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Fight DRM While There's Still Time

ageor writes "It seems (not only) to me that DRM is about far more than intellectual property. It's also about monopoly and freedom of choice. It's one of those cases where we, the consumers, must decide against accepting the new industry's rules, which care only about control and making money. The whole matter is very well put in DRM, Vista and your rights, where you can follow the subject as deeply as you like through the numerous relevant links."

424 comments

  1. Change from the Top Down by P(0)(!P(k)+P(k+1)) · · Score: 3, Insightful

    “Fight DRM,” like “fight breast cancer” or “stamp out racism,” are noble sentiments; such sentiments, I believe, share one thing in common: they suffer from a false sense of sovereignty; and are more autistic than realistic.

    In the case of DRM,* the worthiest undertaking may be to climb the corporate ladder; and effect change from the top down.

    _____________
    * Or in the case of cancer: medical school, etc.

    1. Re:Change from the Top Down by caitriona81 · · Score: 5, Insightful

      In the case of DRM, theres one very strong way to fight it - with your wallet. Use alternatives where possible. Spread the word about products that contain oppressive DRM. Encourage others to do the same.

    2. Re:Change from the Top Down by ResidntGeek · · Score: 0, Flamebait

      Right, and in the case of racism, there's a very stong way to fight it: don't be racist. And has that worked? Go ask your local redneck.

      --
      ResidntGeek
    3. Re:Change from the Top Down by Anonymous Coward · · Score: 0
    4. Re:Change from the Top Down by Falesh · · Score: 1

      So we should either become leaders and effect change or ignore the issue altogether? Charities and lobbying helps get breast cancer sufferers support and gives researchers money to find cures, and how do you stamp out racism without going to the grass roots anyway?

      The way to fight DRM (not the only way of course) is not to buy it and convince friends/family not to either.

    5. Re:Change from the Top Down by P(0)(!P(k)+P(k+1)) · · Score: 3, Insightful

      . . . [H]ow do you stamp out racism without going to the grass roots anyway?

      The Bolsheviki tried the top-down approach, actually; it involved weeding the gene-pool of potential racists. (That they accidently liquidated the industrious and free-thinking is by the by.)

    6. Re:Change from the Top Down by JesseMcDonald · · Score: 4, Insightful

      Right, and in the case of racism, there's a very stong way to fight it: don't be racist. And has that worked? Go ask your local redneck.

      I would say that the approach in question has worked at least as well as any other that does not itself involve actions which are themselves worse than racism.

      --
      "The state is that great fiction by which everyone tries to live at the expense of everyone else." - Bastiat
    7. Re:Change from the Top Down by iminplaya · · Score: 1

      In the case of DRM,* the worthiest undertaking may be to climb the corporate ladder; and effect change from the top down.

      I believe that method usually doesn't work all that well. First is the age old case of the oppressed becoming the oppressor. And just as old is the addiction to and the intoxication derived from power. And "top down" is a just a reminder of the failure of trickle down economics...for those being trickled on.

      --
      What?
    8. Re:Change from the Top Down by Aladrin · · Score: 4, Insightful

      Yeah, kill all the rednecks!

      Er, make it illegal to be a redneck!

      Er, boycott redneck products!

      Wait, what was your argument again? I think you forgot the references to Nazis and Hitler. Throw in some other completely unrelated emotion-jerking things, too.

      The way to fight DRM is not just to 'not use it', it's to show all your friends how cool it is NOT to be DRM-infested. See what I can do?
      *drags music files to a blank CD on the desktop and the CD burns*
      Neat, huh?
      *drags video to an portable video player and it auto-resamples it, then shows that same video can be shown on the TV in the living room without any extra work*
      Neat, huh?

      When they realize they can't do half the neat stuff with their DRM-infested files, they'll consider that each and every time they make a purchase in the future. Until then, you cannot make the common consumer care.

      --
      "If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
    9. Re:Change from the Top Down by Original+Replica · · Score: 1

      If that redneck knows in certains situations, that to be openly racist will result in his public embarassment, then yes it is working. However, There will always be assholes, and they will always find some way to prove that they are assholes. Race, Religion, and (insert difference here) will always be a problem for an annoying idiot few.

      --
      We are all just people.
    10. Re:Change from the Top Down by Anonymous Coward · · Score: 0

      In the case of DRM,* the worthiest undertaking may be to climb the corporate ladder; and effect change from the top down.

      99.9 percent get Borged. The rabbit-hole is simply deeper than you. Too long in the Matrix, you become the blue pill.

    11. Re:Change from the Top Down by utnapistim · · Score: 2, Interesting

      The way to fight DRM is not just to 'not use it', it's to show all your friends how cool it is NOT to be DRM-infested. See what I can do? *drags music files to a blank CD on the desktop and the CD burns* Neat, huh? *drags video to an portable video player and it auto-resamples it, then shows that same video can be shown on the TV in the living room without any extra work* Neat, huh?

      Hmmm ... if there was a youtube movie about this, I'd post it on my blog, link to it, email it to people and so on.

      Anyone knows about a good enough movie about this? (a three pages text rant with no formatting won't have the same effect, and doesn't make anyone go "Neat, huh?"; I wouldn't send something like that)

      --
      Tie two birds together: although they have four wings, they cannot fly. (The blind man)
    12. Re:Change from the Top Down by Deskpoet · · Score: 4, Insightful

      In the case of DRM, the worthiest undertaking may be to climb the corporate ladder; and effect change from the top down.

      Corporations are the *originators* of these policies; they do so to PROTECT SHAREHOLDER INTEREST. As long there is value in artificial scarcity, DRM and its ilk (yes, copyrights, patents and every other government-sponsored legalistic chokehold on information) will thrive--and necessarily exist. If anyone "on the inside" sought to change these policies, they would be rightly seen as acting outside of their shareholder mandate and would be FIRED. (You could argue that such individuals could make convincing arguments that there is MORE shareholder value to be had by being open with information, but *any* initiative that appears as though it might impinge on future profits would quickly die a flaming death.)

      How this comment was modded up is beyond me.....

      --
      "The more corrupt the state, the more numerous the laws."--Tacitus, The Histories
    13. Re:Change from the Top Down by aetherworld · · Score: 1

      Spreading the word is also very noble but you cannot win the fight against DRM with your wallet. Those who want to keep DRM schemes have the bigger wallets, trust me. And unless you can increase the IQ of their average customer by about ~50 and also teach them something about IT, DRM and their rights, you won't be able to win that war.

      It's just like you can't stop global warming by taking the bus instead of driving to work with your car. It's a noble demonstration but nothing more.

    14. Re:Change from the Top Down by Reverend528 · · Score: 1

      The Bolsheviki tried the top-down approach, actually; it involved weeding the gene-pool of potential racists.

      Hitler also tried the top down approach. It involved weeding out the minorities.

    15. Re:Change from the Top Down by ResidntGeek · · Score: 1

      It sounds good, but things just don't work that way. If you do that, people will chalk it up to you being better than the computer than them. They either don't or can't learn. You really think Maynard G. Muskievote is going to spend time trying to figure out why his new HD-DVD doesn't play in his computer? No, he'll go buy a machine that will play it (assuming the new formats catch on). Even when people realize they can't do half the neat stuff you can, they still won't consider that when they make purchases. There are a hundred other things that weigh more heavily in their minds, like whether that girl they're trying to impress likes Sin City, or whether their hair looks OK while they browse theough the shelves.

      Also, Hitler and the 9/11 hijackers used DRM! Or didn't use DRM. Whichever's funnier.

      --
      ResidntGeek
    16. Re:Change from the Top Down by ResidntGeek · · Score: 1

      That's a good point, because it shows that racism isn't a very good parallel to DRM. There are no technnological ways to fight racism, and you can't fight racism by climbing the corporate ladder.

      --
      ResidntGeek
    17. Re:Change from the Top Down by KKlaus · · Score: 1

      Er there was a revolution, if you'll recall. That's not really top down in the sense that the OP was using. But seriously, it was kind of a stupid thing of you to say anyway, because all you really said is that revolutions are bad... but then something that happened in 1776 would seem to contest your theory. The bolsheviks (its an s for plural in English, don't use the russian, and I hope the use wasn't intentional or that was pointlessly pretentious of you), did a lot of bad things, but that had nothing to do with the fact that they overthrew the established order, other than the fact that the act gave them the power to do so.

      Anyhow, the point of the top down approach was the we consumers are too powerless to effect the change. If all products use DRM (or nearly), its pretty hard to vote with your wallet. Add to that artificial lock in, and maybe we don't have a chance. The suggestion, then, was to get some power by whoring yourself out to corporate america, and trying to influence policy that way.

      Cheers.

      --
      Relax I just want some peanuts.
    18. Re:Change from the Top Down by P(0)(!P(k)+P(k+1)) · · Score: 1

      Yes, the top-down approach can be perilous; especially in programming. Apparently they've abandoned top-down, though, for more extreme measures.

    19. Re:Change from the Top Down by P(0)(!P(k)+P(k+1)) · · Score: 1

      . . . [S]omething that happened in 1776 would seem to contest your theory.

      Depends, possibly, on whom you ask.

    20. Re:Change from the Top Down by zenkonami · · Score: 0

      Agreed. And if you vote with your wallet, it makes DRM less important, because the people who deserve to be getting the money for their work will get it instead of those organizations and corporations dedicated to strongarming your money from you. If you just want easy and free access to media you have actually paid for, then be selective about what you pay for, and tell other people to do the same.

      Don't go nabbing it for free with claims of "well they make enough money as it is and it should be free anyway", because if they have any way of measuring how often that happens, it only bolsters their case that there is a demand for something that they had some hand in producing or marketing. Vote with your wallet, or else we'll just have more of the same.

      --

      Do You Experiment?
    21. Re:Change from the Top Down by Anonymous Coward · · Score: 0

      lol - +4 insightful!!! oh dear,

      yes it was the bolsheviks who weeded the gene pool of potential racists didn't they. or maybe your getting confused with the national socialists, you know the ones that the russians fought against.

      obviously you will have been brought up to believe that it was the glorious yanks who won WWII...well get this, by far the greatest contribution was made by the russians and it took a great deal of free thinking and industriousness to achieve this.

      as for winning the space race, well we got the first guy to the moon didn't we??? thats what counts isn't it??? we had the free thinking to win didn't we?

      now if i were you i'd probably shy away from reality too. go ahead and forget the growing restrictions on your civil rights and freedom, forget the way the media controls almost every waking thought you might have. forget the way you are poisoning the planet and the growing gap between the rich and the poor that you are widening every day.

      keep telling yourself that if you try to improve things or make life fairer then you'll end up replacing the system with something far far worse. that'll keep you on the path to where you're heading.

      or maybe you can stick to the certainties and logical proofs of thematical induction my friend; human matters are sometimes a bit complicated for small brains.

    22. Re:Change from the Top Down by wall0159 · · Score: 1

      Go and read about Ghandi, mate, and the methods he used to gain Indian independance from British colonialism.

    23. Re:Change from the Top Down by P(0)(!P(k)+P(k+1)) · · Score: 1

      . . . [H]uman matters are sometimes a bit complicated for small brains.

      I love you, AC; but I think you missed some glorious tongue-in-cheek action. Try re-reading, and get back to me.

    24. Re:Change from the Top Down by senatorpjt · · Score: 1

      Wouldn't it work better to just pirate everything that has DRM, and buy the stuff that doesn't?

    25. Re:Change from the Top Down by h4rm0ny · · Score: 1


      Happily, the metaphor breaks down at this point. If the willing purchasers of DRM are the idiot few, then the market is not going to pander to them. So tell everyone just how bad DRM is and spread the word. You don't have to convince everyone. You just have to get a large enough proportion of people vocally not buying DRM and then the profitable approach for companies is to sell non-DRM to everyone. Because those who are happy with DRM will still purchase something without DRM, but not vice versa.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    26. Re:Change from the Top Down by h4rm0ny · · Score: 1


      I fully support the top-down approach. The customer is the top. The person trying to sell me something depends on my favour.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    27. Re:Change from the Top Down by aplusjimages · · Score: 1

      But I think that's the point of the parent post. It's like telling people they can reduce cancer by not smoking or stop eating so much red meat. The masses won't do it.

      --
      Can I bum a sig?
    28. Re:Change from the Top Down by PopeRatzo · · Score: 1

      Good point. I also fight DRM by ignoring it, and not buying products that use it. If I learn a product uses DRM, I try that much harder to find a cracked version of it, circumvent it, or buy it's competition. Like many, I fight a guerrilla war against DRM and any company that relies upon it.

      Also important: I won't use it myself and I implore every artist and innovator I meet to also not use it. I encourage every writer, musician, innovator I meet to educate themselves and join the battle. It works more often than you think.

      --
      You are welcome on my lawn.
    29. Re:Change from the Top Down by KKlaus · · Score: 1

      heh alright true. But in my defense, I was talking about effects on the revolutionary society - and anyway the world was a lot more zero sum in those days, so... I don't feel too bad. But I guess my last name isn't running water or anything either.

      --
      Relax I just want some peanuts.
    30. Re:Change from the Top Down by Nataku564 · · Score: 1

      I will be celebrating January 30th with Windows format day. All of my Microsoft Windows partitions will be formatted and replaced with some flavor of Linux or another. The laptop is already cleaned - now running Ubuntu. The gaming PC is next - downloading the latest Mandriva release as we speak. Of course, I will leave 10 Gigs open for a future XP install whenever the next must-play game comes out, but that will be the only such OS on my network.

    31. Re:Change from the Top Down by dcollins · · Score: 1

      "In the case of DRM, theres one very strong way to fight it - with your wallet."

      I disagree; that is a fool's errand. You must organize. The established way to organize in our society is through legislation. Get reasonable laws passed for reasonable IP regimes, and prohibit DRM.

      Similarly, don't think that you're going to change a workplace by quitting one job. You must organize and form a union. Anything else simply cedes the issue to the centralized power.

      --
      We know where leadership by an anti-intellectual "strongman" who scapegoats minorities and likes boisterous rallies goes
    32. Re:Change from the Top Down by westlake · · Score: 1
      In the case of DRM, theres one very strong way to fight it - with your wallet. Use alternatives where possible. Spread the word about products that contain oppressive DRM. Encourage others to do the same.

      Fight it with your wallet? We are talking about sales of goods and services in the home market.

      The market which made J.K. Rowling richer than the Queen of England. The market which generates half of Apple's revenues through sales of the iPod and through iTunes. The market for the XBox 360 and the PS3.

      BadVista.org, witless and sophomoric, hasn't got a clue.

      Here is a look at how successful their latest "tagging" campaign has been at Amazon.com:

      Software Bestsellers

      2 Microsoft Office Home and Student 2007
      4 Microsoft Vista Home Premium Upgrade
      6 Microsoft Vista Ultimate Upgrade
      11 Microsoft Office Student and Teacher Edition 2003
      14 Microsoft Office Professional Upgrade 2007
      17 Microsoft Vista Ultimate Full Version
      21 Microsoft Vista Home Premium Full Version

    33. Re:Change from the Top Down by theBully · · Score: 1

      I cannot agree more. I top that with quoting the "more autistic then realistic" to the idea of Linux adoption on the desktop and recommend alternative OS's to everyone you know. This whole story reminds me of Jim Carry's performance in Liar Liar. Quote: Fisher: Do you know what I'm going to do about this? Policeman: What? Fisher: Nothing, because if I take it to the small claims court it will only drain 8 hours out of my life. And you probably won't show up and even if I finally got the judgment you'd just stiff me anyway, so, what I'm gonna do is piss and moan like an impotent jerk then bend over and take it up the tale pipe Policeman: You've been here before haven't you? In fact the whole Linux story as far as I was there to see it, about 10-15 years, seems spiced with such sort of frustration. We keep repeating the same old slogans and meanwhile Microsoft Windows, in spite of security wholes, monopolistic and big brother practices and so on and so forth, is drifting away in the future compared to Linux. I remember when I first installed Linux on my home computer ,I think a RedHat 2, it compared fairly well(after I managed to get X running) with Windows I think 95 at that time. Windows now supports a lot more then Linux. I know this is a result of hardware vendors not cooperating with the developers. But the end result is the same. I wish I could tell my parents and sister to load Ubuntu or Suse. I can't. They want to be able to use video on Yahoo Messenger and Skype. It's just not there. I tried myself gnome meeting to realize that getting a bloody USB webcam to work under Linux requires 3 pages of reading and a kernel makeover. And that only to be able to capture something. Let alone I will need some software for video conferencing. This is just an example. There are many...Would I dare recommend my company a switch to Linux? Maybe if I really, really hated them. In conclusion. Microsoft will implement DRM (also because unfortunately most Microsoft customers - home or business - do not read this post and there are few other media channels raising awareness of the dangers) and we will all do, well, read the quotes above again. "I am not popular enough to be different" Homer J. Simpson

    34. Re:Change from the Top Down by Anonymous Coward · · Score: 0

      Let me guess: You are a white male.

    35. Re:Change from the Top Down by Endo13 · · Score: 1

      In the case of DRM, theres one very strong way to fight it - with your wallet. Use alternatives where possible. Spread the word about products that contain oppressive DRM. Encourage others to do the same. While I agree with your sentiment, I also have to say that I don't see this hurting DRM any time soon. Most people don't know and/or don't care enough to vote with their wallets - and won't, as long as they don't *have* to (In fact, until such a time as they're left no other choice they'll believe the **AAs over you or me. "If DRM doesn't let you make a backup copy of your disk it's obviously because you're not supposed to, and you're breaking the law!!"). As long as it works *right now* they're happy to shell out the money it takes to get what they want. Only when it's so broken that it really doesn't work (ie. I just bought this new HD-DVD player and it won't work with my new "HD-compatible" TV!!) will the masses actually vote with their wallets. The masses simply don't care about principles - they only care about results. And so the few of us who do see the problems of DRM and actually care about it are left without the ability to make any real impact on it by voting with our wallets.
      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
    36. Re:Change from the Top Down by Have+Blue · · Score: 1

      Of course, by using iTunes, you can still do all those things. It will burned DRMed tracks to Redbook CDs, and iPods can do TV out (and then there's the Apple TV).

      Sometimes DRM can be tolerated if the benefits outweigh the drawbacks. I'd rather have legitimate online music distribution than the ability to use Linux. That may not be someone else's choice, but at least it's good that several different options are available, right?

    37. Re:Change from the Top Down by Aladrin · · Score: 1

      Why do you assume those are mutually exclusive options? As you just pointed out, there are already plenty of ways to circumvent DRM. Would it REALLY kill them to sell music online that isn't crippled? They sell it in the stores that way, and every attempt to cripple it has resulted in loss of business and/or lawsuits. Why are online sales treated differently?

      The answer is simple, actually. The bully hasn't had his nose sufficiently bloodied yet. Until someone can prove that they've lost money from DRM,and get them to accept it, they will continue to make horrendously stupid business decisions.

      Every shred of DRM has failed. None of it has helped protect their business. And they still make money hand over fist. Imagine what would happen if they priced their products correctly and gained the rest of the market that they've been missing.

      So now, why are you tolerating DRM? Admit to yourself that you're tolerating it in the short-term and I'll agree with you. At this moment in time, you gain a fairly-easy, legal way to purchase online. (We'll just ignore the fact that it's easier and cheaper to get the music illegally, and that you can do what you want with it easier by that method.) In the long run, if they don't figure out the truth, someone else will beat them to it.

      For instance, I don't believe there's any law against reselling music, and it's been proven that it's okay to rip your own music. So an enterprising individual could 'buy' CDs wholesale, rip one of them and then for each online sale of the CD he makes in MP3 format, throw a disc in the trash. Or better yet, make 'compilations' of other artists' music and pay them legally. Then instead of selling it in CD format, sell it in MP3. (Via the rip method, if the law is stupid enough to require it.)

      There's plenty of ways around the system and still staying legal. Nobody has bothered yet because they don't see the market. It won't be long now.

      --
      "If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
  2. Is it only me... by bky1701 · · Score: 1

    or does "where you can follow the subject as deeply as you like through the numerous relevant links" sound like PR-speak for clicking ads?

    1. Re:Is it only me... by shmlco · · Score: 1

      No, it means that he provides a list of articles that are as heavily biased as his own. I'd expect a "deep" analysis of the subject to present, as fairly as possible, both sides of the issue. Without it, it's yet another"corporations are evil, DRM is bad" rant.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
  3. It is simple by someone1234 · · Score: 4, Insightful

    Don't buy stuff with DRM. I can do it, i did it so far. But i doubt more than 20% of people who yap against DRM will stay away from it.

    --
    Patents Drive Free Software as Hurricanes Drive Construction Industry
    1. Re:It is simple by Anonymous Coward · · Score: 0

      Let's be realistic here. A bunch of nerds boycotting something isn't going cut it. The majority of people don't know what DRM is let alone how to buy alternatives.

      It's nice that you are not being hypocritical and refuse to buy stuff with DRM on it, but you are deceiving yourself if you think that that's enough to stop DRM.

    2. Re:It is simple by dangitman · · Score: 1

      Including DVDs? I really doubt many people are going to give up watching DVDs.

      --
      ... and then they built the supercollider.
    3. Re:It is simple by fritsd · · Score: 1
      What did you say? "Let's be realistic here"?
      ...
      Allright, you asked for it! I shall quote G.B. Shaw at you! http://en.wikiquote.org/wiki/George_Bernard_Shaw
      Here's one that seems applicable to DRM:

      When will we realize that the fact that we can become accustomed to anything, however disgusting at first, makes it necessary to examine carefully everything we have become accustomed to.
      And to throw some more fuel on the fire:

      If you have an apple and I have an apple, and we exchange apples, we both still only have one apple. But if you have an idea and I have an idea, and we exchange ideas, we each now have two ideas.
      By the way, his plays will already be in public domain by 2021, if I calculated it well! Not bad for a Stalinist playwright!
      --
      To be, or not to be: isn't that quite logical, Slashdot Beta?
    4. Re:It is simple by Anonymous Coward · · Score: 0

      the problem is not that their isn't products available for sale without drm, it's that ppl are still buying the devices with drm built in like in the ipod, appletv and windoze stuff. the public is stupid and your best buys aren't running redhat enterprise linux on the hardware. Word about avoiding electronics with drm built in will spread and effect the sales of stuff with drm built in, so there is hope. i think there should be bright drm stickers on goods for sale that use it, ppl would think twice before buying it. drm is about controlling what you see.

    5. Re:It is simple by mgiuca · · Score: 1

      Dude... it isn't simple. If I was OK to avoid all the products with DRM on them... then I would, and I wouldn't care. So while it's simple to say "don't get an iPod, get a DRM-free media player", or "don't get music from iTunes, get the same music from eMusic" - it's not as easy when you want a movie. They make them in DRM DVD, DRM HD-DVD or DRM Blu-ray - and you pick (and yes, I pick DVD).

  4. Only when Trusted Computing means... by rjdegraaf · · Score: 1

    Only when 'Trusted Computing' means the consumer are to select trusted keys instead of the companies, it would be a hit.

  5. Fight it how? by cjackson0 · · Score: 5, Insightful

    The article goes into arguments we've all read, and probably made before. The main point missing from this relatively well organized and civil rant is what to do about it. It's always easier to point out he problems than the answers.

    1. Re:Fight it how? by IamTheRealMike · · Score: 3, Interesting

      The main point missing from this relatively well organized and civil rant is what to do about it. It's always easier to point out he problems than the answers.

      That's the problem with pretty much the entire anti-DRM movement. It has no credibility because it only points out problems and not solutions.

      I have a pretty unpopular opinion here on Slashdot - I am broadly supportive of DRM. Fortunately I also have great karma and don't care much about losing it, so I don't mind arguing the case for DRM here. One of the things that bugs me about Slashdots DRM coverage is it's full of people pointing out problems, and never solutions.

      The basic problem DRM tries to solve is really simple - we want professionals to produce high quality 'creative works' despite us having technology that can replicate such an item for zero cost. The free market really can't cope with that at all, because it makes "supply" in the economic sense infinite therefore price becomes zero, implying that something has no value. That's clearly rubbish, and quality creative works definitely have value to millions of people.

      Nobody really knows how to design an economic system that works in the case of zero-cost-copies though so for now, we'll have to make do with what we've got - the free market - and bodge/hack things together until it works. These hacks will always be suboptimal and have lots of problems, hacks always do, but it's the only option right now. Typically this is done by preventing zero-cost copies, which allows the market to set a price, meaning the people who made the creative work get paid.

      As it happens, that's really hard. Computers copy information, that's what they do, and unfortunately people can't be trusted to just follow the rules of the system left to their own devices. Instead people do a cost:benefit analysis and think, well, it's not likely I'll be caught, so I'll go ahead and break the law. Who cares, everybody else does it anyway. So it has to be enforced at the technology level, otherwise we just screw ourselves over in the long run when content production just becomes economically unsupportable.

      I don't like the fact that FairPlay locks you into Apple, that Janus locks you into Windows Media, and that neither of them run on Linux. I really don't. But I also don't see a real alternative. An open DRM scheme has been proposed by Sun but never took off, because it's not enough to have a design - you must also have code, a commitment to repair it when breached, deals with the people who make the stuff in the first place etc.

      The alternatives to DRM that are suggested are usually pretty pathetic. "Make money off concerts" might work for (some) musicians but not for software developers, "make multiplayer games that enforce it server side" might work for (some) software developers but doesn't work for musicians, and nobody really thought about what happens when we perfect the ebook reader.

      As more and more moves into the digital realm this issue is just going to get bigger and bigger. It isn't going to go away just because it'd be convenient for Slashdotters, especially because for every poster here who really cares about the ability to write open source viewers there are at least 3 who just like getting free movies off BitTorrent.

      When somebody can give me a sound, scalable, generic and implementable economic design for goods that cost money to build the first time but are free to copy from then on, I might start to protest against DRM, because I'd actually have an answer to the question of "If not DRM then what?". Until then I'll continue to argue the case for it, use it despite the inconvenience and who knows, maybe even implement it in future.

    2. Re:Fight it how? by radtea · · Score: 4, Insightful

      The basic problem DRM tries to solve is really simple - we want professionals to produce high quality 'creative works' despite us having technology that can replicate such an item for zero cost. The free market really can't cope with that at all, because it makes "supply" in the economic sense infinite therefore price becomes zero, implying that something has no value. That's clearly rubbish, and quality creative works definitely have value to millions of people.

      This contains a couple of errors.

      1) The problem DRM tries to solve is the preservation of a particular business model that allows content packagerss and distributors to use their position in between artists and their audience to keep the largest slice of the creative-works pie for themselves. This model once served everyone well, because the marketing power of the packagers and distributors made it possible for creators to reach a much wider audience than they would have otherwise, and people got the opporuntity to buy creative works from artists they might not ever have heard of. On the other hand, there is no evidence at all that cheap copying has stemmed the flow of professional creative works. Show me one musician, one author, one director anywhere who has said, "I thought about making this album/book/movie but decided not to because it could be copied too easily." One suspects that the claim there would be no professional creative works without DRM is just made up.

      2) What is this "the" free market of which you speak, and how does it relate to the huge diversity of actual free markets in the real world, which vary in their legal and economic structure enormously? If we replace your incorrect usage with the correct usage, and say, "we want professionals to produce high quality 'creative works' despite us having technology that can replicate such an item for zero cost. A free market really can't cope with that at all..." it becomes clear that here too you are making stuff up. You are claiming that no possible free market whatsoever, out of the infinite possible market machines that we might invent, is capable of dealing with goods that are expensive to create and easy to copy (note that "cheap" isn't really the issue--stamping albums is cheap, downloading tunes is easy.) This is an incredibly strong claim, backed by...nothing.

      When somebody can give me a sound, scalable, generic and implementable economic design for goods that cost money to build the first time but are free to copy from then on, I might start to protest against DRM, because I'd actually have an answer to the question of "If not DRM then what?". Until then I'll continue to argue the case for it, use it despite the inconvenience and who knows, maybe even implement it in future.

      I guess I could just link to Baen Books here, or to any number of bands like the Barenaked Ladies who oppose DRM and have somehow managed to make an oodle of cash. If examples don't convince you, then you should think about the theoretical persepective that file sharing is nothing more than advertising for the work in question.

      While I'm on advertising, there is always the possibility of ad-supported art. Product placement ads have never been been huge, but that may be just because there were easier ways of doing it.

      The one thing we can be certain of is that DRM is nothing more than an attempt to save a obsolete business model, and history tells us it will be a failure. The only open question is: will it be an expensive failure, or a cheap one? It looks like it is going to be very expensive for studios and some publishers, and relatively cheap for everyone else.

      --
      Blasphemy is a human right. Blasphemophobia kills.
    3. Re:Fight it how? by cpt+kangarooski · · Score: 3, Insightful

      The basic problem DRM tries to solve is really simple - we want professionals to produce high quality 'creative works' despite us having technology that can replicate such an item for zero cost.

      Perhaps, but that's not the problem I'm interested in having solved, or that the public is interested in having solved. That problem is that we want as many creative works created and published as possible, and that we also want just as much for those works to be available to everyone who wants them, without restriction, and for the least cost possible, if any.

      I don't care if someone is a professional or not. And since there's no objective measure of quality in the field of creative works, we can only try to encourage quantity. (Though there is a rule of thumb that only a small, fixed fraction of all works are good, so the way to get more good works is to have more works overall, so it all works out anyway)

      So taking into consideration the actual problem, rather than what you'd like to distract us with, DRM is simply unacceptable. Here's why:

      Let's suppose we had a world without copyright, a world with moderate copyright, and a world with excessive copyright. In the first world, some original works are created (as we know will happen from historical example and the fact that other motives exist for artists besides copyright-derived revenue), but probably not a whole lot. This produces some public benefit, but not a great deal. Let's arbitrarily call it 5%. OTOH, there is total freedom with regard to those works, so everyone can have their own personal universal library, everyone can use whatever works they want in creating their own derivative works, without even so much as a transactional cost, and this produces a very large public benefit. Let's arbitrarily call this 44% (34% from the freedom, and 10% from the derivative works created, which will likely outnumber the original works, as we also know from history). The net public good is 49%

      In the second world, there is some copyright, but not too much. This produces a substantial incentive to authors and doesn't reduce their other incentives. This results in a large public benefit. Let's say 30%, since we know that copyright is an economic incentive, and we know that the vast majority of revenue from copyrighted works is made within a few years, tops. (Often a few months or even weeks, depending on the particular medium and market). There is some, but not total, freedom with regard to those works for a little while -- long enough for that revenue to get made -- at which point there is total freedom. So while eventually there is just as much freedom as before, there is much less in the short run. Let's call this 29% (24% from the freedom, and 5% from the derivatives, of which there will be far, far fewer). The net public good is 59%.

      In the third world, there is a very large amount of copyright. This produces only slightly more of an incentive to authors without reducing their other incentives. This results in pretty nearly the same public benefit as before, since the artists were already getting pretty much all the money possible out of their works, and now they're only getting a few pennies more. This isn't much of an increased incentive to create, but it's about the same as before. Let's say 33%, which is the max. There is little freedom during the copyright, and now it lasts much, much longer before there is total freedom. Let's call this 7% (5% for the limited freedom during copyright, 1% for the freedom when a work expires, which almost never happens, and 1% for the very small number of derivatives that get created). The net public good is 40%.

      Since we want to get the greatest net public good, the answer is clear: no copyright is good, but not maximally good, and too much copyright is worse than none at all. The best thing is to have some, but not too much copyright.

      DRM is an attempt to have permanent copyrights which are very very limited, and which are implemented privately so that the public and the gover

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:Fight it how? by mgv · · Score: 4, Insightful

      As it happens, that's really hard. Computers copy information, that's what they do, and unfortunately people can't be trusted to just follow the rules of the system left to their own devices. Instead people do a cost:benefit analysis and think, well, it's not likely I'll be caught, so I'll go ahead and break the law. Who cares, everybody else does it anyway. So it has to be enforced at the technology level, otherwise we just screw ourselves over in the long run when content production just becomes economically unsupportable.

      Currently DRM forces me to double my downloads... Once off the iTunes store for the TV shows I want to watch, then a second time to get them DRM free for long term archive.

      If they came DRM free I wouldn't have to do the second download.

      Please explain to me what economic model describes how DRM is protecting the revenue of content creators here.

      I think its simple:

      The content creators are too nervous to try and sell stuff without DRM.

      Which is actually amazing - in all the history of recorded music, TV and film, until about 10 years ago nothing had significant DRM. You could tape music off the radio, video off the TV.

      And yet sales of these products brought great wealth to the content producers. According to what you espouse, they should have all gone bankrupt as everyone pirated all the content.

      In reality, people don't do this. Yes, they copy stuff. Always did. But they buy stuff too. And they always will, even if the DRM is removed.

      Its happening now - there isn't a reason for virtually any sales of music CD's - just copy them off the internet.

      But people still buy music CD's.

      More importantly, the fallacy in the argument is that someone who gets music off the internet will somehow pay more money to these companies if the music isn't available. In fact, they may not have the money to spend, or the will to spend it that way.

      Whilst someone like me is holding back on purchases when because I want to get it free of DRM also.

      So in order to get people (who may never buy stuff) to not copy content, they are screwing around with people like me (who are more than willing to pay for content) by giving me the inferior product.

      I get stuff from iTunes movies because its available quickly, and the quality is good. The stuff I get on the internet takes longer to download. For the shows I want to watch (eg Heroes, BSG, Stargate) I'm more than happy to pay to know that I'll get the content as fast as I can.

      Bear in mind I live in Australia, and have to get the iTunes gift vouchers from the US to see this stuff.

      But no way could the music industry or video industry view someone like me as being their target market. No, its the 12 year old kids with no disposable income who they are interested in forcing into the market? Right.

      I'm probably the extreme example, but the general case is valid. Those with disposable income to spend on content will spend it. The competition is for how I spend my dollar. The content produces need to produce good content, and the money will come. Locking in bad content is not the winning formula here.

      Michael

      --
      There is no cryptographic solution to the problem where the intended receiver and the attacker are the same entity.
    5. Re:Fight it how? by RichardDeVries · · Score: 2, Insightful

      When somebody can give me a sound, scalable, generic and implementable economic design for goods that cost money to build the first time but are free to copy from then on, I might start to protest against DRM, because I'd actually have an answer to the question of "If not DRM then what?".
      No design needed. Economics in itself will take care of this. There is a HUGE demand for new music. If there are musicians who feel they need to be financially compensated, they will come up with a way to earn money, even without the 'possibilities' of DRM. If, for example, Clutch wanted to produce a new album but they don't have the money for it, I'd be more than willing to donate. They'd just have to put a Wikipedia-style donation link on their website saying: "We'll record our next album if we raise $50.000". If the amount is anywhere near reasonable it should work. In fact, some bands are already doing this. The same model could be applied to books, movies, paintings etc. If you're a brilliant filmmaker, you should be able to find people who are willing to pay money for you to be able to make your next movie. The amount depends on your credibility, your talent and the number of people. If you fail to collect 200 million dollars for your second project, maybe you should come up with a less ambitious script. And, if you're any good, there's a lot of money to be made from concerts, merchandise, airplay, commercials etc. Plain economics, but it's demand-centered. DRM is supply-centered. I don't understand how people can think that artistic creativity would die without DRM. I think there would be much more music, books and movies if we cleaned the 'market' of the outdated notion that an artist (or, most of the time, some big company) should get a fixed amount per played song or read page.
      --
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    6. Re:Fight it how? by IamTheRealMike · · Score: 2, Informative

      1) The problem DRM tries to solve is the preservation of a particular business model that allows content packagerss and distributors to use their position in between artists and their audience to keep the largest slice of the creative-works pie for themselves.

      Well, there's some truth to that. It's undoubtably true that DRM is being used for many different things at once - Microsoft/Apple use it to lock people into their platforms, the record companies are using it to maintain their business model, etc, but I don't think you can credibly argue that the poor musicians are trapped by the evil record companies.

      I know a couple of musicians and they all want a record deal, because it is the first step along the rocky road to fame and money. Artists who go the "new" road and release their work as MP3s on Myspace sometimes get discovered, and then they get a record deal. Why? Because the record companies do offer them something compelling that they can't get by going it alone.

      Whether you believe this particular business model is obsolete or not is irrelevant though - it's not your decision to make. Write a hit album and then your decision will carry some weight, because it'll set an example for others. So far we're many years into the brave new world and the record companies keep signing new artists.

      On the other hand, there is no evidence at all that cheap copying has stemmed the flow of professional creative works. Show me one musician, one author, one director anywhere who has said, "I thought about making this album/book/movie but decided not to because it could be copied too easily."

      It happens more often than you might think. It's not phrased that way though, rather, it's phrased as "we don't think the return on investment for this artist is worth it", which can mean many things but sometimes does indeed mean "the kind of people who like this music are the kinds who will just download it". And then if the musician trying to get funding can't get it, maybe they go work at their local McDonalds instead of sitting around writing their next album because after all, they have bills to pay just like anybody else.

      I haven't seen this with my own eyes, but my brother has. These days he is mostly writing and arranging music for artists who target the 40s-60s market, lots of classical stuff, because there's still money in that, along with the odd teeny bopper. Whether piracy has actually affected the bottom line is hard to prove because there's too many variables, but there's no doubt that the perception of piracy has made the decision-makers a lot more conservative. Of course this is a vicious circle - they produce the stuff they know will be bought and then people go "oh noes! the evil record companies produce monotonous crap so they deserve what they get".

      2) What is this "the" free market of which you speak, and how does it relate to the huge diversity of actual free markets in the real world, which vary in their legal and economic structure enormously?

      You're arguing a technicality of language rather than answering my original question. It should be clear I was talking about a market that sets prices based on supply and demand, which is pretty generic and applies to most definitions of "market" I'm aware of.

      I am claiming exactly what I claimed before - that there was probably an economic system out there that is capable of dealing with such goods. Whether such a system is a market of some kind or not, I don't know and neither do you. Right now it seems unlikely because setting a price based on supply and demand is pretty fundamental to what a market is, but by altering the parameters of the market it might become possible (you can imagine a system in which people are paid for a work in advance of it being produced, for instance).

      I guess I could just link to Baen Books here, or to any number of bands like the Bare

    7. Re:Fight it how? by smallfries · · Score: 1

      Many other people have replied to argue about why DRM is bad, and nasty, and how the world should be one big happy copyright free place. Maybe it should, but I'm too pragmatic to believe that it will ever happen. You go over one of the key issues there quite well; without copyright how do we replace the market mechanism? So lets ignore that argument.

      What you skip over completely (and it is the central thrust of the article) is not DRM, but how DRM is being implemented. If a company wants to protect its products with DRM, then I say go ahead. It will be broken, it's not a battle that can be won - but a copyright owner has the right to try. What really pisses me off is the attempt to cripple all computers to appease the "copyright industry".

      Yes, my computer is capable of manipulating digital data in any way that I instruct it. To have that ability removed just in order to prop up a dying business model is a tragedy. Maybe 99% of the market does not care that their "computing rights" are being limited, but I do. I am personally offended that there is an attempt to restrict the programs that I can execute, that every processor in the world should have excpetions built in that are demanded by one particular application. Forced through by so called "trusted computing", signed binaries and a legal fallback for those of us that are able to remove this bullshit.

      So by all means, prop up a dying business model with a rickety house of cards - but do not force every machine in the world to be crippled in order to keep the house standing.

      --
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    8. Re:Fight it how? by Creepy+Crawler · · Score: 1

      Well said, but perhaps the answer is nothing.

      I have a pretty unpopular opinion here on Slashdot - I am broadly supportive of DRM. Fortunately I also have great karma and don't care much about losing it, so I don't mind arguing the case for DRM here. One of the things that bugs me about Slashdots DRM coverage is it's full of people pointing out problems, and never solutions.

      And look at myself. People call me a troll, and well, I do admit that it's fun. However, I also enjoy arguing the opposite posited here on slash.

      Ok, so you support DRM. I do not. Taking DRM out is easy, cause you end up with the raw files. What kind of DRM would work cross platform? I know of none. Sun does not count, because it is simply blocks on a diagram.

      The basic problem DRM tries to solve is really simple - we want professionals to produce high quality 'creative works' despite us having technology that can replicate such an item for zero cost. The free market really can't cope with that at all, because it makes "supply" in the economic sense infinite therefore price becomes zero, implying that something has no value. That's clearly rubbish, and quality creative works definitely have value to millions of people.

      That is definitely lower(as in deeper, not worthiness) than some computer rights issue. That is what economists could call a Capitalism issue. And sadly, a similar issue sits on the Communism side.

      If we were to find a possible way to go round this, perhaps an auction style of buying media would work. Im looking in the same way Blender was made GPL, in that we hold works of art "hostage" until a certain target capital has been met, then release to them. That brings up game theory so that people balk to buy what they can receive later for free, but I see that as a possible solution for getting money when one wouldnt get any.

      Nobody really knows how to design an economic system that works in the case of zero-cost-copies though so for now, we'll have to make do with what we've got - the free market - and bodge/hack things together until it works. These hacks will always be suboptimal and have lots of problems, hacks always do, but it's the only option right now. Typically this is done by preventing zero-cost copies, which allows the market to set a price, meaning the people who made the creative work get paid.

      Well, how do you prevent copies when people within the industry create them? I was going to see that movie, and found that screener BEFORE the release date of the movie (Dec 25, 06) Sadly, its out of theaters now, and I either wait for a DVD or pirate it. Media companies complain about us sharing, but what about their own people?

      As it happens, that's really hard. Computers copy information, that's what they do, and unfortunately people can't be trusted to just follow the rules of the system left to their own devices. Instead people do a cost:benefit analysis and think, well, it's not likely I'll be caught, so I'll go ahead and break the law. Who cares, everybody else does it anyway. So it has to be enforced at the technology level, otherwise we just screw ourselves over in the long run when content production just becomes economically unsupportable.

      Well, that wouldnt be that bad of an idea, now would it? What would happen if the media companies did disappear within a year or 5? My estimates would be that we would have local stars and "Internet stars". TV would be relegated to show old media that was made before they quit, and radio would sound more like what we had in the 50's.

      Here in Indiana, the counties around Indianapolis recently had a new tax to pay for the new Hoosierdome (or whatever corporate name they give it now). My sneaking suspicion would be that Federal government would get in the act of actively subsidizing artists and content creators, as the state has done in Indiana with sports.

      I don't like the fact t

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    9. Re:Fight it how? by Ugmo · · Score: 1

      I vaguely remember reading a science fiction short story, it might have been Simak or Cornbluth I don't remember, but the gist of it was that evil aliens attempt to destroy Earth's economy and cause general chaos by giving someone matter duplicators like the food replicators in Star Trek. Because there is an infinite supply of everything, there can be no more factories, jobs, capitalism, stock markets etc. and society almost collapses. This is analogous to music, books, video on the Internet. Supply is infinite, so cost is zero.

      What saves the Earth is that unique items become valuable so assembly lines pop up to alter and customize the mass produced replicated items. If I remember correctly, the example in the story is of TV dinners. Value is added by adding salt and pepper to taste. The worker is compensated for the effort of seasoning.

      How can customization and personalization be applied to music, books, video? Well, as has already been noted, live performance is one way. You can download a copy of a song without paying or you can pay to see the performance live. The experience of seeing the performer in person cannot be copied and you get bragging rights with your friends: "Oh yes, the new song by The Screaming Banana's is really good but you should see them LIVE, I have."

      Another way might take this personal connection with the artist and uniqueness item a step further. The artist could supply a custom, digitally signed message to individuals for the right price. If a singer has a number one single and is famous world wide, that singer could offer a mp3 of the single and in addition a custom message "This version of the song goes out to Steve, my #1 fan". This is like charging more for an autographed copy.

      Or, as an analogy to signed prints of artworks: numbered copies of a song could be released. Of course, the numbers could be forged. To combat that, there could be a central registry, a public website listing the 10, 100 or 500 fans who bid to have their own copy of the song: "I have copy #365 of the new U2 single. I paid $100 for it, if you don't believe me, look at their website."

      Finally, there are examples from the art world: the guy who wraps buildings and built the orange sheet thing in Central Park in New York, Cristof. He makes money off of free projects that are open to the public by auctioning off the signed plans, signed conceptual drawing and other items associated with producing the artwork.

      So the idea is to have a two level market. One free of charge, the more copies the better, as advertisements for the second, specialty market of rare, customized items related to the free one. The second market costs. More work for the artist but they will at least get paid not some middleman in at a record label.

      As any Marketing person can tell you, demand is psychological and can be created. One of the best ways to create a demand is to make an item cool and unique, to make sure there are have's and have nots. People will pay good money for stupid, worthless things as status symbols, to show they are better than everyone else.

    10. Re:Fight it how? by arkhan_jg · · Score: 1

      When somebody can give me a sound, scalable, generic and implementable economic design for goods that cost money to build the first time but are free to copy from then on, I might start to protest against DRM, because I'd actually have an answer to the question of "If not DRM then what?".

      Fair prices, treat your customers like honest people, and don't sweat the piracy. iTunes succeeds because it's simple, cheap and the DRM doesn't get in the way, much. You could remove the DRM from iTMS entirely, and the only people that would be unhappy would be the big labels. You also get MORE sales from the anti-DRM crowd; I won't buy from any DRM service. Convenience and quality are worth money, and that's something P2P doesn't provide. You have to compete with free by providing a better, faster quality service, not by producing ad-laden products which don't work on people's existing hardware due to artificial restrictions and are overpriced.

      Baen books succeed despite 0 DRM. Galactic Civ II succeeded despite having 0 DRM, and so has Company of Heroes, though admittedly the latter uses CD keys for online play. AllofMp3 does a roaring trade - imagine if it was backed by the big labels instead of being prosecuted by them. Magnatune and CDBaby do pretty well too.

      We're adults here. We realise you don't get quality material for free. If we're treated like honest people, i.e. no DRM, if the price is a reasonable one, or we even set our own, you can make a reasonable profit. The days of obscene profits for some might be at threat, but frankly I don't care. DRM is much more about control, lock-in and segmenting the market to maximise profit in each area than it is about preventing piracy; which it's rubbish at anyway, and always will be. You cannot give someone a locked chest, the lock and the key, and not expect someone to figure out how to put them together in a way you don't approve of. DRM doesn't, and cannot work. Reasonable prices and treating your customers like well, customers and not a marketing demographic already works and works well.

      --
      Remember kids, it's all fun and games until someone commits wholesale galactic genocide.
    11. Re:Fight it how? by IamTheRealMike · · Score: 1

      Well, your proposal boils down to this:

      • We don't need a design, because somebody will come up with something. I don't know what, but I'm sure it'll happen so why worry?
      • Here's my idea - let's get people to pay for the cost of something up front using donations.

      I like the fact that you're considering economic solutions, it's a lot more than most people do! But I don't think it'll work.

      The first problem is that it removes the profit motive. Donations work for Wikipedia because its costs are pretty low, and most people who work on it aren't compensated. Because of that it's understood to be an altruistic not-for-profit foundation. If there's one thing that capitalism vs communism taught us though, it's that the profit motive is a pretty big deal. Your idea removes this because it sets an upper limit on how much you can earn. Most people probably wouldn't want to donate a $100 to a film project, when it already has enough to cover costs. The vision of tremendous profit is what motivates at least some enterprises.

      The second problem is that many projects don't recover their costs and are subsidised by the ones that do. This is especially true in the movie and video game markets. If projects are funded by up-front donations, that can't work anymore as it's not possible for a movie or game to make significant profit. That means it's harder to take risks. Let's say Will Wright proposes this cool game calld "Spore". He isn't really sure what it'll be like yet, all he knows is it'll involve growing lifeforms and stuff. He'll get a bunch of donations because, well, he's Will Wright. But what if he can't raise enough? What if vague promises of "really cool shit" don't motivate people to fork over the $100 or so (to offset the fact that most people are no longer paying)? In the current system he can subsidise it with the profits from The Sims. In your model, he can't.

      The final problem is that this doesn't work for new entrants to the market. How can anybody know if this up and coming director will produce something good or not? It's his first film? $10 million is not a big budget these days for an entry-level film with a few special effects, but where does it come from? Sure, Spielberg might be able to get that easily but what about somebody not so famous?

      Even with all these problems, I think this model can work in a few places. Open source software where features are added by contract is one example, except there it's usually pretty clearly defined in the contract what is required and the cost is usually paid for by businesses rather than an amorphous cloud of benefiters. But we'll see. Maybe it'll go this way regardless.

    12. Re:Fight it how? by Rashdot · · Score: 1

      "When somebody can give me a sound, scalable, generic and implementable economic design"

      How about using time? Protected content should automatically become free, a certain amount of time after it has been created. Movies could be freed after 3 years, music after 2, software after 5, etc.

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    13. Re:Fight it how? by Eskarel · · Score: 1
      No one is objecting to some degree of copyright for artists, that's not what DRM objections are about.

      DRM objections are based around the fact that like every single technical form of copy protection ever invented, it screws over the legitimate consumer and does nothing whatsoever to stop piracy. All any copy protection scheme ever invented has ever done is piss off the legitimate user.

      A technical solution to piracy cannot exist, short of giving up complete and total control of your PC to the content publishers. This is because for every one person that the MPAA or RIAA employs to create a DRM system, there are at least 50 people, at least as intelligent trying to break it.

      Show me a system of DRM which prevents illegitimate copying and distribution, without restricting the rights of people who actually paid for the product and I'll support it, but it's never going to happen.

      To reiterate, technical copy protection has never stopped pirates. It will not ever stop pirates. All it does is piss off the people who actually bought your product.

    14. Re:Fight it how? by Anonymous Coward · · Score: 0

      The problem is you can't repay the artists per copy. So you must repay them for the work itself, the creativity of making the movie or the song or whatever, instead of for each copy. The ransom model/street performer protocol is a version of this, but you could probably find others.

    15. Re:Fight it how? by RichardDeVries · · Score: 1

      I don't agree with your first problem. My 'pay-up-front-model' doesn't remove the profit motive for those who want to make a profit. There a billions of people who are willing to spend to lots of money for new 'content'. If you want to be rich, you'll have to play the game in such a way that the donations cover more than the mere costs of making your product. Or even better, go for break-even and earn your big house and five cars with sideprojects like merchandise or whatever.
      More importantly (and perhaps this is something we disagree on), I think that art in its basic form should be 'altruistic not-for-profit' as you call Wikipedia. Don't get me wrong, I don't mind artists making a living from their talents, or even if some get very rich. But an artist should not start out for a profit. A young film maker should want to make movies because... he wants to make movies! Not because he wants to be rich or famous. If he's good enough, he'll find ways to get himself bigger budgets.
      Your second problem is a good point. My only riposte is that the current model isn't doing too good in this department as well. I have seen a lot of good movies with budgets of less than a million and I have seen a lot of very expensive special effects in movies that were absolutely worthless. The decision over what movie is going to get money is not made by us movie-goers, but anonymous suits who think they know what we want. And they get it wrong a lot of times. Still, Spore would have a harder time, yes. On the other hand, think what a project like Ubuntu would cost if it was done by a purely commercial organisation. And yet, it exists, it's free and yet Mark Shuttleworth thinks he will make some money out of it.
      Your final problem, for me, is the same as the first. New entrants in the market shouldn't be there to make a profit.

      My 'pay-up-front-model' is something that I think could work, but it is only one example of ways to get projects funded and to make money on art without DRM. I'm sure that there are many more ways the creative industry would come up with. And don't forget, the current models of releasing movies, games, music etc. won't die. Release games and charge money for each DVD. I don't care. I'll even buy some, except the ones that are DRM'd.

      --
      Error 001
      Security Scan and Virus Detection do not work with your operating system.
    16. Re:Fight it how? by kommisar · · Score: 1

      The only problem we need to address is the cost of internet access. The flat-fee-all-you-can-gorge-yourself access model is the problem and has set up a classic tragedy of the commons type of problem. The solution is to charge per megabyte for download. Say 10 cents per mega byte. Instead of paying a fixed amount. Bye bye piracy, traffic shaping, heavy use problems. I think this is a far better solution then the draconion DRM that has been suggested which is impinging on fair use and ultimately will threaten privacy.

    17. Re:Fight it how? by PzyCrow · · Score: 1
      The free market really can't cope with that at all, because it makes "supply" in the economic sense infinite therefore price becomes zero, implying that something has no value. That's clearly rubbish, and quality creative works definitely have value to millions of people.

      The your understanding of free markes is flawed. Price has nothing to do with value. The function of the free market is to have profit margin between costs, and what the market is prepared to pay: prise. By competition prise is driven towards costs until the market actors are forced to derive their profit from oppertunity rents by pressing their costs below their competition. Thus wealth is created by lowering the costs to deliver value to the market.

      The practice of deriving profit from state enforced monopolies (patents and copyright f.ex.) is nothing but rent seeking.

      It is true that some economists believe that the static inefficiency of state enforced monopolies is justifiable by arguments similar to yours. But it's not a holy truth, take a look at the critisism and see who you think has the better understanding.

      http://www.againstmonopoly.org/
      http://questioncopyright.org/
      http://en.wikipedia.org/wiki/The_Wealth_of_Network s
      http://www.dklevine.com/general/intellectual/again st.htm

      When somebody can give me a sound, scalable, generic and implementable economic design for goods that cost money to build the first time but are free to copy from then on, I might start to protest against DRM, because I'd actually have an answer to the question of "If not DRM then what?". Until then I'll continue to argue the case for it, use it despite the inconvenience and who knows, maybe even implement it in future.

      If the market can't handle this problem. Do you really need the kinds of goods that DRM "enables"? Do you really value this production higher than the production that is suppressed by these systems?

      Is it possible that a the costs of producing this cultural and technological goods can be lower if the cost of reusing that which is allready produced is, as the maginal costs suggest, zero?

      Is it possible that the costs are low enought to enable the commons-based peer production that Benkler suggests?

      But if you really must have a system. What do you think of the street performer protocol?

    18. Re:Fight it how? by Anonymous Coward · · Score: 0

      "The free market really can't cope with that at all, because it makes "supply" in the economic sense infinite therefore price becomes zero, implying that something has no value."
      Did you get paid to post that? An artistic work is more like an opinion or a story than a product. So if you arent a shill for someone, you posted that comment for free. Art isnt product and neither are ideas.

      The only way to fix drm is to change the base principles that make you think you need drm in the first place.

      I would put the extraordinary opinion out there that art will continue to be made whether people are compinsated by a gigantic framework of industry, or not.
    19. Re:Fight it how? by Alioth · · Score: 1

      eMusic seems to be doing pretty well without DRM at all - it's the #2 seller of legal music online, only behind iTunes. It outsells all the other DRM-laden music sales sites - and it doesn't even carry chart or big label music.

      The problem with DRM is that it doesn't work. Music will still get pirated without DRM, and pirated casually (all the extant DRM schemes currently let you burn a CD, which you can then rip. 99% of people don't care about the almost inaudible quality loss, they don't have equipment good enough to tell). So with DRM you have a system that causes inconvenience, but doesn't actually do what it says on the tin. The solution therefore is to just get rid of it because it's basically pointless.

    20. Re:Fight it how? by Alioth · · Score: 1

      All the arguments you list are red herrings in the context of DRM. DRM'd media still gets pirated, and in the case of your DVD, pirate copies still show up on file sharing networks before the DVD is out despite the DRM.

      As for the business model, yes - that is ABSOLUTELY my decision to make as the customer. Companies (I think it was one of the European RIAA equivalents) seem to think they are granting us a privilege to be able to play music we bought, say, on a Linux computer. This is not true. The companies are privileged to receive our money. It's a privilege we can withdraw at any time. It is a privilege I have withdrawn from iTMS since they want to force me to upgrade to a version of iTunes which jHymn won't work with. (I want to play my iTunes downloads on my Linux workstation, and avoid Apple lock-in. Burning to a CD and re-ripping is inconvenient). I privilege eMusic with my patronage because they don't use DRM at all. I don't feel the need to pirate music that I get via eMusic, either.

      All DRM does is makes your music inconvenient to use. It doesn't stop piracy, and the expectation that it can is extremely naive. The only reason that Apple and Microsoft etc. are so eager to push their DRM systems is that whichever DRM system wins (currently Apple) gets to control the distribution channel and take a 'tax' of any music track sold online.

    21. Re:Fight it how? by killjoe · · Score: 1

      1) Musicians do get ripped off by the record companies. They complain about this all the time. How many musicians have died penniless despite the fact they have numerous number one hits in and are considered vastly influencial? Too many to name.

      2) Your right to profit from your work is supposed to be for a limited time. DRM makes that permanent. That's against the constitution. People who implement DRM should be arrested for that reason alone.

      --
      evil is as evil does
    22. Re:Fight it how? by Blakey+Rat · · Score: 1

      1) The problem DRM tries to solve is the preservation of a particular business model that allows content packagerss and distributors to use their position in between artists and their audience to keep the largest slice of the creative-works pie for themselves.

      Whoa, slow down.

      So you're saying that if an artist sold his music DIRECTLY to the public, with no Sony BMG, no iTunes, nothing but a credit card processor... you're saying that it would be perfectly ok to attach DRM to that music?

      Whether or not that "particular business model" applies or not is irrelevant to finding a better way of rights management than DRM. It might have been *created* to support that business model, but every other business model also needs some rights management method-- otherwise the only difference between now and then would be that people were copying music directly from artists instead of copying music from record companies.

    23. Re:Fight it how? by Blakey+Rat · · Score: 1

      Musicians SIGN CONTRACTS with the record company while sober and over the age of 18. They have nobody to blame for their eventual financial state than themselves. The record company wasn't holding a shotgun to Matisyahu's head and forcing him to sign against his will.

    24. Re:Fight it how? by Rich0 · · Score: 1

      Here is my proposed solution:

      Do everything like they're doing it now - but without the DRM. I can get any popular music track I want without DRM. I can download from P2P and risk getting sued, or I can pay a few cents to allofmp3 risk-free (sure, there is a lot of arguing over legalities, but a) if you're only downloading your liability would be minimal at best, b) you are paying something so it is a gray area, and c) unlike P2P it is really hard for a 3rd party to trace anyway without cooperation from the Russians). I'd rather buy from the copyright holder and be on firm legal ground getting a solid product, but I don't like DRM. Now, as a result I tend not to buy much music at all.

      What good is DRM doing the music industry? iTMS is locked down and yet people still pirate everything on it. Every version of fairplay to date has been cracked in one way or another, and people can rip CDs as well. It only takes one ripped CD to provide the world with all the audio it needs.

      DRM will probably never block content from becoming available online. It only hassles normal users. So, get rid of it.

      The results? Simple:

      1. Most people will buy Sony's music from sony.com, etc. They know what they're getting and that the artist is getting something (or at least they think the artist is getting something).
      2. Sony could easily sell this music themselves if they don't need this huge DRM infrastructure - just offer up a storefront that downloads mp3s/etc.
      3. The content available at gray-market or black-market sites WON'T CHANGE AT ALL - they already have all the tracks, and they'll still have all the tracks.
      4. The RIAA can still sue P2P traders all they want.
      5. Lots of new devices will spring up, now that you don't need all kinds of DRM licenses to play music. Lots of devices mean lots of music purchases. Manufacturers won't go too crazy with making it easy to distribute music - they're still open to lawsuits. But, you might see person-to-person file trading like you do on the Zune and stuff like that.
      6. If RIAA stops ticking off the linux/FOSS community and other anti-DRM zealots you'll have less people with strong IT skills going out of their way to destroy their distribution model. If linux users can just download the latest tracks for 99 cents they won't spend 1000 hours making a music-trading plugin for tor/freenet/whatever. If your whole goal is technological control you don't want to tick off thousands of programmers.

      Honestly, I think the RIAA will make more money if they ditch DRM - or at least they won't lose any more than they are already losing. I'm under no illusions that music will get made if there is no profit (sure, it will get made, but not like it does today). However, profit can be made with existing legal protections - we don't need all kinds of new processes just because of the internet.

    25. Re:Fight it how? by MacWiz · · Score: 1

      Maybe there never was a problem. Maybe the only problem is that Tommy,the kid down the street, can make his own recordings and you can hear them without Warner or EMI. Or put together a comedy routine on video. Or a movie. Or whatever you can dream of.

      You don't need them any longer in order to reach the public. They have lost their role as gatekeepers, which is the only thing that has been "stolen" from them. If they can somehow "demand" DRM for their protection, then anything without it is immediately suspect as "illegitimate." Like Tommy, who might just find his own audience unless they can brand his music as inferior due to its exclusion from their ranks.

      That's the purpose of DRM. They want to require a lock that only they have the key for, and deny the marketplace to all that do not possess it. The only thing it's designed to protect is their ability to act like they possess the only legitimate music in the world.

      Fighting inanimate objects is silly. Nothing to fight. Just refuse to participate.

    26. Re:Fight it how? by Anonymous Coward · · Score: 0

      The record company wasn't holding a shotgun to Matisyahu's head and forcing him to sign against his will.

      No, they were just offering him his life's dream, which could be achieved in no other way because of their collective monopoly on the music publication channels.

    27. Re:Fight it how? by killjoe · · Score: 1

      That's true. At the same time musicians are exploited on every level every day by music companies who are armed to the teeth with lawyers and lobbyists ready to pounce on the naive and gullable young people.

      Keep pretending it's an even playing ground if you want.

      --
      evil is as evil does
    28. Re:Fight it how? by Blakey+Rat · · Score: 1

      It is an even playing ground. Musicians know exactly what they're in for when they sign the contract. And if they don't, there's tons of signed musicians they can ask. It doesn't matter how many lawyers and lobbyists (?) the record companies have, that doesn't decide for the musician, whether to sign or not.

      Boo hoo. If you sign the deal with the RIAA, you get what the RIAA offers. If it makes you broke, tough crap. I don't have any sympathy for a musician who signs a bad record contract and winds up hungry on the street. It's their own damn fault.

      Naive and gullible people make stupid decisions. Nothing you do to "fix" the record industry will fix that... they'll still sign stupid contracts with seedy people, no matter whether those people are part of a RIAA label or some other organization. The only thing that can fix naive and gullible people signing stupid contracts is education. Since that education hasn't happened in the last 30 years of record companies, I can't imagine it happening in the next five.

    29. Re:Fight it how? by Anonymous Coward · · Score: 0

      I think your argument is more or less overkill for DRM.

      DRM, as the RIAA is trying to employ it, is certainly bad for society.

      But, let us not forget that the management of digital rights, i.e. the right to privacy as it relates to digital information, is still worthwhile. The technology is simply a technology: the application of that technology is what is in question.

      If you try to ban all DRM, that could potentially be very bad for security and privacy. I'd like to keep my blog entries to myself, thanks. Maybe I'll show them to some friends. But if I don't want the entire world to know what I had for dinner last night, then shouldn't I be allowed to employ reasonable means to protect my privacy?

      So what are you trying to campaign against, exactly?

      If you're for fair use and the general enrichment of society, that's cool. I'll back you all the way to the wall. I have no objection to time-shifting, copyright expiration, mixtapes, sound sampling and so on.

      But if you're just trying to ban a whole technology... that's less cool.

    30. Re:Fight it how? by kabocox · · Score: 1

      I guess I could just link to Baen Books here, or to any number of bands like the Barenaked Ladies who oppose DRM and have somehow managed to make an oodle of cash. If examples don't convince you, then you should think about the theoretical persepective that file sharing is nothing more than advertising for the work in question.

      Baen has been including promotional CDs with selected hard-cover novels. You can get a copies of the cds here: http://oberon.zlynx.org/
      Baen has a free library from many of their aurthors you can read them here: http://www.baen.com/library/defaultTitles.htm

      I've only bought 2-3 hardback books from them, but they've all been the ones with the CDs. (The CDS contain the text in txt, rtf, doc, html, and lit format.) If slashdot really wanted to collectively put our money where our mouth is we'd buy a copy of the 2-3 books or find other publishers that do the same thing and start making a list of books that have the text DRM free at no additional charge. I couldn't afford entire 10 book series from David Weber, but I can afford one book that has e-books of the rest of the series with it. I'm cheap and can support baen. If I've been able to do this, others should be able to do something similiar for the book genre that they like.

    31. Re:Fight it how? by radtea · · Score: 1

      And if they don't, there's tons of signed musicians they can ask

      Because after all, who wouldn't turn to a musician for legal advice?

      It is naive to think that there is any comparable degree of power between record labels and individual performers. At least, before the Web gave performers new ways to access their audiences.

      We are already starting to see a bifurcation of music distribution channels, and for the first time we are seeing top-40 hits that come from Web-only music. This kind of thing is going to make DRM completely irrelevant, because the folks making this kind of music aren't selling defective music files.

      We can expect that in America the RIAA will be pushing to ensure that for-sale-by-download-only music will be excluded from the charts. Using nothing but their influence on an entirely level playing field, of course.

      --
      Blasphemy is a human right. Blasphemophobia kills.
    32. Re:Fight it how? by ni42 · · Score: 1

      Naive and gullible people make stupid decisions.

      I don't see how you can call people stupid when there is no alternative. Suppose that companies who hire programmers suddenly *all* decided to only pay $30,000 a year with no health insurance or other benefits, except for maybe a few star software engineers. (Imagine that they could outsource programming for cheap and none of them would budge. All it takes is some teamwork on the part of software companies, and maybe even a joint organization dedicated to intimidating people.) Programmers would be screwed. I mean, what could you do? What?

      Suddenly, if you loved programming and wanted to make a career of it, you'd need to fight tooth and nail competing with other programmers for a position that barely pays off. You also could go on your own, programming shareware. But then you need to (a) think of something unique, (b) advertise, and (c) convince people it's worth paying for. Getting a job with an organization that has business contacts, an advertising budget, access to niche markets, and other resources (including the ability to reward you well if you're one of the rare people who manages to knock everyone's socks off) is more likely to pay off.

      OR, of you course, you could give up programming except in your spare time, stop struggling, and get a "real job." I suppose that is a choice. Obviously, all these musicians are stupid because all they have to do is get a real job doing something where they're not beholden to jerks in power.

    33. Re:Fight it how? by killjoe · · Score: 1

      I get it. You are a heartless bastard. You believe that the smart should exploit the stupid, the strong should rape the weak etc. That explains why you are shilling for the RIAA.

      --
      evil is as evil does
    34. Re:Fight it how? by Anonymous Coward · · Score: 0
      It would also mean the end of using internet for legal purposes such as:
      • Sharing pictures
      • Sharing moves that I have the reight to share
      • Downloading paches
      • Downloading software
      • ...

    35. Re:Fight it how? by Blakey+Rat · · Score: 1

      Nope, I just believe in personal responsibility.

    36. Re:Fight it how? by killjoe · · Score: 1

      Oh in that case you are a sucker and a fool. Only the stupid believe in personal responsibility, the smart form corporations so they can shirk personal responsibility.

      --
      evil is as evil does
  6. it can't be fought by Anonymous Coward · · Score: 5, Interesting

    DRM can't be fought, sorry.

    There aren't enough people who know or care. Only a few of us geeks, and we don't make up an appreciable fraction of the market.

    People will buy what the ads tell them to buy. End of story. We lose. Want to play the downloaded movie you just ordered from Netflix on Linux? Sorry, no dice.

    I don't like it either, but it's reality.

    1. Re:it can't be fought by Chandon+Seldon · · Score: 4, Insightful

      DRM absolutely *can* be fought. Just tell everyone about the free & superior compeditor to Netflix: The Pirate Bay.

      Seriously, this is a simple issue of competiton: Netflix is easy to use, costs money, and provides moderate quality DRM-encumbered files. TPB is slightly more complex, free, and provides decent quality DRM-free files. If Netflix sucked it up and provided high quality DRM-free files, they'd have 2 out of 3 and be compeditive with TPB again.

      The only way to fight DRM is to point out one simple fact: DRM *encourages* piracy, because it's hard to get guilt tripped when the pirates are providing a strictly better product.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    2. Re:it can't be fought by fourchannel · · Score: 1

      DRM can't be fought, sorry.

      There aren't enough people who know or care. Only a few of us geeks, and we don't make up an appreciable fraction of the market.

      People will buy what the ads tell them to buy. End of story. We lose. Want to play the downloaded movie you just ordered from Netflix on Linux? Sorry, no dice.

      I don't like it either, but it's reality.
      Sure, give up. Lay down and let the steam roller flatten you out. Let go of your dreams and ambitions for a free world. Surrender while you have a chance to win the war. Go ahead and tell them to take your life away.
      I think you'll see that almost every oppressed society throughout history, that finally overthrew its oppressors, did so by uniting together and fighting back. It's when each person thinks of their influence individually, and realizes that he doesn't have the energy to fight the inertia of common practice, do they stay oppressed. Only when that one person, thinks of his actions and the actions of others, in a collective sense, in an united sense, does he stand a chance to make a change.

      http://www.digitalfreedom.org/

      --
      ---FourChannel---
    3. Re:it can't be fought by Anonymous Coward · · Score: 0

      I did my military service and I have absolutely nothing against fighting. I would fight for freedom and justice. I'm too old for the army now, but I would have no problem going in Afghanistan to kill some Taliban.

      But to fight agaisnt DRM ? Hell no. I don't see the point. I pay my 99 cents, enjoy the music and do other things more interesting. I know I may have to pay that 99 cents again, and... I don't care. I have better things to do with my life than waste my time to save a few bucks.

    4. Re:it can't be fought by Hymer · · Score: 1

      Oh yes, it can. You can fight it with your money (not buying DRM'ed stuff) and you can fight it with politics. If enough people don't buy the companies will abandon it. Politically we can make OUR CHOSEN REPRESENTATIVES pass laws against DRM and TCPA, none of these should ever be managed by corporatins, I would feel more safe if NSA did the TCPA part. The ironic part is that our chosen representatives don't see the dangers wich lies in both DRM and TCPA for the democracy...
      DRM & TCPA: new high tech way to implement totalitarian methods, such as censorship and propaganda, on a global scale in the hands of greedy corporations.
      Dr. Joseph Göbbels would just love those people: "Mein Fürher, with the new DRM & TCPA technology we can manage information at peoples own homes, they will never be able to get or send any other information than the truth we provide.".

    5. Re:it can't be fought by Microlith · · Score: 2, Insightful

      DRM absolutely *can* be fought. Just tell everyone about the free & superior compeditor to Netflix: The Pirate Bay.

      Yes, give them even MORE of an excuse to point at.

      If you don't want to support DRM in any way you don't partake of the products produced by said companies. You don't buy it, you don't download it in violation of their copyright. One way gives them funds, the other gives them an excuse.

    6. Re:it can't be fought by Tim+C · · Score: 1

      If enough people don't buy the companies will abandon it.

      Which is precisely his point - not enough people care or even know about it to make a difference.

    7. Re:it can't be fought by Chandon+Seldon · · Score: 1

      One way gives them funds, the other gives them an excuse.

      Why does them having an excuse matter?

      It's very simple - people want music, movies, and TV shows. Various providers offer these things. In the actual free market, an MP3 format album or an XviD encoded movie have a price of "10 minutes, $0, and optionally a twinge of guilt". Ten minutes of someone's time is worth a couple bucks, and MP3/XviD aren't especially good quality. There's space for pay-service competition in the market, but they'll have to actually compete rather than offering absurdly expensive products that are strictly worse than what's already available. AllofMP3.com has a decent business model - the media companies can't survive and fuck their customers with expensive, low quality, DRM-encumbered crap at the same time.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    8. Re:it can't be fought by YrWrstNtmr · · Score: 1

      AllofMP3.com has a decent business model

      Yeah. It's called selling a product and making a profit without actually paying your suppliers.

    9. Re:it can't be fought by init100 · · Score: 1

      DRM can't be fought, sorry.

      There aren't enough people who know or care.

      No? Then what is this? The answer is that it is the downloads section of a large Swedish online music store. Recently they created a section for sale of unprotected MP3 files, found by clicking the link titled "Mp3 - DRM-fria filer", which means "Mp3 DRM-free files". This initiative was brought entirely by customer demand for unprotected content.

      This clearly shows that you are wrong, and fighting against DRM and achieving the goal is possible.

    10. Re:it can't be fought by Chandon+Seldon · · Score: 1

      They're paying the royalties required under Russian law. The fact that the American music companies don't want to accept those royalties is largely irrelevant. What we hear from the music companies sounds a lot like a conversation I had with a friend a couple of days ago:

      Me: Hey Mike, give me $10.
      Mike: Why?
      Me: Ok, let's compromise. You give me $5.
      Mike: Uhh... no.

      Now I understand that I was just being an ass and that Mike wasn't going to give me any money no matter how much I was willing to compromise on the amount (actually, I got him to give me $0.25 once to shut me up), but the record companies don't seem to realize that. They think that dropping the deal from $10 to $5 really is a compromise.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    11. Re:it can't be fought by YrWrstNtmr · · Score: 1

      They think that dropping the deal from $10 to $5 really is a compromise.

      But...it's their product, to sell as they please. If you go to a bazaar and haggle, the merchant is under no obligation to sell you a product at a price only you want. If he won't come down, and you won't come up...no sale.

      Allofmp3.com and ROMS could 'offer' whatever they choose. The music industry is under no obligation to accept that offer.

    12. Re:it can't be fought by zenkonami · · Score: 0

      "First they ignore you, then they laugh at you, then they fight you, then you win." -- Mohandas Gandhi

      If you don't fight for what you think is important, then you might as well lay down and die. Other people will always make your decisions and you will never find contentment.

      No-one ever gets everything they want. But some is better than none.

      And reality is malleable. At least insofar as "the system" goes.

      --

      Do You Experiment?
    13. Re:it can't be fought by Chandon+Seldon · · Score: 2, Insightful

      Allofmp3.com and ROMS could 'offer' whatever they choose. The music industry is under no obligation to accept that offer.

      But, under Russian law, *making* the offer was the only requirement to sell music.

      If you go to a bazaar and haggle, the merchant is under no obligation to sell you a product at a price only you want.

      If I go to another merchant and buy the same item at the price I want, the first merchant has no right to complain about it. If you want to say that "the music industry has the right to control the sale of any identical music", then you're admitting that music is different from physical goods. If music is different from physical goods, there's no reason to assume that any comparison between the two different things is meaningful.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    14. Re:it can't be fought by zenkonami · · Score: 0

      You can't seriously think that's the conclusion large corporate entities are going to come to? This will only prove their point that DRM is a fiscal necessity for them to survive. Now, there are hucksters out there at the top of this DRM chain, for certain, but below them are usually a lot of hard working people creating, developing, producing and distributing these works. How will they get paid? You think the hucksters on top give a damn about those people getting paid? No. You and I should care, because otherwise the flow of media comes to a crawl of the lowest common denominator.

      You can do art for free for a while, but at some point you have to pay rent and put food on the table.

      Give me a better solution than DRM to accomplish this, and I'll gladly listen. I'd prefer something else over restrictions on accessing content I'm paying for.

      --

      Do You Experiment?
    15. Re:it can't be fought by Chandon+Seldon · · Score: 1

      Give me a better solution than DRM to accomplish this, and I'll gladly listen.

      First, and most importantly, DRM does not accomplish your goal at all. In fact, it is counterproductive because it makes pirate copies strictly better than paid copies.

      As for paying the people who work on entertainment projects, I'm not really worried about it. Even if copying DVDs and selling them in stores became legal, selling "official" DVDs would still have a profit margin. Smaller, but existent. And people wouldn't stop going to the theater to see movies - box office ticket sales produce more than enough money to fund production.

      Basically, this "the lighting technician will starve" stuff is utter bullshit - they are salaried. Once the movie is out, they've gotten all the money they'll ever get for it. That's actually true for almost all the participants, in all but very rare cases. The only people who get a cut of the profits are industry executives and other millionaires, and I'm not going to cry if they can't afford a twenty sixth Lamborghini.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    16. Re:it can't be fought by YrWrstNtmr · · Score: 1

      But, under Russian law, *making* the offer was the only requirement to sell music.

      Right. But is that 'right'?
      Let's assume you are the sole creator/artist/producer/distributor of a musical work. ROMS/Allofmp3.com approaches you with an offer: "We would like to sell your music. We will give you $0.05 per copy that well sell." If you say "No, I'd rather distribute it on my own terms", does that make it ok for them to 'sell' it anyway? How is that not extortion?
      'We will give you a kickback, or we will just keep all the money ourselves.'

      If I go to another merchant and buy the same item at the price I want, the first merchant has no right to complain about it.

      The only reason the second merchant can sell it at a price that 'you' want is because his overhead is so low. Why? Because he is not paying his suppliers.

      They're not realy selling music. You are simply paying them for the profit and bandwidth.

    17. Re:it can't be fought by Chandon+Seldon · · Score: 1

      Right. But is that 'right'?

      Sure. What's wrong with it?

      The Russian government passed a law setting a fixed royalty for musical work, to be paid to the national royalty collection organization.

      Remember that copyright is a government granted monopoly. Regulating the price of copyrighted works just as reasonable as regulating the price of any other monopoly service like cable television or tap water. I'm not sure that the legally fixed royalty model is correct, but it definitely is at least as fair as the "monopoly rights owner sets the price however they want" model.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    18. Re:it can't be fought by YrWrstNtmr · · Score: 1

      I'm not sure that the legally fixed royalty model is correct, but it definitely is at least as fair as the "monopoly rights owner sets the price however they want" model.

      Let's bring this down to a personal level. You create something. I tell you that you must allow me to buy it at whatever price *I* set, or I will just use it anyway.
      Still convinced of the fairness?

      ROMS is at least as underhanded as the RIAA.

    19. Re:it can't be fought by Chandon+Seldon · · Score: 1

      Let's bring this down to a personal level. You create something. I tell you that you must allow me to buy it at whatever price *I* set, or I will just use it anyway. Still convinced of the fairness?

      If I create a physical object, I'll be somewhat upset if you take it away from me without my consent regardless of price.

      If I create some sort of artistic work or develop a computer program (more likely) whether you sell copies or not really doesn't effect me directly - I still get to enjoy my copy. I'd probably be happy that my work is being distributed for others to enjoy. If you were selling copies without a license, I might take legal action as a point of financial strategy, but that's because I'm a greedy bastard rather than because I think I have some special right to your profits.

      The fact of the matter is that data can be copied and shared, at no cost, for the benifit of society. If you think that you can stop that you're either confused or evil, because to prevent file copying you'd have to completely eliminate the general purpose computer as we know it today.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    20. Re:it can't be fought by YrWrstNtmr · · Score: 1

      If you were selling copies without a license, I might take legal action as a point of financial strategy, but that's because I'm a greedy bastard rather than because I think I have some special right to your profits.

      And that is precisely what ROMS/Allofmp3.com is doing. Selling it without license. No, you don't have any particular rights to their profits. But neither do they have any special rights to gain profits from your hard work.

    21. Re:it can't be fought by Anonymous Coward · · Score: 0

      What an ignorant fuck you are trying to argue against copyright laws. You would obviously lose your argument in the real world(courts/WTO) if you were not so blind getting your view of world economics from behind your 17 inch screen.

    22. Re:it can't be fought by Chandon+Seldon · · Score: 1

      And that is precisely what ROMS/Allofmp3.com is doing. Selling it without license.

      False. AllofMP3 has the mandatory license granted to them by Russian law.

      But neither do they have any special rights to gain profits from your hard work.

      And I don't have any special right to prevent them from doing so, since there's a mandatory license law in their country.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    23. Re:it can't be fought by zenkonami · · Score: 0

      Fair enough (re: the lighting tech, etc...), but how about the artist. I only say this because I'm a songwriter and if people don't buy, I don't get paid. Metallica may be set for life, but it's a lot of work writing, publishing, recording, producing, promoting, etc, and takes up a lot of time. That cost can be redistributed to other people but only a) if a label picks you up and is willing to front some costs or b) if it comes out of my pocket. When it comes out of my pocket, it's a mighty big gamble, and if there's no chance of return on my efforts, then why bother to produce a good quality song/recording when I could be paying the rent and eating?

      --

      Do You Experiment?
    24. Re:it can't be fought by Chandon+Seldon · · Score: 1

      As an artist who isn't a superstar like Metallica, you're not in good shape. Even if you get a recording contract with a major label, it won't make you any significant amount of money - the contract deal is just too disadvantageous to the artist. This has nothing to do with piracy - the labels just don't make money by making a living for small time artists.

      Metallica makes money on record sales - don't worry about it. You hear about people making $10,000 on scratch tickets too but that doesn't mean it's something you should expect. You're not going to make money on CD sales, even if you're good (some would say *especially* if you're good). Treat MP3s as a promotional technique, and you'll get more people at your performances where you can get their money.

      As for the costs - they shouldn't be that big a deal. If you can't come up with the couple thousand dollars it takes to record an album, you're not in a position to start a business venture like that anyway. Again: performances. If you can't get people to book you to perform, you're definitely not good enough to make money selling CDs.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    25. Re:it can't be fought by zenkonami · · Score: 0

      There is a gross misperception of live performance...namely that it's so damn easy and lucrative. As is the case with many aspects of this industry, talent is not the sole criteria for quality. Venues could have numerous reason to book or not to book you, and the less they have to pay you, they happier they are. (Try getting money out of them sometime.) Some are better at the game than others but that's my point. Some of us are better writers or players or performers or managers, and if we can't afford to pay other people to pick up the slack where we're lacking, and if we are in a market that's less forgiving when it comes to venues (crappy management perhaps, or maybe an area that doesn't have a lot of venues or potential audience) then you are SOL.

      Furthermore, not all music is designed for live performance. A great deal of it is more effective as recorded art, or would take an inordinate number of players to make it work. It still costs money to produce quality material. Some get lucky from time to time, but rarely does someone lay down a record all their material on a 4 track cassette recorder and consistently maintain a fan base. You can do that as a one-off, but audiences are fickle and lose interest quickly.

      I'm not saying DRM is the great hope of the artist. I am suggesting that it's an issue that's become very one sided. Napster may have introduced a lot of people to a lot of new music, but a lot of people did not get paid for that music. At that time, especially, the attitude was that it was "free". There wasn't a lot of talk about how they would "pay for the one's they liked", and when it was mentioned, I rarely noticed those records showing up in people's collections because a) they already had it on mp3 and b) they were already on to discover what other music they could horde. This is why modern DRM came about to begin with.

      It's possible the climate's changed since that late 90s / early 00s, and that people mean it this time about buying the music they want to support, but proving that to the industry is going to be a hard fight.

      This started with people acquiring content they didn't pay for. People can argue all they want that it started with corporate greed, but if people weren't paying the prices then the major labels and movie studios couldn't keep those prices that high. This is about the consumer, and they know it. They treat the consumer as if they don't trust them because of things like napster. What we should have done was to just boycott them outright and make a stand until they produced better priced media. Well, the cat's out of the bag, now. The supply of a single "product" is upwards to infinite, but the supply of the product type may not be.

      --

      Do You Experiment?
    26. Re:it can't be fought by Brickwall · · Score: 1
      And people wouldn't stop going to the theater to see movies - box office ticket sales produce more than enough money to fund production.

      Actually, they don't - in fact, they don't come close. Box office sales represent only about 20% of the take for a film, with over 50% coming from subsequent DVD sales. And the film studios don't get as high a percentage of box office sales as they do DVD sales. There are numerous articles covering film industry economics by Ed Epstein at Slate, and David Denby at the New Yorker, all of which are easily googled. They make for quite fascinating reading.

      --
      What was once true, is no longer so
    27. Re:it can't be fought by Chandon+Seldon · · Score: 1

      There is a gross misperception of live performance...namely that it's so damn easy and lucrative.

      I'm not saying that making money off live performances is easy, my point is that it's possible. Live performances and merchandise are the *only* ways I know of for a non-superstar musician to make money (there's also contract performance where you get paid to make a recording for some specific purpose other than selling CDs). When I say "merchandise", that includes "offical" CDs - but those are worth something for the same reason that t-shirts are, as band merchandise, not because they're the only way to get the recorded music.

      Furthermore, not all music is designed for live performance.

      Not being able to produce vocals in real time didn't stop Ashlee Simpson on Letterman. Even complex electronic compositions can be used to create a good show. Have you seen a Kraftwerk concert? Does it really matter if they're playing the music in realtime?

      If you really can't do live performances, you do have one other option: contract performance. If you can get your work somewhat popular through word of mouth, you may be asked to sell rights to a track for a movie or video game. If you're really good, you may be contracted to compose a new track to be used somewhere.

      but a lot of people did not get paid for that music.

      The world today is such that it's unlikely that an artist will be paid for their recorded music. That's a fact, and one that probably won't change. DRM doesn't change this and probably promotes the general awareness of pirate releases.

      This doesn't mean that musicians will cease to exist - it just means that more of them will have to cope with the economic reality that making money isn't easy. A legitimately good artist should still be able to make a living, and marginal artists will still need day jobs. If you had your heart set on living off record sales, sucks to be you... sorry, but that model doesn't work and the world doesn't owe anyone a living.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    28. Re:it can't be fought by Chandon+Seldon · · Score: 1

      Actually, they don't - in fact, they don't come close.

      I should have said "Box office ticket sales produce a significant amount of money, which in many cases should be enough to fund production".

      My real point is that the music industry is going to have to accept the fact that there has been an economic shift that will result in slightly decreased DVD sales and a more significant decrease in DVD rentals. Rather than trying to fight this shift with DRM - which is more likely to hurt their cause then help it - they should be working on adopting a business model that matches the real world.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
  7. Jeesh by amplusquem · · Score: 5, Insightful

    How many DRM articles do we have to have on Slashdot? I mean I get it, I hate DRM just as much as the next guy and think it's ridiculous, but it seems like we are getting a new article on Slashdot about DRM everyday. The same type of comments are modded insightful every time to the point where they're no longer insightful.

    1. Re:Jeesh by caitriona81 · · Score: 3, Insightful

      This is almost trolling, but just far enough away from it that I'll entertain it with a reply. The more bad press DRM gets, the more chance the average consumer will reject it.
      Granted, speaking out against it on /. is like preaching to the choir, but the word needs to get out unless we are to be stuck under the cloud of it forever.
      It would have far more value for us to push for these kind of stories where they are more likely to be seen by regular consumers - write letters to the editor at your favorite newspaper, send letters to congresspeople, etc... those kind of things have far more reach than Slashdot does, at least where this is concerned.

    2. Re:Jeesh by TheRaven64 · · Score: 4, Insightful
      Articles like the one linked, however, do not really help. They tell those of us who already understand the problem about it, but the linked article is too long to forward to people who might not, and contains stupid errors like confusing AAC with FairPlay. I have a few thousand AACs with no DRM on them, but the article makes it sound like AAC must contain DRM.

      If you want to explain DRM to people outside Slashdot, let them read something like this article or Jasper Fforde's The Well of Lost Plots.

      --
      I am TheRaven on Soylent News
    3. Re:Jeesh by Anonymous Coward · · Score: 0

      Just gives someone a chance to copy paste some one else comments.

    4. Re:Jeesh by init100 · · Score: 1

      The more bad press DRM gets, the more chance the average consumer will reject it.

      I also suggest good press for those that do the right thing, such as sell MP3 files without DRM. See my last post, about the Swedish mainstream online music store CDON.com that recently started selling unprotected MP3 files, citing customer demand for unprotected content, and noticing that DRM does not stop the music from ending up on The Pirate Bay, only making DRM an inconvenience for paying customers.

      Personally, I think the CDON.com move is great. They have shown that they have understood that DRM does not stop the piracy, and that it only is a burden on those that actually buy their content. I think that it's almost worth a story itself.

      Finally, I may be able to start buying music online. I just refuse to buy DRM-restricted content with al the annoyances it brings, such as incompatibility with different players. I have an iPod now, but nothing says that I will have an iPod for the rest of my life, so iTunes is out of question. All shops selling (restricted) WMA music is also out of question. No, MP3 is the way to go, as it is playable virtually everywhere.

    5. Re:Jeesh by Illserve · · Score: 1

      Having to skip over DRM articles on your daily scroll through the slashdot headlines is a very small price to pay for keeping a spotlight on the issue.

    6. Re:Jeesh by Anonymous Coward · · Score: 0

      you don't understand, slashdot moms-basement-geek groupthink dictates that we all whine about DRM at least twice a day. Its the way we justify to ourselves stealing everyone elses content and not paying a dime.

    7. Re:Jeesh by rizole · · Score: 1

      This is all a bit of a relief to me. Ever since the SCO stories stopped coming two or three times a day I've had the shakes.

  8. DRM by Pixel+Eater · · Score: 1

    It's interesting how the issue of DRM is being acknowledged more and more by average consumers. I'm hoping enough people car to boycott products and make a statement. How much longer until DRM is unavoidable?

    1. Re:DRM by Technician · · Score: 1

      I'm hoping enough people car to boycott products and make a statement.

      I'm hoping enough people care to migrate to e-music. If enough consumers and artists moved, it can't be blamed on piracy. It's 100% legal. The labels would be forced to follow the money or die.

      e-music has no DRM, high quality, lower prices, but limited mainstream music. When the last item picks up then the industry will hear the consumers.

      --
      The truth shall set you free!
    2. Re:DRM by Pixel+Eater · · Score: 1

      This would of course present problems for audiophiles given the lossy quality of even the best MP3's.

  9. Avoid defective by design by kherr · · Score: 5, Informative

    I agree, people need to avoid buying bad products. For me that means not buying stuff from iTunes (I troll used CD stores instead) and avoiding one of the biggest DRM sneak-attacks going on, HDMI. People are getting snared by the HDMI trojan, because it's such a convenient way to interconnect devices. But as we're starting to see with HDMI implementations on TiVo Series 3 and Vista, HDMI is going to be used to screw everyone.

    Note: I disagree that the iPod is defective by design, because it does not require DRM. It still works with the open formats of MP3, AAC and AIFF.

    1. Re:Avoid defective by design by kfg · · Score: 2, Insightful

      I disagree that the iPod is defective by design, because it does not require DRM. It still works with the open formats of MP3, AAC and AIFF.

      If you cannot transfer these files by a simple drag and drop, to and from an arbitrary directory, it is defective by design.

      KFG

    2. Re:Avoid defective by design by TeknoHog · · Score: 4, Informative

      HDMI is not the problem, HCDP is. HDMI is a convenient version of DVI with audio, while HDCP can also work over DVI.

      --
      Escher was the first MC and Giger invented the HR department.
    3. Re:Avoid defective by design by Graymalkin · · Score: 4, Informative

      What a red herring. There's no physical or logical lockouts on music on an iPod. The interface of the iPod relies on song indexing. When songs are added to it they're given a four character file name which is much cheaper to store as an index in RAM than a 255 character name. The song's metadata is added to the iPod's database and displayed in a variety of ways. Smart Albums and different sorting methods (by Artist, Album, Song, Composer, etc.) aren't going to work without an index of the device's content. Dragging files to arbitrary directories is not condusive to indexing as the iPod would then have to store file names up to 255 characters and do all the indexing itself instead of the host computer. A 2GHz PC can do the indexing and file organization a lot faster than an 80MHz iPod. A feature to make the iPod useful to a large number of people and an effective device is definitely not a defect.

      If you want drop and drop support stop complaining about the iPod and go buy a player that supports it.

      --
      I'm a loner Dottie, a Rebel.
    4. Re:Avoid defective by design by AusIV · · Score: 4, Informative
      Way to troll. iPods not being able to drag and drop has absolutely nothing to do with DRM. Apple uses iTunes to simplify the iPod interface. Many average and below average computer users (the target audience for iPods) have to be instructed on how to view their C drive in windows explorer. iTunes creates an incredibly straight forward interface for putting music on your iPod. It also streamlines indexing so the iPod can find files quickly and easily, decreasing the delay between tracks.

      The directory structure of iPods, while complicated, has been used by a number of third party applications. There is a program called ephPod that allows Windows users to manage their iPods without a iTunes, and I use Amarok for Linux to manage my iPod, which uses libraries from gtkPod, another program for managing iPods.

      Nobody's forcing you to use an iPod if you don't want one, but I'm able to use my iPod without DRM on the operating system of my choice with software of my choice. Just because iPods are capable of playing DRM doesn't mean they're limited by the DRM.

    5. Re:Avoid defective by design by Anonymous Coward · · Score: 0

      So it's not defective by design; it's just a defective design.

    6. Re:Avoid defective by design by that+this+is+not+und · · Score: 1

      There's no physical or logical lockouts on music on an iPod. The interface of the iPod relies on song indexing.

      Whoah. You only had to get three sentences into your comment to contradict yourself.

    7. Re:Avoid defective by design by that+this+is+not+und · · Score: 0, Flamebait

      iTunes creates an incredibly straight forward interface for putting music on your iPod.

      One of the signs that somebody has been infected with the Steven Jobs meme virus is when they gratuitously pepper their sentences with 'incredibly.'

      Or, they are cut-n-pasting comments direct from the Apple Paid Advocates (tm) daily email.

    8. Re:Avoid defective by design by kfg · · Score: 1

      . . . an 80MHz iPod.

      That's faster than my desktop mp3 player/server, which is plenty fast enough for the purpose, and allows me to run arbitrary managment software on an arbitrary OS.

      go buy a player that supports it.

      Bingo!

      KFG

    9. Re:Avoid defective by design by saskboy · · Score: 1

      I have a Suffle, and it's limited by DRM. I can't use the software the manufacturer designed for it, and they don't really let another company create competing firmware for it. If you put songs on it using iTunes, you get screwed by DRM.

      --
      Saskboy's blog is good. 9 out of 10 dentists agree.
    10. Re:Avoid defective by design by eraser.cpp · · Score: 1

      Similarly, Windows Vista does not require DRM. It merely supports some DRM formats -- you can still play MP3, AAC, AIFF, etc without any trouble. After reading the article more closely the author does not appear to state that either the iPod or Vista are DRM devices but instead lists the DRM-supported formats as the problem.

    11. Re:Avoid defective by design by Anonymous Coward · · Score: 0

      I'd say you're still supporting DRM. And since most people would probably agree with me I'll leave it at that.

      To your second point, while the iPod's non-standard connectivity may not be DRM related, it is just that: non-standard. Why couldn't Apple just use a standard removable storage format and allow iTunes to manage the data on it rather than require a special application? Waiting... waiting for an answer. Oh, that's right, there is none. It's shit like that I can't stand for. Inoperable, non-standard for no good reason bullshit. This is software, you're telling me the iPod does something you can't do within ISO standards for storage?

      Yeah, this is a rant. But it's a good one to fight. Those Apple engineers were asshats.

    12. Re:Avoid defective by design by wootest · · Score: 1

      Only if you equate 'non-defective design' with 'design that allows you to transfer files by a simple drag and drop, to and from an arbitrary directory'.

    13. Re:Avoid defective by design by Gr8Apes · · Score: 1

      DRM is defective by design. The iPod is not, although the provided interface, iTunes, definitely has some limitations. Try ephpod for drag and drop support. There's a host of others as well, if you're willing to look for them.

      If your iPod updates are a problem, I recall some other sites explaining how to load a "virgin" iPod source onto the iPod but don't have the link to that handy.

      --
      The cesspool just got a check and balance.
    14. Re:Avoid defective by design by gsn · · Score: 1

      A 2GHz PC can do the indexing and file organization a lot faster than an 80MHz iPod.
      How completely remarkable that rockbox runs on the iPod and can update its database http://download.rockbox.org/manual/rockbox-ipodvid eo/rockbox-buildch4.html#x7-360004.2.2 on the iPod itself.

      Is a 2GHz PC faster... sure. Is a 80 MHz iPod more than fast enough to build an index of a few thousand files in a few seconds... you betcha. You must be new here... kids these days don't remember that there was a time before the Pentium :-P
      --
      Reality must take precedence over public relations, for nature cannot be fooled.
    15. Re:Avoid defective by design by empaler · · Score: 1

      . . . an 80MHz iPod.

      That's faster than my desktop mp3 player/server, which is plenty fast enough for the purpose, and allows me to run arbitrary managment software on an arbitrary OS.
      It's not only the hertz count that matters, but also the processor architecture... But that's an aside. I think that the iPod processors ought to be plenty sufficient not to squirrel out the last few dozen bytes out of a filename.
    16. Re:Avoid defective by design by Charcharodon · · Score: 1
      HDMI isn't going to do anything except cut down on cable clutter. DVI cables don't have as much bandwidth capability as HDMI which also happens to be able to carry sound as well as video, which is why there is such a big push towards HDMI.

      The only DRM in the HDMI interface is either in the the playing device, video card, software, or receiving device such as an LCD tv or monitor, not the cable itself.

      Vista is not an evil plot to force everyone to move to trusted computing and mandatory DRM. If they tried to make it like the Zume player's wireless that DRM'd everything reguardless of its status they wouldn't be able to sell hardly any software. None of those things will keep you from watching or playing HD video streams that are not laced with DRM. So any unprotected content or games will work just fine above 720p.

      So in other words don't buy any media that has DRM or cannot be easily cracked. Hell take it one step further, rent every piece of media you can and if you have to buy it donate it to your local library after you are through with it so everyone can "rent" it for free. It's amazing how quicking a library's DVD collection grows when people start donating a few movies every year along with the library's own purchases of 1-2 a month.

      Our local library has gotten to the point were you can at least find the first couple of seasons of almost any TV show you can think of, dozens of History channel and Discovery channel shows, and over well over 2000 movies. Sure they typically only have one copy of each movie, but at the same time three free rentals is hard to beat. You could pull your three take them home, rip them take them back, get three more, rip them, take them back, rinse and repeat. If you were motivated you could probably rip 30-40 in a day. NetFlix and even a little Yarring on bittorrent can't come close to that kind of "bandwidth".

    17. Re:Avoid defective by design by kfg · · Score: 1

      Way to troll.

      And opinion you disagree with is not a troll. My post is no more a troll than that to which I responded, because I disagreed with it.

      . . . iPods not being able to drag and drop has absolutely nothing to do with DRM.

      Would you kindly point me to where I said it did?

      I might also point out that I also recently, in this very forum, criticised a bit of audio recording gear for employing it's own file system and forcing you to burn to CD simply to export a wav, an absolutely necessary task for this sort of gear. Clearly this has nothing to do with DRM since the content is assumed to be your own, original work.

      But it is defective, by design, DRM related or not.

      The maker apparently got the memo; they have just released a new version with USB drag and drop. That one I will very likely actually buy.

      KFG

    18. Re:Avoid defective by design by vadim_t · · Score: 1

      Which I do.

      That would be the reason why I don't have any Apple hardware, but do have a MP3 player that works as a completely standard USB storage device.

      It also has the amazing innovation of having screws I can remove to change the battery, should it be required.

    19. Re:Avoid defective by design by Bamafan77 · · Score: 1
      GP said:

      Note: I disagree that the iPod is defective by design, because it does not require DRM. It still works with the open formats of MP3, AAC and AIFF.
      Parent responds:

      What a red herring. There's no physical or logical lockouts on music on an iPod.
      I think the Parent misinterprets what the GP was getting at. He was talking about the restrictions on music downloaded from iTunes (which require Apple devices like iPod, iTunes, etc), NOT on any restriction on the iPod itself.
    20. Re:Avoid defective by design by jimicus · · Score: 2, Informative

      Which works great. Provided your MP3s all have sensible filenames.

      I have plenty which don't, but they've all got sensible ID3 tags. Suddenly it's not a case of drilling down the FAT, but reading every damn MP3 to find the ID3 tag and sort by that - and there is no way that can be accomplished on 5,000 songs in "a few seconds" on anything disk based, simply because of the time required to open that many files.

    21. Re:Avoid defective by design by xdotx · · Score: 3, Insightful

      If you want drop [sic] and drop support stop complaining about the iPod and [...]
      load rockbox http://www.rockbox.org/twiki/bin/view/Main/WhyRock box?

      My, now "old", 4G iPod has absolutely no problem handling this crazy drag and drop. I can browse the drive using "folders" that are a built in feature of the FAT32 FS. Or, just ask it to index all my songs (with their gaint strings), and it does so without any noticeable trouble.

      Although the parent's main point is completely correct.

      There's no physical or logical lockouts on music on an iPod.
      That would be like saying you can't browse the web efficiently because IE doesn't let you.

      See, like most of life's problems, this one can be solved with free, open source technologies. :)
      --
      Our wealth breeds emptiness
    22. Re:Avoid defective by design by kfg · · Score: 1

      Try ephpod. . .If your iPod updates are a problem. . .

      I have neither an iPod nor a running install of Windows. I consider them both defective by design.

      KFG

    23. Re:Avoid defective by design by Azul · · Score: 1

      If you want drop and drop support stop complaining about the iPod and go buy a player that supports it.
      Or, alternatively, install Rockbox on it.

      I installed it on my 1st generation nano two weeks ago. Not only you get drag and drop support but lots of other interesting features. An important one for me is support for OGG and FLAC files. They even have a project going to get Wikipedia on it. :-)
    24. Re:Avoid defective by design by kfg · · Score: 1

      Only if you equate 'non-defective design' with 'design that allows you to transfer files by a simple drag and drop, to and from an arbitrary directory'.

      Right. As opposed to only seeing the absence of DRM as an absence of defect.

      The inability to transfer files in a standard manner is something I consider a pretty big defect in a computer.

      But perhaps you only see the shiney skin on the Apple and miss the fruit.

      KFG

    25. Re:Avoid defective by design by Anonymous Coward · · Score: 0

      Look, if you don't know how to get music off an iPod, that's YOUR problem. I do it all the time. It's even easier in Windows because all you have to do is set it to show invisible files and then copy files out. If that's beyond you, then why don't you stick to stuff you DO understand, like how to make poopies in your diapers.

    26. Re:Avoid defective by design by Urinal+Deuce · · Score: 2, Informative

      Only the basic open standards are supported and there's no sign they'll be improving the situation.

      Open lossless support is lacking. Since iPods only support Apple Lossless I'm forced to convert my huge FLAC collection in a roundabout, labour-intensive way. The only way I've found is to mount an image of a FLAC album and use iTunes to rip it into Apple Lossless. Unless the CD happens to be in CDDB, you're going to have to name all the tracks yourself too.

    27. Re:Avoid defective by design by Rich0 · · Score: 1

      Sure it can - you just index files as they are copied over. It isn't like you're going to delete and re-upload your entire collection 14 times a day. Most likely you just add a few files at a time - the device reads them and store the info in a database.

      The thing doesn't need to run mysql to keep track of a few fields. And most other mp3 players out there handle flash-drive-style copying just fine.

    28. Re:Avoid defective by design by wootest · · Score: 1

      Right, because "internal database" equals "willfully belligerent restriction".

      I try to avoid DRM as far as possible, but the iPod's database isn't DRM. It's an implementation detail. Currently it allows 'smart playlists' and metadata that I've already set (such as, on a song-to-song-basis: the rating, whether to remember playback position in-between plays, whether to include when playing the whole catalogue, and so on). I use these features and I will personally gladly trade-in file manager-based drag and drop for them - it's a tradeoff.

      Of course, if you want to keep inferring that I'm using the music player that I do because I'm merely being sold Kool Toys for Kool Kids, that's your decision. Just don't let the idea that any amount of thought went into my choice settle in and you'll be fine.

    29. Re:Avoid defective by design by jZnat · · Score: 1

      Of course you can do that; the iPod_Control (IIRC) directory is marked as hidden, so just show hidden files. Sure, the names are just random crap really, but that's because everything is managed by a database.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    30. Re:Avoid defective by design by AusIV · · Score: 1
      Defective by design is an anti-DRM initiative by the Free Software Foundation. The phrase, particularly here on slashdot, is virtually synonymous with DRM. I assumed (apparently wrongly) that you used the term with the intent that is generally associated with it. This interpretation would imply that you were suggesting the iPod's confusing file structure was related to DRM, which is incorrect, and in my opinion a troll. If you had used the phrase, "poorly design" which doesn't have the DRM related connotations, I would have disagreed with you, but not have suggested you were a troll.

      Even ignoring the DRM connotations, at the very least defective by design implies deliberate limitations. The iPod's file structure offers benefits of speed via hashing, at a cost of not being able to drag and drop music onto the iPod. Since a large majority of iPod owners wouldn't even think to drag and drop music onto their iPod (especially as iTunes offers such a simple method of transfering music), this isn't going to be considered a flaw by most users. They chose speed over drag and drop. To me, this makes sense.

      The same with your audio recording gear - it may be poorly designed but defective by design implies that the defect was deliberate. I don't know much about the specific equipment, so it's hard to interpret the manufacturer's intent, but I suspect this was an oversight, rather than a deliberate limitation.

      I apologize for calling you a troll, I misunderstood your intent, but I do feel that your wording lent itself to that interpretation.

    31. Re:Avoid defective by design by kfg · · Score: 1

      I try to avoid DRM as far as possible, but the iPod's database isn't DRM.

      I repeat. I said nothing about DRM.

      I use these features and I will personally gladly trade-in file manager-based drag and drop for them . . .

      Other than the fact that the iPod is defective by design, why do you feel you need to?

      Of course, if you want to keep inferring that I'm using the music player that I do because I'm merely being sold Kool Toys for Kool Kids, that's your decision. Just don't let the idea that any amount of thought went into my choice settle in and you'll be fine.


      I have no idea why you made the decision you did, but I did want to explore the possibility that you thought of it as a music player. That has nothing to do with whether or not the particular device is an iPod or not.

      Of course if the defect does not effect you it might be a perfectly fine choice, but that isn't at all the same thing as saying it isn't a defect that effects others.

      You love your Pinto and it hasn't blown up or nuffin'. Well, fine. I happen to think they're cute little cars myself.

      But it is defective. That doesn't make you a bad person somehow.

      KFG

    32. Re:Avoid defective by design by Yvan256 · · Score: 1

      So why don't you rip the CD again instead? That's one step instead of two, with guaranteed metadata.

    33. Re:Avoid defective by design by Anonymous Coward · · Score: 0

      AAC is not an open format. It is covered by several patents. The same is true for mp3 of course. I don't know AIFF, but it's probably patented too.

      Still, there are quite a few players which will play back ogg vorbis files.

    34. Re:Avoid defective by design by Bobartig · · Score: 1

      Gee, because drag and drop is such a great way to handle 2000+ songs you'd put on an ipod. Sure, drag and drop is simple and not tied to a software app (besides your OS I suppose), but its also horribly limited and inept at keeping track of music, and a terrible consumer experience. Tying ipod syncing to itunes and utilizing a metadata db allows for a much more feature rich experience. You can sync your files based on times played, star ratings, purchase date, artists, (pseudo)random, genres.

      Your specific demands for a music player are impractical for my needs. At the cost of said features, the ipod+itunes brings tons more functionality to the table. I'm just glad more people don't agree with your poor sense of design.

      --
      This is where I get my recommended daily allowance of "Foot in Mouth."
    35. Re:Avoid defective by design by cibyr · · Score: 1

      Even better, my *phone* does it just fine, and I can browse through the directory structure or by artist/album/track from the ID3 tags. And the MP3 player isn't even a main selling point of my phone (it's a k800i so the main feature is the 3.2MP camera).

      The only reason I still use my iPod is that the phone's headphones suck and it doesn't have a standard 3.5mm jack. I still resent having to buy a license for anapod explorer to put music on my iPod because I won't use that god-awful pile of crap called iTunes.

      --
      It's not exactly rocket surgery.
    36. Re:Avoid defective by design by drsmithy · · Score: 1

      Note: I disagree that the iPod is defective by design, because it does not require DRM. It still works with the open formats of MP3, AAC and AIFF.

      Just like Vista, you mean ?

    37. Re:Avoid defective by design by kfg · · Score: 1

      Defective by design is an anti-DRM initiative by the Free Software Foundation. The phrase, particularly here on slashdot, is virtually synonymous with DRM.

      You have measured my ignorance. Now I know.

      I assumed (apparently wrongly) that you used the term with the intent that is generally associated with it.

      Mechanical engineers/mechanics have been using that phrase for many, many years. Broken by Design is an alternate. Anything with arbitrarily restricted capabilities, or just plain braindead in functionality, might be termed Defective/Broken by Design.

      SX chips, for instance. Or East German cars (which were also defective by manufacture, but that's another story).

      Even ignoring the DRM connotations, at the very least defective by design implies deliberate limitations.

      Well, the key point being that the defect was done by someone actually making a decision, rather than by accident, so it fits DRM perfectly, but it isn't DRM specific in general use. Some poorly designed stuff might be termed Defective/Broken by Design as well.

      Since a large majority of iPod owners wouldn't even think to drag and drop music onto their iPod

      Of course not. The owners are preselected by its capabilities.

      it's hard to interpret the manufacturer's intent, but I suspect this was an oversight, rather than a deliberate limitation.

      It was not a deliberate limitation in the sense that DRM is, but it was hardly an oversight. Someone made the decision to go that way, against what is standard for that sort of equipment (24 track recorder, although one specifically aimed at the home/indie studio market). Files need to be transfered from the deck to audio editing equipment. Often.

      In consumer audio playback equipment having to burn a CD to transfer files now and again is annoying; and might alone be a deal breaker for me, but in studio equipment for generating music it is nothing short of a defect. By design. And I assume since they've changed it they've heard an earful.

      KFG

    38. Re:Avoid defective by design by kfg · · Score: 1

      . . . all . . .

      Why did you use this particular word?

      KFG

    39. Re:Avoid defective by design by kfg · · Score: 1

      Gee, because drag and drop is such a great way to handle 2000+ songs you'd put on an ipod.

      So why would I do that?

      Your specific demands for a music player are impractical for my needs.

      How does dragging and dropping a text file onto your drive screw up your other needs?

      KFG

    40. Re:Avoid defective by design by damiangerous · · Score: 1
      . . . an 80MHz iPod.

      That's faster than my desktop mp3 player/server, which is plenty fast enough for the purpose,

      What is your mp3 player's architecture? I'm guessing not x86, or at least not without a dedicated mpeg decoder. When mp3s first began gaining popularity in the mid 90's I had a 486DX4-100 (a clock tripled 33mhz). It could just barely play mp3s in real time but I had to turn all the options way down to the minimum.

    41. Re:Avoid defective by design by Rich0 · · Score: 1

      Nothing wrong with apple coming up with a fancy non-standard interface for their iPod - but is there any reason they couldn't have also supported drag-and-drop.

      My iAudio G3 came with fancy software - I never installed it. Instead I can just copy away with no trouble at all.

      When I tried to load music on an iPod shuffle using itunes it was a major hassle. The software wouldn't transcode the audio automatically (it wasn't in mp3/aac). So, I batch-converted it in linux and put it on a network share to upload using itunes. That worked, but then if I deleted the aac files (which I no longer needed) it insisted on purging them from the ipod on the next sync. I couldn't find any way to prevent this. It was quickly returned and substituted for an iriver which supports the standard usb storage device protocol (plus it handles ogg natively - and when I transcoded iTMS songs to ogg I didn't need to keep them around either (which brings up my other pet peeve - not-so-fair-play and the need to jump through hoops to get the audio ripped into another format (such as burning to CD))).

      I'm all for fancy software, but I'm also for keep-it-simple (ie use the standards every other piece of software supports) - users should have either option.

    42. Re:Avoid defective by design by Urinal+Deuce · · Score: 1

      A large chunk of my audio collection happens to be bootlegged live concert recordings. The metadata on real albums imports fine with my process. I don't often have an actual CD...

    43. Re:Avoid defective by design by kfg · · Score: 1, Interesting

      It's a P5. The processor of infamy. I can't say I'm using it because it's exactly ideal, but it showed up on my doorstep one day. Mint condition. No dust on the fan. Even the original keyboard looks like they took it out of the box yesterday. I wonder what it's been doing the past 12 years? Coulda been worse. Sometimes it's kittens. If it's unloved, it ends up on my porch. All I can think to do with it is use it as music machine. Can't even run my 20th century games on it.

      Still, it let me put a bullet through the head of the old Packard-Bell 486 (no, I did not pay for that one either). And it seems to do just fine with mp3s so long as it isn't doing anything else.

      This one'll get a bullet too I guess, as soon as I figure out why the Athlon 900 on the bench won't boot or I get around to assembling the NOS Duron 600.

      Or maybe I'll just trade it for some kittens and a Yugo

      KFG

    44. Re:Avoid defective by design by arodland · · Score: 1

      So you keep a stat() cache. Index files when they come in, feel free to store shortnames in the database (don't forget, VFAT is still backed by FAT), and record file size and mtime along with the info that you really care about. After a transfer session or on demand ("fix it button"), you do a thorough reindex. This only requires opening every directory and comparing it to the contents of the database. If a file was deleted on disk, nuke it from mthe DB, and if it's new or changed on disk, then you have to actually read the file to index it. So when you copy some files you watch a cute "sorting through your files" animation for 30 seconds at the outside. Is that so bad?

      The iPod solution of treating the entire filesystem as a database is one way of doing things, and it's a respectable one for a limited domain like that (see also Palm) but it's not necessarily the best answer. Sticking to a standard file model and doing a little indexing to keep track of things makes a number of things simpler.

    45. Re:Avoid defective by design by asc99c · · Score: 1

      Take a look at Anapod explorer. It's not a free solution, but it works. iTunes is just a different interface than windows explorer - there's nothing horrid about it and nothing preventing you from using another interface.

    46. Re:Avoid defective by design by jimicus · · Score: 1

      http://www.ephpod.com/

      Were the iPod not so popular, there would not be such a choice in programs to use to upload music. Not really an issue for a mass-storage MP3 player, but there's still plenty out there that aren't.

    47. Re:Avoid defective by design by rohan972 · · Score: 1

      beagle will search by the info in id3 tags

    48. Re:Avoid defective by design by cibyr · · Score: 1

      I used ephpod for a while but it's buggy, closed-source and no longer in active development. While I wouldn't mind one of the aforementioned problems, all three together make it pretty much a lost cause.

      --
      It's not exactly rocket surgery.
    49. Re:Avoid defective by design by Gr8Apes · · Score: 1

      I believe there's also connectivity software for Linux, BSD, etc.

      So, if the real problem with the iPod is that the manufacturer only officially supports connectivity through braind-dead software, does that make the device defective?

      IMHO, there's nothing wrong with the iPod's design. It's a fine piece of hardware that supports MP3s and AAC encoded music (a much better codec). The fact that it also supports FairPlay DRM is irrelevant to me, as I don't have a single piece of DRM infested media on any system I own.

      --
      The cesspool just got a check and balance.
    50. Re:Avoid defective by design by ncc74656 · · Score: 1

      If you cannot transfer these files by a simple drag and drop, to and from an arbitrary directory, it is defective by design.

      Back in the day, I couldn't drag-and-drop MP3s to my Rio Volt SP90; I had to burn them to CD-R first. Does that make it "defective by design?"

      If you want to suffer with a less-polished UI, you can run Rockbox on your iPod and drag-and-drop all you want. I've considered it before because there are some other interesting capabilities in Rockbox, but its UI is clunky to the point of rapid frustration. If I'm tooling down the freeway at 80 mph and need to make an adjustment to my iPod, it's much easier to do that with the default firmware.

      --
      20 January 2017: the End of an Error.
    51. Re:Avoid defective by design by Risen888 · · Score: 1

      there is no way that can be accomplished on 5,000 songs in "a few seconds" on anything disk based, simply because of the time required to open that many files.

      Bullshit. My 60GB iAudio X5 does exactly that.

      --
      Hey, I finally got my first freak! Took you long enough!
    52. Re:Avoid defective by design by Bert64 · · Score: 1

      I could play MP3s just fine on a 100mhz MIPS R4600, the 4600 being a stripped down version of the R4400 which was available at speeds upto 250MHz... Later came the R8000 available only at speeds of 75 and 90mhz i believe (or somewhere around that) which was faster than any R4400, so i'm sure a 75mhz R8000 could easily play any mp3s you could throw at it.
      I also used to play MP3s on my Amiga, 33mhz 68040 needed to have the options turned down but a 50mhz 68060 could play them just fine in full quality.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
  10. United Front by mathemaniac · · Score: 5, Interesting

    The general population has very little idea about what DRM is or means. Here's an example: The DVD/VCR combo. Albeit anecdotal, several of my acquaintances have bought these products with the naive intention of renting a dvd and recording it to VHS tape, and needless to say, been very disappointed. Or the DVD-burner console, with the same type of intentions. None of them had any idea about copy protection, and certainly their intentions were less than honorable.

    But the point is that not being tech savvy, they are clueless as to what the superficial applications of DRM are, let alone the deeper implications. Until more of the general population is made aware of what is at stake, DRM will continue unabated because people buy it. Fortunately, there have been signs that the main stream media are noticing the implications of DRM as evidenced by recent articles in the New York Times.

    1. Re:United Front by JesseMcDonald · · Score: 2

      None of them had any idea about copy protection, and certainly their intentions were less than honorable.

      What about their intentions do you consider dishonorable? Illegal, certainly, but what dishonor is there in opposing or violating an unjust law?

      --
      "The state is that great fiction by which everyone tries to live at the expense of everyone else." - Bastiat
    2. Re:United Front by sfurious · · Score: 1

      ...

    3. Re:United Front by Anonymous Coward · · Score: 0

      For geeks, DRM is about Trusted Computing. The current trend towards building crippled computers that are designed to work against their owners, and not for them should be of primary concern. Trusted Computing (TPMs etc) is the method by which DRM will be brought into the previously open PC. We need to explain to geeks what it means -- central control over code (only trusting signed code), running secret code. No debuggers will work.

      For customers, explaining the effects of Trusted Computing is very difficult. Code signing is hard to explain at the best of times, and trying to explain the potential results from scratch is impossible in any way that would have an impact. To reach customers, we need to explain the effects and not the methods. For customers, Trusted Computing gives technology companies (like Intel, Microsoft, IBM, Apple, Sun) the ability to enforce absolutely who and what can access certain data. Is your media player authorised? No, well no music for you. Does your word processor have no Microsoft license? No documents for you. More subtly, once they control the authorisation of applications, they can impose ANY restriction they want. They can insist that any application pay they $1,000,000... or only work on Tuesdays... or only work twice... or only work it is told to by Microsoft specifically (WGA is only one of the first applications of this type). Trusted Computing is about making it possible for Microsoft/Apple/Sun to RENT you software, safe in the knowledge that it never leaves their control and can be shut off remotely. And so on... once these companies control the Trusted Computing hardware, they decide which software to trusted, and they control the entire computer infrastructure. Plans are already afoot to ensure that only computers will Trusted (approved) hardware and software can connect to the internet, for example.

      For customers, DRM and Trusted Computing, means a vast pervasive control of a type never seen before. It means monopoly entrenched into the very fabric of the computing infrastructure, and it means a Big Brother worse than any imagined by Orwell and his manually operated telescreens.

      Unfortunately, for customers at the moment, DRM refers to lot of noise and smoke about music and movie piracy, and not the wider reality of what DRM really means and implies about software control. This is just fine by the companies in the Trusted Computing Group. They desperately don't want any great debate about their movement, since once it becomes clear to the average person what it is really about, it will be VERY hard to justify.

    4. Re:United Front by Blakey+Rat · · Score: 1

      Uh, duh. DVD/VHS combo devices only have READ-ONLY DVD drives on them. If they thought they were going to record to DVD with them, then they're just rock-stupid... there's nothing more to it.

      They do make DVD-recorder set-top boxes, and they work fine to re-record VHS tapes onto DVD.

    5. Re:United Front by Have+Blue · · Score: 1

      They wanted to convert a temporary rental into a permanent copy. This is not fair use, has nothing to do with the DMCA, and represents a successful and appropriate application of DRM. If they wanted to keep the movie, they should have paid retail price.

    6. Re:United Front by Brickwall · · Score: 1
      Here's what the OP wrote: Here's an example: The DVD/VCR combo. Albeit anecdotal, several of my acquaintances have bought these products with the naive intention of renting a dvd and recording it to VHS tape, and needless to say, been very disappointed.

      Here's what you wrote: Uh, duh. DVD/VHS combo devices only have READ-ONLY DVD drives on them. If they thought they were going to record to DVD with them, then they're just rock-stupid... there's nothing more to it.

      And if you can't comprehend from the very clear OP that they wanted to record to TAPE, just what kind of stupid does that make you?

      --
      What was once true, is no longer so
  11. DRM Will Extinct Itself by Enselic · · Score: 1

    I really don't see DRM as a threat in the long term. The reason is that I think the market will simply not tolerate DRM. Once people begin to realize that DRM sucks, they will begin to avoid DRM content and hardware, forcing the manufacturers to abandon DRM as well. DRM will extinct itsef.

    1. Re:DRM Will Extinct Itself by Rick17JJ · · Score: 2, Informative

      Vista has gone to great extremes to achieve digital content management. The Vista DRM requirements will greatly affect the design of video cards, monitors, HD-DVDs and other computer hardware in the near future. Microsoft seems to have really gone overboard to try to satisfy all of Hollywood and the music studios fears about computer owners somehow managing to access unencrypted protected content. Windows itself seems to have been designed as a digital content delivery system. Personally, I would have prefered to see a small seperate dedicated box of some kind use for that purpose instead of redisigning the Windows operating system and the computer hardware so drastically for that purpose. Here are two transcripts which talk about Vista DRM. At the top of each transcript there is also a free MP3 version available.

      Hollywood, the music industry and Microsoft all seem to think that they should have the right to reach into people home computers and tell the computer owners what they can and can't do. As mentioned recently on Slashdot, the RIAA is now acting much like 17th century French button makers. It is almost as if the same people had been reincarnated again and are back again.

      History Repeats Itself: How The RIAA Is Like 17th Century French Button-Makers

  12. Re:Right "rights". by bky1701 · · Score: 1

    Fair use is guaranteed by copyright, and I believe that is in the constitution.

  13. One thing they can't take by Anonymous Coward · · Score: 0

    At least they can't take books from us. You can read them aloud, lend them to friends, and even write your own! Levar Burton is my god.

    1. Re:One thing they can't take by Jarn_Firebrand · · Score: 2, Funny

      Don't tell that to the publishers! What they don't know can't hurt them and if they find out they will SURELY attempt to stop it!

      *shouts a line of Shakespeare and runs, chased by a mob in ink-stained aprons*

  14. This isn't about freedom by DogDude · · Score: 0, Flamebait

    This isn't about "Freedom". There is no right for anybody to be able to purchase a movie without DRM. Nobody's rights are being violated. All that's happening is that for anti-DRM fanatics, there are fewer and fewer things available for them to buy. So what? That sucks for them, true. But how about my rights to buy a new car with an eight-track player built in? Is my "Freedom" being trampled? No. Discussing movies with secret codes that only let you play them on certain players with the same vocabulary that is used to discuss "freedom of speech" and "freedom of the press" does nothing but belittle real, actual freedoms. Somebody please point to me where Thomas Jefferson wrote in the Constitution our Inalienable Right to Buy DVD's without Digital Rights Management.

    --
    I don't respond to AC's.
    1. Re:This isn't about freedom by bmo · · Score: 1

      "There is no right for anybody to be able to purchase a movie without DRM. Nobody's rights are being violated."

      So go and buy the latest Elvis Costello CD and put it in your computer's CD drive.

      You've already bought it, and it _will not play_.

      "But how about my rights to buy a new car with an eight-track player built in"

      No, this is like buying a car and finding it won't function on Interstate 95.

      How did I find out? I spent a hundred bux on CDs and found out the hard way. UMG got my money for that one purchase, but no more. If it's something I want, and it's on UMG, I'll go without, thanks. Fuck them.

      For me, this isn't about freedom. This is about being ripped off.

      --
      BMO

    2. Re:This isn't about freedom by bmo · · Score: 4, Interesting

      From earlier in the month, from Usenet, a post from Me. This is what DRM does.

      *begin paste*

      Alt.Rhode_Island buys music. REPOST

      So I'm an Elvis Costello fan. I bought "The River In Reverse" and "The Delivery Man"

      The CD for "River in Reverse" wasn't copy protected, but the DVD would only play in my wicked small low-fi portable DVD player that has 1 inch speakers. It craps out after about 5 minutes in anything else. I watched the whole thing. It wasn' worth the effort. They're doing copy protection for THAT?

      The first CD in "Delivery Man" is copy protected and will only play in the low-fi DVD player.

      I heard mutterings of the CEO of UMG saying that ipods are repositories of stolen music. I didn't figure that he'd be stupid enough to follow through. And good luck figuring this out on your own, as these disks are not labeled as such plainly. The "Delivery Man" cd is labeled as "enhanced cd" on a tiny logo on the back of the package instead of the standard Compact Disc label. In other words, they get around not selling a Compact Disc by not calling it a Compact Disc as defined by the Phillips standard (which gets the manufacturer the Compact Disc label).

      I went to the UMG site that describes the copy protection. Apparently if you have a Macintosh you're screwed. They're "working on it" because they say that the only software they have to let you play the cd works only for Windows PCs and it's spotty on that depending on the age and model of your optical drive.

      Fine.

      I have been hosed for being an honest guy.

      I'm not a thief. I will never pay another cent to UMG. This is insane.

      You have been warned.

      --
      BMO

    3. Re:This isn't about freedom by TheRaven64 · · Score: 1

      how about my rights to buy a new car with an eight-track player built in? Is my "Freedom" being trampled? No. Wrong analogy. Do you have the right to buy a car and then fit (or pay someone else to fit) an eight-track player? Yes? Ten your rights are not being trampled.

      Somebody please point to me where Thomas Jefferson wrote in the Constitution our Inalienable Right to Buy DVD's without Digital Rights Management. Copyright is not an inalienable right either, it is a bargain between content producers and the public. The public agrees to enforce the producer's monopoly, in exchange for which the producer agrees to allow the public access to the work for a fee, and eventually allow the work to lapse into the public domain. DRM is an attempt to disrupt this balance. As someone who makes a living from copyright, I am quite worried by DRM, because I see a significant potential for backlash against copyright holders when the public realises that we are not keeping up our end of the bargain.
      --
      I am TheRaven on Soylent News
    4. Re:This isn't about freedom by nomadic · · Score: 1

      Somebody please point to me where Thomas Jefferson wrote in the Constitution our Inalienable Right to Buy DVD's without Digital Rights Management

      Article 1, Section 17, paragraph 2.

    5. Re:This isn't about freedom by kfg · · Score: 2

      Somebody please point to me where Thomas Jefferson wrote in the Constitution our Inalienable Right to Buy DVD's without Digital Rights Management.

      I cannot, because Thomas Jefferson didn't write anything in the Constitution. He wasn't even on the American continent at the time.

      He did, however, conduct some correspondence with the people who were writting the Constitution and you'll find that in those letters he wrote of our Inalienable write to be free of copyright.

      And DVD DRM only "works" because of the DMCA.

      KFG

    6. Re:This isn't about freedom by bmo · · Score: 3, Insightful

      "I am quite worried by DRM, because I see a significant potential for backlash against copyright holders when the public realises that we are not keeping up our end of the bargain."

      "We"? Who is "We"?

      If you are indeed in the industry, please read my previous messages to the OP of this thread.

      UMG has ceased to treat me as a customer. Instead, they have treated me as a potential thief. I have ceased to treat them as something to respect. I could just start downloading UMG content off the 'net out of spite, but I won't, because I won't sink to the level that they expect me to.

      --
      BMO

    7. Re:This isn't about freedom by Anonymous Coward · · Score: 0
      typo,

      Digital Rights Management its: Digital Restrictions management
    8. Re:This isn't about freedom by nick.ian.k · · Score: 1

      This isn't about "Freedom". There is no right for anybody to be able to purchase a movie without DRM. Nobody's rights are being violated. All that's happening is that for anti-DRM fanatics, there are fewer and fewer things available for them to buy. So what? That sucks for them, true. But how about my rights to buy a new car with an eight-track player built in? Is my "Freedom" being trampled? No. Discussing movies with secret codes that only let you play them on certain players with the same vocabulary that is used to discuss "freedom of speech" and "freedom of the press" does nothing but belittle real, actual freedoms. Somebody please point to me where Thomas Jefferson wrote in the Constitution our Inalienable Right to Buy DVD's without Digital Rights Management.

      Oh please. Those other freedoms are similarly arbitrary. What natural mandate put them in place? It's more that some people agree that those things are "right" and decided to fight from them, because the alternative's shit enough to not be considered an option to the idealists. If everybody shared your line of reasoning throughout history, the entire human race would be nothing but scattered oppressed masses indebted to a couple of asshole kings who had decided not to wall some of them up on a given day. Who needs to be able to say what they like, and why should they? It's more important that Lord Flacid assure us that we get one turnip for each hard day of work and not burn our houses down.

      Here's the thing about DRM: some of us enjoy being able to go investigate a multitude of the creative efforts of other human beings without having to be grossly inconvenienced, and we're trying to ensure that such continues to be easy so that it doesn't become *more* difficult to do that. Sure, it's lower-priority than the more obviously pressing issues like world hunger and bad labor conditions, but none of these things go on in a vaccuum. Idealists have to fight for all their beliefs at once.

    9. Re:This isn't about freedom by stubear · · Score: 1

      Then you shoudl be pissed at all the asshats who do illegally distribute music and videos. We always hear about "teh ev!l corporations" and "DRM bad...uuugh" from the troglodytes who think distributing music is OK. It's time to start placing some of the blame on the asshats like the Pirate Bay and the other torrent sites who illegally distribute copyrighted material.

    10. Re:This isn't about freedom by Anonymous Coward · · Score: 0

      Why? DRM doesn't hurt Pirate Bay. All of those songs and movies "protected" by DRM are cracked, hacked, and distributed like the rest. All DRM does, as illustrated above, is hurt the CONSUMER. DRM schemes are easily circumvented because no matter how insanely perfect the protocols and mathematics come out, some douche has to implement it in software and that software is guaranteed (statistically) to be flawed and broken. That is, easily circumvented by someone with a passing understanding of software (like, you know, a 16-year-old Swedish kid). Of course the other 99.9999999% of the population just gets hosed.

    11. Re:This isn't about freedom by bmo · · Score: 1

      "Then you shoudl be pissed at all the asshats who do illegally distribute music and videos."

      No. Because it's out of my control. It neither picks my pocket nor breaks my leg. However, UMG _is_ something I can do something about, albeit in my own little way, and in this case they _have_ picked my pocket.

      I tell my friends that it's bad karma to DL songs and not pay for them, but I'm not going to shove it down their throats.

      By the way, in case you hadn't noticed, at the apogee of Napster's popularity, CD sales were _also_ similarly good. And when Napster was sued out of existence, CD sales simultaneously fell.

      You figure it out.

      --
      BMO

    12. Re:This isn't about freedom by Anonymous Coward · · Score: 0

      He did, however, conduct some correspondence with the people who were writting the Constitution and you'll find that in those letters he wrote of our Inalienable write to be free of copyright.
      Indeed he did, additionally he worked to get patents limited in duration and Jefferson was an inventor. I have sometimes wondered what he might have accomplished with his varied interests beyond what he did accomplish if he had not been so preoccupied with matters of state. However, I am glad he was so preoccuppied with it when we needed him.
    13. Re:This isn't about freedom by zotz · · Score: 1

      This isn't about "Freedom". There is no right for anybody to be able to purchase a movie without DRM. Yes it most certainly is about Freedom. Those same people have managed to get laws passed to take away your freedom to break that DRM on goods you bought. And that is not all of it either.

      all the best,

      drew
      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    14. Re:This isn't about freedom by Shatrat · · Score: 1

      So if I put boards with nails in them in the street in front of my house to stop people driving up and down the street in the middle of the night, are people with loud stereos at fault when some mailman loses a couple tires, or was I being an asshole? Just because someone has a reason to do something doesn't mean it is OK or that we should support them for reaming us.

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    15. Re:This isn't about freedom by DogDude · · Score: 1

      As someone who makes a living from copyright, I am quite worried by DRM, because I see a significant potential for backlash against copyright holders when the public realises that we are not keeping up our end of the bargain.

      The public doesn't know DRM from DRAM. The vast majority of the public will go right along with it, and not complain. But as a copyright holder, you should be in excellent shape if DRM somehow does become a public issue, because you know better than to sell your stuff with DRM attached to it. I think that your fears of massive boycotts of all creative work is about as likely as me hitting the lottery.

      --
      I don't respond to AC's.
    16. Re:This isn't about freedom by DogDude · · Score: 1

      You're right. I'm not saying that it's not fraudulent. It is fraudulent, in many cases, when you buy a CD you expect to work in "CD players", and it doesn't. But selling a fraudulent or defective product is a LOT different from saying that our "Freedoms" are being violated.

      --
      I don't respond to AC's.
    17. Re:This isn't about freedom by Anonymous Coward · · Score: 0

      Article 1 only has ten sections

    18. Re:This isn't about freedom by slysithesuperspy · · Score: 1

      Maybe I didn't read it correctly, but here goes anyway.

      If you own your own body then as long as you don't interfere with anyone else's property (someones body or tangible goods and land acquired through homesteading and or trade) that is okay. So the DMCA thing is obviously bad, but the DRM is neutral. DMC uses force against private property, but DRM does not as it is voluntary. If government (like in that European country I forget which one) forces companies to stop using DRM then that is the threat of force against other peoples property. So that is contrary to natural rights too. No one forces me to buy some DRM music so I will not. So the best way to "fight" DRM would be to tell everyone what it is so they understand what DRM is.

    19. Re:This isn't about freedom by Zerathdune · · Score: 1

      Article 1 has only 10 sections. did you think we wouldn't notice?

      --
      No single raindrop believes that it is responsible for the storm.
    20. Re:This isn't about freedom by nick.ian.k · · Score: 1

      You're missing my point. Anybody claiming that any particular "right" is universally trivial would have to make that claim about any and all rights, because all rights are artificial concepts created by man. There *are* no intrinsic rights. Rights don't exist until they're conceived and pushed heavily against the rest of a given social group until somebody else accepts them. Even so, this is no assurance that they're upheld, for other individuals in the social group might opt not to accept them, or may embrace particular tenets of the idea but ultimately interpret the meaning differently. Conceiving of a "right" will *always* sound needless and crazy to some people, but this should by no means indicate that the idealists are flat-out "wrong".

      Getting to what you're talking about... Yes, nobody forces you to buy DRM music, much as nobody forces you to buy or even listen to music at all. But if you *want* to listen to music, and you *want* to play within the letter of the law, your choices of what you can purchase for your listening pleasure become severely limited. The more accepted DRM becomes by consumers, the more the industry will feel they can get away with it, and so the DRM could be become even more widespread, which limits your options further. What happens when it's so wide-spread that suddenly there's precious little in the way of mass-produced readily-available devices on which to play non-restricted music formats? Just "hacking" some device and getting it to play un-restricted formats isn't acceptable, because it involves extra time and effort to learn how to do such a thing, and at the point where that's a necessity, such efforts could be made illegal by laws even more restrictive than the DMCA, because not enough people cared and too many people told a few cranks that there was nothing to worry about. We're trying to *avoid* ever getting to that point.

    21. Re:This isn't about freedom by Anonymous Coward · · Score: 0

      So why didn't you take the CD back to the shop and tell them it was defective ? If enough people did that, then the music companies might take a hint.

    22. Re:This isn't about freedom by slysithesuperspy · · Score: 1

      While I see how rights are ideas in peoples minds. Some can be more right than others, for example, minimising the arbitrariness of them. For example, a non-aggression principle of not initiating force. So negative rights like these are are less arbitrary than positive rights, for example, the right to listen to some music without DRM is more arbitrary than a universal law of not initiating for against someones property.

      Perhaps if no one has a right to do anything at all and I jump up and down right now do not have a right to do it, but it doesn't harm anyone so it doesn't matter. However, if I go and punch someone and steal their car I have harmed them, so I didn't have a right to do that but I got in the way of something else. My logic is probably bad or even illogical but never mind hehe.

      On to real life and the DRM thing. I admit I havn't used many DRM-riddled files so it has not affected me. Also, I'm usually a bit of an optimist (at least in the long term.) If the DRM situation gets too bad I really think non-tech people will notice and complain, but maybe that is too optimistic. Although, the DRM, the DMCA and the crazy RIAA lawsuits are kind of like the large records companies going down with a big fight, they are lashing out whereever they can.

    23. Re:This isn't about freedom by Dragon+Bait · · Score: 1

      This isn't about "Freedom". There is no right for anybody to be able to purchase a movie without DRM.
      Yes it most certainly is about Freedom. Those same people have managed to get laws passed to take away your freedom to break that DRM on goods you bought.
      While I should probably state that I hate DRM, but when you purchase a DVD, you have not purchased the movie: just a license for home viewing and the media. All rights to the movie are reserved; same with music and proprietary software.
    24. Re:This isn't about freedom by Anonymous Coward · · Score: 0

      No, be pissed at the ones who sell them on the street.

      That's piracy.

      Simple PC users aren't getting money for their torrents.

    25. Re:This isn't about freedom by zotz · · Score: 1

      " While I should probably state that I hate DRM, but when you purchase a DVD, you have not purchased the movie"

      I do know that you have not purchased the copyrights to the movie. I am not maintaining a right to purchase a movie withour DRM. I am maintaining that it is about Freedom none the less though.

      At the most basic level, the copyright that the government gives to the author/creator takes away my freedom. The DMCA (Is that right?) takes away my right to break the DRM for otherwise legal purposes if I can. So, it is indeed quite clearly about Freedom.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    26. Re:This isn't about freedom by igny · · Score: 1

      "end paste"

      Just to help my browser to parse

      --
      In theory there is no difference between theory and practice. In practice there is. - Yogi Berra
    27. Re:This isn't about freedom by nick.ian.k · · Score: 1

      My logic is probably bad or even illogical but never mind hehe.

      Really abstract hypotheticals are usually part bullshit anyway, even if they're pieced together particularly well. I myself was having a bitch of a time explaining the whole "rights are artificial" thing because I'm very into preserving a fair quantity of them. :)

      On to real life and the DRM thing. I admit I havn't used many DRM-riddled files so it has not affected me. Also, I'm usually a bit of an optimist (at least in the long term.) If the DRM situation gets too bad I really think non-tech people will notice and complain, but maybe that is too optimistic. Although, the DRM, the DMCA and the crazy RIAA lawsuits are kind of like the large records companies going down with a big fight, they are lashing out whereever they can.

      I'm not particularly optimistic over the present situation. Consumers generally don't do much to educate themselves (look how telecom prices rise far faster than the services improve), and none of these companies really ever talk about DRM up front. DRM itself isn't a selling point; instead, it's portrayed (if at all) as a slight necessary inconvenience to increase...well, convenience, I suppose. It's pretty stupid, but when I see the large numbers of folks *even here* who readily accept such things, I feel that I've got every reason to be fearful of what could happen.

    28. Re:This isn't about freedom by bmo · · Score: 1

      "So why didn't you take the CD back to the shop and tell them it was defective ? If enough people did that, then the music companies might take a hint."

      You are right, and I did, but I shouldn't have to.

      --
      BMO

    29. Re:This isn't about freedom by Technician · · Score: 1

      There is no right for anybody to be able to purchase a movie without DRM. Nobody's rights are being violated.

      True, even the right of first sale. You can sell a DVD and it will play on another player with a few exceptions (region encoding).

      Try to sell a few used iTunes tracks. Explain to me again how the right of first sale isn't violated.

      --
      The truth shall set you free!
    30. Re:This isn't about freedom by Technician · · Score: 1

      UMG has ceased to treat me as a customer. Instead, they have treated me as a potential thief. I have ceased to treat them as something to respect. I could just start downloading UMG content off the 'net out of spite, but I won't, because I won't sink to the level that they expect me to.

      Have you bought any blank CD's lately in the USA? There are two types. Data CD's and Audio CD's. Audio CD's have a pre-paid royalty for music to be recorded on them. If I have pre-paid the royalty, where do they expect me to get music to record on them. Certanly not from iTunes. They have a seprate royalty for the privilage.

      Outside the USA your milage may vary.

      --
      The truth shall set you free!
    31. Re:This isn't about freedom by bmo · · Score: 1

      "Have you bought any blank CD's lately in the USA? There are two types. Data CD's and Audio CD's. Audio CD's have a pre-paid royalty for music to be recorded on them."

      Do you have a link for that? Have I been under a rock?

      TIA.

      --
      BMO

    32. Re:This isn't about freedom by Technician · · Score: 1

      OK a quick google search brought up this..

      As with blank consumer music and video tape, in the US, blank music CDs have a mandatory royalty included in their price, as do music CD recorders.

        http://en.wikipedia.org/wiki/Copyright_education

      To find more, plug into Google... royalty blank music CD

      You are welcome.

      --
      The truth shall set you free!
    33. Re:This isn't about freedom by Brickwall · · Score: 1
      Copyright is not an inalienable right either, it is a bargain between content producers and the public. The public agrees to enforce the producer's monopoly, in exchange for which the producer agrees to allow the public access to the work for a fee, and eventually allow the work to lapse into the public domain.

      An analagous situation is the pharamceutical industry. Big pharma introduces drugs, and gets a 20-year monopoly on their sales (in the USA; here in Canada, we have 'mandatory licensing', which means generic makers can create knock-offs whilst paying a license fee to the patent holder, which is why many US seniors come here to get their scripts filled). And yet, while Big Pharma would love to have that monopoly period lengthened, there is no pressure on government to do so.

      Why? I'm only speculating, but I'm suggesting that the hue and cry that would ensue would be a PR nightmare. "Greedy execs withhold live-saving drugs for a few dollars more", etc. Yet Disney and the MPAA get multiple extensions on copyright. We should start asking legislators why Donald Duck deserves more protection than Lipitor.

      --
      What was once true, is no longer so
    34. Re:This isn't about freedom by Anonymous Coward · · Score: 0

      You're such a pathetic arse-licker... You actually posted to defend DRM! What a twat!

  15. DRM will fail on its own by nightfire-unique · · Score: 4, Insightful

    DRM will fail on its own, because it is anti-consumer, and impossible (cryptographically speaking) to implement securely. We live in a (mostly) free market society. As publishing firms continue to push DRM, new markets will open and will eventually replace the DRM firms, by offering superior products.

    In the meantime, fight it, because it is a good thing to fight.

    But fight even harder against legislation that enshrines and codifies their right to monopolize above and beyond encrypting their content. The most important tool we have in protecting art and the public domain is our freedom to innovate, create, analyze and discuss. These freedoms are being threatened every day - not just in the United States. Even my own country (Canada) is under attack by the various recording companies and individuals with a stake the game.

    The DMCA is bad, but it can get even worse. While the market can currently fend off corporate greed and attacks on fair-use and information exchange, it cannot do so if we allow corrupt legislators to override the individual decisions we all make every day.

    Just my $0.02.

    --
    A government is a body of people notably ungoverned - AC
    1. Re:DRM will fail on its own by Midnight+Thunder · · Score: 4, Insightful

      Companies always scream 'let the market decide', yet they manage to pressure politicians into passing laws which are anything but the market deciding. I don't live in the USA, so normally this shouldn't bother me but it does. It bothers me because the USA in turn manages to pressure members of international trade to establish the same laws, or risk being excluded from international trade. It is disgusting, but that's what seem to be happening. While I hold out hope for the customer to win this one, it won't be easy since the media industry has so much more money to influence the powers that be. At least having their security systems bypassed makes them think about the money the invested in these stupid systems.

      On the other hand we have some companies, such as Disney, who recognise that piracy is another business model and that if this business model is succeeding then something is going wrong in their own business model. In many ways they have got passed the point of denial and started recognising maybe they should be taking another approach. Unfortunately this is not true for the rest of the large media companies. Two of the issues I see are pricing and availability:

      - Pricing: If you look at the DVD series of Star Trek and Farscape, then you are looking at around $140 USD+TAX per season. This sort of pricing stinks of price gauging and targets the core fans. Anyone else who is interested, yet doesn't want to pony up that sort of cash, in acquiring the series either pirates or goes without. On other hand when you see a series such as 'Stargate SG-1' retailing at $30 CAD+TAX, you are tempted into making a purchase.

      - Availability: What do I do if I want to buy some music not available in my country? Sometimes if you hunt down hard enough you may find some willing to order it for you, but it isn't easy. Now that there are online stores, such as iTunes, you would have thought you would finally be able to buy music from anywhere easily: wrong, since the music industries still impose their outdated distribution limitations on online stores.

      Although I did mention two, DRM makes buying online music inconvenient and also makes it hard to explain to your parents why they can't do what they want with their music. For me technology is all about making the difficult easy, yet DRM is all the opposite: making the easy difficult and makes listening to my legally bought music akin to trying to deal with government. I still buy CDs because they are free of DRM and easy to use because of it.

      --
      Jumpstart the tartan drive.
    2. Re:DRM will fail on its own by Boronx · · Score: 1

      I'd give you two American pennies for those thoughts.

    3. Re:DRM will fail on its own by shmlco · · Score: 1

      "DRM will fail on its own, because it is anti-consumer, and impossible (cryptographically speaking) to implement securely."

      Anti-consumer. Yeah, tell that to Apple and the (currently) 2 billion songs they've sold off iTunes.

      As to the later, you miss the point entirely. Take a look at the lesson from VHS and MacroVision. When consumers started copying tapes for friends, the industry implemented MacroVision's copy protection scheme that prevented most recorders from copying commercial tapes. Yes, you could buy a box to "decrypt" the signal and make a recording, but how many people did? As such, the vast majority turned back to buying or renting tapes, and the few that didn't were considered "acceptable" loses.

      DRM doesn't have to be perfect. It just has to work most of the time for most of the people to be "successful".

      In fact, by and large, I'm willing to bet that the vast majority of the people who have ipods and who've bought songs from iTMS even know there ARE limits, must less experienced them.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    4. Re:DRM will fail on its own by that+this+is+not+und · · Score: 1

      The United States has never issued pennies for circulation. The US coinage is the cent.

      The Penny is a British unit of coinage.

      There were some early colonial coins that were pennies. Give me two of them if you wish. They're worth quite a bit more than two cents.

    5. Re:DRM will fail on its own by that+this+is+not+und · · Score: 1

      Anti-consumer. Yeah, tell that to Apple and the (currently) 2 billion songs they've sold off iTunes.

      Let's just wait a few years for the install base of hardware those songs are 'locked' onto to age, and watch the legal train wreck when all the 'regular folks' realize how little they paid for.

      I know, I know. Most iTunes customers are buying vapid drivel 'pop tunes' they won't care about in two years. Apple better hope they don't get all nostalgic. (although Apple is probably banking on selling the same songs to them again in 10 years in the 'restrospective/nostalgia bundles.')

      I have acetate disks of music from the early 20th century that I'll be able to pass along to somebody who 70 years from now will still be able to play them.

    6. Re:DRM will fail on its own by zotz · · Score: 1

      Companies always scream 'let the market decide', yet they manage to pressure politicians into passing laws which are anything but the market deciding. Bingo!

      In fact, I have been saying that once copyright or patent protected goods are in the market it is no longer possible for that market to be a free market. It is now a market in goods having government granted monopolies.

      all the best,

      drew
      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    7. Re:DRM will fail on its own by IamTheRealMike · · Score: 1

      DRM will fail on its own, because it is anti-consumer, and impossible (cryptographically speaking) to implement securely. We live in a (mostly) free market society. As publishing firms continue to push DRM, new markets will open and will eventually replace the DRM firms, by offering superior products.

      This paragraph just seems really vague to me, sorry. DRM isn't inherantly anti-consumer as the success of the iTunes music store seems to show, likewise, it hasn't been a problem with satellite TV which is DRM protected (they send you the data but you gotta pay to access it). The P4 smartcard eliminated satellite TV piracy overnight, despite it being impossible (cryptographically speaking) ... the trick is that theory and practice are not the same.

      I would, however, agree that eventually somebody will come up with a solution that doesn't involve DRM. Either the group of people who publish content in unencumbered formats will grow to seriously challenge the existing "big boys" as has already happened to some extent with open source software (modulo games) ... or somebody will invent an economic system that obsoletes the need for DRM.

      These freedoms are being threatened every day - not just in the United States. Even my own country (Canada) is under attack by the various recording companies and individuals with a stake the game.

      Look, I hate to break it to you but those evil recording corporations are just representing their clients. I've worked with musicians in the past, my brother writes music for up and coming pop stars, and they all dream of making enough money to go full time (or better). Whether they're sugary popstars or real musicians, they all want to do what they love for a living instead of working behind a desk at a job they hate (and who can blame them) ... and right now that means signing with a record company. Doing the odd concert here and there just doesn't pay the bills especially if you aren't well known. Although a lot of these big media companies can be pretty damn evil, they're no more evil than most big corporations are and ultimately they are responding to the desires of the people who write the music in your collection.

    8. Re:DRM will fail on its own by Tom · · Score: 1

      DRM will fail on its own, because it is anti-consumer, and impossible (cryptographically speaking) to implement securely. If it is unavoidable (see next point), then it won't matter that it's anti-consumer. And why do you think these people are even trying for cryptographic security? "Good enough" is a major measuring line in all industries involved.

      We live in a (mostly) free market society. Not in the industry sectors involved. The OS market is a monopoly (don't argue this, even the courts agree) and the entertainment market is an oligopoly.

      No area where the market is mostly free is even talking about DRM. I wonder if that's coincidence, but one way or the other, in these areas, we are not living in a free market society.

      --
      Assorted stuff I do sometimes: Lemuria.org
    9. Re:DRM will fail on its own by tom's+a-cold · · Score: 1

      Companies always scream 'let the market decide', yet they manage to pressure politicians into passing laws which are anything but the market deciding.
      You said it. There are two markets and two sets of customers. There is the market for entertainment media, and the market for legislation-for-hire. Big Content firms play in both to (in their view) increase the size of their market while creating barriers to entry for competitors. Hardware manufacturers respond to the demands of end users but also those of Big Content firms. Even though Big Content doesn't buy the products, they can make life hell for hardware manufacturers who don't toe the line defined by the legislation-for-hire purchased by Big Content. Hardware manufacturers also try to buy legislation, but so far they haven't gotten as much traction. We, as consumers, have very little input into this process.

      The term "free market" in the US has been subverted to mean "not regulated in the consumer's interest." But the playing field is not level, the referees are on the take, and the house always wins. In short, the game is rigged. Corporations do everything they can to avoid competition, and their ideal condition is to be handed a guaranteed revenue stream that's protected by John Law. If that means consumers are screwed or the institutions of civil society are strangled, fine. Better to be a subsidy whore than to risk losing a fair fight.

      Put another way, "free market" has come to mean that capital can move unencumbered. It doesn't mean consumers are in any way free.

      --
      Get your teeth into a small slice: the cake of liberty
    10. Re:DRM will fail on its own by init100 · · Score: 1

      DRM isn't inherantly anti-consumer as the success of the iTunes music store seems to show

      Oh it is anti-consumer, the consumers just haven't realized this yet. When those same consumers try to do things not allowed by the "FairPlay" restrictions, they will feel the DRM. This does not mean that they will try to pirate their content, they could try to play it on non-iPod portable music players, or play it in other operating systems than Windows and Mac OS.

    11. Re:DRM will fail on its own by Blakey+Rat · · Score: 1

      Oh yeah, just like copy protection on video games failed because it's anti-consumer!

      Remember those companies in the 80s with those ridiculous copy protection scheme, like typing in a word from the manual? Man, that puts me in the mood to play old games like Lemmings or King's Quest. I'm so glad that modern video games don't have any sort of copy protection!

      Grab a reality muffin and chew on it. DRM is here to stay, cope.

  16. DRM List by solitu · · Score: 4, Informative

    Someone posted a good list about Vista's DRM against XP's DRM http://msmvps.com/blogs/chrisl/archive/2007/01/25/ 519180.aspx

    1. Re:DRM List by zlogic · · Score: 1

      Mod parent up!
      Most people complaining here about Vista's DRM don't have a clue what it actually means.

    2. Re:DRM List by grimJester · · Score: 2, Informative

      HD DVD: Works the same as Windows XP

      Blu-ray Disc (BD): Works the same as Windows XP.


      Whew! According to this list Vista does nothing at all! Hey, this is a great list!

      Of course, in the real world Protected Video Path actually does something. Quoting from Wikipedia:

      In order to prevent users from copying DRM content, Windows Vista provides process isolation and continually monitors what kernel-mode software is loaded. If an unverified component is detected, then Vista will stop playing DRM content, rather than risk having the content copied.

      So, with Windows XP (or whatever non-Vista OS I choose to use) I can run software that outputs any content I have at the resolution the content is stored in. To any display device, storage device, whatever device I choose to use.

    3. Re:DRM List by Anonymous Coward · · Score: 0

      I am sure a future automatic update will fix that. Just like how they pushed IE7 out as an update.

  17. How about a chain letter from us to everyone? by callmetheraven · · Score: 5, Interesting

    Probably every single person on Slashdot has received all the "boilerplate" emails that circulate the web eternally it seems. The rocket-powered-impala, the no-headlights-gangsters, the endless new-virus-gonna-format-your-HD warning mails forwarded again and again Aunty Marcia, etc ad nauseum.

    But what if WE did the same thing? What if the most articulate amongst us came up with a DRM warning letter, and we forwarded it to all the Joe Sixpacs of our worlds with the a title like "WARNING: DRM THREATENING YOUR PC" and "FORWARD THIS TO ALL YOUR FRIENDS!!" message?

    Maybe I'm just idealistically dreaming, maybe I'm being a little rtarded, but how else will Joe Sixpack ever find out otherwise? Broadcast media? Nope. Blogs? Not the ones he's reading. And you know Joe HAS read about the rocket impala.

    --
    You can have my SIG when you pry it from my cold, dead hands.
    1. Re:How about a chain letter from us to everyone? by BobSutan · · Score: 1

      Does an unsolicited email that doesn't advertise a product and is factually true considered to be spam?

      --
      "On a scale from 1 to 10, people are stupid"
    2. Re:How about a chain letter from us to everyone? by Anonymous Coward · · Score: 0

      Yes.

    3. Re:How about a chain letter from us to everyone? by VirusEqualsVeryYes · · Score: 1

      I don't quite understand what you want. Do you want that e-mail to claim that DRM will trash users' computers, or to articulate the truth?

      I'm asking because the truth is neither exciting nor threatening enough to get the attention of your target audience, and because I, and I think many others "in the know", would not support the fighting of greed and lies with manipulation and more lies.

      Don't stoop to their level, or you're just as bad as they are.

    4. Re:How about a chain letter from us to everyone? by Frank+T.+Lofaro+Jr. · · Score: 1

      Then it is worthwhile spam.

      --
      Just because it CAN be done, doesn't mean it should!
  18. Re:Right "rights". by Planesdragon · · Score: 2, Interesting

    Fair use is guaranteed by copyright, and I believe that is in the constitution.

    Fair Use is a matter of Congressional, not Constitutional, law. (All the Constitution says is that it's Congress's ball game) Lessig's recent SCOTUS case (wherein he tried to have the recent copyright extension thrown out) reinforces this.

    As for not being able to use linux for various DRM'd tech -- which really is the only legitimate complaint against DRM on its face -- the right answer is probably "what do we need to do in order to work with Netflix?", not "Netflix must never do that, because it doesn't work with Linux!"

    (I'm a big fan of personally identified perpetual licensing. I pay the studio X dollars, I give them my name and a current home address, and they set up a server against which I can authenticate anywhere, download the movie as often as I want, and authenticate that it is me watching my movie.)

  19. Re:Right "rights". by Anonymous Coward · · Score: 3, Interesting

    The Constitution does not grant our rights, it essentially states that any rights which are not stated that we do not have (e.g., the state may punish you for really evil things, but in such cases you retain your right to trial by jury) are retained by default, but that certain rights which are explicitly stated within the Constitution are inalienable and cannot be revoked under any circumstance, ever. Again, it's the besic jist of the Constitution, now how it's worded, read it through completely and you'll get it.

    Unfortunately the "state" (read: Federal government) has succeeded in convincing us that it is the reverse. They even go as far as to suggest that suspension of the Constitution may even be a necessity in certain cases (e.g., natural disasters where FEMA is concerned) and due process may be ignored or even bypassed (ref: 16th amendment never being ratified by the strict process demanded by the Constitution), and that executive orders by the president are allowable and may even conflict with or in many cases override the Constitution.

    But having said that, the Constitution does not grant us rights in ANY case; it protects our rights and simply limits them in very specific instances.

    Take the time to read it sometime, it is well worth your effort. Also refer to peripheral supporting documents written by our Founding Fathers and you will become pissed off at just how far out country has strayed and at how much our apathy and voting for presidents based on party affiliation rather than character and principle has sold our very liberties out. Go read it though, you will appreciate what our Founding Fathers worked for, and will be very disappointed at what has been going on during the last 18 or so presidential administrations.

    Know your basic inalienable rights, and use them; especially the right to vote, and the right to bear arms. Your right to bear arms guarantees your right to vote.

    Posting anon since stating the truth often gets one modded troll here.

  20. Too Late for Media? by Doc+Ruby · · Score: 2, Informative

    CDs and other dumb (non-transistor) media are already being replaced by Flash. MMS and CompactFlash are being replaced by SecureDigital (SD) and Sony MemoryStick, both of which have DRM built into them. Sony has enforced DRM on some MemoryStick products (Playstation sticks, mostly). But I expect they will draw the noose tight only once we've already let their harmless-seeming trojan horses into our storage collections, when they'll activate DRM too late for us to choose a different medium without DRM.

    After all, why else would these Flash devices sacrifice capacity and manufacturing costs for DRM features they don't use to make money?

    --

    --
    make install -not war

  21. Re:Right "rights". by Dracil · · Score: 2, Insightful

    And what happens when said company goes bankrupt? Your music/movie goes poof with no server to authenticate it.

  22. Bah why fight it? by tomstdenis · · Score: 3, Insightful

    I got my stash of mp3s and dvds already. I'd rather sit back and watch society slowly destroy itself.

    It isn't like people really take the hippie goals of OSS and FSF [and the like] to heart anyways. The vast majority of OSS users tend to be commercial shops that use it just because it's cheap, not because it's libre. Worse yet, they use it to support the development of proprietary software/hardware (example: IBM uses it to develop DB2 which is proprietary).

    Frankly I think society as a whole is a lost cause. I suggest folk just get a comfy lawn chair and watch the ensuing madness.

    Tom

    --
    Someday, I'll have a real sig.
  23. Re:Right "rights". by Anonymous Coward · · Score: 5, Insightful

    Fair use is definitely not in the US Constitution, and I doubt it's in any others. It just gives the Congress the right to issue copyrights, patents, etc, for a "limited time". Unfortunately it does not specify any other limits on this power, nor does it spell out how long a "limited time" should be.

    Congress has the power to make all fair use null and void, and to extend patents and copyrights to 3.2 billion centuries from the date of issue. That's legal.

    The US economy was built on patent infringement, though. Once we "pirated" enough to get a leg up on the Europeans, we erected intellectual property walls to hold our advantage.

    The US is now, intellectual property-wise, in the position of 19th century Europe. High legal barriers protecting old, wealthy, stagnant industries. China is in the position of the US in the 19th century--nominal legal barriers and lax enforcement. And unfortunately for us, the result will likely be the same.

  24. Another omission for "Slashdot's favored monopoly" by Anonymous Coward · · Score: 0, Informative

    Interesting how Slashdot is constantly puling about Microsft (and DRM), but consistantly ignore Apple... and their DRM.

    As usual, I will get modded down for pointing out the hypocracy involved in Slashdot's repetitively ignoring the recipient of their "Most Favored Monopoly Status". Apple has always been the tech industry's most brutal and totalitarian monopoly, and moreso today than at anytime in the past.

    Rather interesting how Slashdot's denials of that reality become even more blatent as Microsoft becomes progressively more open. Slashdot used to whine about the instability of Windows... so Windows became incredibly stable. Then they puled about security... so Windows and IE became the most secure products available. The whine about openness, despite the fact that anyone with a compiler can easily write Windows applications.

    The problem is that MS now gives them so few things to complain about, the Lunix/Apple comminities are literally yellowing their underwear. There is now zero reason NOT to use Windows... and they are constantly reaching for some kind of complaint to cry otherwise.

    The combined effects of Slashdot's hypocracy and crying wolf has brought them to today's complete lack of credibility. Slashdot is well known across these internets for being the most delusional and pedantic tech site in existance.

    Slashdot is now, deservedly so, the joke of the internet. Congrats! Destroying any sort of credibility is hard werk: just ask George Dubai Bush!

  25. AAC is not by Apple, and not DRM only by zoeblade · · Score: 4, Informative

    Considering that the article cites Wikipedia, it's curious how it perpetuates the myth that AAC was "invented and promoted by Apple." While Apple is one of the corporations using it, and it does support FairPlay, it is possible to have completely non-DRM-encumbered AAC files. I've ripped most of my CD collection into AAC format using iTunes with no restrictions placed on how I use those files. The format wasn't invented by Apple either. From Wikipedia: "AAC was developed with the cooperation and contributions of companies including Dolby, Fraunhofer (FhG), AT&T, Sony and Nokia, and was officially declared an international standard by the Moving Pictures Experts Group in April 1997."

    1. Re:AAC is not by Apple, and not DRM only by that+this+is+not+und · · Score: 1

      AAC is also not nearly as open a standard as MP3. Enjoy the narrow selection of portable players you can play your ripped content on.

  26. Listen to yourself by NDPTAL85 · · Score: 0

    Everything you says sounds great and its true. Seriously.

    There's just one problem.

    Fighting DRM =! Fighting against slavery, ethnic cleansing, racism, sexism, facism, totalitarinism....or any other REALLY important social battle.

    Instead DRM covers movies, tv shows, music tracks and sometimes video games.

    Whoop tee doo lets get on with fighting that good fight!

    Understand NOW why most folks beyond the geek world don't care?

    --
    Mac OS X and Windows XP working side by side to fight back the night.
    1. Re:Listen to yourself by Chandon+Seldon · · Score: 1

      DRM is a more important issue than you seem to think it is, because it makes the archival of our contemporary literature impossible.

      From the perspective of archival, digital data storage has two interesting properties: First, it makes it possible to produce an unlimited number of perfect archival-quality copies of the work. Second, it means we're storing the data on fragile media that is extremely prone to degradation over time. Now, these two properties *should* cancel each other out, because the owner of the media can make a perfect copy before the media degrades. Unfortunately, DRM prevents that. Not only does it make it hard to make a copy, but the encryption involved makes it so that if even 20 bytes of the data is lost the whole file may be mathematically impossible to recover.

      DRM is presented as a trade off between easily-marginalized consumer rights such as format shifting and the prevention of large scale piracy. That's utterly false - these DRM techniques barely even slow down actual pirates. DRM is all downside - it throws away consumer rights *and* it turns long term personal archival into an utter nightmare. DRM trades away our format shifting rights, and in return society may lose these works entirely in the future. That's the whole deal - DRM barely even slows pirates down.

      It amuses me to no end that in 500 years the only copy of "Prison Break" left for historians may be some Pirate's XviDs on a well preserved DVD-R or hard disk.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    2. Re:Listen to yourself by Tim+C · · Score: 1

      DRM is a more important issue than you seem to think it is, because it makes the archival of our contemporary literature impossible.

      Right now, there are two things preventing people from cracking any given DRM implementation wide open - time and the DMCA.

      In the future, when the rights holders are dead and forgotten and historians are sifting through the digital archives trying to see what sort of things entertained us, neither of those things will be a problem. The biggest issue will be hardware to access whatever media is involved (how many 8" disk drives can you lay your hands on? 8 track cassette machines? working Betamax VCRs?).

      society may lose these works entirely in the future. That's the whole deal - DRM barely even slows pirates down.

      In which case there's no chance that society will ever lose the works, is there, if piracy is still so easy - there will always be pirate copies available.

    3. Re:Listen to yourself by Chandon+Seldon · · Score: 1

      Right now, there are two things preventing people from cracking any given DRM implementation wide open - time and the DMCA.

      Absolutely, because hardware and software implementations are readily available. If you can view the content, copying it is possible.

      The problem for historians will be that with no access to the hardware, even viewing the content will be impossible. The only known way to access a HD-DVD or BluRay video is with the encryption key - every attack is a key recovery attack, there's no other way to get access. If you can't find a player with the player key intact, you sure won't be finding that key.

      Again, the issue is even worse with potentially degraded media. If a stone tablet goes through a rainstorm, the data's still there. If a paper book is exposed to sunlight so long the ink dissapears, no problem - we can chemically process the paper to see the writing. If a BluRay disk is damaged even slightly - such that 20 bytes are unreadable - it may be strictly unrecoverable even with the key.

      if piracy is still so easy - there will always be pirate copies available.

      If that's our best hope, that sure gives pirates the moral high ground.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    4. Re:Listen to yourself by mrchaotica · · Score: 1

      Fighting DRM =! Fighting against slavery, ethnic cleansing, racism, sexism, facism, totalitarinism....or any other REALLY important social battle.

      Instead DRM covers movies, tv shows, music tracks and sometimes video games.

      Sure, for now. But what happens when it becomes ubiquitous? I don't know about you, but I can see a world where Freedom of Information Act requests are useless because they're so restricted by DRM that you can't actually do anything with them. A world where government and corporate whistleblowing doesn't exist, because even if you do get an incriminating file, since it's DRM'd it's effectively written in disappearing ink. A world where those in power can retroactively erase anything that they don't like, by simply revoking the encryption keys.

      You know, Orwell's Ministry of Truth would have a field day in a society with ubiquitous DRM (in particular, "Trusted[sic] Computing")! And yet you're still so naive and nearsighted that you think it isn't a "really important social battle?"

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  27. Right... I'll just fire up eMule... by gsn · · Score: 1

    If the major hardware vendors like Intel, NVidia and ATI take these recommendations seriously and implement them in their products, it may occur that the client will not only get an inferior product (defective by design), but will also have to pay the extra cost of implementing DRM restrictions (the vendors won't be probably willing to spend the extra costs for something that does not give them any profits). And the alternative if they don't is that the content will not play at all. What you can hope for is shoddy implementations - like the Westinghouse TV-Sony PS3 issue that pisses customers off. One can hope that faulty implementations and inconvenienced customers will lead to them not buying these products. Then again people put up with BSOD for eons. No I don't trust the market to vote with their wallets. People are too apathetic.

    Rather I'd rely on the muslix64s of the world, and the pirate bays. Circumvent the DRM thanks to a shoddy implementation and pirate away and these companies will wither. Sure its illegal, but the only people who decide what is legal is the government and they gave you life + 70 years copyright terms to save Mickey fucking Mouse. The fingerprinting is a better idea but it does realistically cost you the resale market, and isn't really addressing on of the bigger causes of piracy which is perceived unfair pricing. Frankly media fingerprinting is probably the most reasonable solution out there, though implementing it is a bitch.

    In the longer term, we need a legislative solution that enshrines our fair use rights and actually considers things like format/time/place shifting and prevents anti-customer measures like this to begin with, but thats not going to happen anytime soon.
    --
    Reality must take precedence over public relations, for nature cannot be fooled.
    1. Re:Right... I'll just fire up eMule... by Anonymous Coward · · Score: 0

      > Rather I'd rely on the muslix64s of the world,

      If they can keep out of court. Judging by the comments after article, muslix64's identity isn't unknown, but maybe unproven.

  28. Embrace good DRM and make a difference by kwerle · · Score: 2, Insightful

    I hate bad DRM as much as the next person. But Apple's DRM is just fine by me. I'm able to listen to what I want on any device I want (I can burn a CD, after all).

    Go ahead, don't buy media with bad DRM. But I'll continue buying good DRM media - because I believe in reasonable precautions against piracy - which to me means non-intrusive.

    To which you say "blah blah blah, cracked AAC, blah blah" - to which I say "get me the statistics on AAC media piracy vs. non-DRM piracy." Or "blah blah, burned CD not as good as regular CD, blah blah" - to which I say "CD's aren't as good as vinyl, and I don't much care."

    1. Re:Embrace good DRM and make a difference by that+this+is+not+und · · Score: 1

      to which I say "CD's aren't as good as vinyl, and I don't much care."

      You sound like a happy iPod customer.

    2. Re:Embrace good DRM and make a difference by init100 · · Score: 2, Informative

      But I'll continue buying good DRM media - because I believe in reasonable precautions against piracy

      DRM doesn't affect piracy, it only affects the paying customer. The content ends up on The Pirate Bay and the other file-sharing networks anyway. This realization is even coming to the music industry. Recently, CDON.com, a large Swedish online music store, set up a special section selling unprotected MP3 files, citing customer demand. The section is even prominently advertised on the download section main page.

    3. Re:Embrace good DRM and make a difference by kwerle · · Score: 1

      DRM doesn't affect piracy

      DRM doesn't affect determined piracy of "classic" media (visual audio). It stops casual piracy, and piracy of closed digital systems (xbox was never really cracked).

    4. Re:Embrace good DRM and make a difference by kwerle · · Score: 1

      You sound like a happy iPod customer.

      I have a shuffle I seldom use. If I had an MP3 player of some other flavor, I'd just rip my music to CD format, then again to MP3. But Apple's DRM is mostly designed for Apple systems - and I'm happy with Apple systems. Even if I didn't have a shuffle, though, I'd still be OK with Apple's DRM because I could still listen to my media.

      I really dislike the notion of region limited DVD releases, and that DVDs have regions. That pisses me off, in theory. In practice, I've never bumped into it because I live in America, and my tasted don't tend toward foreign movies. If I ever did bump into it, I'd buy one of those buggy unlockable DVD players or use some other hackaround. But the theory behind DVD DRM annoys me (in theory) much worse than Apple's.

      Sigh. It makes me sad that I support the DVD business (though netflix), but not enough to stop.

    5. Re:Embrace good DRM and make a difference by Ash-Fox · · Score: 1

      I hate bad DRM as much as the next person. But Apple's DRM is just fine by me.
      Not for me, does not work on Linux

      I'm able to listen to what I want on any device I want (I can burn a CD, after all).
      What about the movies?

      You also must know that reencoding a file at similar bitrates over and over will introduce horrible noticeable artifacts right?

      So, let's say you want to listen to said music on another mp3 player:

      1) Burn music to CD
      2) Rip CD to mp3
      3) Listen to music with artifacts
      4) ...
      5) Profit.

      But I'll continue buying good DRM media - because I believe in reasonable precautions against piracy - which to me means non-intrusive.
      I don't think it's reasonable. I can't even play iTunes crap on any of my modern devices here.

      I've tried to help people with cases where after a iTunes upgrade, people just couldn't play their old iTunes files anymore -- How do you deal with that? Of course you can't not upgrade, because eventually Apple will upgrade their services to only support only new iTunes software for validation. Ontop of that new files you buy off iTunes will only work on the latest iTunes.

      Don't you see the problem?

      Out of the cases of said issue happening, only one person (out of five) ever got it working again (worked after another update). Apple wasn't helpful at all.
      --
      Change is certain; progress is not obligatory.
    6. Re:Embrace good DRM and make a difference by Anonymous Coward · · Score: 0

      DRM doesn't affect determined piracy of "classic" media (visual audio). It stops casual piracy, and piracy of closed digital systems (xbox was never really cracked).
      And the worst part of DRM by far is the Trusted Computing initiative, which aims to make the PC a closed digital system. I don't really care about media files, but the idea of practically all data in the world being controlled by a few companies is scary. No more fair use, any of the software on your computer can be revoked by the vendors at any time, whistleblowers will have to do with only their word against word, even plans to control access to the internet are well underway.
    7. Re:Embrace good DRM and make a difference by Technician · · Score: 1

      Your definition of non-intrusive is not the same as mine.

      You can buy a track online and dump it on your player.

      For me to buy a track from the same store, I would have to download some software, register, provide a CC number and information, download tracks, burn tracks to CD, rip CD to MP3's, re-enter ID3 tags, (CDDB doesn't work with DL tracks) and then copy them to my flash player, jukebox, car CF player, etc.

      Can we skip the Burn to CD's, Rip from CD's, manualy type in ID3 information steps? I find them very much not non-intrusive. It requires quite a bit of an investment in materials (blank CD's), time, labor, and quality (losses from Burn/Rip & possible typo's).

      Please don't tell me to buy one of the DRM format players to fix the intrusive DRM problems. I like my player. It can record off of the radio and mic and it saves the result as a MP3 which can be easly copied off the player and archived.

      Most DRM players do not support moving files off the player.

      --
      The truth shall set you free!
    8. Re:Embrace good DRM and make a difference by Builder · · Score: 1

      There's no such thing as good DRM. Wait until you're 9000KM from home and you try to play something on a laptop that you forgot to ask the almighty Apple's permission to use.

    9. Re:Embrace good DRM and make a difference by kwerle · · Score: 1

      Not for me, does not work on Linux

      Nor do VCR tapes work in car stereos. If you don't have the hardware/software to play a given media, then it really doesn't matter to me if you like the DRM it sports.

      What about the movies?

      If I cared, I'd use a VCR (or other recording device). Though there may be software solutions to this "issue" - I've not looked.

      You also must know that reencoding a file at similar bitrates over and over will introduce horrible noticeable artifacts right?

      blah blah blah not as good as vinyl.

      I don't think it's reasonable. I can't even play iTunes crap on any of my modern devices here.

      By "crap", I guess you mean "sour grapes".

      I've tried to help people with cases where after a iTunes upgrade, people just couldn't play their old iTunes files anymore -- How do you deal with that?

      Can't help you with that. I don't know anyone who has ever had a problem. Sorry.

    10. Re:Embrace good DRM and make a difference by kwerle · · Score: 1

      For me to buy a track from the same store, I would have to download some software, register, provide a CC number and information, download tracks, burn tracks to CD, rip CD to MP3's, re-enter ID3 tags, (CDDB doesn't work with DL tracks) and then copy them to my flash player, jukebox, car CF player, etc.

      Can we skip the Burn to CD's, Rip from CD's, manualy type in ID3 information steps? I find them very much not non-intrusive. It requires quite a bit of an investment in materials (blank CD's), time, labor, and quality (losses from Burn/Rip & possible typo's).


      Since I'm a programmer (or can use google), all that would happen automatically for me (without CD media).

      Please don't tell me to buy one of the DRM format players to fix the intrusive DRM problems. I like my player. It can record off of the radio and mic and it saves the result as a MP3 which can be easly copied off the player and archived.

      Most DRM players do not support moving files off the player.


      But Apple's does - as long as your talking about the computer. iPods are too easy to steal - can you imagine? The little iPod is worth a few hundred bucks, but the music on it is worth (potentially) 10's of thousands - if you could trivially (without googling) take the songs off it.

    11. Re:Embrace good DRM and make a difference by kwerle · · Score: 1

      There's no such thing as good DRM. Wait until you're 9000KM from home and you try to play something on a laptop that you forgot to ask the almighty Apple's permission to use.

      iTunes could us a fair amount of work, still. It works just fine in the happy mode, but there should be more checks for unhappiness. You should be able to make sure all your media is present, non-duplicated, and playable - all with a single click. Hell, it should happen in the background for you automagically. That's not a problem with the DRM, it's a problem with the player.

    12. Re:Embrace good DRM and make a difference by Ash-Fox · · Score: 1

      Nor do VCR tapes work in car stereos.
      This isn't the same, the hardware we're talking about is CAPABLE of playing it

      If you don't have the hardware/software to play a given media
      Yes, because THEY are NOT providing the software.

      then it really doesn't matter to me if you like the DRM it sports.
      Ah, is this your way of saying, "I don't want to hear anything you say lalalalala everything is okay, everything is fine!" ?

      blah blah blah not as good as vinyl.
      I don't mind music that's been encoded once, but encoded multiple times at the same bitrate? Everyone, and I mean EVERYONE can hear the blups and blips in the audio stream then.

      On the other hand, if you're happy with the obvious blups and blips in the audio stream -- Well, more power to you.
      --
      Change is certain; progress is not obligatory.
    13. Re:Embrace good DRM and make a difference by Builder · · Score: 1

      No, it really is a problem with the DRM... I dumped 4 AAC files to my laptop. I chucked my laptop in my bag and headed for the airport.

      iTunes wouldn't play those files because I hadn't asked for permission to play them on that particular device. Because of the DRM shit attached, I couldn't just play those files in some other player.

    14. Re:Embrace good DRM and make a difference by kwerle · · Score: 1

      No, it really is a problem with the DRM... I dumped 4 AAC files to my laptop. I chucked my laptop in my bag and headed for the airport.

      You and I disagree on what "the system" is. You think it's the hardware, OS, and the player. I think it's the player. The OS and the hardware are just support for the player. You tried to use the supporting subsystems to bypass the player, and it bit you in the ass.

    15. Re:Embrace good DRM and make a difference by Builder · · Score: 1

      Uh, iTunes IS the player for me! It won't work in the player because I didn't ask permission!

    16. Re:Embrace good DRM and make a difference by Technician · · Score: 1

      The little iPod is worth a few hundred bucks, but the music on it is worth (potentially) 10's of thousands - if you could trivially (without googling) take the songs off it.

      Here is a real world example of protected content problems. The iTunes tracks are DRM'ed to the player. If you could copy them off, they are of no use to anyone else.

      You are on vacation. You would like to associate your iPod to another computer to listen to some podcasts.. Oops you have to delete all the music to associate it to the new computer... Not good.

      Why can't you copy the tracks off the player so you can associate it without erasing the iPod? What's wrong with backing up all the tracks, associating to the other computer, listening to the podcasts, and when finished, copy your music back to your iPod. Even better would be if it didn't delete the stuff already on it when connecting to a new computer. The DRM'ed tracks from the iPod in theory shouldn't be playable on any body else's iPod and should work if copied back to the same iPod. In reality, they blanket erase the iTunes tracks when associating with a new computer.

      My MP3 player is much more consumer friendly in the above situation. I load my music from home and add some MP3 blogs at work without deleting anything from the player (unless I run out of room and temp store some tunes on the PC to make room).

      If I attend a lecture and want to record it and later save it or post it online, I can do that too.

      --
      The truth shall set you free!
  29. While there's "time" by suv4x4 · · Score: 1

    Fight DRM While There's Still Time

    Time for what? Do they plan to integrate mandatory brain purging in our brains or something? Do the planets align in some DRM-favoring way few days from now?

    Exactly wtf is the paranoia about? DRM is broken, so fine. By the time people start feeling the effects of this (the wide public still hasn't), DRM will either adapt to be bearable or die.

    I don't get it what's with all the paranoia.

    1. Re:While there's "time" by Anonymous Coward · · Score: 0

      Yes, in the long run, DRM will die. Just like, in the long run, any brutal dictator will be overthrown... and in the long run, some corporation that dumps carcinogens will have to stop doing so... and in the long run, a serial killer will be caught or will stop killing. The problem with all of these things is the short term. DRM will die eventually, but it has the potential (and the guarantee if unopposed) to cause many problems before that happens. This is why we oppose it.

  30. Simple Solution by vanaeken · · Score: 0

    If you don't like DRM, don't buy any DRM-protected content. If artists and their financial backers want to protect their content, it's their legitimate choice.

  31. Re:Right "rights". by ivanski · · Score: 1

    Well, the specific definition of Fair Use is in legislation, but it has its basis in the Constitution. A Copyright statute without a Fair Use provision would probably run afoul of Constitutional protections on free speech; one of the effects of the copyright monopoly is to constrain others from expressing themselves in manners too similar to the protected work. So it's not entirely inaccurate to claim a Constitutional basis for Fair Use.

  32. Get over it before its too late by Anonymous Coward · · Score: 0

    DRM is just software to enforce an agreement between producer of content and consumer. The agreement ensures both sides get a fair deal.

    You think you should have stuff for free because copying can be done free? Well they guy who created the material has a say too. If they agree then you'll get it for free. If not, you'll have to agree a price.

    Think artists are immoral charging for things that can be copied for free? Well creating content takes time, and although time can be given away, it is never free.

    Think the IP theft is OK because of greedy record companies? Fine, offer to pay the artists directly. And expenses, marketing, advertising, distribution, packaging etc. And you will have to offer them deals with some security, so *you* take the risk if no-one likes their content.

    Got legitimate reasons for copying content eg backup or to change format? You can't ask a painter to do run up a backup at no extra cost, or a cameo version you can admire "on the go". You don't need to do these things and there's no automatic right - they have to be negotiated as part of the deal.

    Think people can be trusted to do the right thing and shouldn't need to be forced via DRM? For every person who repects such honour systems, two others don't. It's sad, but those are the breaks, and that's why capitalism works and communism doesn't.

    1. Re:Get over it before its too late by zotz · · Score: 1

      "DRM is just software to enforce an agreement between producer of content and consumer."

      Your thinking might have a chance in the absence of copyright law and patent law.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    2. Re:Get over it before its too late by init100 · · Score: 1

      DRM is just software to enforce an agreement between producer of content and consumer. The agreement ensures both sides get a fair deal.

      No, it ensures that you can only do what the producer wants. An agreement that ensures that both sides get a fair deal require negotiations. In the case of content, it is "Either accept our terms, or buzz off".

      You think you should have stuff for free because copying can be done free?

      This is really orthogonal to the discussion, since DRM by no means stops piracy. The content will find its way onto the file-sharing networks anyway. DRM is only an inconvenience to the paying customer.

      Got legitimate reasons for copying content eg backup or to change format? You can't ask a painter to do run up a backup at no extra cost, or a cameo version you can admire "on the go".

      Creating a backup of a painting takes time for the painter, and it is therefore fine for him to request money for it. Creating a backup copy of a music track, a movie or a computer program does not hurt the producer in any way (except that they may not be able to sell the same product to you more than once), making the situation quite different.

      You don't need to do these things and there's no automatic right - they have to be negotiated as part of the deal.

      You don't strictly need to do it, but it is a good insurance against media degradation. And I'm sorry, but backup copies are allowed through law in several countries, so there is an automatic right. This right cannot be signed away by license agreements.

      But I don't live in the United States, where other laws may apply. I hope you enjoy paying through your nose again and again for the same content.

  33. The way to fight DRM by Anonymous Coward · · Score: 1, Insightful

    IF you are against DRM, the best way to fight is to create something - music, a book, an article, a music video, or a movie - and then distribute it without DRM.

    Put your time and your money where your mouth is. Instead of telling the authors how they MUST DISTRUBUTE WHAT *THEY* CREATE, create something yourself and distribute it in accordance with YOUR principles. Use open formats if you wish.

    It is quite easy. Instead of wasting time posting here, create something and show people how nice it is to have something in an open format.

    Stop complaining and work and create.

    1. Re:The way to fight DRM by bmo · · Score: 1

      "Stop complaining and work and create."

      That's all well and good to say but what about those of us who can't write fiction, draw, and have a voice that gets you shut off at the bar when you start singing?

      Eh?!

      It's great when I'm in front of a CAD station or Bridgeport, but don't ask me to draw the female form, and most of all don't ask me to sing. You will regret it.

      --
      BMO

  34. Change from the Download Down by Anonymous Coward · · Score: 0

    "In the case of DRM, theres one very strong way to fight it - with your wallet."

    Good thing I'm teach them a lesson by illegally downloading. Now were's my BT of Vista?

    "Use alternatives where possible."

    So THAT'S what's on piratebay? Learn something new everyday.

  35. Really important social battle. by Elemenope · · Score: 1

    Fighting DRM =! Fighting against slavery, ethnic cleansing, racism, sexism, facism, totalitarinism....or any other REALLY important social battle.

    I would argue that the amount to which social change of any sort is possible is directly correlated with how easy it is to distribute progressive and/or revolutionary ideas to sympathetic eyes and ears (to console them) and neutral eyes and ears (to convince them) and even to hostile eyes and ears (to force a response of some sort). Each one of the social battles you mentioned were fought first in the hearts and minds of the constituents of the relevant society (and sometimes, much later, with the blood and bullets of those same constituents) with media campaigns books, movies, etc.. e.g. Common Sense, Uncle Tom's Cabin, the Liberator, Philadelphia, Feminine Mystique, the Killing fields, etc.

    DRM is more than merely 'geek-worrisome' because corporations are invested heavily in the social status quo, explicitly or not: If the social status quo changes, that causes social unrest, and social unrest is generally very bad for business. Thus, if distribution of information is locked down into easily controlled channels, then corporations have an easy way to squeeze one viewpoint (advocating change) out of an effective medium of discourse, or promote one that champions the status-quo. Large corporations, by virtue of the system that we live in, already control most of the money needed to distribute widescale; it would be a very poor idea to also give them control of the means!

    And whether english teachers particularly like it or not, the current and probably subsequent generations are going to rely heavily upon the audio-visual vocabularies of TV, movies, and videogames to make sense out of the world around them, rather than the eariler generations' reliance upon textual modes and vocabularies. These newer modes of expression, having a high technological and financial overhead, are easier to control if control is allowed. So, yeah, the stakes are quite high.

    --
    All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    1. Re:Really important social battle. by Secret+Agent+X23 · · Score: 1

      I would argue that the amount to which social change of any sort is possible is directly correlated with how easy it is to distribute progressive and/or revolutionary ideas to sympathetic eyes and ears (to console them) and neutral eyes and ears (to convince them) and even to hostile eyes and ears (to force a response of some sort).
      True. But I doubt that the companies that are pushing DRM are publishing any significant amount of progressive and/or revolutionary material, especially not on an exclusive basis.
    2. Re:Really important social battle. by Elemenope · · Score: 1

      The real issue is this: DRM restricts the circumstances under which a document may be viewed and reproduced. My concern is that truly revolutionary and sometimes even merely progressive ideas proceed virally, by one person giving his social neighbors a 'copy' of the idea, and so forth. If the most effective presentation mode for that idea happens to be some medium that is under heavily restrictive and effective DRM (I know, effective DRM is so far fictional, but I think not for long) then the technology of DRM will in all probability impede effective dissemination of the idea.

      And I disagree on your point, namely that corporate publishers don't publish significant amounts of revolutionary and/or progressive material. I think rather they are the only ones that have the resources to produce and publish to a wide audiences certain types of content of a certain expected quality, esp. movies and television shows. The proportional quantity of rev. content doesn't matter; what matters is the prospective audience size for what little content makes it out in the first place. Since corporations have no (or very little) ideological interest in the content, only a financial interest, they have every motivation in the world to attempt to restrict production and access to channels over which they may expect compensation.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
  36. Market Forces Are At Work by bigtrike · · Score: 1

    Those very same people were probably upset about their purchase and will be less likely to buy products from that company in the future. People are going to get pissed off when they can't play their purchased content on their purchased computer.

  37. Create something yourself & distribute as you by Anonymous Coward · · Score: 0

    Exactly.

    All the people complaining about DRM should actually DO something - such as create an "open source" recording distribution system or create some music, a book or a movie - and then distributed it without DRM as THEIR CHOICE. Let the market choose between open vs DRM'd content.

    Given that many of the complainers seem to think that an author's time is irrelevant why not use their own time to do something.

    Likewise they seem to think that an author's agreement (e.g. the authors agreeing only to sell their content in a certain way) is irrlevant, so CREATE something yourself and see how it works voluntarily instead of forcing authors to agree with your politics.

  38. DRM is about... by stubear · · Score: 1

    ...limiting the illegal distribution of copyrighted material. You can cry all you want about fair use but the truth of the matter is people want to upload music and movies onto P2P networks in violation of copyright law, even the original copyright laws prior to 1976 and the Sonny Bono Copyright Act.

    1. Re:DRM is about... by AusIV · · Score: 2, Informative
      If all DRM did was limit the illegal distribution of copyrighted material, you wouldn't hear me object. Unfortunately it also prevented me from playing my legally purchased iTunes music and DVDs on my computer once I switched to Linux. Both of these DRM methods have been cracked, making them completely ineffective at preventing piracy, but I would be breaking the law if I were to use these cracks so I could continue using the media I've purchased.

      All DRM does effectively is tie people to specific platforms. There's not a movie or song available for purchase that you can't find for free with p2p software. HD-DVDs and BluRay versions of most movies are currently unavailable, but there are hacks available that are allowing people to rip these formats, and I believe they're beginning to show up on the p2p networks.

      Again, I have no interest in piracy, and in fact I blame pirates for giving the media distributors an excuse to force DRM on us, but I do hate DRM because it keeps me from being able to use my legitimate media the way I want to use it.

    2. Re:DRM is about... by init100 · · Score: 1

      I would be breaking the law if I were to use these cracks so I could continue using the media I've purchased.

      Not where I live (Sweden). Circumventing technical protection measures (a.k.a. DRM) is illegal, except for the case where you want to use content that you acquired legally. In other words, circumventing DRM to share content on The Pirate Bay is illegal, but doing the same to enjoy your content in Linux is perfectly legal.

    3. Re:DRM is about... by init100 · · Score: 1

      DRM is about limiting the illegal distribution of copyrighted material.

      No, that's just the excuse. In fact, DRM does not stop the content from being pirated in any way, it ends up on the file-sharing networks anyway. DRM only works to inconvenience (penalize?) the paying customer for playing by the rules. It is mostly a way for the content producers to be able to force the customer into buying the same content multiple times if they want to keep enjoying their content. "Want to continue listening to your music on that damaged disc/HDD/etc? You can buy it here. Want a copy for your car stereo? You can buy it here. Want a copy for your cell phone? You can buy it here". Disabling format shifting is the key to this continued revenue stream.

  39. sweet! by clashdot · · Score: 1

    I love how you are modded insightful! Which means... But that in turn...

  40. How is it important at all? by NDPTAL85 · · Score: 1

    How can the distribution of information be locked down when any yahoo who wants to can slap up a website and start ranting at will?

    --
    Mac OS X and Windows XP working side by side to fight back the night.
    1. Re:How is it important at all? by Elemenope · · Score: 1

      Because the ranting yahoo isn't the issue. They don't change people's minds (on the scale we are discussing, anyway), regardless of the medium. The effectiveness of a message is also dependent in great part by its artistic quality. A message, no matter how perceptive, will not make an impact if its presentation is so ugly or boring that nobody will take the time to view it or if they do to take it seriously. Liek it or not, in an audio-visual world production values contribute or detract from the presentation of a message; good production values require access to (usually expensive) tools, such as good actors and writers, perhaps visually believable abstractions and effects, and an overall aesthetic that matches the intent of the piece.

      The public's standards of production values in the age of print were easy (or at least easier) to meet than they are in the audio-visual age, and thus cost less. We don't live in that world anymore.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    2. Re:How is it important at all? by NDPTAL85 · · Score: 1

      What are you talking about? Have you not heard of YouTube?

      Anyone with a cheap digital camera can film their own news stories, and make them available to everyone in the world. I can assure you way more people know about LonelyGirl15 then know what the Cathedral and the Bazaar are.

      --
      Mac OS X and Windows XP working side by side to fight back the night.
    3. Re:How is it important at all? by Elemenope · · Score: 1

      You weren't paying attention. 'The Cathedral and the Bazaar' is an essay. Text. (And about a pretty esoteric subject vis a vis the general population, at that.) As such, it is no surprise that it is less well known than the audio-visual LonelyGirl15 videos, which, incidentally to undercut your 'yahoo' theory of successful media, was produced professionally.

      Poor example on both sides. Try again.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    4. Re:How is it important at all? by NDPTAL85 · · Score: 1

      Its an excellent example. People thought Loneylgirl15 was for real. And the Catheedral and the Bazaar covers topics similar to this one. Its just no one outside the geek world cares because it doesn't really negatively impact regular folks the way some "information wants to be free" obsessed folks would have you believe.

      --
      Mac OS X and Windows XP working side by side to fight back the night.
    5. Re:How is it important at all? by Elemenope · · Score: 1

      'Simulates real' != 'is real' ; this is the entire illusion or 'magic', if you will, of video in a nutshell. People thought Lonelygirl15 was real because it was professionally produced to appear that way; people watched it because its production values made it watchable (and even enjoyable). Had it been a real person talking about their life, by all odds, it would not have been nearly as compelling.

      Somewhere along the same lines, DRM and DRM-related issues are not a 'geek deal' because 'The Cathedral and the Bazaar' is not well known outside geek circles, but rather because there has been no compelling expression of those issues for the common man in the dominant mediums; if someone capable were to write, say, a comedy screenplay dealing with a world in which DRM had run rampant, with high production values, and it actually gets produced, then the issue will have a chance to penetrate the public consciousness as a whole. Much the same as the evils of slavery became more visible to Northerners after the publication of Uncle Tom's Cabin, a vehicle that expressed the ideas to them in a way to whcih they were accustomed to responding. Until the issue is expressed in such a way, it remains a fringe issue for 'issue geeks'.

      DRM is a particularly bizarre example because it is an issue about how to control how we dialogue about issues!

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
  41. New Zealand's own DCMA by Blancmange · · Score: 4, Informative

    Now's a good time to oppose this bill:
    http://www.brookers.co.nz/bills/new_bills/b061021. pdf

    Particularly obnoxious is Section 226. Breaking a technological protection measure (TPM) even if only to play music you legally bought can land you in prison - unless you're one of the 'qualified' persons such as a librarian.

    This blog I picked from a list of Google hits has a fair bit to say about the bill:
    http://artemis.utdc.vuw.ac.nz:8000/pebble/2006/12/ 18/1166402040431.html

    --
    Blancmange
    1. Re:New Zealand's own DCMA by Creepy+Crawler · · Score: 1

      And what would it take to be declared a librarian?

      Perhaps a walk-in basement with a concrete pad (you know, cripple-people ramps) so that I could provide books and DVDs and software for rent..

      --
    2. Re:New Zealand's own DCMA by Fatalis · · Score: 1

      Uh, that's DMCA.

      --
      Deus est fatalis
  42. Several ways by Anonymous Coward · · Score: 0

    Way one: Fight it with your wallet. Don't buy DRM laden crap. This one may look after itself. People won't buy products they have to fight with or which annoy them more than delight them. You don't even have to campaign here; it will look after itself. When something comes along that meets consumer needs then the consumers will buy that and abandon any DRM products on the market. Companies understand money. Deprive them of money and they will respond. Anyway, we have recently seen stories telling us that the major companies are becoming disenchanted with DRM. It may collapse under its own weight.

    Way two: Write your congress critter. Write a letter on real paper and put a real stamp on it. Get your buddies to do the same. Congress critters understand votes and will bend before the will of the people if they think they are in danger of losing the next election.

    Way three: Ignore the mainstream media. There are lots of bands giving their stuff away for free on their web sites. Some of them are awesome. Support groups like the Barenaked Ladies who are campaigning against DRM and stupid copyright laws. If you insist on going to blockbuster movies and buying Britney Spears music, you are supporting the RIAA and MPAA, both of which are evil.

    1. Re:Several ways by init100 · · Score: 1

      Way three: Ignore the mainstream media. There are lots of bands giving their stuff away for free on their web sites. Some of them are awesome. Support groups like the Barenaked Ladies who are campaigning against DRM and stupid copyright laws. If you insist on going to blockbuster movies and buying Britney Spears music, you are supporting the RIAA and MPAA, both of which are evil.

      Actually, one of the larger Swedish online music stores, CDON.com, has recently set up a section of its website selling unprotected MP3 files, and not only from unknown artists, several mainstream ones are available too. This happened because of customer demand of DRM-free music. Note that they don't sell MP3 versions of RIAA-controlled (american, that is) music yet, but they claim that this might happen in just a few months.

      I can just say that I really appreciate this initiative.

    2. Re:Several ways by suckmysav · · Score: 1

      Way one: Fight it with your wallet. Don't buy DRM laden crap.

      Agreed.

      Way two: Write your congress critter.

      Doesn't work for non-U.S. citizens, unlikey to work for actual U.S. citizens either.

      Way three: Ignore the mainstream media.

      Totally unrealistic. While I certainly cannot comprehend the attraction people have
      towards Justin Timberlake, it is totally unreasonable to expect people to follow
      different performers in order to make a political statement.

      Way Four: Let China save us from our own capitalist overlords. What people in the
      DRM debate a failing to recognise is that there is absolutely no way in
      "The Hell Of Being Cut to Pieces"
      that the Chinese are going to allow themselves to be dictated to by the likes of
      apple and Microsoft. Don't forget all this crap has "Made In China" stamped all
      over it. You can bet your bottom dollar that they will make hardware that has no
      built-in DRM that is capable of running Linux perfectly well.

      In fact they are already doing it

      --
      "You can't fight in here, this is the war room!"
  43. Enough by Dion · · Score: 1

    When DRM stops the articles stop

    --
    -- To dream a dream is grand, but to live it is divine. -- Leto ][
  44. Piracy will fail on its own by Anonymous Coward · · Score: 0

    "DRM will fail on its own, because it is anti-consumer"

    And piracy is pro-business?

    "...and impossible (cryptographically speaking) to implement securely."

    Debatable, but it is an issue of man-in-the middle attacks on the keys.

    ---
    "Slashdot requires you to wait between each successful posting of a comment to allow everyone a fair chance at posting a comment."

    And as you can see PRM doesn't work, but that's not stopping Taco.

    1. Re:Piracy will fail on its own by bmo · · Score: 1

      >>DRM will fail on its own, because it is anti-consumer

      >>>And piracy is pro-business?

      False dichotomy alert! Diving stations! Woop! woop!

      DRM doesn't prevent piracy, as witnessed by all the movies you can download. It only screws people who play by the rules, i.e., the customers who actually fork over money.

      --
      BMO

    2. Re:Piracy will fail on its own by nightfire-unique · · Score: 1

      And piracy is pro-business?

      Whether piracy is pro-business or not is a non-issue; the statement "DRM is anti-consumer" stands on its own.

      Whether DRM by its current definition is or is not impossible to implement securely is roughly as debatable as whether or not evolution is a scientific theory. You're welcome to have the debate, but those in the know will likely not join it.

      --
      A government is a body of people notably ungoverned - AC
    3. Re:Piracy will fail on its own by Anonymous Coward · · Score: 0

      "Whether piracy is pro-business or not is a non-issue; the statement "DRM is anti-consumer" stands on its own."

      Only for those unable to see beyound their positions.

      "You're welcome to have the debate, but those in the know will likely not join it."

      Those "in the know" aren't here.

  45. HDMI as attack vector by kherr · · Score: 1

    I'll grant that HDCP is the problem, but it seems HDMI is the preferred vector chosen to distribute HDCP. While also doable over DVI, I don't see many products going into the marketplace with HDCP-encumbered DVI. But avoid that too. Since HDCP has to be licensed, hopefully HDCP infection is labeled. But to be safe I'm sticking with component video for HDTV.

    1. Re:HDMI as attack vector by aquabat · · Score: 2, Interesting
      But to be safe I'm sticking with component video for HDTV

      Remember, though, that the HDCP standard places the authentication responsibility on the transmitting device. A transmitter is not supposed to send the data stream to a receiver until it authenticates the receiver. Receivers, on the other hand, are not required to authenticate transmitters before accepting a data stream.

      As long as the authentication is transmitter initiated, I don't need to care about it when I'm shopping for a new TV, because I can just get a DVI->HDMI adaptor and use it as a big-ass computer monitor.

      --
      A republic cannot succeed till it contains a certain body of men imbued with the principles of justice and honour.
    2. Re:HDMI as attack vector by Bert64 · · Score: 1

      Well, we already have many un-crippled DVI devices... If someone were to introduce an inferior DVI device nowadays, people wouldn't buy it. HDMI on the other hand, being new, people aren't used to what it's capable of and therefore won't consider an HDCP crippled device to be inferior.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
  46. Boring. by Threni · · Score: 1

    Some musicians, for instance, such as Negativland, don't rely on copyright to protect their income. Their music is available for free. You can buy it if you like - they also sell other merchandise. But suppose DRM was everywhere. How does this affect their freedom to distribute their stuff unencumbered with DRM? It won't. If a company decides to employ DRM then you're free to avoid buying it. It's just another choice.

    1. Re:Boring. by init100 · · Score: 1

      But suppose DRM was everywhere. How does this affect their freedom to distribute their stuff unencumbered with DRM? It won't.

      Sorry, but you are just plain wrong. Exhibit A is the Zune. Any song transmitted to another Zune using the wireless connectivity will be wrapped in a DRM container that only allows a maximum of three playbacks. It will also expire the song after three days, regardless of whether it has been played at all. This not only happens to already DRM-restricted songs, but also to unrestricted content that you produced yourself or is distributed under e.g. a Creative Commons license. Some CC licenses do not allow any additional restrictions being applied to the content, but the Zune does this anyway, effectively violating the CC license.

  47. What's next? Trusted Thinking? by melikamp · · Score: 1

    In related news, Dialog Solutions, Inc., released a report stating that "the market of interpersonal conversations requires stronger Analog Rights Management protections". Dialog Solutions aspires to be the world's leader in producing professional quality dialogs, polylogs, and solitary musings which can be used for both commercial and entertainment purposes.

    The demand for their products, however, has been allegedly hurt by the rampant piracy. "What is to stop people from taking the fruits of our hard work and using it in their private conversations?" said Gill Bates, the chief of marketing, "Without any kind of copy protection in place, anyone is free to talk about anything they want with their collegues and friends without paying us a dime. Not only it hurts our bottom line, but it also lowers the overall quality of conversations."

    The report goes on to further indicate that without an effective copy protection scheme the culture and society as we know it might come to an abrupt end. "If no one can benefit financially from producing a conversation, then who is going to talk?", it states, "It may seem that the economy is thriving in spite of the conversation piracy, but in fact the pirates are only re-using the intellectual property of others. If the content creators cannot get paid, then the primary source of conversations will dry out."

    In order to combat piracy and recover the slipping-away market, Dialog Solutions proposed to implement the system of Analog Rights Management along with the Trusted Thinking Platform. This technology would allow the interlocutor to be absolutely certain that he or she is always using genuine, properly licensed dialog lines, while at the same time ensuring that the content creators are receiving their due payments. To thwart piracy, the Trusted Thinking Platform would have to be implemented somewhere in between the memory region and the speech apparatus, in order to authenticate everything that's coming out a person's mouth and to ascertain that the user has a proper license for the spoken content.

  48. What's plan B? by miletus · · Score: 2, Interesting

    I'm assuming that DRM laws will increasingly require hardware manufacturers to build DRM into all hardware, so that upgrades will lock us into copy protection and proprietary, closed systems.

    So will any manufacturers step up to the plate and start producing hardware that complies with the letter of the law but that's easy for the skilled user to circumvent? Say by doing a firmware update to the BIOS or something.

    Alternatively, maybe some countries that don't sign onto DRM treaties (think Russia and AllofMP3.com) can become the source for more expensive but freer hardware?

    1. Re:What's plan B? by nick.ian.k · · Score: 1

      So will any manufacturers step up to the plate and start producing hardware that complies with the letter of the law but that's easy for the skilled user to circumvent? Say by doing a firmware update to the BIOS or something.

      The problem is that said "skilled user" still might be violating the law. Which is fine if one doesn't get caught, but then, why should that sort of jeopardy present itself in the first place? A user should not be treated like a criminal or a small dumb child.

  49. DRM is the least of our problems. by Jartan · · Score: 1

    I think it's a mistake to position the fight as "anti-drm". It's confusing the issue. Non-geeks don't really care because they believe any DRM someone cooks up will get cracked.

    In addition drm is the least evil thing about trusted computing. If the only thing trusted computing did was provide DRM to music and movies then it wouldn't be quite so dangerous. We need to concentrate on the other aspects of trusted computing.

    Also we need to stop saying stuff like "vote with your wallet". Obviously you should do that but the whole problem with illegal monopolies is they sometimes remove the ability to vote with your wallet. If voting with your wallet worked to solve such extremely dangerous problems the microsoft word format would of been opened up long ago. It's time to face facts that the soap box isn't going to work on this one.

    The US also lacks a proper party system to solve this problem through political means. Because the US controls the worlds IP laws through the hegemony known as the WTO everyone is going to get screwed. It might be time to start discussing other measures like a world wide effort to attack other sources of the problem (like the WTO) to drive it all out at the roots.

    1. Re:DRM is the least of our problems. by Watson+Ladd · · Score: 1

      Antiglobalization has been around for years. Also, I think the Trusted Computing Platform is a good thing overall. It lets me prevent an OS hole from opening up my files. It doesn't help DRM that much. It lets me avoid keyloggers. It works on all platforms. The issue is that micrsoft is trying to confuse it with NGSCB/Palladium, which is evil. Look at this site from IBM for more information.

      --
      Inventions have long since reached their limit, and I see no hope for further development.-- Frontinus, 1st cent. AD
  50. This isn't about post-DRM. by Anonymous Coward · · Score: 0

    "As someone who makes a living from copyright, I am quite worried by DRM, because I see a significant potential for backlash against copyright holders when the public realises that we are not keeping up our end of the bargain."

    Two questions.

    Were you holding up your end before DRM?

    Was the public holding up their end before DRM?

    There's a chicken and egg in there somewhere, and one of these days someone is going to be ballsy enough to admit to it.

  51. Remember DiVX? by Blancmange · · Score: 2, Informative

    Obviously you've never tried to use one of the new Sony Handycam thingys. Its DRM makes it impossible to edit movies you create with your own camera unless you're willing to put up with the DRM enforced degradation.

    You can no longer buy a DVD player that plays DiVX files. It seems that the MPAA has decided that any free high quality format means 'piracy'. You could in principle release DRM-enabled stuff that just happens to be tagged with no restrictions, but that could be very, very expensive.

    The idea that DRM-equipped devices will permit the unrestricted playback of stuff not marked as restricted is a myth.

    --
    Blancmange
    1. Re:Remember DiVX? by Threni · · Score: 1

      > Obviously you've never tried to use one of the new Sony Handycam thingys. Its DRM makes it impossible to edit movies you create
      > with your own camera unless you're willing to put up with the DRM enforced degradation.

      I've got one. Editing them is for nerds and wannabe directors. I just want to record video, like I do with my phone, only with higher quality. The little 8cm DVDs are cool, and I can copy them no problem using DVD Shrink/DVD Decryptor.

      > You can no longer buy a DVD player that plays DiVX files.

      Completely untrue:

      http://www.amazon.co.uk/Samsung-DVD-HD860-XEU-Mult i-region-Upscaling/dp/B000F4PF2O/sr=8-1/qid=117002 1384/ref=pd_ka_1/026-5048211-8322812?ie=UTF8&s=ele ctronics

      > You could in principle release DRM-enabled stuff that just happens to be tagged with no restrictions, but that could be very, very
      > expensive.

      Pure speculation, your honour. Current generation DVD players have to (legally) be unlocked, or unlockable, in some parts of the world - in others, no attempt to restrict their availability would succeed due to this or that treaty or law.

    2. Re:Remember DiVX? by Blancmange · · Score: 1

      >> Obviously you've never tried to use one of the new Sony Handycam thingys. Its DRM makes it
      >> impossible to edit movies you create with your own camera unless you're willing to put up
      >> with the DRM enforced degradation.
      >
      > I've got one. Editing them is for nerds and wannabe directors.

      Nonsense. Both video and still photos require editing. With stills, the editing is done by excluding the crap photos from collection you show to other people and sometimes a bit of cropping. With video, throwing away half the footage in order to produce a worthwhile clip is not uncommon. Subjecting people to unedited video and/or holiday snaps is just... horridible.

      Anyway, you don't seem at all phased by the artificial restriction placed on the video camera that makes editing futile. Would you be happy with a phone that muffles the voices of people calling from Tasmania?

      >> You can no longer buy a DVD player that plays DiVX files.
      >
      > Completely untrue:
      >
      > [link to Samsung-DVD-HD860]

      Ooooh nice! I stand corrected on that point.

      >> You could in principle release DRM-enabled stuff that just happens to be tagged with no
      >> restrictions, but that could be very, very expensive.
      >
      > Pure speculation, your honour. Current generation DVD players have to (legally) be
      > unlocked, or unlockable, in some parts of the world - in others, no attempt to restrict
      > their availability would succeed due to this or that treaty or law.

      I'm not talking about the consumer's ability to buy and view/play stuff without having their appliances demand an oath of fealty and a demonstration of brand loyalty. I'm talking about the feasibility of creative types to release stuff for free when they want to.

      If we get to the stage where the ability to play stuff in free formats are forbidden through technological means and the cost of mere certification is prohibitively expensive for anyone but the likes of giant record companies, we have a real problem: Only the richest would be permitted to create and distribute stuff.

      --
      Blancmange
  52. Two upcoming teachable moments by senahj · · Score: 2, Insightful


    On Feb 17, 2009, US broadcasters are scheduled to abandon analog TV.
    There will be, I think, an enormous howl as people realize that
    they've been had -- particularly in rural areas, where cable is
    not available.

        [ the Feb 2007 issue of Scientific American has an
            article about this transition; unfortunately, I
            cannot find in it any reference at all to DRM or HDCP
            or the broadcast flag ]

    Sometime after that date, "they" will flip the bit
    that enables enforcement of the Broadcast Flag.
    Again, I think that this will provoke consumer outrage and rebellion.

    But I am often disappointed when I expect to be able to distinguish
    between US consumers and sheep.

    --
    Wait a minute. Didn't I say that on the other side of the record? I'd better check ...
    1. Re:Two upcoming teachable moments by westlake · · Score: 1
      On Feb 17, 2009, US broadcasters are scheduled to abandon analog TV. There will be, I think, an enormous howl as people realize that they've been had -- particularly in rural areas, where cable is not available.

      The rural market began migrating to satellite TV when satellite TV meant installing a Big Ugly Dish to replace that Big Ugly Tower.

    2. Re:Two upcoming teachable moments by the+eric+conspiracy · · Score: 1

      People in rural areas either get broadcast or satellite TV, both of which already support digital. What the howl will be is from people with 15 year old analog TVs who will need to replace them.

    3. Re:Two upcoming teachable moments by oDDmON+oUT · · Score: 1

      A big ugly howl should come when the American (shrinking) middle class realizes that they were tapped for the $'s to provide the converters for the unwashed masses to continue receiving their dose of corporate shillage.

      This whole forced march to HD-TV is a farce.

      For decades media companies resisted migrating to technology that European and Asian markets already enjoyed, due to cost. It was only after the the meme of "consumer as continual revenue stream" took hold, coupled with a wholly sold-out political climate, that *any* of this shite became more than a marketer wet dream.

      --
      Some days it's just not worth
      chewing through my restraints.
  53. Really? Sounds worse than I thought... by Rob+Simpson · · Score: 2, Interesting
    From the comments in the link:

    "If you have DVI or HDMI without HDCP (ICT set or not), you don't get any video output. You must use an analog connection at this point. You can either use VGA or Component."

    Great, so I get to switch my monitor to an inferior connection. Good luck if your video card and monitor don't both have VGA.

    1. Re:Really? Sounds worse than I thought... by Anonymous Coward · · Score: 0

      Actually, VGA or Component are not the "inferior" connection.  I put them on large monitors at 1600x1200 and can see the difference between one pixel to the next.  Crisp, sharp, clear.  Even over cables longer than 10 metres.  Meanwhile, I've heard reports that says digital signals degrade significantly...the reason is clear, because analog signals degrade gracefully and gradually, while a single bit degradation in a Digital signal can be globally destructive.  That's why digital signal transfers at lengths longer than around 7 metres need repeaters.

      It just goes to demonstrate that DVI or HDMI is better only theoretically but not practically.
      Why was it invented?  I guess - mostly for the purpose of carrying out HDCP.

  54. The fault, dear Brutus, is not the iPod but iTunes by internic · · Score: 3, Insightful

    Dragging files to arbitrary directories is not condusive to indexing as the iPod would then have to store file names up to 255 characters and do all the indexing itself instead of the host computer. A 2GHz PC can do the indexing and file organization a lot faster than an 80MHz iPod.

    My Sansa e260 does exactly this with no problem. The indexing doesn't even take long. Now, granted, my player only has 4GB of flash memory (expandable), so this doesn't necessarily apply to the HD-based iPods, but it does seem to suggest the Nanos could do the same. Given that an equivalent iPod nano costs considerably more than the Sansa, I'd guess it would have all least comparable system resources.

    More generally, though, I agree that the lack of drag and drop doesn't mean the iPod is defective by design. It doesn't really even have to do with the iPod (beyond the fact that the iPod indexes songs). What is shows is that iTunes is defective by design.

    --
    "You call it a new way of thinking; I call it regression to ignorance!" -- Operation Ivy
  55. Re:Create something yourself & distribute as y by zotz · · Score: 2, Insightful

    "All the people complaining about DRM should actually DO something"

    DONE.

    Sayings - Deterred Bahamian Novel - http://www.ourmedia.org/node/262954

    Tings - Anuddah Bahamian Novel - http://www.ourmedia.org/node/85937 &
    http://www.ourmedia.org/node/111123

    drew Roberts's Storefront - Lulu.com - http://www.lulu.com/zotz

    Some tings for you from zotz : CafePress.com - http://www.cafepress.com/zotz

    Now for some other stuff of mine:

    http://www.youtube.com/results?search_query=zotzbr o&search=Search
    http://www.archive.org/search.php?query=(creator%3 A%22drew%20Roberts%22)%20OR%20(collection%3A(ourme dia)%20AND%20%2Fmetadata%2Fauthor%3A(drew%20Robert s))
    http://code.google.com/p/drsoundwall/
    http://www.ourmedia.org/user/17145
    http://musicians.opensrc.org/DrewRoberts
    https://sourceforge.net/projects/zbcw

    I am not the only one doing such things either. For instance:

    http://ccmixter.org/media/tags/attribution

    "so CREATE something yourself and see how it works voluntarily instead of forcing authors to agree with your politics."

    Ah, I am not the one running to get copyright laws amended over and over. Retroactively. There was a legal (lopitical?) agreement made with the public, but it wasn't good enough for some. They wanted to change the agreement. Now it is wrong for others to change it back to something more like it was? Or even completely different?

    Seems some people are trying to force us into new "agreements." Why should we not fight back?

    all the best,

    drew

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  56. Re:Another omission for "Slashdot's favored monopo by Zerathdune · · Score: 1

    Apple has always been the tech industry's most brutal and totalitarian monopoly, and moreso today than at anytime in the past.

    Apple never was a monopoly at anytime in the past, and it's debatable that they have one with the ipod now, But I'll not give them a free pass. I suspect that if they were in MS's position, they would be far worse. Still, you'll find plenty of complaints on here about how apple is using their mp3 player market share to keep others out of the online music retail business. There was an article about an anti-trust suit in Norway because of it just a day or two ago.

    Slashdot used to whine about the instability of Windows... so Windows became incredibly stable.

    I think 'incredibly stable' is a huge exaggeration, but I'll give you that 2k and XP are much better.

    so Windows and IE became the most secure products available.

    I stopped and stared in awe at this comment for a solid 30 seconds before I was able to finish reading your post. When you make exaggerations like this, You lose every last inch of credibility you have. If running an OS without some specific 3rd party software, is as bad an idea as anyone in the tech industry will tell you it is in this case, "The most secure product available" is absurd at best.

    --
    No single raindrop believes that it is responsible for the storm.
  57. Fight DRM While There's Still Time by infiniphonic · · Score: 1

    DRM - Any technology used to limit the use of software, music, movies or other digital data.

    Digital Rights Management is a protection scheme implemented on order from digital content owners/creators to protect this content from unwanted copying and distribution.
    At some point, someone somewhere sometime had the idea for this type of protection for digital content, and said "make it so".
    Whether it is the company that creates the content or an ISV offering these protection schemes as products, they are applied to media that is then sold for profit or at the least distributed on media or through the 'tubes' .
    This content is in need of protection from unwanted uses.
    Users of this content want use as they wish i.e, television, computer, hand-held, what-have-you.
    Today, the DRM we have on different kinds of media make them clumsy objects to be used only in specific ways or on specific platforms.
    A couple of examples would be a PDF on Adobe Reader or a DVD by approved software or hardware.
    This system, and by guilt of association DRM'd content, is by nature flawed as it promotes difficulty in moving information between where it exists and points where it can be useful to someone.
    We need a more balanced DRM that can be used on all types of content to protect as well as allow use as the user sees fit.
    Mabey a small piece of code in a media file that states whether a given item is genuine or not.
    Not restricting use of the media but guaranteeing authenticity that the user has what they paid for.
    Something along these lines could go a long way to ease interoperability and promote digital media as something owned and used not the user getting used and pwned.
    If you could buy a movie and use it on all of your computers, consoles, and hand-held devices and it would never go away and you could get it again because there was a record of you owning particular rights to that movie in a certain format, wouldn't you be more likely to purchase this type of media?

    --
    Crisis is the rule, not the exception.
  58. This isn't about dishonesty. by Anonymous Coward · · Score: 0

    "No. Because it's out of my control. It neither picks my pocket nor breaks my leg. "

    If you're honest? It does. Piracy is a tax on the honest, not the content providers.

    "By the way, in case you hadn't noticed, at the apogee of Napster's popularity, CD sales were _also_ similarly good. And when Napster was sued out of existence, CD sales simultaneously fell.

    You figure it out."

    Correlation doesn't equal causation.

    1. Re:This isn't about dishonesty. by bmo · · Score: 1

      "If you're honest? It does. Piracy is a tax on the honest, not the content providers."

      What, exactly, do you expect I should do? Eh? Bomb Piratebay.se!?

      "Correlation doesn't equal causation."

      True, but it does give an insight sometimes. The record companies have recently figured out that their back catalog is now suddenly a gold mine. Tell me, where are the folks getting the idea that old music is good music? It ain't on the radio.

      --
      BMO

  59. ars technica post by Ken Fisher on the topic by 6350' · · Score: 3, Insightful
    This is probably an appropriate place to mention Ken Fisher's post on Ars Technica, where he opines on the topic. In a nutshell, he notes:

    DRM's sole purpose is to maximize revenues by minimizing your rights so that they can sell them back to you.
    http://arstechnica.com/news.ars/post/20070115-8616 .html
    1. Re:ars technica post by Ken Fisher on the topic by Anonymous Coward · · Score: 0

      Here's something else to think about. Can any content creator use this DRM scheme?

  60. Here here! Buy Cowon/iAudio instead of iPod by Anonymous Coward · · Score: 1, Interesting

    They support FLAC and OGG. Basically don't do DRM. And mount as removable storage instead of requiring bullshit applications. Works with all OS that support removable USB storage.

    iAudiophile.net fan site
    Cowon's US site

    I recommend the iAudio X5L. 35 hour batter life. 30gb storage.

    1. Re:Here here! Buy Cowon/iAudio instead of iPod by compm375 · · Score: 1

      I agree with you for the most part. I have an X5L and enjoy it a lot. What you say is slightly inaccurate though. The X5L will do PlaysForSure DRM with a firmware update and Cowon's newest mp3 players (iAudio 6, U3, T2, F2) already support it.

  61. The EFF is Fighting DRM and needs your help... by tijir · · Score: 2, Informative

    The Electronic Frontier Foundation has a couple of email campaigns set up to fight against DRM becoming law. http://action.eff.org/site/PageServer?pagename=ADV _homepage has a list of all their campaigns.

    The campaign for fighting against DRM is here http://action.eff.org/site/Advocacy?id=221
    The campaign for reforming the DMCA, which makes breaking DRM illegal, is here: http://action.eff.org/site/Advocacy?id=115

    Take the time and go send some emails. The MPAA and the RIAA believe their loss of sales is due to piracy not a boycott of their products. Voting with your wallet will not work.

  62. Collateral Damage by frogstar_robot · · Score: 2, Insightful

    Pervasive DRM will also facilitate the re-writing of history. After all, access to that embarrassing video clip can always be revoked. There is also the problem of evil chips ensuring that the only software that Bill Gates approves of will run on your machine. These and other undesirable outcomes will be all too possible once government and industry shoves it down our throats. Being able to see the latest teen idol is in no way an acceptable tradeoff for these losses.

    1. Re:Collateral Damage by IamTheRealMike · · Score: 1

      After all, access to that embarrassing video clip can always be revoked

      I'm not aware of any existing DRM systems that can revoke particular pieces of content, that is a pointless thing to be able to do. Key revocation is about disabling compromised players, not suppression of content.

      There is also the problem of evil chips ensuring that the only software that Bill Gates approves of will run on your machine.

      That is a gross distortion of the facts. There is no such "evil chip". The only thing you might be thinking of is the TPM, which is an open standard implemented by many vendors and in fact was supported by Linux before Windows. The TPM does not prevent you from running Linux. In its most "evil" usage, it simply prevents you from lying about the state of your machine. If you have to lie about what you're doing to convince people to give you their work, then that's your problem and possibly theirs, but it's certainly not the TPMs.

      Being able to see the latest teen idol is in no way an acceptable tradeoff for these losses.

      Who says the rest of the world agrees with you? There's a whole lot of people out there who buys stuff from the iTunes store despite the DRM. I myself buy stuff from it, because I can't get The Daily Show here in Switzerland and Jon Stewart makes me laugh. I guess you would look down your nose at this pop culture, but I don't really care, because I think it's fair that I pay Comedy Central a bit of cash and they give me half an hour of entertainment.

      I've also read the specs for the TPM, LaGrande and AACS so I am under no paranoid illusions about what they can or cannot force me to do. I'd recommend them, they are an interesting read even if you dislike the ideas.

    2. Re:Collateral Damage by frogstar_robot · · Score: 1

      That is a gross distortion of the facts. There is no such "evil chip". The only thing you might be thinking of is the TPM, which is an open standard implemented by many vendors and in fact was supported by Linux before Windows. The TPM does not prevent you from running Linux. In its most "evil" usage, it simply prevents you from lying about the state of your machine. If you have to lie about what you're doing to convince people to give you their work, then that's your problem and possibly theirs, but it's certainly not the TPMs.

      The TPM can certainly be used to accomplish this. TPM sign the bios and set the bios only to boot kernels and bootloaders with the appropriate signatures. After all, MS would never bully vendors and manufacturers into doing things their way to get OEM pricing. Past performance is a good predictor of future behaivor. MS is also specifying and encouraging vendors to obfuscate hardware as much as possible and encrypt buses. I don't believe for a second that their sole intent is to protect the xxAAs from the baaaaaaaaaaad pirates.
    3. Re:Collateral Damage by IamTheRealMike · · Score: 1

      No, the TPM can't do that, at least not according to the specs I've read. It can prove or disprove that you are running Windows to a remote party but it cannot prevent you from booting whatever you want on your hardware.

    4. Re:Collateral Damage by frogstar_robot · · Score: 1

      The TPM is hardware. The BIOS or other firmware is software. The hardware will do whatever it is told to do if it is within it's capabilities. Is anyone using TPM force Windows usage now? Not as far as I know although many shenanigans are played on embedded devices. And some of THOSE were played with GPLed software first. No wonder the FSF is pissed. Is there any reason in principle why it couldn't? No. Would MS try it or any level duplicity up to that if they thought for a second that the worst that could happen is a regulatory slap on the wrist? Does a bear shit in the woods?

      Now I actually like some of the possibilities of a TPM chip provided I truly own the one in my computer. I like the idea of signing my own system binaries and config files and using hardware enforcement to improve the security of my own system. I very much dislike the abuse of the English language that is Trusted Computing. The owner of the hardware is precisely the one who isn't trusted. Just call me a nasty old pirate but I insist on owning my own property and for any use made of that property to reflect my interests first.

  63. Difficult to explain to non-techies... by Grinin · · Score: 1

    Every time I meet with a client, I try to bring up a conversation about Windows vs Open Source technologies so I can explain why Windows Vista is the devils operating system. Often times I have to explain very technical things such as DRM to these people, and many of those times they still do not fully understand what is going on.

    I think this article is a great read as it explains everything in detail and why it is important for us to fight this DRM madness. Unfortunately I'm not sure what exactly we could do to stop the DRM machine. I mean, consumers will be consumers and they will buy the latest gadgets and software if they see it says "New and Improved" regardless of its actual functionality and possible improvements.

    I'm going to link my site to this article, as well as forward it to all of my clients because this is very important to everyone.

    1. Re:Difficult to explain to non-techies... by ksd1337 · · Score: 1
      Every time I meet with a client, I try to bring up a conversation about Windows vs Open Source technologies so I can explain why Windows Vista is the devils operating system.

      I thought BSD was the devil's operating system.

    2. Re:Difficult to explain to non-techies... by Grinin · · Score: 1

      hhahaha.... though their logo is the lil Daemon, its one of my favorite operating systems ever.

      I use FreeBSD whenever possible :D

  64. Not Simple but Right. by twitter · · Score: 1

    Don't buy stuff with DRM. I can do it, i did it so far. But i doubt more than 20% of people who yap against DRM will stay away from it.

    So, you don't watch DVDs? That might be good for you, but you are missing out on a diminishing but still significant part of your own culture. Avoiding DRM is hard and becoming harder. Blaming people who don't have real choices is counter productive.

    Instead of making the false choice between your freedom and participating in your culture, we need to change the laws that force that choice. The whole point of copyright was to encourage science and the arts so that they would be enjoyed by as many people as possible. Current copyright and patent laws are an abomination and achieve exactly the opposite. Patent law is discouraging innovation and disclosure. Copyright law has kept almost all recorded media out of the public domain and serves only a few large publishers. That needs to change.

    It is a little easier, right now, to fight the newer schemes but it's going to get harder. The high definition format wars throws real cold water on purchases. Who wants to buy a $5,000 TV that won't work they way you expect it to? The problem is DRM and it won't go away with the current format war because there can always be a new format and the makers can now remove the keys for the old one. As the price of those TVs drop and the situation starts to look like DVD vrs VCR, it will be harder to convince people not to buy the new junk.

    The flip side to not buying DRM'd crap is buying and promoting stuff that respects you. Give away free software and live GNU/Linux CDs. Buy Creative Commons work, give money to the free software foundation and buy Linux games, purchase Star Wreck t-shirts. Sing dance and have fun. Eventually, laws follow popular opinion.

    --

    Friends don't help friends install M$ junk.

    1. Re:Not Simple but Right. by Anonymous Coward · · Score: 0

      No. I download all of my movies online. I also watch them in the theaters for $9 a pop, so there. Fuck DVD DRM.

    2. Re:Not Simple but Right. by someone1234 · · Score: 1

      1. I sometimes watch pirated DVD (or downloaded stuff). 2. I am not a USA citizen, so I wouldn't miss my OWN culture. And to be honest, i don't miss Hollywood either. 3. I don't blame people, i'm just realistic. I know many people cannot live without spoon fed by Hollywood stuff. Luckily i'm not one.

      --
      Patents Drive Free Software as Hurricanes Drive Construction Industry
  65. God I really hate... by Eric+Damron · · Score: 1

    I really hate defeatism attitudes like shown in the parent post.

    "Oh, corporations are too powerful don't bother fighting them." , "Oh Microsoft is too powerful, just accept the fact that they will bully the tech industry forever.", "Oh we all know that there were shenanigans played in the last few elections but that's just the way politics is so fuck off and just accept your corrupt overlords"

    Maybe the parent poster is satisfied with just rolling over and playing dead but God damn it, I for one may go down but I'll go down swinging!

    --
    The race isn't always to the swift... but that's the way to bet!
    1. Re:God I really hate... by P(0)(!P(k)+P(k+1)) · · Score: 1

      Maybe the parent poster is satisfied with just rolling over and playing dead . . . .

      Not defeatism, but realism; most change that happens within big corps happens from the inside. If change happens from without, it's the result of a great deal of concerted violence (read: legal, governmental or mercantile force).

      If you can amass a force-vector comparable in magnitude to government, go ahead; if not, your best bet as an atomized consumer may be to work from within.

    2. Re:God I really hate... by Curunir_wolf · · Score: 1
      I don't think it was defeatism so much as a dose of reality. DRM will enter the corporate workplace because those corporations need to protect their interests. And DRM will help them do that by controlling access to information, sometimes even to comply with federal mandates. If you are able to send a memo and ensure that *only* those people that should see will be able to read it, that provides better security for your trade secrets. And if you can prove that Joe Executive never saw that memo, then that suspicious exercise of stock options will look a little more coincidental.

      It also helps you to maintain privacy for your customers - something they will appreciate. "oh, look, this set of files has sensitive information in it. Let's add it to the Rights Management System." Now there is less chance of those customers being victims of identity theft.

      Any time you are creating and maintaining documents or files with any kind of sensitive information, being able to specify who can view it makes a lot of sense - especially when that information needs to be disseminated through email or the corporate portal/intranet/extranet, etc.

      Now when somebody points this out in a meeting with a few suits around, who is going to stand up and say "Dude, but DRM is bad, man, cause it's just the Man trying to stick it to you." ?? Do you think it's going to make a difference? You might as well recommend getting rid of SSL on the e-commerce site, or resetting all the passwords to "password" so everybody can share files more easily.

      --
      "Somebody has to do something. It's just incredibly pathetic it has to be us."
      --- Jerry Garcia
  66. patents, not DRM by bcrowell · · Score: 1

    IMO, the more significant problem is software patents, not DRM. In the case of audio, DRM is also extremely vulnerable to the analog hole; people have speculated that there may be ways to plug the analog hole, but in reality nobody's come up with any way to do it that isn't trivial to circumvent. So far, DRM seems to have been a self-limiting problem. For example, when book publishers first started experimenting with selling electronic books, they screwed up in a variety of ways. Two of their screw-ups were high prices and DRM. Guess what? Nobody bought their electronic books, so the publishers had to go back and rethink their approach. The same seems to be happening with DRM'd CDs: some music labels that tried it have decided that it didn't work very well, and are no longer going to do it. There's a whole process of economic feedback that tends to discourage extreme positions. The music labels are unhappy with Apple's DRM because it's too light, and slashdotters are unhappy because it's too heavy. If both sides are equally unhappy, maybe that shows that Apple made a reasonably intelligent decision.

    But all of that depends on the logic of the marketplace, which is totally absent when it comes to software patents. Software patents are a government-imposed monopoly. How much good does it do you to have DRM-free audio and video when you can't get the codecs legally? For the vast majority of the population, which already thinks OSS is too hard, what's the response going to be when they're told that they have to download their codecs from an overseas server, because it's illegal for anyone in the U.S. to redistribute them freely? They're simply going to say, "No thanks, I don't want Linux on my desktop if I have to walk over hot coals in order to watch videos on you-tube."

  67. Fragility by Anonymous Coward · · Score: 0

    It's about fragility. Do you like the stuff which you buy to be intentionally made breakable? You, your children, and history might not be able to read, hear, or view stuff which breaks easily. You'll have to be extra careful to not get an incompatible player, cables, viewer, and anything else which the protection device might be sensitive to. The player's processor has to be more powerful than otherwise because it has to do decoding rather than just playing the data. If dust, power flux, aging components or slowing motors weaken the data processing then the DRM might be triggered and you can't use your stuff.

  68. DRM story by LesPaul75 · · Score: 3, Interesting

    A good friend was just telling me a story about DRM that I found kind of funny. He's loaded, and loves electronics. Who doesn't?

    This is a list of stuff that he's bought over the last year or so.
    - A really nice "Brillian" HDTV ($10000)
    - A PS3 ($600)
    - A really high-end Sony digital camcorder that records 1080p ($2500?)
    - A really, REALLY high-end Sony laptop that can burn Blu-ray movies ($5000)
    - A de-interlacer ($3000)

    Ok, so he has all this stuff, and he's excited to start recording 1080p content with his camcorder and burning it to Blu-ray disks, and then watching it on his top-of-the-line entertainment system. Every piece of his setup is among the best you can get, and it all supports 1080p. So he records some stuff, finds burns it to disk, and can't get it to play. I talked to him about his setup several times over the course of a couple of weeks... There were so many roadblocks that he ran into, and every single one was because of DRM. It was comical.

    The PS3 refused to even play the disks because they appeared to be pirated. This has come up quite a bit in various Blu-ray forums. So he found a workaround for this, but it sucks because you have to use this "special" format that doesn't allow your movies to have menus. Ok, so he burns another disk with the crappy no-menu format, and the PS3 still refuses to play it. Turns out the PS3 can't "authenticate" the TV over HDMI, so it won't output anything in 1080p. So he has to deal with Brillian on the phone to get a firmware update. He finally gets that, and tries again. Still won't play. Now, the PS3 says it can't authenticate the de-interlacer box. So, he still hasn't found a fix for that, but he can finally watch his movies as long as he plugs the PS3 directly into the TV, AND, burns his movies in the special format with no menus.

    The net result is that his movies can't have menus, his $3000 de-interlacer is collecting dust, but after two weeks of debugging and tech support calls and firmware upgrades, his $20000 worth of equipment will actually allow him to record and watch movies. Makes you think back to the good old days, when you recorded something onto a VHS tape and stuck it in the VCR.

    1. Re:DRM story by the+eric+conspiracy · · Score: 1

      So why does he need a deinterlacer if he is outputting the movies in 1080p? All the deinterlacer can do is bugger things up (which appears to be the case here).

    2. Re:DRM story by tijir · · Score: 1

      What makes this story worse is all the equipment is Sony (except the TV) and should work together easily. Shouldn't Sony's own DRM recognize that he is burning a legit copy of the movie? Oh wait, this is DRM we are talking about, he has no right to burn commercial content, hence the name Digital Rights Management. Sony is the bottom of the line when it comes to fair use. Case in point, remember the rootkits they installed on your system when you ripped a CD from BMG/Sony music?

    3. Re:DRM story by LesPaul75 · · Score: 1

      Yeah, good point... He just has his setup arranged so that all of his inputs go into the de-interlacer, whether they're 1080p or not. It just makes things easier, so he never has to deal with switching inputs on the TV. But you'd think that 1080p-input to 1080p-output would be just a passthrough.

  69. A number of things annoying me by Anonymous Coward · · Score: 0

    1. The public does not care about DRM
        In Government class, we were told to write about a paper about a controversial topic. We were given a list of subjects to write about and DRM was not on there. If we were to write about something not on the list, we could get special permission. I asked to write about DRM, but the teacher said nobody cared and if I prove him wrong I could write about it. So I gave him proof, but I wasn't allowed to write about it still because it "wasn't worth talking about."

    2. People keep referring to MP3's as THE open standard.
        What ever happened to OGG Vorbis? Isn't that the real open standard? Have you ever found a DRM'd OGG Vorbis song.

    3. Not very many of us are even doing anything about it.
        Don't just boycott. Preach about it somewhere other than Slashdot. Chances are, if you read /. then you already know about DRM. E-mail, advertise on TV, join defective by design, do something other than just read. Tell your friends about it. Get their friends to tell about it.

  70. DRM can't work though by scwizard · · Score: 1

    A technical solution to piracy cannot exist, short of giving up complete and total control of your PC to the content publishers.
    DRM would be wonderful if it deterred piracy just one bit. However the truth is that DRM encourages piracy. I didn't start pirating music until I wanted to switch to another music player and found I'd been locked in.
    The principle of DRM doesn't matter because perfect DRM is impossible. It's time people just fucking realized that copyright is a stupid concept to begin with. You can create information, but you can't control it and trying to is simply destructive.
    --
    ~= scwizard =~
  71. Not at all... by Eric+Damron · · Score: 1

    "If change happens from without, it's the result of a great deal of concerted violence (read: legal, governmental or mercantile force)."

    Not really. The heads of corporations are people too. They can shamed into doing the right things. You might be amazed at how effective a well organized protest campaign can be.

    --
    The race isn't always to the swift... but that's the way to bet!
    1. Re:Not at all... by drsmithy · · Score: 1

      Not really. The heads of corporations are people too. They can shamed into doing the right things. You might be amazed at how effective a well organized protest campaign can be.

      However, you need a better principle than "we want stuff for free", which is unquestionably how any anti-DRM protests would be presented as.

    2. Re:Not at all... by heinousjay · · Score: 1

      It's not about getting stuff for free, it's about giving it away to other people for free. Jeez, get it right.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    3. Re:Not at all... by Anonymous Coward · · Score: 0

      Although we might try something new, how about "don't introduce any ill-thought out and illogical new 'failure points' into already shaky techonologies." But then, remember the web pre-ActiveX.

  72. ANd your proposal is? by nurb432 · · Score: 1

    How do you propose to 'fight' impending DRM?

    its not like consumers have much of a choice here when its being shoved down our throats by ALL sides, including the government.

    --
    ---- Booth was a patriot ----
    1. Re:ANd your proposal is? by neminem · · Score: 1

      Yeah, we do - just don't buy it. There're always free alternatives.

      Course, I suppose if I really wanted to support the laudable goal, I'd have to stop buying from iTunes, no matter how convenient it is (by which I mean, buying it and then immediately unDRMing it, sometimes still easier than finding a pre-unDRMed illegal copy). That and I just like buying legal music, as long as I can do with it whatever I want.

  73. and OSX? by danielk1982 · · Score: 3, Insightful

    Vista is getting (rightfully) a lot of bad press because of DRM, but where is OSX in this debate? As far as I can tell, Apple will be/and probably already is, going down the same route as Microsoft. OSX will support HDCP and the protected path from OS to video source, just like Vista. I think we should be a little fair here and burn them both?

  74. The real problem by Anonymous Coward · · Score: 0

    I think the problem is when the DRM comes out of the "protected" media and into the hardware / software that can copy it. This is something that is happening more and more, and it really bothers me.

  75. Fight DRM, Astroturf lobbying, and ... Slashdot by Dragon+Bait · · Score: 1

    Out of idle curiosity, if the astroturf ban(see Slashdot or Slashdot) had taken place, would this article on Fight DRM have caused Slashdot to have to register as a lobbyist?

    Note that this really isn't to pry into Slashdot's finances ... but if they are making over $25K a quarter then I'm sure some RIAA/MPAA lawyer would have had a field day.

  76. "If not DRM then what?" by kurttrail · · Score: 1

    When somebody can give me a sound, scalable, generic and implementable economic design for goods that cost money to build the first time but are free to copy from then on, I might start to protest against DRM, because I'd actually have an answer to the question of "If not DRM then what?". Until then I'll continue to argue the case for it, use it despite the inconvenience and who knows, maybe even implement it in future.

    If DRM actually stopped criminal piracy, then it would be great. But it doesn't, all it does is frustrate the actual paying customer.

    Why continue to support companies that use your hard earned money to develop totally useless technologies, that only screw you, the paying customer, not real pirates?

    Make a great product, people will buy it, and some will try to steal it.

    That's life in business. Don't want to deal with reality, get out of business. And all DRM is, is the Corporate Copyright Elite refusing to deal with reality.

    My solution, therefore, is to put the MAFIAA members, and their sycophants, into therapy, so that they can finally admit their problem. We, the people, aren't their sheep for them to rape any longer. Better find a business model that can thrive on selling songs for mere pennies. Cuz at a buck a song with DRM, the only fools you'll find to do that, are AppleFanBoys, who already enjoy getting raped by Jobs way too much.
  77. The way to fight something effectively... by petrus4 · · Score: 1

    ...is not to be anti what you don't want, but pro what you do.

    If you don't want people to adopt Vista, get involved with the Beryl or Compiz projects as one example, in order to give people a free alternative to Aero, which is one of Vista's main selling points.

    Another fantastic thing which we could integrate into existing Linux distros is OpenBFS. We could then tell people that Microsoft pulled WinFS because they weren't able to implement it after years of trying, whereas Linux has a db filesystem right now.

    If you don't want people to use Vista, simply telling them not to isn't going to work...you need to give them some alternative. If they see that Linux can do everything that Vista can, as well as being free, they'll use it. Freedom in itself can't be sold as the main point, because people won't care if the software doesn't do what they need...but if it does, they'll see freedom as a major bonus.

    In truth, the FSF did a lot more to effectively fight DRM back when they still gave a damn about the GNU project, IMHO. Nobody is going to win against DRM by fearmongering and making a lot of noise...we'll win against DRM by giving people a better tangible alternative that they can actually use to perform the tasks they need.

  78. My Proposal is to make it a sale, not a chain by 0x1b · · Score: 2, Insightful

    I'm just sayin' it is our system...

    Alienated consumers don't read

    At stake is the principle of the final sale. A vanishing virtue of our economy, it is an explicit separation of interests and obligations among those executing a transaction. In a less complex time, a purchase was a final sale and you were free to utilize your newly acquired asset as you saw fit. This rendered tremendous values from the engine of unintended consequences. Whole industries would never have come into existence if the transactional principles we increasingly enable today had been in fashion then. The poison that is acting to hobble our economy is the increasing substitution of the license for the sale.

    What you don't know makes us rich

    We need to re-engineer the transactional relationship given the tremendous leverage systems can give citizens. It also begs the question of what should constitute a transaction, and are we prepared to sacrifice the freedom and sheer economic wealth attributable to a sales finality for the unproductive tangle-foot of transaction by license? This is to invite the very definition of an economic depression.

    2 by 2

    It should be made a principle of our economy that each license must be the obvious result of an engaged negotiation. That any transaction lacking such a genesis is by definition a final sale. Evidence of the required genesis can be found in the portfolio of licenses an organization has given out. Any number of similar licenses beyond some small number* is evidence of a lack of good faith, a lack of engaged and unique negotiations, which reveals such transactions as final sales.

    The principle on which to build our future economic growth is that a license can only
    exist as the result of a negotiated transaction, while all others hew to the principle
    of the final sale. Irrespective of any words, signage, or protestations otherwise,
    a transaction that does not embody evidence of a preceding and unique negotiation
    is for all time and purpose a final sale.

    A license is a negotiated object by it's very nature.

    * serendipity can easily be avoided with a limit of no more than a score, and perhaps as few as a dozen undifferentiated agreements.

    Generosity

    This begs the question, what kind of transaction is a gift? Is a gift really a transaction? Must a gifted license exhibit an individually unique genesis or is this the proper locus for the shrink-wrap license? perhaps yes..

    as seen elsewhere

  79. To help identify DRM products by Salsaman · · Score: 1

    To help people identify and avoid Digitally Restricted products, many of them are now tagged on Amazon:

    Link

  80. already doing my part, are you? by Anonymous Coward · · Score: 1, Insightful

    i haven't bought a CD in almost 6 or 7 years, i completely stopped listening to commercial/copperate artists (with very few exceptions), the only music i download is alternative/indepedent/copyleft music, and trust me well worth my harddrive space and time, i use mostly opensource/freeware, and i am a strong believer in personal freedom, and opensource/free stuff, i use linux (ubuntu, puppy linux) and windows ocasionally (windows xp) i will not be buying vista, or anything from apple. oh yeah, i dont use p2p but i spread my knowledge (how to get free stuff/live frugal) like a virus.

    what are you doing?

  81. P.S. by kfg · · Score: 1

    . . .music. . .

    I did not this word; I said "files."

    KFG

  82. What a crock of bs by Orig_Club_Soda · · Score: 0

    Freedom!? Buy whatever you want. Dont buy it. Vote with your dollars. Monopoloy!? There are over 10 varieties and sources of DRM music. Just because you desire the most popular source does not grant you any rights. When you buy music you are paying for priviledge...

      When you buy a book, you bought the book, not the words on the pages. When you buy a CD, you bought the CD, not the digital code.

  83. Re:The fault, dear Brutus, is not the iPod but iTu by Blakey+Rat · · Score: 2

    No, only the iTunes Music Store. At best. And not even all of that.

    If you use iTunes to just store and organize your MP3s and AACs without ever buying anything, it's not "defective by design." If you use the Podcast feature, it's not "defective by design." If you go to the music store and download a free track, it's not "defective by design." (Sure, the free track has DRM, but you didn't pay for it.)

  84. Change from the "I give up" Down by Anonymous Coward · · Score: 0

    "As long there is value in artificial scarcity, DRM and its ilk (yes, copyrights, patents and every other government-sponsored legalistic chokehold on information) will thrive--and necessarily exist."

    Hehe. That's funny. That's the first time I've ever heard Britney Spears music called information. And for an icing you all complain that you don't have free and open access to her music.

    "If anyone "on the inside" sought to change these policies, they would be rightly seen as acting outside of their shareholder mandate and would be FIRED. (You could argue that such individuals could make convincing arguments that there is MORE shareholder value to be had by being open with information, but *any* initiative that appears as though it might impinge on future profits would quickly die a flaming death.)"

    Let me ask you point blank, Deskpoet. Have you ever tried? If not then why the hell are you telling us what's possible and what's impossible.

    1. Re:Change from the "I give up" Down by Anonymous Coward · · Score: 0

      Tell me, have you ever tried catching a bullet with your bare hands?

      Of course you haven't, because that's stupid. You observed prior experience viz. probable interactions between hands and bullets and built a hypothesis about future behaviour.

      In this case, Deskpoet has a hypothesis about probable corporate behaviour, i.e. the executive is legally bound to create profit and most shareholders don't care about long term planning.

      You can, of course, point to exceptions to the rule, but there's a reason why they're called exceptions. If society at large could trust corporations, we wouldn't need government, because the market would solve all problems.

      But we can't trust corporations with no reservations, and we can't trust government with no reservations, so we have both to encourage fair play on both sides.

  85. Re: Economic Theory in flux by TaoPhoenix · · Score: 1

    This looks like the right thread to dive into. Both posters above mean well, and have hit one of the central problems surrounding the whole media empire.

    Yes, in decades past, the artist had absolutely no way to reliably reach a national market, so they formed agreements with marketing companies. Slowly, the marketing companies pushed their leverage to the hilt, and popular buzz for the artist became "this is a grind, but the alternative was probably worse".

    Now we do indeed have a transformation from real scarcity to artificial scarcity. I know of the Baen Free Library. It probably has served its purpose. I think the grandparent post tried to explain that it takes *longer* for the cycle of benefits to circle around from a loss-leader free-as-in-beer model, than a direct cash transaction.

    Someone needs to find a devastating crystal clear replacement economic model that can be proven crisply to doubters. Then Artist Z can say "Look, I do this. My music is DRM free, because I have confidence that the exposure is worth more than the theoretically lost cash, and I made *more* than if I took a recording deal". *That's* when the big empires will begin to get the message.

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  86. Did anyone try reading the article? by pammon · · Score: 1
    'cause it's says some things that just ain't so. Let's take a look:

    "...the technological aspect is that DRM implies that the software, or even worse -- hardware -- should be manufactured not for the highest stability and performance, but rather for the best copyright protection possible.

    This is just wrong. The fact that a product implements DRM doesn't mean that DRM somehow becomes the Prime Directive and all other considerations are secondary. Does iTunes have the "best copyright protection possible?" No; there's plenty of known workarounds. (The point is just that - they're workarounds. They take work.) "Best possible" is unnecessary.

    Besides, every feature you add compromises stability and performance in some way. It does not follow from this that all features are bad.

    This means, that we -- the users -- are supposed to pay more money for a product that is defective (does not allow certain functionality for non-technical reasons)

    "Does not allow certain functionality for non-technical reasons" is NOT the definition of "defective." If software has a bug that breaks a feature, that's clearly a defect...but according to the author, that's not defective since software bugs are "technical" reasons?

    Look, in all other uses, a defect is when something works differently than intended. "Defective by design" is a rhetorical device, just like "trusted computing." Buy into both, or neither, but don't go using one while complaining about the other. That's hypocritical.

    "In the world of DRM, it turns that we cannot do whatever we want with the legally purchased products (like software, music, videos or text documents)."

    News flash - you can't do that TODAY with your legally purchased products. I can't buy a DVD and start charging crowds to come in and watch it. I can't make photocopies of that book I just bought and distribute it to all my friends. Those things are illegal. So you haven't lost the ability to do "whatever you want" unless you've been willing to break the law - and then why are you whining about DRM when you acknowledge later on that it's easy to get around?

    I'm not an apologist for DRM purveyors, but I have no patience for articles like this one.

  87. Renumber it how? by Anonymous Coward · · Score: 0

    The basic problem DRM tries to solve is really simple - we want professionals to produce high quality 'creative works' despite us having technology that can replicate such an item for zero cost.

    Perhaps, but that's not the problem I'm interested in having solved, or that the public is interested in having solved. That problem is that we want as many creative works created and published as possible, and that we also want just as much for those works to be available to everyone who wants them, without restriction, and for the least cost possible, if any.

    The quality issue is the problem that should be addressed.

    I don't care if someone is a professional or not. And since there's no objective measure of quality in the field of creative works, we can only try to encourage quantity. (Though there is a rule of thumb that only a small, fixed fraction of all works are good, so the way to get more good works is to have more works overall, so it all works out anyway)

    There doesn't need to be. Quality is an individual measure and it should be encouraged.

    So taking into consideration the actual problem, rather than what you'd like to distract us with, DRM is simply unacceptable. Here's why:

    A couple things here. First historically things were created in limited quantities because every creation was a one-of-a-kind. Second the patron system was simply a smaller pool of "customers" calling the shots. e.g. monarchies, businesses, churches, rich collectors. For those who weren't fortunate enough to fall into that system, there was the street performer. However that wasn't much better because one couldn't always depend on getting paid, let alone enough to live on. There's a reason the term "starving artist" came into being. And second the public benefit was a rather variable thing. The patrons could horde their "benefit", and the street performer beneficiaries themselves didn't always have the means to turn what the artists offered into something that trickled down to others. In other words they were in similiar economic circumstances as the artist, and had their own lives to lead. And last, yes there are non-economic motives to creating. But that's not the same as sharing with everyone else. Remember Davinci's cryptic notebooks.

    Since we want to get the greatest net public good, the answer is clear: no copyright is good, but not maximally good, and too much copyright is worse than none at all. The best thing is to have some, but not too much copyright.

    The artists is "public" too.

    DRM is an attempt to have permanent copyrights which are very very limited, and which are implemented privately so that the public and the government that exists to represent and support the public cannot do anything to impair it. Frankly, I regard DRM and those who support DRM to be evil little shits.

    I'm certain you do. And yes the government and public can. They just decided to take the easy way out. Now why should one favour an apathetic public and it's government, again?

    You are correct in that there is widespread casual piracy. You are dead wrong in assuming that this is bad. Copyright is only about the public good. The fact that artists make more (or at least, very slightly more) money in our third scenario above doesn't change the fact that it is the worst outcome of the three. Copyright does not exist and never has existed to benefit artists. It is there to benefit the public. If it happens to benefit artists, then that is merely a means to an end. If doing something that benefits the public more happens to benefit artists more, then that's great, and I'd support it. But if doing something that benefits the public more happens to benefit artists less, then that's equally as great, and I'd support it just as much. This is because I don't care about artists, I care about the public. Artists are clearly self-interested, which is why copyright can be an incentive to them; it appeals to their avarice. There's nothing wrong with the publ

    1. Re:Renumber it how? by cpt+kangarooski · · Score: 2, Insightful

      The quality issue is the problem that should be addressed. ... Quality is an individual measure and it should be encouraged.

      No, quality is a matter of subjective artistic judgment, and it's variable over time, as well. The government is in no position to say that one work is of higher quality than another; it's not something they're competent at doing, and in any case, who are they to judge? Part of the genius of the copyright system is that a copyright on its own is worthless. A copyright merely acts like a lens, concentrating the economic value of a work on the copyright holder, rather than letting it be diffused as it would be naturally. If the work is popular, the copyright will have value. If the work is unpopular, the copyright will not have value. Artistic judgments are left for the audience and the market to decide as a matter of popularity. Sure, you can be a snob and argue that it doesn't matter if a million people think a work is great art, if they're the 'wrong people,' but it's not as though a small minority with 'better' taste really has a right to tell everyone else who's right and who's wrong.

      So again, quality is a no-go. It can't be measured, it can't be encouraged (since there's no way to know if the encouragement is working), and it's dangerous since it leads us into unjustifiable elitism which has a bad track record anyway.

      We're left with quantity, which is easy to measure and easy to encourage and perfectly benign. And since it's neutral, if you increase the quantity of works, you get proportionately more good works along with the bad works, so any desire for better quality that's still somehow hanging on there will be satiated anyhow.

      First historically things were created in limited quantities because every creation was a one-of-a-kind.

      Things are still created in limited quantities, actually. This is because of a problem of finite resources. As for every copy being one of a kind, you're wrong. Even if you have to have a scribe copy a book by hand, you still end up with another copy. Ditto for songs and such. Your point is limited to things like paintings and sculptures, and you're actually wrong there too, since popular ones were copied commonly enough if there was demand for it.

      Second the patron system was simply a smaller pool of "customers" calling the shots. e.g. monarchies, businesses, churches, rich collectors. For those who weren't fortunate enough to fall into that system, there was the street performer. However that wasn't much better because one couldn't always depend on getting paid, let alone enough to live on. There's a reason the term "starving artist" came into being. And second the public benefit was a rather variable thing. The patrons could horde their "benefit", and the street performer beneficiaries themselves didn't always have the means to turn what the artists offered into something that trickled down to others. In other words they were in similiar economic circumstances as the artist, and had their own lives to lead. And last, yes there are non-economic motives to creating. But that's not the same as sharing with everyone else. Remember Davinci's cryptic notebooks.

      There's nothing wrong with patronage, and it's still common today. Ask any portrait photographer; it's not as though he's going to sell copies of my family's photos to anyone else, as there's no demand. Custom software development is another example of patronage. As for Davinci, you forgot that I said that the public wants works created and published. Mere creation isn't good enough. That's why works should not get a copyright until they are published, save for a minor, temporary copyright to protect it from piracy before it can be published, but only if the author is working to get it published. And we'll treat publication broadly here, inclusive of public performance and display; anything that gets the work into the public consciousness.

      Generally though, you're just rambling.

      The artists is "public" to

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  88. Fight it how?-Casual week. by Anonymous Coward · · Score: 0

    "It happens more often than you might think. It's not phrased that way though, rather, it's phrased as "we don't think the return on investment for this artist is worth it", which can mean many things but sometimes does indeed mean "the kind of people who like this music are the kinds who will just download it". And then if the musician trying to get funding can't get it, maybe they go work at their local McDonalds instead of sitting around writing their next album because after all, they have bills to pay just like anybody else."

    I should point out as anecdotal as it is. I've heard of people who've either decided to go into a creative field were piracy was barely to nothing as a problem. Or simply decided to not invest time and money (much like CS) into becoming artists. There's one effect of casual piracy that can't be measured, but it's there and the selfish public is the poorer for it.

    "Besides, this sets a dangerous precedent - that it's OK for dishonest people to sponge off those who pay up. In most walks of life people find that unacceptable, on the grounds that if some pay, all should pay."

    Glad to see some read my posts. Now for an exercise try the above with "pay" being measured in open-source terms. "Casual dishonesty" isn't as much fun when it happens to one's pet cause.

  89. Defective in that way and more by internic · · Score: 1

    I was refering to the fact that, AFAIK (and I'm not an iTunes user, I simply know many people who are), iTunes includes no facility for moving music from the iPod to your mac. This would be a trivial to add (given that iTunes already knows where the songs are on the iPod) and a very useful feature (as evidenced by the many 3rd party tools just for that purpose), and it's omission is essentially an instance of being "defective by design".

    It'a also true that the fact that iTunes respects DRM and, therefore, imposes artificial limitations on legal activities of CD burning, copying, etc. DRMed tracks is another reason it's defective by design. But I wasn't refering to that.

    --
    "You call it a new way of thinking; I call it regression to ignorance!" -- Operation Ivy
    1. Re:Defective in that way and more by Nanpa · · Score: 1

      Actually, it's simple to move music from an iPod to a computer. I just did it in about two minutes, no extra applications or anything (Using WinXP). iPod set to enable disk use, file copied (In this case, an MP3) from iPod to computer and is currently playing. Hell, I even managed to do this with Ubuntu a while ago.

    2. Re:Defective in that way and more by internic · · Score: 1

      The disk is, indeed, accessable as a USB mass storage device. Again, I'm not a regular iPod user, but AFAIK the problem is that the songs have been inscrutably labeled and placed in seemingly haphazard directories so that it's quite difficult to find the one you want. This has the appearance of intentional obfuscation (though it's conceivable that it's just a side effect of functional choices). Presumably, if you could read the database on the iPod it would be quite easy to determine where the appropriate song is. Again, since iTunes can already do this, adding such a copying feature would be trivial and useful but seems to have been intentionally omitted for some reason.

      --
      "You call it a new way of thinking; I call it regression to ignorance!" -- Operation Ivy
    3. Re:Defective in that way and more by Bert64 · · Score: 1

      If you turn on the disk-mode of the ipod, then you can open it up with finder and drag the files back into itunes. They all have obscure filenames, but itunes will rename them from the metadata when it imports them into your library. I had to do this recently when my old G4 mac blew a drive and i had to rebuild it from scratch

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    4. Re:Defective in that way and more by Nanpa · · Score: 1

      Actually, the song title, album, artist, etc information are kept. The only obfuscation is in the file name is cgabged, and where it's placed. Not much really. It should be noted however that DRM'd files from the iTunes store stay as such.

    5. Re:Defective in that way and more by internic · · Score: 1

      Oh, I totally agree that the obfuscation is pretty remedial. But if it was put there as such, then it still qualifies as defective by design.

      --
      "You call it a new way of thinking; I call it regression to ignorance!" -- Operation Ivy
    6. Re:Defective in that way and more by Nanpa · · Score: 1
      So, it's defective by design just like Ubuntu/Kubuntu with MP3's?

      There's nothing defective about it at all, it just dumps stuff where it likes. Nothing more, nothing less.

    7. Re:Defective in that way and more by internic · · Score: 1

      With respect to Ubuntu, I assume you're refering to the lack of ability to play mp3s out of the box. From what I gather, Ubuntu doesn't include mp3 decoding because of the terms of the license for the Fraunhofer patent on mp3. If so, this is not really a design choice on their part but rather a legal requirement imposed on them.

      Again, if the iTunes software is intentionally designed to obfuscate the location of your music, that's (pretty much by definition) an instance of being defective by design. It's specifically designed to be harder to use. Like I said in an earlier post, it may be that the apparently obfuscated location of files is just an unintentional side-effect of some other design choices (as suggested by another poster). If that's the case, then it might be more proper to call the lack of a function for copying from the iPod to the computer and instance of being "deficient be design", meaning that the designers seem to intentionally have left out a feature that would have been trivial to add and would very clearly be useful to the user. The word on the street seems to be that this feature was left out to assuage RIAA fears of iPods being used to share music. Who knows if that's true. But irrespective of the reason, Apple seems to have deliberately chosen to make their software less useful. For the user, that's generally a bad thing.

      --
      "You call it a new way of thinking; I call it regression to ignorance!" -- Operation Ivy
  90. Technical backgrounder by Powder · · Score: 1

    Here's some fairly technical details on output content protection from a Microsoft WinHEC conference: http://doxi.ca/60u4 (or original link for those with Word installed http://download.microsoft.com/download/5/D/6/5D6EA F2B-7DDF-476B-93DC-7CF0072878E6/output_protect.doc ).

  91. Your computer is an extension of your home by HermMunster · · Score: 3, Insightful

    If you think about your computer, your possession and then you think about your home you'll see that your computer is just an extension of your home. No more would you let advertisers paste advertisements onto the walls of your home (unless you do it for them) then you would let advertisers take over your computer. You would not let Microsoft employees or agents enter your home to search it so you should see that allowing DRM to exist on your computer is the same as doing just that.

    Your computer is an extension like your filing cabinet. It is like your CD collection. It is like your games collection. If you consider all legal and part of your home you would never allow a company such as Microsoft to enter it to inspect your filing cabinet, your CDs, nor your games collection, even if they claim they would never look at anything other than those things. It is a violation of your privacy to not fight against such a thing while watching it happen.

    We don't allow private companies to make and enforce their own laws. Just as everyone would love to own their own bank we know every large corporate entity would love to own their own bank, to grant them loans, to set their own interest rates, etc, to collect income off their own interest rates. We don't allow corporate entities to make nor enforce the laws. We elect government to do just that. We know that corporate entities would greatly abuse you. There's no standards of conduct on them set by the law. If we let them make their own laws and enforce them in your home I'd feel that we'd be sanctioning the likes of HP pretexting employees.

    You see, the big thing about what happened with HP was that they felt they could do what they wanted and that they could get away with it if only those ordering it were given plausible deny-ability. What really was bad about this wasn't that they violated the rights of free speech and the freedom of the press nor that they participated in illegal acts (in some states), but that they told every single employee that they were subjects (in their personal lives) of the business they worked for. This told every employee that they had no rights when it came to the employer.

    This abuse is only an example of what is happening with DRM and content rights management. It tells you that you are subservient to the content provider and that they have the right to enter your home to investigate you and to take action against you even if you were never even in violation.

    You need just understand that your computer is an extension of your home.

    Think about someone using their vehicle to steal from some business. The way DRM and CRM works is that the owners of those materials can search your car without your permission and can boot your car so that you can't do anything of the sort with it again, even if this inhibits legitimate use of your vehicle for other purposes. Even law enforcement agencies can't search your car without evidence and a warrant while the car is located on your premises. They can't open a door, they can't search through the trunk, they can't do anything to it. While on your property probable cause would be extremely difficult to prove.

    Your computer is an extension of your home.

    CRM and DRM are the equivalent of allowing companies to make and enforce their own laws and to violate your rights and your privacy. It allows them to do this without the true legal system (with all its procedures and policies, without selective training and strict adherence to the rules of law) having even taken part.

    When you can come to grips with the fact that your computer is an extension of your home you'll understand why you can't let DRM/CRM exist in any form. It should be your responsibility to ensure that your children's future is free of private laws created by private companies which are not designed to protect you as an individual (instead giving priority over the company and content rights holder).

    Everything that is done in the computer would can be equated to the world we move in. You need only think about it as part of the real world instead of some cyber-world where you can give or take what happens.

    --
    You can lead a man with reason but you can't make him think.
  92. Re:Small flaw in article by Technician · · Score: 1

    You see, some people might want to read the book at night, under artificial light. Unfortunately, the special ink only shows up under some wavelengths of light, so normal lamps won't work. The publisher can make some more money to help cover the other expenses by selling a special lamp that lets people read it in the dark. It might be a bit unpopular, but no one complains about needing an iPod, Zune, or PlaysForSure player to play the music they bought online while mobile, and the principle's the same.

    In the article they left out the fact that you could not read somebody else's book using your light. You would have to also use their light. The priciple's the same.

    --
    The truth shall set you free!
  93. Re:Return defective products. by Technician · · Score: 2, Insightful

    I have been hosed for being an honest guy.


    Return defective products for a replacement or refund. Insist on it. Follow-up. Customer care is an expense of doing business. Defective products are expensive for the retailers. Insist on non-DRM products. Have fun, Go into a shop and look for CD's. Tell the clerk you can only use redbook CD's. Have them show you the CD's. Have them help you find the Philips "Compact Disc" logo. Don't buy anything without it.

    --
    The truth shall set you free!
  94. Re:How to label a DRM file? by Technician · · Score: 1

    I've ripped most of my CD collection into AAC format using iTunes with no restrictions placed on how I use those files.

    The problem is there is no easy way from a drag and drop PC screen to tell the DRM from the non-DRM titles. For me and many others we simply use MP3=non-DRM and wma and AAC = DRM for sorting. It makes life simple. Keep and archive the MP3's and re-rip the rest. Someone forgot to toggle the ripper from a default setting.

    --
    The truth shall set you free!
  95. Re:The fault, dear Brutus, is not the iPod but iTu by MooUK · · Score: 1

    My iriver, running rockbox, has no trouble either. It creates the ID3 database in the background, and will even resume if turned off during a database update.

    The original firmware had a program to be run on the host computer to create such a database instead. Under both firmware systems, you can put your music wherever you want and use the tag database.

    Hard drive players tend to have more powerful processors in many cases than the flash-based ones, so the extra size is less hassle than you might think.

  96. Use alternatives where possible. by doti · · Score: 1

    And in what case you must buy DRM stuff?

    Just don't buy it. Period.

    --
    factor 966971: 966971
  97. Why copyright must expire by Builder · · Score: 1

    I recently picked up a copy of Fragile Things, and it lead me to write this post

    This is why copyright MUST continue to expire, and DRM threatens that expiry. It's all very well to say that the copyright on a work has expired, but it might still be illegal to access that work because it has DRM which is protected by the DMCA and other copycat laws.

  98. Video of "Trusted Computing" by franksands · · Score: 1

    I think this video explains it very well.

  99. Tried Vista today by mattr · · Score: 1

    I just played with a Vista laptop for the first time (outside the front door of Bic Camera at Yurakucho Station, Tokyo). A woman with a mic was explaining Aero which looked nice. The ribbon in Word looked nice too and I was intrigued by the new folder explorer. Perhaps there is a lot more new in it but to tell you the truth, from what I could see I can do just fine without it and the DRM built into the OS is a very strong reason for me to stay far from it. I think my biggest impressions in the 2-3 minutes I played with it are:

    - Translucent dialog boxes are pretty but harder to read
    - Word ribbon might be faster, but the time it takes for a dialog box to "fade-in" is very annoying
    - Half of the persistently visible widget boxes in the translucent vertical bar on the right side of the desktop said "service not available". I expect this kind of message will persist throughout the Vista user experience until you are numbed to it.
    - I played the three large demo videos. A pan across a seascape with much detail in the water currents was extremely noisy and horrible to look at.. I was wondering if it was DRM, processing time used up by Aero, over-compression, and/or a general lack of concern on the part of Microsoft for the end-user experience.
    - Interface is too much in your face. While Aero is intriguing I might be happy with just adding more features to XP.
    - Considering Mac OS X will have Jaguar imminently, I decided to get that instead. I could use a Vista desktop at work if necessary, and I might be forced to do so for compatibility and vulnerability updates at some time in the future, but it was not a jaw-dropping experience and not what I would I think enjoy for home use.

  100. Re:One thing they can't take - Not True? by bitrot42 · · Score: 1

    >At least they can't take books from us. You can read them aloud, lend them to friends

    Sadly this may no longer be true. I received a book recently (a copyright-free classic, no less) that had a 'license' on the copyright/ISBN page. It said the book could not be rented, resold, or even *loaned* without permission.

    Granted this may not be legal, let alone enforceable, but where does it end? Will remembering a plot without paying the publisher constitute infringement?

    It's ironic that Borland's old "non-nonsense" software license said it was "like a book"; one copy could be transferred, loaned, or resold.

    --
    FIXME: Add a sig here
  101. Don't mess with my rights by ToriaUru · · Score: 1

    Don't mess with my right to make backup copies of any medium I want to. To not allow me the freedom to copy a CD, or a DVD, or any other digital file is a violation of my rights as a consumer. I won't stand for it. Go http://eff.org/EFF! Vista is trying to make us upgrade our computers so that they can control exactly what hardware they want us to use. To me, that's unfair. I won't be installing Vista on my computer ever. You've got that in writing.

    --
    Toria
  102. Making Money by whisper_jeff · · Score: 1
    "...the new industry's rules, which care only about control and making money."

    Company's trying to make money?!?! Those evil bastards!!

  103. why go vista, when it purposely degrades quality ? by Anonymous Coward · · Score: 0

    are ppl high on crack for thinking about going to vista? why degrade the quality of hd-dvd to your computer monitor for consumers. i feel confident there will be a libdvdcss2 equivelent for hd-dvd content, but how large will the Xvid hd-dvd rips be then? If it wern't for libdvdcss2 i wouldn't have even considered purchasing a dvd player. dvd isn't going away and linux works just fine for me, even if i'm a criminal in the us for using libdvdcss2. It's a shame in order to have fair use rights, one must be a criminal under us law. the dmca was the absolute worst piece of legislation this century which attempted to take away fair use rights, except those permitted by the IP droid's. I'm just glad the us isn't inforcing the dmca and i'm awaiting for the courts to strike it down as unconstiutional and for congress to promote open standards. closed source is a virus on society which needs to be done away with completly and in the long run, it will.

  104. Why arguments must expire by Anonymous Coward · · Score: 0

    While your point is noted. I should point out that the non-expiration of DRM has NEVER been tested. Same with the DMCA. So far all the objections are of the slippry-slope, this-potentially-might-happen form. It seems to me that all this effort would be better spent getting copyright limits reduced, and the DMCA/DRM issue would take care of itself. You're "rights" are already curtailed within the present system. DRM just uses technology to enforce it.

  105. Re:DRM & Lossy MP3's by Technician · · Score: 1

    This would of course present problems for audiophiles given the lossy quality of even the best MP3's.

    Of the digital music store out there, is there any who offer a higher bitrate than e-music. I know many of the stores are limited to a maximum of 128Kbits/sec.

    e-music has VBR.

    "The average bit rate used for VBR on eMusic is 192k."

    It beats any of the DRM peddlers in quality. Buy the best you can and ask for better.

    --
    The truth shall set you free!
  106. Fight it how?-Level the pirates. by Anonymous Coward · · Score: 0

    "Keep pretending it's an even playing ground if you want."

    Or we could pretend that piracy somehow levels the playing field. Seriously in this day and age there's no excuse for ignorance, either here or with potential bands.

  107. DRM: It's not just about you and your media player by Ximogen · · Score: 1

    Just wanted to point out that DRM is not just about you and your media player. Most of us (including Bill Gates) recognize that current methods and models of DRM as applied to media are clumsy, unfair and ultimately futile. However DRM extends to all forms of electronic data and in a business environment is a very useful tool in making sure that sensitive data remains secure even when it leaves the business. DRM in conjunction with a range of other technologies ensures that I have complete control over business (and personal) data which allows me to leverage that data in ways that would otherwise have been considered unsuitable for reasons of security, such as unauthorised distribution. Obviously there is nothing to stop someone from recreating data sets from hardcopy but there is no way that data could be modified to suit the purposes of any individual or business and then passed off as the real thing. Being able to work with data that is transparently secured and has a reasonable guarantee of authenticity is a significant benefit of DRM that seems to have passed all by. Surely the argument should be that 'DRM as currently applied to artistic media is clumsy, unfair and ultimately futile' and not that DRM is inherently 'evil'.

  108. It's time for tin-foil hats by malevolentjelly · · Score: 0

    I've been using Vista for a while now and I'm not entirely sure how it's supposed to be actively attacking me. I can still play just about any media format in VLC media player without any trouble. Actually, I have a better solution: Why do you need to run HD-DVD's? Are you people daft? If you don't like the technology, don't buy it- and a more open solution will appear. Bingo! Most people already don't buy into HD movie formats because they're unnecessary and sort of retarded. Vista is DRM-compliant, for the most part it just runs like XP only with a smoother more improved UI. Anyone who's ever thrown together a quick business application in VBA or shown their parents how to remove pictures from a camera using a simple wizard knows why Windows is not going anyhwere- it's extremely useful. So it just happens to comply with mandated DRM policies- so will OSX. Just buy your MP3's from non-DRM sites like Bleep.com and buy your movies on DVD. PROBLEM SOLVED. I had issues with opengl games running slow. I installed ubuntu linux on an old HD in order to wait out the improved implementation of ICD drivers. Took 45 minutes. Now I can play a few old games in linux and manage media and do most tasks in windows. PROBLEM SOLVED. It's all so simple. In many cases, DRM even offers awesome enabling technologies like Subscription music. But why is Windows Vista the icon of sin in this case? It's just an operating system. It's the next generation of windows- upgraded, pretty, usable. I'm sorry if you need to feed HD-DVD video into an unsecured buffer for some obviously legal reason. Just pay for your software and media and it won't be any big deal. The market dictates the direction things are going, and if these DRM technologies are convenient for legitimate consumers, they will win. Sorry fringe market- keep bitchin'

  109. Re:Your computer is an extension of your home by Frank+T.+Lofaro+Jr. · · Score: 1

    We don't allow private companies to make and enforce their own laws.

    In a way, we do. The DMCA allows a private company to write their own restrictions using DRM, and enforce it to with the power of law. Actually, even better, they write the "law" and our government enforces it for them, with 5 year no-parole, must-serve-the-whole-sentence-with-only-slight-tim e-off-for-good-behaviour-so-you-still-do-4.5-years prison sentences.

    --
    Just because it CAN be done, doesn't mean it should!
  110. Can be fought by Anonymous Coward · · Score: 0

    People ARE caring. I've had several people ask me for advice that are all like "I bought these movies/music that are on my old computer, they won't work when I copy them to my new one." and I'm like "yep, that's that rights restrictions I've been telling you about. Nothing I can do about it -- better buy plain MPEG4/MP3s in the future, they aren't restricted." Then the person is has that "aha" moment when the realize the DRM I mentioned to them at some point in the past wasn't some conspiracy theory, it's actually restricting the products they purchased. Then they either give up on digital video/music, pirate the stuff they already bought in open formats, or rebuy it from a vendor that doesn't have rights restrictions on the products. I have not heard anyone yet say "Oh, I'll just rebuy them from the same vendor".

  111. Social morality... by Hucko · · Score: 1

    No, the problem with infringement is that it is self-defeating. OTOH, it can be a good indicator that the laws are out of whack with where they should be. People should generally not break copyright laws, not because they're conditioned to respect the laws, but because the laws conform to public norms about what is and isn't good to do. If everyone thinks that casual piracy is okay, then it should be made legal. If everyone thinks that commercial piracy is not okay, then it should be made illegal.
    Would this be a good system if we were looking at homicide laws? No. But we're not. We're looking at copyright, which has no connection to morality whatsoever, and is purely utilitarian. There's no central core of copyright that must be inviolate, and even the idea of copyright is no sacred cow. Everything is constantly on the table, and the public has the lead that must be followed.
    This is way off topic, never the less; many societies have accepted homicide as legal due to "public norms" accepting it as morally ok.

    We call it abortion.

    For what it is worth, I tend to agree with your post though.
    --
    Semi-automatic amateur armchair Australian philosopher; conjecture ready at any moment...
  112. Presented by whom? by Eric+Damron · · Score: 1

    "However, you need a better principle than "we want stuff for free", which is unquestionably how any anti-DRM protests would be presented as."

    If you're saying that the music industry will try to spin anti-DRM protests to their advantage I agree. They will try to frame the movement in any way that they can to bring about the end result they desire.

    This isn't about "getting stuff for free." This is about our fair use rights. When I buy music or movies I have the right to backup those copies or move those copies onto a more convenient media such as a movie server. This is a right, not a privilege.

    Illegal file sharing is not acceptable and I understand that and agree but taking away my fair use rights is also unacceptable and that is what any protest should be about.

    So I guess when you say that anti-DRM protests will "unquestionably be presented" in a certain way, I must disagree.

    --
    The race isn't always to the swift... but that's the way to bet!