Slashdot Mirror


MTV: 2007 Borked the Music Industry

Sockatume writes "MTV thinks 2007 was the year the music industry broke, and provides a hefty pile of examples to justify it. Unsurprisingly, most of them revolve around the collapse of CD sales and the rise of digital distribution (authorised and otherwise). Be advised that many of the examples are the continuations or repercussions of old favourites (RIAA suits, the Sony rootkit fiasco)."

264 comments

  1. it's swedish. by User+956 · · Score: 5, Funny

    MTV: 2007 Borked the Music Industry

    Ah, so that explains the hit song, "drup it like it's hut".

    "Vhen my peemps in zee crib, mun: drup it like it's hut! Sveedeesh Cheff be peempin on 4-fo's!"

    --
    The theory of relativity doesn't work right in Arkansas.
    1. Re:it's swedish. by blake1 · · Score: 1

      Was this one of your own comedy pieces?

    2. Re:it's swedish. by 2.7182 · · Score: 1

      Weird - MTW thinks the music industry shouldn't be on the Supreme court ? I agree, but I didn't realize it was on the table.

    3. Re:it's swedish. by WED+Fan · · Score: 1

      Congrats for getting that. Interestingly, the article never uses the word. The submitter is the dolt.

      --
      Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong fix.
  2. Video Killed the Radio Star by eharvill · · Score: 5, Funny

    Just like in 1979, eh?

    --
    At night I drink myself to sleep and pretend I don't care that you're not here with me
  3. MTV itself is helping with the decline by maryjanecapri · · Score: 5, Interesting

    remember when MTV actually played music videos? don't they think that MIGHT have helped with the sale of music? and maybe the fact they now only play inane reality tv shows might have SOMETHING to do with the fact that music sales have dropped?

    --
    nature loves variety::society hates it get your variety at http://www.monkeypantz.net
    1. Re:MTV itself is helping with the decline by encoderer · · Score: 4, Interesting

      If you're MTV, why would you care about "helping" the sale of music?

      The fact is, all those "inane" reality shows you deride are there because that's what the audience actually wants.

      MTV has a high churn rate, and that's be design. Quite some time ago, they had the decision to keep things "old & friendly" and thereby stick with their founding audience from the time they wore spandex and Jordache jeans in 1985 until they're old and blue-haired. Or, they could evolve every few years, and remain relevant to the teenagers of the day.

      And, to be fair, the decision has worked out pretty well for them.

    2. Re:MTV itself is helping with the decline by olliec420 · · Score: 0

      Well if you have expanded digital cable you will notice MTV has a lot of networks some of which do play music videos, commercial free as well. I have MTV, MTV2, MHD, MTV Hits, MTV Jams, VH1 Classic, VH1 Country, just to name a few. And theres a lot more on C-Band satellite from what I understand.

    3. Re:MTV itself is helping with the decline by Anonymous Coward · · Score: 0

      Yes, God Bless you. MTV used to be the best channel on television. For the past 10 years it has been nothing but a reality tv slop fest. It is a channel for the unintelligent, hands down. I hear they still play music videos occasionally -- but I don't believe it.

    4. Re:MTV itself is helping with the decline by Anonymous Coward · · Score: 0
      The Encyclopedia Dramatica article on MTV sheds some light on this issue, specifically, that MTV hates music and prefers "an agenda of stupidity by making spoiled dumbass sluts into popular celebrities such as Paris Hilton." Fairly insightfully states what most of us realized but not to this extent.

      Since its inception no more than 99 years ago, MTV has attempted to systematically exterminate music, and to date, they have been reasonably successful in this regard. Some argue that the key to their victory was their outright refusal to have music videos played on their channel, or even to acknowledge the existence of music in any way (as evidenced by the various award shows they host every year).

      Responsible for the successful careers of such shit bands as 50 Cent, Good Charlotte, Blink 182, My Chemical Romance, Lil' Jon, Coldplay and James Blunt. Indeed, rumour has it that MTV's official policies require them to have one of the aforementioned on screen at all times. But obviously they should never actually play any of their songs. That would be severely damaging to their popularity.
    5. Re:MTV itself is helping with the decline by geminidomino · · Score: 3, Funny

      MTV used to be the best channel on television. For the past 10 years it has been nothing but a reality tv slop fest. It is a channel for the unintelligent, hands down. As opposed to 10 years ago, when they brought us gems of intelligence and witticism like these...
    6. Re:MTV itself is helping with the decline by tulmad · · Score: 1

      So what you're trying to say is Real World killed the video stars?

      --
      "In case of emergency, break glass. Scream. Bleed to death."
    7. Re:MTV itself is helping with the decline by fbjon · · Score: 1
      You've grown 10 years older since MTV was the best on TV. That counts for something too.


      Old fart. :p

      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    8. Re:MTV itself is helping with the decline by ucblockhead · · Score: 1

      The grandparent post is off by more than a decade. When I was in high school in the early eighties, MTV did indeed play nothing but videos. They didn't even have special video-based programming like Headbanger's ball.

      --
      The cake is a pie
    9. Re:MTV itself is helping with the decline by tm2b · · Score: 1

      I've seen some business interviews about this. In the mid-to-late 80s, MTV executives had a choice to make: follow their current audience and continue feeding us what we expected from them, or keep "young," and supply the up and coming audience with whatever they wanted. In short, it was a choice between changing their "real" customers (the advertisers) or just change their viewers.

      They made the latter choice, of course, and from a business perspective it was probably the right one. They were able to maintain all of their existing business and marketing relationships instead of having to change those relationships as the needs of their audience changed - different companies sell different stuff to 40 year old of any generation than they do to 20 year olds.

      --
      "It is our blasphemy which has made us great, and will sustain us, and which the gods secretly admire in us." - Zelazny
    10. Re:MTV itself is helping with the decline by dloseke · · Score: 1

      Hell...I remember when MTV2 played music as well....thats pretty much gone too!

    11. Re:MTV itself is helping with the decline by toddestan · · Score: 1

      The fact is, all those "inane" reality shows you deride are there because that's what the audience actually wants.

      Actually, the "success" of a lot of reality TV shows comes from the fact that they are incredibly cheap to produce. Why pay the millions actors/actresses demand, when for next to nothing (a few grand to a few tens of grand, including travel and prize money) you can get a bunch of Joe Schmoes?

      Though for MTV, I'm not quite sure how it works. Music videos are basically promotions for the artist, and MTV doesn't typcially produce them, so you would think running a 24/7 music video channel would be cheap. But it wouldn't surprise me that the RIAA demands a lot of money to air a music video, just because they can.

    12. Re:MTV itself is helping with the decline by raptorspike · · Score: 1

      Not only do they not play music, but they only play the top 20 hits. Whatever happened to a regular stream of videos of bands not on the radar yet? Not to mention that the decline of music sales could be the result of lesser amounts of quality music. its all either rap, emo, or pop. Hell, I'll stick to YouTube for my videos and my friends for news on new bands

    13. Re:MTV itself is helping with the decline by tedrlord · · Score: 1

      You misspelled Beavis, dumbass.

      heheheh, yeah, heheheh.

      --
      [insert witty quote here]
  4. The Kids Aren't Taking It by dsginter · · Score: 4, Interesting

    The other day, someone commissioned me to do some data recovery on a hard drive with more than $700 in iTunes on it (no backup, of course).

    Generally, I do my best to avert my eyes during transfer of customer data but this was a little more involved and I had to verify the integrity of many of the files. With the customer's permission, I played a lot of the music and suddenly began to feel very old: I hadn't previously heard of most of the artists/songs that were recovered.

    I'm glad to see that the kids aren't taking the radio monopoly. In my day, we didn't have these mechanisms to stick it to The Man (not that there isn't a problem with having all these files locked up in DRM...)

    --
    More
    1. Re:The Kids Aren't Taking It by hal9000(jr) · · Score: 3, Interesting

      I hadn't previously heard of most of the artists/songs that were recovered.

      What would help music sales, cd or otherwise, is a decent way to find the music people wants to hear. I like classical and spanish guitar. Just the guitar with minimal back round instruments. Try to find that! I was in a borders and a woman asked the sales girl for classical guitar. She pointed the hapless woman over to the classical section. I knew she would find what she was looking for (I was just there and there is not "classical guitar section"). I suggested she tell the customer to pick up some John Williams or Segovia, and the sales girl looked at me confused, and said they were over in classical. NO shit! I know that but the customer doesn't.

      Look, it's the digital age. If perhaps record companies spent some money employing people to music knowledge to classify music in a variety of ways, the less musically educated like myself, might actually find what I am looking for and, *gasp*, purchase it.

    2. Re:The Kids Aren't Taking It by Maxo-Texas · · Score: 4, Insightful

      The music industry and other industries used to pay well for sales people that knew the business.

      Then they decided that knowledge was not valuable and they could push music through mass market without any sales assitance.

      That worked for a while-- but eventually, a new crop of potential customers comes along and you have no contact with them.

      It's true of many industries. They decided they only want "top level" people and don't way to pay to train people up any more.

      They would use untrained labor or outsourced labor for the low level positions.

      Mistake.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    3. Re:The Kids Aren't Taking It by MindStalker · · Score: 1

      I thought iTunes let you redownload stuff a second time when you reauthorized a new computer?

    4. Re:The Kids Aren't Taking It by Mooga · · Score: 1

      They used to let you re-download songs. They have since disabled that option because "you have the right to back-up your files" or something like that. What this means is that if your computer crashes and you don't have the files back up, your screwed. I'm not sure if there is an easy way to rip bought music back off an iPod or not...

      --
      ~ Mooga
    5. Re:The Kids Aren't Taking It by leamanc · · Score: 4, Informative

      I thought iTunes let you redownload stuff a second time when you reauthorized a new computer?

      No. No re-downloading at all. A semi-recent development (with iTunes 7.x and up, I believe) is that you can pull purchased music off on an iPod on to another computer. But there is no re-downloading, no matter how you lost your files.

      --
      :q!
    6. Re:The Kids Aren't Taking It by j.sanchez1 · · Score: 3, Informative

      I'm not sure if there is an easy way to rip bought music back off an iPod or not...

      Sharepod is what you are looking for.

      --
      Speedy thing goes in; speedy thing comes out.
    7. Re:The Kids Aren't Taking It by blhack · · Score: 1

      If you double space your comments, not as many people are going to read them. Double spaced lines give the illusion of size...when you have short, 1 line sentences couple with that spacing...the clash is just too much and its a pain in the ass to read because you brain will start trying to interpret it like a poem. Your post is NOT a poem (i hope) and therefore has no rhythm to follow.

      Yes, i work in advertising, and this is one of my pet peeves.

      Sorry.

      --
      NewslilySocial News. No lolcats allowed.
    8. Re:The Kids Aren't Taking It by BlueParrot · · Score: 5, Funny

      What would help music sales, cd or otherwise, is a decent way to find the music people wants to hear.


      Yea, I hate to SEARCH for music. It would be nice if I didn't have to SEARCH so much, like if there was a webpage which could help me SEARCH for music. Heck, you could even imagine a company making money by offering a SEARCH service of some sort. Like when people SEARCH for airline tickets travel agencies do the SEARCH for them. If there was only some sort of SEARCH company which could help me SEARCH for music in a similar way. Maybe if there was a way to combine SEARCH with ADVERTISING. Do you think anybody could make money that way?

      I'm still waiting for gTunes.

    9. Re:The Kids Aren't Taking It by Maxo-Texas · · Score: 1

      My post is not a poem

      I say what I think and so I'm

      going to post today

      And post again another day.

      ---

      No idea why I double-spaced that post. I really do not consider a lot if people read or do not read. I post to get the thought out of me that must be out. Once it is out of me, it's life or death is it's own affair.
      We all have pet peeves... I'm a bit OCD about some things in RL so I understand why you had to post.

      Happy Holidays BLhack!

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    10. Re:The Kids Aren't Taking It by Brigade · · Score: 4, Informative

      I don't know if it has changed, but about 2 years ago my computer's system drive took a nosedive (and the few iTunes Mp3s I actually bought went with it.)

      Just took a phone call, and they re-authorized re-downloading of my pre-purchased music. All it took was my account information (which didn't change) and about 10-15 minutes on the phone. I also seem to recall that that was my "one-time" that you can use in the instance of catastrophic loss in regards to iTunes. I personally loathe anything having to do with the Apple Philosophy, but their customer service was spot-on in this instance.

    11. Re:The Kids Aren't Taking It by braintartare · · Score: 1

      Yeah, the sad part is that Border's partially grew as big as they are *precisely* because they did hire people who were familiar with the material they were selling. They stopped this some time ago for some reason, not sure why, but it certainly hurt their usefulness as sales people.

    12. Re:The Kids Aren't Taking It by rk · · Score: 1

      I suggested she tell the customer to pick up some John Williams or Segovia

      You have to be very careful with the average store clerk when you suggest John Williams or they're going to wind up with a bunch of soundtracks to Spielberg and Lucas movies. :-/

    13. Re:The Kids Aren't Taking It by rkanodia · · Score: 1

      It's because of the magic of accounting. Fire people now, and you get to take credit for the savings now. The related losses (i.e., reduced sales because of reduced customer retention because of lower-quality service) won't show up until the next quarterly report, at best.

    14. Re:The Kids Aren't Taking It by antiMStroll · · Score: 1

      Check the Naxos website. Norbert Craft, Victor Villadangos, young competition winners, a wide selection of South American composers, this is the way it should be done, new and relatively unknown artists and music at a fair price. It's not uncommon to find Naxos CDs at bookstores up here. What you described is exactly the lazy, unthinking, control-based model the RIAA slugs have fought to legislate into place for most of my life for their sole benefit and at the expense of music and musicians. Let them die.

    15. Re:The Kids Aren't Taking It by LrdDimwit · · Score: 1

      Roses are red

      Violets are blue

      I post as I please

      And so can you

    16. Re:The Kids Aren't Taking It by Anonymous Coward · · Score: 0

      Pandora.com offers music based on the music you've told it you liked. It's selections can sometimes quite questionable, but I've found quite a few new bands with them.

    17. Re:The Kids Aren't Taking It by j79zlr · · Score: 1

      Wouldn't making a backup and storing it elsewhere be considered piracy??? I mean if you have two copies of the same song, my God, two people could listen to that song when only one person paid for it, the Horror!!!

      --
      I'm not not licking toads.
    18. Re:The Kids Aren't Taking It by Anonymous Coward · · Score: 0

      OMFG That is high-larious!!!

      If you don't write satire for a living... you should think about it. The subtlety.. timing. Seriously that was well-writ!!

    19. Re:The Kids Aren't Taking It by colmore · · Score: 1

      Hint: put the installers for both the mac and windows ipod downloaders of your choice* on the storage space of your iPod. That way when you go to a friend's house, you can easily swap files.

      *gtkPod users of course do not have this problem.

      --
      In Capitalist America, bank robs you!
    20. Re:The Kids Aren't Taking It by Anonymous Coward · · Score: 0

      care to list a few of those artists, if you recall? curious to know the demographic that spends $700 on digital music and doesn't back it up...

    21. Re:The Kids Aren't Taking It by AdamThor · · Score: 1

      What would help music sales, cd or otherwise, is a decent way to find the music people wants to hear.

      Didn't radio stations used to do that?

      --
      -- "Oh. This guy again."
    22. Re:The Kids Aren't Taking It by Anonymous Coward · · Score: 0

      It's not just the musically uneducated; I have been playing classical/flamenco for over a decade and still find it hard to locate current musicians I want to listen to. Most of the music I have found is from 3 sources: Composers (gee, i like fernando sor, so I'll look for some sor compilation and hope it's well executed, or I like my 'Pumping Nylon' book so I'll look for Scott Tenant or his group, the Los Angeles Guitar Quartet [LAGQ]) Blind Compilations (CDs with words like 'Flamenco' or 'Spanish guitar' in the title) or, most embarrassingly, friends (it's how i got Paco de Lucia on my radar back when).

      The first and last methods give me the best success. I assume you have asked like-minded friends for suggestions already, so I'd say, you should go to Sam Ash or better (when i went to uni in philly they had the great Classical Guitar store) and look for interesting score books, and go by composer, (re)arranger, etc, and follow from there. You don't have to buy the books themselves.

  5. Why should they care? by Opportunist · · Score: 4, Insightful

    Why should MTV care about the music studios? Sure, I, too, remember the time when the M in MTV was for MUSIC, but it's not their biz to keep the dying studios afloat. I mean, would you tie yourself to a sinking ship?

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    1. Re:Why should they care? by sm62704 · · Score: 5, Funny

      I, too, remember the time when the M in MTV was for MUSIC

      It's not M for music, it's one of those text message/license plate thingies; MT is an abbreviation for "empty" like sk* is an abbreviation for skate. It's "empty-v" as in "no vision". I remember the time when empty-V came on the scene and started confusing rap with rock and tried to fuck up rock and roll forever.

      Fortunately it was unsucessful as the empty-V decade (1980s) saw some great rock and roll, little of which got air play on empty-V.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    2. Re:Why should they care? by A_Non_Moose · · Score: 1

      I remember the time when empty-V came on the scene and started confusing rap with rock and tried to fuck up rock and roll forever.


      I was going to use my mod points on an insightful mod, but you're at +5 Funny.

      I'll be dating myself...heck, maybe even carbon dating...when I say I remember when "Yo, MTV
      Raps" was a late nite hour long show and not and entire fscking format for the station.

      Then the MTV2 was announced to get back to Rock and Roll, ya know, the 'original' format
      because of viewer apathy for MTV.

      Whoopdie-doo, by then the MTV generation stopped caring (I know I did) and fired up our
      radios, then mp3 players and carried on with life.
      --
      Have you read the moderator guidelines? Well, have you, PUNK? (and I want a Karma: Gnarly option)
    3. Re:Why should they care? by sm62704 · · Score: 4, Funny

      I'll be dating myself

      Spoken like a true nerd! ;)

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  6. Why should they care?-That sinking feeling by Anonymous Coward · · Score: 2, Funny

    "I mean, would you tie yourself to a sinking ship?"

    The people who made the latest Titanic movie did.

  7. It's not the year. It's just a gradual development by Opportunist · · Score: 4, Insightful

    ...with the occasional landslide. A bit like the glaciers melting.

    The music industry's old business model is outdated. Yeah, I know, if there was a "deadhorse" mod option I'd be modded into oblivion now, but maybe if we keep telling them long enough, they will finally listen.

    Now, I don't want the MI to die. No, really. I don't want them to go keel up and drown. Yes, we'd still find a way to get our music through the internet, we'd go to artist pages, pay them directly and download our songs. But what about those people who don't have the net? Music is part of our life, would you really want them to do without?

    Not that I'd miss American Idol nonreturnable stars, hyped today, forgotten tomorrow, but people want them and want those songs, they want those shallow, hollow feelgood crap. Who am I to dictate they should listen to good music?

    So what the MI needs to find, and soon, is some other revenue stream. Personally, I could well see them turn from distributors to marketing assistants. They have excellent connections to TV and radio, so why not become the marketing and PR people for artists who think they can't market themselves?

    Yes, that's probably less profitable than the current way. But this way is leading into a dead end, and the longer you run on it, and the faster you do, the more it hurts when you hit the wall at its end.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  8. no longer offer anything of value by petes_PoV · · Score: 5, Interesting
    In the "old days" it was necessary to provide recording studios, press plastic records, bribe DJs, buy good reviews and coerce musicians into making records to order.
    Nowadays, most of those functions can be bought-in by the artist themselves. Record companies are now recognised as a barrier rather than the "necessary evil" they once were.

    If their demise means more poeple start producing music, themselves, then good luck. As always, some will suceed and some will fail. However the failures will only fail because of their own shortcomings, rather than industry politics, greed, marketing and (lack of) promotion.

    If there's anything us normal people can do to help bury the record companies, just let us know

    --
    politicians are like babies' nappies: they should both be changed regularly and for the same reasons
    1. Re:no longer offer anything of value by Opportunist · · Score: 2, Interesting

      Not quite.

      Now, the MI isn't stupid and has long realized that the need for expensive studios and their distribution isn't really the big selling point anymore. So their other angle is it: "With us, you get to number 1".

      And face it, that's how it is. No artist on this planet has the necessary ties to radio, TV, music newspapers and magazines. No artist could possibly create the hype.

      That music quality plays no role anymore can easily be seen in the charts. Take a look at whatever random moment you want to and you'll realize that you have music in the top places that is by no means in any way special or incredibly good, new, exciting or at the very least different than all the rest that's littering the top 100. It's the same music (I use the term loosely) all over the page.

      What the MI is about today is hype. They've proven with shows like American Idol (and its counterparts in the various countries) that you can take Joe Random and make him a superstar over night, given enough hype. That it doesn't matter at all whether he has any songwriting talent or at least a really exceptional voice. Yes, they got decent voices (hell, one out of about 100,000 SHOULD better!), but ... let's be blunt, when has that been a requirement in pop music? Kurt Cobain certainly wasn't Pavarotti, ya know? But he captured the emotion of the moment.

      That's what the "music business" is about. That's what their business model is. That they press those CDs and distribute them is just a by product today. Their main product is hype.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:no longer offer anything of value by Jason+Levine · · Score: 3, Interesting

      In the "old days" it was necessary to provide recording studios, press plastic records, bribe DJs, buy good reviews and coerce musicians into making records to order.
      Nowadays, most of those functions can be bought-in by the artist themselves. Record companies are now recognised as a barrier rather than the "necessary evil" they once were.


      I almost completely agree. I think that the big record companies as they are now are unnecessary. However, I don't think we'll see record companies go away completely. Instead, they'll change into part-record company/part-ad agency. An artist will sign with Record Company X to promote their new music. The record company will be able to recommend places to record, etc, but the artist won't be contractually bound to use those services. (At most, the record company might get a kickback under the table for promoting those services.) The record company also won't take ownership of the copyright on the music. What the record company will do mainly is promotion. They will arrange for the radio airplay. They will get articles in magazines about the band. They will arrange for the band to play on the hip new TV sitcom. Whatever it takes to get the band's name and music out there, the record company will do. And if the band doesn't like how the record company is handling promotions, they can dump them and sign up with a new record company. (Similar to how any company can dump their ad agency and go with another one.)
      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    3. Re:no longer offer anything of value by Luscious868 · · Score: 1, Insightful

      Oh please. I laugh out loud whenever I hear this assertion. Please list all of the musicians and bands who've made it big without the assistance of one the studios at some point in their career. Compare that to the ones who did. That's what I thought.

      Even with all of the technological breakthroughs, if you really want to make it big in the music industry you still need the studios to promote the hell out of you because there so many other companies and businesses out there today actively vying for your attention and entertainment dollars.

    4. Re:no longer offer anything of value by Cally · · Score: 0

      Management already do those things.

      --
      "None are more hopelessly enslaved than those who falsely believe they are free." -- Goethe
    5. Re:no longer offer anything of value by domatic · · Score: 0

      And I almost completely agree with you. Current record companies won't change to the model you describe. They're control freaks addicted to the paychecks they commanded in the past. They'll go down in the ugliest Congress-bribing propaganda-spewing way possible. I also think whoever inherits their old copyright portfolios will handle them in the most clueless way possible. It wouldn't surprise me to see the 20th century's musical legacy more or less die as it will be covered in legal jackal vomit. Jackals vomit on the part of a carcass they won't eat so others won't eat it either.

      New record companies will arise that operate more or less as you describe. While the copyright situation that evolves won't be what the typical Slashdotter seems to want, it should be a lot saner. It'll have to be as a condition to even do business.

    6. Re:no longer offer anything of value by Sique · · Score: 1

      But how is this situation different from say the age of the tea house music or the Vienna Waltz or the 20ies Musicals? 95% of everything is crap. You just notice it today for today's music, because yesterday's crap music is already forgotten.

      I remember in the 80ies a host on a local radio station saying: "Today you can become a sing star with a voice which would cause you to fail the ballett casting." And he was probably quoting a radio host from the 60ies who in turn had it from a prewar conferencier.

      --
      .sig: Sique *sigh*
    7. Re:no longer offer anything of value by Jason+Levine · · Score: 0

      Under current management, yes, they seem like they would rather bring the whole company down in a huge fireball rather than readjust themselves to fit the bottom line. However, I think that once some of those new, nimbler companies arise (and we're already seeing the beginnings of them with the likes of eMusic and Amie Street), the old companies will be forced to change course. Especially once new blood (that better understands the situation) rises into the executive ranks.

      Sure they might start by trying to litigate or legislate the new-comers out of business, but that approach will only buy them a small amount of time. Then they'll create new "divisions" or "spin-off" companies which will experiment with the new model without impacting the name of the old model. Eventually, they will be forced to move completely into the new model. Or they will be forced out of business. Hopefully, if the latter happens, the copyrights to the music will revert to the artists and not to some random IP vulture that picks at the corpse. (Though the realist in me knows that the IP vultures will be feeding well when the old record companies start dying.)

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    8. Re:no longer offer anything of value by ajdecon · · Score: 2, Insightful

      Which matters if the end goal of the artist is to "make it big", in the sense of a nationwide presence and the top of the charts. But a lot of the musicians I know or encounter have a different goal: "do well enough to quit the day job." Which many of them have managed, through a combination of paying gigs, CD sales online and at those gigs, and free or cheap song downloads.

      You have always needed a label to be a "big star", but it's only recently that you could actually make a living on your own, and that's the goal for many or most.

      --
      "Science is a way of trying not to fool yourself." -Richard Feynman
    9. Re:no longer offer anything of value by SETIGuy · · Score: 1

      Oh please. I laugh out loud whenever I hear this assertion. Please list all of the musicians and bands who've made it big without the assistance of one the studios at some point in their career. Compare that to the ones who did. That's what I thought.

      You are assuming that it's important for musicians and bands to "make it big" which further leads to the assumption that there is something rare or unusual in the amount of talent that most "big" artists have.

      The counter argument would be that musical talent is far more common than you think and that people's entertainment needs could easily be served by artists that haven't "made it big."

      Somehow humanity survived for thousands of years without a steady stream of music superstars whose products were accessible to the general public.

    10. Re:no longer offer anything of value by badasscat · · Score: 1

      In the "old days" it was necessary to provide recording studios, press plastic records, bribe DJs, buy good reviews and coerce musicians into making records to order.
      Nowadays, most of those functions can be bought-in by the artist themselves.


      This is an incredibly naive attitude that I see gaining in popularity lately. It's no different than saying "in the old days, you needed to buy a computer from a major manufacturer. Nowadays, you can build one yourself."

      Sure, maybe you can, but the vast majority of people can't. Especially if they know next to nothing about computers, as most computer users don't.

      Most bands are not experts in the music business. They are paying for a service when they sign to a record label. That service includes all sorts of things, from finding and hiring producers and session musicians to pitching the band directly to radio station music and programming directors to making sure the recording studio is stocked with the food they like during sessions. Many of these things are things that four or five people literally couldn't do by themselves - there's just not enough time. For example, there's typically one or two people representing a band whose only job is to sit there all day and call radio stations. This is a full time job and then some; if the band had to do it themselves, they'd have no time to do anything else (you know, like making music).

      So at best, a band is going to need to hire a bunch of people to do this stuff. Where are they going to get the money? And how are they going to find the right people? You can't come in cold and just start doing A it's all about relationships. Ditto with production; that's a skill position.

      A manager can handle some of it, but even that's usually part of what a band's paying for with a record label. You don't find good managers in the yellow pages. You find them through a record label.

      It's one thing for a band like Radiohead or NIN to go sans-label. They're established, they have an existing fan base, they have a manager, they have lots of relationships built up all over the world, throughout the industry, over a number of years. And they have lots of money to pay people with up front. But they could never have gotten to that point without a label. They would have never met the same people, they would have never been heard by the same number of fans, they wouldn't have nearly the same leverage.

      The internet doesn't change this at all; if anything, it makes a label more important. Because the question now is "out of 50,000 new bands every year, which one are *you* going to listen to"? How do you sift through so many bands? A new band just is not going to be able to do a professional job recording their own album, and then get it up somewhere that a large number of people will be able to hear it. What are they gonna do, put their album on their MySpace page? Along with 100,000 other bands? Yeah, good luck with that. When was the last time you actually found a decent band there, and have enough others found them for the band to be self-supporting?

      Any other example of organized digital distribution that I can think of - Yahoo Music, iTunes, whatever - happens in conjunction with a record label.

      Self-promotion is not the future, at least not for new and emerging artists. The future involves labels. The only question is how, and clearly they need to make some adjustment to their business models. Maybe these "360" deals like Madonna and Paramore have are the future, I don't know. I kind of hope not, because that actually gives the labels *more* control, not less. But it is a more comprehensive service. Maybe eventually the opposite will be the case; smaller, "thinner" labels have less involvement but still handle the important things that a band can't do themselves, like A&R. That's probably a more likely end result.

      But the labels won't go away, and you wouldn't want them to. Otherwise, you'll be lost in a

    11. Re:no longer offer anything of value by domatic · · Score: 1

      Hopefully, if the latter happens, the copyrights to the music will revert to the artists and not to some random IP vulture that picks at the corpse. (Though the realist in me knows that the IP vultures will be feeding well when the old record companies start dying.)



      It'll be random IP vultures. Almost all record company contracts are "work for hire". Unlike book authors, recording artists have to give up their copyrights to the record companies. Bigger artists like Eric Clapton can get better deals but guys who just got signed are screwed 16 ways from Sunday. The songwriter of a band may have copyright right to the lyrics and sheetmusic but the ability to exercise those tend to be heavily restricted by contract, again "big" longstanding artists get better deals here. Even so, the best you can hope for is that the songwriter will want to re-record cuts on non-RIAA terms. The pop records we grew up with are what will be covered in jackal spew.
    12. Re:no longer offer anything of value by Opportunist · · Score: 1

      But I don't remember crap being pushed into the tops of the charts. Well, before payola.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    13. Re:no longer offer anything of value by Sique · · Score: 1

      Which was when?

      I guess the first time someone published a chart, people started to game the chartlists.

      --
      .sig: Sique *sigh*
    14. Re:no longer offer anything of value by hesiod · · Score: 1

      Aren't you just describing an agent?

    15. Re:no longer offer anything of value by atraintocry · · Score: 1

      No artist could possibly create the hype.

      Ah, but you'd be surprised how far a sex tape or some nude photos goes a long way though...Who needs agents?

      I wish I was joking, I really do. Pretty much everyone you see on TV & in the magazines these days got there via some "accidentally leaked" home movies.

    16. Re:no longer offer anything of value by Opportunist · · Score: 1

      By that logic, Paris Hilton's CD should be a top seller. IIRC, it was anything but that.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    17. Re:no longer offer anything of value by atraintocry · · Score: 1

      I'd love for my next project to tank in the area of tens of thousands of sales :D Then again, hers probably required a much larger investment in equipment, so that she could sound slightly better than Wing.

  9. MTV are also partly responsible by Anonymous Coward · · Score: 0

    "Video killed the radio star"?

    Buggles 1 : MTV 0

    1. Re:MTV are also partly responsible by Ralph+Spoilsport · · Score: 1
      Sorry, but it's even more dire than that - the Buggles didn't even write "Video Killed The Radio Star". Bruce Woolley did.

      Bugger the Buggles. Woolley ROCKS.

      RS

      --
      Shoes for Industry. Shoes for the Dead.
  10. Good riddance... by skarekrough43 · · Score: 5, Interesting

    Either you learn to evolve and thrive or you die naked cold and alone.

    They've resisted the changes because the money's so good. Even when it's still as bad as they claim it to be, there's still a lot of execs and Producers and underlings driving BMW's.

    It's no longer the 70's and they can't sit in the back room snorting blow and not expect everything outside of their little party to have changed.

    They should have backed iTunes more vigirously instead of having to be hauled into the 21st century like a 2-year old that doesn't want to go to bed. They should have backed a DRMless format. They should have coupled with a tech source to make the benefits of an offering where the DRM would be acceptable to the listener. The should have comprehended that the entertainment dollar is now split between them and video games and the internet and everything else.

    1. Re:Good riddance... by LilGuy · · Score: 1

      It's no longer the 70's and they can't sit in the back room snorting blow and not expect everything outside of their little party to have changed.

      I don't see why not. Laws are changed every day by lobbying Congress to change the rules to favor business over the people. This is will end up another case of more of the same. Congress will come around and enact new legislation to prop this industry up just like so many others.

      --

      You're nothing; like me.
    2. Re:Good riddance... by domatic · · Score: 1

      Acts of Congress can only do so much when it comes to consumer wallets. Congress can pass laws until the cows come home and I'll still spend my entertainment dollars on movies, games, and non-RIAA artists. If they chisel up ways to bleed those non-RIAA artists then I won't buy that material either. So the non-RIAA artists had best get their butts in gear.

    3. Re:Good riddance... by turgid · · Score: 1

      They've resisted the changes because the money's so good. Even when it's still as bad as they claim it to be, there's still a lot of execs and Producers and underlings driving BMW's.

      Heh. They should move to the UK. Everyone and his brother here drives a BMW. They're more common than Ford Mondeos.

  11. Randy of the Redwoods by dgun · · Score: 2, Funny

    would be sad.

    --
    FAQs are evil.
  12. parent is spam by Anonymous Coward · · Score: 0

    don't click on the link in the parent its a minicity spam link. lets flag them all up. no hits and the links may decrease.

  13. MTV News.... by Anonymous Coward · · Score: 0

    Now there is a news source for you. The very channel that started the music video industry is now spouting off that the record industry has "Hurt" it's own business. MTV used to be about the music and now it's about asinine "reality" shows. Now when MTV goes back to doing what their moniker implies and gets away from those stupid ass shows, THEN I'll start listening to what they have to say about the music industry and how the industry is being "Robbed", "Pirated" and/or raped of all profits and how the artists aren't able to buy multi-million dollar houses/cars/prostitutes/coke or in Gene Simmons/Michael Jackson's case, PLASTIC SURGERY!!

  14. why why WHY? by Seto89 · · Score: 1


    There was definitely a need for a change!

    How much of the money goes to the actual artist? And how much goes to the label, to the retailer? Just go towards the needs of both, the customer and the artist, and you'll get things like the Radiohead album, or even better, open music.

    What about a situation like EA Sport release? They take last years sports game, do minor graphical update, and market is as a new product? No wonder people aren't feeling bad for getting those for free. I know it's a game, not music, but same logic applies. Stealing bugs your conscience only when you feel sorry for the one you are stealing from, but my feeling for EA are somewhere else.

    And besides, it's the old supply-demand law - no matter what the price is, unless it's zero, you are not gonna get as many people getting your album as you could. Free music is the best for the popularity, and guess what affects the sales of the merchandise and tickets to your shows?

    And you also get people, actually trying to support you. I own a Year Zero album and as far as I remember, I never actually listened to the CD.

    --
    There are two kinds of people - those who are radioactive and those who have already decayed..
    1. Re:why why WHY? by aykayay · · Score: 1

      > What about a situation like EA Sport release? They take last years sports game, do minor graphical update, and market is as a new product? No wonder people aren't feeling bad for getting those for free. I know it's a game, not music, but same logic applies. Stealing bugs your conscience only when you feel sorry for the one you are stealing from, but my feeling for EA are somewhere else If the game isn't worth buying, then don't buy it! That's the way you send a signal to a for-profit company. Stealing it and helping to increase it's popularity doesn't help.

    2. Re:why why WHY? by Zironic · · Score: 1

      It's not that simple.

      It's not either the VG* is good therefore you buy or the VG is bad therefor you don't.

      It's more like is the VG worth the money they want for it? together with the question, Do I want it?

      If the answer to both are Yes then you buy it. If the first is No and the second is Yes then you pirate it, if the answer to both are no then you ignore it.

      In a world when you can get any VG for free if you want to, why would you not get the things you want to have? Some kind of antiquated morality?

      I buy things when I think the creator deserves my support because the product is outstanding, but before I buy it I want to know if it's good or not, therefore I'll most likely pirate it beforehand,then buy it later if I believe it's worth my hard earned money.

      Trailers and Demos be damned, I prefer to test the whole product.

      *VG = Virtual Goods aka music/video/books/games etc

    3. Re:why why WHY? by servognome · · Score: 1

      In a world when you can get any VG for free if you want to, why would you not get the things you want to have? Some kind of antiquated morality?
      Such morality isn't necessarily antequated. With automation, most of what people create are ideas... things that can cheaply be mass reproduced.

      I buy things when I think the creator deserves my support because the product is outstanding, but before I buy it I want to know if it's good or not, therefore I'll most likely pirate it beforehand,then buy it later if I believe it's worth my hard earned money.
      Ultimately when you allow people to name their own price, most will choose free. Banking on goodwill is the quickest way to go out of business.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    4. Re:why why WHY? by Zironic · · Score: 1

      Wasn't there an artist recently that sold his music for whatever you wanted to pay including free? If I remember correctly it went rather well.

      Anyhow I didn't say that I wanted to choose my own price, I said that if it seems worthwhile I'll download it and if it's good I'll buy it after I've tried it.

      When it comes to Games, which is one of the things I'm pirating the most, I've seen some companies take a rather genius stand to this. They won't put any anti piracy measures on the game but in order to download patches and extra content or play online you need a valid CDkey.

      This way people can easily try it out and if they like it they can purchase the game and get all the extra content and online experience.

      I think more companies should embrace this position that piracy isn't necessarily bad and that in order to get customers you should offer something extra.

    5. Re:why why WHY? by Seto89 · · Score: 1

      If your company makes cars, the marginal cost - the cost of making one more - is still quite high.

      If on the other hand you are selling your product on internet, the marginal cost of all your products, except for the first one, is practically zero.

      Obviously however, the cost of the very first piece has ALL your costs in it, so you still need to sell a certain amount to breakeven, but if you apply basic rules of micro-economics (sell at the quantity at which marginal costs equal marginal revenue), you'll realize that you have division by zero going on - virtual goods don't obey the rules of physical goods, at least not all of them.

      Do you think you, hypothetically as a band, can't make money by giving your music away for free, only profiting from concerts, t-shirts, DVDs and the fact that some of your fans will buy the album to support you, or to have some physical object to symbolize that they like the music, even though they have all this music in mp3 for quite some time at home?
      Your fans are people who WON'T say nothing when deciding on the price, and rather than going out of business you might find yourself getting new fans with your attitude to this issue and actually getting more money, from music sales, from concerts, from t-shirts...

      --
      There are two kinds of people - those who are radioactive and those who have already decayed..
    6. Re:why why WHY? by The_reformant · · Score: 1

      And besides, it's the old supply-demand law - no matter what the price is, unless it's zero, you are not gonna get as many people getting your album as you could. Free music is the best for the popularity, and guess what affects the sales of the merchandise and tickets to your shows?


      Theres are hundreds of thousands if not millions of small bands which give away all of their music for free but the majority sure as hell isn't popular.
      --
      I have discovered a truly remarkable sig which this post is too small to contain.
    7. Re:why why WHY? by Seto89 · · Score: 1

      Still they are more popular than if they would charging for their music..

      --
      There are two kinds of people - those who are radioactive and those who have already decayed..
  15. 2007: the year slashot rebelled against spelling by superwiz · · Score: 3, Insightful

    Ok, I make my fair share of spelling errors in my posts, too. But shouldn't the editors... ummm edit?

    --
    Any guest worker system is indistinguishable from indentured servitude.
  16. Re:It's not the year. It's just a gradual developm by jellomizer · · Score: 5, Insightful

    Exactly.
    My company has an informal motto, Adapt or Die. Every 5 years or so we change directions slightly to keep competitive. Mainframe Service -> Sun Service -> Unix Development -> Application Programming no matter what the OS is -> Who know what will be next IT Project Management, Infrastructure Support... But the point is when technology changes so do we, When we feel that the area we are specialized in is dieing or we cant be competitive in then we move to a new area based on what we are good at to a new one that we have skill set to compete in and have potential to be really good at.
    The Radio Industry needs to do the same. What happened in the past 10 years or so is technology improved to a point where Music can be shared in perfect condition. In the when Copy Analog to Analog there is a drop in the quality, and every other copy will in turn be worse copy. So from Beginning to Early CD (When most people harddrives were not large enough to cary the information, and they havn't found a way to personally burn your own CD Cheaply) and Music Pirates were limited to rather big operations (At lest the size of a small company) so They could Fight them off and the Fines for Copyright infringement was just. But now technology makes it too easy to copy music, and people want to share music. The industry is holding onto the old ways of doing things... And the need for them in their fashion all may be outdated in a few years, where higher quality Audio recording technology improving and the current High Quality Stuff is dropping, and getting easier to use... So people can make their own high quality music themselves with the Radio Companies Now Musicians will actually need to make their money the old fashion ways Traveling to different locations and sing, and royalties on public/commercial performances of the song. Yes they may not be huge millionaires unless they are cream of the crop, but it is back to the people to decide what they like and dislike.

    --
    If something is so important that you feel the need to post it on the internet... It probably isn't that important.
  17. Artists Don't Need "Them", Either. by blcamp · · Score: 1


    Not only are (many) consumers circumventing the record companies, the artists are also. It is an almost trivial matter now to self-publish your own material. If your stuff is good, you'll get the buzz, and that will take care of the marketing on it's own. What else does an artist need from a label that they can't do on their own?

    Notice that more and more bands are stepping away from the big-name labels? Because they are becoming increasingly irrelevant, perhaps?

    That may be part of the reason Jay-Z decided to bail out of executive suite at Def Jam.

    --
    The problem with socialism is that they always run out of other people's money. - Margaret Thatcher
    1. Re:Artists Don't Need "Them", Either. by el_gordo101 · · Score: 1

      What else does an artist need from a label that they can't do on their own?
      Radio air time is probably about the only thing a truly independent artist would have difficulty achieving on their own and that the labels could get for them through their payola schemes. With the advent of internet "radio", this is also becoming less of an issue as the online stations would presumably just play the "good stuff" and not have to bend to the will of to the major labels. Grass-roots music, if you will.
      --
      TODO: Insert witty sig
    2. Re:Artists Don't Need "Them", Either. by mjwx · · Score: 1

      Radio air time is probably about the only thing a truly independent artist would have difficulty achieving
      Radio air time is becoming irrelevant too. Most people I know utilize a car CD player or have an adapter for their MP3 player (often through a RF transmitter). The main reasons people listen to the radio these days is for sport (at the office or whilst driving) or the news which means the ABC (Australian Broadcasting Corporation, like the BBC but in Australia) is quickly becoming one of the more important radio stations. The most popular programs on commercial radio these days are 1. Talkback (old people seem to love it) which has no music and 2. Comedy (people like Merrick and Rosso which played about 5 songs in a 2 hour period last time I listened to them).
      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    3. Re:Artists Don't Need "Them", Either. by The_reformant · · Score: 1

      Not only are (many) consumers circumventing the record companies, the artists are also. It is an almost trivial matter now to self-publish your own material. If your stuff is good, you'll get the buzz, and that will take care of the marketing on it's own. What else does an artist need from a label that they can't do on their own?
      Notice that more and more bands are stepping away from the big-name labels? Because they are becoming increasingly irrelevant, perhaps?


      Well they need access to a large distribution channel. Not just anyone can walk up to MTV or radio 1 or whatever and say here play my CD. Unless you're shifting massive quantities CD duplication is pretty expensive too so its hard to make CD prices competitive. The result is that independant bands are not priced competitively and don't have access to a large audience.

      More and more large succesful artists are stepping away from record labels because they have taken what the needed from them and now have the critical mass of fans to do it themselves competitively.
      --
      I have discovered a truly remarkable sig which this post is too small to contain.
  18. Re:It's not the year. It's just a gradual developm by PopeRatzo · · Score: 4, Insightful

    Now, I don't want the MI to die. No, really. I don't want them to go keel up and drown. Yes, we'd still find a way to get our music through the internet, we'd go to artist pages, pay them directly and download our songs. But what about those people who don't have the net? Music is part of our life, would you really want them to do without?
    I can understand your sentiment, Opportunist, but I can't agree that the shrinking percentage of people who don't have the internet would somehow have to do without music if the music industry were to die. I have walked around dirt-poor neighborhoods outside Sao Paulo and Lagos and there is music everywhere even though you couldn't find an internet connection or record store within a day's walk. Music connects people via other people, not via corporate intent.

    If the major-labels and entertainment conglomerates were to disappear tomorrow, radios would still be everywhere, including (especially) in the homes of the poorest. Instead of playing the latest hits from Britney Spears, broadcasters might have to find the music of local artists to play (or get their music from the Internet).

    So what the MI needs to find, and soon, is some other revenue stream. Personally, I could well see them turn from distributors to marketing assistants. They have excellent connections to TV and radio, so why not become the marketing and PR people for artists who think they can't market themselves?
    There's no way that will provide enough revenue to support the incredibly top-heavy structure of the current entertainment industry. It would be better if they just started looking for real jobs.
    --
    You are welcome on my lawn.
  19. They broke themselves by downix · · Score: 4, Insightful

    If, in '98, the recording industry had worked with pioneers such as Napster, rather than trying to close pandoras box after everything had fled, this would be a very different story. Rather than utilizing the internet for promotion and a sales channel, using the net to drive forward disk sales and band tours, they opted to try and hammer it down. Fear of the unknown, and fear of lack of control remains their sole cause for this. I'd pity them, and their eventual extinction. It is evolve or die time, for the RIAA and soon the MPAA, and neither one looks willing to accept the evolution, baby.

    --
    Karma Whoring for Fun and Profit.
    1. Re:They broke themselves by n0rm · · Score: 1

      It amazes me that so many people didn't understand (and now seem to forget) that Napster was the killer app! It was the reason to get dsl or cable!

    2. Re:They broke themselves by mounthood · · Score: 1

      If, in '98, the recording industry had worked with pioneers such as Napster, rather than trying to close pandoras box after everything had fled, this would be a very different story.
      No ... they would have lost a decade of great profits! The record companies haven't lost any opporatunaties here:
      • They are making deals with Apple, BitTorrent, etc... to their terms
      • They got to try DRM/Rootkit tactics (and got partial wins with Vista and iTunes)
      • They had an decade to adjust their business: hire web developers, learn about the net, hear lots of "advice" about how their business could/should change
      They convinced the US and most of the world that:
      • music is property, and it is "stealing" to copy it
      • Copyright needs to be extended and strengthened around the world
      • the kids are stealing music and adults should be stopping them, i.e. school administrators should monitor networks, coffee shops should block torrents...
      • "information wants to be free" is dead and they only way forward is an ownership model (does any one even debate this anymore?)
      --
      tomorrow who's gonna fuss
    3. Re:They broke themselves by downix · · Score: 1

      By your logic, they should be rolling in the profits. Instead, they're turning in dissapointing returns, and DRM-free is on the rise. They have turned their customers into their enemies, and are paying a hefty price. Infact, I'd be bold enough to say that within 50 years, "Information wants to be free" will be the defacto standard, rather than just a mantra.

      I work within the media field, I've seen what's been happening. I see that the US has become a lead covered eagle, unable to perform, and loosing it's technological edge. When you fear progress, you will be trampled by it.

      --
      Karma Whoring for Fun and Profit.
    4. Re:They broke themselves by rhizome · · Score: 1

      It amazes me that so many people didn't understand (and now seem to forget) that Napster was the killer app!

      This is really it, but it's probably too complicated to write the story if the author has to account for history. Maybe 2007 can be said to be the year that the industry cried "uncle," but the industry broke 10 years ago, and they (should) know it. In fact, I'd say this article is shill material for an industry to say, "Okay, this MP3 thing really looks like it's going places," and save face doing it. Keep in mind that their lawsuits aren't really going their way anymore, so industry lawyers and BizDev heads have to start coming up with new reasons to keep their jobs.

      The music industry is possibly a new kind of business failure since even concert merchandising companies are laying off staff, so the sooner labels move to being a manufacturing and marketing service and let the technical companies do the customer work, the better off they'll be. A lot of fat and lazy people will have to lose their jobs, though.

      --
      When I was a kid, we only had one Darth.
  20. It's American by WED+Fan · · Score: 3, Insightful

    It's alright, many of the /. readers today don't really know the term "Borked" and those that come up and post to say they do will have run to Wikipedia first to find out what it means.

    On a side note: Many of the things that /.er's complain about the government gettting mixed up in would have been slammed hard by Robert Bork. If he were on the court today he'd be telling Bush and Congress that neither have the authority to do a lot of what they have done.

    I think the use of the term "Borked" in the headline is misguided, though. The story doesn't fit the meaning. Again, another symptom of people who don't really know it, its just a fun word they heard and were looking for a reason to use it.

    Kids, these days.

    Now, get off my lawn!

    --
    Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong fix.
    1. Re:It's American by Anonymous Coward · · Score: 0

      Eh? You seem to be lost, this is news for nerds, where borked just means broken (from borken).

    2. Re:It's American by shish · · Score: 4, Informative

      It's alright, many of the /. readers today don't really know the term "Borked"

      Actually there are two meanings -- the political jargon (which you seem to be referring to), and the nerd jargon (which *does* make sense in this context); given that this is slashdot, I would think that the nerd version is the accepted standard.

      Or perhaps you're too young to remember the jargon file? :P

      --
      I mod down anyone who says "I will be modded down for this", regardless of the rest of their comment
    3. Re:It's American by WED+Fan · · Score: 5, Funny

      Damn kids, get off my lawn!

      Generation whine, with their "jargon files" and all and their epods and blobs and whotubes and "oh we have to save the planet" and damn it, the word is "porn" not "pr0n". Why in my day we have perfectly crumulent words like "groovy" and "far out" and "stick it to the man" wasn't an invitation for gay sex.

      --
      Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong fix.
    4. Re:It's American by sheldon · · Score: 1

      On a side note: Many of the things that /.er's complain about the government gettting mixed up in would have been slammed hard by Robert Bork. If he were on the court today he'd be telling Bush and Congress that neither have the authority to do a lot of what they have done.


      Obviously you are unfamiliar with the Saturday Night Massacre, and how Robert Bork first made it into the history books.
    5. Re:It's American by CodeBuster · · Score: 1

      Why in my day You mean when dinosaurs roamed the earth?
    6. Re:It's American by WED+Fan · · Score: 5, Funny

      You mean when dinosaurs roamed the earth?

      You mean petroleum-on-the-hoof?

      --
      Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong fix.
    7. Re:It's American by eclectic4 · · Score: 1

      Funny. Yes, funny stuff.

      --

      "The greatest obstacle to discovery is not ignorance - it is the illusion of knowledge." - Daniel Boorstin
    8. Re:It's American by Anonymous Coward · · Score: 0

      That you got modded funny makes me want to explode the world. Also, it's spelled cromulent, n00b.

    9. Re:It's American by random0xff · · Score: 1

      Most cromulescent indeed!

    10. Re:It's American by andy_t_roo · · Score: 1

      actually the primary source for oil was plankton and algae, not land based animal life.

    11. Re:It's American by Boronx · · Score: 1

      A right winger who's not as fascist as Alito, Scalia, and Roberts? That guy deserves a medal!

    12. Re:It's American by Sockatume · · Score: 1

      Yeah, that's the meaning I was using. I really need to get out of the lab more, for my vocabulary's sake.

      --
      No kidding!!! What do you say at this point?
  21. Burying the record companies by jdickey · · Score: 5, Insightful

    It's not simple, but it's straightforward.
    1. SUPPORT LOCAL MUSIC. Go to concerts/pubs/etc., buy self-produced CDs.
    2. Buy from non-label-affiliated, artist-friendly Web sites, not fronted by megacorps. Google is your friend here, even if you're not buying from them.
    3. When permitted by the artist or by "fair use" in your jurisdiction, share samples with friends or play a few tracks you're partial to for them. Word of mouth has been the greatest aid to supporting musicians since music was invented.
    4. Write to your local radio station (in the US, undoubtedly ClearChannel, alas), as well as to their advertisers. Tell them that you support independent music, and won't be buying overpriced Big Label CDs any more. ClearChannel might not notice, but chances are much better that your local grocery chain or even some non-music-industry large advertisers *will* make adjustments if they've got a couple of thousand unique letters and emails coming in every week.
    5. Listen to and support independent Internet radio stations. Their costs are going up way beyond orbital, thanks to the megacorps and the Bush-league "Copyright Royalty Board". While you're at it,

    Yes, it means we, the fans (customers), have to put in some effort. We're going to have to break old buying habits, and actually pay attention. That's the price of living in a world where you're a customer, not just a consumer. Remember the famous quote by Jerry Michalski: a consumer is "a gullet whose only purpose in life is to gulp products and crap cash." We can do better than that. If we're going to move beyond being told what to listen to, what to think, by the megacorps, we HAVE to do better than that. visit http://www.savenetradio.org/ and stay informed. Fellow Americans, write (not email) your Senators and Congressperson to remind them that you care about this - and when they vote for bills like the Internet Radio Equality Act, write them thank-you notes. Congressional staff *notice* when a few hundred (or thousand) non-fill-in-the-blank letters come in on an issue... that's votes talking.

    Remember, the megacorps are counting on the likelihood that you won't do anything, that you'll just continue to "crap cash" on schedule - THEIR schedule. They're counting on the "I'm too busy" or "I'm only one person" naysayers to tamp down enthusiasm, and let them carry the day.

    You are personally, individually, solely responsible for the world around you. If you don't like the way things are being done, get involved. This is one relatively easy, open, effective way to start.

    1. Re:Burying the record companies by GrenDel+Fuego · · Score: 1

      Personally I'd be happy just burying the RIAA. riaaradar.com lets you figure out if the bands you're looking for are on a label which is part of the riaa or not. It even offers non-riaa suggestions for "similar" bands. Not sure how good their recommendations are yet though.

    2. Re:Burying the record companies by hackstraw · · Score: 1

      SUPPORT LOCAL MUSIC. Go to concerts/pubs/etc.

      One thing that absolutely sucks about this concept is that if you are not into getting wasted drunk, these places are not as fun.

      I used to like to get wasted drunk, and there are other (currently illegal) things that would be less harmful to my body and society as a whole, but they are not allowed in most every local music establishment in the US.

      Local music will boom once MJ and other drugs are legal again.

    3. Re:Burying the record companies by avandesande · · Score: 1

      Nice sentiment but I generally prefer listening to things on a basis of how they sound, not where they were created.

      --
      love is just extroverted narcissism
    4. Re:Burying the record companies by Anonymous Coward · · Score: 1, Interesting

      What's interesting is that if everyone does it, no one will know. The centralized music "industry" will still show losses, think things are going badly, etc. while the overall distributed music economy will be rocking out. It could get bigger, and look smaller (even invisible).

      This concerns me, because government will be pressured to do things to "help the economy," not realizing (or caring) that the economy is flourishing more than ever. The bands I saw on Saturday night, don't have lobbyists.

    5. Re:Burying the record companies by OakDragon · · Score: 3, Funny

      Go to concerts/pubs/etc

      Is this off the root directory?

    6. Re:Burying the record companies by Anonymous Coward · · Score: 0

      I don't think so - No definitely not!!

      One question: "Is there a sign outside the front of my house that says [Endangered Record Company Assistance]?"...."No really - is there a sign says [Endangered Record Company Assistance"...

      No because that is not my freaking BUSINESS! There are a hundred and fifteen things that the record companies could have done that would have cemented the rulership of the Freakin EARTH at this point in time. Why was it that teenage kids on sub $1k PC's were the ones to think up using a video file format for ripped CD's? Why was it that Sean Fanning implemented a software that made music a part of millions of people's lives again - becoming the number 1 installed PC app of all time? Whay was it that WE are talking about this right now instead of the music companies..?

      It is all because the music labels have all earned (WELL EARNED) a place on the cutting room floor of society. This isn't like movie studios who inarguably "make the movies happen".. no - these pathetic leeches don't make music happen, and they had all the time in the world to sense the sea-change coming, from the first time an artist self-produced an album on a four-track tascam in a hotel room.

    7. Re:Burying the record companies by dreadclown · · Score: 1

      Go to concerts/pubs/etc
      Is this off the root directory?
      Of course not! It's under /usr/share!
    8. Re:Burying the record companies by Dr.+Cody · · Score: 1

      All I know is goto's are a no-no.

  22. Re:It's not the year. It's just a gradual developm by peragrin · · Score: 2, Insightful

    The music industry itself will never die.

    In American i buy music online from European bands directly. my friend buys his music right from the artists.

    For $500 you can set yourself up to make a few thousand cd's daily, ad in a website and an account at UPS or the post office, and mail away.

    The bands that take the time to sign cd's before stuffing the cd into an envelope generally have a much more loyal following, who will pay more for music they perceive to be good.

    the Music industry model is outdated. Music itself will go on. And since you can't get free internet in just about every library that's not a big deal.

    --
    i thought once I was found, but it was only a dream.
  23. Borked by da5idnetlimit.com · · Score: 0, Redundant

    No need for wikipedia. It immediatly evoked a mindless swarm of robotised warriors sharing a hive mind that contro...

    Sorry. There might have been something in what you said about the editor.
    The proper sentence should have been
    "MTV: 2007 Borged the Music Industry"

    --
    It takes 40+ muscles to frown, but only four to extend your arm and bitchslap the motherfucker
  24. It's funny by uxbn_kuribo · · Score: 4, Interesting

    Some of the stuff in the article had nothing to do with piracy, even though that's the implication: * Kelly Clarkson's album was BAD. Terrible. * Jordin Sparks is NOT talented. * Radiohead ignores the fact that one would imagine that even if their album sucks, alot of people would still get it for free. People have a higher tolerance of crap when it's free. * Island Def Jam's layoffs are likely a result of the slower economy. The record execs are one of the last groups that still piss money away on excess. * How did the Madonna deal have anything to do with music? Does she even sing anymore? * Yeah, gg music dude. "The music industry has no technologists." It's only been 8 years now, you might wanna consider that. That's like saying you company doesn't believe in telephones, or thinks that taking pictures of the artists will steal their souls. In fact, the entire music industry needs to get with the times. * Nine Inch Nails is still around? Huh. Music has stagnated, the fanbase has risen against that crap that they shove down our throats. It's funny, because country music is bigger than it's been in years--- the genre has evolved where teeny-bopper pop and "rock" music have failed to do so.

    --
    No portion of this post may be rebroadcast without the express, written consent of Major League Baseball.
    1. Re:It's funny by stewbacca · · Score: 1

      People have a higher tolerance of crap when it's free.
      Hmmmm. I still can't tolerate the Plain White T's cd my son bought me for Christmas.
    2. Re:It's funny by killeena · · Score: 1

      Rock music has actually evolved quite a bit, it is just mostly underground and away from the mainstream. Mainstream radio and whatnot seems more interested in the bland, "safe", rock.

      --
      Freedom would be not to choose between black and white but to abjure such prescribed choices. -Theodor Adorno
    3. Re:It's funny by uxbn_kuribo · · Score: 1

      For some reason, Nickelback plays in my head when you say that part about "safe" rock.

      --
      No portion of this post may be rebroadcast without the express, written consent of Major League Baseball.
    4. Re:It's funny by killeena · · Score: 1

      Haha, good call.

      --
      Freedom would be not to choose between black and white but to abjure such prescribed choices. -Theodor Adorno
    5. Re:It's funny by Kierthos · · Score: 1

      higher tolerance != complete tolerance

      --
      Mr. Hu is not a ninja.
    6. Re:It's funny by iainl · · Score: 1

      The thing with the Radiohead album, though, is that even if you could choose to legally download it for £0.00 the EMI contract they were previously on meant that they made more money off the people who were prepared to hand over some cash than they did off download sales of everything they had released through EMI. Put together.

      Add in all us fanboy nerds who laid out the £40 for the deluxe book edition (which is worth every penny, if you ask me; it's just gorgeous, and cost me no more than I spent buying multiple formats of their last release anyway) and it's proved a very profitable experiment, even before we see what sales of the 'normal' CD are to people who helped themselves to a free download and liked it enough to get a 'proper' version next week.

      --
      "I Know You Are But What Am I?"
  25. Re:It's not the year. It's just a gradual developm by sm62704 · · Score: 5, Funny

    ...with the occasional landslide. A bit like the glaciers melting.

    Global warming is killing the RIAA? Yay global warming!

    if there was a "deadhorse" mod option I'd be modded into oblivion

    Naw, this is slashdot. +5, dead horse

    But what about those people who don't have the net?

    The only one I know not on the internet is my 76 year old dad, and he hasn't been a music fan since they stopped playing Willie Nelson on the radio. You might as well ask "what about those people who don't have radios".

    --
    mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  26. Re:It's not the year. It's just a gradual developm by turing_m · · Score: 1

    "So what the MI needs to find, and soon, is some other revenue stream."

    I hear Mickie D's is hiring burger flippers...

    --
    If I have seen further it is by stealing the Intellectual Property of giants.
  27. And we care because? by Anonymous Coward · · Score: 3, Interesting

    Who cares what MTV thinks, thanks to themselves they have long ceased to be relevant. These are the people who deluded themselves into thinking they can define the trends and along with the music industry inflated their egos on short sighted thinking. Now they are struggling to be relevant. The net has changed the game, MTV and other music channels can no longer create talentless and manufactured hits. I guess thats good for music.

    1. Re:And we care because? by stewbacca · · Score: 1

      Who cares what MTV thinks, thanks to themselves they have long ceased to be relevant to anyone with more than a 15-second attention span.
      There, fixed that for ya.
  28. TV? by slapout · · Score: 2, Funny

    Remind me again...what does MTV have to do with music?

    --
    Coder's Stone: The programming language quick ref for iPad
    1. Re:TV? by Mex · · Score: 2, Funny

      They've been trying to kill it since 1980, so I suppose this article is just a progress report.

  29. Typo in headline... by Kiuas · · Score: 2, Funny

    MTV: 2007 Borked the Music Industry
    I think it was supposed to say: MTV: 2007 Borged the Music Industry.

    "We are the RIAA. Lower your lawyers, and surrender your lawsuits. You will be assimilated. Your wealth and intellectual property will be added to our own. Resistance is futile!"
    --
    "It is the business of the future to be dangerous" -Alfred North Whitehead
    1. Re:Typo in headline... by Anonymous Coward · · Score: 0

      "We are the RIAA. Lower your lawyers, and surrender your lawsuits. You will be assimilated. Your wealth and intellectual property will be added to our own. Resistance is futile! ....... What do you mean they aren't surrendering their lawsuits... RUN AWAY! RUN AWAY!!!"

      Fixed?

    2. Re:Typo in headline... by Lewrker · · Score: 0

      Actually it was meant to be 1997: MTV borked the music industry.

  30. Nah by derEikopf · · Score: 1

    MTV's underlying premise is that the music industry's success is measured by how much money it makes. If music isn't making money, then it's "broken". I think this attitude is a large part of why the record industry is losing so much business.

  31. bad music? by xRelisH · · Score: 2, Insightful

    Maybe it's just bad music in general? With wonderful hits from "Soulja Boy" and other songs like "Hey Bay bay" with such diverse lyrical content, is it a surprise that the music industry in the US at least is taking a downturn?

    1. Re:bad music? by stewbacca · · Score: 1

      Somebody is buying this crap though. Ahhhh, the joys of capitalism.

    2. Re:bad music? by jweller · · Score: 1

      It's not just bad music, its bad recording and production. Theres an ineresting article in Rolling Stone this month about the death of HiFi. I'm not going to do it justice, so if you care, try and go read the whole article. The general claim then make is that because most people are now listening to their music in compressed formats, such as mp3, aac, and wmv, produceres are changing the sound of music, making it louder so that it sounds better on an iPod type device, to the detriment of how it sounds on full size speakers in an uncompressed format.

    3. Re:bad music? by Kankraka · · Score: 1

      I never would have found this out if you hadn't mentioned something. While I do download a lot of music in mp3 format, and at 128kbps, I do try my damnedest to find flac and ogg rips of things instead. I don't own very high end sound equipment, but even on what I own I can honestly tell the difference between said encryptions, and to hear that producers are actually going to CATER to users of higher compression, thus, crappier sound quality, is pretty enraging.

    4. Re:bad music? by Kelbear · · Score: 2, Interesting

      Heh, actually "Soulja Boy" is exactly the product that most of the people here on slashdot are advocating.

      http://en.wikipedia.org/wiki/Soulja_Boy

      He recorded his song and posted it on the web, got popular with people, published independently, and was only picked up by a major label after he'd already established himself on his own.

      I concur, I hate the song too, but it's not a viable example of how the music industry pops out bad music, it's an example people liking music that I hate.

    5. Re:bad music? by Anonymous Coward · · Score: 0

      >I can honestly tell the difference between said encryptions

      It's not encryption.

    6. Re:bad music? by toddestan · · Score: 1

      While things have really gotten nasty in the loudness wars the past few years, I would be hardpressed to blame it on cheap computer speakers, MP3's, and iPods. Things were pretty well in full swing back in the early 90's.

  32. should have never gave up vinyl by Grampaw+Willie · · Score: 1

    if they had stayed with vinyl ( which sounds better anyway ) they'd never un-corked this can of worms but as Dr. Thos. Sowell notes: "You can't un-ring the bell" tee hee Copyright laws stands however, remarks by "i don't acknowlege imaginary (digital) property" NOTWITHSTANDING now ol' non-ack-imaginary-property can rail all he wants. dunno if they'll let him have a 'puter in the can though, he might have to go cold-turkey in computer-pirates anonymous

    1. Re:should have never gave up vinyl by Serge_Tomiko · · Score: 1

      I have to say, I think Super Audio CDs really do sound as good as vinyl. They never supported the format enough however - even Sony dropped the ball - and now it's dying.

      I'm 100% willing to buy a CD when it is a high definition content. Their model easily could have been "give away MP3s for free, and sell SACDs to people who want them". It would have been no different than the days where people recorded radio broadcasts, but bout LPs they really liked.

    2. Re:should have never gave up vinyl by Grampaw+Willie · · Score: 1

      thing is,.... ya can't press a vinyl copy using a Circuit City adapter with RCA jacks and a USB connector

      that's why they went wrong. if they had stayed with vinyl computer copies would be no greater threat that cassette copies were "back in the day"

      didn't we determine that playing with cassette copies actually tended to promote the music business? i always thought it did.

  33. Re:The reference is by Anonymous Coward · · Score: 0

    Anyone know a good way to block ALL *.myCRAPPYminicity.com sites? It's not hard to put a different line for each one spotted in the Hosts file, but I'd like to just put the full site on the list to get rid of this spam for good.

  34. You feel old... by maillemaker · · Score: 3, Insightful

    Heh, I feel you.

    Sometimes I think, if new music and movies stopped being created today, but I could legally download all movies and video ever created prior to today, would I care that no more new content is being created?

    I don't think so.

    --
    A work that expires before its copyright never enters the public domain and thus enjoys eternal copyright protection.
    1. Re:You feel old... by stewbacca · · Score: 3, Interesting
      Guitar Hero III man. My kid can't get enough Scorpions, SRV, Foghat and Mountain. Has he even replayed the AFI song once? I don't think so. A little perspective is all most intelligent young people need to see their crop of music is pretty lame compared to the old stuff.

      I get the chance to instruct young people (18-24) for 16-week long classes a couple times a year, and I always bring up music debates for fun during our down times. With every class, good music that will stand the test of time falls on deaf ears. I often ask them, which song will still be listened to in 20 years, "Welcome to the Jungle" or "Insert Crappy One Hit Wonder Song Here"? Most of them actually think Fall Out Boy will have more playability in 20 years.

    2. Re:You feel old... by sheldon · · Score: 2, Interesting

      Hasn't this always been true?

      90% of the music I bought in the 1980s when I was a teen went to the trash.

    3. Re:You feel old... by jombeewoof · · Score: 1

      Now I feel old.
      Appetite was the first tape I ever bought, I was 7 years old. Calling that classic kind of depresses me.

      --
      Linux Zealots: Smarter than Mac Zealots, but still zealots.
    4. Re:You feel old... by maillemaker · · Score: 1

      >My kid can't get enough Scorpions, SRV, Foghat and Mountain.

      LOL, I don't know what any of those are.

      Boston, REO Speedwagon, Eagles, ACDC, Charlie Daniels Band, these are familiar to me. :)

      --
      A work that expires before its copyright never enters the public domain and thus enjoys eternal copyright protection.
    5. Re:You feel old... by jedidiah · · Score: 4, Interesting

      This is of course what big content really fears.

      They are deathly afraid of "perfect digital copies" of works in
      the public domain. Without the Sonny Bono Copyright Extension
      (and others like it), companies that make up the MPAA and RIAA
      would have to compete against their old classics that could
      legally and freely be transfered by everyone across bittorrent.

      The net would become one huge version of WGN or TBS and it would
      all be perfectly legal...

      --
      A Pirate and a Puritan look the same on a balance sheet.
    6. Re:You feel old... by The+Custodian · · Score: 1

      Therein lies the value of the Guitar Hero and Rock Band games. They expose the young people to good music that has stood the test of time. Yeah, there are some regrettable choices in there (AFI, a Fall Out Boy track in Rock Band) but for the most part, everything there is good ol' classic rock. I guess my point is this: my cousin, who just recently turned ten, is into SRV, Clapton, and Alice in Chains because of the Guitar hero franchise. While his friends debate whether or not "Crank Dat Soulja Boy" is better than "Buy You a Drank", he's listening to "Layla". I think he wins.

    7. Re:You feel old... by plover · · Score: 1

      You're not the only one to notice the trend. xkcd made me laugh with this one a few weeks ago.

      --
      John
    8. Re:You feel old... by stewbacca · · Score: 1

      LOL, I don't know what any of those are.
      Niether did my 11-year old son, until he started playing Guitar Hero. The damndest thing is I already own 90% of those songs, and he's never shown much interest. Now he wants to buy all the songs, to which I just show him I already own them all (mostly on vinyl...heh).

      Foghat and Mountain are kinda one-hit wonder-ish, but you don't know Stevie Ray Vaughn or the Scorpions? What are you, like 8? ;-)

    9. Re:You feel old... by stewbacca · · Score: 1

      I'm not calling GnR "classic" because their tunes are still very much contemporary sounding (as opposed to truly classic rock like Zep, or Cream). For what it's worth, I see a growing trend of music moving back to the guitar oriented sounds of bands like GnR, which in my book, is a very good thing. Can you imagine the 20-somethings actually being able to play individual notes along the fretboard of a guitar as opposed to playing the same three power chords over and over again?

    10. Re:You feel old... by geekoid · · Score: 1

      Yes, and no.
      This is the kind of competition that would push musicians to create new types of music.

      So there might be better music for you.
      Contrary to the /. marching tune, I have found a lot of good music has been released. In fact I think it is wrong to say there is no good music. Too many people enjoy new music for that to make sense.
      Speaking generally, of course.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    11. Re:You feel old... by jombeewoof · · Score: 1

      Guitars have notes? Power cords?
      You must be delirious, everybody knows that a guitar can only make 5 distinct tones all by itself.
      Once you feed that into your computer, then you can make all kinds of crazy "music". /sarcasm

      There are a few groups out there that aren't too bad. But most of this crap isn't even worth listening too. It's no wonder I've slowly moved toward talk radio.

      --
      Linux Zealots: Smarter than Mac Zealots, but still zealots.
    12. Re:You feel old... by stewbacca · · Score: 1

      That's an interesting concept...I think I'll measure the corellation coefficient of Talk Radio listnership and Crappy Modern Pop Music. I'm going to guess there is a strong inverse correlation.

    13. Re:You feel old... by fbjon · · Score: 1

      And the Scorpions are still played regularly on radio even...

      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    14. Re:You feel old... by edunbar93 · · Score: 1

      A little perspective is all most intelligent young people need to see their crop of music is pretty lame compared to the old stuff.

      Right up and until some band that's actually good comes around and makes some new music. Creativity is like that, you know?

      Do you really think that boy bands (or girl bands like the spice girls) were a product of the 90's and 2000's? There were a hundred bands in the 60s that followed that formula. The difference is, noone remembers them because they sucked. A few of them might have come out with a couple one-hit wonders and then promptly went away. Just like what's happening now.

      The fact of the matter is that the music industry is a lot like the stock market, except more stupid. Some band makes a kick-ass album in a genre noone has heard before, and every label under the sun rushes out to sign *any* band in that genre, who cares how good they are. Thus creating a bubble that eventually bursts. And they keep doing it over and over because it makes money.

      And finally, thanks to the internet and independent bands who appeal to smaller markets, that model is breaking down. And honestly, I can't imagine anything better.

      --
      "No problem. I have the capacity to do infinite work so long as you don't mind that my quality approaches zero."-Dilbert
    15. Re:You feel old... by bobnbob · · Score: 1

      Oh I'm so tired of hearing this. Just cause you don't hear good music today (probably aren't looking for it) doesn't mean it doesn't exist. One station can provide it all for you KEXP.org. I myself lost faith in music in the late 90's. I had a rebirth in the early part of the new century when I found this station. I go to 1 or 2 shows a week now. Granted not all are "good" but they are much better than what main stream radio plays. I've never heard a Fall Out Boy song in my life and I don't want to.

    16. Re:You feel old... by stewbacca · · Score: 1
      Tired of hearing it or not, you aren't really hearing what we are saying. Nobody is saying that no good music is out there (as a matter of fact, we've pointed out some already). What we are saying is that the mainstream popular stuff keeps getting worse and worse with every 1/2 generation. And no, it isn't because I'm too old to appreciate it. At 38 and an active musician in several rock projects, I kind of keep up with the times. And for your favorite obscure music, good for you. Just because it is obscure though doesn't necessarily make it good (even though it very well may be). "I knew the band before they were famous" comes to mind. I guess this is sort of the FOSS movement mentality, but in musical form? I live in Austin, TX, so you don't need to tell me about 100s of great unsigned bands ;-)

      Take my generational challenge I posted earlier: write down 5 or 6 genres of music, then compare the mainstream hits from each genre from the 60s 70s 80s 90s and 00s. To get you started, just try some R&B from the 60s and 70s and compare it to today, then tell me with a straight face that modern R&B doesn't sucketh greatly. Most modern "R&B" is just resampled versions of the classics with rap over the top. Country? Better back then (better is a relative term, however). Rock, DEFINITELY better back then. Disco? ahhhhh, ok, you win on that one, although I'd prefer disco to techno if forced at gunpoint.

      Undoubtedly you'll see a steady decline of musicianship, ultimately devolving from a group of musicians into a group of celebrities. Yes, every generation has had celebrity singers, but while the 70s may have had David Cassidy, they also had Peter Frampton, the Stones, Paul Simon, and about a billion other excellent (and mostly ugly) musicians. The celebrity:musician ratio back then was about 5:95, whereas today it is the other way around.

      (disclaimer: I picked the 70s in this scenario to show that not every generation thinks theirs is the best, mine being the 80s...which, is still far better than today's crop of music).

    17. Re:You feel old... by bobnbob · · Score: 1

      I guess it feels like your trying to compare apples to oranges. Can you fairly compare the Beatles to bands before them. If so who? I don't think it's fair of you to say that music was better in the past. There is no grounds for this. I'd also like to note that I already pointed out that the bands I like may be crap or they may be amazing. :-) And knowing the band before they were famous is pretty cool. Come on. You get to see them in a club with a couple hundred people as apposed to a huge stadium. Who doesn't want that. I'm not trying to say I listen to obscure crap. A lot of the shows I go to are sold out some have 20 people. You have to take the good with the bad or you don't know what the good is. Music is organic. It evolves over time in ways no one expects. To say a monkey is worse than a human isn't fair. They are totaly different creatures. The only reason mainstream popular stuff is getting worse and worse with every generation is because of the FCC. Everyone write to the FCC and tell them you want the good ole times back.

    18. Re:You feel old... by stewbacca · · Score: 1

      Can you fairly compare the Beatles to bands before them.
      Well the Kinks are credited with some earlier recordings than the Beatles (I think), but that's not the point. The point is that the Beatles were new and exciting, 70s Punk was new and exciting, Journey (bear with me) was a new and exciting mainstream-ization of Fusiony-Rock-Pop, Hair Metal (cough, bad, but) new, exciting...Nirvana...new and exciting. What has the current crop given us that is new AND exciting? Emo? Black Metal? People who are famous solely because they are famous? Or, how about, well, nothing?

      Current music is at a lapse of creativity and is just rehashing the same teen angst-driven themes of every genre since the 50s. That's why songs like "Smells like Teen Spirit", "Enter Sandman" or "Welcome to the Jungle" don't seem like they are 15-20 years old. It's also why bands like Nickelback can make hits out of mediocre Elton John songs from the 1970s.

      Who knows, maybe there is nothing left to innovate in music? If that is the case, then at least just don't suck while you are rehashing old musical themes. That's all I ask.

    19. Re:You feel old... by bobnbob · · Score: 1

      I could rattle off quite a few actually. Mainstream hasn't covered it but new and exciting none the less.
      Animal Collective
      LCD Soundsystem
      MIA
      ...And You Will Know Us By The Trail of Dead
      The Thermals
      Panda Bear
      Battles
      Liars

      And these are just from this year. I can add many many more to this list but look. I think we need to just agree to disagree. Neither of us are seeing each others points. I do love to debate but I don't see this one going anywhere. You can keep thinking there is nothing exciting coming out and I'll keep listening to new music and continue to rock out.

  35. Re:2007: the year slashot rebelled against spellin by slapout · · Score: 0, Redundant

    Welcome to Slashdot. You must be new here.

    --
    Coder's Stone: The programming language quick ref for iPad
  36. rof,lmfao by Grampaw+Willie · · Score: 1

    the next day an A/D converter interface from RCA plugs to USB would appear in CircuitCity for $12.95

  37. now watch me you by poot_rootbeer · · Score: 1

    Is it just coincidence that 2007 was also the year that "Crank That (Soulja Boy)" was a huge hit? Maybe it's fun to dance to, but it's also the most musically and grammatically illiterate tune I think I've ever heard. It makes Salt N Pepa's "Push It" sound like a Mozart opera in comparison.

    1. Re:now watch me you by stewbacca · · Score: 1

      Music across all genres was better 15 years ago, just like your Salt N Peppa analogy proves! Seriously, check it out for yourselves. Write down all the genres you can think of, and they were ALL beter in 1990. Send me a list and I'll provide examples. I can't even stand rap or hip hop, but in comparison, that late 80s stuff was pretty damned good. But then again, that late 80s stuff actually had music laid down in the tracks.

  38. rotating physical media to the scrap heap by Grampaw+Willie · · Score: 1

    rotating physical media from CD to DVD to DASD are headed to the scrap heap

    monster flash drives will rule

    even the idea that memory is internal to the computer may be obsolete

    1. Re:rotating physical media to the scrap heap by geekoid · · Score: 1

      "even the idea that memory is internal to the computer may be obsolete

      SO , no ram in computers? I don't think so. Unless by 'memory' you mean hard disk space, in that case..get out.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  39. Funny article from the company who ignores music by FauxReal · · Score: 5, Insightful

    I find it strange coming from the company that originally built itself on new and interesting music. Who later killed off Yo! MTV Raps & Headbangers Ball, Barely reports any music news, turned it's main station into Reality TV Central, shuffled all it's music to MTV2 and then started cutting videos from there as well, ignores most independent artists and panders to crass commercialism & manufactured pop-music giants. Seriously... maybe they had a small role in killing music buy changing it from an artform to a cheap plastic commodity.

  40. Re:It's not the year. It's just a gradual developm by *weasel · · Score: 1

    So what the MI needs to find, and soon, is some other revenue stream. Personally, I could well see them turn from distributors to marketing assistants
    It's pretty clear that the useful members of the Recording Industry will wind up just fine when it all shakes out. Solid PR and Marketing people will remain, as will talented engineers and producers. Regardless of how music is created or distributed - people will pay money to make sure it sounds as good as it can, and to get the word out.

    The only people at risk, are those who exist solely due the monopolized distribution channel. And I don't think there will be a place in the 'new music industry' for them. Not in any recognizable form.
    --
    // "Can't clowns and pirates just -try- to get along?"
  41. Music Industry Bjorked! by Anonymous Coward · · Score: 0

    Yup. And I just spent over $100 on shiny new disks. Old school, I know.

    Iron and Wine, Fiest, The National, Over The Rhine, some others...

    Already ripped to my media server, I no longer own a 'cd player' other than in the car, the new disks safely filed in the basement with all the others. The music industry dead? Not quite, but in turmoil for sure. I still find a lot that I enjoy though.

    Also, I did not order the disks on-line. Bought at the local music store in town, http://www.jacksmusicshoppe.com/web/index.html. Considering the shipping cost from online, I only paid a little more, and the guy pays local property taxes, and he helps support the local music scene.

    I take my five year old with me when I go and we check out all the instruments in back. Shiny brass, lacquered wood, snap a finger nail on the cymbals as we walk by. Rows of harmonicas in the display case, silver flutes all in a row. Give the small percussion instruments a shake, clack a stick against the plastic blocks. You cannot get that from shopping online. Then afterward, we walk to Zebu for a gelato for him and a coffee for me. Open the disks and check out the liner notes. Then head for home.

    The music industry is going through changes, and ultimately it will survive in some form. My biggest lament is that the production quality has dropped. Even my old worn ears can tell the difference between a well mastered track and a poorly mastered track, even after it is ripped to MP3 (256kbps, high quality).

    Hope you all had a good Solstice and wish you all a healthy and happy New Year going into 2008.

    Try to think of those less fortunate than yourselves, and remember, the NetBSD foundation is looking to hit a donation target.
    http://www.netbsd.org/donations/

  42. Re:Funny article from the company who ignores musi by jav1231 · · Score: 1

    Good call. MTV typifies everything that's wrong with popular music and culture. OTOH, who better to see where the RIAA is going wrong? Except for the fact that MTV is essentially the drunken trust-fund laden child of the RIAA.

  43. I remember the time when..... by elmaxxgt · · Score: 0

    The M in MTV stood for music... not drama :P

    --
    Tokyo Robot Lords! Smile! Taste Kittens!
  44. Meanwhile... by Steauengeglase · · Score: 1

    Hey Mtv, 2001 called and it wants it's dour industry outlook back.

    1. Re:Meanwhile... by Kankraka · · Score: 1

      If I had mod points, I'd mod this up. Every time I've looked at the billboard top 100 hits of whatever year, it seems that music died in 2001, and had been on it's last legs for a while. Now it's slim pickings through manufactured trash to find anything worth holding on to in the 'mainstream' of music. There will always be independent artists to count on at least, they're just harder to discover.

  45. But of course.. by danielk1982 · · Score: 1

    piracy had nothing to do with the nose-dive experienced by CD sales.

    1. Re:But of course.. by digitalhermit · · Score: 2, Interesting

      It's funny too.. In 2007 I bought more CDs than ever since leaving college. This year I bought about 25 different CDs. The only difference is that none were big names from any major labels. I bought from CDBaby, from sales at concerts and events, from music links to independent sites.. Any mainstream/established artists I picked up from iTunes... E.g., Dylan, U2, Linkin' Park (yeah yeah, it was a moment of weakness)...

      So maybe the big labels declined, but my guess is that the smaller houses are growing...

    2. Re:But of course.. by danielk1982 · · Score: 1

      I guess your singular experience shows that sales of pop music cannot possibly be due to piracy?

    3. Re:But of course.. by digitalhermit · · Score: 1

      well. yes.. Though I may dream otherwise, I've come to the conclusion that I'm horribly average in my tastes and lifestyle. I'm depressingly representative of the masses. Yes, like millions of other people, I may think that I'm edgy, a rebel, a misfit, but in reality (and statistically) I'm just like everyone else. So when I say that I started to buy from independents, started to buy from local artists, there's little doubt in my mind that millions of other people are also doing the same thing.

    4. Re:But of course.. by X.25 · · Score: 1

      piracy had nothing to do with the nose-dive experienced by CD sales.

      Even if it did, it was minor.

      I've stopped buying CDs ages ago. I'm not downloading music either.

      I basically, managed to buy most of the music I needed. I have no interest in what is being called 'music' these days.

      Sorry, but in the 80's and 90's, we had reason to buy music. It was actually good. These days, music (that is being pushed to us, or advertised) is mostly total shit.

    5. Re:But of course.. by danielk1982 · · Score: 1

      You may very well be an average person on the whole, but your music tastes are not mainstream. Not unless your iPod has 50cent, Britney Spears and anything else they regularly play in MTV (when they play music).

    6. Re:But of course.. by digitalhermit · · Score: 1

      I don't think so.. I think it's precisely because my musical tastes are *not* Britney Spears, 50Cent, etc.., that the major labels are declining. If I ask my co-workers and friends and family, none of them (except for the teenagers), listen to them. The labels may think they're serving up appropriate fodder that the masses will consume, but they're not.. They're targeting a demographic that has other interests at this point and almost neglecting the massive demographic that I am in.

    7. Re:But of course.. by danielk1982 · · Score: 2, Interesting

      >Even if it did, it was minor.

      I don't think so. Pop music was always driven by the under-25 demographic, which also happens to be the most price-conscious. It makes sense that when a relatively risk and price free method of gaining music became available, this demographic would jump on that to the detriment of CD sales.

      >I've stopped buying CDs ages ago. I'm not downloading music either.

      You told me your singular (irrelevant) experience, so I'll tell you mine. Out of all my friend's kids, not one asks for CDs for birthdays or Christmas, yet they all have full iPods. From my perspective, this is unbelievable. When I was growing up, every gift-giving day would guarantee one or two albums (cassettes and later CDs) for my sister and I and pretty much all my friends. My 12 year old nephew does not have one legal CD (why would he when he has 10Gb of music on his computer?).

      >Sorry, but in the 80's and 90's, we had reason to buy music. It was actually good. These days, music (that is being pushed to us, or advertised) is mostly total shit.

      That's what my dad says about the 70s and what grandfather says about the 50s. Its an arrogant and untrue statement to make. I don't think mainstream music 'these days' is total shit. Most people still like today's music (that's why its referred to as 'pop' or 'mainstream').

    8. Re:But of course.. by danielk1982 · · Score: 1

      >If I ask my co-workers and friends and family, none of them (except for the teenagers), listen to them

      But that was always the case. When have the music tastes of teenagers and ..err.. 'your demographic'.. aligned? Music profits, album sales, for the most part, have always been driven by young people (u-25).

      Anyway, I believe CD sales are down across the board, not just for pop.

    9. Re:But of course.. by quag7 · · Score: 1

      The 80s was rotten, and that was the decade I went to high school and was the prime demographic for music.

      Seriously, I thought the world was going to end in the 1980s. Some people divide time up by the birth of Christ or roughly thereabouts - AD and BC. Some really dramatic people like to do that with 9-11. Before it, and after it.

      Me, I divide time up by the moment women started wearing fucking shoulder pads in the 80s, with everything after being the end times.

      As the above poster makes clear, everyone says music was better X years ago because they age out of the target demographic for popular music. Pop music - that is, top 40 music aimed at the dumbest among us - has always sucked. Once in awhile something nice gets through but for the most part, what I'm looking for is the end of the age of the pop star. Never liked it, never wanted it. Don't want rock stars either. I want music that moves me, that really fucking matters, when it's 2 AM and I'm driving alone and there's no video in my face, no merchandise to by, and no one around waiting to be impressed or judge me by the music I listen to. You know what was a good 80s album? Master of Puppets. And I'm not even a metalhead. But that's an example of an album that grips you by the nuts on, say, the New Jersey Turnpike at 2 AM. But that album seems, somehow, outside of the flow of time, if you compare it to the trends in marketable heavy metal of the time. It is also precisely what most albums of the 80s were *not* like. I always hated Yes (god I hate Yes) but they are a perfect example, an archetype almost, of a band sinking into the cultural cesspool of that decade. Compare their music then, from, say, the early 1970s. A lot of bands joined the dark side.

      Bands in the 80s (that were not underground) that *were* good were bands bucked trends. REM is about as commonplace on the radio now as it gets but at the time when they crossed over, they brought a whole different sound an aesthetic with them which stood in direct contradiction to the other kind of slop being played on top 40 radio. The 80s were a decade to be reacted against, artistically. When bands were celebrating the era or trying to make the most of it, they were awful. This is, of course, all subjective, and undoubtedly some 80s fanboy is just wishing he had mod points to mod me down but seriously, this is a sensitive spot with me. I have about had it with 80s revisionists. From an artistic standpoint, for the most part, it was a shallow, image-obsessed, hairsprayed decade, and fuck its corpse to hell. I hated it then, and I hated it now. I survived, then, mostly on classic rock radio, and that it is its own special purgatory. Then I looked under the surface and saw a whole underground music scene reacting to the excesses of the decade and only then did I get my sanity back.

      I am getting tired of people waxing nostalgic for the 1980s. Then as now, there was a lot of good music being made, but it wasn't on top 40 radio. The 80s was a special decade because if you take bands with a lot of longevity - bands that were around before and after the 1980s, most of them made their worst, most forgettable records during that decade. When judging a band's catalog, you almost have to give a universal pass to anything made in those wretched times, because so many people did so much violence against their own dignity, that most bands would be sunk by it.

      You know what my prom song was? HEAVEN, by WARRANT.

      Jesus fucking Christ.

    10. Re:But of course.. by Anonymous Coward · · Score: 0
      Hi qyag7, I have an interesting ( I think! ) perspective to your post. See, I may have been 3 when the 90's begun, but I enjoy, really enjoy SOME 80's music. Does everyone my age? Some sure do. I have lots of friends the same age who enjoy 80's music, mostly Metallica type rock, which I personally cant stand. And now, I'm 20, so I should be the perfect age for Fall Out Boy and the like. Cant stand that crap. But then some people like it, so eh.

      I'm sure you remember the 80's better than I do, ha, but my favourite artist is Michael Jackson, no matter what the media say about him, even here in NZ we get "omg look at the freak" style media comments on him.

      My personal apocalypse would be when, not that I really remember, Nirvana knocked MJ off the top with Nevermind. Dangerous was riding high at the time, and I just LOVE that album, its genre is really "New Jack Swing" which I cant stand from the other examples I've heard, but goddam I love that album. It has pop, it starts off with NJS type songs, it has rock, rnb, gospel, ballards.... and MJ was always just that way. Listen to him when he was 5, 10, 15, 20, ....now hes just under 50 and is about to have a new album out. I may download all the modern cds that come out, but I will line up to buy Michael Jacksons new album, thats for sure.

      I hope my post has at least given you a smile so far. If you take a look at this http://en.wikipedia.org/wiki/Records_and_achievements_by_Michael_Jackson then you can see a general list of success. Can you think of anyone else in history with that kind of record? Elvis, The Beatles, maybe thats what Joe Sixpack thinks of when you think of great entertainers, I think they have both sold over 1 billion records to date, MJ is "over 750 million" according to Wikipedia, but I bet they werent as talented as he was at 5, or with all his brothers and sisters who all seem to have genuine talent. To this day Thriller is the biggest selling album of all time. And it would probably be my favourite, not because it sold more than anything else, I just enjoy it more than his others, and others by other artists. When Nirvana came around and knocked off MJ, surely that was shit. I have Nevermind, and I put it on and honestly, I do like Smells Like Teen Spirit, but I dont like any of the other tracks at all. I just dont see how this new group came out of nowhere really, and knocked off Michael Jackson, THE MJ, King of Pop etc etc.

      I dont like much modern music at all now, its all "too Nirvana" for me. I did like Blur and Oasis but of similar music, I just dont enjoy it at all. If you do happen to like Nirvana, compare Nevermind and Dangerous for yourself. See if you would honestly agree with me, listen to the music not the proven-to-be-false accusations you hear on MTV etc.

    11. Re:But of course.. by quag7 · · Score: 1

      Your attempt to provoke a seizure in me has succeeded.

      Well played, sir.

  46. 2007 What? by PacketScan · · Score: 0, Redundant

    This coming from a network that prides themselves on music television while cramming the time slots with nothing but reality shows. MTV died along time ago.

  47. Re:It's not the year. It's just a gradual developm by Jarik_Tentsu · · Score: 1

    They measure a loss in CD sales...the issue is that CDs are starting to become obselete. It's like...them saying the music industry is *dead* and citing audio tape sales as their statistical evidence.

    The difference is, they have yet to find a new business model that really works for them. Or maybe they've found an alternative - just not one that works for them in a way they're *happy* with.

    ~Jarik

  48. It takes less than 1,000's of letters by Phoenix666 · · Score: 2, Interesting

    Actually a score will usually do it. I previously ran interactive for the People's Choice Awards. It's not the Oscars, but the audience still numbers in the millions. We got no more than a couple hundred emails from the fans who voted on the award winners. The number of people who actually write in to any "authority" on any given subject is rather small. So you don't need thousands to influence the "authority."

    We did modify what we were doing if a score or more indicated a trend. In one or two cases, we modified what we were doing by one person who had an insightful, well thought-out point to make. A word of caution, though, letter-writing campaigns are pretty easy to discern and tune out because they all come at the same time and use more or less the same wording.

    The point is, you the individual letter/email writer have more power than conventional wisdom says you have.

    --
    Do what you can, with what you have, where you are.
  49. Silly record execs. by a_nonamiss · · Score: 1
    Record company quote from TFA.

    There's no one in the record company that's a technologist. ... It's like if you were suddenly asked to operate on your dog to remove his kidney. What would you do? I'd probably hire a veterinarian.

    Seriously, they couldn't afford some "technologist" consultants? My high school band director (who probably makes less in one year than the average record exec makes in a week) was telling us about digital downloads in 1992. We all thought he was nuts. I mean, it would take days to download a single WAV file from a BBS at 14.4k...
    --
    -Arthur
    Cave ne ante ullas catapultas ambules
  50. Problem is greed. by Maxo-Texas · · Score: 3, Insightful

    There is still a lot of money to be made.
    But they have made the "official" channels very painful in their lust for the last dime of profit.

    For example, this morning during my 25 minute drive to work, one of the radio stations never had a song on. I kept switching to it because I like the style of music but never got a song. They wanted money so much that I ended up not listening to any adds for more than the 3 seconds to determine.. yup.. still no songs. If I could count on 30 seconds of ads and then another good song- I might actually stay through the ad. but once the ads start, I know it will be a few minutes so I skip on over to other radio stations.

    Same thing for TV. We've gone from 8 minutes of ads to 20 minutes (some times 22 minutes) of ads per hour. And we can skip the ads by touching a button. They have to be insane to think we are watching the ads. Sell fewer ads for more money. Have shorter ad blocks so we won't leave.

    The music industry has a great potential for a lot of people to make six figure salaries. But that's not good enough for them. So they keep pushing until it becomes so unpleasant that we go elsewhere.

    I can easily spend an evening on YouTube or watching DVD's (Mission impossible season 2 for christmas so another 20 hours there without commercials).

    If they are the most expensive entertainment possibility, they are the most likely to be cut.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    1. Re:Problem is greed. by Chode2235 · · Score: 1

      I am surprised the Public radio model has not caught on more widespread throughout the country. Here in Minnesota, Minnesota Public Radio has a great contemporary music station that doesn't have any commercials and plays a huge variety of music. They play a lot of local music, and have a lot of in studio performances. It really is a music lovers station and plays a really great mix. I don't by any means like every song that they play, but music is always better than listening to a commercial and it keeps you on your toes too. Sure, the listeners need to support their station with contributions but its all about supporting the community and the artists that you value. There is no shortage of funds at 89.3, it is a strong and supported community. Why nobody else has picked up on the model is really shocking. Minneapolis can't be that much more of a music town that other places in the country. http://minnesota.publicradio.org/radio/services/the_current/

    2. Re:Problem is greed. by jweller · · Score: 2, Interesting

      this morning during my 25 minute drive to work, one of the radio stations never had a song on. I kept switching to it because I like the style of music but never got a song. They wanted money so much that I ended up not listening to any adds for more than the 3 seconds to determine.. yup.. still no songs. If I could count on 30 seconds of ads and then another good song- I might actually stay through the ad. but once the ads start, I know it will be a few minutes so I skip on over to other radio stations.

      That absolutely drives me nuts. There must be an unwritten rule that in the morning, people want to hear a room full of DJs tell dick jokes and make small talk about whatever was on TV last night. No music, or maybe 1 crappy song in between a fart soundtrack and a phone interview with a celebrity promoting there latest piece of shit TV/movie/album/book/diet/etc. Call it the Howard Stern effect if you will.
    3. Re:Problem is greed. by emurphy42 · · Score: 1

      Other places in the country don't have Garrison Keillor hanging out there and radiating win throughout their corner of the industry.

  51. Re:The reference is by geminidomino · · Score: 1

    If you run a local DNS, you can just create a zone file for myminicity.com, add a wildcard entry to 0.0.0.0 and boom, all set.

  52. the problem is suckage by Anonymous Coward · · Score: 0

    This might have been mentioned, I didnt have time to look thru all the comments. The music just sucks. I think there hasnt been alot of good music created in the last 7 years.

    1. Re:the problem is suckage by Ralph+Spoilsport · · Score: 1
      There has - it's just harder to find. Unless you're looking for good "rock" music. I think that peaked out in the early 1990s, and good new stuff in that genre is increasingly difficult to find. But many other styles have seen a lot of really fine music all along.

      RS

      --
      Shoes for Industry. Shoes for the Dead.
  53. Happens every generation, deal with it by elrous0 · · Score: 4, Insightful
    Every generation thinks its music is the best and the new stuff sucks. I think 80's metal is the best myself. I despise Boomer and Generation Y music. But that's just because I was a teenager in the 80's. Happens every generation.

    And even when younger people listen to older music, they HEAR it differently. When I listened to Black Sabbath in the 80's, I wasn't hearing Vietnam protest music (like my uncle heard it). And when a kid listens to MY stuff today, he hears it as "classic metal" (not the way I hear it).

    No one likes to think of themselves as out of touch and no longer young and hip. But it eventually happens to us all. Trying to fight it only makes you look pathetic (think Warren Beatty trying to rap in "Bullworth").

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
    1. Re:Happens every generation, deal with it by stewbacca · · Score: 1

      Every generation thinks its music is the best and the new stuff sucks. I think 80's metal is the best myself. I despise Boomer and Generation Y music. But that's just because I was a teenager in the 80's. Happens every generation.
      That's why I think Led Zeppelin is the greatest rock band ever...because I was a teen during the 80s...oh wait. Sorry, I hear your argument a lot, but the older one gets, the less likely he/she is to believe that music from his/her generation is the best, because he/she has a little thing I like to call "perspective". Granted, some people just can't let go, and I'll admit, I hated Bon Jovi in their hayday, but now I have to admit, for run-of-the-mill-radio-friendly-rock, they aren't half bad.

      That's not to say new music sucks, but new POPULAR music does sucketh greatly. This isn't solely the blame of young people either, because my 35-year old ex-wife listens to Soulja CrankShite whateverthehell. She buys ALL of the top 10 iTunes songs religiously. There are many like her.

      You think 80s metal is the best because it is some of the best music, regardless of when you were born (not counting hair-bands though...that's when rock jumped the shark).

    2. Re:Happens every generation, deal with it by Just+Some+Guy · · Score: 1

      That's not to say new music sucks, but new POPULAR music does sucketh greatly.

      Pop music has always suckethed. I'm a child of the 80s too, and while there was some truly great music then (as there is now and always has been), there were plenty of stinkers. You remember Appetite, but I'm remembering Stacy Q's "Two Of Hearts". You've mercifully forgotten most of the awful but I can't leave it alone.

      And there is good new music coming out. I don't know that I'll be listening to My Chemical Romance 20 years from now, but I'm pretty certain I won't be embarrassed about having liked them today.

      I still have The Ramone's "Ramones" and Zep 4 in my car, though, so we can be friends. :-D

      --
      Dewey, what part of this looks like authorities should be involved?
    3. Re:Happens every generation, deal with it by genner · · Score: 1

      Pop music has always suckethed. Agreed.

    4. Re:Happens every generation, deal with it by stewbacca · · Score: 1
      I actually like My Chemical Romance because, surprise, the guitar player is actually pretty good. But unless the drop they whole "My daddy hates me so I'll cut myself" image, they won't be around past the next album (which would be a shame, since they are a bright light in an otherwise dim landscape).

      "Two of Hearts", on the other hand, sucks...hard. BUT, in it's defense, it wasn't the defining song of its generation either. Bubble Gum Pop will always be around and will always (mostly) be bad. Is Britney Spears any better or worse than Stacy Q? To be fair, there was good pop back then (Jody Watley, for example) just as there was bad.

    5. Re:Happens every generation, deal with it by Symbolis · · Score: 1

      Give Th' Legendary Shack Shakers a shot. Not my favorite site in the world, but there's a few samples there. Can also find a few albums out in torrent form. Maybe not quite your style, but I'd recommend at least a couple listens. Apparently they have a killer live show.

      Trivia: That's one of two sites I visit with 'cock' anywhere in the name. The other's cockeyed.com

    6. Re:Happens every generation, deal with it by swillden · · Score: 1

      Every generation thinks its music is the best and the new stuff sucks.

      I think this is much less true of the current generation.

      I'm a father of teenagers (14 and 12-going-on-17) and I'm also a scoutmaster for 14-15 year-old boys, and it has amazed me that most of what they listen to is from the 80s and 90s. Personally, I've made something of an effort to keep up with new music, so I own a fair amount of newer stuff (AFI, Good Charlotte, Nickelback, Hoobastank, etc.) but when I go on long trips with the kids (e.g. scout camp), I find that they want to listen mostly to my older stuff. Not only that, older stuff is what dominates their own music collections.

      This is completely different from when I was a kid in the 80s. My parents had a little stuff that I considered okay, but my own tape collection was very different from their music, and that was the norm.

      Personally, I think the issue is that there just hasn't been very much good music in the last few years, and even the kids recognize it.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    7. Re:Happens every generation, deal with it by LWATCDR · · Score: 1

      I too was a teenager in the 80s. Even in the 80s I loved the Beatles, Jimmy Hendrix, Bowie, and even Buddy Holly. As to 80's Metal? Bleckk... Never did like it much unless you count Rush as metal. I think when your a teen you love your music because it seems like it speaks to you. When your a teen you think you are the first to notice everything.
      I think as you get older you come to realize that 90% of everything is crap. The thing is as time goes on you just remember the good stuff and the crap fades from memory.
      Of course the old stuff looks really good. We only remember the 5% of it that didn't suck.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    8. Re:Happens every generation, deal with it by Dirtside · · Score: 1

      Every generation thinks its music is the best and the new stuff sucks.

      Many people in each generation thinks that, but not everyone does. It'd be neat to see if there's any research into people's perception of the quality of modern music based on when they grew up, and see just how much old-fogeyism there really is. I'm not sure there's any solid data that currently supports any real conclusions at this point.
      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    9. Re:Happens every generation, deal with it by tedrlord · · Score: 1

      I completely disagree. The eighties put out some of the best vapid, brainless music that the world will ever see. The vapid, brainless music of today is crap in comparison. None of it will stand the test of time like "The Safety Dance", "Walk Like an Egyptian", "You Spin Me Round (Like A Record)", "Oh Yeah (The Ferris Bueller Theme)" or "Tainted Love." That stuff is incredibly classic.

      --
      [insert witty quote here]
    10. Re:Happens every generation, deal with it by elrous0 · · Score: 1

      You didn't read the second paragraph of my post.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    11. Re:Happens every generation, deal with it by Just+Some+Guy · · Score: 1

      The eighties put out some of the best vapid, brainless music that the world will ever see.

      ...and then you go on to list a bunch of the good songs from the 80s, but even those are probably awful and dated to today's listeners. They sound good to you and me because we liked them when they first came out. I have "Safety Dance" on my Sansa but I don't think it's going to be winning any awards this year.

      In 20 years, today's kids will be talking about how much the 2020's music sucks and how much better it was in the 2000's. If you don't believe that, you've never talked to old people.

      --
      Dewey, what part of this looks like authorities should be involved?
    12. Re:Happens every generation, deal with it by swillden · · Score: 1

      Yes, I did. It doesn't contradict my point.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    13. Re:Happens every generation, deal with it by DarkProphet · · Score: 1

      I haven't come across any studies, only anecdotal evidence. For example, I was 15 in 1996, so I have a soft spot for 90's Alternative, like Nirvana, Soundgarden, Presidents of the United States of America, Toadies, Smashing Pumpkins, etc. In my later teens I moved on to Punk Rock.

      Of course, that was ten years ago, and these days I dig more on 50's, 60's, 70's, and 80's music, which I considered "old and lame" back then.

      I think the real issue is that modern top-40 music is generally mass-produced and lacks depth, which happens to be easily digestible to young and impressionable minds. And as a teen, its always much cooler to do what everyone else is doing, to wear what everyone else is wearing, to listen to what everyone else is listening to, lest ye be made a social pariah. These things become far less important for most of us as we move into adulthood. Thats probably where your "old-fogeyism" comes in. Adults listen to what they like, as there is a diminished social pressure to fit in. This seems to hold true in the music scene as far as I can tell, however there seems to be a higher social pressure when it comes to movies and television -- the requisite water-cooler fodder, I suppose.

      --
      What could possibly hurt the security of the American people more than giving our own government the ability to hide its
    14. Re:Happens every generation, deal with it by AgentSmith · · Score: 1

      Stewbacca said-
      "Two of Hearts", on the other hand, sucks...hard. BUT, in it's defense, it wasn't the defining song of its generation either. Bubble Gum Pop will always be around and will always (mostly) be bad. Is Britney Spears any better or worse than Stacy Q? To be fair, there was good pop back then (Jody Watley, for example) just as there was bad.

      There will always be pop music. The difference is this: Barely anyone has heard of Stacy Q. What used to be here today and gone tomorrow has turned into Gigantic Celebrity Pop Icons. MTV and a few other networks, pumped some serious money into making "musicians" into those icons. Maybe those icons used to have some substance behind them, but they haven't in a while.

      For those old enough to remember you can correct my assumptions about pop music, but see if this works.
      Remember all pop music is technically in it for the money.

      60's - Music with meaning and protest behind it.
      70's - Protest music moving into artistry and power.
      80's - Artistry moving into raw power and energy, but losing meaning.
      90's - Raw power losing its energy and going inwards. Meaning lost.
      00's - Raw idiocy going through the motions to find itself by flying in a million different directions.

      This probably won't be read by anyone, but it'd be interesting to read the response and see how bad I date myself.

  54. what does MTV know about music? by DragonTHC · · Score: 1, Redundant

    didn't real world kill the video star?

    MTV hasn't played music in well over a decade.

    If anyone killed the music industry, it's MTV.

    --
    They're using their grammar skills there.
    1. Re:what does MTV know about music? by geekoid · · Score: 1

      MTV not playing music killed the CD? That makes no sense at all.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  55. Re:2007: the year slashot rebelled against spellin by superwiz · · Score: 1

    Let's just hope it's some editor helping his girlfriend with psychology/sociology project that is meant to study how many people will ignore the content of the article and how many will read it despite the misspelling.

    --
    Any guest worker system is indistinguishable from indentured servitude.
  56. Parent post succint and probably spot on by IvyKing · · Score: 1

    To paraphrase Dire Straits: Worse of all young man you have MBA disease.

  57. Want some good rap? by Anonymous Coward · · Score: 0

    Check out Northern State. They do some excellent work, especially on their "Can I Keep This Pen?" album. They got skillz!

  58. Tower Records by IvyKing · · Score: 1
    A sure sign that the recording industry hasn't got a clue was letting Tower Records be liquidated rather than supporting an effort to keep the chain going. Granted that they didn't have the selection they had 10 years ago, but it still beat the crap out of what you could find in a big box store.


    Having radio pretty much tied up by the likes of Clear Channel hasn't helped either - and the royalty decision for internet radio was a great example of a pyrrhic victory. Would be interesting to see what will happen if they force 'real' radio to pay royalties per song played - after all, some of us old timers got a pretty decent music collection from taping off the air.

  59. a quick filter by Jippy+T+Flounder · · Score: 1

    i'm just writing this out a little more clearly for those who're catching up:

    mtv is blaming the internet for the fact that the last ten years have seen it pushing tracks that are not only musically and lyrically challenged, but that can't manage to hold its target audience's interest for more than a week or two at a go...

    aside from pushing the rest of us out of pool halls and dance clubs, and forcing us to find alternative (mostly internet) channels to listen to all the wonderful new stuff that is coming out (because all the regular radio stations pander to the record industry too), they've also had a huge and highly detrimental effect on record stores who can't sell what people don't know and can't sell to kids who won't be listening in a couple of days anyway.

    they've backed the wrong horse, and it's time to get back on the real bandwagon instead of trying to pimp their rickety jalopy.

    --
    ---- I was woken up this morning by a face full of fur. Damn cat thought my head made a good pillow.
  60. Re:It's not the year. It's just a gradual developm by atraintocry · · Score: 1

    I don't think it makes sense to place so much importance on the quality of the audio. I know very few people who can even hear the artifacts in a 128kbps MP3 file. I don't mean that the quality loss is subtle. To me, it's glaring. But most people don't have the ears for it. Instead, the benefits of musical file sharing come down to speed, convenience, and price. Put simply: you can rip and burn a CD at 20x. A tape cassette you could copy at 2x, but only if you didn't mind it sounding like garbage.

    I'd love to see your no-middleman vision come to pass. But for that to happen, the average person would have to decide that music is important enough to actually figure out what they want to hear without being told. And the average person does not care that much about music beyond its mere existence. Ask someone what they like. 9 times out of 10 they respond with "everything". This translates as, "I treat all genres of music (out of the few I have any experience with) with an equal amount of apathy."

    Real music lovers will continue to support the artists whose music moves them. They will continue to relish the act of searching out new artists and records. They will make time in their life for it, and feel the rewards of doing so. Everyone else will *want* someone to tell them what to listen to, so that they're not hit with something unfamiliar the next time they hit play. You don't see a TiVo in every house for the same reasons. Most people don't mind watching the commercials...unless you're really engaged, TV watching is passive enough that it really doesn't matter what's on, as long as it's over quick. I think most people approach music the same way. It saddens me, but doesn't make somebody a bad person or anything. We've all got our priorities. I'm a musician, so mine are fairly predictable.

    There's at least 4 classic rock stations in my area. People can't be bothered to listen to something they haven't already heard a million times *going back 30 years*.

    I can't judge such people. How could I? It's everyone I know. I have to just accept that, yes, I'm the oddball. My point is...there will always be a middleman. The hit model is a natural consequence of recording technology and its economics.

  61. The "Radio Shack" effect by tkrotchko · · Score: 3, Insightful

    I call what you're talking about the "Radio Shack" effect.

    Many years ago (probably before most of you were even born), Radio Shack used to employ salesmen who actually knew about electronics. They could read a resistor color code, they could solder; heck when you brought in something to repair (from the "REALISTIC" brand), they would actually fix it in the store. As you might expect, this type of help commanded more than minimum wage.

    Some president of Tandy said "Gee, why am I paying so much for sales help. I could offer high-school kids minimum wage and save $millions this year!" which was true, but also eliminated a lot of reason people went to radio shack. So they fired the guys who could actually help you, and hired kids who could find the battery section if you helped them.

    So here's where the "Radio Shack Effect" starts... You have customers coming in looking for expert help that is now gone. It takes customers a while to catch on fully, and so over the next 6-36 months, customers don't come back. You're reduced the reason for people coming into the store for parts.. But not before the CEO just added to the bottom line of year 1. Never mind that years 2->forever will have negative growth... that's the next CEO's job to worry about.

    And by the way... for some unknown reason, Radio Shack could no longer sell electronics parts. Funny how that worked. So they got rid of the parts, too. I went in the other day looking for fuses; they only had a handful and suggested I go to "Home Depot". Ouch. Tell me again why people go to Radio Shack these days?

    --
    You were mistaken. Which is odd, since memory shouldn't be a problem for you
    1. Re:The "Radio Shack" effect by Anonymous Coward · · Score: 0

      I gave up on RS a LOOOOONG time ago as well. I remember you could walk in there and ask for crystals for the local police channels. Dude would reach behind the counter and pop them in your scanner, you'd pay a few bucks and be on your way. Of course no scanners use crystals anymore but the people that work there now barely even know how to to turn the scanners on let alone give you advice on using them. At least they still sell scanners though.

    2. Re:The "Radio Shack" effect by rmerry72 · · Score: 1

      And by the way... for some unknown reason, Radio Shack could no longer sell electronics parts. Funny how that worked. So they got rid of the parts, too. I went in the other day looking for fuses; they only had a handful and suggested I go to "Home Depot". Ouch. Tell me again why people go to Radio Shack these days?

      Same thing happened to Dick Smith Electronics down here. Was an excellent parts and odds & ends store in the late '80s and the core audience was build-it-yourself types (me:-)). Then he sold out to Wollies in '91 - don't blame him, made about $A50M - and it went down hill from there. Wollies are a grocer, they sell packages at low margin and higher low-cost students and drop outs to keep the packages moving.

      15 years later and maybe only Jaycar has the bits that you need, or else through the internet. You can buy a headphone cable or a TV antenna at Dick Smith - if you're in a hurry and they are local and you don't mind paying $10 extra - but the rest of their "products" are just average consumer electronic boxes for no-nothing mums and dads.

      Life goes on...

      --
      We do not inherit the Earth from our parents. We borrow it from our children.
    3. Re:The "Radio Shack" effect by tkrotchko · · Score: 1

      The problem is on the internet for 50 cent parts, it's tough to order. The big places have essentially $10-20 minimums because of the high cost of shipping small items. When I need parts, I need it within 24 hours, not within a week.

      I was repairing a vacuum cleaner that needed a 15A Slow-Blow fuse. Radio Shack will only sell up to 10A Slow-Blow. I finally got the part at the local got-it-all hardware store, although I had to take ceramic instead of glass. Although it finally forced me to understand why you use ceramics instead of glass.

      --
      You were mistaken. Which is odd, since memory shouldn't be a problem for you
    4. Re:The "Radio Shack" effect by GrahamCox · · Score: 1

      Radio Shack used to employ salesmen who actually knew about electronics

      I'm a Brit and my first encounter with Radio Shack was in Canada in 1976. It was an amazing shop for a budding nerd like me - loved it! We didn't have high-street shops like that in the UK back then (though I did discover some other gems not long after, such as the original Watford Electronics...). By the time Tandy (as R-S was branded in the UK) arrived in the 80s the rot had already set in, and sadly it's gone steadily downhill ever since.

  62. Re:It's not the year. It's just a gradual developm by atraintocry · · Score: 1

    I agree with your sentiment but the numbers are a bit off. My band's record cost $1000 to record and another $1000 to press a few hundred copies. This is still cheap though, compared to what it would have taken 20 years ago. Pro Tools has changed a lot of things, but it's still generally very expensive to record a CD's worth of (good) music. Expensive enough to make record labels a very useful thing (evil though they may be).

  63. CDbaby has search that works by flyingfsck · · Score: 1

    Try CDbaby. Their stuff is indexed and their search function actually works.

    --
    Excuse me, but please get off my Pennisetum Clandestinum, eh!
  64. MTV 's Disorder by Anonymous Coward · · Score: 0

    MTV and the homosexual channel LOGO are run by the same people and they just use it as another way want to perv kids out more than use it as a way to promote music.

  65. It's the music by earlymon · · Score: 1

    http://play.rhapsody.com/album/grease/rocknrollisheretostay

    Takes more than bad execs and bad decisions to kill this stuff.

    --
    Pathological kinda promises Path + Logical - but instead, you get stuck with pathetic.
  66. Convergent Meanings by cappadocius · · Score: 1

    While you are right that strictly speaking there are two meanings of the word, each with a different origin, the two meanings converge so substantially that they might as well be one.

    In political jargon the term refers to an effort to torpedo a judicial nomination, but by analogy can really mean any concerted effort to ruin/stop/decimate something. In nerd jargon it basically means to break something, but I gather the strong connotation is to screw something up or really botch something. So basically we are back to ruining things.

    About the only substantial difference is that one implies intent and the other implies an accident. But that might as well think of the two terms as one with context providing the information about intention.

    I am reminded of how in every culture in the Hitchhiker's Guide universe there is always a drink whose name is something on the order of "Gin and Tonic."

    --

    omnia tua castra sunt nobis

  67. Borked? Or Bricked? by obeythefist · · Score: 1

    Since /. is all about misusing the "brick" analogy for rendering a device unfixable through straighforward means, wouldn't it be more appropriate to suggest 2007 bricked the music industry?

    --
    I am government man, come from the government. The government has sent me. -- G.I.R.
  68. Score one for Sesame Street by cappadocius · · Score: 1

    It's "empty-v" as in "no vision".

    I swear to god I remember watching a sesame street sketch when I was a kid that was called Empty-V and was a parody of MTV. It had a big empty V logo in the style of MTV's old logo, and lots of little pink monsters dancing around singing innocuous bubbly poppy music.

    Who knew muppets were such prescient cultural critics?

    --

    omnia tua castra sunt nobis

  69. MTV and short attention spans... by nowhere.elysium · · Score: 1

    I was on the Underground today, and was listening to these two teenage girls chatting about how 2005 was "back in the day", as if it was some significant period of time ago. We've managed to serve up such an instantaneous consumer culture that 2 years is considered an age of man: paired up with utterly unmemorable 'music', and you've got the reason. I reckon it's not got a huge amount to do with file sharing: it's all about the lowest common denominator.
    Everything is marketed and labelled as if it were utterly new. People seem to forget that almost everything is recycled in some aspect. Amy Winehouse is not new. Nor is her drug-taking, pillock-marrying lifestyle. People have been doing that (in the public eye, at least) for nearly half a century. Get over yourselves.
    MTV only worsens matters by making damn sure that on their 'Bestest Music Evar!' shows, on the rare occasion that they actually play them, only includes the same regurgitated pop crap that's sourced from within the previous five years, thus compounding the illusion that current pop music is innovative.

    Gah. It's all bollocks, anyway.

    --
    http://xkcd.com/313/
  70. Re:Funny article from the company who ignores musi by Dirtside · · Score: 1

    Good lord, learn a little history. Music was a "cheap plastic commodity" at least as early as the 1950s; the big labels were hitmakers back then just as they are now (well, before the Internet started killing their business model, anyway). There were manufactured pop bands long before you or I were born.

    MTV didn't invent this, it's just another in a long line of corporate tools for promoting bands. There's been plenty of good, "artistic" music both before and after MTV was born.

    --
    "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
  71. Re:2007: the year slashot rebelled against spellin by Sockatume · · Score: 1

    Ack, where did I screw up? It's driving me nuts trying to see it.

    --
    No kidding!!! What do you say at this point?
  72. Pig Media by Hangly+Man · · Score: 1

    Big media was the worst thing brought about by the 20th century. Thank God the internet is finally breaking its stranglehold over politics and culture. While I feel for the people who might lose their jobs, anything that hastens its demise is a Good Thing.

  73. Solus Solique by wilec · · Score: 1

    Have you seen the movie "Heavens Burning" with R.Crowe and that cute little Japanese chick Youki Kudoh. There is a piece of music on it I have been trying to find, full length not just a DVD rip of the audio as it was mixed with other stuff of course. Since there was no CD audio volume released I have as of yet to find the piece. I believe the music was a Spanish style guitar interpretation of a Mozart composition by the name of "Solus Solique" of something close to that, I could not get a clear view because IFC screws up the credits on most all movies. I keep meaning to pickup the DVD but since the info I have seen on it says it does not include a separate audio volume of the sound track titles it is probably pointless. The piece Solus Solique, (latin: One Day, In A Single Day, The Only Day?) appears in its longest example during the love scene at Crowes pops house. Great music, gives me the shivers, and that is unusual for something that I did not listen to as a teen and thus come encumbered with emotional bonds to angst ridden stuff.

    Wabi-Sabi
    Matthew

    http://www.amazon.com/Heavens-Burning-Russell-Crowe/dp/B00004YA78/ref=pd_bbs_sr_1?ie=UTF8&s=dvd&qid=1198732542&sr=8-1

  74. MTV is basically borked anyway. by Hangly+Man · · Score: 1

    I always thought MTV had a fundamentally broken business model.

    Think about it. Their function is to deliver the young hip viewers (18-25) with lots of disposable income to advertisers. That means every five to seven years they need to discard their viewer base and go after the next batch of kids. I never heard of a business succeeding over the long term by periodically alienating its audience.

    What they should have done was retain the audiences they spent so much money and effort to attract and then launched new channels every few years or so with a new format that appeals to the next group of kids. If the MTV I grew up with (Kennedy, 120 Minutes, Headbangers' Ball, etc.) was still around I would probably still be watching it.

    1. Re:MTV is basically borked anyway. by encoderer · · Score: 2, Interesting

      "I never heard of a business succeeding over the long term by periodically alienating its audience."

      Well, now you have.

      But seriously, MTV isn't the only one. By your logic, Playskool should have started out with pre-school toys, then moved into action figures, then video game consoles, then cell phones and laptops. Instead, they alienate their customers by making the same-old preschool crap despite an aging audience.

      And that's just one example of many.

      What you're opposing is niche marketing. Doing one thing and doing it well. MTV knows how to market to teenagers. It's incorrect to assume they'd be just as good at marketing to 20somethings and beyond. You've laid out a false dichotomy:

      The choice is not between staying the same and keeping the same audience. Peoples tastes and needs change as they become older and (usually) more affluent. The choice is between constantly changing to appeal to the teenagers of the day, or constantly changing to adapt to the changing tastes of their existing audience.

  75. I'm confused by britneys+9th+husband · · Score: 1

    What does MTV have anything to do with music? This is like CSPAN writing about the Patriots' chances in the playoffs.

    --
    Hear recorded Slashdot headlines on your phone! New service beta testing. Just call (248) 434-5508
  76. It's the culture of music which has changed. by cavebison · · Score: 1

    This is my take.. The introduction of iPods and the idea that music is a kind of go-anywhere ultra-convenient entertainment item, is very different to how it used to be.

    Pre-MP3, music you loved was a collectable item; mostly dominated by a handful of bands that were standard-bearers of your particular taste and culture. So of course you'd buy the latest U2 EP or Best of Sade, whatever. Remixes died in the 90's, but before that you'd also buy an EP full of remixes on ONE SONG. That would be insane now. But then it was at least something new and different.

    So the culture has changed, and it's the music industry's own fault for homogenising music. There's little now that's new and different, so why buy an album that sounds just like 20 other albums from other artists? You really just want one track because the other suck, and you've no particular loyalty to the artist anyway.

    However, if they came out with a Digitally Somehow Special version of Human League's "Dare", I'd buy that in a shot. But why, since I already have the vinyl and the CD? Because it's special! Hence the high sales of the Eagles' album as well.

    The industry has failed to keep music special, by saturating it with similarly insipid, production-line pop songs and Idol winners. At the same time, iPods and MP3's introduced the power of the playlist over the album. (While that's a bit sad for albums, it was inevitable in the digital age.)

    Combine all this and you get a de-valuing of music in the public's mind. There are still many bands out there of the calibre of REM in the pop world, but as the industry has tried to expand and push crap on us, they induced ambivalence in the market. Non-pop genres are probably still doing ok.

    So to me it's no surprise people are reluctant to fork out a still-overpriced $30 for an album any more. Even in the previous decades it still took some time to gain reputation as a good artist, now they expect a new band to hit the top in 6 months because there's no much hype and marketing behind the release, instead of letting the music find its own level.

    So IMO it's their fault there's an excess of pirating instead of it being a more fringe activity and looked down upon by people who support artists and good music. i.e. The culture is the important thing, not the product.

  77. Re:It's not the year. It's just a gradual developm by frsmith · · Score: 1

    So MP3 is better than one analogue copy?

    People used to copy films from videos and some muppets bought them (and were proud of owning them)

    We have worse sound now then we have for many years mp3/ogg and itunes is the worse of the lot if not
    listening on head phones

    So this is not the reason for failing music sales, it's more a splintered market and more older people buy the back catalouges
    of the bands they like and have lost the album/lp/CD over time.
    The Eagles and Led Zeppelin still sell to millions of fans old and young because the music is relevant to them.

    The thing is crap music doesn't make as much money anymore and the one hit wonder is getting expensive to produce, hence pop idol and stuff (make the punter pay for the A&R work, much cheaper)

    Nice!
    Bob

    --
    It Seems I've developed an aversion to proprietary software
  78. Re:Funny article from the company who ignores musi by FauxReal · · Score: 1
    Good lord, learn a little history. Music was a "cheap plastic commodity" at least as early as the 1950s; the big labels were hitmakers back then just as they are now (well, before the Internet started killing their business model, anyway). There were manufactured pop bands long before you or I were born.

    MTV didn't invent this, it's just another in a long line of corporate tools for promoting bands. There's been plenty of good, "artistic" music both before and after MTV was born.


    Sure I understand, and I don't buy much if any major label music... I have literally thousands of CDs, cassettes and (mostly) vinyl records. I'm bona fide music nerd. But, if you respect music, love music, live it even... it's not a cheap plastic commodity to you is it?

    Pop music isn't all bad either, it can be fun and quality too. Yes, I know all about the payola scandals of the and present. In fact, this article by Davy D., "Why commerce is killing the true spirit of hip-hop" sums things up rather well. It's true for more than just hip hop, I'd say media in general. Check out this excerpt:

    During a separate conversation, Questlove of the Roots supported Porter's allegation with his own story about the process behind the group's Grammy-winning hit with Erykah Badu, ``You Got Me.'' He said the Roots had to pony up close to ``a million dollars'' to a middle man who ``worked his magic'' at radio stations. Initially, the overtly positive song had been rejected, he explained, so palms were greased with the promise that key stations countrywide would get hot ``summer jam'' concert acts in exchange for airplay. According to Questlove, more than $1 million in cash and resources were eventually laid out for the success of that single song. In the early days MTV was all about music, the VJs they had working were real music fans, you could see that sparkle in their eyes. They were hungry for it. Though a lot of it was cheesy pop, it was the better cheesy pop and on top of that they would introduce innovative artists.

    Remember 120 minutes? That show was brilliant! Remember when afro-centric & positive hip hop was something they were proud of on Yo! MTV Raps? At one point MTV was staffed by music lovers and musicians themselves; they had lots of live concerts and gave back to music culture in their own way... now it's staffed by a corporate entity who's sole vision is dollars via the lowest of the low common denominator. BET, as well... they might act like they care. But they sure as hell don't seem to give a rat's ass about elevating the culture.

    Maybe I'm just seeing the past through rose-colored glasses, but I remember MTV being musical, substantive and entertaining in the past. Good music is still out there and with the help of technology even more music lovers are making it. I have hope for the future.
  79. Re:The reference is by DogDaySunrise · · Score: 1

    If you're running Opera, adding the string "*myminicity*" to the Blocked Content list works well - the browser will just refuse to load anything originating from there :o) Not sure how it works in Firefox, but I'm sure there's something similar...

  80. Re:It's not the year. It's just a gradual developm by peragrin · · Score: 1

    $500 to get yourself up and running for a few hundred/ thousand copies. if you start to press cd's then the price goes up but if your selling that many well that's cool too.

    --
    i thought once I was found, but it was only a dream.
  81. Solution? by iosq · · Score: 1

    Perhaps The Music Industry/MTV should start to sell/produce/display half decent music. I have heard Akon say how sorry he is enough now mmkay? Also, maybe rather then pulling off legal maneuverer's that show they have the marketing aptitude of a goldfish, how about working with the consumer for once? This isn't the year music died, it's the year where the public realized the industry sucks horrendously

  82. Re:Funny article from the company who ignores musi by Dirtside · · Score: 1

    Maybe I'm just seeing the past through rose-colored glasses, but I remember MTV being musical, substantive and entertaining in the past.

    No, you're right, MTV definitely was all good and musical back in the day.

    What I took issue with was when you said that "maybe they had a small role in killing music buy [sic] changing it from an artform to a cheap plastic commodity", which is a conclusion based on bad logic:

    Premise 1: music was changed from an artform to a cheap plastic commodity
    Premise 2: #1 resulted in music being "killed" (whatever that means)
    Assertion: MTV did #1 thereby causing #2

    None of these things are true. MTV definitely treats music more like a CPC than an artform these days, but its doing so has not altered music overall, nor has it caused music to be "killed" :)
    --
    "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
  83. Wrong by DaveV1.0 · · Score: 1

    The problems in the music industry started years ago when it stopped being about people playing good music and started being about attractive people shaking their asses and lip-syncing.

    That would be about one month after MTV came on the air.

    --
    There is no "-1 offended" or "-1 you don't agree with me" mod options for a reason.