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Macrovision Wants Old DRM to Work Forever

Grv writes "Macrovision's best-known form of copy protection inserts noise into analog video signals to make it difficult to get a good copy of the DVD or VHS recording. A company named Sima has products that eliminate this noise when digitizing such video, as any good digitizer would do. Macrovision argues that this is a violation of the DMCA, and a court sided with them in June. Now the injunction is being reviewed, and several organizations are siding with Sima and Fair Use, including the American Library Association, the Consumer Electronics Association, the Home Recording Rights Coalition, and the Electronic Frontier Foundation. If it isn't overturned, this decision could make it illegal to develop products for making copies of commercial analog recordings." This story selected and edited by LinuxWorld editor for the day Saied Pinto.

288 comments

  1. Digital, eh? by The+Dalex · · Score: 5, Insightful

    If these are analog signals, does the DMCA apply here? Is cleaning noise out of a signal considered "hacking" now?

    1. Re:Digital, eh? by LinDVD · · Score: 1

      I think analog hacking just might be taking on a new meaning...

      --
      Just because you get modded "insightful" on Slashdot doesn't mean you actually are in real life.
    2. Re:Digital, eh? by vancondo · · Score: 5, Insightful

      Everything is hacking now.. It's much easier to make everything against the law than to fiddle with technicalities. Altering, modifying or improving old technology is a threat to the economy. You should be out buying new stuff not using or enjoying the stuff you've already bought. Anything else is communist intellectual elitism!

      --
      -
    3. Re:Digital, eh? by DittoBox · · Score: 5, Insightful

      Yes. "Digital" and "Millennium" were just buzzwords at the time. Using the two together was simply a crafty ruse to make copyright law stricter in light of new digital technologies. They never use the word "digital" as in binary systems but instead the word "technology".

      This Macrovision noise crap is "technology" too, which means it's quite possibly protected. Or at least they say it is. That's the entire problem with the DMCA right there. It's too vague, which means this kind of the opportunistic crap will happen more and more as time goes on and innovation occurs. This is yet another example of how innovation dies at the hands of the DMCA. Again government has failed us in their understanding (or lack thereof) of technical concepts by creating legislation that is incredibly vague. I think they're smoking DOPA.

      Thanks for nothing Congress. Vaguely written, hastily thrown together, anti-everyone-but-the-guys-who-paid-you-off legislation is bad m'kay?

      --
      Good. Cheap. Fast. Pick Two.
    4. Re:Digital, eh? by DragonWriter · · Score: 4, Insightful

      There was no failure to understand here. The bill wasn't hastily thrown together in ignorance. The industry lobbyists who wrote the law spent a lot of time working on the details, and knew exactly what they were doing. Congress failure was in not caring much beyond what the lobbyists could do for them, not in not understanding the subject matter. (I'm not saying they actually understood, just that for their understanding to have any relevance they'd have to first care about the substance.)

    5. Re:Digital, eh? by farrellj · · Score: 4, Interesting

      Well, if you have an ATI TV Wonder card, you can simply modify a value in the source code that will eliminate Macrovision "interference". I do this on my home system so that I can watch my DVDs and Video Tapes on my 17" monitor. I don't have a lot of room where I live, and I sold my TV a while ago. So I have a dual monitor setup, with one being used as my "TV".

      I don't see why modifying said value could be so hard for the other drivers...but it probably works on all BT8x8 based cards.

      ttyl

      --
      CAN-CON 2019 - Ottawa's only book oriented Science Fiction Convention! October 18-20, Sheraton Hotel, Ottawa, Canada h
    6. Re:Digital, eh? by sasdrtx · · Score: 1, Troll

      Like any crack-whore, congresscritters do what gets them some cash or a fix. Everything else is a side-effect or collateral damage.

      --
      Most people don't even think inside the box.
    7. Re:Digital, eh? by TheSpoom · · Score: 4, Informative

      Make no mistake, analog copyright protection systems are protected under the DMCA. The DMCA makes it illegal to create an anticircumvention device of any kind, with few exceptions (fairly well explained on Copyright.gov's DMCA overview, page 5 (Warning: PDF)), none of which apply to breaking older copyright protection methods. If you're going to enforce the DMCA anywhere, you must also enforce it here, and against every other technological copyright circumvention scheme ever conceived.

      Which, of course, is why the DMCA is so stupid, arbitrary, and completely one-sided.

      --
      It's better to vote for what you want and not get it than to vote for what you don't want and get it.
      - E. Debs
    8. Re:Digital, eh? by twelveinchbrain · · Score: 4, Informative

      If these are analog signals, does the DMCA apply here? Is cleaning noise out of a signal considered "hacking" now?

      Macrovision is trivially defeated with a simple, off-the-shelf, $10 video switch that you can buy at any big-box electronics store. Video switches do not have automatic gain control, because they are not "analog recording devices" under the DMCA. Lacking this feature means they are immune to Macrovision. The video output from the switch can then be routed to the recording device of your choice, with Macrovision stripped away.

      --
      Not Found
      The requested URL /signature.html was not found on this server.
    9. Re:Digital, eh? by babbling · · Score: 4, Interesting

      How does the DMCA define "technology"?

      If the GPL could be considered "technology", then anything that prevents copying (DRM systems) could be classified as a "circumvention device".

    10. Re:Digital, eh? by Anonymous Coward · · Score: 0

      Only problem is, doing so is circumventing their protection and is against the DMCA

    11. Re:Digital, eh? by Pieroxy · · Score: 1

      Hi twelveinchbrain.

      You have just breached the DMCA by exposing a method to circumvent a copy-protection technology.

      The FBI will be at your door in about 20 minutes. Do not oppose any resistance.

      Regards.

      **AA.

    12. Re:Digital, eh? by hobo+sapiens · · Score: 1

      That's what happens when you have ambiguous laws designed and enforced by people who know nothing about technology. It's worse when these laws are designed to be elastic clauses to cover future innovations. It's ok, though. If more laws are enforced the way the DMCA is, there won't be any future innovations.

      --
      blah blah blah
    13. Re:Digital, eh? by Anonymous Coward · · Score: 0

      I'm guessing the GPL is just a license, not technology. Furthermore, even if it were technology, only DRM which prevented the copying of GPL'd items would violate the DMCA.

    14. Re:Digital, eh? by idontgno · · Score: 1
      "Ending is better than mending. The more stitches, the less riches"

      --Aldous Huxley, Brave New World

      --
      Welcome to the Panopticon. Used to be a prison, now it's your home.
    15. Re:Digital, eh? by Chonine · · Score: 1

      Decimal is digital too. Not that you don't know this, I just wanted to point it out.

    16. Re:Digital, eh? by cheesybagel · · Score: 1

      It seems to me the judge outlawed using a TBC.

      Which is interesting, considering I used a TBC a couple of days ago, to cleanup the video signal from an old VHS camcorder recording I made, in order to convert it to digital. TBCs are used commonly across the analog video industry to correct video signals, even before digital was in use. Some high-end camcorders and VCRs even had them built-in. To me, it makes no sense to outlaw this device, since its non-infringing uses far outstrip the infringing uses.

      To copy CSS encrypted DVDs you can use a CSS cracking program rather than a TBC. There are programs free as beer which do it and any PC comes with a DVD recorder these days. In fact, I know noone which copies CSS encypted DVDs using TBCs.

  2. One Fine Day In The Not So Distant Future by ackthpt · · Score: 5, Insightful

    "Wanna watch Erik The Viking?"

    "Can't. It would be a violation of the law."

    "What Law?"

    "The one that prevents us from taking the old video tape I bought of it, which I can no longer watch on newer video devices due to built in DRM and I am prevented from recording onto a computer and removing the old DRM and writing to digital storage which the new digital video devices read."

    "Man, obeying the law sucks!"

    "No, creating laws which paint people into a corner and then hand them the brush suck."

    Ultimately, the way DRM and DMCA is going, you will not have owned DVDs, CDs, LPs, 45s, etc. You will merely have rented them until the march of technology locks you out of enjoying the content any further.

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:One Fine Day In The Not So Distant Future by BalanceOfJudgement · · Score: 5, Interesting
      Ultimately, the way DRM and DMCA is going, you will not have owned DVDs, CDs, LPs, 45s, etc. You will merely have rented them until the march of technology locks you out of enjoying the content any further.
      Telling my friends and family this have gotten me accused of everything from lying to fear mongering.

      They really sincerely believe that people won't stand for it and that the government will stop the content distributors from doing this.

      It's sad how much faith they have in people who are genuinely trying to screw them.
      --

      We are the fire that lights our world.. and we are the fire that consumes it.
    2. Re:One Fine Day In The Not So Distant Future by ackthpt · · Score: 2, Interesting

      Telling my friends and family this have gotten me accused of everything from lying to fear mongering.

      Those old Beatles records you bought years ago, you can't just digitise them so you can listen to them on your iPod. Not with the RIAA's blessing anyway. And TFB if you have something on vinyl which never came out, or in the case of my ELO Out Of The Blue double-LP, was clipped when making the abbreviated CD version.

      stormtroopers are standing by

      --

      A feeling of having made the same mistake before: Deja Foobar
    3. Re:One Fine Day In The Not So Distant Future by kfg · · Score: 3, Funny

      And don't you dare photoshop the cover art to make it look like it looked before we photoshopped them. We're watching for that shit.

      KFG

    4. Re:One Fine Day In The Not So Distant Future by feepness · · Score: 2, Funny

      It's sad how much faith they have in people who are genuinely trying to screw them.

      Or perhaps encouraging how little they care about watching Buffy: Season Three in 2018.

    5. Re:One Fine Day In The Not So Distant Future by c6gunner · · Score: 0, Troll

      Isn't that rather like arguing that you never really owned your record player, because you were forced to buy an iPod in order to keep up with technology? You can still play your old beatles records on an LP player. That's what you bought originaly - an LP to play on an LP player. And it still works exactly as advertised. If you want to enjoy it on a different player, buy a different version. If it wears out and no longer works, such is life. When your car wears out, you don't complain that you should have had the right to a backup copy, you go out an buy a new car. Why is music (or movies, or even books for that matter) any different?

    6. Re:One Fine Day In The Not So Distant Future by cpu_fusion · · Score: 5, Funny

      With all due respect to your well-thought-out-argument, if the DMCA prevents me from watching Erik the Viking in 2050, then it has finally done something good for once. ;)

    7. Re:One Fine Day In The Not So Distant Future by Belgarath52 · · Score: 2, Insightful

      If I was artifically prevented from creating a brand new car at no cost to anyone, when my old one wore out, I'd be pretty pissed. The only reason that these old copies of music "wear out" is that it's illegal to update them.

      Put another way, how would you feel if it was illegal to maintain your car? I mean, you can buy a new one when it wears out...

    8. Re:One Fine Day In The Not So Distant Future by c6gunner · · Score: 2, Interesting

      Ah, see, with that line of reasoning you get into the "why can't I download music without paying for it when it's not harming anyone" line of argument. Which has some merit to it, sure, but it's hard to blame the companies for trying to make a buck. Anyway, I have made digital copies of old material in the past, I'm just curious why people seem to think that they've bought the song instead of the physical medium containing the song. The music companies make it quite clear that you have no real right to the song itself, other than being able to play it from the original medium which you bought it on.

    9. Re:One Fine Day In The Not So Distant Future by redhog · · Score: 1

      Once uppon a time, when your car weared out, you'd grab your wrench and other tools and you'd fix it. Once uppon a time, when you bought an LP, you'd tape it to a casette tape (or reel tape) and you'd play that, maybe in your car.

      Today, you are saved from this DIY attitude by laws that forbid you from fixing your car (without a license from the maker to use the special tools only they make), forbid you from copying your music for personal use to another medium.

      How is music different? It isn't. But the times are.

      --
      --The knowledge that you are an idiot, is what distinguishes you from one.
    10. Re:One Fine Day In The Not So Distant Future by c6gunner · · Score: 1

      And once upon a time we walked 20 miles to school in a blizzard in june, uphill both ways :)

      Although I did find this part interesting:

      "Today, you are saved from this DIY attitude by laws that forbid you from fixing your car "

      Where the heck are YOU living?

    11. Re:One Fine Day In The Not So Distant Future by yakumo.unr · · Score: 1

      well put. If you don't like car analogies I just change it to "PC", or maybe house, as they're more likely to last as long as some old music media than most cars or certainly computers.

    12. Re:One Fine Day In The Not So Distant Future by Turn-X+Alphonse · · Score: 1

      I believe you're in a different world to me because last time I checked in the UK at least for the last 20 years you've bought a licence to own/watch/etc. the media but the content it's self. That is why we have disclaimers like "This video is not for resale or rent. Public views are not allowed" etc.

      Maybe you live in some fictional world where these sort of things arn't common as hell.

      --
      I like muppets.
    13. Re:One Fine Day In The Not So Distant Future by MMC+Monster · · Score: 3, Insightful

      If I bought it on the medium, I have the right to sell it to another.

      Try selling a copy of MS Windows on ebay. The RIAA is against the reselling of music as well, but they lost that battle.

      If I bought a right to use it, I should be able to get another copy of the medium if mine was damaged or destroyed for the cost of the medium+shipping. Try to get that on MS Windows (Tell them it came with your computer and you want an OEM copy, but will settle for an end-user copy).

      So, did I buy MS Windows, or just the right to install it?

      --
      Help! I'm a slashdot refugee.
    14. Re:One Fine Day In The Not So Distant Future by mvdw · · Score: 4, Insightful

      As far as I can see, the **AA needs to make the decision of what they are selling.

      If they're selling me a licence to the song(s)/movie, then it should be reasonable for me to buy a replacement for my existing media at less than the cost of someone without an existing licence. For example, should my CD/DVD wear out (and, believe me, they do), I should be able to take the worn-out medium somewhere, and get a new one for approximately cost price. I can't do this at the moment; the business model simply doesn't allow it.

      However, if the **AA is in the business of selling shiny discs, then I should be able to damn well do what I want with my shiny disc. Including, but not limited to, making copies of it (but probably not selling them, due to trademark reasons rather than copyright reasons).

      The **AA wants to have its cake and eat it, too. They want to be able to sell shiny discs, and at the same time rent you the content encoded on the media.

    15. Re:One Fine Day In The Not So Distant Future by gsn · · Score: 2, Funny

      Maybe because the song is what gives the physical medium any value to us...

      Also if anybody ever asked you if you had a CD of Pink Floyd do you think they cared about the physical medium or listening to the content.

      A physical medium is a delivery device - an outdated one because it costs money - the great thing about digital media is that you can make N copies for effectively free - you can change its format, you can rip a section of it (either a time segment, or only the audio from a movie say) - its more versatile and powerful. It also has the nice side effect that it takes a lot more to make the data unretrievable. My grandfather used to have some recordings on tape spools - just open tape that went between two reels - player broke - no one around could convert the damn things. Media companies recognize these benefits and you can be damn sure they use it - e.g. cut out the people who make the physical film in favour of digital video recorders.

      Thats also the problem with the digital medium though - if you treat things as a bunch of 1s and 0s and liberate it from a physical medium then your buisness model whcih relied on you delivering that physical medium fails. Unless they can control the hardware which is what HDCP tries to do, and is the point of all this trusted computing stuff that scares me. But really such control of the hardware is an artificial limitation of technology. What you should do is change.. or die. Theres no rule that demands that these recoding companies have to survive this century - music won't die. It might just become less corporate.

      So sure let them say you have no real right to the song and all you can do is play if from the original medium you bought it on. And let people with cdrom drives and cd rippers and mp3 codecs and mp3 servers and p2p networks tell them to go take a flying leap.

      --
      Reality must take precedence over public relations, for nature cannot be fooled.
    16. Re:One Fine Day In The Not So Distant Future by nolife · · Score: 1

      What restrictions are you talking about with the automotive tools and repairs? I was under the impression that there was case history and laws that prevented them from doing that.
      I know the standard OBD2 computer controls that are on every car sold in the US since 1996 are not "protected", even the additional extensions that automakers add above and beyond the federally mandated emissions controls can be read and diagnosed with any decent OBD2 code reader. Fixing computerized problems and fault codes takes more then a wrench but the data to fix it is available.

      I will say that when computer, internet, data, entertainment, and copyright are mentioned in the same sentence, there does seem to be a different set of standards and laws are applied. You can make an aftermarket alternator that is fully compatible for a BWM 5 series and you are fine. Make an aftermarket accessory or internal replacement part for an Xbox and be sued into oblivion. It is sad that we have been become numb to that.

      --
      Bad boys rape our young girls but Violet gives willingly.
    17. Re:One Fine Day In The Not So Distant Future by indil · · Score: 1
      Ultimately, the way DRM and DMCA is going, you will not have owned DVDs, CDs, LPs, 45s, etc. You will merely have rented them until the march of technology locks you out of enjoying the content any further.

      Technically, you only own the disc the media is on. You don't have any inherent right (according to contemporary licensing laws) to use the content on them as you see fit. The license you agree to abide by -- which happens when you buy the disc -- is what makes it illegal for you to make copies for others or convert them into other formats. That is, unless you bought a CD that uses a license more liberal than most.

    18. Re:One Fine Day In The Not So Distant Future by AusIV · · Score: 1

      So far the **AAs have been able to have their cake and eat it too. Why on earth would they want to make a decision about what they are selling?

    19. Re:One Fine Day In The Not So Distant Future by grolschie · · Score: 2, Funny
      "Wanna watch Erik The Viking?"
      Sure, I love that movie! "Olaf Tryggvason used to throw up on every single voyage... the whole time... non-stop... puke... puke... puke..."
    20. Re:One Fine Day In The Not So Distant Future by TheSpoom · · Score: 4, Insightful
      When your car wears out, you don't complain that you should have had the right to a backup copy, you go out an buy a new car. Why is music (or movies, or even books for that matter) any different?
      Because music, movies, books, and data are all information, not physical, tangible objects. As such, the cost of copying that information is zero, or at least negligible.

      The cost of producing a car has a solid per-item price: Parts plus labour plus whatever other expenses are involved in production. This price will always exist with every copy of a car's design produced because we can't magick up a car out of thin air.

      Information may have an initial cost in its research / discovery / creation. But it doesn't have any per-item cost. Effectively, we can magick up as many copies of information as we want with impunity; nobody will be hurt by our copying of it, short of the original producers losing potential profits.

      What sort of profit margins do you think a company should be able to make on a product that costs them nothing to produce?

      Now, consider that if the customer already effectively owns the information, but is locked out of accessing it via a practical means like not being able to move it to a new format. You're arguing that they should have to pay the company that originally produced the information for a license to access it on a new format, even though it gives them absolutely no benefit that they wouldn't already have had they not been locked out of it artificially by the original producer?

      This is why a lot of people argue over the use of the word theft in place of copyright infringement. One deprives the owner of their own property, the other does not.

      PS: If you believe that allowing unlimited copying of information would destroy many businesses, you're probably right, but I argue it would be better for humanity as a whole. I also think the market needs to evolve with the times, and there are plenty of suggested ways to do that out there. I suggest reading The Digital Art Auction for one of those methods: It allows unlimited copying but also recoups production costs and profits for artists, keeping them in business.
      --
      It's better to vote for what you want and not get it than to vote for what you don't want and get it.
      - E. Debs
    21. Re:One Fine Day In The Not So Distant Future by Anonymous Coward · · Score: 0

      "The **AA wants to have its cake and eat it, too."

      Eat their cake and have it, too; but, yeah, I agree.

    22. Re:One Fine Day In The Not So Distant Future by Anonymous Coward · · Score: 0

      Really? I don't remember agreeing to any license when I bought my DVD. In fact, I see no mention of any license anywhere on the packaging. It's the same as when I buy a book. Buying the media implicitly gives you the right to use the information on the media. There are limitations, you cannot make copies of that information and give them out on a street corner, but you definately have the right to watch the DVD without any extra license, and copying to another format for personal use falls within fair use.

    23. Re:One Fine Day In The Not So Distant Future by NoMaster · · Score: 2, Insightful
      As far as I can see, the **AA needs to make the decision of what they are selling.
      They've made that decision already. As far as they're concerned, what they're selling is a licence to play a specific instance of a specific recording of a specific sound or video event from a specific piece of media.

      Or, simply, "See that disc? Buying it gives you the right to play that disc - it doesn't give you any rights to the identical one next to it".

      Of course, the law is more complicated and less exact than that - which is why they're both lobbying to change it, and advertising to change public perception.

      And look around for the precursors to the next level - a licence to play a specific instance of a specific recording of a specific sound or video event from a specific piece of media on a specific device . Player-locked videogames &/or HD/Blu-Ray discs anyone?

      --
      What part of "a well regulated militia" do you not understand?
    24. Re:One Fine Day In The Not So Distant Future by Anonymous Coward · · Score: 0

      If they got sued to the point this distinction was made, they'd sell a licence for 1 cent saying you can play content X only on that medium and can't be ripped, and then selling the medium for $19.94

    25. Re:One Fine Day In The Not So Distant Future by nsayer · · Score: 1
      You can make an aftermarket alternator that is fully compatible for a BWM 5 series and you are fine.

      Oh?

      Try that shit in California and the CARB will want to have a word with you.

      And no, I'm not joking.

    26. Re:One Fine Day In The Not So Distant Future by JohhnyTHM · · Score: 1
      When your car wears out, you don't complain that you should have had the right to a backup copy, you go out an buy a new car. Why is music (or movies, or even books for that matter) any different?

      The reason music is different is that you don't own it, you licence it. It's more like having a company car on a lease - if it breaks down, you get a replacement free of charge.

    27. Re:One Fine Day In The Not So Distant Future by jd0g85 · · Score: 1

      "No, creating laws which paint people into a corner and then hand them the brush suck."

      But don't you see, they have handed you a brush. The creativity of artists has been preserved. </sarcasm>

      --
      There is no belief, however foolish, that will not gather its faithful adherents who will defend it to the death.-Asimov
    28. Re:One Fine Day In The Not So Distant Future by bm_luethke · · Score: 1

      I don't know how you put it to them so don't take the following as a criticism. You may very well do this and just be unlucky.

      Did you, perhaps, talk to them like you would us on slashdot? Remember, even to us conservatives here (and most consevative websites) you tend to be preaching to the choir on this particular issue. The last line you quote: "You will merely have rented them until the march of technology locks you out of enjoying the content any further" is something of a hyperbole. For one thing I don't think it was the companies want - though it is definatly the outcome of what they want. I think they are either looking at thier loss of monopoly (if it's easy to produce, easy to distrbute, and easy to market what are they useful for) or (and this is the logical meaning of "or") simply see the ability to control the market like never before. What was said may very well be, and probably is, in thier wet dreams but I think the relatives are correct in that the govt will not allow it. Mostly because at that point too many people will ignore it and forces the govt can not control will occur (notice that the govt never touches those forces - too easy to see they *really* only have power because we agree they do).

      The danger is that they get something less than that - that would be sustainable.

      The best way to deal with it is just tell the basic facts. "The screen is changing brightness because they do not want you to run you DVD player to you VCR" - "why" - "because they do not want you to copy it for any reason and running it through your VCR would allow it". If they argue simply say "Ok, go do it then" and drop it.

      I tried for years to get them to understand. Calm talks about RIAA/MPAA and content control, rants about it, everything I could think of was dismissed. I finally took this tact - don't argue with them. It just sets you up to be easily ignored. Agree with them and tell them to go do what it is they think they really can. Answer thier questions and little more (be totally factual and non-ranty, unless you can quote it directly do not say it however true what you are saying is - "You can not purchase that equipment due to the DMCA because it may be used to circumvent a copy protections scheme, yes I understand you have a legitimate need for it"). In my case nearly all my family dislikes the RIAA/MPAA and "rights management". They don't really know much more than they can not do what they think they should be able to do - but that's good enough. They even tend to *think* when they hear crap the industry spews out - it's funny to hear what a few years ago was me being a crazy ranter now being what they are saying. But then, there are some that you can do nothing about. Leave them be - in the long run you will look better for it, you suddenly become reasonable and people will listen.

      --
      ------- Sorry about the spelling, I suffer from two problems. Dyslexia makes it difficult to spell well, lazy makes it
    29. Re:One Fine Day In The Not So Distant Future by Rix · · Score: 1

      Music companies have absolutely no say in what rights I do or do not have.

    30. Re:One Fine Day In The Not So Distant Future by krnlg · · Score: 1

      As the AC says, I don't see a license on my music CDs anywhere. So even if there is supposed to be one its not like I've agreed to it - as far as I can see such CDs are just protected by normal copyright laws. CDs with licenses are the ones that contain software, and that pop up a click-through license when you go to install it. (IANAL of course)

    31. Re:One Fine Day In The Not So Distant Future by Jussi+K.+Kojootti · · Score: 1
      When your car wears out, you don't complain that you should have had the right to a backup copy, you go out an buy a new car. Why is music (or movies, or even books for that matter) any different?
      Car analogies... I should just walk away :)

      Think about it this way: If we could have a market for cars that lasted forever, and yet didn't (not because there wouldn't be customers but because there is a law against it), wouldn't you complain? The current situation is just plain uneconomical -- we waste resources manufacturing, packaging, selling and transporting products when it's not necessary.

    32. Re:One Fine Day In The Not So Distant Future by Anonymous Coward · · Score: 0

      Actually a couple of years ago in the EU they tried to force through a law stating that you couldn;t make copies of any externally visible parts of a motor vehicle. The reason given was that it related to the equivalent of copyright for that vehicle and also poor quality pattern body parts were a safety risk due to how they would or wouldn't work as part of the crumple zone protecting the occupants. I got involved as a member of the UK Motorcycle action Group as on a bike so much more is "externally visible" such as the engine, suspension etc etc. They also wanted to mandate that vehicles only be fitted with manufacturer approved tyres.

      On as aside if you have a modern (last 2.5 yeasr)ABS fitted BMW bike you can not bleed the brakes without the BMW brake bleeding device - only available from them to dealerships at a high price. I have mate who tried to do it himself having done it to a first generation ABS fitted R1100GS and he just looked at the system under the tank and realised it was economically impossible to DIY

    33. Re:One Fine Day In The Not So Distant Future by Anonymous Coward · · Score: 0

      Are they the same people that were responsible for the US version of the Ford Fiesta having a 1600 engine with an emission control system that gave it roughly the same emission output as a 1300 without emission control and slightly less power output than an 1100 without emission control?

    34. Re:One Fine Day In The Not So Distant Future by Pofy · · Score: 1

      >I believe you're in a different world to me because last time I checked in the UK at
      >least for the last 20 years you've bought a licence to own/watch/etc. the media but
      >the content it's self.

      Were did you "check" that? Feel free to specify, say, a law saying this (and make sure it actually says so before you mention the name of a law).

      >That is why we have disclaimers like "This video is not for resale or rent. Public
      >views are not allowed" etc.

      That is because copyright law specifically dissallow certain such uses. That has nothng to do with owneship or licenses.

    35. Re:One Fine Day In The Not So Distant Future by Pofy · · Score: 1

      >Try selling a copy of MS Windows on ebay.

      Just because they don't allow selling of certain things does not mean it is illegal to sell such things.

      >So, did I buy MS Windows, or just the right to install it?

      That right is given to you by copyright law, so there is really no point in "buying" it since you allready have.

    36. Re:One Fine Day In The Not So Distant Future by Pofy · · Score: 1

      >If they're selling me a licence to the song(s)/movie, then it should be reasonable for
      >me to buy a replacement for my existing media at less than the cost of someone without
      >an existing licence.

      What do you mean by "selling a license"? A license is not a thing, it is a right to do something. You can't sell, or rather it is quite pointless to sell something not needed. For example, there is nothing forbidding you to listen to a CD you have bought, hence there is no need for any license to listen. In addition, you can at most sell licenses for something you yourself has been given the right. LiIstening is not such a thing given as a right to a copyright holder to start with.

      ALso, don't mix up copyright with ownership, it has nothing to do with each other and are seperate issues not related to each other. One does not imply the other and change of one does not imply the change of the other.

      >For example, should my CD/DVD wear out (and, believe me, they do), I should be able to
      >take the worn-out medium somewhere, and get a new one for approximately cost price. I
      >can't do this at the moment; the business model simply doesn't allow it.

      Most every country has provisions for making back ups or private use copies or has some generic fair use rules that allows similar things.

      >I can't do this at the moment; the business model simply doesn't allow it.

      Of course you can. The bussiness model doesn't cover or handle things you do. Although many like to pretend they do and sadly, most people believe in it.

    37. Re:One Fine Day In The Not So Distant Future by Pofy · · Score: 1

      >The reason music is different is that you don't own it, you licence it.

      No you don't. Try to find ANY basis for that in any law or similar. You do indeed own copies of the music (which of course is totally unrealted to owneing the copyright to a work of muci and one has nothing to do with the other). Licenses have to do, in copyright related issues, when you want to do something that would otherwise be restricted as exclusive to the copyright owner. Only a few specific things are, listening for example is not, no license needed.

    38. Re:One Fine Day In The Not So Distant Future by Pofy · · Score: 1

      >Technically, you only own the disc the media is on.

      No, technically you own a copy of the work. A copy is a material object in which a work is fixed. The are one entity and the same. You can buy, sell and own copies just as you do with anything else in the world. It is unrelated to copyright and the ownership of copyright and one does not imply the other.

      >You don't have any inherent right (according to contemporary licensing laws)

      I am unaware of a "licening law". There are copyright laws and sales laws and such. Licenses are for giving you the irght to do something you otherwise would not be allowed to do. Listening to music for example is not something you are forbidden to do or the exclusive right of the copyright owner, hence no need for a license. Further, license has nothing to do with ownership, one does not imply the other, nor does it require the other either. It is from a license point of view completely irellevant if you own or do not own something. Similary, owning something would not mean you would need (or not need) a license either if such a thing would be required. They are unconnected.

      >The license you agree to abide by -- which happens when you buy the disc --

      No, there is no such agreement when you buy stuff. Selling and buying things are well established thorugh law and in the history of humans. See sales laws and consumer sale laws for how it is regulated. There is nothing about licenses agreed upin when buying something that involve copyright or which has nothing to do with copyright).

      >is what makes it illegal for you to make copies for others or convert them into other
      >formats.

      Ehh, you HAVE heared about the copyright law, right? THAT is what makes most such copying (although not all) illegal.

    39. Re:One Fine Day In The Not So Distant Future by mrjb · · Score: 2, Insightful

      This price will always exist with every copy of a car's design produced because we can't magick up a car out of thin air.
      Yet.

      --
      Visit http://ringbreak.dnd.utwente.nl/~mrjb/growingbettersoftware to download your free copy of the book
    40. Re:One Fine Day In The Not So Distant Future by Anonymous Coward · · Score: 0

      I've replaced the entire ignition and upper engine (everything from the mass air sensor up to and including the heads), the entire exhaust as well and I believe everything was CARB approved (Im not in CA so I did not really care to look). Obviously it is not that hard to meet the CARB requirements.

    41. Re:One Fine Day In The Not So Distant Future by GooberToo · · Score: 1

      The music companies make it quite clear that you have no real right to the song itself, other than being able to play it from the original medium which you bought it on.

      You confused reality with what is sprewed by companies. You have no ownership of the song but you do have right to access the song, period. Tying access to the song with the original medium is strictly an artifact of the DCMA (which is part of the reason they wanted the DCMA) and is contrary to fair use. Now the courts have ruled fair use does not mean you always have access to the song via the latest technology but that is completely different than saying you can only access song x on media y. Fair use clearly includes accessing the song without the use of the original media. Please do not confuse the two.

    42. Re:One Fine Day In The Not So Distant Future by nsayer · · Score: 1

      The GP was talking about designing and building your own replacement parts. That's illegal unless you get those parts CARB approved. It's not difficult to find CARB approved replacement parts that HAVE gone through certification, but those parts aren't home-made.

    43. Re:One Fine Day In The Not So Distant Future by nsayer · · Score: 1

      Very probably. The very first time I had to take a car for a smog check filled me with outrage. They said my car failed because the timing was out of spec by 5%. They charged me $75 to turn a screw and retest. When they retested, the amount of tailpipe emissions had increased but since it was now in-spec, I passed. So on behalf of the state they charged me money to force my car to pollute more. How retarded is that?

    44. Re:One Fine Day In The Not So Distant Future by TheSpoom · · Score: 1

      True, which is why I believe a Star Trek universe-style communism could work, but only once we invent replicators.

      --
      It's better to vote for what you want and not get it than to vote for what you don't want and get it.
      - E. Debs
    45. Re:One Fine Day In The Not So Distant Future by scribblej · · Score: 1

      If I bought a right to use it, I should be able to get another copy of the medium if mine was damaged or destroyed for the cost of the medium+shipping.

      Software companies used to do just this. I remember the warranty in the back of nearly every videogame I purchased in the 80s (mostly for my C-128) had a disclaimer to the effect of if the media were ruined, you could send them in plus a small fee to get a replacement. Some wanted the original manual as well. Prior to '95, I worked on the Microsoft Help Desk (for MS-DOS) and at the time we had the ability within the tech support program to ship replacement media for everything from Windows for Workgroups to Microsoft's assembler.

      So here's an interesting question... I've heard this argument a lot of times, but has anyone actually tried to get replacement media in this decade? Maybe it's actually possible.

    46. Re:One Fine Day In The Not So Distant Future by operagost · · Score: 1
      My grandfather used to have some recordings on tape spools - just open tape that went between two reels - player broke - no one around could convert the damn things.
      Try going to a yard sale! I have two consumer 1/4" tape players myself, and I don't even have 1/4" stereo tapes to play on them (my reels are all 1/4" 2-track professional mix tapes)!
      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    47. Re:One Fine Day In The Not So Distant Future by operagost · · Score: 1
      Most every country has provisions for making back ups or private use copies or has some generic fair use rules that allows similar things.
      The technology they are currently using on CDs (and have been using on VHS and DVD) make this difficult to impossible.
      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    48. Re:One Fine Day In The Not So Distant Future by operagost · · Score: 1

      That's the fault of the people of California, not BMW. Second, I'm not so sure that an alternator is considered an emissions-critical device. My brain is hurting trying to think of a way it could possibly increase emissions. I don't think alternators require an exemption any more than cat-back modifications (like tailpipes and mufflers).

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    49. Re:One Fine Day In The Not So Distant Future by Pofy · · Score: 1

      >The technology they are currently using on CDs (and
      >have been using on VHS and DVD) make this difficult
      >to impossible.

      Yes but that does not mean you should be entitled to a replacement which the original poster thought to be a requirement. Not all products in the world are made to never tear down.

    50. Re:One Fine Day In The Not So Distant Future by nsayer · · Score: 1
      That's the fault of the people of California

      I won't deny that.

      Second, I'm not so sure that an alternator is considered an emissions-critical device

      I don't believe that matters. It "attaches" to the power train. I'd be glad to be proven wrong, but the point is that in California you can't do DIY modifications on your engine, in general. That includes things like converting the fuel system over to CNG, even if that would have a dramatic, positive impact on emissions.

    51. Re:One Fine Day In The Not So Distant Future by ultranova · · Score: 1

      So, did I buy MS Windows, or just the right to install it?

      Shouldn't matter from the point of selling it - you are simply selling the installation right in the latter case.

      I am not a lawyer, this is not legal advice, and damn those who made it neccessary to state it.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    52. Re:One Fine Day In The Not So Distant Future by default+luser · · Score: 1

      And TFB if you have something on vinyl which never came out, or in the case of my ELO Out Of The Blue double-LP, was clipped when making the abbreviated CD version.

      As a "recent" ELO fan, I only own the CDs. Your comment made me curious: how much is cut from the CD version? I've looked at the tracks on the LP and CD version, and they look identical. Even the track durations are just about the same.

      What am I missing?

      --

      Man is the animal that laughs.
      And occasionally whores for Karma.

    53. Re:One Fine Day In The Not So Distant Future by ajs318 · · Score: 1

      If the engine has to work harder to turn the alternator, then it will produce more emissions. So maybe an alternator is emissions-critical.

      Of course, you could say that if you plug something into the cigarette lighter socket, then the engine will have to work harder to turn the alternator, thus producing more emissions; so anything that plugs into the cigarette lighter socket is emissions-critical!

      In the UK, most "ordinary" cars have engines under 2 litres and petrol (gasoline) is the equivalent of US$2.00.

      --
      Je fume. Tu fumes. Nous fûmes!
    54. Re:One Fine Day In The Not So Distant Future by AK+Marc · · Score: 1

      It isn't about new free stuff. It's about what they let us do with it. If I take my car and replace the fuel system so that I can run it on H2, the car maker isn't going to sue me under the DMCA. But, if I take my DVD and convert it to run on my laptop from the hard drive, they can sue me. When's the last time you heard of someone being sued by their car maker for putting on an after-market exhaust, or reselling the car, or painting it a different color? Or more directly, how about an auto maker suing K&N (who make filters and aftermarket intakes) for makeing things that allow people to modify their own cars? That'll never happen, yet the MPAA/RIAA sue people that make things that allow modifications of their content.

    55. Re:One Fine Day In The Not So Distant Future by indil · · Score: 1
      No, technically you own a copy of the work. A copy is a material object in which a work is fixed. The are one entity and the same. You can buy, sell and own copies just as you do with anything else in the world. It is unrelated to copyright and the ownership of copyright and one does not imply the other.

      So if you own the disc and everything on it, then why is the owner of a disc with software on it (say, Windows) constrained by its end-user license agreement? By your post, it sounds to me like you're saying once you buy something you have the right to do whatever you want with it, which I don't think is the case for Windows.

    56. Re:One Fine Day In The Not So Distant Future by cayenne8 · · Score: 1
      "And TFB if you have something on vinyl which never came out, or in the case of my ELO Out Of The Blue double-LP, was clipped when making the abbreviated CD version."

      I'm curious...what did they edit out of the CD version that was on the Album?

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    57. Re:One Fine Day In The Not So Distant Future by Clod9 · · Score: 1

      COULD work, but won't. First, because Star Trek replicators would be enormous energy hogs, and we don't have cheap energy yet -- quite the contrary.
      But second, even if part replication were cheap, lawmakers and existing business interests would attempt to regulate the distribution and use of the necessary designs just as they are doing now with music and video. The regulation will be easier, though, because it will be a lot easier to detect transgressors -- those people driving around in pseudo-Ferraris or riding pseudo-Harleys would be visible and audible from a mile away, instead of infringing in their living rooms or in their headphones.
      This issue is coming, and it's inevitable -- and that's why today's issues with organizations like the RIAA, and copyrights that never expire, and the dysfunctional patent system are even more important than they appear: the answers we come up with will govern much of the developed physical world, not just how we choose to waste our time in personal recreation. And it will be applied worldwide, to people who don't now give a rip about Britney or even know who she is.

    58. Re:One Fine Day In The Not So Distant Future by TheSpoom · · Score: 1

      I have a much more optimistic vision. By the time replicators are invented, I would guess that energy will be plentiful enough that even it won't be that big of a problem. Even if it still has a cost on the level of what it is now, I think that being able to replicate the essentials of life for effectively nil would create a massive tipping point whereby only the ones profiting from keeping the system as it is were still resisting, and they would be eventually brought down by the masses. After all, I don't think an issue can get much clearer than a government withholding goods from the public in order to preserve corporations that are threatened by this new freedom.

      Also, you mention fake luxury / sports cars. I would guess that we would get a sort of open source movement in replicator designs, whereby people could obtain free designs for things like cars and the like. I think it might take a while, but people would realize that paying for the rights to copyrighted designs is stupid compared to being able to obtain those things for free or next to free, which would eventually cause those "old world" businesses to shut down or go bankrupt, leading us into the Star Trek-style free-for-all mentioned.

      --
      It's better to vote for what you want and not get it than to vote for what you don't want and get it.
      - E. Debs
    59. Re:One Fine Day In The Not So Distant Future by Pofy · · Score: 1

      >So if you own the disc and everything on it, then why is the owner
      >of a disc with software on it (say, Windows) constrained by its end-user
      >license agreement?

      They aren't. Although you can argue that if one DO agree to it, you are bound by it, but if you don't agree, you are not bound. if it is allowed to force people to agree to it is another story.

      >By your post, it sounds to me like you're saying once you buy something
      >you have the right to do whatever you want with it, which I don't think
      >is the case for Windows.

      As long as you don't break any law, yes then you can do whatever you want. The law prevent certain types of copying (you can't use it to make new copies and sell them for example) while other copying (that needed to use) is not prevented and percetly allowed. You don't need any license or permision for such things. The fact that Microsoft makes you believe so and wants to force you into such an agreement is another story.

    60. Re:One Fine Day In The Not So Distant Future by ElephanTS · · Score: 1
      It's sad how much faith they have in people who are genuinely trying to screw them.


      Sadly, this is the general condition of humanity and applies to many more things than just evil DRM.
      --
      spoonerize "magic trackpad"
    61. Re:One Fine Day In The Not So Distant Future by pugugly · · Score: 1

      You've completely convinced me. Yes, we should buy a new car, incompatible with the old roads. Buy *new* roads to all destinations! I don't care how many miles are left on your old car - we shall upgrade our cars together!

      And if you can't go to everywhere you had old roads, don't worry about it. The Market will fix that problem. Eventually.

      Pug

      --
      An Invisible Entity of Vast Power whose existence must be taken on faith alone: Liberal Media
    62. Re:One Fine Day In The Not So Distant Future by c6gunner · · Score: 1

      You probably think that was clever, but you're actually making a fairly decent analogy. Just replace the word "road" with "fuel source", and you've got a basic outline of what's going to need to happen once alternate fuels become viable, and oil becomes criticaly depleted.

  3. Not good by andrewman327 · · Score: 2, Insightful
    this decision could make it illegal to develop products for making copies of commercial analog recordings.

    I thought that the DMCA did that already. These products are knowingly removing DRM from an original tape. Regardless of how you feel, the DMCA specifically outlaws this. According to TFA, the problem is that the means by which the program strips DRM is through converting it to digital and by outlawing the program the judge could outlaw AD conversions.

    --
    Information wants a fueled airplane waiting at the hangar and no one gets hurt.
    1. Re:Not good by voice_of_all_reason · · Score: 3, Insightful

      Regardless of how you feel, the DMCA specifically outlaws this.

      "How we feel" is the central tenet of a democratic society. If a law is unjust, it is our duty to defy it.

    2. Re:Not good by nmb3000 · · Score: 5, Interesting

      "How we feel" is the central tenet of a democratic society. If a law is unjust, it is our duty to defy it.

      As long as you are willing to face the consequences of such actions, yes. Defy away; however, a more reasonable and responsible citizen might suggest that if a law is believed to be unjust, they have a duty to try and get it overturned through legal and ethical means first. If that doesn't work, then I think you have a tea party :)

      --
      "What do you despise? By this are you truly known." --Princess Irulan, Manual of Muad'Dib
      /)
    3. Re:Not good by Tyger · · Score: 2, Insightful

      Yes, the DMCA makes it illegal to break DRM. However, the analog MacroVision copy protection is not strictly "Digital Rights Management" so it seems a bit of a stretch that it is covered under the "Digital Millenium Copyright Act".

    4. Re:Not good by Anonymous Coward · · Score: 2, Insightful

      http://en.wikipedia.org/wiki/Kohlberg's_stages_of_ moral_development

      Disobeying laws is sometimes the most moral, reasonable, and responsible thing to do. Ask Gandhi.

    5. Re:Not good by Moofie · · Score: 3, Insightful

      "they have a duty to try and get it overturned through legal and ethical means first."

      How do you get a law overturned, without first breaking it and going to court? And what is unethical about breaking an unethical law?

      --
      Why yes, I AM a rocket scientist!
    6. Re:Not good by Anonymous Coward · · Score: 0

      Well, the d in DRM and DMCA stands for digital, and I'm not entirely convinced that analog right management bypassing has been fimped, yet.

    7. Re:Not good by pwrtool+45 · · Score: 1

      Well, I don't know about all that, but the MPAA exec tells me I get an extra $5 if I say "oh what a lovely tea party."

    8. Re:Not good by chmod+a+x+mojo · · Score: 1

      more reasonable and responsible citizen might suggest that if a law is believed to be unjust, they have a duty to try and get it overturned through legal and ethical means first. If that doesn't work, then I think you have a tea party :)

      Arrrrr ta hell with dat matey, lets just loot and plunder first!!

      --
      To err is human; effective mayhem requires the root password!
    9. Re:Not good by mr_matticus · · Score: 1

      I think Gandhi would be offended with the equivocation of fights against racial injustice and poverty and ingrained prejudice with DRMed albums and films. Disobeying a law that you could just as easily have changed doesn't pass for "moral" in the rational world. It passes for "lazy."

    10. Re:Not good by Anonymous Coward · · Score: 1, Insightful

      And furthermore, for how many decades of my life should I suffer the unethical law while trying to get it overturned through legal means, before you would say I've tried enough and can finally remedy it myself?

    11. Re:Not good by ZorbaTHut · · Score: 1

      Man, now there's an idea. Set up shop on a public corner and offer to rip people's DVDs for them and burn them unencrypted versions. Make them sign something verifying that their DVDs are legal. Bring a few hundred people along to help.

      You'd want to publicize it, of course.

      --
      Breaking Into the Industry - A development log about starting a game studio.
    12. Re:Not good by Anonymous Coward · · Score: 1, Insightful

      "Disobeying a law that you could just as easily have changed "

      I'm not sure I even have to comment on this one, but..

      "Easily changed"? Sure, it's easily changed if you have a few million bucks lying around to buy off some senators and congressmen. Yeah, that's JUST as easy as disobeying it, which is something that doesn't require you to be a blueblood capable of "lobbying" those in power.

    13. Re:Not good by voice_of_all_reason · · Score: 2

      I definitely agree. As egregious as putting up with "annoying" infringements of rights like airports delays/rfid passwords/ -- becuase it boils down to people imposing their will on others simply "because they can" -- the following step to civil war must be taken only under dire circumstances.

      But don't take it from me. Take it from the wise folks who started this country:

      and accordingly all Experience hath shewn, that Mankind are more disposed to suffer, while Evils are sufferable, than to right themselves by abolishing the Forms to which they are accustomed. But when a long Train of Abuses and Usurpations, pursuing invariably the same Object, evinces a Design to reduce them under absolute Despotism, it is their Right, it is their Duty, to throw off such Government

      And when you have people (both american citizens and captured foreign nationals) languishing in prison without trial, tens of thousands of civilians dying in a war the majority of the population does not approve of, secret laws, free speech zones, and any logical check of the government being denied for reasons of "national security"... then there is only one recourse.

      Imperial Britian called the american colonists terrorists because they raided merchant suppliers, targeted officers on the field of battle, and ambushed their enemy using guerilla tactics. Of course those in power will drum up a holy crusade against terrorists towards the end -- it is the sign of their death knell.

    14. Re:Not good by mr_matticus · · Score: 1

      It's not righteous or morally superior to disobey DRM laws. Don't pretend that it's some great injustice that has been ignored--it's easier to ignore the law than to change it, especially when enforcement is spotty and infrequent. If it really bothered the public, it wouldn't continue. The problem is that the public doesn't really care or understand, and it's just a minor inconvenience (at worst) in the eyes of the average joe. As long as that's the case, DRM won't change. For better or worse, welcome to democracy.

      Don't compare it to Gandhi, Martin Luther King, the Civil Rights Movement, or the American Revolution. That's all I'm saying.

    15. Re:Not good by nmb3000 · · Score: 1

      How do you get a law overturned, without first breaking it and going to court?

      Most likely by attempting to show that it violates some other law or previously established right. Economical methods such as boycotts are also available.

      And what is unethical about breaking an unethical law?

      I didn't suggest there was anything unethical about breaking the law, just that one stays within the accepted bounds of ethics while attempting to remove the offending law. Don't go around killing innocent people to make a point, as an extreme example.

      I certainly don't mean to say that breaking the law is always "wrong", at any rate. I usually break the DMCA several times a week by different means because I believe in fair use. That said, one shouldn't think that they are absolved of the consequences of their actions just because the law seems/is unfair, unjust, or unethical. Until it's changed, the law is still the law.

      --
      "What do you despise? By this are you truly known." --Princess Irulan, Manual of Muad'Dib
      /)
    16. Re:Not good by Ethan+Allison · · Score: 1

      Um, hiring a lawyer and going to court against them of your own volition?

    17. Re:Not good by fishbowl · · Score: 1


      "How do you get a law overturned, without first breaking it and going to court?"

      There is always the legislative approach, where you persuade Congress to act on your behalf.

      "And what is unethical about breaking an unethical law?"

      Nothing at all, provided you are willing to face the full consequences of your actions.

      --
      -fb Everything not expressly forbidden is now mandatory.
    18. Re:Not good by KonoWatakushi · · Score: 1
      Excerpted from http://en.wikipedia.org/wiki/Macrovision:

      "This is achieved through a signal implanted within the offscreen range (vertical blanking interval) of the video signal..."

      So, of course it is removed--it is not part of the visible picture! Even if you could capture that junk, it would not serve its intended purpose anyway.

    19. Re:Not good by HolyCrapSCOsux · · Score: 1

      Where do you draw the line between plain noise (stray magnetic fields, wrinkled tape, koolaid all over barney) and DRM noise?

      --
      0xB315AA8D852DCD3F3DCA578FD2E0BF88
    20. Re:Not good by Moofie · · Score: 1

      That's not the way it works.

      --
      Why yes, I AM a rocket scientist!
    21. Re:Not good by Anonymous Coward · · Score: 0

      How can 'being willing to face the consequences' make an act either ethical or unethical? Why is it unethical to break an unethical law when I am NOT willing to face the consequences? If this were another sort of unethical law, say, the Fugitive Slave Act, should I still be willing to 'face the consequences'? Or should I rather be willing to do battle with the people who come trying to apply the consequences to me, and to the 'slave'? I don't consent to all the crap that gets passed, and I don't have to in order to live in this land. I was born here. No one has the right to make me leave, simply because others like to run around passing 1000 laws per day, 999 of which are unjust. There is no Divine Right of Kings. There is no Manifest Destiny. There is only justice, and injustice. One to be ever pursued, one to be ever fought. Legislating injustice changes nothing.

    22. Re:Not good by fishbowl · · Score: 1


      Breaking the law in order to protest the law, is simply breaking the law, if you are not willing to stand up against the injustice. Yes, that may mean sacrificing your freedom or your life, but if you simply break the law, that's all you're doing. You're not fighting injustice, you are simply operating outside the system of law and order on which soceity is based, for whatever selfish reasons you may have, and relying on the "ethical" argument to justify your actions.

      "...simply because others like to run around passing 1000 laws per day, 999 of which are unjust."

      I'm not going to entertain your absurd argument. I talked to the my district's member of my state's legislature today as a matter of fact. I find the legislative process very accessible, and quite accountable to the people who actually bother to participate in it. At the same time, I encounter no shortage of people who claim the process is something other than what I observe and experience.

      I do not personally believe that 99.9% of laws passed are unjust.

      --
      -fb Everything not expressly forbidden is now mandatory.
    23. Re:Not good by geminidomino · · Score: 1

      It's not a matter of whether your fighting against racial injustice or DRM. The core of the matter is that you're fighting against a government that is acting against the will and interests of its citizens.

      Disobeying laws made for such reasons IS far more moral than "easily changing" them, since "easily changing" them would essentially involve more bribes and payoffs to a congresswhore, letting him benefit twice from his corruption.

      Your "rational" world seems so wonderfully devoid of principles, it's a wonder you care about the difference in the first place.

    24. Re:Not good by mr_matticus · · Score: 1

      Cynical much?

      By the way, your punch line stands in opposition to the rest of your comment. It is, in fact, your world view that is devoid of principles and lacking the presumption of innocence. I don't see any compelling evidence to suggest that the government acted consciously against the interests of its citizens--and it certainly didn't act against public will, because most people don't care about DRM.

    25. Re:Not good by geminidomino · · Score: 1

      Cynical much?

      Quite so. Cynicism is the most advanced stage of idealism.

      I don't see any compelling evidence to suggest that the government acted consciously against the interests of its citizens

      The use of the weasel-word "compelling" is telling. There is evidence aplenty to be had, but if you refuse to believe it, nothing short of signed confessions of accepting bribery will convince you (and possibly not even then).

      and it certainly didn't act against public will, because most people don't care about DRM.

      I'm fairly sure they do, they just don't realize it. That's the trouble with the tech sector. We have all these lovely TLAs and ETLAs, and people don't know what they mean. If truth-in-advertising laws were enacted and Best Buy et al. had to replace thier "DVD" sections with "DVD extended rental" sections, you'd hear about it.

    26. Re:Not good by mr_matticus · · Score: 1

      The use of the weasel-word "compelling" is telling. There is evidence aplenty to be had, but if you refuse to believe it, nothing short of signed confessions of accepting bribery will convince you (and possibly not even then). There's a difference between institutional blundering and active malice. One is the natural result of an oversized bureaucracy and the other is a troubling state of affairs. Did the big bad corporate machine push their agenda? Yes. Did we, the public, give the industry the financial capacity to do this? Yes. Do we continue to allow them to exert this influence and keep the S.S. DRM afloat? Absolutely. It's a monster we created through inaction and sloth and one we continue to tolerate through more inaction and sloth.

      I'm fairly sure they do, they just don't realize it. Perception is reality, my friend. The world would come to a screeching halt if everyone knew the full weight of truths in modern society--not just in the tech sector, but everywhere. If it's not important enough for people to care about it, it's just not an issue. CNN can only create so many activists per day, and the issue-attention span of the American public is astonishingly short.

      If you accept the premise of copyright law, which over the decades we as a society clearly have, DRM as a concept has legitimate uses and perfectly acceptable potential applications. The actual execution of DRM leaves a lot to be desired, and the course of copyright/IP interpretation has taken some unexpected and tangential turns recently. Getting it back on the right track wouldn't be too difficult, but it's relatively low on the list of priorities for most people. The price of gas and the illegal pseudo-war with the entire world, mixed with climate change and gay marriage, seem to be all the American public can handle this year. Oh and terrorism fear mongering, of course.

    27. Re:Not good by ajs318 · · Score: 1

      Oh, yeah. So if you're drowning, the proper course of action is to drink your way out of it?

      There ought to be a word for "failing to bleed when your neighbour is cut".

      --
      Je fume. Tu fumes. Nous fûmes!
    28. Re:Not good by ajs318 · · Score: 1

      I don't.

      No violation of human rights is any greater or any lesser than any other violation.

      The lie that, for example, a dress code is somehow less unacceptable than a colour bar, is what keeps the "big" injustices going. Surely it is better to attempt to overturn a "small" injustice and succeed, than not even to attempt to overturn it at all because other injustices are perceived as "greater" ? In fact, even if there were such things as greater and lesser injustices, successfully overturning a "small" injustice would give us a huge psychological boost to help us attack a "great" injustice.

      --
      Je fume. Tu fumes. Nous fûmes!
    29. Re:Not good by Pofy · · Score: 1

      But then, although named DIGITAL Millenium Copyright Act, it doesn't restrict itslef to digital right management. It covers non digital right management as well.

    30. Re:Not good by pla · · Score: 1

      These products are knowingly removing DRM from an original tape.

      I disagree with that premise.

      The product in question removes unnecessary noise from an analog signal for the purpose of a higher quality (in the literal SNR sense) digital conversion and resultingly better compression ratio.

      The copy protection mechanism in question just happens to look remarkably like useless noise in the original signal, thus it gets stripped out.

    31. Re:Not good by geminidomino · · Score: 1

      There's a difference between institutional blundering and active malice. One is the natural result of an oversized bureaucracy and the other is a troubling state of affairs. Did the big bad corporate machine push their agenda? Yes. Did we, the public, give the industry the financial capacity to do this? Yes. Do we continue to allow them to exert this influence and keep the S.S. DRM afloat? Absolutely. It's a monster we created through inaction and sloth and one we continue to tolerate through more inaction and sloth.

      Hanlon's Razor buys you nothing. I fear we're somewhere between "bludnering" and "malice." Lets call it "active apathy." Malice would imply actively seeking to do harm. Now it's more along the lines of "they're to stupid to know, and couldn't do anything even if they did, and we can improve our own lot, so why not?"

      This level of corruption far exceeds the damage that could be caused by plain incompetence.

      Perception is reality, my friend. The world would come to a screeching halt if everyone knew the full weight of truths in modern society--not just in the tech sector, but everywhere. If it's not important enough for people to care about it, it's just not an issue. CNN can only create so many activists per day, and the issue-attention span of the American public is astonishingly short.

      Perception and apathy don't make a law just, so that's irrelevant.

      If you accept the premise of copyright law, which over the decades we as a society clearly have, DRM as a concept has legitimate uses and perfectly acceptable potential applications

      Why should we continue to accept the premise of copyright law when those who make it don't? The spirit of the law has been corrupted by scumbags for scumbags, custom made for the right price. When the law becomes unjust, disobeying it becomes imperative. Right and wrong aren't changed by ignorant, apathetic masses that you have yourself admitted makes up the majority of Americans. Elected officials selling laws to the highest bidder is wrong, whether or not the masses have a problem with it.

    32. Re:Not good by Overzeetop · · Score: 1

      No, it doesn't. It specifically exempts normal protected actions under law, including fair use (and specifically mentions it). What it does do it make it illegal to help anyone else circumvent the encryption. That means (in theory) everyone has to get the key and code or build a box themselves to get around the encryption. But posessing the code or a box to do it is not illegal, though the person who gave or sold it to you would be in trouble.

      This is a very fine distinction, and nasty to the core. They have made it legal, but impracticable for most of the population.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    33. Re:Not good by arminw · · Score: 1

      .....Why is it unethical to break an unethical law when I am NOT willing to face the consequences?.......

      What makes a law ethical or unethical? Who decides this. In a democratic society we elect legislators who, despite purchases of politicians by corporations still listen to the voters. DRM is a non-issue with most voters and so such laws can be bought. If DRM and DMCA ever DO become big issues with Joe Consumer-voter, these laws will change quickly to remove these issues.

      ITunes content has DRM with it, but I'd bet the majority of non/. consumers don't even know that it is there. They don't know that DRM is the reason you need an iPod of you want to play music bought from Itunes on a portable music player. They know that music bought in ITMS is made for the iPod in the same way that they know a fender made for their Ford won't fit their Toyota.

      Only if and when DRM has a real impact on the "silent majority" will it and DMCA ever go away. Meanwhile, do what you like, "just don't get caught". After all copying something for your own use isn't theft or murder.

      --
      All theory is gray
    34. Re:Not good by Anonymous Coward · · Score: 0

      The GP suggested that breaking unethical laws without taking the consequences was unethical, not merely selfish as you suggest. And as for being selfish... what makes you think that I ought to spend *my* life helping *you* escape oppression? I may choose to do so, but it's not a moral obligation of mine. Your "system of law and order on which society is based" is, in this case, a system of injustice. So again I say: there is no Diving Right of Kings. There is no Manifest Destiny. There is no morality by majority. There is only justice and injustice. You can dress it up however you wish, but it's still a pig.

      As for your suggestion that I can have some say in our laws: it is not my responsibility to see that no one wrongs me; it is their own. I am not to blame for minding my own business when the state cannot mind hers. As Thoreau said, "As for adopting the ways of the State has provided for remedying the evil, I know not of such ways. They take too much time, and a man's life will be gone. I have other affairs to attend to. I came into this world, not chiefly to make this a good place to live in, but to live in it, be it good or bad. A man has not everything to do, but something; and because he cannot do everything, it is not necessary that he should be petitioning the Governor or the Legislature any more than it is theirs to petition me..."

    35. Re:Not good by Anonymous Coward · · Score: 0

      "What makes a law ethical or unethical? Who decides this. In a democratic society we elect legislators who, despite purchases of politicians by corporations still listen to the voters."

      We all must decide, as with the Fugitivee Slave Law. Moral autonomy is unavoidable. We may try our best to set up just laws as a society, but if those attempts fail then what is left for us to do? As you say, break the laws and do not get caught. Or, break them to make a statement and accept the consequences willingly. I don't have a bone to pick with either method. For myself I have a life to live, and little hope that any suffering of mine will change the world.

    36. Re:Not good by BooRolla · · Score: 1

      Do you really think the "Patriot Act" only applies to patriots? Congress is fantastic at providing law names that have no relation to their use.

    37. Re:Not good by mr_matticus · · Score: 1

      The spirit of the law has been corrupted by scumbags for scumbags, custom made for the right price. When the law becomes unjust, disobeying it becomes imperative.

      Disobeying it becomes imperative when other means have failed and when it represents a serious threat to decency or safety. DRM laws are among such a low class of "injustice" that it's laughable to think that the American people should spawn a tremendous uprising against the government over it. It's like self-righteous pompous asses on a crusade against speed limits or marriage licenses.

      The point being that the kind of response demanded to correct an improper law must be commensurate with its significance, and DRM is nothing like the Civil Rights Movement or even the whole gay marriage debacle. It's a stupid series of laws and it should be changed, but that's why the Constitution includes mechanisms for doing so.

    38. Re:Not good by mr_matticus · · Score: 1

      "Human rights violation?" Really? Unprotected digital entertainment content is a natural human right? You're out of your mind.

      The Constitution provides a number of mechanisms for correcting the laws and the lawmakers. The great injustice isn't the DRM laws, it's the sloth and apathy of the American public to doing something about it. It's the notion that ignoring the law because it's convenient to do so is morally superior to correcting the law when in fact, it's just easier. Overthrowing and subverting the government is the last resort compelled by Gandhian and Jeffersonian thought. It's not the first.

      You want to talk injustice, it's the fact that the American people have allowed this great republic to go to shit, and pretending that inconvenient laws don't apply because they're "unjust."

    39. Re:Not good by geminidomino · · Score: 1

      Disobeying it becomes imperative when other means have failed and when it represents a serious threat to decency or safety.

      I disagree. It's injust, therefore it is invalid. Full stop.

      The point being that the kind of response demanded to correct an improper law must be commensurate with its significance, and DRM is nothing like the Civil Rights Movement or even the whole gay marriage debacle.

      Again, I have to disagree. Right and wrong are not relative. There is as much cause to ignore an unjust law like DRM as there is to obey a just one, like the ban on murder.

      It's a stupid series of laws and it should be changed, but that's why the Constitution includes mechanisms for doing so.

      Only by being charged with it, and taking it before the courts. But in order to do that, you not only have to break it, but have a near-limitless cache of money to pay the scumbag lawyer for your defense.

      The system is broken. If you can't see that, the imperfection is yours.

    40. Re:Not good by mr_matticus · · Score: 1

      I disagree. It's injust, therefore it is invalid. Full stop.

      Yes. But ignoring a law doesn't do anything to fix what's invalid about it. There is a variation in the kinds and natures of law, just as there is variation in the consequences for breaking laws and the means to changing particular laws. It is not a binary system, and your arbitrary division of laws into two categories is a form of moral absolutism that does not fit with the system employed by society. You're free to have your own interpretation, but if we did things your way, all crimes and infractions would have the same punishment and the people would be an uncontrollable mass.

      Again, I have to disagree. Right and wrong are not relative. There is as much cause to ignore an unjust law like DRM as there is to obey a just one, like the ban on murder. So in other words, murder is an infraction equal to registering your car a day late? What a shitty world. Obviously even you don't believe that, because you obey laws that you think are "unjust" and occasionaly break laws that you would consider "just." Everyone does this, and it means that there are at least two degrees of right and and two degrees of wrong with respect to the law. You'll find that your moral absolutism is a minority opinion and a load of crap if you really stop to think about it.

      Only by being charged with it, and taking it before the courts. But in order to do that, you not only have to break it, but have a near-limitless cache of money to pay the scumbag lawyer for your defense. You might want to retake a government class. That is far from the only way to change a law, and in fact few laws are changed or overturned in the manner you describe. There are at least five other methods for getting a new law to deliberation in Congress, with additional approaches available in some states. Obviously you don't fully understand the system you've labeled as broken and you don't have a natural appreciation for the processes that create and change the laws that govern our society. Most people don't, though, so don't feel too badly about it.

    41. Re:Not good by Anonymous Coward · · Score: 0

      The lie that, for example, a dress code is somehow less unacceptable than a colour bar, is what keeps the "big" injustices going.

      That is not a lie. You can change your clothes, you can't (or at least it is extremely difficult to) change your colour.

      How you think this comes under a human rights violation is beyond me. You could certainly argue that some information should be freely available, and that it maybe is a human right to not be denied access to it, but then the arguement would be they shouldn't be copyrighted or have any form of copy-protection on them in the first place. The stuff this applies to shouldn't be considered a human right to view.

    42. Re:Not good by Moofie · · Score: 1

      "What makes a law ethical or unethical? Who decides this."

      I do. Next question?

      --
      Why yes, I AM a rocket scientist!
    43. Re:Not good by geminidomino · · Score: 1

      But ignoring a law doesn't do anything to fix what's invalid about it.

      A question of numbers. When enough people do, then the scumbags who make said laws can stop claiming that they were made in the interest of the people. If the US does ever hit this point, I think it's a safe bet that the so-called "IP" laws will be early casualties.

      It is not a binary system, and your arbitrary division of laws into two categories is a form of moral absolutism that does not fit with the system employed by society.

      Situational ethics and relative morality are the hallmarks of current society. That's not a compliment.

      Obviously even you don't believe that, because you obey laws that you think are "unjust" and occasionaly break laws that you would consider "just."

      You do, of course, have proof of this? Particularly the latter? If not, you assume a great deal based on the weak premise that "everyone does it" (we learned to see through that one in middle school).

      You'll find that your moral absolutism is a minority opinion and a load of crap if you really stop to think about it.

      Being a "majority opinion" does not imply veracity. When expecting the worst from "the majority", one is rarely disappointed.

      You might want to retake a government class. That is far from the only way to change a law, and in fact few laws are changed or overturned in the manner you describe. There are at least five other methods for getting a new law to deliberation in Congress, with additional approaches available in some states.

      Morally ambivalent and naive. Just an uttering of "security is more important than freedom" away from hitting the trifecta.

      Obviously you don't fully understand the system you've labeled as broken and you don't have a natural appreciation for the processes that create and change the laws that govern our society.

      It's not complicated. The "golden rule" all the way, and there's nothing "natural" about appreciating it.

    44. Re:Not good by arminw · · Score: 1

      ......I do. Next question?.......

      So you decide to murder your neighbor, rape his wife and then burn his house down? Should your other neighbors not do something, lest you decide to repeat your actions on them?

      We have horses and they too have their societal rules of behavior. In horses and other animals these patterns are determined mostly by instinct, programmed in by their maker.

      We humans have historically had many ways of making rules for ourselves, but there must be and always have been rules, express and implied. There have been various ways these rules have been made and enforced. Anarchy, where everybody tries to make their own laws has never worked and never will.

      Copyright, DRM, DMCA and other IP "property" rules are modern constructs, necessitated by modern technologies. Before Gutenberg and printing, passing knowledge and skills to succeeding generations or from one person to another, involved considerable amounts of time. Music among other arts flourished because it was personal to the artist. By the time our constitution was written, copying of written art was very much easier and widely available. The distance between artist and audience was greatly increased and easy copying allowed for a much greater audience. Because of the easy of copying, copyright rules are mandated in the constitution and Congress is directed to supply the details of these rules.

      As technology improved, these laws were extended and updated. This process is still going on and DMCA mandating DRM are only part of this continuing process of adapting our rules of living to new technologies. Why do most /.ers get so upset when they don't like the rules as applied our particular technological interests? The fact that the DMCA and copyright still exist shows that most people are not directly involved to the point that they care about such laws. That is the only reason why **AA was able to buy such a law. If there ever comes a time when the majority DO care, that law will bite the dust faster than a rodeo rider.

      Meanwhile, there is plenty of good art not encumbered by DRM. Buy and enjoy that and use it in a fair way to support the ones who created it. Anyone who is creative ought to be able to benefit from their creativity.

      --
      All theory is gray
    45. Re:Not good by Moofie · · Score: 1

      "So you decide to murder your neighbor, rape his wife and then burn his house down?"

      I am responsible for determining whether those actions are ethical and moral or not, and whether I do those actions or not. That determination is not correlated with whether said actions are legal or not.

      Why is this difficult for you to understand?

      --
      Why yes, I AM a rocket scientist!
  4. The DMCA is just effing BROKEN by Anonymous Coward · · Score: 0

    And the sad thing is not enough people care about it to get anything done about it.

    We have law A which states fair use and then law B (The DMCA) which says fair use as long as you're not USING it.

    I wonder how much the RIAA and MPAA paid to get the DMCA passed. A-holes.

  5. shocked by joe+155 · · Score: 2, Interesting

    I am shocked that people still care about "rights" (sic) abuses on analogue material, the only reason you would be doing this is because you had bought a copy a long while ago and now want to be able to enjoy that copy on a system you have. Do they even make VHS? new piracy would be stupid from this angle. Besides cracking it in digital format is far easier...

    They are just trying to screw you over again and again and again. Fortunately I don't live in a country with the DMCA or equivalent, but I sympathise, I hate getting screwed over by companies and the government when their working against the people.

    --
    *''I can't believe it's not a hyperlink.''
    1. Re:shocked by Anonymous Coward · · Score: 0

      Nobody is screwing you over. You are screwing yourselves by buying useless (copy-protected) media.

    2. Re:shocked by cyberworm · · Score: 4, Insightful

      I agree with the spirit of your post, but the one thing that people overlook in their "government+companies vs. the people" argument, is that companies are made up of people. I think the spirit of what companies do to protect their investments, is to help protect their money. Money which they use to pay their employees, who in turn, contribute to society.

      I do, however, agree that these kinds of things suck, and feel that if I own a VHS tape or LP, I should be able to transfer them to whatever media I choose.... But by admitting that I have the ability to do so, also is an admission that I have the ability to still play the original media and am not locked out of it. Granted, I own an mp3 player, and think it would be cool to listen to those old unpublished B sides I have stored away on vinyl when I take the dog for a walk, or any media I own, that for whatever reason isn't considered profitable to some guy sitting in a tower. Artistry in any form needs to be preserved, regardless of popularity or profit. Admirers of "unprofitable" or "unpopular" art, in my opinion have a duty and right to preserve and protect art for future generations, when others won't do it.
      To me, copy restrictions amount to nothing more than the censorship of art, and a slippery slope of allowing only a select few to choose what parts of our past carry on into the present. Remember this one thing: "History is written by the winners."

    3. Re:shocked by kfg · · Score: 1

      . . .cracking it in digital format is far easier...

      It isn't available in digital format.

      KFG

    4. Re:shocked by Anonymous Coward · · Score: 1, Insightful
      I agree with the spirit of your post, but the one thing that people overlook in their "government+companies vs. the people" argument, is that companies are made up of people. I think the spirit of what companies do to protect their investments, is to help protect their money. Money which they use to pay their employees, who in turn, contribute to society.


      Yes, companies are made up of relatively small groups of people (when compared with the total population of say the US), and when they screw the majority of the populace they must be reminded that they exist at the pleasure of the society in which they operate. The problem here is that companies are allowed to lobby and contribute to politicians, which is bullshit. The employees of the companies each have their vote in our political system, and that should be the limit of a company's political influence, full stop. But of course, it isn't, and they have disproportionate influence, so cry me a fucking river.

      On top of that, the companies that must "pay their people" can't even seem to do that properly (i.e. retirees), which is why it's a damned shame Ken Lay and his family weren't dragged into the street and lynched live on television.
    5. Re:shocked by owlnation · · Score: 1

      The reason being perhaps that there is still a very large number of great old movies that have not been released on DVD. The only option for these is to try and pick up a second hand copy on VHS.

    6. Re:shocked by Anonymous Coward · · Score: 0

      Right. So where were all the Macrovision-free VHS recordings that we should have bought instead of the Macrovision-infested ones we actually bought?

    7. Re:shocked by SmokedS · · Score: 3, Insightful
      Yes corporations are manned by people, but there's a separation within the company analogous to the "government+companies vs. the people" separation. Namely: workers vs. owners.

      Is it the "owners" or the "workers" part of the corporation that get the benefits?
      Is it the "owners" or the "workers" part of the population that pay the price?

      Take a look at wealth distribution and you get the answer: http://www.faireconomy.org/research/wealth_charts. html
      Bottom 50% ownling less that 3% of the wealth.
      Top 1% owning more than 30% of the wealth.

      We are seeing an absurd concentration of wealth and power into the hands of a few at the cost of the many, and it is getting worse all the time. http://www.faireconomy.org/research/income_charts. html

      Yes, corporations are manned by average people. However, a very small group of privileged people are reaping all the benefits. And the disparity has been snowballing the last decades.

      Average after-tax income gain, 1979-2000
      Top 1% $576,400
      Middle fifth $5,500
      Bottom fifth $1,100

      http://www.cbpp.org/9-23-03tax.htm

      So don't tell me it's OK for corporations to suck the marrow out of the rest of society because they are made up of people. It's a case of the few getting absurdly rich at the cost off the many, there's no way to get around that fact.
    8. Re:shocked by cyberworm · · Score: 1

      ...Namely: workers vs. owners.

      Sheesh... I'd hate to work where you work, if that's your opinion of the owner of your company. Do you normally work for the opposition, or are you more of a mercenary type, doing it for the highest bidder?

      Is it the "owners" or the "workers" part of the corporation that get the benefits? Is it the "owners" or the "workers" part of the population that pay the price?

      Well, I'd have to ask the obvious questions.... Are we talking about forced labor camps, or are "workers" getting paid for the work they do?

      Are "workers" being forced to work for these greedy "owners?"

      By "pay the price", do you mean purchasing materials, services, and products that people want/need at a rate that people are willing to pay/make it worthwhile to produce? Or were you referring to those guys that dragged me to Wal-mart the other day and forced me to buy things at gunpoint?

      So don't tell me it's OK for corporations to suck the marrow out of the rest of society because they are made up of people. It's a case of the few getting absurdly rich at the cost off the many, there's no way to get around that fact.

      I'm sorry, I missed the part where the "few [that are] getting absurdly rich..." are forcing anyone to work for them at all. I fail to see how corporations are sucking the marrow out of society, when they are directly supported by and made up of the same society they are supposedly "sucking" from.

      Average after-tax income gain, 1979-2000 Top 1% $576,400 Middle fifth $5,500 Bottom fifth $1,100

      Small as it is though, there is a gain. I'm no economist, but I'd guess that with the exception of the bottom fifth (minimum wage employees?) that still beats inflation. Do you have a problem with people who provide jobs and have worked hard to build a strong business earning more than the rest of the people, or do you think that everyone should make the same amount of money regardless of what job they do?

      Oh yeah, I'm curious to know....Exactly what point does one have too much money? I only ask, so that when you hit the ceiling maybe you'll pass your excess on to me.

      Cheers.

  6. I've had a SIMA Color corrector pro for years. by HornWumpus · · Score: 3, Informative

    I don't know how good it is at color corrections but it did a fine job of removing macrovision before my new DVD player came into the picture.

    I for one endorse this product if you have the need.

    --
    John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
  7. Its about who owns what. by gillbates · · Score: 5, Insightful

    I have nothing against the content producers making financial gain from their efforts. In fact, I work for a company that makes a considerable amount of money licensing code to third parties. I'm well aware of the situation that copyright creates, and I'm all for ownership of intellectual property.

    That said, ownership is a two way street. I exchange my ownership of the code I produce for the salary my company pays me. I consider it a fair deal - I work a given number of hours in exchange for a one time payment. Once I've cashed the check (before, actually), I no longer own the code that I write. I have no problem with this arrangement. Whether my company sells one copy or a million makes no difference to me, because I've already been paid for the work I did. If the company can't sell my code, well, that's their loss, not mine. Or, if they are obscenely profitable, that's their gain. After all, they bought my code, and they own it. For them to make obscene profits does not impose any additional work burden on me.

    However, the movie industry is actively opposed to intellectual property. When you buy a movie from them, they take your money, yet behave as if both the money and the movie are still theirs. You see, they don't believe in property. When you sell a piece of property, you give up any and all claim to the property. The movie industry's idea of a sale is more like an indefinite lease - you get to have a copy of the content for as long as it suits the studio. They feel that if they are not making enough money, they have the right to charge you time and again for the same material. (i.e. new movie on DVD instead of VHS, the "director's cut" version, etc...)

    And you are supposed to like it. You pay for the DVD, but you don't own it:

    • You can't make a backup copy and aren't supposed to try.
    • You aren't allowed to post clips from the movie for critical review.
    • You can't make backgrounds from screenshots of good scenes.
    • You have to buy the soundtrack separately rather than recording it from the DVD.

    Granted, I know there are ways around all of these, but they are not easy to come by, and require a technical aptitude beyond what the average user will possess. In effect, the studios are "Indian givers" - they aren't satisfied with either your money or the movie - they want them both.

    Which, I think is one of the key reasons why I seldom buy movies anymore. It just doesn't seem right to give money to someone whose stated purpose is to explicitly rip off their customers, and goes to great length to defend the practice .

    --
    The society for a thought-free internet welcomes you.
    1. Re:Its about who owns what. by Ferretski · · Score: 2, Informative

      Your analogy is fundamentally flawed. If you make software, and you haven't yet sold it, it has a certain value to you (how much it cost to develop) and it has a certain value to say, the business that wants to buy this code (how much return on investment they can get).

      However, the value to the buyer is MUCH MUCH less than the value to the producer: it's certainly not worth the $2mill development cost to the buyer. So you charge what the buyer is prepared to pay, say, $5K.

      But with no concept of licensing instead of ownership, the second you sell one copy, there's no reason the buyer won't just put it up on BitTorrent. As far as they see it, they're saving everyone else $5K and doing everyone a favour. And since they're not taking anything away from you, it's not stealing either.

      Suddenly there's no incentive to produce expensive software that has a wide appeal anymore.

      Enter copyright, and LICENSING - whereby the producer sells the right to use the code, not the ownership of the code. Along with that license comes restrictions, and now the producer is more likely to be able to recover their costs and turn a profit.

      Don't get me wrong, I'm no DMCA fanboy, in fact making it illegal to sell software purely on the basis that it has the abililty to help people infringe copyright is a terrible move. All I'm saying is that you can't have ownership of intellectual property, no licensing, and expect everything to come up roses.

    2. Re:Its about who owns what. by Anonymous Coward · · Score: 0
      Your comment is accurate and well-written. I take exception to your use of the term 'Indian givers' though. Those guys have got enough issues without educated /.ers using those terms.

      As I won't be replying, I want to be clear - I'm not saying you're racist, I'm saying that I'm surprised from the context of your insightful post that you used that particular term.

    3. Re:Its about who owns what. by roman_mir · · Score: 1

      You give up your copyright to your employer, the movie/music industry does not give up the copyrights to you when you buy a copy of their product. What you end up owning is a specific copy of some material and the copyright still applies, which means you cannot duplicate that material for redistribution, since you do not have such license rights.

      Study the US Fair Use laws for what you can do with your copy of the copyrighted material you bought.

    4. Re:Its about who owns what. by Yehooti · · Score: 1

      I feel that our building into the future based upon the pyramid of past achievements is being chopped off at the knees by these laws. Original thought is certainly the best way to go, but we didn't get where we are without the works behind us.

    5. Re:Its about who owns what. by LordLucless · · Score: 2

      Unfortunately, that model would put any creator of content out of business almost instantaneously. If, for the price of a DVD, you could then become a distributor of that movie, you could essentially pick your price - you only need to recoup $20 or so. You could sell copies for $0.50 and still turn a profit.

      However, the studio that filmed that movie incurred huge costs - just look at the budgets of todays movies. Granted, some of those are over-inflated due to stupidly-large salaries paid to higher execs and Hollywood's latest darlings, but even so, making a good movie is expensive, especially if your movie is in a genre that requires special effects: action, science fiction, fantasy, etc. Studios have to sell movies at a certain price point in order for it to be economically viable. If they had to compete against anyone with a net connection and tracker access, there's no way they could do it. They'd go out of business, and you'd be left with nothing but indie films. Some indie films are great, but they often take a long time to produce (without a large budget to grease the wheels), have amateur actors (not necessarily bad, but they often are) and can't afford stuff like, say, rendering 10,000 orcs for a huge battle scene.

      That said, copyright restricts consumers only in regards to a single action: distribution. Not copying, not making backgrounds for your own personal use, not ripping the soundtrack for your own personal use, not cracking their encryption so you can play foreign releases, not ignoring their lock-codes so you can fast-forward through their inane commercials at the start of the disc. Copyright only restricts distribution. The one point you raise that is covered by copyright (Posting clips from the movie for critical review) is granted an exception through Fair User.

      The problem isn't with copyright laws, or with fair use laws. The problem is that the distributors have been pushing the envelope constantly, trying to get new restrictions added on top of that, whether through legal restrictions (DMCA) or technological (Macromedia, CSS, other forms of DRM). I have no problem with the actual concept of copyright and fair use - it's a necessity if you want cheap, plentiful, good-quality movies - but I'm vehemently against all the additional crap that has been added over recent years which only serves to increase profits at the expense of the consumer.

      --
      Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
    6. Re:Its about who owns what. by pe1chl · · Score: 1

      I fully agree with that. The producers need some protection against distributors of illegal copies.

      However, they should at the same time be more exposed to the price point they decide. Now, they can decide to spend a million more on the salary of the actor, and recoup that via a higher price on the product, without the consumer having any say in that.

      The consumer can only buy at the set price, and the content producers can inflate this over and over. When the consumer decides the price is too high and no longer buys the product, the producer does not (as he would in a normal economy) try to cut costs and reduce the price, NO.
      Instead he goes to the government and cries "it is all because of that Internet that we sell less than before, you have to do something!".

      That is not a healthy situation. It means the normal process that sets the price of the product is switched off, the price can remain at a high level with lots of overhead and profit in the producing company, and the consumer is the victim both because his rights are restricted more and more, and because he pays too much for entertainment.

    7. Re:Its about who owns what. by ejp1082 · · Score: 1

      The problem here is that copyright grants a monopoly, and copyright holders in this case abuse the monopoly just as you'd expect a monopolist to abuse it.

      If I want a copy of Star Wars, I have to go to George Lucas for it. There's no competitor who's allowed to sell that product, that's what copyright grants. So there's absolutely no opportunity for the market to set the price for Star Wars, there's no chance for the market to decide how it wants to consume Star Wars. If an entrepreneur wants to fill the demand for an iPod formatted Star Wars, or a HD version, or an altered version in any way: George Lucas gets to sue him out of existence. If George Lucas decides that he wants to sell it for $1000, there's no opportunity for someone else to come undercut that price.

      The RIAA and MPAA act exactly as you would expect monopolists to act. One would even think that the founding fathers realized this and that's why they granted it for a limited time only. Of course, that limited time has now been extended to over a century, which is another part of the problem. If the original 28 year term was still in tact, Star Wars would be public domain right now.

  8. DMCA... by demon_2k · · Score: 2, Interesting

    As far as I am aware, DMCA covers only digital media and encryption.
    Wo what the hell has that got to do with VHS.
    It's not digital, nor it contains encryption.

    1. Re:DMCA... by Pofy · · Score: 1

      >As far as I am aware, DMCA covers only digital media and encryption.

      Then you are aware wrong. It doesn't specify digital media. It applies equally much to non digital media.

  9. The Macrovision curse by Simonetta · · Score: 5, Informative

    Basically this was sold as a way to prevent anyone from using two VCRs to copy a rented videotape. It (Macrovision) was placed on most commercial videos of Hollywood product from the mid-1980s to the present. Since the 'owner' of the video content had to pay a stiff license fee to Macrovision company, almost no porn tapes from that era had this nonsense added.

        Macrovision is a burst of noise added to the vertical sync in the brief period after the current frame has ended and the next frame (a single 'photograph' or still image on the television set) begins. This burst of noise happened about once every ten to fifteen seconds. It caused the picture image to lose sync and 'roll' and/or 'tear up' for a short period of time until the vertical sync stabilization circuitry in the recording process
    kicked in and made the picture stable.

        This is how Macrovision was able to mess up the video copy without destroying the video integrity when watching the original commercial video tape. The sync stablizer circuitry only was active during the recording period, not during playback. But the video copy was polluted by tearing and rolling every ten seconds or so.

        The way to defeat this pollution was/is to use an 1881 sync seperator IC, a track-and-hold circuit, a 4053-type analog 1-of-2 switch IC, and a timer on a microcontroller (or a 555 one-shot timer IC). Use the sync seperator to detect the beginning of the vertical sync pulse. At this time, sample the black video level using the track-and-hold. After sampling, switch the video signal to the recorder (for the content being copied) to the sampled black level for the period before the actual video image analog signal begins. Then switch the recording back to the analog video signal of the original. Your copy will be solid and without tearing and rolling.

        Oh my goodness!?! Did I just break your fucking law by explaining this? Oh my, I am sooooooo sorry! Oh well, to quote Emil Faber, "Knowledge Is Good". That's from the first video that I thought was worth copying.

    1. Re:The Macrovision curse by smclean · · Score: 1

      I had (crap, I still *have*) an old two-head VCR for years that was seemingly immune to VHS copy protection. I often wondered if the fact that the two VCRs I was using to dub were a mix of two and four head units had any effect on it. No tape it recorded ever had copy protection problems, and it recorded a lot of tapes.

      Also, wasn't it possible to just run the signal through an RF amplifier to sufficiently remove the effects of copy protection? Perhaps it normalized or 'smoothed out' the vertical sync noise?

      --

      "'Yrch!' said Legolas, falling into his own tongue."

    2. Re:The Macrovision curse by Jeffrey+Baker · · Score: 1

      Your old VCR probably had manual gain controls (a.k.a. "record level") or fixed gain. Also, any old sample-and-hold circuit will easily defeat Macrovision.

    3. Re:The Macrovision curse by radarsat1 · · Score: 2, Informative

      I see.. is _THIS_ what stops me from running my DVD player through the Line-In on my VCR so I can watch it on my TV?
      I often play CDs on my DVD player, so most of the time I leave it plugged in through my VCR to my living room sound system. But every fucking time I try to watch a rented DVD the screen starts flashing to that blue "no signal" screen, and I have to reach back and swear to myself as I pull the plug out of the VCR, unplug the VCR from the TV, and plug the DVD player into the TV. Since there is no line-in on the DVD player this is the only way to set things up. What a pain in the ASS. I'm not even interested in copying these DVDs, I just want to WATCH them, you know, exactly what I bought the player for.

    4. Re:The Macrovision curse by bguzz · · Score: 2, Informative

      is _THIS_ what stops me from running my DVD player through the Line-In on my VCR so I can watch it on my TV?

      Yes.

    5. Re:The Macrovision curse by radarsat1 · · Score: 1

      Yes.


      Damn it!
      so... angry...

      1. 2. 3. phew.. okay. i feel better now.
    6. Re:The Macrovision curse by Anonymous Coward · · Score: 0

      You can buy a box to defeat it at RadioShack or several other electronics stores. Do a bit of Googling--I know I had to do that to fix the damned thing. And I was quite pissed about paying $40 to make a legal use of something we had bought, so I went out and pirated some things to make up for it.

  10. Comment removed by account_deleted · · Score: 5, Insightful

    Comment removed based on user account deletion

  11. Macrovision introduces noise... by Alternator · · Score: 1

    I wont stand for a product which is made inferior on purpose, even if that purpose is supposedly to stop piracy.

    If I spend my good money on a product I expect the best that product will give me... Well I guess it will be another example of me voting with my feet.... NO SALE!

    1. Re:Macrovision introduces noise... by LiquidCoooled · · Score: 1

      Hey, the eighties called, they want their mix tape back.

      --
      liqbase :: faster than paper
  12. No one cares about rights - it's Macrovision by leehwtsohg · · Score: 3, Insightful

    No one here cares about rights. This is simply macrovision trying to survive. If:
    1. Anyone can overcome macrovision protection,
    2. It will be useless to even build it in anywhere.
    4. No company will by the protection from macrovision.
    5. Loss

    1. Re:No one cares about rights - it's Macrovision by Lorkki · · Score: 1

      The movie and record industries don't have a very good track record of following on those lines. Anyone can overcome CSS and Macrovision, but there seems to be enough collective fear about piracy around that even appalling protection measures seem better than nothing to them. Hence, it doesn't seem completely useless to build it everywhere, and thus the protection vendors profit and legit customers keep cursing the completely artifical limitations set down upon them.

    2. Re:No one cares about rights - it's Macrovision by StikyPad · · Score: 1

      Your logic is rivaled only by your spelling and counting.

    3. Re:No one cares about rights - it's Macrovision by gbobeck · · Score: 2, Informative

      Apparently, Macrovision must have successfully scrambled item number 3.

      --
      Navicula hydraulica plena anguilarum est. Omnes castelli tuus nostri sunt. Ed elli avea del cul fatto trombetta.
    4. Re:No one cares about rights - it's Macrovision by Geoffreyerffoeg · · Score: 1

      3. ???

    5. Re:No one cares about rights - it's Macrovision by Nocterro · · Score: 1

      No, if anyone can defeat Macrovision protection v1, it means they can now develop and sell v2 to the ??AA, while simultaneously decrying the evil hacker pirate ninjas who are trying to harm the artists. Just because they're not on the consumer's side doesn't mean they're on the corporations' side.

      --
      [clever sig]
    6. Re:No one cares about rights - it's Macrovision by mink · · Score: 1

      Macrovision version 1 was easily defeated many years ago. Then came Macrovision 2, a bit more dificult, but still defeated.

      Why anyone pays for this useless shit is beyond me.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  13. who is Saied Pinto? by bunions · · Score: 0, Troll

    and why do we care about what articles he lovingly selects for slashdot and which he doesn't?

    --
    there is no need to sign your posts. this isn't usenet. your username is right there above your post. stop it.
    1. Re:who is Saied Pinto? by RobertLTux · · Score: 1

      maybe this is the /. version of throwing pasta against the wall and seeing what sticks??

      IE if we don't do a pitch fork and torch /. on this guy maybe he (and a couple of his buds) will be in the mix of postings??

      sort of like getting a "Real Chef" to do a school lunch to see if anybody notices??

      --
      Any person using FTFY or editing my postings agrees to a US$50.00 charge
    2. Re:who is Saied Pinto? by bozendoka · · Score: 0

      Just a guess, but they're probably trying to be upfront about articles that are from other sources so people don't cry foul about people submitting a bunch of stories from LinuxWorld and the OMG ID10T!!1! editors that don't catch them.

      --
      "You will soon be more aware of your growing awareness." - My first recursive fortune cookie!
    3. Re:who is Saied Pinto? by Anonymous Coward · · Score: 0

      I think the point is just that, normally, when you see "posted by CmdrTaco" or whoever at the top, you know that person picked the story; but in this case, it was actually picked by Saied Pinto, and he just doesn't have an editor's account, so it's posted via someone else.

      As to why you should care, I'm not sure... but a lot of people here seem to like to pick on one or another editor for their perceived shortcomings, so maybe it's so you know who to blame.

  14. Is that what it's supposed to do by grasshoppa · · Score: 2, Funny

    Macrovision's best-known form of copy protection inserts noise into analog video signals to make it difficult to get a good copy of the DVD or VHS recording

    Is that what they are trying to do. I never can tell, the window that pops up to tell me what DRM scheme is being bypassed flashes by WAY too quickly for me to catch it.

    --
    Mod me down with all of your hatred and your journey towards the dark side will be complete!
  15. Go America go go go by ngdbsdmn · · Score: 2, Interesting

    This is just a drop in the bucket. I'm curios to see if I'll live to see it publicly recognized, that having a law, writing that ownership on an idea exists, is fundamentally wrong. The problem is so elemental that many people will have to die before this thruth comes forcefully to light, just like it was with communism.

    With so much outsourcing for the actual work, with services so expensive, America more than anyone is dependent on the cash flow from copyright. To make matters worse, the society is based on greed and the only stopper to that is competition, twisted so much as it turned into distributed greed, helped to prosper by the law. Even if a spiritual revolution should come tommorow, and looking at who is the elected president there are no worries for that, the enterprise demons created by this society won't just dissapear without a fight. And that is natural.

    A thick, well established and powerfull layer of people fight over your bodies as you stand and watch your politically correct shows day in and day out. How can this perfect 1984 society claim to honour freedom as it's founding fathers did, when freedom was lost a long time ago? How will you be able to kill the sick system that already exists when all you know is TV and TV dinners? How can you justify yourselves the fact that your copyright laws caused millions on this planet to die in horrible sufferings because medicine developments are stalled when you need dozens of patents to even start research on anything?

    I'll humbly suggest the first step: Literally throw away your TV and start caring about each other. Stop buying crap, stop buying movies from Hollywood and start getting your music by going to concerts played by your local artists. Maybe then, your children will have a fighting chance and the rest of the world won't have to enter in the third war against a once great nation.

    P.S: I appologies for my english. It should've been better by now.

    1. Re:Go America go go go by Anonymous Coward · · Score: 0

      Your ideas are good. You English is good, also.

  16. Does anybody out there know ... by LaughingCoder · · Score: 2, Interesting

    if the mysterious "HQ" technology that suddenly started appearing on all the VCRs had anything to do with Macrovision or copy protection? I have always suspected this, as, by my recollection, HQ appeared around the time this copy protection arrived. All that whining about putting a special "tax" on blank tapes went away around the same time as well. It all makes me wonder if the "HQ" (that allegedly gave you a "20% better picture") wasn't actually the enabler for copy protection. This could help explain why TVs didn't have a problem with copy protected content, but VCRs did. I thought maybe someone in /. land might have some first hand knowledge about HQ and could shed some light on this.

    --
    The more you regulate a company, the worse its products become.
    1. Re:Does anybody out there know ... by f8l_0e · · Score: 0

      VCRs had a problem recording Macrovision because of the auto gain circuitry on the VCRs inputs. The Macrovision signal sends the video out of NTSC spec, short of where it is not visible, but the VCR turns down the gain far enough to ruin the image. Macrovision didn't effect really old VCRs that don't have auto gain.

    2. Re:Does anybody out there know ... by bozendoka · · Score: 0

      Well, FWIW this guy didn't mention it, and his explanation seemed pretty coherent.

      At least, he used a lot of words and I don't think he misspelled anything.

      --
      "You will soon be more aware of your growing awareness." - My first recursive fortune cookie!
    3. Re:Does anybody out there know ... by LaughingCoder · · Score: 1

      And did HQ perhaps include autogain? What was HQ?

      --
      The more you regulate a company, the worse its products become.
    4. Re:Does anybody out there know ... by Anonymous Coward · · Score: 0

      HQ stands for High Quality and all it is is a pre-emphasis circuit to help preserve sharp edges in the recorded video signal. No relationship whatsoever with Macrovision.

    5. Re:Does anybody out there know ... by LaughingCoder · · Score: 1

      From what I have been able to read (there is remarkably little information on the web about this), HQ is "VHS HQ is actually a series of specification-tightenings". I found this single sentence description of HQ on 2 different sites ... the only other references I see to HQ say simply "improved video quality", or some such vagueness. Can anybody point me to a spec of what HQ was? I can easily see how "specification-tightening" would lead to increased susceptibility to "noise" on the retrace signal. I am still not convinced that HQ is unrelated to copy protection. Odd that nobody talks about this or shares any technical details --- all descriptions are vague, single sentence type explanations.

      For what it's worth, I have a very old VCR without HQ and it seems immune to copy protection. What a coincidence all of this is.

      --
      The more you regulate a company, the worse its products become.
    6. Re:Does anybody out there know ... by LaughingCoder · · Score: 2, Informative

      In my web-search to better understand what the heck HQ is, if it isn't some sort of stealthy copy protection scheme, I came across an interesting site (US dept of Labor: http://www.bls.gov/cpi/cpivcrp.htm). The following tidbit was embedded within their report:

      "There seems to be no discernible difference between VHS and VHS-HQ. Manufacturer reporting of this information was inconsistent, and it became clear that consumers would have difficulty in discerning if the units they were purchasing were equipped with HQ."

      Hmmm, so there was no discernible difference between HQ and non-HQ ... mfg's reporting was inconsistent ... Maybe that's because it wasn't about improved video quality. Maybe it really was a way to get the MPIA off their backs by giving them a "feature" that could be exploited to copy protect tapes. Wrap some sneaky marketing around it (High Quality - improved video, sharper picture) and voila, problem solved. It's probably no surprise each manufacturer's claims were inconsistent ...

      I would still love to see a technical description of what HQ is, beyond "spec tightening".

      --
      The more you regulate a company, the worse its products become.
    7. Re:Does anybody out there know ... by Anonymous Coward · · Score: 0

      You're right, there's not much out there. I found one reference. This site states that "Your VCR's format is often the limiting factor in the resolution of your video system, with VHS producing about 220-260 lines, VHS-HQ 300 lines, and S-VHS 400-440 lines."

  17. Flawed analogy by OhBoy! · · Score: 5, Insightful

    Your company isn't paying you for just a single copy of your code - they are paying you to assign them the copyright, so they can make as many copies as they like.
    It would certainly be possible for you to pay to media companies to assign the copyright to you, but it would cost a lot more then $15.
    The fact that you got modded +5 insightful only illustrates how difficult it is to sort out intelectual property owernship issues. Almost all analogies made with cars or computers or whatever people tend to come up with don't work - this is a different beast and as a society we haven't figured out yet how to deal with the problem of something as essential as culture being a commercial product at the same time. Perhaps our culture isn't all it is drummed up to be?

    1. Re:Flawed analogy by gillbates · · Score: 2, Insightful

      First of all, ownership and intellectual property are the terms used by the MPAA and RIAA. They want it characterized as ownership when it comes to their rights, but not when it comes to the rights of the consumer. Their advertising is deliberately deceptive, "Own it on DVD today". So, they do want you to think of it as ownership - except when it comes to exercising your rights. Then, they say that different rules apply.

      It's not my analogy - it is the MPAA's, and it is not just flawed, but deliberately dishonest. I'm merely exposing the dishonesty involved when it comes to considering a movie as property.

      But on to practical matters.

      Well, I can understand if they had a problem with me uploading my copy to a filesharing network. Doing so would probably prevent a slim margin of sales by people who wouldn't buy the DVD if they could download it. It would probably be unethical on my part to do so because it reduces their ability to be compensated for the work they've done. As you mentioned, the reason why DVD's are $15 is because they are allowed to spread the production cost across the millions of DVD's stamped.

      However, this has nothing to do with what I can and can't do with what I've legally purchased. Granted, I bought a copy of the movie; I helped pay the studio's production costs. I shouldn't ever have to pay for a copy of the movie again - I don't get paid twice for the same work, and neither should the studio. If they want to make more money, they should do it the way the rest of the working people do: make another movie. Why should they be rewarded for laziness?

      At the risk of abusing physical analogies, it's as if your carpenter came by every month after installing a picture window and charges you a royalty for your enhanced view of your back yard. He's not doing any additional work; why should he get paid again?

      What the studios are doing is theft, plain and simple. I do rent movies - with the understanding that I can't keep the copy. This, at least, is honest. But, a lot of Americans are buying movies with the intent of owning them. 20 years from now, when DVD's are obsolete and players hard to find, they will become angry with Hollywood for preventing them from legally preserving their investment in movies. They're going to find that they will have to either re-buy their collections, some of which won't be available, or simply take a loss.

      In essence, buying a DVD is just a long term lease. It ends when Hollywood says it does, and despite the fact that you did compensate the actors and the studio, you still don't own what you paid for.

      That is the problem. When it comes to movies, you don't really own what you buy.

      I could feel sorry for the movie studios about the impact of piracy, were it not for the fact that pirating a DVD is the only way to truly own it. I'd love to build a collection of movies, but there's no way I'm going to buy something that will be unwatchable by the time my kids are old enough to appreciate it.

      --
      The society for a thought-free internet welcomes you.
    2. Re:Flawed analogy by Dhalka226 · · Score: 3, Insightful
      I bought a copy of the movie

      (I don't know why it's ignoring my italics here--you italicized "bought," just for reference.)

      Your statement is correct, but it seems to me that your italics stopped a bit too soon. It should be: "[You] bought a copy of the movie."

      You bought the copy, not the movie. If you want to spread peanut butter all over it and eat it for lunch, that's your business. If you want to snap it over your knee, also your business. Plus of course all the more practical uses. You can also sell your copy, or borrow it to a friend.

      You can argue about whether or not this is fair, but that is the current reality. You DO really own what you buy, you just think you have bought more than you have.

      It ends when Hollywood says it does

      No, it ends when the market says it does. If DVDs become obsolete and players hard to find, it isn't because Hollywood walked into every electronics store in the world and threw their merchandise on the ground. It's because a new format has become more popular and stores aren't interested in stocking something that hardly anybody buys. They shouldn't be. (Though that said, I also find it hard to believe that you would not be able to find a DVD player anywhere, but we'll ignore this for now.)

      With that said, Hollywood has absolutely no say on how long I can legally use my purchased DVD. The fact that (in your example) all of my players broke or were thrown away as obsolete or what have you, and I can no longer play that DVD, is likewise not their fault.

      Again, argue as much as you want over whether or not this is how it should be, but at least for now it's how it is. Understanding what it is you bought is critical to any understanding of the issues involved.

    3. Re:Flawed analogy by Danga · · Score: 1

      Your statement is correct, but it seems to me that your italics stopped a bit too soon. It should be: "[You] bought a copy of the movie."

      The problem with this is that is blocks fair use and format shifting: http://en.wikipedia.org/wiki/Fair_use and http://en.wikipedia.org/wiki/Format_shifting

      The only reason they can claim they "sold you a copy" is because of the DMCA which makes it illegal to circumvent the encryption on the disc to make your own copies for personal use. Of course it should still be illegal to make copies to sell or to show to the public, but it should not be illegal to make copies that you will use yourself.

      What I think is fair is to purchase a new copy if it provides something better such as a Blu-Ray or HD-DVD disc which has higher resolution compared to a normal DVD. People should have to pay for those new discs since someone had to spend the time creating the higher resolution copy. But, if a person already owns the standard DVD and wants to create a personal HD-DVD/Blu-Ray copy from it NOTHING should stand in their way. If they have the no-how to format shift the data and that is what they choose to do so that they can use it with their new home theatre setup they should not possibly face jail time for doing so. I have no problem with movie studios wanting to get paid again for new formats of the same old stuff if they spend the money doing the conversion/adding enhancements. On the flip side if someone wants to do the conversion on their own (for personal use) they should be able to.

      With that said, Hollywood has absolutely no say on how long I can legally use my purchased DVD. The fact that (in your example) all of my players broke or were thrown away as obsolete or what have you, and I can no longer play that DVD, is likewise not their fault.

      They have all the say in the matter. Sure, it would be in the best of their interest to support a format as long as the market demands it but that does not mean they have no say in the matter. Once a large enough majority of the market switches to a new format then they have no reason to keep producing the former version and while that is their right it is also the right of the people who own a previous version to be able to spend their own time converting the former version to the newer version if they so wish.

      Again, argue as much as you want over whether or not this is how it should be, but at least for now it's how it is. Understanding what it is you bought is critical to any understanding of the issues involved.

      I do understand what I have bought and I know that format shifting allows me to create a new copy on different media for my own use. According to the case of Recording Indus. Assn of Am. v. Diamond Multimedia Sys., Inc. and regarding the Rio MP3 player: "Rio merely makes copies in order to render portable, or space-shift, those files that already reside on a users hard drive. . . . Such copying is a paradigmatic noncommercial personal use."

      Right there over-rides anything the MPAA might say about what a "copy" consists of. What they say is illegal, and the only thing stopping people from legally making copies is the DMCA which should not apply to personal use/copies.

      For your information I work in the software industry, I know that "piracy" sucks and I see people illegally using the software of my company weekly. What I (and my company) don't do is restrict our customers to one physical copy of the software. They are free to redownload whatever software they are licensed to use at anytime that they wish. This comes in handy when their computer crashes and they lose all of the installers or the disc that contained the installer goes bad or is broken. In the future when a drive comes out that does not read CD's/DVD's anymore they will be free to copy the installer off of the CD/DVD they purchased and put it onto whate

      --
      Hey, there is only one Return and it's not of the King, it's of the Jedi.
    4. Re:Flawed analogy by abb3w · · Score: 1

      If DVDs become obsolete and players hard to find, it isn't because Hollywood walked into every electronics store in the world and threw their merchandise on the ground. It's because a new format has become more popular and stores aren't interested in stocking something that hardly anybody buys.

      While Hollywood doesn't absolutely dictate what the market does, it's not like they can't influence the decision; EG, by ceasing to release new movies on DVD in order to shift to (say) BlueRay.

      (Though that said, I also find it hard to believe that you would not be able to find a DVD player anywhere, but we'll ignore this for now.)

      I work at a small department within a much larger University. While my primary job these days is computer support, for various historical reasons, the department has maintained it's own collection of media equipment that it also under my balliwick. The main library media office has a standing (frantic) request for any LaserDisk or BetaMax players that other departments are no longer using. I've mentioned that we have one of each that I should be getting rid of Real Soon Now. They've been calling to ask about it around once a month since I told them. (Lately, they've started sending over one of the Cute Young Librarians to flirt with me while inquiring about it. From past dating experience, librarians tend to be a LOT of fun once you get them somewhere they don't need to worry about being quiet.)

      You can buy a wax cylinder reader (if you fork up enough cash) or a record player. Finding a cassette player isn't that hard these days. But reel-to-reel audio and video players, Laserdisc, and Betamax players are getting to be a serious challenge. Furthermore, except in the case of DVDs, copyright has now been extended beyond the expected lifetime of the storage medium. The shifts of technology might make it so that DVDs get protected by copyright outlasting the manufacture of the players. From where I sit, that's Not Fair.

      --
      //Information does not want to be free; it wants to breed.
    5. Re:Flawed analogy by jez9999 · · Score: 1

      OK, so here's the question:

      Should the law say that the consumer has bought both the physical copy, and the right to convert that copy to other media so they may preserve the copy for posterity, for their own use?

      I think it should, do you? We know what the MPAA et al think.

    6. Re:Flawed analogy by Anonymous Coward · · Score: 0

      Quit your complaining. It seems to me your getting a good deal with the loss of old media with the Librarians flirting with you. Think of the children.

  18. Tivo bends the rule a little. by DiscoRaj · · Score: 2, Interesting

    I have a Humax Tivo with the DVD burner and front inputs for recording camcorders etc. I recently recorded an old VHS (via the front inputs) to transfer to DVD. The Humax lets me record to Tivo (on HDD) but it blocks me from burning it to dvd or transfering it to my computer via media option. Tivo lets me bend a little but not break Macrovision. It's the first time I have seen the "Copy Protected" symbol on my Tivo.

    1. Re:Tivo bends the rule a little. by ajs318 · · Score: 1

      On Philips and Daewoo DVD+R/+RW recorders {for that matter, probably any that use Philips internals}, you can copy a copy-protected signal by first inputting a non-protected signal, selecting RECORD, then PAUSE; quickly switching over to the protected signal {use an actual switch box, manually unplugging and replugging is not quick enough}; and then coming out of PAUSE. The machine only seems to check for the presence of Macrovision when engaging RECORD mode, or if the video signal is interrupted for several fields in a row.

      Seems the boys and girls in the labs in Eindhoven liked their old movies, so they built in this little "cheat" that wouldn't get noticed during type-approval!

      --
      Je fume. Tu fumes. Nous fûmes!
    2. Re:Tivo bends the rule a little. by DiscoRaj · · Score: 1

      Thanks for the tip. The situation doesn't come up that often (commercial VHS without dvd replacement) but I'll give it a shot. Thanks

  19. Mostly correct by Anonymous Coward · · Score: 2, Informative

    What Macrovision does is to mess up the automatic gain control (AGC) on the vcr. A tv also has an AGC but it reacts fast enough that the visible picture isn't affected. Old VCRs are either not affected or can easily be adjusted so they aren't. Any VCR made in the last fifteen years is pretty much tamper proof with regard to the AGC. Macrovision tricks the AGC by deliberately messing up the "black level" during the vertical sync period. It's not noise per se. As the parent points out it is easy to defeat. In fact, every decent video studio or tv station has equipment which, as part of its normal operation, removes macrovision from a video signal.

    1. Re:Mostly correct by ars_inveniendi · · Score: 5, Interesting

      Wow, I can't believe it took this long for someone who actually knows what they're talking about to post! You're right, Macrovision messes with the AGC--you can see the "pulses" outside the legal range on a waveform monitor.

      Now, the really troubling point in all this to me is that a time base corrector, without which you can't edit analog tapes, removes macrovision as a matter of course. How are the courts going to "protect" macrovision without making time-base correctors illegal? And if time-base correctors are legal, then all Sima needs to do is start marketing time-base correctors.

    2. Re:Mostly correct by Legion303 · · Score: 1

      "How are the courts going to "protect" macrovision without making time-base correctors illegal?"

      If time-base correctors are outlawed, only outlaws will have time-base correctors.

      Hmm...not catchy enough.

  20. Right - it is not DRM. It is AI by NotQuiteReal · · Score: 1
    Analog Inconvenience, that is.

    Simply a nuisance which many would not bother to circumvent, but by no means a strong licensing enforcement mechanism like DRM.

    --
    This issue is a bit more complicated than you think.
  21. Not disagreeing with you, but books are very simil by Saanvik · · Score: 2, Insightful

    I'm not disagreeing with you, but it's not really that different from a book, the one exception being fair use of excerpts.

    You pay for the book, but you don't own it:

    • You can't make a backup copy, and you are supposed to try (as the signs at Kinko's have often reminded me).
    • You can, due to fair use, post excerpts for critical review.
    • I don't believe it's legal in the US to make backgrounds of images in books.
    • No soundtrack except what's in your head.

    When a new version comes out (like the English version of "A Clockwork Orange", a paperback, or an ebook) you have to buy it if you want it in the new format or with the extra material. If your book wears out, or you spill coffee on it and it become illegible, you have to buy a new copy.

    The biggest difference is a book never becomes unusable due to technological obsolescence.

  22. Re:What about market regulation? by Jonny_eh · · Score: 2, Interesting

    I don't think the MPAA has weighed in on the net neutrality debate yet. I fail to see your point. You seem to have lumped all the companies that you don't like into one big pile.

  23. Re:What about market regulation? by Anonymous Coward · · Score: 1, Insightful

    TimeWarner AOL?
    Cable companies?

    Despite what the MPAA wants you to believe, there's more to "content providers" than than your local movie theater.

  24. Well Duh!!! by Catiline · · Score: 1

    How else did you expect them to run a perpetual ownership system without perpetual copy protection?

    Sarcasm aside, the thought still stands: of course they don't want old copy protection to stop working. To them that would be a gigantic flashing neon sign saying "FREE MOVIES HERE!" (Never mind that copyright law is the protection they need/want/have, not Digital Rights Manglement.)

  25. Re:What about market regulation? by dangitman · · Score: 4, Insightful
    I don't think the MPAA has weighed in on the net neutrality debate yet. I fail to see your point. You seem to have lumped all the companies that you don't like into one big pile.

    Have you completely ignored the astroturfing campaign, including TV ads, that attacked Net Neutrality in specious ways? Do you really believe the MPAA did not have anything to do with that?

    --
    ... and then they built the supercollider.
  26. Comment removed by account_deleted · · Score: 5, Insightful

    Comment removed based on user account deletion

  27. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  28. Wrong laws by Anonymous Coward · · Score: 0

    How can this be protected under the DMCA? I believe it would be more properly protected under the AMCA. And as that was never passed, or even proposed, well... too bad.

  29. I used this tactic by Amazing+Quantum+Man · · Score: 4, Insightful

    When Hollings (D-Disney) was proposing the SSSCA/CBDTPA, I wrote to Pres. Bush and asked him to work against it, and veto it. I spewed a lot of malarkey that I didn't believe, such as "Hollywood liberal elite", "Unnecessary regulation of business", etc...

    Putting someone's own prejudices to work for you is sometimes all that you can do.

    --
    Fascism starts when the efficiency of the government becomes more important than the rights of the people.
  30. Macrovision by LindseyJ · · Score: 2, Insightful

    They have a pretty ironic name for being so short-sighted.

  31. The copyright clause in the Constitution... by karl.auerbach · · Score: 3, Interesting

    The copyright clause in the Constitution allows Congress to enact laws to protect the work of authors only for limited periods of time.

    Now, in the Mickey Mouse case, the court said that protection periods on the order of 100 years are OK, but the Court kinda hinted that it might not go along with this much further.

    Anyway, the technique of leveraging DRM protections in via a copyright and then having them live forever is rather a slap in the face of the Constitutional limitation on the duration of copyrights.

    Of course, Congress does have a weasel-way out: they might say, "oh, we allow DRM to exist forever as part of our powers over commerce among the states."

    But in practical terms, DRM forever transforms what is supposed to be a copyright of limited duration into a copyright that lasts for all eternity. And that, is contrary to the purpose, a purpose actually stated in the US Constitution, to promote the arts and sciences, for copyright and patents.

    See my note "The Rule Against Digital Perpetuities". It's short, so I'll just copy it here:

    The Rule Against Digital Perpetuities

    It seems to me that in the fight over copyright and digital rights management few have considered what happens in the distant future when the material being protected is no longer covered by copyright. That thought led me to propose the following rule and accompanying pledge.

    The Rule Against Digital Perpuities:

            No Digital Rights Management (DRM) limitation or anti-copying mechanism may endure longer than the original copyright in the protected work.

    The Pledge:

            I pledge to neither specify nor standardize nor implement any system that does not conform to the Rule Against Digital Perpetuities.

    1. Re:The copyright clause in the Constitution... by Anonymous Coward · · Score: 1, Interesting

      Thats a helpful codification. But I have a question. I have thought to myself before "I pledge to QUIT MY JOB before I make a DRM product." But then I make activation keys and so forth... the activation key will work forever and doesnt require online validation. A thousand years from now the key will work. Am I violating this rule by producing copyrighted software which is still protected in a thousand years? Or am I following it by resisting an online activation which might break (if my company founders) and thus render the software absolutely inoperative beyond the duration of copyright. Am I supposed to put a check in the code: if(!isValid && date 1/1/3000) forbid()? I look at it this way: once we give out the combination of software and activation key, we have no control over what they do with it. So our control of the users into the future extends for zero duration and so certainly not beyond the copyright.

    2. Re:The copyright clause in the Constitution... by karl.auerbach · · Score: 1

      You've asked a very good question - which, to my mind as a person who writes and creates software and stuff, is "how in the world would I design a DRM scheme" that knows when to disable itself, and how do I do that so that a sneeky user can't simply change the apparent date and bypass the protection during the copyright period?"

      My answer is this: I dunno.

      But my response is that the onus of answering the question ought to be on those who want to impose EDRM (Eternal DRM). If they can't come up with an answer then they ought not to be allowed DRM.

      You allude to another issue that I think is not often raised: What happens when historians of the future want to see what our world was like - DRM will still be DRM. There might be amazing devices to crack 21st century DRMs, but then again maybe we've now gotten good enough at cryptography that we really can create things that will be hard to unlock even in the future.

      (I do have this mental image of some 25th century RIAA lawyer suing an historian of the early 21st century under the, by-then quite hoary, DMCA anti-circumvention provision, for cracking the DRM on a copy of Disney's Snow White found in some archeological excavation of what was once called "LA".)

  32. video production equipment illegal now? by Digital+Pizza · · Score: 2, Insightful
    I don't know which device made by Sima they're complaining about, but last time I checked (can't open their webpage now) they make equipment for legitimate video work and that's their target market. I have a Sima Color Corrector Pro which can remove Macrovision protection from video signal, but it's a video production device that's made for and targeted to legitimate video production work.

    You can kill someone with a hammer; are they gonna make those illegal too now?

    --
    We apologize for the inconvenience.
    1. Re:video production equipment illegal now? by demon · · Score: 1

      You can kill someone with a hammer; are they gonna make those illegal too now?

      Dude, shut up. You're giving them ideas. Without a hammer, how can one build a house? Or enter a spirited hammer-fighting competition? These are *both* very necessary activities.

      --

      Sam: "That was needlessly cryptic."
      Max: "I'd be peeing my pants if I wore any!"
  33. There's a consumer based solution by nightsweat · · Score: 4, Insightful

    Use less media. See fewer movies and NONE at the theater. Buy no new music, just buy used CD's.

    Golly, you might not be cool, but you won't be a sucker, either. Fuck the media companies that want to ruin our intellectual property system.

    --

    the major advances in civilization are processes which all but wreck the societies in which they occur - A.N. White
    1. Re:There's a consumer based solution by stubear · · Score: 1

      "Fuck the media companies that want to ruin our intellectual property system"

      What about the cheap fucking bastards who want to illegally distribute anything they want? Do you honeestly think they are blameless in this? You have two extremes fighting each other and both are saying fuck the guys in the middle.

    2. Re:There's a consumer based solution by Anonymous Coward · · Score: 0

      This, unfortunately, is what its going to have to come down to.

      For example, in the last 10 years, YES 10 YEARS, I've only bought 10 DVD's!!! Thats not to say I don't watch what my friends buy or have bought, but what I personally purchase is VERY LITTLE!!! Part of it is, the MPAA stance and tactics against consumers, and partly the general CRAP that has been coming out of Hollywood. I personally don't think I'm a movie snob, but name me one movie in the last 3 years that isn't aimed at consumers with an attention span of 15 seconds. To keep this short, I won't comment on the acting. ( I'm speaking in generalities here; 95% of it is CRAP, 4% is good, 1% is Artistically Significant )

      On an additional note, I haven't bought a CD in over 5 years. It just so happens I have access to mass volumes of music, new and old; and no, I don't DL illegals copies.... not my fault, and I don't feel guilty by taking advantage of it, but I'm damn sure not gonna pay for COMMERCIAL CD's or legal DL's in this day and age! My stance on this is due to the economic breakdown of the price on that COMMERCIAL CD. When its announced that >70% of that money goes to the artist, I'll buy it! And as a musician in an upcoming band, about to record our first mastered demo, people buying CD's are nice, but everyone know Live shows and merch.( stickers, live CD's we produce, shirts) are where you make money... As soon as we have mastered recordings on CD for sale, I have no doubt several people will buy the CD and lend it to all their friends. I hope that this would provoke them to support us and buy more CD's, but I'm not gonna waste my breathe in trying to stop them otherwise. I've also seen more live shows in the past 5 years than I did in the previos 5 before that.

      This works for me, probably not for all, then again I'm an underpaid tech sector employee...

    3. Re:There's a consumer based solution by PCM2 · · Score: 1
      Use less media. See fewer movies and NONE at the theater.


      But I like seeing movies in the theater. If they came up with a copy protection scheme that kept me from being able to see movies in the theater, I'd be bummed. Seems unlikely, though.

      --
      Breakfast served all day!
    4. Re:There's a consumer based solution by Anonymous Coward · · Score: 0

      What about the cheap fucking bastards who want to illegally distribute anything they want? Do you honeestly think they are blameless in this?

      You mean the cheap fucking bastards who refused to pay $70 for a VHS movie in 1982 ($146 today) and chose to rent and copy instead, causing the studios to start using macrovision? Yes, I honestly think they are blameless in this.

    5. Re:There's a consumer based solution by ajs318 · · Score: 1

      All that will happen if enough people do this, is that the MPAA, RIAA and their equivalents in other countries will continue to blame their declining revenues on "piracy", and laws will be tightened up. Maybe it will become an offence to lend an original recording to someone else even if no copying takes place, or even to invite your friends around to watch a vid. Rentals will be replaced by limited-play discs, which you buy and then, instead of having to take them back to the rental store, they become unwatchable.

      Meanwhile, the studios' greed will have turned every movie into a two-hour advertisement, turning away even more would-have-been viewers.

      --
      Je fume. Tu fumes. Nous fûmes!
    6. Re:There's a consumer based solution by Anonymous Coward · · Score: 0

      > Use less media. See fewer movies and NONE at the theater. Buy no new music, just buy used CD's.

      Watch all the losses you create attributed to an increase in piracy, then turned around to advocate even stricter laws.

      As long as they believe I'm a pirate, I might as well be shameless about it. Screw copyright!

    7. Re:There's a consumer based solution by nightsweat · · Score: 1

      The way I see it, the media companies bought and paid for laws that went against the intent of the original IP system. There is no way individuals today can fight that sweet sweet corporate money's influence on the system. As I see it, there are two honorable responses to this:

      1. Break the law, fess up to it and take the consequences, refiusing to pay fines, but taking jail time instead. This is the Gandhi/Thoreau Civil Disobedience route.

      2. Boycott the producers who bought and paid for and subverted the system.

      I'm not gutsy enough to do 1., so I advocate 2.

      --

      the major advances in civilization are processes which all but wreck the societies in which they occur - A.N. White
  34. DX-11 by certsoft · · Score: 3, Interesting

    I bought one of (WARNING-POPUP) these http://members.fortunecity.com/videotransfer/# a number of years back for about $30. There are schematics available on the internet for equivalent devices built with half a dozen cheap IC's.

    1. Re:DX-11 by Tim+C · · Score: 1

      Bloody hell that was an obnoxious pop-up - could you not have found a better site?!

    2. Re:DX-11 by The+Wicked+Priest · · Score: 1

      I love the wording on that site... the device overcomes "the newest video stabilization problems", and it "eliminates the distorted signals which are often [misinterpreted] as" Macrovision. (I see now that it actually says "mis-interrupted", but that's not the part I loved.)

      Kinda pricey, though.

      --
      Share and Enjoy: 09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
  35. A better solution by gr8_phk · · Score: 2, Interesting

    A better solution is to make a really really good digital copy. I thought the idea was that your TV could display the signal with macrovision noise added, but your VCR would lose sync and get all garbled because it was unable to make a good copy of the "noise". If you make as perfect a copy as you can, wouldn't you be able to play it back? It may still violate copyright, but you wouldn't be circumventing anything - the macrovision would be intact.

    1. Re:A better solution by Teresita · · Score: 1

      I thought the idea was that your TV could display the signal with macrovision noise added, but your VCR would lose sync and get all garbled because it was unable to make a good copy of the "noise" If you play a Macrovision tape on one of those newfangled HD TVs that are supposed to be backward compatible with analog, doesn't that digitize the noise and thus defeat the DRM in violation of the DCMA?

    2. Re:A better solution by ajs318 · · Score: 5, Interesting

      It's just crap in the vertical retrace interval. The VCR doesn't lose sync, but since the noise exceeds the normal signal level it causes the AGC to reduce the gain, thereby making the picture go dim. If you did not know any better, then you might suppose it to be a mere artefact from the mass-production process {since it is conspicuously absent from home recordings}. If you shorten the AGC time constant on the recording VCR {by unsoldering one capacitor} you won't get the dimming effect. You can also use an op-amp hard limiter circuit {similar to those cheesy guitar distortion pedals everyone was building in the 1980s} to clamp the spikes.

      A more thorough way of defeating Macrovision is to use a 1881 sync separator, 4066 quad bilateral switch and some assorted logic ICs {or a microcontroller}. You need to discard about 30 lines from the top of each field, clamping them to no more than 0V but pulling them down to -0.3V with the line sync pulses. If you can manage to leave in the colour subcarrier burst, then so much the better.

      As long as you're making fair use of material, which you have an inalienable right to do, then the use of an electronic circuit to remove this copy protection would be classified as Reasonable Force in pursuit of your Statutory Rights.

      --
      Je fume. Tu fumes. Nous fûmes!
    3. Re:A better solution by Lumpy · · Score: 2, Interesting

      I find it easier to buy an old TBC off of ebay for $25.00.
      Works great and none of that pesky building things.

      This will be interesting, Video production houses everywhere will be illegal as analog video TBC's become DMCA violation devices!

      So when does the storm troopers start showing up to put a gun butt to the head of everyone that dares clean up the video signal?

      Macrovision has been a standing joke to everyone in the video industry for decades. Their snake oil sounds good to execs, but all the techs laugh at it as easily defeated overpriced junk.

      --
      Do not look at laser with remaining good eye.
    4. Re:A better solution by AmberBlackCat · · Score: 1

      Or if you pound the thing just right, sometimes you get lucky.

    5. Re:A better solution by Anonymous Coward · · Score: 0

      Actually, if you read the DMCA closely, there is no fair use exception. Fair use only applies to Section 106 and 106(a) of the Copyright Code. It is generally felt (in the courts), that the specified exceptions to the DMCA are sufficient to substitute for Fair Use.

    6. Re:A better solution by Anonymous Coward · · Score: 0

      As long as you're making fair use of material, which you have an inalienable right to do, then the use of an electronic circuit to remove this copy protection would be classified as Reasonable Force in pursuit of your Statutory Rights.

      As a legal argument this is incoherent. As a moral argument, it's irrelevant if you get caught and prosecuted. This gets +5?

    7. Re:A better solution by Anonymous Coward · · Score: 0

      I think it was the technical details that got a +5.

  36. Here Here! by Inhibit · · Score: 1

    Just wanted to let you know the comment is right on.

    --
    You're reading Slashdot. Of course you like Linux and pc hardware
    1. Re:Here Here! by Jah-Wren+Ryel · · Score: 0, Offtopic

      Just wanted to let you know the comment is right on.

      I think you mean "right (on)."

      --
      When information is power, privacy is freedom.
    2. Re:Here Here! by Anonymous Coward · · Score: 1, Funny

      I think you mean "right (on)."

      I think you mean to say "RIGHT-ON (tm) Allwest Associates CORPORATION CALIFORNIA 752 Orchard Dr. Paso Robles CALIFORNIA 93446"

    3. Re:Here Here! by Nocterro · · Score: 1

      Well I think he meant to say 'hear, hear'

      --
      [clever sig]
  37. Nice... by (H)elix1 · · Score: 4, Informative

    As classic video (magnetic) tape only lasts 10-20 years, you cannot expect anything on tape to still be around in 100 years. Without killing the macrovision, there will be no archives other than what might be on (real/reel) film.... Not that I expect congress to leave the dates alone.

    1. Re:Nice... by KillerBob · · Score: 2, Informative

      Actually... magnetic tape lasts a *lot* longer, if it's stored right. Or if it was the first generation before the manufacturers clued in that they can make the tape out of cheaper polymers. But I have a friend who works in restoration at the Canadian Museum of Civilization, and there's tapes in their archive that still play perfectly well after more than 50 years. It wasn't actually until the late 1960's/early 1970's that they started using the cheaper polymers, and the tape started sticking to itself if it was stored in a humid/warm environment. Even so, you can resurrect an old tape by baking it for long enough to get the moisture out. Usually they do it over the course of 8-10 hours so they don't burn the tape. :-)

      Incidentally, early LP's were made out of steel, and didn't have anywhere near the problems you see in vinyl, either.

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
    2. Re:Nice... by Anonymous Coward · · Score: 0
      I can second that.

      I've got cassette tapes that I recorded thirty years ago when I was in high school. (Yes, I realize that elevates me to Geezer Status on /.)

      The tapes still sound fine, or at least they would if my taste in music hadn't changed.

      Now pardon me while I go back to ripping my collection of LP's to mp3.

  38. Re:What about market regulation? by Kadin2048 · · Score: 2, Interesting

    Have you completely ignored the astroturfing campaign, including TV ads, that attacked Net Neutrality in specious ways? Do you really believe the MPAA did not have anything to do with that?

    I think AT&T, Comcast, and the rest of the telcos are perfectly capable of hiring a PR firm and buying some TV time. Nothing about that implies the involvement of the MPAA.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  39. Wow by GXFragger · · Score: 3, Insightful

    This is another reason why I joined the US Pirate Party. The laws need to be reformed and the DMCA needs to be replaced with a more sensible, consumer friendly version. I'm simply sick of being told what I can and what I can't do with my legally purchased media, as long and I don't like that trying to make it into a rent style system.

    We need to form together to help change these laws. I believe joining the Pirate Party may be a start to this. Boycotting also works effectively, but only if enough people do it. Raising awareness of these issues is also a very good thing to do as many people simply aren't aware that it happening until it is too late. Even just trying to talk to your representatives may help things as most of th time they aren't even aware of these types of issues or if they don't listen, then vote for someone else next time. If we can get enough people to realize what is really occuring, then change can happen.

    1. Re:Wow by geminidomino · · Score: 1

      How did you join? The website says they aren't taking registrations yet.

    2. Re:Wow by The+Wicked+Priest · · Score: 1

      My questions: 1) Is Pirate Party USA going to be a real political party, as in Sweden? 2) Will it be possible to join the Pirate Party while still being registered in another party, so I can still vote in primaries? (If it's a real political party, I'm thinking it won't be possible... that's the reason I'm still a Democrat, and not a Green or something.)

      --
      Share and Enjoy: 09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    3. Re:Wow by GXFragger · · Score: 1

      To clarify, I joined the website. I know they aren't taking registrations yet, but I plan to join once it becomes possible. Sorry if I misled you. I do, however, fully support their cause and hopefully I can spread awareness about the Pirate Party.

  40. Ye Olde Record Player by ackthpt · · Score: 1

    Isn't that rather like arguing that you never really owned your record player, because you were forced to buy an iPod in order to keep up with technology? You can still play your old beatles records on an LP player.

    I happen to have an old enough pre-amp that I can still hook up a turntable (record player to you.) A friend bought a new amplifier at the local Ciruit City (or equivilent) and found it couldn't accomodate his trusty old turntable Phono Input. He got by with some goofy little pre-amp which hangs off the back and requires a plastic cube to power it. How long before all these things are optical? How soon before the only video options you have don't include RF and/or Composite?

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:Ye Olde Record Player by Mr2001 · · Score: 1
      He got by with some goofy little pre-amp which hangs off the back and requires a plastic cube to power it.

      That isn't plastic, it's energon.
      --
      Visual IRC: Fast. Powerful. Free.
    2. Re:Ye Olde Record Player by Pope · · Score: 1

      Funny, I picked up a brand new Sony turntable a month ago, and it had a switch to go from Phono to Line level output, to accommodate people who may not have full amps with the proper Phono level input. Bang, hook that sucker directly to the RCA jacks on my M-Audio sound card, and digitizing old LPs just became a hell of a lot more convenient.

      --
      It doesn't mean much now, it's built for the future.
  41. Please recall that you don't really own anything. by MikeBryson · · Score: 1

    Since the United States has disavowed all knowledge of the thing called 'property rights', by both the voters and the politicians, you really don't own anything anymore; we all rent everything we "buy." Buy a car? Not unless you get licensed by the State to drive it. Buy a house? What is it that you pay each and every year in order to live in that house? Property taxes. Buy a DVD? You're only borrowing it until someone says so. At the base of freedom is the right to own property fully, or create new property using your hands no matter who created it before you in a certain way.

  42. Re:Bad analogy by TheSpoom · · Score: 1
    "The one that prevents us from taking the old video tape I bought of it, which I can no longer watch on newer video devices due to built in DRM and I am prevented from recording onto a computer and removing the old DRM and writing to digital storage which the new digital video devices read."
    As much as I dislike the DMCA, as posted earlier, your story won't happen under the current DMCA as it exists now. Interoperability is one of the exceptions that the DMCA allows for in creating circumvention tools. Of course, in reality, you'll probably have to back that up with lawyers and a court battle you probably couldn't afford. But on paper, the law says you're able to do just what you said it disallows.
    --
    It's better to vote for what you want and not get it than to vote for what you don't want and get it.
    - E. Debs
  43. Just buy a Phillips VCR by grolschie · · Score: 3, Informative

    My Phillips Matchline VCR from factory removes macrovision from my DVD player. The same DVD player into another VCR generates distorted macrovision colors etc. I wonder if the Phillips DVD Recorders also strip macrovision?

    1. Re:Just buy a Phillips VCR by ajs318 · · Score: 1
      --
      Je fume. Tu fumes. Nous fûmes!
  44. If overturned though by phoebe · · Score: 3, Interesting

    If overturned though it will be interesting. Does it not set a precedence that it could be illegal to create DRM that cannot be bypassed when the copyright has expired?

  45. Bad sign by leehwtsohg · · Score: 1

    And all this is because I'm up late working on a talk.

    But I bet there are no spelling or counting problems there.

  46. Market regulation indeed! by RareButSeriousSideEf · · Score: 1, Interesting

    You're right about throwing their arguments back in their face, but fact is, those who buy legislators really don't care what fashion the arguments are dressed up in. Conservative & liberal ideals alike are being sold down the river; Feinstein can wrap 'em in organic paisley sackcloth that never needs washing, and Frist can put 'em in navy polyester pinstripe with an overstarched white oxford. The arguments have nothing to do with anything. The legislation exists, and pragmatic interests move on to finding arguments that support the next item on the agenda.

    The next revolution will be pseudonymous. The one after that will enable secure financial transactions among the participants in aforementioned revolution. After that, Atlas shrugs, and the relevancy of government to daily living steepens its inexorable drive towards zero. Funny that something as "trivial" as copyright law is what's ultimately spurring the technology here. For some kid in Seattle, it's about being able to share Green Day tracks without fear of financial ruin for his parents. For some kid in China, it's about being able to get to Wikipedia without fear of his family being organ-farmed.

    1. Re:Market regulation indeed! by Anonymous Coward · · Score: 0

      ....

      oO ....

      Grats, the last two sentances where ALMOST coherent thoughts. Don't give up!

    2. Re:Market regulation indeed! by operagost · · Score: 1
      Feinstein can wrap 'em in organic paisley sackcloth that never needs washing
      Listen hippie-- you only THINK your organic paisley sackcloth doesn't need washing. TRUST me on this! *sprays air freshener*
      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
  47. Devil's Advocate Club by RareButSeriousSideEf · · Score: 1

    Politics makes interesting bedfellows, eh? I probably believe a higher percentage than you of what you spewed as malarkey, but here's to your (hopeful) ability to do it articulately & persuasively. On the flip side, I suppose I've turned a phrase or two about selling the working man out to behemoth corporate interests, depending on the stripe of legislating commodity item I'm writing to.

    Then again, I acutally think these legislative vending machines *are* selling Joe Average out to behemoth corporate interests. Where's a con to go who still yearns for a free enterprise system as unfettered by government as possible, yet thinks the current crop of gargantuan, stockholder-owned organizations are verging on being more of a social ill than their economies of scale can justify? The tension is harder to resolve than most flip answers can appreciate.

  48. The *government* will stop them? by RareButSeriousSideEf · · Score: 1

    No, really... the *government*? If that ain't the height of naïveté. I get glazed over looks from the same people whose iPod / iTunes setups I have to [cough] "fix" whenever they change computers, but unless you're giving 'em other reasons to peg you as a tin-foiler, that's pretty cold.

    Just remember, Jack Sparrow is a Good Man, and will likely prove more useful in skin-saving than the Queen's henchmen or the East India Trading Company, right?

  49. Re:Please recall that you don't really own anythin by cakefool · · Score: 1

    Sorry, gotta call you up on this.
    Buy a car? Not unless you get licensed by the State to drive it.

    You own that car, and can do what you like on your on property with it, but to use the roads built by the state you need a license that says you are capable of operating it without killing thousands.

    Buy a house? What is it that you pay each and every year in order to live in that house? Property taxes.

    Property taxes (certainly over here UK) pay for police, fire, ambulance, street sweepers, rubbish collection etc. OK, some pocket lining, I agree, but think what your neighbourhood would be like without any of the above...

    Buy a DVD? You're only borrowing it until someone says so

    True, and not good, but the rest was a bad comparison. There is no good comparison I've heard, as there is nothing like digital rights/IP/etc

  50. Open letter by Legion303 · · Score: 2, Insightful

    Dear Macrovision:

    While you were busy making life hard for legitimate customers, I downloaded four movies that had been Macrovision-scrubbed for my convenience.

    Sincerely,

    Ha Ha Ha!

    PS: Eat a dick.

  51. Old, old, old news by Dion · · Score: 2, Informative

    I built macrovision defeating electronics way back when I was still a minor, as I'm now 30 that should put a date on how long ago macrovision was broken.

    --
    -- To dream a dream is grand, but to live it is divine. -- Leto ][
  52. In Windows, use ATITool to kill Macrovision by SigNick · · Score: 2, Informative

    After installing ATITool 0.24 or newer, four clicks is all that it takes to get rid of Macrovision.
    Click "Settings", then choose "Miscalleaneous" tab and from there check "Remove Macrovision detection from analog input driver". Now you can use the card's analog inputs and outputs as you wish.
    I disabled mine so long ago I don't remember if you'll have to reboot afterwards.

    Does anyone know a similiar procedure for Nvidia cards?

    --
    Capitalization is the difference between "Helping your uncle jack off a horse" and "Helping your uncle Jack off a horse"
  53. Re:Books != Movies by Saanvik · · Score: 1

    Even if photocopies or digitized scans of books are legal for personal use, it wasn't until recently that such a thing was technologically possible. The very nature of the book prevented you from making a copy of it, without laborious hand copying, which is akin to, but much harder than, the type of copying possible of DVDs and video tapes. Granted, it happened. Just look at the history of Shakespeare's plays. Even now, scanning a 300 page book, running it through OCR, and fixing the inevitable problems is much harder than copying a DVD. Granted, it happened. Just look at the history of Shakespeare's plays.

    To me the biggest change has been for the creators of content - in the past one was happy when one's works were heard, read, watched, because that made one popular, and thus, successful. Writers didn't actively encourage copying, but they didn't fight it too hard, as long as they were credited for the work, and as long as the work wasn't too corrupted. Shakespeare never made a penny off his plays being published, but he gained in popularity due to their publication.

    Since we don't have sponsors anymore, writers need to make money off selling our work. That puts artists in the place of wanting their work to be wide spread, but also controlled. It's an odd situation to be in. I'd love everyone to read my work, but I'd also like to make some money off of it. Some are successful at allowing free usage (look at Thinking in Java for an example) and some aren't.

    I still think the difference between DVDs and books aren't that different when it comes to ownership. Both can be copied, if one is willing to work hard enough. In both cases it's not the physical media that one buys, but one particular instance of the content.

  54. Re:What about market regulation? by Pofy · · Score: 3, Interesting

    >They want it illegal to copy, illegal to break content protection systems, even
    >illegal to remove or bypass things like region encoding. They want market regulations.

    Yes, lets regulate the work market as well. That way, they can't use manufacturing plants in one "market" to supply another market. They can't press their CDs, say, in Asia and sell them in Europe or USA, that work is region marked to Asia. Want to set up a call centre in India? Sure, but those people's work are area marked for India only, can't circumvent that and have people phoning from USA get help. And so on. SHould work great. After all, why should THEY be able to trade, ship and use workforce freely in the world when normal people and their customers are not!

  55. "You keep saying that word..." by NickFortune · · Score: 1
    I'm all for ownership of intellectual property.

    I'm not. I'm fundamentally against the doctrine that ideas may be subject to ownership.

    I can see the value of copyright, at least if the duration of the legal monopoly is brought back to something sensible. I can see value in a patent system, although not in the systematic abuse of the system, as reported all too frequently on this board. I'm happy with the existence of trade secrets, NDAs and licencing models.

    But none of that adds up to ownership.

    I don't support the concept of intellectual property - and somehow I don't think you do either. For instance:

    However, the movie industry is actively opposed to intellectual property. When you buy a movie from them, they take your money, yet behave as if both the money and the movie are still theirs. You see, they don't believe in property. When you sell a piece of property, you give up any and all claim to the property. The movie industry's idea of a sale is more like an indefinite lease - you get to have a copy of the content for as long as it suits the studio.

    What you seem to be doing here is getting confused between the movie as an absract legal entity (the intellectual properly) and the physical medium which allows you watch the movie on a television set.

    See, the studio here is absolutely asserting it's ownersip of the movie as intellectual property. They are saying "all you buy when you buy a CD is the physical disc. The copyright, and any other legal rights remain ours, thank you very much. And as such, we reserve the right to add additional conditions to your use of this property".

    And, if you uncritically accept the concept of "itellectual property", and all that that implies by analogy with meatspace properties, then you'd have to conceed that they had a point.

    • You can't make a backup copy and aren't supposed to try.
    • You aren't allowed to post clips from the movie for critical review.
    • You can't make backgrounds from screenshots of good scenes.
    • You have to buy the soundtrack separately rather than recording it from the DVD.

    Now what you're objecting to here is the restriction on what's known as "fair use" rights. There's nothing in the concept of intellectual property to support fair use at all. There's quite a bit in copyright law, but that is not the same thing as intellectual property, any more than patents are the same thing as a non-disclosure agreement.

    So, while I agree with your basic point, I don't agree with "intellectual property", and I don't think you do either.

    In the immortal words of Inigo Montoya, "I don't think it means what you think it means".

    --
    Don't let THEM immanentize the Eschaton!
  56. Only On Slashdot (Re:Open letter) by MimsyBoro · · Score: 1

    Only on Slashdot can a comment with the phrase "Eat a dick" be considred (+4) Insightful.

    --
    God made the natural numbers; all else is the work of man - Kronecker
  57. Re:Not disagreeing with you, but books are very si by Pofy · · Score: 2, Insightful

    >You pay for the book, but you don't own it:

    Yes, you own the copy of the book.

    The only restrictions on it is is use in various forms involving making it available for the public. Of course, you can't make NEW copies in several cases either. Ownership has nothing to do with copyright though. It applies equally regardless of if you would own the book or not. That is irellevant.

  58. Illegal? by jesterpilot · · Score: 2, Insightful

    Illegal in the US, that is.

    --
    Trust me, I work for the government.
  59. This has apparent widespread implications. by jskline · · Score: 1

    If this is allowed to stand, it paves the way for tearing down the Sony vs Paramount precident which gave us all the ability to use any tape recorder for recording sounds or video. At some point, it would be illegal to own any cassette recorder, VCR or any digitizing device (aka computer!) as these devices would be simply tied to illegal copying. I swear, I smell the pundgent scent of lawyers nearby causing all this fuss.

    I like the line in Back To The Future Pt. II, "Justice works swiftly now that they've abolished all lawyers"...

    We're getting very close to this happening.

    --
    All content in this message is copyright (c) 2008. All rights reserved. RIAA is prohibited here.
  60. Noise ain't digital or encryption by SpaghettiPattern · · Score: 0

    Noise ain't digital nor a form of encryption. So what's the DMCA to do with this?!

    --

    I hadn't the slightest objection to his spending his time planning massacres for the bourgeoisie... (P.G. Wodehouse)
  61. Macrovision is not copy protection by Anonymous Coward · · Score: 1, Insightful

    I don't see how Macrovision can even be considered copy protection. Videos with Macrovision are defective. If you 'own' a video with Macrovision on it, you probably have a good case for fraud. As other posters have explained, all Macrovision does is destroy the signal to the point at which it is barely playable. Ideally, a Macrovision video will look okay in playback, but it will be so badly degraded it can't be copied. Often though, depending on your equipment, it won't even display adequately for playback. There's nothing really fancy or high tech about it. Macrovision doesn't add noise and then remove it on playback, like some kind of sophisticated watermarking. They actually just destroy the signal of the original.

    Selling videos with Macrovision is like selling books that are so poorly printed that a page can't be photocopied and many users won't be able to read all the text in the original. One key difference is with a book, you could see how badly printed it is and avoid buying it. In contrast, with Macrovision, you don't know until you try to play it - at which point many people mistakenly blamed their equipment.

    All kinds of pro video equipment can repair some of the damage done by Macrovision. This is not equipment designed for removing Macrovision, It's designed for ensuring a high quality signal is maintained throughout the production process. This equipment is comparable to the equipment a print house might have to ensure books are printed with some measure of quality.

    Simply putting your trademark on a common type of analog degradation does not get you a form of copy protection, it simply ensures products are (in)consistently defective.

    1. Re:Macrovision is not copy protection by Anonymous Coward · · Score: 0

      If you 'own' a video with Macrovision on it, you probably have a good case for fraud.

      So sue. Let's see what happens then. Hint: it involves you begging for coins at the corner of the street.

  62. Re:What about market regulation? by ultranova · · Score: 1

    After all, why should THEY be able to trade, ship and use workforce freely in the world when normal people and their customers are not!

    Because they have money and power and the normal people don't.

    --

    Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

  63. Retroactively applying law by shibbie · · Score: 1

    In the UK law cannot be applied retroactively, i.e. if it has been done before (copied and removed by libraries) they cannot apply the something like the DMCA now? Does US law not have something similar?

    1. Re:Retroactively applying law by Mr.+Bad+Example · · Score: 1

      > Does US law not have something similar?

      Theoretically, yes. Article I, section 9 of the U.S. Constitution says:

      No Bill of Attainder or ex post facto Law shall be passed.

      Given the way the government's been treating the Consititution lately, though, I wouldn't hold my breath about this actually being enforced. =P

    2. Re:Retroactively applying law by zmod3m · · Score: 1

      Ex post facto law means that you cannot be convicted of a crime that was committed before the law that made it illegal was passed.

  64. Macrovision by MCBacklash · · Score: 1

    MV doesn't really inject noise so much as supress the video sync pulse. VCRs and DVDRs are made deliberately so that they don't pick up a weak sync pulse when recording. I think the DVDRs will outright refuse to record such a signal. They'll digest a weak sync pulse just fine during playback, however.

  65. It's the law by Overzeetop · · Score: 1

    Consumer electronics is required, by law, to respect Macrovision(R) protection, and is so specific that Macrovision(R) is actually part of the language of the law. I can't remember or cite it, but I was floored to find that they (Macrovision(R)) had managed to codify their protection by name. I want their lobbiests next time I need something done in congress.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  66. Re:Please recall that you don't really own anythin by Anon-Admin · · Score: 1

    Buy a house? What is it that you pay each and every year in order to live in that house? Property taxes.

    Property taxes (certainly over here UK) pay for police, fire, ambulance, street sweepers, rubbish collection etc. OK, some pocket lining, I agree, but think what your neighborhood would be like without any of the above...


    In the US each state is different. In the state that I live in, I pay 2.5% per 100$ valuation of the the property. It should be noted that the state constitution limits them to 1.5% per 100$ valuation. They just do not think it is enough so they ignore the constitutional restriction. They have been sued over it and lost the case. The courts ordered them to reduce the amount. They just continue to ignore the constitutional and the court order. The state decides the value of the property. Which I see as a conflict of interest. It pays only for public schools. (For me, somewhere in the range of $10,000 each year)

    There is a 1.75% sales tax that pays for city services such as fire and street sweeping.

    There is a 6.25% sales tax that goes to the state; I am not sure what that is for.

    There is a .25% sales tax that is given to the local major league baseball team to pay for there stadium. Why am I paying for it, when they make millions off of it?

    There is a loto that has generated 9Bil for the state. This was suposed to go to the schools and reduce the property tax. Instead it goes into the general accounting fund and is used for, well I am not sure what it is used for.

    Police make there money by writing tickets, this may change as one town of 7,000 people made the news. They had over 10mil in outstanding tickets for the last year. All written to people outside the city.

    The city charges 64$ a month for rubbish collection. If you do not pay for it you can not use the dump, and they will ticket you for excess garbage on your property. The will also give you environmental tickets if you try to burry it or burn it. Those are city code tickets, fail to pay them and they take your property.

    You have to be licensed to drive the vehicle, great (50$ every 3 years). Then you have to license the vehicle at a cost of close to 95$ per year. Then there is inspection of the vehicle, costs around 85$ a year.

    This is just on the state and local level; don't even get me started on the federal level!

    So in some ways the original poster is right. I really do not own any of it. The state can take it back when they decide and I am forced to pay for stuff that I may or may not use. Fail to pay and they will take your house, car, etc.

    As to the vehicle, I have a title on it. If I own it and can use it any way I want on my own property, why do I have to transfer the title to the state I am living in? If I move I have to transfer the title to the new state.

    Just something to think about.

  67. yep, so Macrovision didn't cause tearing... by YesIAmAScript · · Score: 1

    Macrovision would cause copies to exhibit a pulsing fade out. That is, on a copy the image would go from fully there to very dim (often colorless) and noisy, then fade back in.

    This is because when the AGC is fooled into thinking the signal is stronger than it is, it attenuates the actual signal during recording, so it fades out.

    Macrovision also has another protection that is used only on DVDs. This encoding puts an error in the color burst on each line. This encoding cannot be used on videotape, as VCRs cannot reproduce it. On DVDs, the framing portions of the video signal are created "on-the-fly", not just replayed from a recording and thus these errors can be put in.

    Macrovision on DVDs is optional, the publisher of the DVD has to pay Macrovision a per-copy fee to activate it. Since all copying of DVDs now is done digitally at high speed instead of by recording the analog output of the DVD player, the value of Macrovision protection to the publisher is questionable. So many DVDs are now released without this protection.

    The sync supression system described is the system that was used on cable (HBO) in the early analog days. It was used on some video recordings, but it caused compatibility problems and was not very effective at preventing copies, as it would require multiple generational copies before the desired reduction in video quality and stability really took effect.

    --
    http://lkml.org/lkml/2005/8/20/95
  68. "Effectively controls access" by Sloppy · · Score: 1
    1201(a)(2)(B):
    a technological measure "effectively controls access to a work" if the measure, in the ordinary course of its operation, requires the application of information, or a process or a treatment, with the authority of the copyright owner, to gain access to the work.

    Macrovision's argument (and judges who agree with it) in this case is truly repugnant. Macrovision's "technical measure" should not be judged as "effectively controlling access" to the content, because it just doesn't do that. All it does is subtlely interfere with some equipment's ability to make a good-looking copy.

    It would be one thing if the digital devices that Macrovision objects, went to extra trouble to get around their "protection" system. Then they might be able to credibly claim that their technical measure is being bypassed. But they're saying that these devices should go to extra trouble to detect Macrovision's stupid system, and then behave differently. That's ridiculous. If the default, easiest way to access content is to not even notice that it's "protected", then the technical measure should not be judged as "effectively controlling access."

    Shame on any judge that plays along with this bullshit. They're either bought or stupid. There is no way anyone can accept this crap and still come out looking wise and honorable. This makes Kaplan's ridiculous DeCSS decision look uncorrupt by comparison.

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  69. Time for legal ter'rism? by Jesus_666 · · Score: 1

    Someone should develop a copy protection system that is defeated by the hardware error correction of as many next-gen game consoles as possible while stil falling unter the DMCA - if one does not even need a liberal interpretation of the DMCA, so much the better. Then sue Sony to stop rolling out the Playstation 3 in its current form as it infringes on the DMCA (with the right timing that'd mean delaying the release of the console for a couple months while Sony has to redesign at least the Blu-Ray drive and/or wage a lengthy legal fight). If the copy protection system is protected even under a very narrow interpretation of the DMCA (and the plaintiff has deep enough pockets) Sony might be very interested in settling outside of court as well as calling up the senators on their payroll to order a revision of the DMCA.
    The same could be done with Microsoft, but they don't have as much to lose when their next-gen console runs into trouble (as they already made money off it) - of course, nailing Microsoft as well as Sony might be a good idea if your pockets are infinitely deep.

    The general concept is to abuse the DMCA to create the threat of damages in the ten-figure range to those companies who both love it and have the means of buying a revised version.

    OTOH, they could buy a revised version that effectively excludes non-megacorps from using it...

    --
    USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
  70. Re:Lumped? Well... by Jesus_666 · · Score: 1

    The point is that the U.S. government is increasingly concerned with regulating its constituency while relaxing regulation on corporations. The market is increasingly free for large corporations--which I'm willing to accept as a possibly good direction!--but decreasingly free for consumers and new business models. The imbalance is unacceptable if not outright dangerous.

    You know, we're getting to a point where some parts of the Shadowrun background story appear less as Cyberpunk fiction than realistic predictions of the future...

    --
    USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
  71. Come ON now by /dev/trash · · Score: 1

    lack of space is no excuse. None. Get a damned bigger house or quit stealing from Britney Spears.

    1. Re:Come ON now by kwark · · Score: 1

      Yeah, due to all that stealing she had to trade in her Gulfstream IV for a III, its DVD player doesn't even have a remote controll. The poor child.

  72. Macrovision can be disabled as a consequence of... by Anonymous Coward · · Score: 0

    Not all products are sensitive to the macrovision corruption of video signal. Macrovision relied on the slow response of the VCRs AGC. I don't see why anyone would mandate that things like video timebase stabalisation, and high speed AGC be banned, just because it disables the shoddy copy protection scheme of the Criminal Media Monopoly Mafia.
    Macrovision are scum. They charge ridiculous amounts for their inferior FlexLM, which I unfortunately have experience in implementing for my employer. If really poses very little difficulty to remove (just about every product with FlexLM has been cracked), and in my opinion, it is not worth the amazingly high price tag for each platform. Someone should clone at least the client libraries, if only just to take some of the revenue away from these parasites.

  73. What does DMCA stand for??? by Oryn · · Score: 1

    I cant see how the court hasn't thrown this out.
    Macrovision is an ANALOG system that puts slowly verying square pulses in the blanking region of an ANALOG video signal, quite how this relates to the DIGITAL Millennium Copyright Act I don't know.
    Macrovision was developed well before the millennium and its not digital in any way shape or form.

    My panasonic dvd player / recorder even outputs this on the progressive YUV output, this upsets my flatpanel display, I have to revert to the interlaced S-video connection.

    I since discovered its alot easyer to just run xine on the linux pc I have connected to it.
    One day I might cobble together a few 556 timers and a 4066 switch to just chop out the macrovision.

  74. Close, let me fix it for you. by gd2shoe · · Score: 1
    20 years from now, when DVD's are obsolete and players hard to find, they will become angry with Hollywood for preventing them from legally preserving their investment in movies. They're going to find that they will have to either re-buy their collections, some of which won't be available, or simply take a loss.

    No they wont. They will simply, blindly mourn the market shift. This is underway with VHS right now. Do you see the market angry right now? No. I have heard a few friends lament over a movie or two, but that's penuts compared to the number of movies not produced for DVD. The only movies that I know had a strong market demand to release a DVD version were the Star Wars movies. Aside from blockbusters, there will be miniscule demand. Where there are individuals missing movies, most of them will be sad, and not angry. This may be a sad state of affairs, but it's true. I have seen it.
    --
    I won't join Slashcott. OTOH, If Beta goes live, I just won't be back until it's fixed. Sorry Dice.
  75. Re:What about market regulation? by dangitman · · Score: 1
    I think AT&T, Comcast, and the rest of the telcos are perfectly capable of hiring a PR firm and buying some TV time. Nothing about that implies the involvement of the MPAA.

    And you don't think that part of the reason for doing this is scoring points with the MPAA, so they can make a deal for future services?

    --
    ... and then they built the supercollider.
  76. I do this, too. Why not? by pestie · · Score: 1

    I live in Florida. We have one Democratic senator and one Republican. When I write to them (and I do) to bitch about some issue, you can bet I frame my arguments very differently, depending on their political affiliation. It makes me feel a little dirty, but it's more likely to be effective.

  77. Filtering noise from analog input by mr3038 · · Score: 1

    The noise that the Macrovision system adds to normal analog is just noise that shouldn't be in the signal by the spec. The vertical and horizontal blanking space should be zeroed (practically grounded for analog signal). A signal with the noise by Macrovision has additional crap on those parts of the signal. The resulting signal isn't up to the original spec and that's is the reason it cannot be successfully recoded by some devices. If you use a device that is known to fix this kind of problems from the signal (i.e. a device that can fix a corrupted, against the spec signal, etc.) you now break the law?

    Perhaps they should ban all the other systems that fix or improve analog signals, too? Pretty much all CLD and plasma displays do this already because they, too, are digital and wouldn't be able to display the "correct" signal without removing the noice by Macrovision from the signal. The only real difference is that the device made by Sima is external to the display device.

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  78. DMCA on Analog? by nurb432 · · Score: 1

    Wait a minute here.. Isnt the DMCA geared towards *Digital* media, and arent we talking about analog content in the suit? ( no i didnt read it.. cant get there from here ).

    Aside from that, why is anyone suprised? If their products can be negated so easy ( legally ), it will hurt their business.. Of course they are going to sue.

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  79. time to go by Anonymous Coward · · Score: 0

    macrovision is an old dinosaur that hasnt evolved, its time for it to die