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Tiny, Secure Music/Data CDs Due in the Fall

An anonymous reader submitted a story about a new recordable disc the size of a quarter, that holds about the same amount of data as a CD. Of course its an intermediate step before we simply stream all audio from the net, but the RIAA sure is making that obvious last step a royal pain.

283 comments

  1. Re:Circumventing DataPlay Copy Protection by vinnythenose · · Score: 1
    I think the point was that if the majority want something, the law should change to suit what the majority want (hence calling it a democracy). This would be regardless of money.

    Unfortunately I can see many problems in going along with what the majority want, because there are times when you really don't want the majority running a country. Funny how everything works in theory, but not in practice.

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  2. Re:A quarter of what? by cougio · · Score: 1

    A quarter of buck, of course. What else do americans think about?

  3. Re:Wasteful packaging.... by banuaba · · Score: 1

    They will have to continue the CD-sized packaging... ease of theivery is too high for a quarter.. you could feasibly walk out of the store with 300 bucks worth of music without making a pocket dent.. and where are the liner notes and pictures going to go, and how would you be able to find what you wanted on the racks if it were just thousands of rows, 1.5 inches wide?

    Sorry about the run-on sentance. I'm tired.


    Brant

    --


    Brant

    Argle. Bargle.
  4. Re:I'm so confused by pallex · · Score: 1

    Whats the difference? Music IS sounds. You mean you`re happy with an mp3 of a mono AM broadcast which was recorded with shitty recording levels on a dodgy tape? Why complain, theres still SOME music there...

  5. Re:Is there any demand for this? by pallex · · Score: 1

    You`ll be lauging on the other side of your face when i mess up all your MDs with my big speaker magnet! :)

  6. Re:I'm so confused by cyber-vandal · · Score: 2

    I used to think this was all audiophile whinging - until I heard a 128Kbit MP3 of a song that I'd been listening to quite a lot in my car CD and I could tell it was worse than the CD version. Not by a huge amount, but it was still noticeable.

  7. This could work against the RIAA by b0z · · Score: 3
    Imagine a world where you have these small disks. Your old CD players are no longer compatible with the new music coming out. You now have this thing that is nearly impossible to copy. Even if you could copy it, the blanks would cost between $5 and $12 (according to the article.) Also, they could decide to lock the CD's completely until you register them via the phone or web much like software (according to the article, they have this capability.)

    Now, imagine lots of fed up people like you and I that might have cd burners and high speed internet connections. We will always find a way to trade music even if they bring down napster, so then we make our own CD's. We simply record the audio from MTV or however we want in order to get the mp3's we need. Of course, I can see the quality increasing in digital audio as well so that we get CD quality files on our hard drives, and simply write the cd's ourselves.

    Also, this could become a big pirate business. Because noone will be able to play music with these handicapped disks, people will look for alternatives. We could start burning CD's for our friends and family for $1 a piece, bypassing the record labels and (unfortunately) the artists. The RIAA is shooting themselves in the foot with this technology I think. We've gotten too used to CD's and there is too much money already in the CD players, and the future is the mp3 player, not this minidisk that has it's crippleware.

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    1. Re:This could work against the RIAA by Petrophile · · Score: 2

      The Compact Cassette format actually predated 8-Track by a number of years.

      8-Tracks were invented and sold to Detroit for a couple reasons:

      1) It was American technology, where cassettes were invented in the netherlands or something.
      2) It was initially a playback-only medium which limited copying, which the RIAA approved of.

      There was actually a pretty huge reason to switch from 8-Track to Cassette: 8-Tracks were inherently unreliable.

    2. Re:This could work against the RIAA by Jbrecken · · Score: 1

      Imagine a world where you have these small disks. Your old CD players are no longer compatible with the new music coming out. You now have this thing that is nearly impossible to copy.

      I don't have to imagine. I can remember when CD's came out. My old cassete player was no longer compatible with the new music coming out. I now had this thing that was nearly impossible to copy.

      Of course, it made no sense to complain then, either. There were people around who could remember 8-tracks being incompatible with their record players.

      Expect the standard audio medium to change regularly.

    3. Re:This could work against the RIAA by Anonymous Coward · · Score: 1

      Er... wrong on all counts, I'm afraid. :) 1) The endless-loop cartridge _was_ an American invention, but the actual 8-track which we all knew and loathed was actually a Japanese ripoff of Lear's cartridge design. (They tried to pirate the original design; after Lear sued for patent infringement and won - in a Japanese court, no less - they changed the design just enough to get out from under the patent.) 2) There was nothing inherently "record-only" about the medium, and I doubt the RIAA really cared at that time anyway. Also, while the Compact Cassette may have been developed a little earlier than the 8-track (but not _that_ much earlier, considering that both came out in the 60's), the original cassettes sounded about what "microcassettes" sound like now - i.e. good for voice dictation, but not much else. It wasn't until the early-to-mid-70's that new tape formulations, better electronics and mechanics, and the then-new Dolby Noise Reduction system started making the cassette a "hi-fi" medium, and the 8-track was already well-entrenched as a portable medium by that time.

    4. Re:This could work against the RIAA by GlennC · · Score: 1
      Someone older than me jump in: were 8 track players all that popular? Did everyone have one?

      I'm going to show my age here, but...

      When I was growing up in the '60's and early '70's, 8-track tapes were quite popular. Almost all home stereo systems had a player. There were several portable units you could get as well. I remember my first tape player was a bright yellow Sony. In fact, as late as the mid '80's, you could get an 8-track player for your car. Radio Shack used to carry an adapter that would let you play cassette tapes on an 8-track player.

      God, I feel old now!

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    5. Re:This could work against the RIAA by Ralph+Wiggam · · Score: 2

      Of course technology always moves forward and new mediums will replace older ones occasionally. But look at the changes in the last 40 years. There has always been a compelling reason for the consumer to switch. 8 tracks were more durable than vinyl and could play in your car*. Casettes weren't a huge improvement over 8 tracks, but they were quite a bit smaller. Someone older than me jump in: were 8 track players all that popular? Did everyone have one? Then you have the casette to CD transition that I was alive for. CDs are FAR superior to casettes in so many way. Sound quality and random access are the two biggies. Now we have this new dataplay disk. What is the compelling CONSUMER reason to switch? Nothing much. It's smaller. I keep a couple hundred CDs in my car now without any problem. So this latest attempt at a media change is being done almost entirely for the record companies interest. Yes, the public is stupid, but they're also cheap. Until there is a real reason to throw away their investment in the current system, they're not going to adopt a new one.

      -B

      *There were car LP players, but not many

    6. Re:This could work against the RIAA by Asikaa · · Score: 2
      "I keep a couple hundred CDs in my car now without any problem."

      And where did you say you're parked? ;)

      Asikaa

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      Asikaa
      Come in, twenty-seventy-seventy, your time is up.

    7. Re:This could work against the RIAA by Petrophile · · Score: 1

      Right: the "American" aspect was the pitch to the Detroit automakers. A quick web check shows that Ford was shipping 8-Track decks starting in 1966, so you're right that my timeline is off.

      One correction: Dolby B decks were shipping in 1970, and non-Dolby 'music-grade' cassettes were shipping before then.

    8. Re:This could work against the RIAA by jms · · Score: 2

      There was nothing inherently "record-only" about the medium

      Except that recording an 8-track was a royal pain in the ass. An 8-track would typically consist of four channels, each of which held 12 minutes of music. So, in order to record onto an 8-track, you had to break your music into 12 minute segments, or you would get a track change (ker-chunk) in the middle of a song. You then had to get the recording started just right, because 8-tracks are not rewindable. It was just a royal pain in the butt to copy 8-tracks, although a few recording decks were made. I have one. Useless.

  8. Re:this will lead to *real* theft by Steel+Reserve · · Score: 1

    ...just so long as you don't get a Canadian quarter instead of an American quarter - you can't play those damned Canadian discs anywhere. =)

  9. Re:A quarter of what? by alanjstr · · Score: 1
    But you forgot about the state quarters. 5 new quarters are released every year, in the order that states became states. It started in 1999. Look around the US Mint site for pictures of the one's already released. (ok, so this isn't really on topic, but hey).

    Now for the on-topic... A new format is great, except for a few pitfalls: What about all the computers that have CD-ROMS and DVD drives? And cars with CD players? Perhaps if this came out several years ago it would have a chance. But now, with hard drives getting smaller and smaller with larger capacities, as well as solid-state memory, the portable device market won't pick them up, either, especially if people have to pay for music they already own.

  10. Re:new format? by robbieduncan · · Score: 1

    From the article: 'Music "hasn't had a new format in 20 years," says DataPlay CEO Steve Volk. "It's time to do something new, something smaller, better and more versatile.' Of course there was MiniDisc (which I really like) and DCC (which no-one liked at all).

  11. Re:Circumventing DataPlay Copy Protection by elmar(a)unixcode.net · · Score: 1

    > Or, just as everything else from speeding to marijuana, will we simply keep breaking the rules rather than reforming them?

    Key difference: In their minds, copying music means less money, (that has proved otherwise as napster's growth has meant an increase in CD sales) whereas smoking marijuana is a personal freedom, which, if decriminalized, would give profits to no major corporations until it was socially accepted.

  12. Well duh? by oooga · · Score: 1

    Surely something so simple could be easily cracked. I mean, SDMI was a huge failure, how can they expect these not to be?

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    1. Re:Well duh? by anon757 · · Score: 1

      As opposed to what?? They've never HAD a secure music format, so it's this time as opposed to what?

    2. Re:Well duh? by n3rd · · Score: 4

      Surely something so simple could be easily cracked.

      To me, if it's encrypted, cracking it is far from "simple". If you're a crypto expert, then yeah, you can reverse engineer it perhaps, but Joe Linux (me) won't be cracking this anytime soon.

      I mean, SDMI was a huge failure, how can they expect these not to be?

      I think you have it backwards. If I put out a product that was a "huge failure", I would improve upon that product and re-release it, which is what seems to be happening in this instance.

      RIAA is pissed, and they probably made a helluva scheme this time.

    3. Re:Well duh? by jovlinger · · Score: 2

      As near as I can tell, it isn't an RIAA or SDMI initiative. These guys have a good product, but it has nothing to do with any format; they just make a small WORM drive. Of course, if the RIAA has any interest in the device, they wouldn't make it obvious.

      They do have the minimum amount of market-speak hoopla to show that using the WORM characteristics, a number of copyright control schemes can be implemented, however, most of these will be at the controller level, not at the device hardware.

      Take their unlockable data; basically this means that software is stored in an encrypted state -- the consumer is able to purchase a key which will be stored on a special part of the disc. Other schemes that are possible would be media with a limited lifetime -- just store a timestamp on first listen, and have the controller refuse to play after a certain time.

      All of these schemes (and others I haven't discussed) are based on restrictions in the controller. These guys just sell the mechanism, and as near as I can tell, it has no secure policies hardwired into it.

      Mind you, that doesn't make it obvious that there will ever be a device sold that without draconian controllers attached. Witness the Minidisc. It would have been a kickass removable media a few years back for computers, but no computer drives were ever produced, as this would have undermined the security of the SCMS that sony was betting on.

    4. Re:Well duh? by Anonymous Coward · · Score: 1

      Surely something so simple could be easily cracked.

      Sure. Just sitting down with the thing in your back pocket ought to take care of it.

    5. Re:Well duh? by Giggles+Of+Doom · · Score: 1

      And even if it weren't, there's nothing stopping me from using the Line In jack on my sound card and just recording the audio stream. Yeah, its not as fast or as cool as direct ripping, but it works just fine.

      --
      "A coward dies a thousand deaths, the brave but one."
  13. Re:Speak for yourself by relinquish · · Score: 1
    I think what he ment was that ultimately, given enough bandwith, you'd be able to stream audio files from your home server to your portable device - thus obsoleting any physical storage medium for your mobile needs. All you'd need is a big hard drive at home.

    --
    Relinquish
  14. Confusion is imminent... by tewwetruggur · · Score: 5
    ...damn, I think I just put Aerosmith in the Coke machine...

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    1. Re:Confusion is imminent... by Mtgman · · Score: 3

      Funny, I always thought Aerosmith was a coke machine.

      Steven

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    2. Re:Confusion is imminent... by donglekey · · Score: 1

      I think you just found a new way to rip off vending machines.

  15. Re:If it's the size of a quarter.... by banuaba · · Score: 1

    If you read the text of the article, the devices are WORM.. and I didn't see any reference to multisession capability.
    Brant

    --


    Brant

    Argle. Bargle.
  16. Re:I'm so confused by beagle · · Score: 2
    I've heard this from people before. Maybe it's just me, but I don't beleive them when they say this. Could Slashdot readers reply to this and tell me if they can tell the difference between MP3s and CDs?

    Yes, there is a difference between Coke (tm) and Pepsi (tm). Just like there's a difference between S-video and Composite, as between DVD and VHS. Similarly, any serious audiophile (and probably anyone else who listens for music quality) will be able to tell the difference between an MP3 and a CD. I can certainly tell the difference, even on my not-so-great PC speakers.

    Others have commented on the difference between MP3, OGG, and CD. I don't know yet, because until Icecast streams Ogg Vorbis format, I won't bother re-ripping my CDs.

  17. Re:Speak for yourself by AntiNorm · · Score: 1

    I mean, what if www.riaa.com started offering downloadable SDMI (or similarly encrypted) music files tomorrow provided that you could only listen to the stream, not save it or time-shift it or anything

    Just wait about 24 hours, and someone will have reverse-engineered the protocol used to connect to the server, allowing them to create a player that supports "Save stream to..."

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  18. A quarter of what? by Hieronymus+Howard · · Score: 1

    So this disc is the size of a quarter. A quarter of what? I guess that this is some obscure american reference that us in the rest of the world just don't get. Could someone please enlighten me as to how small these discs actually are (diameter in mm, cm or inches for preference).

    Thanks

    HH (who has never even visted America)

    1. Re:A quarter of what? by shippo · · Score: 2

      The old 10p, derived from the 2 shilling coins of the early 1800s, or the newer 10p introduced within the past 10 years?

    2. Re:A quarter of what? by ncc74656 · · Score: 1
      The old 10p, derived from the 2 shilling coins of the early 1800s, or the newer 10p introduced within the past 10 years?

      Neither...at the current exchange rate (available here, £1=$1.47), 25 is about 17p.

      --
      20 January 2017: the End of an Error.
    3. Re:A quarter of what? by Ella+the+Cat · · Score: 1

      Maybe this new disk format is a way to use up all the scrap they have left after punching the holes in conventional CDs?

    4. Re:A quarter of what? by acacia · · Score: 1

      >So this disc is the size of a quarter. A quarter of what?

      A quarter as useful as an open standard, a quarter of that as timely for consumer tastes, and a quarter of that as likely to succeed.

      It smells like a dog with fleas to me. I know I won't be purchasing anything on that format. And if anyone from the RIAA is out there listening, yes, I do purchase CD's. The sound quality of an MP3 generally sucks. I demand high fidelity and I get it from CD's, but when I am on the road I listen to MP3's.

      All that the RIAA as bought with their actions as of late is I purchase all of my music from second hand stores. No point directly financing their lawyers. I wonder if the artists realize how bad the RIAA is for business...

      --
      ~Religion is O.K., as long as it gets you laid.
    5. Re:A quarter of what? by Richy_T · · Score: 2
      But it is very closely the same size as the new 10p piece.

      Remember that the next time you come over and fancy some cheap gum.

      Rich

    6. Re:A quarter of what? by haystor · · Score: 1

      Its about an inch across...hehe.

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      t
    7. Re:A quarter of what? by Tower · · Score: 1

      >Did you get that smart arse from RPI or Rochester? ;)

      Actually, I was born with it, and it just got more honed at RPI 8^D Can't reveal too much more to an AC, tho :)
      --

      --
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    8. Re:A quarter of what? by while · · Score: 1
      A coin with the value of 0.25 dollars. It is a few mm greater in diameter than the hole of a CD.

      (end comment) */ }

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    9. Re:A quarter of what? by whydna · · Score: 4

      A quarter is a denomination of US money. It is valued at US$0.25. It is a round metallic coin of measurements: 24.26mm (diameter) x 1.75mm (thickness) and weighs 5.670 g. It has a reeded (ridged) edge with 119 reeds. The front has a embossed picture of the first US president, George Washington. The back has a embossed picture of an eagle (the US symbol for freedom).

      Info on other US coins can be found here: http://www.usmint.gov/about_the_mint/index.cfm?act ion=coin_specifications.

    10. Re:A quarter of what? by ishrat · · Score: 1

      A quarter is 25 cents. So it is a small coin sized disk.

      --

      There's always sufficient, but not always at the right place nor for the right folks.

    11. Re:A quarter of what? by Yarn · · Score: 2

      about 10p

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    12. Re:A quarter of what? by jageryager · · Score: 1

      What is a CD? ;-)

      --
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    13. Re:A quarter of what? by nekid_singularity · · Score: 1

      A quater is an american coin with a value of 25 cents, i.e. a quater of a dollar. its about and inch across. (Have I been trolled?)

      --
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    14. Re:A quarter of what? by Tower · · Score: 1

      Certificate of Deposit. A fixed-length savings plan with a fixed or variable interest rate that usually exceeds a standard savings account by a fair amount. Not sure how this relates to the size of a quarter, since there aren't usually any real 'certificates' anymore...

      oh, compact disc... oh yeah, that...
      --

      --
      "It's tough to be bilingual when you get hit in the head."
    15. Re:A quarter of what? by pallex · · Score: 1

      Quarter of an ounce. About 7 grams, weighs about the same as a 2p piece (or 2 ones).
      Its ok, but not as `visual` as the moroccan.

  19. Re:No new format in 20 years??? by jgilbert · · Score: 1

    The downside to MD is that there is no support for just storing data on them. If this functionality was available I would easily switch to minidiscs. They are even incapsulated which takes away some of the durability issue of CDs.

  20. Re:Is there any demand for this? by hexx · · Score: 3
    Are CD's at 4.75 inches in diameter and negligable thickness really that inconvenient?

    Yes, I think so. I don't know who else agrees with me, but:
    1. CD's don't fit into pockets.
    2. CD's scratch easily as they are not protected by any casing like floppies and these new DataPlay discs.
    3. Portable CD players are terribly bulky as they must house fair sized motors to spin heavy and unweildy CD's and must house the CD entierly.
    4. CD's are still primarily a music meduim. Aside from the breach into the software installers, backups and games market, they are not too successful at photo storage, video storage and are silly for e-books.
    That's just off the top of my head anyway. It's a format that is targeted at data storage in general.
    The dataplay marketing machine at least is doing it's job well. Prop-a-ganda worked for me! (read as hooked-on-phonics)
  21. I'm so confused by UltraBot2K1 · · Score: 3
    From the article: "The new format uses CD-like discs about the size of a quarter that hold up to five hours of CD-quality music plus extras, up to 500 megabytes of data."

    How exactly is the music going to be CD quality if you can store 5 hours on 500 megs. What type of compression is being used on the discs. I can't stand MP3's simply because of their lossy compression and will not support any other format that uses similar compression.

    Doesn't matter anyway, because I'd end up losing the discs between the cushions on my couch. I think I'll stick with CD's until DVD-audio becomes a reality.

    --

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    1. Re:I'm so confused by SkippyTPE · · Score: 1

      My personaly favorite audio gem to come out of this thread is the idea of people running stereo CD's through an AC-3 decoder.... (read: all out of phase audio information gets thrown to the surrounds)

    2. Re:I'm so confused by Datafage · · Score: 2
      You can't take data from one medium and transfer it to another at HIGHER quality, you can at best make them equal. You CANNOT add data to the second and have it be what the first one lost, reliably. And tell me what encoder will do 384/96.

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      Nicotine free Amish .sig.

    3. Re:I'm so confused by Datafage · · Score: 2
      Hey, my headphones happen to be Sennheiser HD570s, they'll damn well show more of the artifacts than a LOT of speaker systems. Don't assume all headphones are those little behind the neck models with "MEGA-BASS" all over the packaging.

      -----------------------

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    4. Re:I'm so confused by shuffler · · Score: 1

      Music is more than the sum of the sounds of which it is composed. The context in which they are combined is just as (if not more) important. To answer your question, yes. I would be happy with an mp3 of a mono AM broadcast recorded on poor quality equipment, so long as that broadcast is a good piece of music that actually carries a message. If it were some piece of formulaic pop garbage, lacking any statement or purpose, then the quality of the sound reproduction might play a factor. Some of us aren't so wound up about the medium that we miss the importance of the message.

    5. Re:I'm so confused by beagle · · Score: 2
      ...but for those of us who listen for music content, mp3 is usually ok.

      Absolutely. A friend was playing devil's advocate against me today and he said, "if MP3s 'suck' why are you so hot to convert all your CDs to MP3s?" The simple answer is that I want the flexibility that music streaming provides. I'm willing to give up a little bit of quality to have the flexibility to listen to my music wherever I want, whenever I want.

      That goes right along with another post in this article's comments. That comment went something like, "Recording companies still don't get it. We don't want another format. We want the flexibility to do whatever we want, whenever we want."

    6. Re:I'm so confused by Cplus · · Score: 2

      "Music" is the emotion expressed and conveyed in song. Sound quality only enters into that equation as far as enabling the expression.

      Don't get me wrong, I love to hear my music in decent quality, but I don't hold it against the music when the quality isn't there.

      --
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    7. Re:I'm so confused by Mr.+Slippery · · Score: 2
      Similarly, any serious audiophile (and probably anyone else who listens for music quality) will be able to tell the difference between an MP3 and a CD.

      ...but for those of us who listen for music content, mp3 is usually ok. Disregarding occasional very distinct artifacts, it's certainly far better than the cassette tapes that used to comprise most of my music collection back in the 80s, and is certainly adequate for listening in a noisy environment.

      MP3 is a lossy format. The question is, are you listening for what gets lost? Generally, you're not, so you don't miss it. Sometimes the algorithm mis-guesses what you're listening for, sometimes people decide to listen for different things, and then the loss is apparent.

      Tom Swiss | the infamous tms | http://www.infamous.net/

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    8. Re:I'm so confused by ivan256 · · Score: 1
      The adoption of MP3 has convinced me that a lot of people don't really listen to music.

      This thread has convinced me that alot of people people don't actually understand technology. mp3 can be better than CD quality depending on the sampling rate and frequency. It is true that 128kbps/44.1khz sounds like ass, but at ~384kbps/96khz with the right encoder, mp3 has better sound quality then a CD. Besides, any pop music you buy has been compressed during mastering (analog compression, but the same effect) to the point where music on CDs these days sounds like shit anyway.

    9. Re:I'm so confused by SkippyTPE · · Score: 1

      >So my point, in effect, is that you are an idiot to think that fancy, overpriced electronic equipment has >anything to do with the enjoyment of music. Or that you are somehow wise, clever or smart for believing >the purity you seek through this misplaced snobbery somehow makes your music better. don't be a tool.

      While I realize that this is probably flame bait and not really worth the time I will take to respond, here goes:

      If you will make it a point to read the thread to which I have replied, you will notice that it has taken on the issue of audio quality, not enjoyment of music. I'm fully aware of the asthetic theory and practical reality of enjoying music both as a casual listener/consumer and as a professional musician/engineer working in music production. In short, I like my Thelonious Monk Best of Blue Note regardless of the quality of the play back system, but I prefer to listen to it in the best possible listening environment...

    10. Re:I'm so confused by p3d0 · · Score: 1

      Actually, that's 44100 * 2 * 16 bits/sec. Somehow you came to the right total though. :-)
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    11. Re:I'm so confused by SkippyTPE · · Score: 1

      Dude actually said Dolby Digital (ac-3), but in my experience most consumer systems, in the absence of a 5.1 signal revert to Pro-Logic...

    12. Re:I'm so confused by Tackhead · · Score: 2
      > i can definetly hear the difference. it's most noticable in the higher freqs, in my experience. i've only heard one encoder, so others may do a better job.

      Correct. In my experience, there's no "best encoder" for all types of music.

      There may be "best encoders" for some types of music, but no one encoder produces "best" results on all types of music.

      I'll take Blade at 128 or 160 as an example - I've heard it's reasonably good on classical, but I know from experience it's abysmal on electric guitars and certain synthesized drum beats. (For sheer torture, try Ozzy or Def Leppard - lots of cymbals and guitar, or the thump-thump-thump of New Order's "Blue Monday" on Blade/128. I can even hear the difference at 192.)

      On the same pieces of music encoded with Fraun or LAME, I have a hard time telling the difference from CD at 160, and can't tell the difference at all at 192.

      I suspect if you're into acoustic guitar or jazz, your mileage would vary considerably - for all I know, you'd be writing exactly the same post as I am, but wondering why you hear all kinds of artifacts with LAME, but Blade sounds fine.

      (Yeah, I know you're "not supposed to" use Blade at 128 - I'm using it as an example because I can hear the same artifacts at 160, just not as bad, as 128. Again, what matters is that there's no "best encoder" for all types of music. But there probably are "best encoders" any given type of music.)

    13. Re:I'm so confused by ivan256 · · Score: 1

      Actually, it can be much easier to hear the artifacts with a good set of headphones. Of course, most people don't happen to have a good set of headphones, and if they do they may still be plugging them into their PC soundcard which will introduce more noise then you can hear in the mp3. Do your DAC outside the PC and get a good set of headphones from Sennheiser or Grado, and you'll be suprised how obvious the artifacts are. Especially in 128kpbs mp3s.

    14. Re:I'm so confused by Faulty+Dreamer · · Score: 1

      There are times when I would love to have a good pair of headphones, unfortunately a 100 Watt tube amp hooked up to my guitar still sounds like shit through headphones (not to mention the headphones don't last very long;-). Just kidding, I would like headphones if I could get a decent guitar tone through them, and the wife would really love them.;-)

      --

      ------------

    15. Re:I'm so confused by CyberKnet · · Score: 2
      Its on the website in a really hard to find place. It is not CD-Quality audio, although they are marketing it as such. It is near-cd quality audio. Load the dataplay disc Capacity Calculator. Place your mouse over the headphones, and you will notice the image up the top state:
      • CD-Quality at 192kbps Encoding Rate
      • MP3 at 96kbps Encoding Rate
      I would say at this point it is safe to say they are just putting 192kbps MP3 into it and saying "CD-Quality Audio".

      For those who are proponents of "It makes no difference!", I would suggest that you go out and buy yourself an expensive sound card, and an expensive professional sound system to go with it, and come back and tell me you still dont think it makes a difference.

      ---
      --
      Video meliora proboque deteriora sequor - Ovidius
    16. Re:I'm so confused by Faulty+Dreamer · · Score: 1

      Forgive me. Some of us spend our big money on the surround sound speaker system (and the room to house it in), some of us spend our money on headphones. I forgot that there are good headphones available, since it's so damn hard to find a decent pair anymore. *SHRUG*

      --

      ------------

    17. Re:I'm so confused by EvilIdler · · Score: 1

      Here's an interesting link to a site dedicated
      to MP3-encoding:
      http://r3mix.net

      (Cut and paste, as I post with plain old text)

      In short, LAME is considered a pretty good encoder.
      When using certain VBR options, it's possibly to
      get the music so close it fools stereophiles,
      or so it claims. All my CDs are encoded with the
      recommended options: lame -V1 -b128 -h -mj -q1

      This has been listened to carefully by two half-
      deaf cynics (me and a mate), and we find it good.
      Try it; you might find it a tad better than the
      plain 160kbps encoding some swear by.

      VBR *will* make a difference, and joint stereo
      will save space.

      (Side note:Many mistake joint stereo for something
      else; in MP3-encoding it means that when both the
      left and right signals are equal, only one is
      saved. Definitely a good idea.)

    18. Re:I'm so confused by n3rd · · Score: 2

      I can't stand MP3's simply because of their lossy compression and will not support any other format that uses similar compression.

      I've heard this from people before. Maybe it's just me, but I don't beleive them when they say this. Could Slashdot readers reply to this and tell me if they can tell the difference between MP3s and CDs?

    19. Re:I'm so confused by IronChef · · Score: 2


      Why turn on the surround sound? Pro Logic will highlight the loss of channel separation in MP3, sure, but that's hardly a normal listening situation. Unless you listen to music with the surround on normally. Which just screws it up, IMHO.

    20. Re:I'm so confused by AstroJetson · · Score: 1

      Yeah, I can hear a difference. How noticible it is depends on the type of music and how it was recorded, but in general, these are my findings:

      128K mp3 - awful. This is the vast majority of what you find on Napster, et al, which is why I almost never go hunting for music there.

      256K and higher mp3 - pretty good for most sources, but if you have any live recordings of bands like Phish, DMB, etc. the high freqs are quite distorted and it sounds like the band is playing underwater. I can certainly hear the diff vs. CDDA.

      192 mp3 w/ vbr - as good as 256K but the files are smaller.

      ogg - better than mp3 at the same bitrate and better compression. Uses vbr always. Still not CD quality, even at 350K, but the best you can do at this point.

      As always, ymmv.

      --
      Admit nothing, deny everything and make counter-accusations.
    21. Re:I'm so confused by leviramsey · · Score: 2

      VBR is only common with self-ripped mp3's (I myself use lame -V6 -B112 , but I don't really notice a difference on my VIA 82C686 sound chip with el cheapo speakers) because Napster' (and OpenNap) really don't support it that well. Until that's fixed, VBR will not be distributed through Napster on any major basis.

    22. Re:I'm so confused by euroderf · · Score: 2
      I imagine compression could well be optional, or at least that many people will hack it to make it so.

      I don't think this technology will get anywhere though - as you say, DVD-Audio is on the horizon, and is being pushed by the major labels.

      Also, it seems to me that the future of music recording lies in straightforward RAM - probably Flash rams. We can see this now with mp3's, but in 5-10 years we will have much much greater capacities, and so it seems logical that memory should be used, what with all of its inherent advantages over DVD's and CD's - easy to record and rerecord, good portable solution, much more robust, universally compatible, etc etc.

      Technologies such as those outlined in the article are interesting solutions for the shortterm, but I don't think that they will have any staying power.
      --

    23. Re:I'm so confused by jimmyphysics · · Score: 1

      It doesn't make a difference, not to me. SB Live, Altec Lansing speakers, so they're not crap, but they're not professional either. I record everything at 192kbps, because I can't tell the difference when its any higher. And if I can't tell the difference, what's the point?

      Jim

    24. Re:I'm so confused by leviramsey · · Score: 2

      Napster does support VBR, but in a horribly broken way. What it does is it looks at the first frame, which is normally near-silent, so it's at a very low bitrate. This is the bitrate that's reported by Napster for the file. So a VBR encoded file will generally show up as around half of its maximum bitrate, which is not an indication of actual quality.

      The end result is that users don't grab VBR mp3's because they appear to be of low quality.

      Of course if Napster implements a bitrate filter, then VBR could become the ultimate chink in their armor...

    25. Re:I'm so confused by jovlinger · · Score: 1

      erm.

      que?

      napster I thought supported whatever format people saved their songs as. I was under the impression (never tried it, usenet for me) that napster didn't actual create (or until recently) screen any files.

    26. Re:I'm so confused by HillPerson · · Score: 1

      Yeah right...

    27. Re:I'm so confused by takshaka · · Score: 1
      A lot of the "audiophile whinging" turns out to be surprisingly concrete when you actually get a chance to hear it for yourself. It's just that most of us don't get a chance to hear a good system set up right.

      If most of us will never have the opportunity to hear the difference, then it hardly matters to most of us whether the quality is comparable. So it is only audiophile whining after all.

    28. Re:I'm so confused by Andy+Social · · Score: 1

      Worse, many of the portable MP3 players don't support VBR well. Different VBR encoding schemes produce varying degrees of bugs on portable players. For instance, my RioVolt repeats sections of some VBR tracks after the end of the real song. Not all VBR files, but reliably on the ones it doesn't like. Other portables can't recognize VBRs as MP3 files at all! Until someone formalizes a standard VBR format that everyone adheres to (which is too late by now IMHO), we'll probably need to stick to 160k CBR files for compatibility.

      YMMV

      --
      Illegitimi non carborundum
    29. Re:I'm so confused by general_re · · Score: 2

      well, the thing is that if you have 500MB, you can afford alot more than 256 kbs.

      Oh, yeah, no doubt about it (hey, way to yank things back on topic ;)

      Anyway, if you've got 500MB to play with, you don't really necessarily need lossy compression at all - if you can manage 2:1 lossless compression, you can quite easily fit an entire CD on there, with a lot left over...

      --
      ABSURDITY, n.: A statement or belief manifestly inconsistent with one's own opinion.
    30. Re:I'm so confused by DrSkwid · · Score: 1

      It might be a troll.

      I can tell the difference but only with low bitrates and/or perfect listening conditions.

      It's like saying you hate lossy jpeg because of the artifacts when at the highest setting you don't get any.
      .oO0Oo.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    31. Re:I'm so confused by spoocr · · Score: 1

      Yeah, you can tell the difference. We recently got one of those Bose Home Theater systems - dropped in a burned CD and was quite suprised to find a hiss and slight distortion that I hadn't noticed before on other systems. You need a high quality system to hear them, but they're there. It's kinda like JPEG - you get a darn close representation of the original, but due to the nature of lossy compression, you'll lose a slight bit. It doesn't bother most, but people in graphics design will definately notice. Of course, this is an argument for Napster/P2P as MP3 obviously isn't on par with CD quality, and serious music lovers will have to buy the CD to appreciate the music on their multi-thousand dollar sound systems. Here's what you do: take a burned CD to your neighborhood Best Buy and pop it to a system so you can hear how it sounds. You'll hear the difference.

      --

      -- Chris
      $email=~s/[^a-zA-Z0-9@.]//g;

    32. Re:I'm so confused by shippo · · Score: 2
      At last I've find someone else who despises lossy compression.

      The adoption of MP3 has convinced me that a lot of people don't really listen to music.

    33. Re:I'm so confused by Datafage · · Score: 2
      Sorry I was so agressive there, I'm in college, where good speaker systems are rather impractical, and good headphones are eminently useful.

      -----------------------

      --

      Nicotine free Amish .sig.

    34. Re:I'm so confused by elmar(a)unixcode.net · · Score: 1

      This probably uses a tighter tracked CD format, like the new Blue laser cds. In response to the mp3-isnt-cd-quality problem, I think that's just a few users who either

      A> Don't use a good encoder/decoder when recording/listening to mp3s

      B> Don't have a fast enough machine to decompress mp3s in software
      -or-
      C> Encode at a bitrate below 128 Kb/sec. Audio Discs (if you'll recall, single speed cd drives) are recorded at 128 Kb/sec.

    35. Re:I'm so confused by DrSkwid · · Score: 1

      but you can still compress with no discernable loss even though it's compressed, like setting compression to 99% for instance
      .oO0Oo.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    36. Re:I'm so confused by LionMage · · Score: 1
      I think I'll stick with CD's until DVD-audio becomes a reality.

      I've seen the DVD-Audio players in Fry's electronics. Originally retailing for around a cool $1000, the prices have now dropped to where mere mortals can afford them. The Panasonic player is $300 at Fry's; the Technics player, which is technically the same unit with upgraded cosmetics (brushed metal finish) and slightly upgraded components, is $500. They're also selling DVD-Audio discs for slightly more than the CD equivalent; I saw Natalie Merchant's Tigerlily for sale in DVD-Audio format.

      Unfortunately, we are already experiencing the first format war. SACD is an alternate format being pushed by Sony and Philips. It has many virtues, including storing a CD-compatible layer of data (for older CD players) in addition to a SACD layer of high-resolution audio. It supports multi-channel audio. It has been out for longer than DVD-Audio, so there are more titles available. The drawbacks: SACD is more expensive overall. The first two players were about $5000 and $3500, respectively. The cheapest SACD player now is about $1250. The discs retail for $25 a pop. And only Sony Music is backing it currently, with a few other audiophile labels showing some support for SACD.

      Even though SACD is technically superior in many areas, and is preferred by audiophiles because it does not impose watermarking on the music (while DVD-Audio purportedly does), it will probably die. In the meantime, we've got two new high-end audio formats duking it out. We also have this new format trying to edge into the market. Why?

      Clearly, record labels realize that tape is dying a richly-deserved death, but why push yet another MiniDisc wannabe? This format can't even be rewritten, whereas CD-RW compatible audio CD recorders are now cheaply available at Best Buy and other mass market retailers. For a format to replace tape, it has to at least give you what tape does: rewritability. MiniDisc, despite its flaws, did this.

      500 megs of storage in a tiny format is great, but fumble-fingered and forgetful humans won't like it. Being forced to burn a brand-new disc every time you want to create a mix is another problem. But then, the company creating this medium probably figured they'd have a better revenue stream by forcing users to buy more media.

    37. Re:I'm so confused by ivan256 · · Score: 1
      Read my comment again, and tell me where I said that the data had to come off of a CD. Of course you can't get higher then CD quality audio off of a CD, but that doesn't mean that you can't store higer quality audio in an mp3. You can, however, store higher then CD quality audio in wave files, or on DAT, or (gasp) on an analog tape.



      Secondly, I pulled those numbers out of my ass knowing that they'd be more then sufficient. lame allows 320kbps/48khz which will give you better sound quality them most studios can provide. Certainly better than CD quality.

    38. Re:I'm so confused by papa248 · · Score: 1

      You know whats even funnier, is how many people I know out there have fancy SBLive! cards with optical TOSlink digital inputs and outputs who insist on copying everything digitally to a Home CD-RW deck, regardless of the fact that they've already lost a lot of fidelity and S/N because of the MP3 format. Or are using Sony Mobile ES car stereos playing crappy MP3 discs.

      --


      The higher, the fewer.
    39. Re:I'm so confused by shepd · · Score: 1

      >Audio Discs (if you'll recall, single speed cd drives) are recorded at 128 Kb/sec.

      Uhm, you mean somewhere closer to 128KB/sec, right? Otherwise, why would anyone MP3 audio?

      --
      If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
    40. Re:I'm so confused by UltraBot2K1 · · Score: 1
      A lot of the difference depends upon the equipment on which you're playing the music. If you're listening through regular $10 PC speakers, it probably won't make that much of a difference either way, but on a nice high end receiver with some decent speakers connected, the difference is *quite obvious*, and severely hinders my ability to listen to the song.

      Here's an example: Take a CD you own, convert it to MP3, and burn it as an audio CD. Put both discs in your CD player and turn on Dolby Pro Logic surround. The difference is astounding.

      --

      Slashdot: Open Source, Closed Minds.

    41. Re:I'm so confused by sh00z · · Score: 1
      Could Slashdot readers reply to this and tell me if they can tell the difference between MP3s and CDs?
      Uh, easily. I'm not a big audiophile, so I can only use layman's terms for the defects I hear in MP3 recordings. I call it "pre-echo" associated with high frequency sounds (like the brushing of cymbals). The worst example I've found is this alleged "high-quality" (128 kbps) recording at mp3.com. (I found it accidentally while looking for previously-unreleased material by the late, great Bluesman Ted Hawkins).

      It's gotten so that the only things I use MP3 for are old AM radio shows and Napster downloads of rare demo stuff that's already sonically degraded prior to the MP3 encoding process.

    42. Re:I'm so confused by SkippyTPE · · Score: 2

      or D> Listen professionally. MP3 is almost bearable listening on my little PC speakers, but on any system capable of producing 20/20k they sound AWFUL! Furthermore, I take issue with the term "CD quality." CD quality audio (red book) is 16bit 44.1k. Period. That's it. I can accept this sort of crap from the local news desk jockeys reporting on Napster, but I'd like to think that most of the folks here don't buy into the hype...

    43. Re:I'm so confused by heh2k · · Score: 1
      I've heard this from people before. Maybe it's just me, but I don't beleive them when they say this. Could Slashdot readers reply to this and tell me if they can tell the difference between MP3s and CDs?

      i can definetly hear the difference. it's most noticable in the higher freqs, in my experience. i've only heard one encoder, so others may do a better job. distorted guitar just doesn't sound right - the harmonics are all screwed up. i'd say it's about the quality of FM radio, when you have somewhat poor reception or a little interference.

      test it yourself. mp3 encode a song and have a friend give you a blind a/b test between the mp3 and the cd version.

    44. Re:I'm so confused by general_re · · Score: 2

      I've heard this from people before. Maybe it's just me, but I don't beleive them when they say this. Could Slashdot readers reply to this and tell me if they can tell the difference between MP3s and CDs?

      Actually, I was just doing a blind taste test myself not that long ago, comparing 256k .mp3 (encoded wih the latest version of LAME) vs. high-bitrate .ogg vs. straight CD-audio.

      My conclusion? I can definitely tell the difference between 256k .mp3 and the others using a pair of not-particularly-expensive Sony headphones. And this is after a misspent youth, blowing out my eardrums at far too many rock concerts. To my ears, .mp3 sounds thin and vaguely tinny compared to the original. Vorbis files are much closer to the original, sounding richer and fuller than the .mp3. In fact, it was damn hard to tell the difference between the original CD-audio and the .ogg files.

      Just my personal opinion/experience - YMMV.

      --
      ABSURDITY, n.: A statement or belief manifestly inconsistent with one's own opinion.
    45. Re:I'm so confused by sh00z · · Score: 1

      I agree, but 128 kbps is what the MP3 industry have us believe is "CD quality." 64 kbps is "Digital Quality." So when you see an ad for the Nomad II with 64 MB of memory, they can claim it "holds over two hours of digital-quality music."

    46. Re:I'm so confused by shuffler · · Score: 1

      We listen to the music, not the sounds.

    47. Re:I'm so confused by Faulty+Dreamer · · Score: 1

      I'll take A!

      When I used a 'free' MP3 encoder I absolutely could not stand to listen to the result. When I purchased MP3Enc from Franhauer (or whatever the hell that name is) I can just barely hear the difference between the original and the MP3 (when using 128Kb/sec). There is a world of difference between that and the thin, tinny and shriekish sounding MP3s produced by the free compressors.

      As one other poster said, you can hear the difference on your home stereo with Dolby Digital surround and all speakers blaring, but you are not going to hear the difference on your headphones, or even on that bookshelf stereo in the bedroom.

      --

      ------------

    48. Re:I'm so confused by pmc · · Score: 2
      Audio Discs (if you'll recall, single speed cd drives) are recorded at 128 Kb/sec

      Beware of confusing Kbits per second with Kbytes per second - a CD is 44100 * 2 * 16 kBits/sec = 1.4 MBits/sec.

    49. Re:I'm so confused by jovlinger · · Score: 2

      well, the thing is that if you have 500MB, you can afford alot more than 256 kbs. That is what sony's ATRAC system uses (and it sounds pretty good, too BTW) to fit 75 mins on a ~ 100MB minidisc. So if you have 4000Gb (500MBx8), you can afford 4000Gb/4000s (~ 66 minutes)=1 Mbs.

      So that should sound ok. Perhaps the mp3 codec isn't to your taste? I'm sure ATRAC@ 1Mbs will suffice.

  22. new format? by Wiggin · · Score: 2

    "We are in need of a new format," says BMG's Sami Valkonen

    looks like we know where they stand. sales slump, so they try to get people to go out and re-buy all their old cds.

    --

    "I don't need a compass to tell me which way the wind shines." - Mr. Furious, Mystery Men
    1. Re:new format? by Daemonik · · Score: 1

      Maybe I'm stupid, but I thought I was buying music, not the format which contains that music. Unless the format dramatically improves the quality of the music it contains, then I see no need for a format change to begin with.

    2. Re:new format? by hoeferbe · · Score: 1

      Ain't that the truth, especially when you read what comes before Mr. Valkonen's quote:

      Prerecorded cassettes fell to 76 million shipped last year vs. 123 million in 1999, the industry says.

      The last paragraph of the article has some marketdroid explaining why people are going to buy this:

      They are going to buy it because it has content they want.
      Oh, really? It's going to have content that I can easily copy to my hard drive and add to my multimedia presentations? The content is going to allow me to change it to any format I want? Somehow, I doubt DataPlay is going to have the content I want.

      On a different rant, I heard part of a song on Mitch Albom's radio show a couple of weeks ago. It was a song written with Warren Zevon called Hit Somebody! (The Hockey Song). Interested in hearing all of it, I searched Albom's web site only to find a ~15 second Real Audio sample of it. To hear the whole thing, they want $2.79 plus shipping & handling to send me a CD. All that, for one song that I don't even know if I want or not!

      Needless to say, I'm doing without.

    3. Re:new format? by Tackhead · · Score: 4
      > "We are in need of a new format," says BMG's Sami Valkonen

      Well, Sami, enjoy your new format.

      I'm not in need of a new format.

      Actually, I kinda like the idea of 500M of rewritable storage in the palm of my hand, but not at the cost of the DRM garbage you wanna cripple it with.

    4. Re:new format? by Nipper · · Score: 1

      >Actually, I kinda like the idea of 500M of rewritable storage in the palm of my hand, but not at the cost of the DRM garbage you wanna cripple it with.

      Umm, except it isn't rewritable. It's recordable, meaning WORM. :(

      Amazing how many people havn't noticed that, tho it is hidden on the webpage a bit.

      CD-R is popular mind you, tho not at $5/disk for 500MB.

  23. consequently... by softwave · · Score: 1

    they ought to make the players the size of a purse...

  24. Some problems though... by HiQ · · Score: 2

    Even now my CD's are sometimes hard to find. Now they're making them even smaller.

    Second, AOL en Compuserve CD's made such nice coasters for my all my cups of coffee. Does smaller CD's also mean smaller cups of coffee?

    1. Re:Some problems though... by jerel · · Score: 1


      Your sig is not right.
      It's not a valid Haiku.
      Haiku's five sev'n five.


      Sorry. I couldn't resist.

      --
      Some days it's just not worth chewing through the restraints.
    2. Re:Some problems though... by djocyko · · Score: 1

      I'm thinking tequila shots personally...

    3. Re:Some problems though... by Anonymous Coward · · Score: 1
      Tiny media is for people with tiny dicks.

      I only listen to vinyl LPs, of course.

    4. Re:Some problems though... by iceT · · Score: 2

      Does smaller CD's also mean smaller cups of coffee?

      I'm thinking espresso...

      --
      -- You can't idiot-proof anything, because they're always coming out with better idiots.
    5. Re:Some problems though... by waynem77 · · Score: 1
      Second, AOL en Compuserve CD's made such nice coasters for my all my cups of coffee. Does smaller CD's also mean smaller cups of coffee?

      I use my AOL CD's as Christmas tree ornaments. I think the smaller size ones will look even better.

      Of course, I'm still sad they stopped sending out floppies. I had to go to the store a couple of months ago to buy a box of 3.5"-ers. First time in 6 or 7 years that I've actually had to purchase them.

  25. Re:Is there any demand for this? by anon757 · · Score: 1

    Well, there's no consumer demand for this. The Evil RIAA has a demand for it though. They are going to push an (likely) inferior product on the consumer in the name of copy protection, and try to make sure they think they need to buy it. (just like dvd's, while not inferior, could have been sooo much better).

  26. Re:Is there any demand for this? by geomcbay · · Score: 2
    The next wave in media will most likely be based not on size but on durability. This is the one area where all current forms of storage are severly lacking.

    Coincidence? No.

    Don't hold your breath waiting for truly durable media -- just think of all the lost resales the music industry would 'suffer' if Joe/Jane Average never scratched a CD without having a backup...I know I've myself rebought at least 5 CDs in my lifetime due to lost or badly handled media. The cynic in me is screaming that the size reduction here is largely for the purpose of boosting incidence of lost mini-CDs...but alas.

  27. Re:Is there any demand for this? by cnkeller · · Score: 1
    I agree. There are some of us out there that still appreciate music quality that MP3's don't yet provide. Not to mention the small size. I can take my mini-disc player (it's the recordable/portable Sony), record via optical fiber (either from my DVD player or my PC...thanks soundblaster), pop the player in my front pocket and hit the gym. It doesn't skip, I don't sacrifice any music quality (yes, I'm an aspiring audiophile), and it's the same size of an MP3 player.

    It's no more painful to record to a mini-disc than rip an MP3. For those of us who have good ears, you just get better quality. Sure, you can't carry as many songs, but mini-discs are small, it's not a big deal to pop in a new one.

    --

    there are no stupid questions, but there are a lot of inquisitive idiots

  28. Re:We need to know what fair use is by Anonymous Coward · · Score: 2

    They already have defined most of what constitutes "Fair Use". What's left has to be judged on a case by case basis, which is why people like the RIAA and the MPAA wanted (and got, ouch.) the right to make the process of utilizing "Fair Use" technically illegal. (see DMCA).

    Here's something to get you started:

    US CODE Title 17 - copyrights
    "Sec. 107. Limitations on exclusive rights: Fair use

    Notwithstanding the provisions of sections 106 and 106A, the fair use of a
    copyrighted work, including such use by reproduction in copies or phonorecords
    or by any other means specified by that section, for purposes such as criticism,
    comment, news reporting, teaching (including multiple copies for classroom use),
    scholarship, or research, is not an infringement of copyright. In determining
    whether the use made of a work in any particular case is a fair use the factors to be
    considered shall include -

    (1) the purpose and character of the use, including whether
    such use is of a commercial nature or is for nonprofit
    educational purposes;

    (2) the nature of the copyrighted work;

    (3) the amount and substantiality of the portion used in
    relation to the copyrighted work as a whole; and
    (4) the effect of the use upon the potential market for or
    value of the copyrighted work. The fact that a work is unpublished shall not
    itself bar a finding of fair use if such finding is made upon consideration of all
    the above factors. "

    (from http://www4.law.cornell.edu/cgi-bin/htm_hl?DB=usco de17&STEMMER=en&WORDS=fair+us+&COLOUR=Red&STYLE=s& URL=/uscode/17/107.html#muscat_highlighter_first_m atch)

    Of course that section doesn't include such things as time-shifting, space-(aka format)shifting, reverse engineering, or making backups of things you legally own. I don't have those laws/rulings at my finger tips but "Sony vs. Betamax" & "Concentrix vs. Sony" come to mind.

    Then there is that pesky little thing known as the "First Sale Doctrine" (look for the media companies wanting to 'license' not sell audio/video/ebooks)

    That's enough for now though.

    Do a seach on google for "Fair Use" copyright

    I hope that helps.

    someone247356_AT_yahoo.com

  29. Re:Let them sell them. by wishus · · Score: 2
    either puchase these mini cd's or think that average public would be stupid enough to buy them.

    Unfortunately, I think the average public would buy them. It will take a while to catch on, like the CD did, but if they get shelf space in the music stores and there are cheap players everywhere for them, they will catch on.

    There will have to be lots of cheap players. $200 portables won't sell the format. A $59.99 boombox at wal-mart will, and a car player for $200, and a component stereo player for $150, and a computer-drive player that comes with your computer. There have to be players everywhere, with base models affordable by everyone.

    And they'll get away with it because the average comsumer doesn't make backup copies of his music. The average consumer is actually pretty computer illiterate, and just loans out his CDs or makes a tape. The average consumer doesn't think FM Radio sounds any worse than CDs. The average consumer puts one speaker in the living room and the other in the kitchen and never notices that his music sounds different depending on what room he's in. The average consumer will think the little discs are "cool" and want to be the first to have them.

    sad, but true.

    wishus
    ---

  30. Re:Wasteful packaging.... by Pahroza · · Score: 1

    Excellent point banuaba, moderators please mod this up.

    Let me add, the reason I still buy vinyl and compact discs is because I want the artwork on the cover, on the inside, i want the liner notes, i want the lyrics if they are printed, I want all of this information which would be rather difficult to package in a smaller medium. Sure, I'd love to buy something smaller and more convenient, and probably would support a format like this. However, I'd still buy the other medium as well. But then, maybe that's the RIAA's point. They know that we want the best of both worlds, and figure that there are enough music enthusiasts to make it worth their time and marketing effort.

  31. Wait... by edremy · · Score: 2
    Many of us remember the LP-CD transition. There was serious concern about the size of a CD: simply putting in a jewel case into the slots that used to hold an LP in music stores wasn't an option. Forcing every music store to change all their shelving was expensive.

    Thus was born the wasteful cardboard box, designed to make the CD the same height as an LP. But how long did that really last?

    I seem to recall they were gone fast (1-2 years), especially in the "hip" music stores that wanted to show they were with it. Expect the same here: it will take a few months before stores start changing over, assuming the new format takes off.

    Eric

    --
    "Seven Deadly Sins? I thought it was a to-do list!"
  32. Re:Is there any demand for this? by masked_rider · · Score: 1

    I think we're missing the point here...its not only for music. Use it in your digital camera..
    if i recall correctly, Sony came out with a *bulky* digital camera that burnt images directly onto a cd. And it would make travelling with a digital camera easier too...
    They also have a blurb about e-books on the data play site, but i don't know about that...:)

  33. What's wrong with this, anyway? by Anonymous Coward · · Score: 1

    Just to play Devil's advocate for a second...You have these tiny assed, 5 hours worh of music, they will go into anything that has a drive bay for one, your car, your computer, wherever. Now you can listen to your music anywhere you want. That's what the whole row about fair use is about, right?

    Of course as the AC below points out, they might not be the sturdiest of all things, and of course your "fair use" right to back up your data probably won't be caught dead with these things, so what can you do? Kids are going to start buying these things as soon as they get the player out the door, in hopes that someone will come along and unlock all that extra "free" content, joe consumer isn't going to care or notice until his first disc goes bye-bye in the dryer and he's out his content, and by then it's too late. They're already the standard, a few brave souls who managed to get around the copy protection are in jail with their new friend "Spike" and the cycle is complete. As chef emerel would say, "BAM!" no more fair use, no more mp3's, no independant artists releasing on the "new format". Life for the RIAA could never be better.

  34. No Data Support???WTF??? by cronik · · Score: 1
    Sorry, incorect. There has been a data drive for MD's for over 5 years now. Not to mention the Still and Video Cameras.

    Data Drive

    MD Still Camera

    Video Camera

    --
    Information wants to be free like speech wants to be free, not like we want beer to be free.
  35. Re:Extra albums? by DigiDarkCloud · · Score: 1

    From the article: Prerecorded discs are expected to sell for about the same price as current CDs; blanks, about $5-$12. But record labels could include three or four additional albums on the disc as well -- "locked" until users pay for them via the Web.

    I think this one deserves a "What the fsck?" If I bought this new medium, but I have to pay extra to listen to the music on it, then what am I paying for?

    Sniff...smells like the original DivX to me...think I'll stick with CDs, thank you very much.

    --
    SIG: 11
  36. Re:Is there any demand for this? by bughunter · · Score: 2
    Those are nothing compared to the fact that the RIAA wants me to spend $12-$20 on a tiny piece of plastic that I can lose between the seat cushions of my car. Even in that little plastic frame, it's too small. No thanks.

    Small is just not ergonomic. It's why wristwatch calculators are still just an ultrageek niche, and Dick Tracy radios never caught on.

    Anything smaller than a floppy is just too hard to handle, organize, and keep track of. Imagine storing 500 of those little discs, and then finding the one you need? What a pain in the butt.

    --
    I can see the fnords!
  37. Re:Circumventing DataPlay Copy Protection by BradleyUffner · · Score: 1

    You have to remember that behind these bif corporations are people too, millions of them. If you say laws are for the people, by the people, you also have to include these people too. I'm not saying that they are right to want to controll every aspect of everything.
    =\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\=\= \=\=\=\=\=\=\

  38. 500 MB / 5 hours == 224 kilobit/s by yerricde · · Score: 2

    How exactly is the music going to be CD quality if you can store 5 hours on 500 megs.

    500 megabytes / 5 hours * 8,000,000 bits/megabyte / * hr/3600 s = about 224 kilobit/s. And 224 kbit is just about enough for sounds-just-as-good-as-a-CD quality; see also r3mix.


    All your hallucinogen are belong to us.
    --
    Will I retire or break 10K?
  39. Re:not everyone wants to stream audio from the net by JimPooley · · Score: 1

    I don't want to stream audio from the net ever, actually. I want physical objects I can put, physically, into physical devices. I want to be able to put them on a rack when I'm not using them so visitors can admire my taste in music by simply looking at the shelves...

    Hacker: A criminal who breaks into computer systems

    --

    "Information wants to be paid"
  40. Re:Circumventing DataPlay Copy Protection by anon757 · · Score: 1

    Well, if it's pure analog output, there's nothing to stop you from recording it. If it's digital output, as it most likely will be, then you can bet there will be copyright (ie: copy protection) info stored in the data stream. So, likely you will be able to make a less than perfect copy with no problem, but not be able to make a perfect copy at all.

  41. Re:I wonder when by CrackElf · · Score: 1

    Ahh, so, someone else noticed it :)
    -CrackElf

    --
    "Blake is an idealist, Jenna. He cannot afford to think." - Kerr Avon, Star One, Blakes 7
  42. DataPlay seems compressed. by nuxx · · Score: 1

    I disagree... Besides DAT there has been no new uncompressed format. CD and CD-R is great because the audio isn't compressed like it is with MD, MP3, etc. Judging from what I see on Dataplay's site it looks like raw audio on their discs will also be compressed. Now unless it's lossless compression (which MD and MP3 are not) this will most likely never gain wide acceptance. I, for one, don't want all my music to be subject to artificating and all the other problems associated with compressed audio.

  43. Re:Let them sell them. by techno-at-nni.com · · Score: 1

    I can't agree more with what you said, but I think the main shift is "I like that new Britney song and I want it and I don't much care how much it costs or how it's packaged to me". Mainstream America sells out faster than Metallica... About that Fullhouse reference.. I don't understand it myself.. I was flipping one day and saw a rerun and wonder how the hell that show coulda lasted THAT long on National TV... Ah well, says alot for american society..

  44. Re:Is there any demand for this? by Enoch+Root · · Score: 4
    That was wonderful. You managed to troll the MD users while remaining Informative. Kudos.

    -- ER, listening to his new, kick-ass MD player as he posts this

  45. Re:this will lead to *real* theft by donutz · · Score: 1
    If you've been to some CD store other than Best Buy, you might notice that all the CDs are packaged in some big plastic chatisty belt that you can only open with 1. lots of brute force or 2. a special key they have up at the counter.

    They reuse the CD chastity belts, so why couldnt they do the same for the quarter discs?

  46. not likely by Roadmaster · · Score: 1

    minidiscs are pretty tough when it comes to resisting magnetic fields due to use of magneto-optical technology. In any case, i'd bet your tapes would die first, then standard magnetic discs (floppies, hard disks) and the minidisc would last the longest against your "big speaker magnet". So which one would you prefer?

  47. There are 2 kinds of listeners by Gorimek · · Score: 2

    1. Those who listen to the sound.
    2. Those who listen to the music.

    Group 1 can tell the difference, and are bothered by it. Group 2 can probably tell the difference as well (I haven't tried), but don't really care that much as long as the musical ideas come through fine.

  48. Re:Is there any demand for this? by Enoch+Root · · Score: 2
    Dunno. I thought the surest way to identify a tosspot was when they used the word 'tosspot'.

    Guess that now makes two of us...

  49. 1 MD = 74 or 148 or 296 minutes by acomj · · Score: 1

    With MDLP mode player and recordrs. These use the same discs as the regular player so the cost is about the same.

    Most new players have MDLP. Although the 296 minute mode is a little rough its no worse than 128 kpbs mp3s.

  50. completely OT by Kool+Moe · · Score: 1

    I read your post. I saw 'Michigan, MD' and thought "I've lived in MD for years, and never heard of a town called Michigan. Wild."
    Took me til the end of your post seeing MD again that it dawned on me.
    The sentence even still makes sense if read that way. I love the english language and it's ever-growing log of abbreviations.
    KM

    --
    Kinda like Moe, but just a little more Kool
  51. Re:Is there any demand for this? by slyfox · · Score: 2
    Any new medium must offer something substantial for it to be adopted. In the case of CD's it was quality of music.

    The music industry could decide to artificially sell this (or another) new format for a lower cost than CDs. They could make some bogus argument about the 'high cost' of CD pirating to justify the high price of CDs. Lower prices could give people the (short term) incentive to change format full of 'content protection.'

  52. Re:Is there any demand for this? by Enoch+Root · · Score: 2

    I know. I felt compelled to reply, having bought a MD player over MP3 player only two days ago. When I saw the number of replies, I felt a big YHBT sign light up. :)

  53. Re:If it's the size of a quarter.... by Roadmaster · · Score: 1

    heey but top cat did have a quarter with a string so it could be "reused" ... now only if encryption were so easy to break :)

  54. Re:Is there any demand for this? by rabidcow · · Score: 1

    At least around here, CD-RW's are about $.50 for 80min. You can also get cd cases that are half the standard thickness. (drawback with that is you can't have those paper-inserts in the back/spine)

    'course I can't say anything for car use... My car just has a non-functional 20-yrs-old tape player. :6

  55. Re:SO sheltered... by Greyfox · · Score: 2

    Everyone who matters is on the net.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  56. Re:it's not the last step - yet by Soko · · Score: 2

    [whack]ghoti gets a tap in the back of the head with a clue stick[/whack]
    Geez, you don't get it do you? The Internet is NOT a place to store stuff - it is a public communications network

    Quote:

    Now I don't think networks will ever replace storage media. Of course, everything has to be stored somewhere, but that's not what I mean.

    Umm, one does NOT store data on a network, one stores data on storage media. The storage media is accessed from the net.

    If I have enough bandwidth (isn't 44 KBits/second enough for CD quaility?) I could access my personal MP3 server behind my firewall connected to my @Home pipe with my VPN client. All of that gear is in my home, even though I access it from any Internet access point. Yup, I can get to my legally purchased and ripped CD collection from wherever I have sufficient access - be it wireless or whatever. That is the crux of the argument here - I paid to listen to the content, so I should be able to get at it from wherever I am.

    'Nother quote:

    Another point is access speed. No network can ever be as fast as locally existing media. I can easily and very quickly browse the stuff on my harddrive and find everything at once. That is not the same with the net, which takes much, much longer. And the network is certainly not as reliable as my harddrive. Yes, it gets better, and there are few problems now. But still, there are many more things that can go wrong, so it's much more likely to be a problem.

    AOL giving you fits? :-D

    As long as the RIAA and other organizations that oppose consumer freedom allow that. Actually, I can do that too to my personal stuff on my personal servers behind my personal firewall - "ls -l \mp3z\rush\*.mp3" don't take a whole lot of time across a reasonable PPP connection. And I do everything I can to make sure my connection is reliable and secure. (I paid to use all the content on my hard disk, and feel others should do the same, so I secure my access to it to the best of my ability. Wish I could just give the money to the artists instead of the corporate elite, but that's a different story.)

    With this tiny media, the industry is trying to kill one of the reasons for MP3s - solid state storage, a la RIO et. al. Anyone can make MP3s for thier RIO, but not these disks.

    If the RIAA had thier way, any internet router would drop packets from any MP3 stream, or inform them so they can a$k you where the $ong came from. And I've lost a little more of my freedom.

    Hope I've given you a clue - don't ever trade freedom for convenience.

    --
    "Depression is merely anger without enthusiasm." - Anonymous
  57. HDCD, SACD, DVD-Audio, Minidisc, Flash/MP3 by jdennett · · Score: 1

    I think the problem is just that none of the new formats have been hugely successful. Minidisc is doing pretty well (not pre-recorded, maybe) and HDCD is good (as a compatible extension of CD) but generally people are happy with CDs + something smaller for portability. Originals on CD (or an enhanced version), downloadable for portability.

  58. Re:Is there any demand for this? by evil_one · · Score: 2

    Sure there is. you can have a 2" disc that also has videos and such on it, and crap.
    besides, Taco is a tool, he keeps forgetting that 99% of the population can't get broadband yet, and 80% won't be able to for 5 years at least.
    ---

    --
    Desperation is a stinky cologne
  59. Re:Bwahahha by glowingspleen · · Score: 2

    Yeah I'm having some re-direct problems... udel.edu/~jgephart/ works

  60. Um. What? by Nidhogg · · Score: 1
    1. Of course its an intermediate step before we simply stream all audio from the net

    Is that the direction we're going?

    Why wasn't I told this? Who decided this? Did I miss a /. poll or something?

    Dammit Malda you never tell us anything in advance.

  61. Bwahahha by glowingspleen · · Score: 1

    Sorry if I lose a karma point to this, but this mini-thread has some of the best one-liners I've read in a long time. Thanks for the (rare) LOL's.


    1. Re:Bwahahha by Kevin+Mitnick · · Score: 1

      Hi sir.. I was sitting here at work reading Slashdot.. as if that wasn't enough of a time waster I noticed your sig. I thought to myself, hmmmm, I could really be wasting some major time by visiting your precious web site, and have fun at the same time! You can only imagine how dissappointed I was when I tried to access your labour of love... all I got was a lousy Internet Explorer error "The page cannot be displayed".. Thanks to you, I have to go back to work......
      Fucking asshole!

  62. probably mp3 quality by Wiggin · · Score: 1

    thats the only way i can think of for the descrepency.

    --

    "I don't need a compass to tell me which way the wind shines." - Mr. Furious, Mystery Men
  63. Re:Is there any demand for this? by Rinikusu · · Score: 1

    Ditto. Except I bought my MD a couple years ago and it's still going strong.

    --
    If you were me, you'd be good lookin'. - six string samurai
  64. Re:And exactly why would this interest the masses? by ghostxxx · · Score: 1

    don't be a dolt. MD format is far superior to CD. ATRAC compression is equal to that of 128 bit or better MP3 compression. You can record to MD an uncounted amount of times. You can edit the tracks. You can name the tracks. You can not scratch an MD. They are smaller. They are cooler looking. They are easier to label. The only reason they are more expensive is because people like you perpetuate the idea that CD is the ultimate media. go to hell.

    --
    -- ghx
  65. not everyone wants to stream audio from the net by flynt · · Score: 1

    Lots of people do not want to steam from the net right now. Think how many people don't have a good enough connection to get high quality music. Also, many people would not want to download mp3's as their primary source of a song. Many people I talk to cannot stand the quality of mp3's. Obviously, things will get better in the future. We'll "all" have great connections that will enable us to download half a gig in a reasonable amount of time. But this isn't happening tomorrow.

    1. Re:not everyone wants to stream audio from the net by rumil · · Score: 1

      I second that! I do not think we will _ever_ readh the point where all audio is streamed from the net. The most notable reasons I see for this are

      (1) many people either do not know how to use a computer and/or do not want to.

      (2) The physical objects are collected by fans. Would Pink Floyd's Dark Side of the Moon have been the same without the prism? Physically collecting a new album or boxset is important for many people.

    2. Re:not everyone wants to stream audio from the net by mini+me · · Score: 1

      I agree that we don't want all audio streamed from the net, however I would love to be able to stream radio stations over the net at CD quality. Yes I know that we can already do that now, but I'm not talking about on my home PC hooked up to my dsl/cable connection. Where I want streaming radio is in cars, walkman type devices, etc. While I usually listen to CDs in these situations, sometimes I would just like to listen to the radio, see what new music is out there, just to listen to something different if nothing else, however the problem with this is firstly the quality isn't great and you are limited to a certain area and when you leave that area the station is gone. Secondly the genres of music generally played on the radio do not apeal to me. The internet can solve all of this not to mention that that most of the device that could do all of this could fit on a single IC.

      Of course the thing that is holding us back is the lack of wireless broadband! Yes I know some cities are starting to implement this, but it still isn't everywhere, and it isn't in the country, which is where I see it is even more important to have because that is where long car trips will take place and you can make better use of the internet power.

  66. Artifacts in compressed audio by IdeaMan · · Score: 1

    Those artifacts don't have to be there. There is something called variable bitrate encoding that will detect when extra information is needed to encode a sound.
    Also, what you've been listening to, 128kbps MP3, is definitely compressed too much. There is quite a difference between say 128 and 256.

    --
    They ARE out to get you simply because They are in it for themselves and they don't care about you.
    1. Re:Artifacts in compressed audio by nexthec · · Score: 1

      VBE sucks, for many reasons. 1) its still Lossy, its changing lossy, so it isnt glaringly bad(in theory) 2) their are no good VBE encoders (IE Lame or Farenhoffer (SP?) or equivalent). 3) VB is good from 128 to 256. 256 still sucks. 320 is tollerable on most music, but not classical or jazz, or (...wait....mp3s only sound good on nsync and Backstreet boys......funny that....)

  67. Extra albums? by d-rock · · Score: 1

    The story first says that the discs hold ~500MB of data, enough for one album. Then they turn right around and say that extra albums may be stored on the disc and later opened via some secure payment/key mechanism. It didn't sound like these things use compression (MP3, etc) but I don't see how they would be able to achieve this without some sort of non-raw audio encoding. Where is there more info on this?

    --
    Don't Panic...
    1. Re:Extra albums? by jovlinger · · Score: 3

      No, it's free money for the record companies. If they can put three or four albums on there "if you liked this album, perhaps you'll like these" they can hypothetically sell you 3 additional albums without spending a single cent on marketing them. It's the perfect place to put lesser known or niche acts that don't have enough momentum or mainstream appeal to be marketed on their own. If you use a scalable encoder format, they could offer you teasers at a crap bit rate, and then just sell you the additional bits. (does OGG do this?)

      They'd be kinda like a B-side album. Can you imagine the stigma of being a bonus album act, tho? Destined never to sell an album by yourself, never headlining your own album...

      There are a few negatives:
      1) risk; lose the disc (easy, given the size) and you're down three albums.
      2) duplication; if the same bonus album is on several discs, do I get to unlock all of them with one purchase? What if I then give one away?
      3) quality; there's only 500 MB, so that works out to 125 MB per album, which isn't going to make the sound quality people happy. Perhaps this can be ameliorated if they use a VBR encoder with manual hinting -- this would be a new trade, the compression engineer, whose job it is to decide the bit-budgets for various parts of the album ("let's give the intro skit 96 kbs, which should allow us to push up this dynamic bit into the 300 odd kbs"). I'd expect some albums to be sold with "gold" compression, and cost more, but take up all 500 MB for one recording. Classical music especially, which will be longer than a typical album, and also appeals the quality conscious and price-insensitive listener.

  68. Re:Let people who buy direct from artists sell cop by Rares+Marian · · Score: 1

    In the mechanical world we think in terms of things that can exist in a space at a particular point in time.

    In the virtual world, that of recorded things, the space is already taken up. Recording simply makes that space more useful.

    The net does something weird. It melds space and time into bandwidth. I have used several resources to get media that I wanted to preview.
    And I do mean preview. Getting a whole series of songs or anime episodes becomes a full time job.

    I wanted the VKLL fan sub of End of Evangelion which until recently wasn't licensed and as is the custom among anime producers fan subs may be sold until someone pays for the license on the original work.

    It took me WEEKS to get it over the net (thank god for resume functions). I have a 10Mbit connection to the Internet as well as 100Mbit connection to the school intranet.

    It's as real a handicap as you can get in the virtual world.

    Why?

    1. I got stuck behind 50 56kers waiting for it.
    2. I lost queue slots during frequent netsplits
    3. I lost queue slots while morons kept flooding the channels (which abuses everyone on that whole network).
    4. Servers dropped off the face of the net
    5. People from whom I got half of it got all the trades they wanted and moved the movies offline.
    6. People who wanted to trade were never around
    7. Kinda hard to babysit this stuff late at night during low traffic hours when you've got exams coming up.

    The second reason is:

    int market-interest-in-net;
    int bandwidth-installation-by-companies;
    int profit-intended;
    int bandwidth-use-by-customers;
    int average-speed;
    int bandwidth-cost-for-ISPs;
    int bandwidth-cost-for-customers;

    market-interest-in-net = k1 * average-speed / bandwidth-cost-for-customers;

    bandwidth-cost-for-customers = profit-intended + bandwidth-cost-for-ISPs;

    bandwidth-use-by-customers = k2 * market-interest-in-net;

    bandwidth-cost-for-ISPs = k3 * bandwidth-use-by-customers;

    average-speed = bandwidth-installed-by-companies / bandwidth-use-by-customers;

    bandwidth-installed-by-companies = k4 * market-interest-in-net - profit-intended;

    Sure they're not perfectly stated, but the above relationships point out that the average-speed of the net eventually levels off.

    So this so called infinite space is quite finite.
    There's speed bursts at every technological evolutionary step, but eventually it decreases which forces more evolution.

    --
    The message on the other side of this sig is false.
  69. Data minidisc is dead dead dead by spreer · · Score: 1

    Notice one of your links is dated 1995, another 1997. Yes you could once get MD data drives but:

    a) They were really expensive

    b) The media was not interchangable with music MDs.

    As a result, you can't get these drives anymore, short of ebay.

    If anyone has a pointer to a currently manufactured data MD drive that takes normal music MDs, I'd love to see it.

    There are (however) still and video cameras that use MDs.

    spreer

  70. Speak for yourself by BillyGoatThree · · Score: 5

    Ummm...I don't want to "simply stream all audio data off the net". I want my audio data here in my hands (or in my drawer, or on my harddisk). That's the whole point of this whole Napster thing (which I'm pretty sure you've heard about, since it's all we talk about anymore). It isn't about "We want to be able to download"--it's about "We want to be able to do what we want with the stuff we own (which includes downloading)".

    I mean, what if www.riaa.com started offering downloadable SDMI (or similarly encrypted) music files tomorrow provided that you could only listen to the stream, not save it or time-shift it or anything. Thanks but no thanks. I don't want a specific medium, I want a choice of mediums.
    --

    --
    324006
    1. Re:Speak for yourself by armb · · Score: 1

      > from your home server to your portable device - thus obsoleting any physical storage medium for your mobile needs.

      So your portable device works without any physical storage medium? Neat trick.

      --

      --
      rant
  71. Not to mention 'fall' by owain_vaughan · · Score: 1

    What's wrong with 'autumn'?
    Fall is what happens when something isn't supported.

    1. Re:Not to mention 'fall' by sould · · Score: 1

      "as in 'Leaves' which 'Fall' from 'Trees'" Loser. Try to think outside of you're own little world. In my town (Australia) we have few trees that drop their leaves in Autumn. Most are just as likely to drop them at any other time of year. Just because Americans kept the English Middle Ages Shakespearian term "Fall" doesn't mean the rest of us have to.

  72. Re:Circumventing DataPlay Copy Protection by Mr.+Slippery · · Score: 2
    In their minds, copying music means less money, (that has proved otherwise as napster's growth has meant an increase in CD sales) whereas smoking marijuana is a personal freedom, which, if decriminalized, would give profits to no major corporations until it was socially accepted.
    Actually, the makers of pharmaceutical (like anti-depressant, mild tranquilizer, and anti-nausea drugs) and recreational drugs (like cigarettes and beer) are well aware that legal cannabis could compete with their products and lead to lower profits. In its heyday the "Partnership for a Drug-Free America's sponsors included alcohol and tobacco companies; it still takes money from pharmaceutical makers.

    Tom Swiss | the infamous tms | http://www.infamous.net/

    --
    Tom Swiss | the infamous tms | my blog
    You cannot wash away blood with blood
  73. The RIAA fighting back by jayhawk88 · · Score: 2

    And now, finally, we have the RIAA's latest weapon in the fight against "music thieves". Change the media. Put out another media format, spend your millions hyping it and telling everyone how great it is, watch the CD die a slow, painful death.

    I'm not saying this new thing won't be cool or useful, but don't be fooled. The one reason above all others this format is going to be pushed is so record companies can gain back some control they've lost.

    1. Re:The RIAA fighting back by Fat+Rat+Bastard · · Score: 2
      And now, finally, we have the RIAA's latest weapon in the fight against "music thieves". Change the media.

      I'd say more the RIAA's latest way of generating revenue. RIAA members made HUGE bank with the transition over to CD. Repackaging content they already own generates a hell of a lot of money for them. In the 80s / 90s many people replaced their old vinyl/tape collection with CDs.

      I suspect that's part of their beef with downloadable music (or at least downloadable music that isn't "protected"). If you just purchase the "content" you pay once and can stick it on whatever format you chose (Burn a CD, MP3 player, MiniDisc, new format of choice). Even if everyone paid for their content this way and didn't trade (a'la Napster) this would be a pretty big hit in revenue for them.

      The Bastard

      --

      If you don't have anything nice to say, say it often.
      - Ed the Sock

    2. Re:The RIAA fighting back by modemboy · · Score: 1

      >I'd say more the RIAA's latest way of generating revenue. RIAA members made HUGE bank with the transition over to CD.

      Good point, but knowing the RIAA they'll, instead of initially making money off this format, use it to undercut the price of cd's for the purpose of adoption. "Hey this new backstreet boy's cd is $15, but this dataplay disc with the same content is only $12." I think they're smart enough to sacrifice the current profits in order to finally get a secure music format that they can eventually mold into a pay per play system. Don't be fooled by this shit! Just wait till these are widely adopted, then the shit will hit the fan. Unfortunetly I'm preaching to the choir here...
  74. Re:End of an artform by tewwetruggur · · Score: 2
    Yeah. I have actually bought several older albums on vinyl, even after having bought the CD, just to be able to really see the cover art.

    Roger Dean, Mouse and Kelly, the whole Hipgnosis team... its really kinda sad to see an artform pushed aside like that.

    --
    Hi! This is the Sig, blatantly attached to the end of this comment.
  75. Re:Circumventing DataPlay Copy Protection by Lord_Breetai · · Score: 1
    Someone mod the parent post up. It's completely on-topic, and a valid question. Here's a quote just in case:

    > So, likely you will be able to make a less than perfect copy with no problem

    Which is what illegal mp3s are, and the "less than perfect" aspect doesn't seem to have deterred anyone.

    So why exactly is DataPlay going to be any different?

    --
    "You are only young once, but you can be immature forever." -www.animemusicvideos.org
  76. Re:Is there any demand for this? by LionMage · · Score: 1
    Maybe you misunderstand the MO technology? You need the laser beam in order to change the magnetic properties of the medium.

    Actually, you both have it wrong, although you're closer than the person you were responding to. During recording, a MiniDisc uses a laser in high-power mode to heat a domain on the disc itself; a magnetic field is then applied to change the optical phase of this domain, setting a "bit" on or off. During playback, a low-power laser is used to read the phase of these domains. A strong magnetic field applied to a MiniDisc, therefore, will have no discernible effect on the data stored on the disc unless the media were heated somehow, such as being hit with a high-power laser pulse.

    This is one of the reasons I like MO technologies; the shelf life of MO media is typically better than many other types of media, magnetic and pure optical alike.

  77. I wonder when by CrackElf · · Score: 1

    they will offer '1984' and such on these things.
    -CrackElf

    --
    "Blake is an idealist, Jenna. He cannot afford to think." - Kerr Avon, Star One, Blakes 7
  78. Re:Circumventing DataPlay Copy Protection by Cplus · · Score: 2

    ACtually the opposite could be true. The companies like the tobacco and booze companies already have the infrastructure and in some cases the equipment that would be needed to sell Marijuana as a consumer product. If the government threw on a couple hidden taxes and licensed some "dealers" everybody's happy. Even the quality of the marijuana would go up and you'd never have to be afraid of buying weed laced with heroin or speed.......

    --
    "Share your knowledge. It's a way to achieve immortality." -- Dalai Lama
  79. Is there any demand for this? by Taliesin · · Score: 5

    Mini-discs died a pretty miserable death, and the continued failure of people to adopt any of the other recordable mediums suggest that we're pretty content with CD's for the time being. I think that there is a sort of law of diminishing returns with size, and anything smaller than a CD doesn't appeal to many people.

    Any new medium must offer something substantial for it to be adopted. In the case of CD's it was quality of music. For MP3's it was transferability and effective HD storage. What new quality is offered by these disks that doesn't already exist in another form? Are CD's at 4.75 inches in diameter and negligable thickness really that inconvenient?

    The next wave in media will most likely be based not on size but on durability. This is the one area where all current forms of storage are severly lacking.

    1. Re:Is there any demand for this? by Seanasy · · Score: 1

      Any new medium must offer something substantial for it to be adopted. In the case of CD's it was quality of music.

      Not really. CDs didn't become widespread because people wanted a smaller, higher quality, more expensive alternative to vinyl. CDs won because record cmpanies shoved them down the throats of retailers. See this article.

      Now, I aggree with others that these aren't meant to replace CDs. I expect that the same tactics described in the article linked above will be used to push people to DVD-audio. It's already gaining penetration with the players. They're probably just waiting 'til they have a good copy protection scheme.

      The next wave in media will most likely be based not on size but on durability. This is the one area where all current forms of storage are severly lacking.

      I seriously doubt that durability is a priority for the record companies. How do you continue to generate significant profit from the Grateful Dead if the medium is resistant to bongwater spills and being run over by a VW bus?

    2. Re:Is there any demand for this? by oooga · · Score: 1

      This simply isn't true. Minidiscs may not be popular in the US, but overseas they are still experiencing tremendous growth.

      --
      -- Nerds on toast in the new millenium
    3. Re:Is there any demand for this? by misterplow · · Score: 2
      Death in the states, perhaps. I live just down the street from Sony's Shinagawa, Tokyo headquarters. Why can't the "US scene" get its head out of its rear and learn a lesson from the Japanese?

      NAMELY . . .

      MDs are huge here (as I'm sure it's been said in the past here). My personal observation as to why they are huge in Japan is that they are the the media of choice for copying rental CDs. Yes, that's right - there are tons of CD rental stores in just Tokyo alone. A small rental fee legally entitles you to do anything with that music, as long as it is for your personal enjoyment. (ie, copying, etc. is OK but you cannot give or sell it to friends, etc.). My wife seems to be hooked on the MD format, but I choose mp3s on a hard disk. We're both covered by the (really) nominal rental fee.

      Just be sure, I confirmed these facts with a Japanese coworker who is very versed in ?nix. As technically adept as he is, he has only somewhat heard of Napster. Which leads me to the broadly sweeping conclusion that Napster vs. the RIAA with some of the IP issues which seem to have been raised is an entirely US-centric phenomenon.

      In Japan anyway, the RIAJ is not so bent on charging every customer the same $16 for a CD. Using a really basic economic principle, they get a smaller amount of money through the CD rental system from those who don't feel they need to keep the official media. New Japanese releases are available in retail and rental stores almost simultaneously, and even a lot of US/foreign music is available here, and since it is a lot of what I listened to in high school, I'm as happy as can be.

      Sure there are logistical differences between the US and Japan (like a densely populated country's CD rental stores are just a short walk vs. a 20-minute drive away), but I can't help thinking that if the music were available much more easily in the US that there wouldn't be so much animosity on both sides of the Nap/RIAA fence.

      One more call for the US (from an American) to take a lesson from the Japanese!

    4. Re:Is there any demand for this? by DarkEdgeX · · Score: 1

      Mini-Discs aren't a total flop, yet. I definately agree that they haven't met with the widespread acceptance of CD's, but then they came out at what was probably the height of CD's lifespan. I think if Sony was doing this as 'the big new thing' today and was starting all over, it might meet with better acceptance.

      One thing that concerns me is DVD-Audio-- while the normal human (or one who doesn't listen to music that could take advantage of it) won't hear the difference between DVD-Audio and CD, for people who listen to classical or other appropriate kinds of music, this format will be a boon-- now I wonder if these formats can peacefully co-exist, or if the higher quality (but larger media) will lose out. I tend to think people will lean towards media that can fit in your pocket amongst your keys/change, but for home theatre-types, DVD-Audio should reign supreme.

      BTW: What's so poor about the durability of CD media? If properly taken care of, the media can last almost indefinately-- compared to cassettes which will ALWAYS lose quality over the passage of time, and are MUCH more sensetive to mother nature than a CD is. (Both suffer from long durations in direct sunlight, but only cassettes suffer from being placed near a large magnetic source, AKA: a speaker.)

      --
      All I know about Bush is I had a good job when Clinton was president.
    5. Re:Is there any demand for this? by vbrtrmn · · Score: 1

      I don't believe that MiniDisc is dead. Definatly not mainstream, but not dead.

      I have a player in my car. I think it is a very convienient media. Using CD's in a car is such a hassle, they constantly get scratched up, the cases are so bulky. They just aren't easy to handle. I can throw my MD's on the floor, leave them strewn about on the seats and various compartments and they are still fine.

      I would do the MP3 thing, but flash memory is still too expensive.

      1 MD = 74 MIN @ $2/disc = ~$0.03/min
      2MB = 1.5 MIN (about)
      1 CARD = 48 MIN @ $60/DISC = $0.81/min
      (using RIO 32 MB memory as an example)

      I'll stick with my MD for now :)

      --
      you are not what you own

      --
      it's a sig, wtf?
    6. Re:Is there any demand for this? by sui · · Score: 1

      If they can increase the storage amount so much that they can fit 5 hours of cd quality music on a quarter, I would just as well have them bump up a standard cd size disc to a 500 gigs. I know for a fact that I lose cds. How am I gonna keep track of a quarter sized disc.

      --
      Why do the kids in West Side Story have to join a street gang if they can afford $70 Gap khakis?
    7. Re:Is there any demand for this? by The+Good+Reverend · · Score: 1

      1.CD's don't fit into pockets.
      2.CD's scratch easily as they are not protected by any casing like floppies and these new DataPlay discs.
      3.Portable CD players are terribly bulky as they must house fair sized motors to spin heavy and unweildy CD's and must house the CD entierly.
      4.CD's are still primarily a music meduim. Aside from the breach into the software installers, backups and games market, they are not too successful at photo storage, video storage and are silly for e-books.


      As for your first three points, they didn't save the Minidisk. And for your forth, plenty of people get their photos developed right to disk now. And they don't need to be good for video storage, we have DVDs that are the same size.

      The Good Reverend

    8. Re:Is there any demand for this? by STSeer · · Score: 1

      Wont fit in any pants I own...

    9. Re:Is there any demand for this? by macshit · · Score: 1
      Funny, they seem to be doing quite well in Japan (just about every store selling CDs has a huge rack of blank MDs next to the cash register).

      Thank god too, because they're infinitely better than the technology they replace (cassettes).

      --
      We live, as we dream -- alone....
    10. Re:Is there any demand for this? by listen · · Score: 1

      How do you make a photo storage CD which can be viewed on a DVD player? I've been wondering about this.
      Do all DVD players support PhotoCD, or do you use VCD 2 or VCD 1?
      Eh?

      I need to know!

    11. Re:Is there any demand for this? by raju1kabir · · Score: 2
      And I dare anyone to say that the DVD format has been a failure!!

      Maybe it's just where I'm sitting, but it doesn't seem like it's exactly saturated society. I have never even seen a DVD (I've seen the cases at electronics stores but I've never seen one open). I have never seen a DVD playing, unless I happened to walk by one at Circuit City or something and not noticed it. I do not know anyone who has a DVD player (other than one pre-installed in a computer - my own included - in which case the DVD function has to my knowledge never been used).

      I have seen a fair number of VCDs, but only in Asia, where it seems like they're being played at every restaurant, bar and hotel. As far as I know VCD players are not commonly available in North America.

      I'm sure someone is using and buying DVDs, but nowhere near me. In these parts we use VCRs, and as long as that's the appliance that gives us a recordable medium, it's likely to stay that way.

      --
      "Patriotism is your conviction that this country is superior to all other countries because you were born in it." -- GBS
    12. Re:Is there any demand for this? by spoocr · · Score: 1

      CD's don't fit into pockets.

      Untrue - maybe not jean pockets, but I carry around 4-5 CDs in my jacket pockets most of the time, along with my CD player and headphones.

      CD's scratch easily as they are not protected by any casing like floppies and these new DataPlay discs.

      That's why they cost $.15-20 apiece. Break one, burn a new one. Whenever I burn important data to CD, I burn 2 CDs - one to use, one for backup in case the original scratches or is broken.

      Portable CD players are terribly bulky as they must house fair sized motors to spin heavy and unweildy CD's and must house the CD entierly.

      See my first argument.
      "Heavy CDs"?! Maybe if you're Callista Flockhart...

      CD's are still primarily a music meduim. Aside from the breach into the software installers, backups and games market, they are not too successful at photo storage, video storage and are silly for e-books.

      "Primarily a music medium?" How many software packages have you bought in the last 3 years that came on floppy? I got a CD bundled with my scanner recently that had 220 kb of data on it! CDs account for probably >95% of software distributed in physical media. As to photo storage, I have a total of 6 CDs with photos from my digital camera stuffed chock full of photos. They're an excellent medium for photo storage. Just my $.02

      --

      -- Chris
      $email=~s/[^a-zA-Z0-9@.]//g;

    13. Re:Is there any demand for this? by Thr34d · · Score: 1

      Hmmmm by your argument then Laser Discs should have been the second coming. ;-)

      Damn, now I just feel the need to go watch my Buck Rodgers Laser Disc movie. Mmmmmmmm Erin Grey in spandex...... bitti bitti bitti

      --
      -- This space intentionally left blank.
    14. Re:Is there any demand for this? by slcdb · · Score: 1

      www.minidisco.com Alive and well baby. Come to think of it, I should get myself a new MD player soon. My current player is a bit out-of-date.

      --
      Despite what EULAs say, most software is sold, not licensed.
    15. Re:Is there any demand for this? by STSeer · · Score: 1

      Minidisc players are becoming more popular faster than mp3 players, at least at my school. The medium is just so much cheaper. And have you ever put your CD player in your pocket? It only fits in my coat while my MD recorder fits anywhere.

    16. Re:Is there any demand for this? by ghoti · · Score: 1

      I don't know about tremendous growth, but they certainly exist and aren't doing too bad. I love my MD player, it's small and the quality is great. And I prefer taking a bunch of MDs with me than having to decide what songs to upload to my MP3 player (granted, it only has 128MB, but still ... MDs are cheap).

      --
      EagerEyes.org: Visualization and Visual Communication
    17. Re:Is there any demand for this? by Technician · · Score: 2
      Not flaimbait, but a question..

      I know SONY has two kinds of MD's, a music and a data MD. Are the data MD's rare in Japan just like they are in the USA? That's why CDRW is so popular here. It can be copied, re-recorded, and the same disk can be used for music and computer data. It's almost impossible to find MD data recorders and media here. It's almost as if they never existed. Renting CD's is not permitted in the USA, however they can be checked out of a library.

      --
      The truth shall set you free!
    18. Re:Is there any demand for this? by Technician · · Score: 1
      I have a Laser Disk player. I bought one when they promised the discs would be cheaper than Videotape because they could be stamped out in mass. It never happened, unless you count famous titles as "how to watch pro football" in your valid selections. In 20 years I have collected less than 15 movies in laserdisc format due to the price. The choice of 12.95 for tape vs 59.95 for the letterbox laserdisc is easy to make. Somebody show me the $10 current release laserdisks please! If the media is high priced and the selection low, it will not catch on.

      Napster caught on because the media was cheap and the selection very large.

      Unless there is a good savings and good selection, the format will never sell well. It has to compete with the established base of MP3 players and media.

      --
      The truth shall set you free!
    19. Re:Is there any demand for this? by radish · · Score: 1


      Most (all?) DVD players support both PhotoCD and VCD. PhotoCD is best for high res/quality, it stores multiple copies of each image at different resoloutions, and the device selects the best one for it's own setup at playback time. Downside is you can only get 60 or so images per disc. For my stuff quality is not so important, so I use software to build a VCD slideshow of the files (you can add music as well if you want, and transitions). I believe both WinOnCD (CeQuadrat) and CD Creator (Adaptec) support this.

      --

      ---- Den ene knappen er powerknapp, den andre er Bender voice knapp "Bite My Shiny Metal Ass"

    20. Re:Is there any demand for this? by jacoplane · · Score: 1

      Maybe you're not aware of the fact that MDs use lossy compression (ATRAC3 i think) just like mp3s do. So I don't know where you get the idea that you're not sacrificing any music quality. I'm actually pretty sure that a 192Kbps mp3 sounds better than MD

    21. Re:Is there any demand for this? by papa248 · · Score: 1

      I tend to disagree about your minidisc comment. I personally have an in-dash MD player, a home minidisc deck, and a portable minidisc player. Granted, I also have a CD changer in my car and at home. Nonetheless, at least in Michigan, MD use has picked up tremenedously, the ease of use, size, and ability to rewrite and move songs and stuff is incredibly convenient. I always laugh when I see people with those gigantic 100-cd wallets in their cars or when they travel, when I can fit 100 MDs into a wallet the size of a franklin planner. It is time for a new, small format. I wish it would be something we already have though, like MD.

      --


      The higher, the fewer.
    22. Re:Is there any demand for this? by jacoplane · · Score: 1

      Personally, my cd player fits in my pocket just fine, and CDrs are by far the cheapest medium. Not to mention the fact that on a 12x writer a cd is written in an instant, unlike my old MD player which would copy at 1x speed.

    23. Re:Is there any demand for this? by AugstWest · · Score: 2

      Interesting, seeing as how I use my MD pretty much everyday and spend quite a bit of money on the increasingly wider array of media and other accessories for it.

      The MD is far from dead.

    24. Re:Is there any demand for this? by Smitty · · Score: 1

      A standard 4.75-inch CD is VERY inconvenient in a Walkman-sized (approx. 3-inch X 2-inch X 1/2-inch) Rio...

      Dataplay disks aren't meant to replace CDs or DVDs, they're meant to compete with CompactFlash cards and IBM Microdrives in the ultra-portable MP3/PDA/Digital Camera segment.

    25. Re:Is there any demand for this? by Jeff+DeMaagd · · Score: 2

      Maybe you misunderstand the MO technology? You need the laser beam in order to change the magnetic properties of the medium.

      I have never had magnetic flux problems with MDs.

      Actually I abuse my MDs (compared to CDs) and I've had fewer problems with them. My MD player is easily more resilient to shock than an equivalent CD player, it's fallen on concrete several times and still works.

    26. Re:Is there any demand for this? by radish · · Score: 1


      A minor thing about your last point. You say that CD's are primarily for music, not video. Interesting, seeing as DVDs are the exact same form factor as CDs, and so any problem with regard to size, durability, cost to manufacture etc which applies to CDs also applies to DVDs. And I dare anyone to say that the DVD format has been a failure!!

      And I use them for photo storage - dump a load of pics on a CDR, and that can be carried and displayed on anyone's DVD player, or in their PC. Much better than lugging paper photos around everywhere.

      --

      ---- Den ene knappen er powerknapp, den andre er Bender voice knapp "Bite My Shiny Metal Ass"

    27. Re:Is there any demand for this? by Taliesin · · Score: 1


      And that wasn't even my intention. I had no idea there were so many die-hard MD users out there :P

  80. No new music formats?!? by Lyrrad · · Score: 1
    From article:
    Music "hasn't had a new format in 20 years," says DataPlay CEO Steve Volk. "It's time to do something new, something smaller, better and more versatile."

    How old are CDs? How old is DVD-audio?

    And, why would anyone want to replace their CD players, these new discs seem like they'll get lost easily...

    1. Re:No new music formats?!? by DetritusX · · Score: 1

      Believe it or not, CDs are about 20 years old now...

      --
      .sig this!
    2. Re:No new music formats?!? by Enry · · Score: 2

      What Mr. Volk should have said was:

      Music hasn't had a successful new format in 20 years.

      Don't forget DATs and minidiscs came and died. Maybe you could call compactflash a format as well (for MP3s) and say that that's a success??

    3. Re:No new music formats?!? by shuffler · · Score: 1

      ...and they still cost about the same.

    4. Re:No new music formats?!? by Asikaa · · Score: 1
      "Don't forget DATs and minidiscs came and died."

      MiniDisc is certainly not dead. Almost all new albums released in the last year in Europe have been released on CD and MiniDisc. Some places will sell you a MiniDisc but not a music cassette.

      Asikaa

      --

      Asikaa
      Come in, twenty-seventy-seventy, your time is up.

  81. And exactly why would this interest the masses? by Jarnis · · Score: 2
    People moved from tapes to CD because of the sound quality and ease of use (no rewinding etc) and vinyl 'phased out' since it was just too large and unwieldy to use. There is nothing in this DataPlay system that offers anything new to joe.random massmarket user. Their first question will be: Why should I buy yet ANOTHER CD-player?

    So while music media moguls would love to replace all the CD players in the world with their protected proprietary system, it's simply not going to happen. This is just another MiniDisc in the making. Now this MIGHT work as a media for PDA applications and data, but for music, we have our CD's and we have our MP3s. DataPlay offers no benefits for the end user compared to these.

    1. Re:And exactly why would this interest the masses? by shayne321 · · Score: 1
      People moved from tapes to CD because of the sound quality and ease of use (no rewinding etc) and vinyl 'phased out' since it was just too large and unwieldy to use.

      Not to be too nit-picky, but MANY older formats still have comfortable niche markets. Nowhere is it written that there has to be an all-or-nothing transition.

      Vinyl is still VERY popular in underground dance/rave (electronic) music. Most trance/house/dnb/breakbeat/etc music is released on vinyl only. From the DJ's perspective it's much easier to control (ever try to scratch with CDs?). MD still has a loyal following of fans.. Some folks swear by them.. DAT is widely popular in the live audio bootlegging^H^H^H^H^H^H^H^H^H^H^Htrading community. Heck, I still know quite a few people who still buy and use cassettes.

      The way *I* understood these discs to be marketed was as a replacement for expensive compactflash and similar mediums. Imagine using these in a digital camera, 500 MB of storage in the size of a quarter at the cost of a few bucks.. I also under stood them to be targeting to portable players, phones, PDAs, etc. In other words, hardware that is too small for CDs to be practical.

      When TechTV reviewed these discs they gave the impression that your new Brittney Spears CD would *include* a dataplay disc at no extra charge, for use in your portable players. This is the first time I've *ever* heard these hyped as a replacement for CDs. I think the slashdot crowd is quick to scream shenannigans for no good reason.

      Shayne

      --
      Today I didn't even have to use my AK; I got to say it was a good day -- Icecube
    2. Re:And exactly why would this interest the masses? by Sloppy · · Score: 2

      And exactly why would this interest the masses?

      Price and availability.

      Remember that both formats of any given piece of music will be sold by the same vendor, and the vendor sets the price. So they just have to sell Britney Spears' or Limp Bizkit's new "music" for $10 in the new format and $15 in the old format (or don't sell it in the old format at all). The glass-eyed zombies will stagger into the retail stores and make a decision between spending $10 and spending $15.


      ---
      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  82. Re:Typical music exec attitude by Rares+Marian · · Score: 1

    $9 for 128MB DIMMs on pricewatch.

    --
    The message on the other side of this sig is false.
  83. Re:Waa-fsckin-waa (or, Go to Concerts instead) by ichimunki · · Score: 2

    Um. None of that sound doctoring stops at the concert, unless you mean an orchestra concert. Have you ever seen the huge mixing panels in use at a concert? Have you noticed that they use amplifiers? Guitar pedals? Microphones? Those all change sounds.

    Or for an even better example, the one time I did spend money on a Metallica ticket, the sound quality at the live show was terrible. All of the speakers were facing somewhere else, so all I really got to hear was echos-- which in a stadium is a severe distortion because of the size of the room.

    But I can't really tell when I've converted a song into mp3 then burned it back as AIFF/WAV on CD in a mix. I've found some mp3-players (especially the free ones for Mac OS), though, that really blow-- washed out sound, etc etc.

    --
    I do not have a signature
  84. Tiny, Secure Music/Data CDs Due in the Fall by Diplomat73 · · Score: 1

    Do know how they are protected? With like a watermark? Or is with something else?

    --

    Diplomacy is the art of letting people have your way

    1. Re:Tiny, Secure Music/Data CDs Due in the Fall by Technician · · Score: 2
      It will be protected by using a Licensed format like VHS requiring support of copy protection. This will probably be another digital music in, analog out device like the SONY mini-disc (music) so all copies of a copy will be lower quality preventing perfect digital copies of copies. Expect no output other than a headphone jack. I would also expect some kind of watermark also.

      RIAA is desprately trying to prevent serial copies, which is defined as a copy of a copy being identical to the original copy. They want the copies of copies to be degraded to discourage the trading of copies of copies. I also expect them to be fragile and easly destroyed by dirt and scratches. A format that wears out from use is also a plus. That much data in that small a form has to be affected by dirt and scratches.

      --
      The truth shall set you free!
  85. What about packaging? by HiQ · · Score: 2

    Do they deliver magnifying glasses with a music CD, because otherwise it's a bit hard to read the lyrics :)

    1. Re:What about packaging? by Sloppy · · Score: 1

      If you're having trouble reading, type more /mnt/dataplay/lyrics.txt on a 20" monitor instead of a 14" monitor.


      ---
      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  86. Let people who buy direct from artists sell copies by Rares+Marian · · Score: 1

    The net is not infinite. Just like the in the mechanical world there IS a loss when something is transferred from one person to another even if it is a copy.

    People who buy from artists can make money, which means they can guarantee their bandwidth will be better than of those who are legally required to give the copies away.

    It improves the net, it gives artists an audience that can actually afford to pay for more of their stuff, and it keeps those who casually distribute out of the game.

    If a seller is discovered to have sold copies without buying a CD prior to the sales he should be forced to give up the profits to the artist.

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    The message on the other side of this sig is false.
  87. Been there by shinji · · Score: 2

    This is the same disc mentioned on slashdot earlier.

    Here Dataplay

    --
    Remove the spam reference to email
  88. We need to know what fair use is by ReconRich · · Score: 4

    (Donning asbestos long johns...)
    This is another example of technological measures to enforce copy right, which will inevitably lead to somebody cracking the technological means, lawsuits, destitute geeks, and wealthy lawyers.

    We need to know (in the US at least) What is fair use.

    OK, this thing is definitely going to keep me from extracting small portions of a cd for purposes of review, etc. which has always been upheld as fair use. The RIAA is almost cetainly not afraid of me doing this, they're afraid of me Napstering albums. But they feel they have to do something.

    OK, its time for Orrin Hatch to carry out his threat and ask the Congress to define "Fair Use".

    What would this do for Us ?

    1. Buisiness owners who depend on production of copyrighted material would KNOW what can and can't be done. Technological measures which prevent legal fair use would *NOT* be protected.

    2. Buisinesses would LIKE this. All buisinessmen LOVE determinism, all they really want is to know what they can and can't do... and then beat up competitors for the can't.

    3. We would love this. We would know what we CAN do, and would have a legal leg to stand on, as opposed to having some ignorant judge use an undefined concept like fair use is now to uphold what he sees as "pirates" against a "legitimate" buisiness.

    Technological means of copy control are going to be upheld by the courts until such time as the courts have SOMETHING codified to look at (that's what they like). An incontrovertible definition of fair use would provide this.

    -- Rich

    --
    Free your mind and your Ass will follow -- George Clinton
    1. Re:We need to know what fair use is by cpt+kangarooski · · Score: 3

      First, the courts themselves define most Fair Uses, and created the doctrine ~150 years ago. It derives from the Constitutional guarantee of free speech, common law property rights, and the Constitutional mandate that any copyright law promote the progress of the arts, and last for a limited time.

      Congress has recognized and codified some Fair Uses into law. However, that does not mean much - while Judges must recognize those Fair Uses, they can still recognize more. And if Congress declares that a judicial Fair Use is not one, it has no impact on the Courts, as Fair Use derives from higher authorities than Congress.

      Additionally, the one of the points of having a judicial system is to handle new cases. If there were something incontravertable and codified, you wouldn't need a judge. However, what is piracy for one person may be Fair Use for another, despite being the same action. I don't know about you, but I prefer judges that can respond to the specifics of a case.

      And, let me point out, that should copyright law somehow mandate a system that absolutely prohibits copying, it would potentially be unconstitutional. Congress cannot actually remove people's powers to copy works - it would be unconstitutional. What they do in fact, is grant to authors the right to bring suits against people who copy without authorization. Further, that right must be granted only to the author of the work in question. (though it can then be sold, given up, etc.)

      A system like this, if legally mandated, would strip authors of their rights to copy works to which they themselves hold copyright - because it doesn't matter if it's a copy instead of a master, they simply DO have the uninfringable right to copy it. Copyrights cannot exclude authors legally. And sooner or later, the work must lose the copyright, and anyone has to be able to copy it at will.

      Why you think that anyone who carefully studies copyright issues would prefer such an encumbered system as this that presumes to grant authors or worse still, the company that makes the media, or Congress such broad powers as you describe is beyond me.

      No one is allowed to prevent you from making excerpts of a CD for review purposes, or space shift the materials to another medium. (e.g. mp3 players - this is regardless of the AHRA, which didn't cover them but are still legal! This also means that we gained nothing significant from the AHRA....) If you can't for technical reasons, you have the right to make it so that you can. The RIAA can go to hell, for all I care - they simply don't have the powers that they want to have, and there is no basis for the government to ever be able to grant them to them.

      The Congress really needs to return to the idea that they must not establish prior restraints against copyright infringement, but simply make it easy for copyright holders to sue and get damages from honest-to-God pirates, without chilling Fair Use.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  89. Real reason for this format by bobthemonkey13 · · Score: 1

    As I see it, this is not just a dog with fleas, it is a flea in a dog costume. The whole point of this format is the "secure" part. They just had to add some other feature to get people to switch. And switch they will, when CDs are quietly pulled off the shelf. Industry pressure + consumer preference = new format. Same with DVDs, people were so eager to get the new hyper super ultra mega digital format, that they didn't realize how much they were being $crewed over in the fair use department.

  90. How secure, exactly? by morpheus_ · · Score: 1

    "It's a secure format, which the labels are concerned about". How secure, exactly? As secure as digital watermarking? Will it take 2 weeks to crack, instead of just 1? The new format uses CD-like discs about the size of a quarter that hold up to five hours of CD-quality music plus extras, up to 500 megabytes of data. 5 hours of music PLUS 500Mb of data? At the same time? If the format wasn't "secure", I'd be extremely interested. Maybe it's based off the same technology Nintendo is using for their cube (1.5Gb mini-DVDs). However, I don't like the size. Quarter-sized is too small. I lose regular CDs now, imagine when this hits... "Where did I put that damned Dave Matthews CD? Ah well, since it's a secure format and I couldn't copy it, I'll just have to buy it again..."

  91. Re:No new format in 20 years??? by superdk · · Score: 1

    Digital format been around longer than a CD?

    Uh, MiniDisc?

    Besides, what's all this crap about MiniDisc being dead? Walk into a recording studio sometime, it's an alive and well media. Most of the time it's a choice between MD and DAT. DAT has all the disadvantages we've come to know and love from magnetic tape, so MD is still alive and kicking.

    Dangit, my sig is outdated...

    --


    Silly slashdot, sigs are for kids!
  92. Minidiscs as MP3 players by swb · · Score: 2

    I notice that most of the other posters here claim "MD isn't dead" but every time I'm at BestBuy or the like I see an increasingly smaller MD display and more emphasis on CD-R(W). MD prerecordeds are nonexistant (Sony had a few titles from their own in-house labels, I never saw others).

    That being said, I believe MD is a superior technology. I just wish that Sony would get off their arses and give us MP3 capabilities. Somebody did a great mockup of a Palm/MD/MP3 combo player which would be HUGE if someone would actually build it.

    The one thing missing from flash-based MP3 players is their cost per unit of storage. MD is the ideal storage media for MP3.

    1. Re:Minidiscs as MP3 players by Technician · · Score: 2

      Sony will not provide any player that can make a flawless copy of a copy. They have a music division. The SONY data MD can not be used in a music player because SONY has the rights to the format and a music division. There will not be any licenses given for a MD Data MP3 player from SONY. Another MegnaOptical manufacture will have to do it. Don't expect it from DataPlay. They have RIAA blessing. This means a music recording is converted from the MP3 format! It's converted to a protected format and then recorded. MP3's recorded as DATA can not be played on the player (it's not in the right format). Don't expect to put your MP3's on these and lend them out to be copied!

      --
      The truth shall set you free!
    2. Re:Minidiscs as MP3 players by Technician · · Score: 2
      I know! That is why I have a CDRW drive and do not have a SONY minidisk. I can buy a CD/MP3 portable player for less than $100 US. It has no serial copy protection and will play MP3's.

      They forgot the consumer is always right!

      All consumers have a vote. Be sure to vote wisely.

      --
      The truth shall set you free!
  93. Re:No new format in 20 years??? by Kanasta · · Score: 1

    Don't forget DAT, CD singles, DCC, DVDs, and mp3s.


    ---

  94. Expensive professional sound system? by Sloppy · · Score: 2

    For those who are proponents of "It makes no difference!", I would suggest that you go out and buy yourself an expensive sound card, and an expensive professional sound system to go with it, and come back and tell me you still dont think it makes a difference.

    Heh. But if someone needs "an expensive professional sound system" to tell the difference, then to the consumer, there really is no difference. And guess what? The target market is consumers.


    ---
    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    1. Re:Expensive professional sound system? by CyberKnet · · Score: 1

      Yeah, that's true. I guess my argument is that "192kb MP3" isnt "CD-Quality", by virtue of being MP3. Its not the same ball park, and they're not making it obvious that this isnt real "CD-Quality".

      I figure that people who know the difference have the right to know that what they're buying isnt what they think ... *shrug*

      ---

      --
      Video meliora proboque deteriora sequor - Ovidius
  95. Re:No new format in 20 years??? by Shitsack+Comments · · Score: 1

    Sorry - No USEFUL format in 20 years you babbling fuck.

    --


    Yum
  96. Can I make a few suggestions? by roystgnr · · Score: 2

    Ignore all replies that don't mention the bitrate of the MP3s.

    Take all replies that don't mention the encoder, or who didn't try a "blind taste test", with a grain of salt.

    Keep in mind that listening to any MP3 though most computer speakers is not going to sound as good as listening to CD audio through most stereo systems, and that 99% of the MP3s on Napster were apparantly ripped and encoded by poorly trained monkeys.

    Check out this site for the best discussion of MP3 quality I've ever seen, including the link to a German computer magazine's test of 300 audiophiles. 90% of the 128kbps MP3s were rated as worse than CD Audio; the 256kbps (constant bitrate) MP3s were not.

    I personally can hear the difference between (constant bitrate) 128 and 192 kbps, but not between 192 kbps and CD Audio. My roommate is happy with 160. My one audiophile friend reencoded all his music at 384kbps after discovering how lousy 128 sounded through $2000 speakers.

  97. Wasteful packaging.... by VSarkiss · · Score: 2
    So the discs are the size of a 25-cent piece, but the package will be the size of a jewel case?
    Talks continue with retailers, who may be amenable to stocking a new format that fits in current racks -- DataPlay discs can be bundled in CD-size packages -- and that offers them a cut of future electronic sales.
    If they choose to "bundle" one in a package, that sounds even more wasteful than the old double-high music CD packages.
    --
  98. Sreaming Music by Husaria · · Score: 1

    Well, I guess its now official: the RIAA is pulling shit out of their ass to stop the mass distrubiutions of music. Too bad whatever they pull will be shoved right back in! Expect the crack within days of debut.

  99. This has already been discussed on /. before ... by pherris · · Score: 1

    http://slashdot.org/article.pl?sid=01/02/08/062321 6&mode=thread

    --
    "And a voice was screaming: 'Holy Jesus! What are these goddamn animals?'" - HST
  100. it's not the last step by ghoti · · Score: 2

    Okay, this is somewhat off-topic, but I want to take issue with this statement in the write-up: "Of course its an intermediate step before we simply stream all audio from the net" - no, I don't think it is.

    Storing all your data "on the net", getting all your music "from the net" - that has been promised for quite some time. Oh, and there was "the network is the computer", too.

    Now I don't think networks will ever replace storage media. Of course, everything has to be stored somewhere, but that's not what I mean. When I copy a CD to MiniDisc, for example, it is available to me, and I can take it with me. I don't depend on the infrastructure I would need to download the music. Yes, I know, eventually, every place on earth will have wireless access at 5 bazillion terabytes per nanosecond, but we are far from that now. And then, why should I pay for streaming the music? And even if I paid a flat fee, why should I waste resources (frequencies) to do that, if I can have the data in my pocket, easily?

    Another point is access speed. No network can ever be as fast as locally existing media. I can easily and very quickly browse the stuff on my harddrive and find everything at once. That is not the same with the net, which takes much, much longer. And the network is certainly not as reliable as my harddrive. Yes, it gets better, and there are few problems now. But still, there are many more things that can go wrong, so it's much more likely to be a problem.

    And last, but not least: Despite all the talk about leasing music and selling services, there is something very deep inside us that simply wants to own things. I own my CDs, I can take them in my hands and be sure I got something real for my money. Yes, it's stupid, but I think it's something very basic. And it doesn't matter what the media look like that we buy, but we will want to buy things in the future, too, not just some abstract data streams.

    Phew, that's a bit more than I thought I would write ;-) Any opinions?

    --
    EagerEyes.org: Visualization and Visual Communication
  101. What is this, a joke? by joshamania · · Score: 3

    You've got to be kidding me? Another format? Of course, I know the RIAA doesn't "get it", and they probably never will. This new format is ridiculous. So you've got these little discs now. Great. What ever happened to the mini-disc, what was wrong with that? It was small, it was recordable...oh, wait, the record cartels did not control the distribution media of the mini-disc.

    My advice to all of you who own stock in any of the big five cartels...sell it. You're revenue streams will evaporate. Face it, if you make money from a record company and you are not a recording artist, than you are a parasite. Don't try and justify it, just accept it and move on, because the new methods of music distribution are like a flea & tick collar and you are going to lose. Get out while you can.

    1. Re:What is this, a joke? by iceT · · Score: 2

      What ever happened to the mini-disc, what was wrong with that? It was small, it was recordable...

      ...it was proprietary.....

      --
      -- You can't idiot-proof anything, because they're always coming out with better idiots.
    2. Re:What is this, a joke? by Sc00ter · · Score: 1
      Right on the money..

      See Betamax


      --

  102. This is not new! by macsforever2001 · · Score: 4

    This is hardly new news. The company is DataPlay. There was an article in Slashdot about them and their technology a few weeks back.

  103. Great by SpanishInquisition · · Score: 1

    Now I can eat all the Metallica discography and poop them.
    --

    --
    Je t'aime Stéphanie
  104. Umm.. by Maxwell_E · · Score: 2

    We already saw this...

    http://slashdot.org/article.pl?sid=01/02/08/0623 21 6&mode=nested

    Editorial jokes aside... It hasn't even been a month for petes sake.

  105. Typical music exec attitude by ideut · · Score: 1
    Prerecorded cassettes fell to 76 million shipped last year vs. 123 million in 1999, the industry says. "We are in need of a new format", says BMG's Sami Valkonen.

    Nothing along the lines of "consumers want a new format". Just "we're not getting enough cash from an obsolete format, and we're so incredibly arrogant that we think we can force it down eveyone's throats"

    Actually, these things would sound fantastic if it weren't for all the copy protection malarky. I mean, it's going to be a number of years before 500MB of flash memory costs $5 - $12. Going by current trends, it will be over a decade. These tiny media will provide a very nice stopgap, thank you very much (just as soon as they are uncrippled / (cr | h)acked / whatever)

    As for Taco's comment about being "an intermediate step before we simply stream all audio from the net", err, did you realise that the primary market for these media is going to be portable devices? Apart from the expense of the bandwidth to stream mp3 over UMTS (when it finally arrives) you're going to need a hell of a battery pack to give you 12 hours solid listening mate.

    --

    --

    1. Re:Typical music exec attitude by ideut · · Score: 1

      twat. I'm talking about flash

      --

      --

  106. this will lead to *real* theft by while · · Score: 1
    Forget about the theft of IP -- physical theft is much easier. Just slip the CD into your pocket, and... Does anyone see another "longbox problem" on the horizon? How the hell can these be packaged in any kind of environmentally sane way?

    (end comment) */ }

    --

    (end comment) */ }
    [an error occurred while processing this directive]

    1. Re:this will lead to *real* theft by raju1kabir · · Score: 2
      Just slip the CD into your pocket, and... Does anyone see another "longbox problem" on the horizon? How the hell can these be packaged in any kind of environmentally sane way?

      Very good question. It'll be especially interesting to see what happens on BMG's home turf (Germany), where rules on excess packaging are extremely stringent.

      I suppose they could use those big plastic exoskeletons that have to be removed by the cashier with a special tool. But they certainly haven't been terribly popular to date.

      --
      "Patriotism is your conviction that this country is superior to all other countries because you were born in it." -- GBS
    2. Re:this will lead to *real* theft by Steel+Reserve · · Score: 1

      Maybe if you buy a full album box set, they'll package them in the rolls quarters come in at the bank. =)

    3. Re:this will lead to *real* theft by Skapare · · Score: 2

      Vending machine. Slip in 100 quarters. Get 1 back.

      --
      now we need to go OSS in diesel cars
  107. Difference schmifference by Andy+Social · · Score: 2

    I think we can pretty much say that DataPlay disks will replace cassettes, with lower-quality sound than CDs but higher capacity.

    Consider this analogy, if you will: 35-mm cameras and APS cameras. APS cameras have demonstrably lower quality, objectively speaking. Yet, people love APS cameras. Why would someone put up with low-quality crap? Because it's good enough. APS film is 35% smaller than 35mm film, yet because of the convenience of its intelligent processing and the cool-factor of panorama shots, it has gained a nice toehold in the market. But, the 35mm cameras aren't going anywhere, because people who care about the absolute best images, and the best control of the photography, spit on automated point-and-shoot gimickry, and use 35mm or large-format cameras.

    I see the same situation possibly coming into play with the DataPlay disks. The amazing convenience of putting a handful of albums in your pocket will outweigh the (relatively minor for most purposes) difference in audio quality.

    --
    Illegitimi non carborundum
  108. Re:Waa-fsckin-waa (or, Go to Concerts instead) by general_re · · Score: 2

    Whoa there, cowboy! Jeezus, did I hit a nerve or what? The guy asked if anyone can really tell the difference - I can, and I bet you can too. Let me make myself crystal clear - 256k .mp3 is just fine for everyday use.

    The question asked about .mp3 as compared to the original, and I responded with my own opinion about that comparison. Don't take it personally - it's just my opinion, and it's neither whining nor complaining about the quality.

    --
    ABSURDITY, n.: A statement or belief manifestly inconsistent with one's own opinion.
  109. How about CDs by acomj · · Score: 1

    In 1980 You couldn't find any CD's...

  110. group 3.... by chocolatetrumpet · · Score: 1

    Group 3: those who don't listen at all.

    My friend at school regularly has mp3's playing on his computer. The computer is regularly overloaded with tasks and regularly skips.

    He regularly _doesn't notice!_

    Some people are just different.

    --
    Spoon not. Fork, or fork not. There is no spoon.
  111. Circumventing DataPlay Copy Protection by bacchusrx · · Score: 2

    If push came to shove, could you simply not connect all the audio-out ports on your stereo to your soundcard and hit "Record?"

    How exactly do these new DataPlay discs thwart music thieves?

    I mean: a decent sound system can be wired to a decent sound card to produce a re-digitised product "as good as" the original and then compressed back into MP3, no?

    What I find so interesting about Napster and it's recent downhill battle with the RIAA is that it has started forcing people to *think* about the level of corporate control in our lives...

    I mean, Napster & it's distributed filesharing equivalents are _insanely popular._ If the laws are, supposedly, by the People and for the People -- shouldn't these People decide whether or not the copyright laws are valid?

    I wonder though if Good Old American Apathy will set in, again... I mean, how many Napster users will stand up and say, "I believe this activity is moral and should be legalised." Or, just as everything else from speeding to marijuana, will we simply keep breaking the rules rather than reforming them?

    Hm... how does that quote go? To live legally is to live immorally, to live morally is to live illegally?

    BRx.

    --
    Life after capitalism? The participatory economics project
    1. Re:Circumventing DataPlay Copy Protection by bananapeel17 · · Score: 1
      I mean, Napster & it's distributed filesharing equivalents are _insanely popular._ If the laws are, supposedly, by the People and for the People -- shouldn't these People decide whether or not the copyright laws are valid? I wonder though if Good Old American Apathy will set in, again... I mean, how many Napster users will stand up and say, "I believe this activity is moral and should be legalised." Or, just as everything else from speeding to marijuana, will we simply keep breaking the rules rather than reforming them?
      I think a majority of the people who use napster realize, at least on some level, that they are getting something for nothing and that's not the way things work. There is a vocal minority that thinks it isn't fair that they can't get any song they want at any time for free. Most people accept speed limits because they realize that you can get killed by the guy in the camaro who thinks he's a good enough driver to go 150 around the corners on the interstate. I think most people also realize that people work to create music and most people prefer to get paid for their work. If someone wants to produce music and give it away for free, more power to them. Most bands and all record companies make a living by selling music. It's logical these people want to promote a new technology that will help them do that. Maybe it's not "Good Old American Apathy" that keeps these laws around, maybe (just maybe) people actually agree with them.
      --
      Somebody please tell this machine I'm not a machine -
  112. Why the new media??? by Dman33 · · Score: 3

    Prerecorded cassettes fell to 76 million shipped last year vs. 123 million in 1999, the industry says. "We are in need of a new format," says BMG's Sami Valkonen.

    So, really old technology (cassettes) starts falling off so they need a new format??? They make it looks like the industry is not doing well or they are losing sales! My question is how the CD sales are going?!

    Answer: Up only ~$400 Million USD for US sales only.

  113. If you have a good soundcard... by _Upsilon_ · · Score: 1

    Correct me if I'm wrong, but if you have a decent-quality soundcard you could still connect the headphone out on the player to the line in on your soundcard to capture an analog stream. This stream would do fine as an MP3 (and depending on the quality of it to burn to a "classic" CD)

  114. A patented format - I think not by WinPimp2K · · Score: 1

    This is just the hype from the folks holding the patents. Sure there web site is full of pretty graphics of "products" that will use the new disks. But

    Who in the hell is going to pony up the 5$ to $12 US per disk the wankers are quoting as their prices for the media.
    Yeah I'm sure the member studios in the RIAA are going to increase ther cost per disk by an order of magnitude - why the price for the new Brittney Aguilera album would be like $180.00 once everyone in the distribution chain passed the cost increase along.
    Sorry, those little disks look jus as cute as a button and are about the same size, but I have better uses for my money.

    --

    You either believe in rational thought or you don't
  115. If it's the size of a quarter.... by Calamere · · Score: 1

    can I put it in a payphone a make a call?

    Seriously... it could be used like a phone card. Put it in the phone, phone reads the data off of it to tell how much time you have, call goes through. Course you'd have to have something to read and write to the quarter built into the machine and it's probably not worth it.

    But you wouldn't have to carry around a bunch of quarters.... only one.

    Actually scratch all that.... it's just a bad idea.

  116. Let them sell them. by Raymond+Luxury+Yacht · · Score: 2
    "Labels may see DataPlay as a way to get ahead of the trend in ultrasmall MP3 portables -- and a new way to sell music in a format fully protected from copying."

    Let them sell the little buggers to their black little hearts content. *shrug* Nothing can make me or anyone else buy them.

    I and all users would have a choice. Either:
    • Stick with larger CD's and current hardware technology, and continue to have the freedom to compile our own mixes if we want.

    OR
    • Purchase new and quite likely over priced technology which would restrict the use of said smaller media.


    Now... I'm not going to any MENSA meetings, but you really have to be rucking fetarded to either puchase these mini cd's or think that average public would be stupid enough to buy them.

    hmmm... on second thought... Full House was on the air for 8 years.
    --

    Ceci n'est pas une sig.
  117. K says ... by thomp · · Score: 1

    "Looks like I'll have to buy the White Album again."

    --
    .sig
  118. Ponderings... by Misch · · Score: 1

    Hardware makers such as Rio, Samsung and Toshiba are expected to offer new music players (at about $200-$300 to start)

    Translation: It's not going to be *overly* popular with consumers initially. It's going to have to be RIAA saying "We're not going to buyback cassettes anymore" to actually get stores to adopt this technology (That's how records went out, and CD's came in.)

    "locked" until users pay for them via the Web.

    I wonder how this is going to be implemented. I'm guessing since the media is write-once, it's going to be some sort of key-based system, which means that key will be good on only one player. (Sounds like fair use is going out the window if that is true.)

    Talks continue with retailers, who may be amenable to stocking a new format that fits in current racks

    Sure, drop it in a CD case, like so many other things these days. I'm not so sure that music retailers will be too happy to be selling products where additional musical sales are funneled through the web, instead of their own cash registers...

    --

    --You will rephrase your request for me to go to hell. Goto statements are not acceptable programming constructs
  119. mp3 vs CD sound quality by iainl · · Score: 1

    Yep, telling the difference is easy on decent equipment. Not that this is really to the point here; I would imagine the main reason for putting 5 hours of music on a disc that small is for walkman type devices.

    While I can easily tell the difference at home on a hifi (and even CD is noticibly worse than SA-CD or a sufficiently expensive record deck), I doubt many people can notice MP3's shortcomings on a tiny pair of headphones in a busy shopping precinct - this should be fine for music on the move where little vocal crunches and the type are drowned out by background noise.

    --
    "I Know You Are But What Am I?"
  120. ...and MP3's by Sebby · · Score: 1
    Add to that MP3's (just because the idiots at the RIAA don't want to use it doesn't mean it isn't a new useful format...)

    Mr. Volk has obviously been hidding under a rock for the past 20 years....

    --

    AC comments get piped to /dev/null
  121. End of an artform by jhines · · Score: 1

    Remember when people put effort into album covers?

    Sticky Fingers, Yes albums, In the Court of the Crimson King, Dark Side of the Moon, and too many more to name. All had substantial creative effort put into their designs.

    Mostly lost in the age of the CD, reducing the size even further puts the nail in the coffin of this artform, the album cover.

    1. Re:End of an artform by Junior+J.+Junior+III · · Score: 1
      Mostly lost in the age of the CD, reducing the size even further puts the nail in the coffin of this artform, the album cover.

      One door closes and another opens. All those postage stamp designers who went on permanent layoff when email replaced snail mail will all have new jobs designing cover art for DataPlay albums.

      I rang, you rang, we all rang for orangutang!

      --
      You see? You see? Your stupid minds! Stupid! Stupid!
  122. Re:No new music formats?!?(remember the 80's?) by elmar(a)unixcode.net · · Score: 1

    *ahem*
    I recall listening to 'license to ill' on
    CASSETTE
    TAPE
    but, perhaps that compact format, that lasted for years when maintained, wasn't significant.

  123. Why do makers of things assume... by MattGWU · · Score: 1

    ....that smaller is *always* better!? How much smaller are cell phones, for example, going to shrink until you can't talk into one end and still be able to hear in the other? I don't want a match box with a numeric keypad...I want something I can hold comfortably and not break if it gets sat on! And these tiny miracle CDs with magical compression algorithms, special features and encryption so tight, your Britney Spears won't be cracked for at least three times as long as the universe is old! The point has been made before about putting these things into soda machines or lost in the sofa like spare change. Knowing the RIAA, these things sure won't cost spare change, so the lost won't be trivial. Then, of course, you'll need a tiny player for this new wonder format. Thing will be so small, it will probably be a device in line with a pair of headphones. Can I interest anyone in some inline stream encryption? Oh, and convenience of conveniences, there's no good way to get the music off this cute lil' button and onto your computer (and henceforth onto the Napster of the Nanosecond (tm))

    Well, ApSci 113 draws near, and I think I lost my PDA in the lint trap last night...

    --
    "These people look deep within my soul and assign me a number based on the order in which I joined" --Homer re:
  124. net stream? no thanks by heh2k · · Score: 1

    why would you want to pay for the bandwidth to download a song, everytime you want to listen to it, instead of recording it to media or buying the media pre-recorded?

    also, mp3s (a standard stream format) do not sound as good as cd audio. hopefully, in the future, we'll have higher res audio (24bit 50khz, > 2 channels), not effectively lower rez (mp3).

  125. Clockwork Orange by fohat · · Score: 1

    This is reminiscent of the discs that were on "A Clockwork Orange". hmmm life imitates art, except its got florescent clear plastic packaging why does everything hafta have florescent clear plastic these days?

    --
    Is there heaven? Is there Hell? Is that a Tuna Melt I smell?-Primus
  126. 3 words by cesspool · · Score: 1

    doomed-to-fail

  127. SO sheltered... by AugstWest · · Score: 2

    Of course its an intermediate step before we simply stream all audio from the net

    OK, I realize that this is news to the /. crew but.....

    NOT EVERYONE IS ON THE NET. Online music sales, even if you counted every single napster download as a sale, don't begin to touch the amount of music that is sold through normal channels.

  128. Re:Minidisc for storing other than music? by Technician · · Score: 2

    SONY in all the wisdom they have decided to make two kinds of MD's. One is a DATA MD. It can be used for comupter programs and other binary uses. It can not be used to cut a MD mix to play at your party. This is because it can be copied. The other format is the Music MD. It has serial copy protection built in. Their is no getting the original binary recording back off the disk. A copy does have a generation loss and the number of generations are set in the software. Unlimited copies of copies do not happen. The copy is not the same as the original. Because the original demand was for music, the data discs got no shelf space. Computer interfaces were even more scarce. Now they are a hard to find specialty item at 5 to 10 X the price of a music blank. CDRW took SONY's market on that one as a blank could be used for either purporse and didn't have serial copy protection. Free market forces went around the roadblock. I see a competitor to DataPlay entering the MD market with a portable MD MP3/Data walkman/external computer drive that will fill the void in the market!

    --
    The truth shall set you free!
  129. No problem here... by iainl · · Score: 1

    "Second, AOL en Compuserve CD's made such nice coasters for my all my cups of coffee. Does smaller CD's also mean smaller cups of coffee?"

    I say great! I'm in need of some matching espresso coasters for my nice latte ones.

    --
    "I Know You Are But What Am I?"
  130. Stream everything off the net? by v2 · · Score: 1

    I like to go in record stores and look at cds. I like to see and feel them. When I buy music, I like to have the covers, the leaflets, the full experience. Even if it's not an 12" vinyl, it's still a physical record with a physical presence, with it's physical cover art. If the media goes down to the size of a quarter the cover art would probably go down to about the size of a minidisc. Yuk. Not to mention having no media at all. Whoopee, I've got a .jpg of the cover.

    And to stream everything off the net? This geek 'utopia' is far from A Good Thing (tm). I like to go on the bus and listen to music. I don't wan't to pay by the minute to listen to music I already purchased. Also, not everyone has an wireless internet connection. Hey, there are even people on this planet who don't have an internet connection at all! Also, the sound quality? When you pack something with a lossy compression, you will - suprise, suprise - lose something in the compression.

    If streaming would become the trend, cds (or whatever the media is at that time) wouldn't probably die, but it would be increasingly difficult to find what you're looking for in a physical form. Yes, you could (I hope) always burn it yourself, but if I'm paying for it, I don't want any extra hassle for me to be able to listen to it.

    I'm getting very bad vibes off both geek and RIAA fronts..

  131. yes by Smallest · · Score: 1

    at the typical naspster bitrates (128, 160), there is a distinct "MP3" sound. to my ears it sounds like it's been put through a very subtle phaser (groovy 70's guitar effect).

    it's probably much worse on anything better than my crap-ola PC speakers.

    -c

    --
    I have discovered a truly remarkable proof which this margin is too small to contain.
  132. Ummm... by CrayDrygu · · Score: 2
    Music "hasn't had a new format in 20 years," says DataPlay CEO Steve Volk. "It's time to do something new, something smaller, better and more versatile."

    Wow. This guy obviously doesn't use any of this stuff himself.

    1) Time to do something new? I don't think so. CDs are more popular than ever, and CD-R drives are just recently entering the price range that Joe Average wants to pay for them.

    2) Something smaller? Definitely no, not for me anyway. I lose CDs often enough, and they're 5 inches across. I don't need to be trying to keep track of 3/4" discs.

    3) More versatile? I fail to see how this applies. These discs supposedly hold 5 hours of music or 500mb of data. 80 minutes is hard enough for me to fill up, same for the 700mb in terms of data. If these discs do both at once, that's an improvement, but the article wasn't clear on that.

    However, it's not going to be more versatile at all until it become ubiquitous. That's why I bought a CD burner instead of a SuperDisk drive. The LS-120 disks would suit my needs just fine...until I need to share data with a friend, or bring things between work and home.

    Yeah, CDs suffered the same issues early in their life, I'm sure. And how long did they take to catch on? If they're 20 years old like the guy says, it took about 10 years or more, didn't it? I wouldn't expect these discs to catch on much sooner. People are just now getting comfortable with CDs.

    --

    --

    --
    "I personal[ly] think Unix is "superior" because on LSD it tastes like Blue." -- jbarnett

  133. No new format in 20 years??? by Asikaa · · Score: 5
    'Music "hasn't had a new format in 20 years," says DataPlay CEO Steve Volk.'

    Uh, MiniDisc?

    '"It's time to do something new, something smaller, better and more versatile."'

    Uh, MiniDisc again?

    Nothing quite like conveniently forgetting something for marketing purposes.

    Asikaa

    --

    Asikaa
    Come in, twenty-seventy-seventy, your time is up.

  134. No, just say no. by Dest · · Score: 1

    This won't work. You think I am gonna go out and buy a player, a burner, and more CDs?? Bah! Only fools will do this. The big five are just trying to hang on as long as they can. I guess this is their last defense.

  135. It'll be DeCSS all over again. by larard · · Score: 1

    How is this going to be any more secure than DVDs?

    If the format is ever available as pure data format, and we can get readers for these, someone sooner or later will decrypt these songs so that they can listen to them on these devices too.

  136. Re:CDs cost too much? by jms · · Score: 2

    What license? CDs don't come with a license. They are covered by ordinary copyright law.

    The reason why you can listen to your CDs all you want without permission of the recording company isn't because you're licensed to do so. It's because private listening to a CD isn't one of the "exclusive rights" granted to copyright holders in Title 17 Section 106:

    Sec. 106. Exclusive rights in copyrighted works

    Subject to sections 107 through 121, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:

    (1) to reproduce the copyrighted work in copies or phonorecords;

    (2) to prepare derivative works based upon the copyrighted work;

    (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending;

    (4) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly;

    (5) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work, to display the copyrighted work publicly; and

    (6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.

  137. Waa-fsckin-waa (or, Go to Concerts instead) by donutz · · Score: 1

    You know, with all the people who complain about the quality of music encoded as MP3 vs Ogg vs the original CD....It just makes me sick. I mean, the recorded music you're listening to was all doctored to hell anyway to make it sound right. I say, just go to the concerts by these artists and hear the music how it really sounds, and stop your frickin' whining, it's pissing me off.

  138. Trying to rip off the coke company, are ya... by asparagus · · Score: 3

    ...you know that Aerosmith isn't worth a quarter. ;)

  139. Or redundancy... by b0z · · Score: 2

    You could accidentally put the Aerosmith minidisk into a jukebox...in order to play an Aerosmith song.

    --
    Mas vale cholo, que mal acompañado.