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Shawn Fanning Is Back Into Digital Music

prostoalex writes "News.com has a lengthy 3-page article on Shawn Fanning's new venture, Snocap. After years of development the company is coming out of the stealth mode and has apparently already secured a distribution deal with Universal Music, promising to turn file-sharers into loyal paying customers overnight. Both News.com and Associated Press are skimpy on the details, but apparently Snocap will market the technology that will (a) sniff out the files shared illegally and (b) fill the peer-to-peer networks with licensed content and serve as a clearing house for the ventures who want to license digital music, but don't want to deal with gazillion of music labels." (We mentioned Snocap last in January.)

231 comments

  1. What is the consumer interest? by Anonymous Coward · · Score: 4, Insightful

    Why would I bother with this when I already have an alternative that is free of charge, more secure, and has more content?

    1. Re:What is the consumer interest? by 2nd+Post! · · Score: 3, Insightful

      An alternative that might have consumer interest would have:
      MORE content. A lot of p2p stuff is modern or pop.
      MORE secure. Lawsuits aren't indications that the current medium is secure.
      MORE useful. Being able to find what you want quickly is great.
      MORE convenient. Being able to find what you want easily is even better.

      Free isn't the only selling point. iPods sell like hotcakes despite being not free. The iTMS also happens to be a popular alternative, though it hasn't YET hit the scale of free p2p, I only see it as an eventuality when it blankets the entire globe, when the libraries are universally licensed, and when the libraries are bigger then p2p libraries.

    2. Re:What is the consumer interest? by rdc_uk · · Score: 5, Insightful

      "iPods sell like hotcakes despite being not free."

      iPods sell like hot-cakes because they work with free. If they didn't, they wouldn't.

    3. Re:What is the consumer interest? by Anonymous Coward · · Score: 0

      ..and you know this how?

    4. Re:What is the consumer interest? by Jah-Wren+Ryel · · Score: 4, Insightful

      iPods sell like hotcakes despite being not free

      They wouldn't sell at all beyond the first couple of hundred if anyone could just press a button and magically turn one ipod into two for no extra cost.

      Since copying information is now effectively a cost-free operation, any business model that depends on charging for copying information is doomed to failure in the long term.

      Charge for searching a well-maintained index of music and movies.
      Charge for the creation and release to the public domain of music and movies.
      Charge for the delivery of music and movies on a physical medium like on a CD or in a theater.
      All of those add or create value that consumers will pay for.

      But don't try to charge for moving bits around in a computer, we can do that already so it adds no value and no rational consumer will pay for it.

      --
      When information is power, privacy is freedom.
    5. Re:What is the consumer interest? by Anonymous Coward · · Score: 0

      Why would I bother with this when I already have an alternative that is free of charge, more secure, and has more content?

      Panhandling is an easier alternative to working a job. Having unsafe sex is easier than using a condom. Driving your SUV half a block to the grocery store is easier than walking.

      Moral behaviour is the difference. Your alternative is all those things, but in using it to illicitly access licensed or otherwise commercial content you are acting against the wishes of those who created the content you are enjoying. Whether that should be legal or not is one issue... but it's indisputably rude.

      If you really have no ethical or emotional qualms about violating the express and implicit wishes of the people whose work you enjoy for your entertainment, then you have a point. I recommend seeing a psychotherapist, though; a void of guilt where remorse should exist can be a sign of far more serious problems.

    6. Re:What is the consumer interest? by Sarastrobert · · Score: 1

      Why would I bother with this when I already have an alternative that is free of charge, more secure, and has more content?

      You wouldn't and people won't I think. It is a great buisness for the record industry since they leave the distribution to us, the public, and just collect the cash for themselves.

      The one way this could become a hit was if the user providing the download got a small percentage of the price, for the bandwidth provided. Then maybe it could become something. But that, on the other hand, would open up all kinds of possibilities for fraud and deception.

    7. Re:What is the consumer interest? by Anonymous Coward · · Score: 0

      Free isn't the only selling point. iPods sell like hotcakes despite being not free.

      That's a total load of crap. Do you really believe that the average person buying an iPod is also seriously considering spending $20,000 at iTunes to fill it up? Of course they aren't. The sales of iPods are being driven by the p2p networks and the vast amount of music already available for free download, legally or not. Perhaps the typical buyer may spend hundreds of dollars for iTunes songs, amounting to some thousands over years, but the other 90%-95% of the storage space of an iPod is used to hold music obtained for free.

    8. Re:What is the consumer interest? by Anonymous Coward · · Score: 0

      ipods sell like hotcakes because they are hotcakes...

      even if they weren't free out of the box they sure as hell can be made free using linux...

      Oh... and when I say free I don't imply copying music, I implay open source implementation. Personally I own cd's or records which end up on my i-pod and that is fine by me. I don't mind paying for a product. I do, however, mind being shoved in a dark alley and co-erced into buying into a life-long scheme of crappy products with exorbitant rates...

    9. Re:What is the consumer interest? by Anonymous Coward · · Score: 0

      iPods sell like hotcakes despite being not free.

      Actually, you can get an iPod for free. Well, it isn't free as in time or effort, but it is free as in cost.

      Sound too good to be true? Wired has covered it as well as the New York Sun (Using Google cache because Slashdot doesn't like the NY Sun's URL) and Geek.com.

      So step right up and get your free iPod right here.

      --
      Free iPod Photo | Free Flat Screens

    10. Re:What is the consumer interest? by mmkkbb · · Score: 1

      lovely, a well-reasoned argument for turning art into a commodity. just what we need.

      --
      -mkb
    11. Re:What is the consumer interest? by bludstone · · Score: 1

      But don't try to charge for moving bits around in a computer, we can do that already so it adds no value and no rational consumer will pay for it

      Rational being the operative word. Most people are not rational.

      I agree with your sentiment though. I would absolutely pay for a well maintained index of music and movies.

      --

      no .sig
    12. Re:What is the consumer interest? by nine-times · · Score: 2
      I'd say "Mod parent up" or something, but you're doing fine on your own. I think you're correct, that the existing IP distribution business are doomed, or at least they're going to need to change.

      What should be looked at as an example is the difference between Cable TV and DVD sales. In an overly simplistic way, it's the difference between paying for communication infrastructure and paying for a physical medium. Well, in today's world, the medium is becoming more and more irrelevant, while the communication infrastructure is becoming more vital. Even if technology threatens medium-based sales, that doesn't mean there's no money to be made, that only means the business models must change.

      You can still charge for a login to the service. You can still charge for bandwidth. If you put every piece of recorded music available on the internet, that's a lot of data. The more data, the harder it is to find what you want, so you can charge for a means to sort through that data, to find the album you're looking for, or find a recommendation for another album you might like. And with all that data, you can surely charge (somehow) for storage space.

      I'm really just agreeing with you, I guess. I think there will always be money to be made, so long as you're providing a valuable service that people can't do for themselves. If you're not providing a valuable service that people can't do for themselves, then don't whine that you're not making enough money.

    13. Re:What is the consumer interest? by Simonetta · · Score: 2, Interesting

      Why would I bother with this when I already have an alternative that is free of charge, more secure, and has more content?

      Exactly.

      What the global music corporations (all five of them) don't seem to grasp is that P2P is so successful because millions of people are sharing. That means that they are deciding what they want to place in the P2P library.
      Music sellers have never before had a way to specifically identify which person likes which performer. Now a technique arises where people list on their PC that is open to the world exactly which recordings they like best and are willing to share with others. And they are getting all this focused market research for free!
      So what do they do? They try to take this gift from the gods and destroy it and put all their most loyal and interested customers in prison for giving them this information about their marketing preferences.
      So what if people are listening to recordings for free? It doesn't matter to them. They aren't even paying for all the recordings; the artist's do. The costs of producing the recording and media is taken from the sales receipts and added to the artist's signing advance payment loan.
      Imagine if you went to college on the same financial terms. You get a loan for tution to a college wholely owned by the group of five corporations that would 95% of the colleges in the world. Then when you graduate, you not only have to pay back every penny of the loan, but you only get to keep $2 of every $15 of salary that you make for your entire working life. And the college corporation decides what you will major in and where your job is going to be.

      That's two different threads with no segue, I know. The inability of the global media corporations to use the marketing data given to them by P2P and the stretch of an analogy between artist-music company relations and college-student financial relations. But, hey, this is slashdot!

    14. Re:What is the consumer interest? by zedmelon · · Score: 1
      iPods sell like hot-cakes because they work with free. If they didn't, they wouldn't.

      This seems to be an attempt at countering the point trapped inside a statement that essentially admits the point. That point was,
      Free is not the only basis on which a consumer will make a decision.

      Last I checked, the iPod wasn't exactly the cheapest option available for someone with the broad, generic goal of finding a portable player for their mp3 files. Anytime someone without a Mac buys one further makes that point an obvious one.

      --
      Mom says my .sig can beat up your .sig.
    15. Re:What is the consumer interest? by cve · · Score: 1

      The hotcake market is actually really bad right now thanks to the Low Carb diet fad. Our restaurant has had to switch to selling iPods.

    16. Re:What is the consumer interest? by 2nd+Post! · · Score: 1

      No, I believe that the average person buying an iPod already has spent $$$$ and is using the iPod in 3 manners:
      CD Jukebox
      Realtime Archive
      Live soundtrack

      As a Jukebox the iPod multiplies the value of your music. A CD/music is useless to you if you can't access the one you don't have on you.
      As an archive the iPod doubles the value of your music. It means you can lose/destroy your $300 iPod and still have your iTunes music library, and you can lose your computer/iTunes music library and still have your original CDs/collection in hard format. This means $600 of CDs (40-70 CDs) is doubly insured against loss or damage. Or $2,400 of CDs (160-280 CDs)
      A live soundtrack means you have music all the time. Your CD/music is useless to you if you can't listen to it.

      I've only spent $8 on iTMS, but over $3,000 on CDs alone in my short life.

  2. I'm already pretty loyal. by teiresias · · Score: 5, Interesting

    promising to turn file-sharers into loyal paying customers overnight.

    Hasn't this already happened??

    --
    -Teiresias
    1. Re:I'm already pretty loyal. by Wicked187 · · Score: 2, Insightful
      Yes, this has happened, but not in a peer-to-peer sense. This allows the peer-to-peer infrastructure to be used to distribute, but also makes sure that licensed material is tracked and accounted for.

      --
      Politics, Life, and More on my Aspiring for the Future
    2. Re:I'm already pretty loyal. by cL0h · · Score: 1

      Yeah Right. All peer to peer has ceased at my company but people still have password protected network shares with all their music backed up. Barring a total 1984 style crackdown the music industry will never completely stamp out piracy.

      --
      cL0h
    3. Re:I'm already pretty loyal. by PoopJuggler · · Score: 1, Funny

      You mean cracking down on Van Halen's "1984"?

    4. Re:I'm already pretty loyal. by DigitumDei · · Score: 3, Interesting

      Its brilliant business idea in the end. The music industry gets paid, but its other peoples bandwidth being used.

      Imagine if iTunes only had to pay for the bandwidth to have a song downloaded once for every 100 sales. I think their accountants would be salivating at the thought.

      From the perspective of someone downloading from a country with limited international bandwidth (here in South Africa our downloads from the US can be painfully slow even with DSL), this brings up the possibility of downloading from many sources nearer to you than the original shop.

    5. Re:I'm already pretty loyal. by DigitumDei · · Score: 1

      Just to clarify what I meant by brilliant idea. I think its a good idea for people wanting to legitimatly buy music. I somehow doubt its that good an idea as far as converting the pirates though.

    6. Re:I'm already pretty loyal. by yetdog · · Score: 1

      It might be a brilliant business idea in theory - what with the industry getting paid without ponying up for bandwidth - but it absolutely sucks in reality. I'm not a big P2P'er anymore, but anytime I try to get onto Kazaa, with it's millions of users at petabytes of content - it takes a damn long time to download anything that I'm looking for. Searches might turn up thousands of hits, but connecting to, and downloading at a decent speed, any content I want, is by far another story. The "industry" shouldn't be able to charge for a service whose effectiveness and performance isn't determined by the entity receiving the money.

    7. Re:I'm already pretty loyal. by Anonymous Coward · · Score: 0

      Yes I cant wait to turn my lucrative illegal file sharing racket into a shitty pay per song service..

    8. Re:I'm already pretty loyal. by MindStalker · · Score: 1

      Don't think kazaa, think itunes with bittorrent downloads.

    9. Re:I'm already pretty loyal. by Anonymous Coward · · Score: 1, Funny

      oh please god, let the crackdown begin!!

    10. Re:I'm already pretty loyal. by excaliber19 · · Score: 1
      Hmm, so now I can use my own bandwidth (and money) to provide "legal" songs for others. Furthermore, I can suffer the slow and crappy connections of others so I can pay for "legal" music? Wow! What a deal!

      If i'm going to pay for music, why wouldn't I just use iTunes or some other service, download from a reliable and fast service, and not waste my own bandwidth?

      The idea is retarded. The only reason P2P is nice is because you can get content from other sources in a decentralized manner. But if you have to check with a central source anyway to determine if your download is "legal", then that source should provide the actual download itself. This is just a way for the business to host a "Music Download Service" without actually hosting the music. Instead, they are freeloading off the users. Beautifull business strategy, another way to stick it to the consumer.

    11. Re:I'm already pretty loyal. by 16K+Ram+Pack · · Score: 1

      Is the industry going to pay me back for people sucking up my bandwidth, then? I already think most download services are a joke, charging nearly as much as a physical album and in a degraded format with no notes, no media and no case.

  3. Sounds more like snooozecap by SimianOverlord · · Score: 2, Insightful

    Material that is available for legal distribution is just too boring to attract subscribers, at least currently. (Musically that is, so Project Goethenberg aside)

    --
    Meine Schwester ist sehr, sehr reizvoll - Nietzsche
    1. Re:Sounds more like snooozecap by Anonymous Coward · · Score: 1, Funny

      ". (Musically that is, so Project Goethenberg aside)"

      Some kind of swedish public-domain pr0n library, I presume?

    2. Re:Sounds more like snooozecap by Anonymous Coward · · Score: 0

      The real value of this is that the music companies are opening themselves to new technologies. They have been trying to bane the new technologies rather than take advantage of them.

      I see them as dinosaurs that eventually will disappear. In the future the music artist will publish their music by themselves without paying huge amounts of money to the record companies.

  4. Hrmmm... by Anonymous Coward · · Score: 5, Funny

    "promising to turn file-sharers into loyal paying customers overnight"

    Other side-projects include:

    Turning lead into gold. (codenamed "sorceror's" stone, for american market)

    Project "elixir"; granting licensees eternal life.

    Research into rocket powering pigs, and hell-proof cats.

    1. Re:Hrmmm... by DarkMantle · · Score: 1, Funny

      Project "elixir"; granting licensees eternal life.

      I first read that as "External life" and thought it sounded more interesting. But those pigs sound like fun... If they crash you get instant bacon.

      --
      DarkMantle I been bored, so I started a blog.
    2. Re:Hrmmm... by LiquidCoooled · · Score: 2, Funny

      The evil wizard SCOron owns all rights to magical, mythical wizardry and alchemy.

      You must pay 699 frogs legs per spell to use his magic.

      --
      liqbase :: faster than paper
    3. Re:Hrmmm... by Anonymous Coward · · Score: 0

      Also:

      Snowball fireproofing
      Water-wine and Flesh-cracker transmogrifiers
      Linux on the desktop

  5. Hope they don't turn it the other way round by mirko · · Score: 3, Interesting

    What if they force the Internet provider to wipe any file that is not signed by them and thus prevent these p2p networks to be used for Free contents ?
    As a provider of such files, I think I'd have a problem because I want my Free files to circulate freely so they'd better have a good sniffer.

    --
    Trolling using another account since 2005.
    1. Re:Hope they don't turn it the other way round by Anonymous Coward · · Score: 0

      This would be pretty restrictive on the internet traffic. Where would the buck stop, any audio file that not signed by them might be illegal content. Not to mention providing conclusive proof that a file is a copy of illegal music without manually listening to it. Just thinking of the resouces that that would eat up.

    2. Re:Hope they don't turn it the other way round by mirko · · Score: 1

      Think business : if it force people to buy more hardware/software license from vendors, then they might make it happen because they'll earn money from it anyway.

      --
      Trolling using another account since 2005.
    3. Re:Hope they don't turn it the other way round by Queer+Boy · · Score: 1
      What if they force the Internet provider to wipe any file that is not signed by them and thus prevent these p2p networks to be used for Free contents ?

      Because in a business model, it is not cost-effective for an ISP to monitor its own traffic. At this point, no one is going to pay more than ~$20 a month for dial-up and ~$40 a month for broadband.

      If ISPs had to start monitoring all their traffic, they'd have to buy new hardware, software, hire more employees to do the checks, hire more employees to inform customers of violations, etc. Who do you suppose will pay for that?

      --
      Not since Marie-Antoinette played milkmaid has looking simple and honest been so fake and complicated.
  6. DoubleTalk by Locdonan · · Score: 3, Insightful

    It seeks out and find illegal music, and then it fills the P2P networks with legal music.

    excuse me, but isn't sharing legal music still illegal? If not, then I got like 350 cd's everyone can have a copy of... come and get it!

    --
    If I wrote something witty, you would say I stole it from somewhere.
    1. Re:DoubleTalk by marcop · · Score: 2, Insightful

      "Legal" music in this context means music that the content provider is intentionally using P2P as a distribution medium.

      Second, the wording of the article isn't great. I think there is supposed to be a disconnect between the A and B point. In defense of the article author, they mention that there isn't a lot of detail mentioned. It seems that, first, it finds illegal music, flags this as illegal, and stops sharing it. Then it starts sharing out music that the music distributors want distributed over P2P.

    2. Re:DoubleTalk by prescot6 · · Score: 2, Informative

      I think it's aiming to fill the P2P networks with licensed music. This is the kind of music that you get from iTunes or Napster that can't be played without proper authorization. They don't care if you spread those files around, because they are useless.

      And, they are probably actually a good promotion. You can look at all these files that you aren't able to listen to, and you might be more likely to subscribe to a all-you-can-eat service like Napster to unlock all of these files...

    3. Re:DoubleTalk by rudi_v · · Score: 1

      They probably mean 'superdistribution', a DRM concept where everybody can legally distribute content, but the end-user needs to retrieve (pay for) the rights (including keys) to use the content. One could e.g. distribute a video clip with free viewing of the first 30 seconds but to see the remainder you need the appropriate rights.

  7. WMA by Sp4c3+C4d3t · · Score: 2, Informative

    Is it in WMA format? I read the article quickly and didn't see anything stating the format. But anyway, I refuse to pay for a WMA... or an MP3, even. Especially when there's DRM involved. There's no way I'm going to pay for a lossy Microsoft format.

    --
    Happy New Year, it's 1984!
    1. Re:WMA by Sp4c3+C4d3t · · Score: 1

      I pay for music in CD form, and rip to FLAC. It sounds to me like you need to smoke a joint and calm down, before you have a heart attack.

      --
      Happy New Year, it's 1984!
    2. Re:WMA by Anonymous Coward · · Score: 0

      Haha, you tried karma whoring for mod points and you got marked as a troll. a taste of your own medicine jack*ss

  8. In case you are wondering who Shawn Fanning is... by Jucius+Maximus · · Score: 0, Redundant

    He is the guy who created napster.

  9. What else are they offering? by wheelbarrow · · Score: 2, Interesting

    What else are they offering besides Shawn's name? That won't be enough when stacked up against ITunes and other competitors. There has to be a real consumer value. The percentage of their desired customer base that has heard of Shawn is less than 1%. An even smaller percentage care if Shawn is involved or not.

  10. Buisness model by CrazyJim1 · · Score: 3, Funny

    1: Identify illegal music downloads.

    2: ???

    3: Profit

    1. Re:Buisness model by sh1ftay · · Score: 0

      4: stfu

  11. How to go triple platinum overnight: by RandoX · · Score: 5, Funny

    FTA:Record executives say they are also interested in a feature that will track peer-to-peer requests for songs that aren't yet licensed for digital distribution.

    Just release a single titled "Teen sex anime barnyard hack crack lolita".

    1. Re:How to go triple platinum overnight: by Soul-Burn666 · · Score: 1

      Hey! That reminds me of a friend that told me he was looking for some lesbian pr0n to enlarge his collection... he waited for hours to d/l some 100mb movie called something like "hot lesbian action" and what did it turn out to be???
      A britney spears video clip.

      --
      ^_^
  12. CA Crack by Anonymous Coward · · Score: 3, Interesting

    Snocap will market the technology that will (a) sniff out the files shared illegally and (b) fill the peer-to-peer networks with licensed content and

    California crack must be pretty good these days as it still allows .COMers to have investors escape reality.

    The reality is CDs need to be priced at $2.50, $4.00 if it is good and new.

    Consumers are rebeling at paying $15 for a BTO or Abba that costs the media producers nothing to produce. Plus, many already owned the wax versions.

    The media induatry is slowly screwing itself.

    Now lets support fiber optics to a country that will put real content on the web, let the adverisers pay for it and open up WebTV for real so I can loose my cable company forever. This country has to have no time for the lawyers and stupid monopolistic legislation.

    1. Re:CA Crack by kfg · · Score: 1

      Consumers are rebeling at paying $15 for a BTO. . .

      Hey, they're just takin' care of business, every day. Takin' care of business, every way.

      Everybody, sing! Yeah, baby!

      KFG

    2. Re:CA Crack by Anonymous Coward · · Score: 1, Funny

      Hey, they're just takin' care of business, every day. Takin' care of business, every way.

      Everybody, sing! Yeah, baby!


      Excuse me, but do you have a license to reproduce those lyrics in a public area? We hold the copyright to "takin' Care of Business" by Bachman Turner Overdrive, and we demand that you cease and desist distributing the lyrics to our copyrighted works without a license.

      - RIAA

    3. Re:CA Crack by Simonetta · · Score: 1

      "Oh, baby, baby..."

      "Ja, Ja, I wrote that. That is my property. You pay me now."
      - quote from a drunken Danish drummer

      Actually no, Lars, you didn't write that. And you have no real claim to its ownership.

      In fact, all rock music and much pop music on the global charts was written originally by a little old blind African-American man who most of his elderly years sitting on a porch playing a guitar in front of general store in Gazeebo, Mississippi. A team of music historians in the 1930s on a WPA grant recorded his songs for the Library of Congress. A group of young folkies in the late 1950s in Greenwich Village found the records while researching 'the authentic sound'. The folk records made their way to England where the popular pop bands at the time were looking for a way to energize their stale 'boy-loves-girl' sound. Add lots of fuzz boxes, reverb, groupies, marijuana, and FM radio play and you have the current billion dollar music industry.

      But it was all written originally by that little blind ex-slave playing his guitar in Mississippi.

    4. Re:CA Crack by Usquebaugh · · Score: 1

      Robert Johnson was blind?

  13. old LPs, 8-tracks, cassettes by bodrell · · Score: 4, Insightful
    What I want to know is, if the music industry is so concerned that the music we listen to be "licensed," then when will we be able to hold up an old vinyl LP and say "I have a license, so I can download mp3s from any song on this album."

    No, that would be far too logical. Better to charge the consumer for a new copy in whatever medium is in vogue, and then prosecute the people who try to (justifiably) download all the old songs they have on cassette or acetate 78 RPM record.

    I'm just saying we should clear the slate. If it's all about having a license, then let it be about that. But I think I'm owed a few credits for every album I've purchased more than once.

    --
    Si la vida me da palo, yo la voy a soportar Si la vida me da palo, yo la voy a espabilar
    1. Re:old LPs, 8-tracks, cassettes by ViolentGreen · · Score: 1

      No, not far too logical; more like far too difficult.

      --
      Not everything is analogous to cars. Car analogies rarely work.
    2. Re:old LPs, 8-tracks, cassettes by silicon-pyro · · Score: 2, Interesting


      I see, so now I can go out and buy a casette that barely plays anymore from the used record store, and then rightfully download that album so that I can actually listen to it?
      </sardonism>

    3. Re:old LPs, 8-tracks, cassettes by olewis · · Score: 2, Insightful

      I see, so now I can go out and buy a casette that barely plays anymore from the used record store, and then rightfully download that album so that I can actually listen to it?
      Yes! Why not? If I purchase something, I own it. I don't care (or even think about) if I buy something new or used (as in a used CD store, or buying used clothes at a salvation army store). It doesn't matter. If I pay for it, it's mine, and I have the right to use it in anyway I see fit. It's our right, and we need to fight for it.

    4. Re:old LPs, 8-tracks, cassettes by Overzeetop · · Score: 1

      Well, um, yes. You've purchased a non-exclusive "license" to listen to the music on the tape, along with the physical media. The user who sold that tape to the store relinquished both the physical media and the license.

      If there is a cost for transmission of new data on an alternative media (or simply for transmission), you should bear that cost, but not for the cost of the license. It's worth noting that associated costs (printing, transfer to the new media, reproduction, and transit, and profit on those parts) are acceptable, but marketing and royalties are not. Marketing is one of the largest chuncks of cash for an album, because it can be limitless.

      Of course, the **AA don't see it this way because it's not in their financial interest. Licensing, to them, only occurs when no physical media exists.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    5. Re:old LPs, 8-tracks, cassettes by gphinch · · Score: 1

      Well, according to how the RIAA is prosecuting file-sharers (as I understand it), when you buy a CD you are just licensing the use of that music under certain terms, which is the majority of the cost, and a little to cover manufacturing. So since the only way they have currently to check if you have a license is to have the physical media, it doesn't really matter where you got it or what condidtion it's in.

      In reality though, they want you to buy the music in each new format that comes out, which means that they are just selling the physical medium, and not licensing the music. If these two seem to contradict each other, thats what expensive lawyers are for, to make them seem to be the same thing.

      --
      in bed.
    6. Re:old LPs, 8-tracks, cassettes by Alsee · · Score: 1

      (as I understand it), when you buy a CD you are just licensing the use of that music under certain terms

      False. Under US law when you buy a CD you own that copy of that music. It comes with NO LICENCE at all, because you do not need any licence.

      Exactly like books have never come with any licence at all.

      You only need a licence for public performance, or to make and distribute new copies. Basicly no consumer products ever come with a licence for public performance or making and distributing new copies, thus they do not come with any licence at all. Once you own a copy you can do pretty much whatever you like with it (including copying it) for personal use.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  14. Re:In case you are wondering who Shawn Fanning is. by Nos. · · Score: 1, Funny

    I though Shawn stole it from his roommate while the roommate was napping - thus the name Napster

    reference

  15. hasn't someone... by Bin_jammin · · Score: 0

    recalled his 15 minutes of fame yet? From the whole "napster" thing, to the nonsense in The Italian Job, I'm kind of sick of hearing about it. I really hope they aren't trying to capitalize on his name in order to sell music, it would seem like a shame to pimp yourself out to both sides of the fence like that.

    1. Re:hasn't someone... by AdamD1 · · Score: 5, Interesting

      I think people are vastly missing the point here. (Surprise.)

      The idea with Napster was that Fanning *always* said that he wanted to work with the music labels. The labels (and the RIAA) unfortunately hated his idea so they sued him out of existence. In my opinion, that was a mistake. The oldskool Napster would have been a fantastic method of tracking and eventually reimbursing labels, publishers and musicians. It was the first effective music distribution network. So no: he's never been "pimping himself out to both sides of the fence." The idea was that he always wanted Napster to become the leading legitimate online distribution method.

      Snocap monitors the contents of files being traded on current P2P networks (they don't say who but we could guess) and then reports that information back to a central server to monitor how often a file (of any type) has been traded and downloaded. That data can then be turned into invoices and sent to ISP's and their customers.

      With that information, he could then approach organizations like ASCAP or BMI, who already get similar information from BDI and other broadcast monitoring services, and use that information for charting purposes and for reimbursement to publishers. BDI charges for this service, and so could Snocap. Since file downloads are a mixture of a broadcast and an "owned goods" model, it's not being welcomed by the likes of ASCAP either but there are likely tons of other options in terms of billing / invoicing services for this kind of monitoring. Remember: This was *always* the plan for the original Napster.

      You can be "sick of" hearing Shawn Fanning's name all the time but the bottom line is he did have a legitimate plan for Napster to begin with which was summarily shut down by the record labels (who it likely would have benefited immensely had they followed it through its course.)

      I think Snocap is a potentially good idea for many reasons. Mostly because I do enjoy the current methodology of the numerous P2P products out there, and also because having worked in the industry, it takes a long time to get your hands on the kind of data which something like Snocap could provide. Snocap could inevitably replace Soundscan if it was proven to be both secure and reliable enough.

      If Fanning didn't do this it's questionable just how long it would take for an existing music industry company to do so.

      $0.02

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      --
      Because I can! [Brainrub.com]
    2. Re:hasn't someone... by prescot6 · · Score: 2, Interesting

      From the whole "napster" thing, to the nonsense in The Italian Job...

      First of all, why put napster in quotes like it is some sort of imaginary thing? And second, you're upset because a movie made a crack at a piece of pop culture?

      Napster was a huge deal at the time. And since the case ended, with the exception of the Italian Job reference, what else is so incredibly over-exposed about Napster that warrants bitching about being tired of it? And I also wouldn't describe him as "pimping himself out to both sides of the fence". He had a great idea and he went with it. So he had the choice of either sticking to his guns and having nothing or agreeing to play by the rules. I doubt that you'd do otherwise.

    3. Re:hasn't someone... by Mant · · Score: 1

      That data can then be turned into invoices and sent to ISP's and their customers.

      Isn't that going to require it to be very accurate at identifying song? Particularly not getting false poisitives, and sending a bill when no download occured?

      I've not heard of any song identifying technology that is close to accurate enough to this. As I said in another post I've used MusicBrainz and that isn't close.

    4. Re:hasn't someone... by Bin_jammin · · Score: 0
      I doubt that you'd do otherwise. Boy how you'd get that one wrong if you'd put money on it. I'm an extremely principled person, and I don't sell out if it compromises my principles. If it's something I'm against doing, no price is enough for me. Not that you'll think I'm honest, but thats' you. And I recall how huge Napster was at the time, because I was there too. But keep in mind he DID straddle both sides of the fence, because at the same time he was trying to work with the labels, his company was suing them for illegally using their market position as a monopoly to drive upstarts out of business.

      So far as pop culture goes, when a remake of a movie (which is a product placement for the new mini) becomes pop culture poking fun at pop culture, is when I say Enough. Everyone else is so content to let crap like this slide because it's no big deal, that they let the whole shebang slide down the drain. I'm an angry bastard about things like this because nobody else will be.

    5. Re:hasn't someone... by Pedrito · · Score: 3, Interesting

      The labels (and the RIAA) unfortunately hated his idea so they sued him out of existence. In my opinion, that was a mistake.

      Yeah, I have to chime in here. It was a HUGE mistake. In fact, there are a few people like me who are so pissed, we'll never buy from RIAA members ever again because of what they did to Napster. That may sound stupid or an excuse to illegally copy music. The fact is, I own cases and cases of legally purchased CDs and roughly 99% of my MP3 downloads were songs I already had in my collection but downloading was faster and easier than ripping myself.

      On top of which, a good number of the downloads that weren't in my collection led to purchases of CDs.

      If the music industry had found a way to work with its customers, who clearly wanted this medium, I would have been happy to pay for online music. But instead, they sued their customers and they sued Napster.

      So, my feeling now is FUCK THEM. They won't get another penny out of me. They want to make things right with me, they can send me a check for all the crappy quality cassette tapes that stuck to tape heads and got eaten up, or for all the CDs (you know, the media that's supposed to last forever), that got eaten by (Slashdot won't take my link to: http://www.ananova.com/news/story/sm_328113.html)
      Geotrichum fungus while I lived in Mexico.

      Yeah, that'll fucking happen. Fuck 'em. I suspect the RIAA will have a much shorter lifespan than I will. I think they've outlived their usefulness and that's going to become readily apparent over the next decade. The music industry business model will change, the power and the money will go to the individual artists, where it belongs, and the RIAA will be but a bad memory.

      And even if it doesn't happen, I'll keep hoping for it and I certainly won't help those assholes out.

    6. Re:hasn't someone... by lisaparratt · · Score: 1

      You're talking about the awful American remake aren't you, not the original classic?

    7. Re:hasn't someone... by prescot6 · · Score: 1

      Boy how you'd get that one wrong if you'd put money on it. I'm an extremely principled person

      Principled like you would do something illegal (whether you knew or not is irrelevant) and then, after it being defined illegal in court (so now there is no question as to whether you know or not), not change? I don't see how that's principled. It sounds more like your stubborn.

      I don't view that as being unprincipled, or playing both sides. I think it's more a case of adapting to circumstance. He put a lot of time and work into Napster, something that he believed in. And now he thinks that this technology can be improved and utilized in a way beneficial to both the record labels and the consumers. What's so wrong with that? He's not selling out, he's changing his approach. His old approach was deemed illegal. I don't think he's selling out by transforming an illegal good idea into a legal good idea.

    8. Re:hasn't someone... by Anonymous Coward · · Score: 0

      I think selling charting information is pretty much going to be a no go. You can already get better data (including playcounts) for free from something like this.

    9. Re:hasn't someone... by Bin_jammin · · Score: 0
      Where did I say I used Napster to steal music? I have 25gb worth of music ripped directly of of CDs I own. Doesn't mean I've never seen Napster used. I've held guns before too, does that make me a murderer?

      When does changing an approach or whatever you want it to be called become selling out? How far do you have to justify it to yourself before it becomes repulsive to you? To me, I refuse to set the bar ever higher, once is enough for me.

    10. Re:hasn't someone... by Zebbers · · Score: 1

      Whether or not a court deems anything illegal is irrelevant to having principles and morals.

    11. Re:hasn't someone... by AdamD1 · · Score: 1

      I believe at the time Napster was finally shut down (early 2000? or so?) Fanning was claiming to be working on pattern recognition technology in tandem with several researchers. Not metadata / tag reading, actual waveform pattern matching. This is because they wanted to circumvent someone putting up a Metallica song by naming it as a John Denver song. (for example.) Whether that's what Snocap ultimately turns out to be is unknown obviously but I'd still be interested to see what it is at least.

      I agree: as long as it's an open-source "I'll name that track whatever I want" system, then no there wouldn't be any accuracy at all.

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      --
      Because I can! [Brainrub.com]
    12. Re:hasn't someone... by shark72 · · Score: 1

      "The idea with Napster was that Fanning *always* said that he wanted to work with the music labels. The labels (and the RIAA) unfortunately hated his idea so they sued him out of existence. In my opinion, that was a mistake. The oldskool Napster would have been a fantastic method of tracking and eventually reimbursing labels, publishers and musicians. It was the first effective music distribution network. So no: he's never been "pimping himself out to both sides of the fence." The idea was that he always wanted Napster to become the leading legitimate online distribution method."

      Do you recall him acting in a friendly manner to the labels? If I recall correctly, he started up the service with the understanding that it would be used primarily for unauthorized distribution of the labels' intellectual property, followed by repeated denials that they were aware of copyrighted information being traded (although it was completely bloody obvious to anybody with a brain), followed up by repeated denials that they could do anything to prevent copyrighted material from being traded. If I recall correctly, the courts had to tell them to take action to remove identified copyrighted works, and then they required the copyright owners to jump through an enormous amount of hoops to do so. In other words, they were stonewalling. Sometimes stonewalling is an appropriate tactic, but it's not something you do when you want to "work with" another party.

      If Fanning and company really had good faith intentions of "working with" the labels, they would not have taken these tactics. A more appropriate, and very easy, approach would have been to tell the labels:

      You're right. We're sorry. Our service has been used to facilitate the unauthorized copying of your property millions of times over. We'll shut down the service until we can work these issues out. Let's work together on doing so.

      But they didn't. They stonewalled every inch of the way.

      Business is business. A big part of business is treating the entity with which you wish to do business with just a bit of respect. I've been involved first-hand with deals with Microsoft, Yahoo, and other big names, and common courtesy is rule #1. This is such a huge no-brainer in the business world that I can't fathom why anybody would be shocked that the record labels litigated rather than "working with" them.

      If somebody tried to sell me yard care services by taking a shit on my lawn, I would have zero interest in working with them. The record labels took a similarly dim view. What would you do in that situation -- work with the people who shit on your lawn, or the people who treat you with respect?

      --
      Sitting in my day care, the art is decopainted.
  16. SQL by clinko · · Score: 1, Funny

    SELECT * from tblArtistlist WHERE
    artist = @SearchArtist and not in (Select Artist from tblBannedArtist)
    OR @SearchArtist = 'Metallica'

    1. Re:SQL by Anonymous Coward · · Score: 0

      SQL

      Aah!

      *runs*

    2. Re:SQL by Anonymous Coward · · Score: 0

      That will return all artists if the search artist is Metallica.

      You mean this:

      SELECT * FROM tblArtistlist
      WHERE artist = @SearchArtist AND
      ( NOT artist in (SELECT artist FROM tblBannedArtist) or artist = 'Metallica')

      You're welcome.

  17. relatable by Mr_Silver · · Score: 4, Interesting
    It would not suprise me if his company has signed a deal with relatable whose acoustic fingerprinting technology is used in applications such as MusicBrainz.

    Therefore every time you submit your MP3 TRM's to MusicBrainz, who in turn pass them onto relatable, his company can use that data to identify the songs on the P2P networks.

    Far more accurate (although slower) than looking at the title of the files. Additionally, changing the metadata within the MP3 won't make a difference.

    --
    Avantslash - View Slashdot cleanly on your mobile phone.
    1. Re:relatable by Mant · · Score: 1

      While useful, I only found MusicBrainz any good when the file had a tag that had two out of three for the artist, album or track name.

      To be honest, that is all I thought it used, I didn't know the TRM actually came from the music not the metadata. It doesn't seem very good then.

    2. Re:relatable by Mr_Silver · · Score: 1
      While useful, I only found MusicBrainz any good when the file had a tag that had two out of three for the artist, album or track name.

      I would hazard a guess that in order for relatable to speed up the time searching their database, they make the assumption that two out of the three tags are reasonably correct. This can quite significantly cut down on the possible entries to look up.

      If they removed this restriction, it would probably be more accurate - but take far longer to identify the track.

      --
      Avantslash - View Slashdot cleanly on your mobile phone.
  18. Lame site? by cmstremi · · Score: 0

    That that the real web site or are they bracing for a Slashdotting? Where's the information?

    1. Re:Lame site? by prescot6 · · Score: 1

      I think they're not ready yet. This will be another story on another day...

  19. Re:and compatible by Technician · · Score: 5, Insightful

    Why would I bother with this when I already have an alternative that is free of charge, more secure, and has more content?


    These people forget that the DRM'ed content is incompatible with my living room DVD player, my car CD player and my portable MP3 player.

    I gathered from the article that a dealer could forward a copy and the reciepient could then buy it. It sounds like buying the DRM key to unlock it to me. My hardware can't use that content. Get a clue guys.. Use a universaly accepted standard.

    This is as useful to me as if you came in to my store and only had Lyra and not dollars. I'd send you away to get it exchanged into something accepted here. DRM music has the same problem. I won't take it. I can't use it. Calling it music doesn't make it playable any more than calling Lyra in the US money makes it good for buying things here.

    Just because I can use it somewhere doesn't make it universal in my location.

    --
    The truth shall set you free!
  20. Re:CA Crack and Legal Maneuvering by borkus · · Score: 1

    I'm wondering if there is a legal twist here -
    1. Create software that can plug onto P2P technology to prevent free downloading of content.
    2. Offer software for free to various P2P software projects.
    3. When developers refuse, take them to court because they won't add the copy protection plug-in.
    4. Sue anyone who's using a non-DRM client for said P2P software.

  21. Music is like pr0n by 5n3ak3rp1mp · · Score: 5, Insightful

    Music is like porn. There is tons of free porn out there, but the porn business is still booming. When a person "consumes" pornographic media, their desire for more generally increases. I believe the same goes for music. My exposure to easy music downloads has only served to increase my general interest in music. I listen to more genres and artists now than I ever thought imaginable a few years ago. And I have paid a decent amount for new music as a result, via the current channels.

    1. Re:Music is like pr0n by LiquidCoooled · · Score: 1

      When a person "consumes" pornographic media

      Isn't that commonly known as swallowing?

      --
      liqbase :: faster than paper
    2. Re:Music is like pr0n by Lu+Xun · · Score: 1

      Yes, but nobody wanks off to music.

      --
      That's not a soda... it's a caffeine delivery device!
    3. Re:Music is like pr0n by neko9 · · Score: 1

      how you can be so sure? ;-)

  22. Already tried this... by Superfreaker · · Score: 3, Informative

    We did something like this under contract from teh record labels. We placed drm on windows media files and distributed them on p2p networks. At first, silently delivering licenses to the media player to encourage seeding, then flipping the switch to require a payment before play.

    It was easily defeated by the fact that people don't download Windows Media Player files for audio tracks. Almost always they get mp3s w no drm. No mp4, that may be a different story. Of course, you can "wrap" an mp3 file with drm as well, but it should suffer the same fate as those files on the networks that are loops/screeching audio that only have a small inpact on the network. Just mho.

    fyi, it turned my stomach to implement such a system and we have abandoned drm completely since then.

    1. Re:Already tried this... by juuri · · Score: 2, Insightful

      fyi, it turned my stomach to implement such a system and we have abandoned drm completely since then.

      But not too much, right? I mean, you did do it.

      Look people sometimes you have to stand up for what you believe in, no matter how trivial it might seem to others or how hard it might be. I've walked away from a job before so I know first hand the hardships it can create but when you do look back on your past instead of regret over an action, you feel pride in yourself. Stop rolling over.

      --
      --- I do not moderate.
    2. Re:Already tried this... by Anonymous Coward · · Score: 0

      lol. I love the holier than thou's that take this stance. So you would turn down a job no matter what the circumstance? If you say "yes" then you are simply uninformed of realities that people face.

    3. Re:Already tried this... by LiquidCoooled · · Score: 1

      Unfortunately, a monthly pay cheque is more important than pissing off a group of us geeks.

      Our principles are important to us, and there are limits and boundaries. There is a fine line we must walk.

      Its like spam, I gather at some point or another, most developers in a company will be asked to produce a "marketing deployment interface".
      All well and good to keep in touch with your existing customers, then it gets a bit cloudy when they ask for an extract from this cd they just bought.

      We can raise our concerns, but if we forcefully decline, then its time to look for another job.

      Remember, a few people still work at SCO.

      --
      liqbase :: faster than paper
    4. Re:Already tried this... by Superfreaker · · Score: 1

      "Remember, a few people still work at SCO. "

      A few GOOD people still work at SCO.

    5. Re:Already tried this... by Anonymous Coward · · Score: 0

      "loops/screeching audio"? Merzbow? ;-)

  23. Bad Idea. by csplinter · · Score: 0

    I'd say this a very poor decision on the part of the record companies. If they put in a infrastructure were cds are taken out of the mix whats to stop artist from saleing the wares directly to the customer once a large portion of the market is comfortable buying music off a p2p network. I think this could be the first step towards a system were the artist get the money they deserve. I for one welcome are new fileshareing overlords.

    1. Re:Bad Idea. by prescot6 · · Score: 1

      I think this could be the first step towards a system were the artist get the money they deserve.

      And this is a bad idea because... ?

  24. Shawn Fanning Is Back Into Digital Music by JohnGrahamCumming · · Score: 4, Insightful

    And I know I speak for many people when I say: "Whatever".

    John.

    1. Re:Shawn Fanning Is Back Into Digital Music by david.given · · Score: 2, Funny
      And I know I speak for many people when I say: "Whatever".

      Don't forget the sizeable number of people, myself included, who read the headline and said: "Who?"

    2. RE: Shawn Fanning Is Back Into Digital Music by Queer+Boy · · Score: 1

      I didn't know he was ever in digital music. I was pretty sure he was into P2P applications.

      --
      Not since Marie-Antoinette played milkmaid has looking simple and honest been so fake and complicated.
    3. Re:Shawn Fanning Is Back Into Digital Music by TLSPRWR · · Score: 1

      Hah... Seriously!


      Really... Who?

  25. Napster and the Likes by motionb · · Score: 1

    Is there any place that allows you to burn or transfer files to mp3 players all you want, when i download a song from say napster, i can only burn it like 3 times. Right now i am playing in my Church band, alot of times we play the same song several times every few months, when i get the song list for that week, i burn the ones we are playing to cd and listen to them while i am driving around doing my work. I have been playing music for 20 yrs. but not Christian music, so I need to hear the song a 10 - 12 times to get it in my head. After burning it 3 times thats it, no more burning that song, thats just STUPID, plus you have to use they're burn engine. I want somewhere that if i buy the dern song i can burn it 50 million times if need be, i paid for it!!! I guess the only other alternative would be to hook up an MP3 player in the car.

    1. Re:Napster and the Likes by Anonymous Coward · · Score: 0

      Three easy steps to circumventing the 3 burn rule 1. burn to cd 2. rip from cd into unprotected mp3

    2. Re:Napster and the Likes by lukewarmfusion · · Score: 1

      Since you're already working with a compressed, lossy format copy of the song, you probably don't care about the fidelity or quality that much. So my suggestion would be to use another program to rip the song from your burned CD. There may be software out there to remove DRM restrictions on music from your specific service, but iTunes has shown that they can and will change the DRM to make it harder to get around (with that method).

      So what I'm saying is that you can burn it via Napster's software, but then rip it from the CD into whatever format/software you want. Personally, I've been using iTunes for ripping CDs because it's fast enough for me and it's extremely easy/mindless.

      If that fails you, you can always run your CD player into your microphone jack and record it that way. There's nothing they can do to stop that kind of copying.

    3. Re:Napster and the Likes by Plasmagrid · · Score: 1

      Those files need to be in a folder someplace
      if they are in MP3 file extension then just get a program like NERO and burn 50 million times
      plasmagird@yahoo.com

    4. Re:Napster and the Likes by TLSPRWR · · Score: 1

      I've been in this predicament before. I play in a Christian band as well and when we learn new songs, I often download the original song (off P2P networks ::gasp::, if I can find it) so I can learn it. I just want that one song, I don't want to buy a compilation CD, I don't want a DRMed piece of junk that I can't burn or listen to on anything but THAT player. I want to be able to play it on my computer, in my car, and through the sound system we use. DRM doesn't do that for me.
      If there were a service that would provide this for me, I'd gladly pay $.99 per song for it, but until then... No thanks. You won't get any money from me because of that.

      While we're on this subject... when you download the songs, you can only burn them to cd 3 times, right? Well, can't you just copy the CDs (drive to drive), or rip the CD as mp3s? Just an inconvenient way to get what you want, psuedo-legally I guess.

  26. Re:and compatible by Anonymous Coward · · Score: 0

    Lyra? I that some kind of fabric?

  27. What's new here? by kauffee · · Score: 4, Insightful

    Once this is implemented, people will still have to reach into their pockets and pull out their credit cards. At that point, it becomes no different than iTunes or the "new" Napster or any of the others. Everyone downloading free music from those networks will just move on to the next free network. Is there something I'm missing here that makes this time different?

    1. Re:What's new here? by Mr+Guy · · Score: 1

      I believe the point you are missing is the vast majority of people, despite claims to the contrary, don't have a bit of problem with paying for something they perceive as having value. What they object to is paying more than they feel it's worth as well as not being able to use it the way they want to.

      iTunes does great and it would appear rival services are making money as well. People just don't want to pay for the distribution services when the distrobution service is unneeded at this point.

    2. Re:What's new here? by Soul-Burn666 · · Score: 1

      Actually I've read numerous times here on Slashdot that iTunes itself is hardly breaking even, and they use it to make more people buy iPods, which indeed cost a lot.
      The reason why they hardly break even is the HUGE royalties they need to pay the RIAA.

      --
      ^_^
    3. Re:What's new here? by Anonymous Coward · · Score: 0

      iTunes makes a few pennies per song, which isn't even enough to cover payment processing when people buy a low amount of songs at a time.

    4. Re:What's new here? by Mr+Guy · · Score: 1

      Does great is loosely defined. I should have said, moves a lot of music. If they got out of the RIAA fee they'd be making money hand over fist, which is why it surprises me they don't do more to push the independent labels.

      Also, it concerns me when you use the phrase "read numerous times here on Slashdot" as if that was a good source of accuracy! I hope you mean, read in reliable linked articles!

  28. ipod has perceived value == sales price by SmallFurryCreature · · Score: 1, Interesting
    That is the whole problem. Those of us who download music feal that the perceived value of a cd != the price it sells for in the shops.

    Perceived value is extremely important and explains who soda drinks can vary so much in price. Why can an event hall sell the exact same can at a ten fold the supermarket sells it? Certainly there costs can't be that much higher?

    Why exactly can toll roads charge so much when most of the people on the road make less salary in the time it takes to drive around? Because they perceive the product they are buying as being worth the higher price.

    ipods are worth it, cd's are not.

    To counter some of your points.

    MORE content. P2p has illegal bootlegs, p2p had the live aid concert for ages with the dvd only being out now.

    MORE secure. No credit card to be stolen.

    MORE useful. I still can't find that bootleg on iTunes. Or that alternative band.

    MORE convenient. Yeah paying 99 cent +++++++++ my internet connection is so convenient. I don't know what salery you make but I can spend a few minutes searching for 99 cents.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:ipod has perceived value == sales price by ViolentGreen · · Score: 1

      MORE convenient. Yeah paying 99 cent +++++++++ my internet connection is so convenient. I don't know what salery you make but I can spend a few minutes searching for 99 cents.

      Internet connection is a moot point here since you pay for it with either distribution method.

      The problem with current p2p is that you don't know what you are getting until you get it. You have to download 20-30 songs before you actually get what you are looking for. Don't even try looking for new stuff on p2p networks either because you will get fake files or renamed files. I was searching of Echo and the Bunnymen track from the late eighties that ITMS didn't have. After getting several hits on p2p networks, it took me several days for me to work myself up the remote queue.

      ITMS is convenient. You pay 99 cents and then 10 seconds later you have exactly what you want at the quality expected on purchase.

      --
      Not everything is analogous to cars. Car analogies rarely work.
    2. Re:ipod has perceived value == sales price by 2nd+Post! · · Score: 1

      So a few minutes = $0.99
      Lets say three minutes
      Or $0.33 a minute. If you work 8 hours a day, 40 hours a week, 4 weeks a month, that's a little over $3100. You're telling me your time is worth $19.80 an hour.

      So if you earn more than that, spending a few minutes looking for a song is actually a waste of time. If you earn, say, $25 an hour, then that minute you spent looking for music could be better spent elsewhere.

    3. Re:ipod has perceived value == sales price by Anonymous Coward · · Score: 0

      That is the whole problem. Those of us who download music feal that the perceived value of a cd != the price it sells for in the shops.

      And there is another issue. Even if CDs were free at the store, it's still easier to download the music.

    4. Re:ipod has perceived value == sales price by MaxQuordlepleen · · Score: 1

      Unless of course you only search for music while you are being paid by your employer. Then it's free!

    5. Re:ipod has perceived value == sales price by AstroDrabb · · Score: 1, Interesting
      If you don't find the songs you want on iTMS, try allofmp3. I am not sure if they have as many songs as iTMS or not. Howver, the price is far better. Instead of paying by song, you pay by MB or GB of download. If you think about it, this is the best way to sell a song. It doensn't cost any more money to keep sending the same bits down a pipe, so why charge per song? I know Apple doesn't have this option because of the RIAA.

      With AllOfMP3, you can get 2.5 Gb for $25. If your average MP3 is 3.5Mb you can get about 700 for that $25 vs. $700 with iTMS. Most of that $700 for iTMS will go to the RIAA and Apple, with the artists as usual getting the shaft. Until that stops, I will never use a system like iTMS which just encourages the RIAA and Apple to take a larger share then what the artist gets. When I want to compensate an artist, I check their website for items to buy or go to their concert.

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    6. Re:ipod has perceived value == sales price by ViolentGreen · · Score: 1

      With AllOfMP3, you can get 2.5 Gb for $25. If your average MP3 is 3.5Mb you can get about 700 for that $25 vs. $700 with iTMS. Most of that $700 for iTMS will go to the RIAA and Apple, with the artists as usual getting the shaft.

      Yeah, I'm aware of that. You can do the "artist not getting much" rationalization all you want but if I'm going to purchase the song, I'd rather do so in a manner where the artist gets at least some of the money.

      Until that stops, I will never use a system like iTMS which just encourages the RIAA and Apple to take a larger share then what the artist gets. When I want to compensate an artist, I check their website for items to buy or go to their concert.

      So let me get this straight. You are going to support the artist by purchasing from a service where they see none of the money instead of one where do? Also, do you think that the RIAA doesn't get any of the money when you purchase cds off artists websites? Think again. They just cut out the middleman.

      You can rationalize away your cheapness all you want.

      --
      Not everything is analogous to cars. Car analogies rarely work.
    7. Re:ipod has perceived value == sales price by _anomaly_ · · Score: 1

      So if you earn more than that, spending a few minutes looking for a song is actually a waste of time. If you earn, say, $25 an hour, then that minute you spent looking for music could be better spent elsewhere.

      I see comments like these every now and then, but I can't resist responding...

      This argument, or reasoning, is just useless. No one spends 24/7 working (getting paid). So quantifying the value of your time can't be done this way.
      If it were a choice of working or downloading music, then yeah, sure it would work. But that's not the case. I'm sure lots of people download music at work when they should be working, but who would choose to download music OVER getting paid for work? If you can choose to download music instead, then it doesn't even make sense to argue this at all (money wouldn't be an issue, obviously).
      If I'm downloading music at home, after putting a 8 or 10 hour work-day, my salary shouldn't enter the equation at all in attempting to quantify the value of my time spent downloading. Instead, you'd have to compare the "value" of downloading the music versus the "value" of other things I *would* have spent my time on.

      These kinds of arguments aren't anymore useful than random (unfounded) statistics, like "98.3% of dogs have 4 legs", that people like to throw out.

      --
      "I have no special gift, I am only passionately curious." - Albert Einstein
    8. Re:ipod has perceived value == sales price by AstroDrabb · · Score: 1, Interesting
      Sorry champ, you are way off the mark. Not wanting to support the RIAA != being cheap. I am anything but cheap. I just won't continue to support a broken system. Also where in my post did I say I buy CD's from an artist site? I don't buy CD's. I buy other items and go to concerts.
      So let me get this straight. You are going to support the artist by purchasing from a service where they see none of the money instead of one where do?
      Do you know how much AllOfMP3.com pays artists? According to their FAQ:
      All the materials in the MediaServices projects are available for distribution through Internet according to license # LS-3-03-79 of the Russian Multimedia and Internet Society. Under the license terms, MediaServices pays license fees for all the materials subject to the Law of the Russian Federation "On Copyright and Related Rights". All the materials are available solely for personal use and must not be used for further distribution, resale or broadcasting.
      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
  29. Re:In case you are wondering who Shawn Fanning is. by Nick+of+NSTime · · Score: 3, Funny

    Congratulations! You win the award for Best Use of Obvious Information for Karma!

  30. Re:and compatible by Anonymous Coward · · Score: 1, Informative

    He means lira. Italy's previous currency.

  31. Creative Commons by bergwitz · · Score: 1

    How does this work with Creative Commons?

    --
    Evolution is just a scientific theory. Creationism is not.
  32. Suggestions for your Query by buddhaseviltwin · · Score: 1

    1. It should be AND @SearchArtist 'Metallica'

    2. Might I suggest a join instead of a subquery?

    SELECT * FROM tblArtistList As A
    LEFT JOIN tblBannedArtists As B
    ON B.Artist = A.Artist
    WHERE A.Artist = @SearchArtist
    AND B.Artist IS NULL AND A.Artist 'Metalica'

  33. "It is a necessity" by Zen+Punk · · Score: 2

    Digital media without DRM is like fish without bicycles.

    --
    Sleep is futile.
  34. Slashdot Filter <> Nice by buddhaseviltwin · · Score: 1

    Damned slashdot ate my <>

  35. Re:In case you are wondering who Shawn Fanning is. by Jucius+Maximus · · Score: 1
    " Congratulations! You win the award for Best Use of Obvious Information for Karma!"

    1. It may be obvious to you, but there are probably a lot of people out there who do not know who Shawn Fanning is or that he created Napster. Why do you take this superior, exclusionary attitude? This is the kind of attitude that causes Linux-zealots make Linux look really bad. This is absolutely not 'obvious' information unless you closely followed the Napster/Music Industry wars a few years back and actually remember the names.

    2. I already hit 50 karma back in 2001. This gets me no additional karma.

    3. Why are you posting an off-topic rant at +2?

    Congratulations! You win the award for best misuse of your high karma +1 posting bonus!

  36. It's "Stealth Mode" by ragingmime · · Score: 1

    When a startup company's developing technology, it'll spend a period of time in "stealth mode" - i.e. they won't release any information about what they're doing so somebody doesn't come and copy their idea while they're still working on it. The website must not have been updated since they came out of stealth mode. (Plus, having such little information available might make people curious about the company). Maybe check back in a week or two.

    --
    I produce electronic music and write little games. Have a look.
    1. Re:It's "Stealth Mode" by Anonymous Coward · · Score: 0

      Note the parts of the article that say SNOCAP had no comment. This was an unexpected press leak.

  37. you mean the philosopher's stone? by mandrake*rpgdx · · Score: 2, Informative

    Wasn't (in alchemy) the mythical philsopher's stone (not the sorcerer's stone....I have no idea that is.) that could aid in tranmutating objects without requiring the laws of equality (ie- alchemy works like an algeberic equation- for it to work both sides need to be equal. you cannot create something new out of nothing, just alter what already exists).

    1. Re:you mean the philosopher's stone? by lisaparratt · · Score: 1

      "Harry Potter and the Philosopher's Stone" was renamed "Harry Potter and the Sorcerer's Stone" for the US release. Presumably they thought American's wouldn't know what a philosopher was.

    2. Re:you mean the philosopher's stone? by Anonymous Coward · · Score: 0

      We know enough to not pluralize with an apostrophe.

    3. Re:you mean the philosopher's stone? by Planesdragon · · Score: 1

      Wasn't the mythical philsopher's stone* [something] that could aid in tranmutating objects without requiring the laws of equality

      No. The mythical philosipher's stone was an alchemical creation that could be used to either turn lead into an equal weight of gold (which is, after all, theoretically possible if you could manipulate the atomic structure directly) or create the Elixer of Life, which granted immortality (which is fairly impossible, given the necessity of aging.)

      As somone else already noted, "sorcerer's stone" was a re-naming of the same for the first Harry Potter book, by a British publisher who really, REALLY didn't know the American market.

  38. I fear for the kids of today by SmallFurryCreature · · Score: 4, Insightful
    This is a lengthy article? Geez. It would barely fill an A4. If you passed this is class as a lengthy article you would get a 1 for effort.

    Apart from being short it also repeats itself and is pretty light on the details. Basically it claims to turn an exisiting P2P application/network from having illegal files to only having legal files and legal downloads overnight. Ehm, how? and just as important. Why?

    P2P has this deal. In exchange for bandwith I get free content. With this in exchange for bandwidth and cash I get paid for content. So like iTunes and all the others except I need to upload as well? Oh and have a really crummy search?

    Right. Kazaa and others are what they are because I don't have to pay for what I download and because what is being shared is made by users. Bootlegs, old records, forgotten recordings, tiny bands. All the stuff you can't find in the shops.

    If I am going to pay for downloads I want the bloody receiver of my money to pay for the fucking bandwith and not have to download it from some guys 56k modem. Geez. Is the music industry insane or just stupid?

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:I fear for the kids of today by Lord_Dweomer · · Score: 1
      "Right. Kazaa and others are what they are because I don't have to pay for what I download and because what is being shared is made by users. Bootlegs, old records, forgotten recordings, tiny bands. All the stuff you can't find in the shops."

      The rest of your post was spot on, but I have to say you are very naive or enjoy lying to yourself if you think this is the reason Kazaa is what it is. Kazaa is and always has been about about downloading pirated material. Yes, there are other files on there that are perfectly legal, but the reason it has the user base it does is not because of people downloading the latest linux distro, its because of all the kids out there downloading the lastest eminem or britney spears.

      I'm not saying that the things you mentioned don't exist, but lets not sugar coat this any more than we have to.

      --
      Buy Steampunk Clothing Online!
    2. Re:I fear for the kids of today by ThousandStars · · Score: 1
      If you passed this is class as a lengthy article you would get a 1 for effort.

      You're probably right.

  39. Re:In case you are wondering who Shawn Fanning is. by sh1ftay · · Score: 0

    No, if you knew anything at all, you would know that Seth Green invented napster you insensitive clod!

  40. An Idea by Darthmalt · · Score: 2, Interesting

    Since they are tracking d/ls they should be able to see who is being d/led and arrange payment to the artists/labels for their songs being d/led.

    The money to pay them would come from legit banner ads within the program interface. Think about how large of an audience advertisers would be able to reach. I'm not talking about the usual hit the monkey and win but legit ads for things like upcoming movies tennis shoes etc.

    As long as the banner ads werent all that obtrusive and the prog didnt install any of the crap like the spyware that comes with KaZaa I would have no problem putting up with ads in exchange for free legit music.

    1. Re:An Idea by Anonymous Coward · · Score: 0

      Would these be the banner ads that flash by while my computer sits in the office overnight with the monintor off and I catch up on my beauty sleep in the other room?

  41. Napster Beta by Anonymous Coward · · Score: 0

    This was *always* the plan for the original Napster.

    And, in fact, it almost happened with the beta version of the new Napster. (Before Roxio bought Napster's assets, Napster was working on a new, legal version of the software that had been in a private beta test. I'm posting anonymously because at the time, we weren't supposed to talk about it, and Roxio may still have my info on file). You got "credits" for downloads (you'd presumably buy them with real money), and you could download auhtorized songs in MP3 or secure NAP format, depending on what the record label wanted. (You could only play NAP at the time of the beta; you couldn't burn it or anything). You could download these files directly from other people, but Napser also ran "seed" servers from which you could download the files directly.

    With those "seed" servers, all another client brought to the network was more bandwidth: there were the same number of files available, regardless of who logged on. I never really got why they bothered to make it P2P: if I'm paying for a service, I'm not going to provide the company's bandwidth! The only good thing about this is that I'd get random IM's based on my music collection, and I'd wind up talking to people who could reccomend music I'd like, which was very cool. That's the only thing I can see that would be cool about this new system (although if I'm not mistaken, that's present in some form in Roxio's version of Napster). And, of course, whether or not the files are DRM'ed (and what the terms of the DRM are) could make or break this. That, and the content: the Napster beta never got off the ground largely because most major labels wouldn't sign on.

    It sounds like SnoCap might be cool, but I'm not holding my breath for a breakthrough.

  42. Exactly. by saddino · · Score: 4, Insightful

    Clearly the tech industry media is hungry for "rock stars" but what most of us realize is that Shawn Fanning stumbling into writing a groundbreaking application does not make him a visionary. The same holds true for Marc Andreessen.

    Someone was going to write the first successful P2P app, and someone was going to write the first successful web browser.

    But being that someone doesn't make you a somebody worth caring about when the bright lights have faded.

    1. Re:Exactly. by kryptkpr · · Score: 2, Insightful

      The problem here is that yes, in hindsight, what these people have accomplished is obvious, and not really a big deal.

      But hindsight, as they say, is 20/20 .. foresight, not so much. It's very difficult to come out with the best thing since sliced bread, and these people deserve their share of credit for shaping the internet as we know it.

      --
      DJ kRYPT's Free MP3s!
    2. Re:Exactly. by saddino · · Score: 1

      It's very difficult to come out with the best thing since sliced bread

      No, it's very unlikely to come out with the best thing since sliced bread.

      It's only very difficult to try to come out with the best thing since sliced bread.

      IMHO, this distinction separates Fanning and Andreessen from the rest (Berners-Lee, Thompson, Joy, Wall, etc.) and explains why their post-namemaking accomplishments have been less than groundbreaking. I'm not saying they don't deserve credit for writing good code - they certainly do. But they don't deserve credit for technological prescience where there is none.

    3. Re:Exactly. by Anonymous Coward · · Score: 1, Insightful

      What about Linus? The bright lights are still on him, and he 'stumbled' into linux ages ago ;)

    4. Re:Exactly. by Lost+Race · · Score: 1
      The version of Napster that I downloaded and played with for five minutes before uninstalling it forever was definitely not good code. It was a half-assed program hacked together by a novice programmer to accomplish a fairly obvious task that could already be done in other ways. Much more talented programmers had the same idea before him, but dismissed it because they could easily see how to accomplish the same task with existing tools. Fanning didn't see the alternatives so he forged ahead with his own solution. Other networking novices who likewise couldn't see the alternatives found his solution useful. It turned out that there was a niche there for a highly targetted solution to a specific area (music) of a more general problem (peer to peer data sharing). He was neither innovative nor clever nor talented, he just happened to crank out the exact dumb little applet that the world was very very ready for.

      If he had been aware of why there was such great demand for his little hack, he would have been a lot more careful and avoided the giant gangbang he got from the copyright cartel.

  43. Re:In case you are wondering who Shawn Fanning is. by ViolentGreen · · Score: 1

    But it still doesn't render slashdot correctly...

    --
    Not everything is analogous to cars. Car analogies rarely work.
  44. Re:and compatible by jpellino · · Score: 2, Insightful

    "These people forget that the DRM'ed content is incompatible with my living room DVD player, my car CD player and my portable MP3 player."

    Did I miss something? I have iTMS and an iPod. if I want it in my stereo, I use a $4 cable or a $100 AP Express. If I want it on my home disc player or car disc player I burn a CD.

    and my iPod *is* an MP3 player, in common parlance.

    What's the hard part?

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
  45. Re:and compatible by computechnica · · Score: 1

    The only way to get content for your CD player is to only use services that allow CD burning like Napster-lite. Then you can rip them back to MP3 and you always have a backup copy thats not DRMd.

  46. No "Lobby of the people" by PornMaster · · Score: 1

    This would be simple to legislate... if the entertainment and retailing industries didn't have the $10 more per CD than they're worth to pay their lobbyists and lawyers.

    I'd be willing to pay a media replacement fee to get new media for the music I've bought.

    I've never heard anybody elected to office in Washington saying, "What about the people?" with regards to these things. It seems that Fair Use and other concepts are only justifiable in either a "what's the minimum we can let them have" or if an educational or library organization has lobbyists. It seems rather "fuck the people".

    I understand the concepts around intellectual property and the "fruit of your labors" concept, but the Constitution grants the government the authority to legislate such things To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;

    It's clear to anyone who's not directly impacted by the revenue generated by the exclusivity that it should end at some point.

  47. CDs by Anonymous Coward · · Score: 0

    Hey

    I don't know about all of you, but I personally enjoy having the actual CD when it comes to music. I have quite the collection, and it is a good time. You don't really experience a band when you are just listening to their manufactured singles, you've gotta buy their entire CD!
    But that's just me... a humble music loving fellow.

    Sam
    http://www.purevolume.com/nescienceredemption

  48. Take off like a zepplin by pkcs11 · · Score: 3, Insightful

    This won't fly. For many reasons, but primarily there will be no assurance that what this software removes is truly unlicensed or even the file it thinks it is. And with no way to recoup lost files, it essentially won't gain acceptance. Whoever is hailing this as anything other than draconic needs to be shot.

    --
    "I have an odd craving to whisper about those few frightful hours in that ill-rumored and evilly shadowed seaport of dea
    1. Re:Take off like a zepplin by Anonymous Coward · · Score: 0

      Mabye it will just remove the file from being shared, not delete the file from the hard drive itself.

  49. Re:In case you are wondering who Shawn Fanning is. by AvantLegion · · Score: 1
    There was a good "Italian Job" joke waiting to be made, but you ruined it for everyone by beating us to the punch with this limp offering.

    If you had put some creativity into it, you might be modded more Funny than +1.

  50. Re:In case you are wondering who Shawn Fanning is. by Rico_za · · Score: 1

    ooh, let me have a go:

    In case you are wondering what "Napster" is, it was the first big p2p sharing network, started in 1999.
    In case you are wondering what p2p is, it's peer-to-peer, and refers to a network not relying on dedicated servers.
    In case you are wondering when 1999 was, it's time to stop taking those drugs.

  51. Explaint ITMS by SuperKendall · · Score: 1

    They wouldn't sell at all beyond the first couple of hundred if anyone could just press a button and magically turn one ipod into two for no extra cost.

    Since copying information is now effectively a cost-free operation, any business model that depends on charging for copying information is doomed to failure in the long term.


    Ok then, explain the Itunes Music Store which is profitable in its own right?

    People will generally pay for something if it is right to do so, and they do not consider the price out of line. There is also value in diversity of content and guranteed quality.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Explaint ITMS by Overzeetop · · Score: 2, Insightful

      I think he just did. iTMS is a very easy to use indexing tool which offers a huge catalog in an easily searchable way. You only pay when you find what you want, and $.99 isn't all that much if you've just dropped $400 on a player, and you can rip your existing CDs. Remember, a lot of these folks would buy the CDs anywaym and then have to rip them themselves. iTMS is a huge convenience.

      And it's all about convenience. Apple has it down pat, and people are willing to pay for that.

      Having had several newbie experiences on P2P myself, a really good, complete indexing service I only pay for when I get content sounds good to me. Make the price closer to allofmp3, and nobody's going to bother getting music over P2P except (a) for the principle of it and (b) they have no money and no job (aka lots of free time) so the time they spnd on P2P has novalue to begin with. The former are a pretty small fraction of the market, and you're not going to get the latter to pay no matter what you do.

      --
      Is it just my observation, or are there way too many stupid people in the world?
  52. Re:In case you are wondering who Shawn Fanning is. by jasonbowen · · Score: 1

    This reminds me of back in the early nineties when I went to a movie theatre with friends to see Dances with Wolves. We had been drinking and one of the previews was for the Adams Family, it was just a black screen with the music and the finger snapping. When it was done, somebody in the theatre whispered, "It is gonna be about the Adams Family". I was drunk and my self censor was turned off and bellowed "NOOOOO SHIIIIITTTT". If you had read the first two paragraphs of the article, assumed if you are going to be discussing it, you would have already known that so once again I say NOOOOO SHIIIIITTTT. So I don't understand why the parent is rated informative since they gave no new information that wouldn't be found by reading the article of discussion.

  53. I work at Universal by Anonymous Coward · · Score: 0

    and yes I'm too chicken to post non-anonymously due to my job--which is about to be outsourced to india anyways but oh well.

    The reason they sold off the music part is because it has been collapsing due to mp3. Lots of people there use itunes and pretend mp3 doesnt exist but still use it in private but only talk about itunes in public.

    oh and every stereotype you can think of about highend corporate executives is true. they are some of the most vile, evil people with the biggest egos you could ever imagine.

  54. Re:In case you are wondering who Shawn Fanning is. by oexeo · · Score: 1

    I want no one to escape [ his karma whoring ], but even after admitting this there is no catharsis, my punishment continuous to allude me and you gain no deeper knowledge of current topic no new knowledge can be extracted from my telling. This post has meant nothing.

  55. Why are we still buying music? by O+Tetios · · Score: 3, Insightful

    Back in the day artists needed the record companies because they provided a medium for distribution of the artists product, in the form of LPs, tapes, CDs, etc. The artists don't really make any money from these distributed media, but they do get their music out into the world. Artists income is primarilly from live performance, and it was healthy income so long as their albums were well distributed by a capable record company. Now, a medium for distribution (Free P2P networks) exists, and it isn't the recording industry so they're going nuts about it because they don't want to die off. What irks me is that they're winning now! Somehow, artists didn't choose to leave record companies, and consumers caved because of the threat of litigation (which I do not mean to make light of, it is a hefty threat). So that leaves us (in the most general sense of the word) working to keep a cumbersome, inefficient and net draining system in place. As I see it, the Recording Industry is really out of context, but it has lots of money in its paws so it's using it to thrash around.

    1. Re:Why are we still buying music? by shark72 · · Score: 1

      "Back in the day artists needed the record companies because they provided a medium for distribution of the artists product, in the form of LPs, tapes, CDs, etc."

      "The Internet is going to put the record companies out of business as soon as all the artists discover that they can distribute stuff on their own" is a bromide that's been recited on Slashdot and elsewhere for five years. The reality is that iTunes (which is a reseller of the output of the record companies) is doing gangbuster business, and "payment optional" services like Magnatune, while probably the embodiment of many Slashdotters' idea of the future of Internet music distribution, are flailing. How much longer will it be?

      "Artists income is primarilly from live performance"

      With the huge exception of artists who can't, don't or won't perform live, for whatever reason. But you can add to that public performance, which includes radio airplay, jukeboxes, and the like. The public performance royalties go to the composers and lyricists.

      "Now, a medium for distribution (Free P2P networks) exists, and it isn't the recording industry so they're going nuts about it because they don't want to die off. What irks me is that they're winning now! Somehow, artists didn't choose to leave record companies..."

      It would be great if more artists eschewed record contracts and instead gave away their stuff for free. It would also be great if more hot women were willing to sleep with me. It would also be great if my job paid me more. But the big factor here is the artists' own free will and self interest. And in the case of those hot women and that employer, they too have their own self-interest in mind, which might not include me. It's easy for us to say "the artists should just be less hung up about money" but artists have the same aspirations that we do: to have a family, to have a nice house, and to enjoy a high quality of life. There are many more musicians who want recording contracts than have recording contracts because many musicians want that quality of life that you do (and -- please -- save the "if they're in it for the money, they're not really artists" line -- Shakespeare and Mozart were in it for the money, too).

      If anybody's not sure what I mean, put yourself in the place of the member of a band that's talented and has a great sound. A record company wants to give you a contract which means that they will pay for your studio time, the hiring of a producer and engineer, and market your music, and recoup their investment in you by getting the exclusive rights to sell the recordings that they've paid to have produced. Or, you can go it alone: come up with the thousands or tens of thousands of dollars to get that recording studio, find that engineer and producer, and spend your own time trying to market your music and hoping that people find it on P2P. Meanwhile, your car is breaking down and you and your wife would like to have a baby. What would you do?

      To be sure, many musicians have done well for themselves through self-distribution online, and it remains a good venue for the majority of musicians who can't get recording contracts -- provided they have the cash to fund the recording, engineering, producing, and marketing of their music. But it's not a universal solution.

      --
      Sitting in my day care, the art is decopainted.
    2. Re:Why are we still buying music? by Soul-Burn666 · · Score: 1

      The main problem is that record companies are generally screwing the artists over. I don't have the link to it, but there was quite a long article, written by a musician, explaining how little does the contract pay off. It turns out, in the bottom line, that they made just about the minimum wage, if you average it across time.

      --
      ^_^
    3. Re:Why are we still buying music? by O+Tetios · · Score: 1

      To be sure, you've picked apart my rant well ;)

      As you said, artists are in it for the money, and even though the contracts don't end up producing a significant net gain for the artists, they certainly don't set them back $25K. Plus, paying that kind of money to record a set of 15 tracks and then distributing them for free in the hopes that you'll be able to draw a crowd at concerts is not what most would consider a strong business model.

      After some reflection, I would say that the real issue is not that what I proposed is impossible, simply that it is not viable to the majority of artists until a few have already paved the way, and consumers of music become accustomed to pursuing music produced this way.

  56. Sadly used to be true by SmallFurryCreature · · Score: 1
    During the napster days I worked at an ISP. So it was very very true that napster for me was excellent value.

    Nowadays I could spend a bit more time sadly. :( damn this burst bubble.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  57. Bah by Anonymous Coward · · Score: 0

    By now, everyone should know that Shawn just stole the floppy with the Napster source code from his roommate. Give credit where credit is due!

  58. Re:and compatible by Technician · · Score: 2, Insightful

    and my iPod *is* an MP3 player, in common parlance.


    Only among the hard disk players selling for over $300. Mine is not an over $300 player. It's less than $60 and holds about 700 meg on a shiny disk. I can fit about 12 CD's of stuff in it which is fine for my commute and a day at the office. I don't have to carry a CD case. In raw numbers, I think the CD MP3 players may outnumber iPods simply because they are more affordable. I know of one person at work that has the apple player, however I know 6 that have CD MP3 players. If one is going to get stolen, dropped or otherwise abused in a work environment, I'd rather lose the $50 player, not a $400 player.

    If I want it on my home disc player or car disc player I burn a CD.


    The shiny disk that fits the portable works in my car, my PC, my laptop, and in my living room DVD player. Why burn a disk that may run for maybe an hour when you can burn a disk that plays everywhere and is good for all day?

    MP3's just work. DRM does not. All my public domain old time radio is already in MP3 format.

    Did I miss something? I have iTMS and an iPod. if I want it in my stereo, I use a $4 cable or a $100 AP Express.

    Why climb behing the cabinet to jocky cables, or buy another player just to play another format in the living room that won't play in my car or portable? It's easier to simply avoid incompatable formats.

    Did you buy the Circuit City crippled format player so you could play the non-return rental DVD's? Neither did I. I didn't spend the money to buy DRM enabled players, so I'm not interested in DRM content.

    I only bought a DVD player after it was here long enough to be firmly established. I didn't buy any of the $600 DVD players or $40 movies. I have bought a $60 player and some sub $10 movies. I know the movies will play on my next DVD player when mine dies.

    Will your music play on your next audio player when your iPod and/or PC dies? My MP3's will work fine on my next MP3 CD player. That's why I support the format and don't support a DRM format. Your gullability to follow the DRM trail disturbes me. Are you thinking ahead, or just for the here and now?

    --
    The truth shall set you free!
  59. Illegal vs. Legal files? by kyoko21 · · Score: 1

    What makes a file legal vs illegal? If i rip an mp3 from my CD, encode it using old school encoders which no copyright information, no id3 or id3v2 tags, and it just so happen to be named "Britney Spears - Baby One More Time.mp3", how is a program going to know if that file is legal or illegal? It would be pretty bad if it deletes something that I created and spent time doing...even if I am a Britney lover and probably deserve to have that file deleted for being a Britney lover. But don't I have fair-use rights on my Britney Spears CD?

  60. Am I the only one here... by ppz003 · · Score: 2, Interesting

    who doesn't want my bandwith used to support someone else's business? (I'm guessing no.)

    In free P2P, while someone is downloading my music files, I or someone else can theoretically get something back from them. In this system, a user pays money to a third party, that points that person to my computer and uses my bandwith to deliver the file, and I cannot get any compensation. In contrast, iTunes supplies their own bandwith.

    If I am misunderstanding something, please enlighten me, because this sounds ridiculous.

  61. c'mon -- look for the BIG picture by sbma44 · · Score: 1
    What else are they offering besides Shawn's name?

    It's not just his name... it's the whole Shawn Fanning package!

    (By which I mean poorly written software and/or a godawful UI)

  62. Re:and compatible by Technician · · Score: 1

    allow CD burning like Napster-lite. Then you can rip them back

    Why spend the time, money, and format change loss?

    I simply avoid DRM in the first place. Then I only need to burn the MP3 CD and not waste time, money and conversion degradation. You are spending more to get less. Since it's worth less, I'm willing to spend less for it because it requires additional investmet to use it. Because it may be a DMCA violation, I'm not even willing to buy the DRM stuff in the first place. If I don't have it, I won't bypass it, and won't face legal problems for circumventing it.

    It's my choice to vote with my wallet. I'm not casting a vote for DRM. It has too many legal snares, costs aditional money to support, and is incompatible with my hardware.

    --
    The truth shall set you free!
  63. Bandwidth IS CHEAP, P2P is not attractive anymore by Anonymous Coward · · Score: 0

    from ev1servers.net
    1000GB/month for $100
    this means 10cent per GB
    let's assume a song is 4MB
    for simplicity 1GB = 1000MB
    1000/4 = 250
    this means the cost of bandwidth per song is 0.04 cent which compared to the $1 price per song is
    0.04% of the song price.
    I think it's not worth the trouble to go P2P with those prices.
    the other user said it takes 5 sec to download a song from iTunes.
    Imagine if you use P2P like bittorrent etc ... the delay would be much bigger and the user perhaps more frustrated and less willing to buy more songs.

    Anoyone that agrees with me ?

  64. Re:In case you are wondering who Shawn Fanning is. by Anonymous Coward · · Score: 0

    I thought he was a no talent ass clown who put a skin on IRC and became famous for it.

  65. Where's my money? by Overzeetop · · Score: 1

    If I'm going to be part of the distribution system (DRM'd shared files, right?), I'm going to need to be reimbursed for my upload bandwith and access to local storage on my machine by either snocap or the record labels themselves.

    I mean, if I didn't exist, they would have to serve the stuff themselves, and incur bandwith fees as a result (not per bit, but pay for bigger pipes to provide the service). Also, the distributed mechansim makes server storage less critical, lowering cost of maintenance for their systems.

    I'm not being greedy, just practical. This is, after all a business relationship I have, right? I'm just doing this to help out the starving artists and help get them better sales and increase their royalties.

    And the children. Think of the children.

    So...where's my cut?

    --
    Is it just my observation, or are there way too many stupid people in the world?
    1. Re:Where's my money? by kmmatthews · · Score: 1
      Is just my observation, or are there way too many stupid people in the world?

      Let me assure you, it's not just your observation. :)

      ps.. you're missing "it"

      --
      feh. stuff.
  66. Re:and compatible by Technician · · Score: 1

    Actualy it's a new just made up format for exchange, like DRM is new and you want me to use it. Most places won't take it trade. Is that any diffrent than trying to sell one of your DRM tracks to someone else? Nobody will take it. It's not good for anything. You only accept it if you can use it, not if you may in the future sell it to someone else. I can legaly sell my old Styx, ELO, Pink Floyd, Charlie Daniels, Chicago, Aerosmith, Steve Miller band etc, LP's and CD's. Can you legaly sell your latest iTunes track?

    CD's are legaly accepted in trade and work. Public Domain, and Creative Commons MP3's legaly can be passed on and work. DRM tracks break and don't work.

    --
    The truth shall set you free!
  67. Extortion by ObsessiveMathsFreak · · Score: 2, Informative

    Most people seem to be missing the central point of the article.

    The idea seems to be to scan P2P networks for tracks. If the tracks on your PC have been downloaded "illegally", then the RIAA will send you a bill for the tracks, and a little extra for costs. Effectivly they will say:
    "You've got our tracks. Pay us money"

    Now you can say,
    "Tsk,Tsk. Not a shread of proof do you have private company boy, except for your(possibly falsified) records. I might have borrowed the tracks from my friends, direct exchange etc. And besides, I had to format my disk yesterday anyway."

    To which they will say(in the initial letter they sent you):
    "You can pay us the $100 you owe us now, or we will sue you under the DMCA, PATRIOT, HR2391, and just about any other bullshit law we got past the braindead zombies on capitol hill. You don't like it? We can sue you for that too. Pay us the danm money of face a lifetime of bankruptcy. P.S. Any attempts to start a protest group will also lead to instant litigation. Have a merry fucking christmas. Buy a CD for $30! Now piss off!"

    To which you will say:
    NO CARRIER

    --
    May the Maths Be with you!
  68. Re:Bandwidth IS CHEAP, P2P is not attractive anymo by artemis67 · · Score: 1

    For a compressed song, though.

    Losslessly compressed songs are still weighing in at around 25-30 MB.

    Bandwidth may be relatively cheap for 128bit AAC music, but the next thing that consumers are going to demand from the music industry is higher bitrates and eventually lossless compression. Can Apple transfer a 30 MB file and still make money at $0.99? Probably not.

  69. www.archive.org by igorthefiend · · Score: 1

    Might be boring to you, but the live music archive strikes me as stuff that's legally distributable and *very* interesting. Perhaps something on these lines...

  70. Fanning is a One-Trick Pony by Anonymous Coward · · Score: 0

    Okay, we all loved Napster; it was a great idea. But I keep seeing posts about this guy who has had no luck since the original Napster network closed up shop. What gives?

  71. mp3 is not forever by poptones · · Score: 1

    Don't take it too much for granted that next mp3 player will remain backward compatible. MP3 is still a licensed technology, and the people who own that technology don't have to keep licensing "free" versions - they could lock it up in drm just as easy as microsoft could lock up wma, and then you'd have nowhere to go to replace that $50 silver disc player when the buttons finally stop working.

    If you want free you better find one of those silver disk players that can handle ogg or some other free format. Ogg sounds better, anyway. Sounds like... victory.

    1. Re:mp3 is not forever by Mr2001 · · Score: 1

      The patent on MP3 is not forever, either.

      --
      Visual IRC: Fast. Powerful. Free.
    2. Re:mp3 is not forever by Infonaut · · Score: 1
      The patent on MP3 is not forever, either.

      Not yet. But give the RIAA and Hollywood time. They'll figure out a way to make 'em indefinite in duration. ;-)

      --
      Read the EFF's Fair Use FAQ
    3. Re:mp3 is not forever by Technician · · Score: 1

      they could lock it up in drm just as easy as microsoft could lock up wma

      I couldn't agree more. The point missing in your statement is very important...

      My files are currently DRM free and all my players both hardware and software won't go away instantly simply because somebody decides to flip the switch.

      What will play your iTunes files when your single vendor player dies?

      My files will still play in old versions of Windows Media player (MS vendor) my Panasonic CD MP3 player (Panasonic) my Pioneer car CD MP3 player (Pioneer) and the Daewoo DVD player (Daewoo)

      If Apple pulls the plug on iTunes (bankrupt or MS takeover), will you be able to transcode your files into something open? Remember iTunes files have single vendor support. MP3 does not. MP3 does not have the ability to be switched off remotely. My old copy of CDeX, Winamp, or EZ CD creator would work fine on an old copy of WIN9x.
      What multi-vendor support do you have for Apple or MS format DRM? If the vendors switched off the auth servers and you needed to transfer your files, DRM breaks. MP3 and ogg still works.

      MP3's will still work just like my old GIF photos are still copyable, viewable, and convertable even though the license holder pulled the plug. You won't be that lucky with single vendor DRM.

      Using Ogg would be better than MP3, but currently support for the format is very limited and all my public domain content is in the MP3 format. Most of my photos taken with my camera are in the JPEG format. I won't take the transcoding loss converting to ogg and PNG until nessary. The important point is I can convert when nessary.

      --
      The truth shall set you free!
    4. Re:mp3 is not forever by neurojab · · Score: 1

      Don't take it too much for granted that next mp3 player will remain backward compatible. MP3 is still a licensed technology, and the people who own that technology don't have to keep licensing "free" version.


      Given that I have the source code to an MP3 player in a couple of different languages, I don't think I need to worry about not being able to play my MP3s again. Of course, that is, until those languages cease to be popular and I can no longer find compilers for them. That said, the algorithms for decoding MP3s certainly are available and cannot be put back into secrecy.

      Even though it's not quite an open standard, a de facto standard with source code is certainly better than a closed secret format.

  72. Re:Bandwidth IS CHEAP, P2P is not attractive anymo by Anonymous Coward · · Score: 1, Interesting

    No.. No they're not.

    Average joe blow consumers are not going to demand higher bitrates or lossless compression.

    They might have it marketed to them, as a way to differentiate download services, but none will hear a difference, nor understand why the files are bigger or take longer to d/l.

  73. it's not a plural form, but ownership. by mandrake*rpgdx · · Score: 1

    Which is proper. Since there is only 1 Philosopher's Stone, calling it Philosphers Stone would be inane.

    1. Re:it's not a plural form, but ownership. by Anonymous Coward · · Score: 0

      He's talking about "american's".

  74. What about Wilco? by Snart+Barfunz · · Score: 1

    Just one example of a band who uploaded their own music and shared it freely. This proved to be an incredibly sound business move for them. For their evil DRM schemes to work, the monopolists will have to lobby to make giving your own music away an illegal act.

    --
    --- Yx3 = Delilah ---
  75. Let me get this straight by Gridpoet · · Score: 1

    SO they are going to piggy back onto peer-2-peer? they are going to use the bandwidth that i pay for every month and expect me to just share out my files so they can charge someone .99 while utilizing MY computer (power, wear and tear, ect.). Talk about your moneymaking schemes...if they want this to work they had beter be offering the people who share a part of that money. Yes, a lot of people do it now for free, for whatever personal reasons. But when big RIAA money sucking corperations start trying to use my resources and charge others for them, i guess thats when i draw the line. I can see it now.... There are 1 users sharing music on this node... /list ~RIAA money sucking whores server! PAY UP BITCH!~

    --

    -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
    This is MY galaxy...go find your OWN!

  76. My $0.02.. by Coleco · · Score: 1

    ..Is about what an .MP3 is worth to me. Seems like another attempt to lend credability to selling DRM'd .MP3s at $1 a pop. Which is just never going to fly with me, ever.

    Not that I willingly listen to or buy any music released by RIAA companies anyway.

  77. Re:In case you are wondering who Shawn Fanning is. by Anonymous Coward · · Score: 0
    "So I don't understand why the parent is rated informative since they gave no new information that wouldn't be found by reading the article of discussion."

    Ya, cuz everyone on Slashdot reads the articles.

  78. Fanning is a fraud by Anonymous Coward · · Score: 0

    Everyone knows he stole the idea from his roommate. Here's proof

  79. It's not that lengthy of article by Anonymous Coward · · Score: 0

    It's just that CNET has dediced to be like Tom's Hardware and Anandtech and write a few paragraphs per page.

  80. "turn file-sharers into loyal paying customers" by Anonymous Coward · · Score: 0

    Unauthorized file-sharing of music and being a paying custumer isn't mutually exclusive. The big recording labels like to make it seem like an accepted fact that unauthorizted file-sharing hurts music sales, while in trutzh it is quite possible that the contrary is the case. A Havard Study found no correlation between file sharing activity and music sales. The content industry has a history of being anti-new-technologies even they eventually turn out to benefit them. In New Zealand a rise in file-sharing activity actually came a long with a rise in cd sales.

    Of course the big recording labels would rather tell you that people are still buying tons of cds because they:
    - are defying compact disc industry standards, thus causing their discs to not workwith many cd players
    - make it more difficult to transfer to mobile mp3 players and the like because of above point
    - produce less durable discs because of the deliberate errors on the cd surface which are part of many copy protections
    - sued hundreds of their own now-ex future customers for tens or hundreds of thousands dollars, forcing them to settle for several thousand dollars which is nowhere near any reasonable estimate of the damage they actually did with their file-sharing, if any, or else facing having their lives ruined - for what ? Non-commercialy copying a few pieces of music. WTF!?

    IMHO those ip fascist extortionists aren't even morally or ethically higher than the people who obtain copyrighted music through file-sharing networks WITHOUT intention to ever buy any which they like.

    End of comment. 577a543edbd2a6551f87bb833cbc2b5b

  81. AHH, YOU'RE TOTALLY RIGHT! by Anonymous Coward · · Score: 0

    Yes indeed, your example of one (and probably more, if prodded) means that everybody who was once famous/notorious has good reason to remain that way. Thank you for providing the exception that proves the rule!

  82. My stuff ain't legal mate by SmallFurryCreature · · Score: 1
    Bootlegs ain't legal, neither are old bands (thank you extended copyright) or forgotten recordings. Tiny bands can be depending on their license but yes they are the exception.

    Napster and Kazaa is less for me about the latest albums being ripped but the weird content. This weird stuff ain't legal at all. Just that I can't buy it legal either.

    So not really sugar coating it either. Just pointing out why iTunes means nothing to me. It ain't got what I want.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  83. OOOk by Ambient_Developer · · Score: 1

    a)Why would any customer use anything that will sniff out somthing that could possibly get them in trouble. b)Fill P2P with lisenced content? How is this at all helping the industry?

  84. DMCA by StormReaver · · Score: 1

    I certainly won't support the godfather of the DMCA (Fanning) in any of his business ventures. His last business venture accelerated the loss of freedoms in America that is rivaled only by the corporate patent land grab.

    1. Re:DMCA by BlacKat · · Score: 1

      And yet, people continue to say that one person can't change anything or make a difference.

      Go figure...

  85. Still TRUE by 2nd+Post! · · Score: 1

    So use my analogy of $25 an hour meaning you could spend an hour downloading 20 songs or spend $20 to spend 10 minutes to download the same number of songs from the iTMS. That STILL leaves you with 50 minutes of that hour to do something else like:
    Read a book
    Garden
    Fix a leak
    Watch TV
    Play a video game
    Eat dinner
    Make dinner.

    The value proposition works. If your time is worth money, then spending 10 minutes on iTMS is saving you money.

  86. Wow. by Cinematique · · Score: 1

    "Snocap"

    There's a joke in there... somewhere.

  87. The only effective DRM by Anonymous Coward · · Score: 0

    that I could see working would be an encrypted file that could be unlocked using software on a users computer. Since the file would be legit people could download it and keep it on p2p without fear of getting sued. Once downloaded you would have to use a separate program to open the file (standalone executables on p2p just scream out to be used as a virus/malware propagation tool) and you could extract the unlocked, unrestricted file to your computer. To appease copyright owners the software could add a personal watermark to the file to discourage sharing the unlocked file. The locked file could still be shared with others giving the benefits of p2p bandwidth.
    In this system everyones demands are met
    Computer users get the file they want to do whatever they want with it and don't have to worry about the RIAA/MPAA
    Publishers get to use other peoples bandwitdth, monitor sales and can trace back files that get shared illegally.
    I think this is a workable scenario. I don't think its likely to happen anytime soon but if people are willing to pay and publishers don't get bunched up about giving up control of their material it could.

    1. Re:The only effective DRM by Anonymous Coward · · Score: 0

      Another thing that would work with this system would be to give a downloader the ability to mark the locked file. That way anyone who downloaded the locked file later on and unlocked it would cause the central server to credit the markers account. Money as an incentive not to leech. Might be difficult to multi-source but the cash incentive could balance that out.

  88. Re:Still TRUE (still OT slightly as well) by _anomaly_ · · Score: 1

    I agree with you, except how you're quantifying the saved time.
    You're basing its value on an hourly wage that is totally unrelated because the time saved would most likely be spent on other things, like you listed... and quantifying those more likely alternatives isn't easy.

    If your time is worth money, then spending 10 minutes on iTMS is saving you money.

    I agree 100%. It's just using an hourly wage to quantify the DEGREE to which how much "money" you're saving doesn't make sense (to me at least).

    In fact, I'd go so far as to say that doing this would underestimate the value of the saved time, because some (like myself) value an activity like reading a book at more than what I make at work.

    --
    "I have no special gift, I am only passionately curious." - Albert Einstein
  89. Re:Bandwidth IS CHEAP, P2P is not attractive anymo by ezeri · · Score: 1

    Bandwidth is cheap enough, even getting ripped off you wont pay more than $2 per GB of bandwitch, and making a profit of even $.3 per song at 30MB will be enough to pay for all the bandwidth required even if they were getting ripped off. I'm currently not paying more than about .30 per GB and I'm sure apple gets far better rates with the volume they are purchasing. Sure it may quadruple there bandwidth costs, but the bandwidth costs are only a very small fraction of the overall costs, and easily absorbed.

    --
    There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now. - Ed Howd
  90. Shawn Fanning had one good idea by Jackie_Chan_Fan · · Score: 1

    Now he's a pawn in our capitalist system of bullshit :)

    I see he's learned to play the game very well.

    Shawn appears to be selling the desperate a solution to their problems. I hope he walks away rich as hell and our economy continues to dwindle due to lame buisness moves just like this.

  91. choices by torrents · · Score: 1

    some people will take the legit rout of paying for their downloads (ex: itunes) but there are others who don't recognize file sharing as a crime or simply do not care. the idea that some of those people will suddenly have a change of heart a pony up some cash is ludacris.

    --
    Get your torrents...
  92. Iceland charges for "Overseas" downloads by Gopal.V · · Score: 1

    IIRC, Iceland is the only country that charges for overseas downloads ...

    But a distributed "distribution" system would be nice (@see Steam's mistake)

  93. Shawn Fanning back... by LANjackal · · Score: 1

    ... as a traitor, that is. Fortunately there are many other better P2P options available. Goodbye Shawn.