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RIAA Not Sharing Settlement Money With Artists

Klatoo55 writes "Various artists are considering lawsuits in order to press for their share of the estimated hundreds of millions of dollars the RIAA has obtained from settlements with services such as Bolt, KaZaA, and Napster. According to TorrentFreak's report on the potential action, there may not even be much left to pay out after monstrous legal fees are taken care of. The comments from the labels all claim that the money is on its way, and is simply taking longer due to difficulties dividing it all up."

233 comments

  1. I Wonder... by glavenoid · · Score: 5, Funny

    ...how difficult it is to divide by one...

    --
    I, for one, am looking forward to the inevitable /. beta rollout fallout.
    1. Re:I Wonder... by Stanistani · · Score: 5, Funny

      One is the loneliest number...

    2. Re:I Wonder... by KublaiKhan · · Score: 5, Funny

      Sir, you've violated the copyright of Three Dog Night with your dissemination of their song "One is the Loneliest Number".

      We're here to take your first born to our Vinyl Mines.

      --
      In Xanadu did Kubla Khan
      A stately pleasure dome decree
    3. Re:I Wonder... by Wandering+Wombat · · Score: 5, Informative

      Harry Nilsson wrote "One", Three Dog Night merely covered it... WITHOUT ASKING!!!

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    4. Re:I Wonder... by moderatorrater · · Score: 5, Funny

      But it was done from within the music industry, so it was fair use. It's only stealing if someone without enough money for lawyers does it.

    5. Re:I Wonder... by invader_vim · · Score: 5, Informative

      You don't have to ask to cover a song. You just have to let the relevant administrative body (APRA in Australia, I believe it falls to ASCAP et al. in America) know about any recording or performance you have done of it, so that the artist will be recompensed for your use of the song.

    6. Re:I Wonder... by Wandering+Wombat · · Score: 5, Funny

      Excellent. I didn't illegally download music, I merely let my computer perform a very similar cover version.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    7. Re:I Wonder... by hedwards · · Score: 5, Informative

      That only applies to live music. ASCAP is responsible for licensing musical performances. If I want to perform music that ASCAP licenses, I pay them a fee and get to use the work.

      A typical bar featuring music will typically pay ASCAP a recurring fee to cover the songs in that catalog and be allowed to perform any of them. You don't technically have to pay ASCAP a fee just because you have music, but you're in for a world of hurt if you get caught with an unlicensed performance of a covered work.

      The big dirty secret here is that ASCAP doesn't tell anybody how it is that they distribute the license money. It's incredibly hard to know if relatively unknown artists are being compensated fairly.

      "Live" performances are radio, TV, phone systems, intercoms and any other venue where the main use of the music is listening to rather than a copy of. Frequently places will just buy a license through a third party which pays the fees as well as provides the music itself to simplify the whole process. Muzak is one of the more common outfits that provides the service.

    8. Re:I Wonder... by Zordak · · Score: 1

      Harry Nilsson wrote "One", Three Dog Night merely covered it... WITHOUT ASKING!!! Which is perfectly legal if you pay the mechanical royalties (and meet some other requirements).
      --

      Today's Sesame Street was brought to you by the number e.
    9. Re:I Wonder... by MushMouth · · Score: 1

      In the US it's covered by the Harry Fox Agency. It's simply a matter of paying the mechanical royalty.

    10. Re:I Wonder... by m0nkyman · · Score: 2

      I don't know about ASCAP, but up here in the great white north, SOCAN performs a similar function, and they use a formula based on a combination of radio playlists and reports from any licensees. I remember that most indie clubs I DJ'ed for were very consistent in filing our playlists so that the indie bands on our playlists would get some of the money...

      http://www.socan.ca/pdf/en/pub_HowYourMusicMakesMoney07.pdf

      --
      ~ a low user id is no indication I have a clue what I'm talking about.
    11. Re:I Wonder... by geekoid · · Score: 1

      And if it an MP3, it IS a cover.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    12. Re:I Wonder... by bob.appleyard · · Score: 1

      A statutory solution to a previous form of piracy. A sort-of sensible one as well. I wonder what the sort-of sensible compromise will be found this time around...

      --
      How dare you be so modest!! You conceited bastard!!
    13. Re:I Wonder... by gVibe · · Score: 1

      ...how difficult it is to divide by one... Wait Wait...I'm thinking.
      --
      Keywords for the NSA overthrow oppressive regime true believers marathon Manhatten the financial district blueprints I
    14. Re:I Wonder... by Paradise+Pete · · Score: 1
      Which is perfectly legal if you pay the mechanical royalties (and meet some other requirements).

      He didn't say they did anything illegal. He's just saying that they did not extended the courtesy of asking first.

    15. Re:I Wonder... by The+-e**(i*pi) · · Score: 1

      Why would they divide by 1?
      They think that 0 artists get the money, so they are dividing by 0, and for people that think a song is worth thousands of dollars, they can't be good enough at math to realize dividing by zero is futile at best.

    16. Re:I Wonder... by harry666t · · Score: 1

      This is sick. A cover is a tribute. By performing someone else's creation you show respect for the original artist. I never play songs I don't like.

    17. Re:I Wonder... by mea37 · · Score: 1

      Actually, whether it was done within the industry or not, it's a compulsary license. Unlike fair use, it's only legal if royalties are paid.

    18. Re:I Wonder... by dr.banes · · Score: 1

      Artists will get very little if anyone understands the economics of the sleazy music industry. If Jammie Thomas got sued for $9250 a song, do you really think Metallica,Green Day or whoever will get half or even a significant portion thereof? After all, its each artist's intellectual property,right? Record companies are scared because when CDs used to cost $17-$25, they were getting $14+-,$22+- respectively. The artist was and is lucky to get .50 on the dollar from that CD sale, hence their $ is made from touring and performances. With the advent of mp3s this changed the landscape dramatically. If I'm an artist and I want to sell my music through any digital service DRM free of course-who needs a huge company behind them? I can get .50 cents of every song as opposed to .50 cents of an entire 14 song album. Its far more lucrative for independent labels, the buzz is usually word of mouth, "internet leaks",street buzz, youtube and way less overhead. You can sell your music for $10 and make $5-6 on each CD, not bad if you sell 100-200K units. With these big label deals, huge amounts in advertising,marketing are spent and need to be recouped. This is the downfall of the music industry, the business model is the old Pimp/Prostitute scheme and that can only last so long. I remember DMX in his prime said in an interview that he was getting .80 of every CD sold which was unheard of for a rapper at the time. So out of that $9250, how much do you think Metallica will get?

    19. Re:I Wonder... by Jeruvy · · Score: 1

      This is partly right, but it highlights the ignorance rampant about 'fair use'. If I 'cover' your song, then the song is now MINE at least from this perspective. Someone else could 'cover' the same song either from my 'cover' or from the original, does not matter, it's now the artist who covered it 'right'.

      There is no 'payment' to anyone for 'covering' a song. But if you pass the 'cover' as an 'original' ok, now there's a problem.

      --
      Jeruvy
    20. Re:I Wonder... by hedwards · · Score: 1

      They'd more likely than not be paying the fee for playing the music. Being broadcast presumably changes the formula, but ASCAP would get paid either way, assuming of course that the music was covered by them. And not all music is, just a fairly hefty backlog of compositions.

    21. Re:I Wonder... by Anonymous Coward · · Score: 0

      to get .50 on the dollar

      "$0.50 on" or "50 cents on".

      I can get .50 cents of every
      as opposed to .50 cents of an

      "$0.50 of" or "50 cents of". (".50 cents" is half of a penny.)

      was getting .80 of every

      "$0.80 of" or "80 cents of". (".80 cents" is eight tenths of a penny.)

  2. Of course it's coming! by Adradis · · Score: 5, Funny

    The comments from the labels all claim that the money is on its way, and is simply taking longer due to difficulties dividing it all up.
    Of course it's coming. We've just got to process it with all our high expense people so that you, the artist, receive the mere pennies you deserve!
    1. Re:Of course it's coming! by Anonymous Coward · · Score: 5, Funny

      Actually they are probably figuring out how to divvy up the remaining lawyer bill amongst the artists.

    2. Re:Of course it's coming! by ehrichweiss · · Score: 2, Insightful

      Mods, wake up!! The parent post is "interesting" but it's magnitudes more "funny".

      --
      0x09F911029D74E35BD84156C5635688C0
    3. Re:Of course it's coming! by arth1 · · Score: 3, Insightful

      What's sad is that it's possibly more insightful than we think.

    4. Re:Of course it's coming! by Red+Alastor · · Score: 1

      It's probably going to come with the levy money labels get from Canadian blank medias. I'm happy they can't sue in Canada as long as they accept receiving this as a fair compensation for piracy but the artists are once again getting shafted.

      --
      Slashdot anagrams to "Sad Sloth"
    5. Re:Of course it's coming! by z80kid · · Score: 3, Insightful

      Mods, wake up!! The parent post is "interesting" but it's magnitudes more "funny".

      What's sad is that it's possibly more insightful than we think.

      Can't decide.... interesting? or insightful? ..uh, funny? Ow... my head! Must decide... Ow!

      Oh hell. Now I've posted and can't mod anyway.

    6. Re:Of course it's coming! by bluefoxlucid · · Score: 1

      At least when the terms of your agreement include bending over and getting stiffed in the ass, you actually get paid for it.

    7. Re:Of course it's coming! by Niero · · Score: 1

      Remember, according to the record companies, they're not "artists," they're "content providers!"

    8. Re:Of course it's coming! by denis-The-menace · · Score: 1

      I wish someone would ask:

      Hey, Avril Lavigne, have you gotten your cheque for your share of the CD levy tax?

      --
      Obama's legacy: (N)othing (S)ecure (A)nywhere and (T)error (S)imulation (A)dministration
  3. T'was Ever Thus by Jeremiah+Cornelius · · Score: 4, Insightful

    With these crooks.

    --
    "Flyin' in just a sweet place,
    Never been known to fail..."
    1. Re:T'was Ever Thus by siddesu · · Score: 3, Interesting

      Well, *. I. Ass. of wherever are obviously crooks. That said, however, I don't feel particularly broken that their members are getting screwed by their own representative. Most of the members of the various labels under the hat of IFPI & Co. are there for one reason -- to pool lobbying resources so that they can bribe politicians more effectively into extending the (already extravagant) copyright laws.

      This is as an attempt to screw me, the consumer, twice -- first, by raising the prices (which I accept while the copyright lasts, as long as the time limits are reasonable, and they stopped being so long time ago), and second by removing competition, usually by directly abusing legal system.

      So, I am amused rather than heart-broken. Suck it, people, and before you call on lawyers to extortion for you, don't be surprised if you get extorted in turn.

    2. Re:T'was Ever Thus by s.bots · · Score: 4, Funny

      That said, however, I don't feel particularly broken that their members are getting screwed by their own representative It's not the members that are getting screwed in this case though, it is the artists. They entered into contracts with the record companies most likely at a time when you needed the financial help of the record company to get them off the ground, when home recording equipment was not nearly as cheap or as ubiquitous as it is now.
    3. Re:T'was Ever Thus by siddesu · · Score: 1

      As far as I understand it, Ass. of A. can only sue on behalf of labels. It is the labels that aren't receiving settlement money, not the artists. It seems the artists don't have a direct (or indirect) claim on the settlement cash anyway. But IANAL, so if someone can clarify this point, I'll appreciate it.

    4. Re:T'was Ever Thus by Fieryphoenix · · Score: 2, Informative

      A simple RoTFA would clarify it. The RIAA per se didn't get the settlements, EMI, Universal Music and Warner Music did. The people complaining they are not getting any of it are the managers of various high profile artists, such as the Rolling Stones, Korn, Christina Aguilera, The Eagles, Van Halen, REO Speedwagon and Seal.

    5. Re:T'was Ever Thus by Jeremiah+Cornelius · · Score: 2, Informative

      They used to extort abusive "public performance" fees from bars and restaurants with a jukebox or radio on.

      This is just the latest in their continuing line of business.

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    6. Re:T'was Ever Thus by Thegeek1215 · · Score: 1

      the riaa is a bunch of jackasses with out the internet some of these artist would never get there shit out there (THE RIAA ARE MASTERBATING MONKEIES)

    7. Re:T'was Ever Thus by siddesu · · Score: 2, Insightful

      Now if you englighten me to the difference in the positions of the main players of the RIAA and RIAA itself ...

    8. Re:T'was Ever Thus by zippthorne · · Score: 2, Insightful

      You do realize that those juke boxes, even with the "extortive fees" put a lot of real, local artists out of business: instead of needing a band 3 or 4 nights a week, the bars could scale down to the 1 or 2 most popular nights.

      Juke boxes are like, the Wal*Mart of the bar music industry.

      --
      Can you be Even More Awesome?!
    9. Re:T'was Ever Thus by budgenator · · Score: 5, Insightful

      The RIAA represents the record companies and it function is to spend as much money as fast as it can and any left over goes back to their clients the record company. The record company represents the artists and it's function is to spend as much money as fast as it can and any left over goes to their clients the artists. Wash rinse repeat, lawyers that can't get hired into the record companies settle for probate law. Do you know what the difference between a vampire and a probate lawyer is? The vampire quits sucking your blood when your dead!

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    10. Re:T'was Ever Thus by rockout · · Score: 2, Interesting

      To be fair, a majority of people in bars would rather hear already-established tunes from a jukebox than from a live band, especially if having a live band means a $10 or $20 cover.... I'm not saying it's right; it's just how it goes.

      --
      I've learned that they're worthless, so I don't read AC comments anymore.
    11. Re:T'was Ever Thus by absoluteflatness · · Score: 1

      Technically, the RIAA can't sue anyone, since it's primarily just a lobbying organization with a few other duties thrown in, but the RIAA doesn't own any copyrights it can sue over.

      Even though the lawsuits are obviously coordinated by the RIAA (same lawyers and tactics amongst all the various member labels) the settlement and damage money all goes to the individual labels. The RIAA itself is really just a phantom, it doesn't have any power that I know of to control the actions of the labels, it's merely a convenient umbrella organization to do things the various music industry giants consider mutually beneficial, such as pressuring college students into settlement deals.

    12. Re:T'was Ever Thus by ApostasyX · · Score: 1

      (THE RIAA ARE MASTERBATING MONKEIES)

      Someone should inform animal cruelty organisations!

    13. Re:T'was Ever Thus by StarfishOne · · Score: 1

      RoTFA? Is that how Price calls himself nowadays? :?

    14. Re:T'was Ever Thus by bluefoxlucid · · Score: 1

      The Sherman Anti-Trust Act of 1886 defines this as "an illegal trust" thanks.

    15. Re:T'was Ever Thus by bluefoxlucid · · Score: 1

      If I had a bar I'd do live shows. Seriously. I'd even line local artists with extra pay to do covers (on top of the ASCAP and BMI fees, yes), and encourage the audience to pass them some cash if they like.

      The record labels hire you for image and similar-to-today's-hot-sound music. They will tell you flat out that you're good but "don't have the image." If you want to get some good music in this damn world again, you need to give the little guys a stage and a cash flow. Make it work again.

      Kids today. Go steal some teenager's iPod once, most of the time it's full of rock that was old when YOU were in middle school. They can't seem to find anything that sounds any good in today's world; you think you can't make money off a cover band in an environment like that? Some Scorpions or Guns 'n Roses or Black Sabbath will get people coming back to your establishment, and hearing it fresh from a new band will appeal to them greatly. If you've got some good material of your own, this will get you in front of people to show it.

    16. Re:T'was Ever Thus by Chemisor · · Score: 1

      Free stolen money! Free stolen money! Get yours while it's hot!

  4. Is this really any surprise? by KublaiKhan · · Score: 3, Funny

    They're just waiting for all the execs to be declared honorary lawyers by some diploma mill or another so they can claim the whole thing as 'legal fees'.

    --
    In Xanadu did Kubla Khan
    A stately pleasure dome decree
  5. Why is this not surprising? by Finallyjoined!!! · · Score: 5, Funny

    The recent RIAA extortion has never been about the artists, merely keeping the "coke & whores" budget healthy.

    --
    If I had an Ass, I'd call it Fanny Bottom, then I could slap my Ass; Fanny Bottom, on the Arse.
    1. Re:Why is this not surprising? by Anonymous Coward · · Score: 1, Funny

      No no no... the "coke and whores" budget is for the artists. The execs are pumping up their "country club and mistress" budgets. Those are two separate accounts (the latter of which the settlement money is going)

    2. Re:Why is this not surprising? by xero314 · · Score: 1

      The recent RIAA extortion has never been about the artists, merely keeping the "coke & whores" budget healthy. Coke and Whores? That sounds like it's completely about the artists to me. I mean that's the only reason to be a professional musician right?
    3. Re:Why is this not surprising? by repapetilto · · Score: 2, Informative

      have you ever done coke and fucked a whore? Its for everyone.

  6. Is anyone surprised by this? by Alexx+K · · Score: 5, Insightful

    The RIAA does not exist to serve the artists. It's mission now is to suck all the money it can out of a dying business model.

    --
    Don't mind the extra X. Alex
    1. Re:Is anyone surprised by this? by Wandering+Wombat · · Score: 2, Interesting

      For additional information, please see:

      Software companies
      Hardware companies
      Automobile companies
      Colleges & Universities
      Banking
      Housing
      What's outside your window...

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    2. Re:Is anyone surprised by this? by inwo42 · · Score: 1

      If the artist makes the music (not that I'd call the crap spewing from the pop artists "music"), the record companies represent (read: OWN) the artists, and the RIAA represents the record companies, I'm surprised the artists don't have contracts put out for these RIAA asses for not giving up the loot. Sure, the money can be funneled back into the legal fees for more lawsuits, but this is just pushing the public away. Artist make music --> record company take money from public --> RIAA take money from criminal (formerly known as public) --> public get pissed --> public stop buying music (we should) --> artist make nothing On the other hand, my ears would probably thank the RIAA for indirectly slowing the spewing of crap.

    3. Re:Is anyone surprised by this? by networkconsultant · · Score: 0

      Ahh yes, death by expenditure. In soviet Russia pirate drive you!

  7. I'm shocked... by sdkramer · · Score: 5, Funny

    Give me a moment to recover.

    --
    "I wish to God these calculations would have been made by steam." -Charles Babbage
  8. makes sense by ILuvRamen · · Score: 5, Funny

    Well why should they share the money when a good portion of it was gotten from people that didn't even download music from a copyrighted artist? You don't give money to artists if there was no damage. Logically what should be done is the RIAA should go to hell.

    --
    Google's Super Secret Search Algorithm: SELECT @search_results FROM internet WHERE @search_results = 'good'
  9. They have all the data... by Helios1182 · · Score: 4, Insightful

    They have all the data on how many times each song was infringed, so I'm sure this ought to be easy.

    1. Re:They have all the data... by The+Mighty+Buzzard · · Score: 4, Insightful

      Good point. They say they've got the information to spout an accurate number on how much file sharing costs them every year, so they're only a short perl script away from having accurate numbers of what to pay each artist, right?

      --
      Violence is like duct tape. If it doesn't solve the problem, you didn't use enough.
    2. Re:They have all the data... by Ron_Fitzgerald · · Score: 1

      This has been my beef with the whole *iaa deal is that they claim each song/movie is a missed sale. This can't possibly be true and I am sure the right college student looking for great credits will do research on this.

      Each download DOES NOT equal a missed sale and the falling numbers for each industry not only coincide with P2P popularity, they also coincide with a declination in quality work. There has been a lot of crap shoveled out gained in popularity simply from marketing strategies, not quality.

      I could go on here but we all know what is going on and it has been said many times before.

      Garbage in, garbage out.

      --
      ~ Ron Fitzgerald
    3. Re:They have all the data... by falconwolf · · Score: 2, Insightful

      Each download DOES NOT equal a missed sale and the falling numbers for each industry not only coincide with P2P popularity, they also coincide with a declination in quality work

      Actually as someone else pointed out earlier this year the quality of music hasn't gone down, for instance I love the Classic Rock, Rock and Roll, and Southern Fried Rock from the '60s and '70s. But most of the music that came out then wasn't very good. For instance I love Gordon Lightfoot's "The Wreck Of The Edmund Fitzgerald" but there aren't many others of his songs that were that good. Or take Iron Butterfly, about the only song of theirs I love is the drum solo Inagodadavida. The same can be applied to many other artists.

      No, I think a big reason music sales declined was because of the economy. When the RI/MPAA started complaining about drops in sales the economy was dropping overall and not just for entertainment. Hell entertainment is one of the first things people reduce spending on when money gets tight.

      Falcon
    4. Re:They have all the data... by Anonymous Coward · · Score: 1

      I find this statement rediculous to be honest. There has always been one hit wonders, if you think the entire era "wasn't very good" based off a few one hit wonders I imagine you got the info from VH1 or possibly Wikipedia. And also just for a factual post vs your out of the ass post... Entertainment is the last thing people make cuts on during economic downturns. Most of the time sales of such items goes up. Movies, games, music etc... The real problem here is a stale business model that doesn't work anymore. Why buy a CD when you can download it at the same quality? Think of the wasted energy to actually get to the CD + the time out of your life to do it. Think of all the TV programs you'll miss.

    5. Re:They have all the data... by zerocool^ · · Score: 4, Interesting


      Heh.

      Some artist who's not a jackass should bring a class action lawsuit on behalf of the artists, claiming that they're owed $750 per successful litigation of a confirmed act of copyright infringement. Seeing as how the RIAA is determined to ram that valuation through the courts.

      ~Wx

      --
      sig?
    6. Re:They have all the data... by six025 · · Score: 1

      If they worked with the mininova.org team (et al) they could get logs of how many times each torrent/file has been downloaded. Should be a simple spreadsheet job from that point!

    7. Re:They have all the data... by toddestan · · Score: 1

      You can argue about the artistic quality of the music the past few decades, but when it comes to the technical side of things, the quality of CDs have been taking a huge nosedive the past few years. Take a look at the loudness wars, as it's being called. That's why I find many recent CDs are hard to listen to. It's not that the music itself is bad, it's just that it sounds like total shit.

  10. Oh come on now by Anonymous Coward · · Score: 4, Informative

    I'm no fan of RIAA, but the RIAA lawsuits aren't about recouping money for the artists. That would be a ludicrous business model (one where you let people steal your product and then sue them to recover you loses on a routine basis). The RIAA lawsuits are about raising the risk/reward ratio to make people decide not to steal music. It is about punishing bad behavior, not recouping lost royalties. Even if, in the end, RIAA burns every dollar it "recoups" on ongoing legal fees, that's fine and acceptable. The point is to hurt the downloaders, not help the artists WITH THE LEGAL JUDGMENTS. They serve to help the artists by stopping the illegal downloading.

    1. Re:Oh come on now by QuantumG · · Score: 5, Insightful

      And that's why other countries don't have punitive damages. Somehow civil matters got all mixed up in the USA. I guess greed does that.

      --
      How we know is more important than what we know.
    2. Re:Oh come on now by Anonymous Coward · · Score: 0

      And it's working great isn't it?

    3. Re:Oh come on now by RedWizzard · · Score: 2, Interesting

      The RIAA is collecting damages on the basis that the artists have suffered financial harm due to the defendants actions. The rewards are intended by the courts to compensate the artists for the damage done. The RIAA have a moral (and probably legal) obligation to distribute the money they collect to the artists.

    4. Re:Oh come on now by WoollyMittens · · Score: 1

      They are only serving the survival of their obsolete business model of artificial scarcity. The labels themselves have admitted that the old model is dead.

    5. Re:Oh come on now by Solandri · · Score: 5, Insightful

      I'm no fan of RIAA, but the RIAA lawsuits aren't about recouping money for the artists. That would be a ludicrous business model (one where you let people steal your product and then sue them to recover you loses on a routine basis). The RIAA lawsuits are about raising the risk/reward ratio to make people decide not to steal music.
      If you're correct and the copyright infringement penalties are meant to be punitive instead of compensatory, then they are enormously disproportionate. Punitive damages are meant to simply discourage the defendant (and others) from engaging in that behavior, not consign them to a bankruptcy. Being able to file a lawsuit for several dozen times a person's net worth isn't punitive, it's overkill. Would our legal system be considered sane if the potential punitive damages for Microsoft's monopoly case had been $2 trillion?

      The problem is the RIAA wants and is getting their cake and eating it too. They want your music purchase to be treated as a product with no liabilities of a license (like discounted upgrades), but they want to restrict what you do with your purchase like a license. They want copyright infringement and its punishments to be considered a crime, but they want the standard of guilt used in civil cases. They want fines and settlements to be thought of as compensatory ("$billions in lost sales justify what we do"), but bring up the idea of sharing those compensatory awards with artists and suddenly it's punitive. Pick one, or the other. Don't flip flop whenever it's convenient to do so.

    6. Re:Oh come on now by CodeBuster · · Score: 1

      And that's why other countries don't have punitive damages. How then do they punish gross negligence or wanton disregard for the harms caused to others or do they just not distinguish between those and accidental harms? The USA may have more than its fair share of asshats, but we don't have a monopoly on bad behavior.
    7. Re:Oh come on now by jgarra23 · · Score: 5, Insightful

      Who modded parent insightful?

      And that's why other countries don't have punitive damages. Somehow civil matters got all mixed up in the USA. I guess
      greed does that.


      That is not why. Most countries that do not have punitive damage allowances in their laws are usually run by tyrants anyways. The idea of of punitive damages is to punish an entity enough so they think twice before they do it again, it's a civil punishment for a civil case where a criminal punishment should be enacted but cannot be for whatever reason.

      You know what happens when tort reform runs rampant and punitive damages are out the window? Companies like Exxon can get away with murder by polluting an entire coastline and having only to pay 2 weeks worth of profit as a fine. This is not greed, this is not tort reform, this is justice gone wrong. Thanks to the tort reform in America Exxon has a punishment that does virtually nothing to a company which committed a criminal act. The amount they have to pay is a drop in the bucket compared to how much the citizens of Alaska have paid with their well-being. So perhaps it is the lack of a real punitive damage which is greedy!

      Now I see what you mean when for instance, people who KNEW cigarettes would kill them continue to smoke and now tobacco companies are having to pay out the a** because of some jerk who took a KNOWN risk and then whined about it later but this is a law that needs refining, not a blanket statement that all punitive damages are greedy.

    8. Re:Oh come on now by Anonymous Coward · · Score: 0

      How would you recommend punishing a corporate fiction, Archimedes? Put them in jail?

    9. Re:Oh come on now by Cassius+Corodes · · Score: 1

      Well punitive damages are usually used against big corporations - in fact there is a business lobby to remove punitive damages. Or did I miss sarcasm?

      --
      Control is an illusion, order our comforting lie. From chaos, through chaos, into chaos we fly
    10. Re:Oh come on now by 1984 · · Score: 1

      The problem is the RIAA wants and is getting their cake and eating it too. They want your music purchase to be treated as a product with no liabilities of a license (like discounted upgrades), but they want to restrict what you do with your purchase like a license. They want copyright infringement and its punishments to be considered a crime, but they want the standard of guilt used in civil cases. They want fines and settlements to be thought of as compensatory ("$billions in lost sales justify what we do"), but bring up the idea of sharing those compensatory awards with artists and suddenly it's punitive. Pick one, or the other. Don't flip flop whenever it's convenient to do so. I'm not a moderator today, so instead I'll tip my hat here to you. That's the nicest summing up I've seen of this instance of playing both ends against the middle.
    11. Re:Oh come on now by zotz · · Score: 3, Insightful

      "That is not why. Most countries that do not have punitive damage allowances in their laws are usually run by tyrants anyways. The idea of of punitive damages is to punish an entity enough so they think twice before they do it again, it's a civil punishment for a civil case where a criminal punishment should be enacted but cannot be for whatever reason."

      Well, if that is the case, the punitive part of the award should not go to the plaintiff.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    12. Re:Oh come on now by Iamthefallen · · Score: 1

      Have the punitive damages be paid to a third party.

      --
      Wax-Museum Fire Results In Hundreds Of New Danny DeVito Statues
    13. Re:Oh come on now by McGiraf · · Score: 0, Flamebait

      The people of Alaska knew that if they drove a car oil had to be transported, they knew the risks too.

    14. Re:Oh come on now by Anonymous Coward · · Score: 0

      Would our legal system be considered sane if the potential punitive damages for Microsoft's monopoly case had been $2 trillion? If they still were allowed to pay in software licenses, I don't think they would have minded.
    15. Re:Oh come on now by Gerad · · Score: 1

      Why not? You say the award should not go to the plaintiff, but don't even give a single reason why. Your argument would be a lot more persuasive if there was an actual argument, rather than merely a conclusory statement without reasoning.

      --
      Be the Ultimate Ninja! Play Billy Vs. SNAKEMAN today!
    16. Re:Oh come on now by Actually,+I+do+RTFA · · Score: 1

      Well, if that is the case, the punitive part of the award should not go to the plaintiff.

      Why not?

      You might say that the amount of money is truely excessive, more so than any other person should have. And I grant that. But CEOs make obscene amounts of money, too.

      So, at this point, there seem to be two objections. One would be that CEOs should also be paid less. In which case, if you want to have a tax rate of 100% above some level, apply it to punitive damages as well. Alternatively, you might claim that CEO pay is earned whereas punitive damages are not. If that is the case, I have two rebuttals. The first is that CEO pay is typically inflated beyond what they are worth, because every Sr. VP thinks they will be CEO someday. So a $1,000,000 bonus to a CEO is more productive than 20 $100,000 bonuses to Sr. VPs. Second, I would contend that the punitive damages are earned, see below.

      It takes a lot of work (years of your life) to bring a successful suit against a company, and see it all the way through the appeals process. In addition, the big company can essentially pay legal fees ad inifitum or have lawyers on retainer. Because of this, the chances of winning a case tend to be fairly small. High punitive damages are given to the plantiff to compensate lawyers (who own a part of the settlement) and plantiffs who take a chance and encourage them to take them to court, to stick it out and not to settle for a non-punitive sum.

      --
      Your ad here. Ask me how!
    17. Re:Oh come on now by zotz · · Score: 1

      "You say the award should not go to the plaintiff, but don't even give a single reason why."

      The reason why is contained in the statement in the post I responded to.

      The point is made that punitive damages are in place to punish an entity enough so they think twice before they do it again. They have nothing to do with the damage suffered by the other party. You can punish the one party without giving what amounts to a lottery winning to the other party. Make the other party whole. Give the punitive part to some other good cause. Say others who have suffered in a similar way? As a last resort just to the public coffers that match the court.

      I am not saying to get rid of the punitive damages in case you are wondering.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    18. Re:Oh come on now by zotz · · Score: 1

      "Why not?"

      Because they should be made whole and not enriched perhaps?

      Perhaps set aside the punitive part for their continuing the action all the way to the conclusion and then after that, elsewhere. And let them collect their legal fees if that is already in your system. I see pluses and minuses to doing things that way. If I have it right, we don't allow that here, each party pays their own costs.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    19. Re:Oh come on now by sl956 · · Score: 1
      Who modded parent insightful?

      Most countries that do not have punitive damage allowances in their laws are usually run by tyrants anyways. The concept of punitive damages does not even exist in Civil Law countries.

      Here is a nice map where you will see that Civil Law is by far the predominant system of law in the world (including for instance all European countries barring the British Islands, Japan, Mexico etc. all known to be "run by tyrants").

      For your information, the institution of punitive damages only appeared in England at the end of the eighteenth century (the first case dates to 1763). To put it into perspective Civil Law was first codified 529AD. Punitive damages then crossed the Atlantic Ocean and became an established part of the law of the United States, and at the same time, from England, it spread through all the countries of the Commonwealth. Despite the fact that they are criticized, limited, and controlled, their existence remains in most Common Law countries. On the contrary, punitive damages play an important role in the United States, where they can be exceptionally high.

      Most countries in the world are quite happy to do without punitive damage allowances. In those countries, Exxon would be effectively prosecuted under criminal law. Of course, such an ideal system does not work very well when prosecutors are given orders by politicians elected thanks to Exxon money. Maybe that's why the US needs punitive damages and most other countries don't.
    20. Re:Oh come on now by Carewolf · · Score: 1

      How then do they punish gross negligence or wanton disregard for the harms caused to others or do they just not distinguish between those and accidental harms? The USA may have more than its fair share of asshats, but we don't have a monopoly on bad behavior.


      Through criminal law! Duh!

      You are still mixing up civil and criminal law. If people put other people at risk or harm them, they are punished by the state through criminal law. Putting other people at risk is a _crime_ not a purchase settled by civil law. Opposite to copyright infringements which are _not_ crimes, but counts as a purchase and settled by civil law.
    21. Re:Oh come on now by Carewolf · · Score: 1

      That is not why. Most countries that do not have punitive damage allowances in their laws are usually run by tyrants anyways. The idea of of punitive damages is to punish an entity enough so they think twice before they do it again, it's a civil punishment for a civil case where a criminal punishment should be enacted but cannot be for whatever reason.


      You do realize that the US is pretty much the only country in the world with punitive damages, and you just called every other democracy in world for "run by tyrants"?? That's a pretty arrogant statement even for an american asshat like you.
    22. Re:Oh come on now by networkconsultant · · Score: 0

      It's times like this I'm glad Canada has a crap load of brightly lit fiber so I can seed to all you nice anti-RIAA people in the us with a super node or two. :D Although, if this continues the fallout may lobby our government, and to be frank they are easily bought.

    23. Re:Oh come on now by bluefoxlucid · · Score: 1

      So in other words, they're lying, cheating, manipulative assholes using all kinds of bullshit about why they're doing what they're doing to mask their true goals. Thanks for that.

    24. Re:Oh come on now by Actually,+I+do+RTFA · · Score: 1

      We do have recooping legal costs in the system (but you have to pay initially).

      Because they should be made whole and not enriched perhaps?

      As I pointed out, they are being compensated for punishing the company, for acting as an analog to a DA. See all my analysis as to why this is not a bad thing.

      --
      Your ad here. Ask me how!
  11. Hollywood Accounting by ween14 · · Score: 5, Funny

    When the RIAA discovered that they had some money left over after paying the lawyers, they needed some time. They have their best accountants working on it http://en.wikipedia.org/wiki/Hollywood_accounting.

    Once they are done with the proper accounting procedures, they will make sure to give the token penny or two to the "poor, starving artists".

    --
    Java has no friends.
    1. Re:Hollywood Accounting by CodeBuster · · Score: 1

      Yes, the artists will receive a "fair" share of the NET profits which will be either zero or asymptotically as close as they can get to zero (i.e. one (1) cent cheques for each artist under contract w/an RIAA member label) after the expenses are subtracted from the total lawsuit revenues.

  12. share? why? by themushroom · · Score: 4, Interesting

    At what point did the RIAA claim that they were going through all these lawsuits on behalf of the artists? Uh... okay... those were the words in the broadside. Hmm.

    Let's try again. At what point did they claim they were doing this to pay the arts for "lost profits"? There, that's it.

  13. On the plus side... by Channard · · Score: 5, Funny

    .. it means Metallica aren't getting a share. I bet they'e kicking themselves now..

  14. Strategy by dunezone · · Score: 4, Insightful

    I dont quite understand the strategy of the RIAA, is this even a profitable strategy. You first need to collect evidence, then you need to file the lawsuit, and finally the defendant has to pay, that is if he or she is found in guilt. So now you to pay for the collection of evidence, then the lawyers, and then you have to hope the defendant has money to pay you to recoup the loss.

    So I guess they have internal lawyers but as the cases grow in numbers you need to hire out law firms which is not cheap. I don't know who they pay to collect the evidence, or to tell if someone is infringing but they have to monitor the P2P networks and I guess the torrents.

    So by the end of the case lets say the defendant is given a infringement cost of $10,000 or something. They still have to pay it up.

    What person in their right mind thought this was a good plan. Theres so many parties to deal with, so much time that needs to paid for. In the end all I see happening is a loss plus tarnishing the name of the RIAA. Hell, if the defendant wins then the RIAA might have to pay them. This seems like a strategy proposed from old-school business into a new-business world.

    1. Re:Strategy by darkhitman · · Score: 3, Insightful

      It's not about profit (all of which likely just goes straight to the lawyers). It's about instilling fear into the consumer base, in the irrational hopes of scaring them out of downloading music.

      --
      Tell me something...it's still "We, the people"... right?
    2. Re:Strategy by dunezone · · Score: 1

      Maybe they should read up on Joseph McCarthy and see how instilling fear into people worked out for him.

    3. Re:Strategy by grilled-cheese · · Score: 3, Interesting

      And by scaring people out of downloading music, they instead expect people to go back to buying cd's. But let's not forget that all cd's will now have extreme drm (I'm thinking sony). But eventually they will learn that the entire model of selling music is not making enough money. Therefore the model will shift to leasing music. That way they can keep charging you by the play, or by a time period. However at that point, physically distributing the music is a liability, so you will have to use your overly drm'd player to contact their secured music streaming service. Now they have who you listen to, your personal information, total control over how/when/what you have available and for how much.

      Sounds like a good business to me.

    4. Re:Strategy by Anonymous Coward · · Score: 0

      Maybe they should read up on Joseph McCarthy and see how instilling fear into people worked out for him.

      His tactic was pretty successful. When is the last time you heard someone in America claim to be a communist? Do you know any card carrying communist party members? They could speak publicly at one time, just like any other party.

    5. Re:Strategy by MadUndergrad · · Score: 1

      It is about profit. They are the lawyers! What they gets, they keeps. The companies paying them are the real fools.

    6. Re:Strategy by nitebriar · · Score: 1

      I say we need to strike fear into the RIAA. Let's all sue them for 2x their net worth.

    7. Re:Strategy by initialE · · Score: 2, Insightful

      Take a hint from the BSA. Once they ran out of legitimate infringements they came after business owners that were marginally not up to their license counts, or even worse, were using legitimate software, but didn't have the receipts to prove it. (Apparently the genuine certificates weren't worth a damn.) If catching piracy supports their bottom line, then it makes sense to them to extend the definition of piracy to the point where nearly everyone is guilty. And that's considered good business. Profitable business.

      --
      Starbucks, Harbuckle of Breath.
    8. Re:Strategy by Anonymous Coward · · Score: 0

      Michael Moore is pretty damn close...wants Fidel Castro as his guest and to give his acceptance speech at the Oscars.
      http://www.startribune.com/entertainment/movies/15815122.html

      Barack Obama is the next best thing: http://www.aim.org/aim-column/obamas-communist-mentor/

    9. Re:Strategy by budgenator · · Score: 1

      while I'm not privy to any inside information, let me pull this out of my ass, The RIAA is "paid" by dues from their members, when they win an infringement case, they probably get to keep a percentage of the profits and the remainder goes to the record companies and will supposedly be distributed to the artists per their contract terms, which is probably nothing. If the RIAA goes into the hole pursuing a litigation it's probably because they had to pay a contractor that just happened to be owned by the RIAA or one of the record companies. It's all a shell game with money flying arround in circles and nobody making any Money.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    10. Re:Strategy by Anonymous Coward · · Score: 0
      Are you retarded? I remember when the Communist Party was first returned to the Presidential ballot here in Connecticut. The year was 1984.

      If you're not aware of the modern Communist Party you're just politically ignorant. They're quite active.

    11. Re:Strategy by Jason+Levine · · Score: 1

      I dont quite understand the strategy of the RIAA, is this even a profitable strategy. You first need to collect evidence, then you need to file the lawsuit, and finally the defendant has to pay, that is if he or she is found in guilt. So now you to pay for the collection of evidence, then the lawyers, and then you have to hope the defendant has money to pay you to recoup the loss.

      Evidence? Who needs evidence? They'll just grab some screenshots and call it a day.

      When they file the lawsuits, they try to group them in bunches to save on legal fees.

      As for the lawsuits themselves, they highly pressure the sued individuals to settle to further save on legal fees. Most people settle so they only have to actually fight a handful of suits. The last thing they want is to have to fight 1,000 lawsuits at once.

      Besides, as another poster said. It's not about the money, it's about the control. They want to put the fear of RIAA in peoples' minds so that the RIAA can get what the RIAA wants when they want it.

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    12. Re:Strategy by bluefoxlucid · · Score: 1

      Scaring them into buying CDs so they can show they have a massive collection with albums from each year to strengthen their case in court.

    13. Re:Strategy by bluefoxlucid · · Score: 1

      Geeze, has everyone done this except the porn industry? The PIAA has to collectively see more loss due to piracy than any other industry in the universe. Except maybe the other PIAA.

  15. What are you on about? by Anonymous Coward · · Score: 0, Troll

    Enough of this phony, pseudo-ideological nonsense. Most of you care nothing about how much the RIAA pays artists. Talking about it all the time just helps you with your cognitive dissonance and makes it okay that you steal music.

    When will this foolish drivel have run its course?

    obligatory Slashdot disclaimer: I'm a musician who has had more than my share of people around the world asking me for free cd's and telling me they want to copy my music for their friends.

    1. Re:What are you on about? by Anonymous Coward · · Score: 0

      This is Slashdot... it's 99.9% foolish drivel. Mostly noise and very little signal.

    2. Re:What are you on about? by Anonymous Coward · · Score: 0

      These new kids today...

      Back in my day, CDs were called concerts... and we loved it!

    3. Re:What are you on about? by Anonymous Coward · · Score: 0

      Classic astroturfing. You may be a musician, but you sure as hell ain't no artist.

    4. Re:What are you on about? by Anonymous Coward · · Score: 0

      You're not very bright, are you?

    5. Re:What are you on about? by mcpkaaos · · Score: 1

      Enough of this phony, pseudo-ideological nonsense. Most of you care nothing about how much the RIAA pays artists. Talking about it all the time just helps you with your cognitive dissonance and makes it okay that you steal music.

      Based on TFA, it would appear that in this case the RIAA are the ones doing the stealing. Oh well. Here's to hoping you are paid by the word.

      At any rate, did you mean pseudo-intellectual nonsense? Pseudo-ideological nonsense might actually end up making sense.

      --
      It goes from God, to Jerry, to me.
    6. Re:What are you on about? by Anonymous Coward · · Score: 0

      No, I knew what I meant, thank you. I meant pseudo-ideological, referring to all the people here who pretend they're waging some ideological battle with the RIAA, which sounds better than just admitting they are cheap-ass thieves.

    7. Re:What are you on about? by Anonymous Coward · · Score: 0

      Two bird with one stone, you wage the war AND you get free tunes, its win win!

    8. Re:What are you on about? by Anonymous Coward · · Score: 0

      "No, I knew what I meant, thank you. I meant pseudo-ideological, referring to all the people here who pretend they're waging some ideological battle with the RIAA, which sounds better than just admitting they are cheap-ass thieves."

      Well if you really want my money then come play a show for me, then I might by your CD if its priced reasonably and I like your stuff.

      If you think all of your "fans" are cheap-ass theives because they dont have 20 bucks to purchase your album, then you get zero respect from me. I personally do not download illegally, but without the push from napster and all of the file sharing programs we would not have had a revolution in the industry which brought about services such as Itunes. While some people may not want to pay 99cents for a song, I perfer it greatly to paying for an entire CD I am not entirely certain I like.

      Your disdain for the average user is sad to say the least. The people you should be directing your ire towards are those who download your music and then reproduce it for sale. If you hate people for downloading for personal use or making a copy of your music for a friend, then you should hate people for playing your music at a dance club or in their car with the windows rolled down. I mean where do you draw the line. There has to be some understanding for fair use. And lets be honest, the majority of the people who downloaded your music probably were not going to go and purchase your CD anyway, I know I sure wouldn't.

    9. Re:What are you on about? by melikamp · · Score: 5, Interesting

      Talking about it all the time just helps you with your cognitive dissonance and makes it okay that you steal music.

      When will this foolish drivel have run its course?

      You can bring the day closer by defining what you mean by "stealing music". No, please do not assume that we are smart. No one is smart enough to figure out a phrase that is intentionally vague and insulting at the same time.

      Do we steal music when we make a copy? When we make the first copy? An unauthorized copy? An illegal copy?

      Do we "steal" music when we perform it without proper authorization?

      Do we "steal" it every time we listen to an illegally made recording? Every time we listen to a recording without compensating someone? And if so, who are we supposed to be compensating?

      Are we "stealing" it when we make a copy for a friend who would never find about the artist, if not for us?

      Are we "stealing" when we remove DRM? When we digitize? When we shift formats?

      Are we "stealing music" when we replace our stolen CD collection by getting it off the Pirate Bay (doesn't cost fat cats a dime)? When we legally download it from a different country? When we obtain a copy of something that is no longer published? When the artist is dead? How about when the artist says that it is OK, even though he does not own the rights? Is it still "stealing"?

      You see, we just don't seem to have a good grasp of the meaning of the term you insist on using.

      If you want to say "stealing music" on Slashdot, out of all places, even though it makes no legal (or any other kind of) sense, why won't you bloody define it for us? Or may be just say "infringe the copyright" instead, if that is all you mean to say?

    10. Re:What are you on about? by jamstar7 · · Score: 3, Funny

      Enough of this phony, pseudo-ideological nonsense. Most of you care nothing about how much the RIAA pays artists. Talking about it all the time just helps you with your cognitive dissonance and makes it okay that you steal music.

      When will this foolish drivel have run its course?

      obligatory Slashdot disclaimer: I'm a musician who has had more than my share of people around the world asking me for free cd's and telling me they want to copy my music for their friends.

      Gene Simmons, is that you???????????????

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    11. Re:What are you on about? by Anonymous Coward · · Score: 0

      I'll make it crystal clear; downloading music you did not pay for. I've never said I'm a fan of the RIAA or DRM, I'm just tired of all the phonies here.

    12. Re:What are you on about? by Lewrker · · Score: 0

      obligatory Slashdot disclaimer: I'm a musician who has had more than my share of people around the world asking me for free cd's and telling me they want to copy my music for their friends. The article talks about artists, if you care more about the money you could make than the posibility of someone actually enjoying your music you're the music equivalent of a whore, not a "musician".
    13. Re:What are you on about? by mcpkaaos · · Score: 1

      I think you should generalize less. I'm one of those dreaded ideologues and I probably spend somewhere between $500-1000 each year on new music. I haven't downloaded a song I didn't pay for in over 5 years. It just isn't worth the dollars in time to hunt for an album when I can just buy the thing, have it 2 minutes later and spend my time doing something else. Typical /. users, likely to be on the higher-side of the wage scale, probably do the same.

      Actually, never mind. For a moment, I thought you were a real person, having spent the time to return and respond to my comment (you bookmark your AC trolls, I see). However, re-reading your comments made me realize my mistake. Instead, I think I'll submit a suggestion to CmdrTaco to change the "Post Anonymously" check box to a drop down list with three options: Post As User, Post Anonymously, Astroturf. The need is clear.

      Take care,

      k

      --
      It goes from God, to Jerry, to me.
    14. Re:What are you on about? by tompaulco · · Score: 4, Insightful

      Why are artists held to such a level, that they should be willing to play for free so long as someone enjoys their music? Anyone familiar with history knows that the most famous artworks were commissioned by aristocracy and wealthy individuals. Why in the 21st century should we suddenly expect art to be free?

      --
      If you are not allowed to question your government then the government has answered your question.
    15. Re:What are you on about? by Anonymous Coward · · Score: 0

      Are you a "whore" when you get paid for your work? You've obviously never created anything.

    16. Re:What are you on about? by shannara256 · · Score: 1

      I'll make it crystal clear; downloading music you did not pay for.

      That doesn't clear it up at all. How do you have to pay for it? What if you bought the cd, but it got scratched? What if it's no longer available for sale? ...or if it never was? What if you buy a track in a DRM-laden format, but then download it from another site in an unencumbered format?

      Keep trying.

    17. Re:What are you on about? by Dunbal · · Score: 0, Redundant

      hey I was my friend's car the other day and he put on a CD and I head some music. I didn't pay for that music. Can I unhear it or do I have to pay for it too? Oh GOD, am I a criminal now? Perhaps I should join the other 2+million people already in jail in the US for this horrible offense...

      --
      Seven puppies were harmed during the making of this post.
    18. Re:What are you on about? by GoodNicksAreTaken · · Score: 1

      That they've been funded is why they are the most famous artworks. There always has been and always will be great art that is free even if you've never heard of it. Find it and take advantage of it. I'm a huge fan of graffiti art and electronic music. Take a look at graffiti.org and grab some MP3s from hybridized.org or MP3s from any of the great artists that produce great stuff completely on a computer.

    19. Re:What are you on about? by glavenoid · · Score: 1
      To me it is an ideological battle. I haven't downloaded a commercial recording since the demise of the good old Napster, and I haven't bought a CD since 2004. Instead, I dusted off the old guitar and started making my own music again. Nowadays, all I listen to is local music in bars and clubs, my own music, and interpretations and originals on YouTube and the like.

      This has benefited me on a personal level greatly -- I'm exposed to really great music that would never be "commercially viable", which has given me ideas and inspiration for my own musical explorations that would have never happened otherwise. Furthermore, since being exposed to such a diverse array of interesting music, the typical consumer-friendly "music" sounds bland, uninspired, and frankly quite amateurish.

      I really couldn't care what happens to the RIAA et al. They don't need me, and I certainly don't need them - which is a trend I've been noticing more and more lately. There's no real "need" for piracy anymore, there's plenty of great music out there for everyone, music that really *is* free.

      --
      I, for one, am looking forward to the inevitable /. beta rollout fallout.
    20. Re:What are you on about? by Maestro485 · · Score: 2, Interesting

      Most of you care nothing about how much the RIAA pays artists. You know what, you're right. Why should I pay you when I could pay the RIAA instead?
    21. Re:What are you on about? by hughk · · Score: 2, Informative

      The artworks were paid for just once. The problem is that for hollywood, etc., once isn't enough.

      --
      See my journal, I write things there
    22. Re:What are you on about? by Xelios · · Score: 1

      I don't think anyone's suggesting artists shouldn't get paid at all, but the system we have now is broken. You say artists were commissioned by the wealthy, meaning they were paid -once- to create a piece of art, not paid every time someone came into contact with that art for the rest of their lives.

      Artists should be paid when they do work, like (almost) everyone else. In the case of musicians, this means performing shows, or being paid (once) to record music.

      --
      Murphey's fighting Occam, and we're in the stands.
    23. Re:What are you on about? by bluefoxlucid · · Score: 1

      Will handed me a CD the first time he saw me, and told me to pass it around. He got picked up by Lucas Arts. Nice guy.

    24. Re:What are you on about? by bluefoxlucid · · Score: 0, Offtopic

      Yeah, I started learning my first instrument, the Guitar, at age 22 on Jan 9 2008. Most people are surprised I can play parts of Cliffs of Dover. It's a relatively easy song, if you skip the horribly twisted intro (I'll get that part down when I can play the rest smoothly).

    25. Re:What are you on about? by bluefoxlucid · · Score: 1

      Could somebody explain "Astroturfing" to me? I can't quite seem to figure out how the common usage relates to plastic grass.

    26. Re:What are you on about? by mcpkaaos · · Score: 1
      --
      It goes from God, to Jerry, to me.
    27. Re:What are you on about? by Drogo007 · · Score: 2, Informative

      "Why in the 21st century should we suddenly expect art to be free?"

      Because all of a sudden in the 21st century the costs of reproducing said art has dropped to zero (well, as close to zero as you're likely to ever see). So once the artist has been compensated for the initial act of creativity, there's nothing left to pay for.

      The record companies made a killing for decades by controlling the distribution channels, forcing people on both ends of the equation to be beholden to them. Now they're not needed anymore. The artist can create and then for very little marginal cost distribute 1, 10, 10,000 copies. All that remains is to decide how to compensate the artist for the original creative act.

    28. Re:What are you on about? by bluefoxlucid · · Score: 1

      Ah okay, so it involves money and contracts and is analogical. Got it.

    29. Re:What are you on about? by Anonymous Coward · · Score: 0

      The only thing you make crystal clear is that you have no idea what you are talking about, neither conceptually nor legally. What you have accomplished so far is proving to everyone who can be bothered to read your drivel that you are, in fact, a moron, at least in anything related to reasoning about the subject at hand.

      I seriously hope you realize this sooner rather than later, and decide to do something about it.

  16. ...and the lawyers are friends/relatives by Joce640k · · Score: 5, Interesting

    The hefty legal fees are staying in the family so it's all good.

    Well....not so good if you're an artist, but any artist who still hasn't figured out what the RIAA is all about probably deserves it.

    The only CDs I've paid for in the last couple of years were from places like CDBaby who state exactly how much the artist will receive for each CD sold. Worse, I've bought albums I didn't really like from CDBaby because that artist has made other albums which I did like. The reason was I wanted the artist to have some money but the RIAA had control of the album I liked.

    Pissing off your paying customers? Not a good business model.

    The main reason I share music these days is just to annoy the RIAA.

    --
    No sig today...
    1. Re:...and the lawyers are friends/relatives by Anonymous Coward · · Score: 0

      "....and the lawyers"

      mod this redundant, whores were already mentioned.

    2. Re:...and the lawyers are friends/relatives by esocid · · Score: 1

      Check out the RIAA radar site out to see what labels are associated with the RIAA too.

      --
      Absolute power corrupts absolutely. indymedia
  17. Heh, excellent point! by Finallyjoined!!! · · Score: 5, Funny

    Can I kick them instead :-)

    --
    If I had an Ass, I'd call it Fanny Bottom, then I could slap my Ass; Fanny Bottom, on the Arse.
    1. Re:Heh, excellent point! by rajafarian · · Score: 1

      When I saw Lars (OK, Lars in a Flash cartoon, but still...) go on about Napster (ha ha, that was FUNNY!), I immediately deleted all their shit off my computer and haven't listened to them since or had any desire to do so.

      I probably have close to $1000 in CDs (at original price) but I have never spent so much on it as when I was downloading from Napster. Oh how I wish for AllofMP3 back! Awesomest business model.

      I've said it before and I'll say it again... they're asking themselves the wrong question. Instead of "How can we make the most money off each song?" they should be asking themselves "How can we make the most money off each person?"

  18. Not to side with the RIAA by geekoid · · Score: 1

    but those contracts are very complicated.
    That money might be divided up among the group, managers, writers, who has rights now, who had rights then, etc . . .

    They might be stalling intentionally, but there reason isn't unrealistic.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  19. Coming? by Damocles+the+Elder · · Score: 4, Funny

    Of course it's coming, we just have to win the lawsuits first.

    Seriously, with all of the john-due suing that's apparently failed hard enough that the RIAA ends up paying attorney's fees, I'd be surprised if there's anything left to divvy up.
    Of course, it goes without saying that the RIAA's board of directors get their yachts first, too. Can't even think about dividing up the money until those get paid off.

  20. How much do the artists REALLY get by Cryophallion · · Score: 3, Insightful

    A few things:
    1. I remember reading somewhere that the money all went back into more lawsuits, so I don't think that is boding well for money going to anyone who thinks they actually "earned" it
    2. Do the artists get the "real" damages (i.e., paid for the one or two songs mediasentry supposedly caught them downloading), or the higher damages? As I don't think the artist owns the copyright in this case, how much are they really entitled to?
    3. For the settlement letters, is there again a set amount per song that they listed as being due the artist? Or is it again only the royalties they would get from selling one song on a cd or itunes for example? If so, please expect about $.05 per settlement - not what they want (or think they deserve, but as a recent article on slashdot pointed out, the RIAA wants to reduced royalties while they are at it).

    If I was the artist, I wouldn't go buying a car with the expectation that the check was in the mail... not even a matchbox car.

    1. Re:How much do the artists REALLY get by MrBippers · · Score: 1

      I can just see it now "We won the lawsuit. We could give you the money or we could use that to sue twice as many people and you'll get twice the money in return. But wait, why stop there?"

      Sounds like a Ponzi Scheme to me. Here's hoping the RIAA just takes all the money and disappears real soon.

    2. Re:How much do the artists REALLY get by Cryophallion · · Score: 1

      After re-reading my original post, I believe it could be interpreted to read that I don't think the artist's earned any money, which is not true. I believe the artists absolutely deserve royalties, I just question how much their contracts (which are heavily in favor of the recording companies) will allow them to get.

      Actually, if it is found that they cannot use the make available claim as their techniques did not detect an actual copyright violation, I think all the money from the suits and settlements should go right back to those who paid, as the RIAA used fear of lawsuits as a way to barter for an out of court settlement. In fact, I think their tactics of instilling fear should be investigated, and maybe excessive punitive damages for mental distress should be awarded to all those who did settle or got sued. It will make the $220K look like pocket change when everyone gets done.

    3. Re:How much do the artists REALLY get by bluefoxlucid · · Score: 1

      Here's hoping the RIAA just takes all the money and disappears real soon.

      Yes, that would be far preferable to having all the artists get paid up and back on track while the whole organization dissolves, leaving everyone but the broken RIAA with a happy ending. If everything mostly works out, someone can later call the failed RIAA a "minor business mistake" and make a new one; if they screw EVERYBODY and destroy artists' lives for a while and musicians have to drag themselves out of economic strife on their own, they won't be so hot on the next big-name-trust that the next big label tries to entice them with. This will result in more independent studios and a licensing service like ASCAP instead (i.e. a service to track who owes who what royalties from things like live performances).

      A lot of artists have their own single studios and do home-recording. I know people who run their own recording studio for their stuff (Zircon Studios for example); and I know others who go to a professional studio to have a CD mastered, edited, and pressed (PowerGlove did this with Metal Kombat for the Mortal Man). These guys do their own marketing or ask for a marketing firm's advice; and they have to find their own distribution channel. They're essentially businesses, buying services to support their model; modern record label artists are essentially employees, getting a small wage to generate revenue for a business. One of these works better than the other.

  21. Why would they? by Monoman · · Score: 5, Insightful

    I believe it works this way. The record companies pay artists royalties and they pay the RIAA as well. I don't think the artists pay the RIAA. It seems to me that IF the RIAA is going to pay anyone it is going to be the record companies. If that happens will the record companies kick any money back to the artists? I doubt it.

    --
    Keep the Classic Slashdot.
  22. Re:share? why? by MightyMartian · · Score: 5, Insightful

    I find this all incredibly amusing. Here you have these pricks like Gene Simmons and Metallica out there fighting the good fight for the record companies, and now, suddenly, they all wake up and realize "Waitta minute! Those fuckers in the boardrooms are still crooks!"

    Here's a bit of a friendly nod to all those artists who were retarded enough to believe the record industry was somehow looking out for them:

    BWAHAHAHAHAHAHAHAHAHAHAHAHAHAHA!!!!!!

    --
    The world's burning. Moped Jesus spotted on I50. Details at 11.
  23. News? by Anonymous Coward · · Score: 0

    This is not exactly ``man bites dog''.

  24. Blame the RIAA's advanced storage methods by StefanJ · · Score: 4, Funny

    The RIAA's royalty database uses a fantastically advanced quantum storage technique. The whole thing fits in a cryogenic cell the size of a medicine pill bottle.

    Unfortunately, the uncertainly principle kicks in when you take a close look . . .

    1. Re:Blame the RIAA's advanced storage methods by Capt+James+McCarthy · · Score: 1

      "The whole thing fits in a cryogenic cell the size of a medicine pill bottle."

      I hear it's a suppository.

      --
      There are no loopholes. It's either legal or it's not.
    2. Re:Blame the RIAA's advanced storage methods by nametaken · · Score: 1

      Wow, I'm going to be abusing the shit out of that exceptionally nerdy post.

      Please don't sue.

  25. Need some sort of association for this by Anonymous Coward · · Score: 0

    The comments from the labels all claim that the money is on its way, and is simply taking longer due to difficulties dividing it all up. If only there was some sort of industry association that the artists could join which would be responsible for taking care of things like the coordination and distribution of money...
  26. RIAA and PR by LithiumX · · Score: 5, Interesting

    I wonder how hard it would be to support a decentralized publicity campaign to directly tie these lawsuits, via the RIAA, to the agencies and artists the RIAA supports?

    At present, it's largely a free lunch for the record companies - who have a vicious attack dog that uses tactics that shouldn't be legal. The bad PR doesn't do a very good job of reflecting back on them.

    If the masses begin to associate these lawsuits with the music they're buying, that's when the pressure would mount.

    --
    Do not confuse "Freedom of Choice" with "Free Will".
    1. Re:RIAA and PR by dlim · · Score: 3, Informative
    2. Re:RIAA and PR by LithiumX · · Score: 1

      Question is how do you get the average person to notice?

      It's like patent abuse. If it was truly common knowledge, it wouldn't last long as a problem. Since most people don't understand or have never been exposed to it by the media, you only have a minority complaining - vocal, but not really heard by the rest of the world.

      Maybe we should all wear masks and make vaguely threatening synthetic-speech announcements? On second thought, that might really not be very productive.

      --
      Do not confuse "Freedom of Choice" with "Free Will".
    3. Re:RIAA and PR by dlim · · Score: 1

      I don't think awareness is the issue. Even if it were common knowledge that buying certain CDs funds lawsuits against people who can't defend themselves with no money going to the artists who record those CDs, people would still buy those CDs. Why? Because people buy music that they want to listen to. Artists sign exclusive contracts with record labels for distribution of their recordings. If I want to own a certain song or album, I can only buy it from the label that owns or licenses it.

      People want certain music. They don't want to be sued. They would like to think that by purchasing the music, they're supporting the musician. Which they are (at least a little). Even if they musician receives no money from the lawsuits, they probably got a dollar from the sale of a CD. So we continue to buy music. And why bother our consciences with thought of poor people getting sued?

      It's the artists who need to break free from this system. Fortunately, these labels have been screwing artists long enough that a lot of them have enough personal motivation to look for alternatives to the current system. As their contracts expire, they are bailing on the labels. It's just a matter of time now.

  27. Imagine all the problems... by Venik · · Score: 4, Funny

    Imagine all the problems RIAA's gonna have dividing the profits once it gets the $1.65 trillion from Allofmp3.com! They'll need to rent dump trucks just to deliver checks to the artists.

    1. Re:Imagine all the problems... by Anonymous Coward · · Score: 0

      They'll need to rent dump trucks just to deliver checks to the artists.
      That sounds awfully low-tech. They should use some kind of tube.
    2. Re:Imagine all the problems... by MicktheMech · · Score: 2, Insightful

      No, it's all done electronically now and we all know that the internet isn't like a dump truck...

      It's a series of tubes!

    3. Re:Imagine all the problems... by Dunbal · · Score: 2, Funny

      No, they could just ship all the artists to Russia with pieces of paper in their hands saying "The bearer is the owner of 0.5% of Russia". I'm sure Putin will honor it.

      --
      Seven puppies were harmed during the making of this post.
  28. Musicians don't get money for record sales anyway by serutan · · Score: 4, Interesting

    Musicians rarely get paid royalties. On paper they do, but only after deducting all the costs of production, manufacturing, distribution, accounting, you name it. Only a few highly visible musicians like Madonna ever see any actual money from record sales. That's why the recording industry's "protecting the artists" mantra is just smoke. Musicians make a living by performing. Records give them exposure, which translates to better gigs with higher ticket prices.

    Record companies benefit when you buy.
    Musicians benefit when you listen.

  29. We already knew this... by erroneus · · Score: 4, Insightful

    ...the trick is to get that point across to the "artists in support of the RIAA"

  30. RIAA is a joke by bravo369 · · Score: 1

    For as fast as they can spit out their lawsuits, why does it take so long to issue the settlement to the artist? because RIAA is a bunch of greedy bastards. I don't agree with the RIAA and these lawsuits at all. Frankly i think they are overstepping their bounds and acting like the mob but if you are going to extract thousands from people then at least have the decency to pay the people you are supposedly protecting. Watch them come out and say to the artists that after the RIAA recoups their loss, there's nothing left for the artist.

  31. Re:Musicians don't get money for record sales anyw by djupedal · · Score: 2, Insightful

    Record companies benefit when you buy.
    Musicians benefit when you listen.

    So....what happens when you listen to what you buy?

  32. Agree 100% by Finallyjoined!!! · · Score: 5, Interesting

    I have a collection of, probably, 1200 CD's. 95% bought from music shops, some from boot-sales, flea-markets etc. NONE, & I repeat none are newer that 2004. You see I stopped buying!. {see the full stop?} after the record companies' agents started calling their customers "criminals".

    I still have a considerably large vinyl collection, + a shed-load of commercial (not copied) tapes (mostly dupes of the vinyl - for playing in the car) even though I now don't have a functioning record player.

    I looked this evening & for e.g. I have Bat out of Hell on vinyl, tape & CD - bloody three times!!

    But if I fire up a p2p client - I'm a criminal.
    WTF?

    Copyright infringement is not "illegal".

    --
    If I had an Ass, I'd call it Fanny Bottom, then I could slap my Ass; Fanny Bottom, on the Arse.
    1. Re:Agree 100% by Anonymous Coward · · Score: 3, Insightful

      Copyright infringement is not "illegal".

      sure it is, there are laws and everything. In fact, that's just a stupid statement.

      Of course, it is generally held by the course the copyright infringement is about the distribution of material, and the receiving of material.
      There's a good reason for this.

      now you can say it's not immoral, but that is different.

    2. Re:Agree 100% by symbolic · · Score: 1

      Yay for you- I've done the same thing, except for a bit longer. I admit I slipped recently (bought one CD, but it was worth it). Overall, the RIAA companies have sold 1 CD to me in the past five years- not a very profitable ROI. If the rest of the consumer public would grow a pair and show the RIAA who's really boss (the ones with the wallets), the entire business model would change in very short time.

      I swear, it's like, "here's $15, now hit me again!".

    3. Re:Agree 100% by Finallyjoined!!! · · Score: 0
      You sir, are an idiot.

      sure it is, there are laws and everything. In fact, that's just a stupid statement.

      Copyright infringement is a "civil" matter between the holder of the copyright & the infringer. It is not "illegal"
      --
      If I had an Ass, I'd call it Fanny Bottom, then I could slap my Ass; Fanny Bottom, on the Arse.
    4. Re:Agree 100% by Zolodoco · · Score: 1

      You waited until 2004? I bought my last CD in 2001. Since then I've only listened to music via online radio streaming and artist websites.

    5. Re:Agree 100% by Jason+Levine · · Score: 2, Insightful

      I'll admit that I've bought a few CDs over the past 5 years, but not many. (Mostly for my wife and kids and probably less than 10.) Then again, I was never a big music purchaser so they can't blame my personal "poor buying habits" on the emergence of P2P networks. Unfortunately, the RIAA doesn't look at declining CD sales and think "Gee, we have an high priced product with diminishing quality in an economic downturn and while the consumer has less money to spend on our goods, they have more choices (DVDs, games, etc) on what to spend those limited dollars on." Instead they think "@&$^! Internet Pirates! We must legislate that all Americans buy at least one CD per month or get shipped off to GitMo where they will be forced to listen to Brittney Spears tracks until their ears bleed!"

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    6. Re:Agree 100% by poot_rootbeer · · Score: 1

      But if I fire up a p2p client - I'm a criminal.
      WTF?


      You're only "a criminal" if you share music with other people (aka "distribute copies") -- if you do nothing but leech ("receive copies"), you aren't violating copyright law.

      You own one or more copies of "Bat Out Of Hell". That (to me at least) gives you the right to possess the content of that album in whatever format you like.

      What it does not give you the right to do is give copies of the content to persons who may have never purchased the album legitimately even once.

    7. Re:Agree 100% by arth1 · · Score: 2, Interesting

      I believe that the reason why CD sales have plummeted is because there's no new good music to listen to. And, the reason why there's no new good music is because the economy has been nervous, to say the least, since the turn of the century. In a nervous economy, the corporations don't like to gamble on high returns, but will instead settle for a smaller but more guaranteed return. So they re-issue old music, and back up artists that follow the formula, but won't dare to gamble on artists who have something completely new. It's so much easier to churn out yet another rap artist, because it will sell enough to be profitable even if it won't be a big hit like those you had in the 80's or 90's.

      I used to buy at least one album a week. Now I'm down to one a month on average, and every single one of them are either old recordings or from independent labels. Not because I boycott the record companies, but because there's no new big label music that I want. Their cowardice with not producing anything that doesn't follow the formula has gone on for so long that it's now backfiring.

    8. Re:Agree 100% by enjerth · · Score: 1

      You sir, are an idiot. Sir.

      sure it is, there are laws and everything. In fact, that's just a stupid statement. Copyright infringement is a "civil" matter between the holder of the copyright & the infringer. It is not "illegal" IANAL, but you are full of shit.

      Perhaps the rhetoric you meant was it's not CRIMINAL. It is a civil matter of law, not a criminal matter of law (although there is such a thing as "with criminal intent", which automatically makes it a crime).

      It's still illegal. Sir.
    9. Re:Agree 100% by bgspence · · Score: 1

      Torturing terrorists is illegal.

      I haven't bought from these terrorists in years, either.

  33. Okay, and this is news why? by Panaqqa · · Score: 1

    It would be big news if even one artist received so much as one thin dime from these legally sanctioned shakedowns.

  34. Corporations good! Artists bad! by Anonymous Coward · · Score: 0

    Clearly artists dont deserve a penny from the shakedowns. Clearly the corporations need the funds so they can fund their new business model, sueing anyone and everyone they can to make more money since they know the cds are obsolete. And they know they won't be needed soon since the internet is cutting out the middle man.

  35. No, this is completely fair by jollyreaper · · Score: 3, Insightful

    I'm shocked, shocked to find out that the RIAA is stiffing the artists on piracy settlements, especially after the labels stiffed them on their original contracts.

    --
    Kwisatz Haderach
    Sell the spice to CHOAM
    This Mahdi took Shaddam's Throne
  36. Dissolve the RIAA by billcopc · · Score: 1

    Obviously this isn't going to happen anytime soon, but hypothetically speaking, if I were a paying member of an association whose responsibilities include paying me a share of the profits, and they blatantly failed to do so, I would sue them for monies owed, PLUS I would file a motion to have the crooked association dissolved as they are clearly unable to fulfill their contractual duties. That's what a class-action suit is for.

    Kill them hard, and let the artists found a new association from scratch, one that represents them fairly. Their old friends (distributors, producers, marketers, venue operators) will follow.

    --
    -Billco, Fnarg.com
  37. In a legal war... by zobier · · Score: 4, Insightful

    Only the lawyers win.

    --
    Me lost me cookie at the disco.
  38. Lars Ulrich of Metallica by ntimid8 · · Score: 1

    must be furious considering all the mouths he had to feed back in 2000...

  39. Bullshit. by Anonymous Coward · · Score: 0

    obligatory Slashdot disclaimer: I'm a musician who has had more than my share of people around the world asking me for free cd's and telling me they want to copy my music for their friends.
    Did you actually think somebody might believe that ridiculous pack of lies? Ah well, I hope the conceit makes your masturbation orgasms better.
  40. Misleading title ... by ScrewMaster · · Score: 2, Funny

    RIAA Not Sharing Settlement Money With Artists

    Of course they are ... con artists are artists too.

    --
    The higher the technology, the sharper that two-edged sword.
  41. Exxon by falconwolf · · Score: 1

    Companies like Exxon can get away with murder by polluting an entire coastline and having only to pay 2 weeks worth of profit as a fine. This is not greed, this is not tort reform, this is justice gone wrong. Thanks to the tort reform in America Exxon has a punishment that does virtually nothing to a company which committed a criminal act. The amount they have to pay is a drop in the bucket compared to how much the citizens of Alaska have paid with their well-being. So perhaps it is the lack of a real punitive damage which is greedy!

    Yea, even today Exxon is still fighting having to pay anyone who had their livelihoods destroyed by Valdez. Fishermen among others had their income damaged, hut has Exxon paid anyone? No.

    Falcon
    1. Re:Exxon by Dachannien · · Score: 1

      Except for the actual damages, which they paid, and the $3.4 billion in fines and cleanup costs, which they paid. And the whole "3 weeks profit" statistic completely ignores inflation over the past 19 years, increases in oil and gasoline prices over the past 19 years, and the fact that Exxon merged with Mobil during the interim. $5 billion in punitive damages was a hell of a lot of money at the time, even for them.

    2. Re:Exxon by bluefoxlucid · · Score: 1

      Where the fuck do you think gasoline comes from? And don't go spouting about hydrogen cars or solid electrics; manufacturing hydrogen fuel or charging electrics relies on burning petrolium or coal fuels too. Synthetic oil as well comes from Fisher-Tropsch processed burned petrol, so a diesel (synthetic diesel!) or gas engine needs to use petrol-based lubrication at the very least.

    3. Re:Exxon by falconwolf · · Score: 1

      Except for the actual damages, which they paid, and the $3.4 billion in fines and cleanup costs, which they paid.

      Do you have a link saying how much the fishermen were paid?

      And the whole "3 weeks profit" statistic completely ignores inflation over the past 19 years, increases in oil and gasoline prices over the past 19 years

      Yea, with inflation and record profits, it won't take as long to pay now.

      Falcon
    4. Re:Exxon by falconwolf · · Score: 1

      Where the fuck do you think gasoline comes from?

      Buzz, not all cars use gasoline. Nor does diesel engines run only on petro diesel. The inventor of the diesel engine Rudolph Diesel designed and ran his engine on vegetable oil. He used peanut and hemp oil among others. At the 1900 Paris Expo he used peanut oil. At his Iron Mountain Estate Henry Ford grew hemp he used to construct a vehicle as well as made fuel from it for the car in the 1930s.

      I guess they did the impossible, or they didn't do it. However the fact is is Ford And Deisel Never Intended Cars To Use Gasoline".

      Falcon
  42. Exxon by falconwolf · · Score: 1

    The people of Alaska knew that if they drove a car oil had to be transported, they knew the risks too.

    Not all Alaskans drive cars, nor does all cars use petroleum oil.

    Falcon
  43. I can has... by macdaddy357 · · Score: 1

    I can has settlement monees now, Pleez?

    No! You can not has settlement moneez. Not yours!

    RIAA is an acronym for Recording Industry Association of America. Niether "A" stands for artists. Sorry suckers!

    --
    How ya like dat?
  44. I Wonder too... by celtic_hackr · · Score: 1

    If you sue someone for illegally distributing copyrighted material which you do not own the copyright to and then pocket the money, are you not conspiring to commit piracy by your own actions? Wouldn't this also be slander of title? Fraud? Illegal and improper enrichment? I'm certainly no expert, but it seems to me, that the RIAA may be do some criminal activity here. I think the artists should sue them for the max and damages on top.

    1. Re:I Wonder too... by MacWiz · · Score: 4, Informative

      The songwriter/publisher hold the copyrights to words and music. Harry Fox and ASCAP pay the publishers, who are supposed to split it 50/50 with the songwriter.

      The record label usually owns the sound recording copyright, although the artist can ask for it back after 35 years. This is the copyright which people are being sued for allegedly infringing upon.

      If the artist did not write their own songs, they don't own any copyrights. The artists are paid according to the terms of their contracts. Unless there's a clause that deals specifically with this issue, the record label is under no legal obligation to give the artists a cut from the lawsuits.

      Although this is more proof (as if we really needed it) that the RIAA lies every time it repeats the "it's all about the artists" mantra, I think that they are probably immune to being sued for it, except perhaps for the times they did it in a Senate or House subcommittee hearing or in court, and then only if they were under oath.

    2. Re:I Wonder too... by Almahtar · · Score: 1

      Congratulations, UnderOath, you have a better chance at suing. Use it wisely.

  45. Who you gunna call? by Xenographic · · Score: 1

    > Unfortunately, the uncertainly principle kicks in when you take a close look . . .

    Somebody call PETA and let's see if we can get them on their case for killing kittens!

  46. Good! by Spy+der+Mann · · Score: 1

    As long as artists KNOW about this, they'll realize that the RIAA is not good for them.
    Hopefully this will help them go independent and get rid of the RIAA altogether.

  47. The check's in the mail by Chris+Mattern · · Score: 2, Insightful

    Hey, you're beautiful
    Don't ever change
    You know what I mean
    My girl will call your girl
    We'll talk, we'll do lunch
    Or leave a message on my machine
    So baby, won't you sign
    On the dotted line
    I'm gonna make your dreams come true
    The check's in the mail
    Would I lie to you

  48. Big duh-uh to the artists... by Chas · · Score: 0, Flamebait

    HELLO-O! WAKE UP AND SMELL THE COFFEE! These bastards are NOT your friends!

    Yes. This is yelling.

    You know what? I don't give a shit.

    I've been yelling at these ass-munchers for years now. Why the fuck would a stupid little filter here on Slashdot stop me?

    --


    Chas - The one, the only.
    THANK GOD!!!
  49. Words from a contract lawyer by Anonymous Coward · · Score: 0

    I spoke with a guy who has been involved with the music industry, and it appears it's rather well known that the average record contract gives the earth on the first page and takes it away in the subsequent 13 pages.

    Now, given the clear greed of the RIAA approach I really can't say I'm in the least surprised - what amazes me is that it's taken artists so long to realise this. The RIAA must be selling some prime quality bullshit to have made it this long before someone blew the whistle..

    What's worse, it's not just "not getting the loot". It's also damaging future earnings with a vengeance, because the client base has turned away from the traditional mechanisms, and the growth model by sharing has been destroyed. If I were an artyist dumb enough to have signed up I'd sue them for the damage they're causing to the tiny percentage of earning I get, a sort of 'not in my name' suit.

  50. CD DRM? by tkrotchko · · Score: 1

    In the past months, I've purchased many CD's (30), most from Sony/BMG, and none have any DRM.

    Has your experience been different? What titles have DRM?

    --
    You were mistaken. Which is odd, since memory shouldn't be a problem for you
  51. Fair Trade? by Blue+Stone · · Score: 1
    "The only CDs I've paid for in the last couple of years were from places like CDBaby who state exactly how much the artist will receive for each CD sold."

    We have the Fair Trade mark so that so that a consumer will know that the coffee, cocoa, sugar that they're buying will ensure that the producers of these commodities get a fair price for their wares - prices which will guarantee them and their families and communities a living wage and the ability to put their children through school and so on.

    Perhaps, given the abuses of artists by labels, it's about time we had a music industry equivalent of the Fair Trade mark so music fans can trust that the people in the bands are being treated fairly by any record company/distributor they're working with?

    --
    Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
  52. Obligatory link by Velcroman98 · · Score: 1

    Obligatory link to Albini's The Problem With Music - http://velcroman98.googlepages.com/albini

  53. Not shocking... by wobedraggled · · Score: 1

    Who didn't see this coming?

    --
    Ubuntu- Linux for human beings.
  54. They said the check's in the mail.... by Slovenian6474 · · Score: 1

    ...it'll be here ANNNNNNNY day now. Any day...

    1. Re:They said the check's in the mail.... by bluefoxlucid · · Score: 1

      The check isn't in the mail. My employer is sending someone to my contractor with the check, who will show up at my contractor's client site and call my employer, who will ring my cell phone and tell me to go to the lobby and get it from the guy personally. We don't play those kinds of games here; I get paid Friday, even if they have to walk the check to me personally.

  55. The Rosy Glasses... by Zachium · · Score: 1

    Why is this a surprise to anyone? If you truly believed the RIAA was working for the benefit of the artists, then please let me lift off those rosy glasses of yours. This "crusade" of the RIAA's was NEVER for the benefit of the artists. It was all about 1) scaring the consumers into conformity and 2) lining the top executives own pockets. Granted after the legal fees the exes probably aren't seeing much as they would like. In a perfect world the artists would see a cut of what the RIAA wins, but lets face it we don't live in a perfect world.

    I would be all for the RIAA if they were true to what they say. The reality is they are just a bunch of greedy company executives wanting more money for themselves, not the artists.

  56. Suprise Suprise... by Russell2566 · · Score: 0

    So let me get this straight... "The Recording Industry Association of America (RIAA) is the trade group that represents the U.S. recording industry" and is suing countless numbers of fairly young American students who can't even afford the school they are going to, on behalf of the Artists so they can get their fair share.

    The law suit amounts ($$$) are based off of compensation for these Artists and writers who have been 'taken advantage of' by these 'nasty little teens'. Yet in the end those artists aren't getting a dime. I want to start seeing Metallica sue the RIAA instead of crying like babies about the internet...

  57. Say it aint so by Atrox666 · · Score: 1

    You mean lawyers and record execs are all social parasites who contribute nothing and then take the Lion's share..who knew?
    As long as a high priced lawyer can get you any better an outcome than the highest priced lawyers then they have proven that the legal system is undeniably corrupt and lacks any legitimate authority.
    As long as we govern ourselves by rule of law and politics then the world will be a horrible place.

  58. No, it's definitely illegal... by Joce640k · · Score: 3, Insightful

    It may not be "immoral", but it's illegal wherever there's laws prohibiting it.

    (That's the definition of "illegal")

    The artists don't make any money from RIAA-mediated CD sales* so I have a hard time feeling bad over pirate CDs.

    [*] Technically they do get royalties, but the artists have to pay for all production, promotion, videos, etc. and the RIAA gets to set the price of those, not the artist. In practice the marketing and video production companies are all in the RIAA "family" and artist's paycheck always seems to end up at almost exactly zero.

    Coincidence? I think not....

    --
    No sig today...
  59. Only winners, are the lawyers. by cranbers · · Score: 1

    Hundreds of millions of dollars has gone to legal fees? So in other words, the one's who are supposed to be taken care of and the ones who do all the work, the artist get nothing? Isn't that like saying I fight in the name of Allah yet I don't believe in Islam? All the benefit's and justification of backing something to justify your cause. Yet in the end they have nothing to show for it. Pretty typical, can it get any worse for the RIAA? They should be ashamed and they deserve all the bad PR they get. I hope they burn to the ground in the next decade. They are worthless and more trouble then they are worth.

    --
    I want spam! cranbers@gmail.com
  60. Re:Musicians don't get money for record sales anyw by poot_rootbeer · · Score: 1

    Musicians make a living by performing. Records give them exposure, which translates to better gigs with higher ticket prices.

    An oversimplification, at best.

    Consider a "band" like Steely Dan. They stopped touring in 1975, but the band remained "active" until 1981, and both principal songwriters were able to continue make a living off album royalties and other studio work (like production) for many years thereafter; it was more than a decade until they performed as a band again.

    For some acts, live performances are most profitable; for others, studio work is. (For yet others, merchandising.) There's no formula that's universally applicable to all musicians.

  61. what the fuck are they thinking? by Anonymous Coward · · Score: 0

    not shocking at all, the artist always gets screwed in the end... hence forth why it is best to pave your own way and say fuck the labels. Sure they will promise you the moon, but if you don't triple the millions they put into your record initially, they will put you out on the street begging for scraps from anyone willing enough to feel sorry for you. seriously I don't even know why labels side with the RIAA anymore anyways because its so antiquated (like unions of the 60's, 70's, and 80's) anyways. Labels should be tracking this shit down themselves if they are so concerned but wait... 1. sue Grandma for the grandkids downloaded music 2. Hide behind some corporate bullshit 3. PROFIT! get serious people. with technology now days there is no reason artists can't bring their music directly to their fans and work to build grass roots followings that will swell. Getting millions up front if you are successful ain't what its cracked up to be anyways caus when the money is all gone you will end up on the "Where are they now" shows as a drug addicted freak that can only utter... back in the day when I toured with so and so...

  62. What are YOU on about? by argent · · Score: 1

    I don't have to be a drug user to be appalled by the War on Drugs.

    I don't have to be a "pirate" to be appalled by the RIAA's tactics.

    Some people have this thing called empathy, and this sense that the punishment should fit the crime. When you have people being ruined for life for what would, if it involved a physical CD, get them a few hundred dollars fine and a suspended sentence... that's just outrageous.

  63. RIAA Never Offered by BanjoBob · · Score: 1
    The RIAA never offered any of this money to the artists. The money acquired through their legal extortion was never promised, offered or even intended to go to the artists. It was to bolster their legal attack against piracy.

    The RIAA is a record label trade association that represents the labels but, it is the individual labels (see link below) that represent artists -- not the RIAA. The RIAA is a house of lawyers that serve the RIAA to insure the RIAA's survival. There are many (read: most) domestic record labels that are members of the RIAA - more than just the "Big 4" labels. This is why the law suits are NOT the RIAA v. some_innocent_person. It is the individual labels named as plaintiffs in the suits (EMI, Sony, Warner, Artista, etc.)

    The RIAA is also not a royalty collection agency like ASCAP & BMI, Harry Fox Agency, SoundExchange, SoundScan, ... so, the money they make doesn't really have a pot to be put into and then distributed. If it did, the money would be distributed between all the record labels they represent and it would then be up to the labels to divvy the pot.

    You are correct in assuming that the RIAA is not interested in the artists. They are not. It isn't their purpose or charter. They are a bureaucracy that breeds upon itself. This is why they want to actually reduce the royalties that artists make. This is why they never get involved directly with the artists. It isn't their business.

    So, this shouldn't be surprising that the RIAA is keeping all the money they extort. If the labels touched it, they could be accused of "unclean hands".

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    Banjo - The more I know about Windoze, the more I love *nix
  64. To be expected I suppose by Fuzzypig · · Score: 1

    Just a bunch of vultures picking over the carcass of what's left of the record industry.

    Spooky irony,my captcha: "record"!

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    Windows guys please stop pissing on everyone and the Linux guys stop pissing in the wind, hoping to hit Windows guys!
  65. if you think the entire era "wasn't very good" by falconwolf · · Score: 1

    You're arguing my point, every musical era has had bad music. I recall year ago when parents called rock n roll devil's music. Many adults call what their children listen to as bad music.

    Entertainment is the last thing people make cuts on during economic downturns

    From American Express: "We are less weighted toward the travel and entertainment sector and have a larger presence in everyday categories where consumers don't typically reduce their spending during economic downturns to the same extent as they do in T&E spending." "Entertainment is the #1 Largest Optional Spending Catagory." "Demand shocks - reflecting changes in the level and pattern of spending by consumers owing to 'social distancing', eg cuts to travel, tourism and entertainment spending". "Customers from the financial services industry have noticeably cut back on travel and entertainment spending, AmEx believes."

    Why buy a CD when you can download it at the same quality?

    Same quality? I doubt much downloaded music has the same quality as CDs. I doubt even iTune's higher bit rate and DRM free music sell more than the DRM'ed and lower quality music. And iTunes owns the music download space.

    Falcon