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Copyright Infringement In the News

Lots of newsbits about copyright infringement today - let's mash them all together with some egg whites and breadcrumbs and see what we get. marklyon writes "The DOJ announced that they are planning to prosecute filesharers under the The No Electronic Theft ("NET") Act. John Malcolm, a deputy assistant attorney general, made the pronouncement at the Progress and Freedom Foundation's annual technology and politics summit Tuesday. Cnet has extended coverage." Reader M_Talon writes "According to this article on ZDNET the RIAA is using one of the DMCA's more nasty clauses...the right to subpoena an ISP for a suspected pirate's personal information. They want to force Verizon to reveal the customer's information, and Verizon is refusing on the grounds that the pirated material isn't on their servers." Reader MattW writes "Apparently some theaters are consenting to run anti-piracy ads before movies. After all, these are not a bunch of fat cats we're talking about -- piracy now threatens the livelihood of the rank and file workers of Hollywood. After all, the movie studios are having a terrible year, right?" Finally, the Washington Post (probably one of the last articles we post from their site, as they go registration-required) discovers spoofed files on Gnutella, and public radio is reporting that the RIAA will drop their suit against listen4ever.com, since it's, uh, gone.

243 of 604 comments (clear)

  1. Under the NET Act... by wo1verin3 · · Score: 2, Funny

    ...if the value of the work exceeds $1,000. Violations are punishable by one year in prison, or if the value tops $2,500, "not more than five years" in prison.

    I guess this means that we can copy Crossroads (Britney Spears movie).. no way that was worth $1000

    1. Re:Under the NET Act... by rockwood · · Score: 4, Interesting
      Not exactly! if Hollywood calculated estimated sales of ten million videos and they only sold eight million, and meanwhile discovered that you had copied the movie against their wishes - They could turn around and say that the losses were due to your illegal activity.

      Don't get me wrong.. I think the movie and record comapnies should all jump off the highest building they own, but stranger things have happened when they start using their money and suing the average defensless Joe.

      I figure they could state it in two different manners
      1 - If you had the movie stored on your system and also had a p2p program of any type installed - they could say that sales losses where diretly effected by your sharing of the movie.
      or
      2 - They could state that if you copied the movie (especially if on DVD), and bypassed their.. umm.. 'security' measures, that you most likely shared that process with others. Thereby cutting into their profits.

      Either way the movie and recording companies will continue to strong arm the public until the complete foundation falls apart at the seems. And when it does it will creat a mini-anarchy of a turning point in all of this.

      Until then, I suggest that we continue to fight and argue and hold on tight for the ride.

      --
      Never try to beat a professional at his own game!
    2. Re:Under the NET Act... by KelsoLundeen · · Score: 4, Funny

      Yeah, but the Crossroads with Ralph Macchio (Karate Kid) is pretty cool. It's definitely worth more than the Crossroads with Britney.

      BTW, this is off-topic, but ...

      Today is a sad day. My Oscar Goldman action figure with the exploding briefcase finally tumbled from my computer. Oscar hit his head. The head cracked.

      The briefcase still explodes, though.

      Steve Austin, who for 26 years always rode shotgun with Oscar Goldman, has now moved two inches to the right on my "bionic" shelf in order to fill the space that Oscar left. I've still got the Jamie Sommers action figure, the Bionic Transport and Repair Station, and the Maskatron figure. (Although Maskatron has lost his mask.)

      Anyway, if you don't know Oscar Goldamn and his exploding briefcase, you're too young.

      Now, for something on-topic:

      The obvious question -- if this NET act is the law that puts 14 and 15 year olds in the super-high security, DEFCON 1 lockups in Colorado and Illinois for swapping N'Sync and Britney -- is how, exactly, is the $1000 figure calculated?

      I'm sure a case could made that each song on each CD -- on the millions of CDs -- are actually worth in excess of one thousand dollars -- each! -- due to distribution costs, royalty payments, hotel bills for executives, Hilary Rosen's swank house in the Hamptons (the price for which has surely been amortized over the millions of Britney CDs littering the land), and MPAA Jack "Maddog ... GRrrrrrrr!" Valenti's ivory golf clubs and matching bath towels.

      (And no, I have no idea if Hillary has a house in the Hamptons or Maddog Jack has ivory golf clubs ...)

    3. Re:Under the NET Act... by mwjlewis · · Score: 3, Interesting
      This is my take on the 1,000 dollars. If they find more then 1,000 dollars worth of items on your computer(s), then you would be responsible for that one year. ie. CD = 15 dollars it has 15 songs = 1 song = 1 dollar. 1000 songs = 1000 dollars.

      They can not prove, unless they have hard evidence that you have been sharing those files with others, therefor you are only liable for, what YOU have on your computer(s). Although with evidance, you could very well be liable for up to: 5 years. Doh.

      What does this teach us, Load a small, simple OS; Load VMware. Load a second OS of choice in VMware. copy all p0rn, warez, divx, mp3's, etc to VMware, shutdown VMware - Encrypt. Boot VMware to RAM drive. Decript and play- when the door bell rings. kill the power. They see nothing but.... a large amount of encrypted data. They can't even see what the OS is.

      --
      www.oobersworld.com - For those that ride.
    4. Re:Under the NET Act... by Graspee_Leemoor · · Score: 2

      In the UK I don't think we are attempting to crack down on song swapping etc quite as drastically as the US, but in your example in the UK you can be put in prison for refusing to hand over your decryption keys.

      I mean, Jesus Fucking Christ- It's possible in the US now to get less time in prison for killing someone than for downloading a load of mp3s. How fucking insane is that?

      Note, I am not having a go at American citizens here, just the FUCKED-UP laws they have there.

      graspee

    5. Re:Under the NET Act... by ChaoticSilly · · Score: 2, Interesting

      ...if the value of the work exceeds $1,000. Violations are punishable by one year in prison, or if the value tops $2,500, "not more than five years" in prison.

      Is it me or does this seem a little vague as a guideline for jail time? Which work is this referring to - the original work or the one on my computer (encoded at a lower bit rate & lossy compression) or the version that I programmed to play (crudely) on the pc speaker? Also, who determines the value of the work? If I get to determine the value, I could share thousands of gigabytes of Britney Spears & NSync songs as I wouldn't even pay a penny for them (they'd have to pay me to listen to them). But if the RIAA determines the value, they could include all the costs of producing the song including studio time & marketing, so even sharing 1 song would be well over $2500. If they use the retail price of the cd, will they have to determine how many people downloaded that song from me to determine "damages"?

      IANAL, but since criminal charges & jail time are involved, wouldn't that mean that file sharers would have the right to a trial by jury? I know songs on the radio aren't actually free - the radio station pays the copyright holder, but to most people, the only "price" to radio is listening to the advertising. I wonder how many ordinary people will be willing to find someone guilty knowing that the defendant could be sent to prison for sharing songs that can be heard everyday on the radio for "free"?

    6. Re:Under the NET Act... by rmadmin · · Score: 2, Insightful

      Uhm... Correct me if I'm wrong in thinking this would work, but why not:

      Agent: "1700 mp3z, your going to jail a long LONG time rmAdmin"

      rmAdmin: "All of those are backups from CD's I own, or at one time owned, I'm sorry, but most of the original CD's were thrashed when my 4 year old decided to play frisby with my collection *sniffle*" (With a 4 year old around, Let me say, YES things of this sort do happen!)

      I'm still failing to see how they could prove it in court. Your innocent until proven guilty, so uh.. quick translation: You actually had the CD's, and your telling the truth, until they prove that you didn't own those CD's. Unless their is yet ANOTHER stupid DCMA clause that says something like "When dealing with copyright enfringement, you are guilty until proven innocent, even if you don't use the internet, have a computer, listen to music, or are deaf"

    7. Re:Under the NET Act... by budgenator · · Score: 2

      In order to prove one way or the other,

      1 the end user would have to keep sales reciepts for all backed-up copies, unforunatly the back-ups would last longer the the cheap paper that comes out of most sales-registers

      2 Or the media company would have to keep a registration of all license agreements which would be a Point-of-Sales nightmare not to mention the huge storage management of course they would love the demographic info that could be culled from the database.

      The upside of registerd media for us would be that it would imply that we purchased a license and the media which are seperate and have different values,(as appossed the the implied license of being able to use the content as long as the flimsy peice of plastic isn't broken or scrtached) posibly pushing the media company into a position where they would have to offer reasonable cost replacements for damaged media to registered license holders; and of course the artists would be able to say "hey, you're charging $2.95 for the disk and jewel-box, $3.95 for shipping and handling, so how come I'm only getting $0.07 on a $12.95 cd?

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
  2. good news! by crystalplague · · Score: 2

    If the RIAA keeps attacking ISPs like this, especially the big ones who are obviously resisting, it may be their demise. Sure, the RIAA has a lot of money, enough to buy people off and pass legislation but the amount of money they can devote to this pales in comparison to the amount of money the ISPs can spend.

    1. Re:good news! by martissimo · · Score: 3, Interesting

      they dont need to keep taking ISP's to court, they just need to get a precedent set that this quote from the article does indeed apply to the situation:

      At issue in the RIAA's request is an obscure part of the Digital Millennium Copyright Act (DMCA) that permits a copyright owner to send a subpoena ordering a "service provider" to turn over information about a subscriber

      After the precedent is set most ISP's will just hand over the subscriber's name is my guess... of course there's always a chance that the precedent goes the other way, but it looks like a long shot from the wording of that quote.

  3. Who decides if it's prosecutable? by M-2 · · Score: 5, Interesting
    From the ZDNet article on the DOJ's actions:
    Under the NET Act, signed by President Clinton in 1997, it is a federal crime to share copies of copyrighted products such as software, movies or music with anyone, even friends or family members, if the value of the work exceeds $1,000. Violations are punishable by one year in prison, or if the value tops $2,500, "not more than five years" in prison.
    So who decides if it's something they can proscecute? "I ripped the new Flopping GNoberts CD and put it on KaZaA!" That's an $18 CD, so it's not prosecutable until enough people download it to bring the total over $1000? It's another bad use of a law which can be easily abused to deal with the situation. This is the same sort of thing as the Kevin Mitnick case, where Sun claimed that he'd stolen $600,000 of source code... that they were giving away for free. I guess that Hillary Rosen and Jack Valenti thought the DoJ needed more exercise, so they got the guvmint jumping to conclusions again.
    1. Re:Who decides if it's prosecutable? by bricriu · · Score: 2

      Better not make take a picture of your friend standing in front of a piece of modern sculpture... otherwise it's off to the brig with ye!

      --

      AHHHHHHH! I'm burning with goodness again!
      - Reakk, Sluggy Freelance

    2. Re:Who decides if it's prosecutable? by RalphSlate · · Score: 2

      So its obvious that they will go after the big file sharers. If you put one CD on KaZaA, they they won't bother with you. If you have 1,000 songs up there, they'll say 1 song = $2.50, 1000 songs = $2,500, and they'll subpoena you.

      The law says:

      (2) by the reproduction or distribution, including by electronic means, during any 180-day period, of 1 or more copies or phonorecords of 1 or more copyrighted works, which have a total retail value of more than $1,000.

      That's subject to interpretation though; does a work worth $0.00001 posted on KaZaA fall under this penalty if there are 100,000,000 users of KaZaA? Or do they have to prove that 100,000,000 users actually downloaded it? I'd be willing to bet that since the law says "distribution", that means that $1,000 worth of piracy has to take place. It wouldn't count if the RIAA downloads the same $1 song 1,000 times, they have to document 1,000 different people downloading it.

      I'm not in favor of file sharing, I'm just intrigured by this flap.

    3. Re:Who decides if it's prosecutable? by RickHunter · · Score: 2

      Wait a minute. Share with friends and family members? So if I sit down and watch a $40 movie once a week with my family for 25 weeks, I get a year of jail time? Or is that share copies as in commit copyright infringement? (Which is already covered under existing laws!) What is the definition of 'share'?

      Something smells fishy about this law...

    4. Re:Who decides if it's prosecutable? by ebyrob · · Score: 4, Insightful

      It's another bad use of a law which can be easily abused to deal with the situation.

      Point taken, the law ain't perfect. However this gives me hope that the DOJ is at least *trying* to punish the actual wrongdoers instead of just controlling everyone like the RIAA would like to do.

      If copyright actually is important and should continue to be viable, then going after copyright infringers in this manner is exactly what is needed. Sharing CD's openly with hundreds of people isn't fair use. It is copyright violation. This law might unfairly punish copyright violators, but at least copyright violators are the only ones punished. That's already light-years better than legislation like the DMCA, which is billed as solving the same problem, but which adversely affects all content users.

      Translation:
      Don't rip any CD's and put them on KaZaA, unless you like to play russian roulette.

      Also, if someone gets in trouble for something they did before this law was updated, scream bloody murder.

    5. Re:Who decides if it's prosecutable? by DarkZero · · Score: 4, Insightful

      Wait a minute. Share with friends and family members? So if I sit down and watch a $40 movie once a week with my family for 25 weeks, I get a year of jail time?

      This is just another example of the fact that if you look deep enough into US law, you'll find that you don't have any rights at all. Every right that you think that you have, including sharing what you've bought with family members in your own home on the same computer, has been covered by some half-assed law that was rushed through congress and quickly forgotten about five or ten years ago.

    6. Re:Who decides if it's prosecutable? by RickHunter · · Score: 2

      Okay, so not only can I get thrown in jail for it, but the Federal government is the one doing the persecution. Not only that, but they're required by law to do so.

    7. Re:Who decides if it's prosecutable? by gilroy · · Score: 2
      Blockquoth the poster:

      The Linux kernel is copyrighted... I have a billion dollars worth of copyrighted software on my computer I didn't pay a dime for. And I have the source code too! Am I going to prison?

      Only if the holder of the copyright insists on it. As far as I know -- and of course IANAL, so don't go to jail on this -- the government can't step in until there's someone with standing who claims actual damages.


      So don't honk off Linus. :)

    8. Re:Who decides if it's prosecutable? by oliverthered · · Score: 2

      No his math is wrong,
      an entire lifetimes use of the movie costs $40 so a nights showing might be valued at between $0.1 and $1 depending upon how many times it would be reasonable to watch the movie in a life time.

      --
      thank God the internet isn't a human right.
    9. Re:Who decides if it's prosecutable? by ebyrob · · Score: 2

      Not that they have been paying attention to the US Constitution for some time now, but it is against the Constitution to make a law and prosecute people who did the newly outlawed thing in the past.

      Which is exactly why they should scream bloody murder if it happens.

      It seems to me that a lot of recent legislation (especially this "computer crime" stuff) runs under the misguided assumption that little clauses like this in the constitution don't apply. Getting out of a crime because it wasn't illegal when you commited it isn't a "loophole". It's the only way to avoid huge abuses of power.

    10. Re:Who decides if it's prosecutable? by ebyrob · · Score: 2

      Those are called Ex Post Facto laws.

      Ya, well whatever they are called they are a major bad deal. I guess I'm just not lawyer enough to be able to easily tell which legislation tries to get itself applied retro-actively. I just know that there have been a couple computer related ones in the last 10 years...

      I guess you're saying this particular law isn't such a travesty, but I wasn't able to be sure from my brief reading of it.

  4. The RIAA will never get it... by Newer+Guy · · Score: 2, Informative

    All they're doing is making themselves look even more like the assholes they sure seem to be... Their whole way of dealing with file sharing will go down in history as one of the biggest P.R. debacles of all time. The really scary thing is that these are (suppositely) smart, educated people. Why then do they act like a bunch of scared school children then? I just don't get it. Will someone please explain it to me - like I was a six year old?

    1. Re:The RIAA will never get it... by Giltron · · Score: 2, Insightful

      "The really scary thing is that these are (suppositely) smart, educated people. Why then do they act like a bunch of scared school children then? I just don't get it. Will someone please explain it to me - like I was a six year old?" They have a monopoloy and it was never threatened with significant change until the internet became popular. They are trying to use the approach of using a gun to kill a fly (or maybe a piano?). To sum it up: Its all about control and dominance. I really do hope to see some backlash from major ISPs.

    2. Re:The RIAA will never get it... by banzai51 · · Score: 2, Interesting

      This is the music and movie industries. They have ALWAYS acted like babies that need thier bottle on one hand, and ruthless, money-grubbing, slash-and-burn-pirates on the other. They steal and break laws on a whim. These guys just don't want a boatload of money, they want a big-ass-shitload of money. They have always skirted by on ripping of artists and the public because it's entertainment and by definition not important. Of course, now that the shoe is on the other foot, they act like it's a life and death issue.

    3. Re:The RIAA will never get it... by reallocate · · Score: 2
      Pretty simple, really. Their corporations make billions of dollars selling what you all buy. They see every file copied and downloaded on the net as one less product that they can sell. They have a weapon -- the law -- that they can use to go after file sharing. Book publishers would be doing the same thing, if people started posting scanned copies of bestsellers all over the web.

      The RIAA and the MPAA are naive, because while they're laboring away in court, someone else is going to figure out how to make money selling entertainment on the net in a way that's in synch with copyright law and that can't be threatened by file sharing.

      --
      -- Slashdot: When Public Access TV Says "No"
    4. Re:The RIAA will never get it... by reallocate · · Score: 2
      >> Bestseller books ARE available on the web.

      I stand corrected, although posting an entire copywritten book on the web is not fair use. (Also, doesn't the law deal with libraries explicitly?)

      --
      -- Slashdot: When Public Access TV Says "No"
    5. Re:The RIAA will never get it... by GojiraDeMonstah · · Score: 2, Interesting

      Don't worry about it. The RIAA is an anachronism - 20 years from now they will be have gone the way of typewriter factories in a PC market. Technology is getting good enough that bands simply won't need to sign their lives away merely to get a good recording and good distribution.

      You are right about one thing: they are slitting their throats with this kind of stuff. Even if their wildest dreams came true, and you couldn't rip/burn/share songs anymore... your PC would suddenly lose a lot of entertainment value.

      I don't see the Dells of the world sitting idly by while sales wither of their multi-media add-ons, all because nobody wants to spend money for essentially unusable upgrades. (Besides gamers - who's going to drop that extra $200 for Bitchen Speakers if you can't listen to music?)

      There are also the hordes of MP3 device makers, blank CD makers, ISPs (I would be willing to bet Napster / KaZaA has had a substantial effect on broadband subscriptions), and others who will lose money if the RIAA sues their products and services out of existence.

      Bottom line, as I said, the RIAA will go away by itself eventually anyway. But I think they are going to piss enough people off that they help expedite the process.

      --
      "Stop throwing the Constitution in my face, it's just a goddamned piece of paper!" - George W. Bush Nov. 2005
    6. Re:The RIAA will never get it... by reallocate · · Score: 2

      Yes, it is easy for bands to cut their own CD's. "Bands', though, aren't the only artists in the world. How George Lucas or Speilberg? Are they going to make Star Wars or ET in their basement? Not quite yet. the basic sticking point, though, is human nature. The technology that enables any garage band to produce their own CD's and post them on the web isn't going to change their desire to be paid. In the end, they'd impose their own kind of restrictions. (Like files that count how many times they've been played and then go poof.)

      --
      -- Slashdot: When Public Access TV Says "No"
    7. Re:The RIAA will never get it... by budgenator · · Score: 2

      The really scary thing is that these are (suppositely) smart, educated people. Why then do they act like a bunch of scared school children then? the little voice in my head says that this is the stupid stuff that people who feel threatened due. It's irrational, and the same kind of stupidity that lead to the Watergate break in. Nixon felt threaten by the democrats and the anti-war movement and he and or his people lashed out. The democrats didn't have a snow-balls chance in hell of beating Nixon in the election, but that didn't stop the plumber's from breaking in the democratic offices and starting one of the biggest on of the biggest political debacle in US history. in short irrational fear leads to irrational actions.
      If these guys had any sense they would just lease a T3 line, target four or five file sharer's a day and just send them 10K requests for a piece of copyrighted mateiral until the ISP's cut their connection the work down the list, problem solve no courts, no law enforcement involvement, no bad PR

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
  5. usenet by tiedyejeremy · · Score: 2, Insightful

    is usenet the solution to p2p networks? shhhh, but why aren't the RIAA and MPAA going after giganews, easynews, etc?

    --
    Anything you say will be held against you. ... "tits"
    1. Re:usenet by kcbrown · · Score: 2
      is usenet the solution to p2p networks? shhhh, but why aren't the RIAA and MPAA going after giganews, easynews, etc?

      It's only a matter of time. They're going slowly, step by step, hitting the small guys first and gradually increasing the size of their targets.

      --
      Use 'slashdot stuff' in the subject line in any email you send me if you want to get past the spam filter.
    2. Re:usenet by mamba-mamba · · Score: 2

      My ISP (SBC/PacBell) stopped carrying everything in alt.binaries.sounds.mp3.* (or similar), about a year ago. I only know this because they sent a printed notice to me telling me about it. I don't have any mp3's.

      I think usenet is too distributed to go after in any direct sense, but I am sure my ISP dropped all the mp3 stuff because of either a direct complaint or fear of prosecution in the future.

      MM
      --

      --
      By including this sig, the copyright holders of this work or collection unreservedly place it in the public domain.
  6. Hrm... by Auckerman · · Score: 4, Interesting
    How NOT to get busted.


    1. Don't distribute works you don't own the copyright for.


    2. Don't distribute works whose total value is more than $999.99US


    3. Don't distribute works whose total value is more than $999.99 US for more than 180 days.


    The government kinda shot itself in the foot with this one. It will be damn hard to prove that you have distribute works for 180 days whose total value is more than $999.99US.

    --

    Burn Hollywood Burn
    1. Re:Hrm... by overshoot · · Score: 2
      The government kinda shot itself in the foot with this one. It will be damn hard to prove that you have distribute works for 180 days whose total value is more than $999.99US.

      Nyah, it's easy. The RIAA has someone download 2000 copies and they're there.

      --
      Lacking <sarcasm> tags, /. substitutes moderation as "Troll."
    2. Re:Hrm... by Jonny+Ringo · · Score: 2

      Or you can just follow #1 and #'s 2 and 3 will apply.

    3. Re:Hrm... by jandrese · · Score: 2

      Has that ever stopped the RIAA, the MPAA, or even the BSA from making up whatever number they feel like?

      I'm pretty sure they'll multiply the cost of the CD ($30) with the number of users who downloaded the client for whatever service you are using (easily > 100,000,000). Isn't that how the BSA used to calculate the "revenue lost" that it always reported to the media?

      --

      I read the internet for the articles.
    4. Re:Hrm... by Slak · · Score: 2
      According to the News.com article:


      Signed by 19 members of Congress, including Sen. Joseph Biden, D-Del., Rep. James Sensenbrenner, R-Wis., and Sen. Dianne Feinstein, D-Ca., the letter urged Ashcroft "to prosecute individuals who intentionally allow mass copying from their computer over peer-to-peer networks."


      I hope nobody's using one of those Star Trek replicators to copy my computer over a p2p network.... ;)

      Cheers,
      Slak
  7. Wrong Name by BigJimSlade · · Score: 5, Funny

    "The DOJ announced that they are planning to prosecute filesharers under the The No Electronic Theft ("NET") Act."


    This bill is actually entitled Make'em Stop, Period--No Electronic Theft (MS.NET).
  8. I hate this -- why are we letting it happen? by dasmegabyte · · Score: 4, Insightful

    The majority of Americans want to free music. They want to share.

    The majority of Americans do not see digital piracy as theft. The majority of Americans also do not see picking flowers at a public park as theft, or sneaking a grape at the supermarket. The majority of Americans drank alcohol before the legal age. Technically, we should all be in prison, but these minor crimes don't really hurt anybody, and so they are overlooked. Why, then, is the DOJ going after file sharers?

    Isn't this a fucking democracy? Why is the majority submitting to laws made by the whims of the same companies that release O-Town records and other toxins into the environment? Why am I the only one sending daily letters to his Senator, that Clinton bitch, begging for support for our digital lifestyle?

    I don't want to go to jail for pirating the new Pearl Jam or Queens of the Stone Age albums. I bought them anyway, but since I didn't clean them from my WinMX serving directory, i'm technically abetting piracy. This laxness could get me 5 years in a federal "pump me in the ass" prison, and that is wrong. I don't think I deserve it. I don't think my crime is that bad. I don't think that I'm depriving anyone of actual property or actual money they might have actually made, and I don't think the majority would argue with me.

    So why are we letting it happen?

    --
    Hey freaks: now you're ju
    1. Re:I hate this -- why are we letting it happen? by M.C.+Hampster · · Score: 3, Insightful

      Isn't this a fucking democracy?

      No, it's not. It's a constutional republic, and you're response shows exactly why that is. Just because the majority want something from the minority doesn't mean you get it. Do you think it was OK when the white majority in this country held the black minority in slavery?

      I'm sure I'll get flamed away and modded down for even making such an extreme analogy, but it holds. Just because these companies make millions of dollars a year, doesn't mean it becomes OK to steal from them.

      --
      Forget the whales - save the babies.
    2. Re:I hate this -- why are we letting it happen? by (H)olyGeekboy · · Score: 2, Informative

      Isn't this a fucking democracy?

      As a matter of fact, it's not. It's a Democratic Republic. Which means that the majority of our elected representative's views become law and are enforced, for worse and for worser, by the executive branch.

      If you want this to stop, vote for statesmen instead of lawyers and politicians. Voice disgust over the evident usurping of legislative power by John Ashcroft and his Assistant Attorneys General. Creative enforcement of questionable code of law is NOT what the executive branch is charged with.

      People are too damn lazy anymore. Speak up and be heard... the first step may have to be convincing the businessmen and special interest lobbyists who buy the politicians to see things our way (think EFF), while slowly replacing the politicians with real statespeople who have a freaking clue and are not swayed by their payola, but instead genuinely represent the interests of their constituency.

    3. Re:I hate this -- why are we letting it happen? by koreth · · Score: 4, Insightful
      No, it's not a democracy, and that's fine by me. The alternative is mob rule -- "whatever the majority thinks, goes" means any minority that the majority doesn't like is pretty much screwed. Regardless of the merits of this particular case, I think it's desirable for a government to protect wronged parties from the whims of the majority.

      And you're not the only one writing to your representatives about this, though I doubt many others are doing it daily.

    4. Re:I hate this -- why are we letting it happen? by Osty · · Score: 2, Insightful

      The majority of Americans do not see digital piracy as theft. The majority of Americans also do not see picking flowers at a public park as theft, or sneaking a grape at the supermarket. The majority of Americans drank alcohol before the legal age. Technically, we should all be in prison, but these minor crimes don't really hurt anybody, and so they are overlooked. Why, then, is the DOJ going after file sharers?

      Your examples are bad. Sure, you can pick flowers for free in a public park (though watch out for the park rangers, and if everybody did this there would be no more flowers left to pick), but unless you have the skill, you can't get a professional-quality flower arrangement for free, nor should you expect to. You can sample a grape at the grocery store, but if you want the whole bunch you have to buy it. Same for if you want a salad containing grapes (either buy the grapes and make the salad, or buy the salad). You're confusing constituent pieces (musical notes and words, for lack of any better way to break up a song) versus a complete product (a finished song or album). I can see a case being made for filesharing to "preview" an album (although most online places where you can buy CDs also allow you to sample those CDs, as do many brick&mortar stores). However, it's a very easy step from "I'll just download this one song to see if I like it" to "I'll just download this whole CD, because I don't want to pay for it". (Let's not make this an argument about CD prices -- yes, they could and should be lower. If you don't like that, vote with your money and don't buy. However, that doesn't give you the right to then go and steal the music anyway.)


      Isn't this a fucking democracy?

      Nope. It's a republic. You vote for people you think will represent your views properly, but that does not mean that they will. And if they don't, then you don't vote for them again.


      I don't want to go to jail for pirating the new Pearl Jam or Queens of the Stone Age albums. I bought them anyway, but since I didn't clean them from my WinMX serving directory, i'm technically abetting piracy.

      Simple solution -- clean those out of your WinMX directory. Quick, simple, and saves you from a trip to the big house.


      I don't think I deserve it. I don't think my crime is that bad.

      Nobody ever does. On the upside, you'll fit in very well in prison, where everybody's innocent.


      I don't think that I'm depriving anyone of actual property or actual money they might have actually made, and I don't think the majority would argue with me.

      Possibly true, but then probably not. If you've downloaded more than a couple songs on an album and kept them around without buying that album, then they've lost a sale (apparently you like the songs if you keep them around and still listen to them, and you would've bought the album if you couldn't just steal the songs). Maybe you didn't have the money to buy the CD, but then that doesn't give you the right to just steal the music. ("Your honor, I was flat broke but I needed a car, so I just took one from the lot. I felt I was entitled to it because I couldn't afford one and I really needed it.")

    5. Re:I hate this -- why are we letting it happen? by unicron · · Score: 2

      Yeah, but what if you started sneaking more than one grape. Let's say you grabbed 5 of them this week, a little more the following week, and let's say that in 3 weeks you're grabbing taking a pound of grapes a week. Now let's say that one day you notice you're not the only one doing this, but instead you notice a great number of people sneaking out a pound of grapes or more. A month later you notice that 3 out of every 4 people is sneaking their grapes out. And you mention this to some out of town friends who say that their supermarket is the same way, and so is the supermarket of all their friends, regardless of where they live on the Earth.

      You see how this can get out of hand? Your one snuck grape now has the possibility of putting the grape farmers out of business.

      I'm not trying to play devil's advocate here, I'm just saying you have to look at the big picture and think to yourself that while what you're doing isn't going to effect the recording industry, a million of you probably will.

      I for one think the thing that makes this case so important to the DOJ is money. Grape farmers and people against underage drinking don't have anywhere near the financial backing that the RIAA does. Not to say they have DOJ members in their pockets or anything, but financial contributors come from all walks of life and sometimes you have to grease the wheels a little.

      One more thing from my soapbox. When I download a mp3's, it's for the simple and basic reason that I can think of a hundred better things to spend my 15 bucks on rather than a CD. I've never kidded myself into thinking by downloading the latest cool new song or cd that I was in any way any type of freedom fighter or revolutionary. I was at best a cheap bastard, at worst a petty thief, but never delusional.

      --
      Finally, math books without any of that base 6 crap in them.
    6. Re:I hate this -- why are we letting it happen? by unicron · · Score: 2

      Wrong. The grocery store purchased those grapes from someone else, who will also feel a pinch, no matter how miniscule. Unless the grocery store is able to grow, harvest, prepare, and shelve those grapes themselves, then someone else is also affected by you taking it.

      --
      Finally, math books without any of that base 6 crap in them.
    7. Re:I hate this -- why are we letting it happen? by antirename · · Score: 2

      Yep. Try voting a Libertarian into office next time around, then send THEM a letter. Or any non-lawyer. You'll be much happier with the results.

    8. Re:I hate this -- why are we letting it happen? by reallocate · · Score: 2

      >> ...doing what you want *is* in the consitution.

      Show us. While you're at it, please explain how your "right" to always do what you want can live in harmony with my "right" to always do what I want? Suppose I want to drive the car I own into your living room? You're going to call the police and probably get a lawyer. But, says I, America is here so I can do what I want.

      This stuff I read now and then about prolonged adolescence must be true.

      --
      -- Slashdot: When Public Access TV Says "No"
    9. Re:I hate this -- why are we letting it happen? by Rader · · Score: 4, Insightful

      Ok then. So where is was the government in protecting the REAL minority, the artists, when the RIAA/Big-5 stole their intellectual property rights forever.

      The fact of the matter is, the industry is playing both sides of the fence with their money. They're buying legislation so that 14 years olds don't "steal" from them. And they're buying legislation so they can steal from the artists.

      As much as they like to paint the picture that WE are stealing food from the children of musicians... THEY have been doing it so well -- long before the internet was even born. Bo Diddley died a penniless man. Today's B stars are similar to indentured servants. Even some A stars.

      No business should be given the god-given right to be profitible. Yet this is what they're DEMANDING from our government. They claim 5% loss last year and blame it on me? My company lost 14% due to last year's recession. 10% layoffs were our present. Oh! If only I could blame a bunch of kids and then sue them instead.

      My parents are slowly going out of business due to eBay. Maybe they should sue eBay, eBay's ISP, and the users who use eBay! That's the life of businesses: competition, good business plans, make money, lose money, research, technology, customers, product.

      The Big-5 have enjoyed a life of being a monopoly. Price fixing. Cheap/free labor. And more and more government protection.

      There is definately something wrong here, and it doesn't begin to start with file sharing.

    10. Re:I hate this -- why are we letting it happen? by dasmegabyte · · Score: 2

      Right. And nothing that isn't in the constitution is valid, correct?

      Bullshit. Times change. Otherwise, we'd still believe in the science of the 1790s...care to chat about the spontaneous generation of matter?

      There are laws against marital infidelity, speeding, sodomy, carrying ducks on airplanes, and none of them are enforced. You see, we make things illegal because they should be. The nuance comes in interpretting and enforcing those laws. We don't arrest every homosexual in the country for sodomy anymore, because they're willing partners and as a country we've decided that is okay. We don't send every teenager caught smoking a fat spliff to prison, because kids make mistakes.

      But the DOJ saying they'll go after file sharers is bad. The federal government has the manpower to be relentless. File sharing could be the next "war on drugs."

      Only the mandate isn't there. People don't want to see my wife go to jail for her They Might Be Giants bootlegs. People don't want to see my Mom in prison for her Michael Smith collection. People don't think that posession of a 112 kbit encode of "Rhinestone COwboy" is as bas as possession of 112 grams of crack cocaine.

      --
      Hey freaks: now you're ju
    11. Re:I hate this -- why are we letting it happen? by buysse · · Score: 3, Insightful
      ("Your honor, I was flat broke but I needed a car, so I just took one from the lot. I felt I was entitled to it because I couldn't afford one and I really needed it.")

      You've just made one distinction. By taking that car off the lot, I have deprived another person of their property. If I download a digital copy of "Christie Road" by Green Day, who have I deprived of property? By the same logic, I'm stealing from an author by using a library.

      No, I don't know how to fix the industry so that the laws make sense, but keep in mind that copyright was originally 20 years. The classic example is the buggy whip industry and Henry Ford.

      "There has grown up in the minds of certain groups in this country the notion that because a man or a corporation has made a profit out of the public for a number of years, the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary public interest. This strange doctrine is not supported by statute nor common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped, or turned back, for their private benefit."
      &nbsp-- Robert Heinlein
      --
      -30-
    12. Re:I hate this -- why are we letting it happen? by mpe · · Score: 2

      The grocery store purchased those grapes from someone else, who will also feel a pinch, no matter how miniscule.

      Unlikely, since they probably made sure that they have a contract with the grocery store to be paid for the grapes they delivered.

    13. Re:I hate this -- why are we letting it happen? by dasmegabyte · · Score: 3, Insightful

      The whole concept of "losing a sale" being theft is a serious fallacy. If I listen to your song on the radio and don't buy the album, you lost a sale. If I walk past your CD in the record store, you lost a sale. If my friend tells me the album sucks, you lost a sale too. Can't very well put me in prison for not buying your shitty album, as much as you'd like to -- this isn't Italy, 1939, yet.

      You say, "but it's different when you download the mp3. You can burn it to CD and get the same product!" Bullshit. It is not the same product. It is compressed and crumbly. It lacks the cover art. You can't tell me this doesn't have value, because people with computers still buy CDs.

      You say, "but people can rip the album perfectly and burn that!" True. But this kind of quality freak is the same type who has already bought your cd. I should know...I AM him. Last week I bought Deltron 3030 after being entranced by the MP3...an album that my loser friends have been trying to get me to buy for years. I spend about $200 every month on music. The record labels should love me. Instead, they want me to go to prison.

      5 years in prison equals $12k in "lost sales", guys. Do the fucking math.

      --
      Hey freaks: now you're ju
    14. Re:I hate this -- why are we letting it happen? by mpe · · Score: 2

      As a matter of fact, it's not. It's a Democratic Republic. Which means that the majority of our elected representative's views become law and are enforced, for worse and for worser, by the executive branch.
      If you want this to stop, vote for statesmen instead of lawyers and politicians.


      You'd first need to get such statesmen to stand as candidates. Quite probably without the support of the existing political parties. Who'd probably not want to deal with principled states men and women.

    15. Re:I hate this -- why are we letting it happen? by unicron · · Score: 2

      Yes, but if too many end up missing, the supermarket won't find it profitable to continue buying grapes from the farmers, who will end up(obviously)losing money. The supermarket will also lose money because they aren't able to sell them at a profit in any worthwhile amount.

      --
      Finally, math books without any of that base 6 crap in them.
    16. Re:I hate this -- why are we letting it happen? by unicron · · Score: 2

      Now how would the person they PURCHASED the grapes from feel the pinch? Unless they stopped buying (and consequently, selling) grapes altogether, they're still giving their supplier money and he's happy.

      Heh, that's exactly the point, man. If enough turned up missing, it wouldn't be profitable for the supermarket to keep buying them from the farmers, so they would both end up losing money. The farmer because he no longer had the supermarket as a client, and the supermarket because they no longer could sell a product at a profit in a worthwhile amount because too many people were stealing grapes.

      The point stands: Copyright infringement is NOT theft. Maybe the hint to you is that they have two completely different words for these actions?

      How is me putting grapes in my pockets and running out of a store copyright infringement?

      --
      Finally, math books without any of that base 6 crap in them.
    17. Re:I hate this -- why are we letting it happen? by vought · · Score: 2
      Assistant Attorneys General

      Proof that intelligent life does indeed inhabit Slashdot.

    18. Re:I hate this -- why are we letting it happen? by nathanm · · Score: 2
      Assistant Attorneys General
      Proof that intelligent life does indeed inhabit Slashdot.
      The original poster was correct. A similar example: You wouldn't say mother in-laws would you? The correct plural is mothers in-law.
    19. Re:I hate this -- why are we letting it happen? by Osty · · Score: 2

      I feel the same way. The RIAA needs to pull their heads out of their asses and realize the potential of digitally-distributed media. They haven't yet, but they still might. Until then, it's still not okay to steal music. (I think there's a distinction to be made between previewing a couple songs with the intention of buying vs. downloading the music without ever even considering purchase at all. and bootlegs and live songs are a whole other issue ...) How can you get the RIAA to do this? I don't know. But you could try boycotting their albums, writing them to let them know you're doing so, and make clear that you're not downloading their music (and don't download their music), but that you would be willing to lift your boycott if they would come up with an online distribution story that's acceptable (say, high-quality, no distorting watermarks, the ability to use the song on any of your mp3-enabled devices (assuming mp3 is the method of distribution, or you could specify a format you'd prefer -- perhaps provide multiple formats) and not tied to a single machine, etc). Get others to do the same, and when it reaches critical mass the RIAA may finally realize they've got a problem. And if they don't, well, there's a pantload of good music on independent labels out there. Maybe you can find something you enjoy out of that instead.

    20. Re:I hate this -- why are we letting it happen? by Rader · · Score: 2

      Of course not, but they do have a right to ask the government to enforce the existing laws--laws that are intended to protect their intellectual property rights.


      Existing laws like "Fair Use" ?
      How about the intellectual property is open to the public after 75 years?

      Disney didn't want to give up their precious Micky Mouse, so they bought some legislation that extended the 75 years. This opens the door for a lot of things (but I am not up to date on it so will not guess)

      pointing weapons at the heads of budding artists and forcing them to sign horrible contracts. In case you didn't realize, no artist ever is required to sign with any record company to be an artist.

      No one stuck a gun to the steel workers and truck drivers to work long hours, no overtime, and crappy pay. But Unions were formed to protect the workers from unfair business practices. The government even had to step in and make it so that if a worker joined the Union, they wouldn't get fired for it! The RIAA is the Music Companie's "Union" for the artists. Lucky artists. We never see artists picketing in front of Sony or whatever. No strikes. I wonder why? Maybe it's in their contract that they can't?

      No one put a gun to 5 year-olds during the industrial revolution to make them work for pennies a week. But it was still wrong. Even if the law at the time was in favor of the industries.

      Anyway, enough bad analogies.

      In case you didn't realize, no artist ever is required to sign with any record company to be an artist.

      I'm not an artist, so I can't really come back with a great reply. However, read some articles written by artists. They describe terrible things that can be enforced by these huge contracts. 6-record deals. You can't sing anywhere else. They can even shelve an album you make if they don't think it made them any money. How do you finish 6 albums and then go to an Indie label? They can effectively cripple an artist's future works and their options forever if they want to.
      ----

      I reread your post, and I think your theme is that the Big-5 have their right to have government to enforce copyright infringement laws. I suppose I see the validity in that. But buying legislation so they can hack people's computers? Crippling the technology sector? The list goes on.

      Whatever the government does, I'd just like them to take the time to weed out the Big-5's illegal monopoly practices while they're at it.

    21. Re:I hate this -- why are we letting it happen? by reallocate · · Score: 2

      I've never said I support the RIAA. I have said I believe in artists right to derive revenue from their works (artists, not the RIAA), and that copyright is a means to ensure that happens. I've also said that the law needs to be changed to account for new technology. I have not argued for penalties for anything; I have, however, forecast what I think may, unfortunately, happen as a response to the current debate. I have not stated that the RIAA represents the best interests of copyright holders.

      The thrust of my arguments has been that this is a political and legal battle that will be resolved in Congress and the courts, and that the strategy apparently favored by most /. readers will fail.

      --
      -- Slashdot: When Public Access TV Says "No"
  9. SAVE THE CHILDRENesque!!!!!!!! by _ph1ux_ · · Score: 3, Insightful

    This quote from the anti-piracy PSAs in movie theatres article is way to save the children for my taste:

    "downloading movies instead of buying a ticket or a video would hurt the industry's behind-the-scenes workers, including makeup artists and custodians"

    Now I am not advocating theft of their property - what I am upset about is the rampant attempts by media to skew your opinions on a subject with emotional connections. Iknow I know... its *always* been happening - but these days it is so much worse than it ever was before - as the causes that the media is used to convey information for are more and more plastic and manufactured.

    the media is continually trying to sway public opinion through emotional manipulation. Putting you in a position where if you dont agree with the opinion or dont have the emotions they want you to then you're automatically a terrorist - or hate the children etc....

    (I know I am not articulating this as well as I would like... but I think that you get the point) I am just so tired of the slant that is put on all the information out there. Is there no place that I can get information - generic and straight forward without the emotinal buzzwords and hyperbole??

    1. Re:SAVE THE CHILDRENesque!!!!!!!! by pbur · · Score: 2

      To quote George Carlin:

      "Fuck the children!"

      You are completely right, people drag out senseless emtional things to get other people to do things. Classic sales technique. I for one am sick and tired of "America the Beautiful" being played before a movie starts. I love my country, but what real good is playing a silly crappy remake of that song doing before I watch a movie filled with violence?

      Pbur

  10. Hehe. My Plan by Myuu · · Score: 5, Funny

    "Apparently some theaters are consenting to run anti-piracy ads before movies."

    My city's big theater already has a poster on their ticket booths saying 'Pirates Not Allowed...blah blah blah...MPAA' with a picture of a pirate.

    Our plan is to go into the theater with a video camera and one of us dressed as a pirate and yell out "Arrr...thats discrimation".

    Hehe...just something to do to toy with those coporate bitches.

    --

    forget it.
    1. Re:Hehe. My Plan by Anonymous Coward · · Score: 2, Funny

      This may be the single greatest idea ever in the history of slashdot. you, my friend, are a genius.

      you might also want to add a parrot on your shoulder that says "polly wanna crack CSS"

    2. Re:Hehe. My Plan by gmhowell · · Score: 3, Informative

      Might I suggest attaching a copy of this to their posters while you are at it?

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
  11. That chart to the right. by Whispers_in_the_dark · · Score: 5, Insightful

    Was anyone else a little miffed at the chart to the right of the Washington Post article which seemed to imply that increasing blank CD sales were the cause of the leveling off of CD sales? Could it *possibly* be that blank CD sales rose so much higher because blank CD's were being sold at commodity prices? Now a good number of those blanks may very well have been for pirating, but I'll bet a good number of them were for software backups, saving personal photos, and other legitimate uses.

    Music CD's, OTOH, have remained at the same stinking price (for the most part) for the last 5 years. Want to sell more of something when the demand/market share ISN'T increasing? Do you want to actually slow piracy? Charge a reasonable amount for a product that's in LESS demand! These guys just can't seem to understand that the CD buying market itself is not the same as it was 25 years ago -- thers is just too much supply for the demand.

    1. Re:That chart to the right. by SuiteSisterMary · · Score: 4, Insightful

      You know something is wrong when the Soundtrack CD for 'Austin Powers: International Man of Mystery' and the DVD, including commentary tracks, deleted scenes, and all the other DVD goodies, are the EXACT SAME PRICE.

      --
      Vintage computer games and RPG books available. Email me if you're interested.
    2. Re:That chart to the right. by RailGunner · · Score: 2
      I can only speak for myself, but I go through an average of 15 CD-R's a month making weekly backups of my source code (I'm a software contractor), backups of any necessary data files, and my own installation CD's I send to my clients. So yeah, I'm buying probably 2 or maybe 3 100 CD-R spindles a year, as some disks inevitably become frisbees... and this has *no* effect on my music CD purchases.

      While I don't boycott the RIAA completely, generally I only buy around 3 CD's a year as I think most music nowadays is pure shit.

      This year has been the exception though as I've actually bought probably 10 CD's, but that's only because Ozzy has rereleased some of his old CD's with bonus tracks.

    3. Re:That chart to the right. by RadioheadKid · · Score: 2

      Yeah seriously, I go through blank CDs like they are candy. They're freakin' all over the place, it doesn't mean they all have music on them. In fact, most don't. I'd like to see that chart compared to the decline of other storage mediums like floppys and zip disks. The CD-R is, for the most part, the removable storage medium of choice for most offices and homes. Why does it always seem like the RIAA is looking at things through a pin hole. And that suit and pants comment by Hilary Rosen, is she on crack?

      --
      "Karma can only be portioned out by the cosmos." -Homer Simpson
    4. Re:That chart to the right. by beleg777 · · Score: 2

      Doesn't the music industry get paid for all those blank cd's? I don't remember the details, but they get a certain amount of money per cd sold, regardless of the use of that cd. That's infuriating enough, but then people are still going to act like blank cd's cut in on music sales? That's just plain assinine.

      --

      Science may someday discover what faith has always known.
    5. Re:That chart to the right. by ftobin · · Score: 3, Insightful

      Sorry, but in this case I have to pull out my free market cap. The correct price for an entertainment product is whatever the customer is willing to pay.

      This, of course, does not mean that I support measures such as the DMCA (by definition, it implies less free market), or the blob known as intellectual property as the law currently recognizes it.

    6. Re:That chart to the right. by Dalroth · · Score: 2
      Sorry, but in this case I have to pull out my free market cap. The correct price for an entertainment product is whatever the customer is willing to pay.

      Sorry, but the correct price is where supply meets demand. Any price other than at that intersection and you are either getting ripped off or getting a sweet deal.

    7. Re:That chart to the right. by DarkZero · · Score: 3, Insightful

      Sorry, but in this case I have to pull out my free market cap. The correct price for an entertainment product is whatever the customer is willing to pay.

      Exactly. CD sales are going down because they are not at the price that the customer is willing to pay, i.e. the incorrect price. However, the entire problem here is that the RIAA is trying to recoup its losses by blaming their lack of sales on piracy and getting a piece of somebody else's action through levies and court settlements because of it.

    8. Re:That chart to the right. by Sangui5 · · Score: 2

      Bzzt!

      The correct price, in the long run, for any good, under a properly functioning market, is the marginal cost of production.

      That is, given that it costs so much to produce 1 extra unit of a good, then in a competitive market price competition will drive the price down to a point where if it was any cheaper, selling it would be a money-loosing proposition. Ever hear farmers complain about how they'd be just as well off selling their land/equipment and living off the interest? That's because farm goods are a near perfect market (the massive attempts of various governments to use price supports notwithstanding). The price of a bushel of corn is almost precisely the marginal cost of said bushel, accounting for the labour of the farmer the the opportunity cost inheirit in the stored capital (what you could earn selling the land/machinery).

      Now, if the average cost is above the marginal cost, then firms will price-compete themselves out of business, until the inefficient firms are gone and the average cost is again a hair below the marginal. If the average cost is signifigantly below the marginal, then new firms will want to enter the market, and the increased price competition will depress prices. If no firm can be efficient enough to move their average cost below their marginal cost, then either a good simply won't be produced, or it will only be produced in a monopolistic/oligopolistic market.

      The only reason the "correct" pricing of an entertainment product is "whatever the customer is willing to pay" is that the producers of entertainment have been granted a legal semi-monopoly. That is, only 1 firm can produce any particulary copyrighted work.

      However, at the same time, there are substitutes, in that one work may be a good substitute for another (N'Sync vs. Backstreet Boys). Given this, the high prices must be a result of oligopolic power. The number of firms in the industry is too small to produce effective price competition, or the firms are colluding to inflate prices. Additionally, the lack of new firms entering signifies that the existing firms are raising barriers to entry in their industry. That is, a new recording company can't get (buy) radio airtime, isn't able to get (buy) shelf space at merchants, can't book venues (bribe Clear Channel) for their artists, etc.

      There is massive evidence that the music industry is not an efficient free market. There are few firms. They have been convicted of price fixing (collusion in the form of enforcing minimal advertised prices for retailers). A handfull of firms (most notably Clear Channel and Infinity Broadcasting) control the airwaves (and almost control booking of bands). The costs of their goods are much higher than the marginal cost, and have increased despite signifigent decreases in the costs of the factors of production (not just pressing CD's, but the labor to ship them, make cover art, even the artists themselves).

      As a rule of thumb, a industry that is in an efficient free market is an industry that you can't get ahead in. Farming is the best example, but computer retailing (Dell/HP/et. al. have razor thin profit margins), airlines (they're pushing financial ruin), and the automobile industry (0% financing *and* cutthroat pricing!) are others. Examples of industries where there doesn't appear to be an efficient market (for one reason or another) include health care (current doctors increase barriers of entry for new doctors all the time), jewlry (Debeers==cartel), and of course, entertainment.

    9. Re:That chart to the right. by SuiteSisterMary · · Score: 2

      Absolutely correct.

      You will note that the market would not seem to be bearing the price of CDs, yet is bearing the price of DVDs.

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  12. An anti-piracy ad? by soulsteal · · Score: 5, Funny

    Hmmm, I hope someone puts it up on KaZaa or else I might never see it....

  13. Isn't this what we want? by Xenopax · · Score: 5, Insightful


    I know this has been pointed out before, but isn't the whole point that they go after copyright infringers and not the software makers that produce napster and kazaa?

    Now, granted, they are doing both. But we can't bitch when the government is going to prosecute the people who are infringing on copyrights. Just because the RIAA is involved, and the term DMCA has been used, does not mean that what is going on is wrong. Say what you will about "but the RIAA is EVIL!", it doesn't make infridging on their copyrights right (as in anywhere close to legal), and they and the justice department has every right to take people who do to court.

    Now, you may also have issues about current copyright law. Granted, it isn't very good, but if you want the copyright law changed then bitch about the copyright law to your congressmen or representative. Don't take a stand on this issue, as far as they are concerned everyone who trades music on the net is a criminal, and you can do nothing about that. Convince them that the copyright law is way to long, many of our problems would go away if we could reduce it to something sane like 10-15 years.

    And for all of those "we'll make a better system based on trust to trade music files" but don't want to play the political game, you are idiots. Who do you think they are going to prosecute? You and everyone else who uses that system. The only fight we have is in politics, there is no technical solution to this problem. As much as you would like to think you'll win this battle whipping up some code in C, you are going to find there is nothing you can code that will keep the handcuffs off of your hands.
    </rant>

    1. Re:Isn't this what we want? by geekoid · · Score: 2

      yes, and no.
      Yes I would perfer they went after the copyright nfringers, but with proof. I don't want anybody to be able to say, we think someone might be commiting a crime, please gives us all the information on your users.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:Isn't this what we want? by ftobin · · Score: 3, Insightful

      The only fight we have is in politics, there is no technical solution to this problem. As much as you would like to think you'll win this battle whipping up some code in C, you are going to find there is nothing you can code that will keep the handcuffs off of your hands.

      I wouldn't be so sure. This is what systems such as trust-network, anonymous networks such as GNUnet are supposed to resolve. As long as we're allowed to have general-purpose computers, open networks, and good bandwidth, I think technical solutions can stand up. If we don't have general-purpose computers, or open networks, we've got other issues. Destroying our bandwidth is probably one of the few non-immoral attacks that can be effected, but an attempt at doing so likely won't succeed given the average persons's desire for it (for whatever reason).

      I'm leaning towards the idea that the politics will change, not because we affect today's politicians, but because the up-and-coming persons of society are being conditioned differently (supporting things such as Napster). We might just have to out-live the current generation of politicians.

      Keep in mind I'm not certain that a new cycle of politicians will help. Greed and powerlust is ageless.

    3. Re:Isn't this what we want? by Elwood+P+Dowd · · Score: 2

      A technical solution will also work.

      Of course, I agree with you, this will need to be a legal battle. However, consider:

      1) Every single slashdotter worked actively towards creating a content distribution system that destroys copyright. Obliterates it. Type of content, origin, and destination are opaque.

      2) Every single slashdotter worked actively towards political activism to change the law.

      In scenario 2, we can be stopped. The **AA has more money than we do. Nothing we can do about that.

      In scenario 1... they might not be able to stop us. At all.

      The reason it needs to be a legal battle is because of the lengths that Hollings/Valenti are willing to go. They'll legislate DRM on our digital rectal thermometers. Or they'll hack our digital rectal thermometers if they have a reason to believe we might be distributing copyrighted body tempuratures.

      I'd much prefer a reasonable copyright system, but the current one encourages illegal activity. Copyrights last over 90 years? Fair Use is effectively illegal? At that point, copyright laws encourage widespread daily illegal activity. It's like making it illegal to masturbate: Anyone can do it, everyone has a reason to, and the law can't tell when you do it. Civil disobedience begins to make sense.

      And of course, the stakes aren't as high as previous inspirations for civil disobedience. That's not the point I'm making.

      --

      There are no trails. There are no trees out here.
    4. Re:Isn't this what we want? by RobotRunAmok · · Score: 2, Interesting

      I am reminded of the punchline to the old joke: "What do you mean WE , paleface?"

      Why do you not think there are "slashdotters" who stand to benefit from the DMCA? Do you think everyone on this board is a Linux SysAdmin born after 1980? Do you think everyone here receives stock options, a paid vacation, and a bi-weekly paycheck?

      Were I to personally come across anyone working "actively towards creating a content distribution system that destroys copyright" I would wring his acne-encrusted neck. I have a family to feed, son.

      Of the $181.5 million paid to Writer's Guild members last year, $55.8 million came from residuals in homevideo, DVD, and Pay TV. 50 percent of WGA members are unemployed at any given moment; it's the residuals that pay for the groceries half the time. That's the business. You cannot with a straight face tell me that pirated (or "shared," to use the euphemism popular on campus) content does not/will not eat into that. (The occasional Star Wars fanboy who waits in line for a week, buys tickets for three consecutive showings, and downloads it from a server in Hong Kong across an eight hour period the next day notwithstanding...)

      You want to write software and give it away for free? Be my guest, Bunky, but what, if I may ask, do you do for a living?

      Lookit, just because music or graphic art or poetry or a video game or a motion picture can be digitally cloned and distributed does not mean that the creator of that piece of art should not be reimbursed any less than a sculptor who creates a one-off.

      Am I "anti-digital?" Do I not want you to be able to download your movie from the 'Net? Of course not! In fact, you probably can't find a writer in all of Hollywood who does not want to see distribution-by-download succeed: 1.2 percent of download revenues -- roughly four times that for Pay TV and DVD -- go to the writers, based upon a contract negotiated last year.

      Barring compensation through residuals commensurate with worldwide instantaneous distribution, writers need to have their contracts re-negotiated so as to receive a larger lump sum up front. The studios don't want to go that route, fine; all the more reason they need to secure the conditional access for the downloading of the entertainment. Understand that if the MPAA demonstrated any apathy or laxness in this area every creative union in the country would be marching on Valenti's house with torches and pitchforks.

      You talk about "The MPAA" and "Valenti" like they are cigar-chomping moguls in shark-skin suits out of some bad melodrama. Whom do you think they represent? Who do you think empowers them? The MPAA allows itself to be colored as The Bad Guy so that George Lucas and Gene Roddenberry's widow and Peter Jackson don't have to be. That would be bad for the brand...

      You don't think copyrights should last 90 years. Okay. What would be a more reasonable tenure? Is one year not enough? Fifty years too much? Why? I will be fascinated to read your rationale.

      If artists don't want the member organizations within the MPAA and RIAA to handle the distribution of their work, they will not sign a contract with them. If consumers do not want to pay the price for the entertainment set by the distributor contracted by the artist, then the consumer need not buy that entertainment. If enough consumers do this, then the distributors will begin setting prices lower and/or artists will seek out alternate (possibly more direct) means of distribution.

      That's how it works. Anything else is robbery with a soundtrack provided by the churlish whining of spoiled children. I say so, and so does the US federal government. And if you think you are going to rally a critical mass of the (voting) electorate sufficient to change those laws, well, good luck. You'll need a much taller soapbox than SlashDot, that's for sure.

      Not to mention a much more credible lobbying presence than the EFF...!

    5. Re:Isn't this what we want? by Jester99 · · Score: 2

      If I'm an engineer building bridges, I gotta keep building bridges to feed myself. If you're a writer and you write one good story, that might well work to feed yourself, your kids, and your grandkids. Tell me that's not a wee bit unfair.

      Jefferson's original idea for copyright term was 14 years, to PROMOTE the creation of works of art, literary merit, music, etc.

      Tell me, if you can write one good story and never need to write again, how does that promote your writing more and contributing more to society?

      Copyright laws today are severely out of alignment of their original intent.

    6. Re:Isn't this what we want? by Elwood+P+Dowd · · Score: 2

      Um... The reason I said "we" is pretty straightforward: The grandparent poster did. I was trying to make a counterpoint to what he said. You're right, I should have pointed out the mistake in refering to /.ers as a single group. I always hate it when I read other people making the same "we" mistake.

      Also, there is very good (some would say perfect) rationale for a specific duration of copyright. Creation of a copyrighted work is a capital expense. It produces a continuing return on that expense. The present value of that return in the future diminishes for each year into the future that you project.

      The present value of the return on investment in year 50 is something like $0.02 per $1000 invested. It's been a while since I've been hanging out with an intelligent enough MBA to do this math, so I can't back up that number at all right now. Sorry.

      This means that *no* one would *ever* invest more time/money in a copyrighted work so that it will be more valuable in year 50. The only reason that we give artists the ability to restrict distrobution of their work is to give them a monetary reason to produce art. Now. It does not necessarily follow that we should pay artists more for work that they have already produced. Whether or not you would defend a 90 year copyright, would you defend the extension of copyrights for works that have already been produced?

      Anyway. At some point in the future, the expected ROI for the rest of perpetuity is guaranteed to be less than the initial cost of producing the artwork. From my calculations with my Wharton MBA friend, this occured, believe it or not, IIRC, around year 20. A good example is the movie Gone with the Wind. It is incredibly valuable right now to its copyright owner. However, when they produced the movie, the potential value of the movie in the year 2002 was not a motivator. Thus the gov't should not give them such a long copyright.

      I would not push for a 20 year copyright, however, because it'd be pretty politically stupid. 20 years feels really short to people who imagine (for some reason) that copyright for perpetuity is a natural right. So, I'd push for something like 50 years. In a perfect world, copyright would end when it could no longer provide a reason for artists to produce art. Between 20 and 30 years.

      A copyright that lasts for 90 years and prohibits fair use will lead otherwise law abiding citizens to violate the law. That doesn't help content providers at all. Read what Macaulay had to say about it in 1841.

      Also. You've got mouths to feed. Is that the government's problem? In 1920, buggy whip experts had mouths to feed too. The government doesn't owe you anything because you have mouths to feed. Figure out an argument for why 90 years of copyright will help you or your children. *That* would change my mind.

      As for needing a more efficient soap box than /. ... Well, that was exactly my point. Political activism on /. is pretty worthless. However, there might be a very few /. readers that are imaginative/skilled enough coders that they could destroy copyright in a couple of weeks of work. I'm not trying to say that I would prefer to live in a world without copyright. I'm trying to say that if content providers want to take away fair use, I want to take away their copyright.

      Please do respond. I've always wanted to talk about this with someone who depended on copyright. I want society to figure out a more efficient and fair way to give you money for your art.

      --

      There are no trails. There are no trees out here.
    7. Re:Isn't this what we want? by Elwood+P+Dowd · · Score: 2

      A copyright that lasted half as long and allowed fair use would not mean that writers and musicians would make less money.

      I even think it *might* mean that you'd make more money. Because fewer people would feel like they had to steal your work.

      Read Macaulay on Kuro5hin.

      --

      There are no trails. There are no trees out here.
    8. Re:Isn't this what we want? by Elwood+P+Dowd · · Score: 2

      After writing the reply I read your other comments. You're a lot more reasonable that I originally expected.

      I was trying to say that the current deals you make with distributors are predicated on the current term of copyright... but they cannot possibly be counting on the value they will receive based on your work 20 years from now. Anyway, here's a new point:

      The holy grail you propose is 100% provably unattainable by technical means. If people continue to err 'till it's found, they will be doing so forever. This is a problem for me.

      Please recognize that distributors have been attempting to remove fair use long before Napster ever existed. And they can try, but all they can succeed at is inconvenience.

      On the other hand, the... um... unholy grail, a system that allows untraceable, unstoppable IP theft, is absolutely attainable. The concepts are all in place. It doesn't matter if I do it, or anyone else on /. does it. At some point it will get done.

      When it is done, if distributors have not changed, they really will come crashing down. Their only hope would be to remove the consumer's desire to break the law. Music stores that have ever album ever made, all in stock, all for $4. Video stores that will sell you any movie (that's been digitized...) on a sliding price scale. No copy protection. You could do something like this and still afford to double artist royalties per unit. And they'd be selling a lot more units.

      Think that's not feasible? I think it is. And I'm the one holding the gun. Someone like me, at any rate.

      And if a better official distribution network existed, all of a sudden IP pirates would look like real criminals. There's no way my mom would consider stealing music. She'd pay you your royalty or she wouldn't be able to sleep at night. Right now, she'll be stealing music on Kazaa.

      A better/fair official distribution network would remove the potential user base of an illicit network, and thus remove the powder keg.

      Are you still sure the **AA is working in your best interest? I'll tell you, at the currect trajectory, I'm *real* worried about the well being of artists.

      --

      There are no trails. There are no trees out here.
  14. from the anti-piracy ad article by Libertaine · · Score: 4, Insightful

    " Chernin argued that piracy will not only hurt creators of original content but also consumers if movie studios lose so many ticket sales that they begin cutting expenses. He said online piracy does not seem to have the same stigma as shoplifting.

    Chernin also decried efforts to download copies of the latest Star Wars installment. About 10 million people tried to download "Star Wars: Episode II -- Attack of the Clones" and "Spider-Man" in the weekend after its release, and 4 million succeeded, he said. "

    It just struck me as odd that the two movies the guy is talking about made just a little bit of money. from http://movies.yahoo.com/boxoffice-alltime/rank.htm l

    #5 Spider-Man $403,820,726
    #13 Star Wars: Episode II - Attack of the Clones $298,843,836

    1. Re:from the anti-piracy ad article by gwernol · · Score: 2

      It just struck me as odd that the two movies the guy is talking about made just a little bit of money. from http://movies.yahoo.com/boxoffice-alltime/rank.htm l

      #5 Spider-Man $403,820,726
      #13 Star Wars: Episode II - Attack of the Clones $298,843,836


      That was my initial reaction too. But think about it this way - does the fact that the movies cited made a lot of money make the theft any less wrong? The law should not discriminate for or against people based on their wealth. If you believe Chernin that a theft took place then it doesn't matter whether the movies made or lost money. Its still theft.

      On the other hand if you don't believe it was theft then the amount that the films made is also irrelevant to the argument.

      Either way the box office take of Star Wars is not the issue.

      --
      Sailing over the event horizon
    2. Re:from the anti-piracy ad article by Slak · · Score: 2

      First off using the term "theft" with respect to copyrighted works is incorrect (despite the No Electronic Theft Act's ill conceived name).

      Second, I believe the original post's intent was to raise the point that perhaps these movies did well *because* so many people had downloaded them.

      Regards,
      Slak

    3. Re:from the anti-piracy ad article by NoMoreNicksLeft · · Score: 2

      It's not theft though. If I choose to arrange some bits magnetically on a disk I own, are they claiming I stole electrons? Or maybe the hard disk?

      No, I am downloading restricted data. That data used to be restricted to encourage the creation of more data... now those restrictions serve only to create fatcat monopolies who will milk the data for centuries if not longer, to serve only themselves. They aren't even the creators of that data. And they're already rich beyond reason. So, when they start claiming they're losing so much money, due to those who sidestep the copy restrictions, yes, the fact that they made large fractions of a billion dollars on a single movie does say something about how sick they are.

      The punishment for copyright infringement should be inversely proportional to how long copyright lasts.

    4. Re:from the anti-piracy ad article by mpe · · Score: 2

      If you believe Chernin that a theft took place then it doesn't matter whether the movies made or lost money. Its still theft.

      Except that it isn't "theft" and indeed never was "theft". Theft involves taking something away from someone so they no longer have it. Copyright infringement involves taking a copy, the original is still there.
      For the last few hundred years what has limited copyright infringment wasn't that it was against the law so much that IP was strongly bound to a media (a piece of real property).
      We not have a situation where "content" can be trivially duplicated and sent anywhere on the planet. Almost exactly like material objects in the Star Trek universe.

    5. Re:from the anti-piracy ad article by commodoresloat · · Score: 2
      does the fact that the movies cited made a lot of money make the theft any less wrong?

      Yes, if the idea that it is wrong in the first place is based on the assumption that the "theft" is costing people money.

    6. Re:from the anti-piracy ad article by Trekologer · · Score: 3, Interesting

      4 Million downloads of those two movies, eh?

      Well, let's assume that those movies are both in VCD format and requires two CD each (a typical format). That's a total of 1,300 MB per movie or 2,600 MB for both of them.

      (4,000,000 downloads) * (2,600 MB downloaded) = 10,400,000,000 MB downloaded. That's 10.4 Petabytes (Petabytes = 10^15 bytes). To put that into a little bit of perspective, that would take over 47079.4 years to download that much data through a 56kbit dialup modem.

      Now, perhapps those movies were encoded in a more space-saving format, such as Divx. That's about 700 MB per movie and 1,400 MB for both. The total downloaded would be 5,600,000,000 MB, or 5.6 Petabytes. That's still a heck of a lot of data.

      I seriously doubt that these two movies were downloaded 4 million times during the weekend of their initial release.

    7. Re:from the anti-piracy ad article by Cl1mh4224rd · · Score: 2, Informative

      Your numbers assume that only one person could be downloading one movie at any given time, which, as I'm sure you're aware of, is completely unrealistic.

      --
      People will pass up steak once a week, for crap every day.
  15. America: The only place in the world by Eversor · · Score: 2, Insightful

    where you can get arrested for listening to music.

    Is it just me, or has this gone too far. It's time to break out some good old vigilateism on these control freaks. Time to organize.

    1. Re:America: The only place in the world by Stonehand · · Score: 2

      Yeah, whatever. It's not the listening that's the problem, it's how you got the music.

      Now, if you want to go to a country where you CAN get busted for listening to music, move to Iran.

      --
      Only the dead have seen the end of war.
  16. Hah! by VivisectRob · · Score: 2, Insightful

    Gee... Hollywood isn't having a terrible year this year because they release stuff like xXx and Spy Kids 2...nope... it has to be the media pirates...

    1. Re:Hah! by Wonko42 · · Score: 2

      Actually, XXX and Spy Kids 2 have both made tons and tons of money. Try another example, Sparky.

  17. Because we have to do it this way, thar's why! by Marx_Mrvelous · · Score: 4, Insightful

    At different points in the United States, the majority also thought that Women shouldn't be able to vote. Not too long later, a majority of the US thought that segregation was legal, and that discrimination was fine. However, the governemnt stepped in and determined that, in these cases (and many, many more) the majority of the US was wrong. We live in a democracy, but we are not ruled by a mob.

    In other words, we listen to the majority but protect the individual from that same majority. We have copyright laws for a good reason, and they should be protected.

    --

    Moderation: Put your hand inside the puppet head!
    1. Re:Because we have to do it this way, thar's why! by ywwg · · Score: 2

      protection implies some sort of harm. So far no company has been able to demonstrate harm from filesharing. As the summary points out, people still go see movies and buy dvds. CD sales are down, but that is more readily explained by the 18$ price tag. Until someone can demonstrate that filesharing, and not ridiculous pricing or Clear Channel, is destroying an industry, they aren't deserving of this level of "protection."

    2. Re:Because we have to do it this way, thar's why! by Reality+Master+101 · · Score: 2

      I hate to use you as a foil, but I've seen this far too much. I'm sorry, but that is just an idiotic argument.

      Here's your proof:

      If there is ONE person that has downloaded a song without paying for it, the industry has been damaged by EXACTLY that one song. QED.

      And yes, it's irrelevent whether more music has been purchased or not through the use of filesharing because of the supposed added promotion ("Hey man! I wouldn't have bought this album if I hadn't downloaded it first!"). It's up to the copyright holder to decide if they want to use this oh-so-l33t new promotion method.

      --
      Sometimes it's best to just let stupid people be stupid.
    3. Re:Because we have to do it this way, thar's why! by reallocate · · Score: 2

      You're probably right about fixing copyright, but it seems to me that professional creators of 'art' will always want to derive revenue from their efforts. How would you alter the copyright laws to accommodate file sharing and still preserve a creator's right to market their creations? (Pls note I'm alking about people who create things, not the RIAA.)

      --
      -- Slashdot: When Public Access TV Says "No"
    4. Re:Because we have to do it this way, thar's why! by Slak · · Score: 2

      True, but I suspect the RIAA will have a tough time finding a jury that will agree that posting a few songs on Kazaa is wrong (or that the punishment spelled out by the NET Act fits the "crime").

      "We have copyright laws for a good reason, and they should be protected."

      First (last things first) I assume you mean that the copyrights should be protected, not the copyright laws. Copyright holders seem to do a fine job extending their copyrights, shouldn't the public have a right to defend the public domain? Copyright laws have a history of being formed by industry compromise and then rubber stamped by Congress. I mean, how many ordinary Americans understand copyright law?

      Next, we have copyright laws that are based on pre-digital age constructs. Actually, these laws are based on censorship - if printers controlled what was printed, then copyright law allowed the queen to control printers.

      Currently, copyrights prevent (or threaten to prevent) some creative works - e.g. the "Wind Done Gone" battle and hamper "fan-dom" works. Is this really a good thing?

      I'm all for sane and rational copyright laws, and don't believe that the current state qualifies. Yes, I do routinely write my Congress-critters.

      Cheers,
      Slak

    5. Re:Because we have to do it this way, thar's why! by cdrudge · · Score: 2
      If there is ONE person that has downloaded a song without paying for it, the industry has been damaged by EXACTLY that one song.


      But if I'm that ONE person who downloaded that ONE song and I wouldn't have gone out and purchased that CD if I couldn't have downloadeded, they havn't lost business that wasn't going to be there origianlly. Or if I'm that ONE person who downloaded that ONE song, and as a result went out an purchased the CD that I wouldn't have because of it, they have now gained business.

      Either way, they can kick and scream and make up laws left and right. They probably won't make even a dent in the P2P scene. We have prison overcrowding already. Are they going to throw several million people in prison. Yes they may/will get the big guys, but for every big guy there is a couple of dozen slightly smaller guys that will take his place.

      Just my .02 on the situation.
    6. Re:Because we have to do it this way, thar's why! by broter · · Score: 2
      • It's up to the copyright holder to decide if they want to use this oh-so-l33t new promotion method.


      You're assuming that the current copyright laws are fair and just. Bribery and rigged electoral and legislative processes are largely not recognized as ligitimate government. So, although every other judge in America(tm) may agree with you, that doesn't invalidate the right of the people to rebel against laws that were not passed in their best interest.



      Although we've have numerous laws put on the books extending the power of copyright, the burden of these injunctions on society may well by too costly to bear. If the people don't have a valid means of changing the law within the system, they have the inalienable right to choose a new law (or government if necessary)



      Indeed, many people think copyright law has gone way too far in the US. The fight has moved into the courts. Whether you believe the law should follow the Framers' intent or the good of today's society, copyright law as it stands now is working far beyond the pale.


      --
      "One man can change the world with a bullet in the right place."
      - Mick Travis, "If..."
    7. Re:Because we have to do it this way, thar's why! by Reality+Master+101 · · Score: 2

      If that ONE person who downloaded the song already owns the record

      Then they paid for it. No issue.

      If that ONE person downloaded the song to sample it in another work, then no crime has been committed because of fair use.

      Wrong. First of all, you can't just "sample" it into another work for free (ask rap artists if they have to ask permission and pay royalties to the people they sample from). Second of all, your fair use rights don't kick in unless you purchase something.

      Legally, I have no idea.

      So what if I decide to delete a song 100 years after I download it. Guess what, I'm still in violation.

      If that ONE person downloaded the song, and decides to keep the song even though he does not own the record, how is this different from taping songs off the radio?

      Because radio stations already pay a licensing fee in order to broadcast it. Since it is coming into your radio, you get certain recording rights along with that.

      The quality of a good radio tape is not much lower than the quality of mp3's

      Huh? I'm not saying I have golden ears, but you must have ears of tin if you believe that. Either that, or you have never encoded an MP3 from a CD yourself.

      I could go on and on, but as you can see, this issue is far from black and white.

      Sorry, but the issue really is black and white. The only people who think there is any gray area are just people who want to rip off other people and get "stuff fer free". In other words, the takers of society want to take from the makers of society.

      --
      Sometimes it's best to just let stupid people be stupid.
    8. Re:Because we have to do it this way, thar's why! by mpe · · Score: 2

      We have copyright laws for a good reason, and they should be protected.

      Copyright laws are intended as a means to an end rather than an end in themselves. Rather than blindly defending the status quo it makes more sense to consider if these "good reasons" are still valid and assuming they are that the current copyright laws actually address those reasons.

    9. Re:Because we have to do it this way, thar's why! by broter · · Score: 2
      • ...if I'm that ONE person who downloaded that ONE song, and as a result went out an purchased the CD...


      Ironically, if you DID go out and buy that CD, you'd be allowed to have the copies on your 'puter :) I wonder how much "theft" there is if you remove the people how currently own copies of the mp3's on their drives.

      --
      "One man can change the world with a bullet in the right place."
      - Mick Travis, "If..."
    10. Re:Because we have to do it this way, thar's why! by ebyrob · · Score: 2

      We have copyright laws for a good reason, and they should be protected.

      If they should be protected, I'd certainly like to hear what you think these "good reasons" are.

      I've heard various and sundry from others, and I might even consider some of them good. The problem is when you get down to the "good" ones, they often don't require nearly as much protection as some would like.

      Where exactly do you think there's a majority/minority issue in copyright?

    11. Re:Because we have to do it this way, thar's why! by reallocate · · Score: 2
      I suppose you believe in TinkerBell, too?

      Grow up.
      No one is forcing you to buy anything, much less the government. People who write books, create music, make movies, have as much right to derive revenue from their efforts as anyone else.

      --
      -- Slashdot: When Public Access TV Says "No"
    12. Re:Because we have to do it this way, thar's why! by tobes · · Score: 2, Insightful

      No one has a "right" to derive revenue. If you can't figure out how to make money that's your bad, and not that of the potential consumers. If you think you can rely on selling something that has no physical structure, can be near-instantly copied to anywhere in the world for almost no cost, and other people are more than willing to give away you are seriously mistaken.

    13. Re:Because we have to do it this way, thar's why! by kableh · · Score: 2

      Sorry, but the issue really is black and white. The only people who think there is any gray area are just people who want to rip off other people and get "stuff fer free". In other words, the takers of society want to take from the makers of society.

      You almost had a coherent arguement until that remark. If there is one thing you and the recording industry should have learned by now is that it is FAR from a black and white issue. Ask Janis Ian what she thinks about people downloading her tracks.

      I just bought 2 CDs this week. Both are albums I already have in MP3 format. I want the originals. In your world, I was a thief the moment I borrowed the CD from a friend. Here in the real world, that group just gained another rabid fan.

    14. Re:Because we have to do it this way, thar's why! by Reality+Master+101 · · Score: 2

      In your world, I was a thief the moment I borrowed the CD from a friend.

      No, in my world borrowing a CD is covered by fair-use rights and purchaser rights. In my world, it's anonymous mass distribution that is illegal.

      --
      Sometimes it's best to just let stupid people be stupid.
    15. Re:Because we have to do it this way, thar's why! by reallocate · · Score: 2
      So you think it is fair and equitable to take creative work by someone else, pay them for one copy, and then give away as many copies as people want? (You do seem to be assuming they'd willingly give up their work.) Who decides what's 'art" and what isn't? Who decides what gets posted on the Big Server? You don't really suppose such legislation has a ghost of a chance?

      How about you coming to work for me, and I'll pay you for the first day, and then farm you out to my friends for free for the next 30 years. I'm sure you won't mind.

      --
      -- Slashdot: When Public Access TV Says "No"
    16. Re:Because we have to do it this way, thar's why! by toriver · · Score: 2
      professional creators of 'art' will always want to derive revenue from their efforts.

      That's the problem: the copyright laws have been twisted so far by the media corporations that professional creators hardly have any rights to their efforts. What with the "work for hire" crap and Disney's extensions to the after-death clauses, it would seem a large portion of your politicans serve the media industry (the new aristocracy?) instead of the voters' interests.

      One man, one worthless vote.

      One corporation, a huge bribe, whoops, "campaign contribution".

    17. Re:Because we have to do it this way, thar's why! by budgenator · · Score: 2

      We live in a democracy, No we live in a Republic. The difference between a Democracy and a Republic is in a republic 9 hungery canables can't vote to eat number 10.
      The Soviet Union was a democracy, I believe the law actualy required everybody to vote. Most of the worst dictators in history have been legaly elected in there respective democracies.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
  18. In related news... by Necromancyr · · Score: 3, Funny

    In related news the RIAA has begun a lawsuit against anyone with the sensory organs known as 'ears' and the throat muscles and tissue responsible for sound creation (refered to herein in as the 'voice box').

    This combination allows millions to 'listen' to any music and then replay it back by 'singing' the song. This will allow thousands to hear songs without purchasing them. The ramifications on the CD industry by these criminals is completely real, and must be stopped, according to the RIAA.

    The lawsuit is believed to exclude deaf-mutes, though they are being examined for the ability to feel vibrations and possible replay them by tapping the rythm out on any surface available.

  19. NET? by sllort · · Score: 3, Insightful

    No Electronic Theft Act. Ok.

    Here's the definition of theft:


    \Theft\, n. [OE. thefte, AS. [thorn]i['e]f[eth]e, [thorn][=y]f[eth]e, [thorn]e['o]f[eth]e. See Thief.] 1. (Law) The act of stealing; specifically, the felonious taking and removing of personal property, with an intent to deprive the rightful owner of the same; larceny.

    Note: To constitute theft there must be a taking without the owner's consent, and it must be unlawful or felonious; every part of the property stolen must be removed, however slightly, from its former position ; and it must be, at least momentarily, in the complete possession of the thief. See Larceny, and the Note under Robbery.


    Emphasis mine. That should be easy; no file sharing programs remove files from RIAA hard drives. Problem solved!

    1. Re:NET? by mellifluous · · Score: 2

      Dictionary definitions are not legal definitions

      No court is going to use dictionary.com's version as a legal definition of theft.

    2. Re:NET? by ebyrob · · Score: 2

      Exactly right. Copyright infringement isn't theft. It isn't piracy. It's copyright infringement.

      But if you're not even willing to use the right term, why do you expect the RIAA will?

    3. Re:NET? by stevens · · Score: 2

      The OP quotes a definition of theft to 'prove' that copyright infringement isn't theft:

      ...every part of the property stolen must be removed, however slightly, from its former position...

      First, dictionary definitions are not legal definitions for a reason--they usually aren't rigorous enough. Even granting that, you've missed the object of copyright.

      When someone has a copyright, they do not own the paper, the ink, the bits, the magnetic patterns on a disk, or any other physical item. They own the limited right to control distribution of a work. (See a lawyer for what that entails, exactly, in your country.)

      And when you distribute the work to others without authorization or specific exemption in law (such as fair use, satire, etc) you are violating their right to control distribution.

      Not all property is physical; many rights are not rights to physical things. This is because many valuable things people produce or need to live a civilised life are not physical (i.e., privacy).

  20. This is all good by overshoot · · Score: 2
    Selective enforcement of laws (2600, anyone?) allows them to selectively threaten people for leverage (e.g. making region-free players hard to get.)

    Uniform enforcement, on the other hand, or even the widely-publicized appearance of uniform enforcement, brings the issues out of the geek ghetto to where the voting public confronts it.

    Best thing that could happen would be for the RIAA to file criminal charges against Aunt Martha for letting her friends copy her Burl Ives recordings.

    --
    Lacking <sarcasm> tags, /. substitutes moderation as "Troll."
    1. Re:This is all good by Tackhead · · Score: 2
      > Selective enforcement of laws (2600, anyone?) allows them to selectively threaten people for leverage (e.g. making region-free players hard to get.)
      >
      > Uniform enforcement, on the other hand, or even the widely-publicized appearance of uniform enforcement, brings the issues out of the geek ghetto to where the voting public confronts it.
      >
      >Best thing that could happen would be for the RIAA to file criminal charges against Aunt Martha for letting her friends copy her Burl Ives recordings.

      Which is why selective enforcement will be used. But it won't be Aunt Martha and Burl Ives. It'll be a "hacker", because hackers are the Evil Guy Of The Day, and it won't be Burl Ives, it'll be whatever the Evil Band Of The Day is.

      (Sorry, I don't know what the Evil Band of Mid-2002 is. Past winners have been Chuck Berry, for playing "nigger music" [yes, that's what fundies used to call "rock and roll" back in the 50s] to white teenage girls, Elvis Presley, for his "disgusting pelvic gyrations", Frank Zappa, for, well, being Frank Zappa, Ozzy Osbourne for satanism, Jello Biafra and the Dead Kennedys for records that were "harmful matter" to minors, NWA for glorifying gangsterism, Ice-T for glorifying murder in "Cop Killer", KMFDM after Columbine, Eminem for just about every lyric in "My Name Is", but regrettably, never Britney Spears for being a pair of tits impersonating a musician.)

      So what's the advantage in selective enforcement? In an age of DRM (Palladium, DMCA, copy-crippled CDs, CBDTPA laws), you don't know what constitutes infringement. You only know that someone, somewhere, might decide to put your head on a pike as an example to the rest of the world.

      But if there's DRM-crippling tech in most consumer hardware and consumer operating systems, it's precisely the people capable of breaking such tech who need to have their ideas and code "chilled" with the threat of the "MP3 raid at 4am"

      "Did you really think that we want those laws to be observed?" said Dr. Ferris. "We want them broken. You'd better get it straight that it's not a bunch of boy scouts you're up against - then you'll know that this is not the age for beautiful gestures. We're after power and we mean it. You fellows were pikers, but we know the real trick, and you'd better get wise to it. There's no way to rule innocent men. The only power any government has is the power to crack down on criminals. Well, when there aren't enough criminals, one makes them. One declares so many things to be a crime that it becomes impossible for men to live without breaking laws. Who wants a nation of law-abiding citizens' What's there in that for anyone? But just pass the kind of laws that can neither be observed nor enforced nor objectively interpreted - and you create a nation of law-breakers - and then you cash in on guilt. Now that's the system, Mr. Rearden, that's the game, and once you understand it, you'll be much easier to deal with."

      - Ayn Rand, "Atlas Shrugged"

      The sad thing is that when $HACKER is led off in chains for "stealing" $20 million from RIAA by sharing copies of MP3s from $EVIL_BAND, nobody's gonna pipe up and say "If $EVIL_BAND is so horrible, why are you saying they're worth $20 million to you? Why can't we think of the children, and get rid of RIAA for promoting all of these horrible evil bands that are corrupting our youth?"

      Uniform enforcement hinders RIAA's cause - protection of their revenue by purchase of laws to ensure a "chilling effect" on code (DRM circumvention), music (can't record, mix, or burn without RIAA-approved hardware), and speech (being both code and music) by making everyone a suspect.

  21. Re:RIAA/MPAA and Communism by User+956 · · Score: 2

    Am I the only one that sees the obvious connections between what the RIAA/MPAA are doing and the actions of Communist despots?...For that matter, has anybody noticed how much Jack Valenti looks like Chairman Mao? Or how much Hillary Rosen looks like Josef Stalin?

    I don't recall either of those people as Communist despots. They were despots, but they dropped the "Communism" act right quick once they had a stranglehold on things. Pick up a history book. It'll do you some good. For that matter, read the Communist Manifesto. It's not as scary as your McCarthy-addled parents obviously taught you.

    --
    The theory of relativity doesn't work right in Arkansas.
  22. How to make an average pirate think twice by jukal · · Score: 2
    Ok, I used to pirate music and gamez when I was a kid. But since then I have realized that it is just the same as stealing that CD or game from the store. And I don't shoplift. :)

    Anyway, I think that they are using a wrong approach to tell people that software or any other piracy is a bad thing. Currently, it seems that they just wish to publish the capture of the big fished. What I suggest, is that they would nail a couple of "innocent" senior citizens with one pirate CD instead. Anyone, who is not nowadays thought as a pirate but still has one or two illegal copies will do. That should make people think.

    Meanwhile, they should ofcourse nail the big ones too, but these joe average cases are the ones that should be passed to media, I think.

  23. The Most Frightening Thing About All This by SirChive · · Score: 2, Insightful

    The most frightening thing about all of this is how the corporate copyright holders are redefining the definitions used in the laws.

    It's obvious that these laws were passed with the intent of punishing people who copy and sell copyrighted material for financial gain, meaning money. But they are so scared by Peer to Peer sharing that they have simply redefined "financial gain" to cover any exchange of anything by anybody.

    People have a deep urge to share. "I'll give you a copy of mine if you give me a copy of yours" is not motivated by financial gain.

    But now a law that was designed to prosecute the guy who runs off a 1000 copies of Photoshop and sells them through the mail is being used to make a criminal out of me, my kids and virtually everybody I know.

  24. cost-cutting in economic slowdown? inconceivable! by Dr.+Awktagon · · Score: 2

    Chernin argued that piracy will not only hurt creators of original content but also consumers if movie studios lose so many ticket sales that they begin cutting expenses.

    Well well. While the rest of us are cutting our expenses and companies are going bankrupt left and right, the darling movie industry can't seem to even comprehend the concept.

    I'll start to feel sorry for the movie industry when they actually lose money for a few years in a row. Actually I won't feel sorry at all, I'll feel like the theory of evolution has just been validated.

  25. Is it my network or yours by russotto · · Score: 2, Insightful

    The RIAA has bludgeoned its way into a critical issue here. The subpoena provisions only apply to material covered by 17 US 512(c), material on a service provider's system or network at the direction of users. The question, then, is whether or not a system owned by the user of an ISP is on that ISP's network or not.

    My take on it is that it's like the phone system; anything upstream of the NIB belongs to the phone company and is on their network, anything downstream is on the user's network. This works for DSL and dialup, and a similar line could be drawn for cable. Unfortunately, it's quite possible that a sufficently incentivized court could decide that by using an ISP, you are putting your computer on THEIR network, and thus 512(c) applies.

    This would be very bad, not just because of the subpoena clause. This would allow 512(c) takedown notices of items stored on your own machine. Host your own website with material the RIAA doesn't like? If it's on YOUR network, 512(a) absolutely protects your ISP from any monetary liability regardless of any takedown notices, and against injunctions in most cases. They'd have to sue you directly to get results.

    But if the courts rule that your website is on your ISPs network, they can send a 512(c)(3) takedown notice, and your ISP would have to either cut your website off immediately or risk liability.

  26. corporations writing the laws by GoatPigSheep · · Score: 2

    When the corporations are the ones writing the laws... whats the point of following them?

    Unfortunately, the government is now the enemy of the people, the only option is civil disobedience (that is, not changing the habits we have such as copying cd's for our own person use which used to be perfectly legal)

    --
    GoatPigSheep, the 3 most important food groups
    1. Re:corporations writing the laws by Courageous · · Score: 2

      "Civil disobediance". I can respect that. But if you were going to perform REAL civil disobediance, you would walk up to the porch of your local police station, and begin distributing copyrighted works in a highly public fashion. Secretive civil disobediance isn't civil disobediance. It's just some punk secretely breaking the law.

      C//

  27. Legalized DOS by kalidasa · · Score: 2, Insightful

    The labels are also supporting a bill, now under consideration in Congress, that would make it legal to "impair the operation of peer-to-peer" networks, such as LimeWire. That could be done, for example, by overloading file-sharing services with so many requests that they slow to a crawl.

    And does Congress realize that this will also affect everyone up and down the line, including the backbones, the ISPs, and other users on the same nodes in cable broadband systems?

    1. Re:Legalized DOS by kilfarsnar · · Score: 2, Insightful

      Heh, I think it's pretty clear that they don't understand much beyond how to tally campaign contributions.

      --
      "What the American public doesn't know is what makes them the American public." -Ray Zalinsky (Tommy Boy)
  28. Self serve... by turnstyle · · Score: 4, Interesting

    For those that just want to avoid the p2p networks, and instead serve their collection to themselves and to their friends, I humbly offer my software Andromeda, which can be used to stream MP3's and other files. It runs on a web server with PHP or ASP, and works on Windows, Linux, and Mac OS X. If you want to control your own media archive, it might do the trick.

    --
    Here's what I do: Bitty Browser & Andromeda
    1. Re:Self serve... by -=Izzy=- · · Score: 2

      Andromeda is really cool.. im using it to serve my Pink Floyd collection.

      Just for the record, none of the music at the above site is copyrighted, and was never released through any of the normal channels.

      If David Gilmour, Nick Mason, Richard Wright, Roger Waters, or Syd Barret wish for me to take the site down, they can contact me.

  29. Re:Great! by javacowboy · · Score: 2

    Apparently, John Ashcroft has ordered the building of enough prisons to incarcerate the entire US population.

    Does that mean they plan to put all Americans in jail and start a prison-labour based economy?

    --
    This space left intentionally blank.
  30. Irritating by Reality+Master+101 · · Score: 5, Insightful

    After all, these are not a bunch of fat cats we're talking about -- piracy now threatens the livelihood of the rank and file workers of Hollywood. After all, the movie studios are having a terrible year, right?

    Yeah! After all, we ALL know that it's OK to steal from people if they have more money than you. The bastards!

    If you're going to make a point about whether something is right or wrong, it doesn't help your case to bring out irrelevent facts about how rich someone is. Right is right, and wrong is wrong.

    --
    Sometimes it's best to just let stupid people be stupid.
    1. Re:Irritating by glwtta · · Score: 2
      Right is right, and wrong is wrong.

      hmmm... is the way that the money they have was made "right"?

      just saying... since there is such a clear demarcation of right and wrong.

      --
      sic transit gloria mundi
    2. Re:Irritating by Stonehand · · Score: 2

      Were there any unlawful transactions in how they made their money?

      - Nobody, with the possible exception of students in mandated classes where somebody /else/ made the non-mandatory decision, is required to watch movies distributed by them.

      - Nobody is required to listen to music they own. Please. You're not going to die if you never listen to another RIAA song again.

      - Nobody is required to sell them rights to their music, movies, or other intellectual property. They don't employ goons to break your legs, and if they collaborate in restraint of trade by price-fixing as a cartel -- and they use anticompetitive tactics to nail independents, such as temporarily selling below cost to drive them out of business -- then the aggrieved can push for anti-trust action.

      In fact, there are, as far as I know, perfectly legal non-*AA companies that distribute music and arrange for direct compensation to artists that work with them. As long as all the transactions are voluntary, and they don't use predatory pricing or other banned tactics against upstarts, it's all kosher as far as I can see.

      --
      Only the dead have seen the end of war.
    3. Re:Irritating by Scrameustache · · Score: 2

      Irrelevant? I think not.

      You think they got so rich by playing fait and charging a resonable price for their products and giving back a reasonable amount to the creators? I don't!
      They've been "stealing" from every single one of their client by charging them prices much higher than the actual value of the product because they are in an oligopoly position and are price-fixing their products.

      Stealing from a thief is ok. Hell, its poetic justice.

      And they blame the internet of the fact that they lost 6% in CD sales...can Enron and WorldCom and all the other big buisnesses who are actually going bankrupt also blame napster for their trouble? That'd be convenient...I mean, its not as if there was a decline in all commercial activities, not a depression. there weren't any terrorist attacks scaring the shit out of everybody or anything...its ALL naspter's fault...

      --

      You can't take the sky from me...

    4. Re:Irritating by Reality+Master+101 · · Score: 2

      They've been "stealing" from every single one of their client by charging them prices much higher than the actual value of the product because they are in an oligopoly position and are price-fixing their products.

      Wrong, by definition. If people didn't think the music was worth the price, they wouldn't buy it. Contrary to apparently popular belief, music is a LUXURY ITEM, not a necessity like air, water or food. You might have a point if they were selling water, but they are selling music.

      If you think it's too expensive, don't buy it. It really is that simple.

      --
      Sometimes it's best to just let stupid people be stupid.
    5. Re:Irritating by ebyrob · · Score: 2

      If you think it's too expensive, don't buy it. It really is that simple.

      If only anything ever was... Actually, both of you are the problem.

      First off, he isn't buying it. He's downloading it for free with no visible adverse affects.

      Sure, wrong is wrong. There's nothing "right" about infringing someone's copyright. It's a sin against society. A little like pissing on the sidewalk or jaywalking.

      The problem is in the same vein you are preaching copyright you're sitting here trying to equate physical theft with "intellectual property theft". "intellectual property theft" is an oxymoron. There's copyright infringement and there's trademark violation, heck there's even patent infringement. But there is no "intellectual property theft". Just saying the phrase makes me feel cheap and exploited.

      If you actually want to convince "those punk kids" not to infringe copyright, start by not insulting their intelligence. Then, maybe you'll get time to explain exactly why you think copyright infringement is misguided and/or wrong, and how you think we should all go about reforming this broken system we're all trying to live and work under.

      Don't think for a second that the next generation won't throw copyright right out the window if it's overly abused.

    6. Re:Irritating by glwtta · · Score: 2
      Were there any unlawful transactions in how they made their money?

      Ah, but "lawful" and "right" are two very different things.

      Come to think of it, the answer to the above question is probably "yes", but that's not the point. RIAA companies used the once high costs of distribution to establish an oligo-/monopoly which they are now exploiting to stifle evolution of these distribution methods. Being perfectly legal, does not make it "right." (I realize that such notions are hard to come by in the real world, but I wasn't the one suggesting that those trading music online be held to these exacting moral standards.)

      --
      sic transit gloria mundi
  31. Heh.. by Anonvmous+Coward · · Score: 2

    "It seems Listen4ever has performed a disappearing act. If it stays offline, the RIAA will withdraw its suit later today."

    I always thought a good Slashdotting would smack the RIAA in the eye, never thought it'd happen this way though.

  32. Your tax dollars at work... by willow · · Score: 5, Insightful

    I guess going after the WorldCom and Enron executives who
    perpetrated massive fraud and theft on their shareholders,
    employees, and customers is just too hard for the DOJ. It's
    much easier to surf the internet for tunes, subpoena an ISP for
    personal records (thereby avoiding doing any work), and bust a
    14 year-old kid who can't afford a new CD since his Dad was
    was swindled out of his job and pension by the economic
    damage resulting from widespread, unprosecuted corporate fraud.

    A troll? ....

    --
    Moderation in everything, including moderation.
  33. These people need to be taken to task. by FreeLinux · · Score: 2, Interesting

    Where does this guy get off quoting that 10 million people tried to download Episode two in the first weekend? That's a mighty bold statement. I'd like to see Chernin back it up with some facts or supporting evidence. How did he log or track all these attempts? How does he know that 4 million were successful.

    It is in fact Some Wild Ass Guess (SWAG). He like the rest of the RIAA droids pull these numbers out of their ass and Congress is accepting them at face value. It's pure bull!

    It's as ridiculous as it would be for Linus to stand up and say that 5 billion people attempted to install Linux and 3 billion were successful, making his operating system the most widely used in the world. How would he possibly know?

  34. Best Quote by Grumpman · · Score: 2, Insightful

    "All this smacks of desperation," says Eric Garland, president of BigChampagne, a company hired by major labels to measure online file-sharing traffic. "When you've got a consumer movement of this magnitude, when tens of millions of people say, 'I think CD copying is cool and I'm within my rights to do it,' it gets to the point where you have to say uncle and build a business model around it rather than fight it."

    You'd think they'd get it eventually, but I guess some people never will.

  35. NET is good by 4of12 · · Score: 4, Interesting

    I know everyone's got a point of view on this matter, ranging from "all information should be free at birth" to "all information should be controlled and tolled".

    My view is best expressed by first clearing up the confusion about nomenclature.

    "Copyright"

    I think Fair Use includes the ability to make copies, so I don't buy Jack Valenti's argument that making a copy of a DVD is, or should be, illegal.

    Also, there are too many cases where the free flow of information can be unduly inhibited by onerous technical burdens just to protect the current business models of RIAA and MPAA members.

    I think they should rename the concept "CopyCharge".

    Owners of the current copyrights should have the exclusive right to distribute for charge.

    Of course that includes money. But also, in all fairness, I think it should include Napster-like barter exchanges where "if I give you access to X copyrighted material then you give me access to Y copyrighted material".

    I think everyone should respect copyright ownership in that way.

    Thus, I don't have any problems with them prosecuting people who actually distribute copies of material for compensation when they don't own the "copycharge" right.

    I do have a problem with heavy handed tactics where the flow of all digital information is restricted just because of some lawbreakers. It's just like crowbars. Yes, they can be used as burglary tools, but they're also quite useful in many other circumstances.

    Yes, please, by all means prosecute actual burglars. No, under no circumstances, should you outlaw tools. That's why I view NET as great, but other laws such as DMCA and CB.... as abominations.

    --
    "Provided by the management for your protection."
    1. Re:NET is good by Cryogenes · · Score: 2

      The question is, do you approve of destroying the lives of schoolkids because they are doing something that practically everyone they know is also doing?

    2. Re:NET is good by Stonehand · · Score: 2

      Hm. Why do you consider "Doing A for expected compensation" as bad and "Doing A for no expected compensation" as good, or at least acceptable? I'd think that merely Act A would be all that matters -- if a burglar breaks into an art museum and gives away, or even has his mother throw the evidence in a canal(*) what he takes, is that any better than if he sells them and keeps the money?

      Receiving compensation is hardly an evil act as long as it's truly voluntary (meaning, for instance, there is no artificial restraint of trade going on).

      (*) Which happened once, believe it or not. Well, she probably did it on her own initiative to protect her son...

      --
      Only the dead have seen the end of war.
    3. Re:NET is good by 4of12 · · Score: 2

      Receiving compensation is hardly an evil act

      I'm not claiming that receiving compensation is an evil act. Inherently, there's nothing good or evil about receiving compensation.

      What I am arguing is that owners of the copyright should have the exclusive right to distribute copies for a charge. That's all.

      --
      "Provided by the management for your protection."
    4. Re:NET is good by 4of12 · · Score: 2

      What's the point of making any work for sale if anyone can give it away for free?

      I contend that most people that are supposedly giving away copyrighted works of other individuals are not really doing it for free. That they expect compensation in the form of other persons giving them other copyrighted works "for free" at some time.

      But I am crazy. If you leave your MP3 collection on a public server and expect no compensation in any form whatsoever, then I have no problem with that.

      --
      "Provided by the management for your protection."
  36. Is prosecuting end users bad? by vitaminc · · Score: 2, Insightful

    This isn't flamebait. I hate the RIAA/MPAA and will continue to do what I can to prevent them from castrating technology to the point where its just another content delivery system.

    That being said, is prosectuting end users for copyright violation bad in itself?

    The absurd technological measures that they are proposing to "protect" their content will have far reaching and long lasting implication on what we can do with our hardware (whether or not I ever load file sharing software or "consume" any of their content).

    Prosecuting someone who shares a bunch of teeny-pop (who is probably a minor) seems to be a much less damaging use of their money.

    1. Re:Is prosecuting end users bad? by Tackhead · · Score: 2
      > That being said, is prosectuting end users for copyright violation bad in itself?

      No, it's not.

      But sadly, it is a measure of how far RIAA/MPAA has fallen in the eyes of their victi^H^H^H^H^Hcustomers that I still hope every day that I live to see the time when cheap bandwidth allows everyone to instantly have free-as-in-beer access to every movie and every song ever made or recorded, at any time, from anywhere on the planet.

      "...Qwest. Ride the light." (Remember those commercials? :)

      And if that means the destruction of the movie and recording industries and their replacement with something that does meet the needs of the consumer, so much the better.

    2. Re:Is prosecuting end users bad? by MoneyT · · Score: 2

      WHen everyone can get instant access to recordings, artists will have to make money the old fasioned way. Live performances. They way they did when they started. ENTERTAINING people. It will no longer be just being able to make a sounds and melody, you'll have to be entertaining now too.

      --
      T Money
      World Domination with a plastic spoon since 1984
  37. The good effects of file sharing by Jimithing+DMB · · Score: 2
    The record labels have been spurred to action by figures they find terrifying: The number of "units shipped" -- CDs sent to record stores or directly to consumers -- fell by more than 6 percent last year, and it's widely expected to fall 6 to 10 percent more by the end of 2002. Those drops are already hitting the industry hard. Labels are laying off employees, ditching artists, slashing budgets for tours and videos, and combing their back catalogues for reissues that cost almost nothing to release.

    So let me get this straight. Because they are supposedly losing money to file sharing (which lets say they are) they've had to ditch artists, slash budgets for tours and videos, and reissue music out of their back catalogues.

    Now, consider the recent trends in music with many many really crappy bands being made by the record companies for the record companies (think N'Sync, Backstreet Boys, Britney Spears, etc.) and also a number of not really all that good bands getting publicized to death. Now think about some of the music in their back catalogues (Pink Floyd, The Who, The Doors, Steve Miller Band, Santana, The Eagles, Billy Joel, Eric Clapton, Phil Collins, Bruce Springsteen, etc.. etc.. etc...).

    Is the fact that people would rather buy good music than the crap the RIAA has been forcing down peoples' throats so surprising to the RIAA? Hell, if anything the supposed lost revenues seem to have made an improvement!

  38. Ten Commandments of the RIAA by AntiNorm · · Score: 5, Funny

    The Ten Commandments of the RIAA:

    1. Thou shalt have no entertainment before me.
    2. Thou shalt not make unto thee any device by which thou mighst render my copyright protection ineffective.
    3. Thou shalt not take the name of Britney Spears in vain, for I will not hold him guiltless who disrespects her.
    4. Honor Hilary Rosen and Jack Valenti, that thy days of entertaining thyself might be long and pleasurable.
    5. Thou shalt not download MP3s.
    6. Thou shalt pay inflated prices for thine CDs.
    7. Thou shalt pay unto me a tax for the blank media which thou acquirest, compensating me for heathen pirates.
    8. Thou shalst allow me to search thine computer at my fancy, to ensure that you are virgin from illicitude.
    9. Thou shalt not covet thy neighbor's MP3 collection, lest ye be tempted to download MP3s from him.
    10. Thou shalt not seek out alternatives to me, for I am the one true RIAA.

    --

    I pledge allegiance to the flag...
    of the Corporate States of America...
  39. What if we could build a new Internet? by NoMoreNicksLeft · · Score: 2

    One where the authorities are powerless to stop those things that they hate, and where they couldn't identify those using it?

    I've been thinking about something like this, ever since reading William's Otherland. In it, there is a virtual reality network only accessible to the hackers of the world, by invitation only. Completely non-technical, not to mention VR, but it started me thinking about how you could go about something like this.

    If you care to hear more about this, read my work in progress page about it...

    WARNING: I do tend to rant a bit, so it's not exactly prim and proper.

    1. Re:What if we could build a new Internet? by NoMoreNicksLeft · · Score: 2

      Yeh, I've been daydreaming about quantum transcievers.

      I even have an idea how you'd go about exchanging them in such a way, that you'd have no idea who was even connected to you! An anonymous exchange, picking your transciever out of a garbage can in Central Park, making sure you weren't watched...

      Heh, that could be fun.

      Still, there is enough technology now, that we don't have to wait for scifi.

  40. Yes, but do they need new laws? by TheConfusedOne · · Score: 2

    There were already plenty of tools for enforcing copyrights. Why do we suddenly need a whole new raft of laws because of the Internet?

    If the companies really want to go after major P2P nodes then they can do the legwork and file a civil lawsuit just like they did against the guy cranking out VHS tapes in his garage.

    --
    --- I wish I could hear the soundtrack to my life. That way I'd know when to duck.
  41. Re:From the NET act. by Courageous · · Score: 2

    It's even wierder, because if you explore the law in more detail, distribution is very clearly later specified in punishments. I'm not sure, but I believe this law says that receipt is a crime, but unpunishable. Strange.

    C//

  42. Red Book Standard by e_n_d_o · · Score: 2

    The ultimate goal is to retire the so-called "Red Book" CD standard that was developed in 1980 by Sony and Phillips, and which is embedded in nearly every recorded compact disc sold today.

    I own a 200 disc DVD/CD changer made by Sony. I have nothing but good things to say about this product, as it plays CD, CD-Rs, and DVDs quite well. It has one minor issue though: it won't play anything but Red Book compliant CDs. For example, I have to burn copies of all the CDs I buy that use the new "Enhanced CD" format in order to use them in this player. The replacement cost for this product is US$800. The exact player I own is still for sale in the US. Anyone want to venture a guess as to whether Sony will be liable if they deliberately make this product obsolete and fail to warn potential consumers?

    I have no incentive to replace this player if it is made obsolete by the RIAA. Whatever anti-piracy technology they create will be cracked and then I'd be forced to replace it again with the next anti-piracy-compliant music technology. No thanks.

  43. Re:The DOJ announced that they are... by Steve+B · · Score: 2
    It makes sense that 1)the individuals who acutally engage in the illegal publication of copyrighted files should be the ones -- the only ones -- punished, and that 2)the punishment should be commesurate with the crime (for a typical bootlegger who has provided a few dozen illegal copies to random downloaders, a fine of US$(a few hundred) would be about right).

    Both attempts to control technology in general and the draconian NET act penalties should be rejected in favor of this sort of rational and just approach.

    --
    /. If the government wants us to respect the law, it should set a better example.
  44. Before you get cocky and say... by toupsie · · Score: 2
    "You can take my P2P software if you pry it from my cold, dead fingers!!!"

    I would to remind everyone that it is the 10 year aniversary of Ruby Ridge. The U.S. Government can and will take your P2P software away if it wants and if you resist...you are dead!!!

    BLAM! Oops! That fancy MP3 player looked like a gun to me.
    --
    Strange women lying in ponds distributing swords is no basis for a system of government.
  45. The Shameful Washington Post Article by guttentag · · Score: 5, Insightful
    (I wrote this last night when I saw the article. I decided the Post article wasn't worth submitting to Slashdot, but since someone would inevitably, this was worth writing. Contextual disclaimer: I used to work for The Post.)

    I honestly have to wonder whether the music industry paid to put propaganda on the front page of The Washington Post, because David Segal has been around long enough to know better than to write a piece like "A New Tactic in the Download War" (8/21/02).

    Segal repeatedly points to falling sales of CDs and implies that piracy is the cause:

    "The record labels have been spurred to action by figures they find terrifying: The number of 'units shipped' -- CDs sent to record stores or directly to consumers -- fell by more than 6 percent last year, and it's widely expected to fall 6 to 10 percent more by the end of 2002. Those drops are already hitting the industry hard. Labels are laying off employees, ditching artists, slashing budgets for tours and videos, and combing their back catalogues for reissues that cost almost nothing to release."

    Yet he neglects to mention that every industry has been hit hard and is laying off people -- even the news media. If CD sales fell 6 percent last year, I'd say the music industry is doing extremely well, because the Dow Jones Industrial Average fell about 9 percent in that same period (including the post-9-11 recovery).

    Segal goes on to say sales are "widely expected to fall 6 to 10 percent more by the end of 2002." Guess what? The Dow has fallen over 10 percent since the beginning of the year, on top of last year's 9 percent loss, and the economy is widely expected to get worse. Could it be that people are spending less money on trivial things like CDs because they have less money in their pockets? Or because their retirement savings have been wiped out? We would all like to be patriotic and buy an album a day, but one must have priorities. At least until CDs become edible and wholesome.

    "There's evidence, though, that Americans are spending more time than ever listening to CDs," Segal continues.

    What is Segal's evidence?

    "Market surveys suggest that more blank CDs (CD-Rs) than recorded CDs are now sold in the United States."

    Perhaps Segal could explain how an increase in CD-R sales constitutes evidence "that Americans are spending more time than ever listening to CDs."

    CD-Rs are also facilitate fair-use activities. The 40-something who has just discovered CD-Rs decides to put his deteriorating record collection on CDs so he can listen to them for years to come. The 20-something creates a custom mix of his favorite songs from several CDs so he doesn't have to take his eyes off the road to change discs on his way to work.

    CD-Rs are also used to archive data. We live in an age where the data repositories we depend on, from the computers in our homes to the physical documents in the World Trade Center, are no longer safe. They can disappear in an instant when anything from a software glitch to a terrorist attack occurs. It stands to reason that people look to the CD format to archive their tax documents, emails, family photos, scans of their kids' artwork and anything else that's important to them.

    What mother couldn't turn up enough content to fill a spindle-full of CD-Rs a month? And as she realizes the potential for storing memories and documents, she begins to collect even more. She takes more digital photos and more video of her family. She starts scanning in old family photos and scanning the catalogues for a moderately-priced DVD-R burner because she needs more space.

    CD-Rs are also quickly replacing the floppy disk. Floppy disks wear out, they are susceptible to magnetic fields, they don't mail very well, they're slow, and they only hold 1.4 megabytes of data. A DSL user can download 1.4 megabytes of data from the Internet faster than he can read 1.4 megabytes of data from his own floppy drive. CD-Rs will not wear out in your lifetime (unless you microwave them), they are impervious to magnetic fields, AOL has proven that you can transport them in many creative, inexpensive ways, they offer fast data transfer rates and they hold at least 650 megabytes of data. There is also evidence of a growing market for CD-Rs to be used as frisbees, travel mirrors, cetrifuge shrapnel and kid-safe Chinese throwing stars.

    However, Segal's "evidence" proves nothing about American listening trends.

    Segal also mentions the music industry's support of a bill that would make it legal to "impair the operation of peer-to-peer" networks and follows it up with a quote from RIAA chairwoman Hilary Rosen in which she announces that the industry has a "history" of being "generous with consumers," and that it is simply looking to enforce its existing rights.

    Segal tries to present the appearance of a balanaced story by noting that the bill's "strategy has generated plenty of skepticism." This is true. However, the only skepticism he cites is the industry concern that "foolproof locks... don't exist in the digital realm."

    He neglects to mention the larger concern: that the wording of the supported bill would make it legal for the music industry to attack any network it "suspects" may contain pirated files. It allows big business to engage in unrestrained vigilante justice on the digital frontier with the kind of attacks that have brought down major Internet services like Yahoo and ETrade in the past. These attacks are currently federal crimes, for good reason. The bill would give the music industry the legal authority to shut down any service on the Internet indefinitely, without a court order or subsequent review. The Washington Post may want to bear this in mind the next time it publishes an unfavorable review of a music album.

    This shoddy journalism smacks of the kind of factually incorrect propaganda corporations distribute in their press releases.

    Segal's article fits well with the music industry's propaganda campaign. At a time when the bill is being considered in Congress, a front-page story in the only Washington paper that ends up in every Congressman and Senator's office highlighting the alleged need for legislation to save the industry and combat lawlessness is worth its weight in gold.

    I find it exceptionally difficult to believe that the music industry could "buy" this story. I also find it hard to believe that a seasoned reporter like Segal could be lazy enough to write this article and that a front-page story would not undergo the scrutiny necessary to uncover its deep holes and steep slant. The most plausible explanation I can find is that The Post is so genuinely concerned about the implications of the bill it wants to secure its place on the industry's alleged "generous" side.

    1. Re:The Shameful Washington Post Article by guttentag · · Score: 2
      Update:

      In case anyone in the Washington area missed the story, the author spent several minutes this morning discussing the highlights of his article -- omitting any semblance of fairness -- on a local cable television news channel ("News Channel 8"). Here's the RealVideo file.

      Segal: The world of pirated online music is still alive--
      Channel 8 Talking Head: Like huge!
      Segal: Yeah, huge.
      News Channel 8 runs several ABC (Disney, whose music holdings include Buena Vista Music Group, Hollywood Records, Lyric Street Records, Mammoth Records and Walt Disney Records) programs including ABC World News Tonight, Nightline, and 20/20, but is owned by a company called ALLNEWSCO.

      The Washington Post has an extensive content deal with NBC (General Electric) and Microsoft, but is owned primarily by the Graham family and Warren Buffet.

    2. Re:The Shameful Washington Post Article by Elwood+P+Dowd · · Score: 2

      Huh. You can't submit to an ombudsman anonymously? Would that be somehow unethical or ineffectual? I have no idea how newspapers operate in this regard.

      --

      There are no trails. There are no trees out here.
    3. Re:The Shameful Washington Post Article by commodoresloat · · Score: 2

      Well, it's gotta be more effective than posting it to /. Write it to the Times or something; it should be published somewhere. Excellent work.

    4. Re:The Shameful Washington Post Article by guttentag · · Score: 2
      You can't submit to an ombudsman anonymously?
      I could, but I personally don't believe it would do much good. The people who I worry the article was intended for are not going to read the Ombudsman's column.
      I have no idea how newspapers operate in this regard.
      An excerpt from "The Role of the Ombudsman" in The Washington Post Deskbook on Style:
      Most ombudsmen and "reader advocates," for example, publish columns explaining why and how certain decisions are made, expressing contrition for errors and, on occasion, taking the institution to task for clumsiness, incompetence or other frailties.
      ...
      Ombudsmen at The Post and elsewhere act, for the most part, in the public interest as best they perceive it. Their triumphs are modest, not revolutionary. For the reader, they often serve the function of the Army chaplain: I may not solve your problem but I'll listen to you talk about it and try to make you feel better.
      An ombudsman does not have any real power -- he can't even print corrections. He simply listens to the concerns of readers, brings those concerns that he is concerned about to the editorial staff, and prints a modest column on the subject from time to time.

      It would be better to recognize that your Congressman is the target audience of this article, and that you should write to him/her directly about your views to offset the effects of the article.

  46. This is just sad..... by OrthonormalBasisVect · · Score: 4, Insightful
    After purchasing some recent CDs and trying to use them legitately at work, but failing miserably due to the new copy protection being equal to 'you can't use the damn thing period' I was getting pretty miffed.

    Then I wanted to move some DVDs into a form I could actually watch on a plane (pda), cause my laptop screen is too big for cattle class and I find that even owning such a tool would make me a felon...

    And now I reflect on how the DoJ wants to make these bold statements, but when it comes to protecting me from

    1) having my software cracked and put up on a foreign site (along with a lot of other victims)

    2) having my 401K raped (actually I don't invest in tech, but I still got nailed due to overall market misery)

    they could care less about me or any other average citizen other than when some entrenched interest thinks we need to have something else taken away from us.

    I come to the sad conclusion that the government that governs me does not in any way shape or form represent me or my interests. It's getting worse every day, and the common consensus at this time from the system to the average slashdot reader is that we're criminals, and anything done to us is perfectly fine, but anything we do is inherently bad.

    Methinks the time for massive digital civil disobediance is upon us. Since we're all already guilty before the fact, since it's perfectly OK to assume we're bad and act accordingly with zero proof, who the hell wants to be hung for a sheep. Time to be a wolf, I say.

  47. Oligopolies by teasea · · Score: 2, Insightful

    Prosecuting file sharers will definitely cause many to stop sharing. Why risk these ridiculous penalties. So, we can have off-shore servers; these will be cut off if things continue as they have. Other tech solutions can be legislated to death as well.

    Most understand that it is the business model that is dying, not music (though some of the shit out there...). All businesses strive for a Monopoly. Most of the time they find it better to divide the territory among the survivors in an ologopoly. An ologopoly is much the same as a monopoly except to stay busy, the MBAs trade a few points of market share back and forth, and they wait patiently for the mistake that will crumble the other, so they can take credit and get a few million more options.

    Seems like the real conflict is 'how does one achieve economy of scale without granting so much power to the faceless company that the customer becomes an afterthought to the real money made through manipulating the Stock market?'

    Thoughts?

  48. P2P should be made into a political weapon by Grakkus · · Score: 2, Interesting

    It would be good if the File Sharing software had a feature that allowed users to lookup who their representatives were and let them know how they voted on legislation that affected the P2P technology. The software should provide a brief summary of the legislation and how it would hurt what I'm currently doing.

    If politicians get the idea that millions of people who use such software will know if their representatives are screwing them, it could be deterrent.

    Maybe some sort of e-mail feature can be built in that allows you with the press of a button to send a message to your representative that you intend to vote against them in the next election if they vote to approve some legislation.

    People will most likely not act on their threat, but politicians won't necessarily know that.

  49. freenet by Anonymous Coward · · Score: 2, Insightful

    >The DOJ announced that they are planning to prosecute filesharers under the The No Electronic Theft ("NET") Act.

    All the more reason for people to help the Freenet project by writing code for it. Freenet is designed to protect the identity of the people who make files available, the people who download them, and even the location of the servers the files are stored on.

  50. Unintended Humor by phriedom · · Score: 2

    From the bit on the anti-piracy warning:"These are people's livelihoods at stake. It's not just a bunch of fat-cat Hollywood people," Well it is fat-cats, but it isn't JUST fat-cats.

    On a different note, I'm kinda sad the RIAA dropped it's suit against the ISPs. I was looking forward to finding out if AT&T would fight the RIAA if they thought they had to protect their common carrier status, and if the RIAA had bitten off more than it could chew. It could have been interesting. Then again, its more likely that AT&T would have just settled quietly, and that would have been sad.

    --
    Don't moderate flamebait as Troll. Know the difference or you will be Meta-moderated.
  51. On the matter of AOTC downloading by necrognome · · Score: 5, Interesting

    Yeah, I was one of the "thieves" that downloaded Attack of the Clones the day after its release, denying the movie industry of its precious profits.

    Oops! I forgot to mention that I waited in line 3 hours to see it on opening midnight, and that I saw it 3 more times, including once on a digital screen. That's $40 for tickets (NYC prices). Yeah, MPAA, that download was one hell of a "lost sale."

    --


    Let's get drunk and delete production data!
  52. Any Profressional Musicians Out There? by reallocate · · Score: 2

    Given all the over-the-top histrionics about the RIAA, I'm a little surprised about not hearing much from people who actually make a living selling entertainment? Is the RIAA right? Is file sharing costing you money? Perhaps you make most of your money from concerts and clubs, and see file sharing as just one more way to get new fans? Or, maybe you make your money from CD sales, and see it as a real threat?

    --
    -- Slashdot: When Public Access TV Says "No"
  53. True, but by hey! · · Score: 3, Informative

    copyright laws don't fall into the category of laws you are describing (laws which were created to protect individuals from the majority mob).

    Copyright laws were put in place purely and simply for the good of the public.

    Lord Macaulay, in his famous 1841 speech before the house of commons, succinctly summarized the reasoning behind copyright laws in the English speaking world:

    The advantages arising from a system of copyright are obvious. It is desirable that we should have a supply of good books; we cannot have such a supply unless men of letters are liberally remunerated; and the least objectionable way of remunerating them is by means of copyright.

    The preamble of Article 1, Section 8 of the US constitution also states the purpose of the copyright and patent powers (if not their scope):

    To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;

    Copyright does not protect authors, it creates a bargain between the public and authors whereby the public refrains for a period from unlicensed copying his works in return for his producing those works. The idea of natural rights to intellectual property have been around for some time, but they are not the basis of copyright, nor have they ever carried much weight until now.

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    1. Re:True, but by hey! · · Score: 2

      Actually, what is remarkable is how little the issues have changed. It's a bit of tough going, but if you read Lord Macaulay's speech on copyright extension (which I posted a few months ago over on K5), you'll find that the lines of argument have hardly budged in a hundred and sixty years).

      What seems novel to us is that recordings of performance can be cheaply and perfectly copied. However, when applied to books, this has really been true since the invention of the printing press. Then, as now, commercial interests asserted the rather dubious proposition that highly restrictive copyright laws were in the interests of creative people. Then, as now, the truth was that copyright law needed to strike a balance between the need to compensate authors and freedom of expression.

      What is new is that we now have larger classes of people with the leisure to enjoy art and culture. Because of this there is a new entertainment industry with unprecedented power and influence. The stakes, for the industry and the public, are higher than they have ever been.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  54. Support legitimate uses of P2P networks by bluestar · · Score: 2

    Red Hat's next distribution will probably be available in a month or two. So this is as good a time as any to ask everyone to make the ISOs available on as many file sharing networks as possible.

    I had put up 7.3 on Gnutella with limitied success. A few people downloaded some chunks.

    If RH 8.0 (or whatever) gets spread around, not only will we have saved the mirrors from several days of hell, but also demonstrated very clearly a legitimate use for these networks.

    Thank you for your support.

    --
    "The cost of freedom is eternal vigilance." -Thomas Jefferson
    1. Re:Support legitimate uses of P2P networks by acceleriter · · Score: 2

      I think that eDonkey might be a better network for this kind of sharing--that way, once people start downloading the ISO, they're also sharing pieces of it, so you don't end up being the only person pushing 3 GB of images to someone.

      --

      CEE5210S The signal SIGHUP was received.

  55. The Scariest Precedent by carrier+lost · · Score: 3, Interesting

    What happens when someone finally builds a machine that allows you to duplicate simple objects?

    We will we not allow a device this fantastic to exist?

    That would suck.

    MjM

    I never mod down...

    1. Re:The Scariest Precedent by NoMoreNicksLeft · · Score: 2

      The year that that happens, half the US population will starve to death.

      Credit to MrHat, though I'm sure I screwed up the quote.

  56. Spoofing And Trust Networks For File Sharing by meehawl · · Score: 2

    So I read that the music companies are now pumping out faulty versions of popular file sharing tracks to consume people's bandwidth. This kind of simple technological sabotage has a limited shelf life and an air of desperation about it. The street finds its own solutions, as the cyberpunks are wont to say, and within a short space of time I expect to see a new generation of file sharing applications emerge that have the notion of weighted trust built into them. Something like EBay's trust system combined with a "PageRank"-like weighting, but anonymous, and based on community "votes" for the legitimacy (or not) of checksum-verified, datestamped tracks. Perhaps using public keys created exclusively for that purpose. All the required technology bits and pieces are already out there so it's just a matter of time.

    --

    Da Blog
  57. Random wacky thought #2 by lightspawn · · Score: 5, Interesting

    I wish there was some kind of P2P network to only offer legal content, so that I'd be able to stay away from the crud promoted by the RIAA and its partners. Imagine being able to download gigabytes of completely legal music, which is already available out there but not so easy to find - or tell apart from the mainstream music. If you have a thousand hours of music, are you still really compelled to buy Britney's latest?

    1. Re:Random wacky thought #2 by captaineo · · Score: 2

      mp3.com is pretty good. It's not P2P but I find it easier to search and download than the P2P clients I have seen. It's all legit too.

      I have 3.2GB of MP3s, about half from legit online sources, half ripped from CDs. 100% of them are legit...

  58. Correction by Reality+Master+101 · · Score: 2

    If there is ONE person that has downloaded a song without paying for it, the industry has been damaged by EXACTLY that one song. QED.

    I phrased this wrong. I should have said:

    If there is ONE person that has downloaded a song without paying for it that would have bought it if they hadn't been able to download it, the industry has been damaged by EXACTLY that one song. QED.

    --
    Sometimes it's best to just let stupid people be stupid.
    1. Re:Correction by MushMouth · · Score: 2

      You were right the first time.

  59. Cost shifting to tax payers by Tungbo · · Score: 2, Insightful

    While you make some good points, there is one significant change that we've not evaluated in depth yet.

    By the DOJ trying to apply the NET law, the cost of protecting the copyrights is being shifted from the copyright holders to the Federal government, i.e. to the taxpayers. In contrast, a trademark infringement case requires the trademark holder to file suit and press for action. There is a significant difference between a civil violation and a criminal offense.

    Apparently, this is justified by the 'vital' role IP play in the US economy. An interesting question to consider is: WHY is the copyright holders is such a privileged positions vis-a-vis the other IP holders? Does the FBI help Coca Cola protect its brand? Does the DOJ investigate patent infrinements??

  60. Re:Sad thing is... by Tackhead · · Score: 2
    > What's the ratio now, one good movie for every 37 cinema stinkers like "Crossroads," "Pluto Nash" or "Master of Disguise"?

    So that's the MPAA's secret strategy!

    Drive DeCSS off the 'net by making so many bad movies that nobody will ever want to use it.

    I mean, sure, downloading and burning a 650M DiVX of "Battlefield Earth" beats subsidizing the Cult of $cientology by watching the movie on DVD. But simply smashing a blank CD-ROM with a hammer and giving your an enema with the shards beats both options, and the enema doesn't waste 650M of bandwidth.

  61. Having a bad year? Not in the EU! by philkerr · · Score: 2
    As the old saying goes 'It's the economy, stupid!'.

    According to this BBC News article "The average (increase in box office recipts) across 21 European countries was 76%".

    Are they saying that sharing copyrighted files in the US is *THAT* bad?

    Or are they just FUD dumping

  62. whoa, the DMCA sucks more than I thought. by phriedom · · Score: 2

    The significance didn't sink in the first time I read it. : "permits a copyright owner to send a subpoena ordering a 'service provider' to turn over information about a subscriber. It is not necessary to file a lawsuit to take advantage of the DMCA's expedited subpoena process. "

    I wonder what the requirements are to use this expedited subpoena. I suppose it is written so that only large corporations may take advantage of it. But if it isn't, imagine being able to go to an ISP and say "I think this guy at your IP address is breaking my copyright and I need to know who he is." the next time some llama stabs you in the back or rips you off in Everquest or whatever. Boy, that is a law that sure is written to be abused.

    --
    Don't moderate flamebait as Troll. Know the difference or you will be Meta-moderated.
    1. Re:whoa, the DMCA sucks more than I thought. by phriedom · · Score: 2

      On second thought, it sounds like Verizon won't turn over the info unless the material is hosted on a Verizon server, which probably means that the issuer of the subpoena has to point out specific files and sign an affidavit (sp?) that asserts that they hold the copyrights. I still think its a really, really bad law though. But I let my imagination wander a little to far there, sorry.

      --
      Don't moderate flamebait as Troll. Know the difference or you will be Meta-moderated.
  63. Re:cost-cutting in economic slowdown? inconceivabl by antirename · · Score: 2

    You hit the nail on the head. "No, we can't be expected to minimize costs to improve profits! You should pay us more!" Telling statement on their part.

  64. Checksumming to thwart spoofed files? by Jon+Abbott · · Score: 2

    Perhaps the checksums of files could become an integral part of gnutella, so that spoofed files show up as "different" even though the filesize is the same. But, I guess then clients would be hacked to provide spoofed checksums, so then the clients would need to be checksummed... :^)

  65. Re:Irritating (rant rant) by Reality+Master+101 · · Score: 2

    let's punish the music industry for stealing the artist's money...

    Absolutely nothing is stolen from the artist. Nobody puts a gun to their head to sign a contract. Nothing stops them from starting their own record company.

    let's punish the theaters for stealing our money claiming we are paying to see the movie. if that were true, why would they make us watch all those ads before the movie?

    Because the ads subsidize the ticket price. Or maybe you can tell me exactly where you were promised that you would see no ads? If there were no ads, there would be higher ticket prices.

    let's punish those who become rich off other people's work. they don't earn the money, they indirectly steal it out of the working man's pocket.

    Guess what? Contrary to popular belief, it's the organizers of society who are the most valuable in society, not the "workers". If you didn't have the people who organized record companies, artists would sit around all day playing their guitar and bedding chicks at night, and you would never hear them. You think the average artist has the skill to put together a mass distribution mechanism? Ha! fat chance based on the artists I know.

    or... let's just sit here, throw our lives away in low paying jobs, and feed the fat.

    People are paid EXACTLY what they are monetarily worth. And that's based on supply and demand. Always has, always will. If you want more money, then be more in demand, or in shorter supply. Or not. It's up to you, but don't whine because some people are more monetarily valuable than you.

    --
    Sometimes it's best to just let stupid people be stupid.
  66. Moby's "We are all made of Stare" by Jeremy+Erwin · · Score: 2

    Travis Daub notes of his download of Moby's "We are all made of Stars" "It was just 20 seconds of the song, repeated over and over," (from the Wash Post article)

    Actually, that's the whole song.

    "
    people they come together
    people they fall apart
    no one can stop us now
    'cause we are all made of stars
    "

    Repeat as desired...

  67. ACs are idiots by moncyb · · Score: 2

    What? I cannot distribute works I own? As in owning the actual copyright like the guy said? That is crap-- you do not know what you are talking about. The entire purpose of copyright law is to entitle the copyright owner to control the distribution of his/her works. A person that owns the copyright to a work is free to distribute that work or tell others they are allowed to distribute the work.

    If I create a song or movie, it is perfectly legal for me to distribute it on a p2p network--just like it is legal for me to distribute it via the web, a CD, a CD-ROM disk, a DVD disk, or even written on my underpants. Next you'll be saying I can't write something down and "distribute" the note to a friend because that note is automaticly copyrighted under the Berne Convention.

  68. The problem is by Sycraft-fu · · Score: 2

    That CD prices aren't determined by the normal laws of a free market. If you take something like, say, computers where more or less one is an acceptable substitute for another than yes, the price will find it's ideal point. The problem is that CDs do not compete with eachother since each offers a unique experience (well ok, that's debatable with pop music). At any rate it is possable, and I would even say likely that the rcodrd companies are NOT charging the ideal amount of money. I believe that if they dropped the price, they would start selling enough more as to make more money (remember the whole elasticity of demand curves from econ 101).

    1. Re:The problem is by Daniel · · Score: 2

      The problem is that CDs do not compete with each other since each offers a unique experience

      This isn't entirely true -- there are entire classes of music which have been recorded by many different artists and are sold by many different companies. Some of these have even been slightly or significantly modified from their original form for the recording.

      I am thinking primarily of classical music, although any music which has passed into the public domain will probably serve this purpose. I am not a music collector, but I have been told by people who are that you can in fact shop around for deals -- for instance, a recording of a Beethoven symphony by the New York Philharmonic tends to cost more than a recording of the same symphony by a respectable but lesser-known European orchestra.

      Of course, I suppose I may be a "thief" since I haven't yet paid the Brahms estate for the CD I bought recently. Thank goodness that that part of the RIAA's dream world hasn't been enacted yet..

      Daniel

      --
      Hurry up and jump on the individualist bandwagon!
  69. Re:Communist Manifesto not scary by User+956 · · Score: 2

    Yes it is.

    Which part? I think you might be reading the Bible by mistake.

    --
    The theory of relativity doesn't work right in Arkansas.
  70. Only way to solve it is for it to get worse by Perianwyr+Stormcrow · · Score: 2

    No one will care until this whole mess is left, wheezing, flayed and bleeding, on everyone's front steps. No mother will care until her son is dragged to jail for downloading a CD.

    If these folks want to get hard and dirty, we'll see if they survive the Gotterdammerung they kick up. Let's have them get all jokey-pseudo-government on us, and see how far it gets them.

    In the meanwhile, please carry on as you always have. That, at base, is its own justification.

    --

    What we call folk wisdom is often no more than a kind of expedient stupidity.-Edward Abbey

  71. Re:RIAA/MPAA and Communism by Tackhead · · Score: 2
    > actually, music sharing is more like communism than cracking down on it is... I'd call the RIAA "filthy capitalists" rather than commies.

    I'll take issue with that.

    A capitalist takes money, and uses that money to produce something consumers want. Consumers buy the product, giving the capitalist a return on his investment.

    Contrast this with what's going on with RIAA vs. the consumer.

    The consumer has said, time and time again, that he/she wants MP3s without copy protection created from sources without copy protection.

    But RIAA does not want to sell what the consumer wants. They're only willing to use their capital to produce and (attempt to) sell things consumers don't want (DRM-crippled streaming services). Seeing this fail, they then use their capital to buy laws that will put anyone else in jail for the crime of providing what consumers want.

    Now, I've got lots of words I can use to describe that sort of behavior. "Filthy" is on that list of words, but "Capitalist" sure as hell isn't.

  72. Enough with the relativistic morality by gmhowell · · Score: 2

    How convenient it is to look on the past and shame people for the way things were. Slavery wasn't anything new, nor was misogyny, nor was segregation. There's still a caste system in many parts of the world.

    None of these things were changed until a majority decided that they were wrong. It took a majority to decide to grant women the vote. It took a majority to pass the Civil Rights Acts of the 1960's.

    Individuals are not to be 'protected' by copyright laws; they are to be rewarded for contributing to the public good. What individual is protected by having the image of a cartoon mouse still under copyright? Only if you believe in the legal fallacy of the 'corporation as a person' can you infer this.

    Given that your username begins with 'Marx' (which I assume is reference to Karl Marx, but if not, skip this sentence) I find that possibility... amusing.

    Yes, I'm sure that some human being somewhere has been protected by copyright. But how is it not tyrannical to remove the rights of millions for that one, heretofore nonexistant, individual?

    With the exceptions of Dr. Dre (who is more a representative of the recording industry than an artist. Has he done an album since "The Chronic"?) and Metallica (who have unusual contracts, in that they own much of their own work), most artists seem to favor at least sampling of their works.

    --
    Jesus was all right but his disciples were thick and ordinary. -John Lennon
  73. WRITE A VIRUS! ARRG! ITS SO SIMPLE!!!!!! by Eric_Cartman_South_P · · Score: 2
    LISTEM! SORRY FOR SCREAMING VIA CAPS!

    What is something horrible happened, if someone *gasp* wrote a virus to infect a computer... a virus that shared all .mp3 files on a port on the P2P network.

    RIAA: We want to bust you for sharing your Meatloaf(TM) "Bat Out Of Hell(TM)" song.

    YOU: I was infected with the Windows.P2P.FluffyBunny.Share virus, not my fault.

    It is NOT A LAW that you MUST HAVE ANTIVIRUS RUNNING! With this virus running around, you are now a VICTIM. Any thoughts? Proggies, talk to me!

  74. Re:Neither will consumers by symbolic · · Score: 2


    This issue could have been put to rest a long time ago, but lately, I've been thinking that somehow, both sides enjoy this sordid, mutually dysfunctional association. On one hand, you have the RIAA, which repeatedly cries fowl in response to consumers who steal their content. They seek increasingly repressive laws that govern how, how often, and at what cost, we can listen to or watch our chosen entertainment. On the other hand, we have the consumers who repeatedly justify their acts of theft, citing unreasonable practices by the RIAA with respect to quality, price, and control. Yet, the consumers continue to unload huge piles of money into the pockets of the very corporations they criticize.

    When are consumers going to realize that the only real control they can exercise over the RIAA will come through heir ability to shove their wallet back into their pocket the next time they're thinking about forking over their hard-earned money to buy a CD, DVD, or video? Stealing does nothing to solve the problem - it only makes things worse. As long people continue to engage in copyright infringement (theft of content), the RIAA can justify its actions (whether these actions are reasonable is another question altogether). Consumers can speak much more loudly and much more clearly if they ditch this crack habit, tell the RIAA to keep their content, and either save their money, or spend it on something with a greater ROI.

  75. Robin Hood NOT by commodoresloat · · Score: 2
    Get off your high horse. Nobody's saying it's OK to steal from the rich. This is not about "right" and "wrong." The MPAA's argument that theft is occurring is based on the assumption that they are losing profits to pirates. The evidence, cleverly linked in the story, demonstrates otherwise. "Theft," as someone else pointed out in this discussion, is wrong because it deprives the owner of something of value. The MPAA's argument depends on the assumption that each "pirated" movie deprives them of something of value.

    Perhaps what thay have been deprived of is the right to absolute control over the way the products of their imagination may be consumed. While I think reasonable copyright laws should protect an artist's right to some control over distribution, that isn't what current laws do at all, and these people (whose actual connection to the work is little more than a contractual fiction), are pushing for even more abusive laws. The right they claim to be deprived of is not their right at all, at least not in a society with reasonable interpretations of intellectual property, which perhaps ours is not.

    <RANT TYPE="wild offtopic pseudo-psychoanalytical speculation">

    Frankly, I believe the only reason they think this is their right is that they have egos the size of Jupiter. Few of these people are artists themselves; they are lawyers and businessmen. Some of them love art but perhaps feel they are poor artists themselves; they make up for this inadequacy by "owning" a huge catalog of work created by someone else. They are the arbiters of value in the consciousness industries; they decide which artists make it and which ones don't. They promote some of the weakest talents and shun the most independent-minded because they need to surround themselves with people they control. Frankly, I don't give a shit if the empire these people run dies the horrible bloody death they warn us it will if people copy movies/music/software. (Unfortunately, these warnings are gross hyperbole at best). Sure, there might not be people around with the money and willingness to fund multimillion dollar blockbusters, but there will still be plenty of talented people making very creative and original works that entertain and enlighten us into eternity, and making more than decent livings doing so.
    </RANT>

    On another note, the **AA can't have it both ways in their interpretation of what "theft" is. Either I am buying the DVD or I am buying the "right to watch it." If I am not buying a DVD but only buying the right to watch it (in a certain techno/social context - but let's leave that discussion aside for the moment), then when a thief steals the DVD I should get it replaced free, right? The usual argument in response is that the copyright owner should not bear the cost of theft against me. But the thief only stole the actual DVD, not the right to watch it! As far as the law is concerned, at least as they interpret it, the thief's viewing the actual DVD is still illegal, and mine viewing a "pirated" copy is entirely legal, since I have purchased from the media company the right to watch that movie.

  76. instead of piracy or buying over-priced schlock- by silance · · Score: 2, Interesting

    ...I took to playing the drums. Don't like commercial software?...write your own code. Don't like commercialized schlock albums?...make your own music.

  77. Either that by Pac · · Score: 2

    Or do all of the above from elsewhere in the world until the Americans sort their mess up.

    I believe Joe and Mary GeneralPublic will be very angry when straight-A Johnny GeneralPublic II gets ten years in jail for sharing those N'Sync songs. Joe and Mary might even consider start voting, and in anti-RIAA candidates.

    1. Re:Either that by orthogonal · · Score: 2

      I believe Joe and Mary GeneralPublic will be very angry when straight-A Johnny GeneralPublic II gets ten years in jail for sharing those N'Sync songs.

      Yeah, you'd think so. But it hasn't happened yet with the insanely draconian drug laws that give even life sentences to people who did little more than not turn their friends in.

      Part of the reason is FUD. Part of the reason is that prison guard unions lobby for longer sentences, and like the RIAA/MPAA, they care enough to employ lobbyists year-round to do so.

      Democracy's a great system, but it doesn't really work al that well. It's just better than any thing else that's been proposed.

  78. Right Battle, Wrong Battlefield, You Will Lose by reallocate · · Score: 2
    People do have a right to put their efforts on the market and ask people to pay for them. People do not have a right to take something owned by someone else and sell it or give it away, no matter how easy that is.

    Money, as a means of exchange, has stayed around for a very long time. Do you really expect the entertainment industry would continue if they couldn't make any money? If you think successful artists don't like all that money coming in, dream on....

    All this self-serving noise about the so-called "right" to steal copywritten material is only going to prompt more legal restrictions on the Internet.

    • Servers in ISP's will be regularly inspected to ensure they don't have any files containing data identifying it as copywritten.
    • Source code -- and every subsequent revision -- will have to be reviewed, tested and approved prior to deployment in any net environment. (Ponder what that will mean for open source.)
    • A few media companies will acquire most existing ISP's, perceiving the net as primarily a distribution medium for their product.

    So, thanks a lot, guys, for messing it up for everyone just because your selfish.

    --
    -- Slashdot: When Public Access TV Says "No"
  79. Free Market - Black Market by _Sprocket_ · · Score: 2


    The correct price for an entertainment product is whatever the customer is willing to pay.


    And it could be argued that this is what is driving the thorn in the media industry's side - the Black Market. Inflated prices, questionable quality, hobbled products, and antiquated marketing and distribution methods are just some of the issues that have created a rich environment for copyright violation and even actual commercial trade in counterfeit / pirated products.

    The RIAA and MPAA may not like the market conditions before them... but additional legal action will not make it go away. Over the last decade (or two), the environment has changed. If they are truely suffering - and let's not forget that is highly suspect - it is their own failure to the market.

    Of course... this completely ignores other issues. Perhapse the real issue is not the market but control. But that's an entirely different topic.
  80. Re:Troll by MoneyT · · Score: 2

    Want to talk about market demands, ok let's do it. Currently the demand for music in a consumable form is very very very very very high. Now, let's draw some graphs so you can see what I'm talking about. Take out a piece of paper and draw a set of axis. Lable the x axis quantity and lable the y axis price. Now law of supply and demand tells us that consumer demand is downsloaping, so draw a downsloping line in the graph. Supply is upsloping. So you should have a grph that looks like an X. Now, somewhere above where the 2 graphs cross, draw a horizontal line. This represents the $16 price floor that there appears to be for CDs. Now, where that horizontal line crosses the two graphs. Note the quantity (x axis) that are being supplied and the quantity being demanded. Notice how there is less demand at that price? Do you see why the RIAA is loosing money? Now, look at the graph where the price == 0 (right on the X axis) notice all the demand, but notice that obviously the RIAA can't produce at that point. Now, see where supply and demand cross. We call that the equilibrium price. If the RIAA wants to dampen and nullify the effects of piracy (note I did not say eliminate that is IMPOSSIBLE) then all they have to do is let the price fall untill they are making normal profits (economic term meaning making ends meet) with out loosing money. That would be the equilibrium price. The reason they won't do this is because at equilibrium, they don't make economic profit, or "money with which to line one's pockets". That's market demand for you, it works for consumers and businesses, not just consumers.

    --
    T Money
    World Domination with a plastic spoon since 1984
  81. Bits by t_allardyce · · Score: 2, Insightful

    NET only includes electronic 'theft'. Is this because they wanted to use the word 'electronic', so they could make the cool name 'NET'? What about fibre-optics - if i transferr data through a fibre optic cable then thats isolating the 2 electronic circuits...

    Why is copying bits considered theft?

    --
    This comment does not represent the views or opinions of the user.
  82. Two crimes in one by DavesError · · Score: 2, Funny

    From the title of the ZDNet article. "RIAA asks court to expose pirate"

    So what, theft AND indecent exposure?

  83. Net is a "moral-free" zone! Film at 10. by 0xdeadbeef · · Score: 3, Insightful

    I'm suprised they didn't link to this article:

    http://news.com.com/2100-1023-954651.html

    "The vast potential of broadband has so far benefited nobody as clearly as it's benefited downloaders of pornography and pirates of digital content"

    Chernin, the president of the owner of the Fox corporation, decries the Net's lack of morals. Isn't that delicious?

    "The truth is that anyone unwilling to condemn outright theft by digital means is either amoral or wholly self-serving."

    Irony meter going off the scale!

    Make no mistake about it, this is a culture war with trillions of dollars at stake. It is becoming more and more clear that Hollywood isn't just being greedy, they actively hate and fear the Internet. They would destroy everything we have built rather than adapt to reality.

  84. Re:cost-cutting in economic slowdown? inconceivabl by puppet10 · · Score: 2

    expect similarly vast amounts of money. If Scott McNealy left Sun, most of Sun's major customers would probably still trust the hardware, software and services

    Then maybe the Sun stockholders should fire him or reduce his pay from the 3-5 million dollars hes getting per year.

    --
    -------- This space intentionally left blank --------
  85. The bit I like.... by gilroy · · Score: 2
    Blockquoth the text of the NET act:

    (b) Forfeiture and Destruction.--When any person is convicted of any violation of subsection (a), the court in its judgment of conviction shall, in addition to the penalty therein prescribed, order the forfeiture and destruction or other disposition of all infringing copies or phonorecords and all implements, devices, or equipment used in the manufacture of such infringing copies or phonorecords.

    So.... Junior posts to KaZaa, and Daddy's home computer is seized and torched? Oh, that's nice.
  86. Re:Neither will consumers by reallocate · · Score: 2

    One of the few sensible posts about this issue in a long time (and that includes mine).

    --
    -- Slashdot: When Public Access TV Says "No"
  87. You are Denying Artists the Right to Earn a Living by reallocate · · Score: 2

    You are denying artists the right to earn a living. There's no precedent that all creative people are willing to work for free. While we're at it, who's going to pay for all the infrastrucuture that's distributing all this free, utopian, art? Who's going to pay the actors? The stage crew? Who's going to build the theaters? Who's going to pay for the paper used to print books? Who's going make musical instruments?

    The open source analogy doesn't wash, either. The open source movement wouldn't exist without a commercial OS called Unix. Torvalds wrote one kernel for one OS, and he followed the path set by Unix. The BSD's are derived from Unix code that someone was paid to write. The Gnu folks have contributed most of the other core pieces, a gret part of it written before Linux appeared on the scene. That doesn't bode well ss a model for a wide and varied range of artistic efforts. There's been very little innovative software coming out of open source. Yes, the concept is innovative, but most of the software is derivative. And, none of that was possible without an Internet that someone else pays for.

    While I think you have a naive and unsophisticated notion of what it means to be a professional creative person (it means earning a living selling your art), eventually the law will change to accommodate itself to new technology. In the meantime, the law is the law, and possessing technology that enables you to do something doesn't always make it legal.

    --
    -- Slashdot: When Public Access TV Says "No"
  88. Re:me too! by BgJonson79 · · Score: 2

    Of course it's lost revenue, because all the times you saw it on your computer were times you didn't see it in the theater!

    --

    There are four boxes used in defense of liberty: soap, ballot, jury, ammo. Use in that order.

  89. All Property Should be Physical by Louis+Savain · · Score: 2

    Not all property is physical

    It should be, otherwise it is unnatural and is at odds with personal liberty. What if some alien from Andromeda suddenly shows up and arrests everybody on earth for infringing on their intellectual property? We'd be royally pissed and we'd kick its freaking arse back to its home planet!

    Let's face it, if you cannot put a fence around it or put chains on it, it does not belong to you. Makes no difference whether it is ideas, writings, software, movies, music or what have you. Once you've released it, like the air, it belongs to nobody and everybody.

    The point is this: If the entertainment industry (and book authors, screenwriters, artists, inventors, etc...) don't want to see their work copied by others, they should not release it to the public in a form that can be copied. They should release their work only in closed theaters, concert halls, and other private venues. Inventors should keep their ideas secret or be the first to exploit it.

    Don't trample on our personal freedom with your fascist, selfish and anti-social intellectual property laws. After all we benefit freely from the ideas and inventions of others. Let's put some back for a change.

  90. How is this possible? by yerricde · · Score: 2

    Don't distribute works you don't own the copyright for.

    How is it possible to write a song without infringing on an existing copyright? There exist fewer than 50,000 possible melodies in the Western musical scale. So how do I check that the song I just wrote isn't "substantially similar" to some song that was played on the radio 10 years ago?

    --
    Will I retire or break 10K?
  91. How is songwriting possible? by yerricde · · Score: 2

    If I create a song or movie, it is perfectly legal for me to distribute it on a p2p network

    Not necessarily. If a song you wrote is "substantially similar" to an existing song, the copyright owner of the existing song may have grounds for legal action. How does a fellow make sure that the melodies in your song aren't the same as any other song released in the last 95 years?

    --
    Will I retire or break 10K?
    1. Re:How is songwriting possible? by moncyb · · Score: 2

      Yeah, and the EPA can put you in jail because you emit too much carbon dioxide. Countless companies can sue you because just by sending that message to slashdot, you infringed upon hundreds of patents--many of them invalid.

      Just because some stupid judge in the 1920s decided for some frivolous lawsuit, it doesn't mean they will today. Yes, there are some stupid judges out there, but not all of them are that way. Not to mention, if certain companies start suing lots of people for obviously invalid reasons, then they risk legal difficulties of their own.

      If you are so worried about this issue, then why don't you start your own organization. You can call it "Falsely Usurped Copyright Musician Endowment." ;-)

      I also noticed you conveniently cut off my sentance at p2p. The other methods of delivery I mentioned would still have the same risk. If you think the entertainment cartel will use this as an excuse to DoS someone, the point is moot--they don't need this. The cartel can just say they thought the target might have a copy of Nsync's latest song on the computer's hard drive.

      If you think people are going to be prosecuted with the "NET" Act due to four notes, I don't think so. The FBI will probably tell them to f'off and come back when they have a real case. Should the public get wind of such crap, there will be an outcry and that company will get reamed.

  92. The copyright on Happy Birthday by yerricde · · Score: 2

    The copyright on the song "Happy Birthday" is owned by Warner-Chappell, the music publishing division of AOL Time Warner. Because the song was first published on or after January 1, 1923, it falls under perpetual copyright on the installment plan (19-year extension in 1978, 20-year extension in 1998, who knows what in 2018).

    [ Read More ]

    --
    Will I retire or break 10K?
  93. How can such "legal content" exist? by yerricde · · Score: 2

    I wish there was some kind of P2P network to only offer legal content

    Performers not supported by RIAA labels do not have access to RIAA A&R and thus do not have access to songwriters. They must write their own songs. But problem: Just about all possible melodies are taken. So how again can such "legal content" exist?

    --
    Will I retire or break 10K?
  94. Re:Hrm...The Cost of a CD by Tony-A · · Score: 2

    Then come marketing and promotion costs -- perhaps the most expensive part of the music business today. They include increasingly expensive video clips, public relations, tour support, marketing campaigns, and promotion to get the songs played on the radio. For example, when you hear a song played on the radio -- that didn't just happen! Labels make investments in artists by paying for both the production and the promotion of the album, and promotion is very expensive. New technology such as the Internet offers new ways for artists to reach music fans, but it still requires that some entity, whether it is a traditional label or another kind of company, market and promote that artist so that fans are aware of new releases.

    Hmmmm. Two ways for the public to hear the music for free. P2P sharing or this very expensive promotion to get the songs played on the radio. Seems like maybe RIAA is complaining about being squeezed out of a very lucrative racket.

  95. Re:Washington Post last link?? by orthogonal · · Score: 2

    The Jews never create anything. They are the parasites who wedge themselves between the producer and the consumer.

    Yes, you're right!

    Thank God der Furher understood what a sham that "Jewish Science" is, and got rid of all the Jew scientists and their Communist friends!

    I mean, what good would Einstein or Fermi have done for Germany? It's not like they could have built an atomic bomb or anything.

    Oh. Whoops.

  96. Re:Washington Post last link?? by orthogonal · · Score: 2

    There is a difference between the NYTimes and Washingtonpost registrations:

    The Post uses third-party cookies, potentially sharing your personal information and newspaper reading habits, with data from other sites.

    This is, in my opion, a greater threat to privacy, especially as inferences about one's politics can be made from what news stories one is interested in.

  97. Re:Washington Post by orthogonal · · Score: 2

    I suspect it's pretty simple: Slashdot editors, commendably, don't want to post a lot of links to articles that can't be accessed by whomever is reading the Slashdot story.

    Registration sites can only be acessed by those registered, and then only by those willing/able to store cookies or whatever otehr authentication mechanism the registration-only site requires.

    I'm generally not going to be willing to register at some site to read a single article. Certainly not if it's not free, but realize that the time required to register, and the parting with personal information, are also real costs.

    The New York Times is something of an exception, because a) it's a "newspaper of record" b) it has a large and good science section, compared to other newspapers, and c) registration is free and not too onerous. So Slashdot editors expect that some larger proportion of Slashdot readers may already have NYTimes registrations.

    The Washington Post's registration policy is more onerous, as it uses third-party cookies, increasing the chance of privacy being undermined, and making it simply harder to access for those of us who manage cookies. (In fact, I've not been able to register with washingtonpost.com, even with cookies down; presumably it tries to do fancy javascript, which I also block.)

    Simple analogy: it would also be just impolite to link to articles that required a browser extensiion -- like Flash -- to view, as many Slashdot readers would have to decide beteen foregoing the article or installing some plugin about which they might have performance or privacy concerns.

  98. Duh.. by plaa · · Score: 2

    ...and public radio is reporting that the RIAA will drop their suit against listen4ever.com, since it's, uh, gone.

    Well, of course it's gone. It appeared on Slashdot's front page, didn't it?

    --

    I doubt, therefore I may be.
  99. MP3s are promo tools,NOT products by alizard · · Score: 2
    FM radio and MP3 in the most commonly distributed format, 128K MP3s are of comparable quality to FM airplay.

    The RIAA doesn't get excited if you tape off the radio. The reason is that if you like the song, you'll buy the CD so you can hear every nuance on your stereo system.

    MP3s have been shown to be similarly effective promotional tools. (I'm working with an indie artist, and we will be distributing MP3s in as many directions as the RIAA has left to us.

    CDs are the product, NOT MP3s and not tracks played on FM Radio.

    People will not buy a record without hearing at least some of the songs on it.

    People will pay for full quality. For lower quality just good enough to tell if it's worth buying, the MP3 or FM radio song is perfect.

    To expect us to pay for either the MP3 or the FM tune is to expect us to pay the musician or label's promotional costs upfront even if we don't know if it's worth buying or not.

    The record industry's objection to MP3 as a promotional tool is that anybody can play.

    Sony can upload MP3 to a P2P network or an Internet radio station for $0.00, and if people like it, they'll buy it. They have absolutely no problem with this.

    I can do the same, and their knowing that is why they're trying to unplug every method of getting music to the public via the Net they don't have monopoly control over.

    This isn't about piracy.

    Would you pay to hear music on FM radio? Is a 128K MP3 worth the same as an uncompressed CD audio track? Neither will I. Does RIAA really think 128K MP3 audio is a real product they can make money off? If they did, they would have done a far better job with their industry MP3 distribution.

    While making money off MP3s isn't impossible, the people who do this must remember that the service is NOT about selling MP3s, it's about selling access to pre-sorted / pre-classified tracks so the user can get a chance to sample the kind of music she likes before buying the album, and without spending hours every day trying to find a band that plays the kind of music she likes.

    The best solution to the problem would be to create new law that provides for mandatory licensing of the sort that exists for broadcast radio for MP3s(or OGG or whatever) with quality compable to that of FM radio, with anyone broadcasting it paying the same royalties as is paid for use of FM. What an Internet broadcaster would be paying for is a stock in trade, while each song is without commercial value in and of itself, a collection big enough to make 24/7/365 streaming reasonable means that you can get a listening audience, which is of commercial value. Of course, the major Internet Radio stations were already doing this. The idea here is to provide a legal shelter for broadcasters. Protecting an RIAA label monopoly on access to the public is not a proper objective of public policy to anybody buy the Congress-shitbags 0wn3d by the major labels...

    Go to 256K MP3 and one has something almost indistinguishable from the original, which means one is selling a musician's stock in trade, to do that without the owner's consent is piracy.

    The whines about MP3 piracy causing losses to major record labels are about using the Feds to enforce a monopoly over what we are allowed to hear.

    If YOU join in the whining, you're what Lenin called a "useful idiot", carrying the can for organizations who are neither your friends nor that of musicians.

  100. Do musicians have to sign with a label? by oliverthered · · Score: 2

    Read the comment about monopoly......

    Lets say I'm the worlds best drain cleaner, i can clean drains like no-one else and enjoy it.

    All the local (100miles around) drains are owned by a big company that requires I sign my soul over if I wan't a job.

    Now I could setup my own drain company, but I'm good at cleaning drains, not running companies.

    I could work for the independant drain company that works a couple of blocks but I think I'm much better than that.(I'm the best drain cleaner in the world).

    So my choices are,

    Move away to somewhere where the big drain company has no nasty clauses.

    Work for the big drain company and sell my soul

    Work for the small drain company and not get the recognission I deserve.

    Get a different job and be unhappy for the rest of my life.

    Which one would you pick?

    --
    thank God the internet isn't a human right.
    1. Re:Do musicians have to sign with a label? by oliverthered · · Score: 2

      I wan't saying that any laws were violated, but there effective monopoly forces me into sudo slavery (selling my soul)
      This is the same kind of possition that a lot of musicians are in, if thay want to do what everyone has been telling them to since birth (realise there full potential) then they have to sell there soul to the big record lables.

      --
      thank God the internet isn't a human right.
    2. Re:Do musicians have to sign with a label? by Rader · · Score: 2

      So what's the solution?

      That's a good question. I don't think the solution is to have some monopoly to continue to buy more legislation, hack people's computers, and cripple the tech industry. Control all methods of distribution. All methods of merchandising, all methods of marketing?

      Maybe a real Union is required. Steel workers were being treated unfairly, and a union was formed to protect their interests.

      Worker's rights have been fought for and protected by the government before. Child labor laws, minimum wage, benefits, hours.

      I don't think artists should have a god given right to sign a contract that will make them a million dollars. Contracts now are practically have formulas set up to return $0. But do contracts really need to cover things such as 150 concerts a year? (with another formula just over $0) Exclusive rights to your voice that can last a decade? Exclusive rights to your music forever? The power to never re-release your old music to CD if they don't want to? Or give you the right to re-relase it either.

      Even baseball stars that aren't paid enough Millions, can go on strike and negotiate. I just don't see this being a possibility in the music industry with the way it's set up now.

  101. here's my opinion by oliverthered · · Score: 2

    I think that the government should intervene before this line...
    'People perceive that the recording studios are the only way to make it in the music industry.'

    Theres a couple of ways they could do this,

    1: Teach all kids to think of everyone as a lieing cheating bastard until they can proven otherwise.

    2: Have a general morality schooling.

    the problem is that no one would go for 1 and it's just stupid the problem with 2 is that the powermongers would impose there 'truth justice and the american way'(sic)'sudo christian' morality on everyone which is what the caused the 'when I grow up I'm going to be a big holywood star' problem in the first palce.

    The only thing that can be done is to bring up your kids in a liberal way and try to inform evryone about what's going on, though taking away the morphine drip might be a tricky thing to do?

    --
    thank God the internet isn't a human right.
  102. You can get sued over four notes by yerricde · · Score: 2

    That's like saying all possible DNA sequences have been created. IDIC: Infinite Diversity in Infinite Combinations.

    In melodies, there is not an infinite sequence of notes to choose from. Had you read the article I linked to, you would have discovered that a songwriter can get taken to court for matching four notes of an existing melody, which is fewer than infinity.

    No, the real problem is that music artists are getting lazier and less creative.

    I have written software to test that hypothesis, by generating random sequences of note intervals, and you know what they sounded like? Copyrighted pop songs from the 1950s through the 1990s.

    --
    Will I retire or break 10K?
  103. Re:You are Denying Artists the Right to Earn a Liv by reallocate · · Score: 2

    >> f I can get a copy of a work through the internet and there are no costs associated with me getting it, then it should be free. That is the fair and efficient way to organize society.

    If a create my own CD and give it away free on the Internet as the sole means of distribution, how am I supposed to recoup my costs and make a profit?

    --
    -- Slashdot: When Public Access TV Says "No"
  104. It is michael after all... by sheldon · · Score: 2

    And a good communist always bases his arguments on class warfare!

    It's just best to place michael in the "No, I don't ever want to see articles from this moron" group.

  105. A simple solution? by Quixadhal · · Score: 2

    From now on, I will "encode" the real filenames of all my files using a cipher that uses song titles from RIAA protected artists.

    As a result, when I put my perfectly legal files up for sharing, the RIAA lawyers will undoubtedly see them and try to sue me for copyright violation.

    It seems like I could then turn around and sue them for attempting to bypass my copy-protection by reading the filenames (which are my chosen cipher) -- using the DMCA, as well as wrongful prosecution, since my files are NOT illegal warez.

  106. Re:Neither will consumers by symbolic · · Score: 2

    That is true, but we still want to hear our band's new songs

    The ability to hear your band's new songs is trivial considering the overall ramifications - your favorite bands are as much a part of the problem as the RIAA itself. The whole system is a morass of mutually-dependent dysfunction.

    I'm not going to stop listening to ALL my favorite bands to get this done. Asking the world to do that is pretty ridiculous.

    I'm not suggesting that anyone stop listening to their favorite bands, but I am suggesting that they stop buying (and stealing) any future releases until the RIAA adopts a more consumer-friendly way of doing business. What's rediculous is the notion that people can't muster enough self-discipline to do this for the short period of time it might take to manifest some real change. Gotta have that crack, I guess.

  107. Re:Neither will consumers by symbolic · · Score: 2

    You're comparing apples to oranges. The act of borrowing (from the library or a friend) and the act of acquiring (legitimate purchase or theft) are completely different. After all is said and done, there is still just one copy of the book, and the book, along with any intrinsic value, remains with the book. The only way you can equate your example with the current practice of stealing digital content, is if everyone who read the book, copied it. In all seriousness, how often do you think this happens?

  108. Frivolous lawsuits. They work! by yerricde · · Score: 2

    Yeah, and the EPA can put you in jail because you emit too much carbon dioxide. Countless companies can sue you because just by sending that message to slashdot, you infringed upon hundreds of patents--many of them invalid.

    If you are forced to settle a frivolous lawsuit because you do not have the money to defend yourself in court, <cliche>then the IP terrorists have already won.</cliche>

    Yes, there are some stupid judges out there

    Not only are copyright owners able to shop for a favorable judge, but other judges often have to follow their precedent under the rules of the common law.

    If you are so worried about this issue, then why don't you start your own organization. You can call it "Falsely Usurped Copyright Musician Endowment." ;-)

    I wonder if the EFF could help out on this.

    I also noticed you conveniently cut off my sentance at p2p. The other methods of delivery I mentioned would still have the same risk.

    I understand that. I cut off the sentence after the first method you happened to mention. Had you mentioned MP3.com first, I would have cut it off after that.

    Should the public get wind of such crap

    The American public gets much of its news from television, and all of the major for-profit broadcast television networks except for NBC are owned by motion picture studios, who do not wish to inform the public of the expansions of their monopolies. (AOL owns CNN, the WB Network, and Warner Bros. Pictures; Viacom owns CBS, UPN, and Paramount Pictures; Disney owns ABC and Touchstone Pictures; News Corp. owns Fox Network, Fox News Channel, and Fox Searchlight Pictures. NBC's news operation is a joint venture with Microsoft Corporation.) Note that they ran no stories when the Bono Act or the DMCA was passed.

    And your sig about "an 800 pound cartoon elephant" applies beautifully to the asymmetry of power between big corporate copyright owning plaintiffs and small individual coincidentally infringing defendants.

    --
    Will I retire or break 10K?
    1. Re:Frivolous lawsuits. They work! by moncyb · · Score: 2

      The placement and content of your post certainly indicated that the anon. cowturd was right in saying people don't own the copyright to works they create. Maybe you should take a look at the Copyright Office's website.

      And yeah, the cartel censors their news content, but there are other ways to get the word out.

      My sig is more about the cartel trying to take control of the internet by abusing "contributory infringement" clauses and getting Nazi laws passed than absurd little technicalities that were used 80 years ago.

  109. The plaintiff's theory: You didn't create it by yerricde · · Score: 2

    The placement and content of your post certainly indicated that the anon. cowturd was right in saying people don't own the copyright to works they create. Maybe you should take a look at the Copyright Office's website

    That wasn't exactly what I meant. What I meant was that a person may not own the copyright to a work he claims to have created because he did not actually create the entire work; he copied substantial portions (four notes) from another work. I don't want to leave plaintiffs any room to maneuver because I don't have any money for legal representation.

    and getting Nazi laws passed

    What's a "Nazi law"? There are no National Socialists in the U.S. House or the U.S. Senate.

    absurd little technicalities that were used 80 years ago.

    But has Congress repealed such technicalities, such as four notes equaling substantial copying? If not, the precedent remains on the case-law books.

    --
    Will I retire or break 10K?