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Universal to Offer Music for Free

wild_berry writes "The BBC reports that Universal Music has signed a deal to make its music available for a free and legally-licensed download. Available from a new music site called SpiralFrog, the deal will allow users in the USA and Canada to listen to Universal's music, which Reuters' news site reveals is paid for by targeted advertising, but no details of possible community or playlist sharing features of the SpiralFrog service. Is the immunity from litigation enough to make up for having targeted advertising on each page and not being able to write the music to CD or a portable player?"

356 comments

  1. Good News ... but .... by eldavojohn · · Score: 2, Insightful

    Well, that's good news.

    Now if only I were a fan of some of Universal's Artists.

    Guess I'll have to wait and see if the big companies follow suit.

    --
    My work here is dung.
    1. Re:Good News ... but .... by 2.7182 · · Score: 1

      Maybe they will offer "Double Dutch Bus" for free ! (Remember that debacle on Ebay ?)

    2. Re:Good News ... but .... by Anonymous Coward · · Score: 1, Informative

      You'll wait to see if the big companies follow suit?

      http://en.wikipedia.org/wiki/Universal_Music_Group

      "Universal Music Group (UMG), formerly MCA Music Entertainment (see Music Corporation of America), is the largest business group and family of record labels in the record industry. With a 25.5% market share, it is one of the Big Four record labels." (Emphasis mine)

      Doesn't get much bigger than Number 1.

    3. Re:Good News ... but .... by neonprimetime · · Score: 3, Informative

      Here is a list of the universal artists that were from the wiki article, some of them seem to be half way decent, so i'm not sure what the parent is talking about :-)

      2slabz (RebelRock/Universal) 3 Doors Down (Republic/Universal) 10 Years 98 Degrees* Aaliyah (Blackground/Universal) Acroma Afroman Akon Ali & Gipp Ashley Parker Angel (Blackground/Universal) The Bangkok 5 (Execution Style/Universal) David Banner Baby AKA Birdman (Cash Money/Universal) Baby Bash Bee Gees Big Tuck Big Tymers (Cash Money/Universal) Yummy Bingham (Cash Money/Universal)* Blak Jak Bloodhound Gang (Republic/Universal) Blue October Bodyrockers Toni Braxton (Blackground/Universal) Canibus Nick Cannon Chamillionaire Mr. Cheeks Cherry Monroe Tami Chynn Corey Clark (Bungalow/Universal) Jamie Cullum Crucial Conflict Currency Fleming and John Donavon Frankenreiter Mannie Fresh (Cash Money/Universal) Warren G* Godsmack (Republic/Universal) Gotan Project Pat Green (Republic/Universal) Hedley Marques Houston HIM Infinite Mass Elton John Jack Johnson (Brushfire/Universal) JoJo (Blackground/Universal) Juvenile* Brie Larson Murphy Lee Tracey Lee Lil' Romeo Lil Wayne (Cash Money/Universal) Lindsay Lohan (Motown/Universal) Lost Boyz Lumidee Teena Marie Damian Marley Stephen Marley Remy Martin Miri Ben-Ari Monifah (Uptown/Universal) Cherry Monroe Mystic (6) Natalie Nelly Nina Sky (Next Plateau/Universal) Nitty Qualo Prince Raekwon Rakim Paulina Rubio Rasaq Raphael Saadiq Shiny Toy Guns Scissor Sisters Sheek Louch Sister Hazel* Soul For Real (Uptown/Universal) Spax St. Lunatics Sticky Fingaz Tank Terror Squad Timbaland & Magoo Ms. Toi Tum Tum KeKe Wyatt (Cash Money/Universal)

    4. Re:Good News ... but .... by TripMaster+Monkey · · Score: 2, Informative


      Here's a more complete list of Universal Music's artists.

      --
      ____

      ~ |rip/\/\aster /\/\onkey

    5. Re:Good News ... but .... by morgan_greywolf · · Score: 4, Funny

      You don't like Godsmack? 3 Doors Down?

      And Elton John is arguably one of the most popular recording artists ever.

      Man, what do you listen to? Barry Manilow?

    6. Re:Good News ... but .... by Doc+Ruby · · Score: 1

      Rading that list of products^Wartists I can see exactly what that post was talking about. Except for Prince, but he's using Universal for distribution only, just like he did Columbia before - as usual, Prince is his own world, we just dream of it.

      --

      --
      make install -not war

    7. Re:Good News ... but .... by justkarl · · Score: 1

      Now if only I were a fan of some of Universal's Artists.

      Ick. That must be why they're free.

    8. Re:Good News ... but .... by Kierthos · · Score: 1

      Um, no. Details?

      --
      Mr. Hu is not a ninja.
    9. Re:Good News ... but .... by 2.7182 · · Score: 4, Interesting

      When iTunes was young, some guy tried to resell a song on ebay:
      Here is the story .

    10. Re:Good News ... but .... by digitrev · · Score: 1

      Not everyone likes popular music. I may use this to pick up some BBVD, and a few others, but that's about it. And I'm fairly certain that a simple torrent would go much faster.

      --
      Cynical Idealist
    11. Re:Good News ... but .... by ElleyKitten · · Score: 0, Troll
      You don't like Godsmack? 3 Doors Down?
      No.

      Seriously, I looked through the whole wikipedia list, and there's not a single band I like.

      Man, what do you listen to? Barry Manilow?
      I like Snow Patrol, Moth, Utada, Subways, Relient K, Ani Difranco, etc. This whole music for ads thing sounds interesting, but wake me when they have some good music.
      --
      "What is Internet Explorer 7? Are you saying we can't access the normal internet?" - I love tech support. Really.
    12. Re:Good News ... but .... by Howserx · · Score: 1

      i'm not sure what the parent is talking about Did you read the list before you cut and pasted? Lindsay Lohan? Bee Gees? Scissor Sisters? Like the commercial Says...It's only a deal if it's something you want. That being said I'm sure that Universals holdings cover more the 40 or so "artists" (- Quotes are for lindsay Lohan) that are listed on the wiki. I'll be waiting for more details before attending. The last thing I need is a secretly installed ad-popup machine in return for the priviledge of listening to crap like 98 degrees(We're they a boy band? I'm too lazy/don't care enough to check).

      --
      I support the troops. I pay f'ing taxes.
    13. Re:Good News ... but .... by Anonymous Coward · · Score: 0

      Difranco hasn't recorded anything worth listening to in 10 years. Haven't you bought all the old stuff already?

    14. Re:Good News ... but .... by Anonymous Coward · · Score: 1, Funny
      Here is a list of the universal artists that were from the wiki article, some of them seem to be half way decent, so i'm not sure what the parent is talking about :-)

      ...Hedley Marques Houston HIM Infinite Mass Elton John Jack Johnson (Brushfire/Universal)...

      Apparently, Elton's really let himself go.

    15. Re:Good News ... but .... by Anonymous Coward · · Score: 0

      Please, those aren't anywhere near obscure. I also agree... Difranco hasn't done jack in years. Relient K hasn't been decent for a few years now, poor bastards.

    16. Re:Good News ... but .... by Moofie · · Score: 1

      DUDE. Go easy on Scissor Sisters. Monkey Baby is a great track.

      --
      Why yes, I AM a rocket scientist!
    17. Re:Good News ... but .... by ElleyKitten · · Score: 1
      Please, those aren't anywhere near obscure.
      Who are you talking to? The person who modded me troll? Because that was not my list of the most obscure bands I can think of. In fact, most of them I discovered by listening to the radio. My point was, these are the bands I like, if a music for ads service starts up with bands like them (not just them, I have most of their music anyways, but stuff in that vein so I can find new music) then I'll be interested, but none of the Universal bands look appealing to me.
      --
      "What is Internet Explorer 7? Are you saying we can't access the normal internet?" - I love tech support. Really.
    18. Re:Good News ... but .... by Moofie · · Score: 2, Funny

      And here I didn't think Bel Biv DeVoe was still recording.

      --
      Why yes, I AM a rocket scientist!
    19. Re:Good News ... but .... by Anonymous Coward · · Score: 0

      Who's the dolt who modded parent 'redundant'? take a look at the link provided...it lists about 10 times the number of artists listed in the Wikipedia article.

      Mods, read before you mod, or please don't mod at all.

    20. Re:Good News ... but .... by JFMulder · · Score: 1

      Man, what do you listen to? Barry Manilow?
      I don't think he does. I think 'eldavojohn' is Stephen Colbert's slashdot nick.

    21. Re:Good News ... but .... by Anonymous Coward · · Score: 0

      I don't know about him, but Godsmack's ok in small doses, wouldn't want to hear a whole CD of them since every fucking song sounds exactly like the one before. 3 Doors Down is your typical non-rock pop the labels are pushing as "rock" these days; they suck (except for that one song "Doggy Dog"). Did somebody pass a law that all music had to be played in a minor key? I've hated Elton John's music since it was new, before you were born.

      How about some REAL ROCK AND ROLL? Chuck Berry, Led Zepplin, Ted Nugent, Van Halen, Alice In Chains, or Buckcherry? Something that won't put me to sleep or make me want to commit suicide?

      I always thought Elton John fans were also Barry Manilow fans; the two guys' music sounds the same to me. If you think "yellow brick road" rocks you must be smoking some killer shit we never had back then!

    22. Re:Good News ... but .... by just_forget_it · · Score: 1

      What a snooze-fest! You would have to pay me to listen to Three Doors Down.

    23. Re:Good News ... but .... by uncoveror · · Score: 1

      Targeted ads=spyware. Free my ass!

      --
      The Uncoveror: It's the real news.
    24. Re:Good News ... but .... by krakelohm · · Score: 1

      They are still recording... just not selling.

      --
      You are all a bunch of idots.
    25. Re:Good News ... but .... by Romwell · · Score: 1

      This is a very good list indeed ! Please look at this list. Please mod the parent (and the AC 0-score reply) up with "Informative". Those who visit the link would find that Universal Records offers some great & decent artists as well: among the list are Paco de Lucia, Bon Jovi, Jimi Hendrix, U2, Limp Bizkit, Metallica (outside u.s.), Marilyn Manson etc. (It's not that I like all of the above, but no one can deny that Paco de Lucia is a great flamenco artist - so there's at least one thing I' download. I guess a lot of people will find something for them).

    26. Re:Good News ... but .... by Nuskrad · · Score: 1

      I really have no problem with targetted advertisement, I don't define it as spyware. For a start, it doesn't impeed the operation of your system or send information to third parties without consent. When I peform a Google Search, I much prefer to see adverts relative to my search than another 'Shoot the duck and win a free ipod' banner ad.

    27. Re:Good News ... but .... by uncoveror · · Score: 1

      You are being naive. How do you think they target the ads to you in the first place? With spyware. They must gather data about you to sell it to advertisers, such as recording what you search for and where you surf. Who knows whether the data they gather goes back to them securely, or can be intercepted. The data may even include a keystroke log. If they show you ads targeted for your metro area, they really know more than they need to. The old adage that nothing is free will ring true. I predict that Vivendi Universal's "free" music service will be a menace if it actually ever goes live, much like Kazaa.

      --
      The Uncoveror: It's the real news.
    28. Re:Good News ... but .... by Sj0 · · Score: 1

      DUDE. You're gettin' a Dell!

      (And every one of those artists was lame)

      --
      It's been a long time.
    29. Re:Good News ... but .... by Anonymous Coward · · Score: 0

      Awww.... Trippy doesn't like how he got moderated so he comes back with an attack against the mods while hiding as AC even though everyone and his mother knows that Trippy was the AC. Really, dude, you're not fooling anyone. We all know you're the AC poster. You might as well not bother with the pathetic AC cover.

  2. Pay vs Adverts? Easy Choice by neonprimetime · · Score: 1

    Mr Kent, the former head of the Universal McCann advertising agency, added that his research suggested that in return for free music, young people would be willing to endure adverts - as long as the brands and products were relevant to them.

    I am one of the young people he speaks of, because I would more than willingly parse thru adverts in order to get free music, as opposed to having to pay for it.

  3. Enough ads! by Cybert4 · · Score: 3, Interesting

    I've tried to take a stand against ads myself. I'll subscribe to whatever I need, as long as I don't see ads. The way I see it, subscribing to slashdot (for example) puts money towards content and away from useless ad people. The only ads I want to see are when I do a google search. That's it! I'd rather subscribe (or even better, donate). I'm sick of the ad culuture, and it's got to stop. I won't be using this free music source because I already subscribed to Urge (plays for sure). At least more of that money is going to artists. With this, you have all sorts of ad brokers taking a cut.

    1. Re:Enough ads! by m0rph3us0 · · Score: 1

      That's the great thing about capitalism. If you don't like it you can always walk with your wallet. No one said Universal is going to get rid of CDs. Don't like ads on TV? Buy the season DVD.

      Incase you haven't noticed not a lot of money goes to the artist. If artists want more money they just need to switch labels / start their own. Whats that getting a bad deal from indie labels? Well, then what hte records companies are offering artists is the BEST deal.

    2. Re:Enough ads! by Cybert4 · · Score: 1

      Or buy HBO stuff. Buying a season DVD of the Simpsons, for example, will only make them think they can make more money selling ads. When Family Guy was brought back, it wasn't on HBO.

    3. Re:Enough ads! by RobotRunAmok · · Score: 2, Insightful

      The way I see it, subscribing to slashdot (for example) puts money towards content and away from useless ad people.

      And the money the "useless ad people" give to slashdot and other sites in exchange for page space, what does that go towards, spoons?

      Chew on this: the "subscription only" model is the elite and priveleged track. Ad-sponsored sites allow anyone with web access, even from a public terminal, to be "empowered." Think of all of Negroponte's poor, starving 100-dollar laptop children; don't they deserve free, legal music too?

    4. Re:Enough ads! by Cybert4 · · Score: 1

      By giving directly to Slashdot, 100% of the money goes towards content creation. Buy viewing ads, a lot of the money goes to people who create and broker ads. Where does it come from? The prices you pay for the advertised products. People who design and broker these ads are dead weight--money not going to innovation.

    5. Re:Enough ads! by RobotRunAmok · · Score: 2, Interesting

      D00d, you didn't answer my question; here it is again, ad-free for your enjoyment: Should the content on the World Wide Web, and, by extension, entertainment in general, be available only to those who can pay 'extra?'

    6. Re:Enough ads! by Cybert4 · · Score: 1

      What about donations? What about rich people running sites? Ads aren't the only game in town. Look at wikipedia. Look at the BBC even (taxpayer funded).

    7. Re:Enough ads! by RobotRunAmok · · Score: 2, Funny

      What about donations? What about rich people running sites? Ads aren't the only game in town. Look at wikipedia. Look at the BBC even (taxpayer funded).

      Man-o-Man, you dance better than Fred Astaire!

      And such sterling examples! A Hive-Mind Encyclo-Sandbox in which the most obsessively compulsive disordered player wins, and a Govrnment-sponsored "news" site. If that's what my donations buy me on the web, thanks, but I, um, gave at the office...

      For every Wikipedia getting by on donations (and remember, their servers and bandwidth costs are covered by corporate donations, not yours and mine), there's a bajillion sites which simply would not exist were it not for the ad model. You simply cannot create and move rich content without spending far more than the average consumer is willing to pay out-of-pocket.

      Which brings us back to your Web-as-Exclusive-Country-Club model.

      Good luck with that, Thurston...

    8. Re:Enough ads! by cl0r0x70 · · Score: 1

      Ads are one of the things that fuels the internet. Without that revenue, a lot of great content would simply disappear.

    9. Re:Enough ads! by cl0r0x70 · · Score: 1
      Incase you haven't noticed not a lot of money goes to the artist. If artists want more money they just need to switch labels / start their own. Whats that getting a bad deal from indie labels? Well, then what hte records companies are offering artists is the BEST deal.
      The only reason the labels offer the BEST deal, is because of their monopoly. They offer the ONLY deal, because they have a chokehold on radio, marketing, distribution, and even touring conduits. They've worked very hard on making sure that their game is the only game in town. To play ball, you have to sign a contract with such ridiculous clauses as: the record company assumes 10% of all records will be destroyed during shipping and handling, so you get paid based on 90% of gross shipments (held over from Victrola days.) There is nothing fair about the record deals offered to young artists, and most are simply shelved once they're signed without ever seeing the light of day without a fair chance to even be heard.
    10. Re:Enough ads! by LordSnooty · · Score: 1

      For the five-thousandth time, the BBC is not funded by taxpayers or government-sponsored. It is funded by people who buy a TV set - yes, a government-imposed tax of sorts, but not one which means that the corporation is at the beck and call of government.

    11. Re:Enough ads! by object88 · · Score: 1

      And the money the "useless ad people" give to slashdot and other sites in exchange for page space, what does that go towards, spoons?

      Yes, I think that if you consider that personal income is pooled and distributed to individual needs, then one may assert that some money does go towards spoons. Unless of course, Taco et. al. eat their soup with chopsticks... in which case, I'm duly impressed.

    12. Re:Enough ads! by linhux · · Score: 1
      (and remember, their servers and bandwidth costs are covered by corporate donations, not yours and mine)
      Just to set this straight: that is wrong. There is plenty of information on where the money comes from and where it's spent.
    13. Re:Enough ads! by tepples · · Score: 1
      the record company assumes 10% of all records will be destroyed during shipping and handling, so you get paid based on 90% of gross shipments (held over from Victrola days.)

      Modern interpretation: the record company assumes 10% of all CDs will be returned due to the DRM being incompatible with the user's player.

    14. Re:Enough ads! by AmberBlackCat · · Score: 1
      The only ads I want to see are when I do a google search.
      I would have to be on Slashdot to see somebody say adverts are okay as long as they're on Google.
    15. Re:Enough ads! by Anonymous Coward · · Score: 0

      Fuck capitalism and fuck you too. I'm sick of walking to the store and seeing ads, turning on my TV and seeing ads, reading the newspaper and seeing ads, going online and seeing ads, etc. I can't even walk down the street without someone trying to solicit my hard-earned money. You know what? If I want to give to you, I will, otherwise leave me the fuck alone!

    16. Re:Enough ads! by Sj0 · · Score: 1

      I'd have no problem seeing the ad-based web dissapear. The stuff that remains would be made by people who actually give a damn about what they're doing, people who are willing to suffer a little bit and actually give up something to make a website they want to create.

      Hosting isn't that expensive compared the the cost incurred globally by malicious advertisers who think our PCs are theirs to wreck because we visited a website.

      --
      It's been a long time.
    17. Re:Enough ads! by RobotRunAmok · · Score: 1

      I'd have no problem seeing the ad-based web dissapear. The stuff that remains would be made by people who actually give a damn about what they're doing, people who are willing to suffer a little bit and actually give up something to make a website they want to create.

      D00d, I just read the first page of your blog. If that's the kind of content you're talking about, y'know, from those people who give a damn and are suffering, then I'll take friggin' Uncle Miltie and the Texaco Star Theatre. Or Hallmark card poetry, even. Reality TV. FM radio. Anything...

      jee-zus!

    18. Re:Enough ads! by Anonymous Coward · · Score: 0

      what about sites where they have ads that pay the artist too? i think that would be okay. but in this case, it does suck, you're right! some ad broker is going to get a cut, not the artist who's trying to pay back that monster advance.... personally, i like zaziggy.com. they seem to do something similar but the ad revenues are split 50:50 with the artist. check 'em out.

    19. Re:Enough ads! by Sj0 · · Score: 1

      I'm sorry my life isn't worthy of the great RobotRunAmok. I will now be committing suicide to try to make my life interesting to the great you.

      (Oh wait. It's an ad-supported free site. Oh well.)

      --
      It's been a long time.
  4. Not being able to copy the music? by Anonymous Coward · · Score: 5, Insightful

    So when they realize we are able to copy the music, what happens?

    1. Re:Not being able to copy the music? by pixelpusher220 · · Score: 1

      An insightful AC...what a concept. I suppose it's fittingly in the conversation about *satan* realizing the market has shifted...

      Seriously though, the concept of free downloads, but not writing to CD or transferring to portable players? That will cause the motivation to crack the encryption it's laced with...


      --
      People in cars cause accidents....accidents in cars cause people :-D
    2. Re:Not being able to copy the music? by morgan_greywolf · · Score: 1
      Seriously though, the concept of free downloads, but not writing to CD or transferring to portable players? That will cause the motivation to crack the encryption it's laced with...


      And, of course, there's nothing to stop you from taking your newly cracked music file and opening it up in say, Audacity and then subsequently editing out the adverts.

      From there, you'll start to see them appear on various P2P file sharing networks, and the cycle continues...

    3. Re:Not being able to copy the music? by jZnat · · Score: 4, Insightful

      Er, isn't the music already available on P2P networks? I don't think transcoded crap from DRM downloads will make it in the P2P world when direct transcodes from CDs are already available.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    4. Re:Not being able to copy the music? by pixelpusher220 · · Score: 1

      The adverts are on the web pages serving up the song files, not in the songs themselves. I don't think *anybody* would deal with that. Just started fiddling with Audacity this weekend....me likey!


      --
      People in cars cause accidents....accidents in cars cause people :-D
    5. Re:Not being able to copy the music? by iainl · · Score: 1

      So these are visual ads, not audio ones? That seems a tad pointless when I set up a playlist and turn the monitor off.

      --
      "I Know You Are But What Am I?"
    6. Re:Not being able to copy the music? by itschy · · Score: 1
      The adverts are on the web pages serving up the song files, not in the songs themselves. I don't think *anybody* would deal with that. Just started fiddling with Audacity this weekend....me likey!

      Ehm, it's music industry we are talking about. Its not as if they actually cared what people want.
    7. Re:Not being able to copy the music? by pixelpusher220 · · Score: 2, Insightful

      Agreed that would be pointless. The 'ads', as far as I understand, will be placed on the website, ala iTunes Music Store, where you actually go to download the songs.

      Once the file is downloaded, just about *any* advertising is going to be too much for the avg person to deal with.
      Ads in the songs is ridiculous?...wow it's radio!
      Ads on the Application playing the songs?...as you mention it's useless since most people don't 'watch' their music play ;-)

      That seems to leave ads for when you're searching, getting, downloading the music from the service.

      --
      People in cars cause accidents....accidents in cars cause people :-D
    8. Re:Not being able to copy the music? by Lord_Dweomer · · Score: 1
      "So when they realize we are able to copy the music, what happens?"

      Oh, thats simple. You didn't realize their ENTIRE business plan.

      1. Release music for free.
      2. Support it with ads.
      3. PROFIT!
      4. Sue people who work around the DRM and copy the music.
      5. MORE PROFIT!!!

      --
      Buy Steampunk Clothing Online!
    9. Re:Not being able to copy the music? by sm62704 · · Score: 1

      You forgot steps 6 and 7

      6. ?????????
      7. Even more profit!!!!!

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  5. Then... by xtracto · · Score: 1

    Someone please post a suitable proxy =o)

    --
    Ubuntu is an African word meaning 'I can't configure Debian'
  6. Is it enough? by GundamFan · · Score: 4, Insightful

    Yes.

    Ads are only a minor issue, I have seen ads all my life I know how to ignore them.

    The proponets of free content will whine... but this way the record company gets what they want (money) and the consumer gets free (of cost) music.

    Nothing ever has been truely free, if you aren't buying (or stealing) something someone else is paying to put it in your hands for there own reasons. That is the way the world has worked for a long time.

    --
    I don't give a damn for a man that can only spell a word one way.
    Mark Twain
    1. Re:Is it enough? by evilviper · · Score: 1
      but this way the record company gets what they want (money)

      Ad-supported websites haven't exactly been raking in the dough.

      and the consumer gets free (of cost) music.
      ...that they aren't allowed to do ANYTHING with.

      With TV and radio stations spending 1/3rd of their airtime on commercials, it's questionable if people will put up with the number of ads the RIAA is going to need to fund this idea.

      The idea has potential, but I'm not exactly optomistic.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    2. Re:Is it enough? by TheZorch · · Score: 1

      The answer is "no" but this is a start in the right direction. Once the labels begin to learn this is the wave of the future for music then they'll all finally get off their high-horse and change with the times.

      Eventually we should see CD Burning added to this service. You can do it in iTunes so why not.

      --
      Michael "TheZorch" Haney
      thezorch@gmail.com
      http://thezorch.googlepages.com/home
    3. Re:Is it enough? by mwilliamson · · Score: 2, Insightful

      The European model of forcing you to watch ads will probably be used. People WILL view the ad when it contains strong sexual innuendo, or at the very least, BOOBIES!

    4. Re:Is it enough? by RosenSama · · Score: 1

      What if instead of "forcing" you to watch something, it's audio ads prepended to each track?

    5. Re:Is it enough? by Doctor-Optimal · · Score: 1

      ...that they aren't allowed to do ANYTHING with.
      Well, they can listen to it.

      Don't know about you but that's usually what I do with my music...

      --
      New punctuation update "~" (no quotes) at the end of a line to indicate sarcasm. ~
  7. For me, cost isn't the issue. by Richard+Steiner · · Score: 2, Insightful

    Cost isn't the main issue I have with digital music. Freedom is the main issue.

    I want to be able to play the music that I purchase on whatever device I choose. Period.

    If I can't do that, then I won't participate in the service.

    --
    Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
    The Theorem Theorem: If If, Then Then.
    1. Re:For me, cost isn't the issue. by Duds · · Score: 2, Insightful

      If it's a free service you haven't purchased anything.

      I suspect I'll leap on board this, it might even inspire me to go get the odd CD. I'm with you though, as soon as they expect money, I expect freedom.

    2. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 5, Insightful

      I'd like to violate every agreement I make for short-term benefit too, but I don't justify such desires on grounds of "freedom".

      They produce the music so they can make a profit. I'm sure it would be great if everyone worked for free, but they don't.

      The produce it knowing that they can sell it with certain conditions attached. Then they sell it with those conditions attached. Then people start to claim their "freedom" is being violated, and that they have the right to unilaterally violate those conditions.

      Sure, music companies "should" just "trust" people not to give it away to everyone, really, they can't.

      So what should they do? Just not make music for profit? Or, you accept that the artist "deserves" a cut proportional to listeners, but that the "record companies" take "too much". Do you know how difficult, and what a crapshoot it is, to promote an artist?

      I'm not trying to troll. What should an artist and record company do?

    3. Re:For me, cost isn't the issue. by DerGeist · · Score: 2, Insightful
      Let me start by saying I have no issue with the preceding comment, however that same "demanding idealist" attitude is often echoed by those who are, quite simply, addicted to free content and use their perceived moralism as justification for continuing their actions.

      Trust me when I say I am no fan of the RIAA's tactics regarding their customers, but at some point they need to make money. If you're willing to buy a DRM-free CD that is rippable, burnable and whatnot and don't mind paying $9.99(on sale)-$13.99+ for a CD, then by all means go ahead. (Unfortunately this means they will be able to again use their common sleazeball tactic of 11 filler songs + 1 decent piece). For those who complain about being "too poor" but still want to enjoy music, I think this is an excellent service idea, so long as it remains non-invasive (ie, no required spyware download).

      At the very least they're trying to meet the consumer halfway, it's a lot more than previous offerings which have been akin to "sell us your children, listen to the music in a confined soundproof chamber for no more than 95 seconds and then commmit suicide." Again I remain cautiously optimistic about this latest offering but am acutely aware of the slime-baggery that sometimes sprouts from these services, like invasive spyware, unreasonable terms, or even charade services that are just completely unreasonable phony attempts that they know will fail, so that they can say "we tried, it didn't work!"

    4. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      Value is created by demand and scarcity. The scarcity of digital music is artificial at this time, due to copyright law. If anyone could freely copy/use/alter digital music then much more value would be placed on *production* and *performance* of music than on *distribution* of music, which is as it should be. Artists would make money from concerts and sponsorships, as well as via commissions for new works. If Britney Spears promised to release a new album free to the world as soon as her fans had placed a minimum of $15 million into escrow, millions of teenage girls would put anywhere from $0.10 to $10 into the fund, the world would get more Spears (yeehaw...) and Spears would get $15 million. She'd have no distribution costs (sites would gladly trade bandwidth for eyeballs, not to mention the P2P channels), so the only thing she'd have to take out is production costs, which wouldn't be *nearly* as high as now. And she could proceed to trot around the nation doing concerts, just like she does now, and keep more of those profits too. Artists who are not Spears, or as popular as Spears, need to get popular by being good in concert and/or good in marketing, and/or willing to sign deals with the lesser devils that would replace the greater devils of today's industry. Variety would increase, live concerts would abound... what a wonderful world it would be.

    5. Re:For me, cost isn't the issue. by Registered+Coward+v2 · · Score: 1

      Value is created by demand and scarcity. The scarcity of digital music is artificial at this time, due to copyright law. If anyone could freely copy/use/alter digital music then much more value would be placed on *production* and *performance* of music than on *distribution* of music, which is as it should be. Artists would make money from concerts and sponsorships, as well as via commissions for new works

      The Dead did that for years; along with selling CDs/LPs/DVDs. Tape and trade concerts all you want, they even did sound checks for fans; but don't do that with the stuff they sell cause it's uncool, man.

      Not a bad model - fans feel like they are part of the experience and connect with each other; the band gets a real loyal fanbase and gets paid as well.

      If Britney Spears promised to release a new album free to the world as soon as her fans had placed a minimum of $15 million into escrow, millions of teenage girls would put anywhere from $0.10 to $10 into the fund, the world would get more Spears (yeehaw...) and Spears would get $15 million. She'd have no distribution costs (sites would gladly trade bandwidth for eyeballs, not to mention the P2P channels), so the only thing she'd have to take out is production costs, which wouldn't be *nearly* as high as now. And she could proceed to trot around the nation doing concerts, just like she does now, and keep more of those profits too. Artists who are not Spears, or as popular as Spears, need to get popular by being good in concert and/or good in marketing, and/or willing to sign deals with the lesser devils that would replace the greater devils of today's industry. Variety would increase, live concerts would abound... what a wonderful world it would be.

      This is still a buy the stuff model - except now the artist gets the money upfront with no assurance a new album will be out or that it will be worth buying. In addition, why should I pay into the fund when the music will be free anyway? If the d/l sites want to trade eyeballs for bandwidth chances are they want to feed ads to those eyeballs as well.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    6. Re:For me, cost isn't the issue. by DerGeist · · Score: 1
      I was writing my comment as you were writing yours. Brilliantly put, yours blew mine out of the water. :-)

      I'd like to propose that the issue is the people desire music as a public good, like a state park. It currently has the characteristics necessary: non-excludable, and non-rival (you can't exclude others from enjoying it by your consumption and your consumption does not decrease the overall amount available).

      The problem is, labels and artists are accustomed to making absurd amounts of money since Americans generally value entertainment above all else (which is why they'll find anything, anything else on TV when the President is giving a speech).

      The anonymous poster previous has outlined the ideal public good strategy: instead of paying the artists for their completed work, the public should hire the artist to create a work for them to enjoy. Then the work, being work-for-hire by the public, becomes a public good for all to enjoy. Money really wouldn't be much of an issue, there are 300 million people in the United States alone (suddenly giving a few bucks adds up).

      Hence I say music should be like other work-for-hire art forms. That seems to be what the people want, at least. Obviously the issue here is only your fans will provide money, and the market strategy might be insufficient to support artists if they don't have a large enough fanbase (ie, smaller artists may die off).

    7. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 3, Informative

      If anyone could freely copy/use/alter digital music then much more value would be placed on *production* and *performance* of music than on *distribution* of music, which is as it should be.

      Well, that isn't quite as it should be. Distribution is much more important than you make it out to be. Your favorite artist -- how did you hear about him/her? There is TONS of crap out there. How do you find the diamonds? You do not have the time to sift through all the garbage. And I think you're wrong about production -- if you can't draw a return from copyright, you can't capture any value off the production, only the easily copiable performance.

      Artists would make money from concerts and sponsorships, as well as via commissions for new works. If Britney Spears promised to release a new album free to the world as soon as her fans had placed a minimum of $15 million into escrow, millions of teenage girls would put anywhere from $0.10 to $10 into the fund, the world would get more Spears (yeehaw...) and Spears would get $15 million.

      I'm familiar with that idea, but sorry, but that's extremely wishful thinking. Most of them don't have their own money. Mommy will buy them a CD, but she won't make a contribution for them to that fund. Plus, I can imagine the geek reaction: "artist extorts money to produce next CD". I would point out it only works for artists that have *already* separated themselves from the chaff, but you anticipated that:

      She'd have no distribution costs (sites would gladly trade bandwidth for eyeballs, not to mention the P2P channels), so the only thing she'd have to take out is production costs, which wouldn't be *nearly* as high as now.

      What? Why would this affect production costs?

      And she could proceed to trot around the nation doing concerts, just like she does now, and keep more of those profits too. Artists who are not Spears, or as popular as Spears, need to get popular by being good in concert and/or good in marketing, and/or willing to sign deals with the lesser devils that would replace the greater devils of today's industry. Variety would increase, live concerts would abound... what a wonderful world it would be.

      Er, no. Wishful thinking is not an argument.

      Look, there's a lot of stuff about copyright I don't like either, and I'm not really as pro-IP as I might have come off. But the consequencees of removing these rights is not insigificant, and anyone wanting to remove them should be aware of the costs.

    8. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      You're right, I want to play the music that I purchase on whatever device I choose too. And if this was music that we'd be purchasing, I'd be right there in the picket line with you. But this is free music, and if it's a choice between them just *giving* us this music in some form, or not at all, I choose the former.

    9. Re:For me, cost isn't the issue. by supabeast! · · Score: 1

      "So what should they do? Just not make music for profit? Or, you accept that the artist "deserves" a cut proportional to listeners, but that the "record companies" take "too much". Do you know how difficult, and what a crapshoot it is, to promote an artist?"

      Honestly, I just don't give a damn about artists getting screwed over by the major labels. Those labels have one business model - try to sell as many copies of an album as possible, and their contracted "artists" are usually just hoping to hit the jackpot, get rich, and move to California to live out their dreams of an easy life. How many recording artists from the last few decades have kept working hard, year-round, after they got rich? Not many. If those mainstream "artists" get screwed and have to go back to being regular people and earning a living because they got greedy and signed a deal with the devil to handle the heavy lifting while they only work a couple months out of the year, why should I care? Rock and pop artists are rarely great figures producing transcendent works that enhance my life. If 99.9% of the artists on those labels all go bankrupt and have to live the life of a normal person, never getting a gold-plated jacuzzi in Beverly Hills, civilization is in no way harmed.

      Record companies are only able to screw people because people let themselves get screwed. I rarely hear classical musicians, jazz musicians, or blues musicians complaining about getting screwed by the major labels - because they spend their lives working and living like normal people instead of just trying to get rich and famous. If more pop and rock "artists" stopped chasing fame and riches and actually spent their lives working they could do just fine without the major labels.

    10. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      I think you made a lot of points better than I did, but you made one I deliberately avoided:

      In addition, why should I pay into the fund when the music will be free anyway?

      While your other objections are true, the model the GP described actually partly circumvents the "free rider"/ no-marginal-benefit-to-marginal-contribution (that attaches to e.g. voting) in that every dollar you contribute slightly hastens the release date of the album, meaning your contribution does count.

    11. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      This is still a buy the stuff model

      Sure... but it doesn't rely on artificial scarcity. Original aristic work is naturally scarce. You are paying for something you don't have and can't get: access to new music. You *aren't* being forced to pay for 'legal' access to music you already have access to.

      Except now the artist gets the money upfront with no assurance a new album will be out or that it will be worth buying.

      That's why I said 'escrow'. If it album doesn't come out within a set time period, the money goes back to the fans. As for whether it's worth it...presumably the only fans that would pay into this would be 'true' fans that trust their artist a lot, and like just about everything they produce. I can name 20 artists that would fall into this category for me. I've bought everything they've ever produced, almost all of it sight unseen (sound unheard?) because I didn't want to wait until I heard it on the radio. As soon as it came out on CD I snapped it up. I'd venture that most music fans have several artists in the same category, and I think that is all it would take. Remember, you can pay $0.01 just as easily as $100 (well, once we get micro-payments worked out... or you could use a credit system where you buy $10 worth but spread 'credits' around many artists within the same escrow system)

      In addition, why should I pay into the fund when the music will be free anyway?

      Again, I think for many fans this just isn't a question they would ask. Music is always a discretionary expense, especially now that it's free for the taking (illegaly) and has been for years. But many, many fans believe the artists should be reimbursed, and don't mind being a part of that. Besides, you could place the donors on a list of people who commissioned the album and that would be plenty for most fans. They might even print all the names in the album art or something, distribute it with the album... it's all digital so again, no extra expense. My point is that it wouldn't take much marketing skill to offset this potential problem.

      If the d/l sites want to trade eyeballs for bandwidth chances are they want to feed ads to those eyeballs as well.

      Sure... what of it? So does Google and you still use them! The point is that you only have to go there ONCE and then you have the song forever. But it's mostly moot anyway... there would be tons of ad-free sites too I expect, run by fans or something. P2P solves the entire problem anyway. Getting things distributed has rarely been much of an issue on the web, if the content is desirable.

    12. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      The record companies should go out of business. The artists and companies that are in music just for the profit are the "talent" that everyone (at least on slashdot) keeps saying they don't want to hear anway. Artists who put them selves out there with passion will sell CDs at the door and pulll down profits from ticket sales. Think of the rich fabric of music we have from before the record companies, under the model of tour to get paid and pick up payments from patronage. They could even use a modified puclic radio model using the internet and concerts as a benue for collecting funds. Sure there would be free loaders but don't get into music if your seeking fame and fortune we don't want to hear those people anyway.

      Technology could make a modern day patronage system very workable for the modern artist with the guts to try it. Heck, I just heard a musician interviewed this weekend that made a good living that way. He plays concerts and sells CDs as well as puts himself out for hire for private gigs and teaching assignments with schools. People see his shows and then hire him to teach special music classes at their private schools.

      The market is speaking to us the way the music business works is changing all arguments are just arguments.

      Western culture worships meaningless celebrity too much anyway we don't need the record companies to do that anymore anyway.

    13. Re:For me, cost isn't the issue. by Registered+Coward+v2 · · Score: 1

      While your other objections are true, the model the GP described actually partly circumvents the "free rider"/ no-marginal-benefit-to-marginal-contribution (that attaches to e.g. voting) in that every dollar you contribute slightly hastens the release date of the album, meaning your contribution does count.

      Great point - I hadn't thought of that. In addition, the effectiveness of this would rest on the artist's reputation for producing material - a few slips or releasing junk right before the escrow expires (i.e. why not have a date where all the money will be refunded if no music is released - an electronic escrow payment system could automate the process relatively cheaply) would mean fans would not continue to pay and the artist's revenue would dry up since they would have no catalog to sell; other than royalties from radio or other commercial play. The model would be self policing to a large extent since contributions would be a good gauge of an artist's marketability - no contributions probably means fewer concerts and less promotion since fans already have voted with their pocketbook.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    14. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 1, Insightful

      There was a time when there were no major labels. Artists made it through performances. The modern world of music was created when we developed the technology to record music for playback at a later time. Fact is, the ONLY reason music labels have made as much money as they have is because they were the only ones with the ability to create and mass-distribute the content.

      That has changed dramatically with the invent of the personal computer and home electronics which can now rival the industry's equipment on some level. The music labels don't like the fact that the world has changed. I have Z-E-R-O sympathy for this fact. Artists need to start looking to other means of content creation and distribution. The record labels are fast becoming obsolete which is why they are making such a stink.

      I think this idea is a good one but it doesn't make me care. There are plenty of ways to profit in music still and there always will be - but just because they can't make 10000% profit on it anymore and will have to learn to live with that fact doesn't make me a concerned citizen for the industry big-wigs.

      I don't think they have a choice of whether or not to "trust" the public. Fact is, if they treat everyone like criminals then people will give em the finger eventually because they don't like being treated that way. This is life and they need to change their approach cause its not going anywhere - like it or not.

    15. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      "The[y] produce it knowing that they can sell it with certain conditions attached. Then they sell it with those conditions attached. Then people start to claim their "freedom" is being violated, and that they have the right to unilaterally violate those conditions."

      The freedom parent is talking about violating is the freedom to *listen* to the music they just paid for in the way that they want. If they didn't buy the right to listen to the music (with the usual license stipulation about private use), then what the heck did they just buy? Copyright does not grant a company the right to technologically negate the fair use rights also included in the copyright bargain. If it did, then it is a license to sell snake oil that people can't even drink.

      Well, it didn't say that until the DMCA came along in some countries, but "fair use" or the equivalent is still on the books even then. The fair use rights granted by copyright don't vanish because of some anti-circumvention technology exists. Theoretically, the user still has the same fair use rights as before, but no way to (legally) exercise them. I say, screw the barriers, I'm exercising my fair use rights when I pay for music or other content. I paid for it. I'm using it.

      If there is a fence between me and land I *did* pay to be permitted on, then I'm going around it. The landowner can't sell me access to their land and then say I'm not actually permitted to go there because there's a fence in the way and they're not providing the key. That's stupid.

    16. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      Who's going to violate short term agreements? Not me. I'll continue to boycott stupid music providers.

    17. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      The freedom parent is talking about violating is the freedom to *listen* to the music they just paid for in the way that they want. If they didn't buy the right to listen to the music (with the usual license stipulation about private use), then what the heck did they just buy? Copyright does not grant a company the right to technologically negate the fair use rights also included in the copyright bargain. If it did, then it is a license to sell snake oil that people can't even drink.

      So do you think your rights are being violated when you can't play your GameCube games on your PS2?

      What you seem to want is the right to copy it onto every format, even though you know this makes it difficult for them to then enforce their copyright.

    18. Re:For me, cost isn't the issue. by jamar0303 · · Score: 1

      Same with me, except a different sort of freedom. When I saw the iTunes Music store launch in Japan I expected to be able to buy music from it. Instead I have to get a Japanese credit card to do so. I want to be able to buy music across borders!

      --
      OSx86 FTW
    19. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      (sorry, my login isn't available so I'm posting this as an AC)

      What should the record company do? It should "fingerprint" every digital copy of every song that it sells uniquely to each purchaser. That's right, the copy is yours - so identify it as such. Then, if you illegally distribute it they can (and should) send their particular incarnation of the Nazgul after you. That is the sort of DRM that these companies *should* be investing in, the sort of DRM that we could all get behind.

      Would so many of us object if the DMCA, rather than its current stupidity, instead said: "it is illegal to reverse engineeer or otherwise remove such 'fingerprints' from digital copies that you purchase" ?

      You'd have the freedom to do whatever you want, and the (auditable) responsibility to make sure that what you're doing is legal and appropriate.

      In short, what the record company should do is trust, but verify.

      -TankaTennen

    20. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      The reason that you cannot play many music files on all MP3 players is that the provider went out of their way to implement DRM that explicitly prevents such use. The reason you cannot play GameCube games on a PS2 is that no one has taken the trouble to implement an emulator, and a usable emulator might be prohibitively difficult to create. Yes, a lawyer might call both of these a "technical barrier", but there is a huge difference between them, both technically and in terms of intentions.

    21. Re:For me, cost isn't the issue. by crabpeople · · Score: 3, Interesting

      Nice thinking inside the box there..
      Here is what they should do
      1) make all art copyrights last 7 years.
      2) release all music /film / etc from greater than 7 years ago into public domain.

      The drug companies dont seem to have a problem making billions of dollars on 7 year expiring patents.

      This is a short term solution. Ideally, we would live in a world where we dont need to preserve artificial scarcity but we will probably have to wait for nano forges for that. Humans expressing themselves through art will not end because no one pays for it. Not to claim art, but these comments here are proof of that. No one is paying me to write on this fourm and yet I do it anyways. An artist needs to create as a slashdot poster needs to comment.

      --
      I'll just use my special getting high powers one more time...
    22. Re:For me, cost isn't the issue. by squiggleslash · · Score: 1

      I agree. And I find it pretty sad I've had to scroll down half way through the first page to find someone who isn't posting "OMG!!!1! Free Music! Finally teh RIAA si giving us what we want!"

      I am not a freeloader. I do not use Kazaa and every actual freeloader (as opposed to occasional innocent who's been caught up in the thing) who's paying $3,500 to the RIAA right now to settle lawsuit is getting what they deserve, as far as I'm concerned. I want to donate towards the costs of producing music. I'm happy to be required to buy a CD or MP3 in order to have the right to listen to that piece of music. But I do want certain reasonable rights once I've contributed to the funding, including content shifting and conversion.

      This isn't giving me what I want. It's responding to the "Music needs to be free - as in freeloader" mob rather than the "Content needs more freedom" group. It's the logical outcome of the Napster mess, not the idealistic nonsense peddled by Napster and Kazaa's apologists.

      --
      You are not alone. This is not normal. None of this is normal.
    23. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      Yeah, but if those rivals would actually COOPERATE instead of trying to SCREW CUSTOMERS out of their fair use rights, the game disc would play on BOTH of them. They DELIBERATELY avoid this because they're EVIL, right?

    24. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      Nice thinking inside the box there..
      Here is what they should do
      1) make all art copyrights last 7 years.
      2) release all music /film / etc from greater than 7 years ago into public domain.


      Okay, but that solution *still* involves copyright, and would *still* involve people violating it, and would *still* lead to record companies, etc. taking anti-piracy measures that you would *still* object to.

      The drug companies dont seem to have a problem making billions of dollars on 7 year expiring patents.

      True, if you mean 7 years after FDA approval. Since the clock starts ticking before the trials start, they need a longer patent to get seven years of (monopoly) sales.

      Humans expressing themselves through art will not end because no one pays for it. Not to claim art, but these comments here are proof of that. No one is paying me to write on this fourm and yet I do it anyways. An artist needs to create as a slashdot poster needs to comment.

      Wow, good thing I wasn't stupid enough to claim otherwise! (Except for the blanket claim that artists produce exactly the same amount, irrespective of any compensation they get -- that's just stupid. I know you didn't say that outright, but you're hinting at it with the bit that artists "need" to create -- even if true, it says nothing about how much.)

    25. Re:For me, cost isn't the issue. by TheRaven64 · · Score: 1
      So do you think your rights are being violated when you can't play your GameCube games on your PS2?

      This is a real technical limitation, not an artificially-imposed one. A better analogy would be not being able to play your GameCube game on a GameCube emulator, or not being able to play Half Life 2 without it 'phoning home and verifying that you didn't pirate it.

      --
      I am TheRaven on Soylent News
    26. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      This is a real technical limitation, not an artificially-imposed one.

      Really? Isn't there an optimal architecture they "could" have used? To the extent that they deliberately avoided doing so in order to have incompatible systems, wouldn't that count as a sort of DRM? A sort of "crippleware"?

    27. Re:For me, cost isn't the issue. by hanshotfirst · · Score: 1

      I want to be able to play the music that I purchase on whatever device I choose. Period.

      Can you help me out? I'm trying to play the 8-track I bought on my gramophone. I paid for it, so I should be able to play it on anything, right? Or How about a CD on my record player? They're both round, and hold music, so it should just work.

      --
      Why, oh why, didn't I take the Blue Pill?
    28. Re:For me, cost isn't the issue. by shark72 · · Score: 1

      "The problem is, labels and artists are accustomed to making absurd amounts of money since Americans generally value entertainment above all else (which is why they'll find anything, anything else on TV when the President is giving a speech)."

      Can you qualify "absurd?" How much do you believe the average recording artist makes in a year, and what net margin do you think the average record company makes? Seriously: what's your best guess, and what do you think the proper average income or average net margin should be?

      "The anonymous poster previous has outlined the ideal public good strategy: instead of paying the artists for their completed work, the public should hire the artist to create a work for them to enjoy. Then the work, being work-for-hire by the public, becomes a public good for all to enjoy. Money really wouldn't be much of an issue, there are 300 million people in the United States alone (suddenly giving a few bucks adds up)."

      Music is a buck a track, or $14 a CD. This is hardly a crisis warranting that we socialize the music industry.

      One can judge a society by how they value their teachers, artists, and so on. When we are trying to portray artists as making an "absurd" amount of money and devising new ways to take away what little rights and income they already have, it's a very sad day indeed.

      --
      Sitting in my day care, the art is decopainted.
    29. Re:For me, cost isn't the issue. by Richard+Steiner · · Score: 1

      But if it still limits my ability to listen, it isn't worth it (to me). Not even at zero cost.

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    30. Re:For me, cost isn't the issue. by Richard+Steiner · · Score: 1

      Nice straw man. Read my comment again. I said cost wasn't an issue. I'm perfectly willing to continue to pay for music in a format which does not restrict my ability to transfer between media for my own personal use. And who says I violate agreements? I simply don't MAKE them. If I even have to deal with an agreement beyond basic copyright law, then I've not taken part in that technology or service to date. It's quite possible for one to be adamant about freedom while still remaining ethical (and legal) in one's music and video media consumption. It's no different from those who choose to only use open source software. I purchase non-DRMed music CDs. Period. Just like I've done for the past 20 years. To date, I've spent many thousands of US dollars on music in traditional CD format. If DRM continues, however, I will simply cease purchasing music except from legitimate sources of used non-DRM media.

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    31. Re:For me, cost isn't the issue. by Richard+Steiner · · Score: 1
      I'm with you though, as soon as they expect money, I expect freedom.

      That is not what I said. Money for me is a nonissue. Music which has DRM is music I will not partake of, be it high cost, low cost, or no cost.

      Period.

      They can take their sugar-sweetened attempt to further insert DRM into the market, and they can shove it.

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    32. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      And as a Troll I need to say that your post sucks

    33. Re:For me, cost isn't the issue. by Richard+Steiner · · Score: 1
      Let me start by saying I have no issue with the preceding comment,

      Thank you for actually reading my comment instead of inserting various inane assumptions where they don't belong (as so many respondants before you seem to have done). :-)

      however that same "demanding idealist" attitude is often echoed by those who are, quite simply, addicted to free content and use their perceived moralism as justification for continuing their actions.

      Demanding? I simply want them to continue the status quo. Provide copyrighted music for a reasonable fee, and let folks like me (who have filled the music industry's coffers for decades) continue to purchase the music we like and play it in an unrestricted way.

      DRM is the change being made. By them. My expectations are the same now as they were in the mid 1970's. I don't want change.

      Trust me when I say I am no fan of the RIAA's tactics regarding their customers, but at some point they need to make money. If you're willing to buy a DRM-free CD that is rippable, burnable and whatnot and don't mind paying $9.99(on sale)-$13.99+ for a CD, then by all means go ahead.

      It's fine by me. I've gravitated towards things like Time-Life or Rhino collections and such over the years, anyway, which provide a much better listenable-track-to-disc ratio than standard label CDs do. :-)

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    34. Re:For me, cost isn't the issue. by Richard+Steiner · · Score: 1

      Don't be an ass. The AHRA of 1992 give you the right to convert your analog music between formats if you have the equipment to do so, and that analog media doesn't have active DRM on it (and neither does the hardware) to prevent you from doing so.

      The digital music we're talking about in this thread, while free (gratis), will not allow you to perform the equivalent media transformation regardless of your ability to actually make it happen.

      The issue involved here is twofold:

      (1) Should the music industry have the right (beyond copyright) to dictate to me what I do with the content I purchase from them?

      (2) Should the music industry have the right to use technology to remove my ability to perform a media conversion on that content even if I have the legal right to do so?

      I believe the answer to both questions should be a resounding **NO**.

      To address your other issue: It's trivial to convert 8-track tape to other media. Cutting records can be done as well, and the equipment can be ontained, but I think I would seriously question your choice of target media. :-)

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    35. Re:For me, cost isn't the issue. by Richard+Steiner · · Score: 1

      While I agree with your statement, nowhere in my message did I state that I have a problem with copyright or with paying for music.

      I said that I had a problem with DRM.

      Whether it's free or not doesn't matter. I won't be a part of a music distribution method or music-bearing medium if I know beforehand that it uses DRM.

      I think folks need here to learn how to read. I personally think music and movia pirates should be nailed to the wall. If you want to get tunes for free, there are zillions of ways to record things without having to resort to blatant copyright violation.

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    36. Re:For me, cost isn't the issue. by mochan_s · · Score: 1
      Well, that isn't quite as it should be. Distribution is much more important than you make it out to be. Your favorite artist -- how did you hear about him/her? There is TONS of crap out there. How do you find the diamonds? You do not have the time to sift through all the garbage. And I think you're wrong about production -- if you can't draw a return from copyright, you can't capture any value off the production, only the easily copiable performance.

      See this is what everyone has wrong in the US.

      New bands should rise to the top via the music press or radio DJs who make it their job to find the diamonds from the TONS of music being produced. Like the British music press and John Peel of the BBC.

      In the US, all the print and radio and TV are held by the same companies that produce music that they dictate what gets hyped. This creates a very unnatural situation.

      Call me old or jaded but compared to the British, the American music scene hardly produces any new bands that rise from the some local scene somewhere. It's all filled with prepackaged, market-directed music more than usual. A lot of American bands actually seem to get their start in the British press rather than the US.

    37. Re:For me, cost isn't the issue. by Anonymous Coward · · Score: 0

      I'm trying to figure out where you got the seven years from in this comment: The drug companies dont seem to have a problem making billions of dollars on 7 year expiring patents.

      The base or nominal duration of most utility patents is 20 years. Pharmaceutical patents have been the subject of several pieces of legislation designed to address erosion due to the delays of the FDA approval process and of Patent Office delays as well. Take a look at the PTO's web pages where you'll find that the Maual of Patent Examining Procedure incorporates the provisions of 35 U.S.C. 156 regarding Extension of patent term:

      Subsection (c) The term of a patent eligible for extension under subsection (a) shall be extended by the time equal to the regulatory review period for the approved product which period occurs after the date the patent is issued... (MPEP 2758)

      There are some limitations on this provision, however, with the result that the effective life of pharmaceutical patents have been estimated to be 12 years. In the past, some pharmaceutical companies have sought and obtained extensions for particular drugs through special acts of Congress.

      As for your notion that artists should not be able to protect their creations, or limit that protection to 7 years, because "artists need to create" shows little understanding or artists or economics.

      The current DRM systems out there generally suck. For that reason, I don't buy DRM protected media. There are plenty of legit alternatives and Universal seems to be ready to present the market with yet another.

      M.Tran (A coward, maybe, but not completely anonymous)

    38. Re:For me, cost isn't the issue. by dwandy · · Score: 1
      Trust me when I say I am no fan of the RIAA's tactics regarding their customers, but at some point they need to make money.
      Not really.
      They only *need* to make money if you're interested in their continued existence.
      I'm not.

      What purpose do they serve? Really?
      They have a couple of historic uses:

      1. Scout talent
      2. Pre-pay (but recoup from artists income) recording costs
      3. Market
      4. Distribute physical media to retailers

      So let's review:

      1. We only need to scout talent if we're looking to invest. Exit the recording company, exit their requirement to scout talent. Consumers can and do decide what they want to buy (albeit currently heavily influenced by marketing, see #3)
      2. Since the artist still pays their recording costs (they do it out of CD sales while the record company starts taking profit out of sales) this is just a loan. It made sense once upon a time when it cost a lot to record *anything*. Since recording costs are now down dramatically (I have friends with semi-pro equipment in their basement....) it's more than possible to record on a budget.
      3. Here in Canada a couple of the hottest new bands (like http://en.wikipedia.org/wiki/The_Arcade_Fire) broke without a major label. We don't need to be *told* what we like ... people can (and do) find music they like in the absence of heavy marketing. Radio used to actually have people who knew and liked music and spent their time listening to music and sharing it with people. People can and do go to clubs to hear new bands and then tell their friends, write blogs, post on /. ...whatever. In the absence of marketing we might actually have music the people want, not that which is most profitable for them.
      4. The net. 'nuff said.

      So no: I don't agree that "they need to make money".

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    39. Re:For me, cost isn't the issue. by Daniel+the+Great · · Score: 1
      Well, that isn't quite as it should be. Distribution is much more important than you make it out to be. Your favorite artist -- how did you hear about him/her? There is TONS of crap out there. How do you find the diamonds? You do not have the time to sift through all the garbage.


      This is exactly what systems like Google does for search results, Digg does for news articles and Slashdot does for posts. This is much of what the notion of Web 2.0 is about. Where have you been for the last few years?

      With a little user feedback this is perfectly automatable for music. Take a look at last.fm for a good way to discover the diamonds. And then added on top of that you also have the music press as the poster above mentioned.

    40. Re:For me, cost isn't the issue. by Mateo_LeFou · · Score: 1

      Your favorite artist -- how did you hear about him/her? legaltorrents.com; why do you ask?

      --
      My turnips listen for the soft cry of your love
    41. Re:For me, cost isn't the issue. by Mateo_LeFou · · Score: 1

      the blanket claim that artists produce exactly the same amount, irrespective of any compensation they get -- that's just stupid. I know you didn't say that outright, but you're hinting at it with the bit that artists "need" to create

      The position is quite simple: copyright is a state-granted monopoly on certain actions that would otherwise be perfectly licit. It is a truism that a certain kind and quantity of art is going to exist without copyright. The burden is on the state to demonstrate a interest in whatever kind of art requires copyright protection to exist. Then they have to demonstrate that the term is cost-effective.

      No state that I know of has ever got within a thousand miles of making such a demonstration. I bet that if one of them tried, a 10-year (or so) copyright would prove reasonable in our present technological situation.

      --
      My turnips listen for the soft cry of your love
    42. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      The position is quite simple: property rights are a state-granted monopoly on certain actions that would otherwise be perfectly licit. It is a truism that a certain kind and quantity of production is going to exist without property rights. The burden is on the state to demonstrate a interest in whatever kind of production requires property rights to exist. Then they have to demonstrate that the extent is cost-effective.

      No state that I know of has ever got within a thousand miles of making such a demonstration. I bet that if one of them tried, short term possession rights would prove reasonable in our present technological situation.

      Tu quoque: forcing people to actually think about what they say since before the fall of Rome.

    43. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      I'm perfectly willing to continue to pay for music in a format which does not restrict my ability to transfer between media for my own personal use. And who says I violate agreements? I simply don't MAKE them.

      No, what you're buying -- as described by the default copyright law governing these transfers -- does not include those rights, and you agree to those in buying the intellectual work. Much of it is produced *on the precondition* that these rights will be enforced, and you want to unilaterally break them. And there may be good reason, I'd choose a pretense other than "freedom".

    44. Re:For me, cost isn't the issue. by Mateo_LeFou · · Score: 1

      I'm not totally sure what you mean by this revision, but if you're wondering here's the difference between physical property and that dubious concept "intellectual property": To deprive you of physical property, I must do violence to you, but I and millions of other people could help ourselves to your "intellectual property" without you even being aware of it. The non-critical assumption that intellectual property is the same as other kinds of property is precisely why no state has bothered to demonstrate the cost-effectiveness of copyright laws. They just parrot on about how everyone "owns" everything she ever thinks, and you can't use those thoughts without her permission 'cause they're her property, and so on. It's a laugh riot for people who actually think about these things. Like for example Thomas Jefferson.

      --
      My turnips listen for the soft cry of your love
    45. Re:For me, cost isn't the issue. by Asic+Eng · · Score: 1
      Sure, music companies "should" just "trust" people not to give it away to everyone, really, they can't.

      Well, they could. Not because people are generally good, but because the stuff is already out there. People only buy digital music because they do not want to download it illegally. Lack of opportunity is not an issue.

    46. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      I'm not totally sure what you mean by this revision, but if you're wondering

      I'm not "wondering". I'm *showing* you here, through the only means you're capable of understanding, why your "argument" (and I use the term loosely) applies just as well to physical property. Now, I am going to respond to your *new* attempt to patch up the holes in what you just said.

      here's the difference between physical property and that dubious concept "intellectual property": To deprive you of physical property, I must do violence to you, but I and millions of other people could help ourselves to your "intellectual property" without you even being aware of it

      Rubbish. It is *of course* possible to deprive me of physical property without doing violence to me, and that kind of thing happens ALL THE TIME. (It's a laugh riot for people who actually think about these things, that you would say otherwise.) Shoplifting is non-violent, for example. Or if I slipped into your home and pilfered your motherboard. You were aware of that, right? Of course, now you're probably going to stretch the concept of "doing violence to me" so that it covers whatever you say it covers.

      And with that bit and the end, you're AGAIN revealing that you missed the point of my tu quoque. There are many kinds of *physical* property that someone might not be aware of upon theft, and that is precisely the kind of thing anti-physical-property cranks consider unjust, and precisely why your "argument" proved far too much. For example, if you stole a deer from hunting grounds I own, I may *never* learn of it. So I guess deer can't be property? (And if you additionaly promote animal rights crankism, switch out the deer with something like iron ore.)

      The non-critical assumption that intellectual property is the same as other kinds of property is precisely why no state has bothered to demonstrate the cost-effectiveness of copyright laws.

      Actually, I think that's more proof that:

      a) You haven't looked for government-affiliated research papers on IP. (They're out there. Really.)

      b) They have better things to do than publicly try to convince others of something they already believe.

      They just parrot on about how everyone "owns" everything she ever thinks, and you can't use those thoughts without her permission 'cause they're her property, and so on. It's a laugh riot for people who actually think about these things.

      Actually, the opinion of the people who actually think about these things is that your trite little cutesy "proofs" do nothing to advance the debate.

    47. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      Lack of opportunity is not an issue.

      Yes it is. Since you spend your whole day around the geek crowd, you probably don't know that the average person doesn't know how to get started downloading music, and the reason that information can't be more easily brought to them is because... OF COPYRIGHT LAWS!

    48. Re:For me, cost isn't the issue. by Mateo_LeFou · · Score: 1

      Well, it seems you know more about this stuff than I thought you did, so I apologize if I slighted you. It was an honest mistake, since my arguments again IP usually meet with responses of the type "people can do whatever they want with their intellectual property" and respondent doesn't want to go any deeper than that.

      Resuming...

      It is true that by conventional property right I cannot secretly steal your bling off your land while you're away. You own stuff even when you have no physical relationship with it. This convention (in contrast to "intellectual propery") is extremely cost-effective, and an argument could be made that not only do private property rights & conventions account for the majority of economic growth in the past several centuries, but for a good deal of the political enlightenment over the same period.

      So please don't assume that I'm a total anarchist. My point is only that these conventions are not the only possible ones. Remember in grade school learning about how bewildered native Americans were about the concept of "owning" land?

      I believe the natural ground of property right is physical violence. The societal ground is a set of goals (autonomy, economic "progress") and the usual "western liberal" approach to physical property is demonstrably cost-effective toward these goals. A society with different goals might have less (or no) private property rights.

      In any case, the argument against IP doesn't rely on the association with violence; that's me staring at my own navel. The more important point is that when I obtain your "intellectual property" you still have it. Where there is no loss there is no theft. (you should know that I don't buy the whole lost-sales argument at all. That's another conversation...)

      As it turns out, I this the state should be very active in encouraging the arts & creativity & science and all that stuff. Way more active than most libertarians, probably. I just don't think the way to do that is by pretending that unauthorized copying is "theft" or pretending that ideas and numbers are "property". Maybe once, but not anymore.

      --
      My turnips listen for the soft cry of your love
    49. Re:For me, cost isn't the issue. by Asic+Eng · · Score: 1
      Sorry, but you are not actually addressing what I said. I do not propose to abandon copyright law, and DRM is not the same a copyright law. The point is, if (hypothetically) you had a store where you could legally *buy* mp3s, there would be no impact on the availability of mp3s in channels which are not legal. Everything is out there already. It doesn't matter whether people buy from this hypothetical store because they think it's fair to pay for their music, or whether they buy there because they can't figure out the file sharing tools. Putting DRM on their music doesn't change anything in either case. They are either still willing to pay for music, or they are still unable to use file sharing tools.

    50. Re:For me, cost isn't the issue. by hanshotfirst · · Score: 1

      Don't be an ass. The AHRA of 1992 give you the right to convert your analog music between formats if you have the equipment to do so, and that analog media doesn't have active DRM on it (and neither does the hardware) to prevent you from doing so.

      The digital music we're talking about in this thread, while free (gratis), will not allow you to perform the equivalent media transformation regardless of your ability to actually make it happen.


      BINGO! We have a winner! That's the whole point! DRM does nothing to limit the rights conveyed in AHRA/1992. It is an add-on to current digital storage technology, but does nothing to limit your fair use of purchased material. It limits the ability to make a pure digital-to-digital copy which, while inconvenient, is no more a barrier than it used to be to connect a record player to a cassette deck to transfer songs between formats.

      You can always convert through analog to make a copy. Quality may suffer (or get really bad in the case of Macrovision) but you can exercise your fair use rights. Fair Use does not guarantee that your fair use copy will be as pristine as the original.

      --
      Why, oh why, didn't I take the Blue Pill?
    51. Re:For me, cost isn't the issue. by Richard+Steiner · · Score: 1

      Please read the Audio Recording Recording Act of 1992, which adds specific exceptions to copyright law in the United States for things such as "fair use", at least in the case of analog media and certain types of digital media.

      In the United States, I most emphatically *do* have those rights. Explicitly. The hold of the copyright cannot legally stop me from recording my LPs on cassette tape, for example. The AHRA gives me that specific right as a consumer. This is also true for my recording tapes to CD using my stereo CD recorder (which uses CD blanks that are explicitly intended for digital music and which have already had additional "royalties" levied on them), and an argument can be made that the ripping of CDs to MP3 files is also covered under the act.

      Learn about your actual rights under US federal law before accusing others of making pretenses, please...

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    52. Re:For me, cost isn't the issue. by UbuntuDupe · · Score: 1

      The hold of the copyright cannot legally stop me from recording my LPs on cassette tape, for example.

      They *don't* legally stop you from copying. They *physically* stop you. As far as I know, no DRM prevents you from *playing the music aloud* and recording that sound onto another medium. I know, I know, "but that's low quality!". Yeah, sorry about the inconveniences of doing something typically done to break copyright law. Let me guess: you also consider it an abhorrent, totalitarian violation of rights that you have to fill out two lines notifying the government when you withdraw over $10,000 in cash. Did I call that one right?

  8. Says Who? by intrico · · Score: 1

    Who says that users will not be able to put the music on their portable media players or burn the tracks to CD?

    1. Re:Says Who? by Zontar_Thing_From_Ve · · Score: 2, Informative

      Who says that users will not be able to put the music on their portable media players or burn the tracks to CD?

      The submitter, wild_berry, who, surprise surprise, is yet another Slashdot submitter who fails to understand the articles cited in his own submission. Neither of the articles cited contain any mention of such a restriction.

    2. Re:Says Who? by Anonymous Coward · · Score: 0

      I found this:

      Songs and music videos will be available through downloading and theft protection is built into the content, New York-based SpiralFrog said today in a press release distributed by PR Newswire. Non-intrusive, targeted ads will pay for the service.

      http://www.bloomberg.com/apps/news?pid=20601085&si d=a.YLRkBqES74

    3. Re:Says Who? by phritz · · Score: 3, Informative
      The submitter is sort of right - it looks like the device you transfer it to will need explicit support for the DRM. From the New York Times:
      Customers will be able to download an unlimited number of Universal songs to their computer and one other device. They will not be able to transfer those songs onto a compact disc, and they must visit the site at least once a month to maintain access to their music.
    4. Re:Says Who? by TheRaven64 · · Score: 1

      Sounds a lot like Microsoft's PlaysForSureUnlessIt'sBrokenAgainThisWeek technology.

      --
      I am TheRaven on Soylent News
  9. Not Bad, but not a Music source by Daniel_Staal · · Score: 5, Insightful

    What they are really saying is that they will let you try listening to their music without paying for it first. If you want to do anything with it, you have to pay.

    Which isn't a bad idea, acutally...

    --
    'Sensible' is a curse word.
    1. Re:Not Bad, but not a Music source by Qzukk · · Score: 2, Insightful

      Which isn't a bad idea, acutally...

      I agree, I'd definately look into using this to try out some new bands by listening to a few songs before I decide to buy their cds which I can do whatever I want with.

      Now the question is, how much of my identity do I have to hand over to these people for their inevitable laptop theft so that they can target their ads, and are they going to let me listen to whole albums, or just the best songs that get heavy rotation on the radio anyway?

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    2. Re:Not Bad, but not a Music source by Flamesplash · · Score: 1

      I completely agree. I really only pirate music anymore to see if it's worth spending money on, and even that I don't do much because I find the downfalls of pirating to not really be worth it ( difficulty to find, risk of viruses,etc ). iTunes 30s snippits really isn't enough.

      --
      "Not knowing when the dawn will come, I open every door." - Emily Dickinson
    3. Re:Not Bad, but not a Music source by ozbird · · Score: 2, Interesting

      ... or you could use BitTorrent.

      My recent music purchases (30+ CDs, 5 music DVDs and several t-shirts) have been entirely due to bands I've discovered by trying the albums via BT or sample tracks on their websites. (My brother has bought hundreds of CDs the same way; I'm more picky about my music.)

      The sample excerpts on Amazon etc. don't cut it - many bands who sounded interesting from samples turned out to be like most Hollywood movies: the trailer was the only good bit. I watch movies and listen to albums, not snippets.

      Other bands like The Gathering were an absolute revelation - they alone account for a full third of those recent music purchases. If the music is good, people will buy it - even if it means international postage and currency surcharges. Now if only I can convince them to tour here...

      Universal's move is a step in the right direction, but I'd like to see music companies release entire albums to try-before-you-buy. They could make them, say, 64-96kbit MP3s - good enough for a fair representation, but with the incentive to buy the full-quality CD. The bandwagon is already rolling, the only question is whether the record companies want to jump onboard or get churned under the wheels.

  10. Ads by johnlittledotorg · · Score: 5, Insightful

    I wonder how long it will take them to work the ads into the audio files themselves. 3 minutes of music sandwiched between 2 30 second commercials is probably inevitable.

    1. Re:Ads by Constantine+XVI · · Score: 3, Insightful

      Already exists. Flip the scaling of ads to music around, and you have what is commonly known as "FM Radio"

      --
      "I think an etch-a-sketch with an ethernet port would beat IE7 in web standards compliance."
    2. Re:Ads by arrenlex · · Score: 1

      That would be a bad idea, because simple programs like Audacity can be used to strip things like that out in two seconds, and then the people who took out the music would explain to others how to do it. It would simply lead to the common man discovering music manipulation software out of need. Also, less tech savvy users would just seek to the start of the song.

    3. Re:Ads by theelectron · · Score: 1

      You've been watching videos on Yahoo!Launch haven't you?

    4. Re:Ads by 0xABADC0DA · · Score: 2, Insightful

      What do you think pop music is? Like Saturday morning cartoons used to be (transformers I am looking at you), Pop music is the ad so you'll go buy the band's CD / concert ticket / merchandise.

      Music used to be about expressing some emotion, a message, or telling a story. Now it's all about "we're so cool go buy our CD."

    5. Re:Ads by bhunachchicken · · Score: 1

      You're not wrong. Infact the BBC's Radio 1 entertainment news today mentioned that having the ads in the music itself has been considered.

      This could mean either having an ad at the beginning of songs, during the song (that would just be plain stupid) or at the end of the song. Whatever way Joe Public isn't going to be savy enough to load up Goldwave, remove the offending data and then reencode it.

      Imagine something worse - One of the above wrapped within DRM...

    6. Re:Ads by Red+Flayer · · Score: 1

      Plenty of streaming radio networks do this. A couple minutes of ads to listen to an hour or so of music. Of course, if you pay to subscribe, the ads disappear...

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
    7. Re:Ads by Anonymous Coward · · Score: 0

      Listen to "Snakes on a Plane" by Cobra Starship. The entire song is just an ad for the movie, as is the video, and even the "band" name (it's not a real band, just a short lived side project).

    8. Re:Ads by soupdevil · · Score: 1

      You're close, but it's more inclusive than that. Pop music is the ad for the lifestyle, which includes fashion, electronics, media, etc. Why do you think so many pop artists have a clothing line?

  11. DRM encumbered? by kcbrown · · Score: 2, Interesting

    TFA doesn't say anything about whether or not the music in question is DRM-encumbered. I see no reason at all to believe that it won't be.

    So while the music may be free as in beer, it'll likely only be free in the most limited sense of the word.

    Thanks, but I'll pass.

    --
    Use 'slashdot stuff' in the subject line in any email you send me if you want to get past the spam filter.
    1. Re:DRM encumbered? by Half-pint+HAL · · Score: 4, Insightful

      So while the music may be free as in beer, it'll likely only be free in the most limited sense of the word. Thanks, but I'll pass.

      You don't watch TV or listen to the radio then? I do: they're free, and they're supported by adds. But it doesn't give me the option to view or listen to the program at any time I want. So sometimes I buy DVDs or CDs.

      The proposed service has more freedom than radio, if we disregard DRM for the moment, so what's the big deal?

      Plus, if you're one of UMG's artists, you can download your own song twice a day for a source of extra income!

      --
      Got them moderator blues I blieve I walk out the do', With these mod-points I been gettin', I 'most never post no mo'
    2. Re:DRM encumbered? by hweimer · · Score: 1
      TFA doesn't say anything about whether or not the music in question is DRM-encumbered. I see no reason at all to believe that it won't be.

      You're absolutely right. From Yahoo News:
      Digital rights management technology is built-in to all audio and video content

      I don't want DRM even if it's free-as-in-beer, but I'd happily pay for non-DRM music even if it costs more than $0.99.
      --
      OS Reviews: Free and Open Source Software
    3. Re:DRM encumbered? by Kalinda · · Score: 1

      You don't watch TV or listen to the radio then? I do: they're free, and they're supported by adds.

      Ahh... but you could easily Tivo or record things you see on TV or tape record things you hear on the radio; sure the quality won't be as good, but you could still do it. With TV it depends how good the reception is or if you have satelite and/or HDTV.

      I suppose I can't blame them for putting DRM into it since it's free anyhow (and you really can't put advertising INTO a song), despite me being totally against DRM. Now, if I had to pay for it then that'd be different.... either way, I'll probably stay away because DRM doesn't work for Linux users, unless we circumvent it.

    4. Re:DRM encumbered? by gorbachev · · Score: 1

      "TFA doesn't say anything about whether or not the music in question is DRM-encumbered. I see no reason at all to believe that it won't be."

      My guess is that it'll be some sort of an audio stream embedded in a Flash app, just like YouTube or Google Video.

      --
      In Soviet Russia, I ruled you
    5. Re:DRM encumbered? by websitebroke · · Score: 1
      DRM encumbered? No Problem!

      How many of you have a second computer? Go out to Radio Shack or some similar store, get yourself a cord with a mini stereo phone jack on either end. Play the music on Computer #1 and record it on Computer #2 with Audacity.

      Presto! DRM free music.

      Two worries about this plan:

      1. In what kind of quality will these downloads be available? If it's all in 32kbps quality mp3, thanks but no thanks. On the other hand, if they're in FLAC we're in business. (Right, one can dream)
      2. What happens when the RIAA and US courts decide that Audacity is "Primarily used for music piracy" and have the three founders sued into oblivion
    6. Re:DRM encumbered? by TheRaven64 · · Score: 1
      You don't watch TV or listen to the radio then? I do: they're free, and they're supported by adds.[sic]

      No, actually, I don't. TV, with a 1:3 advert:content ratio wastes too much of my time. I consider the value of 15 minutes of my time that I would spend watching adverts in a TV show to be more valuable than 45 minutes of entertainment; a fact born out by my income and the price of DVD rentals. As such, I now only watch TV by renting the series on DVD.

      I haven't even owned a radio machine for about a decade, although that's more because I don't like the low sound quality more than anything else; I live in a country where there is good publicly-funded radio.

      I am not a product to sell to advertisers. I am a customer of entertainment. If you try treating me like a product, then I will go elsewhere for entertainment. If you give me the product I want, in the form I want, then I will give you my money. Do you ever wonder what happened to 'the customer is always right?'

      --
      I am TheRaven on Soylent News
  12. "The big companies"? by Artifice_Eternity · · Score: 5, Informative

    RTFA, please. At least the first sentence:

    Universal Music, the world's largest music company, has agreed to back a new venture that will allow consumers to download songs for free and instead rely on advertising for its revenues.

    This is a big deal.

    1. Re:"The big companies"? by smooth+wombat · · Score: 3, Interesting
      But what if you use AdBlock or a hosts file to block advertisers sites? They won't be getting any money then, will they?


      But then I guess that's a win-win situation. People can now, finally, get something for nothing AND stick it to the music companies by not having to see/watch ads to get the product.

      The only question is, and the article is short on this matter, will people be able to take the song and put it in any format they want for THEIR use?

      This article does say that DRM will be incorporated into the songs to try and prevent sharing of the music but that still doesn't answer the question. The article also talks about how the ads might be inserted but nothing definite.

      --
      We will bankrupt ourselves in the vain search for absolute security. -- Dwight D. Eisenhower
    2. Re:"The big companies"? by russ1337 · · Score: 5, Funny
      download songs for free and instead rely on advertising for its revenues.
      What the article fails to mention is the adverising is the artists singing about a vendors product.....

      I cant wait for Elton Johns new single : "Lucy in the sky with diamonds from Jarad"........
    3. Re:"The big companies"? by Anonymous Coward · · Score: 0

      >>This is a big deal

      Not really. The NYTimes story on this notes it's a sort-of subscription, that you have to log back into the website once a month to keep the tunes usable. I don't think Steve Jobs will have to worry about this.

    4. Re:"The big companies"? by TommyPickles · · Score: 0

      Contextually-relevant ads huh? Hmmmm /ponders what it could be like

      *Britney Spears = Pregnancy Test Kits
      *Jessica Simpson = Divorce Lawyers
      *Christina Aguilera = Earplugs
      *George Michael = UK Guide to Public Toilets
      *Marilyn Manson = Chapped Leather Pants & Mascara for Men

  13. Excellent Name by Anonymous Coward · · Score: 0

    What an Excellent name, put the frogs in a lukewarm pot, and slowly increase the temperature. Pretty much, the sheeple will get used to getting things for "free", by accepting "targetted" ads.

    All they have to do to get these "free" things, is release tons of personally identifiable information.

    Just look at gmail/hotmail/etc.

    Anyone can read/datamine your mail , etc.

    Welcome to 1984, all hail big-brother.

  14. finally. by jnf · · Score: 4, Interesting

    I've wondered how long it would be before a consultant somewhere said, 'you know, we should adapt or we risk dying', and this is what it is, finally a company with a financial interest in the matter is sitting down and trying to hash out an idea of how to make the new medium work for them.

    I will probably go watch some ands and not hear the music (as it will probably require windows) just to show support for a company that is taking some initiative. I hope it makes them billions of dollars and all the other companies sit and wonder why they didn't think of it.

    1. Re:finally. by jnf · · Score: 1

      s/ands/ads/

  15. Not a replacement by Anonymous Coward · · Score: 0

    "Is the immunity from litigation enough to make up for having targeted advertising on each page and not being able to write the music to CD or a portable player?"

    I like to listen to my music in the car, while I'm going to sleep, as I'm reading a book, whatever. I want it indexed, in my format-du-jour (currently flac), and I want it on whatever device is handy. This does not provide that.

    However, there are other times when I don't want to listen to my music. I might get a sudden urge to listen to some random song that I don't normally care about, want to check out a band, or want to simply show someone else a song I found but don't have handy. This is when I use things like Purevolume and (God forbid) Myspace. If this provides a similar service, then yes, I will gladly endure advertising to listen to the music. A service like this can only complement my music collection though, not replace it.

  16. Linux Suppport? by aweinert · · Score: 1

    Having switched over to Linux, my primary concenr with this site is will this service work on Linux? Given that the songs are bound to be DRM laddened, I find this unlikely. And even though its free as in beer, the song selection sounds like it will be very limited,at least for now. (I only saw a couple of bands I would possibly listen to in the list of Universal's Artists.)

    1. Re:Linux Suppport? by websitebroke · · Score: 1



      Not likely. Linux users are a bunch of immoral hippies/commies/pirates who are trying to bring down the moral majority establishment. Why would they ever want to release it for Linux?

      </tongue firmly in cheek>

  17. http://music.edu.org by Anonymous Coward · · Score: 0

    Almost as stupid as http://music.edu.org/

  18. Trap? by quanticle · · Score: 1

    Is it just me, or does anyone else think that this is the same doomed business model of the dot-com bubble?

    Does Universal actually expect to make money off this, or is this a "straw man" venture designed to fail in order to show shareholders and politicians that strict DRM is necessary to guarantee profitability?

    --
    We all know what to do, but we don't know how to get re-elected once we have done it
  19. What a load of crap by tritonman · · Score: 1

    The ads are probably 30 second annoying junk you have to listen to before the song starts and of course, the list of artists is probably not very good. I can imagine they will put all the lame artists that they are trying to promote on this program and reserve the *good* ones for 30 second samples that you only get to listen to after 30 seconds of ads.

    1. Re:What a load of crap by russ1337 · · Score: 4, Insightful
      30 second annoying junk you have to listen to before the song starts and of course
      um, so how does this differ from a radio station? (or radio station broadcast over the net / satellite radio?) Obviously there is an 'on-demand' aspect, but really.

      Free music *check*: ads *check*: crappy artists *check*:

      If it looks like a duck.... then yeah. its not too much different than radio.
    2. Re:What a load of crap by rabbit994 · · Score: 2, Informative

      Satellite Radio (XM at least) music channels are broadcast without Ads over both airwaves and online.

    3. Re:What a load of crap by sm62704 · · Score: 1

      But you're PAYING for them. Apples!=oranges.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  20. Oh damn you can bitch about anything can't you? by merlin_jim · · Score: 4, Insightful

    Is the immunity from litigation enough to make up for having targeted advertising on each page and not being able to write the music to CD or a portable player?"

    As if you even needed immunity from litigation, or you had some intrinsic right to this music. The only people that need immunity from litigation are those breaking the law

    Here's a content producer. They want to GIVE you their content for free online, in a distribution model simliar to one that most of slashdot has been having wet dreams about since Napster 1.0 was released. Shit know when you got it good and stop your bitchin lol!

    If someone wants to give me something for free I'm not going to whine just because they want me to do a certain thing with it - free restricted music is better than no music at all...

    --
    I am disrespectful to dirt! Can you see that I am serious?!
    1. Re:Oh damn you can bitch about anything can't you? by Anonymous Coward · · Score: 0

      You haven't been watching the SCO v IBM/World litigation, have you?

      There is no need to be guilty of breaking the law in the US to fall foul of it.

    2. Re:Oh damn you can bitch about anything can't you? by merlin_jim · · Score: 1

      There is no need to be guilty of breaking the law in the US to fall foul of it.

      I fail to see how this comment relates to a discussion of the relative merits of illegally downloading music vs. being given it for free. One is clearly against the law and the other is not...

      In a more general case, litigation in cases where someone has clearly not broken the law is a good thing - it has a sort of reverse chilling effect, and I would welcome an opportunity to test something that I considered fair use that some content producer is trying to litigate me out of doing...

      --
      I am disrespectful to dirt! Can you see that I am serious?!
    3. Re:Oh damn you can bitch about anything can't you? by Anonymous Coward · · Score: 0
      Here's a content producer. They want to GIVE you their content for free online, in a distribution model simliar to one that most of slashdot has been having wet dreams about since Napster 1.0 was released.
      Sorry, those DRMed files won't play on players I own so their offers is worthless to me.
    4. Re:Oh damn you can bitch about anything can't you? by kingturkey · · Score: 1
      free restricted music is better than no music at all...
      Yes, that is true. But the question isn't whether free, restricted music is better than no music, the question is whether free, restricted music is better than free, illegal music that is readily available through BitTorrent and other P2P systems.
  21. More details? by RyoShin · · Score: 1

    Both articles are a little scarce with exactly what you can do with the music.

    Is it like Yahoo's service, where you can "download" the song and play it whenever you like, but you can't burn it to a CD? And if you want to move it to an external drive, you have to pay extra?

    Or will this be a complete file that can be downloaded to my PC and media-shifted? (preferrably CD-burnable, and I'm sure someone will figure out how to get around whatever DRM they put on it).

    1. Re:More details? by Alarash · · Score: 1
      Yeah, I'm wondering about that too. As I see it, we have these options:
      • Music is not downloadable, but streamed. You make your playlist online and listen to it from your browser (supposely with a crappy player IE-only compatible). Possible.
      • Music is downloadable, DRM'd, and you need to wait a while in front of ads in order to download. Hopefuly you can "pack" them in a RAR (or more likely ZIP..) file so you don't spend more time waiting than downloading. Unlikely
      • Music is downloadable in a proprietary format, and you can play them only in a proprietary player displaying ads. Will work only on Windows of course, and maybe on Mac OS. Likely
      • Music is downloadable, DRM'd in an open format, you can download a bunch at the same time after watching some ads, and you can play them on any platform because it's an open format. Unlikely.
  22. Agree, sorta by Cybert4 · · Score: 1

    I've used Yahoo music and now Urge subscription. It's quite annoying when your player barfs on you because you haven't tethered (the smaller devices can play on battery much longer than the cutoff point it seems). But still I use it--because I can get any song I want. I use it on my phone, which is always with me (8125).

    I like freedom too, but this is the compromise I make. As I've said before, I don't want to support ad people.

  23. Good for them by Anonymous Coward · · Score: 0

    This is a pretty good idea. Seems like it is based on the Real Rhapsody model (which is worth the $9.99 / mo to listen to as much as you want) except that the streaming is free.
    It will be like on demand radio, and if I like a tune, I'll buy it.

    Good for Universal, they seem to 'get it'

  24. Hmm by Have+Blue · · Score: 1

    My knee-jerk reaction was "Of course not", but this actually makes sense. At least now the "I only pirate to decide whether to buy it" crowd has no excuse any more.

    1. Re:Hmm by aardvarkjoe · · Score: 1
      At least now the "I only pirate to decide whether to buy it" crowd has no excuse any more.
      They'll just switch to "I have to hear it on my MP3 player to decide whether I like it enough to buy it." Or, how about, "They're giving the music away for free, so I should be able to download another copy and use it any way I want?" And, of course, don't forget "targetted advertising is violating my privacy rights, so I'm entitled to do whatever I want with their products."
      --

      How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
    2. Re:Hmm by servoled · · Score: 1

      Technically the "I only pirate to decide whether to buy univeral music" crowd has no excuse any more. Even then, that excuse was mostly killed with Napster changing to a free service.

      --
      "I have a porkchop, you have a porkchop. I have a veal, you have a veal".
  25. What about... by Hangin10 · · Score: 1

    the analog loophole, eh?
    With Audacity, one can record using the setting "What U Hear" which records not from the mic, but from the output of the soundcard. Encode to MP3, burn CD, sync to iPod, there ya go.

    1. Re:What about... by nead · · Score: 1

      Audiograbber is great too.

  26. CD Burning by pegr · · Score: 1

    "...not being able to write the music to CD or a portable player?"
     
    Oh yeah? Watch me!

  27. Lindsay Lohan by spidereyes · · Score: 2, Funny

    I can finally download Lindsay Lohan's albums instead of being THAT guy who buys them at the store. Now, if we could only get Hanson to sign with Universal the circle would be complete.

    --

    I say we just grow up, be adults and die.
  28. What rock have you been under? by Overzeetop · · Score: 0, Offtopic

    You don't need to look online for the free-due-to-advertising model. There have been advertisers giving away free, unrelated product for decades, if not centuries in return for eyeballs. Ever listen to the radio, or watch TV? People are already used to this stuff...the water is already boiling.

    Aside: Advertisers are the scourge of the earth, and they may actually rank _below_ lawyers, as at least some lawyers are honest. No, I haven't met one personally, but they supposedly exist whereas there are no honest advertisers almost by definition. Advertisers are at the root of most sports-related inflation. They get owners addicted to the cash like heroin, then claim they need to have more and more exposure to geep that cash coming. as the money filters down, everybody gets greedy, and you end up with $8 beers, $5 hot dogs, $300 bleacher seats, and some guy who can't even spell his name making $80M over 4 years right out of college because he can run a 4.2 40 and throw a pigskin 80 yards.

    --
    Is it just my observation, or are there way too many stupid people in the world?
    1. Re:What rock have you been under? by Anonymous Coward · · Score: 0

      So, free-due-to-advertising model doesn't work?
      Damn it! I had waited for the day when we would get free beers with advertisements, free hotdogs with advertisements and a free Ferari with advertisements.

    2. Re:What rock have you been under? by SamSim · · Score: 1

      I know I do this every time but you know you love it. Here they are again for all you wackos. Every Millionth Slashdot Comment:

      Slashdot comment #1,000,000 - 15th June 2000

      Slashdot comment #2,000,000 - 1st March 1999. It's unknown why the date of this comment is earlier than the previous one. My guess is the comments weren't numbered sequentially this early on in Slashdot's history and were renumbered at some later date.

      Slashdot comment #3,000,000 - 13th February 2002

      Slashdot comment #4,000,000 - 2nd August 2002

      Slashdot comment #5,000,000 - 2nd January 2003

      Slashdot comment #6,000,000 - 20th May 2003

      Slashdot comment #7,000,000 - 19th September 2003

      Slashdot comment #8,000,000 - 16th January 2004

      Slashdot comment #9,000,000 - 28th April 2004

      Slashdot comment #10,000,000 - 18th August 2004. I can honestly say this is my favourite comment ever.

      Slashdot comment #11,000,000 - 5th December 2004. My hat is off to evilmrhenry (542138) for finding this for me.

      Slashdot comment #12,000,000 - 21st March 2005

      Slashdot comment #13,000,000 - 7th July 2005

      Slashdot comment #14,000,000 - 10th November 2005

      Slashdot comment #15,000,000 - 27th March 2006 (predicted to be 1st March 2006)

      Slashdot comment #16,000,000 - 29th August 2006 (predicted to be 11th August 2006)

      Slashdot comment #17,000,000 - predicted by me, right now, to be 31st January 2007 - see you then!

      Graph here.

    3. Re:What rock have you been under? by Overzeetop · · Score: 1

      Yes, but more important is who will be the 1,000,000th UID on slashdot, and will we see an insane registration season to try and be UID 1,000,000.

      And, of course, with 7 digit UIDs, will those of us with six get more respect?

      --
      Is it just my observation, or are there way too many stupid people in the world?
  29. What makes you think those are the choices? by Colin+Smith · · Score: 2, Insightful

    Pay vs adverts?

    What most people will continue to do is ignore itunes and spiralfrog and simply continue downloading the music for free.

    --
    Deleted
    1. Re:What makes you think those are the choices? by Anonymous Coward · · Score: 0

      I will. I will, because I haven't seen anything I'd want to listen to in the list. (And it's a list of everyone signed on their label, not of the artists whose songs will be there for free.)

      Ads? As long as they are not IN the songs (but on the website, or in the proprietary software you need to get them - and NO popups, thank you - just a banner, as in MSN Messenger), okay.

      Or, as long as I can edit them out of the songs, and am able to do so for at least 20 at once. (With a custom program, or a script using SOX or such, whatever.)

      I prefer the EFF's idea... I'd adapt it into "okay, if you take a 100G/mo contract, we inform you that 5% of the fee goes to the MPA/RIA" at the ISP level. (And sue non-complying ISPs into oblivion once they (MPA/RIA) will have bought a law to be able to do precisely that.)

    2. Re:What makes you think those are the choices? by Anonymous Coward · · Score: 0

      Or just use emusic. No DRM, Mp3, way cheaper than iTunes. I love it.

  30. I can't get into this by Rik+Sweeney · · Score: 1

    I really don't get downloading music. Sure it's cheap, but it's not at the bitrate or in the codec I want.

    What form will this free music be in, 128k WMA?

  31. Survey says... by djupedal · · Score: 1

    "...and not being able to write the music to CD or a portable player"

    I just took a look over @ VegasBigBoard, & the odds of that remaining a true statement for more than one month are level; less than one month is holding at 16:1; less than one week just moved up from 4:1 to 6 1/2.

    I considered waiting and coming in when one week hit double-digits, but decided on a hedge and dropped some now, just to make it entertaining...

  32. Does this mean...? by Ichigo+Kurosaki · · Score: 1

    That they have withdrawn there support of RIAA suing or is that just wishful thinking?

  33. Woncer what DRM they will use... by brunes69 · · Score: 1, Interesting

    AAC is Apple-only. WMA has been cracked. What are they going to use for DRM? Sony ATRAC? (UGH!!!!)

    1. Re:Woncer what DRM they will use... by Kesh · · Score: 4, Informative
      AAC is Apple-only.

      AAC is NOT an Apple-only format. The Fairplay DRM that Apple uses on their songs purchased through iTunes is Apple-only, but non-DRM AAC is available on any music player that wants it.

    2. Re:Woncer what DRM they will use... by vallette · · Score: 2, Insightful

      All together now, AAC is an open format the DRM layer known as FairPlay is Apple only

    3. Re:Woncer what DRM they will use... by Alioth · · Score: 1

      Funny, my Linux system plays AAC just fine, and friends who use Windows can also play AAC fine. It ain't Apple only. (Hint: AAC's other name is .mp4)

  34. No listening for you, sir. by Bromskloss · · Score: 1
    not being able to write the music to CD or a portable player
    Oh, and it will not be playable through speakers or headphones. Sheesh, I mean, that way people could benefit from something without paying for it, and that surely cannot be a good thing!
    --
    Swedish plasma phys. PhD student; MSc EE; knows maths, programming, electronics; finance interest; seeks opportunities
  35. Obscure Music by eldavojohn · · Score: 1

    I don't really care 3 Doors Down or Godsmack. Elton John is ok, his album Honky Tonk Chatau is in my collection. He used to write some amazing bluesy Rock and Roll that actually felt like music. His later crap is ... well ... crap in my opinion.

    If you want to know who I listen to, it's a very wide variety but I must confess I'm more prone to listen to local bands in the states, UK or Canada. Bands like The Unicorns (now Islands), Spoon, Iron & Wine, Jose Gonzales, Bloc Party, Arcade Fire, Apollo Sunshine, The Decemberists, Ok Go, The Golden Republic, etc. I really appreciate indie rock these days. Prior to that, all I lisened to was jazz, blues and classical. Anyone from popular artists like David Bowie, Bob Dylan & The Beatles to Nick Drake, Procul Harum & rare works. I'll always enjoy Miles Davis, Charles Mingus, Thad Jones, etc. And the classical artists I enjoy are seemingly infinite.

    I see that Dispatch is a Universal artist and I love them so maybe there will be some songs I will go there for. I just hope it's all done in reasonable quality and doesn't require a standalone client application that I have to install. I hate those things.

    --
    My work here is dung.
  36. It's much older than that. by Rob+T+Firefly · · Score: 3, Interesting

    This is an attempt to bring the old business model of terrestrial radio to the Internet. It's no different than listening to a commercial radio station's Internet stream, apart from the lack of cheesy locally-produced ads for Slappy's Bait Shop and Ice Cream Stand.

    For those unfamiliar with Terrestrial Radio, it's that thing with all the monopolies that is being pummeled by the more interesting stuff on Internet Radio and Satellite Radio.

    1. Re:It's much older than that. by IDontAgreeWithYou · · Score: 1

      I'd be shocked if you could produce one piece of evidence that Internet and Satellite radio are "pummeling" terrestrial radio. Last I checked there were only about 10 million total satellite subscribers (XM and Sirius) and when the "King of All Media", Howard Stern left for Sirius, he took a whopping 1/4 of his audience with him.

      --
      Finding other idiots on /. that agree with your opinion doesn't make it any less stupid.
    2. Re:It's much older than that. by Anonymous Coward · · Score: 0

      I'd be shocked if you could produce one piece of evidence that Internet and Satellite radio are "pummeling" terrestrial radio.
       
      Welcome to the real slashdot effect... For some unknown reason readers of slashdot think that if they and three of their buddies are into something that means everyone else is. So a guy buys xm or sirius, his friends get into it and next he thinks traditional radio is dead just because he doesn't listen to it anymore. It's not much unlike the lemmings around here who will tell you that Linux is taking over desktop by leaps and bounds because "everyone I know uses it". It much suck to only know two other people.
       
      That's the real slashdot effect; being able to live in a fantasy land where if you get modded "insightful" you've suddenly come across the next best thing since sliced bread and that anyone who disagrees with you is insane and "not facing reality".
       
      It makes the slashdot culture pretty hard to swallow at times.
       
      And as for his claims about conventional radio "monopolies"... How many satellite providers are there? How many conventional radio providers are there? Methinks he needs to find the definition of a monopoly. But "monopoly" is a popular buzzword in the "slashdot effect" lexicon. If it's something you don't agree with just sprikle your opinion with words like "monopoly", "censorship", "banned" (etc etc) and suddenly the lemmings will all start to nod like a line of bobbleheads on some jocks coffee table.
       
      "Groupthink at it's finest" should be the motto around here.

  37. Works for me by rsilvergun · · Score: 1

    Let me listen to the songs on my computer so I know if I like them enough to spend money, and when I do I'll buy the CD. Recently I went hunting for Power Metal bands (they're getting hard to find w/o mp3.com :( ) and couldn't find one band who didn't have either 30 second clips or edited their posted songs because, god forbid, I listen to an mp3 instead of buying their record. That might work for a truely excellant band like Freedom Call or Hammerfall, but for a middling band just hitting it's stride? It's just hard to get excited about a 30 second clip, and having the band yell at me "don't steal this mp3" half way through doesn't help either.

    --
    Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
    1. Re:Works for me by Anonymous Coward · · Score: 0

      ...band who didn't have either 30 second clips or edited their posted songs because, god forbid, I listen to an mp3 instead of buying their record. That might work for a truely excellant band

      No, it doesn't work even for an excellent band I already like! When Santanna's Supernatural album first came out, I went to CDNow for it; I'd listened to Santanna since Abraxis and had a couple of their albums. I was ready to buy.

      But then I started hitting the 30 second clips. Ugh, ugh, ugh, and ugh. I put my credit card back in my pocket. WTF had happened to Santanna? GOD but they sucked now!

      My daughter didn't know this and bought the CD for me for Christmas that year. And you know, it was a damned fine album! But the 30 second clips would have lost them a sale had my daughter not bought it for me. If the full album's worth of MP3s had been posted, I'd have bought it right then and there.

      Way to go, stupid record industry. Please hurry up and die, your death throes are hurting music and the musicians who make it.

  38. Congratulations Universal! by Anonymous Coward · · Score: 0

    ...you've invented radio!

    1. Re:Congratulations Universal! by AlgorithMan · · Score: 1

      hehe good one

      but I really think we should all participate to show the RIAA that this works better than sueing their customers the pants off

      --
      The MAFIAA is a bunch of mindless jerks who will be the first up against the wall when the revolution comes
  39. Product placement by sjonke · · Score: 2

    Why hasn't the product placement concept come to music yet? Since people are downloading music for free from all kinds of sources and there is no stop to it, why not put the advertising in the music? I can't imagine that Brittany Spears would complain about having to incorporate "Coke" or "Victoria's Secret" into a song. Here is an example product placement in a popular song:

    I am going to the corner, gonna buy some iPod bling.
    Would you pardon me if it's a black 60 gigabyte t'ing
    Good golly, miss Molly, sure like to ball.
    When you're rockin' and a rollin' can't hear your momma call.

    --
    --- What?
    1. Re:Product placement by Maximum+Prophet · · Score: 1

      Let's see

      Kodachrome, by Paul Simon (Also mentions Nikon Cameras
      Cadillac Ranch, Bruce Sprinstein
      Pink Cadillac, Bruce Sprinsein

      I'm sure there are others, but those are just off the top of my head. (Yes, I know these songs weren't written with advertising in ming, it's just that it's possible for a hit song to include an endorsement)

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
    2. Re:Product placement by daigu · · Score: 1

      You think you are the first to think of this? If so, you haven't been paying attention. Remember 1986 when Run D.M.C. had the hit My Adidas? You think no one else got the hint over the last 20 years?

    3. Re:Product placement by kinko · · Score: 1

      In The Kinks' song "Lola" from the 1960s, they were paid to change the line "...tastes just like cherry cola" (from the single version?) to "...tastes just like Coca-Cola" (for the album version, or vice-versa).

  40. Congratulations by Anonymous Coward · · Score: 0

    You made the 1.6 millionth post.

  41. Name change? by Rik+Sweeney · · Score: 1

    Given the quality of music us Brits seem to enjoy they should change to

    Crazy Frog

    ding ding dididing....

  42. "The internet is very much a viable media" by impus · · Score: 1

    MediUM! "Music industry legal specialist" indeed...

  43. Artists rejoice! by ndtechnologies · · Score: 3, Informative

    Now the artists have absolutely NO WAY to recoup royalties from their label. Since the money generated from this service is derived from Advertising, and NOT the sale of the music, the artist is officially screwed. If some artists had the power they could re-negotiate their contract to include this, but since most are locked in (and still trying to pay back the massive advances from the label) they won't.

    --
    I have nothing clever to put here...
    1. Re:Artists rejoice! by snark42 · · Score: 3, Interesting

      How is this any different than the radio? That's free, has popular music and is paid for by sponsors. Of course this on-demand model works better than a request to the radio, especially since lots of stations have stopped taking them.

    2. Re:Artists rejoice! by ZigiSamblak · · Score: 4, Informative

      Artists receive royalties every time their song is played on the radio.

    3. Re:Artists rejoice! by bogado · · Score: 1

      And why shoudn't he receive from this site? After all the record company is receiving money from the use of his music, if it is a "sale", a "licecing" or anything shouldn't matter. Off course in this days, where the lawyers have precedence from common sense it does matter. :-)

      --
      []'s Victor Bogado da Silva Lins

      ^[:wq

    4. Re:Artists rejoice! by Moofie · · Score: 1

      The artists were already screwed. Now they're just screwed-er.

      --
      Why yes, I AM a rocket scientist!
    5. Re:Artists rejoice! by budgenator · · Score: 1

      No, artists are supposed to recieve a royalty every time there song is played on the radio, jukebox or DJ, but you can imagine how often the lables are forgotten to be paid for the above, and how often the artists are forgotten even when the labels are paid.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    6. Re:Artists rejoice! by gstoddart · · Score: 2, Informative
      Artists receive royalties every time their song is played on the radio.

      No, the record company gets the royalties. Then they deduct the costs of marketing, distribution, and making the album. Then the artist gets paid.

      A distribution model paid by advertising will not generate revenue for the artists AFAIK. But, the record companies would probably still charge the overhead involved in this. For the same reason that the record companies still charge breakage and distribution fees for tracks distributed over iTunes instead of just giving the artist more.

      Creative acounting is designed to ensure the record company always gets paid. The artists, not so much.

      And, there are a lot of artists who don't get much air-play in the Clear Channel universe.

      Cheers
      --
      Lost at C:>. Found at C.
    7. Re:Artists rejoice! by shark72 · · Score: 2, Informative

      "No, artists are supposed to recieve a royalty every time there song is played on the radio, jukebox or DJ, but you can imagine how often the lables are forgotten to be paid for the above, and how often the artists are forgotten even when the labels are paid."

      I'm guessing you're talking about Europe? Here in the USA, licenses for airplay go through a couple of artists' societies called ASCAP and BMI. They are run by and for artists and the labels see none of the airplay licensing money.

      Here's how BMI pays royalties, and here's how ASCAP pays.

      Bummer for your countries' artists and songwriters if performance royalties are filtered through the labels. That's the wrong way to do it. Publishing and performing rights should remain with the songwriters.

      --
      Sitting in my day care, the art is decopainted.
    8. Re:Artists rejoice! by Anonymous Coward · · Score: 0

      Funny that. I've played on a couple of live radio sessions and I've had stuff played on mainstream TV (not much mind just the odd clip of film soundtrack stuff I've done over the years)

      But I've never received a penny for it. Maybe it's because, being completely independent of ANY middle men, I'm not in the right gang ?

      So no, SOME artists get money from a pot pain into by radio stations. Not all do. And you only get a share of the pot if you're part of the "industry".

    9. Re:Artists rejoice! by Anonymous Coward · · Score: 0

      Mod parent: Funny.

    10. Re:Artists rejoice! by Anonymous Coward · · Score: 0

      I'm pretty sure they have a system where you get paid based on play. As such, your check for $.0005 takes awhile to get to you.

    11. Re:Artists rejoice! by DogBotherer · · Score: 1

      And this is a good thing? A plumber only receives one payment for fixing your toilet, not every time you flush!

    12. Re:Artists rejoice! by budgenator · · Score: 1

      Nope just plain wrong about the money filtering through the labels. Still I imagine radio is pretty good about paying, jukeboxes kind of iffy, those quarters are just too easy to hide, and DJ's like in bars and weddings seldom pay and I'd be surprised if more than a few know that they are even supposed to.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    13. Re:Artists rejoice! by shark72 · · Score: 1

      "Nope just plain wrong about the money filtering through the labels. Still I imagine radio is pretty good about paying, jukeboxes kind of iffy, those quarters are just too easy to hide, and DJ's like in bars and weddings seldom pay and I'd be surprised if more than a few know that they are even supposed to."

      FYI, ASCAP and BMI simplify things by requiring the venue to acquire the license, not the individual performers. And, jukebox royalties are pretty simple: $400 per year per jukebox. I believe that royalties are apportioned based on radio airplay, with the assumption that what DJs and jukeboxes play will roughly follow radio airplay, so you can see the flaws in that system. It ain't perfect, but it's probably fairer to musicians/songwriters than requiring bar owners to note exactly which songs are played -- which, as you pointed out, probably would result in unreported plays.

      You can tell if a bar/restaurant/etc. has a license by looking on the window as you walk in for an ASCAP or BMI sticker... I usually see them low on the window, almost near the ground. The ASCAP sticker is triangular, IIRC. I agree with you that a lot of places probably don't buy licenses. ASCAP and BMI go on license violation rampages every once in a while; when this is reported on Slashdot, ASCAP and BMI don't get much sympathy, despite the fact that they are run by/for artists and the record companies don't see the dough.

      --
      Sitting in my day care, the art is decopainted.
    14. Re:Artists rejoice! by sm62704 · · Score: 1

      The bar owner pays ASCAP a set fee for DJs and cover bands.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    15. Re:Artists rejoice! by sm62704 · · Score: 1

      I was in a bar when the owner got shook down. The MAFRIAA lady (ok, it was ASCAP) was HOT and SWEET. The bar owner practically fell over himself trying to find his checkbook. These folks are slick; hell I'd have given her money and I don't even own a bar!

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    16. Re:Artists rejoice! by Anonymous Coward · · Score: 0

      The radio stations do not pay royalties on the songs they play -- there is a specific exemption in the copyright law that allows this. If any money changes hands, it's probably going in the other in the form of payola from the record companies to get the stations to play their songs. However, if the radio station throws a party and plays songs for the crowd, it's a public performance and royalties are due, but what goes out on the airwaves is royalty-free.

  44. Is it enough? by localman · · Score: 1

    and not being able to write the music to CD or a portable player?

    Not for me. I'd rather pay for the convenience of freely usable music than get usage-restricted tracks for free.

    Cheers.

  45. I wonder.. by MImeKillEr · · Score: 0, Redundant

    ..what format the ads will be in. Java? Flash?

    We'll have to see if Mike's ad-blocking hosts file will strip them.

    Here's a listing of Universal's lables and a partial list of their artists.

    Too bad the jazz artists suck, with the exception of Herbie Hancock.

    Both links pop in new browsers.

    --
    Cruising the internet on my TI-99/4A @ a whopping 300 baud!
  46. Won't work with iPod by vijayiyer · · Score: 1

    They have some DRM scheme, probably WMA, on these files - the article mentions that people will need to visit the site once a month to maintain access to their downloads. That means that this won't work on an iPod, which means that some 80% of the market is already excluded. At whom exactly is this targeted?

  47. I already have this... by tillerman35 · · Score: 2, Funny

    It's called an FM radio. I have one in my car, and it downloads music to my brain whenever I drive. Unfortunately, my brain seems to have a problem with the "delete" function. I can't delete that copy of "Hollaback Girl" I downloaded a few months back. Not only that, my mental media player is stuck on repeat right at that part with trombone slide. Someone please help!

  48. Well, they should close down of course by Colin+Smith · · Score: 1

    The buggy^H^H^H^H^Hrecord companies should close down, liquidate their assets before it's all blown on futile attempts to control digital information. The artists should get into their vans, tour to promote themselves and sell downloads online at 10c a pop.

    Whether you believe it's right or wrong is irrelevant, the economic reality is that as the supply of something increases, the value of it drops and digital information being trivially copyable has an infinite supply. The value of digital information (any digital information) will tend towards zero, that means ebooks, music, audio, video, software. The idea that digital information can be a product is economically naive, it can only be a service.

    Record companies which try to fight this new reality are doing their shareholders a disservice, they either have to completely re-invent themselves as a service which provides low cost digital information or they should return their value to their shareholders as soon as possible.

    --
    Deleted
    1. Re:Well, they should close down of course by UbuntuDupe · · Score: 1

      So, it should be impossible for anyone to actually make money from producing this content that is then distributed for near-zero cost?

    2. Re:Well, they should close down of course by servoled · · Score: 1

      Whether you believe it's right or wrong is irrelevant, the economic reality is that as the supply of something increases, the value of it drops and digital information being trivially copyable has an infinite supply.

      We've all studyed the basic supply/demand graphs in high school economics and as far as those go you are correct: as supply increases, price drops assuming a fixed demand. However I'm not so sure that you can assume an infinite supply for digital music. As much as I hate using analogies, here goes:

      Say someone invents a machine that spits out a new gem stone which is better than a diamond in every way. The inventor realizes that he can make billions by producing these new gem stones and selling them to jewelry stores. However, his machine is capable of creating so many gem stones that he realizes that he can't possibly sell the stones faster than the machine makes them. So he decides to set the price of the gem stones at $5000/stone and manufactures them as the orders come in.

      The inventor is basically using a set price and using the demand at that price to set the supply rather than letting the supply and demand set the price. This is the same thing that iTunes, etc. do. They set a price of $0.99 per song and use the demand at that price to determine how much supply to create. This way the problem of a potentially infinite supply does not drop the price to zero as you suggest.

      While there are other factors involved that I'm sure someone with an ecomonics degree could factor in, you have to remember that supply/demand deals with three things: supply, demand and price. While you can set the price based on your supply and demand, you can just as easily set your supply based on price and demand.

      --
      "I have a porkchop, you have a porkchop. I have a veal, you have a veal".
    3. Re:Well, they should close down of course by Anonymous Coward · · Score: 0

      If you can't find a way to make a profit is it really the roll of the government to step in with draconian measures to create a market for you? We're talking about puting people in jail for things as trivial as signing a song they heard in public.

    4. Re:Well, they should close down of course by UbuntuDupe · · Score: 1

      If you can't find a way to make a profit is it really the roll of the government to step in with draconian measures to create a market for you?

      First of all, I don't think it's so much about "not being able to find a way to make a profit producing content" as much as "there is no way to make a profit producing content" (if there were no IP at all). And second, how is enforcement of regular property rights not equally "draconian"?

    5. Re:Well, they should close down of course by Colin+Smith · · Score: 1

      "The inventor is basically using a set price and using the demand at that price to set the supply rather than letting the supply and demand set the price. This is the same thing that iTunes, etc. do. They set a price of $0.99 per song and use the demand at that price to determine how much supply to create. This way the problem of a potentially infinite supply does not drop the price to zero as you suggest."

      You're making the false assumption that the consumers are unable to copy the music themselves. They are and so the record companies (or any digital information provider) are not in control of the supply. The songs are distributed, the supply increases.

      This is why we have the DRM to the eyeballs stuff in Vista and in hardware. It's an attempt to control supply. Doomed to failure.

      --
      Deleted
    6. Re:Well, they should close down of course by servoled · · Score: 1

      You're making the false assumption that the consumers are unable to copy the music themselves. They are and so the record companies (or any digital information provider) are not in control of the supply. The songs are distributed, the supply increases.

      This is where it gets complicated. Supply does increase, but the price remains the same meaning the effect is passed onto the demand. Also, not all consumers will go for pirated copies of the songs, so the demand remains for the $0.99 iTunes version even though there is a free alternative.

      There are alot of factors involved that affect the demand of the songs, but regardless the price is fixed at $0.99 and the supply from the record companies set to match. DRM is designed to help increase the demand for the $0.99 version by killing the supply of the free version and as to how effective it will be only time will tell. For the moment the vast majority of consumers don't seem to mind it and a large number use iTunes rather than the free alternatives so "doomed to failure" might be an optimistic view on your part.

      --
      "I have a porkchop, you have a porkchop. I have a veal, you have a veal".
    7. Re:Well, they should close down of course by dylan_- · · Score: 1
      "there is no way to make a profit producing content" (if there were no IP at all)
      I disagree. People are still going to buy books, cds and dvds...the difference would be that you'd have a choice of which company to buy it from, so they would be a lot cheaper.

      And second, how is enforcement of regular property rights not equally "draconian"?
      The difference I see is that if I have a car, and you take it from me, then I have lost a car. This is true whether there is a law against it or not. If, however, I buy some information from you and then give a copy to a friend, then it's only meaningful to say you've lost something if a law exists against my copying. If there's no law there, then you never had anything to lose in the first place. Does that make sense?
      --
      Igor Presnyakov stole my hat
    8. Re:Well, they should close down of course by shark72 · · Score: 1

      "The buggy^H^H^H^H^Hrecord companies should close down, liquidate their assets before it's all blown on futile attempts to control digital information."

      Trouble is, P2P fans have been proclaiming that "the recording industry is doomed" since the days of the original Napster. Now, close to ten years later, the recording industry has gone a long way in adapting (compare the dismal selection of online music then vs. the iTMS' white-hot success). 100% of the Billboard Top 100 tracks are released by record labels, and the record industry is still making money -- pretty crappy money, but that's always been the record industry's lot in life, whatever the latest boogeyman is.

      The fact is that capitalism abhors a vacuum. If you were to wave a wand and make all the record companies go away tomorrow, somebody else would simply step in and provide the services that the record companies do. Although it does not fit in with our utopian vision of a future where artists self-produce their music and subsist on donations and coffee house gigs, the reality is that many artists do aspire for success beyond something approaching the poverty level, and many artists don't want to be their own recording engineers, producers, marketers and distributors. While many Slashdotters might call these folks "greedy" or "not really artists," there are a lot more of them than there are of us.

      You're not likely to agree with me, so I'll pose a question: how long do you believe the recording industry has left? A year? Five? Ten? No right or wrong answers, of course -- I'm simply interested in your best educated guess.

      --
      Sitting in my day care, the art is decopainted.
    9. Re:Well, they should close down of course by Colin+Smith · · Score: 1

      The number of illegal downloads outnumbers the legal ones in a ratio of around 40 to 1. Around 2% of downloaders use the legal services. Statistically it would be considered an insignificant proportion. I have to say this may well be enough to allow them to survive economically.

      --
      Deleted
    10. Re:Well, they should close down of course by UbuntuDupe · · Score: 1

      I disagree. People are still going to buy books, cds and dvds...the difference would be that you'd have a choice of which company to buy it from, so they would be a lot cheaper.

      Yes, they would still buy books, and yes they would be a lot cheaper. There also would be very little new content after you switched to such a system as people would write purely as a hobby and only be able to get it to you if they could *reach* you amidst the crap that's out there and could afford their production costs, because anyone can copy their works without compensating the author or his agent. (before you mention blogs, slashdot comments, etc., those exist with or without copyright. What would not exist is the kind of stuff that requires monetary compensation to get people to do, and is of the quality that people would spend their own money on.)

      The difference I see is that if I have a car, and you take it from me, then I have lost a car. This is true whether there is a law against it or not. If, however, I buy some information from you and then give a copy to a friend, then it's only meaningful to say you've lost something if a law exists against my copying. If there's no law there, then you never had anything to lose in the first place. Does that make sense?

      Well, let's compare apples to apples here. From your post:

      with law against copying -> I "lost something" when you copied me.
      without law against copying -> I "lost nothing" when you copied me.

      with law against theft -> I "lost something" when you stole my car.
      without law against theft -> I "lost something" when you stole my car. (! -- see below)

      That is the distinction you make. But does the last hold? If there is no law against theft, you never "had" a car in the sense of owning it. You may have driven it. You may have located it in your garage or someone elses when not in use. But you didn't own it because the law granted you no higher claim on it than others. You lost nothing when I "stole" your car -- you *possessed* everything you could possess by force both before and after. You still have access -- you just have to (in violating no law) take it back.

      So I don't see your distinction as holding up. If people generally recognize IP as being valid, I forgo opportunities in you misappropriating "my" idea. If people generally recognize physical property rights as being valid, I forgo opportunities in you misappropriating "my" car. (The above reasoning seems odd, but that stems from the definition of "lose" you were using in the context of ideas. If you carry that through, I believe your distinction vanishes.)

    11. Re:Well, they should close down of course by Colin+Smith · · Score: 1
      No right or wrong answers, of course -- I'm simply interested in your best educated guess.


      I'd say the record industry in it's traditional form essentially died a few years back, Universal just acknowledged it today. With Itunes and the like there's really no need to sign up to a record company for production and distribution. Instead they'll become marketing organisations and the artists, their clients. The relationship has changed significantly.
      The current generation of artists grew up with CDs and that's still their mentality, get a recording contract. The next generation of artists will realise that they don't need a recording contract, what they need is an advertising agency.
      --
      Deleted
    12. Re:Well, they should close down of course by servoled · · Score: 1

      I'm curious as to where you got those figures. This shows p2p usage of around 10% and pay site usage of around 4% as of March 2005. I would guess the usage of pay sites (iTunes, etc) has increased since then. Hardly a 40-1 ratio. Hell, its not even a 4-1 ratio.

      --
      "I have a porkchop, you have a porkchop. I have a veal, you have a veal".
    13. Re:Well, they should close down of course by Colin+Smith · · Score: 1
      I'm curious as to where you got those figures. This shows p2p usage of around 10% and pay site usage of around 4% as of March 2005. I would guess the usage of pay sites (iTunes, etc) has increased since then. Hardly a 40-1 ratio. Hell, its not even a 4-1 ratio.


      The chart is percentage of users not percentage of downloads, and I think only legal users.

      "NPD noted that in March 2005, 243 million songs were downloaded from P2P services. By comparison, 26 million songs were purchased from digital music stores during that same month."

      And those figures only account for legal peer to peer systems with centralised management hosts. Gnutella for instance isn't included.

      http://www.theregister.co.uk/2005/06/23/guardian_b ogus_p2p/

      But the 40:1 ratio comes from here:

      "Figures from the International Federation of Phonographic Industries (IFPI) estimate that for each legal download, 40 are done illegally."

      http://news.bbc.co.uk/1/hi/business/5294842.stm
      --
      Deleted
    14. Re:Well, they should close down of course by servoled · · Score: 1

      Well my previous point was based on number of users so I think it still remains valid. P2P downloads are interesting in that (at least in my experience), a lot of stuff gets downloaded and never listened to. Its downloaded simply because it is there and done on more of a collectors mentality than done for purposes of obtaining music to listen to. How that factors in to anything I don't know, but its an interesting point.

      There is also the point of legalities to bring into this. There are users who won't download from p2p sites strictly on principle, likewise there are users who won't download from pay sites strictly on principal. It is a very complicated situation where you can't always assume that p2p and sites like iTunes are even competing in the same market.

      --
      "I have a porkchop, you have a porkchop. I have a veal, you have a veal".
  49. No more excuses... by Atraxen · · Score: 2, Insightful

    What is the usual chorus of self-justification we hear from pirates?

    "I pirate to try out bands for free - I buy new bands all the time by discovering them this way, so I should be allowed to pirate because the artist makes money!"
    "I only get stuff I wouldn't have paid for anyway, so no one's losing money anyway."
    "I want to listen to music where I want, and if I can't pay and maintain all my rights, then I won't pay and will simply pirate the music!"

    Well, since this is free and semi-portable (i.e. any web-accessable computer, but not your car/at the beach), none of the above arguements hold water - you can try out bands for free (I'm not taking the bait on arguements over what version of the word 'free' we're using...), you can try out stuff you wouldn't have paid for anyway, and while you can't listen to it anyplace-in-space, you aren't losing rights you paid for (since you didn't pay.)

    This looks like a good thing, and a smart play from the music industry - attack piracy justifications by making them irrelevant. If it's less-than-perfect by your definition, you don't have to play, and the topography of the game doesn't change (other than undercutting piracy justifiactions.)

    Keep in mind that piracy!=filesharing!=breaking DRM - all those aspects are separate (and I'd argue, straw men against this specific point.)

    --
    Be careful of your thoughts; they could become words at any minute...
    1. Re:No more excuses... by balsy2001 · · Score: 1

      I don't think it has anything to do with justification. If you can get exactly what you want for free and very little risk of punishment then most people will do it. I think of it kind of like speeding by a couple of miles per hour. I get what I want (home a little fast or through that yellow light) and there is almost no risk. People won't stop pirating until cost/risk of being punished is much higher (its the same reason you tend not to speed in a school zone, the huge ticket).

      --
      GENERATION 27: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
  50. The end of piracy and iTunes by griffinme · · Score: 1

    Finally someone at a record company gets it. If other music companies jump in and they don't screw it up....this will be the end of piracy and iTunes as we know them. Why pirate? Because its free. Its free over at Spiralfrog. But... well... yeah. Part of why piracy works is because a large group of people say, "Screw the record company, I want a free copy." If you can get a free copy from the record company a huge segment of the the crowd goes away. Your left with a small crowd that want it at a special bitrate in a special format. The smaller that group gets, and it will get smaller, the harder it will be to find the songs you want. The harder it gets to find the songs you want the more people will leave that crowd and go to the the sponsored site. There will always be a small crowd of pirates, but the huge masses of them will go away because it will be easier to get it through the sponsored site.

    --
    Is he strong? Listen bud, He's got radioactive blood.
  51. Changing the definition of "stealing"? by chub_mackerel · · Score: 0, Flamebait

    So now, instead of "stealing" when I download music without permission, I will be "stealing" when I skip the ads without permission, right? Just checking.



    I've got a MUCH better idea, RIAA. How about, instead, we just skip the ads altogether? No, really. I'll just download the music like I did before. You pretend you sent some ads to me, and I'll pretend I watched them if anyone asks. Honest! You go collect some cash from the advertising companies for "showing" me the ads, wink wink. (If they don't pay, sue them -- you're pretty practiced at suing your customers/clients now!). With the extra cash, you can even keep on pretending to pay your artists something, just like you pretend to do now!



    No, no, it's not racketeering, it's a business plan! Besides, when did YOU start drawing such peksy distinctions? Sheesh.

  52. What's the big deal here? by TheCrayfish · · Score: 1

    Isn't this called "radio"?

    1. Re:What's the big deal here? by Anonymous Coward · · Score: 0

      Isn't this called "radio"?

      No, this is encumbered by DRM and at a low bitrate. With radio you can sample at a high bitrate and no DRM.

  53. Looks like a rip-off of zaziggy.com by infochimp · · Score: 1
    Kent said SpiralFrog's business model is based on sharing income from advertising with content partners like Universal. The company's research revealed that consumers are willing to "pay" for their content by watching non-intrusive, contextually-relevant, targeted advertising, Kent said.
    This really looks like a rip-off of www.zaziggy.com. They have been providing free music downloads supported by targeted advertising where revenues are shared with content providers for more than a year now...
    1. Re:Looks like a rip-off of zaziggy.com by legna88888888 · · Score: 1

      Zaziggy.com has been doing this for a long time for independent artists with no restriction on burning or copying the files.

    2. Re:Looks like a rip-off of zaziggy.com by 2180natedogg · · Score: 1

      Man, I knew this sounded familiar. I've been a member of Zaziggy.com since its inception, and they've been using this particular downloading method since they launched. I'm thinking a call to an attorney might be in order...

  54. Next Headline: RIAA Sues Universal by DavidD_CA · · Score: 1

    Next Headline: RIAA Sues Universal

    Can't you just see it? With record labels giving away music, they're taking away market share for RIAA's lawyers. They gotta sue someone or risk losing their jobs, so who else to go after but the record labels?

    --
    -David
  55. Flash is my guess. by pavon · · Score: 1

    All DRM is easily cracked unless the keys are burned into hardware. The point is to make it complex enough that most people won't bother. Given that this is for online listening only, they'll probably just use a flash-based player. That way it works for "everyone", and most people won't know or care where it is downloading the actual files from. If they really want to get fancy, they could implement some sort of authentication to prevent programs other than the flash player to connect to the file server. The flash player could have it's keys changed as often as they like. Writing a program that scrapes the key from the player and uses it to download the files, would violate the DMCA, and could be prosecuted. The number of connections from a single IP could be limited or logged to find people that were bypassing the flash player and going straight to the files.

    At that point it would be easier and safer to use a filesharing program or burn a friend's CD.

  56. [OT] Audacity by morgan_greywolf · · Score: 0, Offtopic
    Just started fiddling with Audacity this weekend....me likey!


    Audacity is very cool app. The editing interface is very easy to work with and highly intuitive, you can change pitch and speed of a recording, and you can even add cool audio effects, with the ability to add your own. And it's cross-platform, with ports for Windows, Mac OS X and Linux. And, of course it's open source. ;)

    I originally installed it in order to convert/edit some tape recordings I had and 'master' them to CD-Rs, and then I just started playing with it, mixing up some tracks and stuff. All in all, a very powerful tool for audio editing!

  57. Re:Pay vs Adverts? Easy Choice by crlove · · Score: 1

    I'm one of them as well. But can I add to that? I don't mind seeing ads relevant to me, but I also don't want to see the same two ads over and over and over...

    I can barely stand to watch anything on Comedy Central's MotherLoad anymore. Because, oh dear sweet baby Jesus, if I have to watch that Yaris break a piggy bank ONE MORE TIME, I swear...

  58. No iPod, no play by David+Eppstein · · Score: 1

    I don't necessarily mind having to ignore some ads (otherwise, how could I browse the web?) but inability to download to my iPod would be a showstopper for me. That's how I listen to almost all my music these days, whether on the car stereo, home stereo, or out walking with earbuds.

  59. It isn't a matter of "should" by Colin+Smith · · Score: 1

    Sorry, them's the breaks, the record companies lost the instant they started producing digital information. Forget "should" and right or wrong, it's pure economics. It's like complaining about gravity or the speed of light.

    Digital information is trivially copyable, that's a simple statement of fact. All it takes is a single copy to be distributed exponentially. The cost or value of the bit of digital information essentially works out at zero. Copyrights, laws, even digital rights management systems don't change that economic fact of life. You can complain, threaten, sue, encrypt, legislate, tear at your hair as much as you like but you absolutely will lose to that economic reality.

    --
    Deleted
    1. Re:It isn't a matter of "should" by UbuntuDupe · · Score: 1

      Sorry, them's the breaks, the record companies lost the instant they started producing digital information.

      Who's focusing on record companies? Your comment applies just as well to book-writers, programmers, etc etc etc.

      Forget "should" and right or wrong, it's pure economics. It's like complaining about gravity or the speed of light.

      Well...no. Concerns about what outcomes are acceptable, combined with knowledge of economics, is what you need in order to know what rules you ar comfortable with.

      Digital information is trivially copyable, that's a simple statement of fact. All it takes is a single copy to be distributed exponentially. The cost or value of the bit of digital information essentially works out at zero. Copyrights, laws, even digital rights management systems don't change that economic fact of life. You can complain, threaten, sue, encrypt, legislate, tear at your hair as much as you like but you absolutely will lose to that economic reality.

      Well... again, no. It all depends on how people in society regard those rights. If people viewed IP violators like pedophiles, it would not be a "trivially" easy to distribute copies. (Before you object with some simplistic remark like "huh huh, and if my aunt had balls...", think about what I'm actually trying to prove with the previous statement.) Similarly, if people had zero respect for physical property rights, physical goods would have no value, because people could, and would, swipe them without a second though. So these supposed economic realities you're referencing are far less absolute than you make them out to be.

    2. Re:It isn't a matter of "should" by Colin+Smith · · Score: 1
      Your comment applies just as well to book-writers, programmers, etc etc etc.


      Yes, it does. Publishing companies, software houses. The publishing companies still have some life in that it's still better to have and read a real physical book than it is to read an ebook.

      So these supposed economic realities you're referencing are far less absolute than you make them out to be.


      No sorry, they aren't. In terms of physical property, it is the limited supply which gives it value. There is no such thing as inherent value, there is only the market value which is the result of supply and demand.

      It has nothing to do with respect for property rights whether they are intellectual or physical. People attempt to retain their value which is relatively simple with something which has a limited supply like a physical object, but impossible with information which has an infinite supply. Really you can try all you like, but as I said, you'll lose, and you'll waste a load of money in the process.

      --
      Deleted
    3. Re:It isn't a matter of "should" by UbuntuDupe · · Score: 1

      Yes, it does. Publishing companies, software houses.

      Ah. So you agree then, it was a tad dishonest to portray the potential losers under your ideal rules as being merely "record companies".

      The publishing companies still have some life in that it's still better to have and read a real physical book than it is to read an ebook.

      Er, no. Publishers are filters for content as much as printers. Take away their right to the content, and they won't filter for it -- they'll just be printers for hire.

      No sorry, they aren't. In terms of physical property, it is the limited supply which gives it value.

      You're not listening. It's the limited supply AND THE FACT THAT YOU CAN ACTUALLY USE THAT SUPPLY that gives it value. Like I said in the previous post, if nobody respected physical property rights, physical goods would have near zero value because your ability to use them would be so tenuous.

      There is no such thing as inherent value, there is only the market value which is the result of supply and demand.

      I never professed or implied support for an intrinsic value theory.

      It has nothing to do with respect for property rights whether they are intellectual or physical. People attempt to retain their value which is relatively simple with something which has a limited supply like a physical object, but impossible with information which has an infinite supply. Really you can try all you like, but as I said, you'll lose, and you'll waste a load of money in the process.

      Please read my previous post again. Protecting the value of physical objects is only "relatively simple" because of the broad support for property rights in those physical goods ... like I said last time. And protecting "intellectual property" is only difficult to the extent that there is not broad support for it ... like I also said last time. Will you respond to this point the next time you post?

    4. Re:It isn't a matter of "should" by Colin+Smith · · Score: 1
      Protecting the value of physical objects is only "relatively simple" because of the broad support for property rights in those physical goods ...


      Eh nope. It's easy to protect physical property because you can physically stand in front of it with a big pointy stick. The law is just formalised violence. How do you propose to stand in front of a copy of Mariah Carey's latest tune? Without that ability your "property rights" aren't worth the paper they are written on.

      --
      Deleted
    5. Re:It isn't a matter of "should" by Colin+Smith · · Score: 1
      Yes, it does. Publishing companies, software houses.

      Ah. So you agree then, it was a tad dishonest to portray the potential losers under your ideal rules as being merely "record companies".


      1: I'm not remotely dishonest, I did point out originally that all digital information is inherently valueless but the article is about music, hence my focus.

      2: They're not my rules. They are economic facts of life for all commodities.

      --
      Deleted
    6. Re:It isn't a matter of "should" by UbuntuDupe · · Score: 1

      Don't be dense. If, as I explained twice to you already in the posts of mine you did read, anyone distributing an unofficial copy of Mariah Carey's tune were regarded by almost everyone the way they currently regard pedophiles, YES, you would damn well have a difficult time distributing it (due to it being reported and shut down by the authorities), on the same basis that pedophiles have difficulty distributing their goods. If, as I explained twice to you already in the posts of mine you did read, nobody had any qualms about taking the property you're standing in front of with a big stick, the big stick wouldn't do you much good against the onslaught.

      Let's see if on your fourth post you can respond to this point?

    7. Re:It isn't a matter of "should" by UbuntuDupe · · Score: 1

      1: I'm not remotely dishonest, I did point out originally that all digital information is inherently valueless but the article is about music, hence my focus.

      You realized your point applied to more than record companies, yet singled out record companies because they were the most reviled group in that set, when you should have used a term encompassing all intellectual-work-related goods.

      2: They're not my rules. They are economic facts of life for all commodities.

      No, like I've said in several posts you've tritely dismissed, what rules people adhere to certainly *does* affect the difficulty, and thus economic value, of acquiring specific goods. To the extent that you wanted people in society, and their law enforcers, to adhere to a *different* rule set, you were proposing "your rules", and so I mentioned "your rules" to refer to this. You seem to be deliberately confusing the very separate issues of:

      1) whether it *is* easy to get access to intellectual works in digital form

      2) whether it would be preferable for people to make certain attempts at access more difficult

      I've already explained, regarding 1), that such difficulty is not inherent the class of (informational/intellectual) goods, but depends on what rules people will respect. I've already explaiend, regarding 2), that what is preferable affects what kind of system you should be advocating a transition toward. Whenever you're cornered on one, you switch to the other. I recommend waiting a minute or two after reading to make sure you got the poster's point.

    8. Re:It isn't a matter of "should" by Colin+Smith · · Score: 1

      Here I am trying to explain the simple reality of the situation to you and you start taking personal pot shots.

      Your point is moot, and therefore irrelevant because copying music is not and never will be considered the way paedophiles are thought of. The incremental damage done to a record company (since that's the focus of the article) is quite correctly thought of as insignificant by the individual performing the copying.

      If nobody had qualms about taking property I was standing in front of with a big stick the first person to attempt so would at the very least lose an eye. All subsequent people attempting to do so would look at the one eyed wonder and ask the question; He values it more than my eye, do I value it more than my eye?

      Tell me again how do you propose to physically stop someone from making a copy of digital information. How do you propose to limit that supply and give that information value?

      --
      Deleted
    9. Re:It isn't a matter of "should" by UbuntuDupe · · Score: 1

      I'm not sure I can reply without copying what I've said before. You can't really be serious. No one is this dense.

    10. Re:It isn't a matter of "should" by Colin+Smith · · Score: 1
      You realized your point applied to more than record companies, yet singled out record companies because they were the most reviled group in that set


      Ah, so you're telepathic are you? You know my thoughts. Are you aware that belief is a symptom of a psychotic break. Have you been tested for schizophrenia?

      You seem to be deliberately confusing the very separate issues of:

      1) whether it *is* easy to get access to intellectual works in digital form

      2) whether it would be preferable for people to make certain attempts at access more difficult


      No. It is easy to access digital information and it is trivially easy to increase the supply essentially to infinity. This is a simple fact. Because all digital information must at some point be made available to the consumer it must always be possible for a copy to be made and that means that it will always be possible to increase the supply of that information essentially infinitely. Therefore the economic value of that digital information will always tend to zero, property rights or not.

      I made no statement over whether that situation is preferable or not. It's a simple economic fact of the laws of supply and demand.

      You seem to have a rather naive belief that it's possible to have a society where adherence to a set of rules is close to 100%, that is also known as a totalitarian society. The idea that the act of copying a file would ever be thought of as anything more than trivial is risible.

      --
      Deleted
    11. Re:It isn't a matter of "should" by Colin+Smith · · Score: 1

      I understand your point fine. Your point is irrelevant, it doesn't represent reality.

      --
      Deleted
    12. Re:It isn't a matter of "should" by shark72 · · Score: 2, Interesting

      "The incremental damage done to a record company (since that's the focus of the article) is quite correctly thought of as insignificant by the individual performing the copying."

      What do you mean by "quite correctly" ? The only head of a record company I've known ran an indie label with ten employees. At around the start of the P2P explosion he was paying himself about $25K a year. When people started sharing his music in lieu of buying, he had to lay off of his friends.

      Naturally, that was his problem to deal with, and not anybody else's, and it was his sole responsibility to deal with the "people want something for nothing" maxim combined with the explosion of P2P. But nonetheless, he indeed had to cut costs and fire some of his friends. This was not insignificant to him, nor his friends whom he had to lay off. The fact that more people got to listen to his music was not enough.

      Pirate or don't pirate -- I don't care what people do. But we should not make the mistake of assuming that the economic impact is "insignificant" if we opt to P2P in lieu of buying.

      At any rate, I have another question for you. If piracy is economically insignificant to record companies, then why are they doomed to go out of business?

      --
      Sitting in my day care, the art is decopainted.
    13. Re:It isn't a matter of "should" by UbuntuDupe · · Score: 1

      Ah, so you're telepathic are you? You know my thoughts.

      I know that your phrasing was misleading, and I have a hard time accepting that you didn't notice that.

      No. It is easy to access digital information and it is trivially easy to increase the supply essentially to infinity. This is a simple fact. Because all digital information must at some point be made available to the consumer it must always be possible for a copy to be made and that means that it will always be possible to increase the supply of that information essentially infinitely. Therefore the economic value of that digital information will always tend to zero, property rights or not.

      No, if (fifth time I've said this) there are strong social more against unauthorized copying, this would become extremely difficult to accomplish, on the same basis that distributing digital pedo material is still difficult.

      I made no statement over whether that situation is preferable or not. It's a simple economic fact of the laws of supply and demand.

      No, at most it's a physical fact, and this supposed simplicity only results from you shifting between different meanings and topics without noticing. You most certainly did make claims about what is preferable when you claimed that certain actions "attempting to control information" would be futile.

      You seem to have a rather naive belief that it's possible to have a society where adherence to a set of rules is close to 100%, that is also known as a totalitarian society.

      Er ... no, just ... no. I nowhere predicated anything on near 100% adherence to a set of rules. There is far less than 100% adherence to drug laws, yet one can correctly state that (for a large class of people), it is not "trivially easy" to get drugs, and yet (in the US), no one calls it a "totalitarian state" regarding drug laws. Okay, you'll make an exception to that. So replace "drugs laws" with "shoplifting" laws.

      The idea that the act of copying a file would ever be thought of as anything more than trivial is risible.

      And what would you say to someone who said "The idea that the act of stealing something the victim doesn't really need would ever be thought of as anything more than trivial is risible." ? Got it? Okay, take that argument, and apply it to what you said above.

    14. Re:It isn't a matter of "should" by Colin+Smith · · Score: 1
      No, if (fifth time I've said this) there are strong social more against unauthorized copying,


      And as I said... There aren't and there never will be because the act is trivial and the incremental damage of a copy is also trivial.

      You most certainly did make claims about what is preferable when you claimed that certain actions "attempting to control information" would be futile.


      It is futile. I consider it stupid but if it's your preference, feel free to rage against the tide. Preferences only apply to individuals, they can't be generalised. I don't make claims about what is preferable.

      yet one can correctly state that (for a large class of people), it is not "trivially easy" to get drugs,


      It is trivially easy to get drugs. You may not know how to do so but you are a very small sample of the population.

      And what would you say to someone who said "The idea that the act of stealing something the victim doesn't really need would ever be thought of as anything more than trivial is risible." ? Got it? Okay, take that argument, and apply it to what you said above.


      Copyright infringement isn't theft, you're posing a strawman argument. The fact is that the act of copying a file is trivial. The incremental damage to a record company of that file copy is also insignificant and it's seen that way by the copiers. They will never, ever, shall I say it again... ever be considered equal to physical property rights and trying to equate it to paedophilia is utterly ridiculous.

      So. How are you going to physically stop them from copying your files and so reduce the supply?

      --
      Deleted
  60. Duh - we're talking about AAC+DRM here by brunes69 · · Score: 1

    Note the title of my comment. Do you honestly think I am referring to the AAC standard and not Fairplay?

    Jesus christ get a clue.

    1. Re:Duh - we're talking about AAC+DRM here by Kesh · · Score: 1

      If you want to be taken seriously, use the correct terminology. Don't say one thing and mean another, regardless of context.

  61. Well then by pavon · · Score: 1

    I guess they could just use non-DRM AAC for the DRM.
    Oh wait.

    It was pretty obvious that he was talking about DRMed AAC files. If you are going to be pendantic about the name you might as well yell at him for using the term WMA when he meant Janus DRM.

  62. One label + one stream = limited selection by haggie · · Score: 1

    Why would anyone choose to listen to artists from one specific label when there are free services like Pandora, Last.FM, SomaFM, etc... that have diverse playlists from the whole universe of artists and music genres? How long would you listen to a terrestrial station if that was the case? This is just another example of how incredibly inept the music labels are.

  63. A good experiment - some will like it by ursabear · · Score: 2, Interesting

    In my opinion, the article's concept is likely to have a good impact, but on many levels. I think it is important to see that if this isn't directly successful, it may be the precursor to something much more successful.

    First, free music is pretty cool, especially if it is from known artists (although I have amassed TENS of fans from many countries and sold TENS of CDs and a hundred or so downloads from iTunes et. al internationally while giving away more than half my catalog on price-optional sites like iSound.com, pureVolume.com, and audiri.com). Free music as incentive for something else is a model that is evolving pretty hard right now, but I bet it will stick around for a long time.

    There are lots of examples where successes have occurred with ad-driven services: broadcast TV; "free", ad-driven internet provider services, tons of "free" web sites and site hosting, etc. I don't know that the average John and Jane Q. Publique will mind the ads in this case... time will tell.

    A Big Record Company is trying something fairly broad with "free" music. This is a positive step - trying to redefine oneself in business is akin to survival. I think it was W.E. Deming who said, "It is not necessary to change. Survival is not mandatory." So, perhaps this record label is trying to change for its betterment.

  64. What Apple does right... by sottitron · · Score: 1

    If Apple did this, Steve Jobs would announce that its available today. Who out there actually believes this will ever materialize?

  65. Not much different from radio, really by RareButSeriousSideEf · · Score: 1

    Most of us listen to the radio at least sometimes, and ads have always been a natural part of that. I use Pandora, which I see as basically analogous to a radio station, but with more ability to customize, plus all the ads being visual, so no commercial interruptions to the audio (so far).

    Am I that odd for not finding the mere presence of ads all that objectionable? Sure, I'll bail on a service or site if the advertising it carries is intrusive, distracting or uses aggressive & coercive methods to gain my attention, but its presence alone just doesn't set me off that much.

    On the other hand, while it represents an important step towards old media adopting fresher business models, the fact remains that the service discussed in TFA is offered by Universal, who was an RIAA label last time I checked. If using the service means generating ad revenue for an RIAA member organization directly, then I cannot in good conscience use the service. The RIAA uses its financial resources to harm US citizens and the US Constitution, after all.

    Someone upstream mentioned the Urge service, and its interface looks a lot like Rhapsody's, which felt kind of stiff to me. Besides that, it appears to use DRM. So far, if I want portable music with maximal interoperability, I'll have to continue my "old fashioned" manaul method of ripping CDs to 320kbps MP3s. If the CD is from an RIAA member label, then I'll buy it used. Utopia would be if MP3Tunes.com got their indie artists into heavy rotation on Pandora & I could get Pandora's interface to asterisk those songs when playing. Pandora is my equivalent to radio these days, and I would be *so* much more likely to buy an album if I had a quick visual cue telling me it was an RIAA-free product.

  66. Ahhh the third flavour of free by pesho · · Score: 0, Flamebait

    Free as in speech, Free as in beer and Free as in targeted advertising

  67. Pirates, eh? Arrr by multisync · · Score: 1
    Under the agreement, Spiralfrog will offer Universal's songs online in the US and Canada. "Offering young consumers an easy-to-use alternative to pirated music sites will be compelling," Spiralfrog Chief Executive Robin Kent said.


    I guess someone needs to point out to Mr. Kent that filesharing is legal in Canada.

    --
    I don't care why you're posting AC
    1. Re:Pirates, eh? Arrr by aniefer · · Score: 1

      This is exactly why I don't have any problem with downloading music.
      1) Its legal for personal use. I'm not burning CDs and selling them on the street corner.
      2) I've already been forced to pay a levy on all my digital media, damn right I'm going to download music to get my money's worth.

  68. More of the same by Nicholas+Burns · · Score: 1

    This is the same business model as the radio, but there are two fundamental differences:

    1) You can't listen to the music on the go, and
    2) You choose what you want to hear, when you want to hear it.

    The idea is ancient, and while it's a great move for the online music industry, it's going to fall very short of consumers' expectations. It's also going to die quickly as soon as it becomes trivial (like it isn't already?) to copy the music to new files complete with meta information.

    I'd sell my stock now and invest in a truly innovative and consumer empowering idea. The rulebook is getting way too long. The record industry execs need to put their collective MBA's together and do something useful.

  69. Leave it to Slashdotters to criticize FREE music by Artifice_Eternity · · Score: 2, Insightful

    Hilarious. A record company finally offers free downloads, and what responses do we see on /.?

    "Horrors! I won't sit thru ADS to get free music!"
    "It's encumbered with DRM! Help, I'm being repressed!"
    "Bah -- the artist selection sucks!"

    Ever heard the saying, "Don't look a gift horse in the mouth"?

  70. No one linked to the website in question?!? by nascarguy27 · · Score: 1

    I will. According to SpiralFrog.com, the service is due out in December 2006. The site doesn't have much info on whether DRM is used or not or much info at all.

    --
    Funny createSig(Witty remark, Odd reference)
    {
    return (Funny)remark + (Funny)reference;
    }
  71. Help! I'm being repressed! by Artifice_Eternity · · Score: 1

    Someone's offering me free music! It must be an evil plot by Big Brother to take my rights away!

    1. Re:Help! I'm being repressed! by Anonymous Coward · · Score: 0

      Of course it's a plot to take your rights away.

      Read the license that comes with the "free" music.

      You can do with it what *we* tell you.

      *we* can change/alter your "rights" without telling you.

      All your music are belong to us.

  72. Napster by Mr+44 · · Score: 1

    And how is this any different from what Napster is doing currently?

  73. Universal Music by dinonion · · Score: 1

    I am suprised the Universal Artist aren't pitching a fit over this. Does Universal really think that they will bring in that much revenue of the ads? What benefits will the artists recieve for this new free music website? I am sure that the consumers at Spiralfrog will figure out a way to burn the music on to their portable players and cd's with a some recording software.

    --
    90% of everything is crap
  74. Uh, guy... by Anonymous Coward · · Score: 0

    they aren't allowed to sell the drug until FDA approval. So 7 years selling is all they get. There is no approval process for songs (though it may be a good idea if there were...).

    1. Re:Uh, guy... by UbuntuDupe · · Score: 1

      Er, that was my point. Read it again.

  75. Re:Pay vs Adverts? Easy Choice by Anonymous Coward · · Score: 1, Insightful

    But if I can't put it on a CD to play in my car, or in my music player to play on the train it is pretty much useless to me as I don't listen to much music at other times. (Well, there's work, but I doubt I'd be able to reach this site through work's firewall)

  76. Not for Ipod by ConfusedVorlon · · Score: 1

    BBC Radio4 article just finished (they're normally a good source)
    they mentioned:

    1) it will not support ipod (they implied all other mp3 devices were supported)
    2) an executive said that though you will have to watch ads as you download music videos, you won't have any ads when you burn those videos into your video playlist.

    1. Re:Not for Ipod by Alioth · · Score: 1

      That's why I think it'll probably not work. What will people do - they'll queue up a few downloads and walk away from the computer, or minimize the window or whatever, so they won't see the ads.

      The idea sounded very much like a lot of the 'dot bomb' ideas. That and the music won't work on 90% of the music players out there (i.e. the iPod, which currently if you want to sell music is the only mp3 player that matters. The number 1 and number 2 online music shops are ones that have music that play on the iPod - of course iTMS in number 1, and eMusic which sells MP3 files without any DRM, which of course play fine on the iPod).

  77. Coincidence by akanonymous · · Score: 1

    Excuse if this is a repeat, but is there any link with http://news.bbc.co.uk/1/hi/technology/5294750.stm?

  78. Well done Universal, you are on the right track by unity100 · · Score: 1

    You have decided to adapt to a revolution, a big change that is propelled not by limited sources, but THE PEOPLE.

    It is much to your advantage in so that you will ride with the wave instead of going against it.

    Youll probably make a shitload of easy cash as well, all the solid media production and distribution costs are now null.

  79. Essentially web radio for Universal artists by Infonaut · · Score: 1

    For years people like me and countless other Slashdotters have been telling the labels to detach themselves from a dead business model. Maybe this plan will work for Universal and maybe it won't. I'm not interested in listening to SpiralFrog, but then again, I gave up on commercial radio years ago. There may be all kinds of people out there who will find SpiralFrog quite tasty.

    At least they're trying something new, something that fits more closely with 2006 than 1956.

    --
    Read the EFF's Fair Use FAQ
  80. sounds like internet radio to me... by YesIAmAScript · · Score: 1

    I can already listen to internet radio for free. I just can't do anything with the music.

    I've already got SOMA FM. I don't need Universal's channel.

    --
    http://lkml.org/lkml/2005/8/20/95
  81. Re:Next Headline: RIAA Sues Universal by Anonymous Coward · · Score: 0

    Universal is an RIAA member, and they are distributing music which they own the rights to.

  82. Royalties for Public Performance by homer_ca · · Score: 1

    Playing a song on the radio is considered a public performance, and the composer gets a royalty for that usually collected by ASCAP or BMI, but I don't think the performer gets a royalty.

  83. Congratulations. Universal Invents Radio by McLuhanesque · · Score: 2, Interesting

    User listens to music for free, but there are ads. Where have I heard of this before? Lots of Internet radio around, like Pandora, that nominally doesn't allow the music to be captured, played on a portable device, etc., except if you find where the files are cached, and rename them to SomethingUseful.mp3.

    Really nothing to see here, except for the fact that Universal now realizes that music being heard leads to music being bought.

  84. Nonsense by twitter · · Score: 1

    My knee-jerk reaction was "Of course not", but this actually makes sense. At least now the "I only pirate to decide whether to buy it" crowd has no excuse any more.

    How many knees do you have?

    Yes, an advertisement revenue model makes sense. It's what's powered the US free press since before 1776, it powered radio and TV though they were government franchises, and it is now powering most of the free internet. It's a model that works.

    The rest of your comment makes no sense at all. Newspapers, radio and TV never came with the kind of restrictions this music is likely to come with. In order to enjoy this music you will have to give up control of your computer, which also stores your private documents and acts as your press. DRM is a bad deal and companies that offer music without DRM are going to win this game. Worse, no immunity at all will be given to people who use the service, any more than temporary M$ give aways make a business less prone to a BSA raid. Innocent people are being extorted for sharing now, you know dead people, people who don't know how to use a computer, etc. Use of this service will only put the wrong kind of music and software on your computer. In all, it will make you more liable to that kind of legal abuse.

    It's too little too late. If they would actually present the world with something more like their old radio model, they would be making a much better start. The time for that was ten years ago. Instead, they have wasted their money on useless DRM schemes and sued their fans. They can rot with their 60 year old music. I'm not having any of it until it's really free and I can use it to amuse my friends without getting sued.

    --

    Friends don't help friends install M$ junk.

    1. Re:Nonsense by jb.hl.com · · Score: 1

      In order to enjoy this music you will have to give up control of your computer, which also stores your private documents and acts as your press.

      Um........no. You may have to give up control of some media files downloaded from a website which you haven't got many, if any, legal rights over anyway.

      Worse, no immunity at all will be given to people who use the service

      They get the immunity from prosecution that comes when you haven't committed a crime by downloading music illegally.

      DRM is a bad deal and companies that offer music without DRM are going to win this game.

      Yes, that's why Allofmp3 is the biggest online music store in the world. Newsflash: nobody outside Slashdot, and maybe a few others, really cares. Most people understand the rationale for copy protection, in that people will take anything not nailed down. DRM just happens to be the nail that's used.

      It's too little too late. If they would actually present the world with something more like their old radio model, they would be making a much better start.

      They have something much like their old radio model. It's called internet radio.

      By the way, there's nothing stopping you using music to "amuse your friends", provided you're not making a copy of it. Nothing stopping you lending it to a friend, so long as they don't rip a copy. That's perfectly OK under copyright law. (I will admit that this is a flaw in DRM, that you cannot realistically lend a DRMed file to someone, unless of course you burn it to a CD as CDDA and lend them that.)

      --
      By summer it was all gone...now shesmovedon. --
    2. Re:Nonsense by Anonymous Coward · · Score: 0

      twitter, yesterday you made a claim that at least three people challenged. Would you be so kind as to post your reply to the questions? Thanks.

  85. How to advocate free software by Anonymous Coward · · Score: 0
    twitter, please read this carefully. Following this advice will make Slashdot a better place for everyone, including yourself.

    • As a representative of the Linux community, participate in mailing list and newsgroup discussions in a professional manner. Refrain from name-calling and use of vulgar language. Consider yourself a member of a virtual corporation with Mr. Torvalds as your Chief Executive Officer. Your words will either enhance or degrade the image the reader has of the Linux community.
    • Avoid hyperbole and unsubstantiated claims at all costs. It's unprofessional and will result in unproductive discussions.
    • A thoughtful, well-reasoned response to a posting will not only provide insight for your readers, but will also increase their respect for your knowledge and abilities.
    • Don't bite if offered flame-bait. Too many threads degenerate into a "My O/S is better than your O/S" argument. Let's accurately describe the capabilities of Linux and leave it at that.
    • Always remember that if you insult or are disrespectful to someone, their negative experience may be shared with many others. If you do offend someone, please try to make amends.
    • Focus on what Linux has to offer. There is no need to bash the competition. Linux is a good, solid product that stands on its own.
    • Respect the use of other operating systems. While Linux is a wonderful platform, it does not meet everyone's needs.
    • Refer to another product by its proper name. There's nothing to be gained by attempting to ridicule a company or its products by using "creative spelling". If we expect respect for Linux, we must respect other products.
    • Give credit where credit is due. Linux is just the kernel. Without the efforts of people involved with the GNU project , MIT, Berkeley and others too numerous to mention, the Linux kernel would not be very useful to most people.
    • Don't insist that Linux is the only answer for a particular application. Just as the Linux community cherishes the freedom that Linux provides them, Linux only solutions would deprive others of their freedom.
    • There will be cases where Linux is not the answer. Be the first to recognize this and offer another solution.

    From http://www.ibiblio.org/pub/linux/docs/HOWTO/Advoca cy

  86. Cool Feature by eosp · · Score: 2, Informative

    Audacity lets you record a stream and redirect it to a .wav or .mp3 (with free plugin).

    1. Re:Cool Feature by Doctor-Optimal · · Score: 1

      Stealing something you got for free a GREAT way to encourage this (fairly interesting) new service.


      Way to strangle it in its crib!

      --
      New punctuation update "~" (no quotes) at the end of a line to indicate sarcasm. ~
    2. Re:Cool Feature by The+Cisco+Kid · · Score: 1

      If you get it for free, how can you steal it?

    3. Re:Cool Feature by neminem · · Score: 1

      Quoth Three Dead Trolls in a Baggie: "Thank you for downloading another fine, quality comedy product from Three Dead Trolls in a Baggie, and your friends at mp3.com. Of course, if you've downloaded this from napster, screw you! You know what, free isn't good enough for you! You gotta... rip us off? You know what? I will find you, and I will kill you." Anyway... I unDRM songs I buy from iTunes... I might try this one out, too, upon which I would immediately unDRM anything I got. If I couldn't figure out how to do that, I'd trash the thing.

  87. Re: Ad-supported music by Anonymous Coward · · Score: 0

    Sigue Sigue Sputnik did sell ads on their first album Flaunt It http://en.wikipedia.org/wiki/Flaunt_It_(album). Each track ends with an advertisement, mixing real paying customers with Sputnik's self-promotion. It's pretty funny.

  88. Really, no thank you by CopaceticOpus · · Score: 1

    Huh, this really put the DRM issue in perspective for me, because this offer is simply not appealing to me. Even when the price is FREE, if I can't play the music where and when and how I want, I'm simply not interested any longer. I'd rather just listen to what I already have.

    1. Re:Really, no thank you by SuburbanSpy · · Score: 1

      right, your 8-track!

  89. Not quite an original idea, but a good one by zoeblade · · Score: 1

    What they are really saying is that they will let you try listening to their music without paying for it first. If you want to do anything with it, you have to pay. Which isn't a bad idea, acutally...

    I've been doing that via Naxos (and Warp Records, for that matter) for months (and I'm sure others have been for years). You can try the music before you buy it, only it's bad quality and you can't download it, or you can buy a good old-fashioned CD and do what you want with it.

  90. You mean songwriters rejoice! by tepples · · Score: 1
    Artists receive royalties every time their song is played on the radio.
    No, the record company gets the royalties. Then they deduct the costs of marketing, distribution, and making the album. Then the artist gets paid.

    In analog radio and FCC-licensed digital radio, neither the record label nor the recording artist sees a cent when a recording of a song is performed. The songwriter, the songwriter's music publisher, and the publisher's performance rights organization (BMI, ASCAP, or SESAC) split the performance royalties.

  91. Free art by zoeblade · · Score: 1

    Nothing ever has been truely free, if you aren't buying (or stealing) something someone else is paying to put it in your hands for [their] own reasons.

    What about Project Gutenberg, archive.org or the GNU project? Don't underestimate the wealth of art which has an expired copyright, or which is by believers in freedom.

    1. Re:Free art by GundamFan · · Score: 1

      I wouldn't diminish the importance of public works like these. But if we are talking conteporary entertanment... yeah... some one is always making money, even if it does not come out of the consumers pocket. What esspecaly angers me is the trend to charge for a good or service and then present ads to the consumer... if I buy somthing I expect it to be unencumbered, on the other hand if I get it for free I have a lower standard.

      --
      I don't give a damn for a man that can only spell a word one way.
      Mark Twain
    2. Re:Free art by Sj0 · · Score: 1

      Hey, I'm a creator of contemporary entertainment (Admittedly ***NOT*** mass media, or even popular), and I assure you that the only thing I get out of it is high blood pressure and an empty bank account. Not everyone needs to make money on their works. :)

      --
      It's been a long time.
  92. Spank the monkey and win a free iPod by tepples · · Score: 1
    I really have no problem with targetted advertisement [...] When I peform a Google Search, I much prefer to see adverts relative to my search than another 'Shoot the duck and win a free ipod' banner ad.

    Unless you get "Shoot the duck and win a free iPod" when searching for things like iPod, iTunes, and other keywords relating to digital music. Would that still be targeted?

  93. One size fits all business models... by MartinG · · Score: 1

    Up until now the industry has been trying to crowbar internet distribution to fit their old business model (price per recording, no adverts, as used with CDs), and it failed.

    Now they are trying to crowbar internet distribution to fit another old business model (free of charge, adverts included, as used on radio) and it will fail.

    How long before they realise what it is they need to do? (free of charge, freely copyable, no unauthorised commercial use)

    Once they do this good music will spread like wildfire and will form free advertising for good bands who will then make lots of money from concerts and other live performances without having to have spent an enormous amount on marketing etc.

    I actually think the industry already know this, but are trying to avoid it because as soon as everyone realises that this is the future the bands will realise that they really don't need the industry.

    --
    -- MartinG To mail me: echo kewyjlcxyzvjfxbqwh | tr bcefhjklqvwxyz .@adgimnoprstu
  94. hmm by drinkypoo · · Score: 1
    Is the immunity from litigation enough to make up for having targeted advertising on each page and not being able to write the music to CD or a portable player?"

    No, but the immunity from litigation is enough to make up for havign targeted advertising on each page, and I am not a total fucking moron so I can find a way to record the audio stream without loss of quality beyond the decoding step, and write it to a CD.

    --
    "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  95. Your sig by sm62704 · · Score: 1

    You should also link this. And say something about people who use too many Os in "lose".

    --
    mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  96. There is a difference by dwandy · · Score: 1
    --
    If you think imaginary property and real property are the same, when does your house become public domain?
    1. Re:There is a difference by UbuntuDupe · · Score: 1

      I know what "rivalrous" means, asshole. If you have a point, why don't you grow some balls and make it?

      And yes, I know what you're going to say, and yes, I have a response. But I'm not going to make your arguments for you. You're a big boy.

    2. Re:There is a difference by dwandy · · Score: 1

      I know what "rivalrous" means, asshole.

      friendly fsker, huh. you must work in the music biz. :)

      If you have a point, why don't you grow some balls and make it?

      I think the definition of the word *was* the point. Since you claim you know what the meaning is, it surprises me the distinction you made in your previous post.

      I "lost something" when you copied me.

      which isn't at all true in the context of rivalrous goods. Absolutely nothing is lost in the sharing of non-rivalrous goods.

      The problem is (imho & based on how I read your other posts) that you've bought into the false notion that intellectual monopoly is required to generate content and cause creativity. But this is clearly false. Humans created long before these artificial barriers to market were introduced, and will continue to innovate long after they've been dropped.
      from your previous post

      They produce the music so they can make a profit. I'm sure it would be great if everyone worked for free, but they don't.

      So long as we're clear that the 'they' in this sentence is the recording industry: not the artist.

      The (sic) produce it knowing that they can sell it with certain conditions attached. Then they sell it with those conditions attached.

      Sure, and the original condition was a bargain between publishers and the public. A 17yr right to be the only seller of said works was granted in the hopes of creating a larger and richer commons. The purpose was to enrich the commons, not the corporation. But they've renegged: They have pushed copyright into effectively being forever. And that doesn't enrich the commons. I've read that some 80% of recorded music is unavailable for purchase. Locked away by copyright, held back because the 'owner' feels they can't make a profit selling it.
      ...and the latest copyright extensions are retroactive to boot, ...just how does granting a longer monopoly incent-to-be-created works that are already created ???

      Then people start to claim their "freedom" is being violated, and that they have the right to unilaterally violate those conditions.

      Well, TPMs do violate the freedoms. Being able to transfer/time&space-shift content is legal, and 'they' are doing an end-run on those rights by way of anti-circumvention laws...so i think that there is definately some truth to this.

      Sure, music companies "should" just "trust" people not to give it away to everyone, really, they can't.

      Why not? e-music is now the second largest music e-tailer and doesn't have any kind of DRM. TPMs don't stop the pirates but do hurt the legit consumers. This isn't a "trust" issue, it's just bad business to be antagonistic/confrontational with your paying customers.

      So what should they do? Just not make music for profit?

      again, presuming "they" is the record companies, yup. get the f*! out, I have no more use for you then I do a buggy-whip manufacturer.

      Or, you accept that the artist "deserves" a cut proportional to listeners, but that the "record companies" take "too much".

      Musicians make their money touring. Not selling CDs. Removing copyright doesn't change that equation. Removing the record companies does change that equation.

      Do you know how difficult, and what a crapshoot it is, to promote an artist?

      I've read that (can't find a damn supporting link...) that the reason the labels claim they need to rake some 90%+ off the top is because they only get a return on some 1-in-20 b

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    3. Re:There is a difference by Sj0 · · Score: 1

      "If you have a point, why don't you grow some balls and make it?"

      That was a stupid thing to say, and you are a stupid person for saying it.

      And he made his point ages ago, you just keep reiterating the same thing. Sun Tzu says you should seek victory THEN seek battle, that those who seek battle then seek victory will lose. Reiterating the same thing, after it's been discounted half a dozen times is battle without any chance of victory.

      Sun Tzu says "You didn't have to say that to prove yourself worthy of winning teh prize. You win a blue internets."

      --
      It's been a long time.
    4. Re:There is a difference by UbuntuDupe · · Score: 1

      I think the definition of the word *was* the point. Since you claim you know what the meaning is, it surprises me the distinction you made in your previous post.

      It surprises me that you thought you needed to introduce me to the concept after having read my post. See below.

      which isn't at all true in the context of rivalrous goods. Absolutely nothing is lost in the sharing of non-rivalrous goods.

      True. But -- and here's the point you completely fucking missed because you're unwilling to entertain the notion that you might be wrong -- which good are we talking about? The enjoyment of the informational content -- which you were probably thinking about when the blood flowed into your dick -- is indeed a non-rivalrous good. And a lot of morons, like this one say that's the end of it -- the information isn't scarce, so there's no basis of rights. If, on the other hand, the relevant good is *that* the information be enjoyed/used, it's no longer non-rivalous. Let me spell it out for you, since before this post the concept didn't even exist in your mind: The artist's (or his agent's) desire to that only those who paid him a cut gain access to his work, and the desire of others to have a copy without paying him a cut for the work, cannot simultaneously be satisfied. That good (literally, the truth of whether people have a copy without payin royalties), is rivalrous. To you, however, it "doesn't count" because you adhere to the arbitrary rule that, "heyyyyyyyyyyyyyyyyy mannnnnnnnnnnnnnnnnnnn a good is something you can touuuuuuuuuuuuuuuuuuuuuuuuuch, man, something you can feeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeel". Ridiculous -- adoration from one's lover is utterly non-tangible, but a good nonetheless.

      Now, I'll accept your apology for the foot-in-mouth "rivalrous" post.

      The problem is (imho & based on how I read your other posts) that you've bought into the false notion that intellectual monopoly is required to generate content and cause creativity. But this is clearly false. Humans created long before these artificial barriers to market were introduced, and will continue to innovate long after they've been dropped.

      Actually, the *real* problem is that you are incapable of attacking anything save a strawman. I NEVER SAID OR IMPLIED that there would be no innovation/creativity without intellectual property rights. I was very careful to constrain my statements to FOR PROFIT PRODUCTION. You would have noticed that if you had read my posts. (Skimming isn't reading.)

      So long as we're clear that the 'they' in this sentence is the recording industry: not the artist.

      Oh geez.

      You would be correct to say that perhaps they didn't change methods, adapt, etc. as necessary. But to claim that publishers literally contribute nothing? That's false, a result of a simplistic approach to this whole topic. No matter how good your music is, that does NOT guarantee that the people that will turn out to like it, will ever get a chance to hear it. Artists generally cannot marshall the resources necessary to persuade lots of people of the merit of their work, or to get it to the point where they hear it, even if they are very good. This is what the publisher attempts to accomplish. Has new technology changed the specific tasks the publisher has performed? Sure. Have many of the transaction costs decreased? Of course. But your attempt to paint this sharp dividing line between the "real" producers (who are artists) and the leeches who "merely" publish rings hollow. Great post on the matter.

      Words of wisdom: a good that consumers are unaware of, is not a good. (I mean a good in the economic sense, not the hippie sense you're familiar with.)

      Sure, and the original condition was a bargain between publishers and the public. A 17yr right to be the only

    5. Re:There is a difference by dwandy · · Score: 1

      dude, you need therapy.... I'll catch ya later.

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    6. Re:There is a difference by UbuntuDupe · · Score: 1
  97. No by heisencat · · Score: 1
    Is the immunity from litigation enough to make up for having targeted advertising on each page and not being able to write the music to CD or a portable player?

    One word: no.

    Freedom to copy and burn is nonnegotiable. Which is why I use eMusic. Any other service will have to give me the same level of freedom before I'll even consider it.

    --
    We only want a quiet place to finish working while God eats our brains.
    --Bruce Sterling
  98. So the FCC won't let me be or let me be me by tepples · · Score: 1
    How many conventional radio providers are there?

    One: the Federal Communications Commission. In many markets, FCC has allowed its two largest subcontractors, Clear Channel and Infinity Broadcasting, to divide up the terrestrial FM band between them. Stations controlled by these two companies have tended to eliminate local bands from their playlists, leaving us with the monopoly of RIAA music.

  99. The next George Harrison by tepples · · Score: 1
    I would welcome an opportunity to test something that I considered fair use that some content producer is trying to litigate me out of doing...

    Like writing songs in the first place? Do you want to be the next George Harrison?

  100. Secure audio path by tepples · · Score: 1
    one can record using the setting "What U Hear" which records not from the mic, but from the output of the soundcard.

    As of the release of Windows Millennium Edition, the Windows Media system supports the "secure audio path", which a WMA file can require for playback. Audio output drivers signed by Microsoft WHQL must support a function that turns off cleartext digital outputs such as the What-U-Hear output available on some sound cards. Audio output drivers not signed by Microsoft WHQL, and audio output drivers running on Windows 2000 or earlier operating systems, cannot play "secure audio path" files.

    1. Re:Secure audio path by Hangin10 · · Score: 1

      Of the existence of this "secure audio path", I was not aware. Man, that bites.
      What I'll have to do now, is create a small device with a 3.5mm input, encodes Vorbis on the fly, and outputs to a parallel connection. hehe, right. Well, actually, a RAM unit, one 386, ROM for encoder... no. Is conspiracy to commit piracy a crime yet? Odd that it's spelled cons-piracy. Now I'm rambling.

      To be more succinct, I realize the desire of the companies and artists to make money, but it's amazing how out of their way they'll go to eliminate every avenue for copying. When they add out-of-human-range signals to prevent recording what's in the air, then I stop listening to music.

  101. Patented formats themselves are DRM by tepples · · Score: 1
    AAC is an open format

    AAC itself is digital rights management, where "rights" refers to the exclusive rights granted under patent law to the assignees of the inventors of AAC.

  102. LFO - Summer Girls by tepples · · Score: 1
    Here is an example product placement in a popular song:

    "I like girls that wear Abercrombie and Fitch" -- LFO, "Summer Girls"

  103. They are all crack heads by ralph1 · · Score: 0

    Of this Im sure.

  104. MOD PARENT DOWN! by weierstrass · · Score: 1

    this is either a very good troll or a complete idiot.

    The list is of 'Universal Records' artists, that is only one label among the many many that are part of Vivendi Universal Group, the biggest record company in the world.

    This list gives only some of the labels which make up Universal, I believe only the American part.

    Mercury, Polydor, A&M, Def Jam, Interscope... Many of the biggest artists in the world are included.

    This troll has launched a lengthy and utterly pointless debate about the worth of the Universal Records artists.. Please mod down.

    This is a big deal. It's a massive, massive victory for those fighting the current distribution model.

    --
    my password really is 'stinkypants'
  105. Sorry, this list: by weierstrass · · Score: 1

    http://en.wikipedia.org/wiki/Category:Universal_Mu sic_Group_artists
    links to lists for each label of artists whose record company is part of the Universal Group

    --
    my password really is 'stinkypants'
  106. And, in addition, the 5,000th reminder... by Mateo_LeFou · · Score: 1

    At the beginning of the 20th century it was thought that recording technology would destroy the music industry. Why the hell would someone go pay to see a concert when they could listen to the music as much as they want at home?

    Everyone who thinks "omg how will people get paid!?!?!" write this down: disruptive technologies require that businesses rethink their strategy. If someone figured out how to make cars run on happy thoughts, would you go "omg how will we keep the oil companies in business?"

    --
    My turnips listen for the soft cry of your love
  107. Re:Leave it to Slashdotters to criticize FREE musi by Sj0 · · Score: 1

    If it's a gift horse they're making gads of money off of then it's not a gift horse.

    That said, I just don't buy or listen to commercial music. I don't like paying for lawsuits against single mothers and children. You could say I was just brought up wrong.

    --
    It's been a long time.
  108. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  109. It will be a lot of ads by viking2000 · · Score: 1

    Just to compare it to 'free' braodcast TV.

    You watch a movie. It is 2 hours long. With ads and teasers for you to watch the next show, they drag it out to 3 hours.

    The fee to content providers for a set of eyeballs watching a movie is about $0.10

    So you are basically suckered into watching commerials for 1 hour for a $0.10 product.

    You can get the movie from netflix for about $1.

    I will not work for $1/hour, so I subscribe to netflix (and give MPAA money for attorneys unfortunately), and don't watch a single ads based show on TV.

    My guess is that spiralfrog will be a similarly bad deal. The content will be in the WMA, and not MP3. Do you have to watch commercials for as long as the song plays?

  110. Doesn't have to be so by Kadin2048 · · Score: 1

    Huh? This is not true -- at least, it doesn't have to be true. You can use information that the user submits anyway during the course of using your service, in order to develop your database for targeting ads.

    For instance, Google gives you targeted ads based on what you search for. If you search for "toothpaste," I'll bet you you're going to get toothpaste or dental-related ads. This doesn't require spyware, it just requires the site not to be stupid: it's stupid to give someone irrelevant ads when you have the capacity not to.

    Obviously, spyware is evil, but it's not fair to say that all targeted advertising requires invasive client-side spyware; you can get a good degree of targeting just by using contextual and freely-available information, and stuff that people are giving you in the course of using your service anyway.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  111. Better question, what are u smokin? by Siscokid422 · · Score: 1

    "Obviously there is an 'on-demand' aspect, but really." - Are you for real? This is the crux issue and its HUGE. Free, on-demand music does not exist ANYWHERE, period. This is not radio, this is access to every song in Universal's music library at the moment you want it. Try that with radio. For that matter, try that with internet radio. Or satilite radio. You wont find it. In todays music market, music is distributed in one of two ways - free with no user control or pay-for-use, on demand. This offering combines the free nature of radio with the on-demand element of download and subscription offerings. This is new, its innovative, and its definitly not radio.

  112. Re:Leave it to Slashdotters to criticize FREE musi by WilliamSChips · · Score: 1
    Ever heard the saying, "Don't look a gift horse in the mouth"?
    Yeah, and look where it got the Trojans.
    --
    Please, for the good of Humanity, vote Obama.
  113. Two things wrong with this summary by d_54321 · · Score: 1

    1- Missing url for SpiralFrog
    2- Music files WILL be playable on a portable player.

  114. Idea being search-based by Cybert4 · · Score: 1

    Same thing for Microsoft search. Point is, I'm looking for ads.

  115. Corporate profile on SpiralFrog by TechAddress · · Score: 1

    Great comments, to view a corporate profile on SpiralFrog please visit: http://techaddress.wordpress.com/2006/09/06/google -announces-desktop-gadget-winners/