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Is Piracy In the Consumers' Best Interests?

moviemodel writes "Warner Home Video in China are beginning trials of 'simple pack' DVD releases at $1.50. They state they are doing this as a test to see if they can recover a market lost to pirate DVD's at 75c each. They also sell higher priced and more complete DVD sets as 'silver' and 'gold' packs. Maybe this marks the beginning of movie industry realism and long hoped for shift in business models, forced by piracy. Perhaps they can take it on as a better model for movie downloads worldwide, facing the same problem of competition from pirated movies. Is such a model viable in the long term?"

574 comments

  1. Less risk. by Threni · · Score: 5, Insightful

    They have less of my money at $1.50, which is good. When they get what they're currently charging there's a risk they'll make more crap films starring clueless overpaid actors, and that's not a risk I'm prepared to take. I only watch a film once, so why pay more for a DVD than it costs to watch in the theater?

    1. Re:Less risk. by Professor_UNIX · · Score: 2, Insightful
      I only watch a film once, so why pay more for a DVD than it costs to watch in the theater?

      Why would you even buy the movie in the first place then? Just go rent it for $3.50 (or whatever) at your video store. You're certainly not the market they're aiming for if you don't collect movies and watch them multiple times... or do you use that excuse to justify pirating them via BitTorrent or Usenet?

    2. Re:Less risk. by Ryz0r · · Score: 4, Insightful
      >>I only watch a film once, so why pay more for a DVD than it costs to watch in the theater?

      Because of the bonus features, of course!

      Who doesnt want to see mind numbingly repetitive out-takes and deleted scenes that no one wants to see? what about the countless hours of commentry by random nobodies.. "oh yeah this is the bit where i was in the back doing nothing important and i dropped my pen, so if you turn up the volume REALLY LOUD you can just about hear it hit the floor!"

      Hell, i'd pay twice what you pay in the theatre for that..!

      --
      Peace, Love, Unity, Respect
    3. Re:Less risk. by gvc · · Score: 1

      Don't forget the mind-numbingly repetitive scences salvaged
      from the cutting room recycle bin that find their way into
      the "director's cut."

      (Perhaps "40-year-old virgin" could be cut to an amusing movie;
      I'll never know because I saw the director's cut and I'm certainly
      not going to invest *another* couple of hours of my time to see.)

    4. Re:Less risk. by Anonymous Coward · · Score: 0

      I think the fact that you watched "40-year-old virgin" in the first place says something about you.

    5. Re:Less risk. by It'sYerMam · · Score: 1

      In some cases, bonus features are worth watching. Few people want to sit around watching them in the cinema because the film was probably too long already, but if you found the film good, there's every chance the commentaries will be amusing, and the deleted scenes worth watching.

      --
      im in ur .sig, writin ur memes.
    6. Re:Less risk. by TheMotedOne · · Score: 2, Interesting

      Because of the bonus features, of course!

      "Who doesnt want to see mind numbingly repetitive out-takes and deleted scenes that no one wants to see? what about the countless hours of commentry by random nobodies.. "oh yeah this is the bit where i was in the back doing nothing important and i dropped my pen, so if you turn up the volume REALLY LOUD you can just about hear it hit the floor!"


      I tend to agree with you on this point. It would seem that Joe moviegoer doesn't care at all about out-takes, deleted scenes, or commentary.

      I certainly have no problem with them, as I learned more from DVD commentaries in a few months than I learned in my first year of film school.

    7. Re:Less risk. by Threni · · Score: 2, Insightful

      I just can't even be bothered to pirate them, frankly. "What's the point of robbery if nothing is worth stealing", as Mr Ant once sagely sang. They'll all be on TV eventually, and I'm in no rush.

    8. Re:Less risk. by Daengbo · · Score: 1

      When I lived in Thailand (where piracy is also rampant), many older (meaning not new releases, but also not black and white) movies were available on DVD for 99 Baht, or about $2.50. Renting a VCD was a little cheaper, but renting a DVD was virtually the same price as buying. I ended up buying a truckload of them. Even if they were more expensive than pirated versions (which they weren't) I would've paid the small premium for proper sub-titles and better quality.

    9. Re:Less risk. by Professor_UNIX · · Score: 1

      But these movies are clearly being subsidized by the commercial success they have here in the USA. If they weren't selling well here you could be damn certain they wouldn't be able to drop the price down that low in oriental markets. These guys are just trying to make a decent living and profit enough to afford to make us more high quality movies. Piracy only hurts those efforts, not helps it.

    10. Re:Less risk. by Daengbo · · Score: 1

      I wasn't promoting piracy, just commenting that this policy isn't new, since I saw it in action in Thailand about three years ago.

    11. Re:Less risk. by shmlco · · Score: 2, Insightful

      Have to love the question though, "Is Piracy In the Consumers' Best Interests? Much like ID, even getting people to debate it is a win.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    12. Re:Less risk. by orkysoft · · Score: 1

      How can DVDs be subsidized? The cost of making the movie has already been paid -- any additional DVD sales are more profit. Not selling any DVDs is worse for the studios than selling them cheaply (as long as they sell above the production cost + transport cost + retailer markup + sales tax).

      If the movie didn't sell well in the USA, how does that make the studios unable to sell it cheaply in Asia? I'd say they'd be more likely to try and sell it in Asia, since they might make more profits that way. The number of sales is a function of (among other parameters) the price, and in Asia, the optimum for sales * price is at a lower price point than in the USA, but I don't see how sales in the USA should affect the price in Asia? Care to explain?

      --

      I suffer from attention surplus disorder.
    13. Re:Less risk. by mlewan · · Score: 1
      "Why would you even buy the movie in the first place then? "

      I buy movies because I usually watch just a few minutes of them a day. If it takes a full week to watch a film, it is often cheaper to buy than to to rent.

    14. Re:Less risk. by laughingcoyote · · Score: 1

      There were some typos in your post, just thought I'd point them out.

      First, "obscene amount of cash" should be used in place of "decent living". I've done that too, keys are right next to each other. On the same note, there are rumors that "high quality movies" are still around out there, and there are even a few sighting reports within the last few years-but scientists largely agree they're extinct, and any further reports regarding them are a myth, akin to Bigfoot. Just like Bigfoot, though, I think the "believers" will always be out there, figuring anyday now something decent will be sighted at their local megaplex.

      Hope that was helpful!

      --
      To fight the war on terror, stop being afraid.
    15. Re:Less risk. by noidentity · · Score: 1

      "They also sell higher priced and more complete DVD sets as 'silver' and 'gold' packs."

      Great, I'll take the bronze version if it means I can put the thing in and immediately start watching the damn feature instead of having to watch some really lame menu intro that takes itself way too seriously. You know, like video tapes or audio CDs.

    16. Re:Less risk. by dlbornke · · Score: 1

      For the modders: This is funny, not insightful ... uffffff ... I think I missed /. humor -- but then again I am German and thats what everybody expects from me

    17. Re:Less risk. by Lord+Flipper · · Score: 1
      I buy movies because I usually watch just a few minutes of them a day.

      Watching some pretty compelling stuff, are we? Heheh.

      I had a small ladies clothing boutique, once, and I knew this guy, Teddy, who had, shall we say, 'questionable', taste. So, every once in a while, when the racks looked a little crowded, I'd ask him to have a look through the racks, and let me know what he thought of the selection...

      He'd walk through, and say stuff like, "Wow, I like this!", or, "Oh man, this is awful, nobody's gonna buy this." And sure enough, the stuff he hated: sold immediately, and the stuff he liked...?...Well, I held on to a few of those things, for a while, until I saw the reverse wisdom of his taste, and after that, stuff he 'liked' got trashed, as soon as he left the shop.

      So, in view of your viewing habits, and the 'implications', I gotta ask..."Teddy, is that you?"

    18. Re:Less risk. by Technician · · Score: 1

      I only watch a film once, so why pay more for a DVD than it costs to watch in the theater?


      I know the single slashdotter has no ides, but a family has a very good idea. The movie can be paused when the little one screams, can be traded with your friends, can watched without the other family who didn't leave the kids home, ... There is lots of reasons to get a DVD instead of a ticket. The reasons get better when the used ones at the rental outfit are at a 3 fer price.

      --
      The truth shall set you free!
    19. Re:Less risk. by Anonymous Coward · · Score: 0
      Why would you even buy the movie in the first place then? Just go rent it for $3.50 (or whatever) at your video store. You're certainly not the market they're aiming for if you don't collect movies and watch them multiple times... or do you use that excuse to justify pirating them via BitTorrent or Usenet?

      Or just signup with Netflix (or Blockbuster, though I can't recommend them since their delivery time has been about twice as long as Netflix) and rent as much as you want for half that price (figuring 3 movies / week on the $19.99 plan). I don't really see where the profit difference is for the movie studios. And in fact I'd say the renter with one of these online rental memberships is less likely to buy a movie than someone who downloads it off the Internet for free since it's a much bigger pain in the ass to download a DVDR image or setup a computer with tv-out (not to mention proximity to the television and a decent way of controlling it without getting up all the time) just to watch a movie on the home theater system than it is to add it to your rental queue and have it show up in your postbox.

      Maybe if these fat cat execs put out better movies at better prices with less whining people would buy their shit again. Though, oh wait, they still are buying the crap in record numbers. So maybe they should all just shut the fuck up before we all decide that we really don't like buying DVDs that much.

    20. Re:Less risk. by KDR_11k · · Score: 1

      Sarcasm can be used as more than humour, in this case I'd say the insightful upmod is justified.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    21. Re:Less risk. by Anonymous Coward · · Score: 0

      Let me say what I really don't think I'm alone in saying: I download movies because I don't feel like paying to rent them, buy them, or see them in theatres, period. I don't download to create backups, play on my linux box, or even "try before I buy" (in most cases). It's willfull copyright infringement (which is NOT theft) and does not constitute fair use. While I recognize it's wrong on some level, I do it because it's not really hurting anyone... if I couldn't download it, I wouldn't go buy/rent/see it, so I don't see it as taking money away from all those who worked so hard to make it. It's just not "wrong enough" to form any real moral objection to, and I know damn well I'm not the only one who feels this way and could give two shits less to infringing a copyright. Only if a movie is truly exceptional and I watch it 3+ times per year can I justify buying it (subsequently I own under 10 movies). If an upcoming movie looks really good, I'll pay to go see it in a theater and can't justify paying more than once to see it again, unless it's truly exceptional.

      I always see all these people standing up with their various 'legitimate' reasons for downloading movies, and while I don't doubt there certainly are alot of people here who download under the fair use doctrine, I know damn well there are far more people who are on the same page as me.

    22. Re:Less risk. by spudgun · · Score: 1

      Just go rent it for $3.50 (or whatever) at your video store.

      I don't rent because the previous renter uses sandpaper on the discs.

      --
      Type unto others as you would have them type unto you.
  2. Better than nothing by Metabolife · · Score: 4, Insightful

    At least they can make some money now selling cheap DVDs instead of nothing selling overpriced ones.

    1. Re:Better than nothing by kfg · · Score: 5, Insightful

      At least they can make some money now selling cheap DVDs

      Which just goes to show ya exactly how overpriced DVDs are. CDs as well.

      Think about stuff from the catalog too, say Chaplin's City Lights ($22) or Badfinger's No Dice ($17), whose costs were paid off decades ago and so aren't relevant in justifying the cost of the disk. In fact, under the copyright laws that were in effect the first time I ever saw/heard most of the stuff in the catalog they should be in the public domain already. As far as I'm concerned Congress has breached their contract with me when it comes to these.

      KFG

    2. Re:Better than nothing by ScrewMaster · · Score: 3, Insightful

      Congress has breached a lot of such contracts with the public in the past fifty years or so. But thats only because they've made some new ones. Thank Disney and that little bastardo Mickey for a good part what's been lost to the public domain. I have to ask: what would old Walt think now?

      On a similar note, a friend once mentioned that our local Wal-Mart has a $5 bin of DVDs. I don't shop Wal-Mart ordinarily (for oh, so many reasons) but this brought me in. Older stuff, but since I don't go to the theater very often (or watch much TV) they're all new to me. So for five bucks each I bought a few "new" movies. I know, it's still going to a bad cause (two bad causes in this case) but at least it wasn't $17 or $22.

      Probably took Wal-Mart's considerable clout to get the studios to release even their old stuff that cheap. Concerns of true piracy and illegal downloading aside, I think some market realities are catching up to the movie people. Besides, here in the U.S. with gas fast approaching four bucks a gallon (with five on the horizon), heating bills through the roof, and everything else getting more expensive by leaps and bounds I know that I, for one, have less disposable income to blow on $22 movies (over twice what our local iMax charges!)

      As another poster pointed out, how many movies are just so good that you'll watch them multiple times, justifying the expense of buying the disc? Not many. There are some, to be sure, but not many. The vast majority of new releases sold are crap. The studios know they're crap before the first scene is shot, which is why so many movies go direct to disc nowadays. They'd never make it in the theaters. Heck, if the gross rake-in figures you hear are anywhere near correct, I don't think a lot of theater releases are in the black either.

      But that's okay. At seventeen bucks a disc, they'll just make it up in the DVD market.

      --
      The higher the technology, the sharper that two-edged sword.
    3. Re:Better than nothing by kfg · · Score: 1

      As another poster pointed out, how many movies are just so good that you'll watch them multiple times, justifying the expense of buying the disc?

      I've purchased exactly ten. One only because it was in a ten buck bin. I recieved an 11th as a gift from my wife (as an "add on" to a VHS tape of movie that wasn't available on DVD).

      There are a few others I'm inclined to add (including the VHS movie listed above, now available on DVD), but I'm in no hurry; at current pricing (note to Ted Turner. Release Grand Fucking Prix already with all the "bonus material" that Frankenheimer managed to produced at his own expense until he died. I'll pay whatever the bloody hell you ask for it).

      At five bucks or less I'd guess I'd own at least a few dozen.

      KFG

    4. Re:Better than nothing by Headcase88 · · Score: 1

      "Which just goes to show ya exactly how overpriced DVDs are. CDs as well."

      Can't wait until Blu-Ray or HD-DVD becomes the norm (if either do).

      --
      "When the atomic bomb goes off there's devastation...but when the atomic bong goes off there's celebraaaaation!"
    5. Re:Better than nothing by Lord+Flipper · · Score: 1
      I don't shop Wal-Mart ordinarily (for oh, so many reasons) but this brought me in.

      So, what is that: 'disposable' principles, or your own brand of 'wallet-centric' relativist ethics? I know there's that saying, "Every man has his price"...but, the $5 bin at Walmart's? jeeze, come on...

      Whatever, Hollywood makes their money on DVD and after-market stuff. The Box Office, as 'reported', is mainly part of the hype to get folks to rent/buy.

    6. Re:Better than nothing by ScrewMaster · · Score: 1

      Oh chill out. Nobody's perfect. I go there once a year, if that, and put most of my money where my mouth is by spending it at local businesses instead of Wal-Mart or Target (the two big ones around here.) My conscience is pretty clear on that score. I also haven't bought a new CD since 1983 so I haven't been supporting that bunch of assholes either. Can you say the same thing?

      --
      The higher the technology, the sharper that two-edged sword.
    7. Re:Better than nothing by Lord+Flipper · · Score: 1
      Can you say the same thing?

      Actually, yes, I can. I went into a Walmart back in Syracuse two years ago, looking for blank DVDs, in a crisis. It was the first time I'd ever been in one, and at the time I had no particular moral/political feeling about Walmart. That was then, and things have changed as far as my attitude towards the business.

      And what's funny is that 83 or '84 is about the last time I bought LPs. I used to shop the big jobbers, more than retail stores, and was getting huge discounts. I was a record collector, of the dead-serious variety, for several decades, so they had me...then. I can chill with the best of them, the original post struck me as funny, in a way, that's all. I'm far from 'perfect', so...carry on.

    8. Re:Better than nothing by ScrewMaster · · Score: 1

      Well, it's too bad more people don't think the same way you do. Life might be a little more perfect and there might be few less Wal-Marts.

      --
      The higher the technology, the sharper that two-edged sword.
    9. Re:Better than nothing by mgblst · · Score: 1

      You want old stuff, why not go for videos. Here in the UK, there are so many places selling videos, for no more than a £1. Especially if you aren't going to watch it that many times.

      Might not rivel HD-DVD goodness, but if you are only interested in a good story (surely why you would go for older movies), then you are away.

  3. If they're serious about it, then it is by Opportunist · · Score: 3, Insightful

    1.50? You don't even have to go that low. Make them 5 bucks and you already have a deal. 5 bucks, no DRM and, hell, why should anyone DL movies anymore? Wait for a day to DL stuff, only to find out that instead of Ice Age 2 you get a cheap copy of Sally does Houston. AND you find out when li'l Jimmy starts the film.

    Why is the IPod so popular? Affordable tracks and ... well, there is DRM, but so far nobody noticed it yet 'cause the IPods didn't break down yet.

    But for some reason I expect this to be some PR stunt, showing that in China you can't even get the market back when you go down to 1.50 bucks. One reason COULD be that the average Chinese doesn't have those 1.5 bucks to spend on DVDs. Why do you try it in China, why not in the US? Or Europe? Or some other country where people actually (still) have the money to actually buy content?

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    1. Re:If they're serious about it, then it is by deep44 · · Score: 3, Interesting

      Try reading the entire article summary next time. It mentions that they are trying to compete with $0.75 pirated copies.

    2. Re:If they're serious about it, then it is by gEvil+(beta) · · Score: 4, Insightful

      1.50? You don't even have to go that low. Make them 5 bucks and you already have a deal.

      Your plan would work in the US. Unfortunately, the article is talking about China. These are two very different markets. And as deep44 mentioned, when you're competing with 75 cent versions, 5 bucks is still too much. $1.50 seems like a very reasonable number for this trial run.

      --
      This guy's the limit!
    3. Re:If they're serious about it, then it is by ciroknight · · Score: 1

      Oh so that's what they meant by "a market lost to pirate DVD's at 75c each"; I figured they meant that DVDs only cost 75c to produce and that they were only making a 75c profit on them. Bad verbage I guess.

      --
      "Victory means exit strategy, and it's important for the President to explain to us what the exit strategy is." G.W.Bush
    4. Re:If they're serious about it, then it is by Koheleth · · Score: 1
      I don't think that it is a matter of downloading. Someone rips the movie off and then sells the disc for, like the article says, $.75. What is also interesing is that those selling say that there is a surprising demand for the 'pricey box sets'. Seperating those real media people from those that just want to see th movie.

      I think it is a good move for the company to see if they can reclaim some sales with the more honest side of the dishonest.

      --
      Diplomacy is the art of letting someone else have your way.
    5. Re:If they're serious about it, then it is by deep44 · · Score: 1

      Hmm, I hadn't considered that.. nice point. Not 100% sure what they mean with that statement.

    6. Re:If they're serious about it, then it is by Anonymous Coward · · Score: 0

      Affordable tracks have made the iPod popular? hahaha!

      Yeah, I'm sure everyone with a ipod dropped a couple grand to fill it up legally with 99 cent songs. Right.

    7. Re:If they're serious about it, then it is by Cal+Paterson · · Score: 1

      1.50? You don't even have to go that low.

      Yes you do. This is China. You know, the place that made your trainers?

    8. Re:If they're serious about it, then it is by carpe_noctem · · Score: 4, Funny

      Man, you slashdotters are all the same. First, it was all "read the article, read the article, blah blah blah, rtfm", and now it's "read the summary, rtfs". I bet next you'll be wanting people to read the entire headline before posting! Well, good sir, from now on, I fully intend on just glazing over the keywords of the summary, maybe one or two of the works in the links, and then posting the first thing that comes to my mind!

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
    9. Re:If they're serious about it, then it is by AcidLacedPenguiN · · Score: 2, Insightful

      oh come on, that doesn't happen. Even if it did happen, you're a horrible parent if you download copys of children's movies on the interweb.

      also, there is an excessive market for $0.75 pirated DVDs in China. i.e. people buy lots of them.
      2 x .75 = ?

      thats right, for the cost of 2 questionably well done pirated copies you can have one authentic copy.

      It reminds me of a couple chinese pirated movies I got in China. . .
      The Tahor of Panama
      Goideneye 007
      Regally Blonde
      I kid you not, those were the names on the discs. . .

      The reason they aren't trying it anywhere else is because there is no market for bootlegged copies of movies.

      --
      disclaimer: I've been known to store numbers in my ass for which to dig out when quantities are required.
    10. Re:If they're serious about it, then it is by Firehed · · Score: 1
      5 bucks, no DRM and, hell, why should anyone DL movies anymore?
      Forget about the software protection - I'll be happy if they don't have eight layers of shrinkwrap followed by "SECURITY DEVICE ENCLOSED" in three places. Not dealing with that every time would almost be worth building a new computer to get all rootkitted up that I'd use to rip my backup copies.
      --
      How are sites slashdotted when nobody reads TFAs?
    11. Re:If they're serious about it, then it is by fbjon · · Score: 1

      I just read the first few tags..

      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    12. Re:If they're serious about it, then it is by tourvil · · Score: 1

      After all these years, I'm down to just looking at the icons then reading the posts. Oooh, an iPod article...

    13. Re:If they're serious about it, then it is by Acid-Duck · · Score: 1

      There are some might be a big fan and would like to have the lasteast and the greatest before the rest of their friends so they can be the first one to see the movie without having the plot spoiled by some moron who opens his yap. I'm not one of them but those type of people will never stop downloading.

      Erik

    14. Re:If they're serious about it, then it is by EZLeeAmused · · Score: 3, Funny

      You're absolutely right, but why stop there? Set up a bot that extracts the first noun from the tagline and posts "I, for one, welcome our new overlords" as soon as an article is released. And make the title of the post "Obligatory."

      --
      Some see the vessel as half full; others see it as half-empty; We pour it out on the floor and laugh
    15. Re:If they're serious about it, then it is by Scarblac · · Score: 2

      Isn't that why tags were introduced? So you can skip reading the entire headline?

      --
      I believe posters are recognized by their sig. So I made one.
    16. Re:If they're serious about it, then it is by bladesjester · · Score: 1

      The reason they aren't trying it anywhere else is because there is no market for bootlegged copies of movies.

      Actually, there is one that I can think of off the top of my head - anime. There is a huge amount of bootleg anime out there. Sometimes the copies even make their way onto the amazon used marketplace as legitimate copies.

      --
      Everything I need to know I learned by killing smart people and eating their brains.
    17. Re:If they're serious about it, then it is by AcidLacedPenguiN · · Score: 1

      while you raise an excellent point, the market for bootlegged anime isn't near the magnitude of bootlegged "hollywood" in China.

      --
      disclaimer: I've been known to store numbers in my ass for which to dig out when quantities are required.
    18. Re:If they're serious about it, then it is by bladesjester · · Score: 1

      Very little in the realm of bootleg copies of *anything* even approaches the volume of bootleg hollywood movies in China (except maybe bootleg software - in China). When you've got a metric boatload of people and prices *that* low, everything else almost automatically becomes tiny by comparrison.

      --
      Everything I need to know I learned by killing smart people and eating their brains.
    19. Re:If they're serious about it, then it is by jambarama · · Score: 1

      The real question is how do they keep these out of the US? My first bet is on region encoding, but that is so easy to break it is absurd. They can't require new hardware, or no one will buy it. It can't have DRM (aside from CSS), or existing DVD players won't play it. The only other option I can think of is removing major features. But I'd buy a DVD for $1.50 from China even if it didn't have special features.

      So my question is, how do they keep people in the rest of the world from buying $1.50 DVDs? AFAIK, arbitrage is what killed price discrimination with region encoding in the first place, what is to say arbitrage won't kill it again? The DVDs will be in Mandarin (I assume) so language seems to be the only barrier that might hold back the tide of re-importing.

    20. Re:If they're serious about it, then it is by mikis · · Score: 1

      They (we) do it in Europe. In Serbia, at least.

      Prices for "regular" CD/DVDs are sometimes even higher here than in US -- average DVD movie costs around 20$, music CDs are about 15$. Which is ridiculous if you have in mind that average monthly wage is around 250$. So naturally, original CDs/DVDs weren't selling that well, as everyone just bought 1$ pirated CDs.

      Then, someone came to their mind and started selling movies -- domestic first, then foreign -- for 3-4$ on the newsstands. As you can imagine, sales soared and now there is at least dozen new releases every week available to anyone. And with prices like that, many people are buying movies they would never even consider buying.

    21. Re:If they're serious about it, then it is by Daengbo · · Score: 1

      As I posted above, this was going on in Thailand three years ago. 99 Baht (~$2.50) bought you a legit DVD. No new releases, of course, but good movies.

    22. Re:If they're serious about it, then it is by Anonymous Coward · · Score: 0

      Been there, done that. I'm thinking of GPL:ing the bot.

    23. Re:If they're serious about it, then it is by Shelled · · Score: 1
      "...and then posting the first thing that comes to my mind!

      Friggin' intellectuals...

    24. Re:If they're serious about it, then it is by MSZ · · Score: 1

      You don't even have to go that low. Make them 5 bucks and you already have a deal. 5 bucks, no DRM and, hell, why should anyone DL movies anymore?

      There is still a matter of some movies not being availalbe in some parts of the world or being delayed for months or worse.

      Still, at that price even the worst hollycrap seems interesting ;-)

      --
      The moon is not fully subjugated. I demand a second assault wave preceded by a massive nuclear bombardment.
    25. Re:If they're serious about it, then it is by mrogers · · Score: 4, Funny

      <html><head>...
      Oh great, another dupe...

    26. Re:If they're serious about it, then it is by Fordiman · · Score: 1

      Actually, I would suggest that he was talking about the US (or his home country).

      --
      110100 1101000 1101000 1100110 0 1101111 1101000 1100011 1
    27. Re:If they're serious about it, then it is by Anonymous Coward · · Score: 0

      Sometimes the copies even make their way onto the amazon used marketplace as legitimate copies.

      "Sometimes" you say? Pretty much every marketplace seller that keeps a significant anime inventory is dealing bootlegs.

    28. Re:If they're serious about it, then it is by LadyLucky · · Score: 1

      Real DVDs in China are already $5. Pirated ones are $1 or so.

      --
      dominionrd.blogspot.com - Restaurants on
    29. Re:If they're serious about it, then it is by zijus · · Score: 1

      Hi.

      In my opinion, you are making a good point about _no_drm_ cheapo 5 bucks copies. That would even have me buy DVD's. (I never baught one, way too expensive for entertainment)

      Where I don't follow you is when you say the IPod so popular? Affordable tracks and ... Sorry but legally downloadable tunes are not at all affordable. In Europe they are charge 1 Euro each. That's a monumental rip off. Consider the retail price of a 15 tracks CD : 15 to 22 euros. 1 Euro, affordable ? It's actually the fact of coughing up, in absolut, a small amount of money, which makes it feel like affordable. Like buying a small 10g plain chocolate sweet 1 Euro: not a lot?! Well, "only" 100 Euro kg : this is not what I consider affordable. To me 15 Euros / Cd is not at all affordable. This is already a rip off. But now consider the major's savings at selling online tunes : how many middle men are gone, no sending, no CD pressing... An online tune may start being no a rip off at .30 Euro each. Affordable would be .20 Euro.

      Bye

    30. Re:If they're serious about it, then it is by se7en11 · · Score: 1
      ...and then posting the first thing that comes to my mind!

      PONIES!!

    31. Re:If they're serious about it, then it is by CapnGrunge · · Score: 1

      So... you found an algorithm to tell nouns from verbs in English?

      --
      I see 57005 people
    32. Re:If they're serious about it, then it is by Mikya · · Score: 1

      I, for one, welcome our new noun finding algorithm overlords.

    33. Re:If they're serious about it, then it is by Technician · · Score: 1

      Why is the IPod so popular? Affordable tracks and ... well, there is DRM, but so far nobody noticed it yet 'cause the IPods didn't break down yet.


      Nobody has an Ipod full of I tunes tracks. Nobody is that rich. Ipods are popular because you can put you onwn tracks from other sources on it.

      If Ipods could only play tracks from I-tunes at a buck a pop, they would not need a 40 Gig drive.

      --
      The truth shall set you free!
    34. Re:If they're serious about it, then it is by accelleron · · Score: 1

      I, for one, welcome our new Piracy overlords.

      I like it!

      --
      Genius may have its limitations, but stupidity is not thus handicapped.
    35. Re:If they're serious about it, then it is by jibjibjib · · Score: 1

      PWNIES!!

    36. Re:If they're serious about it, then it is by jamar0303 · · Score: 1

      Well... Maybe not. For the release of the new Harry Potter movie, my local theater (in Shanghai) posted signs that said "due to popular demand, this movie is being played in English with Chinese subtitles. So, what might happen is that at least a few movies will be in English with mandarin subtitles.

      --
      OSx86 FTW
    37. Re:If they're serious about it, then it is by jamar0303 · · Score: 1

      Questionably done? I have never had any problems with movies that I buy on the street stands (except when I got a movie titled "Pacyfikator" for $1... still can't figure out what the title is in English, or the movie for that matter- seems to be a European language of some sort, with the English subtitles being quite horrible). And, 75 cents is the high end of possible prices. If you go to the right places, you can find well-done bootlegs for half that price. (odd that all my 35cent DVDs never have problems while the $1 DVDs at a stand next to my school do).

      --
      OSx86 FTW
    38. Re:If they're serious about it, then it is by Penguinoflight · · Score: 1

      The source behind this change is editors trying to host a stand up comedy surrounding the topic of the article. The fact is that this discussion is centered around the summary and what it contains (sometimes mutiple articles). Often editors ask stupid questions at the end of a summary, and sometimes they provide useful information like the part about how cheap pirate dvds are in China.

      --
      "And we have seen and do testify that the Father sent the Son to be the Savior of the World"
      1 John 4:14
    39. Re:If they're serious about it, then it is by gnasher719 · · Score: 1

      '' Nobody has an Ipod full of I tunes tracks. Nobody is that rich. ''

      I believe that Steve Jobs said quite a while ago in public that their best iTMS customer had bought over $30,000 worth of music. And that was a few years ago.

    40. Re:If they're serious about it, then it is by mpe · · Score: 1

      There is still a matter of some movies not being availalbe in some parts of the world or being delayed for months or worse.

      Which for many movies is actually the norm. For reasons including global companies just not being geared up to deal with a global audience and governments insisting that films must be dubbed into a "local language", even when plenty of people there understand the "foreign language" originally used. (As well as it being perfectly possible do quite a bit of dubbing/subtitling as part of the production in the first place.)
      There are quite a few situations, e.g. fan subbed anime, where "pirates" are providing services which are clearly in demand, but not available for sale...

    41. Re:If they're serious about it, then it is by Technician · · Score: 1

      I believe that Steve Jobs said quite a while ago in public that their best iTMS customer had bought over $30,000 worth of music. And that was a few years ago.


      You just made my point. The exception to the rule got noticed. It's an exception, not the norm.

      --
      The truth shall set you free!
    42. Re:If they're serious about it, then it is by dwater · · Score: 1

      Most illegal copies I've seen are actually in their original language and subtitled into many different languages (including Chinese).

      --
      Max.
    43. Re:If they're serious about it, then it is by dwater · · Score: 1

      > I kid you not, those were the names on the discs. . . ...and the spelling mistakes make for some serious laughter sometimes. It makes me think that they do it deliberately, since it would be too easy just to get it right from the one they're copying. The covers/printing is usually pretty good quality, actually - just the spelling sucks.

      --
      Max.
  4. Old argument by 2.7182 · · Score: 0, Flamebait

    People who steal are very good at talking people into thinking that what they did is OK, or even helpful. Bear that in mind. As UKL would say "Don't listen to the dragon''

    1. Re:Old argument by Anonymous Coward · · Score: 0

      Copying != Stealing

    2. Re:Old argument by Frozen+Void · · Score: 2, Informative

      stealing isnt rigth term.They just copy the information.Nothing stolen.
      I wonder why people look at "piracy" so
      prejudiced, it isnt a very good thing helping more people to get their entertainment and information?
      At cheaper cost and even free with file sharing (BitTorrent,file hosts,etc).
      Piracy is "wrong" because it promoted as such by cartels that hold copyrights.
      Free world doesn't need such leeches.
      They will get rid of sooner or later.

    3. Re:Old argument by kfg · · Score: 5, Insightful

      People who steal are very good at talking people into thinking that what they did is OK

      Ya mean like constantly expanding the range of copyright laws so that nothing ever actually goes into the the public domain, so the free money cow never dries up?

      KFG

    4. Re:Old argument by Saeul · · Score: 2, Interesting
      Ya mean like constantly expanding the range of copyright laws so that nothing ever actually goes into the the public domain, so the free money cow never dries up?

      That position is very short-sighted. It isn't "theft" to extend copyright laws. The rough analog to the copyrighted material devolving from private property to public property is Congress writing a law that causes your house to be turned over to the city after 100 years. While you almost certainly will be dead when it happens, what public good is enhanced by destroying private ownership?

      I can see it for shared works of commerce such as open source software where ALL participants agree to pool their interests for the public good. But I don't see it for art. While I'm sure the public good can be shown to be "served" by confiscating physical works of art, it still smells like theft to me. Is the case any less obvious with intellectual property that is essentially entertainment?

    5. Re:Old argument by Anonymous Coward · · Score: 0

      Or how probably a complete lack of interest or discresionable income is a far more likely to explain why complete crap movies die in the sales bin??

    6. Re:Old argument by Mistshadow2k4 · · Score: 1

      "It isn't "theft" to extend copyright laws."

      Yes it is. Everything in the public domain is effectively copyrighted by the people, and by extending the copyright laws they are stealing your legal rights to use what you should be able to use freely. Isn't it hypocritical how they are so eager to sue to anyone who infringes their copyrights but don't mind a bit taking away your rights to use material that should already be public domain?

      --
      I dream of a better world... one in which chickens can cross roads without their motives being questioned.
    7. Re:Old argument by Harinezumi · · Score: 1
      The reason the concept of copyright was enacted in law in the first place was to grow the public domain. You get to act like a piece of information is your property to make up for your expenses and for releasing it in its entirety to the public domain after 14 years.

      It is not required for a civilization to function the way the concept of private property is, it merely accelerates the rate at which civilization progresses if, and only if, the information enters the public domain in a timely manner.

    8. Re:Old argument by kfg · · Score: 3, Interesting

      Please note that I used the word "theft" somewhat sardonically, because that was the word used in the post to which I responded; however:

      . . .what public good is enhanced by destroying private ownership?

      You do not understand the social contract of copyrights and patents. Like, at all.

      The are not private property. A temporary right of monopoly is granted insofar as that grant benefits the public good by insuring they reach the public domain; and in a timely manner.

      Free speach is the primal law which "Intellectual Property" laws are subserviant to (where such free speach laws exist, which they should in all jurisdictions that are signatory to the Berne Convention, since the assumption of free speach is part of the social contract of the Berne Convention).

      While I'm sure the public good can be shown to be "served" by confiscating physical works of art, it still smells like theft to me.

      Because that is theft. As is taking a DVD from the store without paying for it.

      Copying the work of art is not theft.

      Denying the right to copy the work of art is theft from the public domain. It denies the right to possess what is legitimately your property. Back in the day when the American copyright laws were being formulated the parties who were against it and the parties that were for it both understood this explicitly.

      Get the hence and read the correspondence between Jefferson and Monroe on the matter (Jefferson was Ambassador to France at the time the Constitution was drafted, which fact leaves us with a fortuitous public record of the their arguments).

      KFG

    9. Re:Old argument by bigpicture · · Score: 2, Interesting

      Before the last 5 years or so there was not any affordable effective way for the masses to digitally copy or transmit. So in that respect the Movie and recoding companies had the monopoly on the means to record. And that is all copyright is, it was a royal decree that only the favourite buddies had a right to have a printing press.

      In case you hadn't noticed those days are gone, adjustments are required. People have new unique ideas every day, other people copy them, that is how economic and social progress is made. Even when they study chimp communities, this also happens this way.

      This requires some revision of thinking, that the RIAA cannot seem to grasp. Their FUD is still theft. How if someone buys a blank CD and copies information onto it, does that information belong to a recording company? If none of that existed in the first place, and since the content cannot exist without the containing media, the theft definition is a long stretch. It is the concept that only a privileged few have the right to copy that needs to be revisited.

      Because much as I try to grasp this concept it eludes me. If the content cannot exist without the media that it resides in, and cannot be accessed without the playback technology, why do the inventors, creators and owners of this technology not have the same rights as the creators of the content. Because the content is nothing without this technology. And if this technology did not exist it would still all be pay for admission to stage theatre, and live bands. How come only the content creators get a special privilege, and not also the technology creators that makes it even possible?

      Do the recording companies license the recording equipment, and pay a license fee to the manufacturers for each copy that they make? Or do they buy this equipment and own it the same as Joe citizen?

    10. Re:Old argument by secolactico · · Score: 1

      and by extending the copyright laws they are stealing your legal rights to use what you should be able to use freely.

      But then the question is "why should you be able to use them freely". What entitles the general public to these works?

      The law? Then the lawmakers give and take away. And they *are* taking it away, if only little by little.
      Morality? Sorry. That's a subjective reason.

      --
      No sig
    11. Re:Old argument by Chowderbags · · Score: 1

      How about to promote the progress of science and useful arts?

      The public is entitled to the works because that is the deal made. The person/company gets the copyright for a period of time, thus giving them a legal monopoly, and when that time is up, so is the monopoly. To change that agreement retroactively should be no more legal than changing any other contract after it's been signed.

    12. Re:Old argument by secolactico · · Score: 1

      How about to promote the progress of science and useful arts?

      This is a good argument.

      The public is entitled to the works because that is the deal made. The person/company gets the copyright for a period of time, thus giving them a legal monopoly, and when that time is up, so is the monopoly.

      This isn't. What deal? Made by who? There is no deal. There is a law signed by lawmakers a bunch of years ago. Tho I agree that a change on it shouldn't be applied retroactively.

      I do agree that copyright should have a finite duration. But we need to justify it with a good reason, otherwise it's just an opinion.

      The greater good? Are medicine recipes copyrighted/patented? Are they covered by the same law that keeps Mickey away from the public domain?

      --
      No sig
    13. Re:Old argument by Jackie_Chan_Fan · · Score: 2, Interesting

      People who steal are very good at talking people into thinking that what they did is OK

      Thats no more true than "People make excuses for their choices in life" It has nothing to do with theft.

      What a theif can do is be honest and explain why the had to steal...

      Also there is a big problem in this country where most people think criminals are just murderers, drug dealers and online pirates.

      Most people fail to realize that the most severe forms of crime are at the corperate white collar level. Ask a Criminology professor.

    14. Re:Old argument by Chowderbags · · Score: 1

      The deal is part of the social contract, you know the same implicit deal that keeps the government afloat. The law is supposed to be made by reprisentatives of and for the people. The theory behind copyrights (and patents, which are in the same clause of the Constitution) is that people who create things should be given a chance for just recompense, and that is written as a monopoly for a limited period of time (14 years, with one renewal, in the Copyright Act of 1790). To extend copyright further and further, each time retroactivly extending it, is creating the exact same effect as perpetual copyright.

      With current copyright laws, I will be denied free use of writings made long before I was born, and in all likelyhood my kids won't even be able to use them until they're old and grey, if at all (I forsee another copyright extension in ~2016). With copyright protecting works that aren't even registered, if I write a diary now, and in 200 years, after I'm dead, a historian uncovers it, what would stop my descendants from suing the historian for publishing material of my writings?

      Most books make 90% of their money long before the copyright protections are up, so why should we protect them long after they are providing an economic benefit to the author? For that matter, why should the copyrights pass on to children and grandchildren? In what way is that helping the author of the material? Why don't we look at what will create the most good for the society as a whole, and no, it isn't abolishing copyrights, at least not at the moment, perhaps in the future though.

      And although a part of me wants to throw up at the idea of a chemical being patented, I realize that the complex organic molecules are invented just as much as a bicycle. However, if the chemical can be found in nature, there shouldn't be a patent. But quite honestly, the current patent system is broken anyway, and could use quite a bit of an overhaul. I can't really trust a system that lets something like the B12 deficiency being measured by elevated homocysteine levels get through the system.

      And as far as Mickey Mouse is concerned, I have no idea what Disney is worried about. They'll probably have the trademark till the end of time, so what are they concerned about?

    15. Re:Old argument by Artifakt · · Score: 1

      It's the new, current system where the lawmakers have gained whole new "rights" to give or take away.
              From reading what Jefferson, in particular, wrote, copyright in the U.S. constitution derived from natural rights - people could physically copy works because people's physical nature itself made them able to do so. In order to promote science and the useful arts, people were expected to give up a portion of that right to encourage the creator. Please note that even those crafters of the constitution (such as Madison) who didn't ordinarily put much credence in "natural rights", rights "derived from nature and nature's god", and the like generally agreed it was the mechanism behind patents and copyrightc, or else their letters and writings are silent on the subject. This strongly suggests that the founding fathers were totally unable in debate to conceive of a mechanism other than transfer of a natural right to explain what they were doing with copyright.
            (So there's an answer to your first question, The nature of Men and the nature of Ideas is what allows us to use them freely. Your rephrase is therefore a leading question, as the word "entitles" assunes a title to works must exist before the fact of the works own existence rather than after. A right is not the same thing as an entitlement, and you would have a natural right to make copies even if there was no government to grant titles.)
              Now your or my natural right to produce a copy ceases at the moment of our deaths, if not before. No one can choose to make a copy one single second after his or her death. How, then, can copyright be extended to life plus 70 years or similar periods? Simply, Copyright must become something originated as the gift of a beneficent body of lawmakers, rather than transferred from the citizens. As you put it, the lawmakers give and take away. The point being if there is nothing but either law or subjective morality to grant you a right, then 1. we get the present situation where the lawmakers are doing a whole heaping lot of taking away, and 2. from your own assumptions, you have also lost the grounds to complain about it.

      --
      Who is John Cabal?
    16. Re:Old argument by flosofl · · Score: 1

      Woah.

      Did you go nuts on the <BR> tag? That whole post looks like some kind of free-verse poetry except it makes less sense.

      --
      "This calls for a very special blend of psychology and extreme violence" - Vyvyan "The Young Ones"
    17. Re:Old argument by runderwo · · Score: 1
      That position is very short-sighted. It isn't "theft" to extend copyright laws.
      It is when the public is paying to enforce those laws on a perpetual basis. Physical property deteriorates or is destroyed and eventually has no value. A copyright is artificially injected with value according to the term of copyright, and never deteriorates. Because of that, the copyrighted pool of works is a cumulative base.

      Continuing to make copyright perpetual and infringement criminal only ensures that we will spend a more and more disproportionate amount of public money on its enforcement compared to real property. It also ensures that companies will lock away culture by refusing to sell copyrighted works because the business case doesn't make sense, but at the same time relying on the force of law to sue and jail those who would.

      If you're going to argue for perpetual, criminal copyright, you have got to make some exceptions for abandoned works, nonprofit copying, and fair use upon which consumer rights can be exercised and new works such as parodies, documentaries, and homages can be created.

  5. In a true open market by Maxo-Texas · · Score: 1, Interesting

    DVD's should basically be 1.50 every where else in the world too then.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    1. Re:In a true open market by Anonymous Coward · · Score: 1, Insightful

      "DVD's should basically be 1.50 every where else in the world too then." ... said without even thinking.

      Thinking about how 1.50 dollars could be a days wage in some parts of the world, and just 3 minutes in other parts.

      Do you think that such a trinket of entertainment should cost a full days work for one, and just 3 minutes of work for the other ? Or do you think that both should spend roughly the same ammount ?

      And no, i'm no advocate of region-locking that DVD's are currently subject to. But paying everywhere the same ? Yeah, right.

    2. Re:In a true open market by gEvil+(beta) · · Score: 2, Insightful

      Then everyone else in the world should be making $40,000 a year, too.

      --
      This guy's the limit!
    3. Re:In a true open market by Cylix · · Score: 1

      What's sad...

      At a 1.50... I would own every movie I watch...

      WALLS... WALLS... OF DVD!

      Did I mention walls?

      Could you imagine the harm to the rental business even at 2.50?

      WALLS I SAY!

      --
      "You should always go to other people's funerals; otherwise, they won't come to yours." -- Yogi Berra
    4. Re:In a true open market by fontkick · · Score: 1

      It could be argued that in a true open market DVDs should be priced as high as people are willing to pay (Star Wars box sets, for example), and lowered if people are unmotivated to buy. The same thing for music. This explains iTunes success, as people are more willing to pay $1.00 for a song than $17.00 for a CD with that song. The problem with piracy is that people care less about living by a moral code than "having lots of stuff" and they don't even want to pay a reasonable price for something they want. $15-20 for a DVD you love is hardly unreasonable in the U.S..

    5. Re:In a true open market by marx · · Score: 1
      Then that should be true of all commodities. Let's say that the average person in the US or Europe makes 20 times as much as the average Chinese. Should a car of the same quality be 20 times more expensive in the US or Europe? And should I then be prevented from buying it in China and selling it in the US/Europe?

      Either you accept a free and global market, or else you don't. You can't just support a free market when it benefits you, and then oppose it when it doesn't.

    6. Re:In a true open market by heinousjay · · Score: 1

      You can't just support a free market when it benefits you, and then oppose it when it doesn't.

      Sure I can. Maybe you think some univeral law of fair applies, but this isn't that ideal universe.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    7. Re:In a true open market by tlynch001 · · Score: 1

      I agree. And at least the people who just take could have the honesty to say "I don't want to pay for it" rather than "The quality is such crap" or "They make so much anyway". Dude, you took it without paying for it. But I imagine that's been argued before in this forum.

    8. Re:In a true open market by naetuir · · Score: 1

      All the rental places would simply have to adapt. It's as simple as this: Instead of Rent - Everyone buys. They have a slight markup, and add neat things like signings or something, while actors rove around different stores now and then, to do signings. Hell, even I would pay an extra few bucks for the signature of Antonio Benderas.

      --
      Use what works.
    9. Re:In a true open market by MooUK · · Score: 1

      Not all people who download things are moral-free. With music, for example, many people download music to try it out and then buy it if they think the artist deserves the money - and not buy it if it's not worth the money.

    10. Re:In a true open market by DiggGraduate · · Score: 1

      Companies don't price things in a true open market. They accept the price given to them. The companies only decision is how much they want to make of a product. With Digital Products it is very cheap to produce tons, so they should be flooding the place with product, and we should be paying for only the discs. Copyright's take away the idea of an open market.

    11. Re:In a true open market by Anonymous Coward · · Score: 0

      I don't know any pirate that would not buy a DVD of a movie that they truly love. The problem is the movie industry keeps trying to feed us generic, made for the masses, shit. We can't afford to buy every movie we're currious about at $20 a pop, so we download and buy according to the good ones. Downloading isn't piracy, it's sampling. How many downloaded movies get watched multiple times? Not many. The entertainment industry thinks they can get away with making us pay for every straw of hay that we touch while we're looking for the needle we actually want to buy. Fuck that. We'll buy the ones we want to keep and delete the rest.

    12. Re:In a true open market by Maxo-Texas · · Score: 1

      So by your argument...

      EVERYTHING should be priced relative to a person's earnings.

      A person should be charged.. say... 2 hours for a movie.

      So a person that makes 3 cents an hour would pay 6 cents and a person that makes 300 dollars an hour would pay 600 dollars-- for the same product.

      So a person that was unemployed and making 0 cents per hour would have a right to take ANYTHING they wanted for free.

      I don't know-- doesn't seem like your argument holds up worth SQUAT.

      If oranges are sold for 10 cents 2 miles from here then the cost of an orange would be 10 cents plus the cost of moving the orange 2 miles.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    13. Re:In a true open market by Maxo-Texas · · Score: 1

      And another thing- just because I didn't bloviate on for 10 pages doesn't mean there isn't a lot of hard thinking behind my original statement.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    14. Re:In a true open market by Kihaji · · Score: 2, Insightful

      With Digital Products it is very cheap to re-produce tons

      Fixed. There is a large distinction. The cost of a digital product is the initial costs, which could be quite large + the reproduction costs. While pressing a DVD may cost $0.50, the material you are pressing on that DVD might have cost $100+ million to produce. So, even if you do sell 100 million copies at $1, you still have yet to break even.

    15. Re:In a true open market by dhasenan · · Score: 1

      Some people download music legally--for instance, Mirko Vidovic's work, or Orak's. I happen to have some GPL'd French metal on my computer, even.

    16. Re:In a true open market by bladesjester · · Score: 1

      Antonio Banderas would be cool, but personally I'd love to have Reggie Bannister and Angus Scrimm autograph my Phantasm movies. =]

      I can't help it. I'm a horror nut. BOOOOOOOOOOY!

      --
      Everything I need to know I learned by killing smart people and eating their brains.
    17. Re:In a true open market by tepples · · Score: 1

      With music, for example, many people download music to try it out and then buy it if they think the artist deserves the money

      Labels' response: That's what Napster, Rhapsody, and the other $120/yr subscription services are for.

    18. Re:In a true open market by lgarner · · Score: 1

      You're right, but for the wrong reason. There's far too much use of "should" in this and similar threads.

      In a free and open market, each person has the same chance to pay a price that they're willing to pay for a product. Likewise, each seller has the same chance to sell their product at a price that's satisfactory to them.

      If someone wants a DVD for $1.50, then they shoule (there's that word again) be able to go to China and get one. Here in the US, thankfully, the seller can charge what the market will bear. As soon as the market doesn't bear $20 per DVD, the price will fall.

      There are probably too many regulations on free trade here as it is, but fortunately the government isn't getting into every industry and setting prices. Imagine a law that *every* camera store in the nation must set the same price for a given model. No competition allowed.

      The price for a product *should* be what a) the seller is willing to take and b) the consumer is willing to pay.

    19. Re:In a true open market by MooUK · · Score: 1

      I've got quite a lot of music from the artists on the Webbed Hand label, amongst other things.

    20. Re:In a true open market by Kadin2048 · · Score: 2, Informative

      Thank god somebody understands. If everything was priced relative to earnings you might as well go and make everything free, because you've removed my incentive to work hard. If I could do nothing all day and still go out to the store (or down to the auto dealership) and take stuff home with me, you can damn well bet I wouldn't be busting my ass getting up at 6:30 Monday morning to go to work.

      Yeah, I've heard all these quasi-socialist arguments that "people aren't motivated by money and physical goods, they'd still work for the joy of working," and I think it's a load of crap. I'd probably do something with my time, but you can bet it wouldn't benefit anyone but me: I'd be sitting around building radio-controlled airplanes, probably, or maybe seeing how cool a home theater I can build in my basement. The world and the economy doesn't benefit from that, at least not in the way it benefits from the job I normally do (and wouldn't do, if it wasn't the ticket to a standard of living that I enjoy).

      Any system which gives a low-value worker access to the same things that are available to a highly trained worker just destroys the motivation for a person to work hard and produce more. People work because they want things: a bigger house, a nicer car, put their kids into better schools, whatever. If you go into work every day because you honestly love your job, and you'd do it regardless of whether or not you were being paid, congratulations on putting one over on your boss, because they're overpaying you! The great majority of people do what they do because they think it's worth doing in return for the compensation they get. Make it easier to get that level of compensation, and people will take the easier jobs.

      It should be obvious, but there are a whole lot of quasi-socialists who have their heads in the sand, and think that they can somehow create this wonderful world where rice farmers in Indochina and software engineers in Delaware can both drive the same car and have the same DVD player because they both work as hard. It doesn't work that way, and never will.

      --
      "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    21. Re:In a true open market by shmlco · · Score: 1

      "many people download music to try it out"

      Yeah, I know quite a few people who've "tried out" the same song at least 50 times by now...

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    22. Re:In a true open market by kz45 · · Score: 1

      Then everyone else in the world should be making $40,000 a year, too

      Tell that to the corrupt leaders of third world countries that are preventing their own people from a moderate lifestyle. Look at China for instance. They aren't third-world per se, but most of the people are poor.

    23. Re:In a true open market by kz45 · · Score: 1

      Not all people who download things are moral-free. With music, for example, many people download music to try it out and then buy it if they think the artist deserves the money - and not buy it if it's not worth the money.

      This sounds like a nice idea, but most people that download music, burn it and don't bother buying it.

      When I was in college back in 2000, everyone I knew stopped buying music when napster came out.

      It's human nature. If you are not forced to buy something, you most likely won't.

      a very interesting article on donations: http://www.donationcoder.com/Articles/One/index.ht ml

      a quote from the end of the article: "It's probably not possible to make a good living on Donationware, but it might be possible to give up your day job and live above the poverty line eventually, if you're willing to take the work seriously and willing to invest a lot of time and energy"

    24. Re:In a true open market by MooUK · · Score: 1

      I did a small research project amongst fellow students - about fifty respondents only; it was only intended to be a very small project - and found that most of my peers feel a lot of people do download music to try it out, and feel that such behaviour is perfectly fine.

      To make all the ethical issues easier, we didn't ask anyone outright, but it was still an interesting response.

    25. Re:In a true open market by m50d · · Score: 1

      And the free labour market, in the form of outsourcing, is slowly making that happen. It should work both ways - free labour flow forces wages to equalize, and free product flow forces prices to equalize.

      --
      I am trolling
    26. Re:In a true open market by m50d · · Score: 1
      Do you think that such a trinket of entertainment should cost a full days work for one, and just 3 minutes of work for the other ? Or do you think that both should spend roughly the same ammount ?

      A full day's work should be the same price everywhere too. Companies take advantage of different economies by outsourcing. We should be able to do the same. Legalise parallel importing, and you'd pretty soon equalize world prices.

      --
      I am trolling
    27. Re:In a true open market by kiddygrinder · · Score: 1

      I believe he was more for charging a sane amount compared to the chinese average wage and a sane amount compared to an american average wage, not so much doing an income check on everyone who went to buy a DVD. And honestly i agree, especially since you are simply trying to price it as high as the market will bear in order to maximise profit.

      --
      This is a joke. I am joking. Joke joke joke.
    28. Re:In a true open market by geminidomino · · Score: 1

      Fixed. There is a large distinction. The cost of a digital product is the initial costs, which could be quite large + the reproduction costs. While pressing a DVD may cost $0.50, the material you are pressing on that DVD might have cost $100+ million to produce. So, even if you do sell 100 million copies at $1, you still have yet to break even.

      Of course. That's why hit movies that break even before they leave the theatres cost less when they come to DVD.

      Oh wait...

    29. Re:In a true open market by Maxo-Texas · · Score: 1

      I have absolutely -NO- problem if someone wants to sell a product for a million dollars more than the cost to produce it.

      Where I strongly disagree is when they get artificial laws passed so they can sell that product to someone else for five dollars and resell of that item to me for ten dollars is prohibited. It is an insane situation.

      It gets even worse when the cost to produce the item is 5 dollars, and I pay 50 dollars while they pay 2 dollars. I'm subsidizing their ability to get the item by being grossly overcharged. This happens a LOT with medicine.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    30. Re:In a true open market by Maxo-Texas · · Score: 1

      I find that people are as moral as they can afford to be.

      In college people have very little money.

      I disagree and say that $15 to $20 is not a reasonable price for most people.

      It is not unreasonable for me- I make a great living. But it is wrong and invites piracy to charge such a high price that a majority of people in an area can never afford it.

      It also galls me that an impoverished american can't buy the DVD for $15 but the middle-class chinese competing with me for a job can buy it for $1.50.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  6. Killing copyrights is in their best interest by argoff · · Score: 2, Insightful
    1. Re:Killing copyrights is in their best interest by Opportunist · · Score: 4, Insightful

      Copyright has its right to exist. When someone creates something, he puts time and money behind it, develops it and he should have a chance to earn money that way. If you take this possibility away, the looser would be the artist who is already getting ripped by the studios. Studios wouldn't sign contracts with him anymore. They'd wait for him to perform, tape it and distribute the song that way, without giving him a cent. Or they wait for him to spend his own money to press a few CDs, rip those CDs, hype it, and sell it as their own.

      And we all know how much they know about marketing and hyping, and how little about art.

      In fact, killing copyrights would even put those artists out of business who still create art. They're few, they're well hidden on the 'net and you have to search them, the studios won't throw them at you.

      And as a bottom line, we, the ones who enjoy their art, would be the loosers on this one.

      Copyright isn't the problem. The problem is that the balance is off. Copyright came into existance to create a balance between those who produce, those who distribute and those who consume content. The balance is way off. But that doesn't mean we have to throw the right out, we just have to put it back into balance.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:Killing copyrights is in their best interest by argoff · · Score: 3, Insightful

      Copyright has its right to exist. When someone creates something, he puts time and money behind it, develops it and he should have a chance to earn money that way.

      What? Copyrights don't have rights, individuals have rights. Anyhow, if someone wants to make money from a creation, try giving a concert - not monopolizing the distribution channel and microregulating how every individual on the planet copys information at their disposal. If you want balance, then let content flow freely and charge for content related services. Content doesn't have a natural limit in supply vs demand, content related services do.

    3. Re: Killing copyrights is in their best interest by Vadim+Makarov · · Score: 1

      Well said. Vote for the Pirate Party on the upcoming elections (if you are in Sweden)!

      --
      17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
    4. Re:Killing copyrights is in their best interest by Anonymous Coward · · Score: 0
      Copyrights don't have rights, individuals have rights.
      You were probably being sarcastic here, but I'm going ahead anyway.

      "Has its rights" is an expression. English is full of expressions, whether they make sense or not.
      [/point]
    5. Re:Killing copyrights is in their best interest by Anonymous Coward · · Score: 0

      Quiet, you. You're interfering with the standard Slashbotter's feeling of entitlement. Piracy is fine, and not even piracy because it's sharing and not stealing, and they never would have bought that movie/music anyway because Hollywood/popular music is nothing but shit and actors/musicians make too much money anyway and if it was real art then they wouldn't be asking for money anyway because real artists/programmers do it for the sake of art/OSS and while we realize that real artists/coders live in a world where food and rent costs money, that's what they get for selling out/moving out of Mom's basement.

    6. Re: Killing copyrights is in their best interest by Opportunist · · Score: 1

      If I could, I most certainly would.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    7. Re:Killing copyrights is in their best interest by castoridae · · Score: 1

      That's no good. This puts a very hard cap on what even the top, most "succesful" content creators can earn. When you sell services, you are selling your time. You only have so many hours in a day, and you can only reasonably charge so much for an hour of your time. The musician can't go perform a concert every time someone somewhere in the world wants to hear his song. But why shouldn't he receive some compensation when they do? He created it with his own time, energy, and risk. He had the opportunity cost of plying a different trade, and took a risk to spend his time creating his art. I know this is /. and IP of any sort is bad, but I'll take my chances posting this. ;-)

      The intended purpose of copyright (and patents) is to provide incentive to artists and inventors to take risks and create. Your approach would have it that inventors can't profit directly off their inventions, they simply have to use that to make a name for themselves as consultants. Sorry, but where's the incentive to invent? And once you have a name - as the best will - where's the incentive to continnue innovating? I'm doing just fine as a consultant without having invented Linux or any other big open-source innovation. Spending my time inventing something that would "make a name for" myself isn't going to seriously impact my income - and it's definitely not going to pay for the time it took me to invent it.

      I'll take my IP, thank you very much.

    8. Re:Killing copyrights is in their best interest by metamatic · · Score: 1
      Copyright has its right to exist. When someone creates something, he puts time and money behind it, develops it and he should have a chance to earn money that way.

      Why?

      If I build a shed in my garden, I put a lot of time and money behind it. Should I have some inherent right to earn money as a result?

      Just because something takes time and effort, doesn't necessarily mean you have a right to earn money from doing it, or even a chance to earn money from it.

      Art existed before copyright.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    9. Re:Killing copyrights is in their best interest by Opportunist · · Score: 2, Insightful

      The problem is, as stated before, the balance. Please realize that removing the copyright altogether would hurt the artist by far more than the distributor.

      As you say, the amount of service you can provide behind some content is limited. You can only make so many appearances, you can only give so many concerts. What would keep a studio from ripping me off?

      Let's say I write THE song of the century and go on tour as "The Opportunist". Now, Phony Records puts up some studio gang and has them go on tour as "The REAL Opportunists", puts a load of hype behind it, slanders me and makes sure that everyone believes that I'm the imposter. The only thing I could do is write statements myself, trying to tell the truth (Prior art? Original artist? Doesn't matter without copyrights).

      Who's gonna win in that scenario? Me, the artist or Phony, the multinational record company? Who's gonna have a bigger audience in those concerts? Who's gonna make a killing from concert tickets and who's gonna kill himself trying to sell his?

      Next scenario: Software. Without copyrights, what would keep MS from taking Linux and running with it? Stuff their marketing and GUI guys behind it, create a flashy and squeaky colorful GUI for it, then "embrace and extend" until it's no longer compatible with ordinary Linux. Oh, it is, but it has "additional features" that people will enjoy and use, thus making sure that it's not really compatible with the old stuff anymore.

      Yes, people could "pirate" Windix without a problem. Legally, even. Only problem is that MS could, without a problem, create a "service" that you have to pay for, like, patches, codecs, content, update, etc. only for money, encrypted to match a paid key so it only works with this key, which in turn changes often enough to make it a PITA to keep up with your "copy" of it if you're not willing to pay.

      Face it, killing copyright would never hurt the fat cats. It hurts the free artist, the free author and thus, in turn, the customer.

      Copyrights are out of balance. Completely. The scale is tipped too far, the rightholder has too many rights on his hands, while the user is getting cornered more and more. That has to change. And copyright has to become the balancing tool between the creator and the consumer again.

      But it should definitly not be removed from existance.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    10. Re:Killing copyrights is in their best interest by oirtemed · · Score: 1

      That's correct. I'm fine with copyrights, they serve some good. I don't like copyrights that last as long as the do now a days, especially when congress is pretty much legislating perpetual copyrights these days (Eldred v Ashcroft has some opinions attesting to that). A copyright should last for lets say 40/50 years or the life of the author plus maybe 5, maybe 10 years - whichever comes first. I'm sorry, the children and spouses don't really have a right to that creation - that's ridiculous, where does it stop - great great grandkids? The creator should use his profit from when he was living to protect and provide for his family, thats what normal people do. Can you imagine how much more creativity would be fueled if things created 50 years ago were now public domain? I can. Cause lord knows you can't use currently copyrighted materials in your work without paying unbearable fees. There is a real problem when people who shoot documentaries are afraid to accidently film a few second clip of the Simpons. Anyone who tries to tell me the system isn't broken is a fool, it's as plain as day. How to fix it is the real issue...but we won't even get that issue considered as long as Disney and the like keep lobbying to horde their IP pool. And don't try to argue that stuff 40-50 years old still has commercial value. That is irrelevant. It should have some value, and that value should be free for the society as a whole to benefit from. 40-50 years is a long time to be profiting off of one work.

    11. Re:Killing copyrights is in their best interest by Xugumad · · Score: 1

      > Next scenario: Software. Without copyrights, what would keep MS from taking Linux and running with it?

      Dang good point, need to remember that one. It's interesting seeing the same community that _screams_ with outrage at the very thought that some company may have GPLed code in their product without releasing the source (which is bad, and all, but I think there is too much assumption it's some sort of company policy, rather than a lazy programmer who's about to be fired. From a cannon, into the sun), declaring that copyrights are a terrible idea and shouldn't exist...

    12. Re:Killing copyrights is in their best interest by Xugumad · · Score: 1

      > Should I have some inherent right to earn money as a result?
      No, but you have the inherent right to stop other people using your shed, or to charge them for using your shed.

      > Just because something takes time and effort, doesn't necessarily mean you have a right to earn money from doing it, or even a chance to earn money from it.
      So... we'll motivate people to create easily copyable material by... declaring how great music/movies/books are, and we'd like to see some?

    13. Re:Killing copyrights is in their best interest by cbs4385 · · Score: 0
      The intended purpose of copyright (and patents) is to provide incentive to artists and inventors to take risks and create.
      Um, from the Constitution, the purpose of patents are "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries; http://www.usconstitution.net/xconst_A1Sec8.html
    14. Re:Killing copyrights is in their best interest by kurzweilfreak · · Score: 2, Insightful

      If you build a house, you put a lot of time and money behind it. But I should still be able to come and live in your house, rent free. After all, I'm only one person, I'm not taking up all the space and preventing you from living in your house, so I'm not depriving you of anything of consequence.

      --

      kurzweil_freak

      5th Kyu Genbukan Ninpo/KJJR student

      Be the darkness that allows the light to shine.

    15. Re:Killing copyrights is in their best interest by castoridae · · Score: 1

      Um, from the Constitution, the purpose of patents are "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries

      Um, that's a Power of Congress relating to IP, not the purpose behind it. But thank you for playing.

        The reason Congress has that power is to realize the intended purpose that I stated before: to incentivize inventors, artists, and other creators to create and publicly disclose their ideas for others to share the benefits in the long run. And yes, this is a paraphrase of my understanding of the spirit of the law, not the letter.

    16. Re:Killing copyrights is in their best interest by argoff · · Score: 1

      Without copyrights, what would keep MS from taking Linux and running with it?

      Well that's the point though. The problem isn't that Microsoft can copy Linux, they already can, the problem is that we can't copy Microsoft.

    17. Re:Killing copyrights is in their best interest by Opportunist · · Score: 1

      If someone else wants to use it, yes, you should be compensated.

      X Records don't have the right to demand money from me just because they created their latest hypedisc. Should I decide I want to enjoy it, though, then yes, I should compensate them.

      Hold on a sec... actually, over here, I do pay them for simply creating stuff. It's some sort of "art tax". Which should vanish, IMO. But that's a different matter.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    18. Re:Killing copyrights is in their best interest by Anonymous Coward · · Score: 0

      Copyright has its right to exist.

      It does? I thought only people had rights.

      When someone creates something, he puts time and money behind it, develops it and he should have a chance to earn money that way.

      So I should have a chance to earn money from my model airplane hobby? What?

      If you take this possibility away, the looser would be the artist who is already getting ripped by the studios.

      Why should I care about a claimed artist who signed their creative music away to a faceless corporation for money? Fuck them. Its not my fault they made a horrible choice.

      Studios wouldn't sign contracts with him anymore. They'd wait for him to perform, tape it and distribute the song that way, without giving him a cent. Or they wait for him to spend his own money to press a few CDs, rip those CDs, hype it, and sell it as their own.

      You are saying that big name recording companies sell bootlegs of artists they dont have contracts with? Or are you again claiming I should feel something for idiot musicians?

      And we all know how much they know about marketing and hyping, and how little about art.

      Its a promotional industry, what is your point?

      In fact, killing copyrights would even put those artists out of business who still create art. They're few, they're well hidden on the 'net and you have to search them, the studios won't throw them at you.

      Wait, what? You are assuming that the majority of artists do so full-time. Thats a false assumption. The majority of artists do so as a hobby, not as a job. Get a clue.

      And as a bottom line, we, the ones who enjoy their art, would be the loosers on this one.

      How do you figure? We'll still have access to their creative content.

      Copyright isn't the problem. The problem is that the balance is off. Copyright came into existance to create a balance between those who produce, those who distribute and those who consume content. The balance is way off. But that doesn't mean we have to throw the right out, we just have to put it back into balance.

      WOW, something that made sense. Copyright has changed significantly that it is no longer a personal affect, but a corporate one. The problem isnt exactly with copyrights, its with companies being "entities," when they shouldnt be granted those rights.

      and you misspelled "loser."

    19. Re:Killing copyrights is in their best interest by argoff · · Score: 1

      That's no good. This puts a very hard cap on what even the top, most "succesful" content creators can earn.

      The income that an individual may or may not earn is not a good way to judge the value of a belief system

      ...And once you have a name - as the best will - where's the incentive to continnue innovating? ...

      Yeah, Linus, Alen Cox, are really sitting on their laurels.

      I'll take my IP, thank you very much.

      You're welcome, you can have your copy any time.

    20. Re:Killing copyrights is in their best interest by Opportunist · · Score: 1

      With the speed things happen today, I would even say 40-50 years is too much. 10 years is plenty. After that time, it goes into the "public domain", where you, the artist, should be able to "buy it back".

      This would serve two purposes. First, for 10 years you can milk it. Which is, in today's world, an eternity for content. After those 10 years, if you think you can still make a killing with it, you could buy the rights again (nobody else should, just the artist). That way, if you're convinced you have a once-in-a-lifetime marvel here, you can still milk it, but you still have to "give" to the community. The money generated this way could be used to sponsor new artists to help them on their way up.

      It would also help the generation of content. People would start building on what's been created already, they would fine tune it, they would pick it apart and rearrange it, create something new with the old tune.

      In software, or other ongoing projects, this would apply to the creation as it was 10 years ago, not today's implementation, of course.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    21. Re:Killing copyrights is in their best interest by Opportunist · · Score: 1

      Technically, they can. Legally, they can't (unless they'd be willing to give the community a good laugh by opening the Windows source).

      Now, while some small company could probably get away with using OS source in their projects, you can bet your rear that anything MS creates would be under VERY close observation. Happened before, when some router manufacturer (ain't sure who it was and I don't want to accuse the wrong one) used Linux as the OS for their Router. They had to open the source.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    22. Re:Killing copyrights is in their best interest by ScrewMaster · · Score: 3, Insightful

      No, he's representing the "standard Slashdotter's" feeling of moral outrage at what has been done to the copyright and patent systems, both of which were designed to encourage creativity and the cross-fertilization of ideas between creators that fosters rapid innovation. Using the law to effectively blackbox anything "new" or that is merely claimed to be "new" is not only immoral but dangerous, and when that same law can be used to bitchslap anyone or anything perceived as a threat to your way of doing business ... well. As an engineer with a few patents behind me, I am outraged by the subversion of national interests to corporate interests. Because that is precisely what has happened.

      The big rightsholders (in the case of copyright) made two fundamental errors in their long-range planning. One, they failed to understand that advances in communications and processing technology would render their grip on their distribution channels useless. Utterly useless, and so far as music is concerned that cat will never get put back in the bag. Even if they could, by pressing some magic switch, turn off all peer-to-peer activity right now, there are a lot of people that have already downloaded so many tracks they'll never need to buy another CD. So, if the studios want any sales at all they'd best start learning to play nice. What, they're going to have to behave like any other manufacturer that wants to stay in business by treating its customers with respect because those customers can now go elsewhere? Oh my, the humanity, the humanity!

      Two, they are finally starting to realize that what they have to offer are luxuries not necessities, for people with disposable income. Since Americans have traditionally had plenty of disposable income they were able to ride pretty high on the hog. Well, that particularly gravy train is slowing down and will probably come to its last station soon. The media companies (the "big rightsholders") certainly didn't help matters by buying laws like the DMCA, which have had an additional detrimental effect upon the economy. They shot us all in the foot with a .44 Magnum, and are standing around watching us bleed. I will shed no tears for the likes of a Disney or a Sony ... they've earned whatever is happening to them.

      Better to have no copyright at all than the mess we have now. But the grandparent was right: there was a balance that was struck between the perceived needs of the creator of an original work, and everyone else. Given the pace of change in the modern world compared to when those laws were originally written, if anything the balance should have been tilted a little more towards the public domain. Instead, it has been dramatically shifted in favor of the major copyright holders.

      --
      The higher the technology, the sharper that two-edged sword.
    23. Re:Killing copyrights is in their best interest by metamatic · · Score: 1
      Should I have some inherent right to earn money as a result?
      No, but you have the inherent right to stop other people using your shed, or to charge them for using your shed.

      Ah, but I don't have the right to stop them looking at it, photographing it, or building a shed exactly like it.

      Just because something takes time and effort, doesn't necessarily mean you have a right to earn money from doing it, or even a chance to earn money from it.
      So... we'll motivate people to create easily copyable material by... declaring how great music/movies/books are, and we'd like to see some?

      Maybe. Or maybe we'll go back to patronage. Or pledge drives. Or fundraisers.

      I'm not saying that lack of copyright will necessarily result in more art. I'm just taking issue with the argument that people have a right to earn money from art.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    24. Re:Killing copyrights is in their best interest by Anonymous Coward · · Score: 0

      If I build a shed in my garden, I put a lot of time and money behind it. Should I have some inherent right to earn money as a result?

      If a lot of other people like your shed and want to use it, then yes, you clearly do have an inherent right to charge them for their use. It's your shed, after all.

      For a more relevant analogy, what if a lot of your effort went into designing a really good shed that's fun to build and convenient to work in, and a lot of other people like the look of your shed and want to copy it? Maybe you don't think you have any right to stop them doing so, but clearly a lot of people think it's only fair that you should be allowed to demand compensation for other people benefiting from your hard work.

    25. Re:Killing copyrights is in their best interest by billcopc · · Score: 1

      What puts a hard cap on earnings is the mega production-distribution hierarchy that's in place. It doesn't matter what you're doing or who you are, your success is ultimately dependent on sales (the practice, not the transactions). The people and enterprises that have the greatest success in today's world are those who generate and control sales. Hell, most business don't even focus on a product at all, it's all about the art of selling. So many new high-profile businesses in the 21st century are little more than "legal" MLM schemes, built solely on their ability to deftly squeeze money out of naive or foolish people. It has nothing to do with quality, ingenuity or skill. Does Tom Cruise have skill ? Debatable.. does his line of work and the benefits it bestows unto society justify the extravagant paycheck ? Debatable. Who would you rather subsidize, the film industry or the health industry ? Or maybe you'll get more enjoyment from that 20$ bill by buying a case of beer for you and your friends, beer that's sold to us through mind-numbing commercials featuring sports, sex and good old fashioned household violence. Everyone's a bitch and sales is our master.

      --
      -Billco, Fnarg.com
    26. Re:Killing copyrights is in their best interest by owlstead · · Score: 1

      "Let's say I write THE song of the century and go on tour as "The Opportunist". Now, Phony Records puts up some studio gang and has them go on tour as "The REAL Opportunists", puts a load of hype behind it, slanders me and makes sure that everyone believes that I'm the imposter. The only thing I could do is write statements myself, trying to tell the truth (Prior art? Original artist? Doesn't matter without copyrights)."

      If the original opportunist was any good, there would not be much of a problem. Furthermore, this is a bit of a movie scenario, which I don't think very likely in the real world. There would be a problem though: the artists that don't do live appearences would lose a lot. Not that I would mind that too much, there a very few artists I like that are no good at live performances.

      "Next scenario: Software. Without copyrights, what would keep MS from taking Linux and running with it? Stuff their marketing and GUI guys behind it, create a flashy and squeaky colorful GUI for it, then "embrace and extend" until it's no longer compatible with ordinary Linux. Oh, it is, but it has "additional features" that people will enjoy and use, thus making sure that it's not really compatible with the old stuff anymore."

      You mean like Apple did with BSD? BSD is obviously dead as a can of spam now.

      I don't mind your argument. I would even go as far as support it. But I do think these examples are "out of balance". Maybe even "Completely" :)

    27. Re:Killing copyrights is in their best interest by SillyNickName4me · · Score: 1

      You are completely wrong, sorry.

      Providing an incentive to creators is not the purpose of copyright, is how copyright law tries to achieve the actual purpose of copyright.

      Means is not the same as purpose.

    28. Re:Killing copyrights is in their best interest by rvalles · · Score: 1

      A document I've found which explains it on terms of Economics and Games Theory: A Case Against Intellectual Property

    29. Re:Killing copyrights is in their best interest by rvalles · · Score: 1

      It's been demonstrated otherwise using Economics and Games Theory: A Case Against Intellectual Property

    30. Re:Killing copyrights is in their best interest by SerpentMage · · Score: 1

      Would you say the same thing, if I told you that it meant the GPL became unenforceable? It would mean people could take Open Source and do whatever they want with it. They could tweak it, modify it and then sell it. Of course because copyright did not exist it would mean the binary could be copied. But wait, what if we used DRM to control access? Hmmm....

      --

      "You can't make a race horse of a pig"
      "No," said Samuel, "but you can make very fast pig"
    31. Re:Killing copyrights is in their best interest by cyber-dragon.net · · Score: 1

      Actualy copyright came into existance to let people copy books. It was the RIGHT to COPY printed material for your own use. It had nothing to do with protecting companies at the time.

      The fact today copyright has been so perverted people actualy think it was intended to protect companies instead of people makes me sick and just goes to show how down hill things have gone.

    32. Re:Killing copyrights is in their best interest by Anonymous Coward · · Score: 0

      They'd wait for him to perform, tape it and distribute the song that way, without giving him a cent.

      Yeah, but he already made the money for the perform AND they give him free publicity so more people pay him to perform.

      Anyway the artist doesn't make much money off the disc selling...

      And if he is a person who does it for the Art, then why take care for the money?.

    33. Re:Killing copyrights is in their best interest by symbolic · · Score: 1

      If I build a shed in my garden, I put a lot of time and money behind it. Should I have some inherent right to earn money as a result?

      This is one of the most inapplicable examples I've ever seen on the topic. If you build a shed in your back yard, chances are that nobody else will be using it or benefitting from it because it's on your property. Any attempt to derive benefit by someone else would be recognized as tresspassing, and further, since it can't be "copied" or easily transferred like music and other media can, it can only offer a very limited about of combined benefit anyway.

    34. Re:Killing copyrights is in their best interest by Anonymous Coward · · Score: 0

      Ask RMS.

      Ask me, even.

      If MS can take GPL code, I can take MS code. We all learn from what other people have done and never are we locked into a supplier.

      I have no problem with that.

    35. Re:Killing copyrights is in their best interest by The_DoubleU · · Score: 1

      You are posting a link to DIGG??????
      Why not link directly to the Fucking Article?
      You idiot..... O wait a minute, you want to pimp your Digg submision on /.
      You are even worse then I thought
      Link

      --
      What power has law where only money rules.
    36. Re:Killing copyrights is in their best interest by spectecjr · · Score: 1

      If the original opportunist was any good, there would not be much of a problem. Furthermore, this is a bit of a movie scenario, which I don't think very likely in the real world. There would be a problem though: the artists that don't do live appearences would lose a lot. Not that I would mind that too much, there a very few artists I like that are no good at live performances.

      Ahh.. ye olde I'm alright Jack argument.

      --
      Coming soon - pyrogyra
    37. Re:Killing copyrights is in their best interest by metamatic · · Score: 1

      Substitute house with land, and people do in fact argue exactly that.

      And of course, your using my house has non-zero impact (in non-economic terms), whereas my copying something digital has no impact on the original.

      If you want to argue that you should have a right to make a precise copy of my house and use it without paying me, then I'd say sure, go ahead.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    38. Re:Killing copyrights is in their best interest by dfjghsk · · Score: 1

      you could certainly try.. maybe get a friend who works at MS to sneak some code out or something..

      But because Linux is open source, it would be easier for MS to take the latest features/developments/code from Linux and use it in Windows. Linux developers looking to use code from Windows would first have to find a way to obtain the code.

      And we may still be locked into a certain vendor: support contracts, file formats (if open source developers couldn't reverse engineer them fast enough), selection of applications available for each operating system, etc.

      --
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    39. Re:Killing copyrights is in their best interest by Fancia · · Score: 1

      Art existed before copyright, but in almost all cases people couldn't make a living by it. There were a few exceptions, but those were few and far between. As a result, prior to the creation of copyright the vast majority of artists, authors and composers were the independently rich who no need to work for their living. As you can imagine, the lower classes were artistically underrepresented as a result.

      --

      Bít, zabít, jen proto, ze su liska!
    40. Re:Killing copyrights is in their best interest by shmlco · · Score: 1

      "There would be a problem though: the artists that don't do live appearences would lose a lot."

      Yeah, as would the movie companies, game developers, software developers, book authors, and so on. Music IP is just a small part of the overall picture, and practically the only one where "going on tour" has any meaning whatsoever.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    41. Re:Killing copyrights is in their best interest by shmlco · · Score: 1

      "I'm just taking issue with the argument that people have a right to earn money from art."

      They don't have the "right" to earn money from art. They have the opportunity to do so, a major difference. If enough consumers value their work, then they will earn money from it... providing, of course, that those consumers pay for the value received.

      Given your logic, I'm sure we can make a case for your employer not paying you for your work. I mean, who'd ever expect to get paid doing for that?

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    42. Re:Killing copyrights is in their best interest by shmlco · · Score: 1

      A flawed argument which assumes that one creative work is just as good as another, hence licensing and protections are not needed. However, anyone who listens to a favorite singer, reads everything by a particular author, or patronizes works by a particular director knows that such is not the case.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    43. Re:Killing copyrights is in their best interest by metamatic · · Score: 1

      It may be fair; I just don't see it as a right.

      I think it's only fair that everyone get necessary medical treatment and a healthy diet, not just rich people. However, is free medical treatment and free food a right?

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    44. Re:Killing copyrights is in their best interest by metamatic · · Score: 1

      If I create a work of art, it's also not something that anyone else will be using or benefitting from, because it's on my property. So we go back to the original supposed purpose of copyright, to entice people to distribute works of art by offering them very limited exclusivity.

      Your point about ease of copying is relevant, though. If people could copy my shed without impacting my property in any way, would I have some kind of right to stop them?

      This is not just hypothetical, either. The way the law has been changed, it is now illegal for you to make a copy of my house. The shed example was intentionally chosen because it is applicable, even though it seems clear to many people that it shouldn't be.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    45. Re:Killing copyrights is in their best interest by Shelled · · Score: 1
      "Copyright has its right to exist."

      Copyright is an abstract social concept. It has no 'rights', citizens do.

      "When someone creates something, he puts time and money behind it, develops it and he should have a chance to earn money that way."

      A very, very wide gulf exists between those two statements. What content providers are claiming is the right to mandate governement regulation and intervention over, in effect, all data transfers to protect a business model built on digital storage of their product in order to maximize profit. That's stretching the word 'rights' to the extreme limit. I don't think they have that right. Want to release your product in an easily replicable form? Fine, bear the consequences. The sacrifice required of society to protect these so called rights far outweigh the benefits to a select minority. Sony, Disney and Warner can't be allowed to shape the direction society takes, any more than GM, IBM or Standard Oil should. Once we get over this insane celebrity worship phase (FFS, you're electing actors!) the quicker it'll all turn around.

    46. Re:Killing copyrights is in their best interest by Wierdy1024 · · Score: 1

      A well written piece looking at a wider picture - mod up.

    47. Re:Killing copyrights is in their best interest by m50d · · Score: 1
      If you build a house, you put a lot of time and money behind it. But I should still be able to come and live in your house, rent free. After all, I'm only one person, I'm not taking up all the space and preventing you from living in your house, so I'm not depriving you of anything of consequence.

      If I had a house so big I wouldn't even notice this, would never go into a room I wanted to use and find you taking it up, I'd say fair play to you.

      --
      I am trolling
    48. Re:Killing copyrights is in their best interest by symbolic · · Score: 1

      Your point about ease of copying is relevant, though. If people could copy my shed without impacting my property in any way, would I have some kind of right to stop them?

      Yes - I'm not arguing against the concept of copyright, because I think it is valid. I'm arguing against the insanity that it has become, through repeated modifications to the original law, so that the notion of "limited exclusivity," for all practical purposes, no longer exists.

    49. Re:Killing copyrights is in their best interest by mrogers · · Score: 1
      No, but you have the inherent right to stop other people using your shed, or to charge them for using your shed.

      Of course - the same applies to a single physical book or CD. But do you have the right to stop people all over the world from building similar sheds?

    50. Re:Killing copyrights is in their best interest by Fordiman · · Score: 1

      I pray this guy's right.

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    51. Re:Killing copyrights is in their best interest by metamatic · · Score: 1
      As a result, prior to the creation of copyright the vast majority of artists, authors and composers were the independently rich who no need to work for their living. As you can imagine, the lower classes were artistically underrepresented as a result.

      That's simply nonsense. Folk music is an incredibly rich artistic tradition, historically almost entirely the work of the underclasses. Ditto Blues, Soul, Hip-Hop, all genres that started out without corporate lawyers and copyright to encourage them. The riches come after the art, if ever, and only a few got that lucky.

      Even in electronic music with its expensive equipment, there are plenty of artists who came from working class backgrounds. Kraftwerk were power station workers, hence the name.

      Literature and poetry haven't exactly been restricted to the rich either. Laurence Sterne was a military brat, as was George Orwell whose family couldn't afford to send him to university. Jane Austen was the daughter of a priest. Henry Miller lived in poverty, dependent on his friends. Don DeLillo started writing while working as a parking attendant. Hemingway worked as a reporter then joined the army, never made it to college. Harlan Ellison did almost everything to scrape a living--taxi driver, cook, truck driver, door-to-door salesman, he even joined a street gang.

      John Betjeman was middle class, supported his poetry by working as a journalist. Ted Hughes' family ran a tobacconist's. Robert Frost was a factory worker. Edgar Allan Poe dropped out of college and joined the army to pay off his debts.

      Not only does art thrive and grow from poor backgrounds, but the very system of copyright you seem to be arguing for has singularly failed to enrich many of our greatest artists. For every Stephen King who manages to claw his way out of poverty, there's a Philip K. Dick who dies poor.

      Really, if you think that art and copyright are a good way to make a living, you're suffering from a major delusion. So the best argument that could be made is that copyright encourages art in the same way that lottery tickets give hope to the poor; and frankly, that doesn't seem like a good thing to me.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    52. Re:Killing copyrights is in their best interest by metamatic · · Score: 1
      Given your logic, I'm sure we can make a case for your employer not paying you for your work.

      But that's exactly the point. I create copyrightable works of value all the time at my job, yet I don't expect to get per-copy compensation. Millions of people are in the same situation, many of them posting to Slashdot, but I don't see anyone screaming about how unfair it is. Yet for some reason, when the copyright work is a movie or a pop record, suddenly people decide the creator deserves a perpetual revenue stream and the right to control copying.

      If you really believe the principle you're pushing, you should favor some kind of law stating that all copyrightable works should result in royalties to their creators, right?

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    53. Re:Killing copyrights is in their best interest by Fordiman · · Score: 1

      Out of balance?

      Yeah. I think 95 years is out of balance. Make it five and I'll stop calling for the end of the copyright system.

      Anyways, the guy's right - copyrights are fundamentally incompatible with the 'information age'. They worked well when copying had a cost, when to be inviolation of copyright, you had to be in business of some sort. But as the costs of copying came down (starting in the 1970s with VHS), the death of copyright became inevitable.

      I hate to say it, but Google has the right idea; rather than restrict information, facilitate its use and serve up adverts to pay for that facilitation.

      Interesting concept: what would you say if I predicted that within ten years Apple buys a near-bankrupted AOL Time Warner.

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    54. Re:Killing copyrights is in their best interest by TheRaven64 · · Score: 1
      there a very few artists I like that are no good at live performances.

      I take it you don't read books (or listen to music composed by someone other than the performer) then? Or are musicians the only artists you recognise?

      --
      I am TheRaven on Soylent News
    55. Re:Killing copyrights is in their best interest by thatkeith · · Score: 1
      You are assuming that the majority of artists do so full-time. Thats a false assumption. The majority of artists do so as a hobby, not as a job. Get a clue.
      Jeezus H! That's one hell of a sweeping generalization. And with those artists that don't practise their art full time (but would probably be rather insulted to have it called a 'hobby') - have you considered the possibility that this is so because they have trouble making a living doing it?
      BTW, right here and now I'm not arguing for or against copyright, I'm just saying that, with regards to that statement and considering the broader picture, perhaps you're suffering from a dearth of clueness yourself...
    56. Re:Killing copyrights is in their best interest by im_thatoneguy · · Score: 1

      "Anyhow, if someone wants to make money from a creation, try giving a concert - not monopolizing the distribution channel and microregulating how every individual on the planet copys information at their disposal. If you want balance, then let content flow freely and charge for content related services. Content doesn't have a natural limit in supply vs demand, content related services do."

      Let's look at that statement in context of this article. As a film maker I take issue with this statement.

      I spend months trying to raise money for a project. I spend hundreds of thousands of dollars to produce a film.

      Now what? If Warner wants it, they can just grab one of my copies and show it around the country in theaters.

      Fine fine... I guess this is all for the public's good. I'll just sell the DVD. I don't have time to actually negotiate distribution deals with Wal-mart or even the local street vendor. But why do they care? They already have a special 2 disc set out.

      I post it on the internet, but the bandwidth costs are pretty high for an independent like myself. Does it really matter? Apple has already put it up on Itunes for $1.99.

      Well perhaps I'll sell T-shirts... nope too late, there are a thousand fan boys selling high quality T-shirts on CafePress.

      Oh but wait! Concerts! Of course, why didn't I present my film live! Silly me... I just got into the wrong industry, the stage is where all storytelling belongs. Sure am glad I have this warm fuzzy feeling from making a film... no wait... that's the deep fat fryer at KFC.

    57. Re:Killing copyrights is in their best interest by shmlco · · Score: 1

      "But that's exactly the point. I create copyrightable works of value all the time at my job, yet I don't expect to get per-copy compensation."

      Doing what? Writing reports?

      I respectfully submit that when you say "perpetual revenue stream" you have no idea what actually occurs. A book author may spend years writing a book for which he's received an advance barely large enough to pay the rent. Once done, he immediately starts writing another, because that's the only way to get another advance. Most writers in the US are below the national average in salary.

      And if said author is one of those VERY few who're able to write something that millions of people want to read, then I say more power to him. You try doing it if you think it's so easy.

      Creativity can and should be rewarded. Almost anyone can shuffle papers at a desk... and will be paid accordingly.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    58. Re:Killing copyrights is in their best interest by zenyu · · Score: 1

      With the speed things happen today, I would even say 40-50 years is too much. 10 years is plenty. After that time, it goes into the "public domain", where you, the artist, should be able to "buy it back".

      I think it makes more sense to have different lengths for different types of creations. For instance, exclusive rights for the following time periods seem reasonable to me:
      * 3 hours for a "Live" news event (i.e. press conference)
      * 5 days for a news broadcast or written news article
      * 3 months on software binaries without source code in the form most usable by a human.
      * 6 months for a clothing design or a simple circuit board design
      * 1 year for a musical performance (not the song itself).
      * 3 years for a complicated cuircuit board (aka CPU chip).
      * 5 years for a fact based movie or television show
      * 5 years for software with source code in the form most usable by a human.
      * 5 years for a song or poem
      * 7.5 years for a fact based book
      * 14 years for a fictional book

      Non-exclusive rights could last longer, a.k.a. royalties, but they should be reasonable and non-exclusive. These taxes could be directly collected by the government and dispursed to the copyright holder. This would avoid all these hidden "licensing" taxes that exist in the current system. It should also be illegal to do "work-for-hire", you could license the copyright to your employer for the length of the exclusive period, but this would require an explicit written contract and you should not be able to assign copyright at all. The non-exclusive thing could be of great benefit to things which are never relicensed today, such as news broadcasts, so a copyright holder should be allowed to place their work in this pool earlier if they so desire.)
      And these shorter copyrights would probably require some sort of longer term 'moral rights' system to be implemented, since the author would usually outlive the copyright; but this shouldn't extend much further than the author's control over the use of their name, as expressed in a statement in the work's file with the copyright office. (i.e. It could be a statement from the author that they have not read/heard/viewed the reprint/reuse and it may contain material the author finds objectionable.)

      Also the whole copyrighted upon creation is silly with today's technology. Instead just require the creator to send a copy to their country's copyright registrar electronically within 2 weeks of creation. Then I can check any piece of writing or video I have against these copyright databases to know it's copyright status. The registrar could employ a small fee per copyright to subsidize the costs of the system, this fee could be refunded on a prorated basis if you donated the work into the public domain.

      This system should be phased in slowly (i.e. shorten the terms over the span of 10 years) so that it doesn't shock the system. And a few years should be given for everyone to send in digital forms of their works. I for one would want to do some digging to explicitly register some of my older stuff, and some of it would need digitizing. But for future works it wouldn't be a problem at all.

      Some of the stuff I listed, like circuit boards, clothing designs and CPU's are usually not copyrightable under the current system, so these terms should be slowly ramped up from zero over the same 10 years as other terms are shortened.

      Unlike copyrights, I don't think patents are worth preserving. But if they were preserved, some form of non-exclusive licensing should be the required immediately for these. And they should probably require a vote of 75% of the people residing in the area where they would be in effect to be granted and renewed each year. So that wouldn't add a lot of questions to our voting ballots, they could be required to get 75% approval by both houses of congress or parliment and the approval of the executive and judicial branches before they could b

    59. Re:Killing copyrights is in their best interest by JollyFinn · · Score: 1

      You are forgetting some rules of business.
      Who controls the distribution controls the market.
      When anyone can copy you freely they will if there is anyprofit to be made.

      And yes, his scenario is what I say would happen most likely. The record companies would adapt, they would loose a lot, but so would the artist.

      I'd say 25 years copyright, with extended consumer rights would be just fine. The extended consumer rights would clearly mandate that consumer has rights to make backup copies and a copy it for personal viewing purposes, and no DRM would be allowed to circuimvent those rights. As the product is not media the consumer must have access to the product in no connection to media.

      I'd also require movie companies to offer atleast standard DVD quality download or disc at maximum price of 5$ to consumers at the time of DVD release. The standard would define what would be minimum features for consumers. There maybe more expensive gold editions with extras, etc... But actually movie would be guaranteed to be cheaply available, in the quality that is normal in todays DVDs.

      --
      Emacs is good operating system, but it has one flaw: Its text editor could be better.
    60. Re:Killing copyrights is in their best interest by owlstead · · Score: 1

      Hey, all of you, I was noting that I did not find his examples very good. That's why I posted. If your arguments can be easily rebuked, they don't have much use. Obviously you are all correct in noting that it would be pretty hard for a writer to earn a living that way, unless he was a great narator ;) Allthough some of them might be able to live pretty decently on signing sessions alone.

    61. Re:Killing copyrights is in their best interest by Eivind · · Score: 1
      That's no good. This puts a very hard cap on what even the top, most "succesful" content creators can earn. When you sell services, you are selling your time. You only have so many hours in a day, and you can only reasonably charge so much for an hour of your time.

      Yes, because we both know that if a successful musician could, at best, only hope to earn say $10 million/year doing concerts, and not like now $10 million/year for concerts plus maybe another few millions selling CDs, then obviously noone would bother making music.

      Your argument is stupid anyway.

      It amounts to: More money for artists, thus good.

      That's not the way it works. It's a balance. More money for artists *would* be a good thing, assuming there where no drawbacks, but there are, and they're huge;

      Unless you consider it perfectly nonproblematic to erect laws that turn 90% of all young people into criminals, laws that make it illegal to take apart objects you yourself have legally purchased. Laws that make it illegal to give away the old music you're tired of to your little sister who digs the Be Gees, probably because she thinks they're a modern-day boyband.

    62. Re:Killing copyrights is in their best interest by mpe · · Score: 1

      Copyright has its right to exist.

      Copyright is a meme invented by sentient beings. It is not itself a sentient being, thus has no rights.

      When someone creates something, he puts time and money behind it, develops it and he should have a chance to earn money that way.

      In that case the relevent questions are along the lines of "what form (and term) of copyright is of most help for the creator?"

      If you take this possibility away, the looser would be the artist who is already getting ripped by the studios. Studios wouldn't sign contracts with him anymore.

      Which may not be a bad thing, since most of the "ripping off" appears to be tied to the terms of the contracts in question.

      Or they wait for him to spend his own money to press a few CDs, rip those CDs, hype it, and sell it as their own.

      In which what's needed is possibly something more like a trademark. Assuming they actually care and don't take the view of "all publicity is good".

    63. Re:Killing copyrights is in their best interest by mpe · · Score: 1

      The problem is, as stated before, the balance. Please realize that removing the copyright altogether would hurt the artist by far more than the distributor.

      Where would you find hard data on this, rather than just opinion? Which countries, here and now, do not have copyright...

    64. Re:Killing copyrights is in their best interest by mpe · · Score: 1

      Technically, they can. Legally, they can't (unless they'd be willing to give the community a good laugh by opening the Windows source).

      I suspect that "piracy" is not that uncommon with proprietary software. Because it can be difficult to catch.

      Now, while some small company could probably get away with using OS source in their projects, you can bet your rear that anything MS creates would be under VERY close observation.

      What matters is probably more an issue of what is done...

      Happened before, when some router manufacturer (ain't sure who it was and I don't want to accuse the wrong one) used Linux as the OS for their Router. They had to open the source.

      There's rather a difference between trying to pirate an entire Operating System and "borrowing" bits of code.

    65. Re:Killing copyrights is in their best interest by Fancia · · Score: 1

      All of your literary examples are from the period after copyright was first created. It was established in England in 1710; take a look before that and you'll find a very, very few authors from lower-class and middle-class backgrounds. You'll see Aphra Behn and just a few others; otherwise the field is dominated by the upper-class, because they could afford it.

      --

      Bít, zabít, jen proto, ze su liska!
    66. Re:Killing copyrights is in their best interest by metamatic · · Score: 1

      So look at the non-literary examples.

      Frankly, I didn't find many pre-copyright literary examples simply because not much literature at all survives and remains well known from that era. Shakespeare, Chaucer, and that's about it. There simply aren't enough data points to conclude anything.

      Besides, the point was that the idea that art only happens when people are well compensated, is crap. Even post copyright, most artists are not well compensated.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    67. Re:Killing copyrights is in their best interest by metamatic · · Score: 1

      So basically... I get paid well, but no copyright. Authors get copyright, but are incredibly badly paid. And you're arguing that copyright is the better system?

      If you don't think software creation is creative, I suspect you're reading the wrong web site.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    68. Re:Killing copyrights is in their best interest by mpe · · Score: 1

      I'd say 25 years copyright,

      Why 25 years, as opposed to 10.

      with extended consumer rights would be just fine. The extended consumer rights would clearly mandate that consumer has rights to make backup copies and a copy it for personal viewing purposes, and no DRM would be allowed to circuimvent those rights.

      How about also "The clock starts with first publication". With a loophole resistant definition of "publication" i.e. from first publication anywhere on the planet, including "previews", "betas", "reviews", etc. Together with a requirement to deposit (ordinary) copies with relevent copyright libraries, until you do that you have no standing to claim "copyright infringement".
      This also has the useful side effect of making staggered a bad idea along with trying to get movies awards before letting the "plebs" see them. Not only have you wasted part of your limited distribution monopoly if "pirate" copies make their way to a market you couldn't be bothered with then you have no comeback.

    69. Re:Killing copyrights is in their best interest by Grym · · Score: 1

      Let's say I write THE song of the century and go on tour as "The Opportunist". Now, Phony Records puts up some studio gang and has them go on tour as "The REAL Opportunists", puts a load of hype behind it, slanders me and makes sure that everyone believes that I'm the imposter. The only thing I could do is write statements myself, trying to tell the truth (Prior art? Original artist? Doesn't matter without copyrights).

      You're making a common (perhaps intentional?) mistake among copyright advocates in that you are conflating copyright and plagiarism protections, which are two completely different things. The elimination of one would not have to affect the other. The elimination of copyright laws does not mean the elimination of plagiarism laws. It's the difference between owning distribution rights and claiming that you've written (or drawn, coded, performed, etc.) something first. Copyright laws require that we define and protect ideas which are diffuse and intangible, while plagiarism laws merely require the debunking of a lie--something the law is already well equipped to do.

      Going back to your example, the phony band could not "slander" you because, unless those laws were changed too, slander would still be illegal. Similarly, the phony band, while being able to perform the song you wrote, they would not be able to claim that they originally wrote it. Without that claim, the phonies would not be able to compete for the hearts and minds of most fans and, consequently, their business.

      Does this approach to artist protections capture the entire market? Certainly there would be copies of your band's performances that were not paid for. And while that may seem unfair, ask yourself: can you claim that copyright protections, being as unbalanced as you admit they currently are, do that either? Even if copyright enforcement achieves better results in this regard, is this gain by a few individuals worth the confusing and often ridiculous consequences of current intellectual property laws which affect all of us?

      -Grym

    70. Re:Killing copyrights is in their best interest by shmlco · · Score: 1

      If you're writing software for a company as an employee, then you gave up the speculative portion of the job for a paycheck every Friday, benefits, and three weeks vacation a year. As such, it's not you taking the risk, but the company, and as such they profit accordingly.

      Want a recurring revenue stream from your work? Then strike out and take those risks yourself. Find a product you think people will want, write it, and sell it. You might fail, you might succeed, and you just might succeed beyond your wildest dreams.

        But don't sit there in the safety of your cubicle and tell me that the people who DO take those risks don't deserve the reward that comes from doing so.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    71. Re:Killing copyrights is in their best interest by metamatic · · Score: 1

      The point is that copyright and royalties are clearly not the only business model for the creation of creative works, and that copyright is clearly not any kind of inherent right, which was my original point.

      Whether people deserve rewards is a whole separate discussion.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
  7. Why not here? by guruevi · · Score: 2, Interesting

    Apparently it IS possible to sell them for such a price. Why not here? This just proves that they CAN sell for less but do not WANT to.

    --
    Custom electronics and digital signage for your business: www.evcircuits.com
    1. Re:Why not here? by grogdamighty · · Score: 1

      The only reason why they are selling them for so little is because the market is saturated with pirated copies, which the article lists as costing $0.75. The situation is somewhat like the console wars: Hollywood just wants to find a way into the market, even if they have to take a loss.

      --
      My other sig is funny.
    2. Re:Why not here? by Professor_UNIX · · Score: 1
      Apparently it IS possible to sell them for such a price. Why not here? This just proves that they CAN sell for less but do not WANT to.

      Ummm, DUH! Of course they could sell DVDs for $1.50 here in the USA, but they can also sell them for $19.95. If people stopped buying $20 DVDs they'd quickly start falling in price to the point where people started buying them. The trouble is, there are enough people out there with enough disposable income that a $20 DVD isn't a big deal to them, thus the market prices DVDs around $20 here in the USA for new releases.

    3. Re:Why not here? by Qzukk · · Score: 1

      but they can also sell them for $19.95.

      Except that they can't. If they could, they wouldn't be sobbing about piracy and using the government as a club to beat down their customers.

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    4. Re:Why not here? by Anonymous Coward · · Score: 0

      So is the local markets here (not in china) saturated with downloads. Its just a DIGITAL SHELF not a STORE SHELF.

    5. Re:Why not here? by Anonymous Coward · · Score: 0
      Apparently it IS possible to sell them for such a price. Why not here? This just proves that they CAN sell for less but do not WANT to.

      These $.75 DVDs are being sold out of cardboard boxes or back-alley shacks, not pricey malls. The workers aren't getting $8/hour, plus management overhead. The lights aren't kept on bright, the a/c isn't kept blazing.

      And of course, why would they sell it for $.75, when people are happy buying it for $10? If prices were set by what consumers WANTED to pay, everything would be somewhere between free and a pittance.

    6. Re:Why not here? by An+Onerous+Coward · · Score: 1

      Not at all true.

      Let's consider a situation where it actually matters: pharmaceuticals. Drugs, if you will.

      Say a drug company has invested five billion in a successful bid to find an AIDS vaccine, which they can make for $5/vaccination. Now, if they release it only in the U.S., they figure they can charge $300/vaccination, and quickly recoup their investment. But if they also sell it to Nigeria, they'll find very few people who can afford it.

      So, what's the solution here? Obviously, lower the price in Nigeria. They can sell them for $10/each, still make loads of money, while providing something that will save lives. They're already making their money back just on sales to America.

      Now enter the secondary effects. Given that there is now an item people can buy in Nigeria for $10 and sell in the States for twenty times that (while still undercutting the market), a booming business emerges, and half the drugs sent to Nigeria end up back in the states. So every vaccination sent to Nigeria actually costs the drug company around $150 in lost sales.

      Meanwhile, Senator Rotweiler is grandstanding up on Capitol Hill, complaining about how the drug company is ripping people off by charging hundreds of dollars for a vaccine that costs five bucks to make. His proof? The fact that they can sell it in Nigeria for $10.

      My point isn't that drug companies are saints, or that DVDs should be priced where they are (most movies have broken even before they hit the DVD market). The wider economic point is that sometimes by offering different prices to different people, businesses can make more money and serve more people. Demanding that everyone pay exactly the same price for an item, rather than allowing them to pay what they will can destroy market efficiency, leading to fewer people getting access to goods, whether lifesaving medicine or copies of Booty Call 2.

      Anyhow, they're just movies. If you're so indignant about the price, fire up BitTorrent. That'll l'arn em.

      --

      You want the truthiness? You can't handle the truthiness!

    7. Re:Why not here? by Fooby · · Score: 1

      Have you been to China? There are plenty of well-lit, well-staffed, and cleanly retail shops selling CDs for RMB7, complete with jewel cases and professionally printed liner notes. You can bet these do not have the RIAA stamp of approval.

      Sure you can buy CDs out of cardboard boxes or back-alley shacks if you want to, (just as you can in NYC's Chinatown), and you might even save a few cents. But your explanation is BS.

    8. Re:Why not here? by Professor_UNIX · · Score: 0
      Except that they can't. If they could, they wouldn't be sobbing about piracy and using the government as a club to beat down their customers.

      Have you been to a store lately? ALL the DVDs are $20 a piece. Of course people are buying them at $20 a piece. The only people that bother to pirate movies are cheap ass bastards who don't mind watching a low-quality rip of a movie. Compressing 9 gigs of a DVD down to a 700 meg DivX rip makes it look like fucking ass.

    9. Re:Why not here? by Baron_Yam · · Score: 1

      Most of my DVDs are under 4.7 GB. The extra space is often extras and crap, not just a larger file due to movie length or the quality of the encoding.

      With few exceptions, I have not noticed any significant quality loss when making a DivX that comes out around 10MB/min, and pushing it further to get 90 minutes under 700MB to put it on a CD doesn't hurt enough for me to care in most cases.

    10. Re:Why not here? by Charcharodon · · Score: 1
      Want the price lower? Then stop buying them till it goes down. It's not like fuel where you need it to get to work. Speaking of which we trade movies around at work so that you end up paying around $20 for every 5-10 movies that you get to watch. No netflix or pirating required.

      Along those lines, my favorite tactic to combat crap movies is when I do end up buying a bad one that wont sell on ebay or amazon for more than $5 then I just take it to the local library and donate it. I get to knock $20 off my taxes and a little warm spot in my heart to know that everytime someone checks that movie out the company that made it gets nothing.

    11. Re:Why not here? by 1u3hr · · Score: 1
      Hollywood just wants to find a way into the market, even if they have to take a loss.

      No, even at $1.50 they'll make a nice profit. In China, the pirate versions, same packaging, same production costs (often same factories, but that's another story) cost about 75 cents. The pirates certainly aren't selling at a loss. The only difference is how much is kicked back to the copyright owners; so they could give back up to 75 cents and still make a profit.

    12. Re:Why not here? by 1u3hr · · Score: 1

      The analogy with drugs is flawed. With drugs, there is one product sold for ine use (healing sick people). With movies, there are several different products derived from the same "movie": cinema, pay TV, free TV, DVD at least. So DVD income does not have to cover the entire cost of production; in fact the cinema release generally does, or at least most of it (insert joke about Hollywood accountants).

  8. Gold release still very cheap by Anonymous Coward · · Score: 0

    It states Gold releases go for Rmb35, or 3 times the $1.50 release, so $4.50.

  9. Piracy is what made MS Windows by m2bord · · Score: 3, Insightful

    Geeks installing Windows 3.1 and 3.11 on their work computers on top of DOS, is the flagship operating system/GUI made its initial foothold. Wordperfect was originally the dominant tool for word processing and when people started pirating MS Word in the same offices, it gave MS an addition line into each office. Finally...look at the MP3 device industry. There wouldn't be a demand for Ipods and other MP3 players if it weren't for piracy. Piracy helps more than it hurts. But copyright holders issue these exaggerated claims about how much piracy hurts them and how much money it costs them. The truth is those claims are exaggerated because many of the installations of pirated software or music are things that most would never buy anyway. So piracy does have its plusses. It's just that intellectual property rights holders know that if they do not actively protect their intellectual assets, US law will not be on their side.

    --
    Is it 5:30 yet?
    1. Re:Piracy is what made MS Windows by gEvil+(beta) · · Score: 4, Insightful

      I think the important thing to note here is that piracy *can* be beneficial in some circumstances. It doesn't mean that it always is.

      --
      This guy's the limit!
    2. Re:Piracy is what made MS Windows by Anonymous Coward · · Score: 0
      It doesn't mean that it always is.

      Exactly, piracy is what made MS Windows.

    3. Re:Piracy is what made MS Windows by stunt_penguin · · Score: 2

      If you take the example of the creative software from Adobe & Adobe-formerly-macromedia. Both companies could have made it much harder to pirate their software a long time ago- the only thing you need to go from Demo to Product with Flash 8 and Dreamweaver 8 is a serial number (though things are now tougher with the CS2 suite- d'oh).

      This means that people who want to use Dreamweaver and Flash to learn whilst in univeristy or during their spare time can do so with the demo and a quick search on Usenet or Astalavista.com.

      I've recently begun to form the opinion that routine breach of licence here actually helps apps like Photoshop, Dreamweaver, Flash, Illustrator, Premier and so on gain marketshare as they're easily accessible to people who really want to learn them and go on to use them in a working environment, where most (or at least enough) of the time they'll be legally licenced copies. Bedroom piracy costs the major creative software industry practically nothing in terms of lost sales, but creates a large and eventually profitable user base who will want to use those very applications when they go to work.

      --
      When the posters fear their moderators, there is tyranny; when the moderators fears the posters, there is liberty.
    4. Re:Piracy is what made MS Windows by cgenman · · Score: 1

      It also ensures that instead of looking for a lower-cost solution, these people only know about Photoshop, Illustrator, and Dreamweaver. Once they go out to the working world, they then buy Photoshop, Illustrator, and Dreamweaver, even if simple and far cheaper replacement apps would do everything they need.

      If Windows were impossible to pirate, Linux would be doing better.

    5. Re:Piracy is what made MS Windows by howlingmadhowie · · Score: 1

      of course the first fix is free. and you think that you're getting something better than open source products because you're (avoiding) paying money for them.
      but what happens when you start a company?

      howie

    6. Re:Piracy is what made MS Windows by Anonymous Coward · · Score: 0

      Alias|Wavefront basically used piracy as its main form of advertising when it released Maya. It was on IRC bots about a month before it was on sale. Basically it allowed it to get a foothold into the small shops which couldnt justify the 2-10k cost without extensive trialing.

    7. Re:Piracy is what made MS Windows by stunt_penguin · · Score: 1

      "simple and far cheaper replacement apps would do everything they need."

      Yea, right- if you're just an amateur who wants basic photo editing tools. The tools in Photoshop, Illustrator and Indesign are built to create proper, efficient workflows- there is no open source or cheap software on the market that does even 25% of what Photoshop does for the graphic designer.

      If you immediately think to mention GIMP, or any other cheap or OSS software you've never actually *used* Photoshop to it's potential.

      The entire CS2 suite pays for itself in a couple of weeks in a production environment. GIMP is ok for resizing, cropping, touching up colour and adding text and effects, but forget proper text tools (with kerning adjustment), vector objects and the pen tool, layer masks, clipping masks, a history pallette, embedded external graphics, not to mention Save for Web. Those are just the things designers use every day, and that's just photoshop.

      I won't even start on OSS vs. Illustrator.

      I'm not saying that this is an ideal state of affairs- it'd be great if the CS2 suite was €400 and we could all afford it. The fact remains, however if a user is properly educated, the sheer functonality of professional creative software (of which the CS2 suite is the finest example) means that the apps pay for themselves before the 'For dummies' books hit the shelves 4 months after they're released. The apps cost so much because they're worth that and more.

      --
      When the posters fear their moderators, there is tyranny; when the moderators fears the posters, there is liberty.
    8. Re:Piracy is what made MS Windows by Anonymous Coward · · Score: 0

      "I think the important thing to note here is that piracy *can* be beneficial in some circumstances. It doesn't mean that it always is."

      The same thing could be said about copyrights and corporations increasing their lengths of copyrights on works who's original creators are long since dead, which they resell to each new generation.

    9. Re:Piracy is what made MS Windows by stunt_penguin · · Score: 1

      Your /. karma goes wayy down.

      --
      When the posters fear their moderators, there is tyranny; when the moderators fears the posters, there is liberty.
    10. Re:Piracy is what made MS Windows by jambarama · · Score: 1

      Likewise with Adobe Photoshop. It is industry standard now, because of piracy.

      For example - almost no one under 20 has paid the $600 for Photoshop (let alone the $1200 for CS2). But many of them know Photoshop pretty well. How? Piracy. They pirate it, gain skills which future employers hire them for. When they are hired guess what - Adobe sells a real version of Photoshop to a person who knows it better than they could have any other way.

      I'm not saying that sub 20 year olds set industry standard apps, but when they grow up they become the industry. Having them know Photoshop before they get there is a great asset to Adobe. IMHO this is true for other age groups as well.

      Piracy is one the most powerful forces opposing opensource software. Why use and contribute to GIMP when you can pirate Photoshop. Why use Ubuntu when your friend has XP Pro you can use. That is why, in a very trotskyian fashion, DRM is fine by me. When proprietary stuff is so encumbered with DRM it is hard to use, it'll drive people towards the usability OSS faster than anything else ever could.

    11. Re:Piracy is what made MS Windows by Anonymous Coward · · Score: 0

      Why bother writing anything? Please, stop posting.

    12. Re:Piracy is what made MS Windows by Anonymous Coward · · Score: 0

      No, there wold eventually have been a demand for portable music/media devices, but without piracy they would cost 5x as much for the same thing we have anyway.

      Don't think for a second that Apple, et al haven't slavered over what could have been.

      So yeah, I agree that piracy isn't all bad, but for different reasons.

    13. Re:Piracy is what made MS Windows by cgenman · · Score: 1

      But most companies who buy Photoshop licenses don't need Photoshop. A lot of them need a glorified version of MS paint, if that. Some of them just need the basic white balance functionality or other retouching capabilities that come standard with most cameras. Others just need to cut and paste mockups quickly so that the real art department can get to work. Others have it around "just in case."

      There is definitely nothing that is as fully functional as the CS2 suite out there for image professionals. But Photoshop seems as prevalant as Word in office environments, and is utterly unnecessary for 90% - 99% of those people.

      And you have to ask yourself, why isn't there anything else out there? If history is any indication, if a smaller, less functional suite gained traction amongst users as a low-cost alternative, it would eventually add all of the features (and then some) becoming viable competition. But nobody can even get in on the ground floor, because everyone uses PS/ILL, from the teenager trying to get the red eye out of her photos to the MOD map maker trying to make good looking wall textures to the graphics professional working with 300 MB image files. Break that monoculture, and you'd have competition again.

      And maybe with competition we'd finally get delayed rendering or non-crappy vector editing in Photoshop.

    14. Re:Piracy is what made MS Windows by Wilf_Brim · · Score: 1

      Your point is very well taken about piracy driving certain markets. The demand for large capacity personal audio players and large capacity hard drives comes from (at least in part) pirated music, movies, and pr0n.

      Yes, there are people (myself included) who can fill most of a 20 GB HDD player with music ripped from their own collection. However, a) I'm 40 years old, and have 20 years worth of CDs collected, and 2) I encode at a very high bit rate. There aren't very many 16 year olds who could fill a 30GB player with music they bought, either on CD or at $0.99 per track. But there are quite a few of them out there with players filled to the brim with music.

      I do find it odd (any I think it has been noted before) that of all the industries effected by piracy, the pr0n industry seems to complain about it the least (or at least the most publicly). Maybe because they realize 1) that it does drive some of their sales, and that 2) most of the pirates wouldn't buy the retail version anyway.

    15. Re:Piracy is what made MS Windows by Breakfast+Pants · · Score: 1
      "It's just that intellectual property rights holders know that if they do not actively protect their intellectual assets, US law will not be on their side."

      Sigh. Yet another Slashdotter confusing copyright and patent law with trademark law. Trademark law is the only place where this is the case.

      --

      --

      WHO ATE MY BREAKFAST PANTS?
  10. DVD prices? by newevilmind · · Score: 1

    I thought new DVDs were between $15 and $20. The article says people are paying more than $20??

    1. Re:DVD prices? by Anonymous Coward · · Score: 0

      they're certainly more than £10 ($20) in the UK

    2. Re:DVD prices? by Anonymous Coward · · Score: 0

      In Japan at least, a new music CD will cost you about 30 dollars - and a new movie more than 40. The used media market is huuuuge there.

    3. Re:DVD prices? by mlewan · · Score: 1

      In France it is fairly standard that a new DVD costs around 30 euro, which is more than US$35. Luckily there are plenty of special offers down to around 10 euro and lower.

  11. ALL I want by zoomshorts · · Score: 0

    Is the movie itself. I do not want ANY options other than to play
    the movie. No advertisements, trailers or anything else.
    Will they do that?

  12. How about quality? by AusIV · · Score: 2, Interesting
    It's getting to the point where one advantage of pirating a movie instead of paying for it is that you can actually get a better quality product by pirating it. In an era when the high quality movie players downgrade the quality to older sources, and you can only play your DVD in certain parts of the world, a pirated DVD offers more flexibility.

    The same goes for music. If you're limited as to where you can play your music for buying at an online music store, it suddenly seems more advantageous to start pirating music, so you can play it on an uncertified MP3 player or an operating system that doesn't have DRM support.

    If the movie and music industries want to fight piracy, they're going to have to provide a product that is at least as good as what you can get by pirating.

    1. Re:How about quality? by Baron_Yam · · Score: 4, Interesting

      If I BUY a DVD, I get warnings, ads and stupid menus that I can't bypass on my standard DVD player.

      If I download a ripped movie, I get the movie I want without the crap. It starts the moment I put it in the player.

      Right now, I prefer downloaded movies over pressed copies because I'm actually getting a superior product.

    2. Re:How about quality? by nuggz · · Score: 1

      I hate how they lock up my DVD player like that.

      In the past I rented 3-5 movies a week, now I barely rent 2 a month. I tend to watch my vhs collection more and more because it is easier to start and stop, I simply push play and stop.

      The DVD's you have to put it in and wait, and get a splash screen, then if you miss it you get ads, and warnings and a menu.

      Sheesh, I put the DVD in, I hit play, now PLAY the FREAKING MOVIE.

    3. Re:How about quality? by gvc · · Score: 1

      The DVDs you buy on the street in Shanghai for $1.25 (9 Yuan) are exact copies of the commercial ones, so the fidelity is the same. The packaging is crappy and you have to waste a bit of your time insisting the vendor show it to you before buying. Perhaps that's why I never saw one for $0.75 -- I only bought from people who were prepared to give me a demo.

      But seriously a $1.25 street price in Shanghai would probably map to $5.00 in New York and maybe $0.75 in less travelled parts of China.

      And in both places there's an upscale and/or convenience market. People think nothing of paying double or triple the floor price for
      exactly the same candy, food, beer, etc. depending on the situation.
      But ten or twenty times is a bit of a reach in any marketplace.

    4. Re:How about quality? by Just+Some+Guy · · Score: 1
      If I download a ripped movie, I get the movie I want without the crap. It starts the moment I put it in the player.

      OK, I'm with you on that one. However, given that you can fairly easily rip your own DVDs to remove that contents, probably with little more effort required to download an illicit copy, that's a pretty specious justification for not buying.

      --
      Dewey, what part of this looks like authorities should be involved?
    5. Re:How about quality? by torokun · · Score: 2, Interesting

      And I would prefer to have a house for free rather than pay for it, because I'd get a better deal! News flash: it's against the law. If you want to change the law, fine. If you fail to do so, have the decency to follow it.

      This is all ridiculous. Ever heard of supply and demand? OF COURSE piracy is beneficial to consumers. It vastly increases the supply and reduces the real demand, so that companies have to reduce their price to compete with free illegal copies.

      This is only half of the story though. We don't just care about what's beneficial to consumers, or we'd never have copyright in the first place. We care about producers too, because we know that the best way to get people to produce is to let them make money from their work.

      If you all want to live in a communist country, where people believe that everyone will altruistically work for the benefit of the great motherland, you had better start looking hard, because there are only a couple of places left. People produce in the aggregate because of the benefit they gain. This is capitalism, and most countries now believe in the principle.

      Once upon a time, people actually would NOT sneak in to see a movie if they didn't want to pay for it. They would have considered this dishonest. Even many of the poorest people during the depression would refuse to break a promise or act dishonestly. They had some INTEGRITY.

      Slashdotters -- where is your integrity? Where is your will to be honest, to follow through on what you agree to, to do without something that it would be dishonest or illegal to take without paying for?

      So the bargain is bad? The person with integrity simply says no.

    6. Re:How about quality? by Anonymous Coward · · Score: 0

      There should be a rule about calling someone a communist in a discussion about Intellectual Property. We have Godwin's law for the idiots who parallel everything to nazi-ism. What do we have for idiots like you who parallel it to communism?

      Obviously you're about 40-50 because you're old enough to have been lied to by your parents about how "good and proper" they all were as kids... Bah, people have been stealing since 4,000 B.C. (or before, and I'm not implying piracy is stealing, but I think the motives are similar).

      What is beneficial for producers and consumers are usually similar, taken in the long run. Lack of producers is not beneficial for consumers, and hence destroying them with illegal actions is not beneficial to consumers. So, if you pull your head out of your ass you'll see that some people think past next month.

      Also, the trouble with a house for free is that it's made of scarce material and labor. Bits for free are merely scarce labor, which is a one time cost here. We can't just have free movies, and I don't think anyone is asking for that... We want reasonable prices now, and we want our movies in 20 years when they belong in our domain.

      The movie industry has been sucking it up these past two years. Their box office sales are in the crapper because they can't seem to produce anything good, save Star Wars. The cookie cutter movies got boring, uh oh!

    7. Re:How about quality? by Overzeetop · · Score: 1

      Sure, except that it's unlawful to sell or market such software (thanks to the DMCA and CSS). Do you really want to get your disc, then spend 5 or ten minutes (plus time waiting fo the rip) and then the time to burn the new disc (and scan/crop/print the label onto said "repaired" disc) all just to skip 5 minuted of commercials? It's a pain in the ass, quite honestly. Still, I do it for my daughters discs (she's 3) - it makes it much easier for me, as she can drop the disc in and have it play without my intervention, aside from setting the TV to the correct input.

      It all goes back to Top Gun, and market factors. If you remember, most popular hit videos (VHS) were in the $80-$100 range until Top Gun came out. It was $19.99 (iirc), but included a Pepsi ad at the beginning. That was the start of the home movie ad craze.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    8. Re:How about quality? by torokun · · Score: 1

      First, I'm nowhere near that old. And I don't care what my parents taught me, I know that people are becoming more cynical and less honest when I hear them say nothing's wrong with downloading music illegally to listen to it before you buy it. If the seller doesn't want to give you that opportunity, it's dishonest to do so. Yeah kids always stole some things, and there were always criminals, but now some middle-class software developers are teaching kids by example that it's ok to break the law when you don't like the deal that you've been offered.

      Second, if you don't consider the need to reward and incentivize producers, you are tending away from capitalism and towards socialism or communism.

      Third, you are making some of my points for me -- one of my points was that you have to think about rewarding producers or you're going to kill production. But if you only think about getting cheaper prices for consumers, and think that piracy can be good because it brings down consumer prices, you're NOT thinking about incentives for producers.

    9. Re:How about quality? by Moridin42 · · Score: 2, Interesting

      Uh.. the United States of America is kind of founded on the principle that its okay to break the law when you don't like the deal that you've been forced to accept.

      I'm pretty sure that armed rebellion wasn't an acceptable practice under UK law. I'm certain that tax evasion wasn't.

      Yes that is kind of an extreme comparison, but it is actually valid. Since you're making the argument that the law is the law and violating it is not acceptable. (Incidentally, this seems like a bit of a silly argument, since people everywhere, of good standing, knowingly breaks laws. Its all a matter of which ones. There's just some weird societal formula for which laws are socially acceptable to break and which aren't.)

      As to the rest of what you've posted.. capitalism doesn't care about rewarding producers. Capitalism operates on the principle that all parties, consumers AND producers, are looking out solely for themselves. Efficient outcomes come to be in the face of prices. Capitalism, like pretty much all other economic schemes, is a method of distributing resources in an efficient fashion. Some systems are more efficient than others, certainly. However whether you get filthy rich or you're barely covering costs, capitalism doesn't care.

      Intellectual property law isn't capitalism. It is an intervention in the market, theoretically for the public good, to prevent capitalism from operating. I'd also like to point out that both socialist and communist systems provide incentives. They just do so in different fashion.

      So.. no. Consumers, none of them, need to think about 'rewarding producers.' Especially producers that have priced themselves out of the market. Not, you understand, that I'm saying media companies have priced themselves out of the market, since they obviously haven't. They're still around, and I'm pretty sure they're not losing money. They're just bemoaning their slower sales. Boo hoo, our execs can only afford 5 mansions instead of 6. Sorry, not particularly touching an emotional spot for me there.

      I'll finish up by saying that record companies and movie studios are providing consumers with exactly the wrong incentives. The prices are high, the hassles are really irritating, and consumers aren't as uninformed about the cost of production. Which basically means, we'll go with the option that doesn't require us to leave our house (hidden costs of fuel, wear and tear on the vehicles, time involved) and doesn't piss us off with adverts and unnecessary legal bluster. Both of which would serve to make P2P more attractive, even if you had to pay the same monetary costs. Which you don't. Its capitalism at work.

      --
      I don't expect morality, equality, consistency, or justice from the law. I expect only legality.
    10. Re:How about quality? by _Sprocket_ · · Score: 1
      Slashdotters -- where is your integrity? Where is your will to be honest, to follow through on what you agree to, to do without something that it would be dishonest or illegal to take without paying for?

      My will to be honest and follow through with what I've agreed to was sold out with my eroding rights and other shenanigans pulled in the name of marketing and profit. It has evaporated inversely with the increase in things I have "agreed to" sight unseen.

      A thread that talks about the hassles a paying customer has to go through just to use the product they've paid for makes a rather poor base for a tirade on morality. It also does little to back up your tirade about capitalism. Capitalism does not demand that the customer be an unwitting pawn sacrificed to profit. Capitalism ultimately serves the consumer; those who do so reaps rewards for their effort. Since you like to use platitudes - let's simplify it as such: the customer is always right.
    11. Re:How about quality? by Anonymous Coward · · Score: 0

      Nope. Given a decent internet connection, you can pull a movie down in about 10 - 30 minutes. It would take 5+ hours to rip & recode it myself.

    12. Re:How about quality? by llZENll · · Score: 1

      Audio and visual quality are far inferior on downloaded ripped movies. Most ripped movies are only in 480x320 format or less, and their audio is only stereo, if you have any kind of good system this is total crap. On my projector I can even see the MPG artificts on original DVD content, and am eagerly waiting for HD-DVD to become more mainstream.

    13. Re:How about quality? by torokun · · Score: 1

      Your analogy is inapposite because no one is forcing you to actually buy the content. You are free to not buy anything you don't want. That was my point. In any case, I seem to recall that representative government might also have been a factor in that revolution.

      Technically, sure, you can define capitalism as extreme laissez faire, but I was not using that definition. There are many sorts of capitalism, and I was talking about it as a mixed legal and economic system in which we recognize that property rights give rise to trade, and trade increases efficiency and thereby creates value. All property rights are an intervention in your sense, as are criminal laws, etc., but they are important to a balanced form of capitalism.

    14. Re:How about quality? by Just+Some+Guy · · Score: 1
      Nope. Given a decent internet connection, you can pull a movie down in about 10 - 30 minutes. It would take 5+ hours to rip & recode it myself.

      You have 5Mb broadband and a Pentium 2? I can rip/strip/recode a full-length DVD in an hour on my wife's 800MHz iMac, which is pretty competitive with the times you list (assuming that the first torrent is actually decent and you don't have to re-download).

      --
      Dewey, what part of this looks like authorities should be involved?
    15. Re:How about quality? by Anonymous Coward · · Score: 0
      And I would prefer to have a house for free rather than pay for it, because I'd get a better deal! News flash: it's against the law.

      Not in England and Wales, it's not.

      More specifically, squatting is potentially actionable by the landlord under the civil law of trespass (i.e., they can have you evicted), but it's not a crime.

    16. Re:How about quality? by Moridin42 · · Score: 1

      Its still appropriate, as the numbers of forced emmigration to the colonies was rather low. So for most people, they were free to live elsewhere. Thus, there was a legal option that was being unused while illegal action was being taken. And so what of the representative government? If you emmigrated from the United Kingdom (as opposed to its colonies and protectorates) you had a representative government. A representative government that was knowingly left behind for a colony without represenation. It was acceptable when the decision to leave was made, so why not after?

      As for not buying something I don't want.. how the heck would I know I wanted it? I don't buy a car without checking under the hood, sitting in the driver's seat, and taking it for a test drive. There's no way I'm going to hop on somebody's website, view a flash intro, and cut some dealer a check. I don't buy books without thumbing through a few pages. And I don't buy movies and music because some critic said its good. Which really means I don't buy many movies and cds because theres no simple legal way for me to sample them. I can't be bothered to hover over some file-sharing app waiting for downloads to finish only to discover its crap or corrupted or mislabled.

      Sure, there are a number of definitions of capitalism. Of course every country I know of that claims to be a "capitalist" country is actually running a mixed economy with elements of socialism and capitalism. The mix of socialist and capitalist elements varies, but they're there in every case of which I'm aware. I don't see your point in stating more precisely what definition of capitalism you want to use.

      I'm not arguing that rights and laws should be done away with so as to give rise to a pure capitalist economy. But a balanced, as you say, economic system has also got to recognize when laws are becoming unwieldly, unjust, or that exist solely for the benefit of corporate profit (that is to say there is no offsetting gains to the general public). The difference between legal-but-distasteful and illegal is only a point of view. That some people engage in legal-but-distasteful actions is a choice, with oft-times negative consequences. That others engage in illegal actions can be an equally valid choice.

      --
      I don't expect morality, equality, consistency, or justice from the law. I expect only legality.
  13. Damn right! by Anonimouse · · Score: 1

    It's about time the big cooperations woke up to the correct way of combating the problem. In Hong Kong the pirate CD market essentially forced the software companies to sell their software for more realistic prices. The same goes for the films. It is now almost as cheap to purchase a legal copy (of certain films and software) as it is to get hold of a pirate copy. So most people's reasoning is why not buy the legit version if it is the same price? They have piracy to thank for this. To all those that say this is stealing etc. etc., don't you know that you are getting shafted big time with those prices? By just accepting those prices you are just reinforcing the companies perception that the public will take whatever is handed to them.

    1. Re:Damn right! by VisceralLogic · · Score: 1

      If you buy a genuine diamond, you're also getting shafted. Should people take those, too?

      --
      Stop! Dremel time!
    2. Re:Damn right! by Anonimouse · · Score: 1

      No, because that would be stealing. You haven't stolen anything with a digital copy any more than if you bought a photocopied book. Which bit don't you get?

  14. DVD Rentals / Direct to DVD by slashbob22 · · Score: 2, Insightful

    There is NO way they will lower the prices in the rest of the world. If they did then all video rental stores would go out of business - or start moving a lot more merchandise. Likewise, direct-to-DVD releases cannot be priced very low; DVD sales are their only form of revenue.

    As much as I would like to see movies for $1.50. It will never happen.

    --
    Proof by very large bribes. QED.
    1. Re:DVD Rentals / Direct to DVD by simonjp · · Score: 1

      Even so, surely it is possible to assume that a lower price will help people think twice about downloading movies. I just bought some DVDs the other day (7 movies in fact!) and they were semi-old and thus cheap; I've seen some of them before, but I felt that as i could get the DVD at that price, it'd be good to get a copy. Contrast this with new DVDs: the UK price isn't particularly consumer friendly (although I guess people still pay for them) - a new DVD could cost you anywhere from about £20+. Cut that by even 33% and I'm sure a lot more would go through, without bankrupting either the video stores or the companies (not like that would happen). Even now, we're seeing struggling high street stores facing competition from online retailer costs (cf SilverScreen), dropping the prices would be better for all.

      --
      , , , , , karma elon
    2. Re:DVD Rentals / Direct to DVD by tom's+a-cold · · Score: 1

      Mod partent up. The whole region-encoding mechanism is a way of enabling geographically-based price discrimination and preventing free global trade (what the producers call a "grey market") in DVD's. There is no purpose for this besides extracting the maximum amount of money from each segment of consumers.

      The problem that the content middlemen face is the same as that of the oil companies: where to set their monopolistic price point in order to maximize revenue.

      The fact that these monopolies are now granted for periods far exceeding an artist's lifetime, is a sign that the system is corrupt. It is certainly of no benefit to the artists, who get only a minuscule percentage of the revenue streams generated by media sales. There is no reason to accept the legitimacy of this legislation for hire. The toxic effect on our culture of the content-distribution oligopolies is reason enough to enforce draconian anti-trust laws on the bastards: say, nobody can own a combined total of more than 1% of all media distribution channels combined. If Congress operated in the public interest, they would be doing this. Since they are not, the only reasons to comply are an instinctive servility or a mystical belief that laws, no matter how unjust, must be obeyed. Since, in this law-bound era, much progress has only come through civil disobedience, I don't see how our actions should honor unjust laws. And the behavior of an oligopoly that maintains its position through corruption is not of primary interest to me: what I'm interested in is seeing justice done to creators and consumers. The middlemen are overhead. They're entitled to what they can scrounge, and nothing more. The world would be no worse off if they were employed somewhere more productive, such as pounding farts out of shirttails in a laundry.

      --
      Get your teeth into a small slice: the cake of liberty
    3. Re:DVD Rentals / Direct to DVD by screeble · · Score: 1

      Picture this...

            So I walkskes inskta Cockbuster Video with me 60 gigske iPod Video, arrrrrrgh!

            Thenske, I'ze whipzes it out on the counter, gug gug gug gug.

            "Arrr, Matey! Loads me up with "God of War!"

            ARRRRG! Even a pirate can change his flags.

      I think BBV, etc., will just have to change their distribution model in order to stay afloat on the high seas.

  15. Of Course by RedHatLinux · · Score: 2, Funny

    Free stuff is always in the consumer interest.

    1. Re:Of Course by Opportunist · · Score: 1

      ...so said my dealer... First sample's free...

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:Of course by Anonymous Coward · · Score: 0

      Of course is viable. You just profit less. And even that perhaps is not true

      Actually, if you look at it you don't profit less if you set your price point correctly; you make up in volume what you lack in single sales profit. Consider MP3s for example, if you sell a MP3 for $1 only the people who really like the song (or artist) are willing to download the song (and there is only a small chance that they will download the entire album without hearing it first), on the other hand if you sell the same MP3 for $0.25 anyone who is vaguely interested in the artist will probably download the entire album (potentially 4 times as many users spending $2-$4 each rather than $1).

    3. Re:Of course by Zordak · · Score: 5, Funny
      >> if you set your price point correctly; you make up in volume what you lack in single sales profit.

      Yes, it's almost as if you could draw two intersecting lines. One line would represent the number of units people would demand as the price increases. The other would represent the number that manufacturers would be willing to supply as the price decreases. I wonder what it would mean when those two lines intersected.

      --

      Today's Sesame Street was brought to you by the number e.
    4. Re:Of course by linzeal · · Score: 1

      Poignant, I believe strongly that movies and tv shows need to come down to rental costs and the studios will make more money over the long haul. I mean when I was a kid I thought about having a huge SAN (Storeage Area Network) recording all the television all the time, before DVRs and we still have not got there, we will.

    5. Re:Of course by GigsVT · · Score: 1

      One does have to wonder why basic economics are not taught in high school. They'll teach you higher algebra and trig that most will have little use for, but when it comes to something as vital as basic economics, they keep you ignorant.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    6. Re:Of course by pulaski · · Score: 1

      The intersection of demand and supply curves is called market equilibrium and, all things being equal, is the natural state of any market.

      --
      Quid, me anxius sum?
    7. Re:Of course by Anonymous Coward · · Score: 2, Insightful

      You make a joke at what I say, but you're quite wrong with what you're implying ...

      The graph you describe tells you the equalibrium point between a given supply and demand graph; thus giving you the price of the product. The graphy that you'd want to draw is {(Unit Price)-(Unit Cost)}X(quantity demanded) [knowing that quantity demanded is a function of unit price] if you assume that supply is flexable (which it mostly is with all electronic distribution) then you simply look for the maximum of the curve.

      The interesting thing is with a product like an MP3 the unit cost (to distribute) is minimal; thus the unit cost is the (total cost to develpo the product)/(quantity demanded) meaning the Unit Cost is {(small constant) + (Function of price) ).

      If I haven't written it down incorrectly, what you should find is that you maximize your profits in this type of envoronment when you minimize the price of your product.

    8. Re:Of course by mpe · · Score: 1

      My bet is that if you had DVDs priced at 1.5$, film copyright infringement would end as we know it,

      You'd also need to get away from the idea of "staggered release". Given a choice between download a pirate copy now or wait months/years for the legitimate version to come along many people will go with the former. Also there needs to be one price, rather than something like 1.5USD or £1.5 or 1.5, etc.

      Add to that the release of DVDs on the same day of first screening (sell the things as people exits the cinema), and you have the film distribution model of the future. Big-screen film watching is a fundamentally different experience than DVD watching, and there is but little market cannibalising between the two of them. Film distributors should start to know that.

      If the image on the "big screen" were to come from a DVD then issues about lack of film prints become rather irrelevent too.

  16. Of course by OpenSourced · · Score: 4, Interesting

    s such a model viable in the long term?
    Of course is viable. You just profit less. And even that perhaps is not true. I've been in China, where you can get absolutely anything in DVD for about 1 dollar each. In fact, it would be difficult for you to try and get a properly licensed film in China. I know I didn't found any. And there was another difference. I had friends there that had more that two thousand DVDs at home, many of which they hadn't had time to see. They simply bought on impulse, because spending 1 dollar is not something you think a lot about. Of course my friends had higher than average (for China) earnings, but in time more and more chinese families will approach that income level.

    My bet is that if you had DVDs priced at 1.5$, film copyright infringement would end as we know it, and the amount of dollars spent in DVDs by the average family would grow. I cannot guess if that increase would be enough to compensate for the much-reduced margin on each DVD, but I would bet it would be better bussiness in the long term.

    Add to that the release of DVDs on the same day of first screening (sell the things as people exits the cinema), and you have the film distribution model of the future. Big-screen film watching is a fundamentally different experience than DVD watching, and there is but little market cannibalising between the two of them. Film distributors should start to know that.

    --
    Rome taught me patience and assiduous application to detail. Virtues which temper the boldness of great, general views.
  17. Excuses... by deep44 · · Score: 1

    It doesn't matter.. you'll just find some other obscure justification for pirating the movie. Let me ask you this- do you purchase the so-called low quality movie, and then download a better quality "backup" copy? Or is the movie industry just S.O.L. because they didn't bring their A-game with the original DVD distribution?

    1. Re:Excuses... by Firethorn · · Score: 1

      It's a balance of values, each person has their own weighing system.
      1. Convienence to obtain, how easy is it? Do I have to drive to the store, wait a week for it to come in the mail, etc. Or find it on a file sharing program and mark it for download
      2. Price: Free vs. $
      3. Quality: MP3's vary in quality, even DVD's to
      4. Legitamancy: For many people, legality is a good thing. If nothing else, you don't have to worry about being sued/prosecuted if you keep it legal.
      5. Annoyance: As what many people have said, copy 'protection' annoys them, and actually makes the illegal copies easier to use for their intended purposes. For my part, I don't own a CD player, so why would I want to get my music on CD's? If I do, the first stop is the computer to rip it into MP3.

      If legitimate companies reduce the price of their product and get rid of the annoyances, they can be very competitive. They're a guarenteed quality source*, after all.

      *Excepting the ocasional FUBAR, of course, but it happens less than with file sharing.

      --
      I don't read AC A human right
    2. Re:Excuses... by AusIV · · Score: 1
      I'm not a pirate. I haven't illegally downloaded anything in at least 6 years, and at that time the quality of pirated media was lower than what you can get for money. Consequently, everything I pirated in middle school has either been replaced by legitimate copies, or discarded.

      As I say, I'm not a pirate. I'm a legitimate consumer whose pissed because I can't legally play DVDs on my Linux box, and the $350 I have invested in content from the iTunes music store keeps me tied to Windows. My family falls into the HD early adopter category, and the HD Television and Projector we purchased don't meet the standards set by HDDVD and BluRay players. I'm not trying to justify piracy. In my mind piracy gave the recording industries the opportunity to screw legitimate consumers like myself. I just wish the recording industry would come to realize that their "anti-piracy" tactics go further to promote piracy than to discourage it. If they ever get that message (which I'm not counting on), maybe everyone will be able to get a fair deal.

  18. But what does average Chinese person make? by justthinkit · · Score: 2, Insightful
    This may not be such a deal for the average Chinese person.

    This article http://www.business-in-asia.com/china_wages.html states: "To give an example of the spread in salaries in a foreign firm in China, a professional employee could earn an annual salary of approximately 100,000 RMB (approx. US$12,000) while a factory worker or an ordinary employee could expect about 36,000 RMB (approx US$4,340).

    So, one "cheap" DVD costs 12RMB, or 1/362nd of their yearly salary. In our terms, say with a salary of $30,000, that would be $82.95.

    --
    I come here for the love
    1. Re:But what does average Chinese person make? by balloonhead · · Score: 5, Informative

      12 of 36 000 is 1/3000 = so your math is out by a factor of around 10.

      $8 for a DVD isn't so bad (assuming the rest of your calcs are correct - I didn't check)

      --
      This idea was invented by Shampoo.
    2. Re:But what does average Chinese person make? by justthinkit · · Score: 1
      My bad, first thing in morning with no coffee.

      --
      I come here for the love
  19. The key word is "contribution margin" by Opportunist · · Score: 2, Insightful

    Content is interesting, as a commodity. It has HUGE fixed costs and almost ZERO variable costs. I.e., studios have to pay a LOT to create some song, but the cost per CD to make is very close to zero.

    Now, to make a CD costs, say, 10 cents. That's the difference between pressing this single CD and not pressing it. Material cost, if you want. Because the artist played, whether the CD exists or not, the hype runs, the pressing machine is standing there with the master ready to press, the workers are there, all of that independent of whether or not this one CD is being pressed or not.

    Now, selling this CD at anything more than 10 cents is better than NOT selling it at all. And in China, the market is saturated with bootlegs. So you usually DON'T sell at all.

    Now, you can't sell all your CDs at 20 cents. Yes, sure, you'd cover the cost of the CD. But you would never be able to cover the fixed costs.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    1. Re:The key word is "contribution margin" by Anonymous Coward · · Score: 1, Insightful

      While this is true, it is also true that there are thousands of albums and movies in which the original cost of creation has been fully recovered, sometimes decades ago, and the profit from selling a 10 cent cd for $13 is $11-$12 (minus packaging and physical distribution costs.) Thats ALL profit. Many of these albums I have purchased in the past, on album and/or cassette, but I bristle at the thought of spending another $10-$15 dollars AGAIN to have it on CD.

      Additionally, there is media in which the cost of creation will never be recovered at the present cost of media. Most industries drop prices to sell more product. You end up with a longer period of time before creation costs will be recovered, but for much media you still COULD recover the cost, or at least minimize your losses.

      I might add that the cost to create much music has dropped IMMENSELY in just the past 30 years, with samplers, digital recording (that you can even do in your home), cheap effects which are used in more recordings than you may think. I remember in the eighties doing a demo at a small studio that had a $300,000 64 track mixing board. A comparable board costs a fraction of that now. I myself have a 4 track kensington mixing board that people have said is the quietest board they've ever heard, and I bought it for $80. I can tell you from experience that it is quieter than the 64 track board from my youth.

      Ultimately, media is NOT sold at market rates, as evidenced by piracy. I would buy many albums, for the 1 or 2 songs on them that I like even, were they not sold for &15-$20 dollars. As long as distribution is forcefully maintained by corporate bureaucrats whose high salaries rely on an outdated model, media will NOT be competetive and therefore media will not have prices determined by the market.

    2. Re:The key word is "contribution margin" by Kjella · · Score: 1

      Your first and second paragraph doesn't add up. First you say they earn a lot of money through high prices, then they lose a lot of money through high prices? In either case, they should be free to charge what they want (barring collusion). What it cost to produce it isn't really relevant, they are not a non-profit organization. They sell for what maximizes profit or whatever else strategic goal they have, and they're fully entitle to set pricing policies you find stupid.

      Ultimately, media is NOT sold at market rates, as evidenced by piracy.

      Market rates are goverened by the market's willingness to pay. Nobody is forced to buy media, and thus the going rate is the market rate. Piracy only proves that media is not sold at reproduction costs. Piracy itself would not be sustainable, because the cents you pay for a blank DVD wouldn't cover the cost of producing the movie. I don't know what you think "market rate" is, but the only thing piracy proves is that people would like a free movie the same way they'd like a free Ferrari.

      --
      Live today, because you never know what tomorrow brings
  20. No more customs anxiety by coffeechica · · Score: 2, Interesting

    Great, so the next time I travel to China I can stock up on DVDs cheaply and actually get a receipt for them so I won't have to worry about being searched at customs. A few dozens of DVDs are always a bit tricky to explain in those situations.

    Can't see how this will make a difference for the Chinese consumers, though, unless there is a massive anti-piracy campaign sometime in the near future.

    1. Re:No more customs anxiety by simonjp · · Score: 1

      How many DVDs can you import legally anyhow? I mean won't people will just take empty suitcases over there to come back with DVDs to sell under UK market prices on the street - except this time the copies you buy will be legal and not copies! Will such a divide in price cause problems for the international DVD market? Think eBay sales too - you could buy one at $1.50 in China, send to the UK (if anyone believes you! ha) and then reinvest the profits (which you will ultimately make) and repeat... instant profit! If this was a stock market, the world would have just crashed completely...! China can move into the worlds largest REAL DVD exporter too! :D

      --
      , , , , , karma elon
    2. Re:No more customs anxiety by coffeechica · · Score: 1

      I went through a customs inspection two years ago, on the way back from Beijing to Vienna, and I chatted a bit with the customs official while we waited for an estimate from one of their experts on some stuff I was importing. As far as the EU goes, you can import products worth up to 175 Euro without paying customs tax on it. Anything above that has to be taxed, anything that is obviously pirated gets you into legal trouble. There is a tolerance level, though - they're not going after anyone who has ten DVDs in his luggage. A hundred is another story already if you can't prove that you bought them legally.

      If they really sell DVDs at these prices, it might just be worth it to fly to China, fill up your suitcase and then sell the stuff. Or distribute from China directly - postage for that kind of weight is minimal, and if you have receipts for the stuff it won't get you into trouble.

    3. Re:No more customs anxiety by noamsml · · Score: 1

      This is where area codes come into play. Area codes are one of the most vile inventions of the anti-consumer industry. Each DVD player is configure for only one area code, and will refuse to play DVDs from other area codes even though playing them is technically possible. Thus, a bunch of DVDs my family collected in Israel are now useless in the USA since our player only supports area code 1 (the USA and maybe some EU countries).

      The worst part of it all is that, because of the DMCA, it is ILLEGAL to try to bypass the area code system.

    4. Re:No more customs anxiety by simonjp · · Score: 1

      At $1.50 a dvd I'm sure you can save up to invest in a DVD player too from china. Ok, a few extra wires, but you'll survive. Or, get 2 DVD drives for a computer one for each region code... voila! problem solved for anyone with a lot bought on eBay.

      --
      , , , , , karma elon
    5. Re:No more customs anxiety by Anonymous Coward · · Score: 0

      or if you are going to be buying a new DVD player, import a region free one (since region 0 players will play dvds from any region).

    6. Re:No more customs anxiety by mlewan · · Score: 1
      "The worst part of it all is that, because of the DMCA, it is ILLEGAL to try to bypass the area code system."

      It is illegal in the US. It is perfectly legal in many other countries - probably most other countries. That doesn't always mean that you can buy dezoned players in any shop of course. But if you know how to do it yourself it is mostly legal.

  21. Piracy provides market balance... by Anonymous Coward · · Score: 0

    Since the media industry is a monopoly because only one vendor can provide a specific product, there is not price balance. The particular vendor is free to charge whatever they like. Piracy now is providing that price balance because the vender can now only make they product price at a point that the consumer will not want to deal with downloading it.

    The best example of this process at work is the .99 ITunes. The industry would never have agreed to this price if piracy was not a factor.

    In short, piracy will provide price balance as long as it is kept in check...

  22. Piracy-The new business model. by Anonymous Coward · · Score: 0

    "Warner Home Video in China are beginning trials of 'simple pack' DVD releases at $1.50. They state they are doing this as a test to see if they can recover a market lost to pirate DVD's at 75c each."

    Well first of all the rest of the world isn't China.

    "They also sell higher priced and more complete DVD sets as 'silver' and 'gold' packs. Maybe this marks the beginning of movie industry realism and long hoped for shift in business models, forced by piracy."

    Shame humanity has to enact change through illegal acts. Next up we change the US government via sniper rifle.

    "Perhaps they can take it on as a better model for movie downloads worldwide, facing the same problem of competition from pirated movies. Is such a model viable in the long term?"

    Piracy essentially is the content producer competing with themselves.

    1. Re:Piracy-The new business model. by brxndxn · · Score: 4, Insightful

      Shame humanity has to enact change through illegal acts. Next up we change the US government via sniper rifle.


      Aren't pretty much all changes enacted through 'illegal' acts? civil disobedience, revolutions, founding of the United States of America..

      Illegal /= Immoral.. Yet, if something is illegal long enough, people seem to think it is immoral.

      --
      --- We need more Ron Paul!
    2. Re:Piracy-The new business model. by Anonymous Coward · · Score: 0

      "Aren't pretty much all changes enacted through 'illegal' acts"

      And this statement rated at +3:insightful? Have they stopped teaching history in school? The answer is that while there is some change that has been enacted via "illegal" means. There is a much larger body of works that haven't. Second I seriously doubt any of you are willing to die or go to prison* for cheaper content so bringing up revolution or civil disobediance is a red herring. There's nothing noble about piracy (and in the China case it's very capitalistic) and it's the lazy way to solve a problem.

      *The fact that the majority hide behind encrypted, geo-hiding P2P says otherwise.

    3. Re:Piracy-The new business model. by thona · · Score: 0, Offtopic

      Next up we change the US government via sniper rifle.

      Given your current government - DO IT, PLEASE.

      What you think you have the right to have rifles for? Your founding fathers had the idea that a little rebellion every couple of hundred years is good for freedom - it gets rid of bad governments.

      To me it looks like the time has really come again in the US.

    4. Re:Piracy-The new business model. by obeythefist · · Score: 1

      Well... no.. Australia, for instance, was Federated with agreement from the previous British government. No blood lost at all!

      --
      I am government man, come from the government. The government has sent me. -- G.I.R.
  23. Very valid argument by Opportunist · · Score: 1

    Actually, with HDDVD/BluRay this could get worse. If a pirated HDDVD offers HD, whether or not all your equipment is "safe" from you, you could even see those pirate DVDs being sold more expensively than the originals. :)

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  24. Ebay? by Anonymous Coward · · Score: 0

    Does this mean, that the 99% of people selling dvd's on EBay, which are always from China, will now be selling legitmate product? Does this mean I no longer have to worry that the DVD's I buy which are supposedly legit come on dvd-r's and have chinese subtitles?

  25. It depends on quality of disc by Vadim+Makarov · · Score: 4, Insightful
    Okay, I am not in China, but...

    If they sell discs where the main feature (i.e. the movie itself) is crippled, for example by lower bitrate than on premium edition, by having no English language track, or by having forced subtitles to go with, this won't beat pirates.

    If they sell discs with high-bitrate main feature (DVD-9 filled to the brink please), original-language soundtrack available and no UOP gimmicks, they win. Hell, if they do it consistently, they could sell such discs for a whopping $4.30 in Russia and I would gladly buy them over pirated ones. Besides I throw the box away, anyway, and pack the discs into a wallet to save space right away. Just give me the properly mastered stuff, no frills.

    To bad I suspect the cheap licensed edition would be crippled. Then pirates, who care about customers more, get my business.

    --
    17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
    1. Re:It depends on quality of disc by Jeff+DeMaagd · · Score: 1

      Then pirates, who care about customers more, get my business.

      I'm sorry, but what? Like the movie studios, "Pirates" only care about their bottom line, but the key difference is that they don't have to fund the making of the movie, they just duplicate someone else's product, which costs nothing to do. It's a bottom-feeding type product and shouldn't be supported. If it is worth watching, then the people that funded and made that video should get compensation for the work. If you have disagreements with the original makers, then don't watch it at all, there is little justification to do that, it only adds ammunition to their claim that piracy is hurting them.

    2. Re:It depends on quality of disc by Vadim+Makarov · · Score: 4, Interesting

      The point is, in my experience, pirates in Russia usually sell higher-quality mastered discs of the movies I want than licensed discs with the same movies. I don't know why it is so.

      --
      17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
    3. Re:It depends on quality of disc by Skinny+Rav · · Score: 1

      Me neither in China, neither in Russia, but pretty close -in Poland and we can buy movie-only DVDs, usually with original soundtrack, but sometimes only with Polish overvoice, for less than 8 euros. While not really cheap, it is affordable. And I have noticed, that now I spend more money on DVDs than before. I can rarely justify spending 30-40 Euros on one movie, however, I can easily justify spending 30-40 Euros monthly on a couple of DVDs of movies I would otherwise download from P2P.

      And anyway, I still eagerly spend even 50 Euros for special packs like LotR's 4 disc edition.

      So, anecdotical as it is, in my case reducing prices reduced piracy dramatically. And I know of a lot of people in Poland who also started to buy DVDs now in heaps.

      Cheers

      Raf

      BTW, at least in one case (Anime, Akira or GitS, don't remember) translation on this bargain CD was from a guy who did it for pirate divx and then got paid to include it on legal CD!

    4. Re:It depends on quality of disc by LadyLucky · · Score: 1

      Currently in China you have two options - Buy a pirated DVD. This will be a single layer DVD, and the subtitles/language can be a bit hit and miss. Sometimes you get English, sometimes Chinglish, sometimes nothing. Since it is single layer, it looks worse. These cost about $1-$1.50 Buy a real DVD from large shops. These tend to weigh in at more like $5, but have decent quality, and languages. For me visiting, I wanted the quality so I bought dozens of real DVDs (and some pirated ones when I couldn't find the real ones), but the vast majority of locals buy the pirated ones. Remember these are the people that download DiVx and think the quality is OK.

      --
      dominionrd.blogspot.com - Restaurants on
    5. Re:It depends on quality of disc by Vadim+Makarov · · Score: 1
      Can't you try to playback the disc before you buy it? I often do this; many disc stores in Russia have a PC (in the software part of the store) where, if the salesguy permits, I can even see exactly how large .VOB files are.

      You don't need a PC to tell single-layer from dual-layer disc. Dual layer has a slightly yellowish tint (to the contrary, single layer is pure silver color), and dual layer has two different looking (and often overlapping) inscriptions in the inner circle of the disc.

      If the store doesn't have a player, the salesguy should know what languages and subtitles are available on the disc. If he doesn't know, don't buy anything there.

      --
      17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
    6. Re:It depends on quality of disc by mpe · · Score: 1

      For me visiting, I wanted the quality so I bought dozens of real DVDs (and some pirated ones when I couldn't find the real ones), but the vast majority of locals buy the pirated ones. Remember these are the people that download DiVx and think the quality is OK.

      For many people the technical quality of the picture just isn't an issue. Plenty of people will watch broadcast television which is hardly viewable or audible.

    7. Re:It depends on quality of disc by koreth · · Score: 1
      If they sell discs where the main feature (i.e. the movie itself) is crippled, for example by lower bitrate than on premium edition, by having no English language track, or by having forced subtitles to go with, this won't beat pirates.

      Even without that stuff I'll still want the pirate DVDs because they are so funny -- on a lot of the pirate DVDs you find sold on street corners and in subway stations in Beijing, they have Chinese subtitles with a so-so translation of the English dialogue to Chinese, then they get someone to translate the Chinese back to English to make the English subtitle track. They often literally translate the phonetic approximations of characters' names, so you get subtitles like, "The regime of ancient warrior garden denied these."

      Then there are the ones with English subtitles from a completely different movie (one recent action movie has the subtitles from "Fast Times at Ridgemont High").

      And the covers are works of art in themselves; they usually include the requisite quotes from reviews, but the pirates don't care whether they use good reviews or not. The review quote for "Get Rich or Die Tryin'" is "Get Shot. Die Boring." Way to sell it!

      No, I'm not going to stop bringing back pirate DVDs as souvenirs for my friends even if the legit copies cost less. But I'll grant that the number of Chinese who prefer the pirate DVDs for those reasons is probably pretty small.

    8. Re:It depends on quality of disc by dwater · · Score: 1

      > they just duplicate someone else's product, which costs nothing to do.

      Clearly, this is incorrect - it obviously costs something to duplicate anything.

      Also, people here just wouldn't buy DVDs if they were priced the same way as they are in the US (for example) - people don't earn enough. Same for s/w.

      I often wonder if Linux would have more chance if everyone had to pay full price for MS Windows.

      Also, maybe this doesn't apply for DVDs, but having MS Windows available for cheap means everyone now knows how to use it. Even if people now do have to pay full price, they're all MS Windows users, so they'll tend to choose it over others - which is a choice that follows them into the work place.

      --
      Max.
    9. Re:It depends on quality of disc by dwater · · Score: 1

      Actually, pirated DVD9 disks are common too, but you pay double for them (20rmb).

      I don't think I've seen legitimate DVDs here. Where did you go?

      --
      Max.
    10. Re:It depends on quality of disc by Anonymous Coward · · Score: 0

      No, if it's worth watching, then the people who funded and created it should make it viewable in a way people are saying they want it. Not 'protected'. Not 'restricted'. Not 'managed'. It's that simple. They don't, so people look for alternatives.

      Wouldn't any sane person do the same?

  26. Only if they realize what's *REALLY* going on... by MindPrison · · Score: 4, Interesting

    What's really going on is the effect of the public community.

    OpenSource, GPL, Musicians and Bands offering their music for free MP3 download, Linux - free OS, Blender, Gimp, OpenOffice...all free software that are comparable to commercial versions are a part of a HUGE new revolution that have literally SNEAKED upon the commercial industry, and because of their own onslaught on people...threatening legal users with DRM, SpyWare and restrictions....haunting people down for just being "people" - have brought fire to this revolution.

    Because of this revolution, more and more people will witch to free alternatives, and the "biggies" didnt even see it coming for all their own greed and hysteria.

    The way we exchange services - will change forever.

    --
    What this world is coming to - is for you and me to decide.
  27. monopoly vs piracy by pintomp3 · · Score: 4, Insightful

    when you abuse your monopoly position by price gauging, piracy becomes your competition.

    1. Re:monopoly vs piracy by Anonymous Coward · · Score: 2, Funny

      Too bad we can't pirate gasoline.

    2. Re:monopoly vs piracy by Anonymous Coward · · Score: 0

      Ah, what a good quote, if only it were true. I don't think the movie industry is measuring the size of the price, but rather charging too much.

      Of course, you could just not know how to spell "gouging" like every other High School English failing nerd on Slashdot, and then I suppose you would be correct.

    3. Re:monopoly vs piracy by Anonymous Coward · · Score: 0

      What do you mean? Wasn't that the whole point of Iraq?

    4. Re:monopoly vs piracy by smithwis · · Score: 1

      You CAN pirate fuel for your car though:
      Frying squad foils cooking oil car scam

    5. Re:monopoly vs piracy by Dunbal · · Score: 1

      Too bad we can't pirate gasoline.

            When the price hits $40 a gallon, I bet we will. It's not too hard to turn alcohol into gasoline. There will be "gas" labs instead of "meth" labs. They'll still blow up though.

      --
      Seven puppies were harmed during the making of this post.
    6. Re:monopoly vs piracy by Dunbal · · Score: 1

      Nice link. I fail to see how this is a "scam". Sure if I sell you cooking oil and tell you it's gasoline, then it's a scam. But I rather think that you are entitled to power your vehicle however the hell you want so long as it's not destroying the environment. If you had an electric car, would you have to pay extra taxes on your electric bill since you were now using electricity as "fuel" for your vehicle?

            Yet another example of government oppression in our New World Order.

      --
      Seven puppies were harmed during the making of this post.
    7. Re:monopoly vs piracy by cgenman · · Score: 1

      I used to think that too. But it isn't true in the videogame space, yet piracy is still extensive here. I think it may just be that the delivered media has been expensive for many years, and companies just happened to have monopolies too.

      Game piracy is rampant everywhere. There are clearly more games downloaded and played than purchased legally. Yet PC (and console) games distribution is not a monopoly proposition, and unlike a lot of other areas there is actual price competitions that go on.

      Even if these companies are bahaving well, people will still pirate whatever it is that you do if your product is A: more than a trivial amount of money and B: easy to pirate. It's just that we don't have that many companies that are behaving well to test this theory on.

      Of course, if you do have an illegal monopoly or a functionally illegal cartel pricing going on, and you're getting pirated, you get no sympathy from me.

      Note: most gaming companies have a healthier attitude about this sort of thing. They put up some technological barrier, and accept that some people will jump through the hoops to break it. I guess we've been living with casual digital piracy for a lot longer than the music or movie people.

    8. Re:monopoly vs piracy by kz45 · · Score: 1

      when you abuse your monopoly position by price gauging, piracy becomes your competition.

      Then how do you explain the countless number of small software shops that get their apps pirated?

      Piracy happens because software, music, or anything digital is very easy to copy. It takes no effort to copy bits, but a large effort to create those bits. I think of it almost like counterfeiting money.

      Piracy will only stop when all software is $0.

  28. Piracy = price balancing. by arthurh3535 · · Score: 2, Insightful

    And face it, the software and entertainment industry have been gouging the public for so long, they think that the situation is normal.

    Does anyone else remember $85 movies on VHS? In 1985!

    All piracy is doing is forcing the software and entertainment industry to price their products into the affordable range.

    $200+ dollars for an operating system? Why? There is something seriously wrong when a peice of easily replicated digital information (ie. ludicrously cheap) costs as much or more than full system hardware.

    I've been seeing these $1 DVDs at 7-11 here in Utah. I've actually bought a couple (for my parents, as most of the stuff is old classics that they would probably like to see again.)

    Everything above $1 better have a very serious justification for why it is so expensive.

    Other than "to make the studios/developers really rich."
     

    --
    No! It's a *SIG*. Keep the Special Interest Groups away! (Con joke!)
    1. Re:Piracy = price balancing. by mark-t · · Score: 1
      The $85 movies on VHS in early 80's came down eventually for the same reason that the $50 cd's came down in price only a few years later (long before the existence of cd writers, by the way). They discovered that they had priced themselves out of the market, and had to bring the prices down to levels that the market would tolerate.

      And all that piracy is actually doing is forcing the government to create increasing more draconian laws to govern copyright to the point that doing certain things with copyrighted works that ought to have been perfectly legal before are suddenly against the law, for the sole purpose of trying to protect the value of copyright, even if one isn't actually committing any act of copyright infringement

      People who think they aren't hurting anyone by pirating are mistaken.

    2. Re:Piracy = price balancing. by kz45 · · Score: 1

      Everything above $1 better have a very serious justification for why it is so expensive.

      Other than "to make the studios/developers really rich."


      above $1? You are starting to sounds a little naive here. a dollar is almost the cost of a blank DVD. They don't have to have any justification. The justification is to make a profit, like any business, and if you don't like it, just don't buy it (or pirate it). If enough people stop buying it, they will be forced to lower the price (or not turn a profit). The problem is that there are enough people buying it at the high price point, so they have no incentive to change it. If I were in their position, I wouldn't change the price either.

  29. Lower prices and equal greater profits by thunderpaws · · Score: 2, Funny

    All they need to do now is package advertising for cheap drugs / medications, low interst mortgages, genitalia enhancement, etc. Good for the consumer, eh?

  30. it the economics by fermion · · Score: 4, Interesting
    It seems to me that the price of a DVD is not set by the intrinsic value of the product, but the economics of the markets. I mean it used to be a movie cost $50 or more retail. It was not that the movie was worth that much. After all, a movie is a stale product. My the time it is released to home video it has been in the theater, pay TV, free TV, and god knows where else. The vlaue to the consumer is merely wanting a good copy of it to watch when one wants.

    I think video rental changed that by showing that alot of people would buy a video if it were sold at a lower price, and the studios would reap the profit instead of the people who rented the video. In many ways the video rentals places were stealing money from the studios in the same want online piracy is, and video became priced to compete with that grey area of acquisition.

    Now, when we got DVDs the studios got greedy. They jacked the price, but that was somewhat defesible becuase of the added value. What they did do is put unskippable ads, warning, etc that made the DVD less valuable. In most cases, one cannot just put a DVD in and have it play. In addition, if one just wants a movie, it can't be had. The consumer is forced to pay for the extra content. And if the consumer wants to keep the original for backup and watch a compressed version in a more convinent format, for instant putting an entire series of one DVD, that cannot be easily done.

    So the economics is this. People who want the DVD product tend to pay for it. People who merely want to watch the film once tend to rent it. People who do not want the DVD product, but want the film, are just out of luck. There is simply no legal way to aquire the film without the baggage.

    And so we back to the dawn of video rental. There is no legal way to acquire the product, but there are many grey areas in which the product can be aquired. So the studios are either going to ignore this demand and perhpas not maximize profit, or find a way to tap at least some of the sales. There are limits. DVD DRM is not going away, so person who do not want to deal with 10 DVD for a season are still going to download, but a $1-5 basic edition goes a long way to satisifying the basic market.

    --
    "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    1. Re:it the economics by Vadim+Makarov · · Score: 1
      ...for instant putting an entire series of one DVD, that cannot be easily done.

      At least a third of the Russian DVD market (currently formed and dominated by pirates) is just this, several movies packed onto a single DVD with no extras. Usually it's four movies on a single DVD-10 disc, priced $3.60 to $4.30 per disc. I don't buy them, but many people who don't care about viewing quality, or have small TVs that won't show much difference anyway, buy these discs.

      Here we see how a market unencumbered by licensing responds to demand in a way you have anticipated.

      --
      17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
    2. Re:it the economics by autOmato · · Score: 1
      It seems to me that the price of a DVD is not set by the intrinsic value of the product, but the economics of the markets. I mean it used to be a movie cost $50 or more retail. It was not that the movie was worth that much.

      There is no such thing as the intrinsic value of a product. (At least not in a sufficiently free market.) No product is worth any absolute value. If you think a movie is worth 50 bucks, it means you'd rather have the movie than fifty bucks (or at least you wouldn't care whether you have $50 or the DVD.)

      So it shouldn't surprise you that the price of a product is determined by the market and not by some mysterious intrinsic value.
    3. Re:it the economics by evilviper · · Score: 1
      It seems to me that the price of a DVD is not set by the intrinsic value of the product, but the economics of the markets.

      No, it's far more complex than that. Price is dictated by the market only AFTER costs have been recouped, and it's pure profit for the studios. In other words, they can afford to sell DVDs so cheaply in China, only because they already made a profit through sales in the rest of the world. If demand goes down everywhere, and the prices have to be dropped through the floor, you'll see movies getting made on much, much, much smaller budgets to try and make-up for the smaller profits.

      My the time it is released to home video it has been in the theater, pay TV, free TV, and god knows where else.

      Definately NOT. The theater gets first-shot, but it's released on DVD at the same time as it is available on PPV/OnDemand. It doesn't get around to free/pay TV until a LOT later. Perhaps a year or more.

      In addition, if one just wants a movie, it can't be had. The consumer is forced to pay for the extra content.

      It's called economies of scale. If they produced a movie-only version, and a version with extras, BOTH would be more expensive. That's oversimplifying, of course, but you should get the idea.

      Most of the extra content on DVDs is damn-near free for them, anyhow, and probably only adds a few cents to the price.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    4. Re:it the economics by mpe · · Score: 1

      There is no such thing as the intrinsic value of a product. (At least not in a sufficiently free market.)

      For something like a DVD the intrinsic value is the the cost of making and transporting that DVD.

      If you think a movie is worth 50 bucks, it means you'd rather have the movie than fifty bucks

      Except that you don't get "The Movie" you get one of a fairly large number of copies of a movie.

    5. Re:it the economics by expressovi · · Score: 1

      With McDonalds now offering Red Box location in my area I never rent from Blockbuster or Holywood video. Why would I do that you ask? I rent form redbox because I pay for how many days I rent it. Mostly $1.00 because i dont need it for 5 days. Also I have the convienince(spelling I know) of returning it to any location, not where I rented it from.

      --
      i agree
    6. Re:it the economics by CodeBuster · · Score: 1

      For something like a DVD the intrinsic value is the the cost of making and transporting that DVD.

      This was a popular economic theory in the first half of the nineteenth century, although now mostly discredited, called the Labor Theory of Value. The basic idea was that a good or service was worth as much as the factors which were consumed in its production. This theory was promoted especially by early communist thinkers such as Karl Marx in their explanation of the relationships between workers as the owners of their labor and those who controlled the other factors of production (i.e. the bourgeoisie). The main problem with this theory is that it does not explain the relative value that people place upon one good or service in preference to another given that:

      A: There is a limited amount of resources available to produce all of the good and services that are demanded by the economy.

      B: The price that people are WILLING to pay is not always equal to or more than the cost of PRODUCING the good or service in which case people will either make/do it themselves, find a substitute, or do without.

      The DVD may actually cost $50 dollars to produce (it doesn't but assume for the sake of argument that it does), but I would rather have the $50 bucks in my pocket to spend on something else so I will choose not to buy it. If enough other people feel the same way then the product will either be sold in the black market for less or not sold at all because nobody wants to buy it at the price that it costs to produce it. Adam Smith said it best when he said, "Everything is worth what its purchaser will pay for it."

  31. This is to cut their piracy losses by 91degrees · · Score: 5, Funny

    Every time you pirate a movie, the studios lose the cost of that movie. If the movie costs $20 then they lose $20, and if it costs $30, then they lose $30. They know they can't possibly compete with free, so they're doing the best they possibly can to reduce their losses. By only charging $1.50 for each copy, this will cut their piracy losses considerably even if they don't sell any.

    1. Re:This is to cut their piracy losses by Anonymous Coward · · Score: 0

      Very nice logic indeed. I would mod you up to 5 if had some points now.

    2. Re:This is to cut their piracy losses by DragonTHC · · Score: 1

      that is how they rationalize it you shill!

      they don't lose $20 or $30 because who's to say a person was going to actually buy it in the first place?
      think of it in real terms: they only lose when someone buys a pirated copy for $0.75 which is why they'll compete at twice that price!

      --
      They're using their grammar skills there.
    3. Re:This is to cut their piracy losses by MooUK · · Score: 1

      They lose exactly zero. They have exactly the same amount of money whether I download a movie or don't buy it at all. I'm not going to go out and buy the latest new film on DVD. I can't afford to most of the time, and I've better things on which to spend what money I do have. But I might borrow a copy a friend has bought, or maybe my parents or my brother bought it. Or maybe I'll download it and watch it myself. Either way, the industry would have gained no money from me whatsoever, so THEY HAVE LOST EXACTLY NOTHING.

      I really don't understand your last sentence in the slightest. They will have lost LESS by setting the price of what they're selling lower? It will still have cost them exactly the same to make whatever price they sell it - for pirated copies, it costs them zero incremental cost.

    4. Re:This is to cut their piracy losses by Anonymous Coward · · Score: 0

      To all the other people replying to the parent poster:

      Jonathan Swift wasn't serious about eating babies.

      That is all.

    5. Re:This is to cut their piracy losses by MooUK · · Score: 1

      Problem is, what the parent's parent was saying, at least most of it, is EXACTLY what the film industry loves to spout at us.

    6. Re:This is to cut their piracy losses by Anonymous Coward · · Score: 0

      Maybe the shareholders actually believe the shit they try and feed the rest of us, and this is an attempt to stop them from jumping ship. Which sounds worse to a potential investor: $20 billion lost, or $1.5 billion lost?

      Enron artificially inflated stock value by overestimating profits, perhaps the MPAA has been accidentally killing their member company stock values by doing the opposite.

    7. Re:This is to cut their piracy losses by smallfries · · Score: 1

      I really don't understand your last sentence in the slightest.

      It's called humour. You might want to remove the stick from your arse and reread his entire post. Trust me, it'll make more sense.

      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    8. Re:This is to cut their piracy losses by pjrc · · Score: 1

      In other news, every time you masturbate, god kills a kitten. http://en.wikipedia.org/wiki/Image:God-kills-kitte n.jpg

    9. Re:This is to cut their piracy losses by shutdown+-p+now · · Score: 1

      Mod parent Insightful, not Funny. He perfectly summed up what exactly is wrong with anti-piracy pro-copyright position.

    10. Re:This is to cut their piracy losses by kz45 · · Score: 1

      They lose exactly zero. They have exactly the same amount of money whether I download a movie or don't buy it at all. I'm not going to go out and buy the latest new film on DVD. I can't afford to most of the time, and I've better things on which to spend what money I do have. But I might borrow a copy a friend has bought, or maybe my parents or my brother bought it. Or maybe I'll download it and watch it myself. Either way, the industry would have gained no money from me whatsoever, so THEY HAVE LOST EXACTLY NOTHING.

      They lose money, but not in a direct sense, like they are trying to tell us. It is more of a gradual process. It's similar to counterfeiting money.

      If enough of movie X is pirated, over time, more and more people will just get it for free rather than paying for it, and the actual value of the movie will go down.

      I have seen examples of this with friends of mine that own small software companies. After a crack is released for their app, their sales figures start to decrease over time.

    11. Re:This is to cut their piracy losses by MooUK · · Score: 1

      Wouldn't their sales decrease over time anyway, in most cases?

    12. Re:This is to cut their piracy losses by 91degrees · · Score: 1

      I only do it to coax people to jump on me. I'm just a troll at heart, but I hope the responses cause some amusement to those who realise I'm not serious.

    13. Re:This is to cut their piracy losses by kz45 · · Score: 1

      Wouldn't their sales decrease over time anyway, in most cases?

      Not necessarily. Depending on the product, they could increase over time. In the case of my friends' products, you could directly see a correlation between cracked copies and a decrease in sales.

  32. Average Chinese wages... by Firethorn · · Score: 1

    I'd have to say that you'd also have to figure in that the expenses for the workers are much less as well. Most of them don't own a motor vehicle. I pay 14% of my net for my car alone, and I don't have anywhere near the car that many do.

    If they have a TV & DVD player, I can also see them doing what I did in my youth: Trade. We'd trade our computer & video games around, effectivly increasing our entertainment on the dollar.

    --
    I don't read AC A human right
  33. Why not here?-Cheap is the new god. by Anonymous Coward · · Score: 0

    "Apparently it IS possible to sell them for such a price. Why not here? This just proves that they CAN sell for less but do not WANT to."

    Don't worry Guruvi. When the US economy resembles China's then you all can get content at "Wal-mart" prices. Hell you will be able to get EVERYTHING at Wal-mart prices. Hope you all enjoy your new economic environment. It's worth it for the LOW, LOW prices.

  34. Imports? by ThinkingInBinary · · Score: 1

    I bet that, at $1.50, there will be a large market for gray-/black-market imported copies to the U.S. Even if you factor in buying a DVD player with a Chinese region code, compare $1.50 to $20 and the DVD player has paid for itself within a few movies.

    Otherwise, this sounds like a great idea.

  35. Nice math by SmallFurryCreature · · Score: 1
    But take it one step further. If pirated DVD's indeed sell at $0.75 then that still would be a whopping 40 bucks in the west.

    What is probably the case here that china has a large spread in incomes and that the new middle class does have more money to spend then a factory worker. In a country of a billion plus the middle class even if it is just emerging must be a gigantic market.

    Still yeah, your math shows the real problem. In western terms the difference between $0.75 and $1.50 doesn't seem much but translate it to percentage of income and it is huge.

    Just wonder what the prices were like before. A dvd costing a weeks salary or more? And they wonder why there is piracy.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:Nice math by Anonymous Coward · · Score: 0

      Just because it might cost a week's salary to get a DVD doesn't mean it's a bad thing. Let's say that in the USA you wanted a top-of-the-line PC, you'd have to work for a month or two in order to start ordering some essential parts, and possibly into a third month until you have a chance to buy the rest of it. Just because it takes time to earn it, doesn't make it a bad thing.

  36. Stealing or not? by gameforge · · Score: 4, Insightful

    I've seen several people refer to pirating as "stealing". Keep in mind, it's only stealing when you would have gone out to purchase it in the first place! At least that's how most justify it.

    If I clone something (like a nice stereo, for instance - impossible, but for the sake of our conversation), it's not really stealing it. If I make it available to other people (i.e. like sharing my stuff on P2P), that's almost worse than stealing... but if I clone something that I wouldn't have purchased to begin with, that's incredibly easy to justify, because there's no money lost. Again, I wouldn't have gone out to purchase a $25 DVD, whether it could be had for free or not, just like I wouldn't have gone out and purchased a $1200 stereo when my $150 Aiwa that I already bought works great. There's no physical product missing somewhere... I cloned it. Now if I could only clone a Viper...

    The ultimate question in my mind is, what is the actual cost of manufacturing and distributing? It's like a $0.03 piece of plastic, the disc that is. Generic packaging like they talk of here can't cost very much. If it gets 15x the people to start buying movies again IN ADDITION to the people who currently pirate them, well... for $3 or $4 per release like some have suggested, I bet they stand to make their money back.

    Certainly the music industry won't be far behind in this little "experiment".

    1. Re:Stealing or not? by Tim+C · · Score: 3, Insightful

      Keep in mind, it's only stealing when you would have gone out to purchase it in the first place! At least that's how most justify it.

      That's certainly an argument that I've used myself; however, it's still illegal, and so if you do indulge in copyright infringement, you have to accept the risk of getting caught and being punished for it.

      Just becaues you personally disagree with a law doesn't mean it doesn't apply to you.

      The ultimate question in my mind is, what is the actual cost of manufacturing and distributing? It's like a $0.03 piece of plastic, the disc that is. Generic packaging like they talk of here can't cost very much.

      Cost of manufacture and distribution of the disc is peanuts. Don't forget, however, that the film on it wasn't free to make. For old films and those that have already recopued their costs the production cost is immaterial, but for newer ones that have yet to break even (they don't all manage to at the box office) it's definitely a factor.

    2. Re:Stealing or not? by gameforge · · Score: 1

      Just becaues you personally disagree with a law doesn't mean it doesn't apply to you.

      True indeed. I think most go on the argument that a law is meaningless if it can't be enforced; if you're doing the worse thing (sharing your illegal content) you're quite vulnerable; if you're doing the downloading, well... there's not much they can do. That said, doing something illegal isn't necesarily immoral, and being moral is much more important to me than being legal. Laws are the creation of humans; morals are different.

      Don't forget, however, that the film on it wasn't free to make.

      Absolutely. There was a /. story a day or two ago about concerts costing outrageous amounts of money essentially due to pirating; if they could get the pirates to purchase at 1/5th the former cost (like say, $4 a CD or less) and get an additional five times the people who don't pirate much, if at all, to start buying albums again, they stand to make their money back, and pay the content makers and whatnot as well. Five times the people is ideal and/or optimistic; but I'm partially assuming there's more people willing to buy this content now than there was ten years ago; this would probably be due to the Internet and, arguably, even pirating itself.

      Even doubling the consumer base (in addition to getting all the pirates back onto legal ground) would get them further than they are now. Get people back into theaters and concerts again, throw in some not-too-obnoxious advertising schemes, and there's probably a workable formula for sufficient net income there somewhere. But riding on a pricing scheme that's ten+ years old isn't working, and isn't ever going to work, unless they really intend to put all their eggs in the DRM basket.

    3. Re:Stealing or not? by Jeff+DeMaagd · · Score: 1

      It is called copyright infringement for a reason, in part, because it is the truth and the simplest way to accurately explain it. Stealing and piracy are simply a more provocative ways to say it, and that is why it is used, it isn't necessarily supposed to be the most accurate way.

      Stealing can be defined as depriving the rightful owner of the use of an object. It might also be defined as taking something which you do not have the right to have, such as a copy that wasn't legally distributed or legally duplicated.

      I don't see why people think they should have the right to redistribute music and the right to have infringing copies. It's a luxury item, not some intrinsic right. There are plenty of good independent musicians that give away some of their music, so there is plenty of non-infringing music to be had. I don't think you are losing anything by respecting the copyright.

    4. Re:Stealing or not? by Anonymous Coward · · Score: 0

      > Stealing and piracy are simply a more provocative ways to say it

      No, copying != stealing, taking something from someone is stealing.

      > I don't see why people think they should have the right to redistribute music and the right to have infringing copies.

      He said, distribting is out of the question, read the post.. nobody needs a right to do things that aren't wrong, they just need the ability..

    5. Re:Stealing or not? by Anonymous Coward · · Score: 0

      Well if everything were cloneable, what incentive would there be for anybody to do anything at all? Obviously it's not always about money, but who is going to front the costs of research and development when your next great product is going to surface on all the "product-sharing" networks?

      I agree that, technically (and probably "usually", but not "always") "copyright infringement != theft". However, I don't think we would have the same opinion if physical things were just as easily cloneable. And the price of a DVD/CD/whatever is not simply the sum of the manufacturing and distributing costs (which are relatively miniscule). It includes compensation for the actors, directors, studios, lawyers, editors, technical guys, promotion, music, caterers, writers, advisors, etc.

      My main problem with the whole piracy issue is this: just because you don't want to pay x amount of money to consume product y, how does this entitle you to pirate it? Especially these days when there are usually adaquete free or Free alternatives. If you don't want to pay $9.50 or whatever for a movie ticket, DON'T SEE THE FUCKING MOVIE. Rent it on DVD or seek other forms of entertainment. If you don't want to pay $500 for PhotoShop (and who does, really), then use something else. What is so hard about this? And what really bothers me is the people who will just use ANY excuse to avoid parting with money. These are the real scumbags who don't appreciate the work of others at all. I think most people are reasonable, though, and pirate simply for the convienence and quite often end up compensating the creators if they feel the work is deserving.

    6. Re:Stealing or not? by mapkinase · · Score: 1

      Perfectly sane parent post. Would it ever be modded up to 5? I doubt it.

      As someone already pointed it out, music, movies, computer games, anything related to entertainment is not essential. Then it is perfectly normal to leave it to the supply and demand.

      I claim that for non-essential goods there should not be even such term as "monopoly". Entertainment should be left to 100% laissez-faire. It is a perfect example of how supply and demand are on the same foot, because Supply can live without supplying it and Demand can live without demanding it.

      Free-riders existed in the ancient Rome, when they, "plebs" that they are, demanded their "circuses" along with their "bread".

      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
    7. Re:Stealing or not? by Daniel+Dvorkin · · Score: 1

      Just becaues you personally disagree with a law doesn't mean it doesn't apply to you.

      True enough, but as a practical matter, it depends on the size of the "you" you're talking about. If I decide that I, personally, disagree with the law against murder, and go around killing people whenever I feel like it -- well, you can bet that the cops and courts will express their disagreement with me, in fairly dramatic fashion, because the vast majority of people agree that the law against murder is a good thing. OTOH, if a substantial portion of the population of a large country disagrees with a law, and goes about casually breaking it on a daily basis, then individual perpetrators may still be caught and prosecuted, but most people who want to break the law will keep doing so because they know that the odds of themselves in particular suffering for it are pretty slim.

      This isn't just true of piracy. It's true, notably, of drug use, particularly with respect to marijuana. It's true of speeding (where it's not so much a matter of disagreeing with the law as it is of not caring about it.) In some places which have completely fallen apart, it's even true of killing people. Please note that I'm not saying any of these actions are morally comparable to each other, just that widespread casual disregard for a law, any law, makes individual enforcement unlikely if not impossible, regardless of what that law actually is.

      --
      The correlation between ignorance of statistics and using "correlation is not causation" as an argument is close to 1.
    8. Re:Stealing or not? by gameforge · · Score: 1

      just because you don't want to pay x amount of money to consume product y, how does this entitle you to pirate it?

      It doesn't legally entitle you, most certainly.

      The original point of my post was to point out the common justification for pirating. Ultimately, if you really resented the price of buying the product but didn't want to "clone" it for moral reasons, you could send what you thought it was worth to the producer. That's silly! So most people justify this by saying that "well, I didn't take anything from anybody, money or otherwise... I wouldn't have bought it... and I'm not going to redistribute it, so..."

      I also think the issue could be minimized if they'd come up with a modern pricing scale for this stuff, that will actually get a lot more people to start buying stuff again, particularly people who download anything and everything (yes, we all know the guy whose entire 256 CD book is entirely White CDs with sharpy writing on every single one... the ones who really cost the industries so much... are there any here now?) and people who wouldn't have gone out to buy this stuff anyway because it's too expensive.

      [offtopic]
      Movies always have good seasons and bad seasons. But I have found almost no music worth even downloading in the last few years, let alone purchase/go see live. You have your Staind clones, the bands that write music for iPod commercials (Jet, the new U2, etc.), the 12 year old girl music... certainly, this encourages the issue a bit. But what do I know, I'm still waiting for the next Led Zeppelin or Stevie Ray Vaughn or Jimi Hendrix (or even the next Nirvana or Tupac).
      [/offtopic]

    9. Re:Stealing or not? by shark72 · · Score: 1

      "I've seen several people refer to pirating as "stealing". Keep in mind, it's only stealing when you would have gone out to purchase it in the first place! At least that's how most justify it."

      that's OK. We English-speakers also use "theft of service," "stealing your thunder," "stolen kisses," and so on, and smart people know what they mean.

      You're correct that many people justify piracy because they wouldn't have bought it in the first place. Well, why would they, if they can use BitTorrent and their high-speed connection to get it with just a few mouse clicks? Those with a certain moral compass don't need to buy any media nowadays, so "I wouldn't have bought it anyway" is a good, general-purpose rationalization.

      "The ultimate question in my mind is, what is the actual cost of manufacturing and distributing? It's like a $0.03 piece of plastic, the disc that is. Generic packaging like they talk of here can't cost very much. If it gets 15x the people to start buying movies again IN ADDITION to the people who currently pirate them, well... for $3 or $4 per release like some have suggested, I bet they stand to make their money back."

      In most hard goods industries, the manufacturing cost is not the majority of the cost of sale. In the computer peripherals industry, the manufacturing cost is perhaps 10% - 30% of the final sticker price. We -- as do the DVD manufacturers -- must deal with many things that cost real dollars and cannot be ignored:

      • Royalties and licenses
      • Shipping costs
      • Development costs
      • Overhead costs (ie. the electricity and the air conditioning for the buildings that hold the materials and employees)
      • Channel programs (merchandising, promos, co-op ads, and the like)
      • Price protections (when you see something permanently marked down in a store, odds are that the manufacturer, not the retailer, is eating the difference, netted off the retail margin.)
      • Returns (for both defective inventory and stuff that doesn't sell)

      Also, I've learned that many Slashdotters aren't aware that distributors and retailers also want a cut. If you buy a mouse for $50 or a CD for $14, that's not $50 or $14 that goes to the manufacturer. Distributors typically take 5% - 6%, and retail margins vary... from about 15% at Amazon to 35%, 45%+ at Best Buy. Of course, that 35% that Best Buy takes is also gross, and the gross vs. net is equally ugly for them.

      The point here is that "blank CD and DVD media only costs a few bucks, so I'm being robbed if I'm being asked to pay $14 for that CD or $18 for that DVD" is a great general-purpose rationalization for piracy, but it's not accurate.

      --
      Sitting in my day care, the art is decopainted.
    10. Re:Stealing or not? by Anonymous Coward · · Score: 0

      The concept of stealing only applies to physical objects. Thats the whole problem you have here. You don't seem to understand how the term originated.

      If physical objects were clonable, it still wouldn't be stealing as you did not take the original object.

      Copyright infringement is copyright infringement. Stealing is stealing. They're not the same because they are conceputally different.

    11. Re:Stealing or not? by gameforge · · Score: 1

      In most hard goods industries, the manufacturing cost is not the majority of the cost of sale. In the computer peripherals industry, the manufacturing cost is perhaps 10% - 30% of the final sticker price. We -- as do the DVD manufacturers -- must deal with many things that cost real dollars and cannot be ignored.

      You're right, I guess my point wasn't clear. If all players in the chain cut their markup (i.e. profit) per item so as to regain a huge part of the lost market (and then some of it which they never had to begin with, even before pirating was so rampant) their profit will go up, by selling more copies.

      My question is, how much of the $25 you spend goes to this unadjustable cost that you refer to? My $0.03 DVD manufacturing example was a bad; consider distributing. A truck holds so many units. It costs so much to have a company ship your goods to retailers and warehouses. Obviously, you can't take their cut out of the $25, unless you make the box smaller (which is doable).

      The producer, artist, studio and engineer, etc. are who I'm referring to; their product, regardless of how many CDs sell, is a grand total of one unit, so to speak. If more units sell subsequently achieving more profit simply because the price per unit decreased, they get their "lost revenue" back. If they could cut this down such that the end consumer pays $3 or $4 per disk (apparently, if they can survive selling them for $1.50 in China, they probably can) by making just-over-DVD-sized cases, no pretty little inserts, generic disks, etc. then (almost) everybody wins.

      Oh and btw, I speak English too.

    12. Re:Stealing or not? by gameforge · · Score: 1

      Oh and sorry for alternating between the CD example and the DVD example; I see the price thing as being the same problem in both industries.

    13. Re:Stealing or not? by shutdown+-p+now · · Score: 1
      If I clone something (like a nice stereo, for instance - impossible, but for the sake of our conversation), it's not really stealing it. If I make it available to other people (i.e. like sharing my stuff on P2P), that's almost worse than stealing...
      Is it? If we were able to clone everything just like we can copy information nowadays, we wouldn't need money in the first place. Why compensate the creator if he can just 'clone' himself anything he needs?
    14. Re:Stealing or not? by wkitchen · · Score: 1
      Again, I wouldn't have gone out to purchase a $25 DVD, whether it could be had for free or not, just like I wouldn't have gone out and purchased a $1200 stereo when my $150 Aiwa that I already bought works great.
      Yes, but if you hadn't already bought that $150 Aiwa, would you still buy it when you could just 'burn' a functionally equivalent clone of the much better $1200 system for a lot less money? And even if you had already bought it, will you still replace it when it (and/or your fancy clone) wears out or becomes obsolete? Or will you just make another cheap clone of another expensive system at that time?

      The above isn't a very good analogy for DVD's or music for several reasons. But it is a pretty good analogy for software. I really think that illegal copying of software is a major contributor to the extreme single-vendor dominance that we see today in many categories of software.

      I agree that it isn't the same thing as stealing. But it does have ethical problems.

      I would even agree that the "the publisher didn't lose anything because the sale would not have happened anyway" argument is valid. It just doesn't tell the whole story.
    15. Re:Stealing or not? by mpe · · Score: 1

      Cost of manufacture and distribution of the disc is peanuts. Don't forget, however, that the film on it wasn't free to make. For old films and those that have already recopued their costs the production cost is immaterial, but for newer ones that have yet to break even (they don't all manage to at the box office) it's definitely a factor.

      Even in the case of a film which hasn't made back all its costs through the box office the relevent figure would be cost minus Box office profit.
      Things are difficult to work out, since MPAA (like RIAA) members use all sorts of accounting tricks. Mainly to keep money away from actual creative talent involved. However these companies appear to be making quite healthy (by some measurements very healthy) profits.

  37. Hypocrites! by Dachannien · · Score: 1

    This smacks of hypocrisy to me. If online piracy is also such a massive problem in the US and Europe, why aren't they drastically slashing prices on DVDs here to help people come into compliance with the law?

    1. Re:Hypocrites! by naetuir · · Score: 1

      Simple. Companies aren't interested in bringing people into compliance with the law. They're interested only in what makes them the highest dollar amount.

      --
      Use what works.
    2. Re:Hypocrites! by Necrolin · · Score: 1

      Piracy insn't the real problem at all. The Canadian Record Industry Association, the Canadian version of the RIAA, did a study that showed that the people who download/pirate the most music are also the ones who buy the most music. I've bought so many CD's because I got to hear new bands via a P2P program. P2P is free advertising in my opinion, especially for lesser know bands. I believe that the same is true for movies. As far as I'm concered they're making suck a big fuss because of greed. Simple. The big rich companies have monetary targets that they're trying to beat, in order to become even richer, that they'll do anything for an extra buck. Plus, why would I buy a DVD with regional encodings??? I've lived in Sweden, Poland, Canada, and Korea. I might be making another move soon. Does that mean that I need to rebuild my DVD collection every time I move??? What's up with that?? If I buy a movie I want to be able to watch it, period. Regardless of where I am.

    3. Re:Hypocrites! by tepples · · Score: 1

      P2P is free advertising in my opinion, especially for lesser know bands.

      So why don't bands who want to advertise on P2P put .torrent files on their web sites?

  38. A US$ 1.50 can be a heck of a lot of money in CN. by gd23ka · · Score: 1

    not only if you're a peasant farmer from somewhere smack in the middle of China but also for people who live in "selected Chinese cities" such as Shenzhen etc. The average factory worker earns US$ 60 a month (450 CYN) for work which they would get at the very _least_ 20 times as much in the US (and still be in abject poverty).

    Therefore the real cost of this special discount offer is: 20 x 1.50 = just if YOU had to pay $30 dollars for it.

    At that cost they wont be selling much of these, but that is probably what they want in the first place so they can once more point at all those heathen pirates.

    Until they start selling "Hollywood Premium Content (tm)" at $1.50 at Walmart in the US this is not news.

  39. Model to follow by Kangburra · · Score: 1
    They state they are doing this as a test to see if they can recover a market lost to pirate DVD's at 75c each


    So other markets should pirate DVD's as much as China to get a better price?

    Sounds like the rest f the world has some catching up to do.
    --
    Common sense is not so common
  40. It worked in Poland by poszi · · Score: 4, Informative

    A few years ago Polish magazines started to include DVD movies. I'm not sure how the deal with the distributors worked but essentially you could buy a magazine without a movie for $1-$2 or with a movie for $3-$4. With some less popular movies you could even get 2 or 3 movies in one magazine so one movie could cost you $1 (I got 3 excellent Almodovar's movies this way). The magazines were doing it for the promotion and probably didn't earn anything extra (but got more circulation). The movies were indeed basic, in a paper envelope, without extras, without other language versions but they were just fine. The movies were not new but you could buy good movies that were a few years old or sometimes last year's movies. I don't know how the deal worked for the distributors but I bought several movies that I would never purchased for a full price so they got a profit from me. The only drawback was that the selection was limited (essentially with several magazines on sale at a time you could choose among several titles). But you also got the magazine (ussually a stupid one, though) free. The movies are still sold this way so it seems it is profitable.

    --

    Save the bandwidth. Don't use sigs!

    1. Re:It worked in Poland by smithwis · · Score: 1

      Sounds alot like what the newspapers are doing in the UK. You'll often get a free DVD with the Sunday editions of the newspapers. A basic paper envlope no frills dvd. Not sure which newspapers though.

  41. Starting, in China? Try Poland for years... by Gadzinka · · Score: 2, Interesting

    That's funny... They claim, that they will start doing this in China, but in Poland, for years now, you can buy legal DVDs with papers and magazines for $2-$3, and normal commercial releases of not-so-fresh movies for $5-$6. When you factor in costs and risks associated, many people see no incentive in pirating dvds.

    Meanwhile CDs with latest crappy pop music start far beyond the $20 point and -- SURPRISE!!! -- no one is buying them ;)

    Robert

    --
    Bastard Operator From 193.219.28.162
  42. Competition is a good thing. by jZnat · · Score: 1

    Whether or not you agree with pirates (who sell the copyrighted material) or simple copyright infringers (who upload it gratis), these media industries need to compete with them in order to survive. If they were to provide services like allofmp3 where the media is unrestricted (because you trust your customers; you can always sue those who pirate later on) and at a competitive price, people would flock to that service. If you can't compete via price with the freebie pirates, then compete via value of what you're selling. Offering a clean interface, unrestricted and high quality media for an acceptable price will surely appear to be the better deal to most consumers.

    Kudos if they keep this up. China seems to make sense as a place to start since they already get a lot of their media via pirated means anyhow.

    --
    'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    1. Re:Competition is a good thing. by shark72 · · Score: 1

      "Whether or not you agree with pirates (who sell the copyrighted material) or simple copyright infringers (who upload it gratis)"

      Nice try at redefining the terms.

      What's wrong with calling yourself a pirate? When I was the age of many of the commenters here and me and my friends were trading Apple II warez, we had no problem with the term whatsoever. Why are so many slashdotters afraid of the term? Show a little backbone, guys.

      Education seems to have been better back then, too. We understood what homonyms are, and the fact that "pirate" has multiple meanings didn't confuse us any more than the fact that "bark" is both the noise a dog makes, and the stuff that covers a tree.

      --
      Sitting in my day care, the art is decopainted.
    2. Re:Competition is a good thing. by tepples · · Score: 1

      Whether or not you agree with pirates (who sell the copyrighted material) or simple copyright infringers (who upload it gratis)

      What about people who make transformative use of copyrighted works that were published between 1923 and 1949? What about people who make personal copies and do not distribute them? What about people who write songs that end up happening to be similar to something that was played on the radio a decade ago? Are they still pirates?

    3. Re:Competition is a good thing. by jZnat · · Score: 1

      Do you even know what a pirate is? The stereotypical pirates who would hijack ships at sea, steal their goods, and sell them are what pirates are defined as and known to be. To expand the notion of copyright infringement to be at the same level of immorality and illegality as actual robbery (legal term) and sale of stolen goods just further proves that the double-a's brainwashing regarding small dents at their bottomless profits has been quite successful. I'll bet you think that downloading a copy of a song is just as bad as stealing a CD from a store.

      Now, I wouldn't mind being called a pirate if it meant that I would be thought of as an actual "arr matey" sort of pirate, but the dilution of the term now gives the image of some geek trying to "stick it to the man" by bootlegging movies.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
  43. That sounds good BUT! by xiphoris · · Score: 2, Interesting

    My bet is that if you had DVDs priced at 1.5$, film copyright infringement would end as we know it, and the amount of dollars spent in DVDs by the average family would grow.

    That sounds good when you first hear it, until you realize that this is actually going to give the MPAA and their like even more power.

    The industry globally adopts such a model, there is even less chance of independent films making decent money. Everyone has to sign with the "big labels" and take a cut of the mass-produced cookie cutter movie model.

    Once you adopt the position that no one but large companies (selling hundreds of different movies for $1.50 each) can recover their costs, you destroy the independent market entirely.

    1. Re:That sounds good BUT! by Reziac · · Score: 1

      Or maybe not. Low pricing may well translate to much greater market-penetration, and ultimately a higher net profit, for indy films that might otherwise be entirely invisible to the mass consumer market.

      I'm willing to throw a buck at an iffy-maybe or never-heard-of-it, if it looks tolerably interesting. But it won't get me for more, as a DVD or in the theatre. So ... at a buck for a DVD, that indy film *might* get my money, while at a higher price it won't get anything from me at all.

      And if I didn't know it existed before tripping over it in the discount aisle at Walmart, I won't be pirating it either (cuz I don't know it exists in the first place) ... so I'll never see it at all. That's NO chance of a sale via ANY route.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  44. Do you want 1.50$ DVDs too? by Anonymous Coward · · Score: 0

    Pirate more!

  45. Off topic but related to US big business by realkiwi · · Score: 1

    I just came from the supermarket where I saw a pink Nike T-shirt going for 22 euros ($27 US)! Compare that to the price of a DVD (19.99 euros and up). Those marketing departments have lost touch with all reality.

    Now where did I put that pack of inkjet T-shirt transfer paper...

    --
    realkiwi
  46. FUD on a stick by houghi · · Score: 1

    What will happen is that there will still be people buying the 1USD illegal ones instead of the 1.50USD official ones.
    Say that a DVD now costs 10USD and 5 times as many people will buy it. That only brings income to 7.50.

    In both cases their income will be less. It would be a great opportunity to say to everybody: hey you told us to lower the prices and that we would gain more with that. Well, guess what, we tried it and it didn't work.
    We made less money and people still buy illegal copies.

    --
    Don't fight for your country, if your country does not fight for you.
    1. Re:FUD on a stick by robertjw · · Score: 1

      What will happen is that there will still be people buying the 1USD illegal ones instead of the 1.50USD official ones.

      Maybe, but I think the average person would buy the legal one for .5 USD. That's an insignificant amount, and most of us don't really want to break the law. Seems like crime only really flourishes where it's really easy, or it really pays off. Legal DVDs would be both easier to acquire and there would be little payoff by saving 50 cents.

  47. How Chinese consumers can win by metamatic · · Score: 1

    Chinese consumers can buy the legal cheap DVDs and sell them for a profit on eBay.

    --
    GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
  48. Fictitious losses by MarkByers · · Score: 3, Funny

    Every time you pirate a movie, the studios lose the cost of that movie.

    So if I make 100 billion pirated copies of a movie, does that mean they will go bankrupt?

    --
    I'll probably be modded down for this...
    1. Re:Fictitious losses by 91degrees · · Score: 1

      Yes. Unless they take action and rapidly reduce the cost of the movie to free, of course they will. This is why they're so scared of piracy. A single person can, if they put enough effort into it, bankrupt them.

    2. Re:Fictitious losses by jacen_sunstrider · · Score: 1

      Woohoo! I'm gonna cp movie.avi movie1.avi; cp movie.avi movie2.avi; etc etc all night! Damn the Man!

    3. Re:Fictitious losses by NeutronCowboy · · Score: 1

      Uh.... you sure about that, Sparky? Or did you just confuse the act of copying with the act of someone opting to buy an unlicensed copy instead of a licensed one?

      --
      Those who can, do. Those who can't, sue.
    4. Re:Fictitious losses by 91degrees · · Score: 1

      Buying an unlicenced copy and copying make no difference. Why would it make a difference just because I gave someone else money? This is why copyright comes down so heavily on the distributer rather than the receiver.

    5. Re:Fictitious losses by NeutronCowboy · · Score: 1

      Focus. We are talking about losses that the distributor incurs. If there is no sale, how is there a loss (i.e., the removal of something that was there)?

      --
      Those who can, do. Those who can't, sue.
    6. Re:Fictitious losses by mr_zorg · · Score: 1

      Dude, he was being funny. Which it was until you came along...

    7. Re:Fictitious losses by 91degrees · · Score: 1

      The movie industry is very clear on this matter! Piracy is theft. If it's theft, then they must be losing money. But they can't possibly lose more than they charge for it otherwise they'd be losing money on sales. Therefore, lower cost price = lower piracy losses.

  49. long term, barriers and threats... (Oh my) by spurioustruth · · Score: 1

    Respectfully..
    With $1.50 being the price for sales, an effective argument can be made that the barrier to entry for someone to actually sell quantities of product goes down. In fact, hopefully this will cause the creation of more smaller content houses making the barrier to entry for films, documentaries and other content lower as well.

    In terms of this being good "long term": who knows. I usually consider that "long term" would include the aging of *this* model to the point where it wasn't effective anymore either.

    But if it lowers the *threat* (real? perceived? contrived?) of piracy, even for a few years, and wakes the marketing and business sides up to the fact that they DO have to compete in a changing marketplace, it is a good thing.

    1. Re:long term, barriers and threats... (Oh my) by honkycat · · Score: 1

      I don't think this works. I've not professionally produced CDs or DVDs, but I have made a lot of electronics. The economics of production are similar.

      Basically, you have a huge design and production set-up cost. This covers an engineer designing and prototyping, plus technicians determining the best processes for production, etc. This is done once and after that, you can produce items at a low cost-per-item. If you're doing a small run of boards, you can use a process with a relatively high cost per item but lower design and set-up costs. If you're going for huge volumes, you put more expense in the up front costs because you need the lowest per-item costs.

      The analogy to movie (or music) disc production is tight. Design costs are production costs, and are probably the highest of the up front costs. After that, you have to go through the set-up to determine how to produce the final product. Finally, you start cranking out products -- if it's low volume, you might use recordable media to reduce the set-up costs, but for a high-volume situation, you get the lowest price with a dedicated stamping process.

      The problem with low-volume production is that you have to recover the start-up costs and these are dominated by production. You figure out how much your movie cost, divide by the expected number of sales, and that's what you have to add to the media cost to break even. Economy of production scale doesn't help you with this. If you've got to sell DVDs at $1.50 each, it gets harder to take a risk that a particular movie won't sell well. What'll end up happening is that major label DVDs will be $1.50, but true indie movies will still cost $10-$20. That makes it even harder for them to stay afloat.

  50. What difference does it make by jlebrech · · Score: 1

    they will make the imports of those Chinese version of the films, illegal aswell.

  51. Huge difference between real property and IP by Infonaut · · Score: 5, Informative

    That position is very short-sighted. It isn't "theft" to extend copyright laws. The rough analog to the copyrighted material devolving from private property to public property is Congress writing a law that causes your house to be turned over to the city after 100 years. While you almost certainly will be dead when it happens, what public good is enhanced by destroying private ownership?

    That's not even a roughly accurate analog. Real property is finite. There is only so much real estate on the planet. Ideas are not. Therefore, scarcity of real property exists without any outside involvement by the state or any other actor. Scarcity of intellectual property is a legal construct designed to provide people who create innovative ideas with the ability to profit from them for a short time, in order to spur the development of new ideas, which are beneficial to society as a whole.

    The impetus for creation of intellectual property right flowed from the goal to improve society by providing a carrot to innovators. It was government intervention in economics, not the development of a fundamental right akin to life, liberty, and the pursuit of happiness.

    While I'm sure the public good can be shown to be "served" by confiscating physical works of art, it still smells like theft to me. Is the case any less obvious with intellectual property that is essentially entertainment?

    The public good has not been shown to be served by confiscating physical works of art, which is why in the United States the government can't just come and snatch up that Picasso you have hanging in your den. Intellectual property that primarily serves entertainment purposes is not physical. It is constructed by the legal system, in the same way that any other IP right is constructed. Recorded art in particular is the beneficiary of government largesse.

    If there were no way for us to record musical works or create movies, artists would still be able to make money through live performances, because those performances would be naturally scarce, without any government intervention. This is in contrast to the situation we have today, where music and movies are anything but scarce. They are all around us, distributed in a wide variety of forms. Yet the movie and music industry would have the government continue to enforce an arbitrary scarcity that bears no relationship to economic reality. If we were talking about the distribution of physical products like silicon chips or automobiles, we'd call this protectionism - government intervention that serves no party but the big businesses being protected. Ultimately, it doesn't even serve them, given that it only shields them from economic forces that should be causing them to alter their business model.

    Copyright coverage for a short time does spur creation of new art, but copyright of any duration is always a tradeoff between the previously-existing natural rights of society at large and the artificially-created rights given to the copyright holder.

    "The primary objective of copyright is not to reward the labor of authors, but '[t]o promote the Progress of Science and useful Arts.'" - Justice Sandra Day O'Connor, writing for the majority in Feist v. Rural Telephone Service Company, Inc. (1991)

    --
    Read the EFF's Fair Use FAQ
    1. Re:Huge difference between real property and IP by the+eric+conspiracy · · Score: 2, Interesting

      If there were no way for us to record musical works or create movies, artists would still be able to make money through live performances, because those performances would be naturally scarce, without any government intervention. This is in contrast to the situation we have today, where music and movies are anything but scarce. They are all around us, distributed in a wide variety of forms. Yet the movie and music industry would have the government continue to enforce an arbitrary scarcity that bears no relationship to economic reality.

      Movies have no direct live performance equivalents, and with live musical performance the scarcity reduces people's ability to enjoy the performance. One may note that today we have a great abundance of these recorded forms of art, in pretty high quality too. The problem is the question of cause and effect - if we remove copyright much of the economic incentive to produce this abundance would disappear, and we would likely to be facing a great decline in both abundance and quality.

      One of the best examples of this is the decline of the Hong Kong film industry.

      http://www.thestandard.com.hk/stdn/std/Metro/GD28A k05.html

    2. Re:Huge difference between real property and IP by SillyNickName4me · · Score: 1

      I don't think the parent was arguing to do away with copyright alltogether, rather, he makes a very good argument for copyright.

      He also makes a very good argument for limiting the duration of copyright, and why extending copyright is in fact withholding things from the public that the public has a natural right to. I wouldn't call it stealing, but I think calling it stealing is less far fetched then calling copyright infringement stealing.

    3. Re:Huge difference between real property and IP by Oligonicella · · Score: 1

      "The impetus for creation of intellectual property right flowed from the goal to improve society by providing a carrot to innovators. It was government intervention in economics, not the development of a fundamental right akin to life, liberty, and the pursuit of happiness."

      Before you go blathering, you might at least understand the economics of the time. It wasn't like today, Virginia. The kings and rulers and such simply took what they wanted. If you had an idea, you also needed the patronage to see it through. And if, lo and behold, the patron didn't appreciate the results, HE and not you got to trash it and you couldn't even open your mouth if you valued your head. Sometimes the patron even refused to pay you. Just ask Leonardo.

    4. Re:Huge difference between real property and IP by anicca · · Score: 1
      One may note that today we have a great abundance of these recorded forms of art, in pretty high quality too.

      Have you looked on the video shelves lately? Quality? What a joke! All CRAP, blather, fluff and poser movies... not worth the money or the bandwidth.

      --
      A people that values its privileges above its principles soon loses both. Dwight D. Eisenhower
  52. Just Think by Anonymous Coward · · Score: 0

    If the damn studios would cut the price to $3.00 for a first run movie and do away with region locking, they'd probably sell more of them then you'd believe possible. Once it's no longer a 1st run but into second/tertairy runs and you reduce the price to 1/2 $1.50, you actually convince people to impulse buy the movie because it's less then the price of a pack of cigarettes. Buy a Movie instead of a pack of Camels. Of course you'd pretty much eliminate the entire USED CD/DVD market if this was applied to all optical media.

    Basically the idea is the same thing that Walmart does. Sell as much of the stuff for as little cost as possible while making a little profit on each sale. I suspect someone can figure the numbers and show how this would actually generate anywheres from a 10-20x increase in revenue for the studios while reducing our desire to pirate stuff by simply making it not worth the time/effort to do so.

    I'll give an example to start with:
    Couple with young child buys Dora the Explorer DVD's at $5.99 ea. purchase maximum of two per month. Minimum of 45 minutes of content. Basically 7 episodes without commercials.

    Now add price point of $0.99 with only 20 minutes or total of two episodes or better yet, single episode with multiple language versions. Parents now purchase 2 discs per week for total of 102 per year instead of 12-24 per year.

    So how much would overall profit increase? Must factor in the families that now have reason to purchase portable DVD players instead of TV's (walmart again)that will see no reason not to purchase that movie mom/dad want to see or that Dora/Power Rangers/AirBender series the kids want to see. Hell if the kids want it bad enough (DragonBallZ maybe) they'll figure out how to get a couple of dollars together to buy it. Thus increasing the market. At this price point, they'd be able to start replacing the comic/animae books that lots of kids buy. Maybe we can get Marvel/DC to jump on the bandwagon and re-release their carton archives and add to them

    1. Re:Just Think by robertjw · · Score: 2, Funny

      Now add price point of $0.99 with only 20 minutes or total of two episodes or better yet, single episode with multiple language versions. Parents now purchase 2 discs per week for total of 102 per year instead of 12-24 per year.

      Great. And since nobody has a place to store 102 DVDs we will start throwing them out to make room for new ones. Since there will be no secondary market they will just go in the trash and the landfill. Then the environmentalists will start bitching about it, the EPA will pass laws restricting the number of DVDs that can be manufactured and the prices will go back up. People will be digging through landfills for old Blues Clues DVDs. Anarchy will ensue and modern civilization will come to a halt.

      Nice plan for causing the end of the world.

    2. Re:Just Think by rdebath · · Score: 1
      So make the disks biodegradable.

      I understand corn starch DVDs are already in the works.

  53. Competing with Piracy by mumblestheclown · · Score: 1
    It is just wrong that any business should have to compete with piracy. Does a car dealership price cars based on some estimation of how much an equivalent stolen car is worth + some percentage based on the risk/guilt a person might experience/feel based on stealing a car? NO! A car's priced is based on the market's willing to pay for that car (NOTE: NOT for the cost of production + some profit %! - the price of an item is WHAT A COMPETITIVE MARKET IS WILLING TO BEAR.)

    Piracy is not a competitive market where buyers and sellers interact in a free exchange of goods for cash. Rather, it is a onesided market where costs are essentially nil and demand is large, thus pushing prices down down down. The pirate does not need to consider the costs of production NOR does the pirate (in the presence of other pirates, as is always need the case) really consider overall demand for the item (the price of the pirated DVD will generally be the same whether it's "from Justin to Kelley" or the latest popular blockbuster).

    If we find publishers competing with pirate prices, it is basically a sad admission that law enforcement is inadequate and/or an attempt to train a new generation of consumers. However. as a basic principle, the underlying problem is a failure of the right to uphold the rights of the copyrightholder (ie, not curbing piracy), NOT that of the DVD being priced too high. Clearly, as numerous ejaculatory posts here have insinuated, if DVDs were priced at $1.50, you'd buy more of them. Well, duh, because that price is clearly priced well below the competitive equilibrium price and gives you (the consumer) an unfair surplus. As much as we like this as a short term thing as consumers, it is clearly unsustainable in the long run.

    But when has anything but thinly-veiled self-interest ever motivated the slashdot piracy justifier?

    1. Re:Competing with Piracy by plasmacutter · · Score: 1

      How are evian and dasani to survive when the government is providing "downpourable" water for a fraction of the cost? that's just wrong.. after all the government does not incur the cost of bottling, packaging, shipping, and marketing.. the dirty thieves just downpour that water any time of day and 'steal' from 'legitimate' bottlers. "It is just wrong that any business should have to compete with piracy. Does a car dealership price cars based on some estimation of how much an equivalent stolen car is worth " any car manufacturer has to compete with other car manufacturers.. many of which price their equivalent lines much cheaper.. yet car manufacturers like acura still manage to stay in business, despite the fact that the tiburon costs 1/2 as much as their RSX.

      --
      VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
    2. Re:Competing with Piracy by Baron_Yam · · Score: 1

      A car manufacturer certainly has to deal with competing with another car manufacture ripping off their engineering and design, then producing it at a lower cost.

    3. Re:Competing with Piracy by Homestar+Breadmaker · · Score: 1

      Actually, tons of industries price their products/services based on how much it cost them + some % profit margin. But with no competition, certain industries price their goods at whatever price they feel they can get away with (CDs, DVDs, software, etc). Piracy is the natural result of prices being set with no basis in reality. Piracy is the monopoly competing with itself.

    4. Re:Competing with Piracy by shark72 · · Score: 1

      "But with no competition, certain industries price their goods at whatever price they feel they can get away with (CDs, DVDs, software, etc)."

      The DVD, CD and software industries are just as fiercely competitive as the automobile industry is, to use the GP's analogy.

      I think many people are confused because CDs and DVDs tend to cost the same, regardless of the supplier. The same is true of the audio industry, particularly in the high-volume segments. There's not a huge delta between the price of a Honda Accord and its close competitors. It's the very same thing in various computer hardware industries, as well. Logitech and Microsoft set their prices for mice and keyboards to match each other. Yet smart people know that the auto or computer peripheral industries aren't monopolies. "The auto industry is a monopoly because auto manufacturers are the only source of cars" is a tautology. Drop in "film studios" and "record companies" and the same holds. Actually, I'd say that films and music are less of a monopoly by the somewhat skewed Slashdotter definition. I've known a few people who've successfully run five-guy record companies, and I know a guy who was able to raise the money to produce a film that was a success in its own right. I don't personally know anybody who's been able to start a car company.

      "Piracy is the natural result of prices being set with no basis in reality."

      Interesting. The net margins on CDs and DVDs (gross != net, folks) is much lower than that of many industries, including the computer peripheral industry. If the net margins on CDs and DVDs upset you, if you learned how much Microsoft or Logitech makes on a mouse or a keyboard, you would be unbelievably angry. "Margins on CDs and DVDs are unacceptably high" is a great mantra for justifying piracy, but in the grand scheme of things, it just ain't true.

      --
      Sitting in my day care, the art is decopainted.
    5. Re:Competing with Piracy by Anonymous Coward · · Score: 0
      But with no competition, certain industries price their goods at whatever price they feel they can get away with (CDs, DVDs, software, etc).

      It's almost mind boggling how ignorant of basic economic theory and practical realities one has to be to hold the above view. Sadly, it is a common one on slashdot.

    6. Re:Competing with Piracy by NeutronCowboy · · Score: 1

      I missed the part where publishing is a competitive market. Especially when it comes to copyrighted works. Explain to me exactly where the competitive equilibrium price in this market is? It certainly isn't the intersection of the supply and demand curve, because guess what - this isn't a competitive market, which means that the supply curve means jack. The market for copyrighted works is a monopoly market, and prices are priced according to monopoly rents.

      The funny part is, the market for unlicensed copies is far more competitive and free than the one for licensed copies. Wanna know why? Because there is indeed a free exchange of goods for cash, where goods compete on their merit. Think Blackbeard is charging too much for Gligli? Walk on over to Rackham and see how much he wants for it. Think Rackham's copy is shabby and poorly done? Check out Lafitte's version instead. Compare this with the current market for DVDs. I get one version of Gligli (some might say this is a good thing), at exactly one price. That price has not been set according to supply and demand rules, but according to how much the producer thinks the market can bear.

      You know, I don't mind people defending copyright laws. There are good reasons to do so. It just annoys me when people pull facts and theories out of their ass to insult others and make themselves feel all high and mighty. Not to mention that in the process they support a system that hinders my ability to enjoy and produce art.

      --
      Those who can, do. Those who can't, sue.
    7. Re:Competing with Piracy by Homestar+Breadmaker · · Score: 1

      And I can still go and buy a $10 keyboard because Microsoft and Logitech with their horrible, useless keyboards aren't the only players. The RIAA and MPAA control their respective markets, and the oligopolists that make up those organizations have been actively engaging in price-fixing for years. Big difference.

      You are comparing the margins on ridiculously over-priced $100 keyboards, even though $10 cheap keyboards exist, to the margins on DVDs and CDs, which are consistantly outrageous with no reasonably priced options.

    8. Re:Competing with Piracy by mumblestheclown · · Score: 1
      do some reading on 'substitute goods.' Your entire argument is basically blown out of the water by the existence of substitute goods.

      Economics 101, man.

  54. +5 Uninformed by fliptout · · Score: 1

    Dvds typically cost 10rmb (about $1.25), and oftentimes they are less, around 5 or 6. After living in China, I'd saw this is the only way for big media companies to make any money. It is either make very little money or lose it all to piracy.

    This also goes to show how fricken high the margins are when you sell a dvd for $20.

    --
    A witty saying proves you are wittier than the next guy.
  55. I don't know about cars... by zogger · · Score: 1

    ..but you can get some pretty cheap tractors from China now if you are willing to spend a couple weekends re-assembling them. They are called "crate tractors" and are shipped partially disassembled packed in a wooden crate. For less than 6 grand you can get approx 15 grand worth of compact diesel tractor.

    The DVDs here, heck ya they could sell them a lot cheaper and still make a profit. Volume sales. At $20 I buy none, same at $15. Drop that to $5 I buy a few, $3 for bits on a plastic disk (let alone the $1.50 figure in the article), and I would buy a lot. The movie and music moguls at the top who make the final decision on what a "good" retail sales figure are can't see this sort of situation applies to a considerable amount of the population, they are universally multi millionaires and think $20 is dirt cheap already. $20 to them is like 50 cents or a quarter (whatever) to "normal" people.

    1. Re:I don't know about cars... by heinousjay · · Score: 1

      There are teams of people dedicated to deciding price points for products sold in the market called marketers Their job is to maximize profit by finding a balance between income per item and items sold. They have considered your situation, I'm sure, and ran it through their (surprisingly accurate) statistical models. They may be off by a few percentage points in one direction or another, but I guarantee they are not missing out on a waiting gold mine somewhere around 3 dollars per.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    2. Re:I don't know about cars... by kz45 · · Score: 1

      3 for bits on a plastic disk (let alone the $1.50 figure in the article

      music and movies are as much "bits on a plastic disk" as a new bestselling book is just some paper bound together. You are paying for the time and effort and money that it takes to make a movie or song or book, not the physical media.

    3. Re:I don't know about cars... by zogger · · Score: 1

      this is true, but it wasn't my point. they have a huge disconnect on what that stuff is worth, and IF they were selling enough, they wouldn't be complaining about the piracy, because at a cheap enough point, a lot more people would be buying the discs. that was the whole point of the article, they DO recognize that at the prices they are charging legitimately now (in china) most people don't care and go buy the "pirate" copies instead.
      I know I can go into walmart and get any number of older movies for $5 or even less sometimes, so I know it's possible for them to sell movies on DVDs for much less than what they charge now. Volume sales works.

      These are the same companies when VHS tapes first came out tried to get 60-70 dollars for a tape, because their "marketing" told them that is what people would purchase them for. They sold some, but not that many at that price point. That more or less failed except for the video rental business, because they could sell them over and over again.That loss to the video rental stores which took off forced them to reconsider their outright sale price. Once they dropped their prices down severely, they sold a *lot more due to volume sales pricing* and it became profitable for them. Maybe not as high per tape, but they sold a ton more tapes and it became common for people to start building home libraries of them. And no way (today) is stamping a DVD costing more than making a complex tape and shipping it around, DVDs should be much cheaper than they are now new, same with music CDs, and I predict they will be dropping prices sometime to reflect that.

    4. Re:I don't know about cars... by zogger · · Score: 1

      the same marketing guys who told them VHS tapes would sell for over 50$? them guys? I don't have the stats handy, but I bet once they dropped to 20 or lower they sold a lot more and made "more net profit" on them. I know at the first release prices I bought zero, but after that I bought a lot, but when they stopped dropping pricesw, and especially with DVDs maintaining the same margins for years and no price drops, I buy very few of them.

      You can see similar sentiment from other people on these movies and piracy threads, people know what it costs, they know when they are getting gouged or not, so they react accordingly. The movie guys know that too, that is in the article itself,look up, check it out, so you can argue with them and tell them they are wrong. I am *agreeing* with them, I just wish they would drag the same idea to the US, because tech advances are way past the time they could have had severe price drops on pre recorded media. they are trying to maintain price levels established years and years ago now, time for the "tech makes things a lot cheaper" to hit the retail shelves. While their movies have held steady at around 20$, the players have dropped from 300$ to 30$ in the same time frame. This is called a "clue". Stuff on a disc is mass manufactured cheap stuff, they could still make a ton of loot and keep their customers beyond happy and sell a LOT more than what they do now by simply dropping prices down to a more reasonable level. EXACTLY the same as in every other business out there. If there were no tech advances, and there was no way for them to make the discs cheaper, than I would agree, "marketing" would be right on, but that isn't the case, it *is* much cheaper for them to make them over the past 5 years or so, so marketing is just telling their bosses what they want to hear. And the bosses make the decision, and the bosses are all multimillionaires who to them 20 bucks is change spilled on the floor, they *think* it's as close to free as you can get, it's what they leave for a tip at a cheap breakfast someplace. they don't relate to working stiffs. they live in places like Hollywood with those insanely high prices for everything, they don't actually grok how the rest of the nation outside of aa handful of large urban areas live or what people make or what stuff costs. Then they wonder why sales are dropping.

      This is duh time.

      EXCEPT in china, in the article, THERE they "get it" and know if they don't drop prices they will hardly sell any legitimately.

    5. Re:I don't know about cars... by kz45 · · Score: 1

      this is true, but it wasn't my point. they have a huge disconnect on what that stuff is worth, and IF they were selling enough, they wouldn't be complaining about the piracy, because at a cheap enough point, a lot more people would be buying the discs. that was the whole point of the article, they DO recognize that at the prices they are charging legitimately now (in china) most people don't care and go buy the "pirate" copies instead.
      I know I can go into walmart and get any number of older movies for $5 or even less sometimes, so I know it's possible for them to sell movies on DVDs for much less than what they charge now. Volume sales works.


      Blank media is so cheap these days (and will continue to get cheaper). Piracy will not stop because DVDs are $5. The people pirating it will just charge $3. The only way to stop it using this tactic is to make it slightly more expensive than a blank DVD, which will not turn a profit.

      I don't know if charging $5 will actually increase sales. There is a perfect price point that will allow for the greatest number of sales. They might have alredy done a lot of research and found that $20 is that perfect point. Many people associate value with price.

    6. Re:I don't know about cars... by zogger · · Score: 1

      Marketing is both an art and a science, but it isn't perfect, and it constantly changes. I just think (and I know I am not alone, you can see other folks saying similar on prices) that current prices are too high and haven't dropped with tech advances like they should and could. Before iTunes, they REALLY resisted 99cent songs as single downloads, they didn't think it would work and be too cheap, etc.. The marketers gotten proven pretty wrong on that. I am only just me, but I USED to be a big consumer of media, but almost stopped from the price gouging. I buy a few disks a year, that's it. I remember with every paycheck I went and bought some vinyl, and also hit the concerts fairly often. Now, about zip for either. Not worth it, too expensive. the reason why renting VHS tapes took off was precisely for price reasons,. at the time all you could get was very expensive tapes,so most people opted for a few bucks rental over 30-40-50 bucks purchase. Eventually they dropped tape prices down as tech advanced, but then they hit a plateau and plastic optical disks came around, BINGO, a REAL cheap way to make copies. so where's the price drop?? Not seeing it. the players/readers dropped in price immensely, tech marches on, why are the copies still high? I maintain gouging, and their marketrs just 'report" what the bigshots want to hear anyway. that's a guess but bet I am right on that. Now they have the tech to actually SELL the disks at the previous rental price for tapes. And the cost of stamping and shipping is MUCH lower than making and shippong tapes. Ball is in their court now, drop prices, they will see the same thing that happened with itunes and with tape rentals, the sweet spot is NOT 20$. Maybe for the top 5% income earners it is plenty cheap enough, but everyone else buys much less than what they might be inclined to. People won't want to pirate much at all once they can get what they want cheap enough and legal enough.There has to be a middle ground here someplace, they just can't claim with a straight face that todays copy tech is even close to being as expensive as it was ten years ago, but that is the price range they are stuck at. Does-not-compute except as delibarate gouging and industry PR obfuscation and FUD.

      For the record I don't download either. I did one MP3 one time, a legit one off the bands site,and never any movies at all. I grab a few disks a year from yard sales or pawnshops or the bargain marked down bin, that's it, music or movies. The only way I have to vote with those folks is with my wallet and ranting on the net, so I have "voted"..

    7. Re:I don't know about cars... by Maxo-Texas · · Score: 1

      I have over 400 dvds and the my cost distribution is something like this..

      $25 1 (Time Bandits)
      $20 11
      $15 150 (Most frequent "first day" sale price)
      $10 120
      $5 120

      Not so impressive but now lets consider time.

      In the last year:
      $5 50
      $10 20
      $15 3
      $20 0
      $25 0

      What happened?
      1) I got such a backlog that there was no point in getting them right away.
      2) They "broke" and started a new pattern a couple years ago-- low, then high- and then low, then REALLY low- then unbelievably low at holidays like laborday and christmas.

      Since I didn't have to see them right away... I refuse to pay over $10 for a dvd in most cases and will buy $5 dvd's first-- if I run out of money, no $10 dvd's.

      Plus
      DVD's are not worth as much so folks are okay to loan them- so we all loan ours back and forth (no big if one is lost unless its out of print).

      Now- rental places are selling them for $5.50 used- you buy, put it through the cleaner and so far 100% work- for prices of $5 a piece (about 3 months after first release).

      Plus used on Amazon.

      $5 would increase my sales and my dollars spent marginally. My time is worth more than $5/copy.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  56. Clone stereo? Clone bread. by Animaether · · Score: 1

    That's a funny way of looking at it, and I partially share it. You may copy all my commercial goods all you want, distribute them, etc. etc. ... the day that I can copy a loaf of bread*. Until that day, I have to buy my bread, and you have to buy my commercial goods.
    (* and the baker can copy wheat, and the farmer can copy seeds and manure, etc.)

    If you don't agree with that - by all means. If you subsequently also act upon your disagreement by copying my commercial goods, you're an ass -and- you're breaking the law.

    -----

    Looking at it another way... if you wouldn't have gone out to buy the product, then what on Earth makes you feel like you're entitled to it all the same?

    1. Re:Clone stereo? Clone bread. by gameforge · · Score: 1

      I'm not sure what you're saying, exactly. Certainly distributing things you copy is out of the moral question - you might well give it to somebody who would go out and buy it.

      And, the argument certainly doesn't work for things you depend on. Because you absolutely would go out and buy them if you couldn't copy them. Bread, for instance. But nobody depends on one-hit-wonder songs, or that Ashton Kutcher movie from three years ago that looked so horribly stupid. Furthermore, even before the invention of a CD burner, I wouldn't go out and buy a $15 CD with 11 songs, one of which I actually liked... so if I download it and put it on some CD that I want to listen to on the way to work someday, I can't honestly justify this to myself as stealing. The law applies to me, but the moral does not.

      Some real examples:
      I would never go out and purchase Forest for the Trees. But that "Dream" song was mildly catchy and different. When I listen to it, once every two years, it takes me back to where I was in 1998. I wouldn't waste an iTune on it today, and I wouldn't sign up for a flat-fee service to get songs like these (I don't have iTunes or a flat-fee service, I'm just saying).

      The last movie I purchased was "Crash"; obviously Internet or not, I would go out and buy it despite that it's probably pirateable. Lord of The Rings is another one; I found the special features alone to be excellent (particularly about the music score) and the whole product was worth buying; although that one I bought used.

    2. Re:Clone stereo? Clone bread. by Animaether · · Score: 1

      True, I should have left out 'distributing', or at least annotate that I meant that others could then copy it from you (a la most file sharing utilities).

      I'm glad you provide such an excellent example for me to work with, though...

      You say there's a song that you may play once every two years (seems unlikely - greater chance you would hear it on a radio at that rate and wouldn't have needed to 'pirate' it, but that as an aside), which takes you back to where you were in 1998. This to me means it evokes some manner of emotion for you, it brings back memories, etc. - like it or not, the song has value to you.
      Yet, you're also saying that this value it has to you does not even equal $0.99 (iTunes assumption) - is that really how little you value this song (see above)? If not, and you do value it more than that - then why wouldn't you buy it?

      Just my 2cts :)

  57. No, it does make sense by Anonymous Coward · · Score: 0

    "$200+ dollars for an operating system? Why? "

    Well, because in the cast of MS Vista, because it will eventually take 6 years, and 10's of billions of dollars to code it along with thousands of programmers.

  58. yeah friggin' right by binarybum · · Score: 2, Informative

    I wish I could agree with moviemodel's dreamy idealism, but I've seen enough of the ugliness of the MPAA to believe that it's completely unfounded. The situation in China is desperate, it's not only cheaper, it's often more convenient to purchase pirated movies there, and often you're getting some pretty decent fake packaging and decent quality rips too. The MPAA does not have the power to manipulate the Chinese government as they do in this country and they are finally realizing that they must compete at the basest level - competitive pricing, to survive there. Between lobbying and lawyers, the MPAA will continue their reign of terror in the US at least for years to come.

    --
    ôó
  59. If the price was the only issue, by iminplaya · · Score: 2, Insightful

    then probably yes. In reality, piracy is the cartels' best freind. It acquires and maintains mindshare of the product being pushed at the moment. And I do mean 'pushed'. Piracy is free advertisement. And also, the gov't gets to look like law enforcement heroes when they bust the pirates. So it's win-win-win for the gov't, the cartels, and the sheep.

    --
    What?
  60. They already have a website for these. by roseblood · · Score: 1
    --
    There are lies, damned lies, and statistics.
    1. Re:They already have a website for these. by EnderWigginsXenocide · · Score: 3, Funny

      Inside you'll learn...

              * The truth about finding cars (and yes, even your DRM crippled Holywood Movie) for under $500!

      OMFG! What a bargain!

              * How to instantly locate hundreds of DRM crippled Holywood Movies being sold right now in your area ...without having to talk to a dealer or a broker.

      Broker? Blockbuster?

              * How to track down DRM crippled Holywood Movies that have been repossessed or siezed by the government ...and snatch them up for pennies on the dollar!

      Seized from evil creatures with peg legs, steel hooks for hands, and eye patches?

              * How you can find your DRM crippled Holywood Movie on the Internet

      Hell, I do this already(netflix, not BT or USNET like you criminals thought!)

              * How you can make anyone selling DRM crippled Holywood Movies drop their price by thousands!

      At gunpoint?

              * And much, much more!

      Do tell!

      --
      Blessed are the pessimists, for they have made backups. -- 0 1 My two bits
  61. Appendix by kfg · · Score: 1

    Yes, I know the standard spelling is "speech," but you see, I have free speech.

    And I give you speach for free. Do with it as you will.

    KFG

    1. Re:Appendix by AoT · · Score: 1

      And the creative commons gets bigger and bigger;)

  62. P.S. by kfg · · Score: 5, Informative

    Congress has breached a lot of such contracts with the public in the past fifty years or so.

    Perhaps the difference between me and most Slashdotters is that I have actually been alive through those 50 years.

    To me these breaches are not historical breaches of contract with the public, but actual breaches with me.

    I was made specific promises that specific works would enter the public domain at a specific time.

    They did not.

    This is the breach, not merely that copyright law was modified.

    KFG

    1. Re:P.S. by ScrewMaster · · Score: 1

      Couldn't have put it better m'self.

      --
      The higher the technology, the sharper that two-edged sword.
    2. Re:P.S. by popeguilty · · Score: 1

      I would just like to say that that's one of the most specifically awesome posts I've seen in awhile.

    3. Re:P.S. by tolkienfan · · Score: 1

      Fucking awesome comment. Sorry for the expletive - but I think it warrants it.

    4. Re:P.S. by 246o1 · · Score: 1

      Don't apologize for using language that is part of the public discourse and vocabulary for all adults who speak English. Such apologies merely reinforce the notion that it's ok to arrest someone for wearing a "Fuck the Draft" or "Fuck Dick Cheney" or whatever T-shirt.

      --
      Although the moon is smaller than the earth, it is farther away.
  63. Is such a model viable in the long term? by Radical+Rad · · Score: 2, Interesting

    Yes, this model is viable in the long term. My reasoning isn't based on how much they can make on a movie today but on how little it will cost to make a movie tomorrow. Computer generated effects have already cut the cost of making movies by reducing the number of extras, allowing production in settings that would not otherwise be possible, allowing complete "green screen" movies, and allowing completely CG movies. I feel certain that within fifteen years movies will routinely be made without human actors and the cost of production will be quite low. This will bring an explosion of creativity as hordes of amateurs try their hand at movie production.

  64. the artist who is already getting ripped??? by fwr · · Score: 2, Interesting

    Like the artists who get paid several millions of dollars for a few months work on a film? Yea, right.

    1. Re:the artist who is already getting ripped??? by shmlco · · Score: 1

      One can feign moral outrage at ANYONE at the top of their profession. Of course, in any given field that's 0.01% of the people it actually employs, and as such not representitive of the profession at all. Care to count all of the people in a given film who were paid scale?

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
  65. Re: Respect by Baron_Yam · · Score: 1

    I don't know about that... why should I have to buy media and programs and spend time altering their deliberately buggered up product, when I can just get it off the net right away?

    They don't respect me (attempting to deny me the 'play', 'menu', and 'fast forward' functions on my player), making crap and tuning their ad campaigns to misrepresent it as quality - and charge $20 for it. Why in hell should I respect them?

  66. Interesting Idea by astrofrank128 · · Score: 1

    What an interesting concept it would be if one received a free copy of the movie on DVD immediately upon exiting the theatre... or, more realistically, if one had to pay a small fee... then retail DVDs could maintain prices much higher than these theatre DVDs, of course hopefully not as high as they are right now. I suppose the movie industry would then have to have a DVD release prepared in time for the movie release, but I mean that's not too much to ask, considering it would be free of special features and the like. I would certainly buy more movies if they sold them cheaply on the way out from seeing it... even the ones I barely liked.

    And, all this talk about the rental businesses being left in the rain if the industries lower their prices... I personally think that everyone should ignore them. This is between the consumer and the producer, and the rental places are just capitalizing (not that it's a bad thing, but there's no guarantee that people should have to be able to rent out movies). The only thing we should factor in that involves rental companies is their profitability to the actual producers (that is, as a source of actual income). I'm not sure, but this can't be ALL that much... possibly enough to be able to eliminate without posing a threat to profit-turning. It's not the producer's fault if it's no longer worth it to rent movies..

  67. 75 cents!?! by ihatewinXP · · Score: 4, Informative

    I think the contributor needs to check his sources....

    Walking into the supermarket tonight I bought "V for Vendetta" for five RMB, currently thats about 60 cents. He's obviously a tourist.

    It really is that bad here - but ive noticed that some studios are already doing this. Ive seen 60 RMB ($7) movie packs that are what we would see in the states - but who the hell would think of buying that when the best movies are not only cheaper but on every corner and more convenient. That said I have seen some maor releases (Harry Potter for one IIRC) that were on sale for only 20 kuai ($3) but still - when I can get it for 60 cents and its just around the corner.....

    Its funny, a few weeks ago there were (almost) no bootleg DVD's for sale in Beijing. Apparently the government randomly declares "No Illegal Wares" weeks like twice a year. Who knows. The more I stay here the more it makes sense - and that is the scary part ;)

    --
    ---- The real Slashdot is still here. You just have to browse at -1 to read the comments.
    1. Re:75 cents!?! by 1u3hr · · Score: 1
      the government randomly declares "No Illegal Wares" weeks like twice a year.

      Hardly random. President Hu was visiting the US.

    2. Re:75 cents!?! by xz0565 · · Score: 1

      In russia they have periods where the police decide to crack down on pirated stuff for a week or two. Everyone knows about this, and during that time the main palces were pirated music+dvds are sold are compleeetly empety. No one is officially cought apart from a few idiots. Once this time period of cracking down on piracy ends, its busienss as usual.

    3. Re:75 cents!?! by jamar0303 · · Score: 1

      I live in Shanghai, and the situation is a bit different: In certain places, prices are quite high (next to my school, which is an international school, DVDs are about $1 each, local or not, while at the subway stop near my home, about 5km or so away, DVDs can be bought for 3RMB (about 35cents if my math doesn't fail me). Then, official DVD releases are practically nonexistant here (there are VCD releases that are supposedly official, but those are 120RMB (about $12) each, and I don't have that kind of spendng money when I keep spending over 75$ a month on PSP games (an official PSP game here costs about 320RMB, or about $37).

      --
      OSx86 FTW
    4. Re:75 cents!?! by obeythefist · · Score: 1

      I've seen a few of those bootlegs, my friends often have them, but a lot of the time they're really shoddy cam jobs and TS's. Better to download from a community vetted torrent site, where you can trust the community that rates the disk quality as a proper DVDrip etc.

      --
      I am government man, come from the government. The government has sent me. -- G.I.R.
    5. Re:75 cents!?! by dwater · · Score: 1

      The going rate is 10rmb for a DVD5, and 20rmb for a DVD9. That's from DVD stores that (I presume) only sell illegal versions. A DVD5 can have a lower quality movie (artifacts/etc) and/or have the end chopped off, esp. if it's a long movie. DVD9s are actually pretty good quality. It's always a gamble if they'll play in your DVD player - though they'll pretty much always play on a computer.

      If you shop on the street, then you can get lower prices (and newer titles), but they are just in paper/card/plastic envelopes and quality is very random - you take your chances. I'll get these if I'm looking for newly released stuff.

      The DVDs *aren't* just copies either, they usually have several subtitle tracks. (Often, the subtitles will match the movie on the disk too.) I'd guess it takes some effort to add the subtitles (when they're for the correct movies). When you buy the DVDs from a store, they'll often tell you if the quality is good and/or the subtitles are accurate - without you even having to ask. What great service :D

      I wouldn't have a clue as to where to get legal copies...nor how to tell if they are legal copies (apart from lack of spelling mistakes, perhaps).

      --
      Max.
  68. Value by XanC · · Score: 1

    The inefficiency of a product's development has zero bearing on its value. A case can be made for the value of Vista being $0, because that's the price of a substitute product.

    1. Re:Value by kz45 · · Score: 1

      The inefficiency of a product's development has zero bearing on its value. A case can be made for the value of Vista being $0, because that's the price of a substitute product

      yes it does. This generally determines how much a company is going to charge for their software app. Yes, linux is $0, but only if you are saying that all the man power and labor that went into it is worth nothing.

      Redhat and all the linux distro companies have it very easy. They didn't have to pay for almost any of the initial development of their operating system, which could allow for more profit (if they didn't have the same "free software" forces working against them).

      Microsoft can charge $1000 for the new home edition of Vista, if they really want to. It doesn't mean i'm going to pay for it though. This is the beauty of competition (which shows there isn't as much of a monopoly as many people around here say there is).

  69. In the USA, I rent DVDs by Orion+Blastar · · Score: 1

    they have a dollar section for older DVDs and $2.50 for newer DVDs for two days, one day for new releases. I find no need to own the DVD after I watched it already, unless it is a good movie or something and then I'd buy a copy. The rental store even can sell me a used copy of the DVD for $10 or less.

    All I need do is wait for the movie to be released on DVD and then watch it at home, pop some microwave popcorn and drink a soda and save money from buying the DVD or seeing the movie in the theatre.

    The $1.50 must be for China only, the only DVDs I see that sell for that or under that in the USA are old movies that lost their copyright and went public domain. The Dollar Stores usually sell them in a cardboard sleave.

    --
    Remember, Slashdot does not have a -1 disagree moderation, and no, troll, flamebait, and overrated are not substitutes.
    1. Re:In the USA, I rent DVDs by I'm+Don+Giovanni · · Score: 1

      I agree with the renting option. But sadly, many here are saying that "DVD prices are too high, especially since I only watch them once". Well, rent the thing! That's what rentals are for: a legal way to watch a movie one time for a low fee. But most piracy justifiers here are too cheap even to rent the DVD for $2.50. Even though they only watch the movie once, they do want the *option* of watching the movie multiple times without paying multiple rental fees, so they pirate.

      --
      -- "I never gave these stories much credence." - HAL 9000
  70. Re: Respect by Just+Some+Guy · · Score: 1
    Why in hell should I respect them?

    I'm not saying that you should! I don't, personally. But if you were standing in front of a judge trying to explain your actions, I don't think he'd be impressed by the logic. The argument boils down to the idea that it's faster and easier to download a movie than to run a backup program (which is perfectly legal) and rip out the parts you don't want. Even if you and I think that's true, the law is unlikely to accept that as a valid excuse.

    Again, I don't care how much you download. The MPAA is so seriously heinous that I have zero sympathy for them and their complaints. However, I still think you should be able to defend your beliefs if called to the carpet for breaking the law (however silly it may be), and in my opinion this rationale doesn't do that.

    --
    Dewey, what part of this looks like authorities should be involved?
  71. They definitely will by unity100 · · Score: 1

    Of course they will recover the market from pirates. The overpricing of easily reproducable materials is the reason piracy comes into being anyways. That has always been the case in history of civilization, and it will be so in future. The 'copyright' concept is still being taken as if we were in the days where voltaire, rousseau published their books. Book was something expensive to produce and publish, resulting in high prices. In the recent years, it has become increasingly easier to produce and publis materials, but prices did not take a steep dive, leading to high profit margins for intellectual rights market participants. However the 'invisible hand' always does its trick - piracy came into being. If anyone does not want to be pirated, s/he/they shouldnt be selling anything in exorbitant prices. Someone might object by saying 'but so and so prices are normal in the industry' - nay you cant decide what is an exorbitant price as the seller. The buyer decides what is an exorbitant price and what is not. If there is piracy somewhere, it means something is being pushed into the market far more than its market value there.

  72. Take the Poll by Anonymous Coward · · Score: 0
  73. Name some non-illegal methods that made big change by FatSean · · Score: 1

    Please...go ahead. I'll start with some illegal ones that are near and dear to my heart:

    American Revolution
    American Civil War

    --
    Blar.
  74. digital content is worth more than hardware by I'm+Don+Giovanni · · Score: 1

    "$200+ dollars for an operating system? Why? There is something seriously wrong when a peice of easily replicated digital information (ie. ludicrously cheap) costs as much or more than full system hardware."

    I don't know about you, but I value my digital content more than the hardware the "plays" it.
    My DVD collection is worth more than my DVD player, and rightfully so. I could care less about someone stealing my DVD player, but would be quite pissed if they stole my DVDs. Same goes for CDs vs CD player, games vs Xbox, LPs vs record player, etc.

    Computers are a slightly different case, since the hardware is more expensive. But the software is more valued than the hardware. But I don't see anything wrong with programs being worth more than the hardware the runs them just like the typical CD collection is worth more than the CD player the plays them.

    As for your example of an OS being worth more than the hardware, OSes are also a bit different than other software, since an OS is required to make a computer run, so one could look at the OS as part of the overall computer package, and therefore regard the OS's price as part of the overall computer package's price. Besides that, the OS is a significant part of the package, regardless of how cheap it is to "replicate" a copy of it. For example, what makes a Mac a Mac these days is the OS far more than the hardware. And there's nothing wrong with Apple charging for the OS or upgrades to the OS if they want to. Other OS providers can give their OS away for free, that's fine too (they, like you, feel that the OS they provide isn't worth much compared to the hardware).

    --
    -- "I never gave these stories much credence." - HAL 9000
  75. jebus, did you even read the summary? by Anonymous Coward · · Score: 0

    You just read the headline. Didn't read a single word of the summary, did you?

  76. THAT IS THE FUCKING PROBLEM! by Anonymous Coward · · Score: 0

    Ok, let's say some music studio follows your advice. To offer an IDENTICAL product, they must release the music in a raw format with absolutely no restrictions (i.e. a plain REDBOOK CD, like they used to do). Ok, that's all well and good. Now somebody comes along, and puts up an ISO of the CD somewhere. Now, not only is the pirated version IDENTICAL to the studio version; it is also FREE, making it the superior product. Now, how on earth can the studio sell an IDENTICAL, yet SUPERIOR product? It is impossible. Now they have to offer "goodies" that cannot be electronically duplicated easily, such as liner notes, trading cards, figurines, charm bracelets, whatever. But then essentially you are spending $18.00 or whatever on liner notes, trading cards, figurines, or charm bracelets (since the content on the CD can be had for free). So now your excuse would be "Why should I pay $18.00 for a CD and some stupid "goodie" when I can get the CD for FREE? The "goodie" is clearly not worth $18.00." So, my question to you is this: What would the studio have to do in order to both A. offer a superior product, and B. get you to purchase that product?

  77. To answer the topic question... by Anonymous Coward · · Score: 0

    Yes, piracy is in the consumer's best interest. You get all of the newest content you might want to check out and you don't have to pay much if anything for it. So, yes, it's in their best interest. It puts the power back into the consumer's hands and actually makes the content provider/evil price gouging corporation fight for their customer base. What a concept!

  78. Re:Only if they realize what's *REALLY* going on.. by GigsVT · · Score: 1

    I think we may be living in a bubble also.

    I'm taking an "ethics of IT" course right now, and most of the ethical systems proposed in the books I'm reading entirely don't work in a world of open source.

    They are written with a fundamental underlying assumption of closed source. This is the way 99% of people that claim to know about computers still think. We still have a ways to go.

    --
    I've had enough abrasive sigs. Kittens are cute and fuzzy.
  79. Why not US? by Tatsh · · Score: 1

    I would buy so many more DVDs if they were this low of a price (or maybe a little higher). It seems like they are selling some with no menus, extra features, etc. All I care about the movie. I have never really cared about behind the scenes-type stuff. As long as it's excellent quality DVD-9 MPEG2 for that price, I'l certainly pay. Also, it has to come with covers just like any other DVD. I really am not into downloading. Physical media continues to make more sense to me because unlike downloads, it's truly tangible.

    1. Re:Why not US? by ThoreauHD · · Score: 1

      I agree. I'd pay for this just so I didn't have to watch the commercials. But I would prefer to be able to have an account- like iTunes, and just download whatever the hell I wanted whenever I wanted. Say a monthly subscription or even 1.50 a piece. Why create more physical stuff when it's just data. For the mom and pop folks, a 1.50 dvd would be perfect.

    2. Re:Why not US? by Tatsh · · Score: 1

      Since I convert most every DVD I get to XviD, I wouldn't mind downloading $1.50 or so for the DVD-9 quality MPEG2 I was takling about. All non-DRM. Otherwise, forget it.

  80. Similar thing in France by goldcd · · Score: 1

    you can buy DVD films at yours news stand packaged up with a cardboard backer to make them 'magazine shaped'. A bit less similar in the UK is the trend for convenience stores to sell DVDs for very little. Now it used to be the case that these were rubbish, straight-to-video titles - but now they all seem to be perfectly good films, that you never quite got around to buying.

    I'm currently trying to clear out my flat and looking at a the good few hundred DVDs I have on the shelf, was sorely tempted to just bin all the packaging - I just don't want to as I F'in paid for it through the nose.

  81. "Legal" digital media content is too expensive. by arthurh3535 · · Score: 1

    I'm not saying that an operating system shouldn't have value, but that it is over-valued right now.

    It's basically given away for about 1/10th or just free so that it goes with new systems, but if you try to buy a full copy on your own hardware, it's exceedingly expensive.

    DVDs were at that same point, but they are finally coming down in price because they are having to compete. Value of fully commercial product versus very crappy copies... but the copies let you get the story and watch the show.

    Piracy is a self-defense mechanism against abusive monopolies that are in place now.

    Strangely, our government is fostering these abuses because it's a major revenue generator and taxable source. It's making money almost out of nothing.

    --
    No! It's a *SIG*. Keep the Special Interest Groups away! (Con joke!)
  82. Rising tide lifts all boats by tepples · · Score: 1

    Thinking about how 1.50 dollars could be a days wage in some parts of the world, and just 3 minutes in other parts. Do you think that such a trinket of entertainment should cost a full days work for one, and just 3 minutes of work for the other ?

    It means that labor in "some parts of the world" is grossly overvalued. For instance China had frozen the exchange rate between American money and renminbi for over a decade. A more free market would take care of the discrepancy, through outsourcing or exchange rate shifts or both.

  83. It's not "greed", it's a business SOP by rbrander · · Score: 1

    I have a very small DVD collection because I tend to ask myself a question when I look at one: "How many times am I going to watch it?" The answer is "once or twice" for most movies, "three" is rare. Then I multiply by the rental cost and generally come up with half the price on the sticker. And move along.

    Alas for me, other people do not ask this question. They just want to own it because they like owning movies, having the shelf-full. At least that's what they say when I ask them the "how many times..." question. This urge means that "all the traffic will bear" is over twice the price that (I think) it should be.

    If people WILL PAY such a price - and DVD's have been flying off the shelves for years, a stunning growth market that very happily surprised the studios so that they are now frantically printing their whole back catalog and blowing the dust off 60's TV series - why would any sane businessman charge less? "All the traffic will bear" has always been the price for ANYTHING in history unless tightly government regulated.

    So quit calling them greedy.

    Granted, they have a monopoly of sorts - only the copyright holder for "Air Force One" can sell you a DVD of "Air Force One". But the products are fungible to the extent that you can spend your evening watching other movies, too. If all the studios are in collusion to hold the price up, that's oligopoly and charges are possible - and have been done with music companies.

    Pursuing an oligopoly is a serious government priority if they're driving up the price of wheat or steel and affecting the economy - but driving up the price of leisure products that people didn't have a few years ago and don't really need because they could just rent? Not a priority. (They'd have to arrest most of the fashion industry first - why "protect" people from $30 DVDs when they pay $300 for jeans?)

    Piracy here isn't like Asia: No wide-open, over-the-counter sales possible; our "pirates" have to spend about an hour finding and downloading and burning and it severely limits the "competition". Even quick-to-download MP3s only took (at most) a few percent of the "market" and reduced CD prices at very most 10%.

    Not only can I not be bothered paying $20 for "Batman Begins" I can't be bothered finding it and downloading it and all that - there's more likely something worth my time on my ad-free movie channels (no doubt "Batman Begins" in another six or ten months), or on my DVR, or at worst rentable for $3.

    The only thing that will make our prices drop significantly is for people to get over that "I just want to own a copy" urge, and pay only rational prices. This isn't food we're talking about; it's a luxury good - particularly when they can be rented for $3 when they leave the "new" shelf in a few months.

    1. Re:It's not "greed", it's a business SOP by Kiaser+Wilhelm+II · · Score: 1

      Its not greed if most people do it. Haha.

      --
      Lord High Crapflooder The Right Honourable Vlad Craig Esther McDavenpherson III
      Destroyer of Mercatur.Net
    2. Re:It's not "greed", it's a business SOP by ADRenalyn · · Score: 1

      Very good post. If I had mod points, they would be used on you right now. Alas, I am more of a reader than a commenter, so I'm not qualified to rate the submissions of others. Perhaps those people who don't blink at paying $20+ for a movie just don't care that it's overpriced. Or maybe some of them think it's worth the extra money to own a High Definition copy of a movie, with subtitles and extra features that they can enjoy in the privacy of their own home. But then they could always rent it for a fraction of the price, as you mentioned. Personally, I own about 20-25 DVDs, all of which I would be willing to sit down and watch again, especially if I have a friend who has not seen it before. At that point, I can just gawk at them and say "You've NEVER seen Office Space!?!?", then grab the DVD and push play. I'll never get sick of that movie, haha! And watching it with someone who hasn't seen it before can be enjoyable too, as long as you're not the type of person who likes to add your own knowledge of the film in the form of commentary. All in all, I think $9.99 is a reasonable price for new releases, with prices dropping to $4.99 after a few months or so. Nonetheless, some people will always pirate movies/music/software that has a price tag above $0, just because they can!

    3. Re:It's not "greed", it's a business SOP by rbrander · · Score: 1

      Thanks for the kind words. My own small DVD collection is also often in the category of "evangelism", i.e. I want to be able to press them into people's hands. (Some are political documentaries I agree with, for instance.)

      And then there's "Buffy" - all 7 seasons. I expect to develop a great urge to see that show again in several years, after I've forgotten them well enough - and also after they've disappeared from the rerun rotation via overkill.

      Renting TV series is harder than movies - only a few of the most popular become rentable at all and I think there's a fair concern the rental stores will dispose of them sooner than they would a movie that doesn't get a lot of rentals.

      I'd agree with your $10/$5 price; in fact, I still have a laserdisc player because when the store was getting out of that medium, they sold off their 12" laserdiscs for first $5 then 2-for-$5 and I bought a total of 20 titles.

      But I think the current pricing on DVDs is going to be with us for some time - although one may be able to do what I did with laserdiscs with DVDs in surprisingly few years when HD has become standard!

  84. backups are illegal by Anonymous Coward · · Score: 0

    Well one reason he wouldn't do that is that it is just as ILLegal to use said back-up program. To back up a DVD you have to circumvent the copy protection on the disc and that is in breach of the DMCA as it currently stands. So he can either spend his time and effort doing something illegal, or get that same end product, also illegal, with less hassle.

  85. F***ing a** by tepples · · Score: 1

    Compressing 9 gigs of a DVD down to a 700 meg DivX rip makes it look like fucking ass.

    I walked into an adult video store once, and most of the DVDs were priced at $60 and up. Some people don't care about fucking ass video quality; they just want to see the fucking ass.

    1. Re:F***ing a** by 1u3hr · · Score: 1
      I walked into an adult video store once, and most of the DVDs were priced at $60 and up.

      The funny thing is that, in Hong Kong and China, the porn (often Japanese, but all kinds) is even cheaper than normal bootlegs, like 20 cents per disk. The theory being that even if it's legal, the porn producers aren't going to be able to take anyone to court, especially overseas. A lot of places that used to sell bootleg software now are wall-to-wall porn. Since the porn sellers can just copy from each other, the price quickly falls to just a little over the cost of a blank disk.

  86. Pirate parties outside Sweden? by tepples · · Score: 1

    How long do you expect it will take for the Pirate Party movement to spread outside Sweden?

    1. Re:Pirate parties outside Sweden? by Vadim+Makarov · · Score: 1
      I don't know. However I'm all for this party getting into the parliament, and am looking forward to seeing the laws they want passed. It would be an interesting experiment to watch. The current copyright laws are not set in stone. They are just some rules of the game. The rules could possibly be different, but the game still playable.

      They want the copyright term shortened to five years. Maybe it's an overkill (certainly an overkill with respect to non-movie stuff), but well, why not. FINE, even if it's a blanket five years for all copyrightable stuff. Let's see how it works.

      I am telling this even though I'd suffer some financial loss should this short copyright term be introduced in Sweden. Swedish publishers could then have used my photographs for free where they occasional pay me license fees now.

      --
      17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
  87. Same thing for Mexico by Pasajero · · Score: 0

    I got King Kong SE DVD (2 discs) for $10 USD a few weeks ago at Wal-Mart in Mexico.

    Universal Studios is promoting "affordable releases" here and I believe it is a step in the right direction. I for one will support this schema.

    Kudos to them.

  88. Emigration is expensive by tepples · · Score: 1

    run a backup program (which is perfectly legal)

    Only if you can 1. find a developed country without DMCA that will let you immigrate, and 2. afford to emigrate.

  89. I applaud Warner Home Video... by tonymus · · Score: 2, Insightful
    I applaud Warner Home Video for trying this "experiment".

    DVDs are a discretionary purchase. Consumers in every country have an individual price point where they will buy a DVD because the price is reasonable for the limited entertainment value it provides. I believe, in the US, that the optimum price point is about $5. Look at how many DVDs Wal-Mart sells at that price point.

    The question, of course, is where is the optimum price point for DVDs to sell in China, given its consumers' standard of living. I believe WHV is on the right track here.

    A quick personal note: I bought 6 old John Wayne films earlier this week for $5 each. How many would I have purchased if they were $10 each? None...

  90. Guessing isn't what we use to make decisions. by Inoshiro · · Score: 1

    "My bet is that if you had DVDs priced at 1.5$, film copyright infringement would end as we know it, and the amount of dollars spent in DVDs by the average family would grow."

    That sounds well and good, but you would have to do careful research and real market analysis of this. What's to stop people from buying these super cheap movies? There are only so many hours in a day, and if they're doing other things, movies can't eat them all up.

    --
    --
    Internet Explorer (n): Another bug -- that is, a feature that can't be turned off -- in Windows.
  91. The black market is always a market force by theonetruekeebler · · Score: 3, Insightful
    The black market always influences the prices on the legitimate market. The question has always been about a price point that's high enough to attract risk-takers to the criminal markets.

    As an example, consider the cost of cigarettes in Canada in the late 1980s. Tax rates were so amazingly high that ordinary people were willing to buy cigarettes smuggled in from the U.S. -- exact duplicates of the "legal" product, sold at a fraction of the price. The black market became ubiquitous and socially accepted. It undercut the legitimate market so badly that the government had to lower taxes so there would be a legal product left to tax.

    Now consider a product like a movie, where the cost of reproduction is absurdly low -- zero, in fact, if you just download the movie from the Internet. DVDs in the U.S. are priced to compete with that, and I do in fact buy DVDs of films I could easily download. In China, movies are burned to DVD then sold for $0.5. Studios, trying to compete with that, hope that a price point of three times the black market rate will attract buyers to their legitimate product, thereby making the production of ripoffs unprofitable.

    --
    This is not my sandwich.
    1. Re:The black market is always a market force by evilviper · · Score: 1
      Now consider a product like a movie, where the cost of reproduction is absurdly low -- zero, in fact, if you just download the movie from the Internet.

      Hmm. I guess internet access, computers, hard drives or DVD storage space, man-hours, and electricity are all completely free now...
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    2. Re:The black market is always a market force by theonetruekeebler · · Score: 1
      Hmm. I guess internet access, computers, hard drives or DVD storage space, man-hours, and electricity are all completely free now...

      Aside from the labor, all of that stuff is part of the established infrastructure of my ordinary life. May as well factor the cost of the road into the cost of my commute. The only consumable is burnable media -- ten or fifteen cents per disk in China.

      As to the man-hours, there aren't that many: I will spend time inserting and removing the disk, clicking a few buttons, but burning a disk (like everything else in my life) happens in the background while read Slashdot.

      --
      This is not my sandwich.
    3. Re:The black market is always a market force by evilviper · · Score: 1
      Aside from the labor, all of that stuff is part of the established infrastructure of my ordinary life.

      Not true.

      When you aren't downloading movies, you'll often find a lower-priced internet service perfectly acceptable.

      When you're downloading and burning large movies, you'll find you need a larger hard drive, and your DVD burner will have a noticably shorter life-span. Besides the cost of disks.

      Downloading movies takes much more time than people realize. Waiting for things to load, searching, going through the results, checking on the process periodically, slowing down other network access, etc.

      When you leave the computer on longer, or have it doing more CPU-intensive operations, you're using more electricity than you would otherwise.

      May as well factor the cost of the road into the cost of my commute.

      You should... The wear-and-tear you're causing is actually an expense you'll pay for. It's just that it's on the order of fractions of pennies per-person, so people don't bother.

      Pollution should probably be factored-in as well.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  92. Re:Only if they realize what's *REALLY* going on.. by Anonymous Coward · · Score: 0

    Can I safely assume that your "ethics" of IT course is a less-hilarious version of Don't Copy That Floppy? ("Sharing with your neighbor is evil" to rewrite proprietors' words into a Stallman-style) If so, then I can say that I sadly agree with you.

    What I got out of the first reply was that we haven't yet seen the revolution where very few users will be on those proprietary and closed systems, we're still getting to it. Hey look at Ubuntu, it's 0-a-dozen. It's all over the media... the more people getting it, the more popular it will be (really I've heard a few friends tell me "You've got to try Ubuntu! It's free and it's more than what you'd expect from free!").

    Speaking of the "revolutions" (they rarely are in IT), we need Jabber to be more popular, down with the proprietary IM clients and protocols.

  93. In Red China, Godwin stops YOU! by tepples · · Score: 1

    There should be a rule about calling someone a communist in a discussion about Intellectual Property. We have Godwin's law for the idiots who parallel everything to nazi-ism. What do we have for idiots like you who parallel it to communism?

    If so, the discussion is over before it begins. The Article talks about American movie studios' pricing strategies in the People's Republic of China, which is ruled by a Communist Party.

  94. Legitimate DVDs Fund State Terrorism by MrSteveSD · · Score: 1

    I am tired of being forced to sit though anti-piracy adverts that I can't skip though when I buy legitimate DVDs. In response I propose that the following (skippable) advert should be added to pirated DVDs.

    By purchasing legitimate DVDs, you are unwittingly helping to finance state terrorism through the sales tax (VAT in the UK). The terrible weapons purchased with your money are used to maim and kill thousands of innocent women and children throughout the Middle East in air assaults. Do you really want children to be dismembered and killed by a cluster bomb that you helped to purchase?

    Think before you buy. State Terrorism is a Crime!

    1. Re:Legitimate DVDs Fund State Terrorism by PhxBlue · · Score: 1

      I call bullshit. There is no federal sales tax in the US--the sales taxes go to the state, county and (maybe) city. It's your income tax that "finances state terrorism," as you put it.

      --
      !#@%*)anks for hanging up the phone, dear.
    2. Re:Legitimate DVDs Fund State Terrorism by MrSteveSD · · Score: 1

      Ok, I see. I'm from the UK and here it's a national tax. 17.5%

    3. Re:Legitimate DVDs Fund State Terrorism by Chowderbags · · Score: 1

      But what about the corporate income tax, which indirectly comes from consumers?

  95. Re:More....or less? by symbolic · · Score: 1

    A copyright should last for lets say 40/50 years or the life of the author plus maybe 5, maybe 10 years

    I say less...the original copyright was only 14 years. It was later extended to 28, and so on. When the copyright was first incorporated into law, media producers faced some real challenges with distribution and production, and I believe, had a right to cover those costs and make a reasonable profit. Today, it's much different - the geographical and production/reproduction issues have been drastically reduced (via the net, and the ability to acquire the content in digital form). The irony here is that the length of the copyright is now longer than it has ever been in its history.

  96. Cultured diamonds by tepples · · Score: 1

    If you buy a genuine diamond, you're also getting shafted.

    Coming this fall: cultured diamonds from Apollo Diamond. Give your girlfriend[1] what she really wants: a real diamond free of connections to insurgency finance.

    [1] I must be new here.

  97. Piracy in the Wake of Market Failure by yintercept · · Score: 1

    I share your sentiments that pirating media is similar to stealing.

    The thing that is difficult to get around in this debate is that there is something broken that is preventing the development of a dynamic price sensitive marketplace for media. Prices seem to be fixed by monopolists and consortiums. Even worse, there is not an open marketplace where we can go to find all of the old media that we might want to access.

    In the absense of a working marketplace, Warner Brothers is now responding to price pressures from piracy. This is quite interesting

    The fact that media monopolies have started responding to price pressures from piracy is interesting. Personally, I think it would be better to have a dynamic marketplace. I am angry that P2P-piracy destroyed early attempts to establish such markets based simply on trust.

    The P2P-piracy advocates will never realize the damage that they did by undermining trust. Having destroyed the most fundamental element of an open marketplace (trust) I am not sure how or even if we can develop the open marketplace for media.

    1. Re:Piracy in the Wake of Market Failure by laughingcoyote · · Score: 1

      I share your sentiments that pirating media is similar to stealing.

      Making and helping others make more of a nonrival good is subject to forcibly removing from their possession a rival good because...?

      If I take your computer without permission, it's theft. You only had one computer. Now it's wrongfully in my possession and not in yours. Theft.

      On the other hand, if I carefully look over the specifications of your computer and make one of my own out of my own components that's exactly like it, you still have your computer, and now I have one like it too. Not theft. Not even if the fact I built my own costs Dell or HP money, not even if that denies them profits, and not even if it puts them out of business. Not theft.

      Now, to extend...I burn my CD-R, with my data, downloaded through my internet connection, that was stored on my hard drive. Not theft. Nothing was taken away from anyone. "Taking away potential profits" is a red herring-I take away potential profits from Exxon when I buy a more fuel-efficient car, I take away profits from the computer manufacturers when I build my own, I take profits away from all sorts of people when I repair my stuff instead of replacing it. None of that is "theft"-I don't exist to provide the maximum profit for every corporation I run across.

      The thing that is difficult to get around in this debate is that there is something broken that is preventing the development of a dynamic price sensitive marketplace for media. Prices seem to be fixed by monopolists and consortiums.

      The granting of a legal monopoly over periods longer then a human lifespan, results in monopoly practices? I mean, who would've possibly guessed?

      Even worse, there is not an open marketplace where we can go to find all of the old media that we might want to access.

      Oh yes there is. It's the exact one you call "piracy" and "theft" and object to. But that's what's breaking the monopoly. What else is there? They can simply refuse to license to anyone who'll undersell them, look at the price bullying occurring with iTunes. There -is- no legal way to break the monopoly, except of course to change the law itself. (Don't try to tell me that's genuinely possible.)

      Oh, and you can find all kinds of stuff there, old and new! (So I've heard.)

      In the absense of a working marketplace, Warner Brothers is now responding to price pressures from piracy. This is quite interesting

      Actually, there's a market there that seems to be working just fine. It might not be a market WB likes, and it might even be technically illegal in China, but laws that stay unenforced with a wink and a smile really aren't laws. WB is competing with it, not stepping into the absence of one.

      The fact that media monopolies have started responding to price pressures from piracy is interesting. Personally, I think it would be better to have a dynamic marketplace.

      You mean, without artificial limits on who may distribute? With price-based competition rather then price-fixing? Hey, looks like the Chinese are getting just what you want!

      I am angry that P2P-piracy destroyed early attempts to establish such markets based simply on trust.

      What "early attempts based on trust"? The media cartels have never "trusted" their customers, just how old is Macrovision again? P2P -was- the market based on trust-and it worked. If too many people leeched without ever being willing to share back, it would've collapsed. Apparently, enough people -were- willing to share that it instead grew exponentially. But when I share with you, I have no idea if you'll ever share back anything. That's trust-based.

      The P2P-piracy advocates will never realize the damage that they did by undermining trust. Having destroyed the most fundamental element of an open marketplace (trust) I am not sure how or even if we can develop the open marketplace for media.

      You mean the media cartels trusting their custome

      --
      To fight the war on terror, stop being afraid.
    2. Re:Piracy in the Wake of Market Failure by cherokee158 · · Score: 2, Insightful

      I think there is a perfectly legal and legitimate marketplace that is thriving in the digital age: the second-hand market. Secondhand media prices tend to reflect the true market value of the product, rather than the over-optimistic price demanded by retailers.

      The problem is, this has morphed into a black market...not because laws have failed...but because the market has performed as predictably as ever. Thanks to the ease of replication of digital media, the supply of entertainment has been raised to nearly infinity, and so the laws of supply and demand have accordingly lowered the street value of entertainment to zero.

      Imagine what will happen when the majority of material goods achieve this same ease of distribution and duplication. Don't laugh...you can use a 3-D printer to manufacture real objects now. What happens when you can buy one of THOSE at Costco?

      DRM is the unwanted band aid of desperate fat cats stalling for time. Our culture is facing a much more far-reaching problem: the market economy just hit the ground harder than Humpty Dumpty.

    3. Re:Piracy in the Wake of Market Failure by Anonymous Coward · · Score: 0

      Imagine what will happen when the majority of material goods achieve this same ease of distribution and duplication.

      Communism? Wouldn't really need to deal in money anymore, at that point. There'd be enough of everything for everyone.

    4. Re:Piracy in the Wake of Market Failure by yintercept · · Score: 1
      Imagine what will happen when the majority of material goods achieve this same ease of distribution and duplication.

      The price of material (such at petroleum) will soar in relation to everything else.

      BTW, both the replies to my post were simply different restatements of Marx's material dialectics (not surprising since it is taught in school).

      To Marx and the modern academia, people are souless material creatures in dull dreary lives where they mindlessly consume. To Marx, business was nothing more than a Machiavellian power play of dominance and submisstion.

      In contrast to Marx, the orginal founders of the US saw people as spiritual creatures. The property rights debate was not simply driven by the desire to produce more stuff to consume. It was driven by the thought that the creation of property was part of the way that spiritual creatures interacted with the world.

      If you accept the Free Market view then you would see that economic activity is more than just the speed of gratification (as it is defined by Marx) is it an exercise of our values in the world. The property rights issue is not simply about the friggin' speed of gratification. It is about the way free people interact in the world. Even if we have extremely rapid production cycles, those production cycles can and will be driven by human creativity and insight because the mind is the ultimate force that drives the economy.

  98. DVD is better by tepples · · Score: 1

    Big-screen film watching is a fundamentally different experience than DVD watching

    Of course it's different: Limited selection of food and drink. Exorbitant pricing. Dirty floors. Improper volume settings. Cellphones. Commercials. Crying children in PG-13 and even R rated movies. No intermissions for restroom breaks. Having to hire a babysitter for R rated movies instead of just sending your kids to bed. In many ways, DVD-Video on a mid- to high-end home theater system is better than what you get at a cinema.

  99. How to pirate diesel fuel by tepples · · Score: 1

    Too bad we can't pirate gasoline.

    That's why you buy a diesel car instead of a gasoline car, or use diesel-powered public transportation. To "pirate" diesel, you can grow crops with a high oil content and turn them into biodiesel. Heck, some modded diesel engines can run on straight vegetable oil for the ultimate YarrCar.

  100. Lockout chip business model by tepples · · Score: 1

    Game piracy is rampant everywhere. There are clearly more games downloaded and played than purchased legally.

    But what exactly is piracy? If somebody downloads and plays a GPL'd clone of Bandai's Lumines instead of buying a PSP and a Lumines disc, is that piracy?

    Yet PC (and console) games distribution is not a monopoly proposition

    Try to get your independent game ported and distributed on any set-top console or any handheld system, and tell me it's not a collusive oligopoly. Got any hints?

    1. Re:Lockout chip business model by cgenman · · Score: 1

      Try to get your independent game ported and distributed on any set-top console or any handheld system, and tell me it's not a collusive oligopoly. Got any hints?

      In set-top land, you've got Live Arcade. That the "easy" way in. If you're willing to compromise more on the design and beef up the budget, lots of platform publishers right about now are hunting for quirky independent titles to distinguish their next-gen platform from the others in exchange for an exclusive oddity or two. They're not even looking for success at this point, really, just something they can point towards to distinguish their overpowered black box from everyone else's overpowered black box.

      On handhelds, you have a lot of companies that are looking for cheap titles to milk... err, bring out. THQ is always on the prowl. Nintendo proper can help hook you up with people. Sony is enviously eyeing the success of the DS in cheap, profitable, and quirky land.

      And then you have the PC, which is a cornacopia of possible options.

      You should probably buy some development hardware yourself, then create the working demo with a team in an attempt to prove to the publisher A: you can do it B: you can do it in the time that you specify and C: the game won't suck. Of course, this takes a lot of guts and frequently a lot of relatives willing to morgage their homes for you. Hey, Turbine was founded on a lawsuit settlement from someone getting run over by a taxi.

      I'm not saying it isn't difficut. The sheer volume of money required for a successful non-PC distribution is staggering. But every company that I've worked for in the gaming industry has been independent, as is nearly all of the gaming companies in Boston.

      Really, independent studios make up about 1/2 of the development houses in this industry, with the major 10 publishers accounting for having bought the rest. It can be disenchanting, and highly business-like. But if you perservere, there are ways in.

    2. Re:Lockout chip business model by tepples · · Score: 1

      You should probably buy some development hardware yourself

      Unless one is already licensed, the only way one can legitimately acquire official console development hardware is to be hired by a licensed developer. Or did you mean "buy some PCs and implement your working demo in OpenGL" because the GameCube, DS, and PSP are said to use OpenGL-like libraries?

    3. Re:Lockout chip business model by cgenman · · Score: 1

      That's true. I'm not used to working with unlicensed developers, and am not familiar with the process of getting licensed (though I've heard it is less painful and more expensive than one would expect).

      However, if you're planning next-gen content, a PC build should be convincing to a publisher, especially for X360 content. DS compatibility has been achieved for some time in the homebrew scene, so it would be possible to create a demo of a DS game that would actually play on the DS, and for little outlay in hardware development (compared to the wetware outlay).

      Of course, 'get yourself licensed' is always easy to say for someone who only works in these companies, but every company I've worked for has gone through the process at some point or another.

  101. Drivers by tepples · · Score: 1

    A case can be made for the value of Vista being $0, because that's the price of a substitute product.

    I'll guess that your "substitute product" is Ubuntu Linux or some other popular GNU/Linux or *BSD operating system. But imagine a piece of hardware that has a working driver for Windows NT series operating systems but no driver for Linux *cough* 4-digit Microtek scanners *cough*. The price of the substitute product would have to include the price for a substitute for the hardware as well.

    1. Re:Drivers by Fanboy+Troy · · Score: 1

      The price of the substitute product would have to include the price for a substitute for the hardware as well.

      As would the cost of any substitute hardware needed to run Vista *cough* bloat *cough* in an equally productive manner. Also, it is funny the added cost of upgrades down the road never gets counted, or the value of freedom subtracted... ;-)

    2. Re:Drivers by tepples · · Score: 1

      it is funny the added cost of upgrades down the road never gets counted

      This happens in part because upgrades from an old PC+OS to a newer PC+OS of the same platform[1] usually replace only the PC hardware and its bundled operating system, not the (often more expensive) peripherals and proprietary software.

      the value of freedom [never gets] subtracted...

      This happens because at least 51 percent of consumers[2] in the United States don't care enough about freedom. Case in point: Michael Badnarik, the Libertarian candidate, lost the 2004 Presidential election.

      ____________________

      [1] I know a lot of you will chime in about Windows 98 to XP breaking device drivers, but I consider Windows 9x with its VxD model and Windows NT with its WDM model to be separate platforms for this discussion about peripherals. Certainly, Windows Vista is more like XP than XP was like 98.

      [2] I know a lot of you hate the word "consumer", but what word better describes those who use a product for life support or entertainment rather than for producing marketable goods and services, or one whose bookkeeping is not double entry?

    3. Re:Drivers by Fanboy+Troy · · Score: 1

      Costs for hardware substitution is not found only on the linux side.

      How about PaperPort 6.5?

      Note: PaperPort 6.5 is not supported on Windows XP.

      How about Epson GT-6000?

      This is a parallel scanner, parallel scanners are not supported under the TWAIN standard in Win XP. EPSON will only support scanners under the TWAIN standard, therefore it is not possible to install this scanner in WIn XP with EPSON drivers, period. This is a very old scanner and will not have a useful lifespan left, you can buy a more reliable and higher spec unit for less than =A370 ($100).

      How about the visioneer 6000 series?

      It looks like you're out of luck. After Win 2000 came out, Visioneer said they wouldn't update the 6000b driver to work with Win 2000 - which almost certainly means it won't work with XP either. http://www.ntcompatible.com/story346.html

      How are you going to convince me to replace a perfectly working scanner just to upgrade my OS? :) It looks to me like linux is not the only OS that doesn't support all hardware. The difference being, once supported in linux, support never goes away. On the other side, windows support is built by the same people that make the hardware, thus the fast initial support but also the small period of support. When upgrading PC+OS, more likely than not, you _will_ have older peripherals, probably not currently supported by their vendors. So, I'll boldly say that while linux may cost _you_ money, it also may save money to others in other circumstances.

      This happens because at least 51 percent of consumers[2] in the United States don't care enough about freedom. Case in point: Michael Badnarik, the Libertarian candidate, lost the 2004 Presidential election.

      Well, you could always vote with your wallet and incourage others to do the same... ;-)

  102. The truth is by Julian+Morrison · · Score: 2, Insightful

    ...that every bit of packaging beyond a printed cardboard sleeve and a waterproof plastic wrapper exists solely to convince you on a subliminal level that you're buying something more substantial than data.

    Same goes double and triple for software. One DVD's worth of data, in a fat 6 by 4 by 2 inch box with a half-inch thick printed manual (how quaint!) and some packing peanuts. As unsubtle as a puffer-fish!

  103. Mastertronic by Anonymous Coward · · Score: 0

    Check the history of Mastertronic, who dropped the price of computer games to GBP1.99 and no longer had a piracy problem, even though you could copy a game for GBP0.80, it just wasn't worth it.

  104. Property tax, intellectual style by tepples · · Score: 1

    our government is fostering these abuses because it's a major revenue generator and taxable source.

    So why doesn't the US Congress take more action on HR 2408, which would establish an additional "intellectual property tax" on works that are still exploited after 50 years?

  105. Limit != remove by Infonaut · · Score: 1

    The problem is the question of cause and effect - if we remove copyright much of the economic incentive to produce this abundance would disappear, and we would likely to be facing a great decline in both abundance and quality.

    I never said anything about removing copyright, and the example of the Hong Kong film industry is irrelevant to discussions of copyright term length.

    When copyright was introduced in the comparatively slow-moving commerce of the nascent United States, the term was 14 years, with a right to extend for 14 more years if the author was alive.

    Now we live in a global commerce environment that moves much more swiftly, where tremendous profits are made in days and artistic works can be distributed all over the globe in a matter of weeks. Yet amazingly, the copyright term is now the life of the author plus 75 years, or 95 years for works under corporate authorship. This came into effect even though the vast majority of copyrighted works provide no revenue to their owners beyond a few years.

    This has nothing to do with piracy. United States law in effect says that the ideas of an individual can continue to make money for another party long after the creator dies. It has gone from being an incentive favoring creativity, to an incentive for corporate entities to milk the monetary value of artistic works as long as possible. It is corporate welfare handed out by the government to support established media distribution cartels. They are using legislative action to stave off the collapse of the business models that brought them so much wealth in the 20th century.

    As a final note, don't you think it is ironic that Disney, the most powerful promulgator of copyright extension, is using copyright law to extend their exclusive rights to control so many films that originated from the public domain?

    --
    Read the EFF's Fair Use FAQ
    1. Re:Limit != remove by the+eric+conspiracy · · Score: 1

      United States law in effect says that the ideas of an individual can continue to make money for another party long after the creator dies.

      This is not unique to the United States, and in fact most of the world offers at least 50 years past the death of the author.

      The other question has to do with the ideas of an individual continuing to make money for a third party after the originator's death. The fact is that copyright of a work is generally transferred from an employee to an employer as part of an agreement to pay the employee a regular salary, a.k.a. 'work for hire'. The value of that copyright, amortized, is the incentive that the employer has to fund the copyrightable work. Decreasing that term directly reduces that incentive. Having the copyright term extend well past the creator's life span removes the issue of the employer having to calculate the employee's expected life span when trying to determine the value of a project and how it should be funded. Removing this extention would create the rather bizarre situation where older fertile creative talents would not be able to find funding for their works.

      Now you can debate the ideal length of this term, but having it be 50 years or so is not outlandish.

    2. Re:Limit != remove by Artifakt · · Score: 1

      This is not unique to the United States, and in fact most of the world offers at least 50 years past the death of the author

      Most of the world derived there modern copyright laws from their own earlier systems. That may be for worse or for better - there are some interesting ideas involved in what's called "moral copyright", where the law is attempting to protect a creator from having his ideas used to support causes he or she diametrically opposes.

      However, U.S. citizens should remember that the constitution set out to craft a copyright system that was in many ways directly opposed to the way copyright was handled in Europe at the time, and that modern European copyright law is not revolutionary, but evolutionary in this respect. The whole idea that the U.S. needs to bring its copyright system into line with Europe's is rather similar to saying we need to make the office of highest leader a lifetime job, like Europe used to do in the Age of Kings.

      You've given a good arguement against the "life" part of "life plus" copyright terms, and I've given some arguements against the "plus" part earlier in this thread. Soulds like what's left would be a fixed term, just like the founding fathers said.

      --
      Who is John Cabal?
  106. They're already selling them cheap elsewhere by CaptainVoid · · Score: 1, Interesting

    They're already selling them cheap elsewhere I am in Latvia right now on a Fulbright. One of the "big" supermarkets in Riga sells DVDs for 1-2 lats. (1 lat = $1.75). I only get Latvian and Russian cable so I will take what I can get. Typical movies like: "The Chronicles of Riddick," "Underworld," "Resident Evil," etc. are one Lat.

    Latvia is an EU country so these are clearly NOT pirated. Of course the per capita income is lower than in the US but higher than China by far (no real piracy problem of course), the price is very reasonable locally since a movie, the opera, etc is about 10 Lats. I almost never buy DVDs in the U.S. because the price is not worth paying for a movie that might suck. I do not go to movies for the same reason. My local public library has a great selection of CDs risk free, however, and you can buy a whole season of something good (B5, CSI, etc.) for 40 bucks.

    Anyway, I have bought dozens of them since I arrived. The last time I bought a video in the U.S. was at least five ago. Since I can get used videos for five bucks in many places (or free at the library), why should I give the industry a penny more? Now they can make something from me -- since the prices are reasonable.

    As many have pointed out here, if they lowered the price (like that booze in the mini bar in the hotel), many people who do not buy would start buying and piracy would be pointless. Same principle as the boneheads who bitched about outlawing smoking in bars and then discovered that the young people and bar crowd still goes out but now so do the non smokers. Go figure.

    [Somehow I posted this earlier to the wrong story -- one I never even read. Sorry.]

    1. Re:They're already selling them cheap elsewhere by Anonymous Coward · · Score: 0

      It's good to see you're enjoying your Latitude.
      *ducks* :)

  107. 6,454,000,000 people don't speak Polish by tepples · · Score: 1

    in Poland, for years now, you can buy legal DVDs with papers and magazines for $2-$3, and normal commercial releases of not-so-fresh movies for $5-$6.

    I'd bet that they're dubbed into Polish only as an extra form of region coding on top of the player-enforced Region 2 code. Now you see part of why the soundtrack costs more than the movie nowadays.

    1. Re:6,454,000,000 people don't speak Polish by Gadzinka · · Score: 1

      I'd bet that they're dubbed into Polish...

      No, usually they are not. We (the Poles) frown upon movies dubbed into Polish since almost always the quality of dubbing is MUCH lower than the original. The only movies that are dubbed to Polish are children movies, and still usually you have the choice of original and dubbed soundtrack. There are usually only Polish subtitles.

      But that's besides the point. These movies are to be bought legally for a decent price and people are buying them, even if they could buy pirated copies from Russians on every flea market.

      And at the same time music CDs cost many times more, they are not selling and RIAA counterparts are demanding from national legislatures the powers of secret police of totalitarian state, because those bloody pirates are taking away the food from the mouth of their children.

      There are people that can grab oportunity, when they see it, and than there are people, that are used to take money by force, "for protection".

      Robert

      --
      Bastard Operator From 193.219.28.162
  108. Go away, you're not 21 by tepples · · Score: 1

    I've known a few people who've successfully run five-guy record companies

    How do microlabels verify that a songwriter has not subconsciously copied an existing copyrighted work that was played on the radio ten years ago? How do microlabels promote their product to minors, who cannot visit music venues with affordable ticket prices because such venues rely on alcohol sales to make up the difference? How do microlabels promote their product to minors, who are often forced to listen to major label music on commercial FM radio on the school bus on the way to and from public school? How do microlabels sell their product to minors, who cannot pay with anything but cash?

  109. Spot on by Migraineman · · Score: 3, Interesting

    Man, you're making me feel old ... I've witnessed 40 of those 50 years. BTW, your description of the situaiton as Breach of Contract is very well worded.

    That said, I feel like I'm in the same exact situation. I've expressed my dissatisfaction with the Sonny Bono Indefinite Copyright Extension nastiness. The retro-active part makes me particularly furious ... that's the piece I consider to be the material breach. More specifically, the original copyright terms formed a valid contract - the three requisite parts were satisfied (offer, acceptance, and consideration.) The "consideration" in this case is an exchange of a short-term monopoly for public-domain status at the end of that term. Disregarding the offer and acceptance aspects of the retroactive extension, there's only benefit for the copyright holders and none for the public. The copyright extension act therefore fails the consideration test, and is not a valid contract. The public already had the "revert to public-domain" element in the original contract. The extension offers benefit to the copyright holder in exchange for ... what? (hint: nothing.)

    I've used the term "breach of contract" in many discussions. Is it possible to file a class-action lawsuit against Congress for Breach of Contract?

    I'm quite certain that the lawyers would have a field day with that. The original contract was negotiated by representatives of the people, and I'm also quite certain that they'd argue that the terms of said contract were re-negotiated by representatives of the people. The whole "representation" thing creates a nasty grey area - we citizens aren't allowed to opt-out of laws we don't like.

    In the words of Ed Howdershelt: "There are four boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order."

    Looks like we're exhausted the first two ... are we up to number three already?

    1. Re:Spot on by mpe · · Score: 1

      That said, I feel like I'm in the same exact situation. I've expressed my dissatisfaction with the Sonny Bono Indefinite Copyright Extension nastiness. The retro-active part makes me particularly furious ... that's the piece I consider to be the material breach.

      It's a complete nonsense that this can possibly be in accordance with the US Constitution. Not only is ipso post facto legislation not ment to be allowed but extending the copyright term of already existing works cannot possibly encourage their initial creation and publication (even if the creator is still alive.)

  110. Human voice actors by tepples · · Score: 1

    I feel certain that within fifteen years movies will routinely be made without human actors

    Not even voice actors? The first Felix the Cat films came out in 1919, and after over 80 years we're still using human voice actors for animated films. We're also using human model artists, human texture artists, human cinematographers, human experts in (virtual) lighting, human script writers, human soundtrack composers, and human lawyers to secure licenses for songs on soundtracks. It takes a lot more humans in a lot more specialties to make a feature film than to make ten recorded songs, which is why you're not going to see garage movies take off as quickly as garage music.

  111. Small children by tepples · · Score: 2, Funny

    I find no need to own the DVD after I watched it already, unless it is a good movie or something and then I'd buy a copy.

    You more than likely do not have small children, who will happily watch the same G-rated animated movie week after week.

  112. Re:More....or less? by shmlco · · Score: 1

    "Today, it's much different - the geographical and production/reproduction issues have been drastically reduced..."

    Yeah, LOTR only took, what, eight YEARS to produce?

    --
    Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
  113. Restition of Information is anti-humanity by Anonymous Coward · · Score: 0

    The Creation of Monetary Wealth by restricting the flow of information should become more and more difficult to justify every new day of the 'information age'. Creativity is Capital. Wealth should be measured by Progress otherwise it pays to have a small boy break windows.

  114. Why so expensive? by HermanAB · · Score: 1

    I have seen these Warner DVDs at a Canadian truck stop for CAD0.99 which is about USD0.85 - or are these the pirate copies? The US truckers buy stacks of them...

    --
    Oh well, what the hell...
  115. Rights of publicity by tepples · · Score: 1

    Swedish publishers could then have used my photographs for free where they occasional pay me license fees now.

    I don't know how privacy laws work in Sweden, but if they're anything like how they are in the United States, people who reproduce and distribute your photos of human subjects may still need the permission of each subject. You can set yourself up as a license broker for rights of publicity in your photos whose copyright has expired.

    1. Re:Rights of publicity by Vadim+Makarov · · Score: 1
      Should have been photographs I took, of course. Who needs me - I am not a model :)

      E.g. this and this pictures were licensed to Swedish firms for use as illustrations/ads.

      --
      17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
    2. Re:Rights of publicity by tepples · · Score: 1

      Who needs me - I am not a model

      The point was that you can act as a point of contact for the models that you photograph.

    3. Re:Rights of publicity by Vadim+Makarov · · Score: 1
      Well, if the Pirate Party prepares a new copyright law, they'd better take care not to leave such loopholes. For example, if the model initially allowed commercial use of her images, the right can't be taken back when the image falls into public domain.

      Anyway, a standard model release form used by pro photographers contains a blanket permission for all commercial uses that the model signs away.

      --
      17779 eligible voters in a district, 17779 'vote' as one. This is Russia.
  116. "Welcome to the End of the Computer Age" by jellybear · · Score: 1

    "Is such a model viable in the long term?" you ask. No. It will lead to the end of the Hollywood movie age. MWahahahahaha.

  117. Re:More....or less? by symbolic · · Score: 1

    I was mainly referring to the actual physical production of the medium, not the content itself. My point stands that the industry is benefitting from economies of scale that weren't available when copyright was first enacted. If they want to blow years and millions of dollars on its creation that's not a requirement, it's a choice.

  118. you got that right! Being around to see things cha by zogger · · Score: 5, Insightful

    ...gives you a unique perspective and brings home reality over their BS they spew. I'm in a similar half a century + change personally screwed by those bozos. A couple of my pet peeves are them continuuing to muck about with gun rights after they promised the 68 act would be "it", no more after that, and later on with the huge illegals amnesty during the reagan years (I think, don't remember, 84??), then they said they would "crack down" and "enforce the laws on the books".

    Oh ya, my all time *favorite* "random courtesy roadblocks". WTF is up with that?? Remember back in school we were taught only supremely evil and totalitarian bad places like east germany and whatnot had those sorts of roadblocks (Your papers please!) and how wrong and illegal it would be here?

    Man, there's a bunch. You are right, people of a younger age don't have any frame of reference on some of these subjects outside of an academic one.

    Now here's one I keep trying to maintain a frame of reference on, the great depression. It's hard, but I try, I keep it in the back of my mind when I look at economic news andd geopolitical events. I wasn't around then, but my parents and aunts and uncles, etc, were, and I distinctly remember the stories they told me about it and how amazingly fast things can change and how utterly bogus the stock market/government currency manipulators are when it comes to hosing the population with their congames. Keep promising them just this huge something for nothing deal until they are all sucked in, then WHAMO, drop the hammer and walk off with all the REAL wealth leaving the peons holding the bag with worthless paper. Seems they pull this stunt on a big scale every other generation or something, because it takes that long for people to "forget" those "leaders" main skill set is *lying*. They are professional grifters.

  119. When are those DVD available on Ebay? by Anonymous Coward · · Score: 0

    Someone from China is going to make a killing selling those legit DVD for $3.50 on Ebay!!!!

  120. Re:More....or less? by shmlco · · Score: 1

    "f they want to blow years and millions of dollars on its creation that's not a requirement, it's a choice."

    It's not so much a choice as it's an investment, made in the hope that someday said investment will be profitable. Remove the potential for profit, and the investment would not be made.

    --
    Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
  121. 75 cents by ShakaUVM · · Score: 2, Informative

    In China, the price of pirated DVDs in Shanghai (pirated DVD capitol of the world -- they have brick and mortar shops) is firmly set at 8 kaui by the pirated DVD mafia. Whereas you can haggle with Shanghai shops on nearly anything (I got a North Face jacket for 20$ when they wanted $150), I couldn't once budge even a street DVD hustler off the 8 kuai price point (they're people that walk up to you on the sidewalk and sell unsleeved DVDs). The street "Rolex" hustlers, by comparison, would usually haggle down to a 10-to-1 ratio off their starting price.

    8 kuai is right at $1 right now (buying at 7.99, selling at 8.02), not 75 cents. So they're coming in closer to the pirates price point than that. And Chinese people I talked to actually prefer real goods; it's just hard for them to justify when the pirated goods are so much cheaper... sounds like it should work.

  122. bad movies shouldn't profit by majid_aldo · · Score: 1

    but for newer ones that have yet to break even (they don't all manage to at the box office) it's definitely a factor.
     
    what if the movie sucks and it deserved to lose?

    --
    --- widget evolution: enhanced, plus, super, ultra, extreme, exxxtreme, ultra-extreme, ..etc.
  123. Copyrights and the Free Market by zotz · · Score: 1

    I find it interesting that so many people who believe in Free Markets (hint, you can count me in that number) do not think the Free Market can find a solution to this problem (hint, I am probably not in this number) but that the government is needed to step in and grant monopoly rights or art and the like would cease to be made.

    [They'd wait for him to perform, tape it and distribute the song that way, without giving him a cent.]

    And exactly how would they do this? The artist would have a EULA on the back of his concert tickets making this illegal. Let's hear what they would do instead.

    [The balance is way off. But that doesn't mean we have to throw the right out, we just have to put it back into balance.]

    This is true, perhaps not for the reasons you hold, but do you have any sure fire ways to do this in a reasonable time frame? You don't have to throw the right out, but you could without taking one of those inalienable rights from anyone.

    all the best,

    drew

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  124. Piracy abit of natural distibution at work by hazygin · · Score: 1

    ths situation in china today is that we still have very large number of people willing to work for very low profit margines, this provide most of the economic backbone of china it is these efficent workers thats realy sluging it. In the case of praicyn, tis due to the shear number of people whilling to try and pirate DVD, it is almost impossible to enforce since it's essentaly a bottom up effect. much akin to the file sharing that is currently going on on the internet, there is no legit long term distributors or distupution network. It's all done localy becasue it can be done, this is also one of the reasons why legal operations find it soo hard to compete, because it needs to manualy distrubute the content which is probably produced more expensive as well with no ensurance on sells, compared to the pirates who only need 2 have a computer, half decent printer and a internet connection. The two major diffrence realy is that instead of lets say, sony making money, some ripper in china is. The second problem as mentioned b4 is that the artist is the one who realy misses out on the cash benifits of this kinda of system. But it does mean however the artest is more likely to be famous becasue more ppl have seen his work, thus increasing the demand for his work. ie: he gets loaded any way since now every one wants a piece. In the long term however such as systeme degrades the quaility of work produced by local chinese studios since they get very little in terms of direct fincal feedback. This is not a great problem in china at the moment because a most of the pirate DVDs are Hollywood films and old short TV series, which have already lost their value or can be dl for free any way. The only netigive feedback one gets for buying a pirate DVD is that it's bad quilty but watchable.

  125. Price discrimination by Beryllium+Sphere(tm) · · Score: 3, Insightful

    The next refinement is to look at the area between those lines. It's lost revenue. If supply and demand converge at 50 quatloos for an isolinear chip, then all the people who would have been willing to pay 100 quatloos get a free ride.

    Look around and you'll see zillions of clever ways to charge both 50 quatloos and 100 quatloos for the same isolinear chip. One is the "early adopter tax", in which the 100-quatloo folks get the first samples of the chip. Another example is air fares, where expense-account people get on-demand anytime travel but 50-quatloo people have to stay over Saruday.

    Price discrimination feels unfair but economists say it's efficient and beneficial. More planes fly, more isolinear chips get built.

    Piracy happens when there's no price discrimination. There are people willing to pay $15 for a CD, or at least there used to be. If you insist on selling all your CDs for $15 you miss out on the $7.50 narket and on the people who'd be happy to pay $3 to avoid the hassles of P2P. If you're not blinded by greed and scrambled by drugs you segment the market and put products at all of those price points.

    1. Re:Price discrimination by Reziac · · Score: 1

      Exactly what TFA was suggesting, with some value-added for the higher-priced models (much akin to the diff between flying standby, and flying first-class).

      I find the whole concept very reasonable for DVDs: Basic DVD in a plain package for a buck; DVD with some extras, in a plain package, for a couple bucks; DVD with extras, director's cut, and nice printed booklet in a spiffy package, for regular retail price. IOW price discrimination with some incentives for the consumer to be "more discriminated".

      They'll soon learn which model hits the consumer sweet spots, and how much of each type to produce for max profits across the entire market spectrum.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  126. *whoosh* by Anonymous Coward · · Score: 0

    The sound of the grandparent's comment passing through the air in a locale distant to the parent.

    Doesn't follow the thread of discussion at all. The GP was arguing that the quality of the legal releases is not higher, and thus not a very good alternative.

    The grandparent lives in a land where all the legal houses are trailers, built to fall apart in five years- not because of the cost of building real homes, but simply because it's the only legal game in town, and the consumers "have" to accept it. The free, illegal homes are the only ones worth it...

  127. Exactly. by Estanislao+Mart�nez · · Score: 1

    Equalizing the prices in the American and Chinese DVD markets can ultimately only be sustained by equalizing the prices in all other markets that they interact with. Critically, the labor market. If you want $1.50 DVDs in the USA, you should also be willing to accept Chinese wages.

    1. Re:Exactly. by Maxo-Texas · · Score: 1

      Of course you are correct.

      I guess since I'm not competing with indians and chinese willing to able to work for a tenth of my salary that I should pay full prices.

      Oh wait... I AM competing with indians and chinese who are able to charge less because they get everything at a discount while I pay full price for everything.

      So since I AM competing with them, then there should not be artificial laws preventing me from being able to purchase a) DVD's , b) medicine, c) Windows software at the enormously discounted prices they are paying which allows them to undercut me.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  128. This points to a tactic for developed worlds by Flyboy+Connor · · Score: 2, Insightful
    So, in China piracy is rampant, and Warner cannot sell any movie at its usual price. Thus, they decrease the price to a considerably more reasonable $1.50. Does that mean that in the US and in Europe, we have been paying too much for these DVDs all along? That we did not pirate enough? It seems consumers should start pirating much more, to get those reasonable prices over here too. Thanks, Warner, for showing us the light.

    Warner is rewarding a country for having a legion of pirates. As a consequence, Warner is punishing us for being legitimate buyers. That really annoys me.

  129. You, relativist. Me, moralist. Theft is theft. by MickLinux · · Score: 1

    Okay, you were talking about justifying copyright by the public good. A lot of people would agree with you. Most libertarians wouldn't. For them, if it involves force, it is wrong, and any perceptions of public good are wrong too. Most moralists, myself included, wouldn't. For me, theft is taking that which is not yours and is someone else's.

    That *does* include piracy. Going on the high seas, taking a ship (or causing it to break up on a reef with false lighthouses) is taking that which is not yours.

    Likewise, going around the law to copy a DVD which is named as someone else's is also theft. It is taking for yourself that which belongs to someone else.

    But so, too, is trying to extend one's copyright, even through use of the law. That product belongs to the public domain as of year X, and to try to attempt to seize it for one's exclusive ownership is to steal it from others.

    Let me take it a step further: the original attempt at legislating copyright was also theft. God did give to us the ability to intellectually reporoduce ideas, and to manufacture products, including copies. That did originally belong to each and every person, and was a major factor in the renaissance of Europe, the philosophy of Greece, the Library of Alexandria. To take that gift of God away from the populace, and hand it over to a single person, was also an act of theft. To justify it in the name of public good is no better or worse than to say "I'm stealing it because I need/want it " (or because my wife wants it.

    But one theft does not justify another theft. If someone steals something from you, you should not just steal it back, or join the thieves and start stealing whatever you need. That destroys the common trust of society. In the end, it means that all who are honest will be hurt the worst. Rather, if someone steals something from you, you should either get the theft rectified by going to a proper authority over the both of you -- or you should simply accept and forgive the theft, lest your response cause even worse evil and damage.

    Does this mean that thieves will thrive? Yes, for a time -- but they will also make enemies, and when disaster strikes them, they will find few friends to help them out.
    Wouldn't this gall honest people? To some extent, yes. The "galling" is an internal protest at one's lack of power to enact justice. But remember that we are in fact unable to defend ourselves as much as we need, so "galling" means that we are seeing things clearly.

    But it does seem to me wrong to ask if there is a benefit to piracy. I would say no. There is definitely an apparent benefit to piracy -- that is unmistakable. But the appearance and the reality do not always agree. I would contend that piracy also destroys the fabric of society. It may not seem significant, but I would contend that it is real and important, and will add up in the end.

    --
    Correct Horse Battery Staple: 72 bits of entropy. Enter "Correct H" into google. When it generates the phrase, that's
  130. a simple fixed term seems best by petermgreen · · Score: 1

    works for hire are already done that way (though with a term thats far longer than I think it should be) but creations by individuals are not.

    this effectively means that unless you know who created something you can NEVER be sure its in the public domain!

    imo a couple of decades from the initial release to public domain entry would be perfectly sufficiant for companies to cover thier costs. It would also stop companies just sitting on classics for years and force them to innovate to stay in buisness.

    --
    note: i'm known as plugwash most places but i screwd up registering that here somehow in the past and now can't register
  131. Cost of movie is cost of DVD by RingDev · · Score: 1

    2 tickets to an evening showing of the latest movie: $17.00. Bucket of popcorn and soda: $6.00. Gas to drive to theater and back (in new 44mpg car) $3.00. Cost of babysitter: $0.00 (Thanks to Grandma!). Total cost: $26.00

    New released DVD: $20.00. 2-liter soda and popcorn: $5.00. Gas: $0.00 (Bestbuy on route home). Babysitter: $0.00. Total Cost: $25.00

    Not to mention at home we can pause the movie if we need to get up. And if we do like the movie, we can watch it again.

    All in all, $20.00 doesn't seem like that bad of a deal to me. At $1.50 a movie, they have to be looking at 10 million sales to GROSS the cost of a bargin basement movie. Most likely they'll need close to 40 million sales at $1.50 just to cover the cost of the movie and distrobution. And that's just for a $15mil movie. Imagine trying to turn a profit off of a AAA title!

    And we're not talking about Jimbo in his dorm room downloading a song, we're talking about companies that rip and re-press DVDs for resale and mass market distrobution. Nah, the primary issues are 1) copy right infringement. And 2) the artificially low value of Chinesse currency.

    -Rick

    --
    "Most people in the U.S. wouldn't know they live in a tyrannical state if it walked up and grabbed their junk." - MyFirs
  132. Sally does Houston? by Anonymous Coward · · Score: 0

    Sally Does Houston?

    You mean Houston like the Houston 500/620 ? :-)

  133. Re:More....or less? by symbolic · · Score: 1

    You've now brought me to a question that I didn't think I'd have to ask...what is the average period of time over which such an investment is recouped? To clarify, at what point is such an investment considered a loss, or a profitable venture? Do you really believe that studios and other content creators amortize their "investment" over the entire life of the copyright?

  134. Artificial Scarcity by SonicSpike · · Score: 1

    The problem is that copyright creates an artificial scarcity in the market.

    When that scarcity is invalid or nulled, the price aims for zero $0.

    I learned that in high school economics (non-honors).

    --
    Libertas in infinitum
  135. No, it's not sustainable. by Ivan+Matveitch · · Score: 1

    Eventually the consumers will become zombies and take to wandering around foggy graveyards or something. Obviously, zombies do not buy movies; they prefer to entertain themselves by eating your brain.

  136. Moralism? by Infonaut · · Score: 1

    Okay, you were talking about justifying copyright by the public good. A lot of people would agree with you. Most libertarians wouldn't. For them, if it involves force, it is wrong, and any perceptions of public good are wrong too. Most moralists, myself included, wouldn't. For me, theft is taking that which is not yours and is someone else's.

    I'm not sure what you mean by moralism, because every definition I've ever come across is squishy. In fact, many of the definitions call it "judgments about the morality of other people." I assume that is not the meaning you wanted to convey.

    Did you simply mean to imply that a person who believes in compromise is inherently relativist, and that those who abide by an unwavering philosophy are morally superior?

    --
    Read the EFF's Fair Use FAQ
    1. Re:Moralism? by MickLinux · · Score: 1

      For me, a moralist is a person who attempts to identify all actions as right and wrong, good and evil, or a specific combination thereof. It isn't to say that there is no gray, but rather to say, "if I see gray, it is because I do not yet see clearly. Let me try to focus more."

      Now as to what I meant regarding the theft:

      I mean that a person who justifies the taking of another's property on the basis of some percieved good, is still breaking the law of ownership. That law of ownership is a natural law -- what is posessed by one creature (a nest, a nesting stone) the creature attempts to defend.

      When you compromise your understanding of the natural laws, you compromise your ability to see clearly.

      To that extent, the person who steals and yet says I know it is stealing; I know it is breaking the law, is not as damaged as the person who steals and no longer recognizes that he is stealing.

      I suppose that that is meant by the phrase "sin blinds a person". Eventually, the thief no longer recognizes what theft is.

      I would also indeed say that the person who steals and yet recognizes that it is theft, is -- aaah, I hate to use the word morally superior -- but he is quite possibly on the way out of his evil. Just as the way to stop an infection can be to lance the would and expose the wound to air, the way to stop an evil can be to first recognize the evil and declare that evil for what it is.

      --
      Correct Horse Battery Staple: 72 bits of entropy. Enter "Correct H" into google. When it generates the phrase, that's
  137. Re:Cost of movie is cost of DVD by ShakaUVM · · Score: 1

    They don't rely on foreign markets to pay for their films. A film is a success if it breaks even in America. Foreign sales are all gravy.

    They're trying to maximize their profits by setting a lower price point.

  138. Re:Name some non-illegal methods that made big cha by Anonymous Coward · · Score: 0

    Ooo Ooo ... Can I play too!

    Civil Rights for Blacks (1960's)

    Civil Rights for Illegal Immigrants (2007)

  139. they should do this in the US by ALpaca2500 · · Score: 1

    if i could buy a DVD without the fancy packaging, without and of the hours and hours of extras they put on dvd releases nowadays, and pay $5-10 for it, i would probably be buying all sorts of DVDs, maybe a few a month. instead of only buying ones i KNOW i'm going to want to watch a few times or more, becuase they cost goddamn $25+

  140. hi guys when you american are talking about the by Anonymous Coward · · Score: 0

    hi guys when you american talking about the piracy, we chinese are laughing at it and just enjoy every moives, not from the DVD disc but from the BT. that's the point why warner makes a cost down. BT, BT is the key.

  141. Re:More....or less? by shmlco · · Score: 1

    Let me answer a question with a question: Do you believe that every book, album, and movie produced is a blockbuster?

    Obviously not. Now a tougher one. Is every book book, album, and movie profitable? Again, if you look at the number of books and albums that are remaindered, and the number of movies who are off the screens after the first week, or the ones who go straight to DVD to start with, you'll have an answer to that question as well.

    So yes, investments are recouped over time. In more cases that you'd suspect, the investment is never fully recouped, and those production costs are subsidized by more successful efforts. And don't quote "investment" at me. That's exactly what it is. And not all investments pan out.

    --
    Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
  142. Hey I have to take that course by themusicgod1 · · Score: 1

    or one that sounds exactly like it. Any pointers?

    --
    GENERATION 26: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
    1. Re:Hey I have to take that course by GigsVT · · Score: 1

      Since I'm taking it at Capella, the discussion format of the course lets me air my challanges to the material.

      If you have to take it in the normal lecture format, good luck.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
  143. Height not Time, for physical property. by spaceturtle · · Score: 1
    "It is ancient doctrine that at common law ownership of the land extended to the periphery of the universe. But that doctrine has no place in the modern world. The air is a public highway, as Congress has declared. Were that not true, every transcontinental flight would subject the operator to countless trespass suits. Common sense revolts at the idea." -- Justice Douglas



    Also as I understand, Land can reclaimed it the by the government if it is not used for a period of 70 years. If this were not the case the each time the true owner was permanently lost the amount of usable land would decrease. Likewise, if an artwork hasn't been worked on for 100 years then it becomes public domian, otherwise the updated version remains copywrited and only the old version becomes public domain. If you weren't allowed to copy works that were over a hundred years old without tracking down the owner these works would be lost permanently.



    Also no idea exists in a vacuum. Most ideas come from other ideas, e.g. all of Shakespeare's works were based upon other peoples play's and stories. Giving ideas permanent ownership would mean that all aspects of our culture would be owned by someone and there wouldn't be a body of work that new works could draw from.

  144. These "cheap" DRMs will be too hard to use. by spaceturtle · · Score: 1

    I imagine that the low-income Asians that these are aimed at would find these fancypants expensive DVDs hard to use because they won't "just play" on their dvd-players. I doubt many low-income asian people appreciate that to play DVDs you are "meant" fiddle with your DVD player's region encoding first, given that buying DVDs that supported this "feature" used to cost over a weeks pay.

  145. Re:Old counter-argument by FLEB · · Score: 2, Insightful

    Okay, all right, so "stealing" isn't the right term. Just because the common terminology doesn't accurately describe the practice, that does nothing to wash the practice clean of any wrongdoing. Similarily, just because (you may feel) infringement is often committed against "bad" people, this still does not say anything to the legitimacy or "correctness" of the actual act of infringment. You're arguing about peripheral subjects and haven't said a thing about the actual matter at hand.

    To those with the means and ability to create content, a right is granted: to control the distribution of that content by utilizing legal systems. It is an artificial right, but it is given to counteract the fact that it is unfairly easy, given the simple physical requirements of copying, for a copier to profit from someone else's much more laborous act of actually creating content. The creator, without copy control rights, would be a fool to create anything at all, as the inventive work would be worthless after the first knock-off artist came along and did the simple task of pumping out bootlegs.

    Do you have the means and motivation to create a couple hours of movie entertainment? If not, than pony up to the people who do, or go without. It's called "specialization" and "trade", and it's been a part of civilized society for quite a while.

    Considering that "content" is not a right or a basic sustainance need, and that publishing is not an esoteric or vastly expensive art only available to a select few, then it's a perfect playing field to "let the market decide". So Sony, EMI, BMG, Warner, etc. are all raging bastards? Don't buy... and don't give me lip service about "boycotting" and taking the high road if you'd just go and grab it bootleg. It's not a need, and there are alternatives out there, so a "boycott" without the rather mild sacrifice involved in not actually seeing or hearing the latest blockbuster hit is just hypocritical.

    I'd be right with anyone saying that the DMCA is a travesty and that things like legal enforcement for region-encoding and against modchipping is downright wrong, but to "fight" them with piracy has no real weight at all.

    --
    Information wants to be free.
    Entertainment wants to be paid.
    You just want to be cheap.
  146. iPod music sources by Kadin2048 · · Score: 1

    Very true. I've wondered this before, but I'd really like to see some sort of study as to where the majority of music on people's iPods came from. I know on mine, the majority is from CDs that I've ripped on my computer, followed probably by "unofficial sources," then online stores, then the iTMS.

    I don't know anyone who could even say with a straight face that a large percentage of music they have on their iPod came from the iTMS; it's just too expensive.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  147. Cost of DVD's compared to DVD Players by Anonymous Coward · · Score: 0
  148. Re:Old counter-argument by Frozen+Void · · Score: 1

    what exactly you buy besides the storage media when you buy DVDs?
    1."The Service":delivery/packing/transport
    2.Original packaging.Plastic cases.
    3.The expense of making another copy at publishing facility.
    4.Copyright extortion fee.Since you don't really own the DVD content you own a license to use it.

    All this creates more expense then downloading content,contributes to pollution and waste,depletes more resources,makes people spend much more.
    Advertising the service costs too.

    this a "natural right"?
    old rotten unproductive system.a relic of content industry."Piracy" is superior.
    There is no "natural right" to information.Its free as air.
    You can't erase it from my brain.
    You can't make me forget it or extort fees to keep remembering it.

    The only way you stop piracy is stop producing paid content.

  149. Certainly a more reasonable price by Anonymous Coward · · Score: 0

    If they release films for about $1.50 here, I might actually start paying for movies again.
    Of course, $1.50 is still slightly on the high side, the movies would have to be good to merit such a price tag.

  150. Re:you got that right! Being around to see things by ScrewMaster · · Score: 1

    "How do you know when {insert political/corporate leader here} is lying?"

    "His lips move."

    --
    The higher the technology, the sharper that two-edged sword.
  151. Re:Only if they realize what's *REALLY* going on.. by GigsVT · · Score: 1

    Hah!

    The book actually cited an article named "Don't copy that floppy".

    Blalock, "Don't Copy That Floppy,"

    Which is apparently this article:
    http://www.findarticles.com/p/articles/mi_m1365/is _n3_v26/ai_17464063

    --
    I've had enough abrasive sigs. Kittens are cute and fuzzy.
  152. Obligatory by bcattwoo · · Score: 1

    I, for one, welcome our new piracy overlords.

  153. Re:In a true open market... we are not. by MickLinux · · Score: 1

    In a true open market... ... we are not.

    Typically, the thing that holds back the $1.50 price from being worldwide is that there are laws against parallel importing (especially for pharmacuticals under the Free Trade agreements).

    That means that there isn't free trade, and there isn't a true open market.

    However, for DVDs I wouldn't even expect the price to be $1.50 worldwide if there were no laws against parallel importing.

    I would expect the price to be about $2.00 worldwide for DVDs with all the language in the Cantonese dialect of Chinese. You want $2.00 DVDs, you'd have to learn Chinese.

    Just a thought...

    --
    Correct Horse Battery Staple: 72 bits of entropy. Enter "Correct H" into google. When it generates the phrase, that's
  154. Re:Old counter-argument by FLEB · · Score: 1

    You pay the people involved in making the content, from concept to post-production. You pay the people who market the content (you might say you could do without that, but chances are that you wouldn't have even known about it if it wasn't marketed). You pay to keep the lights on and the schedules kept at the record label/movie studio/development house. You pay because you aren't a movie producer and they are. They possess that skill, produce that product, and if you want it, you should respect them enough to either take or leave their terms. If not, then don't get self-righteous when the lawyers come a-knockin'. At least their clients actually had something to do with the creative act, as opposed to just hitting "download".

    By equating the act of distribution with the act of creation, you're cutting out a fair amount of people who are quite integral to the actual product.

    --
    Information wants to be free.
    Entertainment wants to be paid.
    You just want to be cheap.
  155. Re:Old counter-argument by Frozen+Void · · Score: 1

    Who sells their original product as real Product,not just another copy you can't copy/share yourself or share?
    I don't force you(hypothetical content pridcucer/publisher) to produce content.
    I don't want to be mass-marketed about your product.And i don't care about your
    expenses if you choose to sell worthless licensed copies of information that you "own".You can't own my information.

    A cheaper/free pirate copy doesn't have those "rights"(as opposed to Publishers Copy) becuase it doesn't comes from the "right" publisher(published by pirates),who pays "right" extortion fees(to content producer/copyrigth owner)?

    As for now content is nothing more then rearranged bits.
    A copy of them isn't different from another copy. plus your claims you own "the rights" to copy/share/publish my content are ridicoulous.These
    Rights invented to protect steady streams of profit for copyright owners.

    Piracy is just efficient distribution free of the copyright crud/DRM.

  156. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  157. Re:Old counter-argument by FLEB · · Score: 1

    If a copy is just "rearranged bits", I suppose you'd be content to just pipe a random number generator to the sound output, and there you go... it even frees up your bandwidth! It's all the just rearranged bits, right?

    Probably not, unless you happen upon a rare Monkey/Shakespeare moment. The difference between random digital noise and actual digestible content is what you're paying for. The "cartel" you speak of is... get this... people who produce salable goods for a living! Horrors! Sure, some of them are bastards, but that's what boycotts and market forces are for.

    --
    Information wants to be free.
    Entertainment wants to be paid.
    You just want to be cheap.
  158. Re:Old counter-argument by Frozen+Void · · Score: 1

    The problem that information is not a salable good.They sell copies of their content.At their own prices.And claim they "own" your copy becuase they have "copyrights".You can't use that good.
    Copy/share/publish and you're violating "copyrights".

  159. It's not just a breach by TheLink · · Score: 1

    It's _theft_ or at least its a LOT closer to theft than "pirates" copying stuff, which the *AA like to brainwash people about.

    Because when you copy stuff, the original is still available.

    But when you steal something, that something is less accessible or available to the public.

    So when you prevent stuff from entering the public domain as it would have (or worse retroactively take away), you are effectively stealing from the public.

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    1. Re:It's not just a breach by kfg · · Score: 1

      http://slashdot.org/comments.pl?sid=183808&cid=151 80750

      Copying the work of art is not theft.

      Denying the right to copy the work of art is theft from the public domain. It denies the right to possess what is legitimately your property. Back in the day when the American copyright laws were being formulated the parties who were against it and the parties that were for it both understood this explicitly.


      KFG

  160. No you go bankrupt by anandsr · · Score: 1

    Actually it will be you who goes bankrupt buying storage for that 100 billion copies of a movie.

  161. Re:You, relativist. Me, moralist. Theft is theft. by runderwo · · Score: 1
    Most libertarians wouldn't. For them, if it involves force, it is wrong, and any perceptions of public good are wrong too.
    You have confused, or conflated, libertarianism with anarchism.
    That *does* include piracy. Going on the high seas, taking a ship (or causing it to break up on a reef with false lighthouses) is taking that which is not yours. Likewise, going around the law to copy a DVD which is named as someone else's is also theft. It is taking for yourself that which belongs to someone else.
    Again, it seems like you are purposely leaving out the reasons why theft is considered wrong. It is not because you are receiving something you are not entitled to. It is because the other person is deprived. If the other person is not deprived, what harm has been done? The only harm caused by making an unauthorized clone of something can be market dilution, and that is far more difficult to justify than depriving someone of property that they built or paid for.