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Pirate Party Wins At Least One European Parliament Seat

reeeh2000 writes "According to TorrentFreak, with half of polling stations now closed in Sweden, the Pirate Party has at least one guaranteed seat in the EU Parliament. Currently, the party is sitting with 7% of the vote. Depending on how the remaining districts voted, the Pirate Party could win another seat, for a total of two." Reader lordholm adds a link to an article about exit polls in Sweden (link in Swedish) indicating that the Pirate Party will score two seats, writing "According to the polls, the pirate party is the largest party in the 18-30 year age category of voters. The final counting of votes (including around a million postal votes) will not be done until later next week."

674 comments

  1. Bravo! by siloko · · Score: 5, Insightful

    A fantastic result. It seems that democratic representation means something even to filesharers! Who would have thought that they're not all teenage hoodies checking out of society!

    1. Re:Bravo! by Markspark · · Score: 5, Interesting

      actually a lot of people voted on the pirate party to protect civil liberties and personal rights. (I did for an example)

      --
      i find your lack of faith in science disturbing!
    2. Re:Bravo! by AliasMarlowe · · Score: 4, Interesting

      18-30 year-olds? So in the next EP election, the PP will be the favoured party of 18-35 year-olds. That should give more than just one or two seats.

      --
      Those who can make you believe absurdities can make you commit atrocities. - Voltaire
    3. Re:Bravo! by alexhard · · Score: 5, Insightful

      I think that in the next 5 years the PP will focus more on presenting these issues to older people, as well. Singing to the choir will only get you so far..

      I think this has a lot to do with the way the party is represented by the media: when older people hear that the PP is "for the legalization of file sharing", they obviously don't think this is an important issue. If they knew the extent of the damage being done to personal liberties and privacy, they would be more willing to vote for the pirates.

      --
      Infinite time means everything that can happen, will. You being you is absolutely incidental. You do not exist.
    4. Re:Bravo! by Darkness404 · · Score: 5, Insightful

      Sure, but the point of the party isn't really to become a "real" party but to force other parties into taking strong stances in making copyright weaker, protecting the fair use and the right to personal filesharing along with actually giving a crap about privacy. Perhaps it will take more than one or two elections, but 30-40 years down the road, the Pirate Party will most likely become obsolete as the other more "mainstream" parties will have taken up the pirate cause and then people will vote based on the economy, etc. because everyone will care about allowing filesharing and increasing privacy.

      --
      Taxation is legalized theft, no more, no less.
    5. Re:Bravo! by fishbowl · · Score: 5, Insightful

      >18-30 year-olds? So in the next EP election, the PP will be the favoured party of 18-35 year-olds.

      No, once they are over 30 something clicks and they become more interested in preserving their own wealth than in idealism, so they become conservatives.

      You would think that the counterculture generation of the 1960s would behave differently now that they are the dominant force in government and business, but look at the reality.

      --
      -fb Everything not expressly forbidden is now mandatory.
    6. Re:Bravo! by HappySmileMan · · Score: 1

      ThePirateBay is owned by a right wing racist millionaire.

      No, a right wing racist millionaire made a donation to the site several years ago.

    7. Re:Bravo! by bonch · · Score: 1, Troll

      This is such a joke. What civil liberties and personal rights are you voting to protect? Your right to pirate copyrighted materials on PirateBay? It's called the PIRATE party.

      Slashdot has become a sickening pro-piracy website. Have you ever wondered why the big names like John Carmack no longer post here? Why doesn't he deserve to get paid for his work?

    8. Re:Bravo! by bonch · · Score: 1, Flamebait

      "Filesharers," haha Answer me something. Why is it called the PIRATE Party?

    9. Re:Bravo! by Anonymous Coward · · Score: 0

      Wow. You're a loony!

      nethack@cox.net

    10. Re:Bravo! by sjames · · Score: 1

      They've made the right first step. Now that they have a seat, older voters will be more likely to actually listen when they do explain the issues.

    11. Re:Bravo! by cliffski · · Score: 2, Insightful

      I agree 100%, but you are already moderated troll.

      I'd be happier if the pirate party re-branded itself the 'lets kill off the digital entertainment industry' party, because that is the upshot of their 'policies'.
      I'm a very liberal voter who supports freedom of information, and strong consumer and individual rights and freedoms and privacy...

      However, I can't possibly equate that with some crap about 'copyright being evil'. Copyright is a totally different issue to freedom and privacy. An attempt to wrap up the 'lets all take stuff for free' ideology with some cuddly stuff about privacy is simplistic and silly. It's sad so many people fall for it.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    12. Re:Bravo! by cliffski · · Score: 1, Troll

      'file-sharing' is the new cuddly way to avoid admitting that it's theft.
      In other news, car-jacking is to be called 'motor-car scrumping', hence making it seem socially acceptable.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    13. Re:Bravo! by Narishma · · Score: 1, Redundant

      Aren't you tired of copy-pasting the same crap in every article?

      --
      Mada mada dane.
    14. Re:Bravo! by alexhard · · Score: 1

      Oh, trolls...you have remained exactly the same in the last decade.

      --
      Infinite time means everything that can happen, will. You being you is absolutely incidental. You do not exist.
    15. Re:Bravo! by hanssprudel · · Score: 5, Insightful

      The current Swedish government has rushed through a number of privacy encroaching laws regarding the Internet, which have been deeply unpopular with a large part of the population, and yet have had the support of all the mainstream parties. These have included:

      - Unlimited wiretapping with court order of all International data traffic for the intelligence services (and remember that in a country of 9 million, a lot more traffic is international than say in the US - in fact a lot of domestic traffic is routed internationally!)

      - Forced data retention laws for ISPs, forcing them to keep information about all incoming/outgoing email as well as TCP connections.

      - Laws enacted to help the music/movie industry allowing them to demand ISPs reveal the identity of Internet users with little court oversight.

      These things, much more than the takedown of the pirate bay, has influenced people to vote for the Pirate Party, who have presented the only political opposition to them.

      In fact, my 58 year old mother just called me to tell me she voted for PP (and I didn't even ask her to). I promise that she has never torrented anything in her life - yet she doesn't like the government spying on her more than anybody else.

    16. Re:Bravo! by HappySmileMan · · Score: 4, Informative

      This is such a joke. What civil liberties and personal rights are you voting to protect?

      Well stuff like net neutrality and the right to privacy for one. Perhaps you should go read their views on various issues, I think you'll find there's a bit more to it that "LOL I WANT NEW TOM CROOSE MOOVIES".

    17. Re:Bravo! by yoldapirate · · Score: 0

      and like all parties it will go into corruption as time goes by, people cant be trusted for long. But its a good start for now.

    18. Re:Bravo! by Anonymous Coward · · Score: 0

      http://www.physorg.com/news70726212.html
      http://a4a.mahost.org/pirates.html

      hope that helps.

    19. Re:Bravo! by HappySmileMan · · Score: 1

      In other news, car-jacking is to be called 'motor-car scrumping', hence making it seem socially acceptable.

      If I download a song from the pirate bay a copy is made. If I steal a car then no copy is made, someone wakes up to find their car missing, and they can never use it again, they must replace it or find a new way to travel.

    20. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      I'd be happier if the pirate party re-branded itself the 'lets kill off the digital entertainment industry' party, because that is the upshot of their 'policies'.

      That's a pretty ignorant interpretation of their policies. The digital entertainment industry in its current form might depend on copyright, but abolishing copyright would result in a new digital entertainment industry that separates producing content (their job) from making copies (not their job).

      I'm a very liberal voter who supports freedom of information

      But not, apparently, the freedom to share information. So what "freedom of information" are you talking about -- the freedom for information to exist? The freedom to own information and stifle the speech and actions of anyone else who wishes to use or share it?

      Copyright is a totally different issue to freedom and privacy.

      Only if your definition of "freedom" excludes freedom of speech.

      --
      Visual IRC: Fast. Powerful. Free.
    21. Re:Bravo! by Swizec · · Score: 3, Informative

      How about my right to fucking run a game on a new computer when I purchase it? Or my right to fucking play a movie on a computer as well as on a Playstation? Or my fucking right to not be put in jail for 8 years like I'd murdered someone when I share a song with a friend? Or my fucking right to lend someone a music CD I'd bought? Or my fucking right to not have every action on the internet monitored like I was molesting little children for lunch?

    22. Re:Bravo! by skrolle2 · · Score: 5, Informative

      What civil liberties and personal rights are you voting to protect?

      The right to not have my traffic snooped on by the government as the FRA law in Sweden allows.

      The right to not end up in a logfile whenever I send an email or visit a webpage, as the EU data retention directive wants.

      The right to not have my internet cut off on the say-so of big copyright holding companies, as the French three-strikes law allows.

      The right to not have my home searched and my assets seized on the say-so of copyright holders, as the Swedish IPRED law allows.

      These things are important, not only for me, not only for those who download illegally, but for everyone who uses the internet. It is absolutely essential that civil liberties are respected on the internet and in real life. I didn't vote for the PirateParty so people can download stuff for free, I voted for them to stop the draconian surveillance bullshit that's being pushed in the name of stopping terrorism, child porn and illegal filesharing, but which in reality accomplishes nothing of the sort, it only lessens my right and my liberties.

    23. Re:Bravo! by Anonymous Coward · · Score: 0

      -WOULD YOU DOWNLOAD A CAR?

      -A what?

      -A CAR! WOULD YOU DOWNLOAD IT?

    24. Re:Bravo! by darkmasterchief · · Score: 2, Interesting

      Remember kiddos, it's not just about the privacy issues that we have here in America. Look at what the other countries are having to deal with now, their privacy is being completely violated in one way or another. The implementation of cameras, people tracking, and other types of identification systems are being misused; in no time they'll be dealing with zealous institutions who are willing to undermine the average citizen to "make" the world a better place.
       

    25. Re:Bravo! by rohan972 · · Score: 2, Informative

      No, once they are over 30 something clicks and they become more interested in preserving their own wealth than in idealism, so they become conservatives.

      As an over 30 conservative in favour of copyright reform, I don't see a problem with that. I see the effects of copyright on education and business as much more important than the effects on the entertainment industries (referring to the use of written works in business, not the sale of written works as business, eg operating systems, productivity software, accounting software). If you look at the cost to society of paying copyright levies for textbooks that teach material that has been known for hundreds of years (basic mathematics for example) it seems to me that the compulsory purchase via copyright of information that should have long been in the public domain is a dead weight on our economies.

      Copyright reform is not a conservative vs radical issue, it's an informed vs uninformed issue.

      You would think that the counterculture generation of the 1960s would behave differently now that they are the dominant force in government and business, but look at the reality.

      That generation has certainly moved towards conservatism but they did make some fairly big changes. There is a degree to which conservatism is based on experience of reality. If at age >30 you still have the same outlook as you did at 18, you were either an exceptionally wise 18 year old or a very stupid 30 year old. Personally, I've found through experience that some of the ideals I had at 18 were not workable. Discarding/modifying those ideals in favour of proven workable systems (ie becoming more conservative) isn't "selling out", it's growing up.

    26. Re:Bravo! by Overly+Critical+Guy · · Score: 0, Troll

      No. People voted for the "free stuff!" party (seriously, why do you think they call themselves pirates) because they're leeches who don't want to lose their free ride. Slashdot has become notorious in the last decade for becoming a closed-minded pro-piracy haven, arguing that no content creators have any rights to make money off their work and constantly bashing the RIAA, day after day after day, to convince its readers that people who legally pursue copyright infringers are somehow the bad guys (never mind that Slashdot said during the Napster trial they should do that, which is another example of the goofy hypocrisy around here).

      I think it's really strange how piracy is lauded around here and how people don't want to admit that their motives are strictly selfish. Nobody wants to consider the consequences that if artists don't get paid for their work, they won't be able to make a living off their work, and it will be harder to contribute anything to the world. There's this idealistic notion that people will just happily give everything away for free, and money will magically spring out of thin air to keep them going. Even Linux is a well-funded corporate creation these days, sponsored by companies who offer support contracts and such and developed by employees and volunteers with a vested interest.

      It would be interesting to hear what you guys would say to an artist whose work is getting pirated. They're just supposed to accept it? What would you tell John Carmack--that the years of his life he spent on Doom 3 don't deserve compensation?

      --
      "Sufferin' succotash."
    27. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      In other news, car-jacking is to be called 'motor-car scrumping', hence making it seem socially acceptable.

      If "scrumping" means making a copy of a car while leaving the original untouched and fully functional, then it already is socially acceptable (it's just not possible). If you manage to invent a device that makes "scrumping" as easy as copying songs, you'll win a Nobel Prize and put an end to poverty and hunger.

      I won't hold my breath, though, since if you can't even imagine a business model that doesn't depend on copyright, I doubt you're going to be coming up with any revolutionary technology anytime soon.

      --
      Visual IRC: Fast. Powerful. Free.
    28. Re:Bravo! by Reed+Solomon · · Score: 1

      I've always leaned conservative and with this issue I disagree. Protecting the liberal movie and entertainment industry goes against everything I stand for.

    29. Re:Bravo! by Overly+Critical+Guy · · Score: 0, Flamebait

      It's not "crap" just because you don't have a counterargument. Every Slashdotter, deep inside, knows that piracy is wrong and that it screws hard-working people over. Nobody wants to admit it because they don't want to lose their ability to pirate, so to avoid feeling guilty, they justify it with various smoke and mirrors by calling it a socio-economic revolution, a strike against allegedly evil entities like the RIAA, and so on. It's selfish human nature at play. It's unfortunate that many people here don't notice it at work in their heads. They just fire up Bittorrent without a second thought while some poor schmuck somewhere doesn't get paid.

      --
      "Sufferin' succotash."
    30. Re:Bravo! by Overly+Critical+Guy · · Score: 0

      Bravo, more freeloaders voting for the "free stuff party."

      Do Slashdotters seriously not see this as a joke? You really believe piracy is okay? Slashdot has shut down websites for copyright infringement--did you think that was right? What about when a company uses GPL code? If copyright is wrong, then the GPL has no legal standing as a copyright license, and companies can use GPL code however they want.

      I mean, do you think these things through at all?

      --
      "Sufferin' succotash."
    31. Re:Bravo! by alexborges · · Score: 1

      Repeat after me:

      Its-Called-PRO-GRES

      --
      NO SIG
    32. Re:Bravo! by Repossessed · · Score: 3, Funny

      Something is very wrong with the Swedish political system.

      Don't they know the opposition party is supposed to claim they oppose unpopular laws like those then do nothing about them once they're voted into power.

      --
      Liberte, Egalite, Fraternite (TM)
    33. Re:Bravo! by lupis42 · · Score: 2, Insightful

      Right... just like mix tapes were theft, and recording tv shows was theft.

      I admire the efforts you made to reach out to the people pirating your games, and (hopefully) reminding the people who download whatever, whenever, that someone put effort into creating it, and that someone does deserve some kind of reward.

      But File-sharing does not mean theft, it means exchanging files. Every computer I own is running at least one piece of software which I obtained from P2P sites at the direction of the copyright holder. They do this because it saves them distribution costs, which is very important when you aren't charging for it.

      Equating file-sharing with car-jacking is exactly the attitude that makes people decide that the pro-copyright side of this debate are a bunch of idiots, and the perpetual insistence that each and every copy should be a sale doesn't help credibility either.

      If you believe that Life + 70 years is a reasonable term for copyrights, that the patent system works perfectly, or that privacy is not a right, than you are disagreeing with the pirate party (Their statement of principals can be found here: http://www.piratpartiet.se/documents/Principles%203.2.pdf). If you continue to approach the copyright debate by calling everyone who disagrees with you "nothing more than a bunch of college kids who want shit for free" than you shouldn't be too surprised if you find yourself pushing people who might otherwise defend copyright away.

      I support the right of creators to get paid for what they produce. I don't pirate games, but I do give old ones that I no longer play to friends, and accept their old games in return. When you insist that I am a "teenage hoodie checking out of society", and that "violating artist rights is what the PIRATE Party wants", you tell me that you do not support my rights to content that I have obtained legally. That's not helping your case that other people should support your ownership rights.

    34. Re:Bravo! by elvesrus · · Score: 1, Informative
    35. Re:Bravo! by drinkypoo · · Score: 1

      It's notable that it's already perfectly legal to copy a car, as long as it's old enough to where you're not violating patents or having to copy ROM code. It's just hard. That is clearly a difference, but it's also fairly clear that people want to copy media whether they've paid for it or not, and that copyright law certainly hasn't produced gem after gem. Mostly it leads to more commercial crap that's just like the old commercial crap, only newer.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    36. Re:Bravo! by rawler · · Score: 5, Informative

      The Pirate Party is nothing more than a bunch of college kids who want shit for free.

      Interesting. Looking at their top 10 candidates for national government a few years back, you'll find that their average age is 38, and that 7/10 is 40 or older.

      Among their top active public members, can be found an author, a musician, several with years of background in it consulting, one with a former background as director of a book publishing company, one with a background in national politics and a few with active backgrounds in other larger political parties.

      So while some of the members are certainly cheap greedy kids as you describe them, clearly that does not constitute the entire party.

    37. Re:Bravo! by MrHanky · · Score: 1, Redundant

      That's a pretty ignorant interpretation of their policies. The digital entertainment industry in its current form might depend on copyright, but abolishing copyright would result in a new digital entertainment industry that separates producing content (their job) from making copies (not their job).

      That's purely wishful thinking.

    38. Re:Bravo! by superwiz · · Score: 1, Insightful

      Or my fucking right to not be put in jail for 8 years like I'd murdered someone when I share a song with a friend?

      To own something is to have the right to restrict its use to others. I can lend a car to my friend. He can lend to someone else. But because it is my car, I can take back from that someone else and the fact that my friend said "it was ok" will change nothing. As long as copyrights give ownership of intellectual property, you don't have the permission to give it away anymore than you can sell someone else house without their knowledge.

      Should copyrights exist? Absolutely! But for much shorter periods of time than they do now. Essentially, the only role the government should have in estimating the appropriate length of the copyright period is "how long does it take for the material to become part of general culture". Certainly, phrases from Casablanca are part of the standard English idiom today. Yet, Casablanca is still copyrighted. The same goes for Elvis, Beatles, etc. But without copyrights, there would never had been either Casablanca nor the Beatles.

      If you land your friend a song and you keep a copy for yourself, you are taking from the song's author's his right to copy. It's not even all about the money. You are violating his right to his creation.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    39. Re:Bravo! by Anonymous Coward · · Score: 1, Informative

      never mind that Slashdot said during the Napster trial they should do that, which is another example of the goofy hypocrisy around here

      That was before anybody realized that the penalty for copyright infringement was hundreds of thousands of times the harm of copyright infringement. There wouldn't be nearly the outrage if the RIAA could only sue individuals for a couple bucks a song in proportion to the value of a copy rather than $150,000/song which is practically what the RIAA pays the artist for the copyright.

    40. Re:Bravo! by Demonantis · · Score: 5, Insightful

      This site is as much pro-piracy as a site demanding the closure of Guantanamo bay is a pro-terrorism site.

    41. Re:Bravo! by Opportunist · · Score: 4, Interesting

      Why does this work in Sweden, or rather, why not in the rest of Europe?

      You have the same privacy-eliminating laws all over the EU, mainly because they are largely EU mandated, yet in most other countries, right-wing parties that call for even tighter monitoring and regulation won across the board.

      I'm kinda sickened by my (and most other) countries here. Or rather, the sheep here following whoever blows the loudest xenophobic horn.

      Why is it that Swedes take governmental spying serious, while the rest of Europe seems to be too busy hating $minority_group_or_foreigner?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    42. Re:Bravo! by Anonymous Coward · · Score: 0

      Doom 3 sold at least three and a half million copies. To say nothing of Doom 1, Doom 2, Quake 1 and Quake 2. I'd be happy with that for a few years' work, even if everybody else in the world was running eight pirated copies apiece.

    43. Re:Bravo! by Opportunist · · Score: 1

      Get your facts right. But while we're at polemics, I'd rather be a pirate than accept the elimination of my freedom.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    44. Re:Bravo! by AlexBirch · · Score: 2, Informative

      In the USA, the opposition party usually passes more laws EXACTLY like the unpopular ones.
      Look at the GOP holding legislative sessions to keep Terri Schiavo connected to a machine.

    45. Re:Bravo! by artor3 · · Score: 1, Troll

      It is absolutely maddening that this is what Slashdot has become. For people who supposedly pride themselves rational thought, have you ever taken a step back to look at your own views?

      The digital entertainment industry in its current form might depend on copyright, but abolishing copyright would result in a new digital entertainment industry that separates producing content (their job) from making copies (not their job).

      And how do they get paid if anyone can replicate their content for free? Just hope for donations? There's a guy with a guitar on the corner of my street who does that. It doesn't seem to be working all that well for him.

      But not, apparently, the freedom to share information. So what "freedom of information" are you talking about -- the freedom for information to exist? The freedom to own information and stifle the speech and actions of anyone else who wishes to use or share it?

      How about the freedom of matters of fact? For example, we should have the freedom to know how our tax dollars are spent. That doesn't mean Microsoft should have the freedom to steal the code for Firefox, slap an IE-logo on it, and call it their own.

      Copyright is a totally different issue to freedom and privacy.

      Only if your definition of "freedom" excludes freedom of speech.

      You've got to be kidding. You really think that the "freedom" to steal an author's or musician's work is the same as the freedom to criticize government policies?

      You're acting like a child.

    46. Re:Bravo! by hanssprudel · · Score: 4, Informative

      Something is very wrong with the Swedish political system.

      Don't they know the opposition party is supposed to claim they oppose unpopular laws like those then do nothing about them once they're voted into power.

      Yes, they did exactly that, but unfortunately for them there was a power change in Sweden a few years ago, and it became clear that many of unpopular laws being passed by this government had actually been drafted by the last one.

    47. Re:Bravo! by etnoy · · Score: 2, Interesting

      I think that in the next 5 years the PP will focus more on presenting these issues to older people, as well. Singing to the choir will only get you so far..

      Very true. The issues that PP attacks don't just concern youngsters, more and more people here in Sweden are raising their voices against the stupid laws that have been introduced.

      On another note, my old grandmother told me she had voted for the pirates today. I've never spoken to her about politics before, but apparently she found out about the party on her own and sympathised with their agenda (she's 77!).

      The pirate movement has reached critical mass and is now entering the large political arenas. Let's see what rhetoric the MAFIAA and IPFI will use now. We can safely say that less people will be fooled by their lies from this day.

      --
      Quantum hacker.
    48. Re:Bravo! by Swizec · · Score: 1

      I'm all for copyright, but there are things that are draconian and there are things that are not.

      How about considering that by sharing a song with my friend (btw you're not even allowed to share a headphone since you didn't pay for public broadcasting) I may have gotten the band another fan. Or exposed them to a larger audience, which in turn breeds hte selling of concert tickets and merchandise sales.

      Now, if you put us both away in prison for a few years ... guess how many concerts we're going to and how much merchandise we're buying that time?

    49. Re:Bravo! by Hurricane78 · · Score: 5, Informative

      Simple. There are two factors:
      1) The party was founded there. Give it some time in other countries. (At least we have 0.9% here in Germany. Which means they get the campaign money back.)
      2) Education. The Nordic countries are known for their high education and open-mindedness. (Add Estonia to that group too.)

      Here in Germany, people like to talk about "stupid Americans" or British. But in fact, we're nearly as stupid. And it gets worse every day.
      Being dumb has kind of a "cool" and "you have to respect me" touch here. People nearly brag about their stupidity.
      Which does not surprise me at all, with our drone promoting school system and the B-vitamin killing stuff that most people eat.

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
    50. Re:Bravo! by AlexBirch · · Score: 1

      The PP should have a commercial of its members boarding the government vessel and freeing it from the corporate overlords.
      Personally I think they'd do better rebranding themselves as the Robinhood party.

    51. Re:Bravo! by Tubal-Cain · · Score: 1

      If "scrumping" means making a copy of a car while leaving the original untouched and fully functional, then it already is socially acceptable (it's just not possible).

      Assuming the patents are expired (more likely than any recent copyright being expired)

    52. Re:Bravo! by Opportunist · · Score: 1

      I feel your pain. My income is dependent on the existance of copyright laws, too (besides some other laws), and without I'd be out of a job. The cynic in me would say, I'd have to do some real work, but hey...

      The crap heap by another name still smells the same. Whether it's called filesharing or piracy, whether you call a monetary incentive a bribe, the underlying problem is the same. But as much as I'm for copyright in general, I'm fairly strongly against the way it's heading. Copyright is not above the right to privacy. At least in my books. How is my right to have my intellectual property protected more important than everybody's right to have their privacy and their private correspondence protected?

      The needs of many outweigh the needs of a few. I sure do want to have my rights protected, no questions asked. Personally, the price is too high, though. We need to find a solution that does not eliminate the rights of everyone just to protect mine.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    53. Re:Bravo! by schon · · Score: 4, Insightful

      And how do they get paid if anyone can replicate their content for free?

      How about payment for work done? You know, like nearly every other industry. Or should plumbers demand a payment every time you have guest use your toilet?

      Just hope for donations? There's a guy with a guitar on the corner of my street who does that. It doesn't seem to be working all that well for him.

      Interesting conclusion you've drawn there - if it wasn't working all that well for him, why does he keep doing it? Have you tried asking him, instead of drawing illogical conclusions?

      You really think that the "freedom" to steal an author's or musician's work is the same as the freedom to criticize government policies?

      Mu. This is an old argument, and regardless of how much you want it to be so, sharing is not stealing.

      Perhaps you should do some reading - freedom of speech is not the same as freedom of original speech. Think about this: it's possible for copyright to prevent you from (or possibly punish you for) criticizing the government.

      Copyright is the antithesis of free speech.

    54. Re:Bravo! by siloko · · Score: 1

      But without copyrights, there would never had been either Casablanca nor the Beatles.

      I have no view on your general point but to back it up with the above simply underminds what you are trying to say. You can't just throw in value judegements and pretend they're fact simply to give your opnion a veneer of authority. Well you can, but it doesn't work. Well it might, but . . . o forget it!

    55. Re:Bravo! by Hurricane78 · · Score: 0

      With you many good, deep, and well fitting arguments, I must agree with you! :P

      People like you are the problem, because your crab mentality, of following groupthink by creating groupthink in the first place, does hinder us from getting there.
      And then, just like that, you can say "I told you so."

      Way to go...

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
    56. Re:Bravo! by Anonymous Coward · · Score: 1, Interesting

      So they actually will be able to attract "real" experts to assist their parlementarian? That's nice to hear.

      Sometimes there are parties who put their finger on the right problems, but are unable to give an alternative. Mainly because all their staff is working on propaganda for the next election instead of developing an alternative policy.

      I know this isn't a popular thing to do, but to get results the PP will have to make compromises. It sounds like they have a really ambitious program. (weakening copyright etc.) If they want anything of it to be realised, they will have to support directives that are not ideal. That doesn't mean they will have to support directives that are incompatible with their views.

      Only... a parliamentarian who only votes "no" on privacy and patent related issues and doesn't vote on the other issues is wasting a perfectly good seat. I just hope they work with the parliament to support the best possible alternative, instead of chasing an unreachable ideal legislation.

    57. Re:Bravo! by Mr2001 · · Score: 4, Interesting

      For people who supposedly pride themselves rational thought, have you ever taken a step back to look at your own views?

      Absolutely. The position I'm putting forth here isn't something I slapped together in five minutes, it's something I've put a lot of thought into over several years -- unlike the objections of those people who think it can't work because it isn't exactly the same as the status quo.

      And how do they get paid if anyone can replicate their content for free? Just hope for donations?

      No. Creating content is a service, and they can get paid the same way as anyone else who performs a service: by charging for the work they do.

      A professional barber doesn't cut hair unless someone is paying him for a haircut. Why should a professional musician write or record songs if no one is paying him to do it?

      How about the freedom of matters of fact? For example, we should have the freedom to know how our tax dollars are spent.

      OK, let's see how dedicated you really are to "freedom of matters of fact".

      I have a book open right now, and it's a matter of fact that the first word in the first chapter is "Simply". It's also a fact that the second word is "stated". Here are some more facts about that book: the third word is "animation", the fourth word is "is", the fifth word is "a".

      I could keep going, but I think you get the picture. These are all matters of fact about a book that I own, and there are hundreds of thousands more facts I could tell you about it, but thanks to copyright law, it'd be illegal for me to share all those facts with you. And even if I did share those facts with you, it'd probably be illegal for you to write them down.

      So, if you're in favor of "freedom of matters of fact", would you support a change in the law that made it legal for anyone to share as many facts about their own property as they'd like with anyone else who cared to know them?

      That doesn't mean Microsoft should have the freedom to steal the code for Firefox, slap an IE-logo on it, and call it their own.

      No, of course not. That would be fraud.

      I do, however, believe that Microsoft should have the freedom to take the code for Firefox, slap an IE logo on it, and call it the next version of Internet Explorer as long as they told the truth: that the code was written by the Firefox team, not Microsoft.

      You've got to be kidding. You really think that the "freedom" to steal an author's or musician's work is the same as the freedom to criticize government policies?

      No. But I do really think that "freedom of speech" means "the freedom to speak", not "the freedom to criticize government policies" -- it shouldn't matter whether I'm speaking an anti-government manifesto or the text of a copyrighted book.

      I'm willing to make an exception in cases where speech poses a direct threat, such as fraudulent advertising, shouting "fire" in a crowded theater, or leaking nuclear launch codes to the Commies. But I believe freedom of speech is too important to be restricted when the only reason to do so is to create a market for that speech. And in general, I believe we should not forbid the majority from doing something (like selling copies of a book) just to let a minority command a higher price for doing the same thing.

      --
      Visual IRC: Fast. Powerful. Free.
    58. Re:Bravo! by Ethanol-fueled · · Score: 2, Interesting
      Okay, I'll bite.

      Copyright is a totally different issue to freedom and privacy.

      But the overzealous enforcement of copyright issues will inevitable lead to erosions of freedom and privacy. Hyperbolic hypothetical example: In your country, the leadership criminalizes small-time copyright infriengement and delegates its enforcement to a government law-enforcement agency. They find that your 17-year old daughter has been downloading the latest pop hits from TPB and so they will have the authorization to hack into her box to see what else they can find. They find her nude pictures and maybe even a nude webcam video she made for her boyfriend. In addition to copyright infringement, she will also charged with child pornography and subject to excessive punishment.

      In short, content providers(among other corporations) get greedy and fuck things up for everyone. They've been inflating prices and riding a gravy train for years. Now that technology's levelling the playing field, they just try to throw money at lobbyists and enact insane law instead of implementing realistic business models. Adapt or die.

    59. Re:Bravo! by reeeh2000 · · Score: 1

      No. People voted for the "free stuff!" party (seriously, why do you think they call themselves pirates) because they're leeches who don't want to lose their free ride.

      I have to disagree with you here. The fact is that the Pirate Party only gained most of their support after the recent PirateBay trial verdict. Many voters felt the judgment is unfair and understood something had to be done about it. They did not simply join because they want free stuff.

    60. Re:Bravo! by Anonymous Coward · · Score: 0

      Oh bullshit. Everyone who applies copyright restrictions, deep inside, knows doing so is wrong and screws all humanity over.

      If you don't want something copied, don't release it.

    61. Re:Bravo! by Hurricane78 · · Score: 1

      That's the point. They don't own it. Because there is no such thing as intellectual property.
      Because it's as stupid as saying you own a thought. How could you own a thought? As soon as you tell someone that thought, he owns it too. And there is nothing you can do about that.
      If you do not tell it to anyone, you can't even prove that you have that thought at all. (Oh, and if then someone else comes up with it, he can claim he was the inventor.)

      That's why the rest of your arguments are wrong. They are based on this faulty base of **AA FUD.

      Well, you got tricked. But at least now you know better. :)

      P.S.: How did you come up with spelling "lend" "land"? That's impressive. Is it lolspeak? ^^

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
    62. Re:Bravo! by csartanis · · Score: 1

      God you're ignorant.

    63. Re:Bravo! by Hurricane78 · · Score: 5, Funny

      Well, ask FOX. ^^

      In other FOX news, if you disagree with them, you are a pedophile. (Think of the children! No not that way, pervert! ^^)

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
    64. Re:Bravo! by Anonymous Coward · · Score: 0

      "Without copyright law the GPL would be unenforceable. It would also be unnecessary".

      I GPL my code because doing so only inconveniences those who believe in copyright law - I want to encourage disrespect for copyright law, a disrespected law is eventually eliminated.

       

    65. Re:Bravo! by Hurricane78 · · Score: 1

      And in 10 years, they can't say

      "Stand up, you 30-40 year olds. It's time for the morning gymnastics."

      trough that large TV with the smiling face anymore.

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
    66. Re:Bravo! by lupis42 · · Score: 2, Insightful

      I'd be happier if the Democrats and Republicans re-branded themselves as Mommy Government and Daddy Government, but they aren't going to because they (as far as I know) actually believe that there exist issues in this country and in public policy, and they have ideas about how to solve them. I think many of their ideas are stupid and wrong, and I disagree with their solutions, but they are attempting to resolve social issues.
      So is the pirate party. The issues they are attacking start with copyright, and include along with that consumers rights, privacy, and patents. If you have better ideas, let's hear them, this is a discussion forum. If you don't think copyright needs any reform, can you make a case for that?
      The digital entertainment industry only needs copyright for the business model "produce something, and then sell copies". WoW doesn't really need copyright to survive, musicians have been around for several millenia before copyright, and there are more examples. Would it affect digital entertainment negatively if copyright disappeared? I'm sure it would, just as I'm sure it would put a dent in novel sales. Would digital entertainment survive if copies were only valuable for 5 years and there was no effective way to prevent people violating that copyright? Almost certainly, after all that isn't that different from the way things are now, although I would be able to get copies of a bunch of old games that are copyrighted but not for sale anymore.

    67. Re:Bravo! by houstonbofh · · Score: 1

      The digital entertainment industry in its current form might depend on copyright, but abolishing copyright would result in a new digital entertainment industry that separates producing content (their job) from making copies (not their job).

      And how do they get paid if anyone can replicate their content for free? Just hope for donations? There's a guy with a guitar on the corner of my street who does that. It doesn't seem to be working all that well for him.

      Cold Case, NCIS, Bones, and others seem to be surviving by giving me stuff for free. Just because YOU have not thought of a way to make money with free and open bit torrent, that does not mean that no one will.

    68. Re:Bravo! by skrolle2 · · Score: 1

      No. People voted for the "free stuff!" party (seriously, why do you think they call themselves pirates) because they're leeches who don't want to lose their free ride

      No they did not.

    69. Re:Bravo! by houstonbofh · · Score: 1

      Size helps. It takes far fewer people to make an impact when the electorate is the size of some cities in the US. Here we had a few million people protest rampant overspending, and it was blown off...

    70. Re:Bravo! by brit74 · · Score: 1

      Copyright is a totally different issue to freedom and privacy.

      Only if your definition of "freedom" excludes freedom of speech.

      If we take your "free speech" argument seriously, then you have to allow people to sell copyrighted material. Afterall, "free speech" covers both paid and unpaid speech.

    71. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      No, it's informed speculation. ;)

      In every other market, where you have (1) people who are willing to perform a service in exchange for money and (2) people who are willing to pay for that service, those people manage to come together and exchange money for services in a way that benefits both parties. Even when the law explicitly forbids it (drugs, prostitution, assassination), the market still operates.

      So if you're claiming that this won't happen with "digital entertainment", which is perfectly legal and for which supply and demand are well-established, I think the burden of proof is on you to show why it's an exception.

      What makes you think the same market forces that successfully provide every other service will fail when applied to creating music, movies, software, or other intellectual works?

      --
      Visual IRC: Fast. Powerful. Free.
    72. Re:Bravo! by turbidostato · · Score: 4, Insightful

      " For people who supposedly pride themselves rational thought, have you ever taken a step back to look at your own views?"

      Yes.

      "And how do they get paid if anyone can replicate their content for free?"

      By-Some-Other-Means.

      Yes: it's as simply as that. It is on the side of the one that want to make some money the burden of finding the ways of it, nobody else's.

      But if you want some examples, Michelangello produced some nice forms of art. How? By finding someone wanting to pay him for that. But, hey, maybe you don't think that example to be representative since Michelangello didn't produce music. So be it. J.S. Bach, maybe you heard about him, made a live out of composing and playing music. How was that possible? Well, by finding someone wanting to pay him for that. What would have happened if nobody wanted to pay Bach? He simply would have find another way to earn for a living. If distributing media is a bussiness no more, just find a different bussiness.

      As simply as that. Really.

      "You really think that the "freedom" to steal an author's or musician's work is the same as the freedom to criticize government policies?
      You're acting like a child."

      Crab mentality... Humm, I think I like that concept.

    73. Re:Bravo! by HertzaHaeon · · Score: 1

      The Pirate Party could very well fade away quite quickly after this. Quite a few small parties seem to end up that way.

      But if I'm not mistaken the Swedish green party start out as pretty much a small party with narrow focus. After some initial troubles they broadened their politics and established themselves as a party like the others. The fact that all other parties deal with green issues doesn't mean the end for them.

      If the Pirate Party plays the political game well they could concievably make a similar journey. The only trouble I see is how they avoid placing themselves on the right-left scale. Right now it's a perfect strategy, but I doubt it can last forever.

    74. Re:Bravo! by unl0rd · · Score: 1

      Or should plumbers demand a payment every time you have guest use your toilet?

      They do, the more the toilet is used, eventually it will require repair, replacement or judging by your post, get a blockage.

    75. Re:Bravo! by brit74 · · Score: 3, Insightful

      And how do they get paid if anyone can replicate their content for free?

      How about payment for work done? You know, like nearly every other industry. Or should plumbers demand a payment every time you have guest use your toilet?

      Yeah, and those guys who rent places - they demand to get paid every month! What a racket!

      Seriously, though - when people create copyrighted material, they sell it for FAR less than the production cost. There might be hundreds of thousands of man-hours put into a project. Then, they turn around and sell it for $10 or $50 or $100. You're paying a small fraction of the actual development cost. Hopefully, the [Profit Per Sale * Number Of Customers] is larger than [Development Costs] for them, or else they're going bankrupt.

      So, would you rather make $40,000 / year (up front), or spend a year creating something that has a market for 5 years and earns $20 per day (supported by copyright)? You might argue that you can sell your copyrighted material an infinite number of times (theoretically). But, the reality is that you can't. The reality is that $20 / day * 5 years works out to only $36,500. You'd be better-off getting your money upfront, despite your assumption that copyright = cash cow. Copyright allows us to earn a living, and it's not some rich crazy amount of money we're earning.

    76. Re:Bravo! by Dragonslicer · · Score: 1

      And how do they get paid if anyone can replicate their content for free?

      How about payment for work done?

      Will anyone pay them to do the work when there's almost no chance of even getting the money back, let alone making any kind of profit? Will enough people who view/watch/listen to their work pay them when they don't have to? The goal of copyright is to keep artists producing work, and the means of achieving that goal is trying to ensure that they can make enough money to live. The current laws, especially the copyright period, have certainly gotten far out of hand, and I certainly don't support the RIAA's scattergun theory of suing people, but I still support artists (and not necessarily their grandchildren and record label executive overlords) being able to make money from their work.

    77. Re:Bravo! by Mr2001 · · Score: 1

      If we take your "free speech" argument seriously, then you have to allow people to sell copyrighted material. Afterall, "free speech" covers both paid and unpaid speech.

      Well, there is no such thing as "copyrighted material" if copyright is abolished.

      I agree that people should be able to sell speech if they wish. No one should be forced to speak, or distribute copies, against his will. If you write a book and you don't want to give out a copy unless someone pays you for it, then go right ahead.

      But that does not give you the right to interfere with transactions between other parties. If someone buys the book from you, he must be allowed to read from it, or distribute copies of it, on his terms (unless he signs an agreement stating otherwise). Your freedom of speech does not entitle you to restrict the speech of others.

      --
      Visual IRC: Fast. Powerful. Free.
    78. Re:Bravo! by Darkness404 · · Score: 1

      Yes, the problem I see is the small government vs big government debate tearing them apart. On one hand you can have a really tiny government that doesn't do much, low taxes, totally free market, little to no copyrights, little to no regulation, because the government is tiny, privacy violations are few and far between. On the other hand you can have a really huge government that socializes most everything, sky-high taxes, highly regulated but competitive market, copyright very regulated, the economy highly regulated, even though the government is huge it is so regulated that privacy violations are regulated against.

      --
      Taxation is legalized theft, no more, no less.
    79. Re:Bravo! by Dragonslicer · · Score: 1

      Cold Case, NCIS, Bones, and others seem to be surviving by giving me stuff for free. Just because YOU have not thought of a way to make money with free and open bit torrent, that does not mean that no one will.

      They do it by selling advertising, which most people around here seem to be almost as strongly against. While music is relatively cheap and easy for a good amateur group to produce, television requires a much larger budget, which means viewers will need to pay somehow, either by cash or advertisement views.

    80. Re:Bravo! by brit74 · · Score: 1

      Uh - that's my point. Walmart can print up copies of books, music, games, and software and sell them without paying anyone for anything. A movie company could take a screenplay and make a movie out of it - without paying the author anything. Companies could create advertisements using other people's music or artwork - and they aren't obligated to pay the musician or artist anything. There's a whole bunch of things that would suddenly be allowed that most people would object to. That's where your argument leads.

    81. Re:Bravo! by turbidostato · · Score: 4, Insightful

      "without copyrights, there would never had been either Casablanca nor the Beatles."

      And that you know... exactly how?

      Without copyrights there is Illiad, Oddissey, Eneid and all ancient literature. Theater never needed copyright to work out, nor novels by chapters like those of Dumas.

      Films during the 30's, 40's, 50's... still needed complex infrastructures in place for delivering and show so I don't see why couldn't Warner produce Casablanca in order to show it on Warner's cinemas all over the country and protect the reels not by copyright but by simple physical means: no other cinema could get a decent copy of Casablanca unless they bougth to Warner or steal (which is punible by itself) from it.

      And what about the Beatles? Do they need any copyright to protect their ability to play their songs in concerts? Certainly others could play their songs but others are *not* The Beatles (The Real Thing TM). And certainly it was not copyright what gave us Bach, Vivaldi or Mozart.

      The world being the way it is doesn't mean that's the only way the world could be.

    82. Re:Bravo! by Dragonslicer · · Score: 1

      How about considering that by sharing a song with my friend (btw you're not even allowed to share a headphone since you didn't pay for public broadcasting) I may have gotten the band another fan. Or exposed them to a larger audience, which in turn breeds hte selling of concert tickets and merchandise sales.

      Now, if you put us both away in prison for a few years ... guess how many concerts we're going to and how much merchandise we're buying that time?

      Except concert tickets and merchandise would give money to the band instead of the record label, so the label will still sue you, since you aren't getting them any more money.

    83. Re:Bravo! by Mr2001 · · Score: 1

      Seriously, though - when people create copyrighted material, they sell it for FAR less than the production cost. There might be hundreds of thousands of man-hours put into a project. Then, they turn around and sell it for $10 or $50 or $100. You're paying a small fraction of the actual development cost. Hopefully, the [Profit Per Sale * Number Of Customers] is larger than [Development Costs] for them, or else they're going bankrupt.

      Paying directly for production would end up working the same way in most cases. Instead of finding one customer to pay you $40,000 for a project, you'd more likely find a thousand customers who each pay $40.

      The difference is that you don't have to "hope" that your gross revenue is greater than your development costs. Your gross revenue is set by you as an asking price, and you don't incur any development costs until you already have customers lined up to pay for development. So if there isn't enough interest in your project for it to be profitable, you can spend your time on something else.

      You'd be better-off getting your money upfront, despite your assumption that copyright = cash cow.

      Yes, abolishing copyright would likely be beneficial to all parties. However, for up-front funding to replace copyright, it would require infrastructure that only barely exists yet (middlemen to take the burden of dealing with thousands of funders off the artist's back), and some time for customers to get used to paying for production rather than buying "one art, please" off the shelf.

      --
      Visual IRC: Fast. Powerful. Free.
    84. Re:Bravo! by Darinbob · · Score: 0, Troll

      I seriously don't understand this. I hope this is merely a protest vote, and that all these people aren't advocating outright theft as a legal activity. Seriously, what's going on here? Is there so little sense of right and wrong with the 18-30 range that stealing is now considered ok, as long as it's done online and against people you don't like? Who honestly believes after thinking about it that this party is for personal rights or civil liberties? Who associates the word "pirate" with "civic minded person"? This is a "political" party in only the loosest of terms. I seriously am worried about the future of humanity here.

      It is time for the old "Me Generation" to give up their title. A new generation is much more deserving of it now.

    85. Re:Bravo! by superwiz · · Score: 1

      How about considering that by sharing a song with my friend (btw you're not even allowed to share a headphone since you didn't pay for public broadcasting)

      That's odd. Because sharing a headphone is not broadcasting. It's point-to-point transmission. Broadcasting has to spread like light from a bulb, not like light from a laser. I think whoever convinced the courts that this was a form of broadcasting pulled a short one.

      Or exposed them to a larger audience, which in turn breeds hte selling of concert tickets and merchandise sales.

      You see you are arguing that they have financial benefit there. But as I said that's not the only consideration. Certainly, if someone took your car keys without your knowledge and started renting out your car and giving you most of the money, you'd have financial benefit beyond that of you just keeping your car to yourself. But you'd still think that the person stole your car. It's about controlling what's yours.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    86. Re:Bravo! by Opportunist · · Score: 4, Insightful

      I blame day time TV ("afternoon talkshows", the celebration of loudmouth stupidity) paired with evening shows showing that being a disfunctional family and generally unfit to live a social life earns you a slot in a "reality show", from TV sponsored parenting councelers to family swapping shows that also seem to pick the stupidest of the herd (or maybe you have to be really stupid to participate in something like this altogether).

      I give you, though, that closed-mindedness is treated like a virtue here. Else our right wing populists wouldn't be so insanely successful. It kinda saddens me to see a party historically backed by large corporations and big money managed to become the spokesperson for the proverbial "little guy"... or rather, that they managed to tell the little guy that they were, and he belived it.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    87. Re:Bravo! by Swizec · · Score: 1

      It's a flawed model then. They _sold_ me their music so I should be allowed to do anything I want with my copy. Otherwise they should man up and admit all they're doing is leasing copies out to people ...

      ... but I wonder how many costumers they'll lose by admiting to that.

    88. Re:Bravo! by Mr2001 · · Score: 1

      Will anyone pay them to do the work when there's almost no chance of even getting the money back, let alone making any kind of profit?

      I think you're missing the point. The funders aren't looking for a profit, because they're mostly the same people who (ultimately) pay for production today: people who want the work for its own sake.

      People don't buy $15 CDs hoping to sell them for $25 and turn a profit; they buy CDs because they want to listen to the music. Likewise, most of the people funding a musician would be doing it so they could hear his works, not so they could extract a profit somehow.

      Will enough people who view/watch/listen to their work pay them when they don't have to?

      Yes, because otherwise those works won't get made, and everyone knows it. If the only way to get new content is to pay for it, then what other choice do you have if you care about new content?

      You can wait for someone else to send in those last few dollars to meet the artist's goal, but it's a game of chicken. Sooner or later you'll realize that the other guy isn't going to pay, and then it becomes a question of which one of you cares more about seeing the work created.

      --
      Visual IRC: Fast. Powerful. Free.
    89. Re:Bravo! by Opportunist · · Score: 1

      Well, the participation has never been too good in EU elections here either, if 50% go to the polls, it's already celebrated like a huge success. Sweden also isn't that "small" compared to other countries like Belgium or the Netherlands (neither in size nor population), so I don't really buy that.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    90. Re:Bravo! by DAldredge · · Score: 1

      What programs have you had trouble running on your computer? I have many development tools installed on my system and I have zero trouble getting games to run just like I have no problem watching videos on my computer. And who has been put in jail for 8 years for sharing a song with a friend or been punished for sharing a music CD?

    91. Re:Bravo! by nomadic · · Score: 1

      How about considering that by sharing a song with my friend (btw you're not even allowed to share a headphone since you didn't pay for public broadcasting) I may have gotten the band another fan. Or exposed them to a larger audience, which in turn breeds hte selling of concert tickets and merchandise sales.

      So forced marketing against their will. Maybe if they produced the song, they should be allowed to decide their marketing strategy?

      Now, if you put us both away in prison for a few years ... guess how many concerts we're going to and how much merchandise we're buying that time?

      Name a single person who has been thrown in jail for sharing a song. And I don't mean sharing millions of song via a black market pirating operation for profit, I mean sharing a song with their friend for free.

    92. Re:Bravo! by Ethanol-fueled · · Score: 5, Insightful

      Every Slashdotter, deep inside, knows that piracy is wrong and that it screws hard-working people over.

      Metallica spend an hour recording tracks for their latest album. Then they leave and go out for hookers and blow while sound engineers spend the next 2 weeks cutting, pasting, and pro-tooling the hell out of the riffs and the cobbling the mess into something which resembles an album. Profit.

      "Hard-working" may have been true 20 or even 10 years ago, but piracy caught on just as quality and craft of Big-label music took a nosedive. If I were an actually hard-working and gigging artist then I'd encourage so-called piracy of my tracks and make money selling CD's. I've frequently seen local bands in different cities give away stickers and CDs just to get their name known.

      Shit, was I just troll'd? ;)

    93. Re:Bravo! by Larryish · · Score: 1

      In Soviet Russia, the choir sings to YOU!

    94. Re:Bravo! by superwiz · · Score: 2, Interesting

      Because it's as stupid as saying you own a thought.

      Native American's who "sold" Manhattan to Europeans had the same idea about land. How can one "own" land?

      "Ownership" is the right to deny use. Everything else is semantics. And just we have a legal procedure of establishing ownership of land (through deeds), we have a legal procedure for establishing ownership of certain types of ideas (through copyrights and patents).

      I think what you are trying to get at is that ideas can be shared without incurring physical cost (something that isn't true with tangible property). Which is precisely why intellectual property rights must exist for a short period of time.

      That's why the rest of your arguments are wrong. They are based on this faulty base of **AA FUD.

      Well, I once again, don't think you fully thought through what it meant to "own" something. As for calling it "fud"... They spread a lot of misinformation. It hardly rises to the level of Fear Uncertainty and Doubt.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    95. Re:Bravo! by Mr2001 · · Score: 1

      Walmart can print up copies of books, music, games, and software and sell them without paying anyone for anything. A movie company could take a screenplay and make a movie out of it - without paying the author anything.

      You're skipping a step here. Where did those books, music, games, and software come from, if no one was paid for them? Where did that screenplay come from if its author wasn't paid?

      If someone is willing to create content for free, then yes, other people will be able to sell copies of it without paying him. I don't see a problem with that. If you want to get paid, then don't work for free!

      There's a whole bunch of things that would suddenly be allowed that most people would object to.

      They might be allowed, but they wouldn't actually happen, because I think most artists are smarter than you give them credit for.

      --
      Visual IRC: Fast. Powerful. Free.
    96. Re:Bravo! by Anonymous Coward · · Score: 1, Funny

      In fact, my 58 year old mother just called me to tell me she voted for PP (and I didn't even ask her to). I promise that she has never torrented anything in her life

      I wouldn't be so sure about that...

    97. Re:Bravo! by Dragonslicer · · Score: 1

      Yes, because otherwise those works won't get made, and everyone knows it. If the only way to get new content is to pay for it, then what other choice do you have if you care about new content?

      You can wait for someone else to send in those last few dollars to meet the artist's goal, but it's a game of chicken. Sooner or later you'll realize that the other guy isn't going to pay, and then it becomes a question of which one of you cares more about seeing the work created.

      I think you may be vastly overestimating the general population. I'd certainly be happy if you're right, but my cynicism is overpowering my optimism on this one.

    98. Re:Bravo! by turbidostato · · Score: 1

      "If you manage to invent a device that makes "scrumping" as easy as copying songs, you'll win a Nobel Prize and put an end to poverty and hunger."

      Maybe you'd win a Nobel Prize out of first moment surprise but you can bet that once the dust settles tremendous pressure to control it and make it illegal out of thightly controlled channels (those controlled by big corporations, of course).

      Too cynical, are you saying? Well, on one hand it *is* already illegal (copyright and patents would disallow your simple "scrumping") and regarding poverty and hunger... if that was a legit goal please explain me why both EU and USA *pay* for *not* producing basic foods like wheat or milk or why such foods are destroyed to control overproduction instead of sending it to starving countries (no; it is not to control prices: you can't control prices not giving milk for free to Ethiopia since they are not going to buy it at any price).

    99. Re:Bravo! by Anonymous Coward · · Score: 0

      Copyright is the antithesis of free speech.

      You mean CENSORSHIP is the antithesis of free speech, don't you? Hey, what kind of house of mirrors has this forum devolved into, that that kind of ridiculous post gets modded up Insightful.

      Or perhaps: "The ability of me, my friends, and like-minded netizens to post and swap anyone else's artistic and intellectual creations w/o permission or compensation, including copyrighted works, is precisely what we consider most fundamental about free speech." That would be a more honest way to present your position, and I don't agree with it. Try getting your plumber or doctor or auto mechanic to give you their services for free, maybe you can convince them they can make it up with advertising.

    100. Re:Bravo! by superwiz · · Score: 2, Insightful

      And that you know... exactly how?

      Because they were produced by for-profit corporations whose business models relied on copyrights. I am not saying that other artistic forms would not have existed. Just these particular ones -- the ones that were distributed by for-profit corporations. There is plenty of good indie bands out there. Beatles were before cassette tapes. I simply don't see how they could have risen to the same level of popularity (through what mechanism) other than a mass-distribution chain that studios provided. I am not saying other methods of sponsoring arts don't exist (they do, in fact... through direct sponsorship, for one... as was the case with most classical musicians). I am simply saying that this is one of them. And this is only one that gives artists ownership of their art. I think this is just an outgrowth of general dislike for the excessive power of corporations. Well, that's a different issue and shouldn't be mixed with basic ideas of what it means to "own" something.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    101. Re:Bravo! by brit74 · · Score: 4, Insightful

      Paying directly for production would end up working the same way in most cases. Instead of finding one customer to pay you $40,000 for a project, you'd more likely find a thousand customers who each pay $40.

      That simply doesn't work for any project with a large number of users. Further, there are all kinds of problems with the "pay up front" model - it takes years before you get your product, you don't know what the quality will be (it could be a total lemon), the creator will only get a small fraction of the people to pay, people will have an incentive to not join in paying for something (choosing, instead, to freeload after its release). Do you think that you could get millions of people to pay up-front for the production of X-Men 4 even though it won't come out for years? How would you even organize such a thing? And Windows Vista? I'm glad I didn't have to pay up-front because once I saw the reviews I didn't want it. So, I don't have to pay. I don't even want to think about trying to make a first product - nobody knows who you are, or whether you create good software. You don't have the money to spam millions of people who *might* be interested in what you are creating.

      The difference is that you don't have to "hope" that your gross revenue is greater than your development costs. Your gross revenue is set by you as an asking price, and you don't incur any development costs until you already have customers lined up to pay for development. So if there isn't enough interest in your project for it to be profitable, you can spend your time on something else.

      That wouldn't work. First of all, let's say that you want to make a product. You think about 1 million Americans would be interested in this product. You spam everyone you can possibly find. About 1/300 people who hear about your product think it's a good idea and agree to buy-in. If you could contact all 300 million Americans, you could get your 1 million customers. But, you can't. You only contact a million people (and that was expensive and difficult). So, you've got only 3,333 customers. Nowhere even close to 1 million. Now, you just give up because you can't make the funding work -- even though, theoretically, it could work.

      Copyright solves all kinds of these problems. I really don't think we should try to go back to a pre-modern method of funding things because we'll be taking a big step backwards.

      Abolishing copyright is a big step backwards.

    102. Re:Bravo! by Mr2001 · · Score: 1

      I think the wild success of political fundraising sites ought to be enough proof. Candidates and bloggers regularly raise tens of thousands of dollars from lots of small contributions, and the contributors aren't even getting anything in return. Never underestimate the motivational power of a thermometer graph.

      --
      Visual IRC: Fast. Powerful. Free.
    103. Re:Bravo! by superwiz · · Score: 2, Informative

      Let me clarify why economic incentive arguments completely miss the point. Because those who argue that their actions are more profitable for musicians substitute their choice for that of the musicians in deciding what is best for the musicians. They are acting as a collective big brother towards the musicians. We can adapt the same attitude towards tangible property. As a matter of fact, eminent domain does just that. It's a concept that the government can take away your land and compensate you for it if it can make better use of the land. Well, it takes ownership rights away and substitutes it for the right to profit off of the land. Just as you claim that the musician has no right to own his music but only has the right to profit off of it.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    104. Re:Bravo! by brit74 · · Score: 1

      Walmart can print up copies of books, music, games, and software and sell them without paying anyone for anything. A movie company could take a screenplay and make a movie out of it - without paying the author anything.

      You're skipping a step here. Where did those books, music, games, and software come from, if no one was paid for them? Where did that screenplay come from if its author wasn't paid? If someone is willing to create content for free, then yes, other people will be able to sell copies of it without paying him. I don't see a problem with that. If you want to get paid, then don't work for free!

      Um - what? Lots of people create things with the anticipation or hope that someone will pay for it once it's created. Surely, you realize this? Heck, isn't every actor in Hollywood writing a screenplay that they hope to sell to a movie-studio? Entrepreneurs all over are creating stuff in the hope that it will actually sell. A *ton* of stuff is created with borrowed money or personal savings with the hope of actually having something that will sell.

      There's a whole bunch of things that would suddenly be allowed that most people would object to.

      They might be allowed, but they wouldn't actually happen, because I think most artists are smarter than you give them credit for.

      Yes, they would happen. Do you really think Walmart wouldn't do those things if they could? How is the artist being "smarter than you give them credit for" going to stop Walmart from printing up copies of music, books, games, and software? Your argument here seems very much like hand-waving.

    105. Re:Bravo! by Darinbob · · Score: 1

      Yeah, right now the brand is very bad. It doesn't matter if a political party has the same views you do, if they're composed of criminals you won't want to vote for them. Few would vote for the Mafia party no matter how much they claim they will reduce taxes and increase services. This is like how the drug decriminalization people lose a lot of ground every time some pot head speaks up and says "dude, like, hemp should be, like, legal and stuff."

      Right now the pirate party seems to be branded as "pirates", file sharers, software/music thieves, and so forth. No matter how loudly they cry "it's about privacy" everyone else hears "it's about preventing the police from watching us do our illegal activities"; and everytime they say "the music industry needs to change" everyone else hears "I like to steal music"

      You can't lump together lofty political goals with base and crass motivations and last very long.

    106. Re:Bravo! by superwiz · · Score: 1

      You can do whatever you want with your copy except copy it. They sold you your copy. They didn't sell you part of their copyright. And copyright is what gives the right to copy.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    107. Re:Bravo! by AlexBirch · · Score: 1

      A great book I've recently read is "Words That Work: It's Not What You Say, It's What People Hear."

      Even if they could switch to The Privacy Party, etc... I really want to see it succeed.

    108. Re:Bravo! by Anonymous Coward · · Score: 0

      At least we have 0.9% here in Germany. Which means they get the campaign money back.

      That's an understatement. If you surpass the 0.5% threshold, you get back about 70 cents per vote. For the Pirate Party this totals to more than 160,000 euros. Compare that to the 600 euros they were campaigning on this time.

      0.9% is a great success.

    109. Re:Bravo! by Mr2001 · · Score: 4, Insightful

      That simply doesn't work for any project with a large number of users. [...] You think about 1 million Americans would be interested in this product. You spam everyone you can possibly find. About 1/300 people who hear about your product think it's a good idea and agree to buy-in. If you could contact all 300 million Americans, you could get your 1 million customers. But, you can't.

      You seem to be assuming that the artist is on his own here. But lone artists can hardly expect success under the current model either! You can't single-handedly get a CD (or any other product) into every retail store in the country; that's why you have an arrangement with a distributor.

      Likewise, if you want to sell your services to a million customers, don't try to contact them all yourself. Make an arrangement with someone else who'll help with promotion, handle the transactions, and deal with customer support in exchange for a cut.

      Further, there are all kinds of problems with the "pay up front" model - [1] it takes years before you get your product, [2] you don't know what the quality will be (it could be a total lemon), [3] the creator will only get a small fraction of the people to pay, [4] people will have an incentive to not join in paying for something (choosing, instead, to freeload after its release).

      1. This is true, and it may lead to a shift in the type of works that are produced. If that means fewer Duke Nukem Forevers, I don't think we'll miss much. But on the other hand, I don't think it's impossible to convince people to pay for something to be delivered a couple years later -- you just have to use a different marketing style.

      2. This same issue exists with any other service, and it's a non-issue. You don't know what the quality of your auto repair, landscaping, or surgery will be until it's been performed either, yet people pay for these services all the time. They agree on the service to be performed beforehand, and if the result is unacceptable, they take their dispute to one of the well-established venues (complaints, bad reviews, chargebacks, small claims court, etc.).

      3. The proportion of end users who pay is irrelevant. All that matters is whether the person performing the service receives enough money to make it worth his time.

      4. Again, as long as enough people pay, this is no problem. If enough people aren't paying, that means there isn't sufficient demand: every person who chooses to wait instead of paying is gambling (taking the risk that the work will never be made in exchange for saving some money), and that means they don't really care about your work anyway, right?

      Copyright solves all kinds of these problems.

      Well, yes and no. Copyright is only effective to the extent that the author can actually control the flow of copies, and as we've seen, the era of authors being able to do that is rapidly fading. If you're doing the work for free, hoping to recoup your costs by selling copies, and then pirates cut you out of the loop by satisfying the demand for copies without you, copyright hasn't solved anything -- it's made the situation worse by enticing you to work for free in the first place.

      Copyright is not free. We pay the cost in lost freedoms, foregone innovations, restricted access to past works, and limits on technology, as well as the monetary cost of law enforcement and courts. I don't believe the it provides nearly enough benefit to offset the huge costs.

      --
      Visual IRC: Fast. Powerful. Free.
    110. Re:Bravo! by Savage-Rabbit · · Score: 1

      The quality of trolling on this site has really taken a nosedive over the last few years...

      And how do they get paid if anyone can replicate their content for free?

      How about payment for work done? You know, like nearly every other industry. Or should plumbers demand a payment every time you have guest use your toilet?

      WTF are you talking about? The way the content industry works is you create content and then you sell copies of it for profit. If everybody copies your work and distributes it for free, which is the way you seem to be suggesting the content industry should be working, there is no profit and hence no money to pay people for work done.

      Just hope for donations? There's a guy with a guitar on the corner of my street who does that. It doesn't seem to be working all that well for him.

      Interesting conclusion you've drawn there - if it wasn't working all that well for him, why does he keep doing it? Have you tried asking him, instead of drawing illogical conclusions?

      There is a classic experiment in behavioral science that deals with this. Leave a table at the side of the street. Put a box full of, say, 50 apples on the table along with a sign that reads "For one apple please put 25 cent in the tin." and top the setup off with one of those sealed donation tins. Come back at the end of the day and you will a lot less than the expected $12.50 worth of change in your donation tin and all your apples missing (assuming nobody has stolen the tin... or the table for that matter). The basic conclusion is that most people will take things they can get for free and are not honest enought to leave a payment/donation or what ever you want to call it unless they are forced to so. That's why we have CCTV cameras, anti theft systems and security officers in supermarkets. There is nothing illogical about his conclusion.

      You really think that the "freedom" to steal an author's or musician's work is the same as the freedom to criticize government policies?

      Mu. This is an old argument, and regardless of how much you want it to be so, sharing is not stealing

      So if we had king sized Star Trek type replicators (with built in future tech energy generator providing ample free energy) that we could feed with common waste material (à la Mr. Fusion) and then use them to, say... replicate cars, car manufacturer's coffers would still be filling up to the brim with all the imaginary goodwill dollars they'd be getting from all you and all the other people who pirate-copied their cars in these replicators without paying real world money for the privilege?

      --
      Only to idiots, are orders laws.
      -- Henning von Tresckow
    111. Re:Bravo! by blind+biker · · Score: 1

      Here in Germany, people like to talk about "stupid Americans" or British. But in fact, we're nearly as stupid. And it gets worse every day.
      Being dumb has kind of a "cool" and "you have to respect me" touch here. People nearly brag about their stupidity.
      Which does not surprise me at all, with our drone promoting school system and the B-vitamin killing stuff that most people eat.

      I thought beer had lots of B-vitamins (not B12, but others) ;o)

      BTW, did you have the Bavarian cuisine in mind?

      --
      "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    112. Re:Bravo! by turbidostato · · Score: 1

      "Because they were produced by for-profit corporations whose business models relied on copyrights."

      That doesn't mean that other bussiness models wouldn't be able to achieve the same results. I already offered examples (valid examples, since they are taken from equivalent industries from the time -*any* distribution chain made and still makes their day by phisically protecting their merchants) of how Casablanca could have been produced and profited from without copyrights. In the case of Warner it would have been enough to own their cinema theatres: if people wanted to see Casablanca they should cash out their ticket. It seem like a valid bussiness plan to me (and in fact, it was: cinema theaters were profitable even without controlling producers or distributors). Even more, it would made for stronger brand recognition (i.e.: Warner cinemas are better than Universal's... it's easy to remember where did you see a film, specially back in the day, but who remember the Studio producing this or that film except for a bunch of cinema freaks)?

    113. Re:Bravo! by shutdown+-p+now · · Score: 2, Interesting

      Paying directly for production would end up working the same way in most cases. Instead of finding one customer to pay you $40,000 for a project, you'd more likely find a thousand customers who each pay $40.

      A serious question, and not an attempt to troll: has anyone actually done it that way, successfully? I keep hearing about this approach, and it sounds like it might work... or it might not. At the same time, nothing in the existing laws forbid people from taking this approach, so surely someone had tried already? If they did, and it was a success, then why don't we hear about it more? If it wasn't a success, then, again, it would be interesting to hear what went wrong. If no-one tried, then why? and shouldn't one of the anti-copyright people do it if only to make a point that it's possible?

    114. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      Um - what? Lots of people create things with the anticipation or hope that someone will pay for it once it's created.

      Please make up your mind. Are you talking about the world as it exists today, where copyright law makes it illegal to sell someone else's content without permission, or a hypothetical world with no copyright, where there's no incentive to work for free anyway?

      Your objection seems to be that with no copyright, people would still create works for free and then get exploited, but that's utterly irrational. Why would anyone write a book for free, hoping to sell it to a publisher, when he knows that there's no reason for anyone to buy publishing rights?

      Different incentives lead to different behavior. With no copyright, the behavior of working for free would not be rewarded, and thus would not occur except when money isn't a motivating factor anyway.

      How is the artist being "smarter than you give them credit for" going to stop Walmart from printing up copies of music, books, games, and software?

      Because those music, books, games, and software don't exist until someone writes them, and a sensible person wouldn't write them for free if he's expecting to get paid for his writing.

      You seem to think artists will create all that stuff for free, and then be surprised at the last second when Walmart sells copies without paying them. In other words, you seem to think artists are incapable of planning ahead or predicting how other people will react. I disagree.

      --
      Visual IRC: Fast. Powerful. Free.
    115. Re:Bravo! by turbidostato · · Score: 1

      "I simply don't see how they could have risen to the same level of popularity (through what mechanism) other than a mass-distribution chain that studios provided."

      On a side note, I didn't see, back in the early ninetees, how anybody could find a way to make billions out of spidering the Internet and offering back their search results for free. To be honest I still don't clearly see it now.

      That doesn't mean it can't be done. It only means it won't be me the one that will do it.

    116. Re:Bravo! by superwiz · · Score: 1

      But without copyright any film operator could have secretly made a copy and sell it to a competing studio. The competing "brand" could then play the same movie without any recourse left for the original producer of the movie.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    117. Re:Bravo! by Anonymous Coward · · Score: 0

      The German Pirate Party is not really up to anything yet. Their stance on most political issues is "we haven't developed a stance on this issue yet". They seriously discussed changing their name into something with "less negative connotations". In fields outside computing where they have a position, it's pretty mainstream and not at all innovative or radically democratic.

      I still voted for them to express my outrage over the new surveillance and censorship laws. They got up to 9.5% in some neighborhoods of Berlin. Maybe if they start politicizing themselves they can be a serious political force someday, but I doubt it.

    118. Re:Bravo! by mdwh2 · · Score: 1

      Should copyrights exist? Absolutely! But for much shorter periods of time than they do now.

      Well just like the Pirate Party then - http://www.piratpartiet.se/international/english :

      "The monopoly for the copyright holder to exploit an aesthetic work commercially should be limited to five years after publication. Today's copyright terms are simply absurd. Nobody needs to make money seventy years after he is dead."

      But without copyrights, there would never had been either Casablanca nor the Beatles.

      Nice straw man. They don't advocate abolishing copyright, rather they want about reform.

    119. Re:Bravo! by erroneus · · Score: 5, Insightful

      I think you seriously misunderstand what "the Pirate party" is really all about. The name itself is merely a persistence of the misnomer that copyright infringement was given by copyright interests in order to make their case more dramatic. But lately, it is more than just copying things. There is a great deal of injustice going on surrounding the issue of copyright and government laws and action put into place as a result. It has gone too far and has harmed many innocent people.

      Furthermore, many copyrighted works that would have, and should have, been in public domain and in the hands of the people have instead disappeared without a trace simply because the holders of the copyright or those licensed to publish aren't interested in making more copies for distribution. And keep in mind the agreement behind copyright is that eventually, the content would be released into the public domain but the copyright interests have managed to extend the term of copyright to virtually indefinite terms and have locked up content inside the media it is distributed in to prevent people from moving the content into storage that will stand the test of time and remain accessible if and when it EVER becomes public domain. It represents a breech of that agreement to have extended copyright beyond the original duration. And it is simply obscene that they do so 70 years after the death of the creators? If the creator is a corporation, then what? "FOREVER?" It is completely unreasonable.

      This has never been about artists. Artists have invariably suffered at the hands of publishers and their deals. The artists who have done well, whether musical or otherwise, are the ones who have managed to operate independently and create their own labels and publishing.

    120. Re:Bravo! by brit74 · · Score: 1

      I think you're confused. My point is that right now (under copyright) artists and entrepreneurs can create stuff (on loans, free-time, spending savings) in order to create something in hopes that they will get sales. They stick out their necks.

      Under the system you're advocating, you're saying that artists won't get "taken advantage of" by big corporations because they won't even bother creating anything unless they get paid up-front.

      But, that's an odd way to look at the situation. Essentially, what you're arguing is that people won't be taken advantage of because they'll stop creating all this digital content. Which is a very odd point to make: you're opposing copyright with the explicit acknowledgement that your system would stop a lot of people from making content. Which raises the question: do you want digital content to disappear? Do you think there is too much digital content in the world? Because your system would have the effect of greatly diminishing the amount of media people create.

    121. Re:Bravo! by Anonymous Coward · · Score: 0

      It's not about abolishing copyright. It's about reforming it. But for years and years, the media companies have been successfully lobbying governments to unbalance copyright law in *their* favor.

      If we come out and say "I'm in favor of reasonable copyright law," then the media companies will ask for super strict copyright law with a term of 500,000,000 years, and we'll end up getting a "compromise" of minimal fair use exceptions and a term of 250,000,000 years.

      The only way to move copyright law back to reality at this point is to threaten to destroy it entirely. Then we'll be able to establish reasonable copyright laws. What we have right now is far from reasonable, and, quite frankly, I'd rather have no copyright law than what we have today.

    122. Re:Bravo! by Anonymous Coward · · Score: 0

      "That doesn't mean Microsoft should have the freedom to steal the code for Firefox, slap an IE-logo on it, and call it their own.

      No, of course not. That would be fraud."

      Why is that fraud? You say its fraud but does not explain why so. If Microsoft does that, the original Firefox is still there, they just made a copy of that, Firefox does not cease to exist if Microsoft copies it and changes it. They simply have a modified form of firefox, and since it is 'their copy' they should be able to do whatever they like to it. (Argument seem familiar?)

      You can then say that (they take away the credit for writing it), but how do you know the people using MS's firefox would have given credit to firefox anyway? (Just like saying how would you know I would have bought the CD if I didnt pirate it).

      As you can see, this issue is much more complicated that you make it seem to be. You want it one way when it comes to one thing and another when it comes to opensource.

    123. Re:Bravo! by shentino · · Score: 2, Informative

      Crab mentality is merely a lack of trust that the other guy will share.

      It still produces no gain because one cannot battle the selfishness of others and expect to win.

    124. Re:Bravo! by Mr2001 · · Score: 3, Interesting

      A serious question, and not an attempt to troll: has anyone actually done it that way, successfully?

      Sellaband implements a model that's similar, but not quite the same. On their store page, it looks like there have been 21 albums produced with their model so far.

      What I like most about Sellaband is that it's a social, community-oriented site. It's not just a place to type in your credit card number (like Fundable), it's a place for fans to discover new music and artists to connect with their fans.

      What I don't like is that they're only using fan funding to pay for album production costs (at a fixed price of $50k or $100k), rather than including profit. Artists are still expected to make their profit by selling copies (only one track per album is free). There's no room on Sellaband for an artist who has a guitar and a laptop, doesn't need to rent a studio, doesn't have 13 tracks in mind, but wants to make a couple hundred bucks by recording one or two songs.

      My dream site would look a lot like Sellaband, except (1) the artist would choose his own price and project format, (2) the artist would have the option of doing his own production and keeping the money, (3) the finished tracks would all be released for free public download, and if the artist wants more money he can sell merchandise, request donations, or start a new project.

      Still, even though the model is slightly different, I think the fact that they've gotten fans to fund album production to the tune of over a million dollars (plus whatever they've collected for artists that haven't yet met the goal) is strong evidence that an up-front funding model can work.

      --
      Visual IRC: Fast. Powerful. Free.
    125. Re:Bravo! by Brother+Seamus · · Score: 1

      ...30-40 years down the road, the Pirate Party will most likely become obsolete as the other more "mainstream" parties will have taken up the pirate cause and then people will vote based on the economy, etc. because everyone will care about allowing filesharing and increasing privacy.

      Just like the Greens went away when we solved that whole environment thing. Or labour went away after all working-class issues were settled. We are in the midst of shift to an information economy. Face it, intellectual "property" issues are likely to become increasingly important as technology makes the old restrictions more and more obsolete.

    126. Re:Bravo! by Anonymous Coward · · Score: 0

      I'm sorry, but the Pirate Party will never really catch on in Germany, and the sole one reason preventing that is it's name - nobody here knows about the Pirate Bay, and so people assume it's just another stupid name for something pretty ridiculous. Simple as that, even if it's a shame. Luckily, the Green Party stands for most of the positions the Pirate Party stands for.

    127. Re:Bravo! by Mr2001 · · Score: 1

      Why is that fraud? You say its fraud but does not explain why so.

      Misrepresenting your products is false advertising, a form of fraud. Whether the false statement is "these cigarettes will cure AIDS" or "this go-kart I made in my back yard is actually a Honda Accord" or "this Firefox-based browser is actually my own work", it's all fraud.

      And in the event that this situation isn't covered by fraud (e.g. your state's fraud laws only apply to products being sold, not given away), I fully support extending fraud laws to cover it. I support copying, not lying.

      Firefox does not cease to exist if Microsoft copies it and changes it. They simply have a modified form of firefox, and since it is 'their copy' they should be able to do whatever they like to it. (Argument seem familiar?)

      Yes, that's why it isn't theft. But we're talking about fraud, which is a completely different act. Your attempt to equate piracy with plagiarism is cute but misguided.

      --
      Visual IRC: Fast. Powerful. Free.
    128. Re:Bravo! by Brother+Seamus · · Score: 1

      No, once they are over 30 something clicks and they become more interested in preserving their own wealth than in idealism, so they become conservatives.

      What seems radical today will be sound public policy thirty years from now. The only true conservatives died off 10,000 years ago. It's been wave after wave of liberals ever since then.

    129. Re:Bravo! by gbarules2999 · · Score: 1

      Answers, in order: The Bioshock DRM Fiasco, iTunes DRM-ed files, and whatsherface that's all over Slashdot almost daily (too lazy to search).

      Just because you aren't aware of issues does not mean they don't exist. Pull your head out of your ass, thanks.

    130. Re:Bravo! by superwiz · · Score: 1

      You are comparing apples and oranges. Copyright is not insistence that one must be the one to pay for the utility of information. It is instance on that one may not have the right to copy it. The search engines offered their services for free because they found someone else to pay for it. But they didn't offer something that would stay the same (or even increase) in value if it were copied. It was largely one-time-use information.

      Unless, of course, your argument is with my saying "I don't know" as if it were an argument. Well, I probably should have been more careful. I am certain that without a group of people having a vested interest in popularizing them, they would not have risen to the same level of popularity. You may suggest that I cannot be certain of that because it is purely hypothetical. Well, this argument is very quickly descending to the level of volition vs coercion. And I'd rather not have other in that context other than pointing out that without copyrights, one cannot prevent use. And without ability to prevent use, one cannot restrict use of already-produced art. So without copyrights, artists would only have the ability to negotiate pay for future work.

      I realize that my arguments sound a little to close to RIAA. But my position is still that the today's copyright laws are draconian. Perhaps, the knee-jerk reaction people get when I have to say what I have to say is due to the fact that RIAA arguments are largely disingenuous. No one seriously believes that they have artistic freedom in mind when they make these arguments. But I have no vested interest in these corporations. To me the argument is about the abstract notion of ownership as a tool for negotiation. Without it, I think we'll quickly descend into tyranny. Perhaps a tyranny of good intentions, but still a tyranny. Bleh... this is digression. Like I said, I don't want to get into volition vs coercion in this context. But, of course, I am sure someone is gonna put some reply talking about the the RIAA law suits as a form of coercion (hint: if you do that, you missed the point of the topic that this particular thread is addressing).

      --
      Any guest worker system is indistinguishable from indentured servitude.
    131. Re:Bravo! by Mr2001 · · Score: 1

      Essentially, what you're arguing is that people won't be taken advantage of because they'll stop creating all this digital content.

      No, I think the confusion is on your end. That isn't what I'm arguing.

      What I'm arguing is that people won't be taken advantage of because they'll delay creating content until they've found paying customers. Since the demand for digital content is well-established, I have no reason to think those paying customers will be hard to find, at least for works that actually turn a profit under today's copyright-based model.

      Do you think there is too much digital content in the world? Because your system would have the effect of greatly diminishing the amount of media people create.

      Again, I think that's a false assumption. It would only diminish the amount of unprofitable media that people create expecting to turn a profit.

      It would not, however, diminish the amount of media for which there's actual demand, because that would still be profitable to create. Nor would it diminish the amount of media created for reasons other than profit. And it would increase the amount of media created, for profit or for other reasons, that copyright law currently forbids (unauthorized sequels, adaptations, translations, mashups, etc.).

      --
      Visual IRC: Fast. Powerful. Free.
    132. Re:Bravo! by DAldredge · · Score: 1

      What issue did you have with Bioshock? Itunes? Problem you can't even name?

    133. Re:Bravo! by superwiz · · Score: 1

      The monopoly for the copyright holder to exploit an aesthetic work commercially should be limited to five years after publication. Today's copyright terms are simply absurd. Nobody needs to make money seventy years after he is dead.

      hear, hear

      Nice straw man. They don't advocate abolishing copyright, rather they want about reform.

      "Straw man"? Umm, I am very tempted to be insulting because this criticism is much harsher than deserved. But I'll constrain myself. And explain politely. The name of the party is the pirate party. It's not, for example, "movement for copyright reform". Nor is it "party of fair use rights of intellectual property". Nor is it any one of many other names that could have indicated that the party sees copyright reform as its goal. The name clearly suggests that they advocate copyright abolition. So, no, this was not a straw man argument. This was an argument addressing what was being said. Just because they mean something else when they say what they say (by their name), it doesn't mean that those who disagree with what they say are wrong because they are not addressing what they mean to say.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    134. Re:Bravo! by Corbets · · Score: 1

      And how do they get paid if anyone can replicate their content for free?

      How about payment for work done? You know, like nearly every other industry. Or should plumbers demand a payment every time you have guest use your toilet?

      Could someone explain this model to me, please? Which individual is going to pay all the salaries involved in creating a movie? I'm afraid I don't see the feasibility, unless that individual is in turn receiving greater pay, say, for copyright royalties. I know this is a popular argument around these parts, but I don't see how it's supposed to work.

    135. Re:Bravo! by Anonymous Coward · · Score: 0

      If MS takes firefox then rebrands it to IE, they can say this is MS IE and never mention firefox... how is that fraud? It is still IE, they have changed it to that. It is a browser still.

      With the example you made, a go-kard made in your backyard selling it as a Honda Accord, that would work if MS made IE and said it is firefox. With the cigarette if MS took gimp changed its name to IE and said it is a browser.

    136. Re:Bravo! by Lucky75 · · Score: 1

      Look, I think we all know that size doesn't matter. It's how you use your...influence....that counts.

      *Awaiting people replying to brag about their amount of ... influence*

      --
      DNA -- National Dyslexic Association
    137. Re:Bravo! by Lucky75 · · Score: 1

      What about my right not to have my virgin ears fucking offended? But, other than that, I agree. The point of "anti-piracy" laws should be to promote fair and open competition, not to uphold the majority of a few.

      --
      DNA -- National Dyslexic Association
    138. Re:Bravo! by turbidostato · · Score: 1

      "But without copyright any film operator could have secretly made a copy and sell it to a competing studio."

      You don't need copyright laws to protect you from, you know, plain robbery.

      But without copyright any mine operator could have taken out my mine's diamonds and sell them to a competing diamond trader... oh, wait!

    139. Re:Bravo! by Anonymous Coward · · Score: 0

      B-vitamin killing stuff that people eat? Holy crap, that is funniest piece of euro trash eco-bullshit I have ever heard! Talk about stupidity!

    140. Re:Bravo! by shentino · · Score: 2, Insightful

      Digital works are a lot like pharmeceuticals.

      Massive capital expenditure, minimal marginal cost.

      And if the RIAA gets its way, soon to be intertwined with government regulation.

    141. Re:Bravo! by Entrinzikyl · · Score: 1

      No, of course not. That would be fraud.

      I do, however, believe that Microsoft should have the freedom to take the code for Firefox, slap an IE logo on it, and call it the next version of Internet Explorer as long as they told the truth: that the code was written by the Firefox team, not Microsoft.

      No. Creating content is a service, and they can get paid the same way as anyone else who performs a service: by charging for the work they do.

      I am getting very confused trying to reconcile these two quotes. So the Firefox team creates some content - who do they charge for the work they did? Their users, hypothetically. And then the MS team says, look, here's a product made by the FF team, buy it from us. The only way this works for FF is if people value buying the original work. And if MS can market it better, what can FF do? Isn't this exactly why copyright exists? So people can actually charge for the work they do, and other people can't charge for the work someone else did? Could you provide a different example, or better explain why the above is a good situation?

    142. Re:Bravo! by JohnBailey · · Score: 2, Funny

      ThePirateBay is owned by a right wing racist millionaire. You think pirateparty voters are freedom loving? ha!

      Walt Disney owns the Pirate Bay? You astound me..

      --
      It is difficult to get a man to understand something when his job depends on not understanding it.
    143. Re:Bravo! by TheVelvetFlamebait · · Score: 1

      How about my right to fucking run a game on a new computer when I purchase it? Or my right to fucking play a movie on a computer as well as on a Playstation?

      That's not a right. You get exactly what you buy; just make sure you're buying want you want.

      Or my fucking right to not be put in jail for 8 years like I'd murdered someone when I share a song with a friend?

      You'd be hard-pressed to find a court in the world who would jail you for 8 years for sharing a single song with a single friend, given that it could even be considered fair use. More often, it's when you start anonymously many songs to many, many people that the big damages and harsh penalties kick in.

      Or my fucking right to lend someone a music CD I'd bought?

      That's fair use, which is not under contention here.

      Or my fucking right to not have every action on the internet monitored like I was molesting little children for lunch?

      Come on. You don't seriously believe that copyright holders are watching your every action on the internet, right? They're mostly hanging around file-sharing networks, where anyone is allowed to share files (except copyright holders apparently; they ruin the party). It's where 99% of the damage happens. What businessman, in his right mind, would outlay the money required for monitoring "every action on the internet" to clean up 1% (or less) of piracy? I call FUD.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    144. Re:Bravo! by Reservoir+Penguin · · Score: 1

      First of all I'd like to ask you a theoretical question. Do you think if copyright was abolished all creative content would cease? There would no longer be books, songs, movies, operating systems, games, etc..? I hope you answered 'no', because it's quite clear and supported by historical evidence that in the presence of demand for creative works and in absense of copyright new content would still be created. I mean civilization is rather older then the concept of copyright. Secondly nobody asks for elimination of venture capital and banking. This is how start-up work - you present a business plan and then someone gives you a large sum of money to create something that won't be available for years. I don't see a problem with a major studio with a proven portfolio obtaining credit to create Xmen-4.

      --
      US-UK-Israel: The real Axis of Evil
    145. Re:Bravo! by Anonymous Coward · · Score: 0

      will these guys get to see the anti counterfiting treaty being negotiated?
      might be usefull to have the details spread around to those affected by it.

    146. Re:Bravo! by superwiz · · Score: 1

      But it wouldn't be illegal without copyrights. He wouldn't sell the actual physical property, but only its copy.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    147. Re:Bravo! by gbarules2999 · · Score: 1

      Once again, ignorance does not constitute as a valid argument. Please, if you're going to troll, at least try to bother looking up these things.

      Bioshock's devs were so afraid of piracy they set up servers the game had to access before the game was launched. It worked for about a few hours, then died, at least partially, for about two days. Quite a few gamers could not access the game they legally bought. What was frightening is that 2K was not legally required to refund customers for their own incompetence. Google a bit to see some of these occurrences; it's fairly recent history.

    148. Re:Bravo! by init100 · · Score: 2, Informative

      No, a right wing racist millionaire made a donation to the site several years ago.

      No, he owned a company that provided colocation space and internet access to The Pirate Bay, at a reduced fee.

    149. Re:Bravo! by TinBromide · · Score: 1
      Not a criticism, but merely a clarification that you may want to think about a little:

      And in the event that this situation isn't covered by fraud (e.g. your state's fraud laws only apply to products being sold, not given away), I fully support extending fraud laws to cover it.

      What if the RIAA or other interests used fraud laws in distribution. "In reciting these words, I am {Corporation X}" or embedding a snippet of text "In distributing this file, I am {Corporation X}". This would work for Itunes (Apple) or Amazon or Corporation X, or Money Grubbing Individual Y.

      Beware of giving too much power to corporations by way of the law.

      --
      Is it sad that I am more likely to recognize you and your posts by your sig than your name or UID?
    150. Re:Bravo! by TheVelvetFlamebait · · Score: 1

      Excellent post; I just wanted to add something:

      I think what you are trying to get at is that ideas can be shared without incurring physical cost (something that isn't true with tangible property). Which is precisely why intellectual property rights must exist for a short period of time.

      Intellectual property, much more so than physical property, builds upon previous "ideas", which means we need to make sure that "ideas" aren't owned for too long. Also, intellectual property is more durable than physical property (since it will last as long as someone remembers it), so it makes it especially important to impose restrictions.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    151. Re:Bravo! by Lucky75 · · Score: 1

      What about my right not to have my virgin ears fucking offended? But, other than that, I agree. The point of "anti-piracy" laws should be to promote fair and open competition, not to uphold the majority of a few.

      Er...and by "majority", I meant "monopoly".

      --
      DNA -- National Dyslexic Association
    152. Re:Bravo! by DAldredge · · Score: 1

      I asked for examples which isn't trolling.

    153. Re:Bravo! by turbidostato · · Score: 1

      "The search engines offered their services for free because they found someone else to pay for it."

      Blah, blah, blah. The point is some companies saw a way for a profit where others (i.e. me) didn't. Now there are some entities (i.e. you) that aren't able to see how a profit could be made but in the current 'statu quo' game. The point is that this only means that you won't make a profit then, not that a profit can't be made. I already gave examples of how such a profit could be made. Not that it's my bussiness find such a profit means but anyway.

      "Unless, of course, your argument is with my saying "I don't know" as if it were an argument."

      Unless, of course, it *is* an argument. I'm not on the exploting copyright laws bussiness so it is not me the one that has to show anyone alternative means to earn a life; that's up to the one that wants to go that path.

      To be precise, (part of) my argument is not "I don't know" but "it's not my bussiness: I don't have to know and I don't care".

      "So without copyrights, artists would only have the ability to negotiate pay for future work."

      I can basically agree on that point. So what? On one hand, that's what everybody else, we mere mortals, can do and it doesn't seem to be such a bad situation. I for one, can't negotiate pay for my past work. On the other, I could bet all Warner's expected benefits for Casablanca were those to be made on the few weeks of first exhibition (as states the fact that in those days films were produced by the dozens so they could put a new one on theaters almost every weekend) which could easily be protected without the need of copyright laws, much less current draconian copyright laws. Once the studio had assured their expected benefits even the 'statu quo' could be maintained without copyrights, since everybody else in the chain (director, actors, musicians, decorators, scripters...) could be paid per their current to-be-made work.

      "To me the argument is about the abstract notion of ownership as a tool for negotiation."

      I can *say* I own your soul, and certainly if you believe me I could use that as a negotiation tool. But me saying so doesn't make it any more true. Some people, even some laws, can *say* that something untangible and already disseminated to the public domain is still the sole property of somebody. They so saying won't make it truer, either.

    154. Re:Bravo! by dbcad7 · · Score: 1

      Well.. if you had this fantasy matter duplicator, that made identical copies.. Then everything goes out the window anyway. Gold would be worth what ? .. anything would be worth what ? .. I suppose the power to run your duplicating machine would be the most valuable thing.. that and access to things to copy.. Incentive to create new original things, would I suppose just become a matter of fame and reputation, as opposed to monetary. Imagine service and health care industries where it's not about the money.. pretty scary actually.

      --
      waiting for ad.doubleclick.net
    155. Re:Bravo! by turbidostato · · Score: 1

      "But it wouldn't be illegal without copyrights. He wouldn't sell the actual physical property, but only its copy."

      Copy impossible to be done unless someone either took a reel out of premises to make the copy (illegal), or used materials and machinery from their legit owner to make the copy within premises (illegal too).

      What he could legally do would be to learn about the plot of Warner's next movie and tell it to Universal but
      a) Looking how currently studios tend to produce the same kind of films even within current legal system (falling asteroids? three the same month. Superheroes season? Dumb the last one...) it doesn't seem to be such a problem.
      b) Plain contract law: if you tell to Universal our next film's plot you'll be fired, you will have to pay us a bazillion for damages and we'll own your first born. Sign on the cross, please (by the way, this could be possible for the "copy problem" too, even if it were a problem, which I don't see).

    156. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      The quality of trolling on this site has really taken a nosedive over the last few years...

      I'll say. The old "misunderstand your opponent's position and harangue him for something he never posted" troll is so passe. Try to be more original next time. ;)

      WTF are you talking about? The way the content industry works is you create content and then you sell copies of it for profit. If everybody copies your work and distributes it for free, which is the way you seem to be suggesting the content industry should be working, there is no profit and hence no money to pay people for work done.

      You're mistaken: he isn't suggesting what you think he's suggesting (nor am I). That would indeed be silly. Let me break it down for you in the traditional Slashdot business-model format.

      The current model:

      1. Artist makes content for free.
      2. Artist sells copies of content.
      3. Profit!

      What you seem to think we're suggesting:

      1. Artist makes content for free.
      2. Artist gives away copies of content.
      3. ???
      4. Profit?

      What we're actually suggesting:

      1. Artist finds people who want content made.
      2. Artist makes content in exchange for money.
      3. Profit!
      4. Artist gives away copies of content.

      Notice that money changes hands -- or at least, an agreement is signed -- before any content is available to the public. By the time anyone has a chance to copy it, the artist has already been paid.

      So if we had king sized Star Trek type replicators [...] to, say... replicate cars, car manufacturer's coffers would still be filling up to the brim with all the imaginary goodwill dollars they'd be getting from all you and all the other people who pirate-copied their cars in these replicators without paying real world money for the privilege?

      Not quite. Car manufacturers would be obsolete, because manufacturing would be something anyone could do at home, without needing a factory.

      Car designers, on the other hand, would still earn a living as long as the public still wanted new car designs. That's because you can't manufacture a new kind of car until someone designs it, and if the designer says "I'm not designing anything until you pay me", your only choices are to pay him or to keep using the old designs.

      In other words, cheap replicator technology would force the auto industry to separate design/engineering (their job) from manufacturing (not their job), just like P2P will force artists to separate creation (their job) from making copies (not their job).

      --
      Visual IRC: Fast. Powerful. Free.
    157. Re:Bravo! by bzipitidoo · · Score: 2, Insightful

      Your arguments have a few problems. Seems you haven't fully appreciated the difference between tangible goods and ideas. And you might be confusing copying with plagiarism.

      I think what you are trying to get at is that ideas can be shared without incurring physical cost (something that isn't true with tangible property)

      This is exactly what we are getting at. Sharing an idea is very different from sharing a tool such as a shovel. As Jefferson put it, "he who lights his taper at mine, receives light without darkening me."

      The law should not treat ideas as if they were physical goods, and we shouldn't allow these foolish self-interested conglomerates to trick, brainwash, bully, and push us into such a stance. Every time someone sincerely uses "stealing" to describe sharing, is another small victory for those who wish to turn our civilization into a narrow, mean, petty ownership society where anything of any value whatever is treated as property and assigned to some owner, where charity will be suspect, where no one will believe altruism makes any sense.

      Ideas are far more flexible than that. We only hurt ourselves and severely limit our potential when we try to treat them like physical property. We may never know how many answers to how many problems were buried and left to rot thanks to arguments over "property" rights, and how many people that killed. We do know many people have died of AIDS who need not have, thanks to the greed of Big Pharma. One of those people could have been the next Einstein. We'll never know. Hundreds of disparate groups could be, and probably are, sitting on a pile of patents that collectively cover every aspect of dozens of pieces that are all needed to realize a new and far more efficient transportation system, one that could replace the automobile and thereby save our civilization from Global Warming. But out of a practically religious devotion to property rights, we will not be able to put it all together and use it and may not even learn of it until it is too late.

      These are the kinds of dangers I see. Alarmist, perhaps? Unlikely, maybe? Improbable that any stance whatever on what might seem a relatively minor issue could have such a huge impact? Our excessive devotion to intellectual property rights weakens us. So long as we don't face any test that requires all our strength, we will be fine, and we can afford this foolishness. Maybe Global Warming isn't as dire as feared, or maybe we will be able to solve that despite being weakened over intellectual property red tape. But if we are faced with some overriding, all-consuming problem that we just might be able to solve only if we all pull together, it would be criminal if we failed because we couldn't resolve our issues over how to treat ideas.

      What problems might we face? If not Global Warming, perhaps an asteroid strike. Or there is intelligent life out there, and these aliens at last choose to interact with us. Can you imagine beaming a book to aliens and telling them they aren't allowed to copy it? They might think we are insane! And if they feel that the galaxy is a better place without insane intelligences running amok....

      But without copyright any film operator could have secretly made a copy and sell it to a competing studio.

      No. That could be plagiarism. Your example isn't clear. Do you mean that the film operator attempting to sell to a rival studio is trying to claim that he is the author? Or that the rival studio is willing to pay for material they know must be plagiarized? Or is willing to commit plagiarism themselves and try to sell copies of that copy as their own work? With a decent digital notary system, it's really quite easy to prove plagiarism. No copyright is needed for that.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    158. Re:Bravo! by Husgaard · · Score: 1

      The preliminary results say that the german Pirate Party got more votes (229117) than the swedish Pirate Party (214313). Of course Germany is larger than Sweden, so the swedish percentage is higher.

      But as Hurricane78 points out, it is only a matter of time. Sweden is far ahead in the development into a networked society, and 10 or 100 mbps connections to every household in cities is the norm here. As the world develops further into the information society, the Pirate Parties will become stronger and stronger.

    159. Re:Bravo! by DinDaddy · · Score: 1

      That simply doesn't work for any project with a large number of users.

      http://www.jillsobule.com/newcd.asp

      Worked for her. So not true for "any" project with a large number of users. Now if you want to argue it wouldn't work for hugely popular mega-artists, I'd probably agree, but I'd also say so what. Not sure why being a popular artist entitles you to be a millionaire off record sales alone in the first place.

    160. Re:Bravo! by gigabites2 · · Score: 1

      I don't know if it has anything to do with this, but when I saw the thing about b-vitamins, I immediately thought of that "Five-Hour-Energy" crap. 8333% of the daily recommended intake of vitamin b12. Granted, it's not fat-soluble so it all comes out in your urine, but that's still an awful lot for an energy product to be pushing.

      Nutrition Label

    161. Re:Bravo! by Anonymous Coward · · Score: 0

      You are correct that the GPL uses copyright,
      but there's a reason it's called a copyleft license.

    162. Re:Bravo! by DinDaddy · · Score: 1

      Yes, a few artists have. See my example above.

    163. Re:Bravo! by superwiz · · Score: 1, Insightful

      Blah, blah, blah. The point is some companies saw a way for a profit where others (i.e. me) didn't.

      You are still comparing apples to oranges.

      I already gave examples of how such a profit could be made.

      I've already shown that the model in that example doesn't work.

      "So without copyrights, artists would only have the ability to negotiate pay for future work."

      I can basically agree on that point. So what?

      ...

      I can *say* I own your soul, and certainly if you believe me I could use that as a negotiation tool.

      Well, deciding on whether or not artists owning their work is morally equivalent to you claiming ownership of my soul is, actually, a choice of value system. I have to confess, I don't think these two claims are of equal merit in my value system. I don't think they are in your, either.

      As to the larger "so what" question, you always get a better (on average) product if you get to negotiate purchase of something after it's been made. But, this again, is beginning to but into volition vs coercion. To avoid philosophical entangling, I'll just say that empirical evidence shows that art produced with intent to sell to those who have a choice of not buying it tends to be of better quality than art that was commissioned. For example, I would assert that break-out bands are better than label-crafted bands.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    164. Re:Bravo! by Mr2001 · · Score: 2, Interesting

      What if the RIAA or other interests used fraud laws in distribution. "In reciting these words, I am {Corporation X}" or embedding a snippet of text "In distributing this file, I am {Corporation X}". This would work for Itunes (Apple) or Amazon or Corporation X, or Money Grubbing Individual Y.

      Interesting thought, but it's been tried before.

      The Sega Genesis would look for the word "SEGA" in cartridge ROM and, if found, show the message "PRODUCED BY OR UNDER LICENSE FROM SEGA ENTERPRISES LTD"; if the word "SEGA" was not present, the console refused to start the game. Accolade reverse-engineered this system and produced their own games that contained the word and printed the license message, even though Accolade had no license, which meant the statement was false. Their packaging, however, stated the truth: the game was not licensed by Sega.

      Sega sued Accolade over this. The first court found in favor of Sega, but Accolade won on appeal. The appeals court found that this was a functional use of Sega's trademark, since there was no apparent way to make a functional game without using Sega's trademark and causing the message to appear. The court ruled that any customer confusion was Sega's fault for imposing this system, not Accolade's fault for doing what they had to for interoperability. (Sega even brought in one of their employees who managed to make a working cartridge that didn't show the message, as evidence that Accolade could've done the same thing. The court wasn't swayed, because there was no industry knowledge of this technique.)

      --
      Visual IRC: Fast. Powerful. Free.
    165. Re:Bravo! by nausea_malvarma · · Score: 2, Informative

      It's about controlling what's yours.

      Copyright wasn't established to "control whats yours". It was created to encourage creative ideas by allowing people with good ideas to profit off of them. The right to an artificial monopoly on your own creative works is not a natural right.

    166. Re:Bravo! by nausea_malvarma · · Score: 4, Informative

      You can do whatever you want with your copy except copy it.

      Not any more. Now you can only do what the copyright holders tell you to do with it. See: EULA, DRM, etc.

    167. Re:Bravo! by superwiz · · Score: 1

      Here's the problem though. It's not illegal for the operator to touch the reel. It's not illegal for the operator to own copying equipment. It might be against a contract (but still not illegal) for the operator to copy the reel. It's not illegal for the operator to sell the copy of the reel. It's not illegal for the buyer of the copy to make further copies and to play them in their theaters. In this whole chain of events the only impropriety is that the operator made a copy in violation of the contract. He'd get sued, dispose of judgment through bankruptcy and no one would be breaking the law. Of course, in anticipation of this, he'd insist that the payment be made to a third trusted party (his niece, his son, whatever) who cannot even be sued because they wouldn't be party to any contract.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    168. Re:Bravo! by superwiz · · Score: 1

      Well, I guess we got down to it. It is actually your motif to create a society where altruism is a virtue and sharing is a requirement. I've lived in such a society. I would only wish it on my worst enemies.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    169. Re:Bravo! by Kjella · · Score: 4, Insightful

      Copyright is a totally different issue to freedom and privacy.

      In theory, yes. In practice, no. Between digital media (CD, DVD, BluRay), reproduction (copy-paste) and distribution (Internet) it's trivially easy to share. Have you paid no attention to what the "solutions" copyright holders present? It's either to penalize you without due process aka "graduated response", demand settlements under threat of a 150,000$/song lawsuit or demand that ISPs do mass surveillance. Quite direct threats to your freedom and privacy.

      You sound exactly like the discussion was in Sweden five years ago, where copyright was something they argued could be protected by reasonable methods. And each year file sharing grew and each year the countermeasures became more and more unreasonable. Even if it's 'lets all take stuff for free', you can't fight a lesser evil with a greater evil. They're not even remotely close to stopping file sharing and already people refuse to let their rights be violated for the entertainment industry's sake.

      What you have not seen is the turn in politics of the other parties. So blatant, so completely void of any other politics like economics, environment, foreign policy and whatnot that the Pirate Party is, those 7% are really only the tip of the iceberg. They're leaders that can rally friends in other parties like greens and liberals and demand change. Right or wrong, the people won't accept the cost of protecting copyright much longer.

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    170. Re:Bravo! by superwiz · · Score: 1

      ..blah... i meant motive

      --
      Any guest worker system is indistinguishable from indentured servitude.
    171. Re:Bravo! by Mr2001 · · Score: 1

      I am getting very confused trying to reconcile these two quotes. So the Firefox team creates some content - who do they charge for the work they did? Their users, hypothetically.

      This is a strange hypothetical, since Firefox is currently coded by volunteers (funded by ads, perhaps, but not by selling the software or the development labor). But OK, I'm with you so far.

      And then the MS team says, look, here's a product made by the FF team, buy it from us. The only way this works for FF is if people value buying the original work. And if MS can market it better, what can FF do?

      Now I'm confused.

      You just said the Firefox developers are charging Firefox users for the development work, right? So by the time any code is available, the Firefox devs have already been paid -- that's what charging for work means. Why should they care what Microsoft does with their code once it's released?

      If those users think Microsoft will do a better job of improving Firefox than the original Firefox team, then they should pay Microsoft to improve the browser in the future. If they think the original Firefox team will do a better job, since they wrote the browser in the first place, then they should keep paying the Firefox team. Either way, no one is getting ripped off: no one has to do any work without getting paid for it, unless they choose to volunteer their time.

      Isn't this exactly why copyright exists? So people can actually charge for the work they do, and other people can't charge for the work someone else did?

      No, copyright exists to promote the fiction that you can slice up a finite amount of development labor, put it in an infinite number of boxes, and sell it over and over forever.

      Nobody needs copyright to charge for the work they do. All they need to do is say "hi, I will write a browser if you give me $X", and then refuse to write any browsers until someone hands over the money.

      Now, if you pay someone to write you a browser, and it turns out he just put his name on Firefox, then you have a fraud claim against him (assuming your contract specified that he was going to write a new browser). He claimed he was going to do one thing, you paid him based on that claim, but he actually did something entirely different. That's fraud.

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    172. Re:Bravo! by Hurricane78 · · Score: 1

      It's not only trust. It's also human inertia. Somthing that is normally useful, but bad in this case.
      It always hurts to change something, before it feels good. You just have to be aware of it, and go trough anyway.

      But you are right, that it's wrong to battle selfishness. One should change what people want, and then encourage their "selfishness". ^^
      It's not that easy, but politicians and the news media do it every day. So we can learn it too, and become even better. (Because I think we got more brain power.)
      How about that? :)

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
    173. Re:Bravo! by LingNoi · · Score: 1

      Here are two quotes from yourself...

      and whatsherface that's all over Slashdot almost daily (too lazy to search).

      and the other one..

      Please, if you're going to troll, at least try to bother looking up these things.

      I hope this irony isn't lost on you.

    174. Re:Bravo! by pxc · · Score: 1

      "Ownership" is the right to deny use. Everything else is semantics.

      Nice semantic argument, dude. :-)

    175. Re:Bravo! by Mr2001 · · Score: 1

      If MS takes firefox then rebrands it to IE, they can say this is MS IE and never mention firefox... how is that fraud? It is still IE, they have changed it to that. It is a browser still.

      This is why we have judges instead of robots interpreting the law.

      If Microsoft releases a browser called "Microsoft Internet Explorer" that's actually a renamed version of Firefox, then every human being who hears the case will realize that Microsoft is implying false authorship. That's because they know that a person who sees a product called "Microsoft Internet Explorer", carries Microsoft logos, is distributed from microsoft.com, etc. will reasonably assume Microsoft made it, unless there's a clear notice to the contrary.

      You know that too, of course; that's the whole point of this hypothetical. If you and I can see right through it, then so can a judge.

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    176. Re:Bravo! by Kjella · · Score: 1

      "Ownership" is the right to deny use. Everything else is semantics.

      If you build a fence, anyone on the inside is trespassing. If they're not on your land, they're not using it.

      Who's using your idea now? You haven't no idea. To know that, you must know what everyone else everywhere is doing.

      That's a little more than semantics. That's the difference between trivial and mission impossible.

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    177. Re:Bravo! by aztektum · · Score: 4, Funny

      "LOL I WANT NEW TOM CROOSE MOOVIES".

      GREAT now that is going to show up in search engines, and some studio asshole will be like "LOOK! The people want more Tom Cruise!" and we're going to get MORE shitty movies with that asshole in them! THINK before you hit the Submit button, man!

      --
      :: aztek ::
      No sig for you!!
    178. Re:Bravo! by adah · · Score: 1

      Copyright is the antithesis of free speech.

      You are exaggerating.

      There seem to be a lot of people who oppose copyright here. I saw a reasonable post modded down to -1 as troll. I do not think everybody gets the point. Copyright as is being advocated by RIAA is of course problematic, but it was intended to be, and should still be, a balance between the right of the content creator and the freedom of consumer. The US constitution explicitly says:

      Congress has the power to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

      As to your statement about "antithesis of free speech", one phrase is enough: fair use.

      I do not want to argue with you the real status of things in the US (or Europe): it is bad. However, what we should advocate is to restore the original spirit and letters of the law, but not to abolish copyright completely.

    179. Re:Bravo! by shentino · · Score: 1

      Since the first amendment was chronologically following the copyright clause, does that make copyrights superseded by the amendment?

      In theory, I think so, but as long as humans sit on the bench or in the jury box, you will always have imperfect verdicts, and some of those are bound to have the hands of special interests in their pockets.

      And without a judiciary to enforce the law by decree, the law becomes meaningless anyway.

    180. Re:Bravo! by FlyingBishop · · Score: 1

      You're missing the point. We don't care about what people do with Firefox, we only care about the quality of the browser that we're using.

      If MS claims that they are responsible for the code, that's bad for us, because people will give them money to improve the code, when in fact they have no proven track record of producing good code (at least for Firefox.)

      However, if MS slaps an IE logo on it and tells people to use it, that's good for us, because it widens the testing base for Firefox, which will greaten the possibility of finding bugs.

      And if MS is distributing it, they have an incentive to share their code with Mozilla, and vice versa. Software always has bugs, and the more developers working on it, the better.

      It has nothing to do with who wrote the code. If it's written, it's done. The question is, who can make it better?

      It's hard to follow this argument over to music and video, but the same logic sort of applies. It's all well and good for someone to do a mash-up of various artists. However, if that artist claims authorship over the components of the mash up, then people will support this artist, assuming that the artist can create more of the same (when in fact he is dependent on artists who may not be able to create without people supporting them.)

      Copyright, in theory, exists to help people create new creations. Paying someone for an existing creation is backwards. We want new creations. The difficulty is in deciding who will create worthy creations.

    181. Re:Bravo! by Mithyx · · Score: 1

      You think spreading misinformation doesn't cause doubt?

    182. Re:Bravo! by Kjella · · Score: 1

      Interesting. Looking at their top 10 candidates for national government a few years back, you'll find that their average age is 38, and that 7/10 is 40 or older.

      Under one of the many dirt throwing strategies, that's the smart people exploiting all the college kids who want shit for free. Among the more insane are accusations that they do it for economic reasons since a EP seat pays quite well - except those accused used to be well paid before they started working full time for the pirate party. Probably even more insane are those that think still think this is some sort of joke party, if they'd paid any attention to the amount of hard work put into it they'd see it's far more than that. Hopefully though they won't be able to throw quite that much dirt around for next year's parliament elections, but I'm sure they'll try.

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    183. Re:Bravo! by superwiz · · Score: 1

      One could argue that until one expresses an idea in a coherent manner, one doesn't really have it. Once it's been expressed, it becomes clear you've had the idea (or that someone else had it). But, c'mon. We are not talking about simply one-thought ideas here. People don't copyright one-sentence expressions (although they do trademark them, but that's not a form of intellectual property). They copyright much more composite works. I doubt you think that two people think of the same song or the same painting at the same time without having heard it or seen it before. And laws are laws of men. They don't deal with situations which are abstractly possible, but practically so improbable as to not be worth consideration.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    184. Re:Bravo! by superwiz · · Score: 1

      You think spreading misinformation doesn't cause doubt?

      :) It might. But, in this particular case it isn't FUD. FUD refers to a carefully structured campaign meant to produce an effect. RIAA, if anything, is showing a mix of exasperation and confusion. Their campaign is not smooth enough to rise to the task of producing fear. And, if anything, their arguments only produce doubt in their own positions. FUD is supposed to take an issue that is clear and make it murky. Copyrights are already murky. And all RIAA actions do is create further doubt in their justification or effectiveness.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    185. Re:Bravo! by Kjella · · Score: 1

      Maybe I didn't express my point clearly enough, nothing to do with the clearness or complexity of the idea. It's trivial to determine whether I'm using your physical property. It's near impossible for you to find out if I'm using your intellectual property. So you recorded yourself playing a song and sold it. Who now has that mp3 file? Who listens to it? Who's sharing it with who? Unless they're sharing it in a very public place like the Pirate Bay, you have no idea. If we used USB sticks instead you'd never have a clue. Copyright infringement can happen between any two people using any form of communication, trepass on a very narrowly defined piece of land.

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    186. Re:Bravo! by bzipitidoo · · Score: 1

      Not at all. I want more options. Sharing isn't required. But it should be an option. And sharing should not be something that can be denied or forbidden.

      And once again, I don't think you're distinguishing between the physical and the intangible. What society do you speak of? Of course I do not want just anyone "sharing" my car. Or taking and depriving me of my physical possessions without my consent or knowledge and calling that "sharing". But the ideas and thoughts I cherish, maybe even improve and elaborate on, or possibly originate? Please do share. No amount of sharing can possibly deprive me of those ideas. I'm just glad some think them worth sharing, and would be thrilled if people thought so highly of them that they were willing to "subscribe to my newsletter" so to speak.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    187. Re:Bravo! by superwiz · · Score: 1

      No one is preventing you from sharing. If you are taking an issue with lack of sharing, then you are taking an issue with other people not sharing.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    188. Re:Bravo! by superwiz · · Score: 1

      C'mon. Litigation is a costly process. This kind of "is it really a copy" decisions are precisely what, in the US, is decided by juries. Juries decide on facts, judges decide on the law.

      But if we are talking in philosophical terms, courtroom and legal system is meant for fairly clear cut cases. It's not for two school mates to sue each other over which one of them is responsible for the song the two of them banged out of boredom while riding the school bus. It's there to make sure that a movie doesn't take the score of a known band's song and incorporate it into their movie without paying them. Or even that a movie theater doesn't play bootlegged copy of a reel. Of course, when you make a digital copy of a song or movie, there is no question that it's a copy and not just some derivative work.

      Besides, here's the thing: when you own something, you have a right to deny its use. Its your right. You don't have to exercise it. You can leave your lawn open for trespassers. You can leave a fence down for the passers-by to admire your flowers.

      And if a song you sang in the shower happens to be recorded, you can just let it get copied without asserting your copyright to prevent others from listening to it. So if someone is sharing it on Pirate Bay and it doesn't bother you, well, it's your right.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    189. Re:Bravo! by Anonymous Coward · · Score: 0

      now what if bach had no patrons because everyone already has a copy of his music, what if he only had one patron, and countless others would listen to his music without paying ..... now he might be as famous, but without much money

      what if michelangelo's works were copied by every chapel wanting his renderings on their ceilings, and they were copied without paying him

      these are issues that need solutions, because of the nature of creative works ... not to mentions most artists kept by their patrons were little more then slaves ...

    190. Re:Bravo! by TheVelvetFlamebait · · Score: 2, Interesting

      Do I hear the pitter-patter of the Slashdot groupthink? And to think that some people think you have to be an authority figure or a corporation in order to brainwash people...

      That's the point. They don't own it. Because there is no such thing as intellectual property.
      Because it's as stupid as saying you own a thought. How could you own a thought? As soon as you tell someone that thought, he owns it too. And there is nothing you can do about that.
      If you do not tell it to anyone, you can't even prove that you have that thought at all. (Oh, and if then someone else comes up with it, he can claim he was the inventor.)

      It all depends on the definition of property. As you pointed out, it makes little sense to define it as simply a person who had that thought at some time or another. Then, as soon as anyone has contact with that piece of property, then they will own it as well, which gives the property no power. It's like, if I loaned you my car, then it suddenly becomes your property as well, free to loan it out to whoever you want. It makes no sense to define it in that way. Thus, we must make intellectual (and physical) property less transferable than the items themselves, i.e. there must be a distinction between possession and property.

      But, as you pointed out, we need to be able to tell our property to someone else, but again, make the distinction between them having the idea, and them owning the idea. There are (probably) a few ways we could do this, but essentially, we use the same metric we use for anything to which we start applying property: finders keepers. The first person to have the idea (with some caveats) gets ownership over it.

      That, however, poses its own problems. How can we prove person A had an idea before person B? We can't. This, however, turns out not to be much of a problem, because the value of of IP is derived from public distribution. The obvious solution (but is it a correct solution?) to the problem then becomes to grant ownership to whoever publicly displays their idea first.

      Again, this potentially causes problems. Person B may have gone through the same thought processes as person A, and some people believe that, as such, person B has just as much right as person A to the idea. Also, there's the problem of what to do when someone decides to take something obvious, something people have collectively discovered and used well before one person took ownership. As one person told me, "you can't own the number 5". It would be like one person in a village declaring that he owned the village well, despite the fact he put no more effort into it than the next man.

      Now, from here, we can go in two viable directions. We could either say "tough cookies", and stick to the "finders keepers" policy, making an exception for things already in common use (the "public domain", as I will now call it), or we can do something a little more radical, and allow multiple, independent parties to own the same idea.

      The first direction has some advantages, including the fact that it would encourage the publication of ideas, that it preserves extremely efficient and verifiable metric for determining ownership (aside from determining what is public domain), and also that it keeps in line with physical property (which makes it easier to understand and accept among ordinary people). It has the disadvantage of being seen as unfair by many (though, this is a common side effect of new applications of the concept of property), and the concept of public domain requires the courts to decide, which is inefficient and costly.

      Before I go into the advantages/disadvantages of the second direction, I'd like to first elaborate on how it would work. Surely this direction doesn't distinguish between possession and property, right? Well, not necessarily. The concept of copying then becomes important. Under the first direction, copying owned ideas is automatically bad, since n

      --
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    191. Re:Bravo! by brit74 · · Score: 1

      What I'm arguing is that people won't be taken advantage of because they'll delay creating content until they've found paying customers. Since the demand for digital content is well-established, I have no reason to think those paying customers will be hard to find, at least for works that actually turn a profit under today's copyright-based model.

      And I've already explained that your system is unrealistic. You simply aren't going to be able to find people to pay up front in nearly the numbers that you can find to pay after you complete the project (under a copyright system). I'd be amazed if, for example, Killzone 2 could bring even a fraction of their $70 million development costs before they even began development. ($70 million was their development cost.) I think Killzone2 would be lucky to get $7 million. The costs of finding those people in the first place would add millions of dollars to the project (and that's money that has to be paid even if you decide not to do the project at all). And, you'd need to get their money up-front because I've seen cases on the internet where people pledged money up-front and then everyone disappeared when it came time to pay. It's just plain unrealistic to say that companies can find people to pay upfront for non-existent digital media.

      I have to say: your whole thinking about this subject is odd. It's almost like you're so in love with a copyrightless world that you're willing to go to any length to justify it.

    192. Re:Bravo! by bzipitidoo · · Score: 1

      Yes there are. There are people trying to prevent sharing, and they have resorted to lawsuits and threats. They are even trying to stop all "metasharing", that is, the mere connecting to one another of people who want to share, because some of that sharing could violate copyright. They killed Napster, now they're trying to kill The Pirate Bay. They don't care how many legitimate activities they step on in their zeal to stop all sharing.

      No one can write any but the simplest programs without inadvertently violating patents. Large software projects inevitably use hundreds of ideas that aren't particularly profound and which shouldn't be forbidden, yet these ideas have been granted patent protection.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    193. Re:Bravo! by thunderclap · · Score: 1

      If only we could get the Pirate party of here, maybe we could some sense back into things.

    194. Re:Bravo! by brit74 · · Score: 1

      Do you think if copyright was abolished all creative content would cease? There would no longer be books, songs, movies, operating systems, games, etc..?

      No, but I think most of it would cease to exist. To say all creative content would cease to exist is extreme and there are business models that allow survival based on, say, concerts or ad-revenue. But, yes, a whole class of creative content would get hit very, very hard. Basically, any creative content that currently costs $10 or more (per customer) will probably not be able to survive. Anything that costs $5-$10 per customer will get hit hard, but they might survive (depending on current profit margins).

      I mean civilization is rather older then the concept of copyright.

      That doesn't mean copyright isn't a valuable asset to civilization. You could make the argument that civilization is older than modern medicine, too, but I don't want to live in a world without it. We should be concerned about the long-term effects of eliminating copyright and medicine. I think both would be very bad moves.

      Secondly nobody asks for elimination of venture capital and banking. This is how start-up work - you present a business plan and then someone gives you a large sum of money to create something that won't be available for years. I don't see a problem with a major studio with a proven portfolio obtaining credit to create Xmen-4.

      That's a loan. Loans have to be paid back. Eliminating copyright would eliminate the ability for them to pay it back. This doesn't solve the problem.

    195. Re:Bravo! by superwiz · · Score: 2, Insightful

      By the way, this was one of the most disgusting posts I have ever seen on slashdot. It is "big pharma"'s greed that saved the life of everyone who got AIDS and didn't die from it within a short period that the disease kills an untreated person. Pharmaceutical companies are the reason that cancer survival rates went from under 5% in 1960 to over 60% today. Pharmaceutical companies are the reason AIDS is not an automatic death sentence anymore. Pharmaceutical companies find a way to provide employment for the brightest of scientists to produce cures or treatments for disease and conditions that shills like you cannot even name. To use a slur when referring to the best of people is to equate yourself to the worst of people. You, sir, have done just that.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    196. Re:Bravo! by brit74 · · Score: 2, Insightful

      - Not every creator is Metallica. You're argument devolves into "*this* musician makes too much money, therefore, we must eliminate copyright to make sure they (all musicians) make a lot less money". It might "solve" the problem of overpaid musicians, but they're only a small fraction of all the people working.

      - Metallica did NOT spend an hour making their latest album. I know people who are musicians. Recording music takes a lot of time. Repeating everything to perfection, laying down multiple tracks, paying to rent the studio, paying people who work there. There's an awful lot of work and effort that goes into it - not only by Metallica - but by a lot of studio people to balance and mix everything together.

      - The copyright system doesn't just cover musicians. It covers everyone from software developers to film-makers to artists and photographers.

    197. Re:Bravo! by superwiz · · Score: 1

      No one is preventing you from sharing what's yours. Sharing that which doesn't belong to you is not sharing. It's stealing.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    198. Re:Bravo! by superwiz · · Score: 1

      Why would I see EULA? Courts don't uphold them. DRM is... well, I think there should be a warning label if there is DRM on any sold media. But if you buy something and you know it has DRM, that's your choice -- so it's something you agreed to.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    199. Re:Bravo! by Anonymous Coward · · Score: 0

      I have to say: your whole thinking about this subject is odd. It's almost like you're so in love with a copyrightless world that you're willing to go to any length to justify it.

      Can't tell you're thick or only pretending to be in order to avoid conceding what's obvious.

      Things will be different if copyright is abolished or substantially modified. Those with vested interest in the current system will be affected more. But the production will continue, and that means alternative incentive systems will evolve and the modes of production may change.

      What's so hard about that?

    200. Re:Bravo! by Anonymous Coward · · Score: 0

      I really have not listened to any new Metallica in ages. I lost interest in them so I don't know if they are absolutely terrible now or not....but if enough people want to listen to it that really is not relevant. Even if it is true that Metallica only spent an hour recording the tracks, which I highly doubt is true.....You forgot about the time that Metallica spent sitting down, thinking of a song, writing the instrumentals, writing the lyrics, practicing the song. You forgot to include the hours of time that the band members spent in all of the previous years honing their skills at playing an instrument.

      Let's just say there is a job out there that is paying $1000 each to write two small programs that are identical. You come in and write the program in an hour and fulfill all of the requirements. I come in and it takes me 2 10 hour days because I'm a bad programmer and I have to hit google for every single line of code. The company comes back and says because I spent 20 times the time you did that out of the $2000 allocated to the project they are going to pay me $1900 and you $100. Is that fair? When creating something, time spent doesn't really matter. Bands aren't working the normal 9-5 grind. They don't earn an hourly wage. Quality of the product and the value that people get out of it is what matters.

    201. Re:Bravo! by Bert64 · · Score: 1

      That will cause wear and tear to your vehicle, as well as depriving you of it for the duration that someone else is using it...
      If someone made a copy of my car, it wouldn't bother me one bit.

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    202. Re:Bravo! by Bert64 · · Score: 1

      You can "own" land by occupying it and preventing others from gaining access to it, through such mechanisms as walls, guards, etc... People have owned areas of land for thousands of years, even animals have owned areas of land in this way - many animals will vigorously defend their nesting areas. Land is also finite, and thus a change of ownership deprives the original owner.

      Ownership of ideas on the other hand is something new... Years ago people would "own" some kinds of ideas by keeping them secret, because they correctly deduced that once the secret was out there was nothing to stop the ideas spreading far and wide. And this still happens with such things as military secrets. But the idea of trying to artificially control the distribution of knowledge when the parties involved don't have a vested interest in keeping it a secret is just ridiculous.

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    203. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      And I've already explained that your system is unrealistic.

      Apparently you think a new model has to exactly duplicate the status quo in order to be "realistic". I find that unrealistic.

      You simply aren't going to be able to find people to pay up front in nearly the numbers that you can find to pay after you complete the project (under a copyright system). I'd be amazed if, for example, Killzone 2 could bring even a fraction of their $70 million development costs before they even began development. ($70 million was their development cost.)

      Well, that's a lot of money, but I don't think it's impossible to raise that much up front. Just difficult (especially considering how the first Killzone was received).

      But look. Suppose Killzone 2 wouldn't have been made. So what?

      The goal isn't to find an alternate way to fund the production of every single thing we see on shelves today, it's to find a way to fund the production of intellectual works that (1) still works in an era where copying is easy, cheap, and unpreventable, (2) doesn't rely on restricting speech or technological innovation. Like the AC said, if you make substantial changes, you'll get a different outcome... but different doesn't mean worse. What we lose in Killzone 2s not made, we gain in new works being made that would be impossible to release today, as well as restored freedoms.

      And don't forget, for every project that turns a profit (if indeed Killzone 2 has turned a profit yet, which isn't clear), there are several projects that never recoup their development costs. We don't expect people in other fields to treat their work as a lottery; why should we expect that of artists?

      The costs of finding those people in the first place would add millions of dollars to the project (and that's money that has to be paid even if you decide not to do the project at all).

      That isn't new overhead, it replaces the corresponding overhead in the copyright model. Putting a game onto thousands of retail shelves isn't free.

      It's almost like you're so in love with a copyrightless world that you're willing to go to any length to justify it.

      It's almost like you're so in love with a few blockbuster titles like Killzone 2 that you're willing to give up your rights and mine -- as well as all the other titles we'll never see because of copyright, and the technological innovations we'll never see because they offend copyright holders -- in order to get them.

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    204. Re:Bravo! by Lord+Bitman · · Score: 1

      The term "market" only applies to situations where people are willing to exchange one thing for another thing, so of course "every other market" has people willing to produce and exchange to receive, that's just the definition.

      --
      -- 'The' Lord and Master Bitman On High, Master Of All
    205. Re:Bravo! by superwiz · · Score: 1

      The very reason why ownership of ideas must be limited to a short period of time is that they are exchanged for tangible property and tangible property (such as land) is finite. So the longer it persists the more tangible property must be exchanged for it. No one insists, by the way, that one must enforce the one's own copyright. It's a right to prevent others to use it. If you don't have any vested interest in preventing others from using it, you don't have to prevent them. It is a right to prevent others from using your property (intellectual or tangible). It's not an obligation.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    206. Re:Bravo! by Yoozer · · Score: 1

      - The copyright system doesn't just cover musicians. It covers everyone from software developers to film-makers to artists and photographers.

      Oddly enough, software developers won't get paid for code they wrote 20 years ago. Ditto for actors, and ditto for film-makers. If they don't have their savings for when they're gray and old, it's their own fault, while musicians seem to get a free pass - even for contracts they signed up for that eventually turned out to screw them over completely.

    207. Re:Bravo! by Carewolf · · Score: 1

      Something is very wrong with the Swedish political system.
      Don't they know the opposition party is supposed to claim they oppose unpopular laws like those then do nothing about them once they're voted into power.

      The problem is that in Sweden for the last 50 years, the government was the social democrats and the opposition was the various center-right parties. A few years ago the opposition won the majority and has formed a government. The parties hasn't gotten used to the switch so the opposition is the government and the social democrats are just confused. (This is seen from neighboring Denmark, local Swedes may have a more detailed view).

    208. Re:Bravo! by Anonymous Coward · · Score: 0

      fuck what a retard.
      People like me (I'm a software developer) are already voting with their feet. I'm moving into a different industry that doesn't produce software for sale to consumers, because arrogant cunts like you just take the stuff, and then have the fucking gall to criticise us as you steal.
      Fuck you. I'm not making consumer software as of next year.
      Thats one less developer making content for cunts like you.
      Nice work

    209. Re:Bravo! by Anonymous Coward · · Score: 0

      You're a slashdotter. You have no fucking rights

      I will also preemptively 'whooooosh' this just to save time.

    210. Re:Bravo! by cliffski · · Score: 1

      omfg.

      so the musicians in metallica were born able to play like that, and write songs like that?
      What total fucking arrogance.
      I guess that you don't think lawyers should reap any benefit from the years studying the law, and that artists shouldn't reap any benefit from 20 years learning to paint?

      Your piost is an arrogant, retarded insult to anyone who has worked for years to hone a skill.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    211. Re:Bravo! by cliffski · · Score: 1

      Typical slashdotter, you cant compute that people might think for themselves and not agree with the retarded PIRACY FTW!!!!!! bullshit that has become the dominant meme here...

      --
      DRM-free indie games for the PC and Mac: Positech Games
    212. Re:Bravo! by cliffski · · Score: 0, Troll

      take a look at 'civony' the copyright infringing free-to-play crappy MMO that is advertising all over the net.
      A total fucking timesink designed purely to aggravate players into paying to avoid the drudgery of the gameplay.

      Thats your future business model kid, And you are fucking welcome to it.

      Its sad that immature snarky drivel like yours is considered insightful by the groupthink pirates here.
      Guess what kiddies, content developers don't make content for people like you any more, you have made yourselves truly fucking irrelevant.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    213. Re:Bravo! by bzipitidoo · · Score: 1

      Do you not know that most drugs are researched at universities, with the public's money? Also, many drugs are extracted straight from native folk medicine, and patented.

      Yes, I call it greed. They would not sell AIDS drugs to poor countries at reasonable prices, prices these poor countries could afford, and which would still profit the industry, until some nations threatened to nationalize the drugs. And surely you have heard of people crossing into Canada or Mexico to get the very same drugs at much lower prices? Maybe you heard that for a short time Big Pharma actually got US law enforcement, who work for us and are paid for by us, not Big Pharma, to seize and confiscate these drugs?

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    214. Re:Bravo! by MrHanky · · Score: 1

      Wow. Just wow. Following groupthink, for correctly pointing out that there's nothing but wishful thinking in a comment that's 5, "insightful". There's groupthink here, but it's not mine.

    215. Re:Bravo! by FriendlyLurker · · Score: 1

      You have the same privacy-eliminating laws all over the EU, mainly because they are largely EU mandated, yet in most other countries, right-wing parties that call for even tighter monitoring and regulation won across the board.

      The problem is the low voter turnout/voter apathy, which always favors right-wing parties (whose followers vote with religious like fervor): http://www.dw-world.de/dw/article/0,,4310212,00.html
      It is of course in their interest to keep voter turnouts low in coming elections too, a job made easier now they have majority in the EU parliament.

    216. Re:Bravo! by MrHanky · · Score: 1

      Yes, and when that "market" consists of people taking and distributing stuff for free, there is no exchange of money. Does your informed speculation take that into account? No, it doesn't. In a digital economy, peers exchange bits and bytes, torrent packages. The "service" you claim people are willing to perform, is seeding a torrent, not producing content. The production isn't part of the economy at all!

      I'm not claiming it "won't" happen, I'm claiming you're dreaming up a magical market solution that lacks the necessary market functions to actually work. That makes it wishful thinking, not informed speculation.

    217. Re:Bravo! by Anonymous Coward · · Score: 0

      You use the word "fucking" like most people use a comma. Also, if you're too cheap to pay for something, just admit it. There's no shame in it; we can all see you're clearly an absolute toolbox anyway

    218. Re:Bravo! by kamochan · · Score: 3, Informative

      The Pirate Party registered in Finland last week as an official party. They will be running in the 2011 parliamental elections.

    219. Re:Bravo! by Anonymous Coward · · Score: 0

      What civil liberties and personal rights are you voting to protect?

      The right to not end up in a logfile whenever I send an email or visit a webpage, as the EU data retention directive wants.

      I've worked for several ISPs/hosting providers.

      You'll have to accept ending up in a logfile - at least for a short period of time. These logfiles are used for quite a bit of important stuff:
        - Troubleshooting
        - Figuring out "what happened" when users claim that email didn't reach its destination.

      There is also the spam-fighting aspect, which ISPs need to partake in, unless they want to end up on various blacklists.

      So, you'll end up in a logfile. The big question, in my opinion, is for how long said logfiles should be stored. From my point of view? No more than 3-5 days, unless there is an ongoing incident.

    220. Re:Bravo! by Anonymous Coward · · Score: 0

      How about they pay up front for the production costs, then recoup those costs and profit in a couple of weeks of showings at cinemas across the country ? You think illegal cam copies are going to eat into that ? If the movie doesn't cover costs after repeated showings then it can't have been a very good movie, and the producer isn't a very good business person. Tough.

      Their current business model was formed when the ONLY way you could partake of the content was to pay and enter a place where that content was being shown. By getting sidetracked into publishing DVDs and CDs they have opened a can of worms which they will never close unless they stop DISTRIBUTING content in an easy to copy format. Concerts and movie showings are not easy to copy, and make up the bulk of the revenue in a sane business model.

      Posted anon as I have modded other posts in this thread.

    221. Re:Bravo! by ppanon · · Score: 2, Interesting

      Digital works are a lot like pharmaceuticals.
      Massive capital expenditure, minimal marginal cost.

      "Massive capital expenditure"? For creating visual works where customer expectations of resolution and quality is steadily increasing, OK.

      For most of the music the RIAA peddles? Fat chance. The advent of the digital computer has placed reasonably good quality recording capabilities at ever lower price points. Many albums now have their audio contents deliberately distorted prior to reproduction because the younger clientele has gotten used to distortion and poor reproduction from low-fidelity MP3s and earbuds. The real "costs" in music production are in marketing and access to the limited and controlled mass media outlets.

      The actual creative artists who compose the music an lyrics for songs also need to be compensated for their effort, but they generally get pretty short-changed by the current system in favour of middle men and gatekeepers. Even then, the artist's capital costs are the price of keeping a roof over their head and food in their stomach while they concentrate on being creative. Those costs are significant to the artists because they generally don't make much from performing until they become popular, but compared to any physical product, the costs are really quite low these days.

      Classical music is probably the most significant exception. Keeping an orchestra fed, housed, and clothed is so expensive that receipts from concerts usually don't cover it and donations have to be solicited.

      --
      Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
    222. Re:Bravo! by maxwell+demon · · Score: 1

      At least we have 0.9% here in Germany. Which means they get the campaign money back.

      That's an understatement. If you surpass the 0.5% threshold, you get back about 70 cents per vote. For the Pirate Party this totals to more than 160,000 euros. Compare that to the 600 euros they were campaigning on this time.

      0.9% is a great success.

      Especially given their little campaigning. Indeed, if it were not for Slashdot, I might not have recognized that they even exist. If they use those 160.000 euros for campaigning, they might get more visible next time.

      --
      The Tao of math: The numbers you can count are not the real numbers.
    223. Re:Bravo! by Anonymous Coward · · Score: 0

      So if I buy a cd the contents are mine right ? And I can share them right ?

      Oh. I can't because the cd isn't really mine, so what exactly am I paying for ? If I give a copy of something I have already paid for to others I am sharing my possessions. That is not stealing. Demanding payment, then claiming I don't own that which I paid for IS stealing (or fraud).

      If I go to see a movie and afterwards, describe the whole plot and the special effects to my friends, is that stealing ? If they realise the movie is shit and don't pay to see it as a result, has my theft deprived the movie producers of their rightful profit ? I guess a lot of critics are thieves then.

      Get a life.

    224. Re:Bravo! by jez9999 · · Score: 1

      This could only happen under a proportional election system, too. Anyone who says that the electoral system doesn't really matter, it's all about how the representatives behave (been hearing that one trotted out in the UK a lot recently) is talking out of their ass.

    225. Re:Bravo! by Anonymous Coward · · Score: 0

      You are quite ignorant. I am actually someone who is not opposed to copyright. I don't download movies, games or music. But I came to the insight that the current copyright law has to change.

      I compare that to prohibition. I would have no problem if alcohol was illegal. But lots of other people have. Abolishing alcohol leads to a lot more problems than just accepting the negative consequences of alcohol consume and an inconsistent drug policy.

      Or see it that way. Obviously there is a huge number of people who don't agree to copyright law. Just turn the numbers of RIAA and the likes on their head. They show how large a problem piracy is. We want to live in a democracy. Given these numbers you should start to wonder whether law shouldn't follow the wish of the people. You should at least start to wonder why these laws should be upheld against the wish of the people. I honestly really don't see why the wish of some to make money is that important. If that is a valid reason we could just introduce some other restrictions that create new jobs. Like raising the minimum age for a driving license to 40.

    226. Re:Bravo! by wisty · · Score: 1

      Don't forget, now the Pirate Party has a seat, so it has real clout.

      People will look to them for tie-breakers in non-IP rulings, they have a pulpit to preach from, and the media have to cover them. Vested interests will offer them support.

      The flip side is, they can't do anything stupid, or they will look like a bunch of cranks.

    227. Re:Bravo! by Asic+Eng · · Score: 1
      Well they got 0.9% in Germany on the first attempt to run - that's a pretty cool result, too. Also Germany's FDP almost doubled their results reaching 11% - they came out against the recent attempts to establish internet censorship and prohibit paintball. Of course it's not so easy to establish how many people supported the FDP because of that (vs due to other reasons), but it will give their position more weight in any case.

      That said:

      Thank you Sweden!

      You guys did something great for Europe yesterday. At the very least it's warning shot for the established parties.

    228. Re:Bravo! by fastest+fascist · · Score: 1

      Whether or not unauthorized copying of material is right or wrong is one thing. To what extent citizens' rights can be limited to protect the livelihoods of media professionals is a separate issue. Certainly some supporters of the Pirate party, as well as others here, would like to see copyright abolished altogether, but a much more pressing issue is the way basic rights are being ignored to protect financial interests. Hence the rise of the Pirate party.

    229. Re:Bravo! by Richard_at_work · · Score: 1

      I hate to break it to you, but no ownership is a natural right beyond what you can protect yourself - all ownership that is protected by law is artificial, copyright included.

    230. Re:Bravo! by Kijori · · Score: 1

      Even in your car metaphor the same problem exists. Someone needs to pay the car designers; but if you're relying on sufficient people banding together and paying upfront for him to start designing, you're going to be disappointed. Look at it from a logical point of view.

      If I pay my money:
      either enough other people pay and I get my car/mp3 for the money I paid
      or
      Not enough other people pay, nothing gets made, and at the very least I'm out on the interest I could have earned.

      If I don't pay:
      either enough other people pay and I get my car/mp3 for free
      or
      Not enough other people pay, nothing gets made, and I lose nothing.

      The difference I make in this model by paying/not paying is negligible - The Dark Knight cost $185 million dollars to make, so my $25 represents 0.000014% of the money needed. The chance of the film appearing doesn't actually change by any meaningful amount, my action has no real consequence, so I'm just wasting my money. No matter how much you may want the film, it's illogical to pay for it under this model.

      Not to mention that paying for a film you haven't seen yet isn't exactly going to stimulate the industry. At best it will kill off all but the most well established production teams - after all, who's going to back someone they've never heard of? At worst it removes the incentive to produce a good film, since you can't make any extra money that way.

      Basically what I'm saying is that copyright works as a way of splitting the payment between all the interested parties without having to know who they are in advance. Your system doesn't, and that's a lot to give up for no real advantage.

    231. Re:Bravo! by mdwh2 · · Score: 1

      This was an argument addressing what was being said.

      And they don't say what you claim, no matter what their name is.

      It's not my fault that you misunderstand their policies because you make assumptions from the name, and can't even be bothered to read their manifesto before you complain. If you want to criticise about their name, that's a separate issue - either way, it doesn't change what their policies are.

      I also don't see how "piracy" means "abolish copyrights entirely" - the point is that anyone currently distributing material after the term that they want would be a "pirate", so it is still true that what they advocate is "piracy" in terms of existing laws.

      A name like "party of fair use rights of intellectual property" is a mouthful, doesn't have the same ring to it; it's an awful name. It's also misleading, as they're not simply after "fair use", but what reductions in the copyright length too. Maybe you should criticise, say, the UK's Labour party, because they have policies in their manifesto other than to do with labour, and you're not happy unless they spell out their manifesto in an absurdly long party title, because you can't be bothered to read their website?

    232. Re:Bravo! by skrolle2 · · Score: 1

      So, you'll end up in a logfile. The big question, in my opinion, is for how long said logfiles should be stored. From my point of view? No more than 3-5 days, unless there is an ongoing incident.

      A short time and for internal purposes, fine. But the EU data retention directive wants to force ISPs to store these logs for years, and make them available to the police upon request.

    233. Re:Bravo! by PeterBrett · · Score: 1

      A serious question, and not an attempt to troll: has anyone actually done it that way, successfully?

      Bay 12 Games uses this business model for Dwarf Fortress.

    234. Re:Bravo! by Anonymous Coward · · Score: 0

      Unlimited wiretapping with court order of all International data traffic for the intelligence services

      Wasn't it unlimited and constant wiretapping without court order for the international trafic? This was the reason for some concern since some foreing goverment data trafic would have gone through Swedish Telia-Sonera pipes.

    235. Re:Bravo! by Anonymous Coward · · Score: 1, Informative

      1) The party was founded there. Give it some time in other countries.

      The Finnish Pirate Party just collected the 5000 members required for registration.

      See the Helsingin Sanomat article.

    236. Re:Bravo! by iiiears · · Score: 1

      This is great news if only for people getting out to vote their interests. Leaders keep inspiring fear and trying very hard to control everything and everyone when they more easily could inspire confidence more profitably to their own interests encourage democracy by getting out the vote. The worst thing that can happen to a recording company is for there to be no knowledge of a recent release.

      --
      15TW = 15,000 Nuclear Reactors. (Approx. one accident a month.)
    237. Re:Bravo! by L4t3r4lu5 · · Score: 1

      +6 Insightful

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    238. Re:Bravo! by teh+kurisu · · Score: 1

      That's a pretty ignorant interpretation of their policies. The digital entertainment industry in its current form might depend on copyright, but abolishing copyright would result in a new digital entertainment industry that separates producing content (their job) from making copies (not their job).

      If this is sustainable, then why don't we see it now? There is nothing to prevent this 'new industry' from existing today, except maybe competition from the 'old' industry. But if the old industry has a competitive advantage, why would any music maker eschew it in favour of the 'old' industry?

      Or is there another reason that the two can not coexist?

    239. Re:Bravo! by TheTurtlesMoves · · Score: 1

      2 seats out of how many? They are not taking it as seriously as you think.

      --
      The Grey Goo disaster happened 3 billion years ago. This rock is covered in self replicating machines!
    240. Re:Bravo! by teh+kurisu · · Score: 1

      That should be, "why would any music maker eschew it in favour of the 'new' industry".

      Eschewing the preview button for typos since 1999.

    241. Re:Bravo! by Anonymous Coward · · Score: 0

      No, once they are over 30 something clicks and they become more interested in preserving their own wealth than in idealism, so they become conservatives.

      Remember that this is Sweden we are talking about. There are no people with personal wealth. Really.

    242. Re:Bravo! by teh+kurisu · · Score: 1

      It's informed speculation, backed by non-representative data from the likes of Radiohead and Nine Inch Nails, who received huge amounts of free advertising from the press both because they were already established, and because they were trying something new.

      What they did worked for them, but the numbers they saw wouldn't be sustainable in a market where their business model was the norm.

    243. Re:Bravo! by iiiears · · Score: 1

      This argument has gone on for decades back and forth, both sides making valid points. It is so frustrating not to have any way of proving which side better serves creativity. The only thing legislators do well is respond to the group that loudly expresses their wishes and votes in overwhelming numbers. Don't let the corporate wallet be a substitute for the voters ballot.

      --
      15TW = 15,000 Nuclear Reactors. (Approx. one accident a month.)
    244. Re:Bravo! by Anonymous Coward · · Score: 0

      Same here. I want a political watchdog on IP law and internet liberty, and I want it to be rabid.

      As for filesharing in particular, I don't really care.

    245. Re:Bravo! by Sique · · Score: 1

      Very easy. J.S.Bach (as Director of Music at the St. Thomas Church in Leipzig) had a contract that demanded one cantata for each week. He had one week to write the cantata, to rehearse it with the chorus and the instrumentalists and then put it on stage. He got paid if the cantata was performed each week independently of the possibility that the same cantata might have been performed somewhere else (which in fact was quite impossible because the time frame was much too short).

      --
      .sig: Sique *sigh*
    246. Re:Bravo! by Anonymous Coward · · Score: 0

      I can't speak for the rest of what you said, but your assertion about Mozart is refuted in "Mozart as a Working Stiff" by Professor Neal Zaslaw here: www.aproposmozart.com/Zaslaw,%20Neal%20--%20M.as%20working%20stiff.pdf

      In short, Mozart composed because he was paid for it, and there's no evidence that he ever worked without getting paid.

    247. Re:Bravo! by jonbryce · · Score: 1

      Unfortunately I was unable to vote for them as they didn't have a candidate in my region.

    248. Re:Bravo! by Ihlosi · · Score: 1

      now what if bach had no patrons because everyone already has a copy of his music,

      Then he'd have to write more music! Oh noes!

      By pure coincidence, this is exactly how things worked back then anyway. There was no copyright law in Bachs time, however, copying any of his works also required quite a bit of effort, as it had to be done manually.

    249. Re:Bravo! by superwiz · · Score: 1

      Do you not know that most drugs are researched at universities, with the public's money? Also, many drugs are extracted straight from native folk medicine, and patented.

      That's an courageous lie. Universities work on basic research. Specific drug-related research is done commercially. And you, sir, are an ignominious fool for repeating it. And don't think for a second that repeating the words of some other fool is "educating" anyone. It's you repeating a rumor you heard in order to make yourself feel a little better about the fact that you are too scared to look in the mirror.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    250. Re:Bravo! by Anonymous Coward · · Score: 0

      NOW it is going to show up in search engines, because you spelled his name right, you idiot.

    251. Re:Bravo! by gsslay · · Score: 1

      You have an amusing and naive idea of human nature.

      So basically those who create original products (music, films, books, whatever) have to first go around looking for sponsors, before they create anything. How do you think that's going to go?

      Originator: Please give me money and I will write a song.
      Prospective Sponsor: Sounds good, how's it go?
      Originator: Can't tell you, I haven't written it yet. I'll write it once I get enough sponsors.
      Prospective Sponsor: Yeah, right. So I'm paying money up front for something I've not heard yet, and may not even get written?
      Originator: Uh huh.
      Prospective Sponsor:: I'm sorry, you seem to be confusing me with a speculative investor. We got rid of those along with copyright and other outmoded business models with the great filesharing revolution.
      Originator: OK. Here's one I've already written. Please sponsor me.
      Prospective Sponsor: Hmm, not bad. But now you're expecting me to pay for something I already have for free. Have you really thought this through?
      Originator: But if you pay me I'll write more.
      Prospective Sponsor: Yeah, tell you what. How about someone else pays you for something they've not heard yet, then I pick it up for free off Pirate Bay later on. That sounds a whole lot less risk to me.
      Originator: Come on! It's only fair!
      Prospective Sponsor: Fair?! Hahahahahahahaha!
      Originator: Damn, maybe this is why we used to have laws for this kind of thing.

      The point is that copyright, as with all laws, is a artificial social construct. Like all artificial social constructs, it was created for a reason. That reason hasn't gone away just because circumventing the construct has become so much easier.

    252. Re:Bravo! by cliffski · · Score: 1

      I see no reason to care about what people who are pro-piracy think.

      if you are pro-piracy, you are not my customers, so basically who gives a fuck what they think?
      Sadly, all the excuses people have come up with to defend piracy have been shown to be just that: excuses.

      You can now get DRM-free single tracks from itunes for a pittance, and yet piracy is more popular than ever.

      Piracy is about getting stuff fro free, and leeching off everyone else. This is evident.
      I really don't care if the pirates want to accept that, or continue whining in denial.

      people like me are just going to turn towards making on-line-only service-enabled products. Its the only way to avoid piracy. If you love single player video games, tough shit. Those are now done and dusted, thanks to the pirates.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    253. Re:Bravo! by cliffski · · Score: 1

      OMFG WHAT A REVELATION!!!!

      do you think this pathetic bullshit argument hasnt been wheeled out here before?

      Heres the point:

      If everyone is just going to copy the car, how the fuck does the car designer get paid? And why the fuck would he do that for free rather than get a job which pays for luxuries such as food and shelter?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    254. Re:Bravo! by Ihlosi · · Score: 1

      So basically those who create original products (music, films, books, whatever) have to first go around looking for sponsors, before they create anything. How do you think that's going to go?

      Worked just fine for most of the classical composers. Maybe that's why they kept composing for most of their lifetimes instead of spending their last 30 years spending all the money they're getting from a piece they wrote when they were 20?

    255. Re:Bravo! by ivucica · · Score: 1

      I am one of those who support copyright, but with major, major, major revisions, especially in the area of its expiration date. Most songs lose value after 5 years, so 25 years should be more than enough. Even death + 25 is much more than enough, except in extreme cases (Tolkien's works). But death + 95 for all content is silly and stupid. If things keep going this way, soon we'll see death + 150, and that's just plain silly.

      And how do they get paid if anyone can replicate their content for free? Just hope for donations? There's a guy with a guitar on the corner of my street who does that. It doesn't seem to be working all that well for him.

      How do you know that donations wouldn't start working? See, if people suddenly had no new music, perhaps they might pay for new music in other ways.

      Or they might say "We have enough old music, we don't need more" and that'd be it. Why do you think that free market can't regulate itself?

      That said, some basic protection at least for first few years is stimulative enough. As I said, even 25 years would be enough. I definitely won't think of paying for stuff more than 25 years old because it's just that -- old. Except in case of really cult movies.

      How about the freedom of matters of fact? For example, we should have the freedom to know how our tax dollars are spent. That doesn't mean Microsoft should have the freedom to steal the code for Firefox, slap an IE-logo on it, and call it their own.

      But they can take it. It's not even stealing, you can rebrand Firefox, uhm I mean Iceweasel.

    256. Re:Bravo! by Anonymous Coward · · Score: 0

      Being dumb has kind of a "cool" and "you have to respect me" touch here. People nearly brag about their stupidity."

      Welcome to the club my friend. We invented that ideology here in America.(Please forgive us) Burn the bridges folks this is one disease that just wont die easily.

    257. Re:Bravo! by Chlorine+Trifluoride · · Score: 1

      You seem to be mistaking "Prospective Sponsor" with "Mr. Burns". If people won't donate like that, then how come so many donate to political campaigns?

    258. Re:Bravo! by Ginger+Unicorn · · Score: 1

      unfortunately, an encouraging success like this is tempered by the fact that the holocaust denying, convicted rapists and genuine terrorists of the british nazi party now have an MEP as well. a sad and terrifying day for britain and europe.

      --
      (1.21 gigawatts) / (88 miles per hour) = 30 757 874 newtons
    259. Re:Bravo! by Eivind+Eklund · · Score: 1

      We agree that pharmaceutical research is the reason for those advances. We also agree that pharmaceutical research today happen partially in pharmaceutical companies, and that pharmaceutical companies make profits through patents. The question, to my mind, is how would pharmaceutical research happen without the present patent regime? According to data from 2006 (see [1]), most of the AIDS research is financed by government money . For the microbicides you are discussing, less than 5% of the money comes from the commercial sector. For vaccines, the investment from the commercial sector is about 10%.
       

      Now, I won't say that 5% is nothing - but saying that "5% comes from patents" it is not the whole picture, either. While the patents *does* encourage those 5% of funding, it also adds a cost in patent licensing, research that is blocked due to patents, cost of performing techniques due to having to pay for use of patented techniques, research into licensing situation, and so on. I do not know if this cost adds up to 5% or not - and it may add up to more than 5%.

       

      So, the net situation is that pharmaceutical companies *may* be net contributing to AIDS biocide research, they are clearly earning profits from blocking people's access to it - thereby making a lot of people die.

       

      I won't try to define "greed" in this area; I find it too complicated. I just wanted to help show that crediting Big Pharma for this is giving them credit they haven't earned - the cost of HIV research is borne by all of us, not "Big Pharma".

       

      Eivind.
       

      [1] Data from following the first relevant link from http://www.google.com/?q=aids+research+funding to http://www.unaids.org/en/KnowledgeCentre/Resources/FeatureStories/archive/2007/20070830_funding_estimates_R_and_D.asp, which again links to http://data.unaids.org/pub/FactSheet/2007/20070830_resource_tracking_for_randd_en.pdf

      --
      Doubting the existence of evolution is like doubting the existence of China: It just shows that you're uninformed.
    260. Re:Bravo! by Narpak · · Score: 1

      Why does this work in Sweden, or rather, why not in the rest of Europe?

      You have the same privacy-eliminating laws all over the EU, mainly because they are largely EU mandated, yet in most other countries, right-wing parties that call for even tighter monitoring and regulation won across the board.

      These issues don't really get much attention by Norwegian media; though so far the Norwegian government has pretty much pushed any outside pressure to reform our laws to the side. Getting access to Norwegian IP logs only given to law enforcement if they can adequately prove that they have a case to do so; and they can only access the part they specifically request. Despite some measure of pressure from the EU and others; Norwegian copyright law remains fairly liberal. You can make copies for your friends, but only up to some arbitrary number; and the downloading of pirated software, movies, music, is not per definition a criminal; unless you are specifically making money by making such material available.

      One of the leaders of Kripos (Special Investigators with the Police) stated in the media, in response to pressure from the copyright lobby; something to the effect that they would not now, nor in any foreseeable future, misspend their resources on any music piracy issue while there was serious crime being done. And that unless there was significant political pressure this would not change.

      The only party I know has an eye for reforming the copyright laws is the Norwegian Left Party and they want to make them even more liberal. So I guess these things kinda make it hard for the Piracy Party to get a proper foothold in Norway. Then again we are not fully a member of the EU; we just obey their laws more literally and consistently than many of the member states; else some of the other European nations might get sad and not want to trade with us.

    261. Re:Bravo! by Keeper+Of+Keys · · Score: 1

      Eh?

    262. Re:Bravo! by Anonymous Coward · · Score: 0

      "LOL I WANT NEW TOM CROOSE MOOVIES".

      GREAT now that is going to show up in search engines, and some studio asshole will be like "LOOK! The people want more Tom Cruise!" and we're going to get MORE shitty movies with that asshole in them! THINK before you hit the Submit button, man!

      "LOL I WANT NEW TOM CROOSE MOOVIES".

      GREAT now that is going to show up in search engines, and some studio asshole will be like "LOOK! The people want more Tom Cruise!" and we're going to get MORE shitty movies with that asshole in them! THINK before you hit the Submit button, man!

      Haha, well put. I was thinking exactly the same thing. Seriously, I was...

    263. Re:Bravo! by the_arrow · · Score: 1

      I think the wild success of political fundraising sites ought to be enough proof. Candidates and bloggers regularly raise tens of thousands of dollars from lots of small contributions, and the contributors aren't even getting anything in return. Never underestimate the motivational power of a thermometer graph.

      But the people (and corporations, don't forget them) who donate money to political parties or candidates do really want to get something back if their candidate wins: The want the candidate to favor the donors suggestions, which might make quite a return on investment. Also, most people and corporations donate to as many candidates and parties as they can, so no matter who wins the donors will always get their ROI.

      --
      / The Arrow
      "How lovely you are. So lovely in my straightjacket..." - Nny
    264. Re:Bravo! by Tikkun · · Score: 1

      Do you think that you could get millions of people to pay up-front for the production of X-Men 4 even though it won't come out for years?

      I think it's likely that in the event of the removal of intellectual monopoly laws that there would still be demand for new content, and that corporations that own movie theaters would spend money to make new content to satisfy consumer demand. This being said, it would likely mean that more movies would be made with lower budgets.

      Personally I think this would be a good thing.

      And Windows Vista?

      Apple doesn't make a significant amount of their profits from selling operating systems. Neither does Red Hat, Novell, Sun, Canonical or any number of other companies that are involved in the production of OSs.

      The fact that Microsoft's business model depends on intellectual monopoly laws does not mean that it is the only business model that can be profitable and make an OS.

    265. Re:Bravo! by shentino · · Score: 1

      "digital works" also includes software.

      Tis not just artists I'm talking about being on the payroll, but programmers too.

    266. Re:Bravo! by Lained · · Score: 1

      It's quite simple (at least from my PoV):

      1) People are concerned about several things, not only (or not at all) data retention/online privacy, but with social and economical problems (and a more complete political "project"... I do identify with PP concerns, but I have more topics of concern then the ones that PP has, and I give more importance to those concerns on my daily life... I wouldn't just cast my vote because I agree with some of the points a party makes, I would need to identify with the more importante topics, and weight the ones I disagree against what I find acceptable versus the ones I do agree).

      2) In times of crisis the votes tend to be more right winged (SWE wasn't an exception).

      3) Usually the European Election is used by the voters to punish the governing party in their countries.

      4) And it's not only SWE. Most countries have their own "PP", in a way or another. One of those parties might endorse lower taxes, another might go against the CAP (Common Agricultural Policy), etc.. The point is, those parties aren't suppose to be taken seriously (serious in a sense that none expects they'll have an huge representation), and the ones who vote for them usually know that. People usually vote for them so there's a lobbying party for those subjects, or just to "annoy" the more "tradicional" parties, or lack of a choice that they identify with.

      Most EU countries do take (the possibility of) governmental spying serious. It's in terms of perception that things differ. I can say that at least in one of the countries where the system is being put in place is actually quite safe (I work for one ISP that's rolling out a data retention system to abide the new legislation). In terms of legislation, no customer data can be cross referenced during the investigation phase (initial phase, until there's enough evidence for an indictment, and for an investigation to take place, to access the data, it needs court approval), so that protects the identity of whoever data was requested.

    267. Re:Bravo! by Anonymous Coward · · Score: 0

      They're not getting 160.000EUR

    268. Re:Bravo! by Lars+T. · · Score: 0, Flamebait

      Digital works are a lot like pharmeceuticals.

      Massive capital expenditure, minimal marginal cost.

      And if the RIAA gets its way, soon to be intertwined with government regulation.

      You forgot massive expenditures by the creators that don't show up in the "marginal costs" per unit. Gee, how fitting.

      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    269. Re:Bravo! by Jesus_666 · · Score: 1

      One man.
      One couch.
      One nervous breakdown.

      This fall, see upholstery in peril!
      A star in rage!
      An image in ruins!

      Directed by Pro Bowl-winning director Jerry Kramer...

      Tom Cruise:
      COUCHJUMPER

      In theaters this fall.

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    270. Re:Bravo! by Keeper+Of+Keys · · Score: 1

      The trouble is that copyright has to be abolished, or at least seriously scaled back, because it has become unenforceable.

      You raise interesting practical objections to the GP's proposal, but they could be obviated with some sort of elected body that tries to make 'good calls' about which projects are likely to be worthwhile, popular, etc.

      I pay money every month to my local authority for local services and have to trust they will put it to good use. Sometimes this works well - a run down part of the city was, I think, attractively spruced up (some disagree); other times less so (our refuse collectors are unreliable). Every few years, I get a say on who is appointed to carry on running things.

      A culture tax could work in a similar way. We appoint a body of people to select artists who will receive a slice of the money collected - eg through an ISP levy. These artists are commissioned to produce new works. No money is paid to anyone for actual use of the works, once they have been created. (Existing copyrights would have their durations tapered off, and noncommmerical copying made legal.)

      Of course, anyone can still produce art and fund it however they like. Most music is self-funded initially anyway, and this works fairly well. As artists rise to popularity, it would be in the funding body's interest to commission them if they want to be re-elected.

    271. Re:Bravo! by Curtman · · Score: 1

      so the musicians in metallica were born able to play like that, and write songs like that?

      No, at one point they wrote really good songs. My theory is that somewhere during the recording of the black album, they were abducted by aliens who replaced them with inferior clones. Bob Rock is probably one the aliens left behind to supervise.

      Somewhere out there the real James & Lars are trying to get home.

    272. Re:Bravo! by Anonymous Coward · · Score: 0

      Fuck you. I'm not making consumer software as of next year.
      Thats one less developer making content for cunts like you.
      Nice work

      so .. you demand that I roll over and give up my rights as a citizen because you havent been able to come up with a business plan that works for you ?

      My answer, as a citizen and professional software developer, is: Go on and fuck off. I wouldnt piss on you if you were on fire.

    273. Re:Bravo! by XcepticZP · · Score: 1

      It's a logical fallacy, and it's called "deriving ought from is". i.e. Just because something is, doesn't mean it ought to be.

    274. Re:Bravo! by The_Noid · · Score: 1

      In many cases they can just use the same means as now. A movie distributor can simply state in the contract with the cinema that the cinema is not allowed to distribute the movie. Most movies make a profit from running in the cinema, so nothing needs to change from the current situation. Contract law is sufficient in this case, no copyright law needed.

    275. Re:Bravo! by sfarmstrong · · Score: 1

      But if you want some examples, Michelangello produced some nice forms of art. How? By finding someone wanting to pay him for that. But, hey, maybe you don't think that example to be representative since Michelangello didn't produce music. So be it. J.S. Bach, maybe you heard about him, made a live out of composing and playing music. How was that possible? Well, by finding someone wanting to pay him for that. What would have happened if nobody wanted to pay Bach? He simply would have find another way to earn for a living. If distributing media is a bussiness no more, just find a different bussiness.

      That doesn't really work today, though. Two problems:

      First, Michelangello and Bach lived in an age where wealth was heavily concentrated in the nobility and the clergy, two groups who were very interested in commissioning artistic works. Nobody has that kind of wealth nowadays; Gates and the Waltons aren't nearly as wealthy, proportionately, as the wealthiest people back then.

      Second, that only works for certain types of works. Do you know any billionaires who would commission new video games, comic books, or Hollywood blockbusters?

      Intellectual property creates artificial scarcity, yes, but it also creates a viable market for information. The ability to control licensing means that rights-holders can force their audience to pay for the value of their content. This gives content producers a strong incentive to create value for their audience.

      As simply as that. Really.

      It's possible that a no-copyright commission-based model could work, if audiences/readers/players/etc felt obligated to tip the content producers generously for producing a work. But it's not nearly as simple as you suggest. I'm not totally convinced that it would be better than a copyright system. Certain works would be under-produced - especially high-budget works and works that people might enjoy, but feel ashamed to sponsor. Also, the amount of money going into content-production would almost certainly be less than now - most likely, what people are forced to pay under copyright is often more than what they would pay without compulsion.

    276. Re:Bravo! by Locklin · · Score: 1

      Without Copyright, production would be different, but it would still happen. As you say, you simply wouldn't be able to build Vista the way Microsoft did (5 or 6 years with thousands of man-hours before a single release.) Instead, you would see smaller, more incrimental releases, where people would pre-pay for, say, some widget in 6 months time.

      *Personally, I think it would be far easier to simply move to a short copyright term than deal with the massive changes abolishment would bring.

      --
      "Knowledge is the only instrument of production that is not subject to diminishing returns" -Journal of Political Econom
    277. Re:Bravo! by uiuyhn8i8 · · Score: 1

      No, once they are over 30 something clicks and they become more interested in preserving their own wealth than in idealism, so they become conservatives.

      Or they just grow up and realize that idealism is just what it is, fantasies for those that doesn't actually have to work for a living.

    278. Re:Bravo! by LordVader717 · · Score: 1

      I have a book open right now, and it's a matter of fact that the first word in the first chapter is "Simply". It's also a fact that the second word is "stated". Here are some more facts about that book: the third word is "animation", the fourth word is "is", the fifth word is "a".These are all matters of fact about a book that I own,

      This reasoning is just absurd. It's not words that are copyrighted, it's the book, the work as a whole.
      You're arguing that this all comes under the definition of "information". This is formally true, but the second law of thernodynamics would disagree with your conclusion.
      It's not a very convincing defense. "Sorry your honour. I didn't mean to kill the guy, I was just creating entropy. And the freedom of information act says that's okay."

    279. Re:Bravo! by gsslay · · Score: 1

      Worked just fine for most of the classical composers.

      The classical composers were a mere handful (by today's standards) of professionals working for very wealthy clients. Is this the egalitarian future you see for music?

      Maybe that's why they kept composing for most of their lifetimes instead of spending their last 30 years spending all the money they're getting from a piece they wrote when they were 20?

      Amazing how life in abject poverty and dying at 40 motivated people. Another of your progressive visions for the future?

    280. Re:Bravo! by gsslay · · Score: 1

      If people won't donate like that, then how come so many donate to political campaigns?

      Entirely different scenario, motivations and expected end result?

    281. Re:Bravo! by Jaeph · · Score: 1

      1. Artist finds people who want content made.
      2. Artist makes content in exchange for money.
      3. Profit!
      4. Artist gives away copies of content.

      Great. So now we go back to a system where rich people commmision pieces of art and horde it for themselves as a status object.

      Nice plan there.

      -Jeff

      --
      Please learn the difference between a dissenting opinion and a troll before you moderate.
    282. Re:Bravo! by TinBromide · · Score: 1

      But that was the sega system generating the license message, and not the cartridge claiming to be licensed, but if the sega system required the cartridge to present the message to play, then that may have been fraud and not a use of the "sega" word mark.

      What I was hinting at was that instead of using IP laws to prevent distribution, they'd use the strengthened fraud laws to do the same job. Is there a functional fraud defense? That'd be interesting to see played out. I can't think of a way to build first the disclaimer and then the prosecution, but there are people who are paid to think about ways to game the legal system when a new law comes out.

      --
      Is it sad that I am more likely to recognize you and your posts by your sig than your name or UID?
    283. Re:Bravo! by Acaeris · · Score: 1

      As far as the media industries are concerned if you are not Pro-copyright, you are anti-copyright. If you are anti-copyright, you are a pirate. In essence, the Pirate Party is so named because anyone who wants to weaken the current state of copyright in any way is deemed a pirate (a play on the use of the word). Therefore, the name Pirate Party is actually appropriate.

      The use of pirate in this context is puely spread by the industries, otherwise this would be a party representing people at sea who go about their day stealing ships. They aren't the ones saying what a pirate is, they are saying they represent those labelled 'pirates' for things like having a song in the background of a video they put on youtube, just because it happened to be playing on the radio when the recording was made.

    284. Re:Bravo! by ShieldW0lf · · Score: 1

      This is such a joke. What civil liberties and personal rights are you voting to protect? Your right to pirate copyrighted materials on PirateBay? It's called the PIRATE party.

      Slashdot has become a sickening pro-piracy website. Have you ever wondered why the big names like John Carmack no longer post here? Why doesn't he deserve to get paid for his work?


      Some of us think you anti-piracy people belong in jail. If this trend continues, you very well might end up there. Might want to think about that.

      --
      -1 Uncomfortable Truth
    285. Re:Bravo! by KDR_11k · · Score: 1

      AFAIK the Pirate Party has a political program that's a bit more than just "fight copyright".

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    286. Re:Bravo! by zeropointburn · · Score: 1

      How about the right to privacy on your own computer?
      How about the right to due process when some monkey investigator decides that your network printer is sharing files and threatens your ISP into giving out your name?
      How about casting off the pall of superstitious fear hovering around torrent programs and setting them free to do what they were meant to do? (and that is group transmitting of large files, not unlawfully copying music)?
      How about doing everything in our power to prevent yet another police state?
      How about finding a real, legal, logical method of identifying the people who are actually infringing copyright and prosecuting them in a way that doesn't alienate nearly the entire digital community?
      How about the monopolist companies who are throwing all these wild accusations of lost profits and rampant theft actually step up and prove one single statement?
      How about those same companies hold themselves to the same standard they expect of their consumers and submit to an invasive audit and review of their policies, both internal and external?
      How about you think about this for a minute or two before ranting off about something you apparently don't understand?

      I admit that you certainly have a right to rant at will on slashdot as long as they let you keep your account. Just try to put a little thought into it instead of knee-jerk reactionism. You honestly have no idea what the pirate party stands for. Hint: the name is a slogan to gain attention, nothing more. Clearly in your case it worked.

      --
      -1 raving lunatic; +6 subGenius... Things even out...
    287. Re:Bravo! by steelfood · · Score: 1

      To be fair, most members of this "counterculture" you speak of are either in jail for drug offenses, or too high to care. The rare few who are lucid are going through the hypocrite phase where they become vehement objectors to the behaviors that they once thrived under.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    288. Re:Bravo! by illumin8 · · Score: 1

      I give you, though, that closed-mindedness is treated like a virtue here. Else our right wing populists wouldn't be so insanely successful. It kinda saddens me to see a party historically backed by large corporations and big money managed to become the spokesperson for the proverbial "little guy"... or rather, that they managed to tell the little guy that they were, and he belived it.

      Great, it's good to know that even in Europe they've assimilated the worst parts of American pop culture...[/sarcasm]

      It's "hip" to be stupid in every part of our popular culture, from country western (look at Larry the Cable Guy: "Git-r-done...") to urban. Hip-hop artists loudly proclaim "I'm from the streets, bitch!" as if it's cool to be a low-life thug that dropped out of the education system and grew up on the streets.

      Welcome to American pop culture, where being stupid is considered "cool" and getting a proper education is looked down upon. I fear for the future of society in general...

      --
      "When the president does it, that means it's not illegal." - Richard M. Nixon
    289. Re:Bravo! by Anonymous Coward · · Score: 0

      "Slashdot has become a sickening pro-piracy website."

      If you're so sick of being here, why don't you just leave? Get a clue.

    290. Re:Bravo! by Anonymous Coward · · Score: 0

      Vista? I think you're missing the point ...
      Seriously, how do you think Microsoft would exist without copyrights? Would people pay them for their great tech support? Or is that what you're saying? That Microsoft wouldn't exist ... and that would be a bad thing.

    291. Re:Bravo! by Anonymous Coward · · Score: 0

      Like people owe you a living because you write tunes nobody cares for.

    292. Re:Bravo! by shark72 · · Score: 1

      "You can't single-handedly get a CD (or any other product) into every retail store in the country; that's why you have an arrangement with a distributor. Likewise, if you want to sell your services to a million customers, don't try to contact them all yourself. Make an arrangement with someone else who'll help with promotion, handle the transactions, and deal with customer support in exchange for a cut."

      While the concept of paying people to help you with things you don't want to or can't do is fundamental (it's well-understood by anybody who makes use of an accountant, a payroll service, or a gardener), it's this concept that's a major rationalization for piracy. Pirates profess a belief that middlemen make too much money; thus downloading it for free is correcting an economic injustice, not merely a way to save money.

      The concept of spec work vs. work-for-hire is also fundamentally understood by many creative folks like graphic artists. The economics of the music and film industries practically demand spec work.

      One often-overlooked feature of copyright law is that it's opt-in, and copyrighting one's work is not synonymous with selling one's work. The folks in the Pirate Party envision a world in which young people will create works without expectation of compensation per piece sold, and that other young people will seek this content out. The trouble is that there are already lots of folks who release creative works for free, and under alternative licensing (GPL, Creative Commons, etc.). The Pirate Party can have this utopia if they want it, but they'll need to change their behavior first. When you look at the most popular downloads on the tracking sites or the BigChampagne list of the top-downloaded tracks, they match up with pop culture consumption very closely. Pirates still primarily want the stuff that's distributed by big media.

      --
      Sitting in my day care, the art is decopainted.
    293. Re:Bravo! by Anonymous Coward · · Score: 0

      A huge majority of applications are improvements on existing applications, much like patents and many other fields.

      So if you approach a company and say I have a product just like the one you already use and I can add feature X....so give me money to make it worth my time...you know what that company will do? They'll go to the creators of their current software and tell them they want feature X and they'll ignore you completely.

      I am so tired of hearing how evil copyright is...as a developer I don't want anyone to use my software without my permission and paying me first and no model on the planet can protect me except copyright. It's a shame artists make so much off of music and keep demanding music. In my personal opinion, much as with software it should stop costing anything after a certain time frame. Software advances to much...a decade old software is worthless...audio though can be new everyday you hear it. What's retarded is people actually think they need 40k in music to be happy or satisfied with their life. What a joke!

    294. Re:Bravo! by Lars+T. · · Score: 0, Troll

      So if there were no music you could copy, you would finally be happy.

      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    295. Re:Bravo! by Anonymous Coward · · Score: 0

      Although I don' t think the fail, you could try selling sand in the desert without exclusive right to sell it and you will probably know.

      Of course exclusive rights change everything.

      For a better understanding of this you could read up on scarcity and recall that scarcity is one of the reason to have a market economy.

    296. Re:Bravo! by Ihlosi · · Score: 1
      Amazing how life in abject poverty and dying at 40 motivated people.

      Who are you referring to? W.A. Mozart (that's the one that closest fits the age you give)? He didn't die in abject poverty, that's a myth. He blew all of his money on an expensive lifestyle (clothes, servants, luxury items like a billard table, etc). Also, when you're making the equivalent of $150k per year, then ending up with lots of debt doesn't mean that you're poor, but that you're bad at managing your finances.

    297. Re:Bravo! by Anonymous Coward · · Score: 0

      And the IPRED directive (made law in Sweden recently) also makes them available to private interests, such as the IFPI and the like, in addition to the police. Actually, it (IPRED) makes it easier for the private interests to get hold of the information than it previously was for the police.

      It's really quite sickening.

    298. Re:Bravo! by Anonymous Coward · · Score: 0

      > you'll win a Nobel Prize
      Posthumously, of course. :-/

    299. Re:Bravo! by Mattsson · · Score: 1

      How about payment for work done? You know, like nearly every other industry. Or should plumbers demand a payment every time you have guest use your toilet?

      So, the way you want it to be, if you want to have an mp3 you'll contact a songwriter, a couple of artist and a guy with a studio and then pay them an hourly fee for the time it take them to create the mp3?

      Mu. This is an old argument, and regardless of how much you want it to be so, sharing is not stealing.

      But is it ok for you to use or share the fruits of someone else's labour?
      If you build a pool, is it ok for me to use it and share it with my friends a hot summer day? I'm not stealing it. It's still there in your garden. I'm just sharing it.

      --
      /.Mattsson - My native language is not English, so please don't whine over linguistic errors. (That's lame anyway...)
    300. Re:Bravo! by turbidostato · · Score: 1

      "I can't speak for the rest of what you said, but your assertion about Mozart is refuted in "Mozart as a Working Stiff" by Professor Neal Zaslaw"

      And what was my assertion about Mozart but that Mozart didn't rely on copyrights... but on somebody paying him for 'ex professo' works which, so it seems, is exactly the point of Professor Neal Zaslaw too?

    301. Re:Bravo! by Golddess · · Score: 1

      Haven't some webcomic artists done it like this? Put up a link to pre-order their next compilation book, and once the pre-order count hits a certain threshold, the book goes into production? I don't have a webcomic that I've seen this on recently, but I'm sure I've seen it in the past.

      --
      "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
    302. Re:Bravo! by harl · · Score: 1

      Total economics fail.

      Drugs, prostitution, and assassination all differ greatly from "digital entertainment". The former have a cost per copy the later doesn't.

      For example if I give you a unit of drugs you cannot copy that unit. If you want to share it you must split the unit. If I give you a unit of "digital entertainment" you can make infinite copies for what is effectively zero cost. If you want to share it then you just copy it and give away the perfect copy.

      So no the market won't settle it. You can either get it from the market for more than zero money or you can get it off the market for zero money. Digital copying provides an exact copy. Why would anyone pay more than zero for an exact copy?

      Copyright is in no way a new concept, dates back to at least 1662. The status quo will persist until a new paradigm is found that can handle no cost of 1+n copies while still covering the high cost of the first copy.

      --
      I find being offended by me offensive.
    303. Re:Bravo! by turbidostato · · Score: 1

      " if you had this fantasy matter duplicator, that made identical copies.. Then everything goes out the window anyway."

      Except for... the duplicating machine itself, of course:

      `(2) No person shall manufacture, import, offer to the public, provide, or otherwise traffic in any technology, product, service, device, component, or part thereof, that--
        `(A) is primarily designed or produced for the purpose of circumventing a technological measure that effectively controls access to a work protected under this title;
        `(B) has only limited commercially significant purpose or use other than to circumvent a technological measure that effectively controls access to a work protected under this title; or
        `(C) is marketed by that person or another acting in concert with that person with that person's knowledge for use in circumventing a technological measure that effectively controls access to a work protected under this title.

      Do you know that text? It's from DMCA; minor variations could be aplied to the "copying artifact".

      "incentive to create new original things, would I suppose just become a matter of fame and reputation, as opposed to monetary. "

      Quite on the contrary. Once access to already done things were trivial, original things would be of enormous valor: anyone could duplicate, say, van Gogh's sunflowers, but no one could duplicate things not yet in the public. Instead of pushing at Chritie's for the sunflowers they would do it with the *next* work (still unreleased) from the 'artist do jour' and it would be a sign of power being able to say "See this Whatever? It's mine and hasn't been duplicated". Such a thing would cost bazillions.

    304. Re:Bravo! by HappySmileMan · · Score: 1

      Oh, well then he still didn't own the site.

    305. Re:Bravo! by turbidostato · · Score: 1

      "now what if bach had no patrons because everyone already has a copy of his music"

      You should inform yourself a bit better next time. It's Bach, not quantum mechanics!

      Bach was paid for:
      1) Taking care of the church
      2) Playing the organ
      3) Composing *new* music

      How any of them has anything to do with copyright?

      On the other hand, Bach copied *tons* of music scripts and they influenced their own compositions. Unfortunately, Bach was not so reknown when live as a compositor as he was for his abilities playing organ or else you can bet his compositions would have been copied left and right as it was typical in the day. On the other, please remember that one thing is copyright and quite a different one authorship attribution. A noble would contract an artist because of the beautiful things he would *produce*. Oh! do you like this music? it was composed by *my* chappelmeister. Oh! so it's king's birthday? Do you know who will write/compose/paint his elegy/canon/portrait? *My* chamber biographer/musician/painter. I'm the greatest, ain't I?

      "what if michelangelo's works were copied by every chapel wanting his renderings on their ceilings, and they were copied without paying him"

      What? Do you seem to forget that an artist was paid for:
      a) His imagination, which can be copied but after the fact (naaah, naaah... you little thingie! can't even have your own artists that you have to copy our sculputures? how, how, how!)
      b) His ability, which can't be reproduced. You contracted Goya because he was Goya; you wanted Velazquez because he was Velazquez... or Monteverdi, or Ruy Lopez.

      "these are issues that need solutions"

      Yes: usually lack of culture can be solution by reading.

    306. Re:Bravo! by gsslay · · Score: 1

      Yeah Mozart, because he was really a typical example of your average professional musician.

    307. Re:Bravo! by turbidostato · · Score: 1

      "Nobody has that kind of wealth nowadays; Gates and the Waltons aren't nearly as wealthy, proportionately, as the wealthiest people back then."

      Even agreeing with that (which I don't) it really doesn't matter if today's millionaires are as rich as the old ones but if they are rich *enough*. Hint: they certainly are. Even modeslty rich people (as in "not getting into People's or Newsweek frontpage") can and do pay for say, a dozen people at their service. Just to put things in perspective, a man than can buy a ten million dolar house (certainly rich, but at the reach of thousands or maybe even tens of thousands of people in the world) equals to pay my current wages for about two centuries and a half, so don't tell me they can't afford a biographer or a compositor. Hell, since some people can buy van Gogh's sunflowers they can certainly pay wages for a painter if they are so inclined.

      "Do you know any billionaires who would commission new video games, comic books, or Hollywood blockbusters?"

      Probably not but d'you know what? That's not art; that's bussiness and as such, that means that if there's no money to be made producing video games or blockbusters it would be used elsewhere. It might even go into something really productive like ending world's famine or better roads... hey, dreaming is for free. On the other hand, how it is that you get worried that maybe Sony or Walt Disney would collapse but you are not worried that Sony and Walt Disney effectively killed simphonic compositors with their 3'40" hits?

      "Intellectual property creates artificial scarcity, yes, but it also creates a viable market for information."

      Do you know the economic parable of the "broken window"? For the most part that's the case of intellectual property and its artificial scarcity.

    308. Re:Bravo! by turbidostato · · Score: 1

      "So if there were no music you could copy, you would finally be happy."

      Since I feel as more probable for me to copy Bach's St. Matthew Passion or Mozart's Magic Flute than some Britney Spears hit, I'm not too worried. Surely you don't forget that even if not a single song were composed from now on that would not mean everything done to date would disapear, do you?

    309. Re:Bravo! by lupis42 · · Score: 1

      So basically: "If you're not with me 100%, you must be against me 100%"?

      Alright, do me a favor: define "piracy". What forms of file/media exchange that don't involve the copyright owner, if any, are NOT piracy by your definition? Do you believe people should be permitted to resell media? How about to give it away? Give it away after they've used it?

      At what point should a copyrighted work enter the public domain? When the author dies? When the author's last descendant dies? What about abandoned works, works that are still copyrighted but the copyright owner has ceased to offer them for sale? Do you think works should ever revert to the public domain? What about derivative works, parody works, and the like? To what extent do you think it should be possible for, say, TCOS to use the copyrights they hold on their religious texts to prevent those texts from being publicly discussed?

      You go on about people who want things for free, (and I sympathize, it's painful to watch people devalue something you worked to create), but there are a great many people who are in this for reasons other than free stuff. Some people want to be able to legally watch DVDs they own on whatever device they choose, some people are concerned that the "copyright police" are trampling on their right to privacy, some people really believe that copyright is in principal immoral. When you lump these people in with the free-stuff camp, and disregard their grievances, you lend credence to the more extreme among them, the ones who claim that copyright holders have no respect for fair use, that copyright holders want to charge again for the same content in a different format, and that copyright in general is a bad idea that should be abandoned.

      I don't want copyright to go away completely, but I do think that the current system needs to be examined, debated, and adapted. If you refuse to engage me and people like me in debate about the subject, and insist that we are all freeloaders, using phrases like "This is evident" as your justification, you are effectively absenting yourself from that debate.

    310. Re:Bravo! by Mr2001 · · Score: 1

      So now we go back to a system where rich people commmision pieces of art and horde it for themselves as a status object.

      This is fascinating: you quoted step 4 in the first half of your comment, but you seem to have completely ignored it when writing the second half.

      I know there are forms of pseudo-blindness where people are unaware of things happening to their left or right sides. I'm no doctor, but it looks to me like you're suffering from a similar affliction that makes you unaware of things you've quoted at the top of a comment. You might want to get that checked out.

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    311. Re:Bravo! by Mr2001 · · Score: 1

      The chance of the film appearing doesn't actually change by any meaningful amount, my action has no real consequence, so I'm just wasting my money. No matter how much you may want the film, it's illogical to pay for it under this model.

      That's an interesting hypothesis, but things just don't work that way in the real world. Political campaigns raise $millions from small contributions, even though everyone knows "the chance of the [ad being produced, or whatever] doesn't actually change by any meaningful amount, my action has no real consequence, so I'm just wasting my money." Sellaband has produced 21 albums at $50,000 apiece using a similar model.

      At best it will kill off all but the most well established production teams - after all, who's going to back someone they've never heard of?

      Again, take a look at the real world. If things actually worked that way, no one would ever be able to break into any service industry. Why spend money on a dentist you've never heard of, or a barber, or a mechanic, or an accountant, or a CEO? And yet somehow we get new dentists, barbers, mechanics, accountants, and CEOs all the time. Without a proven track record, you might have to lower your asking price, but you aren't shut out forever.

      At worst it removes the incentive to produce a good film, since you can't make any extra money that way.

      I think what you're referring to is the gambling effect: copyright lets you roll the dice and maybe make a runaway hit that brings in a huge windfall. On the other hand, it also lets you invest a lot of money into a film that no one really wants to see, and lose it all.

      Collecting payment up front certainly does not remove the incentive to make a good film. That's because good filmmakers can command a higher price for their work than bad ones. What it does is change the dynamics of that situation: you can't rely on word of mouth, you have to actually convince buyers that you're a good filmmaker, which means you probably have to have more than a single good film in you.

      Your system doesn't [let you split the payment between interested parties without knowing who they are in advance], and that's a lot to give up for no real advantage.

      No real advantage? I strongly disagree.

      1. It lets you know ahead of time whether or not your work will be profitable. For every Dark Knight, there are a handful of Battlefield Earths that cost just as much to make but never recoup their costs.

      2. It can't be undermined by new technology. We no longer live in an era where copyright holders can expect to be the sole source of copies: every generation of P2P has been easier to use and harder to shut down. Collecting payment up front means that isn't a problem.

      3. As a result of #2, this model means we can repeal the laws that restrict speech and technological innovation. I don't know about you, but I personally think freedom of speech is pretty damn important, and preserving it is a huge advantage.

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    312. Re:Bravo! by Mr2001 · · Score: 1

      Like all artificial social constructs, it was created for a reason. That reason hasn't gone away just because circumventing the construct has become so much easier.

      Actually, I think it has.

      Copyright can only be effective when mass duplication is practical for the few but not the many. There was a time when mass duplication was impossible for anyone, and copyright was unnecessary, because each copy had a high marginal cost.

      Then we developed printing presses, CD manufacturing plants, etc. and mass duplication became possible for those who owned factories, but not for average consumers: copyright was useful because it mainly served to keep other factory owners in line.

      Now we have computers and P2P, and copyright is virtually unenforceable. It still serves to keep the other factory owners in line, but now the threat to the business model is average consumers, not rival corporations.

      But you're also overlooking the other technological advances that have come at the same time. We don't need copyright to fund production anymore, because collecting funding up front is easier than it's ever been. You don't need to find a rich investor and then pay him back by selling copies; you can set up a web site and raise tens of thousands of dollars, $10 at a time.

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    313. Re:Bravo! by Mr2001 · · Score: 1

      If this is sustainable, then why don't we see it now? There is nothing to prevent this 'new industry' from existing today, except maybe competition from the 'old' industry.

      I think that's mainly it. Creating a work for free and then selling copies is more convenient; you don't have to plan ahead very far. But that also means it's easy to avoid planning ahead at all, which is why we see so many failed projects: people sink hundreds of millions of dollars into films like Battlefield Earth without taking the time to determine whether there's actually an audience that will pay to see them.

      But if the old industry has a competitive advantage, why would any music maker eschew it in favour of the [new] industry?

      Basically, the old business model seems more appealing because it's subsidized. Keeping people from making their own copies is very expensive, but artists don't see the bill.

      Everyone pays for copyright: in tax dollars to prosecute copyright infringement, in lost freedoms, in restrictions on technical innovation, and in unauthorized derivative works that are never made.

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    314. Re:Bravo! by Anonymous Coward · · Score: 0

      in Soviet Russia, the internet spies on the government

    315. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      Yes, and when that "market" consists of people taking and distributing stuff for free, there is no exchange of money. Does your informed speculation take that into account? No, it doesn't.

      Actually, it does.

      You see, in order to "take and distribute stuff for free", that stuff has to exist first. You can't copy a song that hasn't been recorded; a musician has to create the song before anyone can copy it. And that musician can demand to be paid first.

      The "service" you claim people are willing to perform, is seeding a torrent, not producing content.

      No, you've misunderstood.

      The service that people are willing to perform is producing content. People are, in fact, willing to record songs in exchange for money -- otherwise there would be no "recording industry".

      I'm claiming you're dreaming up a magical market solution that lacks the necessary market functions to actually work.

      I'm sorry you think that; I know you've had a hard time understanding this proposal. I hope I've clarified it for you. Let me know if you're still having trouble.

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    316. Re:Bravo! by Mr2001 · · Score: 1

      It's informed speculation, backed by non-representative data from the likes of Radiohead and Nine Inch Nails, who received huge amounts of free advertising from the press both because they were already established, and because they were trying something new.

      I think you're mistaken. I didn't mention Radiohead or NIN. They haven't done anything like this.

      Radiohead essentially released an album for free and then asked for donations. It's great that they were able to make so much money from it, but I'm not expecting that to work for anyone else.

      My "informed speculation" is backed by data from every other market for services, as I said. When you have one group of people who are willing to do XYZ for money, and another group of people who like XYZ enough to pay for it, those people end up exchanging money for services and both parties benefit.

      We have a group of people who are willing to record new music for money (otherwise there would be no recording industry). We have another group of people who like new music enough to pay for it (otherwise no one would buy albums). So, if we take away copyright, what reason is there to think those people won't end up exchanging money for services?

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    317. Re:Bravo! by Mr2001 · · Score: 1

      It's not words that are copyrighted, it's the book, the work as a whole.

      Of course, but the work as a whole can be described by a collection of facts. Therefore, "freedom of matters of fact" is incompatible with copyright: if you want to prevent unauthorized copying, you have no choice but to stop people from sharing facts about property they own.

      It's not a very convincing defense. "Sorry your honour. I didn't mean to kill the guy, I was just creating entropy. And the freedom of information act says that's okay."

      Except it doesn't. There is no "Freedom of Matters of Fact Act" either, so I'm not claiming that copyright contradicts any other law, or that infringement is legal.

      I am, however, claiming that Mr. Artor3 is a hypocrite. He claims to support "freedom of matters of fact", but apparently only for the facts that can't be used to reconstruct a copyrighted work.

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    318. Re:Bravo! by Mr2001 · · Score: 1

      So if you approach a company and say I have a product just like the one you already use and I can add feature X....so give me money to make it worth my time...you know what that company will do? They'll go to the creators of their current software and tell them they want feature X and they'll ignore you completely.

      OK, so what's wrong with that? If that company would rather hire someone else to improve their software, that's their right, isn't it? You aren't entitled to get the job just because you were there first. If you want to win the bid, try lowering your asking price or providing more value. That's competition.

      I am so tired of hearing how evil copyright is...as a developer I don't want anyone to use my software without my permission and paying me first and no model on the planet can protect me except copyright.

      Sorry, but as a fellow developer, I have no sympathy for this position. A program is a number. You and I have no right to dictate to anyone else what numbers they're allowed to send to other people or feed into their computers.

      When I want to get paid for writing software, you know what I do? I find a paying customer! And when I write software that no one is paying me for, I don't expect to get paid for it after the fact.

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    319. Re:Bravo! by MrHanky · · Score: 1

      You haven't clarified anything. Who is going to pay, and how will they be encouraged to pay?

    320. Re:Bravo! by Mr2001 · · Score: 1

      For a better understanding of this you could read up on scarcity and recall that scarcity is one of the reason to have a market economy.

      Indeed, and that's exactly why this plan will work. The skill and labor that goes into producing new content is scarce, which makes it valuable.

      Copies of existing works are easy to make, and not scarce at all. But if you want to hear a new song, you need to find a talented musician to write and record it, and he probably won't work for free. As long as there are people who want to hear new music, musicians will be able to earn a living by charging to make it.

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    321. Re:Bravo! by AliasMarlowe · · Score: 1

      No, once they are over 30 something clicks and they become more interested in preserving their own wealth than in idealism, so they become conservatives.

      Perhaps you misunderstand the word "conservative". I, for instance, am over 50 and regard myself as a conservative economically but socially a liberal (European meaning, roughly libertarian in US meaning). I also am the sole inventor or co-inventor of 15 granted US patents, which provide me with an income of sorts, with a few applications still pending. I am very much in favour of drastic reform of the laws on intellectual property, but not in the direction which would benefit my narrowly-defined interest - there is no reason to extend patent validity, and there are good reasons to make the patenting process more rigorous and somewhat narrower. There are a far greater number of reasons for chopping back the absurd longevity of copyright, preferably to a span similar to that of patents. There are also good reasons to impose conditions on copyright leading possibly to early expiry, as happens with patents (e.g. copyright material which is not readily available commercially for some period should become freely copyable).

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      Those who can make you believe absurdities can make you commit atrocities. - Voltaire
    322. Re:Bravo! by Mr2001 · · Score: 1

      Total economics fail.

      More like total reading comprehension fail.

      Drugs, prostitution, and assassination all differ greatly from "digital entertainment". The former have a cost per copy the later doesn't.

      I'm talking about services -- labor -- not copies. If you want to hear a new song, someone has to record it first. And if he doesn't want to work for free, you're going to have to pay him.

      Why would anyone pay more than zero for an exact copy?

      Yes, why indeed? That's why it's foolish to base your business model on charging for copies instead of charging for the actual work you're doing. People can make their own copies of existing content for free, so they have no reason to buy copies from you. But they can't produce their own new content, so you can make money by producing it for them.

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    323. Re:Bravo! by Mr2001 · · Score: 2, Interesting

      Who is going to pay, and how will they be encouraged to pay?

      Anyone who benefits from the existence of new content has an incentive to pay for its creation. Mostly, that means the people who want to watch/play/listen to it: if I'm a gamer, I will derive enjoyment from having a new game to play, and that enjoyment is worth money.

      In other words, the lion's share of the money would ultimately come from the same people who provide it today: consumers. And they'd be encouraged by the same thing that encourages them today: access to new content.

      In this model, a consumer who doesn't care very much about new content would have the option of holding out to see if other people will fund it. From the creator's perspective, that doesn't matter; all that matters is whether they collect enough money to make it worth their time. But that consumer is taking the risk that other people won't provide the rest of the funding, and thus the new content won't be produced. Whether he actually decides to pay will depend on how much he values having new content.

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    324. Re:Bravo! by MrHanky · · Score: 1

      And you've thought about this for several years, right?

      There's little incentive for paying in your model, and even less for taking a risk on unknown talent. Why pay, if the artist isn't capable of producing? Why pay, if others paying might be enough? Why pay, if others already have paid enough to make the artist produce? Consumers would risk as little as possible, as the best possible return would be to get what they paid for.

      As I said: it's wishful thinking, and impressively poorly thought out.

    325. Re:Bravo! by Mr2001 · · Score: 2, Interesting

      And you've thought about this for several years, right?

      Yup. Clearly longer than you have, considering the obvious lack of thought put into your objections.

      There's little incentive for paying in your model, and even less for taking a risk on unknown talent. Why pay, if the artist isn't capable of producing?

      Why hire an electrician, barber, accountant, etc. if they're "unknown talent"?

      If services in the real world actually worked the way you seem to think, no one would ever be able to break into any service industry. And yet they do: sometimes by putting together a portfolio to prove their ability, sometimes just by setting their prices lower than established names.

      Why pay, if others paying might be enough?

      As I said: "But [a consumer who waits for others to pay] is taking the risk that other people won't provide the rest of the funding, and thus the new content won't be produced. Whether he actually decides to pay will depend on how much he values having new content."

      The answer to "why pay" is "because that's how you ensure the work will be produced". If you don't care whether or not it's produced, then go ahead and wait. Maybe someone else will care more than you do.

      If it turns out that no one really cares whether or not the work is produced, then it won't be. And it shouldn't be, if there's really so little demand for it.

      Why pay, if others already have paid enough to make the artist produce?

      Yes, why indeed? You shouldn't!

      When a mechanic is willing to fix your car for $300, you aren't obligated to give him $600 instead. He set the price, you met it, that's it. If he wanted $600, he could've asked for $600 in the first place -- just like an artist who wants more money can just ask for it. If he's willing to accept $300, then that's what he'll get, just like in any other industry.

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    326. Re:Bravo! by MrHanky · · Score: 1

      Why hire an electrician, barber, accountant, etc. if they're "unknown talent"?

      If services in the real world actually worked the way you seem to think, no one would ever be able to break into any service industry. And yet they do: sometimes by putting together a portfolio to prove their ability, sometimes just by setting their prices lower than established names.

      That's a pseudo-argument. You don't pay up front for any of those. And all those services are clearly defined, whereas creative arts aren't. No one would pay you up front to write a novel. Would you spend a year writing one, just to show that you're capable? Remember: you won't get paid for it. Ever. Maybe for your second novel, if you're lucky, but that's highly unlikely, and unless you're the next J.K. Rowling, you won't make enough from it to make it pay for the time invested in the first. Indeed, you shouldn't, as you say later.

      As I said: "But [a consumer who waits for others to pay] is taking the risk that other people won't provide the rest of the funding, and thus the new content won't be produced. Whether he actually decides to pay will depend on how much he values having new content."

      As I said: Wishful thinking. If a record costs $50000 to produce and I'm happy to invest $10 (why pay more?), I'll need 4999 other people to pay as well. My influence is negligible, and the best possible result is a return of my investment. I risk not getting something which I did not pay for by not paying, you say? Oh wow.

      Yes, why indeed? You shouldn't!

      When a mechanic is willing to fix your car for $300, you aren't obligated to give him $600 instead. He set the price, you met it, that's it. If he wanted $600, he could've asked for $600 in the first place -- just like an artist who wants more money can just ask for it. If he's willing to accept $300, then that's what he'll get, just like in any other industry.

      Yes, and why even applaud a musician/actor/performer when I already paid to see them play? Have you ever been to a concert? A play?

      Obviously, you know as little about the arts as you do about economy. You want stuff for free, and you dream up a silly "model" that will give you stuff for free. Unfortunately, it won't give you anything.

    327. Re:Bravo! by Lars+T. · · Score: 1

      So you want back the times where many artists were financed by nobility. Where did that money come from again? Taxes - so you want a music creation tax to pay for your free music. It's as simple as that.

      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    328. Re:Bravo! by Anonymous Coward · · Score: 0

      Has anyone ever told you that you are overcritical?

      Oooh, and an asshole.a

      Post anon to not mod you back up.

    329. Re:Bravo! by Mr2001 · · Score: 1

      That's a pseudo-argument. You don't pay up front for any of those.

      You enter into a contract, which is close enough.

      When you drop off your car and say "hey, fix my clutch" and the guy says "that'll be $200" and you say "OK, I'll be back tonight", you're agreeing to pay $200 for the work he's doing. If you refuse to pay after he does the work, you will have broken the contract; he knows who you are and he'll take you to court for theft of services.

      Likewise, if someone agrees to pay $10 toward the production of your novel, and then refuses to hand over the money once it's finished, you can sue him for theft of services.

      If you actually need the money up front, you can take out a loan, secured with all that money that's been promised to you in legally binding contracts -- just like any other business might take out a loan secured with their accounts receivable.

      No one would pay you up front to write a novel. Would you spend a year writing one, just to show that you're capable?

      I might write something smaller than a novel, sure. If they want to see a whole novel, they can pay for one.

      If a record costs $50000 to produce and I'm happy to invest $10 (why pay more?), I'll need 4999 other people to pay as well. My influence is negligible, and the best possible result is a return of my investment. I risk not getting something which I did not pay for by not paying, you say? Oh wow.

      In other words: "I don't care if this record ever gets produced." You're not a fan. That's fine, you don't have to be. They're not counting on the support of people who don't care about their music.

      They're counting on the support of actual fans: you know, the people who do care whether or not the record gets made. If the band doesn't have any fans, then it isn't profitable for them to make a record, and they should find another way to earn a living.

      Yes, and why even applaud a musician/actor/performer when I already paid to see them play? Have you ever been to a concert? A play?

      WTF are you on? You go from "why pay, if others already have paid enough to make the artist produce" to "why applaud"?

      If you want to give the artist some extra money above his asking price to show your appreciation, then go ahead. No one's stopping you from doing that. But no one's forcing you to do it either, just like no one forces you to applaud after a concert or tip your bartender.

      You want stuff for free, and you dream up a silly "model" that will give you stuff for free.

      I "want stuff for free", and that's why I spend so much time defending a model for paying for content?

      OK, I get it. No one could be as thick as you're pretending to be. I've been trolled. Congratulations!

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    330. Re:Bravo! by progliberty · · Score: 1

      And yet, somehow, all of us earn money, and all of us spend our money, and all of the money is coming from somewhere and going somewhere, and the economy continues. I have thought of this issue myself. The existence of piracy offers us two choices. One is to have a more repressive, un-libertarian and un-democratic society in order to preserve the old ways, and the other is to change our behavior fundamentally and move on to new ways to do things. It was the big corporations that wanted us all to have computers in the first place. Has anyone ever even noticed that the problem with, say, advertising on the Internet, is that the ads are unfairly shoved at us, and always abotu things we don't need or want? Similarly, what ways can we think of that the music and film industry have made finding media we actually like (and paying a fair price for it) more difficult and inconvenient? I have mixed feelings about piracy, but I do believe that it says a lot about the idea that something fundamentally has to change, and that people like Richard Stallman were right all along.

    331. Re:Bravo! by Opportunist · · Score: 1

      The pendulum swings, don't worry. Not too long ago, being smart was being praised. The 80s were the decade of "reality" here, being successful was the key, and it reflected in the movies. Yuppies were the heroes that managed to climb to the top of companies, and people tried for the same. It was maybe the pendulum swing from their parents, the 60s "love, peace and hippiness" anti-establishment, anti-greed movement. Now we're another generation forwards, and striving for success and working hard to become better is frowned upon.

      Go back to your cryo chamber and set it to 2030. We should be back on top by then.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    332. Re:Bravo! by turbidostato · · Score: 2, Insightful

      "So you want back the times where many artists were financed by nobility. Where did that money come from again? Taxes - so you want a music creation tax to pay for your free music. It's as simple as that."

      So I want back the times where many artists were financed by rich men. Where did that money come from again? Profit - so I want a music creation payed by those that can allow it. It's as simple as that.

    333. Re:Bravo! by superwiz · · Score: 1

      This meshing together of "research" of all kind is woefully misleading. Grant-sponsored research tends to concentrate more on basic science. Ie, it attempts to describe the underlying system. Whereas, industry-led research tends to be more of, let's call it engineering, endeavor. It attempts to use what's known to create procedures and devices for changing it and shaping into what can sell. So putting too much money into grants is actually harmful. It siphons the brains of interested researchers from industry to academia. Ie, it makes the academic job too cushy for researches to try to raise funding to start research into actual new treatments. After basic science has been established, the road to a treatment is anything but clear. For example, it's been understood for a very long time what is diabetes. But a hope of a diabetes pill is just emerging. Why? Because to create a treatment it is necessary to put together minds from different disciplines who don't care for each others' research and get to work together to produce something that will work. This is simply not what happens in an academic setting. It is, however, what happens in a corporate setting.

      The second part of that premise that is so misleading is that it is the initial funding that is put into research that drives the research. It doesn't drive it. It sustains it. But most researches in an academic setting who are actually hoping to produce something useful, are also hoping to do so in order to strike it rich. They hope that if they get to some useful results that are commercially viable, they'll leave academia and establish companies that would letter on be bought out by some pharmaceutical corporation.

      Calling corporations that produce the best of what humanity has to offer -- the cures that defy nature -- by a name invented by a second grade filmmaker who is very liberal about his fact checking (and Michael Moore is just that) is vile. It dehumanizes humanity. It trivializes the best of human effort and attempts to erase the distinction between the enablers of the modern society and the savages who ran feudal societies and lived off of death and sweat of those who did the actual work.

      To use an extreme to demonstrate a point, all research in the Soviet Union was conducted in government-sponsored labs. All legal activity was, as a matter of fact, government sponsored. Soviet Union was decades behind US in the development of medical treatments. As a matter of fact, what remains of the SU is still behind US in the kinds of treatments that are available there. And this is nearly 20 years after the collapse of the Soviet Union. This was happening despite the fact that SU had some of the brightest minds on the planet. And now swarm of shills is trying to drag into the same type of arrangement as the one that existed in the Soviet Union. And they are using vagueries to attempt to "prove" their positions. Well, money spent does not have the same effect if it's spent in one place or in another. The structure that is fed by that money matters a great deal. And the structure of research set up in academia simply is not conducive to creating cures. The structure set up in pharmaceutical companies is.

      So the idea that more research is sponsored by the government is of no consequence. What is of consequence is what portion of the treatments were paid for by the private industry and what portion by the government. Because sponsoring research that doesn't end up contributing to the solution of the problem (while it inevitable) is not conducive to solving the problem.

      The idea that they are "making" people die by blocking treatment is just as vile. Are farmers responsible for starvation because they don't personally deliver food to the hungry? Anyone who'd claim so should not also claim to be a member of a civilized society.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    334. Re:Bravo! by turbidostato · · Score: 1

      "It's not illegal for the operator to touch the reel."

      Right.

      "It's not illegal for the operator to own copying equipment."

      Right.

      "It might be against a contract (but still not illegal) for the operator to copy the reel."

      False! He cannot copy the reel for his own with company equipment: it would be not only contract violation but abuse of company assets too. He cannot copy the reel with his own equipment in company premises: it would be trespassing. He cannot take out the reel for copying with his own equipment out of company premises: it would be robbering.

      "It's not illegal for the operator to sell the copy of the reel. "

      Correction: it wouldn't be illegal to sell a copy of the reel *obtained by legal means*. But I see no way for that to be achieved without the explicit allowance from the studio.

      "no one would be breaking the law"

      The original copyist would do. The others would be either deprived from ther copies, since they were gotten by unlawful means or even requested for damages if there's a clear case that they should have a fair knowledge of the fraudulent origin of their copy (as it would be the case for a copy that couldn't be gotten by any other means than breaking the original studio's confidence -remember it was not delivered for public consumption yet).

    335. Re:Bravo! by superwiz · · Score: 1

      So if you buy a Toyta what did you buy? The car or the right to build its replicas? Yeah... I am the one who should get a life... sure.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    336. Re:Bravo! by deek · · Score: 1

      Copyright also has the ability to stifle creative output. Who knows what music and art we have missed, because copyright has constricted the ability of the artist to express themselves. It's a hidden tragedy of the highest order.

    337. Re:Bravo! by zobier · · Score: 1

      On top of that, this has the potential to create more work for artists. E.g. There are a lot of people who don't want the same car, phone, clothes, &c. as everyone else and would be willing to pay a premium for 'couture' designs of almost anything you could build with a replicator. Also, with fashion items like clothes, phones and accessories they'd probably want new designs every week to keep ahead of/up with the trends.

      --
      Me lost me cookie at the disco.
    338. Re:Bravo! by superwiz · · Score: 1

      Being on company premises during off hours is hardly trespassing. And "abuse of company assets"? That's not a crime. It's a contract violation. And certainly cause for dismissal. But it's not a crime. So I insist that the original copier would not be breaking any laws. But even if he was, anyone copying his copy wouldn't be. They'd be associating with a criminal and touching property acquired during a crime. But since they wouldn't have to actually buy that property (but only touch it in order to copy on their own premises with their own equipment), they wouldn't be guilty of any wrong doing. The copy is not "fraudulent". Actually, that's patently absurd to call it that. And doing business with a criminal is not a crime in itself (otherwise every grocer who sold food to a bank robber would be party to the bank robbery). You know you are in deep trouble in your argument. You just don't want to admit it. Fine. Split hairs. We both know. That without copyright this would happen right and left because it happens (on rare occasion) even with copyright.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    339. Re:Bravo! by Lars+T. · · Score: 1
      Nice try - why would anybody, even rich men, pay for art just so you (or anybody else) can get it for free? They would make sure there are no available copies for anybody but themselves.

      You have no alternative to todays system, you just don't want to pay for music - fucking admit that already

      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    340. Re:Bravo! by Jaeph · · Score: 1

      No need to be snide, it doesn't really accomplish anything.

      What you are suggesting is mostly pie-in-the-sky. While I have seen it work in one niche area (the "reign" rpg), I believe it will simply not fly for big ticket items. Few people will pay first, and you will stifle the rate of artistic advancement as compared to now.

      Furthermore, if you remove current protections then the most likely result will be precisely as I say - the artist will be commissioned (or hired outright) by rich people to produce a singular work of art, which will will then be the prize of the rich person. The artist will not be allowed to distribute it.

      Unless you're going to force your viewpoint into contract law and forbid that form of contract. Then artists won't be able to make an honest living.

      -Jeff

      --
      Please learn the difference between a dissenting opinion and a troll before you moderate.
    341. Re:Bravo! by Mr2001 · · Score: 1

      What you are suggesting is mostly pie-in-the-sky. While I have seen it work in one niche area (the "reign" rpg), I believe it will simply not fly for big ticket items.

      Well, you're entitled to believe whatever you like, but real-world evidence suggests you're wrong. Political fundraising sites raise millions of dollars from individual contributions, and Sellaband has successfully raised over $1 million for album production from small contributions (and that's only counting the albums that have reached their goal and been produced).

      Few people will pay first, and you will stifle the rate of artistic advancement as compared to now.

      Unlikely. Artistic labor is valuable, and people are clearly already willing to pay for it. Tweaking the arrangement won't change that. And although it might be harder to fund hundred-million-dollar blockbusters, that will be balanced out by the availability of new derivative works that never could've seen the light of day under a copyright regime.

      --
      Visual IRC: Fast. Powerful. Free.
    342. Re:Bravo! by T+Murphy · · Score: 1

      2. This same issue exists with any other service, and it's a non-issue. You don't know what the quality of your auto repair, landscaping, or surgery will be until it's been performed either, yet people pay for these services all the time. They agree on the service to be performed beforehand, and if the result is unacceptable, they take their dispute to one of the well-established venues (complaints, bad reviews, chargebacks, small claims court, etc.).

      It isn't so hard to prove that a surgery caused more pain or didn't fix the problem. Good luck trying to prove your commissioned song wasn't of the right quality.

    343. Re:Bravo! by T+Murphy · · Score: 1

      No copyright leads to a freeloader-filled market. To solve this, you want media to rely on people commissioning the work ahead of time. In other words, the rich will control the media. Bach and Michalangelo have come up as examples, and I believe they were all commissioned by rich people. Yes, there is now a middle class, but I don't get the impression that you'll have many songs/movies/etc. commissioned mostly with $20 contributions. Copyright solves this problem as it allows media to be funded by the masses. Commissioned work can still be done today, so if you are so convinced it will work better than copyright, shouldn't copyright fade out on its own? Commissioned works create a positive externality, and copyright accounts for this, so in theory copyright better approximates the optimal market solution.

      I also wanted to point out you could use better analogies - if a friend gets his hair cut, he can't just give me the haircut too, I have to go to the barber and pay for my own copy of his services. Perhaps I could learn to cut my own hair, but if we change it from haircuts to surgery that it out of the question. There is also the point that you don't keep your haircut forever and have to go back to get another - sounds like a DRM scheme to me.

    344. Re:Bravo! by Ihlosi · · Score: 1
      Yeah Mozart, because he was really a typical example of your average professional musician.

      So? When he died, he was still living a fairly lavish livestyle, but was also neck-deep in debt. It's true that his widow had problems paying back all that debt even after selling her husbands luxury items (billard table, clothes, instruments), but in no way did Mozart die in "abject poverty". Far from it.

    345. Re:Bravo! by harl · · Score: 1

      I'm talking about services -- labor -- not copies. If you want to hear a new song, someone has to record it first. And if he doesn't want to work for free, you're going to have to pay him.

      Exactly, which you then compare to a non-service product to make your point. Total econ fail.

      --
      I find being offended by me offensive.
    346. Re:Bravo! by T+Murphy · · Score: 1

      Sorry to make it two replies, but your last paragraph can largely apply to zero copyright too (except for more access to past works and fewer court cases). Your problems seem to have more to do with abusive expansion of copyright law, which I think anyone here has problems with. No one here is arguing to keep the status quo, just whether or not basic copyright is beneficial.

    347. Re:Bravo! by Anonymous Coward · · Score: 0

      If your average "professional musicians" ain't got enough talent to make a living, they've better get a real job then, eh. Oh the horror.

      You defile the term "progressive".

    348. Re:Bravo! by turbidostato · · Score: 1

      "why would anybody, even rich men, pay for art just so you (or anybody else) can get it for free? "

      I never said I want it for free. Please re-read the thread and point to me where did I say so. What I say, and repeat, is that once something is made public is damn public.

      "you just don't want to pay for music - fucking admit that already"

      Oh, my god, You got me! (Nice trick... who could resist anything if said in bolds?).

      See? It must be true: I used bolds too.

      OK, my try:
      You, sir, are a damn fool!

      See? It must be true too: I used bolds.

    349. Re:Bravo! by Mr2001 · · Score: 1

      Exactly, which you then compare to a non-service product to make your point. Total econ fail.

      Incorrect - drugs are debatable (there are services involved in the drug trade, but the drugs themselves are goods), but prostitution and assassination are undeniably services.

      Nice try, though. You'll make a fine troll someday.

      --
      Visual IRC: Fast. Powerful. Free.
    350. Re:Bravo! by Mr2001 · · Score: 1

      No copyright leads to a freeloader-filled market. To solve this, you want media to rely on people commissioning the work ahead of time. In other words, the rich will control the media.

      No, not at all.

      Yes, there is now a middle class, but I don't get the impression that you'll have many songs/movies/etc. commissioned mostly with $20 contributions.

      Why not? That's the central point here, you can't just wave your hands and make it go away.

      If you don't think it's possible to fund works with $20 contributions -- even though people pay that much for music/movies today, even though political campaigns regularly raise millions $20 at a time, and even though Sellaband has actually funded many albums $10 at a time -- then you're going to have to say why. The evidence is against you; you need more than just an assertion.

      Commissioned work can still be done today, so if you are so convinced it will work better than copyright, shouldn't copyright fade out on its own?

      No, because it's not necessarily "better" for the artists themselves (yet), even though it is better for everyone else. It gives artists a guarantee that the work they do will be profitable, but it also requires more from them - planning ahead to find their audience, instead of making something first and worrying about the audience later.

      If artists had to pay the entire cost of enforcing copyright, they'd switch in an instant. But they don't. Copyright is subsidized by the rest of us, through our tax dollars (for courts and law enforcement) and the loss of our freedoms.

      So, we can either take away the subsidy by abolishing copyright and give them a head start on switching, or we can wait for P2P to become so widespread that no one sells any copies anymore and let them switch out of necessity. But abolishing copyright restores everyone else's freedoms immediately; waiting withholds those freedoms until artists feel like giving them back.

      I also wanted to point out you could use better analogies - if a friend gets his hair cut, he can't just give me the haircut too, I have to go to the barber and pay for my own copy of his services.

      You're confusing the labor with the artistic work that gets created from it.

      If your friend gets his hair cut, you can enjoy his haircut for free (by looking at it and thinking about what a cool guy he is to have such great hair), but if you want your own haircut, you'll have to pay the barber yourself.

      Likewise, if your friend pays for a song to be produced, you can enjoy that song for free (by listening to it), but if you want a different song, you'll have to pay the musician yourself.

      There is also the point that you don't keep your haircut forever and have to go back to get another - sounds like a DRM scheme to me.

      You don't enjoy a song forever, either. Otherwise we'd all still be listening to disco.

      --
      Visual IRC: Fast. Powerful. Free.
    351. Re:Bravo! by elgaard · · Score: 1

      There could actually be people voting for a pirate party even if they are not pro-piracy.

      Just as some people will wote for e.g. Christian democrats without having an interest in Christianity.

    352. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      Sorry to make it two replies, but your last paragraph can largely apply to zero copyright too (except for more access to past works and fewer court cases).

      Er... I think you left something out. How exactly would abolishing copyright result in lost freedoms, foregone innovations, or limits on technology?

      The only one of those I can imagine an argument for is foregone innovations, if you think copyright holders produce new things thanks to copyright that wouldn't have been created otherwise -- and that those outweigh the innovations that people are currently unable to pursue because of copyright. But I don't think it's fair to assume people motivated by copyright are any more innovative than people who are paid directly for their work, or people who work for their own reasons without being paid for it.

      Your problems seem to have more to do with abusive expansion of copyright law, which I think anyone here has problems with.

      No, my objection is to copyright itself. I believe it's fundamentally wrong to tell anyone "you can't say these words, they belong to someone else".

      Information doesn't work like physical property; it shouldn't be subject to that sort of ownership at all. And we shouldn't encourage artists to gamble their livelihoods on the fading chance that they can prevent other people from making unauthorized copies.

      --
      Visual IRC: Fast. Powerful. Free.
    353. Re:Bravo! by Ihlosi · · Score: 1
      The car or the right to build its replicas?

      Leaving trademark and design/copyright issues out of account, you could build all the replicas you want after the patents have expired (that's, what, 20 years? Way, way more sensible than a fscking century after the death of the inventor, as it were for music, don't you think?)

    354. Re:Bravo! by harl · · Score: 1

      lol You've devolved to attacking the poster.

      *plonk*

      --
      I find being offended by me offensive.
    355. Re:Bravo! by init100 · · Score: 1

      There's a whole bunch of things that would suddenly be allowed that most people would object to.

      Well, I strongly object to the removal of personal privacy that is going on to protect copyrights. If copyright cannot work while keeping our personal privacy, copyright isn't worth protecting and should be abolished. The only other alternative is keeping copyright but not enforcing it, but that seems pretty useless.

    356. Re:Bravo! by badkarmadayaccount · · Score: 1

      Mod parent up, please?

      --
      I know tobacco is bad for you, so I smoke weed with crack.
    357. Re:Bravo! by superwiz · · Score: 1

      you have me confused with someone arguing for perpetual copyrights. i am simply arguing for short-period copyrights. the gp to which i responded was clearly against all copyrights.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    358. Re:Bravo! by Mr2001 · · Score: 1

      *plonk*

      Yup, that's one way to avoid admitting you're wrong. Guess I was right about you!

      --
      Visual IRC: Fast. Powerful. Free.
    359. Re:Bravo! by Kijori · · Score: 1

      That's an interesting hypothesis, but things just don't work that way in the real world. Political campaigns raise $millions from small contributions, even though everyone knows "the chance of the [ad being produced, or whatever] doesn't actually change by any meaningful amount, my action has no real consequence, so I'm just wasting my money." Sellaband has produced 21 albums at $50,000 apiece using a similar model.

      I think that these examples are more telling of the weaknesses of the model than anything else. First let's take the example of Presidential candidates; these are huge campaigns affecting millions of people's lives, drawing huge crowds to rallies and commanding an army of millions of staunch supporters. You would therefore expect them to draw substantially more donations than a film crew. Looking at the statistics, though, the overwhelming majority of candidates only just manage to draw in enough individual contributions to make one single Hollywood film. If McCain struggles to make it to $200m is it realistic to expect to raise $185 for a film? If 55 million Republicans can barely raise the money to try to secure the most powerful office in the world, I think it's clear that budgets would have to shrink enormously. You might make it to $10m, but I doubt it.

      Regarding Sellaband - while it's true that it takes payment upfront, it isn't actually using your model at all. The "believers" back the band and pay its production costs; no profit is guaranteed, and the backers take 50% of the bands profits. These come from selling the album after production. Sellaband has, in fact, produced 21 albums using the traditional model, just with a different way of finding investors.

      Again, take a look at the real world. If things actually worked that way, no one would ever be able to break into any service industry. Why spend money on a dentist you've never heard of, or a barber, or a mechanic, or an accountant, or a CEO? And yet somehow we get new dentists, barbers, mechanics, accountants, and CEOs all the time. Without a proven track record, you might have to lower your asking price, but you aren't shut out forever.

      I think what you're referring to is the gambling effect: copyright lets you roll the dice and maybe make a runaway hit that brings in a huge windfall. On the other hand, it also lets you invest a lot of money into a film that no one really wants to see, and lose it all.

      Collecting payment up front certainly does not remove the incentive to make a good film. That's because good filmmakers can command a higher price for their work than bad ones. What it does is change the dynamics of that situation: you can't rely on word of mouth, you have to actually convince buyers that you're a good filmmaker, which means you probably have to have more than a single good film in you.

      Good point. However, I think there are a few fundamental differences. For one thing, these professionals all have to provide a good service because they rely on repeat business; if a film maker manages to get $50m in donations to make a film, they don't need any repeat business. Given a 10% profit margin they're already millionaires, and can make the most dreadful film in history. How many such films does it take to totally shatter peoples' confidence in the system?

      Furthermore, is it really realistic to expect the millions of backers you require to sift through film proposals finding the good ones?

      It lets you know ahead of time whether or not your work will be profitable. For every Dark Knight, there are a handful of Battlefield Earths that cost just as much to make but never recoup their costs.

      I don't see how this is a good thing. Are you saying that every film has a right to be profitable, regardless of whether people actually want to see it?

      It can't be undermined by new technology. We no

    360. Re:Bravo! by Mr2001 · · Score: 1

      I think that these examples are more telling of the weaknesses of the model than anything else. First let's take the example of Presidential candidates [...] the overwhelming majority of candidates only just manage to draw in enough individual contributions to make one single Hollywood film. If McCain struggles to make it to $200m is it realistic to expect to raise $185 for a film?

      Perhaps not. But how many films really need $185 million budgets? My goal is not to come up with an alternate way to fund exactly the same pieces of content we see today, but to come up with an alternate way to fund content that (1) works in a world where private copying is cheap and unpreventable and (2) doesn't depend on restricting everyone's freedoms or technology for its survival.

      Sellaband has, in fact, produced 21 albums using the traditional model, just with a different way of finding investors.

      I doubt very many of those "investors" actually see it as such: putting $10 into an album for a band that few people have heard of isn't going to be very lucrative. But without data on their motivations, it's hard to argue much about this either way. In any case, Sellaband's model isn't very different from what I've proposed; only a few tweaks would be necessary.

      For one thing, these professionals all have to provide a good service because they rely on repeat business; if a film maker manages to get $50m in donations to make a film, they don't need any repeat business. Given a 10% profit margin they're already millionaires, and can make the most dreadful film in history. How many such films does it take to totally shatter peoples' confidence in the system?

      Couldn't you say the same about the current system? Is it really any different when the funding comes from a few very wealthy investors instead of thousands of individuals? If you can swindle the public, then surely you can swindle a few investors.

      ["For every Dark Knight, there are a handful of Battlefield Earths that cost just as much to make but never recoup their costs."]

      I don't see how this is a good thing. Are you saying that every film has a right to be profitable, regardless of whether people actually want to see it?

      I'm saying the films people don't want to see probably shouldn't have been made in the first place: copyright encourages speculative overproduction. If filmmakers focus on projects that audiences are actually willing to pay for, that's a good thing for both filmmakers and audiences.

      Distribution and P2P may cease to be a problem, but getting enough funding to make a film at all will be. It doesn't make a lot of difference what your solution to the distribution problem is once you've got nothing to distribute.

      This is a false dichotomy: the works that would become more difficult to fund are a small fraction of all works. You wouldn't have "nothing to distribute"; you'd have fewer of some works and more of others.

      I would certainly agree that freedom of speech is important, but I don't really see the relevance it has to copyright.

      I'm puzzled by this. I don't see how one can consider copyright as anything but a restriction on speech.

      I believe I start out with the right to say whatever sequence of words I feel like, to share any information I know with anyone else who cares to listen. Copyright law diminishes that by making it illegal to share certain information without a third party's permission: part of your right to speak is taken away from you and put into someone else's hands. Copyright holders veto speech just like government censors; they just have different reasons for doing so.

      I'm not arguing that freedom of speech is absolute, only that every limitation must be carefully weighed and the benefit must exceed the cost. I don't believe it does, and for decades the costs have been ignored entirely by t

      --
      Visual IRC: Fast. Powerful. Free.
    361. Re:Bravo! by Kijori · · Score: 1

      Perhaps not. But how many films really need $185 million budgets? My goal is not to come up with an alternate way to fund exactly the same pieces of content we see today, but to come up with an alternate way to fund content that (1) works in a world where private copying is cheap and unpreventable and (2) doesn't depend on restricting everyone's freedoms or technology for its survival.

      Saying "exactly the same pieces" that we see today trivializes greatly the difference we would see under your system. To take my (in my opinion overly-generous) estimate of a high-budget under your system - $10m - adjusting for inflation the only film in the IMDb top ten that would have been made is "12 Angry Men". It's not only Dark Knight that we'd have missed out on - no Star Wars, no Godfather, no Pulp Fiction. No One flew over the cuckoo's nest. Saying goodbye to capitalist financing and moving back to the system it replaced - patronage - means taking an absolutely enormous step back.

      ["For every Dark Knight, there are a handful of Battlefield Earths that cost just as much to make but never recoup their costs."] [...]

      I'm saying the films people don't want to see probably shouldn't have been made in the first place: copyright encourages speculative overproduction. If filmmakers focus on projects that audiences are actually willing to pay for, that's a good thing for both filmmakers and audiences.

      I would actually predict the opposite. Battlefield Earth was originally rejected, and only came to production because a rich star had such strong ties to the author - through his religion - that he didn't mind losing millions of dollars on it. Compare that to a normal film, which while popular doesn't have ties to a cult, and unfortunately I suspect the cult will manage to get the money while the "good" films won't.

      This is a false dichotomy: the works that would become more difficult to fund are a small fraction of all works. You wouldn't have "nothing to distribute"; you'd have fewer of some works and more of others.

      I think you're living in a bit of a fantasy here. Let me put it this way: I loved the film Dark Knight - I've seen it multiple times, I own the DVD, and if a sequel comes out I'll almost certainly go to see it. But if I got a letter from the studio asking for $20 to fund production of that sequel? I wouldn't pay. For one thing, I would be skeptical paying for a film before I knew if it would be any good. For another, I don't much like the idea that I pay but everyone gets what I pay for, it doesn't seem fair. Thirdly, I don't really like the idea of sending money away on the possibility that something might happen. And I think this attitude is going to be more common than you think. A quick check around my flat revealed 9 out of 9 people said they wouldn't pay. And I think Sellaband, your example of how this model will work, is perhaps the ultimate point against it: at almost 3 years old, despite a partnership with Amazon, the possibility for people to make money and leadership by industry veterans, Sellaband has managed to produce a grand total of 21 albums. In contrast, Amazon shows 8,953 new releases in the last 30 days. In an industry suffering more from piracy than the movie industry, the capitalist model is still vastly more successful than communal funding.

      I'm not arguing that freedom of speech is absolute, only that every limitation must be carefully weighed and the benefit must exceed the cost. I don't believe it does, and for decades the costs have been ignored entirely by those who set policy.

      So you feel you never had the right to say common English words in a certain order that we recognize as the script of Fight Club? Interesting.

      What gives you the right to say anything at all? It's a serious question. What would constitute a violation of your speech rights? How about if you were forbidden to use adverbs, or to start more t

    362. Re:Bravo! by Danse · · Score: 1

      There are some shows I'd be willing to pay for, much as I pay for premium channels when I like their content. I wouldn't even mind them throwing in some ads too if it helps keep the cost lower. This would at least put the decision to keep shows running in the hands of those that watch rather than the network execs that tend to decide that they could make more money with another "reality" show or "are you smarter than a chihuahua?" type game show.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    363. Re:Bravo! by Mr2001 · · Score: 1

      To take my (in my opinion overly-generous) estimate of a high-budget under your system - $10m - adjusting for inflation the only film in the IMDb top ten that would have been made is "12 Angry Men". It's not only Dark Knight that we'd have missed out on - no Star Wars, no Godfather, no Pulp Fiction. No One flew over the cuckoo's nest.

      I think it's a mistake to assume that these films could only have been made with the budgets they actually had. Science fiction films had been made for decades before Star Wars came along, for instance. With a smaller budget, you might not have ILM's fancy effects, but you could still tell the story.

      I loved the film Dark Knight - I've seen it multiple times, I own the DVD, and if a sequel comes out I'll almost certainly go to see it. But if I got a letter from the studio asking for $20 to fund production of that sequel? I wouldn't pay. For one thing, I would be skeptical paying for a film before I knew if it would be any good.

      Then sir, you are not as much of a fan as you think you are.

      If my favorite bands asked me for $20 to support the production of their next albums, I wouldn't hesitate. I know I'm going to buy whatever they release anyway, so why should I care whether I pay before or after it's released? Likewise, I know I'm going to see the sequel to Dark Knight, so it doesn't matter to me whether I pay for production or pay for a ticket.

      For another, I don't much like the idea that I pay but everyone gets what I pay for, it doesn't seem fair.

      I don't understand this zero-sum attitude.

      When I pay for something, I consider the benefit that it provides for me, not for anyone else. For example, if I maintain my lawn and that raises my neighbors' property values, I don't feel like I'm being ripped off -- I'm maintaining the lawn for my own reasons, and any benefit my neighbors extract can't take away from the benefit I receive. In fact, I might even consider it a bonus.

      Thirdly, I don't really like the idea of sending money away on the possibility that something might happen.

      Ah, maybe I haven't been clear on this point. The money you send away is payment for a service, not a gift or a speculative investment. You would be legally entitled to a refund if the service was not performed as agreed.

      What are those costs?

      Loss of access to past works: there are thousands of existing works which are unavailable to anyone who lacks the means to pay for a access, even though in many cases the authors are dead or retired, which means the copyright on those works is serving only to restrict access rather than to provide any benefit whatsoever to anyone except the authors or their heirs.

      Loss of access to derivative works: fan sequels, mashups, etc. Even derivative works made by large studios are frequently tied up because of this, whether it's filmmakers arguing over the rights to a book or an old TV series being released on DVD with a crappy new soundtrack (or not at all) because even the producers no longer had permission to release the show in its original form.

      Technological restrictions: every computer comes with software to back up purchased audio CDs, but 12 years after DVD-R was invented, you still have to go underground to find software to back up purchased DVDs, and you'll be breaking the law if you use it. Standalone DVD recorders can't do it either. And remember how much overhead there is in Windows Vista simply to prevent you from viewing content in an unapproved fashion, not to mention all the other DRM you're paying for when you buy a computer, TV, disc player, or iPod.

      The reason I don't feel my rights have been threatened by movie copyrights is that it has no effect on my speech. Comparing it to banning adverbs is ridiculous; not once in my life

      --
      Visual IRC: Fast. Powerful. Free.
    364. Re:Bravo! by dbcad7 · · Score: 1

      it would be a sign of power being able to say "See this Whatever? It's mine and hasn't been duplicated". Such a thing would cost bazillions.

      But bazillions of what ?.. and what good are bazillions, if anything can be had ? .. If for example I have original "widget 367" that has never been copied by anyone,.. other than personal satisfaction of having something no one else has, it is meaningless in a society where anything else can be had.. The only real value is in trading for other "exclusive" things.. However in this new society I don't think people would consider such people "wealthy", just eccentric.

      --
      waiting for ad.doubleclick.net
    365. Re:Bravo! by turbidostato · · Score: 1

      "But bazillions of what ?.. and what good are bazillions, if anything can be had ?"

      Not everything. You can't have access to whatever will be created tomorrow and the duplication machine won't cope with that: "exclusivity of tomorrow" would be the most solicited resource, and it will be scarce too, so you have the basis for an economy there.

  2. Nice work RIAA!!! by Anonymous Coward · · Score: 2, Informative

    They couldn't have done it with out you.

  3. Good for everybody. by Anonymous Coward · · Score: 0

    Well done. If they do manage to change copyright law for the better, several countries should also follow suit.

  4. Fantastic! by tindur · · Score: 4, Funny

    I hope they will bring up for discussion a lot of the concerns of fellow slashdotters.

    1. Re:Fantastic! by IamTheRealMike · · Score: 1, Insightful

      What concerns exactly? That it's illegal to download copyrighted stuff? That's not a concern that will be taken seriously by anyone outside the pirate party. I mean this is the party who seriously proposes replacing pharma patents with all drug R&D being government funded. Their policies appear to be incredibly flimsy, there's not even any discussion of the content providers POV on their English website. It's just "p2p should be free, drm should be illegal, nobody needs to make money after 5 years anyway".

    2. Re:Fantastic! by Troed · · Score: 1

      Lots of content providers are members. I assure you the the party members (third biggest party in Sweden, registered) are quite knowledgeable in the subject.

      I know I am.

    3. Re:Fantastic! by alexhard · · Score: 1

      Actually it's a concern that will be taken extremely seriously. If these were national elections, the Pirate Party would decide which one of the two alliances would rule. This gives them immense bargaining power.

      And anyway, the most important point the PP is pushing is the right to privacy, which is being continuously eroded. R&D is already funded (mostly) by the government, btw.

      --
      Infinite time means everything that can happen, will. You being you is absolutely incidental. You do not exist.
    4. Re:Fantastic! by Anonymous Coward · · Score: 0

      All works intellectual creativity of should be given away free. We should only have to pay for retail services, and stuff that China and the rest of the world manufactures... not for what America does best.

    5. Re:Fantastic! by Darkness404 · · Score: 4, Insightful
      Content providers are simply middlemen, they are very small in number, do an increasingly useless job, and employ tactics that most of the internet-using population hates to use their unpopular viewpoints. There are a lot of content producers such as artists, writers, etc. that applaud the Pirate Party.

      I mean this is the party who seriously proposes replacing pharma patents with all drug R&D being government funded.

      In a country with sky-high taxes, government healthcare, etc. that could very well work. Now, in a more capitalist economy such as the USA, it would fail, but in a more socialist economy such as that of Sweeden, it could very well work.

      It's just "p2p should be free, drm should be illegal, nobody needs to make money after 5 years anyway".

      P2P for non-profit use should be allowed because it eventually helps the content producers. DRM should be perfectly legal to break and should require warning labels when it is used. And really, after 5 years most of the money from most works have dried up (or releasing them to the public domain wouldn't hurt sales), however they could be built upon, expanded and generally contribute more to the world.

      --
      Taxation is legalized theft, no more, no less.
    6. Re:Fantastic! by Anonymous Coward · · Score: 0

      That it's illegal to download copyrighted stuff?

      Actually, in a number of EU countries, downloading only (not sharing) of is perfectly legal. Over here in Slovakia it applies only to audiovisual works (not software), other jurisdictions may be different.

    7. Re:Fantastic! by Daniel+Dvorkin · · Score: 3, Informative

      What concerns exactly? That it's illegal to download copyrighted stuff?

      How about the fact that the penalties for "download[ing] copyrighted stuff" (which is not illegal except under specific circumstances; if it were always illegal, then everyone on Slashdot, and in fact almost everyone who uses the internet for anything, would be a criminal) are increasingly absurd and draconian, and in many cases the mere accusation of misconduct is sufficient to cause those penalties to be invoked? If that doesn't concern you, then you're not paying attention.

      --
      The correlation between ignorance of statistics and using "correlation is not causation" as an argument is close to 1.
    8. Re:Fantastic! by HappySmileMan · · Score: 3, Insightful

      ... [snip] .. It's just "[snip] nobody needs to make money after 5 years anyway".

      If you quit your job today you'd expect to still be getting paid 5 years from now I assume?

    9. Re:Fantastic! by Anonymous Coward · · Score: 0

      "That's it, I quit, I guess retail is a good use for my engineering degree now."

    10. Re:Fantastic! by cliffski · · Score: 3, Informative

      I'm a content provider. I make games and sell them. Explain to me how I am an irrlevant middleman.
      Who makes my games? pixies from space?

      BTW, as a content producer, I disagree that p2p helps me in an way. In fact, I strongly refute that.

      But as an angti-piracy poster here, I'll get modded as troll in the hope nobody will read a dissenting view on slashdot.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    11. Re:Fantastic! by cliffski · · Score: 1

      how do the people who produce anything creative pay the bills? with space dust?
      Its scares me that people think bullshit like yours makes sense.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    12. Re:Fantastic! by DAldredge · · Score: 0, Troll

      It concerns me that people think they can use the product of my mind for free and against my wishes. How can you justify that? Don't the rights of those who create the content matter?

    13. Re:Fantastic! by Anonymous Coward · · Score: 0

      No, you're wrong. I could easily come up with a LONG list of software-development companies complaining about piracy.

    14. Re:Fantastic! by Mprx · · Score: 1

      I can understand your concern, but fortunately there's a simple solution. Keep those "products of your mind" (which in reality are the product of all minds back to the beginning of civilization) to yourself, and then you'll never have to worry about other people following natural human instinct and sharing that information!

    15. Re:Fantastic! by Anonymous Coward · · Score: 0

      Let's be rational for a moment -- There's a fundemantal problem in pursuing people who are downloading illegal software, movies and games on the internet, in that you need to spy on the user to obtain imperical evidence. Now, The Pirate Party sais: Let's realise that we can't stop file sharing unless we tresspass on users privacy online, let's get on with the program. How can we make the best of the situation? Yes, you can compete with free -- Spotify does. The game developer Valve's Steam platform does.

      Let's have a big brother society or find other ways of distributing and creating.

      Also, note that there are a big difference between copyright and trademark. A trademark is something the pirate party very much agrees is a good thing while the life time copyright is a bad thing.

      And last, I am an artist, content provide and a creative creator who shares my stuff and still makes a decent living.

    16. Re:Fantastic! by DAldredge · · Score: 0, Flamebait

      So you think that no one should be paid for the content / software they create?

    17. Re:Fantastic! by timeOday · · Score: 1

      I mean this is the party who seriously proposes replacing pharma patents with all drug R&D being government funded.

      Count me in. In the US govt. pays for most medical research, but patents ensure prices for new drugs are stratospheric and drug companies biggest bugdet item is advertising and administration, not R&D. (cite - from the former editor of the New England Journal of Medicine, no less).

      Americans are paying through the nose for the vast inefficiencies of for-profit medicine every day.

    18. Re:Fantastic! by lupis42 · · Score: 2, Interesting

      Whining about your impending troll moderation is good way to ensure that it happens.

      Not *every* content producer supports p2p, but then, I cannot think of a single social change that was unanimously accepted or rejected. Disagreeing about how the world should be run is one of the all-time most popular human activities.

      I'm happy that the pirate party has a parliament seat because I feel that they provide a much needed counterpoint to the notion, widely advocated by large industry groups, that copyrights should last until the end of time, and that in fact they do not sell a product but rather a "license" to view content.

      And you may not be a middleman, but may of the copyright based industries contain a large number of businesses whose business model came down to making and distributing copies. These people have aggressively attacked the internet, p2p, and many other technologies, because those technologies would make their services redundant. (A common theme, which can be seen around almost any major technological innovation). Because many of these industry groups (RIAA for example) used to charge both the artists and the consumers quite a bit for the business of making and distributing copies, both artists and consumers are often driven to prefer new technologies (direct internet sales, p2p) which allow them to get this same service for free. You sell content directly over the internet. You might even try distributing demos over p2p, which can save you a meaningful amount of bandwidth and hosting costs. Twenty years ago, you would have had to get a publisher, and give them a substantial fraction of your sale price, so that they could get discs into stores for you. So you *do* benefit from this new technology. You might not be benefiting as much as you could, and the downsides might still outweigh the upsides, but the mere fact that you are still in business and aren't signed to a label/publisher means that you benefit.

    19. Re:Fantastic! by Tubal-Cain · · Score: 1

      if it were always illegal, then everyone on Slashdot, and in fact almost everyone who uses the internet for anything, would be a criminal

      Yeah. The RIAA interpretation of copyright law doesn't exactly account for browser cache, now does it?

    20. Re:Fantastic! by rawler · · Score: 1

      The question is often made to be about whether the artist rights should be respected or not. That is just sad, I really think and hope that all but a minority actually would agree that naturally, creators should be respected and paid.

      The real question is, exactly what rights should be held by the creator, and should the distribution-chain out to the customer be controlled somehow?

      I.E.
          * Is it really realistic to be able to retain rights for a creative work 20-70 years after the actual work was done?
              ? In the case of patents, how does this affect the market as a whole?
          * Should distributors be required to warn about certain potential problems with their distribution methods, such as DRM-servers going offline, or your audio-cd discretely replacing an important piece of your driver-subsystem when you try to listen to some music.
          * Many countries have some sort of defined "fair use" for creative works, but what exactly does that constitute?
              ? Can I lend a copy to a _real physical_ friend?
              ? What if the friend is a loose aquaintance on the net?
              ? Can I play it in class, or in a closed socitey, like an interest-club or similar?
              ? Am I allowed to record live broadcasts and watch later?

      Many of these questions are getting waay too little attention today, so I'm glad the increased popularity of the pirate-party gives a big incentive for other parties to start caring.

    21. Re:Fantastic! by Darkness404 · · Score: 1

      Sure, but just look at OSS. With the exception of niche programs and games, there is an OSS equivalent for just about everything. Piracy isn't hurting them any.

      --
      Taxation is legalized theft, no more, no less.
    22. Re:Fantastic! by skrolle2 · · Score: 1

      It concerns me that people think they can use the product of my mind for free and against my wishes. How can you justify that? Don't the rights of those who create the content matter?

      Yes, sometimes those nefarious pirates even quote what you say, without asking your permission. Dastardly! Yarr!

    23. Re:Fantastic! by DAldredge · · Score: 1

      That would fall under fair use.

    24. Re:Fantastic! by Darkness404 · · Score: 4, Insightful

      I'm a content provider. I make games and sell them.

      No, you are a content producer. Two vastly different things. You make games. On the other hand a studio that does nothing but buys the rights of other games, puts them on disks and distributes them are a content provider. They provide content, they do not create it. As another example look at YouTube, YouTube is a content provider, they provide content, however they are not content producers in that they do not make videos for YouTube (well, there are a few, but not very many)

      BTW, as a content producer, I disagree that p2p helps me in an way. In fact, I strongly refute that.

      Well I suppose you either don't patch your games or require patches to be played as with servers, or have enough money that you can afford bandwidth for how many players you have. Also, have you ever released any of your older games via P2P? Having visited the site in your sig I can say that I have never heard of any of your games (well, save for the link on your sig on your /. posts). I don't know how popular your games now are, but a few good older releases can help people buy into a developer, such as with used games. I buy a used game that 0% of the profits go to the publisher or anyone other than the game store. However, if that game is really amazing, I might tend to buy more games in the future from them (possibly new).

      --
      Taxation is legalized theft, no more, no less.
    25. Re:Fantastic! by skrolle2 · · Score: 1

      Exactly, which is all good. But the copyright maximalists want to restrict fair use as much as possible, to maximize their own profits. That is not acceptable, and it is exactly that concern which the Pirate Party will be bringing up.

    26. Re:Fantastic! by Mprx · · Score: 1

      Nothing wrong with paying people to write software. What is wrong is attempting to censor the private communication of ever other person on the planet. To justify such serious violation of freedom of speech takes enormous benefit to society. Back when copyright monopoly length was shorter and the opportunity cost was much lower because of lack of distribution technology, copyright was arguably justifiable. What we have now is something designed to consolidate the power of a small elite at enormous cost to society.

    27. Re:Fantastic! by Dragonslicer · · Score: 1

      I'm a content provider. I make games and sell them.

      By the parent's argument, then, you would be considered a content producer, not simply a distribution middleman.

    28. Re:Fantastic! by turbidostato · · Score: 1

      "how do the people who produce anything creative pay the bills?"

      They are creative, aren't they? They'll find a way, then.

      Certainly J.S. Bach was creative as it demonstrates the fact that he was able to find a way without copyright masters overthere.

    29. Re:Fantastic! by DAldredge · · Score: 0, Flamebait

      How long do you think copyright protection should last?

    30. Re:Fantastic! by DAldredge · · Score: 1

      It isn't fair use to share a movie with 10,000 of your closest friends.

    31. Re:Fantastic! by turbidostato · · Score: 1

      "It concerns me that people think they can use the product of my mind for free and against my wishes."

      The product of your mind doesn't seem to be so valuable if you can't find the answer yourself. Do Not Make It Public and no one will be able to use it against your wishes. There.

      "Don't the rights of those who create the content matter?"

      Of course they matter. You have the right to make it public or not make it public. Your choice.

      And then, you will ask, how am I going to earn a live out of the product of my mind if I don't make it public? That, of course, would show again the product of your mind not being so valuable but, anyway, I'll help you. Hint: don't make it public unless somebody, per contract, agrees to give you a reasonably enough amount of money for the products of your mind. Then pass the products of your mind to him without worry. Hey! now that I think of it, that's what do everybody else! They don't give nothing unless a price is previously agreed. How cute of them!

    32. Re:Fantastic! by DAldredge · · Score: 1

      "The game developer Valve's Steam platform does." You should know that the pirate party thinks that DRM should be illegal which would make Steam illegal.

    33. Re:Fantastic! by Anonymous Coward · · Score: 0

      I have an engineering degree and I object to patent law precisely because I want to be able to use it. Patents convert the game from "who is the best forward and reverse engineer" to "who has the best paper-pushing lawyers". When a single lawyer waving a piece of paper (patent monopoly grant) gets to decide what every engineer and potential engineer in the world can and cannot build, you have to be a little crazy, really love the subject to go into engineering at all.

      As a trained engineer, I'll take the ability to freely reverse engineer something and build it over the "disclosure" (ha) patents are supposed to provide any day of the week - patents are *utterly useless* nowadays to someone skilled in the art. Now, you could argue that's just a practical problem with the current system and not a feature of the patent system in theory... but the same sort of arguments apply to other "good ideas", like communism.

      For now, the trick is to *completely ignore* patents, basically - jus quietly build the thing anyway. If it has military applications, even tenuous ones, it can be steamrolled through despite the lawyers waving patent monopoly grants at you. But note this means that engineers are biased towards building things that help the military-industrial complex somehow, which is of course how the powers that be like it.

      Eliminating the patent system is IMO the single best thing we could do for humanity.

    34. Re:Fantastic! by DAldredge · · Score: 1

      Your plan would destroy nearly the entire software industry.

    35. Re:Fantastic! by Mprx · · Score: 1

      Somewhere around 5 years seems optimal.

    36. Re:Fantastic! by Anonymous Coward · · Score: 0

      If you purchased a house today, you'd expect to still be owning it 5 years from now I assume?

      It's amazing how far people will go to rationalize their behavior.

    37. Re:Fantastic! by gbarules2999 · · Score: 1

      Are creative people entitled to money automatically?

    38. Re:Fantastic! by DAldredge · · Score: 1

      How did you derive that number?

    39. Re:Fantastic! by gbarules2999 · · Score: 1

      If they were worried about money, why would they create something unless there was money on the table? Isn't that the whole point of creating something?

    40. Re:Fantastic! by gbarules2999 · · Score: 1

      Since when? I thought it was, "Hey, Bob, make Program X for me and I'll give you ten dollars!" And then Bob yells back, "Sure, Tim, I'll make that Program X!"

      I don't know where this whole "I'm gonna make a program and stick it somewhere, which entitles me to money" came from, at least in the smaller end of software creation. Success is not a right. If you want profit, make sure it's on the table beforehand.

    41. Re:Fantastic! by turbidostato · · Score: 1

      "Your plan would destroy nearly the entire software industry."

      Two remarks:
      1) Even if you are right, it would destroy nearly the entire software industry AS WE KNOW IT.
      2) So what?

    42. Re:Fantastic! by DAldredge · · Score: 1

      That is correct in that success is not a right however neither do you have the right to use the property of others if they do not want you to.

    43. Re:Fantastic! by gbarules2999 · · Score: 1

      neither do you have the right to use the property of others if they do not want you to.

      Tell me where I said that I do. Point at it.

      Oh, my, where did your finger go! It's pointing at your brain?! Oh, dear; you imagined it!

      Concentrating on your post, I agree with you for the most part (I have released several novels and other works under the most free CC license possible, with some enjoyable results). Yes, piracy is bad. I don't pirate. I never will. Rah, rah, for the team, blah blah blah.

      I also believe there should be regulations on what someone else can and can't do to you to stop you from accessing their data when they don't want you to. Keeping detailed, tabs on your internet browsing, and then nailing you for copyright infringements and shutting down internet without a trial, for two things that are not acceptable. The ends do not justify the means in this case.

      These companies are delusional in thinking they are chasing down additional profits that people are "stealing." In a magical happy land where no piracy exists, I see no additional profit gained from piracy's demise.

    44. Re:Fantastic! by turbidostato · · Score: 1

      "That is correct in that success is not a right however neither do you have the right to use the property of others if they do not want you to."

      I know it's quite easy accepting groupal thinking without challenging it but please, try to argument the notion that some abstract combination of ones and zeroes already released to the public can be the sole property of some entity in a way that makes sense, and I bet you will find yourself in muddy deep waters quite fastly.

    45. Re:Fantastic! by DAldredge · · Score: 0, Flamebait

      Why do you have the right to use the fruits of my mind for free?

    46. Re:Fantastic! by Anonymous Coward · · Score: 0

      They're called libraries. I've had that right for 200 years now.

    47. Re:Fantastic! by Anonymous Coward · · Score: 0

      p2p doesn't help you because you make CRAP GAMES. I tried democracy (pirated!) and it sucked. I would never buy any of your games. The only thing that will ever change my mind is p2p.
      The only reason that you, as producer, don't like p2p is because you are producing bad content and want people to give you money before they can see what piece of crap they actually bought.

    48. Re:Fantastic! by cliffski · · Score: 0, Flamebait

      go play in the road kiddie.
      I really couldnt care less what an ANONYMNOUS COWARD who is about 6 years old thinks of my games. I suspect they went over your head kid. Try studying harder at school next time okay?

      And seriously, you are the reason DRM, and the RIAA and the MPAA exists. YOU are the reason nobody makes games aimed at piracy-prone little kiddies any more.

      You don't buy anything, so we make fuck all thats aimed at you. Understand yet kiddie?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    49. Re:Fantastic! by cliffski · · Score: 1

      so how about a game like Civilisation that costs millions.

      Explain how that gets made brainiac.

      And if that games is so shit, why is it so popular on torrent sites?

      What drivel.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    50. Re:Fantastic! by Anonymous Coward · · Score: 0

      That's not what he said. The argument is more along the lines of "aren't creative people allowed to negotiate with their users to find a price that they can both agree on", as opposed to the piracy system which says, "I get it for free, now is there anything additional you can do to make me actually pay you money?"

    51. Re:Fantastic! by skrolle2 · · Score: 1

      I agree, and funnily enough, so does the Pirate Party. There may be people inside the Pirate Party (and elsewhere) that wants to remove copyright altogether, but it's not what the majority on Slashdot wants, and it's not the official policy of the Pirate Party either. Stop putting up straw men.

    52. Re:Fantastic! by twostix · · Score: 1

      99.9% of all medical research ALL READY IS government funded.

      Go look at the top 100 leaders in *any* field, they *all* work for Universities and Medical Schools, are all tenured and they ALL take funds from their respective governments.

      Merck, Roche, et-al don't even come up as a tiny blip on the radar when searching for opinion leaders in any given medical field. In fact pharma companies are so insignificant that they're edge cases in the software I'm working on which identifies key opinion leaders in various medical fields fields. For every 100 people doing amazing work in medical schools and research hospitals in the world there's one tiny private research firm.

      So if you're that wrong about that and in reality know *nothing* about how medical research is done yet have such a strong view about it. Perhaps that should cast doubt on the rest of what you think you know about too.

      Yeah I can dream I know.

    53. Re:Fantastic! by ultranova · · Score: 1

      It concerns me that people think they can use the product of my mind for free and against my wishes.

      Funny, it doesn't concern me at all that if I give apples to someone they might use the seeds to plan their own trees.

      How can you justify that?

      The same way I justify planting those seeds: they're mine to do with as I please, even if the seed the tree was grown from was given to me by you.

      Don't the rights of those who create the content matter?

      Sure. You have the right to keep the your ideas to yourself. You also have the right to use it as you see fit, or to tell it to anyone you please.

      Or did you mean that you should be able to deprave me of my rights to use and spread the ideas I know?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    54. Re:Fantastic! by ultranova · · Score: 1

      how do the people who produce anything creative pay the bills? with space dust?

      Commissions. You advertize that you'll paint/write/compose a piece for a price. You know, a bit like plumbers do it, or barbers, or any service providers. In the case of music, you might also be able to raise money with live performances.

      Of course it's possible that you aren't good enough that anyone would pay you to produce content. In that case, get a day job, just like everyone else.

      Its scares me that people think bullshit like yours makes sense.

      Strange how that bullshit works in every other area of life. Are creative people really doing such a worthless job that they can't get paid for it?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    55. Re:Fantastic! by Anonymous Coward · · Score: 1, Insightful

      Excellent display of customer relations practices there, cliffski.

      Well done.

      Somehow, whenever I get curious as to whether you have managed to muster up some resemblance of manners, up you pop and demonstrate the opposite with glaring obviousness.

      Well done, indeed.

      Flame away, if you wish, thus proving the point, yet again.

    56. Re:Fantastic! by zildgulf · · Score: 1

      Avast ye, landlubber!

    57. Re:Fantastic! by turbidostato · · Score: 1

      "Why do you have the right to use the fruits of my mind for free?"

      I have no right on it: it's only the natural way of things. Once you release them to the public, they are in the public, just that. Your question makes as much sense as asking why do I have the right to get air on my face when the wind is blowing.

      Why don't you ask me to forget that I already know that 2+2=4? It was the fruit of somebody else's mind after all! The point is that it is not a right knowing what I already know: it's a fact. There has been from the early days of Humankind a proper way for somebody to avoid someone else to "use the fruits of his mind for free" and it is called "keep it secret".

      Indeed it's the contrary question the one that has to be asked: why do you have the right to preclude others from using what you already made public? You need a whole civilization for the very basics of such idea to be enforceable. At the most basic level I can protect my physical property with my bare fists and teeth; there's no way I can protect my "intelectual property" by myself: once I use my voice, it flights away with the wind and I can't recover it; all the weight of a government is needed to enforce such unnatural stanza.

    58. Re:Fantastic! by turbidostato · · Score: 1

      "so how about a game like Civilisation that costs millions."

      So what about contracting ten thousand people to dig wholes by day and covering them by night? It surely would cost millions too.

      In a different world you would get a different output, what a surprise!

      "And if that games is so shit, why is it so popular on torrent sites?"

      I won't enter on discussing its quality, I don't give a damn about that. The point is that this game is already publicly released: it won't go anyway no matter what.

    59. Re:Fantastic! by DAldredge · · Score: 1

      It is also "natural" for the strong to take from the weak. That doesn't make it right or moral.

    60. Re:Fantastic! by cliffski · · Score: 1

      hi anonymous coward.
      How the hell is a pro-piracy dick on slashdot a 'customer'?

      You people pull out the "we pay your wages!" card a lot, forgetting that you never fucking pay for anything.
      You arent happy?
      cry me a river kid.

      I do not give a flying fuck what someone like you thinks of my manners. Your views are entirely irrelevant to anyone making commercial software, and always will be.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    61. Re:Fantastic! by turbidostato · · Score: 1

      "It is also "natural" for the strong to take from the weak."

      Yes it is, and that's what gives real property its very meaning: whatever you can hold by your own strengh.

      "That doesn't make it right or moral."

      Orthogonal. Something being public *is* public; it's just stating a fact, nothing about rights or morals. Re-read my previous post: it was not about morality but about the absurdity of claiming rights on the unholdable.

  5. Biggest party in Sweden for voters under 30 by BlackCreek · · Score: 5, Insightful

    http://www.thelocal.se/19928/20090607/

    Among voters aged under 30, some 19 percent are believed to have cast a vote for the Pirate Party.

    "They are the biggest party among young people, bigger than both the Social Democrats and the Moderates," said politics professor SÃren Holmberg.

    As I was just telling my girlfriend, one way or another, it should be the first time the EP gets people who actually understand present day computer technology.

    1. Re:Biggest party in Sweden for voters under 30 by hingo · · Score: 3, Interesting

      Actually, the Europarl is big and there have been people who understand SW patents and copyrights very well, for instance in the Greens and even in the conservative bloc. It's just that for every such MEP there were also those with their hands deep in the RIAA/BSA lobbyists pockets. To have a new party running primarily on this theme will indeed make a difference.

      You could see it on Swedish pre-election TV debates already. The PP wasn't even there (as a non-established party, this is normal) but the established ones (Greens and Left) would argue for essenitally the PP agenda, with the others grudgingly admitting to small pieces.

    2. Re:Biggest party in Sweden for voters under 30 by e9th · · Score: 1

      Does that mean that the PP will be allowed to participate in future televised debates? Now that should be interesting.

    3. Re:Biggest party in Sweden for voters under 30 by Anonymous Coward · · Score: 0

      As I was just telling my girlfriend, one way or another, it should be the first time the EP gets people who actually understand present day computer technology.

      Telling your what?

    4. Re:Biggest party in Sweden for voters under 30 by lordholm · · Score: 1

      Last time, no. The June-List (who got EP seats) was allowed in the debate on the TV in the EP elections, but in the last riksdag elections they where not (since they did not have seats in the riksdag).

      The PP will be seen as established on European level, so the public service TV will allow them in the debate the next EP elections (in 5 years from now), but most likely not for the riksdag election next year.

      --
      "Civis Europaeus sum!"
    5. Re:Biggest party in Sweden for voters under 30 by Anonymous Coward · · Score: 0

      That's too bad. Thanks for the enlightenment.

  6. One seat "only" by eddy · · Score: 4, Informative

    It's one seat only for sure, however, it's my understanding that if the Lisbon Treaty is ratified (shudder), this opens up extra seats one of which would go to PP.

    --
    Belief is the currency of delusion.
    1. Re:One seat "only" by Anonymous Coward · · Score: 0

      It's one seat only for sure, however, it's my understanding that if the Lisbon Treaty is ratified (shudder), this opens up extra seats one of which would go to PP.

      Yes. However, since the EU bureaucracy seems to take the Lisbon treaty as a foregone conclusion (railroading much lately?), PP will still be required to send the additional representative, which can function much as a real one in all ways but voting.

    2. Re:One seat "only" by Kjella · · Score: 1

      26 held parliamentary votes, 26 in favor.
      1 held a referendum, 1 voted against.

      3 of those 26 still have some constitutional checks and paperwork left, but it's just a straw to hang onto. Unless Ireland rejects them a second time, it's a done deal.

      --
      Live today, because you never know what tomorrow brings
    3. Re:One seat "only" by HappySmileMan · · Score: 1

      It's one seat only for sure, however, it's my understanding that if the Lisbon Treaty is ratified (shudder), this opens up extra seats one of which would go to PP.

      Yes. However, since the EU bureaucracy seems to take the Lisbon treaty as a foregone conclusion (railroading much lately?)

      Needs a referendum here (Ireland) and since the opposition to it (Mainly Libertas, a party that popped into existence just for the purpose of campaigning against Lisbon currently under investigating for having it's money appear out of thin air and refusing to explain, but that's only slightly related) seems to just be spreading blatant lies, claiming that it will bring back the death penalty, legalise abortion and double taxes, it seems unlikely to pass.

      That said, I'm not saying the Lisbon treaty is an excellent treaty, I don't know that much about it to be honest, but it annoys me that it lost 53-47 in the first referendum, because I know if people weren't blatantly lied to it would have passed.

    4. Re:One seat "only" by Anonymous Coward · · Score: 0, Interesting

      Did you read the treaty? it's fucking awful. I was very proud that despite the masses of black propaganda from the EU corporatists that the Irish people had the guts to stand up for all europeans by rejecting it. I only hope that when it's inevitably revoted "no means no" will be at the forefront of irish people's minds, despite the scaremongering and deliberate damaging of the irish economy to try to force us to accept it.

      Yes to a united europe, no to the EU.

  7. One great big.. by castrox · · Score: 5, Insightful

    This is one great big middle finger to the big parties who have ignored the privacy issues. Just this past month it's been very clear that the large parties are trembling because of the massive streams of voters who abandon them for the Pirate Party just because of these important issues. I really hope they will get with the program and realize that they can't dismiss the privacy debate and say that it's just a loud bunch who don't get it (the so called "pirates").

    --
    Fight for your digital freedom, join the EFF *now*: http://www.eff.org/support/
    1. Re:One great big.. by dave420 · · Score: 0, Redundant

      I don't want to sound like a dick, but there's a pretty decent argument that online privacy isn't the most pressing issue affecting Europe at the moment.

    2. Re:One great big.. by electricprof · · Score: 1

      Payback's a bitch ...

    3. Re:One great big.. by Opportunist · · Score: 1

      I do agree, to some degree, but when you peruse the topics that spun this election, do you think privacy is less important than that?

      Quite frankly, when I look at the big topics our parties tossed around (immigration, acceptance of Turkey into the EU, subsidaries for car industries, abroad elections, public smoking ban...), I'd say privacy is at the very least not less important.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    4. Re:One great big.. by jhol13 · · Score: 3, Insightful

      It always amazes me how some people think only the "most pressing issue" may be addressed and others must be ignored.

      I do want to sound like a dick as it is a big issue and it is an issue no other party is taking seriously. Like many other electronic freedom issues.

    5. Re:One great big.. by Anonymous Coward · · Score: 0

      One could argue that it is. The credit crisis is a passing affliction which the government, even the EU government with it's half a billion citizens, can do very little about.

      The laws that the EU forces on our national governments will last for years, or decades. These decisions are completely in the hands of the politicians, the public servants and the lobbyists of the EU. This is where my vote might have made a difference today. (Although it probably didn't, but that's just due to the inherent statistics of elections. Wanna make a real difference -- join a movement or start one.)

    6. Re:One great big.. by funkatron · · Score: 1

      If Sweden has been anything like the UK then there have been no parties ignoring privacy issues. Just parties that trample all over them.

      --
      "Welcome to our world. We are the wasted youth. And we are the future too." Yes, I know these are stupid lyrics.
    7. Re:One great big.. by gbarules2999 · · Score: 1

      Not the most pressing, no, but the easiest the fix by far.

  8. This... by Darkness404 · · Score: 1

    This is a historic step towards economic freedom and reform. Congrats to Sweeden for actually making democracy happen.

    --
    Taxation is legalized theft, no more, no less.
  9. German results by mseeger · · Score: 5, Informative

    Hi,

    the pirate party reached in germany 0,9%. Concerning lack of attention from the media, nearly non-existent funds and that stupid name, this is a very strong result for them.

    CU, Martin

    1. Re:German results by blind+biker · · Score: 3, Interesting

      the pirate party reached in germany 0,9%. Concerning lack of attention from the media, nearly non-existent funds and that stupid name, this is a very strong result for them.

      Wow - considering Germany gets 99 seats, just a bit over 1% would have gotten a German PP rep, too!!

      When are the new Bundestag elections due, Martin?

      --
      "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    2. Re:German results by Anonymous Coward · · Score: 0

      How is PIRATEN any less of a name than the swedish one? Maybe you're just stupid because you'd judge political parties and their agenda based on their names.

    3. Re:German results by adpe · · Score: 5, Informative

      Sadly, we germans somehow think it's a good idea to only allow parties who get >=5% of the votes into our (or the european) parliaments. Might be because of our history, but we (the german pirate party, I'm a member), need to gain significant support to actually be allowed to say anything.

    4. Re:German results by Toy+G · · Score: 1

      I think they might have a threshold around 4 or 5% for parties to be considered for seat assignments, if their EU electoral law is anything like the national one.

      --
      -- Let's go Viridian.
    5. Re:German results by Anonymous Coward · · Score: 0

      If you're German you should have heard of the Weimar Republic, and know exactly why this limit exists...

    6. Re:German results by TorKlingberg · · Score: 1

      Interesting, do you have any source for this?

    7. Re:German results by Anonymous Coward · · Score: 0

      Hi,

      the pirate party reached in germany 0,9%. Concerning lack of attention from the media, nearly non-existent funds and that stupid name, this is a very strong result for them.

      CU, Martin

      Guess who's going to be the first against the wall when the revolution comes.

    8. Re:German results by adpe · · Score: 1

      I know about the reasoning for this rule, but let's face it, extremist parties have never had a chance in post-WW2 germany. Well, other than in some of the eastern states, where even the 5% rule didn't stop them. It's an outdated thing, which had its place when we were stuggling with ourselves. Now it's just a burden to smaller parties.

    9. Re:German results by dunkelfalke · · Score: 1

      For such a young party the results are very good. Give it more time.

      --
      "It's such a fine line between stupid and clever" -- David St. Hubbins, Spinal Tap
    10. Re:German results by jps25 · · Score: 1

      Apparently you do not understand the reasoning for this rule. It had nothing to do with extremist parties. Absolutely nothing.
      Perhaps you should pick up a few books on the Weimar Republic and why it failed.
      The NSDAP wouldn't have had a problem with the 5% by the way. Really, a couple of history books wouldn't hurt you at all.
      It's unbelievable that your original comment was modded informative.

    11. Re:German results by firejump · · Score: 1

      Sadly, we germans somehow think it's a good idea to only allow parties who get >=5% of the votes into our (or the european) parliaments. Might be because of our history (...)

      We actually have the same rule in Poland, but as far as I remember the reasoning behind it was that parliament becomes less effective with more parties involved. Just check out what happened the last time the election threshold wasn't in place: http://en.wikipedia.org/wiki/Polish_parliamentary_election,_1991

    12. Re:German results by Anonymous Coward · · Score: 1, Informative

      The preliminary official result of the German vote for the European Parliament.

      Noteworthy other small parties: 2.2% invalid votes, 1.7% Freie Waehler (Party of independent voters?), 1.3% REP (extreme right wing party), 1.1% Tierschutzpartei (animal rights party), 1.0% Familie (party for the improvement of families' situations).

      The Pirate Party was mentioned in the "exotic parties" segments of the election shows on public TV and characterized as "trying to abolish copyright" and "wanting free downloads".

    13. Re:German results by Anonymous Coward · · Score: 0

      I voted blank in the Danish election, simply because there were no parties even mentioning these issues.
      We do have a pirate party in Denmark, but they didn't manage to collect the about 70k signatures (two percent of the registered voters) required to appear on the ballots.

    14. Re:German results by xaxa · · Score: 1

      It's unbelievable that your original comment was modded informative.

      On Slashdot, "+1 Informative" actually means "+1 Plausible".

    15. Re:German results by lavalyn · · Score: 1

      A better name than the Official Monster Raving Loony Party of the UK.

      --
      Doing the Right Thing should not be preempted by making a buck.
    16. Re:German results by blutfink · · Score: 1

      Unfortunately, Germany has a 5% election threshold clause.

    17. Re:German results by hydrofi · · Score: 1

      Yeah, less effective in silencing any differing opinions about negligible stuff like your privacy, civil rights and freedom.

    18. Re:German results by mseeger · · Score: 1

      Hi,

      the next german Bundestag will be elected in Autumn. Since a party has to pass
      5% to get any seats, the Pirate Party has still a long way to go

      CU, Martin

    19. Re:German results by Anonymous Coward · · Score: 0

      This same bullshit is going also here in Finland. We used to have a minimum of 1% of votes to get to parliament, but now your party needs at least 3%. What democracy?

    20. Re:German results by koiransuklaa · · Score: 1

      Ok, we've already established that some of you think there is a blatantly obvious _and valid_ reason for the rule and that some people are ignorant enough not to know it. So, why can't you quickly explain the main point behind that decision instead of concentrating on fairly personal comments about the previous poster?

      Wikipedia says (while discussing the institutional problems of the Weimar Republic):

      The use of proportional representation meant any party with a small amount of support could gain entry into the Reichstag. This led to many small parties, some extremist, building political bases within the system. Yet, it has to be noted that the Reichstag of the monarchy was fractioned to a similar degree although being elected by majority vote (under a two-round system). And the republic did not fall due to the small parties, but to the strength of the communists, conservatives and national socialists.

      I'm still left wondering why the 5% rule was needed.

    21. Re:German results by Ztream · · Score: 1

      I think that's quite common; Sweden itself has a limit of 4%. Which in my view may be good as it kept some xenophobic parties out of parliament (unlike in many other European countries this election, I'm sad to say). It also makes things like debates and campaign funding easier to manage, otherwise we would have hundreds of parties which would all have to be treated equal.

    22. Re:German results by blind+biker · · Score: 1

      Thanks Martin. Good luck for August, then. Yeah, the threshold thing kinda sucks, but nothing is impossible.

      --
      "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    23. Re:German results by I+cant+believe+its+n · · Score: 1

      You guys had a better result in Germany than the swedish P.P. had in our first elections (in the 2006 national elections, we got 0.63% of the votes). Keep up the good work and we are sure to be joined by both German and Finish pirates in the european parliament.

      Sharing is caring - please give blood at your local hospital

      --
      She made the willows dance
    24. Re:German results by Anonymous Coward · · Score: 0

      You could try a name-change. Sure, "pirate party" is quite catchy, but you'll never be taken serious by many people. My wife actually thought you were a joke-party, and I had to explain that you actually have a real political agenda...

    25. Re:German results by swarsron · · Score: 1

      considering we got less votes than the REP (pretty much a nazi organization) and Die Tierschutzpartei (a party devoted to rights of animals. Not that there are any other problems in the world, humans dying of hunger ...) the 5% rule isn't that bad. It prevents fragmentation and make coalition building much easier.

    26. Re:German results by rbrausse · · Score: 1

      Give it more time.

      not only time but supporters.

      the Piratenpartei wants to participate in the Bundestag election (German parliament) - this is only possible if they have supporters for every federal state with a sub-organisation of the German pirate party.

      here on /. should be some German readers: Please download the form and mail it to the Piratenparte offices.

    27. Re:German results by jez9999 · · Score: 1

      It also makes things like debates and campaign funding easier to manage, otherwise we would have hundreds of parties which would all have to be treated equal.

      How's you work that one out? You would give parties more coverage based on their number of seats. A party with 1 or 2 seats in the parliament would be given little coverage. Hardly rocket science.

    28. Re:German results by Anonymous Coward · · Score: 0

      Sadly, we germans somehow think it's a good idea to only allow parties who get >=5% of the votes into our (or the european) parliaments. Might be because of our history, but we (the german pirate party, I'm a member), need to gain significant support to actually be allowed to say anything.

      In Sweden we needed to get over 4% to get into the European (or our own) parliaments. PiratParty didn't get much traditional media space, wasn't invited to public broadcasting, we didn't get our election notes distributed to voting stations, etc. The news was spread over youtube, chat-rooms etc, and by foot we reached 99% of all voting stations. And got 7.1% of all votes, biggest party for people aged 18-30. From what I understand the party is 3.5 years old in Sweden, so if the german PirateParty reached 0.9% in this election, it could take 4% the next time. Good Luck, and YARRRR!

  10. Final results. by Greger47 · · Score: 3, Informative

    The Pirate Party got 7.1% wth 99.9% votes counted. This will give them 1 seat in the current parlament, 2 if the parlament gets extended according to the Lisbon treaty. /greger

    1. Re:Final results. by Anonymous Coward · · Score: 1, Insightful

      your name is listed at the top your post, there's no need to 'sign' it

    2. Re:Final results. by Anonymous Coward · · Score: 0

      Postal votes haven't been counted yet.
      99.9% of today's votes have been counted.

    3. Re:Final results. by Anonymous Coward · · Score: 0

      Why so ? In most of formal written mail, name appears both in the heading of the letter and in the end.

  11. Could be for lols by Anonymous Coward · · Score: 0

    If i was submitting to an exit poll that wasn't the REAL poll, i may put down pirate party for shits and giggles.

  12. Hope? by Hermel · · Score: 1

    Great news! I really hope the 18-30 year olds can still make a difference in an ageing society like Europe. I'm concerned that some decades ago, when the median age was much lower, western democracies were more agile and creative (look for example at the hippies, I'm not sure if that still wouldn't be possible).

  13. about 1% in Germany by BeeRockxs · · Score: 1

    With almost all votes counted, in Germany the Pirate Party is at 0.9% with 228.445 votes counted so far, with 2 precincts still to report their votes.

    1. Re:about 1% in Germany by Anonymous Coward · · Score: 0

      where do you find this data?

  14. Are they a one-issue party? by e9th · · Score: 3, Interesting

    Does the Pirate Party platform include issues besides copyright/privacy?

  15. Happy and very proud! by shaka · · Score: 3, Insightful

    As a Swede, I am very proud that Sweden once again leads the way and is the first country to take an important issue seriously - wait until the next election and see Pirate Parties from countries all over Europe!

    --
    :wq!
  16. Grats to TPP! by ekran · · Score: 1

    Grats to the pirate party!

    Now, I wonder how they'll vote in not related cases? I mean, when things like economical issues or education or other stuff comes up, are they just going to abstain or are we going to see real politics being performed?

    1. Re:Grats to TPP! by alexhard · · Score: 1

      They plan to vote with their group, which is going to be either the liberals or the greens. Obviously this gives them some power: an additional vote for issues the group supports gives them some bargaining power.

      --
      Infinite time means everything that can happen, will. You being you is absolutely incidental. You do not exist.
  17. Nice! by Anonymous Coward · · Score: 1, Informative

    You can find the final official result here:
    http://www.val.se/val/ep2009/valnatt/rike/index.html

    The purple bar (PP) represent the privacy/piracy party, 7,1% will give them one seat in the European parliamen.

    1. Re:Nice! by __aaxwdb6741 · · Score: 2, Informative
  18. Pirate party for every country! by Anonymous Coward · · Score: 1, Interesting

    There was no pirate party in my country so I didn't vote at all.

    1. Re:Pirate party for every country! by Darkness404 · · Score: 3, Insightful

      In Europe though, you guys actually have a democratic system that lets you have more than the two government determined choices. There were plenty of parties that shared the Pirate Party agenda, at the very least you could have voted to block the lesser of the two evils like we have to do in the USA.

      --
      Taxation is legalized theft, no more, no less.
    2. Re:Pirate party for every country! by HappySmileMan · · Score: 1

      voted to block the lesser of the two evils like we have to do in the USA.

      Finally, an American who'll admit it.

    3. Re:Pirate party for every country! by Anonymous Coward · · Score: 0

      There is the American equivalent to the Swedish Pirate Party called, Pirate Party of the United States of America http://www.pirate-party.us

      And as far as pirate parties for ever country, I suggest you take a look at http://www.pp-international.net/

      It has a list of all forming pirate parties world wide.

    4. Re:Pirate party for every country! by Opportunist · · Score: 1

      There's a movement in the EU that you should be allowed to vote for "foreign" parties. I sure hope this will pass.

      No PP in my country either (well, there is one, but they chose not to run, knowing they would only strengthen the right wing by "siphoning" away votes from other left-liberal parties). I did vote, I voted for the liberals, who, in turn, didn't earn enough votes to gain a seat.

      My country is fairly conservative. If you're an established party, you get votes. If you're not, don't even try. It's hopeless. So I do hope I may eventually be allowed to vote for parties outside my country that represent me.

      Yes, I know how sad that sounds. It's even sadder than it sounds, people...

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  19. Re:Are they a one-issue party? by e9th · · Score: 1

    Sorry about the dissonance between subject & content. That's already two issues.

  20. Arrr! by mcvos · · Score: 4, Interesting

    Great news! Unfortunately I couldn't vote for them, but just before the elections, I noticed that the number 4 candidate on the list of the Dutch party GroenLinks has practically the same ideas (and priorities) as the Pirate Party. I voted for him, but unfortunately GroenLinks only got 3 seats (which is still a pretty good result).

    Of course these parties are still a tiny minority in the Europarliament, but if they can explain to their colleagues what's so wrong about current IP laws, they might end up having some very real impact.

    1. Re:Arrr! by JaredOfEuropa · · Score: 2, Interesting

      I noticed that the number 4 candidate on the list of the Dutch party GroenLinks has practically the same ideas (and priorities) as the Pirate Party. I voted for him, but unfortunately GroenLinks only got 3 seats (which is still a pretty good result).

      Isn't GroenLinks part of a European coalition, though? That's the real question for the Pirate party as well: will they join a coalition? Because as a small party, their influence will be extremely limited, as they will have little time on the Floor of parliament, little access to funds for staff, and they will not be asked to sit in any of the committees that form the heart of the legislative side of Europe, together with the full-time lobbyists wining and dining these committees, of course. Their influence will pretty much be limited to voting Aye or Nay on stuff.

      ps. I voted Libertas. I consider the other Dutch parties to be either pet projects of privileged but misguided hobbyists (most left/green parties), part of an established political nomenclatura looking for cushy pre-retirement jobs (most centre/right wing parties), or parties of raving lunies, and not of the funny or harmless variety (you can probably guess one such party, but there are two...). Color me cynical, but I don't think privacy and piracy are really European issues, and Europe as bigger fish to fry, such as transparancy and accountability of government, of which there is precious little currently.

      --
      If construction was anything like programming, an incorrectly fitted lock would bring down the entire building...
    2. Re:Arrr! by mcvos · · Score: 1

      GroenLinks is definitely part of a coalition of green parties. I have no idea about the Pirate Party, but my guess is they'll join a coalition eventually. Some years ago, a Dutch civil servant for the EU uncovered some scandal, got fired, started a party (Europa Transparant) and got elected into the EP. Originally as independent, but he too eventually joined the green/left coalition (much to the chagrin of many of his voters he didn't identify with green/left at all), simply because that gave him more influence.

      It all still amounted to nothing, unfortunately. Which is rather depressing and doesn't bode well for the Pirate Party.

      You're right that lobbyists seem to have more power than independent parties inthe EP, and that definitely needs to change. Maybe the Pirate Party can get some funding (from their members or from their salary as EP members?) and wine and dine some of their colleagues?

      I fully agree we need a lot more transparency, accountability and democracy in the EU, but privacy and copyright/patent law are most definitely European issues. It's important to have a voice in the EP, even if it is a small one.

      The system needs to change though, so that independent parties can let themselves be heard at least on their most important issue.

    3. Re:Arrr! by Anonymous Coward · · Score: 0

      I'm currently wondering how we could bring the Pirate Party to The Netherlands.. I too could unfortunately not vote for them.

      Wish I knew anything about political parties, how they're started, etc.

    4. Re:Arrr! by Anonymous Coward · · Score: 0

      There is one:

      http://piratenpartij.nl/news.php

      I will not go into the entire briefing of how the Dutch electoral system works, but basically it boils down to this:

      If you have a political issue, you can do one of 3 things:

      - Either you don't care enough, and don't in fact do anything (about 99% of the populace, unfotunately), or
      - You see if there is a political party already present that represents you in this issue, and you join them, or
      - You find there is no such party, and create one yourself.

      In the last case, there are a few rules (My Social economics class was a decade ago, so I'm a bit fuzzy on the numbers here).
      You have to declare at your city hall that you would like to create a political party. There is a fee involved (IIRC, it was 1000 guilders back then, so theoretically EUR 500) for registration. With a registered political party you can begin getting members for your party. If you reach a minumum percentage of votes (0,67%) in any official election you're running for, you get the registration fee back and you can select a member of your party to represent you in the house of representatives (2e kamer).

  21. Germany 0.9% for the Pirates by prefec2 · · Score: 4, Informative

    You need to get at least 0.5% to get money from the state. approx 7 cent per vote. The total results can be found here: http://www.bundeswahlleiter.de/en/europawahlen/EU_BUND_09/ergebnisse/bundesergebnisse/b_tabelle_99.html

    1. Re:Germany 0.9% for the Pirates by jps25 · · Score: 3, Informative

      It's actually 0.85EUR per vote up to 4 million votes, and 0.70EUR per vote for any additional votes. Check paragraph 18 PartG

    2. Re:Germany 0.9% for the Pirates by Anonymous Coward · · Score: 0

      0.85 EUR per year and vote, but not exceeding the amount that the party acquired through donations and membership fees. The German Pirate Party currently has about 1000 members, each paying a membership fee of 36 EUR per year.

    3. Re:Germany 0.9% for the Pirates by jps25 · · Score: 2, Informative

      If we want to be absolutely accurate then it is yearly:
      0.85EUR per vote up to 4 million votes
      0.70EUR per vote for any additional votes
      0.38EUR per EUR, which the party got through membership fees or donations or member of parliament fee, but only up to 3.300EUR per natural person are considered.

      The total may not exceed the sum of:
      membership fees
      member of parliament fee or similar fees
      donations of natural persons
      donations of juristic persons
      income of corporate activities and investments
      income of other assets
      income of events, distribution of brochures and publications and other income-related activities

      It's all in paragraphs 18(3) PartG, 18(4) PartG, 18(5) PartG and 24(4)(Nr.1-7) PartG.

  22. Pirate party is really Private party by Bjarne+Bula · · Score: 5, Insightful

    It should be noted that although they call themselves the Pirate party, the focus of the party is on questions of privacy and integrity. Issues where voters have been repeatedly ignored and even betrayed by the established parties.

    While one of the laws recently shoved down voter's throats, despite promises to the contrary, have been aimed towards curbing piracy, the real outrage has been against the privacy and integrity issues with this and other recently passed laws regarding interception of domestic communications etc. (Well, that, and giving corporations the ability to petition courts to perform searches that, under similar conditions, would not be granted even to the police.)

    1. Re:Pirate party is really Private party by TeknoHog · · Score: 2, Insightful

      Actually, a government-approved Pirate Party should be called Privateer Party :)

      --
      Escher was the first MC and Giger invented the HR department.
  23. They got one seat by dastrike · · Score: 4, Informative

    The 7.1% the Pirate Party got gives them one seat. See http://www.val.se/val/ep2009/valnatt/rike/index.html. It is incredibly unlikely that they'd get another one. Nearly all of the advance votes have already been counted.

    The advance votes get sent to the polling station where one would have normally voted on and are counted as part of the normal counting process. See http://www.val.se/in_english/2009_ep_election/index.html. Those advance votes that aren't counted yet are those advance votes that were placed on Sunday, which are relatively few given Sunday was the ordinary election day.

    Anyhow the final count will be available on Wednesday.

    --
    while true; do eject; eject -t; done
    1. Re:They got one seat by lordholm · · Score: 1

      It is confusing, since the PP got a virtual seat as well that will be realised when the Lisbon treaty is approved by the Irish.

      In the meanwhile, the virtual MEP will have the right to go to the EP and act as an observer. In this case it means being there as a parliamentarian, but without voting rights.

      We just have to hope that the Irish vote yes.

      --
      "Civis Europaeus sum!"
    2. Re:They got one seat by Jugalator · · Score: 1

      The 7.1% the Pirate Party got gives them one seat. See http://www.val.se/val/ep2009/valnatt/rike/index.html [www.val.se]. It is incredibly unlikely that they'd get another one.

      They'll get another one of the Lisbon treaty is passed, an issue the PP is against, but will probably happen anyway.

      --
      Beware: In C++, your friends can see your privates!
  24. I can't believe how cow handed the by Presto+Vivace · · Score: 1

    entertainment industry has been. There is a better way to handle this.

  25. Re:Are they a one-issue party? by alexhard · · Score: 5, Insightful

    They also want to reform patent and trademark law, but that's it. However, the issues that they are dealing with, most importantly the right to privacy, are in my mind (and obviously many others) much more important than the issue of whether taxes should be at 31% or 32%.

    --
    Infinite time means everything that can happen, will. You being you is absolutely incidental. You do not exist.
  26. Re:Are they a one-issue party? by Darkness404 · · Score: 1

    I don't think so, and I don't really think the point of the pirate party is to be a continual party. Their point is to say A) Filesharing for personal use should be legal B) Give us our privacy C) Enough people care about this that they will elect people who are virtually unknown just so they don't have to be stuck with you. Eventually, they will get their goals if this keeps coming up, real debate on copyright and privacy. When that happens other parties will take their stances (and most will be pro-pirate) and so eventually the pirate party will become obsolete. It takes a few radicals to make change happen.

    --
    Taxation is legalized theft, no more, no less.
  27. I'm following the elections-2nd seat not likely :( by blind+biker · · Score: 2, Interesting

    At the very beginning I was till hoping the good boys of PP will get the second seat, but by now it's very unlikely.

    Still, good initial showing. Congrats! Now time to open a Finnish chapter, as well (we Finns and Swedes always like to argue, but in truth we are very similar).

    --
    "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
  28. And Democracy reins... not in the U. S. of A. by erroneus · · Score: 1, Flamebait

    We the people in the U.S. should be a bit ashamed of this in all we claim about ourselves on a regular basis. For those who are paying attention, we already know we have shifted over into "the Corporate States of America" bent on expanding to become "the Corporate States of Earth."

    As far as copyright and intellectual property is concerned, I'll agree that there is a place for it, but it has exceeded its usefulness and purpose tremendously. It now harms the public, culture and future-history in its present form and should be balanced with the interests of the individual. We need a "Pirate Party" in the U.S... or at least a body like the EFF or ACLU or something like that. (NYCL? Is that your calling?)

    1. Re:And Democracy reins... not in the U. S. of A. by Anonymous Coward · · Score: 0, Troll

      only fucking ignorant hippies voted for the "free stuff!!!1111" party.
      The US makes billions from digital products. Only a fucking retard thinks its a good think tot tosally fucking trash the value of the futrues major economic production.
      When the dumbass hippies who voted for them have to go get a job, their popularity will crash to zero.

    2. Re:And Democracy reins... not in the U. S. of A. by bonch · · Score: 0, Troll

      It now harms the public, culture and future-history in its present form and should be balanced with the interests of the individual. We need a "Pirate Party" in the U.S... or at least a body like the EFF or ACLU or something like that. (NYCL? Is that your calling?)

      Give an example of the "harm" it has done. Meanwhile, you're the one advocating not paying artists for their work, which is more harmful than Disney having the rights to friggin' Mickey Mouse. That you actually think something called the PIRATE party deserves a place in government is scary.

      Face it. Copyright owners deserve to be able to make money off their work. If Disney works to get copyright extended, it's simply because the technology of entertainment has changed so that people still make money off of works from decades prior, and the laws have changed to accommodate it.

      All you want is to get shit for free, like other Slashdotters. Nothing more, nothing less. Any arguments about freedom or economic harm are mental justifications you use in your mind so that you don't feel like a bad guy when you pirate somebody's hard work.

    3. Re:And Democracy reins... not in the U. S. of A. by Anonymous Coward · · Score: 0

      The United States is not a democracy. No credible person even makes this claim.

    4. Re:And Democracy reins... not in the U. S. of A. by DAldredge · · Score: 4, Insightful

      How does my copyright on the code that I write harm the public, culture and future history?

    5. Re:And Democracy reins... not in the U. S. of A. by Stiletto · · Score: 2, Insightful

      If you quit your job tomorrow, would you keep getting paid until 70 years after your death?

    6. Re:And Democracy reins... not in the U. S. of A. by mqduck · · Score: 1

      we already know we have shifted over into "the Corporate States of America"

      Not that I'm not proud of the revolutionary history in this country, but let's be real: the only thing "the Corporate States of America" shifted from is "the Slave States of America". Republicanism is more a form of government than a definition of who that government works for.

      --
      Property is theft.
    7. Re:And Democracy reins... not in the U. S. of A. by Microlith · · Score: 1

      You might charge for it. And according to Slashdot, compensating artists for their work is bad.

    8. Re:And Democracy reins... not in the U. S. of A. by Anonymous Coward · · Score: 0

      no, you're both wrong. Compensating artists is fine.

      The thing that is bad is using government force to keep your business model. If your business model cannot exist without a law forcing(all laws are backed by the threat of force) people to do what you want them to do, then your business model is fucked up.

    9. Re:And Democracy reins... not in the U. S. of A. by DAldredge · · Score: 3, Insightful

      Since shops use the police and court systems to arrest and prosecute thieves is their business model messed up too?

    10. Re:And Democracy reins... not in the U. S. of A. by walshy007 · · Score: 1

      It is essentially depriving the public of public domain, copyright is given as an incentive to authors of works to make works, but can you honestly say that it gives benefit to you 70 years after your death?

      Most of the problem people have with copyright nowadays is all about the absurd duration.

    11. Re:And Democracy reins... not in the U. S. of A. by DAldredge · · Score: 1, Interesting

      How long do you feel copyright should be?

    12. Re:And Democracy reins... not in the U. S. of A. by erroneus · · Score: 2, Interesting

      "shit for free"? Hardly. I buy quite regularly when it suits my interests. I love the trend of putting TV shows on DVD. I have lots of those series collections. If a movie is good enough, I will buy it and put it on the shelf as well. I don't think there is a single person here who wouldn't prefer to have legitimate copies of their favorite things.

      In your Disney example, you suggest that it is reasonable for Disney to have their copyright extended because the MEDIUM has changed or it has been digitally enhanced or some such thing? By that argument, books could also qualify for this by changing the font. Disney made their money and once they have done so, the other side of the copyright agreement should kick in -- it should go to public domain. The first part of the agreement is that the copyright owner and licensed publishers should enjoy protection under law against unauthorized commercial distribution for a limited time. Once that time expires, it's public domain. I'm guessing you don't have a problem with the first part of the agreement. What is your problem with the second? It has been thwarted and prevented at every turn to the detriment of the public. And it's nice that you bring Disney up. The original Mickey Mouse cartoons should now be in public domain. And the politically incorrect "Song of the South" (you know the one with the ever famous Zippidy do dah song?) will NEVER be published again and will be gone forever simply to save Disney's face on the matter. I have unauthorized DVD copies of this famous work simply because it is too good to let it die even if Disney would prefer that it did.

      This ability to effectively withdraw a published work from the public and preventing it from ever being available by the time the copyright expires is a feature of copyright that was never intended by the lawmakers since the equitable agreement should be that the works become owned by all. (There is nothing to own if the work has died and ceased circulation some 80+ years prior!) Our very human legacy of art is indeed at risk simply because someone wants to collect money from work that someone else did more than 50 years prior. It's all quite insane when you think about it.

      Interesting aside: There was a political parody put out some time ago that used the song "This land is your land, this land is my land" and the political speech was attacked on the grounds that it infringed on copyright. That song had passed into the public domain and yet copyright law was being used to assault political speech -- our most precious first amendment. The government and copyright holders know too well that copyright law is a weapon and that they can, will and have in the past [ab]used it to harm the public.

      Yes, the "pirate party" does deserve a place in government to balance out the out of control nonsense that has occurred so far.

      Disney doesn't "work" to get copyright extended, by the way... they pay lobbyists who in turn do all sorts of questionable and corrupt things to influence government to do their bidding. But seriously, if you don't see the harm abuse of copyright law is doing, you haven't been paying attention. The Church of Scientology often uses copyright at a weapon against people who criticise what they do. And in my previous example of political speech being threatened using copyright law. There have been innocent people forced into settling with the RIAA because they couldn't afford to defend themselves in court. Teenagers have been forced to quit school due to their practices. (Please, let's not do the guilty until proven innocent crap -- are you American? You can't be stupid enough to believe that simply being innocent is enough of a defense. You have to be able to PAY to defend yourself and average people simply can't afford that kind of "pride.")

      Copyright law and especially prosecution was designed to prevent unauthorized publishers and distributors from profiting. It was not designed to attack individual people.

    13. Re:And Democracy reins... not in the U. S. of A. by MrMista_B · · Score: 1

      The USA isn't a democracy, and has never been a democracy at any time in it's history, ever.

      The USA is a /republic/.

      People who claim the USA is a democracy are /always wrong/. /pet peeve

    14. Re:And Democracy reins... not in the U. S. of A. by Kavorkian_scarf · · Score: 1

      You are a close minded idiot. While the name of the party is quite ridiculous, and the truth of the matter is that piracy is more or less the scourge of media in any form, why don't you look instead at the bigger picture? Thy don't you look at the potential ramifications of misguided laws regarding digital freedoms? The encroachment upon the liberties that are in jepordy because of governments being bribed and mislead by giant multinationals? You talk about the Pirate Party as though it simply advocates copyright infringement and does nothing besides. What if the party was named "We Love kitties and capitalism in all forms" party? Would you assume it is a party for the ethical treatment of baby felines and money grubbing whores? Its a name, so it sums up nothing about the party, all it does is grab attention and pique curiosity. Shut your miss-informed ignorant mouth before something bad happens to you.

    15. Re:And Democracy reins... not in the U. S. of A. by walshy007 · · Score: 2, Informative

      I think somewhere in between the realm of 15 to 30 years is more than reasonable. If you have not made money on something by the time your 50 that you made when you were 20 then it is better served for the public good.

      Steamboat willie came out in 1928, that that particular cartoon is still in copyright 80 years later is rediculous.

    16. Re:And Democracy reins... not in the U. S. of A. by twostix · · Score: 1

      There's a 99.999% chance at least some of it is violating multiple patents for starters. So probably quite a bit of that code that you wrote, you actually don't own the "IP" to. You're stealing from someone else.

      And if you agree with the new IP movement then you're a thief and hypocrite if you aren't licensing all code and concepts that you use that infringe.

      As for copyright, it's as irrelevant to talk about copyright with regards to code as talking about the copyright that exists on the finger painting my 1 year old did this morning. When is code *ever* subject to copyright litigation? It happens *so rarely* it's not worth wasting a single thought to think about. Contract law, NDAs, dodgy licences, compilers and obfuscaters protect "code" as a general tradition.

      No the real issue is why should people who upload Bing Crosby's work - someone who's been dead since 1977, be issued take down notices against their *own* creative works on Youtube in 2009?

      Who alive contributed *anything* to that music? Who can possibly claim any "right" to a DEAD MANS music by saying their trying to protect artists rights??

      This discussion is about culture, not people who push buttons* and call it "art".

      *Pushes buttons for a living.

    17. Re:And Democracy reins... not in the U. S. of A. by jsa95 · · Score: 1

      By allowing you to be a complete fscktard over uses of your code, even a few decades after you're dead.

    18. Re:And Democracy reins... not in the U. S. of A. by I+cant+believe+its+n · · Score: 1

      When the dumbass hippies who voted for them have to go get a job, their popularity will crash to zero.

      I realize that you are just a troll, but perhaps thinking americans will also read this
      [even though I am but a dumbass hippie]:

      In my country, brutal people who attack others simply because they enjoy it, are usually convicted harsher than people who help publish other peoples links. Thanks to recent pressure from U.S. industry, this has changed.

      ---

      You may not see it from within the US media blanket, but to the outside world the US has really changed.Once the U.S. was respected around the world for defending freedom of ideas and ideals. Now people just don't want to be sat on by fat uncle Sam. (I all fairness, Obama is working hard to reestablish respect, but there are many areas where your country ignores the rights of others, just because you can)

      When I was a kid, the U.S. stood up against the agressive communist block which we had just across the baltic sea. The russians often accidentally happened to cross into swedish airspace and they suddenly decided that the border between our two countries was not where international agreements would put it. We had subs in our waters and a great deal of "eastern traveling salesmen" working near military installations and visiting the homes of our pilots.

      Back then, me and my family loved the U.S. All of us knew that the U.S. was a good force and supported our countrys independence from the eastern block. The best thing: we where free to love or to hate you, and free as a nation to forcefully speak out against the U.S. without having this support suddenly disappear. That earned you much respect. You could have easily backed us into a corner forcing us to push the U.S. agenda instead of our own, but instead we got freedom and justice.

      Because of this, a part of me still loves red, white and blue, but you have seriously got to find your way back.

      --
      She made the willows dance
    19. Re:And Democracy reins... not in the U. S. of A. by Anonymous Coward · · Score: 0

      If you build a great new Thingamabob software, and copyright it, and don't license it via a free software license like GPL or BSD, then anyone else trying to build a better Thingamabob must somehow acquire an equivalent of your Thingamabob. They either have to buy it from you, or spend the time and effort to build one of their own. Unless your terms for purchasing the code and distribution rights on your Thingamabob are very reasonable, they'll likely try to build one. And this means that programmer effort that could have been used building a better Thingamabob must now be spent replicating your work. Thus, Thingamabob technology improves slower than it would without the copyright.

      Of course, without any copyrights, you probably would have less motivation for building a Thingamabob in the first place. That's why there's a need to strike a balance between having enough copyright protection to make it worth your while, and enough public domain so that there can be development over time. The problem is that right now copyright protection is for somewhere around 150 years, so we've shoved the pendulum too far to the side of making your work worthwhile.

    20. Re:And Democracy reins... not in the U. S. of A. by VJ42 · · Score: 1

      The USA isn't a democracy, and has never been a democracy at any time in it's history, ever.

      The USA is a /republic/.

      People who claim the USA is a democracy are /always wrong/. /pet peeve

      The two are compatible, the USA is a democratic republic, just as the modern UK is a democratic constitutional monarchy, North Korea is a dictatorial republic and European countries in the middle ages were absolute monarchies (some are now republics, others are constitutional monarchies all except Belarus are democracies.)

      --
      If I have nothing to hide, you have no reason to search me
    21. Re:And Democracy reins... not in the U. S. of A. by ultranova · · Score: 1

      How does my copyright on the code that I write harm the public, culture and future history?

      Any attempt to enforce that copyright requires monitoring and censoring communications between third parties, which means that any would-be dictator has ready-made tools of surveillance and censorship waiting for him, thus harming the public. Furthermore, limiting the number of copies in existence decreases the chances that at least one of them survives, thus making future historian's job that much harder. Finally, human culture evolves by taking ideas from other people, combining them and adding your own, and then passing the result onward to be used as raw material for the next iteration of the cycle. Copyright forbids this creation of derived works, which slows down the evolution of our culture.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    22. Re:And Democracy reins... not in the U. S. of A. by alexo · · Score: 2, Insightful

      How long do you feel copyright should be?

      Let me chip in.
      In my opinion, the length of copyrighted should be bounded such that a work will revert to the public domain while it is still somewhat useful and relevant.

      For literary works, I would say less than one generation after it was written, 15-20 years sound about right (cf. the Statute of Anne, which "created a 21 year term for all works already in print at the time of its enactment and a 14 year term for all works published subsequently.")

      (Note: with the advancements in communication and distribution in the last 300 years, the length of copyright should have decreased instead of increasing.)

      For computer programs, at most a "software generation" (to be defined). Probably 10 years or so.

    23. Re:And Democracy reins... not in the U. S. of A. by Anonymous Coward · · Score: 0

      It doesn't. Your licensing terms (or lack of terms) do.
      The GPL shows that clearly.

      It does harm to hide away good code from other programmers.
      It does harm to hide your bugs from scrutinizing eyes
      It does harm to hide your weird and funny comments from the public

    24. Re:And Democracy reins... not in the U. S. of A. by Anonymous Coward · · Score: 0

      It doesn't, at least not in it's present form. Hence that's not the issue here.
      Now, software patents might be another thing with regards to stifling innovation.

  29. Great. Anti-swpat MEPs by H4x0r+Jim+Duggan · · Score: 2, Insightful

    The Pirate Party have policies against software patents, so this is good news also in that respect.

    Their voting weight will be small, but they can help make the group dynamics of the European Parliament more favourable to campaigners against software patents (much as the Greens did in 2002-2005, and still do).

  30. Hope is procrastination Re:Hope? by Anonymous Coward · · Score: 0

    If it weren't for the hippies Europe would not be an "aging society", they dealt a double whammy to Europe after the population losses of WWII. May all manner of socialists continue to lose support in Europe. And may we be lucky enough to ignore every social and political meme that has come out of the Fubar States of America the last 50 years and whatever poison they choose next.

  31. More about the Swedish Pirate Party by TorKlingberg · · Score: 5, Informative

    The Pirate Party has an English page here that describes the basics. It has gained a lot of support after they, together with bloggers etc, managed to drum up public opposition to a wiretapping law, a law forcing ISPs to store traffic data, new copyright enforcement laws and the Pirate Bay trial. It has been growing since 2006 and spreads internationally, but this is the first parliamentary seat.

  32. Mutiny in the EU. by ae1294 · · Score: 4, Insightful

    Woah... they went from 0 to 100kph in like 1 second. If I was the other parties i'd be taking notice. One seat probably isn't going to change much but it has been amazing to watch this whole thing unfold and the threat it all posses to the other parties if they don't stop taking money and order's from big business/brother...

    1. Re:Mutiny in the EU. by Opportunist · · Score: 5, Insightful

      It's not so much this one seat, it's the 7% that should shake up other parties. 7% is a lot, especially in Sweden. Hell, it would be a lot in most countries that don't consist of just a two-party system!

      7% is something YOU want for YOUR party. And it's not like you have to turn your party upside down to incorporate the issues of what is basically a two-issue party: Privacy and copyright/patent laws.

      Those 7% are yours for the taking. Take our privacy and our concern about the harebrained copyright and patent laws serious, and they could be yours!

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:Mutiny in the EU. by Kjella · · Score: 2, Insightful

      * only applicable to parties that have credibility left in these matters.

      --
      Live today, because you never know what tomorrow brings
    3. Re:Mutiny in the EU. by Opportunist · · Score: 1

      Aww, c'mon, credibility... Who needs credibility if you can smile down from an election poster with a stern look on your face telling your voter that you would NEVER let their privacy be eroded away? It worked over and over, nobody ever held a party's promises against them when they voted diametrally opposite to their claims.

      Isn't it kinda odd that they slug dirt at each other in any kind of form, even "your mom" is not considered below the belt, but no party, ever, reprinted the slogans of their opponents for the next election so voters would be reminded how they were cheated and lied to? My theory is that everyone fears they'd be subjected to the same if one dares to open that pandora's box.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    4. Re:Mutiny in the EU. by Anonymous Coward · · Score: 0

      Brilliant analysis, Thanks!

  33. The pirates like FOSS by CHJacobsen · · Score: 5, Informative

    It might be interesting for slashdotters to know that the top-candidate of the Pirate Party is a free-software contributor, and has been working a lot previously to establish open standards and to fight software patents.

    Their success might turn out to be an asset for free software as well as integrity.

    1. Re:The pirates like FOSS by cliffski · · Score: 0, Flamebait

      Nice to know that he is giving away his work for free. Less nice to know he wants to ram his own fucking business model down the throats of everyone else who makes software.

      What fucking arrogance.

      --
      DRM-free indie games for the PC and Mac: Positech Games
  34. It's fucking Sweden, a dark and cold place by Anonymous Coward · · Score: 0

    Who the fuck really cares what a swede does, or votes for? When was the last time you heard about Sweden-anything? Never? That sounds about right. Sweden was once known for an all-chick ski team. That's about it. If you know of more sweden-things, speak up.

    1. Re:It's fucking Sweden, a dark and cold place by HappySmileMan · · Score: 1

      Who the fuck really cares what a swede does, or votes for?

      If they get elected to European parliament then the rest of Europe is obliged to care and must count their vote. That said, it's only one vote, but I'd be willing to bet that the other MEPs will hear a lot more about copyright, patent, FoI and privacy in the future.

    2. Re:It's fucking Sweden, a dark and cold place by Anonymous Coward · · Score: 0

      I do, because its fucking one of the most intelligent, human and open minded nation on earth, together with the Netherlands and Denmark. If you are from USA, consider yourself living in dark ages compared to those countries.

    3. Re:It's fucking Sweden, a dark and cold place by elvesrus · · Score: 0

      you forgot about their meatballs

    4. Re:It's fucking Sweden, a dark and cold place by rawler · · Score: 1
      Oh, I don't know, maybe you've heard of
      • A band called ABBA (or ABBA, if you prefer it backwards)
      • A car brand called Volvo (popularly used for smashing into things in Hollywood)
      • Something called IKEA (or maybe it's japanese)
      • Ericson as in Sony-Ericson (yeah, that's probably Ericson, the Spaniard famous for introducing sex-hot-lines across the Atlantic)

      Oh, and then I suppose there's nothing else. So, you're probably right, why care that almost 8% of all voters in a small offside country thinks that the privacy/copyright/IP questions are more important than all other questions combined (you know, stuff like clean air, working agriculture and maybe some sort of healthcare).

      I'm sure it'll rub off on nobody.

    5. Re:It's fucking Sweden, a dark and cold place by lordholm · · Score: 1

      May I counter: Who the heck cares what a person from [insert US state here (I think of Utah and Nebraska)] votes for? When was the last time you heard of [US-state]-anything? Never?

      The point is, no, Sweden is not that well known, but certainly more known than its size suggest, but that I guess that most Americans think of Europe as a big blob (as do I and I am a European), and in this case it is actually correct to do so. The vote was for the European Parliament, not the Swedish riksdag. This means that the weight of it is about the same as if a PP member would be voted in to the US congress.

      --
      "Civis Europaeus sum!"
    6. Re:It's fucking Sweden, a dark and cold place by BlackSash · · Score: 1

      Ohh I WISH I could count the Netherlands as an intelligent, human and open minded nation.. I really do. Unfortunately, I live there. Quite frankly, with Geert Wilders actually getting votes for our national parliament: a guy so openly anti-islamic that he has proposed banning all islamic immigrants to either "integrate or GTFO", as well as sending back [b]second and third generation[/b] immigrants, just because they have a religion he doesn't agree with, to wherever their grandparents came from; I am extremely hesistant to call my own nation open-minded anymore.

      People around here are about as dumb and closed-minded as they are anywhere: the image of the Netherlands being enlightened and bright is unfortunately a memory of a history long past...

      I live here, and I will continue to live here, though, because for what it's worth, this is still a good place to live. Healthcare works, social security works, we are a wealthy country and for all intents and purposes out government still somewhat listens to the general populace.

      Besides that, I do my bit in taking this country back to something I can be proud of: I am a member of the Dutch version of the Pirate party, I go to rallies and participate in the debates. I have to. I want to live here.

      --
      Posting obviously for anonymous reasons.
    7. Re:It's fucking Sweden, a dark and cold place by Jesus_666 · · Score: 1

      There's also the little matter where Sweden has the second fastest home internet connections in the world by a respectable margin (even though they still come nowhere near Japan's ludicrously big pipes).

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
  35. Re:Are they a one-issue party? by HappySmileMan · · Score: 1

    Freedom of Information and Privacy are their stated goals, and that with regards to both online and offline activities.

    So it's limited, but not nearly as limited as JUST copyright and patent reform.

  36. Two seats, one vote by rednacid · · Score: 2, Informative

    They get two seats, but the second seat will be a non-voting seat (She [assuming it is Amelia Andersdotter]) will get the salary, personal staff but no vote until and if the Lisbon treaty passes.

  37. Like Communists by Anonymous Coward · · Score: 0, Troll

    Ugh. How horrible. It's like seeing the Communists placing in the EU elections. Neither of them understand basic economics.

    1. Re:Like Communists by colinrichardday · · Score: 1

      So the RIAA picked up some seats as well?

    2. Re:Like Communists by Ihlosi · · Score: 1

      Ugh. How horrible. It's like seeing the Communists placing in the EU elections. Neither of them understand basic economics.

      Did you see the actual ballot? Compared to some of the parties on it (how about an "esoteric" party), the Commies seem downright sane.

    3. Re:Like Communists by pimpimpim · · Score: 2, Insightful

      In the last year there was 12 Trillion dollar spent on bailing out banks. By non-communist parties. Again, who actually HAS an understanding of basic economics? Neither the banks nor existing parties in power, apparently. The worst thing is, nobody still knows how this immense amount of bailout money is going to be paid back, everybody is just trying to act as if nothing happened.

      --
      molmod.com - computing tips from a molecular modeling
    4. Re:Like Communists by Jesus_666 · · Score: 1

      Aw, c'mon. I was really hoping for a big coalition between "Europe - Democracy - Esperanto" and The Violets (who campaign for holistic politics).

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    5. Re:Like Communists by TeknoHog · · Score: 2, Insightful

      What does basic economics tell about digital goods, as they have an infinite supply and a zero marginal cost of production?

      --
      Escher was the first MC and Giger invented the HR department.
  38. Gratz to the Pirate Party by ZarathustraDK · · Score: 1

    If you wanna invade Denmark anytime soon you'd be most welcome ;)

    --
    If you quote this signature there'll be 72 copies of Windows ME waiting for you in Heaven.
    1. Re:Gratz to the Pirate Party by Carewolf · · Score: 1

      Piratgruppen in Denmark is older than Piratpartiet, they just never came up with the idea of becoming a political party.

  39. Arrrr! by realnrh · · Score: 1

    Whar be the swarthy sea-dogs in eyepatches and conical paper hats? 'Tis time to play Pin The Tail On The IP! And don't forget to trade the files on the USB sticks hidden in yer peg legs, me hearties!

    --
    Long? What do you mean the signature at the bottom of every comment I post on Slashdot is too lo
  40. Seems to me like people in Europe enjoy more freed by melted · · Score: 5, Insightful

    Seems to me like people in Europe enjoy more freedoms than we do here in the US - the self proclaimed "Land of the Free, Home of the Brave".

    That's what you get with a single party system, my friends. And no, this is not a typo - Dems and Repubs are pretty much the same party with minor variations. There's nowhere near the diversity of political opinion in the US as what you'd see in Europe. We need a raving, rabid, card carrying socialists to balance the equation somewhat on this side of the pond. All branches of the government have been licking the Big Business' behind for far too long.

  41. Re:Are they a one-issue party? by Pinckney · · Score: 1

    The Pirate Party only has three issues on its agenda:

    That's from their English information page. So yes, they virtually are. On the other hand, I don't think it really matters. They're not going to become a dominant party, but they may come to play a useful role in influencing legislation. But no, you probably wouldn't want to give them presidency of the parliament.

  42. Re:Seems to me like people in Europe enjoy more fr by guyminuslife · · Score: 2, Funny

    Shocking! I've never heard such stunning allegations about the United States before! My good sir, who do you think you are? ;-)

    --
    I don't believe in time. It's a grand conspiracy designed to sell watches.
  43. Established parties seems to have dropped the ball by matsoo · · Score: 2, Informative

    Seems the other parties completely missed the importance of this issue, the only other party that took this seriously and campaigned for increased protection of personal integrity was the Green Party, and they too seem to have gained an extra mandate from this issue.

    The pirate party will most likely send Christian Engström to Brussels, who actively (and successfully) campaigned against software patents in the EU as a member of FFII, so it will be very interesting to see what he can do these next 5 years.

  44. I'm proud today by Hazelfield · · Score: 5, Insightful

    Sweden has for a long time been known as an advanced IT nation with widespread computer use, broadband connections, IT companies and so on. In the last few years that has come to change with new repressive laws like FRA and IPRED, but today we took back some of our lost pride. It's good to see that we give Europe a voice for a reformed copyright and patent law, free culture, and privacy and democracy on the Internet. Even if it's difficult for this person - most likely Christian Engström - to affect decisions directly among 735 other MPs, his presence will have two important consequences:

    1) It gives Brussels some sorely needed competence on these issues to act as a counterweight against lobbyists trying to influence decisions.

    2) It sends a message to the other parties that they cannot continue ignoring the rights of their citizens forever.

    I voted for the Pirate Party and I hope this result will be the first step towards a European Union that cares more about our rights online.

  45. If piracy is okay... by Overly+Critical+Guy · · Score: 0

    If piracy is okay, then I can use GPL code however I want, because if copyright law is wrong, then the GPL has no legal standing. The GPL relies on copyright law in order to be a legally binding license.

    Do Slashdotters even think their positions through, or are they too self-serving to see through their own bullshit?

    --
    "Sufferin' succotash."
    1. Re:If piracy is okay... by gbarules2999 · · Score: 1

      What do you want to do with GPL code that you can't? Just wondering.

    2. Re:If piracy is okay... by FatLittleMonkey · · Score: 1

      Do you read this site? I mean, you are a 600k UID, I'm around 1.3 million; yet in the short time since I registered an account, I've seen that GPL argument many times. Hell, every time a copyright topic emerges, some idiot drags it out. And each time someone carefully explains why it's wrong.(*)

      So why are you still posting the same exact argument, unaltered, as if it hadn't been discussed and dissected so many times before. As I asked, do you actually read this site? Or is your post just an obscure troll?

      * For anyone genuinely new: The usual counter is, "GPL may require copyright, but it also only needs to exist because copyright exists. If there was no copyright, all software would be freeware, and all available source would be open. While you could, theoretically, hide your code and just release binaries, if everyone can copy (and hack) your binaries freely, what is your motivation for doing so? There's no commercial advantage."

      --
      Science is all about firing a drunk pig out of a cannon just to see what happens.
  46. By The Numbers by westlake · · Score: 1

    There are 736 members in the European Parliament.

    200 more than the US Congress. It all seems a little unwieldy. Difficult to make an impression.

    The median age:

    Sweden 41 US 37 CIA World Fact Book

    Reality shows are the most successfully exported European television programmes, notably to the United States.


    Programmes such as Survivor - produced by British-Swedish company Planet 24 and which has contestants competing in the wilderness for cash and other prizes, Big Brother of the Netherlands' Endemol - where a group of people live together in a house isolated from the outside world while constantly watched by cameras, and British 19 Television's Pop Idol - a show for music star wannabes, have become massively popular with American viewers.


    Under EU rules, the majority of the European channels' programming must be devoted to European works, with at least 10 percent of that time or of their programming budgets to independent European productions.


    Currently, certain channels in eight EU member states - Belgium, Estonia, Ireland, Italy, Poland, Romania, Sweden and the UK - still do not comply with these requirements however, and European productions account for less than 50 percent of their programming.

    Europe's Biggest TV Export: Reality Shows [May 29}

    This suggests to me that support for piracy is strongest where support for the politically-mandated domestic product is weakest.

  47. Freeloaders of the world Unite! by Anonymous Coward · · Score: 0

    Freeloaders of the world Unite! 'nuff said.

  48. Do you need 150 years copyright? by Nicolas+MONNET · · Score: 4, Informative

    Wouldn't a 20 year copyright be more than enough for you, as a game developer? Because that's what the Pirate Party is advocating. Currently, in many countries, copyright extends up to 70 years after the death of the author. What sense is there in that? It's bullshit, plain and simple. And nobody's fighting against this crap in the political arena, nobody but the Pirate Party.

  49. Want to hear something scary? by castrox · · Score: 1

    It's okay.. but don't make the mistake to think this is just about online privacy. This is offline privacy as well. How about having your cellphone tracked 24/7 and having those logs stored for 6 months. Or those hilarious SMS:es you sent while out partying, also stored for 6 months. This is now reality. Pretty rough awakening, don't you think? Not the most pressing matter? well perhaps not. We all value things differently. Me, I take my privacy way more serious than other EU matters or even the financial crisis. //castrox

    --
    Fight for your digital freedom, join the EFF *now*: http://www.eff.org/support/
  50. Re:Seems to me like people in Europe enjoy more fr by Eponymous+Crowbar · · Score: 2, Insightful

    Yeah, that's a little deceptive. When is the last time a song was banned in the US? If you are an adult, have you ever had trouble purchasing a violent video game in the US? If you are a member of an extremist group (non-violent, at least), do you need to hide that in the US? Can you buy military style weapons in the US? You may not agree with some of the freedoms we have in the US, but they remain available.

    I could come up with a list of things that are more accessible and free in the EU. It's give and take. Each area has advantages when it comes to freedom. I don't think you can make a blanket statement that one area enjoys more freedoms than the other without qualifying which freedoms are most important to you.

  51. I sure hope one seat doesn't matter much by Anonymous+Brave+Guy · · Score: 3, Informative

    While this is obviously a welcome result for those who support The Pirate Party, I think a lot of people posting here over-estimate the influence one MEP is going to have. At least I hope they do, because here in the UK, the British National Party just won a seat as well.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    1. Re:I sure hope one seat doesn't matter much by Anonymous Coward · · Score: 0

      One vote is insignificant in the parliament.

      The ability to reason and negotiate with other parliamentarians may not be, based on how you support your arguments with facts and how likeable you are.

      If they can find a home in a family, they can bring some important issues to the attention of the parliament.

    2. Re:I sure hope one seat doesn't matter much by skrolle2 · · Score: 5, Insightful

      In terms of voting power a single MEP sure doesn't contribute much, but the main benefits of having the Pirate Party represented is that there is now one person on the inside that can report on everything that threatens privacy and integrity or furthers the copyright maximalist agenda. He can expose and bring all those issues to the public eye, where other MEPs may or may not be interested in doing so. The other benefit is that he can talk, build alliances, educate and speak to the other MEPs as an equal, not as an outsider with an agenda, because he now has actual voter mandate to do so. There are also a lot of other MEPs from other parties that care about these issues, and there is now one person whose only job is to bring them all together and drive these issues in the direction we want.

      The nationalists may have gotten a few seats, but in this issue most other MEPs are engaged against them, educated about it, and know exactly that they do not want to work with them, so it's much more of an uphill battle for them.

    3. Re:I sure hope one seat doesn't matter much by FourthAge · · Score: 1

      MEPs do not do very much, and have very little power, although they are very well paid. The real power in Europe lies in an unelected soviet of 27 European Commissioners. None of these people are fascists, but they're not democrats either.

      I live in that BNP MEP's region. Of course I voted against him, and it is a shame that he won his seat, but I am far more angry that people here are still voting for Labour, in spite of everything.

      --
      The tao of democracy: the government you can vote for is not the real government.
    4. Re:I sure hope one seat doesn't matter much by lordholm · · Score: 1

      No, the real power lies in the indirectly elected European Council.

      The commission simply ensure that the agreed rules are implemented and followed. They in term are appointed and need support from both the Council and the Parliament.

      I really dont understand what british people have against the Commission, the work sort of like a government (i.e. they are appointed but requires parliamentary approval).

      Instead you should be thinking about the massive over power of the Council. The Council have right to make law, and they are not directly elected, from a democratic point of view this is a far greater problem.

      Not that the idea of having an election of the Commission president is unappealing, but doing so disables fundamental parliamentary traditions since the Commission then is no longer responsible to the Parliament. Last EP-elections, the EP made it clear that they decided whether a Commission member was acceptable or not.

      The very link you point out also clearly states that:

      In addition to its role in approving a new Commission, the European Parliament has the power at any time to force the entire Commission to resign through a vote of no confidence. This requires a vote that makes up at least two-thirds of those voting and a majority of the total membership of the Parliament. While it has never used this power, it threatened to use it against the Commission headed by Jacques Santer in 1999 over allegations of corruption. In response, the Santer Commission resigned en masse of its own accord, the only time a Commission has done so.

      --
      "Civis Europaeus sum!"
    5. Re:I sure hope one seat doesn't matter much by lordholm · · Score: 1

      That depends, a MEP can have a lot of influence in the questions they are involved in. But, in general they need to belong to a party group for this.

      PP has stated that they intend to join either ALDE (the (classic) liberals) or the greens, depending on where they get most in return from.

      ALDE is far larger and that group would be a far better target.

      In any case, BNP is in general seen as neo-nazis by most people, so they cannot really expect to be accepted in any group, not even the most EU-critical groups would want to be associated with them, so they will remain group-less, which will basically severely limit their contribution and influence.

      The BNP is not very likely (by their very nature) to seek to cooperate with other partys either which is PPs goal.

      Politics is about making compromises and cooperating with eachothers, so the influence of PP will far outweigh the BNP.

      --
      "Civis Europaeus sum!"
    6. Re:I sure hope one seat doesn't matter much by FourthAge · · Score: 1

      I think your reply only serves to illustrate just what a corrupt and anti-democratic mess the EU government really is, and what's more, has been for decades. That's a big part of why we don't like it! We could argue at great length about which parts of the EU government are most like Soviet Russia, and in what way, but why bother? It's not something that we would choose to be involved with, and of course, that's why "we the people" have never been given an opportunity to leave.

      --
      The tao of democracy: the government you can vote for is not the real government.
    7. Re:I sure hope one seat doesn't matter much by lordholm · · Score: 1

      Demand change then, but leaving a successful organisation that is the only hope for the future of Europe is hardly productive.

      Would you want your municipality to leave the UK because the British parliament have been proven to be corrupted over their ears?

      I think that you would demand change and more transparency. The same should logically hold to the EU instead.

      I do not like the current management of the Union, but this is no reason to leave. What I demand is more transparency and accountability, more democracy. The Lisbon treaty is a good step since it moves power from the Council to the Parliament, but it is far from perfect, but guess what... neither is the UK or Sweden or [insert member state here].

      Progress can only be made by change and evolution of society, not by going back to the dark ages where European brothers and sisters had to go out in battle against each other.

      The Union is the most important reason that we have now had peace on the continent for 60 years. That little fact does not have a price-tag, it is invaluable.

      Another thing is that in a world where you have:

      China: 1 billion citizens
      India: 1 billion citizens
      US: 250 million citizens

      The formation of the African Union, Asean and Meroscur only cements the need for Europe to stand together.

      Do you really think that the European states could stand by themselves? The EU in total pools together 500 million citizens, giving Europe a competitive edge that allow us to survive as independent people.

      Thus, the Union is as necessary as water itself for the future of Europe.

      Now, you may argue that a trade block is enough, but that brings in all the issues that the EU is trying to solve, if trade is regulated by the Union, then you must also have some people that are responsible to the citizens of Europe. Otherwise you will have a number of non-elected ministers deciding about everything, this is called confederalism and cannot be seen as being in the interests of the people, as by definitions, a confederal union only cares about the states.

      I know a lot of British are complaining that they only joined the EU (or EC/ECSC/whatever it was called then) for the free market. This is complete bullshit, the EU has always been about building a common future for the citizens of Europe and a sort of United States of Europe, this was as clear as water in Schuman's founding speech of the Union. Saying anything else, just suggests ignorance of history. There is nothing in the EU that is close to Soviet Russia, where do you get that idea. You can for example form a party and stand for the EP without being thrown in a Siberian camp. You can also express your opinion and tell the Commission/Council/Parliament to go bugger themselves without fear of being dragged away to a mental institute or a camp in Siberia.

      Also, I was never given the opportunity to vote for my municipality or province to leave my state, but I do not recent for that.

      --
      "Civis Europaeus sum!"
    8. Re:I sure hope one seat doesn't matter much by polar+red · · Score: 1

      but they're not democrats either

      BS. those 27 people are put forward by their resp. governments, so they are elected indirectly.

      --
      Yes, I'm left. You have a problem with that?
    9. Re:I sure hope one seat doesn't matter much by 91degrees · · Score: 1

      The BNP is not very likely (by their very nature) to seek to cooperate with other partys either which is PPs goal.

      True. Even the parties that have the same nominal goals and the BNP would like to associate with (specifically UKIP but there are others) will want to disassociate themselves from the BNP as much as possible.

      Honestly - I have no idea what the BNP voters hope to achieve.

    10. Re:I sure hope one seat doesn't matter much by Anonymous+Brave+Guy · · Score: 1

      Honestly - I have no idea what the BNP voters hope to achieve.

      For many of them, Gordon Brown's resignation, I would imagine.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  52. Re:Are they a one-issue party? by Opportunist · · Score: 1

    Considering what else is "offered", I'd say that can already be far more than enough to get my vote.

    Let's be honest here, when I peruse our political parties and their agendas... yes, it would be enough to get my vote. At least it's something I support.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  53. Re:Are they a one-issue party? by Opportunist · · Score: 5, Insightful

    IIRC they didn't even want to be a "real" party. They basically wanted to get enough votes so other, established, parties would pick up their issues to harvest those votes back.

    I forsee the same development we had in the 80s with the Greens all over Europe. Nobody took the "eco-loonies" serious, nobody cared about environment issues, so a party was founded and behold, it was important enough to enough people that some "fluffy treehugger party" gained enough speed to become an established party. The Greens started out as a one-issue party as well: Environment and pollution. Now they're something the "established" old parties have to deal with.

    You'd guess they should've learned their lesson from the 80s, that they should pick up other parties' issues before they become strong enough that voters don't consider it a "lost vote" if they cast their vote for them. Appearantly, parties don't learn from history more than the average person does...

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  54. Re:Seems to me like people in Europe enjoy more fr by Opportunist · · Score: 0

    Don't get your hopes up. Sweden is a noteworthy exception in Europe, most of the rest is basically stuck in a similar system the US "enjoy". Two almost impossible to distinguished "mass parties" sharing about 60-80% of the seats in the parlaments, with some minor parties sprinkled in to make the whole thing a wee bit more interesting. And even this "interesting" part has been mostly eliminated with predetermined coalitions, basically reducing the whole multi-party system to a two-side system.

    Don't worry, my friend, you're not much worse off than we are. Except the land of the free, Sweden.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  55. Re:Seems to me like people in Europe enjoy more fr by funkatron · · Score: 1

    I'm not American but it looks like the problem in the US is that everyone votes for one of the two main parties (or the one party as you call it). The voters speak every election and they always say that they WANT to be ruled by two parties.

    --
    "Welcome to our world. We are the wasted youth. And we are the future too." Yes, I know these are stupid lyrics.
  56. Why does that work in Sweden? by Opportunist · · Score: 2, Interesting

    I'm also from Europe. Sadly, not from Sweden.

    When you look at the rest of Europe, right-leaning to right-wing parties won the elections. Meaning, in general, that you may assume privacy will be taking a back seat behind big corporation interests and "protection".

    Why not in Sweden? Why are Swedes appearantly inoculated against the fearmongering and scare tactics? And how do we export this to the rest of Europe?

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    1. Re:Why does that work in Sweden? by Anonymous Coward · · Score: 0

      [...] how do we export this to the rest of Europe?

      Start "Pirate Party"s in the rest of Europe?

    2. Re:Why does that work in Sweden? by HonIsCool · · Score: 1

      The Pirate Party probably brought out a lot of people (mostly young males) who wouldn't otherwise vote. The voter turnout in Sweden was something like 43%, which is atrocious but still in the top of Europe, and higher than last EU election. Then there is also the case that the right-wing party, the Sweden Democrats, got something like 3.3% of the votes, which is not so far from the limit (4%?). Had the Pirate Party not existed, most likely SD would have gotten more votes and made it into the parlimant, perhaps even by a large margin. So I wouldn't say Sweden is exactly inoculated...

      --
      "Give me six lines of C++ code written by the most competent programmer, and I will find enough in there to hang him."
    3. Re:Why does that work in Sweden? by Opportunist · · Score: 1

      They exist. They only have a snowball-in-hell chance to pass the more or less general 5% bar to enter into parlament. The German PP got about 0.7% in the election IIRC.

      It seems the populist parties around Europe managed it better to attract the dissatisfied voters, compared to Sweden. Maybe people are just stupider here, else, why'd they vote for a party that allegedly stands up for the "little man" while drawing most of their funds from high finance and large corporations?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  57. Hey! by siloko · · Score: 2, Funny

    people like to talk about "stupid Americans" or British.

    Im outa britern an i ain't stoopid. You Germans with your efficient cars and rather wonderful scenery. Oops, can anyone see where I went wrong!?

    1. Re:Hey! by Hurricane78 · · Score: 1

      Dunno... Eye joost ayt a frayeded Mars bawr. No eye keent tok now moar. ;)

      Just as a note: I would never say that all people of a group are stupid. (Except if they are the "Union of Stupid People" or something like that. ^^)
      British coastlines are also very beautiful too.

      I just hope you still got the power to save your once proud country. :/

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
  58. Where is the Singularity party? by Sybert42 · · Score: 0

    That would be far more interesting.

  59. Re:I'm following the elections-2nd seat not likely by klmth · · Score: 1

    There already is a finnish chapter, that is now recognized as an official political party. However, they missed the registration date for the EU election by a hair. The next election will come in a few years.

  60. And WHAT rights are YOU protecting with copyright by unity100 · · Score: 1

    pray tell us. distribution companies giving out 1 cent over $20 dvds, and then forcing bands to go on tour around the world and work their ass off for the money fucking distributors DID NOT give them ? how many musicians break down due to stress and wear and tear, and then start various drugs, heroine and then totally fade away are you aware ?

    no. you arent. if you were, you wouldnt be defending a fucking medieval exploitation system like you have done just above.

  61. yea. by unity100 · · Score: 1

    abolishing of carriage industry and the creation of an entirely new automobile industry was wishful thinking at its time too.

    its not wishful thinking what he said. but its idiocy and lack of foresight, what you said.

    1. Re:yea. by Anonymous Coward · · Score: 0

      the carriage industry was not abolished.
      Something new came along that replaced it.

      What people are saying here is that if you had just abolished the carriage industry, that the car industry would have miraculously sprung up to replace it - which is indeed wishful thinking.

    2. Re:yea. by MrHanky · · Score: 1

      Because?

      You do realise that you're not arguing anything at all here, do you? The car industry relates to the abolishment of copyright because ... ? No? Are you completely fucking retarded?

    3. Re:yea. by unity100 · · Score: 1

      if you cant establish analogies, what the fuck you are doing on slashdot then

    4. Re:yea. by MrHanky · · Score: 1

      Yeah, but an analogy is like a car: it only takes you so far, and your wife will never stop bitching that you should have stopped and asked for directions way back, and the kids in the back seat start fighting and crying and give you a headache, and then the car breaks down in the middle of fucking NOWHERE, and then when it's YOUR job to go and get petrol/water/etc., you'll be glad that you can abandon the POS and get away from it all for a while.

    5. Re:yea. by unity100 · · Score: 1

      no. that is not even an analogy. its a fucking example, its a fucking FACT, in which numerous industries either died down and replaced by others, or evolved to other industries. i shouldnt be even explaining this. study some fucking history. its ridiculous that you are even trying to debate this.

    6. Re:yea. by MrHanky · · Score: 1

      Hey, you were the one who brought cars and analogies into this. You haven't established how the car industry superseding the carriage industry relates to how abolishment of copyrights will lead to a new digital entertainment industry.

      Are the economical mechanisms the same in each case? No? So your car breaks down in the middle of nowhere, example or analogy or whatever. It's just mindless drivel.

    7. Re:yea. by unity100 · · Score: 1

      it is not AN analogy even. it is a FACT. since we are not using stone age technology still, it becomes a FACT that outdated industries disappear, or transform. i dont need to relate it to fucking anything, or 'establish' 'how' carriage industry was replaced by auto industry. its YOUR responsibility to make up for your history deficiencies.

    8. Re:yea. by MrHanky · · Score: 1

      You don't need to prove that cars replaced carriages, you need to prove that it's a relevant example as for how a new digital entertainment industry will establish itself if we abolish copyright laws.

      If it is, the two will work through similar mechanisms. They don't. Stop being such a boneheaded idiot.

    9. Re:yea. by unity100 · · Score: 1

      what an industry transforms itself into is not something that can be known prior. just like carriage houses evolved into either auto production facilities or side producers of parts like suspension etc, music industry can invest their capital to do multitude of things in the new world of distribution. but then again, its not something you can foresee beforehand.

      but the problem here is you. you dont know jack shit about history, and yet you babble. and insult.

      im out.

    10. Re:yea. by MrHanky · · Score: 1

      Actually, most of the carriage houses disappeared.

  62. Good by shutdown+-p+now · · Score: 2, Interesting

    I do not agree with many of the Pirate Party proposals, but it's still good to see true, working democracy in action. It's how you change things if you want them changed.

  63. Why not return copyright to what was intended? by DJRumpy · · Score: 1

    LIMITED time to gain return on investment. None of this infinity minus one year crap. Give them 5 years of royalties and then it's open season. Products would have to be innovative to survive. Something that is missing in many products these days.

    Stop persecuting people who share files and persecute those that download them. Since when is leaving your garage door open a crime? You prosecute the person who steals from your open garage, not the home owner who leaves the garage door open. They should be prosecuting those that download the files, not those that share them. Seems to me that folks who share files out are similar to those using entrapment to lure someone into a crime. IANAL, but isn't a case thrown out if someone uses entrapment to lure someone into a crime?

    They should also be required to prove how many songs were downloaded rather than some made up number that sounds impressive.

    1. Re:Why not return copyright to what was intended? by Thiez · · Score: 1

      I agree with your first point, but 5 years may be a little short. Maybe 10 to 15 years? The whole life + X thing is crazy.

      > Stop persecuting people who share files and persecute those that download them. Since when is leaving your garage door open a crime? You prosecute the person who steals from your open garage, not the home owner who leaves the garage door open. They should be prosecuting those that download the files, not those that share them. Seems to me that folks who share files out are similar to those using entrapment to lure someone into a crime. IANAL, but isn't a case thrown out if someone uses entrapment to lure someone into a crime?

      That makes no sense, when people download the files that YOU chose to make available to them by sharing them, they are not 'stealing from your open garage'. File sharing is more like leaving your garage open and having a sign in your garden saying 'feel free to copy anything you find in my garage and take it home! :)'. Even if you did lose your files when others download them, it would be like leaving your garage open with a sign saying 'take whatever you want from my garage!'. People wouldn't be stealing if they took your stuff because by sharing you gave them permission.

    2. Re:Why not return copyright to what was intended? by DJRumpy · · Score: 1

      5 years. 10 Years. Anything sane would be nice I agree.

      Where is the crime committed by people who do share files? They aren't forcing these folks to come in and take them. The people taking the files are committing the crime.

    3. Re:Why not return copyright to what was intended? by Golddess · · Score: 1

      You prosecute the person who steals from your open garage, not the home owner who leaves the garage door open.

      Unless you're the insurer of the person who left the door open...

      --
      "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
    4. Re:Why not return copyright to what was intended? by DJRumpy · · Score: 1

      Not the same thing. It's not a crime to have something stolen. It's a crime to steal.

    5. Re:Why not return copyright to what was intended? by Golddess · · Score: 1
      Perhaps I was too vague.

      You're right that it's not a crime to have something stolen. But by not taking the simple precaution of closing the door, you are in essence a party to the crime. The insurer has a right to not be swindled, and as a result, the person who left the door open is "at fault" as far as getting reimbursement goes.

      Not saying this has anything to do with file-sharing, though I'm sure a lawyer could get creative with the idea...

      One other thing though, I originally hadn't read your entire post and was only commenting on the door analogy, but this part confuses me:

      Stop persecuting people who share files [...] persecute those that download them. [...] folks who share files out are similar to those using entrapment [...] isn't a case thrown out if someone uses entrapment

      I too am not a lawyer, so lets just say for the sake of argument that you are right in what you are saying. Are you suggesting both that the downloaders should be the ones prosecuted and that they are un-prosecutable, or am I missing something?

      --
      "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
    6. Re:Why not return copyright to what was intended? by DJRumpy · · Score: 1

      I was implying that someone sharing files is very similar to someone who entraps people. It seems like the only thing missing from the argument is intent to entrap and entrapment is not allowed. In other words the situation that led folks to download shared files is a little too similar to entrapment in my mind. Sorry for the poor logic flow there. Hopefully that made sense ;)

  64. Re:Bravo! Fuck! by Blakey+Rat · · Score: 0

    Fucking fuckers with their fucking intellectual fucking property fuck fuck! Fuck fuck? Fuck fuck molesting little children fuck fuck!

  65. Re:Seems to me like people in Europe enjoy more fr by Anonymous Coward · · Score: 1

    Finland's political landscape is quite diverse in party terms.

    ~20% conservatives
    ~20% center
    ~20% social democrats
    ~10% green
    ~10% nationalists
    ~5% swedish speakers
    ~5% left (former commies)
    ~5% christian
    The rest is divided between hardcore commies, nationalists, the poor, pensioners & libertarian.

  66. KOF! by denzacar · · Score: 1

    Commander Keen, Wolfenstein 3D and Doom (games that made John D. Carmack into "John Carmack") were all shareware games.
    Without file sharing the success of those games and his career would have been questionable at best.

    Also... Do you have any fucking idea who you are talking about?

    http://en.wikipedia.org/wiki/John_Carmack

    As reported in David Kushner's Masters of Doom, "when Carmack was 14, he broke into a school to steal Apple II computers, was arrested, and sent for psychiatric evaluation (the report mentions "no empathy for other human beings"). Carmack was then sentenced to a year in a juvenile home.

    Carmack is a well-known advocate of open source software, and has repeatedly voiced his opposition to software patents, which he equates to "mugging someone".

    Carmack released the source code for Wolfenstein 3D in 1995 and the Doom source code in 1997. When the source code to Quake was leaked and circulated among the Quake community underground in 1996, a programmer unaffiliated with id Software used it to port Quake to Linux, and subsequently sent the patches to Carmack. Instead of pursuing legal action, id Software, at Carmack's behest, used the patches as the foundation for a company-sanctioned Linux port. id Software has since publicly released the source code to Quake, Quake 2 and most recently Quake 3, all under the GNU General Public License (GPL). The Doom source code was also re-released under the GPL in 1999.

    The id Tech 4 ( Doom 3 Engine ) will also be open source. At QuakeCon 2007, Carmack said to LinuxGames: "I mean I won't commit to a date, but the Doom 3 stuff will be open source."

    --
    Mit der Dummheit kämpfen Götter selbst vergebens
  67. Mu by Anonymous Coward · · Score: 0

    Beyond the topic actually being discussed, I just wanted to celebrate your use of the incredibly useful word "mu", which I wish would be more widely used in conversations of this type. (Yes, seriously.)

  68. Re:Seems to me like people in Europe enjoy more fr by Anonymous Coward · · Score: 0

    It's the voting system. Specifically, Duverger's law. Unlike in most of Europe, the US's legislatures are based each seat representing a specific region instead of proportional representation. This is pretty much required for historical reasons: changing the US to a PR system would be more or less equivalent to the federal government staging a coup and announcing they had conquered the states. Needless to say, that would not go over well. This is exacerbated by gerrymandering wherein the vast majority of the districts are expertly shaped to always go to the same party.

    Personally, I think there are further issues with the transparency of the government and campaign finance which help keep the current system in place. There are other questionable practices like the TV debates being run by a bipartisan group that bans third-party candidates, and the media not wanting to have to bribe more parties so they pretend third parties don't exist: most notably I remember one primary (looking at the results it must have been Nevada) where the news reports all said "Romney first, McCain third"; some even eventually had a little side-note about how Ron Paul came in second.

  69. Re:Are they a one-issue party? by Husgaard · · Score: 1
    Besides copyright reform they want to abolish the patent system.

    And they are also very strong on the protection of personal integrity, in particular civil rights like the right to free speech, privacy and a fair trial.

    After having followed the swedish election campaign closely, it looks to me like the protection of personal integrity got them their victory.

  70. Re:Seems to me like people in Europe enjoy more fr by visible.frylock · · Score: 1

    If you are a member of an extremist group (non-violent, at least), do you need to hide that in the US?

    Maybe. All it takes are allegations of violence, or allegations of potential violence .... Really, all it takes is the word of the government.

    Can you buy military style weapons in the US?

    You can legally buy neutered firearms, not exactly military style. The firearms which you can legally buy, you must register, or in some way sacrifice anonymity, in most places. You can buy pepper spray, etc, in most places, AFAIK, with a good degree of anonymity. But firearms are completely different.

    --
    Billy Brown rides on. Yolanda Green bypasses Gary White.
  71. Re:Seems to me like people in Europe enjoy more fr by patro · · Score: 1

    That's what you get with a single party system, my friends. And no, this is not a typo - Dems and Repubs are pretty much the same party with minor variations.

    Why don't you start a revolution then?

  72. Re:And WHAT rights are YOU protecting with copyrig by Ripit · · Score: 1

    You completely missed his point. You two agree.

  73. Help celebrate file sharing... by Anonymous Coward · · Score: 0

    by googling for people with badly set-up web-interface torrent clients. Here's my fave: http://jaitlyhome.com/

  74. Re:Seems to me like people in Europe enjoy more fr by Reservoir+Penguin · · Score: 1

    Every time this subject comes up there are posts with quotes of paying in blood for your freedom and such. Yet Americans freedoms have eroded since 2001 and despite the country being choke full of privately owned firearms there is no Revolution, only stupid bbs venting. I've given it some though and I think I have a credible hypothesis. According to US Surgeon General 2/3 of Americans are either obese or overweight. Now, I personally find it hard to imagine a Revolution of the FAT. How can you expect an average American to take arms against the corrupt government and endure the hardships of a long struggle if they can barely get up, get to the car, to the elevator, to the cubicle and back to the couch in front of the TV?

    --
    US-UK-Israel: The real Axis of Evil
  75. Arrr, a bast me maties! Victory at last! by itsybitsy · · Score: 1

    That's sorta like the Rhinoceros Party winning a seat in Canada.

  76. #1. every crime you hold the two party system responsible for also happens in multiparty states. in other words, the two party system does not cause the corruption you believe it does

    #2. we DO have multiparty systems in the usa. clinton beat bush #1 in 1992 because ross perot split the right. nader cost al gore the election in 2000 by ekeing away from the left. go to google and type in "whig". read up on its history. why didn't a new party come in and stand next to the whig party rather than come in and REPLACE the whig party? because the us system is MATHEMATICALLY rigged to favor a two party equilibrium. three or more parties in the usa is unstable: two parties are just bound to dominate, and weaken the third/ fourth/ etc. its mathematics of the rules playing out, that's all, not some sort of plot

    #3. the left/ right dichotomy is a basic political axis that exists even in multiparty states. multiparty states often devolve into dominant party states. meaning, one party holds the majority of power for decades. sound better?

    #4. a benefit of a two party system you don't recognize is it forces both parties to compete for the moderate, forcing the agendas of both parties to moderate rather than radicalize (yes, i know some of you think both parties are far right, or both parties are far left: this is more a reflection of your own radical politics than political reality, and few people share your opinion with you, since you believe both parties are right, both parties are left, you are fringe, and therefore of a very minor and mostly irrelevant cranky point of view)

    #5. a negative of multiparty systems is they rule by coalition. what this means is the ultraleft greens with throw out all of what they stand for ideologically to get in bed with a far right racist party in order to hold onto the craven need for power. go ahead, ask any german. meaning: in multiparty systems, people can be even more shallow ideologically then they might seem to you in a two party system

    i'm not saying the two party system is wonderful and perfect. it has plenty of problems. i understand and agree with the founding father's distrust of them. but i understand they aren't some plot, they aren't colluding, they aren't the same, unlike some fools you hear. they are just inevitable emergent phenomena of politics playing out. restart the usa as some sort of experiment 1 times, 10 times, 100 times... every single time, you'll wind up with an equilibirum of two parties. not one party, not three parties, not no parties, but two parties

    i'm just sick of people who think it is at the root of all of our political problems. if we changed all of the political rules in the usa so there were more than two parties, NOTHING WOULD CHANGE ABOUT WHAT YOU HATE ABOUT POLITICS

    please take a moment educate yourself the slightest about the subject matter, THEN open your mouth. here, here's a primer, follow the links, edumacate yourself PLEASE:

    http://en.wikipedia.org/wiki/Two-party_system

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  77. The sentence that ate Slashdot by BancBoy · · Score: 1

    How about the fact that the penalties for "download[ing] copyrighted stuff" (which is not illegal except under specific circumstances; if it were always illegal, then everyone on Slashdot, and in fact almost everyone who uses the internet for anything, would be a criminal) are increasingly absurd and draconian, and in many cases the mere accusation of misconduct is sufficient to cause those penalties to be invoked?

    That's one sentence...simply amazing.

    --
    [UID-HeinzIntel]
  78. Re:Great. Anti-swpat MEPs by nosound · · Score: 1

    Yes, their Swedish top candidate Christian Engström is actually a former anti-software patent activist for FFII. Both of the two biggest parties in Sweden has clearly shown in the past that they don't understand this issue, so it's great to be represented by the Pirate Party in the European Parliament. Especially since the Swedish government says that they'll prioritize the issue of making it possible to get EU-wide patents this autumn (the software patent supporters will sure see that as their chance to once again push their questionable agenda).

  79. in belgium by KingBenny · · Score: 0

    it didnt even get a chance to be voted on, either my fellow citizens are lazy idiots, or the other parties denied yet another new party its existence ... i was thinking about moving to France, but Sweden is starting to look more attractive

    --
    Free speech was meant to be free for all... how can anyone grow up in a nanny state ?
  80. Re:I'm following the elections-2nd seat not likely by Anonymous Coward · · Score: 0

    It has already been opened, the party got the required 5000 supporter-cards and they have been sent to be validified (check http://www.piraattipuolue.fi/english). Unfortunately this happened a bit too late for this election (two weeks I think, someone can correct). Waiting for Finland's national elections later on, I'm sure to vote for them.. =)
    -Deepone

  81. Spread the PP across UE !! by koolfy · · Score: 1

    We TOTALLY need a Pirate Party here in France/Belgium, I hope we will get one before the next electionsâ¦

    --
    Segmentation Fault in "Life, Universe and Everything" at line 42. Don't Panic.
  82. Re:Seems to me like people in Europe enjoy more fr by fastest+fascist · · Score: 1

    That may have been the case a while back, I'm not so sure anymore. Internet censorship is being introduced across the board, police are being given the right to covertly install trojans on citizens' computers (germany, france at least, so expect EU-wide plans soon), there's constant pressure to pass three-strikes laws to force ISPs to disconnect users who allegedly download copyrighted material without authorization. In general the trend seems to be for more legislation of increasing complexity in all areas of life. This is not aided by the nature of EU decisionmaking, an obscure process extremely distant from the people it actually affects. The next great totalitarian state will be born not of hatred or passionate mass movements, but as the consequence of a relentless influx of new laws. The legislators have to do something to keep themselves busy, after all.

  83. There is a reason for that by Anonymous Coward · · Score: 0

    It is precisely because of your history. The Weimar republic was ungovernable and had a great multiplicity of parties. This was largely because after WWI, Germany, formerly an authoritarian monarchy, did not have the democratic culture in place necessary to make an otherwise standard democratic system work. Many parties of similar color could not work figure out how to work together and compromise while still retaining their voters. This allowed extremists to have a significant say in politics due to their relative unity despite the fact that they represented a minority. The result was that the Nazis, with only a third of the vote, were able to legally take control of the system. The allies insisted that the 5% provision be placed in the post-war Grundgesetz to ensure that West Germany could develop a stable democratic culture without these kinds of problems.

    Today this precaution is probably no longer necessary: Germany clearly has a stable, democratic culture in place: so strong that its neighbors get a bit annoyed by it sometimes. However, changing political systems is always a risky business with unforeseen consequences, so you will not see people take the risk unless there is a clearly perceived benefit. I don't think people will see the pirate party as worth the risk.

  84. Terminology and file sharing by viking80 · · Score: 1

    I write the ip stacks on many of the routers in use. The main instruction used is COPY(). When many of these routers are wired, it might as well be called a COPY instead of a network. And the internet is basically just "The Intercopy"

    This may educate people that equates filesharing with "stealing", and companies planning some DRM scheme; Anything that is connected to the big Intercopy is copied. It is in the nature or the big Intecopy to do this.

    Trying to change this fact with laws and technology is like trying to stop soundwaves from an outdoor concert to not reach anyone who did not sign the purchase agreement.

    If you don't want your music to be in the public, don't perform in the public. If you don't want your movies copied, don't perform on the intercopy (or internet). simple as that.

    --
    don't cut it off www.mgmbill.org
  85. Re:Seems to me like people in Europe enjoy more fr by Anonymous Coward · · Score: 1, Informative

    We need a raving, rabid, card carrying socialists to balance the equation somewhat on this side of the pond.

    http://www.google.com/search?q=bernie+sanders

  86. It is a matter of choice by bestalexguy · · Score: 1

    A) Big movies productions
    B) Citizens' privacy & offense/punishment balance

    Sadly, these two are mutually exclusive. I opt to save B.

  87. Re:Seems to me like people in Europe enjoy more fr by Anonymous Coward · · Score: 0

    The US already has those raving, rabid, card carrying socialists but it doesn't balance anything. We technically do have more then just the dems and repubs, the problem is that the way things are set up these are the only parties that get attention and funding. This is why these parties lick the big business backside to get that money to maintain control. Both of these parties are focused more on maintaining control then what is best for the country, they just go about it in different ways. (Which is a discussion for a different time.)
    I would also argue that we need a true republican voice. You know someone who believes in pro-choice because the government shouldn't get involved, gay marriage because the government shouldn't get involved, lack of gun control because the government shouldn't get involved and that the primary purpose of the government is to protect the people from businesses and other governments.
    Yea, I know, never going to happen but a man can dream.

  88. Re:Seems to me like people in Europe enjoy more fr by Anonymous Coward · · Score: 0

    It'd be nice if we had some capitalists too.

    Yes, you read that right. Federal protection of private interests is hardly "capitalist," regardless of what some claim.

  89. landlubbers aint got nothin on us pirates by Anonymous Coward · · Score: 0

    YARRRR YA SWABS

  90. Re:Seems to me like people in Europe enjoy more fr by Jesus_666 · · Score: 1

    Can you buy military style weapons in the US?

    No, military (especially automatic) weapons are actually regulated. For instance, the US Army can have clips with more than ten bullets in them.

    --
    USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
  91. Re:Seems to me like people in Europe enjoy more fr by Anonymous Coward · · Score: 0

    What you are saying is close to herecy. People in the US have the most freedoms.

    Anyone disagreeing that has not listened carefully enough at school and will be promptly sent to retraining.

  92. Re:Seems to me like people in Europe enjoy more fr by Anonymous Coward · · Score: 0

    How is a socialist going to balance the American equation? Our government is the biggest it's ever been! We need people to come in and start shrinking the government!

  93. Re:Seems to me like people in Europe enjoy more fr by steelfood · · Score: 1

    What would you expect to happen to a country where the populace can't comprehend anything more than us versus them, and who aren't willing or interested in trying? When there are more people voting in American Idol than in the presidential elections, you know there's something deathly wrong with society.

    --
    "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
  94. Nope,m AIDS is no longer a death sentence by Anonymous Coward · · Score: 0

    it's now a slavery contract.

    Look at the case with India: a necessary drug was being denied because India couldn't afford that rate. India then said that they'd just make the drug themselves.

    Suddenly, the cost of production went down and they could sell the drug at the reduced rate.

    How many people died or suffered while the drug company was grand-standing?

    1. Re:Nope,m AIDS is no longer a death sentence by superwiz · · Score: 1

      It's theirs to withhold. Just as food withheld from the hungry will cause deaths. But anyone who'd suggest that we must take it from those who have it by force has already joined the Communist Party. Look up the story of Pavlik Morozov if you think I am trolling. Wikipedia doesn't do it justice because the emphasis that the Communists always put on in that story is that Pavlik exposed his parents for hiding grain from the government (which, of course, claimed to be feeding the starving).

      --
      Any guest worker system is indistinguishable from indentured servitude.
  95. Copyrights and Wages by CherniyVolk · · Score: 1

    Some arguments revolve in "well, without copyrights how do we get paid", and the two sides argue either paid for work done while the copyright proponents argue for continual pay and some try to argue they don't get paid that much.

    First, if they didn't get paid that much, then this whole issue would be of no concern to anyone (even those who are receiving pay). Do you think a bum really cares much about finances considering he only get's mere chump change? It's only the people who reap great rewards who seem most concerned about diminutive finances even if they are merely indirect. To attain a more clear idea of this concept, think of the truck driver hauling petroleum. While gas prices rise, he is unaffected. While the claims in the media assert that part of the reason the gas prices rise is to, in part, pay the trucker, in reality his pay stays the same with diminishing health benefits. The only people benefiting from the 10 cent rise in pump prices, are the people at the very top, and no one or no thing or no process or procedure has change anywhere in between the pump and the CEO of Exxon or BP. To the trucker, it's an extra 10 cents, no real big deal only noticable via his general math skills but since he has a "good job" he only voices is opinion on price change via a political sentiment, hardly a financial one. The only one motivated by the zeal of a 10 cent rise is the one who can reap all of those 10 cents into a single pot rendering multiple millions via sum.

    This whole copyright thing really is about the Big Dogs extorting control, distribution and price of products they are legally rightful of. Let's take Alexandre Kalishnikov for example. Designer of the AK-47, undoubtedly a best seller through and through. Does he reap royalities? Pretty sure he doesn't. But, is a copyright system in America any better? Who exactly is running all these law suits, all the claims of copyright and patent infringment? The Industry had to pay or force Metallica to do a publicity stunt against Napster. It's rarely the actual artist that claims copyright infringement, the only one that comes to mind is Prince. It's always, someone who probably doesn't actually hold or created the copyright, it's someone who took the copyrights from the original copyright holder to begin with. Sony Entertainment owns a butt-load of copyright material... Sony created none of it, just forced their entertainers to forfeit their rights of the material to them. In the end, we are all, Alexandre Kalishnikovs.... whether it's a wealthy chinese weapons manufacture, or a wealthy Sony CEO... one thing is for sure the actual inventor probably isn't at a loss due to piracy, nor was he actually reaping the real profit off his inventions.

    This whole issue really boils down to one thing. The heads of the industry want to exploit this new technology for a way to increase their revenue, and if some law will allow them to charge for every additional copy, then they will be loving this whole internet thing. The inventors, poets, musicians, composers, engineers, writers, scribes, tradesmen, journeymen, craftsman... it's just going to be another day to them. And regardless of which laws are adopted, only those at the top are effected while their source for resources (intellectual resources) are shafted all the same. Do you really believe, those poorly paid people in the Entertainment industries will get a pay raise if the laws were passed in favor of the RIAA or MPAA? God, you're a fool if you think so.

  96. Green or liberal by Alef · · Score: 1

    That's the real question for the Pirate party as well: will they join a coalition?

    Before the election, the Pirate Party stated that they would join either the green group or the liberal group, depending on where they will be offered the most influence. The strategy is to vote along with the group on all issues not immediately covered by the party's written principles, in exchange for being listened to on their own issues.

    1. Re:Green or liberal by mcvos · · Score: 1

      That's very pragmatic thinking. I like it!

  97. At long last by Verdatum · · Score: 1

    Take THAT Ninja Party!!!!!

  98. Fact: Swedish never contributed anything. by Anonymous Coward · · Score: 0

    Swedish never made any contribution in culture, science and technology.

  99. Musicians don't profit from label music sales by PSdiE · · Score: 1

    Agree in principle that the Recording Industry (Saleable Copyright model) is not working, but the "pay for creative work up-front" seems to have major drawbacks - principly that you have no idea if a creative person is any good until they've delivered the goods, creating chicken and egg.

    I think you're missing a trick though: live performances.

    I've read up on the subject as a former MP3.com artist myself, from talking to upcoming bands like Silverman and from the widespread public writings of established artists. All say that recording artists rarely make any money from sales though their record company; in fact they normally end up heavily in debt (the famous record label "tab").

    Let me say that again: most artists do not profit from music sales. Only the record labels (and industry quangos like the RIAA) profit from music sales. Instead, most current artists make their money from live gigs, merchandise, appearance fees, etc - the good old fashioned "goods/services for cash" model.

    As soon as you appreciate this, you realise you can ditch the record label altogether, "open source" your music (allow to be freely distributed on a non-profit basis, with distribution channels allowed to charge a small fee to cover their costs if they wish) and make money from gigs, etc, instead as your popularity grows.

    This is not a new idea: numerous bug names in music are advocating the idea. Here's a quote from an excellent 2007 Wired feature by former label boss David Byrne:

    "What is called the music business today, however, is not the business of producing music. At some point it became the business of selling CDs in plastic cases, and that business will soon be over. But that's not bad news for music, and it's certainly not bad news for musicians. Indeed, with all the ways to reach an audience, there have never been more opportunities for artists."

    "The fact that Radiohead debuted its latest album online and Madonna defected from Warner Bros. to Live Nation, a concert promoter, is held to signal the end of the music business as we know it. Actually, these are just two examples of how musicians are increasingly able to work outside of the traditional label relationship. There is no one single way of doing business these days. There are, in fact, six viable models by my count. That variety is good for artists; it gives them more ways to get paid and make a living. And it's good for audiences, too, who will have more - and more interesting - music to listen to. Let's step back and get some perspective."

    Wise words. Full article (well worth a read):

        http://www.wired.com/entertainment/music/magazine/16-01/ff_byrne

    If that's not enough for you, plenty of similar reading at:

        http://entertainment.howstuffworks.com/record-label.htm/printable
        http://www.sourban.net/The-Future-Of-Music-How-Real-Artists-Will-Save-Music-From-The-Music-Industry
        http://www.magnatune.com/info/musicians
        http://www.wired.com/entertainment/music/magazine/16-01/ff_yorke
        http://www.google.co.uk/search?hl=en&q=music+artists+make+money+live+performances+record+label

    Cheers, Ben