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Birthday Song's Copyright Leads To a Lawsuit For the Ages

New submitter chriscappuccio sends this excerpt from the NY Times: "The song 'Happy Birthday to You' is widely credited for being the most performed song in the world. But one of its latest venues may be the federal courthouse in Manhattan, where the only parties may be the litigants to a new legal battle. The dispute stems from a lawsuit filed on Thursday by a filmmaker in New York who is seeking to have the court declare the popular ditty to be in the public domain, and to block a music company from claiming it owns the copyright to the song and charging licensing fees for its use. The filmmaker, Jennifer Nelson, was producing a documentary movie, tentatively titled 'Happy Birthday,' about the song, the lawsuit said. In one proposed scene, the song was to be performed."

442 comments

  1. In other news by Anonymous Coward · · Score: 5, Funny

    I've copyrighted the phrase "fuck all the lawyers", so you need to send me a check if you want to use it.

    1. Re:In other news by Anonymous Coward · · Score: 4, Funny

      I'm not sure you could claim that this is an original work of authorship.
      Perhaps you could word it as a catchy jingle ^_^

    2. Re:In other news by Anonymous Coward · · Score: 0

      Since no one has done it so far...

      Happy Birthday to you!
      Happy Birthday to you!
      Happy Birthday dear Warner,
      Happy Birthday to you!

      A government of stupid laws deserves no respect from me. Sue me.

    3. Re:In other news by Anonymous Coward · · Score: 0

      Best part is you'd have no trouble finding a lawyer to help you sue someone who used the above phrase.

    4. Re:In other news by organgtool · · Score: 4, Insightful

      Best part is you'd have no trouble finding a lawyer to help you sue someone who used the above phrase.

      You're right, you wouldn't have trouble finding a lawyer. And that's one of my biggest problems with a lot of lawyers: many of them have no sense of morality or justice. I'm not just talking about lawyers who represent defendants of violent crimes because I realize that they deserve a fair trial. I am referring to all of the lawyers that would argue either side of a case depending on which side offered them more money. These people are not driven by an inner sense of justice and making the world a better place, but simply following their own motivations of greed and rationalizing away any negative effects their greedy actions are causing society. Luckily not all lawyers are like that, but the greedy ones certainly paint a very negative image of lawyers in general and that image is hard to shake.

    5. Re:In other news by Anonymous Coward · · Score: 0

      Fuck all the lawyers and their friends and families!

      Fair use in a derivative work. Try an sue me now, madafakaaaa...

    6. Re:In other news by Anonymous Coward · · Score: 0

      The lyrics are out of copyright for "Happy Birthday" but the music is still copyrighted.
      You definitely need a catchy jingle.

    7. Re:In other news by Anonymous Coward · · Score: 0

      It fits the tune of "Strangers in the Night."

      Fuck all the lawyers,
      Exchanging glances.

    8. Re:In other news by Algae_94 · · Score: 5, Insightful

      I am referring to all of the lawyers that would argue either side of a case depending on which side offered them more money. These people are not driven by an inner sense of justice and making the world a better place, but simply following their own motivations of greed and rationalizing away any negative effects their greedy actions are causing society.

      It's almost like it's a job for them to argue cases, not some quest to improve the world.

    9. Re:In other news by Theaetetus · · Score: 2

      Best part is you'd have no trouble finding a lawyer to help you sue someone who used the above phrase.

      You're right, you wouldn't have trouble finding a lawyer. And that's one of my biggest problems with a lot of lawyers: many of them have no sense of morality or justice. I'm not just talking about lawyers who represent defendants of violent crimes because I realize that they deserve a fair trial. I am referring to all of the lawyers that would argue either side of a case depending on which side offered them more money. These people are not driven by an inner sense of justice and making the world a better place, but simply following their own motivations of greed and rationalizing away any negative effects their greedy actions are causing society.

      In almost every dispute, both parties think they're right, and both may even have good and reasonable reasons for believing they're right. So, yeah, a lawyer could argue either side of that, because there may be good reasons on both sides. It may be a question of what the law really is (see the recent Myriad v. AMP patent case as to whether isolated genes are patentable), or may be a dispute over the facts (if a contract term means "A", then party A is correct; if it means "B", then party B is correct; and they both have legitimate reasons why it should be read the way they want), or other such reasonable disagreements. So, since a lawyer could argue either position, suddenly they're immoral or greedy in your eyes?

      If every decision was so clear cut between good and evil, or just and unjust, then we wouldn't need lawyers in the first place.

    10. Re:In other news by Common+Joe · · Score: 1

      I understand what you are saying, but I believe that one of the things that needs to happen is that when people go to work, they need to be on a quest to better the world. That includes the people who empty trashcans so the engineering guys can make a new widget to improve the world. Sure, they don't have the direct impact, but really, who does? Is a really good movie good because only a couple of people did their job well or because everyone working on the movie did their job well? Only when everyone is on a quest to improve the world will the world get better. Lawyers could certainly benefit from that.

    11. Re:In other news by Just+Some+Guy · · Score: 1

      "Just following orders" isn't widely regarded as a legitimate excuse for being a son of a bitch.

      --
      Dewey, what part of this looks like authorities should be involved?
    12. Re:In other news by Anonymous Coward · · Score: 0

      Deck the halls with heads of lawyers, fa la la la la, la la la la... :)

    13. Re: In other news by Anonymous Coward · · Score: 0

      Lawyer's sole purpose is to argue either side of a case, including defending murderers and rapists. Deal with it. If you want justice, that's the job of.... judge!

    14. Re:In other news by Anonymous Coward · · Score: 0

      I am referring to all of the lawyers that would argue either side of a case depending on which side offered them more money. These people are not driven by an inner sense of justice and making the world a better place, but simply following their own motivations of greed and rationalizing away any negative effects their greedy actions are causing society.

      It's almost like it's a job for them to argue cases, not some quest to improve the world.

      The problem is -- and this will be very apparent to anyone intelligent who bothers to study the legal system in depth -- that the US legal system is riddled with ethical conflicts of interest that the legal profession chooses to resolve in such a way as to artificially increase the demand for their services.

      It is not an accident, for instance, that almost anything in law will take far longer than it needs to be resolved. It is not an accident that the laws are written in such a way as to make them riddled with loopholes and incomprehensible to anyone outside the legal profession. It is no an accident that fundamental human rights are violated routinely by government in this country. It is not an accident that we have a broken copyright law, and a broken parent system. It is not an accident that we have huge numbers of laws on the books, most of which are obsolete or unnecessary. Nor is it an accident that the USA is known as the land of the lawsuit (and most of the world makes fun of us for this).

      For a concrete example, just look at contradictions in the legal system. The US legal system prohibits Congress from passing any law infringing freedom of speech, and yet there are many such laws. The US legal system says the right to keep and bear arms may not be infringed, and yet there are many laws that do just that. These are contradictions. The point here is not to argue that all speech should be free, or that ownership of arms should be unlimited, the point is rather that to place limits on speech or the ownership of arms requires an amendment to be done without creating contradiction in the legal system. But that's not how the legal profession chooses to do business. Instead, they have chosen to create a legal system riddled with contradictions, and this HAS to be apparent to anybody with a functioning brain. That in turn means that our legal profession, including the judges at the highest levels, are routinely ignoring their oaths to uphold the Bill of Rights. The presence of contradictions in the legal system makes the legal system hard to understand, and thus creates lots of job security and economic demand for the legal profession. This is a huge ethics problem.

      So, in short, it's not just a job, but a job that benefits from ignoring ethics issues on a massive scale, to the benefit of the profession, and at the expense of society. The lawyers in this country (as a class, and excepting some individuals) are like IT System Admins who deliberately screw up the design and implementation of the systems they manage in order to create job security for themselves.

    15. Re:In other news by Branciforte · · Score: 1

      Our legal system is adversarial. It is your lawyer's job to make sure that you get to make every argument that the law will hear.

      So, stop for a minute and imagine the world as you would prefer it, a world where lawyers pick a side instead of a client. So, when you wind up in some sort of legal entanglement, in which you are in the right but the facts are cloudy, your lawyer might be arguing for the other side. Or maybe you won't be able to find a lawyer to take your case.

      The point of a trial is to bring all evidence to light, so that an objective decision can be made. Your lawyers job is to make sure that all that evidence is presented. That's the way the system work.

      The vast majority of lawyers are good ethical people. They get a bad rep because:
      1) There are a handful of bad lawyers out there.
      2) People see bad lawyers in dramatic films.
      3) People with little knowledge of the law read sensational headlines without understanding the details of a case.
      4) You lost a legal case because you or your lawyer sucked.

    16. Re: In other news by Machtyn · · Score: 1

      If you can't argue both sides of a point, you will likely lose the argument. Along with that, don't ever ask a question to which you don't already know the answer. Doing so puts you in a position of weakness that will cause you to lose the argument.

    17. Re:In other news by Anonymous Coward · · Score: 0

      Actually, it makes even more sense to kill all the songwriters. And artists and filmmakers.. If we didn't have all this controversy-inducing content to argue about, IP lawyers would have had no reason to exist in the first place.

      And we can even avoid more Apple/Samsung patent suits by killing all the software engineers and graphic designers. Really. Think about it. If we didn't have programmers, we wouldn't have software patents. If we didn't have graphic designers, nobody would ever have thought about creating design patents.And all they ever do anyway is whine about either Apple or Microsoft being demonic. Think about it: have you ever met a software engineer who wasn't arrogant, self-involved, far too used to thinking that he's the Smartest Person in the Room, and just plain Evil?

      This is why my first stop for non-moronic, incisive legal analysis, consistently peer-reviewed by a state-of-the-art I-ANAL Peanut Gallery, is always Slashdot.

    18. Re:In other news by JakeBurn · · Score: 1

      If you amend that to "fuck all the lawyers except for Dr. Gonzo" I will back you 100%

    19. Re:In other news by Rakarra · · Score: 1

      "Just following orders" isn't widely regarded as a legitimate excuse for being a son of a bitch.

      Everyone, no matter what the crime, deserves to be treated the same before the law.
      You don't get that when one side has representation and the other does not.

      The job of the court is for each side to make its best case, and then the judge and/or jury decides who is in the right.

  2. Protecting the arts and artists by torkus · · Score: 5, Insightful

    Right? /sarcasm

    I'm glad someone is pushing this topic (finally) and this is the perfect example. It's one thing to protect artists but the never-ending copyright extensions doing nothing of the sort. They ensure the media companies can generate recurring profits but, by and large, provide limit benefit to those actually responsible for the work. Oh wait...corporations are people now too.

    Hopefully this is decided firmly, not on some silly technicality, and sets a precedent for other cases so common-use media can be pushed into public domain. Maybe someone will rule that copyright law is unfair, unconstitutional, or similar and FORCE our government to review this and move to a more rational policy.

    --
    You can get rich if you own a politician, but you have to be rich to buy one in the first place.
    1. Re:Protecting the arts and artists by Anonymous Coward · · Score: 5, Insightful

      Culture is being held ransom; music, literature, film, television... any medium you can think of is illegal to share, perform or otherwise widely enjoy without paying a gatekeeper. Thanks to the nature of the system if something isn't "saleable" it is left forgotten to rot in some media archive somewhere.

      Back at the turn of the 20th century piano roll music was quite popular and sophisticated however much of it is lost forever because of the same kind of greed.

    2. Re:Protecting the arts and artists by MickyTheIdiot · · Score: 5, Insightful

      1) Put in reforms that revert copyright back to a shield and curb it's use as a sword.

      And one of the best ways to do that is...

      2) Disallow corporations to own copyrights. Require that they be in the name of actual persons and make it so they can only be leased to a corporate entity. That way the corporation is beholden to SOMEONE.

      and of course

      3) Get rid of Micky Mouse copyright.

    3. Re:Protecting the arts and artists by MickyTheIdiot · · Score: 1

      Yes, I screwed up "it's".

    4. Re:Protecting the arts and artists by theedgeofoblivious · · Score: 2

      Disallow corporations to own copyrights. Require that they be in the name of actual persons and make it so they can only be leased to a corporate entity. That way the corporation is beholden to SOMEONE.

      Oh, wow. I like that.

      Get rid of Micky Mouse copyright.

      That has two possible meanings, and I like them both.

    5. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Screw these reforms. Just get rid of copyright and its ilk.

    6. Re:Protecting the arts and artists by bjdevil66 · · Score: 1, Insightful

      As much as I hate corporations pulling crap like this, this type of "corporations aren't REALLY people" precedent would create so much legal chaos that this would ultimately be a horrible idea.

      Corporations are people, or they aren't.

      But I do agree that the length of copyrights is a joke (with companies like Disney leading the way on that front).

    7. Re:Protecting the arts and artists by TWiTfan · · Score: 1

      never-ending copyright extensions

      Thank you Disney and Sono Bono. Even The Emperor and Darth Vader must now bow to Disney.

      --
      The cow says "Moo." The dog says "Woof." The Timothy says "Thanks, valued customer. We appreciate your input."
    8. Re:Protecting the arts and artists by Migraineman · · Score: 4, Insightful

      Also - copyright terminates when the author(s) die. None of this life-plus-eleventy-thousand-years crap. When you kick, your works revert into the public domain ... we *all* benefit from that.

    9. Re:Protecting the arts and artists by mwvdlee · · Score: 3, Interesting

      1) Copyrights are supposed to encourage the creator to create more work. As soon as the creator is dead, the chances of her/him creating more work are somewhat diminished. At most a copyright period should be for N years or natural death of the creator, whichever comes first.

      2) Corporations should be allowed to have some sort of copyright, after all, their payments to creators enables the creators' work. But these copyrights could be much smaller and of a different nature. Like an "exclusive license" that lasts upto the point the product is no longer actively published. "Actively" could be reasonably specified in some way; i.e. after the first year where sold copies amount to 10% of first-year sales.

      3) How about getting rid of Mickey Mouse entirely?

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    10. Re:Protecting the arts and artists by Holi · · Score: 4, Interesting

      Corporations are not people, they are a legal economic structure to protect the owners personal assets.

      How can corporations be people when they are property?

      --
      Sorry, teleporters just kill you and then make a copy. A perfect, soul-less copy.
    11. Re:Protecting the arts and artists by Anonymous Coward · · Score: 1, Insightful

      Every time this suggestion comes up, I repeat that I don't want the law to create more incentives for homicide.

    12. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Okay, so the large number of developers who write code would all "lease" the code to a corporate entity, likely under the same terms as the current copyright assignment. In short it would change nothing.

    13. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0, Interesting

      The problem with "corporations are not people" is I've yet to hear an argument about how that would work, that cannot be used to infringe on "the right of the people peaceably to assemble, and to petition the Government for a redress of grievances".

      I dislike the idea of Apple/Ford/McDonalds/etc having as much power as they do, but unless the plan we implement protects the NRA, the EFF, fuck, even PETA, I cannot support it.

    14. Re:Protecting the arts and artists by aaarrrgggh · · Score: 4, Insightful

      What do you think a corporation is? If we just switched the term corporation to business would your suggestion start to fall apart? When an author/artist dies, so does their copyright?

      Let's pretend I make a movie. The day before release, the individual assigned for the copyright is shot. Can my competitors now charge admission to replay my movie?

      The real problem is just duration, not the entity holding the piece of paper. You could argue the need for a moral copyright beyond a commercial copyright, but I think you end up on the same slippery slope.

      12 Years from first commercial publication.

    15. Re:Protecting the arts and artists by aaarrrgggh · · Score: 1

      Yes, I ended a sentence with "is". Twice!

    16. Re:Protecting the arts and artists by fustakrakich · · Score: 5, Interesting

      Just posting for the hell of it. The message is in the sig... It is a universal truth.

      --
      “He’s not deformed, he’s just drunk!”
    17. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Disallow corporations to own copyrights. Require that they be in the name of actual persons and make it so they can only be leased to a corporate entity.

      You may not realize how deeply embedded the concept of corporations is embedded in American law. In the eyes of the law, a corporation and a person are indistinguishable. There is no practical way to outlaw corporations from doing something that natural-born persons are allowed without a major overhaul of the law.

    18. Re:Protecting the arts and artists by geekoid · · Score: 2

      A shield is useless if you have no recourse against the people who violate your rights.

      Do you know what a corporation is? even the slightest clue?
      A corporation can be just ONE person. Are you saying a author who incorporates can't own their own copyright? Are you saying an author can ;liscent their copyright to whomever they want?
      You solution is based on the shallowest of understanding.

      If you want anyone to even to begin to consider what you have to say, stop using terms like Mickey Mouse copyright.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    19. Re:Protecting the arts and artists by Sloppy · · Score: 5, Funny

      I have a plan for changing this at the basic political level, finally getting rid of absurdly-long copyright terms. (And coincidentally, my plan should work for addressing the overbroadness domestic surveillance powers, too.)

      The plan is to vote for Republicans or Democrats. (I haven't yet decided which; that's a minor detail.) This way, I can get Republicans or Democrats into key policy-making positions, where they will finally be able to enact the changes they have been promising.

      Everyone, if you think the current laws are unfair and ridiculous and you want to Do Something about it, November 2014 will be your first big chance: vote to finally get some Republicans or Democrats into congress. And then in November 2016 vote for a Republican or Democrat president too. (Can you imagine the changes we would see at DoJ, if only we were to have a Republican or Democrat president? Can you imagine the reforms we would see in copyright law, if only we have a Republican or Democrat majority in the houses? Can you imagine what limits would be imposed upon the NSA by the president, if only we were to elect a Republican or Democrat to that job?)

      CHANGE CAN HAPPEN, if you do what is necessary to make it happen. For that, the parties (Republicans and Democrats) who are against the status quo, and instead, support common-sense reform, need your support. These parties have never had the opportunity to show their colors, and if only we would give them the chance, I'm sure they wouldn't let us down.

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    20. Re:Protecting the arts and artists by geekoid · · Score: 0

      You sig is just a paraphrasing of what terrorist and radical have said becasue they would rather issue violence then thought.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    21. Re:Protecting the arts and artists by geekoid · · Score: 1

      Yes, becasue people are never property.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    22. Re:Protecting the arts and artists by dryeo · · Score: 1

      1) Copyrights are supposed to encourage the creator to create more work. As soon as the creator is dead, the chances of her/him creating more work are somewhat diminished. At most a copyright period should be for N years or natural death of the creator, whichever comes first.

      I've heard of cases of people writing their memoirs or biographies when dieing as a form of pension for their soon to be widow (perhaps with young children) so it is possible for copyright after death to encourage more work. Better just to have a reasonable short limit on all works. The original 14+14 seems reasonable, at the extreme the family would have close to 28 years to get their shit together and usually less.

      --
      https://en.wikipedia.org/wiki/Inverted_totalitarianism
    23. Re:Protecting the arts and artists by LifesABeach · · Score: 0

      I think the biggest lie ever said is, "corporations are people too." Does a corporation have intent? Even more funnier, can one cause a corporation to disrobe, and walk through the streets?

    24. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Little hint, buddy: A bit too long-winded without enough apparent hooks to make it clear that's satire and not just Poe's Law kicking in.

    25. Re:Protecting the arts and artists by mooingyak · · Score: 4, Informative

      Also - copyright terminates when the author(s) die. None of this life-plus-eleventy-thousand-years crap. When you kick, your works revert into the public domain ... we *all* benefit from that.

      I'd rather just a straight up term of 30 years (or whatever number is most reasonable), regardless of whether or not the author is still alive.

      --
      William of Ockham had no beard. The most likely explanation is that it was chewed off by squirrels every morning.
    26. Re:Protecting the arts and artists by GLMDesigns · · Score: 2
      I don't think they will find copyright unconstitutional:

      Article 1, Section 8: To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

      I do think they might start reducing the time frame associated with "securing for limited Times."

      --
      If you're scared of your govt then you need to further restrict its powers
      Vote 3rd Party in 2016 and beyond
    27. Re:Protecting the arts and artists by magic+maverick+ · · Score: 1

      Except that copyright is already tied to the life of the author. It's just the life of the author plus a really stupidly long time...
      I personally, in this current system, would limit copyright for all works to a mere five years. With a requirement to retain attribution for maybe another five or ten years after that. But, ten to fifteen years after a work is first published, or say twenty after it is first recorded (if not published), make it fall into true public domain, without even the requirement for attribution.

      --
      HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
    28. Re:Protecting the arts and artists by BonThomme · · Score: 1

      only now do you truly understand the power of the Dark Side

    29. Re:Protecting the arts and artists by ubergeek65536 · · Score: 0

      I'm not sure how the parent got modded funny.

      The facts are that both parties are owned by corporate interests. If you want to change the world vote with your wallet not with a ballot.

    30. Re: Protecting the arts and artists by Redmancometh · · Score: 1

      You win the biting sarcasm award.

    31. Re:Protecting the arts and artists by Dr.+Sheldon+Cooper · · Score: 5, Informative

      Whoosh. Bigtime.

      --
      Bazinga.
    32. Re:Protecting the arts and artists by kilfarsnar · · Score: 1

      Why should fundamental reform require violence?

      --
      "What the American public doesn't know is what makes them the American public." -Ray Zalinsky (Tommy Boy)
    33. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      You do realize there is a difference between the STORAGE MEDIUM ( piano rolls - compact disc - flash drive)
      and the stuff being STORED. Or don't you understand that?

    34. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      s/Republicans or Democrats/Libertarians/g

    35. Re:Protecting the arts and artists by luciano.moretti · · Score: 1

      Good point: The Author of the musical RENT, Jonathan Larson, died the night before the off-Broadway premiere.

    36. Re:Protecting the arts and artists by ttucker · · Score: 1

      The plan is to vote for Republicans or Democrats. (I haven't yet decided which; that's a minor detail.)

      You didn't figure it out on line 2? A bit daft are we?

    37. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Do you know what a corporation is? even the slightest clue?
      A corporation can be just ONE person.

      Your argument here, that the person is the corporation, suggests that you should be asking those questions of yourself.

      By incorporating, the single author in question has brought another being into existence. They are legally two separate people; that is why you incorporate as a single person, for that legal protection.

      Are you saying a author who incorporates can't own their own copyright? Are you saying an author can't license their copyright to whomever they want?

      The author would own the copyright, not their corporation. The author could then license the work to their corporation or whomever else they desired. Remember, they are legally two separate people.

    38. Re:Protecting the arts and artists by kasperd · · Score: 3, Insightful

      Except that copyright is already tied to the life of the author. It's just the life of the author plus a really stupidly long time...

      That additional time is so long, that it removes all incentive to attempt influencing the expiry time. Either the author is already dead, in which case the expiry time can only be changed by changing the law. Or the author is still alive, in which case the copyright of the work will last for so many years into the future, that no living person will care about the exact date. It is easier to influence the expiry time by having the laws changed, which is happening faster than copyrights are expiring.

      I personally, in this current system, would limit copyright for all works to a mere five years. With a requirement to retain attribution for maybe another five or ten years after that. But, ten to fifteen years after a work is first published, or say twenty after it is first recorded (if not published), make it fall into true public domain, without even the requirement for attribution.

      I agree it should be tied to the publication date. But I think five years is too short. I consider 20 years from the first publication (with author's permission) to be more appropriate. It should come with certain requirements, such as the work remaining available for purchase. Attribution requirements should last longer, but derivative works should be possible. If a product is leaked without author's permission, then the time shouldn't start ticking yet. But there need to be a limit on how many years can pass between such a leak and the actual publication, if full term copyright is to be retained. There also need to be rules preventing any loopholes from making money off a staged "leak" and then retaining copyright after a later "publication" date.

      --

      Do you care about the security of your wireless mouse?
    39. Re:Protecting the arts and artists by AthanasiusKircher · · Score: 1

      Look, you're making this too complicated by tying it to the life of a "person," and then worrying about how to deal with corporations.

      There's a simple answer -- go back to something like the original system as put in place when the Constitution was ratified. At that time, it was 14 years. If the author applied for renewal, it could be another 14 years. Personally, I still think 28 years is a little long, but the point is that it's a limited duration. You could go back to the original Statue of Anne length and make it 7, maybe with a 7-year renewal. Originally, it was a reasonable amount of time for a publisher to sell the first print-run and thereby recoup an investment in materials. These days, a short term is even more justified, since the investment in materials is smaller for publishers.

      The idea that it should last for a creator's lifetime is ridiculous. The point is not that a creator should get to live out his/her days making money off of one creation.

      1) Copyrights are supposed to encourage the creator to create more work. As soon as the creator is dead, the chances of her/him creating more work are somewhat diminished. At most a copyright period should be for N years or natural death of the creator, whichever comes first.

      Well, that's partly right. Copyrights are supposed to encourage the creation of work, period -- not necessarily MORE work. The original statement from the Constitution:

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

      So, we want to encourage "progress," which means we want quality works in the first place. Creators need a way to get compensation for their initial investment of time and effort; otherwise, only rich people or people with rich patrons will put in the time and effort to make something great. Here's a simple analogy for you:

      Suppose you're a carpenter or contractor or whatever. Instead of getting paid X dollars at the end of completing a job at a building site, the owner says to you: "Rather than giving you a one-time payment, I'll give you Y percent of the rent on this property for the first Z years."

      Most building contracts don't work like that, but that's essentially the way copyright works. In 1790, as I pointed out, it was for 14 years.

      Now, if this were the standard way of doing building contracts, the way carpenters do business would be different. They might try a bunch of different things, working on different sorts of buildings, hoping to be involved in enough good projects to generate a good amount of income in the future.

      But to the question at hand -- this money paid shouldn't just disappear if the carpenter happens to die early. He might have a family to support, and that family, unlike in other situations, didn't get the salary up-front. They expected to depend on his "salary," which just happened to be coming in spread out over Z years, rather than all at once up-front. He was guaranteed the rent for Z years according to the contract, so if he dies, his estate should still be able to claim it.

      2) Corporations should be allowed to have some sort of copyright, after all, their payments to creators enables the creators' work.

      Corporations should only get copyright automatically over things they actually create as a corporation. Creators should be able to pass their income over to a corporation, just as they could with the income from other contracts.

      The duration should be no different. It shouldn't be longer than the original 1790 terms.

    40. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      That's idiotic. By that train of thought, inheritance laws also create incentives for homicide.
      Homicide is already illegal, there's no point in making further laws to prevent it.

      Actually even the author's death is too long. The point of copyright is to give authors a chance to recoup their investment, and to push them to continue creating.
      Hard to do that when the guy is dead.

    41. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      The problem is who owns the copyright to a work done by a large company?
      Say, for example, Finding Nemo. It had the participation of hundreds of people - should they share copyright? Does it make sense to aware more copyright to some people (say writers, director) then to others (IT maintenance)?
      Where does it end? Does the catering cook get a percentage as well?

    42. Re:Protecting the arts and artists by sjames · · Score: 1

      I think we need to pit them against each other. Perhaps the "Well, OK Mickey can have a 20 year extension but only if everything else in the world goes back to 24 years" copyright act. Sure, the RIAA and MPAA will fight it but for once, Disney's money will be on our side.

    43. Re:Protecting the arts and artists by PortHaven · · Score: 1

      Death of Author + Kids up to 18th-25th birthday. And a minimum of 14 years for estate.

      (That way if an author/inventor dies early (or mysteriously), the children benefit until they are adults.

      ***

      But patents shouldn't prevent others from making stuff. Patents should just grant the inventor (and by extension a company that employs the inventor) a 10% tax break on sale of said invention.

    44. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      I like the thought but what about a title like "Führer"? I don't really know what it means, but If we "elected" someone from perhaps a nationalist party, meaning of this nation of course, We could accomplish your same goal with one person. That would make it so much easier. It's just "common" sense.

    45. Re:Protecting the arts and artists by sjames · · Score: 1

      Are you saying a author who incorporates can't own their own copyright? Are you saying an author can ;liscent their copyright to whomever they want?

      Of course not, the actual person can hold the copyright like any actual person can. The corporation in his name cannot.

      He can rent it to his corporation or he can sell the copyright outright to any natural person he wants.

    46. Re:Protecting the arts and artists by JasterBobaMereel · · Score: 1

      Corporations should not have copyright ... give it to a person, that might be the CEO but at least assign it to a real person

      Similar to Patents it should be from N years of first publication (not creation) in *any* medium (no different copyright for new medium), but they have limited rights before that

      This gives the creator control, and rights from when they can reasonably start to reap the rewards ..but also gives them enough time to make it ready (none of this complaining about different time to markets)

      --
      Puteulanus fenestra mortis
    47. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      I challenge you to produce the evidence that citizens united makes any such claim that corporations are people. Take your time.

      Corporations are however made up of groups of people, and clearly these people could be caused to walk through the streets disrobed. Why you are interested in such a thing is quite beyond me, but there it is.

    48. Re:Protecting the arts and artists by stdarg · · Score: 2

      I don't understand this mentality. You think people who say that mean "A corporation is actually the mind of a real person floating around without a physical body?"

      It just means everything a corporation does is actually being done by a person or a group of people, and those people don't lose their rights just because their "group" is a corporation. The corporation as a whole has a right to free speech because any group of people who collaborate to produce speech have the right to free speech. If corporations didn't have a right to free speech, then the government could also say "Well let's see now, Mr. Reporter, I see you're married. As it turns out, couples don't have the right to free speech, because couples aren't people, they're groups of people." I mean you see the problem with that right?

    49. Re:Protecting the arts and artists by j-beda · · Score: 5, Interesting

      I'd rather just a straight up term of 30 years (or whatever number is most reasonable), regardless of whether or not the author is still alive.

      First decade for free, $10 registration for the next year, doubling every year after that, in perpetuity. This allows the "owner" to extract any economic value they can see in the item, and very quickly puts the vast majority of works into the public domain. Central registration also makes it easy to find the owner if you actually do want access to the work for licensing or the like, or to find out if the work has been registered. Each ten years the cost go up by a factor of 1024.

      Year 11 - $10 (total $10)
      Year 12 - $20 (total $30)
      Year 13 - $40 (total $70)
      Year 14 - $80 (total $150)
      etc.

      Price for year "n" = $10 x 2^(n-10)
      Total price to pay for every year up to and including year "n" = $10 x ( 2^(n-9) - 1)

      Year 20 costs $10240, total cost $20470
      Year 30 costs $10,485,760, total costs $20,971,510

      The details of the free period length or the first yearly amount can of course be changed, but the doubling rate is what makes this type of system work. Make it five years free and one dollar for the 6th year, and it works great too. Heck, one penny for the first year gets you to the ten bucks level in a decade, so maybe that's the way to go.

    50. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      I've never heard of a zombie rule against that one. Have you?

    51. Re:Protecting the arts and artists by microbox · · Score: 1

      their payments to creators enables the creators' work.

      The corporation can get a free license to the work from the author, for the lifetime of the copyright. Say 14 yeas renewable once by 14 years.

      --

      Like all pain, suffering is a signal that something isn't right
    52. Re:Protecting the arts and artists by ChrisMaple · · Score: 1, Informative

      Disallow corporations to own copyrights.

      Thus forcing copyright owning businesses to be sole proprietorships or partnerships, moving copyright owning entities to even more narrow and hence capricious control.

      This widespread, foolish animus against corporations leads to nowhere good.

      --
      Contribute to civilization: ari.aynrand.org/donate
    53. Re:Protecting the arts and artists by mwvdlee · · Score: 1

      Whichever party would be uniquely capable of creating more such work.

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    54. Re:Protecting the arts and artists by pnutjam · · Score: 1

      No, I don't think you understand, we understand and refuse to argue your strawmen creations.

    55. Re:Protecting the arts and artists by mwvdlee · · Score: 1

      Yeah, I noticed that too after I've written it. The "license-like" copyright would, for all intents and purposes be just like any other license. The only difference might be that such a license-like copyright could legally limit the terms of the license in order to prevent companies from teaming up and forcing licensing term upon the creatives.

      --
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    56. Re:Protecting the arts and artists by pnutjam · · Score: 1

      Why does the NRA have to spread a message. Why can't it be Wayne LaPoop's message, or whever is selected as the head of an organization. I don't see how we lose anything.

    57. Re:Protecting the arts and artists by asylumx · · Score: 1

      Because it's the only way to get those corrupt people to give up their power.

    58. Re:Protecting the arts and artists by RabidReindeer · · Score: 1

      The problem with "corporations are not people" is I've yet to hear an argument about how that would work, that cannot be used to infringe on "the right of the people peaceably to assemble, and to petition the Government for a redress of grievances".

      I dislike the idea of Apple/Ford/McDonalds/etc having as much power as they do, but unless the plan we implement protects the NRA, the EFF, fuck, even PETA, I cannot support it.

      I think that the key distinction is in whether the people of the corporation are representing themselves or are being co-opted to represent the corporation.

      You can thus have double-representation or even contrary representation (in cases where "the corporation" says something at odds with the views of the majority of its employees and/or shareholders). Because whatever the individuals say themselves is being augmented or controverted by the corporate entity under the direction not of the majority, but the management.

      Everyone - real or fictitious - deserves their day in court. Even animals sometimes get that. But the main problem with "Corporations are people" at the political level is that corporations represent a concentration of assets (money, manpower, and so forth) that few private individuals can muster. And often are partly or wholly immune even to the limitations that those few (shall we say 1%) of private individuals are subject to.

      It isn't so much a matter of free speech as to who can field the biggest megaphone. The USA was founded upon the idea of one man one vote (not one DOLLAR, one vote), expanding the term to include women and freed slaves, but (so far) no corporation has been issued a voter registration card that I know of.

    59. Re:Protecting the arts and artists by wichawa · · Score: 1

      This is simply not true especially if you live in the United States, and most Berne Convention nations. Thankfully I do not, but I have written and extensively about copyright and have been employed as a result. For basic reference, see:

      http://en.wikipedia.org/wiki/Copyright_Term_Extension_Act

      "The Copyright Term Extension Act (CTEA) of 1998 extended copyright terms in the United States. The Act extended these terms to life of the author plus 70 years and for works of corporate authorship to 120 years after creation or 95 years after publication, whichever endpoint is earlier."

      Although you are mostly wrong, you can occasionally be right: The most common cases in which an author's work immediately becomes public domain information upon that author's death is if that author maintained no legal estate holdings (despite their already existing copyright claims, which are estate holdings), if the author has forgotten to write a will (doesn't necessarily matter), if the author has no offspring (doesn't necessarily matter), or if the author has chosen no benefactors at all (again, doesn't necessarily matter).

      Basically this is rare and the 70 year after life extension is most commonly employed.

      You can search around for all of this information, but as an example to demonstrate my facts simply search around for the Winnie-the-Pooh copyright saga, as it generally contains an element of the estate, the offspring, some random charity benefactor, a couple different publishers, large multinational corporations, splitting of various medium rights, and much more. Some cite Winnie-the-Pooh as being one of the primary reasons for the Copyright Term Extension act, as this book would have been public domain in 2001 under the pre-1998 laws. This is no longer the case.

      In this example you will notice that the death of the author of Winnie-the-Pooh occurred in 1956, and that the copyright lasts on this piece of information until 2026. There is no "corporate authorship" involved in this case, though Winnie-the-Pooh's original publisher likely could have had some sort of leverage in negotiation over attribution at the time of publishing, though they haven't been in the picture for some time.

      My favorite is the curious case of classical music score sheets, most of which are not in the public domain as publishing houses from 80-90 years ago still own the rights to distribute the scores for many works written hundreds of years prior to "re-printing". These types of "works" would generally fall under the case of corporate authorship. Thus depending on circumstance or business intelligence of the printing firm, these terms can last for either 95 or 120 years, depending when the work was published under corporate authorship and which end date comes first.

    60. Re:Protecting the arts and artists by hobarrera · · Score: 1

      Authors and Inventors

      That means it makes no sense for copyright to extend beyond death.

    61. Re:Protecting the arts and artists by Calydor · · Score: 4, Funny

      When even Dr. Sheldon Cooper gets the joke there is no excuse for not getting it yourself.

      --
      -=This sig has nothing to do with my comment. Move along now=-
    62. Re:Protecting the arts and artists by crazyeddie740 · · Score: 1

      Corporate agency is actually a field of study in metaphysics. So, yeah, corporations can be said to have intentions, beliefs, and desires, and these propositional attitudes might not be shared by the individuals that constitute the corporation.

      No walking down the streets naked, though. Which is probably a good thing, since I don't think the world is ready for Stanley Morgan in its birthday suit.

    63. Re:Protecting the arts and artists by chihowa · · Score: 1

      Authors and Inventors

      That means it makes no sense for copyright to extend beyond death.

      That's a pretty solid ground from which argue for scaling back copyright. I was always hung up on the "limited Times" part, but this is far more compelling.

      --
      If you want a vision of the future, imagine a youtube comments section scrolling - forever.
    64. Re:Protecting the arts and artists by Loopy · · Score: 1

      I'm glad someone is pushing this topic (finally) and this is the perfect example. It's one thing to protect artists but the never-ending copyright extensions doing nothing of the sort. They ensure the media companies can generate recurring profits but, by and large, provide limit benefit to those actually responsible for the work. Oh wait...corporations are people now too.

      It's funny how you snark about the "corporations are people" thing when it comes to this cause. I'm guessing you don't feel the same way about similar application of consequences/requirements when it's going in reverse (e.g. corporate tax rates)?

    65. Re:Protecting the arts and artists by camperdave · · Score: 1

      There's nothing wrong with ending a sentence with the word "is". There's nothing wrong with ending a sentence with two ises: That which is, is.

      --
      When our name is on the back of your car, we're behind you all the way!
    66. Re:Protecting the arts and artists by boristdog · · Score: 2

      I don't know. I've always hated the "Happy Birthday Song" and I have used copyright as an excuse to replace it whenever possible with the one Peabody and Sherman used in one of their episodes. I think it was the one with Sitting Bull. To distract the Natives, the settlers sang (in a sort of native war-chant mode):

      Happy Happy Birthday!
      Happy Happy Birthday!
      Happy Happy Birthday!
      UGH!

      Jay Ward and his heirs haven't tried to sue me yet.

    67. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Wouldn't that be "Bazinga"?

    68. Re:Protecting the arts and artists by GLMDesigns · · Score: 1

      Absolutely. In my mind it cannot be longer than the life of the author (for books, and songs). Movies tend to be corporate creations so that leads to a somewhat arbitrary time frame, but whatever is decided: 5 yrs, 10 yrs, 20 yrs, it should not exceed a "lifetime," whatever that is determined to be.

      --
      If you're scared of your govt then you need to further restrict its powers
      Vote 3rd Party in 2016 and beyond
    69. Re:Protecting the arts and artists by kilfarsnar · · Score: 1

      Did this get modded Insightful because there isn't an Asinine mod?

      --
      "What the American public doesn't know is what makes them the American public." -Ray Zalinsky (Tommy Boy)
    70. Re:Protecting the arts and artists by zzsmirkzz · · Score: 1

      ...by securing for limited Times to Authors and Inventors...

      This is where current copyright is unconstitutional on its face. It says "for limited times" to "the Authors and Inventors". A copyright term of "Life" granted to the Author is not limited from the perspective of that Author, it is unlimited. It is all the time they have in the world. So right there, in plain English, the law that was passed that extended the copyright term to be based on the life of the author/inventor is unconstitutional as Congress was not granted the power to secure for unlimited times the exclusive rights.

    71. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Just posting for the hell of it. The message is in the sig... It is a universal truth.

      It's a shame then that only those who are logged in can see your Sig...

    72. Re:Protecting the arts and artists by jdavidb · · Score: 1

      Love it, sir!

    73. Re:Protecting the arts and artists by Ost99 · · Score: 1

      20 years is too long. Make it shorter, but with an expensive possibility of extending it to (close to) 20.

      Moral rights (attribution) should be significantly longer than copyright, I'm not even sure if they ever should expire -> but derivative works should be allowed from copyright runs out (from day one for partial derivative works, parodies etc.).

      --
      ---- Sig. gone.
    74. Re:Protecting the arts and artists by Xtifr · · Score: 1

      So authors can't possibly want to provide for their children or grandchildren? Having known many older authors, I assure you that's not true.

      If copyright expired at death, what incentive would P.G. Wodehouse or SF Grandmaster Jack Williamson (both of whom continued writing into their late eighties or early nineties) have had?

      Which is why I support fixed-length copyright terms, rather than life or life-plus.

    75. Re:Protecting the arts and artists by Ost99 · · Score: 1

      Seems sensible, but you have to start higher than $10.
      I'd like the same formula with a $1000 starting point -> ~$2 million for year 10-20.

      And I'd argue that one should start lower than 10 years. Most works should end up in PD after 8-15 years.

      --
      ---- Sig. gone.
    76. Re:Protecting the arts and artists by brit74 · · Score: 1

      It seems to me that if an author/creator spends time creating something, he's probably suffering financially during that time (because he/she is creating something rather than working a day job with that same time). If he/she is supporting a family during that time, they are suffering during that time as well. This is why copyright should extend beyond the life of the author - so that the family can benefit from the labor and financial hardship they endured.

      Also, if a company pays an author an advance to write a book (in return for exclusive publishing rights), and that author dies shortly after publishing the book, the elimination of copyright would mean that the publisher no longer has exclusive publishing rights (i.e. any other publishing company can now publish the book). They are partners in the creation of the work, yet they suddenly lose a valuable asset (exclusive publishing rights) that they invested in simply because the author died?

    77. Re:Protecting the arts and artists by datavirtue · · Score: 1

      Corporations have always been made of people you dumb shit. Is that how we rationalize the sociopathic behavior by claiming that corporations are not people?

      --
      I object to power without constructive purpose. --Spock
    78. Re:Protecting the arts and artists by AthanasiusKircher · · Score: 1

      Your arguments are a great reason for a set period of time for copyright, regardless of death, transfer of rights, corporate ownership, whatever -- just set the number of years and be done with it. Personally, I believe in no circumstances should that term be longer than the original copyright terms set after the Constitution called for them in the 1790s, namely 14 years plus a 14-year renewal. I don't know if the "renewal" thing is necessary -- but 28 years is more than enough to recoup losses for investing some time in generating one thing. (14 years is probably plenty too, but I think 28 should be an absolute maximum.)

      If the creator dies within that 14-year or 28-year or whatever period, the rights go to the estate. If a corporation claims copyright over something they produced, it's the same term.

      Here's one analogy I like to think of. Imagine that a state is accepting bids from construction firms to build a bridge. Rather than paying them up-front, the state project managers say: "We'll allow you to erect a toll booth for 14 years, and you get all the money from that toll booth. After 14 years, the bridge enters the 'public domain' and nobody can charge tolls."

      If you signed a contract as a builder like that, you get the 14 years of tolls as your compensation. If you die, that compensation can be collected by your estate, family, corporation you will it to, whatever.

      Obviously this hypothetical situation wouldn't happen in real life, because construction doesn't work along this sort of contract model. But a lot of investors put capital into initial research or start-ups while being promised a share of profits in a similar way. They make no money up-front, but if it becomes successful, they can collect later.

      The only difference is that copyright terms should have defined limits, and a set number of years makes a lot more sense instead of some random set of time correlating to the author's lifespan. If we view copyright as a sort of temporary "lease" from the public domain, like my toll-booth on public bridge metaphor above, compensation should have a set amount or duration, not something tailored to how long someone lives.

    79. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Every time this suggestion comes up, I repeat that I don't want the law to create more incentives for homicide.

      New copyright idea! Life of the author minus one year. When you use the copyrighted work, you must make sure the author dies within one year.

    80. Re:Protecting the arts and artists by Darinbob · · Score: 1

      Twenty is fine for me. Many works remain popular sellers for longer than that; there are series of books that took longer than that to write. It can take more than 20 years for a book to become a movie, and if copyright expired that soon then all profits go to hollywood and zero go to the author.

      I also think extensions to copyrights should be allowed but that the original author is required to apply for them and not a publisher or media company. Remember that some of the time the royalties are also the retirement plan of the author (or songwriter or artists, whatever). Authors are not fabulously wealthy on average, and some may be hovering around the poverty line if they have no alternative means of income.

    81. Re:Protecting the arts and artists by Myopic · · Score: 1

      I would like copyright to extend for about "one generation". The Beatles can make their money selling stuff to their generation, and after that then future generations get the works of human history in the public domain. There is no obvious exact definition for the length of one generation, so I set it at about 25 years.

      Five, ten, twenty, twenty five years -- whatever. But this unlimited-time/hundreds-of-years bullshit is obvious nonsense and no good person needs to be bothered by those laws.

    82. Re:Protecting the arts and artists by Synerg1y · · Score: 1

      It just might work too, if we get entirely one side in there will be nobody to resist the changes the non-existent side would try to block. What kind of changes? Minor details.

    83. Re:Protecting the arts and artists by Synerg1y · · Score: 1

      If you really wanted to, you could enact a naked policy inside the building though. Just make sure to include no sexual harassment in capital letters!

    84. Re:Protecting the arts and artists by SuperTechnoNerd · · Score: 1

      "Culture is being held ransom; music, literature, film, television... any medium "

      In a way it's our own dam fault. We created this monster.
      We, as a culture put far far far to much emphasis and value on entertainment in general. The industry is like a drug dealer - feeding our addiction for huge profit. Everyone can name a zillion rock stars, or actors, but how many scientists or engineers or doctors? Those people which modern society as a whole can not live without. I have not seen a bridge built by a rockstar. Or a disease cured by an actor. Or a new form of graphine made by a baseball team.. Yet we teach our children that thees people are the ones to look up to, emulate and style our lives after. We teach that science and learning are for geeks and is not normal; and "you won get rich doing that" (which is true and proves my point) But screaming uncomprehensibly on stage with a blood alcohol level of .20 is cool, and it will sell millions of copies. And that person and all who prop them up deserves millions upon millions. That is the monster WE created, and now it's getting out of control and turning on us. Now WE must stop it.

    85. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      You live in a time beyond the information-scarcity singularity, and yet you fail to embrace post information-scarcity economics.

      A home builder agrees with the customer on what to build and the price to build it. They arrange payment and build the home. Once paid off the owner is free to do whatever they want with it.

      Information is nearly infinitely reproducible now. Digital goods should have zero price because they have infinite supply, regardless of cost to create. Individuals do not benefit from art, it is the culture itself that is the customer. Your ability to configure the bits is what is scarce. You must market that, not the infinitely reproducible output from the labor.

      Be home builders, or car mechanics. Agree on a price up front. Get paid that price to do the work of making the digital goods. Then, since society has paid you for the games culture gets the output for "free" (it's been bought already by paying for it to be made).

      This isn't crazy, it's the way all other labor markets work -- Starting up a car isn't scarce after the mechanic does the work to fix it. What's crazy is over paying for infinitely reproducible information.

      Copyright enforces artificial scarcity to create a futures market for your mind. It's dumb and leads to job insecurity, churn, and lower pay. Get paid up front. You have an unlimited monopoly over your work before you do it, not afterwards.

    86. Re:Protecting the arts and artists by fustakrakich · · Score: 1

      Take it as a hint :-)

      --
      “He’s not deformed, he’s just drunk!”
    87. Re:Protecting the arts and artists by Common+Joe · · Score: 1

      I disagree with you, but I'm with you in spirit. I believe copyrights (and patents and most trademarks) should expire after 10 years. If you die 5 years after a copyright is granted, then those benefits can be given to your descendents or whomever you made your will to.

    88. Re:Protecting the arts and artists by Common+Joe · · Score: 1

      Still too long. I'm in favor of 10 years. Does an author need to benefit from a book he wrote for 20 years? Does a company really need to benefit for 20 years after coming up with something novel?

    89. Re:Protecting the arts and artists by Ost99 · · Score: 1

      I see some of your points, but I don't agree with all of them.

      Having part of a series become public domain would not decrease the income from new works in the same series, it might even increase the income (from the new works).

      Retirement on royalties from work done long ago doesn't seem to be a good incentive to get people to create more works, rather the opposite. I create copyrighted works for a living, and I don't expect any income from anything I've created more than five years ago. However, I still make money from the money I earned and then invested 5 years ago, and probably will for a long time.

      Like everyone else I have to prepare for my retirement by saving up for the future (and/or have the state do the planning and saving for me, depending on country). I don't see why a very limited part of society (also a very limited part of active creators) should be exempt from the burden of planning their retirement at the expense of everyone else. The cost to society for providing a retirement income for the 1 in every X thousands of authors that still make any meaningful income from previous works is locking away our entire cultural heritage (and losing large parts of it in the process) for decades (soon to be centuries).

      Are we really willing to let a few corporations and successful creators hold the entire cultural output of our society ransom for 100+ years.

      --
      ---- Sig. gone.
    90. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      I do not agree that a copyright should expire on the death of the author. The family should inherit those rights. Why in the world would intellectual property become public domain upon death? Obviously all those who believe this are not writers.

    91. Re:Protecting the arts and artists by ttucker · · Score: 1

      It just might work too, if we get entirely one side in there will be nobody to resist the changes the non-existent side would try to block. What kind of changes? Minor details.

      We already have one side in there already, just maybe different branding. Sort of a Coke/Pepsi thing... it is all Cola.

    92. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      If you want to change the world vote with a bullet not with a ballot.

      There. Made that catchier for ya.

    93. Re:Protecting the arts and artists by GLMDesigns · · Score: 1

      That's a very good point. What would you consider a reasonable "limited time"?

      --
      If you're scared of your govt then you need to further restrict its powers
      Vote 3rd Party in 2016 and beyond
    94. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Actually, those of us who DO understand are making popcorn and laughing our asses off at both of you.

    95. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      I not logged in and can't see your sig, you insensitive clod!

    96. Re:Protecting the arts and artists by Ost99 · · Score: 1

      I proposed 7 years, with possible (expensive) extensions up to 14 years.
      But 20 years is still way better then the highway robbery our culture is subjected to today with terms up to 120 years.
      Copyright extension is theft and willful destruction of our culture.

      --
      ---- Sig. gone.
    97. Re:Protecting the arts and artists by fustakrakich · · Score: 1

      Until you can separate thought from the brain, that is the way it is doomed to be. History proves that power is not given up peacefully.

      --
      “He’s not deformed, he’s just drunk!”
    98. Re:Protecting the arts and artists by Darinbob · · Score: 1

      People don't create works of art in order to become rich. They do not get the $100K/year salary. You may put in $18K in a 401K every year to save up for retirement, and in 30-40 years you'll still be getting paybacks on that investment. But an author doesn't get that salary and doesn't have the 401K. Has a roth though but it won't pay out nearly was well especially when income is low to put into it. For the creators of works of art part of their payback over time is the royalties (which always decline over time anyway). Even if they keep churning out the works, one every 2-5 years, the royalties they will be getting in old age may still not be enough to live on.

      This is not locking away a work of art forever, it can be done by having a minor locking away for a very short period of time (life of author plus a few years). I think 20 years is just way too short just so that you can get something for free. Twenty years ago was Bridges of Madison County, still a good seller. Schindler's List and Jurassic Park on the movies side. That's how short twenty years is. And those are the hits, think about the things that weren't popular.

      I'm not defending the copyright-in-perpetuity like they have now, it's clearly too broad.

      I'd like to see changes, such as not being able to completely and irrevocably sign away copyright to someone else, but they can grant temporary exclusive publishing rights to a corporation.

    99. Re:Protecting the arts and artists by Ost99 · · Score: 1

      Twenty years ago was Bridges of Madison County, still a good seller. Schindler's List and Jurassic Park on the movies side. That's how short twenty years is. And those are the hits, think about the things that weren't popular.

      It's precisely because of those not so popular works I want it changed. They are forever lost due to the current regulations.
      The purpose getting works into public domain is not saving the user a few dollars, it's re-adding them to the cultural history of humanity, and enabling future creators to build upon the ideas of giants past.

      --
      ---- Sig. gone.
    100. Re:Protecting the arts and artists by LordLucless · · Score: 1

      If you want to change the world vote with your wallet not with a ballot.

      The problem with that, is the person with the biggest wallet gets the most votes. Which is what lead us to where we are now.

      --
      Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
    101. Re:Protecting the arts and artists by Ost99 · · Score: 1

      People don't create works of art in order to become rich

      I fail to see why this is relevant to preserve a the small or nonexistent trickle of royalties to a relatively small group of authors at the expense of everyone else. I'd use it as an argument for reducing the restrictions on reproduction.

      I'm also baffled by the argument that because [some/most/not-that-popular/untalented] writers doesn't makes as much a year as you and me, they should be exempt from planning for the future and society should continue to pay them for the [mediocre/not-that-popular] work they put in 20-40 years ago?

      It's not the authors of the 20-40 year old works that benefit from keeping it from the public domain, it's the publishers and authors of new works that benefit by not having to compete against:
      1) Old works in the public domain
      2) New works based on public domain works

      --
      ---- Sig. gone.
    102. Re:Protecting the arts and artists by j-beda · · Score: 1

      Seems sensible, but you have to start higher than $10.
      I'd like the same formula with a $1000 starting point -> ~$2 million for year 10-20.

      And I'd argue that one should start lower than 10 years. Most works should end up in PD after 8-15 years.

      For the vast majority of stuff, a $10 fee is sufficient to prevent anyone who has no intention of trying to monetize something from filing the extension, and it is low enough that it is hard for anyone to complain about it being too high. Setting it at $1000 right from the outset might lead to the victimization of artists without deep enough pockets.

      In my mind, the problem with current copyright is not that "great works" are locked up for a long time - Steamboat Willy can enjoy protection for an arbitrary time and I would think our cultural history would still be safe - but rather the problem is the fact that EVERYTHING is locked up for as long as SBW. If we put ANY renewal requirements in place, the VAST majority of things won't be renewed at all, and scholars and artists will have potential access to those items without the worry of copyright infringement. There is no great need to be super concerned that some things might still have a long copyright if 80% of things are public domain within a decade and 90% within two decades, and 99% within three.

    103. Re:Protecting the arts and artists by Ost99 · · Score: 1

      Hmm.
      Not bad. My main concern is also all the works that get lost due to the ridiculous terms today.

      I'm still in favor of a shorter protection for all works in the long run, but as a compromise for the next 100 years or so this would do nicely.

      --
      ---- Sig. gone.
    104. Re:Protecting the arts and artists by Darinbob · · Score: 1

      If it's at the expense of everyone else (those evil freeloading authors!) then make the copyright expire in 2 months. If no one is hurt then make it last for infinity. Clearly we need something in between the extremes. I am just arguing why I think 20 years is too short.

    105. Re:Protecting the arts and artists by Zontar+The+Mindless · · Score: 1

      Star Trek meets The Office in "The Naked Policy".

      Oh, the horror. The horror...

      --
      Il n'y a pas de Planet B.
    106. Re:Protecting the arts and artists by Common+Joe · · Score: 1

      I could probably be talked into a 7 - 14 year time range with expensive extensions as it seems that what you propose is a variation on my 10 year (no extensions) idea. You're right about 120 years being highway robbery and the theft and willful destruction of our culture.

    107. Re: Protecting the arts and artists by Anonymous Coward · · Score: 0

      Well, we are guaranteed at least one change: copyright extended by another 20 years, to a new total of 140, because Mikey Mouse and those starving artists...

    108. Re:Protecting the arts and artists by hobarrera · · Score: 1

      So authors can't possibly want to provide for their children or grandchildren?

      I really disklike the how we inhereted all that "inheretance" stuff from the monarchy. The son of the rich are rich, and it's a right of blood.
      Wow, kings and princes weren't the same, right?

      Having known many older authors, I assure you that's not true.

      If copyright expired at death, what incentive would P.G. Wodehouse or SF Grandmaster Jack Williamson (both of whom continued writing into their late eighties or early nineties) have had?

      Which is why I support fixed-length copyright terms, rather than life or life-plus.

      Copyright exists to motivate author to create works of art, not to make their grandchildren richer.

    109. Re:Protecting the arts and artists by Xtifr · · Score: 1

      When you're old, providing for your kids and grandkids is motivation! If you don't understand that, then you've obviously never been old, or been close to anyone who was.

      Plus, fixed-length is simply the easiest and most fair solution all around. It doesn't put works-for-hire in a separate category, and means that you don't have to sit around guessing when someone's going to die. You know when it was created, so you know when it's going to enter the public domain.

    110. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      No, we don't, as you've given some people great motive for murder. And we lose great creators. Or media companies will wait for the death of their authors to public some books or movies.

    111. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      So if I paint ONE painting and sell it, ANYONE can then copy it (since it isn't available for purchase?) What if I want to make a limited edition book? NO just make it X years (14, 25, I'm not sure, but much less than the current 95)

    112. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      1) Copyrights are supposed to encourage the creator to create more work

      Copyright isn't supposed to encourage MORE work, it is supposed to create works. How many people retired to write "the great American novel?" How many decided to write a new novel, late in life, to leave a legacy for their children? If the copyright ends with their death, they may not write that novel.

    113. Re:Protecting the arts and artists by Ost99 · · Score: 1

      And I'm of the opinion it's way too long. 8-15 years would be sufficient to extract >99% of the commercial value of a work.

      --
      ---- Sig. gone.
    114. Re:Protecting the arts and artists by HeadlessNotAHorseman · · Score: 1

      Also - copyright terminates when the author(s) die. None of this life-plus-eleventy-thousand-years crap. When you kick, your works revert into the public domain ... we *all* benefit from that.

      Except the author when something horrible happens to him/her because they are in possession of a multi-million dollar copyrighted work that others would like to exploit...

      --
      I like my coffee the way I like my women - roasted and ground up into little tiny pieces.
    115. Re:Protecting the arts and artists by kasperd · · Score: 1

      So if I paint ONE painting and sell it, ANYONE can then copy it (since it isn't available for purchase?)

      Sounds fair to me. There is a market for copies, if the copyright holder has no intention of supplying that market, then that opportunity should be open for others. Regardless of who is selling the copies, the price of the original will still be much higher than that of the copies.

      What if I want to make a limited edition book?

      Why would you? If all the ones you printed are sold, you can surely make money from another print. If you don't do another print, you are not losing any money from somebody else doing so.

      --

      Do you care about the security of your wireless mouse?
    116. Re:Protecting the arts and artists by Patch86 · · Score: 1

      Man: Well I believe I'll vote for a third-party candidate.
      Kang: Go ahead, throw your vote away!

    117. Re:Protecting the arts and artists by zzsmirkzz · · Score: 1

      Given the speed in which publishing and distribution can happen in this day and age, I would say 10-15 years is about the maximum reasonable limit. Any longer than that and it is no longer serving society, only the copyright holder at the expense of society. If you can't make your work worthwhile in that amount of time, try harder next time or find a new business to be in.

    118. Re:Protecting the arts and artists by KMSROX · · Score: 1

      I am in the music industry and I have a son that was signed to the dreadful Warner label which is the "owner" of "Happy Birthday" until the year 2050. I have fought my own war with the stupidity of that song in particular being copyrighted. Youtube was forced, by law, some years ago to mute any video including a kids home video where "Happy Birthday" was sung by family members, how absurd! Finally Youtube said if you want to patrol the site for Happy Birthday then hire someone we are not muting it anymore unless the leg work is done and you file a petition against the offenders.

      Warner filed a petition against me for promoting my own son's music, which I had been doing years before they were signed. Warner wasn't promoting them so hey I did what any mom would do... I promoted and used my mom bragging rights to "SPREAD THE WORD" Hell I had been doing it since he and my other son were kids in many different bands before he reached that point. I fought back and won, no money, just my reputation which is as good as money in the industry.

      I think its hilarious that Steel Panther does a ditty using SOME of the lyrics from Happy Birthday, even allows people to send in names to personalize it for those that want it as a gimmick for the movie "Rock Of Ages".

      Personally I have my own version of Happy Birthday with a different melody line... Happy fucking getting older today, Warner Owns your birthday, which is probably OK, because I can't sing well anyway....

      Of course I am totally against stealing music or anything for that matter, it is after all the livelihood of many to write, perform and all other forms of entertainment. If we can't make a living then we get what we have now, a lot of shitty music with people that HAVE to use auto tune just to pass or impersonate as a musician on a recording forget any live performances.

      All the labels were fit to be tied about Youtube and illegal downloading sites not for the morality of it but because they couldn't monopolize it and make a profit. After many years of the answer staring them in the face they finally decided if you can't beat them join them and make them pay for it. They now do profit off of songs on youtube and the artists profit as well IF they fill out miles of paperwork to get their very small share of royalties. The legalities that revolve around that is a joke in and of itself. I have stated many times over through the years that those in power in the music industry are far worse than all the lawyers and politicians put together.... probably because a good share of them are lawyers and politicians.

      The Happy Birthday song should be Public Domain without question it is just that plain and simple however just like everything else in this world it "HAS" to be "OWNED" and the ownership is driven by "GREED".

      --
      My goal is to learn at least one new thing before going to sleep and to wake up after each sleep cycle.
    119. Re:Protecting the arts and artists by Reziac · · Score: 1

      I like this scheme too. Makes it practical for works that produce little or no income in their early days, or have perhaps 15 or 20 years of profits, but makes it definitely not worthwhile to sit on 'em forever. Under such a scheme, Mickey Mouse would now cost several billion a year (if not more, I didn't bother to do the math) and certainly would not look like an attractive asset to Disney's shareholders.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    120. Re:Protecting the arts and artists by ubergeek65536 · · Score: 1

      There it a point where sarcasm isn't funny anymore.

    121. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Whenever you write it's, say the sentence out loud substituting "it is" in place of "it's". If the sentence makes sense, you've correctly used it's.

      For the advanced version of this trick, pretend the apostrophe is the "i" from "it is".

      For the literal explanation, "it's" is a contraction of "it is". In contrast, "its" is a possessive pronoun.

    122. Re:Protecting the arts and artists by Anonymous Coward · · Score: 0

      Apparently, Happy Birthday is the second verse of a song in which the first is.
      Good Morning to you
      Good Morning to you
      Good Morning dear Teacher
      Good Morning to you.
      Surely the copy right on this should have lapsed years ago.
      If Ian Anderson can do whatever he likes with the music of J.S.Bach then surely we can sing and use Happy Birthday without having to pay for it, especially in a film about the song.

    123. Re:Protecting the arts and artists by kasperd · · Score: 1

      It's not the authors of the 20-40 year old works that benefit from keeping it from the public domain, it's the publishers and authors of new works that benefit by not having to compete against: 1) Old works in the public domain 2) New works based on public domain works

      If that sort of reasoning was considered valid, we should also outlaw all new inventions, that could make any other profession unnecessary. We need to accept, that nobody has a right to make a living within a profession, that nobody need anymore.

      But I don't think we are close to that point yet. Even if we had free access to all culture older than 20 years, there would still be people willing to pay for something new.

      --

      Do you care about the security of your wireless mouse?
    124. Re:Protecting the arts and artists by david_thornley · · Score: 1

      Copyrights are supposed to encourage the creator to create stuff. Not "more stuff". Why tell an author with a terminal illness that neither the author nor heirs will get much of anything for what the author writes? Why not say that the author's heirs will get the same rights as the author had, and let that be incentive?

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    125. Re:Protecting the arts and artists by svick · · Score: 1

      This sounds reasonable, until you realize there isn't just one country in the world. Would you have to register your work in all 200 of them? Would this mean that it's okay to copy a work before it's released in your country?

      Also, this would be problematic for open source software and especially GPL, because it basically wouldn't mean anything anymore (after the one free year).

    126. Re:Protecting the arts and artists by j-beda · · Score: 1

      This sounds reasonable, until you realize there isn't just one country in the world. Would you have to register your work in all 200 of them? Would this mean that it's okay to copy a work before it's released in your country?

      Also, this would be problematic for open source software and especially GPL, because it basically wouldn't mean anything anymore (after the one free year).

      True, it is not completely international - that could be addressed with agreements that would provide similar coverage in other countries.

      It does weaken aspects of the GPL, but I think that is a valuable tradeoff. Any decrease in copyright protection weakens the GPL against people co-opting the code, but the largest reason copyleft exists in the software world is to get around restrictive copyright restrictions in the first place. Shorter copyright and a vibrant public domain does that as well.

  3. I hope the judge opens the case by saying by Anonymous Coward · · Score: 5, Funny

    "By the way, today happens to be my birthday."

    1. Re:I hope the judge opens the case by saying by Stormthirst · · Score: 4, Funny

      +1 Funny - I so hope he does.

      Unfortunately, I suspect the media company's immediate response would be to file a motion to have the judge removed because of obvious bias.

    2. Re:I hope the judge opens the case by saying by Anonymous Coward · · Score: 0

      Today *is* my birthday, you insensitive clod!

      And all I got was this lousy MS Office on my iPhone...

    3. Re:I hope the judge opens the case by saying by Anonymous Coward · · Score: 0

      danna nanana Today is your birthday.... danna nanana It's my birthday too

    4. Re:I hope the judge opens the case by saying by Anonymous Coward · · Score: 0

      Man how are they going to find jury members who haven't had a birthday?

    5. Re:I hope the judge opens the case by saying by Anonymous Coward · · Score: 0

      How about the judge opens the case with the remark "In the early 1900s, children used to great their teachers by singing 'Good morning to you, good morning to you, good morning dear teacher, good morning to you,' which only changes the words but not the music.

      In short, the "owners" of the song can suck it, because they didn't create anything.

  4. factoid by Anonymous Coward · · Score: 0

    The reason you rarely hear "Happy Birthday" being sung in a TV Program or a film is because of this copyright. It's actually expensive to do it legally.

    This is for a song that was ancient when your parents were born.

    Welcome to the Machine.

    1. Re:factoid by Mitchell314 · · Score: 5, Funny

      Welcome to the Machine.

      Come with me. On behalf of Pink Floyd's publishers, we have matters to discuss.

      --
      I read TFA and all I got was this lousy cookie
    2. Re:factoid by ArcadeMan · · Score: 1

      Oh, man. Welcome to the Jungle.

    3. Re:factoid by MickyTheIdiot · · Score: 1

      They are getting over their digital fear, actually. There are about ready to allow access to their catalog on Spotify. Wish You Were Here is available on Spotify already and when it hits 1 mil streams the whole catalog gets released.

    4. Re:factoid by Anonymous Coward · · Score: 0

      The wall has been available in youtube for free for very long time, so I'm not sure if they had that fear in the first place.

    5. Re:factoid by hedwards · · Score: 2

      Sort of, the tune itself is public domain, but the words aren't. The public domain words, IIRC, are the ones for "What day is today?" Pretty much as sung by Elzar on Futurama.

    6. Re:factoid by TWiTfan · · Score: 4, Insightful

      What really pisses me off is that even a public domain work these days is subject to being "reclaimed" into copyright, if there is money to be made. Just look at "It's a Wonderful Life." No one would have even remembered that movie if it hadn't fell into the public domain and became popular to air around Christmas (since anyone could do it). But when someone realized it was actually making money and had became popular again, of course some corporation immediately sweeps in and reclaims copyright on it. Now it only airs once or twice a year on NBC and no one gives a shit.

      --
      The cow says "Moo." The dog says "Woof." The Timothy says "Thanks, valued customer. We appreciate your input."
    7. Re:factoid by TWiTfan · · Score: 5, Funny

      When I violated Guns-n-Roses' copyrights, Axl Rose not only sued me, he threw me out of Guns-n-Roses. I never even knew I was *in* Guns-n-Roses!

      --
      The cow says "Moo." The dog says "Woof." The Timothy says "Thanks, valued customer. We appreciate your input."
    8. Re:factoid by Thud457 · · Score: 1

      Welcome to My Nightmare.
      oooops...

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    9. Re:factoid by fibonacci8 · · Score: 2

      The maintainers of Upton Sinclair's estate would like to have a few words with you.

      --
      Inheritance is the sincerest form of nepotism.
    10. Re:factoid by geekoid · · Score: 2

      no one gives a shit becasue its out of fashion. What you seem to fail to realize is that it's still on the air.

      I mean, yeah reclaim copyrights are crap for a number of reasons, but people loosing interest with an available work isn't one of them.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    11. Re:factoid by dryeo · · Score: 1

      I understand it wasn't so much digital fear but fear of their (later) music, which was meant to be heard in its entirety, being cut into singles and sold that way.

      --
      https://en.wikipedia.org/wiki/Inverted_totalitarianism
    12. Re:factoid by Kreigaffe · · Score: 1

      That's what I'd heard as well. Whole thing's all kinds of nuts. On one hand, hi, I'm the radio.. Floyd's albums have been cut into singles for quite some time now and that's OK. On the other hand, when people buy their music, listen to the albums.. it's a different experience than just one song, they really did construct a whole album and not just a collection of songs one following another and it would be a real shame for someone to miss out on that.

      --
      ... still waiting for this free-as-in-beer free beer I keep hearing about. :|
    13. Re:factoid by garyoa1 · · Score: 1

      Exactly. And then the copyright trolls were born. Researching old lyrics, poems, pictures, graphics or whatever. Copyrighting them and then going after anyone who uses them.

      I really don't have a problem if the copyright could be reclaimed by the family either. That is, if it's done before the original runs out. I don't have a problem with mickey mouse or whatever since the company is still using it and still being creative with it.

      It's really a problem to me that if they STOP using it and the copyright runs out then any pond scum can come along and claim it as their own.

      --
      Wuddooeyeno? IITYWYBMAD? Like nuts? eclecticallyincorrect.com
    14. Re:factoid by TeknoHog · · Score: 1

      Wait, what? As a true geek, you should only listen to GNUs n' RMSes.

      --
      Escher was the first MC and Giger invented the HR department.
  5. We need more than that by ArcadeMan · · Score: 5, Insightful

    Bring back the original copyright terms:

    The original length of copyright in the United States was 14 years, and it had to be explicitly applied for. If the author wished, he could apply for a second 14year monopoly grant, but after that the work entered the public domain, so it could be used and built upon by others.

    How about "25 years without any extension, then it goes into the public domain". What these money-hungry Hollywood and publishing executives don't seem to realize is that everything DRM'ed will be lost in time, like tears in the rain.

    1. Re:We need more than that by Racemaniac · · Score: 4, Insightful

      Wouldn't 5 years be more than enough? i thought part of the goal was to stimulate artist to make new stuff. if you can ride it out for 25 years on 1 hit you once scored, it's not much motivation to create something new -_-

    2. Re:We need more than that by FunPika · · Score: 1

      What these money-hungry Hollywood and publishing executives don't seem to realize is that everything DRM'ed will be lost in time, like tears in the rain.

      Even if they realize it, it is unlikely that they care if a movie they released is impossible to watch 100 years from now, as long as they get their money now.

      --
      After years of not using a signature, I am going to make one to say the following: Fuck Beta
    3. Re:We need more than that by hedwards · · Score: 2

      No, that might help the 0.000001% or so of groups that get a hit right away, and even then the artists would get very little. What's more, it means that if you don't spend a crap load on ads right away, you might not get any money at all for the work. It's hardly unheard of for a band to take more than 5 years to hit it big, so the early stuff wouldn't be something they would make any money off of.

      As for riding it out, I see no reason why they shouldn't be allowed to do so. We don't require construction workers to tear down their house every 5 years if they built it themselves, or for landlords to do the same, just because they're "coasting" on something that they did once.

      What's more, the risk involved with releasing a new movie or album is sufficient that you'd never pay back the risk for such a short copyright term. And, why should I buy the album now when I'd be able to wait 5 years and download it in full quality for free? 25 years at least ensures that anybody that really wanted it has probably already bought a copy.

    4. Re:We need more than that by stanIyb · · Score: 1

      Meh... that's too long. It shouldn't be longer than 10 years, and some might say that even that is too long.

    5. Re:We need more than that by IP_Troll · · Score: 1

      While I agree with your sentiment, what you propose is much more difficult than you think.

      The present copyright term and "automatic rights" instead of "rights after registration" are not spontaneous American ideas, they are requirements of the World Intellectual Property Organization Copyright Treaty.

      You will have to get the whole of Europe/ Asia to sign on to whatever changes you propose.

      Or America could withdraw from the treaty, but that would mean Americans would lose their rights in treaty countries.

    6. Re:We need more than that by DaveyJJ · · Score: 1

      ...publishing executives don't seem to realize is that everything DRM'ed will be lost in time, like tears in the rain.

      I see what you did there ... lost "like tears in the rain". The Philip K Dick Foundation's lawyers would like a word, please.

      --
      DaveyJJ
    7. Re:We need more than that by stanIyb · · Score: 1

      No, that might help the 0.000001% or so of groups that get a hit right away, and even then the artists would get very little.

      Well, sorry, but if you can't make money in that amount of time, maybe they need to find a better business model. Your fears are unfounded.

      We don't require construction workers to tear down their house every 5 years if they built it themselves, or for landlords to do the same, just because they're "coasting" on something that they did once.

      What does this have to do with government-enforced monopolies over ideas?

      And, why should I buy the album now when I'd be able to wait 5 years and download it in full quality for free?

      I think you'll find that most people would be willing to pay if it meant they'd get to see it before the 5 years are up. Why? That's what we're already seeing, but the conditions (copyright terms are more than 100 years) are more extreme. We live in an environment where you can get just about anything for free easily (through piracy), but many people still choose to pay. If what you said were true, no one would be making any money.

    8. Re:We need more than that by mark-t · · Score: 2

      5 years might be enough for some types of works, but for other more long-lived works it's not practical. 25 years isn't really *THAT* long... certainly it'd generally be the case that anyone born during a period when a work was copyrighted, or if a particular work was created and copyrighted while they were growing up would still likely spend most of their adult life in a period where it wasn't. Pushing a century, however, as things are right now, is utterly absurd.

      Fixed, reasonable length, and COMPLETELY unextendable copyright terms are needed for copyright to have any hope whatsoever of still having any relevance in the future. Publishers are otherwise only going to get increasingly reliant on systems that introduce layers of complexity to the work that are not strictly required for the work to be utilized as intended, simply as a means to keep people from making what they think are unauthorized copies, and so for the consumer, all these additional complexity layers do is create more additional points of failure for the work that reduce its value for the very person who would actually have patronized the publishers of the work.

    9. Re:We need more than that by plebeian · · Score: 1

      I think giving people a 5 year window to commercialize their product would only work if they could extend it providing they are actively licensing their product during the initial exclusivity. Imagine how the Dixy Chicks would have felt if George Bush could use their songs without their permission? I agree that more should be in the public domain but you should be able to extend the copy write for up to 50 years if it proves successful within a short time frame.

      --
      "I myself am made entirely of flaws, stitched together with good intentions."
    10. Re:We need more than that by Trevelyan · · Score: 2

      In the US because of the Mickey Mouse Protection Act or rather the Copyright Term Extension Act.

      Basically every time Mickey Mouse is about to go out of copyright and into the public domain, Disney lobby for copyright to be extended.

      Given that they actively use MM, their Trade Mark on him will never expire. Isn't that enough? Why continuously extend copyright?

    11. Re:We need more than that by ArcadeMan · · Score: 1

      I guess it could depends on what exactly is copyrighted. Five years seems awfully short for something like a movie but could be appropriate for a song or for software. The original idea of 14 years was probably derived from something because it seems such an odd number to pick.

      How about the following copyright lengths:
      Software: 5 years
      Music/Songs: 8 years
      Movies: 14 years

      Things like characters should be trademarked so that nobody else can use the "Mickey Mouse" character but the movies using that character would still only be copyrighted for 8 years.

    12. Re:We need more than that by LocalH · · Score: 2

      As for riding it out, I see no reason why they shouldn't be allowed to do so. We don't require construction workers to tear down their house every 5 years if they built it themselves, or for landlords to do the same, just because they're "coasting" on something that they did once.

      This actually highlights the difference between copyrighted works and physical goods. Construction workers don't get a royalty check every time a house they helped build gets sold. Landlords get paid regularly because they own the physical good and are renting it to you on an ongoing basis. We're living in a world where copyright is rapidly being expanded and physical goods are being eschewed in favor of digital downloads, which are not usually transferable in the same sense as a physical copy of the work. Imagine if an architect had the ability to restrict sales of buildings that they designed if they don't get a cut of the sale price. That's what "Big Media" wants to be able to do (look at the situation with the Xbox One, where even with physical discs you're being restricted from freely buying and selling used games without paying Microsoft).

      --
      FC Closer
    13. Re:We need more than that by Piata · · Score: 4, Interesting

      5 years is probably too short. While I hate copyright, it also prevents mega corps from co-opting people's creations and selling it back to us/using it to sell their products and services. They already do this to a certain extent but could you imagine how awful it would be if they had free reign to do anything they wanted with everything after 5 years?

      Imagine you wrote a song, filmed a short video or created this amazing illustration and 5 years later it was used by corporations to sell everything from toothpaste to cars. How would you feel about that?

      Copyright law cuts both ways. While it's often controlled and exploited by the mega-corps it's also the only line of defense independent artists have against those same mega-corps.

    14. Re:We need more than that by sirlark · · Score: 1

      How about this? Non-natural persons get a two 2 year copyright on a particular work for free, with indefinite applications for renewal, with one catch; The first renewal costs $1000 (or some small but non-trivial amount of money to get rid of the jokers), the next renewal costs double that, and it keeps doubling every renewal period. Natural persons get 5 year periods, or something along those lines, to cater for differences in ability to pay for renewals between businesses and natural people

      Once it gets to the point where you're paying more money than you're making off the copyright, even corporations would stop extending. You'd also have to register your renewals (to pay for them), so the licensing terms will always be available in a central system so everyone else can see whether it's still under copyright, and who owns it. Copyrights can also be inherited, assuming the renewal periods are paid for up front, but the inheritors only get it to the end of the registered and paid for renewal period.

      This works really well for most things: prose (books, poems, other literatrue), music (as in sheet music and lyrics), recorded performances (recorded audio, recorded video); If you publish, you get two years to see if your work is popular enough to make you money in the short to medium term; If you feel it's profitable to renew, do so. For those things that are going to be classics in 20 years time, put your money where your mouth is. As a corporation, it'll only cost you $511,000 if you're corp, or $7,000 if you're a natural person... spread over 20 years. The exact numbers can be tweaked; Personally, I think corps should renew every year.

    15. Re:We need more than that by Anonymous Coward · · Score: 0

      They realize, they just don't care.

    16. Re:We need more than that by ArcadeMan · · Score: 3, Informative

      We don't require construction workers to tear down their house every 5 years

      The construction workers don't get a check from tenants every month either.

    17. Re:We need more than that by stanIyb · · Score: 0

      Wow! I have defeated this one without a problem!

    18. Re:We need more than that by geekoid · · Score: 1

      no. Stuff takes time to develop and make available. You need to be able to protect yourself before other people have access, so it's tricky. 14 years with a 7 extension cost 10k and doubling ever 5 years.

      This means that authors have time to deal with the business aspect. It's long enough where a corporation wont just wait 5 years and take the material, and if someone is making money, they can continue to make money, be eventually the cost to renew will be more then they make.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    19. Re:We need more than that by geekoid · · Score: 1

      They would if they built and owned it, like say.. an author.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    20. Re:We need more than that by gl4ss · · Score: 1

      they could perform gigs playing their old songs for profit and make new songs.
      with albums or movies it wouldn't be much of a problem, the releaser rarely really cares that much about 5 year projections.

      the only problem they have with that, 5 or 25, is that if there's enough pd music for a lifetime you could indulge yourself in that for your whole life.

      but 25 or 5 isn't that big of a difference in principle. but forever is. heck, just 30 years would be pretty cool. or 40.

      oh and people would still release stuff even if they didn't get paid for it - and high production costs for recording depend just on one thing.. high cost of the people doing recording at high cost, they can ask that much because bands and record companies are willing to pay. most albums are produced pretty darn cheap nowadays.

      --
      world was created 5 seconds before this post as it is.
    21. Re:We need more than that by Merls+the+Sneaky · · Score: 1

      Renewal every year doubling every year. First filing cost 1 cent. After 10 years it will cost $10.24 20 years $5242.88 30 years $5,368,709.12 40 years $5,497,558,138.88 By the time we get to the 100 year mark we are at $6,338,253,001,141,150,000,000,000,000.00 There we have provided the "Forever minus a day"

    22. Re:We need more than that by Anonymous Coward · · Score: 1

      While I'm on board for the 14 years part, I'm not so sure about the "[has] to be explicitly applied for" part. Not just because that phrase ends with a preposition, but also because, given the current legal climate, it would ensure that only megacorporations with access to a eighty hojillion dollar legal team would have any copyright protections at all. They'd lobby the hell out of Congress to add exception after exception to create loophole after loophole, guaranteeing that the manner by which the little guy would need to apply for copyright would be so onerous and confusing that it would effectively kill the small-time or independent creators who desire protection and bolster the big corporations who plan on abusing it.

      No, the current concept of implicit copyright is the better idea. Shortening the length of copyrights is a great idea, but don't change it such that the guy struggling to make an independent comic book doesn't have to drown himself in legal papers just to keep Hollywood from ruining his name by making a shitty movie out of it without his permission.

    23. Re:We need more than that by dryeo · · Score: 1

      America can just do what it already does, pressure countries to sign on to the new terms through trade deals and such.

      --
      https://en.wikipedia.org/wiki/Inverted_totalitarianism
    24. Re:We need more than that by kasperd · · Score: 2

      What these money-hungry Hollywood and publishing executives don't seem to realize is that everything DRM'ed will be lost in time, like tears in the rain.

      Publishers should be forced to choose whether they want protection from DRM or from copyright. They should not be allowed to have protection from both. So if they choose to release it with DRM, the copyright will immediately expire.

      --

      Do you care about the security of your wireless mouse?
    25. Re:We need more than that by Nidi62 · · Score: 1

      How about "25 years without any extension, then it goes into the public domain". What these money-hungry Hollywood and publishing executives don't seem to realize is that everything DRM'ed will be lost in time, like tears in the rain.

      They want that. If everyone forgets that a movie was made, then Hollywood can just remake/reboot it and no one will realize it is a remake.

      --
      The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    26. Re:We need more than that by AthanasiusKircher · · Score: 1

      We don't require construction workers to tear down their house every 5 years if they built it themselves, or for landlords to do the same, just because they're "coasting" on something that they did once.

      This actually highlights the difference between copyrighted works and physical goods. Construction workers don't get a royalty check every time a house they helped build gets sold. Landlords get paid regularly because they own the physical good and are renting it to you on an ongoing basis.

      Your analogies are flawed.

      Imagine if you were a contractor bidding on a job. However, the prospective owner said: "I'm will pay you nothing up-front. You will build my building for free. But, for your work, you will get a share in the rents for the next X years."

      Now, imagine that for some reason we lived in a society where all construction projects were funded like that. Contractors would operate differently, producing various sorts of work on various buildings to try and build up a portfolio that would get them income in future years, since they get nothing up-front for their work.

      We could have a patronage system where only rich people pay to produce art, or where only independently wealthy people get to decide what art they want to make. Creators would just be employees. That's how it worked for hundreds of years.

      Copyright allows a creator to be an "independent contractor" and choose where to invest his/her time, in hopes in choosing the right project that will generate income and allow them to continue making money while still working.

      Creators depend on the promise of future compensation for their effort in the same way that building contractors would in my hypothetical example. Without that promise, they'd have no reason to invest significant time or effort or do a quality job.

      The problem with the current system is that the terms have gotten out of control. In 1790 it was 14 years, with a 14-year renewal possible. I cannot see any reason why it should have ever been extended beyond that.

    27. Re:We need more than that by Anonymous Coward · · Score: 0

      Nope, construction would be considered work for hire. The company that built the house would own the copyright.

    28. Re:We need more than that by Andrio · · Score: 1

      Shortening copyright to 25 years would bring upon a cultural golden age. Just imagine what would be in the public domain: the vast majority of Kubrick's movies, early Simpsons episodes, Original Star Wars.... etc. All could be downl Pretty much all entertainment content created in the 20th century--which is probably like 95% of all entertainment consumed--is held hostage by huge corporations. There's effectively nothing--other than classical music, classic literature, and maybe some obscure TV/movies--that isn't owned by some company.

      --
      The Internet King? I wonder if he could provide faster nudity.
    29. Re:We need more than that by j-beda · · Score: 1

      Fixed, reasonable length, and COMPLETELY unextendable copyright terms are needed for copyright to have any hope whatsoever of still having any relevance in the future.

      I like the idea of extendable terms at a price that doubles annually. Anyone who has something that is a big enough money maker can keep extending it, but the vast vast vast majority of stuff would get into the public domain quickly. Double every year and a few decades will quickly price it into the public domain.

    30. Re:We need more than that by drinkypoo · · Score: 1

      No, that might help the 0.000001% or so of groups that get a hit right away, and even then the artists would get very little. What's more, it means that if you don't spend a crap load on ads right away, you might not get any money at all for the work.

      You're talking about major labels. Fuck them in their arrogant ears. We don't need them, not even a little bit. Music distribution is now something that is taken care of incidentally by websites and p2p.

      It's hardly unheard of for a band to take more than 5 years to hit it big, so the early stuff wouldn't be something they would make any money off of.

      Again, the complaint about long copyright terms is that they stifle innovation. If the band only held a copyright for a short period, they'd be more motivated to create more works.

      As for riding it out, I see no reason why they shouldn't be allowed to do so. We don't require construction workers to tear down their house every 5 years if they built it themselves, or for landlords to do the same, just because they're "coasting" on something that they did once.

      As usual, this statement contains a conflation of two dramatically different situations in an attempt to make one of them seem more reasonable. When someone builds a house, they get paid for performing the work. Then they've been paid, and they move on. When someone charges rent, they're getting paid for having been born before someone else, and in the right situation to become a landowner (success being tied more to your connections than anything else in life.) When someone makes a musical work, they too can get paid up front, for performing it.

      What's more, the risk involved with releasing a new movie or album is sufficient that you'd never pay back the risk for such a short copyright term.

      For a typical movie, you're quite correct. For a typical album, you're full of shit. The actual production costs of a typical album are negligible.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    31. Re:We need more than that by j-beda · · Score: 1

      no. Stuff takes time to develop and make available. You need to be able to protect yourself before other people have access, so it's tricky. 14 years with a 7 extension cost 10k and doubling ever 5 years.

      This means that authors have time to deal with the business aspect. It's long enough where a corporation wont just wait 5 years and take the material, and if someone is making money, they can continue to make money, be eventually the cost to renew will be more then they make.

      Double the price for a one year extension every year is what I prefer (each decade goes up by a factor of 1024) with a very low ($10 or even $1) initial price, but your five year system works too.

    32. Re:We need more than that by j-beda · · Score: 1

      Renewal every year doubling every year. First filing cost 1 cent. After 10 years it will cost $10.24 20 years $5242.88 30 years $5,368,709.12 40 years $5,497,558,138.88 By the time we get to the 100 year mark we are at $6,338,253,001,141,150,000,000,000,000.00 There we have provided the "Forever minus a day"

      I like the double-each-year method. Let the "valuable" ones be retained by the owners, let the rest of us have everything else in a reasonable time.

      It is nice to have an automatic first few years free so that I can do things like write a blog and then compile it into a book after a while without having to worry that someone else will do so with my unregistered work before I make use of it.

      Ten year for free, $10 for the 11th year and double each year after that gives similar numbers to the 1-cent start.

    33. Re:We need more than that by zlives · · Score: 1

      i like what you did there.
      do androids dream of copyright protection?

    34. Re:We need more than that by coId+fjord · · Score: 1

      How would you feel about that?

      Who cares? I might feel that I should be able to 'own' the data on everyone's hard drives, but my feels are irrelevant to whether or not such a thing is just. If corporations want to use a song for that purpose, then I don't see the problem.

      --
      Check UIDs. I'm COLD FJORD(826450). User COID FJORD(2949869) has impersonated me. Don't confuse us if he trolls you.
    35. Re:We need more than that by Merls+the+Sneaky · · Score: 1

      That seems like an acceptable variant. The advantage with the double method is that eventually everything falls to public domain, but if your IP is making money hand over fist you can retain it for quite some time. Of course both methods will tend to hit viable cap at about 30 years. If we were using this system now IP made in 1983 would be up for $5,368,709.12 I do not think many items made in 1983 would be making that sort of money now. IP made in 1993 would only need a paltry $5,368,709.12 I can see some IP making these sorts of royalties now. This is plenty of time for your average IP to turn a healthy profit.

    36. Re:We need more than that by Merls+the+Sneaky · · Score: 1

      Crap, copied wrong amount for '93 it should be $5242.88

    37. Re: We need more than that by Anonymous Coward · · Score: 0

      Actually, we do force people to pay property tax on that house of a certain percent every year (of the current value, which generally increases due to the nearby town encroaching even if you do nothing to improve the land), which is equivalent to requiring you to hand the whole thing (or equivalent value) over after X years. So even under your assumption (which many dispute) that intellectual property and real property are equivalent in every way, quite reasonable parallels exist.

    38. Re:We need more than that by aztracker1 · · Score: 1

      What about the music/songs in a game? You can't redistribute that game, because the music is still under copyright.

      That said, I would say the lesser of 30 years for movies, and 10 years for music/software. I'm not a maximalist by any means, but do think there should be at least some length to the terms.

      --
      Michael J. Ryan - tracker1.info
    39. Re:We need more than that by aztracker1 · · Score: 1

      I'm pretty sure that we could negotiate a new treaty.. and if not, so be it...

      --
      Michael J. Ryan - tracker1.info
    40. Re:We need more than that by aztracker1 · · Score: 1

      That would probably work.. at year 22, renewal would be $2million.. at which point many companies would decide it isn't worth it, and still be pretty well covered at a reasonable length of time. I would have a provision that for an individual to sell to a company requires the company pay the the government the difference in fees for the work, and at least that much to the individual. I think given the above timeframe that every other year with double renewal fees, would be pretty reasonable. It would also give plenty of busy work to accountants and lawyers, so they should like that. And if said "property" is so valuable, then the taxes shouldn't be a big deal.

      --
      Michael J. Ryan - tracker1.info
    41. Re:We need more than that by Algae_94 · · Score: 1

      You had to go full retard. You never go full retard.

    42. Re: We need more than that by hedwards · · Score: 1

      People dispute the assertion because they're illiterate. None of the people responding to the post bothered to read it for comprehension.

      We don't typically take away a persons house that they built themselves because of concern that they're not having to build a new one over few years. We do tax that, but we also tax the royalties that people make on the house.

      Same goes for the landlord, we don't force them to tear down their building at regular intervals to prevent them from coasting on the profits of a prior business deal, we tax them in a similar way to what we tax royalties.

      In none of these cases is the person who did the work breaking even or making a profit during that first 5 years, it's generally amortized over decades for a reason.

      The key difference here is that a copyright item can exist permanently and sometime way after the profits have been made make them turn it over again. But, it's because we want to enlarge the public domain that we do it. And the term of the protection is so long, that the original owner isn't even alive when that happens.

    43. Re:We need more than that by camperdave · · Score: 1

      They would if they built and owned it, like say.. an author.

      The author doesn't own my copy of $X, even though they wrote and produced it. Why should they get a say in what I do with it?

      --
      When our name is on the back of your car, we're behind you all the way!
    44. Re:We need more than that by Anonymous Coward · · Score: 0

      No. 50 years is far too long, period. Sure it might suck for artists to put up with people they hate using their out-of-copyright work and not being able to do anything about it, but it is better for society to have shorter copyright terms. I personally think 15 years is plenty of time to make money from the copyrighted work (5 years can be too short in many cases).

    45. Re:We need more than that by AthanasiusKircher · · Score: 1

      And, why should I buy the album now when I'd be able to wait 5 years and download it in full quality for free?

      Are you serious? By that logic, no one ever goes to a first-run movie theatre; they can just wait and sit at home and watch it when it comes out on streaming or DVD a few months later. By that logic, no one ever pays the premium price to get a "new release" from Amazon instant-watch (or Blockbuster or whatever back in the day). The purpose of copyright is to promote "progress" in the arts, which implicitly means you're engaging with culture enough that someone might buy your stuff. It's not supposed to be a "make a whole lot of crap and sit on it for decades to see whether something might become popular" scheme.

      25 years at least ensures that anybody that really wanted it has probably already bought a copy.

      The goal of copyright is not to ensure that a creator makes MAXIMUM profit. The goal of copyright is to allow sufficient time for a creator or distributor to recoup losses for an initial investment. I agree with the GP that 5 years is probably enough in the modern era of fast-changing pop culture. But I think the original 14 years (possibly with a renewal opportunity) specified in the original copyright terms of the 1790s would be more than generous.

    46. Re:We need more than that by Anonymous Coward · · Score: 0

      Maybe that's the problem.
      Instead of lobying against long copyright terms, we should all lobby for getting payed forever for something we did years ago.
      For instance, I'm writing some code for my company. I should get payed whenever they sell the product.
      And whoever built my house should get some money every time it's sold.

    47. Re:We need more than that by gooman · · Score: 1

      Non-natural persons...

      Why does my junk food diet have anything to do with this?

      --
      "Kittens give Morbo gas!"
    48. Re:We need more than that by j-beda · · Score: 1

      Heck, as a first step, go with the Berne Convention (50 year minimums) and then start the doubling fee with at least a few thousand. The trick is to get the vast majority of stuff that is not providing the creator with income, into the public domain so that it can be used to build upon!

    49. Re:We need more than that by fnj · · Score: 1

      I don't want to sound like grandpa Elmer, but why don't you mention books? Books are to me the most significant application of copyright.

      Anyway, why not make copyright for all protected works be 25 or 30 years with no extensions, end of story? That would make all kinds of things public domain. In addition to the birthday song, the films Lawrence of Arabia and Blade Runner, albums all the Beatles' work and Jackson's Thriller, etc.

      I think source code copyright is completely unlike the other things. First, if proprietary, it is protected by being kept secret and unpublished, anyway. And second, for open source the GPL actually harnesses copyright for public good and freedom, and in fact depends on copyright being in effect. You could argue that software should be 10 years (5 is pretty extreme, but hey), because it evolves so rapidly, but what would you be gaining? Windows XP for example would then be public domain, except for one thing. Nobody is going to let you see the source code anyway. You can't FORCE anyone to publish, copyright or no. Sure, you could dupe the binaries freely, but how are you going to get security patches and new hardware support?

    50. Re:We need more than that by Deliveranc3 · · Score: 1

      They'll reconstruct it from the NSA records!

    51. Re:We need more than that by ArcadeMan · · Score: 1

      Write software for banks and get a fixed percentage or amount for every transaction? How does half a cent sounds?

    52. Re:We need more than that by Anonymous Coward · · Score: 0

      Many authors these days have a sense of entitlement over their works. They feel that being the author entitles them to control other people who possess a copy of these works. They use the argument that without this control, they would refrain from ever publishing their work or even doing the work in the first place.

      I say fuck these self righteous morons and ignore their precious works altogether. I focus my attention to other authors who are interested in community, collaboration and the spirit of sharing.

    53. Re:We need more than that by Shadow99_1 · · Score: 1

      You have the money to sue a big corporation? Wow... You must be rich.

      Seriously, you know what happens when a corp wants to use your music, movie, or illustration and it isn't owned by another company? Typically they just use it. They may offer you a token sum, but usually that's after they have already used your material. Don't want to settle? Good luck spending the next decade in court.

      Copyright is for those with money. Which is basically corporations and those who run them.

      --
      we are all invisible unless we choose otherwise
    54. Re:We need more than that by Anonymous Coward · · Score: 0

      What these money-hungry Hollywood and publishing executives don't seem to realize is that everything DRM'ed will be lost in time, like tears in the rain.

      What you don't realize is that many are aware. That just means they have less competition with their current products.

  6. The word "limited" by intermodal · · Score: 2

    Constitutionally, copyright is meant to be for a limited time. What we have today hardly reflects the constitutional intent behind allowing the concept, originally used in other countries as a form of censorship, in the fledgling States.

    --
    In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    1. Re:The word "limited" by MickyTheIdiot · · Score: 5, Insightful

      What I find funny is that the "strict constitutionalists" in our politics today have no problems with IP. People like Clarance Thomas talk about "original intent" but never have a problem with these matters. If there is one thing that has outstripped original intent of the constitution it's copyright. It wasn't put there for people to make money. It was put there to encourage people to be creative. Copyright in perpetuity does NOT encourage people to be creative.

    2. Re:The word "limited" by Stormthirst · · Score: 1

      It seems there are a lot of things that were originally (or amended to include) aren't reflected in current law. Libel being an obvious example. If the 1st amendment were strictly adhered to, you couldn't sue someone for libel.

    3. Re:The word "limited" by intermodal · · Score: 1

      On this we certainly agree.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    4. Re:The word "limited" by cheekyjohnson · · Score: 2

      It seems there are a lot of things that were originally (or amended to include) aren't reflected in current law.

      Because the government just does whatever it wants (as long as the public doesn't get too angry). Nothing new here.

      --
      Filthy, filthy copyrapists!
    5. Re: The word "limited" by AvitarX · · Score: 1

      I assume you mean the government couldn't do such? I see no reason the lack of criminality of someone saying something false interferes with my ability to sue for the damages of the falsehood. We are allowed to sue for many non criminal acts that Congress has made no laws about mild negligence for examples.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    6. Re:The word "limited" by Anonymous Coward · · Score: 1

      What I find funny is that the "strict constitutionalists" in our politics today have no problems with IP. People like Clarance Thomas talk about "original intent" but never have a problem with these matters.

      Because those people believe there's an implicit "and all other rights go to corporations, and corporate profit is the highest possible law in the land" aspect to the Constitution.

      These are the people who believe if we did away with government the world would be a better place because companies would be free of those pesky regulations which makes them pay a minimum wage or not pollute.

      Copyright in perpetuity does NOT encourage people to be creative.

      No, but it does maximize corporate profits, which is the name of the game.

      If Di$ney was losing profits due to shorter copyright terms, the stock market would fall. Why do you hate America?

    7. Re:The word "limited" by fldsofglry · · Score: 1

      If the 1st amendment were strictly adhered to, you couldn't sue someone for libel.

      You mean if the 1st amendment were strictly adhered to, you couldn't be found guilty of libel as a crime, right? Libel is generally involves a civil suit (which doesn't involve guilt or innocence), but some places make it a crime. In our case, federal law doesn't have libel crimes (due to the 1st amendment), but some states have criminal laws on the books for libel http://en.wikipedia.org/wiki/United_States_defamation_law#Criminal_defamation You could sue just about anyone for just about anything. Doesn't mean it is a valid argument and you'll win.

    8. Re:The word "limited" by hedwards · · Score: 1

      No, it's because the constitution was never intended to be interpreted literally the way that POS constitutionalists like some of the conservatives on the court seem to think.

      Making it literally interpretable would result in a constitution that was thousands of pages long, and pretty much impossible to comprehend by anybody at all. The constitution says what it says, and it's up to the court to establish what exactly it means.

      It sucks sometimes, but it means we don't have to hold a constitutional convention every time we need a minor tweak made to the constitution.

    9. Re:The word "limited" by cheekyjohnson · · Score: 2

      But it's thanks to that nonsense that we have abominations like the Patriot Act, the TSA, free speech zones, and all that other garbage. I'm not exactly sure what the solution is, but I don't like this "living document" nonsense that pretty much gives them free reign. Want change? Amend it, but don't outright ignore it.

      --
      Filthy, filthy copyrapists!
    10. Re:The word "limited" by paiute · · Score: 2

      People like Clarance Thomas talk about "original intent" but never have a problem with these matters. If there is one thing that has outstripped original intent of the constitution it's copyright.

      Article I, Section 8, Clause 8 of the United States Constitution, known as the Copyright Clause, empowers the United States Congress:
      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

      How does current copyright law outstrip the original intent? The original intent is clear: Congress defines the length of copyright. Otherwise the authors of the Constitution would have specified the length rather than leaving it to Congress.

      --
      If Slashdot were chemistry it would look like this:Cadaverine
    11. Re:The word "limited" by Anonymous Coward · · Score: 0

      If the 1st amendment were strictly adhered to, you couldn't sue someone for libel.

      Freedom of speech isn't absolute. It's pretty darn close in the US, but come on--the right to publish malicious lies about someone without consequences?
      I don't see how that freedom would benefit anyone.

    12. Re:The word "limited" by Anonymous Coward · · Score: 0

      Libel is an obvious example of you not understanding the difference between a crime and a tort.

    13. Re:The word "limited" by Nimey · · Score: 4, Insightful

      Arguably the current copyright system doesn't promote progress of science or useful arts, and there's no indication that copyrights will ever be for a limited time since Disney buys a new law whenever Steamboat Willie is about to leave copyright.

      --
      Hail Eris, full of mischief...

      E pluribus sanguinem
    14. Re:The word "limited" by Anonymous Coward · · Score: 0

      "to Authors and Inventors"..
      How is calling companies "Authors and Inventors" not a perversion?

    15. Re:The word "limited" by gstoddart · · Score: 1

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

      Because extending the copyright for Happy Birthday is neither promoting "Progress of Science and useful Arts", nor is it a reasonable amount of time.

      The lyrics have been in print since 1912, and probably before then.

      So, really, a 100+ year copyright? How does this benefit anybody except companies who have obscene amounts of years to gouge for this? This should have been in the public domain decades ago.

      This is just Congress giving companies the right to play the rent-seeking game for a ridiculous amount of time. The author of this is long dead, but somehow this is expected to be a revenue stream in perpetuity for some asshole company?

      The fact that Di$ney was one of the companies pushing for these ridiculous copyright terms, and built their entire empire on ripping off stuff in the public domain, it's become a pretty one sided equation in favor of copyright holders -- who are then making sure that nobody else ever sees anything in the public domain. Especially because they still take stuff int he public domain and re-copyright it.

      I can't even fathom how anybody thinks it's reasonable that after over 100 years this should still be copyrighted.

      --
      Lost at C:>. Found at C.
    16. Re:The word "limited" by silas_moeckel · · Score: 1

      They assumed a rational congress we do not have one since corps became "people". One could argue the supreme court throwing out the time limit as going in excess of whats required to promote the progress of science and useful arts.

      --
      No sir I dont like it.
    17. Re:The word "limited" by Hatta · · Score: 1

      Clarance Thomas talks?

      --
      Give me Classic Slashdot or give me death!
    18. Re:The word "limited" by Jeremiah+Stoddard · · Score: 1

      In addition to what other responders have said, the entire life of the author (not to mention so many years beyond it) is arguably "unlimited" -- at least, I find it hard to believe that whoever wrote "limited Times" would have thought that the rest of the author's life could somehow fit into its definition...

    19. Re:The word "limited" by Attila+Dimedici · · Score: 1

      What I find funny is that the "strict constitutionalists" in our politics today have no problems with IP. People like Clarance Thomas talk about "original intent" but never have a problem with these matters.

      Care to give me a reference for that claim? The only reference I could find referring to Clarence Thomas and copyright was that he supported the ruling that applied to first sale doctrine to textbooks purchased overseas.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    20. Re:The word "limited" by Anonymous Coward · · Score: 0

      Ah, good old Disney. Very fast to pillage the public domain for ideas (especially since they are effectively free) but will never allow their "works" to enter the public domain.

    21. Re:The word "limited" by sjames · · Score: 1

      It sucks sometimes, but it means we don't have to hold a constitutional convention every time we need a minor tweak made to the constitution.

      I absolutely prefer that we have to hold a constitutional convention every time we need a 'minor tweak' because many of those tweaks turn out not to be so minor.

    22. Re:The word "limited" by Anonymous Coward · · Score: 0

      It's pretty clear to me from that line that the "limited time" is in the context of the Authors and Inventors. Any copyright term that includes their entire life as a minimum is effectively unlimited and should violate that clause. The original 14 years would be limited even if an Author or Inventor dies before that time has elapsed because that is not guaranteed to happen.

    23. Re:The word "limited" by microbox · · Score: 2

      How does current copyright law outstrip the original intent?

      Because long copyright terms encourage rent-seeking behaviour, which was explicitly what the founders were trying to protect against with the verbiage: To promote the Progress of Science and useful Arts.

      If there would be just as much science and art with shorter copyright terms, then the law is in violation of the constitution. Congress does not have the /right/ to define a longer term.

      --

      Like all pain, suffering is a signal that something isn't right
    24. Re:The word "limited" by chihowa · · Score: 1

      or the children, grandchildren, great-grandchildren, ... of Authors and Inventors?

      --
      If you want a vision of the future, imagine a youtube comments section scrolling - forever.
    25. Re:The word "limited" by zzsmirkzz · · Score: 1

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

      This is where current copyright is unconstitutional on its face. It says "for limited times" to "the Authors and Inventors". A copyright term of "Life" granted to the Author is not limited from the perspective of that Author, it is unlimited. It is all the time they have in the world. So right there, in plain English, the law that was passed that extended the copyright term to be based on the life of the author/inventor is unconstitutional as Congress was not granted the power to secure for unlimited times the exclusive rights.

    26. Re:The word "limited" by kbrannen · · Score: 1

      Copyrights are effectively unlimited now. My father-in-law was born the year Mickey Mouse was created. He recently died and the copyright for Mickey Mouse is still going. So for him (and many others) it was beyond his lifetime and ability to build on ... and therefore unlimited. That seems pretty wrong to me in keeping with the original spirit of the Constitution.

    27. Re:The word "limited" by dryeo · · Score: 1

      Actually the copyright clause in the American Constitution is almost an exact copy of Queen Annes statute, the original copyright law. Changes included rewording "to advance learning" to "for the advancement of the sciences and arts", making charts and maps copyrightable, copies going to the library of congress instead of Oxford and Cambridge universities and adding patents. Even the term of copyright was the same. No censorship though previous laws giving book publishers monopolies may have been used for censorship.
      The interesting part of how the original law was created was that even then the popularly elected House of Commons wanted to ,make it unlimited in time and it was the unelected House of Lords that insisted on limited terms so publications would go to the public domain and the reasoning, "advancing learning". The other interesting part is even then the publishers were trying to argue they were "doing it for the authours" and it was as much bullshit as it is now.

      --
      https://en.wikipedia.org/wiki/Inverted_totalitarianism
    28. Re:The word "limited" by paiute · · Score: 1

      How does current copyright law outstrip the original intent?

      Because long copyright terms encourage rent-seeking behaviour, which was explicitly what the founders were trying to protect against with the verbiage: To promote the Progress of Science and useful Arts. If there would be just as much science and art with shorter copyright terms, then the law is in violation of the constitution. Congress does not have the /right/ to define a longer term.

      Your arguments are specious - and I am on the same side as you. However, it is undeniable that the Constitution allows Congress to set the copyright term to a limited number of years. Your idea of what 'limited' should mean differs from Congress. As long as the number of years is defined, that term is limited.

      Congress has every right to define a longer term. The Constitution gives them that leeway. What you and I need to do is change the Constitution, not try to dance around its wording.

      --
      If Slashdot were chemistry it would look like this:Cadaverine
    29. Re:The word "limited" by intermodal · · Score: 1

      It's certainly true. additionally, your post illustrates the problem of elected governments. They pander whenever possible, while those who do not depend on future elections to preserve their livelihood are more firm in their position can afford to take a clearer view of why one would enact such a regulation and why one would want to limit it.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    30. Re:The word "limited" by intermodal · · Score: 1

      Agreed. It's also very effective at killing innovation and adaptation. One example that springs to mind is music, where there is a long tradition of songs evolving into new songs, and artists being free to create vastly different interpretations. With the advancement of recording, that has been under constant assault. Led Zeppelin's "The Lemon Song" being a very different interpretation of Howlin' Wolf's "Killing Floor", and ending up in a lawsuit, and old-school sample-happy rap being killed by laws prohibiting the rampant and fundamental (to that music form) sampling of other songs' snippets. Beck's "Odelay" won the Grammy for I believe best album, using copious samples throughout. Beck himself, afterward, said he'd never do another album like that because of the hassles involved in licensing. Meanwhile, Sublime's "40 oz. to Freedom" had to be modified when they signed with a major label because of other unlicensed samples.

      I think you'll find that samples are so arbitrary that most could be easily swapped for something else. Would The Beastie Boys' "She's Crafty" exist without Led Zeppelin's "The Ocean"? No, not in its present form, but could it have been done with a different, arbitrarily chosen riff? Absolutely. The point, though, is that both songs are different on such fundamental levels that it's hard to say that a song with samples is the musical form of a collage. an art form that I'm sure is harder to legally produce these days as well due to the overregulation of copyright.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    31. Re:The word "limited" by david_thornley · · Score: 1

      Congress is indeed authorized to set the term. However, what progress is made by extending copyrights on already produced material? The original author(s) produced their work on the assumption that they'd have a certain number of years to profit on a copyright, not more, and we can't encourage them to have produced more by lengthening pre-existing copyrights.

      It's also arguable that nobody does anything under the assumption that there might be financial gain X years later, for some value of X, and therefore a term longer than X does not promote such progress by providing an incentive, and therefore a term longer than X is unconstitutional. I'm having real problems trying to imagine an X over 30 years, and that's pushing it.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  7. Happy Birthday to the Bank. by Anonymous Coward · · Score: 2, Informative

    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

    - Originally copyrighted in the 1930s.

    1. Re:Happy Birthday to the Bank. by Anonymous Coward · · Score: 0

      Be thankful that idea of singing a song to celebrate birthday wasn't a patent. But then again patents do have an actual limit within a life time.

    2. Re:Happy Birthday to the Bank. by mwvdlee · · Score: 2, Insightful

      To promote the Perpetual Stream of Revenue, by securing for however long it takes to lose all value to Authors' and Inventors' Employers the exclusive Right to their respective Writings and Discoveries.

      - Ammended copyright in the 2000s.

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    3. Re:Happy Birthday to the Bank. by PortHaven · · Score: 1

      Originally written in the 1890's

  8. "For the ages" by nitehawk214 · · Score: 1

    Slashdot might not be RockPaperShotgun in terms of title puns, but every once in a while you get a good one off.

    --
    I'm a good cook. I'm a fantastic eater. - Steven Brust
  9. Old York Times by Gothmolly · · Score: 1

    This was covered on NPR back in early March. Way to step up to the plate, old media.

    --
    I want to delete my account but Slashdot doesn't allow it.
  10. Hilarious by Anonymous Coward · · Score: 0

    It would be funny if it werent so sad.

  11. We don't need it by RevWaldo · · Score: 1

    We've got a new birthday song! So there!

    http://www.youtube.com/watch?v=JaiusnHOF9A

    .

    1. Re:We don't need it by Anonymous Coward · · Score: 0

      This one is much better.

      http://www.youtube.com/watch?v=yXkT54U6ZmI

  12. Simple solution by Anonymous Coward · · Score: 1

    Just sing something else: www.youtube.com/watch?v=2f2PCWYAZQc

  13. But it's... by Anonymous Coward · · Score: 4, Informative

    ...already IN the public domain! Hapi Berth Dey Two Ewe. https://www.youtube.com/watch?v=2f2PCWYAZQc

  14. Genuine case; but cheap publicity too by divec · · Score: 1

    This seems to be an interesting example of a court case being fought for the publicity it generates. It's surely cheaper to file this suit than to advertise his film in conventional ways. However unlike cases such as SCO v. IBM, the litigant probably believes he would win the case if it came to trial. The newsworthiness of the suit lies in the audacity of the defendants in aggressively asserting the copyright in the first place.

    --

    perl -e 'fork||print for split//,"hahahaha"'

    1. Re:Genuine case; but cheap publicity too by ArcadeMan · · Score: 2

      And their movie is about the song (censored), so the trial itself could become part of it.

    2. Re:Genuine case; but cheap publicity too by PortHaven · · Score: 1

      I think their movie was done to enable the lawsuit. They couldn't show harm, until they had to license the song. So they did a movie about the song, licensed it. Now they have grounds to sue.

  15. forced corporate jocularity by Thud457 · · Score: 4, Funny
    Chili's:
    Happy happy birthday from the Chili's crew, we wish it was our birthday so we could party too. HEY!

    Carraba's:
    Tanti auguri a te
    Tanti auguri a te
    Tanti auguri a te from Carraba's
    Tanti auguri a te.

    Bennigan's:
    Happy Happy Birthday
    On your special Day
    Happy Happy Birthday
    That's why we're here to say
    Happy Happy Birthday
    May all your dreams come true
    Happy Happy Birthday
    From Bennigans to you!

    All Chotchkie's waiters are required to wear at least 15 pieces of flair.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    1. Re:forced corporate jocularity by Anonymous Coward · · Score: 0

      Most people are poor. Applebee's is their four-star restaurant.

    2. Re:forced corporate jocularity by Anonymous Coward · · Score: 1

      Applebee's is nobody's four star restaurant. Even poor people could do better.

      Like TGI Friday's!

      Signed,

      Not a TGI Friday's Team Member

    3. Re:forced corporate jocularity by BonThomme · · Score: 1

      well, it does have more flair...

    4. Re:forced corporate jocularity by Anonymous Coward · · Score: 0

      Have you ever had someone actually hum while they blow you? I have, and it's quite distracting.

    5. Re:forced corporate jocularity by Waffle+Iron · · Score: 2

      I've also noticed that another feature of most of those restaurant chain birthday songs is that unlike the real song, they're written to require a vocal range of only about one eighth of an octave. I presume that's done to match the voice talent typically available in the random collection of waitstaff who "sing" them.

    6. Re:forced corporate jocularity by WhatAreYouDoingHere · · Score: 2, Funny

      ... a vocal range of only about one eighth of an octave...

      Wow. That would be pretty monotonal sounding.
      Computer analogy: all their data bytes use only one bit, or something like that.

      --
      "What are you doing here, Elijah?"
    7. Re:forced corporate jocularity by Anonymous Coward · · Score: 0

      It's actually quite a nice sensation, gives a little vibration.

      Now, I've had someone laugh while doing it, and that is distracting.

    8. Re:forced corporate jocularity by Krishnoid · · Score: 1

      Bugaboo Creek Steak House:
      Happy Birthday
      Happy Birthday to you
      Happy Birthday to you
      B.C. Sucks!*

      It's your birthday
      Your very special birthday
      Your Buga-buga birthday
      is here!
      Happy Birthday from Bugaboo Creek Steak House!


      * "B.C." is Boston College, and this song was sung by a friend from Boston University and a college hockey fan; note that lyrics may not be entirely accurate to the original.

    9. Re:forced corporate jocularity by KingSkippus · · Score: 1

      Carraba's:
      Tanti auguri a te
      Tanti auguri a te
      Tanti auguri a te from Carraba's
      Tanti auguri a te.

      Ever been to a Romano's Macaroni Grill? They sing almost the same thing, but they do it a bit better. I witnessed this in person once while I was eating, this waitress started singing, and it was like a friggin' opera in there, she had some pipes on her. Made me wonder if each restaurant has a singer ringer.

    10. Re:forced corporate jocularity by Anonymous Coward · · Score: 0

      Ice is preferred over humming.

    11. Re:forced corporate jocularity by Darinbob · · Score: 2

      There are 13 notes in the range of an octave. At the very least you will have 2 notes in an eighth of an octave, one near each end of that range, plus you'll often be able to squeeze in a half step note. As in C, C#, D.

    12. Re:forced corporate jocularity by Anonymous Coward · · Score: 0

      I've also noticed that another feature of most of those restaurant chain birthday songs is that unlike the real song, they're written to require a vocal range of only about one eighth of an octave. I presume that's done to match the voice talent typically available in the random collection of waitstaff who "sing" them.

      An eighth of an octave is... erm... only one note. I can't tell if you were serious or not.

    13. Re:forced corporate jocularity by Tooke · · Score: 1

      Happy birthday
      Happy birthday
      Misery is in the air
      People dying everywhere
      Happy birthday
      Happy birthday

      --
      Anybody want a peanut?
    14. Re:forced corporate jocularity by roc97007 · · Score: 1

      I believe Hooters uses the one you cite as Bennigans.

      El Torito's:

      Happy happy birthday

      happy happy birthday

      happy happy birthday

      haaaaaaaapy birthday

      (To the tune of the William Tell Overture.)

      Years ago I asked the waiter why they did that, and he said something about not being able to get the right to perform the original song.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    15. Re:forced corporate jocularity by Waffle+Iron · · Score: 1

      I'm fairly serious. Those songs have little more range than one whole note.

    16. Re:forced corporate jocularity by WhatAreYouDoingHere · · Score: 1

      well an "oct"ave should have eight distinct tones... but yeah I get it :-)

      --
      "What are you doing here, Elijah?"
    17. Re:forced corporate jocularity by AthanasiusKircher · · Score: 1

      What are you talking about? There are 12 (not 13) semitones in a standard octave tuned to Western tuning, though I see the 13 if you count both endpoints.

      Nevertheless, you couldn't fit C, C#, and D within 1/8 of an octave, since the last time I checked 2 * 1/12 = 1/6. The distance from C to D (a whole tone) is 1/6 of an octave, and I'm pretty sure 1/6 > 1/8.

    18. Re:forced corporate jocularity by Darinbob · · Score: 1

      Yes, you have to count both ends of the range. If you go by the common notion of what an octave is, 8 "major" notes, then you can fit in 3. But that's cheating.

      If you go by frequency you can barely fit them on some parts of the scale. Ie, D7 is 2349.32, D8 is 4698.64, and in 1/8 of that difference you can fit in D7, D#7, and E7 (which is 2637.02). It's could be considered a cheat to divide that way though.

  16. 14 years automatic is fine by Anonymous Coward · · Score: 1

    However, to get copyright on a work that is not plain readable (i.e. encrypted or compiled), the plain readable version MUST be available. Either by having the actual source code submitted to the copyright office of your home country (or designated other signatory to Berne) or the decrypt key to the same.

  17. Re:1st? by Anonymous Coward · · Score: 1

    For she's a jolly good fellow,
    For she's a jolly good fellow,
    For she's a jolly good fellow,
    And so say all of us!

  18. Lost in time like tears in the rain. by Saint+Gerbil · · Score: 1

    No great loss "Tears in the rain" wasn't that greater song I'm not even 100% if it charted ?

    http://en.wikipedia.org/wiki/Tears_in_the_Rain_(song)

    1. Re:Lost in time like tears in the rain. by ArcadeMan · · Score: 1

      I was referring to something else.

    2. Re:Lost in time like tears in the rain. by deadbeatsaint · · Score: 1

      I think (hope) he was trolling you, or just being facetious.

      --
      --
  19. thanks copyright...thanks. by nimbius · · Score: 2

    the song is over a hundred fucking years old. its practically an american standard and so ubiquitously used as to be unenforceable. in any other country a judge would laugh the plaintiff out of the god damn room. if it doesnt go public domain we can definitely start a campaign against it. banthebirthdaysong.com or nomorebirthdaysong.org should point to a creative-commons or public-domain version of a song that anything from a synthesizer to a ten year old can sing without having to hire johnny cochran.

    --
    Good people go to bed earlier.
    1. Re:thanks copyright...thanks. by strength_of_10_men · · Score: 2

      Your wish is granted

      Interestingly enough, while the lyrics are copyrighted, you can hum the tune all you want, copyright-free, since the tune itself has fallen out of copyright.

    2. Re:thanks copyright...thanks. by cellocgw · · Score: 1

      Interestingly enough, while the lyrics are copyrighted, you can hum the tune all you want, copyright-free, since the tune itself has fallen out of copyright.

      Hmmm, so "To you, a Birthday; Happy,...." would not be under copyright? While I'm semi-joking here, it's regular practice in the sheet music industry to take some old piece, change a couple slur marks, label it "arranged by [Mr. X]" , and slap a brand-new copyright date on it.

      --
      https://app.box.com/WitthoftResume Code: https://github.com/cellocgw
    3. Re:thanks copyright...thanks. by AthanasiusKircher · · Score: 1

      the song is over a hundred fucking years old. its practically an american standard and so ubiquitously used as to be unenforceable.

      Really? Umm, you ever go to a chain restaurant and hear the staff come out singing some stupid "Birthday, birthday, birthday -- it's your happy birthday" chant or some such nonsense?

      Why do they do that? Because they know they'll be sued or asked to pay royalties otherwise for public performance.

      You'll also see that it is rarely sung on-screen in a movie or tv show or something for the same reason.

      banthebirthdaysong.com or nomorebirthdaysong.org should point to a creative-commons or public-domain version of a song that anything from a synthesizer to a ten year old can sing without having to hire johnny cochran.

      You figured it out. Yep -- that's what most businesses do when they have to celebrate a birthday and don't want to get sued.

      (By the way, I agree that this copyright term is absolutely ridiculous and the song should have been in the public domain for many decades already....)

    4. Re:thanks copyright...thanks. by NotSanguine · · Score: 1

      I always sing:
      Happy birthday to you!
      You live in a zoo!
      You look like a monkey,
      And you smell like one too!

      I copyrighted that twenty years ago. I now grant a free, non-exclusive license to anyone who wishes to use it.

      Oh, and you're welcome.

      --
      No, no, you're not thinking; you're just being logical. --Niels Bohr
    5. Re:thanks copyright...thanks. by cellocgw · · Score: 1

      Twenty years! Hah! I was singing that when I was 6, which was, well, never mind but a lot more than 20 years ago. Now get offa my lawn.

      --
      https://app.box.com/WitthoftResume Code: https://github.com/cellocgw
    6. Re:thanks copyright...thanks. by NotSanguine · · Score: 1

      Twenty years! Hah! I was singing that when I was 6, which was, well, never mind but a lot more than 20 years ago. Now get offa my lawn.

      I heard it when I was a young boy (more like forty years ago) myself, but I started singing it exclusively instead of the "normal" version 20 years ago.

      The copyright is mine, though. And if you don't use it as I've specified, I'll sue you for that lawn, buster!

      --
      No, no, you're not thinking; you're just being logical. --Niels Bohr
    7. Re:thanks copyright...thanks. by cellocgw · · Score: 1

      You can have the lawn. It's a pain to mow.

      And don't call me "sue"
      (hey, why should Shirley have all the fun)

      --
      https://app.box.com/WitthoftResume Code: https://github.com/cellocgw
    8. Re:thanks copyright...thanks. by NotSanguine · · Score: 1

      And don't call me "sue" (hey, why should Shirley have all the fun)

      You leave Shirley out of this. She's got enough problems already!

      --
      No, no, you're not thinking; you're just being logical. --Niels Bohr
  20. Nice idea, but it'll never work... by Anonymous Coward · · Score: 0

    Sorry, but there's a profit to be had.

  21. Of course it's public domain ... by wylderide · · Score: 3, Insightful

    ... Which is why they're gonna rule in favour Warner, because screw the public. They aren't a corporation. What business do they have owning things that can be owned privately and exploited by individuals. Individuals meaning individual corporations: The real people.

    --
    This is the best restaurant I ever eat in
  22. Abraham v. Alpha Chi Omega by Picass0 · · Score: 1

    In 2008 the Fifth Circuit Court of Appeals issued an opinion against copyright holders after failure to enforce trademarks for more than 40 years.

    The defendant Thomas Kenneth Abraham for years was a producer of decorative fraternity and sorority paddles. In 1990 thirty-two fraternities and sororities commenced contacting Abraham asking his to pay a license to use certain house names and logos. The defendant asseted a "laches defense" which is when a copyright holder falls asleep which regard to their trademark enforcement as he had already been creating the paddles for 30+ years. In 2008 the plantiffs sued and and were declined monetary relief after failing to enforce their copyrights for so long. They were however awarded an injunction against further use by Abraham, which of course doesn't line the attorneys pockets.

    How long have people been singing Happy Birthday? How many people even knew there was an "author"? I would have assumed it was a 'traditional' and hence public domain.

    Certainly there has been no enforcement of copyright over the years, and I'm guessing latches would apply.

    1. Re:Abraham v. Alpha Chi Omega by jcorno · · Score: 2

      You're confusing copyright and trademarks, which are legally unrelated. They don't even fall under the same branch of government. Trademark is under the Dept. of Commerce (Executive branch), and copyright is under the Library of Congress, which is administered directly by Congress.

    2. Re:Abraham v. Alpha Chi Omega by Holi · · Score: 2

      You are extremely confused when it comes to IP laws.

      Copyright != Trademark.

      Laches defense would only exist if they had not actively been pursuing violators, which they have. How can you say "there has been no enforcement over the years", There has been so much enforcement the ridiculousness of it has entered our pop culture (The Simpsons have joked about ti, so has Futurama, iCarley, Sports Night, the Venture Brothers and so many more). I mean have you ever wondered why you never hear it on TV, you always here "For he's a jolly good fellow" because that is in the public domain.

      --
      Sorry, teleporters just kill you and then make a copy. A perfect, soul-less copy.
    3. Re:Abraham v. Alpha Chi Omega by zzsmirkzz · · Score: 1

      You forgot the Rocky Horror Picture Show where they stop singing it abruptly right before they would of have to pay to license it.

  23. Mortimer & Monte must be happy about this! by Anonymous Coward · · Score: 0

    The classic woot video on this topic is here: http://www.youtube.com/watch?v=ra23fh-xJ78.

  24. 10 years by stanIyb · · Score: 3, Insightful

    This sort of thing is why copyright should only last for 10 year (or less). No extensions. No nothing. 10 (or less) years. If you can't profit in that amount of time, that's life.

  25. IP Rights are an abuse... by PortHaven · · Score: 3, Informative

    They do not foster innovation, they impede it. Nor do they benefit the inventors, almost all "inventions" now go to big corporations. Who then abuse them all the more.

    Very few musicians see even 10% of the $$$ their music earns.

    Our present IP laws are so horrendous, society would be better without them. Sadly, politicians are so bought so we'll only see it get worse.

    ***

    And yes there are better solutions. Patents, should only be held by inventors. And should only be granted for truly novel and new inventions. Nor should a patent prevent anyone else from building a better/cheaper mousetrap. Rather, a patent should merely grant a 10% tax break to the holder or the company of their employ.

    This would encourage innovation, keep inventors employed (instead of immediately being laid off by companies after their invention is complete), rather companies would put inventors on their payroll just for the tax break. And then they'd be free to stay home and continue inventing.

    That is a far far better solution than our current system which is forcing companies like Google to spend $8 billion buying Motorola to defend themselves against frivolous patents granted to Apple on decades old technologies. And in most cases, not an invention but the mere patenting of a use.

  26. Dartmouth v. Woodward; Southern Pacific by tepples · · Score: 2

    The Supreme Court of the United States has recognized corporate personhood since at least 1819. By 1886, the justices were unanimous that at least the equal protection provision of the Fourteenth Amendment applies to the associations of individuals called "corporations" as much as it does to the individuals severally.

    1. Re:Dartmouth v. Woodward; Southern Pacific by Anonymous Coward · · Score: 5, Interesting

      Semitroll: wasn't slavery abolished? How did that wording go? What's the legal basis for a person being able to own a person-like entity?

    2. Re:Dartmouth v. Woodward; Southern Pacific by PortHaven · · Score: 1

      That is a brilliant argument...

    3. Re:Dartmouth v. Woodward; Southern Pacific by tepples · · Score: 1

      The members of the association own the association. If you own yourself, it's not slavery.

    4. Re:Dartmouth v. Woodward; Southern Pacific by LifesABeach · · Score: 3, Interesting

      Then if a member performs an illegal act, is not the association also performing the same illegal act?

    5. Re:Dartmouth v. Woodward; Southern Pacific by Immerman · · Score: 1

      But they don't, do they? At least not for publicly traded companies. There is a special class of employe-owned corporations, but generally speaking publicy owned corporations (in the US) are owned 50% by "the 1%", and 49.5% by the rest of the top 20%, with only 0.5% owned by the other 80% of the population, which includes almost everyone that actually works at the corporation.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    6. Re:Dartmouth v. Woodward; Southern Pacific by Agent0013 · · Score: 0

      But you cannot sell yourself to someone else, that is indentured servitude or slavery and is illegal. So how can the owners of a corporation (a legal person) sell that corporation off. Isn't that a form of slavery then?

      --

      -- ssoorrrryy,, dduupplleexx sswwiittcchh oonn.. -Quote found on actual fortune cookie.
    7. Re:Dartmouth v. Woodward; Southern Pacific by Anonymous Coward · · Score: 0

      Yes but that also means you partial own someone else.

    8. Re:Dartmouth v. Woodward; Southern Pacific by tepples · · Score: 1

      If the member performs an illegal act in the course of operations of the association, the association is liableguilty, and the association is responsible for paying damagesfines.

    9. Re:Dartmouth v. Woodward; Southern Pacific by TitusGroan8856 · · Score: 1

      "I'll believe corporations are people when Texas executes one." - Robert Reich

    10. Re:Dartmouth v. Woodward; Southern Pacific by Darinbob · · Score: 1

      That doesn't mean corporations are people though. It just says that corporations are deserving of the same rights as individuals in some instances.

    11. Re:Dartmouth v. Woodward; Southern Pacific by Synerg1y · · Score: 1

      It's called liability and according to Uncle Sam, it doesn't have to make sense.

    12. Re:Dartmouth v. Woodward; Southern Pacific by Anonymous Coward · · Score: 0

      The Supreme Court of the United States has recognized corporate personhood since at least 1819. By 1886, the justices were unanimous that at least the equal protection provision of the Fourteenth Amendment applies to the associations of individuals called "corporations" as much as it does to the individuals severally.

      And therefore if a corporation screws up in a state with the death penalty, the corporation can be executed by lethal means, right? How is that done, lethal injection of the top level exec and board of directors? I'm up for watching. ;)

  27. ok now by Anonymous Coward · · Score: 0

    I'm doing a documentary about my efforts to get Stairway to Heaven declared public domain. After all every kid with an electric guitar has played it.

  28. Then don't include life of the author by tepples · · Score: 4, Interesting

    Then don't include life of the author in the equation at all. Give individual works the same copyright term as works made for hire.

    1. Re:Then don't include life of the author by jabuzz · · Score: 1

      Berne Convention is the realistic minimum that you could pear back copyright to. That is life plus fifty, which is better than we have now, both in the USA and Europe.

    2. Re:Then don't include life of the author by tepples · · Score: 2

      Some other Slashdot users disagree with your "realistic minimum" and think leaving the Berne Convention (and the WTO for that matter) would be a good thing. I apologize for not having citations; Slashdot's internal search is incapable, and its robots.txt policy hides all but the highest moderated comments from search engines.

    3. Re:Then don't include life of the author by losfromla · · Score: 1

      how about just a flat 80 or life whichever is longest?

      --
      Only I can judge you.
    4. Re:Then don't include life of the author by Ost99 · · Score: 2

      Why ever should we be restricted by imbecile ideas from another millennium when deciding what is appropriate for today?
      If you're going to pick one number from the last millennium, I'll just go ahead and pick another:
      Maximum copyright term should be 14+14 years (copyright act of 1790 US / statute of Anne 1710 UK)

      It could easily be argued that the early protection if 14+14 is WAY TO LONG for the 21th century. Way-back-when 14 years (extendable only if the author still lived) was sufficient it might take a significant part of those 14 years just for a work to be transported from one place to another; and the average expected commercial value of a creation was more than 14 or 28 years. Less than 1 in every 1 million works today have any commercial value after the copyright runs out. Even with a 14 / 28 year period, far less than 1 in every 1000 works would have any remaining commercial value.

      How can anyone in good faith argue that keeping the 99.9% of works without any remaining commercial value out of the public domain is a worthwhile bargain for the public to accept in order to enrich the owners of the last 0.1% of the works?

      --
      ---- Sig. gone.
    5. Re:Then don't include life of the author by Ost99 · · Score: 1

      Sensible copyright terms for the 21th century:
      Max 7 years for commercial reproduction - possible shorter for non-commercial reproduction
      Possible extension could be considered for physical works like sculptures, buildings etc with a significant landscape impact.
      For both cases: creators retain moral right indefinite -> no plagiarism, always attribute

      Possible extension schemes for works still commercially viable after 7 years: yearly extensions cost $1 000 000 ^ (1,05 ^ extension_year)

      Current DRM laws lacks balance - copyright holders must relinquish something to gain additional rights:
      * Either protected by law and restricts copyright period to 2-3 years (restriction is absolute, no format shift, backup etc. without license -> after 2-3 years a full version must be made public
      * Or not protected by law and retains same rights as other works (DRM becomes an private matter / arms race)

      --
      ---- Sig. gone.
    6. Re:Then don't include life of the author by amaurea · · Score: 1

      Where did you get an outrageous number like 80 from? How about something sensible like 0-5 years, depending on the subject? Retroactive, of course. I think that's still a pretty long duration (5 years! That's practically an eternity!), but it would be a nice first step.

      It is a bit scary that copyright keeps being extended without any empirical evidence to show that society would benefit from longer copyright. As far as I know, very little research has been done on the optimal duration of copyright. One paper I've found, which appears to be one of the most ambitious ones on this topic, still makes several unrealistic assumptions such as "Works are only produced for monetary gain", "No income is possible from works not covered by copyright", "Enforcing copyright has no cost" and "It does not get harder to produce new works when the public domain gets smaller", which all bias it towards longer copyright. Despite this, it finds an optimal duration of *15 years*, with your suggested 80 years being very strongly disfavored.

      What exactly did you base your 80 years suggestion on?

  29. Post-mortem copyrights are supposed to... by tepples · · Score: 4, Interesting

    Copyrights are supposed to encourage the creator to create more work. As soon as the creator is dead, the chances of her/him creating more work are somewhat diminished.

    Post-mortem copyrights are supposed to encourage the author's estate to complete the author's unfinished works rather than shredding them. With no post-mortem copyright, Christopher Tolkien might not have allowed The Silmarillion to see publication.

    1. Re:Post-mortem copyrights are supposed to... by mwvdlee · · Score: 3, Interesting

      Which brings up an interresting point; is a work copyrighted before it is published/made publically available?
      The Simarillion was not published in any (unfinished) form when Tolkien died.
      Wouldn't it have been possible for his son to complete the work and claim copyright of the whole work?

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    2. Re:Post-mortem copyrights are supposed to... by tepples · · Score: 3, Informative

      Copyright comes into existence when a work is fixed, not when it is published. Copyright in an unpublished work lasts 70 years after the death of the author for individual works or 120 years after fixation for works made for hire.

    3. Re:Post-mortem copyrights are supposed to... by geekoid · · Score: 1

      Thats a stupid argument. You are saying people would becasue people might make n -x instead of n, they would rather make 0.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    4. Re:Post-mortem copyrights are supposed to... by mwvdlee · · Score: 1

      Well, copyright law could always make an exception for unpublished works, assigning copyright to the estate if the work is continued within a couple of years after death.

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    5. Re:Post-mortem copyrights are supposed to... by Impy+the+Impiuos+Imp · · Score: 2

      Postmortem of death + N years is to allow companies to contract with a copyright holder without fear that the idiot stepping in front of a bus ends the copyright tomorrow. This lets them invest substantial funds in publication more confidently. This, in turn, benefits the copyright holder's earnings, which is the ultimate intent.

      --
      (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
    6. Re:Post-mortem copyrights are supposed to... by jabuzz · · Score: 1

      Look inside your copy. I think you will find that the copyright on the Simarillion is Christopher's. It is at least in part shared, which in effect means that copyright does not expire until 70 years after Christopher's death.

      Terry Pratchett has been using this tactic as well. If you look at his latest books, the copyright is shared with his wife in as far as I am concerned despicable copyright extension grab.

    7. Re:Post-mortem copyrights are supposed to... by tepples · · Score: 1

      You are saying people would becasue people might make n -x instead of n, they would rather make 0.

      That's the entire reason for copyright. It's a government investment in the authorship industries so that people don't forsake authorship in favor of other vocations. Because people might make n - x instead of n, they would rather make 0 in authorship and n - (x / 2) in some other job.

    8. Re:Post-mortem copyrights are supposed to... by AthanasiusKircher · · Score: 2

      Post-mortem copyrights are supposed to encourage the author's estate to complete the author's unfinished works rather than shredding them.

      That's not why they came into existence, and it would only really apply in cases of reasonably famous authors where there would actually be a significant market for posthumous works -- for most creators, no one would care.

      Anyhow, if you read about the history of copyright in the 1800s, you'll see stories about widows and starving families who wanted the money due to them from copyright for their husbands'/fathers' work.

      (And before I get a lot of responses about how the kids shouldn't get to live off their dad's work, keep in mind that an independent author received NO money up-front for his work. It's as if you had a job that, instead of a salary, you worked for years for NOTHING and were only guaranteed a share of company profits for X years in the future once your job was complete. You did your work expecting that income, and your family depends on it. That income source should not immediately disappear and the work contract voided just because you happen to die in an accident or something.)

    9. Re:Post-mortem copyrights are supposed to... by Geeky · · Score: 1

      Or is it possible that due to his condition, his wife is providing substantial assistance enough to warrant a share in the copyright?

      --
      Sigs are so 1990s. No way would I be seen dead with one.
    10. Re:Post-mortem copyrights are supposed to... by mwvdlee · · Score: 1

      Will his wife continue doing so after his death?
      It is perhaps a bit cruel (perhaps very cruel even), but copyright is intended to promote creative work. If the chance for more creative work is gone, copyright no longer serves any purpose and becomes, in fact, detremental.

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    11. Re:Post-mortem copyrights are supposed to... by hobarrera · · Score: 1

      Yeah, but if copyright expires on death, then the book completed by the author's family is half uncopyrighted, half copyrighted by whomever completed it.
      Since noone know which half is which, it's essentially the same as being fully copyrighted by the family.

    12. Re:Post-mortem copyrights are supposed to... by camperdave · · Score: 1

      Copyright comes into existence when a work is fixed, not when it is published.

      Great! So we can freely copy the version of Star Wars where Greedo shoots first, because that work definitely needs fixing.

      --
      When our name is on the back of your car, we're behind you all the way!
    13. Re:Post-mortem copyrights are supposed to... by tepples · · Score: 1

      It's as if you had a job that, instead of a salary, you worked for years for NOTHING and were only guaranteed a share of company profits for X years in the future once your job was complete. You did your work expecting that income, and your family depends on it.

      But why should a work published earlier in an author's lifetime have a longer period to earn royalties than a work published later? My reply to Impy applies equally well to your comment.

    14. Re:Post-mortem copyrights are supposed to... by wichawa · · Score: 1

      Thats a stupid argument. You are saying people would becasue people might make n -x instead of n, they would rather make 0.

      Glad you said this.

      This is a common argument defending the viewpoint that extended copyright terms help protect creative works (either their creation rates at certain term lengths, or revenue rates along the term lengths), and that without furthered copyright protection terms creative works would no longer be produced.

      This flies in the face of logic, as you suggest in your above comment, as well as the notion of "creativity" and "art".

      One does not need an incentive to be creative; we are all naturally creative to a certain degree, and we will all produce creative works on some level - all of which are inevitably the reflection of our experiences and culture around us. To suggest that anyone actually owns a piece or whole of any of this.........

      But regardless, I understand that business is business, laws are laws, and history is history, and that we should always seek to compromise when there are arguments on both sides of the fence for the existence of copyright. Yet I struggle to find any sensible opinion that doesn't suggest that good 'ole contract law or some extremely limited short term royalty legislation (in very specific, targets cases) would be a better alternative to both the current copyright AND patent slate of laws (though patents are best left for a different rant). I have yet to see any recent academic report which suggests that current copyright levels are optimal, nor any report which suggest it should be extended further. If you want to turn your creative works into a business, you can use contracts to do so, preferably contracts that do not involve every single human being within its jurisdiction.

      Unfortunately, many professional artists and their management would prefer not to have to force every listener to sign some user agreement or distribution contract, as this would seem rather, how do you say it, "lacking of the ideals of an artist". Not that contracts would solve or reduce the existence of "piracy" anyways (a ridiculous premise to begin with, alongside all the net social loss we have empirically seen from libraries across the centuries?), but it would provide a much more targeted legal scope for the party to pursue some sort of perceived injustice.

      Things like breaking and entering (leaking a creative work ahead of release date, where someone was required to gain unauthorized access to something), or identity theft (mass for-profit manufacturing under someone else's label) are already legitimate crimes that can be punished elsewhere.

      Simply handing what is called a "downstream distribution monopoly" to anyone is a dangerous thing. Doing it for decades and hundreds of years is seemingly an article off TheOnion. When was the last time anyone has ever breathed the words "monopoly" and "good thing" in the same sentence? The best that has ever been said about a monopoly is that it is the "best out of the available alternatives, given our current circumstances." Is copyright really our best answer to help these types of trades/industries/markets? Really?

    15. Re:Post-mortem copyrights are supposed to... by steelfood · · Score: 0

      With no post-mortem copyright, Christopher Tolkien might not have allowed The Silmarillion to see publication.

      I'm not sure that'd be the case. Remember that derivative works have their own copyright, in addition to having to comply with the copyright of the work from which they're derived.

      Christopher Tolkien is currently considered the editor, and as such, made his changes to the work prior to publication. Unless anyone could get their hands on J.R.R.'s original manualscript and notes, the published Silmarillion would've had its copyright fallen under him. The only thing that would've been in public domain would've been J.R.R. Tolkien's original works, which his estate could've locked away, buried, or even burned up, and no other version of the Silmarillion would exist.

      Now, you can argue that the original notes couldn't be donated to a museum or some such for posterity, and society would be culturally lesser in 100 years (or whenever copyright's going to run out) for it. However, there are already existing methods irrespective of copyright to handle such matters. For example, the donation of the original notes could come with an NDA or some other agreement that they not be released for a certain period of time. This is because while the contents of the notes may be copyrighted (or in the public domain), the physical medium itself is still someone's property.

      In fact, since there's probably only one copy of J.R.R. Tolkien's notes, that being the original in possession by the estate, this still hasn't changed in the slightest.

      So this case is effectively a non-issue with respect to post-mortem copyrights. And really, there are no good arguments for post-mortem copyrights, except monetary ones. In fact, post-mortem copyrights can be argued to be detrimental to the progress of the arts, because with daddy's (or mommy's) estate providing them all the cash they want and need, now the kids who could've been producing their own works, would be less likely to do so.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    16. Re:Post-mortem copyrights are supposed to... by wichawa · · Score: 2

      You are saying people would becasue people might make n -x instead of n, they would rather make 0.

      That's the entire reason for copyright. It's a government investment in the authorship industries so that people don't forsake authorship in favor of other vocations. Because people might make n - x instead of n, they would rather make 0 in authorship and n - (x / 2) in some other job.

      Actually, the entire reason for copyright was such that the monarchy of England got to choose who the official printing presser (pressee?) was.

      It currently stands as a useful legal mechanism to ward off competition under what is technically known as a downstream distribution monopoly which fundamentally endangers the property rights of every individual along the distribution chain.

      Outside of industry funded research, you will find no recent opinion that suggests the current government investment is at the optimal level, nor that it should be strengthened. Simple contract law, and in extremely rare cases a limited royalty term are seemingly better alternatives.

      Your above reply to "Because people might make n - x instead of n, they would rather make 0" is very weak. First of all, you are assuming that in some alternative profession those from the creative industries would earn half as much, and you are assuming that the absence of copyright is actually proven to improve the overall earnings of those in the "creative" industries.

      As people have studied the music industry over the last 15 years we are finding that piracy, and the presence copyright laws, do very little to change the wages of creative professionals. Gander for a few moments on google scholar.

    17. Re:Post-mortem copyrights are supposed to... by AthanasiusKircher · · Score: 1

      It's as if you had a job that, instead of a salary, you worked for years for NOTHING and were only guaranteed a share of company profits for X years in the future once your job was complete. You did your work expecting that income, and your family depends on it.

      But why should a work published earlier in an author's lifetime have a longer period to earn royalties than a work published later? My reply to Impy applies equally well to your comment.

      What the heck are you talking about?? You were replying to someone who was arguing for authors lifespan + N, i.e., the current broken STUPID system.

      My comment specifically says X years, not author's lifespan + N. I'm talking about a straight standard length of time -- author's lifespan has nothing to do with it. For example, the original 14-year term specified in the original copyright act. If author dies, rights can get passed to estate. The number X from publication does not change in any situation.

      I don't understand what your comment has to do with the ability to pass on your rights to widow, children, etc., as long as they are within term X. All copyright term lengths should be the same.

    18. Re:Post-mortem copyrights are supposed to... by dargaud · · Score: 1

      Post-mortem copyrights are supposed to encourage the author's estate to complete the author's unfinished works rather than shredding them. With no post-mortem copyright, Christopher Tolkien might not have allowed The Silmarillion to see publication.

      So... that'd be a good thing, right ?

      --
      Non-Linux Penguins ?
    19. Re:Post-mortem copyrights are supposed to... by Myopic · · Score: 1

      The amount of works covered in your hypothetical situation is infinitesimal compared to the amount of works lost to history because of long copyright. I accept the theory behind what you said but I just can't imagine that argument carrying the question.

    20. Re:Post-mortem copyrights are supposed to... by lgw · · Score: 1

      Have you read his latest books? It's quite obviously a different author. I'm sure the copyright is honest: his wife is writing the books.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    21. Re:Post-mortem copyrights are supposed to... by lgw · · Score: 1

      Writing a novel is a lot of time-consuming work. Most novels are only written because the author earns a reasonable living by doing so, and so can have "writing" as a full time job. Publishers spend about a much preparing a book (or ebook) for publication as they advance the author (and books rarely sell enough for the author to make anything beyond the advance). Novels would mostly die as an industry without copyright to protect the publishers for long enough to make a profit on their costs.

      You can argue about the length of copyright being far too long, but not whether it's needed at all, at least where books are concerned.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    22. Re:Post-mortem copyrights are supposed to... by wichawa · · Score: 1

      Writing a novel is a lot of time-consuming work.

      I don't think anyone would argue against the notion that it can be. And I don't think anyone argues against the notion that if someone believes they have efficiently used their time according to their strengths, talents, and endowments, that they should not seek appropriate reward for their time and efforts.

      However, just because someone has put a lot of time/effort/skill into something, why should there be a government policy in place that automatically grants a 70-120+ish year monopoly over the products of said time consuming work?

      Instead of copyright laws which are unnecessary additional lines in the sand, why can't contract law provide all the benefits of copyright while eliminating many/most/all of the negatives? What do you, as an author, have against using contracts to protect your work? Why must we have additional laws to protect things which you can't prove actually belong to you? What can copyright law provide that non disclosure agreements and user agreements don't provide, except for monopoly controls over distribution channels?

      Instead of copyright (which is automatically granted, application not necessary), would it not make more sense if the firm/individual actually had to apply to the people (we the taxpayers) that will be granting this distribution monopoly license (with a seemingly endless term)? Shouldn't the firm/individual have to prove to the people of its jurisdiction that protecting the fruits of its labour are necessary to the promotion and progress of the arts and sciences? How does providing you a distribution monopoly help the progression of the arts and sciences?

      Why are libraries some of the most vocal critics against copyright? Please don't say: "vested interest in bolstering collection."

      Most novels are only written because the author earns a reasonable living by doing so, and so can have "writing" as a full time job.

      This is a form of No True Scotsman. Allow me to demonstrate:

      Person A: True authors only write because they can expect to earn wages through their writing products (such as novels), as a result of the presence of copyright.

      Person B: This might be true of less than 1% of authors, if it was ever possible to come to some consensus of "what exactly defines an author, professional or otherwise" and "how can our models actually determine the exact motivations for writing?"

      Person A: Well, then these 99% of people are not true authors, as they don't earn a reasonable living by doing so through their writing products.

      Fact of the matter is, if we really want to debate the notion of why novels/writing products are written, there is no way your statement can be proven correct any time soon (and it won't be anyways). Thus, I argue that (something more grounded in reality):

      1) Most writing products (or narrowly defined by you as novels/ebooks) are written because one is either forced to through school or work. I'd put this at about 90% of the total writing products in existence.

      2) The next largest percentage of writing products are produced out of pure creativity and enjoyment (best defined as leisure), such as the comments you and I have made here on SlashDot. I'd put this at about 9% of the total writing products.

      3) I might be willing to say the next largest group of writing products is produced because one "hopes" to earn some wage through said product, whether or not there is a presence of copyright. I would put this percentage at about 0.8% of the total. 4) The next group would be the group that writes because they hope to earn a wage under the presence of copyright, and they otherwise would not write at all. I'd say less than 0.1% of writers act like this.

      5) Then there is the next group group of writers that actually makes a living from their writing products, and there is absolutely no consensus as to whether or not total wages of authors are affect

  30. Long tail royalties by tepples · · Score: 1

    We don't require construction workers to tear down their house every 5 years if they built it themselves

    Nor do we give construction workers a recurring royalty for continuing to live in a house that they built.

    What's more, the risk involved with releasing a new movie or album is sufficient that you'd never pay back the risk for such a short copyright term.

    I thought movies made most of their money during the box office and initial home video and premium video on demand releases. Do long tail royalties decades out really outweigh those, especially if a work isn't made available to the public at all? What sort of royalties have the film Song of the South and the TV series Spartakus and the Sun Beneath the Sea been earning lately?

    1. Re:Long tail royalties by stanIyb · · Score: 0

      My bare snap has become a meteor, and it's crashing down on your very existence!

  31. Copyright 120 years+!? by Midnight+Thunder · · Score: 2

    Looking at Wikipedia page it indicates the song is from 1893 (see: http://en.wikipedia.org/wiki/Happy_Birthday_to_You). How the heck can anyone claim copyright on it at this point? Sure the last of the two artists died in 1946, meaning it is currently death+67 years, but I still think it is way overboard and agree with it finally needing to be put into the public domain.

    I think we need to revise copyright such that the copyright after death is much shorter, but add a notion of attribution in each place for after its expiration.

    --
    Jumpstart the tartan drive.
  32. It shouldn't even be copyrighted by PuckSR · · Score: 5, Informative

    This is the sad fact. The "Happy Birthday" song shouldn't even be copyrighted.
    It is a derivative work on an older song in the public domain(Good Morning To You) and is far too short to receive a copyright.

    In other words, imagine if you changed the ending to the alphabet song and then tried to get it copyrighted. That would be laughable, even in our modern pro-IP courts.Yet someone did exactly that decades ago, and then some company has maintained the copyright on the "Happy Birthday" song for all of these years? It is a joke. Fixing this shouldn't even be the first blow for fixing our IP problems. It should just have been challenged in court by someone by now, but the company who "owns" the song only brings it up when they know that it is a large media company who would rather just license the song than try to challenge in court.

    1. Re:It shouldn't even be copyrighted by Anonymous Coward · · Score: 1

      Both of my (late) grandfathers remembered singing it with the current lyrics at birthday parties when they were young boys. They were born in 1913 and 1914, respectively, and lived on opposite sides of the country (Vermont and California). I think that's pretty fair evidence to say that the song lyrics were widespread and popular well before publication.

    2. Re:It shouldn't even be copyrighted by Impy+the+Impiuos+Imp · · Score: 1

      Laurel and Hardy sing the original in one of their shorts. While in school in prison, the class sings:

      Good morning to you
      Good morning to you
      Good morning dear teacher (bowing)
      Good morning to you.

      Good morning to you
      Good morning to you
      Good morning dear pupil (bow to each other, heads strike, coconut sound)
      Good morning to you.

      --
      (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
  33. Copyrighted? Really? by PPH · · Score: 2

    With every possible name inserted into line 3?

    --
    Have gnu, will travel.
    1. Re:Copyrighted? Really? by TeknoHog · · Score: 1

      Not quite. The nine billionth name is left out to protect the stars.

      --
      Escher was the first MC and Giger invented the HR department.
  34. Re:Come look at what the Muslim fucks are doing no by Anonymous Coward · · Score: 0

    The GP was modded down by someone who would murder a 14 year old boy for "insulting" their god.
     
    When are you fucks going to stand up against Islam?

  35. PD by Tom · · Score: 1

    The real tragedy of the commons is, that they don't have a defender. Corporations have been stealing from the public domain in massive quantities and for a long time.

    --
    Assorted stuff I do sometimes: Lemuria.org
  36. Terms could still be scaled back by tepples · · Score: 2

    Terms could still be scaled back without withdrawing from any worldwide treaty. Berne requires life plus 50 years for individual works or 50 years for works made for hire. The United States currently goes above and beyond this by recognizing life plus 70 years for individual works or 95 years for works made for hire.

  37. They ak me what I do and who I do it fo by Anonymous Coward · · Score: 0, Offtopic

    And how I come up wit the shit up in the studio

    All I want for my birfday

    Is a big-booty hoe

    All I want fo my birfday

    Is a big-booty hoe

    -2 Chainz

  38. Shall we call it... by Anonymous Coward · · Score: 0

    Spirit Journey Formation Anniversary?

  39. Different value appreciations by Piata · · Score: 3, Interesting

    A finished house is instantly worth money while creative endeavours are often not. Maybe for big corporations there are instant profits to be made but a band or artist that spends 10+ years developing a following and perfecting their artform will often be working for nothing in the hope that eventually it will all pay off. Copyright is abused by Big Media but Copyright is also the only thing that stops Big Media from exploiting independent artists.

    1. Re:Different value appreciations by sjames · · Score: 1

      Clearly you didn't try to sell a house during the bust. Plenty of them weren't worth the materials that went into them, much less the labor.

    2. Re:Different value appreciations by drinkypoo · · Score: 1

      Clearly you didn't try to sell a house during the bust. Plenty of them weren't worth the materials that went into them, much less the labor.

      In Lake County, CA it costs more to permit a one bedroom house than it does to buy the materials. And right now, you'll have a good time trying to recoup the cost of either.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  40. Futurama by Anonymous Coward · · Score: 0

    What day is today?
    It's Leela's birthday.
    What a day for a birthday!
    Let's all have some cake.

  41. Copyright impedes creativity? by Draeven · · Score: 1

    I don't think the length of copyright impedes creativity at all. Once something is in the public domain it's free to use in whole unchanged. Where's the creativity in that?

    It's overly restrictive fair use rules that impede creativity. Allow a copyright holder to own their property perpetually should be fine, but loosen fair use laws so that things can be used and built upon.

    1. Re:Copyright impedes creativity? by BonThomme · · Score: 1

      " in whole unchanged"

      no, once it's in the PD, it can be used and built upon without being declared a derivative work, subject to the whims of the holder

  42. Copyright $$$ Strategy by Dareth · · Score: 1

    1. Copyright your entire DNA pattern
    2. Impregnate many women, yes this is the ??????? for most Slashdot readers.
    3. Sue them for unlawful derivative works of copyrighted material.

    Not sure if that is unlawful dissemination or insemination.

    --

    I only look human.
    My mother is a halfling and my dad is an ogre, so that makes me an Ogreling
    1. Re:Copyright $$$ Strategy by PortHaven · · Score: 1

      Crap I got the mini-van prevention insurance last year....

      *snip*

  43. Crporations are ... by Immerman · · Score: 3, Interesting

    To my mind the problem is the "corporations are people" mantra is only trotted out when it's legally convenient, and is promptly ignored when personhood would be inconvenient. Basically they get all the benefits of being a legal person, with none of the downsides.

    So just as an idea, what if we we also classify corporations as something they are much more similar to? Another institution explicitly created for the concentration and leveraging of power (wealth being one form of power). Governments. Let the default assumption be that corporations have to comply with all regulations and constitutional limits imposed on the governments of the jurisdictions that they do business in. Cleary that might require some fragmentation - Google China and Google US would be subject to some fairly incompatible regulations, but that might be for the best. Do we really want to live in a world where corporate power rivals or exceeds that of many/most governments? (Democratic) governments are at least titullarly under the control of their populations, but I realy don't see global cooperation reaching the point where governments can effectively reign in the power of international mega-corporations any time soon, and even if the cooperation existed there doesn't seem to be the will. Not surprising since corporations (and the powerful people controlling them) are themselves largely responsible for selecting and empowering the candidates that the rest of us get to choose between.

    --
    --- Most topics have many sides worth arguing, allow me to take one opposite you.
  44. Orwell was right by Organic+Brain+Damage · · Score: 1

    The simple concept of Doublespeak explains very clearly what a government means when it says: Promote innovation through intellectual property law. Our governments mean to stifle, not promote. Copyright should not extend more than 20 years past the life of the original author. Public domain should be growing every year. Instead it's stuck to protect Disney.

  45. Shareholders are the owners of a corporation by sjbe · · Score: 1

    The members of the association own the association.

    Employees typically are not the owners of the corporation. They are members of the association but by definition only shareholders are the owners. Employees can be shareholders but frequently are not.

    1. Re:Shareholders are the owners of a corporation by lgw · · Score: 1

      The stockholders are the members of the association that own the association. Together they hire the employees. It's the stockholders, as represented by the board, that represent the will or "agency" of the association, not the employees.

      --
      Socialism: a lie told by totalitarians and believed by fools.
  46. Rights without responsibilities by sjbe · · Score: 4, Interesting

    Then if a member performs an illegal act, is not the association also performing the same illegal act?

    An excellent question. If the association (a corporations) has the rights of a person should it not also have the responsibilities of one?

    1. Re:Rights without responsibilities by ChrisMaple · · Score: 1

      One of the functions of a corporation is to separate some of the aspects of management (control) from ownership. This allows the immense advantage of a stock market, where I can buy a portion of Intel. profit when it does well and not go to jail if (without my knowledge or permission) the management does something criminal.

      The Supreme Court ruling of corporate personhood is quite limited. People treating it literally are either dupes or dishonest, probably both.

      --
      Contribute to civilization: ari.aynrand.org/donate
    2. Re:Rights without responsibilities by pnutjam · · Score: 4, Insightful

      One of the functions of a corporation is to separate some of the aspects of management (control) from ownership. This allows management to hijack capitol in much the same way it hijacks labor. it is essential so that cronyism can flourish.

      FTFY

    3. Re:Rights without responsibilities by bidule · · Score: 2

      This allows management to hijack capitol...

      Best typo ever!

      --
      ID: the nose did not occur naturally, how would we wear glasses otherwise? (apologies to Voltaire)
  47. she'll lose... by Anonymous Coward · · Score: 0

    ...on the issue of the song's copyright. The law, under the Sonny Bono extension act, has already been upheld by the Supreme Court, so the lower court only need look at the publisher's claim and call it.

    HOWEVER, if the whole point of her film is to point out the ridiculousness of all of this, she's got a very strong claim for 'Fair Use', since the work is being addressed in a critical commentary.

  48. She'll Lose... by acroyear · · Score: 1

    ...on the issue of the song's copyright. The law, under the Sonny Bono extension act, has already been upheld by the Supreme Court, so the lower court only need look at the publisher's claim and call it.

    HOWEVER, if the whole point of her film is to point out the ridiculousness of all of this, she's got a very strong claim for 'Fair Use', since the work is being addressed in a critical commentary.

    (crud, I meant to post that as me and not as anonymous...stupid new machine with no cookies...)

    --
    "But remember, most lynch mobs aren't this nice." (H.Simpson)
    -- Joe
  49. Incentives by sjbe · · Score: 2

    Every time this suggestion comes up, I repeat that I don't want the law to create more incentives for homicide.

    Easily solved. If the individual dies of anything other than natural causes the work immediately become public domain at the time of their death.

    1. Re:Incentives by Anonymous Coward · · Score: 0

      That doesn't solve the problem at all. If the individual dies of something other than natural causes (ie homicide) their works go public domain? That's kind of the incentive to kill, to get the works out of copyright.

    2. Re:Incentives by chihowa · · Score: 1

      In what scenario could you actually see that happening? This is the throw out the baby with the bathwater thinking that drives terrorism-related laws. We can think about the outcomes of improbable events, but they shouldn't be the main factor when designing systems.

      --
      If you want a vision of the future, imagine a youtube comments section scrolling - forever.
    3. Re:Incentives by AthanasiusKircher · · Score: 2

      Every time this suggestion comes up, I repeat that I don't want the law to create more incentives for homicide.

      Easily solved. If the individual dies of anything other than natural causes the work immediately become public domain at the time of their death.

      Please, please -- can we just get the author's lifespan out of the equation? The idea of copyright is to provide an incentive for an author to create a work in the first place (invest initial time and effort with ability to recoup investment later) as well as to foster further creative works after the first one. In the words of the original Constitutional stipulation, we're trying to encourage "progress" in the arts, not a reward system.

      There's no reason for copyright to be longer than the initial specification in the original copyright act from the 1790s: 14 years, with a 14 year extension. I'd even argue for 14 years total these days, but 28 years would be significantly better than what we have.

      But the author's lifespan shouldn't come into it. If the author dies, the rights should go to his/her estate for the 14 years or 28 years or whatever. This is still the rightful income of the author.

      Suppose you were offered a job as a carpenter in constructing a building. But the prospective owner said, "I won't give you any money up-front, but you'll be allowed a percent of my rental income from the building for the next 14 years."

      That's your compensation. That contract should not be voided just because you happen to die after completing the project (but before the 14 years is up) -- if your family was depending on that future income, they should still get it.

    4. Re:Incentives by Darinbob · · Score: 1

      Thus throwing all their heirs into poverty perhaps. Ie, children not of employable age yet, or disabled children or spouses without means of income. If the work of art is worth money to someone, then that money should go to the heirs. What if the law was that if you died for any reason other than natural causes that your 401K would go to the state?

    5. Re:Incentives by Anonymous Coward · · Score: 0

      I think you got that backwards. If homocide puts things in the public domain, then your rule will encourage homocide.

      The basic problem with public domain upon death is not homocide, but the short financial recovery period for late works and the somewhat unfair nature of the rule for those that for one reason or another die young.

      A short fixed period will result in companies "waiting out the clock" on copyright. Probably the best period lengths would be a fixed 25 years for books, 50 years for movies and music and 10 years for software. Whole catagories of incidental material, such a Internet forum comments should probably go into the public domain immediately.

    6. Re:Incentives by sjbe · · Score: 1

      Thus throwing all their heirs into poverty perhaps. Ie, children not of employable age yet, or disabled children or spouses without means of income.

      I don't recall any inalienable right to a large inheritance. What about the kids who didn't win the genetic lottery and were born to the "wrong" parents?

      If the work of art is worth money to someone, then that money should go to the heirs.

      Why? They didn't create anything. They didn't contribute anything. It wasn't their work or their creativity. Let them contribute their own works and get rewarded for them.

      What if the law was that if you died for any reason other than natural causes that your 401K would go to the state?

      I'll be dead so frankly I doubt I'll care very much.

    7. Re:Incentives by sjbe · · Score: 1

      If the individual dies of something other than natural causes (ie homicide) their works go public domain? That's kind of the incentive to kill, to get the works out of copyright.

      Last time I checked homicide will result in a rather lengthy jail sentence. Do you really think someone is going to risk a life sentence for get a copyright put in the public domain? I can be pretty pessimistic about people sometimes but wow...

  50. If corporations are people, do they get cancer? by oldenuf2knowbetter · · Score: 0

    If corporations are, indeed, people they should be accorded the rights and privileges of people. For instance, corporations might get to vote or get a drivers license.

    But they should also suffer the various ills which befall organic people. For instance, people die in accidents or develop horrible diseases or get murdered or mugged. People commit crimes and go to jail or get executed - and sometimes even innocent people have that happen to them.

    My proposal to extend full "personhood" to corporations is that, chosen by some random process and accurately reflecting what happens to organic persons, each year some percentage of corporate "persons" are declared to have been involved in accidents or were the victims of violent crimes. And are instantly and without warning terminated - disincorporated - killed off as it were.

    Some other percentage are deemed to have developed a disease and are rendered capable of only limited activity for a time with most of those inflicted recovering but with the balance dying.

    Some die at birth, some die in infancy, some live to ripe old ages. But they all die. And they die in ages as do organic persons - some statistical percentage die at different ages according to actuarial tables. And so should corporations. The oldest real person is maybe 115 years old so no corporation should be older.

    Corporations which break laws should be prosecuted and, if convicted, suffer the same fate as would an organic person. Probation, jail time, or even execution. With some percentage of those being unjustly convicted and innocent of wrongdoing but suffering the punishments anyway.

    We might even consider tax laws - why should a corporation get special tax laws? Make them do their taxes using form 1040 and the standard tax tables. And no multi-nationals. Do organic persons get to declare citizenship and residence simultaneously in multiple countries?

    Or basic laws against slavery? If a corporation is a person, no corporate person should be allowed to own another corporate person. No wholly or partially owned subsidiaries allowed.

    We need to do so much more to bring the rights of true organic personhood to corporate persons.

    1. Re:If corporations are people, do they get cancer? by tepples · · Score: 1

      why should a corporation get special tax laws?

      So that corporate income tax and capital gains tax add up to an approximation of individual income tax.

  51. Transfer the property by sjbe · · Score: 1

    Post-mortem copyrights are supposed to encourage the author's estate to complete the author's unfinished works rather than shredding them.

    Then I would suggest that those exist only if explicitly provided for in the will of the author. Perhaps JRR Tolkien did not want the Silmarilion published. If the author wants their works to be continued they can transfer the copyright prior to or upon their death. I see no reason for this to be an automatic process. As it stands we often have estates sitting on works that rightfully should be in the public domain where they can be worked on by people other than the estate of the author. Tolkien's children are no more deserving than you are as far as being able to create derivative works of a deceased author.

    In any case 50 years after the author is dead is an ABSURD amount of time for someone to benefit from someone elses work. There is no reasonable argument I can think of for post-mortem copyrights to last that long.

  52. If a sole proprietorship can hire employees by tepples · · Score: 1

    The members of the association own the association.

    But they don't, do they? At least not for publicly traded companies.

    It matters not. Employees of a corporation aren't necessarily shareholders, just as employees of a partnership aren't necessarily partners, and just as it's possible for a sole proprietorship to hire employees.

    1. Re:If a sole proprietorship can hire employees by Immerman · · Score: 1

      The point is that the the shareholders *aren't* the corporation in any meaningful sense, they are just it's *owners*. In fact the primary purpose of the corporation is to create just that distinction - otherwise you could simply get a bunch of investors bound together by contract law - the result would be the same except that the investors would then be legally liable for the actions of the corporation.

      You could argue that "The Corporation" is defined by it's executives and board members rather than the rank and file, but generally speaking those are still only minor shareholders. The majority shareholders are unlikely to be concerned with, or even aware of, the day-to-day operations of the corporation, so in what sense can you say they *are* the corporation? Even if they have near-total control of the company when they choose to exert it, that isn't substantially different from the slave owner who says "do what I tell you, when I tell you, and otherwise keep doing your normal duties.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    2. Re:If a sole proprietorship can hire employees by Immerman · · Score: 1

      Sorry, that should be
      > except that the investors would then be legally liable for the actions of the company

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    3. Re:If a sole proprietorship can hire employees by lgw · · Score: 1

      You do not need a corporation in order to have limited liability. You do not need a corporation to separate the investors from the workers. You can also buy limited partnership shares in an LLC. The major difference is: every share of common stock gets a vote, while limited partners typically don't get a vote.

      The board of a corporation is very concerned with its (high level) operations. The CEO reports to the board. The board controls the culture and purpose of the corporation through it's choice of CEO and certain other executives.

      As far as political contributions and regulatory capture, I'd be amazed if there were any major company where the board wasn't directly involved with the government/political interaction of the corporation.

      --
      Socialism: a lie told by totalitarians and believed by fools.
  53. Then just have the N years by tepples · · Score: 2

    Postmortem of death + N years is to allow companies to contract with a copyright holder without fear that the idiot stepping in front of a bus ends the copyright tomorrow.

    A flat term of 14 years after first publication, renewable once if the work is still in print at the end of the first term, would have the same effect.

    1. Re:Then just have the N years by Ost99 · · Score: 1

      Excellent point, and a more than generous period to profit from the work.
      28 years probably covers the commercially viable period for something between 99.9 and 99.99% of all works created.

      The main reason copyright exists in it's current for is to reduce the competition new works face from old works in the public domain.

      --
      ---- Sig. gone.
  54. Trade barriers against countries that use reason by tepples · · Score: 2

    There is no reasonable argument I can think of for post-mortem copyrights to last that long.

    Other than that a country's trading partners happen to have made a business decision to erect trade barriers against countries that use reason. Most favored nation status often requires WTO membership, and WTO requires TRIPS, and TRIPS requires Berne, and Berne requires life + 50.

  55. Re:Trade barriers against countries that use reaso by sjbe · · Score: 2

    Other than that a country's trading partners happen to have made a business decision to erect trade barriers against countries that use reason.

    That's not a reasonable argument. That is merely a statement of the status quo. So my original statement stands. I have never seen a reasonable argument for why post-mortem copyrights should last as long as they do.

  56. Re:We need more than that (Mod parent up) by kanweg · · Score: 1

    Indeed. Like any IP right, copyright is a deal between society and the creator. In the end, the work will be public domain. But with DRM the copyright holder does not seem to want to stick to his end of the deal. And changes in technology will well mean that the work will be unreadable by the time the copyright expires.

    Bert

  57. Tepples == cognitive impairment by microbox · · Score: 1

    Corporations and people are apples and oranges, despite what the supreme court says. If you cannot see the difference, then I'd suggest you have some sort of cognitive impairment. For example, do corporations ever grow old? Fall in love? To they need parents the wipe their bums? Do they feel anything? Do corporations need health insurance, or want to have children? Do they need maternity leave? Do they ever sleep?

    Corporations are made out of people and laws, and the legal structure shapes the incentive structures of the people within them. If you confuse corporations with people, you are bound to endorse laws that encourage bad incentive structures to the behaviour of /people/.

    --

    Like all pain, suffering is a signal that something isn't right
    1. Re:Tepples == cognitive impairment by diamondmagic · · Score: 1

      If you're going to talk law, then you have to adopt the law vocabulary. It's the same in any other field or science.

      The law has a name for the particular kind of people you're describing, they're called individuals. People, on the other hand, form a larger group of members that include corporations.

      I hope you do realize this is a good thing, because if a corporation was not a person, then the Government would have no authority to prosecute them under the law. This probably is the complete opposite effect of what you intend.

  58. Don't dis copyright law - it works by davide+marney · · Score: 1

    It's the very existence of copyright law that is going to win the day here and restore Happy Birthday to the public domain. The lawsuit rests precisely on proving that the music publisher doesn't in fact hold a valid copyright.

    Also, may I point out that copyright law also underlays ALL open source licenses, and it's strength as a legal principle in both theory and practice is what has kept Linux and its kin rolling along, winning every court challenge it faces.

    --
    "We receive as friendly that which agrees with, we resist with dislike that which opposes us" - Faraday
  59. If I were making this film.... by bobdehnhardt · · Score: 1

    I would use this as the music under the title: http://www.youtube.com/watch?v=rrYhWVMqf-4

    I'd much rather pay royalties to Stravinsky's estate than to the publishing company.

  60. Steamboat Willie by ThatsNotPudding · · Score: 1

    The gravest nautical threat to the US since Admiral Yamamoto.

    1. Re:Steamboat Willie by ebvwfbw · · Score: 1

      Comparing bombing of America with literal bombs to the happiest place on earth?

      it's a world of laughter, a world or tears
      its a world of hopes, its a world of fear
      there's so much that we share
      that its time we're aware
      its a small world after all

      Heh, get that out of your head now... bla ha ha ha caught snort ha ha ha

      You're of course right in a way. Disney should lose the copyright to all that stuff.

  61. What needs to be done. by Anonymous Coward · · Score: 0

    On copyrights, patents and copyright infringement.

    First of all, lets all realize that calling copyright infringement piracy is an attempt by the RIAA/MPAA and others to make copyright infringement sound like a far worse crime than it really is. While copyright infringement is not right, it is in no way as heinous as the acts of the real past or present day pirates of the high seas. Penalties for copyright infringement need to be limited to the actual retail price of the media involved, not the totally bogus figures seen today.

    Copyright has been extended far beyond all reason in recent years, delaying the entry into the public domain of many works that rightfully should have been there for many years, so that the overly greedy can continue to profit on these works to the great detriment of society as a whole. These vastly overextended copyrights are also used to stifle innovation and derivative works.

    Copyright MUST be reduced to 5 years maximum, with no extensions allowed whatsoever for the original works. Further, purchase or transfer of copyright must not extend the original copyright period at all. Death of the original creator of the copyrighted content must automatically make that content public domain. And once a work is in the public domain, under no circumstances at all will it ever be copyrighted, or removed from the public domain. Further, anytime that copyrighted material becomes unavailable to the general public for more than 2 years, copyright must be terminated and the work becomes public domain. Any copyrighted material over 5 years old needs to automatically made public domain, no exceptions!

    Patents must not be granted for âoebusiness methodsâ nor for computer software. And any such patents must be immediately invalidated. Further, far too many spurious and/or vaguely worded patents have been granted, which must be reviewed (at the expense of the holder) and invalidated. And the practice of âoepatent trollingâ (entities buying patents only for the purpose of litigation to make a profit) needs to be illegal, with extremely heavy fines and long jail sentences. The penalties for wrongfully âoebullyingâ a competitor (in any way) with invalid, vaguely worded patents or false patent claims need to even higher.

    Patents need to be very very specifically worded, and not granted if there is the slightest bit of prior art. Entities seeking patents must prove beyond any doubt that there is no prior art at their own expense. Patents that are not being used to actively bring a product to market must become public domain after 3 years. All patents that are currently being âoesat onâ to stifle a product or innovation must fall under this 3 year term.

    Copyright infringement will never completely go away. BUT here is how to drastically reduce it. The RIAA/MPAA/Publishers need to:

    STOP going after the folks that download a few mp3s, movies, or ebooks. Go after the pirates who sell hundreds of thousands or millions of illegal copies!

    STOP buying draconian legislation that only hurts legitimate customers and threatens the internet!

    STOP treating your paying customers like criminals with DRM. DRM doesn't stop or even slightly slow down the big piracy operations, it only hurts legitimate paying customers!

    STOP all the regional restrictions BS!

    STOP screwing and ripping off the Artists/Authors/content creators!

    START producing high quality, DRM-FREE content that people want. Price it reasonably, and make it easy to get over the internet.

    START adapting to changing technology and the real world!

    Copyright infringement cannot be legislated away, it cannot be sued out of existence. The only real solution is to give the customers what they want, when they want it, at a price they consider reasonable, with as little hassle as possible. I know that the above mentioned entities (and their clones around the world) don't want to hear this. If they don't start listening, eventually they

  62. Fair Use? by Hobadee · · Score: 1

    Wouldn't a documentary about the "Happy Birthday" song which only has a single scene in which the song was sung, fall under fair use laws?

    --
    ...Had this been an actual emergency, we would have fled in terror, and you would not have been informed.
  63. Why punish everyone? by Anonymous Coward · · Score: 0

    I copyrighted "I object, your honor." and several other Latin terms "mens rea", etc. Has the side effect of putting fuckers who like to create fancy terms to bolster the impression that they are worth obscene amounts of money per hour in their place.

    I also got "Cloud" and "Social" for no other reason than to spite the dipshits who spew it. ...Damn, I just woke up from my Friday afternoon nap, oh what a world that would have been...

  64. Sliding Scale of Incorporation by tepples · · Score: 1

    otherwise you could simply get a bunch of investors bound together by contract law

    I believe that's called a partnership. As I understand it, there's a sliding scale of sorts from the general partnership that you describe through limited partnership (LP), limited liability partnerships (LLC/LLP), and S corporations to C corporations.

    You could argue that "The Corporation" is defined by it's executives and board members

    The corporation as I see it is defined by its investors through the board that it elects. This board appoints (hires) executives who appoint other employees.

    Even if they have near-total control of the company when they choose to exert it, that isn't substantially different from the slave owner who says "do what I tell you, when I tell you, and otherwise keep doing your normal duties.

    Yes it is. Employees can quit.

    1. Re:Sliding Scale of Incorporation by Immerman · · Score: 1

      > The corporation as I see it is defined by its investors through the board that it elects. This board appoints (hires) executives who appoint other employees.

      And I suppose our nation is defined by it's citizens via the representatives they elect? Certainly that example runs up against some serious scaling problems, but the basic fact holds true - the evidense suggests that most boards are far more beholden to the each other and the executives than to the shareholders, for the simple fact that for the most part shareholders can be counted on to perpetually reelect the incumbent board mmebers, regardless of performance.

      >Employees can quit.
      Sure, but we're not talking about employees, we're talking about corporations. And corporations can't quit, at most they can be broken up or dissolved (maimed or killed). Other than that they just keep doing as they're told by their executives, charter, and incumbant policies.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
  65. Legal persons versus natural persons by sjbe · · Score: 1

    One of the functions of a corporation is to separate some of the aspects of management (control) from ownership.

    What you are referring to is the protection of the owners of the company from personal liability (in most cases) for the actions of the company. That's the basic reason for a corporation to exist and it is super important. It's not an exaggeration to say that it is the basis for our entire economy. However as it is structured it often eliminates too much accountability. Management can direct the company to engage in activities that would put them in jail were they to engage in those same activities without the protection of the corporate veil. If I as an individual drop poison in a river and harm someone, I am going to jail. If an individual does so under the aegis of a corporation, chances are that they won't even see the inside of a courtroom.

    The corporate veil is an important legal protection and I support it strongly. However I also believe that if an individual engages in activities which would be criminal outside of the corporation, then their liability shield should be subject to possible revocation much more easily than it is presently. While I understand why, it floors me that after the financial meltdown of 2008 or after the BP oil spill that essentially no one has been tried in a court of law despite there being ample evidence of malfeasance.

    The Supreme Court ruling of corporate personhood is quite limited.

    No limited enough unfortunately. Corporations are allowed to behave quite badly compared with natural persons.

    1. Re:Legal persons versus natural persons by LifesABeach · · Score: 1

      So now the Nuremberg Defense,(a.k.a. "I vas ordered to do it."), is allowable?

  66. Not all persons are human beings, nor vice versa by tepples · · Score: 1

    Corporations and people are apples and oranges, despite what the supreme court says.

    This article is about law, and the Supreme Court is the final arbiter of law in Dice's home country. Were you referring to changing the law?

    For example, do corporations ever grow old? Fall in love? To they need parents the wipe their bums?

    Corporations are not born and do not have a physical body to speak of, but they are "persons". In fact, "person" itself has come to be a legal construct, including both individuals and the associations that they form. Not all "persons" are human beings under current law, and not all human beings are even "persons" since Roe v. Wade, 410 U.S. 113 (1973).

    If you confuse corporations with people, you are bound to endorse laws that encourage bad incentive structures to the behaviour of /people/.

    I agree with you that some rights should apply only to individuals, and not to corporations. I'm just arguing that the term "person" has a specific meaning under current law.

  67. Couldn't the FSF take care of this? by Krishnoid · · Score: 1
    When I first heard that this song was copyrighted, I thought that one easy way for Stallman to get his point across would be to produce a copyrightable work more accessible to the average person. Something along the lines of:
    • briefly describe why 'Happy Birthday' is copyrighted, and that it's a legal liability for the company
    • slightly modify 'Join us now, in freedom' to include birthday lyrics
    • describe why it's freely singable, as long as you don't try to restrict others from singing it
    • pay a real songwriter to compose alternative birthday song that people would actually want to sing as a birthday song
    • license song as GPL or Creative Commons
    • print out song and short description on postcards
    • as a footnote, include a URL pointing to average-person-understandable description of how copyright is being weaponized, and that copyleft is an alternative
    • send postcards to HQ for restaurants, letting them know they can sing it freely
    • people hear the same song in multiple restaurants and start getting curious
    • copyleft birthday song replaces copyrighted birthday song
    • people start understanding copyright, copyleft, and Creative Commons better
    • Freedom, freedom, freedom, oy!
  68. Or how about this by RelliK · · Score: 1

    Everyone gets initial copyright term of say 10 years. After that, it can be extended by 1 year if the copyright holder pays a fee of $100. To extend it for another year, the fee increases to $200, then $400, $800, etc.

    The intent is to give everyone a limited copyright protection. Then, if the copyrighted work is truly valuable, the copyright holder can extend the term by paying a fee. But, the fee increases exponentially every year. The exponential increase in the copyright extension fees reflects the cost to society to extend this monopoly. At some point, extending it will no longer be profitable.

    The net result is that all the "abandonware" enters public domain quickly, but authors can still milk truly valuable works -- for a while.

    --
    ___
    If you think big enough, you'll never have to do it.
  69. Re:Not all persons are human beings, nor vice vers by Anonymous Coward · · Score: 0

    This article is about law, and the Supreme Court is the final arbiter of law in Dice's home country. Were you referring to changing the law?

    Yeah, the supreme court made a ruling 100 years ago, and its interpretation has been expansive. If the case were before the current supreme court, they'd do nothing to limit the power of corporations. I'm not against corporations per see; however, I think it is important to realise that there is a lot of philosophy in the practice, application, and interpretation of law. From that point of view, corporations obviously aren't people. But I think the law is substantially good as it stands. Just that somewhere in the legal morass we've created, there has to be some way to curtail the concentration of power and the inevitable corruption that comes along with it.

  70. Make copyright die when the author dies by Anonymous Coward · · Score: 0

    Most individuals that work to earn a living have to invest the funds that they've earned through their labor so that their family has an inheritance. An author or songwriter should have to leave their inheritance just like everyone else, by investing what they've earned from their work. They should not be allowed to essentially double dip.

    Movies are a bit different, but there should a finite end to their copyright. An indefinite copyright doesn't contribute to encouraging creativity, but hinders it. The movie industry can do nothing, yet they continue to make money on what they've done in the past.

  71. Free The Mouse by d'baba · · Score: 1

    And all his sequestered kin.

  72. Re:1st? by airdweller · · Score: 1

    I suggest an alternate ending:
    So say we all!

  73. Copyright term by medium by tepples · · Score: 1

    My comment specifically says X years

    Then I realize that I must have misread it, and we end up in agreement. With that out of the way:

    All copyright term lengths should be the same.

    Should this be true of, say, a computer program and a painting?

  74. A tale of Italian censorship by Anonymous Coward · · Score: 0

    A few years ago, Italian rock band `Elio e le Storie Tese' saw one of the tracks of its album `Cicciput' censored because it cited the infamous Birthday Song. The song was called `Al mercato di Bonn' and revolved around the finding of a lost music fragment by Beethoven -- later to be found no less than the Birthday Song. `Al mercato di Bonn' was aired just once during a radio show, and then banned from the upcoming album. That was just a shame, as the song was pretty hilarious.

  75. Re:Come look at what the Muslim fucks are doing no by Anonymous Coward · · Score: 0

    The GP was modded down by someone who would mod down a poster for posting off-topic about the Syrian civil war on thread about copyrights.

    There. FTFY.

    I know. It makes too much sense, so it must be a lie perpetrated by whoever is honking you off this week. I pity you.

  76. 80 years?! by amaurea · · Score: 1

    Where did you get an outrageous number like 80 from? How about something sensible like 0-5 years, depending on the subject? Retroactive, of course. I think that's still a pretty long duration (5 years! That's practically an eternity!), but it would be a nice first step.

    It is a bit scary that copyright keeps being extended without any empirical evidence to show that society would benefit from longer copyright. As far as I know, very little research has been done on the optimal duration of copyright. One paper I've found, which appears to be one of the most ambitious ones on this topic, still makes several unrealistic assumptions such as "Works are only produced for monetary gain", "No income is possible from works not covered by copyright", "Enforcing copyright has no cost" and "It does not get harder to produce new works when the public domain gets smaller", which all bias it towards longer copyright. Despite this, it finds an optimal duration of *15 years*, with your suggested 80 years being very strongly disfavored.

    What exactly did you base your 80 years suggestion on?

    PS. Hopefully this won't show up two times - this is my second time trying to submit it, but I had a connection problem the first time.

  77. Think how awful! D: D: by Tenebrousedge · · Score: 1

    Imagine you wrote a song, filmed a short video or created this amazing illustration and 5 years later it was used by corporations to sell everything from toothpaste to cars. How would you feel about that?

    Fucking fantastic.

    I would never have to worry about finding work as an artist again. I might have to worry about working again but so it goes.

    --
    Those who advocate genocide deserve every protection afforded by law, and none afforded by common human decency.
  78. Barats and Bereta have your back. by Anonymous Coward · · Score: 0

    You can't sing that song. Fine. But I do wonder how legally effective it would be to claim you actually used this one: https://www.youtube.com/watch?v=2f2PCWYAZQc

  79. From Sports Night by bryan1945 · · Score: 1

    Dan: What’s the problem?
    Mallory: During your broadcast on September 5th, you sang Happy Birthday to your partner, Casey McCall.
    Dan: Yeah, but I can explain that. Wait, it was his birthday. Why do I have to explain that?
    Mallory: You sang Happy Birthday on the air.

    Mallory: Listen, I think it’s sweet that you and your partner sing to each other on television. Others may think that it’s vaguely gay, but I disagree.
    Dan: Thank you.
    Mallory: Nonetheless, you can’t do it anymore.
    Dan: Why not?
    Mallory: It’s against the law?
    Dan: It’s against the law to be vaguely gay?
    Mallory: It’s against the law to sing Happy Birthday on television.
    Dan: Why?
    Mallory: It's owned by the representatives of Mildred and Patty Hill.
    Dan: It took two people to write that song?

    --
    Vote monkeys into Congress. They are cheaper and more trustworthy.