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The Day Against DRM

Qubit writes, "DefectiveByDesign.org, a campaign by the Free Software Foundation, is making Oct 3rd a Day Against DRM: 'Defeating DRM is all about awareness. The direct actions that we have taken are all about this. Today we are asking you to let the people around you know that DRM is bad for our society. Let's create space for the debate. Do we want handcuffs and locks on art and knowledge? As our friends at Disney recognize, if there is this debate, we will have won.'" Bayboy adds an article from eWeek mentioning that members of DefectiveByDesign.org are going to descend on flagship Apple stores in New York and London to protest the company's embrace of DRM. And Another AC writes, "In honor of the Day Against DRM, DreamHost has released a new service called Files Forever (for Dreamhost customers only during beta) This seems to be basically an iTunes Music Store that anybody can sell any sort of files through... as long as they have no DRM. Dreamhost handles all the payment processing and stores the file forever, offering unlimited re-downloads to end users who buy files through the service. When somebody buys a file they're even allowed to 'loan' it to others for free!"

320 comments

  1. pr0n by User+956 · · Score: 4, Funny

    Let's create space for the debate. Do we want handcuffs and locks on art and knowledge?

    As a master debater, I can say that I do enjoy handcuffs and locks on at least *some* of the art. That is, if you call pr0n "art".

    --
    The theory of relativity doesn't work right in Arkansas.
    1. Re:pr0n by The+Real+Toad+King · · Score: 4, Funny

      If you are suggesting that porn should be illegal, then I assure you at least 50% of all web users will become criminals, if they weren't already. Probably even you. Yes you, the person reading this.

    2. Re:pr0n by kfg · · Score: 1

      That is, if you call pr0n "art".

      That depends a good deal on what you call prOn.

      KFG

    3. Re:pr0n by Anonymous Coward · · Score: 0

      If you are suggesting that porn should be illegal, then I assure you at least 50% of all web users will become criminals, if they weren't already. Probably even you. Yes you, the person reading this.

      It's pretty obvious that he meant something else. Begins with a 'b'...

    4. Re:pr0n by Tackhead · · Score: 1
      > > That is, if you call pr0n "art".
      >
      >That depends a good deal on what you call prOn.

      I may not know art when I see it, but I know what I like!

    5. Re:pr0n by fahrbot-bot · · Score: 5, Funny
      If you are suggesting that porn should be illegal, then I assure you at least 50% of all web users will become criminals...

      To (probably mis-) quote Dr. Cox (Scrubs), "If you got rid of all the porn on the Internet, there'd probably only be one site left and I'm pretty sure it would be called 'Bring back the porn'".

      --
      It must have been something you assimilated. . . .
    6. Re:pr0n by danielaborg · · Score: 1

      Yes, but what do brownies have to do with DRM and pr0n?

    7. Re:pr0n by kfg · · Score: 1

      I may not know art when I see it, but I know what I like!

      I have a certain fondness for Varga(s) and Cartagena myself, although Cartagena rather overdoes the supernaturally long legs. . .in my humble opinion, of course.

      KFG

    8. Re:pr0n by Arcane_Rhino · · Score: 1
      To (probably mis-) quote Dr. Cox...

      No. That is a pretty close quote. And, it is right in line with my belief that the estimated claim of 50% is a tad low.

    9. Re:pr0n by fahrbot-bot · · Score: 2, Funny
      No. That is a pretty close quote.

      Thanks, but I kicked myself after hitting "Submit" as I forgot the best part of any Dr. Cox quote: "Look Newbie..."

      --
      It must have been something you assimilated. . . .
    10. Re:pr0n by ESqVIP · · Score: 0
      As a master debater,

      I think you mispelled "masturbator".

    11. Re:pr0n by KinkyClown · · Score: 1

      I though I just read "As a masturbator, I can say...", this would clarify your statement :D

    12. Re:pr0n by antoinjapan · · Score: 1

      >>>Let's create space for the debate. Do we want handcuffs and locks on art and knowledge?

          >>As a master debater, I can say that I do enjoy handcuffs and locks on at least *some* of the art. That is, if you call pr0n "art".

      You're such a cunning linguist.

  2. Very useful... by Anonymous Coward · · Score: 2, Insightful

    Wish I had known about it before today....

    1. Re:Very useful... by Lukano · · Score: 1

      If you're referring to the DreamHost 'Files Forever' service, as far as I'm aware it was just launched today.

      Over the span of the day today, they have completely revamped their site, added new services, and bolstered existing plans (birthday celebration).

      The service itself (Files Forever) looks to be a VERY interesting service, which if it works as planned - is bound to garner a lot of interest and hopefully popularity.

      As you can tell from my sig, I'm a big fan of DreamHost. This is just one of many things that they've done to prove to me that they're worth working with. Just remember, shared hosting is not the same thing as dedicated hosting - but they do offer both.

    2. Re:Very useful... by larry+bagina · · Score: 1

      if they were worth working with, they'd support postgresql.

      --
      Do you even lift?

      These aren't the 'roids you're looking for.

    3. Re:Very useful... by Ant+P. · · Score: 1

      How exactly do they fund all this stuff? It can't be coming from hosting fees alone.

    4. Re:Very useful... by jZnat · · Score: 1

      Shared hosting probably.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
  3. october 3rd by kswtch · · Score: 2, Informative

    tag der deutschen einheit and day against drm. hmm...

  4. Great... by CrackedButter · · Score: 5, Insightful

    ...but thanks for telling me at 22:22 hours. An hour and 38 minutes before its the 4th of October!

    1. Re:Great... by kfg · · Score: 1

      Build a better mouse trap and the world will beat a path to . . .the door of guy who marketed first.

      KFG

    2. Re:Great... by piratePenguin · · Score: 0

      Get busy! Gotta save the world ;)

    3. Re:Great... by GC · · Score: 1

      Quite.

      If you're going to have a campaign day for something, don't announce it 30 minutes before the end of the day (I'm one hour ahead of the Parent Poster).

    4. Re:Great... by CrackedButter · · Score: 1

      Why are they laughing?

    5. Re:Great... by Plutonite · · Score: 1

      Don't worry, you can still spend the rest of the day on thepiratebay.org or similar fun places.

      P.S:
      I don't want to confuse piracy advocates with stop-being-screwed-by-DRM advocates, but there are times where we must team up for the general public good. I don't fancy red meat that much, but I eat it alot just to piss off PETA. This is the same kind of situation, matey! Arrrrrrrgh!

    6. Re:Great... by CODiNE · · Score: 1

      Dude it's no problem, you just fly over here to Portland where it's only 3pm! See, plenty of time to go visit the local Apple store today.

      --
      Cwm, fjord-bank glyphs vext quiz
    7. Re:Great... by wsand70 · · Score: 2, Funny

      As a LUG contact person I got a kit this weekend from FSF that has two bundles of stickes and info on this project. Too bad our next LUG meeting is three weeks away. So my contribution was to have my 5 year old son wear a big sticker on the back and a little one of the front. Then I trained him to inform ppl what DRM was an acronym for if they asked.

    8. Re:Great... by CrackedButter · · Score: 1

      You paying the airfare?

    9. Re:Great... by westlake · · Score: 1
      Great..but thanks for telling me at 22:22 hours. An hour and 38 minutes before its the 4th of October

      In rough order these were the stories making news in the states on October 3d:

      The Amish school murders in Pennsylvania.
      Release of the killer's last-minute shopping list of items to be purchased for the rape and torture of the girls.

      The Republican House leadership in crisis over its failure to investigate Rep. Foley.
      The Washington Times calling for Speaker Hastert's resignation. This is on the same order as New Hampshire's ultra-conservative Manchester Guardian coming out in support of Mrs. Clinton in 2008.

      The White House still thrown badly off message by Bob Woodward's "State of Denial."
      Next in line to make headlines, the new biography of Colin Powell.

      There are two things to be said about the Geek in politics:
      His timing is eminently lousy. He doesn't connect intellectually or emotionally with the masees who simply load the disk and watch the movie. Subscribe to XM or Sirius or Live365. The beginning and the end of their experience with DRM.

    10. Re:Great... by Anonymous Coward · · Score: 0

      [Score: -1 (Troll, Flamebait, Thoughtcrime)]
      I don't want to confuse piracy advocates with stop-being-screwed-by-DRM advocates
      They're the same thing. If you're against DRM, you're for software piracy. After all, DRM helps protect you against your music leaking out. And within 10 years, we'll have it set up so that you can't even remember you listened to the song without paying us! muahahhahhhahah! We, the RIAA, will make Osama Bin Ladin look like the neighborhood gnome compared to us!
      [/troll]

  5. Too late. by PhakeDC · · Score: 2, Informative

    It's already October 4th in my time zone. See ya next year then, that is if DRM won't already have become a de facto with Vista, the PS3 and God knows what else.

    1. Re:Too late. by dotgain · · Score: 2, Funny
      See ya next year then, that is if DRM won't already have become a de facto with Vista, the PS3 and God knows what else.

      Aren't you going to at least pop in for the April 2 jokes?

  6. Why Apple? by Bones3D_mac · · Score: 4, Insightful

    It seems kind of weird that they'd target Apple, especially when there are far worse companies out there with much more draconian DRM policies they could make an example of. (Sony, anyone?)

    My guess, it's all about location and convenience, rather than actually going after some of the really bad DRM offenders. Apple just happens to be the one unfortunate enough to have stores that are visually appealing and easily recognizable to consumers.

    The intentions here may be good, but the execution is nearly at hypocritical levels.

    --


    8==8 Bones 8==8
    1. Re:Why Apple? by Anonymous+Meoward · · Score: 0

      Agreed. Apple is an offender, but not the worst offender by a long shot.

      Arguably, their use of DRM was to placate the RIAA enough to allow iTMS to happen. Compare and contrast with Microsoft and Sony.

      Oh well. Nice idea, dumb execution.

      --
      --- The American Way of Life is not a birthright. Hell, it's not even sustainable.
    2. Re:Why Apple? by Urza9814 · · Score: 5, Insightful

      The point here is not to punish the offenders, but to make the public aware of the offense. They pick apple because everyone knows about iTunes and the iPod and all things apple. If they had gone after, say, Microsoft for DRM on the Zune or something, people would say 'thank god I have an iPod and don't have to worry about that crap'.

    3. Re:Why Apple? by Anonymous Coward · · Score: 0

      Well, of course! You don't think McDonalds' food is less healthy than any of the other burger chains' (Actually compared to Burger King or Wendy's, it's practically health food!) or that Nike treats its subcontracted workers worse than any other shoe maker does, do you?

    4. Re:Why Apple? by Anonymous Coward · · Score: 2, Insightful

      I can see why they'd pick Apple's DRM. With the millions of people that have bought stuff from iTunes they are probably one of the largest amount of people encumbered by the same DRM. Most people don't consider their DVDs as encumbered by DRM because the vast majority of people expect to play their DVDs on a DVD player. MP3s on the other hand have been advertised as 'portable' at nearly every step of the way--from smaller, more 'portable' file size to all the different 'portable' players for them.

      I honestly don't think that DRM will make mainstream dissatisfaction with people until a true "ipod killer" come out and suddenly Aunt Susie gets mad and feels 'ripped off' that her Apple DRMd music won't play on her non-ipod.

    5. Re:Why Apple? by maxume · · Score: 2, Insightful

      It's only hypocritical if you think that 'a little DRM' is better than 'a lot of DRM'. There are plenty of people who think that *any* drm should be avoided.

      --
      Nerd rage is the funniest rage.
    6. Re:Why Apple? by Grishnakh · · Score: 2, Informative

      It seems kind of weird that they'd target Apple, especially when there are far worse companies out there with much more draconian DRM policies they could make an example of. (Sony, anyone?)

      There's a very good reason for this.

      How many people own iPods? How many people have used the iTunes music store? Lots. Even people who don't have iPods know what they are, and lots are probably planning to buy one.

      Now, how many people have Sony music players with Sony's DRM? Anyone? Anyone? Offhand, I couldn't even tell you if Sony has any MP3 players, let alone what kinds they have or what they're called. And I've been looking into buying an MP3 player recently, so it's not like I'm blissfully unaware. No one cares about Sony any more. Sure, their DRM may be "worse" than Apple's, but it doesn't matter because they're so unimportant.

      DFD demonstrating against Sony would be like someone demonstrating against Peugot in the US because they think their cars are bad for some reason. No one here would care, because no one buys those cars here.

    7. Re:Why Apple? by Firehed · · Score: 2, Insightful

      It works too. I brought an "Eliminate DRM" sign with me to classes today, and most people hadn't even heard of DRM, much less know what it is. So now we've got fifty or so more people that are enlightened, and one asked if I had any extra signs so she could have one too (printing error in her favor, collect one sheet of propoganda!), not including anyone who read the signs I tacked up in the dorm hall message board.

      As someone at one of the big companies (Universal?) said, "once consumers know about DRM, we fail" (or something like that). The only reason there isn't outrage at iTunes is that it's pretty transparent unless you're trying to convert away from iPods. Unlike a great number of the other stores out there, especially pre-PlaysForSure. My dad bought a track, it wouldn't work, spent all of $0 more there. If that had ever been the case with iTunes, Apple certainly wouldn't have the same market share (and, more likely than not, the media companies would have just given it up). Now that it's effectively little more than vendor lock-in, most people are pretty much screwed no matter what.

      --
      How are sites slashdotted when nobody reads TFAs?
    8. Re:Why Apple? by dangitman · · Score: 1
      So, the effect will be:

      People see Apple being protested because of nasty DRM. So they think "Hmmm, I shouldn't buy an iPod. I'll buy something else." So, they go and buy a Sony player, or a Microsoft player with even worse DRM. Net result: more DRM-based units are sold. Great strategy!

      How many portable MP3 players don't have some sort of DRM support? I doubt that people are going to go out of their way to find one. They'll just buy something other than Apple, thinking it has no DRM, because that's an "iPod thing."

      --
      ... and then they built the supercollider.
    9. Re:Why Apple? by belvis · · Score: 1

      Instead, you're suggesting the equivalent of protesting Ford because of something Peugot does really badly. Nice.

    10. Re:Why Apple? by falcon5768 · · Score: 1
      Havent you taken a minute to think that maybe people are using iTunes and Apple products BECAUSE of the fact they are the least offensive (and most easily avoided) DRM systems out there. That they treat you like a human and not a thief?

      The problem here is NOT the sellers, they are only doing it because the content PROVIDERS refuse to let them without DRM. Maybe all this effort SHOULD go to Sony, and Columbia, and every other RIAA members out there... and not Apple and Microsoft.

      You know just a thought that maybe you guys can use your brains instead of acting like the idiotic mob people so often are no matter what they protest.

      --

      "Slashdot, where telling the truth is overrated but lying is insightful."

    11. Re:Why Apple? by Anonymous Coward · · Score: 0

      because apple is the biggest distrubuter in drm infected music.

    12. Re:Why Apple? by Bones3D_mac · · Score: 3, Insightful

      The point here is not to punish the offenders, but to make the public aware of the offense. They pick apple because everyone knows about iTunes and the iPod and all things apple. If they had gone after, say, Microsoft for DRM on the Zune or something, people would say 'thank god I have an iPod and don't have to worry about that crap'.

      Interesting counter-argument, but in doing so, they are implying that the worst offender is also the most popular one. So, while public is busy watching these guys go after Apple, who's watching what's going on with Microsoft or Sony? Anything that takes the spotlight away from the really bad offenders only helps them accomplish their goals more covertly.

      By making Apple the sole poster-boy of DRM, the "Day against DRM" is not really changing anything. People everywhere are still going to buy their DRM infected media from other sources without another thought. And come November 17th, people will still line the streets for the Sony PS3, blissfully unaware of the DRM nastiness hidden inside, just as long as they get their instant gratification out of the brief "cool factor" period.

      --


      8==8 Bones 8==8
    13. Re:Why Apple? by Urza9814 · · Score: 1

      Ah, but how do we define the worst offender? Who commits the greater crime, the man who steals $20 from 10 people, or the man who steals $100 from one person? All depends on your perspective, really.

    14. Re:Why Apple? by openright · · Score: 1, Interesting

      The point is getting people to buy non-DRM formats.

      Apple plays A?-DRM, AAC, and MP3.
      Sony plays S?-DRM and MP3.
      MS plays M?-DRM, WMA and MP3.
      Creative plays MP3 and OGG and FLAC.
      Samsung plays WMA, MP3 and OGG.

      The point to get accross is that if you buy ??-DRM, it is likely to be obsolete as by its nature it is non-standard, hidden format.

      Sure its best not to get one with DRM, to avoid paying for an unwanted feature, but if you only use "standard/portable" formats, that ok too.

    15. Re:Why Apple? by GigsVT · · Score: 1

      If Ford was doing something that was only a slightly less repugnant version of what Peugot was doing, sure.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    16. Re:Why Apple? by heinousjay · · Score: 0, Troll

      There are plenty of people who think that *any* drm should be avoided.

      Yeah, but all 10 of them spent the day harrassing people who couldn't care less.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    17. Re:Why Apple? by stuuf · · Score: 1

      No, I think the idea is that after this they will have more knowledge about DRM than they had before (that is, more than none), so when they buy another player, and, more importantly, buy music for it, they will do more research and stay away from DRMed content.

      --

      Everyone is born right-handed; only the greatest overcome it

    18. Re:Why Apple? by David+Gould · · Score: 1
      maybe people are using iTunes and Apple products BECAUSE of the fact they are the least offensive (and most easily avoided) DRM systems out there.
      I guess the anti-DRM-purist's position is that this reasoning is very dangerous, because it legitimizes the concept of DRM, as long as it's "inoffensive". But saying that we only object to DRM when the restrictions are overly inconvenient is to say that a DRM scheme would be perfectly okay if only it could be made to work perfectly (i.e., to block piracy without blocking any ligitimate uses). But the reason for objecting to DRM is not because existing implementations are too annoying (which would reduce the issue to the technical problem of creating a "perfect" implementation) -- it's because the very concept is inherently disrespectful of our rights.

      That they treat you like a human and not a thief?
      NO! (the purist in me continues) They're still treating you like a thief, by having any DRM at all; they're just being more subtle about it. If anything, these are the ones that most need to be protested, lest they fool you into thinking otherwise.
      --
      David Gould
      main(i){putchar(340056100>>(i-1)*5&31|!!(i<6)<< 6)&&main(++i);}
    19. Re:Why Apple? by heinousjay · · Score: 1

      Purity is for bath soap and nuns.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    20. Re:Why Apple? by mikek3332002 · · Score: 1

      Sony has MP3 players??? Here I though they had their own version of the same music.

    21. Re:Why Apple? by IDontAgreeWithYou · · Score: 1
      ...most people hadn't even heard of DRM

      Almost sounds like it doesn't really affect people all that much.

      --
      Finding other idiots on /. that agree with your opinion doesn't make it any less stupid.
    22. Re:Why Apple? by autophile · · Score: 1
      It seems kind of weird that they'd target Apple, especially when there are far worse companies out there with much more draconian DRM policies they could make an example of. (Sony, anyone?)

      That's because the Sony Store is online, and it would be kinda ineffective to set up a computer, go to the Sony Store, and demonstrate at the screen.

      --Rob

      --
      Towards the Singularity.
    23. Re:Why Apple? by delinear · · Score: 1

      If the net effect is only that Apple think to themselves, hmm, DRM is costing us sales, and ditch it... would that be a bad thing?

    24. Re:Why Apple? by Firehed · · Score: 1

      Come back with that arguement when Amazon's UnBox falls through and you can't watch your purchased content anymore because it can't authenticate your license. Or your massive library of paid music can't be deauthorized and reauthorized on a different machine because iTunes wasn't immortal. It's preventative measures above all else, because we don't want to risk our paid media becoming useless in time (especially when both legal and illegal ripping [vs paid downloads] won't potentially have this issue).

      --
      How are sites slashdotted when nobody reads TFAs?
    25. Re:Why Apple? by tomservo84 · · Score: 1

      Let me preface this by saying I am 100% against DRM.

      Please explain the "horribleness" of the DRM on the Playstation 3? I don't see why DRM implemented on a closed system matters? You put a game disc in, it plays. BFD.

      I must be missing something, here.

      --
      Agile Spaceport - You will never find a more wretched hive of scrum and villainy. We must be cautious.
    26. Re:Why Apple? by dangitman · · Score: 1
      The point to get accross is that if you buy ??-DRM, it is likely to be obsolete as by its nature it is non-standard, hidden format.

      Then it's very strange to target Apple, because they allow burning to standard Audio CD, while most of the other DRM vendors do not. So the idea that you will lose your entire music collection or be locked into one player is inaccurate.

      Sure its best not to get one with DRM, to avoid paying for an unwanted feature, but if you only use "standard/portable" formats, that ok too.

      That may be your opinion, but I doubt that's how the "Defective by Design" people feel. Otherwise, why would they target the iPod? They feel that anything with DRM capability is tainted.

      --
      ... and then they built the supercollider.
    27. Re:Why Apple? by RockModeNick · · Score: 1

      What if you fark up that disk? You have to buy a new one, they aren't going to mail you a new one if you send them the borked disk, and even so that would take time you might not want to waste. You use a COPY of the disk, and secure the original media, and even if the one you are using gets borked up, you make another and go.

  7. The only way is through economics. by purpledinoz · · Score: 4, Insightful

    People aren't going to care until it starts costing them money. Take iTunes for example. Right now, they have DRM that's loose enough that most people won't care that their songs are DRM'ed. People who buy iTunes songs will probably buy another iPod when their old one breaks, so they won't run into a DRM problem.

    There is a very good possibility that in the near future, people will start changing their music players, like the new MS Zune. When this happens on a mass scale, and people have to re-buy their music, there will be a huge number of pissed off people, and people will finally realize why DRM is bad. Until something threatens people's wallets, no one's going to care.

    1. Re:The only way is through economics. by TubeSteak · · Score: 1
      People aren't going to care until it starts costing them money.
      Do people still go into Apple stores and copy programs off the Macs and onto their thumbdrives/iPods?
      --
      [Fuck Beta]
      o0t!
    2. Re:The only way is through economics. by untouchableForce · · Score: 2, Funny

      "There is a very good possibility that in the near future, people will start changing their music players, like the new MS Zune." I'll caution against this line of thinking, in order for that to prove your point people will actually have to buy the Zune.

      --
      Moderation is not supposed to be used as an indicator of agreement.
    3. Re:The only way is through economics. by purpledinoz · · Score: 1

      To tell you the truth, I have no idea what you're talking about. You can go into Apple stores and copy programs off their computers? I never thought of doing that, that's pretty funny.

      What I'm saying is that people are used to buying CDs once, and using it in whatever way they like. With CD's, you don't re-buy the music, unless you're being careless and damage the CD. When they realize the artificial restrictions on DRM'ed files, I would hope that people will get angry and just stop buying DRM'ed products.

    4. Re:The only way is through economics. by Anonymous Coward · · Score: 3, Insightful


      > When this happens on a mass scale, and people have to re-buy their music, there will be a huge number of pissed off people, and people will finally realize why DRM is bad.

      Excellent point.

      Ideally, then, we would end up with dozens of incompatible DRM schemes in the marketplace, overwhelming the public with obstacles and confusion.

      Thus, each time a new and incompatible DRM scheme is introduced, it will help to cause the collapse of all of them.

      Here's a case where the failure of the industry to converge on standards could actually help us.

    5. Re:The only way is through economics. by purpledinoz · · Score: 1

      I used Zune as an example of a product that might compete well against the iPod. So far, iPods have weak competition. But it's guaranteed that in the future, there will be other products that compete well against the iPod, and will most likely not play the DRM'ed content.

    6. Re:The only way is through economics. by lakeland · · Score: 1

      Yep, they still do that.

      I don't think the stores care that much - pirates will get their illegal software through bittorrent just as easily as via an apple store. The stores are there to help the customers, not the pirates.

    7. Re:The only way is through economics. by nine-times · · Score: 1

      You know, this is part of the reason I like iTMS. I've always said that iTMS is a good stepping-stone towards getting rid of DRM and the big media cartels.

      The reason I say this is, the DRM is loose enough that people will buy it. Online distribution grows, and people get to be unaccustomed to the idea of movies and music being stuck on physical media. This loosens the grip of the RIAA/MPAA as their distribution channels become more or less obsolete.

      Then, someday, someone comes out with a better store than iTMS or a better device than the iPod. No matter how much a fan of these things you are, these things are going to one day be obsolete, replaced by something else from either Apple or someone else. Or maybe there will be another service altogether that compliments these things-- but how it happens is not the point. The point is that someday, there will be massive numbers of people with large iTMS libraries that want to do something with their libraries that the DRM doesn't allow. There will be a big stink, and public pressure will mount.

      So I predict that, whether it's by a gradual process of loosening DRM or by an immediate halt, DRM will go obsolete because of large numbers of people who find it unacceptable. However, in order to get to that point, you first need three things to happen:

      • physical media to become rare enough that people don't think of a song as a physical item that has meaningful replacement costs
      • large numbers of people who are going to find themselves restricted by a given DRM scheme
      • a new technological or cultural development that causes that DRM restriction to become extremely irritating to that large number of people.
    8. Re:The only way is through economics. by untouchableForce · · Score: 1

      I was actually just failing at being funny ;)

      --
      Moderation is not supposed to be used as an indicator of agreement.
    9. Re:The only way is through economics. by Blakey+Rat · · Score: 1

      That's how I got Quicktime 2.0 when I was a kid before we had Internet access. I really wanted to hear the music in Marathon... those were the days. (Of course, we didn't have thumb drives, just plain ol' floppies.)

    10. Re:The only way is through economics. by Anonymous Coward · · Score: 0

      You don't really have to "install" or "uninstall" a program onto/from a Mac.

      If you delete the program folder, you've deleted the program.

      If you copy the program folder, you have the program.
      All that is left is to find the username/serial number to register the program

      The Captcha for this post was "informed"

    11. Re:The only way is through economics. by belvis · · Score: 1

      Yeah! Just like how when a lot of software was written for Windows, and eventually people wanted to switch to the Mac, they were forced to rebuy all their software, and everyone got super pissed off at Microsoft, and there was huge public outcry and Microsoft was subject to huge boycotts and finally went out of business. Oh, wait. That didn't happen. And it's not going to happen with music players either. People generally don't switch.

    12. Re:The only way is through economics. by stuuf · · Score: 1

      I at least expected them to have some kind of copy protect feature for some applications. Even Palm Pilots do that (although there is readily available third party software that lets you toggle the copy protect bit at will).

      --

      Everyone is born right-handed; only the greatest overcome it

  8. What?! by CaffeineAddict2001 · · Score: 0, Redundant
    "DreamHost has released a new service called Files Forever (for Dreamhost customers only during beta) This seems to be basically an iTunes Music Store that anybody can sell any sort of files through... as long as they have no DRM."


    .. and explain to me why I would buy anything from this store rather than just download it from somebody else for free?
    1. Re:What?! by Lukano · · Score: 2, Interesting

      The service can be used to offer files, in a permanently available format, for free as well. You do not need to charge-to-download if you so choose.

    2. Re:What?! by Rude+Turnip · · Score: 2, Insightful

      A basic sense of good will towards your fellow man, perhaps, since the files would be offered by the creators and not an Evil Distribution Company (tm). It's nice to be paid for one's time, especially if the intent of the creation was for commercial purposes anyway.

    3. Re:What?! by danielaborg · · Score: 1

      To support the content creator?

    4. Re:What?! by cliffski · · Score: 2, Insightful

      because you realise that a lot of effort went into creating it, the author needs to eat too, you enjoy it, and your not just a leech?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    5. Re:What?! by Ragzouken · · Score: 1

      Explain why someone would buy from iTunes instead of downloading for free. People do and people will.

    6. Re:What?! by regular_gonzalez · · Score: 2, Insightful

      Your comment is the exact reason DRM exists.

      --
      Due to circumstances beyond my control, I am master of my fate and captain of my soul.
    7. Re:What?! by Penguinoflight · · Score: 2, Insightful

      They probably had independent productions in mind when they made this service. Unless dreamhost moderates this (not likely, they're kind of lazy) people will probably just sell hard to find files, like the SmartStart CD for your compaq server, a driver for your tv card and a bunch of other illegal stuff.

      --
      "And we have seen and do testify that the Father sent the Son to be the Savior of the World"
      1 John 4:14
    8. Re:What?! by CaffeineAddict2001 · · Score: 1

      Yes, I realize that. That's why I wrote it.

    9. Re:What?! by regular_gonzalez · · Score: 1

      Ah, the old problem of sarcasm not coming across on the intarwebs. ;) Helped considerably by the fact that your comment is held in all earnestness by a significant percent of people ... hence the problem, which the RIAA solves by creating another problem.

      --
      Due to circumstances beyond my control, I am master of my fate and captain of my soul.
    10. Re:What?! by user24 · · Score: 1

      because selling music etc is fine and legal, downloading it from other people is illegal. If people present the only alternative to DRM as piracy, then business will choose DRM every time, but if there's a viable business alternative then hopefully we will start seeing non-DRM'ed (paid) filesharing popping up.

  9. I'm not all that impressed.... by King_TJ · · Score: 4, Insightful

    As much as I dislike DRM, I can't really get too worked up about these protests either. For starters, I get the idea that Apple stores are being "picked on" because they're seen as "high profile" in the mass media. In reality, I don't think Apple was all that "pro DRM" at all. They simply agreed to it in order to successfully get the whole iTunes music store off to a start with major record labels on-board.

    Until Apple did this and proved the business model was really viable, the only other real visible options for people were illegal downloads of MP3s (of sometimes dubious encoding quality) from p2p networks like Napster.

    It seems obvious to me that somewhere in the development process, Apple did some bargaining for rights of the end-users of the music ... since to this day, they *still* offer one of the most flexible set of usage rights on the DRM'd files. (As many as 5 computers can be authorized to use one user's purchased music, and anything purchased can be burnt to audio CD format as many times as you wish - as long as you create new "playlists" of tracks every so many times first, etc.) In fact, although it's not advertised, there are several documented cases of users losing all their music due to drive crashes, and upon emailing Apple support, were granted the ability to re-download everything they lost at no charge. They also allow you to reset your computer authorizations up to once per year, in case you forget to de-authorize systems before wiping the drives on them and selling them to someone else.

    Microsoft's "Fairplay" DRM and its upcoming use in devices like the Zune seem like a much more worthy target of attack. Fairplay is used by practically all the music services BUT Apple - and is getting more and more restrictive in every update to Windows Media Player that's released. Unlike Apple, MS seems to think it's ok to keep "turning the screws" to lock it down beyond what early adopters were told the rules were.

    1. Re:I'm not all that impressed.... by Anonymous Coward · · Score: 1, Insightful



      I don't think Apple was all that "pro DRM" at all.


      Perhaps you need to review the evidence that your Apple juice is spiked.

      There's more to their embrace of DRM than whatever is happening in ITunes. The TCPA shit is on the Intel chips too.

    2. Re:I'm not all that impressed.... by LochNess · · Score: 1

      "Fairplay" is the DRM used by Apple. "PlaysForSure" is Microsoft's. I do agree with you, tho.

    3. Re:I'm not all that impressed.... by Anonymous Coward · · Score: 0
      In reality, I don't think Apple was all that "pro DRM" at all. They simply agreed to it in order to successfully get the whole iTunes music store off to a start with major record labels on-board.
      Actually, they LOVE their DRM, especially when it helps them fight of competitors.
      http://www.informationweek.com/news/showArticle.jh tml?articleID=183702073
    4. Re:I'm not all that impressed.... by Penguinoflight · · Score: 1

      And Syria wasn't really all that in to Hezbolla-style terrorism, they just wanted the free security that they provided. There really isn't a difference morally between starting something and just going along with it. If something is wrong, it's wrong. By not using DRM you are on the side of good, but using it, evil.

      Please don't tell me Apple didn't understand what they were getting themselves (and their users) into when they signed up. Apple is easily the biggest distributor of DRM material, and they make little effort to educate their users about the limitations of DRM. How can you just let them off the hook?

      --
      "And we have seen and do testify that the Father sent the Son to be the Savior of the World"
      1 John 4:14
    5. Re:I'm not all that impressed.... by dangitman · · Score: 1
      Apple is easily the biggest distributor of DRM material,

      What a crock! Sales of DRMed DVDs dwarf sales on iTunes. And what about Windows and Microsoft's applications? They are DRMed. Why do people pretend that Apple is the biggest kid on the DRM block?

      --
      ... and then they built the supercollider.
    6. Re:I'm not all that impressed.... by nine-times · · Score: 2, Insightful

      You know it's possible, just possible, that Apple could not love their DRM, but also not love laws being placed on them that would force them to adhere to someone else's particular standards of interoperability. In fact, I could imagine reasons why Apple could dislike DRM but also, once saddled with the responsibility, also not wish to support it on non-Apple stores and non-Apple devices.

      Consider this: I'd bet that if someone else tried to program an alternate iTMS interface (besides iTunes), Apple would make an attempt to shut it down. Apple could get the full price of the song, and the DRM could remain intact, only playable in this iTunes replacement and on iPods, and Apple still probably wouldn't like it.

      It's my sense, at least, that Jobs likes to keep control of things. He seems to like to keep things simple and consistent and, under most circumstances, limit the variables that Apple needs to deal with. Having other additional vendors in the mix would complicate things, make them messy, and probably increase Apple's support costs. If allow these third-party alternatives without strict control over them, then suddenly, when they want to change something about their software/hardware/services, they'd need to consider how it affects the third-party products. If they don't care and just break things for the third-party products, then they have to worry about the irritation of all the consumers who've grown accustomed to using those products/services.

      And besides all that, there's just the threat of the unknown. If they license Fairplay to other players, it might grow into a situation that nobody is imagining. Of course, this is just my personal sense of Apple and Steve Jobs, but they seem cautious and prone to stay closed off and secretive as much as possible, and I believe it's this factor rather than love of DRM that keeps them from opening Fairplay to other vendors.

      As to why they don't drop DRM entirely, that seems much more open-and-shut, and doesn't need any of this kind of interpretive guesswork: record/movie/TV companies would not have ever made their deals with Apple unless Apple provided DRM. If Apple stopped using DRM, these media companies would pull every one of their properties from the store.

      Now, I don't like DRM either, and I think it is a problem. However, it's a problem that requires for its solution that we change a lot of societal factors. One of the chief factors would be to change IP law (i.e. copyrights) to something for which DRM was unsuitable.

    7. Re:I'm not all that impressed.... by Penguinoflight · · Score: 1

      How many ways is the dvd pie split? Do you really think that microsoft sells more copies of windows than apple sells itunes songs? Are you sure you're not the one pretending?

      Back to DVDs, at least the DVD format is not centrally controlled; DVDs will be playable on their original media even if their distributor goes out of business, or shuts down a devision of their company. If Apple at any time decides to shut down their iTunes devision all the music and videos you "bought" are now useless.

      --
      "And we have seen and do testify that the Father sent the Son to be the Savior of the World"
      1 John 4:14
    8. Re:I'm not all that impressed.... by enrevanche · · Score: 1

      Apple does not play in a competitive fashion. It works only with customer bases where it has complete lock in. This has nothing to do with support costs or anything else. Apple needs a proprietary DRM so that no one can sell most music for its products and that once sold, their music cannot easily be move to another product. Apple needs lock-in because it is afraid of competition.

    9. Re:I'm not all that impressed.... by nine-times · · Score: 1

      I disagree. Lots of people love iTMS, and lots of people love the iPod. It's not as though it needs the lock in or no one would buy iPods (however noteworthy it may be that iTMS is more of an iPod marketing tool than a business in its own right). It's not that Apple needs to lock iPod users into the iTMS, as though everyone would rather get their content elsewhere, but are prevented from doing so by Apple's evil DRM. That was the whole thing with Real's attempt to sell Fairplay-wrapped DRM-- there was no big public outcry against Apple for preventing that, because very few people wanted to use Real's store.

    10. Re:I'm not all that impressed.... by Anonymous Coward · · Score: 0

      What about "PlaysFoSho"? Is that the version for rap songs?

    11. Re:I'm not all that impressed.... by wall0159 · · Score: 1

      While you're right that Apple have less restrictive DRM, they're not as great as you make out.

      eMusic, by comparison, sell un-DRMd mp3s. Once I've bought an mp3, I can download it (apparently limitless) times.

      So while what you say is correct, it's still the case that anyone who buys from iTunes to use with their iPod now, and then buys a non-iPod music player, or loses access to iTunes (from switching to Linux, etc), later will still be screwed.

      Also, it is very important to know that Apple can change the conditions of use for music (number of computers, cd burning, ipod downloading, expiry) later, and these changes will apply retro-actively to music already purchased. To me it seems crazy to buy music that has DRM hanging over it!

    12. Re:I'm not all that impressed.... by jZnat · · Score: 1

      I don't think Apple was all that "pro DRM" at all.

      Sure they are. They hardly make any money on iTunes, so they have it locked for use with iPods. They make tons of money on iPods. DRM is in their best interest, and it can't be compatible with other companies' hardware products.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    13. Re:I'm not all that impressed.... by mackyrae · · Score: 1

      On top of that, Warner Bros. doesn't require that you have a Warner Bros. DVD player for their DVDs, while you need a Sony one for Sony DVDs, and a Universal one for Universal Studios' DVDs. The DVDs, even with their DRM, will work on any DVD player or DVD computer drive. Songs bought off of iTunes can only be played on an iPod. You would need a separate player for every type of DRM and every source where you bought music. With DVDs, you don't need different hardware for every disc...yet. That "yet" is what DBD is hoping to prevent.

      --
      look! it's a bird, it's a plane, it's....a girl? yes, a girl browsing Slashdot on Linux
    14. Re:I'm not all that impressed.... by doom · · Score: 1
      King_TJ wrote:
      As much as I dislike DRM, [...]
      ...you love it when Steve Jobs does it.

      I tell you, that reality warp field he's got is amazing. If he could put that on the market he could forget about the rest of the product line.

    15. Re:I'm not all that impressed.... by Grishnakh · · Score: 1

      It's called "apologism".

    16. Re:I'm not all that impressed.... by Grishnakh · · Score: 1

      Even better, the pathetic CSS encryption on DVDs was very poor, and has been hacked. So if you want to copy the content from a DVD and tranfer it to a new medium, you can easily do that with a working DVD-ROM drive and a copy of deCSS (downloaded from a non-DMCA country of course).

      But more importantly, to the common person, the "protection" on DVDs doesn't ever show up. A DVD is a physical item; you put it in a DVD player and you watch your movie.

      DRMed downloadable files, OTOH, are tied to specific computers, and require extra effort to transfer to different computers (if yours crashes and needs a new hard drive, for instance). That's a bit of a pain now, but if iTunes goes out of business, you're screwed just as if you had bought the doomed DIVX format (the Circuit City one). After that point, your DRMed AAC files will only work as long as you use the same hardware.

    17. Re:I'm not all that impressed.... by dangitman · · Score: 1
      How many ways is the dvd pie split? Do you really think that microsoft sells more copies of windows than apple sells itunes songs? Are you sure you're not the one pretending?

      You are comparing bananas and kiwifruit. Why do you count individual iTunes songs costing $0.99 versus whole copies of Operating Systems and DVD discs costing $15 and up? You are delusional if you think Microsoft makes less money on Windows than Apple does on iTunes songs. Total income, or profits, is usually how the market determines "big," not unit sales. And many of those iTunes songs are purchased as part of an album.

      Back to DVDs, at least the DVD format is not centrally controlled; DVDs will be playable on their original media even if their distributor goes out of business, or shuts down a devision of their company

      So what? It is still DRMed. And what if they stop making DVD players? Your player will not work forever, eventually it will break.

      If Apple at any time decides to shut down their iTunes devision all the music and videos you "bought" are now useless.

      No they aren't, because Apple allows burning to standard Audio CD, unlike most DRM vendors. And do you really think tools won't be available to crack the DRM, just like tools are available for DVDs? They already are available, AFAIK.

      --
      ... and then they built the supercollider.
    18. Re:I'm not all that impressed.... by dangitman · · Score: 1
      Even better, the pathetic CSS encryption on DVDs was very poor, and has been hacked.

      So has Apple's Fairplay encryption. So, I guess that makes it OK, now?

      But more importantly, to the common person, the "protection" on DVDs doesn't ever show up. A DVD is a physical item; you put it in a DVD player and you watch your movie.

      Exactly how it is for iTunes purchases. People buy it from the store, and it works perfectly on their computer and iPod. I'm not sure how it not being on a physical medium makes any difference. By your logic, because Fairplay is inobtrusive, it is OK. That is NOT the argument of the protestors mentioned in the article.

      Anyway, why do people have such a hyprocritical attitude about DVDs? Is it because you don't want to lose your precious DVDs, so you pretend there is no DRM on DVDs, while decrying other forms of DRM?

      That's a bit of a pain now, but if iTunes goes out of business, you're screwed just as if you had bought the doomed DIVX format (the Circuit City one). After that point, your DRMed AAC files will only work as long as you use the same hardware.

      Again, how many people are going to get this wrong? Apple allows burning to standard Audio CDs, so you can easily move your music, and use it on other players. DIVX did not allow such burning or backup, so it is nothing like that. DIVX also required a phone-home to play. iTunes/iPod does not.

      --
      ... and then they built the supercollider.
    19. Re:I'm not all that impressed.... by Penguinoflight · · Score: 1

      Nobody said that Apple was making more money than microsoft or dvd distributors... I'm pretty sure that the "biggest distributor" when used in a general sense is the company that distributes more media than any one other company. Number of pieces or piece size may be an issue, but Apple is still really high up there either way. I took such a hard angle against Apple because opposed to what King_TJ originally said here, Apple is a very intrusive company when it comes to DRM distribution and enforcement. You don't like my anlge, but letting Apple off the hook just because you're a fanboy isn't insightful in my book.

      --
      "And we have seen and do testify that the Father sent the Son to be the Savior of the World"
      1 John 4:14
    20. Re:I'm not all that impressed.... by dangitman · · Score: 1
      Apple is a very intrusive company when it comes to DRM distribution and enforcement.

      They are? What evidence do you have of this? They don't even use DRM on their Operating System and most applications - and they don't raise a finger in "enforcement." I get tons of threatening letters from the BSA on behalf of Adobe and Microsoft because I bought and registered their products. I don't get any of that from Apple. I can install my Apple applications on a multitude of computers with the same serial number, and Software Update never complains, and the system never "phones home." None of the Microsoft-like heavy-handed crap.

      Apple negotiated against heavy DRM with the record companies, and that's the only area where there is any serious DRM, and that's because you the labels won't allow it to be sold with none.

      So, what do you mean by Apple being "very intrusive"?

      You don't like my anlge, but letting Apple off the hook just because you're a fanboy isn't insightful in my book.

      No, it's not because of fandom, it's because of looking at reality. Don't let your anti-Apple negativity make you believe myths and distortions.

      --
      ... and then they built the supercollider.
  10. burn them by pbjones · · Score: 1

    attack defacto DRM! force material locked into CD-ROM to be released on LPs. Attacking DRM is admitting that the commercial interests have won. You have such a desire to have the material released in DRM format, but cannot afford etc, that you want to break laws to get at it. You want Disney Movies? Even if you remove DRM, you still have to buy a copy, to not pay for the material is theft, or is that the ultimate goal of many? to have a format that is easy to illegally 'share'? just a thought.

    --
    There was an unknown error in the submission.
  11. Would some one please explain... by laxcat · · Score: 4, Interesting

    Would some one please explain what exactly it wrong with DRM? If you have a problem with concept of copyrights in general, then I can understand. But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

    I'm not trying to be an apologist for the corporations. I know they don't care about the art or the artist, only money. That's given. But do they not have a right to protect their intellectual property? Are the detractors of DRM against the concept of intellectual property altogether?

    The way I see it is there is nothing wrong with the concept of DRM, only with the abuse of DRM. Is this a "slippery slope" argument?

    I'm serious in my plea here. Someone please fill me in on what I am missing!

    1. Re:Would some one please explain... by cliffski · · Score: 3, Interesting

      your not missing anything, I agree with you 100%. I dislike DRM, and dont use it for my games, but I absolutely see why it is used. As a content creator, I know what its like to see people happily taking your hard work for nothing, and then even giving you a hard time if you suggest that people should pay for it. (esp as I make free demos available, there are really no excuses).

      The trouble is, for even daring to suggest that DRM has its place, and that file sharing copyrighted material is illegal, you can expect to be criticised, insulted, and generally modded down to oblivion. Thats the current slashdot philosophy. All companies are evil (unless they are somehow connected to linux), everyone who is caught coopying files illegally is absolutely 100% innocent, and anyone who disagrees is some evil, stupid luddite.
      Welcome to slashdot. Not a friendly place for the creators of digital content.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    2. Re:Would some one please explain... by codepunk · · Score: 5, Insightful

      Well yes it is fairly simple you see, and this from a guy that is not a music lover and could really
      care less about drm on music since the most I do is listen to the radio. The issue is that people only want fair
      use of the product they bought. They want to be able to play it a unlimited amount of times in the device of their
      choosing. Say for instance I want to listen to some tunes and I can only get it in MS DRM protected files which don't work in my car stereo or on my linux machine, you see now we got a problem.

      You cannot technically DRM protect content in a way which will allow legal fair use for the purchaser of the product.....period.

      --


      Got Code?
    3. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      DRM never stops the people violating the law. It only penalizes paying customers by removing Fair Use rights. If there is a technology that only ever has a (potential or real) negative effect and no (potential or real) positive effect to you as a consumer, why shouldn't you protest it?

      Of course, that protest should come in the spread of wide boycott since we are dealing with the free market, after all. The only way to get truly widespread boycott though is to educate the consumers in channels the offending technology is put out through. iTunes and Apple are readily the most recognizable DRM laden music distributor I can think of, so it does strike me as a good choice.

      And for the record, no, I don't think any amount of DRM is fair. If technology is built to keep technology from being convenient, then it is an unnecessary hindrance exactly as I stated above. I understand that copyright holders want to make money on their product, but I find it grossly offensive that they treat paying customers like criminals while criminals continue to do as they like.

      That, in a nutshell, is why DRM is always wrong.

    4. Re:Would some one please explain... by Aeron65432 · · Score: 1
      I think copyrights are fine. Intellecual property is great, and copyrights stimulate innovation by providing an incentive to produce something original.

      The concept of DRM is pretty much clearly wrong. If I buy a Van Gogh (unlikely), I own that painting. I can take pictures of it, copy it, move it around my house, do whatever I want. Now, I don't have the right to sell it or anything, but it shouldn't come in a case that disallows pictures, copying, or moving it.

      I understand this isn't popular with companies because it requires some kind of good faith or trust in the consumer but DRM is inherrently wrong, if someone buys music, they should be able to do whatever they want with it in personal use.

    5. Re:Would some one please explain... by John+Miles · · Score: 5, Informative

      But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

      Here's the problem: copyrights are a limited monopoly offered by the government as one half of a bargain with creators. The other half of the bargain lies in the creator's agreement that the protected content will become available to the public domain when the copyright term expires.

      DRM allows publishers to evade their half of the copyright bargain. In particular, the DMCA anti-circumvention law in the US is unconstitutional because it does not require publishers to disable their DRM protection, or arrange for it to disable itself, upon the expiration of copyright protection. That means that the DMCA explicitly sanctions perpetual copyright protection... a clear violation of both the letter and intent of the Constitution's clause that authorizes that protection in the first place. With a combination of traditional copyright law and hypothetical DRM technology that remains unbreakable after copyright expiration, a publisher will enjoy an unlimited monopoly at the public's expense.

      But do they not have a right to protect their intellectual property? Are the detractors of DRM against the concept of intellectual property altogether?

      Some are against the whole concept of IP, but not being an ideologue, I can't speak for them. I do, however, believe that publishers and creators should have to choose between self-enforced protection (DRM) and government-enforced protection (copyright law). They should not be able to leverage both at the same time, because the two legal concepts of DRM and the "copyright bargain" are diametrically opposed to each other.

      --
      Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
    6. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      Personally, I'm of the opinion that DRM isn't bad but the current implementations of DRM are bad.

      The way I see it a fair DRM set-up for Movies (as an example) would require two different movie releases, one for rental and pre-release and one for purchase by a consumer. The rental version would be as locked down as they are trying to make all movies today, in other words you can't copy the movie in any way shape or form. The consumer version would allow you to make copies from the original movie; digital to digital copies, or copying a copy would not be allowed.

      The result of this would be that the wide scale piracy (through P2P networks and what not) would be eliminated, but people would be able to use the movie that they purchased in the way that they wanted.

    7. Re:Would some one please explain... by 99BottlesOfBeerInMyF · · Score: 1

      Would some one please explain what exactly it wrong with DRM? If you have a problem with concept of copyrights in general, then I can understand. But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

      Okay look, copyright is supposedly a two sided contract. Content creators get a limited monopoly for a limited time that lets them easily make money. Society gets more content, and content is not lost because the distribution was limited y those afraid it would be copied. So in this two sided contract are a whole series of clauses that define the rights each party has, what they can and can't do. Over time, this contract has changed and become very one sided in favor of content producers. That sucks, but is not the problem with DRM. The problem with DRM is it is another way, besides the law, to remove from the populace some of the few rights the contract still guarantees them.

      For example, society has the right to use excerpts of copyrighted works in education to teach our young, free of charge. That way, just because someone is making money does not mean children can't still be taught about it. DRM, does not remove that right, it just makes it technologically difficult or impossible. The second thing to remember is that DRM is not always obvious to the purchaser. Often it is hidden and intentionally deceives the user. For example, you go to the store and buy a CD. The plan is to listen to it on your laptop while you fly to Europe. After you buy it yu find out it isn't really a CD. It is a disk that looks like a CD, pretends to be a CD, is sold with CDs, but in truth does not play in your computer. Or maybe it plays in your computer, right up until your plane leaves the uS, then it stops working. This is simply using technology to stop you from exercising your rights, to listen to what you bought where you want how you want. Technology has taken away rights granted to you by the law. That is what is wrong with DRM.

      The way I see it is there is nothing wrong with the concept of DRM, only with the abuse of DRM.

      I've never seen DRM that was not an abuse. Have you? Can you cite an example of DRM that in no way removes some of the rights copyright law has granted you?

    8. Re:Would some one please explain... by 91degrees · · Score: 1

      Since I make my living writing copyright protected software, I guess I qualify as "cool with copyright".

      I have no problem with copyright holders stopping piracy. The actual tactics are pretty evil, but I accept the principle.

      So, I guess the question is if there was a DRM mechanism, that never called back, expired in a certain number of years, somehow magically detected changes is legislation, and also allowed a certain amount of copying that was clearly above and beyond fair use, would I be okay with it?

      Which is tricky.

      I don't have any fundamental objection to the anti-copying technology on a DVD, apart from the fact that it prevents legitimate free DVD players. But in principle, and for all practical purposes, it's fairly harmless. So I suppose if there was DRM that allowed me to do anything I could conceivably want to do I'd not object to it.

      Of course, current DRM doesn't fit these criteria. Fairplay doesn't even allow people to copy music to a non-Apple mp3 player.

    9. Re:Would some one please explain... by Grishnakh · · Score: 1

      Um, you're quite wrong about the Van Gogh. He's been dead for a long time, and any copyright he ever held is long since expired. If you have the money to pony up for an original Van Gogh, you can copy it and sell those copies all you want.

      If you buy a print of a modern artist, however, this is probably not true.

    10. Re:Would some one please explain... by Chosen+Reject · · Score: 1

      I'm all for copyrights, though I think that the current duration is a little long. However, I am against the concept of DRM on anything except for things which are explicitly rentals.

      DRM is what keeps me from having a nice application that I can just put in a DVD player and have it ripped and stored in a library for later viewing on my computer, just like music I rip from a CD. DRM keeps me from listening to iTunes songs on my Linux box without having to burn it to a CD. DRM keeps me from reading my ebooks on any platform I choose on any hardware I choose. On the flipside, it does not stop copyright infringers from distributing illegal copies of those copyrighted works. It only has to be broken once. So while it has done nothing to stop the copyright infringers, it has stopped the paying customers.

      So there is what is wrong with DRM. I didn't mention abuses like Sony's rootkit even.

      I also realize that there are ways to circumvent most DRM to do the things I described above, but for most people those aren't even an option due to lack of technical skills, and for a lot of people in the world the circumvention itself is illegal.

      --
      Stop Global Warming!
      Just say no to irreversible processes!
    11. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      The way I see it is there is nothing wrong with the concept of DRM, only with the abuse of DRM. Is this a "slippery slope" argument?

      DRM schemes and abuse of DRM two are like fecal-matter and and malodor, whenever you have the misfortune of coming across the former you also have to suffer the latter.

    12. Re:Would some one please explain... by timerider · · Score: 1
      If I buy a Van Gogh (unlikely), I own that painting. I can take pictures of it, copy it, move it around my house, do whatever I want. Now, I don't have the right to sell it or anything, but it shouldn't come in a case that disallows pictures, copying, or moving it.
      Like almost any example, this is a bad one. If you buy a painting, you own it. Of course you can sell it. You can't sell copies of it. Compare with a CD: You can sell a CD you bought. You can not sell copies.

      Except for that glitch in your argumentation, I agree... If you buy something, you shouldn't get it in a wrapper that prohibits fair use. Or to put it ore bluntly:
      If I buy a music CD from sony, I want to be able to play it on my Sony in-car cd player. If it's a "un-cd" (which is what "broken" audio cds are called over here in germany [you know, cds that don't follow the CDDA standards, to prohibit copying]), I can't. Luckily, i can still rip it (with the right software, which runs on the right OS... you know, the one with the penguin...), then put the mp3 files on a data cd, and play those... on the very same sony in-car cd player.

    13. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      I am against DRM but support copyright. There are some here that are at the extreme of being against intellectual property as a whole. But as with all extreme views, they are purported by mostly the uneducated and naive, and fail to address concerns and criticisms that are based on real world facts and figures.

    14. Re:Would some one please explain... by codepunk · · Score: 2, Interesting

      That is not true at all, it ain't about linux at all. I want to play some music I bought that is DRM protected in the GM stereo in my car. It ain't just about linux it is about fair use of a product I paid for in the device of my choosing. There is not feasable way today to technically do this without greatly impacting fair use. When you come up with the magical DRM method you let us know.

      --


      Got Code?
    15. Re:Would some one please explain... by RAMMS+EIN · · Score: 4, Interesting

      The way I see it, there's nothing wrong with DRM in principle, the principle being protecting content against unlawful use. If DRM makes it hard or impossible to use content in unlawful ways, while putting no restrictions on lawful use, I would be all for it. However, in practice, DRM is usually not like that.

      In practice, DRM implementations usually make it difficult to play/view/... the content, except with proprietary and secret tools, while doing nothing to stop copying the content without authorization (unlawful use). To play/view/... the content, you are usually required to use proprietary and secret tools (locking you into using some vendor's products), and reverse-engineering the format (e.g. to create a player for a platform not supported by the official player) is a criminal offense. Also, DRM implementations sometimes involve yielding control of (part of) your computer to another organization, sometimes going as far as allowing said organization to cause your hardware to self-destruct (e.g. Blu-ray players).

      The fundamental problem of DRM is that "trying to make bits uncopyable is like trying to make water not wet." When you have a song/movie/ebook/... in a file on your computer, or even when you can only access it by streaming it from the Net, you can make copies of it, burn it on CDs, give it to your friends, etc. The only way you can be prevented from doing so is by taking your control of your computer away from you. Alternatively, vendors could let you copy the files at will, but restrict access to the actual content (e.g. through encryption). However, once your computer has enough data to decrypt the content once, you could save that data, share it with your friends, etc. Again, the only way you can be prevented from doing this is by taking away your control over your computer.

      It's absolutely out of the question that DRM could go together with open source software. OSS means that you're allowed read and modify the source code to the software. This makes it very easy for you to find the DRM code and change it, so that restrictions are not enforced. It would make DRM trivial to break, defeating its purpose. Sure, it's illegal (under the DMCA/EUCD/...), but so are speeding and copying works that you don't hold the copyright to; that doesn't prevent these things from happening.

      --
      Please correct me if I got my facts wrong.
    16. Re:Would some one please explain... by mjtaylor24601 · · Score: 1

      I whole-heartedly agree.

      I have no particular problem with the concept of copyright, but the problem I see with DRM is that it allows the content distributors to essentially rewrite the "copyright bargain" however they see fit.

      Not only do they not have to release the work to the public domain after the copyright expires but they can also add on other arbitrary restrictions that have no basis in copyright law at all. There is nothing stopping them from say making the DRM only let me playback the file on an "approved device" or have it prevent me from playing it back on the second Tuesday of the month. There is nothing in copyright law that gives them the right to do this.

      That being said, I don't (yet) see the need to outlaw DRM. So far my policy on draconian DRM restrictions is to just not buy the offending media, and that seems to be working ok for me so far. In fact if it weren't for the RIAA/MPAA/Microsoft monopolies I think market forces would pretty effectively keep DRM restrictions from becoming overly burdensome. But to answer the GP's original question I can totally see how someone could be ok with copyrights and not cool with DRM because DRM allows you to do much more than just enforce your copyright.

      --
      I wish I were as sure of anything as some people are of everything
    17. Re:Would some one please explain... by SnprBoB86 · · Score: 1

      "You cannot technically DRM protect content in a way which will allow legal fair use for the purchaser of the product.....period."

      Sure you can. I purchased several Xbox Live Arcade Games. They only work with my Xbox Live account, but I can play them on any console I may access provided that I store my account on a memory card. And I can play them at my friends house on his 360, I can delete them and re-download them free of charge (eliminating the need for backups). If I do not have my account on a memory card, but my 360 is lost, I can easily call Microsoft support and they will easily help me through recovering my account on another box.

      DRM is great for XBLA games. It enables companies to sell their games -- the modivation for making them in the first place -- and it frees me from manually backing up my games. Hurray DRM!

      --
      http://brandonbloom.name
    18. Re:Would some one please explain... by khayman80 · · Score: 5, Insightful
      You asked why some of us who support copyright do not support DRM. I support copyright, but my problems with DRM can be summed up as follows:

      (1) DRM never expires. Ideally, copyright is a legal device used to enrich society, to encourage artists to create works based on the understanding that they will be able to profit from said works for a limited amount of time. After this time period expires, the creative works get released into the public domain. Unfortunately, DRM'd files don't do this- the music you bought on iTunes in 2003 will still be restricted in 3003.

      (2) DRM will never work correctly without overly restrictive government controls. For example, let's assume that "Brand New Hyper DVD" format is completely uncrackable- the disks can never, EVER be decrypted and copied digitally. So what? Take your camcorder, aim it at the screen, and press record. Voila! Brand new copy without DRM. The only way to stop this would be to force all electronics manufacturers to include complicated measures to insure that they can't be used in this manner- but as we all know the next "DVD Jon" would show up in less than 2 days and crack these measures. The only way to fight this from a corporate/government standpoint would be to force all electronics capable of being used in this kind of pirating scheme to "phone home" on a regular basis to update their DRM software, and to BAN all older electronics without this "feature". See where this is going? Do you want to live in this society?

      (3) DRM effectively turns your computer into a police snitch, working AGAINST you rather than for you. Just look at the Sony rootkit fiasco for an obvious example, or read up on the DMCA or broadcast flags or... you get the point.

      (4) DRM adds an extra degree of complexity to playback, which constitutes another failure mode. A computer crash can often reduce a DRM'd music library to binary junk unless the user has been meticulous enough to save the mountain of data necessary to identify his/her computer as "the authorized playback device" of said music. Want to switch to a different computer, or swap out some hardware? Good luck- this will probably be interpreted as a "new computer" and your music won't play. Want to play your music on another device like your car stereo or your portable music player? You'd better hope the music vendor was "gracious" enough to bless you with that kind of "privilege".

      (5) My fears of a world where DRM has taken over can best be summed up by the following short story. I'm TERRIFIED that this is exactly the type of world we will wake up to in, say, 2020 if things keep going the way they are...

    19. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      You cannot technically DRM protect content in a way which will allow legal fair use for the purchaser of the product.....period.

      Well, ok, but that only applies to a certain type of DRM, like what Apple is doing in the iTunes music store. So you're basically agreeing with the original poster there, that DRM is only bad when it's abused.

      If I use DRM to (for example) prevent my PDF file from being printed, do you have a problem with that? If so, why? What about Windows XP preferring signed binaries for device drivers? That's a type of DRM.

    20. Re:Would some one please explain... by laxcat · · Score: 1
      You cannot technically DRM protect content in a way which will allow legal fair use for the purchaser of the product.....period.

      That's true only if "fair use" can't be specifically defined. If you think "fair use" is this nebulous concept that is different for every person out there, then sure DRM is an impossible concept. But by saying "fair use" can't be specifically defined you're saying: "Hey copyright holders! You can't enforce your <distain>laws</distain> because you don't know if 'fair use' for me means 10 copies or 1,000 copies or 1,000,000 copies."

      You're basically invalidating the copyright altogether by refusing to put definate numbers on "fair use". If you do, then DRM becomes very possible indeed.

      So far as being able to play music on a "device of [one's] choosing", I would say that if a content provider that alows you to convert your purchased product to a standard, DRM free medium (audio CD), they're being more than fair. They can't be expected to accommodate every device out there. Not to mention the argument that you are agreeing to their terms of purchace, and they can tell you to use whatever device they damn well please. Again, the free market agument comes into play. If you don't like it you're welcome to go to a competitor. None of this is really about the inherent concept of DRM though. Its all about whether a company is using DRM fairly or not.

    21. Re:Would some one please explain... by ChaosDiscord · · Score: 5, Informative

      I love copyright. I disagree with some of the details of implementation (In my dream world copyright would last 14 years with an optional 14 year renewal), but I love the core idea. A government granted short term monopoly seems like a good way to encourage creation.

      However, I loathe DRM. A few highlights:

      • DRM makes media players more expensive: Adding DRM support to hardware or software isn't free. Implementating a device without DRM support would be cheaper that implementing one with. You, the consumer, pay more for a device that intentionally does less.

      • DRM must be combined with draconian laws to be effective: "Trying to make bits uncopyable is like trying to make water not wet." (Bruce Schneier) You've given me the data and the software or hardware to play the data. All the pieces are in my hands. DRM must be breakable. So to make it effective, you need laws that make it illegal to distribute implementations that break DRM. This means source code that breaks DRM must be illegal. As source code is a form of speech, we have laws that try to limit free speech to protect a business model. That's never acceptable in my book.

      • DRM is about making things you purchase distrust you: This is inherent to the system. This is morally repugnant. Your DVD player assumes you're trying to make bootleg copies, so it applies MacroVision to the output. The new video game you installed assumes you're trying to play a bootleg copy, so it installs low-level drivers into your system to monitor what you do. I paid money for these things, why do they serve an external company more than me?

      • DRM must infringe on fair use: The only DRM system that doesn't infringe on fair use is Microsoft's "Please don't make illegal copies" label printed on the CDs of some of their products. Fair use is subtle and non-obvious, no piece of electronics or software can be perfectly correct. If you err on the side of freedom, you are also creating a loophole for illegal use. You can either give people the ability to legally sample short segements of high definition video for review purposes or you can make it harder to make bootleg copies. You can give people the ability to legally format shift movies and music or you can make it harder to spread copies online.

      • DRM destroys competition: Want to make an open source player to play media you've paid for? An open source player could easily be modified to ignore the DRM. So they use technology to try and stop you. Where technology fails they use laws. Want to make a commercial, closed-source player? You need to pay the controllers of a given DRM implementation. They can deny you access without cause, they can charge you whatever you like.
      • DRM can't expire: Eventually everything enters the public domain. No DRM system can automatically unlock things when that happens. If they did, it would be relatively easy to spoof the date and unlock the media. When all copies of a given piece of media are locked under DRM, you effectively create infinite copyright.
    22. Re:Would some one please explain... by RAMMS+EIN · · Score: 1

      ``Intellecual property is great, and copyrights stimulate innovation by providing an incentive to produce something original.''

      Do they?

      --
      Please correct me if I got my facts wrong.
    23. Re:Would some one please explain... by Spikeles · · Score: 1

      (I'm going to use Apple as an example here but it applies to most cases )

      I don't think the problem is DRM at all. The purpose of DRM is to restrict your use of the item/software/music/whatever to what you are legally entitled to do. The REAL problem is that companies are using DRM to enforce a set of rights THEY believe you should have, overriding your legal ones.

      For example, in the US, copying music should be allowed under the fair use clauses in the constitution and other court rulings, by Apple, However, in Australia for example, you are not allowed to copy music because there is NO fair use clause allowing you to copy music. In actualality The DRM Apple provides by using FairPlay is actually less restrictive than what the government has allowed.

      --
      I don't need to test my programs.. I have an error correcting modem.
    24. Re:Would some one please explain... by RobertLTux · · Score: 1

      okay lets try this Vista SP2 comes out and is then force downloaded to all machines (that have Vista running) part of SP2 is locking all documents to the system DRM
      (enforced via a 256 bit key based on your hardware hash and COA)

      You chug along and create your documents and have a few documents that would keep you out of Jail (tax records proof of registrations yada)

      The Virus of the month comes screaming down and smokes your system (and just for fun actually blows up your hardrive)

      You then replace your hard drive and reload Vista BUT AT THIS POINT THE HARDWARE HASH OF YOUR SYSTEM HAS CHANGED (new hardrive)
      Your backups are now garbage and btw all of your downloaded media is useless.

      YHBT YHL HTH HAND

      --
      Any person using FTFY or editing my postings agrees to a US$50.00 charge
    25. Re:Would some one please explain... by AeroIllini · · Score: 1
      Would some one please explain what exactly it wrong with DRM? If you have a problem with concept of copyrights in general, then I can understand. But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

      I am all for copyrights in general (even though the current system of life+70 years is ridiculous and wrong), and I see your point about the difference between DRM and the abuse of DRM. However, I don't believe it's possible to use DRM without abusing it, and here's why:

      1). There is no way for software to tell the difference between infringing use and non-infringing use. Those 10,000 copies of the album you're burning: is that to wallpaper your room with (legal) or to sell to people on the street (illegal)? There's no way for the software to know, so it is forced to restrict you in situations where you are not infringing. Software cannot know your intentions.

      2). DRM is inherently insecure. There is no such thing as a secure DRM system: either content and key are stored with the content, in which case it's easy to bypass, or content is stored in a central server controlled by a content distribution company, and the content will no longer be decryptable if the company folds. This in itself is not a problem; houses are inherently insecure as well, since I can just break a window if the door is locked. But people are comfortable with the level of security of their houses, and don't go to great lengths (typically) to lock them down to ridiculous levels. However, for some reason, our current culture does not take the same mentality with computer security. Everything in computer security is an arms race, and no one is ever content with "secure enough if I pay attention to what I'm doing." People don't want their content to be "secure enough." They want it LOCKED DOWN. Thus, DRM will be (and is) an escalating arms race, locking things down ever tighter, and inconveniencing the honest users more and more in the interest of "security." This is not an inherent problem with DRM, persay, but it is inherent in our current computer culture--especially in the eyes of content creators who want security for their content--and I don't see it changing anytime soon.

      Other things that people might bring up are able to be controlled in the theoretical "non-abusive" implimentations of DRM. These things include perpetual copyrights (DRM never expires, but copyrights do), resale rights, and personal non-infringing copying. All three of those could be accounted for in a DRM implementation (but haven't yet). Unfortunately, the two points I mentioned above are showstoppers, and there is no such thing as "non-abusive DRM", even if it corrected for all those other abuses.

      The concept of DRM is pretty neat--"we'll prevent the baddies from doing all those things that they're not allowed to do, while still letting the honest people retain their rights to legally use the content however they like!". However, in practice, it's not so simple, and the end result is that DRM tramples on the rights of the honest people for what amounts to very trivial reasons. It is impossible to use DRM without abusing it. I've always believed in the adage that "it's better to let 99 guilty men go free than to wrongly imprison 1 innocent man", and even though DRM is a fairly small part of my day and not a big deal in the larger scheme, I don't want it in my products, and do everything I can to subvert it in the products I buy.

      The only thing making it illegal to break DRM for the purposes of non-infringing use is the "no reverse engineering" clause of the DMCA, and that particular clause has not yet been tested in court. Until it is, I consider it unconstitutional and will ignore it every chance I get.

      I hope that answered your question.
      --
      For security, the MD5 hash of this message and sig is 09f911029d74e35bd84156c5635688c0.
    26. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      The problem with DRM is that it works: It enforces the restrictions it was made for regardless of the circumstances, regardless of any legal or moral rights an individual might have to override the restrictions on the protected material.

      (Personally, I'm waiting until Hollywood script writers catch on to the idea, and start using it as a Plot Hook)

      --
      The Cowardly Kobold

    27. Re:Would some one please explain... by laxcat · · Score: 1

      The concepts you've listed are just example of unfair, poorly implemented, or downright Orwellian DRM. You fail to discredit concept of DRM itself. Are you saying that because DRM has potential for abuse, it should be banned altogether?

      You, and all of the other detractors I've heard, fail to address the rights of the company to protect their own intellectual property. Do they not have that right? That's the real issue I would like some answers on.

      (Sorry to play such devil's advocate here, but I really don't think anyone's thinking this through.)

    28. Re:Would some one please explain... by SiliconEntity · · Score: 2, Insightful

      You cannot technically DRM protect content in a way which will allow legal fair use for the purchaser of the product.....period.

      This is probably true, but the example you gave is not a good one. Being able to play content on multiple different players is not fair use. See for example:

      http://fairuse.stanford.edu/Copyright_and_Fair_Use _Overview/chapter9/9-a.html

      "In its most general sense, a fair use is any copying of copyrighted material done for a limited and 'transformative' purpose such as to comment upon, criticize or parody a copyrighted work. Such uses can be done without permission from the copyright owner."

      You see the kind of thing that is covered by fair use: being able to "comment upon, criticize or parody a copyrighted work". It means things that are educational and/or political.

      It certainly does not mean having more fun with the copyrighted work than the owner wanted to allow you! If he says you can only play it on a certain device, that is his right. That is fully protected by copyright. You do not have a fair use right to expand on that just for your own enjoyment and pleasure.

      So ironically you have made a correct statement but for totally incorrect reasons. The real problem with DRM is that it makes excerpting for commentary, criticism and scholarly or political analysis extremely difficult. If a teacher wants to play a few bars from a pop song and demonstrate that the melody or rhythm is based on tribal or classical influences, he may be thwarted by DRM. If someone wants to capture a frame of a movie and use it for parody purposes, DRM could make that difficult. These are protected, fair uses and DRM gets in the way.

      But being able to play content in different ways than the copyright owner wanted you to? No way is that fair use. He has every right to be able to charge you extra for that right, just as with other ways of enjoying his work.

    29. Re:Would some one please explain... by SiliconEntity · · Score: 1

      Here's the problem: copyrights are a limited monopoly offered by the government as one half of a bargain with creators. The other half of the bargain lies in the creator's agreement that the protected content will become available to the public domain when the copyright term expires.

      But how serious is this? Copyright doesn't expire for like 100 years. What is the likelihood that today's DRM will still be effective then, and that the DMCA and similar laws will be unchanged? Being opposed to DRM because it may cause bad consequences 100 years from now is not a very good reason to worry. I guarantee that we will have a lot more serious problems to face over the next 100 years than that.

    30. Re:Would some one please explain... by SiliconEntity · · Score: 1

      In practice, DRM implementations usually make it difficult to play/view/... the content, except with proprietary and secret tools, while doing nothing to stop copying the content without authorization (unlawful use).

      So basically you're saying that DRM is ineffective and that copyright owners are harming themselves by using it - they don't get the supposed benefit and they reduce the value of their goods to legitimate users by making them harder to use.

      If so, won't this be a self-correcting problem? If copyright owners are hitting themselves on the head with hammers, sooner or later they'll stop, won't they? Why do we need a day against hammer-heading?

    31. Re:Would some one please explain... by RobertLTux · · Score: 1

      Whats german for |Red Book Digital Audio|?? since if its isn't RedBook its not a CD (and Phillips will sue you for it btw)ie

      If #media disc !=Redbook Audio
      Then #media disc !=CD

      --
      Any person using FTFY or editing my postings agrees to a US$50.00 charge
    32. Re:Would some one please explain... by khayman80 · · Score: 1
      I suppose my point is that DRM that isn't Orwellian is useless. There will never be such a thing as DRM that allows free use of material that can't be broken. Show me DRM that doesn't involve tactics that I've described above, and I'll show you a system that only annoys end users and presents only a minimal challenge to hackers. Once DRM is broken, even by one lone genius, the game is over for that format- the cracking program can be spread over the internet (or over the emerging darknet) and ordinary people can trade the resulting un-DRM'd files on their secure, encrypted, untraceable P2P system. The only way to stop this kind of digital piracy will be to get governments to pass restrictive laws regarding electronics, which is already happening...

      In short, DRM without Orwellian tactics is useless from a corporate point of view. DRM with Orwellian tactics will destroy free society as we know it. I think we as a society have a choice- let digital content producers keep their business model and destroy our freedoms, or let the MPAA and RIAA wither away like the dinosaurs they are.

    33. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      I'll try to explain it to you from the point of view of copy protection in computer games.

      I'm rather strongly against piracy of games, I think the developers should be compensated for the work they've done if you want to play their game. I think arguments like "Well I wouldn't have bought that game anyway" are self serving and quite likely incorrect. So you think "But do they not have a right to protect their intellectual property?" by putting on some form of copy protection, and I say "Not if it's going to make life more difficult for a legit customer".

      This is the real issue as I see it, people are always going to get around the DRM eventually. At that stage the illegal copy is superior to the legit copy from a usability point of view. It's common practice for the more technically aware people to crack their legit copies of games just so they don't have to jump through hoops to play them.

      So to summarise if you're a pirate, then DRM is not a problem you just crack it anyway, or get a cracked version from elsewhere. If you are a legit user you are getting an inferior product.

    34. Re:Would some one please explain... by AusIV · · Score: 1
      DRM destroys competition: Want to make an open source player to play media you've paid for? An open source player could easily be modified to ignore the DRM. So they use technology to try and stop you. Where technology fails they use laws. Want to make a commercial, closed-source player? You need to pay the controllers of a given DRM implementation. They can deny you access without cause, they can charge you whatever you like.

      To me this is the biggest problem with DRM. I have no problem with companies trying to protect their investment by making it difficult to copy their content. I have a bit of a problem with locking people to a specific platform. But my biggest problem is that it is illegal for someone to reverse engineer the DRM to allow people to decrypt their music or use it on a different platform. I want to use my iTunes music on Linux. There are tools out there that would allow me to remove the DRM from my music, making this possible, but it would be illegal for me to use them. Now, if my intentions were to go out and give this music to other people, I agree that should be illegal, but no more illegal than it would be to let somebody copy a CD.

      All DRM does effectively is lock people to a platform they may or may not want to use. The law then legitimizes this by not allowing people to create methods to play their music on other platforms. I have no major objection to vendors trying to lock people to their platforms, my big objection is to the laws that allow them to do so.

    35. Re:Would some one please explain... by drsmithy · · Score: 1

      Would some one please explain what exactly it wrong with DRM? If you have a problem with concept of copyrights in general, then I can understand. But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

      Well, I'll give you the third alternative. I think copyright is a broken concept, but I'm all for DRM on the proviso works protected by DRM are *not* protected by copyright (ie: it's DRM or copyright, but not both).

      I do agree with your confusion, however. I cannot see how someone can be *for* the concept of copyright (ie: that the creator of "intellectual property" has an inherent right to restrict it in any way they see fit) but *against* DRM (which finally endows content creators with the inherent right copyright says they have).

    36. Re:Would some one please explain... by the_greywolf · · Score: 1

      Your post must have been corrupted! its MD5 sum is e71ce44a7912a26e2cd7822f3d179aaa!

      --
      grey wolf
      LET FORTRAN DIE!
    37. Re:Would some one please explain... by RAMMS+EIN · · Score: 1

      ``If copyright owners are hitting themselves on the head with hammers, sooner or later they'll stop, won't they?''

      Depends on the weight of the hammers and the thickness of their skulls. People are still buying DRMed content in droves, so I can't imagine the copyright owners are feeling a lot of pain. Neither are the consumers, or they wouldn't be buying the stuff without protest.

      ``Why do we need a day against hammer-heading?''

      As far as I'm concerned, we don't. There is plenty of non-DRMed content being produced. Those who are opposed to DRM can go with that. Those who accept DRM can take whatever content they want.

      Having said all that, I feel that one thing does warrant raising awareness about: the fact that reverse engineering DRM schemes has been made a criminal offense, even if no copyright violations are performed. I believe interoperability should be encouraged if not mandated, but certainly not outlawed. I also believe that if a DRM scheme restricts what use consumers can make of a work beyond the restrictions of applicable laws, the people imposing those restrictions should be punished, not the people lifting or circumventing the restrictions.

      --
      Please correct me if I got my facts wrong.
    38. Re:Would some one please explain... by Grishnakh · · Score: 1

      I do, however, believe that publishers and creators should have to choose between self-enforced protection (DRM) and government-enforced protection (copyright law). They should not be able to leverage both at the same time, because the two legal concepts of DRM and the "copyright bargain" are diametrically opposed to each other.

      I agree. And if someone figures out how to break the DRM protection, people should be allowed to distribute that content freely as much as they please. That should be the price for using DRM.

    39. Re:Would some one please explain... by John+Miles · · Score: 1

      The likelihood of a benevolent DRM-breaking hacker appearing to save us all from bad legislation should not affect the legal questions behind DRM enforcement. That's as naive as the judge who said something to the effect of, "Let them make copies of the cassette version, then," when confronted by fair-use arguments.

      --
      Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
    40. Re:Would some one please explain... by QuantumG · · Score: 2, Insightful

      Ok, it's really easy, the devices that I own should do what I want even if what I want to do is violate copyright. That simple: my device, my choice.

      --
      How we know is more important than what we know.
    41. Re:Would some one please explain... by Reaperducer · · Score: 1

      If I buy a Van Gogh (unlikely), I own that painting. I can take pictures of it, copy it, move it around my house, do whatever I want.

      Amazingly, this isn't true. If you own a painting, you own the physical painting. But the artist retains the copyright. Sure you can move it around your house, or even sell it to someone else, but you are not allowed to copy it or sell pictures of it.

      Rediculous, but true.

      I had a run-in with this notion in copyright law a few years ago when I took one of my wife's paintings to a Kinko's. I wanted them to use their large-format scanner to scan a copy of it onto a CDROM for me. They wouldn't do it! I did some research into the issue and found out, to my surprise, that they were right.

      After a few days of wrangling, the manager finally let me do it once I produced a letter from my wife (kind of an amateur affadavit) attesting to the fact that she painted the painting and that I was her husband and had permission to copy it for her.

      --
      -- I'm old enough to have lived through six different meanings of the word "hacker."
    42. Re:Would some one please explain... by enrevanche · · Score: 2, Informative
      Your response has no relation to "fair use". I suggest that you try reading up on it.

      http://en.wikipedia.org/wiki/Fair_use

      http://www.copyright.gov/fls/fl102.html

      Fair use gives you some rights over copyrighted material even if the author does not want you to have it. DRM prevents you from exercising your legal rights.

    43. Re:Would some one please explain... by enrevanche · · Score: 1

      A PDF with printing turned off stops you from reading a document how you want to read it. Adobe knows that they cannot legally prevent you from printing a document so they deny you the right to do it in software.

    44. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      What does Abobe have to do with anything?

      In this hypothetical situation, it's *my* document that *I* own *I* gave you, and I think that I should have the right to turn off printing if I want. You haven't argued against this point, instead you started talking about Adobe for some reason.

      Please, tell me how my using DRM to manage my own property is bad. I'm waiting.

    45. Re:Would some one please explain... by Chris+Burke · · Score: 2, Informative

      It certainly does not mean having more fun with the copyrighted work than the owner wanted to allow you! If he says you can only play it on a certain device, that is his right. That is fully protected by copyright.

      No, it isn't! The copyright owner does not in general have any say over how you use the work. That includes playing it on any player you want to. No, they don't get a say in that. Yes, you can have more fun with the copyrighted work than the owner wanted to allow you. That isn't "fair use", it's just use. Use is not covered by copyright.

      You will notice that the line you quote says that "fair use is any copying of copyrighted material" and then goes on to list things that do in some way involve copying and making derivative works of a copyrighted act which would normally be prohibited. It doesn't list "having more fun with the copyright work than the owner wanted" because that has nothing to do with copyright and hence fair use. So you're right it isn't a good example of fair use, but it is also not a good example of something the copyright holder has the right to prohibit.

      To be clear, there are three classes of "uses":
      1) Those prohibited by copyright, such as distributing copies or making derivative works or public performances.
      2) Those which are nominally prohibited by copyright, but exempted under "fair use" clauses.
      3) Those which are not prohibited by copyright and thus do not need to be exempted by fair use.

      The problem with DRM is that in the name of protecting 1, it prohibits both 2 and 3.

      Of course the ones who are heavily invested in DRM see this as a feature. It allows them to enforce whatever crazy restrictions they want, like limiting the number of times you can listen to a song or charging you rent for songs where they can stop you from listening to the songs if you stop paying, but they are not given the right to create those restrictions based on copyright law. However because DRM enforces copyright law, and DRM also enforces these other restrictions, it creates the illusion in peoples' minds, like yours, that these are all covered by copyright law.

      Well, they're not. Look it up. You will not find anything in copyright law empowering copyright owners to limit the number of times you listen to a legally acquired copy of their song. Copyright law only empowers the copyright owner to say who may or may not distribute the song. That's it.

      By the way, it is legal for someone to distribute a copy of a work with certain stipulations like "you have to return this to the store by Thursday at 11pm", but that's a contract, and it has nothing to do with copyright law.

      But being able to play content in different ways than the copyright owner wanted you to? No way is that fair use. He has every right to be able to charge you extra for that right, just as with other ways of enjoying his work.

      Again, that is not fair use, but it is also not a violation of copyright. He does not have every right to charge me for the right to play the content in different ways, just as he does not have the right to prohibit other ways of enjoying his work. If Stephen King doesn't want me to use legally acquired copies of his books as toilet paper, guess what? Tough shit for him (and tough toilet paper for me, but that's not the point).

      --

      The enemies of Democracy are
    46. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      Ok,

      1) Stop saying "Orwellian." I read Slashdot a few minutes each day, and I probably end up seeing the word "Orwellian" about 40,000 times a week. Criminy.

      2) (or over the emerging darknet) Huh?

      3) What about video game piracy? You might consider video games too locked-down, but I don't think anybody disputes that the DRM on Xbox, PS2 and Gamecube games is a bad thing. Without it, you'd end up with another Dreamcast-- a console that loses tons of sales because the games are easily-duplicated and ends up in the crapper. The only restriction Xbox/PS2/Gamecube DRM really institutes is "you can only play this game on the console it's published for with the disk it's shipped on," Is that "too strict?" Really?

      Sure, video game DRM gets broken very quickly, but since 95% of video game buyers either are honest, don't know about the crack, or don't know how to apply the crack, the system still works. I've seen no evidence that a DRM crack distributed over the net ("dark" or otherwise) will significantly defeat the purpose of DRM.

      The problem is that almost all the people on Slashdot rallying against DRM are really rallying against "DRM that prevents them from getting free music, TV shows, and movies." Nobody here gives a crap about the DRM on console games, or the DRM on PDF files that gives the creator of those files more freedom than they would have otherwise. Or the DRM that allows only signed device drivers to run so your computer blue-screens less often.

    47. Re:Would some one please explain... by Anonymous Coward · · Score: 1, Insightful

      He told you already, but apparently you went out for a coffee and only read the second sentence.

      Some people don't like to read on screens. Some people CAN'T read on screens. People with low resolution devices might not be able to read your document with the same ease as others. Why should you be allowed to discriminate against users because of their hardware, needs, or preferences? If I have an 8-bit colour video card, your document might well look markedly inferior to the printed version. Why do you think you should have the right to stop me from printing a copy to read in bed, or on the train? What is so magical about your work that you get to dictate it must only be viewed electronically?

      You want to stop printing so that you can control distribution? Copyright laws already cover that.

    48. Re:Would some one please explain... by macshit · · Score: 1

      You're basically invalidating the copyright altogether by refusing to put definate numbers on "fair use".

      That simply isn't true.

      A "definite numbers" of copies is an overly simplistic concept that doesn't fit the intention of "fair use."

      If my listening device breaks 300 times (silly, but certainly possible if it's a Sony), then I want to be able to transfer my songs 300 times. A real person, upon seeing the situation could tell in half a second that it's clearly fair use; overly simplistic rules do not capture that.

      The providers do not care at all about the intent of copyright laws, they simply want money shovelled into their mouths as fast as possible; to that end, they'll ignore the law to whatever extent they can get away with. It's up to the public to stand up for their rights.

      --
      We live, as we dream -- alone....
    49. Re:Would some one please explain... by Anonymous Coward · · Score: 1, Insightful

      An additional point I forgot to make - DRM is an attempt to bypass the valuable aspects of copyright. An author is granted temporary control over distribution as an incentive. The incentive for the public is that eventually that author's work will belong to everyone to be used as desired. A PDF that can't be edited or printed today remains uneditable and unprintable when the copyright expires. Do you believe you should have ultimate control over your work for eternity?

    50. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      DRM grants copyright holders powers not provided by law, and which are not clearly delineated ahead of the purchase. What right does a musician have to tell you that you cannot listen to their music in your computer when you buy a copyprotected CD designed to prevent such, but not labeled as such? Paying money for something that I don't get to keep is called a "rental" in just about every industry, but I can "buy" movies that I am only permitted to watch once.

      Furthermore, while copyright should eventually expire, DRM will not. Assuming that the company that encrypted the stuff is still around and still knows how to decrypt it by the time it finally expires, it's likely that they will say "oh, we have stuff with that encryption thats still covered for the next 5 decades, so we can't let you break it yet"

      Finally, with the media cartels pushing so hard, I don't believe the day will be far off when everything will be required to be wrapped in DRM. Garage bands will be unable to distribute their own recordings by themselves, because the .mp3 file might actually be a recording of Metallica, and they'll have to sign up with a record label and pay all the associated fees just so that their friends and a few random people can hear them. Same goes for that shakeycam^Wamateur movie.

    51. Re:Would some one please explain... by cpt+kangarooski · · Score: 1

      But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

      I like the general idea of copyrights, and I support copyright laws that actually accomplish the purpose of copyright laws (viz. to promote the progress of science), particularly those that do a good job of it.

      And I despise DRM.

      Copyright is a utilitarian system meant to serve the public interest. It may be altered by legislation, interpreted by the courts, and stricken down when unconstitutional. It is limited in duration and in scope. It only applies to some subject matter. Copyrights cannot be enforced unless the appropriate parties take affirmative action to do so, which at times, they may not wish to do. Copyright cannot be used against the copyright holder. Copyright is optional, and need not exist at all.

      DRM is not like that in any way.

      DRM is meant to serve the interests of publishers and authors, regardless of whether they hold copyrights or not. DRM systems are privately implemented, and generally exist independently of their implementors (e.g. DVDs are static in nature), and so are resistant to change stemming from government at the behest of the people. DRM is permanent in duration, and is inescapably overexpansive in scope as compared to copyright. DRM applies to any subject matter it is used in relation to. DRM systems effectively enforce themselves, even when they do so beneath the notice of those that implemented them. DRM can interfere with authors that use it (e.g. if you lose your master and need to use a DRM-encumbered copy as a new master, the DRM might interfere with you, especially if you're on a tight budget). It is probably impossible to legislate DRM away.

      But do they not have a right to protect their intellectual property?

      Taking your underlying meaning, yes. But those rights are only what we give them, and should only be given when it suits our purposes to do so.

      DRM is utterly hostile to the public. Since copyright is a creation of the public, granted to authors when it serves the public to do so, we need only be cautious to avoid it from being abused, granted unwisely, and harming the public. DRM is harder to control.

      Ultimately, I think the best tactic is to 1) make copyright and DRM mutually exclusive, such that if an author opts for one, he must forgo the other, and 2) to not only make it lawful to break DRM systems (which would, per #1, only be protecting public domain material), but to encourage it with government sponsorship and resources. In this way, while authors would be free to use DRM, as I think they must be, given free speech, they would not be encouraged to do so, and would in fact face an uphill struggle if they dared. Copyright, OTOH, would be encouraged, but would also be modified so that it better served the public interest.

      The way I see it is there is nothing wrong with the concept of DRM, only with the abuse of DRM. Is this a "slippery slope" argument?

      No. All DRM systems I know of go beyond copyright, and so their abuses are already evident. It's really not possible to have one that didn't, since copyright is extremely flexible in certain respects (particularly fair use, which is capable of covering any use, though it need not cover any specific use). So we're already on the slippery slope; it's quite real, in this case.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    52. Re:Would some one please explain... by Petrushka · · Score: 1

      Would some one please explain what exactly it wrong with DRM? If you have a problem with concept of copyrights in general, then I can understand. But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

      /me sticks hand halfway up.

      I'm in favour of limited copyright, just not "life plus 70 years" or any nonsense like that. But DRM absolutely is intrinsically, in and of itself, offensive and unambiguously wrong.

      Content creators who use DRM like to think that it is a way for them to stick up for their own rights. In fact it is an attempt to claim new rights, beyond what copyright already gives them. And in doing that, they actually abuse the customer's rights.

      I refer you, on the assumption that you are likely to live in the US, to the notion of "fair use", which is a right that you as a customer have. DRM is a means to prevent you from exercising that right. Furthermore, it is an abuse of that right in such a way that there are very strict laws to prevent you from re-acquiring your right.

      In short, there is no excuse whatsoever for DRM in commercial products, in any way, shape, or form, ever. Anyone who uses it is violating their customers, much as they might like to think that they're just s.

    53. Re:Would some one please explain... by Petrushka · · Score: 1
      I do, however, believe that publishers and creators should have to choose between self-enforced protection (DRM) and government-enforced protection (copyright law). They should not be able to leverage both at the same time, because the two legal concepts of DRM and the "copyright bargain" are diametrically opposed to each other.

      That's a really, really interesting idea, and I don't think I'e ever heard anything quite like it before. I support it fully. Congratulations to you sir.

    54. Re:Would some one please explain... by cpt+kangarooski · · Score: 2, Insightful

      That's true only if "fair use" can't be specifically defined.

      And it can't be. That's the whole point of fair use: it protects uses that are fair, given the circumstances involved. It is impossible to say that making backup copies, for example, is a fair use. In some circumstances it might be. In others, it might not be. A court is capable of looking at the facts and making a decision. And other courts might disagree given the same facts, it's such an infamously nebulous concept. This is routine. But no DRM system will ever be able to do what a court does.

      But by saying "fair use" can't be specifically defined you're saying: "Hey copyright holders! You can't enforce your laws because you don't know if 'fair use' for me means 10 copies or 1,000 copies or 1,000,000 copies."

      No, and now you're just being an idiot. Fair use can't be defined. But if a copyright holder thinks that a particular use is not fair, and you think it is fair, then you go to a court, and they make the final decision that both of you are stuck with. And so it is perfectly easy to enforce the law.

      Not to mention the argument that you are agreeing to their terms of purchace, and they can tell you to use whatever device they damn well please. Again, the free market agument comes into play.

      Copyright already deals with a government-granted monopoly, and artificial scarcity, so the idea of a free market has flown right out the window from the get-go. As for terms of purchase, let's remember that the law of sales, contract law, copyright law, etc. are laws, and thus may be changed. Some terms may simply be unenforcable according to the law, either substantively (i.e. a particular term is objectionable) or procedurally (i.e. the method by which the term was put forth wasn't the correct one). And others that are enforced now, may become unenforcable in the future. Where there is a conflict between what the law says, and what DRM says, I'm going to side with the law.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    55. Re:Would some one please explain... by cpt+kangarooski · · Score: 2, Insightful

      But how serious is this? Copyright doesn't expire for like 100 years.

      But you forget: copyrights are limited in scope. For example, it is not an infringement of copyright to rent a DVD you own to someone else. If DRM interferes with this, it's no different than DRM interfering with something that wouldn't infringe copyright simply because the copyright has expired. The main limitation we're concerned with is fair use, because literally any use, under the right circumstances, is a fair one. (And conversely, no use, under the wrong circumstances, is fair)

      What is the likelihood that today's DRM will still be effective then, and that the DMCA and similar laws will be unchanged?

      Who cares? Copyright is a very forward-looking law. It is meant to assure a net public benefit in the future. If this is uncertain, then the law is not a good one.

      Imagine if a town issued bonds to build a water tower, but they wouldn't promise that the bonds would ever mature. Maybe they would, maybe they wouldn't. Without this certainty, no one would be stupid enough to buy the bonds, and the town wouldn't raise the money for their project.

      DRM is quite similar, except that people willing to tolerate it are in fact being foolish enough to do something else, like throw money away in the example above.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    56. Re:Would some one please explain... by jZnat · · Score: 1

      Ideas aren't physical and thus can't be considered "property". You put your idea in the wild, it isn't "yours" anymore. You can claim copyright control over that idea, but it ain't yours anymore.

      Besides, if you want to protect your "intellectual property", don't put it out in the wild. Oh, but you wanted to do that? Tough shit; you can't have your cake and eat it too.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    57. Re:Would some one please explain... by codepunk · · Score: 1

      Well you are not giving us enough information. If you sold me this pdf file for profit then yes you are wrong, at least in my opinion to restrict printing for my "own" personal use.

      --


      Got Code?
    58. Re:Would some one please explain... by Anonymous Coward · · Score: 0
      But do they not have a right to protect their intellectual property?
      Only the creators (the physical persons) should have "intellectual property". Ideas are created by persons, not companies.
    59. Re:Would some one please explain... by numatrix · · Score: 1

      Too late for this to do any good likely, but somebody with points, please mod up the last two comments! They're great examples of why DRM is intrinsically bad, even when you try to use it for "good" intentions.

      Unless DRM magically goes away at the end of a copyright term (good luck automating that given the ever-changing deadline -- Thanks, Disney), you're violating the implicit balance that copyright is supposed to be by definition.

      That balance is between the public good and the private incentive to create. DRM strips the benefit to the public.

    60. Re:Would some one please explain... by numatrix · · Score: 1

      Thanks, Cap'n for once again demonstrating why you're on my favorites here. :-)

      The other important point I think is that unless the DRM automatically expires itself when the copyright ends (and that's impossible unless the DRM has access to some trusted time source (hah!) and is psychically able to predict copyright term extensions), it's not fulfilling the original balance of copyright, even aside from subsequent fair uses we're figuring out for ourselves.

    61. Re:Would some one please explain... by Anonymous Coward · · Score: 0
      As a content creator, I know what its like to see people happily taking your hard work for nothing, and then even giving you a hard time if you suggest that people should pay for it.

      Why on earth would you expect payment for something that can be infinitely reproduced for free? IF you can't hack it, then you should spend your time creating things that can't be easily duplicated instead of complaining that the world doesn't revolve around your sense of entitlement. You sound like a man complaining that people are "taking" "your" fire by sticking their own torches in it instead of buying a lit torch from you.

      Grow up.

    62. Re:Would some one please explain... by Digital+Vomit · · Score: 1
      Who cares? Copyright is a very forward-looking law.

      You mean used to be a very forward-looking law.

      --
      Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    63. Re:Would some one please explain... by khayman80 · · Score: 1
      1) Stop saying "Orwellian." I read Slashdot a few minutes each day, and I probably end up seeing the word "Orwellian" about 40,000 times a week. Criminy.

      Don't look at me, the gp started it. :)

      2) (or over the emerging darknet) Huh?

      I might have used that term incorrectly, but here's the start of wikipedia's entry for darknet: A Darknet is a private virtual network where users only connect to people they trust. Typically such networks are small, often with fewer than 10 users each. In its most general meaning, a Darknet can be any type of closed, private group of people communicating, but the name is most often used specifically for file sharing networks.

      What I meant was that, despite a common belief that "most people can't crack this, so it's safe", it only really matters if *one* person can crack DRM, because that crack (or, equivalently, the un-DRM'd media that the crack produces) can (and will) be spread over the internet to everyone who wants it, and there's not a god damned thing any government/corporation can do about it. The Man can try to track us down, but each time they bring down a P2P network, we'll create a new one, more efficient and more untraceable than the last.

      3) What about video game piracy? You might consider video games too locked-down, but I don't think anybody disputes that the DRM on Xbox, PS2 and Gamecube games is a bad thing. Without it, you'd end up with another Dreamcast-- a console that loses tons of sales because the games are easily-duplicated and ends up in the crapper. The only restriction Xbox/PS2/Gamecube DRM really institutes is "you can only play this game on the console it's published for with the disk it's shipped on," Is that "too strict?" Really?

      This is a serious concern of mine, not just about video games, but about digital media in general. Namely, I believe that DRM is impossible to implement without serious negative consequences. Without DRM, how will media companies guarantee that their hard work will result in a profit, so that investors will give them money to make the next round of movies/games/music?

      A naive answer would be to say that if you offer people high quality, unencrypted media at a reasonable cost, X% will take the high road and legitimately buy the product. While this is probably true, I doubt that the revenue (even at the pricing "sweet spot" where the price times the audience times the percentage of the audience that pays is maximized) would support anything remotely like today's huge media conglomerates.

      On the other hand, is this really a bad idea? Maybe one reason that lots of modern movies, games and music are sequels or dismissed as "generic and uninspired", or "pandering to the lowest common denominator" is precisely because companies are making them for the sole purpose of generating a profit rather than for the love of the craft. Perhaps reducing the profit incentive would actually increase the quality of the media available, though admittedly at the loss of quantity.

      What would this do to movies? Would it result in films with shitty special effects because of the lower budget? I doubt it- just download and watch "Star Wreck, In the Pirkinning". It's a free film made by a couple of guys in their basement in their spare time. Say what you want about the acting, the special effects are incredible.

      Would music be worse? Audio recording equipment is expensive, certainly, but why couldn't a group of bands pool their resources and buy one kickass sound stage, then share it?

      On the other hand, video games seem to require a huge investment of man hours... I think that the quality and quantity of games would actually suffer under a system like this. I'm not sure though.

      Nevertheless, I must stress that I'm not anti-DRM because I want to download free music and TV shows and movies. Granted, I do that, but that's mainly because there is no legal way for me to obtain DRM-free media at a rea

    64. Re:Would some one please explain... by trytoguess · · Score: 1

      This works on the assumption that there will be no legal, "unDRMed" copies in existience, which I find rather unlikly. Course like NASA there'll probably be many cases where these copies are lost... I guess then we hope or wait for the particular DRM to be fair use, or look for pirated copies :).

    65. Re:Would some one please explain... by demallien2 · · Score: 1

      That's no more restrictive than the fact that my computer won't read VHS video cassettes. What!?! You mean that the evil corporations have stopped me from exercising my legal fair-use rights by nor providing compatiility between VHS cassettes and computers! The bastards! Every single one of them! The state of affairs around 2000, where everything was going digital, but DRM was still in it's infancy, thus allowing massive intercompatibility between digital devices, wass an aberration, not the norm. I don't remember too many people complaining for example that they had to repurchase their video collection when they moved from VHS to DVD. The fact that we are just returning to the status quo is the reason that the masses aren't complaining loudly. If you tell the average computer users that they can't use iTunes Music Store files on another device because the files aren't compatible, that person is going to see it as being exactly the same type of problem as not being able to play an LP in a cassette player. They consider this to be reasonable (if somewhat annoying).

    66. Re:Would some one please explain... by Technician · · Score: 1

      DRM is great for XBLA games. It enables companies to sell their games --

      And removes your right to first sale..

      In other words, when you are done with the game, you can't put it on E-Bay like you can a copy of Mario or Unreal. This isn't a problem why?

      --
      The truth shall set you free!
    67. Re:Would some one please explain... by Technician · · Score: 1

      Being able to play content on multiple different players is not fair use.

      Probably true. However it severly limits the value of the content. Content that can play in my living room DVD player, Car stereo, Computer, Portable player, and flash player is much more valuable than content that will only play on my flash player and computer. The later is typicaly encoded at only 128Kbits and the former is CD quality. To boot the former can be resold when I'm done with it unlike the latter. Explain to me again why the latter is lower quality, limited playback capacity, has no first sale protection and priced at near the same price as the former when it is worth so much less?

      You can see why I don't buy DRM content except DVD's which still carry first sale rights and can play in any same region player.

      --
      The truth shall set you free!
    68. Re:Would some one please explain... by cliffski · · Score: 2, Insightful

      oh dear.
      I guess people like you dont think that JRR tolkein deserved a single penny for writing his books? you think that Jane Austen, Charles Dickens, iain Banks, George Lucas, gene roddenberry, all these people should have become plumbers instead. increasingly, everything that we create is becoming reproduceable in digital form. You seem to think that nobody that creates anything that can be digital work should be paid. how quaint.
      I guess you dont understand the concept of fixed and marginal costs, or basic economics. Or that the people who create all this 'art; need to be paid for their work, else they too will have to go become plumbers. I'd rather live in a world where great art and information was actually produced, rather than a world where everyone did manual work because its the only wat to ensure they get paid.
      People like you are entirely the problem.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    69. Re:Would some one please explain... by Technician · · Score: 1

      (2) DRM will never work correctly without overly restrictive government controls. For example, let's assume that "Brand New Hyper DVD" format is completely uncrackable- the disks can never, EVER be decrypted and copied digitally. So what?

      It will never sell. Case in point number 1.. Audio compact Disk recorders. The audio compact disk recorder uses Music Compact Disks only. There is a royalty on blank Music CDR's. The recorder by law has to use DRM to protect against serial copys. EG a copy of a copy can not be copied. Have you ever seen one of these music Compact Disk recorders? Nope. People use Computer Data CDR drives without the DRM.

      Case point 2. The Digital Audio Tape or DAT.. See above. I have seen only one DAT machine in my life in a radio station. The station had no tapes for it. It sat unused. Again Data CDR drives made an end run past this still born technology.

      I would love to have had a DAT in it's day, but the limitations made it unusable for mastering as the submaster could not be duplicated for distribution even if I was the copyright owner. We just stuck to either reel to reel or high quality Compact Cassette.

      I'm very happy computers were not totaly locked down. We now hard disk record and edit. Again, computer equipment is making an end run past locked down audio equipment. This helps the audio equipment manufactures how? I know, they now manufacture computer parts.

      --
      The truth shall set you free!
    70. Re:Would some one please explain... by cliffski · · Score: 1

      Ok its really easy. if i spend MY time making MY product which I sell, then it should be possible to sell it on the terms that I dictate. This isnt food or shelter, its software, music and TV programs. If you dont like it, dont buy it. Thats called capitalism and the free market. If you dont, there are plenty of non-capitalist countries you may prefer...

      --
      DRM-free indie games for the PC and Mac: Positech Games
    71. Re:Would some one please explain... by QuantumG · · Score: 1

      How does that entitle you to put shit into my player which I don't want? And, worse yet, how does that give you the right to pass laws which force me to buy a player that does this shit that I don't want? Finally, what gives you the right to dictate the terms to me which you and someone else agreed upon and I didn't? If your customer gives me a copy of your work after promising they wouldn't, take it up with them.

      --
      How we know is more important than what we know.
    72. Re:Would some one please explain... by shutdown+-p+now · · Score: 1
      But do they not have a right to protect their intellectual property?
      Not at the expense of people other than those they are protecting against.
    73. Re:Would some one please explain... by Jussi+K.+Kojootti · · Score: 1
      Would some one please explain what exactly it wrong with DRM? If you have a problem with concept of copyrights in general, then I can understand. But is there anyone out there that is cool with copyrights, but thinks DRM is bad?

      I think that copyright is a good idea and that we currently have a working implementation of it (although some aspects like "life+70" are just plain wrong). I also think that the basic idea of DRM is very cool. I'm not convinced that it can be implemented without very, very bad side effects though -- a bit like benevolent dictatorship: It would be the most efficient form of rule by far, but it's also prone to failure and very difficult to fix if it does fail...

    74. Re:Would some one please explain... by Builder · · Score: 1

      That would be me then...

      I support copyright fully. If an author releases a work under a license I can't live with, I forgo that work. I also make money off of copyright from time to time (selling photographs).

      So here is my problem with DRM...

      Copyright eventually expires and the article passes into the public domain. This time limit has been raped by Mickey Mouse several times, but at least stuff still passes into the public domain.

      With DRM, it becomes impossible for something to EVER pass into the public domain because of the DMCA and EUCD.
      To get a DRMd item into a state that you can use it for other works, you will have to break the DRM. Even though you are fully entitled to the content at this point (it has passed the copyright life span and is legally in the public domain), you break the law by getting at the content.

      That's before you even get into stuff like fair use of your content while it is still under copyright.

    75. Re:Would some one please explain... by dr.badass · · Score: 1

      Say for instance I want to listen to some tunes and I can only get it in MS DRM protected files which don't work in my car stereo or on my linux machine, you see now we got a problem.

      Don't buy something that doesn't do what you want. Problem solved. It is no different than if you bought a CD when your car only has a tape deck.

      You cannot technically DRM protect content in a way which will allow legal fair use for the purchaser of the product.....period.

      Thank you for explaining that. I like how you actually backed up your assertion with facts. That's rare in this day and age.

      --
      Don't become a regular here -- you will become retarded.
    76. Re:Would some one please explain... by dr.badass · · Score: 1

      In particular, the DMCA anti-circumvention law in the US is unconstitutional because it does not require publishers to disable their DRM protection, or arrange for it to disable itself, upon the expiration of copyright protection.

      So what? Upon the expiration of copyright, the content still falls into the public domain. What difference does it make if the particular copy you purchased is encrypted?

      --
      Don't become a regular here -- you will become retarded.
    77. Re:Would some one please explain... by dr.badass · · Score: 1

      After this time period expires, the creative works get released into the public domain. Unfortunately, DRM'd files don't do this- the music you bought on iTunes in 2003 will still be restricted in 3003.

      You're confusing two different things here. The files you purchased on iTunes may, in theory, continue to be restricted. This doesn't change anything about the copyright status of the content.

      --
      Don't become a regular here -- you will become retarded.
    78. Re:Would some one please explain... by cliffski · · Score: 1

      eh?
      If you dont want it, dont buy it. its not complex. Who is FORCING you to buy anything? People need food, water and shelter, they do not NEED a flipping DVD player or HDTV. Feel free to stick to VHS, it has not been outlawed. If companies invest billions in new technology like DVD, you dont think they have the right to protect that investment? I dont notice you developing your own rival to DVD that allows copying. You want the benefits of big corporate investment, and dont want to pay for it.

      Its because of people freely copying copyrighted material that its neccesary to legislate to prevent people doing so. If your annoyed about this, blame the pirates, not the manufacturers. Also, it sounds like you agree that the person who distributes the product against the terms of the purchase agreement should be prosecuted yes? which means that people sharing files on p2p that are copyrighted should be prosecuted? and people like the pirate bay who host links to known copyrighted works should also be prosecuted?
      In that, we agree.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    79. Re:Would some one please explain... by Alsee · · Score: 1

      Your link addresses some examples of Fair Use, but it is certainly NOT the legal definition of Fair Use in general. And it really should be pretty obvious that your definition/notion of Fiar Use is wrong... I presume you have at least heard of the Suprem Court Betamax ruling, and that it explicitly recognizes VCR taping as Fair Use.

      VCR taping is not "comment upon, criticize or parody a copyrighted work", VCR taping is not "things that are educational and/or political".

      Copyright ONLY restricts (some) copying and redistribution and public performance. Exclusive rights in copyrighted works. Copyright is absolutely not about some entirely fictional "right to use". If I buy a record and I put it on my own custom record player that runs backwards, and I want to play the music backwards to look for hidden Satanic Messages or anything else... that in absolutely no way falls under the scope of copyright. The copyright holder can yell and scream untill he's blue in the face that he FORBIDS me to play the music on the record backwards... but copyright grants no such right to prohibit or control noninfringing use.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    80. Re:Would some one please explain... by Alsee · · Score: 1

      I suggest you learn what Fair Use actually means before getting into the middle of this debate. Fair Use is a LEGAL TERM with a LEGAL DEFINITION. Fair Use has absolutely nothing to do with anything you wrote in your post.

      Fair Use is not some NOT some list of "the copyright holder lets me do X Y and Z and I like X Y and Z".

      Fair Use is almost the exact opposite. Fair Use means things that copyright law does not and cannot restrict. Fair Use means things that copyright law does not and cannot grant the copyright holderany right to control. And most importantly Fair Use means things that you have the right and freedom to do even when the copyright holder wants to FORBID it.

      I can delete them and re-download them free of charge (eliminating the need for backups)

      That's nice. However it has nothing to do with Fair Use.

      Making a backup is not copyright infringment, and the copyright holder has no right to prohibit you from making a backup. Just because the copyright holder offers some extra service does not elimiate the noninfringing nature of making a backup, does not somehow eliminate the legal right to make a backup.

      DRM is great for XBLA games. It enables companies to sell their games

      No it doesn't. Copyright is hundres of years old and has ALWAYS "enabled" companies to sell stuff. The very term DRM did not even exist a decade ago. DRM has absolutely nothing to do with copyright and absolutely no basis in copyright.

      DRM is one thing and one thing only - the absolutely stupid and evil (and likely unconstitutional) law passed just a few years ago which says that INNOCENT NONINFRINGING people go to prison. Without the DMCA/EUCD saying noninfringing people go to prison there is no such thing as DRM.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    81. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      >>If you dont, there are plenty of non-capitalist countries you may prefer...

      Yeah, and we all know how the "freedom loving free market capitalists" take it when anyone does anything they don't agree with:
      1. Try to assassinate the head of state,
      2. Start embargos,
      3. Blow the crap out of... err, liberate, them.

      So yeah, most non-capitalist countries are in the hole thanks to capitalist countries. So get over yourself and stop with the "OMFG GTFO LULZ", fascist, you are not helping anyone.

    82. Re:Would some one please explain... by QuantumG · · Score: 1
      In that it is a breach of a contract, of course. But that doesn't mean anything to third parties.. to prevent them from making copies you need copyright, and that's the problem. Honestly, most of the injustice of copyright could be remedied by a few simple changes:
      1. opt-in instead of opt-out. At the moment, even doodles you make on a cocktail napkin and leave at the bar are covered by copyright.
      2. compulsory registration. At the moment, if I want to find the owner of a copyrighted work I almost have to hire a private detective.
      3. compulsory royalties. At the moment, people can use copyright to suppress and bury works by refusing to make copies for people who want them. I should be free to copy anything I want, and just pay a fee to my local royalty collector who passes it onto the copyright owner.
      4. regular registration fees. At the moment, it costs nothing to copyright something.. you don't even have to register it. If there was a nominal fee due anually people would actually have to choose if their work was worth the fee. If it wasn't, it should enter into the public domain immediately.
      5. reduced terms. Life + 70 years is just absurd.. it does nothing to encourage people to create more works.


      In regards to who is forcing me... the many laws that are on the cards to force DRM into products remove my ability to choose a product that doesn't have DRM. As such, I am unable to vote with my feet, as there's soon to be no free options available. Oh and "prosecuted" is the wrong term.. this is all a civil matter, the correct term is "sued".
      --
      How we know is more important than what we know.
    83. Re:Would some one please explain... by Alsee · · Score: 1

      > You cannot technically DRM protect content in a way which will allow legal fair use for the purchaser of the product.....period.

      That's true only if "fair use" can't be specifically defined.


      Exactly.

      Oh, you thought it was false? Well you inadvertantly cited EXACTLY one of the main reasons it is true. The US Supreme Court has explicitly stated that it is IMPOSSIBLE to ever create a definitive and complete definition of Fair Use... that it will ALWAYS bee possible that some new and never before imagined activity would qualify as Fair Use.

      It is already impossible to create any meaningful DRM that accomodates all already established Fair Use, and it is blatantly obvious that DRM cannot meaningfully restrict anything at all while at the same time allowing any and all unimagined activites which could be ruled Fair Use at any time in the future.

      But by saying "fair use" can't be specifically defined you're saying: "Hey copyright holders! You can't enforce your <distain>laws</distain>

      Wrong. Copyright holders are perfectly free to enforce copyright. They are perfectly free to sue infringers.

      Opposition to DRM is simply opposition to the absurd position of expecting to imprison INNOCENT NONINFRINGING people.

      Seriously, do you seriously defend the position that NONINFRINGING people should be imprisoned? Do you seriously defend the new evil and horribly broken law DMCA/EUCD which state that NONINFRINGING people shall be imprioned?

      Do you seriously suggest that it is unreasonable to be pro-copyright and anti-DRM? That it is unreasonable to take the position of defending and demanding copyright law of a decade ago, copyright law we've had for hundreds of years?

      you don't know if 'fair use' for me means 10 copies or 1,000 copies or 1,000,000 copies.

      Guess what? A million copies can in fact be Fair Use almost as easily as one copy is. If whatever I am doing is Fair Use... if whatever I am doing is NOT INFRINGMENT... then a million non-infringments can easily be just as non-infringing and just as legal as the first non-infringment was.

      And before you take some preconceived notions and butcher what the above paragraph, I obviously was not discussing P2P. I was saying (for example) that if you make one backup then two backups or a million back ups is just as noninfringing as the first one. Off the top of my head I don't have any particular motivation someone would want or need a million backups of something, but if someone did have some reason to want or need a million bacups, then the number does not alter the noninfringing nature of the activity.

      Ok, as a bizarre example... maybe someone happens to work in a DNA lab, and for a combination of experimental science reasons and/or basic backup reasons he works on backing up data onto DNA. Well that mechanism would inherently involve a million or more copies in a single drop of water. You could back up vast quantities of your data in this way, and you could spray that droplet of DNA-water onto a peice of paper or almost any other object... and you'd be able to recover all of your data so long as even the tinyest bit of that object survived with a single strand of the DNA. And of course it would again involve copying it a million times in order to read that strand of DNA.

      The point being that Fair Use and infringment-vs-noninfringment is generaly not about number of copies.

      If someone is not commiting copyright infringment, then it is unjust and unacceptable and likely unconstititional to say that that noninfringing person go to prison simply for circumventing/removing some DRM that attempted to block that noninfringing use. DRM that attempted block something when there was NO valid copyright basis to do so.

      the free market agument comes into play

      YES! And the DRM-laws are anti-free market.

      The DMCA/EUCD prohibit independant companies from offering competing producuts. They grant a media publisher a monopoly over

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    84. Re:Would some one please explain... by Loko+Draucarn · · Score: 1

      The difference is that with a VHS, it *is* possible to have the PC read them through an intermediary device (hook the VCR into a TV input card). With DRM, a company that tries to sell a conversion utility is going to get DMCAd into the ground.

    85. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      I guess that's why they call it "intellectual property." Sorry, you're just spouting the same double-think that the GPL people think that restricting how you can use code makes code more "free."

      Besides, if you want to protect your "intellectual property", don't put it out in the wild.

      And that's just spouting the "well DRM doesn't work so it shouldn't exist" argument that makes no sense at all.

      Sorry, I'm not convinced. I concede that some uses of DRM are harmful, but to say the entire TECHNOLOGY of DRM should be banned is moronic... it's just as moronic as saying every use of RFID tags should be banned because there's a *small* possibility somebody might abuse it. It's a ridiculous argument that's nothing more than lightly cloaked fear of technology.

    86. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      If I put "the user can't print this document" in my copyright notice, then you don't have the right to print it. (Companies that print music put disclaimers like this on their music all the time, except for photocopying and not printing.) The DRM in the PDF file just enforces that right that I already have. Whether you think that's "bad" or not, it's not wrong by the word and intent of the law.

    87. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      A PDF that can't be edited or printed today remains uneditable and unprintable when the copyright expires.

      That's not an argument against DRM, that's an argument about Adobe's specific implementation of DRM. There's no reason DRM can't put things in the public domain when the time comes.

    88. Re:Would some one please explain... by cliffski · · Score: 1

      1,2,4 and 5 I agree on, Im not sure what you mean about 4. The thing is, people who want to adjust the current (silly) copyright rules need to be much more vocal about what aspects of copyright they want changed, and not lump themselves in with the idiots who want to abolish it. The worst case of this to date is someone starting a party called the 'pirate party'. How can those people vaguely expect governments or corporations to listen to a word of what they have to say.
      Someone should set up a proper, mature 'consumer rights' group that is open and vocal about its support for the principle of copyright, but keen to prevent its excesses as you describe. Then, rather than arguing against them, I'm mroe than happy to be a paid up member.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    89. Re:Would some one please explain... by demallien2 · · Score: 1

      [sigh]
      No. Go and read the DCMA. Reverse engineering an encryption algorithm for the express purpose of interoperability is permitted. Yes, reverse engineering an encryption scheme that has been obfuscated to the best of the supplier's ability is a pain in the butt, but it can be (and is) done.

    90. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      I know what a "darknet" is, I just didn't know there was "the emerging" one. I guess I'm not in the loop.

      Regardless, as I've argued, it still doesn't matter if everyone *can* get the crack instantly as long as 95% of people don't use the crack for whatever reason. The DRM still works. The whole Darknet thing isn't going to "take down" DRM, it's just an annoyance that has to be accounted for by the media companies.

      Maybe one reason that lots of modern movies, games and music are sequels or dismissed as "generic and uninspired", or "pandering to the lowest common denominator" is precisely because companies are making them for the sole purpose of generating a profit rather than for the love of the craft.

      No, it's called "nostalgia." Movies, games, and music have always been that way. You're just forgetting the 10,000 Pac-Man knock-offs, the 200 Doom knock-offs, the 50 Final Fantasy knock-offs and remembering only the good and original games. I'm sick of this "quality is worse" crap wasn't treated as a fact by Slashdot instead of just an opinion by grumpy aging programmers.

      I'd like to see some proof that movies/music and games are worse than they have been in the past. But all I see every year is, "record number of games sold! Halo 2 best-selling console game ever! record number of movie tickets!" That tells me that the quality is either unchanged, or better, than it was in the past.

      Nevertheless, I must stress that I'm not anti-DRM because I want to download free music and TV shows and movies. Granted, I do that, but that's mainly because there is no legal way for me to obtain DRM-free media at a reasonable cost.

      Right, you and the other 20,000 people on Slashdot. "I'm pirating not because I just want stuff for free, but because there's no legal way for me to get it! Because, in my delusional world, DVDs, CDs, cable and satellite TV don't exist!" Christ. You're not fooling anybody.

      If you REALLY wanted to enact change and do the whole, "civil disobedience" thing, maybe you should, you know, make a sacrifice and not download the pirated materials, huh? Maybe I'd have a teeny bit of respect for your position if I knew you weren't just a freeloader. Unfortunately, I wager 90% of the people in this thread rallying against DRM are just in it for free music and movies, yourself included.

      All you want to do is break copyright law easier, you don't give a crap whether the law changes to something more reasonable or not. It's the same reason marijuana never will be legalized. Not because legalization is a bad idea, but because the vast majority of the people promoting legalization are all stupid, high, on other drugs, or self-defeating in some other way.

      What I'm not willing to do is support a company that's under the delusion that DRM is acceptable.

      First of all, after that last sentence I quoted, I wouldn't be one to judge whether other people are delusional or not.

      Secondly, you're not willing to support a company that uses DRM and yet you agree that the video game industry would suffer greatly if they didn't use it. So... you think nobody should buy videogames? You never addressed that one. But obviously you don't think DRM is all that bad if you're not against its use on videogames.

    91. Re:Would some one please explain... by Anonymous Coward · · Score: 0

      That's a good point, but kind of retarded. In this same sense you are saying that you want to buy a cassette tape and play it in your CD player or play laser disks in your DVD player. Better yet you want to use that TRS-80 game on your Windows Box without emulation.

      I'll agree the first two are a bit drastic, but I see the last one being very similar to DRM. You don't expect non compatibale binarys (in digital format) to work across platforms, yet you want the same for music?

      The music meets the player/format. Buy iTunes it works on iPods. Buy Fair Play it works (arguably) on Zune. This is known BEFORE you purchase it - well, if you know how to read.

      I don't see the difference here? I hope I'm not the only one? Please...

    92. Re:Would some one please explain... by FxChiP · · Score: 1
      Its because of people freely copying copyrighted material that its neccesary to legislate to prevent people doing so. If your annoyed about this, blame the pirates, not the manufacturers. Also, it sounds like you agree that the person who distributes the product against the terms of the purchase agreement should be prosecuted yes? which means that people sharing files on p2p that are copyrighted should be prosecuted? and people like the pirate bay who host links to known copyrighted works should also be prosecuted? In that, we agree.
      First off, learn proper grammar?

      Second, what you are failing to realize is that for all of your "protection", the pirates are the ones who are going to be circumventing it. Which means that the end user/customer is the one who loses out in the long run from all the restrictions that would then no longer apply to the pirates -- i.e., they're doing things legally and getting shafted while the illegal piracy has the reward of "Hey, I get to do whatever I want with this and show it to whoever I want."

      DRM hurts the consumer by:
      • Denying compatibility with *every* device the user owns, ostensibly out of the fear of the "incompatible" device being used to copy the file and provide a method of piracy. The solution to this is to make One DRM To Rule Them All -- but to do so, the companies would need to share info, and some of it might get leaked, allowing the DRM (format) in question to be broken. Even if the information is not leaked, there's only one target that's not moving much, and so when it's cracked, the piracy floodgates will open and that DRM will be rendered useless for its purpose.
      • Preventing copying. You may argue "this is illegal copying", but it isn't always -- for example, it's wise to keep as many backups as you possibly can so long as you can keep track of it all. But if DRM prevents you from doing this and the media the DRMed file is on happens to break for some reason or another, you will probably have to buy the file again, which shouldn't be necessary if you already paid for it.
      • "Slippery slope." DRM's current restriction is where you can put or play your file. Its future restrictions may include when you get to enjoy your media (and could be as draconian as "you get to listen to this only on Mondays, Wednesdays and Fridays from the hours of 7-10 PM"), and in the distant future possibly even who you get to enjoy it with. Will you be allowed to lend your media to others? If so, how? And so on.
      • Decreased quality of the media itself. Consider: you pay for the media, and find that it is of poor audio or visual quality, mainly because the people writing the DRM solutions are looking for an easy way to pull it off. AAC Protected (.m4p) is a lossy format, and I've heard that you can tell. Hell, I can tell in the case of Voltaire's The Man Upstairs where there are several audible "cracks" in the intro -- I bought it straight from Apple's iTunes. In any case, given that DRM formats can be (and often are, or so I hear) of a lesser quality than their unencumbered equivalents, this essentially means you are paying for a product that is a.) more restricted in its use and b.) not as good. To make a (probably poor) car analogy, it's like buying a Pinto that you can't drive in certain parts of downtown vs. buying a Lamborghini you can drive anywhere. (Yes, I probably got those wrong, as I'm not well-versed in the ways of the automobile)


      I apologize for the tangent, but there just seem to be a lot of reasons to me why DRM doesn't work and, possibly, can never work in favor of the customer while thwarting the pirate.
    93. Re:Would some one please explain... by John+Miles · · Score: 1

      So what? Upon the expiration of copyright, the content still falls into the public domain. What difference does it make if the particular copy you purchased is encrypted?

      The law requires that copyrighted material be made available to the public domain (hence the original purpose of the Library of Congress).

      While older DRM mechanisms such as CSS did nothing to prevent copying, newer systems work by associating players and content via hardware keys. The goal of these technological protections is to ensure that the content will never become accessible on any terms other than those of the content publisher-player manufacturer cartel.

      As I said, there's not a shred of Constitutionality behind any law that sanctions this business model. However, it's been argued (by actual attorneys) that no one will have "standing" to challenge the DMCA on this basis until someone is actually unable to access protected content whose copyright has expired.

      --
      Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
    94. Re:Would some one please explain... by cliffski · · Score: 1

      first of all, who gives a crap about my grammar?
      secondly

      "Denying compatibility with *every* device the user owns"

      who says this is your right? where on the box does it say "runs on everything"? If I buy a game for PC it wont run on Mac. if I buy a CD it wont play on my ipod. if I buy a book, I cant put the book in the DVD. This is nothing new.
      Feel free to only buy open source stuff that works everywhere. this is your right, nobody has remoevd this right. the vast majority of content is made by corporations and individuals who support some form of DRM. if you want to opt out of all this, you are free to do so. Just keep your money in your wallet.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    95. Re:Would some one please explain... by sowth · · Score: 1

      Yeah sure. Just like the fucking shitty Aiptek camera I bought, when opened revealed an "EULA" which said (among other things) I wasn't allowed to let anyone else use it except immediate family and I am allowed to give it as a gift, but only if I never open the box! (Which you have to do to read the EULA in the first place!)

      May all the cameras, microphones, keybords and other devices you buy have these clauses combined with a clause which says "you are not allowed to distribute content created by this device." Meaning if you type on the keyboard, the content is theirs. If you take a picture, the content is theirs. If you record a sound, the content is theirs.

      See if you can live like that. Let's see you sell something when everyone else owns everything you create.

      Once you sell a product, it isn't yours anymore. You can't dictate what other people do with it. Copyright law was only intended to make selling works in line with selling physical goods, not give vendors absolute control over something they don't even own anymore--that is what sale means, the buyer owns the property you sold. This includes copyrighted content.

      The buyer bought the right to have and use a copy of the content, the only right they didn't buy is to redistribute copies of your content. If they do that, they are breaking copyright law. They are not breaking the law if they don't follow your EULA. In fact, by inserting a EULA into your product where they can't see it until after they buy it and open the box, you are breaking the law by creating a blank contract--the end user doesn't see it until after they "agree" to it. You people have been smoking too much SCO crack.

    96. Re:Would some one please explain... by khayman80 · · Score: 1

      How so? My earlier statement seems identical to yours: copyright law allows for a finite period of time during which the works cannot be distributed freely. DRM enforces this restriction, but there is no feasible way (that I can think of, or that I've seen in proposed) for the files to be unlocked after the copyright ends, which results in indefinite copyright protection.

    97. Re:Would some one please explain... by khayman80 · · Score: 1

      Regardless, as I've argued, it still doesn't matter if everyone *can* get the crack instantly as long as 95% of people don't use the crack for whatever reason. The DRM still works. The whole Darknet thing isn't going to "take down" DRM, it's just an annoyance that has to be accounted for by the media companies.

      Based on the explosive growth of P2P networks, do you really think that 95% of people would voluntarily pay for content that they could get for free? I don't think people are that ethical- I know I'm not. If the crack is available anywhere in the world, it will be a trivial matter to distribute it in an undetectable fashion to everyone who wants it. I think the only way this could be prevented is for the government to take drastic and draconian steps (see how I didn't use the word Orw$%^ian there?) to prevent ANY private, encrypted communication from taking place. And that's EXACTLY what I'm scared is going to happen.

      No, it's called "nostalgia." Movies, games, and music have always been that way. You're just forgetting the 10,000 Pac-Man knock-offs, the 200 Doom knock-offs, the 50 Final Fantasy knock-offs and remembering only the good and original games. I'm sick of this "quality is worse" crap wasn't treated as a fact by Slashdot instead of just an opinion by grumpy aging programmers.

      You've probably got a point here. Strike the word "modern" from my earlier statement. I stand by this revised statement which says, in essence, that lots of mediocre films and music and games are mediocre because the primary objective is profit. I'll give you my favorite example: movies based on games and games based on movies. I think these exist solely because some marketing shrub says "Hey, look at all the people who liked movie/game X. Let's make a game/movie based on X and take advantage of that market." Now, perhaps this is just my subjective opinion, but I think these crossovers usually suck huge, hairy donkey balls.

      On the other hand, this is really just a tangent to my original point, which is that DRM poses a lethal threat to our (mostly, and increasingly less so) free society.

      Nevertheless, I must stress that I'm not anti-DRM because I want to download free music and TV shows and movies. Granted, I do that, but that's mainly because there is no legal way for me to obtain DRM-free media at a reasonable cost.

      Right, you and the other 20,000 people on Slashdot. "I'm pirating not because I just want stuff for free, but because there's no legal way for me to get it! Because, in my delusional world, DVDs, CDs, cable and satellite TV don't exist!" Christ. You're not fooling anybody.

      First of all, I can't speak for 20,000 people. I can only speak for myself.

      Secondly, you seem to be responding as though I'd said something like "I'm pirating not because I just want stuff for free, but because there's no legal way for me to get it!". If you look closely at the phrase you quoted, you'll notice that my statement was subtly, but crucially different.

      What I actually said was that my opposition to DRM wasn't based on my desire to download free movies. I still stand by my earlier post, where I laid out 5 reasons why I'm opposed to DRM. Notice that nowhere in that list do I say "I want lots of free shit". This was not an oversight or an attempt to "fool anybody".

      Right after that statement, I addressed my P2P network usage because you claimed that my opposition to DRM was based on my desire to download free movies, when in fact I'm pretty sure it's based on the reasons I outlined several posts up in this thread. I consider this to be a completely different topic, because it's possible to oppose DRM and never download anything, and it's possible to download gigs of material off mininova without caring (or even knowing) about DRM. In my opinion, opposition to DRM is a purely moral issue, while downloading movies is a more pragmatic dec

    98. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      Based on the explosive growth of P2P networks, do you really think that 95% of people would voluntarily pay for content that they could get for free?

      Read my statement in the original post. The 95% includes:

      1) The people who don't know about the crack and are happy paying for a copy
      2) The people who do know about the crack, but would rather pay for a copy
      3) The people who do know about the crack, but don't know how to apply it. (i.e. mod chips, or other cracks that take quite a bit of technical knowledge.)

      The 5% is just the people who want to steal it, have the know-how to steal it, and actually go through with stealing it. Obviously, it's just a rough guess number, but I wager the RIAA/MPAA/video game industry have much more accurate figures.

      (snip) (2): I'll be honest here: it's free, and I'm a cheapskate. (snip)

      Ding, ding, ding! We have a winner. I don't need to read the rest. It's buried deep in your statement, but there the truth comes out.

      Just give every copy of the game a CD-key, and make the server check each gamer's CD-key when they log in to play online.

      That works for PC games, but what about console games? I'm sure Blockbuster would *love* that for their rental business... every time they get a game back they have to call the publisher for a new code!

    99. Re:Would some one please explain... by khayman80 · · Score: 1

      Read my statement in the original post. The 95% includes:

      1) The people who don't know about the crack and are happy paying for a copy

      2) The people who do know about the crack, but would rather pay for a copy

      3) The people who do know about the crack, but don't know how to apply it. (i.e. mod chips, or other cracks that take quite a bit of technical knowledge.)

      The 5% is just the people who want to steal it, have the know-how to steal it, and actually go through with stealing it. Obviously, it's just a rough guess number, but I wager the RIAA/MPAA/video game industry have much more accurate figures.

      (1) I think it's grammatically incorrect to use the word "steal" in this context, the right phrase is "commit copyright infringement". For example, I think we can both agree on a situation which does constitute "stealing". If I "steal" a CD by taking it from a store without paying for it, I gain a CD while the store loses a CD which it could have sold for cash to a more honest person. Note that there are two parties to an act of "stealing" and one loses while the other gains. When I copy a music file, I gain music but the music company doesn't lose anything physical at all, despite their claims to profits "lost" through filesharing. This is a purely hypothetical loss on their part, based on the assumption that if I couldn't get the music via mininova, that I'd have no choice but to buy it at full price, in which case they've lost the sticker price of the CD. I think this reasoning is flawed for several reasons:

      (a): Some music I would buy for $5 or listen to if it's free, but I wouldn't pay $20 for the CD. In some instances, music that I would pirate I would not buy, even if I was unable to obtain the music through P2P networks. This means that in a situation like this, the music company is only "losing" the amount of money that I would actually pay for the music. The problem is that the RIAA is treating their product as though it's a commodity, like it's water... and we have no choice but to either buy it from them, steal it, or die of thirst.

      (b): I could just as easily buy the CD from a friend or from a store that sells used CDs, in which case the RIAA has lost nothing.

      This is why I think it's not correct to confuse copyright infringement with stealing. Stealing applies to situations in which the victim experiences a real, tangible loss. In the case of copyright infringement, determining what the music company loses when a file is copied is virtually impossible without knowing exactly how much the pirate was willing to pay, and whether or not the pirate knew of any place to obtain the CD legally secondhand. I'm definitely not saying that I think all copyright infringement is okay- if you read my original post you'll see that I support a limited form of copyright. I'm just saying that "stealing" and "copyright infringement" are two different ideas that shouldn't be confused. I apologize if it sounds like I'm splitting hairs, but I strongly believe that agreeing to definitions is the foundation to any civilized, productive debate.

      (2) Yes, I realize that you included "ignorance" along with "morality" in your list of reasons that DRM doesn't have to be perfect to be effective. I didn't address that point because I don't think that an industry whose profits are based on the assumption that their customers are too stupid or lazy to examine alternatives is on solid ground, financially speaking. It might be true that P2P is a "poweruser" phenomenon today, but as computers and high speed connections become more prevalent that elitism will quickly vanish.

      (snip) (2): I'll be honest here: it's free, and I'm a cheapskate. (snip)

      Ding, ding, ding! We have a winner. I don't need to read the rest. It's buried deep in your statement, but there the truth comes out.

      Since you didn't read the rest, I'll paste the relevant portion here so you ca

    100. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      I think it's grammatically incorrect to use the word "steal" in this context, the right phrase is "commit copyright infringement".

      In my world, where I'm not deluding myself, when you take something that doesn't belong to you without permission you're stealing. That applies to a commercial company that takes GPL code and includes it in a closed-source program, that includes people who make a copy (take something) without bothering to ask the copyright holder if it's ok. You can call it what you want, but since you do seem to know what I mean when I say "stealing", you'll have to excuse me if I don't change my words to make you feel better about your theft.

      In some instances, music that I would pirate I would not buy, even if I was unable to obtain the music through P2P networks.

      Oh, so it's ok if you steal as long as it's something you wouldn't have bought normally? I mean, I don't usually buy Ferraris, but I guess by your standards it's perfectly fine if I find one on the street hotwire and steal it, right? It's not like I would have bought a Ferrari anyway.

      Look, regardless of WHY you pirate (and I don't really give a shit WHY a man commits a crime, just THAT he does), it doesn't change the fact that you are stealing the material. You can't justify that in any rational way.

      I didn't address that point because I don't think that an industry whose profits are based on the assumption that their customers are too stupid or lazy to examine alternatives is on solid ground, financially speaking.

      So now you're just concerned about the RIAA's bottom line? The only reason you bring it up is because you think maybe their financial footing might break loose under them? Very noble of you.

      But the fact of the matter is that those "stupid and lazy" video game customers have been just as "stupid and lazy" over the entire course of copy-protected PC games, and yet the copy protection still serves its purpose.

      (Thanks for the insult, by the way. I actually buy video games, therefore I'm stupid and lazy! Brilliant.)

      I never denied that "getting free shit" wasn't an incentive to download, I was only saying that it was completely irrelevant to the topic at hand, which was ideological opposition to DRM. ... except in the case of video games, where you think DRM is appropriate. So, again, what you're arguing against is CERTAIN TYPES of DRM, not the concept of DRM. And the only reason you're arguing against those certain types is because you like downloading free movies and music, and you want it to be easier to pirate it. (After-all, if you were really against all DRM, you'd be against signed drivers in Windows, you'd be against PDF and Office document protection features, you'd be against console video game copy protection, etc.)

    101. Re:Would some one please explain... by dr.badass · · Score: 1

      DRM enforces this restriction, but there is no feasible way (that I can think of, or that I've seen in proposed) for the files to be unlocked after the copyright ends, which results in indefinite copyright protection.

      VHS tapes with Macrovision won't spontaneously stop having Macrovision after the films they contain lapse into the public domain. That doesn't change the fact that the films are in the public domain. Stop confusing the content with the medium.

      --
      Don't become a regular here -- you will become retarded.
    102. Re:Would some one please explain... by dr.badass · · Score: 1

      While older DRM mechanisms such as CSS did nothing to prevent copying, newer systems work by associating players and content via hardware keys

      You have no idea what you're talking about.

      The law requires that copyrighted material be made available to the public domain (hence the original purpose of the Library of Congress)

      If I take a public domain work and encrypt it I haven't done anything to change the fact that the work is in the public domain. You're confusing the content, which is copyrightable, and the medium, which is not.

      --
      Don't become a regular here -- you will become retarded.
    103. Re:Would some one please explain... by khayman80 · · Score: 1

      In some instances, music that I would pirate I would not buy, even if I was unable to obtain the music through P2P networks.

      Oh, so it's ok if you steal as long as it's something you wouldn't have bought normally? I mean, I don't usually buy Ferraris, but I guess by your standards it's perfectly fine if I find one on the street hotwire and steal it, right? It's not like I would have bought a Ferrari anyway.

      Look, regardless of WHY you pirate (and I don't really give a shit WHY a man commits a crime, just THAT he does), it doesn't change the fact that you are stealing the material. You can't justify that in any rational way.

      No, I obviously don't think it's okay to hotwire a Ferrari. Read my original statement regarding the precise difference between stealing and copyright infringement. I'll paraphrase myself, though: "stealing is an action with two relevant parties, a perpetrator that gains something tangible, and an unwilling victim that loses something tangible." If I hotwire a Ferrari, then someone on the street loses a Ferrari while I gain one, which means I "stole" it by the very definition I gave earlier. Perhaps I was somehow unclear about this, though, in which case I'm sorry for the confusion.

      If you read my earlier statement carefully, you'll notice that my point wasn't to justify copyright infringement. In fact, my exact words were "I'm definitely not saying that I think all copyright infringement is okay". My point was that the RIAA claim that each downloaded album constitutes exactly $X loss through piracy is false, therefore there is no tangible loss, therefore piracy technically isn't stealing. If you want to show that a downloaded album does represent a tangible loss on the part of the RIAA, you'd have to first convince me why the arguments I laid out in parts (a) and (b) of my last post aren't valid.

      Of course, this entire discussion hinges on the precise definition of the word "steal". I proposed my definition so that I could explain why I didn't think your use of the word was correct, but you gave a different definition of "steal": when you take something that doesn't belong to you without permission you're stealing". My main problem with your definition is that it seems to equate actions which I view as fundamentally different. For example, under your definition, if Bob walks into a bookstore and walks out with a book without paying for it then he's "stolen" it. If Joe walks into the store, whips out his digital camera and takes pictures of each page of a book, then he's "stolen" the book. Don't these two actions seem different to you? In one case the bookstore loses a physical object, and in the other case they don't. I'm not attempting to morally justify Joe's actions, all I'm saying is that they're qualitatively different than Bob's actions, and therefore need to be described with a different word for clarity's sake.

      I didn't address that point because I don't think that an industry whose profits are based on the assumption that their customers are too stupid or lazy to examine alternatives is on solid ground, financially speaking.

      So now you're just concerned about the RIAA's bottom line? The only reason you bring it up is because you think maybe their financial footing might break loose under them? Very noble of you.

      You're right: I could give a swollen rat's ass about the RIAA's bottom line. My concern is that if the RIAA depends on DRM which has security holes to protect their products, then at some point it will be cracked en masse and their profits will disappear. Given that the RIAA is such a financial heavyweight, they would likely try to recover by lobbying the government to enact more draconian DRM legislation. This does concern me- very much so.

      (Thanks for the insult, by the way. I actually buy video games, ther

    104. Re:Would some one please explain... by khayman80 · · Score: 1

      My point is that, if the DRM is good enough and the files with DRM are the only surviving examples of the work in question, then there won't be any feasible way to release the work into the public domain. Now, this may seem like a paranoid concern because all existing DRM is easily broken, but I'm concerned about what would happen if the kind of draconian, pevasive DRM legislation I mentioned in my original post comes into existence. In that case, it seems like copyright would, in practical terms if not in law, be extended indefinitely.

    105. Re:Would some one please explain... by dr.badass · · Score: 1

      Now, this may seem like a paranoid concern...

      Slightly, yes.

      --
      Don't become a regular here -- you will become retarded.
    106. Re:Would some one please explain... by Blakey+Rat · · Score: 1

      My main problem with your definition is that it seems to equate actions which I view as fundamentally different. For example, under your definition, if Bob walks into a bookstore and walks out with a book without paying for it then he's "stolen" it. If Joe walks into the store, whips out his digital camera and takes pictures of each page of a book, then he's "stolen" the book. Don't these two actions seem different to you?

      WTF does it matter? The end result is the same: the book was stolen.

      We could call it "weebooweeboo" if you want, but it's still the exact same result.

      I've also tried to explain that "downloading free movies and music" is irrelevant to my decision to oppose DRM for reasons that I've laid out in previous posts.

      It certainly doesn't strengthen your case any. You're like the guy at the mall trying to convince me that marijuana can be used to treat glaucoma with the bloodshot eyes. I'm sure he's right, and I'm sure it *can* treat glaucoma, but the only reason he's telling you that is because he wants to smoke pot legally. You'll forgive me if I don't bother listening to the message of hypocrites.

    107. Re:Would some one please explain... by John+Miles · · Score: 1

      You have no idea what you're talking about.

      I'm sorry; can you elaborate on that? Are you aware of a concept called key revocation?

      --
      Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
    108. Re:Would some one please explain... by bobsledbob · · Score: 1

      You started answering a question I had in my head, but I couldn't quite get to the answer...

      How can DRM and copyright be mutally exclusive? The artist has every right to decide which medium his work is distributed on. For some artists, they choose paper. For others, they choose sound waves. Some choose electronic. Most choose multiple forms.

      The form of distribution is different, however, to the underlying work. The artist, when publishing a book, doesn't own the physical paper upon which his words are printed; the consumer owns this.

      How can we say that DRM, a type of work distribution, can be mutally exclusive from copyright? The author still maintains his copyright regardless of how its distributed. So Metallica decides to only ever distribute their future works in a DRM format. That's their right to do so. The market is still free to decide whether or not to purchase this form or not.

      I think DRM from this perspective is a Good Thing. I think it will give rise to a new market for un-DRMed works, such that artists that you and I don't ever hear about will start rising to the top. In fact, I believe this has already started to happen.

      I personally will not support an artist who decides to distribute their works on a DRM format. I will personally support (and frequently do) artist who "give away" their works in an unencumbered format. I think the market, in general, will follow the same reasoning.

      --
      Beware of geeks bearing formulas.
    109. Re:Would some one please explain... by cpt+kangarooski · · Score: 1

      How can we say that DRM, a type of work distribution, can be mutally exclusive from copyright?

      We change the law. The new law basically says that if a work is copyrightable, and is in fact copyrighted, then it lasts for a term of so many years. But that the copyright ends immediately if DRM is applied to it by certain parties (e.g. the copyright holder, or people he has licensed to do so). This forces the copyright holder to not only avoid DRM (if he wants to keep his copyright) but to make sure that he makes it clear to licensees that they had better avoid it too, as a condition of the license between them. Further, we make sure that there's a cause of action by interested parties against a party who puts DRM on a work causing it to enter the public domain, so that if a licensee does in this way cause early termination of the copyright contrary to what the copyright holder wanted, the copyright holder can sue the licensee for damages since the work wasn't meant to be DRMed.

      Then we also set up a DRM board at the Copyright Office with the job of running public information campaigns about the status of DRMed works and cracked public domain copies, of coordinating attacks on DRM, of coordinating access to cracked copies so that there is a better alternative to DRMed copies of a specific work, of helping to fund cracks against DRM if necessary (e.g. if someone comes out with DRMed 8 tracks, that's going to be unpopular enough that we can't rely on the community to go after it itself), and so forth.

      The author still maintains his copyright regardless of how its distributed.

      There's no rule that says that that's how it has to be. Copyright is an artificial monopoly granted by the government. It normally has various strings attached to it; conditions that the applicant has to fulfill to get a copyright. This can just be one more.

      I think DRM from this perspective is a Good Thing.

      I'd rather that artists were popular because of their works, and that the public could generally ignore distribution methods. You're very wrong about it being a good thing, you just seem to have a natural 'glass is half full' mentality.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    110. Re:Would some one please explain... by bobsledbob · · Score: 1

      By elevating DRM to be mutually exclusive of copyright, what you've done is elevate the status of DRM to a level higher than it should be. You've introduced new beauracracies to manage an artists DRM (by introducing a "DRM board at the Copyright Office"). By elevating it and providing government to manage it, you're doing the work of the RIAA, MPAA, etc. That's exactly what they want, to have special treatment of the distribution of their works, to have places where their money can more greatly influence future legislation, etc.

      I don't know you, but I would assume (half because you're reading /. to begin with) that you might sway to the libertarian POV. From this POV, DRM is a perfectly acceptable free market technology SO LONG AS the government doesn't get involved with it. If DRM is left to being solely free market, then the opportunity will exist for other solutions to come about and then we will all benefit.

      As was my point, I believe that DRM (based solely on free market principles) will be a good thing as it will be the final nail in the RIAA's coffin. They cannot, without the help of the government, stop artists from distributing their works in various other formats which the market is willing to support. They see their days as middle-man disappearing and are grasping at straws to try and prevent it.

      Now, the evil thing with DRM is when the government gets involved. Then you have something which you are correct in saying does not benefit the public as a whole. If legislation passes (maybe even an extension of the DMCA) which doesn't allow free market distribution of works, but instead insists that works be distributed under a DRM scheme, then yes this is truly evil.

      But again, you see, by suggesting that DRM be elevated to a status similar to copyright, you're helping advocate getting us there. Maybe the plan works the way you suggest originally, but you know that's not how the congress critters will let it be forever, especially under heavy lobbying. Better to just let the market take care of DRM which will ultimately punish those artists who choose to use it.

      People (consumers) generally do not like their freedoms removed from them. We as a general body though do accept a lot of non-sense, so this is again another point to justify the fight against DRM. That is, that once a DRM scheme (backed by the government) gets hold, the common tendancy will be for consumers to just roll over and shrug it off. That's too bad. That's why we need people to understand DRM, understand why it's bad for the consumer, etc. But, this does not justify creating a "special place" for DRM to exist in our laws.

      You're very wrong about it being a good thing, you just seem to have a natural 'glass is half full' mentality.

      Well, and that could be. :)

      Just remember though. DRM is simply yet another way to distribute an artist's works. An artist can choose or not choose to distribute their works via DRM. DRM will never die, so this is the only way in which it will be kept in check.

      --
      Beware of geeks bearing formulas.
  12. Our 'friends' at Disney? by themushroom · · Score: 1

    > As our friends at Disney recognize, if there is this debate, we will have won.

    DRM is not their thing, but copyright control is. Winnie The Pooh has been imprisoned for way beyond the standard copyright limits. Odd that they'd be for freeing the music but not the cartoons that sang it.

    Everyone should put "Zip-A-Dee-Doo-Dah" on their digital players. :)

    1. Re:Our 'friends' at Disney? by Anonymous Coward · · Score: 0

      AMEN! How long are they gonna keep "Song of the South" locked up?

    2. Re:Our 'friends' at Disney? by RobertLTux · · Score: 1

      Do I get bonus points for having the Manheim Steamroller version??

      (note to self figure out a good way to point out that Song of the South is a SLAVES Song)

      --
      Any person using FTFY or editing my postings agrees to a US$50.00 charge
  13. In other news... by GC · · Score: 1

    police investigating a series of murders are taking an "incitement to hatred" tack.

    Hundred's of people called "Adam" have apparently been drowned by having their heads plunged into water coolers in offices around Australia.

    Detective Ron Steele mentioned:

    "It's either an incredible statistical anomaly, or we have a even more incredibly prolific serial attacker in our midst!".

    The killer left no clues, except this, the only connecting factor in this attack has been this sign, carefully placed by each water cooler.

  14. Same reasons you'd buy a book by Ungrounded+Lightning · · Score: 4, Interesting

    ... and explain to me why I would buy anything from this store rather than just download it from somebody else for free?

    Same reasons you'd buy a book, rather than scan one you borrowed from the library:
      - You want a non-infringing copy. (You CAN still be sued for copying outside fair use, you know.)
      - You want to reward the creator and distribution channel (either out of principle or to promote creation of more stuff you like).
      - It's convenient.

    Content producers in a number of media have experimented with copy inhibition technologies and generally found them unnecessary and often counter-productive to good business results. Why should music be different?

    (The current rash of "piracy" is, IMHO, primarily a reaction to broken distribution and pricing policies, and recording companies will do a lot better once {if?} they get over it.)

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
    1. Re:Same reasons you'd buy a book by CaffeineAddict2001 · · Score: 1

      Yet none of those reasons are the reason why I don't.

      The only reasons I don't scan books I get from the library is because it's too time consuming. It would be exactly like using the analog loophole with DRM music. In a way books have innate DRM simply by not being digital.

    2. Re:Same reasons you'd buy a book by rizole · · Score: 1

      Surely thats ARM - Analogue Rights Management.

    3. Re:Same reasons you'd buy a book by Zerathdune · · Score: 1

      That would fall under the convenience category.

      --
      No single raindrop believes that it is responsible for the storm.
    4. Re:Same reasons you'd buy a book by TeraCo · · Score: 1
      (The current rash of "piracy" is, IMHO, primarily a reaction to broken distribution and pricing policies, and recording companies will do a lot better once {if?} they get over it.)

      Ahaha. Sorry, the current rash of piracy is because people won't pay for things if they can get them for free with no risk. Regardless of how many 'friends' you have who are desperate to send money to authors, most people won't pay for something they can get for free.

      And the best part? The only 'cure' for this 'sense of entitlement problem' is DRM.

      --
      Not Meta-modding due to apathy.
    5. Re:Same reasons you'd buy a book by slughead · · Score: 1

      >... and explain to me why I would buy anything
      > from this store rather than just download it
      > from somebody else for free?

      Same reasons you'd buy a book, rather than scan one you borrowed from the library:
          - You want a non-infringing copy. (You CAN still be sued for copying outside fair use, you know.)
          - You want to reward the creator and distribution channel (either out of principle or to promote creation of more stuff you like).
          - It's convenient.


      I buy books because scanning them would be a pain in the ass.

      I use allofmp3.com (legal theft) because it is higher fidelity, can be played anywhere, and is cheaper than itunes (in that order).

      Do I care about artist compensation? A bit, but not enough to wait a week for an overpriced CD from Amazon.com. Unlike music thieves who kid themselves about moral duty to undermine the RIAA, and how they're not really stealing from artists because artists make practically nothing off each album, I steal music because it's a better way for me to get music.

      Likewise, I purchase books because it's a better way for me to obtain literature. If I could snap my fingers and have any book I wanted (in 5 minutes or less), I probabably wouldn't buy any more books for the rest of my life.

    6. Re:Same reasons you'd buy a book by mackyrae · · Score: 1

      I go under the line of thinking that you download a couple songs to sample that artist (maybe a few non-singles because radio hits can be very misleading....the only good songs on the album), then if you like them, you support them. If you don't like them, you haven't wasted $15-20 on their crappy cd. hint to anyone wanting cheap music: cds cost the least at the show--no middle man...oh, and avoid Tower Records like the plague (why is it Tower Records anyway? they don't sell any records!)

      --
      look! it's a bird, it's a plane, it's....a girl? yes, a girl browsing Slashdot on Linux
    7. Re:Same reasons you'd buy a book by bky1701 · · Score: 1

      So I guess Free Software is just a farce, eh? There are many things people will pay for just to help the person who made it or because it's easy. Download 4 GB of data or pay 20$ and wait a few days? Sure - songs are smaller, but also much less valuable.

    8. Re:Same reasons you'd buy a book by TeraCo · · Score: 1

      Query: How do you 'pirate' Free software? It's out of scope for this discussion.
      Statement: Additionally, people WILL download 4GB of data to save money and time. (I can certainly pull down 4GB of data in less than a few days.)

      --
      Not Meta-modding due to apathy.
  15. Loan it to a friend!? by 91degrees · · Score: 1

    Hey! There's a difference between tolerating and permitting.

    This seems a little presumptious of DreamHost. I know full well that if I create something, I have no enforcable means to prevent people from sharing it. But I can still ask. A lot of people, when asked, will do as I request. Why is Dreamhost deciding what I can and can't allow with my creation? Aren't I allowed to decide what I specifically want to permit within the realms of copyright, and leave it to my basic trust in my fans honesty to ensure this?

    1. Re:Loan it to a friend!? by Grishnakh · · Score: 1

      Why is Dreamhost deciding what I can and can't allow with my creation? Aren't I allowed to decide what I specifically want to permit within the realms of copyright, and leave it to my basic trust in my fans honesty to ensure this?

      Absolutely! Feel free to set up your own web site where you distribute your own creations any way you please. Maybe you can even let other people distribute their creations in ways that they choose, instead of ways that you choose, even though you own the site.

    2. Re:Loan it to a friend!? by 91degrees · · Score: 1

      I'm not suggesting they have no right to make whatever demands they want of contributors. I just feel that this particular demand is rather bad form. It smacks of a slightly over zealous attitude to freedom of information. If they're going to do this, they're going to find quite a lot of people are put off, which doesn't benefit the artist, the website or the customer.

  16. Interoperability, for one by themushroom · · Score: 1

    I'm not going to stir the shit much, I will only say that one problem with DRM is that it causes the music you bought to not be able to be played any way you want. We're not talking public broadcast, we're talking about downloading a WMA file and putting it on your personal player, or burning to CD, or any use other than using Windows Media Player at your computer to hear it. Also, some DRM schemes are broken and won't even play on the equipment they're supposed to be geared for. With DRM you're renting music.

    1. Re:Interoperability, for one by laxcat · · Score: 1

      See, to me, the senario you put forth would be a clear case of abuse of DRM. It's true people need to be aware of systems that are so unfaily restrictive. But this isn't a problem with DRM itself. The problem is the company abusing a technology to try and screw the consumer. This is a free market after all, and there are companies out there that treat you much better than that. Consumers know this and there's a reason Apple is the runaway leader in the digital music market.

    2. Re:Interoperability, for one by RAMMS+EIN · · Score: 1

      ``The problem is the company abusing a technology to try and screw the consumer. This is a free market after all, and there are companies out there that treat you much better than that. Consumers know this and there's a reason Apple is the runaway leader in the digital music market.''

      Whatever you think that reason is, it's not that Apple doesn't slap restrictive DRM on their music and movies. Besides Apple's own iPod and iTunes, can you name any other product that plays FairPlay-protected content? Motorola makes a few phones that do, but it turns out they use a modified version of iTunes, made by Apple.

      --
      Please correct me if I got my facts wrong.
    3. Re:Interoperability, for one by themushroom · · Score: 1

      Hmmm, not in total agreement about the notion of consumers being bright. Apple has a known brand name and a large presence, and there is a certain degree of "if you want things to work, you must get THIS player and use THIS service to fill it." Biggest or best known doesn't make it the best option. The part you can rely on is marketing.

      But you will note that the DRM protests of the day are aimed at Apple, not Microsoft, so maybe maybe people would like to use the songs they downloaded from iTunes on their Rio, Sansa, Sony, etc. players, or play them in WinAmp, or use them as a ringtone on their phone, or what have you since they did pay that dollar to get the song.

    4. Re:Interoperability, for one by harlows_monkeys · · Score: 1
      I'm not going to stir the shit much, I will only say that one problem with DRM is that it causes the music you bought to not be able to be played any way you want.

      The same problem can happen without DRM. I can't figure out how to get my LPs into my CD player, for example, and even if I did get them in, I suspect they would not work.

      While meant as a joke, there is a serious point to that remark. The typical consumer will be comparing DRM'ed media to physical media, like CDs or books or DVDs, not to computer files. When you compare, say, an audio book to a physical book, or an iTunes album on an iPod to a physical CD, they come out pretty similar.

    5. Re:Interoperability, for one by iSeal · · Score: 1
      The same problem can happen without DRM. I can't figure out how to get my LPs into my CD player, for example, and even if I did get them in, I suspect they would not work.

      While meant as a joke, there is a serious point to that remark. The typical consumer will be comparing DRM'ed media to physical media, like CDs or books or DVDs, not to computer files. When you compare, say, an audio book to a physical book, or an iTunes album on an iPod to a physical CD, they come out pretty similar.
      The use of DRMs does not quite apply to your example. The difference here is that DRMs are placed on a format which is already universally playable on all MP3 players: the MP3. The use of DRM breaks this theoretical compatibility.

      So to take your example: imagine you go to a store, and buy a CD. Only that CD does not work with your player, it only works with a player manufactured by certain companies. You go to buy another CD, and that one is only compatible with completely different players. The CDs all follow the exact same algorithms in terms of audio storage, but a lack of cooperation with these media giants makes your life as the consumer rather difficult.

      If the music companies stopped calling it an "MP3" file, then it wouldn't be misleading anymore. Then your example of the LP would apply. But right now, there's this idea that these DRM-MP3s are the same as regular MP3s. They are not. They do not abide by the MP3 standard and are in large part unplayable in MP3 players. But of course, no music vendor wants to admit that what they release isn't a "real" MP3, as then no one would go for their product.

      I used MP3 as an example here, but the case remains true for all other applications of DRMs to pre-existing universally known formats.
  17. same as allofmp3 and the like by PAPPP · · Score: 1

    Convienence? Quality Assurances? and in this case, Wanting to support the author?
    I currently use one of those lovely russian mp3 sites for the first two reasons; they have a vast catalog, and I can always get files in my prefered (encoding-error free, DRMless, 192kbit LAME MP3) format. I would even go as far as to say I would jump ship to another (even if slightly more expensive) one if it (somehow) found a way to recompensate the artists without bowing to label pressure to cripple the files. It's worth a few bucks per album (to me at any rate) to be able to simply click and get what you want, instead of having to hunt through crapflooded P2P networks and fields of broken links.
    From the look of the FilesForever site, if it takes off it will also have a huge advantage for finding things from little/obscure sources (music and otherwise), which would be overlooked in a more centeralized system.

  18. Oh please. by Ashen · · Score: 1

    I hate it when companies provide options! Lets protest them! A tyranny of choices, I say.

    I don't like DRM so I buy all my music on CD's, but for people who don't mind the DRM, well, that's too bad! We need to stop people from having the option to purchase things how they want, but force them to purchase things how *I* want. Right?

    You nerds need to get a life. There are so many more important things in the world than a company that gives you the to option to purchase songs online with restrictions that you KNOW about.

    1. Re:Oh please. by Zorque · · Score: 1

      Oh, yeah, like people actively look for DRM'd products to buy.

      "Well, honey, I was going to get you that CD you wanted for your birthday, but then I realized you can copy it or transfer ownership of it, so I got you this other one instead. Sorry, sweetie."

    2. Re:Oh please. by Technician · · Score: 1

      We need to stop people from having the option to purchase things how they want, but force them to purchase things how *I* want. Right?


      Please use the correct term. How about Rent things how they want. Rental comes with a contract including limitations such as you can't sell it and there is a bunch of things you can't do with it, such as paint it pink. If you bought it, you could paint it pink and re-sell it.

      --
      The truth shall set you free!
    3. Re:Oh please. by danpsmith · · Score: 1
      I don't like DRM so I buy all my music on CD's, but for people who don't mind the DRM, well, that's too bad! We need to stop people from having the option to purchase things how they want, but force them to purchase things how *I* want. Right?

      Have you missed something? Because regular CDs have DRM too. You know what doesn't tho? Pirated MP3s.

      Wanna restrict how I can buy stuff, I just won't buy it.

      --
      Judges and senates have been bought for gold; Esteem and love were never to be sold.
    4. Re:Oh please. by LongTimeReader · · Score: 1

      The problem is the **AA's want EVERYTHING to be DRM'd. Many CD's are DRM'd, what we don't like is not that DRM is available, it is the UNavailablility of NON-DRM'd media. If it was an option to buy DRM or not, no one would have a problem. No one is trying to restrict your ability to buy specific music in whatever form you want, in actuality they are trying to enlarge your choices. BTW this has nothing to do with whether you buy you music in phyical media or digital only, DRM applies to both.

      --
      If closed the mind be, so then the mouth should follow.
  19. Online Backup Storage by waynemcdougall · · Score: 1

    So I can use Dreamhost to store my backups?

    --
    Recycle PCs and build a wireless community network www.hillsborough.org.nz
    1. Re:Online Backup Storage by Anonymous Coward · · Score: 0

      good point...

    2. Re:Online Backup Storage by Anonymous Coward · · Score: 0

      If you pay per GB. There is a one-time upload fee, which I believe is $9/GB. After that I think you could sell or loan the files to yourself, for restore purposes.

  20. BitTorrent? by Anonymous Coward · · Score: 0

    Every day should be a day against DRM. But all that is irrelevant from a isolated point of view (mine, actually) - I won't buy into any content that is rigged in ways that hinder me from using it. I can *already* watch HD movies (warez, ofcourse) in my home theatre with 5.1 sound no less and so can any Joe or Jack who wants.

    Now, this deal is presented to me: I can pay premium for stuff that I cannot even use properly (BluRay, HD-DVD) since I don't have "HDCP compliant" setup, yessir, I got one of these "ancient" 50" Plasma displays that only have analogic input (and DVI from the receiver box but think again if it will be HDCP compliant ;)

    Heck, I already get *better* quality stuff FOR FREE! Hello, anyone awake there in the movie industry? Give us products we want and we will pay for them (200+ original dvd format movies)

    But it just gets better. With DRM it is possible to terminate the "License" at any time someone just thinks about it. Also have to have online connectivity to watch the media (WTF?) to acquire a license for some media for it even play back. Needless to say, my first and last purchase of that kind. Was interesting "experience", learned a lot from it.. ummm, that I am an idiot to go for that scam? There is still hope when learning from one's mistakes, it would be sad if didn't, huh?

    Good luck with the DRM scam whoever may be concerned.

  21. DRM=Digital Rights Manipulation by pfz · · Score: 1

    Everyday should be against DRM! Check out this new documentary if you want to know why...

    ALTERNATIVE FREEDOM
    A documentary about the invisible war on culture.
    Features RMS, Danger Mouse (of Gnarls Barkley and the Grey Album), Lawrence Lessig, and more...

    http://alternativefreedom.org/

    1. Re:DRM=Digital Rights Manipulation by Lugae · · Score: 1

      I carry this movie with me in case I come to a conversation about DRM. I can loan the movie to people and hopefully educate. It hasn't happened yet, but I'm tryin'! If I had a DVD Writer, I would copy it in accordance with the license and distribute it. (Of course, encouraging people to support these great film makers and buy a copy too!)

    2. Re:DRM=Digital Rights Manipulation by OneoFamillion · · Score: 1
      Please don't take this as flamebait, but I watched the trailer and
      • they were all men, which gave the show an "only techies would care" atmosphere
      • the first time RMS popped up, I thought "OMFG, I'm watching hippie propaganda"
      • A normal consumer will not want to open, much less reprogram their Xbox. I hope they give a good reason why one would want to do that.
  22. Re:Why Apple? High visibility by ChaosDiscord · · Score: 1
    It seems kind of weird that they'd target Apple....

    Apple may be the "least bad" of the lot, but they're certainly the highest profile. If the point is to get publicity for the anti-DRM cause, protesting high visibility cases is a better idea than protesting low visibility cases.

  23. What is your point? by pavon · · Score: 5, Insightful

    The same reason that the vast majority of people currently buy their music on CD when they could just steal it from a store, or copy it from a friend, or download it online. The same reason that thousands of people buy music from independent artists online, when they could just download it.

    If you're trying to assert that most people would pirate music rather than paying for it, unless they physically prevented from doing so by their own property, then you are wrong. Contrary to the RIAA's twisted statistics, piracy is not decreasing sales. At the peak of napster's popularity sales at the register were rising, not falling. The falling numbers the RIAA liked to quote were wholesale numbers. This can be traced to the stores streamlining their inventory and stocking systems as a result of the internet. At that time, music stores near colleges did have falling sales, but so did book stores near colleges, and both correlate strongly to increases in internet sales of the same item. Subsequently, the decrease in sales that have been seen, are largely in the "oldies" adult market - and yet if you look at the statistics for what types of music is being pirated, it is clear piracy is not to blame for that. The threat of piracy is overblown, and unsubstantiated.

    So no, most people are not selfish assholes, just you. But hey, congratulations! It is the minority of people like you that have given the RIAA leverage to strip away the fair-use right of the rest of the people in this country, and bias the laws in favor of further consolidation of the market. You sure stuck it to The Man.

    1. Re:What is your point? by CaffeineAddict2001 · · Score: 1

      You are either full of shit, or really uptight.

      Copying music from your friends and family is certainly not something a "small minority of assholes" do. Before DRM it was done by everybody and their grandmother's preacher.

  24. jews by Anonymous Coward · · Score: 0

    burn this book

  25. Adam Sander said it best by Trogre · · Score: 1

    As someone living at GMT+12:

    Well you know that information might have been a little more useful to me YESTERDAY!!!

    --
    "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
  26. Re:Adam Sandler said it best by Trogre · · Score: 1

    Sandler, of course I meant Sandler.

    --
    "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
  27. So what? by jpellino · · Score: 1

    So they're targeting Apple, who has the arguably most servicable DRM.
    If the users don't hit the limits and object, then these guys are simply arguing principle with no tangible effect.
    In which case this is a severly detached campaign, the 2000 version of the turtleneck caucasian beatnik ranting how "It's all about the Man keeping me down."
    Art has handcuffs.
    Business puts them there. Art today barely survives outside of commerce.
    The Mona Lisa is in a big vault, and you have to pay to get into the vault anbd look at it.
    You can look and hold at a lossy copy of it for less money, but it's no comparison to the original.
    You can look at a near-lossless copy of it if you pay more to do so.
    You can own a near-lossless copy of it if you pay a lot more.
    You aren't solving that part of the situation, so you're likely not having any effect.

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
  28. It is a matter of conflicting freedoms by Anonymous Coward · · Score: 0

    Their freedom to enforce copyright should not destroy my freedom to make full use of the capabilities of my personal computer.

    Some laws are hard to enforce. Like drug laws. Police would have a much easier time enforcing such laws if they could enter and search anyone's house whenever they want. But that is just too much a sacrifice of personal freedom. So we accept a certain level of illegal activity in the name of personal freedom.

    Same for copyright infringement. I paid for my computer, I should get full use out of it. You shouldn't be able to take that away from me, nor should you be able to install a peep-hole in the back of my hard drive, just because you are a content distributor.

    If your business model is built on unenforceable laws, that is a flaw in your business model. Change THAT. Don't take away huge amounts of my freedom so you can enforce these laws.

  29. Reminder by ax_1225 · · Score: 1

    DRM is everywhere so I made a list so you don't "sin" by mistake during the holly day: - Don't play games that have copy protection - Don't use commercial software - Don't watch DVDs - Don't listen to protected music (not even on your iPod) - Don't read protected e-books I for one have even stopped drinking Coke until they make the recipe open source.

    1. Re:Reminder by HolyCrapSCOsux · · Score: 1

      Perhaps you are being trollish, but the Coke recipe is a Trade Secret. Not protected by copyright, patent, or DRM.

      --
      0xB315AA8D852DCD3F3DCA578FD2E0BF88
  30. Its working so far! by SQLz · · Score: 1

    I've been told "Get away from me you fucking dork" and "Get a life you pathetic loser". DRM awareness is fun!

  31. I've seen this posted for at least 3 weeks. by Ahnteis · · Score: 1

    I've seen this posted at various sites around the 'net for the last 3 weeks (at least). How did you all miss it?

    1. Re:I've seen this posted for at least 3 weeks. by CrackedButter · · Score: 1

      With me being a Mac user I only visit 2 sites everyday all day. www.apple.com/uk and www.slashdot.org so it beats me, i'm left scratching my head on that one!

    2. Re:I've seen this posted for at least 3 weeks. by fotbr · · Score: 1

      Most of the sites I visit would be hard pressed to work an anti-DRM-day into their material.

  32. Re:Why Apple? why not by dgatwood · · Score: 1, Informative

    Their 5 computer limit can be reached by the same computer.

    First of all, very few people have to replace a hard drive five times. Second of all, nobody I'm aware of has EVER had to replace it five times in a single year. With the iTunes Store, you get one "wipe" of your authorizations per year.

    From http://docs.info.apple.com/article.html?artnum=930 14:

    Make sure you deauthorize your computer before you upgrade your RAM, hard disk or other system components. If you do not deauthorize your computer before you upgrade these components, one computer may use multiple authorizations. If you find you have reached 5 authorizations due to system upgrades, you can reset your authorization count by clicking Deauthorize All in the Account Information screen. Note: You may only use this feature once per year. The Deauthorize All button will not appear if you have fewer than 5 authorized computers or if you have used this option within the last 12 months.

    Plus, what are backups to non computer people? Doesn't the computer keep a backup of all my files after I format/reinstall/ get my computer back from Apple?

    A CD getting scratched/sat upon/baked in the sun or a hard drive failure: guess which happens more frequently for the average consumer? Hint: it's not the hard drive failure. When you buy a CD, does the music store make a backup of that for you? Will they give you a free replacement if it gets broken? Didn't think so. They don't even warn you to make a backup. At least the iTunes store warns you to make a backup of your music as soon as you buy something; whether you actually do so or not is your decision.

    If I bought a CD I can rip it as many times, and in what ever format I choose.

    Yup, and if you buy a song from the iTunes Store, you can burn it to a CD-R, then rip it as many times and into whatever format you choose.

    Quit spreading your FUD.

    --

    Check out my sci-fi/humor trilogy at PatriotsBooks.

  33. Re:Why Apple? why not xtx by Anonymous Coward · · Score: 0

    For someone who has to "explain the concept of a surge protector" to more than one person, you're awfuly uneducated about that which you spout off.

    1) 5 Computer simultaneously. You can choose to deauthorize your machines.

    2) If all 5 computers are reached and you don't have access to others to deauthorize, you can batch unauthorize all of your machines once per year.

    3) If you're explaining the concepts of surge protectors, why aren't you explaining the concept of backups? People will learn, but it isn't Apple's fault people don't do backups.

    4) You can burn all your purchased music to CD

    5) You can also resync your purchsed music from your iPod back to your computer.

  34. Ad hominem by Peaker · · Score: 1

    A lot of Slashdot users are "content creators".

    Many of them simply believe that they should not make money that's based on the restriction of the rights of users. If the restrictions on freedom were necessary to prevent something more horrible than the loss of freedom itself, that could be justifiable. But what are we protecting here? A supposed incentive for the creation of works? That's supposed to be more important than the freedom of people to handle data, share with their neighbor and enhance the state of the art?

    You are using a government imposed law of user restriction that cannot even be called consensual because most people are too ignorant to understand it to make money, and basing a moral claim on that. Copyright law is not moral code, and its growing further from moral code with every new bill introduced to the world.

    I suggest you cease to claim the moral high ground against your users, or switch to a different profession where you can make money morally, and not by restricting your users' freedom.

    1. Re:Ad hominem by FrostDust · · Score: 1

      Seeing as how cliffski said he didn't use DRM on his products, I don't see how he is "restricting [his] users' freedom." I can't imagine how there's anything wrong with charging someone money to use a product you created, especially since the consumer would, in this situation, be allowed to download, install, and play the game as he or she wishes.

    2. Re:Ad hominem by Peaker · · Score: 1

      Its not the money that's the problem, its the freedom.

      Indeed he has the freedom to run the program. But:

      He does not have the freedom to view or modify the program (This prevents enhancing the state of the art and requires reinventing the state of the art every time).

      He does not have the freedom to share the programs with his friends.

      He does not have the freedom to run the program on multiple computers, or in a LAN party.

    3. Re:Ad hominem by Anonymous Coward · · Score: 0

      but he does have the freedom to not use this art/product and find another that fits into your list of "freedoms".

    4. Re:Ad hominem by Peaker · · Score: 1
      Yes, but there are several problems with that with regard to software:
      1. Software has a tendency to monopolize niches. For example, a critical-mass network (Skype, Battle.Net) that is only accessible through one piece of software, which is not free. Sure there are alternatives, but for the specific network niche, you are forced away from these freedoms. This also applies to software formats, and niche applications.
      2. Discouraging free software: The ability to run (and pirate) a closed-source program is a discouragement for many to replace them with free works. If the closed-source program never existed in the first place, a lot more incentive to create alternatives, including free ones would exist.
      3. Wastes effort of Free Software to reverse engineer and otherwise achieve interoperability. Without closed-source software, a lot of Reverse-engineering effort could have gone to writing new functionality.

      "You can ignore the existence of closed source software and therefore it is necessarily not a negative thing" sounds good at first, but in practice it is wrong.

      The mere existence of closed-source software is harmful, for the above reasons.
  35. Mod -1 Makes no sense by dubonbacon · · Score: 1

    nt

    --
    sw5YRhw4ln3pr7$Ock1/4ma0u8Lw2Tm5l6/7DOiC5e6t4NSb6T en 6g5AOCPa2Xs!MSr!p! hackerkey.com
  36. Evangelical much? by Anonymous Coward · · Score: 0

    Seriously, it's just DRM. It's not the end of the world, yet it's talked about forever and ever on Slashdot like it's the devil himself.

    I used to be afraid of religious fundamentalists. Then I realised Slashdot fundamentalists are just as dangerous (if not worse). I'm willing to put up with some DRM to get what I want, otherwise I'd never have HL2 for example.

  37. DMCA, not DRM is the problem by SiliconEntity · · Score: 4, Insightful

    Seems like a lot of the problems people have with DRM aren't problems with DRM per se, they're problems with the DMCA and similar legislation to criminalize attempts to circumvent DRM. I agree, and so we should have a day against DMCA, not a day against DRM.

    There are those who claim that DRM cannot work without legislation, but I don't think that's completely true. Yes, for music and video content you can work around DRM, but it is often difficult and the quality of the result may be inferior. And for games and software, DRM can work in theory. The new proposals for Trusted Computing could also strengthen DRM without requiring legislation.

    We should work to oppose this kind of legislation as it expands into more countries, and eventually work to roll it back in the places where it has been passed. Perhaps more technically effective DRM will make it easier to remove the legislative crutch.

    1. Re:DMCA, not DRM is the problem by Alsee · · Score: 1

      a lot of the problems people have with DRM aren't problems with DRM per se, they're problems with the DMCA

      Exactly.

      Without the DMCA there is no such thing as DRM. The very term DRM didn't even exist before the DMCA.

      Back in the 1980's many games were sold on floppy discs with bad sectors attempting to make them difficult to copy, that that wasn't DRM. That was just a pain in the ass. People who circumvented the scheme for noninfringing purposes were not criminals, and people were free to offer circumvention products to circumvent/remove that scheme for noninfringing purposes. Infringment was infringment and noninfringment was noninfringment, and any issue of circumventing the "anti-copying scheme" was entirely irrelevant.

      There are those who claim that DRM cannot work without legislation, but I don't think that's completely true.

      Any DRM scheme inherently causes problems and inherently interferes with noninfringing activities. Any product/DRM-scheme with meaningfull market size will produce a market-meaningfull demand for solutions to those problems. In the absence of anti-free-market DRM law, the free market will always respond to that demand by doing the work needed to circumvent/remove any attempted DRM scheme. Independant hackers already routinely crack DRM schemes, and a large profit-driven company can and will easily invest the resources to crack any scheme and offer the public a product to solve the hassles caused by any DRM scheme.

      or music and video content you can work around DRM, but it is often difficult and the quality of the result may be inferior

      No. If you circumvent/remove the DRM then there is no quality loss.

      And for games and software, DRM can work in theory.

      No it can't. If it could, then it would have been done long before the DMCA ever existed. The DMCA was a response attempting to "fix" the fact that no such scheme ever worked.

      Trusted Computing

      Again, the entire notion of Trusted Computing is another fantasy trying to "fix" the problem that DRM doesn't work. The entire notion of Trusted Computing completely falls apart if the owner simply knows his own master keys in his own hardware.

      I will freely admit that it is mathematically almost impossible to independantly create the hardware that shatters the fiction of Trusted Computing, but that just means you need to buy a "genuine" Trusted Computing device to get the math key that comes with it, and either modify and resel that hardware and/or read out the key and resell the hardware.

      Again, causign the entire Trusted Computing system to fall apart is merely a *hassle* to do. A bright college student with access to a well equipped college laboraty can easily do it. Any market-meaningful sale of Trusted Computing hardware would immediately create a market-meaningful demand to repair and improve the defective-by-design Trusted Comptuping products. There would be plenty of people willing to pay a premium for this alternate hardware. Plenty of profit motivation to buy, modify / key-extract, and resell them.

      The notion of Trusted Computing completely falls apart if/when you don't assume that other people don't know their own keys.

      The push for Trusted Computing will only make the problem worse... it will only further drive the problem of increasingly bad law attempting to "fix" the fact that Trusted Computing does not and cannot work.

      The problem is the very expectation that DRM and Trusted Computing *do* work. And when that expectation is violated, the reaction is to "fix" it and try to MAKE it work by criminalizing the innocent people and innocent behavior blatantly demonstrating the fact that they don't actually work. The only reason those people are "bad" is because of the flawed expectation in the first place that DRM and Trusted Computing could should and would work. Because some people tried to rely on the flawed expectation that they could should and would work.

      The broken expectation that DRM and Trusted Computing could should and would be enforcable *in themselves*.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  38. it's about awareness, that's all by teh_chrizzle · · Score: 1

    i personally handed out a hundred or so deffective by design pamphlets at the university of cincinnati today. we didn't set anything on fire. sadly, i didn't get arrested either. tho i am hopeful for next year.

    --
    sarcasm:
    -noun
    1. harsh or bitter derision or irony.
  39. APPLE FANBOI SHOWS HIS COLORS!! by Anonymous Coward · · Score: 0

    Guess what fanboi - Apple's DRM is AS BAD as Microsoft. ALL DRM IS BAD!!!!! The only people dumber than you are the Apple fanbois that modded you up. You're the type of idiot that would say Hitler is evil, but Stalin was an ok guy.

  40. iTunes will still work w/o Apple & iTMS by Asher · · Score: 1

    >If Apple at any time decides to shut down their iTunes devision all the music and videos you "bought" are now useless.
    Not true, the keys on your computer will still allow the Music/Video/Whatever to be played. What will change, is that you will not be able to authorize a new computer.
    You would need to be careful about backing up the key files, and be wary about upgrading your copy of iTunes (though if Apple dropped iTunes, it is unlikely they would bother releasing a new version).

  41. Thanks for defacing our town with your stickers by DECS · · Score: 1

    As I got to work today on the subway, I saw city workers scraping blue Defective stickers off city street poles near the Apple store. What an effective message. Thanks for coming to our city to vandalize. Next time, stay home in your basement and listen to your Ogg. Nobody cares about your anti-DRM bullshit.

    1. Re:Thanks for defacing our town with your stickers by smoker2 · · Score: 1
      As I got to work today on the subway, I saw city workers scraping blue Defective stickers off city street poles near the Apple store. What an effective message. Thanks for coming to our city to vandalize. Next time, stay home in your basement and listen to your Ogg. Nobody cares about your anti-DRM bullshit.
      Ah, America, Land of the Free and the Brave.

      In another existence, you would have been the one whining about being late for work because a civil rights march was blocking the street.

      Hope you enjoy all those freedoms other people fought for.
  42. mark offtopic if you like.. by plasmacutter · · Score: 1

    browsing from a public terminal in a hurry.. replying to your post to bookmark your link for later reading..have a nice day =)

    --
    VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
  43. Encryption algorithms will be obsolete by then by cpghost · · Score: 1

    DRM can't expire: Eventually everything enters the public domain. No DRM system can automatically unlock things when that happens. If they did, it would be relatively easy to spoof the date and unlock the media. When all copies of a given piece of media are locked under DRM, you effectively create infinite copyright.

    Nope. The encryption algorithms used in today's DRM schemes will most likely be crackable within microseconds, using 1. computer hardware 90+ years in the future; and 2. advances in cryptanalysis, also 90+ years from now. Crypto over the span of a whole century is a moot point; nothing to worry about.

    --
    cpghost at Cordula's Web.
    1. Re:Encryption algorithms will be obsolete by then by ChaosDiscord · · Score: 1

      Good modern encryption algorithms are designed to survive for thousands of years, even in the face of increasing computer speeds. Advances in cryptoanalysis may or may not pay off; the entire goal is to design a system where no analysis ever provides a better-than-brute-force solution. Codes from WWII managed to remain unbroken for 60 years, even given that the Enigma system was deeply flawed, and the advanced in crytoanalysis and computers since then.

      On the up side, historically people implementing DRM have really sucked at cryptography.

      Even assuming you're correct, I shouldn't need to break encryption to get access to data I own a copy of. And if something like the DMCA is still in effect and there are works still under copyright, it will be illegal for me to make or purchase software that will do the decoding for me.

    2. Re:Encryption algorithms will be obsolete by then by jZnat · · Score: 1

      It doesn't matter how strong the crypto used in DRM is; the key has to be stored somewhere within reach of the user in order to decrypt the content. Even if this key is inside the CPU or other piece of hardware: it can still be found.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
  44. Civil disobedience by cpghost · · Score: 2, Insightful

    we should have a day against DMCA, not a day against DRM.

    There's an even bigger problem with people blindly obeying silly laws without questioning their legitimacy. In most parts of the world, people simply ignore crappy laws they don't deem just. Yes, they get thrown in jails by those in power every now and then; but it's rather rare, because effectively, you can't jail 20% or more of the population: who would pay taxes then? In a democracy, civil disobedience shouldn't be needed; but do we really still live in a democracy, when outfits like Disney and RIAA can buy laws like DMCA?

    --
    cpghost at Cordula's Web.
  45. Ah, reminds me of my college days by patio11 · · Score: 1

    I am a fairly conservative Republican who comes from a family of modest means and think campaigns for "living wage" policies are generally wrongheaded. I went to college with a bunch of people who were neither Republicans nor of modest means, and many of them were quite in favor of instituting a "living wage". They expressed this desire via sit-ins (lasting months) and, in one incident, stickering a few administration buildings -- on the bathroom mirrors, where they are most difficult to remove. Guess who ended up spending hours of their day removing the bathroom stickers? Hint: its not the kid who can afford $40k per year for tuition -- Tuesdays are his rally-for-Palestine, yo.

    Similar stuff happened at hotels frequently. I spilled some cola at a reception once and immediately scurried off to the restroom to get paper towels to wipe it up. This required briefly abandoning the conversation I was in, and someone asked what the hurry was. I told him that there was cola on the floor, it was my fault, and if I did not hurry to clean it the floor would get sticky. He said "Oh, leave that for the help". So help me God, you have my permission to slug me if I ever have "the help".

  46. dreamhost sucks by Scott+Swezey · · Score: 1

    I found this a while ago helping my friend research web hosting companies:

    http://dreamhost-sucks.com/

    --
    Scott Swezey
  47. A simple philosophy by Anonymous Coward · · Score: 0

    DRM is a complicated issue for sure. Many different opinions and ideas thrown back and forth, a lot of pros and cons (many cons) presented. In the end though, I have found a simple philosophy that I use to determine how to deal with DRM-protected content, and it is presented as follows:

    If I *really* want something that is DRM-protected, there's no other way of (legitimately) getting said content, and any illegitimate versions of the content are substandard compared to the DRM-protected version (as in doesn't have the same features, is buggy, lower quality through media transfer, all depending on the type of content), then I'll have absolutely no qualms in get the DRM-protected version.

    DRM is here to stay; we geeks/nerds are not powerful enough to stop that, mainstream society couldn't give a fuck, so we might as well accept it instead of fighting useless battles. Corporations rule the world now, let's not forget that. They make the rules.

    (posted anon for obvious reasons - not trying to troll, merely describing the inevitable that few want to acknowledge)

    1. Re:A simple philosophy by GFree · · Score: 1

      There are different types of DRM, with varying levels of flexability. Some forms of DRM I would NEVER touch, but others I can live with. Sony root-kits? No thanks. Valve's Steam? Yeah sure. iTunes? Never tried it, probably wouldn't have much of an issue. The rest get evaluated on a case-by-case basis.

  48. Laws don't map cleanly to technology by Anonymous Coward · · Score: 0

    It's very difficult (probably impossible) to create a technological protection thingy (i.e. a DRM scheme) which prevents exactly those uses that are legally infringing, and ONLY those uses that are legally infringing.

    How will you like it when the law says you have a fair use right to copy a song under certain conditions, and the DRM prevents you from doing that?

    You'll feel pretty stupid for buying it, huh?

    The laws are not as precise as computer programs have to be. They require interpretation by human beings (the courts) and those human beings have some leeway in deciding what is reasonable and what isn't.

    Also, the laws can be changed. If the law that governs what is infringing and what isn't was changed, how would you possibly update the DRM on all the works that were already sold? This is equivalent to the PKI key distribution problem (in other words, its a huge hassle). And what about companies that sold DRM songs and then went out of business? The customers who bought those songs are probably SOL.

    DRM is just a bad idea. Consumers should reject it utterly. We don't need giant media conglomerates locking up all of our culture and making us pay multiple times to rent it back from them. Fuck them, its OUR CULTURE. We want it to be open.

  49. Wait - this is a joke, right? by freeweed · · Score: 1

    Make sure you deauthorize your computer before you upgrade your RAM, hard disk or other system components. If you do not deauthorize your computer before you upgrade these components, one computer may use multiple authorizations. If you find you have reached 5 authorizations due to system upgrades, you can reset your authorization count by clicking Deauthorize All in the Account Information screen. Note: You may only use this feature once per year. The Deauthorize All button will not appear if you have fewer than 5 authorized computers or if you have used this option within the last 12 months.

    Holy christ, and I thought activation with XP was bad. I realize Apple is going for the "average joe" consumer here, but wow - I can't think of a year where I haven't done 4 or 5 upgrades to a box. Not only that, but every time you want to test a new RAM stick out you have to make sure to de-authorize your music, much with the hardware, authorize your music again? Or if you don't do it every time, keep a record of every hardware change so that when you get close to 5 in a year, make darn sure you do?

    Seriously, for all of you out there who say "Apple's DRM is hardly noticable"...? You must not be tinkerers in the slightest. I think I replaced 3 hard drives in my main tower since June.

    I couldn't imagine having to bugger with my music collection every time I wanted to futz with something. I just boot my machine, and music plays.

    Actual live, breathing geeks put up with this sort of nonsense? Do you jump through the activation hoops with XP as well?

    --
    Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    1. Re:Wait - this is a joke, right? by dgatwood · · Score: 1

      You must be trolling, right? I barely have time to do my LAUNDRY once a month, forget changing hard drives that often.... I can't imagine having so much free time and money that I could replace my hard drive once a month. That's not a tinkerer. That's somebody who has way, way too much free time.

      Let's see. New hard drive: ten minutes. Reinstalling the OS: 1-2 hours. Reinstalling everything else: 4 days. So you basically blow an entire work week every month without getting anything useful done?

      You clearly need a hobby, dude. Adding a hard drive once a month is one thing. Replacing your system drive once a month is another thing entirely, and frankly, we have treatments for that....

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    2. Re:Wait - this is a joke, right? by freeweed · · Score: 1

      I can't imagine having so much free time and money that I could replace my hard drive once a month.

      Hmm, a couple of spare hours, imaging tools, and $100. You can't imagine having that?

      Hate to be the one to tell you this, but you not only need to cut back on your work hours, they need to pay you just a tiny bit more :)

      --
      Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    3. Re:Wait - this is a joke, right? by fandog · · Score: 1
      So you basically blow an entire work week every month without getting anything useful done?

      Umm, no, with drive imaging utilities you can change out your main drive in 2 hrs, and be back up and running. Check out www.acronis.com (et.al.)

      I agree with the GP post, my system has changed several times since the end of July, and I have a full time job, grad school, and a family, so it's not like you need a bunch of time to make changes.

      Man, after reading all of this, I'm really glad I never bought Apple. My no-name i-river mp3 player works great!!

  50. Re:Why Apple? why not by Digital+Vomit · · Score: 1
    With the iTunes Store, you get one "wipe" of your authorizations per year.

    Oh, yes, thank you, massah. No, I won't be messin no mo' wit my com-pyoo-tuh, no sir. Yes, massah, here's my credit card. Thank you, massah.

    --
    Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
  51. Re: Copyright or DRM by TaoPhoenix · · Score: 1

    This is the post I shall reply to, one that correctly notices that Copyright, *as it now is*, is not the same Copyright from 1790's.

    Copyright now essentially means "you will never see a work created after 1925 enter the public domain, ever." There was a rumor that the prior copyright extension act of 1998 was "the Disney copyright law", because their entire empire risked crumbling to dust in 10 years as their most famous pantheon of characters entered public domain.

    Before the digital age, Libraries and "SchoolGround/Work" networks were Good Things, because Exposure is still the key problem for new creative artists. Copying a tape took the full hour necessary to play it, so except for some kid who spent all of October 1984 copying Michael Jackson for every one of his friends, the exposure far outweighed the "purchase damage". Yes, RIAA and friends wailed against copyable tapes, but the force of the public slammed that one through.

    Libraries were considered noble. You got to borrow X object for 3 weeks, and I for one so heavily played the daylights out of that rented tape that I had no need to buy it if i had the entire album memorized. "Oops, it's been 6 months, let's rent it again". What new DRM has a THREE WEEK period extendible up to about 5 times??

    DRM as currently envisioned of course unduly limits the Fair Use as noted elsewhere. But what these discussions NEED to be about is changing the REVENUE model entirely. Some huge percentage of artists simply wither under the weight of obscurity... even with free promotions, simply being discovered takes time. So accelerated exposure, via the p2p nets, ... should be a good thing. I personally like the "distribute the studio tracks as loss leaders, and make it up in concerts" approach. I'd like someone to find a way to make that model work.

    The only revenue calculations we should worry about is "the Artist". Someone take a standard "solid" contract, calculate the ACTUAL $ they expect to receive, and begin brainstorming how to meet that figure in other ways. I simply don't know the magic target figure to go after. Not counting a superstar, how much does a "lower B-Midlist" artist make in real dollars per album before tours? I'm thinking about all kinds of alternative funding approaches these days.

    The Preview Word for this comment is motive.

    --TaoPhoenix

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  52. Blissfully ignorant? by Anonymous Coward · · Score: 0

    I'm all for protesting against current DRM, but I wish they would at least pick a quote which isn't as open to interpretation as "If consumers even know there's a DRM, what it is, and how it works, we've already failed." To me, that is the perfect approach to dealing with copyright infringements. Think about it, if the end user is totally unaware of it, forever, then it hasn't interfered with anything they want to do as a consumer. If the only time it inhibits them is when they stop being a consumer of the copyrighted material and start using the material in an illegal way.

    I have no idea what the true intentions of the quoted Disney executive was, but I find it depressing when those fighting for the same goals as me use quotes and arguments like these. Every weak argument in a debate only strengthens the oppositions position.

  53. Format shifting. Control. by chiark · · Score: 1

    Control is not in the hands of the consumer, nor in the hands of the producer: it's in the hands of the DRM controller.

    At the moment, when I buy a CD I can listen to it on any CD player I like, when I like, how I like. I can play it in my car,
    at home, on my PC... I can shift it onto another format, even though this is not a legally protected right in the UK (we have
    no concept of fair use over here).

    I have a large legal MP3 library that I have personally ripped. I like being able to play that on my MP101 in the living room, or on my PC, or wherever I choose. I've bought the music, it's mine to listen to how I want. I don't want to share it with the world, put it on any open network, or let it out of my control but I do want to be able to use it in a way that pleases me.

    DRM removes the facilities and convenience that technology has given me, all on the risk that I might use the technology to infringe copyright.

    Besides all that, DRM is destined to fail. Ultimately, the music has to be heard or the pictures displayed, and at that point they can be recorded without any DRM and that is what will be on the file sharing networks of the world. There is no way of stopping that, so they might as well stop spending money trying to push water uphill and trust their customers!

    There is no expiry of DRM - there is expiry of copyright... The British LIbrary's manifesto is a good start, but I'd personally like to see fair use written in there too.

  54. DRM will only hit the masses when by speedlaw · · Score: 1

    You get a call from a non technical friend about how to get rid of that popup that says " Copying this CD is a copyright violation " with a "cancel" button.

    Of Course, by then it will be too late.

  55. Not sure on this one by joshsnow · · Score: 2, Insightful

    Whe it comes to DRM, I'm not entirely of the opinion that DRM is entirely a Bad Thing(tm). I think that in Apples case, there's enough in the product to ensure that a person using it has fair use. i.e. in iTunes, you can burn your songs to a traditional CD format which can then be ripped to anything you like.

    I think it's not so much the DRM which is bad, it's the way it's being used and the people who are using it. For instance in Napsters case, I believe DRM is being used to enforce a subscription model where the user never owns the music they download and loses it as soon as they stop subscribing. Then there's the RIAA and the MPAA who see DRM as a tool which they can use to control the one channel of distribution that they currently don't fully control (the internet) so that they can continue to take advantage of artists and consumers.

    I think that Apple have always used software to sell their hardware and if iTunes were to start selling vanilla MP3s iPod sales would, inevitably, take a hit. So they've arrived at the happy medium - just enough DRM to package the iPod product with the iTunes service into a Solution (I'm pwning the marketing-speak!) without completely removing the right to own the music and to make copies of it.

  56. DRM... What's the problem by theeddie55 · · Score: 1

    If people stuck to buying their music for what they want the play it on, then DRM wouldn't be a problem. Complaining that you brought a song from site x and it won't work on device y is a bit like saying I brought this CD, it works fine on my CD player but I can't get it to play on the turntable at my grandparents house.

  57. Hmmmmmmmmm . . . by Slaughter'em · · Score: 1

    Shouldn't everyday be The Day Against DRM?

  58. DRM sucks. by Slashdot+Parent · · Score: 1
    Consider the following situations:
    • Roxio decides that it's sick of throwing money at unprofitable Napster and shuts it down. The music you paid for no longer works since it can't phone home.
    • You buy a song to listen to on your iPod but you later decide you like iRivers better. Now you get to buy the song again.
    • You buy a song and decide you don't like it and want to sell it to somebody else on eBay who might enjoy it. Possible with a CD. Not with DRM'ed tracks.
    • You buy a new computer and suddenly none of your music works anymore. You have to buy it all again.
    That's just off the top of my head. DRM sucks. The media distributors need to remember what they are: distributors. Most people would pay money to receive a professionally ripped track on a high-speed pipe rather than try to download a low-bitrate track with audio artifacts from some hack in a dorm room in Timbuktu.

    Provide value, and people will pay for it.

    --
    They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
  59. re: TPM chips by King_TJ · · Score: 1

    And the writer of that blog seems to be wearing an awful lot of tinfoil, too.

    Since it was a *known* fact that developer Macs shipped with the TPM hardware in place when they moved to Intel chips, I'm not sure why anyone is shocked or surprised that it wasn't removed by the time they went to production?

    As someone posted a reply comment about on that blog page, *virtualization* is one possible reason to make use of a TPM chip. Maybe Apple is interested in utilizing it to get Windows compatibility seamlessly running inside the next release of OS X?

    Ultimately, it *still* comes down to software ... Do the programs you use implement the TPM in such a manner as to restrict your usage? If so, why run those programs? OS X currently makes no use of it, so if that changes, just skip the next OS X upgrade or stop using the updated apps that start using it in an offensive way. Until then, you're just complaining about scenarios that don't even exist yet.

  60. Some interesting parallels by petrus4 · · Score: 1

    DRM has become RMS's answer to the War on Terror.

    People are going to say that if the FSF do some genuine good with this, then I shouldn't be saying such terrible things...but I think more of us around here have been waking up to Stallman's own veiled autocratic tendencies over the last year or so.

    Bush has used the War on Terror to keep people divided and scared, and as an excuse to reprimand anyone who dares question him via the old canard that solidarity must be shown to the Commander in Chief during wartime.

    It's interesting...I only just thought of it then, but in reply to a post I made a few weeks ago, one of the FSF attack bots on here actually *did* use that as grounds for reprimanding me...calling me "idiotic," and then going on to mention how RMS was our potential saviour from that dire and persistent bogeyman, DRM. Now that I think of it, it does remind me a lot of the attitude that's been promoted in the US; that Bush must be continually held utterly above reproach because he is supposedly all that stands between the rest of humanity and a group of swarthy, turban-clad phantoms who customarily reside primarily under beds and in dark closets.

    It would make a lot of sense for Stallman to want to create an impression among Linux users that they need to be at war with the corporate world, though...People who are scared have a much greater tendency to look for a singular individual to take care of them in a parental sense, and are willing to hand said individual an accordingly high level of authority, pretty much without question.

    As we all know however, authority and control are the very last things our Messiah wants. He's dedicated purely and solely to fighting ceaselessly for our FREEDOM. We mustn't ever criticise him or question anything he says in any way, because if we do that, our division will be exploited by the evil corporations that are eternally lurking, waiting, semi-invisibly in the shadows, who will pounce and devour our still-beating hearts directly from our chests.

    I seem to remember the word freedom also coming up rather a lot in a certain inauguration speech I heard recently. The similarities between situations are purely coincidental, of course.

    1. Re:Some interesting parallels by know_op · · Score: 1

      Sure it's good comparison-- except for the fact that people will take action and do something about DRM. What if all of the people who were concerned about DRM (uses legitimate or otherwise) actually organized about something more serious that is going on in the world? War, global warming, hunger, etc. It would be nice to see such enthusiam for something more important. DRM is bad for our society, the white, middle class, tech literate portion of society, I guess. I wonder if they are going to pull out the fire hoses at the Apple store.

  61. MOD PARENT DOWN by ben+there... · · Score: 1
    I don't think Apple was all that "pro DRM" at all. They simply agreed to it in order to successfully get the whole iTunes music store off to a start with major record labels on-board.

    Then why does Apple's DRM still only work with their products?

    They use it for vendor lock-in. They love it.

    Stop giving them a pass because they're Apple.
  62. British Library "Manifesto" On DRM by NewYorkCountryLawyer · · Score: 1

    In my opinion, the "manifesto" (*PDF) published recently by the British Libarary, and called to my attention by this GrokLaw story, on the subject of DRM, best explains how DRM is harmful to our culture, and inconsistent with our tradition of creativity, from which tradition we may distill the adage nihil sub solum novum.

    --
    Ray Beckerman +5 Insightful
  63. Re: TPM chips by Anonymous Coward · · Score: 0

    I'm not complaining about scenarios, real or imagined.

    I'm suggesting that the parent's underlying attitude--"Apple is coolness; they couldn't possibly, really, like teh evilness":

    is fanboy dumb.

    I'm posting this on a Mac I use every day. I'm not anti-Apple. I'm anti-stupidity.

  64. Why GNU? by sowth · · Score: 1

    The intentions here may be good, but the execution is nearly at hypocritical levels.

    What else could you expect from a FSF/Richard Stallman operation? (Did I get the organisation slash thing right Mr. Stallman? I wrote your organization first. "You forgot to write GNU/FSF/me is the greatest ever!" Ow! Stop hitting me. I will do better next time, I promise.)

  65. Everything is DRM now? by sowth · · Score: 1

    How many players do have DRM support? I haven't kept up with the news lately, but I thought the RIAA companies never managed to get a standard going. Are you telling me if I buy one of these obscure brand name MP3 players (ignore the apple ones and such), they all have some sort of DRM?

  66. Re: TPM chips by King_TJ · · Score: 1

    And, you might also notice, I *am* the parent poster.... And no, I don't think I'm a "fanboy", nor was my point that Apple is "so cool, they can't do anything evil or wrong".

    My point was, looking at the whole situation rationally, it makes plenty of sense why the first company trying to create a digital online music store would have to make concessions with the recording industry, or else be stuck in a "rut" of only having unknown, independent-label bands to offer. Apple happened to be that first company.

    Recent studies/surveys are showing that most music people listen to on their iPods does *not* come from iTunes music store -- so Apple is certainly benefiting financially from iPod sales, even among people who don't want to buy their digital music.

    Like someone else already posted though, DRM is firmly entrenched with media purchases already. Show me a single commercial DVD you can buy today that isn't CSS protected. Even back in the glory days of VHS tape, they usually put silly Macrovision copy protection on them. And we all know software vendors have been trying to enforce copy-protection schemes on computer and console games for YEARS. In a way, all that's happened is the protection scheme has gotten a lot more intelligent about who the owner is. Instead of trying to trip up everyone possessing the media so they can't make "unauthorized copies", now they track *who* made the purchase and extend a set of specific usage rights to them that they won't interfere with.

    If it weren't for the fact that they're limiting *where* the purchased media can be played as well as regulating its duplication, I doubt most people would even care. And I could see that restriction going away or being relaxed quite a bit if most music sales shift to the digital realm. To the recording industry, all of this is still pretty new stuff.