CRIA Prepares To Sue P2P Copyright Violators
ergo98 writes "The Canadian version of the RIAA, the CRIA (Canadian Recording Industry Association), has begun laying the PR groundwork for an initiative similar to that pursued by the RIAA in the US - threatening to file lawsuits against individual file sharers (specifically uploaders). They claim that CD sales have dropped by 23 per cent since 1999, attributing that drop to P2P, and apparently it isn't enough that the Canadian music industry gets a hefty presume-you-are-a-criminal levy attached on various devices and media."
Many readers also point to the Globe and Mail's version of the story. dsanfte writes "They will apparently only be targetting uploaders, because in the Copyright Board's judgement, P2P downloading is legal under Canadian law."
Class. Action. Lawsuit.
....because cd sales drops have nothing to do with things like slow economies, declining quality in music, overpriced cds.....
xao
xao
http://TheHillforum.hopto.org
Knock me out now and wake me when this is all over. Thanks.
So if you can download in Canada and you can download in the U.S., why don't the Canadians share American music for the U.S.ers and vice versa? Surely that wouldn't be too hard to rig up, if only by agreement...
-insert a witty something-
Er, wait, they are doing something I *don't* like this time? That's hardly fair.
I dont think Blame Canadia will work for this one, the canadians maybe shouting Blame USA.
Without the uploaders, you will be hard pressed to find downloaders anyway.
What about this though, someone creates a virus that intentionally leaves a limited back-door into your system. This lets anyone log on, look at media files on your computer and download them.
Then you never made your files available for sharing, the downloader is liable for breaking into your computer, but it just happens that you don't want to lay any charges.
If only there was a way to get a virus onto a windows computer without people being seen to knowingly install it...
Because downloading in and of itself is not illegal, how do they prepose to prove that I don't own a copy of what I am downloading?
So in conclusion: Anything with "RIA" as part of it's initials is bad.
Yeah... remember the ads on canadian streets... Avril Levine CD 1 million copies sold?
Fans still buy stuff if they like it...
Argue this. Case rests.
The rest is just bullshit. But yeah... jail some 14 yrs old uploading MJ or whatever...
Are they hoping that they can scare me into buying music again. I used to buy cd's all the time, and i currently own over 330. But, buying cd's is simply a pain, since i lose them, they get punked and of course they collect dust on my cd rack...
MP3's on my iPod always stay nice and shiny, and follow me everywhere i go!!
Canada needs iTMS soon, because i still have a bit of cash in my budget for my favourite tunes!
In Canada, it is legal to borrow content (a CD, movie, etc) from a friend (or stranger), and copy it for your own personal use.
It is not legal to MAKE copies of content you own, and distribute it to friends (or strangers).
This is why downloading is legal (you're 'borrowing' a copy, and copying it), but uploading is illegal (you're copying what you presumably own, and distributing it.)
We pay additional taxes on media to support this system. I think its just gone up again, with MP3 players now being taxed as they represent blank media on which you might copy somebody else's content.
This is my udnerstanding of our system. Corrections are invited.
"Old man yells at systemd"
Please copy and distribute this article. It has a Creative Commons license.
Request your free CD of my piano music.
The Canadian Supreme Court will make up some law that does not exist so that the CRIA can get paid.
I am the Alpha and the Omega-3
If I wrote a program that allowed users to put a CD into their CD-ROM drive and allow other users to rip a copy of that CD over the Internet, would that be legal? It looks to me like it might be.
I'm very very tempted to write such a program. We pay the levy anyway, might as well take full advantage of it. I just don't want to loose my house, business, etc when I get sued.
How can people claim that they stopped buying music "Back when music didn't suck" and now it is like... almost their god-given right to commit copyright infringement?
I sat in class and listened to some guy complain how only one song on an album is good and that the rest is filler. So you know...its OKAY to copy it because, afterall, its mostly filler.
Look, despite what you think its the ARTISTS material. If they want an "all or none" sort of product then so be it. But who are you to come along and say "nope, sorry too bad I am going to commit copyright infringement because I don't LIKE some songs". ITS NOT YOUR CHOICE TO MAKE. Don't want all the songs? Then DON'T BUY THE CD but DON'T COPY IT EITHER.
People are so damn selfish and think the world owes them and Slashdot is not immune from this.
When my car is stolen, when my house is broken into the police says "sorry, no resources" to catch them...
Should taxpayers really pay police, FBI, etc. for playing collection agent for the RIA?
downloading is legal, and uploading is not?
well that's fine with me... i will just continue to download mp3s from europe and refuse to share my files!
BTW, in Russia downloading music is too expensive. Average home broadband bandwidth is around 0.1$/MB. However pirated CDs full of MP3s cost about 2$ and are on sale everywhere - flea market, regular shops (govt. doesn't give a fuck). The choice of MP3s is amazing - rarities, bootlegs, full discographies, etc....
So, USA people, welcome to Russia!
Hmm...could be a good idea for business... "Fuck RIAA, buy our exclusive 'Russia CD-Tour'.".
-- grmbl woz heer
...IF THEY GET RID OF THE LEVY
I thought the justification for the levy was to legitimise downloading mp3s? If they now want to get rid of that "service", where's the justification for the levy? Maybe they're trying to pull another scam like when CDs were new;
1980s
1. raise prices because of set-up costs
2. forget to lower after making money back
3. profit
2000s
1. raise prices because of mp3 traders
2. forget to lower after putting traders in jail
3. profit
Easy.... just make some executable that claims to be something dumb like a free screensaver or something like that. Put a 100 page end user licence agreement (EULA), and when the user hits accept... virus installed. It's called Malware :D I'm sure most people that use Kazaa don't read the EULA and knowingly accept the spyware and adware that it installs.... (well, at least initially when Kazaa came out)
"There is no spoon." - The Matrix
Whos's to say that me allowing my computer to be controlled by someone else over the internet to make a copy of the music for their personal use is me uploading though???
After all, they made it pretty clear that me helping someone else burn a CD on my computer is perfectly legal for all parties involved.
I guess where it might fall afoul is that if I intentionally made the copy avaliable to the public, then it is no longer a copy for personal use, and as such the copy I made is then infringing.
So I think these cases will have to hang on them being able to prove that the "uploader" did in fact make the copy for non-personal use. IE: show intent.
Sounds like they might have their work cut out for them. But then, as always, IANAL.
In the Canadian courts, I also have to wonder if their rediculous calculations for lost profits would actually hold up. If the downloaders are not guilty, and I'm not guilty of performing their copies, then I'm only left of being guilty of one infraction per shared song.. Not a large sum of money..
Assuming that people will be okay with this is very far from a safe bet.
They see p2p networks as a cause, I see p2p networks as a result of their mistakes.
Diego Rey
diegoT
In Soviet Russia....>Fill in your bit here please
It's all well and good that they're threatening, but I'm not convinced this could pan out here. Without a DMCA-equivalent, it would be very difficult to force ISPs to reveal their customers' identities.
"P2P downloading is legal under Canadian law."
I knew I was Canadian for a reason! Time to go download Photoshop and all the mp3s I want. And in other news, I'm getting medicinal marijuana for my sleep apnea. I'm going to be happy as a pig in shit! I might even *think* I'm a pig in shit.
that's a good idea... sounds legal to me.. since everyone would be making their own personal copy from the original medium....
"....because cd sales drops have nothing to do with things like slow economies, declining quality in music, overpriced cds..... "
That's fine, as long as "illegal downloading" isn't tacked onto that list.
So...*I* can't copy MY media that *I* legally purchased, but I CAN copy YOUR media that *I* did NOT legally purchase?
My head hurts just thinking about that.
"It never got weird enough for me." - HST (RIP)
Brian Robertson's email address is: brobertson@cria.ca
Let them know what's on your mind, but be polite!
"If I wrote a program that allowed users to put a CD into their CD-ROM drive and allow other users to rip a copy of that CD over the Internet, would that be legal? It looks to me like it might be."
You are my HERO. Let me know if you want some help or a PHP coder/scriptor/dbguy.
Come on, folks, we have to come together and save Brian Adams' career -- he's losing Canadian money because we're downl...um, uploading his high quality, well-thought-out, lyrically astounding, musically amazing records instead of purchasing them for the more-than-fair price they are being sold for.
Seriously, though, if you want to play this game well, someone should make a truly anonymous P2P network. That's where the arms race is. Until then, we've got to weather these storms and face the consequences for distributing illegally copyrighted material.
In days of yore, musicians made money by putting on shows, performing at the shows, etc.
The idea of a peice of media containing a representation of that music, and sold peicewise, with the seller retaining a variety of rights regarding the various permissible destinations of that information, is relatively new.
information wants to be free, creating and enforcing draconian laws in lands (supposedly) based on freedom and democracy is not going to win musicians, publishers or producers any brownie points.
in other words the paradigm has shifted. CDROMs of wave files is just not the way to sell music anymore. get over it.
ultimately music, software, etc...anything that can be pushed over the net...will be free. accepting this and moving to promote live shows, pay-per-view streaming worldwide, etc. is the proper choice.
This law would ignore the fact that blank CDs are used for mostly legitimate reasons, because piracy, being worse than murder or rape, should be handled under a no-fucking-around policy. And all books should be burned. And all people whose skin is not within 0.0000000000001% tolerance of a specific shade should be hung.
They won't be able to go after as many file swappers (per capita) as they have in the U.S. because Canadian law does not allow you to subpeona their ISPs without a warrant signed by a judge. We have no DMCA yet. Also, there is also no legal precedent a la RIAA vs Verizon to get the names of file swappers from ISPs.
How does the Canadian RIAA plan to track down these uploaders without names, addresses and phone numbers from ISPs?
Of course, once we sign on to the FTAA, we will be forced to ratify it and adopt the insane IP provisions of that "free trade" agreement, including jail terms for file swappers, making open source software outright illegal, and allowing corporations to copyright everything except 12 distinct processes (ex calendars). I'm really looking forward to the human genome being copyrighted and having to pay licensing fees for my very existance.
I can't believe it! I'm *actually* planning on voting NDP in the next federal election, despite the fact that I'm a small "c" conservative. That would have been unthinkable for me as recently as two years ago. This fact that our government is whoreing us to virtually criminal organizations like the RIAA/MPAA and Microsoft makes me sick to my stomach.
The only way to determine if a file on an uploader's system contains copyrighted material or not is to download the file and examine it. There's no copying and therefore no copyright infringement until the file downloaded.
How does the CRIA prove copyright infringement without having been responsible for causing the infringement in the first place?
Too much fagotry on the internet these days. I download and steal all kinds of shit using Kazaa and I'm a Canadian. I don't wanna get my ass sued what do I do? Please help.
a recent comment (which I cannot find) defined "X is uploading" as meaning that the transfer was initiated by by X and the payload is travelling away from X. And "Y is downloading" as: the transfer was initiated by Y and the payload is travelling toward Y.
So according to this, the system on the other end of a download / upload is not uploading / downloading. They are doing something else. Serving / recieving, perhaps.
was that correct or what?
ESR's jargonfile definition defines them in terms of direction only. So according to ESR, when a webserver is serving, it is also uploading. seems wack.
No, no.. In Soviet Russia, bits fill YOU in here please!
In soviet russia, evil corporation sues YOU.
Friends don't let friends misuse the subjunctive.
No, no.. In Soviet Russia, bits fill YOU in here please!
now *this* is comedy gold. Bravo!
Robots are everywhere, and they eat old people's medicine for fuel.
Everyone seems to be asking the wrong questions. The questions have nothing to do with if P2P copying helps or hurts music. The simple question is "Do these people have a legal right to distribute this music?" And the simple answer is "no". Just because you own a copy of something in no way gives you the right to distribute copies of it to other people. Owning a book doesn't give you the right to make copies of it and hand it out on the street. Owning a photograph (that someone else took) doesn't give you the right to make copies and hand them out. Owning a copy of Linux doesn't give you the right to distribute binary only copies of it. Owning a CD doesn't give you the right to distribute MP3 copies of the music. IT doesn't matter whether it helps or hurts CD sales, the fact is you have no right to do it. People have the right (and should have the right) to decide what happens to the things they create. IF you want to distribute music via P2P, feel free to create some and distribute it. You have every right to decide what happens with the music you make. Just as other people have the right to decide they don't want you giving away their music for free over P2P.
"Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
What about MS Outlook? It can be used as a virus platform without users knowing it...
Does this make it legal to download music if you burn it to a Canadian CD-R?
If so, I'll buy some and then pirate to my heart's content.
Perhaps this indicates a lower limit of who they will be targeting, people who have four thousand songs available to share? Yes? Maybe?
Condemnant quod non intellegunt.
sounds legit to me.. see my post below for the reasons I can see.
I honestly don't know how international law would affect this, or even if such a thing is technologically possible, but jurisdiction issues would be a nightmare. What, would they have to involve Interpol? Would the court systems from either country really allow a lawsuit to proceed when the crime was committed in the other country? Or would the CRIA and RIAA start mass extriditions? It'd be a really interesting thing to set up.
Glad to see you're putting that expensive bandwidth to a good use and reading slashdot :/
- Sherman
Pay someone in Kenya, or for the fun of it, Nigeria (get them to help you, as you have helped them move funds) to do all the uploading for you.
These countries want internet use to increase, and as such have no such law that prohibits uploading (or perhaps not even a governing body that is so imposing as the RIAA or Canadian equivalent).
You can download your files, you stay out of jail, someone in a 3rd world country makes a little bit of money on the side, and everyone is happy.
I love it when capitalism brings the world closer. Gives me a warm feeling in my wallet.
Ok, so standard P2P is gone. What you could do however, is set up a way of digitally borrowing things. This has been suggested before, but of course American law would mess the whole thing up. Essentially, you lease a file by allowing someone to download it. Then the file on your system can no longer be shared until the file that was downloaded is deleted from the system borrowing. Then all that someone would need to do, is create a plugin to copy every file from the directory as soon as it is completed and delete it(thus, allowing the files to be shared again). Here, the downloadee is the one making the copy. The user sharing has allowed them to borrow only. Everything is legal by Candian law.
Just a quick thought.
My take on this is that they won't even get passed the ISPs. AFAIK, in Canada they would need a warrant signed by a judge to get personnal information about a subscriber from an ISP...
Right now I'm at home, paying exactly 0.1$/MB for reading Slashdot. :)
-- grmbl woz heer
They claim that CD sales have dropped by 23 per cent since 1999
Or maybe it could be because approximately 100% of Canadian music sales belong to the likes of Celine Dion, Sarah McLachlan, and Shania Twain.
Well, Titanic's now 6 years old, Sarah McLachlan went to have a baby I think, and Shania Twain has a shelf life of about 2 months.
Though I don't intend to bash Canada at all (in case it was ambiguous) this is clearly a case of "hit 'em while they're down" or "strike while the iron's hot". The CRIA probably sees the juggernaut case that the RIAA is battling and figures, "Hey, we could make some cash, secure some rights, whatever, here." Essentially let the RIAA do all the work and argumentation and everything and piggyback the success (or avoid a costly failure).
Yes, yes, the laws are different and they cannot argue the same case, but there is likely enough overlap that the CRIA can benefit from the RIAA.
If you ask me, they're all being CRIA-babies (pardon the horrendous pun) and (as we've mentioned before) quite effectively demonstrating their ability not to adapt to their environment/technology. The RIAA's distribution network is a dinosaur, and they'll get pounded out just like Boeing if they keep defending their inadequacy rather than improving.
Was wondering when they where gonna start suing people :P Suppose they are either somehow ignorant or more likely deliberately disregarding that the economy has been down a bit lately.
/sung to tune of the seven dwarfs whistling theme -
"Hi ho, hi ho, it's off to sue we go."
I will gladly pay for music if I knew that the middlemen (CRIA) didn't skim off all those dollars to pay for their annoying advertising campaigns. They collect recordable media levies and the artists see squat.
The recording industry is a dinosaur in the post meteor strike world. Ample bandwidth on the internet makes distribution a breeze. Why pay for the fuel to truck CD's accross the country/seas/etc? If artists were to record their own music and distribute directly to the customers via the internet at a reasonable price perhaps they would see their fair share... and the CRIA/RIAA sees zero cents. The ISPs would then start to make some dollars off of bandwidth usage fees.
Music is information/digital. No need for the 'physical stuff' unless I want it. Then let me burn it myself. Of course being Canadian, I will then have paid for it twice... once to buy direct from the artist and again to the crooked middlemen imposing the levies to line the pockets of their broken business model.
I hope the CRIA follows its big brother the RIAA into the abyss of middleman hell.
"In Canada, it is legal to borrow content (a CD, movie, etc) from a friend (or stranger), and copy it for your own personal use.
It is not legal to MAKE copies of content you own, and distribute it to friends (or strangers)."
whats the difference between borrowing something (you have a copy they have copy) and distributing (you have a copy(maybe) they have a copy -$$$). sounds to me like borrowing implies an act of goodwill and not an act of selfishness as in charging for it.
is letting other people use your bandwidth and your time for no charge, more akin to friend type behaviour, or that of a capitalistic pig?
the point of art is to say something. if no one hears you because they cant aford 20$+ a cd, who looses out? society.
besides i went xmas shopping with a friend today and watched her easily spend 120$ on dvds and cds. why? because people always want to buy things! materialism... aint it grand
I'll just use my special getting high powers one more time...
As quickly as it takes to say "poorly thought out idea". If I pay a levy then I can make all the frriggin' personal copies of my music that I want.
If I wrote a program that allowed users to put a CD into their CD-ROM drive and allow other users to rip a copy of that CD over the Internet, would that be legal? It looks to me like it might be.
Nope.
For every downloader, there must be an uploader. Someone made the data being downloaded available for access. Someone set up the machine that hosts said data. Someone arranged for a network connection to be set up for that machine. Someone controls the machine that is sending the data stream, and that person, or people, would likely be considered the uploader in any legal situation. It's a dinky distinction, but I've heard about the gaping loophole in Canadian law that allows this to take place. I'm tempted to investigate the legalese myself just to see if that loophole really does exist.
That said, CRIA is a bunch of money-grubbing goons, the exact equivalent of the RIAA. I haven't bought a CD in years, due to my own personal lack of disposable income available for frills like CDs, but even saying that there are very few new discs I would purchase, and not many old discs I have the time and money to hunt down. I have some news for CRIA--the economy's sucked as of late, one of the largest markets is still crawling out of a very bad summer (did you idiots forget SARSstock???), and music that gets radio play has become, for the most part, so derivative it hurts to listen. Thank goodness for community radio and bars with live music.
Someday, you're going to die. Get over it.
What about songs with the wrong filename? Was I intentionaly sharing Celine Dion, or did I just think it really was a song from an artist legaly distributed on the net because it was named "John Doe's hits.mp3"? Is that illegal?
What about a non-music file format. Yeah, I know, file extensions are not the same through different O/S. Yet, if I am sharing a Celine Dion's song named "celine dion.jpg", and containing random ASCII characters, while I thought it was a picture... Is that illegal?
And what if I leave some CDs on my frontyard. Is it illegal because I am making them available to anyone? What is the difference between this and having some mp3s in a shared folder?
My point is, I am sure there are many, many, many loopholes/flaws in the way copyright laws are made, enforced and written. There simply wasn't anyone with enough money to spend to challenge these laws with good arguments and a talented lawyer. Yet.
You are more than the sum of what you consume. Desire is not an occupation.
Come and help put the people back in charge of our laws.
A Multiplayer Strategy Game for Mac OS X, Windows, and Linux
let me deconstruct this a bit for you:
Someone makes the data avaliable.. Umm, so what? no copyright infringement there.. Libraries make tons of info avaliable to the public.
Sets up a hosting machine, etc: So what? I can set up my machine to make CD copies, and as long as the person who's using that copy for personal use is the one that hits burn, there's no infringment. (The law is pretty clear on that.)
There is no "uploader". No one actually went and said: "Ok, send this to that person." All they did was give that other person the resources to make their own copy. As stated above, there's nothing illegal about that.
The only thing I can see (mind you, IANAL) about sharing files on P2P networks that is illegal is that if you're intentionally making music avaliable to the public, then it is no longer for personal use. In this case though, you're allowed to do things with original CDs that aren't for personal use. It's only unauthorized copies that you're bound to use only for personal use.
Oh joy, now our CRIA wants to behave like RIAA - IE the mob..
You must master your joystick like a fisherman masters bait! - Gimpy
info@cria.ca tell them what you think,.
I just heard some sad news on talk radio - famous marine mammal Steven King was found dead in his fjord this morning. There weren't any more details. I'm sure everyone in the Slashdot community will miss him - even if you didn't enjoy his work, there's no denying his contributions to popular culture. Truly an American icon.
How many Canadian artists are there anyway? Five? And Celine Dion is selling perfume these days not music so that brings the number down to four.
It takes a certain quality of ass-ness to keep pushing for a bigger and shinier silver spoon. Eventually somebody is going to beat them over the head with it.
Unlike in the US, Canadian artists, musicians, etc, live, primarily, at the pleasure of the Federal Government. If it wasn't for the continual payments, and play-list regulations, Canadian creative types would be working in the factory. Hopefully they figure out the precariousness of the situation before they piss off the people who have made them possible.
What's to stop me from setting up a kiosk on my property (or with the permission of a landowner) with a batch of CDs and a CDR. It's cheap enough to do this I might just do it to make a point. I don't think anyone would steal the physical CDs, but you could always jukebox them.
Under the current law, so long as I do not make any money, it is legal for someone to come up to this Kiosk and make all the copies they want. If this bullshit continues without the CDR levy being dropped, and my lawyer agrees with my interpretation of the law - I might just do this.
How is this any different than uploading a ripped version of the CD anyway?
..don't panic
Those Canadians, eh? Always giving us something interesting to think aboot.
iRATE version 0.3 is coming soon, and needs help with testing. If you'd like to help test, subscribe to the irate-devel mailing list and start trying out the testing builds. There's been a lot of work put into 0.3, but that means there's more that needs testing.
Request your free CD of my piano music.
When a business is reduced to suing customers you know you've hit a dead end. The music industry needs to issue licenses to file sharers and if they won't then we need to change the law. There is power in numbers and Click the Vote is organizing a grassroots movement to achieve just that.
If this was a Ricci Lake forum, the title of this article would probably be "How to turn your RIA from a CRIA into a tryer!"
Music pricing is another constant. In fact, in the USA, it's gone down a bit. The average price of a CD is down to $13.50 in the US. In 1984, $9.99 was considered a decent price for an LP. That would be $17.30 in 2002 dollars. So, again, the recent huge drop in CD sales can't be attributed to pricing alone, as it's a constant.
In 1984, Movies cost around $100cdn to buy, IIRC. I see lots of DVD movies in Walmart for $14.99-24.99, including new and popular films. A large majority are priced cheaper than the movie soundtracks, something that always makes me chuckle.
I can put a collection of a years worth of "popular" and "pseudo-popular" programs on a couple DVDs. If uploading is quashed, then a much harder to regular and control sneekernet will quickly be established in schools. It's not that hard to do.
One thing I have been waiting for is a small device for doing PTP sharing in public. It would be unstoppable in a setting like a school - integrating 802.11 into an iPod is not technologically a difficult problem. I can imagine it giving people strokes in the record industry though - not just schools, but think subways, whatever.
Once the public has decided there is nothing wrong with 'free' music - then guess what, there probably will be free music. There effectively is now - think to the radio. There is no reason musicians cannot make money touring. There is good entertainment value in records. What will change, is the luxury offices for RIAA executives and private jets for the metallicas of the world will end.
This fight has never been about music copying. They're scared shitless of losing the distribution and production channels.
..don't panic
"Wouldn't the obvious question be: "Why are people happy to break the law to download music illegally rather than pay for it?"."
Yes, but I doubt the people who engage in such activity are able to deal with the answer.
"No amount of legal action and scare campaigns is going to change a behaviour that is thought of as OK. "
No, but when the irrevocable consequences of one's actions manifest themselves, then the cries of "not me, Lord" are heard loud and clear.
Uploading, downloading, borrowing, distributing. All these are definable and open to interpretation. The philosophical repercussions are great but whether you like it or not, the bottom line decision will be because of a single character, a byte if you will.
'$'.
And that decision is : "Sue everyone, make cash, everyone's a pirate, screw personal rights".
In the long run, fair use and personal private copies and yadayadayada will not mean anything because of the said character.
Trolls dont like to be Flamebait, because they burn so well. Protect our Troll heritage!
We need join a grassroots movement like Click The Vote and get busy during the coming election year. We should be asking candidates about their positions on file sharing and we should let them know we want the laws changed and the lawsuits to end.
The RIAA may have their special interest puppets in Congress but at the end of the day the politicians need our votes!
Cocky Retarded Imbreed A**holes.
Man....wait until the Canadian courts say that you can't have downloading without someone uploading; it's like saying it's legal to read but illegal to write, they are one in another...u can't have one without the other. And besides, Canadian artists are pre-emptively compensated on "future *possible*" losses with all the high taxes in their favor. Too bad they don't have a clue that they can't "have their cake and eat it too."
And besides.....P2P isn't the only reason why sales are slumping......(just the same reason why I can't blame P2P for my slumping gpa). Bad economy, high prices, taxes, and sh*tty products are the main reasons. Hell...who in their right mind buy a WMD; a Whiff of Massive Dog-doodoo?
"In 1984, Movies cost around $100cdn to buy, IIRC. I see lots of DVD movies in Walmart for $14.99-24.99, including new and popular films. A large majority are priced cheaper than the movie soundtracks, something that always makes me chuckle."
A dollar then isn't the same as a dollar now.
"I can put a collection of a years worth of "popular" and "pseudo-popular" programs on a couple DVDs. If uploading is quashed, then a much harder to regular and control sneekernet will quickly be established in schools. It's not that hard to do."
This is already happening.
"One thing I have been waiting for is a small device for doing PTP sharing in public. It would be unstoppable in a setting like a school - integrating 802.11 into an iPod is not technologically a difficult problem. I can imagine it giving people strokes in the record industry though - not just schools, but think subways, whatever."
Stroking a complete stranger? [Obvious jokes here]
"Once the public has decided there is nothing wrong with 'free' music - then guess what, there probably will be free music. There effectively is now - think to the radio. There is no reason musicians cannot make money touring. There is good entertainment value in records. What will change, is the luxury offices for RIAA executives and private jets for the metallicas of the world will end."
The radio is supported by advertising. Have you ever "supported" yourself by touring? If not, then why are you advising others to do something your not?
"This fight has never been about music copying. They're scared shitless of losing the distribution and production channels.""
The fight may not be about music copying, but that doesn't guarentee the "illegal sharers" the outcome they desire either.
AC comments get piped to
Not necessarily...
In Canada supreme court officials are appointed by the goverment, similarily to the U.S.. The goverment is full of politicians, just like in the U.S.. Where things differ is that campaign contributions to politicians is capped, so CRIA and other lobby groups can't funnel millions of dollars of money into our politicians pockets. ("no strings attached" of course)
Now, it is rather difficult to get rid of a supreme court official once appointed. However it is also true that, just like in the U.S., in Canada these judicials do have some ties of patronage to their apointers. They've gotten to their lofty positions by keeping the right people happy, and they're not about to change. (Not with a nice appointment to the Senate dangling in front of them like a fat juicy carrot anyways...) What is different is that their appointers (the politicians) aren't nearly as motivated to pressure them into making an "industry-friendly" ruling.
Ergo, we might actually see some honest law-making.
Then again, we are talking about lawyers here.
MP3 player's are now being taxed, which is new.
... onto which a sound recording may be reproduced ... and on which no sounds have ever been fixed".
The web page you linked to mentions that the levy only applies to blank media - "a recording medium
So the manufacturers of an MP3 player just have to put a single song on there to avoid the levy. The levy is $2 (<= 1 GiB), $15 (1 GiB to 10 GiB), or $25 (> 10 GiB). They could license a popular song and include it on each player for less than that price (actually, by the given definition, they could just record any sound, and even erase it before shipping the product).
Or they could load it up with independent music - I'm sure many bands would license their music for free to get the publicity. Introducing people to indie music would be a good first step in taking down the RIAA/CRIA/etc.
Wal-Mart is starting a campaign in Canada to educate people about the levy, by putting signs at the cash registers (among other things). I hate the idea of siding with Wal-Mart, but maybe some good can come from this too.
That's fine, as long as the argument presented to the political process isn't "What's mine is mine, and what's yours is mine".(1)
(1) In short a "solution" that leans all the way over one way, is no better than a "solution" that leans completely the other way.
whatacrappypresent.com
more suits = more reasons not to support the system by paying for cds.
Sometimes there are external (to Canada) influences that clog up the works and slow things down. Other times they do something that demonstrates the "law of unintended consequences" quite nicely ;)
We have pretty much recognized gay marriage
We are working on de-criminalizing (note: not legalizing) pot (much to the consternation of the US DEA - one of those external influences we get)
We recognized that "private copying" was a fact and was not likely to go away - so came up with the Blank Media Levy which might actually be a reasonable solution if the Copyright Board continues to show restraint
I make no guess as to what our dear government will do about "uploading" if anything; but they might.
In the mean time it should be noted that most of the large retailers selling music have lowered the prices significantly (the small retailers are being frozen out by the distributors and not getting the discounts "because they don't buy enough copies..." - a rant for another time). It remains to be seen if the number of units goes up. I expect it will - even though the total dollars may go down or stay even - and that is the point!
The dollars spent on music will likely stay even or maybe decline a bit - but this is not due to downloading, private copying, or whatever - it is due to external forces in action.
For example - the chocolate bar industry noted a decline in sales during the late 90s and early 2000s - and found that the reason was that their prime targets/customers (the teenagers) were using their disposable income to purchase cell-phone cards for text messaging and phone calls - leaving less to spend on chocolate.
Another influence - the music industry has released less music in recent years than they did previously - there is less to choose from and people are resisting (by downloading - "I've paid for 14 songs but only like 2 on this CD so I'll download another 12 to make up for it" maybe not done consiously - but it makes them feel better). The music publishers have also "perfected" the art of slicing and dicing the repetoir to force (or at least try to force) their target audience to pay for multiple CDs in order to get all the music they want, one or two songs per CD at a time - along with lots of crap put out as filler. I've suggested (to the Copyright Board) that this is in fact "tied selling" and should be viewed as a negative in adjusting the rate for the music levy - derating the "average" earnings per song in the calculation - they didn't bite this time but...
We've also had a bit of an economic turn-down recently too - but of course during such times people will always choose music over food won't they? ;)
The music distribution system is headed for a collapse - with the publishing companies and the industry associations losing out. Problem is that they don't want to lose their profit and influence so are fighting hard to lobby the governments to keep them around. This is what we have to fight. The continuation of an inefficient distribution system in the face of a complete paradigm change and disruptive technologies. It is the job of government to do what the population as a whole needs done in order to survive economically (and other ways but...) and if this means allowing one particular segment of an old industry to founder (the publishers) to the benefit of another segment (the artists) while keeping the general population from being all put in jail or saddled with onerous civil penalties for doing what "everyone is doing" then so be it - that's what we pay them the big bucks for.
There is no guarantee to any business that they will survive doing the sam
Been there, done that, paid for the T-shirt
and didn't get it
BTW, in Russia downloading music is too expensive. Average home broadband bandwidth is around 0.1$/MB. However pirated CDs full of MP3s cost about 2$ and are on sale everywhere - flea market, regular shops (govt. doesn't give a fuck). The choice of MP3s is amazing - rarities, bootlegs, full discographies, etc....
Or in other words...
IN SOVIET RUSSIA, MUSIC DOWNLOADS YOU!
Good point. Remember the cover art for the Beatles White album, Pink Floyd's Dark Side of the Moon, Queen's A Night at the Opera?
Great albums. Cover art didn't sell these. The content did.
There were some acts whose cover art did sell a few albums. Remember Cheech and Chong's unique Still Smoking album? The best part was after you bought it and opened it. Suprise! It was a great laugh and very unique.
The truth shall set you free!
I've thought about this issue, since I've seen this coming to Canada for some time. It seems to me one good way of making sure the private copying provisions of the Canadian Copyright Act do apply to P2P is by making sure that your p2p software "lends" a portion of your harddrive to the other user.
The case against p2p in Canada is based on the premise that private copying provision only applies to a person making a copy for their own use. A person cannot make a copy for someone else. The questions becomes: how do you characterize a stream of data coming off harddrive A and onto harddrive B? Is person A "copying" the data? It is taken as given that the private copying provision DOES apply to a person borrowing a CD from a friend and copying it. But how about if the person B borrows a harddrive from a friend A and copies THAT? Now what if person B borrows person A's computer, without necessarily moving it physically. This is done with colocs, so it's nothing new. What if person B borrows person A's computer for a few computing cycles at a time, with only certain permissions?
Then, if person B is the one borrowing and using computer A at the instant that it is transmitting data, the scenario falls squarely within what the private copying provision is intended to include.
"When a business is reduced to suing customers you know you've hit a dead end. "
What is the ratio of "number of total 'buying the music' customers" to "number of 'non-customers' (remember, wouldn't have bought the music, no loss)"?
"The music industry needs to issue licenses to file sharers and if they won't then we need to change the law. "
Why? Upon what foundation are you going to build your "change", that is fair to everyone, while not destroying the very principles our socio-economic system runs on?
It's not shocking at all that you're 16.
Those of us who were ACTUALLY AROUND in the 70s know what the parent post was talking about. You're just deciding the 70s had more gold, because it's 2003 and you can look back on it and name all the good bands. Meanwhile, there were tons of top ten, disco-pop bullshit acts.
Today, we have bands that you list as bad which many people consider good--Green Day, Good Charlotte, not to mention everyone from The Strokes to Opeth to Metallica to Foo Fighters to A Perfect Circle to...well, hell, I'm just listing off certain bands I listen to. There is so much more. Maybe it's not the entire freaking music industry with tastes that are different, but just you instead?
If people didn't pirate the fuck out of every new album, maybe labels would be more willing to shell out money on the riskier acts. As it is, it's too expensive to expect a return on your investment when you know that if it turns out good enough, half of its sales will be robbed to convenient online piracy.
Sorry, kid, there's no justification.
"Sufferin' succotash."
"Should taxpayers really pay police, FBI, etc. for playing collection agent for the RIA?"
Interesting argument. Now when there are riots somewere, and the populace is tearing up the business district. Should "tax funded" law enforcement stop them? After all, law enforcement would be protecting "businesses" like the local office of the RIA(A).
Does the CRIA represent non-Canadian artists, and the distribution of non-Canadian music in Canada? I haven't seen any mention of whether they will only be targeting uploaders of Canadian music or all music in general. Quite frankly I don't have all that much Canadian music. One thing I've found ironic about the media levy. Since the majority of the music swapped is not Canadian, they are profitting from stolen music of artists they don't even represent (plus all the other copyrighted material that is swapped). They are also profitting when media is used for legitimate purposes such as HD backups, but that is not so much ironic as asinine.
What is this slow economy you speak of? The Dow is over 10000 you know. Consumer spending is up too. What's the prob?
Maybe he is refering to unemployment?
You don't even have to be unemployed to be frugal in this economy. A lot of companies right now figure they can treat their employees like crap because of the unemployment rate. Some companies like to pull stuff like lay off half the employees and then make the other half work twice as hard.
Even if you got a job, you gotta be prepaired for stupid stuff like this to happen.
When things are tight, people consider their income a lot less disposable. This means less sales of small consumer goods such as CDs and DVDs. There might be some people out there making a lot of money. But stuff like CD sales depend on the masses making large purchases.
Unless you expect the top 1% to purchase a couple million Britney CDs on their own.
Nobody died when Nixon lied.
I'm meeting you half way you stupid hippies!
War!!! We are in a spitual battle. Xians have set the stage. Everyone deserves the right to Their Cash. Multigenerational copyrights have become the norm. Where are we to go from here?
I'll tell you. Information *still* wants to be free. As cliche as it might be, it is sill nonetheless the truth.
The Warriors of the Light will find it increasingly difficult to bring the heathen to their view, but it's still necessary to do so. Information Transfer is the call to arms. It defines us. It's the purpose we serve.
Its purpose the created us. Purpose that connects us. Purpose that pulls us.
That guides us. That drives us.
It is purpose thay defines us. Purpose that binds us.
Ultimately, the direction may be difficult, but it's the way things are.
4 Years of fundimential christiandom tauch me many things, the most importan of which are that we ARE FREE. You think we aren't? Get away from that damned boob toob for a while. You will receive thoughts that are you own again. Thoughts that scare those amoung us that still think for themselves.
Matrix references aside, don't be afriad. You are strong. The Man desires you remain unaffected. The Man wants you to hide. Don't do it. We enter a Brave New World. Be Strong.
But fundamentally a lot less useful than Kazaa, seeing as though selection would be curtained to "contents of 1 audio CD" instead of the vast offering current P2P give.
Still, not a bad theory to start with.
Way to piss people off more and disinterest them towards music in general. You can blame the drop on theft but in reality people are spending more time in front of their computers and less time listening to music, thus out of "sight", out of mind.
The original Napster was the best thing for the music industry and they shot themselves in the foot. It encouraged listening to music and gave people a reason to purchase the full CD. It was the ultimate music sampler and they went and fucked it up beyond repair. Now they will reap the damage they have done and more so with suing people.
Hopefully it will put them out of business...I know, I know, the recording artists would be eating trash before the RIAA lost a dime.
"Do these people have a legal right to distribute this music?"
No, maybe not. But the problem is that corporations manage to get acts pulled that give legal rights where they have no moral ones. If they wish to sue P2P file traders into oblivion, should they also have a legal right to tax the sh** out of CD sales for everyone (and not just music "pirates") with the premise that it is going to cover the losses due to piracy?
It's a little thing called "having your cake and eating it too" (or vise-verse). These companies not only want to stop P2P, they want to use it as an excuse to tax everybody and fill their own coffers.
Now you might say, "oh, of course a dirty music pirate would say such a thing." But, guess what, I'm pro-rights, no pro "piracy." I don't pirate music, but I do buy CD's. So tell me why my moral rights are being trampled on because some big company is using their horrendous amounts of money to increase their "legal" rights, in order to make more horrendous amounts of money? The law is supposed to represent the people... you might want to remember that when greedy corporations are using it as a weapon to defend their pocketbooks.
I think he was saying that the Canadian Supreme court likes to make up laws with their rulings rather than interpret laws already on the books.
so, for instance, if there was no law saying murder was illagal, the canadian supremes would say "we have decided Murder is illegal"
no laws interpreted, just them making some decision based on their ideas.
I am the Alpha and the Omega-3
I meant I think I was saying, not he :-)
I am the Alpha and the Omega-3
I really do not think that these lawsuits have no real legs to stand on. If the CIRA or whatever they are called is using the software that they use in the U.S. to "track and identify computers that trade music files" it is in violation of section 8 of the Canadian Charter of Rights and Freedoms which says "Everyone has the right to be secure against unreasonable search or seizure."
I am almost tempted to dl 1000 CIRA songs and share them with 187,903,274,091,841 people and when the officer comes a knockin' on my door with a subpeona, beat the CIRA with section 8 in court.
P.S. Can someone tell the properties of this softwear?
I'd say music is even better now.
What you are missing is the crap ratio ON THE RADIO and others is much higher now.
Prefab performers like the Monkeys have always been around but you could at least have found something a little less crap on the airwaves.
The Clearchannel mess that Clinton allowed is often overlooked but apart having one or two companies control the majority of the airwaves
is a BIG part of this equation.
When your only choices are Britney, Cristina, Beyonce and any other bimbo of the month, you obviously have a problem.
Your point is pretty irrelevant.
And Im glad your last testes have finally dropped, since I cant figure out what the last sentence nor the context apart from some need to prove your masculinity.
"Blatant."
zeke
really do not think that these lawsuits have no real legs to stand on. If the CIRA or whatever they are called is using the software that they use in the U.S. to "track and identify computers that trade music files" it is in violation of section 8 of the Canadian Charter of Rights and Freedoms which says "Everyone has the right to be secure against unreasonable search or seizure." I am almost tempted to dl 1000 CIRA songs and share them with 187,903,274,091,841 people and when the officer comes a knockin' on my door with a subpeona, beat the CIRA with section 8 in court. P.S. Can someone tell the properties of this softwear?
Owning a copy of Linux doesn't give you the right to distribute binary only copies of it.
Sure it does. Source isn't required unless someone asks for it.
They claim that CD sales have dropped by 23 per cent since 1999 That about the same time I started buying all my cd's from used cd stores and pawn shops. Man I love saving myself money and getting new release cd's at half the price. Heh I just need to find one country that allows uploads and my ass is legaly covered.
by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
A big point people are missing here is that this only applies to musical works. It does not apply to software, movies, or even audio books - those are still illegal to download (in Canada). (it's in the introduction, and section 'D' of the board's ruling.)
~~Everest
They say recrod sales are down , but at the same time i hear that they are also releaseing less.
Can anybody conferm this?
It follows logically from "music piracy is theft" - if the pigopolists are going to equate IP with physical goods.
When I am king, you will be first against the wall.
Radio has nothing to do with it. NOBODY I know listens to the radio anymore.
The fact is, most music today is formulaic excrement. As I posted earlier, people look fondly on Zeppelin, Floyd etc... "The Wall" is probably one of my top 3 favourite albums of all time. I was 8 when it was released, and never actually heard the album in it's entirety until 1989. I still love it now, almost a quarter century after it's release.
Do you honestly believe that come 2028... Hell, come 2013, *ANY* album or band from 2003 will be even remotely as highly regarded as Floyd and "The Wall" are now? Face it, the spirit of innovation and invention has had a stake driven through it's heart.
By 2010, nobody but the most hardcore fans will give a shit about ANY band from 2003.
The majority of file sharers are not from Canada. So what if uploading is banned there. The ammount of music available through P2P is not gonna change. Canadians will still be able to download music. Thus the situation will not change for CRIA at all with regard to downloaded (pirated) music.
It's not really a loophole so much as the actual service the tariff pays for. Remember that this is not officially a tax: according to the law the buyers of blank media are paying full royalties on whatever music they put on the media. At that point the Act is quite explicit in stating this:
(from Bill C-32, the blank media levy amendment)
70.17 Subject to section 70.19 [a non-tariff agreement], no proceedings may be brought for the infringement of a right referred to in section 3, 15, 18 ["copyright in sound recordings"] or 21 against a person who has paid or offered to pay the royalties specified in an approved tariff.
Just hold up a second ladies lets not forget Rita McNeil she must eat about 30lbs of smelts a day, if we download her music how will she continue to preform the double backflip at Sea world? I had four toast today, Rita McNeil and this levy can both eat my shit. "Now we get Christina Aguilera dressed like a cheap street whore working her poochie on MTV on tape loop" Yum Poochie nothing wrong with that, watch yourself soon there will be a tax on masturbation and as rumor has it the Canadian Government are working on a machine that latches on and taxes you based on rawness (this thread made me pretty raw). Is there anyway that this tax on media can be appealed and how did this happen did anyone even put up a fight? For the record cfuse said poochie first.
Talk to a lawyer (IANAL) but it appears that, as long as the content is offered from a tariff-paid CD you are probably good. If you use the original CD you are probably less good (paying the tariff appears to confer almost unlimited rights).
If you want to get into legal definitions, there is not an "uploader for every downloader". Uploader/downloader refer to who starts it, and which directions. You can "download things" (http), and the http server is not legally "uploading" because uploading involves initiating it
Won't your CD-ROM drive die of overuse? I wonder how legal it is when you make a big enough cache that stores the CD contents, so that it would only have to be read once.. ;-)
What time is it/will be over there? Check with my iPhone app!
in all reality do you really need the cd? If you rip it to mp3 and store it on your harddrive what are you doing thats illegal? No different then making a tape copy of the CD. Then if you share the mp3s of the CDs you own your not breaking the law ( IANAL by any means ). So Technically speaking if you downloading songs from iTunes and shared them on kazaa your not breaking the law.Am i right or way off?
Do you mean "Big Bambu" with the rolling paper? Still Smokin' was a [bad] movie.
Sleeping Beauty (in the shape of a folded downer) was cool too.
"Dave's not here."
Shit better not happen!
Copyright is not a misnomer; it means the right to copy. It would not be illegal, and if someone was arrested for downloading Photoshop (and I have not heard of one case of this), they could use the defence that they beleived they were permitted to do so by law. The thing with copyright laws, is that it's very difficult to prevent them from blanketing an entire industry, and if they apply to one industry, it is difficult (but not impossible) to disclude them from another.
Ok my memory is shot. It's the one with them sitting in a car. When you pull out the sleve, it shows them sitting in a car, but the outside shell is missing so you can see the bricks inside the door.
It wasn't my flavor of humor, so I didn't buy that album. I friend showed it to me.
Some people may enjoy the "dog shit" track, but I only found it funny the first time.
The truth shall set you free!
Is the way music is mixed and mastered. Today everything, is limited and compressed to hell. They squash all the dynamic range out of the music to make it sound louder. This pissess me off. I have a really nice setup that can reproduce impressive dynamics, I want to get use of it. But if the music is popular (this isn't done with Jazz and Calssical often thankfully) it is just limited like nothing else. It can be crap like Britney Spears or good stuff like Evanescence or Lacuna Coil, doesn't matter, it's all limitied to hell.
This just wasn't done in the 70s, probably because I don't think the look-ahead peak limiter had been invented yet. Even the crap still had at least SOME dynamic variance.
Then there is the fact that they are feeding everyone through the Antares Autotune all the time, even during live performances. I mean one of the thing that made some of the greats unique was their playing/singing OUT of tune. Heck, some kinds of music regularly makes use of quarter tones which is "out of tune" by western musical thinking.
I agree, there has always been shitty music. Hell, I've played shitty classical form the 1400s, it's not like there weren't crappy composers back then. The problem is lately they seem to be trying to homogonize all music and make it so that people literally CAN'T become great, even if the try.
This isn't even to mention their greedy licensing practises and their illegal behaviour.
taxed, user fee'd and surcharged to death!!!
/.sig Did I Say Terrorist yet... yes.. good!
So what if this organization trys to target "uploaders"... the law, yes we still have laws, in this land doesn't allow for self-serve search warrants and while the details of P2P being legal in Canada are inaccurate the fact still remains that sharing music in Canada, even copying a friends CD is NOT ILLEGAL... so if I "connect" to a friends computer and "copy" a song for my use...technically this is NOT ILLEGAL! It all depends on your perspective as to whether or not you "uploading", "downloading" or "copying"... this will be a very interesting argument for a judge to hear. Yes we still have lucid judges in Canada too!
These types of provisions are well known to the Canadian music industry because they allowed them into the relatively new laws that they hope to use against "file uploaders". You know the same ones who already pay a copying tax on their media and players.
My salary has dropped by about 23% since 1999. Does this mean I can sue P2P users as well?
What if p2p users employed a wide-scale honeytoken solution to combat this.
The simplest example would be to take safe Mp3s and rename them and/or resize them so that they fit the profile of an offending file and widely distribute them. Of course there would need to be some way of proving
in court that files you were accused of having were in fact just these honey tokens which should be easy enough (or not). This would prove a big pain in the ass for both the RIAA as well as Downloaders but I wouldn't mind Downloading a song more than once if I knew that it was hindering the Gestapo tactics of the RIAA or CRIA or whoever.
I haven't had a chance to think it out yet obviously -- but I think some permutation of this could work.
Apple: Apple Announces 25 Million Song Downloads
Did they consider this is why cd sales are down??
When you bought the song you were given the private use rights. It would be fair use to make a copy on your hard drive but to then share that copy would be illegal (still bound to private use).
This seems to get little play in this argument. How many "Dark Side of the Moon or The Long Run or (insert your favorite classic 70's album here)" are they selling now? Those have all been rereleased in the 90s and every body who likes them has the CD. How much of an effect is this having?
> They don't have to prove anything. You get sued, then they ask if you want
> to settle out of court or go through a lengthy trial process.
> Its a lose-lose situation for the parties involved except for the lawyers and
> Celine Dion.
Here are my thoughts on the subject:
I believe that somebody can only sue you if you infringe on their copyrights.
So, what happens if the Canadians host music copyrighted by the RIAA and the USAmericans host music copyrighted by the CRIA (and both disable sharing partial files, just to be safe)?
As an aside, just how much CRIA-owned music is worth downloading anyway?
I am not that familiar with the Canadian legal system. Do the Canadian courts award "expenses" to be paid by the losing party to the winner? If so, the possibility of intimidation through litigation is greatly reduced.
You're helping Hitler!
The cartels are dinosaurs on their way out. They're in AT-ATs and the rest of the world is in snowspeeders.
Just continue to behave as you were, fine Canadian citizens. CD sales will continue to drop worldwide, DRM-lite solutions will be a holdover for a while, then DRM will arrive in its full glory. Its utter marketplace failure will elevate piracy from a trend to a lifestyle and reality. Our natural, God-given right to copy things our senses happen to experience will return in full glory, and the problem of copy rights for the purpose of promoting useful arts and sciences will have to be hashed out from scratch to account for the modern environment.
The AT-AT will cause a disturbance when it falls, and may shoot a few targets on the way down, but it's as good as gone.
Bloody hell! For the past forever, they have been charging way too much for way too little. Now when we, their victims, start stealing back they claim injustice. Artists create art because they _like_ to, not because they want money. Sure, money gives them all sorts of ego and general good-feelyness but it still does not improve the quality of the music, or feed the hungry. I know there are lots of uber-rich people who donate bazillions of helpful monies to every single charity, but "lots" is not to be confused with "EVERY".
If you saw some pompous worm hawking crappy trinkets in the street for $23.95, you'd probably look at him like he was some type of pompous worm. But when the worms get stores to sell their _still crappy_ wares, wares that were almost-sort of-in-some-sense-of-the-word stolen from the artists, we all gather 'round and purchase the package of dirt; dirt that contains a few nifty-looking special shiny pieces of dirt.
Somebody offered me _just_ the nifty dirt, for free. Can't beat that.
Didn't the CRIA read Slashdot, or even the local newspaper? Did they not notice that the RIAA shot itself in the foot, then the other foot, then both hands. Soon they're going to try to kick themselves in the face. Will the CRIA follow suit? "Hey! That looks like a cool dance!" As a Canadian, I think I should be allowed to bring all my CDs that do not contain CRIA-Infected music and get my presume-you-are-a-criminal money back. I am very glad that I do not live in the USA, because of the super-retarded fair use-inhibiting RIAA, MPAA, DMCA et al. But I fear that Canada will jump into the same sinking boat.
Isn't there some way we can obliterate lunacy from our "democratic" societies? Shove some opinion down a few political throats.
Lord_Alex
-End Of Opinion-
How much work could a network work if a network could net work?
The thing they are prosecuting, is an act that would have been illegal even when your grandparents were children. Copyright has always been the law and part of the society that every single person here grew up with.
Save the front page YRO stories for stuff like DMCA, where innocent people are being persecuted under new laws that criminalize perfectly legitimate activities that used to be legal and still don't harm anyone. It pisses me off when true rights that I have taken for granted all my life, are taken away.
OTOH, when society is slow to adapt to the new realities created by technology, and fails to grant me new rights that override laws that have existed for hundreds of years, that is hardly newsworthy. Ok, sure, maybe it's worthy of some discussion, but posting it under YRO and on the front page, dilutes information and trivializes the serious issues and threats that we the people are facing. Think about what you're doing, Timothy.
As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
Why would we sign the FTAA though? If you look at current "free trade" agreements, they are much more "line the pockets of American business and screw Canadian ones" agreements.
Want a good example: try looking up "British Columbia" and "Softwood Lumber." I'm hoping that sometime the Canadian gov't might wake up and realize this, but I think they're too busy listening to the jingle of big-business coin in their pocket instead of the voices of taxpayers.
threatening to file lawsuits against individual file sharers (specifically uploaders)
So specifically against nobody then.
No one uploads (pushes) in P2P. Everyone downloads (pulls).
Uploading and downloading are not two sides of the same transaction in the same way that shoplifting is not the same as the store pushing the product into your arms and shoving you out the door before you could pay.
Someone uploads or downloads. Not the machine nor the software but the person who causes the transaction. Otherwise who are you going to charge with the crime? The computer? (We have enough cases of objects being charged with crimes in the enforcement of drug laws in the US.)
Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
.... because the entire economy has gone down the toilet!! I'm sick and tired of hearing that CD sales are down since 1999 and the blame being placed solely on downloaders. I haven't bought more than a small handful of CD's since then myself, for two reasons: 1) I'd rather take care of necessary stuff first and CD's are necessities right now. 2) The music that is being released now sucks. I've downloaded my fair share of tunes ( which I don't do anymore either, but that's besides the point here) and the only time I did that was after the economy tanked!
ninja monkeys are meeting as we speak, plotting my demise
I'm not sure I agree with your statement about the quality-to-crap ratio. Oh, I agree that there's always been crap out there with the good stuff, but it seems that the good stuff had a lot more appeal and long-term potential than it does now. I haven't bought a CD from a new artist in years now, and I've barely downloaded any mp3s in the last 2 years. There is very little out there that I can stand to listen to more than a few times before I'm sick of it. However, Zeppelin, Floyd, Simon & Garfunkel, Pearl Jam (mainly Ten), Coltrane, Getz, Peterson, etc, I have never gotten tired of.
The other problem is that a lot of the crap out there today is the mainstream stuff and the good music is underground and college radio play. Seems to be a turnaround from the past, where The Beatles, Stones, Stevie Wonder, Michael Jackson, Madonna, Alice in Chains, Run DMC, Public Enemy, etc, got the airplay, and the one-hit wonders were just that. It's quite sad that the stuff we here is played because it's marketed so hard, and not because of its musical merit. Heard an interesting quote the other day: "Sure, Britney Spears will sell a ton of albums this month, but Pink Floyd has been selling tons of albums for years, even without recording anything new." It's all about short-term gain now.
Yah, I know I sound like a middle-aged hippie trying to hold on to the good old days, but I'm in my mid-20s and rather disappointed by what I hear today. The only time I hear anything I like is when a friend who buys random albums says, "Hey, you should listen to this band nobody's heard of." Of course, finding that band's album anywhere becomes a whole other challenge. Seriously, if every major band I heard didn't sound like every other band that comes out in the genre, I might be interested. Very rarely do I hear something that impresses me these days on the radio, which for better of for worse, IS the major marketing tool for CD sales.
- In hell, treason is the work of angels.
For every downloader, there must be an uploader.
So for every case of shoplifting, there must be a shelf that pushed a product into the thief's hands and a store that shoved him out the door? Sorry, a store can give free gifts without the recipient being charged with shoplifting, and a shoplifter can't get off by claiming the item was a free gift.
There is no parity between an upload and a download. Anyone who tells you different is trying to convict you of something.
If you want to make it a crime to deliberately place works copyrighted by others without securing the copyright holder's permission on an unprotected filesystem with the intent that they would be copied by others, fine, but don't call it uploading.
What's next, making selling candy bars via the honor system illegal?
Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
Section 3 of the Copyright act states that "copyright" means, in relation to that work, the sole right to produce, reproduce the work, to perform the work, to publish the work and to communicate the work. It also includes the sole right to authorise such acts. It's an infringement of coypright to do any of these things if you are not the copyright holder or if the copyright holder has not authorized you do to the act. A "work" includes a musical work. (i.e. a song)
The quirky thing about the Canadian Copyright Act however is that section 80 of the Copyright Act says that the act of reproducing a musical work onto an audio medium for private use of the person who makes the copy does not constitute an infringement of copyright in the musical work. This exception to liability is conditional upon the payment of remuneration on blank audio recording media, for which there is a tariff in Canada. However, the exception does not apply to "distributing, whether or not for the purpose of trade" (which sounds allot like uploading) or "communicating to the public by telecommunication" (again, which sounds allot like uploading). There is case law out there that says that its the sender, and not the receiver of the communication, who communicates.
That's why allot of people say you can download, because what you are doing is reproducing a musical work onto an audio medium (eg: your hardrive or whatever) for private use. But that if you upload, you can't rely on the exception because you are either distributing or communicating without the copyright holder's consent.
So, if 2 parties - a borrower and a lender - have a piece of software on their respective computers which copies a CD over the internet, this action is perfectly legal. The lender is initiating the action. The lender paid the levy for the CD that is being burned. The borrower is not distributing or communicating to the public at large.
The lender might still beliable for copyright infringement. Remember, the "private copying" exception only applies to the act of reproduction. The lender might be either communicating a work to the public by telecommunication or distributing a musical work without the copyright holder's consent. However, if there are only two parties in your scenario, it would be very difficult to make a case that the "lender" here is communicating to the public by telecommunication because one person does not equal "public". You might still be distributing, but again, it may be tough to show that.
"Software is a tool, and as a toolbuilder I must struggle with the uses to which the tools I make are put." - Bil
Claiming that the utter explosion in music piracy over the past few years has absolutely no effect on CD sales is a phenomenon that I call "ignoring the elephant" -- that is, the two-ton elephant in the room wearing a shirt labelled "music piracy."
I think this is much more basic a problem than you describe. This is a business problem and there are a number of severe problems with their business model. To mix my metaphors, I don't think you are seeing the trees for the forest on this issue, although I don't deny there is an elephant in the forest.
On the band side of the equation you have failed to factor the destruction of the local and regional labels, radio stations and music scenes. In the quest to make everything 'product', they have turned as much to focus groups and product testing as they have to talent. It is very difficult for a band to rise up these days and even harder to stay intact. Bands, for the most part do not make money off of the music now, they make it by touring and selling t-shirts. There is a massive disincentive for bands to even try. Those bands that are really good, often stick to their local scene and never go national because the pressure is too much and they don't want to ruin their lives in what will be a soul sucking adventure that will most likely lead to breakup and ruin instead of profit.
Independant distribution is a thing of the past for the most part. The venues that were the life blood of many labels, especially radio, have dried up. Homogenization is virtually absolute. I recently saw a TV add for a radio station advertising that they weren't Clearchannel, how pathetic is that, not being Clearchannel is considered a marketable asset. So not only is there no product, there is no way to deliver a variety people might care to sample.
On the listener side, a few top executives 'decide' what we want to hear. They select groups based on mass appeal, engineer a 'product' and push it as much as they can. People don't like being told what to listen to, they like what they like and are often in another world from the recording industry. There is a basic disconnect. I don't listen to commercial radio any more, there isn't any point, they don't have anything I want to hear. It is boring to hear the same play list over and over again. I don't buy CD's for the most part, and I don't miss them at all. If I want music, I can get roughly 200gigs from my friends if I want it, but for the most part I don't care. I used to buy music. Not any more. There are a lot of people like me.
So on the development, distribution and listener channels of delivery there is an impediment to using recording industry products. A smart company would tailor products to my interests and break through delivery roadblocks with good products and marketing tailored to user needs instead of threatening people. Basically, the message is 'The record industry doesn't have good products, they can't move their worthless crap and people won't buy the crap if they could move it... and also they SUCK ASS.' The record industry is in decline, this isn't rocket science, it is how the market works, they have no product, they have no way to move the product and they have an increasingly uninterested pool of people to sell to.
Because one is a service, and the other is copyrighted content. You decrease the value of the service for everyone else by taking it without paying for it. You do not decrease the value of the content by taking it without paying for it. Even you should be able to figure that out.
+++ATH0
Wish I could mod this through the roof.
If Jesus wants me it knows where to find me.
Of course, in the past, creators of digital media have had various levels of control over how information is copied, starting with the rather difficult and expensive stone tablets, progressing through the ages up to easily copiable and unprotectable analog media, and moving on towards potentially impossible to copy digital media playable only on specific devices.
Frankly, given all the options, and the desire for people to be able to actually make a living creating information, I'm inclined to think that copyright *is* as inevitable as laws against theft and murder.
Everything is going down the shitter. If the quality of music is constant, why are there so many younger bands covering old songs? Corporate music contract policies create the crap. 70s crap came from heartfelt (but crappy) artists; nowadays crap comes from artists being contractually obligated to create something, anything that can be sold. It's about the money, not the music. That's autocrap.
And saying there's a large elephant in the room doesn't answer the question "Why is the elephant there?" Yes, partly it _is_ cheaper to download than buy. But also there's the factor of people not wanting to patronize a business they regard as Evil. Once the word got out on how CCR got screwed, more people began examining the egregious abuses of this industry, and people began to wake up. No one wants to feed these bastards when buying an album is hardly a necessity. I've been avoiding buying CDs for years because I don't want the industry to get my money. When I finally broke down and bought a Metallica cd/dvd combination (the packaging said the DVD was a _Concert_ of the entire album; it turned out to be a rehearsal, full of off-key singing and no audience or energy, talk about false advertising) it turns out the whole album was, in fact, crap. Surprise surprise. If there were a return policy on the crap, more people would be willing to pay for music in the first place. Fuck 'em.
The other factor I consider important in this debate is the whole consumer lifestyle. Housing prices have skyrocketed since the 70s; small towns have died a slow death and more people have migrated to larger and larger suburban houses or increasingly expensive cities. People work longer and longer hours at worse jobs they hate, just to pay the huge mortgage/rent. Entertainment becomes more important in people's lives but more expensive (comparatively). And corporations have increased their political power more and more since the 70s until now a congressman has way less power in Washington than a lobbyist does. The corporations have us by the balls and they're squeezing every last cent out of us and giving us less and less back. No raise this year, sorry dude, and your co-pays are going up 50%. And the rent goes up, oh and the bank now charges $27 for an overdraft even though their cost is still less than $5. No wonder people are downloading for all they're worth; it's the only way we can get back at them!
O~ Him that studies revenge keeps his own wounds green. -- Francis Bacon
Uploading? What is that? I thought we 'download' files to someone elses computer?! Thats what they taught me on MSNBC!!