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Universal Refuses To Renew On iTunes

UnknowingFool writes "It appears for the moment that Universal will not renew its long term contract with Apple for content on the iTunes store. While the details are not known about the exact nature of the dispute, many speculate that it has to do with Apple's stance on fixed pricing and Apple's refusal to license their DRM. The worse case scenario may include Universal pulling its entire catalog from iTunes. Both sides stand to lose out with 1/3 of of new releases coming from Universal and an estimated 15% of Universal's sales coming from digital downloads. Apple's market share is about 75% of digital downloads, and digital downloads are growing while CD sales are shrinking."

287 comments

  1. Worst case? by EveryNickIsTaken · · Score: 2, Interesting

    The worse case scenario may include Universal pulling its entire catalog from iTunes. How exactly is this the "worse case" scenario? I'd like to see Universal sign with someone else (hopefully a non-exclusive, DRM-free deal.) Competition is always a good thing.
    1. Re:Worst case? by Doctor_Jest · · Score: 5, Insightful

      DRM free?

      HAH. don't hold your breath... and it _will_ be more expensive than iTunes, and it _will_ be more DRM-crippling than iTunes.

      Yeah, competition's great.

      --
      It's the Stay-Puft Marshmallow Man.
    2. Re:Worst case? by anotherone · · Score: 5, Insightful

      Universal already has the option of going DRM-free with iTunes, and they haven't taken the bait. Anyway, they don't have an exclusive contract with iTunes. Your whole post makes no sense.

      --
      Username taken, please choose another one.
    3. Re:Worst case? by TheRaven64 · · Score: 1

      Any Universal shareholder out there? I have looked for music a few times on the iTunes store recently. Some of it has been there, but not on iTunes Plus, and so I have not bought it. The only music I will buy is DRM-free, either on CD or from iTunes Plus. Typically, I am too lazy to buy CDs, which means most music I buy is from iTunes Plus. I've bought more music since it launched than in the six months prior. Aren't companies legally obliged to try to maximise profits? I seem to recall this being used to justify bad behaviour, why isn't it used for good behaviour?

      --
      I am TheRaven on Soylent News
    4. Re:Worst case? by E+IS+mC(Square) · · Score: 1, Insightful

      Yes. If they go and sleep with somebody else, they are going to suck. "It will suck." "It will not work".

      I see this as definitely a good thing.

      BTW, Magnatune with Amarok is far better deal then iTunes. Just in case somebody is interested.

      But do not let me spoil the party - let Apple whoring begin.

    5. Re:Worst case? by Drawkcab · · Score: 3, Informative

      iTunes isn't the one pushing DRM, its the record labels like Universal who insist on it. Apple knows its customers don't like DRM and they'd sell more without it, but the copyright holders are the ones worried about losing revenue in the long term without DRM. You've got it completely confused.

    6. Re:Worst case? by Anonymous Coward · · Score: 0

      I'd like to see Universal sign with someone else (hopefully a non-exclusive, DRM-free deal.)

      If they wont' give Apple a DRM-free deal, what the fuck makes you think they'd give any other store a DRM deal???

    7. Re:Worst case? by EveryNickIsTaken · · Score: 0, Flamebait

      Universal already has the option of going DRM-free with iTunes, and they haven't taken the bait. Yes - because they don't like what Apple was offering them, DRM-free or not.

      Anyway, they don't have an exclusive contract with iTunes. Well, I never said they did. What I said is that whichever competing 3rd party (or homegrown) service they move to would hopefully be non-exclusive.

      Your whole post makes no sense. You sir, are an ass.
    8. Re:Worst case? by Doctor_Jest · · Score: 1

      No doubt. And since I don't buy any Universal artists, I really don't care if they disappear....

      I'd also like to add ambient.us too... (with props to eMusic if you are into subscriptions... but they're crippleware-free!)

      --
      It's the Stay-Puft Marshmallow Man.
    9. Re:Worst case? by EveryNickIsTaken · · Score: 1

      When *insert random media/IT conglomerate* starts driving over dumptrucks full of cash, then Universal would budge. Seriously people, you need to stop licking Apple's balls.

    10. Re:Worst case? by flitty · · Score: 1

      One of the biggest record companies refuses to continue its relationship with the #1 distributor of digital online music, and it's tagged as a slownewsday? Is this because the post isn't about the iPhone?

      --
      Whether or not there is some sort of god, I'm not supposed to say/god is a word and the argument ends there-Smog
    11. Re:Worst case? by twitchingbug · · Score: 3, Insightful

      Guess who wins? EMI.

      If Universal thinks that people will buy from another online source than iTunes, let them try. That's competition. EMI felt differently, and will win and grab a larger market share. Honestly I've never paid any attention to which labels musicians signed with before. But now it'll becoming blindingly obvious who's in what camp.

    12. Re:Worst case? by Quiet_Desperation · · Score: 1

      I'd like to see Universal sign with ... hopefully a ... DRM-free deal.

      Uh, that would be Apple, sport. Jobs is the one publically urging the labels to drop DRM.

    13. Re:Worst case? by acvh · · Score: 3, Insightful

      "BTW, Magnatune with Amarok is far better deal then iTunes. Just in case somebody is interested. "

      There IS the issue of just how large their respective inventories are: I believe iTunes wins there.

      Hey, there are many sources of cheap, independent music. I use them. I like them. But to say that 500 albums at 5 bucks each represents "a far better deal" requires some suspension of reality.

    14. Re:Worst case? by Scrameustache · · Score: 1

      I'd like to see Universal sign with someone else (hopefully a non-exclusive, DRM-free deal.) If wishes were horses we'd all be eating steak right now.
      --

      You can't take the sky from me...

    15. Re:Worst case? by astrosmash · · Score: 4, Informative

      Yes - because they don't like what Apple was offering them, DRM-free or not.

      Right. And what exactly do they not like about their deal with Apple?

      They want to charge you more for their music. They'd like you to purchase multiple tracks for each device you own, and they'd really like it if you couldn't burn those tracks to CD.

      Your post makes no sense because Apple has no say in the dealings that Universal does with other on-line retailers. Yes, competition is great. Theoretically, if Universal was uncomfortable with iTunes' dominance in the marketplace they would make sweetheart deals with other on-line retailers to provide cheaper music with more freedom to drive people away from iTunes, and the consumer would win. But that is not what is happening, because they're just too greedy, and the other tech companies too easily roll over to the whims of the entertainment industry. iTunes is successful in part because they're the only ones who have stood up to the record companies.

      Instead, Universal uses its dominant position to strong-arm more money out of companies like Apple and Microsoft -- you'll recall that Universal stayed out of the Zune music store until Microsoft agreed to give then a cut of the Zune hardware sales. That's all that this is about.

      --
      ENDUT! HOCH HECH!
    16. Re:Worst case? by catbutt · · Score: 1

      Aren't companies legally obliged to try to maximise profits? I seem to recall this being used to justify bad behaviour, why isn't it used for good behaviour? Well, I don't know if that is true really...sure they have a long term obligation to shareholders, but in the case of bad behaviour, choosing the "bad" route may lessen profits in the long term if it harms their reputation.

      As for your "good behaviour" scenario...well, you haven't exactly offered proof that going DRM free will maximize their profits, except with regard to your purchases specifically. Not every music consumer happens to be a slashdot-reading anti-DRM advocate who makes purchasing decisions based on principles.

      Not trying to defend them, and I am with you in that I only buy iTunes plus stuff anymore for the same reasons....but I think implying they are legally obligated to go DRM free due to fiduciary responsibility to shareholders is quite an extreme stretch.
    17. Re:Worst case? by CastrTroy · · Score: 1

      I've bought more music (and spent more money) on eMusic in the last 6 months than I did in the previous 5 years before I was on eMusic. No song is worth 99 cents. I don't care if the Pope is singing it. Bring down the prices, especially on the digital downloads, and you'll have tons more people buying the music. Differentiate CDs and digital downloads on price, any you'll see people stop downloading them illegally.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    18. Re:Worst case? by gowen · · Score: 2, Insightful

      Dude, until recently anyone with a non-Apple mp3 player couldn't use iTunes without jumping through ridiculous hoops. Given how cheap commodity flash mp3 players have become, why would any company opt to cut themselves out of that market.

      iTunes have established a download market. They've served their purpose and are now surplus to Universal's requirements.

      --
      Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    19. Re:Worst case? by CastrTroy · · Score: 2, Interesting

      I really don't understand this. Almost all the CDs sold in the last 20 years had no form of DRM. And they weren't scared then. What all of a sudden makes them want to sell everything. If they'd focus more on making quality music, and delivering it at a fair price, then they wouldn't have problems with people pirating music.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    20. Re:Worst case? by LordVader717 · · Score: 5, Insightful

      No. Look where people go for their downloads. Especially, look at which store people buy DRM'ed tracks from.

      If they want to keep the DRM, good look trying to sell it on anything other than iTunes with Fairplay. They'd be excluding themselves from the biggest market.
      If they're prepared to sell DRM-free, and want more than Apple's $1.29, they're screwed too, cause customers don't like being fucked by price hikes.

      The fact is that by breaking their relations with the biggest distributor of downloadable music, they're only screwing themselves.

    21. Re:Worst case? by c_woolley · · Score: 2, Interesting

      Correct, and also, it is up to the company's board to decide what they believe will have a financial impact to "maximize" profits. That company may decide (hopefully) that fair business and good PR will win customers. Apple took this stance when they told the recording industry they would not hike the prices of their music downloads. They never stated that they didn't like the idea of more money coming in, but it did rally a lot of customers who bordered the fence to either stay with Apple, or go to Apple. It was a financially driven decision to charge less money in order to make more money, and one that worked.

      Also, the poster that stated that there is a legal obligation to maximize profits, this is not entirely true. They are obligated to ensure that they are not misrepresenting their shareholders' needs, but there are limits as to what is expected. Otherwise, WorldCom and Enron would have just been fulfilling their legal obligation to maximize profits (Sarcasm included).

    22. Re:Worst case? by LordVader717 · · Score: 3, Informative

      It's not "Apple's" AAC tech, AAC is an open MPEG-standard, and anyone can implement it. A lot of Phones can play the files, and the only reason your $30 MP3 player can't is because the manufacturer decided not to pay for the license to decode AAC (which is significantly cheaper, simpler and safer than MP3 anyway)

      Anyway, I believe that DRM-free iTunes tracks can be converted to MP3 by simply right-clicking them and selecting "convert to MP3" in iTunes.

      DRM-free tracks are the ultimate compatibility to other players.

      The reason Apple wouldn't license their Fairplay DRM is because that would endanger the "safety" of the DRM, and the record companies would be angry if it was easily cracked (or so they say)

      No-DRM is better than licensed-DRM, however you put it.

    23. Re:Worst case? by Splunge · · Score: 1

      1. Apple has no control over the non-DRMed version of AAC. AAC itself is entirely non-Apple proprietary.

      2. Apple is pushing for companies to offer non-DRMed music files. These will play on any device which support AAC (again, something which has nothing to do with Apple).

      To summarise: an iTunes Plus track ought to play on a Zune or my Nokia E65 without problem because they are non-DRMed, standard music files in a published format that the devices support.

      --
      "Brown University? We have one of those in Providence!" -- Outside Providence
    24. Re:Worst case? by astrosmash · · Score: 1

      It's not even really about the price. They want Apple to license the tech for their ACC files so other players besides iPods can play the music.

      I don't think that's the case, actually. That would only increase iTunes' market share and Jobs' clout, which is the real issue at hand.

      From the article, Universal wants out of its long-term blanket licensing agreement, and instead wants to license music to Apple on a release-by-release basis, which would give them the option to negotiate the terms for a specific release and withhold a release from the iTunes if the terms weren't favorable.

      Apple doesn't make much money directly from music sales. Again, from the article, they want to keep the price of music down because it makes iTunes and the iPod look more attractive. Universal thinks that's unfair, because Apple makes money selling iPods. Universal wants to be able to charge whatever they want. In other words, it's just about the money.

      The record companies don't like that they're being marginalized, but there's nothing they can do about it. If an iPod owner's music isn't available on iTunes, they'll just go back to file sharing.

      --
      ENDUT! HOCH HECH!
    25. Re:Worst case? by TeknoHog · · Score: 1

      It's the "worse case" as the /. story pointed out, but not the worst :D

      --
      Escher was the first MC and Giger invented the HR department.
    26. Re:Worst case? by SatanicPuppy · · Score: 1

      AAC is an open standard. You can produce AAC encoded music all day long, and you've got no problems...Now, try and write your own codec, and you'll be sued by the consortium who finalized it (said group includes Dolby, AT&T, and Sony, as well as the Fraunhofer IIS (they did a little format called "mp3" as well)....But does not include Apple).

      You're thinking the Fairplay DRM, which is proprietary to Apple, and built on top of AAC.

      --
      ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
    27. Re:Worst case? by Altus · · Score: 2, Interesting


      Universal is going to demand DRM with their new provider. They will be cutting themselves out of that market (which I doubt is actually a huge consumer of online music since those players probably contain mostly ripped CDs, but that is besides the point) no matter what.

      They just want more money and they dont want to give up DRM to get it. If they went somewhere else and sold their music DRM free I would probably buy it (assuming they have anything I want) but if its got some other DRM I wont buy it, because I use an iPod. I don't think I'm alone in this.

      --

      "In America, first you get the sugar, then you get the power, then you get the women..." -H. Simpson

    28. Re:Worst case? by NDPTAL85 · · Score: 1

      "why would any company opt to cut themselves out of that market."

      Because the iPod is over 78% of the DAP market thats why.

      --
      Mac OS X and Windows XP working side by side to fight back the night.
    29. Re:Worst case? by cayenne8 · · Score: 4, Insightful
      "I really don't understand this. Almost all the CDs sold in the last 20 years had no form of DRM. And they weren't scared then."

      Well, remember back when CD's came out...there really was no way to rip them...hell, not many people had a harddrive big enough to hold all a CD's data. At that time, a CD was a safe, one use medium...you could record off it to cassette, but, that was lossy and they didn't care that much about it.

      Then...came larger harddrives, cd burners and cd drives on computers...and compression techs (mp3, etc). Well, what was once 'secure' to do consumer's hardware limitations, wasn't any more.

      The music companies hate that...and with digital music and DRM, are trying to close that hole. They'd fix the CD's to be read only if there were only some way they could...trust me. They're gonna be happy to get rid of CD's if ONLY they can lock the users down in a way they screwed up on and didn't do with CD's.

      They do not want to repeat the non-DRM mistakes they made with CD's.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    30. Re:Worst case? by Khaed · · Score: 1

      For Apple, it is the worst case scenario.

      However, since Universal want to change the price, I imagine they want to charge more, not less.

    31. Re:Worst case? by Anonymous Coward · · Score: 0

      you'll recall that Universal stayed out of the Zune music store until Microsoft agreed to give then a cut of the Zune hardware sales.

      They held out for a cut of the Zune sales? Wow! Those guys really know how to negotiate!
    32. Re:Worst case? by LKM · · Score: 1

      They want Apple to license the tech for their ACC files so other players besides iPods can play the music.

      Then they should just release their music DRM free.

      No, Universal wants two things: Higher prices for their DRM'd music, and a deal similar to the one they have with Microsoft, where they get money for each Zune sold.

      I hope Apple gives them hell.

    33. Re:Worst case? by bakura121 · · Score: 2, Insightful

      I don't see an upside to Universal doing this. If they pull out, they will likely experience more P2P music stealing. I doubt that a significant amount of iTunes users will switch to a different music store because of it. I would purchase the physical CD before juggling multiple music stores, but I didn't want the whole album than I would either resort to finding it on P2P networks or not get it at all.

      For the record, I purchase all of my music. That hasn't always been the case prior to iTunes. I like the iTunes business model.

    34. Re:Worst case? by Dogtanian · · Score: 1

      Almost all the CDs sold in the last 20 years had no form of DRM. And they weren't scared then. What all of a sudden makes them want to sell everything. Because up until the mid-to-late 1990s, the hardware and infrastructure wasn't there to make digital piracy and/or distribution an issue.

      Recordable CDs were prohibitively expensive until the late 1990s.

      MP3- which only appeared in the early 90s as part of the MPEG-1 standard- didn't really take off on its own until the mid-90s. Plus (I believe) in the early days, MP3 playback used up most of a computer's processing time- not that personal computers then were as cheap and widespread as they are today anyway. And you can't have Internet access without a computer.

      I'd invoke the Broadband demon- nice and convenient for filesharing- except that Napster kicked off when everyone was still on dial-up, so it's probably not the most significant factor.
      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    35. Re:Worst case? by Crusty+Cracker · · Score: 1

      While I don't doubt that they will go with DRM, it really is hard to get more DRM-crippled than Apple's DRM. Here we have a store that requires you to download THEIR media player to play their songs and use THEIR mp3 player if you should want to, god forbid, play those songs somewhere besides on a computer... Who exactly is selling (not leasing as with subscription services) a more crippled DRM?

    36. Re:Worst case? by robbiethefett · · Score: 1

      Question: what does DRM do to mp3s? This is a serious question, as I've never come across any music in any format that I haven't been able to anything I've wanted with. I've burned cd's, transfered music to many different brands/types of portable music player, and I've dealt with files obtained from almost every source available. I think the only instance DRMed mp3s have given me any bit of grief was when i tried to burn a cd using WMP, and it returned some error along the lines of "these files are not authorized to burn to cd." I ended up using winamp to burn the cd with no errors on the first try. I've even used some freeware app to convert large batches of files to different formats, and I'm positive some of the files came directly from iTunes and were DRM-encumbered. I'm just curious if anyone has actually run into a case where DRM worked to the advantage of the content providers, because I've always assumed (and have had no reason to assume otherwise) that DRM does absolutely nothing at all in the real world.
      I'm not a troll, so flaming won't be necessary; I honestly don't know, and would like to hear what others have experienced.

      --
      "Luke, you've switched off your targeting computer, what's wrong?"
    37. Re:Worst case? by lskovlund · · Score: 1

      Anyway, I believe that DRM-free iTunes tracks can be converted to MP3 by simply right-clicking them and selecting "convert to MP3" in iTunes.
      Not only that, but they play flawlessly in Xine, without conversion. I have heard about MP3 players that play (unprotected) AAC files too.
    38. Re:Worst case? by Gilmoure · · Score: 1

      It's all about easy duplication of digital tracks. Remember all the DRM schemes they tried on CDs a few years ago? Most times, they ended up not being able to be played in computer CD-RW drives or you could get around them by putting a black line around the edge of the disk?

      The record labels have been a parasite gate keeper, living off the idea that artists need to be promoted and distributed. Now that promotion is flying away from them and distribution is about to do the same, they're running scared.

      --
      I drank what? -- Socrates
    39. Re:Worst case? by ScrewMaster · · Score: 1

      Microsoft agreed to give then a cut of the Zune hardware sales.

      So that was, what ... fifty bucks?

      --
      The higher the technology, the sharper that two-edged sword.
    40. Re:Worst case? by femtoguy · · Score: 1

      They have it now. It's called a CD. I can get most CDs from amazon, or some other place like that, for about the same cost as iTMS, and I get to rip it in whatever format I want, DRM free, no questions asked. In fact, I can even get cute, buy the CD from amazon, rip it, and then sell the CD at my local used CD place for $3-4, making the cost of the music even less. Sure it's slower, but it works. To my mind even if Universal doesn't like iTMS DRM, it's a whole lot better to them than the CD option.

    41. Re:Worst case? by TheRaven64 · · Score: 1
      The CD spec includes a flag which indicates that a CD is a copy and one which indicates that it is copyrighted. Licensed CD players with write capability will allow you to make digital copies of CDs that are not copyrighted, and ones that are copyrighted, but are not copies (to allow making mix 'tapes'). At the time CDs were introduced, no one thought computers would be used to copy them, and so it was just a matter of getting HiFi manufacturers to comply with the rules, which was fairly easy.

      The first machine I had with a CD-ROM drive (8x, so not one of the first generation) had a 1GB hard disk. I could have just about copied one CD to the hard drive before running out of space. For obvious reasons, I didn't want to do that. With the advent of MP3 CODECs, I could fit two or three albums on the disk without using too much space. My next computer had a 20GB hard disk, and I could fit a large proportion of my music collection on it.

      Then came things like Napster. Previously, copying wasn't too bad, because people generally copied one album to their friends, which encouraged them to buy a different album from the same band, increasing sales overall. With widespread sharing over the Internet, it was suddenly easier to copy music than to buy it.

      By this time, however, there was such a large installed base of CD players that it would have been commercial suicide to break the format. The recording industry wants people to buy DRM'd music instead of CDs because it wants to put the genie back in the bottle. They don't seem to realise that most people are, basically, honest, and would rather pay for something they enjoy.

      --
      I am TheRaven on Soylent News
    42. Re:Worst case? by Sancho · · Score: 3, Informative

      Who exactly is selling a more crippled DRM? Interesting choice of words.

      I'd like to know who is selling less crippled music? With Microsoft's solution, to play on the PC, you need Windows Media Player, correct? Music from the Zune store only plays on the Zune. Allofmp3 is closed.

      Apple does let you burn their DRM'd songs to CD, meaning you can play them in any CD player. You can also rerip. It's a crappy solution to get it onto a non-iPod player, but it's possible. Do other solutions offer this?
    43. Re:Worst case? by falconwolf · · Score: 1, Informative

      "why would any company opt to cut themselves out of that market."

      Because the iPod is over 78% of the DAP market thats why.

      That's a good reason to stay in the market not opt out of it.

      Falcon
    44. Re:Worst case? by dangitman · · Score: 1

      Here we have a store that requires you to download THEIR media player to play their songs and use THEIR mp3 player

      Well, at least Apple's songs actually work on their own player. Microsoft's "Playsforsure" often doesn't play on devices designed to support it! Likewise, some people have problems playing songs from the Microsoft Zune store on their Microsoft Zunes! I think "doesn't work properly" is about as crippled as it gets.

      --
      ... and then they built the supercollider.
    45. Re:Worst case? by dangitman · · Score: 1
      They want Apple to license the tech for their ACC files so other players besides iPods can play the music. But Apple won't do that because it would hurt their hardware business.

      That's ridiculous. If Apple was frightened of tracks being playable on other devices, and wanted to lock you into the iPod - then why have they started releasing DRM-free music that can be played on any device?

      The distorted paranoid conspiracy theories that the ignorant have about Apple are getting unbelievable. Hey, I also heard that Steve Jobs is Hitler reincarnated. He eats babies and wants to enslave the human race. Why do you think iPods were only available in white for so long?

      --
      ... and then they built the supercollider.
    46. Re:Worst case? by macdaddy357 · · Score: 1

      Saying you don't want to sell downloads through iTunes is like saying you don't want to sell CDs through Wal-mart. You might as well close your doors. C-ya Universal. Enjoy the dustbin of history. Say hello to the buggy whip people when you get there.

      --
      How ya like dat?
    47. Re:Worst case? by diamondsw · · Score: 1

      Almost all the CDs sold in the last 20 years had no form of DRM. And they weren't scared then. What all of a sudden makes them want to sell everything.

      Simple - ease of distribution. Until the last ten years or so, just because a CD could be read didn't mean you could do much with that data. It my seem quaint, but 600MB used to be a HUGE amount of data - larger than most hard drives until the early/mid 90's. CD burners were rare, and there wasn't any universal compression algorithm to turn those huge AIFF or WAV files into something remotely portable. Suddenly, MP3 compression and the internet changed all of that. MP3's made it easy to upload songs, Napster showed people how easy it was to get them, and everything followed a vicious (or virtuous, depending on your perspective) cycle from there.

      The music industry has been amazingly, frighteningly slow to adapt to this. DRM is just as doomed as copy protection in the late 80's. Even when presented with a solution (iTunes et al), they've fought it.

      --
      I don't know what kind of crack I was on, but I suspect it was decaf.
    48. Re:Worst case? by kimvette · · Score: 1

      "While the details are not known about the exact nature of the dispute, many speculate that it has to do with Apple's stance on fixed pricing and Apple's refusal to license their DRM."

      Whoa, let's look at this moment of irony; a media company is upset about price fixing? That'd be akin to Microsoft's complaining about lack of choice in the operating system and office suite markets!

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    49. Re:Worst case? by Anonymous Coward · · Score: 0

      Of all the record companies, Universal is the most stubborn. They demanded (and received) a royalty from MS for every Zune sold. They have repeatedly claimed the mp3 players are full of pirated music. They have called Apple's request for DRM free music irresponsible. (They've also demanded that Apple license the iTunes DRM to other companies to comply with the European lawsuits). And they're demanding variably priced music (how many songs do you think would go down in price?)

      Universal downloads are not iTunes exclusive. Dropping iTunes would reduce competition (especially since no one else is pressing for DRM free music or constant pricing). If Universal does drop Apple, you will see their prices rise.

    50. Re:Worst case? by DianeOfTheMoon · · Score: 2, Informative

      You could look at eMusic

      They let you burn songs to CD any number of times.
      They charge less per song than Apple.
      They keep a download history, so if you lose the track somehow, you can just go get it again.

      Oh yeah, and they sell unprotected mp3's. :)

      --
      Problems are like gifts, it's better to give than to receive
    51. Re:Worst case? by An+Onerous+Coward · · Score: 1

      FairPlay is already hacked. I don't see how that would change if Apple started licensing it to other MP3 players. So it seems more likely that the refusal is all about customer lock-in.

      --

      You want the truthiness? You can't handle the truthiness!

    52. Re:Worst case? by Anonymous Coward · · Score: 0

      Some people here don't lick Apple's balls. We go strait for the ass.

    53. Re:Worst case? by Doctor_Jest · · Score: 1

      That's a good point. There are a few artists that I listen to regularly who are on a tainted label (Metal Blade to be precise)... King Diamond, etc.. But for the most part, I can find it somewhere else online (like eMusic, or just the CD itself used)... I'm lucky, I guess... most (99%) of my music collection is what you'd label as "not mainstream..." So the big labels are really not fighting over my $... which is fine by me. :) The RIAA would have to kill my children and butcher my dog before I'd stop buying King Diamond... :)

      I also like the CD purchasing (though it's a bit steep with currency exchanges being what they are... not terrible... but shipping can kill you) direct from the labels' European shops... (Like Nuclear Blast... though that's a US store... or Syn-Gate, which is really obscure electronic, etc...)

      I guess I'm getting old... the list of active bands I listen to (those touring and releasing CDs) is dwindling... ;) More money for other things... like overpriced Video Games. heheheh.

      --
      It's the Stay-Puft Marshmallow Man.
    54. Re:Worst case? by jawtheshark · · Score: 1

      You can also rerip. It's a crappy solution to get it onto a non-iPod player, but it's possible. Do other solutions offer this?

      Yes, on an iTunes Plus song, right-click in iTunes and select "Convert to MP3". Done.... Also works if you accidentally ripped to AAC instead of MP3.

      Oh, and Psssst

      --
      Ahhh...the great dumpster continuum. Many a free computer will be found there. -- sowth (748135)
    55. Re:Worst case? by the_lesser_gatsby · · Score: 1

      Do other solutions offer this?

      All the other PC drm solutions (MS plus a few also-rans) can burn to a CD. This is a record label restriction anyway.

      Also, it's possible to write your own PC player that handles MS drm (Napster and Yahoo do this for their subscription services), but its using the underlying drm calls from Microsoft. (You need a signed library from MS).

      Bottom line is that all the PC drm systems are equally restricted since the requirements come from the contract with the labels.

    56. Re:Worst case? by gowen · · Score: 1

      Do you really think its going to stay that way? Now that massively cheaper, functional mp3-playing alternatives are available in every supermarket? Sony Walkmen had a massive share of the portable audio market after they were first released, but within two or three years the market had become completely commoditized. The only reason that hasn't happened yet is the fact that iTunes required an iPod until very recently.

      --
      Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    57. Re:Worst case? by fbjon · · Score: 1

      The RIAA would have to kill my children and butcher my dog before I'd stop buying King Diamond Knock on wood.
      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    58. Re:Worst case? by krenaud · · Score: 1

      I don't know if 78% is an accurate number if you look at the number of DAPs sold. BUT, that number fails to take into account that many people use their mobile phones as audio players. I always carry my mobile with me, it has a 4MB memory card and a good enough music player interface so I see no need for another device. Besides, since I always use a handsfree I would need two sets of headphones if I had a separate DAP with me which is very impractical.

    59. Re:Worst case? by Kokuyo · · Score: 1

      I've always been wondering why there isn't something like Daemon tools that fakes a CD recorder and just outputs iso files to disk. Like Nero does, just on the OS level. That way I could save much plastic. It can't be that hard to code. I mean CD emulation is oldschool so why not CD recorder emulation?

    60. Re:Worst case? by iainl · · Score: 1

      FairPlay has been fairly regularly hacked because it relies on the Client program to protect the file in the first place. As soon as Apple have to support third party clients, they don't have the ability to force upgrades when people break it, and obviously it would be pretty trivial for any open-source solution to just not bother encrypting the file at all before storing.

      As encryption systems go it's pretty daft, but having done that I can certainly understand why Apple don't want other client programs out there which they don't control.

      --
      "I Know You Are But What Am I?"
    61. Re:Worst case? by leonem · · Score: 1

      Quite right. We have the capability nowadays to let artists cheaply promote and distribute their music online - far less than the cost of instruments and a recording studio. Calling the music companies parasites is a tricky one though. Someone will know better than me on this, but I suspect the total number of professional musicians has risen in line with the size of the recording industry. Now, this wasn't their aim, and I'm not holding them up as morally responsible, I'm just saying there are positive knock-on effects.

      Now, it's clear the economics are breaking down (hence all the piracy), and thus the system does need shifting. Mergers have gradually led to a cartel, and prices cannot respond quickly enough to the immense downward pressure of technological advancement. Deflation of music prices is actually pretty high at the moment - average UK album prices have fallen from £11.25 in 2000 to £9.41 in 2007 (this is from retail research I'm doing at the moment) - but anyone can see that, based on the cost of creation and delivery, it should be much, much lower.

    62. Re:Worst case? by LordVader717 · · Score: 1

      I believe you are mistaken. As iainl said, it has been "hacked" over and over, with Apple constantly upgrading the security and patching the hacks.

      The deepest you can get with the current Fairplay is intercepting the Audio-stream, which requires you have Quicktime running and wait for the song to play.
      There used to be a hack called jHymn, which did actually crack the DRM itself, although it did need you to log on to Apple's server with your account. But that hole was fixed with iTunes 6.

      Sure, they like the fact that only iPods can play the tracks, but if that were their intention they wouldn't be selling DRM-free tracks.

    63. Re:Worst case? by Weedlekin · · Score: 1

      "Do you really think its going to stay that way?"

      It will probably stay that way for as long as separate MP3 players are still a viable market.

      "Now that massively cheaper, functional mp3-playing alternatives are available in every supermarket?"

      Ah, the old Geek "people always buy the cheapest item" canard, which is amply supported by the fact that there aren't any premium brands anymore, because the cheapest possible items have destroyed all of them.

      "Sony Walkmen had a massive share of the portable audio market after they were first released, but within two or three years the market had become completely commoditized."

      Sorry to burst your bubble, but Sony actually sold the vast bulk of their Walkman cassette players long after they'd become a commodity. What killed the Walkman wasn't competition from other manufacturers, but the fact that cheap CD-based personal stereos replaced those using cassettes, and Sony decided to use the Walkman name for their ill-fated mini-disk players.

      "The only reason that hasn't happened yet is the fact that iTunes required an iPod until very recently."

      I assume by "iTunes" you mean "the iTunes" store, which, leaving out the fact that purchases made from it work fine on any computer that can run iTunes, does require an iPod for DRM content. However, it's a rather well known fact that only 3% of the songs on an average iPod were bought from the iTunes store, which means that 97% of them come from some other source. How does this support your contention? Oh, that's right, it doesn't...

      --
      I'm not going to change your sheets again, Mr. Hastings.
    64. Re:Worst case? by Anonymous Coward · · Score: 0

      Horse steak? Ew! You wish!

    65. Re:Worst case? by T.E.D. · · Score: 1

      Well, remember back when CD's came out...there really was no way to rip them...hell, not many people had a harddrive big enough to hold all a CD's data. At that time, a CD was a safe, one use medium...you could record off it to cassette, but, that was lossy and they didn't care that much about it.


      In fact, the RIAA considered it a great advance. At the time everyone routinely made analog copies of their albums to cassette. A lot of people even bought cassettes (cheaper) and made copies of those. Most portable stereos came with two cassette drives for dubbing. Mine did it at quadruple speed, so it didn't take so long.

      CD's were like an IP godsend to the RIAA. Suddenly there was a high-quality digital playback media, but there was no consumer digital recording media to match. When Sony tried to come out with digital cassettes a few years later, which would have gotten things back to where they were before, the RIAA screamed like a stuck pig.

      The "consumers can only buy and playback" regime that the RIAA is trying so hard to maintain now is only a recent (20-year-old) system. There's absolutely no reason why they should expect this situation to last forever, and no reason why anyone should feel they have a right to it.
    66. Re:Worst case? by Weedlekin · · Score: 1

      "Then...came larger harddrives, cd burners and cd drives on computers...and compression techs (mp3, etc). Well, what was once 'secure' to do consumer's hardware limitations, wasn't any more."

      That's not what worried them, because they simply used the strategy they came up with for cassettes, i.e. get governments to put a levy on blank media to "make up for the losses from casual piracy". The shit started to hit the fan when Napster was launched in 1999, because it turned the Internet into a wide scale media distribution network that non-Geeks could use.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    67. Re:Worst case? by Sancho · · Score: 1

      For what it's worth, iTunes lets you burn songs to CD any number of times--though you can only burn a specific playlist a certain number of times. It's the most asinine restriction ever, since you can always copy the CD that you just burned.

      That looks pretty interesting, and is definitely something I will probably check out. Unfortunately, while browsing their catalog, I didn't see a whole lot of overlap with the iTMS. I think that the selection is certainly relevant, although I guess that was an assumption I made when the grandparent post implied that there were other services with less restrictive DRM.

      I mean, hell, Jonathan Coulton has no DRM and some of the least-restrictive licensing ever.

    68. Re:Worst case? by Sancho · · Score: 1

      Yeah, but those are the unencrypted tracks, which are definitely the minority on iTMS right now.

      I didn't think that the Hymn project was relevant anymore--it doesn't seem to work with recent versions of iTunes. Does QTFU (can't seem to find a specific mention of it on their site)

    69. Re:Worst case? by Laur · · Score: 1

      I've always been wondering why there isn't something like Daemon tools that fakes a CD recorder and just outputs iso files to disk. Like Nero does, just on the OS level. That way I could save much plastic. It can't be that hard to code. I mean CD emulation is oldschool so why not CD recorder emulation?
      The reason it hasn't been done is that it is not all that generally useful, how many times do you want to burn something and immediately re-rip it? There are already a plethora of tools to let you create/copy/manipulate iso images, and as you say a lot of CD burning software will let you save your project as an iso quite easily. Of course, AFAIK you can't store audio CDs in iso format anyway. If you want to remove the DRM from iTunes songs there are already better methods then burning & re-ripping.
      --
      When you lose something irreplaceable, you don't mourn for the thing you lost, you mourn for yourself. - Harpo Marx
    70. Re:Worst case? by Midnight+Thunder · · Score: 1

      FairPlay is already hacked. I don't see how that would change if Apple started licensing it to other MP3 players. So it seems more likely that the refusal is all about customer lock-in.

      It has been, but then Apple goes and releases an updated version. Apple never intended their DRM to be unbreakable, but sufficiently inconvenient. If Apple license out Fairplay then they would have to ensure that they don't break compatibility somewhere when they tweak the DRM for the nth time. Either way, I am not a DRM fan.

      BTW I believe what Universal is doing is a classic bargaining tactic: say you aren't interested in renewing in the hopes that the other party will change their offer. Of course the other party could call your bluff, knowing how important they are to you. If Universal does show that there is a sufficiently good alternative that Apple is not needed and Apple realises this, then Apple will change their bargaining stance.

      --
      Jumpstart the tartan drive.
    71. Re:Worst case? by Theaetetus · · Score: 1

      Almost all the CDs sold in the last 20 years had no form of DRM. And they weren't scared then.

      Two words: Sony, rootkit. Remember that one? They've been trying DRM on CDs for a while, ever since they were able to put data and an autorun file on the disc alongside the music. Problem is, they weren't able to force CD player manufacturers to read data, and they'd be violating Phillips license if they made non-compatible CDs.

    72. Re:Worst case? by famikon · · Score: 0
      I definitely second eMusic, but the only complains I hear from the people I recommend it to is that it doesn't have the music they want.


      I don't know if it is the Top40 type stuff they can't find but their catalog has almost anything I've ever searched for. Tons of good underground/indie music as well as established artists.

    73. Re:Worst case? by default+luser · · Score: 1

      I'd invoke the Broadband demon- nice and convenient for filesharing- except that Napster kicked off when everyone was still on dial-up, so it's probably not the most significant factor.

      It's a mixed-bag, really. It was a combination of bandwidth improvements across the board, including colleges and dual-up users.

      Some of the biggest (ab)users (and suppliers) of Napster were college network users with fat pipes. You need to realize that, up until the late 90s, even most colleges had very anemic internet access. A bit of perspective: my sister went to GWU in 1994, and they were still doing internet via modem pools up until her last year. When I went to college in 1997, my college had a blazing-fast 4Mbit token ring network and a T1, and that was pretty impressive, because most of the traffic was pure research. By the time I graduated, it was 100Mbit ethernet with a fractional T3 feeding the fire: 1/2 of the traffic was P2P, and 1/3 was IM traffic.

      Modems saw the same rise in usability: I remember waiting 45 minutes per meg downloading stuff over 2400 baud in the mid 90s. Then within a year I got the super-fast 14.4k, and two years after that we were cruising at 56k. You may think of 56k as "slow," but compared to previous technologies it was quite usable for downloading things like mp3s. You could download a 4-minute song in 15 minutes, provided the "server" had a decent connection.

      The revolution came because ALL these parts fit together so snugly. Mp3 reduced the size of audio by a factor of 10, 56k doubled the potential download speed, hard drives broke the 10GB barrier (more space than most people knew what to do with), and fat college campus pipes provided high-speed serving of music to all those involved.

      --

      Man is the animal that laughs.
      And occasionally whores for Karma.

    74. Re:Worst case? by jawtheshark · · Score: 1

      The hymn project uses a debug hook to get the unencrypted stream. They can't stop that, it simply is impossible. My iTunes (installed not so long ago) is 7.2.0.35 and it is supported in the QTFairUse6.cfg file. It seems that 7.3 is out now, but give the Hymn people the time and don't be an upgrade bitch. I'm not... I upgrade when I feel it's necessary...

      Hymn is not the hymn that it used to be that really decrypted the files itself.... Now, it simply uses iTunes to do so. Works only on Windows though.

      Oh, and since iTunes Plus came out, I simply refuse to buy non-iTunes Plus songs. I heard a cool song today, and checked... Yes, it was on iTunes, no it wasn't "Plus". No sale for them.... I also upgraded and completed all my songs that were elegible for iTunes Plus upgrades. Of course, I already decypted all songs before that, but that's only thanks to Hynm.

      --
      Ahhh...the great dumpster continuum. Many a free computer will be found there. -- sowth (748135)
    75. Re:Worst case? by Dogtanian · · Score: 1
      Yep; thanks for providing some insight that I hadn't- but probably should have- thought of. One thing:

      You may think of 56k as "slow," but compared to previous technologies it was quite usable for downloading things like mp3s. You could download a 4-minute song in 15 minutes, provided the "server" had a decent connection. That's perfectly true; however, for filesharing, I'd argue that that broadband's "always on" nature is at least as significant an advantage as the speed increase. File sharing always worked best running in the background- even nowadays, downloads often happen in a delayed stop/start manner. That's not a big problem if you don't have to worry about the connection, but it's a PITA if you're operating over a shared voice line and other people want to use the phone. Or if your "unlimited" Internet access cuts off after four hours, or whatever... you can't just go away and leave it.
      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    76. Re:Worst case? by gowen · · Score: 1

      Ah, the old Geek "people always buy the cheapest item" canard,
      Err. No. That's not what I said at all. I simply said that apple will not continue to completely dominate the market. Name a single piece of hardware for which one company dominates the market, and for which much cheaper alternatives are avaliable. Many people will continue to buy iPods. Many many many others won't.

      However, it's a rather well known fact that only 3% of the songs on an average iPod were bought from the iTunes store, which means that 97% of them come from some other source. How does this support your contention? Oh, that's right, it doesn't...
      Actually, it does. Since the vast majority of my music is not Apple DRM encumbered, why would I spend the $200 premium now I could a perfectly functional mp3 player for so much less?
      --
      Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    77. Re:Worst case? by gowen · · Score: 1

      Sony actually sold the vast bulk of their Walkman cassette players long after they'd become a commodity.
      In raw numbers, yes. As market share, that's simply bullshit. They had a much smaller share of a much larger market. That's whats about to happen to Apple.
      --
      Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    78. Re:Worst case? by Weedlekin · · Score: 1

      "In raw numbers, yes. As market share, that's simply bullshit. They had a much smaller share of a much larger market."

      I presume you can provide a link to some reliable figures that justify calling my post "bullshit".

      "That's whats about to happen to Apple."

      It will happen to Apple when personal MP3 players cease to be an important item that people are willing to spend significant amounts of money on, as for example happened with PDAs.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    79. Re:Worst case? by Weedlekin · · Score: 1

      "Err. No. That's not what I said at all."

      It's precisely what you said. Quote:

      "Do you really think its going to stay that way? Now that massively cheaper, functional mp3-playing alternatives are available in every supermarket?"

      "Name a single piece of hardware for which one company dominates the market, and for which much cheaper alternatives are avaliable."

      Hewlett Packard have 54% of the market for inkjet and multifunction printers. By definition, any singe company with 50% or more of a market is dominant within that market.

      "Actually, it does."

      I fail to see how me demonstrating that there is in reality little if any lock-in supports this claim:

      "The only reason that hasn't happened yet is the fact that iTunes required an iPod until very recently."

      " Since the vast majority of my music is not Apple DRM encumbered, why would I spend the $200 premium now I could a perfectly functional mp3 player for so much less?"

      What you would spend on anything is irrelevant, because hundreds of thousands of Slashdot posts on consumer-related topics have conclusively demonstrated that Slashdotters are the Kuiper Belt of the consumer demographic solar system. Geeks have been regularly predicting the doom of the iPod since it was launched, and will continue to do so until the inevitable demise of personal media players as a viable market will result in Apple leaving leaving others to squabble over the the small number of people who are still interested in them. Geeks will claim that they were right all along when SanDisk dominate the 150,000 dedicated media players that ship worldwide in 2014, all of which were given away with Happy Meals, and contained a movie called "MacBuglar Learns His Lesson".

      --
      I'm not going to change your sheets again, Mr. Hastings.
    80. Re:Worst case? by gowen · · Score: 1

      "Do you really think its going to stay that way? Now that massively cheaper, functional mp3-playing alternatives are available in every supermarket?"

      was in reply to:

      Because the iPod is over 78% of the DAP market thats why.
      A statement clearly about MARKET SHARE. Apple won't have market share of 78% forever, just like Sony didn't have 78% of the portable cassette player forever.

      You fail reading comprehension 101.
      I don't waste my time debating people who can't read.
      --
      Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    81. Re:Worst case? by NDPTAL85 · · Score: 1

      I had a Treo 700p with a 2GB SD card full of music that I used as my MP3 player. I just bought an iPhone. My office is full of people I encouraged to buy Treos yet not ONE of them could figure out how to load music onto their phones. The iPhone makes it ridiculously easy to do this. The product simply isn't good enough if only geeks can figure out how to use all of its functions.

      --
      Mac OS X and Windows XP working side by side to fight back the night.
    82. Re:Worst case? by NDPTAL85 · · Score: 1

      Yes I do absolutely because those other devices still have software counterparts who's interfaces suck. There have been cheaper than iPod MP3 Players out for YEARS and Apple still dominates. The iTunes Music Store has absolutely NOTHING to do with that. Steve Jobs himself said less than 3% of music stored on iPods comes from the iTunes Music Store. That means people are getting most of their music from their own CD collections or from pirated music and those two sources will work on ANY DAP not just an iPod. Yet people still keep buying iPods over everything else. Why is that?

      Because iTunes is so braindead simple to use. If you have to be a geek to figure out how to get your music onto a supermarket bought $30 MP3 Player than its sales are going to continue to pale in comparison to Apple's. Interfaces is King here. Features are not. Every DAP on the market has a bare minimum of features. No large amount of people give a crap about whether a device suports Ogg Vorbis or whether or not the device has a TPM chip in it or if it has a removeable battery or not. What they DO care about is how much effort is needed to get the music from the CD/computer to the DAP. Thats it right there. The competition just has a chronic case of "Not getting it". They throw out devices with more and more features than the iPod has but fail to improve the interfaces. Its basically a bunch of wasted effort as the frustrations of Creative's CEO can show you.

      Sometimes I think its just a mental block that most technical people have. They don't get that most other humans are social creatures and don't want to spend hours with their equipment figuring out how to get it to work. They really can't see whats special about iTunes and the iPod because they never valued good interfaces in the first place. This makes it almost TOO easy for Apple to dominate. Hell look at Apple's iPhone interface vs Windows Mobile, Symbian or Palm OS. Not even in the same ballpark.

      --
      Mac OS X and Windows XP working side by side to fight back the night.
    83. Re:Worst case? by Scudsucker · · Score: 1

      You fail reading comprehension 101.
      I don't waste my time debating people who can't read.


      Oh, he can read just fine, and you know it. You just don't like getting your butt kicked.

    84. Re:Worst case? by dabraun · · Score: 1

      I'd like to know who is selling less crippled music? With Microsoft's solution, to play on the PC, you need Windows Media Player, correct?

      Actually, incorrect - there are quit a few players than can play WMDRM, though they may be windows-only (the lower level playback and DRM APIs are documented so that other apps can play the music, but not reach into the decrypted data stream.) Typically purchased music can also play on any plays-for-sure device (though this is configurable by the seller of the media and often to put subscription content onto devices you need to pay a higher subscription rate)

      Music from the Zune store only plays on the Zune. Allofmp3 is closed.

      Music from the Zune store also plays on windows media player, media center, and other player software (again, probably windows only, works because it's all the same underlying DRM system). It doesn't play on plays-for-sure devices though which sucks.

      Apple does let you burn their DRM'd songs to CD, meaning you can play them in any CD player. You can also rerip. It's a crappy solution to get it onto a non-iPod player, but it's possible. Do other solutions offer this?

      Yes, as far as I know all WMDRM sold (purchased) songs from any major store (including Zune store) allow burns, though they may limit how many - you can still burn and re-rip. That is NOT true for music acquired through a subscription plan (Zune or otherwise) - for what I hope are obvious reasons.
  2. Could they not have given a better copmarison... by JamesRose · · Score: 1

    of the effects. Here's what I mean

    Exibit 1> "Both sides stand to lose out with 1/3 of of new releases coming from Universal" "and an estimated 15% of Universal's sales coming from digital downloads." An orange

    Could they not have found a better statistic like, % of Universals sales, and % of Apple's sales of Universal films out the total number of films, cos the way it is here, it is the number of titles Apple releases of Universal, they aren't necessarily as popular as other new releases.

  3. WooHoo by Anonymous Coward · · Score: 0, Flamebait

    Now maybe others will follow Universal's lead. Then Apple will finally crumble! WOOHOOO!

    1. Re:WooHoo by JimDaGeek · · Score: 1

      Why? So we could all be stuck with ugly Zune that use crappy MS-Only DRM? No thanks.

      Oh, and what MS marketing droid came up with the term "squirt"? Seriously, how could some MS marketing drones think that people would "dig" the phrase, "squirt"? Hey babe, wacha listening to? Cool, could you "squirt" that to me?... Slap! "Squirt" a song and 3 days later the "squirt" is gone! "Squirt"... every time I think of that and the Zune I laugh.

      Yo dog, what ya doin?.... Not much, just "squirting" with my boyz.

      --
      General, you are listening to a machine! Do the world a favor and don't act like one.
    2. Re:WooHoo by linuxci · · Score: 1

      Why? So we could all be stuck with ugly Zune that use crappy MS-Only DRM? No thanks.

      Oh, and what MS marketing droid came up with the term "squirt"? Seriously, how could some MS marketing drones think that people would "dig" the phrase, "squirt"? Hey babe, wacha listening to? Cool, could you "squirt" that to me?... Slap! "Squirt" a song and 3 days later the "squirt" is gone! "Squirt"... every time I think of that and the Zune I laugh.

      Yo dog, what ya doin?.... Not much, just "squirting" with my boyz. I doubt any marketing person in MS decided on that term, the only person I've seen use it in an official context is Ballmer so I believe that term is definitely a monkeyboy invention.

      I bet the marketing people were very embarassed by that moment, it even further reduced the little coolness factor that this device had.

    3. Re:WooHoo by jwilcox154 · · Score: 1

      Why? So we could all be stuck with ugly Zune that use crappy MS-Only DRM? No thanks. I am sure there are more than the selections from Apple and Microsoft.
      Here are the players that support FLAC and OGG on top of supporting MP3 and/or WMA.

      Flash Storage
      • iAudio U3, U2, G3, 5, G2
      • Meizu M6 miniPlayer

      HardDisk Storage
      • Cowon iAudio M3, M5, X5, A2, 6
      • iRiver's iHP-1xx, H1xx, H2xx, H3xx, iGP-100
      • Rio's Karma
      • TrekStor's iBeat 500, iBeat 300, vibez

      Some may not be available new, but a lot are available used through EBay. No one has to go through iTunes nor Microsoft's service to purchase music. There are still many other sources to get music. The following are but a few of the sources available.

      • Copy from Analogue sources such as Cassette, 8-Track, Records - can be copied to any format you choose
      • CDs are still available - can be copied to any format you choose
      • Various Websites such as DMusic, magnatunes, emusic.com, etc. have music from independent artists.
      • Even the website modarchive.com has some wonderful music to download. All that is needed is the software to convert it to any format you choose
      • If you are into music from the 1920s, starrgennett.org has some music for sale from the old Gennett label.


      I do agree the iPod is a good portable music player and far better than the Zune. A lot of the sources for music can also be used for the iPod. The problem with the Zune is it is only compatiblity. The DRM comes in when someone shares the music "3-day or 3-plays, whichever comes first." Universal may be deciding against renewing on iTunes because this DRM plus Apple wanting less DRM. I would say it is about time we boycott anything by Universal, including their theme parks. Universal has a long history of being the bully so I highly doubt they will change.
  4. Universal? by Karganeth · · Score: 3, Insightful

    Aren't they also the only company exclusively backing the doomed HD-DVD format? Stupid businesses make stupid decisions.

    1. Re:Universal? by illegalcortex · · Score: 3, Interesting

      Wiki says HD-DVD is exclusively backed by The Weinstein Company/Dimension Films (through Genius Products), and First Look Studios. A number of Warner's releases have been HD-DVD only. And then there are the non-content companies who are exclusively backing HD-DVD: Toshiba, NEC, Sanyo, Microsoft, RCA, Kenwood, Intel, and Memory-Tech Corporation.

      Personally, I think it's a bit early to be deciding who is doomed and who isn't. I think it's just as likely that both formats are doomed and there will be a "winner" only in the same way that laserdisc "won" the battle to be the next video medium after VHS. It was the format to use, there were just a low percentage of people interested in it.

    2. Re:Universal? by flitty · · Score: 1

      Off topic much? I love slashdot...

      Hmmm, how can i blame Windows Vista so I can get modded Interesting...

      --
      Whether or not there is some sort of god, I'm not supposed to say/god is a word and the argument ends there-Smog
    3. Re:Universal? by sl3xd · · Score: 2, Informative

      There are a lot of PS3 fanboys who play up Blu-ray, since that's about all the PS3 can do with the current PS3 game selection. Since the PS3 is generally being outsold by the Wii, 360, and PS2, making premature claims about the one thing that seems to be going the PS3's way (ie. Blu ray is doing well) seems to be a major outlet for fanboys who can't seem to grasp that the PS3 isn't going to dominate the market the way the PS2 did.

      In terms of standalone Blu-ray vs HD DVD player sales, HD DVD has a wide lead, which is only going to increase when Wall-Mart starts selling cheap HD DVD players this fall. (By then the price difference between an HD DVD player and Blu-ray will be around 2-3x), which will be as big a hit to the Blu-ray camp as the PS3 was to HD DVD. (The PS3 is, after all, the #1 selling Blu-ray player).

      The format war is far from over, and frankly, there's no reason why it will end. We have multiple console systems, and if you want to play all the games, you have to buy multiple consoles. The market has shown quite clearly that it will support multiple exclusive standards, so I see no reason for either HD DVD or Blu-ray to 'win' or 'lose'.

      Frankly, it's not going to matter in a few months anyway. LG already has a (semi-functional) dual-format player, and Samsung (who was previously one of Blu-ray's biggest supporters) is also making a dual-format player. The differences between HD DVD and Blu-ray (outside the physical disc) are small enough to make dual-format players much easier to implement.

      With the impending influx of inexpensive HD DVD players from China this fall, HD DVD will be even more compelling to add support for.

      Neither format is going either. Just like AAC, MP3, and OGG aren't going to 'win' a format war.

      --
      -- Sometimes you have to turn the lights off in order to see.
    4. Re:Universal? by Anonymous Coward · · Score: 0

      > The format war is far from over, and frankly, there's no reason why it will end.

      The format war was won centuries ago. It's called "the book."

    5. Re:Universal? by seanalltogether · · Score: 1

      2 things that should be pointed out for the north americas 1. Both PS3 and Xbox 360 are selling at about the same rate. Wii is selling slighty more then both combined on a weekly basis. Wii is absolutely going to crush both as it screams past xbox360 in a few months. http://vgchartz.com/hwcomps.php?cons1=Wii&reg1=All &cons2=PS3&reg2=All&cons3=X360&reg3=All&align=1 2. HD-DVD standalone vs bluray standalone 150,000 to 100,000. http://www.earthtimes.org/articles/show/news_press _release,119772.shtml XB360 addon vs PS3 sold was 1 to 5 for last known data giving it about 310,000 to 1,550,000 Totals: Blu ray ~ 1,650,000 HD-DVD ~ 460,000 Which has resulted in the following disc sales numbers http://www.eproductwars.com/dvd/index.cfm Which means Walmart has to sell ALOT of players to catch up to the blu ray install base.

  5. This is nothing more than by Pendersempai · · Score: 5, Insightful

    empty posturing. What does Universal lose by signing a short-term contract instead of a long-term one? Probably nothing. What do they gain? Marginally more credibility in the back-and-forth threats between Apple and the record companies. Wake me up when they explicitly threaten to cancel their contract and remove their media from iTunes if an express list of demands is not met. Until then, it means nothing. And even then, they'll likely return to the bargaining table before pulling the plug. Both sides know where their interests lie, and neither wants to pull the plug.

    My long-term prediction? More of the status quo. Both sides are winning, and there is no external stimulus that seems like it might upset the equilibrium that has developed. Apple doesn't want to lose a third of its collection, and Universal doesn't want to be tied to the misfits and rejects that compose the rest of the playing field.

    1. Re:This is nothing more than by TubeSteak · · Score: 3, Insightful

      Wake me up when they explicitly threaten to cancel their contract and remove their media from iTunes if an express list of demands is not met. Until then, it means nothing.
      When heavy hitters engage in diplomacy, they usually make lots of small incremental steps.

      It isn't enough to show Apple that they're serious, they want the rest of the industry to see that these steps can be taken without ruining their business. The ultimate goal is to restructure Apple's relationship with the entire music industry, not just with Universal.

      If you see this as just an empty threat, then you aren't looking very far down the road.
      --
      [Fuck Beta]
      o0t!
    2. Re:This is nothing more than by UnanimousCoward · · Score: 1

      I'd love to see Steve bag the month-to-month and pull the plug on Universal. It would be a serious high-stakes poker move. Then again, I guess that's why I ain't CEO of Apple/Pixar/NeXT/whatever...

      --
      Twelve-and-three-quarter inches. Unyielding. This wand belonged to Bellatrix Lestrange.
  6. Most likely negotiation tactics or... by theolein · · Score: 5, Insightful

    The most likely answer is that Universal, whose bean counters are not dumb enough to drop fully 15% of their sales to spite Apple, is simply making noises to negotiate a better deal.

    The other possibility is that Bill Gates, in utter desperation because the Zune is such a piece of crap, has offered to pay Universal for exclusive content for the Zune. I would seriously not put it past Bill G and Steve B to do something like this. It would be a really bad day for Apple if this did happen, because it would make the Zune more popular and the iPod less popular.

    Of course, it could backfire heavily against both Microsoft and Universal if Zune sales don't grow significantly.

    1. Re:Most likely negotiation tactics or... by russotto · · Score: 5, Insightful
      Apple, on the other hand, probably IS willing to drop Universal's catalog from iTunes if Universal gets unreasonable. Which is the more likely thought process?

      1) Oh, Universal's music is no longer available on iTunes. I'll buy this piece of crap Zune instead of the cool new iPod Femto

      or

      2) Oh, Universal's music is no longer available on iTunes. I'll have to <strike>pirate it like there's no tommorrow</strike> rip it from CD onto my iPod

    2. Re:Most likely negotiation tactics or... by BryanL · · Score: 2, Insightful

      With ipod's installed user base and looking at life before the iTunes store, it might mean more CD sales and going back to ripping from CDs to get the music on an iPod. Or it could mean more P2P downloading of Universals music (I.E. pirating). Exclusive deals for the Zune are not necessarily in Universals best interest nor will it necessarily hurt Apple.

    3. Re:Most likely negotiation tactics or... by Locutus · · Score: 1

      also remember that Universal is backing HD-DVD which is also a Microsoft supported video format...

      It looks like Universal is a full fledged 'partner' of Microsoft in both music and video and they are drawing the line in the sand with regards to other partners because of their deals with Microsoft.

      LoB

      --
      "Anyone who stands out in the middle of a road looks like roadkill to me." --Linus
    4. Re:Most likely negotiation tactics or... by JimDaGeek · · Score: 1

      How would Zune-exclusive songs make the Zune more popular? People don't like the Zune. It is ugly and has MS-Only DRM.

      If people cannot buy what they want, they will find other ways. More than 100 million iPods have been sold and more are still going out the door every day. Do you think all those users will just drop the iPod and buy a Zune? If they wanted a Zune, they would not have gotten an iPod. So having MS Zune-only stuff that people want will just make people either go and and buy and rip a CD or turn to P2P.

      Exclusive console games work because if a game doesn't run on a console, there is not much users can do. They can't reprogram the game themselves. In contrast, on a portable player all one needs to do is get an mp3 rip and they are golden.

      --
      General, you are listening to a machine! Do the world a favor and don't act like one.
    5. Re:Most likely negotiation tactics or... by Anonymous Coward · · Score: 0

      You forgot option #3: people just don't get the music at all. Universal's idea might be to inspire more CD sales, but it doesn't sound like they want to pull all download sales. They just want more DRM and more money from them. That is, they want to charge $3 for the new hot single from Carrie Underwood because that's what's selling. They used to bank an entire album on one or two songs, so, effectively, they were selling those songs at $5-8 each. Back in the day, we all bought albums based on the two songs we heard on the radio, brought the album home, and soon discovered those two songs were the only good ones on the entire album. When songs became individually available, that model went out the window. The record companies market the artist and the album, since advertising costs the same no matter what words you put in that space. One song used to bring back $10 for each sale (people buy the entire album for that one song, since singles were largely unavailable), and now it brings back like $0.80. The recording industry was able to kill the CD single long, long ago, and has enjoyed the benefits of packaging garbage with the good and forcing you to buy the whole thing because that's the only way it's available. That's over, and the recoding industry hasn't adapted to it. They're trying the same old marketing techniques and expecting the same revenue back.

      Meanwhile, as for the matter at hand, what you could get is this situation: people don't acquire the song at all because they can't get it through iTunes. They don't download it from any pay site because it's not available on their favorite, and they don't buy the CD because they only wanted 2-3 songs and didn't feel those songs were worth $12. This is the true sense of a lost sale. Whether they pirate the music after that or not is irrelevant. The sale has been lost, and to Universal's pocketbook, it makes no difference whether the person pirated the song or just didn't buy it.

    6. Re:Most likely negotiation tactics or... by Anonymous Coward · · Score: 0

      Apple can play too. if Universal won't go for the full contract, they don't get the same cut of the proceeds as those who do.

    7. Re:Most likely negotiation tactics or... by arminw · · Score: 1

      .....More than 100 million iPods have been sold and more are still going out the door every day......

      Not only that, but soon there will a whole lot of iphones added to the music players that cannot use the MS DRM content. Anyone who makes a product of which a significant number is sold by one retailer, is cutting their won business and future profits when they refuse to deal on that retailer's terms. Ask any manufacturer who has ever dealt with Walmart about that.

      --
      All theory is gray
    8. Re:Most likely negotiation tactics or... by Anonymous Coward · · Score: 0


      Apple, on the other hand, probably IS willing to drop Universal's catalog from iTunes if Universal gets unreasonable. Which is the more likely thought process?

      1) Oh, Universal's music is no longer available on iTunes. I'll buy this piece of crap Zune instead of the cool new iPod Femto

      or

      2) Oh, Universal's music is no longer available on iTunes. I'll have to pirate it like there's no tommorrow rip it from CD onto my iPod


      or

      3) Oh, Universal's music is no longer...ooh shiny new artist.

      or

      4) Universal? Aren't they a film company? (if, like me, the listener doesn't listen to music radio, buy CDs or enter record stores).

    9. Re:Most likely negotiation tactics or... by TheRaven64 · · Score: 1

      Not only that, but soon there will a whole lot of iphones added to the music players that cannot use the MS DRM content There are already a lot of mobile phones that don't support MS DRM'd music, but do support un-DRM'd AAC. My (Nokia) phone can play AACs, which means anything from iTunes Plus. There is a much bigger installed base of Nokia phones than Apple ones, and will be for quite a while.
      --
      I am TheRaven on Soylent News
    10. Re:Most likely negotiation tactics or... by Whiney+Mac+Fanboy · · Score: 2, Interesting

      The third possibility of course is that Universal could do an EMI & go down the DRM free path - selling iPod compatible mp4s/mp4s on amazon / whatever.

      I think that's a reasonable bargaining chip to bring to the table - imagine the launch of ipod compatible, variable priced music on Amazon - launched with a live concert by universal artists such as U2 & Elton John....

      --
      There are shills on slashdot. Apparently, I'm one of them.
    11. Re:Most likely negotiation tactics or... by arminw · · Score: 1

      ....My (Nokia) phone can play AACs, which means anything from iTunes Plus......

      How easy is it to get the music from the ITMS into your Nokia? As a /. reader you know how to do simple stuff like that, but it may not be as easy for mostly cluless consumers.

      --
      All theory is gray
    12. Re:Most likely negotiation tactics or... by ImaLamer · · Score: 1

      I must add that NBC/Universal is pretty close and chummy with Microsoft - maybe that has something to do with it. Universal isn't doing this to boost Zune sales, they are doing it to keep their long time business partner Microsoft happy. (i.e.: Meet the Press, an NBC show, has its website hosted at: mtp.msnbc.com)

      I'm not saying this is actually the case, just an idea to float out there.

      NBC/Universal is huge, Microsoft is huge, together they are a perfect couple. One owns the content, the other is trying to sell devices to play that content (why doesn't Universal just get into the player market?). These two have looked like they may team up and take on Google, Apple, and all comers (NBC/MS vs. YouTube et. al.).

      Then again, what about all those product placements that NBC did to push iPod sales? If you watched The Office or Conan when they started selling content on iTMS then you know what I mean. Did the Apple Inc check bounce?

    13. Re:Most likely negotiation tactics or... by TheRaven64 · · Score: 1
      There are a few ways:
      • Pull out the memory card, pop it in a card reader attached to my computer, and drag the files across.
      • Plug in the (supplied) USB cable and use the supplied software (Windows only, so I've no idea how easy this is)
      • Send them via BlueTooth (easy, but time consuming, since it only supports ObEx, not file transfer).
      I would expect most people to use the second option, which I believe includes some kind of wizard for moving music over.
      --
      I am TheRaven on Soylent News
    14. Re:Most likely negotiation tactics or... by Phroggy · · Score: 3, Interesting

      1) Oh, Universal's music is no longer available on iTunes. I'll buy this piece of crap Zune instead of the cool new iPod Femto

      or

      2) Oh, Universal's music is no longer available on iTunes. I'll have to <strike>pirate it like there's no tommorrow</strike> rip it from CD onto my iPod or

      3) Oh, Universal's music is no longer available on iTunes. Hey, here's a cool song on iTunes, from some other label, I was thinking about getting this one too, I guess I'll just buy it instead. I don't really need that other song I wanted.

      or

      4) Universal conspires with two or three other big labels to also drop iTunes if their collective demands aren't met. Apple accuses the labels of forming a dangerous anti-consumer cartel, while the labels accuse Apple of being a dangerous anti-consumer monopoly, and because the labels have deeper pockets and are much more experienced at spreading ridiculous lies and deceit, few people hear Apple's side.

      or, as another poster pointed out,

      5) Universal sets up an iTMS competitor selling DRM-free tracks; they offer an introductory price of $0.89/track for the first three months, then jack it up to $1.99 per track for the tracks more than a handful of people want, while still offering crap nobody likes for $0.89/track (which is the price they'll advertise, of course). Throw billions of dollars at promoting it, and they'll convince some people to switch away from iTMS.
      --
      $x='S24;r)>63/* h@<5+oZ)32"5cz';$me='phroggy'x$];
      $x=~y+ -xz+\0-Tx+;print$_^chop$me for split'',$x;
  7. That'll sure help the A/R folks out... by EricTheGreen · · Score: 4, Insightful

    Unsigned Band with break-out potential: "So, we sign with you...and our record won't be up for sale on iTunes?"
    Universal A/R dude/dudette: "Yep, that's right."
    Unsigned Band with break-out potential: "So any unit sales revenue we see from you will be from Wal-Mart and Best Buy sales, nothing else?"
    Universal A/R dude/dudette: "Uh huh."
    Unsigned Band with break-out potential: "Losers. Next!"

    1. Re:That'll sure help the A/R folks out... by badasscat · · Score: 4, Insightful

      Unsigned Band with break-out potential: "So, we sign with you...and our record won't be up for sale on iTunes?"

      You're assuming major labels are still out there trolling nightclubs for "unsigned bands with break-out potential".

      More often what they're doing is hitting up their local malls and "recruiting" teenage girls (or in the case of boy bands, teenage boys) to actively "break" as the next pop star. These girls and guys had nothing going for them (except cheerleader looks) before, so why would they turn down the promise of riches just because the songs some producer wrote for them to lay their heavily processed vocals over won't be on iTunes? If they do, hey, there's plenty more at the mall they came from.

    2. Re:That'll sure help the A/R folks out... by morari · · Score: 3, Insightful

      Unsigned Band with break-out potential: "So you'll bring in your own producer and mixer to push our style more toward what you think people want to hear?" Universal A/R dude/dudette: "Yep, that's right!" Unsigned Band with break-out potential: "We'll loose all creative control and have next to no say in what we put out, but we're guaranteed to have at least one initial single because you own all media outlets like radio stations, television and most stores?" Universal A/R dude/dudette: "Uh huh." Unsigned Band with break-out potential: "We'd be losers if we didn't sell-out. Hand me that contract!"

      --
      "He who can destroy a thing, controls a thing." --Paul Atreides, Dune
    3. Re:That'll sure help the A/R folks out... by stuntpope · · Score: 1

      Unsigned band who sees their first major-label contract as their shot at the big time and all their dreams come true: "Where do we sign? We brought our peeeens!"

    4. Re:That'll sure help the A/R folks out... by EricTheGreen · · Score: 1

      Seems you've read the Albini essay as well.... {grin} True, if you're desperate enough to be "broken", the labels can play you in precisely the way you write.

      I do think more unsigned acts are becoming savvier in general these days regarding the mechanics of their business. If nothing else, they're certainly aware that there's more than one label in town to ply their services to. My point was Universal would just be putting themselves at a disadvantage with this, compared to their competition. And all it's going to take are a couple cases of some act being broken big through a competitor and that will be all the other bands hear/see in the short term.

      I don't really get what benefit they'd realize from pulling out, unless this is just a negotiating tactic (which certainly could be the case.) Even then, though, iTunes is probably approaching a scale at which they could weather the loss of revenue (albeit with difficulty).

    5. Re:That'll sure help the A/R folks out... by elrous0 · · Score: 1
      You forgot the ending:

      Universal A/R dude/dudette: "Oh well, we were going to give you this big check and this mansion we rented for you, but if you just want to go back to your grungy nightclub and living in your van, go right ahead."
      Unsigned Band with break-out potential: "Should we spit or swallow?"

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    6. Re:That'll sure help the A/R folks out... by Lumpy · · Score: 1

      Correction on your above conversation.

      What you want to sign us??? AWESOME!!!!! where do we sign??

      Bands dont bother to read the contract. Most get pissy after they discover that the record company is screwing them hard and they actually owe them several million after their record goes platinum.

      BAND: what do you mena we're broke?
      RECORD EXEC: you are out of money and because you are not writing a new album we are cutting off your credit line.
      BAND: that's not fair! we want out!
      RECORD EXEC: no problem, just abide by your contract. All your songs are ours, your name even your likeness and your trademark of throwing balloon phallasus at the crowd is ours...
      BAND: YOU SUCK!
      RECORD EXEC: Yes I do, no when are you going to start the new album?

      --
      Do not look at laser with remaining good eye.
    7. Re:That'll sure help the A/R folks out... by EricTheGreen · · Score: 2, Insightful

      Oh, they're still trolling the bars, absolutely, and that won't change anytime soon. What the greenlighting people _are_ doing differently now, for certain, is closely qualifying what "breakout" means to them, in terms of risk of the act. As many others have noted, it's a lot harder these days to get signed and nobody, no one, is given any development runway anymore--disc #1 needs to sell {x} units minimum or your toast. It's a sad loss all the way around.

      To your point...the recruiting/packaging you mention does take place, as you describe. And it won't change. And it's a sad addition all the way around. {grin} But a quick scan of the iTunes storefront shows a lot more than just the boy/girl band du jour. Plenty of other acts and genres and reducing them down to one level 98 Degrees of Boys to 'Sync isn't going to happen.

    8. Re:That'll sure help the A/R folks out... by Paulrothrock · · Score: 1

      Any unsigned band would be better off going straight to the Internet. Record companies can't do any more these days than an independent record producer in terms of recording quality, and since the cost of distribution is essentially nil, the only thing they'd be getting from a "normal" record company is promotion and songwriters. And if they don't mind doing their own promotion and write their own songs, this isn't a problem.

      Case in point: Jonathan Coulton. He has said he makes as much as a signed band like the Dresden Dolls even though he's doing all of the scheduling, recording, songwriting and touring by himself.

      --
      I'm in the hole of the broadband donut.
    9. Re:That'll sure help the A/R folks out... by moosesocks · · Score: 1

      Wal-Mart and Best Buy do not stock up-and-coming or "breaking" bands.

      They stock the Top 40. And Country. That's it. I've actually come to appreciate my local independent record store, and started shopping there a few months ago, after a few years hiatus. They treat you well, and usually throw in a free poster or sampler if you spend more than ten bucks.

      --
      -- If you try to fail and succeed, which have you done? - Uli's moose
    10. Re:That'll sure help the A/R folks out... by Anonymous Coward · · Score: 0

      My god are you an idiotic fanboy.

    11. Re:That'll sure help the A/R folks out... by ePhil_One · · Score: 1
      I don't really get what benefit they'd realize from pulling out, unless this is just a negotiating tactic (which certainly could be the case.) Even then, though, iTunes is probably approaching a scale at which they could weather the loss of revenue (albeit with difficulty)

      This is definately a negotiating tactic, but its almost certain to backfire on them. When I decide to buy a song these days, unless its for some group I definately want several songs from, I automatically go to iTunes (even before I had a iPod, because I could burn a Mix CD so easily), I never even consider what label its on (even though I hate Sony records, it just doesn't cross my mind). So I'll wind up on iTunes discovering that the music I want isn't there? So Universal hope I'll then curse Apple for not licensing its DRM or being inflexible on their pricing (like I would believe they want to sell it to me for less than $.99 or protect my ability to exercise the fair use provisions of Copyright law). Instead I'll likely wind up buying some other song off iTunes, and likely wonder what kind of third world record company produced a song I can't buy from the most popular online music shop. (Yes, I'll know the DRM line Apple gives is a convenient, if true, excuse for doing something they don't want to do anyway. I'm OK with that. And I'll have the general knowledge the much like the Net Neutrality arguement, companies are using me as a club to get concessions from other companies, but as a former Cogent customer, I'm again on the side that has it right.)

      The other posters have already said what Universal wants, a cut of every iPod and iPhone sold, they feel that if it is involved in playing music, they deserve a cut of it.

      --
      You are in a maze of twisted little posts, all alike.
    12. Re:That'll sure help the A/R folks out... by Anonymous Coward · · Score: 0

      what happened to the "bands only make money touring" mantra i keep hearing around here? that guff flies in the face of this lame arguement. or are we doing an about face on that now?

    13. Re:That'll sure help the A/R folks out... by The+One+and+Only · · Score: 2, Informative

      I don't think that's been true since the 90's. Or, ever. Some top-selling artists are bands that came to fame as bands, some are solo acts that split off from groups, and a very few are people with previous experience in the entertainment industry being developed--but the specific formula you're describing is an exaggeration that never even applied to the worst of the pop acts from the late 90's.

      --
      In Repressive Burma, it's not just your connection that dies. slashdot.org/comments.pl?sid=314547&cid=20819199
    14. Re:That'll sure help the A/R folks out... by cayenne8 · · Score: 1
      "RECORD EXEC: no problem, just abide by your contract. All your songs are ours, your name even your likeness and your trademark of throwing balloon phallasus at the crowd is ours..."

      You saw the Rolling Stones '75 Tour did you, eh?

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    15. Re:That'll sure help the A/R folks out... by jedidiah · · Score: 1

      More bands need to follow the Zeppelin model: Tour first, get a big following, have your own master available for your first album and THEN dictate terms to the labels.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    16. Re:That'll sure help the A/R folks out... by Dogtanian · · Score: 1

      "Oh well, we were going to give you this big check and this mansion we rented for you Rest assured, the band *will* be paying for that themselves (whether they know it or not), and probably at a "rate" they'd balk at if they knew how the record company was exploiting their contract.
      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    17. Re:That'll sure help the A/R folks out... by elrous0 · · Score: 1
      Oh yeah, for sure. That's the real sad part about these young bands/groupers/singers/rappers. They get stars in their eyes watching these music videos and celeb "news" interviews and stories where their idols flash expensive cars and jewelry, talk about their huge mansions, and are seen on the arm of beautiful fellow celebs. So when a studio shows up to sign THEM, they think they've got it made.

      What they don't realize is that that those cars and jewelry are often "on loan" from the studio, the mansions are rented by the studio, and the celeb on their arm is often just part of a PR stunt. When these guys are "washed up," the studio comes from the jewelry and cars, hands over the mansion to the next star of the moment--and they can't even get into those exclusive clubs anymore (much less get a beautiful celeb to show up on their arm).

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
  8. I think saying "worst case" is very shortsighted by CaptainPatent · · Score: 1

    Universal (unlike many other vendors) probably recognizes the market for non-DRM music is huge while at the same time DRM sales are widely being rebelled against. While there is still room for the debate to be resolved, hopefully it's a further push away from DRM.

    --
    Well, back to rejecting software patent applications.
  9. Universal shoots itself in the foot. Film at 11. by sehlat · · Score: 3, Insightful

    Let's see: Universal is unhappy with Jobs' position on pricing and want to have their OWN Digital-Consumer-Disablement crippled service with higher prices than Apple and, since Apple won't license the DCD, it will have to be incompatible with the iPod, which is as close to a player monopoly as you can get without the Feds landing on you with an army of antitrust lawyers.

    They think this is good for them HOW?

  10. Re:Uh... what are you thinking? by drhamad · · Score: 2, Insightful

    Uhh... Universal has deals with others. This doesn't change that. This makes LESS options, not more. It certainly isn't a positive for DRM-free music, where iTunes leads the charge, as far as major labels go, since signing the EMI deal. Universal definitely wants DRM.

    Universal wants to be able to up prices where it thinks it can get more money. Apple isn't letting them do that. How do you see it as a positive that they're going to go to someone who does?

    --
    -Daniel
  11. Re:I think saying "worst case" is very shortsighte by drhamad · · Score: 1

    How do you figure? They aren't going to go to a non-DRM store - they're on lots of stores, all of which are DRM. And Apple's iTunes Music Store already offers them the option of not having DRM. They explicitly rejected it. They want DRM.

    --
    -Daniel
  12. Doesn't really mean much for Apple by Steffan · · Score: 1

    I don't really see this as a big deal for Apple. They're [allegedly] not making much money off of music sales on iTunes. It may help bolster the popularity of the service, but does anyone really believe that all of the existing iPod owners are going to abandon ship should Universal decide to pull out completely?

    There are two likely scenarios should Vivendi/Universal drop iTunes:

    1) They switch to a competing DRM format with no compatibility with iPods: Users download content from peer-to-peer services / rip CDs and continue to use their players.

    2) They switch to a competing store with non-DRM tracks: Users buy tracks and copy them to the iPods. Or, if the prices are much more than they are now, see #1

    1. Re:Doesn't really mean much for Apple by Aokubidaikon · · Score: 1

      I don't really think it's so much about DRM, it's more about Apple's pricing model.

      Why should the latest Nr 1 chartbuster be the same price as a 30 year old B-side?

      If you go to a video store you also pay more for renting the latest video releases, don't you?

  13. Re:Old news here by ADHDYoshi · · Score: 0, Offtopic

    I'm posting this comment from my Nintendo DS, using the text browser in dslinux.

  14. Re:Universal shoots itself in the foot. Film at 11 by Cadallin · · Score: 4, Insightful

    Hold on, Hold on. The iPod is NOT a prosecutable monopoly. It's a natural Monopoly. Which is to say, it arises because that just what consumers are buying. There is not illegal about that at all. It is 100% legit. It is only illegal to use a monopoly in one area to force a monopoly in another. Like Microsoft using their Monopoly in Operating Systems to shut Corel out of the market for Office Suites. Like Microsoft using their Monopolies in Operating Systems and Office Suites to secure a Monopoly in the Browser Market. That's illegal. iPod/iTunes is not, despite complaints by overzealous European prosecutors. There are LOTS of (legal even) ways to get music onto an iPod. Buying CDs for one. Plenty of Musicians are distributing music themselves in MP3 or FLAC (which can't be played on an iPod Shame on you Apple! But FLAC can be converted to other formats that can be played on an iPod). iTunes Music Store "Lock-in" in pretty poor to be honest. The vast majority of iPod users are not filling up their iPods on ITMS purchases.

  15. Load of Hooey by Nom+du+Keyboard · · Score: 5, Insightful
    Edgar Bronfman Jr., the chairman of Warner Music Group, reinforced that idea at a recent investor conference, saying "we believe that not every song, not every artist, not every album, is created equal."

    And yet you sell all your CD's at $16.99 regardless of that fact now, don't you?

    At the same time, Mr. Jobs has refused the industry's calls for Apple to license its proprietary copy restriction software to other manufacturers. Music executives want the software to be shared so that services other than iTunes can sell music that can be played on the iPod, and so that other devices can play songs bought from iTunes.

    Another load of crap. iPods can play music from any other DRM-free music seller. This joker wants you to believe iPods only play iTMS music, which is a lie. And iPod owners would likely buy music from other sources if: 1) It didn't have yet another, incompatible, version of DRM; 2) It was priced right; 3) It was the music they wanted to hear; 4) It had a nice interface to easily purchase and load said music onto their iPod. The record companies themselves are the ones to blame here.

    You know, It's the DRM, stupid!

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    1. Re:Load of Hooey by UnanimousCoward · · Score: 1

      Edgar Bronfman Jr., the chairman of Warner Music Group, reinforced that idea at a recent investor conference, saying "we believe that not every song, not every artist, not every album, is created equal."

      And yet you sell all your CD's at $16.99 regardless of that fact now, don't you?


      I see no inconsistency: their CDs have JUUUUUUUUUUUUUUUUST the right mix of crap and non-crap to make the calc come out to...$16.99 :-)

      --
      Twelve-and-three-quarter inches. Unyielding. This wand belonged to Bellatrix Lestrange.
    2. Re:Load of Hooey by slapout · · Score: 1

      Yes, my iPod Nano plays songs from eMusic just fine.

      --
      Coder's Stone: The programming language quick ref for iPad
    3. Re:Load of Hooey by teg · · Score: 1

      And yet you sell all your CD's at $16.99 regardless of that fact now, don't you?

      They don't - many old CDs go far cheaper. Some new CDs that fell far short of their sales targets can also usually be had cheaper than this.... same with many compilations.

  16. Re:My Mac Sucks by jcr · · Score: 2, Funny

    Wow, time warp. I haven't seen a Mac 8600 or a 486/66 in about a decade. Where are you, in a barn next to a Model T and a steam tractor?

    -jcr

    --
    The only title of honor that a tyrant can grant is "Enemy of the State."
  17. I just don't see it working out for Universal by MikeRT · · Score: 3, Insightful

    Losing 15% of your income is a lot of money when you are that big. That's about the point that shareholders want to hear about cost-cutting measures to regain what they have lost--namely downsizing and such. For Apple, it would be a blow, but it would also not be nearly as bad because they still have so many content providers to work with.

    If Apple and Universal cannot come to an agreement, Apple should bide its time, wait for them to weaken and strike. Buy out their catalog for a cool few billion dollars in cash and license it exclusively through the ITMS.

    1. Re:I just don't see it working out for Universal by juniorbird · · Score: 1

      You're right; Universal's iTunes income is material to their results, while Apple's iTunes income is not. So, from that point of view, Apple will ultimately win -- they always have the alternative of not caring that much if Universal doesn't have their music on iTunes.

      So what could Universal possibly want to get out of this? They're either standing fast with little to no leverage -- whining like a baby, basically -- or they're trying to make a statement.

      You were being sarcastic, but I think you're exactly right: their statement is "buy us, Apple!" Universal has no idea how to merchandise their catalog, so they'd like to pass that problem on to someone else. Selling their assets could create good return for investors and get the larger company out of the continuous slide in music asset values.

      What would be more interesting is if Apple licenses the catalog for distribution, en bloc, as you suggest. Then Universal could continue to develop new acts -- which they seem to think they're good at, true or not -- while not worrying about moving that music through changing and uncertain channels. It's not clear to me what Apple gets out of this, except an antitrust lawsuit down the road, but it's an interesting idea nonetheless.

      What an odd way of throwing up one's hands and saying "that's it! I quit!"

  18. Uh, this is what I'm thinking. by PopeRatzo · · Score: 4, Funny

    Like I needed one more reason to download all my music via bittorrent from my favorite trackers.

    --
    You are welcome on my lawn.
    1. Re:Uh, this is what I'm thinking. by Anonymous Coward · · Score: 0

      They don't give you the music in the exact format you want, so you obtain it illegally. Bravo... People like you are the reason the general public has absolutely no problem with what the RIAA is doing.

      After reading some of your previous posts, it's blatantly obvious that you'd download the music via BitTorrent even if each song only cost a penny and had no DRM. The only way to make free loaders like you happy is for them to give it away at no cost.

    2. Re:Uh, this is what I'm thinking. by PopeRatzo · · Score: 0

      People like you are the reason the general public has absolutely no problem with what the RIAA is doing.

      Think about what you just said. Does it make any sense at all? The "public" I know has a big problem with what the RIAA is doing.

      --
      You are welcome on my lawn.
    3. Re:Uh, this is what I'm thinking. by PopeRatzo · · Score: 1, Insightful

      They don't give you the music in the exact format you want, so you obtain it illegally.

      Not offering the music in the format I want is exactly a reason to obtain it through other means.

      I don't need to justify my actions or the way I choose to support the musicians I listen to. I believe the current system of intellectual property law regarding music and cinema are faulty to immoral, and I choose to ignore them, accepting the risk. I want to hasten the collapse of the entire system to the extent that one person can do so.

      In case you are interested, for the most part I purchase music directly from the musicians that create it, and believe me, by far most of the music in my collection today is purchased legally, direct from the artist. But I also want to do my part to bring down the labels and publishing companies and the legal serfs who serve them, so I make liberal use of the trackers.
      --
      You are welcome on my lawn.
    4. Re:Uh, this is what I'm thinking. by Frenchman113 · · Score: 1

      and believe me, by far most of the music in my collection today is purchased legally, direct from the artist.

      Because, of course, artists definitely have the right to sell you music. The fact of the matter is that they don't even own the copyright on their music. When they signed with a label, they transferred all intellectual property rights to the label. So in the end NONE of your music is legal. Just a thought.
    5. Re:Uh, this is what I'm thinking. by chuckymonkey · · Score: 2, Insightful

      In all seriousness I have stopped supporting the Music industry all together. I don't buy music, I don't download music, and I barely listen to the radio. When they fix their business model maybe I'll think about actually doing it again. As it is, I love classical, sympony orchestra and live blues/jazz so I can get my fix with live shows and for everything else it's public domain.

      --
      "Some books contain the machinery required to create and sustain universes."-Tycho
    6. Re:Uh, this is what I'm thinking. by shoemilk · · Score: 1

      Who said the artists he purchased signed with a label? Or even a label that demands the copyright in the contract? So in the end NONE of your argument is valid

    7. Re:Uh, this is what I'm thinking. by TheoMurpse · · Score: 1

      Same here. My extensive collection of Nerdcore, podcasts, and audiobooks keep me so busy I don't listen to the radio, buy music, nor download audio at all (except for aforementioned genres). Right now I'm enjoying The Hacker Crackdown in a podcasted (??) audiobook read by Cory Doctorow. I've read the book before, but it's always nice to revisit. And it's free and doesn't give money to the RIAA!

    8. Re:Uh, this is what I'm thinking. by endianx · · Score: 1

      Think about what you just said. Does it make any sense at all? The "public" I know has a big problem with what the RIAA is doing. You only know people on Slashdot then.

      The poster made perfect sense. The point was that those of us arguing for fair use are undermined by people like you who just want free music.
    9. Re:Uh, this is what I'm thinking. by PopeRatzo · · Score: 1

      I'd bet I spend more money buying music than you do. I just buy directly from the artist. If there's something on a major label that I want to hear (and trust me, that's rare), I download it.

      I'm also inclined to see local acts play live. Since I live in Chicago, the opportunities are plentiful.

      endianx, we have to be careful when we make assumptions about people we don't know.

      --
      You are welcome on my lawn.
  19. OK - Here's a thing by Quiet_Desperation · · Score: 5, Funny

    But some music executives have been chafing at the flat rate

    Well, Universal, here's *my* new flat rate for any of your artists.

    $0.00

    I call it the Interwebs Discount.

    Happy now?

    And there isn't a damn thing you can do about it.

    1. Re:OK - Here's a thing by TubeSteak · · Score: 1

      If your post was a Fark headline, it would end with "Lawsuitarity ensues."

      --
      [Fuck Beta]
      o0t!
  20. Nose, meet spite by HardwarePeteUK · · Score: 2, Insightful

    Cutting off one's nose to spite one's face is so appropriate. Both parties here are just trying to get more money out of the other.

    Truly hilarious.

    1. Re:Nose, meet spite by Vitaliy · · Score: 1

      There is nothing wrong with making money, or wanting to make money.

      Universal are playing hardball to get the upper hand in negotiations. This would allow Universal to charge more, or get a bigger cut from Apple, while keeping DRM on the tracks. Apple are pushing for lower prices and DRM free tracks because it would make the current users happier and attract new users from the competition.

      Making money while screwing the user is one thing, making money while doing a good job is another... big difference.

    2. Re:Nose, meet spite by UnknowingFool · · Score: 1

      Apple are pushing for lower prices and DRM free tracks because it would make the current users happier and attract new users from the competition.

      Well in terms of inflation, Apple is pushing for lower prices but in terms of absolute price, Apple wants to keep the same price that they have had. The only price change that they've had in 4 years is with the new DRM free tracks which are at a higher bit rate and costs more.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    3. Re:Nose, meet spite by falconwolf · · Score: 1

      Cutting off one's nose to spite one's face is so appropriate. Both parties here are just trying to get more money out of the other.

      This is only half right, Universal is trying to get more out of Apple, but Apple isn't trying to get more out of Universal. Universal wants iTunes to charge more for popular songs however Steve Jobs refuses to deviate from one price, two now with non-drm songs of better quality selling for a little more, for all songs.

      Falcon
  21. Which DRM to use? by Animats · · Score: 5, Interesting

    The problem with music DRM, from the music distributor perspective, is that it's too closely tied to player vendors. There's the iPod and the Zume, and in both cases the player manufacturer takes a cut of the revenue. UMG, reasonably enough, wants to cut the player manufacturer out of the revenue stream.

    Microsoft has orphaned "PlaysForSure", which, for a while, looked like an option. Or at least Microsoft tried. WalMart went with PlaysForSure, and they might insist that Microsoft keep supporting it.

    What really matters is what WalMart does. If the music industry doesn't come up with a good solution, Bentonville may dictate one. Their site currently says The Apple iPod and Microsoft Zune digital media players do not currently support protected WMA-format files, and will not play Wal-Mart Music Downloads. Walmart.com has a large selection of WMA-/DRM-compatible digital music players available at great prices.

    WalMart, remember, sells online music at $0.88/song, below Apple and Microsoft. And they're not going to raise their prices.

    1. Re:Which DRM to use? by UnknowingFool · · Score: 2, Insightful

      The problem with music DRM, from the music distributor perspective, is that it's too closely tied to player vendors. There's the iPod and the Zume, and in both cases the player manufacturer takes a cut of the revenue. UMG, reasonably enough, wants to cut the player manufacturer out of the revenue stream.

      If anything, music companies benefit revenue-wise from digital sales. Unlike physical medium like CDs, the distribution and manufacturing costs are minimal. And any infrastructure costs are borne by these player vendors not by the music company. The only costs that music distributor has are costs that they always have had like marketing and promotion. For iTunes $0.70 of every $0.99 goes to the music company. The other $0.29 goes to Apple which has to pay for the distribution system. So the music companies have made like $1.4 billion on iTunes alone, and all they had to do was provide Apple with the digital masters. I do not think is reasonable for Universal to want more.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    2. Re:Which DRM to use? by DannyO152 · · Score: 1

      I'm guessing that to support a lower cost to customers, Wal-Mart has negotitated lower per unit royalties with the recording company. I don't see them seeing this as a must-get market which makes it worth losing money. So, if the real news is that sales of physical cds have declined and digital revenues have not fully replaced lost cd revenues, selling exclusively at Wal-Mart looks like a classic digging deeper to get out of the hole tactic.

      Meanwhile, if cost is what matters, why has Wal-Mart not become the digital music store?

    3. Re:Which DRM to use? by mlts · · Score: 1

      When MS made the Zune from a totally difference code and DRM base (well, not totally different... PlaysForSure and Zune's DRM are both technically WM-DRM format), I fear they fragmented their market.

      Now, if a person purchased a Zune and another PlaysForSure device, they would have to subscribe to the Zune Marketplace and URGE to have unlimited all you can download subscriptions.

      I wish MS could merge Windows Mobile and the Zune codebases, mainly because WM5/WM6 already has all the functionality of the Zune in it, excepting the FM tuner and some of the UI. I just see no reason to have a quite excellent OS that has been working for years for PDAs, then start from scratch with a "1.0" codebase for digital audio players. I also don't see why the DRM is incompatible, unless its due to contract or licensing issues.

    4. Re:Which DRM to use? by arminw · · Score: 1

      .......in both cases the player manufacturer takes a cut of the revenue.....

      Apple doesn't share the revenue from the iPods with anyone AFAIK. Why any player manufacturers should share with the music companies is beyond me. That's like CD player makers paying the record companies or stores a cut for each player. How about the stations getting a cut for each radio or TV set sold? Maybe MS was dumb enough to start such a thing with their flopped Zune, but then MS has money to burn.

      --
      All theory is gray
    5. Re:Which DRM to use? by dangitman · · Score: 1

      WalMart, remember, sells online music at $0.88/song, below Apple and Microsoft. And they're not going to raise their prices.

      Does it matter? How many people download their music from WalMart's online store? It doesn't really matter how much their songs cost, if nobody is buying them.

      --
      ... and then they built the supercollider.
    6. Re:Which DRM to use? by Weedlekin · · Score: 1

      "Meanwhile, if cost is what matters, why has Wal-Mart not become the digital music store?"

      Perhaps the fact that they're a US-only outfit while iTunes operates in a whole bunch of different countries has a bearing on this. Believe it or not, people outside the US actually buy and listen to music.

      --
      I'm not going to change your sheets again, Mr. Hastings.
  22. Microsoft's hand is obviously behind this one. by w3woody · · Score: 0, Flamebait

    Clearly Microsoft' hand has to be behind this one.

    A music company is only in the business to sell music. Period. The only reason why a music company would be interested in making sure a distributor could support multiple devices (such as Apple's iTunes opening it's DRM technology so you can play iTunes bought music on a Zune) would be because the volume of music being sold through that distributor didn't justify the administrative overhead of dealing with Apple. As Apple is in third place, this isn't the case.

    The only other issue I can think of is Apple's insistence upon fixed pricing--and if companies like Universal don't like that, they could always delay the rollout on iTunes until after CD sales have hit. So the problem is solvable under the current contract regime--and it would also help music stores, by causing people to go through music stores for the monster breakout hits.

    No; there is no rational reason why Universal would make the noise they're making--unless they're trying to figure out how to crack the nut of breaking Apple's monopoly for their Redmond masters...

    1. Re:Microsoft's hand is obviously behind this one. by SoulRider · · Score: 1

      This is an extortion attempt against apple. Universal wants to set the price on the music that iTunes sells, Steve Jobs says no, its my business we are selling songs for 99 cents. If you want us to raise the price give our customers something (like no DRM). Universal is just pissed because they cannot control Apple and the iTunes store.

    2. Re:Microsoft's hand is obviously behind this one. by gordgekko · · Score: 1
      > Universal wants to set the price on the music that iTunes sells, Steve Jobs says no, its my business we are selling songs for 99 cents.

      Your entire post was mindlessly stupid but the above sentence illuminates the quality of this discussion. Unless Apple has started talent scouting and recording artists, exactly what business is Jobs operating except the selling of intellectual property that belongs to someone else? You know, a someone else who has a right to ask for a renegotiation of the terms of their contract if they desire to once the present contract is concluded?

      --
      You want to know who isn't running Firefox 2.x? They spell it "definately" and "rediculous".
    3. Re:Microsoft's hand is obviously behind this one. by SoulRider · · Score: 1

      And Jobs has every right to negotiate his end of the bargain as well. That is what free enterprise is. Universal has every right to say "Nope, you cant sell our wares anymore", just like Apple has the right to say "Nope, we arent going to sell your wares anymore". My point was, this is what the argument is about, not the conspiracy theories that have been suggested in this thread. This is about tiered pricing and nothing else. Well, MS could have made an offer that Universal finds more appealing but by the comments from Universal it sounds like they are just making threats to get tiered pricing implemented in iTunes.

  23. Minor correction(s) by Overzeetop · · Score: 4, Insightful

    Unsigned Band with break-out potential: "So any unit sales revenue we see from you will be from Wal-Mart and Best Buy sales, nothing else?"

    Universal A/R dude/dudette: "No, of course not. You will never see sales revenue because we will cook the books so that you never see a penny. But you are othewise correct - the unit sales revenue you will never see will only come from Wal-Mart and Best Buy."

    Unsigned Band with break-out potential: "Where do we sign?"

    --
    Is it just my observation, or are there way too many stupid people in the world?
    1. Re:Minor correction(s) by jfengel · · Score: 1

      You forgot the intermediate step:

      A/R dude/dudette: But we will put your face in every record store in America and play an overproduced, bland version of music on six radio stations in every market 19 times a day. You'll be completely broke but you'll get laid a lot.

      Unsigned Band: "Sold American!"

    2. Re:Minor correction(s) by Anonymous Coward · · Score: 0

      so how do they sign girl bands?

  24. Re:Uh... what are you thinking? by norminator · · Score: 5, Insightful

    Universal wants to be able to up prices where it thinks it can get more money. Apple isn't letting them do that. How do you see it as a positive that they're going to go to someone who does?
    Not to mention, Universal wants money from each iPod sold, just like they get from the Zune, (and they've been asking for that since before the Zune deal was announced). For some reason, they think that they deserve that, even though they didn't design the electronics, or the UI, and iPods are not sold with any Universal Music on them, and don't in any way require Universal Music to function correctly.
  25. Record industry is dying by athloi · · Score: 2, Insightful

    It was never a sane business model. The value of most CDs is their novelty and hype potential, not the music inside, which is mostly pointless goop for easily-distracted people. They're not going to make a killing any longer, since the means of distribution have now surpassed the means of production. Universal and Apple fighting over a miniscule advantage in a collapsing industry is a sure sign that the entertainment industry has no clue where to go now that its product is no longer scarce by the nature of its distribution.

    1. Re:Record industry is dying by Anonymous Coward · · Score: 0

      >>which is mostly pointless goop for easily-distracted people

      Wha-hey...I love my pointless goop--a rabbit!

  26. vivendi/universal is an idiot outfit by swschrad · · Score: 1

    sad, but true. since Bronfman bought 'em (well, most, somehow the original owner always seems to maintain a significant position in the business that disgusted them these days,) universal music has been a pox. snarling and cheering on the RIAA attacks, moaning about wanting a fee from the music player industry, wanting to charge a premium for the songs from the latest manufactured limited-time "band."

    it may or may not be noteworthy to consider that Bronfman had the Seagrams liquor business almost whole, and sold out of that proven profit generator because it wasn't cool enough for him. of course, the sin business remains constant, because you got to sin to be saved... while the whole foundation shift under the entertainment industry should have told any credible analyst that the old business models were invalid.

    in short, universal is a tantrum a day looking for a place to attract attention, and today's foot-stomper is iTunes. they're running away from the proven viable moneymaker that roiled the industry. I assume they'll resort to the old-time business juicer of re-issuing back CDs with new jackets, and costing two bucks more than last year.

    which will be a complete laugher.

    --
    if this is supposed to be a new economy, how come they still want my old fashioned money?
  27. What happens to DMR'd music from Universal? by Anonymous Coward · · Score: 0

    Will my tunes I bought from that label quit working once the agreement ends? I certainly hope not!

  28. just posturing by stwf · · Score: 1

    I truly doubt Universal intends on going a non-DRM route. This among the stupidest record companies out there. And thats saying something. Its either an extortion attempt for higher prices from Apple or they are being offered ALOT of money to go Zune only or some such nonsense.

    Sounds most likely to me like they want to raise prices and Apple won't let them UNLESS they drop the DRM, like EMI. Especially with the iPhone success and the upcoming widescreen ipods I can't imagine Apple would ever back down.

    I'd also imagine the Universal artists would rebel about not having their music available for the device they'll all be carrying... So I have no doubt this will be resolved with all music intact at least, or even better they can be convinced to go DRM free to get their extra bucks....

  29. Just think of the lost revenue. by Anonymous Coward · · Score: 0

    Universal Exec's must be wearing tinfoil hats, cuz they are killing a current and future revenue steam. But don't worry the CEO is probably good for an extra 300 million in Stock Options and Bonuses for this one, even if they do lose money on it.

    Woot!!! (Score:0) cuz i am a Anonymous Coward...

  30. Doomed? by rollthelosindice · · Score: 0, Redundant

    The porn industry chose HD-DVD over blue ray. Ask Betamax if the porn industry has any pull with that sort of thing.

    1. Re:Doomed? by HolyCrapSCOsux · · Score: 1

      There was a fundamental difference in VHS v Batamax and Bluray v HD-DVD. VCRs were a completely new thing. Whereas now, there is already a digital video standard that nearly everyone has. (DVD)
      Whereas, back in the day, there was no widely used video format for home use for playing back movies (other than the home variety)

      --
      0xB315AA8D852DCD3F3DCA578FD2E0BF88
    2. Re:Doomed? by SatanicPuppy · · Score: 2, Insightful

      Pssh. First off, who wants HD Porn? Some thing's are not meant to be seen in high def. 'Nuff said.

      Secondly, who the hell buys porn on hard media anymore? Far far far more people download porn than get it any other way. The internet is, indeed, for porn.

      The whole "Porn decides all format wars" line would be a lot more useful and relevant if we had a pool of results that was larger than, you know, one. Just because adoption followed porn once, doesn't mean it will ever do so again.

      --
      ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
    3. Re:Doomed? by Chyeld · · Score: 2, Insightful

      Porn has decided more than once, it's just that the main round that you remember is the VHS vs Beta arguement.

      Porn was the bulk of what drove the penny arcades, which in turn promoted the old silent movies (themselves started mostly as a vehicle for porn). Most of the visual entertainment media used throughout history either started out, or was heavily fininanced at the start by porn.

      And they've decided today as well. You youself made the point without realizing it.

      BOTH formats have lost, it's not about hard media anymore. People are drifting more and more to downloading what they want, and only using hard media as a saftey blanket/backup option.

      DVD's will always be around in some form or another, but eventually (sooner in other countries where their telco industry hasn't shamelessly refused to upgrade their infrastructure to handle it) what you want, what you see, and how you get it will be online.

  31. Middlemen by petehead · · Score: 4, Insightful

    Great, two big companies fighting over their middleman territory. The artist who creates the product and the user who purchases it are just collateral damage.

  32. dear music industry morons: by circletimessquare · · Score: 1

    instead of coopting mapster, you buried it. what, you thought it was going to stay dead?

    so some tech compnay reinvented it, instead of a music distribution company

    oops

    guess what? YOU could have controlled 75% of music downloads. instead, you have to kiss up to steve jobs. didn't have to be that way. the only reason it is that way, is because of your shortsighted stupidity on the future of the internet and music

    oh well, you fucked up, you lose. deal with it

    and your little game of brinkmanship here can only make steve-o smile. he knows he's the new focal point of power, not you. you will do what he says when push comes to shove, not visa versa. you stand to lose far more than him, and you know it

    you could have kept your throne, but you blindered, and lost it. welcome to the slow process of extinction, music industry morons

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:dear music industry morons: by realityfighter · · Score: 1

      Not my words, but my sentiments exactly. The Napster debacle should have been a sign to the music industry to start working on a ubiquitous, secure, legal digital distribution system, stat. They could have done it, too - they were in the position to offer faster downloads than the average Napter user would experience- ergo,value. Instead, they ran away from the internet entirely, and look where it got them. Without their close relationship with the federal government, the big RIAA labels would have been replaced by hip, tech-savvy indies in two years; thank god for lobbyists, eh, Paramount?

      Frankly, I'm glad to see CD sales finally going south, the music labels beholden to Apple, and interest in manufactured music tanking. I'm just surprised it took this long.

      --
      A strain of paranoid prevention can be worse than the disease, whate'er the intention.
  33. Re:simple really by AccUser · · Score: 1

    How exactly do you envisage the locked OS model fall to bits with the launch of Leopard?

    --

    Any fool can talk, but it takes a wise man to listen.

  34. Re:THANK GOD IT'S NOT HORSECOCK! by Anonymous Coward · · Score: 0

    architectieir@janus.palacecommunity.com

  35. Re:simple really by Anonymous Coward · · Score: 0

    You do know that they can sell non-DRM files through iTunes right now, right? I think there might have been one or two articles about it somewhere.

    As far as iTunes users not buying many songs, wasn't there just an article about iTunes being the 3rd largest seller of music just a couple of weeks ago?

  36. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  37. Re:My Mac Sucks by mcguirez · · Score: 1

    I think it's from a troll-bot that uses a search engine without parsing any dates.

    A quick stroll down memory lane (thanks Google) yields one date of "November 25, 1998 at 08:25 am" That's nearly 9 years (which is like 2^9 in computer years) but even in 1998 these were old, old systems.

    See: http://www.kottke.org/98/11/my-mac-sucks

    --
    When you hear hoofbeats, think horses, not zebras
  38. Re:My Mac Sucks by Paulrothrock · · Score: 1

    How long was this post in the message buffer? The 8600/300 came out in 1997! Maybe if you used comparable systems, you'd have an argument.

    --
    I'm in the hole of the broadband donut.
  39. Re:I think saying "worst case" is very shortsighte by Anonymous Coward · · Score: 0

    It is much more likly an attempt by Universal to rescue DRM. If we can bluff the contract until we convince Apple to licence thier DRM to other players we can force the DRM issue out of this ipod/no-ipod issue.

    That might be enougth to force a single DRM standard breaking the whole I dont want DRMed music because I want to play my music on any device.

    I cant see it working entirly but i can see universal trying it as a attempt to not be pulled down the EMI no-drm path.

  40. Love apple, hate itms by jaypaulw · · Score: 1

    I'm actually thrilled about this development as it derails itunes music store as a complete entertainment solution - which it seemed like apple was heading towards with appletv and everything.

    I'm in the overwhelming minority of slashdot people who actually thinks that drm is a good thing, however, I hate the idea of it being tied to platforms.

    I'd like a DRM system that is independent of content creators, distributors or hardware manufacturers.

    1. Re:Love apple, hate itms by dangitman · · Score: 1

      I'd like a DRM system that is independent of content creators, distributors or hardware manufacturers.

      And I'd like a pony.

      --
      ... and then they built the supercollider.
  41. Re:Uh... what are you thinking? by Anonymous Coward · · Score: 0

    "Universal wants money from each iPod sold, just like they get from the Zune"

    Well see - Microsoft could do this because they knew they wouldn't have to give Universal any money. :-).

  42. Re:Uh... what are you thinking? by CastrTroy · · Score: 5, Insightful

    MS need to give money to people just to jump on their bandwagon, because the service wasn't popular, and they needed to give the labels a reason to join their service. iTunes on the other hand is extremely popular, and doesn't need to make stupid deals like giving away a percentage of iPod profits to music companies. Universal is already getting a percentage of the music sales they get from iTunes, and that is all they should get.

    --

    Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
  43. Re:Universal shoots itself in the foot. Film at 11 by mean+pun · · Score: 1

    Hold on, Hold on. The iPod is NOT a prosecutable monopoly. [Snipped Microsoft examples] That's illegal. iPod/iTunes is not, despite complaints by overzealous European prosecutors.

    But those European prosecutors are upholding the laws of their own country, not US law. It is quite possible that what is legal in the US is illegal in the country of those `overzealous prosecutors'.

  44. Re:My Mac Sucks by Divebus · · Score: 1

    Ahh... don't feed the troll. He copies and pastes the same crap every other month and I've seen this one multiple times.

    --

    Most of the stuff on /. won't survive first contact with facts.
  45. Re:Universal shoots itself in the foot. Film at 11 by jimicus · · Score: 1

    How the iPod became the dominant MP3 player isn't really the point.

    The point is, Universal want an alternative online market, they don't like the one provided by iTunes. Unless they're prepared to drop DRM as a requirement and have whoever sells their music sell it as straight unencumbered MP3s (or something else the iPod can easily be persuaded to play), they're essentially cutting off online sales from most of the portable MP3 players out there. Why?

    FWIW, I wouldn't be surprised if they are trolling for a new agreement - one which suits them better.

  46. Re:Uh... what are you thinking? by Paradise+Pete · · Score: 2, Funny
    Not to mention, Universal wants money from each iPod sold

    I think Apple should demand money from Universal for each CD purchased. After all, chances are that it's going to end up on an iPod anyway.

  47. Re:My Mac Sucks by TheRaven64 · · Score: 1

    I haven't seen a Mac 8600 or a 486/66 in about a decade.

    I think I have one in my attic, along with half a dozen 6100s. Do you want one?
    --
    I am TheRaven on Soylent News
  48. DRM Licensing by sagefire.org · · Score: 3, Interesting
    Apple's refusal to license their DRM

    Oh, if only Apple would license their cross-platform DRM! I know this will be modded as off-topic BUT I wish Apple would license its DRM to the BBC! That way, the BEEB would have an easy way of distributing their content in a non-Windows environment and still satisfy their perceived DRM need. It still would not make a native Linux method of playing BBC content, but it is pretty easy to get iTunes (for example) to run under wine. So, though it is not a perfect solution, at least it would be better than what the BEEB is doing now

    So, go ahead, mod me off-topic, but I am hoping to at least also get to be modded as interesting as well.

    1. Re:DRM Licensing by ScrewMaster · · Score: 1

      So, go ahead, mod me off-topic, but I am hoping to at least also get to be modded as interesting as well.

      If I were you, I'd stop worrying about being modded. Just try to be relevant. And yes, I know I'm off-topic again.

      --
      The higher the technology, the sharper that two-edged sword.
  49. Big surprise... by AlphaOne · · Score: 1

    ...the music industry's preference to shoot itself in the head continues!

    --
    All opinions presented here aren't mine.
  50. Whoda thunk? by hotsauce · · Score: 1

    You're right. Who would have ever thought we'd see the day when in this balance an electronics company became stronger than an entertainment company? I certainly didn't think it would happen in my lifetime.

    Companies much bigger than Apple caved in to the MPAA on region encoding, encryption, etc.

    Jobs is a clever, clever man.

    1. Re:Whoda thunk? by TheRaven64 · · Score: 4, Insightful

      Jobs is a clever, clever man. More to the point, Jobs is an arrogant bastard, who simply will not back down or compromise when he thinks he is right. You'd have thought the other CEOs would have learned by now that bluffing (or even looking like you're bluffing) is a really, really bad thing to do when negotiating with Steve. As ATi learned, he has absolutely no problem with damaging his company in the short term if he thinks it will strengthen its position in the long term.
      --
      I am TheRaven on Soylent News
    2. Re:Whoda thunk? by WilliamSChips · · Score: 1

      Exactly, messing with Steve Jobs is like starting a land war in Asia. Except Universal isn't smart enough to poison both cups.

      --
      Please, for the good of Humanity, vote Obama.
  51. What if Apple Signs Recording Artists? by tjstork · · Score: 1, Interesting

    Or buys a radio station, or two... seriously, there's enough local stations out there that Apple could pick up a few, then, use their radio network to leverage iTunes. Sure, Universal might bail, but, within a few years, top Universal Artists would wind up on the bottom of the hit parade. In the very least, Apple could sponsor up and coming talent out there with better deals, like more money for the artist, or at least, more creative control. I'd be willing to bet that more acts would sign with Apple who has the market of the future, versus Universal, who has a bunch of CD stores on their way to going belly up.

    What Apple has done is create the Windows of Music. You either play on that platform, or die.

    --
    This is my sig.
    1. Re:What if Apple Signs Recording Artists? by Anonymous Coward · · Score: 0

      I can just see the droves of artists joining Steve Jobs 90 hours a week club.

    2. Re:What if Apple Signs Recording Artists? by Kalriath · · Score: 1

      What Apple has done is create the Windows of Music. You either play on that platform, or die. Which makes it a natural monopoly. Any attempt by them to leverage a natural monopoly to gain an artificial one (buying radio stations, for example) would be highly illegal.

      --
      For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
    3. Re:What if Apple Signs Recording Artists? by Grishnakh · · Score: 1

      Any attempt by them to leverage a natural monopoly to gain an artificial one (buying radio stations, for example) would be highly illegal.

      This hasn't stopped another company which is located near Seattle.

      If the DOJ is unwilling to do anything about a company using monopoly power to gain a monopoly in another market, then you can't say it's illegal. It's about as "illegal" as being female and wearing pants in Tucson (look it up, there's a law on the books against that).

    4. Re:What if Apple Signs Recording Artists? by Anonymous Coward · · Score: 0

      Then they go to trademark hell. Apple Records has already existed far longer than Apple Computers. :(

  52. Re:Uh... what are you thinking? by Khaed · · Score: 4, Funny

    What a shitty deal -- "We get money from every Zune sold!"

    That's like what -- a buck fifty total now?

  53. I'm ready for it to happen. by C_Kode · · Score: 1

    I'm ready for a Music Industry Apocalypse. Like Chicago in 1909, let it burn to the ground. It will be rebuilt with more ethics in mind rather than selfish greed.

    1. Re:I'm ready for it to happen. by sl3xd · · Score: 1

      What are you on? It's gotta be some good stuff.

      Ethics in the entertainment biz? Right. After that, we can take the wet out of water.

      --
      -- Sometimes you have to turn the lights off in order to see.
  54. Re:Uh... what are you thinking? by Anonymous Coward · · Score: 0

    and don't in any way require Universal Music to function correctly

    OTOH...

    I think that Universal will eventually knuckle under. Universal obviously controls a lot of cross-marketing and traditional distribution but they have completely lost control of the more basic business of producing music. In other words, they have a lock on soundtracks and whatever passes through HMV but they have to deal in a world where artists are increasingly saying "I can't afford to pay these guys everything I make so they can alienate my fans for me". A de facto no-iTunes clause would be a huge entry on the "no fscking way" side.

  55. Re:Universal shoots itself in the foot. Film at 11 by Kalriath · · Score: 1

    If the Apple iPod is not a "prosecutable monopoly" because it's a natural monopoly, nor is Microsoft Windows. Both arose to their dominant position because people just bought them. Your argument is either a defense of Microsoft, or a completely bullshit fallacy.

    By the way, I think the fact that WordPerfect generally sucked was what shut Corel out of the Office Suite market >

    --
    For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
  56. Its not even that old. by crovira · · Score: 1

    The money that has been made, and that is being made, comes from the structures agreed upon in the nineteen-twenties and thirties and immediately warped by nascent recording companies to exploit the new broadcasters and the artists; by controlling the means of production.

    But I fear Bronfman, the Younger" is screwing with his grandad's legacy ("Seagram's Distilleries" made "Old Man Bronfman" all that money during the prohibition era,) and it means the Bronfman dynasty is starting to ebb.

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
  57. Re:Universal shoots itself in the foot. Film at 11 by sogoodsofarsowhat · · Score: 0

    Yup you are correct but!!!! Apple could jsut tell the EU to go FARK themselves. guess what...people would grey market the ipods in. Heck i got several Asian suppliers/customers who are begging me to get them iPhones. I tell them they wont work over there...they dont care. They want them. sorta like making booze illegal...it doesnt work... PEOPLE WILL DO WHAT THEY WANT!!! You can not legislate peoples behavior. The ipod is the dominant music player because PEOPLE LIKE IT BETTER THAN EVERYTHING ELSE COMBINED!!!..... Good luck with that...but Apple really does hold all the cards on this one.

    --
    . I love the sound of burning women and screaming rubber....
  58. Re:simple really by Budenny · · Score: 1

    Well, since modded down to troll, Heaven knows why, with some trepidation one asks, how is it going to be stopped? It will be out there as a retail copy, it will not be an upgrade. It will boot and install in a macintel. Don't you think that in ten minutes there will be posted some hack on how to run it on any old similar spec Intel box? Or if not, how is it going to be prevented?

    Yes, I know that non-DRM stuff is sold on iTunes. Of course it is. That's not the point. The point is the coding. Once you have bought your non DRM iTune, you can't play it on another box. My prediction is, the Universal thing is the beginning of the end of this, and within a year, it will be over one way or another.

    Why this legitimate opinion should be labelled a troll by the resident fatwa issuers, Heaven knows. But there you go.

  59. Why Apple doesn't need Universal by Anonymous Coward · · Score: 0

    Universal needs Apple more than they need them. Here's why.

  60. Poor Universal by Trogre · · Score: 4, Informative

    So now no more iTunes sales for:

            * Baby Boy Da Prince
            * Bee Gees
            * Drake Bell
            * Black Child
            * Brandon
            * Big Tuck
            * Big Tymers
            * Blak Jak
            * Bloodhound Gang
            * Mutya Buena
            * Vanessa Carlton
            * Jamie Cullum
            * Domination
            * Down AKA Kilo
            * Dispatch
            * Drake Bell
            * Godsmack
            * Gotan Project
            * Chris Gotti
            * Pat Green
            * Harry O.
            * Heavy D.
            * Infinite Mass
            * Ja Rule
            * Elton John
            * Jack Johnson
            * JoJo
            * Juvenile
            * Jordan Flynn
            * Kaiser Chiefs
            * Brie Larson
            * Murphy Lee
            * Lindsay Lohan
            * Lloyd
            * Damian Marley
            * Stephen Marley
            * Mika
            * Mushroomhead
            * Mystic
            * Natalie
            * Pharoahe Monch
            * Prince
            * Rakim
            * Rammstein
            * Scissor Sisters
            * Strive Roots
            * Sunland

    The rest are here.

    I'm not a fan of iTunes and have never bought anything off them, but Universals reasons for ditching them can only be nefarious. Okay so Prince isn't going to care, and Elton probably won't either. But if anyone knows the other artists it might pay to tell them what their label has done and that now might be a good time to think about their future with Universal.

    --
    "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    1. Re:Poor Universal by dangitman · · Score: 1

      Just because they aren't renewing a long-term contract doesn't mean that Universal's music won't be available on iTunes. They'll probably just withold a few albums which are expected to be "monster hits" and leave the rest on iTunes.

      --
      ... and then they built the supercollider.
    2. Re:Poor Universal by Falshire · · Score: 1

      Hmmmm....Haven't bought anything on that list anyway...no loss for me...

      Next!

      --
      "Meddle not in the affairs of Dragons...for thou art crunchy and taste good with ketchup."
    3. Re:Poor Universal by chaz373 · · Score: 0

      So you are saying that Universal will use its market dominating position and withhold product in order to bully Apple around? If this works doesn't that completely put Apple at the mercy of all the big labels? Sounds like a wet dream for RIAA and all those itunes/ipod/apple haters that seem to lurk here.

      --
      There is no security when liberty is sacrificed.
    4. Re:Poor Universal by dangitman · · Score: 1

      Universal will use its market dominating position and withhold product in order to bully Apple around? If this works doesn't that completely put Apple at the mercy of all the big labels?

      Except that the likelihood of it working seems extremely slim. What is more likely is a backlash from Universal artists. Even if some big names do go along with plans for a non-iTunes release, I'd think that most would find the idea highly objectionable. So, this may breed discontent in the artist stable, and possibly even some big names leaving Universal for greener pastures.

      I don't think they'd get away with pulling all of their artists from iTunes - that would lead to mass revolt.

      --
      ... and then they built the supercollider.
    5. Re:Poor Universal by toots66 · · Score: 1

      You're right about Prince not caring. His new album is going to be given away with a UK newspaper in a couple of weeks.

      BBC: http://news.bbc.co.uk/1/hi/entertainment/6256732.s tm

    6. Re:Poor Universal by chaz373 · · Score: 0

      "What is more likely is a backlash from Universal artists." - That's assuming that those artitists are even paying attention to their download deals. This is the 3rd time that Universal has sabre rattled against Apple and their decision to go month to month is akin to massing troops on the border. Additionally, it's no secret that UNMG and MSFT are as thick as thieves. It's naive to believe that somehow UNMG will do Apple a solid when redmond is right there stoking the flames of discontent. UNMG believes Apple needs them - not the othe way around.

      --
      There is no security when liberty is sacrificed.
  61. re: Apple should cave in... by chaz373 · · Score: 0, Troll

    Apple should give Universal a cut of each ipod/iphone sold - as long as Universal gives Apple a cut for every CD sold. That would be fair.

    --
    There is no security when liberty is sacrificed.
  62. Universal? by Anonymous Coward · · Score: 0

    Fine. I'll just buy whoever's signed on to EMI.

  63. Re:Universal shoots itself in the foot. Film at 11 by phildo420 · · Score: 1
    That is NOT a natural monopoly.

    The digital music player industry is anything BUT a natural monopoly. A natural monopoly does not "arise because that's what consumers are buying." All monopolies arise that way quite obviously. A natural monopoly occurs in an industry where the change in social benefit from entry is negative -- that is, industry-wide profits would become negative with more than 1 entrant into the industry and the industry would self-select itself back to 1 firm.

    Learn your economic terminology before spouting off like an idiot. Digital music players are a consumer good that would benefit all if there were more available. The iPod has strong market share because it is easiest to use, but that HARDLY makes it a natural monopoly. It's more like a vertical monopoly (think Rockefeller's vertical oil holdings) where Apple controls the hardware, the software, and the distribution. Now they just need the content and the gov't can go anti-trust on'em.

    Seriously, if you're going to use economic terms, atleast look them up first. Hell, even Wikipedia has a decent entry on it.

  64. Pretty simple for me by RetroRichie · · Score: 1

    If I can't purchase a song off of iTunes, I ain't buyin' it. Convenience trumps everything, especially when 90% of most CD content blows. Buh-bye, Universal. I'll take my dollars elsewhere.

    1. Re:Pretty simple for me by exp(pi*sqrt(163)) · · Score: 2, Interesting

      > 90% of CD content blows I'm guessing that a typical CD store contains something like 20,000 CDs. (That's a very rough guess.) That means you think 90% of those CDs blow. That means you think 2,000 CDs in a typical music store don't blow. Which is kinda interesting. If you put me in a typical music store I could imagine finding, say, 50 CDs I like. Like many other people, I can spend an hour in a CD store and not find any CDs I'd like to listen to, even when I'm in a mood to spend, spend, spend. If you think 10% of music doesn't blow then you're very lucky - you're easily pleased. And yet you say "90% of most CD content blows" as if that was a bad thing. Weird.

      --
      Doesn't it make you feel good to know that our freedoms are protected by politicans, lawyers and journalists.
    2. Re:Pretty simple for me by RetroRichie · · Score: 1

      Actually, I meant on average 90% of the content on an individual CD blows. There are so many one-hit wonder albums out there. Very rarely do I find a CD that has 3 or more songs on it that I like, and even more rarely do I find myself liking an entire album. The latter probably equates to the 50 CDs you're referring to.

  65. Did netcraft confirm ? by droopycom · · Score: 1

    i know.... old joke.

  66. That's MR. JOBS to you Universal! by Danathar · · Score: 1

    Steve Jobs is one of the most stubborn, recalcitrant people on the planet.

    With the state of Apple's sales what are the chances of the Steve caving? Less than -1.

  67. It has nothing to do with DRM by Anonymous Coward · · Score: 0

    As someone who is working with UMGD I know the reason why this fell through and it has nothing to do with DRM at all.

  68. Ah - when monopolies collide.. by cheros · · Score: 1

    Bring on the popcorn, this could be fun to watch..

    --
    Insert .sig here. Send no money now. Owner may sue, contents will settle. Batteries not included.
  69. music formats by falconwolf · · Score: 1

    I've bought more music (and spent more money) on eMusic in the last 6 months than I did in the previous 5 years before I was on eMusic.

    I've bought more music on vinyl records than all of the digital music I've ever bought, and that's how is will continute to be for me for as long as I can help it.

    No song is worth 99 cents.

    This is the one "good thing" about digital music. I hated paying up to $20 or so for just a few songs on an album I liked. Vinyl does have the equilent, 45s, but not all songs were released on 45s and they cost more than $2.

    Falcon
  70. Aren't companies legally obliged to try to by falconwolf · · Score: 2, Interesting

    maximise profits?

    No. Companies, whether corporations, proprietorships, or partnerships, have the responsibility to do what the owners want as long as it doesn't break the law. In the case of partnerships and proprietorships it's usually the owner(s) who run the business. Corporations on the other hand have the responsibility to fulfill the requirements of the charter the corporation has been given as well. And since the first corporate charters were granted, to amoung others the Dutch East India Company and the British East India companies one of thise requirements for that the corporation had to serve the common or public good.

    Falcon
  71. Apple's recalcitrance on licensing DRM is good. by argent · · Score: 1

    Rather than duplicate the post, I'll just link to it:

    Why Apple's DRM is good for consumers

    Bottom line: the more DRM is a problem, the less likely it is to spread. Apple's DRM is like a billion sterilized fruit flies in the DRM ecosystem.

  72. Re:Universal shoots itself in the foot. Film at 11 by kocsonya · · Score: 2, Insightful

    Not really. Apple sells you the iPod. Apple offers you a service on iTunes. If you have an iPod, you can load music onto it any way you like it. My wife has an iPod and she has no idea that there's the iTunes store, for she just rips her CDs and puts them onto the iPod as to any other MP3 player. There are numerous other MP3 players out there and people buy them but more of them buy the iPod than any other kind because they like it better. Indeed, the iTunes service is only for iPods (I think, don't know but I assume so) but you can use any other service (and there are many) to get MP3-s which will happily play on any player, including
    the iPod.

    Now Windows is a different thing. MS used its market share to force OEMs to include Windows on every piece of HW they sold. MS writes applications that use features of the OS that only MS is aware and MS does everything in its power to keep the format of every file or packet closed and obscured so that no other player on the market could come up with an application that could access MS application related data.

    The iPod was not the first MP3 player and became a market leader because people like it better than the others. If you can come up with a player which is actually more user friendly than the iPod, Apple can't stop you to gain market share. As long as people can convert their iTunes downloads to a vanilla MP3 (as far as I know, you can), you can also use the iTunes service for any player you can come up with. It seems that as of now, people like the iPod more than any of the other ~50-100 models on the market. So iPod is a natural monopoly.

    Now if you come up with a new OS + office package + browser + whatnot you can not make it read MS documents for the document formats are MS secrets, you can't just plug it onto an MS network for some packet formats are MS secrets and if you reverse engineer everything and you can do it all, then MS will blow the crap out of you with IP lawsuits and threaten the OEMs to not getting the MS licence any more if they sell your stuff. That is where the monopoly becomes unnatural and where the DoJ finds the defendent guilty of illegal business paractices, coersion etc. and when some higher powers kick the backside of the DoJ for harassing such a fine American businesses...

    Microsoft has been taking active (and often illegal) steps to enforce its dominant position, Apple simply made a product that people like.

  73. Re:Uh... what are you thinking? by larry+bagina · · Score: 1

    U2 is signed by Universal. Bono is a good friend with Steve Jobs. I believe they did the U2/iPod commercials for free (although they certainly got paid for the ipod sales). iTMS has had a lot of cross promotions with various musicians (celebrity play lists, exclusive tracks, early released tracks, hyping concert tours, etc). Would Universal musicians revolt? Some might not be impressed.

    --
    Do you even lift?

    These aren't the 'roids you're looking for.

  74. Re:Universal shoots itself in the foot. Film at 11 by sehlat · · Score: 1

    Excuse me, but my exact words were "*close* to a monopoly." Over 70% of the market counts as "close." The only saving grace is that (so far) Apple hasn't abused the power the studio-insisted-upon DCD gave them over the future of the music market. Steve Jobs just let them go forth and hang themselves with their own greed.

    Legally.

  75. Alternative Revenue by obeythefist · · Score: 1

    Clearly Universal is now making up the 15% they'll lose from digital sales from the new cash cow of this decade, litigation!

    Especially now that some universities are bending over backwards to help the RIAA knife their students for cash.

    Here's a question - we know that Apple dominates the licensed internet music sales business. If iTunes can't sell Universal music, will iPod owners everywhere resort to unlicensed MP3 downloads to make up the missing iTunes catalog items?

    --
    I am government man, come from the government. The government has sent me. -- G.I.R.
    1. Re:Alternative Revenue by Anonymous Coward · · Score: 0

      Stop reading /. headlines. The universities being mentioned are only FORWARDING MAIL. That is all, they gave NO names, and said they will not (outside of a subpeona)

  76. major label contract by falconwolf · · Score: 1

    Unsigned band who sees their first major-label contract as their shot at the big time and all their dreams come true: "Where do we sign? We brought our peeeens!"

    This is only true if the band doesn't know much. The only thing, other than sucking the blood of entertainers, major labels are "good" for is marketing. However the internet makes it easier for new musicans to breakout. Digital recording is easy and doesn't take much hardware, relatively to analogue at least, and a band can use the computers in the public library or net cafe to create their own pages and profiles on MySpace or upload music to Magnatunes or any other of a number of cheap or Creative Commons websites. While more effort may be needed for a band to get their music out, than having a major label do it, it's easier than it ever has been for musicans to break out. And instead of the label keeping most of the money, the band gets to keep most of it this way.

    Falcon
  77. Re:My Mac Sucks by Anonymous Coward · · Score: 0

    You magnificent bastard! I salute your execution of satire so subtle in its construction that almost everyone--myself included there for a minute--missed it entirely.

    Bravo!

  78. natural monopolies by falconwolf · · Score: 1

    A natural monopoly occurs in an industry where the change in social benefit from entry is negative -- that is, industry-wide profits would become negative with more than 1 entrant into the industry and the industry would self-select itself back to 1 firm.

    There are other natural monopolies such as the ones the cablecos, Telcos, and powercos enjoy. Broadcasters, radio and tv, are others. I realize they aren't monopolies naturally, they are because governemnt makes it so, however naturally there's only so many who can use the Right of Way in a given location. And usually that right of way is only approved of for one provider for each service offered.

    Falcon
    1. Re:natural monopolies by phildo420 · · Score: 1
      Right, those are argued to be natural monopolies due to the infrastructure requirement for entry -- a competing phone company would have to run it's own wires which costs an extraordinate amount.
      If there were 3 telco companies, and each had to run their own telephone wires, phone costs would be much higher than they are because you would be supporting 3 separate infrastructures, each one with 1/3rd of the customers -- assuming an equivalent distribution of customers. In this case, it is more beneficial to have a regulated natural monopoly that operates with a base profit margin of ~10% as opposed to 3 working for a profit margin of >5%.

      That is a natural monopoly/oligopoly in essense, because there would be loss of customers with the price hike (I know I wouldn't use a phone at 2x my current rate), and profits would likely go negative for one firm, causing them to exit the industry -- so it would have a severely limited number of entrants, with industry-crippling competition. But this is assuming other firms entered in the first place.

      One thing to remember is that a natural monopoly is not a monopoly in which a firm can wield market power, it's a natural monopoly because there is no market power to wield. In a monopoly on market power, you are actively preventing entrants by driving down costs for short periods of time, or buying them outright. A natural monopoly charges the profit maximizing price, but it also happens to be the optimum position for social benefit (within that industry) as well (as opposed to the artificial monopoly situation).

      The "right of way" for infrastructure use is enforcing the monopoly. In this case, the providers are not building the infrastructure, only using it -- therefore, it is no longer a natural monopoly situation and should be open to competition. They are not directly maintaining the infrastructure, but rather paying taxes on their income that does maintain that infrastructure. Since that's the case, no matter how many companies enter, the single shared infrastructure would be maintained and costs would be minimized with profit rates approaching the risk-free new money rate. The government is effectively providing an unfair monopoly in this situation, and is not looking out for consumer interests.

      As for radio, TV, and such -- that is hardly a monopoly (outside of the Clear Channel case anyways) because you can have 20ish stations which provides plenty of competition. The problem with radio is that it has been internally conglomerated into Clear Channel and then the 1 station in each city that isn't owned by Clear Channel. Additionally, they have to compete with satellite and internet radio. The FCC in this case isn't enforcing a monopoly so much as protecting the rights of a broadcaster to the frequency they have paid for. This limits the market to imperfect competition, but this is still an improvement over a monopolistic situation.

      My original point is simply that the iPod does not constitute a natural monopoly, and the original poster should look up economic terms before throwing them about.

  79. Re:Universal shoots itself in the foot. Film at 11 by Anonymous Coward · · Score: 0

    I try not to say this very often but you sir are either a shill or a truly stupid sack of shit. I would like you to go back and actually READ what the PP said. I will give you a hint. He did not say that Microsoft Windows was not a natural monopoly nor did he say that MS should have been (or was) prosecuted for having that monopoly. I'll give you another hint: Microsoft was charged and found guilty (on several occasions) of illegally using their monopoly in one market to create an artificial monopoly in another. For example, if Apple deliberately used iTunes to modify Media Player so that it would play MP3s poorly, that would be illegal. It would also be supremely ironic as MS introduced that exact defect into early versions of WMP in order to try to leverage their OS monopoly to make MP3 look bad and create an artificial market for WMA.

    ps: As for WP vs word, it is clear that you are not an author, para-legal or tech writer but one still has to ask: what do you like best the random corruption or the paperclip?

  80. Indeed, the iTunes service is only for iPods by falconwolf · · Score: 1

    No, the iTunes service isn't just for iPods. You don't even need a portable player to use iTunes or to listen to it's music. You can use your Mac or Windows PC to listen to the music. But if you want to you can make cds of your iTunes songs. These cds can then be played in any cd player.

    Falcon
  81. Yes, my iPod Nano plays songs from eMusic just by falconwolf · · Score: 1

    fine.

    I read the above, then I read your tagline, "Linux: a more elegant weapon for a more civilized time." What gets me is that Apple doesn't have a version, that I have heard of, of iTunes for Linux. Because OSX is built on BSD I'd think it wouldn't take much effort to port iTunes to Linux.

    Falcon
  82. short term vs long term by falconwolf · · Score: 4, Insightful

    As ATi learned, he has absolutely no problem with damaging his company in the short term if he thinks it will strengthen its position in the long term.

    Though I don't have an opinion on whether Steve Jobs is doing this, I do prefer a company executive that looks, years down the road, to the future instead of to this or the next quarter. That's a shortsightedness it seems too many corporations have now.

    Falcon
  83. Re:Universal shoots itself in the foot. Film at 11 by Cadallin · · Score: 1
    No, you didn't read my post. Having a Monopoly is not a crime. Using a monopoly to gain a monopoly in another market is. Can you see the distinction? Microsoft isn't guilty of antitrust violations because of their Monopoly with Windows, they're guilty of antitrust violations for using their Windows Monopoly to gain other monopolies in Office Suites and Internet Browsers. In short: Having a monopoly = not illegal; Having a monopoly and abusing it to gain other monopolies = illegal.

    DOS versions of Wordperfect didn't suck. They were very good actually. Now, did the Windows versions of Wordperfect suck because Corel was inferior, or because Microsoft wouldn't document their Operating System APIs to make a level playing field? Remember: "DOS isn't Done till Lotus won't Run!"

  84. Re:Universal shoots itself in the foot. Film at 11 by Cadallin · · Score: 1

    True, but arguably irrelevant for the reasons sogoodsofarsowhat (662830) cites. If that is the law there, then it is quite foolish. Natural Monopolies just sometimes result from consumers having free choice. Should you limit the amount Coca-Cola Corporation is allowed to produce just because people prefer it to Pepsi, and thereby force them to buy Pepsi or something else instead(Which is not to say there might not be good reasons to limit Soda companies, health among them)? Trying to fight a natural monopoly requires Soviet Russia Style policies, with restriction of freedom and trade embargoes.

  85. Re: Apple should cave in... by chaz373 · · Score: 0

    WTF!!! Why is this marked TROLL when another poster says exactly the same thing and gets "interesting" If your gonna call me a troll - than have the backbone to say why!

    --
    There is no security when liberty is sacrificed.
  86. Great short opportunity! by bughouse26 · · Score: 1

    Or so one would think. Universal is owned by Vivendi, which also owns Blizzard. As much as I'd love to profit off of Universal's demise, you can't bet against Blizzard.

  87. Re:Universal shoots itself in the foot. Film at 11 by SuperFunFunFun · · Score: 1
    Hold on, Hold on. The iPod is NOT a prosecutable monopoly.

    This whole line of thinking is silly. iPod is not a monopoly to begin with and faces stiff competition from other music players ranging from digital media players to your dad's CD player to your granddad's cassette player to great grandpa's Vinyl. iPod is successful, but last I looked CD players sitll outsell MP3 players by a few orders of magnitude.

  88. Try emusic. by jotaeleemeese · · Score: 2, Informative

    All the winners of best recordings of the year in BBC Music Magazine were readily available in emusic as non DRMed files.

    --
    IANAL but write like a drunk one.
    1. Re:Try emusic. by PopeRatzo · · Score: 1

      Most of the "best recordings" in BBC Music Magazine aren't quite what I enjoy, but it's good that they're available without DRM.

      But the problem remains, that when you buy most music, almost none of the money you spend goes to the artist. The entire of distributing music is corrupt and unfair. That's why I refuse to participate.

      --
      You are welcome on my lawn.
  89. Re:Universal shoots itself in the foot. Film at 11 by Weedlekin · · Score: 1

    "If that is the law there, then it is quite foolish."

    Because any laws that still put consumer rights above those of corporations are quite foolish due to the fact that the US legal system doesn't, and as the US keeps telling everybody, its legal system is by far the best in the entire world.

    --
    I'm not going to change your sheets again, Mr. Hastings.
  90. Big deal by fastest+fascist · · Score: 1

    Personally, I don't care if each and every one of these huge media companies bites the bullet, preferably taking their "artists" with them.

  91. Microsoft doesn't have a monopoly in OSes by patio11 · · Score: 1

    There are at least two viable operating systems for a consumer PC which are not Windows. (Mac OS X and whatever the version before that was. Sorry, Ubuntu, I love you but far too many of your FAQs include the forbidden words "Then, open a terminal and..."). These OSes have the key software you need for business and home use: email clients, browsers, Microsoft Office*. Customers. Aren't. Buying. Them. Sure, customers might not be buying them because Microsoft gets all the software, all of the mindshare, and all of the workplace use. However, Apple has a sweet interlock thing going on themselves with the "If you use either the best music download service OR the best MP3 player, you are locked into our upgrade treadmill for life. If you don't use our music service, you can forget about legal downloads of the majority of music available to American consumers because only we have the market power to force all to sell at our store. Care to join the cult?" thing.

    Disclaimer: Desktop is Windows, server is Ubuntu, music library iTunes/iPod and a quirky little Sony service which I use to get Sony Japan stuff that is not available on iTunes (yeah, sucks to be Apple when the other megacorp is rich enough to say "Piss off, we have our own ecosystem to worry about vertical integrations with".)

    * Microsoft Office is not in a category by itself just because Microsoft starved out all their competitors. Its in a category by itself because its just far and away superior to the competitors, even when the competitors cost $200 less. I use OpenOffice on my home computer because I was too cheap to pony up for a copy of Office for my once-monthly non-work-related wordprocessing or budget simulation and, crikey, Word/Excel beats Writer/Calc so much it isn't funny.

  92. Re:Universal shoots itself in the foot. Film at 11 by Cadallin · · Score: 1

    No, that was not what I said. A natural Monopoly arises because of consumer choice. If company A just makes the product that consumers prefer, how does it enhance consumer choice to force consumers to buy company B's product? If the European prosecutors were taking the stance that DRM itself was illegal, because it was anti-consumer, that would be fine. They could simply require that it be removed from ALL products sold in the European Union. But they aren't. They're going after Apple, whose DRM is actually the least restrictive.

  93. Re:Universal shoots itself in the foot. Film at 11 by Kalriath · · Score: 1

    I agree with, well... most of what you said there. However, you comment that if you come up with a new OS + Office + Browser + so on that you can't use Microsoft Office formats or they attack you with lawsuits... well, the same would occur if you made an MP3 player and reverse engineered the FairPlay DRM to allow your device to play that too. I know, the iTunes store isn't really a monopoly, but it's the closest analogy there is considering it's the #3 music store in the world (second only to Best Buy and Walmart I think it was).

    Now you might say that iTunes does in fact allow you to convert to MP3 (an open, non-DRMed format) - I could respond that Microsoft Office does in fact allow you to convert to RTF (an open, licensing-free format).

    It's a better analogy than you might originally think - and I think I might have accidentally convinced myself that MS Office isn't a monopoly either.

    --
    For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
  94. natural monopolies and infrastructure by falconwolf · · Score: 1

    The "right of way" for infrastructure use is enforcing the monopoly. In this case, the providers are not building the infrastructure, only using it -- therefore, it is no longer a natural monopoly situation and should be open to competition. They are not directly maintaining the infrastructure, but rather paying taxes on their income that does maintain that infrastructure. Since that's the case, no matter how many companies enter, the single shared infrastructure would be maintained and costs would be minimized with profit rates approaching the risk-free new money rate. The government is effectively providing an unfair monopoly in this situation, and is not looking out for consumer interests.

    While I generally support a freemarket, in cases like this where a right of way for cables or whatever are needed I prefer a local group own it. That group may be the city or county government, or it may be a coop, or even a nonprofit the locals own. Whoever owns it then allows anyone who wants to to provide any services it is capable of, broadband access, cable tv, phone service, or anything else that comes down the road. A project like this is currently underway in northeastern Utah to provide a A Broadband Utopia. What they built could provide net speeds of 50Mbs to 100Mbs. A household could have two hdtv channels at once, or someone could simply provide phone service.

    As for radio, TV, and such -- that is hardly a monopoly (outside of the Clear Channel case anyways) because you can have 20ish stations which provides plenty of competition... The FCC in this case isn't enforcing a monopoly so much as protecting the rights of a broadcaster to the frequency they have paid for.

    Yea, if you think so try to start your own radio or tv station. Without megabucks you won't be able to buy a license, if you can get an open frequency. Current technology isn't that expensive and allows a lot of stations to use the spectrum, however the FCC uses rules for broadcasting made in 1934 when the FCC was created. A lot more stations can be setup in the same spectrum today than the technology avaiable then allowed. However the mass media doesn't want the rules to be changed so more stations can broadcast, more stations mean more competition which they don't like. Start a Pirate radio station and watch how quickly licensed radio stations in the area sick the FCC on you even when you aren't interfering with thier signal.

    the original poster should look up economic terms before throwing them about.

    That was my point as well when I replied to you.

    Falcon
    1. Re:natural monopolies and infrastructure by phildo420 · · Score: 1
      "While I generally support a freemarket, in cases like this where a right of way for cables or whatever are needed I prefer a local group own it. That group may be the city or county government, or it may be a coop, or even a nonprofit the locals own. Whoever owns it then allows anyone who wants to to provide any services it is capable of, broadband access, cable tv, phone service, or anything else that comes down the road."


      I just said that an ideal situation would be where the government (county/municipal/whatever) owns and runs the infrastructure, and maintains it by taxing the service providers. In this way you could have extensive competition along the same infrastructure, without incurring the large number of fixed costs -- basically what that broadband utopia is, except owned/operated by the community itself rather than their government.

      Lets look at an extreme example: Land freight. There are no government-provided roads, so freight companies build their own turnpikes and charge for use of the road in addition to freight charges. Ultimately there will be one freight company per (short) route because two roads would cut too far into profits for either company to want to provide the service -- this is currently how our telcos work (AT&T builds lines, provides service, and runs maintenance -- no other company can afford to enter because there are not enough people willing to pay 100$ a month for basic service to cover the cost of, essentially, two infrastructures)

      Government provides roads: Many freight companies will provide the service at a cheaper cost, and part of their revenue goes to maintaining the roads through taxes. Competition keeps profits from approaching the monopoly level, and surpresses them to just above risk-free rate of return. This is how telcos should work, and how that broadband utopia you describe effectively works. In this case, the government would provide the copper lines for telephone and providers would provide their plans using the same copper lines, and pay maintenance fees to the government based on their market share.

      I was pointing out a term that was used completely incorrectly and explaining the correct usage. I'm using strict economic terms, radio is not currently monopolized, it has high barriers to entry (arguably a cartel/oligopoly) and limited space within the industry. Telcos/cable/power are typically examples of natural monopoly -- but this is only the case when they actually own/build/manage the infrastructure, if the government manages it and allows anyone to provide over it, then these should be allowed to compete since no extreme fixed costs are incurred.

      "That was my point as well when I replied to you."

      I don't quite understand why you think I mis-stated the description of natural monopoly, as you simply provided examples of it with the telcos/cable companies. If you have problems with my underlying economic points, please explain as I'd certainly like to know where I'm being foggy at.

      "Without megabucks you won't be able to buy a license, if you can get an open frequency."
      While this is unfair and not supportive of truly free markets, it would not be protecting a monopoly if it were not for Clear Channel's complete domination of terrestrial radio.
      And infact, I have been on the receiving end of the FCC. For a government agency, they respond very quickly to complaints. If only FEMA responded as quickly.


    2. Re:natural monopolies and infrastructure by falconwolf · · Score: 1

      "Without megabucks you won't be able to buy a license, if you can get an open frequency." While this is unfair and not supportive of truly free markets, it would not be protecting a monopoly if it were not for Clear Channel's complete domination of terrestrial radio.

      Seeing as how Clear Channel Communications was only started in 1972, it's not necessarily responsible for a monopoly in broadcasting. It may be responsible for helping to maintain one but it's not for starting one.

      And infact, I have been on the receiving end of the FCC. For a government agency, they respond very quickly to complaints. If only FEMA responded as quickly.

      Yeap! It only takes a few complaints from Christian Conservatives for a broadcaster to be fined for "indecency".

      Falcon
  95. Re:Universal shoots itself in the foot. Film at 11 by Weedlekin · · Score: 1

    " If the European prosecutors were taking the stance that DRM itself was illegal, because it was anti-consumer, that would be fine. They could simply require that it be removed from ALL products sold in the European Union. But they aren't. They're going after Apple, whose DRM is actually the least restrictive."

    It's not "European prosecutors", but the Norwegian consumer protection ombudsman, and they're going after Apple because they don't license their DRM to other manufacturers, so the issue is lock-in, not how restrictive the DRM itself is. And before you do the standard US poster thing of stating that it's legal to copy Apple's DRM files to a CD, the fact of the matter is that not everything that's legal for people in the US is legal everywhere else (and vice-versa)..

    --
    I'm not going to change your sheets again, Mr. Hastings.
  96. CDs and DRM by joshsnow · · Score: 1

    I really don't understand this. Almost all the CDs sold in the last 20 years had no form of DRM

    Ah, but back then, it wasn't technically possible for a consumer to make a perfect copy (i.e. digital) of a CD, distribute it worldwide very easily with each recipient being able to make another perfect copy and distribute that.

    The industry killed DAT (Digital Audio Tape) as well, for that very reason. DAT would enable perfect copies of CDs to be made in place of using casettes. DAT tapes ended up being used in data centers for machine backups.