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Orson Scott Card Blasts J.K. Rowling's Lawsuit

Wanker writes "In the wake of a lawsuit by J.K. Rowling against the author of a Harry Potter encyclopedia, the Greensboro Rhino Times has an article by Orson Scott Card blasting J.K. Rowling for 'letting herself be talked into being outraged over a perfectly normal publishing activity.' Orson Scott Card has hit the nail on the head. He understands that authors re-use each others' ideas all the time, and certainly Ender's Game gets its share of re-use. Did Rowling's success go to her head?" Card lays out (something like tongue-in-cheek) some of the similarities between the story in Ender's Game and in the Potter series: "A young kid growing up in an oppressive family situation suddenly learns that he is one of a special class of children with special abilities, who are to be educated in a remote training facility where student life is dominated by an intense game played by teams flying in midair, at which this kid turns out to be exceptionally talented and a natural leader." (And that's just to get started.)

525 comments

  1. The Hero with a Thousand Faces by eldavojohn · · Score: 5, Insightful

    Writers will always sue the pants off each other and sometimes even other sources! Always have, always will. It just depends on how big of an orc ... I mean ass they are. I think that Joseph Campbell's "The Hero with a Thousand Faces" pointed out how, through one way or another, nearly everyone owes at least something to those who came before and the Monomyth. You want to write a good fiction story? Simply take Campbell's book and dump the Monomyth into some environment of today. If I may say so myself, Rowling is a few mousekateers short of a full Mickey Mouse group ... uh, I mean she's a few rhymes short of a full Cat in the Hat ... uh, I mean she's a few Knights Templar short of a full Da Vinci's Code ... that is to say she's a few crystals short of a Jedi Lightsaber ...

    Aw, christ, I'll just put my lawyer on speed dial.

    --
    My work here is dung.
    1. Re:The Hero with a Thousand Faces by voice_of_all_reason · · Score: 1

      Judge a lightsaber by its crystal, do you?

    2. Re:The Hero with a Thousand Faces by Foobar+of+Borg · · Score: 1

      Well, this is ultimately why copyrights should be limited. Everyone borrows. Or, in the case of Disney, outright pilfers and then claims to own what they pilferred (say, Snow White or Cinderella).

    3. Re:The Hero with a Thousand Faces by Chyeld · · Score: 1

      On one hand we are talking about borrowing ideas in broad strokes and molding them into your own 'unique' idea with seperate twists and different details.

      On the other hand we are talking about taking another's work, and simply taking all the details in it and compiling them into a work you call your own.

      It should also be noted that J.K. never had a problem with the encylopedia till the people who were running it decided to make a book out of it and sell it. When it was still a 'just' fan created work she actually supported it from all I've heard.

      In other words, OSC once again proves he that he's missed the point. Apples and alarm clocks.

    4. Re:The Hero with a Thousand Faces by CRCulver · · Score: 0

      Or, in the case of Disney, outright pilfers and then claims to own what they pilferred (say, Snow White or Cinderella).

      I'm sorry, but that's patently false. Almost every time Disney has made a children's animated film, another company called Good Times Video has immediately come out with an animated film with basically the same story on DVD. If you've walked through a Wal-Mart, I'm sure you've seen these. They've even got a Snow White , and besides the Good Times video there's dozens or probably hundreds of illustrated children's books on the theme. Disney has mainly left them alone, even though they probably attract some meagre amount of business away from Disney.

      Sure, Disney was a major copyright lobbyist to keep their precious "Steamboat Willie" cartoon out of the public domain, but they don't act like they exclusively own the Snow White story.

    5. Re:The Hero with a Thousand Faces by Facetious · · Score: 1

      Were this J.K.'s only lawsuit I might believe you. Nox.

      --
      Let us not become the evil that we deplore.
    6. Re:The Hero with a Thousand Faces by Bud+Dickman · · Score: 1

      "On the other hand we are talking about taking another's work, and simply taking all the details in it and compiling them into a work you call your own."
      When do you think this Bill Shakespeare guy will get around to suing Cliff and his "Notes"? Based on your expert legal assessment of the situation, I'd say he's got an excellent case.
    7. Re:The Hero with a Thousand Faces by Thornburg · · Score: 1

      but they don't act like they exclusively own the Snow White story. No, but the whole Kimba/Simba thing is pretty specious.

      http://en.wikipedia.org/wiki/Kimba_the_White_Lion
    8. Re:The Hero with a Thousand Faces by MightyMartian · · Score: 1

      Mod parent up!

      You've hit the nail on the head. Damned near everything is derivative to one extent or another, and making commentaries of older stories, and even expanding them, is a tradition likely as old as humanity itself. Unfortunately, in this age of inviolate intellectual property rights, the storyteller has become more important than the story.

      Rowling's case is a little different in that her publicist and publishing company have created something of a cult of personality among her fans (most of which are under 16). Don't get me wrong, the books are enjoyable enough, and I have to credit them with getting a lot of kids away from the TVs and computers and into the delightful activity of reading. Still, they aren't great literature, they're pretty much a different take on the old English schoolboy stories and adolescent mystery stories. When you dig through it, particularly in the earlier, less-epic books, you might as well have been reading a Hardy Boys mystery.

      The woman has already made fantastical amounts of money, and if she isn't the most financially successful author in history, she must come pretty close to the likes of JRR Tolkien and Stephen King. Even the Tolkien Estate doesn't go after people who make encyclopedias of the work, even really shitty ones like David Day's.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    9. Re:The Hero with a Thousand Faces by Chyeld · · Score: 1

      Try painting Snow White and the Seven Dwarves (the Disney versions) on the wall of your local daycare center and you'll find out quickly how mistaken you are.

      They vigorously defend what they consider theirs. The reason they don't go after Good Times and etc. isn't because they don't want to, it's because they already know they'll loose. They have trademarks on the visual representations but the stories themselves are public domain.

      Disney is STILL a major copyright lobbist. And right now what they'd like to do is come up with a legal way of shutting down Good Times and their ilk. Because Disney DOES consider Snow White and every other story they've touched to be their own.

    10. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      Critical analysis like "Hero With a Thousand Faces" has taken all of the fun out of fiction. For writers, now that everyone knows how a story works, what's the point in writing any more? For readers, if you can recognize the point at which you're being manipulated, how can you suspend disbelief?

      I don't think it's any coincidence that rise the popularity of criticism has coincided with a fall in the popularity of the things that are being criticized. So people have moved on to interactive entertainments.

      Just random observations...

    11. Re:The Hero with a Thousand Faces by Jeremiah+Cornelius · · Score: 1

      Precious "Steamboat Willie" is more egregious. It contains little original material, and was - in fact - a pleasant cartoon recasting of the now classic "Steamboat Bill Junior", by Buster Keaton.

      A quick peek and you'll see why Disney and Iwerks copped it.

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    12. Re:The Hero with a Thousand Faces by Uncle+Focker · · Score: 1

      I really hope you're joking. Otherwise you've unnecessarily made a complete fool of yourself in public. The works of William Shakespeare have been in the public domain for centuries. Harry Potter is still a copyrighted work. Next time you might want to look after such details trying to one up someone.

    13. Re:The Hero with a Thousand Faces by DrLang21 · · Score: 1

      You completely missed the point. Snow White and Cinderella are public domain and older than Disney itself. As such, it makes no sense for them to be able to claim ownership over anything outside of their exact rendition of the story (script and animation cels). However, Kimba the White Lion was a rather recent story and still covered by copyright when they made the Lion King. Disney has done some great original works that they should be applauded for, but the stories of Cinderella and Snow White most certainly do not belong to Disney.

      --
      I see the glass as full with a FoS of 2.
    14. Re:The Hero with a Thousand Faces by Jeremiah+Cornelius · · Score: 1

      The whole bloody thing is here.

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    15. Re:The Hero with a Thousand Faces by gnick · · Score: 1

      Try painting Snow White and the Seven Dwarves (the Disney versions) on the wall of your local daycare center and you'll find out quickly how mistaken you are. How does that make GP wrong? It sounds like you're both pointing out:
      Story: Public domain
      Likenesses created by Disney: Disney's
      Yes, for right or wrong, Disney will demand compensation for everything that they legally can. But their lawyers are very good and know where the lines are.
      --
      He's getting rather old, but he's a good mouse.
    16. Re:The Hero with a Thousand Faces by Angostura · · Score: 1

      But the point is Disney isn't claiming to own the story of Snow White. It is claiming to own the designs that its employees created.

    17. Re:The Hero with a Thousand Faces by Anonymous+Cowtard · · Score: 1

      They vigorously defend what they consider theirs.


      I'm pretty sure that if you paint, as you put it, the "Disney versions" then Disney would likely be in their rights to do that.
    18. Re:The Hero with a Thousand Faces by Chyeld · · Score: 1

      Given Bill's works are in the public domain, as are almost all of the works Cliff and crew summarize. The ones that aren't, they typically do get licenses.

    19. Re:The Hero with a Thousand Faces by AmericanInKiev · · Score: 1

      There seems to be a bright line between "borrowing general themes and ideas - which are morbidly few in number" and encroaching on the "Real Names" of particular characters after they have been proven commercial success. One has to ask, is this "Harry Potter Enc" a new and novel work, or merely a recombination of exact quotes from the single most successful fiction series (short of the King James Bible) in history?

      Let a million writers resurrect the Genre of heroes flying in clouds, the liberal application of curses, and the avoidances of curses by temporary martyrdom - in short the substance of the Bible - in various forms; but these writers can and should distiguish their work by the use of original names for their characters. This author made no effort to develop novel characters.

      That's a bright enough line for my taste.

    20. Re:The Hero with a Thousand Faces by Uncle+Focker · · Score: 1

      To add, this isn't meant to be a post supportive of Rowling, but the attempt at trying to equate the usage of copyrighted material as being the exact same situation as something in the public domain is retarded.

    21. Re:The Hero with a Thousand Faces by hkgroove · · Score: 1

      The reason this is where it's at is because Rowling has said several times over the years that there will only be 7 books and IF she were to do more relating to Harry & Co it would be an encyclopedia of sorts with extra character information, dropped characters and plot lines, etc. And around the time the 6th and 7th books were being written and published she hinted on her site and in interviews that the likelihood of this happening was growing by the day.

      She's said that if there was to be something published like this for it to be as complete as possible and then some - think of it as Tolkien's letters / Unfinished Tales, but since she's still young has time to flush things out and perhaps not leave the information incomplete and scattered.

      What's being published is just based on her current work - written up from a website which contains all this information just based on canon. Again, to compare to Tolkien, this would be like the Arda Encyclopedia writing up everything for a book and for profit.

      There has been many arguments on /. on both sides of this. One is definitely anti copyright / IP / etc... the other arguing "well, if they don't protect their IP / copyright then they may lose the right to protect it later."

      This isn't someone making a derivative work or something similar. This is someone publishing something for profit about things that already exist and that the author has stated that she may have plans to do herself later down the line if not in the immediate future.

      On the other side of the coin, there have been may "theory" books similar (but not really) to what is being published prior to the completion of the series. These were more analysis of what's been published and proposing questions about what may or may not happen in the future. I think these started after Book 3 or maybe Book 4 as the wait between book 4 and 5 was three years.

    22. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      Yeah... now that all the fun has gone out of abridged plot synopses, writers will actually have to rely on skill and originality in order to sell books! It's an outrage!

      Seriously, read "Eastern Standard Tribe" by Cory Doctorow, I've never read a more original or insane novel in my life.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    23. Re:The Hero with a Thousand Faces by spazdor · · Score: 1

      I can't believe that damn movie hasn't resulted in a huge cash settlement by now.

      --
      DRM: Terminator crops for your mind!
    24. Re:The Hero with a Thousand Faces by MightyMartian · · Score: 4, Insightful

      Actually, there was little or nothing that Shakespeare could have done in his time to prevent someone writing a play called Humlet Duke of Dinmark. And yet Shakespeare did alright financially (well enough to build a theater), and, in fact, has been regarded for much of that time as being not only one of the greatest writers in the English language, but in the entire history of our species. That his plays have been cribbed by later playwrights, writers and into the modern age movie and TV show creators has not diminished his reputation.

      The idea that a writer could make fanastical amounts of money (and let's be honest here, there are only a handful of authors that have had the kind of success Rowlings has had) simply by writing is a pretty new one. Do you think Homer got royalties every time a copy of the Illiad was produced? Do you think the Akkadian kings went after people that made copies of the Gilgamesh epic, or added their own bits to it? The story of world literature is one of works being added to, chronicled and sometimes even being outright stolen (the Hebrews did it when they ripped off big chunks of the Sumero-Akkadian creation and cosmographical myths). Do you think world literature over the five or six thousand years that it has existed (many times longer if you count oral transmission of stories) has suffered because for the overwhelming majority of that time authors had little or no protection against plagiarism and unauthorized derivative works?

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    25. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      You miss the point. The ability to distill fiction down to these basic principles is proof that it's impossible to write or read anything that's truly original. How depressing.

    26. Re:The Hero with a Thousand Faces by Uncle+Focker · · Score: 1

      I'm having a hard time understanding what your post has to do with mine. I was merely pointing out that the situation between Harry Potter and Shakspeare's plays aren't analogous since once is still under copyright and one is public domain.

    27. Re:The Hero with a Thousand Faces by sYkSh0n3 · · Score: 1

      J.K. Rowling is the 2nd Richest woman in entertainment, beat out only by Opera, and IIRC she's also considered to be the most successful author ever. Hard to argue when she holds the record for fastest selling book in history, and i know that at least the last 3 books were on the New York Times bestsellers list months before their release. Add in the royalties from the movies and merchandise and she has quite the little empire.

      At least according to Entertainment magazine http://cheeju.wordpress.com/2007/07/19/20-richest-women-from-entertainment/

      I was more surprised to see Judge Judy on the list, right between Britney Spears and Sandra Bullock. But i didn't think people actually watched that show.

    28. Re:The Hero with a Thousand Faces by Applekid · · Score: 1

      Comparing Harry Potter to tales of Shakesperean value is a great disservice to not only those already dead, but to the entirity of English Literature. What's next? Comparing Spider-Man to Beowulf?

      Sorry for being cranky about it as it was probably just an oversight and accidental comparison, but if Rowling's work was really worthy of artistic and literary merit, she wouldn't have to be so fearful of derivative works detracting from what she created.

      --
      More Twoson than Cupertino
    29. Re:The Hero with a Thousand Faces by MightyMartian · · Score: 1

      And I'm pointing out that those concepts didn't really even exist in Shakespeare's time. Everything was, essentially, public domain, save perhaps for royal warrants and the like, where you could go to jail for copying them. Shakespeare would have had no expectation of guaranteed income from the sale of his works. In fact, I doubt very much he had any expectation, because he didn't produce his works to be bought by book readers at all. I'm pointing out that the modern view of copyright and the sorts of powers that gives holders of copyright occupy, on a chronology of human history of producing intellectual creative works a mere insignificant blip. The whole thing is a legal fiction.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    30. Re:The Hero with a Thousand Faces by maxume · · Score: 1

      Spider-man had much more exciting action, and the characters all looked weird in Beowulf.

      --
      Nerd rage is the funniest rage.
    31. Re:The Hero with a Thousand Faces by maxume · · Score: 1

      I hate that Opera lady. Damn her.

      --
      Nerd rage is the funniest rage.
    32. Re:The Hero with a Thousand Faces by Applekid · · Score: 1

      Shucks, I forgot they made a crappy move based around Beowulf.

      --
      More Twoson than Cupertino
    33. Re:The Hero with a Thousand Faces by Uncle+Focker · · Score: 1

      And I'm pointing out that those concepts didn't really even exist in Shakespeare's time. Then you would be wrong. The copyrighting of an artists work actually predates his time.
    34. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      It's entirely possible to write something original. The generic plot points may be recycled, but the method of the writing, the prose itself, and the detailed interactions between the characters, CAN and often is very original.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    35. Re:The Hero with a Thousand Faces by Hognoxious · · Score: 1

      Moserandum basso feces tausrium!

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    36. Re:The Hero with a Thousand Faces by Uncle+Focker · · Score: 1
      http://en.wikipedia.org/wiki/History_of_copyright_law#Movable_type

      Protection for the authors and their representatives was sought through special privileges obtained for separate works as issued. According to Elizabeth Armstrong (whom the Curators of the Bodleian Library awarded the Gordon Duff Prize in 1965 for her essay on Printers' and authors' privileges in France and the Low Countries in the sixteenth century), "The republic of Venice granted its first privilege for a particular book in 1486.

      The first copyright privilege in England bears date 1518 and was issued to Richard Pynson, King's Printer, the successor to William Caxton. The privilege gives a monopoly for the term of two years. The date is 15 years later than that of the first privilege issued in France.

      The earliest German privilege of which there is trustworthy record was issued in 1501 by the Aulic Council to an association entitled the Sodalitas Rhenana Celtica, for the publication of an edition of the dramas of Hroswitha of Gandersheim, which had been prepared for the press by Konrad Keltes. All of these examples predate Shakespeare's birth by a half century or more. Next time you might want to read up on a topic before trying to expound on it.
    37. Re:The Hero with a Thousand Faces by Jeff+DeMaagd · · Score: 1

      Most of the time, Disney takes public domain stories. Kimba and Pooh are the only two that I'm aware of where Disney used someone else's story that was not public domain. And so far, they haven't blocked a lot of new works based on the original story. If someone made a book based on the Disney version of the story, then I can see why Disney would go after it.

      I think Pooh was licensed, and as I understand it, Disney did violate the license later on. To me, the Kimba situation looks like they tried to license the story, maybe even had the rights to it while in production. Ultimately, they didn't have that license (either pulled or fell through) by the time they finished it, so they made a few changes and shipped the movie.

    38. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      If any part of it is unoriginal, it is not truly original.

    39. Re:The Hero with a Thousand Faces by maxume · · Score: 1

      Yeah, I haven't actually seen it. Neil Gaiman was involved in the script and Zemeckis had done some interesting stuff, so it might not be entirely crappy.

      --
      Nerd rage is the funniest rage.
    40. Re:The Hero with a Thousand Faces by HybridJeff · · Score: 1

      Why is that depressing? To me it shows the continuity of human experience. The fact that people hundreds of years ago were essentially telling the same stories is one of the greatest links to both the past and future that we will ever have.

    41. Re:The Hero with a Thousand Faces by cliffski · · Score: 0

      excellent post, thank god I'm not the only one who thinks that there is a BIG difference between being 'influenced' by someone elses work, and then just fucking re-printing the damed thing and expecting to be paid for it.
      The harry potter court case was totally justified. If you want to write your own story with a boy wizard hero, go for it, but if you are too lazy or too un-imaginitive to even flipping rename the characters, expect to (rightfully) be sued for it.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    42. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      So anything using that wholly unoriginal "written text" is unoriginal? Anything done with paint? OH, any video game where you have to use an input device?

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    43. Re:The Hero with a Thousand Faces by whoever57 · · Score: 1

      Or, in the case of Disney, outright pilfers and then claims to own what they pilferred (say, Snow White or Cinderell).
      Instead of looking at Cinderella, the case of Kimba the White Lion is much more relevant.
      --
      The real "Libtards" are the Libertarians!
    44. Re:The Hero with a Thousand Faces by chromatic · · Score: 1

      That's if you take Joseph Campbell seriously. I don't recommend it; he either overlooked plenty of research that contradicted his conclusions or deliberately omitted it.

    45. Re:The Hero with a Thousand Faces by KillerBob · · Score: 1

      You'll be hearing from Chaucer's lawyers with regards to your use of irony in writing.

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
    46. Re:The Hero with a Thousand Faces by just_another_sean · · Score: 1

      Yeah, I haven't actually seen it. Neil Gaiman was involved in the script and Zemeckis had done some interesting stuff, so it might not be entirely crappy. I saw it and read the original Beowulf story (well the English translation that is).

      It's not entirely crappy, pretty true to the original. It feels like you are watching a movie set in World Of Warcraft though. I found it hard not to notice the computer animation while watching; somewhat distracting really.

      But overall, not a complete waste of time...
      --
      Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
    47. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      I don't think Beowulf is necessarily a good example being itself a steaming pile of crap. The only reason English teachers force students to read it is because it's old and English. Really, it's about as riveting as RMS wanking on his keyboard.

    48. Re:The Hero with a Thousand Faces by MozeeToby · · Score: 1

      Wow, reading the description of the Monomyth it's like the writers of Final Fantasy X sat down with a copy "The Hero with a Thousand Faces" and worked through each of the steps one by one.

      1. The Call to Adventure: Sin attacks Zanarkand
      2. Supernatural Aid: Auran helps Tydus survive the attack
      3. The Belly of the Whale: Sin appears to "eat" Tydus, transporting him to Spira
      4. The Road of Trials: The pilgrimage to collect Aeons
      5. The Meeting with the Goddess: Yuna and Tydus get romantic
      6. Atonement with the Father: Tydus learns to accept that Jeckt wasn't a total ass
      7. Apotheosis (described as the hero's ego is disintegrated in a breakthrough expansion of consciousness. Quite frequently the hero's idea of reality is changed; [...] allowing the hero to sacrifice himself.): Tydus learns that Zanarkand is a dream of the Fayth and is prepared to sacrifice the last remnent of his father despite having learned of his father's affection for him.
      8. The Ultimate Boon: Sin is destroyed and Spira is given the Eternal Calm.
      9. Rescue from Without: With sin destroyed Tydus is sent back the Zanarkand.

      What's also interesting is that you can see the same pattern repeated endlessly in the other heros of the story. Yuna, Braska, and Aurun all have obvious monomyth story arcs. Perhaps that is what gives the game it's feeling of depth that so many other games lack.

    49. Re:The Hero with a Thousand Faces by spun · · Score: 1

      Yeah... now that all the fun has gone out of abridged plot synopses, writers will actually have to rely on skill and originality in order to sell books! It's an outrage!

      Seriously, read "Eastern Standard Tribe" by Cory Doctorow, I've never read a more original or insane novel in my life. Don't read much Sci-Fi then ,eh? Seriously, never read a more insane or original novel than that? Read some Greg Egan, Iain M. Banks, China Mieville, or Stephen Baxter, you don't know what you've been missing. Cory is a fairly pedestrian author in terms of both plot and style.
      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    50. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      It is valuable in that sense. In my opinion, it's depressing to realize that humanity has now 'seen it all' and that nothing truly new will ever be created in the realm of fiction. It means that any work of fiction that you read or experience will have the taint of someone else's experience on it, somehow.

      The romantic notion is that each human life is a unique experience, but deriving a generic roadmap for fiction proves that it is not. That, to me, is depressing.

    51. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      Those are tools, not content.

    52. Re:The Hero with a Thousand Faces by lgw · · Score: 1

      There have been many, in fact. Predator 2 was a pretty direct rip-off, and they even gove the source material nods on screen. That's OSK's point, I think, there's very little indeed that's original in fiction anywhere.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    53. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      "The medium IS the message." - MArshall McLuhan.

      Herbert Marshall McLuhan, C.C. (July 21, 1911 - December 31, 1980) was a Canadian educator, philosopher, and scholar -- a professor of English literature, a literary critic, and a communications theorist. McLuhan's work is viewed as one of the cornerstones of the study of media theory. McLuhan is known for coining the expressions "the medium is the message" and the "global village".

      McLuhan was a fixture in media discourse from the late 1960s to his death and he continues to be an influential and controversial figure. Years after his death he was named the "patron saint" of Wired magazine.

      A plot device is a... wow, the word's right there. It's a device. It's a tool. It's a means to a creation.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    54. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      Your username is bastardized from The Beatles and a slang term for sub-quality meat products. That you find no irony there is depressing.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    55. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      I have read many of those. Randomness and cliched peculiarity does not an interesting or unique novel make.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    56. Re:The Hero with a Thousand Faces by Tangent128 · · Score: 1

      So? Tropes Are Not Bad. Indeed, having more Genre Savvy readers can give a good writer more possibilities- if you know that the readers expect certain conventions, you can mess with them through inversions, subversions, deconstructions, etc.

      And a completely original work would be incomprehensible- even if you allowed it to be written in an existing language, you couldn't use any of our physics, or even the concept of directed linear time.

    57. Re:The Hero with a Thousand Faces by lgw · · Score: 1

      she's also considered to be the most successful author ever Even by /. standards of factual inaccuracy, that's amazingly wrong.

      JK Rowling can't hold a candle to Agatha Cristie, who has sold over 4 billion copies of her novels, and genuinely contends with William Shakespeare as the most successful writer in history. She is the most-translated author in history, and her works in translation are the best selling works ever in many contries.

      JK Rowling's success is only impressive if you measure in non-inflation-adjusted dollars over some brief span of years.
      --
      Socialism: a lie told by totalitarians and believed by fools.
    58. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      That's a meaningless definition as language is based on the reuse of existing symbols. So any sentence that used an existing word would not be original.

    59. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      What are you, a fucking cutter? You sure are whiny.

      "You're a unique little snowflake, just like everyone else."

    60. Re:The Hero with a Thousand Faces by spun · · Score: 1

      I have read many of those. Randomness and cliched peculiarity does not an interesting or unique novel make. What novel were you referring to? That sounds more like a description of Cory's writing than anything I've read by Baxter, Egan or Banks.
      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    61. Re:The Hero with a Thousand Faces by Bud+Dickman · · Score: 1
      My point - although I realize it was poorly made - was as follows:

      The parent seemed to be suggesting that taking a work, making a summarization of the points contained in the original work, and calling it your own original work is completely inappropriate. But if we look at Cliff Notes - that is exactly what that company is built upon and their summarizations are considered original works.

      I apologize for not making that a clear point. I do think that your assessment that I've made a complete fool of myself is a little silly. This is Slashdot, after all - who cares?

    62. Re:The Hero with a Thousand Faces by ultranova · · Score: 1

      Sorry for being cranky about it as it was probably just an oversight and accidental comparison, but if Rowling's work was really worthy of artistic and literary merit, she wouldn't have to be so fearful of derivative works detracting from what she created.

      She isn't. She is fearful of the encyclopedia eating into the sales of her own to-be-published encyclopedia. I don't understand why, I'd imagine that with all the money she's made she'd sit back and relax rather than stress herself with crap like this, but I guess success can be a kind of drug too...

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    63. Re:The Hero with a Thousand Faces by Firehed · · Score: 1

      Uh oh, someone had better call the waaaaahmbulance.

      Times have changed, and everyone certainly has their own opinion. You'll note that Rowling's work gets quite as much attention today (if not more so, thanks to the ease of distribution) as Shakespeare's ever has. Say what you want about both sides, but I've read a number of Shakespeare's works and thought they sucked and are well deserving of my own title of "most overrated crap of all time".

      What are your standards for the comparison?

      Appeal? Both had very widespread appeal for their time, though of course only time will tell whether Rowling's work continues to be admired by many centuries from now. Given the effect it's had on so many people today, I expect it won't disappear by any stretch of the imagination.

      Grammar? Standards have changed tremendously between then and now, so it's hard to make a fair comparison. I can't read old English well enough to comment on the grammatical structure of Shakespeare, but there's nothing wrong with Rowling's syntax. Diction has likewise changed over time, but one can't deny that the Potter series is aimed towards the younger crowd. Is this a fault? I don't see why it should be, but that's mostly opinion.

      Monetary value? Rowling wins, hands down. Shakespeare sure as hell wasn't a billionaire, even adjusted for inflation. Quite irrelevant to me, but that's what some people may use as a standard.

      Effect on society? I can't claim to know enough about Shakespearean-era life to give an informed response, but whether you love or hate the Potter series you can't deny its marked effect on millions of people. I'd use this as the primary indicator of literary value. Again, time will tell.

      --
      How are sites slashdotted when nobody reads TFAs?
    64. Re:The Hero with a Thousand Faces by MrLogic17 · · Score: 1

      ... as the most successful writer in history. She is the most-translated author in history, and her works in translation are the best selling works ever in many contries.


      The Apostle Paul's on line 1 for you. Should I take a message?

    65. Re:The Hero with a Thousand Faces by Firehed · · Score: 1

      I agree, except this was really just a reference book on the series. Rowling, to my understanding, had very little objection to it being created. The issue came from the fact that it was to be published for profit (which even people who spend all day on thepiratebay tend to take issue with, since stealing software at least doesn't result in the thief making money), and more importantly that she was planning to do the same in the future and donate all profits to charity.

      --
      How are sites slashdotted when nobody reads TFAs?
    66. Re:The Hero with a Thousand Faces by PitaBred · · Score: 1

      I plan on doing many vague things in the future, too. And if you think of doing any of them, I'll sue you! These could include writing a book, drawing a picture or farting on one of the guards at Buckingham Palace as a piece of performance art.

      Suing over plans to do something... can you not see how insanely stupid of a precedent that would be? I'm sure Rowling is planning on doing an encyclopedia. Hell, hers is the only one that could be called the official one! But the idea of doing it? That's called "culture". Shared interests that many people participate in. She created a cultural icon... that doesn't mean she is the only one that gets to participate in it.

    67. Re:The Hero with a Thousand Faces by blueturffan · · Score: 1

      Try painting Snow White and the Seven Dwarves (the Disney versions) on the wall of your local daycare center and you'll find out quickly how mistaken you are.
      The elementary school my children attend has Snow White and the Seven Dwarfs (Disney version) as well as Pinocchio, Jiminy Cricket, Winnie the Pooh and many other Disney characters painted on the cafeteria walls. These paintings have been there since at least the late 70's when I attended that same school.
    68. Re:The Hero with a Thousand Faces by lgw · · Score: 1

      I did mention William Shakespeare, didn't I? :)

      Seriously, the Bible is a collection of works, not the work of one author, and that's a different category. Although, amazingly, Cristy isn't far behind the Bible, or the complete works of Disney corp (I believe she outsells the combined works of Disney in non-English markets).

      --
      Socialism: a lie told by totalitarians and believed by fools.
    69. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      I know you're an arrogant twat who is apparently incapable of comprehending the possibility that you might be wrong, but I find it hard to believe that you seriously believe that reading a single Wikipedia page makes you an expert who is fully qualified to expound on topics of which you clearly have little understanding.

      The copyright situation in Shakespeare's England was nothing like it is today. Many of Shakespeare's major plays were first published in unauthorised pirate editions (the so-called "bad quartos"), and due to the lack of copyright protection, there was nothing he could do about this. And, of course, his plays themselves were often thinly-disguised rehashes of other people's work; we know for example that Hamlet is merely Shakespeare's version of an existing play, with an identical plot, that had been performed only a few years before.

      The only bit of good news for you, given that you are so utterly wrong, is that I've insulted you sufficiently in this post for you to declare the whole thing an ad-hominem attack and disregard it completely, thus saving your face. Aren't I kind?

    70. Re:The Hero with a Thousand Faces by cp.tar · · Score: 1

      J.K. Rowling is the 2nd Richest woman in entertainment, beat out only by Opera

      That Opera lady... it ain't over 'til she sings, right?

      --
      Ignore this signature. By order.
    71. Re:The Hero with a Thousand Faces by morari · · Score: 1

      Wasn't Campbell part of the Lovecraft Circle? That may explain a lot of his attitude, as those guys freely used each other's story assets to create an extremely varied mythology.

      --
      "He who can destroy a thing, controls a thing." --Paul Atreides, Dune
    72. Re:The Hero with a Thousand Faces by zymano · · Score: 1

      She was sued for plagiarism, correct?

      She borrowed from some other fantasy book. http://www.theage.com.au/articles/2002/06/18/1023864427305.html

      She did steal the ideas.

      She won the court case but how ironic.

    73. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      Ah, internet tough guy fun time. From someone who doesn't even have the balls to make up a fake name for an account, no less.

      I just think that the drive to intellectualize everything has driven a lot of wonder from the world. Life sucks that way.

    74. Re:The Hero with a Thousand Faces by zippthorne · · Score: 1

      So.. authors should make up their own language then? and their own glyphs to represent that language? and write the book entirely in that language, with custom copyright notice In the made up language? And come up with a new way of creating paper and ink, applying the ink to the paper (or better yet, some concept that's new. ink is already thought of), a new way of binding the book, and indeed, a new literary element (books have already been thought of)...

      Good luck getting anyone to read that.

      --
      Can you be Even More Awesome?!
    75. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      While I am not his scholarly peer, I disagree with McLuhan's assertion. It's WHAT you say that's important, not how you say it.

    76. Re:The Hero with a Thousand Faces by zmollusc · · Score: 1

      Maybe she is obliged to vigorously defend her stuff in order to protect its value? Maybe this is part of the contract when someone pays to publish/license her work?

      --
      They whose government reduces their essential liberties for temporary security, receive neither liberty nor security.
    77. Re:The Hero with a Thousand Faces by Chyeld · · Score: 2, Informative

      http://www.snopes.com/disney/wdco/daycare.asp

      Claim: Disney forced the removal of murals featuring their cartoon figures from the walls of three Florida day care centers.

      Status: TRUE

      Origins:

      Disney discovered in 1989 that three Hallandale, Florida, day care centers had 5-foot-high likenesses of trademarked Disney characters such as Mickey Mouse, Minnie Mouse, and Goofy painted on their walls, Disney threatened to go to court if the centers did not remove the drawings. The threat of legal action did not need to be carried out, as the centers replaced the drawings with cartoon characters belonging to Universal Studios Florida and Hanna-Barbera Productions, who volunteered the use of their character art as part of a publicity ploy.

      Disney demanded that the unauthorized 5-foot-high painted figures of Disney characters on the walls of Very Important Babies Daycare, Good Godmother Daycare, and Temple Messianique (all in Hallandale, Florida) be removed for valid business reasons: infringements must be fought in order to keep trademarks intact; other Disney character licensees would have grounds to object if Disney provided inexpensive (or free) licenses to the centers (which are, after all, profit-making enterprises); and the use of Disney characters falsely suggested Disney's affiliation with the day care

    78. Re:The Hero with a Thousand Faces by Oligonicella · · Score: 1

      Uh, uhn. You can paint any number of Snow White and the Seven Dwarves pictures you want, as long as you don't use their characters.

      "Because Disney DOES consider Snow White and every other story they've touched to be their own."

      That's already been shown false, as there are a number of later releases of same that have been left alone.

    79. Re:The Hero with a Thousand Faces by tepples · · Score: 1

      Almost every time Disney has made a children's animated film, another company called Good Times Video has immediately come out with an animated film with basically the same story on DVD. If you've walked through a Wal-Mart, I'm sure you've seen these. Heck, GoodTimes' Pinocchio stays closer to Collodi's original work than Disney's does, even at half the running time.
    80. Re:The Hero with a Thousand Faces by Eli+Gottlieb · · Score: 1

      Aw bullshit. I've seen that "Monomyth" stuff, and quite frankly there's so many damn ways to rearrange the "monomyth" that it fails to constitute a single story any longer! Campbell just wrote up in book form what anyone could have found on tvtropes.org, and it definitely doesn't mean that any story someone tells now is just a retelling of some "original hero-story".

      There are new things under the sun.

    81. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      Tell me, what do you do with all your free time if you're not reading, playing video games, watching TV, learning a skill, admiring art, or spending time with your friends? All of those things are merely unoriginal rehashes of things you've no doubt done before, so you must have colossal amounts of disposable time.

      I'm not being sarcastic, I really want to know. Even if I was being sarcastic, you yourself admit what I say is important, not how I say it.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    82. Re:The Hero with a Thousand Faces by shmlco · · Score: 1

      "If she were to do more relating to Harry & Co it would be an encyclopedia of sorts with extra character information..."

      So? The current book is nothing more than a set of facts about the books and movies. And IF she were to do another book, with extra information about the characters and so forth, does she think for one second that any fan desparate enough to buy the first book wouldn't ALSO buy hers in a heartbeat?

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    83. Re:The Hero with a Thousand Faces by Oligonicella · · Score: 1

      You're correct. If you impinged upon a Royal privilege, you would find yourself in much deeper shit than today. Just because there were copyright violators does not mean he is incorrect in his references to copyright.

      Those references at the bottom of that Wikipedia page are nothing you could sneeze at.

      And, you yourself don't understand copyright if you think that however thinly the rewrite is, it's not new material and therefore not a copyright violation. Contained text, not idea.

    84. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      It hasn't driven the wonder away for any of us... just you. I just think you're looking at this all backwards. Sure, there's lots of cookie-cutter tropes out there. I have four questions for you:

      Yeah?

      And?

      So?

      What?

      (BTW, I'm 'reusing' that unoriginal bit from Bill Hicks, who was often accused of ripping off George Carlin and Lenny Bruce, who were often accused of ripping off yaddah yaddah yaddah.....)

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    85. Re:The Hero with a Thousand Faces by Oligonicella · · Score: 1

      "I plan on doing many vague things in the future, too."

      Problem is, for you to do as you say, they have to be based on the contents of something you already have under copyright. Got such a thing, or are you just spouting?

      She's not suing over the idea of doing it, but over the contents they're violating the copyright of.

    86. Re:The Hero with a Thousand Faces by Oligonicella · · Score: 1

      Interactive video games are based in a reality that is modeled upon human experience. Hence, they are unoriginal. Your concept of originality precludes all.

    87. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      This a derivative work. The encyclopedia doesn't just grab and reprint pages of the materials in a freakish remix. It takes concepts and ideas, characters and themes, items and etc, adds a touch of commentary, adds some analysis (not much since HP is about as deep as a puddle of standing water)

      All sci-fi has an unauthorized guide (or a billion) to it... Doctor Who, Star Wars, Star Trek... and yeah, they're printed and for profit. Embrace it or die.

      Worst case scenario: She gets some bad press from the fandom that she didn't have before hand and shuts down a book while getting a few extra bucks from a company she'd probably drive to bankruptcy.

      Best case scenario: she loses, unauthorized guides, including the HP guides that are already published, breath easy.

    88. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      And, you yourself don't understand copyright if you think that however thinly the rewrite is, it's not new material and therefore not a copyright violation. Contained text, not idea. Doesn't seem to apply to translations. Clearly a translation is new text, brand new words, but copyright holds.
    89. Re:The Hero with a Thousand Faces by Nicolay77 · · Score: 1

      There are works of two very different eras.

      In my case the standards for comparison of the Harry Potter books are the Terry Pratchett books.

      Not as successful in economic terms, but much, much richer and better in my opinion. They just aren't targeted to children but to adults. That could count as part of the difference between them.

      --
      We are Turing O-Machines. The Oracle is out there.
    90. Re:The Hero with a Thousand Faces by BlackSnake112 · · Score: 1

      Or she is trying to squeeze every last cent out of Harry Potter. Or to put it bluntly: greed.

    91. Re:The Hero with a Thousand Faces by IchBinEinPenguin · · Score: 1

      Yes, for right or wrong, Disney will demand compensation for everything that they legally can. But their lawyers are very good and know where the lines are.

      What upsets me (and I assume I'm not the only one) isn't their desire to defend the line, but to move it.

    92. Re:The Hero with a Thousand Faces by pbhj · · Score: 1

      Just like photographs of masterpieces. The requirement in UK/European law I gather is that their has been substantial work involved in creating this new work from the previous one. I don't think an automated translation would get you a new copyright.

      A translation is an adaptation, so you need the copyright holders permission if the original is not in the public domain.

    93. Re:The Hero with a Thousand Faces by SL+Baur · · Score: 1

      I can't read old English well enough to comment on the grammatical structure of Shakespeare, but there's nothing wrong with Rowling's syntax. Shakespeare's plays as versus his stand-alone poetry was never meant to be read. They were meant to be viewed. A fair comparison would be to use the script of one of the Harry Potters movies and compare that.

      Personally I find the Harry Potter movies tedious and I love Shakespeare, especially when accompanied by a clueful explanation.

      There's all kinds of historical context required to appreciate Shakespeare. It's the same in any language/culture. At Kabuki (traditional Japanese stage), they provide headsets with narration in both English and Japanese as nearly all Kabuki comes from a Japan that doesn't exist any more, just like Shakespeare's England.

      I can't claim to know enough about Shakespearean-era life to give an informed response Whatever. If you're going to do a clueless comparison like that, you missed one. In 4 centuries will Harry Potter and JK Rowling be appreciated or forgotten?

      I'll answer the other two: 400 years from now, Shakespeare will still be considered classic. Orson Scott Card will be remembered as a gifted but over-worked author who wrote too much. Most of his work was banal, but in a fit of genius wrote one of the all-time classics "Ender's Game".
    94. Re:The Hero with a Thousand Faces by zehaeva · · Score: 1

      I wish I had mod points. You Sir, I tip my hat to you. Damned funny. It's much to hard to stop laughing.

    95. Re:The Hero with a Thousand Faces by RalphSleigh · · Score: 1

      When playing KOTOR and the right one adds 2d6 v dark side, yes I do.

      --
      Come as you are, do what you must, be who you will.
    96. Re:The Hero with a Thousand Faces by sexconker · · Score: 1

      They mad a crappy one (recently, with Angelina Jo Lee or whatever) and a good one (with no name actors) a few years prior.

      The crappy one totally butchered the story.

    97. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      Maybe you can't read Old English, but don't let that stop youâ"Shakespeare wrote in late Middle English. Beowulf is the Old English work in this thread.

      (Hint: if you can get by with your knowledge of modern English, it isn't Old English.)

    98. Re:The Hero with a Thousand Faces by sexconker · · Score: 1

      That would be your primary measure of literary effect. Value implies it is worth something, and hence that effect has been positive (unless you allow negative value, in which case the words are interchangeable for this discussion).

      Either way, I'd say both Shakespeare and Rowling have poisoned millions of minds and have each taken a huge shit on society - a shit that spills forth from the pages whenever a copy of one of their works is read, contaminating the readers and those around them.

    99. Re:The Hero with a Thousand Faces by rilian4 · · Score: 1

      You're right about it being a collection but what MrLogic was probably trying to point out is that about 2/3 of the New Testament is known to be authored by the Apostle Paul and at least 1 further book (Hebrews) while not directly attributed to anyone, is largely thought by many scholars to also be written by the Apostle Paul. That said, the Bible has been published in basically every known language and I believe has more copies around than any other book and since Paul wrote more of the books of the Bible than any other individual contributor, MrLogic's claim of the Apostle Paul being one of the most successful authors in history is justifiable. -rilian

      --

      ...quicker, easier, more seductive the darkside is...but more powerful, it is not.
    100. Re:The Hero with a Thousand Faces by sexconker · · Score: 1

      I find your post to be derivative.

      Rowling and her publishers are just after money.
      Rowling is either a psycho bitch or was goaded by her publishers to act outraged (or both).

      She admitted to using the encyclopedia in question (the online version) when writing. I'm sure the publisher wants to put out an "Official Harry Potter Encyclopedia" at some time, but they were simply beaten to the punch.

      Hell - I bet that the unofficial one will be better than the official one anyway. Kind of like how some counterfeit coins are more valuable (in terms of metal content) than real ones.

    101. Re:The Hero with a Thousand Faces by PitaBred · · Score: 1

      What copyright, though? Are you saying that I should have to check with the NFL every time I want to say "John Elway wore number 7"? Or MLB for saying "The Rockies won the National League pennant once"? You can't copyright fact. They aren't purporting to be official, they're simply listing facts about her work. If that's illegal, welcome to an entirely new kind of hell where speech is only free as long as you don't reference anything that anyone else has done, ever.

    102. Re:The Hero with a Thousand Faces by shalla · · Score: 1

      When do you think this Bill Shakespeare guy will get around to suing Cliff and his "Notes"? Based on your expert legal assessment of the situation, I'd say he's got an excellent case.

      Except that:

      1) Cliffs Notes do not simply take characters, items, places, etc. and compile them into an encyclopedia about the work. They also provide a historical context for the work as well as literary commentary (including critical theories and interpretations) as to what happens in each scene. I just picked up the Cliffs Notes on Hamlet. The section on Hamlet's soliloquy definitely counts as literary analysis, not plagiarism.

      2) As everyone else has already pointed out, Cliffs Notes generally cover works in the public domain and get licenses for those that are not.

      You cannot take someone's works and compile the creations within them into a work that you call your own if it does not involve significant analysis or creation on your part. You can parody. You can analyze parts. You can borrow motifs, themes, ideas, archetypes, etc. You can't take every freaking item and pretend it's yours, though, just because you put it in a different order, which is essentially what this person did.

      Even if Orson Scott Card says you can. He's on crack. Borrowing an idea and adding your own touches? Yeah. Everyone does that. Borrowing all your specifically named characters, items, places, etc.? Um, no.

      And for the record, many authors have specific guidelines regarding fanfic. If you stick to those, you're fine. If you do not, then yes, fanfic writers can be sued.

      There's a news article here from 2004 that mentions how flattered Rowling is that people are writing fan fiction. It includes a statement from her agency's spokesman that says, "Her concern would be to make sure that it remains a non-commercial activity to ensure fans are not exploited and it is not being published in the strict sense of traditional print publishing." The next sentence adds, "He said writers had to ensure that the stories were not obscene and were credited to the author and not to JK Rowling."

      I'd say that makes it pretty clear that the encyclopedia author violated even the standards of her fanfic expectations by publishing it commercially and through a traditional print publisher.

    103. Re:The Hero with a Thousand Faces by Naturalis+Philosopho · · Score: 1

      Are words (full of) content, or are they tools, or both? If they are mere tools, then they are empty of meaning on their own. All books are made of words, and all book are full of content. So, they aren't empty, but they're made of words? Then either words in combination or words on their own are tools which convey content.

      Since we have dictionaries which list single words, and define their symbolic content, then I'd argue that words contain content. Put together with other words we get a rich contextual soup (or at least the potential thereof). So words, their content, and the context in which they are presented define the content of the work as a whole. So, tools, since they contain content, matter greatly to the work as a whole. In other words, your five word argument is empty.

      Want more? Try reading a book in loose-leaf form (like laser printouts for galleys), then spiral bound, then paper, then hard back, then a nice leather-bound rough-front cotton-paper edition, then in PDF on a Kindle. Now tell me that physical materials, tools and mediums, don't matter either. Heck, change just one word in one of Hamlet's soliloquies and see if it has the same meaning and impact.
    104. Re:The Hero with a Thousand Faces by tpholland · · Score: 1

      Excellent point, well made.

      Re. Homer and epic, if you've not already done so, you might be interested in checking out Milman Parry.

      This was the guy who, back in the thirties, looked at the oral tradition as it actually existed in illiterate Serbo-Croat communities--he studied the way that storytellers in the Balkans reused and repeated useful "snippets" they'd memorised from stories passed down to them, weaving them back into the larger story. He identified all of the little "tricks" the poets used to reel off prodigiously long and fantastically well-polished stories, without having to read or write anything. (A lot of these tricks look a lot like a sort of "community development" of epic stories).

      Then Parry compared these tricks with the famous idiosyncrasies of "Homer". It turned out that a lot of the syntactic patterns we find in Homeric epic look just like the tricks used by the community of Balkan singers-of-tales to elaborate their epic. Thus the theory that Homer isn't a person, but a body of work built up by illiterate singers re-elaborating on one another's performances.

      Unfortunately, Parry died before he could publish any of this, but his assistant, Albert Lord, eventually published it all in _The Singer of Tales_.

    105. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      And well you should NOT!

    106. Re:The Hero with a Thousand Faces by budgenator · · Score: 1

      I'm not that sure it's all her work, the difference in style, tone and pace of the last four books is so different from the first three I wouldn't be surprised if she reviled that the studio screenwriters ghostwrote them; which might explain the vigorous defense worthy of a MPAA member. The first three were simple juvenile plots and each a story pretty much independent of the others, you could read or watch any with out the others without lose of context. The last four were serial with numberous plots intertwineing, if you wanted to read number 6 alone you'd be completely out of context and have to go back and get the earlier books or movies.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    107. Re:The Hero with a Thousand Faces by westlake · · Score: 1
      Everyone borrows. Or, in the case of Disney, outright pilfers and then claims to own what they pilferred (say, Snow White or Cinderella).

      What Disney owns is its unique interpretation of these stories.

      Prokofiev's ballet was staged in 1945. Disney's animated feature was released in 1950. Rogers and Hammerstein produced Cinderella for television in 1957. The puppeteer Jim Henson in 1970.

      The geek who rants on about Disney is only exposing his own laziness, his lack of talent and imagination.

    108. Re:The Hero with a Thousand Faces by Pope · · Score: 1

      Umberto Eco takes McLuhan to task very nicely for that stupid phrase. The Medium is the channel for the Message, not the message itself.

      --
      It doesn't mean much now, it's built for the future.
    109. Re:The Hero with a Thousand Faces by DurendalMac · · Score: 1

      The big difference here is that the guy published a book COMMERCIALLY that directly uses Rowling's work. It's not a similar derivative, it's a book that chronicles all of her Harry Potter series. Card can go suck an egg, because his comparison and what is actually happening are NOT the same thing.

    110. Re:The Hero with a Thousand Faces by PopeRatzo · · Score: 1

      He's on crack.
      I'll say.

      Orson Scott Card is one of those public people who's opinions are so effed up that they have forever forfeited the right to be taken seriously.

      About anything. Ever.

      I can't agree with the Parent that "he's on crack" because I don't know that for sure, but I've heard him on the radio a few times driving through Central Missouri and he's loonier than the cocoa puffs bird. Looking back at his twisted attempts a profundity, I can't help but see that all the signs were always there, but my charitable nature and love of science fiction prevented me from realizing just how messed up he was. Now when I try to read even his best-loved books, I realize that he's not even a good story teller.

      It's not that I mind reading authors whose beliefs I disagree with, but Card is just a prick with ears.
      --
      You are welcome on my lawn.
    111. Re:The Hero with a Thousand Faces by OMNIpotusCOM · · Score: 1

      You have changed my mind, but in the opposite way that you intended. I thought your contention was great until you said "you can't copyright fact." That's the weak link in your argument, eventhough the rest of it is very good. Plain and simple, Harry Potter doesn't exist except in the mind of Rowlings.

      Try this hypothetical example: An autobiography comes out about Dumbledore that was not written by Rowling. Three days after it is released, Rowling comes out and says that Dumbledore was a gay parakeet and was actually a figment of Snape's imagination. It has to be true because he is whatever Rowling imagined, and can be changed on a whim.

      So, while I was completely with you and Card, I've now decided that Rowling does own the realm of Potter, if for no other reason than she could make Dumbledore gay and nobody can say "No he isn't!" Does that mean she should sue? No, of course not, but someone else should not be making money on something from your head. Plain and simple, Harry is hers and only hers. If she really wanted to get back at the encyclopedia, she could make hers have a lot more little facts that it won't, even if she has to make them up out of the ether. Did you know that Harry Potter has three testicles? No? I guess your encyclopedia is not complete.

      Your use of the word "fact" in reference to a fictional work is skewed because "fact" is whatever the writer says.

    112. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      Shakespeare is an excellent example. Most of his play's were cribbed from somewhere else. And, of course, it is commonly believed that the reason that there are so many inconsistencies in Shakespeare's early folios is because the actors were doing deals with publishers and regurgitating the play from memory.

    113. Re:The Hero with a Thousand Faces by cpt+kangarooski · · Score: 1

      The thing is, pre-Anne copyrights protected publishers and/or were tools of official censorship. They may have been called copyrights, or were copyright-like, but they were not really copyrights in the sense of what we think of today.

      For example, under the Stationers' Copyright, a particular printer might get a copyright to print Virgil's Aeneid in the original Latin. It didn't matter that it was written by someone else, over a thousand years prior, and that he had no special permission from the author. Rather, the printers colluded and divided the market up so that they did not compete directly against one another, and could keep prices high. Authors didn't really participate in this.

      In 1710, long after Shakespeare's time, England set up the first modern copyright system, where the system was intended to serve the public interest, and the rights were vested in authors, rather than publishers. The publishers didn't like it, but have learned to live with it.

      This was discussed on that page, btw. Perhaps you should've read more of it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    114. Re:The Hero with a Thousand Faces by anthonys_junk · · Score: 1

      spun, you might like Jeff Noon. Try him if you haven't already, "Vurt" is a good place to start.

      --
      Barbara Felden claims prior art on the flip phone, sues Motorola, Nokia.
    115. Re:The Hero with a Thousand Faces by anthonys_junk · · Score: 1

      Campbell just wrote up in book form what anyone could have found on tvtropes.org

      anyone excepting Campbell of course, who wrote his book over 40 years before tvtropes existed.

      I agree, there are new things under the sun indeed, however there are also deep thematic resonances and similarities across many types of literature and film.
      --
      Barbara Felden claims prior art on the flip phone, sues Motorola, Nokia.
    116. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      RTFA you moron.

    117. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      I do those things. I just don't pretend that they're special or that they make me unique.

      In fact, I don't think about the originality of those things at all, other than the originality of art that I experience or create.

    118. Re:The Hero with a Thousand Faces by magical_mystery_meat · · Score: 1

      Hicks, Carlin, and Bruce are all overrated, just like Douglas Adams, the majority of the output of Monty Python, and the concept of open source. Opinions are a pain in the ass, aren't they? :)

      When you accept that substance is always a repeat, then only style - the surface - matters. You stop saying anything of substance because it really doesn't matter. Have you read any recent critically acclaimed work of literary fiction? Very little of it has anything of substance to say, it's all about who can write the flashiest pseudo-Pynchonian network of references and allusions. That's the wonder that's missing. Nobody tries to make big statements anymore because everyone that matters has decided that they've all been made, and they'd rather get into weird etymology.

    119. Re:The Hero with a Thousand Faces by Kral_Blbec · · Score: 1

      Aggu sami laki daki wawa!

    120. Re:The Hero with a Thousand Faces by GreyyGuy · · Score: 1

      Not exactly correct. Harry Potter exists on the pages of the books that were written. And the lexicon is summing up everything written about Harry Potter. Just as unauthorized books have been written about other copyrighted material and been completely legal. The lexicon is about Harry Potter and the world he inhabits as was written. Not a new story about him, or making up additional things. The second would be using characters without permission in a new story. The first is explaining what was written. If this activity was not legal, then anything criticizing Star Wars would be a copyright infringement.

      She will make up things out of whole clothe for her lexicon- there is no doubt about that. She couldn't stop herself from telling stories about the characters after that last book came out, so there is no reason to think that her lexicon would not have entirely new material. Now if the lexicon in he lawsuit had entirely new material, then it could be copyright infringement because the guy would be trying to add his own original material into her world. But he isn't. It is just listing out what she already has published.

    121. Re:The Hero with a Thousand Faces by Katharine · · Score: 1

      Shakespeare wrote in early Modern English, not late Middle English. Chaucer wrote in Middle English. And yes, Beowulf is in Old English.

      Old English:
      Hwæt! Wé Gárdena in géardagum
      theodcyninga thrym gefrunon,
      hu ða æthelingas ellen fremedon!
      (Listen! We --of the Spear-Danes in the days of yore,
      of those clan-kings-- heard of their glory.
      How those nobles performed courageous deeds.)

      One fun thing about Old English is how as you read along you come across things that are understandable even if you just know modern English: "thæt wæs god cyning!" = "that was a good king!"

      Middle English:
      Whilom, as olde stories tellen us,
      Ther was a duc that highte Theseus;
      Of Atthenes he was lord and governour,
      And in his tyme swich a conquerour,
      That gretter was ther noon under the sonne.
      (Once, as the old stories tell us, there was a Duke named Theseus; of Athens he was lord and governor, and in his time such a conqueror, that greater was there none under the sun.)

      Early Modern English:
      Our father which art in heauen,
      hallowed be thy name.
      Thy kingdom come.
      Thy will be done in earth as it is in heauen.
      Giue us this day our daily bread.
      And forgiue us our debts as we forgiue our debters.
      And lead us not into temptation,
      but deliuer us from euill. Amen.

    122. Re:The Hero with a Thousand Faces by famebait · · Score: 1

      Bah. Have you actually tried _reading_ that pile of speculative pseudo-Freudian tripe?
      It's awful.

      Campbell may have been important in popularizing the idea of analyzing the structure of myths, but when it comes to his actual theories, his standing among the modern academia actually concerned with the serious study of myths and folklore does not exactly mirror the status he is attributed by the random sci-fi fan.

      --
      sudo ergo sum
    123. Re:The Hero with a Thousand Faces by Saint+Fnordius · · Score: 1

      I think that is the thing to ask here: is it valid to make a map, a catalogue of a work which belongs to someone else? Would this apply to the world of, say, real estate where a person publishes an unofficial guide to a museum?
      What if somebody drew his own maps and gave hints as to the best time to visit Disneyland, but didn't use trademarked art? Or what about a collector's guide to the Star Trek episodes and movies, which list in detail which scene, which character, which prop is in which DVD version? Or how about those unofficial hint books that exist for video games?

      The only issue here should be whether the guide crosses a "laziness threshold" (as I call it), whether is is merely a copy-paste collection of quotes from the referenced books or uses its own descriptions. Well, there is another (less mentioned) issue as well, the issue of whether the publisher of the guide infringed upon the trademark look of the HP books and movies, but since nobody mentions this I suspect that it's not the case.

    124. Re:The Hero with a Thousand Faces by Anonymous Coward · · Score: 0

      And yet Shakespeare [...] has been regarded for much of that time as being not only one of the greatest writers in the English language, but in the entire history of our species. Allow me to guess: you're from an anglophone country, most likely the USA, and you've never spent any significant time abroad in a non-anglophone country.

      If you did, you'd realise that your above statement is entirely untrue. Yes, Shakespeare was a great and inspired playwright, but it's not as if people in other countries look up to him with the same amount of reverence as people in the USA and the UK do. In fact, it's not even true for the rest of the "western" world, and it certainly isn't once you move to other cultures.

      Quick, can you name the greatest Japanese playwright in history (or *any* Japanese playwright, for that matter)? No, you can't. Why would you believe that most Japanese know Shakespeare, much less consider him the greatest playwright to ever have graced us with his works?
    125. Re:The Hero with a Thousand Faces by fractoid · · Score: 1

      The works of William Shakespeare have been in the public domain for centuries. What about the works of Joseph Heller? Catch-22 was first published in 1961, and Heller died in 1999. I'm not an authority on American copyright law by any stretch, but as I understand it (correct me please if I'm mistaken) Catch-22 should still be in copyright.
      --
      Rampant carbon sequestration destroyed the Dinosaurs' tropical paradise. I'm here to help repair the damage.
    126. Re:The Hero with a Thousand Faces by nightcats · · Score: 1
      Yep, this guy's making a similar point that I raised in this post last month:

      Plagiarism? Hardly. No plot, character, setting, or language is being stolen, re-worked, or represented as an original creation. In fact, the author and publishers are clear in their intent: to offer a fun and thorough compendium of Potter-related information drawn from a study of the novels. Barry Bonds might as well be suing the authors of The Baseball Encyclopedia for plagiarizing his name and lifetime statistics. If Rowling wins this suit, literary reference works and literary criticism overall will be endangered. Authors of compendia and criticism on the works of Tolkien, galactic hitchhiker Douglas Adams, Simpsons author Matt Groening, and many more, will be facing disastrous litigation. But those authors know that such reference works generate interest â" they actually draw people to buy the original stuff.
      --
      Development is programmable; Discovery is not programmable. (Fuller)
    127. Re:The Hero with a Thousand Faces by dzfoo · · Score: 1

      >> J.K. Rowling is the 2nd Richest woman in entertainment, beat out only by Opera

      I read somewhere that Firefox is gaining up!

              -dZ.

      --
      Carol vs. Ghost
      ...Can you save Christmas?
    128. Re:The Hero with a Thousand Faces by EEDAm · · Score: 1

      What supports your point even more is that one doesn't even have to hypothesise about people copying Shakespeare. Shakespeare himself took almost all of the essential stories for his work from earlier pieces which was utterly prevelent at the time. You quote a hypothetical copying of Hamlet, well actually quite a lot of people think that Shakespeare copied an earlier piece http://en.wikipedia.org/wiki/Ur-Hamlet . What Shakespeare did do was often materially tweak the story (King Lear is a good example) to better construction and then of course add language that was unparalleled. Although he did lift a few lines verbatim as well from other plays. Bill Bryson's short book on Shakespeare gives a great overview.

    129. Re:The Hero with a Thousand Faces by psychodelicacy · · Score: 1

      you can't deny its marked effect on millions of people. I'd use this as the primary indicator of literary value.

      I'd say that's an indicator of cultural value rather than literary value. And I'd also argue that only time will tell whether Rowling outperforms Shakespeare on this, considering the huge cultural impact of Shakespeare's works centuries after they were written. Will there be a Royal Rowling Company, dedicated to cutting-edge theatre based on Rowling's works? Will there be re-workings and re-writings of Rowling's ideas into a thousand different genres in a thousand different languages? Probably not, I would say, at least partly because lawyers for the Rowling estate in five hundred years' time will sue any aspiring Baz Luhrmann into the ground for making a film updating Rowling's stories for a modern audience.

      --
      A closed mouth gathers no foot.
    130. Re:The Hero with a Thousand Faces by Per+Abrahamsen · · Score: 1

      Actually, there was little or nothing that Shakespeare could have done in his time to prevent someone writing a play called Humlet Duke of Dinmark. And, of course, Shakespeare's version wasn't exactly original.

      Good artists borrow, great artists steal.
    131. Re:The Hero with a Thousand Faces by psychodelicacy · · Score: 1

      Yes, there were very limited applications of something like copyright before Shakespeare's birth. But the GPs point is that concepts of copyright as we now understand it were not really available. Certainly, in some special circumstances, one might gain a limited monopoly over the publication of one's work. But that is hardly the same as our modern system, in which copyright is implicit in the creation of an original work, can be extended for more than a person's lifetime, and throws up significant barriers to derivative works.

      Shakespeare's plays didn't have original plots, on the whole. Some were taken from old, old stories. Others he probably encountered from contemporary sources. Either way, he used them for his work, and this was entirely accepted practice. If Shakespeare had had lived under anything like the intellectual property system we have now, he would never have written the works he did.

      --
      A closed mouth gathers no foot.
    132. Re:The Hero with a Thousand Faces by DagdaMor · · Score: 1

      She is the most-translated author in history The would actually be L. Ron Hubbard 1,084 works in 71 languages
      --
      All is fair in love and war... ...as long as I'm not losing!
    133. Re:The Hero with a Thousand Faces by indifferent+children · · Score: 1
      I can't read old English well enough to comment on the grammatical structure of Shakespeare

      Shakespeare isn't Old English. Shakespeare is a slightly archaic Modern English. Shakespeare isn't even Middle English. Chaucer was Middle English (try reading some of that in the original!) Beowulf was Old English.

      --
      Censorship is telling a man he can't have a steak just because a baby can't chew it. --Mark Twain
    134. Re:The Hero with a Thousand Faces by Bud+Dickman · · Score: 1

      "You can't take every freaking item and pretend it's yours, though, just because you put it in a different order, which is essentially what this person did."
      Have you read the work in question? And have you read the encyclopedias that already exist regarding Harry Potter that Rowling's corporate masters have chosen not to sue (for comparison's sake)?
    135. Re:The Hero with a Thousand Faces by Random_Goblin · · Score: 1

      Shakespeare [...] has been regarded for much of that time as being not only one of the greatest writers in the English language, but in the entire history of our species.


      meh! you can't appreciate shakespeare until you have heard it in the original Klingon
    136. Re:The Hero with a Thousand Faces by sYkSh0n3 · · Score: 1

      That was actually suppose to be "One of the most successful writers in history". But even as it is, it's not as inaccurate as you say. The last four books consecutively set records for fastest selling book of all time, and the last book sold 11 million copies in it's first day. Half-Blood Prince sold 9 million it's first day.

      In 11 years the 7 books have sold somewhere around 375 million copies. Ole Bill has had 400 years to get his numbers (most known works were written between 1590 and 1613) and Agatha Christie has had almost 90 (the first Poirot novel was published in 1920). So while she may not be THE most successful writer, it's hard to argue that she's not way up there on the list.

    137. Re:The Hero with a Thousand Faces by electrictroy · · Score: 1

      Well consider this:

      - What if JK Rowling was *already* working-on an encylopedia, with plans to publish it in 2009? In effect, somebody else stole her idea and her labor and her profit. She has every right to get sue the other person for devaluing Rowling's own official 2009 encyclopedia.

      Same way I'll sue my boss if he decides to steal the engineering documents I created, and not pay me.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    138. Re:The Hero with a Thousand Faces by blueturffan · · Score: 1

      Reading that explanation, I suppose the difference is that my local elementary school is not a "profit-making enterprise". That, and the fact that I live nowhere near Anaheim, Orlando, or any other Disney land/world.

    139. Re:The Hero with a Thousand Faces by GooberToo · · Score: 1

      Well consider this:

      - What if JK Rowling was *already* working-on an encylopedia, with plans to publish it in 2009? In effect, somebody else stole her idea and her labor and her profit. She has every right to get sue the other person for devaluing Rowling's own official 2009 encyclopedia. She has no such right. This is not called stealing. This is called a free market. You are incorrect on every count.

    140. Re:The Hero with a Thousand Faces by spun · · Score: 1

      Hey, cool, I haven't actually read any Jeff Noon. I will now!

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    141. Re:The Hero with a Thousand Faces by Bredero · · Score: 1

      All of these examples give copyright to the printers of the work. You know the ones that make the copies? Not neceserally the authors, copyright as we know it today is a much later perversion.

    142. Re:The Hero with a Thousand Faces by electrictroy · · Score: 1

      It's THEFT OF LABOR to steal another person's creation. ----- Another scenario: Stephen King spends two years of his life researching, writing, and publishing his latest novel. He then earns next to zero dollars, because his fans decided to DOWNLOAD or PHOTOCOPY the novel for free.

      That too is theft of labor (two years worth of unpaid work).

      You'll probably sit here and explian why that's justified, but it is no more justified than was the theft of labor from unpaid slaves to grow cotton.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    143. Re:The Hero with a Thousand Faces by Wandering+Wombat · · Score: 1

      Uhm, I don't believe anyone was believing that doing or not doing activities makes you a unique snowflake, and you've said yourself that you can't create anything unique, since it's all been done before. Anything you create is simply a recycled rehash of something someone else has done.

      But "I just don't think about it" seems to work.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    144. Re:The Hero with a Thousand Faces by PachmanP · · Score: 1

      It's THEFT OF LABOR to steal another person's creation
      WTF is "Theft of Labor"?! You can steal a product which would be say a book, or you can not pay an employee which would be "stealing" a service. Labor has no intrisic value; the result of labor has value. If I take nine years to write a book and get paid the same as someone who wrote a book in nine months, did they steal eight years and three months worth of labor? As for SK, if anything they stole his permission to copy the book which is a product due to the granting of a copyright. They didn't steal his labor.

      And if Rowling has an Official one coming out soon an unofficial one doesn't suddenly make it worthless. The intrinsic value of its officialness just may not be enough to make people who buy the unoffical one to go back and buy another.
      --
      You're thinking small. Why miniaturize the laser, when we could instead enlarge the sharks? -John Searle
    145. Re:The Hero with a Thousand Faces by Alistar · · Score: 2, Informative

      That doesn't even make sense.

      This kid didn't break into Rowling's House and take pictures of her secret yet to be completed and published encyclopedia.
      He simply compiled a lot of information together on his own time.

    146. Re:The Hero with a Thousand Faces by kingonly · · Score: 1

      I've always thought that Rowlings borrowed heavily from other authors. My first thought was the Myth Adventures by Robert Aspirin. http://en.wikipedia.org/wiki/Robert_Asprin I applaud you Orson Scott Card. This lawsuit was a joke from square one. I laughed when she went on to say that this lawsuit is making it hard for her to work on her next project. Cry me a river Rowlings! Use your head, and fire those that are truly making a fool of you. Then concentrate on making your next story and let the world decide if you are a great literary author, or better yet publish your book and who cares what others think.

    147. Re:The Hero with a Thousand Faces by morethanapapercert · · Score: 1

      However; if I read this right, the creators of the encyclopedia did not steal the results of J.K. Rowling's work. To correct the analogy you used: Say Stephen King creates a readers guide or encyclopedia to the fictional universe he has set a large number of his novels in and plans to publish it first quarter 2009. However I; as a fan of his work, have spent hundreds of hours of my own time and effort reading every book Mr. King ever wrote, every interview I can get my hands on, every piece of source material I can find and have created my own encyclopedia to the King-verse. Mr. King is a popular author and a prolific one, he has book-signings, business conferences and other unrelated books to write, whereas I am simply fan with no real life, hence I get my encyclopedia finished first and manage to find a publisher for the third quarter of 2008. In this scenario there is no question that my creation is a derivative work, it wouldn't have existed without the prior fiction written by Stephen King. But it is not theft, Mr. Kings own creation is still in his hands and the general public still has no clue what is really in it. My work would ride the coat-tails of Mr. King's popularity obviously, but I doubt it would hurt sales of his own work very much. Mr. King's Official guide would be, by definition, far more authoritative than my own. It would be highly likely to contain more original material than my own efforts could hope for. No doubt I'd manage to sell some copies, but Mr. King's work would sell far more wouldn't it? In fact, there is a chance his edition would sell more for having mine already out there than it would on it's own, since all the otaku types would want to buy the real version if only to see where all my guesses and projections turned out to be wrong. J.K. Rowling has always payed such elements very close to the vest, revealing very little until the release of the next book. This gives her the advantage of changing her mind, anywhere the fan-created encyclopedia guessed right or even just a little too close she can simply revise the unrevealed parts of the back story. Just about the only thing an author couldn't change is the actual published events, the meaning and symbolism can be changed. In fact, thanks to retconning, even some of the published facts can be subject to revision. In my mind that is a more effective way of fighting the hangers-on who want to cash in on Rowling's efforts than simply suing.

      --
      I need a wheelchair van for my son. Help me get the word out. https://www.gofundme.com/wheelchair-van-for-jj
    148. Re:The Hero with a Thousand Faces by Hognoxious · · Score: 1

      You can't copyright fact.
      Hate to break it to you like this, but the stuff that happens in those Harry Potter books, well it's not real; somebody made it up!
      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    149. Re:The Hero with a Thousand Faces by mdwh2 · · Score: 1

      Another scenario: Stephen King spends two years of his life researching, writing, and publishing his latest novel. He then earns next to zero dollars, because his fans decided to DOWNLOAD or PHOTOCOPY the novel for free.

      Which has bugger all to do with "stealing" an idea. The analogy here would be a fan deciding to spend two years of his life writing a horror novel, then Stephen King accuses him of "stealing" his idea.

      If anything, I'd say it's Rowling who is doing the stealing here, trying to steal the work that he has spent on the encyclopedia.

      PS - you stole my idea to post to Slashdot.

    150. Re:The Hero with a Thousand Faces by shalla · · Score: 1

      Have you read the work in question? And have you read the encyclopedias that already exist regarding Harry Potter that Rowling's corporate masters have chosen not to sue (for comparison's sake)?

      Actually, the encyclopedia is currently available as a blog/website, and I have taken a look at it. It's the Harry Potter Lexicon.

      As to encyclopedias they have chosen not to sue, I've certainly looked at some of the other books that they haven't, like the Complete Idiot's Guide to Harry Potter (which has a lot more on folklore and mythology as a basis for ideas) and Quidditch Through the Ages (which was put out by her publisher, so I assume was personally okayed.) To me, it's a matter of degree how much originality and analysis was put into it. While the owner of the Lexicon put a lot of work into it, much of it is what Rowling wrote reorganized but not necessarily analyzed in any way. (Of course, maybe I had really bad luck in what pages I chose to look at but the ones I did had no analysis at all.)

      Don't get me wrong--I think it's a beautiful work, and if done with her permission would be fantastic. As fanfic, it's amazing. But if I'd created HP, I'd probably go to court over it, too.

    151. Re:The Hero with a Thousand Faces by cduffy · · Score: 1

      If the alternate encyclopedia was created by someone not even knowing that she was simultaneously working on her own, how could it conceivably be "theft"?

      Not that it would be theft even if the competing encyclopedia were created with knowledge that it would be in competition with an official version: You can't steal "ideas". You can steal the embodiment of ideas, once they've been affixed to a physical media -- that's what copyright protects. You can steal published mechanisms used in a novel invention, or well-kept secrets used to create a product -- that's what patents and trade secrets, respectively, are for. Mere "ideas" have no, and deserve no, protection -- any other system would stifle creativity. There have been countless independently conceived and created riffs on Hamlet or Beowulf over the years, and the world is richer for it; can you honestly claim we'd be better off with but one?

    152. Re:The Hero with a Thousand Faces by electrictroy · · Score: 1

      >>>"Labor has no intrisic value"

      Bullshit. Labor does have value; that is why *laborers* get paid wages for the labor they sell.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
  2. I tried, I really did. . . by Apple+Acolyte · · Score: 1

    I really tried to care about this story, but then I realized that there was simply no way to do it. Sorry.

    --
    Part of the hardcore faithful who believed in Apple long before it was cool again to do so
    1. Re:I tried, I really did. . . by Anonymous Coward · · Score: 0

      and you had to tell us this why? oh, that's right. it's because you're an apple fanboi and you feel that anything you have to say is important and people actually care to hear it. think again, loser.

    2. Re:I tried, I really did. . . by Ethanol-fueled · · Score: 1

      Authors wanting megalomaniacal control over their franchises are nothing new. Many of our heroes in the software realm behave similarly.

      Why is there such a fuss about Harry Potter? Most fantasy has that geek-chic to it, but Harry Potter books are merely glorified childrens' stories, and I know because I've read bits and pieces. Seeing grown men admit to reading Harry potter is like seeing 50 year old women dress like they did when they were barhopping at 21...a sad sight either way.

    3. Re:I tried, I really did. . . by Anonymous Coward · · Score: 0

      Seeing grown men admit to reading Harry potter is like seeing 50 year old women dress like they did when they were barhopping at 21...a sad sight either way.

      What a judgmental jerk you must be to make a comment like that.

      I read the Harry Potter books and enjoy them, perhaps even more so knowing that people like will never understand why.

      Signed,
      A 40-year-old male Harry Potter fan

    4. Re:I tried, I really did. . . by Ethanol-fueled · · Score: 1

      If I were admitting to being a 40 year old Harry Potter fan then I'd also post anonymously.

    5. Re:I tried, I really did. . . by MarkGriz · · Score: 1

      I read the Harry Potter books and enjoy them, perhaps even more so knowing that people like will never understand why.

      Signed,
      A 40-year-old male Harry Potter fan Cue 40 year old virgin jokes in 3...2...1...
      --
      Beauty is in the eye of the beerholder.
    6. Re:I tried, I really did. . . by Bobb9000 · · Score: 1

      Are you really so boring that you can't deal with adults enjoying well-told fantasy? Sheesh, grow a little whimsy. Harry Potter is primarily aimed at children, yes, but like any really good children's story it works on a lot of different levels. I'm not 40, but at 24 I'm certainly well above the usual "children's book" age group, and I'm not even slightly ashamed of reading and liking Harry Potter. Maybe if you tried reading an entire book, especially some of the later ones, instead of "bits and pieces", you'd understand. Maybe you wouldn't - different people have different tastes. Regardless, the fact that you don't care for something that you haven't bothered to read in its entirety is no grounds for insulting people who do like it.

      --
      Bobb9000 - raised by the wolves,
      Oxford education as phrased by the wolves.
    7. Re:I tried, I really did. . . by Anonymous Coward · · Score: 0

      50 year old women dress like they did when they were barhopping at 21
      What's your mother got to do with the subject?
    8. Re:I tried, I really did. . . by PitaBred · · Score: 1

      The books are interesting, a quick read, and nothing that's terribly intellectually challenging. They aren't GREAT, but they are certainly much better than many other books out there.

      Rabid fans of anything are scary and a sad sight. Being appreciative or fond of a mythos, even if it was written for children? I also like the Narnia stories, as well as A Series of Unfortunate Events, etc. I wouldn't call them intellectually challenging, but they are still very good works on their own, especially given the goals of the authors.

      BTW, I'm 28. Get over yourself. You're no better than those idiot parents that let their kids watch any anime they want because "cartoons are obviously for kids".

    9. Re:I tried, I really did. . . by Psmylie · · Score: 1
      I'm 37. I'm not "old". :)

      I read, and enjoyed, Harry Potter. Not my favorite series by a long shot, but still a fun way to spend a couple hours.

      --

      psmylie's dictionary: Godzillion (noun) Any number large enough to destroy Tokyo

    10. Re:I tried, I really did. . . by roguetrick · · Score: 1

      Sure it is. Welcome to the internet.

      --
      -The world would be a better place if everyone had a hoverboard
    11. Re:I tried, I really did. . . by DurendalMac · · Score: 1

      Wow, that was a monstrous load of idiotic, trolling drivel, and from an AC no less. Go back to Digg, numbnuts.

    12. Re:I tried, I really did. . . by DurendalMac · · Score: 1

      Oh, bullshit. Grown men who read them and enjoy them are one thing. Grown men who get obsessive about them are something completely different. Learn to differentiate between the two and you wont come off sounding like an asshole.

  3. Prefer the Pile of Cat Poo or Pile of Dog Poo? by hardburn · · Score: 1

    Which jerk am I supposed to be rooting for in this story? Card had one good book decades ago and has been riding its success ever since.

    --
    Not a typewriter
    1. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by d34thm0nk3y · · Score: 1

      Which jerk am I supposed to be rooting for in this story? Card had one good book decades ago and has been riding its success ever since.

      The one who understands copyright law.

    2. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Freeside1 · · Score: 1

      At least Card had one good book....

    3. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by garett_spencley · · Score: 1

      Card had one good book decades ago and has been riding its success ever since.

      And that makes him a jerk how, exactly ?

    4. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Adambomb · · Score: 1

      One good book? Personally I would consider enders game to be one of Cards WORST efforts. Not terrible , but not his best.

      The sequels and the parallel to the original story is where the real character development and writing style is found. Speaker for the Dead, Xenocide, and Children of the Mind are MUCH more thought provoking and easier to identify with. The characters become much more real, and less OMG DBZ SUPERSAIJANTIME-esk.

      His parallel with Enders Shadow, Shadow of the Hegemon, and Shadow Puppets focused on Bean is also excellent, taking on the more tactical and geopolitical bent rather than the constant moral conflicts (although they're in there, just not as pronounced).

      And not only that, but if you can keep the mental images of golden plates and seer stones out of your head, the Alvin Maker series and the Homecoming saga offer excellent reading as well. A bit of a glimpse into the mormon perspective of things in extremely unique settings.

      Now if you have read all of these and still believe what you believe, then i guess thats a matter of personal opinion (or perhaps you're a sci-fi author and he is competition =). If not, read a bit more before talking shit about an author.

      --
      Ice Cream has no bones.
    5. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Uncle+Focker · · Score: 1

      That doesn't make him a jerk. His behavior and loony rantings do.

    6. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by plague3106 · · Score: 1

      Ah, so then Rowling it is.

    7. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by moderatorrater · · Score: 1

      Enchantment: good take on the sleeping beauty myth.
      Lost Boys: great story about a man's family life, moving, and dealing with loss.
      Shadow Series: every one of them has moments that are as good as Ender's Game and the series as a whole has a lot more to offer.
      Maps in a Mirror: short stories ranging from mildly interesting to better than Bradbury's. The best one is Unaccompanied Sonata, probably the best short story I've ever read.

      There are more books he's written, and I've found most of them are pretty good. The problem with Card is he's extremely opinionated, has some weird opinions and likes to yell them at the top of his lungs. In other words, the only difference between him and at least 75% of slashdot is that when he yells, people listen.

    8. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Uncle+Focker · · Score: 1

      the only difference between him and at least 75% of slashdot is that when he yells, people listen. And the vast majority of them facepalm afterwards.
    9. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by CRCulver · · Score: 1

      The best one is Unaccompanied Sonata, probably the best short story I've ever read.

      I can only assume then that your only experience in reading short stories has been from popular science fiction authors similar to Card. Have you read no short stories from the Western canon, or from science fiction authors acclaimed for their literary stylings like Gene Wolfe?

    10. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Sosarian · · Score: 1

      You're seriously saying that Xenocide is better with it's deus-ex machina ending? The rest of it may have been good, but the ending is horrible.

    11. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Eevee · · Score: 1

      Spoilers...

      But the plot holes get bigger and bigger as you go along. I didn't mind the problems with Ender's Game (all the queens at the home planet, linear colonization in a straight line towards Earth), but the utter stupidity of everyone except the main characters in the later books was too big of a turn-off.

      Limited human contact with a primitive alien species--fine. No cameras or tape recorders allowed--seems unlikely but I can buy the 'no contamination of the native culture' line. No miniture recorders or cameras--okay, bullshit territory here; Ender has a earpiece that records damn near everything, but the researchers can't have them? Hell, how can they not be required to wear them? Fence around the human compound, but no surveillance cameras or sensors--who would design a piece of crap like that? Spaceships capable of traveling between the stars but no overhead imagery satellites--we can read license plates now with our piss-poor space capacity and they can't have visual, IR, and radar surveillance 24/7? Come on, they're suddenly growing grains, it's not like you can hide that.

      And don't get me started about the OCD.

    12. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Scrameustache · · Score: 1

      One good book? Personally I would consider enders game to be one of Cards WORST efforts. Not terrible , but not his best.

      The sequels and the parallel to the original story is where the real character development and writing style is found. And the plot holes get bigger, deeper, wider.

      I liked reading Enders' game, and I liked reading it again as Enders' shadow (the book so popular, he wrote it twice!), but man, the more he exploited that story, the worse it got.

      Now if you have read all of these and still believe what you believe, then i guess thats a matter of personal opinion (or perhaps you're a sci-fi author and he is competition =). If not, read a bit more before talking shit about an author. Maybe if you read some good sci-fi instead of spending all your time on the soap opera that is the Anders saga, with its computers that can wait for him in near-c space travel dilatation for all the time it takes, but gets so upset at him if he cuts "her" off on the phone that she pouts and refuses to talk to him (women!)... ah man, the lameness, the lameness!
      --

      You can't take the sky from me...

    13. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by chromatic · · Score: 1

      You're seriously saying that Xenocide is better with it's deus-ex machina ending?

      What's so deus ex machina about supernatural love particles which can instantly raise the dead, create vaccines, dissolve missiles, and transmit information faster than light?

    14. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Sosarian · · Score: 1

      Oh, and cure genetic disorders, and whatever else happened in that part of the book. I've sort of blocked out the memories.

    15. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Blakey+Rat · · Score: 1

      One good book? Personally I would consider enders game to be one of Cards WORST efforts.

      Ah, the purity of a mind that has never read Orson Scott Card's Wyrms.

      I'm pretty sure I could fish a better book than Wyrms out of my toilet after an all-day BBQ eating spree.

    16. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by lgw · · Score: 1

      I'm reading Gene Wolfe now, and he's a hack - he tries to write like Jack Vance, and that's always a mistake. Even Jack Vance could only pull it off half the time.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    17. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by CRCulver · · Score: 1

      Strawman. I can only assume you are reading The Book of the New Sun and not the short stories I brought up.

    18. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by fumblebruschi · · Score: 1

      I didn't care much for the sequels to Ender's Game, but I thought the ancillary series with Bean was really, really bad. Admittedly I only read the first one and half of the second one before giving up.
      My reaction was exactly the opposite of yours -- the characters are much less real. The "shadow" stories are just doing Ender over again, only this time EVEN YOUNGER and EVEN SMARTER! The strength of Ender's Game is that Ender is both a believable military genius and a believable little kid. He is, in the abstract, smarter than his teachers -- he consistently beats the game, aces their tests -- but they still manipulate him and control his life, because they're experienced adults and he's an inexperienced kid.
      Card wanted Bean to be Ender only more so, so Bean is not only smarter than his teachers, he manipulates them, even though he's only, like, four years old. It's not believable. Neither are any of the other super-smart kids in the story. They don't act like super-smart kids; they act like super-smart adults. If you're going to write a story about little kids, you have to either make them act like real little kids would act, or provide a believable explanation for why they don't. Card does neither.

    19. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by lgw · · Score: 1

      Well, good point, but then I'm unlikely to read anything else by Gene Wolfe so that's my only basis for comparison.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    20. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by oiron · · Score: 1

      I can't believe I'm the one who gets to do this...

      http://xkcd.com/304/
    21. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Anonymous Coward · · Score: 0

      Xenocide was good for the first 2/3rds and then fell completely apart. Card isn't good at endings. (Even the novel version of Ender's Game has a problematic ending - the pacing of the two aspects of the story doesn't line up)

      I think it is one of his best books though. I liked the first two Seventh Son books better although that series quickly fell apart as well. I think that overall Card tends to write better novellas than novels. But he has quite a few great books and then a large swath of mediocre ones. But that's typical of most authors.

    22. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by ISoldat53 · · Score: 1

      Screw Card.

    23. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Anonymous Coward · · Score: 0

      I have read all of these books, and Card remains one of my favorite authors

    24. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by amiga3D · · Score: 1

      I prefered his articles for "Ahoy" magazine myself. Lot's of good tutorials.

    25. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Anonymous Coward · · Score: 0

      Empire was pretty good. I thought it was topical for 2006, when it came out. It definitely required a "suspension of disbelief," but it was a decent page-turner.

      I never realized how many parallels there were between Ender's and Potter, whether intentional or not. However, most great stories are just re-tellings of other great stories.

      However, I do think George Lucas needs to be sued for ripping off ancient mythology and religious works.

    26. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by Remus+Shepherd · · Score: 1

      Wyrms was a good book if (SPOILER) you like tentacle rape. And one could argue it was prophetic, as it predicted the tentacle rape fanfic phenomenon a decade before the internet got big.

      --
      Genocide Man -- Life is funny. Death is funnier. Mass murder can be hilarious.
    27. Re:Prefer the Pile of Cat Poo or Pile of Dog Poo? by msromike · · Score: 1

      Do some background work before you spew forth.

      http://www.hatrack.com/osc/bibliography/index.shtml

      Please post a link to your biblio page.

  4. 1 important difference between the two by sixpenny_83 · · Score: 1

    Except Enders Game was actually good literature.

    1. Re:1 important difference between the two by Hatta · · Score: 1

      Good literature? I've never seen it. I don't know why people bother reading a bunch of made up crap, it's a lot more interesting (and fun) to read about real things that actually happen.

      --
      Give me Classic Slashdot or give me death!
    2. Re:1 important difference between the two by jdgeorge · · Score: 1

      Good literature? I've never seen it. I don't know why people bother reading a bunch of made up crap, it's a lot more interesting (and fun) to read about real things that actually happen. Well, put. This is why there are vocational and technical schools, so those who are not interested don't have to be distracted by trivia.

      Some people enjoy exploring intangible ideas. Others simply prefer exploring tangible things.

      A liberal arts education is not suited to everyone.
    3. Re:1 important difference between the two by Anonymous Coward · · Score: 0
      I don't know why people bother reading a bunch of made up crap, it's a lot more interesting (and fun) to read about real things that actually happen.

      Yeah, like we do here on Slashdot all day long.

      Now THAT is really valuable literature . . .

    4. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      Good literature? I've never seen it. I don't know why people bother reading a bunch of made up crap, it's a lot more interesting (and fun) to read about real things that actually happen. I dunno about you, but I don't find much fun in reading about the latest human attrocities.

      For fun, I'd rather read made up stuff with interesting characters that experience stuff we WISH could be. Havn't you ever wished you could magically make something appear(replicator, conjuring, whatever)? Havn't you wished you could fly? Be invisible? Save the world?
    5. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      Yeah, like we do here on Slashdot all day long. Now THAT is really valuable literature . . .

      +1 LOL FTW!

    6. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      You must be one of those rare people who are born lacking the part of the brain that produces an imagination.

    7. Re:1 important difference between the two by pla · · Score: 1

      Good literature? I've never seen it. I don't know why people bother reading a bunch of made up crap

      Well, because humanity has an innate drive to surpass our present state of existance, rather than pointlessly trying to fight unavoidable change.

      Some people improve what we have now incrementally. Some people take existing ideas to their logical (or sometimes beyond) extreme, which can't exist yet but someday may. And some people don't let any existing reality (or limitations thereto) get in the way of their flights-of-fancy, coming up with ideas so fantastic they inspire the rest of us to keep putting one metaphorical foot in front of the other, knowing we'll never personally stand on a planet orbiting another star, but that someday, our descendants could.



      it's a lot more interesting (and fun) to read about real things that actually happen.

      No one can call you "wrong" in preferring history to fantasy. But realize that you express a matter of opinion, not fact.

    8. Re:1 important difference between the two by Hatta · · Score: 1

      Except that in a lot of places, arts and sciences are in the same school So even if you just want a degree in chemistry, you still have to take literature and language. And that's not even considering the 4 years of English (Literature) in High School.

      And don't get me wrong, I love intangible ideas, as long as they're real. Books like GEB, One Two Three... Infinity, The Elegant Universe, QED. THAT is real valuable literature.

      Fiction only has value when it's trying to make a point. Like 1984. But even so, arguing a point is better done in prose and I found Orwell's essays to be much better reading than his novels.

      --
      Give me Classic Slashdot or give me death!
    9. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      I don't know why people bother reading a bunch of made up crap, it's a lot more interesting (and fun) to read about real things that actually happen.

      Well, if I'm reading something ... may I ask where the difference between made-up and "real" stories lies? ;)

    10. Re:1 important difference between the two by Swampash · · Score: 1

      Except Enders Game was actually good literature.

      You're kidding, right? "Ender's Game" is neither literature, nor good.

      Do yourself a favour and read this.

      http://www.kuro5hin.org/story/2005/5/28/193926/689

    11. Re:1 important difference between the two by Eli+Gottlieb · · Score: 1

      You've never read "Dune", have you? It easily meets or passes the real world for sheer situational complexity.

    12. Re:1 important difference between the two by GiMP · · Score: 1

      You might wish to try reading some Tolstoy, he wrote very much a fiction of the sort, 'based on a real story'. It was dramatized, fictional, but based on real-life occurances. Yes, they're fictional, but they real give insight to culture and history.

      As examples... War and Peace was a fictionalization of the Napoleonic wars, while Hadji Murad is a fictionalized account of a real man's exploits during the fight (1711-1864) for Chechnian independence from the Russian Empire.

    13. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      Unimaginative, joyless dickwad.

    14. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      It's never occurred to you that entertainment is valuable?

    15. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      you are a faggot and should die

    16. Re:1 important difference between the two by DurendalMac · · Score: 1

      The other difference is that this encyclopedia is directly using Rowling's work, not borrowing themes that have been used a hundred thousand times over. There's a HUGE difference that Card is completely missing here.

    17. Re:1 important difference between the two by cloudwilliam · · Score: 1

      Granted, you're already trying to pull your foot out of your mouth on that one, but really--reading about things that actually happen? Man, you don't know nothing about nothing. What made you think that we can take anyone's account of any event as gospel truth, and end interpretation right there? It's Plato's cave, man. All any of us can ever know is a shadow of the truth. Literature, in many ways, is an attempt to show that fact to us, not hide it.

    18. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      Philistine.

      Then again, different strokes for different folks.

      I simply fail to see how something that never happened is any less real to me as a story than something that happened. If it is good writing, it should be at least as interesting. If not, well, then nothing can be done.

    19. Re:1 important difference between the two by ultranova · · Score: 1

      You're kidding, right? "Ender's Game" is neither literature, nor good.

      "Ender's Game" is a written story and therefore literature. Whether or not it is good literature is another matter, but claiming that it's not literature at all because it doesn't meet some arbitrary limit of quality is ridiculous.

      Do yourself a favour and read this.

      I suppose paranoid rantings can be mildly entertaining, but I wouldn't call reading them to be a "favour" to yourself. Or was the page supposed to be ironic ?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    20. Re:1 important difference between the two by Jaysyn · · Score: 1

      Good history? I've never seen it. I don't know why people bother reading about crap that has already happened. It's a lot more interesting (and fun) to read sci-fi & fantasy.

      I hope you can now see how silly you sound.

      --
      There is a war going on for your mind.
    21. Re:1 important difference between the two by Anonymous Coward · · Score: 0

      Whew, thank God. I was starting to enjoy this fiction. I didn't know it was more fun to read non-fiction.

      Seriously, good(yeah, I know, that's subjective) "made up crap" generally comments on how things in this world operate. You can learn a lot from "made up crap".

    22. Re:1 important difference between the two by The_mad_linguist · · Score: 1

      Several hundred children play a MMO. There's a really annoying NPC who is in charge of a rigged game in it.

      None of them try to attack the NPC.

      Yeah... realistic.

  5. Not sure he does "get it" by plague3106 · · Score: 0

    He's talking about re-using general themes. Yes, that's all fine and dandy. However, copyright is about specific implementations. The concept of a wizard can't be copyrighted, but a wizard named Harry Potter with glasses that has a specific set of life events is certainly copyrightable. The book which triggered the lawsuit is taking the specifics of Harry Potter and the characters and republishing them. It's significantly similar, and thus a derived work which only the author can legally create.

    1. Re:Not sure he does "get it" by Nos. · · Score: 1

      Of course if you'd actually read the article, you might see his point, which is not that a specific character can't be copyrighted. Here's a quote from the article: "Once you publish fiction, Ms. Rowling, anybody is free to write about it, to comment on it, and to quote liberally from it, as long as the source is cited."

    2. Re:Not sure he does "get it" by plague3106 · · Score: 1

      I did read the article. The problem is that the content of the book in question is largely taking Rowlings work and repackaging it. That is, it's not sufficently different that it's not a derived work. It's an encylopedia about a fictonal realm with comments thrown in. Take out the encylopedia portion and publish only the comments and that would be fine.

    3. Re:Not sure he does "get it" by Anonymous Coward · · Score: 0

      The problem is, the author has already stated that she will not create this work. (Originally she was working on her own lexicon, but has since changed her mind.)

      This whole lawsuit is just silly. If Rowling would simply write her own and I went to the bookstore and saw two lexicons, one by the author of the original series and one by another author, it wouldn't even be a choice. I would take hers without a second thought, and I'm sure most people would!

    4. Re:Not sure he does "get it" by changos · · Score: 1

      The point of the book in question is a commentary, which adds value to the Harry Potter series. In a nut shell RTFA.

    5. Re:Not sure he does "get it" by Anonymous Coward · · Score: 0

      What you mean like this? Troll

    6. Re:Not sure he does "get it" by plague3106 · · Score: 0

      Um, you realize that "add value" means the book in question is a derivitive work, and thus Rowling is prefectly within her rights as author of the original work, right?

    7. Re:Not sure he does "get it" by Anonymous Coward · · Score: 0
    8. Re:Not sure he does "get it" by Anonymous Coward · · Score: 0
      Not only the specifics, but part of the issue may be blatant word-for-word duplications of portions of her works.

      From the article cited in the prior Slashdot story: (http://arstechnica.com/news.ars/post/20071114-infringus-maximus-rowling-wins-injunction-against-harry-potter-lexicon.html)

      Why it's a major copyright violation in this case isn't clear; the complaint sometimes suggests that it contains large passages lifted verbatim from the books, but at other times seems to be saying that simple plot summaries and collections of fictional facts are out of bounds (and it quotes a federal decision finding that detailed plot summaries of Twin Peaks episodes were copyright infringement). She needs to make it clear exactly which kind of infringement she is claiming here.
    9. Re:Not sure he does "get it" by Anonymous Coward · · Score: 0

      Not sure you get it, the lexicon is basically a harry potter dictionary, its not a rip off or derived work, its a reference book.

      But heres the important part, the only people who would be interested in purchasing such a work are those who have already purchased one or more harry potter novels and want a better handle on all the weird jargon shes put in the books.

      The author of the lexicon CANT take business away from Rowling in this manner because the work is only useful to people who have already bought her books, so its also foolish to prosecute because all you will get is bad publicity.

    10. Re:Not sure he does "get it" by DurendalMac · · Score: 3, Insightful

      And Card is full of shit and has no idea what he's talking about. You can write non-commercial works all you want and nobody is going to care. If you publish something for profit without permission that is based soley on someone else's work, then you get sued, end of story.

    11. Re:Not sure he does "get it" by Mattsson · · Score: 1

      then you get sued, end of story. Yes, you might be, but you shouldn't be.
      Why shouldn't I be allowed to create an original work about the content of someone else's original work?
      --
      /.Mattsson - My native language is not English, so please don't whine over linguistic errors. (That's lame anyway...)
    12. Re:Not sure he does "get it" by kannibal_klown · · Score: 1

      then you get sued, end of story. Yes, you might be, but you shouldn't be. Why shouldn't I be allowed to create an original work about the content of someone else's original work? Rowling has stated that she doesn't have a problem with him publishing a Potter Encyclopedia, but that too much of its content (a majority) is taken straight from her books, word-for-word. She stated that if he were to re-write it to remove her actual text then she would let it go.

      Assuming that is true then I kind of support that, and I'm not even a fan. It's one thing to write something about someone else's work, but it's another if a large chunk is just copied/pasted from that other work (even if it's an encyclopedia).

    13. Re:Not sure he does "get it" by plague3106 · · Score: 1

      How about because it's not original? You're taking character names, past experiences, personalities, the world they live in, the "rules" of said world. You're taking quite a bit. Calling it original is flat out wrong.

    14. Re:Not sure he does "get it" by discogravy · · Score: 1

      on the other hand, his note is going to make publication of my new D&D-style game manual, "Ender's Card Game" much easier. I don't want to give too much away, but Ender's paralyzed attack-from-above is a +9 against Bugs. Sure, some might consider it a completely derivative work, but I'm sure Orson Scott Card will recognize it for the "borrowing" it is and let it pass without comment. Thanks, Orson!

    15. Re:Not sure he does "get it" by Anonymous Coward · · Score: 0

      Wow, so the whole field of comparative literature goes right out the window huh?

      It's quite legal to quote somebody's work within certain bounds (as long as the original authors have been cited) and I've seen no evidence that this encyclopedia has gone beyond those bounds.

      Whether it's for personal gain or charity, Rowling has ulterior motives and that is what most people have a problem with. You can't just pick and choose what ethics your going to stand by based on what is convenient for you. Rowling saw nothing wrong with the encyclopedia until it inconvenienced her and that is the heart of the issue for me.

      I do question the encyclopedia's right to publish the work of its users. Unless they have somehow given explicit permission, that work is the property of the users, but that isn't the current problem.

    16. Re:Not sure he does "get it" by DurendalMac · · Score: 1

      Except for him using massive amounts of material DIRECTLY from the Harry Potter books, such as quoting large passages of text excessively. That is a very clear violation of copyright law no matter how much you cite it. Rowling saw nothing wrong with the encyclopedia UNTIL HE WENT COMMERCIAL WITH IT. Pretty big reason.

  6. Apples and Oranges by Orig_Club_Soda · · Score: 0

    Similarities in plot/storyline are not the same as using actual characters, names, and places. Rowling has a point and and profit from the encyclopedia are hers.

    1. Re:Apples and Oranges by Danse · · Score: 1

      Similarities in plot/storyline are not the same as using actual characters, names, and places. Rowling has a point and and profit from the encyclopedia are hers. Seems like explanation and commentary on the work to me. Should be fair use. They didn't write a new novel using her characters and setting.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    2. Re:Apples and Oranges by flaming+error · · Score: 1

      > They didn't write a new novel using her characters and setting.

      Other people have. Should the fanfict authors be sued?

      There are some things I may never understand. This lady has created a fantasy world that millions of people love, and along the way has gone from a single mom trying desperately to survive, to one of the very richest people in all of human history. What's the harm in letting others participate in this fantasy world? What's the harm in letting others profit from their participation?

    3. Re:Apples and Oranges by Anonymous Coward · · Score: 0

      Anyone knows if one can buy the encyclopedia and read the whole story without buying the original book?

      If that's case, this will be outright copyright infringement.

    4. Re:Apples and Oranges by Danse · · Score: 1

      Other people have. Should the fanfict authors be sued? There's a big difference between "should they be sued?" and "can they be sued?". I generally don't think it's wise for an author to sue his fans for enjoying the world that he created and wanting to explore that world as fully as they can.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    5. Re:Apples and Oranges by m.ducharme · · Score: 1

      What's the harm in letting others participate in this fantasy world?

      What's the harm in letting others profit from their participation? These are two very different things. I've never seen any evidence that Rowling has denied others the chance to participate in the Potter fantasy world. She lets fanfic flourish, loves to lurk at her fan sites, etc.

      Letting others profit from it, on the other hand, she's very tough about. Of course, she may be contractually obliged to be tough about it, I don't know. It may be part of her deal with her publisher that she go after this kind of use, as the publisher stands to lose money as well as Rowling.
      --
      Rule of Slashdot #0: You and people like you are not representative of the larger population. - A.C.
    6. Re:Apples and Oranges by sarhjinian · · Score: 1

      Her issue isn't people writing fanfic for their or other's enhoyment. That's cool. Her issue is with someone making _money_ of copyrighted and trademarked characters she developed. If this were an online, freely-accessible, no-dollars-required service, then there would be no issue. That's not the case: they're printing and selling the book. Now, in this case it's a small group of fans, but what if it was, say, Rowling's own publisher doing this?

      You can write anything you like and post it on fanfiction.net. You could print it and give copies away. You could make a derivative movie and post it on Youtube. You could write or film a Harry Potter-themed porno, provided you didn't try to _charge for it_.

      What you cannot do is make money off someone else's work. You _cannot_ make a book set explicitly in that world and _charge_ for it. You cannot make a movie set in that world and _charge for it_. You cannot sell toys, audiobooks, or any other merchandise without the author (and perhaps the publisher's) permission.

      Now, I could understand your (and other poster's, and Card's) point if their take on intellectual property were so extremely liberal that they believed content creators had no rights whatsoever to their work. If that's the case, then you would also be ok with HarperCollins ghostwriting follow-ups to Harry Potter, selling thousands of copies and not paying Rowling a dime. If this sort of thing were allowed, there'd be exactly zero chance of someone like Rowling (or Card) ever getting published, and the shelves would be littered with ghostwritten Harlequin-style crap developed by focus groups and accountants. Thanks, but no.

      I think Card would be pissed off if someone made an Ender's Game movie, or a ghostwritten sequel, and didn't ask him first, let alone write him a cheque.

      --
      --srj/mmv
    7. Re:Apples and Oranges by CmdrGravy · · Score: 1

      You _cannot_ make a book set explicitly in that world and _charge_ for it. You cannot make a movie set in that world and _charge for it_.


      I really don't see why not, I understand copyright prevents you from photocopying someones work but does it really prevent you from using their ideas or some sort of imaginary world they talk about in their books.

      If that's the case surely Stevenson should have been sued by Scott for his blatant use of Scotts romantised version of Scotland used in Kidnapped!
  7. Card should stick to writing stories by weston · · Score: 3, Insightful

    Because he's really not that great at commentary.

    The Lexicon authors may well be within their rights to have produced that work, but not for reasons that are based in the rather tortured screed he's offering up.

    So... one can find parallels between many good stories. Does that automatically erode all intellectual property claims? Does it even directly relate to the specific claims in the Rowling suit? Hardly.

    So... Card has publicly admitted on at least one occasion where he's borrowed from someone else. And he also tells people in his books when a character is gay! Look how much of a better person he is than Rowling!

    And this dig is pure malice:

    " The difference between us is that I actually make enough money from Ender's Game to be content, without having to try to punish other people whose creativity might have been inspired by something I wrote."

    Yeah, Orson. That quote just *oozes* personal security with what you've done.

    Ask yourself this: after reading the piece, which do you have a clearer understanding of:

    (1) Copyright and other intellectual property law
    (2) Which particulars Rowling is invoking and where her case goes wrong
    (3) How disgusted Orson Scott Card is with Rowling

    I'm seeing a lot of #3 and not very much of #1 or #2.

    If the suit lowers the dignity of Rowling, Card seems perfectly ready to sacrifice his own by basically marshalling the resources of his talents.... to call Rowling a poopyhead.

    1. Re:Card should stick to writing stories by ShiNoKaze · · Score: 1

      Some people really need to be called out on being a poopyhead tho...

    2. Re:Card should stick to writing stories by sm62704 · · Score: 1
      So... Card has publicly admitted on at least one occasion where he's borrowed from someone else.

      It's called "honesty". Sometimes you borrow from someone else and twist or expand it. Now, I'm no great author; in fact I personally think I suck at writing but I enjoy doing it and a few people enjoy reading it, so I do it anyway.

      I seem to be having tremendous difficulties with my lifestyle.

      Oh, I'm sorry. I seem to be plagiarizing. Please let me correct that. The above sentence comes from chapter 31 of The Hitchhiker's Guide to the Galaxy by the late Douglas Adams, who in my opinion wasn't late at all but left the planet way too early.

      Fucking party pooper.
      That's from Monday's mcgrew journal, and just so the often unlearned mods don't misinterpret that as a troll or a flamebait I'll spoil the nerd in-joke by explaining it... no, on second thought, screw the mods.

      -mcgrew
      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    3. Re:Card should stick to writing stories by changos · · Score: 1

      How can someone be bad at commentary? Card points at the things he does not like about the situation, you can comment like you just did. It's your opinion.

      Even Rowling is entitled to throw her legal weight on others. The book is a companion for the Harry Potter series, it has to be about Harry Potter. You won't buy it unless you have read/own Harry Potter. She has no case.

    4. Re:Card should stick to writing stories by Harmonious+Botch · · Score: 1

      Ask yourself this: after reading the piece, which do you have a clearer understanding of:

      (1) Copyright and other intellectual property law
      (2) Which particulars Rowling is invoking and where her case goes wrong
      (3) How disgusted Orson Scott Card is with Rowling

      I'm seeing a lot of #3 and not very much of #1 or #2. But he'll soon re-write it from another point of view.
    5. Re:Card should stick to writing stories by TibbonZero · · Score: 1

      Apparently you have never read the Rhino Times. Card has been doing his Op-Ed column in there for YEARS. He talks about everything from city council, to his life, to literature. It's actually kinda interesting to read at times. It's a "conservative" paper, but just for home-town politics generally. As a left-leaning liberal I actually find it to be one of the better publications that I read when I go home to NC.
      OSC has also done stuff like directing musicals, etc. He's kinda a weird guy, but it's unfair to tell him to just write stories

      --
      Tibbon
      tibbon.com
    6. Re:Card should stick to writing stories by dasmoo · · Score: 1

      Damn, the RDF works with books too?

    7. Re:Card should stick to writing stories by $random_var · · Score: 1

      To be fair, Rowling IS being a poopyhead.

    8. Re:Card should stick to writing stories by Anonymous Coward · · Score: 1

      Oh dear god fsck off child. Rowling is a hack with stories that appeal to CHILDREN. Shes sucessfull, not a fucking literary god, shes greedy and thrilled to be rich - so rich that she sues anyone that dares to tread on her literary empire. You can't compare her to Card, or any other real writer. Her material is a single literary thread, she has no depth and cant write outside the single universe she created. Her books are for and bought by children and "hip" parents and dorked out Xers that want to pretend that their childhood isnt over too.

      Were the movies fun? Sure, and so was the Goonies, but thats it - its fun, lets not deify the woman - shes an IP whore - shes no different than all the other assholes that abuse copyright. Did we forget about fair use? Fuck her.

      She not a deep person, or a friend of the reader. You are a consumer of her product and forbidden to think beyond her mighty will. Its not deep, its not literature, and in 100 years people wont know who she was. Don't defend this woman, shes a terrible IP tyrant out to crush anyone thats improves on anothers ideas or dares to even thing beyond the mighty will of the Author in the Sky. In Rowlings world, there is only her, no derivatives, no shared works, no fan fiction and absolutely no one gets to write anything about The Potter but her.

      Truly a fucking piece of work. Such a blessing shes finally had her time in the sun and is done with this. Now go slink off Rowling and hang out with Lucas and shit all over your one and only good idea.

    9. Re:Card should stick to writing stories by indiechild · · Score: 0

      So you're bitter that you don't enjoy the kind of success that Rowling has?

      Rowling might not be a literary genius, but she deserves every ounce of her success that she's worked so hard to achieve.

      And read up on the lawsuit and the actual facts of the case rather than just making stuff up and running a twisted imaginary rant through your head.

    10. Re:Card should stick to writing stories by Builder · · Score: 1

      Actually, she doesn't.

      The crone sat here claiming benefits while writing the first book - that means she wrote it on my dime! Mine and the rest of the British public who were propping her up and supporting her. So what does she do as soon as the money rolls in? Runs off to LA!

      AFAIK, she's not even paying tax on all of her movie revenue in the UK and the income from last several books have all been taxed in the USA.

    11. Re:Card should stick to writing stories by Woundweavr · · Score: 1

      And this dig is pure malice:

      " The difference between us is that I actually make enough money from Ender's Game to be content, without having to try to punish other people whose creativity might have been inspired by something I wrote."

      Which conveniently ignores his attempts to get Ender's Game made into a movie. They have failed to get financial backing which is more likely the source of his bitterness. Part of the problem is that no one else could produce an acceptable script so he's taken control over it.
    12. Re:Card should stick to writing stories by Lilith's+Heart-shape · · Score: 1

      So Card's right-wing and so deep in the closet that he's in Narnia. Is that anything special these days?

    13. Re:Card should stick to writing stories by Anonymous Coward · · Score: 0

      And this dig is pure malice:

      " The difference between us is that I actually make enough money from Ender's Game to be content, without having to try to punish other people whose creativity might have been inspired by something I wrote."

      Yeah, Orson. That quote just *oozes* personal security with what you've done. The Sunday Times Rich List estimates Rowling's fortune at UKP 560 million. That's about a billion bucks. Card is either completely ignorant of this, or he is turning a bright shade of green...
    14. Re:Card should stick to writing stories by Anonymous Coward · · Score: 0

      ...Said the Harry Potter fan.

    15. Re:Card should stick to writing stories by Dragoon235 · · Score: 1

      I could always be wrong, but I did not think that this was meant to be interpreted as pure criticism. Card's lack of real supporting facts and use of exaggeration suggest another purpose. All this with the comically harsh tone points to satire. Do you really think that he (Card) is serious when he claims that Rowling ripped off of his book? I may be over interpreting, but it seems to reflect the state of all lawsuits today, be it in industry or the publishing world. Everyone wants to claim that they invented, and currently hold the patents and copyrights to the wheel. These same people will try to sue everyone else who attempt to create something remotely similar. Claims and resultant lawsuits such as infringing on the aforementioned "wheel" by walking, because legs are a "mode of transportation from point A to point B" are becoming the norm.

      Now, I'm undecided on the merits of this specific lawsuit, but I'm hesitant to side with Rowling. How have any of the authors of the great classics ever been compensated for derivative works? Take for example Bloom's translation of Plato, probably one of the most well known (I'll acknowledge that the Lexicon is not as scholarly). Bloom made profits from the direct retelling of some one else's work. For another example, consider the blatant ripoff of Cervantes' Don Quixote by Alonso Fernández de Avellaneda (For those who are unfamiliar, Fernandez published a sequel to part I of Don Quixote, claiming to be Cervantes himself). This was great press for Cervantes, who actually made more when he published the real part II of Don Quixote.

      Both of these situations apply to Rowling. Derivative works will always exist. I tend to agree that derivatives do not detract from the true value of the original. Also, official sequels and spin-offs tend to dwarf any second party content in terms of popularity/profit. From a business perspective, this lawsuit serves no real purpose. Rowling could stamp her name on a book that was just her notes for harry potter, photocopied at staples, and make large sums of money from her fan base. If Rowling wanted to make more money, she could continue to produce "The continuing adventures of Harry Potter" ad infinitum.

      Finally as for Rowling's literary merits, I personally call her work "Eye Candy", fun to read, but not very substantive. I'll take a myriad of other authors over her any day.

    16. Re:Card should stick to writing stories by Anonymous Coward · · Score: 0

      Sounds like it's an excellently written expression of disgust then.

  8. I have to disagree with you, sir. by mmell · · Score: 1
    Ender's game was written for the adolescent mentality.

    Re-read it again when you're a little older - it's just trash. Barely any plot, and a deus-ex-machina ending which anybody over the mental age of eight could've seen coming long before the story's midpoint.

    Puts it right next to the Harry Potter books - except those were explicitely marketed to the younger crowd. Tell ya what - compare Ender's Game with, say, The Martian Chronicles or I, Robot or Stranger in a Strange Land and let me know if you see a slight difference in the complexity of the story being told, eh?

    1. Re:I have to disagree with you, sir. by Anonymous Coward · · Score: 0

      Ender's game was written for the adolescent mentality.
      Re-read it again when you're a little older - it's just trash. Barely any plot, and a deus-ex-machina ending which anybody over the mental age of eight could've seen coming long before the story's midpoint.


      Damn right! After hearing for years and years about how great a book Ender's Game was, I finally sat down and read it a few years ago. Sure, it was entertaining, but there was nothing particularly great about it. My thought was exactly this--"This would've been great if I was 13." Then again, I suspect that many around here haven't particularly grown beyond that age mentally.

    2. Re:I have to disagree with you, sir. by cdrdude · · Score: 1

      Just think of the children!

      --
      This sig is neither interesting, nor humorous. Including meta-humor.
    3. Re:I have to disagree with you, sir. by trolltalk.com · · Score: 1

      It wasn't originally a book, but a short story.

      ... then it was stretched out into a book ...

      ... then the book was stretched out into a series ...

      ... then the series was stretched out into a career ...

      Oh, it really IS like a Harry Potter story after all ...

    4. Re:I have to disagree with you, sir. by sixpenny_83 · · Score: 1

      Ender's Game won a Nebula award. Do you see Harry Potter getting a Nebula? Do you even see Stranger in a Strange land getting one? Grok it?

    5. Re:I have to disagree with you, sir. by Galactic+Dominator · · Score: 1

      I've reread it later, mid-life to most, and I still find it to be a wonderful work. And to be fair, if you're going to compare Ender's Game to The Martian Chronicles(it was a compilation work), you'd have to extent Ender's Game to the full series including Speaker for the Dead, Xenocide, and Children of the Mind. If you did that, if would be fair to say the Ender's Game series rivals and in my opinion clearly surpasses Bradbury's work in subtly, complexity, and quality. Asimov was the master however so no arguments there.

      Heinlein was so bizarre, I'm often surprised it wasn't him who invented Scientology, not L. Ron Hubbard.

      --
      brandelf -t FreeBSD /brain
    6. Re:I have to disagree with you, sir. by ahabswhale · · Score: 1

      By your standard, Moby Dick is crap too: simplistic plot (and told may times before), retarded amount of data about whales, and an uninspired and predictable ending. Yet, it's a classic and a must read for any author who wants to know how amazing prose can actually be.

      --
      Are agnostics skeptical of unicorns too?
    7. Re:I have to disagree with you, sir. by CRCulver · · Score: 1

      It's no surprise that a science fiction novel won an award set up for science fiction novels because there aren't enough truly worthy works coming from the genre to have it represented much among Booker Prize winners, Nobel winners, National Book Award winner etc.

    8. Re:I have to disagree with you, sir. by Sciros · · Score: 1

      Moby Dick is crap too Agreed.
      --
      I like basketball!!1!
    9. Re:I have to disagree with you, sir. by Free+the+Cowards · · Score: 1

      Barely any plot, and a deus-ex-machina ending which anybody over the mental age of eight could've seen coming long before the story's midpoint. I don't think "deus ex machina" means what you think it means.

      1. In Greek and Roman drama, a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
      2. An unexpected, artificial, or improbable character, device, or event introduced suddenly in a work of fiction or drama to resolve a situation or untangle a plot.
      3. A person or event that provides a sudden and unexpected solution to a difficulty. So you see, the idea of a deus ex machina ending which anyone could see coming at the midpoint of the book is a contradiction in terms.
      --
      If you mod me Overrated, you are admitting that you have no penis.
    10. Re:I have to disagree with you, sir. by ahabswhale · · Score: 1

      Thanks, I'll remember to come to you for book reviews. I'm sure your insight is as profound and your arguments.

      --
      Are agnostics skeptical of unicorns too?
    11. Re:I have to disagree with you, sir. by Sciros · · Score: 1

      "Agreed" doesn't qualify as an argument in any sense of the word. Indeed I would advise you to seek me out for book reviews, but judging from your screen name it is far, far too late.

      --
      I like basketball!!1!
    12. Re:I have to disagree with you, sir. by bob_herrick · · Score: 1

      I don't think the Nebula awards existed when SiaSL was published. The Nebula Award wiki link you embedded only goes back to about 1965. SiaSL did win the 1962 Hugo award. The Hugo's are linked from you wiki page, so it should not be hard to find them. The Nebula is, iirc, awarded by other authors (SFWA - the Science Fiction Writers Association is the organziation I recall) while the Hugo is voted on by fans at a WorldCon (including, occasionally, me). In my experience the Hugo award is a better predictor of my own prefences among recently published SF.

      You might also like to check to see just how often RAH got nominated for books published during the time that the awards existed. Personally, if the entire body of OSC's work disappeared tomorrow, SF would be no worse off. It is inconceivable that the same could be said about RAH.

    13. Re:I have to disagree with you, sir. by lgw · · Score: 1

      Well, RAH's works were pretty bad on average (sproing!), but at least he wrote a couple that would be missed (unlike Card).

      --
      Socialism: a lie told by totalitarians and believed by fools.
    14. Re:I have to disagree with you, sir. by lgw · · Score: 1

      Well, not really. You can be reading a book and think at the midpoint "wow, this author is a terrible hack, I bet there's a deus ex machina ending coming" - for example, after reading any one Michael Crichton book, anyone can see the deus ex machina ending coming from the midpoint of any of his other books (or from the blurb on the back of the book, really).

      The phrase can also describe books like Brin's Kiln People, in which a sudden solution to a difficulty was provided by an actual "god from the machine" (and which you could see coming).

      --
      Socialism: a lie told by totalitarians and believed by fools.
    15. Re:I have to disagree with you, sir. by ahabswhale · · Score: 1

      I'm game, give me some examples of books that you feel represent fine literature.

      --
      Are agnostics skeptical of unicorns too?
    16. Re:I have to disagree with you, sir. by Haeleth · · Score: 1

      It wasn't originally a book, but a short story.
      ... then it was stretched out into a book ...
      ... then the book was stretched out into a series ...
      ... then the series was stretched out into a career ...
      Oh, it really IS like a Harry Potter story after all ...
      To be fair, Arthur C. Clarke did pretty much the same thing with 2001...
    17. Re:I have to disagree with you, sir. by Free+the+Cowards · · Score: 1

      Fair enough, but the point is that the mechanism itself must be unexpected from the point of view of the story. The ending of Ender's Game (anyone who doesn't want to be spoiled, jump out now!) does not qualify at all, because the idea that his "simulations" were actually commanding real military units is entirely sensible and draws perfectly well from the earlier parts of the story. If you see a crappy ending coming because the writing sucks, that's fine, but if you see a plot twist coming from far away because the twist isn't very twisty, that pretty much defines the twist as not being a deus ex machina.

      --
      If you mod me Overrated, you are admitting that you have no penis.
    18. Re:I have to disagree with you, sir. by Eli+Gottlieb · · Score: 1

      Ender's game was written for the adolescent mentality.


      Re-read it again when you're a little older - it's just trash. Barely any plot, and a deus-ex-machina ending which anybody over the mental age of eight could've seen coming long before the story's midpoint.


      Puts it right next to the Harry Potter books - except those were explicitely marketed to the younger crowd. Tell ya what - compare Ender's Game with, say, The Martian Chronicles or I, Robot or Stranger in a Strange Land and let me know if you see a slight difference in the complexity of the story being told, eh?

      Naw, those are much too simple. Want a *really* complex story? Go read the Foundation trilogy, or better yet, any book in the original Dune series.
    19. Re:I have to disagree with you, sir. by lgw · · Score: 1

      Yeah, that's a good point: "plot twists not twisty enough" really is a different complaint than "author couldn't think his way out of his own problem".

      --
      Socialism: a lie told by totalitarians and believed by fools.
    20. Re:I have to disagree with you, sir. by Sciros · · Score: 1

      If by "fine" you mean "good" then I can list a few books I consider good, sure. (If you mean "fine" as in meeting some arbitrary standard of objective quality, then I am both unqualified and in any case disinclined to make such judgments.)

      This probably won't tell you much on its own. Anyway, in no particular order and off the top of my head:

      1 - Lord of the Rings (not The Hobbit, however; I disliked Tolkien constantly breaking the immersion by referring to the reader directly)
      2 - The Three Musketeers (my favorite of Dumas's works; found both sequels and The Count of Monte Cristo rather boring)
      3 - Nearly all of Jules Verne's more famous works, and some not-so-famous such as The Children of Captain Grant
      4 - Farewell to Arms (I like Hemingway's succinct, no-nonsense writing style, and basically appreciated the book for that alone after having suffered through some of Hesse's material)
      5 - Shogun (probably my favorite book, along with Lord of the Rings; the subject matter appeals to me which is part of the reason. It's also well-written although the plot suffers towards the end somewhat.)
      6 - Darwin's Ghost
      7 - Dave Barry Does Japan (yep that's right, Dave Barry.)
      8 - Timothy Zahn's Star Wars trilogy

      I haven't read too much recently. Gave Murakami a try and picked up The Wind-Up Bird Chronicle, but found it a bit unsettling in both subject matter and style. Worst of all, it went nowhere.

      --
      I like basketball!!1!
    21. Re:I have to disagree with you, sir. by GaryPatterson · · Score: 1

      I'm pretty sure Clarke had a successful writing career going before the film 2001. The City and the Stars and Childhood's End spring to mind as his greatest works.

    22. Re:I have to disagree with you, sir. by RazzleDazzle · · Score: 1

      ooooo Stranger In a Strange Land... now that was some good stuff. It did get to be a little long and drawn out but a very good story for sure. I really enjoy the Foundation series by Asimov. I don't know why but I just have a great like of them and am coincidentally right in the middle of re-reading them in the order of chronological by timeline. You should also check out Double Star if you like Heinlein. It is very captivating I thought. A good story and seems to move along a little quicker than Stranger.

      I liked Ender's Game. I thought it was a pretty good story and was fun to read. Doesn't anyone just like to read an entertaining book once in a while? Not every single book you read has to be an epic, heart wrenching, brain stimulating, master work of art!! Try just enjoying a book for what it is once in a while. I read the Star Trek TNG meets the Marvel X-Men book. Not a fantastic plot but it was mostly entertaining. I could just see Worf and Wolverine enjoying the same sort of battle simulation work out.

      I did like the Jason Worthing Saga but it is more fantasy than sci-fi. I have not read any of the Harry Potter books and I have also not seen any of the Harry Potter movies. Deal with it. That being said, sounds like this JK Rowling person is being a total money grubbing wanker. Oh well, back to Pyshcohistory and the up coming Mule disruption. I wonder if they will beat the Mule this time thru. :)

      --
      ZERO ZERO ONE ZERO ONE ZERO ONE ONE! Just brushing up for my next big invention: Ethernet over Voice (EoV)
    23. Re:I have to disagree with you, sir. by BootNinja · · Score: 1

      If Ender's game is such a pile 'o' crap, then explain how Ender's Game also won the Hugo. As a matter of fact, it was the first book ever to win both.

      Granted, a lot of Card's work is ultra preachy, and his later work is little more than a mouthpiece for his mormon and far right wing political views, but Ender's Game, Songmaster, and Seventh Son were all excellent.

    24. Re:I have to disagree with you, sir. by CmdrGravy · · Score: 1

      Moby Dick is crap unless you have some sort of pervese interest in vast quantities of questionable supposition as to the habits of Whales.

    25. Re:I have to disagree with you, sir. by ahabswhale · · Score: 1

      The story is crap, the prose is unparalleled. If you know of a book with prose that matches or exceeds it, please inform me.

      --
      Are agnostics skeptical of unicorns too?
  9. Ouch by dreamchaser · · Score: 1

    I think the essence is summed up in this snippet of the article:

    "Rowling has nowhere to go and nothing to do now that the Harry Potter series is over. After all her literary borrowing, she shot her wad and she's flailing about trying to come up with something to do that means anything."

    I tend to agree. I think she's being a huge self absorbed twit over this whole thing.

    1. Re:Ouch by Anonymous Coward · · Score: 0

      That's the essence of it. I really enjoyed the Harry Potter series, but she's being hugely inconsistent in praising the Lexicon while it was online, but now sending her lawyers after them when they decide to print it. Earning money or not makes no difference when it comes to copyright law. So it's clearly not the creation of an encyclopedia that she has a problem with, it's someone else making money off it.

      Shut the fuck up, be happy that people love your work, and go make another huge chunk of change when everybody buys the official encyclopedia.

    2. Re:Ouch by j00r0m4nc3r · · Score: 1

      Not only that, but her writing became extremely cliched and predictable very quickly. The formula is basically the same for all the books. By the middle of the last book I could feel that she was writing for the movie. In my estimation she was sort of a mediocre writer who had a good first idea, got a lucky hit and got rich, then regurgitated that same idea 6 more times, never really improving in style or exploring anything outside of her formula.

    3. Re:Ouch by Anonymous Coward · · Score: 0

      > Rowling has nowhere to go and nothing to do now that the Harry Potter series is over.

      Over? That is false. She is already writing the eight book: HPGA. It takes place during the 19 years hiatus between HP7 and the epilogue. I must not tell you what "HP and the G. A." stands for, but it will have actual scenes outside Britain for the first time in the whole series (including a place where people walk upside down, but that says too much).

    4. Re:Ouch by dreamchaser · · Score: 1

      I enjoyed the series like I enjoyed "Friends". Mindless pap that was entertaining but really had no depth or value. She should be very thankful that she's richer than the Queen now and just shut the fuck up.

  10. I think I'll wait... by Kid+Zero · · Score: 1

    For what the court has to say. Not that I like either OSC or JKR, in fact I can't stand either author.

  11. Way to miss the point. by seasleepy · · Score: 2, Insightful

    Card is missing the point here. This isn't about reuse. Rowling certainly doesn't have problems with reuse... How many HP companion/related type books are there out there?

    So obviously there's something going on in this case that's different than the others. This is even more obvious when you consider that Rowling was quite happy to have the text in question available on the Internet.

    It's that there's a possibility that the Lexicon may use far too much of the original text to be considered an original work for publishing purposes. Apparently Rowling considers this to be the case.

    So it comes down to the old, "it's all right with me if it's up for free, but when you want to start charging for it, I'm going to have to come down on you."

    1. Re:Way to miss the point. by Mr.+Underbridge · · Score: 1

      So it comes down to the old, "it's all right with me if it's up for free, but when you want to start charging for it, I'm going to have to come down on you."

      Seems to me that's a pretty fair brightline between 'fan' and 'competitor'.

    2. Re:Way to miss the point. by geekoid · · Score: 1

      hahaha, no. The site in know way is a competitor.

      In is about the books. It's not like the person is writing Harry Potter books.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    3. Re:Way to miss the point. by Mr.+Underbridge · · Score: 1

      hahaha, no. The site in know way is a competitor. In is about the books. It's not like the person is writing Harry Potter books.

      As if it wouldn't occur to Rowling to publish an encyclopedia of all things Harry Potter?

    4. Re:Way to miss the point. by adsl · · Score: 1

      The "point" appears to be that Rowling is writing her own reference book/manual for the HP stories and appears to think this guy may get their first. I can see it from both sides, but at the end of the day surely fans will either want her book, or want both. so I don't see what damage is going to be caused. I don't see a possibility that this guy will take away the market for her reference book. I think that Rowling is being poorly advised. But it's her character and her money.

    5. Re:Way to miss the point. by Anonymous Coward · · Score: 0

      Actually, I think the reasons also include that Rowling was planning to publish something similar and donate all the proceeds to charities (as she did with a few other companion books I think).

      So that might be why she wants to stop it.

    6. Re:Way to miss the point. by story645 · · Score: 1

      'specially 'cause she's put out two mini-books before to raise money for charity?

      --
      open source modern art: laser taggi
    7. Re:Way to miss the point. by GreyyGuy · · Score: 1

      He isn't missing the point. She doesn't mind reuse when she is making money off of it. The other books that came out about Harry Potter just drove interest in the series she was writing. But now the series is over.

      She has stated as part of this lawsuit that she was planning on making her own Harry Potter lexicon and feels this will cut into her profits.

    8. Re:Way to miss the point. by brkello · · Score: 1

      Did you just read other people's comments and not read what he actually wrote? He talks about the HP companion books and how those are allowed to help increase the hype of the books so she could make more profits. Now that the series is over, the only way her name can still be out there is by doing dumb things like this and saying that the old wizard was gay. She wants to be respected in the literary community and is making a big deal out of nothing. No one is going to confuse this with her original work. It isn't going to diminish it. It is just pointless.

      And I know we don't RTFAs around here, but if you are going to comment about the article specifically, maybe you should skim it.

      --
      Support a great indie game: http://www.abaddon360.com
  12. Scott has it wrong by mark-t · · Score: 2, Informative

    Although I do believe that he is right that if Rowling had a problem with this material, she should have done something about it years ago... the real problem here isn't personal greed, it's that she was planning on producing a similar encyclopedia herself, with all the proceeds going to charity, and this publication will conflict with that interest so that's why she is trying to stop it.

    1. Re:Scott has it wrong by masamax · · Score: 1
      The problem here mark-t is that there are numerous other works that do what the Lexicon does, both in print and online. The fact that she has done nothing about it until she wants to publish her own work on the subject is not an excuse. While its true this work does try to make some of its down assumptions (and thus ventures into original work) the majority of it is nothing more than a Harry Potter encyclopedia from what I've seen of the site and read in the news.

      Besides, do you REALLY think that such a work would alter the sales of her own work? A small publishers (probably paperback) work versus an official (probably hardcover) one by Rowling? People who are going to buy more of Rowling's drivel will do so regardless of what other competition there is out there for that drivel, as has shown by the sales of Harry Potter. After all, there are numerous BETTER books and series out there that one could read, yet the HP books continued to sell in the face of that competition.

      While I don't necessarily agree with OSC's copyright argument (that's for the court to decide) the reasoning behind the suit probably has more to do with Rowling being immature than protecting her charity work.

      --
      I like to kill your couch. HE DIED HARD! MOO.
    2. Re:Scott has it wrong by Relic+of+the+Future · · Score: 1

      Disagree. Whether she was planing (or claiming to plan) to make something similar should have ZERO to do with the legality of this. Otherwise, I could just claim that I'm _planning_ to make a for-charity product for whatever I don't want you to make. It'd be a stupid precedent to set.

      --
      Those who fail to understand communication protocols, are doomed to repeat them over port 80.
    3. Re:Scott has it wrong by mark-t · · Score: 1

      Oh, I agree it's not an excuse, I'm just presenting the information on why she has made a stink about this particular issue... it's because it conflicts with her own interests to donate the proceeds to charity for another highly similar work that she intended to produce herself. From her perspective, she sees this endeavor as not harming *HER*... she sees it as harming the charity, since the lexicon's author has not indicated he'll be donating everything he makes from it to that charity. That said, it's a highly tenuous argument, and I don't think she has any real case except possibly on the grounds of trademarks. Although even that may be problematic, because she should have been making a stink about trademark dilution years ago when the website first went up, instead of previously publicly acknowledging the lexicon website as a valuable resource.

    4. Re:Scott has it wrong by mark-t · · Score: 1

      Of course it should. I agree with what you are saying completely. I'm just saying what the factors are in why she's making a stink about this particular case when she never had any problem with anything else remotely similar previously. Is it brought about by personal greed? Not remotely... Is it immature? Highly.

    5. Re:Scott has it wrong by ShiNoKaze · · Score: 1

      Wait, so you're saying this boils down to someone publishing something similar to something she wanted to publish, before she could? and her answer is to sue? and the justification is charity?

    6. Re:Scott has it wrong by mark-t · · Score: 1

      Yup. Stupid, ain't it?

    7. Re:Scott has it wrong by hkgroove · · Score: 1

      I highly doubt she's being immature about the whole thing. This could be the first that has taken it one step further to actually be published AFTER she's stated or hinted that she may actually compile her own encyclopedia of sorts in the future.

      The publisher isn't trying to help the work in this case, they're trying to cash-in on it and beat her to the punch. If she had the time (or made the time) to just jump right in and compile everything and publish it before or at the same time as this book based of the website, their book would probably fail miserably and seem as a hack... which it is anyway in light of that its announcement came after hers (by at least a year).

      She's stated (again before this was even announced) that if she were to do it, she'd be as meticulous about it as she has been the other seven books and could take quite a while to organize everything to where it benefits the seven books and not take away anything from them.

      She's said she has many notes, lost characters or character plots that could make for some interesting reading. She may never go the Tolkien route and write emails and letters to friends or other authors and hypothesize about her own characters which would later be published posthumously, but she has a chance to do something that maybe Tolkien would have done had he had the time to accomplish it.

      I'm definitely not comparing Tolkien's writing to Rowling's or vice versa or quality of writing, just that they have perhaps similar quantities of back story that could answer questions or maybe just be enjoyable reading for those who are fans of the work.

    8. Re:Scott has it wrong by hkgroove · · Score: 1

      Just to add that Tolkien probably had mountains of back story and unpublished work so that should say that they "similarly have large quantities of back story which could be published flush out the story, answer questions, make for enjoyable reading".

    9. Re:Scott has it wrong by mark-t · · Score: 1

      This could be the first that has taken it one step further to actually be published AFTER she's stated or hinted that she may actually compile her own encyclopedia of sorts in the future. The [lexicon] publisher isn't trying to help the work in this case, they're trying to cash-in on it and beat her to the punch.[/blockquote>This, by my understanding, is a reasonable synopsis.
    10. Re:Scott has it wrong by porcupine8 · · Score: 1
      You, Card, and many other posters are showing an obvious lack of familiarity with this case.

      Here are the problems with Van Der Ark's work:

      • - 91% of the book is taken nearly word-for-word from the Harry Potter novels with almost no citations or even quotation marks around direct quotes. This is the main problem and anyone with a passing familiarity with the word "plagiarism" should see the problem here.
      • - Unlike most other Harry Potter reference works out there, only a tiny percentage of the book is original scholarship. During the trial, JKR pointed out other books written about HP that she is okay with and even likes very much. All of these involved original research into etymology, mythology, etc, rather than simple regurgitation of material from JKR's works.
      • - The reason that JKR did not pursue this earlier was that it was available for free on the web; no attempt to profit from the copy-and-pasting of her content was made. Since Van Der Ark announced his intention to sell this book, she and the lawyers for her, Scholastic, and Warner Brothers have made several attempts to reason with him about the content and what would be acceptable, but neither he nor his publishing house have been willing to make any changes at all. They have been downright belligerent in some respects.
      • - Even with 91% of the book being JKR's work rather than Van Der Ark's, the small percentage that is his original work contains several factual errors.

      I highly recommend the coverage at The Leaky Cauldron, as they had someone at the trial taking detailed notes during all of the testimony.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    11. Re:Scott has it wrong by masamax · · Score: 1
      Yet, I have heard so many conflicting stories. One was that Vander Ark's book was going to be published, then right before it went to the printers, the court case came out, right out of the blue. In any case, the Leaky Cauldron, a fansite for HP, is hardly a credible source for accurate information.

      Regardless, Card is raising a very legitimate complaint here, mainly that she is acting like a child. I don't think anyone thinks that this 'leaves' her as distraught as she claims, nor that the work itself is damaging to the HP brand or herself personally. It's a crappy reference book, of which there are many. I bet I could find a million shitty reference books for Star Trek, yet somehow, they haven't seem to have stopped that franchise from spawning 4 sequel TV series (admittedly sometimes of dubious quality, but that's beside the point).

      Crying foul that a reference book contains your work is ridiculous, and the format of the book should be understood. The lack of citations or quotes stems probably from the fact that this book is NOT an academic work, and instead is, you know, designed for the same market that reads the books, infantile minds who need help following an infantile plot.

      --
      I like to kill your couch. HE DIED HARD! MOO.
    12. Re:Scott has it wrong by 75th+Trombone · · Score: 1

      And if any of those million Star Trek reference books contained 91% transcripts from the show and 9% inaccurate commentary, you don't think Paramount should have a problem with it?

      And that's not even a valid analogy. A valid analogy for Star Trek would be a video lexicon, 91% of whose content is clips of the show. You don't think Paramount or any of Star Trek's horrible writers should have a problem with someone selling that?

      Anyway, it doesn't matter, you probably don't believe in copyright at all, and so reasoning with you is pointless. (Perhaps that's incorrect, but a mischaracterization of you is necessary for my post to take the same tone as yours.)

      --
      The United States of America: We do what we must because we can.
    13. Re:Scott has it wrong by vux984 · · Score: 1

      it's that she was planning on producing a similar encyclopedia herself, with all the proceeds going to charity,

      Does it matter one iota what she claims she was planning on doing with the money?

      That seems a blatant sympathy grab.

      And indeed, there is NOTHING stopping her from producing her own version of the encyclopedia. She can even put a big sticker on it that says its the 'official jk rowlings one' and that 'all proceeds go to charity' on it.

    14. Re:Scott has it wrong by mark-t · · Score: 1

      Of course... but there's every reason to believe her claim, as all of the assorted supplementary books she has already written have 100% of their proceeds going to charity. Not that I think that's a good enough reason to rule in her favor, of course.

    15. Re:Scott has it wrong by porcupine8 · · Score: 1
      The lack of citations or quotes stems probably from the fact that this book is NOT an academic work,

      Ahhh, so plagiarism only counts for academic works. I'll keep that in mind.

      Funny how none of the OTHER dozen or two HP reference works have failed to quote and cite where necessary. Maybe that has something to do with the fact that they haven't been sued, and that JKR actually mentioned them on the stand as examples of how reference books should be written, in ways that don't infringe on the author's rights.

      Show me one single Star Trek reference book that is primarily made up of unsourced direct quotes from scripts.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    16. Re:Scott has it wrong by Saint+Fnordius · · Score: 1

      I dunno, but why is this always mentioned so late? If it were the main reason, why did the author raise a stink about it being a competitor to a future work, and not just stick to the argument that the text is plagiarism?

      As for factual errors, that would have been an argument in defence of the compendium's right to be published, really. How could it be plagiarism if it's wrong? Besides, how can speculation about fiction be wrong? There is no law, really, against being wrong. If there were, Ben Stein would be out of a job.

      I really think this issue has been poisoned by personal opinions, Even if the main editor of the compendium is a real jerk, that doesn't matter in a legal sense. JKR and her defenders have been leaning so heavily on the emotional card that they have weakened their case, really.

    17. Re:Scott has it wrong by Woundweavr · · Score: 1

      * - 91% of the book is taken nearly word-for-word from the Harry Potter novels with almost no citations or even quotation marks around direct quotes. This is the main problem and anyone with a passing familiarity with the word "plagiarism" should see the problem here.
              * - Unlike most other Harry Potter reference works out there, only a tiny percentage of the book is original scholarship. During the trial, JKR pointed out other books written about HP that she is okay with and even likes very much. All of these involved original research into etymology, mythology, etc, rather than simple regurgitation of material from JKR's works.
              * - The reason that JKR did not pursue this earlier was that it was available for free on the web; no attempt to profit from the copy-and-pasting of her content was made. Since Van Der Ark announced his intention to sell this book, she and the lawyers for her, Scholastic, and Warner Brothers have made several attempts to reason with him about the content and what would be acceptable, but neither he nor his publishing house have been willing to make any changes at all. They have been downright belligerent in some respects.
              * - Even with 91% of the book being JKR's work rather than Van Der Ark's, the small percentage that is his original work contains several factual errors.

      And thats pretty damning.

      Obviously it would be copywrite violation to publish a book that went "I read to my child and he went to sleep." It seems clear that 91% (assuming that figure is accurate) far exceeds reasonable fair use.

      The other portions to me are immaterial. This is not relating to the out of control IP law out there... this is fundamental. The fact that she didn't exert her rights when the activity was non-commercial or that she didn't object to other books using some of her words is irrelevant.
  13. power corrupts by Anonymous Coward · · Score: 0

    Just goes to show that power does in fact corrupt, and since money = power these days... Yeah. Greedy selfish behavior.

  14. er... dang. Freudian typo by mark-t · · Score: 1

    Orson... not Scott.

  15. I'm sorry... by Angostura · · Score: 1

    ... but I find Card's article pretty unpalatable, more so than Rowling's case, although I am not a great fan of that.

    Creating a book who's plot is in various vague ways similar to a previous book is not the same in my opinion as selling a product which only makes money because it uses the exact same characters and names in its marketing.

    Rather than a black and white issue, I think we have a continuum. Let's look at one extreme end - would it have been OK if the Hollywood Harry Potter films had been produced without any of the credit or cash going to Rowling? I would say no. At the other end of the continuum - would it be OK for Rowling to write a book that has passing resemblance to Card's? A bit shoddy perhaps, but I would have to see a damn site more evidence of real plagiarism.

    The Rowling case, in my opinion falls somewhere between those two extremes. It has more merit than Card's whining - but is still rather lame.

    1. Re:I'm sorry... by Anonymous Coward · · Score: 0

      from the summary
      "....tongue in cheek...."

  16. Remarkably similar, except... by R2.0 · · Score: 1

    Rowlings books are actually entertaining.

    --
    "As God is my witness, I thought turkeys could fly." A. Carlson
    1. Re:Remarkably similar, except... by tlacuache · · Score: 1

      Please. Rowlings had one original-ish thought, then rehashed it over and over and over again for six more books. Card's books (with some exceptions) are ten times more entertaining than Harry Plopper.

    2. Re:Remarkably similar, except... by raynet · · Score: 1

      Originality or lack of it has very little to do with the entertainability of a written work.

      --
      - Raynet --> .
  17. obligatory by Kartoffel · · Score: 1

    The enemy's quidditch goal is down?

  18. Blasted Rants! by fudboy · · Score: 1

    Rowling is specifically "outraged" because she's been working on her own compendium. Should she just scrap one of the secondary projects for her Potter franchise so that shmucko McFanboi can publish his?

    Card, you card.

    --

    :)Fudboy

    I guess I'm only a Fudboy, looking for that real Transmeta
    1. Re:Blasted Rants! by ShiNoKaze · · Score: 1

      And if she had made it a primary project and the other people wanted to publish afterwords, could they have sued? and been just as justified? what if it was for charity?

    2. Re:Blasted Rants! by fudboy · · Score: 1

      awww. it's so depressing to have to explain the obvious. the franchise is HER PROPERTY.
        You like, can't _own_ property, man
        I can you filthy hippy!

      --

      :)Fudboy

      I guess I'm only a Fudboy, looking for that real Transmeta
    3. Re:Blasted Rants! by Haeleth · · Score: 1

      Rowling is specifically "outraged" because she's been working on her own compendium. Should she just scrap one of the secondary projects for her Potter franchise so that shmucko McFanboi can publish his?
      Yeah, you know, if you'd actually read the fucking article you'd know that it actually addresses this point...

      Basically, the key fact you've missed is that there is not in fact a law stating that there can be only one Harry Potter encyclopedia in the world. A 10,000-copy print run of a fan book is not going to stop Rowling publishing her own compendium or doing anything else she damn well likes. The kind of people who will buy this fan book will also automatically buy anything Rowling publishes, so it wouldn't even reduce her sales!
  19. What works for science works for art by sm62704 · · Score: 2, Informative

    "If I see farther than other men, it is because I stand on the shoulders of giants." -Isaac Newton

    He is not, in fact, the first man to say that! (WP doesn't mention the quote stolen by the far more famous Newton). The fact is that all art is based on previous art.

    --
    mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    1. Re:What works for science works for art by Jeremiah+Cornelius · · Score: 1

      "If I haven't seen as far as other men, it is because I peer over the edge of footprints left by giants."

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    2. Re:What works for science works for art by peragrin · · Score: 1

      while you are quite correct the last panel of this comic
      http://www.schlockmercenary.com/d/20080406.html
      has the one of the better versions of that quote.

      --
      i thought once I was found, but it was only a dream.
    3. Re:What works for science works for art by djdavetrouble · · Score: 1

      3 POSTS FROM JC in 5 minutes.

      "Jeremiah Cornelius is on a rampage!" :)

      --
      music lover since 1969
    4. Re:What works for science works for art by Jeremiah+Cornelius · · Score: 1

      Sick, in bed! :-)

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
  20. Tagged Sci-fi???? by fuocoZERO · · Score: 1

    Fiction? Yes. Science? No. That is unless you're an overly religious idio--err... person who still believes that science and magic are the same thing.

    1. Re:Tagged Sci-fi???? by Eli+Gottlieb · · Score: 1

      As a member of a religion that firmly prohibits the practice of witchcraft and wizardry, I rather resent that.

      My point? The fact that modern science isn't prohibited means that my religion clearly delineates between science and magic. Science is finding out how the world works *all on its own when we're not looking*. Technology is applying that.

      Magic is trying to break the rules that science uncovers, usually through an appeal to metaphysical entities.

  21. Fuck JK Rowling by Asmor · · Score: 1

    No, seriously. She's a huge douchebag, a total control freak when it comes to Harry Potter. For example, I've heard she specifically won't allow a Harry Potter RPG to be made, because she wouldn't be able to control the sorts of stories run in it.

    1. Re:Fuck JK Rowling by jonnythan · · Score: 1

      She's a control freak because she won't sell out her creation to make money by licensing it for an RPG?

      What a jerk.

      I'm glad there are people like Rowling and Watterson in publishing who will not allow themselves to pimp their creative works for licensing revenue.

    2. Re:Fuck JK Rowling by maxume · · Score: 1

      Yeah, they draw the line at pimping their creative works for revenue.

      (I don't disagree with you, but if either one of them were less successful, those Calvin stickers might be a little bit more legitimate, or their might be a Harry Potter RPG that no one had ever heard of)

      --
      Nerd rage is the funniest rage.
    3. Re:Fuck JK Rowling by evilphish_mi · · Score: 1

      She did write the books and created the characters. If she doesn't want to license her brand in that fashion, or the game companies aren't willing to give her the oversight. That's her business.

    4. Re:Fuck JK Rowling by Pranadevil2k · · Score: 1

      Blizzard wouldn't let EA make an RPG based on Warcraft either... that doesn't make them control freaks.
      On the other hand, George Lucas let Sony make an RPG based on Star Wars, got pissed off when they totally screwed it up, then redid the whole game. Is he a control freak?
      Story tellers take possession of their stories because they have a personal attachment to them (and a monetary attachment, but that is usually secondary). If you wrote a successful book series you wouldn't want just any moron with an idea for a video game or movie come up and use your stuff any way they saw fit - you would want control over the development.

    5. Re:Fuck JK Rowling by Anonymous Coward · · Score: 0

      Um...there's already a card game, video games, movies, Halloween costumes...and there's a musical and a fucking Harry Potter theme park in the works. How much more evidence of "pimping" do you need?

    6. Re:Fuck JK Rowling by canajin56 · · Score: 1

      You misunderstand. She has no problem signing off on 50 different crappily coded buggy Harry Potter console RPG and platformer games. You can find stacks of them in your local EB Games. Somebody wants to pull a "Lord of the Rings" and just take the FFX engine and copy&paste some HP characters in who follow Harry and the gang around behind the scenes and watch cutscenes from the movie? No problem, here's where you park the dumptruck full of money. Somebody wants to publish D20 rules for roleplaying in the HP universe? No way in hell! See, the DM comes up with his own plot, and the other players flesh it out with their own actions. They could be lewd! They could be violent! With HER creation. We already know she's violently opposed to allowing fanfictions on the internet. Apparently she's also dead against allowing them in your own mind, and any product that would help facilitate that.

      --
      ASCII stupid question, get a stupid ANSI
    7. Re:Fuck JK Rowling by geekoid · · Score: 1

      But I want a legal C&H shirt and coffee mug.

      Oh, and it's not a sell out. If an author changes the work outside there creative process, then it's a sell out.

      Putting a funny comic on a mug is no different then putting it on paper or any other medium.

      What would be a sell out is if he did something outside the consistency of C&H. Those illegal Calvin praying stickers come to mind. If they were legal, I'd call it a sell out.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    8. Re:Fuck JK Rowling by Danny+Rathjens · · Score: 1

      I'm glad there are people like Rowling and Watterson in publishing who will not allow themselves to pimp their creative works for licensing revenue.

      I think you'd have to be insane to equate those two people in this context. Do you realize how huge the licensed harry potter merchandising market is? She makes millions and millions from it. Watterson doesn't do any licensing at all.

    9. Re:Fuck JK Rowling by schmiddy · · Score: 1

      So she won't let them make a Harry Potter RPG. Big deal. There are plenty of reasons to dislike JKR, but this is not one.

      Bill Watterson never let anyone (legally) produce Calvin and Hobbes merchandise, although it probably would have been a huge hit and made him a pretty penny. He didn't want to destroy the art that he considered his comic to be by selling out. Does that make him a "douchebag" as well?

      --
      http://cltracker.net -- powerful craigslist multi-city search
    10. Re:Fuck JK Rowling by Asmor · · Score: 1

      No, it doesn't.

      As has been stated ad nauseum (see other threads started in reply to my original post), Rowling sticking the Harry Potter name on anything she can, so long as she can control it. The idea that DMs might come up with their own stories set in the HP universe infuriates her.

      So, to sum up, Waterson doesn't want any licensed stuff. That's fine.

      JK Rowling doesn't want any licensed stuff with the potential to stray outside her own ideas. That's perfectly legal and she has every right to behave that way, but it also makes her a douchebag.

    11. Re:Fuck JK Rowling by Asmor · · Score: 1

      It's not whether an RPG is allowed to be made or not, it's the reason for it. I don't know why Blizzard didn't want EA to make an RPG based on WoW, but I doubt "it will create the potential to much with our grand vision" was the reason.

      Actually, I have no idea what you're talking about, but here are some reasons I suspect Blizz wouldn't let EA make a WoW RPG.

      1: There's already a WoW RPG.
      2: They have no experience making RPGs.
      3: EA is Vivendi's (Blizzard's parent company) biggest competitor.

    12. Re:Fuck JK Rowling by Asmor · · Score: 1

      Absolutely, it totally is her business. She has every right to not let people make RPGs. Of course, it also means she's a douchebag. She has the right to act like a douchebag, and she chooses to exercise that right.

    13. Re:Fuck JK Rowling by turing_m · · Score: 1

      Um...there's already a card game, video games, movies, Halloween costumes...and there's a musical and a fucking Harry Potter theme park in the works. How much more evidence of "pimping" do you need?
      Harry Potter - The Flamethrower would be sufficient.
      --
      If I have seen further it is by stealing the Intellectual Property of giants.
    14. Re:Fuck JK Rowling by story645 · · Score: 1

      The idea that DMs might come up with their own stories set in the HP universe infuriates her. Uh, Rowling's always been pretty understanding (and even supportive) of her fandom. I spent years in HP fandom-the worst JK ever said was that she wasn't crazy about some of the ships. Otherwise she's been very hands off, reached out to popular fansites, gave tons of details useful for fics and meta, even made some jokes about the vast quantity of fic ('specially slashfic). I think this flip is mostly 'cause of the whole profiting from basically c&p'ing her books/interviews/website.
      --
      open source modern art: laser taggi
    15. Re:Fuck JK Rowling by Asmor · · Score: 1

      Any idea, then, why she won't allow an RPG to be made? God knows there's demand for it in the RPG community, and she certainly doesn't have any hang-ups with licensing her properties.

    16. Re:Fuck JK Rowling by story645 · · Score: 1

      *shrugs* She lets fans have their non-commercial RPG's-three clicks on lj and you'll find one. I think it's probably 'cause the fanbase she wants to most appeal to is kids, so she tries to keep all the official/licensed stuff pretty clean. A mass market HP rpg doesn't have a chance in hell of staying clean-so licensing it 'could hurt the "official" image of the series. I think it's marketing more than personal hang ups.

      --
      open source modern art: laser taggi
    17. Re:Fuck JK Rowling by GalacticLordXenu · · Score: 0

      But who will attack the darkness with a Lumos spell?

    18. Re:Fuck JK Rowling by Anonymous Coward · · Score: 0

      That's 'nauseam', cockhead.

    19. Re:Fuck JK Rowling by Lilith's+Heart-shape · · Score: 1

      My kids would love it.

  22. Making a Quick Buck versus Making Commentary by ancarett · · Score: 4, Interesting

    As an academic who's written critical works on contemporary media, I'm all for fair use and the freedom for fans or opponents to employ some material in their own work. But that isn't what this proposed Lexicon is, in truth.

    This isn't fair use (news reporting, educational or criticism, although the publisher tries to pretend the latter) or transformative in any way: van der Ark's Lexicon is a summary of elements in the work. That means that, as a secondary work about Harry Potter, this is much more akin to the Castle Rock case: copying fragments of the work.

    More significantly, Rowling was planning to publish her own encyclopedia to the Harry Potter world as one of her charitable publications (like some of the other guidebooks she's produced), while this work is taking the unpaid labour of countless fans who contributed to the Lexicon website and turning it to the personal profit of the site's disgruntled owner (who's cranky because his good buddy "Jo" wouldn't give him a paying job in the UK to edit her own encyclopedia).

    The whole imbroglio has been amply covered by the helpful souls at Fandom Wank if you want to get a feel for what others besides OSC have said. (Anne Rice has even weighed in!)

    --
    ancarett, historian and zombie gamer
    1. Re:Making a Quick Buck versus Making Commentary by Anonymous Coward · · Score: 0

      Anne Rice!

      Wow!

      Is she still dressing in that black lace that she's too old and fat for?

    2. Re:Making a Quick Buck versus Making Commentary by The+Second+Horseman · · Score: 2, Insightful

      Of course, derivative, unofficial "guides" to books, series, etc. have been allowed for years, even in the face of legal action. How many unofficial Star Trek reference books have there been? Tolkien? Babylon 5? Buffy? Not even the lousy fanfic (or, as I like to call it, "fanfic"), but episode guides, plot outlines, character names, etc. That's pretty clearly allowed. The question is whether this went over the line. Even if it did, it would have to be in a very specific way, wouldn't it? However, it seems like she's attacking the entire concept of an unofficial reference to a copyrighted work.

    3. Re:Making a Quick Buck versus Making Commentary by geekoid · · Score: 1

      "This isn't fair use (news reporting, educational or criticism..."

      Fair US in the US is much broader then that.

      "That means that, as a secondary work about Harry Potter, "

      not necessarily.

      "More significantly, Rowling was planning to publish her own encyclopedia to the Harry Potter world as one of her charitable publications (like some of the other guidebooks she's produced),"

      Besides the point.

      WOw, Anne Rice weighed in! gee that must make it...suck.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    4. Re:Making a Quick Buck versus Making Commentary by ancarett · · Score: 1

      Well, Anne Rice is the epitome of suckiness. Which is what makes the whole "commentary by other authors" such meet fodder for fandom_wank.

      Really, the precedent of the Castle Rock case seems like it'll be what nails RDR's case to the cross. They're not adding original content or commentary, but simply marshalling a lot of quotes and a little organization of biographical and other entries. To suggest it's a transformative work of some sort is a stretch.

      --
      ancarett, historian and zombie gamer
    5. Re:Making a Quick Buck versus Making Commentary by Anonymous Coward · · Score: 0

      "More significantly, Rowling was planning to publish her own encyclopedia to the Harry Potter world as one of her charitable publications"

      I don't see how this is relevant, let alone significant, and it would be grossly unfair if it was. How could you possibly judge what was safe to publish if the business plans of the original author were a factor?

    6. Re:Making a Quick Buck versus Making Commentary by anthonys_junk · · Score: 1
      I read the above two posts as:

      Is she still dressing in that black lace that she's too old and fat for?

      Of course... It was funnier that way
      --
      Barbara Felden claims prior art on the flip phone, sues Motorola, Nokia.
    7. Re:Making a Quick Buck versus Making Commentary by Anonymous Coward · · Score: 1, Interesting
      I think a big part of the defense will be the simple fact that

      1. Rowling has publically admitted using the lexicon (in web form) as a way to check facts while she's working on her books. In other words she has turned the unpaid labor of countless fans into personal profit
      2. Rowling actually gave the website an award. Clearly she approved of it at some point.


    8. Re:Making a Quick Buck versus Making Commentary by Vidar+Leathershod · · Score: 1

      "More significantly, Rowling was planning to publish her own encyclopedia to the Harry Potter world as one of her charitable publications"

      She stated this, between bouts of tears, in the courtroom while trying to win a legal case. She also said this took the energy for the project right out of her. Also known as "making it up on the spot". Besides the fact that she knows that anything she produces, whether or not some unofficial version exists, will be bought in the same numbers regardless, due to the rabid nature of her fanbase.

      Even were those plans in existence, her crying in the courtroom was a pure, pitiful attempt at manipulation. So pitiful that not one news agency reporting it had questioned why anyone would feel the need to cry over an allegation of copyright infringement.

      I guess as someone who has actually not read the books, I can't fully understand the depths of her suffering. Oh wait, no, she's just playing the victimized woman card. Let's see some honest psychiatric evaluation of those crocodile tears.

      --
      The brains of a chicken, coupled with the claws of two eagles, may well hatch the eggs of our destruction.
    9. Re:Making a Quick Buck versus Making Commentary by identity0 · · Score: 1

      I agree with you that this particular case seems to be on JKR's side. However - I have encyclopedias covering fictional worlds from Star Wars, Dune, and other entirely fictional works. I see no problem with that as long as they summarize, instead of quote whole pages as this work apparently does.

      If creating an encyclopedia of works created by others is infringement, where does that put Cliffs Notes, or Chilton manuals, or fan guides for any series?

    10. Re:Making a Quick Buck versus Making Commentary by ancarett · · Score: 1

      Good comment! Many of those fandom encyclopedias were licensed (such as the Star Wars stuff, all carefully controlled by Lucasfilm) or are dealing with work that's no longer in copyright though study guides are a whole different kettle of fish from encyclopedias. (Note of interest -- while Frank Herbert apparently approved of The Dune Encyclopedia's publication, he never endorsed it and the ongoing Dune novels have now parted ways with the universe as represented in McNelly's reference work.

      A study guide such as those produced through Cliff Notes includes summaries of plot and characterization but adds to it other material dealing with the critical reception of the work and major analytic themes. The latter part would lend more weight toward considering those works as having sufficient original or transformative content. From what I've seen at the Justia site for the trial, it seems as if there's less that 3% of what could be considered original content in the proposed lexicon.

      --
      ancarett, historian and zombie gamer
    11. Re:Making a Quick Buck versus Making Commentary by Anonymous Coward · · Score: 0

      This isn't fair use (news reporting, educational or criticism, although the publisher tries to pretend the latter) or transformative in any way: van der Ark's Lexicon is a summary of elements in the work.

      Riiiight, and this is different to CliffsNotes.... how?

  23. TFA - semi slashdotted by TubeSteak · · Score: 1

    Uncle Orson Reviews Everything
    J.K. Rowling, Lexicon and Oz

    by Orson Scott Card

    April 24, 2008
    Can you believe that J.K. Rowling is suing a small publisher because she claims their 10,000-copy edition of The Harry Potter Lexicon, a book about Rowling's hugely successful novel series, is just a "rearrangement" of her own material.

    Rowling "feels like her words were stolen," said lawyer Dan Shallman.

    Well, heck, I feel like the plot of my novel Ender's Game was stolen by J.K. Rowling.

    A young kid growing up in an oppressive family situation suddenly learns that he is one of a special class of children with special abilities, who are to be educated in a remote training facility where student life is dominated by an intense game played by teams flying in midair, at which this kid turns out to be exceptionally talented and a natural leader. He trains other kids in unauthorized extra sessions, which enrages his enemies, who attack him with the intention of killing him; but he is protected by his loyal, brilliant friends and gains strength from the love of some of his family members. He is given special guidance by an older man of legendary accomplishments who previously kept the enemy at bay. He goes on to become the crucial figure in a struggle against an unseen enemy who threatens the whole world.

    This paragraph lists only the most prominent similarities between Ender's Game and the Harry Potter series. My book was published in England many years before Rowling began writing about Harry Potter. Rowling was known to be reading widely in speculative fiction during the era after the publication of my book.

    I can get on the stand and cry, too, Ms. Rowling, and talk about feeling "personally violated."

    The difference between us is that I actually make enough money from Ender's Game to be content, without having to try to punish other people whose creativity might have been inspired by something I wrote.

    Mine is not the only work that one can charge Rowling "borrowed" from. Check out this piece from a fan site, pointing out links between Harry Potter and other previous works: http://www.geocities.com/versetrue/rowling.htm. And don't forget the lawsuit by Nancy K. Stouffer, the author of a book entitled The Legend of Rah and the Muggles, whose hero was named "Larry Potter."

    At that time, Rowling's lawyers called Stouffer's claim "frivolous."

    It's true that we writers borrow words from each other - but we're supposed to admit it and not pretend we're original when we're not. I took the word ansible from Ursula K. LeGuin, and have always said so. Rowling, however, denies everything.

    If Steven Vander Ark, the author of Lexicon, had written fiction that he claimed was original, when it was actually a rearrangement of ideas taken from the Harry Potter books, then she'd have a case.

    But Lexicon is intended only as a reference book for people who have already paid for their copies of Rowling's books. Even though the book is not scholarly, it certainly falls within the realm of scholarly comment.

    Rowling's hypocrisy is so thick I can hardly breathe: Prior to the publication of each novel, there were books about them that were no more intrusive than Lexicon. I contributed to one of them, and there was no complaint about it from Rowling or her publishers because they knew perfectly well that these fan/scholar ancillary publications were great publicity and actually boosted sales.

    But now the Harry Potter series is over, and Rowling claims that her "creative work" is being "decimated."

    Of course, she doesn't claim that it's the Lexicon that is harming her "creative work" (who's she borrowing from this time?); it's the lawsuit itself! And since she chose to bring the suit, whose fault is it? If she had left Vander Ark alone to publish his little book and make his little bit of money, she wouldn't be distracted from her next novel.

    But no, Rowling claims Vander

    --
    [Fuck Beta]
    o0t!
    1. Re:TFA - semi slashdotted by Anonymous Coward · · Score: 0

      "Also, kill all queers for Jesus. Sincerely, Orson Scott Card."

  24. Tisk tisk by Anonymous Coward · · Score: 0

    Sounds like someone has their Magic Panties all in a bunch.

    (do I mention that this is a Mormon reference?...hmmm...)

    1. Re:Tisk tisk by netsavior · · Score: 1

      ohhhh morm0wned

  25. A shame Card also takes some moronic positions... by Dr.+Manhattan · · Score: 1

    ...like this one. People are complicated critters.

    --
    PHEM - party like it's 1997-2003!
  26. Striking similarities, indeed by roystgnr · · Score: 2, Funny

    Is Card describing his August 1977 novelette "Ender's Game" or the May 1977 movie "Star Wars"?

    1. Re:Striking similarities, indeed by starglider29a · · Score: 1

      We who would write sci-fi books need a database that they could plug in their prospective synopsis, and have the database spit out books of similar synopsis.

      And then we could make it a parlor game!

    2. Re:Striking similarities, indeed by smallfries · · Score: 1

      So... you understood his point?

      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    3. Re:Striking similarities, indeed by Anonymous Coward · · Score: 0

      Actually, I think it was X-Men.

    4. Re:Striking similarities, indeed by Llywelyn · · Score: 1

      At one point I got so sick of the "Star Wars derived" claims that I used similar methods to show how Star Wars derived from Ayn Rand's Atlas Shrugged.

      Abstract something sufficiently and pick-and-choose from both sources, and its not hard to turn one work into another.

      --
      Integrate Keynote and LaTeX
    5. Re:Striking similarities, indeed by Anonymous Coward · · Score: 0
    6. Re:Striking similarities, indeed by Anonymous Coward · · Score: 1, Insightful

      Further, is s Card describing his August 1977 novelette "Ender's Game", the May 1977 movie "Star Wars" or T.H. White's 1958 novel "The Once and Future King" about the Camelot saga?

    7. Re:Striking similarities, indeed by Anonymous Coward · · Score: 0

      Is Card describing his August 1977 novelette "Ender's Game" or the May 1977 movie "Star Wars"?
      "Yes" ? :) :P
    8. Re:Striking similarities, indeed by SuiteSisterMary · · Score: 1

      That's kind of his point; or as I believe Terry Pratchett once said, genre fiction is a stew; you add things, you take things out, and the whole mess bubbles on.

      That having been said: Harry Potter and Star Wars, a plot synopsis of Star Wars with names/places crossed out and filled in with Harry Potter names/places.

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  27. Gotta Say It by whisper_jeff · · Score: 1

    The only appropriate reply, after reading that, is: "SheGotOwned!"

    1. Re:Gotta Say It by Anonymous Coward · · Score: 0

      Wouldn't "she got carded" be more appropriate?

  28. Limits are badly needed by Xenographic · · Score: 1

    Exactly. It's not possible to create anything without using the ideas of others. Every word is someone else's idea (unless you made it up yourself).

    So it's ridiculous to claim such broad ownership of derivative works.

    1. Re:Limits are badly needed by Anonymous Coward · · Score: 0

      Every word is someone else's idea (unless you made it up yourself).

      There is an element of truthiness to what you're saying.

    2. Re:Limits are badly needed by Stewie241 · · Score: 1

      Now you're scamming off of Stephen Colbert... you best be careful!

      Truthiness

    3. Re:Limits are badly needed by es330td · · Score: 1

      Tasdf afj wersxi ew poimioj awemio. Ol cdiiwn acsxmmiolmw khycajiims. Yt mmiioipp asd.

      Sorry if you don't understand but I had to make up my own words and language to respond. Apparently the English equivalents belong to someone else.

    4. Re:Limits are badly needed by JrOldPhart · · Score: 1

      (unless you made it up yourself).
      You mean sumptin' like "Twas brillig and the slithy..."
      Oh wait a minute...
      been done.
      --
      Nothing is foolproof, fools are too ingenious. - Murphy
    5. Re:Limits are badly needed by krazytekn0 · · Score: 1

      ZIPBOG!!!! (A word I co-made up with my Dad and sister as an alternative to less socially acceptable words)

      --
      Not all life is cyber. Extra Income
  29. You know you have a problem when... by Tumbleweed · · Score: 1

    ...you listen to Orson Scott Card on the topic of ethics. *yikes*

  30. Literary Respect? by usul294 · · Score: 1

    I didn't realize Orson Scott Card had literary respect, I mean Ender's Game was pretty good, but Heinlein, Dick, Asimov, Clarke, and Herbert all wrote several books that were much better than Ender's Game. That said JK Rowling ranks alongside Tom Clancy in my opinion. Fun to read once, but very little depth in the text.

    1. Re:Literary Respect? by Anonymous Coward · · Score: 0

      Yes, but they can't comment on it because they are dead.

    2. Re:Literary Respect? by SuiteSisterMary · · Score: 1

      Orson Scott Card is one of the 'working' sci-fi authors; he has a few books that most people will point to as outstanding, and lots of people have their own favourites, but he's been consistantly putting out quality work for decades.

      As opposed to, say, Joe Haldeman, who had two or three books that consistantly wind up on the master lists, and several that never seem to garner much attention at all.

      And Clancy's a perfectly good writer. You just need to enjoy his genre. Say what you want, the man is excellent at intertwining multiple plot points, and he's usually pretty good at avoiding the deus-ex-machina. If you want depth in a Clancy book, read Without Remorse. Or Red Storm Rising. Or Cardinal of the Kremlin; his characterization of Filitov was excellent.

      Personally, though, I think his 'golden years' were the Clark/Chavez stretch; Clear and Present Danger, Sum Of All Fears, Debt of Honor, Executive Decision. In that order.

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  31. Concept != actual work by notnAP · · Score: 1
    The other day, I came up with a program that helps put words on paper with the help of a computer.
    Problem is, Microsoft already did it a while ago, and called their program "Word."

    What do you think... could they sue me for copyright infringement? (Or could the many predecessors to Word sue MS?)

    I have to admit I don't know enough of the facts to render final judgment, but I have been a fan of both the site and the books for some time now. From what I understand, hp-lexicon wants to publish, and profit from, their own retelling of a copyrighted work. From what I've seen of the site, I'd imagine it would be quite accurate and true to the original, but that's immaterial.

    So what if JKR didn't object to the site when it was non-profit? Also immaterial.

    And I know JKR has been a bit (*ahem*) overenthusiastic with other legal actions. Again, immaterial. Karma is not a legally valid argument.

    Turn this around and ask... once HP-Lexicon has their own copyrighted version of the Harry Potter story, what's to stop them from changing it? What right would the original creator of the work have to control her creation if the copyright of the retelling is under someone else's control?

    Could I call my word processor "Microsoft Word?" I'd really like to. I mean, I've done my best to make it look and act like Word. In fact, I even call all of the outwardly visible features the exact same thing as it's called in Word. Man, being able to call it Word would really help sales.

  32. I have to disagree with your disagreement, sir. by caerwyn · · Score: 1

    Re-read it again without the bias that complexity begets quality.

    Sure, you can compare it with the books you mentioned and find a more complex structure in each of them. Complexity does not automatically imply quality, however, and while those three books are certainly historic works, that does nothing to indicate anything about Ender's Game.

    Calling it "trash" as a result merely indicates a literary snob and doesn't do anything to invalidate its quality.

    --
    The ringing of the division bell has begun... -PF
    1. Re:I have to disagree with your disagreement, sir. by exp(pi*sqrt(163)) · · Score: 1

      I think the reader was trying to find something in the book that was worthy of praise. Complexity was just the last ditch attempt in the absence of any other redeeming qualities.

      --
      Doesn't it make you feel good to know that our freedoms are protected by politicans, lawyers and journalists.
  33. funny? by AdamWill · · Score: 1

    'funnier-than-i-thought-he'd-be department'? well, fun trivia - Scott Card wrote the original sword fighting insults for Monkey Island...

  34. Hardly a "perfectly normal" publishing activity by eof · · Score: 1

    The issue isn't that someone's deriving a work from Rowling's ideas. The issue is that the derived work in question is comprised of over 91% of her writing, word-for-word.

    1. Re:Hardly a "perfectly normal" publishing activity by Applekid · · Score: 1

      Considering the Rowling's books are the only canon reference for Harry Potter it'd have to be extensively quoting from them in order to have any validity at all.

      --
      More Twoson than Cupertino
    2. Re:Hardly a "perfectly normal" publishing activity by Free+the+Cowards · · Score: 1

      The fact that something would have to infringe greatly on a copyright in order to exist does not make it actually legal to create without permission. Quite the opposite, in fact.

      --
      If you mod me Overrated, you are admitting that you have no penis.
  35. Rowlings is an ass by Dog-Cow · · Score: 1

    She should be so ashamed of herself as to never utter (or write) a word in public ever again. She went from being a single mother barely paying her bills to a multi-billion aire in the matter of a few years. Now she's pissed that a few other people, who are fans of her work, will make maybe a few thousand?

    What a complete and utter bitch.

    1. Re:Rowlings is an ass by Anonymous Coward · · Score: 0

      Is that the same for Bill Gates to call the police if someone tries to take a few things worth only a few thousands from his home?

    2. Re:Rowlings is an ass by huckamania · · Score: 1

      Hopefully the judge will be equally pissed about this complete waste of time. I'd say more, but that would be perpetuating the effect.

    3. Re:Rowlings is an ass by Dephex+Twin · · Score: 1

      It's much less obvious to argue that Rowling actually loses anything because of this book. Sure, one could argue that she would lose sales, but actually most of the people who would buy this Lexicon would buy an official Lexicon by her in a heartbeat anyway. It's just not entirely clear-cut. And if it is someone she admits helped her in many ways in the creation and popularity of her books originally, then it becomes really gray, IMO.

      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    4. Re:Rowlings is an ass by westlake · · Score: 1
      She went from being a single mother barely paying her bills to a multi-billion aire in the matter of a few years.

      If she could do that on her own, why not someone else? Why do you deserve a free ride?

    5. Re:Rowlings is an ass by Hognoxious · · Score: 1

      JKR has lots of money. The person (apparently named after two different kinds of shit) to whom you're replying doesn't. And that's not fair, waaaaaagh!

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  36. Orson Scott Card has always been an asshat by radagenais · · Score: 1

    Considering that Card may not have even written the Ender books himself, I'm not surprised that he continues to advocate using other people's ideas.

    That being interesting and all, the Potter encyclopedia clearly isn't a clear-cut case of plagiarism because Rowling gets all the credit for invention. This sort of thing happens all the time, under the "unauthorized" banner. Asshat or not, Card has a point.

    P.S. Ender and Hitler essay was recently put online

    1. Re:Orson Scott Card has always been an asshat by acheron12 · · Score: 1

      There are only so many basic narrative ideas which tend to get recycled. The originality in fiction usually comes from new characters and settings.

      Practically every second fantasy story since Lord of the Rings has involved a hero and a dark lord villain. They just aren't called Frodo and Sauron.

      --
      there is no god but truth, and reality is its prophet
    2. Re:Orson Scott Card has always been an asshat by Seraphim_72 · · Score: 1

      I read into your first post. I have never read Ender's Game, so I guess I can't really judge that whole affair. It states two things that I find interesting though. The first is that the book was written "by committee" yet it never says who they are. A Hugo and Nebula winner of a book written by committee, none of whom have ever come out? Tinfoil hat time really. I have yet to meet an author that wont gladly put there name on a publication and complain LOUDLY when it doesn't happen. Who are these mythical authors? The same sort of thing has been leveled at Shakespeare for years, yet even the best guess about that fails on many levels.

      The other is that the author never tells who he is, nor 'Elaine" though she drops out of the SF scene. I also find it hard to believe that a journal devoted to authors holds sole copyright to the works they publish. No modern author is that stupid. I guess I have to call bullshit on this. In any event deconstruction of any work is at best a guessing game. Where you see the great building of America in the 18th century I can see the repression of the Indians for example, both are valid.

      I guess one of the things that has me at a loss in the article you linked is the conflation of the words "fascist" and "Hitler". I guess I would expect a person who was trying to critique a book would understand that though Hitler was a Fascist, not all Fascists are Hitler. Don't get me wrong, I hate them of any stripe, but it is sloppy writing to equate the two.

      I actually do know many fantasy authors, (no real SF ones sadly) and next time I see them I plan on asking about this to get their opinions, I am sure it will be interesting. To sum up though I have seen way too many stories/plays/poems/books reinterpreted to be impressed anymore. Was it a Hitler allegory? Meh, were Heinlein's later works a text book about polygamy? If they both were, who cares, If you get your morality from a SF novel, you have bigger issues. And if you are concerned that Book I vs Book III are that different...well, the literary world is full of one hit wonders - 'Catcher in the Rye' is the perennial favorite.

      --
      Slashdot, where armchair scientists get shouted down and armchair theologians get modded up.
    3. Re:Orson Scott Card has always been an asshat by radagenais · · Score: 1

      the book was written "by committee" yet it never says who they are. I originally read this post in '05 but I specifically remember someone in the discussion thread postulating that he was assisted by English Lit students, and the suggestion was that perhaps some threads were woven into the story as a bit of a gag on Card. It's hard to sort out, really. Is Ender Hitler? Jesus? Did Card intend him to be one while his students inserted the subtext for the other as a clever stab at their overbearing pedagogue? You decide.

      Personally I don't care if he wrote the novels or not - I've read most of his work and I enjoy it greatly. After reading the essays and all the studies on Ender's Game, I just want to read it all over again. All this discussion and debate is interesting stuff and, ultimately, it sums up to well-deserved flattery of Card's work (in that its worth critiquing) and only encourages you to read his books.

      the author never tells who he is, nor 'Elaine" You didn't click through too far. :-) I linked Elaine Radford's essay in the postscript. The author of that famous post is Roger Williams; his home page and this wikipedia entry about his novel are the only links I could find for you, besides his other posts on kuro5hin.

      I have never read Ender's Game I really recommend you do read the Ender series, because they are a great read. I wouldn't recommend reading the essays by John Kessel and Elaine Radford beforehand though; might ruin the fun.
    4. Re:Orson Scott Card has always been an asshat by Seraphim_72 · · Score: 1

      Thank you for your thoughtful reply. I have always wanted to spend a summer reading all the Nebula and Hugo winners, perhaps that is this summer. You have given me much to think about and again, I thank you for it. Though I suppose that we shall never meet in real life, make sure that you have a good one. (sorry, yesterday was my birthday, I am a bit maudlin still ;) )

      --
      Slashdot, where armchair scientists get shouted down and armchair theologians get modded up.
    5. Re:Orson Scott Card has always been an asshat by radagenais · · Score: 1

      Cheers mate. Happy belated bday!!

      I can't believe I didn't get any mod informative points for all those links. I suppose it has nothing to do with Rowling's lawsuit, but Card's novels and all the hoo-ha surrounding them is really juicy interesting stuff. Well worth the clicks & page flips. =)


      -"In the moment when I truly understand my enemy, understand him well enough to defeat him,
      then in that very moment I also love him. I think it's impossible to really understand somebody,
      what they want, what they believe, and not love them the way they love themselves. And then, in
      that very moment when I love them-"
      -"You beat them."


      - Ender and Valentine, from Ender's Game

  37. Gay claims by esocid · · Score: 1

    It's like her stupid, self-serving claim that Dumbledore was gay. She wants credit for being very up-to-date and politically correct - but she didn't have the guts to put that supposed "fact" into the actual novels, knowing that it might hurt sales.
    I was really confused when I heard people mention this, I didn't read the children's books so I don't know. But that seems like pretty spot-on to me. I'm not sure how it would affect sales though since any of those people who object to homosexuality would most likely object to magic and "satanic" imagery.
    --
    Absolute power corrupts absolutely. indymedia
    1. Re:Gay claims by thetoadwarrior · · Score: 1

      She's not stupid. She knows all parents fear the idea of gays around their kids because, as we all know, gays are creepy pedophiles once the sun goes down or they enter a park.

    2. Re:Gay claims by SatanicPuppy · · Score: 1

      I actually thought it was fine. The guys sexual preference wasn't related to the story in any way, so how are you going to bring it up?

      It does, however, add credible weight to the younger Dumbledore's situation with whatever-his-name was...It neatly solves an otherwise inexplicable moral situation, where you have a guy who has been built up to be a paragon of virtue, yet who spent years of his youth in an inexplicably close relationship with a person whose ethics were diametrically opposed.

      All the crazy that gets added to it later is purely an issue of prejudice; if what's-his-name had been a female, the sexual relationship would have been assumed automatically.

      --
      ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
    3. Re:Gay claims by atamido · · Score: 1

      Eh? Dumble clearly states that he wasn't a "paragon of virtue" virtue at the time, but that he was a bit self centered. And he also makes it clear that he bonded over idealistic views, later falling out due to diametrically opposing means. I think that this happens quite a bit, and I'm not really sure how him being homosexual makes things any more understandable.

  38. I Completely Agree... by raftpeople · · Score: 1

    Good literature? I've never seen it. I don't know why people bother reading a bunch of made up crap, it's a lot more interesting (and fun) to read about real things that actually happen.
    Agreed.

    The other thing I can't figure out is why some people like the color green. My favorite color is blue. How can anyone like the color green?
  39. And YOU missed something too by A+nonymous+Coward · · Score: 1

    If the current long copyrights had been in effect when Disney stole those stories, Kipling could have taken them to court. Having gotten theirs, they want no one else to be as blatant. They are hypocrites of the first water.

    1. Re:And YOU missed something too by nasor · · Score: 1

      This is true, and oh so ironic. Steamboat Willy has now been under copyright for 80 years, while The Jungle Book was "only" 73 years old when Disney made their animated version.

  40. OSC sees trees, misses forest - film at 11 by beer_maker · · Score: 1
    Maybe Orson hasn't seen his name in the paper enough recently, or maybe it's the poster - what an fine apples-to-Sarin comparison the write-up makes. I really wish the site wasn't /.ed right now, I'd love to know who to take exception with.

    IIRC Rowling took the over-zealous fan to court because he took it upon himself to write up a compedium on her work based on his understanding of it. Not a new thing in the bunch, just an encyclopedic work of characters and places he had no part in creating ... AND did so without asking, AND assumed that this would be just fine with her. That guy didn't "borrow" the plot, as described so creatively, he "borrowed" the characters, places, events, and story, chopped it neatly into bits, and attempted to pass off the re-packaging of her time-and-effort as a new work created by him.

    I can only hope that when the slashdotting of the Card article passes, and I finally get to read it, he won't come across as a big tool, which he does now based on the above.

    --
    Hmmm. Your ideas are intriguing to me and I wish to subscribe to your newsletter.
  41. Slashdotted (+ mirror) by timothyf · · Score: 1

    Here's another location where the article can be read: http://www.hatrack.com/osc/reviews/everything/2008-04-20.shtml

  42. A useful legal analysis by PhysicsPhil · · Score: 2, Informative

    Findlaw did an interesting legal commentary on the lawsuit (by an actual lawyer, no less), located at http://writ.news.findlaw.com/hilden/20080428.html. I provide a summary (in my best fair-use language) below.

    It seems there are four issues that are looked at in cases where fair use exceptions are claimed as a defense: the purpose and character of the use, the nature of the copyrighted work, the portion of material used in relation to the original work and finally the effect on the potential market.

    The author of the article wrote that typically in analysis of the purpose and character of use, the derivative work involves some extension or transformation. There isn't likely to be much in a lexicon or encyclopedia, so this should cut in favour of Rowling. The author did point out that an analysis of mistakes and plot inconsistencies would involve substantial extension and so could well have a valid defense

    With regards to the nature of the copyrighted work, Rowling's books are original pieces of writing (although perhaps not great literature). This is the kind of stuff that copyright is meant to defend, so this is likely to cut in Rowling's favour also.

    The article argues that it is the final two issues that the lexicon's author may have traction on. The amount and importance of the portion of work used seems to be the X-factor. The lexicon will no doubt copy a significant amount of material from the Rowling originals but use it in small pieces and put it in a completely context. The author figured this would break on a judge-by-judge basis. One that read the copyright act literally would fall in favour of Rowling, while a judge considering the overall purpose would not.

    Finally there was the question of the effect on the potential market. Certainly a lexicon would damage sales of an official Rowling lexicon, but the author felt (and I would agree) that a Rowling original would likely be a bigger draw for readership. Rowling has access to more material than anyone, and her encyclopedia would likely be a better piece of work for a collector. The author figured that Rowling's claim here was weak.

    All-in-all, it sounded like who gets selected as judge would play a major role in the result. It is possible that some uses may be fine (a detailed analysis of inconsistencies and mistakes, for example) while other uses may have to be deleted (e.g. an encyclopedic or dictionary-type use).

    1. Re:A useful legal analysis by Petrushka · · Score: 1

      The author of the article wrote that typically in analysis of the purpose and character of use, the derivative work involves some extension or transformation. There isn't likely to be much in a lexicon or encyclopedia, so this should cut in favour of Rowling. The author did point out that an analysis of mistakes and plot inconsistencies would involve substantial extension and so could well have a valid defense

      I presume the Tolkien estate will be suing soon over the Complete Guide to Middle-Earth.

      But it's more general than that. From a legal point of view I don't know what the situation is, but from a research point of view (I'm an academic) an encyclopaedia of a fictional universe is not in any way substantively different from a more discursive type of academic book. (The fact that the folks publishing this encyclopaedia aren't academics is irrelevant.)

      I have a nagging worry that this case will make it difficult to write any books about literature that is still under copyright -- which is a pretty big chunk of literature. Shakespearean scholars may be safe, sure. But I fear for people who work on, say, García Marquez, or C.S. Lewis, or Stephen King. I know someone who has some links with academics who specialise in children's literature; I think I should ask what those folks are thinking about this case, and whether they're worried.

      I don't give two hoots about J.K. Rowling, but the more general principle of authors (or their estates) suing over people doing research on their books is a Very Bad Thing. We've got three possible outcomes here, as far as I can see:

      (1) Rowling loses her case and loses it bad;
      (2) Rowling wins, and the courts decide to draw an arbitrary, valueless distinction between encyclopaedias and discursive writing, prohibiting the one and permitting the other; this strikes me as untenable in the long term, as it simply doesn't make sense;
      (3) Rowling wins, and henceforth only authors that have been dead for nearly a century will be legitimate topics for literary criticism.

      Seems to me that only one of these outcomes makes sense.

    2. Re:A useful legal analysis by SuiteSisterMary · · Score: 1

      Finally there was the question of the effect on the potential market. Certainly a lexicon would damage sales of an official Rowling lexicon, but the author felt (and I would agree) that a Rowling original would likely be a bigger draw for readership. Rowling has access to more material than anyone, and her encyclopedia would likely be a better piece of work for a collector. The author figured that Rowling's claim here was weak.

      And yet, strangely enough, she's stated that she used this very site as a resource, it's intended purpose, rather than her own notes, or the books themselves.

      Had it have remained a non-commercial web site, rather than a published book, how much do you want to bet that she'd have made use of it when creating her own 'lexicon?'

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  43. The Hero with a Stone Face by amccaf1 · · Score: 1

    Precious "Steamboat Willie" is more egregious. It contains little original material, and was - in fact - a pleasant cartoon recasting of the now classic "Steamboat Bill Junior [wikipedia.org]", by Buster Keaton.


    Ah, Steamboat Bill Jr... The last independent film Buster Keaton made for United Artists, signaling the peak of his career. Everything after this would be downhill for him. He'd get kicked around Hollywood and become an alcoholic for decades after this. By contrast, after Steamboat Willie, everything would be up, up, up for Disney.

    Hollywood just isn't fair, is it?

    --
    "Flag on the moon. How did it get there?"
  44. Not exactly the same by SquierStrat · · Score: 1

    While I respect Mr Card, using a similar story is not the same as outright using characters and material from another author. That's infringement. On the other hand, in copyright law generally use is allowed for works about another piece or parodying a piece.

    With all that being said I do think Mrs. Rowling is going overboard and is being an ass about the whole thing.

    --
    Derek Greene
    1. Re:Not exactly the same by Petrushka · · Score: 1

      And a lexicon is not a copy of the books, or even a re-telling. It's a reference tool for information about the fictional world created by the books. Hardly the same thing.

      A lexicon's relationship to its source material is more explicit than the situation Card describes, but it hardly looks like re-printing Rowling's books verbatim, does it?

      I hope you don't hold the view that any encyclopaedia that presents information that comes ultimately from copyrighted sources ought to be considered guilty of infringement. Because most published information comes from copyrighted sources. Wikipedia articles about factual events often cite newspaper articles; newspapers articles are copyright-laden. Do they all get consigned to copyright hell too? It's the same identical situation here.

    2. Re:Not exactly the same by SquierStrat · · Score: 1

      Maybe you should re-read what I wrote, such as the part about pieces that ae about other pieces.

      --
      Derek Greene
  45. OSC is a big fat homophobe. by Anonymous Coward · · Score: 0

    Did you know?
    In his own words:
    http://www.nauvoo.com/library/card-hypocrites.html
    commentary:
    http://librarianinblack.typepad.com/librarianinblack/2004/02/shame_on_orson_.html

  46. Rowling blows by thetoadwarrior · · Score: 1

    Is anyone honestly surprised that the money has gone to her hear?

    I hope she loses this case big time.

  47. A somewhat different situation by perelgut · · Score: 1

    Card hasn't spent much time thinking about Rowling's case or he'd realize it isn't simply congruent ideas or similar fundamental storylines. This is someone who is publishing a fan board and augmenting the publication with wholesale copying of Rowling's work.

    I seriously doubt anyone, including Card, would approve of someone taking their work, scanning it into a computer and then submitting it for publication under their own name. Rowling's situation is somewhere on the slippery slope between Card's example and this one.

  48. Works both ways, Ms Rowling! by kbahey · · Score: 1

    Well, it works both ways.

    One can ask whether J.K. Rowling has borrowed from J.R.R. Tolkien too.

  49. Only when there is money involved by elrous0 · · Score: 1
    Writers ignore this sort of thing until there is big money involved. Harlan Ellison, for example, sued James Cameron for "stealing" his ideas for the Terminator only after it became a major commercial success.

    Of course, in point of fact, Ellison's case was a joke. The premise of a time-traveler coming back in time to help humanity is an ancient sci-fi trope. If anyone should have complained about Terminator theft, it was the estate of Phillip Dick, whose popular "Second Variety" bore a *striking* resemblance to Kyle Reese's dystopia. The sad thing is that Ellison actually conned his way into a victory in that case, adding another notch in his belt as a widely renowned and widely despised uber-asshole.

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
  50. Dear Orson Scott Card by christurkel · · Score: 1

    Please stop babbling and finish the last Alvin book. Seriousl,y this series has been going on decades and is one book away from completion. I know you are having cashgasms with your Ender's stuff, but really, shut up and start writing.

    --

    CDE open sourced! https://sourceforge.net/projects/cdesktopenv/
  51. Google Cached Version here by spanielrage · · Score: 1

    Text only:

    http://64.233.169.104/search?q=cache:http://greensboro.rhinotimes.com/Articles-i-2008-04-24-177772.112113_JK_Rowling_Lexicon_and_Oz.html&hl=en&strip=1

    1. Re:Google Cached Version here by Caldrak · · Score: 1

      Thanks

  52. Mobiliphallus! by Scrameustache · · Score: 1

    No, seriously. She's a huge douchebag, a total control freak when it comes to Harry Potter. For example, I've heard she specifically won't allow a Harry Potter RPG to be made, because she wouldn't be able to control the sorts of stories run in it. Yes, what a bitch, why won't she let the furries get freaky in her little world, just like in second life?

    THAT'S what her children story needs, MORE controversy! Because the religious whackjobs weren't harassing her enough as it is.
    --

    You can't take the sky from me...

  53. Just remember... by mikeasu · · Score: 1

    The enemy's gate is down...and so is the referenced site...

  54. desibattousai by desibattousai · · Score: 1

    and this happens just when i am so close to finishing ender's game for X amount of time. Dam then British ppl

  55. no shit by roman_mir · · Score: 1

    "A young kid growing up in an oppressive family situation suddenly learns that he is one of a special class of children with special abilities, who are to be educated in a remote training facility where student life is dominated by an intense game played by teams flying in midair, at which this kid turns out to be exceptionally talented and a natural leader." (And that's just to get started.) - Then he gets crucified for other's sins. (Just to get a little more into it.)
  56. Repeat after me... by stubear · · Score: 1

    ...Copyright protects the original expression of an idea in a fixed, tangible medium, it does not protect ideas themselves. What Orson Scott Card is describing as a plot element is nothing more than an idea. The characters, setting, etc. is what expresses the idea about a boy having trouble growing up. I'd be willing to bet that if another author came along and wrote another Ender book without Card's permission he'd be rabidly foaming at the mouth. Derivative works are not using original expressions, and therefore are not allowed under current copyright law unless explicitly granted by the author.

  57. Are the mods dead or is every post shit? by mutube · · Score: 0, Offtopic

    A full page of posts and not a score above 2.

    Nothing to see here, move along... ...no, really.

  58. Mirror of the article by coandco · · Score: 1

    Since the linked article is down, you can catch a copy of the Rowling roasting at Card's own site:

    http://www.hatrack.com/osc/reviews/everything/2008-04-20.shtml

  59. Oh OSC... by jguevin · · Score: 1
    This is a pretty disappointing diatribe. For instance:

    Mine is not the only work that one can charge Rowling "borrowed" from. Check out this piece from a fan site, pointing out links between Harry Potter and other previous works: http://www.geocities.com/versetrue/rowling.htm [geocities.com]. And don't forget the lawsuit by Nancy K. Stouffer, the author of a book entitled The Legend of Rah and the Muggles, whose hero was named "Larry Potter."

    At that time, Rowling's lawyers called Stouffer's claim "frivolous."


    Except that it's not just that they called it "frivolous", it's that Stouffer apparently manufactured evidence, and was fined $50,000 by the court for her fraud. Not really fair to use as an argument against Rowling, is it?
  60. That's an amazing statement by Infonaut · · Score: 1

    I don't know why people bother reading a bunch of made up crap...

    I haven't been as startled by anything in Slashdot in quite some time. Human society has always been built around stories. I'm curious if you feel this way just about things you read, or if you apply the "real things only" directive to TV, movies, and music as well.

    Sticking to the facts excludes a huge swath of cultural artifacts, from pretty much all of recent popular music to the majority of television programming to almost all of the movies shown in theaters.

    It would be an interesting experiment to try to exclude all non-factual media for a month. Of course there's the legitimate question of what constitutes "real things that actually happen," but even if we leave the debate over subjective/objective reality to the philosophers, I suspect it would be difficult to pull off even for a month.

    --
    Read the EFF's Fair Use FAQ
  61. Use of ideas not the problem by Obfuscant · · Score: 1
    The problem with Card's summary is that this is not just a "use of an idea". He presents a very high level description of a concept that has appeared in more than one author's books as proof that Rowling shouldn't be suing.

    The company she's suing isn't using a "high level concept" like "poor child learns he's got special abilities". That company is using Rowling's characters explicitely, cataloging them and defining them. They are attempting to make canon for her universe, not creating another universe of their own with characters with similar backgrounds.

    Not only are they trying to make canon for her characters, they are now trying to profit off of them. Those specific characters, by name.

    If I started trying to sell a Picard action-figure (which would be limited, of course, to saying "make it so" and "I surrender") Paramount would, rightly, sue me. Why is this any different?

  62. The secret to creativity by Bonzoli · · Score: 1

    The secret to creativity is knowing how to hide your sources. Albert Einstein

  63. It is just like Starwars by Anonymous Coward · · Score: 0
  64. A Better Author's information by Modab · · Score: 1

    Orson Scott Card is pretty horrible at commentary. It usually comes across as a one-sided, unintelligent, trollish opinion piece. Somewhat entertaining, but does little to further reasoned discourse.
    For an example of *good* commentary of the lexicon situation by a professional author, go no further than Neil Gaiman's blog
    Here
    and
    Here
    You will find a polite, detailed, and thought-out response (that he most likely whacked together in under an hour).

  65. Yes, but it's Card by ajs · · Score: 1
    I can't really take anything he says seriously. This is the man who thinks that laws SHOULD be selectively enforced in order to keep what he considers sexual deviants afraid to express their inclinations in public. No, I'm not stretching the point.

    not to be indiscriminately enforced against anyone who happens to be caught violating them, but to be used when necessary to send a clear message - http://www.nauvoo.com/library/card-hypocrites.html

    1. Re:Yes, but it's Card by SupplyMission · · Score: 1

      Thanks for the link, I enjoyed the read. Before the story about Card slamming Rowling appeared on Slashdot, I wasn't familiar with Card's views on homosexuality and other issues. I have to give it to Card that he makes a lot of sense. He knows exactly where he stands on the issue, and why, which is more than 99% of us can say.

      This is why I have no respect for ajs' comment, where ajs takes a single quote out of context, apparently in order to push an agenda of intolerance against a point of view he doesn't agree with.

      If ajs would take a minute to think about it, then he would realize that in our society, practically all laws are used "when necessary to send a clear message." How many times have I been illegally parked, and not received a ticket? How many of us commit technically illegal acts regularly (knowingly or unknowingly) that go unpunished?

      Laws weren't invented to punish people; they were put in place to maintain a society and to uphold its values.

      From ajs' comment, he appears to be an insecure person, in the sense that if another person (in this case, Card) says one thing he doesn't like, then ajs "can't really take anything he says seriously". It appears that ajs is able to write off an entire person just because he disagrees with some opinion the other person holds (in this case, a well-reasoned, thought out opinion). I'm not sure if that's good or bad, normal or not, but it smells of a certain kind of closed-mindedness and intolerance that I have little time for.

      However, thanks for the link; as I said, I enjoyed the reading.

    2. Re:Yes, but it's Card by ajs · · Score: 1

      I wasn't familiar with Card's views on homosexuality and other issues. I have to give it to Card that he makes a lot of sense. He knows exactly where he stands on the issue, and why, which is more than 99% of us can say. I'm curious: what issue? The issue he's addressing is how far his Church should go in enforcing their dogma through the legal system.

      This is why I have no respect for ajs' comment, where ajs takes a single quote out of context The quote, in context, bears no subtler shade of meaning. He sys quite clearly that such a law should be enforced "selectively" and not "indiscriminately."

      apparently in order to push an agenda of intolerance against a point of view he doesn't agree with. I'm very tolerant of his views. I just don't buy his books, and I make sure others know what his views are.

      If ajs would take a minute to think about it, then he would realize that in our society, practically all laws are used "when necessary to send a clear message." This is not only wrong, but if such is demonstrated in court, it is typically used as a basis for removing the law (e.g. the Blue Laws in Massachusetts).

      How many times have I been illegally parked, and not received a ticket? That's not a matter of selective enforcement. That's a matter of coverage. Just because a meter reader didn't make it to your car doesn't mean that the law is being enforced selectively.

      Side point: parking tickets aren't meant as a means of dissuading people from parking illegally. Once, that was the case. Today, parking tickets are an important source of revenue for most cities, and they are well aware of the fact that their budgets will run short if parking infractions cease.

      How many of us commit technically illegal acts regularly (knowingly or unknowingly) that go unpunished? Again, this is not selective enforcement any more than it would be if I killed someone and didn't get caught. The equivalent you're looking for would be a law where only individuals that police thought would make a good example get prosecuted. That's what Card is very clearly suggesting, here, and he makes no bones about it.

      He's not one of those folks that you hear someone calling a homophobe and think, "gosh, that's a bit harsh." He's the real deal. He wants the laws to crack down on just enough homosexuality to keep the rest of "them" afraid so that he doesn't have to be exposed to such violations of his personal beliefs.

      From ajs' comment, he appears to be an insecure person Of course, I'm insecure. I live in a country where there are people actively advocating that others should be persecuted for religious reasons. I don't like Taliban-like regimes and anyone who suggests that the U.S. should return to such a state of affairs (colonial New England was much that way) makes me feel just a little bit less secure in the freedoms that our country has afforded her citizens to date.

      in the sense that if another person (in this case, Card) says one thing he doesn't like, then ajs "can't really take anything he says seriously". It sounds like you've made the same decision about me. *shrug*

      It appears that ajs is able to write off an entire person Not a person. If Card were drowning, I'd save him. However, I've seen enough of his reasoning to be pretty sure that I don't trust his sense of what a nation of laws and freedom is all about, and so I can't really take his opinion seriously when it comes to anything that might touch on how best to use the legal system.

  66. I think you missed the point by geekoid · · Score: 1

    She won't license it because she wouldn't be able to control the story the DM and players create. She would happily sign off on a POS HP game, and has.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  67. Hardly a surprise by Xest · · Score: 1

    This is the same woman that felt she had the right to hold up an entire airplane of passengers because she wasn't willing to part with her script despite it not being allowed as part of her hand luggage and being told it had to go in the hold with the rest of her luggage.

    Why the fuck should she think she has some special right to bypass airline/anti-terrorism laws when no one else does? Arguments aside about how stupid the laws surrounding hand luggage are, this is just one of many examples where she's decided since becoming famous that she can do what she wants and is above everyone else.

  68. What a Dumbo by tepples · · Score: 1

    Most of the time, Disney takes public domain stories. Kimba and Pooh are the only two that I'm aware of where Disney used someone else's story that was not public domain. Mary Poppins was licensed from P.L. Travers, and Bedknobs and Broomsticks was licensed from The Borrowers author Mary Norton. And Kill Bill was published by Disney too. Or are you talking only about the fully animated films? In that case, Dumbo by Aberson and Perl.
    1. Re:What a Dumbo by Oligonicella · · Score: 1

      Context. He's talking about using without permission.

    2. Re:What a Dumbo by tepples · · Score: 1

      Kimba and Pooh are the only two that I'm aware of where Disney used someone else's story that was not public domain. Dumbo by Aberson and Perl. Context. He's talking about using without permission. I must have missed that context cue because Pooh was licensed.
  69. And a lexicon is just re-expressing the ideas by Anonymous Coward · · Score: 0

    not regurgitating the original expression.

    A database of facts, though of zero original expressive content, is copyrighted by mere ordering of the facts.

    JKR's entries are the facts.

    The lexicon is no more a derivative than JKR's work is a derivative of Larry Potter, which protagonist had to deal with muggles.

    A claim of copying being described as laughable by JKR.

  70. That's a little harsh... by Arguendo · · Score: 1

    I don't think Rowling should be able to kill the Harry Potter Lexicon either, but to call her "a pretentious, puffed-up coward" and "lack[ing] a brain, a heart and courage" is going a bit overboard. It's a tough case and certainly a far cry from the purposefully abstract "comparison" with Ender's Game that Orson Scott Card uses. Maybe he makes a different decision if someone publishes an encyclopedia on the very same characters and universe that he created, but let's not act like she burned an original copy of the First Amendment or anything. Reasonable people disagree on this one.

  71. Oh, look, it's OSC being a moron again... by laura20 · · Score: 4, Insightful

    ...why am I not surprised?

    To clarify:

    The Lexicon website consisted for the most part of entries where the editors had gone through the books, chopped out the various bits describing the element at hand and plopped them in the entry. The amount of straight quoting was huge, the amount of barely reworded items possibly even larger. Let's go to Dave Langford for a typical wordcount: "When I checked, the on-line Lexicon's 1500 words on Albus Dumbledore had about 300 words of direct quotation from Rowling (which seemed risky) and linked to a page with some 3000 words of quotes (which seemed suicidal)." This is certainly very useful to fanfic authors, and as long as it was noncommercial, Rowlings quite kindly tolerated it.

    Then in a perfect storm of stupidity, RDR Books decided that obviously this meant they could publish it at 24.95 a pop. Rowlings and her publishers said "uh, no". I'll note that they spent two months trying to get a manuscript out of RDR or Steve Vander Ark, and were informed that they should "just hit print on the website." Yes, the website that *mostly consisted of quotes and rewordings*. Eventually they realized how suicidal that was, and produced a hacked down manuscript that *still* took large amounts straight from her wording.

    And like most bad lawsuits, it'll make bad law. If she wins, other publishers and authors will no doubt push the boundaries to claim that any kind of encyclopedia of their fictional universes is unlawful, even if the writers actually do their own work; and if she loses (highly unlikely, but if) other authors will feel like they need to be a bitch to every online effort of this sort, lest they be seen as authorizing similar publishings -- one of the claims that RDR/SVA made was that by tolerating it, she was authorizing it.

    1. Re:Oh, look, it's OSC being a moron again... by eof · · Score: 1
      This really sums the whole thing up rather nicely. I think ultimately that this case is a lose-lose scenario because of the precedent that will be set with either ruling. I feel that JKR is in the right as an author to pursue this, especially given the bad faith in which the defendent has acted in before the trial. However, a victory will probably give publishers more ammo to go after perceived derivative works. On the other hand, if she loses, it sets a nasty precedent for just how little an author's work is protected. Honestly, I think I prefer the former.

      Maybe if JKR loses the suit I'll release a critique of Ender's Game that has some footnotes and the odd paragraph at the end of a chapter. Or better yet, just change everyone's names and release it under a new title. CmdrTaco's Game has a nice ring to it.

    2. Re:Oh, look, it's OSC being a moron again... by Jesus_666 · · Score: 1

      I'm not sure how it works in that legal system, but couldn't the court find that while third-party encyclopedias in general are acceptable, this particular one isn't because it mostly consists of direct or barely reworded quotes?

      With that kind of ruling it'd be hard to sue random encyclopedias because you'd still have to prove that their contents aren't original and at the same time it'd be hard to use it as a carte blanche for copyright infringement because the precedent states that it's not okay.

      Of course I don't know whether the court can make such detailed decicions, although I suspect it does. And the case might come to a less fortunate conclusion. But in theory the ruling does not have to be as destructive as some predict.

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    3. Re:Oh, look, it's OSC being a moron again... by laura20 · · Score: 1

      Yeah, that would probably be the best outcome: a ruling on very narrow legal grounds, that avoided the broader issues.

    4. Re:Oh, look, it's OSC being a moron again... by Spazholio · · Score: 1

      one of the claims that RDR/SVA made was that by tolerating it, she was authorizing it.

      She used it as a resource! She wasn't "tolerating it" - she actively engaged it as a reference tool...which is precisely what she's being with this lawsuit.

    5. Re:Oh, look, it's OSC being a moron again... by elmurado · · Score: 0

      So when the Azkaban film has singing in it that directly quotes Shakespeare(or was it Chris Marlowe, hmmm) shouldn't she be putting a reference or a credit in there? Double double toil and trouble indeed... Larry Potter to Harry Potter? Hmm, pure genius. I prefer Barry Trotter..magic! http://www.barrytrotter.com/

  72. Read 'em both - and more as well. by mmell · · Score: 1
    And - you're right! Dune! was probably the most complex, most intricately crafted piece of work I've read. Political intrigue, social commentary, action/adventure, science fiction all rolled into one tightly integrated package.

    Based on the reactions I've gotten, I realize that much of this is a matter of personal taste - but I still hold my opinion that Ender's Game was pap, suitable for consumption by adolescents.

    Oh, and I had to stop the list somewhere. I'm sure there were probably better examples; these just sprang to mind.

    1. Re:Read 'em both - and more as well. by Eli+Gottlieb · · Score: 1

      IMHO, "Ender's Game" is a good story, it just lacks the genius quality some science fiction and fantasy has of showing the reader a glimpse into a whole universe different from the one we live in.

      "Foundation" had that. "Dune" had that easily and in spades. Even "Harry Potter" had it. Hell, fucking "Animorphs" for children had it. "Ender's Game" pretty much didn't have it.

  73. What is copied from HP? by Anonymous Coward · · Score: 0

    The lexicon doesn't build a new story in the HP world. The lexicon does not create verbatim sections within itself beyond that amount considered de-minimis and therefore not infringement.

    Or is the OECD a damn fine story for you?

  74. I disagree with you, sir. by mmell · · Score: 1
    Unlike Bradbury, Asimov, Heinlein, Herbert, Donaldson, Tolkien (and the list goes on), Mr. Card's work utterly failed to capture my imagination or my attention. I gave it a fair read, disciplining myself to finish the waste of my money rather than thrusting it forcefully to the bottom of the trash can after the first six (choppy and badly written) chapters showed me where the story was going.

    Sorry - Card, Rowling, McCaffrey, they're all great if you're into adolescent or romantic fantasy. Just don't try to pass 'em off as serious authors. Even Piers Anthony hits higher than these guys, and sometimes I wonder how much effort he puts into his work.

  75. You walked right into it, dude. by mmell · · Score: 1

    Oh, try Dune, The Chronicles of Thomas Covenant, the Unbeliever, the Foundation series, Starship Troopers, . . . the list can get pretty long, and I don't even have to hit the "Classics" (War and Peace, A Tale of Two Cities, Paradise Lost . . .).

    1. Re:You walked right into it, dude. by ahabswhale · · Score: 1

      Walked into what? First of all I ASKED Sciros to provide a list. Second, you're not Sciros.

      Thanks for playing.

      --
      Are agnostics skeptical of unicorns too?
    2. Re:You walked right into it, dude. by Anonymous Coward · · Score: 0

      Paradise Lost is a poem, not a novel. durrrrhhhh!

    3. Re:You walked right into it, dude. by mmell · · Score: 1
      Forgive me - I didn't realize that was a private conversation.

      Strange venue to pick if you wanted privacy.

  76. Okay, caught me on that one . . . by mmell · · Score: 1
    My intent was to say "Oh, look - the story's over because Ender doesn't have to command any real units, he's been doing so all along" wasn't exactly shocking or unforseeable, hence not truly a deus-ex-machina.

    Still way too predictable to be entertaining, IMO.

  77. Imagine.. by Anonymous Coward · · Score: 0

    ..a cluster of Beowulfs. Wait, it has already been done?!

    1. Re:Imagine.. by Random_Goblin · · Score: 1

      Imagine..a cluster of Beowulfs. Wait, it has already been done?!

      this is clearly stealing my idea for a Large Array of Gilgameshes

      I'll see you in court mr coward...
  78. If I Create It, It's Mine Until I Say Different by reallocate · · Score: 1

    It's not about ideas or imagination. it's about stringing together words, or musical notes, or colors on a canvas in a way that's new to the world.

    When Rowling created her novels, she created something she owned, lock, stock and barrel. She owner that unique sequence of words and every right associated with it. If she'd written gibberish, it would still be owned exclusively by her and be just as controlled to her copyright.

    If I make something that has never existed before, I own it. No one has any rights to it unless I say so.

    High-falutin' talk about ideas and sarcasm like "imaginary property" is cute, but it has nothing to do with reality.

    --
    -- Slashdot: When Public Access TV Says "No"
    1. Re:If I Create It, It's Mine Until I Say Different by nonsequitor · · Score: 1

      If I make something that has never existed before, I own it. No one has any rights to it unless I say so.
      As soon as you tell that story, someone else has created their perception of your universe, which is a unique thing. Do they get to own and control that?
    2. Re:If I Create It, It's Mine Until I Say Different by reallocate · · Score: 1

      Sure, as long as they don't use my words to do that.

      It's the unique sequence of words that I own, not any ideas or perceptions those words spark in someone's brain.

      --
      -- Slashdot: When Public Access TV Says "No"
  79. I notice that she said by Anonymous+Cowpat · · Score: 1

    it had 'decimated' her creative ability. I don't see why she can't write a book with the other 90% of it, frankly.

    --
    FGD 135
    1. Re:I notice that she said by Anonymous Coward · · Score: 0

      Semantic joke is semantic.

  80. Reusing ideas by BigBadBus · · Score: 1

    Isn't this where the authors of "Holy Blood, Holy Grail" came unstuck with Dan Brown?

  81. Ender's game is copycat itself. by Anonymous Coward · · Score: 0

    Of course, ender's game is just a copy-cat of manga and anime, as the idea that only those below 16 can save the world, be heroes, obtain magical capabilities or whatever is inherently japanese.

    I heard an explanation this was introduced to commemorate the schoolkids, whom the Hiroshima and Nagasaki atomic bombings targeted deliberately. The bombs were dropped at the exact morning time when kids walked to school to maximize terror by maximizing the number of child casaulties.

    Yet, it does not explain why manga/anime is so much feminist, with almost all focus on sailor suit miniskirt girls, much neglecting boy heroes in general.

    BTW, Harry Potter is totally popular in Japan.

  82. To Gay or not to Gay by Broofa · · Score: 1

    I'm a huge fan of Mr. Card's fiction, but I find his taking the moral high road on the issue of Dumbledore being gay rather disengenuous. He implies that he would have written his sexuality into the story when, in fact he's never had a gay character in *any* of his novels (at least, not the ones I've read). And, given his public stance on gay rights ("Gay rights is a collective delusion that's being attempted" - http://archive.salon.com/books/feature/2000/02/03/card/index2.html ), there's little doubt in my mind that what he's really criticizing is the fact that Rowling admitted Dumbledore was gay at all, regardless of whether or not that fact is printed anywhere.

    1. Re:To Gay or not to Gay by Shimbo · · Score: 1

      I'm a huge fan of Mr. Card's fiction, but I find his taking the moral high road on the issue of Dumbledore being gay rather disengenuous. He implies that he would have written his sexuality into the story when, in fact he's never had a gay character in *any* of his novels (at least, not the ones I've read). Songmaster would be one. Here's some comments from OSC on the issue of homosexuality in his work.
    2. Re:To Gay or not to Gay by Broofa · · Score: 1

      Well, when I'm wrong, I'm wrong! Apparently there's a gay character in Ships of Earth too.

      Regardless, I'm pretty sure he's not criticizing Rowling for her failure to take a stance on Dumbledore's sexuality in the books. Rather, he's criticizing her for the stance she does take outside of them, which just happens to be contrary to his own views on the subject.

    3. Re:To Gay or not to Gay by phantomfive · · Score: 1

      Possibly, but if you read the linked article, you will find he doesn't have any problem with homosexuals; he saves his disdain for hypocrites. I suspect he feels she is somewhat hypocritical instead of facing up and describing Dumbledore as she sees him, she hides that fact and reality. What reason was there to hide it? What is she afraid of? Some in the gay community have said the same.

      In any case, I came away with new respect for Card after reading the entire article. The first half isn't sufficient, the second half is where he really explains himself. If you feel like reading.

      --
      Qxe4
  83. Moderation by ill+stew+dottied+ewe · · Score: 1

    I noticed (thanks to my threshold) that nobody is passing 2. I assume this is a bug, as it affects the recent stories.

  84. The difference... by 7Prime · · Score: 1

    Is that Rowling's series doesn't try to insert right-wing propoganda at every opportunity. Okay, so maybe that's mostly the Shadow series.

    But as a fan of both series (not so much the Shadow Series... but Speaker fot the Dead was amazing), and having read them back to back, I can honestly say that there's as little similarity between them as you can get, outside of the fact that they're both novels in the fantasy/sci-fi genre.

    --
    Multiplayer Gaming (defined): Sitting around, discussing single-player games with my friends, at the bar.
  85. Pompous by Anonymous Coward · · Score: 0

    Orson Scott Card attacks Rowling's flawed logic. You on the other hand attack the man. Given what you're accusing him of, that's one twisted double standard.

  86. Read the lexicon site for a while ... by vic-traill · · Score: 1

    I am not a Harry Potter aficionado. I've never read a book in the series. This topic has been sufficiently raked over the coals from a legal perspective by people who know better than me.

    I do know that derivation is one source of creativity. It's a tricky source - get too formulaic + too derivative while writing a song or a story, and it can bomb out the original idea.

    This can even be true for authoring or reading /. posts. Most days, my eyes roll on the classic 1.xxxx 2.yyyy 3.??? 4.Profit!, but every once in a while, i"m knee slapping from the gut up.

    Derivative works *can* be nothing but a cultural drag/dupe. However, they also can be a support for the interested reader, an impetus for a whole 'culture of xxx' thing that creates a previously unimagined phenomena.

    I read the lexicon site for a while tonight. It's pretty damn cool (but I like that sort of thing (shameless plug for Simon Winchester and the OED).

    I don't care how much money Rowling has already made - meaningless to me. I only care that she made the characters and settings up should someone appropriate the characters for the writing of another fictional story in a similar setting.

    However, a work which slices and dices the facts, foibles & follies of an existing fictional story must, by definition, overlap the detail and content of the original work. That's what it is all *about*.

    More importantly, it affords an opportunity for the author's work to step out front of the cultural curtain and make their work not just a story, but a view into the cultural details of our present-day world. Foolish to skip out on that one ...

    Rolwings is missing a major opportunity here, perhaps on the bad advice of a lawyer obliged, by a crappy IP law landscape, to offer a good legal interpretation. Major bummer, but at the end of the day she's the one making the money call rather than the cultural call.

    --
    [17] Leary, T., White, C., Wood, P. R., Bhabha, W. D., and Wirth, N. Lambda calculus considered harmful. In Proceedings
  87. Fascist Card... and incompetent? by Anonymous Coward · · Score: 0

    So, eh, Card has stopped goose stepping and saluting Brigham Young long enough to do something besides oppose freedom of the press at last? And this is all he can do? Pitiful.

  88. Precisely by hacksoncode · · Score: 1

    I know you're trying to be funny, but yes, that's his point *exactly*. Got it in one.

  89. Irrelevant by Anonymous Coward · · Score: 0

    "Rowling was planning to publish her own encyclopedia to the Harry Potter world"

    Irrelevant to the case at hand.

    "as one of her charitable publications"

    Completely irrelevant.

    Besides which, the woman is worth multi-billions of dollars. She could drop $10 million to charity the way you or I might drop a $20 to charity.

    Note that is irrelevant as well, but you started it.

  90. hey there potter fans by Anonymous Coward · · Score: 0

    if your into potter and older than 12 than you're a fag. go suck another dick you stupid fucking homo.

  91. so what? by story645 · · Score: 1

    Potter's won half a dozen other awards that have as much weight as the Nebula's. Plus it really is just another book award-and honestly I'm not that impressed with the winners;I've read a couple of the classics and well I like HP just as much, if not more-just different standards for evaluating lit.

    --
    open source modern art: laser taggi
  92. Card!!! by Anonymous Coward · · Score: 0

    Get back to writing and stay out of politics.

    Wait, your books are full of political screeds anyway.

    Maybe you should just stop writing.

  93. "The Worst Witch" by Hohlraum · · Score: 1

    go read what that story is about sound familiar? That was written 34 freakin years ago.

  94. Enders Game vs. Harry Potter by Myself337 · · Score: 1

    You know I'd have to say that I only agree with this arguement to a certain degree. It would be one thing if the book was called something like, "The magicians guide to non-muggle words" but instead he used Harry Potter as a title which I think is the real issue at hand. Of course using Harry Potter will sell more books, but in all honesty he mislead anybody who bought the book, and he undermined J.K Rowling. By writing, and titleing a book after one by another author, the main assumption would be that there was an agreement between the two. In this case no communication like this happened. That is the issue, and based on the laws of publishing he should give her the royalties that she should have received in the first place. Also, it is true that authors commonly use eachother's idea's, but comparing two books like Ender's Game and Harry Potter is like comparing apples to oranges. The books are similar idea's but completely different stories.

    --
    I'm poor. Please donate. http://albanypcs.com
  95. Wow... personally I'm surprised by pavera · · Score: 1

    For a place that hates IP more than any other place on the internet, you guys sure are going to bat for JK... Why is it ok for her to sue her fans but if the RIAA sues its fans that is anathema?!? There isn't a single recording artist that is worth a billion dollars, yet we whine and moan that the millionaire recording artists are being greedy when they want to get paid for every single use of their songs.

    Look, She wrote 1 children's story that happened to span 7 books. She is worth more than 1 billion dollars. Why can't she take her billion and go away?
    No instead, she is going to maintain that this guy who has spent huge portions of time promoting her work is unable to make any money whatsoever off of his time and energy. She has to be the most greedy evil person I've ever heard of... well aside from the Waltons.

    Personally I disliked the harry potter books, I thought they were poorly written and incredibly stupid. I really don't like her as a person. She has always come of greedy and hyper-controlling to me. Her insane secrecy rules, suing everyone who touched one of her books 10 minutes before they were *supposed* to be released. She has this nice sob story about being a broke single mom... I wonder what happened to her kids when she got rich? Probably shipped them straight to boarding school and hasn't spoken to them since.

    1. Re:Wow... personally I'm surprised by Anonymous Coward · · Score: 0
      She has to be the most greedy evil person I've ever heard of...

      If that's true, you need to get out more. Try attending an elementary school social studies class, for example.

    2. Re:Wow... personally I'm surprised by freedom_india · · Score: 1

      True. I too never read her books.
      As for the movies, they were not as good as LOTR.
      LOTR had a tight storyline, clear and the book was good too (although the movie was not truly correct).

      --
      "Doing what i can, with what i have." ~ Burt Gummer
  96. The purpose of copyright by jandersen · · Score: 2, Insightful

    Like it or not, isn't this exactly what copyright law was intended to protect: the right of an artist to profit from their own creative work? The motivation being that they more than other people depend on their creativity and the fame that follows for their livelyhood.

    Whether this is the right way is an altogether different issue, and perhaps not one that is as clearcut as we would imagine. In recent years we have seen how both copyright and patent rules have been abused to hurt the free market, so I think it is time we made some serious changes to the whole IP concept. Perhaps the Open Commons idea is the way to proceed - something where a creative mind case establish a name and a reputation and which can serve as a basis for earning a living.

    In many ways I don't think works of creativity should be anybody's property. The very essence of ownership is to exclude others from what you own, which in the case of works of art will mean that fewer get to enjoy it, and also dimishes the creativity, both of the 'owner' and of others who might have been inspired by it.

  97. Concepts and Content are two very different things by stoofa · · Score: 1

    I have written 3 novels and won't name or link to them so that everyone knows I am responding to this thread and not just trying to astroturf a little.

    Yes, I have been influenced by other writers, films, news events, songs, things I overheard on public transport, something I misread on some junkmail etc. etc.

    Appreciating the literary and cultural heritage of where you are in the long line of all that has gone before is a crucial piece of awareness to possess as a writer, but there is a huge difference between similar concepts and actual specific content.

    It really comes down to how much thinking one has to do. If someone takes a similar concept and comes up with something new with it then that's fantastic, but if they just copy, paste and tweak a bit and don't do anything new then that's deplorable.

    But just because there are no new ideas that doesn't justify stealing created content, which is different from building upon a similar foundation.

    Let's all make a cake... I use flour, you use flour. I add eggs, you add eggs. That's all fine. But if you start slicing into my own cake and eating it then I am going to smack you in the mouth.

  98. She Should Sue! by gevantry · · Score: 1

    Rowling's suit is about someone using her material, from her books, to compile another book for his own profit (and that of a different publisher). She's saying, "No, you can't profit off of my stuff without my permission." I hope she wins.

  99. Re:Concepts and Content are two very different thi by stoofa · · Score: 1

    Further to that...

    I think this sort of debate is always problematic as it deals with vague concepts of ownership of ideas.

    There are many lists on the web of 'the basic 20 novel plots,' there's also the basic 8 and it even gets down to the one basic concept of all novels which is conflict, whether it's an actual conflict between 2 great powers or just the inner conflict inside someone's head, they are all about conflict.

    So let's imagine it as a tree. The trunk at the bottom is conflict and it keeps splitting as new additional ideas get added and branch off.

    Somewhere up the trunk there is a branch that splits off called 'small seemingly insignificant person we can all relate to gets summoned by marginalised guru and taught their true destiny.' Star Wars, Lord of the Rings, Harry Potter and a whole raft of others come off of this branch.

    No one owns that branch. BUT, the branch further up that is labelled 'Wizard called Harry Potter goes off to Hogwart's with enchanting consequences' - that branch is the property of Rowling.

    You can slide a bit back down the tree and start your own branch off of the 'normal boy becomes wizard/superhero/radioactive chicken' branch without a problem. But if you want to start adding new branches to the 'Wizard called Harry Potter goes off to Hogwart's with enchanting consequences' branch then you need to respect the wishes of the branch owner.

  100. Politics of envy by Anonymous Coward · · Score: 0

    She went from being a single mother barely paying her bills to a multi-billion aire in the matter of a few years.
    Nobody forced anybody to buy her books.

    The irony is that if someone complained about people who become billionaires either by inheriting it or exploting political connections, you'd probably accuse them of being communists. That's how much of a stupid fuck you are.
  101. Summary by AP31R0N · · Score: 0, Flamebait

    "Boo hoo, JK is filthy rich and famous and I'm not! No one wants to make movies of my books, wah waaaah. Liberals humped my hippo!"

    --
    Utilizing the synergization of benchmark e-solutions to pre-workaround action items!
    1. Re:Summary by belg4mit · · Score: 1
      --
      Were that I say, pancakes?
  102. Duty or desire? by Anonymous Coward · · Score: 0

    I do have to ask one question about Rowling's lawsuit. I understand it's inevitable, due to the nature of the fan-based encyclopedia and the pressures on her by her publishing company, but some of the quotes about the lawsuit that had her name attached to them were less than thrilling to read. Now, I'm not the sort of person to trust everything I read on the internet 100% (I'm an anonymous coward on /., what more proof do you need?), but it seems to me that she is conveying the message that she feels "hurt" by the lexicon's makers. Seriously, is this necessary? Odds are the original "compilers" (I like that term, it diminishes the concern about where the information in the lexicon comes from) saw nothing wrong with the idea when they decided to publish it, and by time J. K. Rowling and her publishers got wind of it and could tell them it was a no-go, the lexicon makers had already signed contracts and were thus under pressure by THEIR publishers. Seriously, this is a lose-lose situation here, and the last thing Rowling or anybody needs to do is make it personal.

  103. Apparently you're not familiar with... by Woundweavr · · Score: 1

    OSC's later writing. His columns are not only right wing but he writes right-wing fantasy novels in which the liberals who hate America reveal their true terrorist natures by assassinating the President and splitting off from the "real" USA. He's a Bushie asshat.

  104. If there were another Potter book... by ibsteve2u · · Score: 0

    I would suggest the following theme:

    Valdemort appears once again, letting loose a malady upon the world that causes lawyers to metamorphosis into disgusting slugs, putting them in great danger as they must daily run the gauntlet of a new and bizarre recurring weather phenomenon - salt storms.

    In desperation they turn to Harry Potter, who struggles valiantly to save their lives (if not their souls).

    Just as Harry is beginning to turn the tide, one of the disgusting slugs sues him for allowing his pants to be splashed with salt during an epic battle where Harry is greatly distracted by being forced to risk his life in battle with over 100 different avatars of Valdemort.

    In disgust, Harry gives up and turns his back on the lawyers, at which point an ancestor of Obi Wan Kenobi says "Welcome back from the Dark Side, Harry.".

    --
    Orwell: "In a Time of Universal Deceit, telling the Truth is a Revolutionary Act"
  105. Did you say tentacoo wape? by Lilith's+Heart-shape · · Score: 1

    If you want hot tentacle action, you'd be better off with Ghastly's Ghastly Comic.

  106. Orson Scott Card's credibility (or lack thereof) by anotherassumer · · Score: 0, Flamebait

    In response to Card criticizing Rowling:
    http://www.linearpublishing.com/RhinoStory.html

    Card said in this article criticizing Rowling's originality:
    "The difference between us is that I actually make enough money from Ender's Game to be content, without having to try to punish other people whose creativity might have been inspired by something I wrote."

    Might I remind readers of Card's fundamental flaw in basic logic: the above cannot possibly be true, Card having written the essay with at least some form of castigation in mind for Rowling! This also reveals Card is not near the contentedness as he claims.

    Is this not hypocrisy at it's most blatant and clear?

    *****a great article on Card's breed of dogma is:"My favorite author, my worst interview" :
    http://archive.salon.com/books/feature/2000/02/03/card/index.html

    Is being hate-filled a sure sign of low intelligence?
    Does Card have a history of being hate-filled person? Here are some indicators. (How can his new jealousy of Rowling be any sort of surprise?):
    http://atheism.about.com/b/2004/01/03/orson-scott-card-criminalize-homosexual-behavior.htm
    http://www.ornery.org/essays/warwatch/2005-05-15-1.html
    http://www.nauvoo.com/library/card-hypocrites.html

    Literary criticism of Card by respected and award-winning author John Kessel:
    http://www4.ncsu.edu/~tenshi/Demonizing.html
    http://www4.ncsu.edu/~tenshi/Killer_000.htm

    Card as could-be Hitler-apologist in 'Ender's Game':
    Ender and Hitler: Sympathy for the Superman (20 Years Later) - Elaine Radford's analysis of the Ender and Hitler connection:
    http://peachfront.diaryland.com/enderhitlte.html

    possibility that Card's Ender's Game itself was stolen from the 1984 film the Last Starfighter :
    from digg.com, comment by Dysarthria on 06/16/2007:
    http://digg.com/gaming_news/Orson_Scott_Card_Reveals_Plans_for_Video_Games_based_on_Ender_s_Game
    "A few points:

    1) The movie of Ender's Game (published in 1985) has already been done, it's called the Last Starfighter (1984). While not identical, both are about boys who save the planet by playing a video game. When I read this novel about 20 years ago, I felt like it was it was kind of a rip-off. Great story, just not that original.

    2) I think the most boring game in the world would be an adaptation of a novel about a video game. Guys, come on. Enders game was a nice little unoriginal story published 20 years ago."

    Also, remember this man criticizes Darwinismin.
    The following link to another of Card's essays is from digg.com's insomniacal on 06/16/2007 :
    http://www.ornery.org/essays/warwatch/2006-01-08-1.html

  107. Cram it, buddy. by Lilith's+Heart-shape · · Score: 1

    I'm 29. I read the Harry Potter books because my wife is a fan, and it was only fair that I read the books she liked after I made her suffer through Michael Moorcock and Robert Graves. You know what? I liked the books. They made entertaining bathroom reading.

  108. Re:Copyright Law by conureman · · Score: 1

    The way things are going, in 500 years, Rowling's works will still be protected.

    --
    The cost of that cleanup, of course, will be borne by taxpayers, not industry.
  109. Neil Gaiman's commentary by Tungbo · · Score: 1

    seems more sensible. It comes down to how much originality and how transformative the Lexicon book is. Since it's not been published, I don't see how all these bloggers can render judgement when they've not even read the book (not the website, which may not be the same).

    Interstingly enough, if they keep their own interpretation of "alohorama (whatever)", it would help their defense! As it could be view as as an original interpretation. Even by incorporating JKR's explanation in the court, the Lexicon is still adding information not contained within the books. By faithfully using quotes, they are actually diminishing their own defense!

  110. 300 out of 1500 means 80% original ! by Tungbo · · Score: 1

    How is that a bad thing? It clearly shows that it's not just a concordance.
    Once something is reworded or paraphrase, copyright no longer applies.
    There could possibly be a trademark issue though.

    Secondly, links to an external site is irrelevant in juding how 'transformative' a text is.

    1. Re:300 out of 1500 means 80% original ! by laura20 · · Score: 1

      No, it's 3300 out of 4500, in other words a mere 26% original work; the linked to page is *internal*, not external.

  111. Re:er... dang. Freudian typo by BootNinja · · Score: 1

    I believe that he does go by Scott to his friends and family, so you're cool.

  112. OSC is confused about the law by foresthouse · · Score: 1

    I really love Orson Scott Card's work, (I also love JKR's work) but I have to say that his argument confuses two legal principles, and thus doesn't work (and yes, I am a real lawyer, not an "internet lawyer"). :) I actually was writing a post about that when I found this reference to his article (while Googling to see if he'd commented on the case before). In case anyone's interested in what is amiss with what OSC is saying, here's why it doesn't work: http://foresthouse.livejournal.com/463201.html Please note I am not saying that JKR will definitely win, here. But the lawsuit isn't frivolous, and his argument as to why she's a hypocrite is completely wrong.