it is public and cannot (or is rarely) be contained again and thus becomes public.
      I believe the problem, and all the questions you expressed, arise from a set of unintentional misunderstanding on the nature of the various concepts employed. And the most fundamental of these concepts is that of monetary valuation. Once we understand what money is; what is the relation between objective money bills (or, nowadays, numbers in our bank statements) and the subjective valuations we hold intuitively of "better/worse", "more/less desirable", "worthy/unworthy", "valuable/valueless", "needed/unneeded/wanted/unwanted" etc.; and what is the relation between both things and those other many things we group on the abstract categories of "products", "goods", "services" etc.; at the moment all of these aspects become clear, those questions you made also all begin to receive pretty clear answers. But the problem is actually getting to know the fundamental economic principles behind all of this, and the sad truth is that these are still a matter of dispute.

      Not that I think I don't know the answer. In fact I think I know. I've studied enough economics to know one thing or two about the state of discussions and the arguments used by the different parties, and I came consider that so far the best one is the so-called Austrian School theory of value, which is the basis for most of the reasonings I've used on this thread, including the notion that the intellectual activity is a service and must be dealt with as such, notwithstanding the specific contents of this or that intellectual endeavor.

      This isn't something that I could explain well in a post, or even a small series of posts. If you're interested I can point you to some ebooks you could download and read for "free as in beer" (they practice what they preach, and it works). They're not difficult to read, because most "Austrians" (the name comes from the school founder economists who came from there, but it's actually American) prefer to write in plain English, using mathematical formulas only where absolutely necessary. But you'd still need to read them. If you're interested I suggest beginning by either An Introduction to Austrian Economics or Economics in One Lesson. They'll provide you some good basis from which to analyze this and other, related subjects.

      Other than this, I don't have much to add to what I've already written. But if you're going after the ebooks, then feel free to ask me something you don't understand. I'll try to answer.
      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
    14. Re:As a creative artist, I hate these people... by bratwiz · · Score: 1


      Thank you for your point-of-view and your posts, I really enjoyed and valued them! I'm glad to have the information... uh, for free! :)

      I particularly thank you for the pointers to the Austrian Economics books, they're interesting!

  53. It IS Taxed... by Svartalf · · Score: 1

    If you buy an " Audio " CD-R, that statutory fee has been paid for.
    If you buy a cassette, that statutory fee has been paid for.

    Unfortunately for all the people file-trading out there, not a single one of the
    piracy tariffs cover the act of infringement via file-swapping.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    1. Re:It IS Taxed... by cpt+kangarooski · · Score: 2, Interesting

      Well, if you made a stand-alone device that could connect to Bit Torrent and which could comply with SCMS, and you paid the royalty on it, and which wrote to some sort of conveniently removable media (e.g. a thumb drive), then you'd be fine. It's just a bit of an engineering challenge and not really all that likely to sell since people will probably just ignore the protection it confers, what with the price of the thing. But certainly the statute doesn't seem to prohibit networked devices from qualifying. It's just that it's tough to build anything interesting that complies with SCMS, it seems.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:It IS Taxed... by msauve · · Score: 1

      Nothing in the AHRA says you have to record in Red Book format on an audio-CD-R. Bittorrent all the MP3s you want, but set the download (or upload) directory to an audio-CDR, using packet writing. That way, it is "the noncommercial use by a consumer of such a device or medium for making digital musical recordings," and not subject to copyright infringement action.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
  54. No, they don't... by Svartalf · · Score: 1

    Many of the people they're suing never did anything- they're just believing the people they hired
    to fetch IP addresses of "traders". It falls under vexatious litigant at that point. They're not
    protecting anything other than their failing business model via lawsuits.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  55. Racketeering, actually... by Svartalf · · Score: 1

    I'm surprised that nobody's filed a RICO suit against them and the labels at this point...

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    1. Re:Racketeering, actually... by NewYorkCountryLawyer · · Score: 1

      See Atlantic v. Andersen, where an Oregon RICO case has been filed against them.

      --
      Ray Beckerman +5 Insightful
  56. Why Should He Be Exempt? by AikonMGB · · Score: 1

    And why shouldn't they file suit against him, just because he had a stroke? Not that I agree with the *AA suing people left right and centre, but if a known spammer had a stroke, would you want them to get off the hook just because something bad happened to their health?


    This is pure shock-factor feeding to the masses, propaganda against the *AA. If we're going to lobby against these kinds of actions, can we please do it on a valid basis, such as fair-use etc.?


    Aikon-

    1. Re:Why Should He Be Exempt? by NewYorkCountryLawyer · · Score: 1

      I guess you didn't read the article, which points out that he did not engage in file sharing or "spamming" as you call it.

      --
      Ray Beckerman +5 Insightful
    2. Re:Why Should He Be Exempt? by AikonMGB · · Score: 1

      Sorry, the miscommunication is my fault; lelt me try and clear up a couple things about my post (which was rushed, I admit). First, I was using spamming as another example but of someone we all WISH would be sued for all the hastle they cause us; just pointing out that sometimes people can go for the throat for all the wrong reasons. Second, if he well and trule did not engage in file sharing, then protest the suit based on that; a footnote that he is a stroke victim would be sufficient, it doesn't need to be touted in the headline.

      Maybe my view is different from a lot of others, but I felt that the headline and summary were a tad sensationalist, and the reference to his subsequent stroke detracting from the real root of the problem with the lawsuit in question.

      No, I did not read the article; but at the same time, I wasn't trying to comment on the article. My reply above was directed more towards the Slashdot headline and summary, and my personal feelings about how they portrayed this case. Mouths foaming is a good thing, but only if the reason is the injustice of filing suit against the innocent. Being the victim of a stroke does not exonerate oneself from the responsibilities of one's actions, assuming there is something to be responsible for.

      Aikon-

    3. Re:Why Should He Be Exempt? by NewYorkCountryLawyer · · Score: 1
      1. I think the lawsuits are misguided, as anyone familiar with my work knows.

      2. The lawsuits are based on a theory that has no basis in the law, and is a fabrication.

      3. Even were the theory valid, the RIAA does not have sufficient evidence upon which to base its claim that the defendant did what they claim he or she did.

      4. On top of that, the RIAA's lawyers conduct the lawsuits in an unscrupulous manner calculated not to win (they never win a contested case on the merits), but to force the defendant to capitulate due to the cost of defending him or her self.

      5. When the RIAA lawyers learn that the defendant is innocent, they nevertheless maintain the case as long as possible in order to confer subpoena power on their lawyers as long as possible with which to conduct an investigation masquerading as a litigation.

      6. To take the RIAA's novel theory, flimsy evidence, and unscrupulous litigation tactics and inflict them on any citizen is wrong.

      7. To inflict them on stroke victims, Multiple Sclerosis victims, wheelchair-bound people, grandparents, single moms, and others who did not engage in any copyright infringement whatsoever is doubly wrong.

      8. This article happens to be about a case against an innocent person who is a stroke victim. I don't have time to write a book about all the things wrong with the RIAA's cases every time I do a Slashdot post. If you want to read about them, there's a growing body of material here.

      9. If you think it's irrelevant that the defendant is a totally disabled stroke victim I strenuously disagree; in my value system that does indeed count for something. And I, were I the the plaintiffs' attorney, would NEVER bring such a suit, even were I convinced that the RIAA's theory was valid and its facts valid; I did not go to law school to oppress helpless people.

      --
      Ray Beckerman +5 Insightful
  57. Has anybody ever been sued for Bittorrent use? by AxelBoldt · · Score: 1

    It seems to me that nobody has ever been sued for sharing movies or music using Bittorrent; the worst that happens is that RIAA may send an inconsequential letter to one's ISP. I think we need to evangelize more for Azureus+transport encryption+SafePeer, to defend everybody's educational fair-use private sharing rights.

  58. The MAFIAA and the Government by Anonymous Coward · · Score: 0

    Hey, the only reason that these legal proceedings are allowed to continue, the government sees the value of the taxes generated from the sales of music and the legal proceedings. If you were to take this taxing power away, the ROI for investors and the government would limit the value to continue this course of action.
    Both the MAFIAA and Government have a mutual interest in a part of your wallet... This will not go away until people vote the current strategy away...

    Another way to look at it, both entities are trying to maintain current and future revenues. The Government sees a taxing opportunity ahead... The MAFIAA dinosaurs are allowed to believe that people will want to continue purchasing their content etc.

    Internet connectivity has stalled in the US for this reason alone, the MAFIAA only want the internet as a tool to dispense and control their content. Without the control they'd disappear overnight. Their afraid of losing control of their purpose.

  59. Proposed standard response by RogueWarrior65 · · Score: 1

    I propose that anyone who is confronted by the RIAA say the following "Dantooine...they're on Dantooine"

  60. This IS news.. by kbox · · Score: 1

    I didn't know having health issues made you exempt from the law.
    If having a stroke means you are immune from copyright suites my ingrowing toenail must be able to get me out of a speeding ticket or two.

    1. Re:This IS news.. by Anonymous Coward · · Score: 0

      Right... great analogy. How would you feel about getting a speeding ticket for a car that you didn't own and wasn't driving?

    2. Re:This IS news.. by kbox · · Score: 1

      How would you feel about getting a speeding ticket for a car that you didn't own and wasn't driving?
      I would probably feel as though the state of my heath shouldn't be a factor... Which was kinda the point i was making.

      The title might as well be "RIAA sues man in blue trousers in Michigan", It's about as relevant. Though it doesn't have the "victim factor" like being a stroke victim has.
    3. Re:This IS news.. by NewYorkCountryLawyer · · Score: 1

      Well you sound like a very compassionate human being, thinking that wearing blue trousers is equivalent to having a stroke that paralyzes half your body, and thinking it's okay to just bring frivolous lawsuits against innocent people who are helpless to protect themselves. I feel sorry for you.

      --
      Ray Beckerman +5 Insightful
    4. Re:This IS news.. by kbox · · Score: 1

      I didn't say having blue trousers was "equivalent" to having a stroke, I said it was as "relevant". You do know the difference, Don't you?.

      So next time, before you get out your tiny violin and start trying to get the sympathy vote, At least have the decency to read the post properly.

  61. Disabled? by Anonymous Coward · · Score: 0

    "Both Atlantic v. Andersen in Oregon and Elektra v. Schwartz in New York were suits brought against disabled people who have never engaged in file sharing, and whose sole income is Social Security Disability."

    1. If "disabled" people are to be treated with respect, we shouldn't pity them and excuse them from laws that apply to the able-bodied

    2. It's easy to collect SSDI! Simply go down to your local Social Security office, say you have a bad back (if your a man) or "I'm DEPRESSED" if you're a woman, and you'll get free cash and pills for life. Then start a cash business doing construction (if you're a man) or selling on eBay (if you're a woman) and be a SSDI king/queen! Only in the RARE CASE is someone collection SSDI blind/deaf missing both legs and an arm, etc. Most are no more DISABLED than YOU ARE.

    Congrats to the RIAA for treating disabled people as equals (1) and perhaps exposing some SSDI Scamsters (2)

  62. Old news for naive people by billcopc · · Score: 1

    I think it should be clear to everyone by now that the RIAA is specifically looking for press. Suing someone who truly deserves it will net you a passing mention in some news recap. Suing someone who is pitifully innocent is guaranteed to elicit all sorts of publicity and get people talking/thinking about it. It's like the music industry is trying to brand us with this overhyped nonsense. It's like those nasty political TV spots that consist of 30 seconds of name calling and finger pointing. Most educated and balanced people see them as ridiculously low-brow jabs worthy of a preschool yard, but the fools, the apes, the imbeciles that make up the largest demographic group, they somehow identify with the vapid messages, devoid of fact but bursting with emotion.

    If the RIAA wanted money out of these suits, they'd sue people with money... obviously! Most people who want to sue, will first determine if their mark is "worth suing"; that concept alone is a terrifying testament to how our current legal system is broken beyond repair. Suing someone who has no income, like a child or a disabled retired individual, is about as effective as launching missiles at a puppy. It's real exciting, and real scary, but ultimately you're just wasting a ton of money to accomplish squat. My opinion is that the RIAA is going after that excitement and fear, nothing more and nothing less.

    --
    -Billco, Fnarg.com
  63. Maybe I'm not being clear. by msauve · · Score: 1
    Bob has a legally purchased CD. Alice loans (she maintains title) a blank audio CD-R to Bob. There is no copyright material present on a blank CD, and this is not a 109 violation. Bob makes use of the AHRA provisions to make a copy of his CD onto Alice's blank CD-R, which he then returns. There has been no distribution, loaning, or sale of copyrighted material. Only copying in accordance with the AHRA.

    Now, the same thing, except instead of Alice loaning a blank, Bob first gives her a blank from his stash. Again, no distribution, loaning or sale of copyrighted material, only copying under the terms of the AHRA.

    Now, same thing, but Bob starts with an authorizedly-made CD. Makes no difference - the AHRA does not distinguish where the source material comes from.

    But, all of that isn't necessary. A re-reading of the AHRA shows:

    (4)(A) A "digital audio recording medium" is any material object in a form commonly distributed for use by individuals, that is primarily marketed or most commonly used by consumers for the purpose of making digital audio copied recordings by use of a digital audio recording device. (B) Such term does not include any material object - (i) that embodies a sound recording at the time it is first distributed by the importer or manufacturer;

    Now, because Congress saw a need to specifically state that last part ("embodies a sound recording at the time it is first distributed"), it is clear that, even after copyright material has been copied onto it, an Audio CD-R falls under that definition, or there would be no need for that provision (and it meets the rest of the definition). That determined, the AHRA specifically allows "first sale" type of distribution: "No action may be brought under this title alleging infringement of copyright based on the ... distribution of ... a digital audio recording medium..."

    So, make CDs under the AHRA, and give 'em away!

    Your original post said "That would infringe the distribution right due to an extremely careful bit of rewording of the bill that RIAA got through without anyone really thinking about the effect. You see, the big exception to the distribution right is the first sale exception, which applies to any copy lawfully made under the Copyright Act. But AHRA compliant copies are not lawfully made, technically, they're just not actionably made. "

    I don't think you were considering the specific "distribution is non-actionable" exemption of the AHRA.

    Do you still disagree?
    --
    "National Security is the chief cause of national insecurity." - Celine's First Law
    1. Re:Maybe I'm not being clear. by cpt+kangarooski · · Score: 1

      Actually, ignore all of that, I must be a little slow today.

      The 109 exception I've been thinking of deals with lending for direct or indirect commercial advantage. Boy, is my face red.

      The mea culpa being out of the way, however:

      Bob has a legally purchased CD. Alice loans (she maintains title) a blank audio CD-R to Bob. There is no copyright material present on a blank CD, and this is not a 109 violation. Bob makes use of the AHRA provisions to make a copy of his CD onto Alice's blank CD-R, which he then returns. There has been no distribution, loaning, or sale of copyrighted material. Only copying in accordance with the AHRA.

      I don't think I agree. Once Bob has written to the CD, it is an unlawfully made copy. While that copy might be owned by Alice, it is in Bob's possession. I think that a court could pretty easily find the return of the CD to constitute an infringing distribution of a copy, especially given that while the language in 106 is a bit limited ("to distribute ... by sale or other transfer of ownership, or by rental, lease, or lending"), the language in 109 is pretty broad and wouldn't be present unless Congress meant for 106 to have a larger scope than it appears to at first glance ("the owner of a particular copy or phonorecord lawfully made under this title, or any person authorized by such owner, is entitled, without the authority of the copyright owner, to sell or otherwise dispose of the possession of that copy or phonorecord"). The return of the CD to Alice sounds like an authorized disposal of the possession of the copy to me.

      Now, because Congress saw a need to specifically state that last part ("embodies a sound recording at the time it is first distributed"), it is clear that, even after copyright material has been copied onto it, an Audio CD-R falls under that definition, or there would be no need for that provision (and it meets the rest of the definition).

      As for this, I'm really sure I disagree. It's certainly an interesting reading, but it doesn't pass the laugh test, IMO. Congress' intent was to only permit blank media to be distributed, and I think that a court would interpret the statute in that manner. This isn't to say that it couldn't interpret it as you suggest; it could. But it pretty surely wouldn't given any alternative. It's a nice try, though.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  64. There are facts, not just pity, on their side... by Xenographic · · Score: 1

    You DID read the part about how the RIAA has flimsy evidence and these people most certainly don't admit to being copyright infringers of any kind, right? The ad misercordiam, as you call it, is to call attention to the fact that, even when the RIAA is on notice that it's case is poor, they refuse to drop the lawsuit. Even though they're putting some poor, innocent person through hell.

    I mean, if you were shown how little of a case you had, wouldn't you drop it? It's not like they don't have plenty of people to sue, some of whom might have even infringed upon their copyrights (although I'm suspecting that any such people identified are all but accidentally found, given what we've seen in their prior cases).

  65. I don't think this game helps you... by Anonymous Coward · · Score: 0

    Well, you have to realize that there have been trolls on Slashdot since LONG before the RIAA. Some people are just plain stupid, or like to be contrarian just to piss folks off. By pointing out how much you dislike this, you're likely to have the "don't stuff beans up your nose" principle come into effect. Also, it's arguably offtopic, and as sympathetic as Slashdot is to anyone fighting against the RIAA, they're being polite not to point that out or mod you down more often. You're better off just detailing what all the RIAA is doing wrong this week.

    Speaking of which, while I agree that it's terrible that they're suing defenseless people, you might want to put their innocence ahead of their disability. Otherwise, you'll have people calling you out for appeal to pity. So if you disagree with someone, stick with the facts of why. Calling them trolls or whatever won't do anything; the last thing you need is more foes, because the minute you mark someone as a foe, they're likely to polarize their opinion in a direction contrary to your own. Conversely, undermining the facts upon which they rely will influence people's opinion in favor of your direction. If you do it well enough, even those 'trolls' who are just normal people may come around to see things your way.

    So to recap, an author must know their audience, and for this audience you're best off putting the innocence first and the pity second. Slashdot posters are highly analytical and will consider logic before human factors. I can't change that, that's just how things are here. You're also best off not trying to make foes. Where they're wrong, stick to the facts. It's simply not relevant whether they're RIAA-paid or not if they're right, so stick to proving them wrong. That does YOU more good and them more harm.

    I think that, whatever the case, Slashdotters do feel for these people, though. But you'll have a better time on Slashdot if you ignore the trolls except to correct their misstatements of fact, you'll get along better with more posters, you'll influence more people to see what heartless bastards the RIAA is being, and you'll probably get more help when you ask for people to rebut their shoddy technical evidence.

    That aside, I say all this to help you. I'll happily swear under penalty of perjury that I do NOT work for the RIAA or any affiliate thereof that I know of (I'm in the completely unrelated industry of window manufacturing, if we have ANY affiliation, I sure as hell don't know about it). I just want to allow you to be more persuasive in front of this audience and that's something I DO know how to do. More than a few times, I've hit +5 from an anonymous post, so you know it was my ideas and not my reputation that came forth.

    In any event, good luck on your cases! I hope that you collect attorney's fees and court costs and send them packing. I sincerely hope that you someday force them into a corner and that you terrify their attorneys by bringing their misconduct to the attention of the local bar (speaking of which, have you?). I hope that you discredit their "expert" witnesses very thoroughly, such that their testimony isn't even considered in future cases because their reputations have dropped so much in prior cases.

    But please consider what I've said. I only want to help you out here. I mean, why the hell would an RIAA troll want to enhance your reputation on Slashdot? Hmmm, unless they wanted you to spend all your time here instead in legal research... Devious bastards :-)

  66. Re:i just need to know by Anonymous Coward · · Score: 0

    Heh, and here I thought the extortionist business model WAS the back end. albums with COVERS sold in STORE FRONTS are probably considered what they are SUPPOSED to be giving a shit about.

  67. We have teenagers to blame by rsilvergun · · Score: 1

    they're the primary market for new CDs, since there the ones that can afford $21 bucks a CD. Good luck getting them to boycott the RIAA though.

    --
    Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
  68. are you really serious??? by msauve · · Score: 1
    I said: "Now, because Congress saw a need to specifically state that last part ("embodies a sound recording at the time it is first distributed"), it is clear that, even after copyright material has been copied onto it, an Audio CD-R falls under that definition, or there would be no need for that provision (and it meets the rest of the definition).

    and you said:" As for this, I'm really sure I disagree. It's certainly an interesting reading, but it doesn't pass the laugh test, IMO. Congress' intent was to only permit blank media to be distributed, and I think that a court would interpret the statute in that manner."

    Reread the definition:

    (4)(A) A "digital audio recording medium" is any material object in a form commonly distributed for use by individuals, that is primarily marketed or most commonly used by consumers for the purpose of making digital audio copied recordings by use of a digital audio recording device. (B) Such term does not include any material object - (i) that embodies a sound recording at the time it is first distributed by the importer or manufacturer; or (ii) that is primarily marketed and most commonly used by consumers either for the purpose of making copies of motion pictures or other audiovisual works or for the purpose of making copies of nonmusical literary works, including computer programs or data bases.

    If the above definition does not include blank media which has later been recorded with content as allowed by the act, it would also have the obvious effect of removing protection for the re-recording of either audio-DAT or audio-CD-RW after an initial use was made (if not using a "digital audio recording device", i.e. you could only record once on such media using a computer). It's ludicrous to conclude that was the intent.

    (ii) excludes regular (data) CD-Rs, and similar. What does (i) exclude, and why? The only item I can think of would be a pre-recorded DAT. But it's not reasonable to think that was Congress' intent - a consumer can/could buy a blank audio-DAT for less money, so there's no incentive for them to record over pre-recorded ones, and no reason for Congress to address that as an issue. That's a very reasonable assumption when it's generalized, too - that blank recording media will always be cheaper than equivalent pre-recorded media. Manufactured CDs can't be re-recorded, so they don't fit the base definition, and don't need exclusion. So, why did Congress make those exclusions, written the way they are? I believe they were made so that the excluded items were not subject to royalty payments, which is to say, you get the benefit of the "non-actionable" clause IFF a royalty has been paid. That's certainly passes the "laugh test;" pay the royalty fee, make a copy which you're able to distribute noncommercially.

    Is there any reason to think that's beyond what was intended? Do you think Congress intended that people only be able to make copies for themselves, and pay royalties for the privilege? Did the RIAA fight for this act because people were making copies for themselves of material they already legally had a right to? Was that a big problem? That people were buying devices and media exclusively for that purpose? The act was created because the technology was being used to make copies from/for others.

    Furthermore, it is clear that Congress knew of, and wanted to distinguish in the definition between blank media and media which had sound recordings. If Congress's intent were only to protect distribution of blank CD-Rs from contributory infringement action, as you appear to be claiming, why would they exclude only pre-recorded media from the definition? Distribution of pre-recorded media is well covered elsewhere, and is of no particular concern to this act. They would simply say "(B) Such term does not include any material object - (i) that embodies a sound recording" (i.e. a non-b

    --
    "National Security is the chief cause of national insecurity." - Celine's First Law
    1. Re:are you really serious??? by cpt+kangarooski · · Score: 1

      Do you think Congress intended that people only be able to make copies for themselves, and pay royalties for the privilege?

      Did the RIAA fight for this act because people were making copies for themselves of material they already legally had a right to? Was that a big problem?

      Yes, and the history of the act generally bears this out. Remember, RIAA (as well as its analogues elsewhere) had been fighting against private, noncommercial home taping for years. Congress ultimately decided that it needed to be legitimized, since everyone was doing it anyway, but acknowledged that it would have an effect on their bottom line, for which they deserved something. Also, people were making a lot of tapes off of the radio, or making mix tapes, often of albums they did own copies of. Personal lending of albums used to compile mix tapes or for making copies also occurred a lot, but I've already pointed out (correcting myself in the process) that this was permissible.

      But I still don't see that Congress wanted to have people make copies and distribute them.

      Also, one other thing from earlier in the discussion: upon further thought, I think that it might not be correct to assume that AHRA would shield a party from secondary liability merely because it shields the direct infringer. IIRC, Napster argued this, and lost, on the basis that it would render as surplusage the various specific protections for secondary parties in 1008. I still think it's worth trying, however, just not as certain.

      Finally, bear in mind the timeline here. The AHRA dates back to the early 90's. The idea of CD burning was known, but the technology was extremely uncommon. The act dealt with cassette tapes, and looked forward to two technologies that were just hitting the mass market: DAT (which was older, and had a head start over CDR) and Minidisc (which was brand new, but was being aggressively pushed by Sony, in the way that they push all kinds of flop formats). I suppose that someone expected CDR to come along in time, but it wasn't as big a concern as the other media, which are rewritable.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  69. Pay for Premium Content with Premium Dollars by bratwiz · · Score: 1

    Premium Dollars

    In establishing the notion of Premium Content, Microsoft and other Premium Content stakeholders (notably the RIAA and MPAA organizations), have attempted to place limitations on the "Fair Use', "mediums of distribution", time limits, and other rather reasonable restrictions on the End User. However practical, this agreement has been somewhat one-sided and there has been no universal, standardized method in place to codify End-User agreement and intention to comply. So this document attempts to establish the concept of "Premium Dollars" which can be used to purchase "Premium Content" and thus bind distributor and end-user together in a "Premium Contract".

    The various Premium Content providers are mainly concerned with the ability to control distribution, ensure the end-user purchases duly-licensed copies for use on every possible method of distribution and to ensure the end-user purchase at least one or more copies in the potential event that they might ever conceivably loan a copy of that media to a friend. These "friend" copies, as we'll call them, should also be purchased for every conceivable media distribution method, and a special "Premium Content Insurance Policy" created in case a medium of distribution is invented to protect the end-user from potential liabilities to viewing, hearing or otherwise consuming content that the end-user does not yet have a license for. Examples might include watching a new type of TV at a friend's house, going to see a 3D digitally-encoded movie in a newly developed "in-the-round" theater, etc.

    In accordance with this new "Premium Content Contract", a new type of currency shall be developed to bind the distributor to the rights and wishes of the consumer. For example, the currency given to the Premium Content distributor cannot be used to ship American jobs overseas. It cannot be used to pay for attorneys or lobbying congress. Nor may it be used to compensate executives in excess of standardized, scale salary plans where, for example, the top-executive may receive no more than 11-to-1 compensation as the lowest paid worker in the organization. Additionally, these Premium Currency dollars may not be used to fund sweat factories in unknown lands, be transferred to off-shore banks or un-numbered Swiss bank accounts. They may not be used to buy drugs, hookers, or pay off gambling debts.

    Furthermore these dollars may only be used by the store or franchise to which they're given. They may not be transferred, given, or passed-along by any means to a third party without giving additional "Premium Content" rights to the original consumer. They may be placed one-time in one bank that is registered to that Premium Content distributor, and is also on the "Financial Institutions Approved List" put together by the "Premium Currency Consumer Protection Review Board". The Premium Content may not be further transferred by the Premium Distributor or assigned to any other person or organization.

    I think this is a fair system... what about you?

    1. Re:Pay for Premium Content with Premium Dollars by Adelle · · Score: 1

      LOL. I've been thinking of making my next software purchase with "premium dollars". The agreement could be printed on the seal of a transparent plastic pouch that contains the actual currency. It would start with "By removing the currency from this pouch, I agree to the terms of this End Retailer Agreement."

      Of course, here in au, we already have a pretty good End Retailer Agreement. It's called the "Trade Practices Act 1974".

  70. The Death of the RIAA is a Ghandian Process by Anonymous Coward · · Score: 0

    1. First they ignore you. (1995 -1999)
    MP3s were released into the wild circa 1995 and shuttled around underground networks of FTP, HTTP, Hotline, IRC and other 'technically-oriented' services. At this point, MP3 were not cool and held little social cache. The record company realized that there was something going "out there" but it was "somewhere else". Being that they did not understand technology and pursued purchasing regulation per institutional habit.

    2. Then they laugh at you. (1999 - 2000)
    Napter was released in 1999 and very quickly moved file sharing from the domain of nerds into the mainstream population of anyone with a broadband connection, a computer and half a brain. Napster quickly moved the party from "somewhere else" "out there" to "in here" "right now". At first MP3s were maligned and audiophiles published studies decrying the lower quality of the MP3 compared to the overly-engineered Red Book CD. Record companies didn't know what to do... they didn't even understand what was going on... and so they laughed at it, called it a fad and attributed it to a trendy flash in the internet pan. After all, the market was focused on new music and their profits focused on turning over artists for the latest boy band, thus as long as people still bought new CDs, let them download all the other stuff they want. The quality sucks anyway, right? Ha! Stupid Lusers

    3. Then they fight you. (2000 - Present)
    That changed when Metallica and Madonna nearly simultaneously were bitten by demo tracks sneaking on the network. Suddenly, a triple threat emerged.

    a) Pre-release tracks has to be released early to make it to radio stations and start building demand for the album's release. Nothing whips a population of buyers into a frenzy more than being unable to procure and control something new. However, someone funneled pre-release tracks onto Napster thus disrupting the cycle of building demand. Instantly, anyone who wanted the track could have it.

    b) Since the hot built-for-radio track was already released and in the wild, there was absolutely no reason to go buy the rest of the CD which was mainly composed of filler songs and had niche appeal. Especially not when you could get most of those songs immediately after the release. Beside the fact that being of questionable quality, no one really missed them anyway.

    c) The above had the effect of partially neutering the marketing machine which turned ordinary people with lots of talent into global superstars. That's when the fight began. It's one thing to release Madonna's track on the air; it's quiet another thing to destroy super-stardom by making it a commodity that can be chopped up and traded freely. People began to realize they did not like Madonna as an institution. They liked a few of her songs. Just like every other band they liked a few songs of.

    Then the guns came out and the lawsuits started. For the last six years, it's been limitless suing and suing and suing as a smokescreen for the real problem: copyright law. How are you still going to charge breakage on an MP3 when a 'broken' packet is redistributed and the cost built into the price of the internet connection itself?

    Initially, they sued college students at a time when girls gone wild and lake havasu were giving college students a bad name. They're drunks and sex fiends... now they're intellectual pirates as well. The lawsuits went mainly un-noticed by the general populous.

    It's time for a moment of legal education. There are two types of enforcement. General enforcement and specific enforcement. General enforcement relates to tax cases, file sharing and stop signs. Violate the law and you will probably not be cited, however if you are dumb enough to get caught, then they will make an example out of you. Then there's specific enforcement, murders, rapes and all the rest that investigators make careers of.

    So, along with the social epidemic of reckless college students came the general enforcement of file sharin

  71. Somebody please mod the parent up by Garwulf · · Score: 1

    Very, very well said! I hope everybody in this discussion reads it.

    Somebody, please mod the man up...

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
  72. Ridiculous by Xenographic · · Score: 1

    > you think we should discriminate so that disabled people are presumed more innocent than fit people?

    No, I just think it's a bit dishonorable to sue people who can't defend themselves when you know or should know that your evidence isn't very good. Instead, they use that as an excuse to subpoena the people and find out if any of their neighbors or relatives happen to be copyright infringers.

    > defending copyright theft again

    No less than the Supreme Court has said that, while both are illegal, copyright infringement isn't "stealing." So it's a bit hypocritical to use loaded and legally wrong language while complaining about "justification" isn't it?

  73. With all due respect by Slashdot+Parent · · Score: 1

    I think NewYorkCountryLawyer included the medical information because it has a direct bearing on the interpretation of the RIAA's actions in this case.
    With all due respect, the RIAA doesn't even know who they're going after until they either sue or otherwise obtain the accused's name from the ISP.

    All they have is an IP address. They certainly don't know if the user of that IP has cancer, gout, or an irritable bowel.

    Look, I don't appreciate the RIAA's tactics, either, but this article is definitely nothing more than an Appeal to Pity.
    --
    They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
  74. This is silly by Slashdot+Parent · · Score: 1

    How is it trolling to say, "Disabled people aren't immune from the law"? It's not like the RIAA is specifically targeting disabled people (to my knowledge, anyhow), which would, of course, be reprehensible.

    You seem to have a "You're either for us, or against us" attitude. Why is it trolling to have a discussion? I mean, we're all happy that attorneys like you are fighting the good fight against the RIAA, but I don't think it's trolling to ask the good questions.

    Here's mine: "Why do you think disabled people should be treated differently from those who are not disabled?" I don't like the RIAA's "settle or face being sued for $100 million dollars" any more than you do, but how is a person's disability or lack thereof relevant to the issue?

    --
    They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
  75. Wrinkles everywhere by Slashdot+Parent · · Score: 1

    That is a complete fabrication about the law; there is no such thing as "selective prosecution" in civil litigation.
    There can be, kind of.

    I am a landlord, and as such am subject to fair housing laws (specifically the Federal Fair Housing Act). It states that I cannot discriminate against several protected classes of people, including the handicapped in all areas of housing.

    It could be argued that if I never sued disabled people who damaged my units, but sued others that I would be violating the act. In reality, nobody is going to bring a fair housing complaint for something like that, but it would be against the letter of the law if I treated disabled people differently.

    Personally, I treat everybody the same. It's only fair. And yes, I have sued disabled people who have caused damage and won. In fact, I nearly always win when I sue because if I'm going through the effort to file, it's because a tenant really damaged a unit badly (as opposed to wear and tear). But whether or not a person is disabled doesn't enter into the equation.

    Why do you think it should?
    --
    They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
  76. Day In Court by Slashdot+Parent · · Score: 1

    Isn't that what he'll be demonstrating on his day in court? That he's innocent?

    --
    They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock