Slashdot Mirror

"Today, we look back at the classic era of home computing that existed alongside the dreariness of business computing and the heart-pounding noise and colour of the arcades," writes the site Den of Geek. An anonymous reader reports: The article remembers the days of dial-up modems, obscure computer magazines, and the forgotten phenomenon of computer clubs. ("There was a time when if you wanted to ask a question about something computer related, or see something in action, you'd have to venture outside and into another building to go and see it.") Gamers grappled with old school controllers, games distributed on cassette tapes, low-resolution graphics and the "playground piracy" of warez boards -- when they weren't playing the original side-scrolling platformers like Mario Bros and Donkey Kong at video arcades.

In a world where people published fanzines on 16-bit computers, shared demo programs, and even played text adventures, primitive hardware may have inspired future coders, since "Old computers typically presented you with a command prompt as soon as you switched them on, meaning that they were practically begging to be programmed on." Home computers "mesmerised us, educated us, and in many cases, bankrupted us," the article remembers -- until they were replaced by more powerful hardware. "You move on, but you never fully get over your first love," it concludes -- while also adding that "what came next was pretty amazing."
Does this bring back any memories for anybody -- or provoke any wistful nostalgic for a bygone era? Either way, I really liked the way that the article ended. "The most exciting chapter of all, my geeky friends? The future!"

"Today, we look back at the classic era of home computing that existed alongside the dreariness of business computing and the heart-pounding noise and colour of the arcades," writes the site Den of Geek. An anonymous reader reports: The article remembers the days of dial-up modems, obscure computer magazines, and the forgotten phenomenon of computer clubs. ("There was a time when if you wanted to ask a question about something computer related, or see something in action, you'd have to venture outside and into another building to go and see it.") Gamers grappled with old school controllers, games distributed on cassette tapes, low-resolution graphics and the "playground piracy" of warez boards -- when they weren't playing the original side-scrolling platformers like Mario Bros and Donkey Kong at video arcades.

In a world where people published fanzines on 16-bit computers, shared demo programs, and even played text adventures, primitive hardware may have inspired future coders, since "Old computers typically presented you with a command prompt as soon as you switched them on, meaning that they were practically begging to be programmed on." Home computers "mesmerised us, educated us, and in many cases, bankrupted us," the article remembers -- until they were replaced by more powerful hardware. "You move on, but you never fully get over your first love," it concludes -- while also adding that "what came next was pretty amazing."
Does this bring back any memories for anybody -- or provoke any wistful nostalgic for a bygone era? Either way, I really liked the way that the article ended. "The most exciting chapter of all, my geeky friends? The future!"

An anonymous reader quotes a report from Den of Geek UK: Two students at Carnegie Mellon University have designed an artificial intelligence program that is capable of beating human players in a deathmatch game of 1993's Doom. Guillaume Lample and Devendra Singh Chaplot spent four months developing a program capable of playing first-person shooter games. The program made its debut at VizDoom (an AI competition that centered around the classic shooter) where it took second place despite the fact that their creation managed to beat human participants. That's not the impressive part about this program, however. No, what's really impressive is how the AI learns to play. The creator's full write-up on the program (which is available here) notes that their AI "allows developing bots that play the game using the screen buffer." What that means is that the program learns by interpreting what is happening on the screen as opposed to following a pre-set series of command instructions alone. In other words, this AI learns to play in exactly the same way a human player learns to play. This theory has been explored practically before, but Doom is arguably the most complicated game a program fueled by that concept has been able to succeed at. The AI's creators have already confirmed that they will be moving on to Quake, which will be a much more interesting test of this technologies capabilities given that Quake presents a much more complex 3D environment.

brumgrunt writes "Not every sci-fi film released in 2013 will be a sequel or franchise movie. Den Of Geek has highlighted the ten sci-fi movies that might just offer something a little different from the PG-13, family-centric norm." The list includes Elysium, from the writer/director of District 9. It's "set in 2159, where Earth has become so hopelessly overcrowded that the richest members of society live on a luxurious orbiting space station." There's also After Earth, directed (but not written) by M. Night Shyamalan, which stars Will Smith and his son Jaden. They "crash land on Earth at some point in the future, by which time it's become a dangerous place devoid of human life." And, of course, there's Ender's Game.

brumgrunt submitted the latest Den of Geek compilation story: this week it's the the science fiction ray guns. From Han Solo's blaster to the Forbidden Planet, there's a lot of nostalgia to get your pew pew out.

brumgrunt writes "As more and more franchise movies look to cover the origin story of a character again and again, Den Of Geek wonders why film studios aren't looking a little harder for interesting stories to tell..."

brumgrunt writes "Are science fiction TV shows and movies overusing death as a plot device? And, more crucially, do any of us believe that a dead character is really dead any more?"

brumgrunt writes "A British paper is claiming that the Nintendo 3DS poses some kind of health risk. The claim sounds interesting, until you see how that conclusion was reached. 'On the 6th of April, the paper conducted a scientific experiment in which a 22-year-old member of the staff had his blood pressure and pulse taken after playing the 3DS in different situations – at rest, while walking, or while taking a ride in a car. The Sun came to the startling conclusion that the man’s pulse and blood pressure were higher while walking than while sitting down, yet concluded, apropos of nothing, “Children should not be left to play on it for hours.” The article neglects to point out that a raised blood pressure and pulse is perfectly normal, and you’re as likely to experience such a physical response while walking and reading a book as you are when playing the 3DS.'" Pocket Gamer posted a humorous follow-up, using the Sun's own methods against it.

brumgrunt writes "With Source Code already attracting strong reviews, the signs are good that 2011 will be a solid year for sci-fi. Den Of Geek has tracked down 10 upcoming sci-fi movies worth keeping an eye on" The nice thing about this write up is that it's not about the summer blockbuster brand of sci-fi, but mostly about the (somewhat) more traditional stuff. Here's hoping there's a few gems worth getting a babysitter for.

brumgrunt writes "Why do videogames still treat sex in such a two dimensional way? Why do they snigger at it, or treat it as a reward? Den Of Geek has been taking a look." I always figured it was some combination of games being made by our inner adolescent, marketed to the outer ones, and getting banned whenever they take sex seriously.

brumgrunt writes "Has Syfy fallen out with science fiction altogether? A look at its latest scheduling shows that it's further away from its roots than ever. 'There's still a lot of the older sci-fi content on the airwaves, but it's slowly being phased out, and forget about original programming. After all, this is the programming crew who ruined Caprica by stuffing it into the Friday night death slot and splitting the season into two parts. These are the geniuses who killed off Stargate Atlantis and Stargate Universe. These are the people who wrecked Farscape, one of the most inventive and fun sci-fi shows to ever be on television. They also ended Mystery Science Theater 3000, only the greatest show ever invented by robots in space.' Is this now as good as it gets?"

brumgrunt writes "When an advert for toilet roll now has a CG dog in it, have we come to the point where special effects have no lasting impact whatsoever? As Den of Geek argues, 'Where we once sat through Terminator 2 and gasped when Robert Patrick turned into a slippery blob of mercury, we now watch, say, Inception and simply acknowledge that, yes, the folding city looks quite realistic.'"

brumgrunt submitted a Den of Geek story about long takes in movies. The premise is that CGI has made so many things possible that it all rings sterile now. Long shots are a better way to be flashy. Personally I absolutely love long takes, and I always elbow my wife excitedly when they happen. She probably hates them now! Some of the examples cited here are probably unfamiliar but maybe that'll just give you an excuse to queue them on Netflix.

brumgrunt writes "Not only has Christopher Nolan resisted pressure to make his third Batman film, The Dark Knight Rises, in 3D, but his explanation is very much centered on it being the right decision to suit the film. With Harry Potter (temporarily) abandoning 3D too, has Hollywood's latest bandwagon hit the skids already?"

brumgrunt sent in a fun little piece to get your brain going on a cloudy monday morning. Despite countless viewings of BTTF I still never thought of a few of these. "Throughout Back To The Future Part III, there has to be two Deloreans in 1885. Also, why don't George and Lorraine recognize their son? Why doesn't the time machine disappear in the alternative 1985? These and more Back To The Future paradoxes explored..."

brumgrunt writes "Den Of Geek has the first review of James Cameron's extended cut of Avatar. Its thoughts? 'As opposed to, say, the extended cuts of Aliens, Terminator 2 or The Abyss, the new scenes add little of particular note to everything we've already seen.'"

Although it's not out until May 7, brumgrunt sent us a spoiler-free review of Iron Man 2. The short verdict is that it's not as good as the last one, but considering how much acclaim was piled on that, I don't really think anyone was expecting that.

brumgrunt writes "Technically a corridor in a science-fiction movie should just be a means of getting from one big expensive set to the next, and yet Den Of Geek writes lovingly of the detailed conduits in films such as Alien, Outland, Solaris and even this year's Moon by Duncan Jones."

brumgrunt writes "Den Of Geek wonders if James Cameron's Avatar is heading for a fall, and if it will even be a science fiction film, off the back of the previews shown last week. It writes: 'It seems in Avatar that all this gee-whiz science is merely there to draw the "old crowd" in and provide some kind of rationale for a brightly-coloured fantasy-world which reflects the most emetic of the artwork plastered over teenage girls' MySpace pages.'"

brumgrunt writes "After three decades of speculation, original Alien director Ridley Scott has signed on to the new Fox sequel. 'Nothing is known about the set-up of the new movie, except that chronologically it precedes the plight of the Nostromo. Since it's obviously going to involve the human race [...] Writer Jon Spaihts successfully pitched to Fox and Scott Free Productions, and is working on the script.'"

brumgrunt writes "Should we be worried? As Pixar, with Up, once more proves itself to be home to some of the most original and daring blockbusters on the planet, the news that its next three films are likely to be sequels — with the confirmation of Monsters, Inc. 2 — gives cause for concern. Are commercial pressures catching up with one of our most inventive movie companies?"

brumgrunt writes "Why do TV shows, such as 30 Rock, The Simpsons, Heroes, and Everybody Loves Raymond, persist in so ferevently stereotyping comic book fans and stores? Den of Geek has pulled together eight examples, with video evidence to back them up ..." Minus one point for doubling up on Malcolm in the Middle. Plus 10 points for referencing Spaced, which I hope you all have seen.

brumgrunt writes "Sarah Connor was a non-populist, meditative, complex piece of television on a smash-bang, show-me-the-ratings kind of network. The two were never going to get on. Plus: how the Terminator name proved more hindrance than aid."

brumgrunt writes "JJ Abram's hugely successful — on many levels — reboot of Star Trek has, for Den Of Geek, brought to the fore a lesson about special effects that many movie makers have been missing. Surely it's time now that special effects were actually used properly?" (The new film is not without some goofs, though only a few of the ones listed by Movie Mistakes' nitpickers are sciency.)

brumgrunt writes "At first glance, JJ Abrams' Star Trek has won over audiences as well as critics as it stormed to a $72.5m US opening weekend. However, Den Of Geek sounds a note of caution. Can it hold an audience for a second week? How do its numbers stack up? And as Wolverine looks like its struggling to reach $200m off an $85m opening weekend, is Star Trek yet the huge hit blockbuster that some of the headlines are suggesting?"

brumgrunt writes "Friday marks the 50th day on general release for what was the long-awaited Watchmen movie. But how much money has it made, and how has it measured up to Warner Bros' expectations? Has it, bluntly, been worth the gamble, expense and hassle? "

brumgrunt writes "Last year, Marvel said that R-rated comic book superhero movies weren't in its future plans. Now, in the light of Watchmen's box office performance, Warner Bros is going the same way, meaning high-profile comic book superhero films will be restricted to the PG-13 rating at most. But is this a bad thing, and should we fear the end of the R-rated superhero movie?"

brumgrunt writes "Dollhouse. The Sarah Connor Chronicles. Fringe. Three science fiction shows that Fox commissioned, put on the air, and — in the case of at least one of them — has won rave reviews. But why does it seem that Fox is trying to kill some of its own shows with crazy scheduling decisions? How can Fringe survive after being pulled for two months, and what hope is there for Sarah Connor and Dollhouse on a Friday night?"

An anonymous reader writes "If you've noticed that pop-up ad windows seem to have made an unwelcome return into your life, it's because they're not using the same easily blockable technology as before. The Adimpact system uses DHTML to annoy you, and there's no immediate prospect of a solution."

An anonymous reader writes "Thirty minutes of footage from Frank Miller's forthcoming The Spirit were shown to journalists in London yesterday. The description paints a picture of a highly stylized movie, somewhere between Sin City and Crimewave ..."

brumgrunt writes "The comic book is the new spec script in Hollywood, if this list is anything to go by. Den Of Geek has uncovered 75 comics that are in the process of being turned into films, along with their estimated year of arrival. It's scary, brilliant and bizarre in roughly equal measure."

Denofgeek wrote in to tell us about their story where "Pixar's supervising animator Angus MacLane gives an interesting interview about the technical challenges in bringing Wall-E to the screen. Plus he squeezes in a bit on his love of Lego, too..."

An anonymous reader writes "Den Of Geek has been talking to comics legend Dave Gibbons about the upcoming transition of the Watchmen from the comic book to the silver screen. 'There are hardcore fans out there who'll be satisfied with nothing less than a word-for-word, line-for-line, scene-for-scene recreation of the comic book. I didn't believe that was ever going to happen.'" It's a rather short interview, but Gibbons addresses some interesting elements of both the movie and comic-book worlds.

Following last week's sour review of Indiana Jones, Seamus123 links us to "A spoiler-free review of the brilliant new Indiana Jones film, The Kingdom of the Crystal Skull. Much has been made of the revival of the series: is Harrison Ford too old, is Shia LeBeouf any good and can it live up to the three previous movies? All these questions — and some surprising answers — are found in Den of Geek's review." Personally I'll see it no matter what.