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Yahoo Exec Speaks Against DRM

AWhiteFlame writes "Dave Goldberg of Yahoo spoke against DRM on media files last Thursday at the Music 2.0 conference in Los Angeles. From the article: 'According to attendees, Goldberg pointed to the experience of eMusic, which offers its subscribers access to MP3 files without any digital rights management attached. Rights management restrictions have created a barrier for consumers, he said, making it a hurdle to transfer music to portable devices, and creating incompatibility between music services and MP3 players ... A Yahoo spokeswoman said that Goldberg was 'basically trying to move the industry forward,' and wanted to prompt industry-wide discussion about what the consumer experience is."

244 comments

  1. Interesting.. by taskforce · · Score: 5, Informative

    ...considering Yahoo's music service uses a propretary media player (Yahoo's) with a propretary DRM implementation (Microsoft's) on the subscription model where your music is all deleted when you cancel your subscription... by DRM.

    --
    My 3D Texturing Skinning work (under construction)
    1. Re:Interesting.. by apocal · · Score: 3, Insightful

      this is probably not by choice but what the industry demands. Yahoo doesn't like it, and is trying to open discussion for change perhaps?

    2. Re:Interesting.. by jb.hl.com · · Score: 2, Informative

      If you look at Yahoo Music Engine's site, it says they charge you to burn CDs. Yes, it really does say that.

      I'm not going to use a program which charges me for a basic operation like burning a CD. I'll stick with foobar2000, thanks :)

      --
      By summer it was all gone...now shesmovedon. --
    3. Re:Interesting.. by Anonymous Coward · · Score: 0

      The music isn't deleted. Try to be correct when making a point. If you pay up $10 bucks in the furure the music is still there.

    4. Re:Interesting.. by LetterRip · · Score: 2, Insightful

      [QUOTE]...considering Yahoo's music service uses a propretary media player (Yahoo's) with a propretary DRM implementation (Microsoft's) on the subscription model where your music is all deleted when you cancel your subscription... by DRM.[/QUOTE]

      Not really when you translate what he says to [QUOTE]Our DRM is incompatible with the iPod which really sucks for us[/QUOTE], it makes perfect sense :)

    5. Re:Interesting.. by Anonymous Coward · · Score: 0

      What, but you still just have the music while having a subscription?
      Why would anyone be stupid enough to do that instead of just paying for the music once?

      *doesn't get subscription schemes*

    6. Re:Interesting.. by eclectro · · Score: 1

      ..considering Yahoo's music service

      Normally I might agree that Yahoo (in this instance) would be the source of such aggravation. But if you look a little deeper you will see the truth.

      It's in Yahoo's best interest to have as many subscribers as possible. Restricting format options (such as not offering MP3s) only decreases subscribers.

      I do not think that it is any coincidence that there is no legal means of buying an MP3 download of music (outside of Mindawn, other indie labels, or Russia).

      I suspect that the RIAA does not allow their music to be sold in MP3 format just on principle (theirs) alone. Hence Apples own proprietary music format.

      IMO, if Yahoo were to offer unrestricted MP3 downloads, it would deep six itunes overnight.

      --
      Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
    7. Re:Interesting.. by jb.hl.com · · Score: 1

      Because you get a ridiculous amount of music that way.

      --
      By summer it was all gone...now shesmovedon. --
    8. Re:Interesting.. by javaxman · · Score: 2, Interesting
      ...considering Yahoo's music service uses a proprietary media player (Yahoo's) with a proprietary DRM implementation (Microsoft's) on the subscription model where your music is all deleted when you cancel your subscription... by DRM.

      Very, very interesting... that this is the guy saying 'DRM hurts the customer experience' speaks volumes, because he's speaking from the experience of the online music retailer. He's speaking from the experience of running a service which ostensibly makes the same offering, but gets it's ass handed to it by iTMS... and you just know Yahoo has done the research and it all comes down 'customer experience', i.e. there's stuff people would like to and expect to do that they get annoyed about when they find they are restricted by DRM, be it keep 'their' music after the subscription ends, burn a CD, or put music on an iPod without ( to the average user, very difficult ) DRM-stripping and format conversion.

      People are quick to blame the iPod's FairPlay-only DRM and Apple's refusal to license that, or to open up the iPod to Windows DRM, but really, it's the DRM in general that's hurting things, and part of the reason that iTMS is doing so well may have less to do with the iPod ( though there is a bit of that ) and more to do with the overall 'consumer experience', including the lighter DRM restrictions; you can burn MP3 CDs, you get to keep your music 'forever', you get to move your music between several computers, put it on as many iPods as you want, etc... as much as record company execs want to pretend the users don't care about that stuff, it's clear that they are wrong.

      Disclaimer : I don't buy music online, I still buy CDs... about as many as ever, which is not many, because they're so damn expensive...

    9. Re:Interesting.. by bill_mcgonigle · · Score: 1

      I don't know much abouy Yahoo! Music, but if it's like one of the many sites that let you listen to all the music you want for a monthly fee, then that's one of the few scenarios where DRM does make sense.

      Otherwise it's just unlimited downloads for a fixed fee, which can't be a profitable business model.

      But you're going into it knowing it's a subscription service, so it's all on the up-and-up.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    10. Re:Interesting.. by k12linux · · Score: 1
      there is no legal means of buying an MP3 download of music

      Since being pedantic is apparently encouraged on /., here it goes:
      There are plenty of places where you can buy "an MP3 download of music". Just not the stuff you hear on the radio. If stations started playing something other than only what is sent out by the major labels then some of these other sites could get some traffic.

      If you mean that the only way to get legal non-DRM copies of what you hear on the radio... then you are pretty much right. Until the DJs and music directors of radio stations are willing to do a little work to listen through the crap to find the gems though we're stuck. For now only the stuff we'll hear is the stuff the label rep tells them is good.

    11. Re:Interesting.. by mandrake*rpgdx · · Score: 1

      BAH! If you purchase a burnable copy of a song from Yahoo- it doesn't have DRM and can be in any format you like (including OGG Vorbis). It's only the Yahoo Music Unlimited music jukebox that has the DRM restriction.

    12. Re:Interesting.. by Alpha_Traveller · · Score: 1

      Yes. it's very ironic. However, if that's what you have to do in order to compete as a company (and to convince the information providers to give you what you ask for in terms of content) then you have to bow to industry security measures in the form of DRM.

      Without it you're stuck without any "worthwhile" content. I'm really happy that this guy from Yahoo is talking about it, because he's right. This kind of DRM as in No DRM, or invisible, manageable DRM with a good customer experience is exactly what the industry should be pursuing.

      --
      "Love is like pi - natural, irrational, and very important." (Lisa Hoffman)
    13. Re:Interesting.. by bhtooefr · · Score: 1

      Read his post again, he mentioned indie labels.

    14. Re:Interesting.. by joeljkp · · Score: 2, Informative

      Do people still not understand the subscription music business model?

      Subscription music services are a big jukebox in the sky, for which you pay $10/mo or so for access. Of course burning CDs is going to cost you more, because in burning a song, you're buying it, not just playing from their big streaming repository.

      They're completely different types of services: with one, you pay a little, and you get to listen to whatever you want from their site; with the other, you pay a lot, and get to keep the music you select (subject to DRM restrictions and such).

      --
      WeRelate.org - wiki-based genealogy
    15. Re:Interesting.. by jb.hl.com · · Score: 1

      The difference is that they charge you money for burning music you HAVEN'T purchased from their store to CD. That's very off.

      Especially considering that YME doesn't work with my OS of choice (Windows 2000), I'll DEFINITELY stick with fb2k now :)

      --
      By summer it was all gone...now shesmovedon. --
    16. Re:Interesting.. by monopole · · Score: 1

      Actually the blanket licence, essentially a flat rate licence for arbitrary play of content is the standard for radio and other venues. The CD and MP3 taxes are similar in this regard. It's been one standard means of making profit for a good fraction of a century.

      The basic problem with the concept of a good business model is that present technologies allow for hypothetical models in which the industry takes a cut with every time you play a song or watch a movie in perpetuity. As long as this is held up as the standard, any other business model is regarded as bad or unprofitable.

      The problem that arises is that it is generating a labrynth of incompatible DRM mechanisms that actually supress sales of both hardware and software. Basically the law of unintended consequences.

      My suspicion is that DRM will cause a bunch of severe DIVX (the disc player) level implosions in the entertainment and electronics industries before an effective means of funding media production occurs (I suspect a system based on preorders in escrow will win out).

    17. Re:Interesting.. by drasfr · · Score: 2, Interesting

      yes... maybe Yahoo doesn't like it because they have to pay royalties to Microsoft for the DRM technologies? Going unrestricted means:
      - no royalties for a DRM system to pay
      - systems easier to implement
      - customers more satisfied
      - good for the image...

      The don't own any DRM technology, and thus have no interest in such, adding some only frustrates customers and make them look bad. These days, they only want Google to look bad ;)

    18. Re:Interesting.. by Anonymous Coward · · Score: 0

      Pssst... this isn't PHPBB ;-)

      Try previewing.

    19. Re:Interesting.. by jrockway · · Score: 1

      Did you know that instead of typing [QUOTE] and [/QUOTE], you can type " instead? It's the key right next to the semicolon (at least on a US keyboards).

      If you'd like to be extra verbose, you can use the ``backticks and single quotes'' method.

      --
      My other car is first.
    20. Re:Interesting.. by sah5 · · Score: 1
      Allow me to set you straight here:
      1. Burning is a built-in function of the free Yahoo! Music Engine player. You can burn as many MP3s you want with it. All free. No need to buy a thing.
      2. You can also burn music you purchase from their store. Again, at no additional charge.
      3. YME works just fine on Windows 2000.
    21. Re:Interesting.. by jZnat · · Score: 1

      W3C invented the blockquote tag ages ago; use it.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
  2. Promising, but... by john-da-luthrun · · Score: 3, Interesting

    ...DRM will only hit the buffers when ordinary users realise they're paying for their own shackles. At the moment I suspect it's still only a tiny minority of users who care about this issue, so "the market" still makes it worth record companies' while to impose DRM. Hence, while Emusic is a great service, it only has quite a limited selection - and even more limited if you live in the UK, and run up regularly against "This is not available for download in your country" notices even on Emusic.

    1. Re:Promising, but... by pilgrim23 · · Score: 1


      The sweet spot for music sales has always been the Teen Market. Teens in America have traditionally had the most disposable income. Trends, fads, "cool" (whatever the current, this week only, word for "cool" is) stuff has been a money maker.
      When all media was a one way, we put it on, shut up and consume paradigm...music was a way to print money for those who controlled it. Today.... well, there is this Internet thing I keep reading about in the news...
        My 15 year old son keeps me appraised of the current trends in music and they are ...all over the place. He is into remixed game music (see http://www.ocremix.org/ for one site that has this). His friends are all into various Indie groups. "Pop" music frankly is not even listened to anymore by that age group. Didn't anyone note how the Grammies bombed in the ratings?
      DRM? Insanely high price? -Making it harder to buy or use forr those who refuse to buy or use it anyway ...

      --
      - Minutus cantorum, minutus balorum, minutus carborata descendum pantorum.
    2. Re:Promising, but... by k12linux · · Score: 1
      DRM will only hit the buffers when ordinary users realise they're paying for their own shackles

      I've often wondered what point people will start to notice. Will it be when the owner of one of the "phone home" type DRM systems goes out of business and millions of people suddently can't listen to music they paid for? Will it be when new devices don't support the DRM on the music people bought just a few years earlier?

      Would people buy cars that had restrictions making them only work on certain types of roads? What would they say if they found that new road technology may very well break their car sometime in the future? Would they say.. "oh well, if I can't drive it any more in 3 years at least I got my money's worth?"

      I only have a few requirements for music I buy:

      1. It should sound good (duh)
      2. It should be able to play it on any device that is capable of playing CDs or music files
      3. If it doesn't play on on one of these devices it should be possible to convert it (at no cost) so that it does
      4. It shouldn't suddenly be unplayable in the future due to factors entirely beyond my control
      DRM violates (or has the potential to violate) 3/4 of these. Which of the four are unreasonable for music that I purchased? I don't think that I should have to *lease* music!
    3. Re:Promising, but... by Norfair · · Score: 1

      Excellent point. Teenagers are too impatient, in fact more impatient than ever these days to put up with the backwards-looking system of DRM. Make things even slightly too hard for them and they'll up and leave, and good for them, I say.

  3. Consumer experience by Anonymous Coward · · Score: 0

    Goldberg was 'basically trying to move the industry forward,' and wanted to prompt industry-wide discussion about what the consumer experience is."

    The consumer experience is basically no lube, no reach-around.

  4. Why do they care? by astemus · · Score: 1

    The music industry thinks that everyone is a pirate. "Rights management restrictions have created a barrier for consumers" while having absolutely no influence on people who pirate music. Short discussion, huh?

    1. Re:Why do they care? by HolyMoto · · Score: 1

      It makes me sick to think that I might not have control over my music collection I have worked so hard to obtain for the last 13 years. Most of the music I listen to is not so mainstream, but their lables are. I get more and more nervous everytime I purchase a CD. I am not a pirate! Free my Music!

    2. Re:Why do they care? by davido42 · · Score: 1

      All together now... "ARRRRR!"

      --

      BitWorksMusic.com -- odd tunes for odd times

  5. C'mon be practical by Mateo_LeFou · · Score: 1

    We have to deal with the real world as it is. ...I mean, as we and our buddies made it.

    --
    My turnips listen for the soft cry of your love
  6. I never got it by tibike77 · · Score: 1

    I never understood the whole "DRM" idea.
    In the day of the tape/casette/VCR players, nobody would cry about people with tape/casette/VCR recorders because they copied some music/movies from a rental service, or TV, or the radio.

    I wonder what would happend if EVERYTHING got DRM-enabled, and "piracy" would all but dissapear.
    Who the frag would even BUY some (?crappy?) music AT ALL if they never heard a single verse, nor seen a single scene, etc.

    I'd have to argue internet piracy has BOOSTED sales of crappy stuff.
    Because they spread it around to stupid morons who actually enjoyed it.
    I say go ahead, DRM-ize everything.
    Talk about shooting your own foot...

    --
    By reading this signature you agree to not disagree with the post you just read.
    1. Re:I never got it by Billosaur · · Score: 4, Informative
      In the day of the tape/casette/VCR players, nobody would cry about people with tape/casette/VCR recorders because they copied some music/movies from a rental service, or TV, or the radio.

      On the contrary: Jack Valenti Testimony at 1982 House Hearing on Home Recording of Copyrighted Works

      To quote: But now we are facing a very new and a very troubling assault on our fiscal security, on our very economic life and we are facing it from a thing called the video cassette recorder and its necessary companion called the blank tape. And it is like a great tidal wave just off the shore. This video cassette recorder and the blank tape threaten profoundly the life-sustaining protection, I guess you would call it, on which copyright owners depend, on which film people depend, on which television people depend and it is called copyright. And that was 1982!

      --
      GetOuttaMySpace - The Anti-Social Network
    2. Re:I never got it by PhrostyMcByte · · Score: 1

      I hate DRM as much as the next guy, but I think you've got the wrong idea.

      While the old tech allowed you to make copies, new tech allows you to make a high quality copy and send it to several hundred people in under an hour with very little effort. So they certainly have a reason to be more worried of copying now than they were before.

      That said, I think they've gone from "worried" to "insane" and need to tone it down a bit.

    3. Re:I never got it by Anonymous Coward · · Score: 0

      > And that was 1982!

      I guess Orwell was actually a couple years *early* rather than late. Weird.

    4. Re:I never got it by Frank+T.+Lofaro+Jr. · · Score: 1

      Interesting aside: He gave an example of a film called "Firefox"

      --
      Just because it CAN be done, doesn't mean it should!
    5. Re:I never got it by u-235-sentinel · · Score: 1

      And it is like a great tidal wave just off the shore. This video cassette recorder and the blank tape threaten profoundly the life-sustaining protection, I guess you would call it, on which copyright owners depend, on which film people depend, on which television people depend and it is called copyright

      If the video cassette recorder was bad and threatened them in 1982 then why are they still in business? I understand last year they suffered record breaking profits! Now we hear the same things about 25 years later. Did I mention they are suffering record breaking profits?

      --
      Has Comcast disconnected your Internet account? Same here. You can read about it at http://comcastissue.blogspot.com
    6. Re:I never got it by spicydragonz · · Score: 1

      My take on Piracy is that I now go to more concerts. I have gone to 4-5 concerts of bands that Iwould not have heard of were it not for the ability to download music. At sad concerts I end up spending $50-100. So the band is getting more money from me than they would had I bought the CDs. Downloading helps smaller bands get their music out and finds fans. Downloading probably hurts people like Brittney spears and 1 hit wonder type bands.

    7. Re:I never got it by 91degrees · · Score: 1

      I understand last year they suffered record breaking profits!

      Yes. The video rental and sales divisions are largely responsible for that. Remarkable isn't it, how the technology that they thought would dstroy them has benefitted both the consumer and the industry.

      The music industry could do the same. Unfortunately they're finding the whole digital distribution side is controlled by iTunes at least partly as a side effect of the music industry's insistence on DRM.

  7. does he care? by BecomingLumberg · · Score: 1
    Goldberg pointed to the experience of eMusic, which offers its subscribers access to MP3 files without any digital rights management attached.

    I wonder if he really cares, or if he is just advertising for eMusic. Heck, if eMusic has a wide song base, I would buy from them over a DRM'ed source with better quality.

    --
    If a nation expects to be ignorant and free, in a state of civilization, it expects what never was and never will be.-TJ
    1. Re:does he care? by joabj · · Score: 1

      >Heck, if eMusic has a wide song base,

      It does. Although it has recordings of many well-known artists--Cold Play, Miles Davis, Sigur Ros, etc.--these recordings were done on smaller labels before they became famous and were tied to more restrictive contracts.

      EMusic can sell unencumbered MP3s because it deals mainly in artists that would benefit from more casual sharing of their material. They are still in (or stuck in) that stage of popularity where they need to gain more fans--who will go to the shows, buy new music. I'm not likely to copy my new Trailer Bride CD over to you (Unless I wanted to "turn you on" to the group), because you probably haven't heard of them. You most definitely wouldn't buy any music from them anyway.

      The EMusic approach would be severely slash sales for hugely popular groups like U2 though, for whom enlarging the audience is no longer an issue. Besides, at that level of popularity, the sharing is done for a different reason. One person in a peer group could buy the MP3s and make copies for all her friends, so U2 sells one album instead of 10. That's not introducing someone to a new group, it's just saving them the cost of buying the music they were probably going to buy on their own anyway.

      DRM definitely helps the most successful msucial acts more than the unknown ones. Or, conversely, widespread copying is a tax on success.

      The RIAA doesn't want to frame the debate in these terms ("Illegal copying is illegal copying regardless of the popularity of the artist"), but on a pragmatic level, this is where the chips fall, and why Emusic hosts a great deal of really good (though obscure) music and not be too worried about the DRM/copying debate....

      joab

    2. Re:does he care? by richieb · · Score: 1
      EMusic can sell unencumbered MP3s because it deals mainly in artists that would benefit from more casual sharing of their material. They are still in (or stuck in) that stage of popularity where they need to gain more fans--who will go to the shows, buy new music.

      Hmmm... These artists don't seem stuck to me: Duke Ellington, Charlie Parker, Miles Davis, Billie Holiday, Ella Fitzgerald, Louis Armstrong.

      --
      ...richie - It is a good day to code.
    3. Re:does he care? by LarsG · · Score: 1

      The EMusic approach would be severely slash sales for hugely popular groups like U2 though, for whom enlarging the audience is no longer an issue.

      True. I expect that the final market once everything settles down will have a lot fewer huge sales peaks, but a thicker tail. Which might end the era of large record companies if they continue to depend on big sellers to turn a profit.

      I don't really see this as a bad outcome, though.

      --
      If J.K.R wrote Windows: Puteulanus fenestra mortalis!
  8. So true... by Rac3r5 · · Score: 1

    My cousin purchased a CD from EMI Music, but since he doesn't have a Discman, he tried to rip the music to MP3, however the CD wouldn't let him. It came with some software to rip the music to WMA format. Then he tried to load the music to his iPOD, which is also supposed to convert the WMA to MP3 I think. But it didn't allow him because the music was copyright protected. Stuff like this just screws the consumer.

    1. Re:So true... by Ant2 · · Score: 1

      I'd suggest returning the defective disc. Audio CDs are not supposed to behave that way.

    2. Re:So true... by MillionthMonkey · · Score: 1, Flamebait
      This is why I have no plans to buy an iPod, ever. Or any more CDs for that matter. I have to assume I'm going to get ripped off. If you have CDs, the RIAA argues, transferring them to an iPod should be illegal. You should have to buy the music all over again:
      The [submitted arguments in favor of granting exemptions to the DMCA] provide no arguments or legal authority that making back up copies of CDs is a noninfringing use. In addition, the submissions provide no evidence that access controls are currently preventing them from making back up copies of CDs or that they are likely to do so in the future. Myriad online downloading services are available and offer varying types of digital rights management alternatives. For example, the Apple FairPlay technology allows users to make a limited number of copies for personal use. Presumably, consumers concerned with the ability to make back up copies would choose to purchase music from a service that allowed such copying. Even if CDs do become damaged, replacements are readily available at affordable prices. Similar to the motion picture industry, the recording industry has faced, in online piracy, a direct attack on its ability to enjoy its copyrights.
      You can't burn your disk so you have a backup, or a copy for the car- you have to buy two disks. Since you can always buy more CDs (unless you don't have the money to fork over, or they aren't printing it anymore), the RIAA argues that you shouldn't be allowed to back up your CDs. If you buy music for an iPod, you can never back it up off the iPod- and if anything should happen to your iPod, well that's just too bad for you. Why do so many people buy iPods? It just seems like a waste of money.
    3. Re:So true... by Anonymous Coward · · Score: 0

      Mod parent up! That kind of a CD doesn't comply with the Red Book Standard for audio CD's and should be selled under another name. Frankly, selling it as an audio CD should be illegal...

      "Philips and many other companies have warned them that including the Compact Disc Digital Audio logo on such non-conforming discs may constitute trademark infringement; either in anticipation or in response, the long-familiar logo is no longer to be seen on recent CDs, as well as stickers and warnings that the CD is not standard and may not play in all CD players"

    4. Re:So true... by jfengel · · Score: 1

      Isn't this the one that gets defeated by holding down the SHIFT key when you insert the disc?

    5. Re:So true... by ShavenYak · · Score: 1
      If you buy music for an iPod, you can never back it up off the iPod- and if anything should happen to your iPod, well that's just too bad for you. Why do so many people buy iPods? It just seems like a waste of money.

      First of all, the RIAA is not Congress, nor are they a law enforcement agency. So, just because they tell you something is illegal doesn't make it so. In fact the Audio Home Recording Act of 1992 says the following:
      No action may be brought under this title alleging infringement of copyright based on the manufacture, importation, or distribution of a digital audio recording device, a digital audio recording medium, an analog recording device, or an analog recording medium, or based on the noncommercial use by a consumer of such a device or medium for making digital musical recordings or analog musical recordings.

      Second, you apparently have no clue how the iPod or iTunes works. When you buy music through the iTunes Music Store, it is downloaded to your computer as an .m4p file, which can be backed up as easily as a .txt file, although only an authorized computer can play it. The file is then copied to the iPod. You can even retrieve the file from the iPod, although iTunes itself won't do it. Furthermore, even if you don't buy music from the iTunes Music Store, you can still play any .mp3 or .m4a file - whether downloaded from legal or illegal sources, ripped from your own CDs, or recorded into your computer from LP, 45, 78, cassette, eight-track, reel-to-reel, or Edison wax cylinder, if you so desire.
      --

      Hey kids, there's only 5 days left 'til Yak Shaving Day!
    6. Re:So true... by LordSnooty · · Score: 1

      Don't tell the RIAA, but I think many people like to fill their iPods with MP3 music they've acquired from various, mostly illegal sources beforehand. This is certainly what I do with my crappy 40GBP flash-drive-style MP3 player.

    7. Re:So true... by ngm · · Score: 1

      I can't tell if you're trolling or simple misguided...
      Assuming the later, you're putting the blame in the wrong place. The iPod is merely a pretty slick bit of hardware for playing digital music. It supports AAC (16 to 320 Kbps), Protected AAC (from iTunes Music Store), MP3 (16 to 320 Kbps), MP3 VBR, Audible (formats 2, 3 and 4), Apple Lossless, WAV, and AIFF, so it has plenty of options to play non-DRM music. That it couldn't play DRM'd WMA isn't the fault of the iPod, but of the DRM on that file. Likewise CDs in general do not have any DRM (and even the kind the GP mentions is easy to get around), so it's not the fault of CDs either. So, buy an iPod and buy your CDs from responsible companies that make proper CDs and you'll have a happy time listening to your music without DRM on your iPod where ever you go.

      Oh, and BTW, if the RIAA said that you couldn't listen to their CDs unless you were wearing a sombrero, would you wear one and decry the makers of sombreros for ripping you off by forcing you to buy a hat? Or laugh, and tell the RIAA that they can't write law (yet)?

      -n

    8. Re:So true... by k12linux · · Score: 1
      This is why I have no plans to buy an iPod, ever. Or any more CDs for that matter.

      I'm pretty much fed up with the major labels as a whole. I'm far more likely to listen to some little-known artist via web radio than Britney Spears anyhow. So, bottom line, I don't give a crap what they do as long as they don't get laws passed that restrict how I use the music I purchase from other sources (such as Magnatune.com)

      I'm not a criminal and I don't like having my hands tied behind my back as if I were one. I've never given copies of my CDs, VHS or DVDs to anyone. I've politely refused when friends offered to give any of these to me. I've been online since 1993 and never once offered copies of my music files to others.

      What I have done is download .mp3 files and listen to them. If I found any I really liked I bought the CD. In my case MP3 downloads resulted in probably 1/2 dozen CD purchases that I would never have made otherwise. Only years later did I even hear most of these songs on the radio.

      Now that the RIAA calls anyone downloading MP3 files a theif I no longer have that source of music preview and haven't bought a single CD since. In other words "cracking down" on MP3 files online has REDUCED my purchasing. This isn't even a moral or activist response. I just don't care for much of what I hear on the radio enough to want to pay for it.

    9. Re:So true... by db32 · · Score: 1

      I agree with you for the most part here, but honestly I don't care what the RIAA calls me, and I am sure they don't care for what I call them. The only clarification I offer is regarding "Now that the RIAA calls anyone downloading MP3 files a thief...". As much as they would like to, they cannot control artists that aren't under their thumb. There are plenty of good artists out there, that aren't locked into contracts with RIAA member companies, that still let you download their MP3s for the very reason you stated, of making it more likely that you will buy their stuff. I still download plenty of indie mp3 stuff when I find it, and if it is good I try to shell out the money for their CD.

      --
      The only change I can believe in is what I find in my couch cushions.
    10. Re:So true... by cpt+kangarooski · · Score: 1

      Ah, I haven't seen anyone misinterpret 1008 for a while.

      If 1008 made it non-actionable for people to download music with their computers from the internet, regardless of other legalities, then several conditions apply. First, computer makers would have to pay royalties due to the capabilities of computers, regardless of how they were actually used. Second, SCMS or similar DRM would have to be implemented on the computers, which would mean that while you could have a Generation 1 copy (such as a CD), and you could make all the Generation 2 copies you want (such as an mp3 ripped directly from the CD), you could not make a Generation 3 copy (such as a duplicate of the mp3).

      Of course, 1008 is inapplicable to computers.

      For 1008 to apply, a computer would have to be a digital audio recording device as that term is defined in law. In order to be one of those, it would have to be able to make digital music recordings, as that term is defined in law. N.b. that legal definitions might be quite different from your own definitions.

      Digital music recordings are defined as not including material objects that, among other things, have computer programs onboard. In fact, Congress specifically didn't want computers to fall under the AHRA, and said as much in the legislative history.

      What hardware qualifies: Minidisc decks, DAT decks, standalone Audio CDR burners, and under the analog provisions, audiotape decks, record players, etc. But not computers, and honestly, it's a good thing, too.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    11. Re:So true... by Billly+Gates · · Score: 1

      Yeah you can back it up

      You can authorize up to 5 computers and you deauthorize so you can move them on different computers indefinitely.

      I made a mistake where I lost my music during a windows reinstallation. Itunes will let you redownload the purchased music for free and it saved my ass.

      But yes its drmed. Show me an alternative that is not crippled and has the same music selection as Itunes and I would switch?

      I support ITunes because the RIAA would blame any loss on piracy and I want to show them I am willing to pay for music *legally* if they treated me like a customer. Also the fact that I dont have to buy expensive discs if I only like 1 or 2 songs is a plus as well.

    12. Re:So true... by jZnat · · Score: 1

      You just realisticly said that it supports MP3, AAC (MP4), and the two main PCM formats (WAV and AIFF). Wow, big fucking whoop. Ever heard of Vorbis? FLAC? Monkey's Audio? ATRAC? Musepack? AC3? I could go on and on...

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    13. Re:So true... by ngm · · Score: 1

      So, it doesn't support every format under the sun, what's your point? You're still not getting screwed as it plays many DRM-free formats. Perhaps, you're refering to the fact that the MP3/4 formats have royalties assoiciated with them, however that's hardly getting screwed. It's not perfect and it may not be the device for you if you must use Ogg Vorbis (and yes I've heard of it) or other royalty-free format. You and I might like it if the iPod supported Ogg Vorbis, but it's such a marginal format at this point that there is hardly any demand for it.

      -n

    14. Re:So true... by k12linux · · Score: 1
      I agree with you for the most part here, but honestly I don't care what the RIAA calls me

      Me ethier. What I do care about are all the things they do (or want to do) that affect my abillity to enjoy music how, where and when I want. I care about activities that shut down file sharing technologies instead of going after those who actually violate copyright. I care about lobbying pressures that get bills passed charging extra fees to Internet radio sites above and beyond what physical radio sites must pay.

      As far as I'm concerned they can strangle off their own business by becomming continually more and more anti-customer oriented. I'll stick with sites like magnatune.com and hope my little bit of support helps services and music providers like them stay in business.

  9. EMusic's problem by brunes69 · · Score: 1

    The problem EMusic has is that it is impossible to browse their catalogue unless I sign up for a "free trial".

    I don't want to sign up for anything unless I know WTF I am going to be able to buy. I find most people fit into the same mindset. You need to know what artists are available before you are going to jump into this new unknown site.

    1. Re:EMusic's problem by weekendgeek · · Score: 4, Informative
      --
      It would be presumptuous to conclude that Americans have no right to know what is being done in their name
    2. Re:EMusic's problem by Secrity · · Score: 1

      I just got finished browsing a portion of EMusic's catalog, and I don't have a subscription. I saw no indication that I wouldn't be able to browse all of EMusic's catalog and listen to at least some of the music without subscribing.

  10. Russian Sites by Nerdfest · · Score: 1

    Just another reason to use one of the more 'grey' sort of download sites ... From what I've heard, they have more format and bitrate selection, and are cheaper. Anybody know of a good one, and can I trust them with my credit card number?

    1. Re:Russian Sites by Anonymous Coward · · Score: 0

      allofmp3.com is reasonnable and seems safe.

    2. Re:Russian Sites by bill_mcgonigle · · Score: 1

      allofmp3.com is reasonnable and seems safe.

      That's just what they want you to think so they can gain critical mass before they harvest their credit card database. I mean, every good trap has tasty bait.

      OK, I just made that up, but consider the defense strategy should such a thing come to pass.

      And allofmp3 still gives $0 to the artist, right? Something like it with a cut to the artist and recourse in the users' juristictions would be more ethically and economically acceptible.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    3. Re:Russian Sites by networkBoy · · Score: 1

      allofmp3.com uses a third party for charge cards. If you're really parinoid buy a Visa gift card and put funds on that (costs you $2.00) then charge against it for the service. That's what I do. My view is fairly simple on the whole piracy thing. Why pirate when it's cheap enough to be legal (at least technically so).

      If the ??AA would get it through their skulls that they can have their profits and no piracy by lowering the barrier to entry (i.e. low prices and minimal if any DRM, or damn near free with draconian DRM) they would be rather wealthy and the piracy "problem" would likely vanish.
      -nB

      --
      whois gawk date unzip strip find touch finger mount join nice man top fsck grep eject more yes exit umount sleep dump
    4. Re:Russian Sites by networkBoy · · Score: 1

      Specifically allofmp3 pays an ammount compariable to what a radio station pays when they play a song. The artist gets just as much (I think this is in the sub 1% range though). I would happily pay a buck a song over the 14c a song I pay with allofmp3, if I had any thought that the artist would see the difference (artist being the song writer and performer, split equitably). They [artists] don't see any more, so why should I fund the conglomerate?
      -nB

      --
      whois gawk date unzip strip find touch finger mount join nice man top fsck grep eject more yes exit umount sleep dump
    5. Re:Russian Sites by bill_mcgonigle · · Score: 1

      I would happily pay a buck a song over the 14c a song I pay with allofmp3, if I had any thought that the artist would see the difference (artist being the song writer and performer, split equitably)

      That's the killer business model. I wonder how the iTunes Indy price scales work.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    6. Re:Russian Sites by jandrese · · Score: 1

      Unless you live in Russia, there's a good chance that using AllofMP3 is not legal in your country. Just because you pay for it doesn't make it legal.

      --

      I read the internet for the articles.
    7. Re:Russian Sites by soupdevil · · Score: 1

      As long as you're ripping off the artist by buying on allofmp3, you might as well rip off the label as well, and save yourself a few cents by getting it for free.

      At least your p2p download will be tracked by the label, which will make them more likely to support the artist with promotional funding (for videos, concerts, kickbacks to DJs, etc.)
    8. Re:Russian Sites by Otterley · · Score: 1

      Please to be not giving out legal advice on Slashdot. What attorney has told you this?

    9. Re:Russian Sites by jandrese · · Score: 1

      I don't need an attorny for this issue as much as common sense. It's danged near impossible to get the record companies on board for normal (DRM laden) music services and they charge a boatload for the songs. Am I supposed to believe that every single record company out there tried like crazy to screw iTunes, Yahoo, etc... but then turned around and said "Oh, in Russia? Sure, we'll give you all of the songs for free and you can distribute them however you want." Puh-leeze. If artists ever saw a dime (and a dime is all they normally see) from Allofmp3 I would be shocked.

      --

      I read the internet for the articles.
    10. Re:Russian Sites by networkBoy · · Score: 1

      It's not so much that they want to, but rather that they have no choice because of the host country's laws. Follow that up with importation regulations and you'll find a loophole that at least for the moment makes it legal.
      Like I've stated elsewhere, I have no issue paying more, except that the wrong people get the money. Also, to deal with a later post saying I should just use P2P because that at least is tracked:
      So is allofmp3. In addition, by using a pay service I accomplish two things: 1) at least a marginal form of legal indemity(sp?), and 2) I make a statement that while music _is_ worth paying for DRM is not, further I am stating my preference for a price point.

      I do attempt to not break the law. Every copy of windows I have installed is properly licenced, all the other machines use linux. That said I see little reason to not enjoy everying up to the very limit allowable.
      -nB

      --
      whois gawk date unzip strip find touch finger mount join nice man top fsck grep eject more yes exit umount sleep dump
    11. Re:Russian Sites by cpt+kangarooski · · Score: 1

      Might've been me, though I don't give legal advice out on /.

      With regard to the kinds of works we're talking about, it's flatly illegal for people in the US to download from Allofmp3.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    12. Re:Russian Sites by Otterley · · Score: 1

      On what basis? I'm a law student researching copyright law, and it appears that under 17 U.S.C. s. 601(b)(4)(A) (personal importation exception), so long as the original copy is not made in violation of copyright (i.e., if AllOfMP3.com is operating legally in Russia), then a single copy of a work legally purchased in Russia may be legal to import into the United States.

      There may be issues of international law - but to my knowledge there has never been a case answering this particular question.

    13. Re:Russian Sites by cpt+kangarooski · · Score: 1

      Section 601 has been dead for nearly 20 years. It only applies, according to itself, to importation that occured prior to July 1, 1986. It is quite irrelevant now.

      The current importation section is section 602. And while you should feel free to read it -- and feel free to bear in mind that exceptions under 602(a), such as 602(a)(2) do not apply to the importation prohibition under 602(b), since the operative word is 'subsection' -- it's a red herring.

      Copies are defined in section 101 as being material objects. A paperback is a copy. A hard drive is a copy. Ones and zeroes are not copies, because they are intangible. Thus, downloading necessarily involves the creation of a new copy at the receiving end. This is why downloading is a form of reproduction.

      Importation is a subset of the distribution right. It requires that copies -- tangible objects -- cross borders. This does not happen when you download. Since 602 deals with distribution and exceptions to the distribution right, it is irrelevant to this discussion.

      You need an exception to the reproduction right. Good luck with that.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  11. Great news by poeidon1 · · Score: 1

    It would be great if yahoo is planning that MP3 music downloads in future. I am tired of burning music from itunes to cd and ripping it back to mp3 with a loss in quality as well.

    --
    They called me mad, and I called them mad, and damn them, they outvoted me. -Nathaniel Lee
    1. Re:Great news by Anonymous Coward · · Score: 0

      Why not use TuneBite instead? http://www.tunebite.com/

    2. Re:Great news by ShavenYak · · Score: 1

      Why pay $17.90 for software to do something that can already be done for free by burning to CD and ripping? Besides, he might be using a Mac, and tunebite appears to be Windows-only.

      --

      Hey kids, there's only 5 days left 'til Yak Shaving Day!
  12. Too little? Too late? by Mateo_LeFou · · Score: 1
    It is nice if Yahoo wants to "open up discussion". What I'd prefer is for a big name to come out and say "We're just going to distribute CC-licensed music to keep it simple"

    Obviously theres a big 3. ... ? before the profit, but nothing ventured, nothing gained.

    --
    My turnips listen for the soft cry of your love
    1. Re:Too little? Too late? by Baricom · · Score: 1

      It's a nice idea, but the vast majority of people demand RIAA music, and if a big name stops distributing it, those people will just take their business elsewhere.

    2. Re:Too little? Too late? by Shadarr · · Score: 1

      The only online retailer that has the clout to pull it off is iTunes, but Apple likes DRM because the lock-in forces people to buy more iPods, which is how Apple makes their money. The smaller players want to offer DRM-free music because it would give them a selling point against iTunes, but because they are smaller players they don't have the clout to force the RIAA to go along, and without RIAA music the advantage of DRMless files is completely eclipsed by the total lack of music that consumers want. Hense why they're trying to convince the RIAA to drop the DRM requirement with logic rather than strong-arming.

      The only other way for someone like Yahoo to get in would be to sign a big-name artist away from the RIAA. Give that artist a sweeter deal than they were getting in their previous contract, and publicize that fact. Sell plain mp3 files and publicize that fact. It would be a pretty big risk for both Yahoo and the artist, because it would be a declaration of war. However, the RIAA is largely obsolete in the digital space, and someone needs to replace them.

  13. could spur growth or not by pvt_medic · · Score: 1

    I think this touched upon one key part though the portable media player market. While the growth seen there has been tremendous, it has been largely focused on one product the iPod. Dont get me wrong I love my iPod and think it is an excelent designed product but there are some other items out there that have caught my eye but I would not be as interested in because they dont play well with the music collect that I have bought (stupid me) and my computer (a mac, although remarkably usually less of an issue). If there was an open format without DRM i might be able to explore some of these items, and might end up with another one or two MP3 players, i had to ditch last two MP3 players because they didnt work with iTunes.

    Now that the consumer perspective has been voiced, my reality is that I dont see any of these companies removing the DRM anytime soon especially since it promotes sales of its own product (iTunes and iPod is the perfect example). I dont pay for music, and all the MP3 i have i have created (or acquired...) so they are in a format I can work with. Nice idea of all the companies playing nice with each other and the consumer but I am quite skeptical at the same time. it is in their best interest for the time being to continue with the path they have created.

    --
    30% Troll, 50% Underrated, 10% Interesting
    Score:5, Troll
    1. Re:could spur growth or not by braindead_in · · Score: 1

      Its just creating the market for an Open Source DRM! http://witopia.blogspot.com/2006/02/amazing-drm.ht ml

  14. "A Yahoo spokeswoman said" by PhotoBoy · · Score: 1

    Is it me or does it sound like Yahoo! is making some sort of apology for their man daring to suggest DRM is bad? It's a shame that DRM seems almost inevitable now, despite the high profile debacle last year of Sony's rootkit and patches, it doesn't seem to have translated into a public awareness of what DRM is and how it restricts you. iTunes for example, seems to be doing rather well, it just reached its billionth download.

  15. Quick and Easy way to beat iTMS by Dr_LHA · · Score: 1

    A lot of music stores have been having difficulty competing with the iTunes Music Store, and with good reason, iPods are hip, and the only Store guaranteed to work with the iPod is the iTMS.

    However there is another way, if Yahoo's store sold, instead of DRM encumbered MS only files, un-DRMed AAC or MP3 files, these would work fine with the iPod, they could sell them at a lower cost than iTunes and compete with Apple.

    Of course the RIAA will never allow them to do this, because non-DRMed music is bad, right?

    1. Re:Quick and Easy way to beat iTMS by mandrake*rpgdx · · Score: 1

      If you purchase a burnable copy of a song from Yahoo- it doesn't have DRM and can be in any format you like (including OGG Vorbis). It's only the Yahoo Music Unlimited music jukebox that has the DRM restriction.

  16. Are you kidding? by Mateo_LeFou · · Score: 1

    They cried all the way to the supreme court! This is verse 900 of the exact same song.

    --
    My turnips listen for the soft cry of your love
  17. Only way I'll get downloaded music by CastrTroy · · Score: 3, Insightful

    The only way I'll pay for downloaded music is if its lossless (wav,flac) and if it costs significantly less than the CD. If the artist only has 1 good song they aren't worth giving any money to. If they can produce an album where I like at least half the songs, and don't hate the rest, then I will buy the music. If the download doesn't cost less than half of what the CD costs, then I don't see where I am getting a better deal.

    --

    Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    1. Re:Only way I'll get downloaded music by Billosaur · · Score: 1
      The only way I'll pay for downloaded music is if its lossless...

      The only way anybody will get me to download music at all is when they pry my 60 CD-changer stereo from my cold, dead hands...

      --
      GetOuttaMySpace - The Anti-Social Network
    2. Re:Only way I'll get downloaded music by Anonymous Coward · · Score: 0

      It might not have all the music you want but I think bleep.com has got it right.

    3. Re:Only way I'll get downloaded music by hondo77 · · Score: 1

      Isn't that thing too bulky when you listen to it on airplanes? What happens when you get your 61st CD? :-)

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    4. Re:Only way I'll get downloaded music by Anonymous Coward · · Score: 0

      Absolutely. I am never going to buy an mp3 for a dollar...it's just common sense. I can pay 12$ for 12 lossy DRM-locked up songs, or I can pay 15 (not even that; most of the stuff I buy is from small labels) for an actual CD with artwork, etc. I have a friend who always talks up Rhapsody...he burns CDs from Rhapsody. He pays around 10 bucks an album and on top of that has to buy a CDR (which don't last as long as CDs, unless you buy high-high quality stuff like Mitsui), print out artwork on crappy paper (unless, again, he buys really high quality paper which isn't cheap in amounts of, oh, 100) . Doesn't make sense.

    5. Re:Only way I'll get downloaded music by kidcharles · · Score: 2, Insightful

      You outlined my own thoughts on the issue almost perfectly. $0.99 a song can be more than the cost of a CD depending on the number of songs on the CD. And it's compressed at an inadequate 128kbs. And I'd have to deal with the DRM garbage. Sorry Apple, I ain't buyin' it.

      --
      Ceci n'est pas une sig.
    6. Re:Only way I'll get downloaded music by Steve001 · · Score: 1

      I agree that when paying for music, I only want it in a lossless format. My own preference is Red Book CDs for this reason. CDs might be bulky, but they are playable on just about every CD player ever made, while formats like AAC are only playable on one type of player.

      Due to this I consider CDs the digital music equivalent of ASCII/plain text. ASCII/plain text has its limitations, but just about every computer on the planet can open and read a ASCII/plain text file. In the same way CD has its limitations, but as mentioned above just about every player will play the disc.

      DRM also brings forth another concern: What happens when, in time, the files become unplayable due to changes in the technology or if the player they were purchased for breaks? Since the DMCA makes it illegal to bypass copy protection, the files would become unplayable and you would be required to purchase them again. Consider this: How many people are able to accurately open word processing documents in the MS Word 1.0 format? In Professional Write 1.0 format?

      Yet Standard CDs have been around for over 20 years and they are still as playable as ever, except for the discs containing DMR. Players are readily available and relatively inexpensive. True the discs themselves are more expensive than digital downloads, but that is the price of better quality.

      Thanks for reading.

    7. Re:Only way I'll get downloaded music by Anonymous Coward · · Score: 0

      yup... $12 for 12 songs... from different albums. pick and choose which songs you want. lots of the CDs out now only ahve a few good songs on them. so go ahead and pay that $15 if you're happy with the whole album. lots of people (1,000,000,000 downloads worth of people, in itunes alone) may only want to listen to one song from an album. they could care less about the cover art because they just want to listen.

    8. Re:Only way I'll get downloaded music by Anonymous Coward · · Score: 0

      fwiw, most full albums in the iTMS are $9.99 regardless of the number of songs included. some are less. i picked up 1 album that came with 6 bonus tracks (5 of them by other artists) for exactly $8.91. and currently, the older unkle album (psyence fiction) is $5.99 and has 12 songs.

      yes, sometimes the labels do sneaky things like force you to buy a whole album to get certain tracks or just not include the whole album. but it's pretty easy to just not buy those. :)

    9. Re:Only way I'll get downloaded music by Anonymous Coward · · Score: 0

      only 60? jesus...get with the times and get a 200 or something

  18. misdirection... by Tachikoma · · Score: 1

    "basically trying to move the industry forward..."

    and change the issue to "DRM vs. piracy" etc. etc.

    instead of the ususal "turning over critics of the chinese government to authorities" etc. etc.

    --
    i don't care
  19. Invest 2 years of your life.. by Tominva1045 · · Score: 0, Flamebait



    Just once I'd like to see someone in the digital-media-has-no-value-and-should-be-free crowd invest two full years of his life pouring everything he has into creating something digital.

    Then I'd like to see him upload it to a p2p server, turn his empty pockets inside out, shut his pie hole, and walk away.

    Did his two years have any value?

    I would like a clarification- are people unhappy at the recent attempts at DRM implementation or the entire idea of DRM?

    If digital media has little or no vaue, why do so many people want it?

    If you want it, pay for it.

    --
    Cogito Ergo Sum
    1. Re: Invest 2 years of your life.. by dlc1911 · · Score: 1

      Try Open Source software. So explain to Linus Torvalds that his life has no value. He and many others have poured their hearts out only to share with everyone in the world. You define value with respect to money... Their are other values like the pride and pleasure of people enjoying your work.

    2. Re: Invest 2 years of your life.. by Anonymous Coward · · Score: 0

      If someone comes up with a DRM scheme that allows me to do everything I should be able to do, without getting in the way and without costing me an arm and a leg, I wouldn't mind it.

      To my mind, it should be possible for me to copy some music/video/whatever I have bought on a CD/DVD/tape/Vinly/download etc to a portable device/car player/whatever. I should be able to take my music/video/etc to a friend's house and play it on their player. I should be able to play it in my car/on my bike/in someone else's car/on the beach. For kid's music I should be able to make a copy for my son to apply small sticky fingers to, so that when his copy doesn't play any more I can simply make another for him.

      So... is there any DRM that allows me to play my media wherever I happen to be, on whatever hardware happens to be available which still imposing restrictions that get in the way of me uploading it to a p2p service?

      If someone comes up with such a system, I guess I can live with it, but I havn't seen anything even close as yet so I still think of DRM as something that is going to get in the way of my enjoyment of any DRMed media I might buy.

    3. Re: Invest 2 years of your life.. by Anonymous Coward · · Score: 0

      A good many of us are perfectly fine with paying for things. But when we pay for something, we don't want to be fucked over and unable to use it, or for our money to go and support something that fucks over the consumer, and be a number that the companies can point to and say, "All these people don't mind."

      DRM would be perfectly fine if it worked. It doesn't, and I don't think it's possible for it to work, in the sense of letting people use the content however the hell they please as long as it doesn't involve illegal redistribution.

    4. Re: Invest 2 years of your life.. by Maximum+Prophet · · Score: 1

      Umm, http://sourceforge.net/

      Let's see. Stallman et. al., invested much more than 2 years of their life into gcc. Then gave it away. Linus invested gobs of years, then gave it away. Friends and I wrote a database for the Amiga, HyperBase, then released it to freeware.

      Most of the work of dead, european composers is freely available.

      On the other hand, Check out what happened to the writer of the tune to "The lion sleeps tonight". Died penniless and insane, and his family lived in poverty even though the song has earned $15 million worldwide.
      http://www.southafrica.info/what_happening/arts_en tertainment/mbube-210206.htm


      Ok, ok, I made up the insane part. But the rest is real.

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
    5. Re: Invest 2 years of your life.. by Anonymous Coward · · Score: 0

      If I like what I see/hear, I'm happy to pay such a person for all their good effort and product -- Once.

      What media I put it on or how many copies I might make FOR MY PERSONAL USE is my effort, my product, and my own concern.

      So... Stay the hell off my burner!

    6. Re: Invest 2 years of your life.. by realmolo · · Score: 1

      It's the implementation.

      Current DRM schemes prevent people from doing things they used to be able to do. Things they WANT to be able to do.

      For what? So-called "pirates" aren't hindered by DRM in any real way. The only people that it affects are the average consumers that the media producers rely on for almost all of thier revenue.

      What it amounts to is, the media companies HATE the idea of distributing stuff over the internet. It bypasses their ENTIRE distribution network, their entire marketing network, everything. Seriously, how many people in the record industry would lose their jobs if CDs went away?

    7. Re: Invest 2 years of your life.. by Anonymous Coward · · Score: 0

      We don't mind paying for it. We do want what we PAY for to work in a convient manner for us. I'm not going to a movie theatre that has bed of nails seats. In fact I would say most of us here will go to the movies where we have the "best experience".

    8. Re: Invest 2 years of your life.. by Anonymous Coward · · Score: 0

      "Seriously, how many people in the record industry would lose their jobs if CDs went away?" ::evil grin::

      Everyone but the artists themselves - oh, and maybe the occasional studio/producer/knob-jockey.

      After all, they do call themselves the "record industry", not the "music entertainment industry", "music promotion industry" or even "the music industry". Honestly, what modern artist actually needs them for anything other than financial backing for tours, videos and promotion anyway? If you're any good, that can be obtained elsewhere too - and if the big five implode, you'd better believe that someone will step into that niche with a big pile of cash.

    9. Re: Invest 2 years of your life.. by capicu · · Score: 0

      Here's the way we see it from here in "the crowd": nobody has an innate right to make money off whatever they happen to decide to try at a whim. If the downside to computers is that music production becomes unprofitable, I see this as at worst a 50-50 situation - a tradeoff (actually it has real benefits - the music industry is an abomination that needs to be killed, but that's another debate).
      So you say your way of making money is suddenly obselete? What do you want to happen? Do you want the entire rest of the world to limit what their computers can do, to keep people like you in business? Would you have wanted horse traders to have been able to impose arbitrary limits on the Model T because it threatened their livelihood?

    10. Re: Invest 2 years of your life.. by Anonymous Coward · · Score: 0

      ...say, recording an album (if it takes that long, you're as lazy as you are stupid) and don't ever let anyone hear of it.

      Congratulations, you've got empty pockets and have wasted two years of your life, dumbass.

      I'm not going to buy a song I've never heard. Period.

      Upload it to a P2P server, and people will hear it. If it isn't pure shit, they will open their wallets and beg you for more.

      If they don't open their wallets, your work is shit and isn't worth anything. Simple.

      Here are two analogies.

      Matches are free. Walk into about any tavern, and there are free matches on the bar. However, they still manage to sell them in the store, and lighters as well.

      Water is free. It comes from the sky, nobody charges you for it. You still will pay your water utility though, and what's more, you'll probably pay more for a liter of water at the gas station than you will for gasoline.

      If the water tastes like shit, you won't drink any more of it, free or not.

      BTW, which record label do you work for? Are you a lawyer, or just a PR guy? If the former, stick to law. If the latter, well, you're doing a piss poor job; everybody hates you and your company.

      -mcgrew
      (non MRC="papoose")

    11. Re: Invest 2 years of your life.. by Theatetus · · Score: 1
      Did his two years have any value?

      Did those two years have value? That's a question for a philosopher or theologian. As to the more concrete question of whether the guy got any money from it, if he's like my friend he did because people heard his music and came to see his gigs. He could never get a recording contract with any promotion but when he uploaded his music with ID3 tags going to his website he started getting hits and fans.

      This idea of making money by holding a monopoly on reproducing certain sound recordings is a fad. It won't last. Musicians did just fine without it for millenia (and frankly they did a little better than most of them are now).

      --
      All's true that is mistrusted
    12. Re: Invest 2 years of your life.. by Steve525 · · Score: 2, Interesting

      I can only speak for myself, but my problem is with the entire idea of DRM. DRM in any implementation is going to limit what I can do with my music. If it didn't set any limits, then it wouldn't be DRM. (To be fair, Apple's implementation isn't too bad, since it allows the creation of a lossless, non-DRM encombered version by burning to CD. Still this step seems like a waste of time, plus you do loose the compactness of the original file).

      Now, this doesn't mean I should be allowed to upload my music or share it with 100's of my not-so-closest friends over the internet. However, trying to find technical solutions to this problem is the wrong way of going about it. By putting DRM on a item I can purchase, it makes the file I can "steal" (without DRM) more valuable. Why the heck would I want to buy something when I can get something better for free? All this DRM stuff does is limit what law abiding people can do with their music.

      DRM is also unecessary to shut down all the P2P networks that exist for sort of copying you speak of. There are already laws on the books that make this illegal. The process is slow, but one by one the P2P networks that exist primarily for doing this sort of thing are dissappearing.

      The reality is the P2P networks are a convenient smokescreen to justify DRM. Ask yourself this question (or actually finish this sentence):

      If P2P networks never existed I'd be able to buy most songs over the internet...

      1) with no DRM.
      2) with DRM.
      3) not at all.

      #2 is probably the most likely outcome, but that just proves that P2P networks are not reason for DRM. #3 is actually a pretty likely possibility, because without P2P it is not clear if the music industry would of gotten off their collective butts and allowed selling music over the internet. I think we both know what the likelihood of #1 actually of happening is.

    13. Re: Invest 2 years of your life.. by Frank+T.+Lofaro+Jr. · · Score: 1

      Exactly. Weakening copyright would hurt the distribution companies, but not the artists.

      The artists will find a way to survive, and even prosper, since the distribution companies will be weakened, and those companies have often exploited the artists severely.

      The Internet takes care of (digital) distribution and promotion. As for the need for physical CD's, one could hire a CD pressing firm, rather than needing a full blown record company.

      --
      Just because it CAN be done, doesn't mean it should!
    14. Re: Invest 2 years of your life.. by PitaBred · · Score: 1

      Meanwhile, you could have used those two years earning a decent living playing your music live. People do pay for that, you know, and if you're any good, you can get a good following.
      The problem is that you have NO INHERENT ENTITLEMENT TO MAKE MONEY. Zip. Nada. Zilch. The industry has been so controlled for so long that people don't realize that that's not how it should be. Only in the 50's did music stars start making assloads of money. Music was just another performance art before then, and that's how it should be. The current media market is entirely based on artificial limits, which only make the *AA richer, fuck over the actual content creators as a whole, and create a few superstars who're entitled little asswipes who never really did any significant work for the amount of "value" they command.
      In conclusion, fuck you for thinking that just because you want to waste 2 years of your life creating something in an impermanent, infinitely replicable medium, you are entitled to some kind of compensation. A musician/artist/whatever isn't anything special or better than anyone else. Let the people creating the media work for a living as well as the rest of us.

    15. Re: Invest 2 years of your life.. by Anonymous Coward · · Score: 0

      Jesus H. Cripes son of GOSH!

      Are you a complete mential retard? you sound like these photography asshats that try and get $3500.00 for a out of focus photo of a damned leaf.

      you create your music for the sake of creating it. Reality check that is how it has been done for the past 10,000 years. Musicians created music for others to hear and the sake of creating. Nobody but a loser-poser creates for the sake of MONEY.

      You know nothing, absolutely nothing. and are obviousally a unbelieveably talented poser that leads a horribly sad life.

      please go off yourself and let the real artists thrive in how music is supposed to work.

    16. Re: Invest 2 years of your life.. by richieb · · Score: 1
      Just once I'd like to see someone in the digital-media-has-no-value-and-should-be-free crowd invest two full years of his life pouring everything he has into creating something digital.

      Just because someone wasted a lot of effort doing something does not mean that they should get paid for it. To be paid for something you have to create something people actually want. The effort spent is not a measure of value to the buyer.

      For example consider someone who is a violinist in a symphony orchestra with a drummer in a punk band. Who expanded more work? Who is more likely to make tons of money?

      --
      ...richie - It is a good day to code.
    17. Re: Invest 2 years of your life.. by geekee · · Score: 1

      "This idea of making money by holding a monopoly on reproducing certain sound recordings is a fad. It won't last. Musicians did just fine without it for millenia (and frankly they did a little better than most of them are now)."

      Before recorded music, composers survived by begging rich people to support them.

      --
      Vote for Pedro
    18. Re: Invest 2 years of your life.. by geekee · · Score: 1

      "Meanwhile, you could have used those two years earning a decent living playing your music live."

      In what world do you live in? You mean he could have waited tables for two years.

      --
      Vote for Pedro
    19. Re: Invest 2 years of your life.. by Theatetus · · Score: 1

      It depends on the time period. Mozart had patrons but Beethoven made money on ticket sales from concerts and purchases of authorized sheet music (anybody could "pirate" sheet music at that point, but only editions authorized by the composer could call themselves authorized). In all periods the most secure form of income for composers seems to have been teaching.

      --
      All's true that is mistrusted
  20. What the consumer experience is ? by OpenSourced · · Score: 1

    Basically, the consumer experience is that if you are law-abiding and buy your music, then you have all kind of limitations and problems, in exchange for your money. If you make an unlicensed copy then you have a very nice free file with no strings attached. I reminds me of the old dentist joke that said that there was a dentist that had in his waiting room a sign stating that pain-free treatment was 30 dollars, but painful treatment was a hefty 600 dollars. When the patient asked if there was an error, the dentist said no, those were the right prices. Patients of course opted for the painless and cheap. So that's the choice the consumers are facing now.

    What? The joke's punchline? Well, the dentist simply started treating with no kind of pain killers, of course the patient felt a lot of pain and started crying aloud. Then the dentist said "No cries, no cries or I'll charge you the full "Painful" fee".

    --
    Rome taught me patience and assiduous application to detail. Virtues which temper the boldness of great, general views.
    1. Re:What the consumer experience is ? by brainnolo · · Score: 1

      Now, i've bought some songs from the iTMS and i really had no problems, i can just listen to them, when i switched to another mac i didn't have any problem as well. No i do not own any MP3 player, but i can burn the music to regular CDs and that's fine for me.

      Yes i would prefer DRM free music, but sincerely going to iTMS and downloading IMMEDIATELY and full speed the music i want, is much more hassle free than looking up for it on P2P and deal with the fakes and the waiting (since what i'm looking for isn't very popular usually, yet i could find it on iTMS). I haven't encountered any problem with DRM yet with music bought from iTMS (but i guess the same applies to other stores, i don't know).

  21. If you live in the UK... (Gowers) by Anonymous+Brave+Guy · · Score: 5, Informative

    Sadly, the Slashdot eds decided not to run my story about the Gowers Review calling for evidence as of yesterday, so since it's directly relevant I'll mention it here.

    For those who don't know, this is a government-ordered review into the current state of intellectual property, and whether it needs amending in light of new technologies, easy distribution over the Internet, etc.

    The review is concerned with several quite general questions, quite a few specific issues, and any other comments interested parties care to make. Among the specific issues explicitly mentioned in the call for evidence (available on the web site linked above) are:

    • the period for which copyright lasts;
    • what sorts of fair use rights might be appropriate in the UK (bearing in mind that we don't have anything directly equivalent to US fair use provisions at present, and a lot of the things mentioned in this discussion -- such as format-shifting for personal use -- are clearly illegal here at present);
    • the use of DRM (including several very relevant questions about balancing the right of a copyright holder to protect their work and the right of a consumer to use it reasonably);
    • access to orphaned works, for which the legitimate copyright holder can no longer be reached.

    So, if you're from the UK and you've ever bitched on Slashdot about the unfairness of DRM, the media cartels gaining ever longer "temporary" protections, the daftness that format-shifting is illegal even when the industry is happy to sell you equipment that all but requires it to be useful, the use of patents to create a barrier to entry for OSS, or any number of other IP-related issues, stop complaining on here and write to the Gowers Review to make your case. You can bet the big businesses all will be.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  22. Pay for Music by TheUnknownOne · · Score: 1

    I have no problem paying for music, as a matter of fact I pay for everything I listen to (excluding a total of I believe 3 songs that I could not find for purchase on CD that I managed to find online). I only buy real CDs however, I refuse to purchase songs online because of restrictions and other issues. I have two mp3 players in my possesion, one that's older than dirt, only plays unrestricted mp3s, my other is a Rio Karma. If I were to pay to download music I couldn't play it on my flash based player. Is this fair? If I could buy music online that would play on all of the things I want to play it on, I would gladly purchase it online.

    (NOTE that it should cost me less than CDs, and considering that a good number of my CDs were purchased through clubs, such as BMG, even iTunes prices don't come close. 8.99 as compared to 3.99. 5 dollars more for restricted junk)

  23. You're fired! by brainboyz · · Score: 1

    Someone's going to be formerly a Yahoo Exec in 3...2...1...

  24. Then eliminate all non-Linus data... by Tominva1045 · · Score: 1



    That's fine, then there is no need on any P2P box for any non-Linus Torvalds created files.

    1. Not everyone feels the way Linus does.
    2. It's a big croc to try to make others feel guilty for wanting to feed their kids by charging whatever the market will bear for their products.

    Here's a headline you will never see:

    P2P server brought to it's knees due to vast demand for open source..

    --
    Cogito Ergo Sum
    1. Re:Then eliminate all non-Linus data... by dlc1911 · · Score: 1

      ppsstt... They distribute Linux distribution via bittorrent for a reason. The overwhelming demand at release is fairly massive. BitTorrent does qualify as P2P. This particular case would read FTP server brought to it's kness due to overwhelming demand for an open source software. It just doesn't make for good mainstream news when open source goes P2P. You may see it in IT news sites... but mainstream... never... As far as them feeding their kids... Perhaps they should get a job that attempts to better society. To U2's credit they do seem to give back a little piece... But "artists" unlike Linus don't contribute significantly to the betterment of society. The Open Source community has helped to drive the cost of computers down by providing lower cost computers. This then allows greater access for people to reach the internet and perhaps improve themselves by learning more. The Open Source community is trying to help others in their own little way. Society needs alot LESS "artists" and alot more Teachers, Engineers, IT folks, Programmers and Scientists.

    2. Re:Then eliminate all non-Linus data... by Anonymous Coward · · Score: 0

      P2P server brought to it's knees due to vast demand for open source..
      You're a real fucking expert, aren't you? We humbly bow to your superior knowledge of file demand on "p2p servers".

  25. Commie! by Bob9113 · · Score: 1

    wanted to prompt industry-wide discussion about what the consumer experience is.

    Consumer experience? Consumer experience?!? Look, the corporations are the corporations because they know what makes a good consumer experience. They wouldn't be so rich, and they wouldn't be running this country if they didn't know what was best for us. Now buy what they tell you to, the way they tell you to, and quit your bitching. Why can't you people just see it their way?

  26. And that's exactly the problem.. by Tominva1045 · · Score: 1



    That's exactly the problem-- there is no way to both let one use it anyway he wants AND have any kind of controls for the product's creator.

    If one doesn't like the way a given DRM is implemented then he should not buy the product.

    However, not liking a DRM implementation is NOT a valid reason for going all out to enable lots of people to steal the content.

    This all goes back to whether or not digital data has value similar to other physical products like cars, boats, or steak dinners. Of course it does.

    If digital data (in any form) had no value, why would so many people be willing to steal it?

    --
    Cogito Ergo Sum
    1. Re:And that's exactly the problem.. by Maximum+Prophet · · Score: 1

      I've had things stolen from me. Have you?

      CDs that have been stolen from me, I can't use anymore. (They were stolen before making backups was cost effective) I can't use the high-end Denon tape deck and the speakers that were stolen from my apartment years ago.

      If you sneak into my house, past the watch dogs, into the kitchen, and photograph paintings that my 5 year old has made, then yes I'm going to feel a little wierded out, but you haven't taken anything away so that I loose the use of it. There is no stealing, just invasion of privacy. (Like the NSA in the news lately)

      If on the other hand, you just want to look at them, here you go: http://mysite.verizon.net/color_and_paint/

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
    2. Re:And that's exactly the problem.. by fahrbot-bot · · Score: 1
      Your photograph analogy is weak. The photo of the painting is not similar to an exact copy of a CD or other digital media.

      Furthermore, you talk about stolen CDs (before making a backup copy) and stolen tape deck and speakers -- all of which you now "can't use". All physical items. Did you think of making a backup copy of the tape deck and speakers. Didn't think so.

      The reply argument made by the Anonymous Coward is also weak. You bought a CD not the data. Can you make a backup copy of your car? Didn't think so. The argument that the CD copy is so cheap to make that it should be free is a slippery-slope. At what price should one pay to make a copy? At what price do you pay to get a copy of something else you bought?

      His other arguments are just as weak and ill-conceived.

      I do agree that, "Maybe we need a mechanism for society to compensate creators of interesting or useful information (e.g. musicians and artists, journalists, ...) for the information they create."

      Yes the RIAA and MPAA are evil and their products are overpriced and a lot of them are crap. You may not agree with their pricing and distribution model, but too bad it's their product. Just because you don't like it doesn't mean it's wrong. If the copyright doesn't allow you to make a copy, then you can't.

      Blaa, blaa, blaa... Everything should be free, no gets paid, industrial world collapses, etc, etc...

      Can everyone just stop being pussies about this. You want something, buy it. Don't want it, don't buy it.

      --
      It must have been something you assimilated. . . .
  27. And it's not worked well for Nokia either by Anonymous Coward · · Score: 0

    I just read at telefono that Nokia has an iPod-killer phone that's having some serious delays? The culprit? Microsoft's DRM is harder to port than they had originally thought.. http://telefono.revejo.org/article/7/nokia-n91-del ayed-due-to-microsoft-drm

  28. the people have spoken by slashdotnickname · · Score: 1

    The people have already spoken regarding this matter, and it shows in today's immense popularity of file swappers and format converters.

    We want free music that can run on all devices (PC, portable players, cell phones, etc.)

    We're sick of getting gouged by $20(or more) CDs with little, if any, worthy content. Does anyone remember how we were told CDs would go down in price after they became more popular than tapes? Well, that point arrived 10+ years ago! So until I see musicians starving on the streets, I'm not giving any more money to a business full of crooks.

    1. Re:the people have spoken by MasterKlaus · · Score: 1

      The thing is, the process of creating more cd's has probably gotten cheaper... So the extra price comes from what? The record companies want to milk their precious copyrights, and so in the last 5 - 10 years, we've had more than 50% price increase (from a good ol' $12 cd). Some of that is probably from spending time and money developing DRM software...

    2. Re:the people have spoken by u16084 · · Score: 1

      Its a tough call, Without the "BIG" Record labels, some musicians would have a harder time... Without the $20 CD's the "BIG" Record labels would have no reason for existance. SOMEONE has to pay for advertising,promotions,production etc etc.. I'M NOT defeding the record labels... But there is NOTHING that is FREE.

      Musicans love music, but bills must be paid.
      Just throwing it in the wild out there... iTUNES spins off to become a RECORD company with its own artists, selling CDS/SONGS what eva' on Itunes...
      (iTunes gets their cut and the artirts gets a BIGGER cut from SALES) we can all DO without the record companies, but in its current status, they are needed (to some degree). We love our music, we hate paying high prices for cds/media, we hate DRM because it limits OUR USE.
      Not trolling, but share a seat with an artist who JUST (30 min ago) released his proud new cd, only to find it on piratebay with 3000 seeders and 23423423 peers. YES his/her music is heard, and 1 in 10 MIGHT go out and buy that cd (as most of us claim that we do). But in real life... It doesnt happen. Again its nothing personal against anyone, but this whole "FREE" thing has to go away.
      I have "Previewed" games... only to realize that this crap is never worth the $50 they are asking, i simply deleate the game. Was it Illegal? Sure.. Did i save $50 by NOT buying the crap they are pushing in the media? Sure...
      I can sit here and sping out numerous examples, only to come back to one conclusion - DRM Sucks... Piracy is rampant.... the entire Music Industry needs to wake up and change the way it works.
      Thanks for listening to my rant.

      --
      -- I Dont Deserve A Sig I Have Bad Karma
    3. Re:the people have spoken by u16084 · · Score: 1

      Again, I agree, the System (pricing etc) as you mentioned, has to change, or things will remain as they are. Lawsuits, Hardware mods to play your own F-ing CD's...

      --
      -- I Dont Deserve A Sig I Have Bad Karma
    4. Re:the people have spoken by ShavenYak · · Score: 1
      until I see musicians starving on the streets, I'm not giving any more money to a business full of crooks.

      There ARE musicians starving on the streets. Of course, they aren't going to benefit from the business full of crooks anyway. In fact, the demise of the RIAA might help some of the starving musicians out, by giving them a level playing field.
      --

      Hey kids, there's only 5 days left 'til Yak Shaving Day!
    5. Re:the people have spoken by PitaBred · · Score: 1

      "some" musicians would have a harder time? That's because they're no-talent hacks.
      He's not entitled to make music from a CD. It's a recording. Just information, and information is very easy to transfer. If he wants to make money, he should be out playing on the stage, and actually working. I also know a number of bands and musicians who make a pretty decent living just playing local gigs. And they give their CD's away.
      The music/video market is artifically inflated, and kept that way through stupid, industry-serving laws that actually fuck over the public rather than help them. Much of the software market is the same. It's time for an industry overhaul, as you said. No one's entitled to make millions/billions from their music. If they can command that kind of audience, great. If not, well... fuck 'em. Dave Matthews is still making a ton of money on his live shows, and it's some of the most common music I've seen for download.

    6. Re:the people have spoken by LordSnooty · · Score: 1

      I suppose "musicians starving on the streets" are called "buskers". A musician failing through internet-driven poor sales rather than because he's not very good, would have to do what all bad musicians have to do - get a normal job, and busk/annoy pub-goers at the weekend.

    7. Re:the people have spoken by Anonymous Coward · · Score: 0

      Uh, MP3.com tried this model (singing up their own artists and having independent artists promoted on their site and paid thru direct downloads.) Maybe it was a bit ahead of it's time since digital music players weren't as entrenched then...

    8. Re:the people have spoken by Anonymous Coward · · Score: 0

      Why don't you just simply buy your CDs directly from the artist? (like in concerts, events or when they're playing on the streets) They will be cheaper and best of all, your money will go directly to their pockets. Oh, and try asking them if you can make a "copy for your iPod", I bet they'll approve with a smile ;)

  29. dead euro composers not maxxing p2p bandwidth by Tominva1045 · · Score: 1



    That's fine, then go download dead european composers music to your heart's content.

    But if it's hacked software or copyrighted music stay the heck away from it.

    --
    Cogito Ergo Sum
  30. What needs to be done by jb.hl.com · · Score: 1

    Basically, DRM is a fact of life. Given that people can download and upload any file free of charge, etc, it needs to be done, otherwise files get swapped around etc.

    What needs to be done is a format used which has good quality at a decent file size (something like Musepack would be ideal), a DRM scheme added to it and lots of plugins released for lots of players on lots of different OSes. Maybe something like Steam could be worked out, so that the plugin talks to the client, makes sure the music is authorised and then lets it play. If there was enough platform support, this could go a long way.

    Of course, the media being what it is, I doubt something like this would happen.

    --
    By summer it was all gone...now shesmovedon. --
    1. Re:What needs to be done by jfengel · · Score: 1

      The funny thing is that as long as CDs are sold, there will always be a leak into music swapping systems. Selling one DRMed copy of a song prevents one listener from swapping his copy, but it only takes one unDRMed copy to make it universally available. I keep wondering when they will decide to stop making CDs entirely.

      Even if they do, there will still be the analog hole, and I wonder what that will look like. In theory it only takes one person to do that "analog rip" and then watch it spread through the P2P networks, but it it's too much of a pain to do (and they can shut down enough P2P networks, and the quality too low) it may no longer be worth it.

      Maybe. Otherwise, really they ought to give up on the DRM and pray that most people are honest, because right now DRM strikes me as nailing shut the door and leaving the window open.

    2. Re:What needs to be done by adam.dorsey · · Score: 1


      Maybe something like Steam could be worked out, so that the plugin talks to the client, makes sure the music is authorised and then lets it play. If there was enough platform support, this could go a long way.


      Then we have the same problem as the Steam distribution model:

      What happens when the servers go offline? Where does our music/games/pr0n go, or more appropriately, how can we access them? What about when I'm on the go and want to play my music on my laptop away from an Internet connection?

      I really don't see this going a long way, or maybe it's just I hope it doesn't.

      --
      You are still innocent until proven guilty. What's changed is what they do to innocent people. - notnAP, #26891325
    3. Re:What needs to be done by Anonymous Coward · · Score: 0

      Basically, DRM is a fact of life.

      So is political corruption. So is disease. So is all sorts of misery. Your point?

      Given that people can download and upload any file free of charge, etc, it needs to be done, otherwise files get swapped around etc.

      You know, instead of a capcha, /. needs an IQ test before one can post.

      What one man can make, another man can break. As long as one person knows how to run a wire from the headphoone jack to the AUX INPUT jack, there will be copies on the internet.

      You can talk all day about how flapping your arms to fly to work will solve the road congestion problem, but like DRM, it's not likely to be effective any time soon.

      You're not going to keep it off the net and you're not going to keep the Russian Mafia from burning millions of CDs and selling them. All you're going to do is inconvienience the people who are lining your pockets, never the P2P swappers or mafia.

      If P2P is killing the labels, I wish it would hurry up already!

      (MRC? No clue, what does "astatine" mean?)

    4. Re:What needs to be done by db32 · · Score: 1

      Have you not been watching this whole HDTV nonsense, and DRM enabled monitor junk? They are just going to start selling DRM encumbered speakers and headphones! Really the only logical step to fix the problem is the research going into embedding chips into peoples eyes. The technology is already being used to help people regain vision... Only makes sense to make chips for your eyes and eardrums only allow the transfer of sights and sounds if you have the appropriate rights to see them.

      --
      The only change I can believe in is what I find in my couch cushions.
  31. not for personal use... by Tominva1045 · · Score: 1



    That's the problem--- it's rarely for one's own personal use. If even one disgruntled socialist uploads the digital product to a P2P server the horse is out of the barn.

    Until honest people police the nairdowells there will be DRM.

    Therefore there will always be DRM to thwart pirates.

    --
    Cogito Ergo Sum
    1. Re:not for personal use... by swimin · · Score: 1

      If music was reasonably priced, and without DRM, there would be less pirates, as there would be many more people willing to pay, and then you could go after the individual pirates.

  32. Goldberg? by XMilkProject · · Score: 2, Funny

    This is surprising, given that the media companies do seem to be taking the Goldberg approach to DRM.

    --
    Big ones, small ones, some as big as yer 'ead!
    Give 'em a twist, a flick o' the wrist...
  33. there are ways.. by Tominva1045 · · Score: 1

    There are ways to distribute data over the internet securely to devices that also lock down the data.

    You are correct people want to distribute the way they used to--- and with the internet they can give away the product to the planet and totally subvert the owner's ability to be paid what he should.

    Let the market decide.

    --
    Cogito Ergo Sum
    1. Re:there are ways.. by jimicus · · Score: 1

      There are ways to distribute data over the internet securely to devices that also lock down the data.

      Show me one. One which works 100%, because if it's broken once, it can go on P2P forever.

  34. One thing... by Andy+Dodd · · Score: 1

    This article is talking about allowing *PAYING* users to use their music as they please, not about giving users music for free.

    I own a Treo 650. It is my only portable device other than my laptop. It will stay that way until I replace it wholesale with another PDA/phone combo.

    I will willingly pay for music, under one condition - it will play back on my Treo. This means no DRM. I HAVE purchased music from iTMS during the periods where PyMusique worked, and I have never made the un-DRMed purchased tracks available to anyone else.

    If it won't play back on my Treo and can't be played under Linux, I won't pay for it. It's simple as that. If both of those conditions are met, I will (and have) paid for my music.

    --
    retrorocket.o not found, launch anyway?
  35. dear Dave Goldberg, by circletimessquare · · Score: 1

    yes, the consumer experience sucks. thank you for broaching the subject with your peers in denial. it's not fun being called a criminal just because you want to listen to the music you like with ease. and to not be called a criminal means you must jump through so many hoops, such that being a "criminal" looks more attractive. one beings to wonder then if the real criminals aren't sitting in the board room next to you. so many thanks to you, David Goldberg

    thank you,
    the consumers

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  36. I give... by mangus_angus · · Score: 1

    this guy a month before he's found in a ally with a bullet in his brain pan.

    1. Re:I give... by ShavenYak · · Score: 1

      Don't you mean found in an alley? That would be pretty weird if he was found in an ally; that is, inside a friend.

      --

      Hey kids, there's only 5 days left 'til Yak Shaving Day!
  37. +1 for the free market by globaljustin · · Score: 1

    and for yahoo...

    this news is good to hear on a number of levels.

    1. It shows people in the search industry are in tune with the resistance against DRM, and understand that DRM is anti-consumer

    2. It shows that Adam Smith's invisible hand and black box are still applicable to the online music industry

    A Yahoo spokeswoman said that Goldberg was 'basically trying to move the industry forward,' and wanted to prompt industry-wide discussion about what the consumer experience is."

    awesome, now we need to make sure that as the debate over DRM inches into the mainstream, the context and framing of the issue stays where it should: protecting consumer rights

    --
    Thank you Dave Raggett
  38. Wholly gees, where do I begin... by Tominva1045 · · Score: 1


    Perhaps they should get a job that attempts to better society.

    And who decides what is a valid attempt to better society-- why isn't the job I choose satisfactory? In America I DECIDE FOR MYSELF and my paying customers affirm or deny my choice- not people who want to steal my works.

    The Open Source community has helped to drive the cost of computers down by providing lower cost computers. This then allows greater access for people to reach the internet and perhaps improve themselves by learning more.

    What? At no time have I or anyone I know purchased a computer (at CompUSA or Best Buy or anywhere) that had a little tag stating "you save 10% because we use open source!" Further, Ma and Pa Kettle isn't going to the computer show to purchase hardware and then downloading a free OS. In the real world this doesn't happen.

    Society needs alot LESS "artists" and alot more Teachers, Engineers, IT folks, Programmers and Scientists.

    Who again is deciding what society needs?

    In the United States mostly it is the consumer. And those caught with their hand in the P2P cookie jar may well get slapped with lawsuits as have been showing up in the news recently.

    --
    Cogito Ergo Sum
  39. Music name limitation by bk4u · · Score: 2, Funny

    Yahoo, however, prohibits the download of songs with the string "allah" in them.

    --
    Remember kids, with great power comes great opportunity to abuse that power
  40. Re:Mod Parent Up! by mpapet · · Score: 1

    Someone at Terry Semel's office is going to rat the poor bastard out for speaking his mind. The guy should start looking now because *if* he makes it to another review, it won't be pretty.

    There goes those damn computer nerds spoiling the Industry. Well, it ain't gonna happen at Yahoo. That's for sure.

    --
    http://www.maxineudall.com/2010/02/should-economists-be-sued-for-malpractice.html
  41. DRaconian Measures by i_am_the_r00t · · Score: 1

    I just bought my first MP3 player 3 days ago and believe it or not I am a techie. I just never needed a portable player. (When I jog, I listen to the river, birds and the sound of my fat arse wheezing)

    bought a few songs from Yahoo music. wma format. tried to move it to my laptop via an SD card. no go.

    had to burn to CD and then re-rip into MP3.

    DRM is bad for the environment!

  42. DRM doesn't worry me too much... by podRZA · · Score: 1

    ...because if its existance keeps the RIAA happy and off my back, that's a good thing. There will always be a way to remove the DRM via questionable means, but only the nerds will know about it. Let the people who just accept DRM blindly be, and continue to circumvent DRM as necessary.

  43. Well that's nice! by brunes69 · · Score: 1

    Too bad there's no link from www.emusic.com

    1. Re:Well that's nice! by weekendgeek · · Score: 1
      Well, it's there -- just down a couple of links. I found it by:

      Main Page --> Privacy Policy --> Browse Tab.

      I was a member before they sold to the current owner. At that time it was a flat monthly fee for "unlimited" downloads. I received a friendly (not really) warning e-mail after hitting 2GB in the first three weeks.

      --
      It would be presumptuous to conclude that Americans have no right to know what is being done in their name
  44. Its not stealing! by Anonymous Coward · · Score: 0

    Me making a copy of some data you possess does not deprive you of that data.

    So it's not stealing. It might be illegal under the current laws, but it's not stealing. Stealing means taking something that someone else owns, and DEPRIVING them of it.

    The true meaning of "information wants to be free" is that *everybody* can have a copy of the data and *everybody* can benefit from it.

    DRM is an artificial attempt to make digital data more like real property. But why would we want something with all the drawbacks of real property when we could each have a copy of the information and equally benefit?

    The marginal cost of reproducing digital data is very close to zero. It only makes sense to not share data, if the information it contains has more value when only a limited set of people possess a copy. (e.g. stock trading data). For something like music, you having a copy of the music has no effect on how much I can enjoy my copy. Therefore it makes no sense for society to use DRM or whatever, to try and enforce limitations on that copying.

    Maybe we need a mechanism for society to compensate creators of interesting or useful information (e.g. musicians and artists, journalists, ...) for the information they create. Imposing artificial scarcity on their creations is not the answer.

  45. Way out in the weeds... by Tominva1045 · · Score: 1



    I'm not going to buy a song I've never heard.

    You can hear the song fine on the normal radio or XM radio or even yahoo music-- free. If you want the high quality/fidelity version you have to pay for it.

    Matches are free.

    Matches are not free. Although they be at no cost to you, they are in fact a marketing device designed to get you to buy flammable products such as cigs, firewood, etc. Their real cost comes out of the marketing budget of the company selling the flamable items. When you buy the flamable items a fraction of the gross goes to pay for the matches.

    Further, if you go into the convenience store and grab ALL the matches for yourself you will likely get a foot in your behind. They are for eveyrone, not just you.

    Water is free.

    No, only rain is free. Normal water you have to pay for. It has costs associated with it such as laying the pipes that carry it or the cute plastic bottles holding it at the convenience store.

    Who am I and where do I work? I am a consumer in the real world. And I vote with my dollar.

    --
    Cogito Ergo Sum
    1. Re:Way out in the weeds... by crabpeople · · Score: 1
      First off look at this guys website. Looks like a shady direct marketing scam doesnt it? Or maybe its all the "make money NOW" texts and "poker manager" things that make me think this one is probably a spammer. Furthermore, you can see that on the page located here it looks like he might be playing the devils advocate. I quote:

        Point DigiDroid at a start web site, use our batch job screen to tell it the kind of
                data to be sought (.PDF, .DOC, .PPT, .XML, .ZIP, .MPG, .MP3, .SWF, .JPG, .GIF, ++)
                and how deep to go. Then launch the probe!


      interesting. so you copyright infringe websites. is that for making fake bank webpages or just scanning for mp3s for the RIAA.

      But anyways back to the topic

      "I'm not going to buy a song I've never heard.

      You can hear the song fine on the normal radio or XM radio or even yahoo music-- free. If you want the high quality/fidelity version you have to pay for it."


      Radio has ads. Ads are detremental to society and cause mental illness. The RIAA has already attacked netradio and forced alot of them into paying fees. Its morally right to fight the RIAA when they attacked netradio first. Furthermore, radio is controlled by clearchannel and the cartels and populated with crap.


      "Matches are free.

      Matches are not free. Although they be at no cost to you, they are in fact a marketing device designed to get you to buy flammable products such as cigs, firewood, etc. Their real cost comes out of the marketing budget of the company selling the flamable items. When you buy the flamable items a fraction of the gross goes to pay for the matches."


      And radio songs are designed to sell shows, concert tickets, etc. This is where the band makes their money anyways, as the riaa takes most of the profit from CD sales. You have described exactly why music should be free. It sells the seats in the stadium when the band comes to town.


      "Further, if you go into the convenience store and grab ALL the matches for yourself you will likely get a foot in your behind. They are for eveyrone, not just you"

      thats being a dick. no one is saying be a dick. if i copy a file the other person still has that same file. If i copy a file and the source for some reason had +rw permissions on it and i deleted the file, then the analogies would match. Thats being a dick though.


      "Water is free.

      No, only rain is free. Normal water you have to pay for. It has costs associated with it such as laying the pipes that carry it or the cute plastic bottles holding it at the convenience store."


      If you wanted to however, you could set up a rain or snow collection barrel. You dont actually pay for the water. You pay for the convience of having the water in a bottle or in your home tap. This is analogous to paying a flat rate for a connection/service. Does the water company care what i do with my water? nope. do they mandate i only drink it out of silver goblets? again no. Would i pay for near instant downloads of albums at a low flat rate monthly fee, with no restrictions on what i do with it? HELL YES. This kind of service does not exsist.

      Personally im tired of downloading cammed videos and having the torrent take 5 days to complete, and die at 98%. Provide a service that offers superfast downloads and ill pay, same as for the utilities hookup for water. Ill even do one better and say it doesnt have to be flat rate at all. If it was like electricty where i payed per GB, that would also be fine. As long as its not near the price of current media and i can do whatever i wanted with the files, I have no problem with paying for better quality/service.

      one last thing. Change copyright back to a resonable 15 years and make anything made before that (ie pre 1991) public domain. Then I will be happy.

      --
      I'll just use my special getting high powers one more time...
  46. Bad moderators, bad! by Steve525 · · Score: 1

    Will someone please mod the GP back up. Although you might not agree with him/her, I thought it was a reasonable question from the point of view of an artist whose music is being copied on P2P networks. What is the point of a discussion around here if you can't listen to both sides?

  47. refraining from using specific terms... by Tominva1045 · · Score: 1

    I've refrained from using terms such as bit-torrent because their reputation can be determined by others; not me.

    The people hopping mad at me about these posts sure seem to be the ones who think they should fully control what they can do with a product once they have access to it.

    That control is between them and the product's creator. If they don't like the rules they should not buy the product. What's so tough to understand about that?

    --
    Cogito Ergo Sum
  48. Macrovision? by MS-06FZ · · Score: 3, Interesting

    Please explain to me, then, why every VCR you can buy in stores has a Macrovision circuit, which causes the video signal to become intentionally degraded if you use a Macrovision signal (like a rental VHS tape played on another VCR, or a DVD player) on the line input - and not necessarily only if you happen to be recording that signal on the VCR. This is the same as DRM and it's worked its way into just about all the consumer-level VCRs out there, and it's been around for ages.

    --
    ---GEC
    I'm but the humble pupil, seeking to snatch the scratchbuilt pebble from the master's fully articulated hand
    1. Re:Macrovision? by Satan+Dumpling · · Score: 1

      That's pretty easy to get by though.
      Look on Ebay for "video stabilizer".
      It's like a $30 box you plug in the composite video line.
      That's what you need to copy vhs or dvd->vhs.
      Or digitize a videotape with macrovision.
      Or if you wanna plug your dvd in through the vcr because you have an old tv without composite inputs.

    2. Re:Macrovision? by jrmcferren · · Score: 1

      The Macrovision circuit is the standard VHS AGC video circuit that is now required by federal law in all VCRs, DVD recorders, TV tuner/video capture cards, anything except a camcorder without a line in and Beta VCRs.

      --
      sudo mod me up
    3. Re:Macrovision? by Anonymous Coward · · Score: 0

      Look on Ebay for "video stabilizer".

      The best things about anti-Macrovision video stabilizers is the great image quality you get. You get everything from purpler blues to greener reds. So vibrant, the whole screen pulsates with color!

    4. Re:Macrovision? by mindstrm · · Score: 1

      - Macrovision is easily defeated with an image stabilizing circuit. Cheaply, too.

      - People don't copy VHS very often nowadays, and when VHS was really popular, macrovision wasn't.

      VHS is now irrelevant.

    5. Re:Macrovision? by shmlco · · Score: 1
      Your timeline is a bit skewed. Back in the day, copying a comercial VHS tape for a friend was so rampant that literally dozens of electronics companies (not media companies) made dual-slot VCRs. Once MacroVision was released, such copies (and blank videoape sales) dropped like a rock. Yes, you can buy a stabilizer, but if even 1/100 of 1% of all the households out there had them I'd be extremely suprised.

      VHS died not because of MV, but because it was surplanted by a superior format.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
  49. I subsribe to emusic by stringycheese · · Score: 1

    I am an emusic subscriber and I think it's a great idea. I like how I can get the standard mp3 format without any DRM. The bit rate is one thing that is kind of weird. It seems like it is different for ever song. However, it is always good usually in the 180-200+ range.

    The other thing I really like about eMusic is the pricing. I pay $9.99/month for 40 songs. That's $.25 per song. It's even better if you do the $19.99/month for 90 songs, just over $.22 per song. Another cool thing is it remembers what you download and you can download it again later for no charge. The site is really well done also.

    That said, the biggest problem with eMusic is the selection. They add new music all the time, but they have virtually no mainstream music. For the most part, that is ok with me. They do have a lot of Jazz and Classical and music for lots of other genres you don't normally hear on the radio. Great for trying new music at a low cost.

    1. Re:I subsribe to emusic by 68kmac · · Score: 1
      The bit rate is one thing that is kind of weird. It seems like it is different for ever song. However, it is always good usually in the 180-200+ range.
      It's called VBR ...
  50. surprisingly I don't like it either... by Tominva1045 · · Score: 1


    As a producer of digital media I would love to protect my investment.

    But I do appreciate peoples desire to move it from one device to another.

    I would make this wager, for most people on this site the only good DRM is no DRM. Most want stuff-for-free. So posting anything other than that will get one hammered most of the time.

    --
    Cogito Ergo Sum
    1. Re:surprisingly I don't like it either... by Steve525 · · Score: 1

      As a producer of digital media I would love to protect my investment.

      I don't know what sort of work you do, although you gave the impression from your original post that you are more of a struggling artist than a big time one. I do think P2P networks do hurt the little guy, but not in the way most people think.

      Without P2P you can only obtain so much music from the big artists (if you're not rich). Once your money runs out, you'll need to start looking to other sources for your music fix. A small time artist has the option of putting their music out there for free or very cheap, in hopes of at least getting exposure. Broke students (or other people with more time than money), might discover your music once they got bored with the music than can afford to purchase.

      However, with P2P networks, the broke student never runs out of money to obtain the music from the big artists. Sure, he/she might still get bored and discover the small time artists, but there's now less incentive to do so. The big time artists can outcompete the small time artist on almost every level, particularly production values and marketing. The only hope the small time artist had was the ability to compete on cost (and hopefully talent). Now the ability to compete on cost is removed.

    2. Re:surprisingly I don't like it either... by Alsee · · Score: 1

      I'd suggest that you get "hammered" for posting flaming strawman attacks.

      If you ignore (or are blind to) the the real problem and the real arguments and you do nothing but figuratively scream "YOU'RE ALL FUCKING EVIL THIEVES", yeah that'll get you modded flamebait.

      I do appreciate peoples desire to move it from one device to another.

      That's nice. And do you think it tolerable for someone to be put in prison for the crime of moving their purcased music from an old broken player to a new player of a different brand? Is it tolerable for me to be put in prison for the crime of giving that person a product or service or even instructions to be able to do that?

      Is it tolerable for a blind person to be put in prison for the crime of running an e-book through a text-to-speech system? Is it tolerable for me to be put in prison for the crime of giving that blind person a product or service or even instructions to be able to do that?

      Is it tolerable for an 8th grade girl to be put in prison for the crime of putting a 15 second except from a DVD into her classroom multimedia project? Is it tolerable for me to be put in prison for the crime of giving that school girl a product or service or even instructions to be able to do that?

      Is it tolerable for someone to be put in prison for the crime of fast forwarding a DVD durning the several minutes of "preview" advertizements on many movies? Is it tolerable for me to be put in prison for the crime of giving someone product or service or even instructions to be able to do that?

      The fundamental issue here is about the law.

      So long as you assume this is about copyright infringers and you permit no thought or discussion of anything but copyright infringers, then sure this looks like a good way to help enforce copyright. So long as you are in complete denial about the innocent, then sure this looks like a good way to help enforce copyright.

      I have no objection to copyright enforcement.
      I have no objection to the use of DRM.

      I have an objection to the expectation that DRM will actually work, because the only possible way to prop up that expectation is through a law that does in fact say that all of the above listed innocent people go to prison. A law passed because all attempts DRM was worthless. Because there was absolutely no rational basis that DRM would actually work. Because the moment DRM got in the way of use and pissed people off, the free market would always immediately supply whatever was needed to fix or eliminate the problems DRM attempts inherently cause.

      All I want is the DMCRA. The DMCRA simply amends the DMCA to say that innocent noninfringing people do NOT go to prison under the DMCA.

      Virtually every single DRM advocate simply refuses to answer on that point. Virtually every single DRM advocate goes into denial and simply doesn't answer.

      Do you have any objection to the DMCRA? Do you have any argument that noninfringing people SHOULD go to prison under the DMCA?

      The dilemma for you is that if you do accept the DMCRA, if you do acknowledge that it is unjust and intolerable to imprison any of the above listed noninfringing people, then you are suck with no expecation that DRM would work at all. If it is not criminal to move music files from one hardware player to another, if it is not criminal for me to offer a product or service or instruction to do so, then some other people can easily use it to bypass or remove DRM on that music to infringe. If it is not criminal for blind person to use custom text-to-speech software on an e-book, and if it is not criminal for me to offer the product or service or instructions for them to be able to do it, then some other person could easily use it to bypass or remove the DRM on an e-book to infringe. If it is not criminal for a 13 year old schoolgirl to extract a short segment from a DVD to put in her classroom multimedia project, if it's not criminal for me to offer a product or service or instructio

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  51. look at Yahoo China... no, not THAT... by jamar0303 · · Score: 2, Informative

    I pity the poor people who don't understand enough Chinese to use Yahoo! China MP3 search and download because Yahoo has got it right in China. Free, and it's got to be legal, right? It's Yahoo that's doing this, the RIAA would have attracted attention to this a long time ago if this was illegal. Try it with the help of babelfish or something, and see if you like it. It covers a whole lot, and will most definitely have what you're looking for. Bonus- no threat of being sued! This is the direction that Yahoo may be taking with the discussion, but maybe not...

    --
    OSx86 FTW
    1. Re:look at Yahoo China... no, not THAT... by monkaduck · · Score: 1

      That's an awesome link. Kudos!

      --
      Napalm is nature's toothpaste
    2. Re:look at Yahoo China... no, not THAT... by jdjbuffalo · · Score: 1

      I tested it out and I think it's pretty sweet! I can get MP3's through a legitimate search engine. I recommend using Google to translate Yahoo's MP3 website. Here is a quick link to the Google translated webpage: http://translate.google.com/translate?u=http%3A%2F %2Fmp3.yahoo.com.cn%2F&langpair=zh-CN%7Cen&hl=en&s afe=off&ie=UTF-8&oe=UTF-8&prev=%2Flanguage_tools

      --
      We have four boxes with which to defend our freedom: the soap box, the ballot box, the jury box, and the cartridge box.
  52. what you are asking for exists by TheAxeMaster · · Score: 1

    There is an open, DRM-free format. Its called OGG. Some players even support it. But you, like almost all consumers, aren't willing to buy them because they don't work with the piece of software you want to use. The companies know this and lock you in to their products to protect their revenue streams. DRM is just another mechanism for this.

    Nothing's free, you have to give a little to get a little. In your case, you gave $$$ (ipod) to get compatability with a piece of software and the DRM that comes with it. Others are willing to give compatability to get open, DRM-free capability. Although they are the minority. As to why they are the minority and not the majority, that is beyond me....I for one won't pay for my own shackles.

  53. This is not a socialist republic... by Tominva1045 · · Score: 1


    Me making a copy of some data you possess does not deprive you of that data.

    It's the uploading to a P2P server or sharing with one's friends that does deprive the author of revenue. So that is the sealing aspect.

    The true meaning of "information wants to be free" is that *everybody* can have a copy of the data and *everybody* can benefit from it.

    Info wants to be free? Which communist manifesto does this come from? Information is a product just like my car. Steal the car, go to jail. Steal the data, there should be the same result.

    The marginal cost of reproducing digital data is very close to zero. It only makes sense to not share data..

    Whoa, now you are deciding for all authors how much money they are allowed to make? What if some random guy showed up at your job and said your efforts add marginally to our happiness, we are therefore reducing your pay to 25 cents per hour.

    Bet that wouldn't fly too far. Now you understand how content owners feel.

    Maybe we need a mechanism for society to compensate creators of interesting or useful information.. artifical scarcity..

    We already have a mechanism: the marketplace. If honest people like something the vote with their dollars. If honest people do not like something they don't buy it. The only scarsity that exists is when one's wallet runs empty.

    I promise you, if you open your wallet the music will be there waiting.

    --
    Cogito Ergo Sum
  54. Why do people buy iPods? by jocknerd · · Score: 1

    Thats a pretty dumb question. I own two. I've had my 3rd generation for about 2.5 years now. I use it everyday in my car. I've ripped my entire CD collection and have it stored on my iPod. I've also purchased music from iTunes Music store, although I now choose not to go this route due to DRM. I prefer the CD because of a better sound, no DRM, and the ability to resell it.

    I don't know what you mean about not backing up music that is on your iPod. My music is already on my Mac. And its copied to my iPod. If the iPod fails, the music is still on my Mac. If I lose the music on the Mac, I can always get it off my iPod back onto my Mac.

  55. Two Words: by Anonymous Coward · · Score: 0
  56. And no they won't beg for more... by Tominva1045 · · Score: 2, Interesting



    Upload it to a P2P server, and people will hear it. If it isn't pure shit, they will open their wallets and beg you for more.

    Once it's uploaded to the P2P server it has become free. There is no need to open the wallet for something they can get.... FREE.

    Back to your original point, I'm not going to buy a song I've never heard.

    Using this logic you wouldn't buy the follow-on work I produce either because.. you haven't heard THAT yet either. So again, you want it free.

    At this point one would have produced two works desired by people and realized nothing for it.

    How do we do it? Volume!

    --
    Cogito Ergo Sum
    1. Re:And no they won't beg for more... by Zontar_Thing_From_Ve · · Score: 1

      I hear that argument all the time - "I'm not going to buy it until I've heard it." I have 2 replies to that.
      1) You CAN hear it most of the time at Amazon, iTunes, etc. Granted, there are some CDs that don't have samples at Amazon, but most of the non-classical ones have samples. Anything still in print will almost certainly have a sample.
      2) Frankly, I've lost count of how many times I bought DVDs or audio CDs just based on something I read, having never seen or heard the item in question before the purchase. Sometimes you get garbage. I bought the DVD of _Duece Bigelow: Male Gigolo_ on a friend's recommendation and while I would not say it was terrible, I would say that it most definitely was NOT worth what I paid for it at the time (about $30 in the days of unfriendly DVD prices) and it most certainly was NOT even close to being "the funniest movie EVER!!!" as my friend insisted. Then again, I once bought Oasis' CD _What's The Story Morning Glory_ based on something I read and I became a big fan of the group. I think about how much I have enjoyed their music over the years and realize that had I not taken a chance, I would have missed out on all of that.

      Sometimes when you take a chance, it really pays off big time and those are the moments you remember and treasure. Sometimes you waste your money. That's all part of life. If you must hear before you buy, usually you can find a legal way to hear a sample (Amazon, iTunes, etc.).

    2. Re:And no they won't beg for more... by Maximum+Prophet · · Score: 1

      Nope. I've paid for things I've gotten for free. Hell, my wife and I have even given money to organizations that gave *us* little or nothing in return.

      Sometimes you donate because it seems the right thing to do, sometimes you send money to a freeware author in order to get their latest and greatest stuff now. (without the risk of a corrupted download from a 3rd party)

      There are lots of ways to make money by giving stuff away. Some people believe that this is the only ethical way to do business. Some people think it's a completely insane idea. Truth usually lies between the extremes.

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
  57. None of his business by roman_mir · · Score: 1

    the way music industry decides to sell files is really none of this guy's business. He can bitch about it, but at the end it is the music industry's decision.

  58. From a Consumer's Point of View? by spudwiser · · Score: 1

    Holy crap. Maybe now we'll start seeing things that DON'T hurt to use.

    I think it should be required that corporate execs spend a week without a charge card and 'only' $1000 in cash. Their goal is to use their own service as much as possible in one week. See how many times they have to call tech, etc. I think it would be a good test of their own infrastructure: put the top at the bottom and see how far they get before they want to stab someone.

    --
    .cig - what you do after winning a good flame war
  59. Re:Medical uses are realistic by __aailob1448 · · Score: 1

    You don't see where you're getting a better deal because you're not a moron.

  60. I see your point.. by Tominva1045 · · Score: 1



    I do see your point on music.

    In my case it's small-time commercial software- but the realities are the same-- P2P sharing of hacked code = loss in profits. Therefore I've got to implement my own DRM.

    In the long-term, if I did make it big, the law being developed now will benefit little software guys too.

    Struggling? Yes, that describes our little company. Struggling but happy nonetheless.

    --
    Cogito Ergo Sum
    1. Re:I see your point.. by Anonymous Coward · · Score: 0

      "but the realities are the same-- P2P sharing of hacked code = loss in profits"

      You may want to reconsider how this works.

      The whole point of this article is to consider the "consumer experience". Do you use DRM measures to make your program difficult to install - for both legitimate and illegitimate users? You seem to admit that some people already find ways to defeat these measures and post them to p2p programs. It sounds like you're just giving your legitimate customers reasons to download hacked copies instead. Digging up license codes if they need to reinstall the software, or want to install it on a home computer or such is pointless. There's some software here we have a site license for - but the license server often goes down. Life would be a lot easier if we just installed a cracked copy, even though we already own legitimate copies. It certainly doesn't make me feel any sympathy for the software vendor.

      Do you have any sense of whether such DRM measures actually make sense from a business perspective? Are the development costs and ill will that DRM measures generate made up for by the increase in revenues from copying? If you haven't looked at it from a business perspective - if you've just sat there and said "hey, how can we go wrong!" - shouldn't you?

      Anyways, point is, DRM doesn't prevent someone from cracking it and putting it on p2p networks. All it does is annoy those who did or would consider purchasing.

  61. my humble experience by milimetric · · Score: 2, Interesting

    Here's my "consumer experience":
    I stopped listening to music. It's too much hassle. Between bullshit restrictions on what players I can buy to go with what music stores and what artists are on what website and who does what with their precioussss intellectual property, FUCK IT ALL.

    Beethoven, perhaps the greatest musician of all time once said something along the lines of he dreams that there should be but one big warehouse where all the artists of the world can drag their art to and come away with what they needed.

    That's called the internet people, his dream has come true but you so called "musicians" and "record labels" have botched it. I don't listen to new music anymore. It's too hard for me to get some tunes that are still true to the spirit of music and art. I have my small collection of rock and roll and jazz and classical and I do just fine popping it into the car once in a while.

    So ROCK ON Yahoo! man, I hope they listen to you. (disclaimer: I hate Yahoo and worship Google)

    1. Re:my humble experience by Anonymous Coward · · Score: 0
  62. Mod parent up by Maximum+Prophet · · Score: 1

    Hey, Hey, Hey. Moderators, let's be careful out there. These are real questions that deserve legitimate answers.

    Any given legislator/ jurist will have similar questions, and the better they can be answered, the better they can make the right desisions. Moderating the question away won't help anyone.

    --
    All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
  63. lossless encoding whiners by davido42 · · Score: 2, Insightful
    Pardon the troll subject line, but I think lossless encoding is way overrated. MP3 and AAC are fine standards, but the "powers" have decided we don't deserve decent bitrates.

    What I decided to do was to offer MP3's at around 260-270 kbps. If you can tell the difference between that and lossless, .. you should be an audio compression engineer.

    david

    BTW, have you bought my compilation yet? It'll cost ya 1 lousy buck.
    http://www.bitworksmusic.com/
    odd tunes for odd times

    --

    BitWorksMusic.com -- odd tunes for odd times

    1. Re:lossless encoding whiners by CastrTroy · · Score: 1

      I don't care if I can tell the difference. I want at least the same quality. Why can't they just give me the same quality. They are already not giving me a CD, or a case, or some nice art and lyrics on paper. I'm also quite limited in what I can do with that music compared to a CD. I also don't have to go through as many middle men to get the music to me. So, based on what I get, I should be paying way less than what i'm paying for a CD. But usually I pay about the same as a CD, and certainly more than what I should be paying.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    2. Re:lossless encoding whiners by ClamIAm · · Score: 1
      lossless encoding is way overrated

      Not really. In 10 or 20 years, will MP3 still be supported? Perhaps, but there will no doubt be better codecs by then. If you are stuck with a bunch of MP3s, converting them to the lossy codec du jour will generally make them sound worse. A Free, lossless solution prevents this, as you can transcode and not degrade your music as codecs become better, or if the need arises to convert your music into some obscure format that doesn't handle lossy -> lossy very well.

    3. Re:lossless encoding whiners by aussersterne · · Score: 1

      CDs are not lossless. They are digital and represent sound encoded by sampling 44.1k times/sec, meaning that all those smooth analog curves are still stair-steps, i.e. lost or approximated data, even on a plain old "lossless" CD.

      --
      STOP . AMERICA . NOW
    4. Re:lossless encoding whiners by davido42 · · Score: 1
      OK, how do you define quality? With CD's we're already digitizing down to 44.1 Khz. Remember the audiophiles who swear that vinyl is much better than digital?

      So the "same quality" is a perceptual judgement. Now, from asking people who know more than I, 128 Kbps is audibly poorer quality than CD. I haven't done tests myself, but it is said that 192 Kbps is "pretty damn good" for mp3 encoding.

      As for middle men, you're still paying them. Instead of paying a CD store for their shelf space, you're paying for the download server infrastructure, the support guys, the programmers, the mp3, aac, or other royalties, and the Apple shareholders if you're using iTunes for example. So you're paying for the distribution channel. OTOH, the download model is much more efficient than printing CDs and artwork, so things should cost less, and they do, but you are still paying for infrastructure, not to mention executive salaries!

      Now, the rub is that there is nothing really technically complicated about the distribution channel. Sure, they add all sorts of complicated stuff to track your preferences, manage your account and so on (did I forget to mention DRM?), but none of this is essential to the download business, and for me this represents a weakness in the business model. That plus the fact that most of the music sucks.

      Take care,
      david
      http://www.bitworksmusic.com/

      --

      BitWorksMusic.com -- odd tunes for odd times

    5. Re:lossless encoding whiners by MacDork · · Score: 1
      As for middle men, you're still paying them. Instead of paying a CD store for their shelf space, you're paying for the download server infrastructure, the support guys, the programmers, the mp3, aac, or other royalties, and the Apple shareholders if you're using iTunes for example. So you're paying for the distribution channel. OTOH, the download model is much more efficient than printing CDs and artwork, so things should cost less, and they do, but you are still paying for infrastructure, not to mention executive salaries!

      Check out Tunecore. You pay $8 + $0.99/song listed on iTunes. You keep your copyright, and you keep the lion's share of the $0.99 that Apple charges its customers. If you fail, you're out 20 bucks.

      Record companies on the other hand require contracts that strip you of your copyright, all sorts of overhead, and the company store buys your soul with a loan that you'll be paying for the rest of your life if you don't produce a gold record. If you fail, you're screwed for life or until 7 years after your personal bankruptcy. Whichever comes first. Oh, and you still have to pay 'the man' to sing your own songs.

      Given the choice... I know what I'd choose.

    6. Re:lossless encoding whiners by ClamIAm · · Score: 1

      Human ears aren't lossless either.

  64. It's my and everyone's business. by twitter · · Score: 0
    He can bitch about it, but at the end it is the music industry's decision.

    Bullshit, it's my decision. When the "music industry" makes something I don't want, I don't buy it. It's easy enough to get good quality music from artists and publishers who are not pigs. See Magnatune and Internet Archive Live Music.

    Microsoft, Apple and others who make hardware that sucks will see similar results. OK, Apple sucks less but it's not good enough to only be a small pain in the ass. My next music player will have random playlists, ogg playback and standard data exchange so that free software can write to it. Here that? It's the sound my wallet makes when I keep it in my pocket.

    DRM is stupid. Treating your customers like criminals is bad business. It won't work and no one's going to buy it.

    --

    Friends don't help friends install M$ junk.

    1. Re:It's my and everyone's business. by roman_mir · · Score: 1

      Certainly you can stop buying, but when all the content produces who want to use DRM, get their DRM, you will have a clear choice: these are products with DRM these are without, and you can chose to buy what you want. The question is will you go out of your way to get an illegally cracked version of the originally DRMed file?

    2. Re:It's my and everyone's business. by Triskele · · Score: 1
      The question is will you go out of your way to get an illegally cracked version of the originally DRMed file?

      Yep. Next dumb question?

      --

      --
      USA: home of the world's largest terrorist training camp.

    3. Re:It's my and everyone's business. by roman_mir · · Score: 1

      A dumb question? Ok, why do you want to break copyright?

    4. Re:It's my and everyone's business. by Triskele · · Score: 1
      A dumb question? Ok, why do you want to break copyright?

      Why do you want to let the corporations dictate what I can and cannot do with stuff I've bought? Last I heard I lived in an elected democracy that included considerable legislation for consumer protection. But then I live in the UK not the US....

      --

      --
      USA: home of the world's largest terrorist training camp.

    5. Re:It's my and everyone's business. by roman_mir · · Score: 1

      Why do you want to let the corporations dictate what I can and cannot do with stuff I've bought? Last I heard I lived in an elected democracy that included considerable legislation for consumer protection. But then I live in the UK not the US.... - I produce content, I release some of it under the GPL, copyright still applies.

      Some of the content I don't release at all, because I don't want people braking my copyright on those other items.

      A very small portion of the content I release for profit, in this case it is not GPLed, it is a proprietory license, I wouldn't want people to brake my copyright. As in I wouldn't want people to make copies of this content and distribute it illegally. I am not a large corporation.

  65. If you notice carefully... by Tominva1045 · · Score: 1



    I've been dancing on the head of a pin here. I did commment on mucic but I specifically mention digital content and digital media. In this I'm referring to software- something also under assault by P2P and folks who think they have every right to redistribute it as they please.

    This is why I've had to implement my own DRM and the law being determined for digital media now may very well also affect my small company.

    And we do have the inherent right to protection of our digital property-- and therefore to realize revenues from it's regulated use.

    --
    Cogito Ergo Sum
    1. Re:If you notice carefully... by PitaBred · · Score: 1

      The question is really whether software should be a product or a service. You don't have any inherent right to your thoughts... as soon as you say them, they're free to hear and for other people to replicate and think all by themselves. It's the same way with software, or any other information. If you want to try to keep people from using it, that's fine. But don't get pissy and try to say it's illegal when people break that, because one you decide to let the information out, you've let it out. Sell them the value of your support, of your continued development. You shouldn't be selling your idea, you should be selling your work. Anything else is artifically created value.

    2. Re:If you notice carefully... by PitaBred · · Score: 1

      As a note, I work in software myself. I understand where you're coming from, but it's an old worldview from back to when information was hard to transmit. Now that we've got this global Internet, the whole information market has to be turned on it's head.

  66. The Consumer Experience is... by Bullfish · · Score: 1

    My experience anyway is that companies have gone to war against the consumer/customer. Sooner or later people will start to realize this and fight back the only way we can - by not buying, or buying as little as possible from "devil companies". They call some of us devil customers, well, it goes both ways.

  67. This isn't hard-ass land either by Anonymous Coward · · Score: 0
    It's the uploading to a P2P server or sharing with one's friends that does deprive the author of revenue. So that is the sealing aspect.

    This is actually quite a stretch, since the artist is first of all potentially loosing the chance to gain money. He has no moey taken away, hence why it is known as potential revenue, and even further why the DIE_HARD pro-IP crowd gets blasted since this is a great logical fallacy that can only serve to perpetuate the fallical "right to profit" instead of the more realistic "right to try and profit" that dominates the real world.


    Whoa, now you are deciding for all authors how much money they are allowed to make?

    All he said is that the cost of reproduction is near or at zero. I did not see it as "this should nessecarily be the price", unless you are on a serious propaganda trip.


    I promise you, if you open your wallet the music will be there waiting.

    Awww horse-shit... this is just trying to sneak in the logical fallacy that no money = no music... give it up. Supporting those who create the works of art is definately a fine thing and the right thing to do, but for god's sake, works will still be created regardless of price, laws, or lack therefor, always has been done, alwauys will be done, just a matter of probability.

  68. Re:first post by Anonymous Coward · · Score: 1, Funny

    and you, sir, are a language bigot.

  69. Many Promotions by paullyjunge · · Score: 1

    They gave away 100 free songs for downloading WinAmp once, I signed up and checked out the music. They have lots of "other" type stuff, but they did have the Charlie Brown Christmas soundtrack(which was nice during the holidays.) Anyways, unsubscribing was hassle-free, I clicked unsubscribe in the Account, and it was done. Very nice.

  70. Because it's cheaper by grahamsz · · Score: 2, Interesting

    Consider you bought 100 cds, at an average of $15 each - that's $1500.

    Now consider you put that $1500 in a savings account and collect 4% on it. You'll get back $60/year which is exactly what yahoo music costs.

    So assuming prices/rates dont change, it costs the same to buy 100 cds outright or to lease unlimited music for the rest of your life.

    My tastes change pretty frequently, so it's a better deal for me to lease my music. That may not be true for you.

    1. Re:Because it's cheaper by jrockway · · Score: 1

      Where the hell do you get a 4% savings account? Most around here are like 0.2%... which is pretty much zero unless you're a millionaire.

      --
      My other car is first.
    2. Re:Because it's cheaper by grahamsz · · Score: 1

      http://www.emigrantdirect.com/?source=google

      You should be easily able to get that rate in a 12 month cd also.

    3. Re:Because it's cheaper by Cocteaustin · · Score: 1

      I am a Yahoo! Music Engine user and I have way more than 100 CDs worth of subscription music. But even if I didn't, being able to download it is much more convenient than having to futz with CDs. To make it even more convenient, YME automatically replicates subscription music between my work laptop and my home desktop machine.

  71. One Rotation of Popularity by WolfZombie · · Score: 1

    All it will take is one phasing out of a popular, legal mp3 player to catch companies with this DRM stuff. When the general public finds a product that they like better than the iPod and tries to migrate to it in the masses and it doesn't support their DRMed iTunes music, they will revolt. When they revolt, the government will step in, and require the DRM be removed from digital music. So basically someone needs to come up with an idea that is strong enough to kill the popularity of the iPod and drive the mass market away from iTunes for this to happen. Get to work!

  72. I think the commenter UNDERSTOOD it ... by Buran · · Score: 1

    It's quite possible to understand something without 100% agreeing with it, which is what you seem to have missed.

  73. Translation by geekee · · Score: 1

    "Rights management restrictions have created a barrier for consumers, he said, making it a hurdle to transfer music to portable devices, and creating incompatibility between music services and MP3 players"

    Apple's Rights management restrictions have created a barrier for consumers, he said, making it a hurdle to transfer Yahoo DRMed music to iPods, by creating incompatibility between music services and iPods.

    --
    Vote for Pedro
  74. Net companies have more street cred than labels by Anonymous Coward · · Score: 0

    Yep. Personally, I think net companies like Yahoo and Google probably have more credibility with net consumers than record labels do. They probably could make some impact by providing a good music service, but clearly stating that the big labels chose not to participate because they wanted to restrict user's ability to play the music they pay for. Together with the new competition from the labels that were co-operating, that could change the industry noticably.

  75. Well ok then... by SQLz · · Score: 1

    Well, now they Yahoo is against DRM, I guess its ok they are helping to send Chinesse to politcal re-education camps.

  76. irony? by cpeterso · · Score: 1


    It's only the Yahoo Music Unlimited music jukebox that has the DRM restriction.

    Irony = only the Yahoo "Music Unlimited" has the DRM restriction!

  77. Lossless? give me a break... by MattHaffner · · Score: 1

    OK, how do you define quality?

    Look, it's very simple.

    Until my $10^H^H 15^H^H 20 (inflation, you know) buys me a live, in-person, on-demand performance by the artist no matter where I'm located, I am not buying into this "recorded" music line of crap. For 1/5 to 1/10 the price of a honest-to-goodness ticket (well, ignoring the +20% processing/handling fee) for a live performance, they want me to buy this inferior, static (and static-filled!) recording? What a racket. My highly-evolved sense of hearing can't stand resampling of any sort. The subtleties induced in the very cells of the body by harmonic frequencies in the 100 kHz - 10 MHz range define true music, and I will not stand for this insult from the aptly-named "recording" industry.

    Now, those video-thingies on the iTMS are pretty cool though... I ponied up my $22.89 for the Schoolhouse Rock collection. That's money well spent!

  78. You missed it, entirely. by twitter · · Score: 1
    when all the content produces who want to use DRM, get their DRM, you will have a clear choice: these are products with DRM these are without, and you can chose to buy what you want.

    Which publishers considering DRM have not already published this way? The choice is already clear.

    The question is will you go out of your way to get an illegally cracked version of the originally DRMed file?

    What about the alternate sources of media did you not understand?

    The general response is also already clear. People return DRM'd music and music sales continue to plummet. Microsoft and Sony have irreversibly damaged their own and everyone in the industry's reputations with schemes that don't work. People are not buying it.

    --

    Friends don't help friends install M$ junk.

    1. Re:You missed it, entirely. by roman_mir · · Score: 1

      What about the alternate sources of media did you not understand? - so you are saying that you will use materials that are copyrighted and yet distributed illegally?

    2. Re:You missed it, entirely. by Anonymous Coward · · Score: 0
      Microsoft and Sony have irreversibly damaged their own

      Hmmm. I'll give you Sony, at least in the "public eye" as it were. But Microsoft? Please provide some examples.

    3. Re:You missed it, entirely. by twitter · · Score: 1
      so you are saying that you will use materials that are copyrighted and yet distributed illegally?

      No, silly. I'm saying that I don't need to listen to music or use software published by pigs. There's more than enough nice people to reward. I don't use music sharing networks because it's impossible to tell the two apart.

      --

      Friends don't help friends install M$ junk.

    4. Re:You missed it, entirely. by roman_mir · · Score: 1

      So you are saying you do not download materials that were illegally distributed?

    5. Re:You missed it, entirely. by Anonymous Coward · · Score: 0
      I'm saying that I don't need to listen to music or use software published by pigs

      ROFL, what a fucktard.

    6. Re:You missed it, entirely. by The+Cisco+Kid · · Score: 1

      I think he is saying that he listens to music produced by independent artists that dont suck the RIAA's teat, and who release their music for free (legal) distribution.

  79. DRM is not a fact of life. by twitter · · Score: 1
    Basically, DRM is a fact of life.

    Not my life. I'm not handing control of my computers over to anyone for entertainment. I'm also not going to be buying any dissapearing files or renting music from pigopolists.

    Given that people can download and upload any file free of charge, etc, it needs to be done, otherwise files get swapped around etc.

    Electronic networks are the real fact of life. The phonograph and it's industry are obsolete. Those who cling to the old model will be outsold by those who move on. There's more ways to make money than selling physical coppies of crap hyped on ancient, and equally obsolete, broadcast networks.

    The less money going to pigopolist, the more money there will be for content creators. Witness Magnatune and recording friendly bands on the internet archive. More money will make more content and everyone will win.

    People with bad attitudes make bad product. The alternative publishers are already just as good or better than the pigopolists. The difference is going to become more obvious.

    --

    Friends don't help friends install M$ junk.

  80. I'll tell ya... by DaveJay · · Score: 1

    ...for various reasons, I get Yahoo! Music for free, and I found the DRM restrictions so onerous that I uninstalled it a few days later. For FREE it wasn't worth it.

    That's not just about Yahoo!'s player; it's the DRM that's the problem. I listen to mp3s on the road via iPod through my car stereo, and in the living room via a slim devices product -- if I get a DRM'd product, I can play it one place and not the other. That's just nonsense, and so I stick with CD ripping.

  81. Yahoo's Launchcast is tied into IE by theurge14 · · Score: 1

    Has been, and still is (I just checked), wholly dependent on ActiveX and IE.

    Try to listen to any Launchcast station on music.yahoo.com in Firefox and you get this:

    Error

    Sorry, we do not support Netscape on the Windows platform.

    Error Code 25 - 0


  82. YMusicBlog Post by iancr · · Score: 2, Informative
    Fwiw, I finally posted on this topic to ymusicblog.com, and added a few other notes from Dave's talk yesterday.

    http://ymusicblog.com/blog/2006/02/25/dave-goldber g-to-record-labels-no-drm-please/

    ian

  83. Upcoming Vista = sh!tload of DRM pleasures :D by Anonymous Coward · · Score: 0

    I think you mean:

    "Isn't this the one that gets defeated by not running Windows ?" ;)