Slashdot Mirror

Trevelyan writes "GamesIndustry.biz has a story which claims that Electronic Arts is going to return to the 1995 movie GoldenEye for its next James Bond 007 game - presumably hoping that some of the high regard for Rare's brilliant GoldenEye game on the N64 will rub off on the series. However, according to the story, EA won't be getting the original GoldenEye team (who left Rare and are now known as Free Radical Design, creators of the Timesplitters series) to work on the game, even though it has a publishing deal with them... The prospect of a new GoldenEye could be mouth-watering for action fans, but not giving the license back to the people who made the original game seems like a completely wasted opportunity..." Oddly enough, we referenced the original N64 GoldenEye title just yesterday.

Thanks to the IGDA for its 'Culture Clash' column discussing the increasingly complex nature of heroism and villainy in videogames. The writer suggests: "The white hat/black hat dichotomy of heroes and villains (PC and NPC) in most games is no longer sufficiently believable to the player, but is still theoretically acceptable given the earlier limitations of the medium", and goes on to argue: "Audiences respond poorly to blatant noseleading, and increasingly demand escalating shades of gray." Do you enjoy stereotypical portrayals of good and evil in gaming, or do you find, as Daryl Zero needed to be told: "You realize... there aren't any 'good guys' and 'bad guys'... there are just... just a bunch of guys"?

akahige writes "According to The Hollywood Reporter, Martin Freeman (The Office, Love Actually), Mos Def (Showtime, The Italian Job), and Zooey Deschanel (Big Trouble, Elf) have signed on to play Arthur, Ford, and Trillian, respectively. Stephen Moore is once again doing the voice of Marvin. No word on who's playing Zaphod (but wouldn't Eddie Izzard be great?). It worries me when they say things like, "Adams adapted his own novel for the screen. After his death, Karey Kirkpatrick came aboard for a rewrite." But it's Disney, so what do you expect? Shooting begins in April."

akahige writes "According to The Hollywood Reporter, Martin Freeman (The Office, Love Actually), Mos Def (Showtime, The Italian Job), and Zooey Deschanel (Big Trouble, Elf) have signed on to play Arthur, Ford, and Trillian, respectively. Stephen Moore is once again doing the voice of Marvin. No word on who's playing Zaphod (but wouldn't Eddie Izzard be great?). It worries me when they say things like, "Adams adapted his own novel for the screen. After his death, Karey Kirkpatrick came aboard for a rewrite." But it's Disney, so what do you expect? Shooting begins in April."

akahige writes "According to The Hollywood Reporter, Martin Freeman (The Office, Love Actually), Mos Def (Showtime, The Italian Job), and Zooey Deschanel (Big Trouble, Elf) have signed on to play Arthur, Ford, and Trillian, respectively. Stephen Moore is once again doing the voice of Marvin. No word on who's playing Zaphod (but wouldn't Eddie Izzard be great?). It worries me when they say things like, "Adams adapted his own novel for the screen. After his death, Karey Kirkpatrick came aboard for a rewrite." But it's Disney, so what do you expect? Shooting begins in April."

akahige writes "According to The Hollywood Reporter, Martin Freeman (The Office, Love Actually), Mos Def (Showtime, The Italian Job), and Zooey Deschanel (Big Trouble, Elf) have signed on to play Arthur, Ford, and Trillian, respectively. Stephen Moore is once again doing the voice of Marvin. No word on who's playing Zaphod (but wouldn't Eddie Izzard be great?). It worries me when they say things like, "Adams adapted his own novel for the screen. After his death, Karey Kirkpatrick came aboard for a rewrite." But it's Disney, so what do you expect? Shooting begins in April."

akahige writes "According to The Hollywood Reporter, Martin Freeman (The Office, Love Actually), Mos Def (Showtime, The Italian Job), and Zooey Deschanel (Big Trouble, Elf) have signed on to play Arthur, Ford, and Trillian, respectively. Stephen Moore is once again doing the voice of Marvin. No word on who's playing Zaphod (but wouldn't Eddie Izzard be great?). It worries me when they say things like, "Adams adapted his own novel for the screen. After his death, Karey Kirkpatrick came aboard for a rewrite." But it's Disney, so what do you expect? Shooting begins in April."

Bert Tam writes "The folks over at 1UP put together a cool feature highlighting all the games shown at Capcom's U.S. press event, held yesterday in Las Vegas." There are similar features at GameSpot and over at GameSpy, and highlights include new U.S./European-focused title Shadow Of Rome, "a gladiator fighting and stealth game [from the creator of Onimusha] that currently is not even scheduled for release in Japan", an early look at a Nightmare Before Christmas title which "aims to give players the chance to play through a sequel to the classic film", and an interview with the creators of Onimusha 3 courtesy of GamePro, discussing the reasons for Jean Reno's co-starring role: "To give a broad appeal, especially to those who aren't gamers", and noting that other stars were asked, but "...American [actors] are difficult to deal with."

Thanks to GameGossip for pointing to a Hollywood Reporter article revealing that German uber-producer Uwe Boll has optioned the rights to movies based on Fear Effect and Hunter: The Reckoning. Boll, who had previously claimed his planned Dungeon Siege film had "major crossover potential because of its unique blend of action and fantasy, on the order of Lord of the Rings", and is behind the House Of The Dead and Alone In The Dark movies, says Hunter: The Reckoning (originally from the White Wolf pen-and-paper RPG) will be a "hard, brutal, fast-paced ensemble film in the tradition of 'X-Men.'" Hunter will "shoot this summer in downtown Vancouver", with budgets for the 2 movies "ranging from $15 million-$25 million", but it's not known why Eidos' Fear Effect was optioned.

Thanks to GameGossip for pointing to a Hollywood Reporter article revealing that German uber-producer Uwe Boll has optioned the rights to movies based on Fear Effect and Hunter: The Reckoning. Boll, who had previously claimed his planned Dungeon Siege film had "major crossover potential because of its unique blend of action and fantasy, on the order of Lord of the Rings", and is behind the House Of The Dead and Alone In The Dark movies, says Hunter: The Reckoning (originally from the White Wolf pen-and-paper RPG) will be a "hard, brutal, fast-paced ensemble film in the tradition of 'X-Men.'" Hunter will "shoot this summer in downtown Vancouver", with budgets for the 2 movies "ranging from $15 million-$25 million", but it's not known why Eidos' Fear Effect was optioned.

Thanks to GameGossip for pointing to a Hollywood Reporter article revealing that German uber-producer Uwe Boll has optioned the rights to movies based on Fear Effect and Hunter: The Reckoning. Boll, who had previously claimed his planned Dungeon Siege film had "major crossover potential because of its unique blend of action and fantasy, on the order of Lord of the Rings", and is behind the House Of The Dead and Alone In The Dark movies, says Hunter: The Reckoning (originally from the White Wolf pen-and-paper RPG) will be a "hard, brutal, fast-paced ensemble film in the tradition of 'X-Men.'" Hunter will "shoot this summer in downtown Vancouver", with budgets for the 2 movies "ranging from $15 million-$25 million", but it's not known why Eidos' Fear Effect was optioned.

jkcity writes "According to Cinscape.com The Star Trek Enterprise set is awash with rumour that it will not be renewed for a 4th season, It was previous told it was safe by UPN but so was Enteprise's lead-out show Jake 2.0 which was just Cancelled. Star Trek: Enterprise has also been reduced to 24 episodes this season by UPN, things don't look good for the Star Trek Television Franchise and after the flop of Star Trek: Nemesis it could be many years before we ever see any new Star Trek outside of books."

Peter Wayner writes: "The novel Paranoia begins with one of the most tantalizing premises I've read in some time. Young Adam Cassidy was just sliding by as a junior product line manager in the router division of Wyatt Telecom, when he discovered that the company wasn't doing much for the retirement of his pal down on the loading dock. So he impersonated the VP of corporate events, faked a few invoices, and booked the same caterer who brought in the steaks and lobster for the executive suite. Alas, Nicholas Wyatt, the CEO, wasn't happy with the steep bill and gave Cassidy a choice of 20 years in prison or life as a corporate spy. In no time, Cassidy decides he's quite willing to go undercover and find out just what the heck is going on the skunk works over at their competitor, Trion." Read on for the rest of Wayner's review. Paranoia author Joseph Finder pages 432 publisher St. Martin's rating 9 reviewer Peter Wayner ISBN 0312319142 summary A fast-paced thriller about a young router engineer who is

It may be hard for anyone who's endured the economic downturn in the computer industry and the ascendance of the DRM lawyers to see the romance of tech, but the computer business continues to be one of the most exciting and explosive corners of the zeitgeist. Fortunes are made and lost in days; products depend upon the synergy of the hackers and the marketeers; and everything turns on the information passed along in IMs, emails and whispers. This world is a rich backdrop for the new thriller by Joe Finder, the spy novelist who set his previous books in the world of the three-letter agencies and the military justice system. This time he's plumbing the depths of corporate politics and industrial espionage with his story of a company racing to deliver the next big Palm Pilot replacement.

The thriller is a reminder that electronic gizmos continue to be a tumultuous and exciting domain where creative people with whip-smart minds can change the company's destiny. I suppose it would be possible to set a similar novel in, say, the auto industry, but it just wouldn't have the same resonance. No engineer, designer, or bright employee is going to make much of a difference at Ford or General Motors. Much of their future is dictated by the cost of medical care for the retired workers and the problems are not about cars qua cars. Producing great cars would be nice, but it's not the main challenge for the companies. At least in Silicon Valley, there can be some direct link between action and reaction. Newton's law still holds.

The beginning of the book is an irresistable hook. Who wouldn't want to throw a party on the corporation's dime?

Many of the elements of Silicon Valley's mythology appear here. There's a boss who keeps stable of young, blonde administrative assistants around. There's another boss who works out of the same size cubicle as everyone else. Secret research labs to develop the next generation of gadgets are locked away in a perimeter guarded by other gadgets that scan eyeballs or examine fingerprints. All of the characters drive slick cars and worry about the quality of their real estate.

As the novel unfolds, Cassidy's allegiance and soul is pulled in a tug-of-war. Who deserves the information he's gathering? Is there right and wrong in corporate espionage? Which company deserves to win?

The novel is similar in tone and structure to John Grisham's The Firm or Michael Crichton's Disclosure, two other novels that mused about the nature of the modern workplace. Finder's characters are richer and better drawn, at least than Grisham's earlier works. The search for the next gadget isn't really the point of Cassidy journey in the labyrinth, it's just an excuse to work through the modern world of corporations and the way they organize people and their creations. The book is not filled with the neo-Marxist questioning of the capitalist system that comes from places like the Baffler , but there are similar themes that echo in the cubicle bins.

This is, of course, because it's a thriller, not some postmodern master's degree thesis. The twists are well-handled, the pacing is good, and the ending may open the doors to debates. I spent some time wondering whether it was the best ending on many different levels. That kind of resolution is something that doesn't come from standard thrillers by people like Tom Clancy or James Paterson. In those books, the author's point of view is as solid and fixed as, say, those opinion shows on Fox TV. Someone's always dying or trying to destroy America in those books and stopping the murder or saving the country is the only possible resolution.

Finder's earlier books delved into the mirror world of espionage and the realm of three-letter agencies. Moscow Club focused on a coup and an assassination in Soviet Russia. Extraordinary Powers explored the possibility that various spy agencies could tap clairvoyance and other extra-sensory powers-- a premise that David Moorhouse later confirmed was very real in his book, Psychic Warrior . The world of covert assassination in Latin America took center stage in High Crimes.

The tone is also much lighter than Finder's early books, with their heavy body count. After watching the movie version of High Crimes, I kept wishing someone would write a nice comedy for Ashley Judd. She deserved it, after the blood and betrayal. This time, death isn't part of the stakes, and this leaves Finder a bit more room to maneuver and play people and allegiances off each other. Cutting down on the raw danger gives him the freedom to build suspense with action and character. The book is really a light-hearted romp through a semi-mythical world where fortunes are huge, dreams are made real through engineering, and everyone drives a slick car. I say "semi-mythical," because despite the downturn, there's still plenty of money in some corners of technology. Will it always be there? Well, that's not the point of this book.

It's worth commending Finder for his insight into the technology world. His background is more in Russian literature and spy things, not in programming. Yet, the tech world he creates is as true to life in Silicon Valley as books like Po Bronson's The First 10 Million is the Hardest and Douglas Coupland's Microserfs. Technology is a wonderful domain for a novelist to work within, and we should be glad he came in from the cold to check it out.

Peter Wayner is the author of 13 thrilling technical books on topics like building secure databases ( Translucent Databases ), steganography ( Disappearing Cryptography ), and stopping cheating ( Policing Online Games ). You can purchase Paranoia from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

Stop reading if you're spoiler paranoid. ChazeFroy writes "The actor who played Chewbacca in the original Star Wars trilogy, Peter Mayhew, will be in Episode III. Of course, this has been previously reported and comes as no surprise. However, TheForce is reporting that Mayhew's contract contains a stipulation that he must also appear in Episodes 7, 8, and 9. This was first reported in the British movie magazine Hot Dog, whose December issue with this news just hit US newstands."

Thanks to Bungie.net for their interview with the creators of a painstakingly-crafted real-life reproduction of Master Chief's Mjolnir armor, as originally seen in Bungie's noted FPS Halo. The interview comes with exclusive pictures, and the official Nightmare Armor site also has pictures from their previous armor reproduction project, the Deepeyes armor from Final Fantasy: The Spirits Within. The armor creators discuss the "good amount of time and devotion [it takes] to complete an entire armor costume", but the guys at Bungie conclude the article with a bang: "After seeing the kind of passion and dedication that the guys at Nightmare Armor had put into the Halo armor project, we were too embarrassed to tell them that in Halo 2, Master Chief's costume will be made of dyed mink fur."

wakaranai writes "The BBC reports that the new "The Hitchhiker's Guide To The Galaxy" movie will star Martin Freeman (Tim from The Office) as Arthur Dent. According to the Internet Movie Database filming starts early 2004, and Marvin's voice will be Stephen Moore, reviving his role from the classic 1981 BBC TV version." If you haven't seen The Office, it takes the subject matter Dilbert has bored us with, and makes it utterly hysterical. This is a good bit of casting. I'm still available to play Zaphod.

wakaranai writes "The BBC reports that the new "The Hitchhiker's Guide To The Galaxy" movie will star Martin Freeman (Tim from The Office) as Arthur Dent. According to the Internet Movie Database filming starts early 2004, and Marvin's voice will be Stephen Moore, reviving his role from the classic 1981 BBC TV version." If you haven't seen The Office, it takes the subject matter Dilbert has bored us with, and makes it utterly hysterical. This is a good bit of casting. I'm still available to play Zaphod.

Thanks to GameSpot for its article revealing publisher Davilex will be releasing a game based on '80s TV show Miami Vice for PC, PS2, and Xbox. The game, in development at UK-based Atomic Planet Entertainment, offers "a third-person action game in which players engage in dangerous raids and gunfights in Miami nightclubs and warehouses", and means an official adaptation for an already videogame-influencing TV series. Davilex are also producing a sequel to their Knight Rider game, hopefully a little better-received than the original PC version. Elsewhere, Boomtown has a complete Vivendi release list for 2004, mentioning a number of previously unknown games, including two new Tolkien-licensed games for PC, new titles in the Crash Bandicoot and Spyro series, games based on film properties such as Predator, Chronicles Of Riddick, and Van Helsing, as well as Krusty Demons (either a motorcross game or a title involving everyone's favorite Simpsons clown?)

Thanks to GameSpot for its article revealing publisher Davilex will be releasing a game based on '80s TV show Miami Vice for PC, PS2, and Xbox. The game, in development at UK-based Atomic Planet Entertainment, offers "a third-person action game in which players engage in dangerous raids and gunfights in Miami nightclubs and warehouses", and means an official adaptation for an already videogame-influencing TV series. Davilex are also producing a sequel to their Knight Rider game, hopefully a little better-received than the original PC version. Elsewhere, Boomtown has a complete Vivendi release list for 2004, mentioning a number of previously unknown games, including two new Tolkien-licensed games for PC, new titles in the Crash Bandicoot and Spyro series, games based on film properties such as Predator, Chronicles Of Riddick, and Van Helsing, as well as Krusty Demons (either a motorcross game or a title involving everyone's favorite Simpsons clown?)

Thanks to GameSpot for its article revealing publisher Davilex will be releasing a game based on '80s TV show Miami Vice for PC, PS2, and Xbox. The game, in development at UK-based Atomic Planet Entertainment, offers "a third-person action game in which players engage in dangerous raids and gunfights in Miami nightclubs and warehouses", and means an official adaptation for an already videogame-influencing TV series. Davilex are also producing a sequel to their Knight Rider game, hopefully a little better-received than the original PC version. Elsewhere, Boomtown has a complete Vivendi release list for 2004, mentioning a number of previously unknown games, including two new Tolkien-licensed games for PC, new titles in the Crash Bandicoot and Spyro series, games based on film properties such as Predator, Chronicles Of Riddick, and Van Helsing, as well as Krusty Demons (either a motorcross game or a title involving everyone's favorite Simpsons clown?)

{e}N0S asks: "Just got done watching the movie Brainscan and it got me wanting my computer to handle my telephone again. Features like: menu systems, custom greetings based on caller id, remote access, voice recognition ("igor hold" "holding") and such would be ideal. Have you Slashdot readers implemented something like this, and do you have tips on good software?"

Adore333 asks: "I'm hosting a party on new year's eve and was thinking of playing some DVDs in the background (party music over the original soundtrack). I've chosen Trinity and Beyond and Microcosmos as the movies. Even though its likely a bit too late for New Year's Eve, I'd like to hear what media other Slashdot readers would suggest. The films should have great emphasis on visual expression and it would be nice if they were enjoyable as movies as well (like Trinity and Microcosmos). So, what's your ultimate party DVD?"

Adore333 asks: "I'm hosting a party on new year's eve and was thinking of playing some DVDs in the background (party music over the original soundtrack). I've chosen Trinity and Beyond and Microcosmos as the movies. Even though its likely a bit too late for New Year's Eve, I'd like to hear what media other Slashdot readers would suggest. The films should have great emphasis on visual expression and it would be nice if they were enjoyable as movies as well (like Trinity and Microcosmos). So, what's your ultimate party DVD?"

Quirk writes "Scientific American takes a look at the movie Paycheck, based on Philip K. Dick's work of the same name. In the movie ...'a crack reverse engineer helps companies steal and improve upon the technology of their rivals, then has his memory of the time he spent working for them erased.' '...the main character gets several months' worth of his memories erased by having individual neurons zapped. Is that possible?'"

An anonymous reader writes "There is a very famous scream in Star Wars (Episode IV) that occurs when one of the stormtroopers falls into the Death Star chasm. No doubt all geeks are familiar with this scream, but may not know that it has been used in dozens of other movies and even has a name - "The Wilhelm". There is a fascinating interview (transcript and audio) from NPRs "On The Media" that discusses the now cult-like following and history of this scream."

sdimbert writes "Isaac Asimov's classic collection of short stories about the role robots play in humankind's future is being made into a movie set to release on July 16, 2004, starring Wil Smith. The most notable part of the release build-up is the fact that the movie's trailer, most often seen before screenings of The Returnn of the King plays more like a product commercial (like Apple's flat-panel iMac ads) than a movie trailer. Suffice it to say that most of the audence that saw it with me had no idea they had just seen a movie trailer; they actually believed that someone was going to start selling a "fully automated domestic assistant" some time next year."

SCS writes "It has been confirmed that the The Lion, the Witch, and the Wardrobe will be made in New Zealand as part of a five film line-up of C.S. Lewis's Narnia fantasy book series, with New Zealander Andrew Adamson of Shrek fame as its director. Filming begins next year, and Weta Digital has already started the graphics work. Also reported at the BBC and HeraldTribune.com."

SCS writes "It has been confirmed that the The Lion, the Witch, and the Wardrobe will be made in New Zealand as part of a five film line-up of C.S. Lewis's Narnia fantasy book series, with New Zealander Andrew Adamson of Shrek fame as its director. Filming begins next year, and Weta Digital has already started the graphics work. Also reported at the BBC and HeraldTribune.com."

Thanks to Shacknews for their feature revealing The Warshaw Awards for 2003, celebrating "some of the worst missteps of the year" in videogaming. The awards are named after Howard Scott Warshaw, creator of the famously poor E.T. for the Atari 2600, and victors include Namco for R: Racing Evolution, which "eschews virtually everything that Ridge Racer fans had come to expect", David Duchovny for "quite possibly the worst [voice acting] I've ever heard from a mainstream actor" in Ubisoft's XIII, and the IGN gaming website for their "obscene McDonald's advertising campaign."

Thanks to 1UP for its coverage of Vivendi's announcement of a Fight Club videogame for the PlayStation 2 and Xbox. As the title might suggest, this is indeed a "3D fighting game based on David Fincher's film Fight Club", and 1UP notes that "you can see Tyler Durden and Edward Norton's nameless narrator in the first round of screens." Vivendi's official press release plays up the "gritty, visceral world" of the film, itself adapted from Chuck Palahniuk's celebrated book, and insists the title will "portray the brutality of street fighting while encompassing the action and story elements from the movie with intense visuals, untraditional moves, and bare-knuckle destruction."

Thanks to Wired News for their article discussing the continuing and increasing synergy between games and movies, as the piece starts: "Hollywood involvement has gone one of two ways: licensing a hit game franchise... for a big-screen adaptation, or incorporating Hollywood talent (writers, directors, actors) within a... game." The piece discusses Hollywood agencies like Endeavor, who "...worked with Vin Diesel in setting up his new game company, Tigon Games.", and has also arranged creative input behind the scenes: "Despite the objection of some game designers, agencies are cutting deals for writers to get involved in video games. In the case of Activision's World War II game, Call of Duty, Michael Schiffer was brought in to punch up the game characters' dialogue." The article concludes: "It looks like Hollywood and games are in this marriage for the long haul."

Thanks to Wired News for their article discussing the continuing and increasing synergy between games and movies, as the piece starts: "Hollywood involvement has gone one of two ways: licensing a hit game franchise... for a big-screen adaptation, or incorporating Hollywood talent (writers, directors, actors) within a... game." The piece discusses Hollywood agencies like Endeavor, who "...worked with Vin Diesel in setting up his new game company, Tigon Games.", and has also arranged creative input behind the scenes: "Despite the objection of some game designers, agencies are cutting deals for writers to get involved in video games. In the case of Activision's World War II game, Call of Duty, Michael Schiffer was brought in to punch up the game characters' dialogue." The article concludes: "It looks like Hollywood and games are in this marriage for the long haul."

Thanks to U.S. Playstation Magazine for its review of Rockstar North's ultraviolent PS2 stealth action title Manhunt, which it rates as "a solidly constructed third-person affair." The reviewer also explains the most unique feature: "As an interesting gimmick, Manhunt supports the USB headset. With the headset, the Director's comments [as voiced by Brian Cox] are heard only through the earpiece." GameSpot also largely rates the title positively, approving of the "tension and grim satisfaction" in the stealth action gameplay, but highlighting the ways the "game unflinchingly depicts intense graphic violence" as the Director "captures on video the bloody executions" carried out by your in-game character. This leads Playstation Magazine to question the ESRB rating system, suggesting that if Manhunt "didn't merit an AO rating, then I don't know what will", while IGN PS2 simply says, with regard to the gore: "No videogames to date have gone as far."

Thanks to 1UP for its illustrated primer to Final Fantasy X-2, illustrating the PS2 RPG sequel that debuts in the U.S. on Tuesday. Advance press reviews vary somewhat, but fan reviews of the import version have been overwhelmingly favorable, with the GameFAQs messageboards also harboring a handy pre-release guide to "give you a feel of how the game is played". 1UP illustrates the 'dress-up' angle of FFX-2 well with their expose of "the new Job system and the costumes it entails", showcasing the Cher-like variety of outfits Yuna, Rikku, and Paine wear, and finally, Futurama fans may rejoice, because Bender himself, John Di Maggio returns in FFX-2 as the voice of Wakka. Update: 11/16 15:48 GMT by S : GameSpy has just added their own review of the game, giving it 3/5 ("It's not quite what you may be expecting.")

bethanie writes: "From the New York Times: 'Cornell University physicists reported they had used a laser beam to pluck the strings of a tiny silicon guitar just 10 millionths of a meter long! Using the same kind of technology that etches the tiny wires and components onto computer chips, the researchers at Cornell's NanoScale Science and Technology Facility have also constructed a nanodrum from a crisscross diamond mesh and a nanoxylophone with tiny diamond bars. If nanomanufacturing comes of age, something as tiny as a nanodrum or nanoharp might be mass-produced for use as extremely sensitive detectors for ultra high-frequency waves. Scientists have recently demonstrated infinitesimal nanotube thermometers and nanobalances capable of weighing a single virus. All this may foreshadow a day when doctors use nanocapsules to carry medicines, a few molecules at a time, to precise locations in the body, and nanorobots to crawl through the bloodstream and repair cells.' Well, scientific advancements that can save humankind are all well and good, but the real question is: Did they play Stairway to Heaven?"

Thanks to Yahoo/Hollywood Reporter for their article discussing the latest batch of videogame-to-movie adaptations in progress, which focuses on a completely different set of films to yesterday's article on Dungeon Siege. This time, Impact Pictures, who "which wrapped principal photography of its $40 million-range 'Resident Evil: Apocalypse' sequel Friday in Toronto", is profiled, and they discuss forthcoming movies from the company, helmed by Mortal Kombat director Paul W.S. Anderson, including "a $50 million adaptation of Atari's best-selling 'Driver' game", and, weirdly, a "big-screen version of Tecmo's blockbuster 'Dead or Alive' fighting game... [which] will provide some PG-13 fighting action and humor, devised by screenwriter J.F. Lawton ('Pretty Woman')."

Thanks to Yahoo/Hollywood Reporter for their article discussing the latest batch of videogame-to-movie adaptations in progress, which focuses on a completely different set of films to yesterday's article on Dungeon Siege. This time, Impact Pictures, who "which wrapped principal photography of its $40 million-range 'Resident Evil: Apocalypse' sequel Friday in Toronto", is profiled, and they discuss forthcoming movies from the company, helmed by Mortal Kombat director Paul W.S. Anderson, including "a $50 million adaptation of Atari's best-selling 'Driver' game", and, weirdly, a "big-screen version of Tecmo's blockbuster 'Dead or Alive' fighting game... [which] will provide some PG-13 fighting action and humor, devised by screenwriter J.F. Lawton ('Pretty Woman')."

Thanks to Ferrago for their story confirming a film version of popular PC RPG Dungeon Siege is in the works, from the same creators who gave us the 'horrific' House Of The Dead movie, in which Sega's ghoulish gun-game series was shifted to "an island off the coast of Florida, [where] a techno rave party attracts a diverse group of college co-eds." The German producer and director of the forthcoming Dungeon Siege film, Uwe Boll, also currently working on the Alone In The Dark movie starring Christian Slater, breathlessly proclaimed: "Based on the success of House of the Dead, I believe Dungeon Siege contains major crossover potential because of its unique blend of action and fantasy, on the order of Lord of the Rings."

Thanks to Ferrago for their story confirming a film version of popular PC RPG Dungeon Siege is in the works, from the same creators who gave us the 'horrific' House Of The Dead movie, in which Sega's ghoulish gun-game series was shifted to "an island off the coast of Florida, [where] a techno rave party attracts a diverse group of college co-eds." The German producer and director of the forthcoming Dungeon Siege film, Uwe Boll, also currently working on the Alone In The Dark movie starring Christian Slater, breathlessly proclaimed: "Based on the success of House of the Dead, I believe Dungeon Siege contains major crossover potential because of its unique blend of action and fantasy, on the order of Lord of the Rings."

Thanks to Ferrago for their story confirming a film version of popular PC RPG Dungeon Siege is in the works, from the same creators who gave us the 'horrific' House Of The Dead movie, in which Sega's ghoulish gun-game series was shifted to "an island off the coast of Florida, [where] a techno rave party attracts a diverse group of college co-eds." The German producer and director of the forthcoming Dungeon Siege film, Uwe Boll, also currently working on the Alone In The Dark movie starring Christian Slater, breathlessly proclaimed: "Based on the success of House of the Dead, I believe Dungeon Siege contains major crossover potential because of its unique blend of action and fantasy, on the order of Lord of the Rings."

Thanks to GameGossip for their coverage of a Take Two financial conference presentation in which the company revealed details on its software sales and plans. The company's Rockstar Games subsidiary has now, astoundingly, sold "over 25 million units" of the Grand Theft Auto franchise, and "over 20 million" of those were from GTA3 and Vice City alone. Looking forward, the company's financial officers mentioned the November 19th release of GTA developer Rockstar North's gory Manhunt as a highlight, and also noted that "mid-2004 would see the release of The Warriors from Rockstar", as based on Walter Hill's cult gang movie. Finally, the next iteration of Grand Theft Auto, name as yet unknown, "will ship during late 2004."

Tony Montana writes "If the words, "Say hello to my little friend!" mean anything to you, you'll want to check out an article at Game Chronicles detailing the similarities between the Grand Theft Auto Double Pack and Brian De Palma's Scarface." The comparison may be obvious, but the article adds some finely observed details of the homage: "[Tommy] Vercetti's office closely resembles [Tony] Montana's (video monitors and all), while the downstairs room has the same palm tree mural that decorates Frank Lopez's private office."

seanmeister writes "From Space.com: "Astronomers have spotted a strange, obvious and inexplicable black spot near the equator of Jupiter. A picture of the object is circling this planet electronically as researchers scratch their heads about what they've found. A second image, taken on another day by a different photographer, contains a similar looking spot. As of early today, the second image had deepened the mystery. Some astronomers were at first puzzled over whether the two photos show the same thing or not. As it turns out, they do not." I, for one, welcome our new monolith overlords!"

An anonymous reader writes "According to an article at NYTimes.com (free registration required), the US Senate has unanimously voted for the first Genetic Privacy Bill. Basically, this would make it illegal for employers and insurers to deny employment or benefits based on genetic analysis of your DNA. While it still needs to be passed by the House, it seems that we're not heading towards a Gattaca-esque society, after all. Hooray for us genetically inferior invalids!"

Thanks to AtariAge for its new story revealing a long-lost Atari 2600 prototype for a Dune game has been discovered, almost 20 years after it was scrapped. The game is "based on the 1984 movie of the same name [from Frank Herbert's books]" and "was to be an action/adventure style game similar to Atari's classic Adventure", but, according to an in-depth analysis at AtariProtos.com, "only preliminary coding had been started before Jack Tramiel shut down 2600 game development and fired most of the staff." Still, what other game you know depicts Baron Harkonnen as a smiley face?

Thanks to PlanetGameCube for their new story pointing out Metal Gear Solid: The Twin Snakes has been delayed into 2004, according to Nintendo and Konami's websites. This GameCube-exclusive "remix of the PSone classic, Metal Gear Solid" also has a new, (spoiler-filled, brief synopsis available) Tokyo Game Show trailer, showcasing the in-game cinematic direction by Japanese movie director Ryuhei Kitamura. Metal Gear Solid 3: Snake Eater for PlayStation 2 also has a new Tokyo Game Show trailer (again, brief synopsis available), similar to the one shown at ECTS in London earlier in the month, and including many "scenes... seeping with James Bond flavor."

Sixyphe writes "First sighted on Yahoo News, it would seem that Eric Idle of Monty Python fame is working on a Broadway musical adaptation of everybody's favorite source of accurate medieval data, Monty Python and the Holy Grail. The goal is 2005, and the working title is Spamelot (and not Spamalot, contrary to what an AP wire claims). And as a bonus to all you North-American Python fans, Eric Idle is soon to be touring in Canada and the US."

wembley writes "The Associated Press is running a story about a forthcoming Sharp laptop with a 3D screen. I can't find any pictures, but it requires no glasses, so you don't have to walk around looking like Biff's sidekick in Back to the Future. It comes with WinXP, but it's only a matter of time before we're arguing here about what looks better in 3D, Gnome or KDE."

An anonymous reader writes "Snake is back from the ashes, and this time it's gonna be a videogame made by Namco! It is based off the new comic book, and John Carpenter, Debra Hill and Kurt Russell all seem to be involved! 2005 is a long time to wait, but here's hoping it is better then Escape from LA." Another reader points out an MSNBC article discussing the resurgence of the un-Solid Escape From New York character, whose videogame adaptation looks to be courtesy Namco Hometek, US-based developers of Dead To Rights.

An anonymous reader writes "Snake is back from the ashes, and this time it's gonna be a videogame made by Namco! It is based off the new comic book, and John Carpenter, Debra Hill and Kurt Russell all seem to be involved! 2005 is a long time to wait, but here's hoping it is better then Escape from LA." Another reader points out an MSNBC article discussing the resurgence of the un-Solid Escape From New York character, whose videogame adaptation looks to be courtesy Namco Hometek, US-based developers of Dead To Rights.