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Nikon D2H: Digital Camera + 802.11b Option

k_stamour writes "Wow, the Holy Grail of Digital Cameras! -- the Nikon D2H. Considering the ever-dropping cost of 802.11b gear, it may not be too long before WiFi is found in lower-end Digi-Cameras. The remaining cost would be to get decent performance out of a small embedded Wifi antenna. This Nikon is Geared for Sport/Action/News Shots. Think about it: a photographer can be on a scene of a newsworthy event, and over the hours of attending, the publisher could already be printing/posting the photographer's pics before he removes the camera strap from his neck! With this cam, a WiFi access point, and Internet access, they could post their pics in real time on the web from anywhere in the world. Of course, the above conditions would need to be meet every time for real time uploads." The 802.11 access is through an optional external transceiver module, model WT-1.

236 comments

  1. Battery Life by momerath2003 · · Score: 5, Interesting

    802.11b takes up a lot of power (for a small device, anyway). The camera would either have to have some monster batteries or not be able to take very many pictures at all. Also, are CompactFlash cards able to read/write to different files at once? It seems like writing pictures would be hard if someone was trying to read one at the same time.

    --
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    1. Re:Battery Life by GoRK · · Score: 1

      Well, digital cameras generally DO have monster batteries. Besides, the thing only has to fire up the wireless once in a while. It seems it's a "push" sort of device where the camera sends the image out, not where you visit the camera from another computer to retrieve it...

    2. Re:Battery Life by imnoteddy · · Score: 4, Informative
      802.11b takes up a lot of power

      It only uses power when it is on. You could turn 802.11b on only when you want to upload pictures.

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    3. Re:Battery Life by TheAncientHacker · · Score: 2, Informative

      The transmitter on the D2H takes about 20% of the overall battery use.

    4. Re:Battery Life by tomstdenis · · Score: 1

      Camera batteries are typically 7.2V 600mAh [cannon powershots anyways] and are not "huge" That's 7.2*.6 = 4.32W of power.

      Whereas my gameboy runs on 2.4V 2100 mAh batteries, that's 5.04W of power [3.84W with the older 1600 mAh batteries which are common].

      Definitely room for improvement in Camera batteries [seeing how they only last for about 50 pictures anyways!]

      Tom

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    5. Re:Battery Life by tomstdenis · · Score: 1

      Um actually you ignorant fuck, a watt is

      " a unit of power equal to 1 joule per second; the power dissipated by a current of 1 ampere flowing across a resistance of 1 ohm "

      Where Watt is actually J/h. So if you followed your units right [this is assuming you passed grade school] it was V * I/h == J/h not V * I [in which case you would have been right]

      Sorry to bust your little AC replying bubble but not only were you wrong but you are a stupid coward.

      Tom

      --
      Someday, I'll have a real sig.
    6. Re:Battery Life by adpowers · · Score: 1

      I don't think it can read and write to compact flash at the same time. However, that is why it has a buffer that can store photos. Send some via wireless while they are filling up the buffer, then download to CF from the buffer, then send those over wireless.

    7. Re:Battery Life by cybercrap · · Score: 1

      actually, a watt is a j/s. Atleast when you insult somebody try to be 100% right.

    8. Re:Battery Life by mr_exit · · Score: 1

      This is a digital SLR camera, they are much lower power devices AND they have space for larger batteries.

      My Canon 10D which is also a digital slr gets roughly 450 photos out of one charge, this is mainly because the mirror is down and you use the view finder to compose shots, instead of the lcd, the constant charging of the ccd and displaying it on the lcd at the back is the biggest drain in consumer digitals..

      --

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    9. Re:Battery Life by tomstdenis · · Score: 1

      I meant to say W/h in my reply. My bad.

      Still, I/h * V is not "joules" which is something the ignorant AC fuck should have picked up on.

      Tom

      --
      Someday, I'll have a real sig.
    10. Re:Battery Life by buckeyeguy · · Score: 1
      In my experience, the two biggest drains on battery life are continuous autofocus and other motorized functions, and (when built-in to the camera) flash usage.

      Most, if not all, higher-end Nikons have battery-pack extensions available and are essential for heavy use of the camera.

      --
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    11. Re:Battery Life by GoRK · · Score: 1

      Neither of you are actually right.

      Volts * Amp-Hours = Watt-Hours, not Watts

      Comparing battery capacities based solely on V*mAh is fine -- if you don't care about what the output voltage is, what the physical size of your battery is, the charge retention, or how many charge cycles the battery will last. I suspect that the digital camera battery is not lagging *that* far behind the GBA battery as far as battery technology goes.

      If you take battery technology and compare bang (V*mAh), physical size, and price, there are few things that beat a lithium (not lithium-ion) battery.

      ~GoRK

    12. Re:Battery Life by Anonymous Coward · · Score: 0

      Amp-hours is amps TIMES hours, not amps PER hour. You're WRONG again, tom.

      Besides, I was talking about the units, not the specific conversion factors before. That would have been clear to anyone other than a known MANHAM CANNER. Throw a fucking factor of 3600 in there, then:

      7.2V * 600 mAh = 4.32 Watt-hours = 15552 Joules.

  2. Unlimited Storage by coolmacdude · · Score: 2, Interesting

    This would be awesome to use as an unlimited source of storage space. No more expensive 1 GB cards to buy.

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    1. Re:Unlimited Storage by TheAncientHacker · · Score: 1

      Yes and no. The D2H still writes to the card and then transmits images (via ftp and 902.11b) from the card to the ftp server. It can send either the same images or send a JPEG and write both a JPEG and NEF (Nikon Raw format) to the card.

      While you could cut down on card size, you'd still have to clear the already copied images off the card.

    2. Re:Unlimited Storage by mummers · · Score: 1

      Unlimited storage? Shureley shome mishtake. I see nothing in this article suggesting that you will receive 'infinite' web-space with this camera to keep all your artistic moments for posterity.

      Even if I could have 'immediate' hard copies as suggested by timothy, no one's going to give me a Tardis to keep the resulting printouts in...

      Nonetheless an interesting development and I'll be curious to see how long it will take other camera manufacturers to pick up on this and do likewise.

      --
      --This isn't a man who is leaving with his head between his legs.
  3. Second Holy Grail by 0x0d0a · · Score: 2, Insightful

    And how does this Holy Grail of digital cameras interact with the Second Holy Grail of digital cameras -- battery life?

    1. Re:Second Holy Grail by abimelech · · Score: 2, Informative

      Digital SLRs have excellent battery life, normally. The Nikon D100 (a consumer DSLR) can happily take 1000 photos on a single charge, in real life applications. You can also add a power grip which takes 2 of the D100 proprietary batteries - you're not likely to run out of power in a week.

      The D2h has a newly designed battery, and whilst nobody has tested it yet, all the specs point to it being better than the old NiMh batteries used in the old D1 series cameras.

    2. Re:Second Holy Grail by The+Madpostal+Worker · · Score: 3, Informative

      The D2H uses a different battery pack than the D1h, but the review said it had a larger battery. That being said I've used the D1h extensivly, and with minimal LCD use you could take 1000- 1200 pictures on a single battery. These camera's aren't aimed at the average user, but rather at professional photographers shooting for newspapers and the like. Battery life isn't their biggest concern beacuse when you're already carrying two D1h bodies, a small array of lenses, and a monopod it doesn't matter if you have to toss in four extra batteries.

      --

      /*
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      */
    3. Re:Second Holy Grail by istartedi · · Score: 1

      Yeah, and then they could interact with the *real* Holy Grail of digicams: cheap removeable CCD-like devices that act as both film and storage. Think optical-magetic sandwich with electricly activated sensitivity--no need to worry about exposing the "film", and you get the ability to choose resolution, sensitivity, price, and other sensor characteristics within the same camera. Put that in an affordable SLR body. OK... umm.. maybe that's more than one grail...

      Oh, BTW, please copy this and spread it around as prior art in case some jerk tries to patent the very concept of doing this. It's so bloody obvious.

      --
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    4. Re:Second Holy Grail by lucifuge31337 · · Score: 1

      Oh, BTW, please copy this and spread it around as prior art in case some jerk tries to patent the very concept of doing this. It's so bloody obvious.

      WAY too late, bud. This has been vaporwear for about three years now.

      --
      Do not fold, spindle or mutilate.
    5. Re:Second Holy Grail by iendedi · · Score: 1

      Oh, BTW, please copy this and spread it around as prior art in case some jerk tries to patent the very concept of doing this. It's so bloody obvious.

      Uhh, where is the prior art? I think you have to present a workable method of constructing such a thing to be either patentable or prior art. Just saying. "Memory cells on ever photo-receptor" doesn't do it. If it did, 99% of all patents would be science fiction - but the PTO exists to ensure that working human inventions are recorded (not our fiction).

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  4. Think of the porn applications! by Anonymous Coward · · Score: 3, Funny

    Live crowd shots from Mardi Gras, up the skirt shots, etc. etc. etc... :D~~~~~~

    1. Re:Think of the porn applications! by BorgCopyeditor · · Score: 0, Offtopic

      I think someone has a business model. And it doesn't involve a "???" step.

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    2. Re:Think of the porn applications! by SaturnTim · · Score: 1

      No need for fancy new toys:
      live feed from Bourbon St
      --st

      --
      http://www.theMediaBunker.com
  5. Connecting to Car PC by cosmosis · · Score: 3, Interesting

    I think another soon-to-be application is when you are on road trips, and as you take pictures during the trip you can just hit the download key, and it immediatley upload the pics to your car PC, which also just got released from Xenarc Technologies.

    Planet P

    1. Re:Connecting to Car PC by 73939133 · · Score: 1

      There are plenty of car PCs. The Xenarc in particular is an in-dash PC, which is of pretty dubious utility. With WiFi, you can put your car PC in the trunk and you don't have the same silly space constraints as with an in-dash PC. Also, it's less likely to get stolen.

    2. Re:Connecting to Car PC by fastdecade · · Score: 1

      Yup. Or upload at the nearest McDonalds. If companies like McDonalds, carPC, etc. get their acts together, push for some common protocols, there's a lot of opportunities.

  6. the prices of digital cameras by civilengineer · · Score: 2, Interesting

    Considering the ever-dropping cost of 802.11b gear, it may not be too long before WiFi is found in lower-end Digi-Cameras

    Forget 802.11b gear and all that. The prices of regular digital cameras are themselves not dropping as much as I would like. The other day, I assembled a great PC for $150 and I'm sure two years down the road, I can build even greater one for that money. But, digicams are still priced at $150-$200 for a decent piece and I don't feel like spending that money knowing that $150 is powerful enough to get you a good computer.

    --

    New year Resolution: Don't change sig this year
    1. Re:the prices of digital cameras by mulvane · · Score: 1

      $150 for a good pc? Did you include a monitor, case, keyboard, mouse? Or do you consider a good pc JUST the upgrade of basic components itself? Great for upgrades of existing systems. but not everyone is gonna see that as being a good PC if they can't sit down at it and actively use it.

    2. Re:the prices of digital cameras by Java+no+not+that+jav · · Score: 0

      "I assembled a great PC for $150" ??? and what may i ask is in this wonderfull computer ???

    3. Re:the prices of digital cameras by mrscorpio · · Score: 5, Insightful

      Talk about your flawed logic. You say you don't think you should have to spend more than the cost of a good PC for a digital camera. Is then a Rolls Royce overpriced because it costs more than your average house. You probably think I'm crazy then for blowing $1000 on my film camera setup (Nikon N80/50mm fixed lens/24-85 zoom)What about audio? I can get a pair of binaural microphones for $65 but I still lust after the $450 Sonic Studios (and the $250 headband-mounted accessory, and their $1000 preamp). The reverse is true; if you really wanted a bitchin' setup, I'll bet you could have spent a lot more than you did on your computer. I'd love a G5 with a huge flat panel and I think I priced that at over $4000 (maybe over $5000 or even $6000, but I don't remember). I'd even love to stick with PC and get a top of the line Athlon with 4GB of RAM and half a terabyte of HD with the newest and highest end ATI Radeon.

      You're comparing apples to oranges. You cannot say that product X should always be cheaper than product Y, because their price and quality are not related to each other.

      Chris

    4. Re:the prices of digital cameras by mrscorpio · · Score: 1

      I do want to add, however, that I wish good digital cameras were cheaper :)

      Chris

    5. Re:the prices of digital cameras by mesach · · Score: 1

      while I dont know the price ont he D2H i know that the D1H is $3700 give or take...

      I find it funny that you are comparing this camera to building a BUDGET PC for $150 that surely doesn't have all the components ie: monitor, HD, processor(with Heatsink and fan, although these usually come with the proc if you buy OEM), case, RAM, KB, and mouse (I'm assuming the MB has sound, video, and ethernet).

      --
      moo.
    6. Re:the prices of digital cameras by common_sence · · Score: 1

      But can a computer take a picture? I can buy a bicycle for $100, or a car for $1000. Doesn't mean I'm going to ride my bike to take a vacation.

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      sig? No thanks, I don't smoke.
    7. Re:the prices of digital cameras by Anonymous Coward · · Score: 0

      Is then a Rolls Royce overpriced because it costs more than your average house.

      A Rolls Royce costs $320,000. Here in California, that's probably enough money to buy a shed in someone's backyard.

    8. Re:the prices of digital cameras by Hadlock · · Score: 1

      I went w/my girlfriend to drop off some of her film at walmart, and was looking around; they sell a 640x480 digital camera that accepts compact flash cards, and has a USB cable, and then doubles as a web camera (but looks like a regular camera) for $38. Oh yeah It has a thing on the bottom to mount it to a tripod. Granted, there's no zoom, but you're looking at at least $50 for a film camera with a moving lens of any sort. Considering that my digital camera does double the resolution w/2x optical zoom, but without the webcam feature was bought 4 years ago for $200 on sale at Staples, $50 for 1/2 of the features 4 years later isn't too shabby.

      I crop down and then compress 98% of my photos to less than 640x480 anyways. Uncompressed, it makes excellent printed 4x6" color photos, and decent B&W 8x10s. 3000 photos and 4 years later, I'm still not looking at buying a new digital camera; they last forever.

      --
      moox. for a new generation.
    9. Re:the prices of digital cameras by mlas · · Score: 1

      Don't forget that a good chunk of the price in higher-end cameras is in the optics. Optical distortion is optical distortion no matter what the circuitry, and Moore's Law doesn't apply to quality ground and polished glass ;)

      --
      "Luck is the residue of design" --Branch Rickey
  7. Why not BT? by sjofi · · Score: 2, Insightful

    Bluetooth would make much more sense. Mobile networks are already everywhere and BT power consumption is much smaller that WLAN. But that wouldn't make /. headlines, would it?

    1. Re:Why not BT? by james72 · · Score: 1

      BT would be too slow to transmit, I would say. When was the last time you transmitted several hundred megabytes over a BT link. Took a while, I bet! And professional images over GPRS? Not for a while... -James.

    2. Re:Why not BT? by Anonymous Coward · · Score: 0

      Have you ever tried to transmit several hundred megs over 802.11b? I bet you haven't ;)

    3. Re:Why not BT? by SoupIsGoodFood_42 · · Score: 1
      Too slow, and BT networks are NOT everywhere, unless you're sitting in your office.

      And I'm sure making headlines on /. was important to Nikon when deciding what protocol to use.

  8. New Spin on Identity Theft by stroudie · · Score: 5, Funny

    Not sure about this one...

    I find myself imagining coming home from my holidays to discover my camera's been hacked and I've got someone else's holiday photos...spooky.

    1. Re:New Spin on Identity Theft by Anonymous Coward · · Score: 0

      ha ha ha !!

      and there's a picture of someone with

      YOUR TOOTHBRUSH SOMEWHERE SUPRISING

  9. Transmission on the go?? by whiteranger99x · · Score: 2, Interesting

    If said newsreporter was taking pictures where there happened to be a WAP, who's to say that he couldn't use connect his camera to a laptop and transfer the pictures from a 802.11b card on the laptop? I would think it wouldn't stress the camera batteries as much.

    I must admit though, it seems like a nifty idea, nonethe less ;)

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    1. Re:Transmission on the go?? by TheSHAD0W · · Score: 1

      Kind of difficult to be walking around covering a story when you're tethered to a laptop. If anything, tethering it to an extended battery pack clipped to your belt would be better.

    2. Re:Transmission on the go?? by common_sence · · Score: 1
      Why on earth would you want to drag a laptop around while you're trying to take photos in the field? The biggest advantage to this technology is that you won't have to have a laptop to download photos from your camera. Download them directly to a remote computer via wi-fi.

      The real usefullness of this won't be realized for a few years yet. When you can walk into any hotpsot while on vacation and upload your pics to your home computer through a VPN connection.

      This is the same reason BT wasn't chosen. HotSpots continue to explode in numbers, and roaming agreements are becoming more comprehensive, making wi-fi the obvious choice for remote connectivity in this application.

      --
      sig? No thanks, I don't smoke.
  10. See, THIS is an example of an internet appliance by Anonymous Coward · · Score: 5, Insightful

    Back when "Internet Appliances" were the buzz, you'd get naysayers posting on here ridiculing the idea. And in the media. They'd sneer, "Great, now I can surf the internet from my stove, or find out what is in my fridge over the web."

    But this camera is an example of what most people with some foresight were thinking of when they talked about internet appliances... normally unconnected devices that get net access and gain cool features.

    Now bring on the powered WiFi speakers that play streamed digital music in any room from a personal media device (TiVo-like entertainment center combined with WiFi) or home computer.

    And yes, I still want a good, cheap touch-screen webpad with wifi for net access from my couch, bathroom, kitchen table, hammock outside, etc...

  11. 802.11b speed. by james72 · · Score: 2, Interesting

    Considering the size of an image from this camera (got to be over 3MB each, depending of JPG compression, or much large if RAW images), I wonder about the speed of transmission. If you've got a full 1GB microdrive to send, you're going to be waiting a while. Also, the module seems huge, and a sizeable increase to an already hefty camera. I would like to try one out though... -James.

  12. Security? by cioxx · · Score: 2, Funny

    So if someone intercepts the signal and cracks the encryption to extract people's private images, do we call those people WarDriving Cyber-Papparazi?

    1. Re:Security? by Raptor+CK · · Score: 1

      That's not the worst part.

      Imagine being a celebrity with an open wireless node on your property. Not only are the paparazzi taking pictures of you, but they're uploading them to the Weekly World News over *your* DSL line!

      Good thing I'm just another boring nerd.

      --
      Raptor
      "Procrastination is great. It gives me a lot more time to do things that I'm never going to do."
  13. This is not something new. by rkz · · Score: 3, Interesting

    Sony has been making cameras with bluetooth for a while, the FX77 is quite a high spec camera which offers the ability to send pictures to other bluetooth devices. Such as a GPRS mobile phone so you can upload them to the internet. A bluetooth laptop so you can save directly to its hard drive, eliminating the need for expensive Memory sticks.

    Some of Sony's digital cameras which don't have BT built in have the ability to support the CLIE Memory Stick Bluetooh adaptor.
    This is not news.

    1. Re:This is not something new. by teece · · Score: 1

      Sony does not make SLRs for a the pro photographer, so they are nowhere near the same league as Nikon. Sony also uses the BS memory stick technology, which irks me. Lets reinvent a new proprietray solid state memory method, and ignore the existing open one! Yeah!

      So this is news, to some degree, esp. given the range of WiFi. But it ain't big news, and it is not a holy grail for the great majority of would-be digital photographers.

      --
      -- Hello_World.c: 17 Errors, 31 Warnings
  14. In case anyone was wondering ... by SuperDuG · · Score: 4, Informative
    ... it was bugging me so I looked a little closer.

    The camera's 802.11b thing plugs into the camera in two places, one to the USB port and the other to the power source. It then has the ability to transmit the photos to an ftp server.

    No mention of WEP or any other type of net xfer.

    Seems to me you'd want to set up an upload only account on the ftp server. Just in case someone gets some bright idea to start grabbing ftp accounts.

    Don't know why it requires two plugs (later hack more than likely), but this thing looks like it takes up quite a bit space and it doesn't look like you can keep the camera on the trripod when it's plugged in.

    --
    Ignore the "p2p is theft" trolls, they're just uninformed
    1. Re:In case anyone was wondering ... by TheAncientHacker · · Score: 3, Informative

      You didn't do quite enough research. The Nikon WT-1 transmitter supports WEP, MAC Address, and ESS-ID.

      Check out Digital Photography Review's preview here

    2. Re:In case anyone was wondering ... by mesach · · Score: 1

      I dont think that Nikon would not have the forsight to have something that attaches to the bottom of the camera and not put a tripod mount on it.

      Just because it does not appear to have a small 1/4" hole on the bottom doesn't mean it doesn't.

      --
      moo.
  15. Digital Cameras + GPS by four · · Score: 5, Interesting

    When will they start putting GPS receivers in digital cameras?

    I want to know the exact location of where I've been taking pictures!

    --
    -- four
    1. Re:Digital Cameras + GPS by TheAncientHacker · · Score: 1

      Actually, the Nikon D1X and D1H both have plugs for GPS input and the location is written into each picture file's header. Note that this is a feature NOT included in the D2H.

    2. Re:Digital Cameras + GPS by mrseigen · · Score: 1

      You know it's sad when you crack a joke about an off-the-wall feature and somebody already implemented it.

    3. Re:Digital Cameras + GPS by Anonymous Coward · · Score: 0

      actually GPS in camera is available, the big guys offer add-ons, and Ricoh is one manufacturer that seems obsessed with the concept, here's one of their cameras.

    4. Re:Digital Cameras + GPS by babbage · · Score: 1
      For that matter, do these high end SLRs encode information about shutter speed, aperature, focal length, etc into the image somehow? It would be cool to be able to examine the photos later and say "ahh okay, the ones I liked best all seem to have been shot at f/5.6 & 1/250, with the zoom lens at around 120mm -- I'll have to keep those settings in mind next time out...".

      The biggest pain in the ass in learning to use a traditional SLR camera is getting the hang of how these different variables manipulate the captured image. You can keep a journal of what each exposure was set to, but that's tedious & people make mistakes. A camera like this should be able to do that work for you, but can it?

    5. Re:Digital Cameras + GPS by lucifuge31337 · · Score: 1

      And you can use a CF GPS in some of the later Kodak DSLRs (they have 2 CF slots).

      --
      Do not fold, spindle or mutilate.
    6. Re:Digital Cameras + GPS by dkresge · · Score: 1

      Is this a troll? Most digital cameras (including the Nikon D[12]* series, support EXIF tags which provide all that information, and more.

    7. Re:Digital Cameras + GPS by kobotronic · · Score: 1
      For that matter, do these high end SLRs encode information about shutter speed, aperature, focal length, etc into the image somehow? It would be cool to be able to examine the photos later and say "ahh okay, the ones I liked best all seem to have been shot at f/5.6 & 1/250, with the zoom lens at around 120mm -- I'll have to keep those settings in mind next time out...".


      Actually, yes - they do. The EXIF fields on a Nikon D1 recorded image are loaded with data about the shot, including lens type used. On my half-baked photo website I have extracted these data and displayed them below the photos, in a simulated LCD display, for precisely the reason you mention.


      There's a new version of the site in the works with GPS and map coordinates to go with the shots. On my photo journeys I've used a palmpilot to record a GPS trail with timestamps - these timestamps, when matched to the EXIF timestamps, produces an adequate shooting location marker.

    8. Re:Digital Cameras + GPS by Large+Green+Mallard · · Score: 1

      No, most likely just misinformed and used to using crappy digital cameras that themselves don't even know this information.

    9. Re:Digital Cameras + GPS by babbage · · Score: 1

      Thank you. The only digital camera I've spent any time using is a consumer level Olympus. I've been holding off on the high end stuff because I want to be able to go digital Nikon SLR, with the ability to exchange lenses with standard film cameras, but the prices have only recently come low enough to start getting my attention. Now that I can maybe talk myself into affording one of these beasts, I'm starting to think through what features would be useful, and automatic recording of exposure settings is an obvious one. Apparently I'm not the only person that it is obvious to :-)

    10. Re:Digital Cameras + GPS by 73939133 · · Score: 1

      You don't need to put the GPS receiver in the camera. You can keep a GPS receiver in your pocket and correlate times and locations when you upload the images to the PC.

      With Bluetooth-capable cameras and GPS receivers, the two will also likely be able to talk directly in the future.

      GPS antennas are kind of big and need to be able to see the sky, so integrating everything into the camera isn't so good anyway.

    11. Re:Digital Cameras + GPS by imroy · · Score: 1

      Kodak used to sell a GPS receiver/adapter for the DC260/265/290 series of cameras, several years ago. I don't know how the location data was stored, perhaps in the EXIF information. I never had one, but the DC260/265/290 series sounded like some funky cameras. DigitOS and enough CPU/memory to run MAME. Apart from that, the ability to write scripts for a camera sure sounds cool.

    12. Re:Digital Cameras + GPS by Bushcat · · Score: 0

      Your "consumer-level" Olympus almost certainly supports EXIF. You just need to use an image browser that knows about EXIF, such as Irfanview. Also, if you edit images, you need to use a program that preserves the EXIF info (some editors throw it away).

    13. Re:Digital Cameras + GPS by Anonymous Coward · · Score: 0

      Yeah, but then I have to lug around another appliance:

      PDA, mp3 player, camera, usb stick, GPS receiver, cell phone etc.

      Right now I always carry my camera (can use it for photos and as an giant USB stick). Occasionally I carry around my Phototainer (www.innoplus.com), because it got 20 gig storage, mp3 and picture playback (my camera can do this too, but the space on it is very limited).

      Even with only these two, I feel already overloaded. Of course each of the devices has different batteries, so you need different chargers, with different cables. And different USB cables,since their connectors are the not the same.

      I would hate to lug around _another_ gadget just to get GPS coords. Not to mention to hassle to sync the data, it would be much more nice if it is embedded into the image EXIF data.

      However, currently this seems not possible.

      Oh, and if the camera can stream the images via WiFi (I though someone would create a "fake" CF card, which has little storage (lets say 128 MB), but a WiFi antenna und would transmit everything you store on it - just leave it on for a while and the storage capacity will go up to the full 128 MB.

      And it could transfer the data back to your backpack or your car, where your storage appliance is. No longer worry about CF card getting full, the need to lug around the PT/laptop etc.

      As I see, the Nikon solution for the DH2 is not compatible to other cameras...

    14. Re:Digital Cameras + GPS by BrianS · · Score: 1

      You don't need an SLR for this. I use a Canon S30 and it stores the following info for each shot. I don't know what models support this but look for EXIF.

      File Name
      118-1882_IMG.JPG
      Camera Model Name
      Canon PowerShot S30
      Shooting Date/Time
      7/8/03 04:46:06 PM
      Shooting Mode
      Auto
      Tv( Shutter Speed )
      1/8
      Av( Aperture Value )
      4.9
      Metering Mode
      Evaluative
      Exposure Compensation
      0
      ISO Speed
      Auto
      Lens
      7.1 - 21.3mm
      Focal Length
      21.3mm
      Digital Zoom
      x 1.3
      Image Size
      2048x1536
      Image Quality
      Superfine
      Flash
      Off
      White Balance
      Auto
      AF Mode
      Single
      Active AF Points
      [ Left Center Right ]
      Parameters
      Contrast Normal
      Sharpness Normal
      Color saturation Normal
      File Size
      903KB
      Serial Number
      118-1882
      Drive Mode
      Single-frame shooting
      Owner's Name
      ***********

      --
      -- I can't say enough in 120 chars!
  16. Sounds like it's for studio by SuperBanana · · Score: 3, Insightful
    Think about it: a photographer can be on a scene of a newsworthy event, and over the hours of attending, the publisher could already be printing/posting the photographer's pics before he removes the camera strap from his neck!

    Think about it- 802.11b doesn't have that kind of range; even in the open, it's 300 feet tops, unless you get antennas to focus the signal, and that's not practical unless you know where the photographer is going to be.

    This sounds much more like a toy for studio photography, cutting the downtime by transferring pictures in the background. The only other option is Firewire(which most true pro cameras have; prosumer digital SLRs for the most part don't). Even the microdrives, which are some of the fastest compactflash devices around, are pretty sluggish, compared to the camera directly sending the file over firewire(without even storing it, save in temporary high speed memory).

    I can see this being a potential hit with the 'event' photography market- ie, like guys who set up at a kids sports games and offer portrait services. They like anything that reduces their clutter/setup time or gets the photo to their servers(for printing) faster. I didn't see the specs on the camera, but if it's cheap enough, they might bite(the event photography people don't usually invest in the several-thousand-dollar cameras, because it's not necessary).

    1. Re:Sounds like it's for studio by Anonymous Coward · · Score: 1, Interesting

      the list price acording to the article is 3,500us but it doesnt say if that is with or without a lens. Since its a pro camera i will assume its without a lens. Also they list the WiFi module as an accesory so that would also add to the price of the camera.

      but the reason why most would want this camera is because of the speed at which the sensor can operate, which is 8fps for 40 images. The D2h aparently has reduced shutter and view finder lag which would be great.

    2. Re:Sounds like it's for studio by angio · · Score: 1
      Except that while it's probably great in the studio, you rarely need 8fps for 40 frames when you're doing studio work, you need it for shooting in the field.

      But, if you're a news photographer shooting close to your car, it's probably really easy to add a high-gain omnidirectional antenna on your car and have your shots get automatically replicated back there. Bet TV stations would sell the service to their print brethren for a hefty fee. (grin).

      But the security angle of it is worrisome, if the only protocol it supports is FTP..

    3. Re:Sounds like it's for studio by imnoteddy · · Score: 1
      Think about it- 802.11b doesn't have that kind of range

      Ranges of a few miles can be had with Pringles(tm) can antennas.

      --
      No electrons were harmed creating this post, though some may have been subjected to electrical and/or magnetic fields.
    4. Re:Sounds like it's for studio by common_sence · · Score: 1
      I can already give you an inexpensive setup:

      In the photographers car: Laptop, plugged into the 12VDC lighter plug, set up as an FTP server. Orinoco GOld Wi-Fi card used as an access point, connected to a magnetic antenna on the outside of the car. You'd have an easy 500ft. plus range and the whole wireless setup (assuming any field photographer with a digital camera already has a laptop and 12V adaptor) is less than $100.

      If the news van is used, it can get even better: An access point in the van, connected to the van's sat uplink, so that as soon as the camera uploads the photos, the editors can begin working on them.

      Also, for the hobbyist, stop thinking so short-sighted. This is the first of many devices that will become wi-fi enabled. Hotspots WILL become commonplace, and that's when this will really look attractive.

      --
      sig? No thanks, I don't smoke.
    5. Re:Sounds like it's for studio by volsung · · Score: 1

      Only in Kansas.

    6. Re:Sounds like it's for studio by wagnerer · · Score: 1

      Think about a photographer for a press conference, sporting event, or anything preplanned. That way they can plop a wireless basestation down next to a phone link or sat-dish and click away.

    7. Re:Sounds like it's for studio by Anonymous Coward · · Score: 0

      Ahhh no, the wedding photographs have to buy the most expensive camera they can. Why? Because nobody believes they are good photographers unless they have the 1-Ds $8000 camera and big expensive lenses.

      The "average joes" at the wedding and similar events all have $1500 digital SLRs these days, and they just wait until the photographer sets up and then cluster behind his back and take the same damn picture.

      I couldn't believe this either but I heard photographers talking about it. I'm more interested in the "art" side of photography but if your bread & butter is getting hired to take these kinds of shots you better have every edge possible, and that means having a camera that none of the other schmucks have.

      I mean, you and I know that anybody with skill can use a decent camera and take great pictures. But the average joes don't they think the CAMERA makes the picture, not the PHOTOGRAPHER.

      So some of these event photo folks routinely buy much more camera than they need. This WiFi stuff though is actually USEFUL not just fluff as above, so I can see it being real popular.

      Heck, I'm glad to see this, when I first got my WiFi CF card for my Zaurus I popped it in my digicam just to see what would happen (nothing), and I wondered, why the HECK doesn't somebody make a CF WiFi card for cameras that looks like a regular card and uploads the pictures?? I would be PERFECT for studio work.

      This Nikon is a good start.. I'll probably buy canon's version if/when they come out with theirs.
      What I REALLY want is a magic wi-fi card that looks like a regular CF filesystem but silently uploads and deletes each file saved to it.

    8. Re:Sounds like it's for studio by mr_exit · · Score: 3, Insightful

      Have a look at the specs for this camera... it is a high end camera that is pitched directly at sports photographers, the camera is only 4Mp but takes 8 shots a second.... Have a sift through the dpreview.com forums, there you will see hundreds of event photographers (who often have a lacky who runs a display stand and prints out photos for people then and there) and sports photographers who are pining over this thing.

      Yes this thing is pitched to a niche market... but it is a huge niche market of people prepared to pay big money

      --

      -------
      Drink Coffee - Do Stupid Things Faster And With More Energy!
    9. Re:Sounds like it's for studio by buckeyeguy · · Score: 1
      I agree, and here's why:

      Going by what a magazine production manager told me (ok, an ex-girlfriend, but she deals with this stuff every day), publications are asking their regular freelance and/or staff photogs to use digital, but at higher megapixel counts... 5MP and up; she mentioned that use of the Kodak SLR body that cranks out 13MP as something they'd like to see more of (other image quality factors notwithstanding, of course). Digital backs are also available for medium-format (a studio staple), and are seriously pricey, but also have higher resolution than the D2H, and would be the preferred choice in a studio setting.

      --
      I'd have a personalized plate on my car, but "toxic bachelor" won't fit into 7 letters.
  17. bluetooth by MattBurke · · Score: 0, Redundant

    wouldn't bluetooth be more useful?

    1. Re:bluetooth by james72 · · Score: 2, Informative

      No it's not! Bluetooth is too slow for transferring hundreds of megabytes at a time... -James.

    2. Re:bluetooth by Anonymous Coward · · Score: 0

      This is a pro camera. Bluetooth is too slow.

    3. Re:bluetooth by common_sence · · Score: 1

      Not to mention that BT effectively died before it ever got going. The only useful application of BT I've seen so far is PDAcell phone and that will soon die as Wi-Fi makes it way into cell phones. Qualcom has already announced plans to integrate Wi-Fi into it's CDMA chips. I presume it won't be long until the GSM chipmakers follow suit.

      --
      sig? No thanks, I don't smoke.
  18. Re:See, THIS is an example of an internet applianc by Greedo · · Score: 2, Interesting

    A cheap touch-screen wifi webpad would be great.

    I'm waiting on the internet-enabled clock radio. Never needs to have the time changed (thanks to NTP) ... alarms are programmable from anywhere ... plays your digital music that's stored wherever for wake up, or gathers news reports from around the world ... tells/shows you the latest weather conditions for your area.

    Anyone seen something like this?

    --
    Tuus crepidae innexilis sunt.
  19. Pffft... by kotj.mf · · Score: 1
    So, the whole digicam-slash-mp3 player-slash-internet-enabled toaster thing didn't work out, so they're trying to hustle more convergence crap?

    I mean, what's the point of having the WiFi access? I know that when I'm on vacation, I spend 99% of my time in areas where an AP isn't available.

    If you can find a use for something like this, congratulations. By all means, buy one. I just want camera that takes reasonably good shots, has excellent battery life, and works as a USB mass storage device in Linux. The rest is just fluff.

    --
    hang brain.
    1. Re:Pffft... by ocelotbob · · Score: 1
      Actually, wifi is excellent for being anti-convergent. More wifi devices mean that each device only has to do two things well. Handle information, and send information. This device is a great example of this. With it, one doesn't need a 1GB CF card to shoot a decent amount of pics, you can simply shoot away, and have your info being dumped directly to your laptop sitting in its bag, or to the server in the news van, or directly onto your website. No fuss, no muss.

      In the bigger picture, a good wifi setup means every device does its thing, and nothing else, not even storage. One simply has a wifi personal server that all your other devices, such as your MP3 player and your digital camera download to; this is advantageous over both current "standalone" devices and all-in-one devices in that you get the convenience in transfer of the all in one, yet the convenience in upgrading of the standalones.

      --

      Marxism is the opiate of dumbasses

    2. Re:Pffft... by demonbug · · Score: 1

      I'd say this camea is targeted more at professional photogrphers than vacationers. Imagine having one of these at a sporting event - you set up your laptop with an ftp server, then just click away continuously with your camera. No stopping to change film or change memory cards (though you may have to stop and change the battery at some point). It would be great. Same with any other event where you are confined to a relatively small area - weddings, etc. It would probably be pretty useless tot he casual vacation photographer, or anyone else who doesn't want to haul their laptop around with them.

    3. Re:Pffft... by digital+photo · · Score: 1

      The only concern would be security. A photographer too dependant on their wifi link may soon find themselves wishing they had those spare cards with them afterall.

  20. Imagine this... by Saint+Aardvark · · Score: 3, Interesting

    at the next G8 meeting or protest rally. How long 'til protestors -- or police -- are using this to keep everyone up-to-date on what's happening? And how much longer after that 'til police -- or protestors -- are using something like Driftnet to see what's being photographed?

    1. Re:Imagine this... by akb · · Score: 1

      We've done this at DC Indymedia, using a variety of wireless technologies. Including:

      - live video streaming of a protest against the takeover of Pacifica radio using 802.11b

      - live audio mp3 stream of the "Sorry State of the Union" event held in front of the Capitol during Bush's address. We did this using a 3G phone. This feed was carried live by full power FM stations. We also had people upload pictures from the event site and chatted on IRC w/ people listening to the stream.

      - on the day the Iraq war broke out we had someone out covering the bridge blockages and protests at the White House w/ one of those Sprint picture phones. We had some awesome pictures up minutes after the events were happening.

    2. Re:Imagine this... by Pescabicicleta · · Score: 1

      I think the latter may offer the most dramatic potential. There are already services out there which automatically send photos to your server and post them - along with text or audio captioning:

      Example:

      http://pirillo.textamerica.com

      Host:

      www.textamerica.com

  21. Too little too late by David+Eppstein · · Score: 2, Informative

    The WiFi is interesting, but the lack of firewire is a disappointment, and in terms of shooting features (resolution, frame rate, etc) it is pretty much the same as the Canon 1D, a camera which Canon is expected to replace this fall. The low resolution and high frame rate show that it's intended for photojournalists rather than the general consumer market. The D2H will probably slow or stop the flow of photojournalists switching from Nikon to Canon, and maybe put a little more pressure on Canon to improve their own cameras, but I'm not sure it will have much other effect.

  22. I can imagine... by schmidt349 · · Score: 1

    ... what this is going to do to family photos taken on holiday. "Honey, could you and the kids move forward a few steps? I'm still not in the hotspot yet."

  23. One hour photo by Anonymous Coward · · Score: 0

    Wardriving for family snapshots

  24. See 4/3 for a holy grail by arasinen · · Score: 3, Interesting

    While it is quite cool (in the gadget-gee-whiz-sense) to have wireless connection to a digital camera, it is not in my view even close to the Holy Grail of digital photography. The main reasons to use this feature are a) convinience (which is eaten away by the fact that you need an external unit) or b) people who really need to send pictures to somewhere else ASAP.

    In the case b) the photographer loses his/her chances to edit the pictures later or even to choose the best pictures. Good for first impresssions, not much for anything else.

    Holy grail for professional digital photography are for example cameras that use a full-sized sensor; then you wouldn't need different lenses for digital and film photography.

    On the hobbyist front I'd like to see more standards. The Four Thirds -standard sounds promising, and I'm hoping Canon or Nikon would embrace it.

    --
    [ Antti Rasinen ]
    1. Re:See 4/3 for a holy grail by Hawthorne01 · · Score: 1
      Ugh. You hit the nail on the head. I enjoy the freedom I get when I shoot editorial. I lose it when I shoot in the studio, especially since we've went digital there. The Art Director acts more like a movie director in that setting, watching the photos as the pop up on the screen. The photographer has been moved down a peg to a kind of still-frame cinematographer, ceeding a portion of the creative work to his client. With Polaroids, what was on the final frame was still up to you, but with digital, the AD can (And often does) tweak every last detail to his liking, and no longer relies on the photographer's skill.

      The effects this "innovation" will have on reportage is chilling. No longer will it be a shooter in the field relying on his grasp of the situation, empathy with his subject, and skill and timing to get the shot, but rather it will be an editor by the pool with a laptop who will decide what gets shot and how.

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    2. Re:See 4/3 for a holy grail by teece · · Score: 1

      I am mixed on the 4/3 stuff. It is really nice, and it would be cool to see it take off. OTOH, I have several grand in 35mm lenses that would become useless if I were to buy a Nikon 4/3 camera. That I really don't like.

      I guess I would really like a full-frame CMOS sensor. But it may be just stupid expensive to produce, without enough technical benefit. Contax, or somebody, makes one, but it is a $10,000 camera. And the review I have read about it were underwhelming.

      --
      -- Hello_World.c: 17 Errors, 31 Warnings
    3. Re:See 4/3 for a holy grail by morgue-ann · · Score: 1

      Full-frame digital SLRs exist now and are well under $10k.

      Kodak DCS-14n lists @ US$5k, 14 megapixels

      Canon EOS-1Ds lists @ US$8k, 11 megapixels

      These two (and the economy) are keeping me away from APS-sized sensor SLRs like the Canon EOS-10D at US$1.5K, 6 megapixels. Instead I'm going to get an Elan and start building a lens collection for when the full-frame cameras are less than $3k.

      I was interested by the 4/3 system (I thought making a still camera using C-mount video camera lenses would be cool), but 1) it's too expensive and 2) 35mm is a great imager size for lens design. The depth of focus at a given aperture is better than medium format but it's possible to get it short if you want. The weeny 6mm lenses on consumer digicams keep the background in focus even at f/2.0, so they aren't great for portraiture.

      When the full-frame sensors get cheaper, I hope Cosina makes a Leica screw-mount "digital rangefinder" for nice wide-angle digital without the compromise of a mirror box between the lens and sensor. Maybe they'll use our chip in it.

    4. Re:See 4/3 for a holy grail by joeykiller · · Score: 1
      These two (and the economy) are keeping me away from APS-sized sensor SLRs like the Canon EOS-10D at US$1.5K, 6 megapixels. Instead I'm going to get an Elan and start building a lens collection for when the full-frame cameras are less than $3k.
      Perhaps you shouldn't do that until you actually see that full frame CCD's are coming to budget priced cameras. I recently read (and of course I don't remember where anymore) that good quality full frame CCD's are harder to produce than the smaller ones.

      I don't know the details of this, but it has something to do with the distance from the lens to the CCD, and the angle the light hits the CCD. With wide angle lenses in particular, you will get colour shifts - mostly around the edges and the corners.

      Does somebody here know more about this problem?
    5. Re:See 4/3 for a holy grail by Blrfl · · Score: 1
      I don't know the details of this, but it has something to do with the distance from the lens to the CCD, and the angle the light hits the CCD. With wide angle lenses in particular, you will get colour shifts - mostly around the edges and the corners. Does somebody here know more about this problem?

      The center of the film plane is, in most cases, lined up with the focal point, and the light hitting it arrives at a 90-degree angle. As you get further from the center, the angle decreases.

      Each pixel on a CCD is made up of a little well called a photosite that collects photons and reports back how many it caught as the brightness level for that pixel. Like a well you'd dig in the ground, photosites have some depth to them, and as such the best way for light to reach the photosite is straight on, or at a 90-degree angle. Part of the filter that goes over a CCD includes an array of microlenses, each of which takes light from a certain range of angles and realigns it so the most photons fall into the photosite. Without the corrective lenses, different wavelengths of light behave differently when they hit the same photosite at the same angle, which can produce all sorts of undesirable artifacts that are exaggerated as the angle decreases.

      The corrective lenses reduce this problem to a certain degree, but like any other bit of optics, there are limits to what they can bend back to the 90-degree angle that makes a CCD photosite work best. That means that if you build a sensor with correction for shorter focal lengths, lenses with longer ones will display the same behavior the correction was supposed to fix. The way around this is to use a sensor small enough that the corrective lenses will work equally well when the focal point is 17mm away from the film plane as when it's 400mm away. That, combined with the yield problems in fabricating full-frame sensors, is the reason you haven't seen many of them yet. The technology's just not there yet.

      This isn't directed at you, but I'm still stumped over why people get their undies in a bunch over the smaller sensors. I've been given images from Cannon and Kodak's full-frame offerings, and even with the large pixel count, I'd still have been forced to crop them down to what a smaller sensor would have produced to get uniformly-sharp results. I've shot close to 5,000 frames in the last year, 90% of which came from a DSLR with a smaller-than-35mm-sized frame (and I'm not going to say which it is, because frankly it's immaterial). Not once have I found it a handicap: I still look throught the viewfinder, compose the shot and release the shutter just the same as I've always done with my film bodies.

    6. Re:See 4/3 for a holy grail by teece · · Score: 1

      My problem with the smaller CCD isn't so much the quality. If I was flush in the money like I was a few years ago, I would have a D100 or D1X.

      My problem is that if I were going to fork over the cash for a DSLR, I would be only getting a DSLR, no new lenses. I would thus be moving my wide-agle shooting (very important to me) from 24 to 36. That sucks.

      I would also probably have to give up my F5, which most of the DSLR from Nikon have enough limitations that I am not yet fully comfortable so that I can do that.

      --
      -- Hello_World.c: 17 Errors, 31 Warnings
    7. Re:See 4/3 for a holy grail by NaturePhotog · · Score: 1

      Some of the people who worry about full-frame sensors are like me that (a) shoot a lot of wide angle shots (for me, nature) and (b) have an investment in existing wide-angle lenses.

      The issue isn't the size of the sensor per se, it's that with a smaller sensor you end up with an effective 1.5X multiplier to the focal length with existing lenses. So your 20mm lens (wide) is now effectively 30mm (not very wide). Great if you're shooting with a telephoto (600mm becomes 900mm), but not so great for wide angle.

      You can get even wider lenses to compensate for some of it, but that means a further investment in lenses, and after a certain point (around 15mm for 35mm SLRs, IIRC) the optics start getting kind of weird and lenses that will compensate completely are either very expensive or don't exist at all. To get a 24mm equivalent you'd need a 16mm lens (doable, but fairly pricey; $1000+ retail); to get a 20mm equivalent you'd need a 13mm lens (almost doable (Nikon sells a 14mm), but getting very pricey and into the weird optics range).

      That said, I'm still considering getting a non-full size digital, using what lenses I've got, and using the large amount I'll save in film and E6 processing fees towards new lenses. I've been waiting for a full-frame digital (Nikon mount since that's what my money is in), but I may give up.

      I'd been hoping the Kodak DCS-14n was 'it', but although it's full frame, the sensor it uses is so noisy and unsharp that the effective resolution is lower than a lot of other non full-frame sensor cameras, and a lot lower than its stated values.

    8. Re:See 4/3 for a holy grail by morgue-ann · · Score: 1

      I'd still have been forced to crop them down to what a smaller sensor would have produced to get uniformly-sharp results.

      I'm curious about this. Do you think it's due to the depth of the photosites or lenses that have classic flatness of field problems and edge/corner softness? Have you seen any pictures taken on film with the same lenses?

      I certainly notice the difference between shots on film with my 50mm at f/1.4 and f/8, but that doesn't make me crop the corners off-- I try to stop down or I live with the softness because I don't want to use flash.

      I agree with the other poster about the irritating multiplying effect of smaller sensors. Maybe I'm delusional, but I think I'll do OK with corner-to-corner sharpness with a 24mm and 35mm non-zoom lens vs. some freakish 15-24mm zoom used with an APS-sized sensor DSLR.

    9. Re:See 4/3 for a holy grail by Blrfl · · Score: 1
      I'm curious about this. Do you think it's due to the depth of the photosites or lenses that have classic flatness of field problems and edge/corner softness? Have you seen any pictures taken on film with the same lenses?

      That's a good question. One of the samples I saw was taken with an unfamiliar mid-range zoom, so I can't entirely discount the optics from being part of the problem. The other was taken with a prime that I've shot film with, and the edges of the digital image weren't consistent with what I'd seen in film (apertures being close or the same). One other factor not taken into account is that neither the Kodak or Cannon full-frame sensors are CCDs, and not having studied their operation, it's hard for me to say how they'll behave around the edges. But they're new sensors, and as happened with CCDs, there'll be improvements.

      I agree with the other poster about the irritating multiplying effect of smaller sensors.

      My experience with the multiplier factor was comparable to that of getting a new car: it felt different from the old one, but after awhile I got used to it. The other poster's point about losing a lot of picture angle on wides is taken, though. I don't shoot wide much, so for me it's not as much of an annoyance. The other end of the spectrum is that the sports and nature shooters are now effectively getting 600 performance out of their 400s, and some of them like that.

      Maybe I'm delusional, but I think I'll do OK with corner-to-corner sharpness with a 24mm and 35mm non-zoom lens vs. some freakish 15-24mm zoom used with an APS-sized sensor DSLR.

      It sounds like you're trying to compare shooting full-frame film with a prime to shooting smaller-frame digital with a wide zoom. That's apples-to-oranges: good primes will outdo good zooms any day of the week on any camera. The change over to the smaller sensor is really just a small change in mindset about how your glass will behave. In exchange for the loss of picture angle, the smaller sensor grabs the image from the center, which happens to be the best-performing part of most lenses. Until they get the full-frame sensors right, I can live with that.

    10. Re:See 4/3 for a holy grail by hucke · · Score: 1
      This isn't directed at you, but I'm still stumped over why people get their undies in a bunch over the smaller sensors.

      The loss of the wide angles can be a problem. In some locations - such as across the street from a historic building - there just isn't any more room to back away from the subject and still get it all in. I've had to buy an 18mm lens (at $450) just to try to get back some of what I've been missing.

      The other effect of the smaller image sensor is that the viewfinder image has been cropped to match. The image in the viewfinder is about half the area that it should be - making small details much harder to spot.

      I use a D100 and an N90. The vast majority of my shots are done with the D100 and a 28-105 lens. I've found myself taking many more pictures than ever before, now that the incremental cost of each is essentially zero. I'll switch to the N90 when I need the width (it usually has a 18-35mm lens attached), or on those rare occasions where I need to use a shift lens.

      Whenever I pick up the N90, I find myself wishing I could use it all the time. The viewfinder image is twice the size of the D100; bright, sharp, and clear. I can easily spot ugly background details that might ruin the picture, and would have been unnoticeable in the tiny D100 viewfinder.

      The N90 is a delight to use; the D100 is a convenience. Still, it was a worthwhile investment - I've taken nearly 5,000 photos with it in the past three months, and it has more than paid for itself in saved film processing costs.

  25. bluetooth by krokodil · · Score: 1

    Bluetooth is more suitable for applications like this. It is cheaper and consumes less power. Also with standartized Basic Imaging profile you can make your camera talk to various bluetooth-enable devices
    without special software.

  26. You have chosen by Anonymous Coward · · Score: 0

    wisely.

    We named the dog Indiana!

  27. Camera with Bluetooth? by gwernol · · Score: 1

    Although I can see where this would be useful - the example of a photojournalist is a good one - I'd prefer to have a digital camera with Bluetooth. I'd like to separate the camera itself from its storage - be able to have a small hard drive on a belt loop and the camera itself just has a small cache which gets flushed over Bluetooth to the hard drive.

    That way I can take as much or as little storage as I need - I just hook on the appropriate drive pod. The drive pod has separate power supply so I don't have to bulk up the camera with large batteries to power the mass storage.

    This would be a better solution for me.

    --
    Sailing over the event horizon
  28. Tripod? No problem. by dbCooper0 · · Score: 1
    Most devices that use the tripod screw (i.e. winders, motor drives, etc.) have another 1/4-20 SAE threaded hole to allow the photographer to use a tripod.

    I'm sure the WiFi module has one...even though I didn't see a pic showing the bottom. The article states that they only had images provided by Nikon...

    --
    db
    Cig:
    ôô
    /`
  29. No, not bluetooth by panurge · · Score: 1

    Far too slow. Even as a jpeg decent digital camera pictures are well over a megabtye. A 10sec plus transfer time per shot, or over a minute in raw mode, is useless. Bluetooth is intended for exchanging small amounts of data, not truckloads

    --
    Panurge has posted for the last time. Thanks for the positive moderations.
    1. Re:No, not bluetooth by chris234 · · Score: 1

      Useless? Hardly. What if I wanted to upload images from the field? WiFi isn't practical for that unless you happen to be near a hotspot. With Bluetooth, I just need to do a data call thru my phone. Sure, maybe it's a minute a shot, but how much time are you gonna spend hunting for a hotspot.....

  30. Re:See, THIS is an example of an internet applianc by fluch · · Score: 1

    Hmm ... isn't it a litte bit too expensive to put a Nikon D2H with WiFi connectivity into a fridge just to monitor it's state and content over the internet?

  31. warchalking by switcha · · Score: 1

    I wonder is the photographers will be mad if I try to write a )( on their camera?

    --
    You know what? ... A little club soda *did* get that out!
  32. Not practical for uses that some are seeing by DavidinAla · · Score: 3, Insightful

    As an ex-journalist who started out as a newspaper reporter/photographer, I laugh when I see what some people are envisioning for this camera. Here's a news flash. Most of the time when you're shooting news events, there's not a WiFi access spot or the time (or NEED) to set one up. While I can certainly come up with theorectical uses for it, I can come up with even more potential problems in handling things that way. A laptop and a cable is still a much better (and cheaper) solution where Internet access is available, IMO.

    It seems to me that this is an example of geeks liking a new technical solution and not realizing that existing technology is better for the people who really use the equipment to get actual work done.

    1. Re:Not practical for uses that some are seeing by Alan+Shutko · · Score: 1

      The D2h is targeted at sports shooters, so it's much more likely the venue will have wireless set up somewhere.

    2. Re:Not practical for uses that some are seeing by EchoMirage · · Score: 3, Insightful

      As an ex-journalist who started out as a newspaper reporter/photographer

      Flamebait. Stepping back to think for a minute, however, you might realize it would be trivial to set up a laptop as a basestation that the camera could talk to, and then have that go a microwave uplink or a line connection for transmission back to your editor's office. The AP's swarming team of photographers would like to have this option, especially if it allows for what would essentially be limitless capacity for shooting (speed of CF card and 802.11b connection notwithstanding).

      It's a good technical solution, and one that people in your field will probably find a lot of uses for. I bet you'll be carrying one in a year's time.

    3. Re:Not practical for uses that some are seeing by lesv · · Score: 1
      I think your missing the point. At a sporting event, the arena is likely to have WiFi setup, at least for press. News makers spend a lot of money making sure that the press is covered for communications. WiFi may just become a part of that package. Convention centers are certianly starting to oblige.

      I could also imagine setting up a base station in a car attached to a cell phone. Once the photographer gets close to the car, the camera starts sending, leaving the photographer's hands free for what ever is next.

      By the way, the blurb at Nikon says that they support WEP and many other forms of security.

    4. Re:Not practical for uses that some are seeing by TimButterfield · · Score: 1

      It may depend on the event. Consider this recent article. Just because they didn't intend to offer WiFi does not mean that it will not become more common. OTOH, I don't think public WiFi would be popular for pro users of this camera. I doubt any pro covering an event would want to broadcast his images for someone else to capture and distrubute. It would be more likely to be connected to their laptop with an encryption key to provide at least some protection.

    5. Re:Not practical for uses that some are seeing by snStarter · · Score: 1

      Think SPORTS. Think sitting in a photographer's well at a ball game. You shoot. Between innings you've uploaded to your editor. You can move around to various locations in the venue. Most athletic events are sufficiently small to allow this sort of camera to work and many sports are episodic enough to allow the download to happen.

      Of course this camera doesn't compare well to a Canon D1S. It's not a full frame sensor and it's simply not as good an imaging device as the Canon is. Nikon appears to be unable to play at the same quality as Canon does in digital cameras.

      I see more and more shooters with Canon and fewer and fewer with Nikon. This might not suffice to keep them in the game.

    6. Re:Not practical for uses that some are seeing by Anonymous Coward · · Score: 0

      At a sporting event, the arena is likely to have WiFi setup, at least for press.

      As a working sports journalist, I have yet to run across a press box or stadium where WiFi is installed.

    7. Re:Not practical for uses that some are seeing by Blrfl · · Score: 1

      Since you're obviously in possession of an early production D2H, how about posting a couple of side-by-side samples to compare it with your D1S?

      Inquiring eyeballs want to know...

    8. Re:Not practical for uses that some are seeing by Bushcat · · Score: 0

      AFP's sports photography feed to its clients is near real-time. For example, during the soccer World Cup images were available on the AFP Photo News cellphone service in Japan while matches were still in progress. They're delivered to the service provider with full EXIF & IPTC info in a NewsML wrapper. So there's certainly a lot of effort going into getting images out of the cameras rapidly, and I assume other news organizations are the same.

  33. Finally!!!!! by conteXXt · · Score: 1

    Near real-time upskirt websites.

    (for those who just can't wait :-)

    --
    The truth about Led Zep should never be told on /. (Karma suicide ensues)
  34. I know that I'm going to get lambasted here... by Txiasaeia · · Score: 1, Insightful

    ...but just because it's digital and wireless, doesn't automatically make it a good *camera*. Granted, I've been following the D2H and it's definitely a sweet piece of Nikon, but this is more than a toy -- it's a high-end piece of professional equipment.

    The problem I'm facing right now (being on the market for a camera) is the fact that I can get a used F4 (or even an N100, maybe) for a quarter of the price of this digital camera, and still have excellent picture quality. Add in another four or five hundred dollars for a negative scanner, and I can do pretty much everything the D2H can do with less than half the cash.

    Besides, any event that would require near-instantaneous transmission (sports, a riot, stuff like that) would be using VIDEO, not still shots.

    It's a nice (and niche) toy, but nothing more than that.

    --
    Condemnant quod non intellegunt.
    1. Re:I know that I'm going to get lambasted here... by fisgreen · · Score: 1

      If you can, spring for the N100, you won't regret it.

      The F4 is a beautiful, near-indistructable piece of hardware. However, both the autofocus and TTL flash metering are several generations old.

      Of course, the application and your style of photography should decide. But if you're looking for any level of automation, the F4 (spectacular for its time) will disappoint. By current standards, it seems just barely more competent than my beloved F3 bodies.

    2. Re:I know that I'm going to get lambasted here... by ErikZ · · Score: 1

      You get free film and development?

      --
      Democrats or Republicans. They are both taking us to the same place and they are not afraid of us anymore.
    3. Re:I know that I'm going to get lambasted here... by common_sence · · Score: 1

      Still can't get video into a newspaper...and a cap of a video feed is terrible quality.

      --
      sig? No thanks, I don't smoke.
    4. Re:I know that I'm going to get lambasted here... by lucifuge31337 · · Score: 1

      Add in another four or five hundred dollars for a negative scanner, and I can do pretty much everything the D2H can do with less than half the cash.

      Yes you can. And I've been doing that with my F3 for a few years now. But I've grown very tired of how long it takes to scan and spot negatives (well, chromes in my case...I always used to shoot Velvia). I wen out and picked up a used D1 fairly cheap. I'll get a D1x when the D2x comes out and I can pick one up cheap.

      But it's only 2.7 Megapixels! My (insert shitty newish point and click here) is 6 MP.
      Yeah...I know. And this D1 still runs circles around it. It's not just the glass, the image sensor is a completely different animal from thises consumer jobs. I shoot NEFs (raw format) and can tweak everything you can image after the fact if I need to. I can print 8x10 with moderate cropping with no problem at all. I can print much larger using Genuine Fractals. It all looks great.

      Those who bitch that it's not enough resolution just dont know the digial imagina process well enough to turn out a good product. D1's were getting cover shots of magazines when they came out. Magazines have not gotten any larger or higher resolution, and D1's certianly haven't changed. Depending on your shooting needs and habits, it's a great choice.

      --
      Do not fold, spindle or mutilate.
  35. Easily Done by Bruha · · Score: 1

    you could easily pull this off with a laptop that can process the 802.11x signal and a verizon 3g RX1TT 144Kbps or EVDO 2Mbit+ connection. All major sporting events are sure to have extra coverage at the stadium. Verizon afaik rolls COW's Cell on Wheels to many sporting events and concerts to provide the extra capacity if needed.

  36. What a pro unit ought to be by Animats · · Score: 1
    A pro unit for journalists would transmit over cell phone links, using anything from GSM to Iridium to get through to the photo desk.

    This is a toy.

    1. Re:What a pro unit ought to be by tim_uk · · Score: 1

      A pro unit for journalists would transmit over cell phone links, using anything from GSM to Iridium to get through to the photo desk.
      Yes, absolutely. Been doing just that since 1994/5.

      This is a toy.
      No it isn't a toy. It's a very serious photo-journalism tool. The (optional) add on unit will be ideal for sports photogrsphers working (for example) in basketball or boxing, where they are already using WiFi but having to mount a laptop or PDA with the camera above the basket/ring.

      We've been crying out for this since day one in digital newsgathering. The best picture in the world is valueless while it's in the camera. You have to MOVE IT! This will be taken up by everyone in the industry just like digital cameras have been.

  37. Other manufacturers by MC68040 · · Score: 1

    Also makes wireless camera devices, D-link is one of them along with others and they have been on the market for quite some time...

  38. Re:Yes, but... by Ed+Avis · · Score: 1

    All right, I won't mention the L-word.

    What kind of CPU is used in digital cameras like this? Perhaps an ARM or i960 or other embedded processor? How much memory does the camera have for storing pictures?

    --
    -- Ed Avis ed@membled.com
  39. I like that idea. Less reliance on heavy ........ by zymano · · Score: 1

    overheated ,bulky computers . In fact I see a trend where more people dont want WINDOWS to run everything. A small OS for small gadgets with a connective network. A small TV OS would be good also. Maybe with wireless too.

  40. You'd still have to buy big cards. by OS24Ever · · Score: 1

    Unless you're going to download something every 3 shots, you'd still need a large card.

    --

    As a rock-in-roll Physicist once said, No matter where you go, there you are.

    1. Re:You'd still have to buy big cards. by coolmacdude · · Score: 1

      Well once you upload the images you could delete them and keep shooting. It would be more of a hassle to do it more often, but if you're tight on cash, you might prefer that to buing a larger card.

      --

      -You may license this sig for only $6.99.
  41. Nice! by AntiOrganic · · Score: 1

    So now, instead of searching Kazaa for MVC, I can steal digital pictures I was never intended to have by carting around a WAP. Sweet!

  42. Wireless cameras the the media.... by softspokenrevolution · · Score: 1

    The only benefit I can see for constant streaming of photos for the media is the ability of a photographer's editor to be able to provide immediate input as to what the page or paper needs in a given situation. The second benefit is that a reporter does not have to go back to the office to download the picture so they can then go on to the next assignment right away (or just go right home to bed).

    My issue with this is more for internet news/whatever sources. If you are getting a constant stream of pictures you can do one of two things, the first is to hold onto them and put them up later (which sort of eliminates the point of getting a constant stream of photos), the second is to get someone to move the pictures to a page and try to put them into some form of context.

    Say that you're a sports web-site and your reporter is covering a tiddlewinks competition on main street. Normally, you'd wait until the end of the event to post scores and a summary of some kind. With streaming photos, you have to have someone telling you about what's going on or people are just going to look at the photos and go "What the heck?". Then again, no one really cares about the tiddlywinks game anyhow.

  43. Buncha winers! by samael · · Score: 1

    All those people complaining about the fact that there's not Wi-Fi access where they use their camera - maybe there isn't now, but give it two years and there will be.

    And I suspect that all the places that throw conferences sure as hell are building in Wi-Fi access...

  44. What is better? by Anonymous Coward · · Score: 0

    a) A wi-fi camera

    -or- ...heh, why asking, mares rule.

  45. Cameras on poles suck! (n/t) by Anonymous Coward · · Score: 0

    I want closeups!

  46. Target Audience == Sports Photographers! by SonicSushi · · Score: 5, Informative

    The Nikon D2H is a camera specifically targeted to sport photographers. You don't need 8 frames per second if you're in the studio or even out covering events. Instead, this camera shines when used to capture fast action like sports.

    Here's where wireless is a GOOD thing: one wireless access point can be placed on the mid-field sideline and allow the newspapers and magazines to grab images while the photographer shoots. This is a major advantage on nightly deadlines. Even when shooting just regular digital and using a laptop with wireless, newspapers are limited to getting the photographs at the end of each half because photographers can't risk missing a critical piece of action.

    Battery life doesn't matter as much in sporting events. The game is pretty much a set length and an appropriate number of batteries can be brought and traded out at the end of each half/quarter/etc.

    As someone who has worked at a daily newspaper that has used both film and digital and where football is a front page event, this is a great announcement. We used to have to send someone to night games to pickup and develop the film at halftime. Now pictures can be downloaded, selected and corrected for newspaper use in realtime. Newspaper staff never complain about finishing earlier rather than later!

    That said, I think wireless makes sense in THIS camera. I'm not sure I'd want it in the field or even in a consumer camera to take pictures on vacation and on holidays. In those situations, I would take the longer battery life any day.

    1. Re:Target Audience == Sports Photographers! by Anonymous Coward · · Score: 0

      reuters set up APs all over salt lake for the winter olympics and used them to transmit pics from the venues to their office in the KSL building, where they were uploaded to the wire. The APs are still all over town, functioning, and not WEP enabled.

      this is definitely the cam for sporting events.

  47. Missing the point by angst_ridden_hipster · · Score: 2, Interesting

    It seems to me that a lot of people are missing the point on this one.

    I think it's less targeted at "immediately beaming your pictures from the field" than it is targeted at studio photography.

    The high-end Nikon digitals may be good enough for journalism, but most of the people I know who use them are doing studio work, like product shots, fashion, etc.

    If this is well designed, it could improve the pipeline speed of a product shoot, as it's often different people doing the different processes: shooting, color correction, comping. layout, etc. Now, the initial stage of this process can be made (closer to) parallel.

    It certainly is not a revolutionary change (like the introduction of digital photography was), but it could represent an evolutionary change, where the photographer doesn't have to interrupt work to carry the microdrive over to the server for image uploading.

    Now, some people will say "but many pros already have their cameras hooked up full-time via firewire, so this won't change the process at all!" I almost agree -- this removes the annoying tether, so you can move the camera around without cable snarl.

    Then, with Sony and others set to WiFi enable the entire known universe, maybe this *will* eventually be a take anywhere, shoot, and upload kind of thing.

    We shall see...

    --
    Eloi, Eloi, lema sabachtani?
    www.fogbound.net
    1. Re:Missing the point by Hawthorne01 · · Score: 2, Interesting
      The studio I work at is all digital. We use PhaseOne backs on Hassies and Sinar for the big stuff, and D1's for smaller shots.

      In the beginning, we tried moving files from the production Macs to ones in another room for client viewing during the shoot.

      It failed miserably. There is no way the bandwidth of even 802.11g can keep up with the file sizes of even the D1. We ended up running Gigabit Ethernet between the client computers and the production stations.

      Now, we have a client who carries an AirPort equipped PowerBook with him, and it was neat to shoot, edit and then transfer the final image over to him via wireless, and then have him walk out the door with the photo already placed in Quark.

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    2. Re:Missing the point by angst_ridden_hipster · · Score: 1

      Really? You do client review comps using raw files?

      I've seen a number of studios who move jpeg comps back and forth in realtime for client viewing, via firewire then standard (cabled) ethernet.

      But I didn't think about anyone wanting to shuffle around big sets of 100MB images like that...

      --
      Eloi, Eloi, lema sabachtani?
      www.fogbound.net
    3. Re:Missing the point by Hawthorne01 · · Score: 1

      TIF / RAW files are the best quality, far more so than even lightly compressed JPEG's. And there's no time when shooting people to re-save as another file format. We tried Firewire for a while, but ended up with Gigabit EtherNet.

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    4. Re:Missing the point by angst_ridden_hipster · · Score: 1

      Yeah, I know that the raws are going to be better than jpeg.

      I haven't used the Nikon Dx series, but I did work on a big gnarly prototype studio setup that shot uncompressed (it didn't even wrap it in TIF, it just spat out files with a 2k x 2k array of 64-bit words. There was only twelve actual bits/channel/pixel, though) and it simultaneously created jpeg previews (also 2k x 2k pixels, but a much, much smaller file size). This system was too unwieldy for shooting people, but then, this was nearly eight years ago.

      I kind of figured that the preview file option was SOP in industrial digital cameras. Maybe we should suggest it to Nikon.

      --
      Eloi, Eloi, lema sabachtani?
      www.fogbound.net
  48. Not a Holy Grail + Links by abimelech · · Score: 5, Informative

    Unfortunatly, this isn't the holy grail of digital camera. I'm not even sure what the holy grail would be, to be honest.

    It's a very specific camera aimed at sports/news/action photographers. The Wifi addition is also a niche product, mainly for photographers in large agencies like the AP

    It probably wouldn't suit anybody else, especially since most people complain about the 4mp resolution.

    Anyway, here are some links to other previews:

    Handson Preview:
    http://www.letsgodigital.be/webpages/firstlook/nik on/slr/D2H_UK1.html

    Preview:
    http://www.digitalreview.ca/cams/NikonD2H.shtml

    Nikon expert spec analysis:
    http://www.bythom.com/d2h.htm

    Personally, I'm excited because this is the first Nikon DSLR to do 8fps, plus they have a new TTL flash system, and the 2.5inch LCD on the back is the biggest yet (great for "chimping", a term for gaping at your images instead of watching the action)

  49. From a total economic perspective by zip+the+pinhead · · Score: 3, Informative

    Someone up there ^^^^ mentioned costs of digital cameras. I'm not sure how many here have followed these DSLRs but they're not cheap by a long shot.

    This Nikon will probably arrive at a street price of around $3000 USD for the body alone. Add to that the fact that your lenses will have to be adjusted (if you own Nikon equipment already) as there is a multiplying factor that has to be taken into account for the size of the sensor; I believe with Nikon cameras it's 1.5x. This is due to the fact that the sensor is not a full 24x36mm (i.e. full frame film).

    Unless your a professional photographer or an advanced amateur that's spending his/her weekends shooting weddings in 35mm or you're independently wealthy; you're probably going to have to wait a few years before the price of these puppies comes down to the "consumer" level.

    Cheers
    Zip

    --

    "The answers are always inside the problem, not outside"- Marshall McLuhan

    1. Re:From a total economic perspective by aussersterne · · Score: 1

      Unless your a professional photographer or an advanced amateur that's spending his/her weekends shooting weddings in 35mm or you're independently wealthy; you're probably going to have to wait a few years before the price of these puppies comes down to the "consumer" level.

      Oh, I don't know... How many geeks spend $3k+ to put together a gaming machine that will be obsolete in six months anyway?

      The Digital SLR market now has entries that are relatively affordable. You can get a Canon 10d and a 50mm f1.8 prime Canon lens for less than $1500 new, street price. A very classic setup! You can get a Sigma SD9 and a couple of nice pro Sigma f2.8 zooms for even less than that. Both of these cameras will put most 35mm films to shame if you know what you're doing.

      People have their hobbies; they don't wait until they're Bill Gates to spend money on what they enjoy. When I was a teenager, I was a guitar guy. I used to spend thousands on amps and guitar bodies and effects while living on little more than crackers and water. Lots of other people think nothing of spending thousands to add all kinds of enhancements to their cars. Slashdot geeks build terabyte RAIDs and put them into dual-P4 systems with $500 graphics cards, all to get a few more fps out of their 3D games. Outdoors "geeks" spend thousands on climbing gear, or cycling gear.

      I know a few people who aren't pro but will likely grab a D2H the moment it's out. As for myself, I'm a Canon man. :-)

      --
      STOP . AMERICA . NOW
    2. Re:From a total economic perspective by zip+the+pinhead · · Score: 0

      Let's remember that this will be Nikon's flagship camera.

      The Canon 10D, while worthy (as I'm a Canon man as well) is not the flagship. The D2H should be somewhat similar to Nikon as the Canon 1Ds is to Canon. The Canon, however, is a full frame sensor while the D2H is not.

      Agreed that people will spend wads of coin on whatever their hearts desire as long as they can afford to do so (and some, when they can't afford to do so) but it's still a pricey game to play for those of us without enough cash to pony up for a body alone. :-) Therefore, I would suggest a wait till it comes down a couple grand..then again, I'm still using a PIII 733mhz

      Cheers
      Zip

      --

      "The answers are always inside the problem, not outside"- Marshall McLuhan

    3. Re:From a total economic perspective by Anonymous Coward · · Score: 0

      MSRP for the D2H is $3500 USD.

  50. can't wait! by jludwig · · Score: 1
    Wow, pretty soon I'll be able to market my WiFi toaster. It uses 802.11g to transmit realtime images of the toast, so no more guessing about how dark it is or waiting over the toaster... get a perfect toast while reading slashdot... it could save you 1-2 minutes a day!

    J

  51. Neat, but Disappointed for a Nikon Flagship by teece · · Score: 1

    I have thousands of dollars invested in Nikon lenses and film SLRs. I have been waiting eagerly for their flagship successor to the D1, D1X and D1H, the D2.

    Well, now it is here. The WiFi attachment is neat, but it is really for very niche market (sports photojournalists), and not something I would ever use in my photography. And knowing Nikon, it will cost another $300 to a $1000 to buy, in addition to a very expensive camera.

    The other specs mentioned don't seem all that impressive, compared to the D1H or the latest digital Canon SLRs. I am saddened. I suspect this will be another $5000 dollar camera, like the previous D1s were. A bigger CMOS sensor, to eliminate the 'crop factor' with standard 35mm lenses would have been much more useful to me. Or a Sub $2000 price point.

    Sigh. Looks like my digital change-over will have to wait even longer.

    --
    -- Hello_World.c: 17 Errors, 31 Warnings
  52. 11b? bah... by JustNiz · · Score: 1

    Its lame that a new product would still use 11b, especially one that generates so much data. Why they didn't go for 11g is beyond my comprehension.

    1. Re:11b? bah... by Blrfl · · Score: 1

      ...Probably because 11g was ratified as a standard too recently for the chipsets to be available for inclusion in the product. 11b also has a much larger installed base.

      It doesn't matter; the wireless unit is an add-on, and if there's demand for an 11g version, they'll do it.

  53. As a pro newspaper photographer... by Anonymous Coward · · Score: 0

    I've used a D1H for a while as a photographer for a daily, and I've got to say, it's one hell of a camera. If the D2H is half as good as it is, we'll be getting two or three of them soon.

    However, 802.11b, for what I do (running around getting shots of different events and happenings, every day), is a waste.

    I can think of maybe two occasions I've taken shots where I had access to 802.11b. It may be different in a larger city, but I think the wireless functionality is a toy.

    Wireless is GREAT for home use, or setting up a laptop in a coffee shop, but for a photographer-on-the-go, it's just not useful.

    At least until the entire nation is covered, that is.

    I've got a laptop, I've got a compact flash reader, and I've got a modem, wireless card and ethernet port on it---suits my needs just fine, and it's a rare assignment that takes me more than 30 minutes from the office.

    As far as battery power goes, I think the D1H (and, most likely D2H) could handle it. They come with VERY hefty battery packs that last me, on average, a couple of days (usually 150 shots or so). Also, you DON'T leave the office without a spare battery, fully charged.

    I've always loved how Nikon has separate models for different professions. A 12-megapixel camera wouldn't do me much good, since we print at 200dpi tops, but being able to take eight pics a second is VERY nice when covering sports.

    That being said, I've been looking lovingly at the new Canon EOS 10d... six megapixels, and three shots a second, for up to three seconds. Wouldn't be perfect, but it'd work for my personal use.

    As someone who's used both digital SLRs and the "point-and-shoot" digitals, there is NO comparison. The versatility and picture quality you get with a good digital SLR leaves everything else in the dust.

    It's nice to be able to switch out lenses, too. However, as always, quality comes with a price.

    Just my thoughts... sorry about the AC post, can't log in with my regular account for some reason.

  54. Bluetooth? Yes, but for different reasons. by swgs · · Score: 1

    I love the idea of having 802.11b (g would be even better) in a proffesional level Digital SLR. The examples cited here for photographers to automatically send their shots to clients, to their own computers for instant editing, are great.

    But I would like to see a consumer digital camera with Bluetooth, not for file transfers though. It would be nice if it had that ability, but the practical applications that i'm thinking of is controling the digital camera with my computer and/or bluetooth capable cell phone. I'd want to be able to tell it to take a picture, zoom in, and generally control the comera's complete operating system via bluetooth.

    Sony will probably do it first, because they seem to like bluetooth the most out of the various camera companies.

  55. Re:See, THIS is an example of an internet applianc by Richard_at_work · · Score: 1

    Not internet enabled clocks, but there are radio controlled, taking time signals from the atomic clocks.

  56. just thought about this by Anonymous Coward · · Score: 0

    This is kind of funny, the thought of a wireless enabled memory card/camera crossed my mind last night. I had no idea Nikon was going to do this. Very nice though. I wish I had the cash to buy one of their digital SLRs. I currently own an F80, great camera, but I kind of wish it was digital for the convenience.

  57. Bluetooth/GPRS speed.. by Anonymous Coward · · Score: 0

    ..is 64kbit/s. Thats the same speed as satellite phones used for war coverage in Iraq. Its certainly fast enough for high quality stills.

    1. Re:Bluetooth/GPRS speed.. by james72 · · Score: 1

      (I take it you mean 64Kb/s, nto 64kb/s). 64Kb/s is what, 5KB/s roughly? A 3000KB image would therefore take about 10 minutes to transmit : . Add to that the fact that you hardly ever get (in my experience) 64Kb/s, and you've got a long wait. This is assuming you're able to get away with JPEG compression, if you're using TIFF or RAW, forget it... However, maybe a pro photographer would be able to us if they are able to use very low-res images (640x480?) for quick news shots? I can't see sports guys getting away with that, but maybe 'frontline' shots would be OK. Saying that - the amount of time I was able to use GPRS on a recent road-trip in California/Nevada was about 10% was not impressive. -James.

    2. Re:Bluetooth/GPRS speed.. by nfotxn · · Score: 1

      With good software the bandwidth limitations of GPRS can be overcome. For instance perhaps trickling and moderately sized and compressed copy of the oldest modified image on the camera as you take shots would seem more appropriate to compose a real-time contact sheet back at the office. Having to be in a WiFi hotspot to throw 512mb+ of images back home seems a little superfluous to me.

      The fact remains that both public WiFi hotspots and GPRS service is spotty except in areas where network access is fairly ubiquitous anyhow. Maybe in another 2-5 years, weather permitting.

      Who would like a kitchen sink with your camera too?

      --

      _nfotxn

  58. Full frame sensors by MrBud · · Score: 1

    It's not a specific multiplication factor for a brand of bodies. Nikon DOES make DSLRs with a full frame sensor, so no 1.5x lens factor. Even if that were the case, most action is shot with tele lenses, not wide angle lenses, so that multiplication would actually help your lens collection.

    1. Re:Full frame sensors by zip+the+pinhead · · Score: 2, Insightful

      I don't recall any Nikon Digital SLR camera with a full 24x36mm sensor.

      From the D1 through to the D100 and now the D2H the sensor size has been 23.7x15.5mm therefore you will need to adjust your lens collection accordingly.

      Also keep in mind that not everyone that shoots a camera is shooting "action" shots or birds/animals in the distance. Wide angle lenses, along with tilt/shift lenses are important for architecture and landscape photographers.

      So yes, the multiplication factor does indeed matter.

      Cheers,
      Zip

      --

      "The answers are always inside the problem, not outside"- Marshall McLuhan

  59. cell phones + digital cameras by snooo53 · · Score: 1

    While 802.11b built into a camera is a good first step in the direction, I've always wanted a digital camera that integrated with a cell phone easily, either by bluetooth or even a direct connection. While prices of memory cards are dropping, it'd be nice to be able to upload the pictures while on a longer vacation, and not have to carry around tons of extra expensive cards around.

    --
    The sending of this message pretty much inconveniences everyone involved.
  60. Wi-Fi isn't the best choice... by Anonymous Coward · · Score: 0

    Even with so many unsecured hotspots in most major cities, I would much rather have a GPRS or 1X high-speed cellular hookup. Much better coverage.

    Come to think of it, a small laptop with firewire and a cellular hookup is probably the best choice - something like the 12" powerbook. The laptop allows them to review quickly on a better screen and only upload the better shots back to the company.

    And about the weight, well, this is a professional SLR camera. It's HEAVY, not including all the additional lenses, flashes and other accessories most pros will carry around with them.

  61. $3000+ is not worth WIFI by m.dillon · · Score: 1
    I've been investigating cameras to replace my CanonG2, and so far the Canon 10D in the $1300 range beats everything else hands down. Spending $3000 on the Nikon *just* to get WIFI is serious waste of money, it would be far better to get something like the Canon 10D and then spend all the money you just saved on some good lenses and hi capacity storage.

    The single most important improvement in digital cameras in the last year is that they have finally made good progress fixing the digital noise issues at high ASA settings, followed closely by shutter lag and auto-focus improvements. Canon has done a slam bang job in all regards and their in-camera processing software is also the best of the lot insofar as I can tell.

    Don't let highly touted statistics like FPS or mega-pixels fool you, it's all for naught if your camera can't take a good picture and runs out of power after an hour or two of use.

    -Matt

  62. Fourth Holy Grail? by macshune · · Score: 1

    I think another Holy Grail of digital photography would be backs for all those old (now cheap) SLRs out there. Say a 4 megapixel back for an Olympus OM-2n. How cool would that be? You can get nice lenses and bodies for a lot cheaper than a modern canon or nikon and if you could make it digital it would be great!

    Just an idea:)

    1. Re:Fourth Holy Grail? by WNight · · Score: 1

      There's so much more a digital camera has to offer than simply free film.

      Instant feedback is useful, even for a professional, and means that a digital camera without an LCD is a toy or a specialty device, not an everyday tool.

    2. Re:Fourth Holy Grail? by macshune · · Score: 1

      Well, who is to say the hypothetical digital back for an OM-2 wouldn't have an LCD?:) I guess I felt this was implicit in my "fourth holy grail" but I should have been more explicit. My bad.

    3. Re:Fourth Holy Grail? by WNight · · Score: 1

      I just assumed it wouldn't because the systems I've heard of have been a 35mm-sized snap-in that are supposed to be retrofitted into existing camera, not a whole new compatible back. But yeah, that was just an assumption.

  63. Lenses by pipingguy · · Score: 1


    Until I can buy a camera body that can accept commercially-available lenses (prefereably Ultrasonic Canon ones), at a reasonable price I'm not buying. The camera makers are slowly releasing stuff in the hope that peopoe will keep buying SLRs, but the pace of digital camera development makes everyone wait.

    Olympus used to have a great 10x (not digital) zoom digital cam, but it's been discontinued.

    1. Re:Lenses by Large+Green+Mallard · · Score: 1

      The Olympus C2100UZ of which I guess you refer was a very interesting camera, and yes, it has been discontinued, but there are now 3.9MP 10x optical zoom cameras from Olympus, like the C-750UZ, which follow in its footsteps.

    2. Re:Lenses by pipingguy · · Score: 1

      No, Olympus 10x optical zoom.

    3. Re:Lenses by Large+Green+Mallard · · Score: 1

      The C-750UZ has 10x optical.. what do you mean?

    4. Re:Lenses by pipingguy · · Score: 1

      10x optical zoom on a digital canera?

      Think back to the Camedia, http://www.amazon.com/exec/obidos/tg/detail/-/B000 05B6UF/002-2143709-6902401?vi=glance

    5. Re:Lenses by Large+Green+Mallard · · Score: 1

      Yes, the currently selling C750UZ digital camera has 10x optical zoom on it.

    6. Re:Lenses by pipingguy · · Score: 1


      Thanks, obviously you are correct.

      The model I had must have been an inbetweener, since I remember the later version not having the big lens.

      The only thing "wrong" I found with it was the inability to manually focus. Very nice camera for the money.

      Paul

    7. Re:Lenses by Bushcat · · Score: 0

      And the Panasonic DMCFZ1 has a 12x Leica DC Vario Elmit optical zoom but only 2MP. It's seems to be a very popular niche camera, though.

  64. This camera is NOT meant for hobbyists! by hieronymous72 · · Score: 1

    This is meant to be a camera for serious PJs (Photojournalists). It will list for over $3000 and is meant to compete with the Canon 1D which also lists for over $3000. This camera shoots 9 fps at 4MP. Speed is the word with PJs.

    Below is more on digital cameras in general...slightly off topic but I saw a lot of confusion and opinions on here by people that don't know what they're talking about when it comes to digital cameras...especially those beyond P&S digicams.

    I have a Canon 10D which is 3fps at 6MP and it costs about $1300 (sans lens). Why is it so much less than the 1D or the D2H? Simple, it doesn't focus as fast as the 1D, it doesn't do 9fps and it is completely weatherproofed (all of the seals on the 1D are completely weather proofed against sand, water, etc.). In addition, the 1D has a built in vertical handle and is built like the proverbial tank.

    I just don't need the features of the Canon 1D to justify its price.

    Why go with a DSLR over a P&S digicam? Simple..available choices in lenses. There is NO way you can get control of your depth of field in a digicam with the puny lenses and sensors they ship with. Period. Add in chromatic aberrations and vignetting you'll see the shortcomings. That being said, if all you take pictures of is family, friends, and other subjects like that then a digicam is probably right for you. I have one of those too since my camera body and lens setup weighs in at about 10 lbs. + bag and extra batteries. I don't want to take it everywhere.

    Nikon is behind the times in most cases and the WiFi is an add-on module that sucks power out of the camera's main body. I really don't see it converting Canon using PJ's over to Nikon because Canon has the lenses that PJ's lust over and the body is only a very small investment in their professional setup. A 600mm f4 lens costs $6000. That's right. 1 lens!

    Olympus has gone in the 4/3 direction which I think most of you will like until you see the cost of their first 4/3 DSLR camera and their lenses. Ouch!!

    --
    "All I ask is for a chance to prove that money can't make me happy."
  65. Re:See, THIS is an example of an internet applianc by Ed+Avis · · Score: 1

    If you have a digital camera, you don't need a touch screen webpad. You could point the camera at a piece of paper and draw on the paper. This could obviously be used for making drawings, but also, provided the camera can see where the tip of the pencil is (or perhaps just the tip of your finger) it can take that as the mouse pointer position. You could move your thumb in a particular direction to 'click'.

    Or, point the camera at a wall and use a laser pointer to make a dot it can follow.

    --
    -- Ed Avis ed@membled.com
  66. Get Real by common_sence · · Score: 1

    How long would it take you to send ONE photo across GPRS, let alone an entire event's worth. If you were that dis-connected, I'd much rather have the camera talking to a laptop/AP which can then start the upload across GPRS/CDMA/whatever is available.

    --
    sig? No thanks, I don't smoke.
  67. A few ideas by appleLaserWriter · · Score: 1

    1) Use a 12" powerbook as your server. Set the PB to run while closed, switch the Airport card into access point mode, and enable FTP server. You now have a 60GB storage point nearby. The photog can either carry the PB himself, or an assistant can carry it. Several photographers can be supported by a single PowerBook.

    2) Bluetooth should be next. As GPRS data rates fall, I should be able to connect my camera to my T68i and upload data to my servers back at the office rather than carry a bulky powerbook.

    3) Police State Beware! Around the world there has been a proliferation of surveylence cameras spying on the civilian population. Now an individual can take this camera to Area 51 or the Aswan High Dam and start taking pictures. When the police show up to confiscate the film, they find nothing because the images are already gone. Most useful application is keeping protests peaceful.

    4) WTF is up with the digital SLRs? I want nothing to do with the weight and bulk of an SLR's mirror and prism, nor the minimum distance between the back of the lens and the film plane. Voigtlander needs to bring their Leica clones into the digital world, enabling compact interchangable lens cameras with ultra-wide lenses.

    1. Re:A few ideas by Hawthorne01 · · Score: 1
      1) Use a 12" powerbook as your server. Set the PB to run while closed, switch the Airport card into access point mode, and enable FTP server. You now have a 60GB storage point nearby. The photog can either carry the PB himself, or an assistant can carry it. Several photographers can be supported by a single PowerBook.

      I have yet to see anyone run a PowerBook (or any Apple laptop) fully closed. All of them go to sleep with the cover closed. The work arounds for this are all low-tech, usually a pencil or piece of foam that blocks the lid slightly open.

      2) Bluetooth should be next. As GPRS data rates fall, I should be able to connect my camera to my T68i and upload data to my servers back at the office rather than carry a bulky powerbook.

      And then wait awhile as the 18meg RAW transers.

      3) Police State Beware! Around the world there has been a proliferation of surveylence cameras spying on the civilian population. Now an individual can take this camera to Area 51 or the Aswan High Dam and start taking pictures. When the police show up to confiscate the film, they find nothing because the images are already gone. Most useful application is keeping protests peaceful.

      4) WTF is up with the digital SLRs? I want nothing to do with the weight and bulk of an SLR's mirror and prism, nor the minimum distance between the back of the lens and the film plane. Voigtlander needs to bring their Leica clones into the digital world, enabling compact interchangable lens cameras with ultra-wide lenses.

      I've never owned a Leica, but I love my Contax G2, and have owned a multitude of small cameras (XA2 and the like). I agree, I'd love to see that. But a rangefinder is useless to a sports photog, and they're a good percentage of the pro digital market right now. In the meantime, I've found that the Canon G2 Powershot is a good alternative to the digital SLR

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    2. Re:A few ideas by appleLaserWriter · · Score: 1

      I have yet to see anyone run a PowerBook (or any Apple laptop) fully closed. All of them go to sleep with the cover closed. The work arounds for this are all low-tech, usually a pencil or piece of foam that blocks the lid slightly open.

      Various wardriving FAQs warn against running a powerbook or ibook with the case closed due to cooling issues, so I assume it is possible. The photographer or assistant will want to use a mesh bag to allow for sufficient cooling

      And then wait awhile as the 18meg RAW transers.

      Transfers between my 3650 and powerbook are painfully slow, but I think it is mostly due to the 3650 wanting to tranfer one file at a time. Bluetooth has about 720 kbps of bandwidth, so it should be acceptable for big jpegs. RAW file will probably want 802.11g

      I've never owned a Leica, but I love my Contax G2, and have owned a multitude of small cameras (XA2 and the like). I agree, I'd love to see that. But a rangefinder is useless to a sports photog, and they're a good percentage of the pro digital market right now. In the meantime, I've found that the Canon G2 Powershot is a good alternative to the digital SLR

      I've got a few soviet Leica copies with vintage 1959 lenses, as well as modern Voigtlander lenses as wide as 15mm. I paid less for all of my screwmount gear than I would have paid for a single 15mm Nikkor lens. Because the lens isn't obstructed by the SLR mirror, the rear element can be placed very close to the film plane. The result is a compact lens that is very fast and doesn't darken the corners of the picture.

      I tired the Canon G1, but have since replaced it with an S30. When a G series camera can do the equivelant of 15mm without lens extensions I'll buy again.

  68. Well I�m still gunning for a DX1 by Anonymous Coward · · Score: 0

    (Been looking for a while).

    D2S have 4.1M pixel. The D1X 5.4. OK it's only necessary if you want to print on poster paper and commercial quality. But for any camera over 3000$ I want this option.

    The DX2 also have a lower shutter speed 1/8000 against the 1/16000 of the DX1, but 1/4000 was enough for 350 KM/h cars so not a big issue for me. The wildlife picture I saw, hummingbirds at 1/4000 or lower was enough to see the birds "still".

    The D1X is 1500$ lower.

    The only good point I see is 8FPS instead of 5 on the D1X, useful when the cars starts pilling up in the curve, or that bird starts flying away.

    And the WiFi is "optional", my wireless remote control have a suggested price of 450$ (Nikon ML2; 1500$ for the radio wave remote). So I expect the "WiFi option" module to cost between 500 and 1500$. So a total SRP of 5000 to 6500 + good lens.

    For that price I could get the D1X (4000)+a few 1M datadisk. Or something like the BusLink 20Gig HD to copy smaller flash cards in a few seconds. You just keep swapping 2x256M cards all day. [http://www.gus.com/buphbadicapo.html] (gus.com, that's just the first I found on a search)

    The Wifi Module also means a laptop or other means of download within a few hundred feet.

    I think this is for studio work (but spec for sport), where you can show in "real time" to the client (model/hugh hefner) what the shot looks like. In a stadium or remote war, setting up the equipment can be more trouble/price than placing the memory card in a laptop and using the Internet/phone or other usual methods.

  69. Moblogging by Anonymous Coward · · Score: 0

    See!! See!!! I predicted this revolution. Now go and buy my book, you fucking sheep.

    Love and kisses,
    Howard Rheingold

  70. Not the Holy Grail though by snStarter · · Score: 1

    It's a nice gimmic and for sports it's pretty nice. But Nikon can't play with Canon and the D1S and it's full frame 11 MPixel CMOS chip. Until Nikon can make a camera that's even close to the D1S life will be difficult and there's no indication that Nikon will be able to compete any time soon.

  71. It keeps getting easier by kelceylehrich · · Score: 1

    Now you can blog/upload your p0rn as you shoot it!

  72. All I want ... by jopet · · Score: 1

    is a digital camera, that I can remotely control from a Linux app. I Have the Nikon Coolpix 4500 and apart from mounting the Flashcard in the camera as a filesystem I have no idea how to do anything like that - how to set exposure time, how to trigger taking a photograph, transmit the picture, then remove it. It seems that Nikon does not have software for this (not even under Windows), nor do they give out enought documentation for doing it yorself. I also do not know of any other digital camera that lets you do this. - am I the only one who wants that?

  73. Correction by Anonymous Coward · · Score: 0

    Not ready for prime time.

    My D1, SPCS phone and laptop have me transmitting photos from 95 percent of everywhere I'm shooting "breaking news." When it doesn't work, I drive a few miles and send what I have.

    WiFi in stadiums, okay. Beyond that, forget about it.

  74. Random thought; good for surreptitious situations by babbage · · Score: 1
    Ya know, a camera like this would be pretty good for situations where you want to sneak into a place, get some photos, and sneak out without having to be afraid of some security guard or bureaucrat taking your film or memory card. I'm thinking here of things like "60 Minutes" reports, Michael Moore style documentaries, etc. The ability to automagically upload images as they are takeen could be a great safety net.

    Granted, much of that would already be possible with camera cell phones, but the image quality of a high end Nikon would be far better than the cheap plastic lens on a Nokia.

    On the other hand, getting a high end Nikon confiscated would be much more painful than that Nokia -- that's a risk to be evaluated.

    Possible downside: wireless security is awful, and sniffing beamed images out of the air might be trivial if you know what you're doing. You could end up at the security checkpoint at Exxon/Ashcroft-corp/etc and be confronted with someone saying "we know you sent a picture of these documents, what are you up to?"

    NOTE: I am not advocating that anyone do anything illegal. I'm just entertaining the idea that a camera with these capabilities -- whether Nikon or Nokia -- could be an interesting tool for people in certain lines of work (journalists, activists, etc).

    Another random thought, unrelated to the above: the filesize on images for cameras with resolution this high must be pretty significant. Is 802.11b going to be slow? Would 802.11g have made sense, or does it draw even more power? How does the bandwidth of Bluetooth compare to 802.11b's ~11mbit? I've never actually seen a bandwidth rating for Bluetooth -- I've just read that it's "fast", and that it consumes "minimal power" -- whatever that means, quantitatively, I don't know.

  75. My Holy Grail by Anonymous Coward · · Score: 0

    For me the holy grail would be for someone to do for cameras what Apple did for MP3 players...

    Stick a tiny (but capacious) hard drive in it. Then give it a Firewire port for fast transfers and recharging (I like the idea of having only one wire; and if I'm taking my laptop along anyway, I'd only need one power brick since the the camera could charge off the laptop's Firewire port).

    Heck, you could stick a headphone jack on there too and you wouldn't even need an iPod.

    Are you listening Apple?

  76. Re:See, THIS is an example of an internet applianc by rsborg · · Score: 1
    I'm waiting on the internet-enabled clock radio. Never needs to have the time changed (thanks to NTP)

    As great as this sounds, would this also mean that when your net connection goes down, you lose time due to NTP sync issues? Or I guess you could make the clock intelligent enough to only sync when a connection is available? I suppose it could call out daily like tivo over even dialup... this is definitely a cool idea!

    --
    Make sure everyone's vote counts: Verified Voting
  77. Re:Yes, but... by lucifuge31337 · · Score: 1

    My D1 has a buffer for about of about 32 MB before it has to write to the CF card.

    --
    Do not fold, spindle or mutilate.
  78. Nice, but only for niche market. by kobotronic · · Score: 4, Insightful

    I've been shooting with DSLR gear for 3 years now, and I've tried a bunch of high-end cameras including the Nikon D1X and Canon 1DS.

    My analysis of this new Nikon based only on the dpreview article, is that it seems fine for sports and news photography where framerates matter, but outside of that market it is difficult to see the how the improved features addresses the things that have been missing on the Nikon family of DSLR's.

    The big thing that's been missing is a full-frame sensor. Why is this important? Well, all Nikon DSLRs to date, including this one, have used an imager that is 1.5 times smaller than a normal 35mm film frame. This means the sensor only sees the middle part of what would have been exposed on a normal film frame, which in turn means the camera suffers from slight myopia. All attached lenses have a virtual magnification factor of 1.5x over stated spec. As such, a nice 20mm wideangle lens becomes a dull 30mm lens, which produces a constricted view. Landscape and indoor photography generally suffers from this lack of wideangle support.

    Canon addressed this problem with their (very expensive) 1DS camera which has a full-sized imager chip, but this doesn't help photographers with a gear bag full of Nikon lenses - they don't fit on a Canon. I think many photographers would have liked to see Nikon come up with a full-sized imager on their D2 series.

    There are far cheaper DSLR's with high-rez sensors. Take the very affordable Fujifilm Finepix S2, for example - a handsome 6 megapixel sensor and fully Nikon lens compatible. Same magnification factor as the D2H, at 1/4 the price. Some photographers would probably find the flimsy Fujifilm body and awkward ergonomics unsuitable for pro work, but I know many photographers who'd rather save their money and buy one of those, or an old battered D1X, and then wait for Nikon to come out with the full-frame unit they have been waiting for.

    It's also disappointing to see that Nikon apparently have dropped IEEE1394 and GPS support. USB2 is cheaper, dumber, slower and less reliable than firewire, and the GPS thing was a neat 'gimmick' that could have had many useful applications. The beautiful photos on the California Coastal Records Project were all shot on a D1X with a GPS attached - this permitted the photographers an exact shooting record of where the pictures were taken.

    The rest of the improved features just don't justify the cost unless those 8fps are crucial to your line of business. The wi-fi stuff looks like a gimmick - consider the limited range of 802.11b - but it is conceivable to imagine an assistant photoshopping the pics you shoot from a nearby laptop. Nothing I'd pay extra for, though.

  79. Total Recall 2 (Was: Re:New Spin on Identity Theft by B747SP · · Score: 1
    I find myself imagining coming home from my holidays to discover my camera's been hacked and I've got someone else's holiday photos...spooky.

    A sequel for 'Total Recall' right there. You call up Total Recall, tell them what kinda holiday you want to have, and they upload the holiday photos to your camera as you stroll past their office on the way to work.

    --
    I find your ideas intriguing and I wish to subscribe to your newsletter.
  80. Possible uses by Anonymous Coward · · Score: 0
    I can think of a few possible uses for this.

    We have some large warehouses and keeping track of inventory is a real pain. We alleviated this by wiring the entire place with 802.11b and we have some laptops on carts so we can scan barcodes anywhere.

    Sometimes inventory is damaged and we need to take photographs of this and file them into a database. We're currently scanning in Polaroids and then uploading them through a web interface, but this sucks. I've been looking into getting digital cameras that hook up to the laptops so that when you take a picture, it's automatically uploaded onto the PC and some program runs on the PC that lets you file away a photo into the database as soon as it's taken.

    The problem is that cameras that do this sort of thing seem to use proprietary APIs that I don't have the time to reverse-engineer and we cannot use any provided software - we need to allow people to choose which record to associate with an image immediately, preferably using the barcode scanner.

    Now this camera might work for us - it just uploads the images onto an ftp server running on the laptop and I can write software that grabs the latest image from the upload directory, associates it with the last barcode scanned and uploads it to our database. No need to use any proprietary software on the PC - we can write all our own stuff and vastly streamline the process, which saves lots of time and money.

    I imagine there are plenty of other uses for cameras like these in places where you would normally not see a digital camera - you just have to be creative.

  81. old hat by 73939133 · · Score: 1

    Ricoh has had cameras with PCMCIA slots that can take WiFi or cell phone cards for years, and Sony has digital cameras and camcorders with Bluetooth.

    The Bluetooth option is probably the best of the bunch because it can be used to transmit images via regular cell phones or to a laptop. Range is comparable to WiFi, setup is easier, and power consumption is generally much less.

    1. Re:old hat by kleine18 · · Score: 1

      WiFi has a much longer range than bluetooth does.

    2. Re:old hat by 73939133 · · Score: 1

      Class 1 Bluetooth has a range of 100m (=300ft), comparable to 802.11.

  82. I just can't see a usage scenario for this. by SuperKendall · · Score: 1

    Although it is cool to have WiFi in something, I just can't see a good use for this exact technology in a camera.

    Let's take the most obvious case, just snapping away and having stuff go up into an FTP server. If you're in a studio chances are you'd be near a computer anyway, so why wouldn't you be using some kind of direct link instead? Of if that was a little binding, why not just pop a card out into a reader? On almost any computer you could probably script something to dump everything off of a card as soon as it was connected, and it would dump a LOT faster.

    Now out in the field. You have to transmit and store the image (since there's no way you can trust the connection will always hold, thogugh the Nikon appears to have good reconnect logic), so you still need the storage space. And of course you have the problem of being within good range of a network to use... I guess you could leave a Powerbook in the middle of a field and wander around. But again with any kind of computing nearby you'd almost be better off using a card reader locally for speed. And battery life will suck if you are leaving the camera always transmitting images.

    Really I see only four good uses of wireless technology. The first one is a bullet-time style camera setup where you have multiple cameras set up and user wireless connectivity to set them off all at once or on controlled delay. That could yield some cool shots. But I don't think they are thinking of wireless control on this camera.

    The second is wirelss transmission so you need less on-camera storage. But if you use WiFi for this you eat up two sets of batteries very quickly - your cameras and the storage device (which both have to have 802.11b). So that's not very practical. I think of printers as a subset of storage devices in this context, though of course the printer is probably (but not nessicarily) plugged in.

    The third is a remote display device that shows the picture you just took for a higher resolution version than you can get from the camera preview.

    The last is getting pictures to other cameras. You take a snapshot of someone on top of a mountain, and are able to give them the file right there.

    For all of these uses, I really see the better technology being bluetooth. Yes, it's slow (though they are working on a faster standard - but at what price battery life). Still, in a lot of cases you can send reduced size version of the image (like for a thumbnail preview of 800x600) or just take the approach that the connection will take a while - you could slowly spool new images off to a storage device like a bluetooth enabled iPod, and clear them off the CF card on-camera when confirmation was received that the image was OK on the other side. Or you could have images slowy transmitting over a network provided by a bluetooth phone in your pocket.

    Basically, to me bluetooth seems already to be set up better for the kind of wireless inetractions you'd want to kave with a camera, through devices you can buy today.

    There is one use I can possibly see - treating the camera (and photogrpaher) as disposable, and taking a few pictures of things you are not supposed to. Someone else can receive the images and even if the photogrpaher is captured and the camera destroyed the images survive.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  83. But how much with WiFi on? by SuperKendall · · Score: 1

    If you use the cameras in a lot of ways people are speculating about, how will teh battery life be then? WiFi is well known to chew up power...

    You stated 1000-1200 pictures on one battery. Imagine with WiFi you might get 400. Think that sounds extreme? My Zaurus I think gets around 10 hours of life on a battery, or a little under two hours with a WiFi card.

    Now I do think that's worst case, and Nikon has probably worked hard on this problem... but even so, I have to be skeptical until I see real life reports. Even half the battery life could be a big drawback given how fast it can shoot pictures.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  84. Re:See, THIS is an example of an internet applianc by cgenman · · Score: 1

    You can use old laptops for this. For not too much money you can also get a backlit PDA and synchronize it automatically with an existing PDA (copy over the folder). Use a "keep it lit" hackmaster extension and your clock program of choice... Map Avant Go's weather station to one of the buttons, and you have basically what you are describing. You would have to shell out a few hundred for MP3 and audio streams, but for 50 bucks used you could have the best clock ever.

  85. Not looking from the correct POV by CmdrChillupa · · Score: 2, Informative

    The D2H is aimed at newspaper or online (read: not magazine) photographers that shoot sports among other things and have a quick turnaround time.

    The 4MP is plenty for newspapers.

    8 fps is great for sports shooters.

    When you're shooting 8 fps at 4MP per frame Compact Flash cards fill up quick. I personally would rather spend $300-500 once for the little wireless attachment than $250 a pop for 5-10 512MB Compact Flash cards.

    Most digital photographers have laptops in their car at the event they are photographing. Having a PTP wireless network between your camera and your car unloading your CF cards on the fly would be nice.

    At events that you have to park more than 300 meters away chances are, eventually, they'll have an access point set up.

    Bottom line: It's going to be a nice perk unless Canon makes one too.

  86. Missing The Point by Taliesan999 · · Score: 1

    I think alot of posts are missing the point. The WiFi solution is largely going to be useful in the studio for alot of photographers. Bluetooth might be a better choice for amateur cameras (less setup hassles).

    Uploading the image over a WiFi link is likely to be much cheaper and more convenient than storing the image on the camera itself and then downloading. This also eliminates the cables that doing the same thing with Firewire or USB 2 would entail.

    It does open up a bunch of possibilities for sporting events and conferences though.

  87. Re:Newspapers really need more pixels, IMO by DavidinAla · · Score: 1

    Four megapixels is NOT plenty for newspapers. If you're going to run a photo full-frame at a fairly small size, it's no big deal, but some of the best shots I ever got when I was shooting sports for newspapers came from frames where a small part of the frame had to be blown up very large. If the image you want to crop is a small portion of the frame (and that's very common), you can end up with not nearly enough pixels to do it with only four megapixels.

    My Canon PowerShot S40 is a great four-megapixel digital camera, and it's perfect for most uses that I have for it when I have to have something printed (for either magazine or newspaper reproduction), BUT there have been times when I have needed to blow something up more, but I couldn't. My S40 certainly isn't designed for the kind of news or sports photography that we're talking about in this thread, but I can tell you for sure that I would NEVER want to try to shoot live news or sports with only four megapixels of resolution to work with, whether it was for newspaper or magazine use.

  88. But no other forms of protection? by digital+photo · · Score: 1

    But what prevents the following?

    • Attempts to attack the camera itself via wifi from say, a laptop?
    • Attempts to capture whole sessions between the camera and it's laptop for later decrypting and having access to the photographer's pictures?
    • Pretending to be the camera's recieving FTP server(assuming you get past WEP and can dynamically change your MAC address to match)?

    I'm wondering why Nikon didn't add the security options or maybe it's going to appear in their next firmware release. SSH tunnelling support, maybe? SFTP?

    The camera is majorly cool, but if my salary/income depended on it, I would want to know that WIFI won't be responsible for my camera taking a hit or my footage being stolen.

    Not saying the above are high possibilities, but being a bit paranoid about some possibilities doesn't hurt. I've had my Wifi drop connection on me enough times to know that it still isn't a sure thing.

  89. CRAZY by Anonymous Coward · · Score: 0

    Wow! Crazy crazy crazy...

    1. Re: CRAZY by Anonymous Coward · · Score: 0

      Hmm, that's kind of what I was thinking. Although I might have said it another way.

  90. 802.11? Why not GPS? by joe_adk · · Score: 1

    I think that a GPS module would be better than 802.11. Wouldnt it be nice to say "I took this picture here," and be able to map it on your webpage? It is being done (in Japan, of course) with Phone cameras (that have GPS). example. Why not for full SLR cameras? Just embed the info in the EXIF tag.

    That would be cool and useful.

    1. Re:802.11? Why not GPS? by joe_adk · · Score: 1

      Yep. Replying to my own post, but, after submitting, I found this. Seems someone beat me to the punch. A little expensive at 200,000 yen.

  91. Olympus E-1 is more for me... by jonr · · Score: 1

    I would love to own and use cameras like this, but not to pay for it. So far, the Olympus E-1 is closest to what I want. And I agree with what Olympus is trying to do; A "open" standard for digital SLR lens mount.
    Maybe I should write a /. article.
    J.

  92. Re:Newspapers really need more pixels, IMO by Bushcat · · Score: 0

    Since one is probably using fast film at a sports event, grain becomes a problem as the image is enlarged. There's no grain on a digital image, and enhancement tools with pixel interpolation can keep the jaggies at bay. In the context of a sporting or other event where I'm not in control of the pace of the action, I'd rather work with digital (even at 4MP) than film.

  93. Excellent for PIs and spies by Fear+the+Clam · · Score: 1

    We've all seen the deal. You're taking pictures of someone's wife or the details of a military installation (or a bus station in our lovely Ashcroft country), and the next thing you know, some goon's wrestling you to the ground and confiscating your camera or exposing your film. Well no more. As sooon as you take that picture, the damage is done. Go ahread, meekly surrender the camera. Heck, you can throw it at the goon and make your escape.

  94. Retrofit? by DonTrippione · · Score: 1

    What about a device that would connect to the flash memory port of any existing digital camera, providing both storage capabilities and the wifi functionality? Would this be a viable option for professional users?

  95. Christ, FTP is cleartext by Anonymous Coward · · Score: 0

    What the fuck? This thing is clearly designed to be used on random public hotspots, so WEP is unlikely most of the time. And it uses... FTP. How many people do you think will just put their general webhost FTP password in there, and blast it out to everyone in the vicinity every time they upload?

    Don't even start to tell me "people should make an upload-only account". That's a load of crap. Vendors should stop shiping FTP-only products, and encourage users to use something secure.

    I see FTP passwords on wifi *all the time* and this camera just means more. If a bad person wanted to hack a website today, all they would need is a wifi card and a few minutes of packet capture in any decent sized city. I find it very unlikely that all the other wireless sniffers are showing as much restraint as me.

  96. sure by rebelcool · · Score: 1
    its an interesting and expensive toy, but it fills a niche market. I'm not really sure why this is on slashdot.

    I mean, you don't see mentions of $1000 macro ring flashes on here.

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    -

  97. Holy Grail , not quite yet. by Marty200 · · Score: 1
    I'm not even sure what the holy grail would be, to be honest.


    My digital camera Holy Grail is simple. Atleast 6 megapixels atleast 4 frames per second, and a full sized sensor...
    For those who don't know, the sensors aren't quite the same size as 35mm film so your wide angle shots aren't quite as wide...

    And if it could be done for 12oo buck that would be a plus.
    MG

    --

    Randomly distributing Karma whenever possible.

  98. Re:Yes, but... by Ed+Avis · · Score: 1

    32 megs sounds like more than enough - if you allocate say 20 megs as picture buffering storage, and run your operating system in the remaining 12 megs to read mail and stuff.

    --
    -- Ed Avis ed@membled.com
  99. Not just an idea. by Crio · · Score: 1

    Well, if you do have RIGHT camera, of course. Leica announced exactly this thing for its SLR bodies R8/R9.

    http://www.leica-camera.com/produkte/rsystem/digit almodul/index_e.html

  100. Why not GSM connection? by taleman · · Score: 1

    I understand this particular camera is aimed at newspaper photographers shooting sports events. For that WiFi is good, but a consumer camera this is not.

    What about having a standard way to move pictures from the camera via a GSM phone to the recipient? This would work where there is GSM coverage, i.e. pretty much everywhere at least here in Finland. There are printers that can accept pictures directly from the camera, something similar might be appropriate for GSM phones. If the camera and phone have Bluetooth, it is also wireless and the photographer can keep the phone in his/her pocket.

    I would assume that reporters would buy this, they could send the photos to office right after having shot them. A paparazzi would love this, the shots are sent to the newspapers before the victim has time to break the camera.

  101. Re:Yes, but... by lucifuge31337 · · Score: 1

    Oh, I should have been more specific...the 32 is for a picture buffer. I don't know what it has to run it's own OS, etc. You get 21 frames buffered shooting as high quality JPEG mode, and about 12 (I thik ) shooting NEFs (raw mode).

    --
    Do not fold, spindle or mutilate.
  102. POwered wifi speakers by Anonymous Coward · · Score: 0

    > Now bring on the powered WiFi speakers that play streamed digital music in any room
    > from a personal media device (TiVo-like entertainment center combined with WiFi) or
    > home computer.

    These are almost with us. I ran across speakers which do almost exactly this last week, except these are analog RF (Using the headphone/preamp output)

  103. Re:Newspapers really need more pixels, IMO by Anonymous Coward · · Score: 0

    Get a real camera with a real lens, learn how to frame the picture correctly and you won't have to crop down nearly as much.

    BTW reqs. for newpaper and magazine reproduction are about as different as you could get. Try 600dpi+ for magazine. You could get away with 150dpi, if you had to, for a newspaper. You aim for 300dpi, anything above 150dpi will work.

  104. Pffht! on Yee by jo42 · · Score: 1

    I'm very surprised that none of the geniuses here has suggested, or mentioned, this very useful device:

    X'S Drive

    - mere Nikon 995 owner