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The Confounded Mr. Valenti

On June 6th, MPAA Chairman Jack Valenti finally recorded a deposition to be used by the United States District Court in the case of the DVD CCA vs. 2600. The deposition is available here from Cryptome, and here on 2600's site. Wired has an article about the deposition here, as well. According to the phrase-counters at Wired, Mr. Valenti said "I don't know" 62 times, "I don't recall" 29 times, and "I'm not aware" 16 times. Interesting that Mr. Valenti makes all sorts of statements, but isn't actually aware of what's going on.

353 comments

  1. I'm suffocating in the cloud of irony by zerodvyd · · Score: 2

    I find it terribly ironic that the counsel for Mr. Valenti objected to nearly everything that Mr. Garbus asked.

    Mr. Valenti, for the past year, has made statement after statement through the MPAA as a signatory, or through articles for various news sources. These statements were most certainly in reference to DVD, DVD CCA, DeCSS, piracy, etc.
    We know this because, we've ranted and carried on about them here on /. ...yet every time he was questioned about the very law he lobbied for, he was either admonished by his counsel, or simply stated 'I don't recall'. When he did actually answer differently than that, it was saying how circumventing any encryption is illegal according to the DMCA.

    Put this in perspective, I'm the happy owner of a Sony DVD deck. I have several films that I purchased before this hubbub started, but since then I've focused on independant stuff because I am in support of Eric Corley, and I am in support of Fair Use.
    I also own a Creative Labs Encore kit for my PC. I purchased both players, and I purchase my DVDs just like any other upstanding consumer. Since DeCSS uses real decryption keys (found through reverse engineering if I recall correctly), it's not 'circumventing' CSS anymore than my Sony deck is.
    I think the issue here is yes, they're scrambling to keep sales of their (expensive) DVD players from faltering, when there's the prospect of the money going elsewhere on the horizon for open standard hardware playing back a closed standard medium. Is that not monopolistic? Yes, I have a choice of licensed players from Sony, JVC, Toshiba, Panasonic, etc...but does the buck stop with those companies? How much does it cost a company to license CSS decryption for a player?

    If he lobbied for DMCA to be signed into law, if he's had experience in the political field for 30 some odd years, and if he can go around speaking before congress...appearing to be an expert, how can they define him as a lay witness?

    ^^^^ curious

    zerodvyd

    1. Re:I'm suffocating in the cloud of irony by JHod · · Score: 1
      Put this in perspective, I'm the happy owner of a Sony DVD deck. I have several films that I purchased before this hubbub started, but since then I've focused on independant stuff because I am in support of Eric Corley, and I am in support of Fair Use. I also own a Creative Labs Encore kit for my PC. I purchased both players, and I purchase my DVDs just like any other upstanding consumer. Since DeCSS uses real decryption keys (found through reverse engineering if I recall correctly), it's not 'circumventing' CSS anymore than my Sony deck is. I think the issue here is yes, they're scrambling to keep sales of their (expensive) DVD players from faltering, when there's the prospect of the money going elsewhere on the horizon for open standard hardware playing back a closed standard medium. Is that not monopolistic? Yes, I have a choice of licensed players from Sony, JVC, Toshiba, Panasonic, etc...but does the buck stop with those companies? How much does it cost a company to license CSS decryption for a player?

      The problem is not so much the cost of the license, but the terms of the license itself. Inorder to actually sell DVD players/playback software under the terms of the licenses, you MUST implement the features called for by the MPAA, including such wonderful gems as the ability to disable controls (preventing navigation during certain sections), MACROVISION (analog copy protection that functions by placng noise in the vertical blank section, which throws off the autogain systems of VCRs and capture boards) on/off flags, regional coding systems, encrypted output on all digital outputs, etc. They even go so far as to place restrictions on your code, that your software must keep its keys encrypted.

      There are some hefty enforcement provisions too, including the fact that they can stop including your licensed key on future discs, stopping your system from being able to play product made after a certain date (imagine the support nightmare that would cause...) For social reasons I can't imagine that ever coming to pass, but...

      All in all, the DVD format is a crock of horseapples, the majority of features shackled by non-engineers in the name of bringing the movie companies onboard. I can imagine the original design engineers gritting their teeth over the monstrosity they were birthing...

      --
      -- JHod, weirdness for hire
  2. Re:Copyright, tricky stuff by cpt+kangarooski · · Score: 1

    If you are then there's two issues; One, will customers put up with it? History shows us that people tend to migrate to software w/o annoying copy protect schemes. Two, is it unbreakable? And if it ever runs at all, then it's breakable. It might be difficult, but again history shows us that people will also crack these things. (sometimes before it even hits the shelves!)

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  3. Geez by PenguinDude · · Score: 1

    Mr. Valenti has never heard of the DVD CCA or even decss (yet he insists it violates the "law"), has never heard of a DVD disc even being decrypted using decss, and doesn't even know who the defendants are or what they do......other than they sell t-shirts with his face on it.

    Yet, according to him, the MPAA acts on behalf of the DVD CCA member companies in anti-piracy matters.
    Pretty funny, if you ask me.

  4. Re:The media industry is dying by 413x · · Score: 4

    if anyone is interested theres an even more detailed figure in steve albinis rant here about what the artist actually gets at the end

  5. wow by Phexro · · Score: 3
    i scrolled down to the first real meat of the deposition and got this instead: (page 4, first sentence)

    MR. HERNDSTADT: My name is Raymond R. Brown.

    if the guys giving the interview can't even figure out who they are, i doubt the subject will say anything all that interesting.

    --

  6. Re:Fair use definitions by drinkypoo · · Score: 1

    US Code: Title 17, Section 107
    Limitations on exclusive rights: Fair use

    Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include -

    • the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
    • the nature of the copyrighted work;
    • the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
    • the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

    So basically, it's not like Fair Use is really a law, it's more like a set of guidelines, where precedent means more than any other single factor. However, it seems pretty clear that schools can make copies of entire works, and that reviewers can make partial copies of works for the purpose of pointing out what they're talking about, which is what enables TV shows to pan movies mercilessly.

    --
    "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  7. Re:Gimme the video by Archie+Binnie · · Score: 1

    Kaplan said deposition transcripts and videotapes would be released, possibly in redacted form, 10 business days later.

    The exceptions: Eisner, Valenti, and one other person will have their depositions released in three days.

  8. Re:Why are they worried about DVD piracy? by sconeu · · Score: 1

    (BTW who's seen the ASCII version?)

    Someone with WAAAAAYYYY too much time on their hands once did an ASCII art/curses animated version of Star Wars. Unfortunately, I've lost the URL. Has anyone seen it?

    --
    General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
  9. It worked for Bill Gates by LarryTheCucumber · · Score: 1

    Don't answer anything. Stonewall. Deny knowledge of everything. It sure worked for Bill Gates in the antitrust case.

    -jimbo

    --
    "Hold me Bob!" "I would if I could man!" -Larry and Bob in VeggieTales
  10. Re:Copyright, tricky stuff by AJWM · · Score: 2

    If copyright were done away with, I could take the Slackware distribution, make a bunch of source code changes, compile those changes and sell the resulting binaries while refusing to give anyone my source code changes.

    Quite right. However, anyone else would be free to take your binary distribution and make as many copies of it as they chose, and give those away.

    They might not get the source, but neither would you make any profit from the binaries. Where do you think Microsoft would be if the hardware vendors (and everyone else) didn't have to pay for Windows licenses?

    --
    -- Alastair
  11. Re:Haven't any of you people ever been ill? by Nickbot · · Score: 1

    Yeah folks, c'mon! Don't you remember that you're allowed to stomp all over people's rights when you're sick? It says so right in the Constitution, that no one can restrict your right to free speach, _unless_ they have a 102 degree fever!

    Plus, he wasn't allowed to stop the deposition, he was a prisoner! Sure, Mr. Garbus asks him a number of times in the deposition if he would like to stop, but that was all just a clever trick!

    --
    Praise the Force Field! Praise the Laser Project! Slackware Loon #19830573
  12. MPAA propaganda piece by Anonymous Coward · · Score: 1

    this is a big joke. I especially love that last paragraph:

    Valenti also emphasized that the DMCA will not work as Congress intended unless access to the WHOIS domain name database is maintained. "MPAA's piracy investigators must determine which website is responsible for the illegal material. The WHOIS database is the first step in determining the ultimate Internet piracy."

  13. What!? by Crazy+Man+on+Fire · · Score: 1
    From a press release:
    Valenti noted that "currently our films are protected by two factors - the amount of time needed to download a full-length motion picture and the lack of unprotected digital copies of our works. But, with the increased availability of broadband Internet access you can bring down a full-length motion picture in less than 15 minutes versus the four to five hours for non-broadband."
    Ok, just curious, who has a connection that allows them to download a full length movie in 15 minutes? anybody? didn't think so...
    1. Re:What!? by AJWM · · Score: 1

      Well, let's do the math:

      Call a full-length motion picture (on DVD) about 6 gigabytes (give or take, depending on exact length and amount of compression). That's 2.5 minutes per gigabyte (for a 15min download), or 400 megabytes per minute (assume 1000 MB per GB for simiplicity), or 3200 Megabits/minute, or a bit over 53 Mb/sec (plus packet overhead).

      You might be able to hit that over a very lightly loaded 100 Mb/sec Ethernet, but that's 35 T1's. On the other hand, that's only a third of an OC3.

      And, gee, doesn't everyone have their own OC3 these days?

      --
      -- Alastair
  14. Re:Mental illness? by Stary · · Score: 1
    I think he is:

    a) dumb as dirt and
    b) playing smart and goofing up his case and
    c) really losing his braincells to advancing decrepitude

    --
    Tomorrow will be cancelled due to lack of interest
  15. Re:It's worse than I thought at first... by wishus · · Score: 1

    In college I had a class with a girl who was a nude model for the art department. There was also a guy in there from the art department, and they explained that when you're drawing/painting nudes, you are concentrating so much on painting you don't really think about the fact that there's a naked woman in front of you!
    ---

  16. Re:Fair use definitions by ethereal · · Score: 1
    The answer is, any time that you circumvent an encryption for whatever reason you are breaking the law.
    He is lying in court. Is it even possible for very powerful people to be honest in court?

    Really this is a question of legal opinion. Some lawyers apparently do interpret the law in that manner and believe that they have a case, otherwise this whole suit wouldn't be occurring. In this case Mr. Valenti is just saying what his lawyers tell him is the truth. Hopefully the courts will not side with this legal analysis, though.

    Worst case you could argue that Mr. Valenti isn't really qualified to answer this question, since he isn't a lawyer, and thus it isn't really perjury. It would be as if you were asked whether a certain lighting level is appropriate for a movie set - you aren't an expert, so you're basically guessing. Although the witness really should say that, rather than taking a guess that happens to coincide with what they would like to be true.

    --

    Your right to not believe: Americans United for Separation of Church and

  17. Re:Analog vs. Digital by drinkypoo · · Score: 1

    I think what he's saying here is that he doesn't mind if you turn off macrovision on your Apex AD600A and make a few million copies of The Matrix with mere Analog Dolby Surround.

    --
    "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  18. Why do we need Valenti there? by -=Cynic=- · · Score: 1

    It's obvious that Valenti isn't even running the show. Just take a look at this typical snippet: 15 MR. COOPER: Assumes facts not in evidence. 16 Calls for a legal conclusion and lacks foundation. 17 I just don't understand how we can 18 continue to spend the deposition asking the 19 witness increasingly more convoluted legal 20 scenarios. He is not here to testify as a legal 21 expert. 22 BY MR. GARBUS: 23 Q Go ahead, sir. 24 A The answer is, if there's a legal 25 conclusion to be drawn I don't know. [snip] 23 MR. COOPER: Ambiguous. It's compound. He's 24 testified a number of times that he doesn't know 25 what the DVD CCA is. So by importing that into 1 your question is making it compound. I think you 2 make it impossible for the witness to answer the 3 question. 4 THE WITNESS: I can't answer the question. Perhaps Mr Garbus should instead have checked to see if the witness wasn't a very clever robot that repeated exactly what Mr Cooper said ... and said "I don't know" when no input was received from Cooper.

  19. Re:Copyright, tricky stuff by ucblockhead · · Score: 1
    ...but all it does is allow the concentration of media control.

    If there were no copyright, big-huge-media-megacorp could take the latest Stephen King novel, publish it themselves, undercutting the price Mr. King's publishing house charges, and not pay one him read cent.

    The question left to the reader: does this give more power to:

    Stephen King?

    big-huge-media-megacorp?

    The answer should be obvious. Yes, artists get screwed by big corps. right now, but they have one single thing in their favor. They have the legal right to determine who publishes their work. That is why popular ones can command such high prices.

    Take away that right and you take away the only sort of power an artist has.

    Do you really think that a large corporation would pay, say, Neal Stephenson, lots of money for a novel if a rival corporation could just copy the result without paying? How much do you think Mr. Stephenson is going to earn in such a world?

    --
    The cake is a pie
  20. mouthpiece by BlowChunx · · Score: 1

    You are surprised when an industry mouthpiece has nothing to say? Harumphh...

  21. Valenti seems to think DMCA trumps fair use by Cy+Guy · · Score: 5

    Valenti suggests that if a student wants to cite from a movie, that they use the analog version.

    Here is the excerpt:

    Q. If a student wants to do a term paper, let's say do a video presentation on the holocaust -- do 20 minutes on the holocaust, and wants to take two or three minutes from a DVD from Schindler's List to put into that holocaust presentation and she has to de-encrypt the DVD to do that, is that illegal?

    (lawyer interference deleted)

    A. The student could do that by getting an analog version of Schindler's List, because that's not encrypted.


    Though Valenti and his lawyer clearly did not want him to express any legal conclusions, this clearly shows that he thinks that the DMCA overides fair use protection. He is clearly indicated that fair use applies to analog works but not to digital works. So the wuestion would be, if a work is never released in analog, is therefore never to be given fair use protection?

    Since fair use is a constitutional right, upheld by the Supreme Court, and DMCA is merely a statute, I think we Mr. Valenti's legal conclusion that DMCA is unconstitutional, and should therefore be struck down by the Supreme Court!

    Another lesser point is that Valenti is wrong when if he is trying to imply because the analog copy isn't encrypted, that the DMCA doesn't apply to it. Though not encrypted, and not digital, analog video tapes are encoded with MacroVision copy protection. Which I think the DMCA would still apply to, since it is likely added digitally to the tape. But IANAL either.

    1. Re:Valenti seems to think DMCA trumps fair use by Eric+Gibson · · Score: 2

      The DMCA clearly states that reverse engineering is an exemption to the rule that you cannot circumvent a technological measure. I keep hearing over and over that it's bad because you can't distrubute the product of your efforts. Blah, blah, here is what it says damnit. Those people are wrong.

      No person shall circumvent a technological measure that effectively controls access to a work protected under this title. The prohibition contained in the preceding sentence shall take effect at the end of the 2-year period beginning on the date of the enactment of this chapter.

      Sounds bad eh, read the rest of it. Here are the exemptions that are relevant to this story...

      `(d) EXEMPTION FOR NONPROFIT LIBRARIES, ARCHIVES, AND EDUCATIONAL INSTITUTIONS- [...]
      `(f) REVERSE ENGINEERING- (1) [...]
      `(g) ENCRYPTION RESEARCH- [...]


      It even says right in there that you can distribute your findings. I mean really, it's just a draft of copyright law specific to advanced technology. If someone can find me a specific line in there that states why it's a bad thing, I'll be happy to concede.

      What's bad is that once it's been proven that you have circumvented a technological measure you have to prove in court that you were exempt. If the DeCSS author had kept detailed records of his intent and methods and archived them he could have avoided this whole mess.

      Here is Sec. 1201 of the DMCA tell me where it doesn't allow for fair use. I really want to know.

    2. Re:Valenti seems to think DMCA trumps fair use by Ig0r · · Score: 1

      I don't believe they object to your playing the DVD through a licensed player, then capturing the analog output and resampling into your academic work as fair use.

      But, licensed players use macrovision which makes it (nearly) impossible to get an analog copy.

      --

      --
      Soma: because a gramme is better than a damn.
    3. Re:Valenti seems to think DMCA trumps fair use by dbrower · · Score: 1
      Following Valenti/MPAA's logic to conclusion, I don't believe they object to your playing the DVD through a licensed player, then capturing the analog output and resampling into your academic work as fair use. It seems their position is that they don't want you to be taking the perfect original bits verbatim.

      I would personally prefer unfettered access to the bits that I bought. However, it is important to understand clearly the distinctions that they are trying to make.

      It would suggest that the various programs that exist that have swiped the bits in the decode stream on the computer (having been decss-ed by a licensed player) are "more" legal than decss.

      It may be in the future that this is irrelevant, even to the MPAA. There -will- be MPEG encoders available for capture streams, which, given digital frames, will make practically indistinguishable mpeg streams. But that day is a few years out, and they are trying to put their finger in the dike for now.

      -dB

      --
      "It if was easy to do, we'd find someone cheaper than you to do it."
    4. Re:Valenti seems to think DMCA trumps fair use by Chris+Hiner · · Score: 1

      >A. The student could do that by getting an analog
      >version of Schindler's List, because that's not
      >encrypted.

      My next question would have been: And in 10 years, when you can't get an analog version of anything anymore, how does the student exercise his fair use rights?

  22. You know... by mindstrm · · Score: 3

    I'm all hoping the the mpaa or whoever loses badly.. .this whole thing is BS.. but this guy, Velenti, *does* answer honestly and truthfully.. it seems.

    For a great many of his 'i don't know' he is simply being asked for the record whether or not he is aware of certain things.

    As for whenever he is asked about something illegal... he re-states over and over again, that 'circumventing the encryption on a DVD is illegal according to DMCA, plain and clearly'. .and he *is* correct.. it is clear in the DMCA that circumventing an effective copy control mechanism (which this can be construed to be) is illegal.

    The thing on trial here is really the DMCA, not the defendant.

    As for 'fair use' and all that crap.. I had a thought.

    First, 'fair use' does not mean 'absolute right to undertand and use any technical means necessary to make copies in whatever form you want', it simply means that you can't be prosecuted for what is construed as 'fair use' of a copyrighted work.

    Copying a DVD digitally, for your own personal use, may be fair use, and having that copy is probably not illegal.
    However, according to DMCA, circumventing the encryption *IS* illegal, and posessing the tool to do so is also illegal, even if the end product is not.

    You know, what joe average is buying when he gets a dvd is a 'movie'. If you say in a court 'they can always make analog snippets of it in a classroom or whatever'.. they are right. If the 'product' that falls under copyright, as the people percieve it, is simply 'the movie'.

    To us geeks, though.. the 'product' under copyright is a collection of bits, that when decrypted a certain way and run through the appropriate codec produces a movie. See the difference?
    They are buying a movie.. we are buying bits.
    So.. to us, fair use should extend to manipulating bits on the dvd.. I own the physical dvd and all it's bits outright, and I can do *whatever* I want with those bits in the privacy of my own home.

    1. Re:You know... by dr_strangelove · · Score: 2

      "...it is clear in the DMCA that circumventing an effective copy control mechanism (which this can be construed to be) is illegal."

      How does CSS prevent copying? Bit-for-bit copies have *always* been possible, CSS does absolutely nothing to prevent it. Therefore, CSS is *not* an "effective copy-control mechanism". QED.

      CSS is an Access Control system, it prevents access to content by unauthorized parties (supposedly - hah!). But apparently the MPAA is too embarassed to admit that copying DVD's is easy, if expensive. The Studios that pay the MPAA's bills might be quite upset by that little gem...

      --
      "...they may harpoon us, but they ain't gonna pick us up on no radar screen!"
    2. Re:You know... by Quikah · · Score: 1

      If you say in a court 'they can always make analog snippets of it in a classroom or whatever'.. they are right.

      Actually they would probably be wrong. If the movie in question is protected by macrovision they would be incapable of making an analog copy as the removal of macrovision is also illegal according to the DMCA.

      --
      Q.
    3. Re:You know... by M@T · · Score: 1

      I'm all hoping the the mpaa or whoever loses badly.. .this whole thing is BS.. but this guy, Velenti, *does* answer honestly and truthfully.. it seems.

      For a great many of his 'i don't know' he is simply being asked for the record whether or not he is aware of certain things.


      Pure BS! A great many of the things being asked are issues to which Mr. Valenti has dedicated a very large portion of his life's work. If he doesn't know the answer or have an opinion on a lot of these areas, then he shouldn't have been president of the MPAA for 1 year, let alone 34!

      As for whenever he is asked about something illegal... he re-states over and over again, that 'circumventing the encryption on a DVD is illegal according to DMCA, plain and clearly'. .and he *is* correct..

      ...and at most times was a totally irrelevant answer to the question being asked of him.

      BTW, What he should have been asked is a direct question on whether he believes that deCSS is bypassing a DVD copy-control mechansim, and then going on to prove that the mechanism has nothing to do with copy control whatsoever thus making the DCMA irrelevant to the case.

      --
      'sapientia potestas est'
    4. Re:You know... by Chiasmus_ · · Score: 1

      I'm all hoping the the mpaa or whoever loses badly.. .this whole thing is BS.. but this guy, Velenti, *does* answer honestly and truthfully.. it seems.

      If Valenti is actually being honest and truthful, he doesn't deserve to be a janitor. He's the HEAD of the MPAA and he "may have" heard of DivX? The only reason anyone would appoint a half-catatonic seventy-year old guy with Alzheimer's to be the head and spokesman for a major corporation, rather than someone (gasp) in the prime of their life who can still make decisions and remember things, is that there's more time in seventy years to seduce various politicians, judges, and lawyers, so that the issues won't matter anyway.

      I just want to say for the record that I *hate* Valenti and I *hate* the concept that antique, incontinent figureheads who have long since lost any mental capacity they may have once had are running our legal system and, let's face it, our country.

      If there were any justice in this world, Valenti would be mopping floors and not remembering whether he took out the trash, and his pit bull sidekick Mr. Cooper would be a bouncer in a strip bar. I honestly hope Karma somehow causes these men to choke on chicken bones. (No, I'm not suggesting that you moderate them down)

      Sorry about the rant.

      --
      "Beware he who would deny you access to information, for in his heart he deems himself your master."
    5. Re:You know... by Pig+Hogger · · Score: 2
      You know, what joe average is buying when he gets a dvd is a 'movie'. If you say in a court 'they can always make analog snippets of it in a classroom or whatever'.. they are right. If the 'product' that falls under copyright, as the people percieve it, is simply 'the movie'.
      To us geeks, though.. the 'product' under copyright is a collection of bits, that when decrypted a certain way and run through the appropriate codec produces a movie. See the difference?
      They are buying a movie.. we are buying bits.
      No matter what the media is, analog videotape, digital videotape, celluloid film, zootrope, flipbook, or DVD, the thing can ultimately broken into bits (magnetic domains, dyed silver grains, ink droplets) anyways.

      So, no matter what, you end up buying bits anyway.

      --
      Here's my mirror

  23. SS Bloated Media Corp by The+Queen · · Score: 1

    "Our ramparts are being breached on all sides."

    Ho, sailors, protect the caviar! Hide the blondes and stow the Porsche! We won't be pillaged by these middle-class digital pirates!

    The Divine Creatrix in a Mortal Shell that stays Crunchy in Milk

    --

    The House Between - Original Sci-Fi Series
  24. hmmm im not sure... by Cybersonic · · Score: 1

    It seems Jack Valenti AND Bill Gates need to be treated for brain problems... They both seem to forget important stuff a lot...

    --
    Cybie! aka Ralph Bonnell
    1. Re:hmmm im not sure... by chanceH · · Score: 1

      Constitutional principles? From the generation that thinks FDR and Social Security and the War Drugs are all great things?

      A great generation? Yes. I'm sure as as hell glad I didn't have to fight WW II. But them and the boomers together (as generalized 'generations') have done more violence to the constitution than all others.

    2. Re:hmmm im not sure... by Boone^ · · Score: 1

      Q: So, can you wipe your ass?

      Mr. Cooper: Are you talking about is it possible to wipe his ass, or if he's ever done it?

      Q: Yes, is it possible to wipe his ass

      Mr. Cooper: Ambiguous. Please reread the question

      (reporter rereads the question)

      Mr. Cooper: Excluding conversations with your counsel

      A: I'm not sure.

      Q: You're not sure?

      Mr. Cooper: Please re-read the questions (reporter rereads the question)

      A: I guess I don't know.

      Q: You guess? You can't say?

      (confidential)









      A: I don't know.

    3. Re:hmmm im not sure... by Tet · · Score: 2
      Q: Yes, is it possible to wipe his ass

      Mr. Cooper: Ambiguous. Please reread the question

      This is a perfect example of why most sane people have such a low opinion of lawyers. The number of times that Mr. Cooper spouted the word "ambiguous" is quite unbelievable, particularly when there was no ambiguity. Questions like "do you recall such and such" are not ambiguous. Either he does, or he doesn't. It's quite simple, really.

      --
      "The invisible and the non-existent look very much alike." -- Delos B. McKown
    4. Re:hmmm im not sure... by mwa · · Score: 1
      Not to disparage the elderly, but by and large, those who fought Germans, Japanese, and Italians in the 40's do not grasp computers, DVD's, encryption (barring the occasional Waterhouse;) and basically anything more advanced that a Selectric Typewriter.

      I have to agree on this point. On the other hand, these people generally have a much better appreciation for the constitutional principles. In particular, judges tend to pride themselves on being able to apply the law regardless of the circumstances. Judge Jackson certainly wasn't much of a techie when the MS case started.

      In general, I think (hope) we're going to find the courts are more friendly to the idea of open information than the corporations really want. The only problem is that there's going to have to be alot of court cases to counter the number of stupid laws. Can we charge congress with malpractice?

    5. Re:hmmm im not sure... by lalas · · Score: 1

      I think it's more of a case of not knowing the important stuff ;)

    6. Re:hmmm im not sure... by mwa · · Score: 1
      Although it's not in my reply, the context was "judges". For the most part, they courts are the only place where laws are actually thought about any more. Congress passes them without even reading them either because they're paid to or because their misinformed constitutents who haven't (or can't) read them either want them to.

      I have to hope they're going to do okay on this type of decision or else I'd be in a constant state of panic. That may or may not be realistic....

    7. Re:hmmm im not sure... by chanceH · · Score: 1

      ya yure right basically. I just couldn't pass up the psuedo intellectual flame bait opportunity.

    8. Re:hmmm im not sure... by gmhowell · · Score: 4

      Were I a shareholder, I'd have to move that Mr. Gates be fired for incompetance. Same if I was the president of a member of the MPAA. These men are either lying through their teeth (most likely) or complete rubes. If the latter, it's obvious why they should be fired. If the former, it's just a good thing to can (or is that cane?) liars of this sort. Totally offensive to my dignity as a human being.

      And what the fuck is with Valenti's attorney? Read the end of the deposition where he states that Valenti should not have been deposed. He's the president of the damned organization that brought the suit! He has the duty to know what his underlings are up to (same as in any company/organization. 'The buck stops here' thing.)

      On another front, it appears that 2600's attorney is asking very intelligent to the point questions that show: MPAA has no clue. None whatsoever. Unfortunately, the MPAA's attorney is sticking very much to the legal nitpicking that is part and parcel of a modern court case in America. And THAT is what wins the case. Not facts. Not intelligence. But who is a better nitpicker.

      Hopefully this will be different, but let's face it: most judges are much closer to collecting Social Security than I am (and the Supremes have largely been eligible for several years). Not to disparage the elderly, but by and large, those who fought Germans, Japanese, and Italians in the 40's do not grasp computers, DVD's, encryption (barring the occasional Waterhouse;) and basically anything more advanced that a Selectric Typewriter.

      I'll point to what my father says about malpractice and 'a jury of his peers': he doesn't mind being tried by a jury of his peers. Unfortunately, his peers are quite capable of getting out of jury duty, leaving the Jerry Springer/Rosie Odonnell fans to decide his fate.

      Much the same case as the DeCSS cases. While the judges (are there any jury trials yet?) may not be watching Rosie Odonnell, they sure ain't submitting any kernel patches.

      Fuck it. The code is out. It's not going away. This seems more a free speech issue than DMCA anyway. But I guess DMCA is yet another chink in the armor of the first amendment.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    9. Re:hmmm im not sure... by Stary · · Score: 1
      "I'm not aware of any discussions I've had." -Valenti

      Now that's the most funny thing I've seen this year so far...

      --
      Tomorrow will be cancelled due to lack of interest
  25. Malfeasance or Misfeasance by dpilot · · Score: 2

    Given the number and nature of "I don't know's" in this deposition, either malfeasance or misfeasance might be considered. Either he's lying when he says, "I don't know," or he's dreadfully incompetent to hold the job. Someone in his position OUGHT to know the answers to those questions.

    His lawyers not allowing him to answer questions of law is a more correct option, as is a simple, "No comment."

    --
    The living have better things to do than to continue hating the dead.
    1. Re:Malfeasance or Misfeasance by demon · · Score: 1

      No doubt... considering he's the guy who helped lobby DMCA, you'd think he'd know something about it (not to mention that he's the head of the MPAA, which, as you said, he also seems to know nothing about)...

      He's either a moron or a liar. All I can say is, if he perjured himself, I hope he goes to jail. If he's REALLY that stupid, I hope he goes to jail. (Come ON, it's GOT to be criminal to be that stupid.)

      --

      Sam: "That was needlessly cryptic."
      Max: "I'd be peeing my pants if I wore any!"
  26. Re:filter needed by phee · · Score: 2

    A steam box is an olde-tyme contraption that's used by artists and carpenters and such-like to bend wood; it gets your board all wet and steamy and then you just bend it however you want, and it dries and sets like that. In the context of Valenti's testimony, however, there's no telling; perhaps it's something that breaks encryption, and when it "dries," it sticks that way? It being a secret should tell you something...

    Serious answer follows:

    Bad transcript; it should have been "Streambox," which is a search engine for streaming media (audio, video, etc).


    "The best weapon of a dictatorship is secrecy, but the best weapon of a democracy should be the weapon of openness."
    --

  27. Arrest that Valenti by Spameroni · · Score: 4

    During his testimony Valenti played a brief clip from the MGM film "Stigmata." "This film was illegally downloaded this week and the film is still in many theaters in the U.S. and has not yet opened anywhere else in the world. But it is available on the Internet for free."

    He 'illegally downloaded' the film? Arrest that man!!!

    1. Re:Arrest that Valenti by Danse · · Score: 2

      Actually, I believe that if the individual obtained the evidence illegally, it will not be permissable in court. I seem to remember this from a case involving a reporting and the Chiquita Corporation. I think the reporter had a tape of phone conversations that supported his case, but unfortunately, the tape was obtained by breaking into a Chiquita office, and was therefore ruled inadmissable. I'm not 100% sure on this, but that's how I remember it. The type of case might have had something to do with it as well. I think the reporter was investigating some of Chiquita's business practices. Chiquita came off looking pretty evil, and probably would have had a serious problem if the tape had been admitted as evidence.

      Just found the article.

      http://www2.thecia.net/users/rnewman/ chiquita

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    2. Re:Arrest that Valenti by Mark+Gordon · · Score: 1

      Actually I suspect the MPAA (and its agents) are granted such rights by the major studios. It would be a fairly routine agreement their idle lawyers would have thought up one day while bored.

    3. Re:Arrest that Valenti by Tetsujin28 · · Score: 1

      Isn't evidence that is illegally obtained, not valid for use in a court of law?

      No, not necessarily. You may be thinking of the exclusionary rule that, in criminal cases, keeps out evidence the government has obtained in violation of the 4th Amendment.


      --------------------
      WWW.TETSUJIN.ORG

      --
      - - - -
      The real Tetsujin 28 is a giant robot.
    4. Re:Arrest that Valenti by tringstad · · Score: 2
      This brings up an interesting point.

      Isn't evidence that is illegally obtained, not valid for use in a court of law?

      -Tommy

      --
      "I got a half gallon of Jack, and 2 dozen Ant Traps. I'm about to get wild." -me
    5. Re:Arrest that Valenti by titus-g · · Score: 1

      don't suppose he gave a URL?

      --

      ~ppppppppö

    6. Re:Arrest that Valenti by reguli · · Score: 1
      Given the tone of the deposition, I'll place my money on 2600 et. al
      Me too. Then again, I happen to know that Garbus ain't lost a case yet. Why would he lose one now?
      --
      every man and every woman is a star
    7. Re:Arrest that Valenti by Andrew+Cady · · Score: 1
      Doesn't matter. As he downloaded the entire file, it doesn't matter whether his playing of it fell under fair use. It's still copyright infringement. If he had bought the movie, on tape or whatever, it would be a different story.

      Of course, he may have asked the copyright holder of the film for permission. Shit, he may be a representative of the copyright holder.

    8. Re:Arrest that Valenti by Reggyt · · Score: 1

      I think you will find that if Valenti is questioned about how he came to be in posession of such a clip, you may find that he can't recall.

      Perhaps a man in a bar gave it to him. ;-P

      --
      "Common sense is nothing more than a deposit of prejudices laid down in the mind before you reach 18" Einstein
    9. Re:Arrest that Valenti by mikpos · · Score: 1

      Nonetheless, I'm sure playing the movie (though I would have chosen a different movie personally) would give everyone in the court a much needed break from the proceedings. Lawyers can be so thoughtless sometimes.

    10. Re:Arrest that Valenti by jburroug · · Score: 2

      Doesn't matter, Valenti works for the MPAA, which represents the movie studios including MGM, in essence the people who own the movie were the ones downloading it so it's not illegal it's their property. At any rate the evidence wasn't the actual content of the movie (as it would be with an illegally taped phone call) but the fact that a movie can be downloaded from the internet.

      --
      "Listen: We are here on Earth to fart around. Don't let anybody tell you any different!" - Kurt Vonnegut
    11. Re:Arrest that Valenti by tringstad · · Score: 1
      That's true if it's obtained by the government (or an agent acting on behalf of the government). Private citizens have more leeway in how they can collect evidence.

      Thanks, I do seem to recall this after reading your post.

      Any idea how it matters where corporations are concerned, which are not necessarily either?

      -Tommy

      --
      "I got a half gallon of Jack, and 2 dozen Ant Traps. I'm about to get wild." -me
    12. Re:Arrest that Valenti by cpt+kangarooski · · Score: 1

      First, downloading the file for fair use is part and parcel of fair use. You do not have to buy a book in order to quote from it.

      Of course, 17 USC 1201 tries to make an end run around fair use by permitting people to exercise it (as if it was possible to constitutionally prohibit it) but not permitting people to fairly access it which is a prerequsite to fair use. However, this is so blatantly unconstitutional that it will pretty likely be overturned.

      Second, while IANAL, IIRC it's giving it to other people that's infringement. But it's ok to be on the receiving end as long as you don't further redistribute it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    13. Re:Arrest that Valenti by Duane+Dibbley · · Score: 1

      If he had bought the movie, on tape or whatever, it would be a different story.

      I know the discussion's over, but as I was browsing through it, I thought I'd mention that, while I have no professional basis in copyright law whatsoever, I got the impression from the recent RIAA vs. my.mp3.com case that the source of the material is crucial to determining whether or not infringement occurred. For example, had my.mp3.com allowed the users to upload the tracks from their CD's to mp3.com's servers, where it was converted to mp3 and could only be retrieved by the user, then mp3.com would not have infringed on copyright. However, because my.mp3.com only verified the user had the song and then let them listen to mp3s of mp3.com's copies, it was infringement.

      In other words, the copy you use must be made from your copy -- you don't own the right to access a copy (i.e. it doesn't matter if Valenti made the tape), you own a copy and it's yours to do with as you please (except distributing copies to others).

      Ok, back to Valenti - if he downloaded the film from John Q. Pirate (provided John isn't the copyright holder and isn't authorized to distribute the film), John Q. Pirate definitely broke the law. Infringement definitely occurred because opyright applies only to the physical copy itself, not to the IP -- if you scratch your CD, you can't copy a friends, but you could have copied your own. (Of course, if you look at the Metallica vs. Napster community thing, where Metallica only banned users that allowed others to download copyrighted Metallica songs from them, and not those that actually downloaded the songs, I don't think recieving unauthorized a copy of a copyrighted work is infringement. It's distributing copies that's bad. So if this is indeed the case, Valenti (or whoever downloaded the movie) didn't break the law, the guy that made the movie available did. At least, that's my understanding.)
      ---

      --
      "Duane Dibbley?" -- Duane Dibbley
    14. Re:Arrest that Valenti by Andrew+Cady · · Score: 1

      Another possible reason Metallica only banned users serving the files is that they had no way to track users downloading the files. Sounds more plausible to me... I'd check the relevant law here except that you are right, the discussion is over, and I don't really care personally, and it wasn't relevant to the discussion anyway.

    15. Re:Arrest that Valenti by vsync64 · · Score: 3
      "a brief clip"... Personally, I would have asked Valenti to:

      1. show the whole movie, not just "a brief clip"
      2. explain where it was downloaded from, and how easy it was to find
      3. state how this is relevant to DVDs, um, AT ALL?!
      --
      TO BUY A NEW CAR WOULD MAKE YOU SEXUALLY ATTRACTIVE.
    16. Re:Arrest that Valenti by anticypher · · Score: 2

      Is Stigmata available on DVD yet? I've poked around a few online sellers, and can't find it available in either zone 1 or 2.

      So if the film is not yet available on DVD, it probably has never been pressed onto DVD. That means deCSS could NOT possibly be involved in this case of pirating a copyrighted work.

      I hope the honorable Mr. Garbus cleverly works this into the trial at some point, to invalidate these statements by the MPAA.

      Also, the statement "and has not yet opened anywhere else in the world." seems kind of false. Stigmata has been playing in Europe, but then, we don't count :-) I believe the MPAA doesn't represent the interests of the European distributors, so maybe one of those censored statements qualified this perjury.

      Given the tone of the deposition, I'll place my money on 2600 et. al.

      the AC

      --
      Hemos is like...sci-fi fans;he thinks technology is cool, but he hasn't bothered to understand the science it's based on
    17. Re:Arrest that Valenti by Golias · · Score: 2

      Yea, and also explain who in the hell would take the trouble to bootleg a crappy film like Stigmata... and how piracy could possibly cost them money in the case of a film nobody wants to see.

      --

      Information wants to be anthropomorphized.

    18. Re:Arrest that Valenti by Karmageddon · · Score: 1

      while I see the humor in your joke, it's not illegal to download something you have rights to. He may not have the rights, but I suspect the owner will not wish to initiate an action against him.

    19. Re:Arrest that Valenti by ucblockhead · · Score: 1

      Yes, a "brief clip" would almost certainly fall under "fair use". You can sure as hell quote a paragraph or two of a book without permission. Isn't that the same as a 30 second clip?

      --
      The cake is a pie
    20. Re:Arrest that Valenti by Eric+Sharkey · · Score: 1

      Isn't evidence that is illegally obtained, not valid for use in a court of law?

      That's true if it's obtained by the government (or an agent acting on behalf of the government). Private citizens have more leeway in how they can collect evidence.

    21. Re:Arrest that Valenti by drinkypoo · · Score: 1

      More to the point, no matter HOW a private citizen obtains evidence, it is still permissible in a court of law -- But if they break the law in the process, they should expect to be standing tall before the man, as it were.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  28. Re:Fair use definitions by Anonymous Coward · · Score: 2

    So what if the library or school is running Linux and they play the movie?

  29. Carefull out there! by Anonymous Coward · · Score: 1

    Mr. Valenti was on the plane the day Johnson became president! Watch your step kids!

  30. It's not the point. by DeadFish · · Score: 1

    Sure, piracy has always existed. But, piracy is not the issue here! What is the issue is finally getting to see DMCA's stupidity in action. With that in place, YES you are watching a DVD you paid for on equipment you bought, but the mere act of 'circumventing' the encryption is illegal, so they no longer have to pretend it's about piracy. It's about them being able to control the market.

    Clue implants aren't going to clear up anything so long as the DMCA is in place. Of course, if circumventing encryption is in itself illegal, then crypto export shouldn't be illegal. I mean, why do we need weak crypto if no one can legally break *any* crypto?

    of course, this also makes those "jumble" puzzles illegal as well...

    --
    Another damned comic
    +++ NO CARRIER
  31. Well duh! by titus-g · · Score: 1

    " Interesting that Mr. Valenti makes all sorts of statements, but isn't actually aware of what's going on. "

    If he was aware to any appreciatable degree, e.g. maybe to the level of a goldfish they wouldn't be bringing the case.

    When did most of these people learn their trade? old business practice, new times...

    --

    ~ppppppppö

    1. Re:Well duh! by Alkivar · · Score: 1

      Guess we now have proof that some humans cant pass a Turing test

      Aint that right Jack :P

  32. Re:Can anyone translate this? by mindstrm · · Score: 2

    It means that, if the witness only knows about the answer to the question through discussions with his attorney (and not from prior experiences), that he should answer 'yes' or 'no' only, and refrain from giving away any information that was actually discussed between him and his attorney, as they have attorney-client privelege.

  33. Re:Blue-light special on Clues at K-Mart, Mr. Vale by Stary · · Score: 1

    And that couldn't be easily coded around?

    --
    Tomorrow will be cancelled due to lack of interest
  34. Protecting what you own... by Crazy+Man+on+Fire · · Score: 2
    Concluding, Valenti offered a final thought, "One of the nation's greatest trade assets is at risk. If you cannot protect what you own, then you own nothing."
    ok, let me get this straight...you want to protect the rights of people who own things? what about the rights of the people who legally purchase dvd's? do they have rights? why can't they watch the dvd that they own whenever and however they want? how is what you are doing protecting their rights?
  35. Citing from DVD by mvw · · Score: 3
    Mr Garbus does it right to ask Mr Valenti if it will be possible to cite from a DVD.

    Present German law for example allows citations, under certain circumstances it is even possiible to use the whole work in question as citation.
    If the film industry wants to have such a level of control over DVD that not even a citation is possible they clearly try too much.

    1. Re:Citing from DVD by drewish_princess · · Score: 1

      Good luck sighting a graphic novel in a review, that was determined not be fair use. I could see this going the same way.

  36. Umm, ok. Mod down plz by revscat · · Score: 1

    Ok ok, I screwed up. Would someone moderate my original post DOWN please? Egg on MY face, fer shure.

    - Rev.

  37. Re:Help a site out! by delysid-x · · Score: 1

    Cool! I can run a little .pl link sucker through that and add your links to my just-started web directory... thanks!!!

  38. Baloney at the Bass Tournament. by jms · · Score: 3

    After the Valenti deposition, the MPAA lawyers went before Judge Kaplan to attempt to have the entire deposition sealed from the press. During this hearing, documented here at the cryptome site, Judge Kaplan had some very interesting things to say ...

    First:

    2 THE COURT: That is persuasive only to a point. We
    3 are now six weeks away from a trial. If they can't remotely,
    4 as you suggest, prove the allegations they have made in this
    5 case, embarrassment on the Internet is going to be the least
    6 of their problems, because I am going to call this case, one
    7 way or another. Obviously, listening to the two of you,
    8 somebody is full of baloney. I won't have any hesitation
    9 about saying who it is when I see the evidence. So, while I
    10 understand this embarrassment notion, I understand both sides
    11 are conducting as much of a public relations campaign as a
    12 lawsuit, maybe more, but the game all stops next month.


    Whew!

    And later ...

    24 MS. ABRUTYN: Even if that is the case, there are two
    25 possible remedies. The first one is that your Honor could
    1 rule the depositions shouldn't go forward in the first place,
    2 in which case there would be nothing to have access to, if
    3 Mr. Garbus is off on a fishing expedition.

    4 THE COURT: I am not accusing him alone.

    5 MS. ABRUTYN: Or if both sides are --

    6 THE COURT: This is a bass tournament.


    I like his sense of humor!

    1. Re:Baloney at the Bass Tournament. by ddt · · Score: 1

      Wow, awesome transcript from the judge! Thanks! Moderate that post up to 5! That was a completely entertaining, unedited, and better-transcribed sequel to the deposition. I had no idea that court transcripts could be that entertaining. There is so much colour in that thing. It isn't just the stupidity of arguing over the public's right to see the content of edited depositions. It's the delicate play of the attourneys trying valiantly to show deference to the judge while he wontonly rips assholes playing the Devil's Advocate. At the same time, I can actually see the judge's leanings and yet see him hold back, always making sure it's clear how impartial he is in the case and how much he respects previous rulings and circuit courts. And that bit where Sims is just clearly flustered and surrounded, so his feral legal cortex tries to carry the ball with weighty phrasing as his cerebellum takes a coffee break and admits that he has lost his train of thought. And then, blammo, without so much as a twitch, the judge takes him out with a double-barrelled shotgun to the crotch, as if in response to his blunder.

  39. Re:Confusion about fast forward on DVD's.... by Rev.LoveJoy · · Score: 1
    I'm glad that I'm not the only person this pisses off.

    Do you know if there are any set top players out there that ignore the 'fast forward lockout' portions of the DVD encoding?

    -- RLJ

  40. Re:Hmm.. by Wolfier · · Score: 1

    Region Coding. Nothing confidential. It is not a part of DeCSS and has nothing to do with encryption. To see how it works and how to bypass it, check out

    www.inmatrix.com
    www.dvdutils.com

    I hope one day everyone will know about the incentive behind region coding and ways to bypass it spread like wildfire - both software players and "real" players.

  41. Re:Good Old Jack by hardburn · · Score: 1

    Brain Kernel Panic: Clue Detected

    VCRs are completely diffrent from Internet distribution meathods. This is because people think for themselves on the Internet. Please realize this fact before posting again or you will have to be sent to a re-education camp.

    Brain Kernel Message: Clue Destroyed

    .

    ------

    --
    Not a typewriter
  42. A Few Delicate Points by Ho-Lee-Cow! · · Score: 1

    Valenti's testimony is amusing. He sounds like Bill Gates and we all know where that got M$....

    But let's see here. He's attacking HDTV in Congress and I wonder if this is really going to be wise. In fact, I think he's actually attacking anything digital as a threat to their bottom line. This is the same tactic they used in the BetaMax fights of the 80's. Jack Valenti lost that one, too.

    Lucasfilms Ltd -isn't- part of MPAA. Why the hell is Valenti using TPM as an example?

    How I want to see this go to court--and get trashed for the rot that it is. We also need to write more letters.

    --
    In space, no one can hear you moo.
  43. Trolling down the river? by Ozzy · · Score: 1

    Besides, Stigmata was a good film.

    --
    Remove the NOSPAM to spam me...
  44. Re:Inside the mind of Jacbk Valenti by slycer · · Score: 1

    Yah..
    That'd be funny if this case had ANYTHING to do with the RIAA vs NAPSTER

  45. Question by Danse · · Score: 2

    How do they know that the film was ripped from a DVD? Couldn't someone have encoded a movie from a vhs tape? Did they clarify this in court? I don't know a lot about what can and cannot be done with a vhs tape and some sort of video capture equipment, so forgive me if this is a stupid question.

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  46. Re:Can anyone translate this? by / · · Score: 2

    Attorney-client privilege. He's just informing him of his right not to compromise that privilege.

    --
    "If one is really a superior person, the fact is likely to leak out without too much assistance" -- John Andrew Holmes
  47. Re:Fair use definitions by cpt+kangarooski · · Score: 1

    Additionally, while fair use is (largely) written into law, it was around for a long time beforehand and exists because of natural rights and the extreme limitations on copyrights. Congress _could_ say that Valenti is right, but the courts would be obliged to overturn that.

    Ripping your own mp3s is also fair use - it's invovled in many situations.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  48. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
    If copyright were done away with, I could take the Slackware distribution, make a bunch of source code changes, compile those changes and sell the resulting binaries while refusing to give anyone my source code changes.

    No one would buy them. They would continue using whatever software they are using now, and happily so.

    Anyone could do anything with whatever they could get their mits on.

    That doesn't sound so bad...

    [without copyright law] people are encouraged to keep [the source code] secret. Because there is no copyright law to allow the original owner to put requirements on source code use, they cannot prevent people from burying the code changes in a vault to get a leg up on the competition.

    Yes, intellectual property laws encourage creators to share knowledge. That is true. But the commercial enterprises engaged in the creation of intellectual property would eventually be forced out of business or operate on a drastically reduced scale -- perhaps regionally. Whoever made the post about the software industry turning into a Hong Kong flea market was probably right. You could sell your modified, souped up version of Linux, but eventually you'd give up because prices would be pushed too low for you to continue. I admit there is a price to be paid for what I am suggesting. I know that. I'm only suggesting that in the long run, we will be better off concentrating on the production of tangible goods. The real economy depends upon those goods, and not on the production of information as a commodity.

    Soon, since everyone wants "SuperDuperBus" support to use the latest hardware, I've got my sourceless software out everywhere. And with those subtle incompatibilities (unexamined, remember, no one else has that source) I've gained effective control over the OS.

    Hardware compatibility depends on design standards and interfaces. As long as those aren't kept secret you would be no better off than any of the other million ISV's. Would the standards be governed by professional associations? By government? By ad hoc groups? I don't know, but all of those alternatives are possible. Many of the outcomes you seek can be achieved without intellectual property protection. Not all of them, of course.

    Now please go learn a little about the GPL, it's purpose, and copyright law before continuing to spread what is IMHO an extremely dangerous meme.

    I'll definitely do that. Thanks for your intelligent comment.

  49. Re:Garbus should have pressed this... by mindstrm · · Score: 2

    Well.. valenti could also answer 'I assume that Sony has the appropriate license. If they do not have such licenses, then it would be agains the law'
    or, simply, 'I am not aware'.

  50. Re:DVDCCA by Kiaser+Zohsay · · Score: 1

    Not quite perjury. All of the questions in deposition were asked in the context of "outside of attorney-client privelege, tell us what you remember about..." The point to be made here is that, apparently, Valenti gets 100% of his information from his legal counsel, so it is therefore priveledged.

    Which only goes to prove that the layers really are running this whole show.

    Q: What do you have when you have 100 layers up to their necks in shit?
    A: Not enough shit!

    --
    I am not your blowing wind, I am the lightning.
  51. Re:SAME SHIT ALL OVER AGAIN -- SHUT UP IDIOT by ucblockhead · · Score: 1
    Copyleft was invented to prevent people from using other people's source code in ways that the authors didn't approve of.

    This has nothing, nada, not-a-thing, to do with countering copyright laws. It uses copyright law.

    Typical copyrights restrict people from selling or giving away software without paying the original author. Copyleft licenses restrict people from selling or giving away software without providing the source code.

    Both place restrictions on the software. Neither contradict each other or even effect each other.

    --
    The cake is a pie
  52. I've never seen a worm squirm that much by Vicegrip · · Score: 4

    This is important reading. Why? Because you are suddenly and brutally shown that the MPAA is totally clueless about technology. Their only concern lies with maintaining a virtual monopoly created by constraining how you can view the media contained in DVDs.

    The fact that their entire case lies behind a point of law surrounding whether or not it is "legal" to decrypt something that has been encrypted blantantly shows that their interest lies with articifcial control of a market.

    His deposition makes it clear beyond any possible miss-interpretation that the purpose of the encryption is not to prevent copyright infrigment but to control what can be used to view a DVD.

    Interestingly, if it is illegal to decrypt encrypted material, then perhaps we should all be suing the government for the actvities of the NSA and other government agencies. Or is that the rules of the game are different if you're the government?

    --
    Do not spread "09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0" over the internet, thank you.
  53. Re:Hot Geriatric Smackdown by yobtah · · Score: 1

    Uh... he *might* be lying.

  54. Attorney-Client privilege? by graikor · · Score: 1

    This just might be the stupidest question ever posted on slashdot not involving hot grits or Natalie Portman, but since when does attorney-client privilege protect a lay witness from having to answer questions?

    I was under the impression that the confidentiality was one-way - that is, that a lawyer could invoke the privilege when called as a witness to protect information about his client. I don't see how Valenti is exempted from answering questions about information he learned from lawyers about the case unless he was on the plaintiff's legal counsel team (if he's even a lawyer).

    What am I missing here?

  55. Re:Blue-light special on Clues at K-Mart, Mr. Vale by FigWig · · Score: 1

    People are already making 100 page long empty posts, I think the problem is the 500 character wide lines. Of course this could easily be fixed by forcing line breaks at 60 or 80 characters per line.

    --
    Scuttlemonkey is a troll
  56. Most of their $ comes from rentals, not theater by Quincunx42 · · Score: 1

    The money made at the box office is only important because it increases rental and video sales (which is where most of the money is made in the industry, so I've heard).

    1. Re:Most of their $ comes from rentals, not theater by hardburn · · Score: 1

      Yes, Star Trek IV (yes, thats the one with the whales if you must know!) got about $200 Million at the theaters and has made around $4 Billion since then.


      ------

      --
      Not a typewriter
  57. Re:So much confusion... by cpt+kangarooski · · Score: 1

    At least they weren't saying "The Marconi" or "The Ameche." (whoever knows what the latter is, and where that name come from gets a no-prize ;)

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  58. Re:Fair use definitions by jhines · · Score: 1

    More specifically, can a for profit alternative school, show movies to an assembled mass of people for free, just by saying its "educational"?

    I don't think so. I remember that the child care industry got hit up for royalties over this very subject.

    It is clear that he wasn't thinking about all those people that making educational films, I'm sure they want to be paid.

  59. Always going to be about who you know...but.... by fantomas · · Score: 2

    The sooner that things like the RIAA die off the sooner you will find local bands getting success because they are actually good musicians, and not getting success because they have a manager that knows someone.

    I am afraid it's always going to be about who you know. I got a copy of SuSE to learn linux simply because my friend Alex uses it and he's very experienced and happy to give me a hand when I'm stuck. And imagine if Linus T. was my next door neighbour...

    I think CormacJ makes a good point about the problems with closed source knowledge, but people will always use their contacts and communicate to get things moving.

    What we've got to do in the open source community is create a culture where even when money starts flowing dependent on knowledge, people still want to share that knowledge. Going to be interesting as linux moves (probably very soon) into being big commercial value to a lot of people...like people have said on slashdot before, there's goingto be a lot of pressure to pervert the spirit of GNU licences / open source terminology etc...

  60. Re:Comments by jms · · Score: 5

    The fix is for the movie execs to develop technology which will protect their copywritten material.

    No, this is not a fix. It can never be a fix. Copy protection does not work as a long term strategy. It can not work.

    The reason is extremely basic and fundamental. The problem is that a protection-stripped product (the "warez" version) is intrinsically more valuable then the original, copy protected product, because you can do more with it. Specifically, you can do the very things that the copy protection tries to keep you from doing, whether it is backing it up, as in the Apple II days, or, as in the case of DVD, extracting and manipulating the raw program content.

    As any copy protected technology becomes more and more interesting; as more and more material becomes available in that format, the interest in breaking that copy protection will also rise.

    The average age of a successful copy-protection cracker appears to be about 16-18 years old. That's the age when you have enough free time, and enough focus to really dig deep into the details of a copy protection system ... that's the "hacker incubation" time. It's when you spend all day and all night studying machine language specifications, attempting to comment disassembly listings, and working on solving the challenging puzzle that copy protection is.

    Cracking copy protection usually does not require sophisticated tools. It does not require advanced training. Mostly, it requires extreme dedication, hard work, and a young mind flexible enough to figure it out. Criminalizing the art of defeating copy protection is nothing more then criminalizing our next generation of computer scientists. We can do it, but wow, what a stupid thing to do.

    In other words, you can't regulate 16 year olds. You can't even get them to clean their rooms.

    Unfortunately, we have a Congress that was elected on the issues of gun control, the death sentence, and partial birth abortion, so it's not surprising that they understand so little about the Constitution that they would tamper with Copyright the way they have -- by banning reverse engineering, in the apparent hopes that this will "dumb down" the population, at the "small" cost of criminalizing our brightest young people for satisfying their curiosity about their most valued possessions -- their music and video collections.

    The real "solution" to copyright infringement is to remove the incentives to infringe. Pay close attention to your pricing, make sure that you are offering a total package that contains more value then just a copy on recordable media. If you're a music publisher, that means including nice artwork, with printed lyrics and liner notes. If you're selling a computer program, that means including good printed documentation. If you're selling a DVD, that means having interesting "extras" on the DVD that people will want to buy, as opposed to just selling the movie itself, which can be decrypted with DeCSS and copied as an MPEG stream.

    In short, provide value for your customers money. The same thing that producers have had to do since the beginning of time -- or until our Congress created special laws to relieve the entertainment industry of this "burden".

    Copy protection is an illusion. Every copy protection for every interesting product will be broken, given time. If you've based your business model on the illusion that copy protection will allow you to control your customers, then your business will fail. The entertainment industry does not need to base their business model on copy protection, but if they continue to do so, then they will fail as a business.

    They will not win. The 16 year olds will win.

    Mark my words.

  61. Re:filter needed by stx23 · · Score: 4
    Also, what is a steam box?
    I suspect this might be the Streambox Ripper vs. RealNetworks case, but I obviously can't be sure. However, given the context of the case, and the content of that case, I think it just might be it.
  62. matress tag police by Pope · · Score: 2

    Have any of you jokers actually read that tag?
    I just bought a new chair, and the tags were on the cushion. It stated that the label is not to be removed under penalty of law by anyone OTHER THAN the consumer. In other words, if the tag is in place, it is guaranteed brand new.

    That's what you get when you let stand up comedians raise your kids :P

    Pope

    Freedom is Slavery! Ignorance is Strength! Monopolies offer Choice!

    --
    It doesn't mean much now, it's built for the future.
  63. Fair Use Explained. by underwhelm · · Score: 2

    From the library of congress copyright office:

    "Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered "fair," such as criticism, comment, news reporting, teaching, scholarship, and research."

    Fair use is not a right, but a defense to someone claiming infringed copyright. Fair use is decided by the judge by considering:

    "1) the purpose and character of the use, including whether such use is of commer-cial nature or is for nonprofit educational purposes;
    (2) the nature of the copyrighted work;
    (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
    (4) the effect of the use upon the potential market for or value of the copyrighted work."

    Basically, the copyright holder retains certian exclusive rights through the copyright's duration; that of public performance, distribution, blah, blah. If the judge feels you've infringed on those rights, you're guilty. However, if your work does not infringe on those rights, your fair use defense may succeed.

    http://www.loc.gov/copyright/fls/fl102.pdf

    --

    I don't need large brains to have a good time.

  64. Re:Haven't any of you people ever been ill? by swordgeek · · Score: 2

    You've got a fair point. The guy just may (likely) have not been able to hold it together under the conditions, which were pretty adversarial.

    That said, though, take a good look at his record. For years he has consistently spoken against copying of any sort so stridently as to come across like a militant psychopath. The guy is pretty damned hardcore. THAT behaviour has (justly) earned him some serious disgust. Attacking him for that behaviour is quite justified.


    --

    "People who do stupid things with hazardous materials often die." -- Jim Davidson on alt.folklore.urban
  65. Eh? by Archie+Binnie · · Score: 1

    8 is at times difficult to tell whether Mr. Garbus

    9 has finished his question. So if you'll pause for

    10 a moment it will give ne an opportunity to

    11 interject objections.

    Calls for a legal conclusion
    It's an incomplete hypothetical.
    Compound.
    Assume facts not in evidence.
    Lacks foundation.
    Asked and answered.
    Unintelligible.
    Calls for speculation.
    Ambiguous.
    Lacks foundation.

    more...?

  66. Re:Comments by jms · · Score: 4

    People do not bother trying to circumnavigate restrictions so long as they do not feel restricted. Right now, there's nothing you can do with a DVD except to play it. DVD players have no digital outputs, and the contents of the disc are encrypted.

    Most people could care less, because they only see the DVD in terms of a glorified "digital" videocassette, with a few cute add-ons.

    We have no idea what people might want to do with the contents of a DVD, because people don't have access to the raw contents of a DVD. There is the potential for entire new art forms -- just like sampling technology ushered in an entire new form of music -- one that was unimagined before digital technology -- or only practiced by a few individuals with extraordinary resources, such as the Beatles with Revolution 9.

    Hypothetically, given complete access to the raw digital data on her DVD collection, and video editing software, a person could sample bits and pieces of different movies, combine them with a soundtrack made by sampling different movies and songs, and create expressive new works of art. Even if those works could not be commercially exploited due to copyright restrictions, that wouldn't matter. A person who developed a talent that way could then go on to create similar works using their own sources, or licensed sources as raw material, thus creating works that could be commercially exploited, and at the same time creating an entire new market for stock footage.

    Until it is established that one has a fair use right to get at the raw contents of copyrighted works that you have purchased, most people will not even consider the potential possibilities of such access.

    In short, there is an entire world of possibilities for new forms of artistic expression that are sitting dormant, because the MPAA is struggling to ensure, through technological and legal means, that the only experience people can bring to their products are to sit on the couch, eat popcorn, and turn off their brain for two hours.

    Back to the sampling analogy, sampling doesn't affect most people only in the sense that most people aren't DJs. However, given the popularity of house, hiphop, and other forms consisting largely of samples, a large percentage of the population are affected by and benefit from the talents of the small percentage of the population who exploit sampling technology to create new works, and a similar potential exists for audiovisual works as well. The technology is just emerging that will make this possible, DeCSS is a big part of it, and the MPAA is determined to stop it.

    So I would agree that most people aren't affected by this ... yet. DeCSS represents a very basic tool -- the interface between editing software and commercial content. Whether artists have legal access to that interface is an issue that will change the face of audiovisual art forever, for better or worse.

    That's the real stakes behind DeCSS.

  67. Re:Copyright, tricky stuff by ucblockhead · · Score: 1
    If copyright were done away with, the most viable software model would being to grab all the source code you could get your hands on from other people, while using draconian and fascistic means to prevent any source code from leaking out of your own development house.

    People seem to have this wierd-ass niave view that if you could legally publish the source code to Microsoft Excel, that all you'd have to do is go up to Redmond and ask Bill Gates for it. Sorry. Just because you have the legal right to something if you come upon it doesn't mean you'll ever come upon it.

    Discarding copyright law would kill free software. Why? Because no author of free software would be able to prevent others from closing the source back up.

    --
    The cake is a pie
  68. Re:Confusion about fast forward on DVD's.... by Anonymous Coward · · Score: 1

    What is the 'fast forward lockout' you experience?

    I bought the cheapest $160 DVD player they sell at Circuit City, and it has a skip-track button on the remote control. I hit the skip-track button and it snaps forward past the commercial.

    Geez, I must have missed out on some 'features' when I purchased the cheapest set-top player I could find.

    Yes, I've viewed the 'Sixth Sense' Disc being discussed here. (borrowed that one from a friend)

  69. Re:Fair use definitions by Wah · · Score: 2

    THE WITNESS: The answer is, any time that you circumvent an encryption for whatever reason you are breaking the law.

    That's his view of fair use. And also the view of the laws he has helped craft. Maybe it's just me, but this willful disregard for our court system gives me absolutely no reason to respect this guys laws. He is lying in court. Is it even possible for very powerful people to be honest in court? (Clinton, Gates, Valenti, etc..) I guess if they were, they wouldn't end up quite so powerful, so there ya go.


    --

    --
    +&x
  70. Yummmm, I want his net connection... by JimmyG · · Score: 2

    Valenti noted that "currently our films are protected by two factors - the amount of time needed to download a full-length motion picture and the lack of unprotected digital copies of our works. But, with the increased availability of broadband Internet access you can bring down a full-length motion picture in less than 15 minutes versus the four to five hours for non-broadband."

  71. Re:You have to love the legal language: by Archie+Binnie · · Score: 1


    25 MR. COOPER: Could I ask, Mr. Valenti m,that

    1 you slow down. I'm not sure what counsel means by

    2 third paragraph, last paragraph. I believe he's

    3 referring to the, when saying that, the first

    4 paragraph on page two. I think that's what he

    5 meant by the third paragraph.

    6 MR. GARBUS: It's called third, yes.

    7 MR. COOPER: It's ambiguous.

    8 MR. GARBUS: Mr. Valentin and I understood.

    9 MR. COOPER: Well, you two may have

  72. Not even allowed Decrypt to view? by Astralmind · · Score: 1

    Or did his statments about decrypting a DVD make it seem like your not even allowed to play one? Afterall, your DVD player needs to decrypt the movie in order to put it out to your screen....

  73. Re:Where do I send my money? by underwhelm · · Score: 2
    Send your money to the EFF

    They're providing the defense.

    --

    I don't need large brains to have a good time.

  74. Re:SAME SHIT ALL OVER AGAIN -- SHUT UP IDIOT by mOdQuArK! · · Score: 2
    If it was'nt for fascistic[1] existing copyright laws, COPYLEFT would not have been invented.

    The obvious response to this is, that if it wasn't for the "fascist" existing copyright laws, we wouldn't need copyleft.

  75. Re:Comments by jms · · Score: 2

    I just wanted to add that Asian counterfeiting of DVDs is a red herring in this case. DVDs are counterfeited not by decoding the DVD with a program like DeCSS, but by making a bit-for-bit copy of the entire disc, leaving the encryption intact.

    If they were to use DeCSS, they would lose the alternate soundtracks, the menu features, the hidden features -- all of the features that differentiate a DVD from a videocassette.

    In short, it would be much more work to use DeCSS to decode the disc, and would lead to an inferior product. Why would media bootleggers be interested in something like that when they can much more easily produce perfectly working counterfeits with a bit-for-bit copy, which they are doing in enormous numbers right now.

    VCDs aren't an issue either, because VCDs are generally produced from analog sources -- a camcorder in a theatre, or a screener cassette.

    Implying that DeCSS facilitates commercial bootlegging operations is a complete red herring.

  76. Re:Copyright, tricky stuff by mOdQuArK! · · Score: 2
    Where do you think Microsoft would be if the hardware vendors (and everyone else) didn't have to pay for Windows licenses?

    They might have to make money based on service & physical products?

  77. Re:Copyright, tricky stuff by elflord · · Score: 1
    They might not get the source, but neither would you make any profit from the binaries.

    sure you could. You could just sell activation keys. you might not make as much, but you could still make some. BTW, I thought the GPL was about "free as in speech", not "free as in beer". You have only established that without copyrgihts you'd always be able to get free beer, which is less than what the GPL and its philosophy demands.

  78. Re:MPAA's Lawyer Says Valenti Can't Explain the DM by Defiler · · Score: 1

    I don't see how your .sig file is possible.. This is a quote from this page:
    http://www.wweek.com/html/letters072199.html

    "As of August 1998, 3.4 percent of prison inmates in Oregon had an IQ under 80, and 15.8 percent had severe and persistent mental illness."
    Are we to believe that Oregonian inmates are exceptionally intelligent, or that Trivial Pursuit (or just your .sig) is wrong? ;)

  79. Re:Copyright, tricky stuff by / · · Score: 1

    But if copyright were done away with, then there'd be nothing to prevent the purchaser from distributing the binaries once he got past whatever contract/liscense was involved. Copyright doesn't just apply to the source. And need I remind you that there's been plenty of free software under BSD style liscenses for years even though it doesn't "prevent others from closing the source back up" (not that I prefer BSD to GPL, but it's there).

    --
    "If one is really a superior person, the fact is likely to leak out without too much assistance" -- John Andrew Holmes
  80. Re:Boycott Media Robber Barons by Mark+Gordon · · Score: 1

    Read a book. There are lots of books in the public domain at this point (from back in the days when copyrighted works would eventually lapse into the public domain, before the closing of the IP common). Check out the Gutenberg Project.

    Granted, it's impossible to keep anyone from extending these books in such a way that they fall under copyright (e.g. films based on the works of Shakespeare), but I don't feel too threatened by that.

  81. Explain Fair Use. by NetJunkie · · Score: 1

    For the rest of us.... Could someone explain fair use?

  82. Haven't any of you people ever been ill? by miniver · · Score: 2

    I'm not here to defend the MPAA or the DMCA, and certainly not the creator of the MPAA ratings -- I hate them all as much as the next slashdotter -- but I am highly disappointed with the way most of the posters to this thread have been treating Mr. Valenti.

    At the time of this deposition he was 79 years old and claimed to have a 102 degree fever. I've been that sick before and I don't think I would have stood up to a full deposition. If you think being grilled by a hostile lawyer when you're that sick, you've never been that sick. Give it a rest -- he's an old man, he's sick, he may even be dying -- if you can't give him any respect for living that long and still being active and productive, then I can't give your views any respect, and no one else will either.

    On the other hand, I have to admit that it was an excellent tactic by Mr. Valenti's lawyers. I think Mr. Garbus got sucker-punched; he got a mostly worthless deposition, and whenever he goes to use it to try and discredit Mr. Valenti he's going to get laughed at in court. <sigh>

    Are you moderating this down because you disagree with it, or because it doesn't add any value to the discussion?

    Are you moderating this down because you disagree with it,
    --
    We call it art because we have names for the things we understand.
    1. Re:Haven't any of you people ever been ill? by demon · · Score: 1

      Exactly - this was a sympathy ploy to the court, nothing more. If he was REALLY, I mean REALLY sick enough that he COULD NOT give a deposition, his lawyers certainly could've gotten a delay.

      Besides, I've been sick before. I've had fevers and other such things. Being sick don't make you stupid. And this was only a deposition, man... it's not near as stressful as a full court proceeding, I'll bet.

      --

      Sam: "That was needlessly cryptic."
      Max: "I'd be peeing my pants if I wore any!"
    2. Re:Haven't any of you people ever been ill? by Russ+Moerland · · Score: 1

      I sure hope you're kidding, 'cause you're being a bit hypoctritical hiding behind an AC.

      If you read the deposition, he was asked many times if he wanted to quit the deposition and stated that if he felt like he couldn't continue that he would stop the deposition.

      His statments are fair game. Being sick or old doesn't absolve you of responsibility for your statements.

    3. Re:Haven't any of you people ever been ill? by Steve+B · · Score: 2
      Surely there is some legal procedure for him to say something to the effect of: "I was babbling like an idiot because my brain was fried, and I blew off the offers to quit becuase didn't realize how far gone I was -- let's tear that up and start over?"

      Unless and until he files such a request, that deposition is Valenti's legal position behind which he stands.
      /.

      --
      /. If the government wants us to respect the law, it should set a better example.
    4. Re:Haven't any of you people ever been ill? by radja · · Score: 2

      102 C is just above the boiling point of water. Which shows in his answers: the brain cannot work where blood exists in gaseous form. please state your units, especially if most of the world uses units that are NOT based on armpits.

      //rdj

      --

      No one can understand the truth until he drinks of coffee's frothy goodness.
      --Sheikh Abd-Al-Kadir, 1587
  83. Re:Copyright, tricky stuff by elflord · · Score: 1
    If copyright is done away with, then the GPL is no longer necessary, because the only viable software model with then be free software. Something to think about.

    While you might like the idea of dispossesing software authors of the fruits of their labour, your claim is bogus. Without copyright, authors could use draconian methods to restrict access to software. This would put you in a position where a lot of people would just pay up because the security measures, while maybe imperfect would be at least difficult to circumvent. Hell, they could even profit off binary derivatives of GPL'd works.

    BTW, it's not true that the only viable software model would require "freedom as in speech", you would at best get "freedom as in beer". I know that the freeloading scumbags really only care about the latter, but the GPL is about the former.

  84. Re:Hoo boy... by Sodium+Attack · · Score: 1
    Um, guys, if I filed a lawsuit, I would expect to need to take part in depositions. Course, I'm just one of them evil reverse-engineering-supporting hackers...

    The MPAA filed a lawsuit.

    Jack Valenti did not file a lawsuit.

    Why depose Jack Valenti?

    --

    Never take moderation advice from sigs, including this one.

  85. Re:Fair use definitions by JCCyC · · Score: 1
    So is Mr. Valenti saying that if I play movies in my home, and then invite people over for a movie-watching party, that that would be illegal?

    Yes, but this is only part of a more fundamental Corporate Truth:

    IF YOU DO ANYTHING AND WE DON'T GET MONEY AS A RESULT OF IT, IT'S ILLEGAL!


    "Standing up to an evil system is exhilarating." --Richard Stallman

  86. Re:The media industry is dying by locust · · Score: 2
    Here is Courtney Love's rant.

    --locust

  87. Hmm... by Viper23 · · Score: 1

    Has anyone asked the most obvious question?

    Does he think that it is illeagal for this knowlage to exist? I think the question here is much deeper than freedom of speech. The question really seems to be freedom of thought. Is it legal for there to be human knowlage which enables one to crack a DVD?

  88. Analog vs. Digital by Ozzy · · Score: 2
    Analog vs. Digital, one of them has to go...
    Valenti told the Committee that the digital world is far more dangerous that the analog world. "The 1000th copy of a digitized movie is as pure as the original, whereas in analog each copy is degraded in quality."
    What is wrong with lossless transmission? How is that a danger to the public and to the MPAA? This is a changing world Jack and just because you used loss of quality as an excuse to allow VCR's to take off, doesn't mean it holds any relevance today.
    What was, no longer is. Deal with it.
    --
    Remove the NOSPAM to spam me...
  89. Re:Copyright, tricky stuff by ucblockhead · · Score: 1
    "...then there'd be nothing to prevent the purchaser from distributing the binaries once he got past whatever contract/liscense was involved"


    Dongles. CD Keys. Horrible authentication schemes over TCP/IP. More horrible things than you can imagine.

    --
    The cake is a pie
  90. Re:Fair use definitions by Hard_Code · · Score: 1

    THIS IS THE FBI. STAY WHERE YOU ARE. WE ARE SENDING A SQUAD TO APPREHEND YOU.

    "Lameness filter encountered. Post aborted.

    PLEASE DON'T USE SO MANY CAPS. USING CAPS IS LIKE YELLING!"

    I guess Slashdot doesn't know what being facetious is.

    --

    It's 10 PM. Do you know if you're un-American?
  91. Duh!!! by kunsan · · Score: 1

    Valenti is the Chairman of the MPAA.

    --
    The facts expressed here belong to all, the opinions to me. The distinction between fact and opinion is yours to decide.
  92. Re:Copyright, tricky stuff by ucblockhead · · Score: 1

    You're assuming I'm not using a copy-protection scheme...

    --
    The cake is a pie
  93. Missing page? by Archie+Binnie · · Score: 1

    MR. GARBUS: Mr. Cooper, with respect to a

    2 document you've given us of October 28, 199, let

    3 me just tell you we're missing page three. So if

    4 you could make that available to us.

    5 MR. COOPER: I'll need more information than

    6 you've just given me.

    7 MR. GARBUS: Exhibit 23 is the statement by

    8 Jack Valenti. It's between your marked pages 8386

    9 and 87. There's a page missing.

    10 BY MR. GARBUS:

    11

    12 Confidential

    Followed by six (SIX) pages of confidential. All over one page?

  94. Re:Why are they worried about DVD piracy? by Wah · · Score: 1

    Google is your friend

    "asciimation star wars"
    --

    --
    +&x
  95. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
    Information is a system of symbols; intellectual property law forces us to pay to use some symbols. We ought not to allow people to own symbols since there are a finite number of combinations of them (ok, this is debatable) and those will eventually be exhausted.

    Sorry -- the statement about there being a finite number of combinations of symbols is obviously false. Please disregard it. Since there is a large number of symbol types, and many tokens of a given symbol type can be repeated in any pattern, the number of combinations would probably be, at least for practical purposes, infinite.

    But otherwise my post is the paragon of Slashdot virtue. :-)

  96. Re:Copyright, tricky stuff by HP+LoveJet · · Score: 2

    Do you remember the balkanized Unix industry of not so long ago?

    ...that inadvertently saved the net's collective ass when Internet Worm II was launched? As somebody (I want to say Steve Bellovin but I'm not sure) pointed out in the aftermath, the reason that damage was as easily contained as it was was mostly due to the "biodiversity" of hosts running different OSes. More kernels are not necessarily worse.

    --
    spawn_of_yog_sothoth
  97. Re:Copyright, tricky stuff by elflord · · Score: 1
    but because there is not copyright, you could reverse engineer it, remove the piracy cruft and release the good source.

    This is not a trivial task. The seller could still make quite a lot of money. Who'd support the sleazy warez version ? A bunch of teeny warez punks ? Do you think that the big corps would go for the real thing or the cheap warez version ? And do you think the home users would use what they use at work, or would they go poking around for the warez version ?

    Without copyrights, it would be possible to profiteer from binary-only derivatives of GPL'd work. The question is not "if", it's only "how much".

  98. My favourite quote: by townmouse · · Score: 1

    14 Q Do you know who Mr. Schumann is?
    15 A Schumann?
    16 Q Yeah.
    17 A What's his first name?
    18 Q Robert?
    19 A Great composer. I love his music.
    20 Q Not this man's. He's an expert witness
    21 who has been retained by the MPAA and Proskauer.
    22 Do you know him at all?

    --
    Ask me if I've been required to disclose any crypto keys.
  99. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
    Trying to sell software would be pointless if there were no copyrights - negating the need for the GPL.

    The GPL protects our freedom to share source code and it tries to ensure that our efforts in writing free software won't be exploited for commercial gain. If there can be no commercial gain from re-selling the voluntary contributions of time that go into making Free Software, as would be the case if copyright law were abolished, then at least part of the GPL's job is done. However, it may be the case that many fewer people contribute because they cannot be *guaranteed* protection from commercialization of their work. Be that as it may, there is enough material in circulation now that if nothing new were written for 50 years we'd probably still have lots to draw upon.

  100. Valenti on MP3 by Sri+Lumpa · · Score: 1
    Valenti next addressed downloadable media, which he said, "poses a much greater threat to the creative community." He noted that this is the same type of piracy as the downloading of illegal software or illegal MP3 files, which has pillaged the music industry.

    Damn, I almost forgot how many billions less they made this year!

    --
    "The obvious mathematical breakthrough would be development of an easy way to factor large prime numbers." Bill Gates,
  101. Hey moderators... by Shin+Elendale · · Score: 1
    Mod this one up. Really.

    -Elendale (wishes he had mod points...)

    --

    IANAT (I Am Not A Troll)

  102. Fair Use and Professional Movies by Badmovies · · Score: 1

    I run an online movie review site and include multimedia clips, only once in two years has a representative of some studio wrote me to remove a film review.

    Granted most b-movie distributors are delighted to have the free advertisement, even if it is negative, but I was prepared for someone to complain. While deciding how to start the site I watched television reviews, especially Siskell and Ebert, to see how long the video clips were. In addition, before a review was ever posted, I put up a page about the Fair Use Law.

    Armed with that I sent the studio rep a reply, pointing him to my Fair Use Law page. It has been over a year, either they're a bit behind on email or dealing with anyone of an informed nature scares them. Plus it is hosted off a Linux box in a friend's house, hanging off a DSL line, which prevents a nervous webhost from ditching me at first sign of trouble.

    Final thoughts...why does going to the movies cost $8.50 these days? The modern league of actors and directors came about due to, among other reasons, producers wanting "professionals." With someone like that box office returns are guarenteed right? Unfortunately "Batman and Robin" and "The Avengers" pretty well disprove that idea. Let me pay $3.00 to watch the efforts of some New Zealand kid (filmed over a period of 4 years on 16mm) and my chances of being entertained are pretty darn good.


    Andrew Borntreger

    --


    Andrew Borntreger
    Champion of cinematic disasters
  103. Re:Whine whine whine.. by luckykaa · · Score: 2

    An accurate answer. Not a complete answer or a useful answer, but certainly accurate.

    Curiously he was considerably more informed about what Linux is than either of the other people present. He actually knew what it was. I wonder if the lawyers thought they understood the question about using DeCSS to produce an Operating System for Linux toi play DVD's (slightly garbled question page 21, line 9)

  104. Re:Is this really about region encoding? by Anonymous Coward · · Score: 1

    Schumann glossed over the exact same point by claiming that DeCSS had nothing to do with region coding, which was disingenuous to say the least. I don't understand why Garbus didn't push him on the point. It's a very important point.

    These depositions are only for finding out what the witnesses know or think they know. Expect points to be pushed and pushed hard once the actual trial begins.

  105. Re:SAME SHIT ALL OVER AGAIN -- SHUT UP IDIOT by Sydney+Weidman · · Score: 1
    If it was'nt for fascistic[1] existing copyright laws, COPYLEFT would not have been invented.

    The apostrophe in "wasn't" goes after the 'n' and before the 't'.

    This may be a case of oh felix culpa!. I'm not sure from your post if you are happy or sad about the existence of copyleft. Not that you have to be one or the other, of course...

  106. Re:Hoo boy... by Boulder+Geek · · Score: 1
    Why depose Jack Valenti?

    Because Jack Valenti is the president of the MPAA and has made many public comments on this issues of this case.

    --
    A well-crafted lie appears unquestionable - Dama Mahaleo
  107. Why are they worried about DVD piracy? by GRAMMERSoft · · Score: 5
    According to the linked comments by Jack Valenti on mpaa.org, pirated movies are available on the internet before the movie is released in theatres.

    It seems that people breaking DVD encryption is the least of their worries.

    --
    That said, I think it's time I changed my .sig (again)
    1. Re:Why are they worried about DVD piracy? by reguli · · Score: 1

      Why? They know that if they don't control the distribution channel etc. that their pot o gold isn't as secure as they'd like. It's a matter of CONTROL as mister ulrich has so eloquently expressed in re: napster. Because while it may be cumbersome, unprofitable, inconvenient et al to try to profit off of some illicit pirate dvd business TODAY, it may not be tomorrow. We squint today, but have you seen those portable DVD players? And regarding slow downloads: 4 gigs is slow today even over cable/ dsl, but what about tomorrow?

      --
      every man and every woman is a star
    2. Re:Why are they worried about DVD piracy? by lalas · · Score: 3
      No kidding, what is more damaging: A movie made freely available on the internet before or after it has made its money at the box-office?

      I don't see pirated DVD's as such a big threat in any light. Unlike CDs and MP3s, there is a great system in place where I can rent a movie for a very reasonable price. I don't want to waste my bandwidth downloading a movie (even when I get a high speed connection) when I can go down to the local video store, say hi to some people, pay my two dollars and enjoy!

    3. Re:Why are they worried about DVD piracy? by Troed · · Score: 1

      VCD releases come as cue/bin anyway, so why bother burning with any other program than cdrwin?

    4. Re:Why are they worried about DVD piracy? by Troed · · Score: 1

      All "VCDs" released by VCD-releasing groups onto VCD sites are indeed true VCDs, playable with VCD players (and most DVD players). A release which _isn't_ in the correct VCD format is nuked on sight ... now, what you might be able to find depends entirely on who you know and what they let you see.

    5. Re:Why are they worried about DVD piracy? by drinkypoo · · Score: 1

      Actually, so-called "VCD" releases often appear as two mpeg files and a .nfo.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    6. Re:Why are they worried about DVD piracy? by Mullen · · Score: 2


      On top of that, have you ever tried to get a movie off the Internet that is good quality?
      I got on IRC two nights in a row to get a *telesync* of Gladiator. Then it was in .bin format, so I converted it to .dat, then .mpg. It looks like shit and sounds like it too. I figured I wasted *ALOT* more that $7 of my time trying to get a crappy copy. Next time, I plan to get see the stupid thing with some friends.

      Unless someone dumps an exact copy of a DVD into your lap that is aready burned onto CDROM, then it is not worth it.

      --
      Linux O Muerte!
    7. Re:Why are they worried about DVD piracy? by Whackamole · · Score: 2

      The Matrix was available about a week early, though without a soundtrack (BTW who's seen the ASCII version?) ... had I seen it, I still would have gone to the theater anyways, because it beats the hell out of squinting at a 15-inch monitor. It's pretty hard to rig up a home theater that compares with the real deal, and I'm not going to lay down the money to try.

      Theaters and merchandise are the real cash cows of the industry. The judge should tell them to suck it up.

      --
      Data East: "Leaders in Dot Matrix Technology" - Star Wars pinball
    8. Re:Why are they worried about DVD piracy? by drinkypoo · · Score: 2

      The movies that you see before the theatrical release are videocaptures of screeners, which are tapes sent to reviewers and distribution houses to sell copies of the movie to theaters.

      The reason you can get "VCDs" (Actually just MPEG clips, usually NOT in the right format to be made into a videoCD, which is a very specific resolution at 29.97fps, etc) of movies before their release is that the movie houses have a problem with sphincter control (An industry term (like biomass), not my own) and they spooge these screeners out to everyone and their mother. Some of those people (or their mothers) have halfway decent (And believe me, I mean that "halfway") video capture cards, and an mpeg encoder (Any schmoe can get the xing encoder demo from xing, and a keygen.) Then they upload it to their favorite VCD site in exchange for leech access.

      Not that I'd ever do such a thing, mostly because it's too much effort. I can wait a few months for a DVD to come out, and just buy the sucker.

      It's notable that no one is really pirating DVDs as DVDs. I've never seen a DeCSS'd movie available for download on a site because they're just too big. DVDs are in the two to ten gigabyte range, usually; I'd guess mostly around 4gb. It just takes too long to download them. I can see that someone might use DeCSS and MPEG2VCR and make a VCD (preferably a real one) out of a DVD, by sacrificing quality (Turning it into MPEG 1 for example.) That would be digital piracy of a DVD, but you wouldn't get to keep the high-quality soundtrack or video, and you only get a little over an hour of video per VCD, so I'm not sure that that qualifies as a "perfect copy".

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  108. Re:Duh, yourself by reguli · · Score: 1

    He (Clinton, the President) has special protection being Leader of the Armed Forces and whatnot. Otherwise every Republican would depose him regarding every civil case, just so he'd never get anything done, thus ensuring that a Republican would be voted in 4 years later.

    As well, it just so happens this isn't just any suit. It is his company that decided to file it. This is not some left field reach for Garbus to depose this particular person.

    --
    every man and every woman is a star
  109. Re:ROFL by Mark+Gordon · · Score: 1

    "I'm not a senile old man, but I play one on the witness stand."

    Reminds me a lot of Reagan during the Iran-Contra controversy, except that Reagan had moved from Hollywood to Washington rather than the other way around. Of course, Reagan later grew into the role...

  110. Re:hmmmm interesting.... by mindstrm · · Score: 2

    Isn't it funny.. that when it comes to the masses and technology, those who use technology in it's purest form are the ones who are prosecuted?

  111. Mental illness? by absurd · · Score: 1

    Maybe this guy is suffering some kind of mental illness?
    --
    Or maybe he just wants to get some publicity?

    On the other hand, what's the difference?
    Seriously, somebody tell mr. Valentis relatives to get the man some treatment.

    1. Re:Mental illness? by Fishstick · · Score: 1

      Reminds me of Reagan on the stand in the Iran/Contra thing. "No.. I don't remember. No... I don't recall."

      At the time it seemed like he was just dodging questions by pretending to not remember. Turns out he really does have Alzhimer's (sp?) and it is possible that he really didn't remember at that point?

      Ol' Jack is either

      a) dumb as dirt
      b) playing dumb to avoid goofing up his case
      c) really losing his braincells to advancing decrepitude
      d) all of the above

      --

      There is much cruelty in the universe, John.
      Yeah, we seem to have the tour map.

  112. 1000th copy? by Archie+Binnie · · Score: 1


    23 A What do you want me to look at?

    24 Q Second paragraph. "Valenti told the

    25 committee," second sentence. "The thousandth copy

    123

    1 of a digitized movie is as pure as the original."

    2 Have you ever seen the thousandth copy

    3 of a digitized movie?

    4 A No.

  113. Blue-light special on Clues at K-Mart, Mr. Valenti by operagost · · Score: 1
    25 Q Well, what is your best recollection of 8 1 what's the Defendant's name? 2 A 2600. 3 Q Now, does the name Goldstein mean 4 anything to you? 5 A No. 6 Q Does the name Corley mean anything to 7 you? 8 A How do you spell it. 9 Q C-O-R-L-E-Y. 10 A No. 11 Q Never heard those names before? 12 A No. 13 Q Now, what does 2600 do? 14 A Well, one thing they do is make T-shirts 15 with my picture on it.

    ROTFL! He really couldn't answer any questions. Why bother showing up? He could have just scrawled on a piece of paper with a crayon, "sum guyz are steeling mooves and stuf. that sux, brek dere neecaps!"
    Finally, about a third of the way through he was actually able to answer some questions about the PLAINTIFFS.
    BTW, can we have the "pre" tag made as acceptable HTML so these quotes are more legible?

    --

    Gamingmuseum.com: Give your 3D accelerator a rest.
  114. Re:Boycott Media Robber Barons by sallen · · Score: 1

    ((Hey Maroon! They're scarfing down movies and popular songs in MP3 format. You didn't get it at all, did you? Go back to handing out your greasy leaflets downtown. It's safer.)) As with playing a clip in a deposition that has nothing to do with DeCSS or DVD's, this also is an 'inoperative' statement. The distinction must be made between DISTRIBUTING the content, for which I dont' care at all if they send out their minions to shutdown and the right to determination (ie, the playing) of items purchased for your use. As for the analogy of 'making a key for everyones house and distributing it', it wasn't that long ago there were only a limited 'n' key/lock combinations for cars. YOU, if you're not that young, probably were walking around with a key that'd unlock tens of thousands of cars. THAT wasn't illegal, in fact they gave it to you. It's ONLY illegal if you use the key to steal the car...and in the 'old' days, you probably would have found a few within your own block.

  115. Re:Is this really about region encoding? by VP · · Score: 1

    I don't understand why Garbus didn't push him on the point. It's a very important point.

    Hopefully so that he can bring it up at the trial and have them thrown in jail for perjury.

  116. Re:Copyright, tricky stuff by pop1280 · · Score: 1

    You're wrong, becuase copyright allows the GPL to be _enforcable_ without copyright, noone has to distribute any modified code, because the original author no longer has the right to demand that modified code be distributed.

  117. Re:MPAA's Lawyer Says Valenti Can't Explain the DM by Xerithane · · Score: 1

    Damnit, it is just a quote. From trivial pursuit.
    I'm not saying it's true. I'm not saying I've researched it. I'm saying that there is a Trivial Pursuit card that has a question that asks, "What percentage of the population has an IQ under 80" and the answer they gave was 50%.
    And besides, if you did know anything about IQ tests/scores than you would know that there are a few different types, and perhaps one of those could have the median of 80.

    nerdfarm.org

    --
    Dacels Jewelers can't be trusted.
  118. Re:Copyright, tricky stuff by Wah · · Score: 2

    but because there is not copyright, you could reverse engineer it, remove the piracy cruft and release the good source. The market then picks the implementation they prefer.
    --

    --
    +&x
  119. Hoo boy... by vsync64 · · Score: 4
    I just started reading the deposition, and while I don't have any substantial comments to make yet, I couldn't help noticing that the first thing the MPAA guys do is start whining about how "inconvenient" the whole deposition is.

    Um, guys, if I filed a lawsuit, I would expect to need to take part in depositions. Course, I'm just one of them evil reverse-engineering-supporting hackers...

    --
    TO BUY A NEW CAR WOULD MAKE YOU SEXUALLY ATTRACTIVE.
  120. Whine whine whine.. by BilldaCat · · Score: 1

    Q Now, what does 2600 do?

    A Well, one thing they do is make T-shirts with my picture on it.

    All critics will be silenced..

    --
    BilldaCat
  121. Re:Fair use definitions by cpt+kangarooski · · Score: 1

    As it happens of course, fair use exists externally to the law; it took Congress over a hundred years IIRC to formally put it in place after it had been introduced in the courts. (as the result of the many limitations on copyrights and inherent freedoms)

    It's unconstitutional for Fair Use to be limited by generic laws, no matter what Congress or their corporate puppet masters would like.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  122. Re:Copyright, tricky stuff by LoonXTall · · Score: 1

    Alright, if copyright and IP ownership is so useless, why did anyone care about Voices from the Hellmouth?

    If copyrights vanish, I will take down my website. Why should my 3 hours with Paint Shop Pro be donated to your 3 minutes of making your website background? Please note: I'm not referring to the site linked to at the top of this post.

    So you see, the main point of copyright is to allow free speech (for the rights holder) but not free stealing.


    -- LoonXTall
    --

    ~~~LXT~~~
    Life is like a computer program: anything that can't happen, will.

  123. Thanks by oburi · · Score: 1

    To the people over at 2600 and everyone else fighting these kind of legal battles, thank you. Thank you, for fighting for freedom.

    --

    What do you mean 'Linux in a nut shell', it don't fit.
  124. Re:Copyright, tricky stuff by / · · Score: 1

    Besides what Wah pointed out, you'll also find such methods don't qualify as "viable".

    --
    "If one is really a superior person, the fact is likely to leak out without too much assistance" -- John Andrew Holmes
  125. Dignity as a human being? by fishexe · · Score: 1

    You know human beings don't have any dignity!

    Oh, and my grandfather fought the Japanese in the 40's and then went on to become quite the computer programmer. Of course he also protested Viet Nam along with the boomers even though they were his kids' generation. Guess he's always been young for his age.

    Maybe he ought to be on the supreme court.

    Ever get the impression that your life would make a good sitcom?
    Ever follow this to its logical conclusion: that your life is a sitcom?

    --
    "I don't care about the Constitution!" --Bill O'Reilly, November 17, 2009
  126. hear hear! by caveat · · Score: 1

    at last, a comment on the whole piracy issue that makes SENSE. spiffy liner notes/lyrics/etc. are exactly why i buy a cd instead of just pulling the mp3s from gnutella (well...cd's DO sound much better [and vinyl even more so], but i don't have the cash to buy any music that suits my fancy). mail a copy of this to jack valenti!

    --

    Facts do not cease to exist because they are ignored. - Aldous Huxley
  127. Re:Is this really any suprise? by Grog6 · · Score: 1

    These guys are way too late as far as the whole dvd thing goes. There is easily available software to decrypt, play , convert, save, de-macrovision, and any other thing you could possibly do to a dvd. (without getting weird.)
    Advd fits nocely, with error correction, on a backup tape. Re-load it to hard drive and it plays much better with the 'encryptation' removed. Oh, and removing the macrovision before you save it makes it have _much_ Better video quality. Macrovision really makes the picture dark. Watch 'The Matrix' with and without and you'll see what I mean.
    The DCMA is a BAD LAW and will have to be repealed, with either the existing congress, or the one we elect next!
    GET OUT THE GEEK VOTE!!!

    --
    Truth isn't Truth - Guliani
  128. Re:Copyright, tricky stuff by Wah · · Score: 2

    Who'd support the sleazy warez version ?

    Umm, you are aware of the general feeling for how to make money on GPLed software right? As a service. You pay for support, not the right to use the bits. And what is this warez you are talking about? In the absence of copyright there would be no such thing. You would be calling them "programs" or some such.

    The corps (like they do now) would pay for the service contracts. They could hire teeny warez punks to do it, but they would probably see a nice shiny businessman when they signed on the dotted line.

    This sub-thread is about the GPL relyin' on copyright to be effective. The GPL only exists because of copyright, without the stimulus there would be no response.

    Note: I'm just explaining what I see. Personally I think copyright has a place*. Stallman didn't think so, so he made a copyleft which uses the rules of copyright to cancel itself out.

    *a whole 'nother discussion.

    --

    --
    +&x
  129. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
    I thought the GPL was about "free as in speech", not "free as in beer". You have only established that without copyrgihts you'd always be able to get free beer, which is less than what the GPL and its philosophy demands.

    Technically we haven't established anything. We're not proving factual claims, we're arguing about what OUGHT to be done. We can argue about utility and morality and aesthetics and whatever else befits a discussion about the Good Life, but we aren't really proving or disproving things. QED :-)

    Nevertheless, I can see your point about "Free Beer". A suggestion that copyright be abolished could certainly be seen as promoting freedom of beer rather than freedom of speech. But this is a question of individual perception, and not implicit in the proposal. Some people will see a park as a place to get a suntan, others will see it as a noble statement of common civic purpose. One cannot force people to regard freedom in one particular way. Freeloaders may not understand that Free Software was created by and still requires a huge contribution of volunteer effort but their ignorance doesn't make the noble purpose any less noble.

  130. No,no,no, see, you can by fishexe · · Score: 1

    You can illegally download it, just not make anything that /lets/ people illegally download. That's the game now, right? Isn't that what MPAA is after?

    It's the responsibility of the person making the tool. Unless it's guns or cars of course, because the republicans make so damned much money off them. Can't make soft money off free software.

    Ever get the impression that your life would make a good sitcom?
    Ever follow this to its logical conclusion: that your life is a sitcom?

    --
    "I don't care about the Constitution!" --Bill O'Reilly, November 17, 2009
  131. Re:Is this really about region encoding? by ebresie · · Score: 2
    Could it perhaps be that they don't want to publize the fact that with region encoding, they can make multiple versions of the same movie & players and have the benefit of having not one product to sell (at outrageous prices) but many products to sell (at outrageous prices).

    And of course those other versions cost more because they have to be made special for whatever region/language in the area (which probably is all of about one or two bytes of code somewhere preventing viewing these region encoded disks.

    I can see where this is an issue of not wanting to put 100 different languages/translations on one disk, which wouldn't be realistic (unless you want 3 or 4 DVD with only 1 DVD having the language/translation you want).

    --

    Eric B
    ebresie@gmail.com
  132. Re: wonder what the stenographers think about this by fishexe · · Score: 1

    They probably laugh their arses off inside.
    Actually now that you've mentioned this I'm considering a new career direction. I never thought of being a court stenographer before but the comedy has to be a great perk.

    Ever get the impression that your life would make a good sitcom?
    Ever follow this to its logical conclusion: that your life is a sitcom?

    --
    "I don't care about the Constitution!" --Bill O'Reilly, November 17, 2009
  133. Two types of idiots by Animol · · Score: 1

    I realize I'm begging to be flamed, but Valenti did the right thing.

    Look at it this way - Although he may be bullheaded about the whole issue here, he's doing better than a lot of other people out there. How many times have you (Admit it, you know you have!) gotten terribly frustrated working with some total idiot that refuses to admit that they didn't know something? Valenti does have some sort of grasp on the issues here, even if he's as technologically savvy as your average fireplug, but he's not claiming to have a full understanding of all of the issues involved. Not by a long shot. Think how much more difficult the fight would be if he kept saying "It does this!" and was consistently wrong. I'd rather have someone in this fight willing to admit they don't understand everything than a blowhard that says "If it doesn't work the way I think it does, then it's wrong." That sort of mentality is murder to deal with.

    Of course, maybe I'm just tired of loud idiots in general.

    --

    "I'm not even supposed to BE here today!"
    1. Re:Two types of idiots by Eponymous,+Showered · · Score: 2

      I have to respectfully disagree that he "does have some sort of grasp on the issues here." I'm only about halfway through so far, but here is my impression of the questioning:

      Q: Mr. Valenti, what do you think about someone who wants to watch a movie out of the region it's designed for?

      A: The DMCA is clear. That's just plain illegal.

      Q: Mr. Valenti, what do you think about someone who wanted to watch a DVD on their Linux box?

      A: The DMCA is clear. That's just plain illegal.

      Q: What about if it's a school or a library?

      A: That's OK then.

      Q: What about if the school or library used a Linux box?

      A: The DMCA is clear. That's just plain illegal.

      Q: Mr. Valenti? What do you think about fair use?

      A: The DMCA is clear. That's just plain illegal.

      This guy is pretty transparent, IMO. Anyone who prevents me from making $$$=illegal.

      If he were to "have some sort of grasp on the issues here," he would know a lot about his defendants, he would understand the distinction between encryption and copy control and would have a *much* better memory. He keeps telling us it's "simple." If it were simple, this case would have been over and done with a long time ago or would never have come up. Of all the things this case is {'harassment', 'corporocratic bullying', 'greedy', 'shortsighted'}, none include {'simple'}

  134. Re:Audio Home Recording Act by cpt+kangarooski · · Score: 1

    Again, fair use exists no matter what the law says (aside from the Constitution - but it can be wrong too e.g. slavery)

    The AHRA could have claimed that mp3s are illegal, but it wouldn't matter once it hit courts that, unlike the Congress (in this corporate day and age) respect the Constitution.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  135. I almost feel sorry...but then i think again by mlesesky · · Score: 1

    How sad in a strange way. It figures he is an old school Harvard MBA type man. He was all comfortable making tons of money and ruling over his kingdom, and along comes all of these problems. And now things have to change, and he has to think.

    It makes it so much easier on him to play dirty and play stupid in these circumstances.

    What a great time to be alive.

  136. Courtney Love and stupid artists (and programmers) by TheDullBlade · · Score: 2

    Only the ones with no business sense get screwed that badly. That happens in every field. It happens to us programmers too, if you "just want to code" and not be bothered with negotiating and grubbing for more money you can easily end up working 80-hour weeks for $20K/year and end up burnt out and unemployable in five years, dead broke because you were always too tired to take care of your money.

    True, many musicians are in a lousy bargaining position. This is because they are lousy musicians, and they only become commercially valuable because of expensive marketing. They can sign up and "get screwed" while becoming famous making crappy music, or they can not sign up and go get real jobs.

    Even then, if they have any mercenary instincts at all, there are ways to cash in on fame.

    If you don't care enough to watch out for your own bottom line, there's sure as hell not going to be anyone else to do it.

    Yeah, the current system sucks, but I'm not shedding any tears for the poor starving famous people.

    --
    /.
  137. Re:The media industry is dying by reguli · · Score: 1

    About 10 years ago I bumped into a weird guy named Robert Anton Wilson. Actually I was attending a lecture of his with a friend. Around the same time, actually a little later, about a year later maybe, I bumped into a strange looking magazine about computers, electronica, and culture: Mondo 2000. I was the tender age of 19. Just finding my way in the world. Discovering Buddhism, Philip K. Dick, and all sorts of things which continue to enrich my life.
    Anyways, I got to thinking about networks and the miniturization of logic. Extrapolating one idea after another. You know, I was like a little sponge back then.
    And I wondered, if much of our consumption/ commerce revolves around products that are so totally virtual rather than tangible, intellectual property laws will have to be changed to reflect this evolution.
    Me charging you for pie is understandable. I mean if I slice it up, some of it disappears gradually. Leaving LESS for me.
    So what does Mondo and Robert Anton Wilson, and Buddhism have to do with any of this? They have been grappling with ideas of simulacra, copies, and whatnot.
    Like Ministry might say: CONNECT THE GOD DAMN DOTS!
    I did, about ten years ago. And only til Napster has anyone, enmasse that is, pricked up their ears like this intellectual property issue actually needs addressing. It is VERY interesting to me how all these things intertwine: MS v. Netscape; MS v. Linux; RIAA v. Linux; US Gov. v. encryption; society v. hackers; artists v. corporate greed heads; ...
    I guess at this point I am ranting. I'll stop. But I'll appreciate any comments.

    --
    every man and every woman is a star
  138. Gimme the video by Anonymous Coward · · Score: 1

    MR. HERNDSTADT: My name is Raymond R. Brown.
    2 I'll be operating the video equipment for this
    3 deposition.

    Oooh, video? Can I get a copy of the deposition on a DVD?

    1. Re:Gimme the video by heff · · Score: 1

      no no lets get the asf rip!

      --

      --

      |-_-| . o O ( bEef!)

    2. Re:Gimme the video by GRAMMERSoft · · Score: 1

      Why is Mr Herndstadt trying to claim his name is Raymond R. Brown?

      Something seems fishy here...

      --
      That said, I think it's time I changed my .sig (again)
    3. Re:Gimme the video by jellicle · · Score: 1

      This is marked up as funny, but actually we here at slashdot are getting a copy of the videotape and will be digitizing it and making it available online.

      I guess you could record your own DVD of it...

      --
      Michael Sims-michael at slashdot.org

  139. Today's transcript is not the same as yesterday's by jeffw · · Score: 1

    This transcript was first put up on the 14th with parts that MPAA has declared confidential. Did anyone read it yesterday and notice anything interesting that is missing from today's version?

    I didn't bother to read Valenti's deposition yesterday because I was too busy laughing at the judge's description of this a "bass tournament."

  140. Impossibility of DVD copy protection by David+Jao · · Score: 2
    The copy protection technology that you envision is completely impossible to implement. Counterpane Labs' Schneier said it best:
    ... Even if [the technology] were all perfect, the scheme could never work.

    The flaw is in the security model. The software player eventually gets the decryption key, decrypts the DVD, and displays it on the screen. That decrypted DVD data is on the computer. It has to be; there's no other way to display it on the screen. No matter how good the encryption scheme is, the DVD data is available in plaintext to anyone who can write a computer program to take it.

    In plain English, in order to be enjoyed, a DVD movie has to be sensed, and if it can be sensed by eyes and ears, it can't be encrypted. You can't encrypt people's brains.
  141. Boycott Media Robber Barons by Sydney+Weidman · · Score: 1
    Send a message to these twirps:
    We don't need you or your crap polluting our sensory environment any longer. We'll entertain ourselves thank you very much.

    Don't spend another cent on movies, CD's DVD's pay-tv, video rentals, or magazines owned by conglomerates etc etc. These mofo's have dumped enough bs on us to last a century. We don't need to encourage production of entertainment by protecting copyright. We already have far too much entertainment.

    1. Re:Boycott Media Robber Barons by Sydney+Weidman · · Score: 1
      They're scarfing down movies and popular songs in MP3 format.

      So? More power to them. I reckon there's a backlog of about 500,000,000 hours of viewing or listening pleasure waiting to be encoded and uploaded. That should be enough to keep everyone entertained until well past doomsday.

      Go back to handing out your greasy leaflets downtown. It's safer.

      You're overestimating the potency of your own words. Downtown Winnipeg is quite safe, actually and you are far less threatening than that. Feel free to flame away. If you'd like to look me up and challenge me to a proper fistfight, I'd be game for that, too.

      By the way, my "leaflets" are never greasy. They're always crisp and juicy. That's because I use CRISCO(TM) Brand Verbal Shortening from Procter&Gamble(R).

    2. Re:Boycott Media Robber Barons by Sydney+Weidman · · Score: 1
      Had you noticed your comrades here are all scarfing down as much content as they can steal?

      The content on /. is not commercial anyways. Copyright has no impact whatsoever on material posted by individuals. This is exactly the kind of content that would survive the death of copyright. Hey, I appreciate your candour, though.

    3. Re:Boycott Media Robber Barons by Sydney+Weidman · · Score: 1
      Yes. From a practical point of view, however, you're implying open-source entertainment.

      I'm not implying open source entertainment. Open source only has significance (insofar as it can apply to anything other than source code) in a legal environment which protects intellectual property. If one eliminates restrictions on intellectual property, one erases the line between what is open and what is closed.

      This also means that the [persons being entertained] start thinking like linux afficionadi, namely, that the license of a piece of entertainment is the most important feature of that piece; and reject anything, no matter how well-made, that is not open source. That requires quite a lot of discipline ... and doesn't blend well with being entertained.

      I'm actually advocating doing away with licensing entirely, so no one would have to consult lawyers before deciding how to entertain themselves. Normal people like you and me are capable of doing entertaining things, too. We don't have to leave every minute of our leisure time in the hands of someone else.

  142. It's simple... by Racher · · Score: 1

    Quoting a famous geek, I am not sure who though

    "In order to view them (DVDs) we must decrypt them. If we can decrypt them, we can rip them."

    They aren't going to be able to put up a huge fight, piracy has always existed, it's now just giving us better quality stolen media than the good ol' analog format.

    ...and I'm not sure we should trust this Kyle Sagan either.

  143. What a marvellous piece of work by Jon+Erikson · · Score: 1

    Wow, didn't he do well? I don't think he managed to contribute anything at all to the case, just a lot of negatives about things he (didn't) know. It's hardly going to look good for the MPAA when their Chairman seems to know zero knowledge of anything to do with the case, not even the defendent's names.


    ---
    Jon E. Erikson
    --

    Jon Erikson, IT guru

  144. Re:It's worse than I thought at first... by bughunter · · Score: 3
    Lots of them aren't thinking about it at all, since their minds aren't processing the words flying by

    I would guess that mothers of large families would be especially good at this, having lots of experience at monitoring conversations (and other incidental noises) without continually parsing them. Meanwhile, the rest of their mind is thinking about what to have for dinner that evening, or off in Fiji somewhere with a Fabio clone and a ripped bodice. They probably remember the entire conversation as something like this:

    Q: Arf arf, arfarfarf, woof?

    A: Meow?

    Counsel: Grrrrrrrrr!

    Q: Woof WOOF!

    A: Meowrrreow.

    Q: Oink Oink Oink?

    Counsel: Heeeee-awww! Heee-awwwwww!

    A: Could you read back the question please?

    --
    I can see the fnords!
  145. Copyright, tricky stuff by SciBoy · · Score: 2
    This is very tricky stuff indeed. What I could gather from the article about DMC (Digital Millennium Copyright) was that the movie companies want it to be illegal even to try to circumvent the encryption of digital media.

    All the questions that where asked "could a librarian use a few minutes of a DVD" and stuff like that seem quite easy to answer to me. No she cannot. Now in reality, she would, and no one would throw her in jail for it, but its not legal.

    Now what it SHOULD be is that once purchased, a piece of software or hardware and whatever technology inside and on it, is owned by the person who bought it. This is the dream of the free software foundation (free not meaning free of charge but as in "information wants to be free"). So whatever I decide to do with my movie, I should be allowed to do. I bought the rights to do that.

    This is of course a utopia and not realisable in reality, but we can dream can we not? I feel that the DeCSS movement (which it could almost be described to be these days) is a form of protest us Swedish call "Civil Olydnad", civil disobedience. Meaning to protest against stupid laws by doing what is right even though it is illegal. Lets hope they can afford the consequences.

    --
    "War is God's way of teaching Americans geography." - Ambrose Bierce (1842-1914)
    1. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
      When I say the "warez" version, I am referring to an unauthorised copy of a copy-protected work. By unauthorised, I mean unregistered. My point is that even if you did manage to reverse engineer the software in question, the "cracked" version would be unsupported and hence less popular.

      The "cracked" version might still be supported by any group of people who could sustain a business by charging for support. I'm not sure if other laws impinge on this type of operation, so this could be a moot point.

      Secondly, the reseller of binary-only GNU (for instance) software might not be as knowledgable as the original author. How many programmers out there have written programs that others would have a hard time understanding? Quite a few, certainly. I am not suggesting that programmers go out and exploit obscurity to make extra money. They just have a natural advantage in dealing with the code.

      I agree that there would be less incentive for programmers to contribute. They would feel like they're being shortchanged. After all, someone else would be making money off of their work. But I also think that people would very quickly learn NOT to buy binary-only products and download software or purchase it at marginal cost. Then the playing field is level. The big guys can try to sell consumer software in shrink wrapped packages with manuals and stuff. That's value added. I think there will be a market for that. But there will also be room for local and regional competitors who offer good value. I could publish my own well-written manual for Windows2000. It may not be technically perfect, but it would be of some value to a consumer. Perhaps I could also offer 1-900 24/7 customer support lines as well. Software is a relationship, not a product.

      In the final analysis, it doesn't matter who makes money as long as everyone is able to do things voluntarily. If, for instance, I decide to contribute to a Free Software project, I do so knowing full well that someone may profit from my work although I do not. That may bother me a little, but I really enjoy contributing. It's an interesting activity. It's a hobby. People don't stop playing the guitar just because someone steals a riff from them. I've had songs of mine performed by other people from whom I've never collected a dime. It didn't bother me because the music didn't really belong to me in the first place. I don't know where it came from or how I was able to come up with it. That magic has been destroyed by turning everything into a commodity. Now instead of making music, you're just a slave in the salt mines.

      I'd better quit now. I have a feeling Netscape is getting ready to crash.

    2. Re:Copyright, tricky stuff by john_many_jars · · Score: 1
      Bravo! Well put! Not only does your argument apply to art but science and technology as well. Until food stops costing money, any development will have to be funded or the developer have to take a job manufacturing and develop on the side.

      Only a fool puts in his/her money for something that will not show a benefit (money/fame/pat on the back/etc.) And since (with the exception of the savant in the deposition) "a fool and his money are soon parted," the wise will be the only ones capable of funding.

    3. Re:Copyright, tricky stuff by elflord · · Score: 1
      Umm, you are aware of the general feeling for how to make money on GPLed software right? As a service. You pay for support, not the right to use the bits. And what is this warez you are talking about? In the absence of copyright there would be no such thing.

      When I say the "warez" version, I am referring to an unauthorised copy of a copy-protected work. By unauthorised, I mean unregistered. My point is that even if you did manage to reverse engineer the software in question, the "cracked" version would be unsupported and hence less popular.

      You could certainly have companies profiteering off binary-only derivatives of GPL'd works, so the GPL is certainly necessary to protect "free speech".

    4. Re:Copyright, tricky stuff by ucblockhead · · Score: 1
      I assume you mean by "first time" that there'd be a fixed time limit. Otherwise, BPCB could have their own version about two weeks after BCPA did, and there'd be almost no profit.

      Personally, I'd like to see copyrights that only last twenty years, or until the death of the author, whichever comes first. That would stop many of the worst abuses.

      Remember, a world without copyrights would probably result in people having a greater desire for works, not less. (after all, it's trivial; many books will be available for cost + a razor thin profit) There's still lots of money to be made, it's just an intensely more competitive environment.

      Lots of money for the publishers, but not the authors. The publishers are selling a physical object that has a cost, just like a shirt or a frisbee. Yes, they'll make a profit. The author, on the other hand, is making something with a huge initial investment that can be easily copied. Without some guarantee that this investment won't go for nought, there is little incentive to make it.

      In other words, Neal tries to sell the manuscript to Cryptonomican II to BPCA for $500,000. BPCA says, "why should we? We'll just wait for you to find some other publisher to publish it and then copy it. We won't have to pay you a cent". Given that they can likely ramp up printing in a couple of weeks, they'll likely not gain much by being the first to get it.

      Without copyright laws, there is little incentive to find new authors. Just find the ones people like, and publish their work. Even more than today, publishing will be about marketting, product placement and the like. If anyone can publish "Cryptonomicon II", then the one who makes the most money is the one who markets it best, and at the lowest cost. Obviously the one who pays the author will have trouble being the cheapest... Which do you think will boost profits more? Paying $500,000 to the author to get it a few weeks early, or paying $500,000 to Barnes and Noble to get it on the stand by the front door of all there stores?

      Only a name author makes much money the first few weeks of release...

      Beal would almost certainly not get a couple million for "Cryptonomicon II". At very best, he'd get the profits that BCPA made before BCPB managed to get it out. BCPA would have no incentive to pay more. And given that BCPB could likely get it out in a few weeks, that's not much money.

      And for a non-famous author, it is practically zero.

      --
      The cake is a pie
    5. Re:Copyright, tricky stuff by elflord · · Score: 1
      The "cracked" version might still be supported by any group of people who could sustain a business by charging for support.

      Doubt it. The warez crowd are hardly the types to give any kind of organised support. Even the genuine free software types don't have a terribly convincing track record as far as formal support is concerned.

      Secondly, the reseller of binary-only GNU (for instance) software might not be as knowledgable as the original author. How many programmers out there have written programs that others would have a hard time understanding? Quite a few, certainly.

      Varies -- depends on how good the programmer is and how good the toolkits are. I've seen some very clean code and some code that is totally incomprehensible. There's certainly a lot of code that one could "steal".

      But I also think that people would very quickly learn NOT to buy binary-only products and download software or purchase it at marginal cost

      I disagree. Ordinary end users do not even know what "open source" is let alone why it's a good thing. They're more interested in quality support.

      If, for instance, I decide to contribute to a Free Software project, I do so knowing full well that someone may profit from my work although I do not.

      This is not the philosophy behind the GPL. If you really want your software to be free, use the artistic or BSD license.

      People don't stop playing the guitar just because someone steals a riff from them.

      Stealing a riff is somewhat different to outright unauthorised copying of software, because the person who steals the riff can still re-interpret it. Ditto with playing covers. Actually, I have no problem with stealing riffs, or performing covers ( provided the artist playing the cover doesn't try to pass the work of as their own )

    6. Re:Copyright, tricky stuff by cpt+kangarooski · · Score: 1

      There was no fixed time limit. As I said, the norm throughout most of history has been for copyright to be a thoroughly alien concept. Strangely enough, there were still plenty of creators in every society that wasn't struggling just to survive.

      You ignore the fact that someone, sometime is going to create works. And you further ignore the fact that many of these works are going to be commissioned. BCPB copies works commissioned by BCPB. BCPA copies works commissioned by BCPB. And I'm sure that there are no small number of other publishers, C, D, E, etc. who commission nothing. However, what precisely is different from the current situation other than time? Right now, if BCPB is willing to wait for 90 years or so, they can copy anything BCPA puts out, and vice versa.

      As I said, this will make competition much more powerful.

      But personally, I can see the use for copyrights; like you I agree that they are far too long. They are also too expansive. I've discussed what I'd like to see in other posts, if you're interested.

      What I don't care for much however is this common ignorance of history that many people exhibit. Copyrights are not normal, they are not necessary, (convenient perhaps, but not necessary) and many of the greatest works in history were created in environments without copyrights.

      Besides - what makes you think that non-famous authors make a lot of money. It's a lot like musicians; even very good/popular authors still usually have a day job. There are only a *very* small number that can completely support themselves off of their writing.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    7. Re:Copyright, tricky stuff by SciBoy · · Score: 1

      Ehem. Did I actually claim to be completely original? I don't think I did. Not that I have read Huxley, but I can probably point out another several thousand sources of inspiration. This has no bearing on anything at all.

      --
      "War is God's way of teaching Americans geography." - Ambrose Bierce (1842-1914)
    8. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
      Me:

      If, for instance, I decide to contribute to a Free Software project, I do so knowing full well that someone may profit from my work although I do not.

      You:

      This is not the philosophy behind the GPL. If you really want your software to be free, use the artistic or BSD license.

      Why is conforming to the philosophy of the GPL more important than doing what's best? I don't care about licensing issues at all because I really really believe that even the brightest and most creative genius would be nothing without a community of participants. Why do we celebrate genius at all? Because genius is attributed to the individual, whereas it really belongs to a community. Just because I work a little harder or I'm born with a higher IQ than you doesn't entitle me to greater property rights.

      If we really wanted to push the ethics of celebrating individual genius to it's distasteful conclusion, we ought to publicly disparage and humiliate stupid people, not educate them. Insofar as a person's gifts are the result of participation in a community, they do not own the fruits thereof. What remains of a person's gift is individual effort and inborn talent. Given that intellectual property laws are only concerned with protecting the creative output, and not the effort expended to produce that output, IP laws end up rewarding only inborn talent. I don't think that rewarding talent is a)necessary or b)fair. Those with talent will always stand out, almost by definition. Rewarding them is unecessary. I like the Japanese approach (I'm sure some anthropologist will tell me that this is no longer the case in Japan, but I read it ten years ago in a book about Japanese business practices called Theory Z, IIRC) which discourages individual recognition in favour of "team" recognition. This approach pays homage to the obvious truth that almost all of every worthwhile civilized human undertaking depends upon cooperation.

      The stuff that really NEEDS to get done will get done with or without intellectual property laws and information use-licenses. The stuff that doesn't get done probably wasn't all that important in the first place. I find it ironic that a legal regime which prides itself on promoting the useful arts and sciences gives "Jerry Springer" and "Who Wants to be a Millionaire" a higher place in the intellectual pantheon than Shakespeare.

    9. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
      Copyright's not tricky, it's harmful and useless. It's harmful because it's a restriction on free speech, and it's useless because it claims to encourage the production of creative works, but all it does is allow the concentration of media control.

      Even left-wing academics have a fit when they see comments like mine, because they have so much invested in this archaic, anachronistic, costly, top-heavy IP regime. It's time to clear out the cobwebs and the deadwood and start being human again.

    10. Re:Copyright, tricky stuff by ucblockhead · · Score: 1

      As I said, the norm throughout most of history has been for copyright to be a thoroughly alien concept.

      Yes, and throughout history, artists were barely compensated for their works while the people who published made fortunes.

      Non-famous artists today make some money, though not a lot. Without copyright, they'd make nothing at all.

      --
      The cake is a pie
    11. Re:Copyright, tricky stuff by elflord · · Score: 1
      I don't think that rewarding talent is a)necessary or b)fair. Those with talent will always stand out, almost by definition. Rewarding them is unecessary.

      It is not talent that is rewarded, it's productivity. There's obviously a positive correlation between the two. You might argue that ...

      Just because I work a little harder or I'm born with a higher IQ than you doesn't entitle me to greater property rights.

      To which I'd counter -- if you don't reward hard work and productivity, there is simply no incentive for anyone to work hard. This is largely why communism isn't very practical. Social democracies like Sweden, Canada and Australia come closer to fulfilling Marx's vision than most communist countries. BTW, another way of looking at this is that someone who is more productive isn't obliged to subsidize those who are less productive.

      Obviously, noone, not even the Americans, want to carry out "meritocracy" or capitalism to it's extreme.

      I like the Japanese approach

      I don't think you know very much about Japan. Big bad corporations, lots of IP and lots of patent gymnastics.

    12. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
      It is not talent that is rewarded, it's productivity. There's obviously a positive correlation between the two.

      If by productivity, you mean "material output", then I agree. If you mean something like Taylorism ("scientific" efficiency studies) then I disagree. Even so, I never claimed that an *individual* copyrighted work is an example of rewarding talent. It is not. Copyright and patents reward the material output of talent, or as you say, (an instance or example of) a person's productivity.

      When I say "intellectual property laws reward inborn talent" I just meant that the overall effect (and the intent) of intellectual property laws is to reward those who are "original" or "creative". I could, for example, copyright an edition of a published phone directory or a mailing list, but not the data contained therein. Court decisions have shown such lists are not works that copyright was intended to protect. That is why database and mailing list resellers are pushing for NEW laws to protect those types of works.

      The problem of awarding property rights based on the criteria of "original" or "creative" is that those criteria are by their nature open-ended. Who can define what those words mean? This is where intellectual property laws must appeal to concepts like "Non-obvious to an expert in the relevant field" or to hair-splitting tactics like trying to decide whether a translation of a book constitutes a new work. Trying to nail down a legal definition of "creative" is an exercise in futility. It's like trying to legally define what constitutes Bach's or Beethoven's individual "styles". Yet the rapid expansion of the scope of property rights in information content has been driven by precisely this loophole, with respect to which the law must necessarily be indeterminate. With no hard line to draw in the sand, there is no rationale to stop the ever-widening enclosure of what is really a public resource.

      if you don't reward hard work and productivity, there is simply no incentive for anyone to work hard.

      I agree. However, it does not follow that our only means of accomplishing that end is for hard-workers to be granted residual property rights in the fruits of their labour. People can be rewarded for hard work by being paid for their time, by sharing profits, by giving awards for productivity etc, etc. This is all first year commerce stuff. If what you say were true, auto workers would get royalties from the sale of cars, and would have some authority over their resale and subsequent use. That would be a scenario in which hard work is rewarded with property rights.

      Western democracies all have similar views about the rewarding hard work and effort. The tax system shouldn't punish people for hard work. Labour laws shouldn't punish people for wanting to work as hard as they can. None of these requirements necessitate the granting of property rights. The subject of property rights in information commodities is not native to the debate about rewarding hard work. Property rights are the immediate and essential concern only of discussions about power structures or heirarchies or social order.

      I repeat: Just because I work a little harder or I'm born with a higher IQ than you doesn't entitle me to greater *property rights*. There are other solutions which deserve at least to be considered, a fact which no one has so far admitted. I'm not advocating tinkering with the paramters of the current implementation. I am questioning the moral and utilitarian underpinnings of the whole scheme. That's why I feel it's necessary to push the envelope a little bit.

    13. Re:Copyright, tricky stuff by elflord · · Score: 1
      [ snip ]
      To sum it up, I agree that the patent system has obvious problems. The main objection to it is that they too often act as a force to suppress creativity, because they are too broad. Copyrights are sufficiently narrow that they really only protect the authors own work. Copyrights are narrow enough that you don't have to require the work to be original or creative. I could write an attrocious romance novel, and it wouldn't hurt anyone else if I copyrighted it.

      However, it does not follow that our only means of accomplishing that end is for hard-workers to be granted residual property rights in the fruits of their labour.

      Correct. However, this appears to be the best way to do it with creative works.

      People can be rewarded for hard work by being paid for their time,

      The problem with applying this model to creative works is twofold -- (a) a distributed payment system is needed, as no single buyer can afford to pay for the creative work, and (b) The creative work is produced before it reaches the market place, so the author cannot collect payment until after the work has been done.

      by sharing profits

      Yes, and how are the profits made in the first place ? How does one generate profits from the production creative work ?

      by giving awards for productivity

      How do we measure productivity without a market place for creative work ?

      If what you say were true, auto workers would get royalties from the sale of cars, and would have some authority over their resale and subsequent use.

      Well, they do !!! Yes, most automobile stocks are steady, low P/E dividend stocks. So if the employees get stock options, then they are indeed getting royalties on each car that is sold ! Not only is it a good idea, but it's an idea that is put into practice. However, the working class want a secure baseline, so what tends to happen is that there is a greater emphasis on a stable compensation package. OTOH, the execs get quite a lot of stock and dividend money.

      Just because I work a little harder or I'm born with a higher IQ than you doesn't entitle me to greater *property rights*.

      Copyright is more about rewarding the production of creative works than it is about "property rights". Certainly, everyone has the right to be rewarded for their work. And typically, those who are more productive are more heavily rewarded.

    14. Re:Copyright, tricky stuff by cpt+kangarooski · · Score: 1

      Do you see a bit of inconsistancy here?

      First you agree that when there was no copyright before, artists were barely compensated (this is untrue by the way; there were wealthy one as well) then you say that if we had no copyright again, artists would not be compensated at all.

      Publishers didn't used to make so much money either - other people would print the same books.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    15. Re:Copyright, tricky stuff by ethereal · · Score: 3
      All the questions that where asked "could a librarian use a few minutes of a DVD" and stuff like that seem quite easy to answer to me. No she cannot. Now in reality, she would, and no one would throw her in jail for it, but its not legal.

      It's only illegal due to the DMCA; under general copyright law and the precedents of past court cases, citing part of a copyrighted work falls under the protection of fair use. Perhaps Mr. Garbus is bringing this up to set up a later appeal and constitutional challenge to the DMCA.

      In response to some previous comments in another article about Mr. Garbus: perhaps he isn't the most technologically savvy lawyer in the world, but he seems to be a deep thinker and I'm sure he knows his way around the courtroom very well. The 2600 defendants and the technical community at large are very lucky to have his help in this case. And when you think about it, this isn't really a technical issue. The boundaries of copyright and intellectual property have been in the courts for hundreds of years; this is just the latest instalment of those court battles. If I were Mr. Goldstein, I would be much happier to have a lawyer well-versed in IP law and first amendment issues, than a lawyer who is intimately familiar with all of the technical details. After all, you can probably pick up the technical details faster than you can learn hundreds of years of legal precedents.

      --

      Your right to not believe: Americans United for Separation of Church and

    16. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
      You are right. But what I suggested in my original post was not only doing away with copyright laws, but introducing the exact OPPOSITE of copyright laws, namely copyleft laws. Laws that prohibit anyone from hiding any information from anyone!

      I think it makes sense for governments to be forced to be totally open (except for military information, and then only during wartime), but I have little hope of that happening. For everyone else, its probably safer having no information regulating laws than to replace the current regime with copyleft. Jealously guarded secrets would eventually be forced into circulation anyway. There is so much mimetic pollution out there that a little break from the noise would be a welcome change.

    17. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
      This is actually my third time trying to respond to your post. I've realized that the textarea buffer in Netscape (at least the one I'm using) has some size limit, so when I get too verbose and long-winded -- *POOF* -- everything vanishes into nothingness. Netscape punishes me for my grandiosity and hubris. Such is the fate of ideas. They are transient things.

      To quickly summarize what I tried to say (before Netscape crashes again): your point is true. You could do anything with anyone's information (published information, that is, not private information). No one would stop you, but you would also face a perfectly competitive market. That means your business would only barely make a profit, even with zero marginal cost.

      I suspect that this "GPL unnecessary with no copyright" meme arose because some people have decided that because some other people misuse copyrights, that all copyrights must therefore be bad. This is black-and-white thinking, and shows a fundamental misunderstanding of both copyright, the GPL and the purpose of the GPL.

      That's not how my opinion was formed, but I can't speak for anyone else. The GPL is meant to defend the realm of problem-solving against commercial enclosure. The philosophy of the GPL seems to say that we ought to treat all information as a proper subset of natural language. Information is a system of symbols; intellectual property law forces us to pay to use some symbols. We ought not to allow people to own symbols since there are a finite number of combinations of them (ok, this is debatable) and those will eventually be exhausted. Besides that, language doesn't benefit from ownership the way real property does. It benefits from use and fluidity. Intellectual property law places restrictions on symbols which degrade their utility but allow them to be conveniently packaged and sold profitably. This corporate language management is the thing that really pisses me off. Copyright IS bad when it is abused, but that's not what led me to the conclusion that without copyright the GPL would be unecessary.

    18. Re:Copyright, tricky stuff by Sydney+Weidman · · Score: 1
      If copyright is done away with the GPL becomes so many meaningless words.

      If copyright were done away with, the GPL would be unecessary.

      I wouldn't cry of that were to become the case. Lots of people who visit this forum regularly would.

      Learn to proofread your posts. The word "of" should be "if". Nobody who visits this forum would cry because they'd have access to the same material they use now. If you eliminate copyright, former owners of intellectual property can't simply withdraw material from circulation. It would remain available for anyone who wants it.

      Shouldn't you go back to handing out your greasy leaflets downtown, Sydney Weidman?

      Why bother? Slashdot is much more efficient.

    19. Re:Copyright, tricky stuff by / · · Score: 2

      If copyright is done away with, then the GPL is no longer necessary, because the only viable software model with then be free software. Something to think about.

      --
      "If one is really a superior person, the fact is likely to leak out without too much assistance" -- John Andrew Holmes
    20. Re:Copyright, tricky stuff by / · · Score: 1

      You completely missed my point. The GPL would be unenforceable but unnecessary. That which is not necessary needn't be enforceable.

      --
      "If one is really a superior person, the fact is likely to leak out without too much assistance" -- John Andrew Holmes
    21. Re:Copyright, tricky stuff by SciBoy · · Score: 1
      You are right. But what I suggested in my original post was not only doing away with copyright laws, but introducing the exact OPPOSITE of copyright laws, namely copyleft laws. Laws that prohibit anyone from hiding any information from anyone! Granted, this would be a utopia (and therefore an unreachable society), but it would be grand.

      In this scheme of things, a software creater has to provide you with the source in order to distribute his software. He would have no rights to prevent you from changing the source and distributing it further and so on...

      This sort of thinking is of course horrible for free enterprise, there would be no real profit in doing anything. But then again, silly me believes that there is a benefit in doing interesting work in itself.

      The question is, who would write boring manuals and documentation for their products (whatever they may be) when there is no profit in it?

      --
      "War is God's way of teaching Americans geography." - Ambrose Bierce (1842-1914)
    22. Re:Copyright, tricky stuff by cpt+kangarooski · · Score: 1

      It would likely operate the way it used to: authors get paid the first time (and only the first time) that they release the work. So Neal sells the manuscript of Cryptonomicon II (this time it's #2hf^(i!) to Big Publishing Company A.

      BPCA had better push it hard, because BPCB can buy a copy on the shelves, reset it and print it themselves at a lower price. BPCA has a very narrow window in which to recoup the money they spent on it.

      Remember, a world without copyrights would probably result in people having a greater desire for works, not less. (after all, it's trivial; many books will be available for cost + a razor thin profit) There's still lots of money to be made, it's just an intensely more competitive environment.

      Best selling authors could be like actors or sports figures; Neal might get a couple of million for Cryptonomicon II. Lesser known authors would get the shaft, but then that's hardly uncommon these days either. I don't think it would be as terrible as you seem to believe.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    23. Re:Copyright, tricky stuff by ucblockhead · · Score: 4
      If copyright were done away with, the GPL would be unecessary.

      If copyright were done away with, I could take the Slackware distribution, make a bunch of source code changes, compile those changes and sell the resulting binaries while refusing to give anyone my source code changes.

      Is that what you mean by "Unnecessary"?

      I suspect that this "GPL unnecessary with no copyright" meme arose because some people have decided that because some other people misuse copyrights, that all copyrights must therefore be bad. This is black-and-white thinking, and shows a fundamental misunderstanding of both copyright, the GPL and the purpose of the GPL.

      If there were no copyright, then all software would be treated pretty much like the BSD license. Anyone could do anything with whatever they could get their mits on. There's a reason that many chose the GPL instead. Because it requires that published changes include source code changes, it encourages people to provide source.

      Without copyright law, this falls apart. Rather than being required to publish the source, people are encouraged to keep it secret. Because there is no copyright law to allow the original owner to put requirements on source code use, they cannot prevent people from burying the code changes in a vault to get a leg up on the competition.

      Again, if there were no copyright, I could take the Linux kernal, add some stuff like "SuperDuperBus" support, and sell the resulting package without source. I could also bury little changes to make it incompatible with certain other competitor's version, but of course you wouldn't know that, because the source would only reside, in heavily encrypted form, on my hard drive. Soon, since everyone wants "SuperDuperBus" support to use the latest hardware, I've got my sourceless software out everywhere. And with those subtle incompatibilities (unexamined, remember, no one else has that source) I've gained effective control over the OS. And as long as I can keep throwing in useful features, I'll likely retain it.

      Sure, I couldn't easily do it, but a big corp. could. Do you think "Corel Linux" would have come with source without being forced to by copyright law? You're niave if you do...

      This is what the GPL prevents. If copyright law goes away, the GPL ceases to have meaning, and the problem it was designed to prevent are no longer prevented.

      Now please go learn a little about the GPL, it's purpose, and copyright law before continuing to spread what is IMHO an extremely dangerous meme.

      --
      The cake is a pie
  146. Unlicenced decryption is illegal by luckykaa · · Score: 2

    Jack Valenti's interpretation of the law is that anything that circumvents encryption and isn't authorised is illegal.

    Reading the DMCA, this is a perfectly reasonable conclusion. Whether it is fair is irrelevent here.

    Personally I think that he genuinely believes that the motion picture industry is purely interested in preventing piracy, and wouldn't stoop to underhand methods to prevent people from doing anything legal.

  147. Re:Fair use definitions by MassacrE · · Score: 1

    Don't forget that they will each need to bring their own, personal player and display it on their own television - be sure to have them bring that to the gathering as well. Also, be very careful that the guests are watching their own television, and not letting their eyes wander to Joe's 50".

  148. The media industry is dying by CormacJ · · Score: 5

    Youc an see with when you see people getting so protective of thier money, to the point of trying to strangle new technology to keep it within thier grasp.

    You can see it when these people go infront of the worlds press and are able to make all sorts of statements full of facts and figures off thier head and have an answer to any and all questions.

    Put them on the stand where people have a chance to ask questions and delve for the truth behind the facts and figures, and they suddenly develop a bad memory and can't quite figure out where they heard some facts and figures.

    Courtney Love's rant in salon.com shows what the artists at the recieving end are really getting from all the protection: next to nothing.

    The sooner that things like the RIAA die off the sooner you will find local bands getting success because they are actually good musicians, and not getting success because they have a manager that knows someone.

    The same goes for DVD technology. Robert Rodrigeuz was the exception to the rule when a small filmmaker could actually make a film for nothing and get it taken by a studio. Locking up the DVD distribution and technology will allow executives to have control over who gets to pay them money to buy films.

    1. Re:The media industry is dying by Hard_Code · · Score: 2

      dammit, where are my moderator points
      somebody moderate this up....

      --

      It's 10 PM. Do you know if you're un-American?
    2. Re:The media industry is dying by Chiasmus_ · · Score: 1

      I think actors and musicians are treated a little differently.

      John Travolta gets $20 million for "Battlefield Earth". Courtney Love gets the shaft for her three albums. Both of these names and faces are instantly recognizable commodities to the majority of the American public.

      I wonder why that is? Anyway, the point is, you can't lump actors, athletes, musicians, producers, talk show hosts, DJs, and hot grits into the category "Media Industry Employees" and have a coherent discussion.

      --
      "Beware he who would deny you access to information, for in his heart he deems himself your master."
    3. Re:The media industry is dying by Gypsumfantastic · · Score: 3

      Q: Mr Valenti, do you know whether one plus one is equal to two?

      Mr Cooper: Ambiguous. Incomplete hypothetical. Lacks foundation and assumes facts not in evidence. Answer yes or no.

      Mr Garbus: Go ahead. Please.

      The Witness: I don't know.

      Q: Do you have any recollections of the past 35 years, at all?

      Confidential
      1
      2
      3
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      6

      7
      8
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      12

      13
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      Mr Garbus: So then what did you do with the chicken?

      Mr Cooper: Client-Attorney confidentiality.

      --

      ø`ø,,ø`ø,,ø`ø,,ø`ø,,ø`ø,,ø`ø,ø`ø

  149. Re:Is this really about region encoding? by jms · · Score: 5

    Yes. They are trying to gloss over the fact that programs like DeCSS allow one to watch movies without regard to region coding. This is a non-infringing use of DeCSS -- it allows you to play back DVDs that you have legally purchased in other countries, and, under the doctrine of first sale, you have the legal right to use.

    Their "party line", after all, is that the only use of DeCSS is to facilitate illegal copying, and that DeCSS has no non-infringing uses. That's what the entire lawsuit is riding on.

    Schumann glossed over the exact same point by claiming that DeCSS had nothing to do with region coding, which was disingenuous to say the least.
    I don't understand why Garbus didn't push him on the point. It's a very important point.

  150. My big rebuttal by drinkypoo · · Score: 2

    Original text in italics, my comments in normal text.

    October 28, 1999
    (right before halloween)
    VALENTI WARNS THE DANGERS OF INTERNET PIRACY BEFORE CONGRESSIONAL SUBCOMMITTEE
    All internet piracy must be reviewed by congress before it will be allowed to continue.

    Washington, D.C., Thursday, October 28, 1999...On the first anniversary of the enactment of the Digital Millenium Copyright Act (DMCA), Jack Valenti, President and Chief Executive Officer of the Motion Picture Association of America (MPAA), warned about the dangers of Internet piracy that threatens to devastate the future of American movies, the nation's most prized trade asset. "While the Internet has great potential, it can also cause enormous losses and damage to consumers and to intellectual property industries," said Valenti. Testifying before the House Subcommittee on Telecommun-ications, Trade and Consumer Protection of the Commerce Committee, Valenti offered a demonstration of the very real threat of Internet piracy.

    "While the internet has great potential, we're going to do our best to stamp it out," said Valenti.

    Valenti told the Committee that the digital world is far more dangerous that the analog world. "The 1000th copy of a digitized movie is as pure as the original, whereas in analog each copy is degraded in quality."

    What I don't get is why this is perceived to be so much more dangerous. First of all, very few people are actually DeCSSing and storing movies on disk (as opposed to disc.) Those that are are generally paying for the movies in their collection. Disk space is cheap, but it's not that cheap. Second of all, a DVD Burner costs about US$3,000 to US$5,000, and media runs about $40 a PIECE. It's actually CHEAPER to buy the DVD in the store, unless it's part of the Criterion Collection... But I digress.

    You can make a VCD copy of a DVD with, I'm willing to bet, relatively little trouble, as long as you're willing to be a film editor and figure out which vob files belong in which order and so on, but that degrades the quality from DVD, so Valenti's statement, while true, is completely irrelevant, besides which, since DVDs have no copy protection, when/if DVD burners and media come down dramatically in price, you'll just be able to copy all the files to the new disc and give it the same volume name, and BAM, you've got a copy of the movie. CSS doesn't prevent that.

    Valenti provided the examples of a site advertising VCDs of films such as "Eyes Wide Shut" and "Mickey Blue Eyes" both of which are not yet available in video form. "What is even more remarkable," said Valenti, "is that you can also purchase films that have just begun their theatrical run." He offered the film "Random Hearts," released just three weeks ago, as a prime example of this. "Toy Story II" which has not even been released in theaters is on the Internet.

    As I mentioned in a previous comment, this is because people are digitizing screeners. This digital media comes from an analog source. This, obviously, is not even an issue in the current topic of conversation.

    During his testimony Valenti played a brief clip from the MGM film "Stigmata." "This film was illegally downloaded this week and the film is still in many theaters in the U.S. and has not yet opened anywhere else in the world. But it is available on the Internet for free."

    It would be instructive to know if this was a telesync or a screener. Telesyncs are movies recorded with a videocamera inside a movie theater, usually with some fairly high quality equipment. If there is an inside man, audio may be directly from the board, or it may be from one or two microphones.

    Telesyncs are not a danger to the sales of any form of media, as a "VCD" Telesync is dramatically lower quality than a VCD made from a purchased VHS tape.

    Valenti also took the Subcommittee to the popular Ebay auction site where just yesterday one could bid on a VCD copy of "Star Wars: The Phantom Menace." "This is not available in any format anywhere in the world legally," observed Valenti. "MPAA works with Ebay and other auction sites to reduce this type of piracy," he added.

    This was DEFINITELY a Telesync. In fact, at one time I had downloaded PART of it and watched the pod race scene. I then expressed my opinion of it and deleted it; Obviously, I was only using the clip for review, and therefore my use falls under Fair Use :)

    Valenti next addressed downloadable media, which he said, "poses a much greater threat to the creative community." He noted that this is the same type of piracy as the downloading of illegal software or illegal MP3 files, which has pillaged the music industry.

    What do you mean, "downloadable media"? A wav file recorded with a sound blaster 16 from a VHS copy of Tombstone is "downloadable media"; So is the image of the tee shirt from 2600 with the caricature of Valenti on it -- A brilliant piece of work, by the way.

    Valenti noted that "currently our films are protected by two factors - the amount of time needed to download a full-length motion picture and the lack of unprotected digital copies of our works. But, with the increased availability of broadband Internet access you can bring down a full-length motion picture in less than 15 minutes versus the four to five hours for non-broadband."

    Let's take a critical look at this for just a second. If you have basic ADSL, you get 1.544mbits/second, or about 160kbytes/second best case. A full movie is about two VCDs long, or approximately 1.2gigabytes. Converted to kbytes, this is 1258291.2 kbytes in size. That means that with the most commonly available DSL around, you're going to take more than two hours to download a full movie at any reasonable quality.

    A DVD movie should be around 4gb. On a basic ADSL connection, this is going to take you 7.2 hours to download, best case. However, sites rarely if ever give you those kind of speeds; You're usually looking at something more like 30kbytes/second, if that. Clearly, saying that you can download a movie in fifteen minutes does not apply to the general public, even those with DSL connections.

    Just to continue to rub this in their face, the fastest available ADSL of which I am aware gives you 6mbits/sec download, peak. This should give you approximately 600kbytes/sec download speeds. At that speed, it takes an hour to download 1.2 gigabytes. Even if you have an extremely high speed DSL connection, it takes (in the best case) four times as long as valenti claims to download a feature-length movie.

    He also observed that the advent of digital recording devices and high-definition television poses the risk of works "being digitally reproduced without permission in commercially viable forms. Our ramparts are being breached on all sides."

    Being digitally reproduced doesn't mean anything. In addition, who decides what's "commercially viable"? People have gotten rich selling things like "elvis sweat", bad cologne in small glass sample vials. Doesn't that mean that anything is commercially viable?

    Downloadable media piracy can threaten the foundation of the motion picture industry by allowing a single pirate with a single copy of film to produce thousands of copies in a few hours, which are then distributed to sites all over the world. "Thus with a single keystroke, a pirate can do millions of dollars worth of damage to the potential market for a motion picture, whether or not the pirate makes a nickel from this effort," said Valenti.

    This is totally inaccurate. First of all, just because people download a movie doesn't mean they won't buy it. It's one thing to be able to watch The Matrix and follow the story; It's entirely another to see it on DVD in all its high-resolution and AC 5.1 Audio glory. I wouldn't even watch that movie on VHS, let alone on VCD. There's just no bloody point to it.

    Now that I've covered the financial side, let's address the technical side - The person who's uploading this data is not making thousands of copies; They're making one copy. That one copy is then copied once again, to a site; People then download it, making further copies. The person who uploaded it has only made two copies, one of which is ostensibly a legal copy, the one for his personal use.

    In addition to how quickly Internet piracy can spread, Valenti said equipment for piracy is inexpensive and highly portable. "Pirates do not need to remain in a fixed location but can upload illegal materials anywhere in the world on any computer that is linked to a network," said Valenti.

    Actually, I can pirate materials on a computer that isn't linked to any network, if I can get my hands on the media. What I think he's talking about here (It's hard to be sure because he doesn't seem to know what he's talking about) is that you can upload or download any time you're connected to the internet. However, that doesn't really make any difference at all; First of all, I'm not going to download a VCD over an acoustically coupled modem in a phone booth. You'd need an endless supply of quarters (or a fat calling card) and a generator to keep your connection and computer alive long enough to finish the transfer, and you'd get arrested for loitering before you completed.

    "Today, piracy of audiovisual products costs us more than $2 billion a year," stated Valenti. Technological measures are essential, but not enough. Education is required, as are strong legal protections. Last year Congress took a major step in protecting intellectual property on the Internet with the passage of the Digital Millenium Copyright Act (DMCA)."

    Piracy of audiovisual products? Someone's been making illegal copies of slide projectors and reel-to-reel decks?

    This has long been a point of contention between pirates (and those who are stamped as pirates when in fact they are not) and those who own IP that gets copied.

    If you can't afford a software package, for example, you would never purchase it. However, if you can get a copy of it, you will still see it. That doesn't mean that they're losing revenue; They're just continuing to not see revenue. It's not a loss, even if it might be considered theft; It's just a lack of a gain that they would never have experienced in any case.

    On the other hand, if you copy a movie instead of buying it when you COULD afford it, then you ARE hurting their revenue stream, which is bad for everyone. People are compelled to make the kinds of movies people pay for. If you don't pay for it, you're not voting, which in a capitalist system can only be done with the dollar (As evidence, examine our government and legal system in general.) You're hurting yourself in the long run.

    Valenti also emphasized that the DMCA will not work as Congress intended unless access to the WHOIS domain name database is maintained. "MPAA's piracy investigators must determine which website is responsible for the illegal material. The WHOIS database is the first step in determining the ultimate Internet piracy."

    I do whois lookups all the time. What's his problem? Can't find the flag that lets you specify a different server? Personally, I wish someone would have maintained the gopher service.

    Valenti pledged to continue working with the consumer electronic and high-tech industries to develop effective technological protections to prevent illegal copying of digitized films.

    "Valenti pledged to continue paying consumer electronic and high-tech companies to continue finding ways to f**k consumers out of their rights as purchasers (NOT licensees) of copyrighted material."

    Concluding, Valenti offered a final thought, "One of the nation's greatest trade assets is at risk. If you cannot protect what you own, then you own nothing."

    When did this article get to be about the right to keep and bear arms?

    This is patently not about being able to protect copyright or IP. This is about, well hell, I'm not really sure what it's about. As far as I can tell, the DMCA (and the whole CSS thing) is about taking away my rights as a consumer and customer. It's also a whole passle of lies. If I were a judge and someone spewed this nonsense in my court, I'd hold them in contempt and charge them with perjury, since it's full of nonsense.

    I am not for one second arguing that studios do not have the right to protect their intellectual property, but I don't think they have the right to step on my rights in the process. I think we can find some sort of common ground provided that the courts and associated people-of-power don't listen to hand puppets like Jack Valenti.

    --
    "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  151. Re:Who was he in a former life? by HermDog · · Score: 1
    LOL So, reincarnation is is being offered into evidence... Any guesses as to who he was in a former life - remember he was on TV during it =)
    The end of Mr. Ed that didn't have to study the script?
    --
    --
    JADBP
  152. I don't freaking know anything! by themushroom · · Score: 1
    I could only get about twelve pages into this thing before the laughter stopped me. What DOES this guy know, if the only thing he has knowledge of is "2600, they make T-shirts of me"?

    | Reality Avoidance Therapists Homepage |

  153. Re:STREAM BOX RIPPER by yerricde · · Score: 2

    You could start at Google.

    --
    Will I retire or break 10K?
  154. Re:"Some kind of bug" by ozbird · · Score: 2

    I also note for the record that Mr. Valenti is here at considerable personal inconvenience. He is not feeling well this morning and has some kind of bug.

    A memory leak, judging by the number of "I don't recalls" etc.

  155. Reverse engineering and so on by Whackamole · · Score: 1

    As far as I understand it, the theory is that open-source software is better to have than closed source software. I'll assume that idiots don't buy software in this utopian scenario.

    1. you can modify it to suit your needs, or get someone who will.
    2. you know what's in it, or hire someone to figure it out, so you don't get anything that's bad for you.

    Moreover, these advantages will manifest in market favouritism towards open source projects.

    If you were to rip off and close-source and sell a GPL-type product, you wouldn't make much of an impact. These two things would kneecap you if the GPL and the copyright it's based on didn't exist. This is an optimistic take on it, again.

    1. Your software would just get distributed all over the place, making it free to anyone who wants it and has a spare half-hour to spend on the web.
    2. You would score some distrust and a general lack of use, because people running serious projects would want to customize and ensure security. If anyone did use it, they'd reverse engineer it - and be able to fork over source to whoever was interested.

    --
    Data East: "Leaders in Dot Matrix Technology" - Star Wars pinball
  156. Hmm.. by BilldaCat · · Score: 2

    Have to wonder what's behind those sections marked "Confidential"..

    Looks like about a fourth to a third of the document is marked that way.. :(

    --
    BilldaCat
    1. Re:Hmm.. by Flower · · Score: 1

      Especially that section when they started talking about region encoding. I do believe that was a rather lengthy section.

      But overall, Mr. Valenti was consistent on one thing. It is his belief that if you bypass the encryption you are breaking the law. Of course, he also maintains that none of this infringes upon fair use. I don't agree with him but that's besides the point.

      --
      I don't want knowledge. I want certainty. - Law, David Bowie
    2. Re:Hmm.. by YoJ · · Score: 2
      Here's my favorite confidential part:

      THE WITNESS: The answer is, any time that you circumvent an encryption for whatever reason you are breaking the law.

      Q Is regional coding encryption?

      Confidential

    3. Re:Hmm.. by -ParadoX- · · Score: 1

      thats all that information that is illegal for you to know. That's right. It's ILLEGAL for you to have knowledge.

    4. Re:Hmm.. by Vanders · · Score: 1

      Maybe it's the entire DeCSS source code? ;)

  157. Re:Confusion about fast forward on DVD's.... by jnik · · Score: 1
    On the Apex player (which I assume you bought), pop in the Matrix and just try to get to the main menu without viewing the entire opening sequence.

    Can't do it, can we?

  158. Re:MPAA's Lawyer Says Valenti Can't Explain the DM by rmst · · Score: 1

    IANAL. From what I've read of the deposition, the problem is that the questions require Mr. Valenti to draw a legal conclusion, something he cannot do, not being a lawyer. At least, seeing as the objections are 'MR. COOPER: Calls for a legal conclusion.', it is not expected for him to be able to explain with legal authority just what the DMCA contains.

    --
    --------

    Never call a man a fool. Borrow from him.

  159. 2600's take... by gmhowell · · Score: 2

    Can be found here.

    (Probably redundant at this point, given the speed of posting. Oh well:)

    --
    Jesus was all right but his disciples were thick and ordinary. -John Lennon
  160. "I don't know..." by Agent+Zen · · Score: 1

    Of course they don't know anything - all they'd care is to make sure they cover their behinds in terms of money. People like them derail US progress in ... urr... "Gadgets" - just take a look at what they have in Japan and they put the US to shame. (HDTV isn't even widely available, yet they've had it for quite a long time)

  161. not guaranteed brand new by TheDullBlade · · Score: 2

    Not at all. You don't have to remove it on reselling it. The tag must be kept in place before sale so the buyer can read the information on it (like "100% new material" or "stuffed with factory-floor sweepings").

    --
    /.
  162. Not Dumb -- Weaseling by llywrch · · Score: 2

    I got only a few pages into this, when I realized that I wasn't going to learn anything from Ol' Jack. The reasons were simple:

    1) He claimed to have a 102 degree fever (which meant he should have been in bed, & they should have resceduled the deposition for another day), &

    2) His lawyer early on scored the point that everything he knows about this case is protected by lawyer-client confidentiality. (Sorta like a Mafia hitman getting his orders from the local priest in the confessional. Only the Mafia never thought of that trick.) As a result, he could only report on discussions & information that did NOT come from his lawyer. And, amazing to relate, the man could not recall exactly what he hadn't heard from his laywer, & thus got away with playing dumb.

    Geoff

    --
    I think I see a trend here. Maybe for them it really would be easier to muzzle the entire internet than to produce p
  163. Hehe.. Wasn't the VCR supposed to kill film? by Convergence · · Score: 2

    I seem to remember hearing about all kinds of insane lawsuits and claims from about 20-25 years ago about how the VCR was supposed to kill film and how the TV industry and the movie industry were going to be dead by 1990.

    Wow, I am *SO SUPRISED* that they've managed to make an insane bundle of money off of the rental industry. A rental industry that where they make how much profit, and one that they hadn't even imagined back then.

    I wouldn't be surprised if a few lost out, but overall, the VCR was an incredible boom to the rental and videotape industry. Something that the extra freedom of the VCR was never expected to supply, but it did.

    If you want the truth, I suspect that if they were to lose this case, and DMCA, and maybe even copyright. (as it's currently enforced), that they would be creative once again and figure out how to make even more insane bundles of money. And we'd get some more new art forms.

    Of course, they see this as risk. And they're scared of being among the minority that can't adapt.

  164. Valenti is like Pinochet by Sri+Lumpa · · Score: 1
    Well, I am not saying that Valenti is a dictator that tortured dozens and dozens (hundreds?) of people, but just like Pinochet he is ill at the right time.

    I bet he is better now but I fear that the fever may come back during the stress incured by the suit. ;)

    --
    "The obvious mathematical breakthrough would be development of an easy way to factor large prime numbers." Bill Gates,
  165. Re:Is this really any suprise? by Danse · · Score: 2

    Yeah, but who can we vote for that would actually make a difference?

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  166. Re:Blue-light special on Clues at K-Mart, Mr. Vale by SciBoy · · Score: 1

    One possible reason for the PRE tag not being available is that then people could make a 100 page long empty post.

    --
    "War is God's way of teaching Americans geography." - Ambrose Bierce (1842-1914)
  167. hmmmm interesting.... by TheCarp · · Score: 2

    He will make definite statments that he believes that its against the law (and this is all from the court transcript mind you) to use a DVD on an unlicenced player...but....

    When asked about librarians using 2 or 3 mins of a film as part of a lecture....he answers...

    "The answer is, if there's a legal conclusion to be drawn, I don't know" so....he is perfectly ok drawing his own legal conclusions about unlicenced DVD players, but not about that....interesting.

    This seems to me to sound like the argument over Cable content scrambling. I have always been of the opinion that I can do whatever I want with data, once its in my posession. So if they don't want me to descramble, decrypt or whatever, then they shouldn't send me the signal in the first place, should block it outside the home.

    Course, thats not convinent. The rule that life isn't always convinent isn't suposed to apply to corperations I guess.

    --
    "I opened my eyes, and everything went dark again"
    1. Re:hmmmm interesting.... by PanDuh · · Score: 1
      This seems to me to sound like the argument over Cable content scrambling. I have always been of the opinion that I can do whatever I want with data, once its in my posession. So if they don't want me to descramble, decrypt or whatever, then they shouldn't send me the signal in the first place, should block it outside the home.

      The argument for DeCSS is even stronger. You haven't paid for the Spice channel that you just descrambled, however DVD owners have already paid for the content. We should be able to watch it whereever and however we want to.

  168. So, Matlock is realistic by Hanno · · Score: 1

    Hey, this /does/ read like a script from Matlock...

    ------------------

    --

    ------------------
    You may like my a cappella music
  169. Re:Fair use definitions by Wah · · Score: 2

    quick question...

    I run a small website. Occasionally I review movies. Would it be fair under the "Fair Use Guidelines" for me to include small film clips for purposes for review? And if not, why? And if I can include them, shouldn't I have the right to make them? From a digital source? That I have already bought?
    --

    --
    +&x
  170. Re:Confusion about fast forward on DVD's.... by portnoy · · Score: 2

    Well, you can fast forward through the damn Sixth Sense ads -- you just can't hit Menu and skip the dang things entirely. I end up hitting the "Next Chapter" button a lot to start up Sixth Sense.

  171. Phrase counts... by rnturn · · Score: 3

    First of all, I believe the phrase counts in that Wired came up with to be wildy inaccurate. At least it sure felt like these phrases were uttered more often than that.

    Plus, I had this image of the plaintiff lawyer sitting at the table using a series of recorded objections (sort like Brian Wilson playing back comments on his tape recorders). Jeez! Every single question was objected to with something inane like: ``Ambiguous'', ``Lacks foundation'', ``Assumes facts not in evidence'', or, when in doubt, combine them altogether to say ``It's ambiguous. It's an incomplete hypothetical. Assumes facts not in evidence, and it calls for a legal conclusion''. It's truly sad that this is what passes as the quest for the truth in the American legal system nowadays.

    From reading the deposition, it seems (unbelievably) that Jack Valenti had absolutely no idea that there's a legal proceeding underway until he was told so by his laywer. Therefore, he couldn't answer any questions since that would have violated client-lawyer confidentiality. How convenient!

    Let's hope this deposition can be used to blow Mr. Valenti's credibility on this subject right out of the water because it sure seemed that he didn't know anything about the subject (even though he testifies as though he's up to speed on this stuff).
    --

    --
    CUR ALLOC 20195.....5804M
  172. I pissed of my pants reading this: by Sri+Lumpa · · Score: 1
    In section 65:

    14 Q Do you know who Mr. Schumann is?

    15 A Schumann?

    16 Q Yeah.

    17 A What's his first name?

    18 Q Robert?

    19 A Great composer. I love his music.

    20 Q Not this man's. He's an expert witness

    21 who has been retained by the MPAA and Proskauer.

    He his the head of the MPAA and he doesn't even know the names of his witnesses. What a luser.

    --
    "The obvious mathematical breakthrough would be development of an easy way to factor large prime numbers." Bill Gates,
  173. Or held it for trial... by underwhelm · · Score: 2

    Obviously if the purpose of the educational demonstration had to do with the playback of DVD, DVD quality, DVD encryption, etc, then fair use of the DVD movie would be a requirement.

    You don't want to blow your whole wad in the depositions.

    --

    I don't need large brains to have a good time.

  174. Who was he in a former life? by heliocentric · · Score: 3

    Q You have been on television both with respect to your role as MPAA president and in your previous life?

    A Yes.

    Q Can you just tell us for a moment whatyour previous life consisted of?


    LOL So, reincarnation is is being offered into evidence... Any guesses as to who he was in a former life - remember he was on TV during it =)

    --
    Wheeeee
  175. Re:[OT/SP] "Ban Rocks" or "Hang'm High" by Dman33 · · Score: 2

    Hehe...yup, the airlines would be ticked off! And to think that I made that mistake THREE TIMES in only 2 sentences! I guess spell checkers are not foolproof! ;)

  176. Re:SAME SHIT ALL OVER AGAIN -- SHUT UP IDIOT by Nicolas+MONNET · · Score: 2

    No, no you don't get it. The *effect* of the GPL is that it's not possible to do certain things with it, namely take the source and make it non-free. The reason why this *effect* has been created is to protest and counter copyright protected proprietary software. I suggest you read some of the stuff on the FSF's site, gnu.org.

  177. Is this really any suprise? by Dman33 · · Score: 5

    Sure, it would have been nice if Jack would have dug a hole for the MPAA but is anyone really suprised by his lack of knowledge and selective memory? I am sure that the MPAA lawyers went over in excruciating detail exactly what Jack would remember and what he would forget if in fact he did know of any relevant information. Additionally, this guy is not a techie. This guy probably does not know what reverse-engineering and fair use entail. I am sure that he does not know how valuable this is to development, and I am sure he does not know what the ramifications to the open source community this lawsuit can lead to.

    AFAIK, all Jack knows is that DeCSS==decryption==availability==piracy. It is a whole lot harder trying to track down and prosecute pirates, so why not try to illegalize any tools that can be used to commit the crime!? To them this is damage control, to us it is an invasion on our rights to make decisions. If I can decrypt a DVD to watch it on my Linux box then fine, but I can also chose to convert the unencrypted data to VCD format and upload it onto an FTP server. That is like using a hangar to open the door on my car when I lock the keys in it as opposed to using a hangar to open the door on someone else's car to steal it. I am suprised that automotive insurance companys do not lobby to make hangars illegal all together!

    I just pray that the defense proves to the judge that there are legit purposes to DeCSS and that it is not practicle to use it for illegal purposes. The DMCA needs to be re-evaluated!

    1. Re:Is this really any suprise? by Chiasmus_ · · Score: 1

      It's a weird feature of our legal system that the best possible witness is a store mannequin.

      Q. Have you ever heard of motion pictures?

      Mr. Cooper: Ambiguous. Leading the witness. Calls for speculation. Calls for witness to make a legal conclusion. Attorney-client privilege. Redundant. Complex. Misleading.

      Q. Go ahead.

      Mannequin: ...

      Of course, it doesn't hurt if the mannequin happens to have personal relationships with the White House and Congress, and have half of them in its pocket.

      --
      "Beware he who would deny you access to information, for in his heart he deems himself your master."
  178. Re:A message to Mr. Valenti by Anonymous Coward · · Score: 1

    Really, now...

    They keep telling the world that there's no need for programmers, etc., that eventually we'll get rid of needing them except for special cases.

    Each and every time they attempt it, it makes for somthing that needs us "geeks" even more than before. Wonder why? Couldn't be because their minds don't work in the same way as ours do , now could it? There's just some things that the average person doesn't have the desire or the aptitude for- just like the geeks. Many of those things, we, as a race, have come to rely upon. Some of those things really require us "geeks" to work well- and things wouldn't QUITE go on as normal if some of these things ceased to be.

    Telephones.
    Mobile Phones.
    Television.
    Radio.
    Yes, even the Internet. What Joe Sixpack thinks the Internet is, well it's irrelavent since businesses use it for other purposes.

    It would be weeks or months before business would really pick up as usual if we suffered a loss at any of the above points or numerous other ones. Yes, it would pick back up, but it would suffer during that time.

  179. Puff of Logic by kilo · · Score: 1
    From the a lot of statements

    He (Jack Valenti, President of the MPAA) has stated before a house subcommittee: Valenti told the Committee that the digital world is far more dangerous that the analog world. "The 1000th copy of a digitized movie is as pure as the original, whereas in analog each copy is degraded in quality."

    From the Deposition

    Page 108 23 Q Do you know if that tech expert had ever 24 made any copies off a computer?

    Page 109

    5: Q Do you know if he made ten copies? 1000

    6: copies?

    Then the lawyer for the plaintiff (Jack Valenti's lawyer) then states:

    Page 109

    7: MR. COOPER: That's absurd.

    The MPAA President's own lawyer states that making 1000 copies of a DVD is absurd. Why can't the MPAA realize that?

    --
    It's ignorance itself to think you know all the answers. -Miles Comer
  180. Fair use definitions by tjwhaynes · · Score: 5

    It's instructive to see precisely how Mr Valenti views the whole DVD-on-linux situation. For example:

    BY MR. GARBUS: Q I'm not taking now about reverse -- Mr. Valenti. I'm not now talking about the actual reverse engineering. Let's assume man A does the reverse engineering. Man B posts it on the internet. Man C then takes that information, and he's a Linux, user, and he uses that information to play a DVD on a Linux operating system and the Linux operating system has no license from the DVD CCA. Is it your view that that's against the law?

    A[Mr Valenti] Yes.

    His views on fair use are also interesting and far more restrictive than I believe the law to be. Another excerpt:

    Q Did you also testify before congress that the Fair Use Exception was not cut out by the DMCA?

    A Yes. The concept of Fair Use is intact in the DMCA.

    and a little later ...

    BY MR. GARBUS: Q What is the concept of Fair Use, as you understand it?

    A It means that libraries or schoolteachers can play movies in their classrooms for educational purposes.

    I also threw my coffee over the keyboard at this one. Just for educational institutions?

    Draw your own conclusions.

    Cheers,

    Toby Haynes

    --
    Anything I post is strictly my own thoughts and doesn't necessarily have anything to do with the opinions of IBM.
    1. Re:Fair use definitions by drinkypoo · · Score: 1

      ObDisclaimer: I AM NOT A LAWYER.

      I also find it unlikely that you'll get a Lawyer to comment on this, so I'll go ahead and give it a shot. Just keep the disclaimer in mind at all times. Nothing I say here should be used as legal advice or relied upon in any way.

      Okay, so, if you're not making money off of it, the answer should be yes, go ahead, include short clips. If you are making money, then it gets a lot more complicated, and you should really get permission first -- Which will be nearly impossible.

      If you have banner ads on your site, do not include them on the page on which you have the video clips. That would be, as we say, bad. Fair use indicated in fairly plain English (As good as legalese gets, really) that "the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright." In other words, your reproduction of the video, provided it is used for criticism or comment, should be covered by Fair Use.

      I do caution you, though, don't do this unless you're prepared to get a lawyer. We've already seen how the MPAA and the RIAA seem to be pulling the strings that lead to the limbs of our governmental figures.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    2. Re:Fair use definitions by vsync64 · · Score: 1
      BY MR. GARBUS: Q What is the concept of Fair Use, as you understand it?

      A It means that libraries or schoolteachers can play movies in their classrooms for educational purposes.

      I also threw my coffee over the keyboard at this one. Just for educational institutions?

      While I suspect that's exactly what they think, let's give him the benefit of the doubt. He might just be using education as an example of fair use. I know I like to give examples when describing a concept.

      --
      TO BUY A NEW CAR WOULD MAKE YOU SEXUALLY ATTRACTIVE.
    3. Re:Fair use definitions by Black+Art · · Score: 2

      I think Mr. Valenti also harbors the view that rememberering the film afterwards is a violation of intelectual property rights. (Storage of the movie in a form other than that in which it was delivered.)

      In the future, patrons will be required to have their memories erased opon leaving the theatre in order to preserve "Intelectual Property Rights".

      --
      "Trademarks are the heraldry of the new feudalism."
    4. Re:Fair use definitions by matthew.thompson · · Score: 1
      A It means that libraries or schoolteachers can play movies in their classrooms for educational purposes.

      This is quite ironic because I am sure that I have seen, in the licenses that come at the end or beginning of films, parts of licenses that restrict the use of DVDs and Videos bought or rented to use in domestic situations only and that Schools (among other institutions) are not meant to use them.

      This may be restricted to the UK however but there are definately clauses like that out there.

      --
      Matt Thompson - Actuality - Insert product here.
    5. Re:Fair use definitions by Surak · · Score: 2

      BY MR. GARBUS: Q I'm not taking now about reverse -- Mr. Valenti. I'm not now talking about the actual reverse engineering. Let's assume man A does the reverse engineering. Man B posts it on the internet. Man C then takes that information, and he's a Linux, user, and he uses that information to play a DVD on a Linux operating system and the Linux operating system has no license from the DVD CCA. Is it your view that that's against the law? A[Mr Valenti] Yes.

      In other words, we're not worried about breaking copy protection or reverse-engineering, we don't want people playing movies on equipment that we haven't specifically sanctioned and licensed.

      BY MR. GARBUS: Q What is the concept of Fair Use, as you understand it?

      A It means that libraries or schoolteachers can play movies in their classrooms for educational purposes.

      I also threw my coffee over the keyboard at this one. Just for educational institutions?

      Funny you should say that. I just did the same thing. Another one bites the dust. :) (this is why I buy $10 keyboards. :)

      So is Mr. Valenti saying that if I play movies in my home, and then invite people over for a movie-watching party, that that would be illegal?

    6. Re:Fair use definitions by Anonymous+Coed · · Score: 5
      So is Mr. Valenti saying that if I play movies in my home, and then invite people over for a movie-watching party, that that would be illegal?

      Basically, yes. The only fair thing to do is respect the corporations' human rights and do the right thing: go out and buy a copy of the film for each individual who will be present in the room while the proprietary content is being viewed on an duly licensed playback device. Anything else is un-American, smacks of Soviet Russia, and will cause Jack Valenti's children to roam the streets begging for scraps of bread.

      Please think before you wantonly disregard the rights of Corporate America! Also, be kind, rewind.

  181. It's worse than I thought at first... by vsync64 · · Score: 5
    This is a great quote, and they should play it back for the jury at least 5 times if at all possible:

    MR. GARBUS: You have called him a lay witness. This is the man who's the head of the MPAA, who for 34 years has been the head of the MPAA, who has testified endless times before various groups about his legal interpretation of the DMCA. And you don't permit him to answer questions about the DMCA. Do you find that surprising?

    MR. COOPER: I tell you what, if you want to spend the time in this deposition arguing about issues I'll be glad to. Let me say that I will describe my meaning in my statements. Why don't you ask the witness procipient testimony on issues that he is here to answer on?

    Whine, whine... I have to wonder what the stenographers think about this. They have to put up with it every single day.

    Of course, it's fairly obvious that this is an issue he's "here to answer on". His competence in addressing the DMCA is directly relevant to this case, and I find it a little surprising that his lawyers are trying to stop it so blatantly. Myself, I would have just tried to dodge the question with a Clinton-like many-words-but-no-content answer.

    We all know, that the reason they're so worried is that if he screws up even the tiniest aspect of the DMCA, Garbus will be all over him for it. As well he should.

    This reminds me of those Grisham novels where the lawyer takes on a corporation, finds out they are in way over their head, and just rips them to shreds within minutes. Quite enjoyable to watch... =)

    --
    TO BUY A NEW CAR WOULD MAKE YOU SEXUALLY ATTRACTIVE.
    1. Re:It's worse than I thought at first... by mithrandr · · Score: 1

      MR. COOPER: I tell you what, if you want to spend the time in this deposition arguing about issues I'll be glad to.

      God forbid a pair of lawyers would get together to actually debate the issues, it's not like that's what their clients are paying them for

      On a side note: for a guy that's been running the company for 34 years, Mr. Valenti doesn't seem to know a whole lot about anything relating to this case. Here's another great quote:

      Q Do you know the names of any devices that can capture the digital signal without de-encryption?

      THE WITNESS: I don't know.


      This can be taken several ways, the more humorous of which is, Mr. Valenti doesn't know if he knows the names of any devices that can capture the digital signal without de-encryption. If I were on the BOD, I might start re-evaluating my choice for CEO if he didn't know what he knows and doesn't know. Isn't that one of the warning signs of senility?

    2. Re:It's worse than I thought at first... by Misch · · Score: 1

      Kind of reminds me of when I served on jury duty in a civil case. It wasn't the glitz and glamour that you see on tv shows like Law & Order and The Practice.

      These were real people here in the courtroom.

      One of my fellow jurors was a farmer. He brought fresh picked strawberries for us to eat one day. The alternate juror in the case was a good friend of mine who sat right next to me when we graduated from high school.

      When it was over, it wasn't some *bang* gavel on the bench, court is dismissed, go home type of thing... We spent time talking with the judge and counsel (and how the defense counsel had really gotten away with one by settling the case.) We talked about issues we had with the current justice system... we even raised questions about the jurors being able to ask questions that we thought were important for witnesses.

      But I can tell you one thing... that transcript is pretty accurate for what a trial can be.

      --

      --You will rephrase your request for me to go to hell. Goto statements are not acceptable programming constructs
    3. Re:It's worse than I thought at first... by / · · Score: 4

      I have to wonder what the stenographers think about this.

      Lots of them aren't thinking about it at all, since their minds aren't processing the words flying by any more than is necessary to translate them into shorthand/etc. It's like how it used to be with telegraph operators, especially the ones who were surprised to learn from the papers that Lincoln had been shot when in fact they themselves were the ones who had previously decoded the transmission that reported as much.

      --
      "If one is really a superior person, the fact is likely to leak out without too much assistance" -- John Andrew Holmes
  182. Duh, yourself by Sodium+Attack · · Score: 1
    Um, yes, I realize that.

    President Clinton isn't deposed every time the U.S. is involved in a lawsuit.

    --

    Never take moderation advice from sigs, including this one.

  183. Well now... by emtboy9 · · Score: 1

    I just fininhed reading the ENTIRE depo of mr MPAA... and I am now enlightened. If many of the people in the MPAA and entertainment industry are as illiterate as Mr Valenti, I am not surprised at all by this attack on 2600.com. Makes me wonder if it was all just a dodge (his repeated "I don't know's" or if he really is that far out of the loop. and one real problem I have is the part where the counsel says that he doesn't have to answer questions about the MPAA's positions. He is the fucking head of the MPAA. He of all people is responsible for knowing and speaking on the positions of the MPAA in all matters. What a freakin ID10T.

    --
    "Our funds have never taken part in toxic or death spiral convertible financings of any sort" -BayStar's managing partne
  184. ROFL by DP · · Score: 1

    "I'm not aware of any discussions I've had."

    Suuure.. now did your lawyers tell you to say
    that, or are you on some low quality crack?
    Probably crack, since you don't seem to be
    bright enough to understand problems of IP law,
    not to mention free speech.

    ICQ#2584116

    --


    -- d'arcy poirot
    1. Re:ROFL by Ozzy · · Score: 1

      Oh he knows, he's no dummy. The reason he "doesn't know" anything is because he is in a very precarious situation where if he trips over his words, the case could be shot. He has been programmed by his lawyers to give two or three vague responses to different types of questions. Its literally a rehearsed play inside the courtroom in these high profile cases.

      --
      Remove the NOSPAM to spam me...
  185. Re:Comments by thesparkle · · Score: 1

    Words marked. You make some good points, but something you did not address was one of my overall statements - that this does not affect most people.

    The 16-year old may be interested in this, but the average person does things the easy way. Right now, it is easier to drive to Blockbuster, order the movie online for delivery or watch on pay-per-view. This may change of course with broadband access and related technology, but even in that case, the delivery medium will be such that the average viewer/listener will not bother with trying to circumnavigate restrictions.

    Unless devices are made (and legalized) which makes downloading, decrypting and viewing "illegal" versions of various media, this will not be applicable to most persons. An example of a legality being successfully circumnavigated would be the radar detector and the speed limit changes in the mid-1970's.

    What Mr. Valenti and his cohorts really need to do is crack down on the distribution of their products by foreign governments. Countries like China do nothing to discourage the copying and distribution of movies, software and music. In fact, they encourage it and benefit from the financial rewards of providing cheap entertainment to their people. I really don't care if you and I pass files back and forth; what sickens me is a despotic, intrinsically evil government like the Chinese benefitting from free countries' products. However, I am even more disgusted by the actions of our government at ignoring the Chinese absence of human rights in favor of getting a few cheap imports.

    However, arresting and demonizing 16-year olds in Norway and suing startup companies is far easier to digest for Valenti and his lawyer goons. It is also easier to spin this to the public.

  186. Court reporters (offtopic but funny) by A+nonymous+Coward · · Score: 2

    Long long ago in a city far far away, I used to work for BaronData, one of the first makers of personal computer systems for court reporters. We heard some wonderful stories which might actually be true.

    One reporter on his first job was so caught up in the proceedings that he forgot to take notes, and didn't realize it until he was asked to read back his notes.

    Another was just the opposite. He was so focused on taking notes that when he was asked to read back, he simply wrote down the request and waited for things to continue.

    Most of the good ones I talked with said they were very detached from everything. Simply took the notes and didn't think about much at all other than the process of taking the notes. Relax and transcribe, that's the trick.

    --

  187. Re:Is this really about region encoding? by jms · · Score: 2

    Ok. Enlighten me. Or are you just shooting your mouth off?

  188. Re:Good Old Jack by hardburn · · Score: 1

    I really do hope that you know I was joking.


    ------

    --
    Not a typewriter
  189. Bandwidth by Phroggy · · Score: 2
    But, with the increased availability of broadband Internet access you can bring down a full-length motion picture in less than 15 minutes versus the four to five hours for non-broadband.

    I'd like to see Mr. Valenti try to download a feature-length movie of reasonable quality (usually around 800MB from what I've seen) on a 56k modem in less than 48 hours. Where is he coming up with these figures?

    --

    --
    $x='S24;r)>63/* h@<5+oZ)32"5cz';$me='phroggy'x$];
    $x=~y+ -xz+\0-Tx+;print$_^chop$me for split'',$x;
  190. Hot Geriatric Smackdown by Quinn · · Score: 1

    Jack Valenti is old, but more importantly, he states that he has a 102F temperature! He shouldn't even be giving the deposition in such a state. It's ridiculous.

    I'm not on his side in this debate, but labeling a sick and feverish man a LUNATIC is just wrong.

    --

    --
    #19845
    1. Re:Hot Geriatric Smackdown by vsync64 · · Score: 1
      You're absolutely right, but if he was that sick, he could have gotten out of it. I wouldn't be at all surprised if he showed up in this condition, just so he could later say, "oh, disregard my testimony, I was sick". Would anything this man tries surprise you?

      If you're sick, don't go! If you go, what you say is your responsibility. The end.

      --
      TO BUY A NEW CAR WOULD MAKE YOU SEXUALLY ATTRACTIVE.
  191. Funny how memory works. by Sri+Lumpa · · Score: 1
    11 Q Page two of the Diana Finestein letter

    12 written by you and others.

    13 A What I want to do, counsel, if you will

    14 allow me. It's Diane. If you say Diana I don't

    15 think that she would like that very much.

    This guy is not able to remember technological things directly related to his company's job but he is able to remember that a given woman would not be happy to be cald Diana instead of Diane?

    I guess this woman terrorised him more than DVD piracy then.

    --
    "The obvious mathematical breakthrough would be development of an easy way to factor large prime numbers." Bill Gates,
  192. ahhhh he says why he makes no sense... by heliocentric · · Score: 1

    He was sick:


    THE WITNESS: I'm sorry, because I've got 102 fever and it's affecting my ears. I just did not hear.

    MR. COOPER: Could you read it back more loudly?

    BY MR. GARBUS: Do you want to take a break from the deposition?

    A No. This is fine. I'm going to do the best I can. When I find out I can't go anymore I'll tell you, but right now I want to continue this. I just need -- I didn't understand the question. I'm so sorry.

    --
    Wheeeee
  193. Re:A message to Mr. Valenti by Anonymous Coward · · Score: 1

    the internet cant just go away anymore. in 5 more years that'll be like saying "i dont need my car even though its a 50 mile drive to work". good programmers are hard to find, there certainly are not "plenty" of them. ask any HR person in a tech company what its like to find talent. sure its easy to find clueless hustling "vb" or "asp" programmers that write buggy software and have no concept of security or connectivity. hey! i bet those are the same guys you know that spend their spare time playing golf instead of making themselves better programmers?

  194. MPAA's Lawyer Says Valenti Can't Explain the DMCA! by _xeno_ · · Score: 4
    MR. GARBUS: You have called him a lay witness. This is the man who's the head of the MPAA, who for 34 years has been the head of the MPAA, who has testified endless times before various groups about his legal interpretation of the DMCA. And you don't permit him to answer questions about the DMCA. Do you find that surprising?

    Good point there - he's lobbied for these laws, yet accoring to his lawyer, Valenti isn't even competent enough to answer questions about the DMCA!

    --
    You are in a maze of twisty little relative jumps, all alike.
  195. I FIGURED IT OUT! by Animol · · Score: 2

    See, I know why he sopke the way he did in the deposition!
    Since this was planned beforehand, that "bug" he's got? Remember all the worms and trojans that you've been hearing entirely too much about recently?
    Jack Valenti's brain was under a DoS attack at the time of his deposition, limiting his resources and rendering him unable to answer the questions!

    --

    "I'm not even supposed to BE here today!"
  196. A message to Mr. Valenti by Anonymous Coward · · Score: 1

    There is one word that you had better learn the meaning of: disintermediation. Simply put, since this is probably isn't on the short list of things you know, it means cutting out the middleman. In this age of direct contact between parties on the internet, it means getting rid of unnecessary middlemen who don't add value commensurate with their mark up. A significant number of people on both sides of you have already decided that is you.

    Let me give you another hint. We're geeks. We can do your job much better than you can do ours. You need us. We don't need you. We may need some of the things you do, but we don't need you to do them. In fact, you've gotten rather arrogant lately. We'll be happy to see you go. Watch that door on the way out. It closes rather quickly.

  197. filter needed by quark2universe · · Score: 1

    Could someone write a "Mr. Cooper" filter? His comments and objections are a waste of bits.

    Also, what is a steam box? That question generated several pages of "confidential" stuff.

    --

    Believe in things of which no person has ever learned
  198. Typical, by bridgette · · Score: 3

    Typical, in any suffiecently clever, fortunate group there will be someone proclaiming that any one with a gripe should shut up since it's their own fault for being stupid and incompatent.

    The logic is brilliant: "I'm smart and compatent, I don't have problem X, therefore if you have problem X you must be stupid and incompatent, and we all know that the stupid and incompatent deserve whatever they get - QED"

    The fact of the matter is: Regardless of buisiness accumen, you are far more likely to make a decent living as an average programmer than you are as an average musician ... even if we normalize for "sales per person".

    Large companies take in on the order of 1-2 hundred thousand per person. And the average starting salary for a programmer is around 40-50 grand a year. So even if you don't negotiate a great deal or even if you aren't a kung foo master, you can still afford to live (well the valley is a mess but that's a different rant).

    If a band only takes in a few hundred grand in record sales, they are fucked. They are in serious debt and with a typical contract, their career as a band is over - unless the record company has pity on them.

    I would bet that there are fewer major label artists who are independently wealthy than there are programmers doing 80 hour weeks for 20K.

    As far as major labels go, almost every mucisian is in a lousy barganing position, even if they are brilliant, even if they have a proven track record, even if they sell millions. So maybe Madonna is happy with her label, since she is a great buisiness woman and has made her label a fortune, they probably don't fuck with her. But there are literally a handful of people in that position. It is not uncommon for multi-plaitmun artists to be totally screwed and unable to do anything about it, even with really good lawers.

    You really ought to read the steve albini rants, he gets into much more detail:
    http://www.google.com/search?q=cache:www.indiemu sicsite.com/ims/corner/albini.html+Steve+A lbini+Baffler&hl=en

    Of course, musicians still have choices. Everyone should do thier reseach before entering into a contract. And any good reserch of major labels would reveal that they are pure evil. And if you are good, you can make a decent middle class living playing gigs and releasing on a fair indie label. Unless you would have 3+ multi-platnum albums w/ a major, indies are your best choice. (although i don't know of many programmers who wind up hundreds of thoudands in debt, just cuz they didn't do thier reseach before getting thier first job)

    One more thing, it probably sucks to be super famous without being rich. If you are super famous, it's hard to lead a normal life, people harrass you, people want to touch you, pick a fight with you, block your way to talk with you. You need to spend money on security, you can't just go out and run errands without major hassles. People start expecting stuff from you, assuming that you're rich. If you go outside in cheap clothes or a cheap car or a cheap haircut you get dogged on the cover of the enquierer. Your kids get hassled at public schools. Your privacy is constantly assaulted. You end up spending money just to protect yourself from you fame. It's hard to do that with a middle class income. Granted, you get laied, get gift clothing from designers and don't have to wait for a table in restaraunts, whoo-hoo!

    You don't have to shed tears for starving famous people, but realize that they need to go public with their stories so that others can make informed choices about whether to sign on the dotted line.

    --
    - bridgette
  199. Can anyone translate this? by Sydney+Weidman · · Score: 1
    MR. COOPER: Let me just make a point here that I believe should be clear, and that is to the extent that the answer to any of the questions Mr. Garbus asks is known to you only through communications from counsel you should not provide the substance of those communications in answering the question.

    What the heck does this mean?

    1. Re:Can anyone translate this? by phee · · Score: 1

      "If Mr. Garbus asks you a question about something, and you only know the answer because the lawyers told you the answer earlier, you should go ahead and answer the question, but don't say how you know the answer."

      No, I don't know why lawyers can't speak English, either.


      "The best weapon of a dictatorship is secrecy, but the best weapon of a democracy should be the weapon of openness."
      --

    2. Re:Can anyone translate this? by Virek · · Score: 1

      "If Mr. Garbus asks you a question about something, and you only know the answer because the lawyers told you the answer earlier, you should go ahead and answer the question, but don't say how you know the answer."

      Actually, i thought he was saying that he should answer the question only if he can do so without revealing any information his lawyers told him.

      Isn't that what "...you should not provide the substance of those communications..." means?

      OTOH i could be wrong. IANAL, and lawyers seem to interpret the english language a little differently to the rest of us.

  200. Re:Copyright, tricky stuff (+1 Funny) by Sq · · Score: 1


    "If copyright were done away with, the GPL would be unecessary."

    If copyright were done away with, I could take the Slackware distribution, make a bunch of source code changes, compile those changes and sell the resulting binaries while refusing to give anyone my source code changes.

    Is that what you mean by "Unnecessary"?


    No, what he means is that if copyrights were done properly, you would be doing your time in prison for not following copyright (meaning not shipping source code ie. obstructing improvement of humankind).

  201. Re:MPAA's Lawyer Says Valenti Can't Explain the DM by Defiler · · Score: 1

    My reply was meant to be funny as well. ;)

  202. AVI / DivX gives good quality at reasonable size by harmonica · · Score: 2

    With the AVI / DivX codec and a DVD as source (not a TV capture or a crappy version filmed from a movie threater screen) you can make very nice-looking versions that fit on a CD-ROM. Try 'divx' on Gnutella (or IRC or whatever other distribution channel) and you'll come up with Galaxy Quest, The Matrix etc. Actually it's high-enough quality for your average computer monitor plus sound card.

    So you can have a good quality movie at a size (600 MB) which people will download. Then again, /I/'d go for the DVD version, too! Way to much effort ;-)

  203. Garbus should have pressed this... by Sloppy · · Score: 2

    Velenti said he didn't know what the DVD-CCA was, who it was, or what it does. Later, Garbus went into asking if Valenti believed that unlicensed DVD players were against the law. I wonder why Garbus didn't just generalize it to "Do you believe that DVD players are against the law?" (leaving the issue of whether it is licensed or not, out). If Valenti pretends to not know what DVD-CCA is, then that question would have been a pretty sticky one to answer.

    I would like to ask Valenti this: "Is a Sony DVD player, for sale as Best Buy, against the law?" Either Valenti would have to say he doesn't know, or he would suddenly have to "remember" what DVD-CCA is.

    How convenient that Valenti was sick and had a 102 fever. That will come in handy later, when it is discovered that some of his "I don't know"s are lies.


    ---
    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  204. DVDCCA by Robert+Wilde · · Score: 2

    This article is slightly incorrect, the MPAA is suing 2600. Not the DVDCCA. This is, in fact, a very important point as the entire legal and technical relationship between the MPAA is quite important to the defense case.

    It is worth noting that Mr. Valenti outright perjures (well, okay, if you believe neither Gates nor Clinton committed perjury, I guess Jack didn't either) himself by claiming he has no idea what the DVDCCA is.

  205. Wore out my page down... by heliocentric · · Score: 1

    I was really enjoying the testimony... 'til I hit the pages and pages of "Confidential" and nearly wore out my page down key...

    --
    Wheeeee
  206. Hrm. by MenTaLguY · · Score: 1

    That's either the most sane or the most insane thing I've heard all day.

    --

    DNA just wants to be free...
  207. What I find amazing... by Shadowlion · · Score: 1

    Is his total ignorance about things, but his die-hard persistence that he is right.

    Q: Did you also testify before congress that the Fair Use Exception was not cut out by the DMCA?

    A: Yes. The concept of Fair Use is intact in the DMCA.

    Q: Tell he how that is. [sic]

    A: Well, I don't know except that the concept is intact.


    So he doesn't have any understanding of the law itself, and can't provide information as to the relevant portions of the law. He can't explain how fair use survives under the law, but he absolutely and unequiovacably knows that fair use is intact? Granted, I'm not a lawyer either - but I've read the DMCA myself and could probably explain how fair use *doesn't* survive under the law, and I'm not a party to the case! He sounds like one of those people you meet at a party: "I don't know anything about what you're talking about, but you want to know what I think on the matter?"

    I wish I had his diehard infallibility. "I don't know anything, but I know I'm right!"

  208. Hangin' with Mr. Cooper by British · · Score: 1

    You should have seen 2600's landmark case where Emmanuel Goldstien removed that "Do Not remove under penalty of law" tag off his mattress.

  209. Audio Home Recording Act by drinkypoo · · Score: 1

    Making an unlimited number of copies of an audio recording for personal use is covered under the Audio Home Recording Act. The Home Recording Rights Coalition webpage is an excellent place to go for this sort of information.

    --
    "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  210. Why won't they ask the question I want to hear? by _underSCORE · · Score: 1

    After all this questioning and back and forth bickering, why won't they ask the question I really want to hear?

    Q: Since bit for bit DVD copiers exist, how exactly does CSS protect anyone's intellectual property?

    If I make a bit for bit copy of a DVD, it will play just fine on a legally licensed DVD player, even though the disc itself is illegal. The fact is, the dirty little secret of DVD is that the encryption isn't about Intellectual property, it's about controlling distribution of DVD discs.

    CSS is only for controlling access to movies. Back in the VHS days this was done with the American(NTSC) and European(PAL) formats of VHS tapes. Now we get CSS.

    They should have taken a note from some crypto experts when thinking about how to control distribution of movies.

    "If you think cryptography can solve your problem, you don't understand cryptography, and you don't understand your problem."
    --Bruce Schneier

    --
    "This is not a company that appears to be bothered by ethical boundaries."
    Attorney General Mike Hatch on Microsoft
  211. Garbus overlooked the obvious follow-up. by MO! · · Score: 1

    If I, being the student, am preparing a presentation to be played back from my laptop computer - I need a digital sample of the material. If I get an anolog version of the movie, I have no way to get it into digital format on my laptop (I don't own a video capture card). So that solution would be not only impractical, but impossible for me personally.

    Fair use states basically, if I own the digital version of the movie, I am entitled to extract samples for use as stated above.

    Mr. Valenti is full of sh!t.

    --
    I AM, therefore I THINK!
  212. Is it _really_ copy control? by proton · · Score: 1


    Couldn't it possibly be argued that CSS is not an effective copy control mechanism, but in fact only a playback control mechanism?

    It doesnt seem to me like CSS stops anyone from copying anything and playing it with DVD CCA licensed hard/soft-ware.

  213. Typical for deposition. by www.sorehands.com · · Score: 2
    The idea for a deposition is not to provide turthful information. It is to keep from losing the case. It also gives the otherside to evaluate the person being deposed value as a witness.

    If deposed, you will be told not to volunteer information and to just answer the question, not anything more.

    But the designee's answers has the power to bind them to those answers.

    I would have used that deposition to try to have the injunction disolved.

  214. Another disappointment by Sloppy · · Score: 2

    If the stuff about citing from a DVD, Valenti says that even that would be against the law (with Cooper's disclaimer that Valenti is no legal expert) and Valenti suggests that if a student wants to cite from a movie, that they use the analog version.

    I wish I could have asked Valenti some follow up questions to that, to get around the he's-not-a-lawyer objection: "Mr. Valenti, in your opinion, should a student have the right to cite from the DVD?" If he says No, he's a monster with a PR disaster. If he says Yes, then ask, "Would you be in favor of repealing part of DMCA that prevents people from breaking the encryption?"

    I'm no lawyer, but I feel like Garbus could have done much better.


    ---
    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  215. "Some kind of bug" by PopeAlien · · Score: 5

    I also note for the record that Mr. Valenti is here at considerable personal inconvenience. He is not feeling well this morning and has some kind of bug.

    Ah! is this a beta version of Mr. Valenti? Bring on Valenti 2.0! Less crashes! More Lawsuits! Improved Grandstanding!

    1. Re:"Some kind of bug" by KjetilK · · Score: 1

      Hm, no I would rather think it is M$ Valenti... :-)

      --
      Employee of Inrupt, Project Release Manager and Community Manager for Solid
  216. Confusion about fast forward on DVD's.... by SuperKendall · · Score: 4

    I guess Valenti hasn't seen "The Sixth Sense" DVD, or any Disney DVD's - otherwise he wouldn't say the following - I think that things like this (not even being able to control the playback) might be considered a limit of fair use in some way and really hurt them:

    -----------

    Q If you have, let's say, advertisements in the beginning, can you fast forward past those advertisements so that you can go straight to the movie?

    A I'm not aware of DVDs that have advertisements. What do was mean advertisement?

    Q Advertisements for other movies.

    A Yeah, you can fast forward through that.

    ------------

    It's one of the "features" of DVD players that makes me the most angry, and really makes me consider building a DVD player box based on something like DeCSS to be able to have full control over navigation.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  217. This is ridiculous by madman_ · · Score: 1

    Can you fast forward on a DVD?
    Yeah, I think you can.


    Has the man ever watched a DVD in his life?

    Q Let's restrict it to the MPAA.
    A I can't answer the question.
    Q Why not?
    A Because I don't know what the answer is.
    Q Do you understand the question?
    A Huh?
    Q Do you understand the question?
    A Not really.


    This sounds like something right out of Abbott and Costello.

    Steve

  218. Is this really about region encoding? by HugoRune · · Score: 2

    Notice that the question "Is regional coding encryption?" (on page 30) is followed by about 10 pages marked confidential. Is there something about region encoding that they want to hide from the public?

  219. Re:MPAA's Lawyer Says Valenti Can't Explain the DM by Xerithane · · Score: 2

    I think the only response Valenti would have given is "I don't recall"
    They could have gotten a parrot to do the same deposition, and it would have cost less.

    nerdfarm.org

    --
    Dacels Jewelers can't be trusted.
  220. Uninformed or disingenuous? by freeBill · · Score: 3

    Or, as most of us would put it, clueless or a liar?

    In Mr. Valenti's L.A. Times opinion piece he quoted some of the web sites offering DeCSS as saying the software would allow piracy. Now, most of us have been to a few DeCSS sites and we know that most of them were very clear in saying that DeCSS did not offer functionality that would enable piracy.

    There are two possible explanations for this: Either Mr. Valenti was deliberately trying to deceive the Times readers or someone deliberately deceived him.

    It would be very interesting to hear some questioning of this flack on the subject of what did he know and when did he know it. While a deposition would be a great place for that (perjury and oaths and all of that), any reporter or call-in show which allows open questioning of the guy should be just as useful. After all, he is a PR guy who has a message he needs to get out, even if it is a deceptive message.

    Somebody had to search through a whole bunch of DeCSS sites to find any that promoted themselves the way Mr. Valenti claimed. I doubt it was Jack himself. What if a reporter interviewing him presented him with a computer with an Internet connection and asked him to show the sites?

    I doubt he could find one (Can you say, "I don't know," Mr. Valenti?), so the reporter would have to have a backup plan. A simple possibility: Do a search on Google for "DeCSS piracy." I'm betting most of the hits would say, "Here is DeCSS. The MPAA says it can be used for piracy, but it can't. All it's good for is playing DVDs which you legally own and a have a legal right to play."

    It would be interesting to see his response. Another "I didn't know" would suggest he has himself been deceived. And the obvious follow-up question would be who told him the information he put in his article.

    Another interesting possibility in all this: We all know how easy it is for any of use to put up a DeCSS mirror. Wouldn't it be just as easy for the Motion Picture Association of America to put up one of their own, claiming to be pirates? If we could catch them in a fraud like that, we might be able to really rock their world.

    --
    Eternal vigilance only works if you look in every direction.
  221. So much confusion... by Booker · · Score: 2

    It dismays me to see how much confusion there is on the part of the involved parties, and the press. Mr. Garbus asked Mr. Valenti if he had heard of "D-I-V-X" and Mr. Valenti said "no." Now, of course Mr. Valenti had heard of the failed pay-per-view DIVX scheme... but of course Mr. Garbus was probably referring to the new video compression algorithm... but then Wired picks it up and refers back to the failed pay-per-view scheme...

    It also pays me to hear "The DeCSS" and "The Broadband" and "The Wireless" and various other tidbits that sound like we're just not quite clear on the concepts.

    "If I decrypted the DeCSS on the wireless, how long would it take me to pirate a DIVX?"

    (No, not an exact quote, but some questions didn't make any more sense than that...)

    ---

  222. Re:Quick Question by GungaDan · · Score: 1

    Every moronic jackass is entitled to his own opinion...

    --
    Eloi are stupid, throw morlocks at them!
  223. Inside the mind of Jacbk Valenti by revscat · · Score: 1

    Q: Do you feel that artists have a right to own works that they create?

    Jack's Mind: profits interefered with...
    A: Well of course I do. We just want to receive just compensation for our unparalleled efforts to promote these artists

    Q: Do you feel that provisions of the DMCA violate certain freedoms?

    JM: profits over freedom, freedom good profit better
    A: Absolutely not. We are simply trying to protect the artist's works.

    Q: As far as Naptster and Gnutella are concerned, has the RIAA given any thought to embracing these distributed technologies?

    JM: ?? distributed huh? bzzzzz ??
    A: We are mainly concerned with the potential of abuse that lies in these new technologies from pirates and terrorists and pedophiles.

    Q: How do you sleep at night knowing how much you and your associates have abused both artists and the American legal system?

    JM: grr ruff! RUFF! BOWOWOWOWOW!
    A: Well, the tranqualizers help. [Laughs]

    - Rev.
  224. sort of sad by e_lehman · · Score: 1

    There are two possibilities: Valenti is a cagey weasel dodging like Bill Gates, or he is a somewhat befuddled, 80-year old man with a headcold. I wonder which? Has anyone seen this guy on TV recently? Does he seem with it?

    I thought it was interesting that right after Garbus brought up region codes there was a huge confidential section.

  225. Know your continents by generic-man · · Score: 2

    20 Q Does you know how -- let's use the term
    21 Asian pirates -- how they copy DVD?
    22 A What kind of pirates?

    You know, Asia? That continent with a couple billion people? With the languages that use all those fancy characters?

    Man, my head hurts...

    --
    For more information, click here.
  226. Comments by thesparkle · · Score: 1

    Whether or not Mr. Valenti or the others wish to admit it, the genie is out of the bottle. Suing 2600 or arresting 16-year old Norwegians is like trying to keep a dog from having puppies by taking them away after they are born.

    The fix is for the movie execs to develop technology which will protect their copywritten material. And although it makes it interesting for some to find their way around it, the reality of the situation is with the exception of perhaps /. demographics, most people are not going to search and download an online version of a pirated movie. It is far easier and accessible for the regular person to stroll down to Blockbuster and pick it up. (The big problem with this whole issue is not what a handful of Westerners do with that pirated material off the Internet, but what China does with it - big fat lot of good trade agreements do with the Chinese).

    What's annoying are some of the hypothetical questions being asked of Mr. Valenti. "What if a librarian is doing a report on the Holocaust and uses three minutes of Schindlers' List would that person go to jail?" At any moment, there are probably three people in the universe who fit that description. Get real. Put some real questions to Mr. Valenti such as

    "Since DVD is relatively new compared to analog recordings, what percentage of movie sales do they really comprise? And with that in mind, do you have figures to back that 2Billion dollar loss you state? And what is the cost of producing that DVD vs. the overall profit of selling that DVD: when do you break even and start making money? After selling 500 copies or 5million?"

  227. tit for tat? by Nerdy+Spice · · Score: 2

    I found the following question most interesting:

    "If a student wants to do a term paper, let's say do a video presentation on the Holocaust ... and wants to take two or three minutes from a DVD from Schindler's List to put into that Holocaust presentation and she has to de-encrypt the DVD to do that, is that illegal?" asked 2600 attorney Martin Garbus.

    Valenti ducked the question. "The student could do that by getting an analog version of Schindler's List, because that's not encrypted," he said."

    One of the arguments defending DeCSS is that pirating movies is currently impractical due to the huge size of the files involved. The MPAA argued (IIRC) that technology will change all that.

    Fair enough. They're extrapolating into a possible (likely)future.

    I think we can do the same. I'll bet that in the years to come it won't be possible to obtain an analog recording (VHS, Laservision, whatever)
    of a movie made, say, 8 years from now.

    1. Re:tit for tat? by KjetilK · · Score: 1

      Good point. Even better, the guy is really suggesting that one must use old technology because new technology is illegal to use for this purpose. Speaking of technological advancement. These guys would rather put us back to the stone age than giving up their profits. And, they obviously doesn't realize that going back to the stone age would not give them any profits... :-)

      --
      Employee of Inrupt, Project Release Manager and Community Manager for Solid
  228. SAME SHIT ALL OVER AGAIN -- SHUT UP IDIOT by Nicolas+MONNET · · Score: 2

    If it was'nt for fascistic[1] existing copyright laws, COPYLEFT would not have been invented.

    [1] They're at least as much fascist that the teenager that copies a CD is a 'pirate'.

  229. Not Quite... by Ozzy · · Score: 1

    Good effort though.

    Jack Valenti is the head of the MPAA, Motion Picture Association of America. This case is in regards to DeCSS and the DMCA, not RIAA and Napster.

    --
    Remove the NOSPAM to spam me...
  230. In case you don't get that... by Racher · · Score: 1

    I am quoting Rob and Jeff from a Geeks in Space episode...

    ...and I'm not sure we should trust this Kyle Sagan either.

  231. Copyright or wrong? by SciBoy · · Score: 1
    I could argue both points. On one side, I like the idea that all information would be freely interchangable between persons. That everyone has the right to know everything about everything.

    The downside to this kind of argumentation is that a lot of people are driven by other motivations than the interests of the common good. A lot of people are more interested in themselves than other people. As it is, these people can now contribute to the common good, by doing important work and getting paid for it. In a society without copyright, what could we give them for their work that they would need if they could not protect the rights to their discoveries? Who would pay for something they have the right to see, read, use?

    This is what it comes down to, and it is tricky stuff.

    --
    "War is God's way of teaching Americans geography." - Ambrose Bierce (1842-1914)
  232. VCD and DVD's by kootch · · Score: 2

    a few times he makes some interesting comments regarding VCD's... now, from my... um, activities, I know that most VCD's aren't created from a DVD but actually from those people that go into preview movies with a video camera and film the entire thing. You know the guys, the same ones that sell the dummied-up VHS tapes on the corner of Times Square in NYC. Sometimes you'll see someone's head infront of the camera, sometimes the camera operator will cough or sneeze, and most of the times the quality is crap.

    So my question is, what the hell does this have to do with DVD's and DeCSS and 2600's posting of the DeCSS code?

    Yes, there is pirating going on with movies... but most of it doesn't involve DeCSS or DVD encryption.

    I'm going to stop here before I start making too many comparissons to Napster and that stupid battle also.

    Btw, I'm proud to say that I was downloading the Matrix VCD, all 1.5 gigs of it, they day before it was released in the theatres, from a Hotline server with no ad banners. It's quality was good, even though it didn't have the soundtrack included (you could hear every bullet casing hit the ground)

  233. Reminds me of a commercial... by Anomalous+Canard · · Score: 1

    "If I decrypted the DeCSS on the wireless, how long would it take me to pirate a DIVX?"

    You said wireless!

    Diddily day.

    Anomalous: inconsistent with or deviating from what is usual, normal, or expected

    --
    Anomalous: deviating from what is usual, normal, or expected
    Canard: a false or unfounded repor
  234. If he doesn't know, who does? by sandler · · Score: 1

    If Mr. Valenti, who, due to his position in the industry, is very much involved in copyright and other legal issues, doesn't know if all the copying scenarios Mr. Garbus asked about are legal, then how the heck are we, simple upstanding citizens, supposed to know what's legal?

  235. The Schumann quote... by Halo1 · · Score: 1
    14 Q Do you know who Mr. Schumann is?

    15 A Schumann?

    16 Q Yeah.

    17 A What's his first name?

    18 Q Robert?

    19 A Great composer. I love his music.

    20 Q Not this man's. He's an expert witness

    21 who has been retained by the MPAA and Proskauer.
    You gotta love this guy :)

    --
    --
    Donate free food here
  236. Re:Segfault by Nicolas+MONNET · · Score: 2

    Forget it. It's probably COBOL code.

  237. Re:Blue-light special on Clues at K-Mart, Mr. Vale by Cramer · · Score: 1

    One can do that already...

  238. Avast Behind !! by Mr_Ceebs · · Score: 1

    So let me get this straight. somehow someone downloaded a film before it has even been released? Before there was even a chance of it being on DVD and somehow this is relevent?

    Come on all this says to me is that they have pirates inside their own organisation. which makes the idea that you would need software to crack DVD encoding even less relevent.

  239. Yes. by Svartalf · · Score: 1

    102's not that bad for the average person, for an elderly person, perhaps it could be something of a problem. And I don't think they sucker punched Garbus- the testimony has things that I'm afraid wouldn't be believable unless Valenti was suffering from delerium because of the fever (in which, the deposition would be re-taken). So which is it, was he just really too sick to give the deposition and we need to take it over or is he feeding everyone a line (which would mean he just purjored himself...)?

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  240. You have to love the legal language: by cdgod · · Score: 1

    16 Q When you say you're not aware does that

    17 mean you don't know?

    18 A That's a good synonym.

    19 Q Okay. When you said before you don't

    20 recall, did that also mean you don't know?

    21 Answer: Well, I don't recall when -- meaning, I

    22 don't recall. I mean, that's a -- that's a simple

    23 declarative English sentence: I don't recall.

    ---
    This is hilarious! The lawyer is trying to make him state that every time he said "I don't recall" he also meant to say "I don't know". I've been to depositions before, and it is a chess match of words and statements. You have to be very sharp! Obviously Mr. Valenti has had MUCH training in this matter!

    --
    This .Sig is left intentionally humourless.