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NHK Working To Make HDTV Obsolete

An anonymous reader writes "According to an article at EEtimes.com Japanese company NHK has successfully demonstrated a live relay of 'Super Hi-Vision' television, which is 16x 1080i resolution -- 7680 x 4320!" From the article: "NHK developed a Super Hi-Vision camera equipped with 8 megapixel CCD image sensors that can take 4k x 8k images. In the field test, it sent the two cameras to a sea park and sent baseband signals without image compression using an fiberoptic network formed by multiple network companies. The signal of the total 24 gigabits per second was divided into 161.5 Gbps HD-SDI signals to sent using the DWDM (dense wavelength division multiplex) method."

299 comments

  1. But... by Anonymous Coward · · Score: 0

    I just upgraded to HDTV!

    1. Re:But... by canuck57 · · Score: 1

      I just upgraded to HDTV!

      So did I, unless this solution is $50 per month including 200 channels w. fibre connect I would say they might be right in 50 years.

      What irks me about HDTV is the freaking sets can't seem to grasp they are getting a NTSC wide screen and adjust accordingly. Nor does my set have such and option...

    2. Re:But... by Anonymous Coward · · Score: 0

      Hrm... considering that Verizon is offering fiber net-connections to the home in Southern NH, perhaps this could lead them to becoming a TV provider. -lmsjr

    3. Re:But... by etsolow · · Score: 1

      > considering that Verizon is offering fiber net-connections to the home in Southern NH, perhaps this could lead them to becoming a TV provider.

      It sure could!

      http://www22.verizon.com/FiOSForHome/channels/FiOS TV/FiosTVHome.aspx

  2. A bit more info and obvious first application by xmas2003 · · Score: 4, Informative
    There's a little more info on the Open House 2005 site (where it was demo'd) that includes a graphic and mentions that it "employs a 22.2 channel 3D loudspeaker arrangement to realize excellent sound field reproduction and a wide listening range" ... whatever 22.2 is, it sure sounds like a lotta speakers. EETimes didn't say when this would be actually available to end-users, but PCWorld wrote on June 16th "... the NHK says its system is unlikely to be commercialized until sometime in the next decade" so it will be a while.

    As with many new technologies, the p0rn industry will probably be the first to deploy this 33,177,600 pixel technology. Boy, I feel a bit inadaquate as my halloween webcam (goes offline Saturday night) only has 337,920 pixels (704x480) - I guess size matters, eh? ;-)

    --
    Hulk SMASH Celiac Disease
    1. Re:A bit more info and obvious first application by kai.chan · · Score: 2, Funny

      I feel a bit inadaquate as my halloween webcam (goes offline Saturday night) only has 337,920 pixels (704x480) - I guess size matters, eh? ;-)

      I've been to your site before -- great job, btw. Although your server is quite impressive, I want to see a live-feed of a 7680x4320 video @ 60-Hz showing us the server room (perferrably wired so that the visitors can cut the power of the cooling on demand) while it is being Slashdotted.

    2. Re:A bit more info and obvious first application by Anonymous Coward · · Score: 0

      Have you EVER posted a comment without linking back to your damn site?

      Dear God, you're the worst type of spammer /. gets. I'd prefer any number of Hot Grits trolls to your insipid attempts to garner hits to your page.

      Please... PLEASE - give it a rest. Stick your site in your sig and don't keep twisting every topic to be related to your own egocentric hobbies.

    3. Re:A bit more info and obvious first application by dada21 · · Score: 2, Informative

      22.2 = 22 mains, 2 subs.

      8 mains at ear level (3 across front, 3 in rear, 2 on each center side), 7 mains each above and below ear level (no rear center).

    4. Re:A bit more info and obvious first application by yoyhed · · Score: 2, Funny
      As with many new technologies, the p0rn industry will probably be the first to deploy this 33,177,600 pixel technology.

      I might have to disagree. The recent "Weapons of Ass Destruction" was said to be cutting-edge--but it appeared to have been filmed with a 20 dollar webcam, and it was on a VHS in SLP mode!

      my halloween webcam (goes offline Saturday night) only has 337,920 pixels (704x480)

      If I watched that tape with this new technology, each testicle could take up as many pixels as your webcam!

      --
      WHO NEEDS SHIFT WHEN YOU HAVE CAPSLOCK/ DAMN1
    5. Re:A bit more info and obvious first application by cgenman · · Score: 2, Informative

      Not to break your little heart, but...

    6. Re:A bit more info and obvious first application by Anonymous Coward · · Score: 0

      Now why do you have to go around and open up old wounds? Come on now.

    7. Re:A bit more info and obvious first application by InvalidError · · Score: 4, Informative

      This stuff was on Discovery Channel months ago... and NHK's plans are to use it for movie theaters. Availability for home system was not discussed and it will certainly take a while, if it ever does get there. The DC overview of the UHD system did not say much about the audio system that went with it though. (Nor did it go into any sort of details about how the system was setup for the demonstrations.)

    8. Re:A bit more info and obvious first application by rco3 · · Score: 1

      " testicle could take up as many pixels as your webcam!

      Hell, goatse could hold an entire HDTV image - or two! [shudders] Eww... I think I grossed my _self_ out!

      --

      Ce n'est pas un vrai mouvement de robot!
    9. Re:A bit more info and obvious first application by farble1670 · · Score: 1

      whatever 22.2 is, it sure sounds like a lotta speakers.

      this is exactly the type of sharp, quick witted analysis that keeps me reading slashdot.

    10. Re:A bit more info and obvious first application by OverlordQ · · Score: 1, Troll

      So did you actually hook the lights up this time, or is this another case of You being full of shit?

      --
      Your hair look like poop, Bob! - Wanker.
    11. Re:A bit more info and obvious first application by diablomonic · · Score: 4, Insightful
      What is annoying to me is that even with all those pixels, which is coming close to enough to properly completely trick the eye (some people estimate that the eye can see somewhere round 5000 by 10000 "pixels" accross our full field of view, maybe more for some people), they have left it as ~25 frames a second (~32,000,000 pixels * 3 bytes of info per pixel (but why only use 24bit true colour when your going for this quality?) is roughly 96 MB per frame, and the uncompressed total was ~2.5 GB per second, which is roughly 25 frames a second.

      I realise that they most likely did this becouse it would be damn hard to get any higher with that amount of data per frame, but still, if your someone who is designing a spec and aiming for a new super dooper standard, PLEASE UP THE FRAME RATE. 25 FPS SUCKS for fast action.

      also, anyone who is going to argue with this and say 25 is all you need, please read and understand this before hand, or else shut up: www.100fps.com

      --
      watch "the money masters" on google video
    12. Re:A bit more info and obvious first application by diablomonic · · Score: 1
      hehe should of really read the extra info someone posted, 60 Hz progressive !!!!! YAY (although I'd prolly go even further hehe), although this makes me wonder where I went wrong in my earlier calculations: 24 Gb/s /( 60 FPS * 33 000 000 pixels) = 12 bits of info per pixel ?????? 3 bit rgb channels??? heheh yay for CGA or whatever this is hehe

      I guess they must have lowered the FPS in this one to 25fps for testing

      --
      watch "the money masters" on google video
    13. Re:A bit more info and obvious first application by Maxhrk · · Score: 0

      Kudo to your funny Javascript alert message.. Best funny message ever. :)

    14. Re:A bit more info and obvious first application by Jozer99 · · Score: 2, Funny

      Not only do you see pores on the pitchers face, but the bacteria in those pores. Next week: SUHDTV (Super Ungodly High Definition TV), so you can see cell processes in the pitcher's eyebrow cells.

    15. Re:A bit more info and obvious first application by PopCR · · Score: 1, Interesting

      You gotta remember that the decision to shoot movies at 24 fps is an artistic one. If you go higher than that then what you're watching stops being entertainement and something more like real life. Have you ever watched any of those European PAL 60 fps shows? They're just way too real to be enjoyed. Reality needs to be abstracted in order for it to be entertaining. Here's another example: have you ever watched a documentary of a movie being made or something along those lines? You know, a 30 or 60 fps film showing the director shooting a scence for a 24 fps movie. That scene looks totally boring and hyperrealistic when seen at 30 or 60 fps, but all of a sudden when it comes out in the movie theaters at 24 fps it comes alive. Why haven't painters everywhere been replaced by photographers? Because people are bored of reality. They want something interesting to look at. They want art, dammit. That's what movies are - art.

    16. Re:A bit more info and obvious first application by diablomonic · · Score: 1
      although your point is one I had not thought of, I have to say I dont agree (in most cases) I can think of some scenes in movies that work well at slow rates (ie get an artistic feel bedause of it) but you can always emulate these if you want by showing 60fps with two frames per image (half the rate)

      What your saying however is kind of like saying "sculpting a statue in nice smooth marble is not artistic, the only way to sculpt artisticly is to leave some rough edges", sure, some artists will use the roughness of the piece to convey something , but others will want to convey whatever it is they are saying using a smooth piece of marble. Limiting all artists to the rough piece limits the art that can be made. (not to mention that I dont buy the whole faster frame-rates/less interesting thing, that s just rubbish)

      --
      watch "the money masters" on google video
    17. Re:A bit more info and obvious first application by connorbd · · Score: 2, Insightful

      There's no other practical use for it but movie theatres. The bandwidth demands are obscene -- you couldn't broadcast with it, and you'd need to run it over fiber rather than coax for cable TV. Not to mention that a minimally sized UHDV set would take up most of a wall.

    18. Re:A bit more info and obvious first application by IdleTime · · Score: 1

      Now, if they only could produce one that also turn the baseball player blue when doping is dioscovered, I would be happy! (Yeah-yeah it's semi off-topic!)

      --
      If you mod me down, I *will* introduce you to my sister!
    19. Re:A bit more info and obvious first application by Jozer99 · · Score: 1

      Proceeding to mod you down. ;)

    20. Re:A bit more info and obvious first application by NanoGator · · Score: 1, Interesting

      "I realise that they most likely did this becouse it would be damn hard to get any higher with that amount of data per frame, but still, if your someone who is designing a spec and aiming for a new super dooper standard, PLEASE UP THE FRAME RATE. 25 FPS SUCKS for fast action."

      I think I read somewhere that some IMAX movies run at 60FPS, for that very reason. But I have to wonder if higher frame rates were available in films, would dramas use them? I mean, TV is capable of doing 60FPS. (50 in Europe) Yet they halve that for shows like M*A*S*H and X-Files. Whereas, shows like That 70's show do the full interlacing trick. The higher frame rate is nicer in some ways, but it has a way of dampening the drama of a shot. Example: I mentioned That 70's Show. It had a fair bit of light hearted drama in it. There was a recap show that went on about the previous season, I think it had to do with Eric and Donna breaking up. For the clips show, they lowered the frame rate. (No idea why, but they did.) That scene, which I remember as being rather light hearted when it originally aired, looked a lot more dramatic in the clip show due to the lower frame rate. It was more like watching important events in the past than watching something taking place right now.

      My point? If shows are intentionally being made today with lower frame rates, then doesn't it stand to reason that the 24FPS standard will probably be used in movies like Star Wars? I'd like to say yes more definitively, but I really can't back that up with a director's quote or anything like that.

      --
      "Derp de derp."
    21. Re:A bit more info and obvious first application by Anonymous Coward · · Score: 0

      Imax at 60fps?, hardly. Normal 35mm projectors move film at 24 fps, with a 2-bladed shutter exposing each frame twice, for an image refresh rate of 48fps. I can't imagine moving Imax sized film (70mm) at 60fps.

      Absolute resolution is overrated. Even for those folks that have HDTV at home, few of them will notice the difference between 1080 and 720. Frame rate is important for things like sports programming, which is why ABC, and more recently FOX, have swayed towards the 720p/60fps HDTV standard, while networks that show more "dramatic" programming (NBC, CBS, et al.) have stuck with 1080p/24fps.

      In the end, however, with a few stages of compression and a poorly aligned TV, it will all look like crap once it gets into the viewers home.

    22. Re:A bit more info and obvious first application by ChrisMaple · · Score: 1

      Most of "That `70s Show" is shot at 24 fps, as can be verified by single-framing through a digital capture of a portion of the show. In my limited experience, most non-live-broadcast shows are done this way. "Married With Children", on the other hand, is 60 Hz. interlaced.

      --
      Contribute to civilization: ari.aynrand.org/donate
    23. Re:A bit more info and obvious first application by dschmelzer · · Score: 1

      12 bits of information per pixel is a common standard for video. 8 bits per pixel for detail (grayscale). 8 bits every two pixels for color. Some video uses 8 bits every 4 pixels for color and it still looks great.

      The human eye sees detail information a lot better than color information.

    24. Re:A bit more info and obvious first application by NanoGator · · Score: 0, Troll

      "Imax at 60fps?, hardly. Normal 35mm projectors move film at 24 fps, with a 2-bladed shutter exposing each frame twice, for an image refresh rate of 48fps. I can't imagine moving Imax sized film (70mm) at 60fps"

      Maybe you can't imagine it, but it's happened. They did it because the visual area was real big and they were trying to impress speed upon the audience.

      Still don't believe me? 1.) Google for it, it's documented. 2.) They make 35mm cameras that can capture at 300 FPS. No, I didn't typo that. Three Hundred Frames Per Second. There isn't any particular reason why they could capture faster than they could display.

      --
      "Derp de derp."
    25. Re:A bit more info and obvious first application by InvalidError · · Score: 1

      If the OLED/LEP people from 2004 were right, 2006 should bring us the first-gen desktop/laptop OLED displays... and if their projections on scalability and low price turn out to be right, we might get affordable 50" quarter-UHD/quadruple-HD (3840x2160) displays early in the next decade. Gamers may have to give up on 16xAA for a while to run this at its native resolution.

      Since the OLED/LEP people managed to fix blue's short lifespan early this year, maybe they will soon be ready to start making larger displays for stuff besides battery-operated semi-disposable devices, perhaps just in time for me to replace my twitching CRT.

    26. Re:A bit more info and obvious first application by Comen · · Score: 1

      Agreed,
      Why are they useing 29fps anyway? is this still a interlaced format then?
      I am guessing so, interlaced might be OK to run at 29fps but progressive would look horrible I would think.

      I seem to remember that interlaced is used to hide the fact that your are only showing 29fps, and was used to save bandwidth, also that it trying to trick your eyes into not noticeing the 29fps choppiness or whatever.

      So saying 29fps is because of something to do with art is crazy. I would also assume that film in cinema would be running at 60fps, since it is progressive, but maybe not? maybe they use some other ways to trick the eyes?

    27. Re:A bit more info and obvious first application by EternityInterface · · Score: 0

      Uh, I'm confused on the numbers, but I'd do:

      horiz * vert * channels * bits per channel * framerate / to bytes / to kb / to mb / to gb

      7680*4320*3*8*60/8/1024/1024/1024 = 5,56gb/s

      Notes:

      * The sound shouldn't be forgotten though. Cd audio is 1411kbps, but it's with 12x more channels, so 16.5mb/s... which is forgettable in gb/s.

      * Megapixels are a scam. Yes, it's correct if the image is B/W.

      --
      the sun is god
    28. Re:A bit more info and obvious first application by blincoln · · Score: 2, Interesting

      why only use 24bit true colour when your going for this quality?

      Yeah, this is stupid.

      I would take HD resolution with an improved colour model over this any day.

      --
      "...always new atoms but always doing the same dance, remembering what the dance was yesterday." -Richard Feynman
    29. Re:A bit more info and obvious first application by Anonymous Coward · · Score: 0

      Most sitcoms and dramas are still shot on film. (an older 24fps progressive analog chemical-based capture system). The cheap ones are shot on video. You can usually tell the difference without step framing. NTSC video is 60hz interlaced, or 29.97 fps

    30. Re:A bit more info and obvious first application by protohiro1 · · Score: 1

      Film in a cinema is 24 fps. Interlaced is not an artistic or stylistic decision, it was made as a result of technical limits of the technology.

      --
      Sig removed because it was obnoxious
    31. Re:A bit more info and obvious first application by I+judge+you · · Score: 1
      Have you ever watched any of those European PAL 60 fps shows? They're just way too real to be enjoyed. Reality needs to be abstracted in order for it to be entertaining. Here's another example: have you ever watched a documentary of a movie being made or something along those lines? You know, a 30 or 60 fps film showing the director shooting a scence for a 24 fps movie. That scene looks totally boring and hyperrealistic when seen at 30 or 60 fps, but all of a sudden when it comes out in the movie theaters at 24 fps it comes alive

      That's a nice theory. Except for the part about being totally wrong.

      The reason the look different is that we've been culturally trained to associate "real life" video (news, etc) with 60(i) and "fiction" film with 24p. The assocated artifacts of lighting and technology (video vs film) make a much bigger impact. In fact, most people find it difficult to distinguish between 60p and 24p video both shot to look like film. I judge you: pompous and ignorant Sentence: well, being you is its own punishment.

    32. Re:A bit more info and obvious first application by radu124 · · Score: 1

      If you zoom close enough you'll only see a stream of green, falling letters.

    33. Re:A bit more info and obvious first application by radu124 · · Score: 1

      not really, only for uncompressed streams.

      Resolution is only about 100x more than a "Normal" stream that is compressed to about 1Mbps

      so an 100Mbps line should be enough for a compressed stream. It's true, you'll then need a very powerfull encoder/decoder, or you could just split the image in sections and compress/decompress them separately.

      I don't expect the image to be same as sharp (pixelwise) as a low-res image, which should improve compression, on the other hand Motion Estimation will e a bitch to perform, as even a small camera movement will cause jumps of hundreds of pixels. But maybe that can be overcome too.

    34. Re:A bit more info and obvious first application by radu124 · · Score: 1

      If you're using neon lights for illumination (old ones, not the new type with oscillator) then you're practically enjoying life at 60 Hz (or 50 if you're in Europe) because of the stroboscopic effect.

      Even at lower frequencies (30Hz) you'll maybe get a headache but you're not likely to observe any flickering.

    35. Re:A bit more info and obvious first application by Anonymous Coward · · Score: 0
      There isn't any particular reason why they could capture faster than they could display.

      uhhhhh, what about for slow-motion, in sports coverage and the like? 300 FPS means you can play it at 1/10 the speed and still get 30 FPS.

    36. Re:A bit more info and obvious first application by Anonymous Coward · · Score: 0

      Did you even read your own link? It explains right in there that the only reason you need high frame rates in video games is because you don't have motion blur in games. Video footage has motion blur built into it (if filmed with a proper shutter speed). Low quality animations (ie: South Park) don't really have this problem because they aren't trying to be photorealistic. The super high quality animations (ie: Toy Story) don't have this problem because motion blur support is built into their rendering system. So the only real reason we can come up with to support 100fps on a TV are for playing video games on the TV or so that you can pause the video and get a super sharp image. I'd say both of those are pretty low on the list of priorities.

    37. Re:A bit more info and obvious first application by rnhg · · Score: 1

      LOL. The p0rn industry will take advantage of this technology? Yeah, right. In fact, they are avoiding hi def like the plague. Most of the 'stars' they employ have terrible skin and zits, which can be covered by theater make-up for SD broadcast quality recordings. But in HD, these people look like cr*p and HD viewers are quietly throwing up in the wastebaskets at the mere thought of sticking anything into these creatures, let along a much-revered part of their own anatomy. HD is anathema to the industry, and the longer they can stick with SD, and let you happy consumers live with your imaginations and fantasies, the happier they will be. High definition production values are difficult to achieve for professional movie makers: for these guys, they just don't want or need to go there.

    38. Re:A bit more info and obvious first application by birge · · Score: 1

      thanks for the link of psuedoscientific bullshit. like we don't have enough hollow controversy around here as it is...

    39. Re:A bit more info and obvious first application by Guspaz · · Score: 1

      I can understand wanting high quality if you're going to use it in a movie theater, but it would seem to me that 24 gigabits are overkill. Totally ignoring the audio bitrates (which is inconsequential), 7680x4320 is about a hundred times the number of pixels as DVD (720x480). Consumer DVDs go up to about 10mbit. This means that this "SHV" stuff should only need about ONE GIGABIT total, and because the resolution is so high you could probably decrease that a lot before anybody would notice. After all, if the compression artifacts are smaller than the human eye can see, then there is still room to decrease bitrate.

      I'm assuming, of course, that they're using MPEG-2. If they were using something more modern like MPEG-4 or h.264, then you could probably get the bitrate down to 500mbit or so. Of course, no matter what codec you choose, you're going to need dozens of decoder chips.

      Using 24 gigabits for this is the equivalent of 240 megabit DVDs. That's way beyond overkill. A DVD would be able to store something like 5 minutes of video, assuming it could read that fast.

    40. Re:A bit more info and obvious first application by InvalidError · · Score: 1

      The article linked here was 24Gbps for RAW video.

      UHD is only ~100X the resolution of SD so 1Gbps would be the most they might require if they used MPEG2. But the higher the resolution, the easier it usually is to find redundancy in images and sequences so 500Mbps or less would be fairly realistic even with MPEG2. H264 might be able to reduce this to less than 100Mbps but the computing power necessary to encode and decode the video in realtime would be somewhat insane. Not having the encoding and decoding processing power necessary to handle compression is most likely the reason why NHK did its demos with a raw digital video stream.

    41. Re:A bit more info and obvious first application by higon · · Score: 0

      No, IMAX runs at 48fps and has lower resolution than the one being talked here. Their SHDTV set is already working at 60fps in closed system. What this report say is 30fps THROUGH IP network.

    42. Re:A bit more info and obvious first application by Squirrelgirl · · Score: 1

      just wait for the first 32" laptops for your travelling movie convenience...

    43. Re:A bit more info and obvious first application by Guspaz · · Score: 1

      It's certainly possible. Sony's Cell processor, for example, might be a really stupid design for a gaming console, but the SPEs are damned good at decoding video. I recall the PS3's Cell chip being able to decode something like 8 HD streams, one per each SPE. So really, with UHD being 16x the resolution of HD (Going by the article's figures, not bothering to check them) you only need two cell processors to decode an MPEG-2 UHD stream. Assuming, of course, that the UHD stream is really 16 individual HD streams stitched together. This is not exactly a hurculean task, it is one that is eminently possible with current consumer-level hardware. It's not even very expensive.

      The problem comes down to storage. Even at one gigabit, a DVD would only store a little over a minute of video. A dual-layer blu-ray disc with 50GB of storage would make it for almost 7 minutes. Hard-drives are out of the question because they can only read at about half a gigabit for the fastest of them. (of course DVD suffers the same problem). Some sort of custom high-speed tape solution might work. Really, though, you need either a MASSIVE RAID array, or a holographic disc. Holographic discs, IIRC, are not currently that far beyond traditional optical discs. They represent a potential in the future, but for now they're not a huge advantage.

      One practical solution might be an array of 25 blu-ray disc readers, with the 100 HD video streams split up among them. The total read speed would certainly be high enough, and that would give you enough storage space for almost any movie up to almost 3 hours in length. This would keep the cost somewhat reasonable, and might actually work. All this requires of the BD readers is that they support a 4x readspeed, where 1x is the speed needed to read an HD stream. 4 HD streams is only 5 megabytes per second, which is not unreasonable for such a high-density optical medium.

    44. Re:A bit more info and obvious first application by InvalidError · · Score: 1

      UDH is 16X the resolution but if encoded as one single stream, the extra redundancy would make it possible to encode an UHD stream using less than 10X HD's bandwidth and still achieve better results. The 16X increase in pixel count combined with more motion compensation and processing inefficiencies would quite possibly lead to a more than 20X increase in required processing power.

      1Gbps is not so bad for movie theaters... that's only 125MB/s, the realm of mid-range five disk RAID5 arrays or entry-level RAID0. If each screen has its own RAID5 array, this would work fairly well. Also, 1Gbps is pretty high so I am guessing actual deployments will have lower bitrates, somewhere in the 400-600Mbps range, comfortably within GbE and RAID5 realms. Since SD is 10Mbps and UHD has ~50X SD's resolution, 500Mbps seems like a perfectly reasonable rate target.

      No need for a fancy Blu-Ray/HDDVD/whatever array.

    45. Re:A bit more info and obvious first application by Guspaz · · Score: 1

      Processing one stream encoded is going to be nigh impossible to decode. Only by splitting it up are you going to be able to decode the thing without spending a ridiculous amount of money on the problem. As I pointed out, two Cell chips could decode an MPEG-2 SHV video, so long as it is split up into 16 HD streams. Cell's SPEs have no branch predictors, but are monsters at raw number crunching, and each of the SPEs on a Cell can decode a seperate HD stream. I'm not certain about how well the task of decoding a video can be split up among processors, but I don't think you could create a device that would cost only a few thousand dollars that could decode an SHV stream without splitting it up. Yes, there is a bit more redundancy to exploit, but I don't think the possible advantages are worth it. I think you're actually going to increase the processing requirements beyond what 16 individual HD streams would need, because stuff like motion compensation is going to have to consider a way larger image, among other things.

      A gigabit is a high estimate, given. HD streams are 25mgbit MPEG-2, as I understand it. 16x that is 400mbit. So let's go for 400mbit as our assumption.

      A RAID array is dangerous. You're relying mightly heavily on something that can so easily be affected by things such as the location of the stripe on the disk, or any sort of fragmentation. Hard drives can push 30 or 40 megabytes at their slowest points, yes, but that is only during a contiguous read. Start fragmenting stuff and that number plummets.

      This actually leads to another good reason to cut the SHV stream up into 16 HD streams; easier to get faster storage. With one big honking stream, you need the entire thing to be on one logical volume; a RAID array. You have to be able to get at LEAST a gigabit off that single logical volume, and that's going to be mighty difficult. However, as soon as you start splitting up the stream, it becomes easier. Take 16 hard drives. 16 seperate hard drives. Each one stores one of the HD streams. To store a feature-length movie, each drive only has to be a cheap 40GB 7200RPM drive (That's enough for about 3.5 hours). Each drive only has to sustain a ~3.2 MB/s read speed, possible even with fragmentation. Drives don't have to be in RAID, but can be independent disks on their own SATA channels.

      Assuming Sony/Toshiba/IBM ever make an actual ATX Cell motherboard with semi-standard components, at some point in the future you could build a box to decode this with off-the-shelf software. Grab a full-tower case with room for 16 hard drives, pop in 3 or 4 SATA cards to handle the drives, put them on a dual-processor Cell motherboard, and you're set.

      The two processors have 16 SPEs combined (One for each HD stream), and 2 PPEs (More traditional processors). The SPEs do the decoding work, the two PPEs handle compositing (not a major task), system stuff, drive reads, etc. Total cost of the system, not including software? I'd guess somewhere between $5,000 and $10,000 US. A cost that is likely to be a hell of a lot less than whatever projector is needed to get the resulting video onto a screen ;)

      Distribution is more of a problem. At 400mbit we're talking 0.5TB for the whole shebang (Audio is extra, yes, but still inconsequential processor and bitrate-wise compared to the video). Distributing that is a problem. Tape-based storage doesn't go that big, no optical format exists that goes that large, and hard-drives are rather delicate for distribution. About all I could think of is that the movie be distributed on 16 seperate optical discs (Blu ray or HDDVD), one per HD stream. One would copy it onto the decoding box before performance. Come to think of it, distributing 16 optical discs to a theater isn't that big a deal; they would still take up a lot less space and cost a lot less to produce than the current huge canisters of films shipped to movie theaters.

    46. Re:A bit more info and obvious first application by InvalidError · · Score: 1

      400Mbps seems like a reasonable worst-case scenario but I would expect full-frame single-stream video to go a fair bit lower given that HD has 6X SD's resolution but uses less than 3X as much bandwidth. Even 300Mbps total would probably still be conservative.

      400Mbps = 50MB/s, a three disk RAID0 array can handle that even if each drive bottoms out at 20MB/s. With a five drive RAID5 array, the array would bottom out around 80MB/s. Given the cost of the projection and sound system equipment (over $200k), putting a 1GB buffer (a 15 second safety margin for less than $75) in the decoding equipment to smooth out any hiccups in the storage/network system would be a sensible thing to do.

      For fragmentation, most movie theaters usually show only 2-3 features in any given room at any given time. Defragging could be done by simply wiping out the drives and doing an automated multicast overnight re-copying from backups/master every time the screen's lineup is changed. If each screen has its own storage, the access pattern will be 99.99% linear from here. For distribution, a 100Mbps fiber link could take care of that in about 12h per movie, less than the time it takes to duplicate, ship and shuffle reels (or 10+ Blu-Ray disks) and you only need one master image for however many screens the theater may have.

      Another problem when you compare a 16 HDD setup to a RAID6 (active spare) is that you need 10 extra drives. With a $500 hardware RAID6 controller and $150 HDDs VS 16x $100 HDDs, the RAID6 solution is still $200 cheaper and has double-fault tolerance. Whith the individual HDD setup, you have zero tolerance with nearly three times as many drives (and power) until you at least double it all up and make the RAID6 solution at least $1800 less expensive. Sure, the RAID is a potential single-point failure... but who wants to watch a movie with 1/16 of the screen missing anyway?

    47. Re:A bit more info and obvious first application by Guspaz · · Score: 1

      400Mbps seems like a reasonable worst-case scenario but I would expect full-frame single-stream video to go a fair bit lower given that HD has 6X SD's resolution but uses less than 3X as much bandwidth. Even 300Mbps total would probably still be conservative.

      I'll conceed that, you would probably see lower than 400mbit. But this still involves the problem with decoding it. Does any hardware exist that could decode such a massive MPEG-2 stream? Certainly no general purpose processor can, and I cringe at the cost of a dedicated MPEG-2 decoder that could handle such a stream.

      By splitting up the stream, you are sacrificing bandwidth for decodability. But you can gain that back. In a short while when the Cell (or whatever processor technology) has advanced to the point that it can decode h.264 (Probably not that far off), you can get the bandwidth down to what it would be with one single MPEG-2 stream, but it will still be easier to decode because the job can be split up.

      On the other hand, if there is some way to evenly divide the job of decoding an MPEG-2 stream among multiple processors, then my entire argument is pointless.

      The 100 megabit fiber link for distribution isn't going to fly, I think. The cost isn't minor, for one. Let's assume you get it at bargain prices, roughly $1000 US/mth (Cogent, for example). That is no small expense. On the other hand, the cost of burning a few blue ray discs (which works with 16 HD streams or one giant stream) per-theater is going to be way less. A few dollars per film, versus perhaps a hundred per film. Not to mention safer, as far as the MPAA is probably concerned. I don't think they'd go for the idea of transferring their stuff over the internet, encrypted or not. And yes, it HAS to go over the public internet, because there is no single data network that can get your data to every movie theater in the world that is going to play your film. Nobody has that kind of coverage.

    48. Re:A bit more info and obvious first application by InvalidError · · Score: 1

      Decoding can be distributed by tiling... but this could be quite sub-optimal if all the changes are concentrated in a distinc region subset. This can be reduced by splitting the job in more regions but that would increase the amount of overlap across regions (to avoid tearing across regions) and also increase the dispatcher's workload. My WAG is that the distributed single stream decoder would require ~25% more processing power than the 16xHD approach. While packing this much processing power in a single chip might be diffucult, I think I would be more concerned about giving it enough RAM bandwidth to do its job given that the decoded raw video alone is already over 3GB/s - this easily beats the difficulty of delivering even 1Gbps to the beast.

      Wether the movies are distributed by network or by disks, people might still be able to swap them around, preferably from an unencrypted copy stored on the primary server or local arrays. But even after getting this hypothetically unencrypted file, transcoding it on commodity hardware to a more usable format would take quite a few cpu-days... but after this step, you're back at DVD resolutions and quality, defeating much of the point of getting the UHD video source.

      As for distribution, I am WAG-ing many ISPs would gladly trade (or substantially discount) a 100Mbps link for banners in movie theaters' halls and/or ad clips.

    49. Re:A bit more info and obvious first application by Guspaz · · Score: 1

      You don't have to worry about packing it into a single chip. You can throw a multi-processor multi-core system at it, or as I mentioned previously, something based on the Cell architechture. The SPEs might lack a branch predictor, but they're great at raw number crunching, which is why one cell processor can decode 8 or 9 HD streams at a time. I have no idea how many HD streams a single Opteron core can handle, but quad-opteron systems with 8 cores total are still easily available.

      Memory bandwidth shouldn't be too big of a concern. DDR2-533 gives you about 4.5 to 6 GB/s in practice, looking at some benchmarks. I would imagine dual-channel would increase that further, along with multi-core and multi-processor systems having seperate memory controllers per-processor. I'm going to wager a guess that memory bandwidth isn't that big of a problem. Splitting the video, though, totally eliminates the issue; the decoding doesn't even have to be done by one computer, as it can all be composited together later.

      Who said that people had to transcode it back to DVD res before sharing it? Nothing is stopping people from transcoding it to 720p or 1080p. I've actually seen TV content at 720p available via BitTorrent, ripped from the original HD streams. People regularly swap DVD-R encodes of movies, at 4.7GB a pop, so moving the data isn't an issue.

      So getting your hands on a UHD source does give you the benefit of being able to make an HD encode when the only other encodes available are DVD hand-cam recordings. Heck, the UHD --> HD stream would look better than an eventual DVD release.

    50. Re:A bit more info and obvious first application by InvalidError · · Score: 1

      The PS3 Cell has seven DSP cores tuned to do the sort of number-crunching necessary for decoding and rendering. A Cell DSP can work on 8 half-precision floats per clock while x86(-64) can only work with 4 single-precision per clock at best since current x86 CPUs only have one MAC (multiply-accumulate) block in their FPUs. So, a single 1+8 Cell can churn out 16X as many half-precision floats as a x86 CPU can churn out its lowest (overkill) precision. A 8xOpteron system would be less than half-way to matching a single cell's DSP power.

      The 3GB/s RAM bandwidth was only the output buffer's write bandwidth assuming (an impossible) single-pass decoding. You also needs another 3GB/s to be passed on to the projector at the same minimum rate so, there goes another 3GB/s. The DSPs can do some processing re-ordering to reduce RAM reads and writes but chances are that the processing will need an average of at least two passes (read+write) so that is another 12GB/s + another 6GB/s for frames where many pixels hit three passes as a safety margin. Add RAM latency and idle cycles, the target flies to 30GB/s and beyond. With DDR2-533, this would mean going with octuple channels.

      As for moving the data, yes, once it is transcoded to sub-DVD size it becomes trivial. Getting and transcoding the original 250-500GB UHD stream would be a less trivial - the download at 10Mbps still takes most of a week assuming 500GB sources are somehow made available online... breaking in a theater or having a clerk do the copy or steal an array would be possible if the security is somewhat weak though. Since PCs lack the Cell's DSP power, transcoding on PCs would take days mostly because of the UHD decoding and down-sampling using filters to preserve some fine details instead of point-sampling.

      But you're right for distribution, it ultimately does not really matter. No matter how non-practical the initial re-encoding may be and no matter how much the studios push DRM to prevent us from copying stuff, we still only need one person with the know-how and motivation to successfully pull it off.

    51. Re:A bit more info and obvious first application by Guspaz · · Score: 1

      The PS3 Cell has seven DSP cores tuned to do the sort of number-crunching necessary for decoding and rendering. A Cell DSP can work on 8 half-precision floats per clock while x86(-64) can only work with 4 single-precision per clock at best since current x86 CPUs only have one MAC (multiply-accumulate) block in their FPUs. So, a single 1+8 Cell can churn out 16X as many half-precision floats as a x86 CPU can churn out its lowest (overkill) precision. A 8xOpteron system would be less than half-way to matching a single cell's DSP power.

      So then it looks like semi-customized hardware is required. The Cell is an ideal candidate. If a single x86 processor can handle an HD stream, and a Cell SPE is 16x more powerful, perhaps one could do the work with just one Cell processor (8 SPEs + 1 PPE) rather than two (16+2).

      The 3GB/s RAM bandwidth was only the output buffer's write bandwidth assuming (an impossible) single-pass decoding. You also needs another 3GB/s to be passed on to the projector at the same minimum rate so, there goes another 3GB/s. The DSPs can do some processing re-ordering to reduce RAM reads and writes but chances are that the processing will need an average of at least two passes (read+write) so that is another 12GB/s + another 6GB/s for frames where many pixels hit three passes as a safety margin. Add RAM latency and idle cycles, the target flies to 30GB/s and beyond. With DDR2-533, this would mean going with octuple channels.

      As for bandwidth, well, toss some GDDR3 at the problem and you're much improved over DDR2. GDDR3 has about 22.4GB/s of bandwidth. The XBOX 360 uses it for system RAM and video RAM. The PS3 uses it for video, with XDR RAM (25.6GB/s) for system memory. The GPU is attached to both memory systems, and the CPU and GPU are linked via a bus that can move data from CPU to GPU at 20GB/s.

      So by my estimates, we can pipe 6 of those GB/s towards the GPU (Output buffer + compositing + output to projector). That brings the remaining bandwidth down to ~24GB/s. That's pretty close to the PS3's capabilities. The XDR system memory has much lower latency than DDR-2, though, so you can probably shave off some of what you added for RAM latency.

      Come to think of it, assuming a Cell SPE (DSP) can decode 1/8 of a UHD stream (or 2 HD streams if you go the split route) the PS3 would need very little modification in order do the task. It'd need some changes to the graphics subsystem to handle outputting at such a high resolution. But with the PS3's launch price, and considering Sony already sells at a loss, such a system (Ignoring storage) could probably be made for one or two thousand dollars.

      That is, of course, assuming a single Cell is up to the task.

    52. Re:A bit more info and obvious first application by InvalidError · · Score: 1

      The PS3 might already be close to 30GB/s but it does not have the ~1GB RAM the decoding would require... 2x256MB for the front/back buffers tiled as 16x9 480x480x64bits, 256MB for intermediate images and processing buffers and 256MB to buffer the input stream. I forgot to take into consideration the fact that the buffers would have to be half-precision: if all intermediate results were stored in some 8bpp format, the final output would be horrible. This roughly doubles my previous bandwidth estimate to 70-80GB/s.

      So, simply connecting the RAM and meeting the bandwidth requirements would require going distributed. Decoding the video would require roughly three 1+8 cells so, a 4x(1+8) setup where each chip would have 256MB of ~20GB/s RAM and ~10GB/s interconnects (HT?) to two other cells and the IO hub should work nicely. From this point, the remaining major challenges would be load-balancing and making sure the system can pull through worst case scenarios where the motion is concentrated on one cell's tiles/RAM. In the worst case, tiles can be shrunk and shuffled until the distribution evens out again and the extra cell should easily offset any extra overhead.

      The even bigger challenge lies at the other end of this tunnel: capturing and encoding the source video. The raw video at 10bpp is ~3.5GB/s. Trying to store this as-is would require something like an array of 32 10x200GB RAID6 arrays to provide 51TB at 5.1GB/s, plenty fast but at 25TB for 2h of shooting, it would give litteral new meaning to the phrase "deleted scenes". Of course, the same overlapped tiling and quad-cell architecture should be able to produce lossless real-time 10X compression and save the day here as well. The huge array would still be necessary to sustain multiple cameras, feed the offline transcoders and store their outputs, serve 70Mbps QHD resolution review/planning streams and 700Mbps UHD screening streams, along with the low-compression streams during final editing and mastering.

      Ain't large-scale systems wonderful?

  3. What display? by Narkov · · Score: 1

    Thats all well and good but what kind of display can handle that resolution?

    1. Re:What display? by ergo98 · · Score: 1

      Thats all well and good but what kind of display can handle that resolution?

      A super matrix of LCD panels. Really with the continuing advances in LCD quality and yields, they're going to continue to get cheaper and cheaper, and there will come a time not too long from now when you can do a Farenheit 451 and have a room with walls that are giant televisions.

      Of course I'm still wondering how a 8K x 4K camera (32MP) comes out at "8MP". A quality 32MP camera is still years off.

    2. Re:What display? by suitepotato · · Score: 2, Interesting

      A laser based device would be the easiest and best choice. We do have the ability to direct lasers with extreme precision and excellent accurate repeatability. However, you might want to clear away an entire wall of one room, do it over in silvered white paint, and forget about using a cone of space starting at the projector and going across the room spreading to the whole wall. Now you have a real good reason to get going on remodelling the basement to make a TV room.

      --
      If my grammar and spelling are off, I am [distracted/tired/careless] (take your pick)
    3. Re:What display? by ergo98 · · Score: 1

      Of course I'm still wondering how a 8K x 4K camera (32MP) comes out at "8MP".

      Thinking about it, I suppose they mean that they matrixed 4 8MP sensors to create one image (just like standard photo-stitching).

    4. Re:What display? by Anonymous Coward · · Score: 0

      Thats all well and good but what kind of display can handle that resolution?

      You make me chuckle. My father said "What's the point of HDTV if my current TV can't display it?" I reminded him that HIS parents (my grandparents) said "What's the point of color TV if our current tube won't display in color?"

      Similarly, there are comments like "What's the point of a CD when all songs are only released on vinyl?" and I'm probably sure it dates well back to "What's the point of a horseless carriage when you need to re-fuel gas? Who sells GAS once you manage to drive 30 miles out of town?"

    5. Re:What display? by fiber0pti · · Score: 2, Interesting

      This might work: http://www.sandia.gov/media/NewsRel/NR2001/vizcor. htm

      I saw this thing in person. It's amazing.

    6. Re:What display? by Jozer99 · · Score: 1

      So, at $250 for a 17" 1280x1024 display, you only need a 7x5 array, thats 35 screens, or $8750. Then you need a computer that can handle 35 screens (~$10000), and the electricity bill (400W for the computer, 35*40W for the screens = 1800W, so 1.8KWh for every hour they are on) thats a whole lotta money.

    7. Re:What display? by Ironsides · · Score: 1

      I was at the 2005 NAB (National Association of Broadcasters) Convention in Las Vegas. NHK actually had a digital projector capable of displaying this. SGI had a ~4kx6k one as well. Sony had another. The cheapers ones cost $50k+ USD. The NHK one is probably more.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    8. Re:What display? by Helios1182 · · Score: 1
    9. Re:What display? by Anonymous Coward · · Score: 0

      Duder, they could just get 19" screens. They're cheap as chips, now.

    10. Re:What display? by Jozer99 · · Score: 1

      True, but lower DPI, and slightly more expensive. I figure, if you are building a 10 foot tall 8000x4500 screen, you are a very budget consious person.

    11. Re:What display? by Anonymous Coward · · Score: 0

      Amazing how everyone is off-base, I was expecting more from slashdotians. Forget about the displays. In the very near future pictures would be laser-projected onto our eyes' retinas. Just wait for blue and green lasers commercialization and subsequent price drop.

    12. Re:What display? by Hartmeister · · Score: 1

      Since it it will initially be used for movie theatres, it is likely that that it will be a DLP design.

    13. Re:What display? by Chosen+Reject · · Score: 1

      I figure if you are a very budget conscious person, you are not building a ten foor tall 8000x4500 screen.

      --
      Stop Global Warming!
      Just say no to irreversible processes!
    14. Re:What display? by Jozer99 · · Score: 1

      Sarcasm turned over in its grave.

  4. That's not the water main by ackthpt · · Score: 2, Funny
    That's the pipe coming into my house so I can watch Three Stooges in Super Hi-Vision.

    still can't get the EPL matches I want though, dammit

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:That's not the water main by Anonymous Coward · · Score: 0

      I too have a pipe in my house that I use to watch tv with super-high vision.

  5. why interlaced? by toy4two · · Score: 1

    1080i is so 1999, or so 1959 considering its interlaced.

    1. Re:why interlaced? by rusty0101 · · Score: 1

      No, 1080i is two 540 fields that overlap each other.. The sum is 1080 lines, thus 1080i.

      --
      You never know...
    2. Re:why interlaced? by rco3 · · Score: 1

      Either you really misunderstood GP post, or I *really* misunderstood your sarcasm.

      --

      Ce n'est pas un vrai mouvement de robot!
  6. Obsolete? Hardly. by Seumas · · Score: 2

    Yeah. Obsolete, huh. Whatever. Nice hyperbole.

    HDTV will be hitting in three or four years. It will be the standard for the next fifty years, just as we've stuck with the outdated "standard" we have now for however many decades. Don't expect to see any of this (in America, at least) in our lifetimes.

    1. Re:Obsolete? Hardly. by Anonymous Coward · · Score: 0

      Will be hitting? I've had HD for 4 years now. Don't know what you're smoking or what hole(probally a mammoths rectum) you're living in.

    2. Re:Obsolete? Hardly. by Narkov · · Score: 1

      Hardly critical mass if one geek has bleeding edge technology. HDTV isn't there yet.

    3. Re:Obsolete? Hardly. by Seumas · · Score: 0, Flamebait

      Great for you. You've had HDTV and a whole two channels of HDTV content to watch. Idiot.

    4. Re:Obsolete? Hardly. by timeOday · · Score: 2, Interesting
      You raise an interesting issue... will our new video standards last for 50 years like the first ones did?

      IMHO, they will not... I think we'll see more frequent improvements. First generation equipment was all implemented in hardware with a certain number of scan lines, refresh rate, color fidelity, and encoding scheme, yet downloaded videos vary in ALL of these parameters. From the early postage-stamp animated gifs, to video clip mpg, to VCD, SVCD, xVid, and now full DVD rips seem to be catching on. And even HDTV features not 1 but 3 different resolutions, which is a step in the right direction for special-purpose TV hardware.

    5. Re:Obsolete? Hardly. by Lemmy+Caution · · Score: 1

      What does it mean for a standard to last? If enough content is generated that is compatible with that standard, and in fact is created for it, that standard can be said to last.

      We need to be suspicious of the rhetoric of obselesence. Obviously, we never have the "best" technology possible - it's always a balance and negotiation between budgets, economies of scale, resources, and the like. And people's lives aren't all about what's called 'progressive time,' in which we are oriented only to a promised, unfolding future which justifies and motivates the present.

      The problem with tech neophilia is that it turns into permanent future-orientation, living for a time that is always about to arrive.

    6. Re:Obsolete? Hardly. by arminw · · Score: 1

      ...... I think we'll see more frequent improvements......

      Sure, we have seen great progress in fancy computer generated video and sound effects, but what improvements have there been to the PROGRAMS in the last 50 years? The sex has become more explicit and violence has become more graphic, the commercials more frenetic and numerous and the news reports more biased, dismal and depressing.

      Other than having to endure all that crap in stunning high and higher resolution, what signs are there that HD or super HD TV or Hollywood's films will reverse that trend?

      --
      All theory is gray
    7. Re:Obsolete? Hardly. by c_forq · · Score: 1

      Nice hyperbole

      You keep using that word. I do not think it means what you think it means.
      (I know the word was used correctly, but I just feel hyperbole is used way too much here).

      --
      Computers allow humans to make mistakes at the fastest speeds known, with the possible exception of tequila and handguns
    8. Re:Obsolete? Hardly. by artifex2004 · · Score: 1
      You keep using that word. I do not think it means what you think it means.
      (I know the word was used correctly, but I just feel hyperbole is used way too much here).

      So you're pre-emptively attacking?

    9. Re:Obsolete? Hardly. by chewy_2000 · · Score: 1
      The problem with tech neophilia is that it turns into permanent future-orientation, living for a time that is always about to arrive.

      That's one of the best one-line statements I've read on slashdot.

    10. Re:Obsolete? Hardly. by Jeremy+Erwin · · Score: 1

      If you live in a major market, you can get ATSC television over the air. The antenna requirements are not that onerous-- sure, a snowy black and white signal will be replaced with a rock-steady "NO-SIGNAL". But a moderately strong signal (fuzz is sometimes visible, colors aren't exactly stable) will often be replaced by a crystal clear. color perfect high definition image with no macroblocking.

      Most of primetime television is HD--although there are few stragglers-- cheap-ass reality shows are still filmed with obsolete technology. Fox shows a number of sports events in 480p widescreen, though not the semifinals/championship stuff. The stations in my market have been incrementally replacing Dolby Digital 2.0 soundtracks with DD 5.1 tracks--you've never experienced Late Night Television until you've experienced it with a dedicated LFE channel...

      TURN THAT DOWN OR I'M CALLING THE COPS...

      Ahem.

    11. Re:Obsolete? Hardly. by Trepalium · · Score: 1
      You seem to ignore one important detail -- SDTV still has a lot of life left in it. HD capable televisions haven't reached down into the low-end yet, and current TVs will probably still last 8-10 years before they need to be replaced. Plenty of TVs last 20 years before they finally bite the dust. It will likely take 10 to 20 years before HDTV-capable sets outnumber SDTV sets, and another 10-20 years past that before the SD sets are finally at a negligible number (like B&W TVs sets are today). Heck, I have a 7 year old TV that doesn't even have composite or S-Video connectors.

      Untill virtually every 20+ inch television sold is HD capable, HDTV will remain a niche product.

      --
      I used up all my sick days, so I'm calling in dead.
  7. Sounds super-dumb by Anonymous Coward · · Score: 0

    So how do you suspect we will get this data, at 24gbps, from source to destination? I have a feeling that it won't be going over the airwaves....nor the current cable-tv system.

  8. The picture is great... by Chocolate+Teapot · · Score: 4, Funny
    "Super Hi-Vision has huge information and was difficult to transmit. Using 16 waves on optic fiber, we succeeded a live relay over a long distance."

    ...but the sound is still a little disjointed.

    --
    Modest doubt is called the beacon of the wise. - William Shakespeare
    1. Re:The picture is great... by Anonymous Coward · · Score: 0

      well duhh its in japaneese so what do you expect?

    2. Re:The picture is great... by Anonymous Coward · · Score: 0

      Yea, I'm watching some Pr0n now on it, damm all those actors have crabs.

  9. My beta camcorder? by Barkley44 · · Score: 1

    So is this the next bext thing to retire my beta camcorder? Every time I'm about to make a choice, something better comes out ;)

    --
    KeepTrackOfIt.com - Find the lowest gas prices in your area graphically
  10. Random thought by amliebsch · · Score: 5, Funny
    "The signal of the total 24 gigabits per second was divided into 161.5 Gbps HD-SDI signals to sent using the DWDM (dense wavelength division multiplex) method."

    What color ray is that disc going to need? I'm guessing puce.

    --
    If you don't know where you are going, you will wind up somewhere else.
    1. Re:Random thought by Trigun · · Score: 1

      All of them.

    2. Re:Random thought by Punboy · · Score: 4, Interesting

      For this I am assuming 1cmx1cmx5mm for the size of Samsung's 16Gbit flash chip. This is probably slightly larger, but we must include the board on which they are soldered

      People made do with huge VHS tapes for years, right?

      So lets see how much storage we can cram into a VHS tape using flash.

      first lets gets the area of a VHS tape... 7 3/8 x 4 1/16 x 1. Thats in inches. So, lets use Google to calculate that into cubic centimeters.
      Thats about 491 Cubic centimeters.

      Now lets see how many cubic centimeters a single flash chip is.
      Thats 0.5 cubic centimeters. Now lets divide 491 by 0.5.
      Thats a whopping 982 flash chips!

      Now, how many gigabits of storage is that?
      15,712 Gigabits of storage space in a single VHS tape filled with 16Gbit flash. Wow. What is that in GB?
      1,964 gigabytes

      Ok, so we'd need 10 of those for a 2-hour movie. But you have to remember, thats uncompressed. If we compress it, we just may get a single movie into a 1,964GB flassette (flash-cassette, something i just made up).

      Woot.

      --
      If you like what I've said here, and want to read more, go to http://www.krillrblog.com
    3. Re:Random thought by Anonymous Coward · · Score: 1, Funny

      The 1 terabyte holographic discs they've been promising us for years now, obviously.

    4. Re:Random thought by Anonymous Coward · · Score: 0

      Black

    5. Re:Random thought by Catbeller · · Score: 0, Troll

      The company is out there, they have the tech, they're waiting for an investor.

      sometimes, the world is just too dense to change. D'ya think the BluRay/HD-DVD consortia want ANOTHER player, one that makes them look like tools, to enter the market? The Holographic Discs and cards are going to moulder to death in a dark media corner if the boys at the two competing standards have anything to say about it.

    6. Re:Random thought by wenchmagnet · · Score: 1

      The LTO5 standard should bring in tapes with an uncompressed capacity of 1TB each. This should not be such a difficult thing to manage for theaters.

    7. Re:Random thought by Catbeller · · Score: 1

      How, exactly, is pointing out that the introduction of the HD, a fully realized technology, would discommode the HD-DVD and BluRay warriors? 1 terabyte CD-sized would cream the 30-50 meg disc standard. A LOT of money has been spent on developing the HD/Blu-Ray tech and lobbying companies for support. You think the HD people are gonna get a voice in any of this? The market is not free -- it is organized by companies for companies, and the best and most useful tech is not necessarily the one that wins.

  11. Great by Anonymous Coward · · Score: 0

    Butt zits in porn at this resolution?

    Iew.

  12. Sounds nice..... by ShyGuy91284 · · Score: 1

    Let's see data transfer and storage catch up with this development to consider it an alternative to HDTV instead of it's eventual replacement....

    --
    In undeveloped countries, the consumer controls the market. In capitalist America, the market controls you.
    1. Re:Sounds nice..... by Danga · · Score: 1

      Let's see data transfer and storage catch up with this development to consider it an alternative to HDTV instead of it's eventual replacement....

      That is exactly what I was thinking as well. I thought I had a decent amount of storage but jeez even if it was all free I would only have enough space for recording about 20 seconds! It will be quite a long time I think before this would be feasable to use for mainstream recording with the current hardware limitations/prices.

      --
      Hey, there is only one Return and it's not of the King, it's of the Jedi.
  13. Good Job NHK!! by Knight+Thrasher · · Score: 1
    Now when I finish my Newest Investion Ever(TM) - the 5-Terabyte storage method, that can be mass-produced and then easily distributed, you can actually start getting companies to adopt your content! =D

    On a more serious note, this isn't making HDTV obsolete by any means - HDTV is just getting started, and can barely squeeze into broadcasters budgets. Since when will we ever live to see terabit fiberoptic connections to our homes, to carry multiple channels of this?

    1. Re:Good Job NHK!! by Punboy · · Score: 1

      You wouldn't need multiple channels, just have the reciever send a request for a certain channel to the distribution server and it servers only that channel down the pipe. At most you'd want what, 4 TVs in your house? So you'd only need bandwidth for at most 4 channels at once.

      --
      If you like what I've said here, and want to read more, go to http://www.krillrblog.com
  14. Video Downloads by lappy512 · · Score: 1

    Yeah, but only the Japanese have the 100Mbit pipes to download large videos like that, the people in america have 1-4 Mbit pipes :(

    1. Re:Video Downloads by spd303 · · Score: 1

      Not true! We have them here in Sweden, until recently it was a download limit and expensive but now all 10mbit fiber customers get 100mbit =) six weeks to go for me, sweet!

    2. Re:Video Downloads by c_forq · · Score: 1

      Yeah, but only the Korean Grandmas have the 100Mbit pipes to download large videos like that

      I fixed your sentence for you.

      --
      Computers allow humans to make mistakes at the fastest speeds known, with the possible exception of tequila and handguns
    3. Re:Video Downloads by Anonymous Coward · · Score: 0

      Hell I don't even have 1-4Mb pipe :(

      50KB Down.
      20KB Up.
      $30 a month >.

      Missouri sucks when it comes to broadband(Cable,DSL is not rolled out in my area).

    4. Re:Video Downloads by Superfarstucker · · Score: 1

      Even with a 100 megabit connection you'd need 3 weeks to download a feature length movie at this bitrate. And that's at 100% speed 24/7. It would take 4 minutes to download 30 frames of this video (1 sec) and take up 3 gigabytes of disk space.

    5. Re:Video Downloads by Anonymous Coward · · Score: 0

      So can americans travel to Sweden to get their pipe enlarged as well? Is it an expensive, painful operation?

    6. Re:Video Downloads by Rod+Beauvex · · Score: 0

      You do know people have been pirating since the days of the 1200 baud modem, right? They waited before, they'll do it again. ;) :p

  15. That's a bit of an overstatment... by Kjella · · Score: 4, Insightful

    Resolution doesn't make sense unless you can see it. HDTV adoption is slow at best, and consumers aren't going to move to a better format than that for many many decades. This format might be interesting for cinemas and such, but it's not significant to HDTV at all.

    --
    Live today, because you never know what tomorrow brings
    1. Re:That's a bit of an overstatment... by Superfarstucker · · Score: 1

      Even more to the point - no video source has a resolution even half of that. All the masters in existance would have to be upsampled to fit the format. Just think of the processing power used decoding something like that! It's truly amazing that they even rolled out the solution considering the costs involved and its relevance today

    2. Re:That's a bit of an overstatment... by ergo98 · · Score: 3, Informative

      HDTV adoption is slow at best, and consumers aren't going to move to a better format than that for many many decades.

      One of the benefits of HDTV, as commonly deployed, is that it decouples the display from the source - e.g. you can watch an 1080i signal on a 480i SDTV screen, a 720p, or a 1080i, or hypothetically anything larger. My LCD TV accepts a DVI input feeding from 480i to 1080i, and it displays it on the 720p screen.

      This decoupling is a major benefit, because if one of the satellite providers wanted to support this new hyper-format, they'd likely have a traditional DVI output, along with a new Super-DVI or whatever output.

      The huge schism that happened between NTSC and HDTV never needs to happen again, and there is no reason why we can't continually scale up. LCD prices are dropping, and it seems entirely reasonable that large grids of high resolution displays will become economical within a decade.

    3. Re:That's a bit of an overstatment... by Anonymous Coward · · Score: 1, Interesting

      Resolution doesn't make sense unless you can see it. HDTV adoption is slow at best, and consumers aren't going to move to a better format than that for many many decades.

      In the U.S., maybe. You may be interested in looking at the stats of households that have plasma flat screen HDTV units in Japan. They're selling like crazy. I don't have one, but all my co-workers do. Supposedly the entire terrestrial broadcasting system is going digital in 2007 in Japan. THat is, analog broadcasts end. Digital is already here, and a lot of it is HDTV.

      Considering the way Japanese consumerism goes (buy, use, trash, buy again) by the time this S-HDTV goes consumer level, I'm sure it'll sell. Even in the U.S., once the prices go low enough. Think about it. How many places still sell (or even make) B&W TVs? When your TV dies and no one sells analog non-HDTV units, you don't really have a choice other than giving up TV altogether. Which, by the way, doesn't sound like such a bad idea. My TV is used primarily for watching movies, and not for receiving TV signals. I already have an LCD projector, and I'm wondering if it isn't time to chuck the TV for once and for all.

    4. Re:That's a bit of an overstatment... by Munta · · Score: 1

      4 good reason why this can only be good for HDTV 1 - The Maximum resolution of a standard 42in HDTV is 45 pixels an inch. Imagine 184 pixels an inch. Or a 168 inch wide screen! 2 - With a 168 inch screen you could display your TV, your Email, your PC, your CCTV and still have room for more on one screen 3 - A whole wall showing a hi resolution immersive environmental picture 4 - Technological advance that companies will develop for to fill the first 3 points 5 - Advance of super HDTV will lower the price of "standard HDTV" to the masses. Any advance like this one can only further the true dream of an immersive information/mood/entertainment environment. Imagine developing software when all four walls of your office are your note pad! I see this as helping HDTV adoption as it provides so many more oportunities for its use.

      --
      Karmady is the best medicine.
    5. Re:That's a bit of an overstatment... by Hans+Lehmann · · Score: 1
      This format might be interesting for cinemas and such, but it's not significant to HDTV at all.

      Not even for cinemas. I saw a digital screening of The Incredibles last year. Projected by a Christie DLP projector (IIRC), the playback source was simply a Panasonic D5 VTR. That's 1920 x 1080 at 24 frames per second, minimal compression. The image was perfect, at least when compared to any normal film projection; no film weave, no dirt or scratches, and no discernable pixels from my seat in the middle of the theater. Would twice the resolution have made a noticable difference? Hardly.

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    6. Re:That's a bit of an overstatment... by ZeroZen · · Score: 1

      Okay. So i went to the mall today to find a chinese buffet, and i walk by a rack of HD DVD kareoke videos. So correct me if i'm wrong (but don't mod down!) but isn't hd dvd not out yet? Anyway. The point is, low def is so out. Everything should be recorded in high def (or higher!) and scaled down to the device it's being put out to. That way, it's value as a product continues!

      It's like, $100cdn for a 21" crt monitor these days (or cheaper) which displays rediculous resolutions. Why are TV's so goddamn expensive anyhow?!

      For the parent's parent, we have moved to another resolution. Every few years. On our pc's. And we've spent more on monitors than we have on tv's! Or at least, i have.

    7. Re:That's a bit of an overstatment... by ChrisMaple · · Score: 1

      You'd notice the improvement if you saw something twice as detailed, particularly if you saw it side-by-side. I'm reading this page on a 1800x1440 monitor. It's substantially better than the 1600x1200 that I was using. I want much more, but it's much too expensive now.

      --
      Contribute to civilization: ari.aynrand.org/donate
    8. Re:That's a bit of an overstatment... by dadioflex · · Score: 1

      Good luck persuading your wife/girlfriend to let you take up a whole wall with a TV screen. With women it's true - size doesn't matter but it had better fit with the general decor...

    9. Re:That's a bit of an overstatment... by gatzke · · Score: 1

      Yeah, you could even render it onto an ipod, but why?

      I am waiting until I can get a display that does 1080i / 1080p for real. Most only have native 720 lines of resolution. I can make my 21 inch CRT do it, but only a few LCDs and no plasmas can do it. The only projector I know of is about 25 grand.

      60 FPS at 1080 lines or better, everything else will scale up, but I would rather not have to take a signal that is down graded.

      IBM has that high density LCD that is like 3000x4000 and $5000, but it is still small scale. Now, it would be sweet to take 3 XGA LCDs and stitch them together to make one 2300x1024 display... Why can't they just scale up the DLP chip and sell me one for like $2000?

    10. Re:That's a bit of an overstatment... by instarx · · Score: 1

      You'd notice the improvement if you saw something twice as detailed, particularly if you saw it side-by-side. I'm reading this page on a 1800x1440 monitor. It's substantially better than the 1600x1200 that I was using. I want much more,

      I don't think you would see the difference. In traditional photography there is a term called the "circle of confusion" that describes the resolving power of the human eye. All the resoultion in the world, if it is beyond the circle of confusion, will not be perceived by the human eye as more detailed.

      In fact i think there may be too much resolution these days in any event. I still remember seeing Matrix III at an IMAX theater in NYC and having to look away during the close-ups of Lawrence Fishburne's face.

      Even on my HDTV at home it is pretty clear that HD can be used very badly by photographers, particularly when they show close-ups of faces. Videographers have been trained on SD camera techniques and often get way too close when they film in HD. Personally I'm not interested in seeing pimples, nose hairs and spittle. I keep waiting for software to be developed to automatically de-rez faces while keeping the backgrounds sharp, or for the directors to wise up and use the new technology better by opening up the traditional in-your-face close-up.

      And doggone it, while I'm on a roll about poor videography, why can't news photographers figure out that all news stations cover up the bottom 25% of the screen with scrolls and other crap? Can't they figure out that they have to put the important parts of their images in the top 2/3 of the frame?

  16. But...But...But.. by Anonymous Coward · · Score: 1, Funny

    This is HDTV! It's got better resolution than real life.

  17. 16x 1080i What?? by mpapet · · Score: 2, Insightful

    In typical slashdot byline fashion: Is this the end of HDTV? Tune in and see!

    The two places it would be great are:
    -Digital cinema. It might keep the movie theaters open a few more years. On the production side: Talk about a storage problem when you have to store all of the raw footage!
    -"jumbotron" type displays for arena-style live events.

    --
    http://www.maxineudall.com/2010/02/should-economists-be-sued-for-malpractice.html
    1. Re:16x 1080i What?? by TerranFury · · Score: 1

      You know, the individual pixels in jumbotrons are blocks of LEDs -- they're that big! We're just far enough away that they look fine anyway.

      So if honking LEDs suffice, I suspect super-duper-teeny-pixels won't quite be necessary!

    2. Re:16x 1080i What?? by Spy+der+Mann · · Score: 1

      In typical slashdot byline fashion: Is this the end of HDTV?

      If HD stands for Hard-Drive, you betcha! :P

    3. Re:16x 1080i What?? by TheSync · · Score: 1

      I've seen digital cinema in 2K (2048 pixels wide) and it looks great! But purists insist on 4K (4096 pixels wide).

  18. Live feed? by RobertKozak · · Score: 1

    Anyone have a link for the live feed?

    --
    Bet this .sig looks familiar.
    1. Re:Live feed? by Anonymous Coward · · Score: 0

      In Soviet Russia, the live feed slashdots you!

  19. Why i? by molrak · · Score: 1

    I skimmed the article--it's a bit light on the details, but I didn't read anywhere in the article that their Super Hi-Vision was interlaced. I would hope that the next generation of TV's (or whatever form they take) would get rid of this idiotic interlacing nonsense.

    --
    You're only as smart as your brain.
    1. Re:Why i? by mjeppsen · · Score: 1

      They state on the NHK site that the 16:9 super-duper-neato camera captures progressive images.

      Matthew Jeppsen
      www.FresHDV.com

  20. What a name! by rubberbando · · Score: 1

    'Super High Vision' sounds SuperUltraMegaCool!

    --
    DEAD DEAD DEAD DELETE ME
    1. Re:What a name! by majid_aldo · · Score: 1

      sig

      --
      --- widget evolution: enhanced, plus, super, ultra, extreme, exxxtreme, ultra-extreme, ..etc.
  21. Per hour by Punboy · · Score: 4, Informative

    24 (gigabits / sec) = 10.546875 terabytes / hour

    Thats 21TB for a standard-length movie! ~21,000GB! Foly Huck!

    --
    If you like what I've said here, and want to read more, go to http://www.krillrblog.com
    1. Re:Per hour by Anonymous Coward · · Score: 0

      Dude, 640K ought to be enough for anybody!

    2. Re:Per hour by Anonymous Coward · · Score: 0

      Now think about the poor islanders in the north that have to pay $84/GB "foreign download" :)

      They'll be paying One Million, Eight Hundred And Six Thousand Three Hundred Thirty Six U.S.Dollars for that 'Spiderman Seventhousand' movie.

      UGH ! :)

    3. Re:Per hour by Anonymous Coward · · Score: 1, Interesting

      Let's assume that video content can be compressed by 2000x in 10 years time. Currently H.264 can get a compression ratio of 1200:1 (http://www.shapeofdays.com/h264/ bottom) so this might not be too far out.

      21TB -> compression -> 11GB.

      Even if we decide that 2000:1 compression ratio is really taking it too far, a 500:1 compression ration would still give us a movie that would fit on next year's dual-layer Bluray disc. A 250:1 compression ratio will require a 4 layer disc however.

    4. Re:Per hour by Punboy · · Score: 1
      --
      If you like what I've said here, and want to read more, go to http://www.krillrblog.com
    5. Re:Per hour by Aggressiva · · Score: 0

      Dude, that's not a real quote, it's an urban myth.

    6. Re:Per hour by Kjella · · Score: 1

      Currently H.264 can get a compression ratio of 1200:1 but he says you can see the artifacts even at 250:1. You can do something that looks surprisingly well all the same, but 1200:1 is certainly past the sweet spot where you should have less resolution and less compression though.

      --
      Live today, because you never know what tomorrow brings
    7. Re:Per hour by hattig · · Score: 1

      So H.265 will be great at 250:1 in 5-10 years time. We'll have 100GB discs in the form of 4-layer BluRay, and they'll have been popular for 5 years and we'll be talking about 500GB VioRay and 10TB 'next-year' holographic discs, whilst you can get BluRay recorders for $99 in Best Buy. Slashdot will still be posting dupes.

      In 10 years this resolution of television will be completely viable, even with what we know will be out techology-wise in the next 5 years. We might need 8 10GHz Cell processors to decode it all though! :)

    8. Re:Per hour by Brad1138 · · Score: 1

      Here is your new DVR sir, with a 1 terabyte HD!, It is capable of recording an amazing 6 minutes of SHD content!

      --
      If you could reason with religious people, there would be no religious people
    9. Re:Per hour by Anonymous Coward · · Score: 0

      Here is your new DVR sir, with a 1 terabyte HD!, It is capable of recording an amazing 6 minutes of SHD content! =~ s/(SH)D/$1IT/;

      And you have TV in general.

    10. Re:Per hour by NanoGator · · Score: 1, Interesting

      "Thats 21TB for a standard-length movie! ~21,000GB! Foly Huck!"

      I remember thinking 'Foly Huck!' when talk of CD-ROMs were holding 650 meg of data. Back then a big hard drive was a whopping 40 megs. Now I think CDs are so miniscule. I'm guessing in a decade or so 21 terrabytes will be like what a gig is today. Not that I did any real math to arrive at that conclusion, but man, as the years go by, it's amazing what storage capacities turn into.

      In any event, that's uncompressed. With compression (which is quite inevitable) that'll drop anywhere from 10:1 to 100:1. In the extreme case, 210GB doesn't sound so bad. 5 years from now or so we'll have HDs that'll handle that fairly easily.

      --
      "Derp de derp."
    11. Re:Per hour by dkone · · Score: 1

      Can't wait to get the torrent for that show

    12. Re:Per hour by Ironsides · · Score: 2, Informative

      24 (gigabits / sec) = 10.546875 terabytes / hour Thats 21TB for a standard-length movie! ~21,000GB! Foly Huck!

      Remember also that the 24 Gbs is UNCOMPRESSED. Compressed it would be much much less. Probably at most (*thinks* 50Mb*16=800Mbs) 800 Mbs or ~360GB/hour. They could probably compress it a bit more without much loss of quality. As for the 21TB, that is easy to do with todays Fibre Channel storage (~25TB using 42 500GB drives in RAID on an ATA Beast) The problem is the max sustained read spead over all that. But no one is stupid enough to store anything uncompressed. At worst they will use 2:1 to 3:1 compression.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    13. Re:Per hour by connorbd · · Score: 1

      Interestingly that's roughly 1000 times the bandwidth of an NTSC DV-25 data stream. DV-25 happens to use 5:1 compression. Discuss.

    14. Re:Per hour by MrWa · · Score: 1
      24 (gigabits / sec) = 10.546875 terabytes / hour

      Thats 21TB for a standard-length movie! ~21,000GB! Foly Huck!


      Maybe a good way to cut down on piracy...
    15. Re:Per hour by Anonymous Coward · · Score: 0

      Hell, Project Gutenberg is 150GB. You know, regular ASCII text or ASCII text marked up slightly into HTML? You really wouldn't think it would be so big.

    16. Re:Per hour by NanoGator · · Score: 1

      "In any event, that's uncompressed. With compression (which is quite inevitable) that'll drop anywhere from 10:1 to 100:1. In the extreme case, 210GB doesn't sound so bad. 5 years from now or so we'll have HDs that'll handle that fairly easily."

      Troll......?

      --
      "Derp de derp."
    17. Re:Per hour by SirPavlova · · Score: 1

      That sort of size would cut down on copying now, but by the same token nobody could watch it. By the time they can actually deliver it to customers by disc or pipe, copying will be just as easy as it is now (apart from cracking the DRM) because everyone will have that stuff available.

      --
      Yar.
  22. Fool me once, shame on you, ... by Anonymous Coward · · Score: 0

    Alek, we will have to drive by and see if your web cam is for real this time. Hopefully, you are no longer bushwacking us. But I think that we will have to verify that.

    1. Re:Fool me once, shame on you, ... by xmas2003 · · Score: 1
      My wife will be home in a few minutes - watch the garage door go up and all my kids pile out. I'll go wave to the webcam for you too ... but hey, it could be even even better simulation this year ... i.e. is it a trick or a treat?!? ;-)

      P.S. 7680x4320 video @ 60-Hz would be pretty awesome - if someone knows the HNK guys, let 'em know I'd be happy to be a beta tester for 'em.

      --
      Hulk SMASH Celiac Disease
    2. Re:Fool me once, shame on you, ... by WindBourne · · Score: 1

      I was watching. Yes, I saw the boogy man look (cute). It was good to see a real camera. You have restored my faith in coloradoans.

      --
      I prefer the "u" in honour as it seems to be missing these days.
  23. my dumb question by fred+fleenblat · · Score: 1

    Why did they not make a resolution-independent standard for HDTV?

    1. Re:my dumb question by Anonymous Coward · · Score: 0

      3 words: Gov Ern Ment

    2. Re:my dumb question by Ironsides · · Score: 1

      Why did they not make a resolution-independent standard for HDTV?

      The current DTV standard incorporates 18 different resolutions and framerates.
      http://www.quantel.com/domisphere/infopool.nsf/htm l/3C295979EB43A57A80256CCD005A4A6D
      3 of those resolutions are HD, 720p, 1080i, 1080p. This is solely for the broadcast industry which is pretty limited in what it can do with 19.2Mbps.

      HOWEVER, and this is the light at the end of the tunnel, HD-DVDs can be made to support higher resolutions. As can the TV that cable and telcos send out. The only thing is getting the TV/Projector manufacturers to make the displays. No TV station is going to boradcast 1080p any time soon since they don't have enough bandwidth available. However, TV manufacturers are making 1080p TVs. There is nothing preventing them from making higher res TVs that will upconvert the lower resolutions. Current TVs already convert between all those 18 resolutions to whatever their native resolution is so it is not much of a stretch.

      On final thing if I have not put my point across. The reason for having a set number or resolutions in the standard is that the electronics has to be able to handle it. With hardware, it has to have a few limits in the number of resolutions or it gets too expensive/complex to make and it has to do it all in real time. It's just not possible to make a standard that will infinitely scale and expect current electronics to handle anything that comes up.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
  24. 4k x 8k = 8m ????? by davidwr · · Score: 1

    NHK developed a Super Hi-Vision camera equipped with 8 megapixel CCD image sensors that can take 4k x 8k images

    Um, 4k x 8k = 32 m

    Where did the 8 megapixel come from?

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
    1. Re:4k x 8k = 8m ????? by Punboy · · Score: 1

      probably 4, 8MP CCDs in a 2x2 grid. The "new development" is probably that the image surface takes up the entire CCD, so they managed to create a 32MP sensor from 8MP chips with no borders.

      --
      If you like what I've said here, and want to read more, go to http://www.krillrblog.com
    2. Re:4k x 8k = 8m ????? by Trigun · · Score: 1

      I would have just made a 4 lens camera. Use software to stitch it together, and don't tell anyone that you're missing two rows of pixels. They're going to have to show the image on 16 HDTV's, so nobody will notice anyways.

    3. Re:4k x 8k = 8m ????? by dillee1 · · Score: 1

      The whole shit don't make mathematical sense anyway. "The signal of the total 24 gigabits per second was divided into 161.5 Gbps HD-SDI signals....." Dividing the original signal by 0.149 time??

  25. HDTV has been obsolete since day 1 by dada21 · · Score: 2, Interesting

    HDTV is old news and an antiquated format. It was a government standard based on OTA standards.

    Tomorrow's receivers will be much faster (a la XPMCE or MythTV). OTA is dead, we want IPTV. 7.2 surround is ready. 2.35:1 is required, at a resolution of 3392 x 1440, progressive.

    We want fixed 6500K color standard, with no flesh-push or blue-push. We want an adaptable decoding processor, not something stuck in one mode.

    HDTV isnt the future. A PC, Gnutella, and a HD2 projector is.

    1. Re:HDTV has been obsolete since day 1 by Anonymous Coward · · Score: 0

      Why the fuck do "we" want 2.35:1 pictures? 16:9 is bad enough, 2.35 is unwatchable.

    2. Re:HDTV has been obsolete since day 1 by MichaelSmith · · Score: 4, Interesting
      HDTV isnt the future. A PC, Gnutella, and a HD2 projector is.

      Yep. There are too many layers in these TV specifications. What field are they in? Video or communications? There will be a need for ultra high res video in the future, but TV is dying.

      Every evening TV competes with /. for my time, and mostly loses. And I am not one of those who exhaust themselves on World of Warcraft until 3am then stagger into the office and pretend to work.

      The Broadcasting model came out of the basic physics of radio transmission. We are not limited by that anymore, so broadcasting is out.

    3. Re:HDTV has been obsolete since day 1 by Anonymous Coward · · Score: 0

      No, OTA isn't dying and IPTV isn't going to replace it. You can barely get broadband, how do you expect IPTV to work in an environment where 1 megabit download is considered broadband?

      A PC might be the receiver of the future, but 8VSB or QAM will be part of the transmission method. IPTV is a pipe dream that won't happen.

    4. Re:HDTV has been obsolete since day 1 by kb7oeb · · Score: 1

      Some people are anal about seeing movies in their original aspect ratio.

    5. Re:HDTV has been obsolete since day 1 by rco3 · · Score: 1

      Ahhh, you're ALL a bunch of pussies! 2.35:1 ain't widescreen! I want REAL widescreen!! ONE SINGLE ROW OF PIXELS, ALL THE WAY THE FUCK AROUND THE ROOM!!

      Oops. Sorry. Note to self: no posting on Friday night.

      --

      Ce n'est pas un vrai mouvement de robot!
    6. Re:HDTV has been obsolete since day 1 by kb7oeb · · Score: 1

      You should have seen Dave Letterman when he demoed super widescreen. It was so wide that he had to turn his head sideways to fit in the picture.

    7. Re:HDTV has been obsolete since day 1 by Jeremy+Erwin · · Score: 1

      2.35:1 is not unwatchable, especially if you have a constant height setup. Usually this sort of thing involves a 16:9 projector, equipped with an anamorphic lens, and some sort of digital scalar.

      Star Wars is a good example of a 2.35:1 film.

    8. Re:HDTV has been obsolete since day 1 by Anonymous Coward · · Score: 0

      The Broadcasting model came out of the basic physics of radio transmission. We are not limited by that anymore, so broadcasting is out.

      Quick! Somebody draw up a law to protect this dying business model!

  26. Angular resolution of the human eye. by autopr0n · · Score: 1

    Assuming the eye's lense is about 1-cm, the angular resolution of the human eye would give you about 54,212 x 54,212 pixels. assuming a 180x180 degree feild of view (with blue light). So we've still got a ways to go!

    --
    autopr0n is like, down and stuff.
    1. Re:Angular resolution of the human eye. by Anonymous Coward · · Score: 0

      Actually, the resolution of the human eye is limited by the density of photoreceptors on the retina, and is thus closer to about 36k x 36k pixels (assuming a 180x180 field of view, and that the resolution is constant across the retina--two assumptions which I know for a fact do not hold, so it's quite a bit lower).

    2. Re:Angular resolution of the human eye. by Anonymous Coward · · Score: 0

      assuming a 180x180 degree feild of view (with blue light) ...and assuming that your whole retina was fovea.

      Only that central small part of the eye has that resolution. outside that few degrees of vision, resolution plummets pretty far.

    3. Re:Angular resolution of the human eye. by Ironsides · · Score: 1

      However, the human eyes, due to our having two of them, have a wider view than it is tall. So either our vision is not 54,212 tall or it is more than 54,212 wide.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    4. Re:Angular resolution of the human eye. by arminw · · Score: 1

      .....the angular resolution of the human eye would give you about 54,212 x 54,212 pixels.....

      Yeah, and the human eye was not designed, unlike a super HD TV system. The construction of the eye and brain system just happend by the blind random chance vibrations of atoms over millions of years.

      The Apostle Paul got it right when he wrote: "Although they claimed to be wise, they became fools

      --
      All theory is gray
    5. Re:Angular resolution of the human eye. by kennygraham · · Score: 1

      Correct. You claim to be wise, yet you think evolution is "blind random chance vibrations of atoms", proving that you are, infact, a fool.

  27. hmm...will lucas make episodes 7-9 just to use these cameras? =P

    --
    "Evil will always triumph because good is dumb." -- Dark Helmet
  28. Compression? by TommydCat · · Score: 2, Interesting
    What's the point if any service that feeds video to you compresses the crap out of it?

    I've got a hddirectivo, but the compression is fairly obvious when compared to OTA broadcasts, and even those are easy to pick out artifacts.

    I don't see any huge leaps in bandwidth from any provider Real Soon Now, and wouldn't any compression to fit the available bandwidth reduce the effective resolution?

    However if this is for closed-circuit feed from Hugh Hefner's humble abode, I may be interested :)

    --
    This comment does not necessarily represent the views and opinions of the author.
    1. Re:Compression? by dada21 · · Score: 1

      Umm, my first BBS in 85 was 300 bps. Today I have 10Mbs at home. 6Mbps sustained.

      Tomorrow (2007) I expect 24Mbps (I could alpha test 18Mbps right now). 100Mbps is google close.

    2. Re:Compression? by adpowers · · Score: 1

      Your DVR transcodes the signal from your digital source to another format? Why? My family has a HD DVR and it just saves the digital stream directly. The quality is exactly the same as OTA.

    3. Re:Compression? by Anonymous Coward · · Score: 0

      Maybe the same as OTA digital - OTA analog has no compression artefacts. Can have a hint of snow of course, but that's a lot less offensive to the eye. Digital TV would have been totally great if they hadn't wanted to share the bandwidth between so many channels, most of which are utter bullshit.

      I think the GP was comparing OTA to cable or satellite.

    4. Re:Compression? by evilviper · · Score: 1
      What's the point if any service that feeds video to you compresses the crap out of it?

      There are a lot of reason digital video is in the sad state that it's in, but compression really isn't the cause.

      Digital video looks like crap, first of all, because they insist on using hardware MPEG-2 encoders. I wish I knew why! With hardware encoders, like they use for digital TV and DVDs, the quality is crap, and needs more than double the bitrate to look good. Just about any software MPEG-2 encoder will produce output that looks unbelievably better than DTV/DVDs. Seriously, if anyone knows any good reasons for this, I'd like to know. It seems insane to me that they spend $100 million to make a movie like T-2, and yet cheap-out on mastering the DVDs, making it look like staticy, noisy, blocky, crap.

      The second cause is that they cheap-out on the decoder hardware, and don't include any codecs more modern than MPEG-2. If they would just switch to a decent modern video codec (I suggest VP3, but any will do) they could get the video down to less than 1/4 the bitrate they need now, and it would still look great. Of course they might even then decide that 1/4 isn't small enough, and lower the bitrate further, but modern codecs (VP3/VP7/H.264/etc) decay far more graciously than the more primitive codecs like MPEG-2 and MPEG-4, so people wouldn't be so offended by the results.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    5. Re:Compression? by Anonymous Coward · · Score: 0
      I see some artifacts during rapid motion at 1080i, but OTA ATSC looks good 99% of the time. And my PVR stores it as broadcast, with no changes. That does chew up disk space:
      -rw-r--r-- 1 mythtv mythtv 30G Sep 18 23:00 The_Lord_of_the_Rings__The_Two_Towers__09181900.mp g
  29. Weird signals by rduke15 · · Score: 1

    The signal of the total 24 gigabits per second was divided into 161.5 Gbps HD-SDI signals to sent using the DWDM (dense wavelength division multiplex) method.

    This must be very innovative technology. I wonder how they can divide one 24 Gbps signal into several 161.5 Gbps signals?

    Even to divide into a single 161.5, they need to divide the 24 signal by 0.148606811145511.

    This DWDM stuff sounds weird...

    1. Re:Weird signals by Anonymous Coward · · Score: 0

      HD-SDI is 1.485 Gbps, so I think that should read "sixteen 1.5 Gbps HD-SDI signals".

  30. OMG, They've gone plaid! [nt] by Anonymous Coward · · Score: 0

    (actual message text inserted to avoid lameness filter)

  31. Kill HDTV Now. by Argonne · · Score: 0

    I want HDTV to die a quick death. Maybe that will stop the government from its draconian attempts to outlaw standard TV broadcasting. The shift from standard NTSC TV to something better should be accomplished through market forces. Why not? You didn't have the government outlawing 8-tracks to force everyone to cassettes. Let it happen.... or not happen... on its own.

    1. Re:Kill HDTV Now. by kb7oeb · · Score: 1

      They are only forcing digital broadcasts for over the air. The reason is to use spectrum more efficiently. HDTV is optional for over the air broadcasters most of the smaller stations transmit only SD on their digital station. Cable and satellite have no obligations as far as HD. They are even allowed to down rez a local stations HD signal to SD. The market is driving HD otherwise no one would be doing it.

      TV makers are starting to be required to include digital tuners so that they can receive over the air signals (and most also support digital cable) but they have no obligation to make the set HD.

      Yesterday Good Morning America started broadcasting HD, ABC has said they hope offering an HD signal will give them an edge over the today show.

    2. Re:Kill HDTV Now. by Anonymous Coward · · Score: 0

      You're stupid. 8-tracks weren't consuming a limited shared resource (radio spectrum).

    3. Re:Kill HDTV Now. by Anonymous Coward · · Score: 0

      Digital != HDTV, genius.

  32. will be obsolete soon enough by Anonymous Coward · · Score: 0

    ...in other news, Bob's Cameras has created a camera that will capture at 2048 megapixels, at 3D. The data is transmitted via multiple OC192s...

    Really, how much difference does this make? Joe 6 pack can't afford HDTV now. This new stuff wont be market ready for another 5 years, and it'll take another 5 after that to make people want to seperate from their HDTV's.

    An OC3 transmits at 155.52 Mbps, so you MIGHT be able to cram it down an OC3 with compression, (read: errors, lossiness) if the viewer wants to pony up the $6400 just for bandwidth. I'm still paying 50% more a month for my DSL than I ever did for dialup...

    Secondly, a blu-ray can store 25GB per layer, this camera writes at 24gb/s, so I get one really nice photograph per layer on my blu-ray?

  33. PS3 (Full HD) and beyond (Super HD) by News+for+nerds · · Score: 1

    Now these recent words from Ken Kutaragi of Sony Computer Entertainment, the PlayStation guru, start to make sense...

    http://www.next-gen.biz/index.php?option=com_conte nt&task=view&id=1470&Itemid=46

    >Generations to come

    >Sony gave also a vision of things to come in terms of video
    >quality and the format to support it. Today's TV sets are
    >allowing resolution of 720 to 1080i. Sony calls it the 'HD ready
    >generation' with a frame rate of 60 to 90 fps. This is
    >symbolized by the DVD format.

    >On the PC side, the WXGA is the standard with an average
    >resolution of 1280x768. The coming generation called 'Full HD'
    >will shift to 1080p (1920x1080) resolution for the TV and WUXGA
    >(1920x1200) for the PC. TV sets will allow frame rates of 90 to
    >120 fps and the Blu-ray will be the format to support this. Then
    >Sony has stated its plan for the generation after called 'Super
    >HD' which will start in 2008. TV sets and PC will reach a
    >resolution of 2160p (4Kx2K), 240 fps of frame. The format is yet
    >to be designed.

    1. Re:PS3 (Full HD) and beyond (Super HD) by hattig · · Score: 1

      Then Sony has stated its plan for the generation after called 'Super HD' which will start in 2008. TV sets and PC will reach a resolution of 2160p (4Kx2K), 240 fps of frame.

      Arrrgh, let me buy a 1080p TV this decade and use it for a decent amount of time before changing the format, okay? I'm perfectly happy with 1920x1080 for a home television/movie system. I might be amenable to getting 60P and 120P signals however at that resolution.

      Maybe you Americans with 4000sqft houses want to buy 120" TVs and thus need that resolution ... then again you seemed happy with giant 60" standard definition 4:3 TVs not 5 years ago!

    2. Re:PS3 (Full HD) and beyond (Super HD) by Anonymous Coward · · Score: 0

      240 fps? Bring me someone who can tell the difference from 60fps to anything higher.

      P.S. I would just tell that person to get over it.

    3. Re:PS3 (Full HD) and beyond (Super HD) by Squalish · · Score: 1

      This is a bit... unrealistic. It's taken years for even a tiny market penetration of 720p/1080i sets to make headway, and half the time the tiny number of broadcasts that claim to be 1080i are actually lower resolution.

      I believe that we'll stabilize on unencrypted 1080p60 H.264 in 5-10 years, after years of mucking about with 720p, 1080i, DRM, mpeg2, etc.

      The DRM is really getting to the point of Joe-Blow rejection, not just among idealists. Expect a backlash with Vista, digitalization of broadcast, more widespread HD timeshifting, and the next gen of DRM.

      --
      People in Soviet Russia, however, appear to be afflicted with amusing juxtapositions of the aforementioned situation
    4. Re:PS3 (Full HD) and beyond (Super HD) by NeMon'ess · · Score: 1

      I get eyestrain headaches from 60Hz CRTs. Doesn't happen at 72Hz. So in some way I can see the difference. I'd like to see a study comparing a CG video rendered at 60 and 85Hz, then displayed on two monitors of the same make and model, at those refresh rates. Let several hundred people pick which one looked more fluid. To make it truly double blind, have the computer automatically randomly change which screen refreshes and plays at 85Hz. Users would then pick the more fluid one with a keyboard. At the end of the experiment, the results should be pretty clear if there's a statistical difference.

  34. old news again by fuck_this_shit · · Score: 0, Offtopic

    read that a while ago on a bunch of news sites. REAL news sites, not the joke that is slashdot. and I expect this post to return in a week with slightly different wording.

  35. Useful? by CyberVenom · · Score: 1

    The only real use I can think of for this technology, considering the bandwidth requirements, would be public closed-circuit viewing of live remote events. For example, imagine this set up at the Olympic games and transmitted to 5 or 6 special "viewing arenas" (glorified theaters) worldwide so that if you can't make it to the games physically, you can go to your nearest viewing arena and pay to watch it live. Or imagine it for NFL: a team establishes a dedicated link to their home stadium whenever they play away, and ticketholders who can't travel to the away game can watch the game DLP projected (by an whole array of projectors) onto a big white canvas stretched across the astroturf.

  36. OK, cool.. but... by loraksus · · Score: 3, Insightful

    1080i transport streams run about 5 gigs for 40 minutes and require a ~2Ghz processor to decode without dropping any frames or choppiness. I know 2Ghz isn't considered too fast - even now, but I am finding the trend to require an insanely fast machine to watch / record tv sightly odd. Without someone out there to create a unit out there that makes it easy to view HD content - and by easy, I mean "dear old mom and dad" easy, I'm worried that people won't adopt it and choose to just stick with plain jane devices (which won't drop the price on the cool stuff for us)
    There really isn't a lot of really great HDTV compatible stuff out there either. DirectTV is dragging their feet and the rest of the major players out there aren't exactly pushing anything terrible innovative either. Software for it is also pretty bad. I know a lot of people like MythTv, etc, but it could be a lot better.
    There really isn't a efficient way to compress any 1080 streams either - you need loads of time, a fair bit of ram and a great machine - even then a 250gig drive fills up really quickly.

    Also, and this is somewhat of a pet peeve of mine - is that with 1080i (and 720p), you can see if the camera isn't focused perfectly. I find this incredibly annoying. If the quality gets bumped up another couple of levels, this will be more noticable. I'm guessing this will be corrected as more and more people realize that it looks sloppy on the cameraman's part.

    If you're bored, try and figure out storage requirements for the folks who film your favorite shows in 24p (BSG does, as well as a bunch of other shows) and then figure out the storage requirements for something recorded in this format ;)

    --
    1q2w3e4r5t6y7u8i9o0pqawsedrftgthyjukilo;p'azsxdcfv gbhnjmk,l.;/
    1. Re:OK, cool.. but... by Doppler00 · · Score: 1

      Ah... the current generation of CPU's are quite pathetic with processing media streams.

      Just wait a year or so. HDTV hardware decoding in video cards will become very popular. In fact, I wonder why the pixel shader GPU unit can't be programmed to do some of the calculations. I'm very disappointed with Quicktime 7 for example which requires such an insane CPU speed (dual core even???) just to watch 1080i video. It's obvious Apple did not bother to optimize their software (of course, it helps sell new mac's doesn't it?). And here I bought this nice 1920x1200 LCD and it can't even play video smoothly!

    2. Re:OK, cool.. but... by moviepig.com · · Score: 1
      ...a pet peeve of mine...is that with [ultra hi-res], you can see if the camera isn't focused perfectly.

      IANAExpert, but think that sequential generational losses are multiplicative... meaning that even the lowest-res tv presentation won't conceal bad focusing.

      --
      Seeing bad movies only encourages them. Watch responsibly
    3. Re:OK, cool.. but... by Lehk228 · · Score: 1

      on a normal broadcast the tv isn't sharp enough to see when the camera is slightly out of focus, with HD you can see the difference

      --
      Snowden and Manning are heroes.
    4. Re:OK, cool.. but... by jjthe2 · · Score: 1

      I am finding the trend to require an insanely fast machine to watch / record tv sightly odd. Without someone out there to create a unit out there that makes it easy to view HD content - and by easy, I mean "dear old mom and dad" easy

      "Dear old mom and dad" don't use a pc to watch TV they use a TV and a cable box. It's quite easy to get a HD cable box or even HD tivo with 300+GB of storage.

  37. with 16 times the resolution... by Anonymous Coward · · Score: 0

    you can now get 16 times view of Oprah!

    ugh, I think I just vomited on my keyboard

  38. You can watch it on your... by inkdesign · · Score: 2, Funny
  39. Dammit!!! by Anonymous Coward · · Score: 0

    I just bought an HDTV, don't make it obsolete so fast, ya bastards!!

  40. I don't know about that... by msimm · · Score: 1

    I've had HDTV for a few years now and honestly I never was blown away. What I did get was a big hard to move cini-screen set that I'd be more then happy to part with for something better and thinner/lighter.

    Its all about how they position it. You plasm screen owners might be a little harder to convince, but that resolution is a big jump and by the time the rest of the technology catches up you might be ready for an upgrade anyway (we don't have 21TB dvd's yet and at least here in the US streaming that kind of data to a regular home would be out of the question).

    Anyway, its innovation, thats exciting.

    --
    Quack, quack.
  41. Resolution by Universal+Indicator · · Score: 1

    7680 x 4320.....I'm not entirely sure that it would be good to have porn in THAT much resolution. I don't need to be able to count the creases in some guy's hairy anus :-)

    1. Re:Resolution by Physician · · Score: 0

      Maybe you should be focusing on something else on the screen other than the guy's hairy rear.

      --
      Does God treat us as servants or friends? Check my homepage.
    2. Re:Resolution by NanoGator · · Score: 1

      " I don't need to be able to count the creases in some guy's hairy anus :-)"

      Ok... I think now I'm going to start a petition to get an edit button into Slashdot.

      --
      "Derp de derp."
    3. Re:Resolution by Lehk228 · · Score: 1

      there are no creases that anus is stretched out to an impressive degree.

      --
      Snowden and Manning are heroes.
  42. And yet... by Evil+Butters · · Score: 2, Insightful

    And yet, there will still only be 3-4 programs on TV/cable/satellite actually worth watching -- no matter what the resolution is!

    --
    Homer no function beer well without.
    1. Re:And yet... by Mike+Buddha · · Score: 1

      I wait with bell on my toes for "Blue Collar Comedy Hour" in SHDTV!

      Git'R'Done!

      --
      by Mike Buddha -- Someday the mountain might get him, but the law never will.
    2. Re:And yet... by NanoGator · · Score: 1

      "And yet, there will still only be 3-4 programs on TV/cable/satellite actually worth watching -- no matter what the resolution is!"

      I agree! The popularity of Bittorrent, seasons of TV shows on DVD, and TiVo around here is so peculiar!!

      --
      "Derp de derp."
  43. DRM by andrewbillits · · Score: 0

    hmm, who wants to guess which company will start screaming DRM!!!

  44. How long... by krazyjim · · Score: 0, Flamebait

    ..will it be before Hollywood demands copy protection?

  45. t3h new maths? by loraksus · · Score: 1

    Ok, I suck at math and all, but I can't be the first one who picked this up.

    1920 x 16 = 30720 != 7680
    1080 x 16 = 17280 != 4320

    Also, sometimes more resolution isn't always better. I don't really want to see the exact number of pimples on someone's face.
    That sort of stuff is visible even in this screen cap, which is in 720p and encoded with xvid (cap is from HBO's "Rome", BTW). I really don't want to be able to make out globs of makeup on someone's face. Ignorance is bliss I guess (teeny bopper pop stars would look terrible in this, but perhaps there is an advantage to having teens disgusted by the face of the latest coke snorting "musician")

    --
    1q2w3e4r5t6y7u8i9o0pqawsedrftgthyjukilo;p'azsxdcfv gbhnjmk,l.;/
    1. Re:t3h new maths? by hattig · · Score: 1

      Ok, I suck at math and all, but I can't be the first one who picked this up.

      1920 x 16 = 30720 != 7680
      1080 x 16 = 17280 != 4320


      Q1. What is 4 x 4?
      A: 16!

      Q2. What is 1920 x 4?
      A: 7680!

      Q3. What is 1080 x 4?
      A: 4320!

      This tech is a mere two generations away, assuming someone does a 3840x2160 format in 3-5 years time.

    2. Re:t3h new maths? by LocalH · · Score: 2, Informative

      1920 x 1080 = 2073600
      7680 x 4320 = 33177600

      33177600 / 2073600 = 16

      --
      FC Closer
    3. Re:t3h new maths? by Bishop923 · · Score: 1

      7680 / 1920 = 4 times as wide
      4320 / 1080 = 4 times as tall
      4 screens wide * 4 screens tall = 16 times the size

      According to the article, this would be used in Theater environments, 16x HDTV res is reasonable on a 8 meter screen...

    4. Re:t3h new maths? by Anonymous Coward · · Score: 0

      of course, even 30720x17280 pales in comparison to the full 1*10^320000000 by 1*10^320000000 by 1*10^320000000 resolution that is still barely adequate to cover ever single subatomic particle that every atom in every molecule of every protien chain that makes up every cell of every tissue in your body...

      lucky for us, we're rapidly approaching the visual resolution of the human eye, so there really isn't much of a point of going past that...

    5. Re:t3h new maths? by Anonymous Coward · · Score: 0

      Your math is off. The 16x they refer to is for the entire picture, not for each dimension individually.

      Considering that the square root of 16 is 4...

      1920 x 4 = 7680
      1080 x 4 = 4320

  46. gov't regulation by Douglas+Simmons · · Score: 1

    THIS is why you don't want governments stepping in and saying Okay everybody you got five years to broadcast in X format and only in that format. Left in the free market, we would not have bound ourselves so tightly to something inferior to this (possibly).

  47. Re:That's a bit of an ... Hologram ! by Anonymous Coward · · Score: 0

    Enough dataflo for an NTSC quality 3D hologram.

    In ten years, optical / quantum ought to be arriving to ordinary consumers. Or, maybe, entangled links : a block of transmitter photons entangled to reciever photons under the screen. And some quantumdot-like voodoo to read and display on a point-by-point basis.

    If it's fast enough, they could record and retransmit wavefront data. => Holograms !

    Made into thin sheets, you could "mod" houseware items / cars... spouses... pets... ?

    A wall covered with the "retirement center" scene from Solyent Green would be neat ! And music from Zardoz, of course. :)

  48. As soon as I walk this Fiber Bundle up my stairs.. by Anonymous Coward · · Score: 0

    Geeze! Over kill? Who got this bandwidth?

    Maybe with some heavy hardware compression chips - this would be cool,
    but that's just too much data to be pumpin' through the air (or cable, or dish).

  49. Harold and Kumar Reference by defile · · Score: 1

    Neil Patrick Harris wouldn't say that about HDTV!

  50. Umm... by cactuar167 · · Score: 1

    ever see the movie "40 year old virgin" thats an understandment to what im thinking about most slashdotters right now...go out and have a beer please! I know i will when i get off work. douches

  51. We need higher resolutions ! by zymano · · Score: 1

    I am not the biggest HD fan . I only see marginally better quality in HD. I am just wondering what rez is the one the eye really starts to get impressed by.

    I have wondered why there aren't higher resolution TV's out there. It's because HDTV is the standard and I doubt we will see anything better come out. Kind of sucks.

    I don't think the manufacturers will be coming out with 3000*2000pixel TVs.

    Computer displays may play a key part in new display technologies. Since there is one resolution , I can see home theatre people eventually buying photoquality plasmas/lcds.

    1. Re:We need higher resolutions ! by Ironsides · · Score: 1

      I've heard the holy grail of TV is 2160p at 120fps. Supposedly in Japan or someplace else they showed a demo of this and people in the audience got motion sickness looking at the screen. However, our current consumer 'Max' TV is 1080p at 60fps. 2160@120 is about 8 times as much raw info. So it is going to be a bit before it comes out where most people can afford it.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
  52. This is great news! by Max+Nugget · · Score: 2, Funny

    They seem to have forgotten to write a press release to go with this big story so I wrote it for them:

    This is great news for ____! Eventually it will improve ____ for all consumers but initially it will be used in the ____ industry to improve ____. Sony, Samsung, and Toshiba have all announced they will be introducing their own versions, which will be available in 21__ and are eventually expected to saturate the market at prices as low as $...,...,... Said one executive, "We're incredibly excited about this. We have invested $...,...,...,...,... in this project and are very confident it will succeed and dominate the ____ market. The new technology will first be experienced by consumers in selected ____ during a special ____-enhanced presentation of Star Wars: Episode OMG.

    Have fun filling in those blanks. I sure couldn't.

  53. definately possible (calculations inside!) by C32 · · Score: 1

    here's a reality-check:

    res = 7680 x 4320
    that's (7680*4320)/2^20 = 31.64 megabyte per frame
    at the specified bitrate of 24gbps, that's ~100fps

    to the point:
    raw super hi-vision is 24gbps = 3gigabyte/sec
    raw 720p hdtv is (1280*720*60)/2^20 = 52.73 megabyte/sec
    this fits the numbers if you consider that super hi-vision has a frame size
    32 times that of 720p, and a framerate 1.67 times that of 720p.

    current mpeg2 as used in hdtv compresses raw hdtv into about
    20mbps = 2.5megabyte/sec
    so we get a reduction of 52.73 / 2.5 = 21.1 times

    if we assume the same (probably better because the larger frame size
    will allow larger macroblocks = better compression, along with the
    higher framerate meaning less change (residual energy) between frame)
    compression for super hi-vision:
    (3*1024)/21.1 = 145.6 mb/sec = 1.137gbps
    let's round that to an even 1gbps assuming our theoretical compression gains.

    mpeg4 and/or h.264 would give even better compression, at the cost
    of more complex integrated circuits needed to decode the stream (video
    compression is very parallizable; there are no huge problems in
    scaling up a hdtv decoder chip 40x or so, afaik), i would say to the tune of
    ~3x better compression. that's around 3-400mbit.

    last thing i want to mention: multicast, over fiber. the bandwidth can be
    made available at least in urban areas for a couple of super hi-vision
    tv channels via forthcoming FTTH networks.

    1. Re:definately possible (calculations inside!) by hattig · · Score: 1

      res = 7680 x 4320
      that's (7680*4320)/2^20 = 31.64 megabyte per frame
      at the specified bitrate of 24gbps, that's ~100fps


      Um, 8-bit per pixel images?

      I'm sure they'd have used at least 24-bit imagery, possibly 32-bit (10R/12G/10B).

      7680 * 4320 * 4 / 2^20 = 126.7 MB/frame

      (but it does make it 25fps)

      So you'll possibly want to check over the rest of your calculations.

    2. Re:definately possible (calculations inside!) by Lehk228 · · Score: 1

      no point in using 32 bit, 8 bits of a;lpha on a display is useless 32 bit imagery is good for dynamic things like images and textures, for a video stream it is a waste of data

      --
      Snowden and Manning are heroes.
    3. Re:definately possible (calculations inside!) by Anonymous Coward · · Score: 0

      He clearly said that if they were going to use 32 bits for color, 10 of those bits would be for red, 12 for green, and 10 for blue. He did not use any bits for alpha.

    4. Re:definately possible (calculations inside!) by TWooster · · Score: 1
      Ya might want to do a little research on color spaces if you believe that 8 bits per channel is okie-dokie. Maybe if this were stored in a high gamut color space, instead of we'd have something to really wag our tongues about. But just to give you an idea of what a standard CRT, displaying images using sRGB (not RGB! RGB has no standardized mapping to actual color wavelengths! (16.7 miiillion) colors can represent versus the full spectrum of human vision, check this out.

      Also, for those wondering about the resolution of the human eye, Google comes to the rescue here. I found this excerpt particularly colorful (ha):

      Based on the above data for the resolution of the human eye, let's try a "small" example first. Consider a view in front of you that is 90 degrees by 90 degrees, like looking through an open window at a scene. The number of pixels would be
      90 degrees * 60 arc-minutes/degree * 1/0.3 * 90 * 60 * 1/0.3 = 324,000,000 pixels (324 megapixels).
      At any one moment, you actually do not perceive that many pixels, but your eye moves around the scene to see all the detail you want. But the human eye really sees a larger field of view, close to 180 degrees. Let's be conservative and use 120 degrees for the field of view. Then we would see
      120 * 120 * 60 * 60 / (0.3 * 0.3) = 576 megapixels.
      The full angle of human vision would require even more megapixels. This kind of image detail requires A large format camera to record.


      Additionally (and on that page), in any given light level (the human eye adjusts, you know), we have a contrast ratio of 10,000:1. The full spectrum of what we can see 10 million to one.

      So, no, 24 bits is not enough. Give me 12 bits, at least, and floating point at that.
    5. Re:definately possible (calculations inside!) by TWooster · · Score: 1

      ... 12 bits per channel. :P

  54. Thats *quantity* of 161 signals each .5Gbps by gorim · · Score: 2, Informative

    It still doesn't add up to 24Gbps but at least it makes more sense.

  55. It'll go to the limits of human perception by rbrander · · Score: 1

    I suspect that people WILL be able to see this; I seem to recall that when 6 megapixel cameras came out, camera connaisseur John Dvorak wrote in his column that they were then hitting the effective resolution of 35mm film.

    But movies have had some success at 70mm frames and IMAX frames that are each about 4X the pixel count, successively...I'm not sure that 33 megapixels is yet as good as an IMAX frame.

    So even without ultraviolet-ray 18-layer disks, I'm imagining IMAX Theatres going digital by just mailing 10TB hard drives around the country in 2010. If it makes economic sense, that is.

    Personally, I've held off buying any HDTV because I'm certain that all the various HDTV formats will eventually molder away in favour of 1080p as that becomes affordable.

    The question is, 'what's next?' The now-hot-selling HDTVs will be worn out in about 10 years, and the relentless progress of digital monitors will mean that at least 4X HDTV resolution will be cheap and common by then. Will they go to that? Or hang on to 1080 as a maximum for another decade and
    try to get people to upgrade to say 4096x8192.

    There's no question that people will keep upgrading to the limits of human perception, where they just can't tell between the old model and the new. But I think that's a long way off.

    The other issue is refresh rate - there's no question that moving pictures look much more real at 48 frames/sec than 24. Roger Ebert really fell for such a technology - just stick his name and "digital" into Google and you'll probably find the column. He was profoundly unimpressed with the digital projectors now being foisted on the industry, compared to a simple retrofit device that allows 48fps movies.

  56. Oh no, don't get me started... by ClickOnThis · · Score: 2, Informative

    You've touched on a huge annoyance of mine regarding digital TV. Cable companies have created the marketing myth that "digital" == "flawless", and they compress the hell out of the signals on the digital channels in order to squeeze more of them into the service. (I'm not sure, but I suspect that satellite TV companies do this too.)

    The result, as you say, is artifacts, sometimes so bad that they can completely ruin the the aesthetic experience of watching a movie. One of the most glaring examples I have experienced of this is the scene near the end of Stanley Kubrick's Full Metal Jacket, where the soldiers fatally injure a sniper who has already killed several of them, and then they discover that the sniper is a terrified little girl. The girl pleads in English to be put out of her agony. Joker (played by Matthew Modine) struggles emotionally to bring himself to do what she asks, and behind him (in true Kubrick style) we see a reddish-orange fire that throws a flickering light around the room.

    Dramatic moment, eh? To bad it's completely ruined by the digital artifacts from the compression. The light from the fire is a distracting, scrambled, splotchy mess. Look, I'm not asking my TV to be equal to a theatre screen. It's just that going cheap with compression can make it not worth the bother of watching a movie on TV at all.

    --
    If it weren't for deadlines, nothing would be late.
  57. 60hz is the bomb by Neuroelectronic · · Score: 0

    that would be my favorite spec about this tech.

  58. Processor type matters more than speed by EMIce · · Score: 1

    Case in point - I've watched OTA HDTV in flawless quality on a PIII-800, using an ATI 9600 series card to accelerate the decoding to a 1920x1200 LCD panel. Even baseline machines will be including powerful graphics coprocessors come the Vista generation.

    Also, consider the architecture of a processor like the SONY/IBM cell. The DSP (digital signal processing) features that it provides will blaze through HDTV streams with far fewer Mhz than than a regular PC. Powerful DSPs can not only decode in realtime but can encode and transcode to other formats in real time as well, with far more efficiency than a regular PC. I believe SONY ran a demo where they were decoding something like 48 HDTV streams simultaneously using the PS3 version of the CELL. I expect this sort of tech to make it's way into regular PCs in coming years.

    Speed really shouldn't be all that relevant in the long term, as processors are evolving to handle media intensive tasks with much greater efficiency.

    1. Re:Processor type matters more than speed by loraksus · · Score: 1

      Really? I'm running w/an 9600 on a athlon 2400xp and it barely runs worth a damn. What am I doing wrong?

      --
      1q2w3e4r5t6y7u8i9o0pqawsedrftgthyjukilo;p'azsxdcfv gbhnjmk,l.;/
    2. Re:Processor type matters more than speed by evilviper · · Score: 1

      You're obviously not using the hardware acceleration of the videocard. Under Unix it's called XVMC, and AFAIK, no ATI drivers support it. NVidia's binary drivers do, fortunately, so I've watched plenty of 1080 material with only about 20% CPU utilization on a slower system than you've got.

      It works so well because video is one of the strange areas of computing. MPEG-2 takes more CPU power to DISPLAY than it does to decode. This could be helped TREMENDOUSLY if general-purpose computers just shipped with one FGPA/DSP/ASIC chip on-board to handle tasks (like interrupts) which normal CPUs are TERRIBLE at.

      My other point being that switching to a much more CPU intensive codec, which shrinks the datasize greatly, will not adversely affect speed. So much of the CPU power is going to displaying the video, that increasing the processing needed for decoding it would hardly be noticable. The big side-effect being that hardware which decodes MPEG-2 (like your videocard) will become obsolete, and you'll HAVE TO have a fast enough CPU to do everything on it's own.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    3. Re:Processor type matters more than speed by EMIce · · Score: 1

      Which HDTV tuner software are you using? Not all companies use software that takes advantage of ATI cards.

      http://www.fusionhdtv.co.kr/eng/Products/ATSC.aspx

      That's the card I used, it states a PIII-750 as the minimum requirement, and that's using the included software, which uses ATI Radeon hardware for accelerated decoding. It claims to work un-accelerated on a 1.6Ghz P4.

      Also important is the memory bandwidth of your card - I've heard 10gb/s is required for full HD decoding, which I assume is 1080p. To figure out how much you have, plug and chug with this formula -

      (buswidth/8 * memclk) (Double the result for DDR memory)

      For a 9600 with a 128 bit wide bus, running DDR400
      128/8 * 400 Mhz = 6.4GB/s

      Well the machine I was talking about barely handles 1080i using the card spec'ed above, and stutters if you try and do anything. But it works.

      Now I doubt this setup would work with MCE. I've read online that some people who run smoothly with Fusion's software get stuttering in MCE, so it may just be that Fusion has a more efficient decoder implementation. MCE uses third party DVD decoders like PowerDVD and Nvidia's decoder to do decoding. They may take advantage of your video card, but seem to be less efficient at utilizing video memory bandwidth. A 9600XT with 600Mhz of bandwidth would likely help that.

  59. DRM by ickleberry · · Score: 1, Informative

    ...And which wonderful BroadCast Flag Enhanced+ CSSHDWMACPSRM protection scheme does this come with?

  60. Re: Oops - and I meant to say... by Munta · · Score: 2, Interesting
    5 good reason why this can only be good for HDTV

    1 - The Maximum resolution of a standard 42in HDTV is 45 pixels an inch. Imagine 184 pixels an inch. Or a 168 inch wide screen!
    2 - With a 168 inch screen you could display your TV, your Email, your PC, your CCTV and still have room for more on one screen
    3 - A whole wall showing a hi resolution immersive environmental picture
    4 - Technological advance that companies will develop for to fill the first 3 points
    5 - Advance of super HDTV will lower the price of "standard HDTV" to the masses.

    Any advance like this one can only further the true dream of an immersive information/mood/entertainment environment. Imagine developing software when all four walls of your office are your note pad!

    I see this as helping HDTV adoption as it provides so many more oportunities for its use.

    --
    Karmady is the best medicine.
  61. Oh good, this must mean ... by 3seas · · Score: 1

    someone is going to start making converters of signals and formats cause I ain't buying no HDTV to replace the working 32" TV I have and certainly not going to buy this new fangled tech... to only then deal with the next latest and greatest tech video....

    and that converter is gonna have to be less then $40 before I'll buy it.... Who loses? Well I don't see the commercials then do I?

  62. 95meg frame buffer by Anonymous Coward · · Score: 1, Insightful

    Assuming it is only 24bit. 32bit would be 127megs. With a back buffer, front buffer, and z buffer it would be 380megs. With a 16bit per channel floating point back buffer it would be 506.25 megs for frame buffers!

    With a 512meg video card you'd have 5megs left for your textures.

    Give me 1080p and I'll be satisfied for now.

    1. Re:95meg frame buffer by NanoGator · · Score: 1

      "Assuming it is only 24bit. 32bit would be 127megs. With a back buffer, front buffer, and z buffer it would be 380megs. With a 16bit per channel floating point back buffer it would be 506.25 megs for frame buffers!

      With a 512meg video card you'd have 5megs left for your textures.

      Give me 1080p and I'll be satisfied for now."


      If you're watching something that high res, what do you need the textures etc for? Not really challenging your point here, just curious what you have on your mind here.

      --
      "Derp de derp."
  63. I don't think this is as crazy as it sounds by Little+Grey · · Score: 2

    Whomever said that HDTV will be the standard for the next 50 years is exagerating a wee bit. Think about the internet connection you (might have) had 20 years ago. If you were BBSing it in 1985, it was probably with a 300 baud modem. The speed with which we can get home internet access today is exponentially faster than back then. It really isn't a difficult stretch to extrapolate another 20 years in the future. I wouldn't at all be surprised if we have multi-terabyte-speed pipes in our homes in 2025. The cost of storage per megabyte is dropping everyday. Computational power continues to increase. The speed available to customers for home internet access is increasing every few months. The spread of TVRs are slowly but surely eroding the control TV broadcasters had over us with the scheduling of our favourite TV shows. Bit Torrent will only continue to increase in use and, with each successive version, will only become faster and more efficient. All these factors point to a future where ALL media is online. Everything. Every last b-movie and celebrity Christmas album. The whole shebang. I, for one, am quite stoked.

    1. Re:I don't think this is as crazy as it sounds by Anonymous Coward · · Score: 0

      You mean elsewhere in the wworld they will. Those of us in north america might be at 10mbit by then. Hell, in 1998 i was 3.5m/384k. Now in 2005 i am at 3m/384k. Did the cost of bandwidth on this side of the world go up or something?

  64. Seriously, back to math class ... by cyberjoe · · Score: 0

    16 1.5 Gbps signals

  65. Fortune Cookie by Anonymous Coward · · Score: 0

    Completely offtopic, but yet... oddly on topic... random fortune cookie at the moment reads: "Pure drivel tends to drive ordinary drivel off the TV screen."

    These are random... right?

  66. Don't knock it until you've seen it by vonPoonBurGer · · Score: 0

    I saw the SuperHiDef demonstration at the Aichi Expo this summer. Yes, the name sounds silly. Yes, the concept of needing something beyond the HDTV we already have seems ridiculous. But don't knock it until you've actually seen it for yourself. Mark my words, many of the people heaping sarcasm into this topic now will be the same people who will be craving a SHDTV-capable display for their next cool toy.

    For those of you who don't know, one of the major attractions at the Aichi expo was the incredibly well preserved partial remains of a wooly mammoth. In order to see the mammoth, you had to sit through what was essentially a SHDTV sales pitch, after which you actually got to see a short SHDTV movie of scenes from around Japan. And only after all of that, and wandering through some antiquities dispay, did you finally get to see the mammoth. We happened to go on a really, really rainy day (not entirely surprising, as I was there during monsoon season), and were lucky enough to actually get a chance to go in (on a day where the weather wasn't terrible, the lineups would have been prohibitive).

    We were making all kinds of wisecracks about the silly sales tactic, how we were literally a captive audience, "If I buy one, will you release me?" and all that sort of thing. What I mean to say is, by that point in the day, tired, soaked, snared into this unexpected sales pitch trap, we were very much what you'd call a tough audience. When we actually went into the theater to see the movie, we were set to rip into the experience with a fresh round of sarcastic venom. Every single one of us came out of the theater absolutely wowed.

    The opening scene was of a cherry blossom tree in full bloom. It was utterly incredible. Every single leaf, every single branch, every single twig was defined with unbelievable clarity. It actually seemed to look three-dimensional, almost popping off the screen. For a moment, I thought they must have pulled the screen away to reveal a real tree behind it. There were other scenes, one of my favorites being a panoramic shot of a small Japanese mountain town covered in snow. You could make out incredible detail on tiny people way off in the distance shovelling snow. If you ever get the chance to see it for yourselves, I hope you take the opportunity, because it was a sight to behold.

    I don't mean to say that this technology has many practical applications. Do we really need to watch cartoons, or sitcoms, or dramas, or porn, or home videos, at SHDTV resolution? Probably not. Would the nature documentaries and other subjects normally filmed in IMAX format look orders of magnitude more impressive if filmed in SHDTV? Absolutely so. I think HDTV will predominate for quite a while yet, while SHDTV will be used in specialty applications, maybe gaining market penetration in a decade or so, if ever.

    Anyway, for those of you spouting off on this topic, I can safely say that you have absolutely no idea what you're talking about. I hope you get a chance to find out just how wrong you are.

  67. HDTV was born obsolete by istartedi · · Score: 3, Informative

    The whole idea of just one standard for TV is obsolete anyway. Just about every cable system offers broadband, and many offer "digital cable". The general-purpose PC, and specialized computers like TiVo are becoming more common. So instead of having just one standard for TV, it seems pretty reasonable to push codecs out to viewers once in a while.

    OTOH, as far as broadcast over the air is concerned, digitial is all too often a joke. When analog goes sour, you get a little "static" or "fuzz". It's not too bad usually. When digital goes bad, the sudden cut-outs of sound, frozen images, and blocks appearing on the screen are much more annoying. We had a little analog TV for a while with a digital tuner. It responded to signal weakness by dropping out EVERYTHING and turning the screen blue, then flashing back to the picture when the signal was stronger. Oh please, bring back my snowy picture!

    What would really be cool is a standard for specifying variable quality of analog signals, and a tuner that could adjust (or report that it isn't capable) of handling high-quality analog. That would be the best of both worlds.

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  68. SMPTE Journal article by ChrisCampbell47 · · Score: 1

    Now THAT'S odd, I was just reading about this yesterday in the latest SMPTE Journal on my to-read pile. I think it was the July issue. Alas, it's not online and I finished it and threw it out.

    Anyway, just like DVD-A and SACD are/will be failures, this 32 megapixel technology will be a failure. 1.44 Mbps CD audio is Good Enough for 99% of the people (and far better than the analog format previously available), and 19 Mbps HD video is Good Enough for 99% of the people (and far better than the analog format previously available). I don't think it'll even succeed as a studio/production format, it just struck me as too kludgy, like some of the original early 80's HDTV attempts.

  69. well isn't that just great by Thecarpe · · Score: 1

    Not only will I have to spend another king's ransom on a 1st generation "Better than HDTV-Ready" tv, they'll ask me to shell out $500 for a set-top box to decode the signal that won't be mandated by the FCC until my 1 gen TV is well out of warranty and totally fried. I'm guessing sometime around when my firstborn is in college, this technology will be relevant to the rest of us and we can all celebrate by burning our HDTV sets, our blue-ray dvd players, our ipod videos and our fossil fuel burning cars...why can't the industry just sit tight for a few years and let us get bored so that there is a more real demand? Why can't stuff get cheaper? Why do they keep bollocksing up my plans to have a disposable income? Upgrading now just means keeping up with the minimum rather than stepping up into a better model.

  70. This would be the limit of perception by Arkaein · · Score: 4, Informative

    At first when I saw the listed resolution I thought that it was total overkill, that no one wold even be able to see anything near that detail. I own an HDTV (720p resolution, or 1280x720), and at a normal viewing distance you aren't missing a lot of detail.

    Coincidentally though, I'm taking a class in visual perception and we've just been discussing optimal human visual acuity, specifically as measured with sine wave patterns. Maximum human acuity is about 60 cycles per degree of visual angle. One cycle in a sine wave can be roughly represented with two rows or columns of pixels, so you really can't do any better than 120 pixels per degree (which is also the approximate density of photoreceptors in the fovea, the highest resolution spot in the retina).

    So what's a reasonable viewing angle? When developing 3D graphics applications I find than a perspective projection angle less than about 60 degrees requires getting pretty close to the screen for realistic perspective. This seems reasonable for a closest comfortable viewing distance. I know I usually sit farther away from my TV than this, probably less than a 30 degree viewing angle.

    At 60 degrees this monitor has just about 120 pixels per degree (128 to be exact). At a farther distance the pixel density will be even higher.

    In a practical sense this monitor still seems like massive overkill to me. HDTV is great for TV, and even computer screens will see considerably diminishing returns by this point. In a theoretical sense though, it might be the perfect resolution.

  71. Re:Think Total Recall by g-san · · Score: 1

    Those big freakin wall sized panels like in Total Recall would work.

    I for one welcome our Ultra-High Resolution overlords.

  72. Better resolution than the eye? by Anonymous Coward · · Score: 0

    The eye has 6 million rods, that would be the equivalent of a 2450x2450 big screen. So does this system in fact give better details than we can possibly perceive?

    1. Re:Better resolution than the eye? by The+Master+Control+P · · Score: 1

      Rods are only active in low light levels, ie night vision. Each eye has 120 to 180 million cones that we use to perceive color. With two eyes working in tandem, you'd need a screen with ~19000 pixels on a side.

      Unless you have a projector that projects pictures from a large format camera, you don't have to worry about more resolution than the human eye :)

  73. LOL YUO FAIL IT by MaelstromX · · Score: 1

    next bext

  74. Think this is the article - it's 1999 though by Szplug · · Score: 1
    --
    Someday we'll all be negroes
  75. definitely by Anonymous Coward · · Score: 0

    Idiot.

  76. They had it at Aichi Expo 2005 by nigel_q · · Score: 1

    I saw this thing at the World's Fair 2005 at Aichi... You could see EVERYTHING... Pores on people's skin standing in line to get in were visible on this thing! It was too good! It was way better than Sony's laser driven projector... Having said that, I'm still happy with my 24" SD TV. I'd say everyone should go see it, but the expo ended a few months ago... (And if anyone is wondering, the Mammoth wasn't all that...)

  77. This is painfully old news. by Anonymous Coward · · Score: 0

    I'm not sure what Slashdot is doing posting this, but a couple months ago when it was news:

    http://www.hdbeat.com/2005/09/27/the-next-hd-shd-4 k/

    Also, you can get a 4k projector for your house RIGHT NOW.

    http://www.hdbeat.com/2005/10/25/sonys-sxrd-4k-pro jector/

  78. IN CASE OF SLASHDOTTING by Anonymous Coward · · Score: 0

    NHK Working To Make HDTV Obsolete
    Posted by Zonk on Friday November 04, @07:25PM
    from the tech-doesn't-stand-still dept.
    Television Technology
    An anonymous reader writes "According to an article at EEtimes.com Japanese company NHK has successfully demonstrated a live relay of 'Super Hi-Vision' television, which is 16x 1080i resolution -- 7680 x 4320!" From the article: "NHK developed a Super Hi-Vision camera equipped with 8 megapixel CCD image sensors that can take 4k x 8k images. In the field test, it sent the two cameras to a sea park and sent baseband signals without image compression using an fiberoptic network formed by multiple network companies. The signal of the total 24 gigabits per second was divided into 161.5 Gbps HD-SDI signals to sent using the DWDM (dense wavelength division multiplex) method."

  79. That's not TV.... by catdevnull · · Score: 2, Funny

    That's not TV, that's a freakin' hologram.

    Warp speed, Mr. Sulu--and don't look at me like that...I was really drunk and the tribbles had me confused.

    --

    I might know what I'm talkin' about, but then again, this is Slashdot...
  80. It does not compute... by Quebec · · Score: 1

    7680 x 4320 does not equal 8 megapixels on my calculator...

    It's more like 33 Megapixels....

  81. works great for me... by YesIAmAScript · · Score: 2, Interesting

    I hear these stories and I am rather surprised.

    I have an antenna in my attic, and I pick up 8 UHF stations from 40 miles away perfectly. This is IMPOSSIBLE with analog. They break up maybe once every couple hours. If I look at the analog versions, they're very snowy and ghosty all the time.

    I know digital goes abruptly from great to nothing, but in my experience, it is still great when analog is so ugly as to be bothersome.

    As to digital TV being obsolete when it started out, it's just not true. You were never going to get HDTV over analog, giving over 5 channel slots to a single channel wasn't an option. So digital brings you HDTV and analog does not. That's a huge advantage.

    Are you perhaps in a country that uses other than ATSC TV (the US uses ATSC over 8VSB for over-the-air reception, I hear ATSC over CODFM is even better)?

    I know 8VSB is sensitive to multipath, it's a bit annoying. Getting a directional antenna should fix this for you though. The path to the transmitter I am pointing at has 1500+ft mountain ranges running parallel to it, so I figure I'm a pretty bad case for multipath and it works great for me.

    --
    http://lkml.org/lkml/2005/8/20/95
    1. Re:works great for me... by lisaparratt · · Score: 1

      You really only get 8 digital channels through your attic antenna?

      Here in the UK, we went from picking up 5 snowy channels on analogue through a dinky little set top aerial (our main service is satellite - this is a little tele in the bedroom), to about 80 crystal clear DVB-T channels, all for free.

      If your experience is good, or even typical, of the digital terrestrial ATSC experience, then no wonder your country is falling so far behind with digital television.

    2. Re:works great for me... by Anonymous Coward · · Score: 0

      Look at the population density in the UK, and then compare that to the US.

      Most people in the US get about 3 analogue channels through the air. Some people get none.

      Most TV watchers buy cable or satelite service.

    3. Re:works great for me... by Anonymous Coward · · Score: 0

      That's amazing! The Freeview homepage only claims "up to 30 free channels". Perhaps you should tell them they have more channels available.

  82. whoaaa by binarybum · · Score: 1

    Did you ever see scent of a woman? ..Did you ever see scent of a woman... Super-hi? That's the way to see it, it's just wacked.

    --
    ôó
  83. Wait, I'm curious.... by Khyber · · Score: 2, Interesting

    Some doctors I've recently talked to say that the approximate resolution of the human eye is about 14 megapixels.... so... As with many new technologies, the p0rn industry will probably be the first to deploy this 33,177,600 pixel technology. I'm wondering just how sharply we (our eyes) will perceive this 33 megapixel technology???

    BTW, for the math nitpicks, 7680 x 4320 equals out to 33,955,200 pixels, not 33,177,600.

    --
    Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
  84. Current HD is HD-lite by Zed2K · · Score: 1

    Doesn't mean jack. The current HD feeds we get over sat and cable and ota are highly compressed hd-lite anyways. How about we convince the carriers to stop overcompressing the signal and then we'll talk about the next gen of hdtv.

  85. Blanks Filled In by Khyber · · Score: 1

    This is great news for ____! Eventually it will improve ____ for all consumers but initially it will be used in the ____ industry to improve ____. Sony, Samsung, and Toshiba have all announced they will be introducing their own versions, which will be available in 21__ and are eventually expected to saturate the market at prices as low as $...,...,... Said one executive, "We're incredibly excited about this. We have invested $...,...,...,...,... in this project and are very confident it will succeed and dominate the ____ market. The new technology will first be experienced by consumers in selected ____ during a special ____-enhanced presentation of Star Wars: Episode OMG.

    Have fun filling in those blanks. I sure couldn't.


    This is great news for NOBODY! Eventually it will improve JACK-SHIT for all consumers but initially it will be used in the pr0n industry to improve the true crap quality of their actors and actresses, as you can see the genital warts now. Sony, Samsung, and Toshiba have all announced they will be introducing their own versions, which will be available in 21xx^n and are eventually expected to saturate the market at prices as low as ninety-nine ninety-nine ninety-nine!!!! Said one executive, "We're incredibly excited about this. We have invested countless taxpayer dollars in bribing legislation and patent offices for this technology in the creation of this project and are very confident it will succeed and dominate the non-informed market. The new technology will first be experienced by consumers in selected racial demographics during a special bionic-implant-enhanced presentation of Star Wars: Episode OMG.

    Hope that was enjoyable. I filled in the blanks for ya.

    --
    Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
  86. big deal. You think it will be cheap? by Jackie_Chan_Fan · · Score: 1

    Do you have any idea how hard it would be to store and edit such high resolution footage? :)

    How about the costs to buy the cameras and broadcast systems?

    HDTV is around to stay, for a little while atleast.

    1. Re:big deal. You think it will be cheap? by Blitzenn · · Score: 1

      No, it won't be cheap. Perhaps in x number of years it might be, but not soon.

      It does have a place in the market however. The high end resolution video market is hungry for this kind of stuff right now. Do you work with Photoshop at all? When you need to create good graphics, you want as much resolution as you can get to start with. You shrink it to the size you need when you are done. Same thing with video. It just hasn't been available in a decent technical package yet.

      You are correct about the storage requirements. I can't image how many Terabytes you need to produce an hours worth of viewing time. Sure might have an immediate impact on drive pricing. Historically, as demand goes up, price comes down (over simplification, granted). The network architecture to handle loads and storage areas of these sizes does however exist and works quite well. Perhaps the the markets are actually inline on this one. You might see it take off in a high end kind of way.

  87. Stupid subject line by heatdeath · · Score: 1

    Obsolete means not useful any more. HDTV hasn't even caught on completely yet, and is still somewhat bleeding edge. Just because we have jet cars that can break the sound barrier doesn't mean that a new BMW is obsolete.

    --
    I'm sorry. The number you have reached is imaginary. Please rotate your phone 90 degrees and try again.
  88. This could be really awesome. by Anonymous Coward · · Score: 0

    I saw a short movie clip created by Sony
    at the Aichi International Expo in Japan,
    which just ended several weeks ago.
    The technology used there was similar to the one developed by NHK.
    The screen was huge, measuring 50m x 10m (164' x 33'),
    and the video was as crisp as it can get, with
    three HDTV projectors producing seamless images
    on that screen. The whole viewing experience was not even remotely
    comparable to what I have ever had at any traditional movie theaters.
    I cannot wait to see movies made with this new technology.

    I also like the fact that it is NHK that is working on this technology.
    it is the only public TV network in Japan and tends to create much
    better programs than other private networks over there.

  89. Gasp! by Anonymous Coward · · Score: 0

    Does this mean we'll actually have to go outside to watch the movies instead of staying at home and waiting for the .torrent?

  90. Family Videoconferencing by WiseOwl2001 · · Score: 1

    With wall-to-wall 4k x 8k displays you could "virtually" join two living rooms together and keep in touch with family far away like never before!

  91. That is another problem...... by Argonne · · Score: 0

    "TV makers are starting to be required to include digital tuners so that they" Why require it? Why not just let the makers include features if they decide the public wants them. This is getting ridiculous.

  92. This could be it's own DRM by towermac · · Score: 1

    If you had a fiber connection to your house, and could watch this, well, that's all you could do with it. You won't be able to save (and pirate) something like this for many years. I wouldn't feel ripped off because *it's that much better* than anything you can download. I guess people would downsample and I would be happy to watch it for free at my current resolutions. Just thinking about 8-10 years ago when nobody's computer had the speed/storage to do anything real with television/movies; DRM wasn't a big issue. It would be nice, in a way, if broadcast/commercial tech leapt that far ahead of normal computers again. But for myself, I grew up with regular TV and will probably be satisfied with that for the rest of my life. If a show is good, it's good on regular tv, at the movie, in a book, as a play; the delivery really doesn't matter.

  93. HD-SDI errata by Anonymous Coward · · Score: 0

    Really interesting technology where you start with a 24 gigabits per second signal and split into 16 signals with 161.5 gigabits per second... FEC 1/100 ? Don't think so. The HD-SDI or SMPTE 292 defines a 1.615gbps serial interface, et voila, math works again !

  94. Does anyone... by Anonymous Coward · · Score: 0

    even use high definition TV any more.

  95. In the next decade? No way. by rnhg · · Score: 2, Insightful

    The idea that this technology will be embraced in the next decade is rather optimistic, to say the least. Look at the history of HD. Sony demonstrated the technology in the 1980's. The US adopted an alternative digital standard in the early 1990's with conversion mandated to be complete by 2001. We are now in 2005, and we don't even have a frickin' recording format, let alone standardized broadcast! Sometime next year, the first recording formats will emerge, with a lot of blood on the floor (pick sides: Sony or Toshiba) and the studios will continue to push DVD's. Why? Because well over 70% of studio revenue comes from DVD sales. Movie box office accounts for less than a third of the cash they get from movies, and if you think the studios are moving away from DVD, think again! they like money.

  96. Picture clarity is not the problem with television by DulcetTone · · Score: 1

    Why can't we get people to focus on the real issues making television unrewarding? Excessive ads (or ANY ads on cable content), garish product placement within the programs, and in documentary shows, a terrible "sawtooth" exposition style adopted in reaction to channel-surfers wherein each commercial break is followed by a successively lengthier recap of everything introduced thus far.

    The overall effect of these encroachments is that a given hour of television offers more repetition and a shallower view of the subject materal.

    tone

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  97. I didn't count them... by YesIAmAScript · · Score: 1

    I get

    2-1 (H)
    4-1 (H)
    4-2 (H)
    5-1 (H)
    7-1 (H)
    7-2*
    9-1 (H)
    9-2
    9-3
    9-4
    9-5
    11-1 (H)
    11-2*
    14-1
    20-1 (H)
    26-1
    32-1
    36-1 (H)
    43-1
    44-1 (H)
    48-1 (H)
    54-1
    65-1
    66-1

    I get 24 digital channels I guess, one is a bit glitchy (I need to turn my antenna). But the asterisked channels are useless channels that have no real content other than infomercials. Some also are in foreign languages. The eleven (H)s have HDTV content at times (mostly primetime and weekends). If I lived in San Franccisco proper, I'd get all but about 4 of these with "rabbit ears" on the TV top.

    I didn't count them all before, because I don't watch most of them.

    As to us falling behind in digital television, other than using 8VSB, I don't see how we're behind at all. There simply aren't 80 channels worth of content to have on free TV, that's just not how it works in this country. For starters, it is not allowed to bring in signals from remote areas and rebroadcast them. So operators cannot pad their channel lineup with "BBC1 London" or such.

    As the other poster mentioned, most people in this country get about 3-5 channels. How many local channels do people get in Anglia, the Midlands or Cornwall? Here you have to pay to get more channels (cable or satellite), and I have 256 of those (I just counted), not counting about 200 pay-pre-view channels or 50+ audio channels. And a bunch of channels I cut because I don't like home shopping or country music. Do you have any free TV there? My understanding is you have to pay to even own a TV.

    I'm glad you get a lot of free digital channels. People in big cities in the US also get a good number of digital channels with small antenna, although sadly our digital receivers cost significantly more than yours do (more like $300 instead of $100). However, for perhaps a bit more than they could spend on your license fee ($210/TV) an American two-TV household could get a decent cable lineup with 80 channels or so, and the digital decoder is included. Still, we can't do it just by putting an antenna up, they have to run a cable to your house.

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    1. Re:I didn't count them... by lisaparratt · · Score: 1

      Only 4 or five of the 80 or so are regional variants, and that's because we straddle two local broadcast areas. Probably 20 or so are essentially radio. 5 are BBC. The remaining 60 are advertising supported commercial channels, although a number of them are musical jukebox/shopping/gaming channels, so get additional revenue from people SMSing/phoning. I believe the distribution of digital terrestrial is fairly uniform, other than the odd extremely remote area, although I could be wrong.

      There are other channels available over terrestrial, but they're subscription only. I'm not sure how many we get by satellite - certainly comparable.

      As for falling behind, it's simply a case of market penetration. I work for a supplier of digital set top boxes, so I've been able to observe this to an extent. The drive for digital happened a lot earlier here, and the market's slackening off in the UK, whereas the US market is still expanding nicely. Also, we have to make some really horrible provisions for some US companies - things like hybrid digital/analogue boxes, etc. Not to mention the stupendous number of complicated analogue video connections - over here, you tend to get two SCART sockets for analogue, and you can daisy chain, etc. - hopefully HDMI and the increasing use of PVRs should sort all that out though. I'd also consider your ATSC standard a bit backward and parochial - yes, it's all multiplexed MPEG streams, but if you used DVB like everyone else, you too could enjoy cheap as chips boxes.

      BTW, the UK license fee is per household, not television.

  98. our expensive boxes don't have much to do w/ATSC by YesIAmAScript · · Score: 1

    The boxes you talk about with analog and such are not ATSC boxes, they're cable boxes. ATSC is pure digital.

    As to ATSC being parochial and backwards, don't confuse popularity with superiority. Cheapness of DVB chips is because DVB is popular. But the popularity of DVB no longer means it is superior to ATSC than the popularity of VHS meant it was better than Beta. I do find the 6MHz fixation of ATSC odd, but that's not that big a problem.

    And it isn't parochial either. ATSC was created in 1995. DVB-T was ratified in 1997. This falls along the same lines as saying the US is remiss in that we use phones that are incompatible with GSM. What these people don't understand is we had cell phones before GSM. I personally had a cell phone before GSM was activated anywhere in the world. The GSM people deciced to make a new standard that was incompatible with what the Americans had already done. (The US has since created at least 3 digital systems that are compatible with the existing analog setups.) And in this case, it's perhaps a bit of that. The EU could have embraced ATSC, instead they decided to create another new standard, although I can see that leveraging from the previous (satellite only) DVB standards had some value too.

    I'm not a fan of SCART. I've used it. It's a standard connector, but I'm not a big fan of it. It's a big connector, a big cable, and even though the connector is standard doesn't mean the device you are attaching to will work anyway! Some device use SCART but only accept (or emit!) composite. That's probably less likely nowadays. Anyway, I know that RCA jacks aren't wonderful either.

    US digital (as you see it) is taking off slower because few people use over the air here, and the FCC decided cable systems didn't have to carry the digital versions of TV channels. Cable systems view their digital offerings as premium, and they know customers prefer to use the tuners in their TVs over an external one. It's too bad no one (including the UK) standardized a tuner control interface so you could use an external tuner as easily as built-in one. Actually, I guess we just standardized that stuff with CableCARD in the US, although it isn't taking off.

    Where digital has taken off in the US is in satellite. We've embraced that quite well, you just don't see that probably since DTV doesn't use standard boxes (yet).

    Thanks for the info on the UK licensing. The website didn't make it clear. I assumed that since there were separate fees for B/W and color that you had to pay per TV. The site just didn't make it clear.

    http://www.tvlicensing.co.uk/information

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  99. Dolt by Argonne · · Score: 0

    For one thing, spectrum isn't "consumed". For another, it is expanding due to the use of compression of data.