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A Star Wars fan named "Toos" told Newsweek he'd spent $150,000 of his own money on a fan film about Darth Vader -- and what happened next: Before the camera started rolling Toos said he contacted an employee at Lucasfilm [and] claims Lucasfilm gave him permission on two conditions: he couldn't crowdfund and he couldn't monetize the fan film on YouTube. Toos agreed to those conditions and shot for three full days in September. They ran post-production up until the release of "Vader Episode 1: Shards of the Past" on December 20. Star Wars fans, a notoriously tough group to please, had overwhelming praise for the video, which gathered more than six million views in one month and 40,000 likes.

On January 14, music group and corporate collective Warner/Chappell filed a copyright claim against the video. After filing the claim, the company (publisher for the Walt Disney Music Company) began to collect ad revenue for Toos' video by claiming that one of the songs used a rendition of "The Imperial March"... If Toos attempts to appeal and Warner/Chappell refutes his claim, he could get a copyright strike on his channel and lose complete ownership of the video...

Fan response on Reddit has been massive, with the post about Star Wars Theory and the strike reaching over 90,000 upvotes... In a new video on the StarWarsTheory channel, Toos told his fans that the claim on his video had been lifted due in part to the intervention of LucasFilm."They stepped up and told Disney or the other company that this wasn't okay, that this wasn't going to stand."
Newsweek points out that Disney doesn't own Warner/Chappell. "The music group merely licenses their music" -- and has been accused of making erroneous claims before.

They're the same group that claimed they owned the music rights on a YouTube clip from Star Wars with all the original music removed.

A Star Wars fan named "Toos" told Newsweek he'd spent $150,000 of his own money on a fan film about Darth Vader -- and what happened next: Before the camera started rolling Toos said he contacted an employee at Lucasfilm [and] claims Lucasfilm gave him permission on two conditions: he couldn't crowdfund and he couldn't monetize the fan film on YouTube. Toos agreed to those conditions and shot for three full days in September. They ran post-production up until the release of "Vader Episode 1: Shards of the Past" on December 20. Star Wars fans, a notoriously tough group to please, had overwhelming praise for the video, which gathered more than six million views in one month and 40,000 likes.

On January 14, music group and corporate collective Warner/Chappell filed a copyright claim against the video. After filing the claim, the company (publisher for the Walt Disney Music Company) began to collect ad revenue for Toos' video by claiming that one of the songs used a rendition of "The Imperial March"... If Toos attempts to appeal and Warner/Chappell refutes his claim, he could get a copyright strike on his channel and lose complete ownership of the video...

Fan response on Reddit has been massive, with the post about Star Wars Theory and the strike reaching over 90,000 upvotes... In a new video on the StarWarsTheory channel, Toos told his fans that the claim on his video had been lifted due in part to the intervention of LucasFilm."They stepped up and told Disney or the other company that this wasn't okay, that this wasn't going to stand."
Newsweek points out that Disney doesn't own Warner/Chappell. "The music group merely licenses their music" -- and has been accused of making erroneous claims before.

They're the same group that claimed they owned the music rights on a YouTube clip from Star Wars with all the original music removed.

pacopico writes: Every year, DJI hosts a robotics competition called Robomasters. It draws in hundreds of engineering students from around the world for two weeks of all out robotics mayhem. The students build and then control robotic vehicles that blast away at each other with rubber bullets, while drones strafe from overhead. Bloomberg Businessweek did a short documentary on the competition and everything that goes with it, including a reality TV show, an anime series, and final battle attended by thousands of people at a stadium in Shenzhen. The Chinese teams usually do the best, and the winners get some money and sometimes a job offer at DJI -- all part of the country's quest to dominate the robotics industry in the years to come.

According to local reports, the world's first remote surgery equipment using 5G networks was successfully tested in China. "The test involved a doctor in the southeastern province of Fujian removing the liver of a laboratory test animal at a remote location," reports Ubergizmo. "The doctor performed the surgery by controlling robotic surgical arms over a 5G connection." From the report: The lag time was said to be only 0.1 seconds between the control device of the doctor and the robot in the surgical room. The researchers said that this high speed can reduce the risk of potentially deadly medical mistakes. They hope that 5G enabled remote surgery will soon become reliable enough that it can be used safely on humans as well. This could end up saving countless lives as skilled surgeons will be able to operate on patients in remote locations in a safe manner. The South China Morning Post published a video that shows the doctor performing the surgery.

dryriver writes: Electronic Arts has mismanaged the Battlefield franchise in the past -- BF3 and BF4 were not great from a gameplay perspective -- but with Battlefield 5, Electronic Arts is facing a real disaster that has sent its stock plummeting on the stock exchanges. First came the fierce cultural internet backlash from gamers to the Battlefield 5 reveal trailer -- EA tried to inject so much 21st Century gender diversity and Hollywood action-movie style fighting into what was supposed to be a reasonably historically accurate WWII shooter trailer, that many gamers felt the game would be "a seriously inauthentic portrayal of what WW2 warfare really was like." Then the game sold very poorly after a delayed launch date -- far less than the mildly successful WW1 shooter Battlefield 1 for example -- and is currently discounted by 33% to 50% at all major game retailers to try desperately to push sales numbers up. This was also a disaster for Nvidia, as Battlefield 5 was the tentpole title supposed to entice gamers into buying expensive new realtime ray-tracing Nvidia 2080 RTX GPUs.

Electronic Arts had to revise its earnings estimates for 2019, some hedge funds sold off their EA stock, fearing low sales and stiff competition from popular Battle Royal games like Fortnite and PUBG, and EA stock is currently 45% down from its peak value in July 2018. EA had already become seriously unpopular with gamers because of annoying Battlefield franchise in-game mechanisms such as heaving to buy decent-aiming-accuracy weapons with additional cash, having to constantly pay for additional DLC content and game maps, and the very poor multiplayer gameplay of its two Star Wars: Battlefront titles (essentially Battlefield with laser blasters set in the Star Wars Universe). It seems that with Battlefield 5, EA -- not a company known for listening to its customers -- finally hit a brick wall, in the form of many Battlefield fans simply not buying or playing Battlefield 5.

A YouTube user who goes by Electronic Grenade has designed a computer mouse that is also a functional laptop. From a report: As detailed in a video published on Sunday, the computer mouse computer consists of a 3d-printed mouse, a Raspberry Pi microcontroller, a small keyboard, and a handful of components that were taken from a normal computer mouse. "Even though the screen is attached to the mouse, the sensitivity of the mouse makes it not that hard to follow along with what is happening on the screen," Electronic Grenade said in the video. Nevertheless, the mouse does have its faults. According to Electronic Grenade, a few resource intensive applications will occasionally cause the mouse computer to crash.

Danngggg writes: Many will remember Martin Gottesfeld since he was arrested on a speedboat coming from Cuba. He volunteered at trial that he and his wife had just been denied political asylum by Castro. Gottesfeld has said he did it to defend the life of an innocent child named Justina Pelletier. On Thursday, the same judge that over saw the Aaron Swartz case sentenced the Anonymous hacktivist to 10 years in federal prison for a DDoS of Boston Children's Hospital, Harvard-affiliated hospitals, and Wayside Youth and Family. The sentence included $440,000 in restitution, 3 years supervised release, and other conditions. The week before, Gottesfeld docketed a 690-page affidavit (including exhibits) documenting the judge's conflicts of interest and why he doesn't belong anywhere near the case. That's available on the FreeMartyG website. Local news spoke to his wife after the sentencing hearing as well.

dryriver writes: A recent Guardian article about the need for actors and celebrities -- male and female -- to look their best in a high-definition media world ended on the note that several low-profile Los Angeles VFX outfits specialize in "beautifying actors" in movies, TV shows and video ads. They reportedly use a software named "Beauty Box," resulting in films and other motion content that are -- for lack of a better term -- "motion Photoshopped." After some investigating, it turns out that "Beauty Box" is a sophisticated CUDA and OpenGL accelerated skin-smoothing plugin for many popular video production software that not only smooths even terribly rough or wrinkly looking skin effectively, but also suppresses skin spots, blemishes, scars, acne or freckles in realtime, or near realtime, using the video processing capabilities of modern GPUs.

The product's short demo reel is here with a few examples. Everybody knows about photoshopped celebrities in an Instagram world, and in the print magazine world that came long before it, but far fewer people seem to realize that the near-perfect actor, celebrity, or model skin you see in high-budget productions is often the result of "digital makeup" -- if you were to stand next to the person being filmed in real life, you'd see far more ordinary or aged skin from the near-perfection that is visible on the big screen or little screen. The fact that the algorithms are realtime capable also means that they may already be being used for live television broadcasts without anyone noticing, particularly in HD and 4K resolution broadcasts. The question, as was the case with photoshopped magazine fashion models 25 years ago, is whether the technology creates an unrealistic expectation of having to have "perfectly smooth looking" skin to look attractive, particularly in people who are past their teenage years.

"How does the actual, purchaseable consumer technology available in 2019 compare to what you -- back in the 1960s, '70s, '80s or '90s -- thought consumer technology might look like around the year 2020?" asks Slashdot reader dryriver. Is today's consumer technology as advanced, inventive, groundbreaking and empowering as you imagined it would be 30, 40, 50 years ago? Or is the "technological future that has now actually arrived" different, in various ways, from how you'd hoped/imagined it might be a few decades back?

If so, what was different in your "future technologies imagination" than what is available to buy today?
Each generation received different dreams from the pop culture of their time. Back in 1969 an 18-year-old Kurt Russell starred in a Disney movie with a malfunctioning mainframe. By 1984 one TV series showed David Hasselhoff with his own talking self-driving car. But how close did your own personal predictions come, asks the original submission.

"Do today's technological gadgets manage to live up to how you imagined tech around the year 2020 would be, or do they fall short of what you hoped/imagined might exist by today?

"How does the actual, purchaseable consumer technology available in 2019 compare to what you -- back in the 1960s, '70s, '80s or '90s -- thought consumer technology might look like around the year 2020?" asks Slashdot reader dryriver. Is today's consumer technology as advanced, inventive, groundbreaking and empowering as you imagined it would be 30, 40, 50 years ago? Or is the "technological future that has now actually arrived" different, in various ways, from how you'd hoped/imagined it might be a few decades back?

If so, what was different in your "future technologies imagination" than what is available to buy today?
Each generation received different dreams from the pop culture of their time. Back in 1969 an 18-year-old Kurt Russell starred in a Disney movie with a malfunctioning mainframe. By 1984 one TV series showed David Hasselhoff with his own talking self-driving car. But how close did your own personal predictions come, asks the original submission.

"Do today's technological gadgets manage to live up to how you imagined tech around the year 2020 would be, or do they fall short of what you hoped/imagined might exist by today?

Last Saturday a firm which rents promotional robots claimed that one of their robots broke free from a line of robots, only to be hit by a self-driving Tesla.

Though video of the incident has now been viewed over 1.2 million times, Wired followed up on the company's claim that "Nevada police" were investigating the incident. Or weren't. Aden Ocampo Gomez, a public information officer with the Las Vegas Metropolitan Police Department, said he couldn't find any record of such an incident. And anyway, he says, "We don't report to that kind of incident on private property."
Wired also challenged Promobot's claim that their robot was hit by "a self-driving Tesla car": Teslas don't have a "full self-driving" mode. Autopilot, the automaker's semiautonomous system, is made for highways, not the sort of private road shown in a video of the alleged crash published by the robotics company. Promobot seems to start falling over just a moment before the car gets to it. And that video appears to show a rope snaking away from the incident -- the sort that could be used, say, to pull down a robot that hadn't been hit by a car at all.
When Wired contacted the company for a comment, they didn't respond.

The company's press release also claims that after the collision "most likely there is no way to restore" their robot -- and yet the Daily Dot reports Promobot "does not intend to pursue reparations".

MojoKid writes: College students used to have to fend for themselves at the campus convenient store but soon may have the snacks coming to them courtesy of a new delivery service. The PepsiCo Hello Goodness Snackbot, an autonomous delivery robot, will now run snacks around select college campuses to satiate whatever case of the munchies it can. Students, staff, and faculty at the University of Pacific in Stockton, California can now order snacks between 9AM and 5PM through the Snackbot app, which is currently only available on iOS. The robot will deliver goods at 50 designated Snackbot areas across campuses. The delivery bot can go more than 20 miles on a single charge and includes a camera, headlights, and all-wheel drive to help it navigate through tough terrain if need be. The Snackbots are part of the company's goal of expanding the reach of their healthier product lines to 50,000 points of presence by the end of 2019.

The CBC is marking the 20th anniversary of the notorious Hampsterdance web site with a 10,000-word oral history by arts reporter Leah Collins, promising "the twisted true story of one of the world's first memes."

An anonymous reader writes: Deidre LaCarte, a Canadian martial arts instructor, created the site as part of a contest between her friend and her sister to see whose site could attract the most visitors by December 31st, 1998. Deidre won -- then remembers later waking up to news crews at her front door asking about that web site she'd created that had become a worldwide phenomenon. Slashdot's CmdrTaco linked to the site on February 9th, 1999, and hundreds of millions of pageviews later the CBC traces the site's evolution into Hampsterdance -- the Album, which included the less-remembered rock song "Hampster Party." (Recorded under a pseudonym by The Boomtang Boys, it was described by the Onion A.V. Club as "the definitive hamster party anthem of the new millennium," in their year-end retrospective "Least Essential Albums of 2000.")

The CBC also interviewed members from a competing U.K. band that created knock-off versions of the site's hamster-y song for their own hit record, Cognoscenti vs. Intelligentsia. The Canadian hamster band enjoyed some popularity on Disney radio -- one song even became Hannah Montana's ringtone, and Britney Spears reportedly expressed an interest in recording their soulful hamster ballad, "Life is Good." Hallmark also says they ultimately used hampsterdance songs in over 100 different products. But whatever happened to the web site itself?

Bill Porfido, president of a merchandising firm called Abatis International, eventually purchased the site, and described the resulting disaster as "How one man sunk a million trying to turn the world's most annoying website into the biggest thing in kiddie entertainment." Failed monetization attempts included a cartoon series about a world-travelling "Hampster" band -- the official Hampsterdance.com site is still selling a DVD titled How The Hampsters Saved Winter. "One million dollars. It's almost a million, what we lost," Porfido complains, saying the site is now maintained by his old business partner, Brian Hoffman -- and adding "I haven't spoken to Brian in about three years, but I know he's tired of it."
But Porfido later admits that "even though it was a money sponge, I enjoyed every minute of it.

"People are like, 'Hampsterdance? That's you? That's you?!' It kind of gave you a little taste of fame even though it was -- bogus. (Laughs)."

An anonymous reader writes: An updated version of the singing "Big Mouth Billy Bass" plastic fish toy now speaks (with synchronized lip movements) with the voice of Alexa. "Your humdrum life will be totally uprooted because you hung a talking fish on your wall," jokes Fast Company. "Just imagine setting an alarm and being woken up by a Big Mouth Billy Bass dancing and flopping around while it sings to you," adds Mashable.

But more than half the device's 100 reviews from Amazon customer's award it just one star (with another 15% awarding two stars). "The programming on these fish are awful," wrote one reviewer, complaining that the sound continues coming from the Echo device (rather than through the fish's speaker), and when it does actualy sync to the music, "the tail flaps and head movements are off-beat and look terrible."

Meanwhile, late-night talk show host Jimmy Kimmel recently staged a skit with a carolling "choir" of Amazon's smart speakers dressed in Christmas sweaters and caps — a skit which ends with the devices producing a horrific cacophony that Kimmel was unable stop. Kimmel then instructs a stagehand to bring the choir of singing Alexa units "to the ocean, and dump it in."

theodp writes: "Have you ever made something wonderful but were too afraid to share it?" asks Apple's heartwarming "Share Your Gifts" 2018 holiday ad, which features a girl who keeps her creations secret, until they're let out into the world by her dog and enjoyed by everyone around her. Arguably deserving writing credit for the ad is the late Steve Jobs, who thirty-five years ago preached a similar "Real Artists Ship" message to the original Mac team as he led them on a holiday "death march" to get their creation out into the world.

Andy Hertzfeld recalls: "The software team worked hard over the Christmas break of 1983. [...] By the first week of January, the software team was working around the clock, testing and fixing problems that were found. [...] Randy Wigginton brought in a gigantic bag of chocolate covered espresso beans, which, along with medicinal quantities of caffeinated beverages, helped us forgo sleep entirely for the last couple of days." Seeing Apple spin "Real Artists Ship" into "Share Your Gifts" -- which Adweek honored as the 9th Best Commercial of 2018 -- would no doubt be appreciated by master of Reality Distortion Jobs.

theodp writes: "Have you ever made something wonderful but were too afraid to share it?" asks Apple's heartwarming "Share Your Gifts" 2018 holiday ad, which features a girl who keeps her creations secret, until they're let out into the world by her dog and enjoyed by everyone around her. Arguably deserving writing credit for the ad is the late Steve Jobs, who thirty-five years ago preached a similar "Real Artists Ship" message to the original Mac team as he led them on a holiday "death march" to get their creation out into the world.

Andy Hertzfeld recalls: "The software team worked hard over the Christmas break of 1983. [...] By the first week of January, the software team was working around the clock, testing and fixing problems that were found. [...] Randy Wigginton brought in a gigantic bag of chocolate covered espresso beans, which, along with medicinal quantities of caffeinated beverages, helped us forgo sleep entirely for the last couple of days." Seeing Apple spin "Real Artists Ship" into "Share Your Gifts" -- which Adweek honored as the 9th Best Commercial of 2018 -- would no doubt be appreciated by master of Reality Distortion Jobs.

An anonymous reader quotes a report from Gizmodo: It's not a great time to visit the UK as a tourist. Besides all the Brexit nonsense and the December weather, one of our greatest tourist spots is under scaffolding and silent. Poor old Big Ben (and its Elizabeth Tower) are undergoing refurbishment at the moment, so there's not much to see if you want to snap a photo of the famous view. Snapchat's decided the way to fix this is with a Westminster-specific Snapchat Lens. When you activate the lens and point the Snap camera at the tower, the scaffolding peels back and Large Benjamin is there in all his glory again. Eitan Pilipski, VP of the Snap Camera Platform, said in a statement: "We are thrilled to unwrap Big Ben for our Snapchat community in London. This holiday, we wanted to showcase the imaginative power of Snap's Augmented Reality experiences by deconstructing the scaffolding around Big Ben -- at least for a few special moments. We believe that every great AR experience reveals new possibilities. Our goal was to bring together the most cutting edge mapping and imaging technologies to create the kind of unique, location-specific experience that only Snap -- and perhaps Father Christmas -- can deliver."

New submitter ArchieBunker writes: A viral video featuring a booby-trapped HomePod box that pranked package thieves with a glitter bomb has been criticized for faking some of the reactions of the would-be "thieves," who were in fact acquaintances of friends of the video's creator. The video, "Package Thief vs. Glitter Bomb Trap" by former NASA engineer Mark Rober, featured the creation of a device constructed inside a HomePod box that spread out glitter once the HomePod box was opened, with four smartphones used to film the event and subsequent reactions from all angles. Clips were shown of people claimed to be package thieves, opening the box and being covered with glitter, before throwing the contraption away.

One thief's vehicle was found to have a number of similar features to one parked near to the house of a friend of Rober, used to film some of the illicit acquisitions, suggesting it was acquired by someone who lived nearby. Another person used Google Street View and Zillow to analyze the third thief's video from inside her home, and determined the side yard and outdoor area bore a striking resemblance to the home next door to the friend's house. Posted to Imgur, the thread of evidence led to others questioning Rober on some of his later edits to the published video, including deletion of small sections and blurring out details. According to Rober, he offered to provide the box to people who were willing to place it on their doorstep, with the offer of financial compensation for successful recoveries of the package, and one "friend of a friend" volunteered to help. Rober has since confirmed that two of the five reactions used in the video were suspicious, and were subsequently removed, but insists the reactions for times when the box was stolen from his doorstep were genuine. "I'm especially gutted because so much thought, time, money, and effort went into building the device and I hope this doesn't just taint the entire effort as 'fake,'" writes Rober in text placed underneath the video. "It genuinely works (like all the other things I've built on my channel) and we've made all the code and build info public."

They say revenge is a dish best served cold. But for Mark Rober, it's much sweeter served smart, smelly and covered in glitter. From a report: The former NASA engineer-turned-YouTube star has received plaudits online after designing a booby trap to avenge all those who've fallen victim to a new wave of neighborhood crime: doorstep delivery theft. Rober spent six months combining GPS tracking, cameras, fart spray and glitter in an elaborate and amusing mechanism after discovering thieves had stolen an Amazon delivery from his doorstep.

In a video posted on his channel, the 38-year-old, who helped design the U.S. space agency's Curiosity Rover, said his engineering experience left him well-placed to "take a stand" after dismissive police left him feeling "powerless." "If anyone was going to make a revenge ... package and over-engineer the crap out of it, it was going to be me," said Rober, who spent nine years with NASA.

Thelasko quotes a report from Ars Technica: A half century ago, computer history took a giant leap when Douglas Engelbart -- then a mid-career 43-year-old engineer at Stanford Research Institute in the heart of Silicon Valley -- gave what has come to be known as the "mother of all demos." On December 9, 1968 at a computer conference in San Francisco, Engelbart showed off the first inklings of numerous technologies that we all now take for granted: video conferencing, a modern desktop-style user interface, word processing, hypertext, the mouse, collaborative editing, among many others. Even before his famous demonstration, Engelbart outlined his vision of the future more than a half-century ago in his historic 1962 paper, "Augmenting Human Intellect: A Conceptual Framework."

To open the 90-minute-long presentation, Engelbart posited a question that almost seems trivial to us in the early 21st century: "If in your office, you as an intellectual worker were supplied with a computer display, backed up by a computer that was alive for you all day, and was instantly responsible -- responsive -- to every action you had, how much value would you derive from that?" By 1968, Engelbart had created what he called the "oN-Line System," or NLS, a proto-Intranet. The ARPANET, the predecessor to the Internet itself, would not be established until late the following year.

An anonymous reader quotes a report from The New York Times: You might guess that a surefire way to make a hit video on YouTube would be to gather a bunch of YouTube megastars, film them riffing on some of the year's most popular YouTube themes and release it as a year-in-review spectacular. You would be wrong. YouTube tested that theory this week, releasing its annual "YouTube Rewind" year-end retrospective. The eight-minute video was a jam-packed montage of YouTube meta-humor, featuring a who's-who of YouTube stars along with conventional celebrities. The video was slickly produced and wholesome, with lots of references to the popular video game Fortnite, shout-outs to popular video formats, and earnest paeans to YouTube's diversity and inclusiveness. It was meant to be a feel-good celebration of a year's worth of YouTube creativity, but the video started a firestorm, and led to a mass-downvoting campaign that became a meme of its own. Within 48 hours, the video had been "disliked" more than four million times. On Thursday, it became the most-disliked video in the history of the website, gathering more than 10 million dislikes and beating out the previous record-holder, the music video for Justin Bieber's "Baby."

The issue that upset so many YouTube fans, it turns out, was what the Rewind video did not show. Many of the most notable YouTube moments of the year -- such as the August boxing match between KSI and Logan Paul, two YouTube stars who fought in a highly publicized spectacle watched by millions -- went unmentioned. And some prominent YouTubers were absent, including Felix Kjellberg, a.k.a. "PewDiePie," one of the most popular creators in YouTube's history, who had appeared in the Rewind videos as recently as 2016. Some YouTubers enjoyed the video. But to many, it felt like evidence that YouTube the company was snubbing YouTube the community by featuring mainstream celebrities in addition to the platform's homegrown creators, and by glossing over major moments in favor of advertiser-friendly scenes. The Times says the Rewind controversy "is indicative of a larger issue at YouTube, which is trying to promote itself as a bastion of cool, inclusive creativity while being accused of radicalizing a generation of young people by pushing them toward increasingly extreme content, and allowing reactionary cranks and conspiracy theorists to dominate its platform."

"But people like Mr. Kjellberg and Mr. Paul -- stars who rose to prominence through YouTube, and still garner tens of millions of views every month -- remain in a kind of dysfunctional relationship with the platform. YouTube doesn't want to endorse their behavior in its official promotions, but it doesn't want to alienate their large, passionate audiences, either," reports the NYT. "And since no other platform can rival the large audiences and earning potential YouTube gives these creators, they are stuck in a kind of unhappy purgatory -- making aggrieved videos about how badly YouTube has wronged them, while also tiptoeing to avoid crossing any lines that might get them barred, or prevent them from making money from their videos." This tension is at the heart of the controversy over YouTube Rewind.

"A YouTube recap that includes only displays of tolerance and pluralism is a little like a Weather Channel highlight reel featuring only footage of sunny days -- it might be more pleasant to look at, but it doesn't reflect the actual weather..."

Long-time Slashdot reader Mike Bouma quotes Gizmodo: Despite being ahead of its time when it was unveiled in 1985, the Commodore Amiga didn't survive past 1996. The machine, which went up against with the likes of the IBM PC and the Macintosh, offered far superior hardware than its competitors. But it just wasn't enough, as this video from Ahoy's Stuart Brown explains. While the Amiga had other 16-bit computers beat on technology, it didn't really have anything compelling to do with that hardware. "With 4096 colours, 4 channels of digital audio, and preemptive multitasking, [the Amiga] was capable of incredible things for the time...."

[U]nfortunately, internal struggles within Commodore would signal the beginning of the end.
I'll always remember Joel Hodgson's Amiga joke on a 1991 episode of Mystery Science Theatre 3000. But in 2015 Geek.com reported on an Amiga which had been running a school's heating system for the last 30 years. A local high school student had originally set it up, and "he's the only one who knows how to fix software glitches. Luckily, he still lives in the area."

Leave your own thoughts in the comments. Does anyone else have their own stories about Commodore's Amiga? And was the Amiga a computer ahead of its time?

Long-time Slashdot reader Mike Bouma quotes Gizmodo: Despite being ahead of its time when it was unveiled in 1985, the Commodore Amiga didn't survive past 1996. The machine, which went up against with the likes of the IBM PC and the Macintosh, offered far superior hardware than its competitors. But it just wasn't enough, as this video from Ahoy's Stuart Brown explains. While the Amiga had other 16-bit computers beat on technology, it didn't really have anything compelling to do with that hardware. "With 4096 colours, 4 channels of digital audio, and preemptive multitasking, [the Amiga] was capable of incredible things for the time...."

[U]nfortunately, internal struggles within Commodore would signal the beginning of the end.
I'll always remember Joel Hodgson's Amiga joke on a 1991 episode of Mystery Science Theatre 3000. But in 2015 Geek.com reported on an Amiga which had been running a school's heating system for the last 30 years. A local high school student had originally set it up, and "he's the only one who knows how to fix software glitches. Luckily, he still lives in the area."

Leave your own thoughts in the comments. Does anyone else have their own stories about Commodore's Amiga? And was the Amiga a computer ahead of its time?

ESET researchers have discovered a new Android Trojan using a novel Accessibility-abusing technique that targets the official PayPal app, and is capable of bypassing PayPal's two-factor authentication. A report elaborates: At the time of writing, the malware is masquerading as a battery optimization tool, and is distributed via third-party app stores. After being launched, the malicious app terminates without offering any functionality and hides its icon. This video, courtesy of ESET, demonstrates the process in practice.

On December 10, 1993, after a marathon 30-hour coding session, the developers at id Software uploaded the first finished copy of Doom for download, the game that was to redefine first-person shooter (FPS) genre. Hours later IT admins wanted id's guts for garters. The Register: Doom wasn't the first FPS game, but it was the iPhone of the field -- it took parts from various other products and packaged them together in a fearsomely addictive package. Admins loathed it because it hogged bandwidth for downloading and was designed to allow network deathmatches, so millions of users immediately took up valuable network resources for what seemed a frivolous pursuit to some curmudgeonly BOFHs.

The game was an instant hit -- so much so that within hours of its release admins were banning it from servers to try and cope with the effects of thousands, and then millions of people playing online. It spawned remakes and follow-up games, its own movie (don't bother) and even a glowing endorsement from Bill Gates.

On December 10, 1993, after a marathon 30-hour coding session, the developers at id Software uploaded the first finished copy of Doom for download, the game that was to redefine first-person shooter (FPS) genre. Hours later IT admins wanted id's guts for garters. The Register: Doom wasn't the first FPS game, but it was the iPhone of the field -- it took parts from various other products and packaged them together in a fearsomely addictive package. Admins loathed it because it hogged bandwidth for downloading and was designed to allow network deathmatches, so millions of users immediately took up valuable network resources for what seemed a frivolous pursuit to some curmudgeonly BOFHs.

The game was an instant hit -- so much so that within hours of its release admins were banning it from servers to try and cope with the effects of thousands, and then millions of people playing online. It spawned remakes and follow-up games, its own movie (don't bother) and even a glowing endorsement from Bill Gates.

NASA's InSight lander, which touched down on Mars less than two weeks ago, has recorded vibrations -- low-pitched, guttural rumblings -- caused by wind blowing across the science instruments on the spacecraft's deck. NBC News reports: Unaltered, these vibrations are barely audible, because they were recorded at a frequency of 50 hertz, at the low end of what the human ear can detect, according to Thomas Pike, the lead scientist for InSight's Short Period Seismometer, one of two instruments that picked up the subtle movements. NASA also released a sample of the same audio file that was shifted up about six octaves, to within a range audible to humans. That recording -- which at times sounds like a regular blustery day on Earth and other times has the muted, hollow quality reminiscent of being underwater -- would essentially be what a person would hear if they were sitting on the InSight lander on Mars, said Don Banfield, the science lead for InSight's air pressure sensor and a planetary scientist at Cornell University in Ithaca, New York. NASA believes the wind in the recordings was blowing at 10-15 miles per hour from northwest to southeast.

NASA's InSight lander, which touched down on Mars less than two weeks ago, has recorded vibrations -- low-pitched, guttural rumblings -- caused by wind blowing across the science instruments on the spacecraft's deck. NBC News reports: Unaltered, these vibrations are barely audible, because they were recorded at a frequency of 50 hertz, at the low end of what the human ear can detect, according to Thomas Pike, the lead scientist for InSight's Short Period Seismometer, one of two instruments that picked up the subtle movements. NASA also released a sample of the same audio file that was shifted up about six octaves, to within a range audible to humans. That recording -- which at times sounds like a regular blustery day on Earth and other times has the muted, hollow quality reminiscent of being underwater -- would essentially be what a person would hear if they were sitting on the InSight lander on Mars, said Don Banfield, the science lead for InSight's air pressure sensor and a planetary scientist at Cornell University in Ithaca, New York. NASA believes the wind in the recordings was blowing at 10-15 miles per hour from northwest to southeast.

Nvidia is using artificial intelligence to draw new worlds without using traditional modeling techniques or graphics rendering engines. "This new technology uses an AI deep neural network to analyze existing videos and then apply the visual elements to new 3D environments," reports Tom's Hardware. From the report: Nvidia claims this new technology could provide a revolutionary step forward in creating 3D worlds because the AI models are trained from video to automatically render buildings, trees, vehicles, and objects into new 3D worlds, instead of requiring the normal painstaking process of modeling the scene elements. But the project is still a work in progress. As we can see from [this image], which was generated in real time on a Nvidia Titan V graphics card using its Tensor cores, the rendered scene isn't as crisp as we would expect in real life, and it isn't as clear as we would expect with a normal modeled scene in a 3D environment. However, the result is much more impressive when we see the real-time output in [this YouTube video]. The key here is speed: The AI generates these scenes in real time.

The Federal Trade Commission this week agreed to investigate video game loot boxes, accepting an official request by Senator Maggie Hassan. In a Congressional oversight committee hearing yesterday, FTC chairman Joe Simons affirmed Sen. Hassan's request that loot boxes be investigated. From a report: During her turn to ask questions at the hearing, Hassan cited a recent report by Great Britain's Gambling Commission that found 31% of children in the country had at one point or another paid money to open a loot box, a well as moves by Belgium (which prompted Square Enix to pull three mobile games from the country), Japan, and other countries to limit how loot boxes can be used in games. "Given the seriousness of this issue, I think it is in fact time for the FTC to investigate these mechanisms to ensure that children are being adequately protected and to educate parents about potential addiction or other negative impacts of these games," Hassan said. "Would you commit to undertaking this project and keeping this committee informed about it?" In response, Simons said "yes," but declined to go into any more detail about the FTC's current position on loot boxes and whether they constitute a form of gambling. Despite vocal criticism from Hassan and a few others on the topic, regulators have not been jumping to get involved in the debate.

A small group of Pixel owners in "select" U.S. cities are able to use Google's new Duplex feature to automatically make voice calls to restaurants and other businesses on their behalf. Referencing a demo from VentureBeat, The Verge notes that "the exchange between Duplex and a restaurant on the other side of the call is raising some early concerns about transparency." From the report: [Y]ou'll notice that Duplex never identifies itself as a robot. It never tells the person taking the call that they're interacting with an automated system. "Hi, I'm calling to make a reservation for a client. I'm calling from Google, so the call may be recorded," is what Duplex says to begin the conversation. And that little bit -- about the call coming "from Google" and potentially being recorded -- is the only disclosure that it ever provides. From then on, Duplex handles the requested dinner reservation smoothly.

This disclosure doesn't match up with a promotional video for Duplex that Google posted to YouTube back in June. In that example (embedded below), Duplex makes it very clear that it's a bot. "Hi, I'm the Google Assistant calling to make a reservation for a client. This automated call will be recorded." That's a much better approach. You're talking to the Google Assistant. It's an automated call, and it is being recorded; no maybes about it. The report notes that some Duplex calls -- such as the one VentureBeat included in their demo -- are actually handled by a human. "When a human operator at Google places a Duplex call, they don't necessarily disclose anything about Google Assistant or note it's an automated call," reports The Verge. "Because it's not. Not entirely, anyway. Google's Duplex tests involve a mix of the two; some are led by Googlers, while others let the AI steer. The majority of calls are the latter and automated, from what I'm told."

AmiMoJo writes: The International Space Station has been in orbit for 20 years, with the first module Zarya (Russian for "dawn") being launched on the 20th of November in 1998. To celebrate, the European Space Agency (ESA) has released the longest timelapse video made in space to date. "Captured by German astronaut Alexander Gerst, the time-lapse takes you on two trips around the world with labels marking countries that pass through the frame," reports PetaPixel. "Traveling at 28,800 km/h (17896 mph), it takes the station just 90 minutes to orbit the Earth. 21,375 individual photos shot on October 6th went into the video, which is played back at 12.5 times faster than real time."

dmoberhaus writes: Here's a conversation with the developer who maintains the public server for Lenny, a robocalling algorithm that throws telemarketers through a loop. Lenny was created in 2009 and almost a decade later has developed a cult following online. Anyone can forward their telemarketing calls to Lenny, who is a kind and forgetful old man who is interested in whatever the telemarketer is selling. Some telemarketers stay on the line for up to an hour interacting with this chatbot, leading to hundreds of hours of hilarious recordings on YouTube. This is the story of Lenny's rise, and an analysis of its effectiveness at stopping unsolicited calls.

An anonymous reader quotes a report from Medical Xpress: EXPLORER, the world's first medical imaging scanner that can capture a 3-D picture of the whole human body at once, has produced its first scans. The brainchild of UC Davis scientists Simon Cherry and Ramsey Badawi, EXPLORER is a combined positron emission tomography (PET) and X-ray computed tomography (CT) scanner that can image the entire body at the same time. Because the machine captures radiation far more efficiently than other scanners, EXPLORER can produce an image in as little as one second and, over time, produce movies that can track specially tagged drugs as they move around the entire body.

EXPLORER will have a profound impact on clinical research and patient care because it produces higher-quality diagnostic PET scans than have ever been possible. EXPLORER also scans up to 40 times faster than current PET scans and can produce a diagnostic scan of the whole body in as little as 20-30 seconds. Alternatively, EXPLORER can scan with a radiation dose up to 40 times less than a current PET scan, opening new avenues of research and making it feasible to conduct many repeated studies in an individual, or dramatically reduce the dose in pediatric studies, where controlling cumulative radiation dose is particularly important.

On Monday, developer Crowbar Collective released the first trailer for Black Mesa: Xen, the final act of its long running remake of Valve's 1998 game Half-Life, which marked its 20-year anniversary on the same day. "The finale of Half-Life put hero Gordon Freeman in an alien world, and Black Mesa: Xen's upgraded graphics and redesign makes the original's muddy palette look vibrant and strange," reports Motherboard. "It looks just as exciting as it did at the time of the original game's release." From the report: When Valve unleashed Half-Life, it changed video games forever. The first person shooter from what was then a relatively unknown company starred a silent scientist beating down alien headcrabs and shooting human Marines in a novel sci-fi adventure. It was a triumph. Shortly after, in 2003, the Crowbar Collective began work on a remake that would come to be known as Black Mesa. Fan communities routinely reimagine their favorite video games, often as modifications, or mods, of the originals. Black Mesa began life as a free mod for Half-Life 2, but grew into a proper remake. Crowbar Collective added new voice work, changed animations, and tweaked the original game in hundreds of ways big and small. Black Mesa: Xen has a target release date of early 2019.

YouTube's "Movies & Shows" page added a "Free to Watch" section last month. They're trying to compete with free ad-supported online movie offerings from Roku, Walmart, and Tubi, while "Amazon is rumored to be working on something similar," reports TechCrunch: Before, YouTube had only offered consumers the ability to purchase movies and TV shows, similar to how you can rent or buy content from Apple's iTunes or Amazon Video.... Currently, YouTube is serving ads on these free movies, but the report said the company is open to working out other deals with advertisers -- like sponsorships or exclusive screenings.

YouTube's advantage in this space, compared with some others, is its sizable user base of 1.9 billion monthly active users and its ability to target ads using data from Google.
The 99 free movies include the first five Rocky movies, and four movies in the Pink Panther series (all from the post-Peter Sellers era, including the forgotten 1993 film in which the title theme is sung by Bobby McFerrin), as well as Pauly Shore's dreadful 1996 comedy Bio-Dome (which received a 4% rating on Rotten Tomatoes). Also available is James Cameron's original 1984 film The Terminator, the 2010 documentary With Great Power: The Stan Lee Story and the 1995 film "Hackers" starring Angelina Jolie.

"In this cyberpunk thriller, a renegade group of elite teenage computer hackers rollerblade through New York City by day and ride the information highway by night. After hacking into a high-stakes industrial conspiracy, they become prime suspects and must recruit the best of the cybernet underground to help clear their names."

YouTube's "Movies & Shows" page added a "Free to Watch" section last month. They're trying to compete with free ad-supported online movie offerings from Roku, Walmart, and Tubi, while "Amazon is rumored to be working on something similar," reports TechCrunch: Before, YouTube had only offered consumers the ability to purchase movies and TV shows, similar to how you can rent or buy content from Apple's iTunes or Amazon Video.... Currently, YouTube is serving ads on these free movies, but the report said the company is open to working out other deals with advertisers -- like sponsorships or exclusive screenings.

YouTube's advantage in this space, compared with some others, is its sizable user base of 1.9 billion monthly active users and its ability to target ads using data from Google.
The 99 free movies include the first five Rocky movies, and four movies in the Pink Panther series (all from the post-Peter Sellers era, including the forgotten 1993 film in which the title theme is sung by Bobby McFerrin), as well as Pauly Shore's dreadful 1996 comedy Bio-Dome (which received a 4% rating on Rotten Tomatoes). Also available is James Cameron's original 1984 film The Terminator, the 2010 documentary With Great Power: The Stan Lee Story and the 1995 film "Hackers" starring Angelina Jolie.

"In this cyberpunk thriller, a renegade group of elite teenage computer hackers rollerblade through New York City by day and ride the information highway by night. After hacking into a high-stakes industrial conspiracy, they become prime suspects and must recruit the best of the cybernet underground to help clear their names."

YouTube's "Movies & Shows" page added a "Free to Watch" section last month. They're trying to compete with free ad-supported online movie offerings from Roku, Walmart, and Tubi, while "Amazon is rumored to be working on something similar," reports TechCrunch: Before, YouTube had only offered consumers the ability to purchase movies and TV shows, similar to how you can rent or buy content from Apple's iTunes or Amazon Video.... Currently, YouTube is serving ads on these free movies, but the report said the company is open to working out other deals with advertisers -- like sponsorships or exclusive screenings.

YouTube's advantage in this space, compared with some others, is its sizable user base of 1.9 billion monthly active users and its ability to target ads using data from Google.
The 99 free movies include the first five Rocky movies, and four movies in the Pink Panther series (all from the post-Peter Sellers era, including the forgotten 1993 film in which the title theme is sung by Bobby McFerrin), as well as Pauly Shore's dreadful 1996 comedy Bio-Dome (which received a 4% rating on Rotten Tomatoes). Also available is James Cameron's original 1984 film The Terminator, the 2010 documentary With Great Power: The Stan Lee Story and the 1995 film "Hackers" starring Angelina Jolie.

"In this cyberpunk thriller, a renegade group of elite teenage computer hackers rollerblade through New York City by day and ride the information highway by night. After hacking into a high-stakes industrial conspiracy, they become prime suspects and must recruit the best of the cybernet underground to help clear their names."

YouTube's "Movies & Shows" page added a "Free to Watch" section last month. They're trying to compete with free ad-supported online movie offerings from Roku, Walmart, and Tubi, while "Amazon is rumored to be working on something similar," reports TechCrunch: Before, YouTube had only offered consumers the ability to purchase movies and TV shows, similar to how you can rent or buy content from Apple's iTunes or Amazon Video.... Currently, YouTube is serving ads on these free movies, but the report said the company is open to working out other deals with advertisers -- like sponsorships or exclusive screenings.

YouTube's advantage in this space, compared with some others, is its sizable user base of 1.9 billion monthly active users and its ability to target ads using data from Google.
The 99 free movies include the first five Rocky movies, and four movies in the Pink Panther series (all from the post-Peter Sellers era, including the forgotten 1993 film in which the title theme is sung by Bobby McFerrin), as well as Pauly Shore's dreadful 1996 comedy Bio-Dome (which received a 4% rating on Rotten Tomatoes). Also available is James Cameron's original 1984 film The Terminator, the 2010 documentary With Great Power: The Stan Lee Story and the 1995 film "Hackers" starring Angelina Jolie.

"In this cyberpunk thriller, a renegade group of elite teenage computer hackers rollerblade through New York City by day and ride the information highway by night. After hacking into a high-stakes industrial conspiracy, they become prime suspects and must recruit the best of the cybernet underground to help clear their names."

YouTube's "Movies & Shows" page added a "Free to Watch" section last month. They're trying to compete with free ad-supported online movie offerings from Roku, Walmart, and Tubi, while "Amazon is rumored to be working on something similar," reports TechCrunch: Before, YouTube had only offered consumers the ability to purchase movies and TV shows, similar to how you can rent or buy content from Apple's iTunes or Amazon Video.... Currently, YouTube is serving ads on these free movies, but the report said the company is open to working out other deals with advertisers -- like sponsorships or exclusive screenings.

YouTube's advantage in this space, compared with some others, is its sizable user base of 1.9 billion monthly active users and its ability to target ads using data from Google.
The 99 free movies include the first five Rocky movies, and four movies in the Pink Panther series (all from the post-Peter Sellers era, including the forgotten 1993 film in which the title theme is sung by Bobby McFerrin), as well as Pauly Shore's dreadful 1996 comedy Bio-Dome (which received a 4% rating on Rotten Tomatoes). Also available is James Cameron's original 1984 film The Terminator, the 2010 documentary With Great Power: The Stan Lee Story and the 1995 film "Hackers" starring Angelina Jolie.

"In this cyberpunk thriller, a renegade group of elite teenage computer hackers rollerblade through New York City by day and ride the information highway by night. After hacking into a high-stakes industrial conspiracy, they become prime suspects and must recruit the best of the cybernet underground to help clear their names."

YouTube's "Movies & Shows" page added a "Free to Watch" section last month. They're trying to compete with free ad-supported online movie offerings from Roku, Walmart, and Tubi, while "Amazon is rumored to be working on something similar," reports TechCrunch: Before, YouTube had only offered consumers the ability to purchase movies and TV shows, similar to how you can rent or buy content from Apple's iTunes or Amazon Video.... Currently, YouTube is serving ads on these free movies, but the report said the company is open to working out other deals with advertisers -- like sponsorships or exclusive screenings.

YouTube's advantage in this space, compared with some others, is its sizable user base of 1.9 billion monthly active users and its ability to target ads using data from Google.
The 99 free movies include the first five Rocky movies, and four movies in the Pink Panther series (all from the post-Peter Sellers era, including the forgotten 1993 film in which the title theme is sung by Bobby McFerrin), as well as Pauly Shore's dreadful 1996 comedy Bio-Dome (which received a 4% rating on Rotten Tomatoes). Also available is James Cameron's original 1984 film The Terminator, the 2010 documentary With Great Power: The Stan Lee Story and the 1995 film "Hackers" starring Angelina Jolie.

"In this cyberpunk thriller, a renegade group of elite teenage computer hackers rollerblade through New York City by day and ride the information highway by night. After hacking into a high-stakes industrial conspiracy, they become prime suspects and must recruit the best of the cybernet underground to help clear their names."

theodp writes: Developers! Developers! Developers! To make good on the proposal that snagged it a share of the Amazon HQ2 prize, the State of Virginia is also apparently on the hook for doubling the annual number of graduates with computer science or closely related degrees, with a goal to add 25,000 to 35,000 graduates (Amazon's HQ2 RFP demanded info on "education programs related to computer science"). To do that, the state will establish a performance-based investment fund for higher education institutions to expand their bachelor's degree programs, and spend up to $375 million on George Mason University's Arlington campus and a new Virginia Tech campus in Alexandria. The state will also spend $50 million on STEM + CS education in public schools and expanding internships for higher education students.

Amazon is certainly focused on boosting the ranks of software engineer types. Earlier this month, Amazon launched Amazon Future Engineer, a program that aims to teach more than 10 million students a year how to code, part of a $50 million Amazon commitment to computer science education that was announced last year at a kickoff event for the Ivanka Trump-led White House K-12 CS Initiative. And on Wednesday, Amazon-bankrolled Code.org -- Amazon is a $10+ million Diamond Supporter of the nonprofit; CS/EE grad Jeff Bezos is a $1+ million Gold Supporter -- announced it has teamed with Amazon Future Engineer to build and launchHour of Code: Dance Party, a signature tutorial for this December's big Hour of Code (powered by AWS in 2017), which has become something of a corporate infomercial (Microsoft recently boasted "learners around the world have completed nearly 100 million Minecraft Hour of Code sessions"). Students participating in the Dance Party tutorial, Code.org explained, can choose from 30 hits like Katy Perry's "Firework" and code interactive dance moves and special effects as they learn basic CS concepts. "The artists whose music is used in this tutorial are not sponsoring or endorsing Amazon as part of licensing use of their music to Code.org," stresses a footnote in Code.org's post. So, don't try to make any connections between Katy Perry's Twitter endorsement of the Code.org/Amazon tutorial later that day and those same-day follow-up Amazon and Katy Perry tweets touting their new exclusive Amazon Music streaming deal, kids!

An anonymous reader quotes a report from The Guardian: A spinning turbine that can capture wind traveling in any direction and could transform how consumers generate electricity in cities has won its inventors a prestigious international award and ~$38,000 prize. Nicolas Orellana, 36, and Yaseen Noorani, 24, MSc students at Lancaster University, scooped the James Dyson award for their O-Wind Turbine, which -- in a technological first -- takes advantage of both horizontal and vertical winds without requiring steering.

O-Wind Turbine is a 25cm sphere with geometric vents that sits on a fixed axis and spins when wind hits it from any direction. When wind energy turns the device, gears drive a generator that converts the power of the wind into electricity. The students believe the device, which could take at least five years to be put into commercial production, could be installed on large structures such as the side of a building or balcony, where wind speeds are highest. Dyson, who chose the winners, hailed it as "an ingenious concept." He continued: "Designing something that solves a problem is an intentionally broad brief. It invites talented, young inventors to do more than just identify real problems. It empowers them to use their ingenuity to develop inventive solutions. O-Wind Turbine does exactly that. It takes the enormous challenge of producing renewable energy and using geometry it can harness energy in places where we've scarcely been looking -- cities."

SpaceX has successfully sent up a communications satellite for the country of Qatar, marking the aerospace company's 18th mission in 2018, which ties the company's record in 2017 for the most launches done in a year. Since the company has several more missions planned for this year, it's very likely that the company will set a new all-time high soon. The Verge reports: For this mission, SpaceX is employing another one of its used rockets, a Falcon 9 booster that launched the Telstar 19 VANTAGE satellite in July. After that mission, the rocket landed on one of SpaceX's autonomous drone ships in the Atlantic Ocean, and the company hopes to pull off the same feat following today's launch. If successful, this particular Falcon 9 booster could be capable of flying a third time in the near future.

The payload is the Es'hail-2 satellite, which is meant to provide communications services to the Middle East and North Africa. It's primarily meant to be used for government and commercial purposes, however, amateur radio operators can also use this satellite. Es'hail-2 has two transponders on board that can connect to amateur radios from South America to Asia. It's not the only satellite with this capability, but Es'hail-2 is going to a particularly high orbit 22,000 miles up. That will make it the first satellite at this altitude to link amateur radios from Brazil to India. SpaceX managed to successfully deploy the Es'hail-2 satellite into orbit "32 minutes after takeoff," The Verge reports in an update. "The company also landed its Falcon 9 rocket on one of its drone ships following liftoff, bringing its total number of successful booster landings to 31." You can watch the full launch here.

A new report from the New York Times sheds some light on what happened inside Facebook last year as the company was fighting numerous scandals, including Russian interference and the Cambridge Analytica scandal in March. In addition to reportedly hiring a public relations firm to write dozens of articles critical of rivals Google and Apple, the social media company ordered Facebook executives to use Android phones, after Apple CEO Tim Cook criticized the company in an MSNBC interview for being a service that traffics "in your personal life." According to the report, the order came from Facebook CEO Mark Zuckerberg. The Verge reports: In those comments made back in March, Cook dismissed a question asking him what he would do if he were in Zuckerberg's shoes dealing with the fallout from the Cambridge Analytica scandal by saying, "I wouldn't be in this situation." Zuckerberg soon after retorted in an interview with Recode that he found Cook's comments to be "extremely glib," and that "I think it's important that we don't all get Stockholm syndrome and let the companies that work hard to charge you more convince you that they actually care more about you. Because that sounds ridiculous to me." While it's not clear how Cook's aggressive comments directly provoked Zuckerberg into issuing his Android-only order, it's still a rational decision to make Americans use Android. Android is the dominant operating system in many regions outside of the U.S., including South America, Europe, Russia, South Asia, and parts of the Middle East.

YouTube CEO Susan Wojcicki has again hit out at proposed new European Union copyright rules which she claims is impossible for a platform like YouTube to comply with, and if done so, could harm the creative industries. Wojcicki said the European Parliament's vote in favor of an overhaul to copyright law two months ago is "unrealistic" because owners often disagree on who owns the rights to online material. In a blog post, she wrote: Take the global music hit "Despacito." This video contains multiple copyrights, ranging from sound recording to publishing rights. Although YouTube has agreements with multiple entities to license and pay for the video, some of the rights holders remain unknown. That uncertainty means we might have to block videos like this to avoid liability under article 13. Multiply that risk with the scale of YouTube, where more than 400 hours of video are uploaded every minute, and the potential liabilities could be so large that no company could take on such a financial risk.

The consequences of article 13 go beyond financial losses. EU residents are at risk of being cut off from videos that, in just the last month, they viewed more than 90bn times. Those videos come from around the world, including more than 35m EU channels, and they include language classes and science tutorials as well as music videos. We welcome the chance to work with policymakers and the industry to develop a solution within article 13 that protects rights holders while also allowing the creative economy to thrive. This could include more comprehensive licensing agreements, collaboration with rights holders to identify who owns what, and smart rights management technology, similar to Content ID.

Two AI anchors are joining China's state-run news agency Xinhua. "The two anchors, one that speaks in English and another in Chinese, have the likeness of some of Xinhua's human anchors, but their voices, facial expressions and mouth movements are synthesized and animated using deep learning techniques," reports Engadget. From the report: "AI anchors have officially become members of the Xinhua News Agency reporting team," the agency said. "They will work with other anchors to bring you authoritative, timely and accurate news information in both Chinese and English." China's South China Morning Post reports that the AI anchors are available through Xinhua's English and Chinese apps, its TV webpage and its WeChat public account. The technology behind the anchors is being provided by search engine company Sogou.

Xinhua says its AI anchors can deliver the news with the "same effect" as that of human reporters. But if you watch the video, that isn't exactly true. It's pretty clear you're watching a non-human anchor as the mouth movements and facial expressions aren't quite human-like, and the voice can come off as a little robotic.

chiefcrash shares a report from The New York Times about a man who wants to build a community based on the blockchain technology introduced by Bitcoin: An enormous plot of land in the Nevada desert -- bigger than nearby Reno -- has been the subject of local intrigue since a company with no history, Blockchains L.L.C., bought it for $170 million in cash this year. The man who owns the company, a lawyer and cryptocurrency millionaire named Jeffrey Berns, put on a helmet and climbed into a Polaris off-road vehicle last week to give a tour of the sprawling property and dispel a bit of the mystery. He imagines a sort of experimental community spread over about a hundred square miles, where houses, schools, commercial districts and production studios will be built. The centerpiece of this giant project will be the blockchain, a new kind of database that was introduced by Bitcoin.

So far, he said, he has spent $300 million on the land, offices, planning and a staff of 70 people. And buying 67,000 largely undeveloped acres is a bit of old-fashioned, real estate risk-taking. Still, Mr. Berns said his ambition was not to be a real estate magnate or even to get rich -- or richer. He is promising to give away all decision-making power for the project and 90 percent of any dividends it generates to a corporate structure that will be held by residents, employees and future investors. That structure, which he calls a "distributed collaborative entity," is supposed to operate on a blockchain where everyone's ownership rights and voting powers will be recorded in a digital wallet. "In a keynote spectacle at Devcon4 in Prague, Berns announced some of their plans for the future, as well as some of their recent activities, such as buying two nuclear bomb shelters, a mountain fortress in Switzerland, and a bank," adds Slashdot reader chiefcrash.

An anonymous reader quotes a report from Wired: On Thursday, Russian officials held a press conference to reveal that they have determined what caused last month's Soyuz mid-flight failure. The culprit: a damaged sensor on one of the rocket's four boosters responsible for stage separation. With the investigation complete, the officials announced that they will move up the date of the next crew launch to the International Space Station. Russian space agency officials confirmed that the faulty sensor, designed to signal stage separation, had caused one of the boosters to improperly separate. This led the first and second stages of the rocket to collide, which then triggered the vehicle's emergency abort system.

Video of the incident, released today by the space agency, shows the accident from the rocket's point of view. In it, the booster in question strikes the core of the rocket, causing a significant jolt, which triggered the abort. According to officials, the afflicted sensor rod was bent slightly during the assembly of the rocket. To check for any handling errors that might have also affected other rockets, Russian officials said that all assembled Soyuz rockets -- and their attached booster pack -- will be taken apart and put together anew.

Astronomers on Wednesday reported new telescope observations of the environment around the Milky Way's supermassive black hole, named Sagittarius A*, pronounced "a-star," and they transformed the data into a lively animation. From a report: The video is positively ghostly. Clumps of gas swirl around the black hole, traveling at about 30 percent of the speed of light. Astronomers collected the data for the visualization using an instrument on the European Southern Observatory's Very Large Telescope, located in the deserts of northern Chile. The instrument, appropriately named GRAVITY, detected flares of infrared radiation coming from the disk surrounding Sagittarius A*. The researchers believe the bursts originated very close to the black hole, in an incredibly tumultuous region known as the innermost stable orbit. Here, cosmic material is slung around violently, but it remains far away enough that it can circle the black hole safely without getting sucked into the darkness.

If the thought of orbiting a monstrous, star-gobbling black hole spooks you, don't worry. Earth, located about two-thirds out from the center of the Milky Way, is at a very safe distance. The planet is in no danger of being consumed and wiped off the face of the universe. But, like everything else in the galaxy, it has long been subject to the black hole's whims. When black holes belch radiation out into space, the outflow can heat surrounding gas so much that it prevents it from cooling. If cosmic dust can't cool, it can't condense to form individual, brand-new stars, including ones like our sun. Scientists suspect that the fates of galaxies -- whether they produce new stars or stop altogether -- rests with the supermassive black holes at their centers.