Paperless Tickets Flourish Despite 'Grandma Problem'
Hugh Pickens writes "Is a concert ticket a piece of property that its holder has the right to buy and sell as he sees fit, or is it merely a seat-rental contract subject to restrictions determined by its issuer? The Washington Post reports that in an effort to thwart scalpers and dampen ticket reselling on the so-called secondary market, musicians as diverse as Bruce Springsteen, Miley Cyrus, and Metallica have adopted 'paperless ticketing' for some or all of the seats at their live shows. Ticket issuers Ticketmaster and Veritix tout paperless tickets as a way to eliminate worries about lost, stolen, or counterfeit tickets, and to banish long will-call lines. But paperless tickets aren't really tickets at all, but essentially personal seat reservations, secured electronically like airline tickets. Fans buy tickets with a credit card and must then go to the venue with the same credit card and a photo ID to gain admittance. The problem is that Ticketmaster's paperless tickets can't be transferred from a buyer to a second party. The inability to pass along a seat creates what has become known in the industry as the 'grandma problem': it's almost impossible for a grandma living at one end of the country to buy a paperless ticket to giver to a grandchild living at the other end. Without the ability to transfer virtual tickets, brokers and dealers fear being run out of business, and consumers have a harder time selling unwanted tickets. 'People should be free to give away or sell their tickets to whomever they want, whenever they want,' says Gary Adler, a Washington attorney who represents the National Association of Ticket Brokers. 'An open market is really best for consumers.'"
Of course they flourish. When these are used, people really aren't given another option in most cases. This is much like saying "Despite outrageous fees, TicketMaster flourishes".
It is good that something is being done about the reselling of tickets with a high markup.
This has been a bane of musicians and concert-venues for a long time now.
On the other hand I don't think this is the way to go.
Tickets _should_ be transferable.
The way the Dutch government dealt with this is better in my opinion. It is now illegal over here to resell tickets with a markup higher than X% (I forget how much percent, I think 40).
If I buy something, I own it. Period. If you want to diddle around and chip away at what you will let me buy, then I will buy from someone else, or not at all. Now please DIAF, ??AA.
I want to delete my account but Slashdot doesn't allow it.
Grandma can send a cheque to the parents. As for everyone else trying to sell tickets, they're scalpers and who cares what they think?
No, not really.
Without the ability to transfer virtual tickets, brokers and dealers fear being run out of business...
Because Ticketmaster would really hate for that to happen...
Ticket issuers Ticketmaster and Veritix tout paperless tickets as a way to eliminate worries about lost, stolen, or counterfeit tickets, and to banish long will-call lines.
Note for the British English impaired - a tout is what you on the other side of the pond call a scalper.
Bought tickets to see the show in Seattle and Portland back in March but then got laid-off in April, and sent back home ~2000 miles away. I couldn't sell the tickets on ebay because they were tied to me (had to show ID and credit card to gain entrance). And I couldn't get a refund either.
So basically I got screwed. I ended-up flying across the country rather than waste the tickets. Like downloading games, it takes away your right to resell the used product to someone else
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
Sure the paperless ticket will beat out scalpers, but it also screws over a bunch of people, not just Grandmas.
Most people, at one point or another, will need to sell or give away a ticket to a show for a bunch of reasons: sickness, gift, won better seats, etc.
With the e-ticket you're stuck. Perhaps offering a way to transfer the ticket (by calling the venue perhaps?) would help the people while still thwarting the mass buying/resale done by scalpers?
~Syberz
Without the ability to transfer virtual tickets, scalpers fear being run out of business...
There. Fixed that for ya'. Ticket scalpers are but one rung above the bottom (undertakers, holding that spot) on the "scummy bottom-feeder" merchant food chain.
One of the advantages of tickets as we are used to them is that if you are not able to make it to the show, you can sell your tickets (or give them away). How is it going to look when venues that are sold out are not full. Will it effect the concert experience for the worse or better? Will people be pissed that they maybe could have gone to the show because there were open seats, but were not allowed to buy the ticket?
How about making sure you want the ticket in the first place? If you're not buying tickets solely for the purpose of reselling, I don't see why transfer should be a major issue. Sure, accidents and similar can happen, and you're not able to use the ticket yourself, but that shouldn't be something that happens a lot.
And it must be possible to buy a ticket in someone else's name (to be able to gift them), right?
We are all God's parents.
My grandma used to get me really ugly clothes for my birthdays. I don't feel too bad for a kid who can't get a concert ticket anymore
The Nation Association of Total Bastards thinks all of this is great.
And we've all seen how well corporations care for the good of the consumer.
/sarcasm
Just offer an option to buy the ticket for another person. This person gains admittance if that person is able to identify itself with the name on the ticket. Should be simple right?
I personally have no problem with reserverations. The same holds true for plane and some highspeed train tickets. I don't see why concerts should be any difference.
Is the perception by the concert organisers that there's action out there they ain't getting a piece of.
They can't raise their ticket prices too high, or they won't sell enough to fill their venues, and face protests from their audiences. But they'd dearly love to be able to do what the scalpers do which is create a sub-segment of their audience who pays a greatly increased price for essentially the same service.
The only idea they have so far is that if they drive the scalpers out of business... well, what? If they already set the ticket prices as high as they dare, the only effect they will achieve is to piss off a few rich people who will not get tickets where previously they could.
You could view it as preparation for the next logical step - a Dutch auction. Non-transferable tickets would prevent scalpers from waiting for the latter stages of the auction where the tickets get cheaper to snap up a bargain. The Dutch auction means that all the seats in the house go for exactly the price that the market will bear, so they finally get the action they are craving.
Ok, I admit that I like the idea of screwing over the scalpers and I see a ticket as more of a renting of a seat so not being able to resale it isn't a problem. However the scalper and the Grandmother are the same thing to the ticket seller. What is the difference from a sales point of view of a Grandmother giving a ticket to her grandson for free and a scalper giving a ticket to a customer for twice the price? They are both transferring the ownership of the ticket to someone else.
Yea I know they are two different things but like I said think of it from a sales perspective. Ever solution has its own problems.
"God is a comedian playing to an audience too afraid to laugh. " -Voltaire
Man, you guys are just too used to Microsoft EULAs.
All this talk of no sympathy for scalpers.
Might as well add used book retailers, music traders, software peddlers, refurbished computer sellers.
Just because it's easy to not like scalpers, you are trying to deny consumer choice.
You're part of the problem, assholes.
The companys that comprise of the National Association of Ticket Brokers are worried about the consumers or themselves. I am sure this stops alot of them from buying up thousands of tickets and reselling them at double the price.
The "Grandma Problem" ISN'T a problem anymore. Why not bind it to another number like your drivers license number? How about having a gift card with a magnetic strip? The kid punches in the number on the website to put his name in and he uses the gift card as authenticity at the gate. Hell, there even seems to be some "Ticket Exchange" according to the link so you can even resale your own tickets.
Who wants to bet Senator Herb Kohl has some money from this association? This is 2010. Going to the airport WITHOUT an e-ticket is annoying. I like the idea that I just need my wallet to get in the theater.
PS - Ticketmaster is a monopoly, their website sucks, and their phone ordering is from the 1990's. I have no love for them, but I see this more of a money fight than a real issue.
There were some reports that say that 30% - 50% of tickets were bought by brokers. They lock out fans from the best seats. They then resell those seats at a premium. Their excuse is that the open market will decide the price of the ticket. This logic falls down because the brokers artificially inflate the price of the seats that would normally go to the biggest fans.
I don't mind paying a small premium, waiting in line, hovering over the phone to get a good seat -- and I have before -- but the brokers now make even those things impossible. Now it's $2,500 a ticket for some shows with tickets of $100 face value.
An open market where consumers buy tickets and are free to sell them if they can't make it to the show is good for consumers.
But a market where professionals buy tickets to sell at a profit does in no way make it better for consumers.
But can't grandma be allowed to buy credits for her grandchild, who then uses said credits to buy a ticket in his/her own name?
.: Max Romantschuk
This is like buying a car in order to drive to a Miley Cyrus show where she jumps around in hot pants, but then being unable to sell it afterwards.
No, wait... that's a bad analogy. It's like renting a car to watch Miley Cyrus jiggling around in a crop top, but then... uh... maybe it's like buying a tank of gas to go and watch her writhing around glistening with sweat...
Wait - what are we talking about again?
If you were blocking sigs, you wouldn't have to read this.
Who's grandma is so cool as to buy Metallica tickets?
Nae king! Nae laird! Nae yurrupiean pressedent! We willna be fooled again!
If the second-hand ticket industry is really that valuable to users, one of two things will happen:
- People will not buy tickets that they can't sell second-hand if they think that it's likely they will need to do so.
- People who sell those tickets will raise their prices to compensate for the scarcity.
Given the sheer number of ticket-resellers in London's West End, I can't really think that this is a bad thing. Either the theatres and other gigs will put them out of business, so I won't get harangued and so that 90% of the shops in the area sell something *OTHER* than theatre tickets - but more likely is that they will have to integrate with the theatre ticket-selling systems and thus also issue "paperless tickets" and no-one else will be any the wiser. I'd be surprised if this hasn't already happened.
Additionally, a lot of tickets have always said they are not transferable. My car park doesn't allow me to transfer a ticket but only recently have they cracked down on this by printing your car registration on the ticket itself and fining those that don't match the car. My train ticket isn't transferable. My bus ticket isn't transferable. Most loyalty cards are not transferrable. All airline tickets are not transferable. I don't see how/why a ticket to a theatre or gig should be transferable either - it's up to the company if it is and whether they just write it on there, or whether they emblazon it on your forehead and DNA-check you, I don't really care... you agree to those terms and had an opportunity to say "Actually, no, that's not what I want to buy because it has no resale value". My bet is that those tickets have all held a disclaimer to that effect for the last 50 years and nobody's really bothered to complain until they now start enforcing it.
If you've bought a ticket and can't attend - that's a sad problem for you. There may be good reasons or not. The theatre/gig may negotiate or not. But, hell, if I bought a seat in a restaurant, room in a hotel, etc. and don't turn up, you'll find that they will be chasing me up. I cost them money by abusing their reservation system which could be manipulated to the point that they are put out of business. They may even decide to charge me nonetheless, even if the circumstances are beyond my control. It's at their discretion and you knew the terms when you signed up. If I book an appointment at my doctor and don't turn up, they can theoretically charge me - and I'm in a country that offers free healthcare.
Being able to recoup your money on something you can't attend isn't a right. You made a booking. Stick to it, or pay the cost of the ticket. Just because you can't sell it on to someone else doesn't make it "bad"... the company are most likely doing it for other reasons rather than stopping you selling the ticket on - for a start, they don't make any more or less money if the person who turns up at the gig is the original buyer. Chances are that, overall, second-hand tickets go for on average the same as first-hand - above cost when they are in high demand and below cost if someone get knocked out of the World Cup early. Chances are that touting does NOT make any difference to the finances of a show/gig. But it might be a security issue, or a public-order issue, or just a plain membership issue where you pass on discount tickets to random people who aren't eligible for the discount.
With virtual tickets, concerts will end up with a certain amount of empty seats as people's plans change or they become sick and can not give the tickets to a friend. Empty seats are a sign of a bad concert, as anyone knows. Of course they'll soon realize that an old airline trick will fix that with a bonus: oversell concerts, and tell the overflow they're on "standby" until the next concert. Full seats and extra money!
Where I live, people like to buy season tickets to sporting events, keep the tickets to the games they can actually attend, and sell the others at a discount. Because of this, I went to a hockey game where tickets cost $40, but I only paid $25.
Sent from my iPhone 5
Seriously.
When I was a student at PSU, you could buy student season football tickets and sell ONE TICKET to a big game and pay back the whole season plus a healthy profit. You needed to show student ID to get in, but that wouldn't stop some rich alumna. Senior year they switched to some dumb system where you had to wait in line with whatever student you wanted to give the ticket to, only on Tuesday and Thursday, and only from like 10-3 minus a lunch break.
Assholes.
Four months ago, kdawson put the opposite story on the front page:
http://yro.slashdot.org/story/10/03/02/0135238/Scalpers-Earned-25M-Gaming-Online-Ticket-Sellers
So, basically, the resellers were making money by reselling tickets that they bought via hacking of the reservation system.
And now, you'd like to preserve the current flawed system ?
Suggestion:
Allow the system to reimburse the tickets (minus 5-10% of the original price, for example), and all the problems are solved.
This system works fine with train reservations, why won't it work on concert tickets ?
There seem to be two solutions to such a problem :
- A solution I've often found in concerts in Switzerland : (Secutix)
the e-Ticket is simply a 2D-barcode (although it's not "paperless" because most people still print it instead of sending it to smartphones screens) it *is* tied to an identity.
BUT
to enter the concert you are only asked to have a valid barcode. the identity only comes into play if several people attempt to enter the concert using the same barcode (only the one with the matching ID is allowed in).
That doesn't stop you from giving a ticket to a friend.
But that throws distrust on scalper : How do you know the guy is selling you a legitimate ticket and not copying the same single barcode to several clients ? (in which case only the first one can get in before the system detects duplicates).
These e-tickets don't remove your right to resell, but a resell can only happen between trusting friends.
- A solution I've found in German Trains :
the e-Ticket is tied to an identity, but it is not that complicate to refund it and invalidate the barcode, then buy a different ticket.
You can't directly resell a ticket, but you won't lose the ticket.
And the last solution :
Most of those situations still have classic tickets for situations where the e-Ticket doesn't do the trick.
"Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
Grandma should be allowed put a different name on the ticket than the one on her credit card. All the grandchild needs is some ID with a matching name on it. Problem solved.
Can I patent this process please?
No sig today...
...says Gary Adler, a Washington attorney who represents the National Association of Ticket Brokers. 'An open market is really best for consumers.'
Yeah, and an unguarded forest is much safer for little girls delivering food to their sick grandmothers, says the attorney representing the National Association of Transvestic Wolves.
While they're at it, could they sue some airlines for non-transferable, non-refundable tickets? This practice is completely inexcusable for domestic flights and only marginally excusable for international flights.
Stubhub will sell your electronic tickets, from what I understand (I've never used them, but checking their tutorials, they seem to allow for transfer of electronic tickets; it doesn't look to be all that straight forward, though.)
If you're getting a reserved seat for a Metallica concert.. then someone is doing something wrong.
----- The internet has given everyone the ability to have their voice heard equally as loud.. even if they shouldn't be
'People should be free to give away or sell their tickets to whomever they want, whenever they want,' says Gary Adler, a Washington attorney who represents the National Association of Ticket Brokers. 'An open market is really best for consumers.' This is such a huge conundrum.
An open market is a great idea when built around the basic assumption that all the traders in it are potential consumers of the things being traded. But when entities whose sole motivation is profit enter the market, the game changes. The small consumers get screwed because the huge profiteers buy up enormous quantities of commodities and proceed to engage in arbitrage for the sole purpose of turning a profit.
Money goes to money. Wealthy 'investors' buy something up, creating scarcity, driving up the prices, then re-sell for a profit. Profiteering is the problem.
What needs to happen is the venues need to sell their tickets at auction, instead of setting a price based on what they think the tickets are worth. This would let them make most of the money, because the first-sale price would more closely match the actual value of the tickets, and such a system would be much more fair for everyone from the big resellers to the individual consumer.
Fun with Anagarams! LADS HOST, SHALT DOS. HAS DOLTS. AD SLOTHS, HATS SOLD. ASS HO, LTD.
Any reasons grandma can't just transfer the cash for the ticket?
From a purely technical standpoint, allowing the buyer to log in and change the owner of the ticket would be trivial. Upon the change, the system sends a new password to the new email address, and that person must log in and add a credit card number that will be used for verification at the venue. Paperless tickets exist for only one reason. Ticketmaster wants to capture the value in increased demand by raising prices instead of seeing it go to the middlemen.
Concert:
You drink, you jump around (call it dancing if you want), you drink some more and dance some more and drink some and dance some. Worse even at festivals where you also sit down in random places, and (not uncommonly) even sleep at random places.
The more you bring to the concert, the more you can lose. I bet not a single concert ends without someone losing a wallet. The more was in that wallet, the bigger the consequences for its owner.
I never take a credit card to such a concert/festival. I only bring a debet card (which nobody can use without a pin-code) and I also leave my ID at home if I don't cross any borders.
I really hope that the venues will only use this tricks against secondary ticket sales in a few cases of the most popular concerts... only when it will sell out really soon.
I agree however that something needs to be done against these parasites that just buy all the tickets, and re-sell them with a margin on top. They add nothing to society. Can't we just outlaw them worldwide?
Whose grandmother is buying them concert tickets to Sevendust or Sean Paul?
Can we trade grandmas?
Mine just buys me socks
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
Executive summary: a system designed to prevent X is found to prevent X.
Now, everybody knows that Ticketmaster is evil, ruthless, money-grubbing, and generally a suppurating pustule on the face of live music and events. It would be totally in character to tie tickets to purchases to "protect consumers from those evil scalpers"(and themselves from the horrors of the secondary market...)
However, making it impossible to purchase tickets for somebody else is just leaving money on the table. It seems like it would be absurdly trivial to have a system where the customer/hapless sucker can purchase a ticket and either tie it to their own name or immediately tie it to some other name(the bearer of which would need to then prove using state ID of some sort). For kiddie stuff, you could tie to 1 or 2 parents/guardians, since a child might not have ID.
That wouldn't substantially reduce the "security" of the system, nor would it spare the secondary market to any useful degree; but it would allow gifting, and thus presumably increase sales. Why wouldn't they have done that ages ago?
I think the following options might help:
1. An option for gift certificate solving the "grandma problem". Just buy a certificate for e.g. $100 at MyTicketService.com (or similar), which I bet they already can do.
2. Buy-back. The ticket services should buy back for 90% of price within 3 days before concerts, 50% 2 days before, and 40% the day before. This way they would also be able to counterfeit the black market.
I don't care about people trying to sell tickets for profit. They just destroy for us all when they buy more tickets than they are able to use. Why should we care about them?
I agree, but it's typically worst for sellers.
// Ticketmaster has over venues and artists combined with the desire of artists to underprice their tickets I fear it'll be a while before we see any substantive change.
Given the environment of the near monopoly that Live Nation
I'd check out this new yorker article (subscription required) for a good review of the poor economic situation.
The grandma problem only happens because they are doing it completely wrong. Yeah, i can imagine the evil need to restrict like this, but it's not requirement of "paperless" tickets.
Ultimately they are selling only access to the event (and seat), and this ought not to be restricted by any means, and it's just extra that you need to show CC & photo ID to use that ticket, it's not an requirement.
I work as IT Consultant for a modern ticketing service provider ( http://axs.fi/ ), and we don't need any such. We have quite streamlined ticketing process, where tickets are not tied to certain individuals, and tickets come as PDF, E-Mail attachment and SMS, plus you can download the ticket again via the website by logging in. Ticket scalping is a good kind of a "problem" to have, and scalping ought to be used as educational for promoters. This shows the true value of the tickets.
If you want to curb scalping, you can restrict the # of tickets sold per person for example. But scalping really isn't the problem, there's a supply vs. demand disparity, and then scalping happens. Bottomline is: Efforts like this just lowers total revenue (ticket price or tickets sold), without benefit to the artist/event organizer nor individuals. In other words: To hinder a marginal group of people, everyone else suffers. Sounds a bit like the "anti-piracy" fight, with DRM, MAFIAA etc.? Those 2 things are more similar than you'd think....
Pulsed Media Seedboxes
It seems to me that a large number of the "best tickets" are gone before the general public has a opportunity to purchase. Most of these tickets always wind up on the "second hand" market at drastically increased prices. I would rather pay the band in a more direct fashion that feed a "monopoly scalper"....
I am sick and tired of people making a big deal about scalping.
Isn't scalping basically the epitome of free market capitalism?
If I buy 10 of the new Xbox 360 from the local Walmart where there are lots, and sell them on eBay for a profit, is that "scalping" 360s ?
When Exxon drills oil in the middle east and sells it to Europe for a profit where there is none, is that "scalping" oil?
"Scalping" is just taking a gamble, buying something that you think will be in demand (tickets), and re-selling for a (hopefully) profit. There is plenty of potential to lose money for scalpers buying tickets to things and them going unsold, this happens all the time.
What is wrong with this? If you wanted your damn tickets, you should have waited in line like everyone else.
Dutch Auction. Set the ticket prices at $2000 at first. and the price is lowered depending on website traffic.
That way the touts have to risk buying at a high price in order to sell on. or if someone really wants to pay a high price to guarantee a seat they can also.
So here's a possibility for scalpers (or anyone) to get around this. Buy a prepaid debit card for the amount of the ticket purchase, use that to purchase the tickets, and then give the prepaid card (which has no value anymore) to whoever you want to get the tickets. That will mostly solve the problem for scalpers. The only gotcha left will be that they'll need to resell them in the exact batch sizes that they bought them (so they can't buy 6 tickets and sell them 3+3).
I really wish there were a way to screw scalpers and put them out of business, but I just don't see a good way to do it.
If ripoff prices are the problem, why are you not removing Ticketmaster? The way to solve this issue is to make selling a ticket for more than face value fraud. This would knacker Ticketmaster, because they wouldn't be able to slap a 40% surcharge on the front (or touts would do the same). But it DOES solve your *stated* problem.
Mr. Burns: (chuckles) And to think, Smithers, you laughed when I bought TicketMaster. "Nobody's going to pay a 100% service charge." Smithers: Well, it's a policy that ensures a healthy mix of the rich and the ignorant, sir.
"I'm not a quack, I'm a mad scientist! There's a difference." - Dr. Cockroach
Your considering Miley Cyrus to be a musician.
Assuming you want to solve the problem (it would seem that venues themselves shouldn't want it - every free space because someone couldn't attend is more space for those that go):
Make the person who paid for the ticket be able to (optionally and not by default selected) re-enter his or her full details in order to be sent a long transfer code. Anyone should be able to use this, and the first person to do so supersedes the previous ticketholder. When you use it a message is sent to the buyer that their ticket has been transferred. The first buyer should also be able to rescind the transfer, though with a delay of several days so the recipient can dispute it.
... paperless tickets for a hundred moneyless dollars, Alex.
Seriously, though, ability to resell and such are useful, like if I can't go for some reason, unless the original salesman guarantees buy back for the full price at all times, no questions asked. But, what about privacy? Can I buy this stuff for cash, anonymously? If not, why not? Why do you insist on inventing systems that won't take cash without also pilfering my right to privacy?
So they are slapping DRM on the system.
How in the world are the scalpers obtaining that many premium tickets in the first place that it is a problem?
I can understand the history of ticket distribution. I liked it back in the 1970s when I could go to a record store before it opened in the morning and score third row tickets for face value. Those times are long gone. And they weren't perfect, either. Shenanigans happened in the old days, too. I'll never forget being first in line, circa 1980, at the Astrodome to buy tickets to a Heart concert at the Summit. (Things were weird during the transition to centralized sales.) Tickets went on sale at the Dome an hour before anywhere else. As I approached the line, there were already two people in line who had somehow been allowed inside before the gate opened to the public. They bought every single floor ticket, every single ticket in the first tier. I literally had to run out of there before I gave in to an overpowering urge to (I'm serious, here) kill the broker who turned to me with hundreds of tickets under his arm and offered to sell me one.
Nowadays, though, online sales have the potential to make scalpers obsolete. Why don't venues scalp their own tickets?
Set the face value of the ticket at USD$10K. Put them on sale at that price 6 weeks before the event. Then discount the price a bit more each day as the event draws nigh. Finally, when the event starts, price the rest at next-to-nothing.
All the tickets will sell at the prices people are willing to pay. There's no artificial scarcity created by the fact that brokers have bought up every single ticket in less than a minute after they went on sale. The tickets dribble out at maximum profit with minimal negative impact on the fans. The potential for the venue to under-report sales and rip off the record companies/artists should be minimal if some form of third-party oversight can be agreed upon.
What's not to love?
If you approach the concert ticket with same approach as how airlines do the business...
1. id should be enough to gain the entrance, because some people don't have access to the creditcard.
2. cannot attend for some reason, give refund according to the time table like university's tuition or refund in the form of ticketmaster credit or band credit.
3. transfer can be possible with transfer fee high enough which should make scalping unattractive and limit the transfer to 3 transfer per year and one person can only buy one ticket to the venue and account is tied to the ID rather than creditcard number.
Without the ability to transfer virtual tickets, brokers and dealers fear being run out of business...
Not even an attempt at a segue, just straight from the "grandma problem", which has an easy and obvious solution, to this. Well, brokers should be put out of business.
Businesses don't care about what's best for consumers. They care about what's best for businesses and Ticketmaster has a near monopoly on that market. They're often the only place to buy tickets from. Even if you buy direct from a venue's box office - it's Ticketmaster. Don't forget about Ticketmaster's reseller's under different names and higher prices like ticketsnow and livenation. How much money can we squeeze out of these poor saps? More. More. More.
Doesn't TicketMaster own TicketsNow.com, a "resale marketplace" (read scalper website)?
Airlines have been doing the same thing for years now which pisses me off to no end. Not that there is a scalper problem with flights but good luck if you can't use a reservation because you can't refund it or transfer it to someone else, and they haven't been tickets since the early 80's.
Basically they did it to lock in customers, prevent 2rd party sales, and keep customers from being able to get money back. Happened before and I'm sure nothing is going to stop ticket master from making it happen again I'm afraid.
Were is Ralph Nader when you need him?
"(I) have this unfortunate condition that causes me not to believe a single thing any politician says when a mic's on.
"and to banish long will-call lines"
Bullfuckingshit
I went to Iron Maiden last week. I showed up with my friends roughly 15 minutes before the opening act (Dream Theater) was scheduled to hit the stage. I got in on their second last song.
Fuck paperless, I have sworn off any concert that uses them from here on out because of that experience. And no, it isn't reasonable to require everyone to show up 1 hour before the show just so they can get inside in time to see the opening act
When I was in university, and I went to a lot of concerts, they were usually small shows at local bars.
That works in Canada but not in the United States, where a student is ineligible to enter a bar for the first two and a half years of university.
Why would I want to pay $100 to go to a venue with terrible sound
Because the band will likely have broken up by the time you reach drinking age.
I never take a credit card to such a concert/festival. I only bring a debet card (which nobody can use without a pin-code) and I also leave my ID at home if I don't cross any borders.
First of all, how do you drink without an ID? Almost everywhere now cards everyone, except maybe the little old grandma with the walker.
Second, you do realize that every debit card issued now carried either a VISA or a MasterCard logo and can be used in exactly the same way?
now that everything is paperless we wont have that shitty ticketmaster fee of $47.50 they add to every fucking ticket price of $99.95??? Or is it my face is too deep into the bong this early in the morning that has me wishing for such wishful things?
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I love to do things last minute and have had a lot of things happen to me last minute. There's a little thing on the back of the ticket that says you can't sell it for more than retail value, but it's enforced about as well as copyright law on the internet. And if you want to know why that's a good idea, ask the bands. The guys who can afford $500 tickets aren't the ones you want going to your shows, but maybe the ticket's worth that much.
That said, having bought and sold tickets to Burning Man (damn sister getting married that weekend), I've never seen a ticket for more than asked price, even though there's 3 entirely arbitrary price levels (i.e. 3 price levels for exactly the same ticket). The difference? Honor.
You look at what Metallica's fans did at Woodstock and you see who they are.
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U2 initially sell concert tickets based on how long you've been a member of their fan club. Being a long-time member, I have the privilege of easily being able to get the best tickets days before, say, newer fan club members (and even longer than the general public). Scalper issue solved for 'real' fans.
Don't have a long-time fan club membership? Tough shit (sorry, Grandma!).
Purchased $50 tickets for being right up against the front stage, even hours after the tickets go on sale (as in the 97,000 record-breaking sell-out at the Rose Bowl last year).
Want to sell those tickets? No problem. I was quite tempted to sell based on seeing prices on eBay (you simply exchange that ticket for a wristband for those with G.A. admission at the venue).
Brilliant. No fans complained. "Real" U2 fanatics had their tickets for far less than eventual scalper prices.
Could U2 have made much more money, knowing it would sell out by only charging $50 when $250 would have sold just as easily? Well, that's a whole different topic.
I realize that things of this nature are becoming less and less common, but a ticket should be just that. A bearer instrument which has the ability to be transferred. Many people don't even know what a "bearer bond" is anymore and the ones who do have mainly just watched a few heist movies.
Also, isn't that ostensibly what the "ticketing fee" is for? Actually providing a ticket?
I don't think this benefits Ticketmaster as described. Keep in mind scalpers are doing nothing but trying to take advantage of an arbitrage opportunity (buy cheap tickets, auction for a much higher value).
It's simply a question of who captures the "value" (economic surplus). Suppose consumers and scalpers pay $100 per ticket. Scalpers resell their tickets at an average cost of $200. In that case, consumers and scalpers captured $100 of "value". Those consumers that purchased from the scalpers captured $0 in value. And ticketmaster and the performers captured $100 in value (but lost an additional $100 they could have captured). I don't know if ticketmaster gets a flat fee, or a flat fee plus a percentage of the gross receipts, or what, but it would seem the primary loser in this instance is the performer (and ticketmaster potentially secondarily).
If scalpers can't resell their tickets, then *all* tickets sell for $100. Now consumers capture the same $100 in economic value (both the original consumers and now the ones who would've purchased from scalpers). The scalpers get $0 value. And the performers still miss out on the additional $100 in value. Ticketmaster is unaffected by this (assuming the show still sells out, which is would in this instance).
The "Grandma" argument is relevant, though it's likely a small percentage of Ticketmaster's sales. Airlines have the same policy - I've run into this where my father purchased a ticket in my name but United Airlines would not let me board the plane without having his credit card for validation (which as I pointed out to them is a retarded policy, since if I had *stolen* the card I would have it handy, and if I was a marginal criminal I would have his number embossed on a fake card). At the time I had to purchase a new ticket and he had to file for reimbursement (I'm not sure if this is still their policy).
It seems to be the biggest reason Ticketmaster would do this is the same reason the airlines went to e-tickets over paper tickets - it's *significantly* cheaper to handle. The airlines said that e-ticketing saved them $30 per ticket (even after accounting for all the automated ticket booths). Even if you don't believe that number, and you agree ticketmaster's costs are lower, if they save $1 per ticket that easily amounts to tens or hundreds of millions of dollars, with the added bonus of cutting down on credit card fraud (at least as well as the airline policy above describes)
Why don't venues scalp their own tickets?
The issue for venues is liability for refunds. If you buy a ticket from a third party, and the event is canceled for some reason, the venue will refund you the face value of the ticket, even if that is far less than you paid. You won't get anything back from the scalper.
I suspect (though I cannot prove) that the venues get an under-the-table cut of the scalper's profits in exchange for early access to tickets.
I've been seeing like 1 or 2 shows per week for the past years without paying anything, alright not Metallica or Springsteen, but damn fine musicians. I'm also supporting the bar who pays the band by buying drinks of course. Oh but yeah I'll actually like see friends at the bar, flirt with girls, etc. I've also been know to enjoy local raves which usually have far better music bars or stadium concerts, well assuming you like electronic music.
I've no clue what morons actually buy tickets for shows controlled by ticketmaster, presumably largely pre-teens who've only discovered one or two mega popular bands, but not really yet experienced the world.
The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
It used to be, the fans choose the bands. Well, the fans have spoken, and there is a working relationship between artists and fans. Now the artists are trying to pick their fans. It's a lowball attempt to restrict the flow of money, which says something about the artists themselves: they don't care about the fans, they just want the money.
Dumping tickets aside, what about for memorabilia sake? Growing up I sure kept every ticket stub I had since it was the only memorabilia I could afford and I was never lucky enough to snag a pick/drum stick/shirt/etc. I've also had a problem of buying tickets for a group and having 1 or more people back out last minute -- it seems silly to waste seats to a good show, so I've always ended up just giving them away to anybody who will take them.
It could be that the only purpose of your life is to serve as a warning to others.
Have a concert tickets sold via a service like Ebay. Have a high "Buy it now!" price -- like what a scalper might charge -- but no reserve price, and you get to choose what you bid on which seat. Close the bidding a week before the concert (or whatever), and let people do whatever they want with the physical ticket.
As it is, concerts have to guess the price people will pay -- too low, and scalpers come out, too high and you have empty seats.
You point out another issue that doesn't always get mentioned in scalper arguments - some bands actually do give a shit about their fans. It's crazy to believe that in the cynical times we live in, but some bands actually don't want their biggest fans to have to pay thousands of dollars to sit in the front row at their shows.
Libertarians somehow believe that private businesses should be stronger than governments but weaker than individuals.
They (Ticketmaster) will impose a fee to transfer the ticket. Then they will be the scalper and middleman. I would like to point out that these are not like e-airline tickets as you can buy those for someone else and have multiple options when picking up the boarding pass (like using the conformation code, last name OR credit card). Then there is Miley Cyrus, I know kids are getting credit cards young, but other then some pervs aren't most of her fans 8 year old girls?
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musicians as diverse as I bet it ain't the artists and not even their managers, but the labels who are all behind this. They want to control everything what they can not control. They also have the power to change the law. Be it copyright or be it the right to sell what you bought.
In their eyes, you never are the owner, they are. No matter what logic you will bring up, they will say that they own it.
I am sure the music and film industry sued the devil after he bought their souls. And then won that case.
Don't fight for your country, if your country does not fight for you.
Perhaps Visa could set up an alternative to ticketmaster that issues the tickets as prepaid credit cards. I know the venue says you have to take your ID, but I bet it's only as a backup in case the credit swipe does not match their records. For, say, $50 I could buy a prepaid card that is guaranteed to be accepted in payment for a concert ticket or offers, say $30 of regular credit against anything else I would like to buy if I decide not to go to the concert.
Nullius in verba
U2 initially sell concert tickets based on how long you've been a member of their fan club. Being a long-time member, I have the privilege of easily being able to get the best tickets days before, say, newer fan club members (and even longer than the general public). Scalper issue solved for 'real' fans.
I've been a fan of my favorite band for >20 years. I buy every record released the day it comes out. I've been to every single concert since I started listening (if they performed 3 times on a tour, I went to see them all 3 times, even if the shows were on consecutive nights). Yet I'm not a member of their fan club. I don't join fan clubs. It's just not my thing. I guess that makes me a 'fake' fan, huh? Thankfully U2 is not my favorite band. It's cool that they are trying to reward their fans, but don't trick yourself into thinking that 'real' fans don't get left out.
Simple question: Without a ticket how do you know where to sit? And how do you settle arguements over seats?
This makes no sense.
1) Ticketmaster is a risk-hedger for venues and promoters. They are not a ticketing company, that is a side line. Today, anyone could start a web site and be a ticketer. But Ticketmaster provides guaranteed lock-in fees to venues to reduce venues' risks. Judging from their SEC filings, I think about 50% of "convenience fees" fund the lock-in fees to venues.
2) Ticket "brokers" (professional scalping agencies) are risk hedgers for promoters and Ticketmaster. They buy up large blocks of tickets on the speculation that they can resell them above face value. This doesn't always happen.
3) Artists "signal". They would love to make their fans think they support cheap and equally-priced tickets for everyone. Of course, they typically scalp their own complimentary ticket blocks. And they are mad that brokers sometimes make profit on ticket resale that the artists don't get. Artists are conflicted over whether they want "dynamic pricing/auctioning" of their primary tickets because of the need to signal their humanitarian-equality feelings to their fans.
4) If everyone (artists, venues, and fans) was honest, there would be dynamic pricing of the primary ticket market like airplane tickets, which would leave resale to those "i'm sick/can't go" situations for the most part. Hedge funds independent of ticketing would be set up to provide risk-hedging to venues and perhaps promoters. But no one wants to be honest that they want to maximize profits, thus the subterfuge.
Problem now is that everyone and their grandma's are now scalpers with internet. Shows are sold out in 6 min because everyone buys the maximum they can so they can scalp the ones they don't use online.
Neverthless, take an example of Madonna in Montreal :
- First, Madonna takes all the best seats and auction them on ticketmaster auction site
- Corporate lodges get first pick after
- Season ticket holders get a shot a it
- Promotion tickets are assigned (radio, contests etc...)
- Fan Club get a shot at it
Then whatever is left over gets sold to the public, selling in minutes, but what they don't say, is the number of tickets that were available in that 6 minutes.
You say U2 isn't your favorite band, but you're still a 'real' fan? I believe you. Heck, they're not even my favorite. But I make a small yearly investment (US$50 first year, discounted after) to receive impressive benefits (first dibs at tickets, fan-club-only CD releases, U2.com store discounts, etc.)
I guess I'm just a real fan who recognizes the advantages of belonging to a very affordable fan-club membership. Don't want to join the Club? Your choice, but don't complain about being "left out".
I also have memberships to Sam's Club and Costco for similar reasons.
You say U2 isn't your favorite band, but you're still a 'real' fan?
No, I didn't say that. I like some U2 songs, but wouldn't call myself a fan. I was referring to a different band, and using my case to demonstrate that being a fan doesn't equal being a fan club member.
'An open market is really best for consumers.'"
Not when it comes to tickets to events like concerts or sporting events. The resellers / scalpers buy up whole blocks of tickets before the consumers even get a chance. If the "Grandma Problem" is such a big deal then ticket agents should change their rules so that the same person (or same credit card number) cannot buy more than 10 (or 20) tickets to one event. That will at least give those of us actually attending the event (and not scalping) a fighting chance to get seats.
What's the difference? A contract is a property that can be bought and sold. For instance, look at futures contracts traded on options exchanges. Or assumable mortgages. We can regard a ticket as a certificate which shows that the bearer holds a contract with regard to a seat (often, a particular seat) at a particular event.
I was referring to a different band, and using my case to demonstrate that being a fan doesn't equal being a fan club member.
I believe I understand your point. However, you do understand the benefits of obtaining certain fan-club memberships, no? If your favorite band had something similar to U2's method, would you still refuse to join? You'd miss out on hands-down the best tickets available for the least amount of money needed to purchase, free members-only CD releases...the list goes on. Money apparently isn't the issue for you since you say you attend every concert your band performs, purchase all their material, etc.
I don't think anyone's being tricked, as you state, "into thinking that 'real' fans don't get left out." I'm just stating what U2 management does - it actually costs LESS, in the end, by being a member for that 'real' fan (e.g., the $50 tickets are typically sold out before the general public gets a chance leaving much more expensive seats further away, free members-only CDs that are quite expensive in the aftermarket and eventually become collector's items). For me, quite literally, the membership fee pays for itself very quickly. Screw the scalpers/brokers.
Back to the main OP - I'm not a fan of a paperless ticket requiring ID and/or credit card for entry into, for example, a concert. Same reason I prefer physical media (PC or console games, etc.) - much greater ease of selling or giving away, if desired. I fully understand paperless for airline tickets (background checks on name), plus it's easier just having an I.D. for check-in.
So, let me get this straight - we have to decide whether we want to side with ticket touts or Ticketmaster?
Yikes, it's like choosing between an intimate night of passion with Dick Cheney or being fired into the heart of the sun. How do you decide?!
" 'People should be free to give away or sell their tickets to whomever they want, whenever they want,' says Gary Adler, a Washington attorney who represents the National Association of Ticket Brokers. 'An open market is really best for consumers.'" The same can be said for games on Steam. I hate TF2. I'd gladly give my "copy" away to anyone who wants it, but I can't.
I don't have any problem with scalpers. Everything worth a damn has an intermediary, housing-sales (realitors), movie stars (agents), contractors (headhunters).
What I hope will happen is that paperless-and-transferrable tickets will someday move into the monopoly of Airline-Tickets.
Airline tickets should be on the Dow-Jones or some equivalent, so I can buy a last minute ticket.
So I welcome ticketmasters solution to the grandmother problem. May it find its way to Delta!
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If they expect too high a price they are left with a bunch of unsold tickets that are worthless.
Remember if you don't want to pay the high price a scalper demands you have the right to say no, if all like minded did the same scalpers would go out of business.
Where there's one there's useally more.
& one can negotiate as the tickets become worthless if scalpers hold onto them too long
This story puts me in the uncomfortable position of having to decide if I hate Ticketmaster more or scalpers more. I'll have to get back to you on that.
Oops.
To all of you who say that the free market says that scalpers should be able to buy and sell tickets as they please, F off. I have had to purchase tickets for three to four times the original amount because of scalpers. BTW, scalping is not a free market "feature" but a problem, because it is generating fake scarcity. Imagine a situation where someone goes to the store and buys all the bread and sells it outside at three times the original price; that's not the free market, because the regular market forces are no longer determining the prices, but instead a single entity/monopoly.
Just because the U.S. is a republic does not mean it is not a democracy. Democracy/republic are not mutually exclusive.
I belong to my favorite group's offical fan club. I get my choice of good seats, at face value, before they go on sale to the public.
I'd be absolutely fine with this - if you could get a refund from the original ticket company at your whim. If I can't go to a concert at the moment I can resell the ticket. If they stop me doing that then they should refund the money (heck - keep the processing charge) and then resell it to someone else.
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I wouldn't pay for admission for any event where I had to present identity papers to get in. Not even the Second Coming.
and by Miley Cyrus you mean, of course, Disney.
and by Metallica you mean, of course, DOWNLOAD BAAAAAAAAD!!
and by Bruce Springsteen you mean, of course, renting seats for the show...LIKE A BOSS!
There only three options for keeping initial sale price down
There's a fourth option : limit the number of tickets sold per identification token (say, per crypto-hash of Credit Card number). Most people won't buy more the 3-4 tickets. Scalper earn money by buying a lot (tens or more) and reselling all of them at a profit.
One have to find a compromise in the number of ticket allowed : low enough so it's not that much scalper-worthy, big enough so you don't have half of the city having to fill special high-volume request.
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But the holders of fake tickets will be admitted to the venue.
Only the first one. Then every subsequent "cloned" barcode will be refused because the same code has been used. Until the legitimate owner comes and can prove (showing ID or Credit card) that he has the legitimate original copy of the barcode.
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