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Nokia Claims Ogg Format is "Proprietary"

a nona maus writes "Several months ago a workgroup of the W3C decided to include Ogg/Theora+Vorbis as the recommended baseline video codec standard for HTML5, against Apple's aggressive protest. Now, Nokia seems to be seeking a reversal of that decision: they have released a position paper calling Ogg 'proprietary' and citing the importance of DRM support. Nokia has historically responded to questions about Ogg on their internet tablets with strange and inconsistent answers, along with hand waving about their legal department. This latest step is enough to really make you wonder what they are really up to."

619 comments

  1. Well, isn't it obvious? by Mesa+MIke · · Score: 5, Insightful

    They don't like open standards.

    1. Re:Well, isn't it obvious? by Mantaar · · Score: 5, Interesting

      I still don't understand why though.

      Apart from it not supporting DRM, ogg has only advantages - it's equal or superior to most other codecs (the widely used mp3 and wma are inferior) and it's open-source w/o patents restrictions...

      Seriously, does anyone have an explanation for that?

      --
      I'm an infovore...
    2. Re:Well, isn't it obvious? by drharris · · Score: 5, Insightful
      I still don't understand why though. .... Apart from it not supporting DRM

      You have your answer.

    3. Re:Well, isn't it obvious? by arivanov · · Score: 2, Informative

      Wrong, they do if they know where to pay and how much and if they consider the payment reasonable. Cellular industry mentality. Every bit of IP has to be payed for and accounted for. Essentially the software industry mentality of the early 80-es redux. They are not alone in this. Most of the industry is just as bad if not worse.

      --
      Baker's Law: Misery no longer loves company. Nowadays it insists on it
      http://www.sigsegv.cx/
    4. Re:Well, isn't it obvious? by explosivejared · · Score: 0, Offtopic

      Apart from it not supporting DRM

      Right there is a pretty big roadblock. Big media isn't interested unless it is going to help with DRM.

      Secondly, the average person isn't really all that interested in whatever superior quality ogg has. It's really a nominal difference on most players and in most listening environments. MP3 does just fine for them.

      Thirdly, and in conjunction with my second point, MP3 is old, well-known, and for the most part easy to use. People are familiar with it and therefore are reluctant to change. The fact is MP3 got their first. It causes to few real problems to push people to care about open standards. I myself like to think I'm at least a little enlightened/aware of digital media issues, and I don't even have that much ogg in my library. It's probably 90% MP3, then 5% FLAC and ogg.

      Moral of the story, MP3 works well enough, and most people hold to "if it ain't broke, don't fix it."

      --
      I got a catholic block.
    5. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 5, Informative

      It's funny that you responded to an article about video with a rambling about audio. It's however hilarious that it got modded Insightful.

    6. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 5, Interesting

      Actually Nokia has a great history with "open" standards (generally defined as RAND as opposed to royalty free). In fact Nokia's entire current business comes out of it's ability to cooperate with arch rivals such as Ericsson to build open standards such as NMT, GSM and WCDMA. So the question is not "why is Nokia opposed to open standards?". The question is "why is Nokia opposing this standard?"

      Reading through the document, it's actually much more reaonable (DRM should be possible, but shouldn't be mandatory) than implied. The OGG thing, however, is very interesting. To me it almost reads like they know someone who has a fundamental patent on OGG. A fundamental patent is one which can't be avoided to implement a standard and thus guarantees control of the standard. However, give that Xiph.org have done a patent search and claim that OGG is patent free and nobody has contradicted them, I can think of at least two more likely things here.

      a) the recent Microsoft / Nokia WMA licensing agreements have seriously crippled Nokias freedom to operate with different formats.

      b) they are afraid of the fact that whilst OGG is open, control of how the standard evolves is "proprietary". By this they mean not under control of an "open" standardisation body that they can join. Looking at it; Xiph.org seems to have too much industry independence.

      Make no mistake, though, the Nokia of five years ago is probably not the Nokia of today. Where old Nokia was trying to deliver devices to let you do whatever you wanted to do, new Nokia is trying to become a media company and that means is almost certainly joining the dark side.

    7. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      You do know Ogg is a container! It can contain many codecs, some of which are free.

    8. Re:Well, isn't it obvious? by KugelKurt · · Score: 1

      Ogg Vorbis and Theora aren't standards. Yes, they are open and at least Vorbis is quite good, but both are not standards (as in: standardized by ISO or a similar organisation).

    9. Re:Well, isn't it obvious? by ShieldW0lf · · Score: 5, Informative

      Apart from it not supporting DRM, ogg has only advantages - it's equal or superior to most other codecs (the widely used mp3 and wma are inferior) and it's open-source w/o patents restrictions...

      Seriously, does anyone have an explanation for that?


      Ogg isn't a codec. It's a container format. Vorbis is the audio codec in question, and Theora is the video codec in question.

      Theora was created using proprietary code and patented techniques developed by On2 and used in their VP3 codec, adapted to fit inside an Ogg container. There are tools to let you convert existing VP3 streams into Ogg streams.

      The Xiph.org foundation negotiated free access for all to those patented technology before adapting and adopting it. From the Theora FAQ:

      Yes, some portions of the VP3 codec are covered by patents. However, the Xiph.org Foundation has negotiated an irrevocable free license to the VP3 codec for any purpose imaginable on behalf of the public. It is legal to use VP3 in any way you see fit (unless, of course, you're doing something illegal with it in your particular jurisdiction). You are free to download VP3, use it free of charge, implement it in a for-sale product, implement it in a free product, make changes to the source and distribute those changes, or print the source code out and wallpaper your spare room with it.


      The paper from Nokia seems to revolve around the fact that it doesn't support DRM from what I can see.

      --
      -1 Uncomfortable Truth
    10. Re:Well, isn't it obvious? by Tranzistors · · Score: 1

      And what makes mp3 more easy than ogg? On Ubuntu box making oggs is far more easier than mp3.

      If people don't care about quality, they do care about space taken.

      And end users don't need DRM, so if W3C tries to help end users, this is advantage.

    11. Re:Well, isn't it obvious? by Aehgts · · Score: 5, Funny

      The engineer's mantra: If it aint broke, fix it till it is.

      --
      "If we knew what it was we were doing, it would not be called research, would it?" - Albert Einstein
    12. Re:Well, isn't it obvious? by explosivejared · · Score: 2, Interesting

      And what makes mp3 more easy than ogg?

      Well for one thing the PC is not the primary player for most people. iPod's and other "MP3" players are. MP3 is the lingua franca for audio, which makes it much easier to deal in for most. Most people don't make their own files. My previous post was primarily speaking to why ogg hasn't received more support across the industry and user base. Which format to use for encoding your own music or for maximizing your storage space (which isn't a real problem in the days a of 500 gb hdd) is a completely different argument from the one I was discussing.

      --
      I got a catholic block.
    13. Re:Well, isn't it obvious? by an.echte.trilingue · · Score: 3, Insightful

      I ripped my whole CD collection in ogg about a year ago. Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support. I'm stuck re-ripping or downloading my entire library. I think that right there kills it for most people.

      By the way, a lot of people here are focusing on the fact that ogg doesn't support DRM, but neither does mp3. Seems to be a rather tangential argument.

      --
      weirdest thing I ever saw: scientology advertising on slashdot.
    14. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      They don't like open standards.

      Whether Vorbis/Theora are "free" or not, they are certainly not standards. And Nokia's language about the "current perception of them being free" echoes comments I've heard from several sources that consider it very unlikely that the Ogg codecs would not infringe on at least some of the many, many patents on audio or video codec technologies.

      Remember #1: Just because their proponents do not claim patents on Vorbis/Theora does not mean nobody else does.

      Remember #2: Whether you like the patent system or not, as long as it's the law any business would be well advised to work within its bounds. Especially a large and profitable business that is easily sued. With the MPEG family, Nokia & Co at least know what they are in for. With Ogg, they don't.

      AC, for obvious reasons

    15. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Ogg can support DRM, so that is not the problem.

    16. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 4, Insightful

      What makes Mp3 easier than Ogg? iTunes. iPod. Ordinary people aren't in love with Mp3 it's just what works. Until Apple decides to allow Ogg on the iPod then forget about it ever being standard. I know, you can get custom firmware that allows it. I doubt the average user, who doesn't know the difference between Ogg, Mp3 or AAC, will really be up for a firmware hunt.

      I wish Ogg ruled the roost. I do. I wish any open, cross platform format ruled, but it's unlikely to happen.

    17. Re:Well, isn't it obvious? by KugelKurt · · Score: 5, Informative

      I'm sure that I'll be modded down for my following comment, but I post it anyway:

      Vorbis is pretty much dead. While its quality is good, Vorbis has quite high performance requirements just for decoding (negligible on current desktop PCs, but not on portables that run on battery). Even Vorbis's developer Xiph.org acknowledged that and instead of trying to "fix" Vorbis, they started development of an entirely new audio codec called Ghost.

      While Vorbis and Theora are in no way proprietary, the industry already decided to support MPEG-4. Even Microsoft supports it out of the box on Xbox 360 and Zune. Vorbis was cool when it was released, but it never had a modern video codec as companion.

    18. Re:Well, isn't it obvious? by iMacGuy · · Score: 1

      Well, this is debatable. "Ogg" the bitstream format has a lot of technical problems which I can't remember at the moment, and Theora is rather lackluster when put up next to H.264 or a wavelet codec.

      Vorbis is excellent, of course*, and it's possible that a Theora encoder could be tuned enough to be decent. But really remember that Ogg isn't an audio codec.

      * though in the last test I saw, everything tied at first place at 128kbit; Vorbis is still beating HE-AAC below that.

      --
      Why won't slashdot let me change my terrible username :(
    19. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Don't mod drunk! Please!
      Indeed :)
    20. Re:Well, isn't it obvious? by hitmark · · Score: 1

      ogg can, sadly, support drm just as well as acc can.

      just wrap it in a drm related cocoon...

      --
      comment first, facts later. http://chem.tufts.edu/AnswersInScience/RelativityofWrong.htm
    21. Re:Well, isn't it obvious? by nwbvt · · Score: 4, Informative

      Well you could always get a mp3 player that rockbox supports and install that. Not only does it support .ogg, but it also supports another feature that is rarely found on mp3 players, true gapless playback.

      --
      Mathematics is made of 50 percent formulas, 50 percent proofs, and 50 percent imagination.
    22. Re:Well, isn't it obvious? by madsenj37 · · Score: 1

      Just a thought here. How long would it take to re-rip into mp3/aac? And how much is your time worth? Maybe you are better off getting a seasonal job with your spare time and buying the player of your choice.

      --
      Choosing the lesser of two evils is a choice for evil.
    23. Re:Well, isn't it obvious? by Dark_Gravity · · Score: 5, Funny

      The fact is MP3 got their first.

      Their first what?

      The suspense is killing me.

    24. Re:Well, isn't it obvious? by leenks · · Score: 2, Informative

      You make the assumption that he has spare time in which to work another job. Many of us have to take multiple jobs just to survive...

    25. Re:Well, isn't it obvious? by Grimbleton · · Score: 1

      Wallpaper my spare room, eh? Let's see how that one flies with the Mrs...

    26. Re:Well, isn't it obvious? by Tranzistors · · Score: 1

      Well for one thing the PC is not the primary player for most people. iPod's and other "MP3" players are.

      And previously you said

      People are familiar with it and therefore are reluctant to change.

      People are not mp3 players :) Most "mp3" players support wma format, which has its own problems. And I know people how rip their CDs in wma, just because they use WMP. Ogg is as easy in Sound Juicer.

      About space problem. Keep your position coherent -

      which isn't a real problem in the days a of 500 gb hdd This is for PCs. As you noted, there are portable media players, where there is notable price difference for x2 storage.
    27. Re:Well, isn't it obvious? by Dogtanian · · Score: 4, Insightful

      I ripped my whole CD collection in ogg about a year ago. Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support. I'm stuck re-ripping or downloading my entire library. I find it hard to believe that this didn't occur to you a year back. Seriously, anyone who knows enough to want to rip their collection to Ogg would almost certainly know that it wasn't as widely-supported as MP3.

      Personally, I'm happy to accept that Ogg is a better format (in terms of the space/quality tradeoff) than MP3. But I also know that MP3 is almost universally supported and Ogg isn't.

      I genuinely had my suspicions that the quote above was a cut-and-paste anti-Ogg troll; it has the air of masquerading as someone who'd tried out the open source choice and been burnt by it... except that- as I mentioned- most potential Ogg users would already have known about these issues. I'm genuinely surprised that you didn't look into this before you decided to rip your music collection.
      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    28. Re:Well, isn't it obvious? by gilesjuk · · Score: 4, Informative

      Cowon's players support it. They also do FLAC.

    29. Re:Well, isn't it obvious? by palegray.net · · Score: 1

      Interesting that the generator for the linked PDF file is: "Mac OS X 10.4.11 Quartz PDFContext" (reference Apple's UNIX and Open Source section).

      I think they (at least the document author) like open standards when it suits them, and argue against them when it's something they think they ought to be able to control for profit.

    30. Re:Well, isn't it obvious? by Original+Replica · · Score: 2, Interesting

      Big media isn't interested unless it is going to help with DRM.

      Executives with 7 figure salaries aren't interested unless it's going to help with DRM. As in most industries the top level of management has almost nothing to do with the actual industry, that is the actual work of making the product. How many music company executives have degrees in Music Theory?

      --
      We are all just people.
    31. Re:Well, isn't it obvious? by sjames · · Score: 5, Funny

      If they MUST have DRM, I have a great win-win solution for them.

      They should encode their increadibly valuable content by moving it to the /dev/null 'encoder'. That way, nobody will ever be able to view even a split second of their content without paying and everyone else can be sure that they won't get ripped off with content that won't actually play properly where and when they want it to.

    32. Re:Well, isn't it obvious? by Coryoth · · Score: 5, Funny

      They should encode their increadibly valuable content by moving it to the /dev/null 'encoder'. That way, nobody will ever be able to view even a split second of their content without paying As a side benefit, /dev/null has a truly stunning compression. As long as they use /dev/null they could fit staggering amount of content onto their servers....
    33. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      if only you were right, this western-world chest bashing might have some merit.

    34. Re:Well, isn't it obvious? by thirdrock68 · · Score: 1, Insightful

      Nobody in Western countries has to work multiple jobs unless they are doing something seriously wrong

      Like being born black.

    35. Re:Well, isn't it obvious? by heinousjay · · Score: 1

      See, I personally pick technology based on what does the job I need it to do. The ideology isn't really worth considering, in my opinion. I have a feeling lots of people work this same way. So if PDF and MP3 meet my needs, that's what I'm gonna use.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    36. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 1

      Naa,The engineer's mantra is: if it isn't broke it doesn't have enough functionalities

    37. Re:Well, isn't it obvious? by palegray.net · · Score: 1

      I use what suits my needs, as well. I do insist that people take the same course of action when it comes to technology-related freedoms that they do (read: are supposed to do) with their elected officials: if someone's doing something, or proposing something, that would serve to limit a person's freedoms, you should stand up and say something about it.

      We're talking about opinions that get taken into account when it comes to W3C standards. These standards don't just apply to commerical products used in the private sector; they have an incredibly long-lasting influence on government and education markets as well. Open standards benefit all three areas, and should be supported at all cost versus proprietary, closed systems.

    38. Re:Well, isn't it obvious? by Dark_Gravity · · Score: 2, Insightful

      Apart from it not supporting DRM, ogg has only advantages I have always considered *lack of DRM* to be an advantage.
    39. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      I have mainly MP3s but that is because all of my player will play it. If they all did .ogg, I'd switch in a heartbeat. odd that the proprietary format is used almost exclusively when there is a free and ope format available, but I guess if you are making a player and have paid the license fee for MP3, you are going to make sure people use that. Is there anything in the licenses that force the manufacturers to not support .ogg?

    40. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 1, Funny

      Why would I bother downloading anything from their servers then? I have access to the /dev/null server even when my network is down.

    41. Re:Well, isn't it obvious? by Mantaar · · Score: 4, Informative
      I certainly agree, Cowon's players support FLAC and OGG (Vorbis, damnit you "it's-not-a-codec-it's-a-container"-smart-asses), but the Grandparent added

      and I can't find a single one in my "budget" price range that has ogg support. Cowon's players are way overpriced - they rely on a community of rabid audiophiles (which I happen to belong to) to buy their products that have only a few advantages over cheaper players... Like superior sound quality, 50-60 hours of battery (for the iAudio7) and flac/ogg support. That made me pay 200 Euro for my player. Way too expensive, still.
      --
      I'm an infovore...
    42. Re:Well, isn't it obvious? by Mycroft_VIII · · Score: 1

      I thought it was "When in doubt run in circles, scream and shout"

      Mycroft

      --
      https://signup.leagueoflegends.com/?ref=4c3ed6600b6ea
    43. Re:Well, isn't it obvious? by Smidge204 · · Score: 5, Funny

      It's also the only compression method that, when compressing RIAA material, actually improves the quality of the recording!

      =Smidge=

    44. Re:Well, isn't it obvious? by jim.hansson · · Score: 1

      I'm having a hard time beliving that you could not find a cheap portable player that supports ogg. I have a Cowon D2, not the cheapest on the market but compared ipods it is cheap and supports videos and other fun stuff.

      --
      preview button, my computer does't have any preview button
    45. Re:Well, isn't it obvious? by smallfries · · Score: 2, Insightful

      It's funny that you responded to an article about video with a rambling about audio. It's however hilarious that it got modded Insightful.

      Not as funny as the only person in this thread that actually read the article, which was about Nokia's complaints over Ogg+Theora as a video standard getting modded troll for pointing out that all of the other random drivel about the superior audio format is completely irrelevant...
      --
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    46. Re:Well, isn't it obvious? by Tranzistors · · Score: 1

      I wish Ogg ruled the roost. I do. I wish any open, cross platform format ruled, but it's unlikely to happen.

      Bit more abstract (offtopic/boring)
      It seems the quick way to win is to
      *be open (or free)
      *be good
      *storm the market

      good example - XML. It's good (AFAIK), open and first implementation in its class.
      bad example - RSS. IIRC it had loose implementation.

      In this case mp3 stormed the market and was more or less good, but proprietary. So we are in long one but with chance to win (no other is much better)

    47. Re:Well, isn't it obvious? by Chandon+Seldon · · Score: 4, Insightful

      they are doing something seriously wrong (in which I'd incluide living in expensive small-town American and/or getting married and having kids)

      This is a reasonable economic conclusion in much of the United States, and that's a serious social problem. Any society where people frequently make a practical decision not to have children is basically doomed.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    48. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      You could always just re-encode rather than re-rip, that's 10 minutes work to set soundKonverter up (on KDE) and then just leave it running overnight. Quintessential player can be persuaded to do similarly on Windowz. You just need to have a decent amount more bitrate available in your source oggs as you want to output to your mp3s - a 'budget' mp3 player is unlikely to get any advantage out of a higher mp3 bitrate that 128kbps anyway, so if you have 196kbps or above oggs, you'll probably get away with it.

      If you want native ogg playback, you could try an iriver player - the H-300 series is out of production now, so they'll either be cheap or expensive, they're complete bricks, but they play oggs, as do some other iriver players - there were a few which don't (such as the H10), so do check.

    49. Re:Well, isn't it obvious? by Chandon+Seldon · · Score: 1

      Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support.

      Here's one that's pretty cheap, just looking for a couple minutes. If I cared, I'd spend five or ten more minutes and find something half the price. http://www.newegg.com/Product/Product.aspx?Item=N82E16855507005

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    50. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      But they used to be all for open standards. Maybe times have changed. My suspicion is that they've grown so big that the left side of the company isn't away of what the right side is doing. (posting anonymously because I used to work there)

      There is Linux within Nokia. There is a company supported Linux distribution internally. There was work on Linux based phones as well (as a fallback in case Symbian didn't go anywhere probably). Nokia has always been wary of propriety formats and frameworks from other companies. It's just bad business to be tied to another company's whims.

      I think DRM may be the big issue. In Europe Nokia is big enough and popular enough that the the phone carriers have to adapt to the models that come out. In the US though the opposite is true and the customers don't care about the brand names and are happy to take the locked phones that the carriers give them; so Nokia has to make models to adapt to the carriers' demands. So if some big name carriers are demanding DRM, then it's very easy to imagine that some marketting people within Nokia are busy putting out these sorts of papers to keep the carriers happy.

    51. Re:Well, isn't it obvious? by deragon · · Score: 2, Informative

      The MP3 patent will expire in the coming years. By then, mp3 will be essentially open, thus giving no significant advantage to ogg.

      http://en.wikipedia.org/wiki/MP3#Licensing_and_patent_issues

      --
      Remember the year 2000? They promised us flying cars. They delivered the PT Cruiser...
    52. Re:Well, isn't it obvious? by TehZorroness · · Score: 1

      Apart from it not supporting DRM, ogg has only advantages


      Not supporting DRM is an advantage aswell.
    53. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Should have stayed in school bitch.

    54. Re:Well, isn't it obvious? by LordKazan · · Score: 1

      We didn't need to hear about your personal pink-unicorns-farking-roses alternate reality - if you knew anything about REAL LIFE you'd know that shit stinks.

      --
      If you cannot keep politics out of your moderation remove yourself from the Mod Lottery.. NOW!
    55. Re:Well, isn't it obvious? by plazman30 · · Score: 2, Interesting

      You would think big media could care less about DRM these days, with the move even by Microsoft to offer songs in non-DRMed MP3 format.

      Of course, we all know, the point to this DRM-free music is to simply attack the iTunes Music Store. If they could actually successfully knock iTunes down a lot, then watch and see how fast DRM-free tracks will disappear from Amazon, Microsoft and other online outfits, claiming the big experiment was a failure and piracy must be curbed.

    56. Re:Well, isn't it obvious? by Paco103 · · Score: 2, Insightful

      That's still not really debunking the parent point. There are players that support it, there are players that support whatever format you want to use. If they don't do it natively, there's surely some hack for some player to make something do it. The difference is that MP3 is supported by pretty much everything. You can't hardly buy a digital media device that can't play MP3's these days. DVD players, phones, digital picture frames, any digital music players (even ones that aren't marketed as MP3 support it as an alternative format), in dash CD players (if they support anything more than CD audio), some digital cameras, some GPS units.

      I have considered switching my collection default to Ogg or other "superior quality" formats in the past. Fact is, if my music collection is 100% MP3, it can be played on anything that can play digital audio files. If I use ANY other format, I'm restricted to a PC and a very small subset of digital audio players on the market. Quality does not win format wars, convenience does. I'm not saying quality doesn't matter, but it takes a large differential for the market to care. Quality doesn't matter if it's inaccessible, and it's inaccessible if I have to work too hard to get it.

      Would anyone care about a 60" plasma TV with surround sound if the only way to see it was to sit on a milk crate? My guess is they'd go for the 5 year old 27" TV in front of a nice recliner.

    57. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 2, Informative

      but it also supports another feature that is rarely found on mp3 players, true gapless playback.
      a year ago that would have been true, but every ipod sold in the last 12 months has done gapless, and they are the most common player on the market
    58. Re:Well, isn't it obvious? by garutnivore · · Score: 1

      That's precisely why I'm buying a Cowon.

    59. Re:Well, isn't it obvious? by Billly+Gates · · Score: 1

      Cell phone makers charge lots of $$$ for ring tones and apps via DRM lockin.

      Free and open standards threaten their revenue stream from these services and ogg means free ring tones and freedom for cell phone users and we can't have any of that in their world.

      What is most frustrating thing is they are killing the goose with the golden egg because if it were not for the internet we would not have web browsing services or a network they can use to sell their own services.

      Maybe another market could open up if we support open standards but I guess thats their fear.

    60. Re:Well, isn't it obvious? by phantomcircuit · · Score: 1

      You do know that you can convert ogg to mp3 without ripping from cd, right?

    61. Re:Well, isn't it obvious? by xubu_caapn · · Score: 0

      a couple years ago i bought a iriver fp790 ( i think that's what it was called). great quality, battery life, and of course played ogg. it's 256mb and was about 100 bills, so maybe you should check for something in that lin (i don't know if they still offer ogg-players).

      --
      FYI: I don't know what you guys are talking about half the time.
    62. Re:Well, isn't it obvious? by flyingfsck · · Score: 1

      Here you go:
      find . -name \*.ogg -print -exec sox {} {}.mp3 \;

      --
      Excuse me, but please get off my Pennisetum Clandestinum, eh!
    63. Re:Well, isn't it obvious? by Planesdragon · · Score: 5, Insightful

      Nobody in Western countries has to work multiple jobs unless they are doing something seriously wrong You're a student, and someone who occludes "veteran" and "conscientious objector."

      To put it plainly, you don't know what the hell you're talking about. Not having well-off parents to foot the bill for college to give you a unique skill-set is not "something seriously wrong." A good portion of any country lives in poverty, and if you're not a member of a welfare state, when you hit rock bottom you really do need to go work full time just to survive.

      Note that most folk who work multiple jobs don't have a single full-time job. They may average 50-60 hours per week among their 2-5 jobs, but since none of their jobs pay benefits and they have higher-than-ordinary travel expenses, they need to work that much just to survive.

    64. Re:Well, isn't it obvious? by ChronosWS · · Score: 4, Insightful

      Um... *cough*

      The article was referring to Ogg Theora, not Ogg Vorbis. In fact, the whole article was plainly talking about VIDEO.

      Sorry to pick on you, I just had to see if this thread was going to be reined in or not...

    65. Re:Well, isn't it obvious? by samkass · · Score: 1

      MPEG4 with AAC and H.264, which is championed by Apple and supported by almost everything, is also open, standardized, and well-supported by software and hardware. The submitter is obviously extremely biased toward Ogg, but Ogg is just a "container" format, just like MPEG4. The actual codec is vorbis (audio) or theora (video).

      While the word "proprietary" was probably used inappropriately, it is true that Ogg is not well-supported and isolated to a few devices who place extreme value on FOSS. MPEG4 is a vastly better supported container format. If vorbis and theora are that great codecs, just offer them as options inside MPEG4, don't go switching to Ogg. There's no reason for yet another container. But I suspect even with the marginally better quality of vorbis and theora, compatibility with existing production software, media formats, recording hardware, de/encoding hardware, etc., would make MPEG4/AAC the obvious choice for the non-religiously FOSS geek.

      --
      E pluribus unum
    66. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Iriver?

    67. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Look at rockbox [www.rockbox.org], it supports many popular mp3 players; Apple, cowon, sandisk, iriver, toshiba, etc.

      I bought a sandisk sansa c200 and was disappointed with a number of 'features'; lack of format support, limited dyanic range and volume control, limited ID3 support in mp3s. rockbox fixed all that.

      ogg, ape, wma, mp3, flac plus more are all supported. The equalization, crossfade, gain control are all excellent. The tag support is great. It's skinnable/themable. In short, it rocks!

    68. Re:Well, isn't it obvious? by CRCulver · · Score: 1

      FWIW, my parents contributed nothing to my educational expenses. And my skillset is hardly useful.

      I would have believed that being able to avoid work and travel a lot is something just for the lucky weathy, but then I moved to Romania and saw most of my acquaintances there, average people in an Eastern European country, leaving one by one to travel. One friend recently got back from a year bumming around India, another two are currently working their way from France to West Africa, and yet another is touring the Middle East. They work very rarely.

      And a great deal of Western countries are welfare states, so there's few worries. At least Finland and Denmark give enough financial support to students monthly to travel and just come back for exams, and a good percentage of the population here are students.

    69. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 5, Funny

      Just the other day I was compressing Simon and Garfunkel's "The Sounds of Silence" to /dev/null, and it came back much truer to the name than the original.

    70. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      I ripped my whole CD collection in ogg about a year ago. Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support. I'm stuck re-ripping or downloading my entire library.

      "A lack of planning on your part does not constitute a consumer demand on my part." :)

    71. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Then you end up with the artefacts of both, if you ripped to ogg in the first place, I'm guessing there was a quality motivation to it, and accepting something less than what mp3 can offer isn't likely to be there first choice.

    72. Re:Well, isn't it obvious? by shoegoo · · Score: 1

      Apart from it not supporting DRM, ogg has only advantages - it's equal or superior to most other codecs IIRC Ogg (or theora to be more exact) requires greater hardware resources for decoding a file of like bitrate than MP3 does. This is probably a larger concern for a company like Nokia that deals solely with portable devices where processor speed is more of a commodity and power consumption is a primary concern.

    73. Re:Well, isn't it obvious? by Idaho · · Score: 3, Interesting

      I ripped my whole CD collection in ogg about a year ago. Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support


      That is because, with hindsight, you where doing it wrong.

      Just rip all your CD's to FLAC, which is a lossless format. Then just transcode it for whatever device you want, from the "original" FLAC's. Admittedly, what is lacking (at last in Linux) is some easy software to do this, at least as far as I'm aware. (It's much worse on Mac OS X, because iTunes does not support FLAC). Of course, someone might write a trivial script to do the transcoding automatically, but it would be much more convenient if you could just select part of your music library for syncing with other devices, then have the transcoding happen automatically. (sure, it would slow down syncing a bit, but on todays Core 2 Duo's, who cares really..). In other words, it needs a convenient GUI.

      Then, before you complain about the amount of space needed for FLAC files as compared to OGG or MP3: the FLAC encoder will compress most albums (even classical music) down to somewhere between 33-50% of their original size. That means about 200-300 MB for the average (1 hour) album. A 500 GB harddisk these days sets you back slightly less than $100. It will fit about 2000 full albums (you do the math).

      Now of course I'm not sure how many CD's you own, but certainly if you would own more than 2000 full albums I'm sure you could also afford another $100 harddisk.

      If you have less than 500 albums (which I think would be true for about 99,999% of the population) you could even get away with just storing the raw PCM/WAV files, and only encoding them while transferring them to portable devices. The need to compress at least *music* on desktop machines is really a thing of the past now. It's just that most people didn't realize this is the case, yet.
      --
      Every expression is true, for a given value of 'true'
    74. Re:Well, isn't it obvious? by bzipitidoo · · Score: 1

      Free isn't the only reason to prefer Ogg Vorbis. Ogg Vorbis sounds better than mp3.

      In the US, it is some trouble to find consumer electronics that can play Ogg Vorbis files. Why? Microsoft tried to kill Ogg Vorbis, that's why. The most expensive, high end stuff sometimes has it. A few others can handle Ogg Vorbis after you reprogram them. Many of them are deliberately crippled in other ways-- can't transfer files via plain USB, has to be MTP, and has to be done under Windows because it requires drivers. One such that can do Vorbis and plain old USB is the Samsung Yepp, but to get there you have to download a European ROM, then trick the US program into flashing the device with that ROM, as they tried to write the programs so they would not flash the "wrong" devices. Rockbox supports half a dozen different devices, and isn't too hard to install.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    75. Re:Well, isn't it obvious? by baadger · · Score: 1

      ...and you can replace Cowon firmware with the completely FOSS Rockbox on some of their players.

    76. Re:Well, isn't it obvious? by Achromatic1978 · · Score: 1

      Cell phone makers charge lots of $$$ for ring tones and apps via DRM lockin.

      Doubtful. Carriers charge lots of $$$ for these things. I'd be surprised if for Nokia etc such things formed 0.1% of their revenue. Besides, they'd only be covering half of the equation by doing so. They still allow free uploads via IR, Bluetooth, USB, TCP/IP to their devices and use for ringtones - with few exceptions, restrictions on this are placed into carrier specific firmware, not by the manufacturer.

    77. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Sorry mate but your post sounds a bit suspicious. I just did a quick Google to get an idea of MP3 players that support OGG.

      http://www.ciao.co.uk/Portable_MP3_Players_5266512_3-ogg_vorbis~s15 lists 116 at the top of it's search list. I checked the first 2 pages of the list to make sure that all the searches did indeed have OGG support. All of these players come in various price ranges (meaning cheap to not so cheap).

      Also, assuming that time is money (an economic resource); re-ripping your entire CD collection and spending time and bandwidth (re)downloading music seems like a waste of time and a rather dubious proposition than getting a cheap MP3 player that supports OGG.

    78. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      iRiver's players support ogg vorbis, though possibly not to the same extent as mp3.

    79. Re:Well, isn't it obvious? by m2943 · · Score: 1

      Apart from it not supporting DRM,

      But it does. Ogg "supports" DRM in the same way any other codec "supports" DRM: you can add DRM as a proprietary hack on top of it. The only difference is that for other codecs, people have already bothered to implement DRM, while for Ogg, they haven't.

      Seriously, does anyone have an explanation for that?

      See my other posts; basically, if people are forced to adopt proprietary, patent-encumbered standards, that serves as a barrier to entry to smaller players. Big, established players like Nokia like that sort of thing. In addition, Nokia is moving into services, and they are probably going to roll out some kind of cell phone video service based on proprietary video formats.

    80. Re:Well, isn't it obvious? by Gattman01 · · Score: 1

      I actually use my Nintendo DS to play music.

      If you already have one, for $40 to $50 US you can get a card that'll let you load homebrew, then add a 2gb micro SD card for $23 and you have have yourself a decently priced player capable of playing just about any audio and a couple video formats. There is even a homebrew music player that mimics an iPod if thats what you're looking for.

      R4 Card: http://www.supercardnds.com/catalog.asp?catid=10544
      Micro SD Card: http://www.pricewatch.com/flash_card_memory/microsd_2gb.htm

      Thats of course assuming you already own the NDS hardware.

    81. Re:Well, isn't it obvious? by podperson · · Score: 1

      As I understand it, ogg is only "free from patent issues" because it's not worth suing anyone over it. If it becomes economically significant, it's just as vulnerable to patent litigation (c.f. the GIF format) as anything else.

      And ... is ogg a codec or a container? There's a MAJOR difference. If it's just a codec, then it's essentially transient.

      The best system technically is also the first to be widely used -- QuickTime. It was built from the ground up as a container format (i.e. a metastructure for sequencing collections of media) AND an extensible family of codecs, it even includes a virtual machine for arbitrary interactivity, and the container format (in the form of MPEG-4) is a published standard which anyone can choose to implement or not. Any system which does not have all this flexibility is bound to run into a brick wall at some point and have to make profound architectural changes.

    82. Re:Well, isn't it obvious? by TapeCutter · · Score: 1

      There are two ways to travel the world while "rarely working"...

      1. Be independently wealthy.
      2. Leach from others.

      "And a great deal of Western countries are welfare states, so there's few worries. At least Finland and Denmark give enough financial support to students monthly to travel and just come back for exams, and a good percentage of the population here are students."

      In other words, the taxpayer is feeding the leaches.

      --
      And did you exchange a walk on part in the war for a lead role in a cage? - Pink Floyd.
    83. Re:Well, isn't it obvious? by mrsteveman1 · · Score: 3, Informative

      Except for the technical advantages. I can take a PCM file from a ripped cd and encode it with similar settings in iTunes (aac), neroenc (aac), lame, and the vorbis encoder, and everything but lame and vorbis sound like the range is compressed too far, and mp3 sounds poor on some tracks that are difficult to encode, but on the vorbis version those same passages are not as annoying.

      I've done this on multiple tracks on multiple machines with good earphones, vorbis is always the least annoying for passages with encoder defects. However i do have an 3gen nano so vorbis isn't a real option, nor is alternative firmware.

    84. Re:Well, isn't it obvious? by madsenj37 · · Score: 1

      He says he may have to make time to re-rip. If I assuming anything, its that he has spare time in blocks. He already stated he has the time.

      --
      Choosing the lesser of two evils is a choice for evil.
    85. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Slashdot hates black people and trolls

    86. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      And ... is ogg a codec or a container? There's a MAJOR difference. If it's just a codec, then it's essentially transient.


      Ogg is the container. Vorbis, speex, theora and others are the codecs.

      This fact is not actually all that difficult to find out:

      http://en.wikipedia.org/wiki/Ogg
      "Ogg is an open standard for a free container format for digital multimedia, unrestricted by software patents and designed for efficient streaming and manipulation. Ogg is maintained by the Xiph.Org Foundation.

      The name 'Ogg' refers to the file format which can multiplex a number of separate independent free and open source codecs for audio, video, text (such as subtitles), and metadata. The term 'Ogg' is often used to refer to audio file format Ogg Vorbis, that is, Vorbis-encoded audio in the Ogg container. Other prominent Xiph codecs that are often encapsulated in Ogg are the video codec Theora, and the human speech audio compression format Speex."
    87. Re:Well, isn't it obvious? by osssmkatz · · Score: 1

      Neuros' players are completely open source, and support every codec imaginable. That said, I really like AAC, but I have also bought un-drmed MP3. --Sam

    88. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      iRiver's players support ogg vorbis


      There are a lot of portable players that support ogg vorbis:

      http://wiki.xiph.org/index.php/PortablePlayers

      There is now also on-chip-hardware support for Ogg Vorbis, so portable players no longer have to burn battery in order to support playing of Ogg Vorbis files:

      http://wiki.xiph.org/VorbisHardware
      http://www.vlsi.fi/vs1000/vs1000.shtml

      If some companies such as Apple or Nokia decide not to support Ogg Vorbis ... that is their decision to miss out on a market, it is not in any way a failing of Ogg Vorbis.
    89. Re:Well, isn't it obvious? by bigdan · · Score: 1

      Get a Sansa E200 and stick Rockbox on it. You'll get Ogg Vorbis support and a whole lot more.

      --
      .sig? .sig!
    90. Re:Well, isn't it obvious? by badasscat · · Score: 1

      Note that most folk who work multiple jobs don't have a single full-time job. They may average 50-60 hours per week among their 2-5 jobs, but since none of their jobs pay benefits and they have higher-than-ordinary travel expenses, they need to work that much just to survive.

      That's their choice, and their problem.

      Look, I'm a hardcore Democrat, borderline socialist. But your attitude is not helpful, and it's only going to doom you to failure along with anyone else who follows the same mantra.

      My parents are not well off. My dad contributed about $5,000 to my education (smart guy that he is, he started saving for that when I was 10, sacrificing much for it), my mom nothing. I financed the rest through a combination of government grants and student loans, which took me approximately 13 years to pay off. But I did it, all by myself. If my dad hadn't been able to contribute what he did, my loans would have just been that much bigger and taken a little longer to get rid of.

      It also helped that I spent my first two years at a cheap state school, then transferred for my last two years to NYU. So my diploma is from NYU, but I paid about half what a four year NYU student would have paid. And I worked all the way through college.

      These are all things you figure out how to do if you want to graduate from college. If you throw up your hands right at the start and say "I can't afford this!" then that's your problem. You wouldn't last a day in a real job anyway. Nobody hires a whiner.

      Once I graduated from college, I paid my dues selling home electronics for a year, then through persistence got a low-paying job writing about video games. From there, it was onto a video game publisher producing web sites. And now I'm a senior producer for a major cable television channel.

      Anyone who has to work multiple jobs to get by has just done something wrong with their life planning. Nothing in my situation came down to luck and the only thing I was "given" was a little bit of money my dad had saved up over a period of eight years, and that didn't even pay for a full year at state college. The rest was just hard work and persistence.

      Posts like yours are enough to turn anybody Republican. Yes, there are cases where people legitimately cannot help themselves and end up out on the street, either because they have mental problems, or health problems, or whatever. But any non-disabled person who comes from even a poor home can qualify for enough student assistance to attend college, as I did (in fact, the poorer you are, the easier to qualify), and from there, it's all down to you what you do with your education. Plenty of people do work only one job with benefits, you know, and not all of them come from privileged backgrounds.

    91. Re:Well, isn't it obvious? by Trongy · · Score: 1

      I was recently given an Iriver X20 as a gift and luckily for me it does play ogg vorbis. They are cheaper than most players out there. The X20 is pretty large for a flash based player. It has a micro sd slot, FM radio and the battery is user replaceable. The user interface isn't fantastic, but I tend to just select and play whole albums. It shows up as a USB mass storage device (it may also be configured to use MTP) so you don't need the iriver windows software, just drag and drop.

    92. Re:Well, isn't it obvious? by SpaceWanderer · · Score: 1

      DRM is exactly why. Here's They've teamed up with universal for a music download service and want DRM as they seek other labels to sign up with them: (This is from zeropaid) Nokia to Offer 1 Year of Free Music Downloads With New Phone posted by soulxtc in music // 4 days 8 hours 44 minutes ago 4 votes vote "Comes With Music" deal will give customers who buy one of their new music phones 12 months worth of free music downloads. Nokia said on Tuesday it had signed a deal with Universal Music to offer free 12-month access to Universal artists' music for buyers of of it's new music phones as a way to promote cellphones as media devices and to develop new revenue for a music industry struggling with piracy. So far it has only signed up Universal Music Group International for its new "Comes With Music" offering, but is eyeing similar deals with other labels before the offer starts in the second half of 2008. "We are in talks with all major labels. The response from labels has been very, very positive," said Nokia spokesman Damian Stathonikos. Nokia said consumers will be able to keep all the music they have downloaded for free during the 12 month period. Users will be able to download the songs to new Nokia phones or to their computers via mobile or fixed-line broadband connections. Universal, meanwhile, will get a portion of revenue from sales of each of the new Nokia music phones. The move signals a shift in Universal Music's strategy in that it will essentially offer unlimited permanent music downloads for a fixed price or fee, unlike Rhapsody and others where users essentially rent the music. "It's one thing to have people downloading free music illegally," said Mark Mulligan, an analyst at Jupiter Research. "What is bold and strategically important about this is that they are tacitly accepting that they will never get digital youth to pay for music." With music fans having grown so accustomed to getting content for free for so long on P2P and file-sharing networks, it may just finally be the case where music is offered at fixed rate rather than per album or song. So far Nokia hasn't said how much the new music phones will cost, but if it means a years worth of free tunes it may just be worth the price, though a still reasonable one..

    93. Re:Well, isn't it obvious? by Malevolyn · · Score: 4, Informative

      I can verify this. However, the iPod causes a loud click when the buffer starts about one second before the current track ends. Rockbox doesn't have this issue. You can also change the buffer length in Rockbox. I think the iPod's is only a half second, to be honest.

      --
      Your ad here.
    94. Re:Well, isn't it obvious? by 99BottlesOfBeerInMyF · · Score: 1

      That is because, with hindsight, you where doing it wrong. Just rip all your CD's to FLAC, which is a lossless format.

      Not everyone has all the disk space in the world or a dedicated file server. Some people just own one machine, likely a laptop, with pretty limited disk space and their CDs are their backup.

      Then just transcode it for whatever device you want, from the "original" FLAC's. Admittedly, what is lacking (at last in Linux) is some easy software to do this, at least as far as I'm aware. (It's much worse on Mac OS X, because iTunes does not support FLAC).

      Umm, how is it worse on OS X than Linux. You can use Mplayer, Cynthiune, Play, or any number of other free players that support FLAC, just the same as on Linux. Just because you're on OS X, doesn't mean you have to use iTunes. Alternatively, you could use ALC instead of FLAC, as it is a lossless format that is supported by iTunes; or you could use one of the FLAC plug-ins for iTunes.

      Then, before you complain about the amount of space needed for FLAC files as compared to OGG or MP3: the FLAC encoder will compress most albums (even classical music) down to somewhere between 33-50% of their original size. That means about 200-300 MB for the average (1 hour) album. A 500 GB harddisk these days sets you back slightly less than $100. It will fit about 2000 full albums (you do the math).

      Not good enough, especially if, like I said above, you just have a laptop with a 40 gig drive or something.

    95. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      amazing that you Cannot find one in your rang. A real quick ebay search showed an iRiver T30 with ogg support, buy it now, $20+ shipping. If that is not in your range, listen to radio because that is all you will afford.

    96. Re:Well, isn't it obvious? by DreadPiratePizz · · Score: 1

      Ogg takes more CPU power to decode than mp3 or AAC. That means less battery life for powerbooks/iPods/whatever.

    97. Re:Well, isn't it obvious? by Amani576 · · Score: 1

      Well said.
      GR

      --
      "Paranoia is the flaw and gift of man. Heed its advice, but do not live by its will."
    98. Re:Well, isn't it obvious? by palmem · · Score: 1

      I came accross just that problem (I was given a iPod Nano), so I hacked together a little script. It even supports playlists and contacts (for iPod). http://dabbelt.zapto.org/palmer/software.html

    99. Re:Well, isn't it obvious? by Xtifr · · Score: 1

      You must not have looked very hard--I recently went to Best Buy's website (I know, I know, but I just wanted to see if someplace that mainstream had anything), and not only did they have players with acknowledged Ogg Vorbis support, but it was one of the choices on their "let us help you pick the right player for your needs" agent.

      Ok, the very cheapest players didn't have Vorbis support, but there were some reasonably cheap ones that did (basically, the Samsungs). Much cheaper, at any rate, than the 200 euro Cowons that some else mentioned elsewhere in this thread. Once I knew the model I wanted, I was able to pick one up for about $75 US. For a 2GB player, I don't think that's bad at all.

      Of course, if $75 is outside of your "'budget' price range", then yeah, maybe you're screwed, but for most people, I don't think that's a price they'd consider outrageous.

    100. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 2, Informative

      Except for, of course (assuming you mean Vorbis when you say "ogg")
        - Improved sound quality
        - Better tag support
        - Better streaming support
        - Chained stream support
        - Metadata multiplexing
        - Support for more than 2 channels
      etc.

    101. Re:Well, isn't it obvious? by m50d · · Score: 1

      Eww, no. XML sucks, it's full of bad compromises that come out of trying to be all things to all people, as you must get from a standards committee. All the best standards come from being used first, then openly standardised once experience has shown what should and should not go in the actual standard.

      --
      I am trolling
    102. Re:Well, isn't it obvious? by m50d · · Score: 1
      Admittedly, what is lacking (at last in Linux) is some easy software to do this, at least as far as I'm aware.

      ffmpeg, the solution to all your transcoding problems.

      it would be much more convenient if you could just select part of your music library for syncing with other devices, then have the transcoding happen automatically.

      Already there; there are any number of amarok scripts you can enable that will make this happen.

      --
      I am trolling
    103. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 1, Informative

      Rhythmbox on Ubuntu Gutsy re-encodes to whatever-format-HAL-says-your-portable-player-supports when you drag and drop files from your library to your music player.
      Seems pretty trivial to me.

      Now if only HAL realised that my Cowon iAudio U2 supports ogg... (much of my library is in ogg, and it is transcoded to mp3 by Rhythmbox)

      A.C.

    104. Re:Well, isn't it obvious? by MoxFulder · · Score: 1

      I love how they think you can make a free codec sound less appealing by putting quote marks around it...

      Latest and gentlemen, Vorbis and Theora aren't REALLY free codecs, they're merely "free" codecs.

      And don't get me started on how they conflate Ogg (a free container format which can hold data from various codecs) with Vorbis and Theora (free audio and video codecs, respectively).

    105. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 1, Informative

      The players from iriver support OGG-vorbis as well. I got one of those recently and they are not too expensive.

    106. Re:Well, isn't it obvious? by Zeinfeld · · Score: 4, Interesting
      Not as funny as the only person in this thread that actually read the article, which was about Nokia's complaints over Ogg+Theora as a video standard getting modded troll for pointing out that all of the other random drivel about the superior audio format is completely irrelevant...

      Well thats par for the course here, slashy tends to be more of a fanzine.

      I read the Nokia paper, the summary seems to misrepresent it. Some of the points were actually ones that I had made at the W3C AC plenary: Some of the older audio and video formats are comming out of patent soon, it might be nice to know precisely when. I would like to see an unencumbered standard CODEC that all browsers support, that does not necessarily have to be Ogg if MPEG2 and AC3 are due to expire in the near future.

      I know that ACC and H.264 offer better compression and in fact I expect them to be used to deliver the bulk of Web content. The trick is how to ensure that the cost of using these technologies is proportional to the value of the bandwidth that they save (a few hundred million dollars) rather than the value of the applications they enable (a few hundred billion dollars).

      One of the somewhat frustrating problems here is that useful comparisons of compression quality are pretty hard to come by. One comparison I read disqualified Ogg Theora because it did not compress The Matrix to fit on a CD. In other words a totally arbitrary cut off point. Why choose that movie, who cares about the capacity of a CDROM?

      Quite a few MPEG2 patents have expired already, it would take a lot of work to find out when they all expire though. Main question would be what happens with submarine patents at this point.

      The reason I prefer this approach is that I just don't think that anyone can invent a new video compression scheme and be sure that it is unencumbered. We thought that GIF was unencumbered when we made it the standard image format for the Web, turned out that we were wrong but there was no way we could have known at the time. I don't like chosing Ogg for the same reason, I would prefer to be absolutely sure we have an unencumbered spec which means choosing something obsolete.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    107. Re:Well, isn't it obvious? by Billly+Gates · · Score: 1

      How big are the telecoms are as customers?

      I would not be surprised if one phone that is included with a 2 year contract is chosen based on whom restricts the most freedom. If they have a non html 5 compliant phone it would hurt customer adoption. If they were compliant then the telecoms would drop their contracts as its true free and they want only drm supported file formats.

      They would lose either way and it only shows why monopolies and oligopolies distort the free market and hurt everyone but their own bottom line. They should not charge customers to use their own phones. Can you imagine Microsoft charging us and drm locking all our computers to do the same? No free unsigned apps or sounds allowed.

    108. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0
      That's stupid. Everything's 'broke' compared to a superior implementation of said thing. MP3 is an ancient and inefficient audio coding. There's absolutely no reason why a superior codec can't gradually take the place of an incumbent like mp3. DAP lifespans are usually a few years; If every player sold starting tomorrow could use ogg, it would only be a couple years before most players would be ogg-friendly, with no hassle at all for users or manufacturers

      People are familiar with it and therefore are reluctant to change.
      Familiar? nearly all people who listen to mp3s couldn't give a flying fuck what format they're in. To them, familiarity with mp3 is knowing it's a three character word that means 'music'. Any replacement format just needs a compatibility infrastructure in place to become widespread. With a quality open source decoder available, ogg is nearly trivial to add to any player. It's just a matter of control. The industry does not want the next standard to be one that can't be controlled, especially one that's incompatible with DRM.
    109. Re:Well, isn't it obvious? by Maelwryth · · Score: 1

      Get a copy of Media Monkey and use that to convert the format if you really, really, have to. Just select all your media and then shift+cntl+c. Please write a complaint letter to the manufacturer though, and there may be some loss of quality.

      --
      I reserve the write to mangle english.
    110. Re:Well, isn't it obvious? by Xabraxas · · Score: 4, Funny

      So /dev/null converted your copy of Sounds of Silence to the acoustic version? Cool.

      --
      Time makes more converts than reason
    111. Re:Well, isn't it obvious? by devilspgd · · Score: 1

      Rerip... Or just reencode (no, this won't be as great quality as a rerip -- Unless the original rip was excessively low quality, odds are good it won't be too painful) for the MP3 player.

      Heck, get an iPod and the sound reproduction won't be that great anyway, you won't even notice the reencoding.

      --
      Give a man a fish, he'll eat for a day, but teach a man to phish...
    112. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Ogg takes more CPU power to decode than mp3 or AAC. That means less battery life for powerbooks/iPods/whatever.


      Not correct.

      Ogg Vorbis takes more power on a portable player to decode by running a pure software decoder than does any decoder on that same player that can be handled in hardware. iPods are like this ... they have hardware support for decoding mp3, but they must decode vorbis using software only, which is more expensive for battery power. This is a failing of the iPod, not a failing of Vorbis.

      The solution, then is to have a portable player without any bias. If it has hardware decoder support for mp3, then it should also have a chip for vorbis (or have a chip that can do both).

      I doubt very much if powerbooks have hardware support for decoding mp3 files, and so playing an mp3 or a vorbis file on a powerbook should consume about the same amount of battery power.
    113. Re:Well, isn't it obvious? by ShieldW0lf · · Score: 1

      Eww, no. XML sucks, it's full of bad compromises that come out of trying to be all things to all people, as you must get from a standards committee. All the best standards come from being used first, then openly standardised once experience has shown what should and should not go in the actual standard.

      They did that. It was called SGML XML is what they openly standardized on once they had the experience

      --
      -1 Uncomfortable Truth
    114. Re:Well, isn't it obvious? by Xabraxas · · Score: 1

      Right there is a pretty big roadblock. Big media isn't interested unless it is going to help with DRM.

      Having Ogg and Theora as web standards doesn't prevent big media from releasing content in a different format.

      Secondly, the average person isn't really all that interested in whatever superior quality ogg has. It's really a nominal difference on most players and in most listening environments. MP3 does just fine for them.

      Thirdly, and in conjunction with my second point, MP3 is old, well-known, and for the most part easy to use. People are familiar with it and therefore are reluctant to change. The fact is MP3 got their first. It causes to few real problems to push people to care about open standards. I myself like to think I'm at least a little enlightened/aware of digital media issues, and I don't even have that much ogg in my library. It's probably 90% MP3, then 5% FLAC and ogg.

      If Ogg and Theora become standards it is very likely that audio and video devices will add support for the codecs. Ipod users don't seem to have a problem using AAC so I don't see it being a very big issue for users to switch to Ogg.

      --
      Time makes more converts than reason
    115. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Should have stayed in school bitch. You're missing a comma between "school" and "bitch".

      Shouldn't have skipped English, bitch.

      At least you didn't say "should of".
    116. Re:Well, isn't it obvious? by Blakey+Rat · · Score: 1

      They're also not "budget." A 4GB Cowon MP3 player costs $130.

    117. Re:Well, isn't it obvious? by mhbtr · · Score: 1

      I know these posts are SUPPOSED to be about video, but while on the topic of transcoding, Max for the Mac from sbooth.org does a great job of transcoding from FLAC to any format you want, even multiple simultaneously, and ading them to itunes, using a variety of encoders (as in you can encode into MP3 using Core Audio or LAME or a variety of others), and yes, to ogg...

      But I am going back to see if anyone actually posted insightful things about VIDEO

      because in all honestly, it really DOES make sense to continue with a container format like the MPEG-4 container format, and not try and push ANOTHER container format from a body that really knows nothing about media container formats (W3C)

      It took many years and many smart people to decide that MPEG-4 would be based on QuickTime, and to gain such wide adoption (yeah, even MSFT supports it now - THAT should tell you something....

      I think it would nicer to keep the eyes on the prize. For most of us, consumers, the container formats are free....

      Don't quote me on this, but I imagine to implement MPEG-4 containers on Linux, it is also free....

      What exactly is the point of undoing all that work?

    118. Re:Well, isn't it obvious? by JohnBailey · · Score: 2, Informative

      Cowon's players support it. They also do FLAC. As do iRiver and iAudio. Many of the far eastern makers support Ogg. You may have to get them online instead of walking into your local consumer electronics store, but you have access to a much wider choice of models and brands. Not just current iPods and a few no name cheap models.
      --
      It is difficult to get a man to understand something when his job depends on not understanding it.
    119. Re:Well, isn't it obvious? by Cadallin · · Score: 1
      ++++

      This is the "correct" solution, by which I mean the one that insures both highest quality and compatibility.

      On Macs (on which I use this solution) There are tools worth mentioning, because as mentioned iTunes doesn't support FLAC (BAD Apple!) Play http://sbooth.org/Play/ is an audio player with support for open formats, with full support for ReplayGain tags. Personally, I use Cog, because I like the interface better, but it doesn't support Replaygain (despite fairly constant cries to the developer for this feature). Max http://sbooth.org/Max/ is an audio format converter for OS X. It has every feature I need to be able to convert FLACs to MP3 (or whatever) and translates tags perfectly.

    120. Re:Well, isn't it obvious? by JohnBailey · · Score: 1

      Not everyone has all the disk space in the world or a dedicated file server. Some people just own one machine, likely a laptop, with pretty limited disk space and their CDs are their backup. And just about every PC that is still in use has a USB port. If it doesn't, then it is quite likely not fast enough to encode anything anyway. A cheap disk caddy and a hard drive, and you have as much storage space as you could possibly want. Unless you intend to lug your entire music collection around with you, which kind of makes the media player argument academic.
      --
      It is difficult to get a man to understand something when his job depends on not understanding it.
    121. Re:Well, isn't it obvious? by jlarocco · · Score: 1

      good example - XML. It's good (AFAIK), open and first implementation in its class.

      That's the hardest I've laughed all day. You have no idea what XML is, do you?

    122. Re:Well, isn't it obvious? by BeerCur · · Score: 5, Funny

      I just downloaded Microsoft's /dev/null decoder, and it's 8 gigs...

      --
      It's not what your Sig can do for you, but what you can do for your for your Sig.
    123. Re:Well, isn't it obvious? by Handover+Phist · · Score: 1

      Nobody in Western countries has to work multiple jobs unless they are doing something seriously wrong (in which I'd incluide living in expensive small-town American and/or getting married and having kids).


      Getting married and having kids is seriously wrong? Gimme a break! Who's going to be posting dumb crap like that on Slashdot in thirty years if some of us don't?
    124. Re:Well, isn't it obvious? by RAMMS+EIN · · Score: 1

      ``Vorbis is pretty much dead. While its quality is good, Vorbis has quite high performance requirements just for decoding (negligible on current desktop PCs, but not on portables that run on battery).''

      Yes and no. Yes, decoding Vorbis was more CPU-intensive than MP3 last time I checked. No, this isn't actually a problem. There are quite a number of portable devices that decode Vorbis without any problems. Dead? I don't think so.

      The real questions are why most companies seem to be actively ignoring Vorbis, and why consumers aren't rallying behind it more.

      --
      Please correct me if I got my facts wrong.
    125. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      The iRiver stuff has supported Ogg for a long time. http://www.iriver.com/

    126. Re:Well, isn't it obvious? by ne0n · · Score: 1

      Samsung's Yepp players from the last 2 years support Ogg Vorbis, Cowon's entire lineup supports Vorbis, iRiver too (check out the S10!), in fact I'd have to look pretty hard to find a non-iPod MP3 player that's any good, that does not play Vorbis files.

      --
      $ :(){ :|:& };:
    127. Re:Well, isn't it obvious? by Gordonjcp · · Score: 1

      Note that most folk who work multiple jobs don't have a single full-time job. They may average 50-60 hours per week among their 2-5 jobs, but since none of their jobs pay benefits and they have higher-than-ordinary travel expenses, they need to work that much just to survive.

      And what the grandparent post said still holds. The US is the only country in the first world where that is common.

    128. Re:Well, isn't it obvious? by socz · · Score: 0, Redundant

      i wish i had mod points for you my friend!

      --
      My abilities are only limited by my imagination
    129. Re:Well, isn't it obvious? by dgatwood · · Score: 1

      By the way, a lot of people here are focusing on the fact that ogg doesn't support DRM, but neither does mp3. Seems to be a rather tangential argument.

      For that matter, neither does any audio or video codec except WMV/WMA, as far as I know. No other codec I'm aware of supports DRM as an integral part of the codec. There's simply no reason for DRM to be part of the codec, as it offers no real advantage unless you're trying to create a monopoly empire. Case in point, Apple's iTunes Store uses AAC audio wrapped in a DRM wrapper, but AFAIK, the DRM scheme isn't part of the AAC codec specification in any way.

      It's worse than tangential; it is a completely bullshit argument. Nokia, if you're going to make an argument against Ogg, argue something useful like "We believe it violates patent number (\d+) from (Fraunhofer|DTS|Dolby|Nokia|Apple|...)," not some idiotic strawman argument like claiming it is "proprietary" or that it somehow offers less potential for DRM than any other codec out there. At least contribute something useful to the discussion instead of throwing out platitudes.

      My best guess on why Nokia is doing this is that either A. Fraunhofer has their balls in a vice and has threatened to sue for some infringement (not necessarily related to Ogg, though possibly) if they include Ogg in their products or B. their silicon still is barely fast enough to even play Ogg Vorbis in real time, and they don't want to rev their hardware to handle Theora.... :-D (Or, more precisely and less sarcastically, they probably have highly optimized decoders for other formats that take advantage of available GPU or DSP hardware and either don't want to implement the same thing for Ogg or would end up running hardware at a faster clock rate, which for mobile devices, is pretty much the same thing as taking the battery out and chopping it in half.) Just a hunch.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    130. Re:Well, isn't it obvious? by pijokela · · Score: 1

      What are you talking about? I live in Finland and the students here do not get enough to travel and come back each month for the exams! Sure a student can get almost 500 each month, but this country is expensive. Even a crappy student flat is 200 / month and the extra 300 is not enough for food and clothes and stuff. And there is a limit of about five years after which you get nothing. So if you travel and bum around the world you still have to study at the same time.

      Now, it actually might work if you always travel to some really cheap third world coutries - like the ones you mention in your post. I still don't understand how you are supposed to pay for the plane tickets. Also if you study really hard, you can probably afford a year off wandering the same cheap countries.

      But when I use the word "travel" I don't mean a 1 star hotel in rural Romania or Sudan. So maybe we just don't speak of the same thing..

    131. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 1, Funny

      The engineer's mantra: Spy sapping my sentry!

    132. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      You think GSM and WCDMA are open standards? Are you a troll? It's open as in Microsoft Open, but nowhere near Free Software Open. Anything that comes out of a telco is subject to about a zillion standards, but it's "open" for licensing. If you don't believe me, try to sell cellphones out of your basement without paying patent fees to the GSM association (Ericsson and Nokia) and watch your business being sued into oblivion.

    133. Re:Well, isn't it obvious? by amRadioHed · · Score: 1

      I'm in the same boat, but I ripped most of my 600 CD's before I had a portable player. Than I had a Rio Karma for awhile which did support Ogg. These days however I have an iPod my girlfriend got me for my birthday. I love the little thing, but still the bastard doesn't support mp3. Oh well. mp3's don't appeal to my quixotic side, but they appeal to the side of me that wants to hear music out of my earbuds.

      (and no, rockbox doesn't support the new nano's. I already went that route)

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    134. Re:Well, isn't it obvious? by cheater512 · · Score: 3, Informative

      Uhh...Ogg was designed specifically to be open and patent free.
      It can never be like GIF.

      I dont see what Nokia is talking about however.
      W3C is making a tag for html (or similar) and they need a open format which everyone can use.
      Why any DRM is required is puzzling because a) everyone has to be able to view it and b) its video over the net.
      You probably wouldn't be buying a movie and then streaming it over the net in your browser (or your phone).

      Infact Nokia's own selection criteria is contradictory since you can never have a completely open DRM system.
      It requires security by obscruity otherwise everyone can bypass it easily.

    135. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      @Mantaar: "(the widely used mp3 and wma are inferior)"

      There's more to superiority than tech specs. The landscape is littered with the rotting corpses of the various formats which have tried - and failed miserably - to unseat MP3 as the king of audio. Technical superiority doesn't mean anything if you've got the public's imagination. Take the case of VHS vs Beta. Beta had it all over VHS. It was undeniably superior. And yet which format was sold across the WORLD? Which format VCR did YOU own? That's right, you owned a VHS deck, even though Beta was better in almost every way. WHY? Because it was what was available.

      See, most people really don't CARE what format their audio is in, as long as it works on their iPods (and like it or not, most people who own DAPs own an iPod). Ogg whatever doesn't work on their iPods. So Ogg Vorbis and Theora and Whatever other bizarre name format doesn't even register. It doesn't help at all to have smug shitheads like YOU running around talking about them as if they're IDIOTS for failing to realise how much better Ogg Vorbis is over MP3. It also doesn't help Ogg all that much that the primary advocates are a bunch of geeks who can't even agree on which version of Linux is best and who call Microsoft by various pejorative variations on its proper name.

      Vorbis is doomed to fail, just like VQF, AAC (and yes, I know it's big, but it'll never be MP3 big) and Windows Media. Oh, and MP3+ and MP3 Pro, too. MP3s own successors couldn't even supplant it!

      And you know what? I bet I could play you an MP3 back-to-back with an Ogg Vorbis file (see how clumsy that is to say vs MP3? Yet another reason why Ogg is doomed) and you'd never be able to tell the difference.

      Hell, check this out: I'm sitting here getting ready to type the captcha, and what audio format is available for me to use if I can't read the captcha? MP3. I rest my case.

    136. Re:Well, isn't it obvious? by Ploum · · Score: 3, Interesting

      Firstly, they must see if they will make profit with DRM. See the DRM equation for this :
      http://ploum.frimouvy.org/?145-do-i-have-to-protect-my-content-with-drm-the-drm-equation

    137. Re:Well, isn't it obvious? by idonthack · · Score: 1

      The various patents claimed to cover MP3 by different patent-holders have many different expiration dates, ranging from 2007 to 2017 in the U.S.
      We're talking about computer technology here. Ten more years is a long time.
      --
      Why is it that when you believe something it's an opinion, but when I believe something it's a manifesto?
    138. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      You, sir, would make a great executive. That was the best slashdot statement I've read in a long time that related to politics and hard work.

    139. Re:Well, isn't it obvious? by ultranova · · Score: 1

      Apart from it not supporting DRM, ogg has only advantages - it's equal or superior to most other codecs (the widely used mp3 and wma are inferior) and it's open-source w/o patents restrictions...

      Those are advantages for the end user, not the content provider, who'll have a hard time selling the end user ringtunes if the user can simply upload an mp3 or ogg of their choice to the phone.

      Things which are good for the consumer are usually bad for the producer, and vice versus.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    140. Re:Well, isn't it obvious? by ketilwaa · · Score: 1

      Cowon makes iAudio

    141. Re:Well, isn't it obvious? by rifter · · Score: 2, Interesting

      You probably wouldn't be buying a movie and then streaming it over the net in your browser (or your phone).

      Actually, people already are. Netflix had to start doing this because their competitors already did. It's only going to increase, and companies want to slop at the new trough.

    142. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Well, it's not like you can engineer cellphones without a substantial NRE.

    143. Re:Well, isn't it obvious? by Wiseman1024 · · Score: 2, Funny

      I see Nokia is just another corporation wanting to spike your life with their digital AIDS. No chance in hell of me buying anything from them. I hope they rot and die, like Microsoft and Apple.

      --
      I was about to say 13256278887989457651018865901401704640, but it appears this number is private property.
    144. Re:Well, isn't it obvious? by Verte · · Score: 5, Funny

      Their first ".", which is surprising as MP3 is already 16 years old- but I guess everyone is different.

      --
      We at slashdot are scientists, specialists and kernel hackers. Your FUD will be found out.
    145. Re:Well, isn't it obvious? by sowth · · Score: 1

      The keywords "supports video" makes the difference. If a player has the processing power to play video, then it can easily run a software based ogg vorbis decoder. The bottom of the barrel mp3 players don't have anywhere near the ability to decode any audio with software, let alone ogg vorbis.

    146. Re:Well, isn't it obvious? by daem0n1x · · Score: 1

      Nokia is a market leader, both on client and server side. Obviously, they don't like open standards. I know they pull the "adopt the standard but change one bit so it will be incompatible" scam and get away with it because they have the dominant position.

    147. Re:Well, isn't it obvious? by sowth · · Score: 1

      Yeah, but how many people have any actual experience with ogg video? Versions of Theora outside of experimental CVS haven't been around very long. In fact, even now you have to stumble upon the right video player/encoder in the right package to be able to use the format. You may as well ask why people aren't using Tarkin already. People can only discus based on actual experiences, not imaginary ones...

    148. Re:Well, isn't it obvious? by Hognoxious · · Score: 2, Funny

      I tries it with 4'33" by John Cage and I can report that it sounded identical to the original.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    149. Re:Well, isn't it obvious? by Idaho · · Score: 1

      Not everyone has all the disk space in the world or a dedicated file server.

      I fail to see the connection between needing a single 500 GB sub-$100 harddisk in your desktop system and needing a file server. If you bought the system in the last 2 years it should already have 200GB+ anyway which is already plenty of space *if you use it mainly to store music*.

      Not good enough, especially if, like I said above, you just have a laptop with a 40 gig drive or something.


      That's why I said "desktop system". Also, 160 GB 2.5" disk ~$75, fits ca. 500 albums using FLAC. QED.
      --
      Every expression is true, for a given value of 'true'
    150. Re:Well, isn't it obvious? by packman · · Score: 1

      So you are absolutely sure not a single patent applies to OGG? I personally highly doubt this, and as long as this format isn't a viable target for patent-lawsuits you will never know. If it would be widely adopted, you can be absolutely sure of it that some patent-lawsuits will pop up. 1 firm committed to 'free' patent use, but there will be a whole lot more who don't when it would go mainstream (smth I don't believe in).

      I personally don't like OGG, and that's one of the reasons. It is advocated as being free just because some people claim it is, and a lot of people believe this, but I don't buy that, sorry. I live in a real world where real money speaks. Yes I love the opensource movement and concept in general, I am actively contributing to some opensource projects too, but a lot of the /. readers here really have a limited view on the world. In an ideal world, yes - something like OGG/Theora would be a real nice sollution in theory, but in the real world out-there? Forget it.

      Also when ignoring patents and 'propriatry' things, OGG is not superior to AAC, and Ogg Theora is not superior to H264 at all. From a commercial point of view - which is, whether you like it or not, very important - choosing OGG Theora over H264 is pointless. It has no market penetration what-so-ever, and there is not a single sign of this changing in the (near) future. H264 on the other hand is there, there are devices out-there with hardware support.

      Also last time I heard, Theora wasn't exactly resource-friendly, which is one of the main points of H264, it scales up to resolutions higher than full HDTV nicely, while being able to deliver - with exactly the same codec - streaming video material for a cellphone in high-quality using low-bandwidth.

    151. Re:Well, isn't it obvious? by m50d · · Score: 1

      Yes and no; XML was standardised as a new standard, rather than implemented and then standardised upon, and it suffers from it.

      --
      I am trolling
    152. Re:Well, isn't it obvious? by cheater512 · · Score: 2, Informative

      You may want to read up on Ogg before making assumptions.

      Yes Ogg is completely patent-free. Thats the entire point of it.
      The reference implementation (libogg) is BSD licenced and the specs are public domain.
      The FSF is also behind it. Even RMS likes it.

      Vorbis is currently used in quite a few high profile games such as Doom 3, UT 2004 and GTA.
      Its far superior to MP3, ACC and WMA at low bit rates and is on par or better at higher bit rates.

      Theora is patented but its license is royalty free for anyone to use for any purpose.
      On2 (the creators) have disclaimed all rights to it.

      If you want a free as in beer and freedom audio and/or video codec then Ogg is a perfect candidate.
      You cant really argue against that.

    153. Re:Well, isn't it obvious? by sqldr · · Score: 4, Funny

      You guys are such sheep. I don't follow the norm, I listen to /dev/random.

      --
      I wrote my first program at the age of six, and I still can't work out how this website works.
    154. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Cowon makes iAudio I stand corrected. I saw the iAudio brand advertised at advancedmp3players.com. No mention that I saw of it being made by Cowon.
    155. Re:Well, isn't it obvious? by LarsG · · Score: 2, Insightful

      Yes Ogg is completely patent-free

      And how do you know that to be true?

      It would be more correct to say that the creators of the Theora/Vorbis codecs and the Ogg container format hold no patents on it (or in the case of Theora, RF-licensing of On2's patents). It does not however mean that noone else holds a patent. And the way that patents work (i.e, unlike trademarks which must be actively used/protected lest the (TM) holder lose it) a patent holder might choose to keep quiet until the format/codec becomes popular. Remember gif/Unisys? Or the more recent jpeg/Forgent?

      In that sense, h.264/aac (which has been through a process where the participants developing the standard are obligated to disclose all covered patents) or older codecs (where any potential patents are expired, or soon to be expired) holds less business risk for device manufacturers like Nokia. Being torpedoed by a submarine patent is expensive, so going the mpeg/iso/iec/itu path and paying a license fee to mpeg-la is seen as safer.

      --
      If J.K.R wrote Windows: Puteulanus fenestra mortalis!
    156. Re:Well, isn't it obvious? by FireFury03 · · Score: 1

      Yes Ogg is completely patent-free. Thats the entire point of it.
      The reference implementation (libogg) is BSD licenced and the specs are public domain.
      The FSF is also behind it. Even RMS likes it.


      Sorry, just because the designers of a CODEC haven't patented it and have released their implementation as public domain, doesn't mean that someone else hasn't (either before or after the CODEC was designed) patented something the CODEC relies on. It's pretty much impossible to do an exhaustive search of patents (and it's widely believed that it is impossible to write any non-trivial software without infringing someone's patent).

      Even if the patent is invalid (e.g. there is prior art), it doesn't stop you being sued and having to fight the patent in court, which can cost you a lot of money - especially since you can have an injunction placed on the sale of your product while you are fighting the case.

      I'm a big supporter of the Ogg CODECs, but to believe that they are guaranteed to be patent-free is naieve.

    157. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Ogg isn't your problem. Lossy compression is your problem -- that is, trying to create a master archive with lossy compression. That's not what it's designed for. What you need to do is archive your entire collection in flac (lossless) format, and then when you need to create a lossy version of that archive, you simply run the command and leave your master archive untouched. You can re-encode as many times as you want, to as many different lossy formats as you want, easily and with absolutely no drawbacks.

      So think twice about re-ripping to mp3, because 5 years down the road you may find yourself in the same boat. Re-rip to flac, once and for all, and be done with it.

    158. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      cat /dev/null is huge

    159. Re:Well, isn't it obvious? by Dystopian+Rebel · · Score: 1

      Clever! Did you coin the phrase?

      If I could, I would contribute mod points to decrement your /. ID. :^)

      --
      Rich And Stupid is not so bad as Working For Rich And Stupid.
    160. Re:Well, isn't it obvious? by XenoPhage · · Score: 2, Funny

      Why would I bother downloading anything from their servers then? I have access to the /dev/null server even when my network is down. Another win for Nokia! No bandwidth requirement, and offline access!!
      --
      XenoPhage
      Technological Musings
    161. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      Your point?

    162. Re:Well, isn't it obvious? by Petaris · · Score: 1

      I am not sure what your price range is but mine was fairly low and I found one that supported ogg and a mess of others. Its a Samsung YP-F1Z (1 GB), its small, light, has a belt clip, and gets 10 hours of playback time. It has a tonne of features and is easy to use. It even supports folders (1 layer only though). I am not sure that they make or sell this model anymore and I am not trying to plug a product. Just pointing out that if you do your research (which any good consumer should do) you can usually find a product that meets your needs that is within your budget.

      --
      ~Petaris "The world is open. Are you?"
    163. Re:Well, isn't it obvious? by Andy+Dodd · · Score: 2, Informative

      "thus giving no significant advantage to ogg"

      At high bitrates, no. At lower bitrates (such as 64 kbps for streaming to mobile devices with EDGE service only), Vorbis blows away MP3.

      --
      retrorocket.o not found, launch anyway?
    164. Re:Well, isn't it obvious? by hab136 · · Score: 1

      (It's much worse on Mac OS X, because iTunes does not support FLAC).

      No, but iTunes does support Apple Lossless, which is also lossless and convertible to MP3, AAC, Ogg, etc.
    165. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      And what makes mp3 more easy than ogg?
      Neither Windows Media Player nor iTunes give the option to make ogg files. Most people aren't going to go to the trouble of installing a different ripping program just to get a file that won't play on their iPods or their car stereos.
    166. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0


      Cowon supports ogg on their players

    167. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      You are confused. There's a difference between agreeing to co-develop for proprietary standards, and agreeing to use open standards.

      Unless you have some more examples, you're talking gibberish.

    168. Re:Well, isn't it obvious? by dave420 · · Score: 1

      Maybe he was lulled into thinking Ogg would be a big player in audio formats because of all the positive press Ogg regularly receives, which rarely, if ever, manifests itself in products everyone knows about and can afford? Is that his fault? Nope. He took the plunge into using an improved technology, and the market let him down. Who's at fault is not important, as it doesn't change the fact that his large Ogg library has to stay where it is. Had he chosen, say, MP3, that wouldn't have been an issue. Don't think he's got ulterior motives simply because he did something you wouldn't. Otherwise this discussion is completely bunk, as we can all say that you're a pro-Ogg troll, that we can't believe someone can think like you do.

    169. Re:Well, isn't it obvious? by dave420 · · Score: 1

      Their first full stop?

    170. Re:Well, isn't it obvious? by GeckoX · · Score: 3, Interesting

      Yep, agreed, Ogg, Vorbis, doomed to failure. Been doomed to failure for most of a decade. Any moment now, it'll be nothing but a memory. Here it goes...going...going...Hmm...not gone yet. Interesting. But it will I tell you! It'll be dead in no time now!

      Hint: Have you any idea at all how many video games use Ogg? And can you think of why that might be?

      No one used DAT tapes for their media collections...and yet, it was most certainly not a failure. You know, sometimes there's room for more than one technology. There's these things called niches. There are internal, closed systems. Not everything is a consumer end product.

      We do not have to discuss Ogg in terms of being an end user accepted format for it to be a viable format. And it has most certainly proven itself and become very entrenched in certain areas.

      But hey, you just go on and argue for the sake of arguing mmkay?

      --
      No Comment.
    171. Re:Well, isn't it obvious? by norminator · · Score: 1

      Steven, is that you?

    172. Re:Well, isn't it obvious? by Hatta · · Score: 1

      A 128kbps OGG sounds better than a 192kbps MP3. I'd say that's a significant advantage.

      --
      Give me Classic Slashdot or give me death!
    173. Re:Well, isn't it obvious? by xycadium · · Score: 1

      I would love to have my library ripped into ogg but, as we all know, finding any portable hardware (Small Portable Audio Players (SPAPs)) that will play ogg is very difficult. I bought an MP3 player for my wife some years ago which takes an SD card. So, we transfer MP3s off our computer onto the card to play on the mp3 player. I did rip a few of my CDs into ogg but realized there was no point as all I'd be doing is taking up unnecessary space on my hard drive (I was dual ripping for a while into MP3 and OGG). So, in the end, although I'd love to have my library in ogg, for now, it would be pointless, since our SPAP doesn't support ogg. I'm hoping that the various SPAP manufacturers being providing support for ogg on all devices made in the near future. Sadly, I don't see it happening though.

    174. Re:Well, isn't it obvious? by Em+Adespoton · · Score: 1

      You guys are such sheep. I don't follow the norm, I listen to /dev/random.
      Didn't John Cage copyright most of that?
    175. Re:Well, isn't it obvious? by fastest+fascist · · Score: 1

      Yea, but where's the profit for the telcos then? That's a big consideration for Nokia, since so many of their phones are sold through the telcos.

    176. Re:Well, isn't it obvious? by fastest+fascist · · Score: 1

      DRM is important for Nokia because they want to cash in on digital downloads, which - in their thinking anyway - means getting the big media companies to play along. Ground rules in that game state you have to use DRM. And there you have it.

    177. Re:Well, isn't it obvious? by forand · · Score: 1

      I do think you didn't read the article. The OGG file format is not what is being discussed nor the Ogg Vorbis audio format but the commonly used video codec inside the OGG file container. This codec is patent encumber and was not developed to be open and patent free. Nokia has a valid criticism that if W3 is going to define a video standard then it should be patent free but I do not think there is one currently available that would do a reasonable job for web applications.

    178. Re:Well, isn't it obvious? by jrboatright · · Score: 1

      Look, it should be the decision of content creators if THEY want to encumber their content with DRM, not some anti-DRM cabel at W3C.

      _I_ may believe that encumbering a product with DRM is stupid. You may believe that. But that ought to be the choice of the content creator, not the standards body. The market will decide if the content creators decision is wrong.

      You do _not_ have a "right" to a non-drm encumbered version of my creative work just because you think you do. I can choose to sell you whatever rights I choose to. You can choose if you want to deal with that, or if you want to refuse to buy my encumbered content.

      Nokia, rightly, points out that for a standards body to attempt to standardize on a mechanism with will not ALLOW DRM is just plain silly. The standards body will be ignored, and content creators, and the market, will continue to do what they feel they must.

      The market is pushing for unencumbered files. Many creators are going along with that. But surely it is the right of the creator to decide?

    179. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      The best part about your not having kids is that eventually you'll die, and the drain on society you represent will be removed, you pathetic waste of space.

    180. Re:Well, isn't it obvious? by fritsd · · Score: 1

      John Dvorak? Is that you?

      --
      To be, or not to be: isn't that quite logical, Slashdot Beta?
    181. Re:Well, isn't it obvious? by Frank+T.+Lofaro+Jr. · · Score: 1

      Windows Media Player can rip to mp3.

      Of course, you need to go into a menu and change an option to do it.

      --
      Just because it CAN be done, doesn't mean it should!
    182. Re:Well, isn't it obvious? by Frank+T.+Lofaro+Jr. · · Score: 1

      1/2 second. That is pitiful. Considering Rockbox on my ancient Archos can do 7 seconds!

      --
      Just because it CAN be done, doesn't mean it should!
    183. Re:Well, isn't it obvious? by Frank+T.+Lofaro+Jr. · · Score: 1

      If Hillary gets elected, hopefully it will be illegal to not provide benefits.

      Otherwise people die from lack of care, or the taxpayers pay for it anyway because they (mis)use the emergency room,
      which raises delays, costs and risks for all.

      Not having universal health care (mandated for employers, state provided with unemployment) is that mark of a 3rd world country.

      Sweden, Finland and Denmark can do it, and the US has far more people and natural resources and money, so we can surely do it too.
      Yeah, people bringing home $200K/yr after taxes might get cut down to "only" $180K/yr. Cry me a river, build a bridge, and get over it!

      --
      Just because it CAN be done, doesn't mean it should!
    184. Re:Well, isn't it obvious? by Sloppy · · Score: 1

      Actually, I think what may have "killed" Vorbis, are cheap hard disks and FLAC. All my music (about 100 gigabytes) is encoded with Vorbis. Back in 2000, the storage system this exists as a part of, was considered "large." But that's probably going to change (at least for newly acquired music) whenever I get around to rebuilding my home system. When I think about how much storage I'll have from an array of even the lowest end disks, I see lossy compression as just .. pointless. A gigabyte here, a gigabyte there, pretty soon you're talking, well, jack shit.

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    185. Re:Well, isn't it obvious? by the+plant+doctor · · Score: 1

      You can set the file types that are recognized by the player, I did for my Cowon D2 in Amarok. Transcodes from flac to ogg upon transferring to the device.

      Oh, wait, never mind, you use some OTHER media program on Linux?

    186. Re:Well, isn't it obvious? by evilviper · · Score: 1

      I would like to see an unencumbered standard CODEC that all browsers support, that does not necessarily have to be Ogg if MPEG2 and AC3 are due to expire in the near future.

      MPEG-2 is horrible at low bitrates, and needs very, very high bitrates to get good quality... far higher than MPEG-4 ASP or h.264. I can't see anyone ever using it for web video. Though, with that said, MPEG-2 is fully backwards compatible, so even if MPEG-2 is the standard, everyone can transparently use MPEG-1 instead.

      MPEG-1 however, does very well at low bitrates, and all patents have long expired. MPEG-1 also comes with patent-free MP2 audio, which is easily on-par with AC3.

      That Nokia instead suggest the older, less capable, and lower quality h.261 seems highly suspect.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    187. Re:Well, isn't it obvious? by evilviper · · Score: 1

      You make the assumption that he has spare time in which to work another job.

      In which case, he very likely wouldn't be posting on slashdot, wouldn't be spending precious time ripping all his CDs, and wouldn't be shopping around for a portable player.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    188. Re:Well, isn't it obvious? by TimothyDavis · · Score: 1

      Make no mistake, though, the Nokia of five years ago is probably not the Nokia of today.

      One of Nokia's earliest products was toilet paper http://news.bbc.co.uk/1/hi/business/1505703.stm. I wonder if they are attempting to "go back to their roots" with the need for DRM?
    189. Re:Well, isn't it obvious? by Descalzo · · Score: 1

      I thought your sig was awesome, especially when applied to your post.

      --
      I cried real tears when Li Mu Bai died.
    190. Re:Well, isn't it obvious? by Rudd-O · · Score: 1

      Look at this from a positive angle: at least people won't be clogging the series of tubes with YouTube videos. That might make my Internets reach their destinations faster.

      --
      Rudd-O - http://rudd-o.com/
    191. Re:Well, isn't it obvious? by Zeinfeld · · Score: 1
      Yes Ogg is completely patent-free. Thats the entire point of it.

      That may be the intent but unless you can prove that the entire algorithm was published in full twenty years ago you can never be sure. And even then you cannot be sure that someone won't get a submarine patent that applies to ogg.

      If you had had any involvement with patent lawsuits as I have you would know that infringement claims can be utterly ludicrous. The judge certainly won't understand the technology. It is pretty easy to spend $5 million defending a case against a patent that does not conceivably apply to your product.

      In the case of GIF we did not know that the UNISYS patent even existed until after we started using it in the Web. Nobody knew that the algorithm was encumbered when Compuserve designed it because the patent application was still secret. There are still continuations issuing from patent applications from that era. Some of them qualify for a full 17 year term after issue.

      If you take a look at the MPEG-LA list of patents covering MPEG you will soon realize that it would take someone several years to work out whether the claims might apply to Ogg. I know that the idea is to create something that is unencumbered but setting out to do that and achieving that goal are two different things.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    192. Re:Well, isn't it obvious? by Rudd-O · · Score: 1

      Because the Xiph guys delved EXTENSIVELY into the patent office's archives to ascertain whether their technologies were patented. Unlike the rest of the industry, they intentionally researched for over a year what was patented and what wasn't, and of course any patent granted after the release of their tech is simply invalid because the tech itself is prior art.

      That's why.

      --
      Rudd-O - http://rudd-o.com/
    193. Re:Well, isn't it obvious? by bawol · · Score: 1

      When I tried encoding the song 433 /dev/null was a lossless encoder for me.

    194. Re:Well, isn't it obvious? by sjames · · Score: 1

      The standards body will be ignored, and content creators, and the market, will continue to do what they feel they must.

      Fine and dandy! That's much better than a standard that cannot be implemented AT ALL in Free software!

      The W3C has enough trouble with various browsers ignoring their standard for no good reason. The last thing they need is for the majority of browsers to start ignoring them for legal reasons. That is, unless you know of a DRM scheme that isn't encumbered by copyright, patent, or trade secret that would satisfy Nokia?

    195. Re:Well, isn't it obvious? by mstahl · · Score: 1

      I wasn't aware that he had ever recorded that. It's pretty meaningless except as a performance piece.

    196. Re:Well, isn't it obvious? by bandmassa · · Score: 1

      "it's equal or superior to most other codecs (the widely used mp3 and wma are inferior)"

      Expensive test instruments might be able to tell the difference between Ogg and MP3 at the same bitrate, but my ears struggle to, and I work in the audio industry. None of my friends (many musicians and hifi buffs among them) can pick any difference.

      The advantage that the MPEG formats, and even Doze media, have is wide industry backing, but until Ogg gets that sort of backing it's going to remain problematic alienware. This move by W3C might help improve Ogg's position, but it has a long way to go. Until it plays nicely with Quicktime (I've yet to find an Ogg plugin that doesn't crash my Mac) and my iTunes library, it's forbidden on my home network.

      --
      "I hope you like Guinness, Sir. I find it a refreshing substitute for, er... food." Col. Jack O'Neil, SG-1
    197. Re:Well, isn't it obvious? by shentino · · Score: 1

      I tried running a loop of mpg123's decoding /dev/random...

      Sounded very weird indeed, but half the time I actually got sound.

      MP3's are junk methinks. After all, at least half the time my decoder couldn't tell the difference :P

    198. Re:Well, isn't it obvious? by sqldr · · Score: 1

      that used to be me, but I couldn't cope with the irony. So I became a turtle

      --
      I wrote my first program at the age of six, and I still can't work out how this website works.
    199. Re:Well, isn't it obvious? by mrchaotica · · Score: 1

      Then just transcode it for whatever device you want, from the "original" FLAC's. Admittedly, what is lacking (at last in Linux) is some easy software to do this, at least as far as I'm aware.

      Transcoding the audio is one thing (in Linux, it can be as easy as piping the output of the FLAC player into the input of the lossy encoder), but translating the metadata is another. FLAC isn't necessarily stored in an Ogg container, you know, nor is it necessarily easy to find things that can translate between Ogg and whatever else.

      (It's much worse on Mac OS X, because iTunes does not support FLAC).

      Since I keep my music collection on my Mac (although I use Linux and Windows too), I ripped it to Apple Lossless. In theory, I should be able to transcode it into whatever I want. In reality, I wish I could find an ALAC (Apple Lossless) FLAC converter -- I'm pretty sure no such thing existed last time I checked.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    200. Re:Well, isn't it obvious? by mrchaotica · · Score: 1

      it's actually much more reaonable (DRM should be possible...

      That's not reasonable. DRM shouldn't be possible!

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    201. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      I'm stuck re-ripping or downloading my entire library. I think that right there kills it for most people. I found myself in the same situation, and yes, it sucks. It's especially sucky for the car mp3 market - I could not find a console that would play ogg, and in the end gave up looking. Much simpler to use the following on my oggs ...

      #!/usr/bin/perl -w
      my @files = @ARGV;
       
      unless (@ARGV) {
              print <<EOF;
      ogg2mp3 [tracks to convert]
      Converts ogg vorbis files to mp3 files\n
      Default quality is lame -q 2 -V 3.5 -m s\n
      ID3tag info is captured from the vorbis file using ogginfo\n
      EOF
              exit 0;
      }
       
      for my $file (@files) {
       
              my ($fn,$ext) = $file =~ m/(.*)\.(.*)/;
       
              next unless $ext =~ /ogg/i;
       
              my $sep = "-" x 60;
       
              print "\n$sep\n$fn\n\n";
       
              my @ogginfo = `ogginfo "$fn.ogg"`;
              my $info = join(" ",@ogginfo);
       
              my ($artist) = $info =~ m/artist=(.*?)\n/i;
              my ($title) = $info =~ m/title=(.*?)\n/i;
              my ($album) = $info =~ m/album=(.*?)\n/i;
              my ($trackno) = $info =~ m/tracknumber=(.*?)\n/i;
       
              $artist = $artist ? "--ta \"$artist\"" : " ";
              $title = $title ? "--tt \"$title\"" : " ";
              $album = $album ? "--tl \"$album\"" : " ";
              $trackno = $trackno ? "--tn $trackno" : " ";
       
              print " $artist\n $album\n $title\n $trackno\n\n";
       
              `oggdec -o - "$fn.ogg" | lame -q 2 -V 3.5 -m s $artist $album $title $trackno - "$fn.mp3"`
      }
      (code would be nicer if I put album, trackno, etc into a hash and did all those operations automatically. But I can't be bothered now ...)
    202. Re:Well, isn't it obvious? by cheater512 · · Score: 1
      Yes it is patented but thats not a bad thing. Copy paste from Wikipedia:

      While VP3 is patented technology, On2 has irrevocably given royalty-free license of the VP3 patents to everyone, letting anyone use Theora and other VP3-derived codecs for any purpose.
      Patented and free (both freedom and beer) are not mutually exclusive.
    203. Re:Well, isn't it obvious? by Hognoxious · · Score: 1

      It has more energy live, though the unplugged version has a charm of its own too.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    204. Re:Well, isn't it obvious? by CryoPenguin · · Score: 1

      In that sense, h.264/aac (which has been through a process where the participants developing the standard are obligated to disclose all covered patents) [...] holds less business risk for device manufacturers like Nokia. Being torpedoed by a submarine patent is expensive, so going the mpeg/iso/iec/itu path and paying a license fee to mpeg-la is seen as safer.

      But h.264 is still subject to submarine patents. The disclosure process was not binding on companies that weren't involved in the standard, and had just happened to previously "invent" some algorithm or technology that got used. Unless you're just hoping that h.264 is already popular enough that any patent trolls would already have cashed in, while an equivalent Theora/Vorbis patent troll would still be waiting?
    205. Re:Well, isn't it obvious? by LarsG · · Score: 1

      True, using "industry standard" codecs like h.264 or jpeg doesn't insure that there will be no submarine patents. Jpeg/Forgent is a case in point.

      But as far as I can see, there are some mitigating factors there. First of all, since most of these codecs are widely used a patent troll is likely to run into an industry-wide coalition that will share the expense of dragging the thing to court to try to invalidate the patent. Second, if the patent is indeed valid (and don't get me started on the current insanity of patents, patent reform is sorely needed but until that happens one has to deal with the current state of things) it is more likely that the patent holder will go to mpeg-la and ask for the patent to be added to the pool so they get a share of the license instead of going all lawsuit on the users of the codec. Third, or perhaps more a corollary to point 2, getting in the patent pool will ensure a steady income for a patent holder (and is less risky than going the lawsuit route and risk having the patent invalidated) so any company that has patents that might be related to the codec is likely to search hard to try to find patents that can be submitted to the pool.

      So. Holders of patents that might be related to mpeg/iso/itu/etc have a self-interest in searching through their portfolio and submit their patents to the licensing pool = likely that most or all patents related to the standard will be discovered. And even if submarine patents show up later, the holder has the option of submitting it to the pool instead of going lawsuit. Which translates to h.264 being "less risk" compared to ogg theora from the viewpoint of hardware mfgs like Nokia.

      I'd like to see RF-licensed or patent-free codecs like vorbis and theora become part of web standards, but with the current state of patent law that's not what businesses like Nokia and Apple will do due to the (real, or perceived) risks involved.

      --
      If J.K.R wrote Windows: Puteulanus fenestra mortalis!
    206. Re:Well, isn't it obvious? by jcast · · Score: 1

      Of course he got modded up. He said he'd get modded down.

      --
      There are reasons why democracy does not work nearly as well as capitalism.
      -- David D. Friedman
    207. Re:Well, isn't it obvious? by Dogtanian · · Score: 1

      Maybe he was lulled into thinking Ogg would be a big player in audio formats because of all the positive press Ogg regularly receives Maybe he believed the hype? Yes.

      He took the plunge into using an improved technology, and the market let him down. That assumes that the market owes anyone anything, even in a vague sense. Basically, he took a risk that the market would start supporting Ogg more than they had in the past, and they didn't.

      Don't think he's got ulterior motives simply because he did something you wouldn't. If you read what I said, it's obvious that I wasn't calling him a troll. I merely noted that *had* smacked of that possibility until I checked his comment history (and Googled the comment text). Reason being that there are many trolls along the lines of "I'd heard good stuff about [X technology] and decided to try it out, investing [time/money/opportunity cost] into it- and it let me down badly". I couldn't believe that anyone who would have known about Ogg Vorbis wouldn't have known of the potential drawbacks, but it seems that this *was* the case here.
      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    208. Re:Well, isn't it obvious? by Dogtanian · · Score: 1

      I love the little thing, but still the bastard doesn't support mp3. In the context of what you said, I assume that you meant it doesn't support Ogg Vorbis. It certainly supports MP3.
      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    209. Re:Well, isn't it obvious? by ShieldW0lf · · Score: 1

      You could always hitchhike. I traveled over 10,000km in just such a fashion, and saw a lot more of life than any financially supported students on a fun little vacation does. It's pretty easy to walk into a new town and get enough cash work to feed yourself and move on if you own a pair of construction boots and aren't afraid of a little hard work.

      --
      -1 Uncomfortable Truth
    210. Re:Well, isn't it obvious? by amRadioHed · · Score: 1

      Yes, sorry about that!

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    211. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      The point isn't how many video games use vorbis. The point is that vorbis's chances of supplanting MP3 EVER are so small as to be essentially NIL. That, to me, is dead. Sure, DAT is/was a niche player, but compare that to CD. So are you saying that ogg is like DAT? Essentially useless to the majority? Because if that's what you're saying, I'm 100% in agreement.

      Look, this argument has been going on for years, with the ogg proponents always saying the same things. You folks always wind up looking like elitist idiots with your talk of "superiority". Face facts: One lossy codec is essentially no better than another, regardless of the technology involved. I said it before: I guarantee you that I could play you the same song encoded once in MP3 and again in a similar quality level in vorbis and you would NEVER know the difference. Until vorbis is capable of delivering true lossless encoding at MP3 sizes it will NEVER gain an upper hand. Ever. I'll eat my hat if it does.

    212. Re:Well, isn't it obvious? by GeckoX · · Score: 1

      Was I arguing that it will, or bitching that it hasn't, beaten mp3? Get off it already. It has a niche, it fits that niche very well, and that niche isn't going anywhere any time soon. It wouldn't 'beat mp3' even if it could deliver true lossless at mp3 sizes...the masses don't care. Chances are very slim that it would ever become the standard end format for the masses. Kinda like DAT or other formats that have very valid uses and are/were heavily used in their niche.

      I happen to like ogg vorbis myself, but I certainly don't claim some higher ground or expect everyone to demand a switch to it. I'll happily use it where it makes sense for me, and enjoy seeing it used in the niches it fills, thank you very much.

      --
      No Comment.
    213. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 0

      > Hint: Have you any idea at all how many video games use Ogg? And can you think of why that might be?
      Newer games DO USING ogg vorbis. As one example, Heroes of Might and Magic V.And some others, too.Also, for example, some Samsung devices (as well as bunch of "MP3" players) do support OGG.So, Nokia's arguments are er, moron.Looks like DRM is the only real argument.And as a customer I'm against DRM in my devices. I should be an utter idiot to be agree to discard my legal rights while ... paying money.Pay to allow someone cripple my rights?What a moron.

      And well, pirates are not affected, as usually.Someone ever seen pirated content with DRM? So, only legal users are in loss, as usually.Actually pirated content is BETTER than original.It does not cripples your rights and does not invades to privacy.IMHO it is real shame when pirated ripoff is actually better than original content.This shows just how far monopoly abuse (RIAA and other media mafia + corporations) can go in eliminating any progress and fair competition.Where to anti-trust regulations are looking?Are they bribed or what??

  2. Anoter one going for a Waterloo by gweihir · · Score: 1

    Ogg Vorbis/Theora is completely free and easily documantable so, since that was one of its primary design goals. I hope these people get kicked were it hurts and stay down afterwards.

    --
    Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    1. Re:Anoter one going for a Waterloo by morgan_greywolf · · Score: 5, Informative

      Fully documentable nothin'! Theora and Vorbis are fully documented. If you can't figure out how to make your own implementation from the docs and/or by studying one of the many existing implementations out there, you need to turn in your geek card and just forget about developing software.

      Proprietary would imply that independent implementations cannot be made or cannot be made easily without violating patents or reverse engineering or whatever. Vorbis and Theora are nothing of the sort -- they are fully open and unencumbered.

    2. Re:Anoter one going for a Waterloo by HiThere · · Score: 1

      Proprietary would imply that independent implementations cannot be made or cannot be made easily without violating patents or reverse engineering or whatever.

      It's blatantly silly that this would be correct. (I'm not denying that it is, only that it's reasonable.)

      Proprietary means that it's somebody's property. GPL is proprietary. It only works because somebody owns the code. The opposite of proprietary is either public domain or "unownable". (Theoretically public domain is also proprietary, only with a distributed ownership. So perhaps the opposite is something that just can't be owned. Given our legal system I suspect that of being an empty set. [I'd say "the null set", but I suspect that our legal system would allow the null set itself to be owned. Perhaps not until some of the few remaining restrictions are lifted, but the system isn't a particular set of laws, but also any {or every?} legal development from the current framework + laws.])

      Note that the current legal system is not itself consistent, so inconsistency is not an argument that something won't happen.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    3. Re:Anoter one going for a Waterloo by morgan_greywolf · · Score: 1

      Right. But given that the formats themselves are fully documented, there's nothing stopping you from developing your own implementation. This implementation can also be licensed anyway you like, even a proprietary license, so long as you don't use any code from the GPL implementation.

    4. Re:Anoter one going for a Waterloo by civilizedINTENSITY · · Score: 1

      "Proprietary means that it's somebody's property"

      proprietary
      1: one that possesses, owns, or holds exclusive right to something; specifically : proprietor
      2: something that is used, produced, or marketed under exclusive legal right of the inventor or maker; specifically : a drug (as a patent medicine) that is protected by secrecy, patent, or copyright against free competition as to name, product, composition, or process of manufacture

      Sounds to me like the GPL is *not* proprietary, and perhaps even almost "anti-proprietary".

    5. Re:Anoter one going for a Waterloo by nahdude812 · · Score: 1

      I believe proprietary in this sense refers to the "manufactured and sold only by the owner of the patent, formula, brand name, or trademark associated with the product" definition of proprietary.

  3. Ah, the "Humpty Dumpty" defense by hey! · · Score: 3, Interesting

    "When I use a word," Humpty Dumpty said in a rather a scornful tone, "it means just what I choose it to mean -- neither more nor less.

    "The question is," said Alice, "whether you can make words mean different things."

    "The question is," said Humpty Dumpty, "which is to be master -- that's all."

    Alice was too much puzzled to say anything, so after a minute Humpty Dumpty began again.

    "They've a temper, some of them -- particularly verbs, they're the proudest -- adjectives you can do anything with, but not verbs -- however, I can manage the whole lot! Impenetrability! That's what I say!"

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    1. Re:Ah, the "Humpty Dumpty" defense by callmetheraven · · Score: 5, Funny

      (1) choose open standard/software
      (2) have your lawyers claim it as your own
      (3) profit!

      Unless you're SCO...

      --
      You can have my SIG when you pry it from my cold, dead hands.
    2. Re:Ah, the "Humpty Dumpty" defense by denelson83 · · Score: 2, Interesting

      That's a corollary of Embrace, Extend and Extinguish.

  4. From Vorbis.com by fractalVisionz · · Score: 4, Insightful

    From vorbis.com:
    "Ogg Vorbis is a completely open, patent-free, professional audio encoding and streaming technology with all the benefits of Open Source."

    I lost any respect for Nokia.

    1. Re:From Vorbis.com by Anonymous Coward · · Score: 2, Funny

      You had any??

    2. Re:From Vorbis.com by Anonymous Coward · · Score: 0

      Must... boycott... Nokia.

    3. Re:From Vorbis.com by humina · · Score: 1

      It is strange that a guy that works as a professor on video compression knows so little about the licenses that they are released under. If you look at his webpage, http://www.stewe.org/, you can see that he has worked on H.264/AVC. You can see that he is a big backer of MPEG as a standard (he links to is on his webpage) his flag is obviously in the MPEG camp. It is unfortunate that he is waging an intellectually deficient argument against the adoption of a more open standard.

      --
      check out the best blog ever:
      http://oehlberg.com
    4. Re:From Vorbis.com by Carewolf · · Score: 1

      I lost any respect for Nokia.

      What took you so long?

      They have been the Microsoft of the mobile industry for almost a decade.
    5. Re:From Vorbis.com by MrHanky · · Score: 1

      Congrats on the 5, insightful.

    6. Re:From Vorbis.com by curunir · · Score: 5, Insightful
      From reading the whole position paper, rather than just the one poorly-phrased sentence, it sounds like the poster is making a mountain out of a mole hill.

      The actual quote that's being focused on is:

      ...including a W3C-lead standardization of a "free" codec, or the
      active endorsement of proprietary technology such as Ogg, ..., by W3C...
      If you look at what the intent of this sentence is likely to have been in the context of the statement as a whole rather than read it literally, it appears that that he's using Ogg as an example of 'a "free" codec or a proprietary technology'.

      The reason for opposing Ogg, though, is best summed up by another sentence from the paper:

      Compatibility with DRM. We understand that this could be a sore point in
      W3C, but from our viewpoint, any DRM-incompatible video related
      mechanism is a non-starter with the content industry (Hollywood). There is in
      our opinion no need to make DRM support mandatory, though.
      It seems to me that Nokia just wants a standardized way to deliver paid-for video to mobile devices. This kind of service is coming relatively soon and it will involve DRM. And while we like to bitch and moan about how horrible DRM is, the average wireless customer could care less. Nokia just wants the delivery mechanism to be somewhat standardized so that they don't have to have separate implementations for each wireless carrier.
      --
      "Don't blame me, I voted for Kodos!"
    7. Re:From Vorbis.com by Richard+Steiner · · Score: 1

      ...which explains, of course, why they've been using Linux (Maemo) in their internet tablet line...

      --
      Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
      The Theorem Theorem: If If, Then Then.
    8. Re:From Vorbis.com by Anonymous Coward · · Score: 0

      There are already Firefox builds that implement the element using ogg theora and vorbis - http://www.bluishcoder.co.nz/2007/12/new-enabled-experimental-firefox-builds.html

  5. what a tool ! by maharg · · Score: 4, Insightful

    All these alternatives are, in our opinion, preferable over the recommendation of the
    Ogg technologies, based almost exclusively on the current perception of them being
    free. The current perception ? WTF ?
    --

    $ strings FTP.EXE | grep Copyright
    @(#) Copyright (c) 1983 The Regents of the University of California.
    1. Re:what a tool ! by maharg · · Score: 1
      From Stephan Wenger's website http://www.stewe.org/contrib.htm -

      I write many of these contributions at 39,000 feet on my way to those meetings. Don't expect tutorials, but do expect typos, weird language, less then optimal presentation, procedural arguments, political statements, and sometimes errors. Oh, that's ok then ! I mean, it's only W3C, accuracy is not important really, is it ?
      --

      $ strings FTP.EXE | grep Copyright
      @(#) Copyright (c) 1983 The Regents of the University of California.
    2. Re:what a tool ! by Dare+nMc · · Score: 1

      if their current perceptions are proven wrong, by their own admission, that pretty much throws out their recommendation, correct?

      Although Nokia does basically say, we have already licensed the other formats, so their is no additional cost to Nokia. They do admit this wouldn't be true for everyone.

    3. Re:what a tool ! by gnuman99 · · Score: 1

      The guy is probably the same person as in

      Thank you for smoking

      Nice comedy :)

    4. Re:what a tool ! by Anonymous Coward · · Score: 0

      maybe they are thinking that some patent troll will come along and challenge ogg ?

    5. Re:what a tool ! by Anonymous Coward · · Score: 0

      Maybe they're just fighting the perception of them pushing proprietary standards on the web.

    6. Re:what a tool ! by Anonymous Coward · · Score: 0

      I think you are asking a good question. If mp3 is a preferable solution to ogg, then there is something else than DRM that makes the difference.

  6. proprietary. by sh3l1 · · Score: 5, Funny

    In other news Microsoft is making claim that odt is proprietary.

    --
    Help Me! I'm trapped in the tubes! Oh noes! Here comes a internet!
    1. Re:proprietary. by HappySmileMan · · Score: 0

      I accidentally marked this as insightful, posting here to get rid of it

    2. Re:proprietary. by calebt3 · · Score: 3, Insightful

      The difference here is that Nokia does not own MP3.

    3. Re:proprietary. by HiThere · · Score: 1

      odt probably *IS* proprietary. It's owned. It's also licensed. The license is only possible because it's owned, i.e., proprietary.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    4. Re:proprietary. by harlows_monkeys · · Score: 1, Informative

      In other news Microsoft is making claim that odt is proprietary

      Well, it's covered by Sun patents. The patent license Sun has granted for those patents only applies to 1.0 of the standard, and future version that Sun participates in. That means that if Sun doesn't like the way the standard is going, they can drop out and kill it. The license does NOT cover forked formats, so you couldn't come up with your own document format based on ODT.

      That sure sounds proprietary. Open and proprietary are not opposites.

    5. Re:proprietary. by civilizedINTENSITY · · Score: 1

      I'm sorry, but I think you confuse "proprietary" with "property". They aren't the same word and don't mean the same thing. Thus, the owner of something (whose property it is) can release it in such a way that it not proprietary. It is the exclusive nature of a release that makes it proprietary, not that it is owned.

    6. Re:proprietary. by Anonymous Coward · · Score: 0
      That's not even slightly true. ODF 1.0 has been reviewed by the FSF's Software Freedom Law Centre and their analysis shows that any patents required for ODF 1.0 are open for future versions of ODF regardless of Sun. There's no kill switch.

      So existing patents are free forever. If however Sun left ODF 1.0 and the format changed to infringe on a **new** patent that was never used in ODF in the past then Sun would have the option.

      Show your evidence or we're just going to dismiss your opinion.

    7. Re:proprietary. by Slurgi · · Score: 1

      In other news Microsoft is making claim that odt is proprietary. It's interesting you should say this. I had taken an *.odt file from home to a Windows XP computer in one of my College's computer labs, forgetting that Microsoft Word is unable to open them. When attempting to opening the file with an unknown file type and selecting to "Have Microsoft search the web for an appropriate application for this file type", it states that it is unable to find any programs compatible with that file type.

      Right...
    8. Re:proprietary. by HiThere · · Score: 1

      The owner can only apply the restrictions, e.g. the GPL, because they own it. It is proprietary, because the owner is imposing restrictions on how it can be used.

      Technically an owner *could* release a program without conditions, but then they can be sued over problems. Originally this was solved by releasing things without copyrights, which removed ownership. The laws were changed, however, and this no longer works. Releasing public domain might work. (This isn't the same concept as not being owned, this is a distributed ownership.)

      OTOH, IANAL. I might have the legalities wrong here. But I don't think so.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    9. Re:proprietary. by civilizedINTENSITY · · Score: 1

      "The owner can only apply the restrictions, e.g. the GPL, because they own it" True, I fully agree.

      "It is proprietary, because the owner is imposing restrictions on how it can be used." Here is where we disagree. Proprietary refers to "used, produced, or marketed under exclusive legal right" of the owner. You can still impose restrictions, and yet due to the particular restrictions you choose, actually render the property less exclusive in regard to use, production, and/or even marketing. Whereas most use the exclusivity as a means to wrestle coinage (I'll give you some rights if you give me some cash), the GPL turns this around. It is about inclusion rather than exclusion. The idea is that you (and everyone, really) are invited to partake in these rights, the only restrictions being those that make sure that no exclusion ever creeps back in. These are restrictions for the purpose of inclusion. (It is like judo, in a way, using the momentum of your opponent against them.)

    10. Re:proprietary. by harlows_monkeys · · Score: 1

      Show your evidence or we're just going to dismiss your opinion

      RTFPL. (PL == "Patent License").

      The license EXPLICITLY says it only covers 1.0, plus any future versions that Sun participates in sufficiently to require, under OASIS rules, for them to provide a patent license. If Sun pulls out, there is no patent license for subsequent versions.

  7. For very large values of "now" by Anonymous Coward · · Score: 1, Informative

    If you look at the link to the position paper, you'll see this was something Nokia published back in _August_.

  8. Apple and Ogg by christurkel · · Score: 4, Interesting

    Apple doesn't support Ogg, which as a Mac user bums me. It shouldn't be hard to add support.

    --

    CDE open sourced! https://sourceforge.net/projects/cdesktopenv/
    1. Re:Apple and Ogg by jandrese · · Score: 4, Informative

      There is a plugin you can get for iTunes that lets it support ogg, but last time I tried it there were problems with it (you couldn't stream music to another copy of iTunes for instance because it would stream at the wrong rate and break up every couple of seconds, nor could you stream to an Airport Express).

      --

      I read the internet for the articles.
    2. Re:Apple and Ogg by Fluffy_Kitten · · Score: 0

      It would be hard on their business model.

      --
      People who have no sig are cool
    3. Re:Apple and Ogg by Petrushka · · Score: 5, Insightful

      It shouldn't be hard to add support.

      Of course it isn't. But I hope you weren't under the impression that Apple is actually against DRM in principle. They're only against DRM some of the time, only when it makes them money, and only because they're one of the few companies that have woken up to the fact that they can make more money by doing away with DRM some of the time.

      And that's why Apple opposes Vorbis -- because they're actually on the ball, because they've got the foresight to realise both the pros and the cons of open formats for them, and they know exactly what the consequences would be if open standards were to become dominant.

    4. Re:Apple and Ogg by MLS100 · · Score: 1

      They want you to use AAC, a format which they have heavy stock in - so they don't add support. Simple, really.

    5. Re:Apple and Ogg by raddan · · Score: 3, Informative

      Nokia and Apple obviously have stakes in determining the codec that people use for video over the web. Apple is pushing H.264, which they point out is a standard, but fail to mention is also proprietary. Nokia mentions this in their position paper, but goes on to recommend H.264 anyway. Ironically, they list their #1 criteria for codec adoption to be "The specifications, and supporting documentation and code (i.e. conformance test suites, example/reference code, ...) are obtainable by everyone, for free or against a reasonable fee (ISO/IEC fees are reasonable in this sense)." You can't get a more reasonable fee than free, which is the case with Ogg. Anyhow, it's clear that Apple wants AppleTV to be a new content-delivery platform. Nokia probably has similar plans.

      What I really suspect Nokia is saying in this paper are in criteria #2 and #5: "There is only a manageable risk in implementing the specification. In practice, we prefer specifications that have been developed in a collaborative manner under an IPR policy with disclsore requirements. Examples include specifications developed by the ITU-T, ISO/IEC, or the IETF." and "Compatibility with DRM. We understand that this could be a sore point in W3C, but from our viewpoint, any DRM-incompatible video related mechanism is a non-starter with the content industry (Hollywood). There is in our opinion no need to make DRM support mandatory, though."

      Basically, "we think Ogg will get us sued" and "Hollywood won't use Ogg". It's a shame that Stephan Wenger (the author of this paper) has now damaged his own credibility by writing a four-page exercise in being disingenuous.

      I'd like to point out that the one really successful proprietary codec, MP3, is a success because of the huge numbers of people who intially implemented the codec without a license and because it didn't support DRM, thus leading to widespread piracy, and establishing the format as the de facto standard for unencumbered audio. I would personally consider the W3C negligent if they did not choose an open (free as in beer and speech) codec.

    6. Re:Apple and Ogg by fermion · · Score: 1
      Frankly, Apple support is sketchy. I know that plugins can be gotten, but since Apple is supposed to be a media machine, I don't see why they can't ship media players that support all format(I would be happy to exclude MS proprietary formats). In fact for video, I find quicktime more than useless. I tend to use VLC. The DVD player on 10.5 is much improved, but the inability to take screen shots again pushes me to VLC.

      As an Apple customer, I am always made aware that Apple knows on which side the bread is buttered, and though traditionally that knowledge has benefited the end user, those benefits have eroded significantly over the past 3 years or so.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    7. Re:Apple and Ogg by Breakfast+Pants · · Score: 1

      It has nothing to do with the fact that support vorbis in itunes and not on the ipod would simply be confusing to users. You might argue that they should support both, sure, go ahead, burn your batteries for no good reason.

      --

      --

      WHO ATE MY BREAKFAST PANTS?
    8. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 4, Interesting

      But I hope you weren't under the impression that Apple is actually against DRM in principle.

      I think you're following a red herring here. Apple is opposed to DRM, from pure selfishness, but that applies as much to Vvideo as it does to audio. Apple implements DRM when they have to and removes it when they can, this is because their goal is to sell hardware. To sell hardware, you need content. If they can only get content with DRM, they'll try to use minimal DRM under their control because their goal is to make things as easy for users as possible, because then more people buy their hardware. If they can do away with it, well that is even easier for users and will sell even more hardware.

      No, Apple's opposition to Vorbis as a standard has little to do with DRM, as they could always apply DRM encapsulation for it. Actually I suspect Apple is just heavily invested in the MPEG standard, which is not as open, but is DRM agnostic as well. Having developed a lot of technologies on top of the MPEG standard as well as both pro and consumer tools for creating it, Apple just sees no benefit to them for Vorbis, since licensing costs are not all that significant.

    9. Re:Apple and Ogg by mrsmiggs · · Score: 1

      frustrating isn't it? I'd probably have purchased an iPod at every other generation update if they added Ogg Vorbis support. I've got a music collection full of ogg format music that I ripped on Linux, I don't use ACC _at all_ because my aging iRiver doesn't support it. Having to convert my entire collection to another format makes me hold off, I don't need a new digital music device but I want one that I can migrate to easily. Come Apple it'd be so easy to do, I reckon my patronage in Macbooks and iPods would probably be worth it alone.

    10. Re:Apple and Ogg by CRCulver · · Score: 1

      On most generations of the iPod you can install Rockbox, Free Software firmware that supports Ogg Vorbis, FLAC, and myriad other obscure formats.

    11. Re:Apple and Ogg by KugelKurt · · Score: 1

      Vorbis is just an Audio codec. If Apple (or anybody else) wanted, they could just put a Vorbis track into a DRMed container.

    12. Re:Apple and Ogg by pushing-robot · · Score: 1

      DRM isn't a reason to choose one format over another. There's no reason Apple couldn't encrypt a Vorbis stream, stick it in an Ogg container, and bam - Ogg, FairPlay style.

      On the other hand, Vorbis isn't the best audio codec for portable players. Current decoders use more processing power to decode Vorbis than MPEG derivatives (mp3, aac), so battery life suffers, assuming the low-power processors can handle Vorbis at all.

      Since Ogg is hardly commonplace today, making it an industry standard would mean a lot of work for major software and hardware manufacturers to make their products compatible. And they wouldn't even be saving any money on licensing, since they would still have to maintain compatibility with the patented formats.

      I'm against software patents in general, and I've encoded quite a bit of my music in Ogg+Vorbis, but it's easy to understand why large companies would be hesitant to adopt a new format when the old ones work as well or better for them.

      --
      How can I believe you when you tell me what I don't want to hear?
    13. Re:Apple and Ogg by edwardpickman · · Score: 1

      The funny thing is I use Unity Game Engine which is Mac only and it uses Ogg format. Most of the game engines use it. Even the Unity standalone player is able to handle Ogg fine on Macs so it's definitely a support issue. It's just interesting that a Mac only software would be designed to work primarily with Ogg, it converts other formats to Ogg, but Mac itself won't support it.

    14. Re:Apple and Ogg by gsnedders · · Score: 2, Informative

      Apple's primary reason for not supporting Ogg/Vorbis (as has been said many times in many places) is that no major company has implemented it yet: those with submarine patents aren't going to sue someone with no money, they'll wait for the biggest company possible to implement it, a company with large amounts of money like MS or Apple before taking legal action. It's a huge risk, and without already deployed content, nobody is going to take the risk.

      You have to remember that Ogg/Vorbis isn't truly patent free: one or two companies have granted RF licenses to any and all patents covering Ogg/Vorbis, but that's far from every company/organisation/person with patents, and several major companies have stated they are aware of patents that cover Ogg/Vorbis that are not covered by the RF grants.

    15. Re:Apple and Ogg by Anonymous Coward · · Score: 0

      If all Apple was interested in was having content available for its hardware, then they wouldn't have had any objection to Real's Harmony downloads. Instead, they wrote a threatening letter to Real, calling Real "hackers" and invoking the DMCA.

      Steve Jobs came out against DRM only after Apple was approached through channels by EMI about non-DRM sales. Then he came out and gave a great big announcement about how he was never in favor of it, that DRM was forced on him by the labels. Sure, none of the labels had any objection to Harmony, and Apple was blatantly manipulating DRM to maintain its monopoly on legal digital iPod downloads, but Apple never had any interest in DRM. After all, St. Jobs said so.

    16. Re:Apple and Ogg by jacksonj04 · · Score: 1

      I'd take the "H.264 has much better support in everything" argument.

      Ogg V/T is still a fairly niche thing, and although if it became the 'defined standard' then support would improve. Alternatively, H.264 could be made the defined standard and suddenly be compatible with most devices out there, including the most popular line of portable video players in the world.

      I thought mobile content was the future.

      --
      How many people can read hex if only you and dead people can read hex?
    17. Re:Apple and Ogg by HiThere · · Score: 1

      This is overly generous to Apple. I'd like it if it were true, but it isn't.

      Apple is in favor of THEIR property being controlled by DRM to the extent that is advantageous to them. They are against others being able to use DRM when it causes them either expense or risk of future expense.

      Read the recemt EULA's from Apple. They've added that "We reserve the right to add, copy, move, or delete any file on your computer" to the last one that I've looked at. Since then I've been rejecting upgrades and updates. And I'm campaigning to get the computer disconnected from the internet. (Backups won't deal with everything.)

      Apple is in favor of DRM when they're the one using it...and they can choose how much or how little to use.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    18. Re:Apple and Ogg by webmaster404 · · Score: 1

      I thought mobile content was the future too... Until they DRMed it so it became strictly "mobile content" you can't watch it on hardly anything else because of DRM, and until DRM becomes dead we will remain in this stalemate of 0 innovation.

      --
      There is no "disagree" moderation, and troll, flamebait and overrated are not valid substitutes
    19. Re:Apple and Ogg by MadJo · · Score: 1

      If that is all true, then why is the largest part of the itms still drm'ed?
      If the goal of Apple is to make it easy for the users, they'd have removed it eons ago.

      No, the only goal that Apple has; is to make as much money as it can, and it doesn't care about DRM or open formats.
      It's all about the bottom line and the shareholders.

      Don't drink the "Apple is good for you" Kool-Aid(tm)

    20. Re:Apple and Ogg by webmaster404 · · Score: 2, Interesting

      No, you have to realize that Apple is a proprietary Unix vendor, and thus opposed to Linux, OGG and other Free Software. Although they reconize open-source software is good, they still are a propriatary Unix vendor much like Sun.

      --
      There is no "disagree" moderation, and troll, flamebait and overrated are not valid substitutes
    21. Re:Apple and Ogg by initialE · · Score: 1

      The plugin you're looking for is perian and some audio support was broken in the latest version of quicktime, i believe 7.3. A fix for that will be available in perian 1.1, whenever that becomes available.

      --
      Starbucks, Harbuckle of Breath.
    22. Re:Apple and Ogg by Serhei · · Score: 1

      In general there is no business reason for Apple to support any format, operating system, or standard which is *below* them in market share, since admitting that any technology which is not the incumbent in a space exists is tantamount to admitting that that technology has merit, and hence implying that Apple's products are not the only technology on the market with real merit, which is overwhelmingly Apple's marketing message. Therefore: * Apple's consumer marketing materials don't even admit the existence of any other OS than OS X or Windows. * Apple doesn't support any codecs (or containers - take that, semantic nazis!) which aren't Apple-designed or have 90% market share. * The iPod does not work with anything other than iTunes. iTunes does not work with anything other than the iPod. But iTunes rips CDs, since everyone has CDs. If everyone had a (non-locked-down) iRiver, iTunes would sync with the iRiver. .. and on the other hand: * TextEdit supports OpenDocument (which is at least an admission of the fact that the format is stronger than iWork) * Unlike the consumer marketing materials, marketing copy for Apple's servers keeps mentioning integration with Linux, superiority to Linux, food fights gotten into with Linux..

    23. Re:Apple and Ogg by Codifex+Maximus · · Score: 1

      > Apple doesn't support Ogg, which as a Mac user bums me. It shouldn't be hard to add support.

      A simple recompile and maybe a little tweaking at the most would do it I'd think.

      Actually, if Nokia has made a deal with MS vis-a-vis wma and wmv, wouldn't it make sense for Nokia to want to use a format that they had licensed? Also, they must fear that if OGG/Vorbis/Theora were used that they would lose control of the format because of lack of DMA and therefore profits? I think Apple and Microsoft both have those fears AND those fears dovetail with the feelings of the MPAA and RIAA.

      It is not impossible to get most formats working in Linux but it takes alot of tweaking - not easy for the average user. This is another reason that Linux uptake has been less strong than it could have been. Conversely, if the standards bodies incorporate free standards then control is lost; and we all know it's about control.

      YMMV

      --
      Codifex Maximus ~ In search of... a shorter sig.
    24. Re:Apple and Ogg by ducomputergeek · · Score: 1

      It is? Maybe around slashdot, but go around ask 90% of iPod owners what format their Ipod's play and they'll say, "MP3." It kind of reminds of a line from Redvsblue: "And you can play them on your MP3 player. Only we don't call 'em MP3's anymore, they're MP48's..."
      http://www.youtube.com/watch?v=EvNeHthx3Ng

      --
      "The problem with socialism is eventually you run out of other people's money" - Thatcher.
    25. Re:Apple and Ogg by Anonymous Coward · · Score: 0

      ... which is why you can't install any non-apple systems on lastest-generation ipods anymore. right.

    26. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 2, Insightful

      If all Apple was interested in was having content available for its hardware, then they wouldn't have had any objection to Real's Harmony downloads.

      Did you even read my previous post? I wrote that if there was DRM, Apple wanted to control it. Real was trying to enforce DRM, using Apple's own authentication servers without permission, via an exploit in the system. No company in their right mind would tolerate that. It is one thing to allow content from another supplier, another is to tolerate a security hole and pay the bandwidth costs for another company to authenticate their DRM.

      Steve Jobs came out against DRM only after Apple was approached through channels by EMI about non-DRM sales.

      That is actually not true. Jobs spoke out against DRM, calling it doomed to failure and unworkable, before Apple even released the iPod.

      Sure, none of the labels had any objection to Harmony, and Apple was blatantly manipulating DRM to maintain its monopoly on legal digital iPod downloads, but Apple never had any interest in DRM.

      Apple's interest in DRM was in keeping the labels willing to supply content. Downloads have always been legal on the iPod, for other companies, Apple just has refused to support other DRM. Contrary to what most people think, Apple even licensed fairplay to several other manufacturers, mostly for cell phones. Their DRM was predominantly a counter to MS's attempt to monopolize music DRM in the first place.

      After all, St. Jobs said so.

      *Poof* there goes your credibility. My post was explaining why Apple's best financial interests were to get rid of DRM, and you try to portray it as if I was claiming they were being altruistic. You seem to be lacking reading comprehension. Why do I bother responding to ACs?

    27. Re:Apple and Ogg by JimDaGeek · · Score: 1
      As a Mac user I agree. I don't know why Apple just doesn't add it.

      However, there is a QuickTime Component for Mac/Windows.

      Xiph QuickTime Components (XiphQT) is, in short, the solution for Mac and Windows users who want to use Xiph formats in any QuickTime-based application, e.g. playing Ogg Vorbis in iTunes or producing Ogg Theora with iMovie.
      --
      General, you are listening to a machine! Do the world a favor and don't act like one.
    28. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 1

      Apple is in favor of THEIR property being controlled by DRM to the extent that is advantageous to them. They are against others being able to use DRM when it causes them either expense or risk of future expense.

      Except Jobs has spoken out as saying DRM in general is a flawed concept and DRM is never really helping Apple's bottom line. Apple makes money selling bundles, mostly bundles including hardware. Apple sells music at near break-even. Their music business is to sell iPods and Macs and anything that makes people enjoy iPods more, means they sell more and make more money.

      Read the recemt EULA's from Apple.

      We're talking about DRM. You do know what DRM is right? t has nothing to do with Apple's licensing.

    29. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 2, Insightful

      If that is all true, then why is the largest part of the itms still drm'ed? If the goal of Apple is to make it easy for the users, they'd have removed it eons ago.

      Look, Apple needs the content from the music publishers. They are pushing to remove as much as possible, but they're rather have DRM'd content than no content at all. Apple cn only release music without DRM when the publishers agree and they have only so much influence.

      No, the only goal that Apple has; is to make as much money as it can, and it doesn't care about DRM or open formats. It's all about the bottom line and the shareholders.

      What is wrong with people's reading comprehension today? As I said Apple wants to get rid of DRM because it makes them more money in the long term. That's the whole point. Apple makes more money without DRM, thus the argument that Apple is against Ogg formats because they want to add more DRM is flawed, assuming Apple is working to make the most money.

      Don't drink the "Apple is good for you" Kool-Aid(tm)

      Sigh. I argue that it is in Apple's best financial interests to get rid of DRM they are probably doing that, and people respond by claiming I'm blindly in favor of whatever Apple is doing or I think they're being altruistic, despite that is exactly the opposite of what I've said.

      Apple's interests coincide with ours on the topic of DRM. DRM hinders users and thus hinders Apple's hardware sales. Thus, we can benefit from Apple's interest in their own bottom line as they work to get rid of DRM. That doesn't mean we should blindly support them. In fact Ogg as part of the HTML5 spec may be the best option. Apple's objection to it may not be in our best interests, but it isn't because of DRM for multiple reasons I originally stated.

    30. Re:Apple and Ogg by HiThere · · Score: 1

      I agree that's what he said. But what he says is less important than how he runs the corporation.

      DRM is one end of a ... I want to say continuum, but it isn't continuous ... which has plain text at the other end.

      When Apple released disk drives for the Apple ][ that were incompatible with all other extant disk drives, and protected by patented techniques, was this DRM? When Apple saved it's Basic programs (in files with the .bas extension) in a form that were unreadable by other programs, was this DRM?

      DRM is, in essence, any technical measures that restrict access to programs or data under the control of the publisher and not under the control of the end user. EULAs can be considered a legal technique for controlling access under the control of the publisher and not of the end-user.

      Yes, Apple does lots of things that are technically good. That isn't sufficient to justify their other actions. (Mind you, I prefer a recent KDE to a recent OSX desktop...I'm not an unbiased observer, I use both systems. Rather than unbiased I'm moderately experienced.)

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    31. Re:Apple and Ogg by toddestan · · Score: 1

      It has nothing to do with the fact that support vorbis in itunes and not on the ipod would simply be confusing to users.

      How so?

      You might argue that they should support both, sure, go ahead, burn your batteries for no good reason.

      The reason why Rockbox burns batteries playing back OGG on the iPod is because it has to decode the file in software. It doesn't have to be that way, the no-name Asian manufacturers have figured it out, surely Apple can too.

    32. Re:Apple and Ogg by m50d · · Score: 1

      Note that Sun isn't really a proprietary unix vendor any more, what with having opened up solaris and all.

      --
      I am trolling
    33. Re:Apple and Ogg by tepples · · Score: 1

      It has nothing to do with the fact that support vorbis in itunes and not on the ipod would simply be confusing to users. Are you claiming that the iPod firmware can already play 100 percent of wrappers and codecs that QuickTime (and thus iTunes) can play? I used iTunes once on a Windows machine, and if I opened the context menu (right-click) on an audio file in a non-DRM format supported by QuickTime, it had a command to the effect "convert to AAC". True, transcoding lossy to lossy introduces double artifacts, but they shouldn't be that objectionable from 192 kbps Vorbis to 128 kbps AAC, especially in the noisy outdoor or vehicular environments where portable audio players are often used.
    34. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 1

      When Apple released disk drives for the Apple ][ that were incompatible with all other extant disk drives, and protected by patented techniques, was this DRM? When Apple saved it's Basic programs (in files with the .bas extension) in a form that were unreadable by other programs, was this DRM?

      No and No, it was use of proprietary technology, which is something else entirely. DRM is about restricting content you own, intentionally, at the behest of a company that is selling/licensing that data to you.

      EULAs can be considered a legal technique for controlling access under the control of the publisher and not of the end-user.

      You mean like laws against assault with a deadly weapon can be considered a legal bulletproof vest? In short, I disagree. A license is a legal contract for use of something. It is not DRM, which is technologically restricting the user.

      Yes, Apple does lots of things that are technically good. That isn't sufficient to justify their other actions.

      "Good" is a moral judgement and is subjective. Apple does a lot that benefits myself and others. It in no way justifies any of their other actions and I never claimed it did. I simply claimed that Apple tries to eliminate DRM because that makes them more money, and anyone claiming their opposition to Ogg-Theora as the HTML5 standard was due to lack of DRM was wrong, both because DRM is against their interests and because Ogg-Theora is not any harder to add DRM to.

      You can save your moral judgements, because I don't really care if you think Apple is Good or Evil in a particular respect or overall. It is subjective. Trying to argue either way is pointless and I don't know why both you and several other people insist on trying to construe my comments about Apple's motivations as some sort of endorsement of them in general or defense of their behaviors. Maybe Stalin had a lovely singing voice, that doesn't mean I think he was a good person and arguing that he is bad person is completely beside the point.

      (Mind you, I prefer a recent KDE to a recent OSX desktop...I'm not an unbiased observer, I use both systems. Rather than unbiased I'm moderately experienced.

      What does your experience with the various OS's have to do with Apple's motivation? I use OS X, Kununtu, and WinXP on a daily basis, does that somehow speak to whether or not Apple would rather use the MPEG standard than Ogg-Theora for HTML5? Nope, not at all. For all the talk about Apple Fanboys on here, I see a lot more bias towards people that seem to be Apple haters and take any factual discussion and try to turn it into an unrelated discussion of all the "evil" apple does. Please try to stay on topic and actually address what I write, not what you assume I feel about the morality of Apple, especially when I go out of my way to address Apple's motivations from a purely selfish, financial perspective.

    35. Re:Apple and Ogg by Anonymous Coward · · Score: 0

      If Apple's real goal were to sell more hardware, don't you think they'd just let users have their data in whatever format they want? In other words, if it's all about the device, don't you think they would enable it instead of crippling it? Seems like that would lead to a more popular device.

      Or maybe they'd let people on other GSM networks use the iPhone...

    36. Re:Apple and Ogg by mhbtr · · Score: 1

      I don't think people adopted MP3 because it was without DRM. When people adopted MP3, no formats had DRM (DRM audio in WMA started in the late 90s, MP3 started in 1991 on work started in the 70s...)

      mp3 was successful because it was good enough and there at the right time. the people who developed mp3 and charge more for it than mp4 (AAC) have been trying to kill it for years even though they get higher licensing fees for it than AAC.

      W3C should stay out of video CODECs and containers and focus on what they should do, HTML standards...

    37. Re:Apple and Ogg by pebs · · Score: 1

      There is a plugin you can get for iTunes that lets it support ogg, but last time I tried it there were problems with it (you couldn't stream music to another copy of iTunes for instance because it would stream at the wrong rate and break up every couple of seconds, nor could you stream to an Airport Express).

      I tried that for a while. It's been a few years, but last time I tried the plugin it made iTunes crash frequently. Maybe its more stable now.

      --
      #!/
    38. Re:Apple and Ogg by raddan · · Score: 1

      I didn't mean to imply that DRM was part of the collective reasoning that lead to MP3 becoming a de facto standard. What I meant was that the absence of copy-controls worked in its favor. There were indeed copy-protected formats back then, although this was copy-protection in hardware, not software. SCMS is essentially what killed DAT early on.

      But you're right-- it was good enough at the time. I remember a friend of mine who had discovered how to encode MP3s (this must have been around 1997), and this was mind-blowing to me, because I had previously "copied" CDs onto my computer by ripping them to AIFF and storing them on ZIP disk (burners were only just starting to become affordable then). The loss in quality was totally worth the space savings, in my opinion.

      I disagree about the W3C, though. The W3C is all about interoperable formats. Open formats make the "network effect" work faster, because there can be competition in implementing those services. It's true-- we may get "video on our cellphones" faster with a proprietary solution. But the implementors will always take a walled-garden approach with their solutions, because it will be imperative for their proprietary solution that you not see the value in their competitor's products. This works counter to the network effect. The W3C makes the network effect happen much faster by devising a standard that everyone can use, for free. You may not make as much money in the short term, but after your solution reaches critical mass, the benefits will outweigh the pitfalls. HTTP/HTML is a perfect example. I clearly remember, in the early 90's, thinking that "the web" was a waste of time. Gopher was so much better! But, as you can see, even technical merit was not enough. HTML was "good enough": free and easy to implement. HTML's one pitfall, searching, went away when good (and free) search engines like Google came around.

    39. Re:Apple and Ogg by Altus · · Score: 1


      so they should spend money to put a feature on the iPod that only a bunch of folks on slashdot will actually care about? How is that to their advantage.

      Look, this isn't a technical argument at this point. It doesn't matter if Ogg is better than MP3. MP3 won, its currently the compressed format for audio that most people use. You don't go out and by an Ogg player, you go and buy an MP3 player (or more likely, an iPod specifically). Very few people are going to buy an iPod only if it had Ogg support so its not worth the time and money it would cost apple to add this format. If apple though it would lead to enough sales to justify the expense they already would have added support.

      --

      "In America, first you get the sugar, then you get the power, then you get the women..." -H. Simpson

    40. Re:Apple and Ogg by dave420 · · Score: 1

      It's not as common as you think.

    41. Re:Apple and Ogg by HiThere · · Score: 1

      I think you aare using DRM as a synonym for the term TPM, or Trusted Platform Module. This is one particular technique for imposing DRM. DRM is a more general term for a technique that is currently being implemented via TPM.

      OTOH, the term probably doesn't have an actual definition. I think it was created by a marketing team to sell something to people that they wouldn't touch with a 10 foot pole if they knew what it was, and as I recall the original definitions (back when it was being defined) were double talking marketeer speak.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    42. Re:Apple and Ogg by Anonymous Coward · · Score: 0

      Why would an Apple user expect Apple to support open standards or even open source? None of Apple's actual popular software technologies are open in any way (Quicktime, iTunes, OS X, etc).

    43. Re:Apple and Ogg by mhbtr · · Score: 1

      I was not talking hardware - if we are talking hardware we can go back to MacroVision for VHS - more appropriate anyway for the video discussion at hand. Whether SCMS killed off the DAT is debateable - I actually think what killed the DAT was reliability and the prevalence of recorded CD media and then HD media. DAT was always a niche product with very low reliability (I had my D7 in more than 30 times over its life, and my SV3800 3 times, etc.)

      And I may grant you that the W3C should also champion media, yet I must disagree in your statement that the implementors will "always take a walled garden approach" - I think seeing the widespread use of H264 and AAC since Apple and Sony with the PSP championed them shows that you can take a non "walled garden approach" and still gain wide spread acceptance. By your argument, OGG will see wider adoption simply because W3C recommends it - I disagree. I don't think it will surpass the MPEG-4/QT container anytime soon, and I think that by the time it gains the widespread acceptance you think it may (if ever,) the successor to MPEG-4/QT will be there.

      The problem is, we are doing the consumer a disservice by advocating a standard that CONTENT will not be created in. Yeah, we may have .OGG, we may reencode all of our content for our machines - but the creators of content out there will not, and all people will want to know is "why can't I watch cool video X"

      Thanks for engaging

    44. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 1

      I think you aare using DRM as a synonym for the term TPM, or Trusted Platform Module.

      Considering the specific DRM being discussed was Fairplay, which in no way relies upon a TPM, no I don't think so. A Trusted Platform Module is an encrption chip that conforms to a specific published specification (the TPM spec). It is a general purpose encryption chip that could be used for DRM, among other encryption uses. It was publicized because everyone was afraid such chips would be used to implement DRM schemes, but such fears never really materialized, with TPM chips not being widely deployed enough. About the only thing I know that uses it and is in widespread use is Vista's Bitlocker technology for encrypting your hard drive and a few security projects on Linux, no DRM at all.

      OTOH, the term probably doesn't have an actual definition.

      Google for "DRM definition" and you get:

      Digital rights management (DRM) is an umbrella term that refers to access control technologies used by publishers and copyright holders to limit usage of digital media or devices. It may also refer to restrictions associated with specific instances of digital works or devices. To some extent, DRM overlaps with copy protection, but DRM is usually applied to creative media (music, films, etc.) whereas copy protection typically refers to software.
    45. Re:Apple and Ogg by Anonymous Coward · · Score: 0

      Yes, all of Apple's formats use DRM, so it's no wonder they don't want to support Ogg on that principle! Just look at MP3, AIFF, WAV, Apple Lossless, AAC. You're right; it must all be about the DRM!

    46. Re:Apple and Ogg by SoupIsGoodFood_42 · · Score: 1

      But I hope you weren't under the impression that Apple is actually against DRM in principle.

      I guess they fooled me. I thought they were generally against it, but since are a commercial company, will use it if it suit them, such as getting a deal signed with record companies who insist on it.

      And that's why Apple opposes Vorbis -- because they're actually on the ball, because they've got the foresight to realise both the pros and the cons of open formats for them, and they know exactly what the consequences would be if open standards were to become dominant.

      Last time I checked, AAC was open. Not free, but open. Perhaps they went with AAC because they thought it was a better codec, overall, and don't mind paying for it. Infact, off the top of my head, most of the formats Apple uses for user data are open formats.

    47. Re:Apple and Ogg by HiThere · · Score: 1

      Yes, but that Google'd definition fits with my usage.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    48. Re:Apple and Ogg by Anonymous Coward · · Score: 0

      DRM is not the opposite of open standards. DRM stands for Digital Rights Management (hence "DRM"). Apple supports many codecs that do not have DRM. In fact, only one of Apple's codecs supports it, and there it's optional. In fact, there's no way for users to create DRM-encumbered files.

      There's may other good reasons for Vorbis to be skipped on the iPod:

      1. It wasn't really an option when the first iPod was created. It wasn't even stable when the iPod was released, let alone when it was being designed. (And looking at the timeline, it's likely that when the iPod was being developed, Vorbis was still under the LGPL.)
      2. Vorbis is a more expensive codec in terms of playback hardware. There's some question as to whether the original iPod could have handled it without simplifying the interface considerably.
      3. Five years later, it still isn't popular enough to justify adding, in development or support. Outside of slashdot, very few care.

      But that's derailing a perfectly good frothing rant with facts.

    49. Re:Apple and Ogg by Anonymous Coward · · Score: 0

      1) Add a dedicated co-processor for a file format that has almost zero mainstream adoption
      2) ???
      3) Profit?

      Meanwhile, Apple is busy targeting the mainstream market where people don't see any reason to switch from AAC and MP3. Your average iPod owner doesn't see the hidden costs of proprietary formats since they're bundled into the cost of the iPod. So why should Apple increase the cost of the iPod even further just to support a niche format that's only really been adopted by people who can understand the difference between free as is speech/beer, and, more importantly, care enough to consider this when buying a portable music player?

  9. ACC/H2.64 by Stevecrox · · Score: 2, Interesting

    Its seems Nokia wants to support Apples codecs, rather than Ogg or MP3 (although MP3 is mentioned as a possible) I found the paper interesting as they talk about majorally accepted file formats they state their after ACC, I always thought ACC was about as popular as Ogg with MP3 the generally accepted and mainstream codec.

    Personnally I'd rather see divx and mp3 be used as the next standards, but Xvid and Ogg would be cool.

    1. Re:ACC/H2.64 by Kjella · · Score: 1

      Uhh.. you mean AAC? Well, it's only used by the entire iTunes store including but not limited to their DRM-free tracks. I've bought myself some 256k AACs, supporting those would be important to me. So would probably anyone that's used the store and wants to switch to a different player, since I'm sure they'd find a way to strip the "FairPlay" protection and use the AAC tracks on their new player. In the grand scheme of things, exactly noone except private rippers have ogg files. AAC is also used in several other applications like digital radio, digital TV and so on. Yes, it's patent covered but apart from that the specs are open, the quality is top notch and on the whole it's a good codec.

      --
      Live today, because you never know what tomorrow brings
    2. Re:ACC/H2.64 by netcrusher88 · · Score: 4, Interesting

      First off, it's actually AAC. And it's not proprietary, at least not to Apple - AAC (Advanced Audio Coding) is part of the MPEG-4 standard and intended as a successor to MP3, though like MP3 it legally requires a patent license. Also H.264 is not an Apple codec - it's an ITU standard, also known as MPEG-4 Part 10, or AVC (but again with the patent nonsense).

      I think why Apple picked them up is that they are about the best codecs out there (I'm not going to entertain a debate between AAC and OGG quality, please, the reasoning here is that H.264 and AAC are DESIGNED to work together). Also AAC is very good at surround sound, something MP3 has never been popular for, perhaps for the reasons below.

      The reason that the community and market have been slow to accept them are that they are more complicated, thus heavier and/or more expensive to implement, as well as the fact that Xvid and Divx (same thing, different encoders - another part of MPEG-4 by the way) can (or used to) produce smaller filesizes for video, and at standard def you wouldn't really know the difference. But as HD content has become more popular, it's become more common to find media in H.264 with AAC 5.1 audio, and as en- and decoders get better (not to mention computers) H.264 and AAC present less of a relative strain on both disk (or bandwidth) and processor, and at HD resolution the hit to speed is completely worth it.

      I think this might be way Nokia is pushing H.264 and AAC - they present real possibility for advancement into high-def streaming content, something that other codecs really don't. Please note that I really haven't had any experience with Ogg Theora (which is NOT the same as Ogg Vorbis) in high-def environments, so I can't really say for sure. Also I'm not sure how it is at streaming.

      --
      There's an old saying that says pretty much whatever you want it to.
    3. Re:ACC/H2.64 by ceoyoyo · · Score: 1

      DivX;) is a ripoff of the patented MPEG4. That's what the smiley is about.

    4. Re:ACC/H2.64 by gEvil+(beta) · · Score: 2, Informative

      AAC and H.264 are Apples? Hmmm, you may want to let the Moving Pictures Expert Group know about that.

      --
      This guy's the limit!
    5. Re:ACC/H2.64 by Anonymous Coward · · Score: 0

      ...but Xvid and Ogg would be cool...


      Err... (Ogg) Theora and (Ogg) Vorbis would be cool?


    6. Re:ACC/H2.64 by Anonymous Coward · · Score: 0

      And it's not proprietary [...] it legally requires a patent license.

      Err, say what? If it requires a license - no matter what kind -, then it *IS* proprietary by definition.

    7. Re:ACC/H2.64 by smcdow · · Score: 1

      If this is true, then all GPLed software is "proprietary by definition".

      --
      In the course of every project, it will become necessary to shoot the scientists and begin production.
    8. Re:ACC/H2.64 by init100 · · Score: 1

      H.264 and AAC present less of a relative strain on both disk (or bandwidth) and processor

      Oh? I've read that H.264 is actually quite processor-heavy on playback, and that HD content using this codec would be almost unplayable without hardware acceleration on even today's high-end systems. Are you saying that this is false?

    9. Re:ACC/H2.64 by civilizedINTENSITY · · Score: 1

      Only if all GPLed software requires a patent license! Which it doesn't.

    10. Re:ACC/H2.64 by netcrusher88 · · Score: 1

      I wasn't really clear in my earlier post. You're absolutely right - H.264 is extremely processor-heavy. However, as time has passed decoders have become more efficient (or maybe 'learned' to use processor features better, you can only improve an algorithm so much) and processors faster, so I meant the perceived strain relative to what the strain was, say, three years ago, not relative to the strain of XviD/DivX with MP3.

      --
      There's an old saying that says pretty much whatever you want it to.
    11. Re:ACC/H2.64 by rillian · · Score: 1

      ...the reasoning here is that H.264 and AAC are DESIGNED to work together

      Is it? Ogg Vorbis and Ogg Theora were designed to work together?

      h.264 probably has more technical scope for quality/bitrate than theora does, but that's generally immaterial. The <strong>current implementations</stong> of h.264 are better than the current implementations of h.264 because resources have been allocated to make it so. There are a handful of implementations of each. The MPEG standard has been implemented by many large bodies. Theora by small ones. Even the open source h.264 implementation has a lot more volunteers than have ever worked on Theora.

    12. Re:ACC/H2.64 by Deliveranc3 · · Score: 1

      their

      Ok Grammar Nazi time, just finished a double major in english and comp. sci.

      Here goes:
      They're = They are.
      There = Over there.
      Their = possessed by them.
      The Air = Stuff you swim easily through.

      And, while I'm doing this:
      To = Go towards.
      Too = As well, as in "I'd like to go there too."

      I find grammar nazis annoying as well. However, you people write perl! English syntax shouldn't break your brain!

    13. Re:ACC/H2.64 by trawg · · Score: 1

      Personnally I'd rather see divx and mp3 be used as the next standards, but Xvid and Ogg would be cool. xvid would be terrible because of its questionable legal status! The official xvid site still doesn't have binary downloads, which (according to wikipedia and simple deduction) is because of patent concerns.
    14. Re:ACC/H2.64 by init100 · · Score: 1

      Okay, I see.

      How about encoding? I faintly recall reading somewhere that H.264 encoding is less resource-intensive than e.g. DivX/XviD. Is that correct? It seems pretty backward with a codec where encoding is light but decoding is heavy in terms of processor resources, since a file will usually be played back more than once. At least I'd certainly favor a system with heavy encoding and light decoding rather than the reverse.

    15. Re:ACC/H2.64 by foo+fighter · · Score: 1

      What bitrate is necessary for H.264 to look as good as MPEG-2 off a DVD?

      I'm asking because when that bitrate is available as residential Internet speeds we'll finally see downloadable movies begin to replace DVDs.

      --
      obviously no deficiencies vs. no obvious deficiencies
    16. Re:ACC/H2.64 by SoupIsGoodFood_42 · · Score: 1

      I'd prefer H.264, actually, since it's a better codec in terms of the quality I want. Same goes for AAC (although, I don't know how well AAC compares to OGG, but it's better than MP3).

  10. Lol by skulgnome · · Score: 1

    What crack are these people smoking? And if I were to get hired to Nokia, would I get some as part of the benefit package (or is it only reserved for position paper writers)?

  11. Take with a grain of salt... by cbart387 · · Score: 2, Insightful
    I don't take much credence to a paper with rampant misspelling throughout. On slashdot okay, but a position paper? I'd also like to know when it's okay to use an emoticon in a paper?

    Closer to theWeb world, dare we mentoned Flash :-)
    --
    Lack of planning on your part does not constitute an emergency on mine.
    1. Re:Take with a grain of salt... by cbart387 · · Score: 1
      Apparently this article was never suppose to be seen by the public, according to Stephan. I rescind my comment and direct towards the submitter of the article instead :)

      Typically, such documents do not go through a reviewing process, have a very limited lifetime, and are intended for the experts of a standardization committee and not for the general public
      --
      Lack of planning on your part does not constitute an emergency on mine.
    2. Re:Take with a grain of salt... by burnin1965 · · Score: 1

      I don't take much credence to a paper with rampant misspelling throughout. On slashdot okay, but a position paper? I'd also like to know when it's okay to use an emoticon in a paper?

      Agreed, but I'm not sure which is worse, all the mis-spellings and the use of an emoticon, or the suggestion that the rampant use of Flash on web pages is a good result of "market forces to play out this game".

      Other than some funny flash cartoons and some cool flash based games it has been a massive wart on the face of the WWW.
    3. Re:Take with a grain of salt... by Blakey+Rat · · Score: 1

      Other than some funny flash cartoons and some cool flash based games it has been a massive wart on the face of the WWW.

      There was a huge need and Macromedia filled it with Flash. It's popular because people (other than snobby Slashdot posters) like it. Sure, we all hate those all-Flash sites that you can't link to because they're all one giant .swf file, but that's nothing against Flash-- any technology can be abused.

      Now, finally, we have Microsoft competing with Silverlight. Silverlight's Flash plus, all the animation tools of Flash with full DOM access so Javascript can interact with it. Sounds like a win-win to me, if you're not a snobby Slashdot poster at least. (In fact, I'm kind of surprised that Microsoft's the first one to really throw down the glove and attempt to compete with Flash.)

    4. Re:Take with a grain of salt... by rubato · · Score: 1
      "give much credence to," not "take much credence to."

      (Incidentally, I do not take issue with the parent for criticizing the paper. I would like to see all native speakers of English (at least) who write on Slashdot spell correctly and use English well.)

  12. Theft by Jeremiah+Cornelius · · Score: 1

    Theft is 9/10 of the law. The law is all theft.

    --
    "Flyin' in just a sweet place,
    Never been known to fail..."
  13. Reaaallly? by nmoog · · Score: 4, Interesting

    This document was written by Stephan Wanger who, according to his bio "serves on the Board of Directors of UB Video Inc., a leading supplier of video compression software".

    I wonder if this has anything to do with him not particularly liking ogg?

    1. Re:Reaaallly? by Anonymous Coward · · Score: 0

      He's just mad that he can't get enough cock, because he LOVES THE COCK.

    2. Re:Reaaallly? by PCM2 · · Score: 2, Interesting

      I wonder if this has anything to do with him not particularly liking ogg?

      His name is Wenger, and you're probably right. If I had this guy's level of experience in digital multimedia and was as actively involved as he is in implementing such widely-used, RAND-licensed formats as MPEG-2, MPEG-4, H.264 etc. (which is what UB Video provided, before it was bought by Scientific Atlanta, itself now a subsidiary of Cisco), then I might have reason to not particularly like OGG, Vorbis, Theora, etc., either. Or, for you tin-foil hatters, just because it's a conspiracy doesn't mean the conspiracy doesn't know what it's talking about.

      --
      Breakfast served all day!
  14. To the tagger: by Anonymous Coward · · Score: 0

    To whomever was lucky enough to have his tag randomly selected...

    Way to misspell "complete..."

    1. Re:To the tagger: by Mix+Master+Nixon · · Score: 1

      I suspect it's a reference to the 80s documentary THE COMPLEAT BEATLES.

      --
      Oppressing an entire population is never cheap.
      --Jeckler (/. Beta IS GARBAGE!)
    2. Re:To the tagger: by larry+bagina · · Score: 2, Informative

      that's an anachronistic spelling.

      --
      Do you even lift?

      These aren't the 'roids you're looking for.

  15. Apple and Ogg by Diordna · · Score: 0

    I really wish Apple would start building in Ogg-vorbis support. It's a common format these days, and there really isn't a reason not to support it (that I can think of).

  16. FWIW: Their actual statement by Mateo_LeFou · · Score: 1

    "a W3C-lead standardization of a "free" codec, or the
    active endorsement of proprietary technology such as Ogg, ..., by W3C, is, in our
    opinion, not helpful for the co-existence of the two ecosystems (web and video), and
    therefore not our choice."

    --
    My turnips listen for the soft cry of your love
  17. Crappy translator? by Marcion · · Score: 1

    This document has a number of grammatical errors and parts that seem unclear, so I am wondering whether it has just been translated badly? I can imagine that it was originally written by an engineer in Finnish or Swedish then translated by someone rather further down the food chain.

    Or the guy is just a nut and has no idea of what he is talking about, you pay your money, you make your choice!

    1. Re:Crappy translator? by Marcion · · Score: 2, Insightful

      Ok after looking at the website, it is probably both. He can't really speak English and he is a nut. However, Nokia is a really big company with lots of divisions, so I would not take it too too seriously

    2. Re:Crappy translator? by cbart387 · · Score: 1

      I said the same thing below and my response to myself. I read into it that his writings are for internal usage only and fairly informal. I blame the submitter/editor more than him.

      --
      Lack of planning on your part does not constitute an emergency on mine.
  18. Nokia: You Just Don't Get It by segedunum · · Score: 3, Insightful
    Yer. I would imagine the web would work brilliantly, and would have taken off the way that it is over the last 15 years, if it was wrapped up in lots of DRM stuff so people didn't have access to any information. Yer, that would really have worked.

    I had a scan through the PDF document, and couldn't really believe what I was reading. They're yet another company being pussy-whipped by Hollywood and the whole DRM issue (and it has now been demonstrably proven that widespread DRM can never work), rather than looking at the realities of the technology and working out how to make money from it. This is a very bizarre section to read: Commercial Constraints of the Web and Video ecosystems:

    In their vast majority, neither the digital video standard implementations nor the encoded content are "free". The forms of payment vary greatly: patent royalties are folded into the device/software prices; content fees (both for patent use and copyright royalties) are part of the subscription fees a consumer pays (i.e. for cable TV), absorbed through advertising, by governments (e.g. public radio/TV stations), and so on.
    Nokia doesn't seem to understand that the W3C is not in the habit of recommending technologies as web standards that are patented and proprietary and that mean that implementation is restricted.

    The perhaps astonishing part of the story is that all these royalties have, however reluctantly, be accepted by the market, and have not significantly hindered the adoption of digital video.
    Digital video over the web has been severely hindered, because it is not as widespread as content available through HTML.

    Compatibility with DRM. We understand that this could be a sore point in W3C, but from our viewpoint, any DRM-incompatible video related mechanism is a non-starter with the content industry (Hollywood).
    No other W3C standard takes into account DRM. Nokia seems to misunderstand the role of the W3C.

    Reasonable content fees, including provisions for royalty free content from non-professional sources.
    Non-professional sources?

    Anything beyond that, including a W3C-lead standardization of a "free" codec, or the active endorsement of proprietary technology such as Ogg, ..., by W3C, is, in our opinion, not helpful
    I think that should confirm that this document is junk, and that Nokia doesn't have the faintest idea what it is talking about.

    MP3 has been ratified in 1991, and that also sets a certain target year (not too far in the future) from which on one can be reasonably certain to be able to use this technology without financial compensation. The disadvantage of this approach is clearly the use of technologies that are two decades old, but that may be at least partly offset by the commercial advantage. And, these codecs are very lightweight on the computational complexity aspect.
    This is just downright bizarre.

    At first, I wasn't not so sure that Nokia was concerned about keeping Hollywood happy, as they are about keeping the current status quo of proprietary video and audio codecs, additionally restricted by patents if required. However, I haven't got the foggiest what Nokia are arguing. They just seem to be squirming over Ogg Vorbis and Ogg Theora for some reason.
    1. Re:Nokia: You Just Don't Get It by TheVelvetFlamebait · · Score: 4, Funny

      I had a scan through the PDF document, and couldn't really believe what I was reading.
      That's because you can't believe anything you read if it's in a proprietary format like PDF! Nokia told me so, in a word document.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    2. Re:Nokia: You Just Don't Get It by TheVelvetFlamebait · · Score: 1

      I wasn't not so sure that Nokia was concerned about keeping Hollywood happy
      They don't really, but they know that a video media format that hollywood and other entertainment companies don't support could face problems down the track, when it actually comes time to find media to encode in the format.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    3. Re:Nokia: You Just Don't Get It by Anonymous Coward · · Score: 0

      Yer?

  19. And the reason is? by Anontroll · · Score: 0, Troll

    I suspect Nokia and others balk at the inclusion of Ogg and other GPL standards because it would force them to give away their work if they want to support it.

    1. Re:And the reason is? by 644bd346996 · · Score: 1

      There you go, living up to your name again....

      Just because the standard is open doesn't mean that all implementations must be GPL'd or even open source.

    2. Re:And the reason is? by Anonymous Coward · · Score: 0

      I suspect Nokia and others balk at the inclusion of Ogg and other GPL standards because it would force them to give away their work if they want to support it. Wow.. you are so incredibly wrong..

      Ogg is public domain. Public fucking domain. It can't get any more free. From the ogg site: "developers are still free to use the specification to write implementations of Ogg Vorbis licensed under other terms."

      The example libraries and SDK are under the BSD license. So if you're too lazy to write the implementation yourself, all you have to do is agree not to use the name of the xiph.org foundation or its contributers to promote your product. Ooh viral!

      http://www.xiph.org/licenses/bsd/
  20. Nokia not at ease with Ogg by neutrino38 · · Score: 5, Insightful



    The post focuses on a single detail: the author calls Ogg a "proprietary format". This is of course a regrettable and stupid comment as Ogg, Theora and Vorbis are not proprietary in any sense. But I suggest reading the whole paper which is an interesting and valid point of view. They are AGAINST the decision of the W3C to recommend those format for Web video. They use three arguments:

          1. Theora video is somewhat based on H.261 and is obsolete in regards with recent developments such as H.264 and VP8 from On2. Can someone knowledgable about Theora make any comment on this assertion?
          2. De facto standard of the Web is Flash video and H.264 encapsulated in either FLV or MPEG 4 file formats. This one valid and reversing the trend seems difficult to imagine.
          3. They believe are not at ease with the process of the organisations behind ogg / vorbis / theora development and fear standard forks.

    The last one is partially valid also but I have to add a comment: First, Nokia has vested interest in codec developments itself (they have patents related to the AMR codec). Second one has to remind that they are phone manufacturers. It is clear that they are more at ease with the standard process developed by the ITU. And I understand them: they are not building software but they are embedding chips with hardware codec capabilities. If someone 'forks' the standard and the OSS community decides to create an alternative standard (see Torrent protocol), all the chips that they developped are toasted.

    Emmanuel

    1. Re:Nokia not at ease with Ogg by Wesley+Felter · · Score: 3, Informative

      Theora video is somewhat based on H.261 and is obsolete in regards with recent developments such as H.264 and VP8 from On2. Can someone knowledgable about Theora make any comment on this assertion?

      Monty (the inventor of Vorbis) can comment on it: http://web.mit.edu/xiphmont/Public/theora/demo.html

      "Unlike Vorbis and Speex, legitimate best-in-class codecs, Theora's coding quality is obviously poor relative to contemporary competition. This poor performance stems both from implementation and design deficiencies."

    2. Re:Nokia not at ease with Ogg by Anonymous Coward · · Score: 0

      Where are my mod points when i need them? Mod parent informative!

    3. Re:Nokia not at ease with Ogg by Anonymous Coward · · Score: 0
      You make some good points but if you look at the position paper, you'll see a section entitiled "Possible Requirements for codecs for Video over the Web". The title and random capitalization thereof are the standouts of the section. Here's the only real-world requirements:
      1. 100% royalty free
      2. No DRM
      Nokia appear to have a hard time accepting this so the guy is hand-waving to obscure the issues (DRM is a not possible in an open source decoder). Basically, he's rambling on about stuff that isn't relevant and totally ignoring the things that are. If we're going to get to the level of technical discussion, we first need to rid the argument of the type of irrelevances found in this position paper.
    4. Re:Nokia not at ease with Ogg by silviapfeiffer · · Score: 1

      1. Theora video is somewhat based on H.261 and is obsolete in regards with recent developments such as H.264 and VP8 from On2. Can someone knowledgable about Theora make any comment on this assertion? Theora is actually based on On2 Technology's VP3 codec and not an H.261. It may be comparable in quality to H.261 though. Theora is good enough quality for the current Web and the small size videos we are used to through YouTube. It cannot compete with high-quality H.264, but it was not designed to do so. OTOH, the BBC Dirac codec http://dirac.sourceforge.net/ is built to compete in that space and Dirac is an open standard according to the definition of Bruce Perens: http://perens.com/OpenStandards/Definition.html.
      2. De facto standard of the Web is Flash video and H.264 encapsulated in either FLV or MPEG 4 file formats. This one valid and reversing the trend seems difficult to imagine. De facto standards come and go. There have been many image formats de facto standards before we got to the current set of jpeg and png. Flash is not providing all the potential a web video format should provide. Flash was never developed to do so but accidentally slipped into that role after Quicktime, RealMedia and WindowsMedia failed to make usable web video technology. There is only one thing certain on this planet: change.
      3. They believe are not at ease with the process of the organisations behind ogg / vorbis / theora development and fear standard forks. Ah the old argument against Open Source software! Fear! No, I'm not going there. Too much has been written about this kind of marketing approach before - no need to repeat here.

    5. Re:Nokia not at ease with Ogg by steelfood · · Score: 1

      The last one is a non-issue. Forks cannot exist under the same name, as these are all trademarked by Xiph. They need only to keep supporting the official codebase.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    6. Re:Nokia not at ease with Ogg by arose · · Score: 1

      2. De facto standard of the Web is Flash video and H.264 encapsulated in either FLV or MPEG 4 file formats. This one valid and reversing the trend seems difficult to imagine.
      What Flash uses is completely besides the point, this isn't intented to be played by Flash but directly by the browser, or a media plugin of the browser.
      --
      Analogies don't equal equalities, they are merely somewhat analogous.
    7. Re:Nokia not at ease with Ogg by sco08y · · Score: 1

      De facto standard of the Web is Flash video and H.264 encapsulated in either FLV or MPEG 4 file formats.

      Flash video uses H.263. /nitpicking

    8. Re:Nokia not at ease with Ogg by Anonymous Coward · · Score: 0

      The latest Flash release which was a couple of days ago added support for H.264 and AAC in both FLV and MP4 container.

    9. Re:Nokia not at ease with Ogg by Anonymous Coward · · Score: 1, Informative

      Indeed Theora is not best in class. It's much better than many other codecs, such as MPEG 1/2 video especially at low bitrates, but it is not as good as H.264 (VP8 is more debatable). But here we're talking about a baseline codec. For that role it's more important that the codec be low cost (even free), and computationally cheap so it can be implemented on *anything*. A full H.264 implementation takes a good 10x the CPU power of Theora. The only reason you see H.264 in any embedded devices at all is because they have included hardware acceleration for it. Theora is fast enough to not need it.

      The draft HTML5 standard doesn't say you can't implement *more* than Theora, but it does say that you should (not even MUST, thanks Apple :( ) implement theora as a basic codec. Nokia (and apple) will still be able to implement H.264+AAC+DRM whatever, but at least content producers that can't or won't play in the DRM sandbox will be able to produce video for the web too.

  21. compleatwankers by Dracophile · · Score: 1

    Considering our requirements, we believe the widespread use of technically competitive, but not necessarily "free" open standards, such as H.264 for video and AAC for audio, would serve the community best. This would be fully aligned with the business model dominant in the digital video ecosystem.


    At least they're honest, I suppose.
    --
    Athy, athier, athiest.
  22. Poorly Written by Selanit · · Score: 3, Interesting

    For a position paper issued by a major company, that was awfully rough. I found several spelling mistakes ("anoher" for "another") for example. Apparently Nokia can't be bothered to run a spell checker on documents like this one. And call me crazy, but usually you don't use smiley faces like :-) in a position paper (as he does on page four). Then we have sentences like this one, which is the bit about Ogg being proprietary:

    Anything beyond that, including a W3C-lead standardization of a "free" codec, or the active endorsement of proprietary technology such as Ogg, ..., by W3C, is, in our opinion, not helpful for the co-existence of the two ecosystems (web and video), and therefore not our choice.

    Holy comma splice, Batman! And isn't it redundant to talk about a "W3C-lead standardization ... by W3C"? But te worst thing here is the totally unclear use of "proprietary." At other places in the document, the author recommends selecting "older media compression standards, of which one can be reasonably sure that related patents are expired (or are close to expiration)." Which seems odd. Isn't the whole attraction of Ogg Theora that it isn't patented at all? Why recommend an older standard that IS patented over a newer one that isn't? And how exactly does that come under the label "proprietary" anyway?

    As a position paper, then, it could be better. It does in fact give their position. But it does so in a way which is unclear, and its author doesn't seem to think that writing a position paper is different from writing a comment on a web forum.

    1. Re:Poorly Written by cbart387 · · Score: 2, Interesting

      I had the same initial thought as you, until I found that these 'position papers' are not really meant for publication. Not sure why you'd allow them to be accessed through the internet (I wouldn't), but at least they're not meant to be formal.

      --
      Lack of planning on your part does not constitute an emergency on mine.
    2. Re:Poorly Written by Anonymous Coward · · Score: 0

      Holy comma splice, Batman!
      Actually, there is no solecistic comma use in the quoted passage, and there is certainly no comma splice. All of the subordinate clauses are correctly parenthesised, and the rest are co-ordinated with the correct conjunctions. Yes, there may be overuse of commas, but they serve their purpose (for emphasis on individual sentence elements). A splice would imply that two independent clauses are joined without a conjunction: something that here has clearly not been committed. Grammar Nazi Nazis unite.
    3. Re:Poorly Written by WaltFrench · · Score: 1

      Right. Because a technical paper has typos etc., its content should be ignored (or at least, deprecated).

      Ergo, Slashdot is useless.

      --
      "Inquiring Minds Want to Know!"
    4. Re:Poorly Written by Selanit · · Score: 1

      Pardon me, but:

      1) It's not a technical paper, it's a position paper on a technical issue.

      2) I did not say that the paper should be ignored or deprecated. I said that the paper seems "awfully rough" and that "as a position paper, it could be better."

      3) It's not a Slashdot comment. Slashdot comments are not used as a basis for policy or technical standards, thank goodness. This position paper, however, may well influence the policy or technical standards. Therefore, it should be held to a higher standard than Slashdot comments are.

      Finally, Slashdot is very useful as a discussion forum and a source of interesting links. And nothing else.

      There, a nice meal for you. You may crawl back under your bridge now.

  23. False advertising by Anonymous Coward · · Score: 1, Interesting

    They're currently selling one of their models with the advertising line "Takes all music formats", when in fact it doesn't do Ogg Vorbis, nor FLAC nor any of the many other formats in wide use.

    1. Re:False advertising by morbid · · Score: 0

      Oh goody. Here in Blighty we could probably get them under the Trades Descriptions Act :-)

      --
      I'm out of my tree just now but please feel free to leave a banana.
  24. Calm Down by Marcion · · Score: 1

    It is just a word document converted to PDF. Forget what one random guy says look at what they do. They have made three revisions of their Linux Internet tablets and in the process put a rocket under GNOME Mobile libraries, that is quite a commitment to open source software.

    Now I am hoping that Maemo will be a first step towards replacing that monstrosity that is Symbian with Linux.

    1. Re:Calm Down by Anonymous Coward · · Score: 0

      "Maemo".... Great, I wonder what the geek who named that one was thinking about....

    2. Re:Calm Down by hub · · Score: 1

      Maemo does not support Ogg. See the bug. Three revision and they still haven't put that in the standard firmware.

      --
      Hub
    3. Re:Calm Down by Marcion · · Score: 1

      Good point, well made.

      Media codecs in small devices often use hardware acceleration to save on power, and the chip Nokia put in it does not support that. However, comment 48 on that bug hits it on the head really.

      Also, I think Nokia still haven't got the plot entirely if the argument against ogg is because Nokia's policy is to always use MPEG. Perhaps "the customer is always right" does not translate to Finnish very well.

  25. This must be a joke by Anonymous Coward · · Score: 0

    As anyone knows, Ogg/Theora+Vorbis is an open format. There is clearly nothing proprietory about it and whoever write that NOKIA paper is obviously utterly confused about what constitutes an open format and the legal framework of IP. I recommend NOKIA to immediately fire that person and issue a clarification with the proper definition of the open Ogg/Theora+Vorbis format in order to save their face and the reputation of the company.

    1. Re:This must be a joke by IkeTo · · Score: 1

      By "proprietary", I think Nokia refers to the lack of an industrial standardization body controlling Ogg/Theora+Vorbis, meaning they are hopeless in attempting to exert influence in the direction of the standard, say by stuffing committees. And in particular, if they want DRM to please Hollywood people, there is no way to get it. I'm unsure about whether this is a reasonable interpretation of that word, though.

  26. This is what passes for a Nokia position paper? by An+dochasac · · Score: 1

    I can't believe this is a legitimate Nokia position paper. The document is full of typos and misinformation. Not only does it claim that ogg is proprietary, it suggests that MPEG2 or Flash would be more acceptable to Nokia. I hope someone from Nokia publishes a correction otherwise they'll lose some respect in open source communities and within the w3c.

  27. Paper lacks argumentation by Lonewolf666 · · Score: 1

    Nokia calls OGG proprietary and talks about a "percption of OGG being free" (slightly paraphrased by me to fit this sentence), but completely fails to address how a codec that is released under GPL can be proprietary.

    I also noted that they drop terms like "proprietary" in passing rather that making them a bullet point. Reads like an attempt to get them past the readers attention ;-)

    --
    C - the footgun of programming languages
    1. Re:Paper lacks argumentation by AusIV · · Score: 1

      Nokia calls OGG proprietary and talks about a "percption of OGG being free" (slightly paraphrased by me to fit this sentence), but completely fails to address how a codec that is released under GPL can be proprietary.

      OGG isn't under the GPL. The specification is under public domain. The utility software (recording and playback, I assume) is licensed under the GPL. The libraries and SDK's are under a BSD-like license.

      This is significant because if OGG were GPL'd, it couldn't be incorporated into proprietary products (something Nokia likely wants to do). Since the libraries and SDK's are under BSD style licenses, they can take the code directly and incorporate it into their products with minimal extra work.

      I certainly have no idea how Nokia can spin OGG as being proprietary, but it's not GPL'd either.

  28. Reasoning by hsa · · Score: 1

    While these codecs that are proposed are FREE, they are not widely supported.

    Firstly, Nokia wants complete ecosystem, where content of the future is available on the web now.

    We have YouTube. Do you really think they are going to convert their whole digital library to Ogg just because some company proposed it as their next standard. No. Nokia just wants to leverage the power W3C has to make it promote the file formats it already supports.

    AAC is used in iTunes library. Nothing more is needed.

    If these formats become accepted, devices can support the technology NOW, and be ready for the future, where more content is coming in these formats.

    Secondly, I think Nokia has licensed all this stuff from Apple and other organizations, so they don't have to
    a) Buy new licenses
    b) Write new software
    c) Use any code that can cause potential licensing problems (GPL is a no-no, if you run a propietary solution)

    The other options (some really old stuff, where patents have expired) , kinda succested this. Nobody is going to fill the web with stuff done with codecs older than themselves. MP3 being the only exceptio, but if I read correctly, that won't be available free until 2011.

    1. Re:Reasoning by TheNetAvenger · · Score: 1

      Fact Check: More audio is available on the Internet via WMA than any other format, in fact all other formats combined...

    2. Re:Reasoning by Breakfast+Pants · · Score: 2, Informative

      "We have YouTube. Do you really think they are going to convert their whole digital library to Ogg just because some company proposed it as their next standard. No. Nokia just wants to leverage the power W3C has to make it promote the file formats it already supports."

      Fact check: Youtube accepts video in almost any codec and (as they have mentioned (it was in respect to their coming higher definition video) in the past) stores an unaltered copy, then they essentially transcode everything to H264 and wrap it in FLV. Google would likely be fine with converting it to whatever, as they have already shown with the iphone, which doesn't use FLV (but does use H264).

      --

      --

      WHO ATE MY BREAKFAST PANTS?
    3. Re:Reasoning by enoz · · Score: 1
      I visit many internets and MP3 is by far the most common format that I come across. Second up is MP3 streamed through Flash.

      Fact Check: More audio is available on the Internet via WMA than any other format, in fact all other formats combined... [citation needed]

      Fact Check: WMA has better audio quality by a factor of 2 times?
    4. Re:Reasoning by feanor981 · · Score: 1

      >While these codecs that are proposed are FREE, they are not widely supported.
      >

      Neither AAC, apart from iTunes support, really is.
      The really widespread audio codecs on the web are, AFAIK and IMHO, MP3 and (God forgive us) WMA.

      About video: MPEG4/ASP is the most widespread one. Followed by, in "particular contexts" (porn), WMV and MPEG1/2.
      Not H264, which is *not* used in the most part of youtube videos you're used to look at: they're encoded in the (proprietary, not royalty free, AFAIK widespread *only* in flash video) On2'VP7 codec. H264 is supported (late addition, originally just VP7 was), but is not the most widespread one (also because is *very* CPU intensive, compared to other codecs available - honestly, that's because is also far more advanced than many others).

      >Firstly, Nokia wants complete ecosystem, where content of the future is available on the web now.
      >

      Very good. A royalty-free, documented, with a free implementation available, codec seems to me (and i guess many others) the best solution to ensure that tomorrow you're going to be able to still play the videos of today.

      >We have YouTube. Do you really think they are going to convert their whole digital library to Ogg just because some company proposed it as their next standard. No. Nokia just wants to leverage the power W3C has to make it promote the file formats it already supports.

      I don't think youtube's lacking processing horsepower to convert their videos. And, most significantly, it's not something i should be concerned with while defining a standard: Youtube it's not the Web.

      >AAC is used in iTunes library. Nothing more is needed.
      >
      Apart from iTunes. Not avalaible on every system. And counting many megabytes of software to download.
      Do you want to play Ogg Vorbis+Theora instead? Just grab the codecs. For free. Install them (on Windows, click "Next", "Next", "Next", and you're done).
      As a comparison (on windows):
      1) iTunes: more than 40MB of sw to download.
      2) Ogg: just get these (http://www.illiminable.com/ogg/), less than 1 MB, and you're done. On *every* player you like, not just iTunes.

      >If these formats become accepted, devices can support the technology NOW, and be ready for the future, where more content is coming in these formats.
      >
      About Ogg vorbis, there's already available an integer math only implementation (good for integrated circuits implementation, where floating point math isn't a good idea...). Don't know about Theora, but i don't think implementing it in hardware is way more complicated than H264 or others (BTW, Theora is an On2'codec: i guess they have implementations already available).

      >Secondly, I think Nokia has licensed all this stuff from Apple and other organizations, so they don't have to
      >a) Buy new licenses
      Neither they do with Ogg. And this doesn't force anyone who wants to produce audio/video content to do as Nokia did and go buying expensive licenses. (BTW, i don't mind how Nokia spends money: i guess is their problem, not a Web one).

      >b) Write new software
      With Ogg, you can use the one already available for free, if you wish.

      >c) Use any code that can cause potential licensing problems (GPL is a no-no, if you run a propietary solution)
      >
      Linux Kernel can use proprietary drivers (see NVIDIA). So why they can't do the opposite and use a free software in their proprietary solution? They're not necessarily going to link it with every other piece of software they wrote, forcing them to release all under GPL, after all...
      And, BTW, Ogg specs are available for free: pay two programmers and let them build your own decoder.

      >The other options (some really old stuff, where patents have expired) , kinda succested this. Nobody is going to fill the web with stuff done with codecs older than themselves. MP3 being the only exceptio, but if I read correctly, that won't be available free until 2011.
      This was simply nonsense IMHO, i guess he had nothing else to write and then filled that terrible paper with such a bunch of junk.

    5. Re:Reasoning by Anonymous Coward · · Score: 0

      FACT CHECK: you shill for Microsoft. It takes maybe 2 mins of research to find that out.

    6. Re:Reasoning by evilviper · · Score: 1

      then they essentially transcode everything to H264 and wrap it in FLV.

      Flash video isn't h.264. They're working on that in beta relases, most likely for release to the public in Flash v10.

      Flash video can either be in Sorenson's Spark (derivative of h.263), or On2's VP6. And so far, Youtube doesn't use the latter.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    7. Re:Reasoning by rgo · · Score: 1

      Mod parent up, Informative.
      A lot of people here seem to believe that h.264 = FLV when it's not.

      h.264 AVC is NOT a widely used format! It is only used on iPods and some other devices like cellphones (3gp).

      Also, it is not being used for video streaming sites, so saying that h.264 could be better for us because of the mayority of the content available online is in that format is a fucking lie.

    8. Re:Reasoning by evilviper · · Score: 1

      h.264 AVC is NOT a widely used format! It is only used on iPods and some other devices like cellphones (3gp).

      Pretty much all of Apple's products... iPods and AppleTV plays h.264 (as well as many other portable video players), Quicktime has encoded to h.264 for a long time now, and so all of the trailers available on apple.com are in h.264 format. Any site providing "Quicktime" compatible files are probably using h.264. It's certainly not a significant percentage of online videos, though.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  29. Theft by Nom+du+Keyboard · · Score: 1

    Sounds like theft of a standard always intended to be open. And Nokia comes off sounding like a bully who feels they're so big that they will get away with it.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  30. Nokia article summary by Fzz · · Score: 3, Informative
    Here's a rough summary of the concerns Nokia have:
    • No-one knows if Ogg Vorbis or Ogg Theora are encumbered by patents. They were developed to be free of the main known patents, but they could still be encumbered by some submarine patent. If they're accepted as the baseline, Nokia face unknown risk if such a patent emerges after they've deployed the technology in hundreds of millions of phones. With H.261/AAC, the risks are more known because an unknown patent-holder would have sued someone by now.
    • There's a lot of content available online (though not directly as part of Web standards). Nokia in concerned that the content producers will will stear clear of Ogg in favour of solutions that support DRM or at least have a known track record. Better the devil you know...
    The second concern is probably rubbish, in so far as they are asking for H.264/AAC instead. DRM on these is completely orthogonal to the issue of the codec - you could easily wrap Theora in a DRM wrapper if you wanted (though why you'd want to is beyond me).

    The first concern though is more interesting. Basically Nokia seems to be saying that they'd rather pay predictable patent licensing fees for H.264/AAC than face unknown risk. That's a business decision, and I don't know of any good argument against it - we really don't know if there are any submarine patents that Theora or Vorbis might infringe on. From what I know about coding, it seems unlikely (especially in the case of Vorbis), but not impossible to me.

    Despite this, I think W3C made the right call and should stick to it.

    1. Re:Nokia article summary by yeremein · · Score: 1

      Basically Nokia seems to be saying that they'd rather pay predictable patent licensing fees for H.264/AAC than face unknown risk. That's a business decision, and I don't know of any good argument against it


      I have an argument against it. How do they know there aren't submarine patents covering H.264/AAC in addition to the patents they're paying license fees for?
    2. Re:Nokia article summary by Dunbal · · Score: 1

      Certainly Mr. Terry Pratchett can claim copyright on the names of these formats, as both are from characters in his books!

      --
      Seven puppies were harmed during the making of this post.
    3. Re:Nokia article summary by IkeTo · · Score: 1

      > No-one knows if Ogg Vorbis or Ogg Theora are encumbered by patents.
      > They were developed to be free of the main known patents,
      > but they could still be encumbered by some submarine patent.
      > ...
      > The first concern though is more interesting. Basically Nokia seems to be saying that they'd rather
      > pay predictable patent licensing fees for H.264/AAC than face unknown risk.

      Um... you mean other formats cannot have "submarine" patents because they have some known patents on them? You must be among those who will bring a bomb onto an aircraft because then you have a known bomb and thus, with the same argument, no unknown bombs you cannot control...

    4. Re:Nokia article summary by pnis · · Score: 2, Insightful

      Good points.
      Also afaik vorbis and theora are not ITU, ISO or whatever standards, that's why they say they are propriatery.
      Regarding patents, just because Monty (of Xiph, the author of vorbis) says there are no patents because they checked, there could easily be. Afaik these standard organisations explicitly ask people to say if they have patents relating to a would be standard - Xiph did nothing like this, they just hired a lawyer who did some searches.

      The point about h.261 not being much inferior to theora is also mostly valid.

      And as the parent said, Nokia is also concerned about the availability of content in the format that is finally chosen.

      All in all, I think nokia does have a point, and I think aac+h.264 would be perfectly fine, as both are technically advanced, and at least h.264 can be implemented without paying royalties afaik.

    5. Re:Nokia article summary by Fzz · · Score: 2, Informative
      I have an argument against it. How do they know there aren't submarine patents covering H.264/AAC in addition to the patents they're paying license fees for?

      My guess at their reasoning:

      • H.264 and AAC were developed in standards organizations where members need to declare what patents they have that a new standard might infringe. So there should be no submarine patents from the main industry players.
      • H.264 and AAC have been around long enough and are deployed widely enough (think iPods and HD-TV) that any patent bandit would have sued them already.
      Whereas in comparison, there hasn't been anyone worth suing over Ogg Vorbis or Theora.

      Such is the screwed up state of the world of software patents :-(

    6. Re:Nokia article summary by stubear · · Score: 1

      I know you're just trying to be snarky but your comment really highlights the problem with people wanting copyright reform, they simply do not understand copyright, or intellectual property for that matter, enough to comment on it at all. if you did you 'd know that you cannot copyright a name, you can only trademark them.

    7. Re:Nokia article summary by meringuoid · · Score: 1
      they simply do not understand copyright, or intellectual property for that matter, enough to comment on it at all. if you did you 'd know that you cannot copyright a name, you can only trademark them.

      And as I understand it, trademarks are restricted in scope. It's OK, for instance, for a computer company to trade under the same name as a record company, because there's no risk of confusion; the computer company after all is not in the music business! So it's similarly OK to call an audio codec Ogg Vorbis, because it is neither a witch nor a priest, and the name collision will not cause confusion in the marketplace.

      --
      Real Daleks don't climb stairs - they level the building.
    8. Re:Nokia article summary by dbIII · · Score: 1

      They were developed to be free of the main known patents, but they could still be encumbered by some submarine patent

      In my opinion this is how software development in the USA could become irrelevant. Instead stuff will be developed elsewhere, become a defacto world standard and then get adopted in the USA no matter what a jury in rural Texas think. A bit of misplaced greed, incedibly bad management of geoverment resources and an industry can be destroyed.

    9. Re:Nokia article summary by arose · · Score: 1

      With H.261/AAC, the risks are more known because an unknown patent-holder would have sued someone by now.
      I strongly suspect big companies employ patent lawyers instead of relying on such reasoning...
      --
      Analogies don't equal equalities, they are merely somewhat analogous.
    10. Re:Nokia article summary by kocsonya · · Score: 1

      > H.264 and AAC were developed in standards organizations where members need to declare what
      > patents they have that a new standard might infringe. So there should be no submarine patents
      > from the main industry players.

      Does DDR RAM ring a bell?

    11. Re:Nokia article summary by Anonymous Coward · · Score: 0

      In other words ...


      "I know you're just trying to be snarky, but I'm going to contradict myself and comment as though you were serious anyway! Am I a fucking douchebag or what?"

    12. Re:Nokia article summary by FrostedWheat · · Score: 1

      H.264 and AAC were developed in standards organizations where members need to declare what patents they have that a new standard might infringe
      That doesn't work if the company holding a particular patent is not a member of the standards group.
  31. We Already Know... by Nom+du+Keyboard · · Score: 1

    This latest step is enough to really make you wonder what they are really up to.

    We already know what they're up to. The only real question is, will they get away with it?

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  32. They are right though by halk · · Score: 4, Interesting

    Ogg Theora is a product of a single company. It has not been standardized by any recognized standards organisation. That indeed makes it "proprietary".

      The company, On2 Technologies, has disclaimed all patent right on the technology. However, as far as I know they are not a significant holder of video compression patents. I don't think any actual big video patent holders has commented about Theora. This means that there is a significant risk of submarine patents.

    According to the paper Theora is comparable in performance to the old H.261 codec. H.261 is about 20 years old so all patents on it have most likely expired. H.261 is widely implemented and if the performance claims are true, it makes Theora rather pointless.

    1. Re:They are right though by spyowl · · Score: 1

      The company, On2 Technologies, has disclaimed all patent right on the technology. However, as far as I know they are not a significant holder of video compression patents.

      Wrong. They hold patents on VP3, which became the base for Theora. They simply licensed away those patents so that everyone can use it freely for any purpose. This is in line with W3C's patent policy, which, by the way, is not satisfied by any other major player in the video compression market.
    2. Re:They are right though by Anonymous Coward · · Score: 0

      Freedom isn't pointless.

    3. Re:They are right though by evilviper · · Score: 1

      According to the paper Theora is comparable in performance to the old H.261 codec. H.261 is about 20 years old so all patents on it have most likely expired.

      It seems very strange that they would suggest h.261, and not MPEG-1, which is newer, but also more than old enough to be completely patent-free.

      I don't know much about h.261 (I don't think I've EVER heard anyone mention it until reading this paper), but the first thing I've found out is that it's extremely restricted... You really are only allowed to have a resolution of 320x288. That's extremely crippling for us NTSC folks, and also for anyone who wants higher quality/resolution video than youtube, or just odd dimentions (due to cropping), widescreen, etc. It also doesn't seem to support numerous quality improving options that MPEG-1 does, such as trellis, macroblocks types, higher precision motion vectors, etc.

      So again, I have to wonder aloud why they're recommending h.261 instead of MPEG-1. Are they really being that flagrant in trying to sabotage the process, or have I missed something?
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    4. Re:They are right though by Andrew+Cady · · Score: 3, Insightful

      Ogg Theora is a product of a single company. It has not been standardized by any recognized standards organisation. That indeed makes it "proprietary". Proprietary \Pro*pri"e*ta*ry\, a. [L. proprietarius.] Belonging, or pertaining, to a proprietor; considered as property; owned; as, proprietary medicine.

      Theora may be the product of a company, but that is not enough to make it proprietary; the question is whether the company maintains control over it as its own property. As it stands, while the company could change or supersede the current standard and people would probably follow along to the extent that the changes are reasonable, this is not owing to any special "intellectual property" rights they have, but only their social position. Moreover, if Theora was adopted as the standard, it would then be standardized by a recognized standards organization. By your logic here, the C language would have been proprietary before its standardization, yet its status at that point was the polar opposite of what is normally called proprietary (e.g., the .doc format). This is a severe abuse of language.

  33. MP3 advantage for video by CustomDesigned · · Score: 0

    Since the article is about *video*, not audio, let me ask a question. Isn't the constant bit rate feature of MP3 important for video, so that keeping audio in sync with video frames is easier? Ogg may have better quality for a given bucket of bits, but it is not a constant bit rate, making synchronization with video more complex. Of course, with the advent of Youtube, no one expects video and audio to be in sync anyway ...

    1. Re:MP3 advantage for video by Anonymous Coward · · Score: 0

      "Isn't the constant bit rate feature of MP3 important for video, so that keeping audio in sync with video frames is easier? Ogg may have better quality for a given bucket of bits, but it is not a constant bit rate, making synchronization with video more complex."

      Are you stoned? What is stopping you from encoding a audio stream with the ogg vorbis codec using the CBR setting?

  34. ministry of truth by Anonymous Coward · · Score: 0

    Reminds me of the time I was talking to the CTO of a large, now-defunct book store
    chain. I was selling migration of applications to UNIX.

    The CTO told me that Windows-NT was more open than UNIX. The phone did not
    adequately communicate my jaw dropping.

  35. Lisence by pat+mcguire · · Score: 1

    Vorbis is lisenced in the public domain http://www.vorbis.com/faq/#flic. Nokia could just staple on whatever DRM they want and wouldn't have to share it with anyone. Granted, it would mean they'd have a format that no phone but theirs would be able to play, but on the other hand, when has that ever stopped anyone?

  36. Who cares? by Anonymous Coward · · Score: 0

    Nokia went into my shitcan when they supported EU software patents. The senior management at Nokia appear to be clueless and unable to restrain employees who are solely acting in personal self interest. First their in-house council pushing for patents and now some jerk who also sits on the board of a company involved with propriety codecs.

    Vorbis and theora are currently the only contenders for standardizing online video. If this cunt doesn't like it, why doesn't he quit bitching and release better patent-unencumbered, open source code that we can look at? That goes for Microsoft, Apple and the other players too!

    Hear that? Shut the fuck up or show us the code!

  37. Whats this got to do with HTML5? by Zarxrax · · Score: 1

    Maybe I'm missing the entire point here, but why the heck does the next version of html 5 even need to define a standard format for video? Are they also going to recommend what browser I should use, what operating system I should run, or what brand of coffee I should drink? I mean, seriously, I don't see what this even has to do with html.

    1. Re:Whats this got to do with HTML5? by someone1234 · · Score: 1

      Proprietary formats cannot be standard, because they are usually supplied by a single entity.
      Ogg is open, so theoretically it could be implemented by anyone.
      This has some benefits, like any browser and OS could play it, so it is actually the opposite of your allegiation.
      Ogg is the guarantee that you don't have to pick an OS and browser.
      Any OS or browser programmer could use it.

      --
      Patents Drive Free Software as Hurricanes Drive Construction Industry
    2. Re:Whats this got to do with HTML5? by Xzallion · · Score: 2, Informative

      The W3C tries to make the web standard easily accessible to everyone, whether they are running Linux, windows, BSD, OSX or another operating system. They also try to make it where the standards can be implemented on any browser. By adopting a standard video and audio codec, browsers can support these 'out of the box' and users won't have to download codecs to view videos or hear a pod cast. It is still up to the website designers if they want to follow the standards, so they aren't telling you to do anything. Instead they are trying to make it where your choices don't impede your access to the web.

    3. Re:Whats this got to do with HTML5? by Cameron+McCormack · · Score: 1

      HTML 5 is going to have a element, and some people want support for a particular codec to be mandated so that you can have a video that will play in all browsers.

    4. Re:Whats this got to do with HTML5? by Cameron+McCormack · · Score: 1

      s/a element/a element/, sorry

    5. Re:Whats this got to do with HTML5? by jonwil · · Score: 1

      They need to define a standardized format/codec for audio and video for the same reasons as they declared GIF, JPG and PNG as standard formats for images.

      By defining a standardized codec and format, they can ensure that every browser supporting the new audio and video tags can play the content.

    6. Re:Whats this got to do with HTML5? by Zarxrax · · Score: 1

      I suppose that makes sense. I had no idea that specified any image formats in the standard. I always just assumed that browsers supported them because they were popular formats. Theora really sucks as a video codec though. I can't imagine ANYONE using it if it did become a part of the standard.

    7. Re:Whats this got to do with HTML5? by 99BottlesOfBeerInMyF · · Score: 2, Insightful

      Maybe I'm missing the entire point here, but why the heck does the next version of html 5 even need to define a standard format for video?

      HTML5 is a very practical attempt to define additional elements and set a standard for all the things Web developers do today, but in a wide variety of ways that leads to incompatibility problems or just really complex code. I like it because when I built some XHTML for uses I needed I came up with many of the same basic tags, even using the same, fairly logical names as what they did.

      I don't think anyone would argue that one common thing Web pages do today is provide streaming videos. I don't think anyone would deny that depending on the format used and the way it is embedded, different video behaves differently, not all video will play on all browsers and OS's, and it is really hard for browser and OS coders to create easy, standard ways to manipulate that video as a result. Would it be nice if the Firefox team made a way to make embedded videos fullscreen with a key press? Maybe add some translucent controls that will pop up over it when you move the mouse? Maybe allow you to right click on videos and add them to a fullscreen viewing queue that will all play end to end? Standardizing on a video format that can play everywhere is the first step to making that a reality.

      Are they also going to recommend what browser I should use, what operating system I should run, or what brand of coffee I should drink?

      No, they're recommending the exact opposite. By standardizing on the "img" tag for embedding images or on the Ogg-Theora format for streaming video they're insuring that any OS and any browser that conform to the standards will let you view streaming video. You theoretically won't have to worry if the browser on your smartphone supports Silverlight, or if Firefox on Linux supports MPEG in a QuickTime container, or if your game console supports Flash videos. So long as they support the standard, they'll all show streaming video, which is what standards are supposed to be about.

      Now I'm not endorsing Ogg as that standard and I'm not convinced it will lead to better results than standardizing on H.261. I think ignoring the wrapper component, or choosing a wrapper that cannot support DRM, might lead to the standard being ignored. I'm not sure the big players in the industry will buy into Ogg-Theora. Still, standardizing on a wrapper format and specifying Ogg Theora at least as a preferred option, might well do a lot of good for end users.

      I mean, seriously, I don't see what this even has to do with html.

      Yeah, and implementers of the first version of HTML would not have seen what images had to do with it, since they were only supported as links and everyone was doing them differently. Times change. Browser don't generally run in a terminal anymore. A big use for Web pages these days is displaying video, and the new standard should reflect that and make it easy and uniform.

  38. Shoot me, I'm the Messenger by DECS · · Score: 5, Insightful

    Ogg is not "equal or superior to most other codecs" because it's not a codec. It's a container file that holds content compressed using a codec.

    Ogg is comparable with Apple's QuickTime container format (MOV), Microsoft's former AVI (based on IFF), Microsoft's newer ASF, the rival FOSS Matroska container, or the ISO's MPEG-4 container (MP4, based on QuickTime).

    When you talk about Ogg being a "good codec," it demonstrates the kind of impractical, blind bias for free-sounding buzzword projects, which FOSS advocates are quick favor over real open standards that are accepted and established. Ogg isn't open vs closed MPEG-4; they're both open containers available for non-discriminatory licensing. The difference is that there are only some theoretical uses of Ogg and a single source of documentation and libraries for it, while MPEG-4 is in use everywhere, has support across the industry, and has wide hardware support in silicon, because the MPEG-4 container is paired with a portfolio of codecs that people actually use. Ogg also competes with other FOSS containers such as Matroska, so it's not the lone FOSS messiah at all.

    Ogg's video codec is Theora, which was proprietary. On2 developed it as its closed competition to MPEG-4's H.263 (DivX) and H.264 (AVC) codecs, alongside other competing proprietary codecs from Real and Microsoft (WMV). The winner to shake out of all that competition has been the MPEG-4 standard, which includes both a container and different sets of codecs. MPEG-4 is open and supported by lots of companies, and is also supported by FOSS (x264 is among the best implementations).

    After realizing there was no reason to fight MPEG-4 with a proprietary runner up, On2 donated Theora to Xiph to use with Ogg, and Xiph published it as an open specification. However, Microsoft basically did the same thing: it published WMV with the SMPTE group as an "open standard" called VC1.

    If you think Microsoft's VC1--which it's using to compete against the open MPEG-4--is an "open standard," then you can also say Theora is. It's easier to describe both as failed proprietary technologies that nobody uses, although Microsoft is pushing VC1 hard in HD-DVD and in Windows Vista.

    For the WC3 to push an obscure format that nobody uses as the baseline of web video of the future is absurd. It means that rather than having one set of codecs that the world contributes toward, we'll have an official joke that nobody uses decreed the "standard" while everyone actually uses MPEG-4 / H.264 (and probably H.265 by the time HTML5 arrives).

    This is not a case of OpenDocument vs MS-XML, open vs closed. It's closer to a case of GPL v3 vs BSD/Apache: rhetoric vs reality. Trying to rip apart MPEG-4 and install an openly published version of a failed proprietary standard that nobody uses in its place will only hand the lead to Microsoft's VC-1 (which itself is a proprietary version of H.263). What would that accomplish?

    Supporters for Ogg/Theora are voting for a Ross Perot, assuring that we'll really get a George Bush. What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work.

    If that analogy lost you: pushing Ogg/Theora might make you proud to have voted, but it will only distract from the industry's coalition to unitedly back H.264 from mobile devices to HD. There's far more FOSS support for MPEG-4 and H.264 than for Ogg/Theora and the rest of the outdated codecs Xiph has salvaged from the dumpster of proprietary efforts. Having wide support behind one good, open portfolio of standards will make it easier for FOSS to compete with and participate in the desktop computing world.

    Why Low Def is the New HD
    Origins of the Blu-ray vs HD-DVD War

    ITU & ISO MPEG-4 codecs and container

    1. Re:Shoot me, I'm the Messenger by ShieldW0lf · · Score: 2, Interesting

      You know, as network speeds and storage capacities have been improving so dramatically, the importance of compression has decreased in a similar fashion. MPEG-4 became pervasive because it allowed people to share movies illegally. Nowadays, you can download an ISO of a DVD and it's no big deal.

      Now, licensing on the other hand becomes more important as the number of people in the network increases and as the speed with which people can access it increases because there's more people who might have had access but are being prevented by encumbered standards. Ogg never would have been developed if not for the legal encumbrance on mp3 compression, but now it's a free, proven and superior standard that has seen use in numerous commercial games.

      The technical inferiorities of Theora just mean your perfectly good looking video streams are a little bigger than MP4 streams. With bandwidth and storage as cheap as it is, that's cheaper to deal with than licensing for distribution.

      --
      -1 Uncomfortable Truth
    2. Re:Shoot me, I'm the Messenger by markov_chain · · Score: 1

      Supporters for Ogg/Theora are voting for a Ross Perot, assuring that we'll really get a George Bush. What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work.
      Did not get analogy. Please provide one with Ron Paul, with some kind of liberty/fiat money angle. Thanks.
      --
      Tsunami -- You can't bring a good wave down!
    3. Re:Shoot me, I'm the Messenger by rudlavibizon · · Score: 2, Insightful

      Yes, but isn't MPEG-4 encumbered by patents and therefore not free?

    4. Re:Shoot me, I'm the Messenger by Divebus · · Score: 1

      Eloquent, focused, tempered and practical as always, Daniel.

      --

      Most of the stuff on /. won't survive first contact with facts.
    5. Re:Shoot me, I'm the Messenger by silviapfeiffer · · Score: 4, Informative

      You are correct in saying Ogg is not a codec. But when you compare Theora to VC-1, you must not have been reading the license terms of VC-1 properly. VC-1 is riddled by patents and there are royalites to pay when you use it: http://www.mpegla.com/pid/vc1/ . There is no such thing as royalties to pay for Theora. Also, the only patent on Theora were ones owned by On2 Technologies, who donated their VP3 codec as the *basis* technology for Theora and kindly granted an unrevocable free license regarding those patents: http://www.theora.org/benefits/. As for quality - yes, Theora is a generation behind in compression technology and H.264 is much better quality at lower bitrates. Again - have you read the license conditions? Theora is simply the only open codec standard (as to the definition of Open Standard by Buce Perens: http://perens.com/OpenStandards/Definition.html) with a usable implementation. Mind you, I would watch out for the BBC's Dirac codec http://dirac.sourceforge.net/ which is based on Wavelet technology and is thus opening a whole new space of new video codec developments and improvements - a space H.264 didn't enter. And Dirac is an open standard.

    6. Re:Shoot me, I'm the Messenger by bmccartney · · Score: 1

      You are technically correct... AVC sounds fantastic... unless you are trying to use it in a commercial product - then you have to deal with "Real Life" things like patents! http://en.wikipedia.org/wiki/H.264#Patent_licensing Professionally, we use Ogg Theora + Vorbis since we don't want to waste money licensing several patents.

    7. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      Supporters of ogg/theora are pushing it because it's the only baseline standard that is royalty free. If MPEG or Microsoft want to sublicense all relevant patents so we can implement and distribute F/OSS encoders and decoders... nobody is stopping them! What percentage of images on the web were PNGs when the W3C published their recommendation?

      You're not the messenger we're waiting for, we'll save the bullets for someone who at least understands the issues.

    8. Re:Shoot me, I'm the Messenger by hey! · · Score: 1

      Define "proprietary".

      Theora and VP3 have patented technology, but IIRC the code from ON2 is available under a BSD license, which means for practical purposes the codec is unencumbered, even for commercial usage.

      MPEG-4 is likewise patent encumbered, however as far as I can see it is licensed under what are claimed to be RAND (Reasonable and Non-Discriminatory) conditions. The Licensing Authority does not make the terms of the license public, however it is known that royalties don't kick in until certain sales volumes are reached. RAND simply means that an IP holder can't threaten to cut your legs out from under you if you get to be too big a success. It's great for a company like Apple, who doesn't need some company coming along and demanding a bigger slice of the iPod pie now that it has become a success. It doesn't mean you can create a killer open source multimedia program that will put all those MPEG-4 licensees out of business. Not that that is likely, but RAND only means anybody can play the game, it doesn't mean that anybody can undermine the game which brings the licensors revenue.

      If non-proprietary means open, both are open. If open means unencumbered, neither is totally unencumbered, although for the practical purpose of making software or devices that play back video, a BSD license is bound to be less restrictive than any RAND type license.

      The ideas behind Theora and MPEG-4 are still encumbered. You probably can't study the VP3 codec in order to create a competing codec that uses the patented ideas, although perhaps you could use the bits of the software that implement the patent. It's a question for a lawyer, I suppose.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    9. Re:Shoot me, I'm the Messenger by GrouchoMarx · · Score: 5, Insightful

      Ogg isn't open vs closed MPEG-4; they're both open containers available for non-discriminatory licensing. There is no such thing as non-discriminatory licensing. If I have to beg permission of some patent holder to use it, then it is discriminatory. It's discriminating against people building players that do not have a revenue model (read: most FOSS players) with which to pay for licensing fees.

      "Non-discriminatory" simply means that the patent holder can't charge Sony a different price per unit than they charge Microsoft. And they'll charge me that same fee, which is of course set based on the assumption that only Sony and Microsoft and companies of their size and revenue model are going to be licensing it. Can you afford $1 every time your movie player is downloaded by someone through APT on Debian/Ubuntu? I can't. That means that I am being discriminated against in terms of access to the codec.

      When H.264 can be legally implemented by any "kid in his basement" and distributed to the world without any permission, license fee, or NDA involved, then we can discuss it as an "open web standard". Until then, it is neither open nor free, nor should it be a de jure "standard" for anything. Ogg/Vorbis+Theora, however, can be. Their relative technological merits are not in dispute.
      --

      --GrouchoMarx
      Card-carrying member of the EFF, FSF, and ACLU. Are you?

    10. Re:Shoot me, I'm the Messenger by 49152 · · Score: 1

      Yes it is.

      Open Standard != Free

    11. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 1, Insightful

      From wikipedia:

      MPEG-4 is patented proprietary technology. This means that, although the software to create and play back MPEG-4 content may be readily available, a license is needed to use it legally in countries that acknowledge software patents.

      and

      Ogg is an open standard for a free container format for digital multimedia, unrestricted by software patents and designed for efficient streaming and manipulation.

      I think that projects such as ogg/etc, which aim to produce Free alternatives, should be encouraged. But then again, I have never agreed with the "If you vote for a third party you are throwing your vote away" line espoused by many in the US either. Their whole point is to marginalize alternatives and consolidate power. This is no different.

    12. Re:Shoot me, I'm the Messenger by Wesley+Felter · · Score: 2, Insightful

      You know, as network speeds and storage capacities have been improving so dramatically, the importance of compression has decreased in a similar fashion. MPEG-4 became pervasive because it allowed people to share movies illegally. Nowadays, you can download an ISO of a DVD and it's no big deal.

      DVDs are still significantly compressed. And speak for yourself; if I downloaded DVD ISOs on a regular basis I'd fear that my ISP would come after me.

      The technical inferiorities of Theora just mean your perfectly good looking video streams are a little bigger than MP4 streams. With bandwidth and storage as cheap as it is, that's cheaper to deal with than licensing for distribution.

      So instead of an HD movie being 50GB, it'll be 100GB? I think broadband has a long way to go before people will stop caring about compression efficiency.

    13. Re:Shoot me, I'm the Messenger by ad0gg · · Score: 1

      MPEG-4 maybes open but it still requires licensing fees to actually use it. It cannot be used in FOSS projects. OGG on the other can be. I can't see how you would advocate mpeg-4 over ogg? Also your information about VC-1 is wrong. It has mandatory support on bluray and hd-dvd players. And most movies on these players are mpeg-2 with all warner brothers being VC-1. Seems far from a failed technology.

      --

      Have you ever been to a turkish prison?

    14. Re:Shoot me, I'm the Messenger by smallfries · · Score: 1

      Which 5Gb chunk of data would you prefer to download:

      * MPEG2 stream ripped from a DVD of a film in standard def
      * H.264 stream ripped from a BlueRay/HD-DVD disk in high def

      Compression is always going to be important because the quality goalposts (and hence the raw filesize) will keep moving.

      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    15. Re:Shoot me, I'm the Messenger by Wesley+Felter · · Score: 3, Interesting

      I think you're missing the point. Nokia and many other companies have already paid the MPEG-4 license fees, because if they shipped a device that only supports Vorbis+Theora then customers would complain that "this thing can't play any videos that I have". In the real world, MPEG-4/H.264 is it. That's why there are a ton of HOWTOs about installing "free" MPEG-4 codecs under Linux. There are virtually no tools to encode in Theora and thus virtually no content. I doubt that will change if W3C makes Theora mandatory to implement in Web browsers. What would actually happen is that browsers would implement both "mandatory" Theora and "optional" MPEG-4 and people would go on using MPEG-4 like they do today. Thus Nokia would not save any money on patent licenses, and they'd have to spend more money on supporting a codec that no one uses.

    16. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 1, Insightful

      So, to put your comment into real world speak: "I want the ability to do anything I want with the work of other people, and I want to decide the terms, and until I get it, I'm going to complain."

      Good for you, let me know how that works out.

    17. Re:Shoot me, I'm the Messenger by Chandon+Seldon · · Score: 5, Informative

      You're missing the point here: Vorbis + Theora is the only major non-patent-encumbered (and therefore legal to use commercially or in free software without paying a bunch of lawyers to figure out what patent fees you owe who) option for video.

      MPEG-4 and similar are great for pirates and organizations big enough to have patent lawyers on staff - but standards have to do better than that. Small companies and free software projects have to be able to play too.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    18. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      "Supporters for Ogg/Theora are voting for a Ross Perot, assuring that we'll really get a George Bush. What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work."

      I was nodding my head in the most agreeable fashion till I got to this. Of course you know that Ross Perot split the Republican vote and got Bill Clinton elected to his first term over George Bush senior (without a majority of the popular vote). I'm only guessing as to your political preferences, but I'm thinking that maybe this analogy doesn't work here (at all).

      Furthermore, calling Al Gore centrist, capable, and proven to work (huh?), drastically undermines your credibility. Stick to non-political analogies next time - why muck up an otherwise well written essay?

    19. Re:Shoot me, I'm the Messenger by rudlavibizon · · Score: 1

      I think he was arguing that W3C (not Nokia) shouldn't accept Ogg as a standard. If MPEG-4 requires everyone who implement it to pay for patents how can we be sure that everyone can actually pay (like most Linux distributions)? It isn't that free and open, like Ogg, to everyone. At least legally.

    20. Re:Shoot me, I'm the Messenger by ricegf · · Score: 1

      Supporters for Ogg/Theora are voting for a Ross Perot, assuring that we'll really get a George Bush. What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work.

      Your technical insight is far superior to your history.

      People voting for Ross Perot enable Bill Clinton to win two terms as president with only 43% of the vote in 1992 and 49% in 1996; George (H.W.) Bush lost in 1992 largely because of Ross Perot drawing fiscal conservatives seeking a balanced budget from the Bush voter base.

      Al Gore failed to win a majority of popular or electoral votes in 2000 primarily due to Ralph Nader winning almost 3% of the vote. Al Gore managed 48.4% of the popular vote (to George W. Bush's 47.9%), but lost in the Electoral College by 5 votes.

      I certainly wouldn't call Al Gore a centrist - he's a liberal, and proud of it. "Populist" might be a good description, though.

      None of which has the slightest relationship to codecs. Why did you bring up this rabbit trail again??? ;-)

    21. Re:Shoot me, I'm the Messenger by arose · · Score: 1

      What would actually happen is that browsers would implement both "mandatory" Theora and "optional" MPEG-4 and people would go on using MPEG-4 like they do today.
      That would actually be a good thing, just like those of us who know and care can transparently use PNG images on the web we would be able to use Vorbis and Theora without having to worry about people lacking codecs. It would probably take till IE10 or so for that, but I'm patient.
      --
      Analogies don't equal equalities, they are merely somewhat analogous.
    22. Re:Shoot me, I'm the Messenger by ChronosWS · · Score: 0, Troll

      There's an additional consideration which probably is interesting to Nokia - H.264 decoders for mobile devices are HIGHLY available. The same is likely not the case for Theora. These hardware devices don't have much computation power so a software video codec won't cut it for anything with decent resolution, nor is it power efficient to use the CPU for these tasks. Rather, a custom chip which can do the heavy lifting is the preferred/necessary solution. All the FOSS in the world doesn't get you a chip manufacturer who builds the silicon you need to actually have performant video streaming. Remember, when its mobile its MUCH more than just a software problem.

    23. Re:Shoot me, I'm the Messenger by arose · · Score: 1

      No, actually it means: "The W3C should continue to support royalty free technologies and if people don't want their ball to be used to play on the standards web they can take their work and stuff it (or sell it to those who want to pay for such things)."

      --
      Analogies don't equal equalities, they are merely somewhat analogous.
    24. Re:Shoot me, I'm the Messenger by ShieldW0lf · · Score: 4, Informative

      Which costs more to distribute, an mp4 stream or an ogg stream?

      According to a news release from 2002 which is hosted on the MPEG LA site, the price for mp4 was:

      2. In the case of Internet (wired and wireless) or mobile, annual royalties with annual limitations and thresholds will apply: (a) for the manufacture and sale of decoders and/or encoders: US $0.25 per activated decoder and/or encoder subject to an annual cap per legal entity of $1,000,000 for decoders and $1,000,000 for encoders (to be paid by the manufacturer that offers functioning product for sale or distribution, either directly or through a chain of distribution, to the end user), but there is no royalty for the first 50,000 decoders and first 50,000 encoders in a calendar year sold or distributed by a legal entity (applies to no more than one legal entity in an affiliated group); (b) for the use of decoders and encoders to decode or encode MPEG-4 video (to be paid by the party that is the apparent source of such video to the consumer), a licensee may choose to pay US $0.25 per subscriber per year or US $0.000333 per minute of MPEG-4 video used, each subject to an annual cap of $1,000,000 per legal entity, or a $1,000,000 annual paid-up fee (with no royalty reporting obligation), but no royalty is payable on the first 50,000 subscribers during a calendar year (applies to no more than one legal entity in an affiliated group). Subscriber refers to each unique viewer for any part of a year, but where the content provider's remuneration is not directly from subscriptions (e.g., advertiser-supported services), MPEG LA will work directly with Licensees to come up with a consistent method of counting subscribers that works with their business models.

      3. In the case of Stored Video (packaged media and video transmitted and stored for viewing for which a transactional fee is paid), the replicator or content provider will pay (a) US $0.01 per 30 minutes or part to a maximum of US $0.04 per movie; (b) US $0.005 per 30 minutes or part thereof to a maximum of US $0.02 per movie where the content of the Stored Video is 5 years or older (after it was copyrighted or subject to be copyrighted), and (c) US $0.002 for a Stored Video of 12 minutes or less.


      So, if the current terms even vaguely approach this older release, the difference in price/time sacrifice for the higher file size is more than offset by the pricing. Dollars and cents, free and open makes sense.

      Anyone got current/more accurate pricing info?

      --
      -1 Uncomfortable Truth
    25. Re:Shoot me, I'm the Messenger by Alcoholic+Synonymous · · Score: 1

      A lot of wind there for someone who has said basically nothing. To be so seasoned in the subject, you grossly underestimate how widespread Ogg is already. Just because noone with a monetary interest really cares to support it, doesn't mean it's not out there. True, most people don't even know the difference and could care less, but vendors will have to support it to be standards compliant, and this will in turn lead to more usage across the board. Consider too that if 0.1% of all existing media is in Ogg Theora/Vorbis format, how many terabytes of data that is?

      I see your argument to that of "Windows works and is already on 95% of desktops, so there is no need to write any other OS because everyone will just think it's a joke." or "IE is already the standard browser so everyone should just use it even if it doesn't do everything it correctly. Everyone already works around its shortcomings, so actually working proper would be counterproductive at this point."

      Somewhere about the point where you decry calling Ogg a "good codec" you boil into little more than long winded sour grapes. Somehow I find it amazing that you can't see why FOSS advocates would advocate FOSS for open standards.

      Someone modded you insightful, but you show nothing of insight and should have been modded a troll. The gist of your rant is nothing more than "Wah! Ogg, noone uses it" and a bunch of links to yourself.

      I, and many other non-Microsoft/Apple drones use Ogg. If it were not of some importance, this issue would not be newsworthy. If noone used Ogg, personal media player vendors would not be inundated with requests to support it.

      Coincidently, I recently bought a personal media player, and yes, it supports Ogg. Those who don't support Ogg lost a potential sale. I plan to buy a bigger one in a few months, guess what support will make or break that sale too?

    26. Re:Shoot me, I'm the Messenger by trawg · · Score: 1

      There's far more FOSS support for MPEG-4 and H.264 than for Ogg/Theora and the rest of the outdated codecs Xiph has salvaged from the dumpster of proprietary efforts. Having wide support behind one good, open portfolio of standards will make it easier for FOSS to compete with and participate in the desktop computing world. This is a really interesting post, but I thought this last bit was the most interesting, because its something I'm struggling with.

      I can't figure out at what point the patent issues surrounding open source implementations of (say) h.264 codecs will affect people trying to use them in a commercial environment. For example - if you're in the US (or a country that respects US patent law), can you download and commercially use an open source implementation of h.264 (eg, x264)?

      Judging from the fact that binaries for all these tools tend to not be hosted in the US (many of them, such as ffmpeg, state that patent concerns mean they only make source distributions available, and getting binaries involves downloading them from some place that doesn't respect US patent law, or at least its not enforced), I'm guessing there are several issues here.

      For the WC3 to push an obscure format that nobody uses as the baseline of web video of the future is absurd. I disagree with this; I think the biggest stumbling block we have in terms of web video is the patent-heavy situation we have (assuming my thoughts on potentially patent-infringing FOSS software is correct).

    27. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      "I want the ability to do anything I want with the work of other people, and I want to decide the terms, and until I get it, I'm going to complain."


      This is basically what those opposed to theora becoming a W3C standard are saying too. I encode and distribute video and see no reason why big money should be allowed to wrap it in a "pay to play" codec when an alternative exists.

    28. Re:Shoot me, I'm the Messenger by Chris+Oz · · Score: 1

      Excellent post. This is why I still read Slashdot.

    29. Re:Shoot me, I'm the Messenger by Bent+Mind · · Score: 1

      Open, closed, proprietary, whatever. Please, just tell me which container/codec pairing doesn't require me to illegally download software from the other side of the world just to watch video. Tell me which container/codec pairing can be freely distributed with the Linux distribution of my choice, anywhere in the world. Then, whomever actually reads your reply and has voting rights in the W3C, please vote in favor of that container/codec pairing.

      --
      Request a Linux Shockwave player here: http://www.macromedia.com/support/email/wishform/
    30. Re:Shoot me, I'm the Messenger by Wdomburg · · Score: 1

      Most movies on Blu-ray are MPEG-2 (38.11% vs 35.44% MPEG-4 AVC vs 26.46% VC-1). On HD-DVD, though, it is predominantly VC-1 (86.50% vs 10.12% MPEG-4 AVC vs 3.37% MPEG-2).

      (Great that the studios are making such good use of all that extra space on Blu-ray?)

    31. Re:Shoot me, I'm the Messenger by AxelBoldt · · Score: 1

      if you're in the US (or a country that respects US patent law), can you download and commercially use an open source implementation of h.264 (eg, x264)?

      Sure you can. However you're using patented technology without holding a license, so there is a theoretical risk that you could get sued.

    32. Re:Shoot me, I'm the Messenger by Attila+Dimedici · · Score: 1

      Supporters for Ogg/Theora are voting for a Ross Perot, assuring that we'll really get a George Bush. What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work.

      If that analogy lost you: pushing Ogg/Theora might make you proud to have voted, but it will only distract from the industry's coalition to unitedly back H.264 from mobile devices to HD. The reason that analogy lost me is that Ross Perot was the deciding factor in getting us Bill Clinton instead of a second term of George H.W. Bush, not the deciding factor in getting us George W. Bush instead of Al Gore.
      --
      The truth is that all men having power ought to be mistrusted. James Madison
    33. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      Firstly, you totaly ignore the fact that a license may be available under RAND terms but still cost a shitload of money. MPEG4 and its H.264 subset are technologically superior to Theora, no one (including Xiph) disputes that. You're forgetting, however, that FOSS access to that technology is entirely dependent on the good will of its patent holders. If they were to start tightening the noose just as Fraunhofer has over the years with MP3, that wide FOSS application support for MPEG4 would disappear (out-of-the-box, anyway) for fear of litigation, just as it has with MP3.

      "One set of codecs that the world contributes toward" my ass. MPEG4 is owned via patents by a subset of the standards body members, and what is reasonable and non-discriminatory to a multinational corporation tends to be a bit beyond the reach of free software. FOSS won't rally behind MPEG4 because it can't, despite preferring to.

      Secondly, I think you're being a little disingenuous by focusing on Theora in your arguments while making broad claims about the relative technological merit of Xiph technology. Unless I grossly misremember my history, Vorbis dominated other audio codecs in listening tests at equal bitrates from shortly after its inception until the introduction of AAC, with which it remains competitive. Xiph never claimed Theora was high technology; it has always been presented as a stopgap video codec for the FOSS community until something like Tarkin develops beyond being a research project.

    34. Re:Shoot me, I'm the Messenger by spyowl · · Score: 1

      It's easier to describe both as failed proprietary technologies that nobody uses ...
      For the WC3 to push an obscure format that nobody uses as the baseline of web video of the future is absurd. ...
      rhetoric vs reality ...

      All that blabber to justify a patent-encumbered specification to become a W3C standard! And, no mention that this would require a change in W3C's patent policy and that, in itself, is a larger departure from standardization process than a more specific task of picking a video compression format.

      Want to see MPEG-4 as a W3C standard? Contact the patent holder and request they give irrevocable, perpetual, transferable [blah blah blah legal terms here] license to the patent(s) for free to anyone for any purpose. Then submit your blabber/position to the W3C.
    35. Re:Shoot me, I'm the Messenger by dfgchgfxrjtdhgh.jjhv · · Score: 1

      mp4 is also fine for people that dont live in the usa, or japan.

    36. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      Why did you waste so many words on something with basic facts wrong?

      H.263 != DivX != VC-1

      Not even close, not even built on one another.

      It not a case of "ripping apart" MPEG-4. It's just simply Theora vs. AVC or whatever codec (from MPEG-4) that Nokia subscribes to. They should be judged on merit and I personally trust the W3C to do just that.

    37. Re:Shoot me, I'm the Messenger by trawg · · Score: 1

      Sure you can. However you're using patented technology without holding a license, so there is a theoretical risk that you could get sued. Sorry, I thought it was obvious, but I meant "can you do it legally?"

      So it seems the answer is "no", based on your comment - which means that arguments that we should be using MPEG4 w/ h.264 as the "open standard" because there's lots of open source software people can use is bogus (at least, for people living under US patent law jurisdiction).
    38. Re:Shoot me, I'm the Messenger by random0xff · · Score: 1

      That's a bit of a chicken and egg problem. Who to say that mandatory support would not lead to more content in and tools for Theora?

    39. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work. Cool, we could name the audio codec Al Gore Rhythm.
    40. Re:Shoot me, I'm the Messenger by smallfries · · Score: 1

      While you're entirely correct that mp4 costs more to (legally) distribute than ogg - that wasn't the comparison that I made. You've switched arguments here. The point that you made that I disagreed with was that compression becomes irrelevant as bandwidth increases. This is not true and you don't seem to have tried to defend what you claimed. Did you think that distracting people with a separate issue was your best argument?

      Ogg vs Mp4 (where I assume that you actually mean Theora vs Mp4) is an Apples and Oranges comparison. The correct comparison is either Mp2 vs Mp4 or Theora vs Some improvement of Theora. Even as the bandwidth increases the resolution of video will increase to keep pace and compression will be as important as ever.

      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    41. Re:Shoot me, I'm the Messenger by evilviper · · Score: 1

      On2 developed it as its closed competition to MPEG-4's H.263 (DivX) and H.264 (AVC) codecs,

      No. MPEG-4 ASP has NOTHING to do with h.263. It's a completely different codec.

      h.264/MPEG-4 Part10 AVC, is a rare coincidence, where the ITU's and MPEG's efforts happened to coincide, so they both worked together, and standardized on the same codec.

      On2 donated Theora to Xiph to use with Ogg, and Xiph published it as an open specification. However, Microsoft basically did the same thing: it published WMV with the SMPTE group as an "open standard" called VC1.

      VC-1 is open, but NOT royalty free, completely unlike On2's VP3/Theora.

      It's easier to describe both as failed proprietary technologies that nobody uses, although Microsoft is pushing VC1 hard in HD-DVD and in Windows Vista.

      WMV9/VC-1 is probably the most wildly successful proprietary video codec ever. It is the most popular format for online videos, and has been for years. Flash is merely biting at it's heels now, and a long way from surpassing VC-1.

      This is not a case of OpenDocument vs MS-XML, open vs closed.

      On the contrary, that's almost EXACTLY what it is. Microsoft is submitting their XML format for standarization, as they did with VC-1, but it's not going to be free of patent licensing fees, while OpenDocument format is.

      Having wide support behind one good, open portfolio of standards will make it easier for FOSS to compete with and participate in the desktop computing world.

      No, it will make it nearly impossible, as FOSS projects can't pay the licensing fees associated with h.264/AAC/MP4. That's the reason why support is behind the 100% free Theora format instead.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    42. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      Actually, Matroska is a far better non-encumbered container format that actually supports any video or audio format within it and not the limited set for Ogg. And if you look to see what your friendly "pirates" are doing, you will see far more using MKV then using Ogg. I have seen some groups switch exclusively to MKV away from the old AVI.

      So, an MKV can use the truly open video codecs that Ogg does not support. The fact still remains that Ogg is largely the result of failed proprietary formats. So instead of flogging this dead horse to death, let's move on to something that might actually works. (I would like to add that most people I know install "proprietary" codecs on Linux systems first thing. Ogg sucks, get over yourselves if you think otherwise. I have used Linux for over ten years and have never supported Ogg, since it has little support itself.)

    43. Re:Shoot me, I'm the Messenger by Chandon+Seldon · · Score: 1

      So, an MKV can use the truly open video codecs that Ogg does not support.

      Like what? Animated GIF?

      Seriously - what production-quality video codec other than Theora isn't patent encumbered?

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    44. Re:Shoot me, I'm the Messenger by ShieldW0lf · · Score: 1

      No, what I did was justify WHY compression has become irrelevant as bandwidth increases.

      Your statement about resolution increasing is a red herring, particularly considering that the subject at hand is watching video on cell phones and web pages, and not high resolution displays. Hell, people don't even want that much resolution. Pimples start coming into focus and people are starting to notice that they don't like it.

      The fact is, bandwidth is cheap and getting cheaper and fast and getting faster. When bandwidth was slow and expensive, compressing a movie by a large factor meant saving a significant bandwidth cost. It also meant the difference between delivering in a timely enough fashion or not doing so.

      That is no longer the case.

      With the added cost to compress, it is cheaper to use a free but inferior method of compression and let the high speed pipes make up for the lack.

      Compression doesn't have an intrinsic value of its own. Ideally, you wouldn't use it at all, because it creates artifacts and increases CPU load on playback. Its only value comes from the time and money it saves you.

      --
      -1 Uncomfortable Truth
    45. Re:Shoot me, I'm the Messenger by smallfries · · Score: 1

      Your comparison didn't justify your argument - you compared the (monetary) cost of two different types of compression. You are arguing that compression itself is irrelevant - so you shouldn't be comparing codecs with different licensing costs, but rather how much compression is necessary to deliver video to a given platform.

      I'm not so sure that resolution is a red herring. If it were a red herring then would people be buying high-def tvs or would they be too scared of pimples coming into focus? Now you raise a good point that the article was about phones and webpages rather than tv, but the demand for higher resolution is still present for these platforms. After all, why would youtube be moving to high-res formats if the market wasn't demanding it?

      Although phones currently have relatively low resolution screens this is not a desirable feature that sells them - it's simply a limitation of the current display technology. OLED screens promise much higher resolutions and there is definitely a demand for them. From your use of "cell phones" I'm going to guess that you're American and so you're used to the American phone market. I don't know what the state of video on your handsets over there is, but in Europe every handset on the market has a builtin video camera, and they are used heavily. Whenever there is a news story about a sudden event we get upscaled phone footage on the news for the simple reason that someone with a video phone was there before a professional camera crew.

      So the low resolution of phone cameras and displays will not last - and when it increases the bandwidth necessary to transport those video messages will increase as well. While we're talking about mobile handsets - the bandwidth on a wireless device will never match wired networks. Simple physics. And while wired infrastructure may have developed to the point where it handles video well (not here in the UK - we have serious backbone issues) wireless technology will always be a couple of steps behind.

      So in short, resolutions will increase (on the web and phones) and as they do so compression will always just as relevant as it is now. If this doesn't seem intuitive then consider the rate of increase in doing computation locally versus the rate of increase in bandwidth. Essentially computation is always cheaper than communication, and as available bandwidth increases our own expectations of what should be transported over it will always keep pace.

      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    46. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      There are few that would dispute MPEG is an open format, so much for your straw man. But MPEG can and does use patented codec technologies, which may make the implementation non-free. OGG (yes, of COURSE I mean OGG Theora. Why do you have to jump up and down about technicalities?), OGG or OGM file formats are maintained to be patent- and royalty- free technologies, so everyone will have freedom to use them. Their purpose and reason for being is freedom of use. While MPEG may be available for free use, there may be situations where it is not. Unless some organization wants to spend time as a champion of free use, in all circumstances, then MPEG will not be widely advocated by the free software community.

    47. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      You're forgetting something very important - Ogg Vorbis/Theora is (supposedly) patent free. MPEG4 is not. FOSS software can't legally work with MPEG4 without paying to license the (in)appropriate patents. Is anyone offering to make it free to use MPEG4 for any purpose, if it is adopted as a standard?

    48. Re:Shoot me, I'm the Messenger by mrchaotica · · Score: 1

      So instead of an HD movie being 50GB, it'll be 100GB? I think broadband has a long way to go before people will stop caring about compression efficiency.

      Not to mention that HD is still lower-def than the human brain can perceive.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    49. Re:Shoot me, I'm the Messenger by ShieldW0lf · · Score: 1

      When bandwidth is cheap and getting cheaper, expensive patent encumbered compression that you have to pay for by the download is dumb, even if it is better compression.

      Is that straightforward enough?

      --
      -1 Uncomfortable Truth
    50. Re:Shoot me, I'm the Messenger by smallfries · · Score: 1

      Sure. Now I understand that you can't argue your point because you aren't smart enough to see where facts differ froms your beliefs.

      Clue: Bandwidth on mobile devices is not cheap in relation to the size of video files.

      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    51. Re:Shoot me, I'm the Messenger by ShieldW0lf · · Score: 1

      Clue: Bandwidth on mobile devices is not cheap because Nokia and their peers fix the rates using tactics like this.

      --
      -1 Uncomfortable Truth
    52. Re:Shoot me, I'm the Messenger by smallfries · · Score: 1

      You seem to be fundamentally unable to understand that there are other factors at work in the price of mobile bandwidth. Despite your repeated insistence that video compression = codec licence fees and limited mobile bandwidth = price fixing you are simply wrong, and too stupid to understand why.

      Bandwidth is scare for mobile devices. Think about Shannon's theorem and its implications for a battery powered radio device.

      There are codecs without licensing fees, so video compression can be offered without an economic cost. Look into the codec that the BBC is developing specifically for this reason.

      But unfortunately you are not smart enough to realise or accept when you are wrong. BTW, there are studies into the exact ratios between performing computation (ie decompressing) and communicating on a (short range) radio channel. It is more power efficient to compress the video, send it down a lower speed channel and then decompress it at the far end. This is true regardless of whether or not you are paying a licensing fee for the codec.

      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    53. Re:Shoot me, I'm the Messenger by Anonymous Coward · · Score: 0

      I think you're missing one very important point. You can't distribute a MPEG-4 decoder (ASP, AVC and AAC) unless you pay for it to MPEG LA. This prevents implementation of MPEG-4 in opensource browsers. Theora is not a good format (low quality, no HW implementation), but it's the only usable video compression you can use for free. There is also Dirac developed by BBC but AFAIK it's not in a usable condition yet.

      Btw. why everyone calls video compression format "codec"? Codec is a software. XviD is a codec, DivX is a codec, MPEG-4 ASP is a format.

  39. Summary of W3C list discussion by porneL · · Score: 1

    What Apple is trying to say is that they cannot be sure that Ogg codecs are patent-free. Yes, Ogg has documented and freely licensed known patents. The problem is that it means nothing. Troll-friendly US patent system allows submarine patents, which might apply to Ogg, and you can't be sure until technology is older than life of patent or someone gets sued (and trolls might stay put until lawsuit-worthy company starts using the technology).

    (Yes, this sucks, sounds stupid and applies to everything. Congrats to USPTO).

    1. Re:Summary of W3C list discussion by xiphmont · · Score: 1

      This is true. And it's also true of MPEG.

      The difference is that no Ogg codec has never involved in litigation, submarine patent or otherwise. MPEG *has* been the victim of submarine patents. Several times. As well as patent squabbles among the MPEG LA members. Several times. As well as patent squabbles between patent holders inside and outside the LA. Several times.

      Securing a patent license from the LA does not protect the licensee against patent claims, as Gateway Computer just learned when Lucent sued [and won] for MPEG patent infringement despite the fact that Gateway had licensed MPEG from the LA...

  40. Obligatory Link by MrMunkey · · Score: 2, Informative

    I know this will be somewhat redundant, but just read the FAQ on Vorbis' website. It explains everything that Nokia needed to know before writing this travesty.

    http://www.vorbis.com/faq/#fan

    1. Re:Obligatory Link by xenocide2 · · Score: 1

      Just because Vorbis claims Vorbis is patent free doesn't mean it's not infringing on someone else's patents. Moreover, the MP3 patents are going to be expiring soon. At which point Vorbis is in a strange place. Vorbis was essentially invented as DRMless and patentless MP3, but if MP3 patents are allowed to expire, I don't see them winning against an incumbent with only a marginal quality boost. Ogg itself is a nice container, but of those moving away from .avi, they've mostly picked .mkv.

      --
      I Browse at +4 Flamebait

      Open Source Sysadmin

  41. Ho Ho Ho Merry XMA$! by Anonymous Coward · · Score: 0

    Have a few too many glasses of egg n-ogg and getting greedy!

  42. Patented Technology vs. RELATED Patents by nick_davison · · Score: 1

    At other places in the document, the author recommends selecting "older media compression standards, of which one can be reasonably sure that related patents are expired (or are close to expiration)." Which seems odd. Isn't the whole attraction of Ogg Theora that it isn't patented at all? Why recommend an older standard that IS patented over a newer one that isn't? The key here is related patents.

    Two technologies, A and B. A was created 20 years ago and was patented but is largely open for use now. B was created 5 years ago and its makers benevolently made it without patents.

    Along comes Evil Company. They declare that tech B uses their patented technology X. Sure, B itself doesn't have any patents. But they snuck a broadly worded patent claim in ten years ago and revised it endlessly to the point where an underlying part of B is affected.

    Now, B, unpatented as it may be, has hardware manufacturers having to pay huge licensing fees to Evil Company to use the supposedly free technology B.

    Technology A, on the other hand, is tweny years old. That puts it before most of the crazy modern patent issues. Plus, having been around for twenty years, it's a known quantity - more or less any patents that might come up already have come up. Finally, even if one does come up, it has to be older than the tech - giving it at the very most - 5 years before it expires.

    Thus, to a hardware manufacturer like Nokia, something that's not totally free but is also pretty safe from suddenly becoming very expensive to support is far better than something that's totally free but has a much larger risk associated.

    So, the problem isn't as simple as Ogg is free, MP3 isn't completely. It's MP3 is a known quantity, Ogg seems free right now but may saddle us with insane licensing fees because of the broken patent system.

    This is exactly what happened to digital camera makers. They adopted JPEG, thinking there was little to no cost associated. As soon as it became the absolute standard, along comes a third party and claims they've got a patent on an underlying tech. Suddenly everyone's forking out millions for what was supposed to be a cheap solution. Strangely enough, they don't want to do that again. They'd rather a worse tech and a small fee over a better, free tech and the risk of having to pay massive fees once they can't back out.
    1. Re:Patented Technology vs. RELATED Patents by Selanit · · Score: 1

      Hmm. Interesting. That could well be a valid consideration. I should point out, though, that the position paper doesn't make that clear at all. Perhaps the phrase "related patents" implies everything that you've written to the audience for whom it was intended. But the implication was lost when it got distributed to a wider audience (e.g. Slashdot).

      How extremely irritating that patent considerations lead a major stakeholder to propose a technically inferior solution. The patent system could do with an overhaul. Ditto for the copyright system. And I don't seriously see it happening any time in the near future with so many lobbyists singing the praises of strong intellectual property into the ears of legislators.

  43. What's so great about Ogg? by sentientbrendan · · Score: 1

    Although the position paper mistakes Ogg as being proprietary, I don't see what's so great about the format. Last time I checked no one actually uses Ogg, and I'd take that as a good indication that it isn't heads above the competing standards. I mean, if I didn't read slashdot I'd never have known that Ogg exists.

    mpeg4, AAC, and h.264 are already pretty well supported, so I have to ask why anyone would look at a technology that has pretty much been ignored by the industry.

    Also, lack of DRM support would make Ogg unusable for many people. You can argue all you want that companies shouldn't use DRM, and I would argue the same thing, but if that's one of their requirements, lack of it dooms practical adoption of the standard. If they start putting things in HTML 5 that no one is going to use, then they are only hurting adoption of HTML 5.

    1. Re:What's so great about Ogg? by edwardpickman · · Score: 2, Informative

      It's used heavily in gaming because of the ultra high nearly lossless compression. It's an excellent format. Just because it's not as popular with software developers doesn't mean there are quality issues. Gaming is extremely concerned with compression ratios so it's a good solution for them. If you used .wave instead the audio files could end up being bigger than the entire rest of the game. Video and audio tend to be similar in size but audio can be compressed far more without the slow decompression that some video formats require. There are other solutions like MPEG but Ogg handles higher compressions with less loss. I was stunned the first time I compressed a file to Ogg. My .wave files were compressing to 5% with little decernable loss. I ran them several times and rechecked the file size just to make sure I wasn't imagining it. If you need super high compression with good quality I've never seen anything like Ogg.

    2. Re:What's so great about Ogg? by ThomasHoward · · Score: 1

      Most streaming video and audio that I have encountered lacks any form of effective DRM. I don't know whether it is there or not, but as I can play it in Linux with the appropriate codecs, I assume not. (Flash and FLV is marginally more effective than other forms, but can still be easilly evaded)

      Assuming there are no submarine patents that some asshole could use to extort money out of all and sundry, then Ogg Vorbis and Theora seem like great choices for a standard internet codec.

    3. Re:What's so great about Ogg? by kb · · Score: 1

      It's used heavily in gaming because of the ultra high nearly lossless compression

      That's not the reason. IAAGD (I Am A Game Developer) and I can tell you that it's used mostly because of the simple fact that it's free and there are tons of codec libraries out there (stb_vorbis being my current favourite ;) which you can simply plug in and use and don't need to bother with any licensing hassle except perhaps acknowledging your use of that library in some part of the documentation.

      That's the whole point. Simple as that. All other compressed formats are either more cost intensive (patent fees) or take way more time to implement, which is basically the same. Of course quality is a bonus, but with Theora that quality isn't great at all, and Vorbis takes quite a bit of CPU compared to eg. MP3 or AAC. Still no good idea if you're about to stream 100 audio channels simultaneously.

    4. Re:What's so great about Ogg? by evilviper · · Score: 1

      It's used heavily in gaming because of the ultra high nearly lossless compression.

      It's used in gaming because they don't want to pay patent fees. That's it.

      "Nearly lossless" is a contradiction in terms. And furthermore, it's terribly inaccurate. Vorbis isn't significantly better than any of the other modern codecs out there. AAC, for instance, is probably better. And if you really want an amazing audio codec, try Musepack, it blows Vorbis and everything else away, while taking far less CPU power to encode or decode than even MP3.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    5. Re:What's so great about Ogg? by Neil · · Score: 1

      The OGG container format, Vorbis audio codec, and Theora video codec are important because they don't require patent licenses. H264 and AAC do require patent licenses.

      If W3C allows patent-encumbered codecs into the baseline specification for HTML5 then the free software community will not be able to legally distribute standards-conforming browsers, in jurisdictions which enforce software patents.

    6. Re:What's so great about Ogg? by dave420 · · Score: 1

      Apart from the fact Theora's a terrible codec, comparable to H.261 (which was created 17 years ago in 1990). It's out-classed by its competitors, which are already offer far superior quality.

  44. Stephan Wenger is a retard by LingNoi · · Score: 1
    From Stephan Wenger's Nokia paper...

    Anything beyond that, including a W3C-lead standardization of a "free" codec, or the active endorsement of proprietary technology such as Ogg, ..., by W3C, is, in our opinion, not helpful for the co-existence of the two ecosystems (web and video), and therefore not our choice.
    You know whats not helpful? Retards like you Stephan that can't be bothered to research stuff your writing in papers.

    I hope you lose your job over this you idiot.
  45. WOW! Im so surprised, NOT! by EEPROMS · · Score: 1

    This has been an on going joke between some Nokia N770/N800 users and we have all been suspicious of Nokia's motives. Well now the cat is out of the bag and Nokia is just another borge like "we hate freedom if we cant control it" company. As many previous posters have said "Nokia wants DRM so it can sell music" even though its customers hate DRM and many video and audio people have swapped to ogg. Oh well it was nice knowing you Nokia, farewell and thanks for all the crackly calls.

  46. OMA ForwardLock... by INeededALogin · · Score: 1

    I have only seen one post mention OMA. OMA(Open Mobile Alliance) to which Nokia is a part of has already defined a standard DRM for binary. MP3 doesn't have DRM by default(that I am aware of), but I can send an MP3 to most modern phones in such a way as to prevent you from sending it to a friend or saving it to removable media. Declaring that a fault of OGG is that it has no DRM support is rubbish as at the very basic it can support this OMA Forward Lock. Nokia is just working the system to invalidate an open standard that it really doesn't like.

  47. OGG player by DrYak · · Score: 5, Informative

    Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support.


    Almost the whole range of Samsung has OGG/Vorbis support built-in.
    Also, there are a lot of "NoName" asian, or less known brands (most of the time re-packaged asian "nonames") that support Swiss Bull-It is such re-packager, most of their player support OGG/Vorbis out of the box, some other after a firmware upgrade.
    I know there are even OGG/Vorbis supporting devices in the "USB stick" form factor (my brother has one).

    In fact, appart the few "Big Brands" who usually support only MP3 (because it's such a huge standard that they can't avoid it) and WMA/ATRAC/AAC+DRM or whatever is the proprietary format of their associated shop ; most lesser brands will support OGG because there's no technical limitation preventing it, there's no patent to prevent them, and that enables them to add another bullet point to their list, with very minimal efforts (There's already an open-source integer-math only implementation called Tremor - adding OGG support for a player usually just means recompiling tremor for whatever version of ARM serves as the player's CPU).

    Sasmung is more an exception for being both a known brand and providing OGG support.

    I'm stuck re-ripping or downloading my entire library.

    As a matter of fact, I've always encouraged people to keep a copy of their library in a loss-less format too.
    This way, there's no quality loss in case of quality loss, in the event of having to shift formats, or use a newer version of the usual codec with better compression.

    I think that right there kills it for most people.


    Depends on what format the people chosed to save their library into.
    I've already had friends with their libraries of WMA changed into coaster because they reinstalled windows, or changed some hardware which triggered windows thinking that it is on a different PC.

    On the other hand, all you need to play OGGs is just to choose your player wisely. Either stick only 1 brand (Samsung ), or if you want to go for the cheap, accept having a player with an obscure name that nobody has ever heard about (and which will have changed business before next year)

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
    1. Re:OGG player by Aluvus · · Score: 1

      I've already had friends with their libraries of WMA changed into coaster because they reinstalled windows, or changed some hardware which triggered windows thinking that it is on a different PC.

      Huh? Home-ripped WMA has no DRM, and it makes no difference if Windows needs to be reinstalled. The files can be freely moved to another system. Only tracks purchased from Walmart, Napster, etc. that use PlaysForSure DRM would have such problems.

      There are other legitimate arguments against ripping your library in WMA, but this is not one of them.

      The rest of your post really speaks to the marginality of Ogg Vorbis. Given the option of either ripping to MP3 and being able to buy anything on the market (including iPods and Zunes, the most popular devices on the market) or ripping to Ogg Vorbis and being able to buy something from Samsung or some anonymous Asian company... I'll stick with MP3.

      As you say, I could rip in FLAC (or another lossless codec) and then transcode to Ogg Vorbis later... but why? It would make vastly more sense to rip to FLAC and transcode to MP3. If anything ever actually displaces MP3 (and certainly, there are plenty of techincally superior alternatives), then some day I could transcode from FLAC to that format. But right now? Makes no sense.

      --
      Never mistake "can" for "should".
    2. Re:OGG player by tepples · · Score: 1

      most lesser brands will support OGG because there's no technical limitation preventing it, there's no patent to prevent them, and that enables them to add another bullet point to their list, with very minimal efforts (There's already an open-source integer-math only implementation called Tremor - adding OGG support for a player usually just means recompiling tremor for whatever version of ARM serves as the player's CPU). Unless Tremor takes more than CPU time or RAM to decode 44.1 kHz stereo at 128 kbps than some MP3 decoder. An MP3 player using Helix MP3 Decoder will fit in an ARM7-based microcontroller clocked at 33.5 MHz with 96 KiB of RAM; Tremor, not so easily.

      Sasmung is more an exception for being both a known brand and providing OGG support. You mean Samsung, right? Don't Samsung players use that Windows-XP-only Media Transfer Protocol rather than just a mass-storage drag-and-drop interface? Or am I thinking of SanDisk?
    3. Re:OGG player by Myen · · Score: 1

      I have a Samsung (YP-U1, usb stick), it's just a USB mass storage device. (I have not bothered to install their software and still have no clue what it looks like.) Maybe you do mean SanDisk. Or maybe it's only for some models, who knows.

    4. Re:OGG player by guardian-ct · · Score: 2, Informative

      At one point, the default recording setting for Windows Media Player, and possibly a few others, was to record to WMA, with Rights/Restriction Management turned on. Worst default setting ever.

    5. Re:OGG player by indifferent+children · · Score: 3, Interesting
      I have a Samsung (YP-U1, usb stick), it's just a USB mass storage device.

      I have the same stick (from ~2 years ago). With the American firmware, it is not a USB Mass Storage device; you have to use MTP to transfer files (it honors DRM, of course). I re-flashed it with a European firmware from Samsung's international website, and not only is it now a USB Mass Storage device, but it now supports Ogg/Vorbis.

      I went looking to see why the US firmware didn't have Ogg/Vorbis support, and it seems that in order to get Microsoft's "Plays For Sure" logo, your device is not allowed to support Ogg/Vorbis. Since that logo program didn't exist for Europe, Samsung left Ogg/Vorbis support in the European version of their firmware.

      --
      Censorship is telling a man he can't have a steak just because a baby can't chew it. --Mark Twain
    6. Re:OGG player by xtracto · · Score: 1

      I also settled for a 2GB Samsung YP-Z5 which was quite chaeap on eBay. It does support OGG and the interface is like USB storage (works really fine on any Linux distro I have tried so far).

      Just a warning from what another said already, I bought it in the UK, hence, it might be possible that a difference in firmware migh allow it to play OGG and use USB connection instead of MTP.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    7. Re:OGG player by Trogre · · Score: 1

      Not sure who you're thinking of, but my Samsung player works fine under Linux as a standard Mass Storage device and plays my Oggs beautifully.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
  48. The "Humpty Dumpty" offense by suggsjc · · Score: 1

    Alice, still puzzled, retorts "well, here's what I think about your pseudo intellectual ramblings" as she pushes Humpty Dumpty off the wall.

    So what did we learn? If you are a large fragile object don't insult people while you are perched on a high ledge.

    Funny or insightful? You decide.

    --
    When I have a kid, I want to put him in one of those strollers for twins and then run around the mall looking frantic.
    1. Re:The "Humpty Dumpty" offense by Anonymous Coward · · Score: 0

      Funny or insightful? You decide.

      Well I didn't see "presumptuous" on that list, so I choose "none of the above".
    2. Re:The "Humpty Dumpty" offense by Nazlfrag · · Score: 1

      Here I was thinking the lesson was no-one likes a smartarse.

  49. Shoot him, he's using analogies w/o a license. by Valdrax · · Score: 1

    Supporters for Ogg/Theora are voting for a Ross Perot, assuring that we'll really get a George Bush. What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work.

    If that analogy lost you:


    Then you might actually have some knowledge of the political positions advanced by all three candidates, what they've done in practice, and maybe even what f'ing YEARS they ran for office in.

    But hey, why vote for Nader when hoping for a Jackson when you can get a Goldwater instead?

    --
    If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    1. Re:Shoot him, he's using analogies w/o a license. by DECS · · Score: 1

      Sorry, Brain Fart. I by Ross Perot I meant Ralph Nader, and by George Bush I meant the current president.

      Sorry I lost you there in my very confusing aside.

      To clarify: enough Americans wanted more progress than they thought Gore would deliver, and ended up with a fascist right wing government, a police state, and the bill for a destroyed country resulting from the invasion of Iraq conducted without any regard for a rebuilding plan.

      If enough people derail support behind MPEG to set up the impractical Theora, we'll end up with more evil.

    2. Re:Shoot him, he's using analogies w/o a license. by Anonymous Coward · · Score: 0
      A while ago, a slashdot poster recommended that Firefox users consider adding the following line to chrome/userContent.css

      A[HREF*="roughlydrafted.com"]:after { content: " [IDIOT WARNING]"!important ; color: red }
      I think it's kind of neat, anyway.
  50. Fascinating position... by Junta · · Score: 2, Informative

    It's easy to see what they want for video (h264), audio (aac), but I don't know what they want for a container format, except they want DRM (container format is the component that implements DRM, I would guess, but I'm quite possibly wrong). They note that the Theora/Vorbis has not seen commercial distribution, so patent trolls have not had a reason to come out, and it scares them. Theora is patented, but On2 already said it would be no problem, but Nokia is concerned about a non-obvious company waiting for a single big player to adapt those technologies to bring a suit.

    The three suggestions they give are interesting. The first is to stay out of it, making interoperability difficult, as they said, but they effectively dismiss it because look how great Flash is without being a standard (that's a good argument to actually dictate something as far as I'm concerned). The second is to use no technology newer than about two decades, ostensibly to avoid patent issues. I think Nokia is angling for this because it ultimately ends up being the same as specifying nothing, as any web content provider will be forced to not stick to the standard, as it would mean delivering poorer quality content or being incredibly costly bandwidth wise. All it takes is one or two sites to deviate, but provide a richer standard to make standards compliance mean absolutely nothing. The final suggestion they are confident would lead to H264 and AAC, and they certainly wouldn't mind that.

    --
    XML is like violence. If it doesn't solve the problem, use more.
    1. Re:Fascinating position... by rillian · · Score: 1

      They note that the Theora/Vorbis has not seen commercial distribution...

      This is incorrect. Vorbis has shipped tens of millions of units in products by organizations such as, well, Microsoft, to pick an example well known as being uninteresting to patent trolls.

      Theora has been in a few games, and other commercial products, but hasn't had the same exposure.

    2. Re:Fascinating position... by evilviper · · Score: 1

      Theora is patented, but On2 already said it would be no problem, but Nokia is concerned about a non-obvious company waiting for a single big player to adapt those technologies to bring a suit.

      That is a pretty hard to believe claim at this point. VP3 was sold by On2 for years, and is used by many companies. Later versions use many of the same methods, and have been very widely adopted by many large companies. AOL has licensed multiple VP* versions for Nullsoft TV, and AIM Video. Adobe has included VP6 in Flash. etc.

      It's extremely hard to believe the patent trolls have such restraint that they haven't come out of the woodwork yet if they had a non-laughable claim.

      The second is to use no technology newer than about two decades, ostensibly to avoid patent issues. I think Nokia is angling for this because it ultimately ends up being the same as specifying nothing, as any web content provider will be forced to not stick to the standard,

      Not true:

      MPEG-1 is a pretty good standard. At lower (video) bitrates, providing quality far better than MPEG-2, and competitive, if not quite as good as MPEG-4 ASP (Divx/Xvid/FMP4/etc). What's more, every video player out there can handle it. It should have been added to browsers years ago when the patents expired, if only to replace/obsolete MJPEG.

      The VP3/Theora codec may have been created more recently, but it still provides lousy quality. Claims of it being competitive with h.264 are entirely delusional, from over-zealous supporters. Just check out the 2002 Doom9 Codec comparison: http://www.doom9.org/Soft21/Docs/codecs.rar

      And to make things worse, it takes a lot of number crunching just to get that lousy quality. The performance of VP3/Theora is terrible, requiring about a 500MHz system just to decode 320x240 video. My 2GHz system isn't quite able to handle even 720x480 VP3/Theora video. And finally, adding insult to injury, after some 5 years of development, the Theora encoder/decoder is actually WORSE quality than VP3.2. Why people that want patent-free video use alpha versions of Theora, rather than old and stable VP3.2, is a mystery to me.

      MP2 audio still remains very competitive after all these years. I'd put it up against Dolby Digital/AC3/A52 any day. MP3 at lower bitrates admittedly can sound as good as MP2 at about 2/3rds the bitrate, but with audio being a small fraction of video size, the overall difference should be nominal.

      Vorbis audio has problems of its own. While it might sound near perfect at low bitrates ~95% of the time, the other 5% of the time is brutally obvious, and gratingly bad. Every movie where I've tried encoding audio to Vorbis has at least one obvious, grating defect. Try encoding the audio of Das Boot to Vorbis, and you'll find several long passages where it sounds terrible.

      The Ogg container is simply a complete mess, with high overhead. It is hated by all. No exceptions. Ask anyone who has written an Ogg demuxer. I'd have to say Matroska actually only exists because so many people didn't want to use Ogg.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    3. Re:Fascinating position... by Junta · · Score: 1

      Ok, if you are right, then concerns over Theora should not be too much. Though I might have dismissed those as revenue not as ripe as the wider internet market, at the time of those deployments a patent troll would have had no idea of the phenomenon about to occur that they would have risked missing out on, and would have almost certainly chased after AOL, for example.

      On Video, I wouldn't claim H. 261 as capable nearly enough of competing with the MPEG-4 generation at low bitrates. If two video content sites provided the same content over the same bandwith, one encoding with MPEG-1 and the other with MPEG-4, the difference would be glaringly obvious in favor of the one using MPEG-4 codecs.

      Now, on audio, you might be correct (Nokia even suggests MP3 as being 'close enough' to patent expiration, though probably also helped by the fact that every imaginable patent holder has come out in the age of MP3 audio players, so they are really comfortable). I haven't noticed MP3 vs. AAC vs Vorbis doing significantly better per bitrate, but I could just have horrible hearing...

      --
      XML is like violence. If it doesn't solve the problem, use more.
    4. Re:Fascinating position... by evilviper · · Score: 1

      On Video, I wouldn't claim H. 261 as capable nearly enough of competing with the MPEG-4 generation at low bitrates.

      I have no experience with h.261. I did not mentioned it, but rather MPEG-1.

      If two video content sites provided the same content over the same bandwith, one encoding with MPEG-1 and the other with MPEG-4, the difference would be glaringly obvious in favor of the one using MPEG-4 codecs.

      On the contrary. I've compared the two extensively, and MPEG-1 still does a damn good job at low bitrates, and can be quite competitive with MPEG-4 ASP codecs like Divx/Xvid/FMP4.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    5. Re:Fascinating position... by Junta · · Score: 1

      H 261 and MPEG-1 video codec are one in the same, FYI.

      --
      XML is like violence. If it doesn't solve the problem, use more.
    6. Re:Fascinating position... by evilviper · · Score: 1

      H 261 and MPEG-1 video codec are one in the same, FYI.

      By all means, prove it. Or at least try to. I'd really like to know where you got the idea that they are identical. I have not seen a single source that equates the two. In fact most specifically state that MPEG-1 was a later effort.

      libavcodec has entirely separate encoders and decoders for MPEG-1 and h.261. A quick look through the code suggest they are significantly different, for example with h.261 containing a loop filter, but apparently not supporting trellis quantization.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    7. Re:Fascinating position... by Junta · · Score: 1

      http://www.digitalpreservation.gov/formats/fdd/fdd000035.shtml was my source, but it could be a bad source. I can't conveniently look at the actual ISO pdf, so I can't verify, but I'd take someone's look at implementing code over some web page.

      If they are different and MPEG-1 is better than H. 261, then Nokia's suggestion is even worse than saying MPEG-1.

      --
      XML is like violence. If it doesn't solve the problem, use more.
    8. Re:Fascinating position... by evilviper · · Score: 1
      While they do repeatedly equate the two, further down the page it even says:

      MPEG's initial development was partly inspired by the H.261 video coding standard published by the ITU (International Telecom Union).


      Clearly stating MPEG STARTED only after h.261 was finished.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  51. Mpeg4 is absolutely NOT FREE by Anonymous Coward · · Score: 0

    Go to http://www.mpegla.com for the details.

  52. Mod parent -1, Thread hijacker by Anonymous Coward · · Score: 0

    The parent said nothing about proprietary and talked about how it was an open format, however your reply was written in a manner to contradict what he said. If you can't figure out how to start your own thread in the discussion rather than hijacking someone else's higher-up thread, you need to turn in your geek card and just forget about posting on Slashdot.

    1. Re:Mod parent -1, Thread hijacker by morgan_greywolf · · Score: 1

      Pssst. Before flaming me, why don't you actually try reading what I said. The first paragraph backed up what he said, the second paragraph reinforced the first paragraph and the OP by tying both points to the main point in TFA. Which is to say that unlike what Nokia says, both the OP and I were both saying the same thing -- that Ogg Vorbis and Ogg Theora are not proprietary formats.

      If you can't read what I wrote, I suggest you turn in your geek card and take some remedial English classes.

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    And much more! Please respond to clue@nokia.com to pick up your prize today.

  54. Ogg is an audio codec by r00t · · Score: 1, Insightful

    Your nerdy protests to the contrary, ogg is an audio format. There is no vorbis.

    In this world, we use file extensions to determine data type. Apple even does it now.

    You think we use MIME types? Bullshit! We pretend to use MIME types. A web server looks at the file extension, maps it to a MIME type, and sends the file. Most web browsers ignore the MIME type if they have a file extension. This is good, because the web server just pulled the MIME type out of its ass. Who can best decide, a server with an old MIME database or a client with all the latest players installed? It's not as if the MIME type was supplied when the file was first created on the filesystem. No, the file was created with an extension. All MIME types do is cause inconsistency.

    Ogg has a small bit of inertia as an audio format, which is good. The "best" you can do fighting that is to sow confusion in the market. What, are you trying to kill ogg? Every silly claim that "ogg is not a codec" is fuel for the competition, which you should note has a massive head start.

    1. Re:Ogg is an audio codec by Anonymous Coward · · Score: 0

      And your protests are equally as nerdy.

    2. Re:Ogg is an audio codec by DaleGlass · · Score: 5, Informative
      Err, no.

      Ogg is like Quicktime or ASF. There's nothing technically stopping anybody from delivering a mp3 inside an Ogg (seriously), Quicktime, or ASF container. Here's proof:

      Putting a .mp3 inside an ogg container with no encoding:

      $ ogmmerge -o test.ogg theatre\ of\ tragedy\ -\ cassandra.mp3
      Using MP3 demultiplexer for theatre of tragedy - cassandra.mp3.
      +-> Using MP3 output module for audio stream.
      progress: 6538263/6538263 bytes (100%)
      Verifying that it's an ogg container:

      $ file test.ogg
      test.ogg: Ogg data
      Mplayer shows how it's both an ogg container and the audio is MP3 (parts snipped, stupid lameness filter)

      $ mplayer test.ogg
      Playing test.ogg.
      Ogg file format detected.
      Opening audio decoder: [mp3lib] MPEG layer-2, layer-3
      Selected audio codec: [mp3] afm: mp3lib (mp3lib MPEG layer-2, layer-3)
      Video: no video
      Starting playback...
    3. Re:Ogg is an audio codec by asdfghjklqwertyuiop · · Score: 1

      A web server looks at the file extension, maps it to a MIME type, and sends the file.


      Oh, and what file does the web server look at for an extension when there is no file because the content was generated on the fly, as many web sites are now?

      This is good, because the web server just pulled the MIME type out of its ass. Who can best decide, a server with an old MIME database or a client with all the latest players installed?


      Who can best decide: a server, which is maintained by someone who knows what content they're serving, or a client who has never seen the content before in its life?
    4. Re:Ogg is an audio codec by Anonymous Coward · · Score: 0

      Oh, lets not forget the oh-so-fun experience of running a jpeg file because it has .exe on it.

    5. Re:Ogg is an audio codec by 49152 · · Score: 2, Insightful

      You simply did not understand his point at all.

      IT DOES NOT MATTER one single iota that ogg is a container and not a codec, it is simply pointless unless your an engineer (a real geeky one at that).

      He did not contend the fact that this is incorrect, only pointed out that to the majority of people (who ever heard about ogg) then:

      ogg == audio codec == compressed audio.

      The fact is, you should be über happy if most people makes this connection, even if it is technically imperfect.

      It is a market awareness that is worth is weight in gold, don't squander it away by being a stereotypical geek that picks on technical issues that no one really cares about.

      That it is wrong is completely pointless for most people and only confuses the issue. At least 90% of people associates content type with the file ending and .ogg files is associated by the public with audio files. Again this is not technically correct but the only ones really caring is other geeks.

      It would be much better if xiph declared that only .ogg files containing audio should be called .ogg and came up with a new file ending and name for files with video (or audio & video) in them, perhaps .ogv or something.

      You are technically correct but 'joe sixpack' wanting his 'mp3 player' to play ogg files does not care or even understand the difference.

      To the majority of people mp3 is synonymous with audio files for portable devices, just like they think .avi and .mov is video files. They have no idea it is really codecs and containers. If you want people to question why their ipod does not play ogg files, you don't want to confuse the issue with fighting long lost battles over semantics.

      This is just like the old battle about what being a hacker means. To much more than 90 percent of the population it means someone breaking into computer systems. Now you and me probably knows this was not the original meaning at all, but it does not matter because the 'wrong meaning' is by now so enforced by media that people only stares strangely at you if you try educating them.

      Now if you want ogg, vorbis and theora to succeed as open standards used everywhere, it would be a much better strategy going with the flow and not against it.

    6. Re:Ogg is an audio codec by 49152 · · Score: 1

      It is not difficult coming up with scenarios that support either side of this issue.

      Calling mime-types useless is obviously wrong but equally wrong is thinking that they are the end all solution to this problem.

      Remember not all servers serves out files put there by the same people that manages the server (files shared on a forum comes to mind). Unless the site owners want to restrict file types to a specific subset, then todays technology leaves no other option than using file suffixes also.

      Also you should not trust what a web server tells you about a file blindly, god knows who manages that site and what they would like putting on your computer ;-)

      Both mime types and file suffixes should at best be taken as hints about how a client should handle a file.

    7. Re:Ogg is an audio codec by ShieldW0lf · · Score: 2, Insightful

      The article, and the discussion, and the whole shebang, are meant for professionals, not ignoramuses like you and the dude you're defending. The fact that you do or do not know what container or compression format we use to deliver websites to you means absolutely nothing at all. So, take your self important bullshit about "market awareness" and shove it up your ass. My mom doesn't know what MPEG2 compression is, but she still uses the DVD player I bought her. This is no different, and your collective ignorance is of no more consequence than hers.

      --
      -1 Uncomfortable Truth
    8. Re:Ogg is an audio codec by theNeophile · · Score: 1

      You simply did not understand his point at all.

      IT DOES NOT MATTER one single iota that ogg is a container and not a codec, it is simply pointless unless your an engineer (a real geeky one at that). Welcome to Slashdot. I think you may have made a wrong turn somewhere.
    9. Re:Ogg is an audio codec by joto · · Score: 1

      The article, and the discussion, and the whole shebang, are meant for professionals, not ignoramuses like you and the dude you're defending.

      You might be a professional with computers. But the reason Nokia isn't happy with the ogg format has nothing to do with computers. Technically speaking, ogg delivers lossy compressed audio with adequate compression and sound quality. The reason Nokia doesn't like it is for reasons outside your limited little technical universe. If you are unable to see that, you can't call yourself a professional in this context.

      My mom doesn't know what MPEG2 compression is, but she still uses the DVD player I bought her.
      What the fuck do I care about you mom?
    10. Re:Ogg is an audio codec by flux · · Score: 1

      It doesn't matter even then, when the user can't play some video off the web? "But it's an AVI file!" "I've played .MOV-files before! Teh computer's busted!" Right, but you still need to download some mystic object called "codec package".. If you're looking for a good high-level concept, a better one would be "a video file" or "an audio file"; they can be in many extensions, but so can the files themselves be encoded with various different codecs, which your computer may or may not understand.

    11. Re:Ogg is an audio codec by mpe · · Score: 1

      Unless the site owners want to restrict file types to a specific subset, then todays technology leaves no other option than using file suffixes also.

      Actually the webserver can quite easily use something like /etc/magic to work out what the file actually is. In order to serve the file it has to read it anyway. So all it has to do is something along the lines of read first part of file into memory; examine it to work out the MIME type; output MIME type; output buffered start of file; output rest of file.

    12. Re:Ogg is an audio codec by dangitman · · Score: 1

      Technically speaking, ogg delivers lossy compressed audio with adequate compression and sound quality

      No. Technically speaking, ogg is a container for video or audio, or other types of file that are compressed lossily, complessed losslessly, or not compressed at all. vorbis is a lossy audio CODEC.

      --
      ... and then they built the supercollider.
    13. Re:Ogg is an audio codec by squiggleslash · · Score: 1

      Correct me if I'm wrong, but Nokia's major issue with Ogg Vorbis is the lack of DRM. That certainly does pertain to a discussion of the difference between format and container - a format certainly isn't going to deal with DRM, a container is. Vorbis can be constrained using any DRM scheme that uses a container format compatible with Vorbis. Ogg is not such a container format.

      The difference here between Ogg and Vorbis appears to matter and appears to pertain to the discussion, and I think it's not reasonable to attack people who point out the difference as somehow being too geeky.

      --
      You are not alone. This is not normal. None of this is normal.
    14. Re:Ogg is an audio codec by Rhapsody+Scarlet · · Score: 1

      It would be much better if xiph declared that only .ogg files containing audio should be called .ogg and came up with a new file ending and name for files with video (or audio & video) in them, perhaps .ogv or something.

      Which is pretty much exactly what they've done. Official registration of the new MIME types and extensions may take longer though.

    15. Re:Ogg is an audio codec by Auz · · Score: 1

      It would be much better if xiph declared that only .ogg files containing audio should be called .ogg and came up with a new file ending and name for files with video (or audio & video) in them, perhaps .ogv or something.
      Like .ogm you mean?
      --
      =DIVIDE BY CUCUMBER ERROR: REINSTALL UNIVERSE AND REBOOT=
    16. Re:Ogg is an audio codec by ShieldW0lf · · Score: 1

      Ogg has a small bit of inertia as an audio format, which is good. The "best" you can do fighting that is to sow confusion in the market. What, are you trying to kill ogg? Every silly claim that "ogg is not a codec" is fuel for the competition, which you should note has a massive head start.

      If the competition has a massive lead, why do they need to assert the merits of their product for inclusion in the W3C standard, rather than defending why it should have been the first choice? The fact that an alternative was put in is pretty strong evidence that their massive marketing lead amounts to nothing at all.

      --
      -1 Uncomfortable Truth
    17. Re:Ogg is an audio codec by DaleGlass · · Score: 1

      ogg == audio codec == compressed audio.

      No, ogg == container. That's the problem with the whole article.

      Vorbis is the codec and the actual thing that does the audio compression and determines the resulting quality. And Vorbis data can be contained in any container, including DRMed Quicktime or whatever.

      Got it now? The codec just encodes audio and has no DRM functions. Ogg, the container, has no DRM functionality. Vorbis, the codec, is what actually does the compression and can be contained inside a DRMed container.

      Same way with this article. Theora doesn't need to have any DRM functions because that's the container's job.
    18. Re:Ogg is an audio codec by r00t · · Score: 1

      The client can as well.

      This works way better. Consider what happens if the client saves the file to disk. There is no file extension. By saving, you lose the MIME type. Next time you view that file, the client-side /etc/magic is all you have to go on.

      I hope you don't seriously think that a file should be interpreted one way if viewed directly from the web server (using MIME type info) and some completely different way (using local /etc/magic) if viewed after being saved to disk. That's just nuts.

    19. Re:Ogg is an audio codec by r00t · · Score: 1

      The bulk of the world ignores W3C.

      This is caused partly by Microsoft not wanting to play with others, and partly by the W3C itself being very impractical ("Structure only! No presentation!", "XHTML replaced HTML", etc.) and fairly academic.

    20. Re:Ogg is an audio codec by ShieldW0lf · · Score: 1

      My mom doesn't know what MPEG2 compression is, but she still uses the DVD player I bought her.

      What the fuck do I care about you mom?


      See, it's not about what you think, is it? That's the lovely thing about these things, it's about what the audience thinks. And they appear to think you're a jackass. So I guess that means you lose.

      You work for Nokia or something?

      --
      -1 Uncomfortable Truth
  55. No. You're wrong. by Anonymous Coward · · Score: 1, Interesting

    One of the sibling posters hinted at it, but let me spell it out since you're still +5.

    AAC is just as unencumbered as Ogg-Vorbis and (when unencrypted) has about the same market share. AAC is implemented in QT and on the iPod, therefore this is NOT about DRM. Fairly irrefutable.

    If you want my opinion on what it *is* about, I would say it's about the "black box" approach Apple has to the user experience. Apple isn't going to do anything unless it works with *everything* they make. Therefore, regardless of how simple the codec itself is, Ogg-Vorbis is going to take a certain amount of labor to implement, and so it's not gonna get done. AAC gets implemented since it's the basis for the iTMS encrypted format, and MP3 gets done because of market share. Nothing else. It's the Apple Way (tm).

  56. Agreed by MillionthMonkey · · Score: 2, Informative

    This appears to be a case of poor sentence construction, with a misplaced modifier and a missing comma. It looks like the guy is just a bad writer.

    And here I was all ready with a joke about Mitt Romney calling secularism a "religion" last week!

  57. Nokia Claims Ogg Format is "Proprietary" by Dark_Gravity · · Score: 2, Funny

    Nokia Claims Ogg Format is "Proprietary"

    Dear Nokia:

    You keep using that word. I do not think it means what you think it means.

    1. Re:Nokia Claims Ogg Format is "Proprietary" by dave420 · · Score: 1

      Dear Dark_Gravity:

      Ogg *is* proprietary. It was developed by a single company, not compatible with any existing standard, and is owned by a single company.

      Proprietary has nothing what-so-ever to do with being free. :)

  58. Look at what Nokia has been up to recently... by bADlOGIN · · Score: 1

    They're trying to move into content to keep from being marginalized by the carriers as "just another handset vendor".
    The carriers want to do their own content stuff and Nokia are pissing them off (see the recently launched http://nokia.music.co.uk./
    The fact that they want to cheer for DRM is just a reflection of their attempt to switch revenue models.

    When you're just selling hardware it's "Go! Go! Do what you want! Just buy our hardware!".
    When you're selling "content" it's "No! No! Mine! Mine! Pay Me or I'll sue you!"

    Guess Nokia thinks that mobile music is "the future" and they'll ride the corpses of the record company catalogs
    off into the sunset..

    Just my $0.07 USD speculation (I'd say two cents, but with the way the dollar is going... well... you know..)

    --
    *** Sigs are a stupid waste of bandwidth.
  59. Score +6 : Has a clue. by Anonymous Coward · · Score: 0

    'nuff said in the subject header. The parent post is spot on and well researched. (Plus think of all that silicon out there that already decodes MPEG-4 in hardware, why take the performance hit for Theora for no end benefit at all.)

    1. Re:Score +6 : Has a clue. by Anonymous Coward · · Score: 0
      None of which has anything to do with a baseline standard web video codec. Plus Nokia are a handset maker, isn't it in their financial interests to pick a codec that isn't commonly available in silicon?

      Try this:

      Score -1 : Doesn't realize that licensing is the only issue that matters
    2. Re:Score +6 : Has a clue. by Svartalf · · Score: 1

      Actually, he's got the terms WRONG.

      Non-discriminatory means that anyone paying the royalty price gets to use it.
      Discriminatory means I can deny you rights to a given Patent, even if you're willing to pay the price I set to others.

      THAT, my friends, is what RAND really means.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  60. DRM for OGG by J.Dev.06 · · Score: 2, Informative

    These guys are currently building DRM for the OGG Vorbis. If I'm right to assume, they are also setting their sites on the entire OGG container for their DRM solution, supporting both theora and vorbis. I don't really understand Nokia's beef at all. It's all a bunch of nonsensical ramblings on about how they're grouchy with W3C's decisions. The situation is all very liken to when you give a child their juice in the wrong coloured cup.

  61. LOL by eiapoce · · Score: 1

    they have released a position paper calling Ogg 'proprietary' Sure. And Santa Claus is finnish Intellectual Property, so be careful when dressing red this year or we sue you for infringment... http://www.santaclauslive.com/ Merry Xmast!
  62. DRM question by mr_Spook · · Score: 1

    Okay, I am now under the impression that I do not understand some crucial part of DRM and I need someone to clear this up for me.

    My (possibly incorrect) understanding of the general idea of DRM schemes was - in very broad strokes - encrypting the file and only decrypting it or parts of it during playback. Why then does it matter if a file format "supports" DRM when you can wrap a crypto scheme around it? It it more secure in some way to have a special container for the restricted audio stream, or somehow more flexible on the developer end?

    Could somebody clear this up for me please?

  63. apple issues by smartaleckkill · · Score: 1

    in terms of the apple-related issues, let's not forget Jobs has a hefty interest in hollywood - his former ownership of pixar bought him the largest single share of disney (~7%) & he still sits on the disney/pixar steering committee - so his interests here can hardly be said to be unconflicted

  64. Try Rockbox by Britz · · Score: 1

    Try to get one of those players on Ebay:
    http://www.rockbox.org/manual.shtml

    Except for the Archos models they all support OGG:
    http://www.rockbox.org/twiki/bin/view/Main/WhyRockbox

    And Rockbox REALLY rocks!

    And you should get one of those on Ebay on a small budget

    1. Re:Try Rockbox by Dal+Platinum · · Score: 1

      Your rockbox recommendation encouraged me to type three words and look it up. I'm impressed. I just installed it on my iRiver 320, and now I can do things that iRiver deemed inappropriate, like charging while using it as a hard drive. (Damn you, iRiver). It looks better, it starts quicker. No real complaints at all.

  65. Proprietary == controllable by argent · · Score: 1

    The word "proprietary" indicates that a party, or proprietor, exercises private ownership, control or use over an item of property. This doesn't mean that it's under any particular license, it just means that there's a mechanism to control it. For example, having an effective monopoly over the development of a package or format makes it proprietary whether the licensing terms are restrictive or not.

    The real tests for whether a product is proprietary are whether it could be effectively forked or not, or whether the proprietor could impose the adoption of features or force changes in the product without a fork happening. Whether Ogg qualifies as proprietary under this "de facto" definition, I don't know, but the possibility shouldn't be automatically rejected out of hand.

    1. Re:Proprietary == controllable by Lonewolf666 · · Score: 1

      I think your definition is a good one.

      Considering the history of other projects, especially XFree/X.Org, the answer is "Ogg is controllable as long as people are not seriously dissatisfied".
      Because creating and maintaining a fork ist extra work, it is unlikely to happen as long as people are mostly happy. But do something really annoying, and you can expect a fork that might even displace the original product.

      So there would be something like "a bit proprietary" ;-)

      --
      C - the footgun of programming languages
  66. Theora better for streaming? by Britz · · Score: 1

    I am not sure, but as far as I remember Theora was said to be better suited for streaming.

  67. Insensitive Clod. by crhylove · · Score: 1

    I think it's high time we had a !idiots tag.

    --
    I hold very few opinions. I hold information based on observation and fact. If you wish to disagree, please use facts.
  68. T'was the Caterpillar by flyingfsck · · Score: 1

    not Humpty Dumpty. Your pre-school graduation certificate has been revoked.

    Signed, Miss Grundy.

    --
    Excuse me, but please get off my Pennisetum Clandestinum, eh!
  69. Proprietary == control by argent · · Score: 1

    Also afaik vorbis and theora are not ITU, ISO or whatever standards, that's why they say they are propriatery.

    Of microsoft got OOXML fast-tracked as a standard, would that have made it any less proprietary?

    Proprietary doesn't mean "it's not GPL" and it doesn't mean "it's not ISO". It means there's a proprietor who has effective control or ownership of it. Whether it is, in short, "property". You can even have standards based on proprietary formats... like MP3 (licensed by Fraunhofer). Whether Xiph has effective control over Ogg or not, at this point, I don't know... but that's independant of whether it's adopted as a standard.

  70. nobody is asking the obvious by j1mmy · · Score: 1

    why is HTML5 standardizing or recommending anything in regards to video content?

    1. Re:nobody is asking the obvious by dave420 · · Score: 1

      Because more and more sites are using HTML to show video, and having a standard format means you don't have to support 5 different players, just one format, and you know it'll work perfectly on any browser that supports HTML5.

  71. AAC, then? by SanityInAnarchy · · Score: 2, Informative

    Both are patent-encumbered at the moment, and AAC sounds a lot better.

    No, people don't love mp3 because of iTunes, it's the other way around -- iTunes would not exist, were it not for mp3. People don't particularly love mp3, either, they just assume it's the only option out there -- kind of like Windows on PCs.

    --
    Don't thank God, thank a doctor!
    1. Re:AAC, then? by kisielk · · Score: 1

      Actually, most people don't know or don't care about the actual audio format. So long as their media play and application can play their songs, they're good.

    2. Re:AAC, then? by alexgieg · · Score: 1

      True. From my experience, it seems normal people assume MP3 to mean "music player, version 3". So much that in the streets you see people selling not only "the new MP4 players" as well as the "brand new MP5 players!!!!". Sad but true.

      --
      Conservatism: (n.) love of the existing evils. Liberalism: (n.) desire to substitute new evils for the existing ones.
  72. Nokia is scared by m2943 · · Score: 1

    Although Nokia is doing well world-wide, Nokia has an aging, proprietary software infrastructure, and they are now facing open source Android in addition to iPhone and Windows Mobile. It is in Nokia's interest to narrow the field and impose additional costs on their competitors, and forcing the adoption of proprietary and DRM'ed audio and video codecs is one way of doing that.

    In addition, a non-DRM'ed codec simply doesn't fit in with their new "service"-oriented business model, where, in addition to charging for the handset, they want to be able to sell you lots of stuff over the air--ring tones, video clips, TV channels--stuff that in Google's world view would simply end up being free and ad supported.

  73. mod parent up by trawg · · Score: 1

    I replied before I read this comment, otherwise I would have modded you up.

    We are a small webdev company and I have been trying to make sense of the patent mess as far as video goes for ages, after I spent some time investigating what is required to LEGALLY make video work on the web.

    Anyone can build a youtube equivalent using FFMPEG with some simple scripts and other tools chained together. Unfortunately in the process you'd almost certainly be violating various patents. Trying to find out which ones they are, or commercial tools to do the same job, is really not very easy.

    I'm currently waiting for a response from MPEG-LA about what's involved in correctly licensing an open source software package (using, say, x264) for h.264 encoding.

  74. "Ogg" isn't a codec, anyway by Schraegstrichpunkt · · Score: 1

    They're severely confused. "Ogg" isn't even a codec. It's a container format that can be used to transport and synchronize Vorbis and Theora streams (as well as other formats, IIRC).

  75. stupid argument by m2943 · · Score: 1

    Nokia argues that they need DRM for their business model and that H.264 supports it while Ogg doesn't. Well, they are wrong. H.264 doesn't support DRM any more or any less than Ogg does.

    All DRM solutions right now are non-standard and proprietary, so which codec one chooses for video is immaterial. Furthermore, a DRM standard that is tied to a particular codec is a really bad idea, because it means that the DRM mechanisms will have to be reimplemented when the video codec changes.

    So, maybe there should be an open DRM standard. If so, it should be a generic DRM container format, and it should be standardized separately from the codec.

    DRM-related arguments, however, are unrelated to which codec to pick. The only reason Nokia would care is because either they just don't like patent-unencumbered codecs, or because they already have their own proprietary DRM solution for an existing standard and don't want to change. Actually, I think in the case of Nokia, it's both.

  76. you haven't been looking very hard by m2943 · · Score: 1

    There is no need to re-encode. I'd say about 1/3 of the players in the store (at least where I shop) support Ogg; anything from cheap Asian players to high-end multimedia monsters. Samsung supports Ogg on many (all?) of their players.

    Either you haven't been looking very hard, or you're trolling.

  77. consider yourself shot by m2943 · · Score: 1

    Ogg is not "equal or superior to most other codecs" because it's not a codec. It's a container file that holds content compressed using a codec.

    You're splitting hairs and not being reasonable. The term "Ogg" has taken on the meaning of "Vorbis inside an Ogg container" and "Theora inside an Ogg container". That's why people talk about audio and video players "supporting Ogg".

    For the WC3 to push an obscure format that nobody uses as the baseline of web video of the future is absurd.

    Nobody was using any of the other video standards before they were adopted as standards either.

    In any case, you're completely missing the point here. The issue is not whether Ogg is a good format for video on the web, it's what Nokia's opposition to it means. And Nokia's opposition is plainly driven by a desire to keep new and smaller players out, because Nokia is quite comfortable with costly and proprietary standards.

  78. Thank you Nokia by loconet · · Score: 1

    Thank you Nokia for making my decision a whole lot easier. A friend and I are in the market for a new cellphone/smart phone, thanks to this info Nokia is now out of the question. Thanks for making easier to choose.

    --
    [alk]
  79. warning: parent is biased Apple supporter by m2943 · · Score: 1

    If you go to DECS's home page, you'll see that he's strongly biased in favor of all things Apple. So, take his comments with a big lump of salt. In his Apple-centric world-view, of course, MPEG4 and AAC are the natural Internet audio and video formats, and, of course, DRM is the right way of doing business.

  80. But Slashdot is in the United States by tepples · · Score: 1

    Ogg isn't open vs closed MPEG-4; they're both open containers available for non-discriminatory licensing. MPEG-4 licensing is discriminatory against free software distributed in the United States.

    MPEG-4 [...] is also supported by FOSS (x264 is among the best implementations). Is this legal in the United States?
  81. LDTV is the new HDTV by tepples · · Score: 1

    So instead of an HD movie being 50GB, it'll be 100GB? Who gives a seck about high definition? I thought LDTV was the new HDTV, just as LD audio (128 kbps MP3) has beaten HD audio (DVD Audio and SACD).
    1. Re:LDTV is the new HDTV by DECS · · Score: 1

      LD also uses H.264 to achieve portability for mobile devices. Compression is critically important for both today's portable video and the HD video that currently exists as a niche product.

      I realize you were just trying to be funny.

  82. Cowon is your friend n/t by Anonymous Coward · · Score: 0

    nt

  83. apple and html5 by Anonymous Coward · · Score: 0

    Guys, Apple isn't opposed to open standards; it uses them (H.264 and AAC are both published by The international standards organization, if that's a hint). Apple has not 'aggressively' either opposed Ogg or proposed 264/AAC for HTML5, merely stated that even if Ogg etc. were to be mandated, Apple might not support them, given uncertainty about the possible IPR position. I don't believe that Apple is listed as claiming IPR in AAC, either. Yes, H.264 and AAC carry patent costs. Finally, you might notice the recommendation from the engineers in the HTML5 group that the W3C staff investigate this issue, since they believed that (like many of the people here), the engineers in the group are not qualified to talk about IPRs and license issues, are often barred from reading patents by their employers, and could be seen has having a vested interest.

  84. nokia claim ogg format as propreitery by unmukt · · Score: 1

    This is confusing. The paper from Nokia states, 'Anything beyond that, including a W3C-lead standardization of a "free" codec, or the active endorsement of proprietary technology such as Ogg, ..., by W3C, is, in our opinion, not helpful for the co-existence of the two ecosystems (web and video), and therefore not our choice' Whereas the Vorbis sya that 'Ogg Vorbis is a completely open, patent-free, professional audio encoding and streaming technology with all the benefits of Open Source.' Nokia is not it elf claiming ownership? Is it an obvious mistake or something else? Will some clarify as to what is correct?

  85. FUCK EM!!! by axia777 · · Score: 1

    Even if it is "proprietary" I will use for free anyways! It is too late to put the genie back in bottle. Lots of people use it for free and will continue to do so.. How in the hell is Nokia EVER going to enforce any thing to stop us from doing so? To hell with Nokia.

  86. proprietary vs. property? by tepples · · Score: 1

    I'm sorry, but I think you confuse "proprietary" with "property". They aren't the same word True. "Proprietary" is ordinarily an adjective, whereas "property" is ordinarily a noun.

    and don't mean the same thing. "Proprietary" means "exclusively owned", while "property" means "something owned", that is, something that is proprietary. In law, "property" refers to a bundle of exclusive rights (such as a patent on an invention or a title to land), or the object of exclusive rights (such as the invention or land itself).

    Thus, the owner of something (whose property it is) can release it in such a way that it not proprietary. If something has been made not "proprietary", then in what meaningful sense is it "property"?
    1. Re:proprietary vs. property? by civilizedINTENSITY · · Score: 1
      You said, "Proprietary" means "exclusively owned", but Websters says:

      something that is used, produced, or marketed under exclusive legal right of the inventor or maker; specifically : a drug (as a patent medicine) that is protected by secrecy, patent, or copyright against free competition as to name, product, composition, or process of manufacture

      The difference is that between ownership and the exclusion of rights. One would continue to own the property even if one granted access to rights. The degree of exclusion would indicate the degree to which it remained proprietary. If one uses the GPL, one still remains the sole owner of one's code (assuming you started from scratch and aren't obligated to use the GPL). You and only you can distribute your code by changing the license. However, you are passing along the rights to modify, copy, and distribute the code to others so long as the same degree of lack of exclusion is sustained (by remaining GPLed). Everyone who receives your code (as it passes along) has now been granted what used to be exclusively your rights. But no one except you owns it.
  87. Windows Logo by tepples · · Score: 1

    When attempting to opening the file with an unknown file type and selecting to "Have Microsoft search the web for an appropriate application for this file type", it states that it is unable to find any programs compatible with that file type. As I understand this feature of Windows, it searches only inside a catalog of programs whose publishers have paid for Windows Logo certification. This costs hundreds of dollars just for the Authenticode certificate plus hundreds more for the qualification.
  88. Time to whip out the STFU gun! by Enahs · · Score: 1

    Look. It's Ogg Vorbis. Ogg is the container. Vorbis is the format. If you can't handle that, if you think it's too geeky, please step away from your computer and smash it to bits, as you're far too stupid to deal with modern technology. Might I suggest a career in waste disposal?

    --
    Stating on Slashdot that I like cheese since 1997.
    1. Re:Time to whip out the STFU gun! by joto · · Score: 3, Funny

      Look. It's Ogg Vorbis. Ogg is the container. Vorbis is the format.

      I don't care. I've never seen a .vorbis file. All I've ever seen is a .ogg file, .ogg files contain music that plays well on my computer, but unlike .mp3-files, not so well on my mp3-player.

      If you can't handle that, if you think it's too geeky, please step away from your computer and smash it to bits, as you're far too stupid to deal with modern technology. Might I suggest a career in waste disposal?

      Look, if you can't handle that 99% of the world just doesn't care about containers and codecs, but use the file extension to determine media format, you are seriously lacking in social intelligence, and need to be confined to live in solitude for the rest of your life. May I suggest a career in computers?

    2. Re:Time to whip out the STFU gun! by csrster · · Score: 1

      Everybody who doesn't understand container formats should smash their computers? Well I'm ok then. But I wouldn't know a carburettor from a carbohydrate so I guess I'd better smash my car.

    3. Re:Time to whip out the STFU gun! by LordSnooty · · Score: 2, Insightful

      But you'd be seriously lacking in technical intelligence if you assume that file extension = media format. What codecs were used in this .avi, for example? can you tell without analysing the file?

    4. Re:Time to whip out the STFU gun! by 49152 · · Score: 1

      BZZZT, wrong. Total failure to get the point.

      Look, I will try to make it really simple for you, only two bullet points ;-)

      * I can handle that.

      * 90% of the worlds population cannot.

      Is it really that hard to understand the difference?

      Perhaps you should think a little harder before you whip out that STFU gun ;-)

    5. Re:Time to whip out the STFU gun! by jrockway · · Score: 1

      > Look, if you can't handle that 99% of the world just doesn't care about containers and codecs, but use the file extension to determine media format, you are seriously lacking in social intelligence, and need to be confined to live in solitude for the rest of your life. May I suggest a career in computers?

      Look, 99% of slashdot readers come here because they want to talk to other intelligent people. Stuff like codecs and containers matters to us. Slashdot isn't the real world, this is where geeks talk about geeky stuff. The rest of the world will figure it out eventually; in the mean time, we don't really care.

      Anyway, you are seriously lacking in social intelligence, and need to head over to digg. May I suggest killing yourself?

      --
      My other car is first.
    6. Re:Time to whip out the STFU gun! by bentcd · · Score: 1

      But I wouldn't know a carburettor from a carbohydrate so I guess I'd better smash my car. And your kitchen :-)
      --
      sigs are hazardous to your health
  89. Sandisk sansa running rockbox by Anonymous Coward · · Score: 0

    Support for video and ogg vorbis on inexpensive, tiny devices. Best of all worlds.

  90. Multiple simultaneous sound effects? by tepples · · Score: 1

    If you used .wave instead the audio files could end up being bigger than the entire rest of the game. Except that's almost exactly what a lot of CD-ROM games published in the early to middle 1990s for consoles and Multimedia PCs did: they encoded their music in "Red Book" tracks that play on any standard CD player. But even on modern hardware, how can a handheld gaming device decode multiple simultaneous sound effects in real time with only 100 MHz of CPU power split across two cores?
  91. Actually, there IS such a thing... by Svartalf · · Score: 2, Informative

    Discriminatory licensing would be for me to license the rights to a given patent to the FOSS community but NOT license it to MS because they've been naughty.

    Non-discriminatory licensing is where anyone that pays the up-front and ongoing royalty price gets to license it.

    If I license it for FREE, then that's the price.
    If I license it for a fifty cents per instance using the hypothetical patent then that's the price.

    Anyone stepping up to the plate gets to license.

    RAND (Reasonable And...) means that it has to be some realistic thing per unit- say zero to something proportionate to it's liability to be used, for example the MP3 patents are licensed out in a reasonable fashion (Reasonable being if you're implementing DVD players or portable music players...). Unreasonable would be something like $500 per instance for something like that.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  92. Yes there is by Sycraft-fu · · Score: 5, Interesting

    Non-discriminatory doesn't mean "Doing whatever anyone wants," it just means being consistent. In the case of a license it means two things:

    1) The license must be available to all comers. You do not get to choose who gets a license, anyone who pays the fee gets a license.

    2) The fee must be fixed. One person can't get a sweetheart deal and another get the shaft.

    You meet those criteria, that is a non-discriminatory license, you aren't discriminating.

    Take a situation where I own a bar. If I have a night where I sell beer to any customer for $2, that's a non-discriminatory special. Whoever you are, you get to have beer for that price. However if I run a special where only girls in tight shirts get $2 beers, that's a discriminatory special. I am dictating who or what you must be or do to get the pricing.

    Trying to redefine things just because you don't like how it works doesn't change how it really is. You aren't being discriminated against just because someone won't give you something for free. You are only being discriminated against if they will give it to someone else for free, but not you.

    1. Re:Yes there is by GrouchoMarx · · Score: 1

      The discrimination is "low cost to those who are looking to make money off of it" vs. "too expensive for those not trying to make money off it by selling per unit". That's a discriminatory situation.

      --

      --GrouchoMarx
      Card-carrying member of the EFF, FSF, and ACLU. Are you?

    2. Re:Yes there is by Svartalf · · Score: 1

      That's not how that term is used in that parlance. You can choose to call it what you want to, but to quote Inigo Montoya...

      "You keep using that word...I don't think it means what you think it means..."

      Discrimination is being particular and inconsistent in your licensing terms, just like the parent poster told you.

      It's not being for free for those that don't want to make money off of it and for a fee for those that do- in terms
      of the use in the context of licensing, if you had it your way, it would be called discriminatory licensing. (You're
      discriminating against the people that can afford to pay the royalty...). Just because YOU don't want to be paying
      for it, doesn't make it discriminatory if you have to pay some pittance to use it in your stuff. You're not discriminated
      against, you're just being cheap.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  93. A truthful tool by Anonymous Coward · · Score: 0

    The current perception ? WTF ?

    Well, it's true. The current perception is that Ogg is free. It just so happens that the current perception is also correct this time. Hooray!

  94. Re:No. You're wrong. by mhbtr · · Score: 1

    AAC is a licensed standard of MPEG-4. It is not free and open, and it certainly has a much larger market share than ogg audio formats (again, none of this is about audio, but video, so take my response as a response to the non relevant post...)

    AAC is implemented in QuickTime, true, and probably in Trolltech's QT (not sure which QT you were referring to). It is ALSO implemented in the XBox 360, the Zune, Real Player, Sony PSP and PS3, and most players these days. It is also the base audio CODEC for HD DVD and for Bluray. There is no disputing AAC has a lot of support, and WAY more support than .ogg. We the /. crew do NOT represent the consumer space - we represent the tech geek space.

    AAC got implemented by Apple because it had way better features than Mp3 (support for more channels, higher bit depths, better quality at the same size, industry support, and being wrapped in DRM IF NECESSARY (not required). Also, ogg did not even EXISTS at the time Apple adopted AAC as their standard (and no, it is not THEIR standard, it is an open licensable standard)

    But I digress - this is supposed to be about video ;)

    --
    "You sir, have no right being president" - Keith Olbermann

  95. DRM is EVIL by Anonymous Coward · · Score: 0

    DRM systems are not compatible with digital freedom: coercive software on personal devices is bare evil, period.

  96. DRM? by FrostedWheat · · Score: 1

    That's the worse excuse I've ever heard. I wonder if Nokia would have objected all those years ago when JPEG was selected as a baseline image format for the web -- it has no DRM you know? And as we all know, without DRM it'll be doomed! Oh wait...

    I've always viewed Theora as the video equivalent of JPEG - it's quality is not the best, it doesn't have all the features of the shiny newest codecs - but it can be made to work everywhere. You don't need permission, and don't need to pay anyone for the privilege. There may be patent leech issues sure, but that's a risk with every other single codec - Theora is no more at risk than any other developed in the last 10 years.

  97. i sometimes imagine... by Anonymous Coward · · Score: 0

    ...bitbuckets arranged in a champagne-glass fountain type stack. it must be analogous to something.

  98. lockin, lockin... by js_sebastian · · Score: 1

    Apple implements DRM when they have to and removes it when they can, this is because their goal is to sell hardware. and you think that having a chunk of your music collection wrapped nicely in iTunes DRM doesn't help them sell you your next ipod?
    1. Re:lockin, lockin... by 99BottlesOfBeerInMyF · · Score: 1

      and you think that having a chunk of your music collection wrapped nicely in iTunes DRM doesn't help them sell you your next ipod?

      How big of a chunk are we talking? The last study I saw showed somewhere between 1% and 1.5% of the music in an average user's iPod was purchased from any online store. The rest was free downloads, CD ripping, and P2P. When you buy from iTunes you get a reminder to immediately burn a CD formatted backup (no DRM). The average iPod has about 3500 songs on it. When you rip a CD, no DRM is added by default. This means that assuming all those sales are from the iTMS, the average user has to re-rip two or three CDs, not a big barrier to getting a different player. Apple knows these numbers better than the analysts. The lock-in value of the DRM for Apple is very, very small. That is probably why Apple has been pushing for DRM free downloads. The bad publicity they get from people talking about lock-in is probably more damaging than the tiny benefit Apple gets from the lock-in. More importantly, Apple doesn't need the DRM lock-in. They already have the brand recognition, the loyal user base, an enormous industry of third party add-ons and interfaces, and a really solid product that won the market before there was any lock-in. It also puts them at risk for antitrust lawsuits if their market share gets any bigger.

      The value of DRM as a lock-in for iPod users is nothing compared to the value of all the car stereo and home theater makers who build products to work specifically with iPods. Apple doesn't need the DRM to help resale and they've demonstrated they don't want it by their efforts to get the industry to move away from it. If they did want it, they could wrap Ogg just as easily.

      Sorry, but DRM probably played no role at al in Apple's opposition to Ogg as the standard format.

  99. your forget the licence fees and restrictions by Anonymous Coward · · Score: 0

    After realizing there was no reason to fight MPEG-4 with a proprietary runner up, On2 donated Theora to Xiph to use with Ogg, and Xiph published it as an open specification. However, Microsoft basically did the same thing: it published WMV with the SMPTE group as an "open standard" called VC1.

    This seriously misses (or should that be evades) the point. VC1 was pushed as a standard because Microsoft own/owned the encoding business and desperately needed to grow a moribund market. They must have been desperate because management forgot just how many patents it infringes, some of them from MP4!

    Like MP4, VC1 licences cost money and there's nothing Microsoft or SMPTE can do to change that. With that come restrictions. Ogg+vorbis/Theora come without the fees or restrictions because someone remembered to check for patent problems and negotiate the right licences. You want to mess with VC1, expect to pay for the privilege, even if you just implement the naked spec. In that sense the Ogg+codec format is truly more open.

  100. Vorbis/Theora is BSD by Anonymous Coward · · Score: 0

    So why bring up GPL?

    When it comes to W3C requirements, you should be asking yourself "can Apache use it"? If not, then no, it cannot be a standard requirement.

  101. No! Don't wreck your system.. by zippthorne · · Score: 1

    /dev/null is a file! and it's very important to system operation. You should never overwrite your /dev/null.

    --
    Can you be Even More Awesome?!
  102. Vorbis cpu requirements by Terje+Mathisen · · Score: 2, Informative

    I have recently written what I believe is the world's fastest Ogg Vorbis decoder, it takes about 600 ms to decode my longest song sample (4:05 minutes encoded with 192 Kbit/s for a final filesize of 5.7 MB).

    IMHO there are just a few problems with Vorbis, cpu load is not one of them:

    a) It is not at all suitable for contineous streaming, with multiple receivers connecting/disconnecting on the fly, since you have to start by decoding the 4-8 KB header before you can make any sense of the sound frames.

    b) To get decent decoding performance, you have to unpack & cache all the codebook information in the header packets, this requires from about 50 to 300 KB, which can be significant in a small device.

    c) Even though Vorbis is in theory independent of the Ogg container format, most existing source code expects to find Ogg frames surrounding all Vorbis packets. This is an implementation and not a specification problem.

    d) Vorbis really prefers to have fast fp support available, but Theora is an open-source fixed-point implementation which has been used as the starting point for quite low-resource embedded implementations.

    Terje

    --
    "almost all programming can be viewed as an exercise in caching"
  103. Good discussion, but anyone who's any one knows that WMA achieves transparency with CD audio at 64kpbs and so already the de facto winner of the format wars. (wink)

  104. Naive question by sacrilicious · · Score: 1

    Why does it matter whether format xyz supports DRM? Can't DRM be overlaid on any arbitrary format with the simple use of encryption?

    --
    - First they ignore you, then they laugh at you, then ???, then profit.
  105. The real question is by Anonymous Coward · · Score: 0

    Since when does the W3C standard matter to the world anyway?

    I'm a web programmer by day, and let me tell you that at least 80% (if not more) of the sites out there do not respect a single recommendation the W3C publishes. Yea, they're "just" that: "recommendations".

    As a matter of fact, most of the time when you're trying to play by the books and follow their recommendations, you end up with sites that do not work across all the major browsers (mainly IE), and you have to hack around it or break the "standard".

    Bottom line is, whatever the W3C decides is not what everyone is going to do. I have yet to see a browser that implements the W3C recommendations to the T, but that's a different story.

  106. Wrong by Anonymous Coward · · Score: 1, Informative

    Vorbis' CPU requirements are less than AAC's. However, a lot of player hardware has accelleration support for AAC and not Vorbis. Also, Vorbis is a bit more memory intensive than AAC, which on some platforms (the nearly-cacheless ARM in the original ipod) is a problem for pure software implementations.

    There is a $1/unit hardware vorbis decoder chip out there which draws less than 50mw. All the modern software based players have CPUs which are easily fast enough for Vorbis, without any loss of battery life.

    The issues here are not technical. They are political. If you ship free formats in your device you pay 10x the licensing fees for MP3 and AAC. It's good old fashion monopoly extension tactics for the win.

    The W3C HTML5 proposed standard allows any codec to be included, but Ogg/Theora+Vorbis is recommended as a baseline. Other than another 100k of flash storage, including that as an option along side whatever H.264 DRM++ codec would be harmless to Nokia, but the additional fees they would need to pay for H.264/AAC licensing because they included free formats would make that decision quite uneconomical indeed.

  107. AAC vs Ogg? by Midnight+Thunder · · Score: 1

    I am just curious as to what the advantages of Ogg are over AAC? AAC is already part of MPEG4 and has plenty of associated implementations, including a number of open source ones. Other than the fact it was developed outside the realm of a large corportation, what is Ogg gving me?

    --
    Jumpstart the tartan drive.
    1. Re:AAC vs Ogg? by Anonymous Coward · · Score: 0

      Ogg = Container
      Vorbis/Theora = Codec
      It's not that hard really.

      What?

  108. And what shall we do until 2018? by Anonymous Coward · · Score: 0

    The last of the patents required for making a high quality MP3 encoder was granted in 1998 and should expire around 2018.

    I would *hope* that long before 2018 we'll have new generations of codecs which make MP3 seem quite pathetic by comparison, which will, of course be even more proprietary than MP3 unless we break this cycle. Otherwise years before MP3 expires the codec licensing folks will drive MP3 out of everyone's devices by offering really attractive pricing to device makers who exclude it or degrade it just as they do with Ogg/Vorbis today.

    And even if you don't buy the above argument, what are we to do until then? I think you're dismissing Xiph's efforts too quickly.

  109. But... by Junta · · Score: 1

    Ok, WoW and Guitar Hero II are two targets that might be appealing, however, I think a patent troll might still choose to hold their hand waiting for a popular commercial music player to adopt Vorbis decoding features. Targetting a one-off game or handful of such games would severely limit the amount of reward for revealing their patent, compared to say, if Apple added Vorbis capability to an iPod at some point. Vorbis could have incorporated a patented method accidently as late as 2000 or so, theoretically (basic concept is older, but anyway). There could still enough life left on the patent that a patent troll is willing to wait just a bit longer to potentially maximize the investment.

    --
    XML is like violence. If it doesn't solve the problem, use more.
  110. US vs. EU by DrYak · · Score: 1

    With the American firmware, it is not a USB Mass Storage device; you have to use MTP to transfer files (it honors DRM, of course). I re-flashed it with a European firmware from Samsung's international website, and not only is it now a USB Mass Storage device, but it now supports Ogg/Vorbis.


    Maybe that explains why we here can find a huge lot of different models of OGG-enabled memory USB sticks and players,
    while the US /. constantly complain that OGG is useless for players and can hardly find one.

    I went looking to see why the US firmware didn't have Ogg/Vorbis support, and it seems that in order to get Microsoft's "Plays For Sure" logo, your device is not allowed to support Ogg/Vorbis. Since that logo program didn't exist for Europe, Samsung left Ogg/Vorbis support in the European version of their firmware.


    Forcing a non-standart proprietary protocol when a perfectly open exists for file transfers ? And on top of that forbidding a concurrent open standard for audio ?
    That won't even have the life expectancy of a snow flake in Hell's lava pool if brought to an European court.
    That explains a lot about the disparity between US and EU players.
    (And shows a lot about the justice in the "USA, Land Of The Free Corporations".
    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
  111. ignorant, not stoned by CustomDesigned · · Score: 1

    I don't drink, but I am feeling very sheepish for missing such an important option. Thank you for informing my ignorance - the insult is deserved.

  112. 'dsclsore requirements' by onsblu · · Score: 1

    I'm not inclined to read a position paper that has a typo on the second page which a spell-checker could easily fix.

  113. John Cage's 4'33" doesn't fare so well ... by Anonymous Coward · · Score: 0

    ... it lacks the warmth an rhythm of the source version so, as an audiophile, it is abhorent to me - even on my Anjou cables.

  114. In other news... by Anonymous Coward · · Score: 0

    This just in. The Queen of England has declared the English language proprietary and has begun issuing cease-and-desist notices (and, in the US, DMCA takedowns) on non-British dictionaries, thesauri, and style guides. Also, pencils, printers, and word processing programs are copyright circumvention tools.

  115. Vorbis is an audio codec (+Speex, +FLAC) by Anonymous Coward · · Score: 0

    Holy crap, for someone with such a low id you are soooo clueless
    http://xiph.org/ogg/ has "The Ogg container format" as the first headline.

    http://wiki.xiph.org/index.php/MIME_Types_and_File_Extensions addresses your other bumfoolery.

    r00t, you've been p0wned.

  116. Meaningless without context by xiphmont · · Score: 1

    I wrote that in the context of the frankest possible assessment of Theora toward bringing it up to 'best-in-class' status. Have a look at the development resources being put into it right now, especially the 'theora-exp' and 'theora-thusnelda' branches. Thusnelda is the most active, and has just moved from the 'remove all the dodge' phase into 'rebuild from the good' phase. Theora-exp is a complete implementation directly from spec with no relationship to the original VP3 code (Thusnelda is a hybrid of pieces of the original VP3 code, pieces of theora-exp, and my own optimization work). The improvements realized in exp and thusnelda are already moving into the mainline.

    We fully intend to bring Theora's performance up to par with the current state of the art while maintaining a much lower complexity requirement. That's one piece missing from the discussion so far; Theora is a much simpler codec that h264 or MPEG4, yet we expect it to stay competetive for a number of years yet. You'd think that would be important to mobile manufacturers. It is certainly important to OLPC. You can encode and decode Theora HD video entirely in C; the others require aggressive assembly to acheive realtime.

    Anyway, the link you provide is an unflinching, critical identification of inadequacies and we're knocking off those inadequacies one by one (several of those 'inadequacies' exist in other codecs, BTW, including MPEG4 and h264). Theora has followed an arc very similar to Mozilla after it was cast off by the dying netscape. We've just reached the point where it's picking up development speed because people realize, oh shit, we actually need this...