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Singer In Grocery Store Ordered To Pay Royalties

yog writes "An assistant at a grocery store in Clackmannanshire, Scotland, was ordered by the Performing Right Society (PRS) to obtain a performer's license and to pay royalties because she was informally singing popular songs while stocking groceries. The PRS later backed down and apologized. This after the same store had turned off the radio after a warning from the PRS. We have entered an era where music is no longer an art for all to enjoy, but rather a form of private property that must be regulated and taxed like alcohol. 'Music to the ears' has become 'dollars in the bank'."

645 comments

  1. What's next? by adeydas · · Score: 5, Funny

    What's next? Concise Oxford charging for words explained in the dictionary?

    1. Re:What's next? by Anonymous Coward · · Score: 1, Insightful

      Maybe if it is read verbatim from their dictionary in a place where it can be used to increase a businesses profit. To these royalty groups, it isn't a problem for you to listen to it or to sing the lyrics. However, if it is used as a way to influence customers such that the business see financial gain...

    2. Re:What's next? by Anonymous Coward · · Score: 0

      Hey I was just thinking the same thing !

      Expect to hear from my lawyers very soon...

    3. Re:What's next? by davester666 · · Score: 5, Funny

      No, but whoever publishes it owes songwriters around the world shitloads of royalties for including words from their songs...

      --
      Sleep your way to a whiter smile...date a dentist!
    4. Re:What's next? by reashlin · · Score: 5, Interesting

      I admit I'd like to know more about the case - I've not found anywhere detailing what she was singing. But in this case your argument is flawed.

      The woman had already had her radio taken away as the shop did not have a license to broadcast either CDs (which they had paid for) or Radio (which is already paid for - either by the BBCs 'cat all television license' or by advertising). This form of double payment is incredulous at best, in cases such as these where a claim is being made the business should pay extra to act as a proxy for a service designed to increase add revenue to the industry (Why is the music industry not paying private businesses to play the music in promotion?).

      With nothing else to listen too the woman would sing while stacking the shelves. How is that going to encourage business in a local corner shop. I have no doubt she is an aweful singer. Second to that, how is this costing the music industry anything? What losses are they claiming back?

    5. Re:What's next? by Chrisq · · Score: 5, Funny

      I was going to say "bollocks to that", but I'd probably have to pay royalties to the Sex Pistols.

    6. Re:What's next? by Mathinker · · Score: 1

      > I have no doubt she is an aweful singer.

      If I lived near that grocery, I'd make it a point to visit there and buy (assuming, of course, the prices aren't outrageous and it's clean enough). No matter how bad that woman sings.

      The Streisand effect in action....

    7. Re:What's next? by Anonymous Coward · · Score: 1, Insightful

      "incredulous at best", eh? Don't use words that you don't understand. It makes an otherwise good post seem childish.

    8. Re:What's next? by Anonymous Coward · · Score: 0

      I have no doubt she is an aweful singer. Second to that, how is this costing the music industry anything? What losses are they claiming back?

      Audience thought the musics is so aweful that won't make them buy the CD.

    9. Re:What's next? by wisty · · Score: 2, Insightful

      CDs are for personal use, and priced accordingly. That's fair. The radio thing is a bit weird, since radio is all about broadcast, but I suppose that is to stop nightclubs using radio to avoid paying hefty music license fees.

      Still, it's horrendous that our common culture (popular songs, catchphrases, etc) are now all copyright. People used to sing folk songs, but now these have been replaced with pop songs. Perhaps we need some creative common songs?

      It's obvious that the big distributors are following Microsoft's strategy. Get popular and crush the competition, then extract money from whoever has big pockets.

    10. Re:What's next? by Fred_A · · Score: 1

      What's next? Concise Oxford charging for words explained in the dictionary?

      Not sure about the Concise Oxford but I'm pretty sure that I was charged something like 20 or 30 for the New Oxford Dictionary sitting on the shelf behind me. Maybe they changed their way of doing things since then.

      --

      May contain traces of nut.
      Made from the freshest electrons.
    11. Re:What's next? by AniVisual · · Score: 1

      Now that's a brilliant pun on "awful" and "awe-inspiring"!

    12. Re:What's next? by Anonymous Coward · · Score: 0

      Not only that - I would think that PRS should pay HER royalties. She shouldn't be performing for free now, should she?

    13. Re:What's next? by hairyfeet · · Score: 1

      Uhhh...I doubt VERY seriously the girl has the voice of Sheryl Crow, you know? Folks certainly aren't gonna go 'I think I'll shop at that store where the girl bebops along singing tunes kinda off key'.

      Trust me, as someone who has played the country circuit, where every dang waitress thinks she can sing "Crazy" by Patsy Cline (and they ALWAYS try for that note and NEVER hit it) amateur singers are more often 'so bad they're embarrassing' and I doubt the store is making any cash off her vocal cords, much less her vocal cords butchering some pop song.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    14. Re:What's next? by gazbo · · Score: 1

      Yeah! That'll show the PRS!

    15. Re:What's next? by SlippyToad · · Score: 2, Interesting

      What does her singing ability . . . or your imagined imapct on her business . . . have to do with this. Assuming you know fuck-all about it.

      --
      One day I feel I'm ahead of the wheel / the next it's rolling over me / I can get back on / I can get back on
    16. Re:What's next? by bkr1_2k · · Score: 5, Insightful

      It's obvious that the big distributors are following Microsoft's strategy. Get popular and crush the competition, then extract money from whoever has big pockets.

      I think you'll find that has been the music industry M.O. for as long as there has been a recording industry. MS is the relative newb when it comes to such behavior.

      --
      "Growing old is inevitable; growing up is optional."
    17. Re:What's next? by Peter+Simpson · · Score: 1

      The BBC article I read, said she was singing Rolling Stones songs...

    18. Re:What's next? by Anonymous Coward · · Score: 0

      If she's a terrible singer, she'd make a perfect addition. Most current "music" stars can't actually sing worth a lick.

    19. Re:What's next? by Anonymous Coward · · Score: 0

      SCREW FLANDERS

    20. Re:What's next? by One+Monkey · · Score: 2, Insightful

      Except, of course, that the PRS would require some kind of proof that the music you were playing was nothing to do with them to stop hounding you. The kind of proof that involves lawyers and legal fees. Even if you wrote your own original compositions, recorded them to CD and played them the PRS would still demand money on the offchance that you would back down rather than go to court to defend your right to play music you wrote that has nothing to do with them.

      --
      www.nodicerpg.com - Some RP stuff for free, some not so for free, but still cheap.
    21. Re:What's next? by Anonymous Coward · · Score: 0

      This is old news, she's already received and apology and a promise not to try and collect from the PRS.

    22. Re:What's next? by Anonymous Coward · · Score: 0

      Of course those same songwriters never copied anything from anyone before them. No, they would never do that.

    23. Re:What's next? by Demonantis · · Score: 1

      It doesn't make sense because economics is based on scarcity of resources. Copying music has such minuscule costs that it doesn't make sense. You can't make a good argument. Unless money is involved, money attaches a value to the infringement and makes it arguable.

    24. Re:What's next? by Hoi+Polloi · · Score: 1

      You also have to pay royalties to the band "The The".

      --
      It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
    25. Re:What's next? by M-RES · · Score: 2, Informative

      If the PRS are trying to recover money from you and decide to take you to court to do it, then the onus is on them to prove why you owe money, specifically proving in which way you have infringed upon or are basically covered by copyright laws. If they can't show which copyrighted works you owe royalty payments for then they don't have a leg to stand on and would indeed have to pay YOUR court costs/legal fees too. That's how the system works in the UK - loser pays. If they tried to claim ownership of your own original compositions, but you could prove otherwise it would further damn their case against you.

    26. Re:What's next? by SleepingWaterBear · · Score: 1

      You make an interesting point about our common culture. We certainly have the option of singing folk songs - in fact I'd argue that most folk songs are nicer than pop music, and I'd rather hear more of them.

      When you think about it, the whole reason our common culture is copyrighted is because we've allowed the copyright holders to redefine our common culture via advertising. If we really like the pop music more, then we ought to be paying them for the favour of generating/advertising all these songs.

      Put another way, lots of music/recordings are in the public domain, and if you want to play those in your store, you can. If instead you value the convenience of playing whatever's on the radio, or you just like new music more than anything freely available, it's unclear to me why you shouldn't pay a premium for it.

    27. Re:What's next? by M-RES · · Score: 1

      Additionally - to be covered by the PRS' services, an artist must first register with them. Whichever name is used (whether the artists' actual name[s] or a band name) is the one the royalties are collected under. Therefore, if a BAND register (say, 'The Beatles') and all tracks released are credited to 'The Beatles', then the PRS will collect on those tracks alone, distributing money equally to all members of the band. They would not collect on tracks credited to 'Lennon' or 'McCartney' unless those names had been specifically registered with them. This is why some bands fall out over royalties, because a couple of members may be credited as writing the songs (melody/lyrics) and get all the royalties whilst the others get nothing for those tracks despite having written their respective instrument's parts.

      So if you've not registered yourself or your band with the PRS and are performing your own original material, then they have absolutely NO business with you at all. They shouldn't automatically think they have a 'right' to police all music, because they're far from being so ubiquitous.

    28. Re:What's next? by mikael · · Score: 2, Informative

      It's one of those things in the UK - if you have a business and want to play music to your customers you have to pay a flat royalty fee of around 65 pounds each year. There was a local business (hairdresser) who had kept the radio in the front room and hadn't been paying this fee for 20 years, and was forced to go into liquidation over this.

      --
      Vintage computer adverts: http://www.vintageadbrowser.com/computers-and-software-ads
    29. Re:What's next? by gmuslera · · Score: 1

      Software patents, specially the common sense ones, are potentially worse (specially if tried to be enforced). Freedom to sing (an existing, copyrighted song, etc, etc) is one thing, but freedom to think is something that not even some totalitarian regimes tried to enforce.

    30. Re:What's next? by cyn1c77 · · Score: 2, Insightful

      It's one of those things in the UK - if you have a business and want to play music to your customers you have to pay a flat royalty fee of around 65 pounds each year. There was a local business (hairdresser) who had kept the radio in the front room and hadn't been paying this fee for 20 years, and was forced to go into liquidation over this.

      We have enforcement organizations like that in the US too. We call them the Mafia.

      I don't understand how they can make you pay for collecting and translating electromagnetic radiation that is incident upon your property. If they don't like you having their signal, they should stop distributing it for free or provide you with ad-free music for a fee.

    31. Re:What's next? by liquiddark · · Score: 1

      More like requiring you to obtain a dictionator's license before you explain the meaning of a word to someone else.

    32. Re:What's next? by CrashNBrn · · Score: 1

      Forced into liquidation over 1300 pounds? Really? Sounds sensationalist to me.

    33. Re:What's next? by flibuste · · Score: 1

      You're right..Ah wel..."Never mind..." then(m)

    34. Re:What's next? by pete6677 · · Score: 2, Insightful

      I suppose that is to stop nightclubs using radio to avoid paying hefty music license fees.

      The music industry already has that one covered. They made all radio stations so shitty that nobody wants to listen to them for anything more than background noise, such as when you're driving somewhere and forgot to put any decent music in the car. Besides, no business can gain any proprietary advantage from something that is broadcast freely to everyone. That would be like saying that a restaurant can gain an advantage by serving tap water. But if the music industry can use this illogical logic to convince legislators to put more money in their pockets, they will of course do so.

    35. Re:What's next? by rgarbacz · · Score: 2, Informative
      I would just add, that in most EU countries, one also pays royalties to the music industry buying any kind of storage (HDD, CD-R*/DVD-R*, or flash).

      So My advice is to stop giving them excuse to lobby for more draconian law: do not copy illegally any content, use alternatives, use your voting power, also the money voting power. Fortunately we live in democracies, lets embrace it and use it, because slowly the law becomes insane. I moved to another DVD region, and now I cannot play my new and old movies on the same device. I cannot play movies on my computer (because the system I use is "too" user oriented). I cannot make a home movie and play it on a TV when using a computer with not too user oriented OS without HDMI. To see some movies during traveling I have to either buy another version, or carry all the DVDs I would potentially like to see. And all of these restrictions are not because of technology limits, not because I did not pay for the content, but because even though all the content I have is legal, I am still treated as a thief.

    36. Re:What's next? by blueZ3 · · Score: 2, Interesting

      Unfortunately, "loser pays" isn't really a sufficient defense against bad litigators who are corporations. Because unlike your average citizen, they have lawyers either on staff or on retainer, so their upfront legal costs are nothing. Even when the citizen wins, they only have to pay the fees for a lawyer that he/she could afford, which makes the whole thing an exercise in cost/benefit calculation, heavily weighted towards litigation.

      On top of this, the individual not only has to pay their lawyer up front, but even if they win they are out a significant amount of time (and who knows, they may lose their job if they miss too much work) and seemingly endless frustration.

      In my opinion the best solution for this is to provide some sort of "pain and suffering" award in cases where a company sues an individual, pushing the weight of the cost/benefit calculation firmly in the direction of not litigating in cases like this.

      --
      Interested in a Flash-based MAME front end? Visit mame.danzbb.com
    37. Re:What's next? by shutdown+-p+now · · Score: 1

      The radio thing is a bit weird, since radio is all about broadcast, but I suppose that is to stop nightclubs using radio to avoid paying hefty music license fees.

      I really don't see a problem with radio either. Radio comes with ads, so any nightclub that would play it would play the ads as well, thereby increasing the size of the audience.

      Either radio is profitable as it is - in which case extending the audience by another several dozen people is only going to increase the profit - or it's not profitable in any case, in which case why are they even broadcasting?

    38. Re:What's next? by mrdoogee · · Score: 1

      But now you have to pay royalties to The Band.

    39. Re:What's next? by sillyman71 · · Score: 1

      We'll probably all get thrown in jail because our DNA contains genes someone patented.

    40. Re:What's next? by commodore64_love · · Score: 3, Insightful

      I don't know about Britannia, but here in the U.S. we the people have a simple fix:

      "Amendment 28: Strike the phrase 'To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;'."

      If the 50 states want to provide for copyright protection they still can, but the central government's power will be nullified, and the People will again be free to play (or sing) music and enjoy being alive.

      While we're at it we should also pass Amendment 29: "Rights and privileges, both enumerated and non-enumerated, shall only apply to individual human beings, not groups or organizations." No more free speech for corporations; no more lobbying by Microsoft or bribes from RIAA. They will have no more rights than a rock or tree.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    41. Re:What's next? by OldSoldier · · Score: 1

      I'm against the music mafia as much at the next slashdotter, but one thing I favor on general terms that still doesn't seem to apply here is the right to charge for music being played in the customer-facing end of a business.

      I mean it could be the case that music gives you a competitive advantage over your competition if you play music on the customer facing side and that one of the reasons for the music mafia to exist is to give the artists a share of that. In an ideal world I see this as a sort of micro transaction and furthermore in an ideal world I see technology replacing the music mafia as a way of executing these micro transactions and give more dollars to the artists.

      BUT THIS WAS THE BACK OFFICE... the stock room. Both the radio and the singing should be allowed there. Furthermore about the singing... I still don't understand why a novice singer in a non-professional setting should have to pay. I mean... are they really doing justice to the songs?

      What sect of Islam is that that's against music? If this keeps up... only regulated music can be played... then I'll start wondering if the execs in the music mafia are closet muslims from this anti-music sect executing a long term strategy to deny the whole human race access to music.

    42. Re:What's next? by compro01 · · Score: 1

      1300 plus ludicrous "damages".

      --
      upon the advice of my lawyer, i have no sig at this time
    43. Re:What's next? by meson_ray · · Score: 1

      The big problem is that they're not just extracting money from whoever has big pockets, they're extracting money from whoever, regardless of pocket size.

      I very much doubt that this grocery store stocker has big pockets.

    44. Re:What's next? by Gilmoure · · Score: 1

      Why is the alphabet in that order? Is it because of that song? The guy who wrote that song wrote everything!

      --Steven Wright

      --
      I drank what? -- Socrates
    45. Re:What's next? by Anonymous Coward · · Score: 0

      Nevermind the Bollocks - say it anyway!

    46. Re:What's next? by furby076 · · Score: 1

      I think you'll find that has been the music industry M.O. for as long as there has been a recording industry. MS is the relative newb when it comes to such behavior.

      Your statement is proven since MS get's sued by gov'ts for it's practices while the music industry not only gets defended by gov'ts but also sues people on their behalf.

      --

      I do not support "The Man". I also do not support your irrational stupidity
    47. Re:What's next? by Foobar+of+Borg · · Score: 1

      What sect of Islam is that that's against music? If this keeps up... only regulated music can be played... then I'll start wondering if the execs in the music mafia are closet muslims from this anti-music sect executing a long term strategy to deny the whole human race access to music.

      IIRC, it's the Wahibi style of Islam. So, if you're with the PRS/RIAA/MPAA/FNC, you're with the terrorists!

    48. Re:What's next? by jfengel · · Score: 1

      > no more lobbying by Microsoft or bribes from RIAA.

      Or by your favorite environmental group, community group, or your personal special interest (e.g. guns, either for or against)

      The evil that other people's lobbying does is obvious, but the good your own does is often overlooked. People do talk to Congressmen, and that's where they get information from. Eliminate the power of groups to do it collectively, and the only people with access will be the individuals who have money.

    49. Re:What's next? by Impy+the+Impiuos+Imp · · Score: 1

      Governments eliminating, at its discretion, groups that influence it, or are merely perceived to, hasn't worked out too well historically.

      Some of the more insane among us suggest this is actually the core problem with human history.

      --
      (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
    50. Re:What's next? by lennier · · Score: 1

      "Governments eliminating, at its discretion, groups that influence it, or are merely perceived to, hasn't worked out too well historically."

      s/government/any human group

      There's nothing intrinsically special or horrible about 'government'. There's a natural monopoly on dominance; any group which has a competitive relationship with some other group (or even idea) become a 'governing' power. And often, this happens because it's the most efficient solution to a coordination problem. Chaos and duplication make life hard, so there are systemic pressures for someone, anyone, to make a decision. Corporations, movements, causes, parties, churches, gangs - everything starts out as an association of individuals around a common cause, then moves into competition with causes which it feels opposed to. And different groups will have different governing structures.

      This gets really tricky, because the natural reaction to a regime or power bloc that you hate is to immediately set up your own counter-movement to overthrow it. Which is logical, but what often happens is that because regimes are emergent things, arising from the logic of conflict and control, and just wanting something doesn't automatically get you there unless you work for it, any movement born in conflict is likely to model itself on the same power structures it opposes. To take down the State you need to build a revolutionary militia; the militia to be efficient and survive needs centralised command and secrecy; pretty soon you've created a microcosm of the state you're opposing.

      Because the visible government isn't actually what you're wanting to oppose: it's the *idea* of a government which is a much more nebulous thing. Take down one State (or class, or race, or religion) and the next biggest power group - a religion, a crime gang, a corporation, just anything that's organised - will step into the gap.

      And the other side of the equation is that a lot of the functions of government, beside the exercise of dominance, are just the normal human actions of networking, information and resource sharing, and coordination. These are beneficial and have to get done somehow, and when you disrupt one government you often smash all that positive stuff as well as the negative. They're often so intertwined that it's really hard to tell where (eg) building hospitals and training medical workers ends, and (eg) deciding to euthanise the mentally ill and criminals 'for their own good' begins. Especially when you move into a wartime situation where there's a perceived existential threat to the race, the class, the movement, or the individuals.

      The problem of violence is really hard to solve because it's so endemic to the human condition and goes right down to the individual level. It's not just something that emerges from group behaviour - it's there as our shadow at our very core, and most of our philosophy is based on the idea of judgement, choice, success vs failure - and right there you have all the legitimisation any amount of violence needs. It just needs to be seen as 'necessary for my/our survival' and any atrocity can be committed by any group.

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
    51. Re:What's next? by Anonymous Coward · · Score: 0

      No, but whoever publishes it owes songwriters around the world shitloads of royalties for including words from their songs...

      Two can play that game: I want to see Oxford's publishers counter-sue all songwriters for using "their" words in these songs.
      Makes about as much sense.

    52. Re:What's next? by DiLLeMaN · · Score: 1

      Microsoft is just one company, the music industry is just that, a whole industry. That means there's more money circulating there. Apart from that it's also quite a bit older and therefore way more entrenched.

      I agree with GP tho, Microsoft could learn a thing or two from the music industry wrt to being absolute cunts.

      --
      /var/run/twitter.sock is a twitter socket puppet.
    53. Re:What's next? by Cur8or · · Score: 0

      Buying a dictionary might become quite expensive.

      --
      Winkey shortcut mapping for 64bit windows. WinKeyPlus
    54. Re:What's next? by metaforest · · Score: 1

      No, the Sex Pistols said, **Content Removed Due To Copyright Assertion** !!@!^&%^& NO CARRIER

    55. Re:What's next? by awright69 · · Score: 1

      I was going to say "bollocks to that", but I'd probably have to pay royalties to the Sex Pistols.

      Never mind the Sex Pistols - Here's the BOLLOCKS!

    56. Re:What's next? by steveo777 · · Score: 1

      Does this mean that any time someone says "Mother Fucker" they have to pay royalties to every rapper ever? That's going to be a pain in the ass!

      --
      This sig isn't original enough, it's time to come up with something witty...
    57. Re:What's next? by windex82 · · Score: 1

      Yeah, but really what good is a post on slashdot without some childish dig at Microsoft?

  2. Totally, irrevocably, utterly batshit insane by rekenner · · Score: 5, Insightful

    That's what this is.
    The idea that fining someone for singing to themself while they work. The idea that this could be in any way the right course of action.
    There's no other words/term for it.

    1. Re:Totally, irrevocably, utterly batshit insane by Mashiki · · Score: 4, Interesting

      This is an example of media control gone nuts. Didn't someone in jest say about 3 years ago that this would happen, somewhere in the world?

      --
      Om, nomnomnom...
    2. Re:Totally, irrevocably, utterly batshit insane by BakaHoushi · · Score: 1

      Here's a question: If I'm listening to a song stuck in my head, do they still want me to pay them for it?

    3. Re:Totally, irrevocably, utterly batshit insane by purpledinoz · · Score: 5, Funny

      The answer is yes. Soon everyone must wear brain scanners to make sure that every song you hear in your head is paid for. Also, if you inadvertently hear a song whether it's in a dream or from someone else's radio, the brain scanner will pick that up too and you must pay for that too. If you're pregnant, you must pay for each fetus. The deaf will be fitted with a recording devices so that they can pay for the songs they would have heard if they weren't deaf. If you die, you are required to pay for all the songs you hear in the afterlife with your remaining assets.

    4. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      Yes! As soon as it is possible to monitor what's playing inside your head. How about a mandatory brain music activity monitoring implant that will automatically charge your credit card. Comes with a mute option that is used when you have no credit.

    5. Re:Totally, irrevocably, utterly batshit insane by TheLink · · Score: 0

      A future like that may not be far.

      After all there's progress on brain-computer interfaces. People and animals already can control devices with their thoughts, and there is progress in implants that help the blind to see, and the deaf to hear. Google for "seeing tongue" and neural input devices.

      So it could start with implants to help people with dementia keep track of where they are and what they are doing, or it could be implants to augment people - help them remember better, share their thoughts and memories, perform tasks of "virtual telepathy" and "virtual telekinesis" (in areas that support it of course), and many other nifty stuff.

      Groups like the MPAA/RIAA etc might then insist on DRM on these devices.

      A penny for your thoughts? I think they'd charge more and say most of it belongs to them :).

      --
    6. Re:Totally, irrevocably, utterly batshit insane by damburger · · Score: 2, Insightful

      Indeed. Anyone else reminded of the Prole woman that Winston Smith watches singing out the window in 1984?

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    7. Re:Totally, irrevocably, utterly batshit insane by spike1 · · Score: 4, Funny

      Listen to "Sean Locke's 15 minutes of misery" sometime. A radio comedy from the 1990s.

      http://www.youtube.com/watch?v=T1lGufUM7xM

      One of the characters is a PRS dream come true. :)

    8. Re:Totally, irrevocably, utterly batshit insane by blahplusplus · · Score: 4, Insightful

      "That's what this is."

      This is a natural outcome of applying the concept of private property to information.

    9. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      Totally, irrevocably, utterly batshit insane...There's no other words/term for it.

      The other word for it is 'copyright'.

    10. Re:Totally, irrevocably, utterly batshit insane by Hognoxious · · Score: 1

      Didn't someone in jest say about 3 years ago that this would happen, somewhere in the world?

      Yes, but I can't provide the link or it'll cost me $699.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    11. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      Indeed... fuck this world we live in!

      *Down the road, not across the street*

    12. Re:Totally, irrevocably, utterly batshit insane by hazem · · Score: 1

      Maybe you are thinking of this short story, "Right To Read" by Richard Stallman?

      http://www.gnu.org/philosophy/right-to-read.html

    13. Re:Totally, irrevocably, utterly batshit insane by Rogerborg · · Score: 2, Insightful

      Yes, I do. I don't see the relevance to this situation, although I'm sure you'll get plenty of PlusGoods for referencing 1984 anyway.

      --
      If you were blocking sigs, you wouldn't have to read this.
    14. Re:Totally, irrevocably, utterly batshit insane by couchslug · · Score: 1

      I rather like the idea of corporate representatives punishing people for spouting corporate content, which is what popular shit culture really is nowadays.

      Things will have to get much worse before they provoke a backlash against corporate media, so I want that to happen. The people shouldn't want the garbage that has displaced creativity, and suing them for singing it amuses me greatly. (Cue the famous Bill Hicks line about "suckers of Satan's cock" in the entertainment industry!)

      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    15. Re:Totally, irrevocably, utterly batshit insane by TheDarkMaster · · Score: 1

      Ignore the PRS, and if they send lawers, kill then.

      --
      Religion: The greatest weapon of mass destruction of all time
    16. Re:Totally, irrevocably, utterly batshit insane by thisnamestoolong · · Score: 5, Insightful

      Yes. This is completely insane. That is why we all need to stop giving money to these people (I will talk specifically about the RIAA in this post but I am speaking more generally about the big nameless, faceless entertainment cartels worldwide). After I got a nice little letter from the RIAA a few years back, I figured I would heed their warning and stop downloading music illegally (I have no moral objection to such activities as they provably cause no harm, but I don't want to get sued either), but I also decided that they don't need any of my money anymore (I was buying between 2 and 5 CDs EACH WEEK from RIAA musicians before, go figure), and decided that I am going to take my music dollars elsewhere. Not only have I been able to avoid giving money to these Nazis, I have discovered that the music being put out by indie labels is infinitely better! You get music that is created by artists who care about their music, rather than their profit margins. This is the only way we can fight this shit -- take your money elsewhere. Vote with your wallet. Don't even share this shit online for free -- that gives them a scapegoat. Dry their profit margins up and make it clear that they have no one to blame but themselves. That is the only way to stop this insanity.

      --
      To the haters: You can't win. If you mod me down, I shall become more powerful than you could possibly imagine
    17. Re:Totally, irrevocably, utterly batshit insane by tuxgeek · · Score: 1

      Q: What is the penalty for singing or thinking a product jungle?
      ex: "My bologna has a first name, it' s OSCAR, etc, etc"

      --
      "Suppose you were an idiot...and suppose you were a member of Congress...but I repeat myself." Mark Twain
    18. Re:Totally, irrevocably, utterly batshit insane by Monsterdog · · Score: 1

      +5 Godwined! It always comes down to Nazis, real or implied....

    19. Re:Totally, irrevocably, utterly batshit insane by thisnamestoolong · · Score: 1, Funny

      Wow, you are clever. Thank you for your stimulating addition to the discussion at hand.

      --
      To the haters: You can't win. If you mod me down, I shall become more powerful than you could possibly imagine
    20. Re:Totally, irrevocably, utterly batshit insane by Zarf · · Score: 1

      If the airplane were invented today it would fail to generate an "airline industry" because of all the royalties airlines would have to pay to land owners for flying over their lands, apartments, and so on.

      Somehow back in the day the airplane was invented common sense prevailed. When did common sense become legally obsolete?

      --
      [signature]
    21. Re:Totally, irrevocably, utterly batshit insane by cpotoso · · Score: 2, Interesting

      I have stopped buying cd's about 7 years ago... I also used to buy many cd's a month. But lets be honest, the real reason is that I am getting old :-)

    22. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      nah, everyone, men women and children will turn to singing drinking songs, since they're probably the only ones not copyrighted. I have a gang and we sing those every Friday night, they'll never be broadcast because if they start censoring it will sound more like a modem downloading pr0n.

    23. Re:Totally, irrevocably, utterly batshit insane by Baki · · Score: 1

      It is a sign that the state should withdraw from providing protection for copyrights and the like, i.e. abolish it 100%.
      I do not see any healthy balance, but it just gets more and more absurd.

    24. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 1, Insightful

      When the US Governement decided it ruled the world.

    25. Re:Totally, irrevocably, utterly batshit insane by Pig+Hogger · · Score: 2, Insightful

      I have stopped buying cd's about 7 years ago... I also used to buy many cd's a month. But lets be honest, the real reason is that I am getting old

      Last CD I bought was 10 years ago. Ever since then, I download and copy from the library (it’s all legal here, though).

    26. Re:Totally, irrevocably, utterly batshit insane by Kozz · · Score: 1

      And if a song gets stuck in your head, boy, you're gonna owe the whole farm.

      --
      I only post comments when someone on the internet is wrong.
    27. Re:Totally, irrevocably, utterly batshit insane by Zordak · · Score: 1

      Somehow back in the day the airplane was invented common sense prevailed.

      Two points. (1) Airspace rights have nothing to do with intellectual property, copyright or otherwise. So bad analogy. Air space is tied to real property, which is hardly a new concept. (2) IP was an issue with the invention of the airplane. The Wright brothers received a patent on their "flying machine" and went after infringers aggressively, spawning a patent war. Many people even argued that the Wrights' patent inhibited the growth of the aircraft industry rather than encouraging innovation. So you see, things aren't that different now. The Wrights got a patent. We got an airline industry. Whether the Wrights would have worked so hard on their machine without the benefit of a patent system, and whether somebody else would have picked up the slack, is left as an exercise for the reader.

      --

      Today's Sesame Street was brought to you by the number e.
    28. Re:Totally, irrevocably, utterly batshit insane by DarthVain · · Score: 1

      What if a song reminds me of another song... or or I get a song stuck in my head, do I have to pay for each time it repeats itself?... what if a song uses a sample of another song within that song. I think I am going to need more money, and/or better lawyers.

      There is something to be said for sweet sweet silence.

    29. Re:Totally, irrevocably, utterly batshit insane by Mateo_LeFou · · Score: 1

      This is one of those rare recursive offenses:

      The penalty for singing or thinking a product jungle is singing or thinking a product jungle

      --
      My turnips listen for the soft cry of your love
    30. Re:Totally, irrevocably, utterly batshit insane by CecilPL · · Score: 1

      That's why, by the year 2032, we'll have nothing but 30 second product jingles on all the radio stations.

    31. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      I agree. We need to destroy the music industry.

    32. Re:Totally, irrevocably, utterly batshit insane by blueZ3 · · Score: 1

      There is something to be said for sweet sweet silence.

      I think you mean: There is something to be said for sweet sweet reason

      --
      Interested in a Flash-based MAME front end? Visit mame.danzbb.com
    33. Re:Totally, irrevocably, utterly batshit insane by retchdog · · Score: 1

      So you're saying: Tension, Apprehension, and Dissension have begun.

      Tension, Apprehension and Dissension have begun.

      Tension, Apprehension and Dissension have begun.

      --
      "They were pure niggers." – Noam Chomsky
    34. Re:Totally, irrevocably, utterly batshit insane by SleazyRidr · · Score: 1

      I stopped buying (mainstream) CDs a few years ago, and I'm 25. I think I'm not old...

    35. Re:Totally, irrevocably, utterly batshit insane by jamstar7 · · Score: 1

      Which reminds me, I gotta send a check to the estate of Warren Zevon. Been hearing "Keep Me In Your Heart" for a few days after watching an episode of Californication...

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    36. Re:Totally, irrevocably, utterly batshit insane by jamstar7 · · Score: 1

      That's why, by the year 2032, we'll have nothing but 30 second product jingles on all the radio stations.

      Minitunes!

      And we'll have 40 year old virgins sitting in their living rooms singing "I wish I was an Oscar Meyer weiner..."

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    37. Re:Totally, irrevocably, utterly batshit insane by WiiVault · · Score: 2, Interesting

      Welcome to the club friend. I do have to wonder though, what to took you so long? If it took a letter to turn you off from RIAA music, what do you think it will take the average person to do the same? You tell people to ditch the RIAA, but you were willing to support them through years and years of clear obvious abuse. Again I'm not insulting you, I'm glad you came around. But doesn't your own experience prove that it takes a shitload of pushing to make somebody realize they are getting fucked by the industry. I left them when the Napster debacle happened and I never looked back.

    38. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      Actually, someone *IS* distributing scanners that track all the songs you hear. They sit on your waistbelt and download to a server from your computer via USB each night. It's experimental and people are paid volunteers, but I've seen'm.

    39. Re:Totally, irrevocably, utterly batshit insane by LS · · Score: 1

      Stop! You are scaring the shit out of me... I don't think you intended it, but your post is creepy. I truly believe those fucks would do everything you suggested if they were capable of it. They are sick!

      --
      There is a fine line between being a cultivated citizen and being someone else's crop. - A. J. Patrick Liszkie
    40. Re:Totally, irrevocably, utterly batshit insane by furby076 · · Score: 2, Insightful

      This is a natural outcome of applying the concept of private property to information

      No it is not a natural outcome, it is a dumb outcome. There are lots of information out there that is proprietary. Some company spent time/money creating it and giving it away will make the company lose profits they could be made. A prime example is the drug industry. They spent billions in R&D - and a lot of that stuff goes nowhere (think AIDs cures/immunization research). Now imagine if there was no protection on information. Said drug company, who spent billions on research comes out with the wonder drug. They go to sell it and need to sell each pill at $X to not only recoup their money but make a profit (they are a business after all) - except joeschmoe drug company that does not research takes the free information (hey in your world information is free, but other stuff is not free) and creates the medicine. They didn't spend billions in R&D so they can sell the pill at $Y where Y
      Yes there are horrible extremes, and this case with the music is one of them, but no it is incorrect to say one should not protect what they have invested time/money into - and there is no doubt that music artists, production companies, etc spend a lot of time/money into getting their music out there, getting it famous, and getting it to the point where it makes profits. This case, however, is insane. Stores have been playing radio/cd(tape) music since long before the intarweb

      --

      I do not support "The Man". I also do not support your irrational stupidity
    41. Re:Totally, irrevocably, utterly batshit insane by furby076 · · Score: 1

      Bah silly slashdot. After the Y example (which y is half of x) I said - guess who sells their medicine and make money? Guess who doesn't sell their medicine and lose money? Guess who stops doing R&D? Guess who invents the next cure?

      --

      I do not support "The Man". I also do not support your irrational stupidity
    42. Re:Totally, irrevocably, utterly batshit insane by furby076 · · Score: 0, Troll

      (I have no moral objection to such activities as they provably cause no harm, but I don't want to get sued either)

      I take it you have no moral objection to stealing CDs from a store because it probably causes them no harm? Hell leave them a $1 and take the CD...as we know CDs and CD cases cost less then $1 - so you are being more then fair.

      but I also decided that they don't need any of my money anymore (I was buying between 2 and 5 CDs EACH WEEK from RIAA musicians before, go figure),

      I hear this a lot, and while I am sure someone, out there, buys 104 to 260 cds per year, I feel confident on calling you out on this.

      Not only have I been able to avoid giving money to these Nazis,

      Nazi's? It's people like you who diminish what happend during the holocaust and WWII

      I have discovered that the music being put out by indie labels is infinitely better!

      Ah-hah - now we get it. Indie music is better because it is sometimes free? So free makes music sound better. Maybe you are onto something. Let those artists starve.

      You get music that is created by artists who care about their music, rather than their profit margins.

      Nice of you to make blanket statements about all artists. Because someone can't possibly enjoy making good music and making a profit. Better that they spend their time doing it for free - because as we know, free music sounds better then paid music.

      Dry their profit margins up and make it clear that they have no one to blame but themselves. That is the only way to stop this insanity.

      What happend in the article, in the thread you are commenting on, has nothing to do with your rant. Now run along and go download the latest Mily CD - you know want to put your hands up in the air like yea.

      --

      I do not support "The Man". I also do not support your irrational stupidity
    43. Re:Totally, irrevocably, utterly batshit insane by thisnamestoolong · · Score: 1
      Wow -- this post is just full of fail. You really start it off wonderfully with:

      I take it you have no moral objection to stealing CDs from a store because it probably causes them no harm? Hell leave them a $1 and take the CD...as we know CDs and CD cases cost less then $1 - so you are being more then fair.

      Do I really need to debunk this stupid argument again? For real? If I were to steal a CD from a store, I am physically taking something from the store -- there was a CD on the shelf before I got there, there wasn't a CD when I left. Now that CD cannot be sold to anyone. Got it? No such thing happens when a song is pirated online. User A makes a copy of a song, and User B downloads it. User B never took anything away from anyone, and User B was not necessarily going to ever buy the CD anyway. Nothing is stopping User B from going to buy the CD later, and there is certainly nothing stopping User C from downloading it.

      I hear this a lot, and while I am sure someone, out there, buys 104 to 260 cds per year, I feel confident on calling you out on this.

      I hear this a lot, and while I am sure someone, out there, thinks that you are not a fucking moron, I feel confident on calling you out on this.

      Nazi's? It's people like you who diminish what happend during the holocaust and WWII

      No. It is a literary device. Get over it.

      Ah-hah - now we get it. Indie music is better because it is sometimes free? So free makes music sound better. Maybe you are onto something. Let those artists starve.

      Again, no. I still buy a great many CDs, and have recently begun collecting vinyl. I go to shows, and I buy the artists' merchandise. 'Free' has nothing to do with it -- indie labels simply tend to turn out higher quality music for a great many reasons.

      Nice of you to make blanket statements about all artists. Because someone can't possibly enjoy making good music and making a profit. Better that they spend their time doing it for free - because as we know, free music sounds better then paid music.

      Again, you fail miserably at trying to make a coherent point by going back to the straw man you created with you last statement. Major labels are more concerned with profit margins than creating art. If you have not figured this out, and why this is bad for music, then there is not much I can do for you. None of this is to say that musicians should be doing it "for free" -- I want artists to be compensated generously for the works they provide. The art, however, needs to come before the dollar sign if you are going to make a great album. If it is good and people want to hear it, it will sell.

      What happend in the article, in the thread you are commenting on, has nothing to do with your rant. Now run along and go download the latest Mily CD - you know want to put your hands up in the air like yea.

      This has EVERYTHING to do with the thread I am commenting on! It's about copyright laws run amok and how to deal with the issue! I even addressed this at the beginning of my comment! Are you even trying?

      --
      To the haters: You can't win. If you mod me down, I shall become more powerful than you could possibly imagine
    44. Re:Totally, irrevocably, utterly batshit insane by tonique · · Score: 1

      That sounds like Twitter radio.

    45. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      Totally OT, but I just had to say THANK YOU for buying the music you get from indie labels and artists ... in the long run, illegal downloading may not personally hurt a mega-star, but it destroys the careers of independent artists before they even start ... which helps the mega-star since he no longer has to compete.

      Folks who steal music and claim they're doing it to "screw the man" are actually helping big labels by denying money to young artists. Folks like you who make a conscious decision about where they are going to spend their money are the ones who affect real and positive change.

      I'm sure you can tell I have a personal stake in this ... which is why I'm posting as AC ...

    46. Re:Totally, irrevocably, utterly batshit insane by furby076 · · Score: 1

      Do I really need to debunk this stupid argument again? For real? If I were to steal a CD from a store, I am physically taking something from the store -- there was a CD on the shelf before I got there, there wasn't a CD when I left. Now that CD cannot be sold to anyone. Got it? No such thing happens when a song is pirated online. User A makes a copy of a song, and User B downloads it. User B never took anything away from anyone, and User B was not necessarily going to ever buy the CD anyway. Nothing is stopping User B from going to buy the CD later, and there is certainly nothing stopping User C from downloading it.

      You are putting value on physical objects and saying non-physical objects have no value. I disagree. By taking information, without paying for it, you are depriving someone of money to recoup their losses and make a profit. The CD is a copy, many copies can be made...hence the "leave $1 for the cost of the cd/case". Stealing a CD, which is a highly mass-produced physical product will not deny someone of the other CDs of the same album. We are not talking the hope diamond - a unique product. So go on, go to best buy - leave them a dollar for a CD and walk out of the store with the CD. Let's see how far you go. Better yet - go download a ton of songs, and then call the cops letting them know this.

      No. It is a literary device. Get over it.

      A literary device which diminishes the value of some other meaning. Eventually someone will equate what the nazi's did to piracy of music - yea there are people who are dumb like that, unfortunately there are a lot of them.

      Again, no. I still buy a great many CDs, and have recently begun collecting vinyl. I go to shows, and I buy the artists' merchandise. 'Free' has nothing to do with it -- indie labels simply tend to turn out higher quality music for a great many reasons.

      Indie producing better quality is a matter of opinion - so let's leave that there. Someone produced X, if they want you to have X for free it is their choice, not yours. Get over it.

      Again, you fail miserably at trying to make a coherent point by going back to the straw man you created with you last statement. Major labels are more concerned with profit margins than creating art. If you have not figured this out, and why this is bad for music, then there is not much I can do for you. None of this is to say that musicians should be doing it "for free" -- I want artists to be compensated generously for the works they provide. The art, however, needs to come before the dollar sign if you are going to make a great album. If it is good and people want to hear it, it will sell.

      Ohh you used a logical falacy - I love that. First - Artists, are not major labels. Second - you again are making blanket statements about an industry - except now you are focusing on the labels. But I find it interesting you want artists to be compesnated generously for the work they provide but are not willing to pay for it unless it meets some arbitrary standard that you setup. As for the "art, however, needs to come before teh dollar sign" - it does. It may be out there, but I can't recall seeing "pre-order XYZ cd, it hasn't been made yet, the songs haven't been written yet, but you can pay for it now". Also - as time has shown - good or bad, if people want to listen to it then can do so by buying it or getting it for free and lots of people will opt for getting it for free, and as in your case, have no moral objections to it.

      This has EVERYTHING to do with the thread I am commenting on! It's about copyright laws run amok and how to deal with the issue! I even addressed this at the beginning of my comment! Are you even trying?

      Downloading CDs on p2p sites has nothing to do with the article. The article was how copyright ran amok by threatening to sue someone who was singing which was preceeded by a store playing the radio on the loudspeaker... btw since I have to spell it out - these two actions have been around long before the intarweb.

      P.S. For the person(s) who marked me troll because I gave an unpopular opinion. I surf Karma Excellente - so bite me

      --

      I do not support "The Man". I also do not support your irrational stupidity
    47. Re:Totally, irrevocably, utterly batshit insane by Anonymous Coward · · Score: 0

      Err, no. It's applying the concept of government regulation to information.

    48. Re:Totally, irrevocably, utterly batshit insane by cyberthanasis12 · · Score: 1

      This is an example of media control gone nuts. Didn't someone in jest say about 3 years ago that this would happen, somewhere in the world?

      RMS did, but for books not songs.

    49. Re:Totally, irrevocably, utterly batshit insane by nerdup · · Score: 1

      Maybe the relevance is that a prole in Orwell's 1984 has at least one right that people in our modern culture do not.

    50. Re:Totally, irrevocably, utterly batshit insane by Zarf · · Score: 1

      So you see, things aren't that different now.

      ROFL

      640k should be enough for anybody.

      --
      [signature]
    51. Re:Totally, irrevocably, utterly batshit insane by Zarf · · Score: 1

      On the off chance you aren't a troll. Here you go:
      http://www.youtube.com/watch?v=7Q25-S7jzgs

      I plagarized from that video at 4:51

      The supreme court ruled that the ancient doctrine protecting property from the center of the earth into the infinite sky had no place in the modern world. That land owner could *not* charge fees for airplanes to pass over their lands. Similarly in the modern age we live in a world of information where I cannot reasonably expect that if I create a term, word, or idea that I can retain ownership of it.

      The patent is a good thing. Land and property rights are good things. Intellectual property rights are good things. There can be too much of a good thing.

      There must be a reasonable limitation to these rights. Does a comedian have a right to keep you from retelling his joke? It's his intellectual property. He wrote it. If you tell your friends his joke you violate his property.

      I will now affix a term to this post... new and never before seen. The word is: fusboto. Fixed in this medium I now own the term fusboto and shall charge royalties for thinking of the word fusboto.

      Should you quote the term fusboto you are in copyright violation. Nobody may fusboto without written fusboto from fusboto.

      --
      [signature]
    52. Re:Totally, irrevocably, utterly batshit insane by sorak · · Score: 1

      This is an example of media control gone nuts. Didn't someone in jest say about 3 years ago that this would happen, somewhere in the world?

      Yes, but we would have to pay royalties if we quoted them.

  3. What the...... by socceroos · · Score: 1, Flamebait

    Bastards.

    Come on, it has to be said - this capitalism is getting out of hand. People are getting stupid.

    1. Re:What the...... by Kethinov · · Score: 5, Insightful

      Come on, it has to be said - this capitalism is getting out of hand. People are getting stupid.

      Capitalism? Copyright is a form of government regulation on what would otherwise be a free market. It would be more capitalist to abolish copyright.

      (Disclaimer: I do not want to abolish copyright.)

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    2. Re:What the...... by Idiomatick · · Score: 2, Insightful

      Copyright wouldn't exist but hellish drm would. Also you could argue it is capitalism that is making copyright evil. You could argue that copyright exists because money made it happen in a capitalist society. .... .... that's all I got.

    3. Re:What the...... by Atlantis-Rising · · Score: 2, Insightful

      Courts are also a form of government regulation. Without them, you couldn't have contracts. Sounds like fun capitalism to me, not having contracts...

      --
      "It is possible to commit no errors and still lose. That is not a weakness. That is life." -Peak Performance
    4. Re:What the...... by dangitman · · Score: 3, Insightful

      Capitalism? Copyright is a form of government regulation on what would otherwise be a free market. It would be more capitalist to abolish copyright.

      What's not capitalist about it? It's treating ideas and expression as a form of capital. It would be very un-capitalist not to exploit that for gain.

      --
      ... and then they built the supercollider.
    5. Re:What the...... by fabs64 · · Score: 1

      Property rights in general are enforced by the government, how on earth can capitalism exist without people having a right to own capital?

      Intellectual property rights are just an extension of that.

    6. Re:What the...... by Kethinov · · Score: 1

      What's not capitalist about [copyright law]?

      Capitalist markets are free markets. Copyright law interferes with the natural tendencies of the free market, which makes it less capitalist.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    7. Re:What the...... by Kethinov · · Score: 2, Interesting

      Intellectual property rights are just an extension of [physical property rights, which is a requirement of capitalism].

      Intellectual property and physical property are not equivalent and considering the former an extension of the latter confuses the issue. Your physical property rights do not legally bar me from making a copy of your car, should I have the means, only from depriving you of yours.

      In such a fantasy scenario, should we extend copyright law to cover the copying of physical objects in that manner, it would be just as much an interference with the natural tendencies of the free market, and thus less capitalist.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    8. Re:What the...... by Anonymous Coward · · Score: 0

      no - it is anarchist to abolish copyright.

      capitalism has nothing to do with this.

      I think a fair copyright is ok, but what we have is also stupid.

    9. Re:What the...... by Kethinov · · Score: 3, Insightful

      Courts are also a form of government regulation. Without them, you couldn't have contracts. Sounds like fun capitalism to me, not having contracts...

      Not all regulation is created equal. Copyright law and court enforcement of contracts are not equivalent regulations. The former regulation (copyright law) interferes with the natural tendencies of the free market, rendering it less capitalist, while the latter regulation (court enforcement of contracts) does no such interfering.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    10. Re:What the...... by someone1234 · · Score: 1

      How would you DRM singing?
      Armed patrols would shoot you if they catch you humming a tune?

      --
      Patents Drive Free Software as Hurricanes Drive Construction Industry
    11. Re:What the...... by emilper · · Score: 2, Informative

      Copyright and patents existed even in the Communist block, and were enforced, too ... except the state owned most of the "Int.Prop." and a private person could not make much money out of his or her copyrights or "invention brevets" unless they already had a cosy position in the hierarchy of the state, party or one one of the professional guilds.

    12. Re:What the...... by Lemmy+Caution · · Score: 2, Interesting

      They are different yet related, and laws which protect physical property forbid me from borrowing it or, in the case of land, traversing it even when doing so deprives you of nothing. (E.g., if I squat in a building you aren't using, or cross your property to get to the other side, etc.) All property rights are legal fictions enforced by governments.

      Markets are not "natural." They are human creations and activities, as are polities. People have been creating "governments" for longer than they have been participating in markets.

    13. Re:What the...... by rts008 · · Score: 1

      Armed patrols would shoot you if they catch you humming a tune?

      Not yet, anyway.
      What they would like better, is the armed patrols carry a credit card machine and/or root access to your bank account.
      Oh yeah, the armed patrols would be paid on commission...

      It's all about the money.

      --
      Down With Slashdot BETA!!! I've been around the corner and seen the oliphant; you can only abuse me from your perspecti
    14. Re:What the...... by shentino · · Score: 4, Insightful

      Not really much difference between the current system and outright anarchy when people can sue you to death.

      Replace "bastard feudal lord from hell" with "giant corporation", and "peasant" with "individual" and you will find things have really not much changed.

    15. Re:What the...... by Kethinov · · Score: 2, Interesting

      That doesn't really address my argument though. I wasn't arguing that markets are natural, but instead that free markets have natural tendencies. In other words, if we have a market that is a free market, we can expect it to behave in a certain way until it is interfered with by regulation rendering it no longer a free market. The artificiality of markets and laws is not at issue.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    16. Re:What the...... by putaro · · Score: 2, Insightful

      DRM is not a problem if it's not protected by law. There's not a scheme that's been devised yet that cannot be cracked. The problem with DRM is that it is illegal to circumvent it and it has been mandated for some devices. Remove that legal protection and the content providers can add it all they like.

    17. Re:What the...... by Logic+and+Reason · · Score: 1

      Capitalism simply means that the means of production (capital) are privately owned. The issue of copyright is completely orthogonal.

    18. Re:What the...... by bencoder · · Score: 1

      People have been creating "governments" for longer than they have been participating in markets.

      Excuse me? You think hunter-gatherers didn't trade food and supplies between each other? or between different hunter-gatherer societies? That is a market.

    19. Re:What the...... by Znork · · Score: 4, Insightful

      Intellectual property rights are just an extension of that.

      The propaganda purpose of calling it 'property' is exactly to trick people into falling for that fallacy. In reality it is nothing like property, even diametrically opposed in some aspects.

      Property rights do not prevent production of copies, they do not enforce scarcity and they do not interfere with other peoples ownership of their property.

      Intellectual 'property' on the other hand is essentially a time limited taxation right, a monopolistic right that gives someone the governments blessing to tax and control any copies made. It enforces scarcity, and it takes away the right of everyone else to do what they wish with their property, including copying, modifying and displaying it.

    20. Re:What the...... by cfryback · · Score: 2, Funny

      Not really much difference between the current system and outright anarchy when people can sue you to death.

      Replace "bastard feudal lord from hell" with "giant corporation", and "peasant" with "individual" and you will find things have really not much changed.

      I love that quote - so much so I "borrowed" it for my email sig.... WHOM do I send money to? You, or /. or my local ISP?

    21. Re:What the...... by fabs64 · · Score: 1

      I was simply using the generally accepted label, not making a point.

      Property rights give a taxation right in the form of rent, and take away the right of everyone else to use that property as they wish.

      You can argue for or against IP rights as a driver of innovation, but I was just trying to point out that arguing against them from some purism first principles point of view is flawed to begin with.

    22. Re:What the...... by Lemmy+Caution · · Score: 1

      No, not often, not always, and not by default. Yes, occassionally it happened. But hunter-gatherer societies were/are generally economically closed. (Unless you've studied some anthropology, I really suggest you not make general claims about hunter-gatherer societies.)

      Property as we generally know it followed from cultivation.

    23. Re:What the...... by Kethinov · · Score: 1

      Capitalism simply means that the means of production (capital) are privately owned. The issue of copyright is completely orthogonal.

      In this case, one could say that the means of production are the rights to produce a copy of a work and that they are not entirely privately owned since they are highly regulated by copyright.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    24. Re:What the...... by jimicus · · Score: 1

      DRM is not a problem if it's not protected by law. There's not a scheme that's been devised yet that cannot be cracked. The problem with DRM is that it is illegal to circumvent it and it has been mandated for some devices. Remove that legal protection and the content providers can add it all they like.

      No, but blu-ray by design can have cracked keys revoked so any BDs published after a key is known to be cracked can't be played with that key.

      In theory they could have done the same with DVD but that became rather academic pretty quickly as the encryption was so weak as to make bruteforcing it with an ordinary PC perfectly feasible.

    25. Re:What the...... by Znork · · Score: 4, Interesting

      All property rights are legal fictions enforced by governments.

      Real property rights often have some justification even without the legal fiction, and they have reflections in social codes.

      That taking a piece of property deprives someone of that property can be demonstrated even without any law. There's a strong social code against it, even beside the law. Borrowing on the other hand is much less clear-cut which is also reflected in social code, where refusing to lend something may be frowned upon, even while the ownership is clearly established.

      In the case of land there's a wide variation of law; many countries do not have any restriction against crossing someone's land, and more countries seem to be moving towards roaming rights. In some countries you're free to pick all the berries and mushrooms you want on private land; if they want it, they should indicate it through fencing or signs (which is a demonstrable economic gain; unused resources get utilized at no loss to anyone else). Again, a reflection of demonstrable natural situations valid even without the presence of law.

      Intellectual 'property' on the other hand, has no such natural expression. Without the actual law there is no demonstrable harm. In fact, the law itself contradicts natural social rules as it prevents maximization of both freedom and experienced wealth, causing demonstrable harm to everyone who is prevented to perform, copy or display things that would cause nobody else harm.

      Ultimately intellectual 'property' laws are counter productive and damaging to the economy. Without being founded in social codes they have no real justification and ignoring them is never 'wrong', it may even be a moral duty, even if it may be 'illegal'.

    26. Re:What the...... by Necroloth · · Score: 1

      How would you DRM singing? Armed patrols would shoot you if they catch you humming a tune?

      Don't give them ideas!

    27. Re:What the...... by cbope · · Score: 1

      While what you are saying might be true in theory, in the real world it works exactly the opposite. If anything, companies would prefer stronger copyrights (and patents). And I don't think you will find too many companies saying they are both anti-free market or anti-capitalist and want to abolish copyright or patents.

    28. Re:What the...... by BasilBrush · · Score: 1

      Capitalist markets are free markets.

      No, they are different concepts. Indeed capitalism operates in some very un-free markets right now.

    29. Re:What the...... by Anonymous Coward · · Score: 0

      But, its easier to kill a bastard feudal lord from hell than a giant corporation.

    30. Re:What the...... by Kethinov · · Score: 1

      While what you are saying might be true in theory, in the real world it works exactly the opposite. If anything, companies would prefer stronger copyrights (and patents). And I don't think you will find too many companies saying they are both anti-free market or anti-capitalist and want to abolish copyright or patents.

      To say that stronger copyrights isn't anti-free market is to be ignorant of what a free market actually is. So while you may be right that there are those out there who make such statements, their ignorance does not change the definition of the term.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    31. Re:What the...... by Kethinov · · Score: 1

      Yes, I'm simplifying it a bit. But as I wrote to another poster above, the concepts are strongly associated. We generally call economies with capitalist features but not entirely free markets mixed economies. The OP distinctly singled out capitalism, so it is logically sound for me to assume s/he meant the free markets, laissez faire kind of capitalism.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    32. Re:What the...... by damburger · · Score: 3, Insightful

      No *true* Scotsman would enforce copyrights...

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    33. Re:What the...... by damburger · · Score: 1

      How did that theory work out for banking? Markets do not exist until someone creates them by force, because humans are not by default as simplistic creatures as economics demands

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    34. Re:What the...... by Jedi+Alec · · Score: 1

      Excuse me? You think hunter-gatherers didn't trade food and supplies between each other? or between different hunter-gatherer societies? That is a market.

      Way before that one of the apes in the pack already hit the rest over the head to assert dominance, and then made decisions for the entire group.

      May not have been very democratic, but at least he got all the girls.

      --

      People replying to my sig annoy me. That's why I change it all the time.
    35. Re:What the...... by blahplusplus · · Score: 1

      "Capitalism? Copyright is a form of government regulation on what would otherwise be a free market. It "

      Wrong the whole justification for coypright is private property (i.e. intellectual property), which is capitalisms raison d'être.

      Copyright is just another form of intellectual proeprty rights, which is just another form of private property. Capitalism all the way through there.

    36. Re:What the...... by JAlexoi · · Score: 1

      OMG. Another brainwashed idiot.
      Why do you equate capitalism to free market? There are a lot of capitalistic countries/societies/industries where there is no free market.
      And since we classify IP as part of capital(see definition for reference), it would not be, in any way, capitalistic to abolish copyright.

    37. Re:What the...... by drinkypoo · · Score: 2, Interesting

      and it takes away the right of everyone else to do what they wish with their property, including copying, modifying and displaying it.

      False, copyright is a distribution license, you can make derivative works all day long but you can't distribute them without permission. You have a legal right under First Sale law to modify and resell things you purchase and copyright law only requires that you transfer all copies at the same time. You are ostensibly free to purchase an album, remix it and sell it, so long as you include the original album with every remixed copy, without even gaining permission. I don't know that anyone has ever tried, though. Of course, this is all as applies to US law, but it's the vision of law we push across the globe. Certainly every nation we "liberate" is forced into it, and you won't get any vaccinations from the Gates foundation without providing at least strong IP protection to pharmaceuticals.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    38. Re:What the...... by Anonymous Coward · · Score: 0

      Yes, I'm simplifying it a bit.

      No, you're a bit simple.

    39. Re:What the...... by Artifakt · · Score: 4, Interesting

      Right now, one of the political parties in my country has taken the position that we can spend literally trillions of dollars on wars on multiple fronts, tens of billions more on a war against drugs, more on keeping a tremendous fraction of its population in prison, AND THAT DOING THIS WHILE REDUCING THE SIZE OF GOVERNMENT TO A TRIVIAL FRACTION IS POSSIBLE.
          The other major party just might be addressing these problems a little, and they generally don't advocate actually reducing the government to a tiny fraction of what's needed, but they agree with the first party that they can keep up these programs WHILE EVENTUALLY AVOIDING ANY MORE DEFICIT SPENDING.
            Neither is a sane, healthy position, even though one is obviously a full blown delusional psychosis and the other might marginally qualify as just a case of being neurotic enough to only function at a modest percentage of potential, if things stay routine and the stress doesn't get too bad.
            It's called cognitive dissonance. A news channel simultaneously says they're the most popular source in the world, AND their viewers are a small, persecuted minority. Businesses say they want free markets but need special government protections for their business models.
            That's why I dislike it when people say "in the real world" about these things. If that much of the real world really believes such self contradictory ideas, that doesn't somehow magically make them sustainable. It just means 'the real world' is headed for chaos.

      --
      Who is John Cabal?
    40. Re:What the...... by xtracto · · Score: 1

      It would be interesting to dig deeper in that respect.

      The fact that corruption inside a Communist society leads to

      a private person could not make much money out of his or her copyrights or "invention brevets" unless they already had a cosy position in the hierarchy of the state, party or one one of the professional guilds

      Is alarmingly* similar to the current capitalistic practices:

      a private person can not make much money out of his or her copyrights or "invention brevets" unless they already have a cosy position in the hierarchy of the MAFIAA, party or one one of the professional guilds

      *How would you use "scary" hear? is scarily the correct adverb?

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    41. Re:What the...... by sumdumass · · Score: 1

      Courts are also a form of government regulation. Without them, you couldn't have enforceable contracts. Sounds like fun capitalism to me, not having enforceable contracts...

      There, fixed that for you. Before courts enforced contracts, retaliation at the point of a weapon or being railed out of town was the solutions. Since courts started deciding contracts, the court can do the heavy lifting. But contracts have been around a lot longer then courts- if only on a verbal scale.

    42. Re:What the...... by xtracto · · Score: 1

      *How would you use "scary" hear? is scarily the correct adverb?

      make that "here"...

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    43. Re:What the...... by kars · · Score: 1

      A carefully installed zipper?

      --
      Take life easy: one bit at a time.
    44. Re:What the...... by sumdumass · · Score: 1

      Intellectual property and physical property are not equivalent and considering the former an extension of the latter confuses the issue. Your physical property rights do not legally bar me from making a copy of your car, should I have the means, only from depriving you of yours.

      Actually, physical property ownership rights do legally bar you from making a copy of my car. In order to do so, you would have to tear my car apart and take measurements and so one which my physical property rights can prohibit. Now you can get the information from somewhere else, you can also purchase pre-made parts and so on, but then it wouldn't be a copy of my car, it would be a copy of a model of car I own.

      Suppose no one else makes the car or the parts for my car. Suppose I made it from scratch as a concept, I can stop you from doing what would be necessary to make the copy of my car by simply exerting physical property rights.

    45. Re:What the...... by Anonymous Coward · · Score: 0

      What are you smoking? Capitalism is not the only form of free market. The obsession with property and extending it's scope is capitalist. Why should your collected dead labour make you more money.

    46. Re:What the...... by dangitman · · Score: 1

      Capitalist markets are free markets.

      Free markets are a different concept to capitalism. Now, would you say that contract law makes a society less capitalist? Because that also interferes in the free market.

      --
      ... and then they built the supercollider.
    47. Re:What the...... by pdabbadabba · · Score: 1

      Good point. Although most contract law scholars will tell you that if there were no transaction costs there would be no need for contract law. Contract law exists to make up for the fact that some bargains would be too costly to reach in the real world. (See Coase's Theorem)

      But still, as you say, it certainly interferes in the free market in some sense - although it only does this to allow it to operate more efficiently so the point might be a little misleading.

    48. Re:What the...... by pdabbadabba · · Score: 1

      If we're being technical, property is just anything that you have certain legal rights to do with as you please.

      In this country (the US), for example, you do not have a fundamental right to an education. Rather you have a property right in an education. In this case this means just that you cannot be deprived of your education without due process.

      So, you see, "property" is really quite an elusive concept. It's true, of course, that the right to exclude is a hallmark of private property. But what isn't true is that the only purpose of private property is to promote the efficient allocation of scarce resources. (Though this is it's most common use). Any public policy goal will do. If we think that our society will not produce enough ideas of a certain sort, then we might just as legitimately create property interests in those to give people an incentive to be creative in the ways we want. Of course, we want to be correct about the utility of the rights we create, but there is nothing in the word "property" that dictates what are acceptable and what are unacceptable public policy goals to be furthered by their creation.

      Property rights are just rights in something created by the government to further some public policy goal. This can be to ensure students can't be expelled without due process; to ensure that people don't have to turn to economically inefficient self help to protect their interests (by building fences, etc.); to encourage people to be more thoughtful stewards of resources; or, yes, to encourage the production of new ideas among many other uses.

    49. Re:What the...... by Anonymous Coward · · Score: 0

      If you're lumping trademark law in with "intellectual property", you're 100% completely wrong.

      Even if you're not, you're still an idiot.

    50. Re:What the...... by Anonymous Coward · · Score: 0

      There is no such thing as a free market. The consumer is the bottom of the food chain and cannot complete with large companies buying legislation through legalized payola, often referred to as lobbying. There are only a tiny number of companies that are controlling their entire market segment, such as telcos, ISPs, movie, music, pharma, oil. When companies use govt to control what the public does and can do, you have capitalism run amok. The corps own the land and the proles are their fuel.

    51. Re:What the...... by ae1294 · · Score: 1

      But, its easier to kill a bastard feudal lord from hell than a giant corporation.

      Not if you have enough explosives and a few good men with sniper rifles...

    52. Re:What the...... by ae1294 · · Score: 1

      Capitalist markets are free markets.

      No, they are different concepts. Indeed capitalism operates in some very un-free markets right now.

      Does it really mater? We honestly don't have a "free market" nor a "Capitalist Market".

    53. Re:What the...... by thisnamestoolong · · Score: 1

      Agreed. In a truly capitalistic society, there would be no copyright. Not that pure capitalism is at all of a good idea, but the right answer is rarely ever black and white. I would not want to abolish copyright totally, per say, but it ought to be slashed back to a mere shadow of what it is now. 10 year limit, max, with severe limitations on enforcement. The DMCA needs to be completely eliminated, there is no reason for "piracy" to be illegal, nor is it conscionable to illegalize DRM circumvention -- if I bought it, I should own it. Most importantly, plaintiffs should be required to PROVE actual harm in cases such as this one -- and need to be slapped down hard for making frivolous claims.

      --
      To the haters: You can't win. If you mod me down, I shall become more powerful than you could possibly imagine
    54. Re:What the...... by gabebear · · Score: 1

      DRM would fail in a truly free market because all producers can do is revoke keys. First, when a bluray key for a player becomes known, they can revoke that key, but that also disables all the legit players with that key. A second bigger problem for bluray and other HD DRM is the weak link of HDCP. HDCP keys are trivial to acquire from devices, so their is no way to revoke enough keys to stop the pirates.

      DRM would be practically worthless in a truly free market. Key revoking is really only used as a threat, it can't really be invoked; at least not to an extant that would actually stop pirates. Pirates who would no longer be pirates, but just sellers with clearly superior versions of the same product.

    55. Re:What the...... by MobyDisk · · Score: 0

      The term "capitalism" does not mean "no government regulation"

      Don't confuse capitalism as a more general term with specific variants such as Laissez-faire capitalism or anarcho-capitalism.

    56. Re:What the...... by Anonymous Coward · · Score: 0

      You're a fucking moron.

    57. Re:What the...... by schon · · Score: 1

      Sweet Zombie Jesus - are you really that stupid, or are you trolling?

      False

      If it's false, why do you claim it's true?

      Let's see here:

      copyright is a distribution license, you can make derivative works all day long but you can't distribute them without permission.

      And what if you *want* to distribute them without permission?

      Doesn't that mean you can't do what you want?

      As soon as conditions are placed on something, it's no longer "what you want".

    58. Re:What the...... by Attila+Dimedici · · Score: 4, Insightful

      Replace "bastard feudal lord from hell" with "giant corporation", and "peasant" with "individual" and you will find things have really not much changed.

      You really haven't read much history have you? Take a look at what feudal society was like and then try and tell me with a straight face that there is not much difference between what we have today and the feudal system.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    59. Re:What the...... by Cro+Magnon · · Score: 1

      You really haven't read much history have you? Take a look at what feudal society was like and then try and tell me with a straight face that there is not much difference between what we have today and the feudal system.

      Well, my memory of history is faded by now, but I'm pretty sure it was a bunch of rich lords, barons, and similar types, controlling all the poor peasants, who had no power whatsoever.

      Just how DID it differ from modern times?

      --
      Slow down, cowboy! It has been 4 hours since you last posted. You must wait another few hours.
    60. Re:What the...... by drinkypoo · · Score: 1

      You can't do everything and anything you want with the material. So what? There's lots of media out there provided under other terms. If you object to the idea wholesale that's OK, but intellectual property is a real concept, if not a real thing (and it is a shitty name.) Trade secrets, for example. We've created additional, artificial classes of intellectual property to address perceived needs; I would argue that all of them are legitimate but that the ideas and implementations have been abused, but that's separate from this conversation. I was simply stating that there's only one right you lack, the right of redistribution. You can effectively do anything else you want with the material.

      I am sympathetic to the idea that all artificial intellectual property should be abolished, save perhaps for trademarks; they both confuse and avoid confusion, but I can't imagine doing without them while I can imagine doing without copyrights or patents. I don't believe that copyright is preventing innovation, or even hindering it. Retooling what someone else has done can be creative, but it's not innovative. It's piggybacking off their cachet. I'm reminded of the recent (ongoing?) flap about the Obama/Joker image. If the picture is so easy to get, you take it.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    61. Re:What the...... by catbertscousin · · Score: 2, Funny

      Nobody back then was subjected to the Spice Girls. Luxury...

      --
      No good deed goes unpunished. - Avon, Blake's 7
    62. Re:What the...... by kevinNCSU · · Score: 1

      Well for one, your comparing the ability of record companies to take you to a court judged by your peers to sue you for copyright abuse with the ability of the feudal lord to come to your hovel and fuck your fiance on your kitchen table (if your lucky enough to have one) before you get married. I know everyone likes to be all dramatic and scream that their being raped by the record companies but it's a bit different in the physical sense.

    63. Re:What the...... by ChrisMaple · · Score: 1

      Courts are also a form of government regulation. Without them, you couldn't have contracts.

      There are several falacies in your statement. You assume that courts are necessarily part of government. You assume that contracts require an official government organization to help enforce them. You assume that there has to be some mechanism to enforce contracts so that contracts can exist. (Granted, contracts would not have a lot of value without an enforcement mechanism, but that would not prevent their existence.)

      --
      Contribute to civilization: ari.aynrand.org/donate
    64. Re:What the...... by Attila+Dimedici · · Score: 1

      Well, my memory of history is faded by now, but I'm pretty sure it was a bunch of rich lords, barons, and similar types, controlling all the poor peasants, who had no power whatsoever.

      Just how DID it differ from modern times?

      Well, as far as I know, in the U.S. at least the representative of a corporation can't just show up at your house and kill you because you looked at him wrong. While when the feudal system was in place that did indeed happen.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    65. Re:What the...... by nomadic · · Score: 1

      Armed patrols would shoot you if they catch you humming a tune?

      Only in libertarianland.

    66. Re:What the...... by Z34107 · · Score: 1

      Scarily is the correct adverb - "it's scarily similar" - although "frighteningly" might be more common.

      You could also hear "it's scary similar," although that's slang.

      --
      DATABASE WOW WOW
    67. Re:What the...... by schon · · Score: 1

      Funny how you can take two very long paragraphs to try to avoid admitting you're wrong when you could have just said "you're right, I was completely wrong."

      Copyright prohibits people from doing with their own property what they wish. It doesn't matter how you try to spin it, you were wrong. Try to man up and admit it next time.

    68. Re:What the...... by tmosley · · Score: 1

      The only thing evil about it is the force applied by the government in its enforcement. In a free market, there would be no such force, and thus no evil.

      Also, you can't argue that capitalism leads fascism. Fascism is the polar opposite of capitalism. It's like saying by going north you are going south. It just doesn't make any sense. ANY form of government interference in the market, save for the prevention of force being applied unlawfully, is fascism.

      DRM would NOT exist, because after a while, companies would realize that their stupid DRM is destroying their business, and would drop it. Even in our fascist economic system, DRM is slowly losing ground.

    69. Re:What the...... by tmosley · · Score: 1

      You should understand that corporations couldn't exist without governments, which produce an artificial shield from liability for shareholders. If the shareholders themselves were vulnerable, people would be FAR more careful about who they invested with, as investing in a company that dumps toxic waste or that throws about frivolous lawsuits (think SCO) would soon find themselves served with papers requiring them to pay up for damages caused by the company they owned. In addition, even good natured companies wouldn't be able to grow to the giant proportions that they do now, as there would be no regulations imposing disproportionate burdens on new businesses entering the market. WIth no competition other than the already well established companies that formed prior to the institution of those regulations (why do you think there haven't been any major car companies founded in the last 50+ years?--safety regulations are expensive to comply with for a startup company).

      In a non-fascist system, companies would mostly be ethical and small. Those few that grew large would do so because they have impeccable reputations, they pay their workers better than anyone else (thus retaining high quality workers), they sell their goods cheaper than anyone else (due to their higher efficiency), which are higher quality than most (due to having the most skilled workforce). This is how Ford worked when it was established. Why isn't it like that anymore? Regulations have strangled all new competition out of the marketplace, save for foreign companies that form in less highly regulated environments.

      Sorry for the rant, but most people have a hard time with that. That is why most people are either democrats or republicans. Neither of those groups really understand the implications of government, or understand where the power of governments lay (the barrel of a gun).

    70. Re:What the...... by shutdown+-p+now · · Score: 1

      Capitalism? Copyright is a form of government regulation on what would otherwise be a free market.

      You aren't going far enough. Any kind of private property is a form of government regulation. The only truly "free market" is the one where your property is that which you have the power to take and keep. The only "natural tendency" is to coerce others to surrender as much of their property as possible to yourself, by any means available (including brute force).

      Everything beyond that is government regulation. At which point we can debate about just how much of it do we actually need.

    71. Re:What the...... by shutdown+-p+now · · Score: 1

      Copyright law interferes with the natural tendencies of the free market

      It must be very convenient to be able to somehow define the "natural tendencies of the free market", and then dismiss anything that doesn't fit your list as non-free.

      Pray tell, so what are the natural tendencies of the free market, and, more importantly, how do you know that it's indeed what they are? Did you make some kind of experiment on a truly free market to find them out? If so, where the said truly free market was located?

    72. Re:What the...... by Taevin · · Score: 1

      So, in your mind, what happens when someone copies a song is the following: the encoded music file is run through a decoder, the output of which is analyzed by a tone processor to produce sheet music which is then provided to a band/orchestra with all parts filled and all members exhibiting the same level of skill as the original performer. This new replica music group performs the song and their output is recorded onto a new medium which is engineered and mastered before finally being transcoded down into a new portable media file format. All this happens as opposed to me just reading a stream of 1s and 0s and writing them down in a new location in the exact same order?

      If you're going to make a car analogy, at least make one that exists in the same level of consciousness. A more appropriate comparison of copying "intellectual property" to copying a car would be obtaining a machine that could make an exact molecular duplicate of your vehicle (e.g. a Star Trek style replicator). Your car is scanned with no damage done to it, and the machine produces a perfect duplicate. This is exactly what happens on my computer. The original file is opened and the contents are copied into a new file somewhere else. The file has not been torn apart or damaged in any way, nor would anyone ever even know that the file had been copied without examining the filesystem journal.

    73. Re:What the...... by shutdown+-p+now · · Score: 1

      Intellectual 'property' on the other hand, has no such natural expression.

      The concept of "author's moral rights" may not be as old as the concept of "this woman is Ugg's", but it is fairly old by our measure - at least several centuries of well-documented existence, and quite possibly more than that. Copyright is a logical extension of said moral rights (which is indeed the basis for copyright in most European countries, as opposed to the notion of social contract - "for progress of science and arts" - in the U.S. interpretation).

      Ultimately intellectual 'property' laws are counter productive and damaging to the economy.

      In light of the above, I suggest that this is the only actual point that is worth debating. Everything else - about some artificial constructs established by human society being somehow more "natural" than other artificial constructs - is unsubstantiated, extremely subjective, and ultimately mostly irrelevant anyway.

      Now, as to the assertion itself - one could argue that it's not the concept of intellectual property itself that is damaging, but rather the existing implementation of it; and ultimately, it's possible to arrive at a different implementation that would serve the economy (and society at large - it's more than just economy) better than both what we currently have, and what we'd have without copyright at all. If it is possible (and there's no reason to believe that it is not), then shouldn't we rather seek to find that sweet spot?

      Significantly reduced copyright terms are often mentioned in that context, and are probably a good start. If we go for "social contract" interpretation, then blanket prohibition on any DRM that can outlive the copyright term would also make sense.

    74. Re:What the...... by shutdown+-p+now · · Score: 1

      Retooling what someone else has done can be creative, but it's not innovative.

      Given that our entire culture is, in the end, always built on "what someone else has done", are you effectively arguing that it's just not innovative, period?

    75. Re:What the...... by IndigoDarkwolf · · Score: 1

      In the end, capitalism is not the problem, nor is DRM. In fact, I don't see a problem here, except for these old business models that are on their way to extinction, but are grasping at straws in the hopes of staying alive. What's going to happen in a free market economy is that these models are going to go away. They're going to go away because cheaper, higher-quality alternatives exist. I hope many slashdotters have figured this out.

      There might be a problem with the movers and shakers behind these old models colluding to overthrow the free market economy. That's just another form of dictatorship, which is not a free market or capitalism. Hopefully governments side with the free market that best benefit the citizens, but if the media moguls manage to buy out our senators and representatives, that isn't representative democracy or capitalism - that's corruption.

      This is where I'd like to say that it would help to involve yourself in the government, write your representatives, etc., but I live in the United States. My "representatives" aren't listening to me these days.

    76. Re:What the...... by tmosley · · Score: 1

      To call property rights legal fictions misses the source of rights. If you come and take all my property in an environment where there is no government, what do you think I am going to do to you? I will enforce my NATURAL right to property by hitting you repeatedly over the head with whatever happens to be handy. Similar things will happen no matter who you do them to. Basic law is an extension of natural law, and attempts to prevent bloodshed by recognizing natural laws, codifying them, and enforcing them with overwhelming force.

      To call markets unnatural is the same as calling nature herself unnatural. Nature is an energy based economy, as are human economies (those things which we trade represent investments of energy, except that we have used the power of our minds to make it into something more useful. Markets existed long before the first amphibian poked it's head above water, and will continue to exist until the sun scorches the life out of the last surviving bacterium on the surface of the Earth.

    77. Re:What the...... by GauteL · · Score: 1

      "(E.g., if I squat in a building you aren't using, or cross your property to get to the other side, etc.)"

      You most definitely are depriving me of something if you are doing either of those things.

      First, houses experience wear and tear and need periodic maintenance and refurbishment to remain usable. Every house is unused at some point or another, either when I am away on holiday or a period before I manage to sell a house. If you squat in the house, you are reducing the value of my house and in real practical terms it almost always causes real complications trying to sell the house.

      Second. Crossing a property may seem completely harmless to you, but it may be an invasion of privacy and if enough people do it, it can cause real wear and tear on your property. It may also ruin crops, upset animals and cause people real problems.

    78. Re:What the...... by Anonymous+Cowpat · · Score: 1

      for 'your peers' read 'bunch of random people who you don't know who've had a sticker saying 'your peer' hastily stuck onto them'. Your peers used to actually mean that - people who you actually knew and who knew you.

      --
      FGD 135
    79. Re:What the...... by femtobyte · · Score: 1

      The history of markets shows that a strong "natural tendency" of free markets is the rise of a wealthier controlling class who find it within their interests and capabilities to distort the market to serve their own ends. The "free, unregulated" market is inherently unstable, and guaranteed to devolve into an oligopoly in the service of a small elite.

    80. Re:What the...... by sumdumass · · Score: 1

      So, in your mind, what happens when someone copies a song is the following: the encoded music file is run through a decoder, the output of which is analyzed by a tone processor to produce sheet music which is then provided to a band/orchestra with all parts filled and all members exhibiting the same level of skill as the original performer. This new replica music group performs the song and their output is recorded onto a new medium which is engineered and mastered before finally being transcoded down into a new portable media file format. All this happens as opposed to me just reading a stream of 1s and 0s and writing them down in a new location in the exact same order?

      Of course not. I'm not even sure why you would even suggest that unless your ignorant about how digital media works.

      If you're going to make a car analogy, at least make one that exists in the same level of consciousness. A more appropriate comparison of copying "intellectual property" to copying a car would be obtaining a machine that could make an exact molecular duplicate of your vehicle (e.g. a Star Trek style replicator). Your car is scanned with no damage done to it, and the machine produces a perfect duplicate. This is exactly what happens on my computer. The original file is opened and the contents are copied into a new file somewhere else. The file has not been torn apart or damaged in any way, nor would anyone ever even know that the file had been copied without examining the filesystem journal.

      Actually, I didn't make a car analogy, I was pointing to the flaws in the parents car analogy.

      And even with the Star Trek style replicator, I can physically stop you from scanning my car with my physical property rights because I can control your access to it. I can park it in a seal garage that blocks your scanner and I can create an electrical field that disrupts your scanner when I'm not under the protection of the garage. This bodes equally well for a digital song or something. You can copy ones you have access to but my physical property rights allows me to prevent you from having access to mine. Suppose there is a unique identifier in the file to mark who the file was given to originally, my physical property rights allows me to prevent you from accessing my file regardless of how digital it is or how easy you think making a copy could be. You can make a copy of your own or someone else' but not mine unless you break or violate the natural extension to my physical property rights.

      The car analogy just falls flat on it's face as well as your attempt to refute my refuting of it.

    81. Re:What the...... by sumdumass · · Score: 1

      I think your confusing the term free with only politically regulated. It's not the same as in your example, "who find it within their interests and capabilities to distort the market", the distortion renders it non-free as regulation (albeit illegitimate) has entered the scene.

      Please keep in mind, a free market is only a free market as long as "all participant" act in good faith. Regulation to keep participants acting in good faith is not necessarily a bad thing because it would never effect the market if all participants were acting in good faith. What becomes a problem with regulation is when it favors someone in particular, places arbitrary restrictions on trade without good cause, or somehow defines what's not in good faith in such a limited way that it allows what otherwise would be considered not in good faith to happen. That's the difference between good and bad regulation and there is a hell of a lot of bad regulation out there- legitimate or not.

    82. Re:What the...... by kevinNCSU · · Score: 1

      Used to mean that when and where? Not in the United States. The constitution specifically mentions an impartial jury from the same state or district. While people who "knew of" the person might end up on the jury in early history I suppose, it is more likely this is due to the small size of communities than any expressed right. Anyone who knew the defendant or accuser well would be at issue with the constitution on grounds of impartiality.

      If anything it has become more like "trail by peers" as we have moved forward in history. Jurors used to be routinely dismissed due to race and social status. Now most courts have adopted strategies that ensure jury pools more accurate reflect the makeup of the community.

    83. Re:What the...... by WiiVault · · Score: 1

      Perhaps the OP overstreached the anology, but this is clearly their intent. To make us their servants.

    84. Re:What the...... by WiiVault · · Score: 1

      Sheeeeesh! Don't interupt the parent he is obviously asleep at the wheel.

    85. Re:What the...... by Taevin · · Score: 1

      Of course not. I'm not even sure why you would even suggest that unless your ignorant about how digital media works.

      Really? You deliberately ignore Kethinov's meaning when he said "making a copy of your car, should I have the means" and you're surprised when someone shoves it back in your face?

      my physical property rights allows me to prevent you from accessing my file regardless of how digital it is or how easy you think making a copy could be.

      Quite right; of course if I never had access to the file in the first place, I couldn't have made a copy of it. If I had access to it, I'm not violating your property rights by looking at it since you have given me access. Furthermore, copying it does not violate your property rights since I have not altered your file in any way, nor have I deprived you of your property by taking it away from you. What I have done is violate your copyright, assuming you own the copyrights on that file. Please note that copyright does not equal property right.

      I'm not sure why you're so fixated on "your" property and people violating that property. No one is talking about hacking into your computer or assaulting your home to make a copy of some silly file. We're just trying to get you to understand that physical property rights by definition cannot apply to something that is not physical: information. Maybe you get the warm fuzzies from knowing that your car is different from my car even though they are the exact same make and model because yours has a speck of dirt somewhere, but it doesn't apply to information. If you download a song you purchased from somewhere that has a bit pattern of 11011...11101 and I instead "pirate" it, it still has that same bit pattern of 11011...11101. I have not violated anyone's property rights simply because I'm now in possession of that bit pattern. At worst I've violated the copyrights of the artist of that song.

      The car analogy just falls flat on it's face as well as your attempt to refute my refuting of it.

      Of course. You're likely to see any argument or analogy as having fallen flat on its face if you just stick your fingers in your ears and yell "na na na, I'm not listening!"

    86. Re:What the...... by Znork · · Score: 1

      The concept of "author's moral rights" may not be as old as the concept

      The claim of authors morals right certainly has a few centuries on it's neck, but the age of a claim does not make it a valid concept. As a claim of loss or denial of use cannot be demonstrated without resorting to legal constructs, there simply is no moral property right.

      I suggest that this is the only actual point that is worth debating.

      I'd certainly agree. But to reach the point where that debate can be held, it may often be necessary to rule out the concept of intellectual 'property' being in any way similar to physical property. As long as people think about it as 'property' it's very hard to have a rational discussion aimed at reforming the system.

      it's not the concept of intellectual property itself that is damaging, but rather the existing implementation of it

      Yes and no. The concept of creating economic rewards for creativity beyond what the free market would give isn't in itself damaging (that's merely reallocation of wealth and prioritization). Implementing it as monopoly rights is (as monopoly rights result in dead-weight loss, prevention of combined and refined works, etc).

      Ultimately it's not hard to find better systems; the efficiency even disregarding the monopoly losses is atrocious even compared to the average government scheme.

      Significantly reduced copyright terms are often mentioned in that context, and are probably a good start.

      Perhaps. Personally I favour simply recognizing it as a taxation method, calling it 'intellectual levy' and implementing it as a straight percentage (say, 50-70%) off any sales going to the author. Let authors opt in over a transition period (either you can be stuck in your crap contracts and keep your 10% off sales, or you can let anyone copy in exchange for 70% of any revenue derived from that copying). At that point it becomes much simpler to have productive discussions and to research efficiencies; is 70% best, more, less? Should the revenue max out and get redistributed towards the long tail? Should revenue shares last 5, 10, years, what creates most incentive?

      But fundamentally, once it's recognized as simply yet another form of economic redistribution with specific socioeconomic goals it's much easier to carry on a rational debate. Calling it property fundamentally precludes that, which was pretty much the whole purpose of doing just that.

    87. Re:What the...... by femtobyte · · Score: 1

      This just goes to show that the "free market" is a uselessly naive concept. If one could rely on "good faith" from the participants, then we wouldn't need any type of markets at all; everyone would just get along by freely sharing with others, and perhaps unicorns would bring us free lunches on rainbows. However, any viable system needs to address the fact that many of the participants will be greedy, amoral bastards. The "free market" system rewards and elevates those most successful at gaming the system for their own ends, allowing them to accumulate ever more wealth, hence influence over the system. You can't rely on "good regulation" to promote "good faith" actions in a system that empowers those who successfully act in bad faith to subvert regulation with a strong destructive feedback loop of more money -> more influence over the markets -> greater ability to distort markets and regulation -> more money. That feedback loop has to be broken somewhere (by, for example, relying more on democracy rather than "market forces" representing the will of a wealthy minority for deciding fundamental economic issues).

    88. Re:What the...... by sumdumass · · Score: 1

      Really? You deliberately ignore Kethinov's meaning when he said "making a copy of your car, should I have the means" and you're surprised when someone shoves it back in your face?

      You didn't shove anything back into anyone's face. You took an overly complex approach to something with absolutely no merit in favor of some hypothetical comparison that still falls flat on it's face. Face it, the car analogy is dead and dead wrong.

      Quite right; of course if I never had access to the file in the first place, I couldn't have made a copy of it. If I had access to it, I'm not violating your property rights by looking at it since you have given me access. Furthermore, copying it does not violate your property rights since I have not altered your file in any way, nor have I deprived you of your property by taking it away from you. What I have done is violate your copyright, assuming you own the copyrights on that file. Please note that copyright does not equal property right.

      I agree until the point where the law grants me additional rights to the file. Had copyright not did that and you signed a NDA as a condition to view the file, then I would still have rights you couldn't reconcile away. And while I agree that copyright does not equal property right, they both do equal legal rights and in that same sense, they are extensions to the same principle.

      I'm not sure why you're so fixated on "your" property and people violating that property. No one is talking about hacking into your computer or assaulting your home to make a copy of some silly file. We're just trying to get you to understand that physical property rights by definition cannot apply to something that is not physical: information.

      I'm not fixated on anything. The op said your car, as in my car, your file as in my file and when talking about my property, my physical property rights allow it to be stopped. If he would have said a car as in any car he could get his hands on or a file as in any file he could get his hands on, then it would be entirely different. He didn't so his analogy fails dramatically.

      Maybe you get the warm fuzzies from knowing that your car is different from my car even though they are the exact same make and model because yours has a speck of dirt somewhere, but it doesn't apply to information.

      You hit the nail on the head right there without even realizing it. I can tell by the way you got side tracked. Your means mine when someone says to me, I'm taking your car. Well, no you are not, because I have rights and the right to control who takes my car anywhere is one of them. The same is true when it's a copyrighted file on my computer, it's mine- not yours, and I don't care if you can get one like it, your not getting mine unless I willingly give it to you. It's preposterous to think you can go around violating the law and stealing shit to begin with, let alone attempt to claim any specific person can be targeted at it.

      If you download a song you purchased from somewhere that has a bit pattern of 11011...11101 and I instead "pirate" it, it still has that same bit pattern of 11011...11101. I have not violated anyone's property rights simply because I'm now in possession of that bit pattern. At worst I've violated the copyrights of the artist of that song.

      Um, that's not what Your means. When you say yours, you mean mine which infers a lot more then going out and pirating a file somewhere else. But back to the example I gave, if the two bit patterns are identical and they use a unique identifier to identify who they gave the file to, then by definition my rights have been violated by either you taking something from me or selling me a fake and representing it as real. And if the existence of multiple copies causes a kill switch to shit the file down or make it unplayable

    89. Re:What the...... by jimicus · · Score: 1

      DRM would fail in a truly free market because all producers can do is revoke keys. First, when a bluray key for a player becomes known, they can revoke that key, but that also disables all the legit players with that key.

      Of which, IIRC, there will be only one.

    90. Re:What the...... by BasilBrush · · Score: 1

      "What matters" is an extremely subjective question. If it didn't matter to me, I wouldn't have posted the correction. I neither know nor care whether it matters to you.

    91. Re:What the...... by ae1294 · · Score: 1

      "What matters" is an extremely subjective question. If it didn't matter to me, I wouldn't have posted the correction. I neither know nor care whether it matters to you.

      Fair enough...

    92. Re:What the...... by Hatta · · Score: 1

      From Wikipedia

      Droit de seigneur (French pronunciation: [dwa d() soe], "the lord's right", same as latin "Jus primae noctis") is a term now popularly used to describe an alleged legal right allowing the lord of an estate to take the virginity of the estate's virgins. Little or no historical evidence has been unearthed from the Middle Ages to support the idea that it ever actually existed.

      Really the relationship between the rich and the poor now is pretty much the same as it always has been. The difference is one of degree, not substance.

      --
      Give me Classic Slashdot or give me death!
    93. Re:What the...... by gabebear · · Score: 1

      All the easier to crack... if we only need to find one key this becomes trivial. The key to decode any DRM is in the hardware or software of the product somewhere... with $10K 40000X scanning electron microscopes, it's just a matter of time before any important key is found. http://www.wired.com/science/discoveries/multimedia/2008/03/gallery_nanotech?slide=7&slideView=9

      If any company could legally take a found key and produce hardware/software for it, then DRM becomes futile.

    94. Re:What the...... by sumdumass · · Score: 1

      This just goes to show that the "free market" is a uselessly naive concept. If one could rely on "good faith" from the participants, then we wouldn't need any type of markets at all; everyone would just get along by freely sharing with others, and perhaps unicorns would bring us free lunches on rainbows.

      Nonsense, what this shows is your utter lack of comprehension and understand of a market in general. Good faith does not mean you will just share whatever your have. How you ever got that Idea is beyond me. Good faith means that you will not go into a deal with the intent of screwing someone over. This has nothing to do with everyone getting along and everything to do with you delivering what you sold or getting what you purchased with no misrepresentations of the materials or tricks to inflate the price or deprive others from participating.

      However, any viable system needs to address the fact that many of the participants will be greedy, amoral bastards. The "free market" system rewards and elevates those most successful at gaming the system for their own ends, allowing them to accumulate ever more wealth, hence influence over the system.

      I'm certain that you don't have a clue now. Accumulation of wealth does not give someone influence over a system. It may give them an advantage but not influence. As for being amoral, what part of my post did you not understand?

      You can't rely on "good regulation" to promote "good faith" actions in a system that empowers those who successfully act in bad faith to subvert regulation with a strong destructive feedback loop of more money -> more influence over the markets -> greater ability to distort markets and regulation -> more money. That feedback loop has to be broken somewhere (by, for example, relying more on democracy rather than "market forces" representing the will of a wealthy minority for deciding fundamental economic issues).

      Yea, I'm convinced your an ignorant fuck spouting bullshit that you have absolutely no clue of other then what you were told by some liar. Go do some research before you attempt to comment and play with the intelligent people.

    95. Re:What the...... by damburger · · Score: 1

      What you fail to take into account is history: prior to government regulation of business and corporate personhood there was an immense amount of inequality, and businesses profited by treating people like shit. The western world was full of workplaces like those you find now in places like Congo and rural China.

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    96. Re:What the...... by damburger · · Score: 1

      A contract that is enforced with weapons is called a 'threat'. Whoever has the biggest weapons gets to interpret such a contract however he wants. This is why anarcho-capitalism is basically 'whoever has the most guns wins'

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    97. Re:What the...... by damburger · · Score: 1

      You call those things fallacies but you don't show why. They are not fallacies just because they are inconvenient for your ideology

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    98. Re:What the...... by damburger · · Score: 1

      Sloppy reasoning.

      1. Appeals to 'nature', even in all caps, are horseshit. Aside from the fact everything physical is natural by default, even if you meant 'how humans used to be' then you are talking about living in caves aren't you? Houses and processed food certainly aren't 'natural' under your presumed definition.

      2. What is defined as property in capitalist legal codes is not the same as what you defend by killing someone - that is territory. Defending something by force depends on your capacity and willingness to use force, whilst legally enshrined property allows a fat old landlord to have land defended from people younger and stronger than him.

      3. Markets are natural (seeing as they exist) but they are a human psychological construct. If you think they have any physical existence outside human minds you would have to find their position, mass, velocity etc. The movement of energy through physical systems is not an economy - unlike economics, thermodynamics requires you learn some proper maths.

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    99. Re:What the...... by jimicus · · Score: 1

      Maybe I should have made that clearer.

      IIRC, the bluray specs mandate that each individual player has its own license key which is unique to that player. In other words, if they revoke one key they have bricked the grand total of one player.

    100. Re:What the...... by sumdumass · · Score: 1

      Right, except that contracts have been around long before guns, probably to the point where sticks and stones were the weapons of choice.

    101. Re:What the...... by tmosley · · Score: 1

      Actually, you have a false impression of history. Prior to those businesses "treating people like shit", they were starving to death in the countryside, or serving sadistic feudal lords. People went to work for those "evil capitalists" because it promised a better life. And the fact is that we all live better now because of it.

      Places like the Congo and Rural China still have people being "exploited" because they don't yet produce enough material goods to give their workers a better quality of life, or their governments purposefully oppress their people by stealing their money and killing them, in the case of Congo, and artificially depressing the value of their currency, in the case of China (through printing of money, which is another form of theft).

      For a more detailed explination, you might read this chapter of Human Action by Ludwig von Mises.

    102. Re:What the...... by Kethinov · · Score: 1

      Pray tell, so what are the natural tendencies of the free market, and, more importantly, how do you know that it's indeed what they are?

      The definition of a free market is a market without economic intervention and regulation by government except to regulate against force or fraud. A government backed monopoly is the precise opposite of this.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    103. Re:What the...... by Kethinov · · Score: 1

      Sorry, but you are mistaken. My car analogy does hold water, however I will concede that a car analogy is trite. :)

      Let's try this instead. Suppose you are in a public park and have a basketball. If I could aim a device at your basketball and magically produce a copy of it in my very hands in a split second, that would not be a violation of your property rights. Your basketball never left your possession and you do not have a copyright on your basketball because no such law exists.

      Now we could argue that if you had private, personal data somehow contained within your basketball that it could be in violation of some kind of privacy law, if any such thing exists on the books. But even if so, if it's just an ordinary household object already in wide public consumption, such as a basketball, a car, or a popular song, then there is no hypothetical privacy law violated.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    104. Re:What the...... by Kethinov · · Score: 1

      Wrong the whole justification for coypright is private property (i.e. intellectual property), which is capitalisms raison d'être.

      Copyright is just another form of intellectual proeprty rights, which is just another form of private property. Capitalism all the way through there.

      You're mistaken. The justification of copyright (at least in the US) is to promote the progress of useful science and art. That reasoning was used to create government regulation which takes the means of production out of the hands of the people who without such regulation could (re)produce freely and places it (legally) into the hands of a single rights holder.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    105. Re:What the...... by Kethinov · · Score: 1

      Why do you equate capitalism to free market?

      Because the concepts are closely associated and are often considered synonymous in the contexts of certain discussions. I am aware of the nuances conveyed by the two different terms, but I don't generally consider those nuances relevant here. I'm using the terms in the context of capitalism generally favoring free markets which is opposite from socialism which favors highly regulated markets. Based on this reasoning, since copyright law is regulation which interferes with the natural tendency of the free market, I can conclude that it would be more capitalist to abolish copyright law. Call it an oversimplification if you like, maybe it is. I will certainly concede that it is more accurate to say that it would be more pro-free market to abolish copyright law. But I am riding on the assumption that the OP was referring to the laissez faire form of capitalism.

      And since we classify IP as part of capital(see definition for reference), it would not be, in any way, capitalistic to abolish copyright.

      Abolishing copyright would not magically render works covered by it no longer capital, it would just radically alter the pricing by eliminating the legal monopoly associated with it. Based on the reasoning stated above, this would be more capitalist because it would allow the free market to determine prices rather than a government regulation which leans in a more socialist direction.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    106. Re:What the...... by Kethinov · · Score: 1

      I suspect the OP was referring to the laissez faire kind, which is what I was responding to. The degree to which a market is a free market and the degree to which its corresponding economy is capitalist is often considered synonymous, largely because more regulated capitalist economies are considered to be less capitalist and more mixed. Mixed economies also have fewer free markets. This justifies the shorthand. I think this is the same reason people say Linux rather than GNU/Linux: sometimes, a certain degree of precision is uselessly verbose. ;)

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    107. Re:What the...... by Kethinov · · Score: 1

      You aren't going far enough. Any kind of private property is a form of government regulation. The only truly "free market" is the one where your property is that which you have the power to take and keep. The only "natural tendency" is to coerce others to surrender as much of their property as possible to yourself, by any means available (including brute force).

      You're mistaken. The term free market is defined as a market without economic intervention and regulation by government except to regulate against force or fraud. It also presupposes the right to private property.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    108. Re:What the...... by gabebear · · Score: 1

      I'm pretty sure you are mistaken. Each model of playback device has a unique decryption key, but the individual devices of the same type use the same decryption key in both the AACS and BD+ schemes.

      AnyDVD HD plays/cracks everything currently out. The only difficult part is properly emulating the weird virtual machine that BD+ uses.

    109. Re:What the...... by sumdumass · · Score: 1

      But what you do not seem to be understanding is that my physical property rights can still prevent you from pointing the replicator at my basketball in the first place. I can create an electronic shield that prevents it from being copied or simply not take the ball to where you can copy it.

      So while you might be able to unobtrusively copy something, it doesn't mean that you actually can or that I lose all rights so you can.

      As for something already in the public, well, then you would be copying someone else' property and not mine. You might have something similar or exactly the same but it isn't mine and you still had to get permission somewhere to copy it. This permission would come in the form of getting the device whatever it is, to a place in which you could copy it. That could be by you purchasing it yourself or by someone who has allowing access to it. So again, even though it's easy for you to copy it, it doesn't mean you can or that you have the right to do so with only physical property rights being involved.

    110. Re:What the...... by Kethinov · · Score: 1

      You're certainly correct of course that should I break countermeasures to produce a copy that I'd be violating your property rights, but the violation is breaking and entering, not the act of producing the copy. This is a perfect demonstration of my original point, which is that intellectual property and physical property are not equivalent.

      Should we extend copyright to physical objects, my copying of your basketball (presupposing no breaking and entering) is a violation of the copyright's holder's exclusive rights, as your copy is merely an authorized copy from the copyright holder. I would be violating his or her rights, not yours. However, if I deprive you of your copy, then I am violating your property rights. Thus the difference.

      The analogous situation in the real world is if I am given authorized access to your Star Wars DVD or iPod full of Pink Floyd and then copy all the data and return the objects to you, I've committed no violations against you; what I've violated is the copyrights on the Star Wars film and the Pink Floyd music, which you do not possess.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    111. Re:What the...... by kevinNCSU · · Score: 1

      *sigh* Yes, my over the top example of how much life sucked back then doesn't have sound historical basis. But how you get from that to claiming everything of "substance" (however the hell you define that) is exactly the same now as it was then is mind boggling. How about Serfdom? You truly claim that this often forced inherited bondage in all aspects of ones lives is exactly the way it is today in all forms of "substance" just differing slightly by degree?

      The only way I see your argument of the relationship between rich and poor being pretty much the same as it always has been making sense is if by relationship you mean the rich have money and the poor have significantly less.

    112. Re:What the...... by tmosley · · Score: 1

      1. Natural Rights are real. Any society that denies that ends in chaos. Just like any car company that employs engineers that don't believe in the laws of thermodynamics is going to wind up in bankruptcy. It has nothing to do with "nature", but has everything to do with human action. I would suggest you learn about rights before you go apeshit at people over the use of the word "natural", which has been used in this capacity since the days of Hobbes.

      2. Rights come from the predilection of humans to use force in certain circumstances. The ability to apply force does not imply rights. The lack of force does not imply that the right has vanished. A fat old landlord may not be able o defend his property against the Marxist guerillas coming to take the fruits of his labor, but that does not mean that his right to his property has vanished, it is simply being violated, and the likely response that they will get is a hail of gunfire, or other retribution, whether it is from him, or from members of his family that observe his natural rights being violated, or even from a stranger who knows unfairness when he sees it. To say that a person does not have a right to property is to invalidate civilization.

      3. Markets are anywhere that any form of voluntary exchange happens, whether it is a vendor exchanging fruit for disks of metal, or a fish attracting prey to a sea anemone in exchange for a safe haven. In human economies, the markets are the sum total of voluntary exchanges that occur between people, which gives the most powerful measure of humanity, in terms of needs and values. Any attempt to bypass the market, such as fixing prices of goods or wages, distorts those values, and pushes humans to act in nonsensical or evil ways. For example, the Federal Reserves lowering of interest rates in the early 2000's led to a plethora of 0% interest credit cards. People saw those, and realized that they could use that money to make money by investing their earnings and living off of the credit...until the Federal Reserve decided to raise rates, reducing employment, choking wages, and reducing the amount of credit available, such that many people got stuck with high credit card balances. In a free market, those interest rates never would have gotten so low as to encourage such behavior, unless there was simply a huge overabundance of savings and productivity.

      Like most Marxists, you seem to have difficulty understanding the concept of rights and you don't understand how economies work or grow. Perhaps if you read this you will gain a better understanding. Perhaps you'll also see that we do NOT have a free market system in this country, and haven't had one for almost a hundred years.

  4. It's sad... by Anonymous Coward · · Score: 0

    It's sad, really, that it's come to this: the music people (no longer limited to the RIAA) are willing to sue anyone who comes close to their music. They're vastly overcompensating for lost revenues. Even if their concern for the loss is valid, they've shown no restraint or consideration for their actual customers. Now, being excited about music is no longer a good thing if you don't pay for the privilege.

    What's next? Suing people who use band or song names in different contexts? Man, Mick Jagger is going to get even richer when proverbists spout out "A [word omitted for fear of legal reprisal] stone gathers no moss."

    One can only hope that this doesn't spread to other industries in this manner.

    1. Re:It's sad... by laughingcoyote · · Score: 5, Insightful

      It already has. It's called rent seeking, and there's no shortage of examples. Certainly, overzealous copyright enforcement, patent trolling, and the like are examples we commonly see here, but they're by no means the only ones. Look at the ISPs that have crushed proposed municipal wifi plans before they could even get started, by bribing^Wencouraging lawmakers to pass laws against it the moment it was proposed. Another example is the desire of ISPs to charge for "all you can eat" plans while then throttling what you can actually do with them. That's the same type of behavior we're seeing here.

      There are plenty of examples outside the tech sector as well. We had an article a few days ago about predatory student loan practices, and that's been studied quite a bit already. Telecom/cable companies' frequent monopoly/duopoly structure in most areas. The inability to become certified in many areas without a college degree even if you can prove your competence (benefitting, of course, colleges). The list goes on and on.

      I'm not honestly sure that's not a consequence of trying to apply capitalism to a resource (information) which is naturally not scarce, and can only be made so through draconian rules and enforcement. With computers, it's not difficult at all to perfectly and quickly replicate most types of information, there's no real scarcity of it at all, only artificial, legally enforced scarcity. If I were in the business of selling nothing dressed up as something, and the only way people paid me was when they were forced to, I guess I might be tempted to overuse force too.

      --
      To fight the war on terror, stop being afraid.
    2. Re:It's sad... by Chrisq · · Score: 5, Funny

      They're vastly overcompensating for lost revenues.

      Too right, how many people would say "I was going to buy that music but now I can just go and listen to the guy stacking shelves in the grocery store to sing it instead"?

    3. Re:It's sad... by saisuman · · Score: 1

      Well, what about: "OMG that sounds hideous. I'm _never_ going to buy that track." :-)

    4. Re:It's sad... by Tim+C · · Score: 1

      With computers, it's not difficult at all to perfectly and quickly replicate most types of information, there's no real scarcity of it at all, only artificial, legally enforced scarcity.

      The problem that a lot of people seem to forget is that while reproduction of information is essentially free, the initial creation is not - at least not of high quality information (though in many cases "high quality" is of course a very subjective term).

    5. Re:It's sad... by pcfixup4ua · · Score: 0

      And this behavior will get worse as the amount of total wealth in the economy begins to shrink.

    6. Re:It's sad... by Anonymous Coward · · Score: 0

      And that indeed may be an issue we need to resolve. Even the writers of the Constitution recognized the issue, but were careful to specify that the system must be beneficial to art and science as a whole.

      The trouble is, the current system isn't working all that well, and it's debatable whether it's a net benefit to the fields of art and science at all. When you've got both those the system is supposed to "protect", and those it's supposed to "protect" them from, complaining about the system and ignoring it on a large scale, that's a good indicator that it's broken and we need something better.

  5. Silver lining? by T+Murphy · · Score: 4, Funny

    As much as I think this kind of enforcement is ridiculous, before we try to get rid of it we should try to put it to good use: someone needs to get the scientologists to start singing top hits as part of their 'religion'. That would create a (lawyer) fight I would pay to watch.

    1. Re:Silver lining? by Anonymous Coward · · Score: 5, Funny

      when you're happy and you know it, xenu hates you.
      when you're happy and you know it, xenu hates you.
      when you're happy and you know it, and you really want to show it, xenu hates you.

      In all fairness, I should probably be forced to pay people royalties to people who hear my lyrics...

    2. Re:Silver lining? by rts008 · · Score: 1

      If Jack Thompson could get in on that, you would have a three ring circus!

      More fun than a barrel of monkeys.

      --
      Down With Slashdot BETA!!! I've been around the corner and seen the oliphant; you can only abuse me from your perspecti
    3. Re:Silver lining? by putaro · · Score: 1

      Sign me up too!

    4. Re:Silver lining? by Xenographic · · Score: 1

      It's a nice idea and all, but their lawyers would probably discover how much they have in common, quit fighting, and team up against the rest of us...

    5. Re:Silver lining? by Anonymous Coward · · Score: 0

      Did you ever know that you're my Xenu?
      You're the Xenu I wish I could be!
      I can fly higher than an Eagle.
      But You are the Xenu beneath my wings.

    6. Re:Silver lining? by DynaSoar · · Score: 1

      when you're happy and you know it, xenu hates you.

      when you're happy and you know it, xenu hates you.

      when you're happy and you know it, and you really want to show it, xenu hates you.

      In all fairness, I should probably be forced to pay people royalties to people who hear my lyrics...

      Be more fair than that. Make them unable to stop hearing your lyrics.

      We're cheerful, have good diction,
      and make accurate prediction.
      But we're not science fiction,
      the Hubbard Family.

      Poor little clam (snap, snap)
      stuck in a jam (snap, snap)
      a hydrogen bomb
      on top you and your mom
      Xenu did cram (snap, snap)

      If, like us, you knew you,
      then you would let us do you.
      If not, then we'll just sue you
      into Sci-en-to-lo-gy (snap, snap).

      --
      "I may be synthetic, but I'm not stupid." -- Bishop 341-B
    7. Re:Silver lining? by Anonymous Coward · · Score: 0

      In all fairness, I should probably be forced to pay damages to people who hear my lyrics...

      There, fixed that for you.

    8. Re:Silver lining? by Ralph+Spoilsport · · Score: 1

      Xenu hates everyone because he's a DOUCHEBAG.

      --
      Shoes for Industry. Shoes for the Dead.
    9. Re:Silver lining? by clone53421 · · Score: 1

      Sigh... it's funny, but it would be funnier if it was a copyrighted song.

      (Who knows... maybe it is, but it's been around so long that I doubt it. Somebody can verify this, though; I'm not going to be bothered to do so.)

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
  6. Easy solution to all this stupidity by Anonymous Coward · · Score: 2, Funny

    It'd all work itself out if everytime someone exerted their copyright, the person they're exterting it against had a chance to go to court. And if the copyright holder fails, no more copyright. It instantly becomes public domain. The fact they can lose it would stop alot of this crap..

    1. Re:Easy solution to all this stupidity by mea37 · · Score: 1

      Great! Let's apply this idea to all rights, too! After all, it's not like copyright is the only law that's used to harass people.

      So, if you sue someone for damaging your car, and you can't prove they damaged your car, you lose your car. Sure, maybe they just got lucky, or had a good lawyer, but if you didn't know you could win, why were you suing?

      Big company pollutes your city's water supply? Well, don't sue unless you have iron-clad proof, because if you lose you'll no longer have a right to safe drinking water.

      "Punish the loser" schemes are useless; they serve only to give even more leverage in the legal system to those who can afford the best lawyer. Start thinking about cases where a copyright is held by an individual rather than a media holding company, and you'll hopefully recognize that they are just as harmful in copyright as in any other area of law.

    2. Re:Easy solution to all this stupidity by clone53421 · · Score: 1

      The reason this wouldn't work is because copyrights have such idiotic and broad scope that this was a violation of the copyright. No court wants to permit lawsuits over singing while you work even if it is a violation of the copyright, but if it was either that or take away the copyright they'd be forced to uphold and enforce the copyright.

      You perform copyrighted works in public, you are legally required to pay royalties. If you have a movie night for your friends, it is a private showing, but if you tack fliers to bulletin boards and let anyone in it's a public showing and you have to get permission from the copyright holder. Anyone can walk into a grocery store, so playing copyrighted music over the PA system constitutes a public performance and you're violating the copyright.

      As I said, enforcing these laws to this asinine level is idiotic, but if they were enforced as written these things would be violations.

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
  7. Hoax by DNS-and-BIND · · Score: 3, Interesting

    This has all the marks of a hoax. Even if it's not, still, consider the current media climate in which journalists don't check sources but simply reprint crap that other newspapers cover. Try it yourself...fax in a "press release" to the newspaper and then watch it appear in print the next day, unverified. I used to do that when I worked at a government office, and I was just shocked that nobody ever called my phone number to check. How many hoaxes has the press reported this year, so far?

    --
    Shutting down free speech with violence isn't fighting fascism. It IS fascism!
    1. Re:Hoax by Anonymous Coward · · Score: 2, Insightful

      The best way to get them to START verifying their facts then would be to treat the times they fall for hoaxes as if it's true. And let them realize they should verify info before it destroys their reputation.

      As far as I'm concerned, The PRS's apology was more like an unofficial "I'm sorry, I didn't realize we can't get away with that just yet."

    2. Re:Hoax by TheTurtlesMoves · · Score: 4, Insightful

      Everyone knows that news outlets are 95% of time totally correct. The other 5% of the time, its stuff I know about.

      Honestly even smart scientists note just how bad they are at covering anything even remotely technical that they know about. And yet assume every other story in that very paper/web site is 100% correct.

      --
      The Grey Goo disaster happened 3 billion years ago. This rock is covered in self replicating machines!
    3. Re:Hoax by Estragib · · Score: 1

      One would think the PRS were quick to demand a retraction then, especially considering the UK's oft-cited harsh libel laws, wouldn't one?

    4. Re:Hoax by Anonymous Coward · · Score: 0

      The village store where Mrs Burt works was contacted by the PRS earlier this year to warn them that a licence was needed to play a radio within earshot of customers.

      How were they contacted? PRS should have a record of this, and likely a record of any subsequent contact.

    5. Re:Hoax by Guignol · · Score: 1

      Well I certainly hope there wasn't alot of them, that would be alittle troubling

    6. Re:Hoax by BasilBrush · · Score: 4, Informative

      If you think it's a hoax, you probably don't know the PRS. The PRS pay their royalty collectors on commission. They have no interest at all in whether the target of their attentions are morally or legally required to purchase a license. They want to sell one to them regardless. This is just the latest of many such news stories of some of the ridiculous extremes their operatives have tried to extort money from people.

    7. Re:Hoax by totally+bogus+dude · · Score: 1

      The ABC's Hungry Beast put out a fake press release for their first episode which a lot of news outlets fell for, although I did read a comment someone made on their site (link) about the realities of the newsroom and how fluff pieces don't receive thorough investigation, and don't merit it.

      Media Watch also covered Hungry Beast's fictional Levitt Institute. The funniest part was that their press released actually included a paragraph stating that the results of the survey were made up ("These results were completely made up to be fictitious material through a process of modified truth and credibility nodes.").

      A more recent episode of Media Watch talked about a fake art piece called The Rape Tunnel. This was run by Gawker, and then the next day they published an admission that it was a hoax, and the original creator of the hoax (Artlurker) also admitted it. Five days later, News Limited picked it up and run the story as if it was factual.

      In both cases, they're not all that interesting pieces and arguably don't deserve much scrutiny - they're basically just fluff pieces. But on the other hand, neither of these was particularly well-disguised. The fake Levitt Institute report could've been outed simply by reading the entire report. If someone at News Ltd had done even the simplest of searches or checked the originating websites they would've seen the article was a fake, seeing how it had been announced as such nearly a week prior.

      It seems for these kind of thing, the news outlets are no better than that acquaintance with your email address that forwards you everything they receive in the email without checking if it's real, or even applying some basic common sense before forwarding it. I bet that if they receive something from someone they believe to be a government worker, they wouldn't do any kind of verification whatsoever.

      In a way I don't really care; at the same time, I often see Big Media execs mouthing off about how bloggers are useless and publish unverified stories and can't be trusted, so it does irk me a bit to see that even "real" news agencies don't do basic fact-checking before publishing.

    8. Re:Hoax by definate · · Score: 4, Insightful

      I doubt this is a hoax. This happens quite a lot in Australia, but it doesn't usually get quite so much publicity, and it usually happens to night clubs, pubs, private halls, radio stations and similar.

      The regulatory body over here which primarially deals with this is called the Australasian Performing Right Association (APRA), basically if you want to perform a copy righted work, you need to obtain licensing.

      For instance I work for a small organization which uses some of it's land for small private concerts, of a maximum of 20 people, generally playing classical works, though occasionally other stuff. Under Australian law we had to obtain licensing through APRA for us to be able to hold these private events.

      A friend of the family used to work for them and although they believed in what they were doing (They saw it as standing up for the rights of the artists against profiteering companies), they did have stories on how some businesses couldn't/wouldn't pay the licensing fees, so they monitored the events closely and pursed legal action. Though in most cases the businesses just give up. Though they did have stories of how they omnipotently gave the licensing, regardless of the businesses right to pay, for the good of the people. Both of which made me sick.

      Anyhow, I took this person to task on the topic one night and suffice to say we're not family friends with them anymore.

      I think it's for the best.

      --
      This is my footer. There are many like it, but this one is mine.
    9. Re:Hoax by Anonymous Coward · · Score: 0

      Isn't it funny how a reporter covering a story for an hour doesn't somehow gain the same insight and knowledge into a specialized field an expert gets through thirty years of study.

    10. Re:Hoax by zstlaw · · Score: 4, Informative

      I am a musician. I have had placed I play threatened with legal action because the club hadn't paid ASCAP & BMI to allow them a performing license to allow me to play original music in that venue. And despite me not being represented by BMI I have the "right" to opt in at a later time so they are "entitled" to collect money until I decide to do so. You can opt out of Sound Exchange but BMI and ASCAP are organizations that act on our behalf whether or not we would like.

      The whole situation where all musicians are assumed to opt in and then must jump through hoops to get payments is a joke. As a small musician I am not showing up on the radio charts and since I have been in a dozen bands it would be a pain to collect checks for under a dollar for each group. It is not like the clubs report that I am playing there and that the set is all originals and that the BMI should not collect any fees from them that day. So the associations collect their fees and then figure that some major artist was being played because they base their calculations off of radio play.

      It is also annoying as it makes it impossible to may a truly free college or internet radio station. Even if I only played my own tunes I would have to pay a fee to do so and then register to get it back minus administrative overhead.

    11. Re:Hoax by Anonymous Coward · · Score: 0

      What are you - some sort of conspiracy theory nut? Everyone knows that if it's reported in the news, then it must be true.

    12. Re:Hoax by TheReal_sabret00the · · Score: 1

      I think it's more likely the case of PRS guy buys dirty magazine. Wife finds dirty magazine. PRS guy is banned from sex for a month. PRS guy decides to take it out on the shop that sold him said dirty magazine.

    13. Re:Hoax by Anonymous Coward · · Score: 0

      I live in the UK and run a small business with a radio in the warehouse for the 4-5 bodies there. We were recently contacted by the PRS and threatened with legal action unless we pay them a a £550 licence fee. We refused. Based on my experience dealing with these assholes I do not find this story unbelievable.

    14. Re:Hoax by CowboyBob500 · · Score: 4, Interesting

      This is so true. I'm also a musician who enjoys writing and performing my own material. I have no real desire to become huge, I just enjoy what I do and hope that I give enjoyment to others. The problem is that the venues for me to play at my level are becoming fewer and fewer. The PRS effectively insists that all venues pay to join their organisation any live music is performed there. I know they deny this on their site, and that technically it is possible for venues to allow music by non-PRS members, but the guilty until proved innocent model makes it almost impossible for them to opt-out of the system.

      The way they work is that if a pub puts on bands and the pub is not a member of the PRS, they have to prove that no cover versions of PRS artists were played. This means that a pub owner effectively has to know every song ever registered with a publishing company in order to police this and legally opt out of the system. They can, and will, be asked to provide set-lists in their defence. So what do they do, they stop putting on live music as its too much hassle. What's even worse is that say a band covers one of my songs, then the PRS will collect royalties on my behalf whether I want them to or not. You cannot opt out as a musician either (so those of you who blame greedy musicians for this situation as well, please think again)

      Not only are the record companies killing recorded music, the PRS and their ilk are killing live music.

    15. Re:Hoax by hedwards · · Score: 1

      It's not a hoax, it really happened. However this is old news, the PRS has already apologized for the demands and promised not to try to collect on the royalties.

    16. Re:Hoax by whosyourslashdotdad · · Score: 1

      I think the club not paying ASCAP/BMI may have other nights where they have cover bands or a DJ though. Generally ASCAP/BMI doesn't trust them to be honest about their revenues (from my experience with club owners it's rightfully so). They could decline to pay if they never played licensed music, but if they ever do then they owe a portion of their revenues.

    17. Re:Hoax by LordLimecat · · Score: 1

      Im not clear on how this would work-- they take you to court and explain you are legally obligated to pay them....how? Would you even need a lawyer for that case?

      Why cant you just ignore them? Just because they claim they have legal recourse doesnt make it true.

    18. Re:Hoax by Attila+Dimedici · · Score: 1

      Im not clear on how this would work-- they take you to court and explain you are legally obligated to pay them....how? Would you even need a lawyer for that case? Why cant you just ignore them? Just because they claim they have legal recourse doesnt make it true.

      The reason you can't just ignore them is that they likely will take you to court and yes, you will need a lawyer. However, they would have to present evidence that at least one of the musicians played a song that needed a license from them. Unfortunately, if they could provide evidence of even one song, they could force you to pay as if all the songs played had to be licensed from them. The way the law is written, they get to collect the performance royalties for all performed music (whether the copyright owner is a member or not). The logic for this law is to prevent individuals from not joining and then suing venues for not having tracked them down and paying them.
      The way this law was enforced when it was first passed, it made sense. If you were a venue that had live acts, you only had to make one contact to get the license for all of the songs being performed. If you were a venue where all of the acts only played their own original music, you didn't have to bother. Somewhere along the line it was discovered that some of the acts at the latter type of place occasionally played covers of other bands works. At that point, ASCAP/BMI realized that they could make a lot more money by harassing these people with essentially no down side to doing so.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    19. Re:Hoax by Anonymous Coward · · Score: 0

      Not only are the record companies killing recorded music, the PRS and their ilk are killing live music.

      And there was much rejoicing by people who try so hard to avoid bad coffee shop bands, and wandering mariachis in Mexican restaurants.

    20. Re:Hoax by CowboyBob500 · · Score: 1

      I know you're trolling, but you do realise that every single one your favourite bands started in small venues don't you?

    21. Re:Hoax by FiloEleven · · Score: 1

      You're giving the AC too much credit. Probably raised on The Backstreet Boys and N'Sync.

    22. Re:Hoax by houghi · · Score: 1

      Everyone knows that news outlets are 95% of time totally correct. The other 5% of the time, its stuff I know about.

      I once asked a internet magazine in Belgium why they would print all the wrong information. Their asnwer was that the people who knew the right answers would not read it and people who don't would not mind.
      They also 'tested' speed to and from providers while they had only one single account they recieved for free from a provider.

      Strangely enough that provider was always the fastest. What they did was just a ping to the providers website. Uncompetent!

      The hardware tests they did were basicaly copy and paste from the press releases.

      A newspaper I once contacted to pint out that the story they published was untrue was answerd by 'we can not release the source of our information'.

      In all honesty that same newspaper interviewed me once. They re-read the interview, did the changes I requested and almost verbatim placed it in their newspaper. The trick with talking to journmalists is that you must know what you want to say and then say it as if you were talking to a 6 year old. Short centences. Not using the word 'no' also helps.

      Just say what you want. I did not ignore the question, but looked at it not as something I needed to answer, but rather take the subject and comment on that subject.

      --
      Don't fight for your country, if your country does not fight for you.
    23. Re:Hoax by WiiVault · · Score: 1

      Cheers mate. A friendship broken is a loss, but a friendship with someone who thinks actions like this are good and just is worthless. If only the people of the world would accept these folks as the scum they are. If Australia is anything like the US we idolize these shits, despite them taking every opportunity to fuck us.

    24. Re:Hoax by WiiVault · · Score: 1

      Well if it is any solace, atleast you are with the people. I've been one to rant about greedy artists, they certainly exist along side greedy bankers and greedy rug cleaners. But I also know that most people in the industry are good people who want a fair equitable relationship. I do however blame us all for letting this groups like the RIAA and the PRS take control of the scene. It really destorys the enjoyment of music and cinema in such a fundimental way.

    25. Re:Hoax by kthejoker · · Score: 1

      It's called the Gell-Mann Amnesia effect.

    26. Re:Hoax by clone53421 · · Score: 1

      Hell, it doesn't even have to be a halfway legit-sounding press release. Send them the fake Stella stories or a scare PR on dihydrogen monoxide. Ten to one if it looks halfway legit (presentation, not content) it gets published, even if its content is complete BS...

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
  8. What did you expect? by 0123456 · · Score: 4, Insightful

    This is a logical extension of current lunatic copyright laws: the IP Barons want a cut every time anyone, anywhere, performs a song they claim to 'own'. The next step will be to require everyone to wear brain-scanners so that they can charge us every time we 'play' a song inside our heads from memory.

    The whole concept of Imaginary Property leads directly to this kind of stupidity, because the very idea of being able to 'own' something which has no physical existence is quite simply insane.

    1. Re:What did you expect? by __aatgod8309 · · Score: 1

      You say that like humanity has demonstrated much in the way of sanity lately... (Sure, there may be the occasional sane person, but as a group people have seldom been known for their firm grasp on reality)

      And don't think the rights-holders won't try brain scanners, especially if they can manipulate the public into accepting it as a fair and reasonable way to enable them to protect their monopolies.

    2. Re:What did you expect? by Anonymous Coward · · Score: 0

      (Sure, there may be the occasional sane person,

      Pics or it didn't happen.

    3. Re:What did you expect? by Anonymous Coward · · Score: 0

      Normal property isn't much better.

      I'm of course talking about Proudhon definition of property, not just plain old stuff like your toothbrush, but property as in capital that generates capital.

    4. Re:What did you expect? by WiiVault · · Score: 1

      I totally agree. Hoever their aim was not to be sane, but to make as many (choose currency) as they can off the backs of their musicans and the public. Insanity is only insane if it doesn't increase profits. The sad thing is in my country (US), we trust the corporations more than our own civic organization, created by real people, not PR departments.

    5. Re:What did you expect? by Anonymous Coward · · Score: 0

      Actually he's dyslexic and meant to type Sean.

      Sane people, though? LOL, good joke.

    6. Re:What did you expect? by gormanbud · · Score: 1

      Help me a song keeps playing over and over inside my head. The cash register keeps ringing up money every time the song starts over. I am broke.

  9. Yeah, but remember people by Korbeau · · Score: 4, Funny

    She's an old f'*k that sings, hence disturbing my personal belief of finding my true love while grocery-shopping.

    In the fuits section.

    While testing melons.

    Juicy... melons ... garrrr ...

    1. Re:Yeah, but remember people by Anonymous Coward · · Score: 0

      If you're looking for a section for fruits with juicy melons, I'm sure we can one over at adultfriendfinder.com.

    2. Re:Yeah, but remember people by Anonymous Coward · · Score: 0

      Is verbs a new meme?

    3. Re:Yeah, but remember people by dkleinsc · · Score: 1

      Guy in store: Nice melons
      Peter: Hey, watch it!
      Lois: Peter, I'm holding melons
      Guy in store: And those hooters aren't bad either
      Peter: Grrr!
      Lois: Peter, I'm holding hooters.

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    4. Re:Yeah, but remember people by Anonymous Coward · · Score: 0

      Only if you it accidentally.

    5. Re:Yeah, but remember people by magus_melchior · · Score: 1

      Sergeant? Is that you?

      Watch out for the pineapple and pointed sticks, guv.

      --
      "We are Microsoft. You shall be assimilated. Competition is futile."
    6. Re:Yeah, but remember people by clone53421 · · Score: 1

      No but I'm pretty sure "I think you just a word" is.

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
    7. Re:Yeah, but remember people by clone53421 · · Score: 1

      Correction, I should have specified that it's an old meme.

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
  10. I disagree... by Anachragnome · · Score: 1, Redundant

    "We have entered an era where music is no longer an art for all to enjoy"

    It is if you make it yourself.

    Use an acoustic instrument and its "Green" too.

    1. Re:I disagree... by tepples · · Score: 2, Informative

      "We have entered an era where music is no longer an art for all to enjoy"

      It is if you make it yourself.

      But she did sing by herself and got threatened by PRS.

  11. Brainwashing by El_Muerte_TDS · · Score: 4, Insightful

    I guess it is time to sue the music industry for putting songs in our head.

    1. Re:Brainwashing by Sockatume · · Score: 1

      It's not a music industry group. It's a "society" which shakes down performers on behalf of songwriters. The music publisher actually pays the PRS too, who hand the cash over to the musician who wrote the song in the first place.

      --
      No kidding!!! What do you say at this point?
    2. Re:Brainwashing by CheshireCatCO · · Score: 2, Interesting

      Whoa, whoa. You have songs in your head?

      Did you pay the licensing fee for them? Lawyers are on their way to you now.

    3. Re:Brainwashing by Anonymous Coward · · Score: 0

      The money in music is driving me mad
      They're not making music but money instead
      And now this music is bugging my head
      Can't we all awake so they can drop dead!?

  12. Pay Royalties Society by Anonymous Coward · · Score: 0

    A pround member of the MAFIAA family I suppose...

  13. America! (in a palin voice) by Anonymous Coward · · Score: 0

    There's so much anti-US sentent on this site that I just can't resist. This shit doesn't and can't happen in the US.

    Maybe a lttle too patriotic but damn I love my country and yes I've been drinking

    1. Re:America! (in a palin voice) by Anonymous Coward · · Score: 2, Funny

      This shit doesn't and can't happen in the US.

      I've been drinking

      That was obvious.

    2. Re:America! (in a palin voice) by Anonymous Coward · · Score: 0

      Obviously, you have been drinking too much. America has even more litigation problems.

      Go try to invent something in the tech sector. If you're moderately successful, patent trolls will come out of the woodwork and sue you for everything you ever made. And they'll do it in a court in east Texas, where they have no chance of losing. And they'll do it 10 years after your product is everywhere and you have no chance of negotiating a reasonable settlement.

      And yes, I'm American. And yes, I live in east Texas.

  14. The radio makes senes, but not the singer by Anonymous Coward · · Score: 5, Insightful

    Everyone here is going to talk about how outrageous it is for a supermarket to be charged for playing the radio, but the fact of the matter is that they use the radio to create a pleasant environment for their customers, which makes it a tool of commerce. Songwriters are the ones who get compensated for this, and rightfully so: people are using the fruits of their labor (music) to help sell merchandise. The supermarket is a business, and licensing the music is part of the cost of doing business. It has been this way for many, many years; we are not entering a new age of PRS thuggery. Without due diligence on this and other fronts, professional songwriters (who are not, by the by, a particularly wealthy lot) would not have an income. And please don't make the claim that songwriters get paid for years for 5 minutes of work, because they write far more songs that get rejected or fail commercially than are successful. It's a job, and not an easy one.

    As for the woman being asked to get a license, yes, that is absurd. Probably the representative of the PRS who made the request was new and overeager to please his or her boss, or was maybe just a douchebag. Who knows. It was a truly boneheaded maneuver.

    Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

    1. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner.

      So, you're not really a professional "song writer" as much as someone who foists their really bad "music" off on friends who are too polite to tell you the truth?

    2. Re:The radio makes senes, but not the singer by Volante3192 · · Score: 5, Insightful

      Everyone here is going to talk about how outrageous it is for a supermarket to be charged for playing the radio, but the fact of the matter is that they use the radio to create a pleasant environment for their customers, which makes it a tool of commerce.

      Sounded to me like they'd use a radio in the back that just happened to be in earshot of the front. This is opposed to the full speaker array across the store that keeps the place from being too quiet.

      That's more akin to being charged a performance licence for your car radio while your windows are rolled down.

    3. Re:The radio makes senes, but not the singer by Andorin · · Score: 2, Insightful

      Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

      So you'll tolerate the existence of these bloodsucking organizations in exchange for a few (and I mean a few) bucks for yourself?

      --
      That Anonymous Coward guy is pretty annoying. Can we have the government censor him or something?
    4. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      I hope that one nice dinner a year is worth it.

      I hate you.

    5. Re:The radio makes senes, but not the singer by arkhan_jg · · Score: 5, Informative

      The thing is, the songwriters have already been paid - by the radio station. If it's BBC radio, we've already paid for that music out of our annual licence fee, or it's a commercial station with adverts. Every person in that store has the right to listen to that station already as the broadcast fees have already been paid.

      Now that it's suddenly being able to be listened to while on a store premises, it's a 'new' public performance and more money needs to be paid. It's double dipping for the same performance.

      You want to charge stores that play personal CDs through to customers? Fine. But leave my goddamn radio at my desk alone.

      --
      Remember kids, it's all fun and games until someone commits wholesale galactic genocide.
    6. Re:The radio makes senes, but not the singer by Zontar+The+Mindless · · Score: 5, Insightful

      I've worked in the past as a musician and songwriter, and I was in radio for most of a decade. I am a published author and editor, and currently make my living as a writer.

      And I say this is utter horseshit.

      People do not go to grocery stores to hear Muzak. They go there to buy food.

      The radio stations and music services already pay royalties in any case, and places that play recorded music in-house have already paid for those recordings. And that's where it should end.

      To take your model to its logical conclusion is to suggest that, because I can hear some kid's iPod on the train because he's got it cranked up loud enough to turn his brains into jelly, either he or I should pay royalties, which is preposterous. You may claim otherwise, but this is *exactly* where it leads.

      Next, you'll be telling me I should pay a performance fee whenever I read to my daughter from a copyrighted book.

      Disclaimer: 'Muzak' and 'iPod' are registered trademarks of their respective owners, and they are completely welcome to them.

      --
      Il n'y a pas de Planet B.
    7. Re:The radio makes senes, but not the singer by s-whs · · Score: 5, Insightful

      > Everyone here is going to talk about how outrageous it is for a supermarket
      > to be charged for playing the radio, but the fact of the matter is that they
      > use the radio to create a pleasant environment for their customers, which
      > makes it a tool of commerce.

      Yes, and so is the building itself, the paint to make the walls look nice, and much more.

      Should the builders, paint manufacturers, etc. get 'royalties' because you use their products commercially?

      I don't think so. So "used as a tool of commerce" is just not a valid argument.

      Just as with the building/paint/what's in the building, the radio has already been paid for. Via tax (as in NL) and/or the radio stations which pay to transmit. Everyone can freely listen to the radio privately, so why should anyone have to pay to use it in a store?

    8. Re:The radio makes senes, but not the singer by kramerd · · Score: 5, Interesting

      Back in college, I worked in a restaurant where initially we played the radio in the kitchen for employees during slow hours. At some point, we received a warning letter, so we got rid of the radio, which only employees could hear, and replaced it with a speaker system that played throughout the restaurant. We then changed the policy so that only cds brought in by employees could be played over the speakers. As far as I know (havent worked there in 3 years), they still don't pay anything for doing so.

    9. Re:The radio makes senes, but not the singer by NeutronCowboy · · Score: 5, Insightful

      The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

      Let me repeat myself from other posts I've made in the past: the fact that you write stuff down on a piece of paper and send it to somebody does not entitle you to a check. Since this is a tech site, I'll compare this to writing software: just because you wrote some software doesn't mean that you're entitled to receive money. I don't care what the size is of the check is. Software writers are at least ahead of the curve and trying various methods to entice people to pay them directly. What I see from song writers instead is "I wrote some stuff that's used somewhere, pay me forever. And I deserve to be paid enough to not have to do anything else."

      To that I can only say one thing: fuck off. I write a ton of crap. Some of it is good, some of it isn't, but I know it makes a difference. Some of it is specific to the situation and the client, some of it is generic and useful to everyone in the field. I do not expect to get paid in perpetuity for my writing, and I don't expect some third party entity to hunt down documents that kinda look like mine, or people who have something that looks like my document without proof they paid for it.

      That's how it ought to be. You do work, you get paid. Wanna get paid again? Do more work. Which, by the way, is how art used to be compensated. And plenty of awesome work was created through that system - work that is arguably better than about 99.99% of the crap that came out in the last 10 years, when copyright enforcement truly started to get nuts.

      --
      Those who can, do. Those who can't, sue.
    10. Re:The radio makes senes, but not the singer by the_womble · · Score: 1

      Why should we have special laws just so you make that money?

      We had songs (and good ones) before copyright.

    11. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      But who is out the back listening to the radio whilst they work?

      Thats right, it's creating a pleasant environment for their worker(s). As such they are gaining a business benefit from it and they should really pay for that privilege.

      Trying to fine some woman for singing is beyond reasonable though, I think.

    12. Re:The radio makes senes, but not the singer by Oneiris · · Score: 5, Insightful

      I'm a musician too (albeit not a professional one), and I think it ludicrous to expect to be paid in perpetuity for one piece of work created. As many others have replied, music on the radio is already licensed and songwriters/producers/artists are already compensated by their various royalty collection bodies.

      If you're not getting enough money from your work, find another job. As a software engineer, I'm not paid every time code I wrote 2 years ago is used. Builders aren't paid every time a building they've worked on is sold or let. The current practice of rewarding artists every time their music is played is unsustainable, and more and more people are becoming aware of this fact.

    13. Re:The radio makes senes, but not the singer by RMH101 · · Score: 2, Insightful

      They're getting a business benefit from heat, light and gravity, too. Shouldn't they be taxed on them? Oh, wait, they are. They're a business that's acting as a tax-collector for HMG as they charge their customers VAT.

    14. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      You are a no-talent hack.

    15. Re:The radio makes senes, but not the singer by lordandmaker · · Score: 1

      Thats right, it's creating a pleasant environment for their worker(s). As such they are gaining a business benefit from it and they should really pay for that privilege.

      Ah, as they do for the light fittings! Though light fittings are probably more important as a means of creating a pleasant working environment than the radio.

    16. Re:The radio makes senes, but not the singer by SilentMobius · · Score: 5, Informative

      ASCAP are trying to push just that sort or nonsense. Thankfully they got a bloody nose trying it, but it's indicative of the way they think:

      http://www.eff.org/deeplinks/2009/10/court-rules-phones-ringing-public-dont-infringe-co

      --
      Loop, twist and loop again.
    17. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Not a random kid in the train, it'd have to be the conductor himself singing, to have a perfect analogy ;)

      "Last train to Glasgow Central...."

    18. Re:The radio makes senes, but not the singer by imakemusic · · Score: 1

      What I see from song writers instead is "I wrote some stuff that's used somewhere, pay me forever. And I deserve to be paid enough to not have to do anything else."

      Do you actually hear that from songwriters or is that just what you get from the media and the record companies?

      Software writers are at least ahead of the curve and trying various methods to entice people to pay them directly.

      Yeah musicians never do that. Oh wait, Radiohead did that with "In Rainbows", to pick one example. Or buskers. Or any number of small time musicians who have made a living from making music but whose names you'll never know.

      --
      Brain surgery - it's not rocket science!
    19. Re:The radio makes senes, but not the singer by smolloy · · Score: 1

      But leave my goddamn radio at my desk alone.

      If anyone else can hear that radio, I hope you've counted the number of "employee units" within earshot, and the number of half hour increments during which you play the radio, and paid the appropriate tariff.

      http://www.prsformusic.com/SiteCollectionDocuments/PPS%20Tariffs/I-2009-03%20Tariff.pdf

      *shakes head sadly*

      I wish I was making this up.

    20. Re:The radio makes senes, but not the singer by muckracer · · Score: 2, Insightful

      >> Full disclosure: I'm a songwriter and a member of a PRS. The money I make a
      >> year on songwriting could maybe buy a nice dinner.

      > So, you're not really a professional "song writer"

      Actually he might be a professional song writer of the sort "We'll gladly sell
      your music for $17.99 per CD! Here's 47 cents for you...."

    21. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      well they get taxed on heat and light, but they also have to pay for them too (before tax) with the energy company.

      gravity even the ??aa haven't had the chutzpa to charge for.

      yet.

    22. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 1, Insightful

      Everyone here is going to talk about how outrageous it is for a supermarket to be charged for playing the radio

      Damn right. A radio broadcast is free to listen to. As everyone else has already pointed out, the station has paid for the rights to broadcast it to their listeners for free.

      You could hand out portable radios to every customer at the door, and they could all listen to the same thing for free, so why do you have to pay just because you make it a bit more efficient, and play this free broadcast a bit louder?

      I don't know if the problem here is the actual law, or just a bad interpretation of it, but it's ludicrous, and should be stopped.

    23. Re:The radio makes senes, but not the singer by Stanislav_J · · Score: 2, Informative

      That's more akin to being charged a performance licence for your car radio while your windows are rolled down.

      Now that is a concept I could embrace, if it serves to keep those young idjits with the mega-bass boom boxes on wheels from cruising my neighborhood and disturbing my peace.

      (Insert obligatory "now get off my lawn" meme here...)

      --
      "Every great cause begins as a movement, becomes a business, and eventually degenerates into a racket." -- Eric Hoffer
    24. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      How about you look out for your own interests, screw the opressive PRS that only gives you a dinner per annum, and take steps to find your own audience?

      Put your songs up for free download, print your own CDs using a PoD service, and you'll make more than with PRS.

    25. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      one day stores will have to make customers choose between paying to listen to the music being played and wearing perfectly isolating earcaps.

    26. Re:The radio makes senes, but not the singer by richard.cs · · Score: 1

      Everyone here is going to talk about how outrageous it is for a supermarket to be charged for playing the radio, but the fact of the matter is that they use the radio to create a pleasant environment for their customers, which makes it a tool of commerce. Songwriters are the ones who get compensated for this, and rightfully so: people are using the fruits of their labor (music) to help sell merchandise.

      I would agree maybe if they were playing prerecorded music like CDs but stop and think for a minute about the radio. The station already broadcasts the music and pays the fees, and if instead of playing the radio in your shop you gave every employee/customer a portable radio they could listen to with headphones that would be entirely legal. It is absurd that there's a difference between that and just playing it for everyone to hear (unless of course the true purpose of the law is to support the manufacturers of portable radios).

      As a bonus if we didn't have this stupid rule call centres could just play a national radio station while they put you on hold rather than driving you insane with utterly crap annoying “music”

    27. Re:The radio makes senes, but not the singer by sumdumass · · Score: 0, Redundant

      Actually, they do get royalties. Well, unless they are stealing the paint, not paying the painters, stole the building, and so on.

      The big difference is that those are one time costs and are done once until years later when they need redone. They pay each time it gets done so essentially, they are paying royalties each time the work is performed. It's not really that much different from playing songs as an aid to commerce. The biggest and most obvious difference is the frequency of which is it being done. Now, that doesn't mean that someone inadvertently humming a tune while working or singing a song while doing some remedial task should have to pay, it's only when they are doing it for the purpose of keeping customers or whatever. Then it becomes just like having a live singer on site for some promotional thing. The fact that it's some hill jack stock boy instead of the original artist or some professional artist doing it is pointless when the intentions are the same.

    28. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Your arguments leads to nowhere. Libertarian Communism is the only answer.

    29. Re:The radio makes senes, but not the singer by sumdumass · · Score: 1

      In the US, playing the radio or TV in a restaurant is actually regulated by copyright laws. However, there are size limits before you need to pay royalties. See Section 5 here. It may be that they are exempt in the US from needing to pay royalties. However, the bring CD in from home might not be covered.

    30. Re:The radio makes senes, but not the singer by ctrl-alt-canc · · Score: 1

      Since you are a professional writer, you are entitled to get money from every slashdot user who reads your post.

      Disclaimer: I replied to your post without reading it.

    31. Re:The radio makes senes, but not the singer by debrisslider · · Score: 0, Redundant
      Yes, but you're also getting all your money up front. You went into your employment knowing the terms and conditions of payment. Royalties have been how musicians have been paid for the better part of a century, and only in the past decade have copyright issues become well-known enough by the general public for a conversation about a transition to a new model of payment to begin. Copyright used to be sane, and hardly in perpetuity, but it is not the fault of the common songwriter that large rights-owning corporations have abused the legislative process. If you change the rules midgame, that's hardly fair to the original creators.

      It is impossible to determine the true profit of a song in advance. Engineers can get a lump sum up front because it is much easier to determine the objective worth of their work; with songwriting, success is mostly random. Some professional songwriters can hit on a formula that might be successful within the context of a given trend, especially with the backing of media corporations, but fashion changes quickly and there are very few who are able to be consistently successful over the long run. A piece of art is priceless, or valueless, in both senses of the word - it is simply as valuable as people are willing to pay. If you write a program or build a structure, you can estimate to a pretty fair degree how much value you'll be able to extract from it, but there is such great variance with music, even with millions in marketing backing a project, that there is no way to pay people up front. I suppose there are songwriting groups and in-house guys that can make a salary, but outside of highly commercial productions that's just not how people write music.

      If current practices are unsustainable, then popular music as we know it may be unsustainable. It is hard enough to make a living as a musician now, lots of mildly successful musicians still have day jobs, but without the small amount of revenue from royalties many might just give up. Also, being a songwriter doesn't necessarily mean being a performer, or a touring artist, so you can't just say 'give your music away for free and make it up in t-shirt and ticket sales.' Sure, there are site-specific jobs like in-house composer for films and games or commercial jingles, but they are the people least likely to receive royalties anyway, having already signed away rights to their employer. You could sell rights to use your songs in advertisements, but you need a certain degree of exposure in the first place to have enough street cred to be worth associating with a product, so that money tends to go to those already successful.

      Note that this isn't an issue of selling CDs - in fact, royalties from streaming sites might just be the primary source of income in the near future with the popularity of places like last.fm and Spotify. Proper allocation and collection of royalties is more important than ever these days. Don't throw the baby out with the bathwater because of these jerks, we're just getting to the point that the granularity of royalties makes sense, now that actual accurate playcounts can be generated (and individual songs purchased rather than albums), resulting in fairer distribution of collected fees based on harder data than chart sales and radio playlists.

    32. Re:The radio makes senes, but not the singer by Registered+Coward+v2 · · Score: 1

      > Everyone here is going to talk about how outrageous it is for a supermarket > to be charged for playing the radio, but the fact of the matter is that they > use the radio to create a pleasant environment for their customers, which > makes it a tool of commerce.

      Yes, and so is the building itself, the paint to make the walls look nice, and much more.

      Should the builders, paint manufacturers, etc. get 'royalties' because you use their products commercially?

      I don't think so.

      Some do, it's called rent. The choice is to either buy everything outright, or pay a fee for it's use on an ongoing basis. You could buy the right sto a song; just as you can a building; or simply pay an ongoing fee for it's use (and the stuff inside) without every owning anything.

      So "used as a tool of commerce" is just not a valid argument.

      Just as with the building/paint/what's in the building, the radio has already been paid for. Via tax (as in NL) and/or the radio stations which pay to transmit. Everyone can freely listen to the radio privately, so why should anyone have to pay to use it in a store?

      While I agree it should only be paid for once - whether it's via a tax (although I find the notion I should pay a tax / TV just to own one absurd) or the stations paying for performance rights; that unfortunately isn't the case.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    33. Re:The radio makes senes, but not the singer by T+Murphy · · Score: 1

      If you can ban commercial use (like with non-commercial CC licenses), and there is demand for commercial use, it makes perfect sense to license your product for commercial situations. I could understand an argument against any restrictions on commercial use, but it wouldn't make sense to me to allow a ban on commercial use while disallowing licensing.

      That said, the store should be dealing with getting a license from the radio station- the music company should only be dealing with the radio unless the store uses CDs or something. The music companies could base the radio's license fee on the number of licenses the radio gives out, but there should not be any money going directly from the store to the music companies.

    34. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      If I buy you a nice dinner, will you quit the PRS?

    35. Re:The radio makes senes, but not the singer by Peter+Simpson · · Score: 2, Insightful

      Everyone here is going to talk about how outrageous it is for a supermarket to be charged for playing the radio, but the fact of the matter is that they use the radio to create a pleasant environment for their customers, which makes it a tool of commerce.

      Well, at least it would be a tool, if it increased sales. The studies I found in a brief Google search indicate that both tempo and type of music can affect consumers' purchasing behavior and length of stay. However, the store was playing a radio, which gave them almost no control over the program material. A far better choice, if they're interested in using music to increase sales, would be a CD collection or subscription music service. A radio station, with its constant DJ chatter and advertising spots, isn't going to create much of an environment to enhance sales.

      (and, as others have said, the royalties have already been paid by the station)

    36. Re:The radio makes senes, but not the singer by Loosifur · · Score: 1

      My God, where are these nightmarish, Orwellian bistros people are talking about?? I live in the DC area and have worked in restaurants for about fifteen years. In each and every one we played music in the kitchen; granted, sometimes it was in Spanish, but still. Radio, cd or ipod, no one ever said anything. I've never heard of an instance in my area where playing music at a workplace resulted in copyright violation warnings or anything of the sort.

      --
      This unbiased moderation brought to you by the Porcine Aviation Group!
    37. Re:The radio makes senes, but not the singer by Oneiris · · Score: 1

      I agree with a lot of the points you made. However, I think there's a certain sense of entitlement from many artists today which needs to be dispelled. If you want to treat music as a business, fine, but then you need to treat it like any other business. It's a service which is sold according to what people are willing to pay for. If people aren't willing to pay for it any longer, find something new to sell or find another business. They're the rules for every other form of commerce.

      I agree, it's very difficult to calculate the value of a song up front, so I'm all for keeping copyrights and having royalties paid to artists for a limited amount of time. However, the current limits to copyright are, in my mind, excessive and have been imposed not by artists but by the recording industry in general who hold onto these rights as a sort of cash cow. I've been involved with bands both in Britain and in Belgium, and from my experience very few signed bands, even if they're moderately successful, make any kind of money from their record contracts. Royalties are collected centrally and then distributed according to the percentage of plays the recording companies think their artists are getting, or think they should be getting. It's a mass of cross-subsidies, so very few artists/performers/writers are paid fairly.

      Now, I agree that while royalties are important to an artist's ongoing work, this double-dipping that the royalty collection agencies are currently trying on is inexcusable. Radio stations already pay a licence to play music, so no matter where it is heard, that music has already been paid for. The simple fact that it's reaching more than one person's ears is irrelevant.

    38. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      However, you should be aware that music influences mood, hence how much money the customer is going to shell out to buy stuff at the grocery store...

      In fast-foods you'll have fast-paced music because it makes people eat faster, therefore increasing the table turnover, hence how many people can get in your restaurant... Hence how much you earn.

    39. Re:The radio makes senes, but not the singer by jez9999 · · Score: 1

      Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

      So you think it's worth making people's lives a misery and giving the PRS superpowers in law, to justify your getting enough money a year to buy a nice dinner? Why don't you stick to your day job? I'm sorry to say it, but you don't seem to be a good enough songwriter to earn a living that way.

    40. Re:The radio makes senes, but not the singer by rotide · · Score: 1

      This is what disturbs me. Playing songs on a personal radio is _not_ intended to calm shoppers and aide in business.

      What's next? Ban iPod's worn by employees because a passerby may just get close enough to make out what song he's listening to?

      If there is a chance to prove a policy is in place to play music for the benefit of the shopper, fine, fair game, but if it is for the sole benefit of a single, or maybe a couple workers to pass the shift, leave them the hell alone.

    41. Re:The radio makes senes, but not the singer by CowboyBob500 · · Score: 1

      I'm a songwriter and a member of a PRS.

      I'm a songwriter and am NOT a member of the PRS. Doesn't stop those thieving bastards collecting royalties on my behalf that I don't want. It's impossible for me to play my OWN DAMN SONGS in public without the venue paying the PRS tax. It's impossible to opt out so I hope you haven't paid any kind of membership fee. You're also delusional if you think they are looking out for your interests. For the cost of your nice dinner, they've had numerous corporate lunches and a box at Stamford Bridge on the "administrative fees".

    42. Re:The radio makes senes, but not the singer by LordLimecat · · Score: 1

      I was unaware that listening to the radio in a cubicle was taxable. I was under the impression advertising paid for the radio, and the stations already paid for a license to broadcast.

    43. Re:The radio makes senes, but not the singer by LordLimecat · · Score: 1

      I think legally you were better off doing the radio-- as has been pointed out, you can at least argue there that the public has already "paid" for that thru advertising / radio station paying the labels. CDs make the situation worse I think.

    44. Re:The radio makes senes, but not the singer by LordLimecat · · Score: 1

      I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

      Sounds like a fantastic deal you have going there. And you say theyre looking out for your interests?

    45. Re:The radio makes senes, but not the singer by ffreeloader · · Score: 1

      The thing is, the songwriters have already been paid - by the radio station. If it's BBC radio, we've already paid for that music out of our annual licence fee, or it's a commercial station with adverts. Every person in that store has the right to listen to that station already as the broadcast fees have already been paid.

      Now that it's suddenly being able to be listened to while on a store premises, it's a 'new' public performance and more money needs to be paid. It's double dipping for the same performance.

      Exactly. This is no different than a farmer selling his produce to a grocery store, and then charging the store's customers who buy his produce for eating it.

      --
      "while democracy seeks equality in liberty, socialism seeks equality in restraint and servitude." de Tocqueville
    46. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Doesn't matter. It is a public performance if it is played in the workplace and more than one person can hear it. Under current copyright law the PRS was quite correct to go after the supermarket for ambient music at work, even for staff. Going after a woman for humming a song to herself is ludicrous.

    47. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      That is the most inanely stupid comment that I have ever read on this website. "the fact that you write stuff down on a piece of paper and send it to somebody does not entitle you to a check" - well, why don't you do it? Just because you do some work doesn't mean that you have to get paid once, like a freelancer, and that is it. The whole point of intellectual property is that you *own* your work. If write a book and make copies to give to someone else, I should be paid for every copy - not just for the hours (at a fixed rate) I put in to write it in the first place. If people don't make money for creative pursuits, then no one will be creative. Whoops... there goes your culture!

    48. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

      So in other words, for the exchange of no more than a nice dinner, you are willing to ruin many lives and see your "fans" fined hundreds of thousands to millions of dollars, and to be in debt for the rest of their natural lives?

      If I knew you in real life, I would punch you right in the face.

      Yea yea, this is both trolling and flaming, but greedy people like you who want to financially destroy people for no more than a nice dinner need to be removed from the planet.

      How can you even live with yourself or sleep at night?

    49. Re:The radio makes senes, but not the singer by debrisslider · · Score: 1
      You know, just because you use the word 'write' in both 'songwriting' and 'writing software' doesn't mean they are ANYTHING at all alike. Software is a material good that can be objectively valued, music is art and cannot be rationally valued. As you say, when you write a program for someone, specific to the client, they know what they want and how that will benefit them, and your expertise is subject to a cost/benefit analysis - you can create X amount of profit for doing work. Not all songwriting is like that, especially the kind with royalties. Composers are solicited for films and games, jingles are composed for commercial clients - and those artists get paid a salary or a contracted amount, up front. Pop songwriting is a lot more like writing your own program. If you open-source it and give it out free as in beer, then that's one thing, but if you wrote it to try and make money off it, as an independent software developer, then wouldn't you like to be able to charge for it as long as people are willing to pay for it? Should you only get the first months' sales? Should other people be allowed to sell your work for their own profit simply because they have the mechanical ability to? Pop songwriting and the royalties that drive it are a completely different economic beast than getting paid for specific value.

      Royalties are simply the most rational way of paying songwriters - the ratio of successful songs to unsuccessful songs is so large that it makes no economic sense to do it any other way, and the randomness of the music market prevents any real sort of cost/benefit analysis - even huge stars can flop, one-hit wonders can pay off spectacularly, and you have to take hundreds of risks before you find a profitable performer. A successful artist has to write a large number of unsuccessful songs before they can profit from one, regardless of the relative merit of their work.

      How would you feel if you wrote dozens of good programs, but only got compensated for one if the client hit a improbably large sales target, and you only got a small lump sum anyway? The music industry is a bitch, but it works like it does for a reason, and its crimes are crimes of disproportion rather than inherent evil.

      It is one thing to rail against abusive organizations, but you have to think about the little guy here. Music as a good is worth what people will pay for it, nothing more and nothing less, it has no inherent value and it is impossible to know in advance just how much it is worth. You have to allow the possibility of profit, however improbable, or the quality of music will decrease even further beyond your lofty standards. Royalties are a merit-driven method of compensation, or as close as we can get allowing for market distortions from publicity campaigns, and are still very relevant (more than ever, in fact) in the post-CD age. Royalties are the only method of compensation that make sense with a lack of scarcity - either through subscription or advertising, royalties can be paid from online radio, with (at least the possibility of) accurate and fair accounting since it is easy to track exactly how many times a song has been heard.

      And yes, of course people used to get paid for specifically commissioned work, BEFORE THERE WAS RADIO. Royalties have been around as long as modern music has. A patronage system simply doesn't make sense anymore because of the broadness and tastes of the market - you make way more money selling to crowds of teenyboppers or hipsters than to a single customer, and you need the sieve of the market to find talent amongst the millions of musicians producing today. Plenty of terrible work has been commissioned over the centuries as well - think of how many classical composers, or artists of any kind, that you can name from the past 500 or so years, compared to the number of artists you can name from your lifetime. Aside from being completely apples to oranges, there is a serious survivorship bias in comparing the cream of the premodern crop.

    50. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Actually, they do get royalties. Well, unless they are stealing the paint, not paying the painters, stole the building, and so on.

      The big difference is that those are one time costs and are done once until years later when they need redone. They pay each time it gets done so essentially, they are paying royalties each time the work is performed. It's not really that much different from playing songs as an aid to commerce. The biggest and most obvious difference is the frequency of which is it being done. Now, that doesn't mean that someone inadvertently humming a tune while working or singing a song while doing some remedial task should have to pay, it's only when they are doing it for the purpose of keeping customers or whatever. Then it becomes just like having a live singer on site for some promotional thing. The fact that it's some hill jack stock boy instead of the original artist or some professional artist doing it is pointless when the intentions are the same.

      Well, actually you're full of shit.

      Paint costs the same whether you use it to paint your home or paint your place of business. It might even cost less for painting your business because your manufacturing plant/store is larger than your home and you get a reduction in price because of the larger volume of paint that you buy.

      No paint manufacturer is paid extra for their paint because of the number of people who might see the paint on the walls in any specific environment. The same goes for all other construction materials. None are sold with the thought of how many people will see them.

      It's the same with construction contractors too. They are paid for the work they do. They don't get paid extra for a project because of the number of people who will see/enter said building. They get paid for the amount of work, quality of work, and the quantity and quality of materials they use. It doesn't matter if 1 or 1 million people see/use the building, what they get paid will be the same.

      The same should be true for the music business. They're getting paid to have their music played over the radio. They also make money off that because people also buy the music they like that they hear over the radio. They don't need to be double dipping.

      Also, this idea that having a radio playing in the background is the same as a having live performance is complete and utter horseshit. Do you see stores advertising "We play a radio station for background music"? That's never done as a promotional draw. However, promoting the fact that a live band will be performing is done all the time. And, once again, that band must pay royalties for using omm--other musicians music--if they don't play music they wrote themselves. Why should a business have to pay some third party when they're already paying the musicians? The musicians already agreed to play for a flat fee, not for a per listener/store_customer fee as they would at a normal live concert where people have to pay to attend so the number of people who hear the concert is meaningless. If no one shows up to listen the musicians will still get paid.

      And, the value to a business for having a promotion is the number of people that promotion will draw. To equate paying a well-known band/musician to give a "free" concert which the business has heavily advertised with some store employee singing while they work is insane. No rational person would even begin think of them as equivalent "business promotions". Even if the store hires a professional singer to walk around the store singing on a daily basis that singer must pay performance royalties for the use of omm.... Charging the store would once again be double dipping. It's no different than charging the owners of a gym or concert hall royalties because a concert was held there. It's just complete insanity.

    51. Re:The radio makes senes, but not the singer by s-whs · · Score: 1

      >> Should the builders, paint manufacturers, etc. get 'royalties' because you use their products commercially?
      >>
      >> I don't think so.

      > Some do, it's called rent. The choice is to either buy everything outright, or pay a fee for it's use on an ongoing basis. You could buy the right sto a song; just as you can a building; or simply pay an ongoing fee for it's use (and the stuff inside) without every owning anything.

      No, it's not rent. The issue is not how you pay for the building (and not how you pay for the music), but the purpose for which it's used.

      Ditto for the music. It is argued (also in the Netherlands), that commercial use of music adds value to the experience, or makes workers work better. This is a bogus argument as this is true for just about anything. A building is better than open-air, so if you convert your house to a shop (small shops are often houses in the Netherlands), then suddenly you are supposed to pay the builders, the brick manufacturers, the electriciens, etc. extra money each year because you use your house commercially.

      Another example: A comfortable chair in an office. If you use it at home, no problem, use it in the office instead of crappy chairs, and bingo, you're supposed to pay the manufacturer, and anyone who helped make it. Absurd!

    52. Re:The radio makes senes, but not the singer by Painted · · Score: 1

      I was thinking the same thing- sounds like to you, the price of a free society without draconian "listening police" is a dinner out, so let's say, $40/£20? Really? Taking this to the absurd, if we offer you $100/£50, will you give up everyone's right to a fair trial or "innocent until proven guilty?" Whoops, looks like that one's already on it's way out...

      --
      http://marsandmore.com - Posters of space, spacecraft, and astronomy.
    53. Re:The radio makes senes, but not the singer by hughk · · Score: 1

      A friend of mine was in a small band and cooperated writing a song when he was younger, but the band split up and he went on into IT. His co-writer made it big in another band (Madness, I believe) and he used the song and giving full credits. For a very long time the friend was making $500/year or so off his share of the one song.

      --
      See my journal, I write things there
    54. Re:The radio makes senes, but not the singer by flibuste · · Score: 1

      I would strongly argue that supermarket music makes for a "pleasant environment", but that's just me. In my opinion, producers of that sort of *noise* should actually PAY the supermarket who annoys the heck out of their customers with such low quality pieces of so called "music". Actually, it has a name, it's called Musak.

    55. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Funny - the PRS in question has, in fact, tried to get mechanic's shops to pay royalties for songs heard from customer radios when their windows are down.

      Curb-stomping is too good for some people.

    56. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      according to your analogy writing software code is equivalent to writing a hit song? I would think it was more like a secretary writing a stock letter she has written a thousand times, or a three line memo. No creativity, no need for it to be a hit in the first place for you to get paid. You get paid for every line you write. An artist gets paid on one song out of thousands. Your pay cheque is guaranteed even if that piece of code you write is crap, and you get paid even if you don't write a useable piece of code all day.

      Enough of this crap where glorified data input clerks think they are doing something creative. Writing code is not a creative endeavor, there is no unifying universal theme being portrayed when a new window opens on your computer screen. You are not helping to further the discussion of the human condition with that fancy new flash animation you created for hounds-r-us. You are not an artist you are a programmer. The name itself screams of conformity.

      Get over yourselves, the very fact that the piece of code you create can and will be created by any other programmer proves you are not an artist and essentially no different than a secretary. You input various pieces of information into an electronic or mechanical device to produce a desired outcome. Now while some artists are known to help themselves to parts of others music and call them original. If I was to come out with a song like say "Yesterday" by the Beatles, there is no way I can claim it as original. It is a independent piece of art, it has all the same chords and notes that many other songs have, but with the influence of the particular artists involved you have a song which has lasted 40 years and will most likely be played for many years after you or I are dead. I know for certain that none of the code you write today will be around for more than 10 years.

      Get over yourself, your a code flunkie, your not an artist, your not even close. Unless your one of theose new age hippies that feel everyone is an artist inside, from the janitor making the world beautiful with his toilet brush, to the trash collector picking up others memories. Everyone one wants to be special, guess what 99% of us ARE NOT.

    57. Re:The radio makes senes, but not the singer by mike2R · · Score: 1

      Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

      I do understand where you're coming from, but (what's seems to be) the current campaign by the PRS is maybe a little over the top.

      We are a (very) small ecommerce business and I have taken 3 calls myself, and at least one other has been taken by someone else, from the PRS taking an irritatingly high-handed approach. From what they have said we need a license to play music in our office; not due to customers hearing but just if we are playing it at all where staff can hear. I have been told this explicitly although I'm very far from sure it is actually the case.

      We don't play music in the office, as I told the first two people who called up, I'm afraid I was considerably shorter with the third call I took - unfair on a phone monkey I suppose, but getting repeated calls that feel very much like a shakedown is annoying. Especially when they are clearly just randomly dialling businesses, without keeping any track of who has been called already. Either that or they work on the same principle as the TV licence people, and just assume you're lying.

      Anyway, I don't mean to rant at you, and I understand that getting paid for your work is important to you :) But I don't think the PRS are doing you any favours when it comes to the attitudes towards licensing they are engendering (I'm certainly less, not more, likely to contact them if I was ever in a situation where I felt I might need a performance licence; I also know very well that they aren't going to do anything more than call again, even if they get the phone slammed down on them). That said, I don't know how much revenue these calls are bringing in.

      --
      This sig all sigs devours
    58. Re:The radio makes senes, but not the singer by Volante3192 · · Score: 1

      That doesn't make it any less absurd.

      It's a disparity between "letter of the law" and "spirit of the law."

      The spirit of the law means you go after stores that hook the stereo up to the PA system to create a specific environment for the customers. I can accept that; they have made a conscious effort to include music as part of their business plan and as such should compensate artists accordingly. (**For the sake of argument, let's assume the payments actually go to the artists.)

      The letter of the law, though, means that any audible music requires licencing, including radios being played in the back room, even personal radios that the employee may have brought in. You can also swap radio with iPods or whatever other portable players are available. Same thing works with overly loud headphones.

      Sadly, the spirit of the law requires people to have common sense and use their own judgment. The letter of the law is much easier to apply: send out the legal notice and have the barristers and judges at trial do the thinking.

    59. Re:The radio makes senes, but not the singer by thePowerOfGrayskull · · Score: 1
      I agree with your point, but disagree in part with one of your arguments:

      People do not go to grocery stores to hear Muzak. They go there to buy food.

      This is true; but at the same time, music has long been proven to affect the shopping and spending habits of people -- this has been refined to a scientific level. Different music will be played based on time of day and day of week - music that has been proven to encourage certain shopping patterns and behavior within the demographic that's present at that time. Most of the people affected don't even realize it's happening (if they did, it wouldn't be nearly so effective).

      I'm not so sure that this is what happened here - since the radio music isn't the same rather carefully planned and orchestrated selection of music that is ordinarily playing (which the markets DO pay for, as they should), I can't see how it fits into any category of requiring a royalty payment.

    60. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Bullshit. Playing the radio in public places can just as easily be construed as "free promotion." In addition to which the music playing on the radio is already paid for by the radio station.

      By your own admission you do not make enough money on royalties to live off of. I too am a professional musician, and I just barely make enough to live on by performing. The truth of the matter is that the royalty industry *hurts* musicians (at least the performing kind) by forcing venues to stop having live music. So your "nice dinner" is costing hundreds of working musicians opportunities because clubs and venues are unable to pay massive licensing fees.

      PRS, ASCAP, BMI and whoever else DO NOT represent most musicians.

    61. Re:The radio makes senes, but not the singer by NeutronCowboy · · Score: 2, Insightful

      Software is a material good that can be objectively valued, music is art and cannot be rationally valued.

      Really? Software can be objectively valued? Just to take the most recent example, what's the value of Tower of Goo? 1 Cent? 20 dollars? 0.99 dollars?

      As for getting compensated for writing good programs - I'd be ecstatic if I'd get a small lump sum for one of them. Because you know what? I never got a penny for any of them. That's because I was writing them to solve specific problems that arose during normal work duties. In other words, work for hire, for which I got a salary. Copyright resides with the company.

      For the rest of your argument - I won't pick it apart. It'll take me hours to point out every inconsistency, unmentioned assumption and unsupported assertion. Suffice to say that royalties are not the only method of compensation that make sense for intellectual work, as the software industry regularly demonstrates.

      --
      Those who can, do. Those who can't, sue.
    62. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      A successful song is not "[written] down on a piece of paper and [sent] to somebody" with the expectation of being paid. A successful song is written, demoed (at the songwriter's expense), and shopped around to various labels and artists. If it is lucky enough to get picked up, it is then recorded by the artist and packaged for sale and licensing. The record company then has to market the artist and maybe the song (if they feel like it), which takes a lot of money and is a crapshoot. If the stars have aligned and the artist gets some traction, and more stars have aligned so that the songwriter's song is one of the artist's more popular tunes, then what has been produced is a product with high value, because it is in high demand. At that point, everyone wants it. Kids want it on their iPods, networks want it for their TV shows, and radio stations want to play it until everyone is sick of it. This makes lots of people a lot of money.

      Who is responsible for this revenue? Many people, among whom the songwriter is indisputably one of the key players. Without a PRS (which is made up of songwriters, BTW, not record executives) acting in their interests, none of the songwriters would get paid for their contribution to the measurable financial gain of others.

      I don't know where you got the "I deserve to be paid enough not to have to do anything else" bit. Nobody *deserves* that, it has to be *earned*. If I write a crappy song that nobody likes, I'll make nothing from it, and rightfully so. If I write an amazing song, and it becomes wildly popular, I'll probably make a bundle from it, which is likewise equitable. It is also unlikely.

      Software developers usually act in a "work-for-hire" capacity, which forfeits any right to royalties. Lots of musicians work in the same capacity because they are at a competitive disadvantage and lack the negotiating power or prowess to get a cut of future profits. Software developers, proud bunch that they are, are in the same boat. All software compaines make royalties in perpetuity off of the software they sell; the developers just don't usually see a cut of that. They are paid well up-front, so it seems like an equitable arrangement. Songwriters are paid poorly, if at all, when they enter an agreement with an artist. It is not an apples-to-apples comparison.

      There definitely need to be boundaries in terms of the enforcement tactics of the PRSs, but to say that songwriting should be compensated like software development belies a complete lack of understanding of the music business (both fundamental operating concepts and the actual realities of how parties interact) and a lack of respect for songwriters (and perhaps career artists) in general. See: "Fuck off" and the "I wrote some stuff" quote.

      And to wrap it up: your assertion that all of the music created before the first performing rights society popped up (1914, according to Wikipedia) is "arguably better than about 99.99% of the crap that came out in the last 10 years" is baseless and hyperbolic. Do you really listen exclusively to Schumann, Bach and Debussy? Holst? American spiritual music? I doubt it. More likely you have turned yourself off to new music and judge what came out by what you heard on Z100 or on the soundtrack to "The Hills." It's not the songwriters' fault that you're a lazy listener. Tons of great stuff comes out every day, you just need to find it.

    63. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Fuck yeah they should be paid!

      I've built many buildings. I want a chunk of cash every year until i'm dead...

      No wait.. I want a chunk of cash every year after i'm dead too! Fuck those thieves! They're stealing my hard work by making money in a building *i* helped build!!! HOW DARE THEY!

      Where is this PRS headquarters building. We got get paid on behalf of the people who built their building too! And on behalf of the people who created the materials the buildings are made of! And on behalf of the people who refined the raw materials those materials were made from! And on behalf of the people who made the buildings where all these materials were made! MY GOD! ITS A NEVER ENDING CYCLE OF STEALING!

      WE GOT TO GET PAID!!!!

      (if i listen to the insanity long enough, it starts to sound sane. in a really stupid way. Mostly because i want some free money.)

    64. Re:The radio makes senes, but not the singer by Princeofcups · · Score: 1

      Everyone here is going to talk about how outrageous it is for a supermarket to be charged for playing the radio, but the fact of the matter is that they use the radio to create a pleasant environment for their customers, which makes it a tool of commerce.

      Do the customers also hear the commercials? Yes. Therefor they are already paying to hear the radio station.

      When you get down to it, the radio stations should be paying the stores to play their broadcasts.

      --
      The only thing worse than a Democrat is a Republican.
    65. Re:The radio makes senes, but not the singer by Draek · · Score: 1

      Everyone here is going to talk about how outrageous it is for a supermarket to be charged for playing the radio, but the fact of the matter is that they use the radio to create a pleasant environment for their customers, which makes it a tool of commerce. Songwriters are the ones who get compensated for this, and rightfully so: people are using the fruits of their labor (music) to help sell merchandise.

      Same goes for the guy who did the decorations, yet *he* ain't getting monthly royalties either. No, they're both equally inmoral and stupid, its just that the Decorators Guild (if there's even such a thing) ain't as good as lobbying for advantageous laws.

      Without due diligence on this and other fronts, professional songwriters (who are not, by the by, a particularly wealthy lot) would not have an income. And please don't make the claim that songwriters get paid for years for 5 minutes of work, because they write far more songs that get rejected or fail commercially than are successful. It's a job, and not an easy one.

      Then songwriters should take a lesson from software developers and charge for services, not for some "intellectual property" bullshit. A company needs you to write them a song, you charge for it, a company wants you to write songs for them regularly, you get employed by them for a stable salary. No need to deal with stupid lobbying organizations, overzealous lawyers, or paying royalties to people who've never had a hand in actually running the goddamned business. Win for all.

      --
      No problem is insoluble in all conceivable circumstances.
    66. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner.

      So, you're not really a professional "song writer" as much as someone who foists their really bad "music" off on friends who are too polite to tell you the truth?

      No, if he makes money it's entirely possible he's "professional", he just doesn't do it for a living or is particularly successful at it.

      I do not think "professional" means what you think it means.

    67. Re:The radio makes senes, but not the singer by JohhnyTHM · · Score: 1

      A few weeks ago I worked from home, and had the radio on. Now the PRS says that while this makes my a home a place of work, and I should be paying a performance fee to them, as I was working alone they don't normally apply the rules (tho they could).

      Now a few hours later my girlfriend gets home from work and joins me in our computer room. The radio I am listening to is now a public performance, as 2 people can hear it in a place of work. I owe the PRS money as I am the house owner, allowing the public (me and my girlfriend) to listen to music, (that has already been payed for by our liscense fee and the radio station) in a place of work (my house).

      I hope more of these stories hit the news so that people can see just how greedy these people are being, and why some local pubs are having to stop having live music as they just cant afford it any more.

    68. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      Maybe so, but the only way people could be professional musicians at that time was through patronage.

      Its not like copyright is some newfangled, Orwellian thing, you know. It's been around since the early 17th century (and before that the *printers* owned the right to the works people asked them to print -- how's that for unfair).

    69. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      That's more akin to being charged a performance licence for your car radio while your windows are rolled down.

      Say, that's a great idea! It would stop those pirates from sharing their rap music with me.

      Get off my lawn!

    70. Re:The radio makes senes, but not the singer by WiiVault · · Score: 1

      So for all their abuse of the consumer all the artist gets yearly is the cost of dinner. Sounds like your getting as fucked as we are. Perhaps you are batting for the wrong team if you support an organization that is doing nothing for you

    71. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      As a software engineer, I'm not paid every time code I wrote 2 years ago is used.

      So it's copyright holders' fault that the majority of your income is the result of Works for Hire?

      Builders aren't paid every time a building they've worked on is sold or let.

      Also a work for hire.

      The current practice of rewarding artists every time their music is played is unsustainable, and more and more people are becoming aware of this fact.

      Its perfectly sustainable, so long as people are willing to pay for what they utilize.

    72. Re:The radio makes senes, but not the singer by Registered+Coward+v2 · · Score: 1

      >> Should the builders, paint manufacturers, etc. get 'royalties' because you use their products commercially? >> >> I don't think so.

      > Some do, it's called rent. The choice is to either buy everything outright, or pay a fee for it's use on an ongoing basis. You could buy the right sto a song; just as you can a building; or simply pay an ongoing fee for it's use (and the stuff inside) without every owning anything.

      No, it's not rent. The issue is not how you pay for the building (and not how you pay for the music), but the purpose for which it's used.

      Ditto for the music. It is argued (also in the Netherlands), that commercial use of music adds value to the experience, or makes workers work better. This is a bogus argument as this is true for just about anything. A building is better than open-air, so if you convert your house to a shop (small shops are often houses in the Netherlands), then suddenly you are supposed to pay the builders, the brick manufacturers, the electriciens, etc. extra money each year because you use your house commercially.

      Another example: A comfortable chair in an office. If you use it at home, no problem, use it in the office instead of crappy chairs, and bingo, you're supposed to pay the manufacturer, and anyone who helped make it. Absurd!

      While I believe I understand your point I think you missed mine:

      You have an opportunity, whenever you make a decision on how to acquire property (and I would classify a song as property that has vested property rights) - buy or rent.

      What you chose depends on how you assign value and the cost of each option. You don't assign enough value to a song to buy it outright, so you rent it via a license fee. Many other objects, however, are simply cheaper to buy outright. Since you own the object you owe no one else any money regardless of the use.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    73. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      The truth of the matter is that the royalty industry *hurts* musicians (at least the performing kind) by forcing venues to stop having live music

      Bullshit. The thing that forces venues to stop having live music is that venue owners are cheap bastards. It's like saying that requiring liquor licenses forces venues to close. Both are a cost of doing business. In the US BMI/ASCAP fees are *very* reasonable flat costs on a yearly basis, and can be covered by a well-run venue's revenue in less than a week (the fees vary depending on the size of the venue).

    74. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      Same goes for the guy who did the decorations, yet *he* ain't getting monthly royalties either. No, they're both equally inmoral and stupid, its just that the Decorators Guild (if there's even such a thing) ain't as good as lobbying for advantageous laws.

      It's not the copyright owners' faults that the market model for decorators is Work for Hire.

      Then songwriters should take a lesson from software developers and charge for services, not for some "intellectual property" bullshit. A company needs you to write them a song, you charge for it, a company wants you to write songs for them regularly, you get employed by them for a stable salary. No need to deal with stupid lobbying organizations, overzealous lawyers, or paying royalties to people who've never had a hand in actually running the goddamned business. Win for all.

      This has been tried in the past, and actually happens a fair amount in pop music.

      However, copyright law is not a new thing and here's the key: You are perfectly free to not utilize the work of any given copyrighted work, however, if you wish to utilize that work, you must meet the copyright owners' terms. It's very simple.

      Software writers can very much charge for their software (and do) with regards to "intellectual property bullshit". It's only OSS developers that need to charge for services, due to their voluntary relinquishing of their rights to the work. Most software in the world is not OSS, and you need to pay for most of it. Seems to work fine.

      Just because you don't like paying for things, doesn't mean the business model of paying for things is flawed.

    75. Re:The radio makes senes, but not the singer by sumdumass · · Score: 1

      Wow.. You are really stretching to make a non-existent point. The bottom line is that the paint was paid for each time it was applies. The building was paid for each time it was built, maintained, or expanded. If you build ten buildings, you will have to pay for ten buildings. If you paint it ten times, you will have to pay ten times. If you play a song 10 times, you will have to pay for it ten times. Like I said, the biggest difference is the frequency where it might take months or years to paint or build a building and they years in between doing it again where one song could be play 10 times in one hour or less.

      Now you want to argue that you do not like the difference between how they treat private consumption differently then commercial consumption. Well, copyright isn't all that different then anything else that has arbitrary restrictions on it. Drink a beer at home, it's fine. Drink one in public, and you will have to go to some place that purchased a special license to allow it with a small few exceptions.

      Also, you're off on the value to businesses. It's about atmosphere and it does several things to calm people who would otherwise be pisses off at your shitty offerings. That's why calm relaxing elevator music is generally played at the doctors office where you pay an over priced bill and spend more time waiting in the lobby or some vacant room then you do being treated. In a grocery store or any other place of commerce when it is done to further this atmosphere, then it's different then you listening to it at home or in your car. Most of the stores I go to use the Musac systems to insert store adds in between songs so they can sell off all the 5 day old meat at a discount before it spoils or something. That's clearly a commercial setting and is little different then a radio station needing to pay royalties.

      Now, as I said, if it's a simple employee keeping themselves occupied while the do some task, then it's completely different. But if it's the employee doing it to attract and keep customers, then it's commercial. There is nothing difficult about that.

    76. Re:The radio makes senes, but not the singer by clone53421 · · Score: 1

      Private and public performances are two entirely different things. If you're playing it for your workers, it's a private performance, unless customers happen to be able to hear it. If customers happen to hear the music, ZOMG, you just violated the copyright.

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
    77. Re:The radio makes senes, but not the singer by clone53421 · · Score: 1

      What's the relevant PRS rule for public vs. private performances? I'm pretty sure in the US you can privately play music or movies but if it's open to the general public it's considered a public performance.

      Not sure what they'd do if you had to, say, show a student ID to get in. Technically it's not a public performance because it's not open to just anyone, but I'm guessing there's also a size limit on private performances at which point they are either considered to be public or else classed differently from small private performances. IANAL, so my understanding of the US law might not be correct either...

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
    78. Re:The radio makes senes, but not the singer by scot4875 · · Score: 1

      Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing.

      I find this hard to understand. Your yearly nice dinner is enough compensation to justify empowering an overzealous organization to harass people?

      If it were me, I'd rather just have my work used with no compensation than have a team of lawyers use it to justify squeezing money out of people. Let them leech off of someone else or, preferably, starve if everybody refuses to play their game.

      --Jeremy

      --
      Jesus was a liberal
    79. Re:The radio makes senes, but not the singer by cdrguru · · Score: 1

      Simple process. That is how it worked in the 1700s. Rich fat cat paid people to compose and play "his kind" of music. Nothing else to speak of was produced besides what was paid for by these people.

      This is our historical legacy, what we call today "classical music". The style of it was dictated by the tastes of the people paying to have it produced. It also dictated how music was taught, because the only paying jobs there were for people playing music followed that style as well.

      Universally, I think everyone would agree that having music composed to order by the people that can afford to pay for its composition would be a bad thing. Patronage worked fine in a very limited market. Hopefully, nobody will ever try that again.

    80. Re:The radio makes senes, but not the singer by jwhitener · · Score: 1

      "Full disclosure: I'm a songwriter and a member of a PRS. The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing."

      Is there any way of knowing how much they actually collected for your songs versus what they handed to you?

    81. Re:The radio makes senes, but not the singer by Draek · · Score: 1

      Software writers can very much charge for their software (and do) with regards to "intellectual property bullshit". It's only OSS developers that need to charge for services, due to their voluntary relinquishing of their rights to the work. Most software in the world is not OSS, and you need to pay for most of it. Seems to work fine.

      Wrong. Most of the world's software is written for internal use of the organization that paid for it: you're hired to code, and you get a stable salary regardless of how many people use the software that incorporates it. ISVs are only a very tiny fraction of the software world, regardless of what the people outside the industry may believe.

      --
      No problem is insoluble in all conceivable circumstances.
    82. Re:The radio makes senes, but not the singer by s-whs · · Score: 1

      > While I believe I understand your point I think you missed mine:

      > You have an opportunity, whenever you make a decision on how to acquire
      > property (and I would classify a song as property that has vested
      > property rights) - buy or rent.

      Aha, I see what you mean (I think!) and this was covered implicitly by what I said in my first post, namely that the songs being played on the radio are already paid for by the radio station, and taxes. it depends a bit on which country you're in, but here in NL, everyone pays taxes to support radio/TV even if you have no one. It used to be such that you were not allowed to use a radio or TV unless you had a licence, same as I believe it still is in the UK. As everyone here in NL pays such taxes, everyone may use/listen to a radio, so why no the radio in the supermarket? Even if not done by taxes, the number of people not paying a licence fee (e.g. in the UK) will be small percentage so still not a case for a store licence. And how the songs are being paid for, in one go or 'rented' doesn't matter, they are being paid for. If the customer didn't listen to the song in the store, he could have listened to it in his car, or at home, legal, paid for.

      Now, as the songs are continually being paid for (if not by taxes, then still by the radio stations themselves), why should business-use need further compensation?

      The only reason would be as someone else mentioned, to have a specific difference in price between a product used commercialy and non-commercially. For music I can understand that for say a dance-club where people specifically come for the music, that in that case it would be appropriate to need a licence as the club's 'work' depends largely on the music makers work. But not for background music, or anything which is just a small part of the whole. Then my argument applies.

    83. Re:The radio makes senes, but not the singer by Convector · · Score: 1

      I don't think that would work. No court would accept the argument that the noise emanating from those vehicles could be classified as "music".

    84. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      Wrong. Most of the world's software is written for internal use of the organization that paid for it: you're hired to code

      How does this contradict the statement "Most software in the world is not OSS and you need to pay for most of it."

      Companies pay for it as a work for hire, even if their employees do it internally.

    85. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      the fruit of their labor is a pre-determined pattern of pressure waves traveling through the medium known as air.

      if you are talking about value, then music has no monetary value, and therefore no fruit .....without the help of popularity, and popularity can only be gained with the help of listeners.

      the relationship between musician and listener is bi-directional.

      take 10 equally skilled musicians, make them work equally hard for a period of time, and the songs they produce will bear different fruit.

      most of them will produce a seed, and that's it.

      maybe one song will produce fruit.

      and the factor that matters the most as to the quantity and quality of the fruit? the listeners.

      we listeners produce the fruit.

      and what do we get for our trouble? threats, lawsuits, fines, harassment, poor quality, never ending copyright, entire wings of the government ready to send stormtroopers to kick down your door, and tell you and your family to lie face down

      fuck musicians, fuck the music cartels, fuck the lawyers, fuck everyone.

      p.s. i'm a musician. i used to play for large crowds and was signed, now i play for myself, friends and family.

      tired of all the b.s.? pick up an instrument, sing, and write some songs.

    86. Re:The radio makes senes, but not the singer by Draek · · Score: 1

      How did *that*, then, contradict the statement that "software developers (...) charge for services, not for some 'intellectual property' bullshit"? In fact, work for hire is precisely one of the models I recommended for songwriters to replace the current, "IP" based one.

      --
      No problem is insoluble in all conceivable circumstances.
    87. Re:The radio makes senes, but not the singer by Oneiris · · Score: 1

      As a software engineer, I'm not paid every time code I wrote 2 years ago is used.

      So it's copyright holders' fault that the majority of your income is the result of Works for Hire?

      Not, it's not their fault. Nor is it mine that more and more people are no longer willing to 'rent' the ability to listen to music. As I said in another post, I'm more than happy for producers to be rewarded for broadcast/performance of their work within a set period, but I think that the period is way too long, and also that we need to redefine what constitutes a performance. Having a song playing over the radio is not a performance to my mind.

      The current practice of rewarding artists every time their music is played is unsustainable, and more and more people are becoming aware of this fact.

      Its perfectly sustainable, so long as people are willing to pay for what they utilize.

      But the problem is more and more people are not willing to meet the terms music is licensed under anymore, so I would argue it is unsustainable in its current form. Sure, the terms were reasonable once, but the recording industry has pushed and pushed until it's really not fair to the consumer any more.

    88. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      I wish that they would stop playing music in stores and restaurants altogether. It's hard to talk over, it rarely contributes to the experience, and I'd much rather carry my own music with me on an mp3 playing device.

    89. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      So it's copyright holders' fault that the majority of your income is the result of Works for Hire?

      Not, it's not their fault. Nor is it mine that more and more people are no longer willing to 'rent' the ability to listen to music. As I said in another post, I'm more than happy for producers to be rewarded for broadcast/performance of their work within a set period, but I think that the period is way too long, and also that we need to redefine what constitutes a performance. Having a song playing over the radio is not a performance to my mind.

      The reason you're stuck in that mindset is because you have an outdated and traditional idea of what a "performance is" as *only* being a theatrical production of some sort.

      You can call it whatever you like, I guess, but it's still utilization of someone's creative work, and as such they are legally entitled to be compensated for a variety of those uses. The "copyrights are bullshit, man!" subculture simply doesn't think the entire situation through. The only reason they're able to P2P/Torrent the works that they're sharing, is because of the legacy system created by 400 years of copyright law and precedence.

      Its perfectly sustainable, so long as people are willing to pay for what they utilize.

      But the problem is more and more people are not willing to meet the terms music is licensed under anymore, so I would argue it is unsustainable in its current form. Sure, the terms were reasonable once, but the recording industry has pushed and pushed until it's really not fair to the consumer any more.

      By "more and more" you actually mean "for a time it was easier for non-technical users to pirate creative works than pay for them". That is indeed true, but fortunately things are starting to look a little better given the pervasive nature of iTunes and other music services that cater to similarly non-technical users.

      But, look, I feel the need to stress that licenses for public performances are *not* *new*. You've needed to obtain them for a good long time, and folks have been happily paying them (often without knowing it) for a long time. Often the only folks who actually explicitly know they're paying them are live music venue owners, and they pay a flat fee once a year (because, at least in the US, the venue owner is responsible for the license -- its not feasible to audit every cover band, and trying to track every song played in a venue that isn't original is equally unfeasible).

      Now, the method that PRS is choosing to pay their "agents" by is obviously causing abuses, however, the solution is not to remove the ability of rights holders to govern the use of their works. The establishments and groups that *do* use music to attract/keep customers definitely are required to pay a licensing fee (sometimes its wrapped into a service -- you pay for a month of muzak for your department store in the US and the BMI/ASCAP fee is wrapped into that cost).

      Keep in mind, particularly in terms of music, the overwhelming number of big, evil music companies got rights to works because the bands/artists traded those rights *to* them, in exchange for a variety of things. The only reason that big, bad media companies can enforce those rights, is because the artist themselves okay'd it.

      Ultimately, and I know it sounds cliched, you're not harming the Big Labels. They will eventually come through in some form or another. By encouraging a mindset that supports disregard for copyright law, you hurt up and coming artists (I've seen it more than a few times, i.e. Blogs that do a review of a band's new release, and link to a MediaFire .rar of that album at the end of the review... wtf, people).

    90. Re:The radio makes senes, but not the singer by pipedwho · · Score: 1

      Some do, it's called rent. The choice is to either buy everything outright, or pay a fee for it's use on an ongoing basis. You could buy the right sto a song; just as you can a building; or simply pay an ongoing fee for it's use (and the stuff inside) without every owning anything.

      Actually you're quite right, it's very similar:

      When renting a building, imagine that the landlord was then obligated to seek out every manufacturer of fittings, paints, carpets, lino, furniture, etc. And pay them ongoing royalties. That's too hard.

      So lets just let the landlord collect and keep that 'rent'! Much simpler to administer.

    91. Re:The radio makes senes, but not the singer by Knara · · Score: 1

      Because you seem to think that "works for hire" have nothing to do with intellectual property.

      If I create something, and own the copyright to it, I can choose contractually to license, sell, or give those rights to another party. My ability to do that, in the US at least, is Constitutionally protected. I, as the rights owner, get to dictate the terms of that transaction. If the receiver does not like my terms, they are not under any obligation to accept the transfer/license, BUT then they are legally prohibited from using my work except in very limited ways.

      So, work for hire? Essentially my work is funneled right to the person who did the "hire", but that is STILL "intellectual property bullshit", as you say. The only difference is now the person who "hired" the artist has the rights transferred as soon as creation happened, instead of having to license it in a separate negotiation. They're still paying for my IP, it's just being immediately transferred to whomever hired me.

      In any case, if, as you claim, most software is written internally, it is still heavily involved with "intellectual property bullshit". You're still paying for IP.

    92. Re:The radio makes senes, but not the singer by Registered+Coward+v2 · · Score: 1

      Some do, it's called rent. The choice is to either buy everything outright, or pay a fee for it's use on an ongoing basis. You could buy the right sto a song; just as you can a building; or simply pay an ongoing fee for it's use (and the stuff inside) without every owning anything.

      Actually you're quite right, it's very similar:

      When renting a building, imagine that the landlord was then obligated to seek out every manufacturer of fittings, paints, carpets, lino, furniture, etc. And pay them ongoing royalties. That's too hard.

      So lets just let the landlord collect and keep that 'rent'! Much simpler to administer.

      In general, the landlord has bought, not rented or otherwise arranged for use of the property. I do agree, however, that it is much more efficient to collect the money upstream in the process (such as the radio station) rather than further downstream.

      The problem, as I see it, is that stations have much more power than individual radio owners. If stations are pushed to hard on radio, they can alter formats and play lists to minimize costs and / or demand reductions for playing new music; limiting a key marketing vehicle (and potential hit maker) for record producers.

      As always, follow the money.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    93. Re:The radio makes senes, but not the singer by pipedwho · · Score: 1

      The difference arises because if I 'buy' the CD, I can't use it as freely as the paint and furniture that I buy.

      This is the fundamental flaw in a system where I have no choice _not_ to rent the CD. Since the CD inherently comes with legally enforceable strings attached even when I do buy it.

      The paint mixers, fitting designers and furniture joiners of the world would absolutely LOVE the same benefits as the artists and music makers.

      Fortunately, there is some level of sanity in other industries when it comes to 'IP'.

    94. Re:The radio makes senes, but not the singer by Registered+Coward+v2 · · Score: 1

      The difference arises because if I 'buy' the CD, I can't use it as freely as the paint and furniture that I buy.

      This is the fundamental flaw in a system where I have no choice _not_ to rent the CD. Since the CD inherently comes with legally enforceable strings attached even when I do buy it.

      Because, as you point out, you are only buying the physical disk, not the music. You have a choice, however. Buying the music would cost a lot more than the cost of the CD; since you are not willing to pay that, you don't get the music. however, you are willing to pay the asking price for paint, fittings, etc, and so the owner sells the entire object to you.

      Fortunately, there is some level of sanity in other industries when it comes to 'IP'.

      How so? You can't produce copies of many objects; you can't use them in derivative works in some cases; you own the object only.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    95. Re:The radio makes senes, but not the singer by slew · · Score: 1

      Private and public performances are two entirely different things. If you're playing it for your workers, it's a private performance, unless customers happen to be able to hear it. If customers happen to hear the music, ZOMG, you just violated the copyright.

      Although you are correct that private and public performance are different, you still have licensing problems for so-called private performance that are not part of a domestic or home-life environment (e.g., a "private" members only club, or say your workers) even if you don't have customers or not. You (and I) may think the laws are stupid, but this is what the precedence is (at least in the UK, Jennings v Stephens 1936). Public performance means it's a group of people and that group of people that hear the performance aren't in a domestic or home-life setting.

    96. Re:The radio makes senes, but not the singer by pipedwho · · Score: 1

      Because, as you point out, you are only buying the physical disk, not the music. You have a choice, however. Buying the music would cost a lot more than the cost of the CD; since you are not willing to pay that, you don't get the music. however, you are willing to pay the asking price for paint, fittings, etc, and so the owner sells the entire object to you.

      In this situation, we aren't talking about 'reproducing' the work, we are talking about 'performance' of the work. With music, I can't freely put the CD into my CD player and play it in my place of business.

      Whereas I can purchase any of those other items and use them normally in the same place of business. This freedom even applies to items covered under design patents, trademarks and regular copyrights (eg. posters, etc).

      (Re-)broadcasting is similar, however, there seem to be some industry 'guidelines' that change how broadcasters react to visual and aural usage of various branded and unbranded objects, words and/or performances.

      How so? You can't produce copies of many objects; you can't use them in derivative works in some cases; you own the object only.

      Reproduction != usage. There's another debate to be had in that arena, but for our current example, the farce is primarily due to the 'performance' aspect of the legislation getting in the way of something that is arguably not a 'performance'.

    97. Re:The radio makes senes, but not the singer by NeutronCowboy · · Score: 1

      Ah.... a flame by an AC artist. Beautiful. I try not to respond to ACs, but this is just too perfect to pass up.

      Number 1, you're confusing me with someone who writes code, something I realized a long time ago I should leave to smarter people. Instead, I write stuff that people use to buy software, or keep using software. Think of it as liner notes or the authenticity paper for a new Mozart piece.

      Number 2, you're committing the delicious irony of denigrating all programmers on a geek website, using a web browser, a protocol and an infrastructure that all have their roots in the mind of a programmer or computer scientist. You can start by apologizing to Vint Cerf as a start.

      Number 3, and here's where the going gets good. You seem to think that writing software won't further the discussion of the human condition - yet this is exactly what you are doing. Are you so unaware of your surrounding, so absorbed by your artistic navel gazing that you fail to see the contributions that others have made to your ability to feel important? Apparently. Finally, you are so narcissistic, so blinded by your own need to be superior to others that you completely fail to see that artists have never really done anything. Oh yes, there's the Sistine Chapel, the Brandenburger Concertos, the Venus de Milo, even "Yesterday"... but really, no artist ever stopped a population from starving. No artist ever delivered a city from a siege, created a life-saving device - or heck, even a device that makes life simpler and more convenient. Might they have inspired others to do so? Possibly. But muses are interchangeable, and in the end, are at best catalysts for actions, never actors themselves.

      So when you're saying that programmers are somehow jealous or inferior to artists, you're merely demonstrating that your ignorance knows no bounds. While those "secretaries" created something that changed the course of history and represents the most important technological advance in the history of humanity, you might have strung together a few tunes that evaporate into the night, or speckled some ephemeral surface with some color.

      Of all the things that are in this world, you - yes, you - are the most insignificant and forgettable spec. The accolades belong solely to those who do - secretaries like Vint Cerf, Dennis Ritchie, Mark Andreessen, Alan Turing, or the Woz.

      And your (note the possessive form) English sucks.

      --
      Those who can, do. Those who can't, sue.
    98. Re:The radio makes senes, but not the singer by lennier · · Score: 1

      "Songwriters are the ones who get compensated for this, and rightfully so: people are using the fruits of their labor (music) to help sell merchandise."

      Er, but why is this "rightful"? The "fruit of your labour" was intellectual - the music you created, which is an idea that you gave to the whole universe. You and the whole universe still have that, and will eternally. It was produced once, it can't be destroyed. Ideas are not consumable goods.

      What you're saying you're entitled to is the fruits of SOMEONE ELSE's labour - their use of your music to sell their merchandise. Why are you entitled to this?

      Or by 'fruits' do you mean 'everything done or created by anyone, anywhere, that was influenced in any way by my music, eternally until the end of time?'

      Because that's a heck of a lot of other people's labour you're claiming as your personal 'fruit' - and if you look the other way, your music was equally influenced by a heck of a lot of people. Did you use a blues riff? You morally owe every blues singer you quoted. Did you use the Well-Tempered Clavier scale? You owe Bach. Do you really want to be running those numbers?

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
    99. Re:The radio makes senes, but not the singer by Draek · · Score: 1

      Work for hire isn't paying for "IP", it's paying for services rendered as the payment is dependant on the time under service, not on the quantity or number of active users of the products delivered. To pretend otherwise is to stretch the definition of "IP" beyond any reasonable level.

      --
      No problem is insoluble in all conceivable circumstances.
    100. Re:The radio makes senes, but not the singer by lennier · · Score: 1

      "The bottom line is that the paint was paid for each time it was applies. The building was paid for each time it was built, maintained, or expanded. If you build ten buildings, you will have to pay for ten buildings. If you paint it ten times, you will have to pay ten times."

      Right, but paint wears out. So it's entirely natural to charge each time it gets repainted. Music - as idea or information - doesn't. So is it natural to try to pretend that it's a physical thing and impose an artificial scarcity on it, as if every time someone hears a song, a music pixie dies and must be replaced?

      This is the fundamental problem: information replicates at zero cost, matter doesn't. Matter, it makes sense to swap for another piece of matter. Information.... doesn't. You can't 'swap' information, you can only copy it, and now you have two ideas where before you had one. But our economic system is built on swapping matter and therefore assumes that information must be a 'good' whose sale must be strictly regulated so that the music pixies don't burn out.

      But there are no music pixes and never were. There is a need to fund the creation of NEW information - but there's no need to keep funding the replication old information. It does that part by itself. So make that work FOR us, not against us.

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
    101. Re:The radio makes senes, but not the singer by Oneiris · · Score: 1

      So it's copyright holders' fault that the majority of your income is the result of Works for Hire?

      Not, it's not their fault. Nor is it mine that more and more people are no longer willing to 'rent' the ability to listen to music. As I said in another post, I'm more than happy for producers to be rewarded for broadcast/performance of their work within a set period, but I think that the period is way too long, and also that we need to redefine what constitutes a performance. Having a song playing over the radio is not a performance to my mind.

      The reason you're stuck in that mindset is because you have an outdated and traditional idea of what a "performance is" as *only* being a theatrical production of some sort.

      While it'd be nice to be able to redefine words to suit what you think they should mean, the fact is that playing a song being broadcast on public radio is never going to be a performance. Nobody is performing it. It is a broadcast, plain and simple, and if it's on a public radio station it has already been paid for. This reminds me of the time I ran a university society for rock/alternative music. We had weekly gatherings at a local pub, where they had a jukebox full of rock music - so the licence had already been paid for the music on that. The pub was warned by the PRS that people were not allowed to dance to the music, otherwise they'd need to apply for a new, more expensive licence to play 'live' music, even though no live music was being played. This behaviour of double-dipping is what's causing the backlash against the rights collection agencies and people seeking other means of obtaining music. It's completely unreasonable behaviour and a lot of consumers are tired of it.

      Speaking as both a producer and a consumer of music, I would rather have more people listening to my music. That's the best promotion I can get. I'm under no illusions that I'll make real money from selling my music, and that doesn't bother me. I like making music and will continue to do some regardless of how successful it is. But the more people who hear my music, the more my market increases and the greater amount of people will at least consider coming to my shows. That's good for me. Now, I'm aware not every other musician/writer/producer shares my opinions, and that's fine. But to expect to be paid over and over again for one piece of work, perpetually? It's unreasonable. Take for example people like Cliff Richards, who's been lobbying for copyright protection in the UK to be extended even further just so he can still get paid for the recordings he made in the 50's. This is absolutely insane to me. Even with patents, this kind of entitlement doesn't exist perpetually. Eventually they run out and then other people are free to use them. Copyright was brought about to give the artist a limited period in which they have a monopoly on the work. After that, it's assimilated into society. Extending copyrights ad infinitum will stagnate music to the point where it's going nowhere, and that's what's happening right now with commercial music. When it stagnates, then everyone loses out, big musicians and small musicians alike.

      You can call it whatever you like, I guess, but it's still utilization of someone's creative work, and as such they are legally entitled to be compensated for a variety of those uses. The "copyrights are bullshit, man!" subculture simply doesn't think the entire situation through. The only reason they're able to P2P/Torrent the works that they're sharing, is because of the legacy system created by 400 years of copyright law and precedence.

      As I said in my previous post, I'm not against copyright, but I do think it needs massive reform. Besides, I would argue against having music playing over the radio in a store as the store utilizing the songs, especially in the case of the original article where the radio was being used by employ

    102. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Look. I don't want to argue with you, its just how The Law works in the UK (where the shop is).

      Here's a link to lots of questions and answers.

      http://www.prsformusic.com/users/businessesandliveevents/musicforbusinesses/Pages/havewecontacted.aspx

      That's the terms under which music can be played in a business. That's just reality. Get used to it.

      If they don't want to pay for a license then they are free to do that but then they can't play music.

      If I don't like the price they are charging for apples at their shop then I don't buy apples. Simple as.

      If I took the apples anyway I would be a twat.

      If someone want to listen to an iPod on headphones they can do that because it's not a public performance (ie. no-one else can hear it).

      I'm not saying that any of this shit is sensible or "right" but it's just the way it is OK. I personally think that the law telling me that I can't smoke ganja is stupid but that is not a defence when I get busted now, is it.

    103. Re:The radio makes senes, but not the singer by Ol+Olsoc · · Score: 1
      But you see my friend. Your insistence on getting a royalty for any playing of a song means that I won't listen to the song, won't decide I like it, and won't buy it. Music becomes popular by people hearing it, not by extracting money from the person who is singing a song she likes. Listening to the music in a public place is like free advertisement.

      I don't care if the extortion was rescinded. We are entering a new age of thuggery. If she would have paid for a license so she could sing some old Rolling Stone song, the PRS would have accepted it. That is thuggery, my friend. The only reason that they apologized is not because they thought they were wrong, it is because the outcry was so great. Why? Because somewhere, someone thought that a person singing to themselves owed money to someone else.

      It's been years since I've bought a new album. Most contemporary music is pretty mediocre at best. So enjoy the money I'm keeping in my pocket.

      --
      Why is this even on SlashDot?... Why is this even on Slashdot?...Why is this even on Slashdot?
    104. Re:The radio makes senes, but not the singer by sumdumass · · Score: 1

      Right, but paint wears out. So it's entirely natural to charge each time it gets repainted. Music - as idea or information - doesn't. So is it natural to try to pretend that it's a physical thing and impose an artificial scarcity on it, as if every time someone hears a song, a music pixie dies and must be replaced?

      Well, paint get changed before it wears out most of the time. Either way, it's incorrect to state that it doesn't have royalties attached to it. Now as for being natural or not to charge for music, well, the laws of nations generally permit it and the people charging have a legal backing that existed probably longer then you have been alive. It would be natural- at least to you and everyone else because it was that way before you started thinking. If you want to change it, then speak with your legislators and stop attempting to make comparisons to me.

      This is the fundamental problem: information replicates at zero cost, matter doesn't. Matter, it makes sense to swap for another piece of matter. Information.... doesn't. You can't 'swap' information, you can only copy it, and now you have two ideas where before you had one. But our economic system is built on swapping matter and therefore assumes that information must be a 'good' whose sale must be strictly regulated so that the music pixies don't burn out.

      Well, not really. You see, copying information doesn't decrease it's value or worth unless it's copied and presented to someone who would otherwise pay for it. If I see a value in it and use it as an edge in my business practice, then I have no problem paying for it as the law allows. And yes, at least for your life time, our economy has included swapping information as a component of it's operation. Like I said before, petition your government but don't make silly comparisons about how information should be free because it costs nothing or how businesses do not pay painters as they will either ignore you and your logic or pass laws stopping you from having the ability to copy information.

      But there are no music pixes and never were. There is a need to fund the creation of NEW information - but there's no need to keep funding the replication old information. It does that part by itself. So make that work FOR us, not against us.

      So what are you arguing here- abolition of copyright or a reduction in it's terms? And how would it continue to do that part by itself if you got your way?

      If a business (certain ones) uses it to their advantage, the law says they owe. It's the law you want to change, not me following it.

    105. Re:The radio makes senes, but not the singer by Anonymous Coward · · Score: 0

      Wow.. You are really stretching to make a non-existent point. The bottom line is that the paint was paid for each time it was applies. The building was paid for each time it was built, maintained, or expanded.

      You missed the point entirely. Paint, or any other construction material doesn't cost more just because it's used in a commercial setting. The only variations in price are for product quality and size/quantity. You can use the same carpet or paint in your home as a contractor uses in a commercial business. The commercial contractor will probably buy it cheaper than you will for home based on quantity alone. It just doesn't matter, price wise, whether the carpet or paint will be used in a place that generates revenue or is a personal residence.

      If you build ten buildings, you will have to pay for ten buildings. If you paint it ten times, you will have to pay ten times.

      So? There still isn't any price difference based upon commercial vs residential usage. The only pricing differences are quantity and quality of the products used, and the commercial building owner pays less per item than the individual does because he buys more of it at a time.

      If you play a song 10 times, you will have to pay for it ten times.

      Why? If I play my CD's at home I have to pay per use? Why would anyone pay per play? That's absolutely outrageous. We all buy music on a fixed cost for the media involved. Music is priced per CD or per file. It's not priced on a per play. If it was no one would ever buy it. Performances, such as live performances, are priced per performance but music media is not. There's a reason for that too. Recorded music doesn't require the artist to perform every time someone listens to their music. As far as the artist is concerned they put forth the same amount of time and effort whether one of the recordings is played 1 or 1 million times. There is no reason they should be paid every time one of the recordings is being played as the artist is in no way affected by that.

      Like I said, the biggest difference is the frequency where it might take months or years to paint or build a building and they years in between doing it again where one song could be play 10 times in one hour or less.

      Once again you're missing the point. The costs of the products involved aren't priced on whether or not building will be used commercially. They are priced on quality and quantity. The more you buy, the cheaper they get.

      Now you want to argue that you do not like the difference between how they treat private consumption differently then commercial consumption. Well, copyright isn't all that different then anything else that has arbitrary restrictions on it. Drink a beer at home, it's fine. Drink one in public, and you will have to go to some place that purchased a special license to allow it with a small few exceptions.

      So?

      Also, you're off on the value to businesses. It's about atmosphere and it does several things to calm people who would otherwise be pisses off at your shitty offerings.

      What's that have to do with anything? So what if it's of value to the business? It's also of value to the artist to have his music played there. I can't tell you how many albums I have purchased that I first heard in a bar. I would have never bought it if I hadn't heard it. Looks to me like it's a wash. It's valuable to both the artist and business, at least in the context of a bar. Besides it's not as if the artist is there actually performing. He/she/they aren't even there. Why should they be paid for something for which they have already been paid once? What makes them deserving of double dipping thousands/millions of times over? That's horseshit.

      That's why calm relaxing elevator music is generally played at the doctors office where you pay an over priced bil

    106. Re:The radio makes senes, but not the singer by Xordin · · Score: 1

      The money I make a year on songwriting could maybe buy a nice dinner. Without someone looking out for my interests, I'd make nothing. I've heard that maybe 1% of the price people pay for songs ends up going to the artists.

  15. And the birds hired copy write lawyers by RickyG · · Score: 2, Interesting

    First they took music out of the schools, Then they took the music off the radio, Now they are trying to take the music out of the mouths. I guess the only music the future kids will know is the Televison commericals, and video game music. And it is not from the Evil Big Brother, it is our rich lawyers (pronouced "Li-ars") twisting every penny out every pocket.

    1. Re:And the birds hired copy write lawyers by GumphMaster · · Score: 3, Insightful

      First they took music out of the schools, Then they took the music off the radio, Now they are trying to take the music out of the mouths.

      Hmmmm, sounds familiar... Oh yes! That's what the Taliban did to a whole country.

      --
      Patent litigation: A doctrine of Mutually Assured Destruction... in which everyone seems willing to push the button
    2. Re:And the birds hired copy write lawyers by Painted · · Score: 1

      And we'll end up with living in San Andreas, tuned into the Golden Oldies channel...

      sings along with Leninia and Erwin>

      Hot Dogs
      Armor Hot Dogs, the dogs kids love to eatttttt!

      --
      http://marsandmore.com - Posters of space, spacecraft, and astronomy.
    3. Re:And the birds hired copy write lawyers by cpghost · · Score: 1

      Oh yes! That's what the Taliban did to a whole country.

      Well, with all the NATO troops fighting the Taliban in Afghanistan, the Royalties-Taliban have less natural enemies at home. No wonder they get raise their ugly heads now.

      --
      cpghost at Cordula's Web.
  16. bastards!! by Tomfrh · · Score: 5, Funny

    Just for this, I'm gonna download TWICE as many mp3 tonight to show those corporate FAT CATS they can't push around the little guy!

    1. Re:bastards!! by T+Murphy · · Score: 5, Funny

      Don't forget to delete the songs so you can download them again. Each pirated song is worth $80000, and piracy is stealing, so download enough and you can bankrupt these guys once and for all!

    2. Re:bastards!! by Anonymous Coward · · Score: 0

      best short description of the copyfight I've ever read.

    3. Re:bastards!! by Xenographic · · Score: 1

      > Each pirated song is worth $80000

      Actually, the maximum statutory damages are $150,000. So they'll go bankrupt almost twice as fast!

    4. Re:bastards!! by Mattskimo · · Score: 1

      Assuming that each pirated song is worth $80,000 and I can download a 4mb mp3 file every 30 seconds (I can probably download them quicker than this but let's be conservative), this means I can cause $160,000 worth of damage per minute to the music industry. This translates to $9,600,000 per hour, £230,400,000 per day. In a year this adds up to $83,950,000,000. Bear with me here people. Given that according to http://www.economywatch.com/world_economy/world-economic-indicators/world-gdp.html the Gross Product of the entire world in 2007 was $65.61 Trillion. It should only take, even if we are extremely optimistic and estimate that this has increased by a total of 10% over the past 2 years, less than 900 of us with dedicated computers to bankrupt the ENTIRE WORLD.

    5. Re:bastards!! by Anonymous Coward · · Score: 0

      If only...

  17. Oh, you noticed? by Anonymous Coward · · Score: 0

    I don't listen to radio anymore, as it has become nothing more than a single wholeday ad for music.

    cb

  18. The company apologized by thomasinx · · Score: 5, Informative

    Yes, she was ordered to pay royalties. However, shortly afterward, the company sent her flowers, and issued a formal apology (ie, they realized they went *way* too far).

    and I quote the article...
    "In a note attached to a large bouquet of flowers they said: "We're very sorry we made a big mistake. We hear you have a lovely singing voice and we wish you good luck." "

    1. Re:The company apologized by martas · · Score: 1

      But this isn't just one isolated incident with a very large deviation from the mean. Yes, they apologized, but I wouldn't be terribly surprised if something like this happened again sometime soon, with no apologies to follow, and that's the real alarming part.

    2. Re:The company apologized by Anonymous Coward · · Score: 0

      The question is... why doesn't this type of idiot realize "they've gone too far" *before* they go and document their cretinism for the rest of us? These dolts seem endemic to the human race. We should not have locked up the tigers....

    3. Re:The company apologized by Anonymous Coward · · Score: 5, Insightful

      The company didn't realize anything. They were cowed into submission by an understandably outraged public.

    4. Re:The company apologized by Anonymous Coward · · Score: 5, Insightful

      They are testing the waters.

    5. Re:The company apologized by ChipMonk · · Score: 2, Insightful

      We're very sorry we made a big mistake. We hear you have a lovely singing voice and we wish you good luck.

      Which is lawyer-speak for "Our next target will be someone with a lot less public exposure, and much less ability to defend against our accusations in court."

    6. Re:The company apologized by Anonymous Coward · · Score: 0

      Because you have more examples, am I right?

    7. Re:The company apologized by Anonymous Coward · · Score: 1, Insightful

      We're very sorry we made a big mistake. We hear you have a lovely singing voice and we wish you good luck.

      Which is lawyer-speak for "Our next target will be someone...much less ability to defend against our accusations in court."

      Than some old dear who works in a grocery store?

      This is an oops. That it's an oops that is pertinent to the whole copywrong clusterfuck is of interest to Slashdotters (and should be, but isn't, of interest to Joe Public), but it is an oops nonetheless.

    8. Re:The company apologized by GreatBunzinni · · Score: 4, Interesting

      Was this before or after the public backlash against such a damaging PR fuckup? This is the difference between "they may be, after all, a decent, level-headed group" and "those evil-doers are desperate to minimize the shitstorm they cast their way due to their arrogance and greed".

      --
      Slashdot, fix your code or at least hire someone who is competent at it to do it for you.
    9. Re:The company apologized by BasilBrush · · Score: 5, Insightful

      Because the "idiot" is a license salesman paid on commission. S/he has no interest in the rights and wrongs beyond selling as many licenses as possible in order to maximise his/her commission.

      What's gone wrong here is pretty similar with what went wrong with traffic wardens (parking regulation enforcement officers) in the UK. At one time they were employed by the state on salary. And they'd see it as their duty to keep traffic moving. And if they saw someone about to park in the wrong place, they would go and warn them. Now, they are outsourced, and paid on commission by the number of parking tickets issued. So now they act as huntsmen, hiding themselves around the corner from where they know people tend to park illegally, and jumping out to claim a scalp as often as they can. On occasion lying about the offence in order to issue a ticket where none should have been issued.

      People in quazi-official enforcement roles should be seen as impartial appliers of rules and regulations. They should never be paid on commission. That's what's gone wrong here.

    10. Re:The company apologized by cbope · · Score: 2, Insightful

      More than likely they apologized only because this started to generate negative news. Why didn't they realize they were "going too far" earlier? Like, oh I don't know... before they sent her a demand for money? The should have realized long before this became news that they had no right to demand payment.

      This is extortionist behavior on the part of the PRS (and other similar groups). Strike hard and first seems to be the guiding rule in these types of cases, without even considering the facts.

    11. Re:The company apologized by uuddlrlrab · · Score: 0, Redundant

      Because, obviously, if an authority like Anonymous Coward has never heard of it, it must not exist. A very smart person who probably knows a lot about this sort of thing.

      --
      Odi profanum vulgus et arceo
    12. Re:The company apologized by damburger · · Score: 1

      Didn't the KGB used to have planning targets for how many people they should arrest? Same shit, different arsehole...

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    13. Re:The company apologized by Anci3nt+of+Days · · Score: 1

      We're very sorry we made a big mistake. We hear you have a lovely singing voice and we wish you good luck.

      Which is lawyer-speak for "Our next target will be someone with a lot less public exposure, and much less ability to defend against our accusations in court."

      ...or just much bigger pockets.

    14. Re:The company apologized by Anonymous Coward · · Score: 0

      No, they realized they went to far. Not that there's any kind of moral threshold, but rather the boundary is crossed when they piss off enough people that it will cost them more money then they get from it. They understand money. They understand that they went to far... because it could cost them money.

    15. Re:The company apologized by barzok · · Score: 1

      Does it matter? The fact that this even left a lawyer's office in an attempt exact some type of punishment is ridiculous. Shoot first, ask questions later - do they even bother attempting to learn the truth before taking action?

    16. Re:The company apologized by Anonymous Coward · · Score: 0

      "People in quazi-official enforcement roles should be seen as impartial appliers of rules and regulations. They should never be paid on commission. That's what's gone wrong here."

      Of course the company in question WANTS these people to be paid on comission, because they absolutely want them to behave shamefully. The odd hiccup and following apology is worth it to them.

    17. Re:The company apologized by bachnit37 · · Score: 2, Funny

      Did anybody check and see if there was ever a greeting card that already said what their apology did? Did they pay royalties to Hallmark for this?

    18. Re:The company apologized by Anonymous Coward · · Score: 0

      So now they act as huntsmen, hiding themselves around the corner from where they know people tend to park illegally, and jumping out to claim a scalp as often as they can

      That says a lot about the intelligence of those doing the parking.

    19. Re:The company apologized by ChipMonk · · Score: 1

      She was doing it on company time, with the company's permission (perhaps tacit, perhaps not). That makes the company liable, not her. When the reality of that hit the accusers, they had to re-think fast.

  19. Death to the soul-sucking capitalist pigs! by presidenteloco · · Score: 0

    Seems the only balanced and appropriate response.

    --

    Where are we going and why are we in a handbasket?
  20. How much detail? by Anonymous Coward · · Score: 0

    It would be difficult to craft laws that would specifically allow singing to yourself, but allow payment for a real performance. One trusts a sense of fairness and common sense to fill in the details. HOWEVER, corporations (and the people who run them, and their lawyers) have lost any shreds of those two things they ever had.

    Let's face it - the chief way to obtain money in the US is rapidly becoming simply to sue someone who has it. Very little new, tangible wealth is being produced. How much money is enough? No amount. So we have silliness like this.

    1. Re:How much detail? by damburger · · Score: 1

      Perhaps its because there is no more tangible wealth to make. What if a mass shift towards rent-seeking business models could have concealed peak oil?

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
  21. Capitalist != Free Markets by chiguy · · Score: 3, Informative

    Capitalism? Copyright is a form of government regulation on what would otherwise be a free market. It would be more capitalist to abolish copyright.

    What's not capitalist about it? It's treating ideas and expression as a form of capital. It would be very un-capitalist not to exploit that for gain.

    He's saying Copyright is not a feature of Free Markets. He's just confusing Capitalism with Free Markets, and they don't require each other.

    --
    passetspike!
    1. Re:Capitalist != Free Markets by Kethinov · · Score: 1

      He's saying Copyright is not a feature of Free Markets. He's just [equating] Capitalism with Free Markets, and they don't require each other.

      That's true, but the concepts are strongly associated. We generally call economies with capitalist features but not entirely free markets mixed economies. The OP distinctly singled out capitalism, so it is logically sound for me to assume s/he meant the free markets, laissez faire kind of capitalism.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    2. Re:Capitalist != Free Markets by ShiningSomething · · Score: 1
      The point isn't whether the market is regulated or free, but who owns capital. If companies are privately owned, then whether markets are free or monopolized it is capitalism. In mixed economies the State owns significant shares in many markets.

      So you can have several state owned companies competing, or privately owned monopolies. The first would be some sort of "socialism", the second capitalism.

    3. Re:Capitalist != Free Markets by Attila+Dimedici · · Score: 1

      He's just confusing Capitalism with Free Markets, and they don't require each other.

      Free markets require Capitalism. While it can be debated whether or not the definition of Capitalism requires that there be free markets, it is not possible to have free markets in any economic system other than Capitalism.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
  22. simple solution by ILuvRamen · · Score: 1

    Well obviously all she has to do is make up a freestyle rap remix of each song and sing that instead and she might get away with it. I'd like to see someone at my grocery store bagging groceries while singing a rap or techno/happy hardcore remix of a They Might be Giants song :P

    --
    Google's Super Secret Search Algorithm: SELECT @search_results FROM internet WHERE @search_results = 'good'
  23. I'm just waiting for... by TeethWhitener · · Score: 5, Funny

    ...the estate of John Cage to sue everyone all the time for unlicensed performance of 4'33"

    1. Re:I'm just waiting for... by Anonymous Coward · · Score: 0

      Mod parent up, he's a comedy genius.

    2. Re:I'm just waiting for... by mickwd · · Score: 5, Informative

      You got moderated funny.

      Read the appalling truth.

    3. Re:I'm just waiting for... by ctrl-alt-canc · · Score: 1

      This is the proof that, while speech is silver, silence is gold.

    4. Re:I'm just waiting for... by TeethWhitener · · Score: 1

      The really funny thing is that Cage actually composed several silent pieces. How do you decide which one you're going to claim infringement on?

    5. Re:I'm just waiting for... by Anonymous Coward · · Score: 0

      Cage's 0'00" would be a better thing to sue for; it is written for "anyone, anytime, anywhere," and the inaugural performance consisted of the composer placing vegetables in a blender and drinking the resultant mixture.

  24. Don't forget Stockhausen! by ctrl-alt-canc · · Score: 2, Informative
  25. Honestly, this needs to stop, NOW. by theolein · · Score: 0, Redundant

    I simply cannot believe this. This insanity needs to be stopped right now. My next vote will go to the Pirate Party.

  26. They do already. by Colin+Smith · · Score: 4, Interesting
    --
    Deleted
  27. This is why by Andorin · · Score: 2, Insightful

    Creative Commons music is a good thing.

    --
    That Anonymous Coward guy is pretty annoying. Can we have the government censor him or something?
  28. Guessing what happened... by abigsmurf · · Score: 0, Flamebait

    The PRS sent her a letter saying that she wasn't allowed the radio on in the store front. She sent a letter back saying "I'll just sing instead". PRS took this to mean "I'll sing to the customers" rather than "I'll sing to myself when working".

    I'd be willing to bet she sent an inflammatory letter back to the PRS that helped cause the misunderstanding. In general there's a certain type of people who send these "nanny state gone mad!" stories to tabloids and you never hear the full chain of events.

    1. Re:Guessing what happened... by damburger · · Score: 1

      You are guessing, without evidence, that an individual was at fault and not a predatory royalty collection group? Guesswork fail.

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
    2. Re:Guessing what happened... by abigsmurf · · Score: 0, Flamebait

      You're guessing without evidence that a company was at fault and not an individual who had already broken the law with the radio and then sold her story to the papers?

  29. New alternative to censorship by tinkerton · · Score: 4, Insightful

    and your spell checker gets a module that suggests cheaper words to use in your sentences. And it takes in account the extra tax on words the government doesn't like. You can still write what you want but some things are really costly..

    1. Re:New alternative to censorship by Hinhule · · Score: 4, Funny

      I r si lolcat languge r cheep in futuar! lol moar invizubul spulling!

    2. Re:New alternative to censorship by DrogMan · · Score: 1
      I used to live in Clackmannanshire - it's an area of Scotland that encompasses several small towns and villages. A bit of digging and I find that the town this store is in is: Clackmannan.

      Now I wish I had a better spell chequer than a teacher shouting at me when I was growing up. (Dyslexia hadn't been invented back then) Trying to write Clackmannanshire as part of my address was bothersome!

      Other local towns include Sauchie (Pronounced Sawki) Tullibody and Tillicoultry. The local big hill is Dumyat (Dum eye at)

      I want my cheaper words!!!

    3. Re:New alternative to censorship by tinkerton · · Score: 4, Funny

      much will depend on how much Clackmannanshire is willing to pay. The Coca Cola company has paid through the nose to give their beverages the highes ranking (the spell checker will recommend as a cheaper option over 'water') . If Clackmannanshire wants to have its name spelled correctly it'll cost them. Until then the spell checker will propose "somewhere near Edinburgh".

    4. Re:New alternative to censorship by jonadab · · Score: 1

      If we're going to do that, I propose a heavy tax on use of the word "awesome".

      --
      Cut that out, or I will ship you to Norilsk in a box.
    5. Re:New alternative to censorship by Tim+C · · Score: 1

      Now I wish I had a better spell chequer than a teacher shouting at me when I was growing up.

      I have to ask - was that intentional?

    6. Re:New alternative to censorship by DrogMan · · Score: 3, Informative

      Now I wish I had a better spell chequer than a teacher shouting at me when I was growing up.

      I have to ask - was that intentional?

      Sadly, yes. See: http://www.phys-astro.sonoma.edu/people/faculty/tenn/SpellingChequer.html

    7. Re:New alternative to censorship by jonbryce · · Score: 1

      Yes, I always call it a spell chequer, in honour of the poem "owed to a spell chequer".

    8. Re:New alternative to censorship by Anonymous Coward · · Score: 0

      Aye, they'd be annoyed at that, better is "Somewhere near Glasgow" :)

  30. Aweful? by Anonymous Coward · · Score: 5, Funny

    You meant "awful", not "aweful". I suppose the problem was that you didn't want to pay Concise Oxford?

    1. Re:Aweful? by noisyinstrument · · Score: 5, Funny

      He was just trying to avoid paying Oxford University Press by using a free alternative.

    2. Re:Aweful? by PinkyDead · · Score: 2, Funny

      It's a derivative work. So the royalties are still due.

      However, I do believe that 'aful' is actually covered by GPL - and so maybe it is the OUP that is in trouble.

      --
      Genesis 1:32 And God typed :wq!
    3. Re:Aweful? by The+Ultimate+Fartkno · · Score: 2, Funny

      It's open-source spelling.

    4. Re:Aweful? by Myopic · · Score: 3, Funny

      Yes that's true, but the community prefers GNU/aweful.

    5. Re:Aweful? by Anonymous Coward · · Score: 0

      Awsum

    6. Re:Aweful? by sskinnider · · Score: 1

      Yes, but with open source spelling, you must attach a copy of the license to each work that you are claiming to be open source so that every one knows how to properly use that word.

    7. Re:Aweful? by Anonymous Coward · · Score: 0

      He was just trying to avoid paying Oxford University Press by using a free alternative.

      Free as in speech? Or, free as in beer?

    8. Re:Aweful? by Anonymous Coward · · Score: 0

      Well, as with FOSS, you get what you pay for.

    9. Re:Aweful? by commodore64_love · · Score: 1

      We could just switch to Old English which is not copyrighted by the Oxford press, and even if it was, the copyright would have expired ~900 years ago:

      egefull (pronounced egg-a-fu'l)

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    10. Re:Aweful? by FatdogHaiku · · Score: 1

      Don't forget a complete etymology in case someone wants to fork the word. This will be great, we can keep forking until we have 10 or 12 versions of each language but without agreeing on how words are spelled and thus what anything actually means. The first thing we need to do is go after the organizations and publications that are closed source. Medical texts and laws can take on whole new meanings once the words they contain are not constrained by any single set of rules!

      If you'll excuse me now, I've just selected a slightly pointy stick and I'm off to the braille library...

      --
      You have the right to remain sentient. If you give up the right to remain sentient, you will be elected to public office
    11. Re:Aweful? by Impy+the+Impiuos+Imp · · Score: 1

      So just because the snooty Oxford English Dictionary "locked down" the spelling only after the 'e' was dropped from "awful" (and the 'l' from "full", for that matter) it's reason to mock someone's spelling?

      I no longer mock people, silently, who say "aks" instead of "ask" ever since I learned it was originally basically "aks", and ask was itself a transposition corruption.

      --
      (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
    12. Re:Aweful? by lennier · · Score: 1

      As in, 'I say, what is that GNU/aweful noise? Do you have a licence for that iTune? Wolfram False? Well then, it's off to the Google Justoplex for you! Huzzah!!'

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
    13. Re:Aweful? by Anonymous Coward · · Score: 0

      Well, you could be in awe of how awful it is and therefore find it aweful as well.

  31. The problem with capitalism... by Colin+Smith · · Score: 3, Insightful

    It requires scarcity to function.

    Which is why people are knocking down houses in the USA...

    e.g.
    http://www.yidio.com/unsold-houses-knocked-down/id/395665281
    http://realestate.msn.com/article.aspx?cp-documentid=19580208

    If demand is ever satisfied, the value of the product tends to zero and therefore it is impossible to make profit or to pay the loans which make up our monetary system. This is why there will always be poverty, always be homelessness, and is of course insanity and stupidity of the highest order.

    Silvio Gesell identified this particular fundamental problem (and proposed a solution) with the nature of money itself nearly 100 years ago.

    --
    Deleted
    1. Re:The problem with capitalism... by rastilin · · Score: 1

      It requires scarcity to function. Which is why people are knocking down houses in the USA... e.g. http://www.yidio.com/unsold-houses-knocked-down/id/395665281 [yidio.com] http://realestate.msn.com/article.aspx?cp-documentid=19580208 [msn.com] If demand is ever satisfied, the value of the product tends to zero and therefore it is impossible to make profit or to pay the loans which make up our monetary system. This is why there will always be poverty, always be homelessness, and is of course insanity and stupidity of the highest order. Silvio Gesell [wikipedia.org] identified this particular fundamental problem (and proposed a solution) with the nature of money itself nearly 100 years ago.

      If I've read it right, the suggestion is that we abolish land costs and rent. But if people aren't getting paid, who's going to be motivated to get together all the materials to build anything bigger than a stick house? Unless they're already wealthy enough to pay everything upfront.

      --
      How do you kill that which has no life?
    2. Re:The problem with capitalism... by GospelHead821 · · Score: 1

      Warning. Idealism ahead.

      Let's extend demand for houses to demand for all things that are generally considered necessary to a dignified, healthy life: houses, food, clothing, etc. If demand for those things is being met for everybody, by whatever means, then people will no longer need to toil just to survive. At that point, is monetary gain really a necessary motivation? If one new person needs a house, don't you suppose that enough people would be motivated by altruism to help that person out? Right now, a large part of the reason why so many people are unmotivated to donate to charity is the mindset that their contribution can't make a difference. If the problem of poverty is made small enough that there's a clear and obvious way in which one person's contribution will make a difference, then I think you'll see more people willing to contribute.

      I liken this idea to voluntary socialism. A system in which people take care of their neighbors even though they are not coerced into it by government. Unfortunately, we have a self-perpetuating problem of glamorizing unrestrained self interest. The two things I think we need to do first are 1) stop measuring "utility" in dollars and devise a philosophy that more accurately describes the good that those dollars actually generate and 2) stop telling ourselves that everybody else is selfish and our own wellbeing depends on us being selfish too.

      --
      Virtue finds and chooses the mean.
      Aristotle, Ethica Nichomachea
    3. Re:The problem with capitalism... by xtracto · · Score: 1

      But if people aren't getting paid, who's going to be motivated to get together all the materials to build anything bigger than a stick house?

      Ask that to the millions of people developing certain type of software for free! (sounds crazy I know) and then giving it away for anyone else who can use it (really, some people are doing that!).

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    4. Re:The problem with capitalism... by TheRaven64 · · Score: 2, Insightful

      The difference is that there is an obvious benefit from releasing Free Software. I release my code, other people fix bugs and add features, and in the end I benefit. I wrote it because I had a need for it, and by releasing it I saved myself some effort and got something better to use. This is not so obvious with respect to houses. I'm motivated to build my own house, but what do I gain from building someone else's? Maybe I could do some bits of their house, and they could do some bits of mine, but then you're bartering and pretty soon you've invented money.

      --
      I am TheRaven on Soylent News
    5. Re:The problem with capitalism... by Anonymous Coward · · Score: 0

      You get a neighbor who isn't living in the gutter? Perhaps you'd eventually get a whole neighborhood. A community where your neighbor is not your enemy but an ally?

    6. Re:The problem with capitalism... by rastilin · · Score: 1

      I liken this idea to voluntary socialism. A system in which people take care of their neighbors even though they are not coerced into it by government. Unfortunately, we have a self-perpetuating problem of glamorizing unrestrained self interest. The two things I think we need to do first are 1) stop measuring "utility" in dollars and devise a philosophy that more accurately describes the good that those dollars actually generate and 2) stop telling ourselves that everybody else is selfish and our own wellbeing depends on us being selfish too.

      Except there's a good chance that they won't. Of course some people will, for a while. But eventually it will get old for those people who are willing to bother. Dollars are still around beause they're the measure of utility that stuck.

      --
      How do you kill that which has no life?
    7. Re:The problem with capitalism... by rastilin · · Score: 1

      Warning. Idealism ahead. Let's extend demand for houses to demand for all things that are generally considered necessary to a dignified, healthy life: houses, food, clothing, etc. If demand for those things is being met for everybody, by whatever means, then people will no longer need to toil just to survive. At that point, is monetary gain really a necessary motivation? If one new person needs a house, don't you suppose that enough people would be motivated by altruism to help that person out? Right now, a large part of the reason why so many people are unmotivated to donate to charity is the mindset that their contribution can't make a difference. If the problem of poverty is made small enough that there's a clear and obvious way in which one person's contribution will make a difference, then I think you'll see more people willing to contribute. I liken this idea to voluntary socialism. A system in which people take care of their neighbors even though they are not coerced into it by government. Unfortunately, we have a self-perpetuating problem of glamorizing unrestrained self interest. The two things I think we need to do first are 1) stop measuring "utility" in dollars and devise a philosophy that more accurately describes the good that those dollars actually generate and 2) stop telling ourselves that everybody else is selfish and our own wellbeing depends on us being selfish too.

      After I responded I remembered why these things just irritate me. Because it's meaningless to sit at a computer and act all saintly theorizing about a better world. But your plan is unworkable.

      You're acting as if the people of the world actively dislike happiness and act to suppress it. However much like Communism, you will likely find that several small parts of the plan will suddenly erupt into overwhelming issues when you actually try to implement your system. Don't sit there preaching about a better way, after three years of University I've heard plenty of those, if your idea is good and you really care, do it. If it works I'll go along with it.

      --
      How do you kill that which has no life?
    8. Re:The problem with capitalism... by ChrisMaple · · Score: 1

      There are other reasons for poverty. Some people have no wish to rise from poverty; look at Walden by Thoreau. Some people are destructive: put them in a nice house and they'll leave wet garbage decaying on the floor, break mirrors and sinks, and when the place is too awful to live in or they get bored, they'll set fire to it. Never underestimate the levels of depravity that some people can reach.

      --
      Contribute to civilization: ari.aynrand.org/donate
    9. Re:The problem with capitalism... by ffreeloader · · Score: 1

      Say what? Just how do you think providing entitlements to everyone for everything will cause an individual's sense of entitlement to grow smaller?

      Ever seen a kid who never had to work for anything? They grow up thinking everything is owed to them. They also don't really value anything because they never learned the true cost of anything. The kid who grows up having to work for what he gets understands that "someone" has to pay for what he gets, and understands both the true value and the true cost of what he has.

      You will never decrease a sense of entitlement in anyone by just giving them everything. They will just continue to feel entitled to anything they want, including what their neighbors have.

      --
      "while democracy seeks equality in liberty, socialism seeks equality in restraint and servitude." de Tocqueville
    10. Re:The problem with capitalism... by Colin+Smith · · Score: 1

      If I've read it right, the suggestion is that we abolish land costs and rent.

      You didn't, but at least you're thinking about it. The question is about the nature of value with respect to money.

      Try Freigeld to start with. http://en.wikipedia.org/wiki/Freigeld
       

      --
      Deleted
    11. Re:The problem with capitalism... by rastilin · · Score: 1

      You didn't, but at least you're thinking about it. The question is about the nature of value with respect to money. Try Freigeld to start with. http://en.wikipedia.org/wiki/Freigeld [wikipedia.org]

      A blight on self-righteous reformers.

      I am not interested in your material. If your cause isn't even worth your explaining; I won't dedicate my time to it.

      --
      How do you kill that which has no life?
  32. It's amazing what people accept... by Anonymous Coward · · Score: 5, Insightful

    To people outside the UK, charging you for playing the radio makes no damn sense. After all, the radio station already pays for the music (if it's a standard broadcast) or *you* already pay for the music if it's satellite or CD.

    The only reason people like the OP can rationalize the PRS is because they're looking at it through the lens of a culture in which it's the status quo. You see this all the time - people rationalizing or even praising elements of their particular culture that MAKE NO GODDAMN SENSE. I'm not sure whether it's done out of a sort of misplaced nationalism, a lack of imagination, or something else. But it's the only explanation I can think of for the defense of the indefensible, whether it's the PRS, the American health care system, or any other country's unique psychosis.

    The irony is that for the vast majority of musicians in the UK, the burden the PRS puts on people is vastly disproportionate to the benefit received. Again, take the original poster - would s/he give up that one dinner a year in order to save business owners the incredible hassle of dealing with the PRS? Not to mention the massive amount of money the PRS must spend on enforcement, which reduces the artists' cut. If the PRS moved to a system where royalties for recording sales and broadcast were higher, and eliminated the tax on playing music in public, how much more profitable would they be?

    1. Re:It's amazing what people accept... by xtracto · · Score: 2, Interesting

      In a similar vein, a socialized health care system makes no sense to people in the USA given that their culture.

      I always hated having to pay USD$300 a year to the UK government just because I wanted to use a TV + cable/sky or whatever else. I also hated how the system was handled, a guy once asked me to enter to my house to check that I didn't have a TV (because I never paid the license).

      I like the USA people's idea that the government must left the individual live. However, in the case of the UK I think the government is actively screwing their citizens in lots of respects. OTOH, I loved the NHS while I had it... and I think the commercialized health insurance and education systems in the USA are completely insane.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    2. Re:It's amazing what people accept... by andrewbaldwin · · Score: 1

      I agree that the way in which the licence fee is managed could be a lot better and that the presumption of owning a TV dictates the approach is bad.

      But, and I have no interest in the BBC here, I am always amazed at the one-sided arguments put forth - it's rare to hear the other view.

      True some people pay for TV licences and rarely watch BBC - they feel "cheated"

      What of the counter argument? The people who rarely watch commercial television are still paying for it in their purchases -- the TV is funded by advertisers; the advertisers take the money (plus their cut) from the companies featured; these companies take their money from .... Joe Public

      So we all pay for all TV - it's just the mechanism/visibility that differs.

      And don't get me started on paying for cable or satellite -- a monthly fee and you still have to sit through adverts!! -- not for me thanks

      Face it - they're all after your money

    3. Re:It's amazing what people accept... by jez9999 · · Score: 1

      I have a simple solution: make the BBC subscription-only, and STILL force them not to show adverts. Fair? Not really. I don't care. They're loved by enough people in this country that they will get enough subscription money to survive, and you'll still have your beloved ad-free TV... but I won't have to pay for it. Maybe a little subscription via income tax for TRUE public service broadcasting, like BBC Parliament, but that's it.

    4. Re:It's amazing what people accept... by jez9999 · · Score: 1

      That should've said 'subsidization' via income tax.

    5. Re:It's amazing what people accept... by Anonymous Coward · · Score: 0

      Actually I remember a similar case in the US recently where a stable owner was sent a cease and desist letter. Apparently she played classical music in the stable because it kept the horses calm. I'll dig around and find the post later today.

      How do you like them apples?

    6. Re:It's amazing what people accept... by andrewbaldwin · · Score: 1

      That addresses the easy half of the equation - how to balance the other half though? It's easy (and populist)to go for the obvious target and leave the much larger 'hidden' one alone.

      How about a discount from Tescos, Sainsburys, Halfords....... etc for those that don't watch commercial TV ?

      And to ward off the inevitable comments - when virtually all supermarkets and major suppliers advertise on TV it's just as difficult to avoid paying for commercial stations - "shop elsewhere" doesn't work when there are precious few opportunities to find a non advertising "elsewhere".

    7. Re:It's amazing what people accept... by WiiVault · · Score: 1

      I think you are onto something. The OP forgets that the PRS is not in it for him/her, but instead for themselves. They care as much about art as the average art thief.

  33. Docs for MySQL aren't THAT bad, are they? by Anonymous Coward · · Score: 0

    You are a no-talent hack.

    Know something I don't know? Because last time I checked, the documentation of MySQL seemed OK. A little weak on character development, I'll give you, but it got the job done!

  34. It's not april 1st by Anonymous Coward · · Score: 0

    This is a joke right?

    ok guys really funny... hahahaha

    guys?

  35. Apparently Orwell got it wrong... by uuddlrlrab · · Score: 1

    It won't be the Party that's monitoring us, it'll be the International Media Police. Forget "thought-crime"... New term, TuneCrime: those who show "dis-royalty" by not subscribing to Sony-Music-Groupthink. Emmanuel Goldstein is The Pirate Bay, and Winston? It wasn't the diary or Julia that did him in...it was humming. Technically, still a performance with the telescreen monitor as the audience.

    --
    Odi profanum vulgus et arceo
    1. Re:Apparently Orwell got it wrong... by Anonymous Coward · · Score: 0

      Orwell got nothing "wrong." His book was not about the future, it was about what he saw going in 1948, the year he wrote it.

  36. kindle text to speech by angelbunny · · Score: 1

    Hasn't this already happened with the Kindle?

    I admit, I haven't followed the news closely enough under the subject but I believe the text-to-speech feature in the kindle was removed because the MPAA wanted royalties for the feature? Arguably, this is the same situation legally as a teacher reading a book to their class.

    1. Re:kindle text to speech by spike1 · · Score: 1

      MPAA is concerned with motion pictures, not the written word.

      If memory serves, it was "authors of america" or some such bunk organisation.

    2. Re:kindle text to speech by JoeInnes · · Score: 1

      A teacher reading a book in class is doing it for educational purposes. There is a practical difference, and I believe there is a difference in law, although IANAL.

    3. Re:kindle text to speech by cdrguru · · Score: 1

      The problem with the Kindle is that it can be used to "produce" audio books. You play the Kindle into a CD recorder and play the CD in your car. Or, you set up a table on the street and start selling the CDs.

      OK, it isn't the most professional sounding audio book ever made, but it is indeed an audio book. Would you think that for $2 (vs. maybe $20) would garner some sales? How about a set of DRM-free MP3 files of a recent, popular book?

      I haven't seen this happening yet, but you better believe this will appear in the marketplace at some point.

    4. Re:kindle text to speech by angelbunny · · Score: 1

      woops! I hadn't slept for over 24 hours when I wrote that comment so yah..

    5. Re:kindle text to speech by angelbunny · · Score: 1

      You can do the same with a computer. Why haven't the RIAA gone after text-to-speech elsewhere for the same reason then?

  37. The PRS has already apologised by Anonymous Coward · · Score: 0

    and sent her a bunch of flowers.

  38. Send a message by L4t3r4lu5 · · Score: 0

    Get Anonymous outside the PRS offices, singing chart hits of the 90's.

    I recommend the Macarena, all day long...

    --
    Finally had enough. Come see us over at https://soylentnews.org/
  39. crivens by Anonymous Coward · · Score: 0

    jings and helpmaboab, the noo!

  40. Easy solution - Make $$$$ from it. by GrpA · · Score: 4, Interesting

    How hard would it be for some enterprising radio station to only play GPL/Free/Whatever-isn't-commercial music that the PRS had no jurisdiction over...

    They would quickly be the ONLY radio station that business could listen to ( freely ) and they could sue the PRS if they damaged their business by telling people they couldn't listen to the radio without a license... Since it wouldn't be true of that station. ( Better still the PRS might start to include advertising in their notices... eg, Can't listen to stations, other than Radio-GPL )

    A captive market and a litigious company doing them free PR work - It doesn't get much better than that...

    I wonder how long the PRS would last before the artists realized they were the real enemy...

    GrpA

    --
    Enjoy science fiction? "Turing Evolved" - AI, Mecha, Androids and rail-gun battles. What more could you want?
    1. Re:Easy solution - Make $$$$ from it. by uffe_nordholm · · Score: 3, Insightful

      I fear the PRS would simply start asking for payments from companies who _own_ equipment that _can_ be used to listen to radio stations that fall under the PRS licence rules. Whether or not the equipment actually _is_ used to listen to said radio stations is something the PRS could disregard completely.

      Disclaimer: I live in Sweden, not the UK.

      But we have got something very similar: our version of the BBC has started making a lot of its material accessible via the web. So suddenly everybody who owns a computer and has an internet connection is required to pay the TV-reciever fee....

    2. Re:Easy solution - Make $$$$ from it. by Jesus_666 · · Score: 3, Informative

      Likewise in Germany. We get even more fun, though:

      - The GEMA (our ASCAP) requires that members register all songs that might possibly generate income with them. GEMA-registered songs cannot be made available for free.
      - Once a song is registered it stays registered as the GEMA can't unregister it without violating contracts it has with its customers.
      - If you perform your own songs you have to pay a performance fee. If you perform only your own songs and every single artist performing on the venue is listed on the form you get them back, though - minus a service fee.
      - If you do manage to put a song on your website that does constitute a public performance and you do have to pay the fee. Again, you get most of it back.

      That's just some of the fun GEMA disperses. Oh, and they operate on a "guilty until proven innocent" model - any song is assumed to be GEMA-covered until the creator proves it isn't. So if you make and perform CC music you better have a copy of the license with you.

      I agree that songwriters should get compensated for their work but it seems that the associations responsible for that have an unfortunate tendency towards asshattery. Must come with the (arguably valid) business model of charging people for work that already has been done before.

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    3. Re:Easy solution - Make $$$$ from it. by Anonymous Coward · · Score: 1, Interesting

      But we have got something very similar: our version of the BBC has started making a lot of its material accessible via the web. So suddenly everybody who owns a computer and has an internet connection is required to pay the TV-reciever fee....

      In Finland there has been plans to do the same but now a surprisingly non-retarded solution seems to emerge: When you pay your TV licence, you get a user ID for accessing content on our public service television's site (and part of the content there remains free for everyone). I still object strongly to having a TV licence fee because it's wrong to charge for owning a TV regardless of whether you watch the public service channels but if having Internet access won't require you to pay that fee, it at least won't make the situation worse. Personally, I got rid of my TV long ago since it is mostly a waste of time and there's so much available on the web and lately I've discovered that libraries have quite good DVD collections.

    4. Re:Easy solution - Make $$$$ from it. by zstlaw · · Score: 1

      A lot of these organizations represent musicians whether or not they would like. In the US there is no way to opt out of ASCAP and BMI, only sound exchange. The other organizations represent me whether or not I am registered with them and whether or not I would like them to. I have to register with them though to collect the fees they charge on my behalf though. See my earlier post on a club being threatened for letting me play original music there. Mostly these organizations run on are scare tactics. I have heard of them backing down several times when fought in court. Partially because it makes for great print for the local news and most people including judges are completely horrified to hear that local stores are being threatened with thousands of dollars of fees especially when the venue has a good case that the fees are not benefiting any of the musicians playing there.

    5. Re:Easy solution - Make $$$$ from it. by jez9999 · · Score: 1

      The thing is, that's just basically subscription. That's the abandonment of the licence, because when everyone starts using the net to watch video instead of TV, the licence becomes a subscription you pay to get access to the online content.

      I'm fine with this system, I just wish governments would realize it's by far the fairest way and scrap the TV licence laws too.

    6. Re:Easy solution - Make $$$$ from it. by Eil · · Score: 1

      It wouldn't matter. PRS (and other countries' equivalents) have written the rules such that you're forced to pay royalties anyway under the assumption that the artist might one day join PRS. And even if musicians could opt-out, the burden would be on the radio station to prove (with documentation) that every single song they play isn't on the PRS's works list. And that it isn't a derivative of one.

      The goals of organizations like PRS are two-fold:

      1. To milk profits from public performances, even those where no revenue is being generated
      2. To quash the whole idea of independent music regardless of genre, artist, or commercial intent

    7. Re:Easy solution - Make $$$$ from it. by Anonymous Coward · · Score: 0

      What artists? The ones too busy working a day job because they can't make a living from music? Or the ones who never get to be at home with their families for more than a couple weeks at a time because they're constantly touring because recordings of their work are now valueless?

  41. Japan: been there, done that by oheso · · Score: 5, Informative

    A bar owner in Japan was ordered to pay royalties for playing the harmonica for his customers. As far as I know, the decision has stuck.

    http://joi.ito.com/weblog/2006/11/10/elderly-harmoni.html

    1. Re:Japan: been there, done that by WiiVault · · Score: 1

      If you haven't yet seen it. I suggest you check out the film Idiocracy. Though it doesn't directly related to this sotry, it shows our logical progression if we keep following these thieves.

  42. Simple logic? by Anonymous Coward · · Score: 0

    While there may be many grey areas in practice which is what we have courts for, why not base these things on the simple logic of..

    Is the person using the product to make profit?
    (Using a hit song as a soundtrack in a movie)

    Is the person representing the product in a way that would damage the companies reputation or business model?
    (selling cheap fake apple computers)

    I'm so confused as to why if someone clearly isn't damaging their brand, and clearly not using the product to make profit. Why do these corporations care??????

        As a 29 year old male no one is confuse me as Britney Spears if I were singing Not yet a woman, and i would bet my life on it, no one, and I mean NO ONE is going to pay me to sing it.

  43. the solution by muckracer · · Score: 4, Insightful

    The solution to this entire issue is to download, download and download some more. Bittorrent-style, of course. Do not pay a single cent into this system anymore. And then, when your favorite band comes to town go see and support them and buy their bloody T-Shirt. Make your money go where your ears are and cut out the middlemen!

    1. Re:the solution by TOGSolid · · Score: 1

      It's pretty much the only option we've got at this point, with the obvious exception being artists that are releasing their music themselves and actually get more than 2 cents and a pat on the back per album sold.

    2. Re:the solution by Draek · · Score: 1

      Or better yet: don't, let the stupid artists supporting these organizations starve themselves alongside the scumbags who employed them, and next time you want to hear some music make bloody sure it's available under a CC license in its entirety.

      --
      No problem is insoluble in all conceivable circumstances.
    3. Re:the solution by WiiVault · · Score: 1

      Right on man. I for one have not bought a single RIAA album since 2000. But I will glady visit them at a local venue and support them directly. Sadly the venue scene here is slowly becoming a similar RIAA, with TicketMaster and their ilk.

    4. Re:the solution by Eil · · Score: 2, Insightful

      The problem with that solution is that you're still supporting the system you claim to oppose.

      When you download songs that are owned by an PRS or RIAA (or other equivalent, depending on your country) member label and don't pay them, you give them an excuse to claim that piracy is killing their business and that they deserve all kinds of special legal treatment. We know their "piracy" statistics are completely made up, but if someone ever goes out there and does a scientific survey of piracy, your downloads push the real numbers slightly closer to the made-up ones. And when you support RIAA-affiliated bands by buying a concert ticket or merchandise, you support the RIAA-affiliated labels. Once artists/bands start to realize that the RIAA is hurting their fans, they'll stop signing contracts with them.

      There is lots of good independent music out there being made by people who care more about their music than how much money it makes them or how often they get played on the radio. More is arriving all the time since music production and distribution are incredibly cheap these days. The "music industry" is obsolete. By illegally downloading their music, you're not sticking it to anyone. You're propping up a business model that's on its final legs and is determined to take anyone it can down with it.

    5. Re:the solution by Anonymous Coward · · Score: 0

      My solution is simple. I buy lots of CDs and DVDs, but I only buy them used. No media company gets a single penny of my money.

      Lemongrass

  44. I personally welcome the silence! by KreAture · · Score: 2, Funny

    There is something called noise pollution.
    In todays world we are bombarded with auditory and visual stimuli every waking moment. There is hardly any place where you can just listen to your own pulse as your heart keeps beating or even just nothing.

    Unwanted "music" is classified as noise. After all, wether someone is playing a piano or pushing it down the stairs at 2am would be irrelevant to you unless you happen to be standing in the stairway or own the piano. Same thing when shopping; You are trying to remember if you need milk or eggs. You are not interested in who let the dogs out or what Jay-z is doing in Broklyn. You just want to find the damn cereal and go home.

    After finally coming home from a day of intense concentration I don't turn on the radio. I don't turn on the tv. Instead I enjoy some nice, well deserved and for now completely free silence.
    Try it sometime. When you finally put on your favourite track it sounds much better when your mind is clear.

    1. Re:I personally welcome the silence! by Rockoon · · Score: 1

      What would you think if I sang out of tune,
      would you stand up and walk on on me?

      Lend me your ears and I'll sing you a song,
      and I'll try not to sing out of key.

      --
      "His name was James Damore."
    2. Re:I personally welcome the silence! by smoker2 · · Score: 0, Offtopic

      Oh I wish I could come home and have a bit of piece and quiet. Unfortunately, the guy upstairs has a very small washing machine which means he uses it virtually every night. Being right above me it shakes the hell out of my ceiling when it spins, and even the noise as it gently turns comes through loudly. I go to a launderette instead and get 2 weeks worth done in just over an hour. He spends money on electricity every day and pisses me off, and has to do some more the next day. Idiot.

      I'm trying to compose a craigslist entry right now.

    3. Re:I personally welcome the silence! by DigitalSorceress · · Score: 1

      Actually, you'll have to pay for that too... John Cage owns the rights

      Enjoy the silence

      DOH! That's Depeche Mode's

      --

      The Digital Sorceress
    4. Re:I personally welcome the silence! by alder · · Score: 1

      I enjoy some nice, well deserved and for now completely free silence

      Sir, you, maybe without realizing it, are performing, non stop, the 4'33".

    5. Re:I personally welcome the silence! by KreAture · · Score: 1

      Wow! I really didn't realize that! Does this mean that every single CD track has 2 seconds of infringing 4'33" material at the end to conform to the Red-book (CD-DA) standard? http://en.wikipedia.org/wiki/Red_Book_(audio_CD_standard)

    6. Re:I personally welcome the silence! by Anonymous Coward · · Score: 0

      Rock and roll ain't noise pollution!

  45. It's on the internets so it must be true!!!1 by Eraesr · · Score: 1

    Yeah yeah, so what this is a case of is not the PRS being asses that are on an anti-public music witch hunt, it's probably just one of their employees with a serious case of the Monday's. Imagine him being an all-round ass in general, someone that gets a kick out of (imagining) being an authority and he had a rough night, so he took it down on the lady. Let's not make things bigger than they really are.

    1. Re:It's on the internets so it must be true!!!1 by lordandmaker · · Score: 2, Insightful

      If that is the case, it's probably worth noticing how easily everyone took to the idea that this was the action of the PRS as a body, not some rogue worker.

  46. More PRS idiocy by dcarmi · · Score: 2, Informative
    I recall two other stories relating to the PRS.

    One chap was phoned by the PRS and was found to be listening to music at work. He informed them he composed the piece and was the sole artist. This cut no ice, with the PRS. (I suppose he might possibly listen to illegal music, so he should be presumed guilty!)

    Another incident (2008) relates to the sole owner and lone worker in a garage in Nottingham being told he had to pay £150 to listen to the radio. see http://news.bbc.co.uk/1/hi/england/nottinghamshire/7671215.stm

    Even if I listen to my MP3 player through headphones, my company is liable to pay for a licence! Perhaps I'd have to join the smokers outside for my quick fix of some illicit Pink Floyd.

  47. Do you hate all dividends, or just royalties? by weston · · Score: 1

    To that I can only say one thing: fuck off.

    An excellent and persuasive argument. With your silver tongue and compelling logic I suspect you've probably won over many.

    That's how it ought to be. You do work, you get paid. Wanna get paid again? Do more work.

    So in other words, the only reasonable model of economic exchange is fee-for-service? Do you hate all kinds of abstract agreements of ownership -- say, over a company or a cooperative -- or is it just copyrights? Do you feel dividends from any kind of entity are also wrong, or is it just music you've singled out?

    I can agree that copyrights have become ridiculously long and the legal hedge around them too thick. But the basic copyright bargain makes as much sense as it did 200 years ago: giving people greater protections for the fruits of their creative labor is one powerful way to give them a greater incentive to invest in it. The fact that this idea has limits and balancing consideration we've tipped past doesn't change its merits.

    Which, by the way, is how art used to be compensated.

    So, clearly, patronage should be the only way to do it, right?

    1. Re:Do you hate all dividends, or just royalties? by hughk · · Score: 1

      But the basic copyright bargain makes as much sense as it did 200 years ago: giving people greater protections for the fruits of their creative labor is one powerful way to give them a greater incentive to invest in it.

      But then you end up with the reverse situation whereby innovation becomes stifled because copyright protects for so long. The rights tend to go off to 'enforcement' companies that then collect. See the history of "Happy Birthday" as an example, and that one makes (still) $2M per year.

      --
      See my journal, I write things there
    2. Re:Do you hate all dividends, or just royalties? by NeutronCowboy · · Score: 1

      So, clearly, patronage should be the only way to do it, right?

      Red Herring. The current argument advanced by this guy and the various copyright agencies is that copyright is the only way to do it. It patently isn't.

      So in other words, the only reasonable model of economic exchange is fee-for-service?

      Another Red Herring. There's also fee-for-product. Not to mention that a corporation is not a person, and therefore not part of the discussion on how a person should be compensated for intellectual work.

      As for your dig about cursing, your sarcasm isn't a sign of elevated argumentation either. If you want to throw rocks, make sure it isn't your glass house your throwing them at.

      --
      Those who can, do. Those who can't, sue.
    3. Re:Do you hate all dividends, or just royalties? by weston · · Score: 1

      Red Herring. The current argument advanced by this guy and the various copyright agencies is that copyright is the only way to do it.

      No red herrings here. The comment I responded to clearly said "Want to get paid more? Do some more work." That's an equivalent statement to "Patronage is the only acceptable model" when it comes to creative work.

      Another Red Herring. There's also fee-for-product.

      If you don't have a copyright, the creative work is not a product, particularly in an era when digital reproduction is vanishingly cheap.

      Not to mention that if you take the "Want to get paid? Do some more work" philosophy seriously, there's no such thing as fee-for-product, really. You wouldn't get paid for the *product*, you'd get paid for the *work* you did to create it. No setting the price for it, only the price for your labor. In fact, under this model, there's nothing else to sell *other* than labor.

      As for your dig about cursing, your sarcasm isn't a sign of elevated argumentation either. If you want to throw rocks, make sure it isn't your glass house your throwing them at.

      There's a huge difference between being sarcastic and saying "fuck you." The former might indicate disdain for language or an idea, but the latter is pretty much the most powerful succinct expression for conveying personal disregard and contempt.

    4. Re:Do you hate all dividends, or just royalties? by NeutronCowboy · · Score: 1

      hat's an equivalent statement to "Patronage is the only acceptable model" when it comes to creative work.

      Only if you expand patronage to mean everything that doesn't involve getting a pay check from someone who was never involved in the creation of whatever it is you're getting the check for.

      In fact, under this model, there's nothing else to sell *other* than labor.

      Technically, the value that is inherent in a finished product is the value of the work that transformed the raw material into the finished product. In that sense, you're right, there is no fee-for-product arrangement, because there is no product.

      If you want to be technical, make sure you know your terms.

      There's a huge difference between being sarcastic and saying "fuck you." The former might indicate disdain for language or an idea, but the latter is pretty much the most powerful succinct expression for conveying personal disregard and contempt.

      What makes you think that that wasn't exactly the message I wanted to convey? Because it was. Polite language isn't always the same as effective language.

      --
      Those who can, do. Those who can't, sue.
  48. Professional litigants by dugeen · · Score: 1

    A classic tale from New Labour Britain - any organisation that can afford to retain lawyers can demand money from innocent people with impunity, because the victims can't afford to defend themselves, even when the alleged tort is, as in this case, non-existent. Holders of rights to songs - often corporations and not songwriters - enjoy a uniquely privileged position under capitalism, receiving as they do a continuing share of the surplus value from their labour. If they want the rest of us to continue to allow them that privilege, they should review their policy of paying the PRS to threaten nuisance lawsuits on their behalf.

  49. RE: Japan: Not the only ones... by uuddlrlrab · · Score: 2, Informative

    This is a truly pitiful state of affairs. Covering other bands' songs, as long as you gave credit to the originating artist, and tribute bands used to be respected as ways of admiring an artist or group, paying homage to their art. What an ugly road the music industry has chosen to take...

    --
    Odi profanum vulgus et arceo
  50. God bless America and all their gangsters! by Anonymous Coward · · Score: 1, Funny

    The british are so f*Cked up! Who do these people think they are? Royalty?

  51. Boycott everything copyrighted by Anonymous Coward · · Score: 0

    That would be a way out, back to a more sane, public domain society, which values common goods.

    People who want power over everyone and anything are a real PITA. But they have no more power than we let them have.

    1. Re:Boycott everything copyrighted by Tim+C · · Score: 1

      Then stop reading this site.

      From the bottom of every page:

      All trademarks and copyrights on this page are owned by their respective owners. Comments are owned by the Poster. The Rest © 1997-2009 SourceForge, Inc.

    2. Re:Boycott everything copyrighted by yurtinus · · Score: 1

      Er... crap. Tim-- is it OK if I read your post?

      --
      +1 Disagree
  52. PRS and its quest to take more money by Hybridmutant · · Score: 1, Interesting

    This is the unfortunate case in the UK. Its a fact that the PRS actively search for people all over the country to impose royalty payments. Our local diner where we collect lunch was only the other day been threatened with a court summon if don't obtain a royalty license to play their tiny radio in their kitchen. Their argument is that customers can hear it and thus they require a performance license, the true fact is that its so damn quiet that you hardly notice it. But in its true nature, its not about being fair, its simply a money grabbing exercise. Time to write to my MP.

    --
    I have morals, If you dont like them, I have other ones.
  53. PRS needs to be shutdown then by PhreezeVi · · Score: 2, Interesting

    If this is what they are spending their time doing - and more importantly that they feel this is acceptable - then they no longer serve any contributory, useful purpose and must be shut down. In fact all such organizations should be shut down.

  54. The geek with long-term memory loss by westlake · · Score: 1

    Retailers and restaurants in the states have been living with performance rights issues since the nickelodeon days.

    ASCAP was founded in 1914:

    Early on, founding member Victor Herbert brought a lawsuit against Shanley's Restaurant for refusing to pay royalties. The fight took two years and went to the Supreme Court. ASCAP prevailed. Justice Oliver Wendell Holmes wrote the decision of the Court: " The Era of the Player Piano (The Early 1900s)

    "If the rights under the copyright are infringed only by a performance where money is taken at the door, they are very imperfectly protected. Performances not different in kind from those of the defendants could be given that might compete with and even destroy the success of the monopoly that the law intends the plaintiffs to have. It is enough to say that there is no need to construe the statute so narrowly. The defendants' performances are not eleemosynary. They are part of a total for which the public pays, and the fact that the price of the whole is attributed to a particular item which those present are expected to order is not important.


    It is true that the music is not the sole object, but neither is the food, which probably could be got cheaper elsewhere. The object is a repast in surroundings that to people having limited powers of conversation, or disliking the rival noise, give a luxurious pleasure not to be had from eating a silent meal. If music did not pay, it would be given up. If it pays, it pays out of the public's pocket. Whether it pays or not, the purpose of employing it is profit, and that is enough."
    Herbert v. Shanley Co., 242 U.S. 591 (1917)

    Holmes was not one to waste words, summing up the circuit court's decision and reversing it in three short, plain-spoken, paragraphs.

    1. Re:The geek with long-term memory loss by Knara · · Score: 1

      In the US, while ASCAP/BMI get villified, they're a bit less crazy than PRS seems to be. Most of the time you hear about the evil organizations is when someone states that "such and such bar had to shut down because of license fees!". Then you dig deeper and find that they hadn't been paying their license fees for years, had been notices reminding of their need to pay, and finally got sued.

      Yeah, there's exceptions, but by and large the license fee situation in the US is rather reasonable and easy to manage.

      Whether or not that money gets to the artists in any significant/useful way... that's another issue altogether.

  55. she should pay by Anonymous Coward · · Score: 0

    The artist owns the song, you sing it at anytime athttp://entertainment.slashdot.org/story/09/10/21/2319200/Singer-In-Grocery-Store-Ordered-To-Pay-Royalties?from=rss# home at work in the car you need to pay the artist. you do not own it,

  56. Communist block by tepples · · Score: 1

    Copyright and patents existed even in the Communist block, and were enforced, too ... except the state owned most of the "Int.Prop." and a private person could not make much money out of his or her copyrights or "invention brevets" unless they already had a cosy position in the hierarchy of the state, party or one one of the professional guilds.

    And that's why Alexey Pajitnov never managed to patent his communist block game.

  57. Folk songs by jellybear · · Score: 1

    People that don't want to pay for Spice Girls or whatever should go back to singing old british folk songs!

    1. Re:Folk songs by Zarf_is_with_you · · Score: 1


      Folk is not a type of music its just what people are listening to at the time.

      -- Ivan from Men Without Hats

    2. Re:Folk songs by The+Archon+V2.0 · · Score: 1

      Folk is not a type of music its just what people are listening to at the time. -- Ivan from Men Without Hats

      So in a hundred years I can go to a Ren Faire and hear minstrels singing "If you wanna be my lover, you gotta get with my friends..."?

      Wow, thanks for giving me a reason to save money and not buy any longevity treatments created in the next fifty years.

    3. Re:Folk songs by operagost · · Score: 1

      "All music is folk music. I ain't never heard a horse sing a song." - Louis Armstrong

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    4. Re:Folk songs by Zarf_is_with_you · · Score: 1


      If you think thats bad Archon, think of the Minstrels singing "One night in Bangkok".

  58. Brain scans by jellybear · · Score: 0

    What'd be awesome is if someday they could scan people's brains and, if they had a song stuck in their head, automatically charge their credit card or bank account.

  59. Learn 2 economics by definate · · Score: 1

    You've brought up some of the common arguments for licensing, however you've missed quite a lot in your argument. Given this is an economics topic you're talking about, you need to analyze the situation using it, else you're just ignoring a large body of study on the very topic you're talking about.

    What you're talking about here are positive externalities. You believe that these organizations benefit from the works of the artists, yet they do not have to pay for the production of these works. This means they benefit from the surplus generated by the artists, yet bare none of the cost. That's fine, however you're missing an understanding of the larger market and the complexities in pricing an externality.

    Given you opt for regulation, the regulator essentially becomes a monopoly which has control over the distribution of these works. This means the regulator can set the price of the externality and the quantity supplied, which drives up the cost for these businesses. Since the regulator does not operate in a market (there might be some faux market, such as buying credits or similar, I'm unsure in this instance), it has no competition, nor does it have the price mechanism to discover the price of this good. This results in the regulator arbitrarily setting the price, given people don't break the law (most would), then we would see less of these works being distributed, and a higher price being paid. This means the regulator would be able to apply downward pressure on the price paid to it's clients, and take a larger amount of the surplus.

    I'm going to leave it there, since it's a much larger topic and ridiculously more complex than I've put it. Especially since there is a market for regulation and it would require us to take into account rent seeking, which includes lobbying. However, we can see that this organization would be granted an extreme amount of control on the music industry, where it could (and would) be able to maximize its own revenue at the sake of the businesses which consume the benefit and the businesses which produce it.

    Lets look at it from the other side. You've said songwriters aren't a particularly wealthy lot and you're right. Yet they exist, why is that? Well, song writing has a large amount of intangible benefits, from being associated with it, to sharing your creative works, etc. This means that although it may cost you, you'll still do it, because it still provides benefit to you. Additionally, it can take you $0 to write a song and very little to make it. As distribution, production and marketing costs continue to plummet, we're likely to see less and less money made by these artists, as they assume barley any risk and have a large intangible up side. I hang around a fair few musicians and song writers, most of whom do not make money from it, despite the fact that they are always performing. They call this "Pay to play", where you essentially do it for the fun, excitement and similar.

    In a regulated market like this, the businesses which consume the benefit (supermarkets, radio stations, etc) have imposed on them large costs, and the businesses which produce the benefit (musicians, songwriters, etc) receive small benefits from it (due to the downward pressure from the monopolist). This means if businesses which consume the benefit want to stay in business, they need to find revenue streams which are more profitable, as no matter what, they have these costs imposed on them. In this case businesses who produce this benefit and are confident in their ability to generate returns, have an incentive to offset these costs. This means they spend on advertising through the organization, perhaps pay them to play the song, or similar. This means that only larger organizations which are willing to take on the risk that they won't receive enough returns to offset this cost, are the ones who get played the most. Additionally, since we know that these artists aren't "a particularly wealthy lot", we know that these people are going to seek financing to get their music made. Thi

    --
    This is my footer. There are many like it, but this one is mine.
  60. Pitbulls. by Anonymous Coward · · Score: 0

    You breed, the fight is exhilarating, then you wake up and the nightmare of mutilated living things (just like war, btw).

    Then you decide it was not such a good idea to create the race in the first place.

    What now?

    SImple, but hard to do: prohibit further breeding. ...

    Same thing with lawyers.

  61. This was in Viz comic years back by mooterSkooter · · Score: 1

    Yep, life is imitating art here. I remember a silly (fake) article in the Viz comic, that was basically this exact same thing. In the article it stated that Paul McCartney demanded royalties as someone was heard walking down the street whistling Penny Lane or something.

    Brilliant stuff.

    Perhaps PRS need to properly define "Public Performance"? I think it's fair that if someone is making money from performing someones elses music, the original artists should get a cut of it. If, it's a very low-key event making little money I really think it harms society.

  62. Actually, it's proof by SlippyToad · · Score: 1

    That there is no depth of stupidity and depravity to which copyright nazis will not go.

    --
    One day I feel I'm ahead of the wheel / the next it's rolling over me / I can get back on / I can get back on
  63. Well, opinions *are* like assholes by SlippyToad · · Score: 1

    Some stink more than others.

    --
    One day I feel I'm ahead of the wheel / the next it's rolling over me / I can get back on / I can get back on
  64. Do you pay council tax on it? by Anonymous Coward · · Score: 0

    Do you pay council tax on it? How about abandonment? If you leave your REAL property to go to wrack and ruin you can be taken to court and have your stuff taken away from you. Squatters rights on your "property"? Where if someone stays there without paying long enough, you lose the right to keep it and the squatter gets to keep it? How about inheritance taxes? Where your house is taxed when you die, how about your intellectual property being taxed when passed on? Public right of way: you can't build a wall there because people are allowed to walk there. DRM doesn't respect that, does it.

    etc

    It seems like people want intellectual property to be real property when it comes to the good stuff for them, but want it intellectual only when it comes to their responsibilities for it.

  65. Staggering. by MrNemesis · · Score: 1

    ...are the PRS claiming ownership of children that were conceived during a playback of Barry White's greatest hits? Would they like a cut of the combined wages of a man and his wife who met at a concert? How long until certain sea-mammals are hunted down and killed due to flagrant public performances of the legendary Whale Song Anthems 7?

    I have no idea how much coke it must have taken for these people to get such an overblown sense of their own importance, but I'm hoping they carry on. Behaviour like this reminds me of the marketing division of the Sirius Cybernetics Corp.

    --
    Moderation Total: -1 Troll, +3 Goat
    1. Re:Staggering. by Dunbal · · Score: 1

      I have no idea how much coke it must have taken for these people to get such an overblown sense of their own importance, but I'm hoping they carry on.

            The problem isn't that they're doing coke. It's that their pet politicians share the same dealer...

      --
      Seven puppies were harmed during the making of this post.
  66. Put The Shoe On The Other Foot! by tunapez · · Score: 1

    I was thinking of charging rent in my head for making me listen to it. If someone's radio/TV/singing is within earshot I lose my right to be free of their influence on my senses. I started thinking about that 10 years ago when the radio ads started playing Bachelor(unRealityTV) promos, followed by the morning shows blathering on about last week's Survivor. I am proud to say, I have watched 10 minutes of Survivor and 1 episode of Big Brother in my life, and I want those 70 minutes back!

    --
    Imagination drew in bold strokes, instantly serving hopes and fears, while knowledge advanced by slow increments...
  67. As a PRS member I shall be demanding a sacking by Anonymous Coward · · Score: 0

    Well as it happens I am a PRS member.

    So I shall be making enquiries about this farce (basically checking the validity of this article) and demanding the sacking of the imbecile(s) responsible.

  68. Nanny state by sjwest · · Score: 1

    I had dealings with the prs at one point - weird people, it does not surprise me that they told her to stop singing. In England the nanny state rules supreme a recent example is that two policewomen in Buckinghamshire where asked to stop minding each others children for fear that they might be perverts and that the scheme could be classed as a tax free benefit.

  69. Easy Money by Anonymous Coward · · Score: 0

    Sounds like I need to write a song, get it popular, and charge people to play or sing it.

    Oh wait, I won't get anything will I.

  70. What really gives me the creeps. by yogibaer · · Score: 1, Interesting

    How in the known universe did they find out that somebody is singing in a shop in Scotland? Big Brother is watching you...

  71. They've gotten all they will get from me by WCMI92 · · Score: 1

    I used to buy a lot of music. But that was before pretty much all new pop/rock became nothing more but the same talentless cookie cutter template done over and over and over. My desire for new music died with the death of the guitar solo, which was around 1994 or so.

    I already have all the stuff I really want from the 60's-80's classic rock era, and you couldn't PAY me to download the current emotrash crap.

    Frankly, I think the RIAA and their foreign bretheren know that the industry is dead, and want to continue to make money over and over again on stuff that is 25+ years old and long since "paid for". I also think the current talentless generation of "artists" is by design, there probably are as many talented people today as there were 20+ years ago, but they just don't get record contracts anymore as they can't be controlled, used, abused, sucked dry, then left on the corner turning tricks for crack like these manufactured "wonders" of today can be.

    When I do stumble onto FM radio these days, especially to a rock station, it amazes me how long this crappy, played out, "whinerband" emo sound has outlived whatever usefulness it once had. People used to say the "hair bands" of my day lacked talent. Yet, that era lasted what, 4 years, and today they STILL play it and people will still go to see those bands.

    Go figure.

    --
    Corporatism != Free Market
    1. Re:They've gotten all they will get from me by yurtinus · · Score: 1

      Oh sorry, is this *your* lawn? I apologize, I can help reseed if I damaged it. I used to have my own lawn you see, and I understand how challenging they can be to maintain...

      There are simply too many people making music to declare "all music from such and such decade sucks." You're right that you may not find a whole bunch of what you like on the radio (at least those that cater to newer music), but by no means does that mean it isn't out there. Pop/rock stations may not be what you like, they aren't really what I like either. But damn, music from non-mainstream artists is so retardedly easy to come across these days-- Go get some and stop complaining.

      ...death of the guitar solo. Old people are so cute sometimes :)

      --
      +1 Disagree
    2. Re:They've gotten all they will get from me by Knara · · Score: 1

      People used to say the "hair bands" of my day lacked talent. Yet, that era lasted what, 4 years, and today they STILL play it and people will still go to see those bands.

      Arguably it started with KISS and ended shortly after "Nevermind" was released (though there were some good hard rock -> grunge transition bands -- Alice in Chains, for example).

      That'd make it ~20 years (1972 to ~1992).

      It's worth noting that a lot of those bands weren't particularly good, but in those days there was no easy way to get good copies of songs or distribute them in huge numbers without effort (basically, dual-deck boom boxes :D ), so the royalty system still *worked* and paid artists reasonably fairly.

      I think the saddest thing about P2P/torrent music piracy is the loss of popular music culture. It used to be that every town had dozens of great record stores and venues where you could see live music. Now everyone sits at home, pulls up iTunes/TPB/whatever and downloads to their hearts' content. So sad.

  72. Royalties for radio broadcast music? No way! by Peter+Simpson · · Score: 3, Insightful

    No, they don't play the radio to make a pleasant environment for their customers. They play the radio to make spending a day waiting on the general public go by a little quicker and to give them something to listen to while they stock shelves or install muffler systems, or whatever else they're doing.

    It's music being broadcast for all to hear. Why should the supermarket pay royalties and the guy in the car with his windows down not have to? If they're playing MUZAK or a CD, fine, they should be paying for that music, but paying for broadcast radio doesn't make sense.

    If you're not getting compensated fairly, talk to the radio stations playing your music, don't go after the people listening to it. It's *broadcast* -- thrown out over the airwaves for whoever wants it.

  73. Anonymous Coward by Anonymous Coward · · Score: 0

    Money, money, money
    Must be funny
    In the rich mans world
    Money, money, money
    Always sunny
    In the rich mans world
    Aha-ahaaa
    All the things I could do
    If I had a little money
    Its a rich mans world

  74. ASCAP and the PRS do good work by TheReal_sabret00the · · Score: 1

    It seems as though there's a case here of someone being a little overzealous in the offices that deal with the above area, but these are the companies that most often guarantee that artists [that are smart enough to retain their own publishing] get paid. It's these companies that are in charge of royalty payments so that means songs played on radio, samples used in other songs and music for adverts. Old people living off the dividends of a once flourishing career are grateful for the cheques that these companies send on a regular basis.

  75. Radio by Anonymous Coward · · Score: 0

    I don't get it ? Why should you have to pay anything for radio? After all if they didn't want you to listen to it thay could digtally encrypt the programm.
    If i switch on a light and it illuminates your garden i have no right to ask you to pay for that! I am free to do what ever i want with those photons right?
    So where's the difference? It is your fault if you encode unencrypted information in your photons. After all you are the one that is activley forcing my RLC curcuit to start oscillating. I just posess a Resisito Inductor and a Capacitor, items which i am legally entitled to own and connect with wires any way I want.
    I think charging people for beeing hit by photons goes is to much. Next time i see someone from the PRS i will flsh my flshlight in his face and send a message in morse code, then he has to pay royalities to me right? After all i made that Message and therefore i have the copyright, It is not my fault, that his eyes were capable of coverting the stream of photons i choose to throw at him into an useful Message.

  76. Utter cods! by Anonymous Coward · · Score: 0

    Sounds more like someone has it in for the store, so they find any old stupid way to frame the staff, so the manager has to shut down. Anyone checked who filed the claims and what rival shop they work at?!?!

  77. Oh the irony... by M-RES · · Score: 1

    Does anyone else think it's ironic that the PRS (Performing Rights Society) whose job it is to collect royalties on behalf of artists is trying to charge a performing artist money?

    So just imagine if she had been singing her own material and paid the PRS the required fee - just how much would she see of that money from the PRS when they came to pay out her due royalty earnings? It'd be interesting to know how big a cut they take! :-o

    1. Re:Oh the irony... by terrymr · · Score: 1

      From experience - they won't allow her to join because her expected royalties are too small.

  78. tax ASCAP/BMI by whosyourslashdotdad · · Score: 1

    I think an argument could be made that societies support of the musical arts through public schools and other government agencies is responsible for the development of a lot of the artists out there. I propose a 100% tax on ASCAP/BMI/SESAC revenues to repay us... actually as an afterthought let's just outlaw those type of taxes for public performance and call it even.

  79. drop downs by McGiraf · · Score: 1

    Moderation drop downs, easy to chose the wrong one, no undo except posting, therefore this post

  80. How did the PRS find out? by yorgo · · Score: 1

    There had to be some human involvement. Which means a *person* (from the PRS?) must have shopped in her store, and heard the radio (or her singing), and thought, "Hmmm...This is outrageous! I'll have to do something about this! I'll report her!" So, initially, this began with a single idiot. I can only assume that this idiot brought back his report, and more *people* at the PRS thought, "This is outrageous! We'll have to do something about this!". It was then escalated, which resulted in the initial order. So, subsequently, this was perpetuated by more idiots. Somehow, the phrase, "A person is smart. People are stupid.", doesn't seem to apply here.

    1. Re:How did the PRS find out? by mbone · · Score: 1

      You do know that they have agents on commission who go around looking for violations ?

    2. Re:How did the PRS find out? by yorgo · · Score: 1

      I did not. Interesting. Not sure what I think of that.

  81. This Just In: by Neutral_Observer · · Score: 1

    RIAA now going after people who sing in their showers...

  82. the altruistic recording industry by ncmathsadist · · Score: 1

    Oink.

  83. The solution is... by roc97007 · · Score: 1

    Sing or play unencumbered songs from independent groups. The added bonus is that you get to spread the word about indie groups.

    --
    Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
  84. Make your own songs... by afortaleza · · Score: 1

    ...and don't attach copyright to them, that's the best way to go.

  85. Next up by Anonymous Coward · · Score: 0

    Next they will be suing people for washing their hands.

    (To try to prevent the spread of influenza (both H1N1 and seasonal) the department of health is running ads on the radio and tv urging people to wash their hands thoroughly for 20 seconds. "It takes about 20 seconds to sing the Happy Birtthday song twice."

    The happy birthday song is copyrighted.

  86. Insane by Pec · · Score: 1

    Frankly, this is insane, the World has gone crazy. In the future we will have to carry around a wallet full of bills of our purchases in whatever we have and actions we do.

    --
    This is a .sig
  87. Stupid by MBGMorden · · Score: 1

    It's events like this that I wish we had a regular person (or even better - a panel of regular people) as an observer on copyright cases and had the right to enact the "This is Bullshit" statute.

    Simply put, you take action against a person over a copyrighted work and the panel decides "This is Bullshit", then the copyrighted work in question instantly becomes public domain.

    Sounds a little random for the legal system, but I guarantee such a setup would produce more sensible results that the current system, which goes to show just how screwed up the current system actually is.

    --
    "People who think they know everything are very annoying to those of us who do."-Mark Twain
  88. stop listening or buying music by p51d007 · · Score: 1

    If the entire world stopped listening to music, and or buying it, it would take about 10 minutes for the radio stations, recording labels RIAA etc to come crying back to us to buy/listen to music. The RIAA et al, are nothing but blood suckers, trying to hold onto an outdated business model.

  89. Has anyone take this to court? by Midnight+Thunder · · Score: 1


    I was unaware that listening to the radio in a cubicle was taxable. I was under the impression advertising paid for the radio, and the stations already paid for a license to broadcast.

    The real question is whether anyone tried arguing this in court?

    --
    Jumpstart the tartan drive.
  90. Making political hay by mea37 · · Score: 1

    The funny thing is, this story already has its beginning and its end... yet the headline only addresses the beginning.

    What I love about this summary is, it quietly notes that the PRS backed down and apologized, yet then goes on to paint this not as a problem with the PRS trying to abuse copyright, but as a problem with the nature of copyright.

    Yes, copyright balances music (and other creative works) as both art for the common enjoyment and property for commercial gain. That is specifically what it is and has always been. That is not what led to this situation. One organization's greed leading it to over-reach its rights under copyriht is what led to this situation. Large organizations abuse every area of law to get what they want; it's nothing unqiue to IP law.

    Is copyright as it exists today out of balance? I think so. Is this story an example of that imbalance? Well, since its resolution was correct I guess I'd have to say "no". But I guess we can't let that stand in the way of a good anti-IP FUD-mongering session.

    1. Re:Making political hay by cpghost · · Score: 1

      Is copyright as it exists today out of balance? I think so. Is this story an example of that imbalance? Well, since its resolution was correct I guess I'd have to say "no".

      I beg to disagree. For every positive resolution of copyright-related conflicts, there are hundreds of cases that don't make it to the press, which don't have such a happy ending.

      This case is not typical for its resolution; its beginning and evolving up to the point it became widely published are.

      --
      cpghost at Cordula's Web.
    2. Re:Making political hay by mea37 · · Score: 1

      I suppose the snarky answer is "citation needed".

      If there are instances that are like this one except that they didn't end well, use one of them to prove your anti-IP point. If the best you can do is "here's a situation that almost went badly but really ended up ok, and there are other situations that didn't end up as well", then you have no case.

      More specifically - show me a case where someone was actually held liable for singing to himself or herself. Otherwise you're just sensationalizing by pointing to this story.

    3. Re:Making political hay by tkrotchko · · Score: 1

      There was no resolution. This is simply a case where PRS decided that this was not worth the PR hassle at this time.

      Is is a problem with copyright if the law would supporting over-reaching copyright claims. That is, if you are certain that if this went to trial the singing stocker would prevail, then great. If you're not sure, then copyright is the problem.

      The fact that they emboldened enough to make the claim shows me a problem exists.

      --
      You were mistaken. Which is odd, since memory shouldn't be a problem for you
  91. Industry Assoications better watch it... by DarthVain · · Score: 1

    Its just like the asshole that likes to pick fights at a bar... sooner or later they are going to run into some crazy motherfucker and that will be that. Same could be said for home invasion. It just takes one very angry, slightly nuts guy to take things to the next level.

    I mean it is one thing to ruin grandma's day by suing her into her grave over 6 Frank Sinatra songs, it is entirely another when they ruin some pretty smart, but very crazy survivalist living in a bunker over the new Metallica Album. Suddenly not so fun a past time for some media exec...

    Hey I am I just sayin'!

    Of course survivalist guy probably has all his assets in Guns and Gold, but hey, maybe it was his Grandma!

  92. Music majors are thiefs by Anonymous Coward · · Score: 0

    Why not put the music companies out of business for stealing from artists and consumers ?
    I think theft is much worse than singing out of key.

  93. Isn't there a product that does that? by sys_mast · · Score: 1

    I think there is a product that does exactly what you are asking for. Muzak or some play on words. pay a fee, get a unit that can catch the stream and it's commercial free music you can play in your business.

    anybody work in retail or other that can confirm this product?

    --
    Those who can, do.
  94. I'm shocked that this happened by KiwiCanuck · · Score: 1

    in the UK b4 the US.

  95. The greed! by Anonymous Coward · · Score: 0

    So, do cab drivers have to turn their radios off when giving a ride to a customer?

    Am I allowed to turn up the music in my car if people walking streets can hear it?

    Are companies allowed to have music playing in washrooms used by all employees?

    Am I allowed to play a guitar for friends and family?

    What about karaoke bars? What about regular bars playing radio?

    Greed will kill out all of these so called musicians and song writers... the worst thing is that they will blame it on piracy and general population being too musically able to reproduce songs they hear... they are killing themselves, and they are the only people to blame for it.

  96. Nantucket by thinairart · · Score: 1

    Anyone know the going royalty rate for "There once was a man from Nantucket..." ?

  97. In related news... by TaggartAleslayer · · Score: 1

    In support of Yahoo's Hack Day lap dancing success, Microsoft plans to send Steve Ballmer around the nation to spoon with potential Bing developers.

    1. Re:In related news... by TaggartAleslayer · · Score: 1

      Actually, this news isn't related at all. Wrong article, entirely.

  98. This Agency is Overboard by flyneye · · Score: 1

    This is the most ridiculous agency since the RIAA I've heard of. To physically harness sounds, to accost people singing. I know the good people of England haven't a clue how to legally end the PRS. The very best thing to do is quit buying music. Quit supporting artists utilizing the industry until the industry dies (as is inevitable)
              The upside to the dying industry is; all musical artists will have a level playing field to earn a performance living on, music of all sorts will flourish and you won't be tied down to only bands that the industry selects as cooperative with their profits to listen to. Musicians will make money and possibly a living for a change. Music will be free. Performance will be paid.
              The downside to the death of the industry is; it hasn't happened yet and mankind faces the silly gyrations and convulsions of an outdated business model.
    All employed by the industry will have to find actual work, beneficial to society instead of enslaving sound and vampiring the talented (who are the last and least to be paid by the industries corrupt system).
                  Acquire music as you will. Pay no one but the artist directly, avoiding middlemen as the enemy of mankind and liberty.
              Just let it die.

    --
    *Repent!Quit Your Job!Slack Off!The World Ends Tomorrow and You May Die!
    1. Re:This Agency is Overboard by Knara · · Score: 1

      The upside to the dying industry is; all musical artists will have a level playing field to earn a performance living on, music of all sorts will flourish and you won't be tied down to only bands that the industry selects as cooperative with their profits to listen to. Musicians will make money and possibly a living for a change. Music will be free. Performance will be paid.

      My music isn't free unless I say it is. Otherwise, you have no right to utilize it. You gonna get rid of 400 years of copyright tradition simply because you don't like paying for something that someone else created and distributed?

      Also, how are you going to hear about new music without a promotion campaign? Maybe you have all day to sift through music sites, MySpace, and ReverbNation, but most people don't.

      There needs to be gatekeepers, because 99% of music is shit. I mean real shit: poor songs, poor playing, poor production -- not just "types/genres of music I find substandard". That's what "the industry" does, it filters.

      Is it perfect? No, but I guarantee you that a free for all market would (and has -- most live performers who aren't doing covers get paid *nothing*) result in less money for musicians than the "dying" system.

    2. Re:This Agency is Overboard by flyneye · · Score: 1

      "My music isn't free unless I say it is. Otherwise, you have no right to utilize it. You gonna get rid of 400 years of copyright tradition simply because you don't like paying for something that someone else created and distributed? "

                All music will be free,after all trying to bottle sound is a bit like trying to carry 5 gallons of water in your bare hands.It hasn't worked so far and it just slips between your fingers. Continued struggling against the reality of sound only produces anxiety and frustration on EVERYONES part and makes criminals of us all. The business model that fed the industry won't work no matter how hard you try to drive a square peg into a round hole. Get used to the idea that performance is the only feasible way to ask for money and get it. I won't be getting rid of 400 years of this business model. It's collapsed on itself with the advent of the internet. When cars were invented it put many saddle and buggywhip manufacturers out of business. Unfair? Was legislation needed to help them stay in business?
      Was it important their business model stayed afloat? The end of the music industry is welcome and necessary for the world to come.

      "Also, how are you going to hear about new music without a promotion campaign? Maybe you have all day to sift through music sites, MySpace, and ReverbNation, but most people don't."

                As necessity demands, ways will be invented.
      The artist now has control of the effort put into promotion. These services are just the beginnings of what will come. Independent internet radio would love to broadcast royalty free music, so theres another idea. How many more can you think of if you thought about it for 5 minutes?

          "There needs to be gatekeepers, because 99% of music is shit. I mean real shit: poor songs, poor playing, poor production -- not just "types/genres of music I find substandard". That's what "the industry" does, it filters."

                Gatekeepers is not an analogy for swindling theivery and censorship in the name of easy marketability. The only filter is this "can we market this without stepping outside our process or spending more money?" Your analogy shows you've been duped into the popular lie. The music industry has no special power to separate crap from talent, only to find the cheapest easiest route with no regard to the crap shoveled down the publics throat.

                "Is it perfect? No, but I guarantee you that a free for all market would (and has -- most live performers who aren't doing covers get paid *nothing*) result in less money for musicians than the "dying" system."

                Your guarantee isn't very well thought out.Industry musicians make nothing.A hit first album only covers costs for the industry and the band makes nothing. If they can do it again on album 2 maybe enough left over to buy new guitar strings. Meanwhile the industry puts them up in a house, buys their clothes and runs up the bill to be pulled off the next album. The only independent industry artists are the old guys who managed contractual acrobatics years ago before the industry excluded such behaviour. Yes, you can make more money playing out than you can from royalties. In fact more money is made by the industry from ticket sales than from hard copy music.
                Like I said just let it die.

      --
      *Repent!Quit Your Job!Slack Off!The World Ends Tomorrow and You May Die!
  99. This is the Central Scrutinizer... by Anonymous Coward · · Score: 0

    This is the CENTRAL SCRUTINIZER...it is my responsibility to enforce all the laws
    that haven't been passed yet. It is also my responsibility to alert each and every one of
    you to the potential consequences of various ordinary everyday activities you might be
    performing which could eventually lead to The Death Penalty (or affect your parents'
    credit rating). Our criminal institutions are full of little creeps like you who do wrong things...
    and many of them were driven to these crimes by a horrible force called MUSIC! Our studies
    have shown that this horrible force is so dangerous to society at large that laws are being
    drawn up at this very moment to stop it forever! Cruel and inhuman punishments are
    being carefully described in tiny paragraphs so they won't conflict with the Constitution
    (which, itself, is being modified in order to accommodate THE FUTURE).

    F. Zappa

    I wonder how he could have forseen all this in 1979...

    Me goes plooking a Telefunken 47...

  100. money == free speech by Anonymous Coward · · Score: 0

    Money is a form of free speech. Those with more money have more free speech. Two legs bad. Four legs good.

  101. Re:Batt/Cage by Phrogman · · Score: 1

    The idea that someone could own the copyright to a piece of music that consists entirely of silence, is an excellent example of just how fucking stupid the copyright/IP situation has gotten. The fact that someone could be successfully sued for a 6-figure damage total over such an issue should be a screaming indicator telling people just how stupid this is.

    Its tantamount to my selling an empty paperback novel - all blank pages - and then suing someone because they included whitespace in their book and I am claiming copyright infringement - I can even point to the specific quotes in their work to prove their guilt.

    Now, I can see that there was an association with Cage's original work in that this was a track of silence, and Batt had accredited the work to "Batt/Cage", thus bringing up the association, but how is this not considered to be for comedic purposes, ie fair use? It was a stupid thing to do for the band in retrospect but the idea of copyrighting silence is so extremely ridiculous in the first place, I think its understandable.

    I wonder how far this can go before even the average person on the street is upset enough to revolt and do something? Or have we reached the point where we are all so comfortable as sheep that nothing will get a reaction?

    --
    "The first time I got drunk, I got married. The second time I bought a chimpanzee, after that I stayed sober" Arian Seid
  102. O....M.....G... by furby076 · · Score: 1

    Wow. Gov't has failed big time when this happens. Not having the radio on in a store? Not being able to sing a tune while, you know, living - without paying?

    Given that the companies who release music want the radio's to play it so it becomes better known so people will want to buy the cds, go to concerts, etc....why would they not want a supermarket to have their music on---- from the radio?

    --

    I do not support "The Man". I also do not support your irrational stupidity
  103. rise up by Anonymous Coward · · Score: 0

    This is soon to become so draconian that Artists and people in the industry will personally suffer. I know that I already have no respect for music industry people. For some, there will be open hostility. It wont be long before someone legally suffering under the current regime will retaliate in the real world...

  104. Lenght is a problem, but not inherent by weston · · Score: 1

    But then you end up with the reverse situation whereby innovation becomes stifled because copyright protects for so long.

    The current length is a problem, and I think we should go back to 14 years with an optional 14 year extension. but it's not an inherent problem with copyrights in general (which the GPP is essentially advocating doing away with), it's a problem with the implementation.

    The rights tend to go off to 'enforcement' companies that then collect.

    The biggest problem with the enforcement/licensing companies is that they don't work effectively for a large portion of the artists they "represent." This is, again, an implementation problem.

  105. Wordsworth: The Solitary Reaper by t_ban · · Score: 1

    Behold her, single in the field,
    Yon solitary Highland Lass!
    Reaping and singing by herself;
    Stop here, or gently pass!
    Alone she cuts and binds the grain,
    And sings a melancholy strain;
    O listen! for the Vale profound
    Is overflowing with the sound.

    No Nightingale did ever chaunt
    More welcome notes to weary bands
    Of travellers in some shady haunt,
    Among Arabian sands:
    A voice so thrilling ne'er was heard
    In spring-time from the Cuckoo-bird,
    Breaking the silence of the seas
    Among the farthest Hebrides.

    Will no one tell me what she sings?--
    Perhaps the plaintive numbers flow
    For old, unhappy, far-off things,
    And battles long ago:
    Or is it some more humble lay,
    Familiar matter of to-day?
    Some natural sorrow, loss, or pain,
    That has been, and may be again?

    Whate'er the theme, the Maiden sang
    As if her song could have no ending;
    I saw her singing at her work,
    And o'er the sickle bending;--
    I listened, motionless and still;
    And, as I mounted up the hill,
    The music in my heart I bore,
    Long after it was heard no more.

    I wonder whom the poet was addressing when he said 'stop here, or gently pass' -- was it RIAA agents?

    --
    First they ignore you. Then they laugh at you. Then they fight you. Then you win. -Gandhi
  106. Karaoke Flash Mob by jameskojiro · · Score: 1

    Someone needs to start a Karaoke Flash mob in front of those laws offices to teach the UK idiots a lesson in humility.

    Of course because of the UK big brother cams everyone who participated in it would be tracked down and jailed.

    --
    Tsukasa: All I really want, is to be left alone...
  107. Poor music industry by formfeed · · Score: 1
    I admit, I used to go shopping just for the music. But the music industry's anti-pirating campaign opened my eyes:

    All over the country, people are singing to themselves without paying royalties for it. Pirates, that's what they are. Filthy thieves. If only 10% of employees do this, the music industry is losing billions!

    And let's not forget the times when you're stuck with that melody in your head - repeating it twenty, thirty times, and never paying for it.

    Or these filthy pirates in the subway with their mp3-players: Although their i-tunes downloads might be paid for, illegal broadcasting by humming along is certainly not.

  108. Who are these people?!? by Anonymous Coward · · Score: 0

    It makes me wonder who the people working for the PRS in the UK and the RIAA and MPAA in the US really are. Do they have personal lives? Do they attack anyone they see on the street who is singing a song or watching a movie to get them to prove they have the legal right to sing, listen, or watch copyrighted content?

    It seems like the music/movie police have no personal lives at all, that they just sit around trying to figure out who else they can bully and how they can extort millions of dollars from ordinary citizens. They must be cold, heartless bastards with no grasp on reality.

  109. Re:Singing copyrighted song out of tune by presidenteloco · · Score: 1

    Dear Mr/Ms Rockoon,
    We hereby demand that you cease and desist from your practice of copying lyrics of our client's copyrighted song "A Little Help From My Friends", and immediately remove all copies from public Internet sites.

    We note that you have sought to profit, in the form of the loan of hearing appendages, in exchange for the performance of said song. This has clearly caused irreparable harm, not only to your hapless (and paradoxically earless) listener, but also to my client, the corporation representing the author of the aforementioned song.

    You will need more than a little help from your friends to make my client whole.
    Yours Ominously,
    E. Scrooge,
    Payne & Fears LLP

    --

    Where are we going and why are we in a handbasket?
  110. They are protecting "starving artists" by KwKSilver · · Score: 2, Informative

    You know, like Mick Jagger, Elton John, Paul McCartney, Madonna, Celine Dione, & various other impoverished, downtrodden performers. The nerve of that wealthy, powerful stock clerk. She got away with it too, which is why the artists' protection organizations like RIAA and MPAA need the right to just kill suspected offenders without the bother of courts and trials.

    --
    If you want your life to be different, live it differently.
  111. I would like that as a "net radio" stream. by Anonymous Coward · · Score: 0

    Heck, if there was a shoutcast station that only played songs from the Archive.org CC music I'd listen to it. (I'm picking archive.org because they seem to be the biggest resource for that kind of stuff that I know of. And I think indexing under the random stations listing would be appropriate.) Trying to find the good CC music is a bit of a process in itself (so much crazy random stuff), yet within the midst of many low quality tracks that may as well be "Joe Shmoe singing in the shower as recorded by a friend who thinks it's funny" I have found quality music that is quite enjoyable. Music that rivals or exceeds the quality of stuff put out by the big studios that drive pop-media. Things like public orchestra performances, or indie artists with a nice home studio setup, cool electronica synth grooves, or a good bootleg from a feed by provided by some jam or ska band during their live performance. (Yes, there are some real gems to be found in every genre if you are patient enough to browse through the mediocre randomness to find them.)

    Here's how I'd set programming for the All CC Shoutcast Station: Its playlist is determined by email requests and a limited repeat policy per day. (With enough listeners contributing, good stuff should come up to the top fairly quick.) There would also be one day of the week that is a truely random playlist as chosen by a computer to help bring up new stuff. (Basically an automated version of the haystack sorting one does when browsing for new interesting CC tunes.) And there may be a special genre day or session where all music picked and sent in has to fit a random-picked genre. There would be some mention of a paypal address for donations after every 10 songs or so, such that getting listener sponsorship shouldn't be a problem - and to keep the station commercial free. There would be some DJ chatter about upcoming playlist music and genre-day features, but other than that it would be minimal. (This makes me wonder why Archive.org isn't doing that already.)

    If there is such a "net radio" shoutcast station already, I'd like to know. (I doubt any there's any real radio station other than college or pirate would try this, since broadcast rights on the "public" airwaves are bought and paid for by big media.)

  112. I'm going to fuck you all up! by failedlogic · · Score: 1

    If I were a recording artist, I'd be recording a track of what sounds like someone typing on a keyboard. Therefore anyone typing on a keyboard, would be violating the copyright. So there ..... I know that most people on Slashdot type on a keyboard. You'd all be fucked. Who needs karaoke wannabes to make serious dough?

  113. I call bullsh@t by rsilvergun · · Score: 1

    You're transmitting your song over public airwaves. These airwaves are a limited resource that we give a monopoly over (e.g. each channel). You make plenty of money off the exposure you get on the radio. If you don't like it, don't broadcast you're fsckin' music over public airwaives

    --
    Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
  114. One thing I have to say... GOOOD! by BLKMGK · · Score: 1

    Good that they're doing this, do it again and again! Keep doing it until people begin to see just how greedy, sleazy, and utterly ridiculous these people are! Let them keep putting the screws to the public until finally they wake up and see these crooks for what they are. Finally one day people will get a clue - it needs to happen. Sooner rather than later would make me happy...

    --
    Build it, Drive it, Improve it! Hybridz.org
  115. Stick it to the man by Mr.+Roadkill · · Score: 1

    You know, there's a way out of this. It's called EXCLUSIVELY playing material that's already in the public domain.

    Sure, you won't get Top 40 crap - that's a benefit, by the way - but if you're after appealing background noises for a retail environment you'd be amazed at what's available. One of the best recordings of Rhapsody in Blue I've heard dates from 1927.

    Play these recordings, arrange for somone to "anonymously" call the Music Police to report you, and when the bastards turn up simply ask them to leave the premises as you're not doing anything wrong - without explaining why you're in the right and they're not. Keep logs of what you play, and where you sourced it. Do NOT let any staff play ANYTHING else. Let the Music Police threaten to sue you. Insist that you've done nothing wrong. Let them get their lawyers involved, and let them run up some legal costs, then get the press involved.

    If they're going to play stupid games like threatening action over someone "performing" songs while they're stacking supermarket shelves, they deserve everything they get. I hear there's a lot of stuff from the 40's that's not covered in the UK and Scotland any more, so that covers all the really great swing-era stuff, although I hear Sir Cliff is a little pissed about the fact that he may soon stop getting royalties for Summer Holiday and is trying to pull a Disney...

  116. Just try to make me pay by Pete+Venkman · · Score: 1

    If someone tried this shit on me, I would have no choice but to write my own song, "Go Fuck Yourself". ...of course, it would be licensed under creative commons.

  117. How's this a no-true-Scotsman fallacy? by jonaskoelker · · Score: 1

    No *true* Scotsman would enforce copyrights...

    I take it you're referring to the No True Scotsman logical fallacy.

    The blurb from Wikipedia says:

    No true Scotsman is a logical fallacy where the meaning of a term is ad hoc redefined to make a desired assertion about it true.

    (Also known as Proof by Semantic Shift, according to my fortune.)

    Also worth quoting is the non-example:

    it is perfectly justified to say, "No true vegetarian eats meat," because not eating meat is the single thing that precisely defines a person as a vegetarian.

    What is it you think is being redefined? Kethinov is talking about regulations which interfere with a free market---not all regulations. In other words, he's saying that the meat-eating (market-interfering) copyright is not a true vegetarian (non-interfering regulation).

    Unless there's something I'm missing?

    1. Re:How's this a no-true-Scotsman fallacy? by damburger · · Score: 1

      Because Kethinov is not the first person to define a 'free market'. Basically I am getting at the fact he is clearly a market fundamentalist, who when presented with any negative consequence of markets, will claim in a convoluted fashion that it isn't the markets that did that, it must be X because markets are perfect.

      --
      If we can put a man on the moon, why can't we shoot people for Apollo-related non-sequiturs?
  118. A fun fact from economics by jonaskoelker · · Score: 1

    Here's a fun fact from economics: when polled, people will say that they want

    • lower taxes
    • a balanced budget
    • more public goods

    The only way I know of to keep giving people what they want is by starting in a situation where the public till is getting fuller and then employing Zeno's paradox ;-)

  119. Dear PRS by rninne · · Score: 0

    Dear PRS, Please come and procecute my neighbour for playing his music too loud everynight. It can be heard all the way up and down my street and I'm afraid we are all recieving unlawful preformances of copyrighted music (no matter how tasteless it might be). ~Bleeding-Ears Joe

  120. Oh... by Cazekiel · · Score: 1

    I can't even begin to fathom how utterly SCREWED I'd be. I sing everywhere, including grocery stores. And I don't even WORK in one. And movie quotes? Orson Welles would rise from the grave and slap a lawsuit on me so fast for screaming, "Don't worry about me! Don't worry about me, Geddes! I'm CHARLES FOSTER KANE!" in the Wal-Mart parking lot. Don't ask. Hard day.

    --
    You want to know how to help your kids? LEAVE THEM THE F*&K ALONE. --George Carlin
  121. PRS as Stewie by HTH+NE1 · · Score: 1

    PRS: Hey, who sings that song?
    Sandra Burt: Mick Jagger.
    PRS: Yeah, let's keep it that way.

    --
    Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
  122. No we have NOT! by Hurricane78 · · Score: 1

    We have entered an era where music is no longer an art for all to enjoy, but rather a form of private property that must be regulated and taxed like alcohol.

    No, we have NOT! It always takes two sides, for a change in rules to happen. The side who tries to enforce the new rule, and the person accepting it.
    Which in this case means the criminal / crazy person, trying to enforce a not-from-this-world joke kind of rule, and the total utter retard who is actually buying into that shit.

    Are you telling me, that you are that retard? I don't think so.
    But then stop talking is that way. You are stronger than that. You can't always cave in, when someone creates a new bullshit rule against you. Or else, what is your life and word worth really?
    If you let others play with you in that way, you're no better than cattle. Sorry. I don't think you're cattle or a retard. Just please stop acting like one. Even if it's unintended. You are not only hurting yourself with that. You are hurting us all, by empowering that sick new rule. Which means, we have to defend us against you too. And honestly, I don't want to do you any harm.

    --
    Any sufficiently advanced intelligence is indistinguishable from stupidity.
  123. Fine with me by coldsalmon · · Score: 1

    So eventually people won't be able to sing or listen to horrible pop tunes that are written only for monetary gain. This is what I've been hoping for my whole life.

  124. Pedro 48 by pedro1948 · · Score: 1

    As a musician, I find this absolutely sickening. As a human being, I find this absolutely sickening. Music is special. It can create or change moods. It has a major effect on the brain.People used to record and release music because they thought it was good and could make them money. People who liked music ran those companies. Today, accountants and MBA's run those companies and you hear what you are getting, much less good music and more crap. As an old fart, I can tell you music is a lot worse with more crap to sort through to find the few good things to listen to. CD's are one or two hits and a lot of filler. The RIAA is a dinosaur and should die quietly. I used to get excited about new music and so did my friends. When's the last time someone said to you,"You gotta hear this, it's amazing"?