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Creative SoundBlaster Audigy 2 Reviewed

Julio writes "For some, the Audigy 2 is what the original Audigy should have been, however without trying to underestimate Creative efforts, they are bringing us today a revamped soundcard that is set to raise the bar like the original Live! did, many years ago. You will be happy to know that Creative has taken care of the board quality from the ground up, newer and better DACs are used to ensure 24-Bit/96-kHz/192kHz playback and among the rest of niceties the card offers you have DVD-Audio playback, full 6.1 surround sound, THX certification and the mandatory (for a Creative soundcard) EAX Advanced HD."

371 comments

  1. Dear slashdot.... by Phosphor3k · · Score: 5, Funny

    Please advertise my un-innovative and slow-selling product for free. Thank you.

    1. Re:Dear slashdot.... by Threni · · Score: 1

      Especially one which sounds no better than the previous generation.

      Next week, we`ll be covering SACD players...

    2. Re:Dear slashdot.... by Telastyn · · Score: 3, Insightful

      Huh? they mentioned their extremely high selling live cards too. It's not Creative's fault that the card is now cheap ($27 oem from pricewatch) and sufficient for even gamers' needs...

      Odd that this market is one where people don't seem to be upgrading to something they don't need.

    3. Re:Dear slashdot.... by mwolff · · Score: 1, Interesting

      I would like to see more games built in surround sound, not more cards.

    4. Re:Dear slashdot.... by Anonymous Coward · · Score: 0

      Can you give the link to seller, please? Because Audigy 2 OEM is supposed to be around $70-$75. SB Live OEM is about $27. I'm quite surprised how Audigy 2 drops so quickly....

    5. Re:Dear slashdot.... by nomadic · · Score: 1

      Gamers needs? You make it sound like gamers need especially good sound, when an 16-bit onboard chip is usually decent enough to use.

    6. Re:Dear slashdot.... by TummyX · · Score: 0


      Huh? they mentioned their extremely high selling live cards too.


      Your comment took me ages to grok. I assume you meant they're and not their.

    7. Re:Dear slashdot.... by Copperhead · · Score: 0, Redundant

      No, he didn't.

      --
      Your reality is lies and balderdash and I'm delighted to say that I have no grasp of it whatsoever. - Baron Munchausen
    8. Re:Dear slashdot.... by fmaxwell · · Score: 1

      Your comment took me ages to grok. I assume you meant they're and not their.

      Since "they're" is a contraction for "they are" (e.g., "They're going to see Chicago."), you thought he meant to say:

      Huh? they mentioned they are extremely high selling live cards too.

      Now I am really confused. What does "they" refer to in that sentence?

      I understood it when he referred to "their" Live cards, since "their" is the possessive form of "they" and the Live cards are owned by Creative, also.

    9. Re:Dear slashdot.... by Anonymous Coward · · Score: 0
      The post your responding to is saying the Lives are going for $27.

      He summing up that it's not worth while to get an Audigy 2 because the Live will meet your needs and cost 1/3 the price.

    10. Re:Dear slashdot.... by BitHive · · Score: 1, Offtopic

      They're extremely high? No, you're extremely high.

    11. Re:Dear slashdot.... by TummyX · · Score: 1

      I thought he meant to say that the Audigy cards were high selling.

      I misread.

      Oops.

    12. Re:Dear slashdot.... by fmaxwell · · Score: 1

      I misread.

      Thanks for the reply. We all goof occasionally, but I was just left scratching my head on that one.

    13. Re:Dear slashdot.... by Anonymous Coward · · Score: 0

      Don't know about you, but I find that hearing gunshots behind me really kicks the realism up a notch. Yeah, I can play with straight stereo, but why?

    14. Re:Dear slashdot.... by TummyX · · Score: 1

      Yeah, I felt like an idiot.

      I actually thought Telastyn was trying to point out that the Audigy was high selling as a direct response to the parent post's slow-selling comment.

      That's what I get for staying up all night.

    15. Re:Dear slashdot.... by cayenne8 · · Score: 1

      What's wrong with SACD players? I love mine...the remastered older ABKCO releases of the Stones early albums sound FANTASTIC on SACD...the regular remix (it is a dual layer disc) sounds great too, but, the SACD version makes these old recordings come to life...almost like you are in the studio with them....These things even make cheaper audio systems sound better IMHO....go demo one...

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    16. Re:Dear slashdot.... by Threni · · Score: 1

      Its all just nonsense. I had a cd diskman. I paid £40 for it. Recently I spent £200 on a Marantz cd-6000 ole se, and £40 on cables for it, and to join my pre amp with my 2 power amps, which are bi-amping my tannoy speakers. I`ve done a direct a/b comparison with 4 people and *none* of us can hear *any* difference. Digital is digital. It all sounds pretty good, and you`d be a fool to spend another few thousand pounds over the next few years replacing perfectly good cds with sacd disks.
      The last time i heard an improvement in sound quality was going from vinyl to cd about 17 years ago. Everything else makes no difference to me. and i`ve got a huge cd collection, i have perfect pitch, i can hear higher frequencies than anyone else i`ve gone head to head with. I've listened to expensive speaker cable, mono-directional cable, expensive kit (like £3000 for a cd transport. Why? Whats the difference between a £3000 transport and a £30 cd rom? Reading digital signals is something you do with a little buffer and cheap hardware. its the DAC which is important. not how you read purely digital data).

      i can't speak for your experience, but i`m not aware that Stones albums were particularly well recorded (compared to classical for example)...so perhaps that disk has a really good sacd transfer and a shitty cd one.

    17. Re:Dear slashdot.... by Anonymous Coward · · Score: 0

      You hit it on the head. The quality of the A->D remix and transfer will make or break the listening experience more than the individual format.

      Comparing an analog->SACD transfer where somebody took some time making it right to an early analog->CD transfer when people were still doing quickie format-switch profiteering is not a fair test.

    18. Re:Dear slashdot.... by tuba_dude · · Score: 1

      Yeah, digital is digital. Are you saying a digital recording at 8 KHz/8-bits is the same as a digital recording at 96 KHz/24-bits, or two digital recordings at 44.1 KHz/16-bits are the same? Yes, digital is digital, but not all digital recordings are the same.

      --
      "The government of the United States is not, in any sense, founded on the Christian religion."
    19. Re:Dear slashdot.... by fishbowl · · Score: 1

      "sufficient for even gamers' needs..."

      An assumption is implied in your statement. Do you think "Gamers" have significant needs from audio hardware? All gamers want is playback.
      What gamers want from "high-end" audio is specific eq and channel encoding, one home theatre standard or another.

      Musicians, on the other hand, want recording capabilities. We want to be able to make quiet, production quality multitrack recordings on consumer hardware, with a minimum of fuss. We want our masters to be good enough that they do not have to be redone on pro equipment just because they lack a patented timecode, for example. We also don't want to be shut out because our recordings do not support a specific copy protection, and likewise, we do not want to be prevented by hardware or software from making sync'd, digital copies of our own tracks.

      --
      -fb Everything not expressly forbidden is now mandatory.
    20. Re:Dear slashdot.... by Feanturi · · Score: 1

      I've found that onboard sound tends to skip during system load, even if you've got a reasonably-powered box. I suppose it's a matter of MoBo design, but in such cases, throwing in a cheap-ass pci sound card was the solution.

    21. Re:Dear slashdot.... by zonker · · Score: 0

      musicians, on the other hand, buy turtle beach sound cards...

    22. Re:Dear slashdot.... by eyegor · · Score: 1

      I gotta agree with fishbowl. I do a lot of messing around with sounds apps (Cakewalk Sonar, Various software synths (NI B4, Steinberg, etc).

      I used to use a Soundblaster LIVE Platinum (yes, I do a lot of gaming too), but the latency of that card was horrible. It was maddening trying to do anything real-time.

      I ended up replacing the Live with a Audigy 2 Platinum and I'm amazed with the difference. I now have high quality sound with low latency as well as a firewire interface.

      I'm happy. Your mileage may vary.

      --

      Don't anthropomorphize computers, they don't like it.
    23. Re:Dear slashdot.... by Anonymous+DWord · · Score: 1

      i can't speak for your experience, but i`m not aware that Stones albums were particularly well recorded (compared to classical for example)...so perhaps that disk has a really good sacd transfer and a shitty cd one.

      Could be. I'd check out something like Metallica's Black Album, which got released on DVD Audio (among others). It sounds good on CD, but it sounds awesome with a full mix. Noticeably better. It matters a lot what you start with - you're not going to be too amazed by the crystal-clear 7.2 sound of those remastered Ledbelly recordings for instance.

      --
      "If he thinks he can hide and run from the United States and our allies, he's sorely mistaken." Bush on bin Laden
    24. Re:Dear slashdot.... by fishbowl · · Score: 1

      "musicians, on the other hand, buy turtle beach sound cards..."

      Baloney. Unless they've introduced it recently, TB/Voyetra have NOTHING in pro audio, or even pro-sumer. What do they have to compete with this: SekD or this: m-audio or this: aardvark ?

      A whole lot of the commercial stuff you hear today was done with ProTools: DigiDesign

      Real musicians use cassettes, when we can afford them.

      --
      -fb Everything not expressly forbidden is now mandatory.
    25. Re:Dear slashdot.... by Anonymous Coward · · Score: 0

      are" (e.g., "They're going to see Chicago."), you thought he meant to say:


      and the obvious next sentance: They're gay".

  2. Wow! Interesting! by Anonymous Coward · · Score: 4, Funny

    A review of a six month old product!

    Hip hip hooray!

  3. DRM? by the+Man+in+Black · · Score: 4, Interesting

    Any buil-in DRM things or other nastiness that I need to know about? Meaning, can I use the full potential of this card in Linux?

    1. Re:DRM? by the+Man+in+Black · · Score: 5, Informative

      Never mind.


      The Digital Output is always active except when playing DRM encoded content, at which point it is disabled. This is a requirement of DRM support otherwise the Audigy 2 would simply not be able to play DRM encoded content, e.g. DVD-Audio, as would be the case for other non-supporting soundcards.


      So, no thank you. Also...


      Unlike most other Soundcards though, the Audigy 2 can also send a 2, 4 or 5.1 channel signal over it's digital output using a 4 pole mini-jack. For the most part this will only remain compatible with Creative's own Speaker systems e.g. MegaWorks 510D, Inspire 5700, etc. while other receivers are likely to output this signal as stereo.


      Sweet. So I also get a crippled Digital Out. Where's my wallet, I must have one of these!

    2. Re:DRM? by br0ck · · Score: 5, Informative

      From the interview with Creative's worldwide marketing manager..

      Q: The digital outputs are disabled during DVD Audio playback, are there any plans to add more Digital Right Management and copy limitations to the Audigy 2 or any future product?

      A: At Creative we don't look at it as adding "limitations" to our technology. We wanted to add DVD-Audio, which we feel (and I am sure all your readers will agree) adds a massive benefit to our product line. However, DVD-Audio incorporates certain copy-protection features that MUST be in place before support of the format is allowed. This is not unique to our card. Even standard DVD-Audio players are not allowed any form of "bit-for-bit" digital output while playing DVD-Audio. Some solutions use proprietary digital connections to deliver the digital content to their amp, etc., which means that you can't plug the digital output into a digital recording device.

      Therefore as an "Enabler," we evaluate the benefit of a format against the limitations to the user. For instance, we also support WMA. This has requirements to support their DRM implementation, which we do. Remember that all these technologies do NOT stop you from making personal copies of unprotected media. They simply protect that content using the protection methods of the format.

      In short, will we ever add generic "Copy-Protection" technologies to our products that stop users doing what they want with their music/ audio? No.

      Will we ever add more formats that may incorporate stringent copy-protection technologies to protect itself? Most definitely, if the format is desirable to our users.

      Finally, although there may be very stringent copy-protection formats, it is normally in the field of protecting "exact" digital copies. There is normally flexibility where analog/ low quality copies wish to be made. For instance, the DVD-Audio format does give some flexibility in the areas of 16-bit/ 44.1kHz Digital outputs, or for making analog copies. It was not possible to enable this from day one, but we will work to expose this and provide as much flexibility to our users as we move forward.

    3. Re:DRM? by Anonymous Coward · · Score: 5, Informative

      Well luckily that will only affect windows users That drm crap is in the software and won't affect Linux users.

      But at the same time if you still stuck in Windows-land I'd recommend M-Audio's new budget card to any windoze user who wants something decent without having to deal with Creative.

      Personally I'll still continue to buy OEM SB Lives since I've been using them for years and they're supported under every OS known to man.

    4. Re:DRM? by mozumder · · Score: 5, Interesting

      They could have done what Pioneer has done in their top of the line Elite 49Txi receiver and 47Ai universal player- use an encrypted IEEE-1394 output instead of the optical/electrical digital link. They do this using approved standards for firewire audio transmission.

      This is the only DVD-Audio or SACD player on the market capable of outputting a digitial audio signal (the article is wrong).

      Of course the only thing that would be able to recieve this signal would be the 49Txi itself, but someone has to start somewhere to get high-end digital audio directly to the amplifier.

      Actually, with a firewire audio output and a receiver that accepts firewire input, you wouldn't even need a soundcard... Anyone wanna try to write a device driver that can play audio through firewire???

    5. Re:DRM? by killthiskid · · Score: 1

      I wonder if the drivers from the kx project can bypass this limitation?

      I seem to remember reading that this is the case... can anyone back me up on this?

    6. Re:DRM? by TopShelf · · Score: 1

      Apparently if you want any form of DVD-Audio out, DRM has to be in place first, so that's not so much a Creative thing. Frankly, I don't see much value here above a Soundblaster Live anyway, for the mainstream user.

      --
      Stop by my site where I write about ERP systems & more
    7. Re:DRM? by edhall · · Score: 3, Insightful

      This has always puzzled me: why is there such an obsession with preventing bit-for-bit copies? Properly done, digital re-recording from the analog output is likely to cause considerably less distortion than MP3 encoding, even at 256Kb/s. And the RIAA will be the first to tell you that MP3's are by far the biggest "piracy" threat represented by the internet. Preventing digital output will only be a minor impediment to copying, while the inability to use digital interconnects is a major blow to functionality.

      -Ed
    8. Re:DRM? by Tiroth · · Score: 1

      Because it is a PITA to do analog recordings right. Getting good S/N and low distortion is a lot harder than it sounds, requires good equipment, and the knowledge to operate it.

    9. Re:DRM? by gl4ss · · Score: 1

      because they figure that nobody will ever do a bit-for-bit copy of the disc...

      (no i don't really know anything about dvd-audio, but i friggin hate this kind of artificial limitations, the whole point as i can see of HAVING dvd-audio playing in the first place is to get it in high quality digital form to the hi-quality amplifier/decoder)

      --
      world was created 5 seconds before this post as it is.
    10. Re:DRM? by ADRA · · Score: 1

      Is toslink or spdif really inefficient enough to throw away and start using firewire? Seems like reinventing the wheel but then again, when did we NOT do that....

      --
      Bye!
    11. Re:DRM? by cheinonen · · Score: 3, Informative

      Acually, the Sharp DX-SX1 SACD player and their SM-SX1 amp have a special connection that let them transmit the SACD bitstream as well. I haven't heard these, but have heard the Pioneer setup this past weekend and it's nice to only have the single cable since the DAC's on the 49Txi are so nice. I was pretty sure that someone else had a player that could transmit a signal as well, but can't remember who (since it was out of my price range).

    12. Re:DRM? by edhall · · Score: 2, Insightful

      It's a PITA once, for one person. Then everyone else uses the same setup, since they have the exact same card. I agree that there are a lot of variables involved in analog recording, and a lot of complex decisions to be made; a good recording engineer is as much artist as engineer. But virtually none of those variables exist in a simple analog out -> analog in loop. Once properly adjusted, full-scale on the D/A will result in full scale on the A/D -- maximum safe S/N, no clipping, and so on.

      -Ed
    13. Re:DRM? by bugnuts · · Score: 1

      kxproject doesn't officially support the Audigy2 yet... they don't have the cash to buy one!

      There are a ton of things in this thread, so I'm just going to reply here.

      The audigy2 is better than the Live! series. I see a bunch of folks saying the live! works fine, but I've had severe stuttering and cpu drain due to the cpu load it adds for eax games. However, you'll get a ton of speedup just using the normal Audigy card, and kxproject supports drivers for it.

      The audigy2 offers a firewire port, and software to connect two PCs to each other through this port. This is something I actually need at the moment, but a separate firewire card is only $20. Still, it can save a slot.

      The audigy2 has the option to do a front-panel mount. Anyone have any idea if this is compatible with the Live! platinum front panel? (not counting the firewire port)

      Lastly, I don't like Creative. I use the kxproject drivers. But this chunk of hardware is pretty nice afaik.

    14. Re:DRM? by Trogre · · Score: 1

      The DRM limitation is present in the Live! and Audigy 1 drivers too. But only on Windows. The linux driver has no such restrictions.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    15. Re:DRM? by 0x0d0a · · Score: 4, Informative

      That drm crap is in the software and won't affect Linux users.

      It certainly will affect Linux users. There simply won't be support for digital out at all under Linux, neatly solving the problem.

    16. Re:DRM? by 0x0d0a · · Score: 1

      because they figure that nobody will ever do a bit-for-bit copy of the disc...

      Which gets you an encrypted copy of the disk. Which, in an RIAA-ideal world, would be unbreakable.

    17. Re:DRM? by Anonymous Coward · · Score: 0

      In other words, the RIAA/MPAA are perfectly fine with the people making identical duplicates of their discs (such as: actual copyright infringers), they're just not happy with any home users making a copy for themselves?

      "Oh no, some guy up the street made MP3's of the Final Fantasy movie score! We must immediately find a way to stop him doing this, while still allowing the asian pirates to spread $1 versions of the movie!"

    18. Re:DRM? by captaineo · · Score: 2, Insightful

      The main thing they're trying to prevent is a home user making a copy-proof disc of their OWN original music. Ever notice how none of the common DRM formats let you encrypt stuff you've made yourself? The industry wants to make sure that all up-and-coming talent has to come through their doors...

    19. Re:DRM? by gl4ss · · Score: 1

      **Which gets you an encrypted copy of the disk. Which, in an RIAA-ideal world, would be unbreakable.**
      and perfectly playable, no? it's not like _real_ pirates decrypt anything.

      --
      world was created 5 seconds before this post as it is.
    20. Re:DRM? by captaineo · · Score: 1

      The Linux IEEE-1394 driver set now includes a driver for playing audio through firewire (amdtp, by Kristian Høgsberg). We are currently working on full robust support for the IEC 61883 protocol suite (of which the audio protocol is a member).

      amdtp handles cleartext only though, it won't transmit or receive DTCP/scrambled streams.

    21. Re:DRM? by Dagmar+d'Surreal · · Score: 1

      It's no more crippled than any other DRM-supporting devices' digital-out. What's the matter? You don't know how to work DeCSS like the rest of the world?

    22. Re:DRM? by Anonymous Coward · · Score: 0

      It's not just copy-protection. There are lots of barriers between home recording and "the studio", and many of them are arbitrary, intentional crippling of the consumer audio format.

      No matter how "close" you can get to pro A/V in your home studio (or your semi-pro studio using consumer gear), you will probably have to redo everything if you want to take it to the next level.

    23. Re:DRM? by killthiskid · · Score: 1

      The normal audigy has the firewire and ability to network two PCs via it, also!

    24. Re:DRM? by ngdbsdmn · · Score: 2, Interesting
      the obsession with bit2bit copies is motivated by the same reason behind the obsession that your ver. 2.1 product is now obsolete and needs to be replaced with the ever more cool 2.1.2 product.

      this new product is always "the ultimate" as in "we were so stupid until now but we really got it right this time. we don't know the concept of upgrade and if you bought our shit until know we sincerely trust you're stupid to do so from now on even though we all know that each new time you buy you only pay 10% for new things we added and 90% for shit you already had and hence payed for but hey we always hungry"

      DRM is really a piece of shit. the reason it exists is the following:

      • piratable product's builders realized that their inability to control the price in whatever way they want is a fat killer. they need to aquire non-piratable status in order to be able to ask for a product much more then it's worth.
      • scince they clearly see that it is not posible through software only they're trying to create a new generation of hardware that will be able to constrain any software to their will. this is a very dangerous point in the evolution of hardware and I hope that buyers will give this new Sony, Creative etc. hardware the same fate that Intel's identification methode in the CPU recived.

      imagine that a matter duplicator existed and that you would be able to duplicate hardware (this includes food and women too :)).i don't think that there is a greater nightmare for all the fat people. imagine how it would be to do not need them anymore and instead only need the smart people, the talented people.

      i think it is worth fighting for fat's death through fighting against DRM so i'll give either a big NO or a big Fuck you (*) i know a way around (**)! to any DRM enabled product.

      * - Sony & Friends, Microsoft & Friends, RIAA & Friends
      ** - ATRAC, WMA, DVD, etc.

    25. Re:DRM? by captaineo · · Score: 1

      I just realized something - there IS a common DRM format that lets you encrypt your own stuff - Microsoft's! Ironically, everything they've been saying about DRM as a "security" feature implies that you'll be able to encrypt your own content. This is NOT true for any of the "ivory tower" DRM schemes (CSS, DTCP, SDMI, etc). What irony, MS may be the enabler for independent artists to take advantage of DRM...

    26. Re:DRM? by seaan · · Score: 2, Informative

      This has always puzzled me: why is there such an obsession with preventing bit-for-bit copies?

      The real secret -- the digital piracy threat plays great in Washington. At this point, and for quite a while in the future the threat is just a myth. It was certainly true when the first anti-digital law was passed in 1992 (Digital Home Recording Act), and Napster did not change anything.

      The threat than, and now, is low quality copies. Back then it was kids with $50 dubbing-cassette boomboxes, now its 128-bit (or worse) MP3. I really sneer every time I hear the phrase "perfect digital copy" (it was even used in Loefgren's B.A.L.A.N.C.E. act). The real problem is digital distribution, not the act of multiple copies.

      By playing games with digital outputs (not allowing them for DVD video, or DVD-A/SACD Audio; or crippling DAT outputs), the only people they really dissuade from making copies are the very people who are their best customers - the audiophile/videophile (these fools, and I include myself here, have been known to buy multiple copies of recordings). The people the who are listening to copies instead of buying recordings don't care much about quality.

      So why do they keep maintaining this myth? The publishers (ie. RIAA and MPAA) get a bunch of advantages. The advantages of the "perfect digital copies" myth include:

      * Congress thinks this is a good enough excuse to pass laws (publishers have to add money too, but it gives congress some type of intellectual cover) - primary excuse for DHRA, DMCA, and a bunch of other proposed laws.
      * It gives the publishers a stick to control the equipment manufactures with
      * It gives the publishers power to be a gatekeeper, even for media and distribution forms they don't currently use (how else can the MPAA get broadcast flags put in computers?).
      * It slows down the path to direct distribution, and keeps up the profit margin of large media companies.
      * It discourages home grown music (most modern equipment can't record, and if they can it is often with crippled options - aka Sony Minidisc).

      In reality Digital controls do not have much effect on casual copying. The exception is the video arena where the MPAA got mandated MacroVision/CopyGuard, and the wet dreams of other publishers is to get a similar fix for their "analog holes".

      Looking back historically, it is easy to see how congress was "rolled". The publishers tried for years to get new rights and privileges over analog content, but were mostly rejected. When they trotted out the Perfect Digital Copy myth; Congress rolled over and gave them controls past their wildest dreams (the current DMCA). Now they are working backwards, and complaining that they don't have the same control over analog (actually they are asking for far more than they ever asked back in the pre-digital days; but now they have the precedence in the current digital controls).

    27. Re:DRM? by SubtleNuance · · Score: 1

      The main thing they're REALLY trying to do is get a tonne of DRM enabled DVD equipment in the market place, and the homes of users. Stuff like disabling the digital-output on the Audigy when playing DVD-Audio is a perfect example.

      The RIAA is going to push this stuff until the next election, when the GOP leaves office, you'll see the end of CD Audio -- Music will do a quick transition to DVDAudio... and all the 'latest' hardware will be nicely crippled to stem 'piracy'...

    28. Re:DRM? by kaphka · · Score: 1
      For the most part this will only remain compatible with Creative's own Speaker systems e.g. MegaWorks 510D, Inspire 5700, etc. while other receivers are likely to output this signal as stereo.
      Sweet. So I also get a crippled Digital Out.
      Oh, come on.

      I wrote a long, technical response to this, but it's really not worth it. Instead, I'll just ask: Crippled, relative to what? Can you name any other consumer sound card that is capable of outputting multi-channel digital sound in realtime (not pre-encoded,) on any speaker system? If so, I'd really like to know what it is, because I've been looking for an alternative to Creative's products for a long time.
      --

      MSK

    29. Re:DRM? by The+Lynxpro · · Score: 1

      >Actually, with a firewire audio output and a >receiver that accepts firewire input, you >wouldn't even need a soundcard Why would you want that? Do you really want the CPU crunching audio information when the processing power could be used for other purposes? DVD Audio? THX certified? EAX? No, not by the CPU. I support Firewire audio output (especially over CPU intense USB 1.1 or USB 2.0), but I want it processed by a soundcard first. If the soundcard processes the info first and digitally outputs it over Firewire, then I don't think there would be any problems with case noise. Secondly, if the soundcard outputs over its own Firewire port, then there would be no problems with it degrading another Firewire channel used for other purposes, versus having the CPU itself crunch the audio and then outputting the audio say over a mobo-based Firewire port.

      --
      "Right now, somewhere in this world, Scott Baio is plowing a woman he doesn't love," - Peter Griffin, *Family Guy*
    30. Re:DRM? by mozumder · · Score: 1

      Having a seperate soundcard process all the data is expensive in terms of systems level design- you need a slot, it takes up rack space, needs a bigger box to package it for retail, adds weight to shipping costs, adds heat, consumes more power, etc.. Just more expensive in general.

      A cheaper and better solution would be to some hardware sound processing integrated into the chipset like NVidia.

      Soundcards or audio-only chips are just bad ideas these days. Full audio processing needs much less hardware resources than other processing tasks, such as 3-D graphics. It can be thrown in for cheap on any modern chipset.

  4. my comments by Squeezer · · Score: 1

    All I can say is cool and hope that it will have Linux support, either from Creative of by Linux kernel developers. ;)

    --
    Does the name Pavlov ring a bell?
  5. Audigy2 and Linux don't play well together by kikensei · · Score: 4, Informative

    Well, the Audigy 2 (that I pulled from a Dell at work) didn't work properly with SuSE 8.1 or Mandrake 9.1RC2 new installs so I yanked it in favor of my onboard AC'97 sound. Frankly, a sound card is a sound card. If I want high fidelity, the audigy 2 isn't the answer IMHO.

    1. Re:Audigy2 and Linux don't play well together by Anonymous Coward · · Score: 0

      ...nor is the operating system you chose to test the card (no offense).

    2. Re:Audigy2 and Linux don't play well together by GreyWolf3000 · · Score: 1

      Give it some time for support to develop. Remember that SBLive! (emu10k1) MIDI support is still not quite there...

      --
      Slashdot: Where people pretend to be twice as smart as they really are by behaving like children.
    3. Re:Audigy2 and Linux don't play well together by garcia · · Score: 0

      nothing like playing your 192k variable rate MP3s on your $15000 audio-phile stereo system that's hooked to your computer...

      Use REAL equipment to play REAL music.

    4. Re:Audigy2 and Linux don't play well together by GreyWolf3000 · · Score: 1

      With the low latency patch (among others), Linux can compete with OSX and XP.

      --
      Slashdot: Where people pretend to be twice as smart as they really are by behaving like children.
    5. Re:Audigy2 and Linux don't play well together by Anonymous Coward · · Score: 3, Funny

      Use REAL equipment to play REAL music

      That's why i have a string quartet play live for me at home

    6. Re:Audigy2 and Linux don't play well together by MayonakaHa · · Score: 1

      How about I play my 5.1 DTS CDs through my digitally equipped Hercules GameTheater XP with my 500 Watt Klipsch 5.1 speakers jacked into it?

      If you want good sound now, even my audiophile friend knows that there's a lot of computer stuff available that is excellent for a low price.

      Now if I was rich.. well needless to say, Denon and Legacy would be two prominent names in my home. Course I would also be living in a house and not an apartment, and my car would be a 350Z and not a Taurus.

    7. Re:Audigy2 and Linux don't play well together by Anonymous Coward · · Score: 0
      With the low latency patch (among others), Linux can compete with OSX and XP.

      good point, and especially so if you use Gentoo Linux instead of other distros.

    8. Re:Audigy2 and Linux don't play well together by His+Nastiness · · Score: 1

      Hmmmm...that's interesting. I bet it would really rock if you were using Gentoo. Between emerge and the sound support Gentoo really is swell. Have you tried it?

    9. Re:Audigy2 and Linux don't play well together by kikensei · · Score: 1

      SuSE 8.1 is my standard OS. The only reason I even tried Mandrake 9.1RC2 was because it was a shiny new release that might have support for the latest hardware. Spare me your Debian, Gentoo (who has the time for compiling everything?) or Slackware suggestions, I prefer SuSE to them all for enterprise servers or desktops. YMMV.

    10. Re:Audigy2 and Linux don't play well together by Anonymous Coward · · Score: 0

      time? You just walk away while its compiling... Simple....Easier than messing with those annoying rpms...

    11. Re:Audigy2 and Linux don't play well together by Anonymous Coward · · Score: 0

      very likely, a patch for audigy2 will be included in the final release of mdk 9.1.....

    12. Re:Audigy2 and Linux don't play well together by kikensei · · Score: 1

      Again, I don't have time to let it compile, let alone walk away. I also have system's with slow or no 'net access. Regardless rpm's are easy, especially with apt4rpm. Gentoo is fun for hobbyist's but not ready for prime time and is irrelevant to this discussion. If you've any experience getting an Audigy 2 to work with Gentoo or any other distro, I'd be interested to learn your tricks.

    13. Re:Audigy2 and Linux don't play well together by Anonymous Coward · · Score: 0
      Spare me your Debian, Gentoo (who has the time for compiling everything?)...

      Ah, there's your mistake. Type "emerge foo" before going to bed and let your computer compile it instead.

    14. Re:Audigy2 and Linux don't play well together by NomNet · · Score: 1
      > Well, the Audigy 2 (that I pulled from a Dell at work) didn't work properly with SuSE 8.1 or Mandrake 9.1RC2 new installs

      If you want to use fancy hardware, does it not occur to you, to choose an OS with decent Hardware Support ? If yours isn't upto the job, then change - there's hardly a shortage of OSs !

      > so I yanked it in favor of my onboard AC'97 sound

      And you think the two compare ?

      I wanted to play Doom III, but I couldn't get my new ATi 9800 working, so I yanked it in favour of my spare GeForce 2 MX....Oh, wait...

      > Frankly, a sound card is a sound card.

      Is it ?
      So they can all encode a Dolby Digital 5.1 stream in hardware (like my nForce 2's onboard Soundstorm), and pipe it to my AV Reciever ?
      Please do some research before you post ridiculous blanket statements like that.

      > If I want high fidelity, the audigy 2 isn't the answer IMHO.

      It's a damn sight closer than the onboard AC'97 that you're now forced to use !
      If you don't think the Audigy 2 is a good solution for HiFi sound, then what is ?

      "Score:4, Informative" ? Are the mods on crack today ?

    15. Re:Audigy2 and Linux don't play well together by fyonn · · Score: 1

      How about I play my 5.1 DTS CDs

      actually, they aren't dts cd's, they are dts encoded audio on plastic platters. if you look carefully they don't say cd on them anywhere (well, they shouldn't and my two don't) as they are not cd's.

      they use the same physical medium but the name "cd" also involves the way the data is formatted on the disc and as they are not redbook audio, they ain't cd's.

      they do sound good though, I've got the hell freezes over eagles one and the sting one. I ought to pick up some more sometime.

      dave

    16. Re:Audigy2 and Linux don't play well together by adagioforstrings · · Score: 1

      Dude, I own an Audigy 2, and I got sound working on both Mandrake 8.0 and 9.0. You need the latest version of the emu10k1 driver (like cvs latest) and you're set. It wasn't that hard to get working. Also, there's a lot of people complaining about this card, but I'll tell you it's pretty nice. It had some performance problems in games initially, but the latest drivers help that tremendously. It's a consumer audio card that approaches commercial quality, and does a damn fine job, IMHO. It's not perfect, but it's the best offering from Creative I've seen.

    17. Re:Audigy2 and Linux don't play well together by MayonakaHa · · Score: 1

      Good point.

      And they do sound awesome. I've got a few Sting ones and some Police ones too. I've also heard the Hell Freezes Over one and one by Sheryl Crow. All of them have sounded great, though I've heard there are a few bad mixes out there.

    18. Re:Audigy2 and Linux don't play well together by buck_wild · · Score: 1

      Bah. Real music starts at 80db.

      --
      If all you have is a hammer, everything looks like a nail.
  6. In other news Earth cools! by Anonymous Coward · · Score: 0, Funny

    And how long has this card been out? What's next, a review of Windows 98.. .oh wait, that Microsoft, we actually pay attention to them.

  7. SB16 by crumbz · · Score: 4, Funny

    Man, I remember putting a SB16 into my 486 dx2 just to play doom. Same reason I installed a NIC into it for the first time too. Head to head on a couple 486 boxen. No audigy for me, I got my $200 odd bucks saved for a 100GB drive.....

    1. Re:SB16 by Malc · · Score: 2, Funny

      Probably had to remove the CDROM drive or hard drive, or knock a whole in the front of the case too. Those cards were big!

    2. Re:SB16 by Anonymous Coward · · Score: 0

      This is way off topic but Fry's Electronics (assuming you live in the US) has a 120GB IBM DeskStar 7200RPM HD for $99.

    3. Re:SB16 by alanh · · Score: 1

      I did the same thing for Doom and Xwing.... Then I added a WaveBlaster daughterboard and the music was much better.

      --
      - AlanH
    4. Re:SB16 by Anonymous Coward · · Score: 0

      amen, but rather than the wave blaster, i got the turtle beach equivalent...man that was good sounding stuff at the time

    5. Re:SB16 by kharchenko · · Score: 1

      I am still using that SB16 that I used to play doom beta on 486, although I've changed computers many times. That's the oldest piece of hardware I still use. It's got to be tough to compete in that market place - that's why they have to advertizing in /. articles :)

    6. Re:SB16 by Anonymous Coward · · Score: 0

      No audigy for me, I got my $200 odd bucks saved for a 100GB drive.....

      Um, $200 buys 160GB. With change. And 8MB cache.

    7. Re:SB16 by Steve525 · · Score: 1

      A GUS (Gravis Ultrasound) was way better for Doom. (At least for version 1.2. In later versions of Doom the sound crackled a bit on that card). That was a great card, when properly supported.

    8. Re:SB16 by Sporkinum · · Score: 2, Interesting

      Ahh.. you youngsters.. I bought my first soundcard to play Wolfenstine on my 386 sx16. It was a Mediavision Thunderboard 8 bit mono sound card. After a year or so I got a Pro Audio Spectrum 16, followed by a Diamond Monster Sound MX200, SB128, and finally a CMI8738. Strangely enough, I still have all those old cards.

      --
      "He's lost in a 'floyd hole"
    9. Re:SB16 by Anonymous Coward · · Score: 0

      Heh, yeah, go ahead, but a DeathStar. At least they're cheap... Just don't come crying to me when (not if) they crash.

    10. Re:SB16 by Powercntrl · · Score: 2, Funny

      Man, I remember putting a SB16 into my 486 dx2 just to play doom.

      Am I the only one that thinks the SB16 wasn't such a bad card? I don't mean the late-model single-chip crap ones, I mean the old first generation big ass ISA cards with the Creative/Panasonic (or SCSI if you were lucky) interface on them! I mean they have pretty decent audio quality, an actual 4 watt amplifier so you could use a cheap $10 pair of unamplifed speakers, or plug in your headphones and blast your brains around in your head. The bass, treble and volume settings were not controlled by a DSP mixer, so you had to actually exceed the onboard amplifier to cause distortion. The card had jumpers... None of this bullshit plug and play crap... You plugged it in and it fscking kept its IRQ, DMA and hex address settings. Perfect compatibility with old DOS games, Windows 3.1, OS/2, Linux, and hell even WinXP still!

      I mean, seriously... Modern sound cards suck... All the outputs are line-level so if you plug in your headphones you can't hear shit, there's either NO DOS compatibility or drivers that don't work, crash your game, or use almost all of your conventional memory. The volume and tone levels are all digitally controlled inside the DSP... If you max out your EQ or volume and play a MP3 that's been normalized to 99% of the available dynamic range, the stupid DSP will do dynamic range compression on the output. And let's not forget hardware-based wave mixing. The SB16 didn't support it, so if you were listening to a MP3, there'd be no annoying sounds playing over it.

      The only thing that sucks about the SB16 is lack of 48KHz playback support... But you know what? I am going to find a way to write my own realtime downsampling driver, I can't hear the difference between 48KHz and 44.1KHz anyway.

      It's a shame the fastest motherboard I have that still has ISA is an Asus P2-99. But you know what? With a BIOS update and a slot 1 Tualatin adapter, I can upgrade it to 1.4GHz and still keep using my SB16. Muahahahahahahahah! SB16 forever!

      --

      ---
      DRM is like antifreeze, to the MPAA/RIAA it's sweet, to the consumers it's poison.
    11. Re:SB16 by Jenova · · Score: 1

      I know,
      mine had a real modem, an IDE controller and the sound card all on 1 board. It was a modem blaster or something like that.

      You would be pretty lucky to insert than thing without the motherboard capacitors getting in your way....

  8. Redundant...yet useful! by jonny-mt · · Score: 1, Insightful
    Start of with the standard /. flame fare:
    WTF AR EYOU l0s3RZ DOING POSTING OLD NEWS FROM like 1997 rfu 2002 wAnz its n00s back lololo!!!

    With that out of the way, the Audigy 2 looks to be a real step in the right direction as computer audio finally verges on the level of hi-fi. I personally have a plain ol' Audigy OEM card that has performed quite well for me, considering I don't record. Thankfully, though, Creative has finally come through with a mainstream version for those who do.

    Hats off to Creative for continuing to improve in a field that could so easily lay stagnant.

    1. Re:Redundant...yet useful! by Anonymous Coward · · Score: 0

      Yeah, too bad it's stagnant BECAUSE of Creative.

  9. Re:First? by goosman · · Score: 0, Offtopic

    Nor did I get it.....

  10. AWE 32 by msaulters · · Score: 5, Interesting

    AWE 32 was the last big worthwhile 'innovation' in sound cards. I'm still using mine all these years later, and it's all I've ever needed. It's a real wonder sound cards are even around these days. Seems to me all the circuitry should be in the speakers, with audio delivered over USB. Reduce noise inherent inside the PC case, and you only have to pay once for some nice, expensive speakers (which you need, anyway). My days of paying $200 or more for a sound card ended somewhere back around 1993-1995. It's just not worth it to me to spend that kind of cash, when you still have to add the cost of speakers on top of it to see the performance boost.

    --
    These people looked deep into my soul and assigned me a number based on the order in which I joined.
    1. Re:AWE 32 by Chmarr · · Score: 5, Informative

      Hardly innovative. The Gravis Ultrasound was doing all of that long before the AWE32 hit the market.

    2. Re:AWE 32 by RebelWebmaster · · Score: 4, Informative

      While I understand what you're trying to get at, USB is far from an ideal solution. First off, USB speakers have indeed been created (Microsoft had some), but the problem is the inherant issues with USB itself. High resource usage, bandwidth usage with multiple devices on the same bus, etc...

      The closest you're going to get to what you're talking about is a solution like the nVidia SoundStorm with realtime DD5.1 encoding. You could output that digital signal over standard coax or optical SPDIF to a receiver to do the sound processing. Of course, at that point you're spending more money than Joe Blow consumer probably wants to spend ;-)

    3. Re:AWE 32 by msaulters · · Score: 4, Informative

      Good Point. Only reasons I'm not still using my old GUS:
      1) it was ISA
      2) driver compatibility issues
      3) was not full-duplex, inasmuch as I can recall.
      Like it or not, the AWE32 became the standard, and that's why I still use it today. Everything's backward-compatible with it.

      --
      These people looked deep into my soul and assigned me a number based on the order in which I joined.
    4. Re:AWE 32 by Snork+Asaurus · · Score: 1, Funny

      Yup. I've been using my AWE32 for 7 years or so. I hope to get good drivers for it any day now.

      --
      Sigs are bad for your health.
    5. Re:AWE 32 by Dalroth · · Score: 2, Informative

      I've got a USB sound card. It's called the Soundblaster Extigy and it's a piece of crap. It skips, pops, and whirs all the time while playing audio. It does the same thing while RECORDING audio, and what really sucks is it does the same thing while playing back that audio so you get double the pops, whistles, cracks and whirs.

      Windows XP system, fresh install, updated drivers for everything.

      No, USB sound cards are definitely *NOT* the way to go and once again have me questioning why I should ever buy a Creative Labs product again....

      Bryan

    6. Re:AWE 32 by Warphammer · · Score: 2, Informative

      Actually, IIRC the GUS was the first full-duplex capable card, it's just that noone really used it back then. You also had to set it up "split", so that the input and output sides took seperate DMA channels, a pain if you were resource-constrained.

    7. Re:AWE 32 by dogas · · Score: 1

      You could have the nicest speakers in the world, but it wouldn't mean much in terms of sound quality. The Signal-to-Noise ratio of most commercial sound cards are pure crap. I owned an AWE32 for years, but it had a very audible hiss (especially at high volume).

      It's like staring at a computer monitor with its refresh rate at 50 hz. Gets very uncomfortable after a while.

      --
      'When the going gets weird, the weird turn pro.' -HST
    8. Re:AWE 32 by truenoir · · Score: 2, Informative

      Well, a few things occur to me.

      First, I dunno if this was a driver limitation or what, but I seem to remember decent restrictions on multiple sound streams. As in, I would be playing an MP3 and so ICQ couldn't make sounds. This was with a ISA AWE64 Value in NT 4 anyway. Once I went to a PCI sound card ($17 OEM Yamaha card) I could have plenty of simultaneous audio. I think this was a restriction of the drivers and/or ISA bus more than the chip though.

      The Live and the Audigy that I've had after that have, in my opinion, sounded progressively better. The signal is cleaner (at least according to specs and cranking my reciever up), sound is richer, and they have digital outputs. Not to mention positional audio, which is pretty cool. Needed for basic sound? No. Sound is practically a given nowdays though (and should be). A decent PCI card can be had for $20-50 though. I think the only people paying $200 or more are those buying Audigy Platinums or professional audio cards.

      USB audio is a pretty bad idea in my opinion. Sure, theoretically it works great. However, in practice, not always so. I've seen problems with Macs using them. Macs...machines on which audio has just simply "been there" on for years, now have strange volume drops or muting (with some USB speakers). I can't imagine how bad it can get with PCs with more variety in the hardware.

      Besides, I've been using my old reciever and a pair of Polk Audio bookshelf speakers for 5 years now, and I've yet to hear a pair of computer speakers match them full range (especially at under $200, which is about what I paid). Those of us with more than a dinky sub/satellite combo will always want a real audio output anyway (though a digital optical would probably do).

      As far as the audio chip is concerned, true, most people probably don't use much more than the functionality of an AWE32...or a Sound Blaster PCI/Ensonique AudioPCI as the case may be, since the AWE32 (to my knowledge) was an ISA only card. But newer cards have cleaner sound and more output options...for those of us that want them.

    9. Re:AWE 32 by Tiroth · · Score: 1

      This is better: if I simultanously record and playback from my Extigy, it crashes my entire computer. Whee.

    10. Re:AWE 32 by JediTrainer · · Score: 1

      Hardly innovative. The Gravis Ultrasound was doing all of that long before the AWE32 hit the market.

      Man I LOVED that card! I own 3 of them (the original, upgraded to 1 meg). For a long while, I tried to keep using that card. I had a machine where I had the GUS and a SB in simultaneously, configured so that all MIDI output went to the GUS and all effects went through the Sound Blaster. The output from one went into the Line In to the other, so that the audio came out mixed.

      No card I've found to date is able to match the quality of the MIDI output on that old GUS. Their patchset was truly awesome. I enjoy being able to use programs that can still use those old patchsets, albeit in software now. Using MIDI composition tools was a dream, and unfortunately neither my Sound Blaster nor my MIDI keyboard are able to reproduce the quality sound that I had 10 years ago with the GUS.

      I recently tried to play some of my old games (Doom, Descent, etc) on my newer hardware. Man do they ever sound *awful*! I feel like we've really taken a huge step backwards when Gravis went out of the sound card business.

      Only reasons I'm not still using the card? Only two:

      -lack of support. The DirectSound drivers never worked right, and drivers were only semi-working on Windows 95 or 98 (never on NT). Again, I'm talking about the classic, not the PnP card. However, there is excellent Linux support for the card, thank goodness.

      -it's ISA. My computer does not have any ISA slots. This, I suppose, is a much bigger problem than the above.

      --

      You can accomplish anything you set your mind to. The impossible just takes a little longer.
    11. Re:AWE 32 by mobets · · Score: 1

      I would be willing to bet all of your problems are caused by the fact that USB is a crapy way to hook up anything that needs contiunous bandwith.

      --

      It was me, I did it, I moved your cheese
    12. Re:AWE 32 by poot_rootbeer · · Score: 1

      Seems to me all the circuitry should be in the speakers, with audio delivered over USB.

      No, that's retarded. With that scenario you have PC 'speakers' that are completely different electronically from stereo speakers or any other component ever to have been called a speaker.

      The obvious solution to the problems of case noise and such is to keep the signal entirely digital inside the PC, and run it out to an external DAC (like a home theater receiver) via SPDIF coaxial or optical (an existing standard for digital audio transmission, unlike audio over USB). This is what I do with my SB Live!.

      Of course, Creative's decision to disable the digital out on Audigies in certain circumstances (and their steadfast defense of that decision) means my setup wouldn't work, and pretty much guarantees that I won't be buying another Creative card when it's time to upgrade.

    13. Re:AWE 32 by naoiseo · · Score: 1

      straight from someone whos never tried or needed to do anything more than play a game cd or mp3 on their computer.

      ever try recording on your awe 32? hardly awe inspiring.

      sound cards have a long way to come. go to a home studio with any amount of funk and you'll see about 20k worth of things that have yet to be included on your sound card.

      You don't need them, you never will. You're not the be all and end all of needs.

    14. Re:AWE 32 by Anonymous Coward · · Score: 0

      I would be willing to bet all of your problems are caused by the fact that USB is a crapy way to hook up anything that needs contiunous bandwith.

      Indeed. Firewire 0wnz USB on that front. Not only is the practical bandwidth higher (even vs. USB 2), making multichannel interfaces possible, but firewire is consistently shown to be more reliable.

    15. Re:AWE 32 by Anonymous Coward · · Score: 0

      You can often fix hissing noises by:

      a) Moving the sound card to a slot further away from the video card (preferably all other cards, if you have room)

      and

      b) Routing your external cables... for example, if your speaker cable runs at right angles to your power cable, you get some nasty interference.

      I never tried any of this with my AWE64, but when I installed a new audigy, I found what a difference this sort of thing can make.

    16. Re:AWE 32 by dr.badass · · Score: 1

      Of course, Creative's decision to disable the digital out on Audigies in certain circumstances (and their steadfast defense of that decision) means my setup wouldn't work, and pretty much guarantees that I won't be buying another Creative card when it's time to upgrade.

      IIRC, the only time the digital out won't work is when playing DVD-Audio. Blame the DVD people, because that's what they mandate. You either disable the digital out, or can't support DVD-A at all.

      Personally, I don't find this a problem, aside from it being a big piece of DRM bullshit, because I don't have a receiver that can decode 24-bit/96khz DVD-Audio, or for that matter, any discs to play.

      I can understand objecting to the politics of DRM, but I don't think this is a technical problem that will get in anyone's way.

      --
      Don't become a regular here -- you will become retarded.
    17. Re:AWE 32 by Enonu · · Score: 1

      Your USB sound card is "a piece of crap," so all USB sound cards must be the same is your basic argument. The logic is flawed, and anybody with half a brain knows it. Learn how to argue correct before using words like "definitely" or your more flavorful "*NOT*".

    18. Re:AWE 32 by Anonymous Coward · · Score: 0

      Quit spreading lies...

      You have no idea of the technical merits of firewire vs USB2. You are an apple zealot, and deserve a slow death.

      Hint: Firewire isn't the end all and be all. It is just a fucking inteface and no amount of religioius FUD is going to change that.

      I'm not saying USB2 is a dream come true.. far from it. I'm just saying your a fucking idiot.

    19. Re:AWE 32 by msaulters · · Score: 1

      straight from someone whos never tried or needed to do anything more than play a game cd or mp3 on their computer.

      ever try recording on your awe 32? hardly awe inspiring.

      sound cards have a long way to come. go to a home studio with any amount of funk and you'll see about 20k worth of things that have yet to be included on your sound card.

      You don't need them, you never will. You're not the be all and end all of needs.

      Actually, I've done a little recording here and there with it. Been QUITE pleased with the results. It can require a little tweaking and good software, but you can get decent enough results. Not doing professional-quality stuff, but then I certainly wouldn't be doing professional-quality work with any flavor of Audigy. $20K seems to me to be a little more than just a 'home studio', at least if it's all spent on gear. You could spend that much on decent soundproofing, mics & stands, headphones, etc before you ever touch recording equipment. You want to talk studio-recording, then take the argument somewhere that studio-quality equipment is being discussed. Audigy ain't it.

      Speaking to hiss: I've never heard such from the AWE on playback. Recording hiss, yes, I've seen it, but more often than not, it has been due to the source and not the card. If you've got a decent-sized tower case, put the video and NIC as far away from the sound card as possible, and you'll likely see a big improvement in noise.
      --
      These people looked deep into my soul and assigned me a number based on the order in which I joined.
    20. Re:AWE 32 by Dagmar+d'Surreal · · Score: 1

      Try using your AWE32 card to do effects processing like echo, flanging, pitch-shifting, and positional shifting taking into account varying number and placement of speakers in realtime (this is what EAX does, ahem) without gobbling down 20-80% of your CPU. Try using your AWE32 card to hardware accelerate encoding your MP3's to way better than realtime encoding (this is another thing the EAX circuitry is used for, courtesy of Creative Playcenter... may-they-soon-get-an-ogg-module) Astonishingly enough you don't have to spend $200 for this, because SBLive! cards retail for about $40 give or take $20 and seem to still support four speakers by default.

      To my ears, your whining about a lack of "worthwhile 'innovation'" just sounds like so much kvetching about why everyone gets so excited over that "newfangled OpenGL thing" that video card manufacturers are so viciously forcing us to spend our money on.

      Get the clue.

    21. Re:AWE 32 by Anonymous Coward · · Score: 1, Interesting

      Since when was the AWE32 /not/ ISA?

    22. Re:AWE 32 by GunFodder · · Score: 0, Troll

      Right on. I wish I could go back to two channels of hissy sound going through an onboard amplifier. But I got some new speakers and I like music and games, so now I guess I'll have to stick with 4.1 channels of clean sound with line and microphone in and the ability to accelerate multiple 3D sound streams in hardware. And you can get all that for about $25 if you are willing to live with a card that is a few years old (SB Live).

      It sounds like you either you don't give a damn about sound. Why bother having a soundcard at all?

    23. Re:AWE 32 by Tronster · · Score: 1

      This doesn't apply to everyone, but I hope this is relevant for one or two people...

      The first commercial card (I know of) which has allowed DJs to easilly take their vinyl is TerraTec's DMX 6Fire 24/96. At $200, this convenience convinced me to stop using my Creative SB Gold-64 and upgrade.

      Okay, I will admit I'm part of a nitch market, but for all the other DJs out there who want to be trying their tracks out on a
      Pioneer CDJ-1000 (or similar device) this is quite innovative.

    24. Re:AWE 32 by drinkypoo · · Score: 1

      The first place I can remember seeing this "technology" was in the Amiga computer. I think that Atari's 68k-powered "offering" might have also had DMA sound. The Amiga was of course the unchallenged master of DMA back in the way-back. Now we have PCI everywhere. Of course at a time prior to the Amiga, the master of home computer audio was the Commodore 64...

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    25. Re:AWE 32 by Chmarr · · Score: 1
      1) it was ISA

      I had a Ultrasound Max for the longest time, but when I upgraded my MoBo to a Pentium, the damn thing would just not work. It turned out that the Pentium ISA bus did something really weird to keep the timing at 8MHz. Every 16 clock cycles it would introduce a 1/8 cycle extension, and as far as I could tell, that sent the Ultrasound into a tailspin.

      I found that out, of course, after about 10 hours debugging with a digital oscilloscope. The support engineers were so grateful that they replaced my Max for a Ultrasound PnP for NOTHING. And, that worked a treat.

      As far as I can remember, the PnP was a PCI card. Unfortuantely, I can't use it in my Mac ;)

    26. Re:AWE 32 by Chmarr · · Score: 1

      My bad, it was only a 16-bit ISA connector. I found an old brochure.

    27. Re:AWE 32 by bcboy · · Score: 1

      I use USB audio on linux and it's great. Zero configuration. It just works. The same equipment on Windows will drop out and skip.

      Seems to be a latency issue. Without the low latency patches Linux will skip. Redhat ships with the patches, so I didn't need to do anything. I discovered the effect later when compiling a kernel for something else, and left out the patches.

    28. Re:AWE 32 by Anonymous Coward · · Score: 0

      No, anyone with math skills can see the problem. It's the bandwidth, stupid, and no one will make a multi-channel USB sound card, because it's impossible!

  11. huh? by Neophytus · · Score: 1

    Audigy 2 review the title shouts! I thought hurrah, a review of some sort of special edition on that will be completly out of budget but makes an interesting review. But alas, it is a review of a card that has been avaliable for months. Slow news day?

    1. Re:huh? by Anonymous Coward · · Score: 0
      Audigy 2 review the title shouts! I thought hurrah, a review of some sort of special edition on that will be completly out of budget but makes an interesting review. But alas, it is a review of a card that has been avaliable for months. Slow news day?

      Must be. I can't begin to count how man stories I've submitted that never even made it from another poster. Submitted a link to the story about the 'invisibility suit' three days before it ran on CNN, but it was rejected within 3 minutes. Still haven't seen it here. Guess they save the best stories for a slow news day & just post dupes the rest of the time, because they know everyone's already reading.

      Who meta-meta-moderates the meta-moderators?
      Why can't we moderate stories?

      I'm not anonymous, because I'm ashamed of who I am. I'm anonymous, because I'm too fucking proud of my karma to risk being moderated.
    2. Re:huh? by Anonymous Coward · · Score: 0

      This just in: RED HAT 8.0 RELEASED. I can't wait to try it out!

    3. Re:Huh? by Cyno · · Score: 1

      My answer for being treated like this is to stop browsing slashdot. Try visiting alterslash.org instead. And never click on the reviews until you are genuinely interested in the products. I only look for that sort of info when I am shoping for hardware. The rest of the time its just advertisements which make up about half the articles here these days. Its very rare to find real useful info on here that hasn't already been picked up by some less popular news site. Even CNN beats slashdot to about half the interesting tech articles, try checking out their technology page sometime. Very sad for slashdot IMO. I mean, what's VA trying to do? Make money like AOL? Good luck.

  12. If it�s anything like my live� by Anonymous Coward · · Score: 3, Insightful

    ...it'll be about 4 years until they get the drivers right.

    1. Re:If it�s anything like my live� by Anonymous Coward · · Score: 0

      Hah, right! I have an SB Live! and they still haven't got the drivers right (it doesn't help that they stopped updating them about two years ago or so either).

      Also, for the GNU/Linux folks out there:
      SB are notoriously OS/alternative driver unfriendly.

    2. Re:If it�s anything like my live� by Anonymous Coward · · Score: 0

      I have given up on the Creatice drivers a long time ago.

      Use the Kx-project drivers that are superior.

      -- ASIO support
      -- Full control of DSP
      -- Clear Sound..

      http://kxproject.spb.ru/

  13. creative drivers still suck by Indy1 · · Score: 3, Interesting

    after the sb live fiasco a few years ago, i think anyone who uses creative is nuts. There are much better alternatives, such as the Turtle Beach Santa Cruz, or Hercules Game Threater or Fortissmo III.

    --
    Lawyers, MBA's, RIAA? A jedi fears not these things!
    1. Re:creative drivers still suck by pdbogen · · Score: 1

      Drivers or no, I seem to remember a Tom's Hardware review wherein the Creative cards blasted everything else out of the water.

    2. Re:creative drivers still suck by md04 · · Score: 1

      Yeah, I use the Hercules Fortissimo, and I love that card. Liked it so much, I got my Dad one for the hell of it.

      I don't like the idea ofthe digital output being turned off on machines that play DVD-Audio, it kind of makes my coax connection between player and amp useless doesn't it?

    3. Re:creative drivers still suck by vanillacoke · · Score: 1

      I have the fortissmo III. I love the hell out of it! I joke that it's the only card that i can upgrade the speakers to. It could have more tricks but hey, BF1942 with sennheiser 500 headphones is more then adequate.

      --
      The secret to getting modded up is to allways say i've got karma to burn in your sig..
    4. Re:creative drivers still suck by Anonymous Coward · · Score: 0

      "after the sb live fiasco a few years ago,"

      What fiasco? I seem to recall a bunch of whiny kids on Usenet complaining that there weren't Windows 2000 drivers for their cards, even though Windows 2000 wasn't even out then. Apart from that, what was the "problem"?

    5. Re:creative drivers still suck by Martin+Blank · · Score: 1

      It's only recently that CL has been able to put out drivers for the original Audigy that don't do odd things. Their card quality also leaves something to be desired; go look through the newsgroups and you'll see what I mean. I even had to send mine back to the factory for a BIOS refresh because something got corrupted; they had the card for two weeks. Bleh.

      --
      You can never go home again... but I guess you can shop there.
    6. Re:creative drivers still suck by Anonymous Coward · · Score: 0

      Unless your player takes a DVD-Audio digital format, it won't help a whole lot. It is not the same type of stream that most receivers decode.

      Creative does mention that they should be able to transcode the DVD-Audio format down to the 44Khz signal that is used for most receivers, although it looks like that is a future statement.

    7. Re:creative drivers still suck by Anonymous Coward · · Score: 0

      Meh. I stil buy SB Lives and they serve me fine. $33 at Newegg.

      BTW the TB SC is being discontinued and cost twice as much.

    8. Re:creative drivers still suck by evil_qwerty · · Score: 1

      I think hes refering to how long it took to get drivers for it. I got my sblive about 2 weeks before they finaly caved in and gave us some generic drivers. But at least it worked :)

    9. Re:creative drivers still suck by ncc74656 · · Score: 1
      Drivers or no, I seem to remember a Tom's Hardware review wherein the Creative cards blasted everything else out of the water.

      Does anybody still pay any attention to Tom's? I thought everybody concluded they jumped the shark when they did that stupid video of an Athlon frying when the heatsink was removed, or sometime around that.

      --
      20 January 2017: the End of an Error.
    10. Re:creative drivers still suck by linzeal · · Score: 1
      My exp with creative tech support over two cd burners for family and a live! card for myself were some of the stuff nightmares are made of. My family bought some CD burners that I thought were re-branded plextor drives but were switched mid marerket to some basterdized samsung drive that was utter shit. The cd burners, both the same, 8x4x32 if I recall lacked support for like 2-3 different CD burning formats and after 6 months made 2-3 coasters for every clean burn, they put in a ROM chip instead of an EEprom chip and there was no way to fix it. They took away the forums on creatives site and I had nothing to do but toss them and bought them some cheap lite-on burners for christmas, that was 2-3 years ago and they still work fine.

      Any company that dupes the customer into thinking they are getting one product when they are getting another is just bait and switch at the factory. I bought those drives on reviews I read, I will never buy a creative product again. I like this phillips siesmic edge is doing just fine in my windows box, and my linux box gets by with ac97.

    11. Re:creative drivers still suck by 21mhz · · Score: 1

      Tom's Hardware may have their own opinion, but I
      happened to read about Audigy vs. "something else", with actual measurements and all.
      Audigy scored kind of pale. However, if you're into sound mainly for games, it's insignificant, because Audigy is pretty good after all.

      --
      My exception safety is -fno-exceptions.
    12. Re:creative drivers still suck by Anonymous Coward · · Score: 0

      Does anybody still pay any attention to Tom's? I thought everybody concluded they jumped the shark when they did that stupid video of an Athlon frying when the heatsink was removed, or sometime around that.

      For the love of fucking pete! When will people stop bitching about that. It wasn't a "AMD suX0rs!" thing -- THe video was showing that the heat-protection features of the Athlon DIDN'T WORK AS ADVERTISED, whereas the ones on the Intel chips DID. The accompanying article even says that one of the chips that got fried was very unexpected.

    13. Re:creative drivers still suck by Anonymous Coward · · Score: 1, Informative

      Lawyers, MBA's, RIAA? A jedi fears not these things!

      The original quote would be funnier:

      A jedi craves not these things.

      And now, back to your regularly scheduled on-topic comments.

    14. Re:creative drivers still suck by Anonymous Coward · · Score: 0

      BTW the TB SC is being discontinued and cost twice as much.

      At least it doesn't crash my system. The emu10k module is very fond of kernel oopses. Once I switched my SB Live! for a Santa Cruz, my system suddenly became stable again.

    15. Re:creative drivers still suck by 0x0d0a · · Score: 2, Insightful

      I think you mean "*Windows* drivers for Creative cards still stuck".

  14. Sound Cards, the SB-Live-Audigy upgrade train. by stratjakt · · Score: 5, Insightful

    Ok, consider first that I'm not a hardcore audiophile, and neither are most.

    Once I got positional audio by way of the Live! series, what motivation is left to upgrade?

    I mean I get positional audio and EAX in my games, I get surround sound in my movies. I rip/encode/playback my MP3s. I dont lose CPU time to the audio system, or deal with the setup hell that existed back in the ISA cards era. My PC isnt a media jukebox or lined through a $10,000 stereo, just a 4 way speaker set.

    Why would anyone upgrade past Live, if they weren't an audiophile demanding the very latest (and even then, why would they? Most true audio geeks I know run 10 year old equipment).

    I mean what breakthrough technologies have been developed? Two more speaker channels?

    It's not like video cards. When Doom 3 comes out, and doesnt run on my computer, I can guarantee it will be because of the old Radeon card, not my SB Live.

    So, really, what's been added to these things? Are there any good arguments to upgrade?

    --
    I don't need no instructions to know how to rock!!!!
    1. Re:Sound Cards, the SB-Live-Audigy upgrade train. by robi2106 · · Score: 1

      That is quite a question to put to the Creative folks. I wondered that for a while too.

      I bought the SB Live! 5.1 X-Gamer and aside from the nasty Via 686b southbridge problems (solved by upgrading to different mobo) I have no intention to ever upgrade my sound card. That is until mobos don't come with 32bit PCI buses.

      I thank creative for their work, but until new sound reproduction hardware is needed (vastly new speaker technology)... why bother? I'd rather put the $$$ in to RAID controllers, CPUs, or games.

      robi

    2. Re:Sound Cards, the SB-Live-Audigy upgrade train. by nomadic · · Score: 1

      When my Soundblaster Live! started acting up I disabled it then went to the onboard sound chip. No noticeable difference.

    3. Re:Sound Cards, the SB-Live-Audigy upgrade train. by petsounds · · Score: 5, Informative

      Most true audio geeks would never use a SB Live in the first place, that's why. The Audigy2 is the first consumer card to do true 24/96 resolution for input/output, all the way through the audio path. The Audigy1 *claimed* 24/96, but the internal DACs were still 16-bit so having 24-bit outputs was useless. For comparision, it's the difference between the sound quality of a CD (16-bit) and the sound quality of a DVD-Audio disc (24-bit). It's a quality difference that won't "blow you away" and you may not even notice the difference unless you have a good pair of speakers/headphones or your ears are "trained" to pick up minor quality changes, but if you are someone who enjoys good audio fidelity, it's a great option for a consumer who is a bit of an audiophile, but also plays games so a pro-level card is not an option.

      If memory serves, I believe that the Audigy2 onboard processing is also far more powerful than the SB Live, so that enabling Creative's 3D positional effects in games won't be a resource drag on your system, and it supports Creative's newest advances in those kinds of effects (which may or may not float your boat).

      Personally, I think audio in games is vastly underrated, by both gamers and developers. Good audio is just as important in games as it is in movies. But I think a lot of people don't want to buy a separate speaker system for their computer, either because they already invested a lot in their home theatre system, or they don't want to seem like a "geek" by shelling out for one of the 5.1 computer speaker setups just to play games. I think console games will really start to overcome this, because the console is already hooked into the home theatre system. For instance, DTS just released an SDK to help developers put DTS into their PS2 games.

      But I digress. It doesn't sound like the Audigy2 is something you *need*, but it might make for a more enjoyable experience in Doom 3 because of the increased fidelity and effects processing since you indicated you already had a surround system hooked up to your box.

    4. Re:Sound Cards, the SB-Live-Audigy upgrade train. by FromWithin · · Score: 2, Interesting

      You could upgrade to the Turtle Beach Santa Cruz card.

      IMO, Sensaura's 3D positional audio is vastly superior to the Creative stuff and makes a huge difference with first person games. Really good drivers as well.

      And for the price, there's simply no comparison whatsoever.

    5. Re:Sound Cards, the SB-Live-Audigy upgrade train. by rodgling · · Score: 1

      They are pretty fun for plugging guitars into. Just plug the lead straight into the front of your computer, pick some real-time effects (or design your own) & play.

      Although, the software UI does suck ass, it must be said. Same shitty Creative spyware-ridden interface as their Jukebox software.

    6. Re:Sound Cards, the SB-Live-Audigy upgrade train. by Bishop · · Score: 1

      I agree that sound in games is vastly underated. Part of the problem is that "computer speakers" are garbage. Even the high end "500watts" 5.1 systems are not worth listening too. This limits the usefullness of consumer 24/96 audio.

    7. Re:Sound Cards, the SB-Live-Audigy upgrade train. by NeMon'ess · · Score: 1

      Define "worth." I have $300 THX certified 4.1 speakers and am almost completely satisfied with them. I suspect they would sound even better with less hiss if I got an Audigy 1 or 2 because of the higher S/N separation. How much do I have to pay for a 5.1 system worth listening to? $500? $800? I'd rather put that money into my computer, or a new HD-MP3 player.

    8. Re:Sound Cards, the SB-Live-Audigy upgrade train. by gl4ss · · Score: 1

      somewhere around 1000$, 200-300$ for amp and rest to speakers would get a good system by most peoples standards.

      like, a real sound system with real speakers with real amplifier, not something that runs off from a 12v 3ampers external power source.. makes hell of a difference.

      the pc speaker offerings have been joke since the '200w' plastic boxes appeared and never really went out, you don't really need a sub for gaming if your speakers are good(not little plastic boxes) in the first place. the chaep 3.1 & 4.1 systems are for people who want to think they got _excellent_ sound(like the 200w plastic boxes) whilst they are 'only' having decent audio when played at the usual sound levels(and nothing sounds crap crapper than those systems played near or over their limits).

      and i don't believe for a second that you could hear the s/n difference unless your current card is real crap.

      --
      world was created 5 seconds before this post as it is.
    9. Re:Sound Cards, the SB-Live-Audigy upgrade train. by NeMon'ess · · Score: 1

      So you're slamming plastic boxes because they use a subwoofer instead of wood to generate bass? If bass is mostly non-directional, why does it matter where the bass comes from? Plastic+subwoofer= just a different way of getting the same sound, doesn't it? Cheap plastic will sound bad, but there are $1000 plastic systems at Circuit City with a subwoofer. Please explain.

    10. Re:Sound Cards, the SB-Live-Audigy upgrade train. by Bassman59 · · Score: 1

      Bishop: I agree that sound in games is vastly underated. Part of the problem is that "computer speakers" are garbage. Even the high end "500watts" 5.1 systems are not worth listening too. This limits the usefullness of consumer 24/96 audio.

      I agree, which is why my computer is usually hooked up to a pair of Genelec 1031A studio monitors. Makes playing Wolfenstein a completely engrossing experience!

    11. Re:Sound Cards, the SB-Live-Audigy upgrade train. by gl4ss · · Score: 1

      getting the transition from dedicated subwoofer to the little plastic boxes is the problem(as distortion coming in cheap filtering circuits).
      i'm slamming little plastic boxes because they can't generate any mid-bass even, and they are often coupled with such subwoofers that are not even better than a decent set of speakers at producing low sounds. 1000$ in price doesn't mean automatic quality, and a lot of that range small-speakers-coupled-with-sub-comes-with-dvd-pla yer are designed for people who want everything in one piece and stealthy.

      having dedicated sub is cheaper(+more stealthy) than having 5 proper speakers, which is the reason why they're used(this is exactly why they're needed in cars too if you want even half proper sound, you just can't usually have the speakers in proper enclosures due to size constraints).

      of course it doesnt just matter if it's plastic, wood or something else, the overall design matters most but i'm sure you know what i mean with little cheap plastic boxes which are cheap plastic boxes no matter what color or rating stamped on them, like the bad cheap all-in-one stereo sets with bling bling.

      --
      world was created 5 seconds before this post as it is.
    12. Re:Sound Cards, the SB-Live-Audigy upgrade train. by Bishop · · Score: 1

      I suspect they would sound even better with less hiss if I got an Audigy

      That is the sad part. You would not near less hiss with a better sound card. Your current sound card is already better then your speakers. Ask anyone who knows audio. If you are going to spend money you should spend it one the speakers first.

      I have a 2 decent bookshelf speakers (jbl) and 2 cheap mini speakers (jvc) driven by a pathetic 60w amp connected to an sb live!value. I don't hear any hiss. The hiss you hear is from the extra cheap electronics used in the amplifiers. With "only" 60w I can still crank the volume past the unconfortable range.

      THX certification on computer speakers is a joke. "500w" speaker systems that only draw enough current for 35watts is a bigger joke.

      I picked picked up my gear from yard sales on the cheap. If yard sales aren't an option start searching google for "speaker kit." Many are decent quality and don't require much more then a bit of glue to assemble. The amp is going to be the hardest part to get on the cheap. Look for clearout sales at BestCry and the like. Last year's Sony with 4x55w will be more then loud enough.

    13. Re:Sound Cards, the SB-Live-Audigy upgrade train. by DaveCBio · · Score: 1

      Believe me, we know AND we care. www.audiogang.org

    14. Re:Sound Cards, the SB-Live-Audigy upgrade train. by sowellfan · · Score: 1

      I'm not sure if this was exclusive to the Audigy, but the way Creative Playcenter works is nearly indispensible (sp?) for what my wife was doing. She's studying for the bar exam, and she has 48 audio tapes worth of study material that she wanted to take notes on. I piped them all to mp3 (not sure if that's against the rules, but I'm not distributing them, and my wife's neck problems make it hard for her to reach over to the tape player constantly), then with the Playcenter, she can play at 50% speed, with proper tone. And it also has a function where you can just hop forward or backward in 10-second increments, which is very handy for what she's doing. Microsofts media player will do the slow playback, but you can't do the 10 second jumps. I'm sure I could've found something to do this in Linux, but my wife isn't ready for that yet.

      OTOH, my mobo is based on the KT266A chipset, and I've already had to do a complete WinXP reinstall mostly because of conflicts between the Audigy and the mobo. Even now, the soundcard isn't recogized 15-20% of the time when I power the computer up. So it seems that Via chipsets and Creative soundcards don't get along. Will this be fixed with the Audigy 2?

  15. Mac support by ruiner13 · · Score: 1

    I had read somewhere (perhaps thinksecret.com) that mac os x 10.2.4 would have audigy 2 drivers built in. Can anyone verify this?

    --

    today is spelling optional day.

    1. Re:Mac support by The+Lynxpro · · Score: 0, Offtopic

      hopefully this will resolve whatever software problem preventing Apple from shipping a two-button mouse with their machines... :)

      --
      "Right now, somewhere in this world, Scott Baio is plowing a woman he doesn't love," - Peter Griffin, *Family Guy*
    2. Re:Mac support by Master+Bait · · Score: 1
      I guess that would be OK, but I'm salivating over the Midiman Revolution 7.1. Seems to have 7.1 channels 24/192 audio out, 24/96 audio in, 107db signal to noise ratio. OSX drivers and sort-of alsa drivers. $119 list or $99 at newegg. And since Midiman has been good to open source efforts and Creative has been bad, I'd rather get the Midiman.

      --
      "Only in their dreams can men truly be free 'twas always thus, and always thus will be."
      --Tom Schulman
  16. I hope by fredrikj · · Score: 2, Informative

    I hope that their drivers are better this time around than with the first Audigy. Or at least, that their tech support has gotten better.

    Can you believe it, when I asked them for a fix to a bug that prevented me from loading soundfont files with my brand new Audigy, the answer was that there "was no such bug"?

    It took weeks before I accidentally stumbled upon a solution in a forum somewhere.

  17. I love the Audigy Ex by tmark · · Score: 4, Interesting

    I bought the Audigy Ex (the first one) a few months ago. The Audigy 2 had just come out, but besides the fact that I got a great deal on mine, the external version had still not been released.

    I didn't really care about the sound features that much, so I don't know it stacks up in that department, but what I was really interested in was being able to move all my cables from the back of my PC to my desktop. It drove me absolutely batty having to adjust the headphone volume by either reaching around to the back of the PC, or by running the mixer app. And it drove me crazy having to crawl under my desk to plug/unplug my headphones. Now I can plug in and adjust the volume with barely a reach.

    I do wish that there was a master volume control on the panel, though, and I also wish that the damn cables attaching the external panel to the back of the PC wasn't so rigid - makes it really hard to position things. I understand that the Audigy 2 fixes at least the latter problem; I can't tell about the former because there doesn't seem to be specs on the Audigy2 Ex on the creative website.

    The final wish on my list would be for them to have put a USB hub in the unit...oh well...

    1. Re:I love the Audigy Ex by warnerve · · Score: 1

      Crawling under your desk to plug in headphones is indeed batty. Should have went to Radio Shack. For about ten bucks, you can buy a small switch that sticks onto the side of your desk. Just plug both headphones and speakers into it and push a button to flip back and forth.

    2. Re:I love the Audigy Ex by mobets · · Score: 1

      I picked up a MS Gamer voice a while back for real cheap a while back when a store stoped carrying it. I figured at the verry least I would get a good head set (hard to beat a plantronics). As it turns out, I don't plug the device into my USB, but I do use it for a headphone switch and mic mute.

      --

      It was me, I did it, I moved your cheese
  18. I hate to be a troll... by YahoKa · · Score: 1, Flamebait
    but Creative sucks.

    I regret every buying creative soundcards ... they leave you stranded in terms of drivers and support.

    Slashdot shouldn't be giving creative free advertising on the front page

    1. Re:I hate to be a troll... by Anonymous Coward · · Score: 0

      who said its free?

  19. Works in linux by bigskinnee · · Score: 2, Informative

    Works for me. I have this card in my box running Debian (sid) and it works fine with the CVS version of the http://sourceforge.net/projects/emu10k1 driver.

    Granted I dont use midi digital out or any of the fancy stuff right now but the I get sound from the line out and the headphones (from the live drive) and the fire wire port on the live drive works as well.

    1. Re:Works in linux by cultobill · · Score: 1

      Big fuckin' whoop. You've turned your nice expensive sound card into a 2 channel card. No rear channel, no midi, no digital, nothing. The sound on your motherboard would do the same thing.

      You're using the line out and the firewire port. That was sure worth the $100+ for the card, right?

      --
      -- Bill "Houdini" Weiss
    2. Re:Works in linux by Glytch · · Score: 1

      Congratulations! You seem to not only proved yourself to be illiterate (the previous poster said "right now"), but a first-class asshole as well! Well done!

  20. Hacked BIOS? by Anonymous Coward · · Score: 1, Interesting

    Anyone hacking the bios of any of these multichannel sound cards to remove these kind of restrictions?
    Most of the functionality is in a .dll, as I found out on the video card/macrovision bullshit; properly written software ignores the video bs; now how about the audio?

  21. Progress by Giant+Ape+Skeleton · · Score: 1
    It's heartening to see that Creative has taken some steps to remedy their past sins;
    the Soundblaster series has always been just shy of being worthy of serious attention
    from those who need their PCs to do more than play games.

    The Audigy, while still not the Holy Grail (affordable, production-quality soundcard),
    is head and shoulders above previous offerings.

    --
    The difference between stupidity and genius is that genius has its limits.
    1. Re:Progress by Anonymous Coward · · Score: 2, Funny

      You've obviously never used my favorite sound reproduction system.

      I call it PC Speaker.

      Get down with the boops and the beeps, yeah!!

    2. Re:Progress by zenst · · Score: 2, Interesting

      Whilst its not just there yet on the studio production level with its internal DAC's would it not be most effective as such with its digital out and a comercial DAC! Lets face it if your realy realy serious about recordings then you would do everything digitaly and then when you need that lovely analogue sound then just use the digital output's that have been around since day 1 of the live series and an external DAC. Most hifi shops sell such audiophile components and combined with a nice soundcard and latest PC power. Then it still boils down to the ability of the user to work within the interface bounds they are given. Soundblaster cards have always had there quirks but like the microsoft operating system there fairly common/standard and they are known quirks and workarounds. All this screaming for the perfect dB rating of the outputs and frequency range tetc etc its pointless when you can work totaly digitaly even down to burning onto CD and digitaly outputing the signal to an external DAC. Anybody who has botherd to have speakers worthy of such a quality output will think nothing if not already have an external DAC for the CD player, with its advantage that it cuts down on interferance from the rest of the CD player/components. What I'd like to see is an external firwire connected soundcard that is mainly software based with external DAC for output and the money spent there. Todays PC's are more than capable of doing alot of the work instead of an onboard DSP and a fast connection to an external breakout box with audio in/out and digital in/out etc would be all that is effectivly required from a user. the main cost of such a device would be in software and the hardware costs would be very comparable to todays kit even with a top end DAC included. Still I suspect that most people just play games and use headphones and play mp3's so the quality aspect whilst a plus is not exactly on there priority given there speaker/amp situation and the source of the materal there playing. Everybody I know that does anything else with there soundcard use a soundblaster or some top end unheard of brand and are more than happy. Remeber its a home PC soundcard not RADIO FM's main broadcast headend, though I suspect that it would be more than capable of the job without the external DAC without going to the expense of a £1000+ specilist card like a digigram.

  22. Audio cards by mfh · · Score: 5, Informative

    Mackie, Alesis, M-audio, Roland, and MOTU (among others) also make professional audio interface equipment for recording and monitoring/listening.

    There are a couple of Creative-licensed OEM products (Some of the Alesis stuff looks awfully familiar...) but most of these companies provide far better hardware and software for "real" sound applications. A nice audio interface w/ a pair of active studio monitors will sound worlds better than some cheap consumer surround sound system. The prices are pretty much comparable with Creative's "good" stuff.

    --
    The dangers of knowledge trigger emotional distress in human beings.
    1. Re:Audio cards by teamhasnoi · · Score: 3, Interesting
      I must add Aardvark to your list; I own the q10, and it is swell! Built better than Protools (digi001) stuff, and sounds great.

      The Mbox from Digidesign is pretty nice too, altho Win/mac only. All do 24/96 without breaking a sweat.

    2. Re:Audio cards by afidel · · Score: 3, Informative

      Consider that the Korg Tritan, possibly the best workstation ever, is based on the EMU 10K chip which is the heart of the Audigy I don't think that CL makes substandard equipment. I love the fact that my $40 Audigy OEM has ASIO drivers that allow me to get latency that is lower than many of the professional cards in apps like Cubase and Reason. Plus monitors suck compared to a good pair of refrence headphones, I personally use super-aureal Senheisers, cost me only $70 and sound better than any pair of speakers I have heard other than $10K super audiophile stuff.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    3. Re:Audio cards by mfh · · Score: 1

      Headphones may be good for live monitoring and mixdown, or critical listening, but I can't really sit in front of a computer day in day out with a pair of cans on my head, and be teathered to my amp.

      I only use headphones for live monitoring when I'm practicing drums or guitar. I can't stand not being able to hear anything that goes on around me when the volume is up :(

      Oh yeah I also use the headphones at night when my neighbors are sleeping :)

      --
      The dangers of knowledge trigger emotional distress in human beings.
    4. Re:Audio cards by Anonymous Coward · · Score: 1, Interesting

      The dsp chip affects the CPU usage of the card and the DSP effects the card can produce, but has no effect whatsoever on sound quality.

      For sound quality, the DA/AD converters, output/input opamps, power supply regulation, and other analog components are the only parts that matter.

      And what 10K speakers have you heard? I own the sennheiser HD-600 ($300) and while they do beat good speakers in that price range, there's no way they are comparable to $10000 speakers. I'm guessing that you own the 495's or 497's which are comparable to a good $400 bookshelf monitor speakers, nothing more.

    5. Re:Audio cards by utahjazz · · Score: 1

      I must add Aardvark [aardvarkaudio.com] to your list; I own the q10, and it is swell! Built better than Protools (digi001) stuff, and sounds great.

      The Mbox from Digidesign [digidesign.com] is pretty nice too, altho Win/mac only.


      I'm curious, what OS are you using the q10 on. Linux? I'm looking into doing multi-track HD recording and I'd like to be able to do it on a Linux box.

      Do you know if this card work with BC2000/Cinelerra?

    6. Re:Audio cards by utahjazz · · Score: 1

      Mackie [mackie.com], Alesis [alesis.com], M-audio [m-audio.com], Roland [roland.com], and MOTU [motu.com] (among others) also make professional audio interface equipment for recording and monitoring/listening.

      Cross referencing your list with the ALSA Sound Card matrix, I can only find Roland as having Linux capable cards.

      Can you by any chance recommend a card that will work with Linux?

    7. Re:Audio cards by teamhasnoi · · Score: 1
      Sorry, I wasn't very clear. The Q10 only works with 95? 98/2000 and XP, Mac os 9 (Beta), soon OS X. I'm sure the q10 etc. software and drivers could be ported to linux, as they were working on Beos drivers a couple of years ago.

      I plan on begging for the Beos source, so the q10 can be supported by the Beos community.

      It couldn't hurt to ask, as they have consistently given me beta drivers when requested.

      They are quick to respond to emails, but like to have their software fleshed out before general release. (Read: good updates, but sometimes lengthy periods between updates..)

    8. Re:Audio cards by frankmu · · Score: 1

      m-audio is also known as midiman. i have a delta 410 running on my debian box.. no problem

      --
      Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.
    9. Re:Audio cards by 13Echo · · Score: 1

      Not so. The M-Audio cards with the ENVY24HT work fine with ALSA, as do their older chips. Look for it in the "Midiman" section, which is their old name.

      The Revolution, in my opinion, will be *the multiplatform* audio chip in the coming months. The sound quality tops all of the consumer level audio options. Technically, it is very much like the professional cards, but misses the breakout cables. Other than that, it's built on the same hardware.

      Unlike the SB Audigy2, the Revolution is a real 24-bit/192kHz, 24-bit/96kHz recording card.

  23. ctfmon.exe?? by Malc · · Score: 4, Informative

    Have they fixed their drivers so that they no longer have a file called ctfmon.exe? My SBLive! Value drivers have this and it clashes with something by the same name from Office XP. It causes me no end of grief. Creative Labs will never issue new drivers for my card to fix. Just one of a long line of complaints I have about their poor quality software, and shitty support like with the DXR3. Stick with whatever drivers comes with your OS, or use a product from another company.

    1. Re:ctfmon.exe?? by Anonymous Coward · · Score: 0

      ctfmon.exe is part of Windows XP (input text services or something like that), nothing related to Creative.

      More info in support.microsoft.com.

    2. Re:ctfmon.exe?? by Malc · · Score: 1

      I *know* that. I even followed MSFT's steps to disable it so that it wouldn't clash with the Creative Labs file of the same name. Something happened when I installed VS.NET and the MSFT dependency is back, and they clash. It's a pain in the arse.

      http://groups.google.com/groups?hl=en&lr=&ie=UTF-8 &oe=utf-8&threadm=cjwJ7.151703%24B72.39605737%40ne ws1.rdc1.az.home.com&rnum=2&prev=/groups%3Fnum%3D1 00%26hl%3Den%26lr%3D%26ie%3DUTF-8%26oe%3Dutf-8%26q %3Dcreative%2Blabs%2Bctfmon.exe%26sa%3DN%26tab%3Dw g

    3. Re:ctfmon.exe?? by The+Lynxpro · · Score: 1

      perhaps its time to try out OpenOffice... :) Good luck to you...

      --
      "Right now, somewhere in this world, Scott Baio is plowing a woman he doesn't love," - Peter Griffin, *Family Guy*
    4. Re:ctfmon.exe?? by poot_rootbeer · · Score: 1


      Why is it Creative's responsibility to update their drivers? The SBLive Value came out years before Office XP, Microsoft should have been aware of the conflict and named THEIR file differently.

      Or better yet, Microsoft could develop a method of placing system files on disk that doesn't encourage filename collision problems in \windows\system32!

  24. Not so hot by Anonymous Coward · · Score: 5, Informative

    There is talk on the web that the Audigy 2 has a hole in its bass response. Sorry I'm too lazy to hunt down a link.

    Interested parties, especially home-theater people, should look at stuff based on the VIA EnvyHT chip which does 7.1 and typically has better SNR and lower THD than the Audigy 2, and in some benchmarks has shown to be less cpu intensive for gaming (i.e. higher frame rates with the EnvyHT cards) than the Audigy 2, although it ostensibly does not have as much hardware acceleration for 3D positional audio.

    One such card, with *EXCELLENT* bass management is the M-Audio Revolution. See the card at one reseller.

    1. Re:Not so hot by einer · · Score: 1

      Does this only work with NT+ kernels? Doesn't do DVD audio either. Of course if that's what Creative is adding $100 to the pricetag for, they can keep it. :)

  25. Excellent, but buy the budget card. by bushboy · · Score: 2, Interesting

    I got the Audigy1 with all the bells and whistles, aiming to venture into the world of electronic music, sound capture, Dolby surround EAX gaming sounds etc.

    All I ever did was the games.

    It's really nice, but overkill - buy the budget version unless you intend to use the card to it's full potential.

    If you have an Audigy already, there's little reason to upgrade.

    --
    A slashdotting - you get the stick first and then the carrot !
    1. Re:Excellent, but buy the budget card. by Tycho · · Score: 1

      Funny thing is on FutureMark's 3DMark03 benchmark, is that my computer which has an Athlon 1600+ and a Turtle Beach Santa Cruz card, scored consistantly higher in the sound tests against other computers with an Athlon 1600+ and a SB Audigy 1. The kind of graphics card did not matter, I have a Radeon 8500LE. Also I was able to do all three sound tests and none of the Audigy 1 cards could do the last test, which involves 60 sounds.

      --
      Impersonating Tycho from Penny Arcade since before there was a PA.
  26. Still not there. by teamhasnoi · · Score: 3, Interesting

    The problem with the original Audigy was its misleading claim of 24 bit recording and playback. It *seems* that the abillity is now there, but hard to get. Defaults sound like upsampling is still being used. Of course, I like the sound quality of talking out of my ass...

  27. Reasons I hate Creative... by Anonymous Coward · · Score: 0, Informative

    Every year or two, they release a new card, and claim it's the last card you'll ever need to buy because it's software upgradeable. Then, they try to charge for drivers for cards they market as upgradeable. Finally, the fact is, many of their drivers really suck and have huge flaws and compatibility issues.

  28. Re:YOU FAIL IT! by goosman · · Score: 0

    Yet I notice that YOU did not get it either. Ergo, you are also a FAILURE.

    Go directly to /dev/null, do not collect root.

  29. 2496? by dmnic · · Score: 2, Interesting

    until it can do TRUE 24bit 96kHz operation(input/output) it will never be nothing more than gaming card.

    dont know about this iteration of Audigy, but the Live Platinum, Audigy and Extigy would automaticlly resample whatever signal was thrown at it to 16/44.1, evenif the original signal was allready 16/44.1.
    needless to say, this resulted in non Bit-perfect digital transfers(from DAT, CD, etc to HardDisc and vice-versa).

    I'll stick with my M-Audio Audiophile 2496 for $130 thank you very much

    1. Re:2496? by Quikah · · Score: 1

      isn't 16/48? I seem to remember all this uproar about the Live having to resample CDs.

      --
      Q.
    2. Re:2496? by dmnic · · Score: 2, Informative

      16/48...not sure I understand this question.

      yes, the Live(and Audigy and Extigy) resampled EVERYTHING, no matter what bit-rate/resolution the signal was in.
      if you ripped a cd digitally, it was allready at 16/44.1 the Live(etc...) would take that 16/44.1 signal and resample it to 16/44.1(why is beyond me).

      if your source file was 16/48 or 24/48 or 24/96 or anything other than 16/44.1 the Live(et all) would downsample to 16/44.1 without using a proper Dither. needless to say, the resulting sound was very inferior in quality compared to the source

    3. Re:2496? by Quikah · · Score: 1

      The live resamples everything to 48 I believe. That is why I made the original comment

      --
      Q.
    4. Re:2496? by cafeman · · Score: 1

      Quikah is right. It resampled everything to 16/48, not 16/44.1. Recording with low latency was only possible if you recorded at 16/48. Anything else would go (Analog Signal) -> 16/48 -> 16/44.1. Sucks if you're trying to record for CD.

      --
      This is your life, and it's ending one minute at a time.
    5. Re:2496? by dmnic · · Score: 1

      there was no GOOD reason to resample in the first place. not only does it add noise, it reduces the quality of the original source.

      (this is why the GOOD A/D/A converters cost THOUSANDS of $$$)

      sorry, but this is BAD BAD BAD.

    6. Re:2496? by cafeman · · Score: 1

      Exactly :)

      --
      This is your life, and it's ending one minute at a time.
  30. What a great job by nizo · · Score: 1

    I wonder how much the person gets paid who comes up with funky product names like "Audigy"? What exactly is it, Audio+Prodigy=Audigy??

    1. Re:What a great job by Chemical · · Score: 2, Funny
      There was a story on Slashdot about "naming consultants" many many moons ago. They are the people who came up with all those dot-com era company names like "Agilent", "Accenture", and all those other stupid names by basically scouring the dictionary and inventing a new word out of two existing ones. And I think the fee was something like $50k per name.

      I'm sure most of the people who went into that line of work are now living under a freeway overpass in a cardboard box.

  31. Still happy with the Live! Value by wayward_son · · Score: 3, Insightful

    I still like my old SB Live! Value. Good clear sound. Does well with games and mp3's. Of course, I'm not exactly an audiophile either.

    For most (90%) of people, a good set of speakers is a much wiser investment in sound quality than a good sound card. On a cheap set of speakers, an SB Audigy, SB Live!, the AC97 that came with your mobo, and even a 10 year old SB16 don't sound terribly different. Only good speakers can truly take advantage of a good sound card.

    1. Re:Still happy with the Live! Value by SkankhodBeeblebrox · · Score: 1

      I was happy with my Live! Value as well (4 years old) but I bought a set of 5.1 speakers and didn't have 5 channel support with the Value... Of course I could have bought a Live 5.1 for 1/4 of the money I paid for the Audigy 2, but I have a friend who had a live and got the original Audigy and said he found the audio much clearer...

      Anyway, the Audigy2 works and sounds great with my Klipsch Promedia 5.1 system... I just wish the Klipsch had digital/optical in...

    2. Re:Still happy with the Live! Value by checkyoulater · · Score: 3, Funny

      For most (90%) of people, a good set of speakers is a much wiser investment in sound quality than a good sound card. On a cheap set of speakers,

      Don't waste your money on a new set of speakers. You get more mileage from a cheap pair of sneakers.

      Sorry, couldn't resist. I love that song.

      --
      Is that a real poncho? I mean, is that a Mexican poncho or is that a Sears poncho?
  32. Er, the Audigy 2 has been out for almost 6 months by SmirkingRevenge · · Score: 5, Informative

    Tom's Hardware Review I own one and the problem I have with it is its ASIO access (for low latency with midi devices) isn't very fast, which makes it worthless as a synth.

  33. 20th post! by famebait · · Score: 0, Offtopic

    If that was interesting 'news', then so is this!

    --
    sudo ergo sum
  34. It's about bandwidth, too. by Anonymous Coward · · Score: 2, Informative

    DVD-audio requires more bandwidth than can be handled by a digital coax / optical output. This is the same as on standalone DVD-audio players - they just have 6 analog outputs. Firewire is supposed to fix this...

  35. "Digital Out Always Active" - Wrong!!! by Anonymous Coward · · Score: 1, Informative

    Early in the review, it states that the digital out is always active except when playing DRM. This is at least imprecise if not just plain wrong.

    I got an Audigy 2 very recently, and I love it. However, when I tried to pair it w/ the new Klipsch ProMedia Digital system (w/ built in Dolby Digital decoder), it didn't work well at all. There are two problems w/ this combo: On the Audigy 2 side, it only outputs stereo over the digital port unless there's a DD signal. So you can't even run the Audigy tests if you're only connected to the digital out, as you get no sound for rear left/right or center channels. In my opinion, the Audigy 2 should always send the exact same digital signal out as it's sending over its analog out jacks (leaving the DRM arguments to others).

    On the Klipsch side, it only has front stereo analog input jacks - you can't do the required 3 stereo analog hookups. So for the vast majority of Audigy 2 out scenarios (unless all you do is play DVDs), you can't take advantage of the features of the Audigy 2.

    Since Creative cards have apparently behaved this way for a while, I think Klipsch really screwed up here. I sent the Klipsch back and got the Logitech Z-680s, which also are THX certified, have a wireless remote, etc. This setup sounds terrific!!!

    FWIW...

    1. Re:"Digital Out Always Active" - Wrong!!! by linuxlover · · Score: 1

      good point!

      after looking at Audigy 2 at local Frys, I bought a Hercules Digifire 7.1 mainly b/c it has an optical out & cheap!

      Linux (Mandrake 9.0 / kernel 2.4.19 if you must know) uses cs46xx.o as the driver. But when I hook up the optical to my home theatre system, there is no sound! Any ideas on this?
      - is the optical out is 'always on' ?
      - or the driver doesn't turn it on.

      Couldn't find anything on Google.

      thanks ./LL

    2. Re:"Digital Out Always Active" - Wrong!!! by 13Echo · · Score: 1

      The default kernel OSS driver doesn't have SPDIF out. Try ALSA or the OSS commerical. I have the OSS commercial drivers from 4-Front, and these features work, as do the rear speaker sets on my Santa Cruz (CS4630 based).

      If you are interested in the drivers from www.opensound.com, I'd specifically ask the guys at 4-Front which features that they support.

      But you will not get optical output from the kernel OSS drivers.

  36. Great card, but the Software's Annoying... by seigniory · · Score: 5, Informative

    I bought one of these when they first came out - without a doubt there's no better card out there for the money. However, Creative's still got e VERY annoying software set that may or may not really piss you off... consider:

    1. The software on the Creative website (soundblaster.com) are only updates. You CANNOT download full applications or drivers (that only work if you have the card, mind you). So if you lose your original install CD, you're hosed unless you poly up the $25 they want for a new CD

    2. The software that gets installed (the mixer, EAX control panels, speaker calibrators, etc.) is a) a HUGE memory hog (we're taling > 92MB on XP Pro with all the bells & whistles loaded) and b) slow, because they chose not to use the standard Windows toolbox to build it. All kinds of unnecessary stuff is in there - transparent drop downs (like OS X), etc...

    3. If you install the full software suite - it's ALWAYS there... at one point or another, every 10 minutes you'll be reminded of the fact that you have a CREATIVE card in your rig... and that stupid splash screen at every startup / login is one of the most annoying things... if you can find out how to shut it off the first time in less than 15 minutes of searching, I'll give you a cookie. Chocolate chip, even.

    As always, this is My $0.02, so YMMV. Me? I get around this by installing the drivers only and the individual apps as necessary (which is rare since most of their offerings have better share/freeware counterparts).

    1. Re:Great card, but the Software's Annoying... by Anonymous Coward · · Score: 2, Informative

      Run msconfig, look in your startup list. There is the creative taskbar that I disable as well as the splash screen. Leave the CSTray.exe as this allows easy access to the settings of the card. Reboot.

      No more splash screen or taskbar. Makes using the Audigy a lot nicer.

      Philip

    2. Re:Great card, but the Software's Annoying... by sllim · · Score: 2, Insightful

      I have an SBLive Platinum.
      I just allow XP to load up whatever drivers it wants and I don't screw with it past that.

      By doing that I have no annoying Creative splash screens or anything else bothering me.

      Any reason you can't just slap the Audigy in and allow XP to handle the drivers?

    3. Re:Great card, but the Software's Annoying... by Cruciform · · Score: 2, Informative

      There is a way to do a full install using the update versions of the driver.

      You can find it here.

      I managed to do it another way as well, but can't remember offhand. My disk was missing from my collection of driver disks when I got the OEM card, but the dealer had extras kicking around. It doesn't hurt to ask for them :)

      And as the parent says, full install SUCKS! Go with only what you need.

    4. Re:Great card, but the Software's Annoying... by ledgeerama · · Score: 2, Informative

      Or you can avoid Creative's drivers by installing the kx drivers available here.

      Those these drivers are aimed more at musicians than gamers.

    5. Re:Great card, but the Software's Annoying... by 0x0d0a · · Score: 2, Interesting

      The software on the Creative website (soundblaster.com) are only updates. You CANNOT download full applications or drivers (that only work if you have the card, mind you). So if you lose your original install CD, you're hosed unless you poly up the $25 they want for a new CD

      I don't believe people are making clones, so I can't figure out why they'd have any justification to do this. I mean, so someone downloads the damn driver. Do they really think that that person *doesn't* have the card? Or is it just that their installer is so bloated that they don't want to pay for the bandwidth.

      2. The software that gets installed (the mixer, EAX control panels, speaker calibrators, etc.) is a) a HUGE memory hog (we're taling > 92MB on XP Pro with all the bells & whistles loaded) and b) slow, because they chose not to use the standard Windows toolbox to build it. All kinds of unnecessary stuff is in there - transparent drop downs (like OS X), etc...

      I've always wondered about this. There seems to be this big trend in "utility" software to hacked-up bitmapped interfaces. Why, why do companies do this? It looks tremendously unprofessional, it's a pain to use (Well, this menu works sort of like in Windows, and on this one you can't read the text well...).

      There's also a move towards huge installers. For chrissake, it's a drive. All people want is for the damn thing to work. Creative feels like it hired a ton of programmers, and couldn't find anything for them to do except write low-quality pack-in software. People want the 200KB driver. A control panel? Maybe another 200KB on top of it, if a logo is included, etc, etc. There shouldn't be any reason for anything else.

      Creative does this. The Razor Boomslang guys do this. Matrox doesn't do the bitmapped thing, but does pack loads of extra crap in with their drivers.

    6. Re:Great card, but the Software's Annoying... by Cruciform · · Score: 1

      cool :) I'd mod you up but since I already posted here I can't. +Informative this one :)

    7. Re:Great card, but the Software's Annoying... by drinkypoo · · Score: 1
      The software on the Creative website (soundblaster.com) are only updates

      Now, I can kind of dimly remember a time when you could download actual drivers from creative, even the DVD player. Am I hallucinating that? Anyway now you can't download shit and they'll sell you the drivers for $25. That's what really makes me feel like not buying more of their products. The resampling in the sb live is a minor annoyance by comparison :P

      Incidentally, I have an SB Live! Gold, the forgotten sblive. It's got coax spdif on a back panel plate. Gold plated, 'natch. Now all I need is one of those passive backplane systems with a really low-noise power supply...

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    8. Re:Great card, but the Software's Annoying... by seigniory · · Score: 1

      XP itself doesn't have the Audigy 2 drivers. Windows update does, but I've learned my lesson about grabbing drivers from that particular "source".

    9. Re:Great card, but the Software's Annoying... by Natchswing · · Score: 1

      The removal of the splash screen is a checkbox option. But, short of something that drastic, rename the directory called "Splash Screen".

  37. why no OS X or Linux drivers? by The+Lynxpro · · Score: 2, Insightful

    I really do not understand the logic of Creative Labs. Why can't they offer up-to-date driver support for these other operating systems? Sure, they (Creative) are one of the featured Microsoft partners on *the Beast's* video ipod, but Nvidia makes the majority of the chips in the Xbox yet their relationship with MS doesn't hamper their ability to offer drivers for Linux, OS X, BSD, etc. Maybe they are just lazy. For all the talk about Linux adoption in Asia, Creative Labs sure is missing the boat, and they are a Singapore based company to boot! Maybe their CEO needs to be cained.

    --
    "Right now, somewhere in this world, Scott Baio is plowing a woman he doesn't love," - Peter Griffin, *Family Guy*
    1. Re:why no OS X or Linux drivers? by BrookHarty · · Score: 1

      Because Creative Labs is number 1, they are the standard on which all sound cards are based. Hell all gaming companies just make sure they support CL, and screw the rest.

      For the longest time it was, Intel/Nvidia/CLabs for all your hardware. If you wanted to make sure your game had all the bells and whistles you had to use name brand hardware.

      Remember when EAX came out? How about EAX2, MMX, SSE? SSE2.. Everyone tried to lock you into thier hardware.

      But if your not gaming, and just using linux, go get a yamaha pci card that has full support and only costs 9 bux.

    2. Re:why no OS X or Linux drivers? by TropicalHotDogNight · · Score: 1

      SuSE Linux 8.0 has Audigy drivers included. It also supports professional cards by Terratec. $40 + shipping for an OS + applications (3 CDs worth) + 2 PRINTED on PAPER manuals (over 300 pages total). Of course SuSE 8.1 is out now, & 8.2 is out in April.

      OS X: the M-Audio Revolution 7.1 card for $100. They have a pretty good comparison chart at www.m-audio.com including the Audigy1 & 2, Hercules, & 3 Terratec cards. It has 107 dB S/N ratio--cleaner than anything made by Creative, & works on both Windows and Mac. Since Creative refuses to accomodate Mac & Linux, I decided to just boycot them for now--their loss.
      You're right, Creative is lame and overrated. As others stated, the monstrous software bundle is a huge burden and intrusively takes over file associations. A lot of suits should be cained. For the price of the Audigy 2 a CD of Linux drivers should be included, but that would cost them 33 cents, almost as much as a postage stamp. They do seem to be in bed with Micro$haft.

      --
      The government has a defect: it's potentially democratic. Corporations have no defect: they're pure tyrannies. -MIT Ling
  38. Latency? by Anonymous Coward · · Score: 0

    *From the website*

    24-BIT/ 96 kHz RECORDING
    The purest commercially available recording path captures the quality and subtle details of your audio creations
    Sound Blaster Audigy 2 lets you make rich 24-bit recordings to your PC with an unprecedented 24-bit/96kHz recording capability, while ASIO support allows compatible music creation software to link directly to ASIO compliant hardware, allowing multi-channel recording simultaneously at 16-bit/48khz at ultra low latency of =2ms.

    Can anyone verify that the latency is indeed =2ms? I'm not too involved with digital audio recording, but I have friends who do it. I remember them saying that the only real cards that have =2ms are the expensive ones like RMA etc. I highly doubt that a $99 card could do what a $1000 card does.

    Good job on the firewire though :)

    1. Re:Latency? by dmnic · · Score: 1

      what about
      " The Audigy 2 & Audigy 2 Platinum models that are currently available support ASIO 2 Direct Monitoring. These Audigy products do not support ASIO 2 Word Clock that is necessary for 24/96 recording. This level of support requires a different level of hardware that will be available when the Audigy 2 Platinum EX makes it's debut."

      this was quoted from the bottom of the page Slashdot linked to.

      as for your queston about latency, it is certainly possible for a $99 card to have 2ms latency, ONLY if its direct hardware montioring

  39. Isn't this a couple of months late? by teg · · Score: 3, Informative

    It's a great card, but I've had it for months already - and it wasn't just released when I bought it either.

    A couple of linux notes:

    * support was added in early January in the opensource driver
    * the newest beta of Red Hat Linux supports the card out of the box.

  40. I bought a Platinum - Here's my quick review by aflat362 · · Score: 0

    I paid 200 bucks for an Audigy 2 Platinum. The Creative software that comes with it crashes my computer (XP Pro - P4 2.4, 512 DDR). Therefore rendering the remote control useless. The other software that comes with it not made by Creative is great, especially Cubasis VST 4.0 for home recording. SOF deuce is a fun game. When I make home recordings (acoustic guitar from a microphone) for some reason there will be an occasional pop sound. Otherwise the sound is just beautiful. It is great having the Front panel drive that came with the Platinum. I/O Ports Galore! and it is sweet having the volume knob for the headphones and mic input right on the computer. I think it sucks that if you want a black faceplate for the drive you have to buy it separately for 20 bucks. You should get the option to buy a black one for the same price as a beige panel one. All in all I give it a 6/10 because of the software problems I had and the occasional pop sound in recording.

    --

    Conserve Oil, Recycle, Boycott Walmart

    1. Re:I bought a Platinum - Here's my quick review by Anonymous Coward · · Score: 0

      $200? So basically you wasted your money.

    2. Re:I bought a Platinum - Here's my quick review by aflat362 · · Score: 0
      I wouldn't consider it a total waste. I really like the software package (non-Creative software) that came with it. and I like the front side ports.

      Not like I never wasted money before though. Thats the price you pay for buying cutting edge products and I assume that risk knowingly.

      --

      Conserve Oil, Recycle, Boycott Walmart

  41. DVD-Audio by Mooset · · Score: 5, Informative

    It seems this needs to be cleared up for the ignorant reactionaries in the audience...

    The DVD-Audio protection does NOT cripple the Audigy 2 when compared to other sound cards because the Audigy 2 is the only card that supports DVD-Audio at all! DVD-Audio is not the same thing as audio channels on DVD playback which DO work through the Audigy 2's digital outputs.

    The only time digital output is disabled is when DVD-Audio discs are played, but DVD-Audio is such a niche format right now that it isn't likely to seriously affect anyone.

    1. Re:DVD-Audio by Anonymous Coward · · Score: 0

      DVD-Audio is such a niche format right now that it isn't likely to seriously affect anyone.

      It affects me. I bought a DVD-Audio disc to play on my Creative system -- not to decode the DTS data stream, because I have a home theater system that already does that. I just wanted to use my Creative DVD drive to read the data off the disc and pipe it to the SPDIF out.

      No dice.

  42. sound for the borg by rigelstar · · Score: 1

    All you need is an imbedded chip in the brain that encodes a wireless digital audio signal.

    1. Re:sound for the borg by Anonymous Coward · · Score: 0

      You got that right. Even young children with superior hearing can only get like 20Hz-20kHz. What we need are direct digital optical audio inputs installed in our heads, instead of this shoddy analog stereo reception equipment that we got pre-installed at the factory. If only someone would sell an upgrade like that, they'd make millions!

  43. Alternatives? by shr3k · · Score: 1

    Has anyone had any success using non-SB sound cards in Linux? Specifically, are there any alternatives better than SB in quality and features?

    Of course, if they're aren't any, then that must be why SB is got a nice chunk of the market.

    1. Re:Alternatives? by barryfandango · · Score: 1

      I've got an M-Audio Audiophile 2496 running under Mandrake 9. It took a little tweaking but now works well. It's missing many of the bells and whistles present on the Audigy, but in return you get high-quality* DA and AD converters, MIDI in/out, and SPDIF in/out. Simple, very low noise, records and plays back at 24-bit 96Khz. I use it for music production but for things like gaming you might like the EAX effects and other perks on the SB.

      * - you can pay $1000 just for an AD/DA converter, so "high quality" is relative, but it definitely beats out the SB.

      --
      In all matters of opinion, our adversaries are insane. -Oscar Wilde
    2. Re:Alternatives? by 13Echo · · Score: 1

      Yeah. Almost all PCI sound devices will work fine in Linux. The problem is that you won't get SPDIF with all chips. The big kicker is also that sound chips are like Winmodems and use software mixing in Windows. The only standard chips that use hardware real-time mixing are those from the Creative Live/Audigy line, Yamaha DSPs, and now the Envy24HT chips that are being used in professional applications and consumer cards like the M-Audio (Midiman) Revolution. If you don't have one of these, there is a good chance that you'll be fighting with slow sound mixers (artsd and esd) or buying a real-time software mixer called the Virtual Mixer PRO from 4-Front with their OSS drivers (good product though).

      My suggestion to anyone looking to buy a top notch soundcard is to get the M-Audio Revolution from newegg.com for $100. It has the best sound quality and the drivers are progressing really quickly. ALSA and 4-Front are offering fabulous drivers for these products.

  44. I have a prediction... by Anonymous Coward · · Score: 3, Interesting

    Creative's days of better-stronger-faster are numbered.

    Intel can't get away with it any more than Creative can, I believe, and it won't be long before Creative will have to start advertising real features consumers want, rather than how many speakers the card powers, or how man kHz sampling it's capable of. Noone who is not doing professional audio work NEEDS anything better than 44 kHz. Screech if you want, but who can tell the difference?

    Eventually, how high the sampling number is for a sound card is going to cease to be meaningful, if it hasn't already. As it is, I find the Soundblaster Live has TOO MANY features for my needs, which involve good stereo sound, and the ability to capture CD audio, and play it back.

    Now, seriously. Are we falling into the trap of just upgrading sound cards for the sake of doing it, because that's what people 'do' with PCs? Unless you're putting in a Dolby 5.1 system, for heavens sakes, for your computer, I just can't see the point here.

    Unless you like DRM protected audio.

    1. Re:I have a prediction... by or_smth · · Score: 1

      I'm very sorry, but this a pretty ignorant viewpoint. Why do we need better video cards? GLQuake on my GeForce 256 always looked fine. Of course, my GeForce 256 doesn't support any neato pixel shader 2.0 and Direct3D 8 (nevermind Direct3D 9), but it is fast enough right? Wrong.

      It's the same thing with sound cards. Sure, 44khz may be enough for you right now but you must realize that when DVD-A rolls around you are going to feel pretty stupid getting half the samples. The features are always being expanded for everyone. With every revision of a sound card features get added, noise gets reduced, the latest API support (new EAX, etc) gets in and the cards get faster. There are an unbelievable amount of limitations on the current level of soundcards simply becuase people like you claim there is no reason to upgrade them.

      You may like good stereo sound but nobody cares about stereo sound now. 5.1 isn't enough, 6.1 isn't enough, 7.1 is adequete and just wait until we start adding multiple subwoofers and even more speakers. Just because you don't want to buy new speakers doesn't mean the new sound cards are worthless.

      Do you know what the next major thing with sound cards is? Dolby Digital. Sure, Creative may claim that their Audigy does dolby digital but wait until you bring it home. It only outputs dolby digital (through coaxial or optical) in specialized applications (which there are nearly none of) or in DVDs. For those of us with home theater systems used on their computer this is totally unacceptable. No respectable speaker set is going to use analog 5.1, so all of creative's claims that they support up to 7.1 speakers are in vain.

      Right now there are no cards on the market (that I know of) that support Dolby Digital. The only thing that outputs all sounds in Dolby Digital right now is the Nvidia soundforce chip (which has been vastly overlooked IMHO). This is motherboard sound and it's more advanced than sound cards! It's pointless. Once we get dolby digital in our sound cards and lose one less processing step (the DAC on the sound card) then maybe we will have reached some sort of a limitation to the abilities of sound cards. Our sound cards just aren't there yet and because you don't want to use it doesn't mean that others don't.

    2. Re:I have a prediction... by ChanxOT5 · · Score: 1

      Guess what, they are putting this product specifically FOR the people who want all those features that you don't need.

      It's not like they are forcing you to purchase it - you can still buy an SB Live for about $30 US.

      But they *gasp* wanted to fill a market for people who wanted more out of their soundcard. And, as far as I am concerned, they are the only ones who have successfully marketed to this segment of the consumer market.

      So cudos to them.

      Even though I won't buy one :)

    3. Re:I have a prediction... by zootread · · Score: 1

      Intel can't get away with it any more than Creative can, I believe, and it won't be long before Creative will have to start advertising real features consumers want, rather than how many speakers the card powers, or how man kHz sampling it's capable of. Noone who is not doing professional audio work NEEDS anything better than 44 kHz.

      You've struck on a very good point. These cards are for typical consumers, not musicicians. At best, its aimed at amateur musicians. However, they advertise it as if its something a professional would use.

      Being a total amateur, I'm still doing my recordings at 16-bit/44 kHz. Of course those are just scratch recordings, but even if they weren't... Considering the target media (audio CD's) is 16-bit/44 kHz anyways, what difference does it make? I suppose SNR is important, though.

      --
      Zoot!
    4. Re:I have a prediction... by Anonymous Coward · · Score: 0

      I think x.y channel sound is worthless. Sound card developers need to get with the program and instead of adding more jacks to the back of their sound cards, come up with a standard for plugging an infinite number of speakers into a single jack. In fact, the audio world already has something like this.

      As for DVD-Audio, I think it's more likely you'd feel stupid about buying into it. Right now, DVD-Audio is about as appealing to me as releasing 7 CD games on to a single DVD, just because you can.

      In any case, I only have headphones, so I suppose the whole. I agree with you about the SoundStorm, though. I've been thinking about getting an nForce 2 as my next sound card upgrade.

    5. Re:I have a prediction... by 13Echo · · Score: 1

      Any modern card can pass Dolby Digital decoding to the DSP through a simple driver update. The big issue is paying for the license. It's expensive, and isn't practical for most card makers to include it when they've got similar routines that don't require the extra cost.

      Not all nForce APUs support Dolby Digital. There is a reason why they are overlooked. The drivers have had serious problems with most applications that they are used in when it comes to mixing stereo audio to multi-speaker sound systems. Just ask anyone that uses an MSI nForce board if they can play Winamp and get audio mixed to each speaker (in all instances).

      Also... The name "nForce" APU is misleading. Most of them are just rebranded Realtek ALC650 chips. nVidia has a deal with them to sell a bunch of lan and audio chips. Frankly, they are over-rated and have poor drivers. But they get the job done.

      http://www.realtek.com.tw/products/products1-2.a sp x?modelid=30

  45. Huh? by The+Bungi · · Score: 4, Interesting
    Does anybody else find it quite interesting that julio@techspot.com is submitting a review from Techspot.com? And getting it through?

    A review that looks like this:

    • The (click for page 2)
    • Audigy2 (click for page 3)
    • soundcard (click for page 4)
    • is (click for page 5)
    • really (click for page 6)
    • cool (click for page 7)
    • . (click for page 8)
    • ...
    And has more ads per square inch than most pr0n sites?

    No? Oh, look! A black helicopter!!

  46. integrated sound has to killing them by asv108 · · Score: 1, Flamebait
    A few years ago hardly any motherboards came with integrated sound and those that did were of poor quality so if you were a gamer or someone who was casually in to music you had to buy a card from creative or somebody else.

    Today, most motherboards come with integrated sound and most of the newer ones come with digital outs and 5.1 compatible chips. Why would anyone purchase an Audidgy 2? If your an audiophile, you know better than to touch a creative product especially after the crappy digital IO on the Live series. Speaking of the live series, the drivers are simply horrendous. Talk about bloat, I bought an Audigy for the front firewire, and the drivers are ridiculous. You can't download just a barebones driver and when you do install the full CD setup, creative tries to take over your system even if you do a minimal install.

    So why should anyone purchase an Audigy 2? Especially considering that it has DRM and worst drivers I've encountered. Creative has abused their strong position in the soundcard market for too long and has failed to deliver products that meet their customers needs. Now, almost all motherboards comes with audio that is perfectly adequate for gamers and basic AV work. If you need to do anything more(audiophiles), creative is not a good choice anyway.

  47. Why bother? by cruc · · Score: 2, Interesting

    Bloated software, annoying DRM and uber-annoying splashscreens, all for the priviledge to be offerred another soundcard to end all soundcards a year later-all Creative soundcard trademarks since the Live! My new NForce2 board with built-in Dolby Digital (Nforce APU) really does sound better than my Audigy did, uses less resources, has no compatability/performance issues with DirectX and with no card, blocks less circulatory air.

  48. Does it 44.1 KHz internally? by Florian · · Score: 1
    To my knowledge, all Creative sound cards incl. Live and Audigy just all other consumer sound cards on the market use an internal sampling frequency of 48 KHz (DAT standard) and have to resample their output for CD-standard 44.1 KHz output. This is why audio professionals use much more expensive sound cards like the RME Hammerfall even when they only need analog stereo output.

    Do new consumer cards solve this problem, or do they layer up useless extra features?

    --
    gopher://cramer.plaintext.cc http://cramer.plaintext.cc:70
  49. A2 Platinum Ex... happiness, mostly by IcerLeaf · · Score: 3, Informative

    I held out for the A2 Platinum Ex like a good little audiophile, and I am very happy with it in most areas. I do some home recording with some pretty decent instruments, so I wanted to make sure I could do 24/96 recording through S/PDIF. So far so good. I couldn't justify getting a real pro recording sound card, since I still use my computer for gaming and such. A2 Platinum Ex was my "good recording/good gaming" compromise, and it is less expensive than a true musician's card.

    Good speakers can be a mixed blessing. They make a good signal sound great, but they also make a mediocre signal sound awful. I had Logitech's THX 4.1 system hooked up to the motherboard's AC-97 before I got the A2. It took me weeks to get the EQ to sound good. The A2, out of the box with no EQ tweaks, blew away my highly tweaked AC-97 sound. I was so happy! The signals, especially on the low end, are much cleaner than the AC-97. Bass lines that used to be way too boomy are now clean and crisp, yet still powerful.

    The audio inputs are the A2's greatest improvement over a stock card. With AC-97, things I recorded rarely sounded the same on playback. A2 is simply excellent in this respect. I am able to get a mix that sounds virtually indistinguishable from some professionally recorded cd's. It's not 100% perfect, but what do you expect out of a consumer-grade card and an inexperienced recording engineer? :-)

    The one kicker is that Linux support is virtually non-existant. *grr* I haven't been able to get one peep out of it in RedHat 8 (flame away), and I refuse to pay $40 for a third party driver. So much for pathos.

    Bottom line: Audiophiles, aspiring musicians, home theater buffs, this card is for you. You will need good speakers to make the most of your experience, so beware. We're talking about a very pricey upgrade. But if you appreciate great sound, I promise you will not be disappointed.

    Most folks, however, will be better served by the stock AC-97 and its plentiful support for both Windows and Linux.

    Cheers!

    1. Re:A2 Platinum Ex... happiness, mostly by Anonymous Coward · · Score: 0

      mdk 9.1 will likely have a2 support. And I hear it also works on latest rh beta.

  50. what about 64bit 66mhz slots? by TeddyR · · Score: 1

    My question is does this board, or ANY SOUND CARD work in a 64bit/ 66mhz / 3.3 volt pci slot like the one that the intel SCB2 "server" boards have. I have not been able to get a clear answer from either creative nor intel... and the last non-compatible card I tried in one of the boxes fried the power supply [yes; repeatable]...

    --

    --
    Time is on my side
    1. Re:what about 64bit 66mhz slots? by Bassman59 · · Score: 1

      Teddy: My question is does this board, or ANY SOUND CARD work in a 64bit/ 66mhz / 3.3 volt pci slot like the one that the intel SCB2 "server" boards have.

      Assuming that both the card and the slot were designed correctly (according to PCI spec), any 32-bit/33 MHz PCI card will work in a 64-bit/66 MHz slot. It just won't run at 66 MHz and it won't use the 64-bit datapath.

      I have not been able to get a clear answer from either creative

      Well, Creative's tech support is rather useless. And their cards are 32-bit/33 MHz.

      and the last non-compatible card I tried in one of the boxes fried the power supply [yes; repeatable]...

      Did the card fit in the slot without being forced?

    2. Re:what about 64bit 66mhz slots? by Anonymous Coward · · Score: 0

      If the card physically fits, then yes - it should work. However, the slots are physically different. On my serverworks board, it is quite apparent. The utility PCI slots (33MHz/32bit use a smaller connector than the 64bit/66MHz slots. The keying is also different, preventing you from inserting an older card. I found this out when I realized that I had run out of utility slots, and was one board shy. The kicker is that my 64bit PCI devices were all duplicated by onboard peripherals, so both the 64bit slots on my board sit empty. :)

      If you were able to insert an older card in the newer slot, then there is something either wrong with the card or the slot.

    3. Re:what about 64bit 66mhz slots? by TeddyR · · Score: 1

      "Did the card fit in the slot without being forced?"

      Yup. It was a dlink network card.

      --

      --
      Time is on my side
  51. Ctfmon by Dreamware · · Score: 1

    Ya, Since the Audugy came out they have full WDM drivers and are way better than the SB Live drivers. The Audigy 2 drivers are the best so far and haven't caused any issues for me yet.

  52. Custom system for audio folk by prozac79 · · Score: 0, Troll

    My dad is a really huge audiophile. He has a very large analog system, but he is slowly adding more digital pieces to the configuration. He is wondering if there are computers (or a list of components) that are geared toward audio junkies? At first glance, I just thought "stick in a CD-RW drive and latest Creative soundcard on the market", but I don't know much about the particular needs of the audio crowd. For those who are in the know, what are the computers/components that best suit this niche?

    --
    "Oh dear, she's stuck in an infinite loop and he's an idiot" -Prof. Farnsworth (Futurama)
  53. my old GUS... by Anonymous Coward · · Score: 0

    its monstrous red PCB reminds me of the voodoo5-6000.

  54. And yet... by 2nd+Post! · · Score: 1

    If you were truly gonna invest in a high bandwidth digital soundsystem, shouldn't the system be doing something like *firewire* sound?

    That way you can do pure digital (and no noise) from source (CD or DVD or whatnot) to the speaker (2, 2.1, 3.1, 5.1, 6.1, etc) system?

    And when you phrase it that way, doesn't that immediately mean the sound card becomes irrelevant, unless it transforms into the equivalent of a video card, and does digital mixing, resampling, effects, and transforms, while it's left to the speakers to do DAC?

    1. Re:And yet... by Anonymous Coward · · Score: 0

      If you were truly gonna invest in a high bandwidth digital soundsystem, shouldn't the system be doing something like *firewire* sound?

      Yup. The Audigy 2 (and 1, FWIW) have FireWire/iLink ports (Creative calls it 'SB1394', but it's the same thing.) I think that's some forward-thinking going on. There are professional external audio interfaces that use FireWire now, but I wouldn't be surprised to see Creative put out a line of FireWire speakers.

      That way you can do pure digital (and no noise) from source (CD or DVD or whatnot) to the speaker (2, 2.1, 3.1, 5.1, 6.1, etc) system?

      The trouble (for Creative), is making sure that you're plugging into speakers and not, say, another computer. Fucking DRM.

      And when you phrase it that way, doesn't that immediately mean the sound card becomes irrelevant, unless it transforms into the equivalent of a video card, and does digital mixing, resampling, effects, and transforms, while it's left to the speakers to do DAC?

      That's exactly why the big push for all sorts of insane 'Super EAX Advanced HD Ultra Plus'.

    2. Re:And yet... by dr.badass · · Score: 2, Informative
      If you were truly gonna invest in a high bandwidth digital soundsystem, shouldn't the system be doing something like *firewire* sound?


      It's called S/PDIF, or simply "Digital Out", and it's been on practically every sound card for the past three years. And it is exactly as you describe. The sound card does everything but the DAC, and you get a nice no-hiss signal. A $30 SoundBlaster Live! will do it, assuming you have a speaker system/reciever with a S/PDIF input.
      --
      Don't become a regular here -- you will become retarded.
  55. Sound card technology marches on.. by Nonillion · · Score: 5, Insightful

    While I'm sure this is a nice card I have really no need for 24 bit audio in the computer shack. Furthermore, I have some concers reguarding DRM.

    1. Have the MPAA/RIAA forced DRM into the DAC on this card?

    2. What about CPU resources, is this card totally stupid and require the CPU to hold its hand in the D/A A/D process? Or is it smart enough to do this on its own.

    3. How is support under Linux? I'd hate to plunk down my hard earned cash only to find that it only works under Windows.

    4. Is it really worth it to justify replacing my perfectly functioning Sound Blaster Live! card I currently use?

    Unless I can think of a reason to use 24 bit 96 KHz audio (other than home theater) I'll just stick with what I have..

    yes > /dev/mem

    --
    "I bow to no man" - Riddick
    1. Re:Sound card technology marches on.. by Furry+Ice · · Score: 3, Insightful

      I fail to see how 96 kHz audio is useful even for home theater. The human ear cannot hear 48 kHz sounds...any sampling rate over 44 KHz (= 22 kHz maximum frequency) is useless overkill. The 24 bit samples make a lot more sense than the 96 kHz sampling rate to me.

    2. Re:Sound card technology marches on.. by Nonillion · · Score: 1

      "The 24 bit samples make a lot more sense than the 96 kHz sampling rate to me"

      While this is true, raising the sample rate makes it easyer to get rid of the quantization noise without using sharpy skirted low pass filters. I'm all for high performance audio but I really don't require it for my system sounds..

      --
      "I bow to no man" - Riddick
    3. Re:Sound card technology marches on.. by sinnergy · · Score: 1

      Actually, the human ear has a frequency range of approximately 20 Hz to 20 KHz, not 48 KHz.

      http://hyperphysics.phy-astr.gsu.edu/hbase/sound/e arsens.html

    4. Re:Sound card technology marches on.. by Tokerat · · Score: 1


      More samples per second = higher sampling accuracy = less distortion = smoother and more realistic representation of the sounds you can actually hear.

      There are more reasons for upping the sampling rate than increasing spectrum range. I;d love this card but from what I've read here in the comments there is no ASIO or Mac support so looks like I'm still in the market :-/

      --
      CAn'T CompreHend SARcaSm?
    5. Re:Sound card technology marches on.. by Furry+Ice · · Score: 2, Redundant

      Yes, and the highest frequency that can be accurately reconstructed from a signal sampled 40 kHz is 20 kHz.

    6. Re:Sound card technology marches on.. by Anonymous Coward · · Score: 0

      Sample rate aids precision.

      Sample size aids accuracy.

      Since samples are a finite size, the sample size (bits) is rounded. If you double the sample rate, then it is entirely possible that the two samples taken in the place of one sample will be different due to slightly different rounding, due to minor changes in the soundwave.

      Therefore the higher sample rate is closer to the original wave-form.

      Whether or not you can tell the difference between 48/16bit or 96/16bit I don't know. But theoretically it would be closer to the original sound. Just because you can't hear a frequency doesn't mean that it doesn't effect the sound (Harmonics).

    7. Re:Sound card technology marches on.. by Anonymous Coward · · Score: 0

      Completely wrong. Go read a DSP book, specifically regarding the Nyquist sampling theorm.

      As long as you are sampling at 2x the maximum frequency you are attempting to digitize, then only quantization error is an issue.

    8. Re:Sound card technology marches on.. by Tokerat · · Score: 1


      Actually, no, I know exactly what I meant. Nyquist creates a roof at 1/2 the sampling frequency, specifically because if you need to record a 22.05kHz tone, for example, sampling at 44.1 kHz is the slowest you can do it because at, say, 22.05kHz sampling freq. you would catch the same point in the cycle everyt time and end up with a big flat line.

      However, we're not sampling at 96kHz now because some magic allows us to hear 48kHz sounds. One of the reasons is yes, quantizational distortion is reduced, which is what I was refering to in the first place, not the Nyquist ceiling. The other reason is that even though we cannot precieve sounds above about 20kHz or so (depending), such sounds still exist, and therefore can alter the dynamics of other sounds which may actually be audiable. If these high frequencies are stripped out while recording by a filter or (with shoddy sampling methods) are simply killed by the Nyquist ceiling, they no longer affect the remaining frequencies, and the sound is not as accurate as it could be.

      To wrap it up, I know about Nyquist, I was refering to reduction in quantization and an increase in harmonic accuracy. Sorry I wasn't clear on that.

      --
      CAn'T CompreHend SARcaSm?
  56. Re:JESUS FUCKING CHRIST YOU'RE A DORK by KilerCris · · Score: 1

    stick it to em' AC

  57. Re:Er, the Audigy 2 has been out for almost 6 mont by afidel · · Score: 1

    what problems have you had with the ASIO drivers? My Audigy 1 based on the older chip has been great, I can get single digit latency in Reason and Cubase, even with a lowly 1.2Ghz Athlon.

    --
    There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
  58. surround sound by _|()|\| · · Score: 1
    AWE 32 was the last big worthwhile 'innovation' in sound cards.

    While it's not an innovation unique to sound cards, multi-channel audio is pretty cool. NASCAR Racing with four-speaker surround is hellah immersive.

  59. great by Anonymous Coward · · Score: 0

    i'm sure that knocks the spots off my m-audio delta 1010 .

    (10 channels of simultaneous balanced analog input and 10 of output, all running at 24 bit 96khz)

  60. +'s and third party drivers to remedy creative's! by op51n · · Score: 2

    I certainly agree on that much, kinda...
    I have never liked Creative, they're as M$ sa sound hardware can be. But on the other hand I have been quite impressed by the Audigy I picked up. I wanted to get a MontegoII, but couldn't get one across here (UK), so in the end I caved and picked up the Audigy instead (I needed a replacement second soundcard since my 128 with the Yamaha GX daughterboard died, for mixing and music purposes) and the sound quality is the best I've heard yet. Given I'm pumping my soundcards (Live and Audigy) through a mixing desk and good quality 100watt amp, quality all the way through is fairly important, especially when recording the output to get a mix. So on that front I think i'll probably get round to replacing the Live with an Audigy 2, since the Live is noticably worse than the Audigy, and is now essentially my bottleneck.
    Also, the EAX advanced is quite nice in gaming. The games it works with (Mafia, SOFII among others) sound beautiful. Mafia it makes souns remarkably like you are driving through a town, helped by the superb sound work that went into said game. The acclusion programming gives it a great help (nice smooth transitions between say outdoors and driving into a warehouse with echos that sound right, also noticable in GTA3), and SOFII it gives similarly great effects to. It just adds that bit extra to a good game. Playing it with e volume up really high you really do notice it. A friend of mine who came over to play SOFII, he'd played it on his machine with a Live, was blown away by the sound quality and effects.
    Also it can finally support Aureal A3D, which I have to use in iL2Sturmovik, since for some reason it doesn't like using EAXAdvanced (although I will retry it since I've just reinstalled with the latest drivers, and patched iL2 to it's latest version).

    All in all, if your machine can get on with it, it's a great card, but Creative and their support suck so bad that it's a bit of a minefield whether it'll work.
    I am aware that there's a team who made a third party driver for the Audigy, the kxproject. Whether it can now support EAX however I'm not sure of since I ended up not having to use it. But it's worth taking a look at.

  61. what about laptops? by pimpinmonk · · Score: 1

    this seems ok, but when i go to college i, like many students, will be using a laptop. but i want to have a good surround sound system to plug into in my dorm room and possibly do some rudimentary guitar recording. is the SB extigy any good? are there other solutions like it that run on usb or firewire on a laptop? game performance is not the #1 concern (that's why god created the xbox and ps2)

    1. Re:what about laptops? by BitHive · · Score: 1

      Also, I will be using an iBook laptop since I want a portable Unix machine, but not Linux/*BSD. Does the Extigy work w/ Macs? I haven't been able to find anything.

  62. DRM! Wo ho! by wizardmax · · Score: 1

    I want more DRM! "The Digital Output is always active except when playing DRM encoded content, at which point it is disabled. This is a requirement of DRM support otherwise the Audigy 2 would simply not be able to play DRM encoded content, e.g. DVD-Audio, as would be the case for other non-supporting soundcards." Isn't it nice.

    --


    Free speech is getting expensive...
  63. How's the Linux driver support? by antdude · · Score: 1

    I heard a lot of problem and limited support for this card on http://opensource.creative.com/'s Web site and forum.

    --
    Ant(Dude) @ Quality Foraged Links (AQFL.net) & The Ant Farm (antfarm.ma.cx / antfarm.home.dhs.org).
  64. I gave Creative another chance... by sfe_software · · Score: 1

    Just a couple of weeks ago, I picked up an Audigy 2 at Best Buy. 10 days later I returned it and picked up a new burner and some RAM.

    Why?

    I have had two problems with Creative's cards. The first one, and most annoying for me, is that they lock up. I don't know if this is a hardware or driver issue, but I've experienced this with an AWE-32, PCI-128, and most recently the Audigy. All three were completely different computers and operating systems (P-166, Win95; AMD 233, Win98; PIII-800, Win2k).

    When I brought the Audigy home, I was impressed. Metal jacks that probably wouldn't break as easily as the colored plastic ones. A firewire port. An alleged 106db S/N ratio.

    With some testing, it lived up to the S/N ratio quite nicely, and I was surprised. Output levels were in the "semi-pro" range, eg, it drove my mixer's meter right to 0db easily. No hard drive/video/network interference in the output or input.

    But even despite all of this, if I fire up a playlist in WinAmp and just let it run, it will lock up randomly. It usually crops up after a few hours of continuous play, but it's done this in as little as 30 minutes. From that point on, the card is effectively dead until you power-cycle. Same exact behavior I had with their previous products.

    Now on to the second issue I have with the company (but not related to the Audigy). Twice -- in two different eras -- I have bought what I thought to be a Creative Labs card, but it turned out to be a relabeled card from a company they bought out.

    First was back in 1995 or '96, allegedly an SB16. The card was actually an Aztech Sound Galaxy 16.

    Second was a PCI-128, I was lucky enough to get an Ensonique card (that I've found to be a good card anyway, works well in the Linux box).

    I'm fed up with Creative Labs, and Voyetra/Turtle Beach isn't much better (no Win2k support for older Montego II cards, which I own 3). So I'm now using two no-name external USB devices, which (if you don't care about "3D" or MIDI) give great PCM playback quality, low S/N ratio (being external to the PC), and hot-swappability.

    So... am I the only one who thinks Creative Labs sucks?

    --
    NGWave - Fast Sound Editor for Windows
    1. Re:I gave Creative another chance... by Bassman59 · · Score: 1

      sfe_software:

      First, I'll say I agree. I bought an SB Live! when it was out for a few months, and the damn thing blue-screened immediately. I downloaded newer drivers and still no love. So I returned it and vowed never again to buy another Creative product. Their driver support sucks, has always sucked, and probably WILL always suck.

      Second was a PCI-128, I was lucky enough to get an Ensonique card (that I've found to be a good card anyway, works well in the Linux box).

      Yeah, Creative bought Ensoniq, most likely because Ensoniq was eating their lunch in the pre-install biz. Back around 1995 or so, Gateway and a couple of other PC makers were choosing the Ensoniq cards over Soundblasters. First of all, the Ensoniq cards WERE better -- they measured lower noise and less distortion than the SB cards. Also, the drivers WERE better. Ensoniq had some, um, "internal issues" which ultimately lead to them selling out to Creative Labs.

      The Creative PCI cards are Ensoniq designs using Ensoniq ASICs.

      So I'm now using two no-name external USB devices, which ... give ... low S/N ratio...

      I'm sure you mean high S/N. It's signal to noise, higher signal meaning higher ratio :)

    2. Re:I gave Creative another chance... by Anonymous Coward · · Score: 0

      Well I will have to agree with you on most points except for one. The big reason you aren't seeing any new Montego drivers is not due to TBeach, but to Creative swallowing up Aureal since they had much better cards out than Creative. Still, your last point flows right along with what I just said...Creative does suck. Only Creative card I have was given to me and it is NOT in my main box. Plan to keep them away from anything remotely important.

  65. If it weren't for timothy by Anonymous Coward · · Score: 0

    I would have to go to BestBuy to find this out.

  66. It's just ear candy by bzipitidoo · · Score: 1
    Sound could be but isn't helpful.

    Closest useful sounds I get are "idiot dings" (like, for hitting the backspace when there is nothing to erase in the command line prompt). Those at least try to be useful, but they aren't. They're annoying. (Hold down backspace to erase text. Get lots of dings between time of last text gone and backspace key released.) I do not want to disturb the entire office with the computer equivalent of ringing cellphones. I don't want to hear it either.

    /etc/inputrc
    set bell-style none

    In some games, they at least try to make sound informative. Sometimes it is. It's good to be able to hear the monster sneaking up behind you. Not informative is sound such as theme music. Nice the first few times, but even digitally enhanced super high fidelity stereo surround sound gets old fast. I can hear it on the average sound system just fine. And I sure don't need the theme for Region X continuously playing to tell me I'm in Region X. After 15 repetitions of the same 1 minute jingle, wouldn't you turn it off?

    So the only use for a fancy sound card is for heavy duty audio work? If I'm not a musician and not interested in editing audio, this is useful how? My MP3's and CDs played in the CD-ROM sound fine with my motherboard's built in "CMedia" sound.

    --
    Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
  67. provably useless commercial BS by stud9920 · · Score: 1
    24-Bit/96-kHz/192kHz
    This is provably useless to anyone who has done any basic signal theory.
    • 24 bit gives a SNR of 144dB. How many people have mikes and/or baffles with such a quality ? 24bit is useless unless maybe for processing, in order not to lose significant digits, but that should be in pure software. Case dismissed.
    • Your ears filter out anything above 20kHz. Make it 24 kHz for the so called golden ears. Therefore according to nyquist anything above 48 kHz is useless. Case dismissed
    • .
    Soundcard manufacturers just don't want you to buy an el cheapo 10$ soundcard, basically the only added value since the SB16 is some extra voices, but that extra bits/samples per second are PR BS.
    1. Re:provably useless commercial BS by Bassman59 · · Score: 2, Informative

      Stud:

      This is provably useless to anyone who has done any basic signal theory.

      * 24 bit gives a SNR of 144dB. How many people have mikes and/or baffles with such a quality ? 24bit is useless unless maybe for processing, in order not to lose significant digits, but that should be in pure software. Case dismissed.

      The point is that a DAC or ADC with higher resolution is more accurate. 16-bit converters aren't really 16-bit accurate. So, a 24-bit converter gives you 21 or 22 good bits, and while the rest is noise, it's still more accurate than a 16-bit part.

      Besides, the 24-bit parts are the ones the chip vendors are pushing, and they're at the right price. Good luck even BUYING a 16-bit part!

      * Your ears filter out anything above 20kHz. Make it 24 kHz for the so called golden ears. Therefore according to nyquist anything above 48 kHz is useless. Case dismissed

      Um, the whole point of sampling at higher frequencies is so that the anti-aliasing filter doesn't have to be this sharp-cutoff ringing thing that was commment when sampling at 44.1kHz. Instead of having a transition band of 2.05 kHz (between 20 kHz and 22.05kHz in a 44.1kHz system), you have a leisurely 28 kHz (between 20 kHz and 48 kHz in a 96 kHz system). Gentler antialiasing filters == much less time-domain ringing and sampling artifacts.

      Class dismissed. Please do your homework before posting about things you don't understand.

    2. Re:provably useless commercial BS by Anonymous Coward · · Score: 0

      One word:

      tembre.

      I'll let you look it up.

    3. Re:provably useless commercial BS by sirsex · · Score: 1

      to anyone who has done any basic signal theory

      I would recommend the next level class.

      Oversampling allows for the effective reduction of the noise floor by speading the power of the quantization and thermal (a.k.a. KTC) noise over a larger bandwidth. A digital filter can then remove the high end noise, leaving the noise in the audio band at a lower level. Each doubling of the sampling rate allows a 3dB, or 1/2 bit, improvement in the SNR.

  68. Linux Latency Issues by henele · · Score: 1

    I've used an Audigy ex platinum yadda yadda yadda 2 on a Win XP box, and although maybe a little overpriced I was happy with its performance. It wouldn't fit into a 'pro' studio but for anything up to that point it's nice..

    On the issue of Linux Latency there are many resources around the web helping you knock it down even further. A good start is Oreilly.

  69. LOL gimme a break by Anonymous Coward · · Score: 0

    Whenever an article says "[PRODUCTNAME] 2 is what [PRODUCTNAME] should have been" I begin to feel ill.

  70. Kilohertz by Anonymous Coward · · Score: 0

    what does all the kilohertz mean?

    24-Bit/96-kHz/192kHz ?

  71. Re:JESUS FUCKING CHRIST YOU'RE A DORK by TummyX · · Score: 1

    What's wrong with Grok? I use Grok all the time -- and I never say fsck instead of fuck.


    "They're" is a contraction of "they are". So, according to you, the sentence should read, "They mentioned they are extremely high selling live cards too."


    It makes sense if you thought that he was saying that the Audigy cards were extremely high selling.

    I misunderstood what he was trying to say.

  72. Unlikely by rodgerd · · Score: 1

    At $50k per name, they probably made enough to be in coke and hookers forever. There were a *lot* of dot-bombs, and lots of established companies decided to change their names (PWC Consulting -> Monday).

    1. Re:Unlikely by Anonymous Coward · · Score: 0

      I forgot about 'Blue Monday'. They lasted, what, about a month before IBM took them over?

  73. Why Upgrade? by Salden · · Score: 1

    Because Creative will come out with some kind of BS excuse as to why they can't make drivers for your 2 year old product that support your new OS or Game. They suck up cpu like nobody's business (Where are the audio performance benchmarks, anyway?) and well, Snap, Crackle, Pop anyone?

  74. I'll be damned by Anonymous Coward · · Score: 0

    I just ordered this card last week, and am waiting for it to arrive. Newegg had a deal on the card last week, so I got it for only marginally more than the original Audigy, I guess thats a plus. So, /. is 6 months late overall, but only a few days late for me. Oh well.

  75. NOT NEWS by Anonymous Coward · · Score: 0

    It's been out for months. I mean comeon! Maybe you should start posting some 3.06GHz Hyperthreading articles as if the processors are brand new.

  76. DRM rant by TimeZone · · Score: 1

    If you have concerns about DRM, then simply do not buy DRM enabled media. This has nothing at all to do with Creative's sound card. DVD-Audio and SACD are DRM enabled and no player anywhere has digital output for these formats. (Actually, I think there are a couple that do, but they're proprietary. ie you have to have the corresponding device from the same manufacturer on the other end, which is really not much better.) There's no spec for digital output of DRM technologies because they don't want it. Duh. Again, nothing to do with the sound card. So just don't buy SACDs or DVD-Audio. Personally, I think there's way too much noise (audio as well as electrical) in computer systems to bother putting a high end sound card in them anyways. I get really nasty 60Hz hum from my sub when I plug my Live card into my receiver. TimeZone

    1. Re:DRM rant by Zed2K · · Score: 1

      Pioneer has a Pioneer Elite DVD, DVD-Audio, and SACD player with a firewire port (iLink). Its not a proprietary port like the Denon one. DV-47ai

    2. Re:DRM rant by TimeZone · · Score: 1
      I stand corrected. Nice piece of hardware. The corresponding receiver is, however, the only one I've seen (yet) capable of decoding DSD and DVD-A.

      TimeZone

  77. Firewire then? by henele · · Score: 1
    What about firewire being used in highish end audio?

    Sony's most excellent Lissa does, and I've seen MOTU's rackmount firewire audio gear, which seems to chew up and spit out multiple tracks, and doesn't really dent the CPU (which is important when capturing and altering the stream).

    If I could just go straight from the firewire bus on my iBook to my stereo, and miss all the electrical noise it makes (or at least have it error-checked), it would be cool...

  78. Re:+'s and third party drivers to remedy creative' by cayenne8 · · Score: 2, Interesting

    Are there Linux drivers for this new card that let you access all the features? Can you get the 5.1 and such from in from within Linux? I'm looking for a decent high end card for a multimedia computer to put in with my AV system...

    --
    Light travels faster than sound. This is why some people appear bright until you hear them speak.........
  79. Awesome by pclminion · · Score: 1
    Now I can finally use my computer as an oscilloscope with 24 bits of precision at 96 KHz? Hell, I even get *two* stereo channels!

    96 KHz is often more than enough to deal with simple analog circuits. And 24 bits of precision is insane. Screw the Audigy, I just want the ADC chip!

    1. Re:Awesome by Bassman59 · · Score: 1

      pclminion: Now I can finally use my computer as an oscilloscope with 24 bits of precision at 96 KHz? Hell, I even get *two* stereo channels!

      Um, the antialiasing filter still rolls off above 20 kHz, just not as severly as the filter in a 48 kHz system.

      Still a good 'scope idea, just don't expect it to show you anything above 20 kHz.

  80. Um, I guess because it looks sweet... by henele · · Score: 1

    This poking out of one of you 5.25" bays, whilst easy, has more effect than lots of the smaller case-mods I've seen :)

  81. Creative Labs sucks from a tech standpoint by 0x0d0a · · Score: 1

    Creative has good business sense, but their products are pricy and not particularly impressive.

    The last real "innovation" in the soundcard market was the tech war war that started to pick up between Aureal and Creative. Then that died, and wavetracing (which looked really interesting) went away. And now we have reverbs. Whee.

    Most of the functionality on a modern soundcard is pretty useless. MIDI? Anyone still using MIDI can do it on a modern computer in software much better (and use far higher quality soundfonts). "Spatializer"? Makes audio distorted and sound awful. Hardware mixing? *Only* useful to Linux users, and *only* because the sound systems suck under Linux and there's no good software mixing system (esd sucks, artsd sucks more, and JACK isn't general-purpose). Mixing several audio streams is cheap, cheap, cheap on a modern processor. Hardware reverbs? Mostly a gimmick.

    There's a reason integrated sound motherboards are becoming the norm. Almost no one needs anything else.

  82. USB 1 blows by 0x0d0a · · Score: 1

    First off, USB speakers have indeed been created (Microsoft had some), but the problem is the inherant issues with USB itself. High resource usage, bandwidth usage with multiple devices on the same bus, etc...

    The problem is that USB 1 didn't support bandwidth allocation. Which saved 2 cents per device, and made life suck for everyone else. USB 2 and Firewire both allow bandwidth allocation.

  83. Creative rips customers off by 0x0d0a · · Score: 1

    Any company that dupes the customer into thinking they are getting one product when they are getting another is just bait and switch at the factory. I bought those drives on reviews I read, I will never buy a creative product again. I like this phillips siesmic edge is doing just fine in my windows box, and my linux box gets by with ac97.

    This, incidently, is par for the course for their entire product line. Creative constantly puts in cheaper parts over the lifetime of each of their products. When you get a Sound Blaster Live Value, say, you have *no* idea what's in there. They went through a ton of revisions and parts. Once they've got their good reviews, they can start cheapening the thing up.

    1. Re:Creative rips customers off by inquisitor · · Score: 1

      I think I know what you mean - I had a Live 5.1 that had very few of the problems other Live 5.1 owners were going through, even though it was in PCI slot one on a VIA-based (but admittedly very good) Athlon mobo. As soon as the data corruption problem got fixed (by MSI's BIOS team), and as long as I stayed with the Windows XP default drivers, everything else was fine.

      I had a very early Live 5.1, and this might have been the reason why.

  84. Amen to that by ferrocene · · Score: 1

    I have a M-Audio card that's powering my home theater. I will never use a creative card.

    The first hint is when I stopped playing a digital source, yet my receiver still showed a signal present (hiss). Hello Creative?

    --
    Most folk'll never lose a toe, and then again some folk'll...
  85. Re:Er, the Audigy 2 has been out for almost 6 mont by SmirkingRevenge · · Score: 1

    I use it with a clavinova digital piano. Specs: P4 2.8 1 gig of ram Cubase VST with Halion (1 gig synth of steinway B) Windows XP Using the creative driver I get horrible sounds, cracks and pops, the works. With the halion driver I get crappy latency but the sounds DO play.

  86. Re:Er, the Audigy 2 has been out for almost 6 mont by SmirkingRevenge · · Score: 1

    P4 2.8
    1 Gig of RAM
    Windows XP
    Halion/Cubase

    I get consistant clicking and popping under the creative driver. It works under the VST default ASIO driver, but the latency is horrible.

  87. Why this old review when there is a NEWER one? by detect · · Score: 2, Informative

    The product reviewed is months old now. The Audigy Platinum eX is the card that has just been released which allows for ASIO 2 recording/playback.

    http://www.soundblaster.com/products/audigy2_pla ti num_ex/welcome2.asp

    a review on the NEW card:

    http://www.nordichardware.com/reviews/audio/2003 /A udigy2_2ex/index.php

    --
    // The fastest Alt-Tab in the West
  88. I agree (OS X user) by mrnick · · Score: 1

    Soundblaster used to be my sound card of choice but now that I have moved to Mac w/ OS X i am amazed that they do not support it. If I buy another Windows PC I surely would pass on Soundblaster because of their lack of driver support.

    Nick Powers

    --

    Encryption: I may not agree with what you say, but I will defend your right to encrypt it...
    1. Re:I agree (OS X user) by The+Lynxpro · · Score: 1

      Yeah...maybe Creative was upset when Mac users passed on purchasing their Mac specific Soundblaster Live which was basically the outdated Windows version in a different package. Creative should just market the same card in the same box, with different driver discs for the different systems. I mean, all modern Macs have PCI slots on them and Creative shouldn't be counting on the iMac crowd buying their cards anyway... I am not a Mac owner, but I want to switch just like so many other users if companies like Creative would just wake up and offer decent support...

      --
      "Right now, somewhere in this world, Scott Baio is plowing a woman he doesn't love," - Peter Griffin, *Family Guy*
  89. Keeping A Perspective by Anonymous Coward · · Score: 0

    The Audigy 2 is good for people who mostly use Windows, mostly play games and want to do some amateur home-recording. If you don't want to do the home-recording an SBLive 5.1 still works fine, but other brands of soundcards have a hard time matching the features and prices of Creative cards (I love the soundfont support, myself).
    ----

  90. No more Creative Labs for me by Wonko42 · · Score: 1
    I bought an SB Live after the price had dropped substantially, and I loved it. Then I bought an Audigy, and it sucked complete ass. For some reason, the Audigy always had terrible problems with its bass output. It was almost inaudible. I have a nice Cambridge Soundworks 5.1 surround system, and the Live always produced very strong, crisp bass without any clipping.

    The Audigy's bass, if there was any, was barely audible, and yet whenever I turned up the volume via the software, I'd get horrible clipping. I tried everything to fix this, and I couldn't. It just sucked, no matter what I did. Add to this the fact that I could only use the Audigy in Windows, since there were no free drivers for FreeBSD (my other OS of choice), and I eventually tossed the Audigy in favor of my Live. Needless to say, I won't be buying another Creative Labs sound card anytime soon.

  91. You want problems? by fordy2640 · · Score: 1

    fyi
    http://oui.com.br/nando/essays/t03audigy01.htm

    also

    http://www.ethanwiner.com/audigy.html (under the subheading 'And now for the flaws')

    Plus several others I haven't found relevant articles for.

    These problems STILL exist, and it's been over a year since the Audigy was released. Apparently, these problems also exist on the Audigy2. Creative say they've been trying to fix these issues, but seem to introduce even more bugs for each new driver they release.
    I have been on Creative's back for over 6 months, with nearly each reply telling me that it's an issue with my settings. They finally admitted in November that they have a real issue on their hands here, but have still failed to address it.
    I own an Audigy Platinum and vow that it will be the last Creative card I will ever buy. A company that cannot put forward a decent regression test plan for their drivers doesn't deserve my business.

  92. Hercules blows by spanky1 · · Score: 1

    Sorry, but I tried the Herc Game Theater and it was HORRIBLE. This was back in the day when the SB Live! didn't work well on SMP systems. I went around trying all sorts of cards: Hercules, Aureal, Diamond... nothing worked very well. I even popped in my trusty SB16 with Roland wavetable daughter card! I thought that would be fine. I was shocked at how bad the SNR was on that thing.

    I ended up going back to the Live. After two months farting around with different cards, Creative finally fixed the SMP problems with the Live drivers. No I use the Audigy and it works great. Sounds great. Less filling.

  93. Audigy BAH! by ralphus · · Score: 1
    I tried one of the original Audigy platinums. It seemd cheap construction, I had nothing but issues with the bios on my Dell machine, support was terrible. I realized that I wasn't going to get good audiophile quality, sound and features out of a mass market card, and went looking deeper. I didn't want to spend thousands, but I wanted something better. I had to do a lot of looking for a good sound card, I paid a bit more, but ended up with a Terratec DMX 6Fire 24/96. This card rocks although the Audigy does outdo it a bit on gaming. Check out Tom's Hardware shootout between the 6fire and the Audigy.

    I play my q 10 oggs over a coax digital transport to my amp and have a pretty rocking integrated sound system.

    --
    Revolutions are never about freedom or justice. They're about who's going to be top dog. -- Kilgore Trout
  94. Bus Mastering by msobkow · · Score: 2, Insightful

    The Audigy and Audigy 2 are full bus-mastering PCI cards, while the SBLive was not. The result is that many 2-3 year old VIA chipset mobos have problems with output crackling (and other distortions) when using an SBLive on a busy system. (Other chipsets have the issue as well, it's just impossible to ignore with certain VIA chipsets.)

    Aside from bus mastering, the Audigy 2 Platinum can actually accept the SPDIF feeds under Win2K/XP, while the SBLive software didn't, doesn't, and will likely never work with SPDIF inputs once you stop running Win9x.

    The rest of the "features" are just marketing crap to put on the box in hopes of suckering someone into wasting money. The only way the audio quality could be made "audiophile" is to feed pure digital from the card to a real surround sound amplifier, but it sounds like you lose the DVD-Audio playback when doing so. The RF interference in a computer case, relatively unstable power supplies, and use of chip amps make me laugh when I see companies claim "audiophile" sound quality for a sound card.

    --
    I do not fail; I succeed at finding out what does not work.
  95. Still no ASIO by blueworm · · Score: 1

    How come creative does not yet support ASIO drivers? I guess they never will for some reason. Also, Directsound and most apps still only do 48K/16bps PCM right? Maybe I'm wrong about the directsound support, but I know most applications don't yet use directsound except for games and all pro apps use ASIO... making the audigy 2 a little not worth it.

  96. Digital Out protocol (Was: Re:DRM?) by Th0th · · Score: 1

    Just an FYI, the protocol for digital output over coax or optical that the creative speakers as was as audigy and audigy2, etc. all use 5.1 PCM. This is separate and distinct from linear PCM and AC-3. 5.1 PCM is an older protocol that was used on early discreet surround sound systems. Dolby then came along with AC-3 which became the industry standard. There are probably licensing issues which is why creative chose not to use AC-3. All surround sound GENERATED BY THE PC will be sent in this format, which is why, when you hook your audigy up to your surround stereo you will most likely only get the front two channels (your stereo will interpret the signal to be linear PCM because it doesn't understand 5.1 PCM) You will be able to play digital surround dvds, because the signal is not created by the computer, but rather simply passed from the dvd through the SPDIF connector into your stereo where it is decoded into the 6 separate channels. As I mentioned earlier all the Creative speaker systems can understand 5.1 PCM, so they will work properly with the audigy2. In addition, you may find that a few very old and/or very expensive surround sound receivers can handle 5.1 PCM (very old as in before AC-3 became the standard and very expensive as in you pay enough, you'll get something that can handle every type of digital format under the sun) ANyway, just thought that was of interest to some.

    l8a,

    th0th

    --
    "BadTimes will make you fall in love with a penguin" - Laika
  97. Nice speakers by msobkow · · Score: 1

    Followed the link you provided -- pretty nice for studio monitors.

    But try using a few 0.25 inch stereo jack to RCA jack adapters, and run good cables to a real stereo. Nothing like a few watts of pure class A to improve the audio quality... *g*

    --
    I do not fail; I succeed at finding out what does not work.
  98. Headphone & Speaker recommendations by TropicalHotDogNight · · Score: 1

    I'm an audiophile on a tight budget. Some things to know about sound cards: Unless you have speakers that cost at least $200/pair (and a receiver/amplifier), you probably won't hear any difference between the $33 SB Live and the Audigy series. The SB Live has a S/N ratio of 94dB, the Audigy 100dB, Audigy2 106dB, M-Audio's Revolution 7.1 107dB. The Revolution is cheaper than the Audigy2, better sound, and works on both PC and Macintosh. M-Audio's Revolution is better AND cheaper. And to elaborate on the above, the weak link in most people's stereos (and computers) is the speakers--by a kilometer. Your speakers SHOULD cost more than your receiver.

    It's MUCH cheaper to get hi fidelity with headphones. A great buy is Radio Shack's PRO-35 (made by KOSS actually) which cost $40 but go on sale for $20 every 3 months. They have a 3.5mm (1/8 inch) stereo plug, a long cord with volume control, Neodymium magnets (much stronger=much louder & better fidelity), titanium-layered diaphragms, and a frequency response of 15-25,000 Hz (20-20,000 -3 dB). All headphones claim 20-20K response, but without the dB drop rating, the claim is meaningless. The PRO-35s sound amazing, & plenty loud even with a $30 Walkman powered by 2 AA cells. I have purchased and returned many other headphones by Sony, Panasonic, etc. with the same printed specifications, but they don't even come close, which is odd, because Sony & Panasonic normally have the superior product. I always use "Fallen Angel" (track 2) from King Crimson's "Red" album as a test because of it's very low bass at the beginning of the song (and I know from experience how it should sound).

    The past sure is tense. --Captain Beefheart

    --
    The government has a defect: it's potentially democratic. Corporations have no defect: they're pure tyrannies. -MIT Ling
    1. Re:Headphone & Speaker recommendations by Anonymous Coward · · Score: 0

      Yeah, I have a set of KOSS headphones myself. They're wonderful. It's too bad that there doesn't seem to be much support for positional audio on headphones (at least from the likes of Creative). It's easy enough to do positional on these gee-whilicker 500 speaker setups, but I really wish there were some surround sound headphones.

      Actually, I did look for such a thing a few days ago, and surprisingly, they do exist (not the terrible quadraphonics of yesteryear). Only Sony seems to be making them yet, and they're terribly expensive, but I hear they do do the trick. They've got built-in Dolby Digital 5.1 and everything. Plug 'em in and go.

  99. Creative Soundblabber, or Noiseblaster by lanner · · Score: 3, Insightful


    I bought a SoundBlaster Audigy card the last time that I upgraded my computer. I thought that Creative would have learned the lessons from making the SB 64, 128, and Live! cards, but no. My SoundBlaster Audigy makes a huge pop sound whenever the system is powered on or off. The sound also sometimes goes away while playing certain games. The AWE 32 Gold really was the last great Creative sound card -- trust those other posters who say so, they know it.

    If it was not for the fact that Aureal went out of business. and driver support under Windows 2000 and XP was so poor (or at least was the last time I knew), I would have never stopped using the Diamond MX300 Audigy 2 chipset based cards that I have. I even use one of the two cards that I have on my GNU/Linux desktop, which gives fantastic sound!

    As a systems administrator who is often purchasing hardware, Creative as a company does a really poor job. The driver nightmare is the worst. You find one of their cards, it has a model number on it, and the Creative website fails to list it -- it is like they don't support it. Sometimes you can find the product by name, but finding the drivers that you need on their website is a terrible. Just figuring out what product you have based upon their model numbers is a real challenge.

    Creative sound cards are heavy on the marketing. What the hell can the justification for a consumer, NOT professional (Ask a pro, they will tell you, Creative = bad) sound card that costs over $80 be?

    Creative is a really good example of a company marketing strategy though. They have really managed to build a demand for a product. It is like printing money, once you convince people that your product is worth more than it really is for the sake of status or whatever the reason is that people continue to buy Creative sound cards.

  100. Serves you right by Anonymous Coward · · Score: 0

    God, I love it when some Windows-using goober gets fucked over by Microsoft technologies.

  101. Oh Great - now I can play my Mp3s by Anonymous Coward · · Score: 0

    With the exception of a _FEW_ people who _MAY_ be doing real/commercial level audio work with these things - What gain does it offer the rest of us?

    I can just see it now - I can play my MP3 Collection through this thing so I can hear all the loss in the compression methods. YUCK!

    This is simialr to HDTV debacle - where's the source? And who's got the rest of the equipment for the (limited) source to be heard properly?

  102. Audigy 2 by John+Pfeiffer · · Score: 1

    I have one of these in my new workstation that I built a month ago (as well as their Creative Inspire 6600 6.1 speakers), all I can say is that it's a great piece of hardware :)

    The 'Audigy drive' you get with the Platinum is great too (I own an Audigy Platinum as well, so I knew what I needed.) It gives me a great place to plug in headphones complete with independant volume control. And it even has TOSLink optical out for my MD player :)

    --

    Friend: "The NIC is misconfigured..." Me: "No prob, I'll just telnet in and fix it." *Silence*
  103. A marketer at work by GunFodder · · Score: 1

    I don't see how DVD-Audio support is a "massive benefit" to any product line. The recording industry would love a new standard that they could charge more for. It must be considerably more expensive to produce albums with 5.1 channels, which raises the barrier of entry to the business and protects the big 5 from competition. Good thing they'll all be bankrupt before most people lose their minds and decide that they want to pay 20 bucks for 5.1 channels of Britney Spears.

  104. Re:+'s and third party drivers to remedy creative' by op51n · · Score: 1

    well that was part of my point about hating Creative and their support!
    Unless KXproject have done any linux work for the emu10kx's.
    But as i say, I've had no need to check up on it for a while.

  105. recording industry greedy and stupid by GunFodder · · Score: 1

    DVD-Audio may be the last hope for the recording industry. So they are going to make sure it is the perfect platform for generating revenue.

    CD quality audio is a lost cause. It can be massively compressed to the point where it can be shared on the internet easily. There is no built-in DRM which means that all later attempts at security must be bolted on. These attempts are either incompatible with many players or easily circumvented (or both).

    DVD-Audio is too big to copy to a CD bit-for-bit (don't tell the recording industry that recordable DVDs are going to be very cheap very soon :). It will take a few years for anyone to come up with a codec that can fit 90% of the quality of a DVD-Audio disc in a file that can be shared easily.

    To complete this perfect format DRM must be built-in, and apparently the licensing agreement for the codec is the mechanism.

  106. THX certification no suprise by My+Third+Account · · Score: 1

    Sure it's THX certified!

    You didn't think creative was going to spend all that money investing in THX if it wasn't going to use it, do you?

    How long before THX becomes more like a brand name than a technical rating ... ?

  107. Remember Aureal and how about USB? by Anonymous Coward · · Score: 0

    The SB Live as I remember it came out *after* the Aureal Vortex which was a market leader with 3D positional sound at the time. And Aureal had a (buggy closed source)linux driver, and it was cheaper than the SB Live, so that's what I got.

    After much heartache and kernel recompiling I finally got the Vortex to mostly work in Linux. It was fine in Windows - until the last year or so.

    Since Aureal went bust and was bought out by Creative, newer Windows games (like Warcraft 3) have stopped supporting the Aureal 3D sound sytem. (by crashing and locking up outright...)

    Along the way I bought some Yamaha USB speakers to run off the sound card, but have since ripped the sound card out and now operate on USB only.

    So now my Win games work and get this - Mandrake 8.0 (if it ain't broke don't fix it) detected the USB speakers out of the box with no configuration whatsever! I'm a happy camper.

    I only have a 2+1 speaker setup and don't need a fancy hi-fi card. I'd like to run a sound card again because it lets me run sound through my big hi-fi amp (this rocks) at the other side of the room. But to have to go out and blow more money on another card like the SB Live that is no better technically than an Aureal really sucks! And due to Creatives mishandling of the Aureal debacle I'm not going to buy another Creative product out of principle.

    What's a guy to do? At least I never bought a beta VCR!

  108. It's not that bad by Anonymous Coward · · Score: 1, Interesting

    I have been reading this tread and seems like just one long series of people who have been knoking the card and don't even own one.

    I would like to say that the the card is not as bad as most are saying. The drivers have improved greatly over the past few months and I have had no problems with crashes. The output from the card is clean and clear and has a much better dynamic range then older cards (SB PCI). DVD audio works as advertised and the surround sound works perfect.

    I am not saying the card is perfect though, for one there is no real linux support. Also, the driver's interface is bloated and could be optimized a lot, but it still work just fine on my system. Over all I have been very satifyed with this card.

    Just remember, just because a artical likes a product by a company that you might not, dosen't mean the artical is just restating the marketing. It might actuly be a good product.

    1. Re:It's not that bad by SuiteSisterMary · · Score: 1

      Will a DVD-Audio disc play in a standard DVD-Video pc drive?

      I've a Creative Labs 6x PC-DVD drive, and I'm thinking it just might be time to upgrade my workhorse Aureal 2 sound card....

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  109. Actually posting on Slashdot... by Anonymous Coward · · Score: 0

    makes you ALL dorks.

  110. Because analog hole is 1:1 (RE: SLOOOOOOoooow) by Anonymous Coward · · Score: 0

    NT.

  111. GUSsy, facts and madeupstuff by Anonymous Coward · · Score: 1, Informative
    1) ISA, everything was ISA in '92. Maybe VLB video/SCSI.

    2) Drivers? DOS drivers? No such thing. Winders drivers?

    3) So who needs FD? You could've added the DB16 which included a Crystal Semi 4231. FD was available. The stock GUS had no such DSP, but more like a bunch of ASICs and a 16-bit DAC (and an 8-bit ADC). Software is what made it perform, but few were capable of doing software for it, and the SDK 1.0 was basic, and the 2.0x still not there. You had to do it yourself to get it going good. Later GUSes bore little resemblance to the original, red-RCP GUS, and include W3x drivers, and possibly even beta W95. AW32 came not long after the GUS, maybe less than a year after.

    --------

    Re:AWE 32 (Score:4, Informative) by msaulters (130992) on Monday March 17, @02:45PM (#5531048) Good Point. Only reasons I'm not still using my old GUS: 1) it was ISA 2) driver compatibility issues 3) was not full-duplex, inasmuch as I can recall.

  112. Re:Er, the Audigy 2 has been out for almost 6 mont by afidel · · Score: 1

    try using the CL drivers with the VIA low latency patch (this is a third party patch that fixes a lot of the PCI timing issues present in many VIA motherboards).

    --
    There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
  113. Re:JESUS FUCKING CHRIST YOU'RE A DORK by Anonymous Coward · · Score: 0

    or maybe you're just dumb.

  114. Re; Backwards, 96kHz is far more useful by Jimithing+DMB · · Score: 1

    Sorry, I fail to see your logic here. You claim the 24-bit samples make more sense, but for what reason? They merely increase the granularity of the dynamic range. Personally, I have no issues with the dynamic range on a CD (16-bit samples). Often, the dynamic range has been expanded so much, it helps to compress it so that the softer sounds are at least somewhat audible.

    However, increasing the sample rate to 96kHz brings the audio vastly closer to the analog domain where there is no upper limit on the frequency. Because of harmonics and other phenomenon, it's quite desirable to increase the sample rate as much as possible.

    Of course, this is a Sound Buster card, so there's not much to say. To Creative, 96 kHz 24-bit is just fancy talk for "buy me 'cause my numbers are high". And Creative's customers will happily shell out the dough for this card and they'll actually think they can hear the difference between 44.1 kHz and 96 kHz on their shitty computer speakers.

  115. Best Audio card, nForce2 by darekana · · Score: 1

    And you get a free motherboard too.

  116. Wandering inexorably off topic by An+Onerous+Coward · · Score: 1

    Whenever somebody starts talking about bloaty, worthless software, I immediately think of the HP Officejet v40 my parents bought.

    The printer itself is pretty sweet. But the first thing the enclosed instructions tell you to do is pop their CD into the computer. It pops up with a single dialog button that says "Click here to install software," then throws about 300-400 megabytes of stuff into a couple of directories. When you reboot, you have shortcuts galore on your desktop, new things in your system tray... it was ugly.

    When I reinstalled Windows on their computer, I didn't reinstall anything for the printer, and yet it works like a dream.

    --

    You want the truthiness? You can't handle the truthiness!

  117. Bull. by 13Echo · · Score: 1

    Creative stopped being "the standard" when "Soundblaster compatible" cards were no longer an issue.

    Creative has one thing going for them. They have the largest penetration of the OEM market, at least on computers that aren't totally budget grade. Even now you see the old Ensoniq chips in VIA integrated boards. Frankly, Creative's products have been blow the competition for years. I'm not sure why people keep buying them. Turtle Beach, Hercules, even Philips have all had better cards.

    I agree about the Yamaha thing though. They're cheap and have hardware, real-time mixing. That is the best thing that you can have in Linux.

  118. More info on headphones? by Anonymous Coward · · Score: 0

    Those headphones sound great. I couldn't find the actual product you named (PRO-35) on Radioshack's site, but is this the same thing? They seem similar, but I know so pitifully little about audio gear. Thanks!

    1. Re:More info on headphones? by TropicalHotDogNight · · Score: 1

      No, they are catalog # 33-1122 (model # 115071 now, sorry I didn't check to see that they changed the model #). I don't know how to post the link here, but you'll find them on page 2 of the "Headphones & Essentials" at www.RadioShack.com.

      --
      The government has a defect: it's potentially democratic. Corporations have no defect: they're pure tyrannies. -MIT Ling
  119. Disregard the above by Anonymous Coward · · Score: 0

    Managed to find them on Koss' site. Looks like their normal price is $20. Thanks for the recommendation.

  120. Re:+'s and third party drivers to remedy creative' by Anonymous Coward · · Score: 0

    Fuck, the new Unreal 2 has broken EAX support. Turn it on, and you'll have random crashes (ok, not so random) every couple of minutes.

  121. Thanks! by Anonymous Coward · · Score: 0

    Thanks!