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What Math Actually Sounds Like

cellophane writes "If Verdi had a math fetish and a computer, would he be John Greschak? Greschak composes music based upon the mathematical properties of various mathematical objects (e.g. a six-sided die or pentominoes). He writes computer programs to realize devised algorithms and uses the results of these processes as source material for musical pieces. Greschak's newest addition, Platonic Dice: Dodecahedron for 12 woodwinds, was created by using musical material derived from the mathematical properties of one of the Platonic dice. Well, its not Verdi, but its definitely interesting."

131 of 185 comments (clear)

  1. Great, now can we expect... by gregwbrooks · · Score: 4, Funny

    ... to see thousands of web-porn banners screaming "see Dodecahedrons in hot back-stage action now!!!"

    --


    "It was a summer's tale: Just a boy, his Linux, and a head full of dreams..."
    1. Re:Great, now can we expect... by rudiger · · Score: 1

      i don't get it.

    2. Re:Great, now can we expect... by dirkdidit · · Score: 1

      The story post had "math fetish" and "mathematical objects" in it. I think that explains it.

  2. I don't like it as much as mallcore by SexyKellyOsbourne · · Score: 5, Interesting

    It's not as good at the latest crazy town album, but in case it's slashdotted -- it sounds very strange, twangy, almost random, and VERY, VERY dissonant. However, it's quite beautiful.

    Fractal Music is quite interesting, as well, and oddly it still sounds more orderly than Platonic Dice.

    1. Re:I don't like it as much as mallcore by gedanken · · Score: 2, Informative

      I remember Fractint having a few fractal based songs. My favorite "math" music though has to be Aphex Twin! .

    2. Re:I don't like it as much as mallcore by mattdm · · Score: 2

      Hmm; it's based on the mathematical properties of dice, and it sounds almost random. Hmmm.

  3. I could have saved them effort by christurkel · · Score: 1, Funny

    To be math sounds like "No! What do you mean it didn't check!" or "What do you mean, pi r squared?"

    --

    CDE open sourced! https://sourceforge.net/projects/cdesktopenv/
  4. Yup, pretty much like I thought by McCart42 · · Score: 5, Funny

    I anticipate that Hilary Rosen and Jack Valenti will spend the hereafter listening to this, if there is any sense of justice in the afterlife.

    --
    "I may be quite wrong." - Socrates
    1. Re:Yup, pretty much like I thought by awfwal · · Score: 5, Funny

      If there was any justice in the afterlife, the would be listening to boy bands.

    2. Re:Yup, pretty much like I thought by Cruciform · · Score: 2

      If they could find a 17 year old girl with a tight ass and large breasts to gyrate to it, they'd already have publishing rights.

    3. Re:Yup, pretty much like I thought by discogravy · · Score: 2

      if there were any justice they would be in boy bands ....with hideous hellish contracts.

  5. AI composers? might not be far away. by johnstein · · Score: 1

    since music is based on math anyway, i don't see why it isn't possible to write a program to generate pleasing music... or at the very least, some basic music themes.

    true, computers are a long way away from replacing humans, namely since sometimes the most interesting piece of music to the human ear isn't always the most mathematically pleasing.

    -John

    --
    "The definition of insanity is continuing to do the same thing and hoping for different results"
  6. Reminds me of a star trek Voyager episode... by CoolVibe · · Score: 3
    ...where the EMH was teaching some alien race about music and art. Also "music" from mathematical models were played with...

    Julia sets would sound pretty cool I gather :)

    1. Re:Reminds me of a star trek Voyager episode... by certron · · Score: 2

      I think the interesting thing (if we are thinking of the same episode) is that he was replaced by a 'more perfect' singing program, whereas he had tried very hard to make his program adopt certain human tones and styles.

      Even if the new program was technically better and/or more accurate, the doctor wasn't terribly happy about being replaced...

      --

      fair.org counterpunch.com truthout.com indymedia.org salon.com
      eff.org guerrilla.net debian.org gentoo.org
    2. Re:Reminds me of a star trek Voyager episode... by CoolVibe · · Score: 2
      Yes exactly! That episode is what I meant.

      Imagine how musicians worldwide will feel if they get replaced by mathematical algorythms. I myself am a guitar player, I'm not fantasically good, but probably better than Taco (I know more than 3 chords, heh), but I would hate it too if people preferred fully computer-generated music over the warm acoustic tones of my 6-string.

  7. What die do I use by teamhasnoi · · Score: 5, Funny
    to make a saving throw against the MIDI sounds coming out of my speaker?

    Please hook up a sampler and record it that way.

    I like the music, its just that the MIDI kills me.

    1. Re:What die do I use by CoolVibe · · Score: 3, Insightful

      Then get a decent wavetable synth capable sound card. Geez.

    2. Re:What die do I use by dubiousmike · · Score: 4, Informative

      Try Roland's software synth.

      I think its free and has pretty decent sounds.

  8. puhhhlleeeassseeee by Monkelectric · · Score: 5, Insightful
    Music has mathmatical patters, that does not mean math makes good music. People have been trying to discover algorithims which can generate music for years, and this guy has not advanced the science any.

    This is truely one of the worst things i've ever heard. And I own a gravel album so thats saying quite a lot.

    --

    Religion is a gateway psychosis. -- Dave Foley

    1. Re:puhhhlleeeassseeee by tomstdenis · · Score: 5, Funny

      I agree. Man was that horrible. I could make better music by dropping a drum set down a Tibetan mountain side.

      Tom

      --
      Someday, I'll have a real sig.
    2. Re:puhhhlleeeassseeee by symbolic · · Score: 2

      I haven't listened to it yet, but this effort reminds me of the time I spent in college (as a comp major) listening to Cage and some of the other more, um, differently-thinking composers. I remember one piece we heard in class, entitled "36 Variations on a Door and Sigh." Granted, this isn't mathetmatical, but it's every bit as um, abstract...yeah, that's it...abstract.

    3. Re:puhhhlleeeassseeee by QueenNina · · Score: 1

      One of the reasons I quit being a composer was because I was sick of listening to people brag about how they 'created "music"' (I use double quotes because those are doubly sarcastic :) ) by plugging in notes to algorithms, shapes, graphs, and the like. All it is is people trying to be 'unique' (just like the thousands exactly like them) by filling in notes instead of actually sitting down and writing music. It was an interesting concept like 50 years ago when people started messing with it (notice I still don't call it music); now it's just tired and cheap. Ahhhh... I've been waiting to whine about this for YEARS. :)

    4. Re:puhhhlleeeassseeee by NortWind · · Score: 1
      Cage's compositions at least have a warmer more human feeling.

      Warmer and more human like his 4'33" composition?

    5. Re:puhhhlleeeassseeee by namespan · · Score: 3, Interesting

      The aesthetic qualities you hear in music are all in the functions you use to map a mathematical pattern to sound. One that corresponds to your aesthetics will sound good. One that doesn't won't.

      I've been doing this sort of thing since high school, on and off. The conclusion that I came to about five years ago is that there might actually be a reason why most scales/tonal systems people have come up with have some basis in the harmonic series. Since then, it's been interesting trying to come up with algorithms that work with it.

      Why am I not posting links? Because this is done in my spare time, and what I've come up with is still crummy. But I think the idea might be significant...

      --
      Libertarianism is rich wolves and poor sheep playing gambler's ruin for dinner.
    6. Re:puhhhlleeeassseeee by c13v3rm0nk3y · · Score: 2

      The classic text on the music-math connection is still being used to teach some technical theory classes: "On the Sensation of Tone" by Hermann Helmholtz. It's a fascinating (though dry) read if you enjoy reading about math.

      When I was studying Computer Science, one of the things that really struck me was how similar some of the problem solving was between data structures and musical composition.

      Of course, there are a lot of similarities between human languages and computer science, as well. These are Big subjects with a lot of different facets, so they are bound to overlap. That's what makes it fun!

      --
      -- clvrmnky
    7. Re:puhhhlleeeassseeee by IcEMaN252 · · Score: 2, Informative

      Can't argue there. If you look at Mozart or Bach, there music is FAR from random. Good music is very calculated. Even heavy metal usually has some sort of order to it. Whereas, as I understand it, this has none.

      --
      CitrusTV (http://www.citrustv.net): the Nation's Oldest & Largest Entirely Student-Run Television Station
    8. Re:puhhhlleeeassseeee by symbolic · · Score: 2


      Granted, I can't see that my knowledge of Cage's work is complete, but I eventually grew to like an artist that's somewhere in between some of Cage's work, and something that's easier to deal with- the father of minimalism himself, Steve Reich. Interestingly, some of Reich's music is anything BUT minimalist.

    9. Re:puhhhlleeeassseeee by Jace+of+Fuse! · · Score: 1

      Well, its not Verdi, but its definitely interesting.

      Well, it's not pretty, but its definitely interesting.

      --

      "Everything you know is wrong. (And stupid.)"

      Moderation Totals: Wrong=2, Stupid=3, Total=5.
    10. Re:puhhhlleeeassseeee by falzer · · Score: 1

      I agree. Man was that horrible. I could make better music by dropping a drum set down a Tibetan mountain side.

      Isn't that what skinny puppy did? Sure sounded like it.

    11. Re:puhhhlleeeassseeee by Observer · · Score: 1
      I could make better music by dropping a drum set down a Tibetan mountain side.
      Drop the drummer. Less irritating to the Tibetans, and the effects last longer.
    12. Re:puhhhlleeeassseeee by MrFredBloggs · · Score: 1

      >It was done on a piano, and he stuck wooden blocks and other objects under some of the strikers to change the sound

      A lot of his music uses "prepared pianos" - Here is a link, including some samples (which i`ve not listened to!):

  9. You want math and music? by Drunken+Coward · · Score: 2, Insightful

    Listen to some Mozart. The man was a mathematical genius.

    --
    Have you been stalked by Seth today?
    1. Re:You want math and music? by hitzroth · · Score: 4, Insightful

      Bach. Not Mozart.

      --
      In mathematics, one does not understand things, one merely gets used to them.
      --VonNeumann
    2. Re:You want math and music? by Anonymous Coward · · Score: 2, Interesting

      Yes, Bach was mathematical, but only in the formulaic sense. Mozart's tabular melodic composition system, on the other hand, was pure mathematical genius.

    3. Re:You want math and music? by Alyeska · · Score: 2
      a.) Mozart's involvement is highly disputed. Most scholars feel he had nothing to do with it. More here

      b.) It isn't genius. It's the most simplistic music theory. Clever, maybe, but not even close to genius.

  10. Where's the emotion? by manly_15 · · Score: 4, Insightful

    The poster was right - this is not Verdi. Music is not just an expression of mathematical equations. What these compositions are missing is the feeling, the tension, the journey that music should take you on. Serious music lovers like myself all would say that the best music is that which is filled with emotion. That includes classical music like Beethoven and Handel; it also (at least IMHO) includes newer music from bands like The Tea Party, Our Lady Peace, or my favourite indie band, Das Radio.

    The true breakthrough will be when equations can be used to create music with emotion. Unfortunately, that will probably be years away...

    1. Re:Where's the emotion? by MagPulse · · Score: 3, Interesting

      Even if software was written to create music that fooled people into believing a human wrote it, would people want to listen to it? When I listen to music, I want to know there's a real person behind it, who is going through the human experience just as I am. Maybe if a robot, or even body-less artificial life, some day composes music it will be worth listening to, but true human-composed music will always have some appeal to it.

    2. Re:Where's the emotion? by Alyeska · · Score: 1

      Cringing in anguish *is* an emotional response, non?

  11. for 12 woodwinds? by Drunken+Coward · · Score: 5, Funny

    Sounds like "for 12 monkeys with kazoos."

    No, I take that back. It didn't sound that good.

    --
    Have you been stalked by Seth today?
  12. Worst. Music. Ever. by nuc134r+m4n · · Score: 1

    Worst. Music. Ever.

    --
    nuc134r m4n
    1. Re:Worst. Music. Ever. by dirkmuon · · Score: 2, Funny

      No, it's not.

      Britney.

  13. Analyzing music, not creating it by Anonymous Coward · · Score: 2, Interesting

    Music has mathmatical patters, that does not mean math makes good music. People have been trying to discover algorithims which can generate music for years, and this guy has not advanced the science any.

    True enough. The only good overlap I've seen between mathematics and music has been the use of math to analyze music written by humans. For an example of such analysis, please refer to the landmark work by Meloon and Sprott.

  14. Music is random. by Big+Mark · · Score: 1

    Think about it - even the most mathematically simple bits of music (r'n'b background music, three-chord punk, etc) rely on the utterly random variations in the human voice to make them interesting. While you could concievably generate some interesting musical backdrops using computers, unless you're that type of person who spends a thousand notes on headphones you're not going to notice.

    Still, it beats The Ketchup Song.

  15. Roll your own... by Black+Parrot · · Score: 5, Informative


    I haven't tried it yet, but a couple of days ago a message went out on guile-user saying that the Common Music composition language has been ported to GUILE. (It is a Lisp-based program that already worked with several varieties of Lisp; see the link for more info.)

    It supports ordinary composition, but its toolbox supports stuff like random selection and interpolation into envelopes, which ought to make exploitation of the mathematical properties of objects pretty easy.

    --
    Sheesh, evil *and* a jerk. -- Jade
  16. D&D by TheAntiCrust · · Score: 1

    Music based on the mathematics of dice? Sounds like music to play D&D by.

  17. I've heard this music before by dfn5 · · Score: 5, Funny

    I used to hear this every day in high school during band practice.... while everyone was warming up.
    I wouldn't exactly call it music though...

    --
    -- Thou hast strayed far from the path of the Avatar.
    1. Re:I've heard this music before by Graspee_Leemoor · · Score: 2, Funny

      " I used to hear this every day in high school during band practice.... "

      I didn't hear this in band practice- I was too busy being distracted by some girl and what she was doing with her flute...

      graspee

  18. Why use math? by pVoid · · Score: 2, Interesting

    Sometimes I wonder what people are thinking. The musical system is, as it is, very heavily mathematical (resonance and harmonics etc)...

    We are looking at this from the wrong way around, people should be looking for incredible mathematical leit-motives and patterns in already existing music such as Mozart or whatever...

    All of these attempts to show that math is beautiful (or just attempts to make math an auditory experience) seem kind of ridiculous to me... kind of like if someone tried to make paintings using the vertex rendering methods used in Quake 1... sure it's a noble idea, but the hill to climb is in the other direction: to make vertex renderings that look like Van Gogh.

    As for the music I heard on that page. It's 'curious'... nothing more. If you really want odd sounding yet beautiful harmonics, listen to some Joe Zawinul on piano...

    sigh. all this, in IMHO (tm).

    1. Re:Why use math? by Alyeska · · Score: 1
      Who's "we", Kimosabe? Music theorists have mathematically analyzed all of those patterns from Mozart/Bach/Brahms/whoever-you-revere. Using determinism (like dice, I-Ching, 12-tone serialism, etc.) to generate music came from that mathematical analysis.

      (from someone who sat around analyzing that music for five years!)

    2. Re:Why use math? by pVoid · · Score: 1

      Ahh. nice. Someone who's done research on this...

      Ok, let me define 'we' and what I mean: first of all, I will not generalize to make a rule. I myself studied a lot of math for a while, and am very much in love with it.

      I have found that if something sounds good, and someone shows me how very mathematical it is, I am truly amazed. I am amazed though, more than anything else, at how certain mathematical principles are embedded within us... and how there's such a fine balance in the human brain (or lack thereof sometimes, as in autistic kids who 'stim' themselves... I digress). That discovery of how our selves are actually in certain ways predictable and analyzable inspires awe in me.

      The 'we' I'm talking about is this general tendency - and again, I don't want to generalize, so rather: attempts in this day and age to generate art using computers, techonology, math, whatever...
      Now if you are generating this music to test your theories, the fruits of those years of mathematical analysis, more power to you. But if the end is to have a formula that creates pleasing music, I think the idea is flawed.

      To abstract it further one step, (and I hate to sound like Darth Vader but), I think 'we' as humans might be starting to trust in our technology (in the original sense: ie knowledge of techniques) much more than we should.

      Anyways, I could ramble on for hours, it's saturday night, and I'm tired mentally. This all is IMHO. And just to make it clear, I'm not dismissing *anyone's* efforts.

  19. A good use for this music, except... by Alsee · · Score: 4, Funny

    I would propose making monsterously huge speakers and blasting this into Iraq, but in my oppinion it would be a violation of the Geneva Convention.

    -

    --
    - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  20. Close Encounters of 3rd Kind by Anonymous Coward · · Score: 1, Funny

    This is truely one of the worst things i've ever heard

    Is it just me or did that sound like something from the music 'conversation' in Close Encounters of the Third Kind? I mean, if the aliens were drugged-out at the time...

  21. Confucious says... by Dr.+Cody · · Score: 5, Funny

    The truely wise man posts his music in MIDI before summiting his webpage to Slashdot.

    1. Re:Confucious says... by dubiousmike · · Score: 2

      Is that for bandwidth considerations, or to keep us all from wanting to visit the site?

      nothing is worse than going to some site and suddenly MIDI autoplays.

  22. Nice Try by vga_init · · Score: 1
    It sounds..interesting...

    In my opinion, the project holds great promise, but it certainly needs to be refined. I believe it would be possible to mathematically generate music that people would enjoy, but it requires a more in-depth knowledge of different scales, rhythms, the technicals of different musical styles, and other nuiances that would make a huge different in the listenability of the randomly generated works.

    Though technically sound, the human mind is as capable of piecing it together as an English-speaker is able to understand Cantonese right out of the box. Not to say that he could not learn eventually, but would always be more suited to his native language.

    And that's why we need to remember our audience when composing music!

  23. This sounds very much like... by Aiwendel · · Score: 5, Interesting

    ...the music of Arnold Schoenberg. He was a german composer in the early 20th century who wrote very atonal pieces using what he called "tone rows" - a particular note could not be used again until all of the other 11 notes in the chromatic scale had been used.

    1. Re:This sounds very much like... by jacobjyu · · Score: 1

      Schoenburg created what was is called Serialism. The basic concept that Shoenburg thought up was to constrain the tones by making a strict rule: in his case you must use all 12 notes in some sort of sequence, but no notes may be used twice until the sequence has terminated. This is known more commonly as 12-Tone Music.

      However, this idea can be extended to other aspects of music: tempo, rhythm, dynamics, etc. The idea of putting formulaic constraints like this is called Total Serialism. The guy in this article is just another total serialist.. using the platonic dice to constrain the music. The idea of constraining music with math is not new.. it's been around since the 1920's.

    2. Re:This sounds very much like... by mosch · · Score: 2
      Schonberg didn't always compose atonally. Schonberg started off composing in the romantic style, but then started experimenting with twelve-tone technique with pieces of Serenade and Piano Suite. While twelve-tone technique is what keeps Schonberg famous, the majority of his work doesn't use this method, or doesn't use it exclusively.

      And just a side note, the music that uses this method does have quite a bit of structure in it, so it isn't like listening to random noise, rendered by a musician.

    3. Re:This sounds very much like... by lain-of-the-weird · · Score: 1

      (putting on off-topic hat)
      I'm really glad you noticed on Schoenberg...and honestly composers today are going for 'mathematical' compositions without any regard for aesthetics (granted, it is a broad term and to each his own). I know, because I was a music major and I sat through plenty of student composer recitals. I suppose there's nothing wrong with exploiting pure atonality...but terms (and techniques) like 'piccardy thirds' and 'diminished 7th' were invented for a reason...
      (taking off off-topic hat)

      --
      Welcome to castle Anthrax...
  24. Dirk Gently's Holistic Detective Agency by Politas · · Score: 3, Interesting

    Didn't Douglas Adams come up with this idea? It was a program called Anthem, which turned a company's financials into music, rather than geometric shapes, but the idea's the same.

    --

    Politas

    1. Re:Dirk Gently's Holistic Detective Agency by Quasi+Qubit · · Score: 1

      Ya just what I was thinking. What ever that character's name was, its been a while since I read the book, also set music to the flight mechanics of birds and such. Man that was a great book.

  25. Iannis Xenakis by xylon · · Score: 1

    For those interested, check out the music by Iannis Xenakis. Architect by trade, he wrote music based on mathematical series, probability, and much, much more. Difficult to appreciate, certainly, but most 'classical' music is, regardless of tonality, harmony, or length. He even wrote a book, or several, about the processes and the background to his works. Definitely worth checking out, especially for the engineers amongst you. The maths is nearly mind-boggling.
    One of the books can be found here.

  26. Already been done by GuyMannDude · · Score: 3, Interesting

    I would propose making monsterously huge speakers and blasting this into Iraq, but in my oppinion it would be a violation of the Geneva Convention.

    Actually, we've done stuff like that before

    GMD

    1. Re: Already been done by Black+Parrot · · Score: 1


      > > I would propose making monsterously huge speakers and blasting this into Iraq, but in my oppinion it would be a violation of the Geneva Convention.

      > Actually, we've done stuff like that before [psywarrior.com]

      Heh. I do it to my neighbors every Saturday night. It's not my fault that not everyone things The Who at 120db is good music.

      --
      Sheesh, evil *and* a jerk. -- Jade
    2. Re:Already been done by HungWeiLo · · Score: 1

      Actually, I believe the Nazis were the first to use sound as a torture device. They used to lock Jews up into chambers, yes - but what most people don't know is that they had chambers which did not dispense gas, but instead high volume low frequency tones which were strong enough to physically cause harm. (Sorry, I don't have a link to the source of this stuff anymore)

      --
      There are a huge number of yeast infections in this county. Probably because we're downriver from the bread factory.
    3. Re:Already been done by Graff · · Score: 2

      Yep, the USA set up speakers and blasted Noriega when he was being removed from power in Panama. We played all sorts of music by Guns N' Roses, The Birthday Party, Pussy Galore, Sonic Youth, the Rolling Stones and many more. However, there was one song they did not play which would have been perfect.

      That song is "Panama", by Van Halen.

      What an opportunity wasted! :)

  27. Wolfram ! by orcaaa · · Score: 2, Insightful

    It seems that the best music seems to come from a seemingly random composition of chords. While it would be computationally infeasible to write an equation that describes the chords for an entire song, it would be possible to generate cellular automata, based on rules devised by Wolfram and other people, which closely resemble the music we like. Some rules described in A New Kind of Science, by Wolfram predict cell patterns which are seemingly random but yet repeat at some intervals of time. Such kind of rules could be, IMveryHO, used to produce some rather melodious music.

    --
    -- Reality is just an extended dream.
    1. Re:Wolfram ! by Alyeska · · Score: 2, Interesting

      This is simply wrong. It is *very* possible to write an equation to describe the chords for an entire song. This is what music theorists do, and it's nothing new. The same mathematical system used to quantify harmony in Bach's day is still in place today, still required (for two years at most schools) at nearly every music school for all students.

  28. Too bound by the math. by erik_fredricks · · Score: 5, Interesting

    Schoenberg tried the same sort of thing in 1921 or so. He invented the "twelve tone" system, in which the twelve chromatic tones were arranged according to mathematical sets. He even remarked to one of his students that he had come up with an idea that would, "ensure the domination of German music in the 20th century."

    The basic idea was neat in that it removed conscious choice from the equation and resulted in melodic and harmonic combinations that wouldn't normally occur to a composer. Serialism, as it's called, is still being taught and used to this day, even if I find it tiresome myself. Basically, this is just another facet of that serial system.

    It has a unique kind of icy, remote quality, but music isn't really meant to be appreciated on an intellectual level so much as an emotional one. True enough, you can have a satisfying balance of both (like Bach's Well-Tempered Clavier), but purely intellectual stuff like this just isn't all that interesting outside of certain circles. Schoenberg's students, Alban Berg and Anton Webern did a much better job of writing listenable music with the system, mostly because they allowed some human influence in the model.

    --

    THE GOOD HUMOR MAN CAN ONLY BE PUSHED SO FAR
    Bart Simpson on chalkboard in episode 2F18

    1. Re:Too bound by the math. by Sax+Maniac · · Score: 1

      Alban Berg and Anton Webern did a much better job of writing listenable music with the system, mostly because they allowed some human influence in the model. Berg, yes. But Webern? His serial stuff is the most mathematically precise and boring stuff I've ever studied. Maybe I've just looked at the wrong stuff. Schoenberg's serial and even free atonal stuff is far more interesting. And as a music geek, I love contemporary music.

      --
      I can explanate how to administrate your network. You must configurate and segmentate it, so it can computate.
    2. Re:Too bound by the math. by melquiades · · Score: 3

      The basic idea was neat in that it removed conscious choice from the equation....

      That's not really accurate. Scheonberg was trying to force composers into thinking of sounds they wouldn't have otherwise, but for him, conscious choice was still very much a part of the picture. He was an expressionist -- meaning that he was still interested in expressing, not merely generating.

      The real philosophical bullet of twelve-tone was not the removal of conscious choice ... quite the opposite, in fact: it was the idea that composers could make a conscious choice of what formal musical system to follow, and in fact, one could consciously invent a whole formal system out of thin air. Prior to Schoenberg, music had been philosophically rooted in a sort quasi-religious of sense of cosmic order, and he said, "No, look, I can just make up a system! No cosmic order to it -- just conscious choice."

      The aesthetic problem that 12-tone faces is that music theory is usually a model, a post-hoc way of dissecting music, more than it is a way of constructing it. Traditional "functional tonality" (Bach, Beethoven, Beatles) evolved very organically out of basic physics and human perception, and seems to resonate more easily with listeners than Schoenberg's consciously concocted system.

      However, I think Scheonberg actually did a fine job of making conscious aesthetic choices that produced some excellent music. It was really other composers who took serialism to its absurdly deterministic extremes. Now Webern ... Webern I find horribly cold and dry, more interesting to read on paper than hear. So there's individual taste for you! :)

      This dodecahedral thing doesn't really turn my crank, but dumb old MIDI will suck the soul out of most any classically composed music ... so it's had to say what it might be like with live players.

    3. Re:Too bound by the math. by CausticPuppy · · Score: 1

      He even remarked to one of his students that he had come up with an idea that would, "ensure the domination of German music in the 20th century."

      And all we got was Rammstein...

      --
      -CausticPuppy "Of all the people I know, you're certainly one of them." -Somebody I don't know
  29. Ouch by m0i · · Score: 1

    If it sounds that bad, RIAA will use it to test-bed P2P and prove that it can't work ;)

    --
    have you been defaced today?
  30. Hmmm.... by geekster · · Score: 1

    When the refresh rate of my monitor is too low and I set it back my body always does this strange shaking thing. Turning this music off does the same thing.

  31. I thought it was the other way around by Da+Fokka · · Score: 1

    Actually, there already is a shitload of math behind music. Douglas Hofstadter describes the intimate relation of math and music (and some other seemlingly unrelated things in his book Godel, Escher, Bach.

  32. Also done with code... by drunkrussian · · Score: 1

    If Verdi had a math fetish
    This gives a whole new meaning to "NP-hard"...

    For another related site about creating weird sounds, check out the CAITLIN project...it creates music out of code. I wish I could get my hands on a copy of their code, it'd be interesting to see what happened when I ran my programs through it...

    1. Re: Also done with code... by Black+Parrot · · Score: 2, Funny


      > For another related site about creating weird sounds, check out the CAITLIN project [unn.ac.uk]...it creates music out of code. I wish I could get my hands on a copy of their code, it'd be interesting to see what happened when I ran my programs through it...

      My "Hello, world!" blew up, but I'm still famous for my "Concerto in C# for two strings and a segfault".

      --
      Sheesh, evil *and* a jerk. -- Jade
  33. I'll tell you what math sounds like by Anonymous Coward · · Score: 2, Funny

    It sounds like the unholy scream of ultimate suffering. BTW, I'm a math major. Thinking of getting a minor in music.

  34. Fractal Music by weird+mehgny · · Score: 3, Informative

    Makes me think of this artist. Some of the MP3's are nice.

  35. Re:AI composers? might not be far away. by Anonymous Coward · · Score: 1, Interesting

    You are wrong! Nothing is based on math, we actually use math to explain something, not the other way around.

    Former blues players in Mississipi didn't have a clue about math. And fractal was invented in order to study plants, and it's a well known fact that plants were around way before human being could count their 10 fingers.

  36. How about just... by jonman_d · · Score: 3, Funny

    ...`cat pi.txt >> /dev/dsp`?
    Am I the only one that finds catting random things to the sound device[s] amusing?

    1. Re:How about just... by Anonymous Coward · · Score: 1, Funny

      I'd try cat /dev/hda >> /dev/dsp, but we already know what 20 GB of pr0n sounds like & someone would get suspicous about all the moaning (I'm a virgin who reads slashdot--yes, I realize that that's redundant :)

    2. Re:How about just... by HoldmyCauls · · Score: 1

      I do, I just keep forgetting exactly how to do it. And the last time, I couldn't get anything else to use the sound card. ; )

      --
      Emacs: for people who just never know when to :q!
    3. Re:How about just... by swillden · · Score: 2

      I'm a virgin who reads slashdot--yes, I realize that that's redundant

      You're saying that all slashdot readers are virgins? Wha? Hmmm. I'd better go have a talk with my wife... if I'm a virgin I want to know who just those kids' *real* father is... and I can tell you that bastard is gonna pay (braces, dance uniforms, college).

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
  37. Mathmatic music from others by thefinite · · Score: 2, Insightful

    John Cage and Elliot Carter have been doing music from logical or random sequences and very math-like stuff since the 70's. (I claim no special personal knowledge; my wife was a cello performance major.) While this is interesting, it isn't totally new to music.

    --
    Boom Shanka
    1. Re:Mathmatic music from others by Alyeska · · Score: 1

      John Cage: famous for using I-Ching as a determinism seed.

  38. Math proofs set to music by Anonymous Coward · · Score: 1, Interesting

    If you want to listen to math in a raw uninterpreted form, try mathematical proofs set to music on the Metamath Music Page.

  39. This is not Slashdot worthy by Anonymous Coward · · Score: 1, Insightful

    or maybe it is, depending on just how artistically blind the /. reader population is. music based entirely on mathematics is nothing new, it's been relatively high-profile for the last hundred years. if you're going to give this guy lots of traffic from a slashdot post, the same thing should be done for all of the other computer music, algorithmic, and math-based composers out there. there are LOTS, and most of them are thousands of times more original than this guy.

  40. Playing at this since Plato by rochlin · · Score: 3, Informative

    Non-musical types have been playing and producing mathematical music since Plato. I can't say any of it ranks up there with "twinkle twinkle" (even). But it never hurts to try...

  41. If we all knew that we'd have to listen to by SHEENmaster · · Score: 1

    boybands in hell, a lot more of us would give our lives to Christ.

    --
    You can't judge a book by the way it wears its hair.
  42. That sounded like a bunch of junior high kids warming up for band practice. I should know... I was one of those kids. =)

    --
    ...oOOo..'(_)'..oOOo...
  43. Oh My by jlechem · · Score: 1

    Dear God that was some of the worst music I've ever heard. Making music derived from math is great, but couldn't it at least have a catchy tune instead of sounding like random noise?

    --
    Hold up, wait a minute, let me put some pimpin in it
  44. Milton Babbitt by gmaestro · · Score: 3, Insightful
    Ok, this is interesting, but nothing new. Composers hava been using math and science for centuries in their music. Guillame Dufay used the architectural proportions of Brunelleschi's dome in Florence in the mensural changes in his Nuper rosarum flores in the 15th century. Polish composer Yannis Xenakis saught to explain the music of J.S. Bach with geomentry. American composer and mathmetician Milton Babbitt focused on algorithmic composition decades ago. And John Cage used the I Ching to randomize his music. The last two are often seen as extreme ways of composing music more objectively, though from different ideological perspectives.

    Granted, no one is writing about my music anywhere :-]

  45. D&D Freak? by cedricthehack · · Score: 1

    Is this guy some kind of D&D freak or what?

  46. What does music look like by lost+in+place · · Score: 3, Interesting

    This is not completely relevant, but people here might be interested in the converse question: What does music look like when viewed as a sequential, mathematical structure. This guy has analyzed a number of musical pieces and shows their structure. He also shows what sequential data look like.

    1. Re:What does music look like by dogfart · · Score: 2

      It looks like Richard James

      --

      "dope will get you through times of no money better than money will get you through times of no dope"

  47. Re:AI composers? might not be far away. by wantedman · · Score: 1

    Feelings...

    The problem with AI is simply not being able to create patterns / identify patterns / modify patterns. True, AI can do pattern matching, but not to the level of a musical composer.

    Humans have already reached a limit to the classical rules of music, which is partly responsible for the contemprary period in music history, but a computer can still only attempt to play chess, which is infinitly easier than composing great music, and not even attempt to play other games like go...

  48. I must have met... by Powercntrl · · Score: 2, Funny

    ...some prodigal math genius at Wal-Mart the other day, because he appeared to be no more than 6 years old, yet he was playing the EXACT same song on a Kawasaki synthesizer.

    --

    ---
    DRM is like antifreeze, to the MPAA/RIAA it's sweet, to the consumers it's poison.
  49. Platonic Dice??!!?? by Graff · · Score: 3, Interesting

    John Greschak probably should do a bit more research on the subject of "Platonic Dice". What he is referring to are the Platonic solids.

    In order for a solid to be a Platonic solid, it needs to be convex and have all its vertices (corners) to have the same number and size of regular polyhedrons touching them. For example, a cube is a Platonic solid because all of the vertices have 4 of the same size squares touching. There are only 5 Platonic solids possible: the Tetrahedron (4 sides), the Hexahedron (cube, 6 sides), Octahedron (8 sides), Dodecahedron (12 sides), Icosahedron (20 sides).

    There is also a class of related solids called Archimedian solids where the solids are convex, all vertices are identical, all faces are regular polygons, but not all of the faces are identical to each other.

    1. Re:Platonic Dice??!!?? by Graff · · Score: 2

      Sigh, I reviewed this before posting and still missed an error. My third sentence should have read:

      In order for a solid to be a Platonic solid, it needs to be convex and have all its vertices (corners) to have the same number, size , and shape of regular polyhedrons touching them.
      Just to clarify, all of the faces on the solid need to be the exact same regular polyhedron.
    2. Re:Platonic Dice??!!?? by inio · · Score: 1

      You forgot the Teapotahedron!

  50. role of art by chocolatetrumpet · · Score: 1

    I think sometimes people have made decisions about the role of art in their lives without ever having really thought about it.

    John Cage believed the role of art is to keep people from drowning in their own thoughts. He believed the role of the artist is to open people's eyes, ears, and minds to the beauty that surrounds them all the time.

    Emotion is just one facet of art. There is a whole spectrum. When Cage went to determine why some things are not beautiful, he could not come up with a reason.

    "If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all." --Cage

    --
    Spoon not. Fork, or fork not. There is no spoon.
  51. If you remember math class by phorm · · Score: 3, Funny

    You would already know what math sounds like

    Teacher: Class, today we're going to have a pop quiz

    Students: Groaaannn, whiinne, snifffle

    Depends on the audience though, a room full of geeks with a math fetish would probably make much more disturbing "music"...

    Disclaimer: I like math, but it's not a fetish - phorm

  52. sounds like..... by khold · · Score: 1

    Math, at least in my highschool, sounds like a bunch of snoring sleeping kids with their heads on the desk.

    --
    rm -rf sig
  53. synesthasia by WhiteDragon · · Score: 1

    Does this remind anyone else about the previous slashdot story about synesthasia? (The music is pointy!)

    --
    Did you mount a military-grade, variable-focus MASER on an unlicensed artificial intelligence?
  54. Uhh... this isn't news. by tgeller · · Score: 2

    People have been writing math-based music since the '20s. In the '50s, it was probably the *most* common form of music written in conservatories -- the Romantic style was considered somewhat atavistic. Thank God those days are gone.

    It's called serialism. See Schoenberg, Berio and Boulez.

    --Tom, who strangely has a B. Mus. in composition.

    --
    Tom Geller
  55. For anyone interested in trying this theirselves: by nugneant · · Score: 1

    A fascinating little shareware program can be found at THIS website. Musoft Builders are a bunch of neat people. The program is called "A Musical Generator", and outputs .MIDI files based on fractals, .BMP files, sinal waves, text, you name it... I used to tinker with it and got surprisingly musical results at times - not exactly anything as good as Varese, but much more enjoyable than John Tesh. I highly advise people to check them out!

  56. Re:extradimensional physics and sofas by Lord+Bitman · · Score: 2

    His name was Dirk Gently, and the book is much better than any of the Hitchhiker's Guides

    --
    -- 'The' Lord and Master Bitman On High, Master Of All
  57. Re:Ignore parent by Lord+Bitman · · Score: 2

    I'm fuck'n tired.

    --
    -- 'The' Lord and Master Bitman On High, Master Of All
  58. Dirk Gently's Holistic Detective Agency... by default+luser · · Score: 1

    ...Is finally a reality!

    Anthem for everybody!

    Now all we need are Electric Monks to do the discussion and believing for us!

    --

    Man is the animal that laughs.
    And occasionally whores for Karma.

  59. Cage? Schoenberg? Varese? by dogfart · · Score: 3, Informative
    Edgar Varese did some very strange, percussion-based music in the 1920's inspired by mathematics - such as Hyperprism and Integrales. Not 12-tone in the sense that Schoenberg did, but very different in its own way.

    He was incredibly an early influence on Frank Zappa.

    I'm not a music student, just an educated listener. Maybe someone better versed in 20th century music than I am can comment on the relevance of Varese to mathmatically-inspired music.

    --

    "dope will get you through times of no money better than money will get you through times of no dope"

  60. Now we know.. by Wes+Janson · · Score: 1

    ..where they came up with the music for Tron.

  61. Re:AI composers? might not be far away. by Anonymous Coward · · Score: 1, Insightful

    Music is based on math in about the same sense that great poems are based on typewriters. Well, it might not be that extreme, but there's much more to music than math. There is a lot of math in the form that music needs to work within, but that's not what the music is about.

    On the other hand, great poems based on typewriters are fair game. Look at e.e. cummings. (Jumping outside the rules can be a way of expressing creativity too! Just as long as you don't do it because someone told you it was really cool and experimental and avante garde and stuff.)

    So, while my knee-jerk reaction was to rant about how stupid an idea dodecahedron-based music is, perhaps it's a musical way for this guy to express how much he loves math. And that's cool, maybe, but it's not my taste exactly.

  62. hmmm... by AresTheImpaler · · Score: 1

    I really thought it sounded more like "bla, bla, bla..." I guess it was my professors the ones to blame...

  63. AT by InsaneCreator · · Score: 2

    If Verdi had a math fetish and a computer, would he be John Greschak?

    I don't know if he would sound like Greschak, but he would definitely sound a bit like like Aphex Twin. :)

  64. Really not bad by salimma · · Score: 2

    Rather modern, yes, but coming from a university with a famous music department (York, United Kingdom) I must say that a *lot* of students here are not up to that standard in their composition.

    A lot of musical 'styles' are expressible in standard formulae anyway, so I was told by a former music student, so using pure mathematical properties for the composition is not actually a very far-fetched idea.

    Hmm, to think about it, in the Royal School of Music theory examinations I took when I was small, there was always that bonus question at the end for identifying the composer of a given part of music...

    --
    Michel
    Fedora Project Contribut
  65. No one will ever know what maths sounds like... by tunah · · Score: 2

    Because by the time the professor gets to the QED we are all peacefully snoring on the table.

    --
    Free Java games for your phone: Tontie, Sokoban
  66. No! by Bennn · · Score: 1

    I think the basic answer to "If Verdi had ...would he be John Greschak?" is a resounding "No". Verdi wrote pieces people wanted to listen because they were musical, rather than being a mathematical curiosity. Of course there's lots of maths in music - the trick is working out which bits sound good, rather than look good when explained on a resume / arts application grant :)

  67. I predict that when I press this button... by floydigus · · Score: 2

    ...the computer will begin to make a hideous noise.
    [click]
    Aha! I was right!

    What is the point of trying to find out what a cube or a set of dominoes or whatever 'sounds like'?

    I can tell you right now, that if you try to find out what a chess board sounds like, you will find that it sounds bloody awful! The same goes for almost all other geometric models or mathematical sequences.

    Sure, look to maths for your inspiration; mess about with different equations and sequences until you find one that sounds interesting (supposing you aren't bothered by such pedestrian concepts as music that is pleasing to the ear). For instance, take a look at Aphex Twin's album 'windowlicker' through a scrolling spectrum analyser. There are some deliberately geometric shapes in there, and while they don't exactly sound great, they don't sound out of place in the music.

    Don't, however, assume that because something can be done that there is a benefit in doing it.

    --

    All things in moderation; including moderation

  68. OT: prophetic words on Slashdot by iskander · · Score: 1

    Simon and Garfunkel -- that's very keen, man. [toke] And it makes me wonder. Subway walls, tenement halls... which one does Slashdot resemble more? Well, some days, when the grits are a-pouring and the goatse.cx trolls roaring, I think it's more like bathroom stalls. That's probably how it gets the page views that keep it in business, too; I mean, who wouldn't want to read a continually updated bathroom stall door?

  69. This is terrible by hubrix · · Score: 1

    Folks, I love mathematics and music but they should not be put together like this. The mathematical models to produce music that sounds good (Bach, Mozart, Brahms etc...) would be far more complex than Platonic Dice. You may as well be throwing random notes down on paper, oh wait that's what this is. I'm sorry this is the music equivalent of the guy covering himself in paint and jumping or rolling on the canvas. Sure, someone might like it, but it's still crap.

    --
    Screw realty just hook me up another monitor!
  70. visual art and music from math... by ehagaman · · Score: 1

    Check this out. Brian Evans has done some interesting things: Created a Fractal Graphic and Music from the same function, Created visual art by modeling well kown music mathmatically, etc. http://www.lightspace.com/

  71. I've tried something like that by Goldsmith · · Score: 1

    I've done something similar for a computer music programming course. We had to come up with a creative final project, and at the time, I was working on a fueling model for General Atomics. So I basically plugged in some simplified data from that program into another one that would output graphics and sound based on the data. What I forgot to take into account is that my GA program ran on awesome computers optimized for those type of calculations, and my music software was running on a G4 (now... I know that's *technically* a supercomputer... but). In any case, it really sucked.

    So, I turned the particle count down by a few orders of magnitude until I think there was a maximum of about a dozen at any time... tweaked the reaction data to scale for that, and in the end, I actually had a really cool audio/visual model of what a deuterium atom sees as it goes from the wall of a fusion reactor to the core. In an added bonus, it even sounded interesting.

    I think the most fun I had in that project was designing the frequency mixtures that would accompany the various things happening in the program.

  72. Dirk Gently's Holistic Detective Agency by DocTee · · Score: 1

    One of the guys in Douglas Adams' book Dirk Gently's Holistic Detective Agency is working on software that does this - life immitating art ;)

    --
    - doctea
  73. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  74. What next? by Tuffnut · · Score: 1

    Next thing you know we'll have RIAA coming after the casinos for gamblers rolling dice.

  75. Smart Mozart by strange_attract0r · · Score: 1

    Whether or not he was a mathematical genius remains to be seen, but his music has regular swells every thirty seconds, which [apparently] has been proven to temporarily increase the iq of listeners. Mozart makes you smart :) btw Philip Glass came out on the bottom of that study.

    --
    This sentence no verb
  76. what about this? by koekepeer · · Score: 1

    this may be interesting for the (rare?) molecular biologists who visit /.

    i heard once about a guy who had made software to represent protein sequences in a "musical" way. one could find sequence similarities by listening to the "music" produced by different proteins, to presumably find proteins that share common properties.

    more info at this site:
    http://linkage.rockefeller.edu/wli/dna_corr /music. html

  77. Re:I must have met... -- MOD PARENT UP!!! by AyeRoxor! · · Score: 1

    This "music" is CRAP. It's not surprising that non-musical features of some fucking polygon sound like non-music.

    I'm going to make my cat stare at the screen ala Clockwork Orange while I scroll the slashdot.com homepage, then I'm going to walk her over a keyboard and record it. Then I'm sending in MY amazing musuck article. It's MY turn.

  78. Math and Music by rajamani · · Score: 1

    The Carnatic Music of South India is a scientific system based on 72 "Melakartha" Ragas and 1000s of their offspring "Janya" Ragas as well as combinations of these.Centuries before computrs were thought of Mathematics has been applied to Music.

    --
    ksmanyan
  79. This one is a bit better, by UserGoogol · · Score: 1

    His Tower of Hanoi thingy sounds better.

    --
    "Never attribute to malice that which can be adequately explained by stupidity." -- Hanlon's Razor