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Record Companies Sued Over Charley Pride CD

DevNova writes: "This posting describes a woman in California suing Fahrenheit Entertainment, Inc. and its label Music City Records over CDs she has purchased which use a proprietary music encoding scheme that prevents them from being listened to without the user identifying themselves. These CDs won't play on standard CD players, are not encoded in the popular MP3 format, and will not play on a computer until the user enters personal information. A large part of the suit is that Fahrenheit discloses none of this information on the packaging."

429 comments

  1. ffff by Anonymous Coward · · Score: -1, Offtopic

    firrrst poooost!!!

  2. could it very well be by Anonymous Coward · · Score: -1, Offtopic

    a first timer?

    stupid lameness filter - Im gonna loose this one because of the stupid wait period

    1. Re:could it very well be by Anonymous Coward · · Score: -1, Offtopic

      nope, I got it! suck on my domination!

      (lameness filter almost got me too)

    2. Re:could it very well be by Anonymous Coward · · Score: 0

      bastards - I was so close to my very own first post. I have had 3 2nd posts, no thanks to the stupid lameness filter.

      I bow before you, for you have beaten me

  3. Gay Pride by wurk · · Score: -1



    * g o a t s e x * g o a t s e x * g o a t s e x *

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    o \ \_// ((> \ | o

    a \ . C ) _ ((> | / a

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    * g o a t s e x * g o a t s e x * g o a t s e x *



  4. How dare she! by Anonymous Coward · · Score: 0
    How dare she defy the will of our Corporocracy!


    The nerve. They must know her name and info so
    they can sell her MORE crappy music.

    1. Re:How dare she! by Anonymous Coward · · Score: 0
      Corporocracy

      No, Plutocracy.

      Much more pronouncable.

    2. Re:How dare she! by Moray_Reef · · Score: 1

      Plutocracy is government by intellectuals.

      If you want to do some research to prove this, you might want to look up irony while you are at it.

      --
      If you voted for Nader, THIS IS ALL YOUR FAULT!!
    3. Re:How dare she! by sensate_mass · · Score: 2, Informative

      Deep irony.

      plutocracy (pl-tkr-s)
      n. pl. plutocracies
      Government by the wealthy.
      A wealthy class that controls a government.
      A government or state in which the wealthy rule.

      Oh, never mind.

      --
      --- Submission is feudal.
    4. Re:How dare she! by quantum+bit · · Score: 1, Funny

      No, Plutocracy.

      Government by a cartoon dog?

    5. Re:How dare she! by alkali · · Score: 1

      The real question is: Is plutocracy rule by a planet, or isn't it?

    6. Re:How dare she! by Anonymous Coward · · Score: 1, Funny
      Government by a cartoon dog?

      Well, why not? Government by a cartoon mouse seems to be working well enough for the patent office. =P

    7. Re:How dare she! by NickFusion · · Score: 1

      "If you voted for Nader, THIS IS ALL YOUR FAULT!"

      If you didn't vote for Nader, you're happy with the Status Quo.

      --
      What were you expecting?
    8. Re:How dare she! by Jaysyn · · Score: 1

      Pluto was the Roman god of the Underworld & wealth...that's where the pluto root comes from.

      Jaysyn

      --
      There is a war going on for your mind.
    9. Re:How dare she! by Anonymous Coward · · Score: 0

      That's copyright, you anonymous moron.

      I would like to be able to moderate this post "-1, stupid"

  5. That will be short-lived by ImpactSmash · · Score: 2, Insightful

    Sort of like DVDs vs. DIVX.

    1. Re:That will be short-lived by Anonymous Coward · · Score: 1, Informative

      Bad analogy. DIVX wasn't supposed to take the DVD market directly. It was supposed to kill blockbuster and rental places.

    2. Re:That will be short-lived by ackthpt · · Score: 4, Funny
      DIVX? I was under the impression that DIVX video discs where designed to play once or twice then fade and be unreadable. I don't recall that technology requiring any more input that a remote control.


      Charley Pride, a long time country singer, is an ironic twist for this type of suit. I suppose, once she's entered her name, address, csz, country, birthdate, drivers license, ssn and given a blood sample, she'd be rewarded with a country/blues song, such as, "Got them Invaded Privacy Blues", "Someone exploited their server and is maxin' out credit cards in my name" or "Mrs. Brown of 2348 West Cloverleaf Drive, Wooster Massachusetts, 10112, USA, who drives a green '98 Ford Explorer and has iron poor blood, you've got a lovely daughter"

      --

      A feeling of having made the same mistake before: Deja Foobar
    3. Re:That will be short-lived by Anonymous Coward · · Score: 1

      Nope, DIVX was a dial-out DVD player that would prevent you from watching a film if you never payed the toll to unlock it. I dont think the fading disc technology was ever released to the market, largely due to its environmental unfriendliness.

    4. Re:That will be short-lived by firewort · · Score: 3, Insightful

      No, the DIVX player required a phone line and had a modem that dialed in to grant permission to play the discs.

      You could pay per view as often as you liked.

      --

    5. Re:That will be short-lived by Anonymous Coward · · Score: 0

      It's Worcester, MA (or Woostah), not Wooster.

    6. Re:That will be short-lived by Anonymous Coward · · Score: 0

      Have you heard those God-awful radio jingles that the city of Worcester airs?

    7. Re:That will be short-lived by guttentag · · Score: 2, Interesting
      I would like to think so, but was DIVX backed by Microsoft? According to Fahrenheit's Web site:
      The company's newly designed corporate website at www.sunncomm.com will serve as a portal to consumers and permit authorized CD owners interactive access to digital rights management (DRM) files -- a technology made available as part of SunnComm's technology relationship with the Microsoft Corp.(R).
      DIVX failed (fortunately) because it asked too much of consumers without providing any real benefit over DVD. If Microsoft has an interest in seeing this work, they'll bundle it with some "convenience feature" to make people think they're getting something and then use WindowsXX and the HomeStation to ensure people buy it. With Microsoft's assurance that people will buy it, what record company wouldn't jump on the bandwagon?

      P.S. - I particularly like this quote from SunnComm's CEO:
      "The SunnComm team sees themselves as the warriors in the fight against what has become socially acceptable larceny which takes place everyday around the world. At the same time, we create a CD that brings greater enjoyment and broadens the musical experience of the consumer."
      I almost died laughing, until I realized your average K-Mart shopper would believe that BS...
  6. of course she's suing by cheesebot · · Score: 4, Funny

    she just doesn't want anyone to know that she bought a charley pride cd.

    1. Re:of course she's suing by Anonymous Coward · · Score: -1, Offtopic

      Charley Pride kicks ass, you lame-ass fucker!

    2. Re:of course she's suing by cyborg_monkey · · Score: -1

      Charley Pride fucks ass, you lame-ass kicker.

    3. Re:of course she's suing by Anonymous Coward · · Score: 0

      IF&nbspI&nbspEVER&nbspMEEPT&nbspYOU,&nbspI&nbspWIL L&nbspKICK&nbspYOUR&nbspGOAT!

    4. Re:of course she's suing by Anonymous Coward · · Score: 0

      No, don't meept me!!

  7. Who the crap is Charley Pride? by Cesaro · · Score: 1, Offtopic

    I guess it makes sense to try out their new protection schemes on music no one is going to listen to anyways.

    1. Re:Who the crap is Charley Pride? by jmccay · · Score: 1, Troll

      Charley Pride is a country artist. A lot of people listen to Charley Pride. Unlike some artist in other music types (such as crap I mean rap) Charley Pride can perform & sing.

      --
      At the next eco-hypocrisy-meeting, count the private jets used to get to the meeting. Should be interesting to see that
    2. Re:Who the crap is Charley Pride? by Anonymous Coward · · Score: 2, Funny
      Unlike some artist in other music types (such as crap I mean rap) Charley Pride can perform & sing.

      He can't rap worth a damn though.

    3. Re:Who the crap is Charley Pride? by steevo.com · · Score: 5, Funny

      Charley Pride can perform & sing.

      He can perform both kinds of music... Country AND Western!

    4. Re:Who the crap is Charley Pride? by Anonymous Coward · · Score: 0

      Maybe we should all go buy a Charley Pride CD so we can join in the lawsuit? Then again, I can't stomache buying a Country music CD.

    5. Re:Who the crap is Charley Pride? by Anonymous Coward · · Score: 1, Informative

      http://www.topblacks.com/entertainment/charlie-pri de.htm

    6. Re:Who the crap is Charley Pride? by maroberts · · Score: 1

      He can perform both kinds of music... Country AND Western!

      Guess who has had The Blues Brothers out on rental recently! :-)

      --

      Donte Alistair Anderson Roberts - hi son!
      Karma: Chameleon

    7. Re:Who the crap is Charley Pride? by biglig2 · · Score: 1

      OK, we're geeks people. That makes us sooooooo unqualified to comment on peoples taste.

      Hey, could that be an ask slahsdot submission? "What kind of music does geekdom prefer?"

      --
      ~~~~~ BigLig2? You mean there's another one of me?
    8. Re:Who the crap is Charley Pride? by Bob+McCown · · Score: 1
      He can't rap worth a damn though.

      Allah is truly merciful.

    9. Re:Who the crap is Charley Pride? by Anonymous Coward · · Score: 0

      On a lighter not... He and my father were best friends while stationed at Fort Carson, CO in 1957

    10. Re:Who the crap is Charley Pride? by blkros · · Score: 1
      That joke's older than me fer godsake! And that's frigging old, because I know who Charlie Pride is.

      --
      Damnit, Jim, I'm an anarchist, not a F@#$!^& doctor!
  8. Fuck Plain Text posting mode by wurk · · Score: -1


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    t /\ | C )/ \ (> |/ t
    s / /\| C) | (> / \ s
    e | ( C__)\__/ // / / \ e
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  9. So what? by Alcimedes · · Score: 0, Offtopic

    This is some ghetto ass charity give away cd, right? How good could it be? You didn't pay for it, and it's likely to be a bunch of artists who's songs are either on the radio all the time or unheard of. I'd love to see someone try and release a commercial product with this scheme. If record companies are so bent out of shape about making money, this crap will never fly.

    1. Re:So what? by EllisDees · · Score: 1

      Acually, no. It was a regular old buy-it-at-the-store cd by a fairly famous country artist.

      --
      -- Give me ambiguity or give me something else!
    2. Re:So what? by Anonymous Coward · · Score: 0

      Look in the future instead of making an ass of your self by ranting about something you know about How about you make the world a better place and just shut the fuck up?

  10. Stephen King, author, dead at 54 by Anonymous Coward · · Score: -1, Troll


    I just heard some sad news on talk radio - Horror/Sci Fi writer Stephen King was found dead in his Maine home this morning. There weren't any more details. I'm sure everyone in the Slashdot community will miss him - even if you didn't enjoy his work, there's no denying his contributions to popular culture. Truly an American icon.

    1. Re:Stephen King, author, dead at 54 by Anonymous Coward · · Score: -1, Offtopic

      I don't suppose you're Steven Lightfoot, the complete nutcake who constantly calls into talk radio shows claiming Stephen King killed John Lennon? And who camped outside Stephen King's house with a sign claiming the same?

      Um, get a life either way.

    2. Re:Stephen King, author, dead at 54 by Anonymous Coward · · Score: 0

      Stephen King did kill John Lennon. There is tons of proof.

  11. Sony et al will now be more careful by cygnusx · · Score: 1

    Whatever format this CD uses, I can't see Sony etc scrambling to follow this. Joe User is at least more receptive to privacy concerns than intellectual property issues.

    Off topic, maybe its just me, but I kind of enjoy watching big media cos get shafted with lawsuits these days :)

    1. Re:Sony et al will now be more careful by kilgore_47 · · Score: 3, Insightful

      Whatever format this CD uses, I can't see Sony etc scrambling to follow this. Joe User is at least more receptive to privacy concerns than intellectual property issues.

      Sony is in an interesting position, because they are a record company AND make a line of portable mp3 players.

      Formats like the one mentioned in this article are inherently incompatible with mp3 players. Sony, being a large record label, seems to be placing bets on both sides of the free music battle.
      (yes, I realize you can use a sony mp3 player to play music you paid for.... but you and me and sony all know that playing mp3's off the net is a big appeal for consumers)

      --
      ___
      The way to see by faith is to shut the eye of reason. --Ben Franklin
    2. Re:Sony et al will now be more careful by Noer · · Score: 2

      >>yes, I realize you can use a sony mp3 player to play music you paid for...

      but not if that music is protected on CD with this sort of copy protection! This has nothing to do with playing mp3s off the net, and everything to do with being unable to rip to mp3 in the first place.

      --
      -- "Those who cast the votes decide nothing. Those who count the votes decide everything." -Joseph Stalin
  12. let's join the underground by perdida · · Score: 5, Interesting

    i am a musician and i give away all of it. i dont sell it.

    this is the only way to keep out controls like this.

    this shit is just going to get worse, and it makes me very quiet, i feel like everyone around me is a little fascist now. i won't take an opportunity in music although it's not likely i'd get one anyway since i don't look like britney spears.

    i guess that i am willing to get sick and die and not go to a hospital, or to have my own teeth fall out because i don't have benefits, so a corporate system doesn't own me.

    in a few months my honeymoon will be over.. if i don't post anymore it means i am gone for good.

    1. Re:let's join the underground by Anonymous Coward · · Score: -1, Offtopic

      I would like to insert my throbbing member into your puckered, red, raw anus. Please press 444 if you care to meet me in back of the adult movie theatre. Thank you.

      Sh00b0y

    2. Re:let's join the underground by pezpunk · · Score: 1

      hey same deal with my band. schin up, yer not alone.

      --
      i could live a little longer in this prison
    3. Re:let's join the underground by WhiteWolf666 · · Score: 2
      I share your feelings of disappointment with the system, but:


      I don't think that you necessarily have to give up on the opportunity to make any sort of income to respond to that.


      Think performances. It seems to me that a totally legitmate way to deal with this is actually encourage people to distribute your music freely (online, on cd, on tape, on whatever), and then work various jobs to make ends meet.


      In fact, I think as long as one operates like this, people who appreciate your music have no problem paying a bit of cash to see a show of some form.


      Make the Music itself free(or GPL it(can one GPL music?)). Ask people to support (in a non-exorbantant fashion) you live.


      This seems like an entirely fair system, which brings listeners closer to the artist.

      --
      WhiteWolf666 an exBush supporter. All you new-school,compassionate,save the children Republicans can rot in hell
    4. Re:let's join the underground by Zordak · · Score: 2

      This just reminded me of something I saw flipping through cable channels once. There was a little spot about one of those has-been 80's hair bands (I think it was Poison). It was talking about how in their early days, when they were pretty much broke, they would let fans come visit their dive and tell them to bring a pizza or something. That's how they ate until they got some cash flow. I would have to say that for folks in that situation, the more exposure you get, the better. If MP3's had been around at the time, they probably would have been all for music sharing, because music sharing = more fans = more people at your concert = more people who want to come visit you = more pizza.

      --

      Today's Sesame Street was brought to you by the number e.
    5. Re:let's join the underground by Rimbo · · Score: 2

      Another idea is that you can use your recordings to promote the real product -- your ability to write, perform, and produce your own music.

      That's what I do, anyhow.

      If I happen to make a couple of bucks selling the recordings, I usually just put them back into more "marketing" expenses, anyhow.

    6. Re:let's join the underground by Jeremi · · Score: 2

      Another way to do it is to accept voluntary contributions

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
    7. Re:let's join the underground by Anonymous Coward · · Score: 1, Insightful
      I'm constantly dissapointed to read so few posts like yours here. But I'm sorry to see you so generally down and pessimistic. A big part of the problem with the "music scene" is that it has created a completely stupid standard of success (the blockbuster, the hit song). This model serves only the record companies and makes little drug addled monsters out of most of the "Stars" it creates. We are now living in a world where so much power to create and transmit information is coming into the hands of the individual. All this record company bullshit is basically opt-in. Buy their shit, or sign their contracts, and you're taking their ride. People like you are the ONLY solution: people who refuse to get into this nazi BS over their creative production. But that doesn't mean you shouldn't find ways to get a decent compensation for your work. My pop was a minister, every day he did what he believed in. After 25 years at one church he made less than I do as a 2+ year "professional" in public broadcasting yet he raised 3 kids, all of us went to college, we never had a lot but we were never hungry or lacking for anything necessary. Materialism is a spiritual poison anyway and has totally infected popular "art" which is why so much of it sucks.


      Any artist can self-produce CDs at a massive savings over paying a record company to produce (all record companies do is sell artists studio time, engineering, packaging design, manufacturing and promotion at ridiculous exorbitant prices). The internet can give a worldwide audience at a nominal cost. I make an effort to buy as much independently produced CDs, books, video as I can, to support people who are forging a better way. My real problem is finding enough stuff to buy that I really like!


      I hope you will keep fighting the good fight and keep looking for ways to make it pay you a living wage. I don't think we're likely to overturn the conventional publishing industry anytime soon (given that the one group with the spare time and vacuity to drive the creation of the ever-lucrative hit song, american children and teeneagers, have a predisposition for crap) but I think there is room for those of us with brains and hearts to create an alternative reality.


      my domain is kingdomcomeinstitute.com - you can send an e-mail to anything @ that domain and you an visit the www although its a bit of a mess now. I've given up name posting to slashdot, it just filled my e-mail with junk.

    8. Re:let's join the underground by Anonymous Coward · · Score: 1, Informative

      That's because that's not what She wants; She wants people to love her, She wants notoriety. You can tell that based on how she worded her statement. She wants people to give her attention, the best solution is to ignore her, and make her go away; She'll eventually realise the stupidity of her mentality, or lack thereof and move on. She's not a musician in the true sense, but merely a searching pop-hopeless.

      Let the dogs die.

    9. Re:let's join the underground by aratas · · Score: 1

      This has been a thorn in my side for a long time. I've been a performing musician for quite a while. If you can't make money doing concerts, you have no business trying to be a professional musician. Selling CDs as the ONLY way or the MAIN way you make money is stupid. No one should have to pay to listen to a recorded piece of music. I find the mainstream market of making money solely on record sales infuriating.

    10. Re:let's join the underground by Anonymous Coward · · Score: 0

      What do you mean, no one should have to pay to listen to a recorded peice of music? What, do you think recording gear is free? Do you think that there is no cost associated with making an album?

      I agree that the prices for such things now are way overinflated, and people that don't do shit for the music are profiting from it, but for someone to spend all that time and money in the studio getting their tunes recorded to just give it away for the hell of it is insane. Not that one should record only to make a profit, but a little re-compensation would be nice!

    11. Re:let's join the underground by Anonymous Coward · · Score: 0

      Sorry, but thats just one of the most stupid things I've read in a long time. By what sort of logic do you deduce that if you don't perform live, you can't be a good musician? What a load of tripe.

      Most of my favourite singers live tens of thousands of kilometers away and I will never ever hear them live, yet I buy their CDs and love their music. I'm sure as hell not about to hop on a plane and fly to a different continent to hear a good song .. you think music can only be heard "live"? Sheesh .. thats ridiculous. Some of the musicians I like have relatively private lives too .. you want me to write demanding that they perform live so that they can "prove" their worthiness as musicians? Christ man, not everyone is you, your way isn't the ONLY way to be a "professional musician", don't try force your own personal opions on others as some sort of fact - if you don't like recorded music, don't listen to it, but the rest of us will "happily" accept recorded music. Quite frankly I much prefer listening to music in the privacy of my own home than listening to it in a stinky, crowdy sweaty public arena with lots of noise and other annoying people around me.

    12. Re:let's join the underground by colmore · · Score: 1

      Have you looked into Merge Records? There are still independant labels out there with fair contracts, who don't screw with their artists/customers and wouldn't pull this kind of crap... Music doesn't need to be a billion dollar industry, but some artist compensation is definitely healthy for creative output.

      --
      In Capitalist America, bank robs you!
    13. Re:let's join the underground by colmore · · Score: 1

      So wait, fan support and positive interaction with an audience are evil motives??? While I understand the necessity of money in art, how can you say that someone who forgoes money just so they can reach more people and impact a more receptive audience not a "musician" in the true sense? Maybe being a musician is about *music* as opposed to what business model you do or don't chose to accept.

      Miss, if you'd like to post a link to where we can hear your music, that would be great, I'm always up for hearing new things.

      --
      In Capitalist America, bank robs you!
    14. Re:let's join the underground by kindbud · · Score: 3, Insightful

      i won't take an opportunity in music although it's not likely i'd get one anyway since i don't look like britney spears.

      Britney is not a musician, she is a very good looking chamber maid for the RIAA.

      --
      Edith Keeler Must Die
    15. Re:let's join the underground by colmore · · Score: 2, Interesting

      OK, guy, just because you operate one way, doesn't mean that we all have to. Niche artists, even good ones, can't tour heavily enough to really turn a profit: Good Speed you Black Emperor (Canadian, noise / instrumental act) are very good, but because of the limited audience for their genre, they make most of their (modest) income off of those who hear them on independant radio, or word-of-mouth. They simply couldn't tour well enough to cover such sparse (but enthusiastic) support.

      Or what about the *Beatles* from 1966 on they basically only sold records. Their popularity became a hindrance to their artistic expression on stage, and so they redirected their efforts to the studio and made some of the best god damn music of the twentieth century.

      There's nothing wrong with being a primarily live act, of course, but I'm just seeing a lot of "real artists do it MY way" in this thread that is bothering me a lot.

      --
      In Capitalist America, bank robs you!
    16. Re:let's join the underground by Anonymous Coward · · Score: 0

      Ok.
      1) You're an asshole.
      2) The insulting conclusions you made from "how she worded her statement" show a strong propensity on your part towards intolerance and idiocy.
      And 3)Your statement "She'll eventually realise the stupidity of her mentality, or lack thereof and move on." This deep thought of yours only shows the stupidity of your mentality, or lack thereof....BWAHAHAHAHA. Loser.

    17. Re:let's join the underground by Anonymous Coward · · Score: 0


      Placing your music on a well designed webpage along with photographs of your performances is a good advert to people looking to find talent.

      The Jazz club I worked at last year hired two bands on the strength of their websites and MP3's.

  13. Not a bad idea... by Bahamuto · · Score: 0, Offtopic

    Well I dont'th ink its a bad idea as long as I can get a list of everyone who buys this crappy music, or other crappy music for that matter. Its these kind of people who watch the VMA's. Oh well I guess everyone can't listen to Tool, Deftones, and Rage Against the Machine...

    For the love of humanity take off your clothes!!

    1. Re:Not a bad idea... by Anonymous Coward · · Score: 0

      oooh, you listen to rage against the machine, you're soooo hardcore. so much cooler than those dweebs who don't listen to the same music that you do.

    2. Re:Not a bad idea... by zerocool^ · · Score: 2, Insightful

      thank god not everyone listens to tool, rage against the machine.

      This is why i listen to punk music. What does tool charge for concert tickets? Like 50 bucks. That's rediculous. I just can't bring myself to believe that someone who says "we do it for the fans" and charges that for tickets is serious.

      For the most part, punk bands understand if you download their stuff off of Morpheus and listen to it. Usually people that become fans cause of shows and bootleg'd music will buy the CD's to support the band. There's certainly none of this copy protected bullshit.

      Check on prices for punk shows - hardly ever more than $20. In fact, one weekend i saw Less than Jake/ New found glory/ the teen idols/ anti-flag 3 times for less than 50 bucks. These people are serious about doing it for the fans - LTJ is broke as shit. That's the kind of music i want - people who do it for the love of the show, who tour 250+ dates a year, who sell CD's for $5 at shows. Its raw culture.

      I, too, am a musician. My band recorded our CD, burned 1000 copies of it ourselves, and gave it away for free. I don't want your money. I just want you to like our music.

      You can keep your rage against the machine, tool, korn, limp bizkit, incubus, whatever.

      --
      sig?
    3. Re:Not a bad idea... by Anonymous Coward · · Score: 0

      So i guess Tool, Deftones, etc aren't crappy music? Thank you for educating us, the great unwashed... i love you.

    4. Re:Not a bad idea... by Anonymous Coward · · Score: 0

      this is pretty IRONIC, especially since musiccity owns one of the biggest p2p filesharing communities since napster.

    5. Re:Not a bad idea... by Thing+1 · · Score: 1
      (Very, very OT.)

      The "signature virus" you're trying to spread is actually a "signature worm."

      It does not spread by itself.

      Back on topic, LTJ rocks, I partied with them in their tour bus a couple years ago. Too bad the pot ran out... ;-)

      And back on actual topic, there's nothing they (the companies) can do. They're thrashing now, like the buggy whip manufacturers, and they may win some temporary court victories, but they'll never beat constitutional rights. Besides, the world contains far more hackers than any one company can put on their payroll.

      The problem with their product is it has to be "unbroken" at some point, so it can get into your ears. Whether they document this process or not, it'll fall into public domain before too long.

      --
      I feel fantastic, and I'm still alive.
    6. Re:Not a bad idea... by SubtleNuance · · Score: 2

      You can keep your rage against the machine, tool, korn, limp bizkit, incubus, whatever.Common now - i think you are unjustly lumping RATM with these pissants for no good reason. Rage is a Revolutionary band, both socially and politically - they are hardly limp bizkxjkajzquick

      otherwise - i completely agree with your take on punk, the ethos you describe and commend your altrusim... maybe we'll see you in Washington later this month...

    7. Re:Not a bad idea... by Anonymous Coward · · Score: 2, Insightful
      We tend to ascribe to the bands themselves a lot of behavior that is beyond their control. Tool doesn't charge you $50 and collect every cent of it. Tickmaster charges you that money, pays a royalty to the venue, the tour organizer, and somebody has to pay for event staff, parking management, promotions, security, set-up, take-down - concerts get expensive when you've got an army of guys that put together and take down an oft-elaborate stage three times a week.


      I'd be willing to bet that the portion of that $50 winds up in the bank account of the artist(s) is pretty low. Hell they don't even get that much off CD sales (I mean, let's not kid ourselves, a lot of these guys are rolling in it, but the real financial winner is always the label).


      One of the problems with capitalism in a largely ignorant and illiterate (in sense of "well-read" not in the sense of "can-read") society is that the controlling interests (record industry, movie industry, publishers, etc) will only produce a work if they can profit from it. This means that great but unpopular art never sees the light of day. It also means that most music of any genre is mass-produced and canned so it'll appeal to as many people as possible.


      The reason why every pop star looks like Britney Spears, ever Boy band looks like N'Sync, every Goth band wears the same clothes, every rap band uses the same spasmodic gestures, and every Limp Bizkit out there is full of attitude.


      They're selling an image to people who desperately want to be associated with a specific social group. And these people are willing to pay $50 to be seen at a Tool concert, and loudly announce that they were there.


      Which means the self-described "true" fans who just like the music kind of get screwed, but oh well. It's hard to take any musical artist seriously who sucks up to MTV. MTV is a classic example of a completely vapid construct whose sole purpose is to increase record sales and manufacture image.


      I've completely lost my point in my ranting and raving here. I guess my point is that you have to be careful when you throw a dollar figure out. Those aren't arbitrary numbers. There are standard profit margins in almost any industry, adjusted for supply and demand. If they can sell out the concert by selling tickets for $50, why would they charge less? It wouldn't sell out for, say, $150. A little calculus and you know what the "perfect" price to charge is to maximize profits.


      And I doubt Tool or any other band has anything to do with determining that figure. They're on contracts. Their job is to play their part, play their instruments, sing their songs, and let the accountants handle the money.

    8. Re:Not a bad idea... by Legion303 · · Score: 1
      Check on prices for punk shows - hardly ever more than $20.

      $20? Sweet Jebus, I remember when I was seeing 3 or 4 bands a show for $5 and a can of food a few short years ago.

      -Legion

    9. Re:Not a bad idea... by Suppafly · · Score: 1

      word.

      I saw LTJ, One Man Army and a slew of other groups all at one show for like $8

    10. Re:Not a bad idea... by Mondrames · · Score: 1

      "First they came for Napster, but I don't use Napster. Then they came for P2P, but I don't use P2P. .... Then they came for a Charlie Pride CD, but I don't listen to Charlie Pride.And then they came for me, and no one was left to help"

    11. Re:Not a bad idea... by Bahamuto · · Score: 1

      Well although some of your comments are true, I have noticed a common trend in punk music in general. First of all punk is becoming trendy. Punk by definition is not suppose to be trendy, and when you get everyone listening to it it kinda looses something. Some places, (like my home town) 95% of the younger people listen to punk, so how revolting is it? (no pun intended)

      On the other hand Tool, and such like that at least make good music. Ok so they charge a little bit more for the concerts, well it only goes to show that the people who know what good music is will go and hear them because they are that good. (and don't even say that backstreet boys charge that much and people go, becuase that's just cause they brainwash teenage girls) Also punk music uses that same beat in every song, (you know the one I"m talking about) Oh well I could argue about music all day....

      Later

    12. Re:Not a bad idea... by Anonymous Coward · · Score: 0

      You're the TOOL if you think that RAGE AGAINST THE MACHINE does. You are probably tone deaf anyway.

    13. Re:Not a bad idea... by Anonymous Coward · · Score: 0
      I'd be willing to bet that the portion of that $50 winds up in the bank account of the artist(s) is pretty low. Hell they don't even get that much off CD sales (I mean, let's not kid ourselves, a lot of these guys are rolling in it, but the real financial winner is always the label).

      That's a bet you wouls lose. Touring is actually on e of the few ways musicians actually make money.

  14. Who do these people think they are? by MatthewLovelace · · Score: 1, Informative

    It's one thing to sell CDs that require that the user identify themselves. However, if you're going to make such demands of the customers, at least have the decency to warn them before they purchase your product. What ever happened to the concept of informed consent and truth in advertising?

    --

    ******
    "What makes you think I care about your opinions?"

  15. Well.. by PopeAlien · · Score: 2

    ..Nothing like waking up in the morning and keying in your social security number so you can listen to that new CD.. You're morning relief is sampled by the 'smart toilet' and sent in to the lab for analysis.. The bio-metric toaster needs a finger print confirmation to make toast for you, and a quick retinal scan to send your dreams in to 'Global Corp' .. Why remove the wiring harness ever? But we did away with Piracy! Now everybody is RICH! Hoo-Ray!

  16. I have found a way round this.. by -douggy · · Score: 3, Funny

    But the margin is protected by the DMCA and so is to small to write the solution.

    1. Re:I have found a way round this.. by Anonymous Coward · · Score: 0, Funny

      haha good joke! that is really funny! and you probably think you're smart because you've heard of Fermat! yippieee! i hope you got picked on when you were younger.

    2. Re:I have found a way round this.. by Anonymous Coward · · Score: -1, Offtopic

      ouch. ooo. you hurt my feelings. you're so smart because you knew it was a fermat reference! i wish i was like you! you must not have been picked on as a kid.

    3. Re:I have found a way round this.. by Angel's+Fall · · Score: 2, Funny

      Fermat's Last Circumvention Device.

      -j

    4. Re:I have found a way round this.. by BillX · · Score: 1

      Simple solution--just use your own DMCA-grade encrypyion on your circumvention device (Caesar Code comes to mind..."J dbo tvf zpv opx!") and it will be illegal for them to decrypt it to prove it is indeed a circumvention device!

      --
      Caveat Emptor is not a business model.
  17. ?? by DNS-and-BIND · · Score: 2

    So, does this mean that if the cramped label somehow managed to display all of this information alongside the parental ratings and the UPC code in 1-point type, everything would be OK?

    --
    Shutting down free speech with violence isn't fighting fascism. It IS fascism!
  18. A little off by Sawbones · · Score: 5, Informative

    These CDs won't play on standard CD players, are not encoded in the popular MP3 format, and will not play on a computer until the user enters personal information.

    Actually the suit says that they won't play in standard Audio CD drives in computers, not that the CD won't play in a stand alone CD player. I should hope that the music stores them selves would refuse to carry something that won't even play in a regular CD player.

    --

    Ad in classifieds: Pandora's Box (no box) $5
    1. Re:A little off by AT · · Score: 3, Informative

      True, but some high end stand alone CD players play CDs just like computer CD drivers. This means the CDs won't work in some stand alone players either. The publishers make a huge assumption about how each kind of equipment decodes the CD.

      There are published standards as to how CDs work, and this particular CD don't follow them. Period.

    2. Re:A little off by ackthpt · · Score: 1

      And amazingly, this is to prevent music piracy... Making something difficult to use, is the first incentive to copying/breaking. Seems the music industry is giving themselves enough rope these days and is now in search of the right tree.

      --

      A feeling of having made the same mistake before: Deja Foobar
    3. Re:A little off by bigbadwlf · · Score: 4, Interesting

      A lot of Car CD players do the same thing... presumably to help prevent skipping.
      How will the record company offering a downloadable proprietary encoding of the music help someone listen to it in their car?

      I remember reading about this when they were planning it. I'm glad to see people aren't putting up with it.
      People who listen to Charley Pride are people like my mom... people who aren't exactly in the know.
      I'm sure they were counting on getting this 'technology' rolling at the expense of these people.

    4. Re:A little off by ywwg · · Score: 1

      To borrow and alter a slogan (I don't believe in the original btw): Fear the company that fears your PC. This type of crap is only going to get worse.

    5. Re:A little off by squiggleslash · · Score: 1
      The same though is true of the Macrovision anti-video-recording system which fiddles with established TV standards and as a result means protected content wont view on some TVs.

      My personal opinion: If consumer electronics companies want to avoid yet another attempt to undermine the viability of copying devices, they should avoid making the same mistake as they did with macrovision, and start deliberately making their equipment incompatable. When the vast majority of players/viewers/etc will not play copy protected content, the publishers will stop using the format.

      Unfortunately I suspect the short term gains from making your machine compatable with everything will outwiegh the long term benefits of making your products more useful and valuable, as happened with Macrovision and TV sets.

      --
      You are not alone. This is not normal. None of this is normal.
  19. Summary not correct by Hieronymous+Coward · · Score: 5, Informative

    The letter makes no mention of the CD not working in normal audio players. Apparently the CD will not work in CD-ROM drives, but allows the user the ability to register with the record label and download a proprietary encoding of the song to play on their computer.

    1. Re:Summary not correct by Anonymous Coward · · Score: 0

      wow to think something totally outrageous and almost unbelievable on the /. front page was incorrect! is this the first time that's happened?? someone, anyone??

    2. Re:Summary not correct by garcia · · Score: 4, Insightful

      not the point. It would be like having a DVD not work just b/c you are playing it in a PS2. Before this year I *rarely* used my stereo (I had nothing more than a shitty old boom-box) and I *always* used my computer to play my music CDs.

      This is my right as a consumer to use whatever device I want. Doesn't matter if I can use this device to copy it (remember? I own the CD)

      Tough noogies.

    3. Re:Summary not correct by Anonymous Coward · · Score: 0

      If I'm not mistaken you do not "own the CD" but purchased the right to listen to it on an audio device.

    4. Re:Summary not correct by Trepidity · · Score: 2

      It may not be the point, but the Slashdot summary is clearly incorrect - this suit is about not being able to play a CD you've purchased in a CD-ROM drive, while the Slashdot summary claims it's about not being able to play a CD you've purchased at all,, either in a CD-ROM drive or a standard CD player, which is clearly not the case, as it plays in a standard CD player just fine.

    5. Re:Summary not correct by Alan · · Score: 5, Interesting

      You own the physical disk, and have the rights to listen to it. I think the issue in question is "what devices do you have the rights to listen to it on". According to what the RIAA is saying it seems you have the rights to listen to it on any "normal" CD player (home or computer or car or mobile).

      According to this company you do not have the rights to listen to it on ANYTHING but a home CD player. You aren't allowed to convert it to another form to listen to it (ie: rip to mp3 to play in my car mp3 player) and you have to register with them if you want to play it on a computer CD player.

      Since I got myself a MP3 CD player for my car the idea of being able to buy mp3s instead of CDs is stronger and stronger. I rarely listen to normal CDs anymore... why would I want a format where I can only fit 10-20 songs on a disk instead of 200+ songs?

      I'm interested to hear if this is a windows only thing or if a linux CD player would play the CD normally?

    6. Re:Summary not correct by schon · · Score: 2, Informative

      If I'm not mistaken you do not "own the CD"

      You are mistaken.

      When you purchase a CD, you are buying it. Period.

      This is why it's legal to give it away, or to sell it to a used cd-place when you grow tired of it, or if you don't like it.

      If there was some clear sign at the store that said something like "you are not buying this CD, you are licensing it, you have no rights, you are a corporate puppet." Then the argument that "you are buying the right to listen to it" might apply (and I say MIGHT, because contract law implies an agreement negotiated between two parties, and there is clearly no negotiation happening.)

      Of course, if there was such a sign, I'm sure that there would be a public outcry.

    7. Re:Summary not correct by ackthpt · · Score: 2
      allows the user the ability to register with the record label and download a proprietary encoding of the song to play
      on their computer.


      So this shouldn't really be a big deal? I don't know, smells like a crappy twist of 'Fair Use'. I.e. the record industry dictating a fair way to use.


      Some of us don't go around totally connected all the time, when I am connected at home, it's over a pokey modem, downloading something for each CD is a major nuisance. Plus, I don't want any crap on my drive that I don't know about. Turning control of my PC over to the RIAA? How long before a worm is in there sniffing for MP3s and turning me in, eh? (yeah, it'd be illegal as hell, but everything is legal until you get caught, just figure how to use to your advantage.)


      It should be required to post this requirement of use on the CD, particularly so people can decide for themselves what they're willing to pay for.

      --

      A feeling of having made the same mistake before: Deja Foobar
    8. Re:Summary not correct by tmark · · Score: 2, Insightful
      Re:Summary not correct (Score:1)
      When you purchase a CD, you are buying it. Period.


      The 'Period' implies there are no conditions to alleged 'ownership', seems false. You can't burn copies of the CD and resell it, for instance. So it seems to me that you do not 'own' the music on the CD.


      As for your intimation that licensing agreements removes rights and leave one as a 'corporate puppet', I should point out that this would imply that the GPL removes rights as well, leaving one also as a puppet of some sort.

    9. Re:Summary not correct by Anonymous Coward · · Score: 1, Insightful
      why would I want a format where I can only fit 10-20 songs on a disk instead of 200+ songs


      Because MP3 is a lossy compression, and even if you don't think you're missing anything, there is a definite drop in quality.

    10. Re:Summary not correct by saider · · Score: 3, Interesting

      I believe that the disc is corrupted by introducing errors into the error correcting sectors of the disk. Simple CD players simply average out the errors, but CD-ROMS require every bit to be properly reconstructed. With a fragged error correction sector, the CDROM is unable to reconstruct the data and reports an I/O error.

      I'm sure someone will hack some CD firmware eventually, but until then, just put bogus information into the computer. As I write this GWBush@whitehouse.gov is gettings tons of crap because that's the address I give to all these people who ask for personal information. I also live at

      1600 Pennsylvania Avenue NW #101,

      Washington, DC 20500.

      Phone number? 202-456-1414.

      --


      Remember, You are unique...just like everyone else.
    11. Re:Summary not correct by Anonymous Coward · · Score: 0

      Isn't it obvious that if the CD worked in normal audio players, it would work in CD-ROM drives as well? Apparently it doesn't work because instead of normal audio data, it contains some software, plus encrypted audio. A normal audio player would have no chance to play it.

    12. Re:Summary not correct by Sethb · · Score: 2

      Jeeze, I just put postmaster@whatever.com so that hopefully the Spam won't leave their network and clog the Internet. I bet the Postmaster@real.com is getting really sick of getting all that mail from his own company. :)

      --
      When in danger or in doubt, run in circles, scream and shout. --Robert A. Heinlein
    13. Re:Summary not correct by bnenning · · Score: 3, Insightful
      So it seems to me that you do not 'own' the music on the CD.


      Of course you don't own the music, any more than you own the text of a book. The issue is that publishers are trying to convert your purchase into a license, which they believe gives them the ability to control how you use the product, which is far more restrictive than copyright limitations.


      I should point out that this would imply that the GPL removes rights as well


      No. You don't have to accept the terms of the GPL in order to use GPLed software. The GPL only comes into play when you wish to redistribute the software. Under standard copyright law you can't do at all, but the GPL allows you to do so as long as you abide by certain conditions. The GPL only grants rights, it doesn't remove any.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
    14. Re:Summary not correct by Anonymous Coward · · Score: 0

      bob@aohell.com

    15. Re:Summary not correct by donutello · · Score: 2

      There's a difference between what you can do legally and what you have a right to do. For example, if I allow people to walk through my front-yard to pick apples, that's something they can do. However, it does not mean that they have a right to do it. I can still deny any individual I choose to or at any time close access.

      How this applies to CDs is open to debate and will ultimately be decided in court I guess. So far, we have been ABLE TO listen to CDs on our computers, etc. Whether this is a RIGHT that we obtain from purchasing a CD is an entirely different issue. I'd guess yes but I wouldn't be surprised if I was wrong.

      The thing that pisses me off most about the case is that there is no warning or indication on the case that you can't do this. If it is understood that you can use a product one way, if you change that you should advertise the fact or be sued for false advertising.

      --
      Mmmm.. Donuts
    16. Re:Summary not correct by Alan · · Score: 2

      Oh I understand this, and any true audiophile would mock mp3, wma, and even wav as sounding like crap. But for the average person (such as myself) a nice high bitrate (160 or 192+) mp3 sounds just fine on my car stereo. Even a bit crappier sound is outweighed for me by the ability to carry around a cd folder with 5 disks containing all my favorite music (including one labeled "stand up" which has 700 mb worth of stand up (each about 50 minutes +) which I could only fit 1 per CD on using normal CD encoding. And stand up doesn't need to be high sound quality, so the advantage outweighs any disadvantage.

    17. Re:Summary not correct by GemFire · · Score: 2

      >>>Of course you don't own the music, any more than you own the text of a book. >>>

      It may come as a surprise since current propaganda says exactly the opposite, but THEY don't own the music or the text of the book either. Publication involves a sale to the PUBLIC, not individuals, but the public at large. The public owns the music - the public owns the text of a book. The producer (or their agent) owns the COPYRIGHT, nothing more.

      Simple concept here, if you want to maintain ownership of the work, don't publish. If you want to sell your ownership for a copyright, which may or may not earn you income, then, by all means, publish. But don't publish and then come back and say you still own the work, because it has never worked that way and it still does not work that way. Otherwise, why would copyrights expire?

      It is precisely this kind of misunderstanding of the nature of copyright that has brought us to laws such as CTEA and the DMCA. Once you realize that the public has ownership of the works and that creators only own the copyright, copy protections, like they are putting on CDs, become criminal in themselves, limiting use of something belonging to the public and the individual purchaser. Making archive copies and space-shifting copies are legal, personal copies and do not infringe upon copyright. And these are the kind of copies that will be affected. Pirates will still be able to clone copies and sell them by the millions. Hackers will find a way to decrypt them and will purposefully distribute them across the internet to as wide an audience as they can - just because they can.

      The best way to battle the small-time copier (the only people this kind of protection will stop) is to lower prices. I haven't bought a CD in more than a year and a half, because I don't think any of them are worth the price.

      There is a war going on here that we have, so far, been on the losing side of. Anyone who has purchased a copy protected CD should rise up and do the same thing, band together, get a class action lawsuit started. Let's end this threat before all the CD's are copy protected.

      --
      Don't just complain - DO something about it!
    18. Re:Summary not correct by terrymr · · Score: 2, Informative

      I think the issue in question is "what devices do you have the rights to listen to it on?"

      On any device displaying the "Compact Disc Digital Audio" logo which includes cd-rom drives - look on the box or in the manual for the drive - it'll be there somewhere.

    19. Re:Summary not correct by gilroy · · Score: 2
      Blockquoth the poster:

      Otherwise, why would copyrights expire?

      Hah. As if copyrights expire.


      :)

    20. Re:Summary not correct by guhknew · · Score: 1

      The difference here is that you own the CD (as opposed to using someone else's CD). You seem to be hinting that the recod label, in fact, owns the CD which is NOT the case.

    21. Re:Summary not correct by $FFh · · Score: 1
      In the US they expire 70 years after the owner's death, or 95 years from publication if owned by a company.

      refer to http://www.loc.gov/copyright/circs/circ1.html

    22. Re:Summary not correct by Anonymous Coward · · Score: 0

      NO NO NO! Don't you start that 'blockquoTH' crap again mister. All it does is make you sound like an idiot.

    23. Re:Summary not correct by Sebastopol · · Score: 1


      i don't agree with your argument.

      can i play my dvd on my turntable? or a cassette on a CD-ROM?

      convergence will sort this mess out in a few years.

      --
      https://www.accountkiller.com/removal-requested
    24. Re:Summary not correct by msaavedra · · Score: 2

      The distiction you are trying to make between a CD-ROM drive and a "standard" cd player is fallacious. CD-ROM drives are standard players. That is, they adhere to the Redbook audio standard and carry the "Compact Disc" logo. This new CD does not adhere to any standard, as far as I know. If the packaging for the CD carries the Compact Disc logo, but does not meet the relevant standard, then it seems to me that it is being sold fraudulently. Whether it can actually be played on some standard cd players is irrelevent.

      --
      "Any fool can make a rule, and any fool will mind it."
      --Henry David Thoreau
    25. Re:Summary not correct by Trepidity · · Score: 2

      That may be - I'm not saying the lawsuit is without merit. I'm merely saying that the Slashdot report, which in effect said that this CD wouldn't play on any CD players - "standard" or otherwise - is incorrect. It does play in some players (most typical stereo component players and portable CD players, for example), the problem being that it doesn't play in all players.

    26. Re:Summary not correct by donutello · · Score: 2

      You own the physical copy - you don't own the rights to the content on it. It's the same with books. Nothing has changed.

      --
      Mmmm.. Donuts
    27. Re:Summary not correct by SlippyToad · · Score: 2
      And previously producers of that "content" (that word is as revolting to me as "consumer" and "taxpayer" are, mentioned elsewhere in this thread) only owned the RIGHT TO FIRST SALE and the right to prevent others from selling copies in their stead. They did not have the right to control who listened to it or how many people they shared it with or whether they used it in their car or on a boat or with a goat, or even whether they chose to make a personal copy for whatever use got their nads off.

      The basic problem is they are attempting to assert a level of control they are not legally entitled to (or weren't before the DMCA) and in doing so they are eroding the rights of the public. We as the public (theoretically) grant them the right to profit from their creativity in return for contributing it to the public commons. This is not a "content industry." This is the promotion of useful arts and sciences for the benefit of the public.

      People (ok, parasites) who have made a living off of it fail to understand that there is no moral obligation granted by us for them to make a decent living, or even a fair moonlighting wage, off of their productions. They are simply allowed the monopoly on creating and selling copies for a limited time in order to encourage more of their works. The Draconian measures now in place aren't encouraging anyone. They are discouraging people from disseminating valuable scientific and cultural information for fear of being sued into oblivion by a group of peple who have formed this bizzare expectation that they are entitled to a "revenue stream" for all eternity based on a work performed in a singular moment of time. A real musician has to go and perform music on a daily basis to get paid. But if you have a "content-protected" CD, you can perform it once and never again have to be bothered with actually doing the job you're paid to do. (For those of you firing up your "you don't know what you're talking about" flamethrowers, I am a musician who has worked in such capacity for a living before. I know exactly what kind of work it is.)

      I read an article about Charley Pride and his crusade against "piracy." He had, at the writing of the article, no idea how Napster worked, or even what an MP3 was. His crusade started because he walked into a music store in his home town and saw a bunch of counterfeit CD's of his on the shelves. There's nothing defensible about selling counterfeit works. That actually takes money from the musician. There is a distinct difference between doing that and sharing it with a friend. I guarantee his CD sales will slump because of this gimmick. He will have thousands of people who get the CD, can't play it in whatever place they choose, don't really know what's wrong, and dump it in the pile of shit they don't listen to anymore. His contribution (if it can be called such) to the cultural commons will be stifled because of this and I bet ten to one odds his actual sales will suffer. It's actually pretty delicious, to me, to see how this kind of thing is totally backfiring.

      --
      One day I feel I'm ahead of the wheel / the next it's rolling over me / I can get back on / I can get back on
    28. Re:Summary not correct by GemFire · · Score: 3, Insightful

      You've got it exactly right - nobody deserves compensation forever on something that took a few moments (or even a few years) to create.

      Visit my website - send me an email. There's an organization starting up that needs people like you. http://www.amfcc.org

      --
      Don't just complain - DO something about it!
    29. Re:Summary not correct by Anonymous Coward · · Score: 0

      So why don't you just tell your employer to stop paying you? Work is not worth money, right?

      Oh wait, I forgot. If you actually had a job you wouldn't be living in your parents basement right now.

    30. Re:Summary not correct by gilroy · · Score: 2
      Blockquoth the poster:

      NO NO NO! Don't you start that 'blockquoTH' crap again mister. All it does is make you sound like an idiot.

      Um, actually, I never stopped doing it.


      And I stand proudly on my record that it is not the form but the content of my posts that make me sound like an idiot. :)

    31. Re:Summary not correct by Anonymous Coward · · Score: 0

      A real musician has to go and perform music on a daily basis to get paid. But if you have a "content-protected" CD, you can perform it once and never again have to be bothered with actually doing the job you're paid to do. (For those of you firing up your "you don't know what you're talking about" flamethrowers, I am a musician who has worked in such capacity for a living before. I know exactly what kind of work it is.)



      No, stupid. Your work is worth what people want to pay you for it. No one could make money perpetually off their music if people were not WILLING to pay for it. Last time I checked, no one was holding a gun to anyones head forcing them to pay for music they didn't want to hear. It's only the crappy musicians - like you - who can't perpetually make money off their work.



      YOU have no right to the works of others beyond what they want to give you. If they don't want to sell you the right to the CD, it's their prerogative. If you don't like it, don't buy. No one is forcing you to buy anything. How hard is it to understand the concept? You have no rights to anything that you don't create or pay the creator what they want for.

    32. Re:Summary not correct by gilroy · · Score: 2
      Blockquoth the poster:

      In the US they expire 70 years after the owner's death, or 95 years from publication if owned by a company.

      Actually I knew that. I thought I was being transparently sarcastic -- thus the smiley -- but I guess not. Considering things like the Sony Bono Copyright Extension Act (the freebie extra 20 years granted to existing copyrights because, hey, it's unthinkable that Mickey Mouse go public domain... esp. after Disney spent so much non-refundable, non-deductible money buying senators and congresspeople), it appears that perhaps nothing will ever enter the public domain again. And if something does, it seems likely to be wrapped behind "access control" mechanisms that grant an effective permament copyright to the content provider.
    33. Re:Summary not correct by Anonymous Coward · · Score: 0

      Your work is worth amount of money it takes to convince you to create the work. If you exact more money than that from the listeners, our civilization is giving you an extra share of its resources and getting nothing extra in return, which is a market failure.

    34. Re:Summary not correct by Anonymous Coward · · Score: 0
      I worked for two weeks, and they paid me two weeks' salary. One time. Then I worked for two more weeks, and they paid me two more weeks' salary. They don't expect me to keep working forever for one check, and I don't expect them to keep paying me forever for two weeks' work.

      Why do artistes think they deserve to sit around cashing checks indefinitely for work they already did?

  20. A Possible Precedence here? by allknowing · · Score: 1, Interesting

    This could be good for those of us who have CD-Burners.

    If some sort of precedence in a court of law is found in this case, it may prevent companies from making this type of CD, or at least provide proper labeling of these "BAD" cd's. I know I'd be able to stay away from these types of CD's.

    Let's hope she wins over corporate America, and help all of us who burn CD's like mad.

    1. Re:A Possible Precedence here? by marcop · · Score: 2

      I know I'd be able to stay away from these types of CD's.

      Up until all CDs are sold with this encoding scheme. I don't see where the proprietary scheme would be ruled illegal. I think she has a case in the fact that the CDs should be marked as such. Most CDs today are playable in CD-ROM drives and consumers expect this type of compatability. I would hope the court would force the record companies to clearly indicate that the CD is not a standard CD (even if there is a means of making the CD compatible with CD-ROM drives via a codec/driver download).

    2. Re:A Possible Precedence here? by Anonymous Coward · · Score: 0

      this whole case would help actually...

      so theres cd's that are marked as not being able to be played in computers by average joe. but if you can play them in audio cd players, then you can rip them with ease on a computer (and it is NOT circumvention. you could even play it on a digital out CD player and input it to a computer). But then you offer those tracks for download, and you're justified, helping out the average joe.

      (note: average joe is not to be confused with joe(1))

    3. Re:A Possible Precedence here? by snilloc · · Score: 1
      Most CDs today are playable in CD-ROM drives and consumers expect this type of compatability.

      Amen to that.

      The fact that CD player software has been included with ever OS since CDrom drives became popular is evidence that it has been an accepted practice to play music CDs on computers.

    4. Re:A Possible Precedence here? by foxwitt · · Score: 2, Informative

      No.

      The whole point is that you can't rip a CD like this with ease on a computer. It has corrupted data that will sour your rip. When playing a CD, your computer or CD player averages the data, and you don't notice the corrupted bit, but when you play the ripped version digitally, you no longer average data, so the rip doesn't play correctly. The only way to make an mp3 of it is to take the analog input from a player and convert that to digital before encoding.

      --
      Today our lesson will be Chapter 1 of Elementary Necromancy: Proper Use of a Shovel.
    5. Re:A Possible Precedence here? by Anonymous Coward · · Score: 0

      Amen. I burn all of my CDs. Then the originals (which I paid for) go in a box. Someone wants to steal all my CDs from my car? Fine...I'm out maybe $30 total. My CDs get scratched? Fine...I'm out less than $0.50 a CD.

      The day I find a CD I can't make a backup of is the day I go back to the store and bitch until they take it back...

  21. nope, sorry. by garcia · · Score: 4, Insightful

    There is definitly no way that any company should be able to collect information about a person that has purchased their CD. If this was a promotional CD I could see the point but if you purchase something it becomes yours (and you are free to do w/it whatever you wish) you paid a fee to give you rights. They are invading your privacy.

    The fact that they are hiding this from view is an obvious attempt at actually selling the CDs. No one is going to buy the god damn things b/c of this crap. Hell, I hate to shop at Radio Shack b/c of the fact that they ask for my private information and seem to feel it is their god given right to have it. (No, I will NOT give them any of my info even if I purchase my items w/a CC -- this usually really irritates the clerk -- the information they need is how much the item costs, how much I paid, and that's it)

    I am sick and tired of this crap. If I don't want to be known I don't have to be. Once you buy something you own it. That's it. Their ownership of the item stops when money exchanges hands.

    Fuck that.

    1. Re:nope, sorry. by Midnight+Thunder · · Score: 2

      If it is really important to the guy, then ask him to put in his own info ;) BTW If you phone radio-shack you can get yourself taken off their mailing-list.

      --
      Jumpstart the tartan drive.
    2. Re:nope, sorry. by neurojab · · Score: 1

      A-Men brother. TESTIFY!

    3. Re:nope, sorry. by garcia · · Score: 2

      yep, but if I refuse to even give them the information I don't have to go play fuck-around lay-around to get off the list. There is absolutely NO reason that they need that information when I go in there to buy a pair of wire-strippers and a bag of butt-connectors.

      No company has the right to invade someone's privacy and send them shit unless the customer wants it. If they asked, "Excuse me sir, would you like to be added to our mailing list for future product information." I would be more likely to say yes than if they do what they currently do, "What's your last name? What's your first name? May I have your home phone number? May I have your address?"

      I feel it is VERY rude to be asked personal information when buying something.

    4. Re:nope, sorry. by corky6921 · · Score: 3, Informative

      "There is definitly no way that any company should be able to collect information about a person that has purchased their CD. If this was a promotional CD I could see the point but if you purchase something it becomes yours (and you are free to do w/it whatever you wish) you paid a fee to give you rights. They are invading your privacy."


      Ahem...


      "There is definitely no way that any company should be able to collect information about a person that has purchased their software. If this was demoware I could see the point but if you purchase something it becomes yours (and you are free to do w/it whatever you wish) you paid a fee to give you rights. They are invading your privacy."


      Damn. :(


      So will CDs come with end-user license agreements now?

    5. Re:nope, sorry. by paranoic · · Score: 1
      Yep, some stores insist on a phone # (Circuit City for one). Just give them 555-1212 and then look on the screen to see how many other people have the same phone #.

      If that doesn't work, just walk away. They can't be the only store around that sells what you want.

    6. Re:nope, sorry. by Evro · · Score: 2, Interesting

      Once you buy something you own it. That's it. Their ownership of the item stops when money exchanges hands.
      So I guess you've never heard of software licensing? There's very little software that once you purchase the CDROM you actually "own". When's the last time you bought an MS product and actually had rights to use it however you like? What's to stop the music industry from moving to a "licensing" model as well? They're all just bits, after all.

      That'll go over well. "Oh, you haven't paid your Led Zeppelin subscription fee, all your CDs will no longer work." See: DIVX (the old one).

      --
      rooooar
    7. Re:nope, sorry. by Cruciform · · Score: 3, Insightful

      I worked at one of those god awful hellholes for 3 months, and they had just implemented the name collection enforcement there... in other words our managers told us if we didn't get the names and addresses of 80% of all transactions we'd be fired.
      As much as I'd like to get the phone number and address of the cute co-ed who came in to buy a cell phone battery, I'd refrain from asking women for their info. Especially after one freaks out in the store asking if you want the information so you can follow her home or stalk her.
      So I got pink slipped.
      Best thing that coulda happened :)

    8. Re:nope, sorry. by garcia · · Score: 2

      I don't purchase software from MS so I wouldn't know.

      AFAIAC if I buy something and I want to resell it, there is little MS can do to stop me. I paid for the CD, it is mine. Tough if Billy doesn't like it.

    9. Re:nope, sorry. by Stonehand · · Score: 1

      I'm pretty sure that your right to resell an item (in toto, substantially unmodified [read: not as a derivative work], and with no "backups" still lying around) is generally protected by first-sale doctrine, 'tho that may be on a state-by-state basis rather than by Federal fiat.

      --
      Only the dead have seen the end of war.
    10. Re:nope, sorry. by Exedore · · Score: 1

      I too have had arguments with RS salesmen about my personal data... even when paying with cash.

      Me: I'm sorry, I don't give out personal information.
      RS: I have to have the information to complete the sale.
      Me: So just enter some random crap, then.
      RS: But don't you want us to keep you recieve our catalogs and be kept up to date on all of our new products and sales?
      Me: First of all, you guys haven't had a new product in eons. Second of all, when you do, it's usually a rebranded knock-off of someone else's stuff. And third, I despise junk mail. When I'm in the market for a cheap-ass plastic fire truck that chages directions when it bumbs into a wall and makes a sound like someone stepping on an asthmatic cat, I'll know where to get one, okay?

      That pretty much ended the discussion.

      --

      I take drugs seriously.

    11. Re:nope, sorry. by libre+lover · · Score: 1

      Last time I was at a Radio Shack when the clerk asked me for my last name I said:

      "Shaq, S-h-a-q"

      "And your first name?"

      "Rhatt, R-h-a-t-t"

      "Your address?"

      I then proceeded to give him the address of the store, which I noted before I went in. Only then did he get the joke.

      On another occasion I said "This will just be cash" when asked. The clerk entered "cash" for the last name and up came an account named "Johnny Cash"

      --
      Error: .sig undefined
    12. Re:nope, sorry. by Jburkholder · · Score: 2, Interesting

      >I hate to shop at Radio Shack

      I feel the same way, only RS apparently doesn't do that anymore. I needed a couple of d-sub connector kits to build a cable (hacking my bros TiVo) and went into the local RS. I was really surprised when the clerk added up the parts, asked me for the total, gave me the change, bag and receipt without asking for even a zip-code.

      I asked him about it... he said they don't do that anymore - too many people were walking out instead of buying stuff.

      Seems like it took a loooong time for them to figure that one out.

    13. Re:nope, sorry. by Tack · · Score: 1

      I noticed that too. I usually enjoy being confrontational about these things too, but was dissappointed when they didn't ask me for my name. (What can I say? I'm an asshole.)

      My brother also told me one of our local restaurants was known to include a gratuity into the bill. (He said he was there during a lunch meeting when they did it, but he didn't bother saying anything since he wasn't the one paying the bill.) I went there a few times since then, but they never pulled it on me. I would have asked to see the manager, instruct him to personally bring me back a bill with no gratuity included, and then explain to him why his server won't receive a tip from me.

      Jason.

    14. Re:nope, sorry. by Sir_Real · · Score: 2

      I just tell them that I'm homeless...

    15. Re:nope, sorry. by M.+Silver · · Score: 2
      some stores insist on a phone # (Circuit City for one). Just give them 555-1212



      I sort of miss the pre-broadband days when I had a dedicated modem connection. I always gave out that phone number. Let the telemarketers call all they want, it's always busy...

      --

      Slashdot's token middle-aged housewife
    16. Re:nope, sorry. by Anonymous Coward · · Score: 0

      Once I had that happen while shopping at some small computer store. There was a cute chick at the cash after she asked for my name I told her the next questions should be askin for my phone # and whether I would go out with her. She quickly shut up. Guess she doesn't like nerds.

    17. Re:nope, sorry. by mgkimsal2 · · Score: 2

      how many people at the meeting? i see signs in many restaurants that say 'gratuity of 15% automatically included for parties of 6 or more', etc. Not elegant, but I usually see the warning signs.

    18. Re:nope, sorry. by ChannelX · · Score: 1

      Ummm.....the music industry already does do the same thing. When you buy a cd you are licensing the music on it...you dont own anything but the media itself.

      --
      My blog: http://jkratz.dyndns.org/~jason/blog/
    19. Re:nope, sorry. by Mr.+Slippery · · Score: 2
      Yep, some stores insist on a phone # (Circuit City for one).

      I've never had a problem with telling them "I'd rather not give that out." Although one over-enthusiastic Radio Shack drone launched into a whole speech about how Tandy respects customer privacy, yada yada yada...but he sold me the damned multimeter anyway.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    20. Re:nope, sorry. by Anonymous Coward · · Score: 0

      Huh-huh, butt connector.;)

    21. Re:nope, sorry. by hawk · · Score: 2
      >BTW If you phone radio-shack you can get yourself taken off
      >their mailing-list.


      what? and give up the free beach balls and flashlights? Noooooooo!


      :)


      hawk

    22. Re:nope, sorry. by ichimunki · · Score: 2

      Actually, there's very little precedent other than consumer willingness to obey that supports the notion that software purchased in a package is "licensed" rather than purchased. Sure, there's a label, and yes, copyright still applies, but if I buy a box containing software, I'd be glad to assert my right to resell it in its entirety or backup the disk. I didn't sign any contract, and as far as I know, tearing a sticker is not yet a legally binding authorization.

      I mean, if I accidentally tear the cover off of my book, does that mean I can't sell it because there are a lot of books now that include a note that it is likely than coverless books are "stolen" (because tearing the cover off is how bookstores get credit for overstocks)? If I can find a buyer, that is a perfectly legitimate sale. Same with software-- as long as I'm not keeping a copy of it for myself.

      This doesn't prevent software makers from implementing techniques like "phone home" to prevent more than one user from ever using a given serial number. But that's a different issue.

      --
      I do not have a signature
    23. Re:nope, sorry. by MeNeXT · · Score: 1
      I agree...


      Here's another thing. They take all your information and if you try to return a defective product you must bring in the receipt. They can't seem to find it in the !@#$%^ system.p.

      --
      DRM? No thanks, I'll just get it somewhere else...
    24. Re:nope, sorry. by Anonymous Coward · · Score: 0

      Many restaurants include gratuity on parties of 8 or more. I can appreciate your feelings on the matter, but punishing the waiter is blaming the bearer of bad news. In many cases the waiter has no say over the included gratuity, as that would create a situation where the waiter would be discriminating against some customers.

    25. Re:nope, sorry. by Nightpaw · · Score: 1

      ... a bag of butt-connectors

      Ah, now we know why you don't want to give them your personal info...

    26. Re:nope, sorry. by bnenning · · Score: 2
      There's very little software that once you purchase the CDROM you actually "own".


      Well, that's the opinion of the publishers. My opinion is that attempts to modify the terms of an already completed sale by means of a EULA have exactly as much validity as me saying "by reading this post you agree to pay me $100". If publishers were honest, they would require all their customers to sign a contract before the sale agreeing that they give up their fair use rights.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
    27. Re:nope, sorry. by ryanwright · · Score: 2

      I just tell them they can't have my phone number. That usually suffices. When they insist, I say, "You know what, I don't even have a phone." I'm waiting for some snotty employee to notice the cellphone clipped to my belt and demand that number so I can really piss them off ("That's not a phone, it's a garage door opener."), but it hasn't happened yet.

      --
      -Ryan, with the unoriginal sig
    28. Re:nope, sorry. by Registered+Coward+v2 · · Score: 1

      Heck, why not give them one of those offshore phone scam numbers - the one where a call costs al lot per call or minute - and let the telemarketers fight it out.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    29. Re:nope, sorry. by EllisDees · · Score: 1

      Wow. I just had to do this yesterday. I went in and bought a cheap microphone and was paying with cash and they asked for my address, and all I had to say way "I'd rather not...". They didn't seem to have a problem with that.

      --
      -- Give me ambiguity or give me something else!
    30. Re:nope, sorry. by Spoing · · Score: 2

      >>I hate to shop at Radio Shack

      >I feel the same way, only RS apparently doesn't do that anymore. ...

      Unfortunately, they still do ask at the ones in the Wash. DC area.

      Unlike even a couple years ago, they aren't nearly as insistant; "No" now works and they don't look at you like you're from Mars or give you a speach.

      --
      A firewall can not protect you from yourself. Turn off what you do not need. Do not use the firewall to do your work.
    31. Re:nope, sorry. by garcia · · Score: 2

      this happened at the Bowling Green, OH store.

      They do it, and the manager even got red in the face saying something about him not having to sell me the item or something. I hope he was just having a bad day.

    32. Re:nope, sorry. by l33t+j03 · · Score: -1

      If he needs a whole bag he must be headed over to the geek compound.

    33. Re:nope, sorry. by l33t+j03 · · Score: -1

      You're lucky I don't work at a restaurant, I'd whip your Tack ass if you tried to instruct me to do anything.

    34. Re:nope, sorry. by GKevK · · Score: 1

      What's to stop the music industry from moving to a "licensing" model as well? They're all just bits, after all.
      It's probably already covered by the fine print somewhere in the jacket specifying "all rights reserved", but it wouldn't surprise me one bit if software license style legalese started to appear on music CD's... especially since many of them now include non-music enhancements.

    35. Re:nope, sorry. by xXgeneric+nicknameXx · · Score: 0

      you sound like the type of guy that is always looking for a confrontation just to show how right they are. what a surprise that you read /.

      --

      My cat's breath smells like cat food.--R. Wiggums

    36. Re:nope, sorry. by Dr.+Mutex · · Score: 1

      Start to walk out of the store. You'll be amazed how quickly they decide they don't need the information.

  22. Author Stephen King, dead at 54 by Anonymous Coward · · Score: -1, Troll


    I just heard some sad news on talk radio - Horror/Sci Fi writer Stephen King was found dead in his Maine home this morning. There weren't any more details. I'm sure everyone in the Slashdot community will miss him - even if you didn't enjoy his books, there's no denying his contributions to popular culture. Truly an American icon.

    1. Re:Author Stephen King, dead at 54 by Anonymous Coward · · Score: -1, Offtopic

      This troll is getting really old now, come on, just put up a new one ok?

      Besides *I* am the inventor of such troll, who gave you the right to use it?

      Sincerely, Mike Bouma

    2. Re:Author Stephen King, dead at 54 by Anonymous Coward · · Score: 0
      "'Ello, miss?"

      "What d'you mean 'miss?'"

      "I'm sorry, I have a cold...
      I wish to make a complaint."

      "Uh, sorry. We're closed for lunch."

      "Never mind that, my lad! I wish to complain about this writer that I purchased not half an hour ago from this very boutique."

      "Oh, yes, the Stephen King? What's, ah, what's wrong with it?"

      "I'll tell you what's wrong with it, my lad...
      It's dead, that's what's wrong with it."

      "No, no. He's resting."

      "Look, matey, I know a dead writer when I see one... and I'm looking at one right now."

      "No, no. He's not dead, squire, he's resting. Remarkable writer, the Stephen King, innit, eh? Beautiful sentence structure!"

      "The sentence structure, eh? Anyway, he's stone dead."

      "No, no. He's resting."

      "All right then, if he's resting, I'll wake him up!
      ALOO, STEVIE WRITER!! I've got a lovely delicious fresh word processor for you if-"

      >bang< "There, he moved!"

      "No he didn't, that was you hitting the window!"

      "I DID NOT!!"

      "Yes, you did!
      ALLO, STEVIE!! WAKEY-WAKEY!! "
      >tap tap tap<
      "TESTING!"
      >tap-tap tap-tap tap-tap<
      "SHOW ALERT!!"
      >tap tap tap<
      " THIS IS YOUR NINE-O'CLOCK ALARM CALL!!!
      . . .
      Now that's what I call a dead writer."

      "No, no... he's stunned."

      "Stunned?!"

      "Yes! You stunned him, just as he was waking up! Stephen Kings stun easily!"

      "Now, listen, matey! I've had enough of this! That writer is definately deceased, and when I purchased it not half an hour ago, you assured me that it's total lack of movement was due to it being tired and shagged out after a prolonged novel!"

      "Well, he's- uh... he's probably pining for the fjords!"

      " Pining for the fjords?! What kind of talk is that?!
      . . .
      Look! This is nothing to laugh at! Why did he fall flat on his back the moment I got him home?!"

      "The Stephen King prefers tipping on its back! Remarkable writer, eh? Beautiful sentence structure!"

      "Look, I took the liberty of examining that writer when I got it home, and I discovered that the only reason it had been sitting on its chair in the first place, was that it had been nailed there!"

      "Well, of course it was nailed there! If I hadn't nailed that writer down, it would have muscled open them bars, bent 'em apart with its pen, and VOOM! "

      "VOOM?! Mate, this writer wouldn't VOOM if you put 4 million volts through it! It's bleeding demised!"

      "No, no! It's pining!"

      "It's not pining! It's passed on! This writer is no more!
      He has ceased to be! Bereft of life, he rests in peace!
      He's snuffed it! He's off to freedom, kicked the bucket!
      He's shuffled off this mortal coil, downed the curain, and joined the bleeding choir invisible!!
      He's extinct, in entirety! This is an ex-writer! "

      "Well, I better replace it, then!"

      "You want to get anything done in this country, you've gotta go...."

      . . .

      "Sorry, squire, I've had a look 'round back and we're right out of writers."

      "I see, I see! I get the picture!"

      "...I've got a slug."

      "Does it write?"

      "...not really..."

      " WELL IT'S SCARCELY REPLACEMENT THEN, IS IT?!?! "

  23. Hmmmmm by Snowbeam · · Score: 1

    This is SCHWEEEEEET! I'd like to see the end result of this one :)

    --
    I am Lord Snowbeam. Heed my call!
  24. No wonder no hacker has heard of this yet. by ruebarb · · Score: 5, Funny

    They're probably using this as a test for the RIAA...and they knew no hacker would try to break it cause no hacker would ever want to.

    I can hear the sales committee to RIAA 6 months later.."See, our propritary technology hasn't been cracked - it's safe to implement for all CD sales...

    Two weeks later...teenage munchkins find out they can't listen to Limp Bisquit and break the encoding...end of story.

    Funny as hell...why Charley Pride? Covering Jim Reeves, no less?

    --

    ----------
    ah honey, we're all resplendent - Bill Mallonee
    1. Re:No wonder no hacker has heard of this yet. by Daniel+Dvorkin · · Score: 3, Insightful

      Actually, it may be better that it's a low-key country artist with a fairly mature listener base ... Courts are probably going to be a lot friendlier to a middle-aged Charly Pride fan than to a teenage Limp Bizkit fan. Let the grown-ups fight these battles; ultimately the kids will also benefit.

      --
      The correlation between ignorance of statistics and using "correlation is not causation" as an argument is close to 1.
    2. Re:No wonder no hacker has heard of this yet. by rabidcow · · Score: 1

      The young hacker types would just crack the encoding.

      The older, less computer literate would either return the disc or sue.

      Which is better?

  25. Charley Pride by virg_mattes · · Score: 3, Insightful

    Chuckie is well known in his own field (blues/country, if I recall correctly). This isn't a mix CD or a giveaway, and Mr. Pride himself agreed to be the guinea pig for this CD format a while ago. I hope it costs him dearly in terms of sales.

    Virg

    1. Re:Charley Pride by big.ears · · Score: 2

      It probably won't cost him. Charlie Pride is a country has-been whose fan-base is a hick version of Pat Boone's. Country music has an even shorter memory than "Mainstream"--every FM station plays hits from the "70s, 80s, and today", or something like that, but about the farthest back any country radio station will go is Early Garth Brooks. I'm not criticizing the man--he was truly revolutionary (a black man in country music?), and I've seen him in concert, but Charlie's fans mainly own LPs and (8-track) tape decks--most of them don't own CD players, and even fewer own computers. So, he isn't going to be hurt by this. If anything, he will be helped, because he doesn't get played on the radio anymore, and this is giving him some publicity.

  26. Non computer cd player? by FatalException · · Score: 1

    I couldn't tell from the artice, does the cd play on NON computer cdplayers?

    1. Re:Non computer cd player? by Anonymous Coward · · Score: 0

      Yes, it does.

  27. nuke the record companies by motherfuckin_spork · · Score: -1
    take the RIAA straight to hell.

    in a sad, sick way, it makes me glad that my band broke up... that way I don't have to put up with shit like this from the inside, much less the "real world".

    --
    Nope, not me, I must be someone else...
  28. Suing for what? by Anonymous Coward · · Score: 0

    Suing for the $20 a CD costs? It costs more in court fees to sue. How can she expect to get any more than the price of the CD? And why not simply return it? I understand that this may be out of principle, but she'd have more of a case if she bought 100 of these cds only to find out they couldn't be played in a standard CD player.

    1. Re:Suing for what? by sealawyer · · Score: 1

      "Suing for the $20 a CD costs? It costs more in court fees to sue. How can she expect to get any
      more than the price of the CD? And why not simply return it?"

      Lots of stores won't take opened cds (or any other media) back other than in exchange for an identical item.

      You're correct that it isn't feasible to get the $20 back by suing. That's why the next step in suits like this is to seek certification as a class action. If the original suit isn't dismissed, it seems to me that certification as a class action would be relatively simple.

      I'll bet that at least one of the claims in the suit includes court costs and attorney fees.

    2. Re:Suing for what? by jayhawk88 · · Score: 1

      Lots of stores won't take opened cds (or any other media) back other than in exchange for an identical item.

      Which is ironic, since the main reason they do this is to prevent you from copying the media and returning it for a refund, something this CD supposedly prevents. Try convincing the manager at Best Buy of this, though.

    3. Re:Suing for what? by Anonymous Coward · · Score: 0

      The damage is her civil right to privacy, and rights under federal packaging laws (IANAL) $20 has nothing to do with it. I'm thinking of buying a copy (and yes, blues fans buy, or at least bought, charlie pride products) just to get into the class action.

    4. Re:Suing for what? by Skapare · · Score: 2

      Return it and tell the manager that the contents inside do not match the label on the outside, and demand that you be given contents that exactly matches the label on the outside, i.e. something that plays normally.

      --
      now we need to go OSS in diesel cars
    5. Re:Suing for what? by Stonehand · · Score: 1

      There's also the matter of various principles involved, and questions worth asking, such as...

      * Is this fraud? Namely, what should a consumer legally *expect* to be able to do with a CD, and how much can one differ from that without explicit warning before it's deceptive marketing?

      * Is space-shifting still legal as fair use? And is it legal for a publisher to take measures to that block this?

      We don't know much about the plaintiff -- perhaps she's a lawyer, perhaps she's wealthy enough not to care about legal fees (or it's contingency-fee, or even pro bono for the publicity [!]), perhaps she's interested in establishing a legal precedent before access-protection becomes ubiquitous on CDs, or so forth.

      --
      Only the dead have seen the end of war.
    6. Re:Suing for what? by Anonymous Coward · · Score: 0
      From the article:


      A California woman sued Fahrenheit Entertainment, Inc. and its label Music City
      Records today on behalf of the General Public of the State of California


      This is/will become a class action suit. It's not a personal liability suit.


      to enjoin them from selling music compact discs that have been designed, programmed, and implemented to defeat the rights of consumers that include misleading advertising,
      defective notices, and invasions of privacy.



      She's suing in an attempt to block production of these CDs, not to get her 17.99 back.

      On a side note, there was mention made of this new format a few weeks ago, in an article linked by /.. Apparently, this Charlie Pride guy agreed to test the new format
    7. Re:Suing for what? by ryanwright · · Score: 2

      Again, she's not suing for money. She's suing to force the company to disclose what they are doing. The idea is to get this information out to the public, so the average Joe will know before purchasing the disc that it won't play in his PC. This is a great way to start a public backlash; enough MP3 players have been sold that the general public would throw a fit if they were unable to convert their legally purchased discs into MP3s. The problem right now is most people have no idea this is going on.

      --
      -Ryan, with the unoriginal sig
  29. CDNOW Admits to Protection by johnstown · · Score: 4, Interesting

    CDNOW does mention the protection scheme in its synopsis of the CD. But they do call it a "ham-handed and unjustifiable response to the problem" of piracy.

  30. So? by smarner · · Score: 0, Informative

    Read between the lines. The cd works fine if you just want to listen to the tunes. If you want to get some EXTRA features that are included at no extra charge, you have to give up something in exchange. What's wrong with that? If you don't want to listen to the extra encoded stuff, don't.

    1. Re:So? by tigrrl · · Score: 2, Insightful

      er, no. I have a CD player on my computer that is capable of playing music CDs. I like to be able to play music CDs on my computer, because I don't have a stereo in my office. If you can't stick the think in your computer CD and listen to it, it *doesn't* "work fine". That's at least half of the problem.

    2. Re:So? by smarner · · Score: 3, Informative

      Geez. I hate to correct myself, but....
      The disc works fine in a stand-alone cd player. The plaintiff (and CDNow) claim that the disc can't even be listened to AT ALL on a computer though. I presume this could be fixed by turning off auto-run, but who knows? Even forcing someone to take this step seems a bit over the top though.... Guess I jumped the gun a bit on my post. Sorry.

    3. Re:So? by Anonymous Coward · · Score: 0

      How in the hell do you presume that turning off auto-run would fix this problem. (Which, of course, it will not).

    4. Re:So? by liquidsin · · Score: 1

      If you want to get some EXTRA features that are included at no extra charge, you have to give up something in exchange.

      But what constitutes 'extra features at no extra charge'? Can they sell me a cd that's totally encrypted and make me enter personal info to unlock the whole thing, saying that I only purchased the actual physical disk, and the music is just a "free extra"? There doesn't seem to be an industry standard for the price of a cd, so who determines what's just a bonus? If I purchase a cd, I want access to all of the data on it, not "half now, half when you pay us some more"

      --
      do not read this line twice.
    5. Re:So? by Anonymous Coward · · Score: 0

      Turning off auto-run won't solve the problem, unfortunately. The copy-protection thing takes advantage of some difference between regular 1x audio CD mechanisms and CD-ROM mechanisms. That makes it so a CD-ROM drive can't even read it.

      And unfortunately they're not just stopping the CD from being used in computers either. Some newer audio CD players and MP3/CD players use CD-ROM mechanisms.

      It's really a dumb form of copy protection, IMHO.

    6. Re:So? by glitch! · · Score: 2, Interesting

      Read between the lines. The cd works fine if you just want to listen to the tunes.

      A couple years ago, I bought a used Who CD. I should expect to play it and listen to the music, right? Well, it turns out that there were some scratches, and while most of the tracks were playable, one was not.

      The reason that the "standard" CDs have error correction is so that it can tolerate a few minor scratches and still play. Without it, I might not have been able to play any of the songs... And this is the problem - these copy protection nuts want to render this feature useless.

      Another interesting possibility is that if the error correction data is reduced, minor scratches or other wear and tear will increase the number of sales to people replacing CDs. I'm sure the recording industry enjoyed the vinyl era where they could depend on albums wearing out, and getting repeat sales due to the limited lifetime "feature". This trick with CDs may be a step back to the "good old days".

      --
      A dingo ate my sig...
    7. Re:So? by Frank+T.+Lofaro+Jr. · · Score: 2

      Unfortunately?!

      Fortunately it won't play in newer CD players is how I would put it.

      That is one thing that could really kill off this form of copy "protection" (fair use restriction).

      I don't think the makers of high end audio equipment are going to just want to roll over and take it. Same with those that make car CD players (which are often CD-ROM based to avoid skipping - even when driving fast over rough terrain).

      If it only affects "geeks" and those that do "unconventional" fair use (e.g. MP3s for portable players), it could succeed.

      If it hoses over people seen as "conventional" and uses seen as such, such as high-end audiophiles, it is more likely to fail.

      --
      Just because it CAN be done, doesn't mean it should!
  31. the sneaks! by Maditude · · Score: 5, Interesting
    This suit should be interesting to follow...
    "A large part of the suit is that Fahrenheit discloses none of this information on the packaging."

    My wife just bought a cd (arg! I can't remember the artist name, Toby sumthin-or-other, your basic country crapola [metal rules, imho]). Anyways, there was NO indication anywhere on the cd that it was copy-protected, but it absolutely could not be backed-up with ezcd (she likes the security and convenience of having copied-cd's for use in the car, and leaving the original at the house). After a couple of tries, I moved on to attempting to just rip the tracks to .wav files, which I would burn later -- not all of the tracks could be ripped, and the ones that DID, were full of static noise. Luckily, CloneCD didn't have any trouble at all.

    My point (having wandered a bit away from the original topic), is that more than one record company seems to be trying to sneak this sort of crap past consumers.
    1. Re:the sneaks! by FooDog · · Score: 5, Interesting

      Now this is a damn good point! I've had my car broken into TWICE and had some miscreant make off with all of my original, fully paid for, not burned off the computer CD's. After that I started making copies of every CD I BOUGHT (If anyone from the RIAA is reading this, please make special note of that last word. Here, I'll even spell it out real slow so you can understand it: B-O-U-G-H-T....) so that I could put the copies in my car. If they got stolen, I just make new ones. If someone breaks into my HOUSE and makes off with the originals, well, I probably have bigger problems. :)

    2. Re:the sneaks! by ethereal · · Score: 1

      Well, if you really want to make a point of it you could always return the CD, you know. Bonus points if you don't keep the copy either :)

      --

      Your right to not believe: Americans United for Separation of Church and

    3. Re:the sneaks! by csbruce · · Score: 3, Interesting

      A web site should be set up, like "fuckedcd.org" or something, that maintains a registry of copy-protected CDs, so that consumers can find out what albums they should avoid buying. Maybe it could be called "fuckedrecordcompany.com".

    4. Re:the sneaks! by eric2hill · · Score: 2

      You're absolutely right. I bought nearly 200 CD's over the course of several years, and they were in a Case Logic 200 CD case in my car. You guessed it, the whole car got stolen, CD's and all. Last year I finally got up the nerve to throw out my empty jewel cases. A full trash-bag full of them. It wasn't easy.

      If the industry is going in the direction of "no copies", then I sould be able to get free or nearly free replacement CD's for an empty jewel case. If I spent $15 per CD, that's $3000 that I got fucked out of, and the music industry just says "sorry, be more careful next time". HA! Next time? I've bought about 3 CD's. That's it. Just what I need is to be fucked out of another $3000.

      --
      LOAD "SIG",8,1
      LOADING...
      READY.
      RUN
    5. Re:the sneaks! by Anonymous Coward · · Score: 0

      Or you could be like the rest of us and claim it on insurance. Just get a low deductable.

      It makes me sick that you people have to justify everything you do with this sort of crap. Can't you lose the self righteous bit and just be like the rest of us, "I do it because I can and I wont get in trouble for it.".

      Lying to yourself is very unhealthy.

    6. Re:the sneaks! by sealawyer · · Score: 1

      "Luckily, CloneCD [www.elby.de] didn't have any trouble at all."

      The protection schemes I've read about wouldn't be defeated by using CloneCD. Are you sure you didn't just have a defective CD?

    7. Re:the sneaks! by Anonymous Coward · · Score: 0

      Around where I live (Washington D.C.) it's
      much more cost effective to leave your car
      unlocked. This way they can rummage through
      it when ever they like... steal the coins on
      the floor, etc., and then leave. Otherwise
      I end up replacing the window every few months.

    8. Re:the sneaks! by jedidiah · · Score: 1

      Have you ever actually tried to make an auto insurance claim? Auto insurance is a bigger scam than the RIAA. More often than not, you end up paying THEM in the end due to increased insurance rates.

      ...That's even assuming that what most people get sold as "full coverage" would cover a loss like that.

      You're simply delluded. Claiming that you're really the one lying to yourself would be giving you too much credit really.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    9. Re:the sneaks! by Anonymous Coward · · Score: 0

      Ever think that maybe people actually believe the reasons they give?

    10. Re:the sneaks! by Anonymous Coward · · Score: 0

      I should pay higher insurance rates because you are to stupid to back up your cds? This is somehow tied up in some moral position you hold? You are confusing.

    11. Re:the sneaks! by Will+Dyson · · Score: 1

      Heh. If I ever get one of those CDs, I'll copy it (with whatever raw mode cd ripper) and then return the original as a defective product.

      --
      Will Dyson
      "We can't stop here ... This is Bat Country!" - Hunter S. Thompson
    12. Re:the sneaks! by wadetemp · · Score: 1

      That's what insurance and law enforcement is for. The way to prevent being screwed out of something is to either think it might happen before hand and guard against it in the way people have been for years, or to remove the people who would screw you you intentionally from society. Would you make multiple copies of your car if you could? Making copies of everything you own only equates to having "more stuff." Ah the American way.

  32. Music City Records, or MusicCity Network? by yerricde · · Score: 1

    This posting describes a woman in California suing Fahrenheit Entertainment, Inc. and its label Music City Records

    Hmmm.... Music City Records... Is it ironic that MusicCity is also a decentralized filesharing service based on the same technology as KaZaA?

    Would it be further ironic if somebody figured out how to decrypt Circuit City DIVX movies and encode them with a DivX MPEG-4 codec?

    --
    Will I retire or break 10K?
    1. Re:Music City Records, or MusicCity Network? by Anonymous Coward · · Score: 0

      they are one in the same. musiccity records OWNS the musiccity network.

  33. truth be told by Anonymous Coward · · Score: 0

    if you ask me, this is what you get when you buy cd's by someone named "charlie pride"

  34. The "Dept" for this story shoulda been... by whizzmo · · Score: 1

    "Warms my heart to hear" or
    "Restores my faith in humanity" or
    "Makes me feel like taking a dump" :)

    --
    nuclear presidential echelon assassination encryption virulent strain
    Whizzmo
  35. Will Slashdot work? by Anonymous Coward · · Score: -1, Offtopic

    Open Source Software:
    A (New?) Development Methodology
    { The body of the Halloween Document is an internal strategy memorandum on Microsoft's possible responses to the Linux/Open Source phenomenon.
    (This annotated version has been renamed ``Halloween I''; there's a sequel, ``Halloween II'', which marks up a second memo more specifically addressing Linux.)

    Microsoft has publicly acknowledged that this memorandum is authentic, but dismissed it as a mere engineering study that does not define Microsoft policy.

    However, the list of collaborators mentioned at the end includes some people who are known to be key players at Microsoft, and the document reads as though the research effort had the cooperation of top management; it may even have been commissioned as a policy white paper for Bill Gates's attention (the author seems to have expected that Gates would read it).

    Either way, it provides us with a very valuable look past Microsoft's dismissive marketing spin about Open Source at what the company is actually thinking -- which, as you'll see, is an odd combination of astuteness and institutional myopia.

    Despite some speculation that this was an intentional leak, this seems quite unlikely. The document is too damning; portions could be considered evidence of anti-competitive practices for the DOJ lawsuit. Also, the author ``refused to confirm or deny'' when initially contacted, suggesting that Microsoft didn't have its story worked out in advance.

    Since the author quoted my analyses of open-source community dynamics (The Cathedral and the Bazaar and Homesteading the Noosphere) extensively, it seems fair that I should respond on behalf of the community. :-)

    Key Quotes:

    Here are some notable quotes from the document, with hotlinks to where they are embedded. It's helpful to know that ``OSS'' is the author's abbreviation for ``Open Source Software''. FUD, a characteristic Microsoft tactic, is explained here.

    * OSS poses a direct, short-term revenue and platform threat to Microsoft, particularly in server space. Additionally, the intrinsic parallelism and free idea exchange in OSS has benefits that are not replicable with our current licensing model and therefore present a long term developer mindshare threat.
    * Recent case studies (the Internet) provide very dramatic evidence ... that commercial quality can be achieved / exceeded by OSS projects.
    * ...to understand how to compete against OSS, we must target a process rather than a company.
    * OSS is long-term credible ... FUD tactics can not be used to combat it.
    * Linux and other OSS advocates are making a progressively more credible argument that OSS software is at least as robust -- if not more -- than commercial alternatives. The Internet provides an ideal, high-visibility showcase for the OSS world.
    * Linux has been deployed in mission critical, commercial environments with an excellent pool of public testimonials. ... Linux outperforms many other UNIXes ... Linux is on track to eventually own the x86 UNIX market ...
    * Linux can win as long as services / protocols are commodities.
    * OSS projects have been able to gain a foothold in many server applications because of the wide utility of highly commoditized, simple protocols. By extending these protocols and developing new protocols, we can deny OSS projects entry into the market.
    * The ability of the OSS process to collect and harness the collective IQ of thousands of individuals across the Internet is simply amazing. More importantly, OSS evangelization scales with the size of the Internet much faster than our own evangelization efforts appear to scale.
    How To Read This Document:
    Comments in green, surrounded by curly brackets, are me (Eric S. Raymond). I have highlighted what I believe to be key points in the original text by turning them red. I have inserted comments near these key points; you can skim the document by surfing through this comment index in sequence.

    1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28

    I've embedded a few other comments in green that aren't associated with key points and aren't indexed. These additional comments are only of interest if you're reading the entire document.

    I have otherwise left the document completely as-is (not even correcting typos), so you can read what Bill Gates is reading about Open Source. It's a bit long, but persevere. An accurate fix on the opposition's thinking is worth some effort -- and there are one or two really startling insights buried in the corporatespeak.

    Threat Assessment:

    I believe that far and away the the most dangerous tactic advocated in this memorandum is that embodied in the sinister phrase ``de-commoditize protocols''.

    If publication of this document does nothing else, I hope it will alert everyone to the stifling of competition, the erosion of consumer choice, the higher costs, and the monopoly lock-in that this tactic implies.

    The parallel with Microsoft's attempted hijacking of Java, and its attempts to spoil the ``write once, run anywhere'' potential of this technology, should be obvious.

    I have included an extended discussion of this point in my interlinear comments. To prevent this tactic from working, I believe open-source advocates must begin emphasizing these points:

    Buyers like being in a commodity market. Sellers dislike it.

    Commodity services and protocols are good for customers; they're less expensive, they promote competition, they generate good choices.

    "De-commoditizing" protocols means reducing choice, raising prices, and suppressing competition.

    Therefore, for Microsoft to win, the customer must lose.

    Open source pushes -- indeed relies upon -- commodity services and protocols. It is therefore in harmony with consumer interests.

    History:
    The first (1.1) annotated version of the VinodV memorandum was prepared over the weekend of 31 Oct-1 Nov 1998. It is in recognition of the date, and my fond hope that publishing it will help realize Microsoft's worst nightmares, that I named it the ``Halloween Document"'.

    The 1.2 version featured cleanup of non-ASCII characters.

    The 1.3 version noted Microsoft's acknowledgement of authenticity.

    The 1.4 version added a bit more analysis and the section on Threat Assessment.

    The 1.5 version added some bits to the preamble.

    The 1.6 version added more to one of the comments.

    The 1.7 version added the reference to the Fuzz papers.

    The 1.8 version added a link to the Halloween II document.

    The 1.9 version adds a note about HTTP-DAV support.

    The 1.10 version adds more on the ``who do you sue?'' question.

    The 1.11 version adds perceptive comments from the Learning From Linux, page by Tom Nadeau an OS/2 advocate.

    The 1.12 version adds illuminating comments by a former Microserf who wishes to remain nameless.

    The 1.13 version adds a comment on ``unsexy'' work based on some thoughts by Tim Kynerd.

    The 1.14 version adds a bit of cleanup.

    The 1.15 removed font changes that made the HTML hard to read on large screens. }

  36. Interesting to note: by cavemanf16 · · Score: 3, Insightful
    It is our [the lawfirm in the article] view that Fahrenheit and Music City do not disclose the privacy intrusion and other limitations with specificity on the CD container since it would likely hurt sales.

    Wow, who would've thunk it?! Copyright control and protection mechanisms might hurt sales? While completely unrevolutionary to anyone who has actually USED Napster or other file sharing P2P networks, I'm sure this will just be an extraordinary revolution to Hillary Rosen and her cronies. Don't want to screw yourselves out of a bunch of extra profits? - just screw the customer out of their legally provided rights...

  37. jury trial... by jeffy124 · · Score: 3, Interesting

    I noticed at the very end of the complaint that a jury trial is requested. This is good because if that request is granted, it will mean that regular Joes and Janes will be the ones deciding this case, and juries have traditionnally tended to lean toward what they personally feel is right, not what is legally right.

    Natuarally the defendants will do everything hty can to block a jury and have just the judge.

    --
    The One Rule Of Chess You'll Ever Need: Don't play someone who carries a kit in their bookbag.
    1. Re:jury trial... by smarner · · Score: 2, Informative

      This will never go to a jury. There are no readily apparent major issues of disputed fact - - the questions are all legal. In that case, the matter is unlikely to even go to trial. Assuming no settlement is reached, the case will likely be decided -- by a judge -- at the summary judgment stage.

    2. Re:jury trial... by rtscts · · Score: 1
      lean toward what they personally feel is right, not what is legally right.


      This bothers me. Why is the law so out of control that the only way for what is "right" to prevail is to either ignore/bend the law or get it struck down as unconstitutional? Can't bad shit be fixed without it being unconstitutional?

    3. Re:jury trial... by bstadil · · Score: 1

      Depends of what amount of money they ask for. If punitives is involved that have to be ruled by jury. The judge can not dispose of that unless the defendant agrees the amount.

      --
      Help fight continental drift.
    4. Re:jury trial... by TheGratefulNet · · Score: 2
      tended to lean toward what they personally feel is right, not what is legally right.

      this is a little-known (and usually well-hidden, if not totally non-disclosed) notion called jury nullifcation. meaning, jurys can nullify bad laws on a per-case basis.

      in fact, if you are being selected for jury duty ('tested', really) and you even dare to acknowledge that you understand the issue of nullification ('I will vote my concience rather than what the law literally says') you're almost always immediately rejected (excused) from jury duty. the courts don't WANT you to think for yourself - they want you to blindly follow laws. of course the Founding Fathers felt otherwise, but we quickly disregard their views too easily these days.

      I hope the jury on this trial can learn about nullifcation and follow their hearts rather than be manipulated by the sheisters^H^H^H^H^H^H^H^H^Hlawyers.

      --

      --
      "It is now safe to switch off your computer."
  38. It's more than just the $20 by TrollMan+5000 · · Score: 1

    There was no disclosure on the packaging about the protection, and "rip-proof" means for the average user, a stripping away of fair-use rights such as making an archival copy in case the original blows up.

    People do not like to lose the rights they once had. Imagine someone taking away your right to drive a car, for example.

    I hope this case goes far, since the DMCA already has gone too far.

    1. Re:It's more than just the $20 by sulli · · Score: 2
      Seriously. I and many others rip CDs for my own use on my own computer. If it's unrippable I won't buy it, and I feel that I HAVE A RIGHT TO KNOW if that is the case.

      Someone needs to start a "Copy-Protected CD Blacklist" online. Cryptome perhaps?

      --

      sulli
      RTFJ.
    2. Re:It's more than just the $20 by Clowning · · Score: 1

      RIGHT to drive a car?

      You have got some serious issues.

  39. I'd be quite happy to register in their system.... by Gwared · · Score: 1

    ... as long as the CEO of Fahrenheit Entertainment is willing to web-cast the details of all the music (s)he listens to.

  40. actually by Anonymous Coward · · Score: 0

    Actually at least a month before this CD was released there was an article on CNN and i think MSNBC had it to, explaining the whole thing. It's not secret or anything. Actually i submitted it to slashdot but it was rejected becuase discussing weeners who paint their gameboys blue or something was more important that day.

  41. Because encoding is not MP3? by pjellis · · Score: 1

    From the press release:
    "that electronic music files made available for download pursuant to purchase of its CD are proprietary in nature, that such electronic music files will not work on portable MP3 players"

    While there are certain aspects of this Lawsuit that I would definately like to see successful in a court, it makes me a touch ill that included in the lawsuit is the fact that the encoded version of the CD is NOT mp3.

    MP3 as an encoding format has pretty much captured the market, but I certainly don't want it to be REQUIRED by law. bleh.

    --
    -Patric
    1. Re:Because encoding is not MP3? by Anonymous Coward · · Score: 0

      You misunderstand. The problem is that I can't use this CD with the software that came with my Rio (or whatever) to easily copy music from my personal, legal CD to my personal, legal MP3 player.

      (well, OK, *I* can but your average CD-buying, portable MP3-using consumer can't)

  42. Can Slashdot Post? by Anonymous Coward · · Score: -1, Offtopic

    Vinod Valloppillil (VinodV)
    Aug 11, 1998 -- v1.00
    Microsoft Confidential

    Table of Contents

    Table of Contents *

    Executive Summary *

    Open Source Software *

    What is it? *

    Software Licensing Taxonomy *

    Open Source Software is Significant to Microsoft *

    History *

    Open Source Process *

    Open Source Development Teams *

    OSS Development Coordination *

    Parallel Development *

    Parallel Debugging *

    Conflict resolution *

    Motivation *

    Code Forking *

    Open Source Strengths *

    OSS Exponential Attributes *

    Long-term credibility *

    Parallel Debugging *

    Parallel Development *

    OSS = `perfect' API evangelization / documentation *

    Release rate *

    Open Source Weaknesses *

    Management Costs *

    Process Issues *

    Organizational Credibility *

    Open Source Business Models *

    Secondary Services *

    Loss Leader -- Market Entry *

    Commoditizing Downstream Suppliers *

    First Mover -- Build Now, $$ Later *

    Linux *

    What is it? *

    Linux is a real, credible OS + Development process *

    Linux is a short/medium-term threat in servers *

    Linux is unlikely to be a threat on the desktop *

    Beating Linux *

    Netscape *

    Organization & LIcensing *

    Strengths *

    Weaknesses *

    Predictions *

    Apache *

    History *

    Organization *

    Strengths *

    Weaknesses *

    IBM & Apache *

    Other OSS Projects *

    Microsoft Response *

    Product Vulnerabilities *

    Capturing OSS benefits -- Developer Mindshare *

    Capturing OSS benefits -- Microsoft Internal Processes *

    Extending OSS benefits -- Service Infrastructure *

    Blunting OSS attacks *

    Other Interesting Links *

    Acknowledgments *

    Revision History *

    Open Source Software

    A (New?) Development Methodology

    Executive Summary

    Open Source Software (OSS) is a development process which promotes rapid creation and deployment of incremental features and bug fixes in an existing code / knowledge base. In recent years, corresponding to the growth of Internet, OSS projects have acquired the depth & complexity traditionally associated with commercial projects such as Operating Systems and mission critical servers.

    Consequently, OSS poses a direct, short-term revenue and platform threat to Microsoft -- particularly in server space. Additionally, the intrinsic parallelism and free idea exchange in OSS has benefits that are not replicable with our current licensing model and therefore present a long term developer mindshare threat.

    { OK, this establishes that Microsoft isn't asleep at the switch.
    TN explains the connection to Java as follows:
    Okay, what does this basically mean? Microsoft perceives a product to be a ``threat'' if it presents itself as any of these:

    a revenue alternative -- somebody might spend money on a non-MS -- product
    a platform alternative -- MS might lose its monopoly position
    a developer alternative -- people might actually write software for a non-MS product. In their minds, any alternative is a threat. Therefore, freedom of choice is a source of fear and loathing to MS. The idea that there may be zero (or negative!) costs with leaving MS and migrating to another platform scares the daylights out of MS. }
    However, other OSS process weaknesses provide an avenue for Microsoft to garner advantage in key feature areas such as architectural improvements (e.g. storage+), integration (e.g. schemas), ease-of-use, and organizational support.

    { This summary recommendation is mainly interesting for how it fails to cover the specific suggestions later on in the document about de-commoditizing protocols etc. I'm told by a former Microserf that the references to "Storage+" here and in the executive summary are much more significant than they seem. MS's plan for the next few years is to move to an integrated file/data/storage system based upon Exchange, completely replacing the current FAT and NTFS file systems. They are absolutely planning on one monolithic structure, called "megaserver", as their next strategic infrastructure. The lock-in effect of this would be immense if they succeed. }
    Open Source Software

    What is it?

    Open Source Software (OSS) is software in which both source and binaries are distributed or accessible for a given product, usually for free. OSS is often mistaken for "shareware" or "freeware" but there are significant differences between these licensing models and the process around each product.

    Software Licensing Taxonomy

    Software Type

    Commercial

    Trial Software
    X

    (Non-full featured)
    X

    Non-Commercial Use
    X

    (Usage dependent)
    X

    Shareware
    X-(Unenforced licensing)
    X

    Royalty-free binaries ("Freeware")
    X
    X
    X

    Royalty-free libraries
    X
    X
    X
    X

    Open Source (BSD-Style)
    X
    X
    X
    X
    X

    Open Source (Apache Style)
    X
    X
    X
    X
    X
    X

    Open Source (Linux/GNU style)
    X
    X
    X
    X
    X
    X
    X

    License Feature
    Zero Price Avenue
    Redistributable
    Unlimited Usage
    Source Code Available
    Source Code Modifiable
    Public "Check-ins" to core codebase
    All derivatives must be free

    The broad categories of licensing include:

    Commercial software

    Commercial software is classic Microsoft bread-and-butter. It must be purchased, may NOT be redistributed, and is typically only available as binaries to end users.

    Limited trial software

    Limited trial software are usually functionally limited versions of commercial software which are freely distributed and intend to drive purchase of the commercial code. Examples include 60-day time bombed evaluation products.

    Shareware

    Shareware products are fully functional and freely redistributable but have a license that mandates eventual purchase by both individuals and corporations. Many internet utilities (like "WinZip") take advantage of shareware as a distribution method.

    Non-commercial use

    Non-commercial use software is freely available and redistributable by non-profit making entities. Corporations, etc. must purchase the product. An example of this would be Netscape Navigator.

    Royalty free binaries

    Royalty-free binaries consist of software which may be freely used and distributed in binary form only. Internet Explorer and NetMeeting binaries fit this model.

    Royalty free libraries

    Royalty-free libraries are software products whose binaries and source code are freely used and distributed but may NOT be modified by the end customer without violating the license. Examples of this include class libraries, header files, etc.

    Open Source (BSD-style)

    A small, closed team of developers develops BSD-style open source products & allows free use and redistribution of binaries and code. While users are allowed to modify the code, the development team does NOT typically take "check-ins" from the public.

    Open Source (Apache-style)

    Apache takes the BSD-style open source model and extends it by allowing check-ins to the core codebase by external parties.

    Open Source (CopyLeft, Linux-style)

    CopyLeft or GPL (General Public License) based software takes the Open Source license one critical step farther. Whereas BSD and Apache style software permits users to "fork" the codebase and apply their own license terms to their modified code (e.g. make it commercial), the GPL license requires that all derivative works in turn must also be GPL code. "You are free to hack this code as long as your derivative is also hackable"

    { It's interesting to note how differently these last three distinctions are framed from the way the open-source community generally views them.
    To us, open-source licensing and the rights it grants to users and third parties are primary, and specific development practice varies ad-hoc in a way not especially coupled to our license variations. In this Microsoft taxonomy, on the other hand, the central distinction is who has write access to a privileged central code base.

    This reflects a much more centralized view of reality, and reflects a failure of imagination or understanding on the memo-authors's part. He doesn't grok our distributed-development tradition fully. This is hardly surprising... }

    Open Source Software is Significant to Microsoft

    This paper focuses on Open Source Software (OSS). OSS is acutely different from the other forms of licensing (in particular "shareware") in two very important respects:

    There always exists an avenue for completely royalty-free purchase of the core code base

    Unlike freely distributed binaries, Open Source encourages a process around a core code base and encourages extensions to the codebase by other developers.

    OSS is a concern to Microsoft for several reasons:

    OSS projects have achieved "commercial quality"

    A key barrier to entry for OSS in many customer environments has been its perceived lack of quality. OSS advocates contend that the greater code inspection & debugging in OSS software results in higher quality code than commercial software.

    Recent case studies (the Internet) provide very dramatic evidence in customer's eyes that commercial quality can be achieved / exceeded by OSS projects. At this time, however there is no strong evidence of OSS code quality aside from anecdotal.

    { These sentences, taken together, are rather contradictory unless the ``recent case studies'' are all ``anecdotal''. But if so, why call them ``very dramatic evidence''?
    It appears there's a bit of self-protective backing and filling going on in the second sentence. Nevertheless, the first sentence is a huge concession for Microsoft to make (even internally).

    In any case, the `anecdotal' claim is false. See Fuzz Revisited: A Re-examination of the Reliability of UNIX Utilities and Services .

    Here are three pertinent lines from this paper:

    "The failure rate of utilities on the commercial versions of UNIX that we tested . . . ranged from 15-43%." "The failure rate of the utilities on the freely-distributed Linux version of UNIX was second-lowest, at 9%." "The failure rate of the public GNU utilities was the lowest in our study, at only 7%.
    TN remarks:
    Note the clever distinction here (which Eric missed in his analysis). ``customer's eyes'' (in Microsoft's own words) rather than any real code quality. In other words, to Microsoft and the software market in general, a software product has "commercial quality" if it has the ``look and feel'' of commercial software products. A product has commercial quality code if and only if there is a public perception that it is made with commercial quality code. This means that MS will take seriously any product that has an appealing, commercial-looking appearance because MS assumes -- rightly so -- that this is what the typical, uninformed consumer uses as the judgment benchmark for what is ``good code''.

    TN is probably right. This didn't occur to me because, like most open-source programmers, I consider programs that crash and screw up a lot to be junk no matter how pretty their interfaces are....

    }

    OSS projects have become large-scale & complex

    Another barrier to entry that has been tackled by OSS is project complexity. OSS teams are undertaking projects whose size & complexity had heretofore been the exclusive domain of commercial, economically-organized/motivated development teams. Examples include the Linux Operating System and Xfree86 GUI.

    OSS process vitality is directly tied to the Internet to provide distributed development resources on a mammoth scale. Some examples of OSS project size:

    Project
    Lines of Code

    Linux Kernel (x86 only)
    500,000

    Apache Web Server
    80,000

    SendMail
    57,000

    Xfree86 X-windows server
    1.5 Million

    "K" desktop environment
    90,000

    Full Linux distribution
    ~10 Million

    OSS has a unique development process with unique strengths/weaknesses

    The OSS process is unique in its participants' motivations and the resources that can be brought to bare down on problems. OSS, therefore, has some interesting, non-replicable assets which should be thoroughly understood.

    { TN comments:
    An interesting piece of terminology -- ``non-replicable assets'' -- implies that Microsoft's modus operandi typically involves copying anything that others do. }
    History

    Open source software has roots in the hobbyist and the scientific community and was typified by ad hoc exchange of source code by developers/users.

    Internet Software

    The largest case study of OSS is the Internet. Most of the earliest code on the Internet was, and is still based on OSS as described in an interview with Tim O'Reilly (http://www.techweb.com/internet/profile/toreilly/ interview):

    TIM O'REILLY: The biggest message that we started out with was, "open source software works." ... BIND has absolutely dominant market share as the single most mission-critical piece of software on the Internet. Apache is the dominant Web server. SendMail runs probably eighty percent of the mail servers and probably touches every single piece of e-mail on the Internet

    Free Software Foundation / GNU Project

    Credit for the first instance of modern, organized OSS is generally given to Richard Stallman of MIT. In late 1983, Stallman created the Free Software Foundation (FSF) -- http://www.gnu.ai.mit.edu/fsf/fsf.html -- with the goal of creating a free version of the UNIX operating system. The FSF released a series of sources and binaries under the GNU moniker (which recursively stands for "Gnu's Not Unix").

    The original FSF / GNU initiatives fell short of their original goal of creating a completely OSS Unix. They did, however, contribute several famous and widely disseminated applications and programming tools used today including:

    GNU Emacs -- originally a powerful character-mode text editor, over time Emacs was enhanced to provide a front-end to compilers, mail readers, etc.

    GNU C Compiler (GCC) -- GCC is the most widely used compiler in academia & the OSS world. In addition to the compiler a fairly standardized set of intermediate libraries are available as a superset to the ANSI C libraries.

    GNU GhostScript -- Postscript printer/viewer.

    CopyLeft Licensing

    FSF/GNU software introduced the "copyleft" licensing scheme that not only made it illegal to hide source code from GNU software but also made it illegal to hide the source from work derived from GNU software. The document that described this license is known as the General Public License (GPL).

    Wired magazine has the following summary of this scheme & its intent (http://www.wired.com/wired/5.08/linux.html):

    The general public license, or GPL, allows users to sell, copy, and change copylefted programs - which can also be copyrighted - but you must pass along the same freedom to sell or copy your modifications and change them further. You must also make the source code of your modifications freely available.

    The second clause -- open source code of derivative works -- has been the most controversial (and, potentially the most successful) aspect of CopyLeft licensing.

    Open Source Process

    Commercial software development processes are hallmarked by organization around economic goals. However, since money is often not the (primary) motivation behind Open Source Software, understanding the nature of the threat posed requires a deep understanding of the process and motivation of Open Source development teams.

    In other words, to understand how to compete against OSS, we must target a process rather than a company.

    { This is a very important insight, one I wish Microsoft had missed. The real battle isn't NT vs. Linux, or Microsoft vs. Red Hat/Caldera/S.u.S.E. -- it's closed-source development versus open-source. The cathedral versus the bazaar.
    This applies in reverse as well, which is why bashing Microsoft qua Microsoft misses the point -- they're a symptom, not the disease itself. I wish more Linux hackers understood this.

    On a practical level, this insight means we can expect Microsoft's propaganda machine to be directed against the process and culture of open source, rather than specific competitors. Brace for it... }

    Open Source Development Teams

    Some of the key attributes of Internet-driven OSS teams:

    Geographically far-flung. Some of the key developers of Linux, for example, are uniformly distributed across Europe, the US, and Asia.

    { It's very interesting that the author recognizes this, but doesn't go on to discuss either Linux's edge in internationalization or the extent to which Linux's success overseas (especially in Europe) is driven by a fear of U.S. technological domination. This omission may represent an exploitable blind spot in Microsoft's strategy. }

    Large set of contributors with a smaller set of core individuals. Linux, once again, has had over 1000 people submit patches, bug fixes, etc. and has had over 200 individuals directly contribute code to the kernel.

    Not monetarily motivated (in the short run). These individuals are more like hobbyists spending their free time / energy on OSS project development while maintaining other full time jobs. This has begun to change somewhat as commercial versions of the Linux OS have appeared.

    OSS Development Coordination

    Communication -- Internet Scale

    Coordination of an OSS team is extremely dependent on Internet-native forms of collaboration. Typical methods employed run the full gamut of the Internet's collaborative technologies:

    Email lists

    Newsgroups

    24x 7 monitoring by international subscribers

    Web sites

    OSS projects the size of Linux and Apache are only viable if a large enough community of highly skilled developers can be amassed to attack a problem. Consequently, there is direct correlation between the size of the project that OSS can tackle and the growth of the Internet.

    Common Direction

    In addition to the communications medium, another set of factors implicitly coordinate the direction of the team.

    Common Goals

    Common goals are the equivalent of vision statements which permeate the distributed decision making for the entire development team. A single, clear directive (e.g. "recreate UNIX") is far more efficiently communicated and acted upon by a group than multiple, intangible ones (e.g. "make a good operating system").

    Common Precedents

    Precedence is potentially the most important factor in explaining the rapid and cohesive growth of massive OSS projects such as the Linux Operating System. Because the entire Linux community has years of shared experience dealing with many other forms of UNIX, they are easily able to discern -- in a non-confrontational manner -- what worked and what didn't.

    There weren't arguments about the command syntax to use in the text editor -- everyone already used "vi" and the developers simply parcelled out chunks of the command namespace to develop.

    Having historical, 20:20 hindsight provides a strong, implicit structure. In more forward looking organizations, this structure is provided by strong, visionary leadership.

    { At first glance, this just reads like a brown-nose-Bill comment by someone expecting that Gates will read the memo -- you can almost see the author genuflecting before an icon of the Fearless Leader.
    More generally, it suggests a serious and potentially exploitable underestimation of the open-source community's ability to enable its own visionary leaders. We didn't get Emacs or Perl or the World Wide Web from ``20:20 hindsight'' -- nor is it correct to view even the relatively conservative Linux kernel design as a backward-looking recreation of past models.

    Accordingly, it suggests that Microsoft's response to open source can be wrong-footed by emphasizing innovation in both our actions and the way we represent what we're doing to the rest of the world. }

    Common Skillsets

    NatBro points out that the need for a commonly accepted skillset as a pre-requisite for OSS development. This point is closely related to the common precedents phenomena. From his email:

    A key attribute ... is the common UNIX/gnu/make skillset that OSS taps into and reinforces. I think the whole process wouldn't work if the barrier to entry were much higher than it is ... a modestly skilled UNIX programmer can grow into doing great things with Linux and many OSS products. Put another way -- it's not too hard for a developer in the OSS space to scratch their itch, because things build very similarly to one another, debug similarly, etc.

    Whereas precedents identify the end goal, the common skillsets attribute describes the number of people who are versed in the process necessary to reach that end.

    The Cathedral and the Bazaar

    A very influential paper by an open source software advocate -- Eric Raymond -- was first published in May 1997 (http://www.redhat.com/redhat/cathedral-bazaar/). Raymond's paper was expressly cited by (then) Netscape CTO Eric Hahn as a motivation for their decision to release browser source code.

    Raymond dissected his OSS project in order to derive rules-of-thumb which could be exploited by other OSS projects in the future. Some of Raymond's rules include:

    Every good work of software starts by scratching a developer's personal itch

    This summarizes one of the core motivations of developers in the OSS process -- solving an immediate problem at hand faced by an individual developer -- this has allowed OSS to evolve complex projects without constant feedback from a marketing / support organization.

    { TN remarks:
    In other words, open-source software is driven by making great products, whereas Microsoft is driven by focus groups, psychological studies, and marketing. As if we didn't know that already.... }
    Good programmers know what to write. Great ones know what to rewrite (and reuse).

    Raymond posits that developers are more likely to reuse code in a rigorous open source process than in a more traditional development environment because they are always guaranteed access to the entire source all the time.

    Widely available open source reduces search costs for finding a particular code snippet.

    ``Plan to throw one away; you will, anyhow.''

    Quoting Fred Brooks, ``The Mythical Man-Month'', Chapter 11. Because development teams in OSS are often extremely far flung, many major subcomponents in Linux had several initial prototypes followed by the selection and refinement of a single design by Linus.

    Treating your users as co-developers is your least-hassle route to rapid code improvement and effective debugging.

    Raymond advocates strong documentation and significant developer support for OSS projects in order to maximize their benefits.

    Code documentation is cited as an area which commercial developers typically neglect which would be a fatal mistake in OSS.

    Release early. Release often. And listen to your customers.

    This is a classic play out of the Microsoft handbook. OSS advocates will note, however, that their release-feedback cycle is potentially an order of magnitude faster than commercial software's.

    { This is an interestingly arrogant statement, as if they think I was somehow inspired by the Microsoft way of binary-only releases.
    But it suggests something else -- that even though the author intellectually grasps the importance of source code releases, he doesn't truly grok how powerful a lever the early release specifically of source code truly is. Perhaps living within Microsoft's assumptions makes that impossible.

    TN comments:

    The difference here is, in every release cycle Microsoft always listens to its most ignorant customers. This is the key to dumbing down each release cycle of software for further assaulting the non-PC population. Linux and OS/2 developers, OTOH, tend to listen to their smartest customers. This necessarily limits the initial appeal of the operating system, while enhancing its long-term benefits. Perhaps only a monopolist like Microsoft could get away with selling worse products each generation -- products focused so narrowly on the least-technical member of the consumer base that they necessarily sacrifice technical excellence. Linux and OS/2 tend to appeal to the customer who knows greatness when he or she sees it.The good that Microsoft does in bringing computers to the non-users is outdone by the curse they bring upon the experienced users, because their monopoly position tends to force everyone toward the lowest-common-denominator, not just the new users.

    Note: This means that Microsoft does the ``heavy lifting'' of expanding the overall PC marketplace. The great fear at Microsoft is that somebody will come behind them and make products that not only are more reliable, faster, and more secure, but are also easy to use, fun, and make people more productive. That would mean that Microsoft had merely served as a pioneer and taken all the arrows in the back, while we who have better products become a second wave to homestead on Microsoft's tamed territory. Well, sounds like a good idea to me.

    So, we ought to take a page from Microsoft's book and listen to the newbies once in a while. But not so often that we lose our technological superiority over Microsoft.

    ESR again. I don't agree with TN's apparent assumption that ease-of-use and technical superiority are necessarily mutually exclusive; with good design it's possible to do both. But given limited resources and poor-to-mediocre design skills, they do tend to get set in opposition with each other. Thus there's enough point to TN's analysis to make it worth reproducing here. }

    Given a large enough beta-tester and co-developer base, almost every problem will be characterized quickly and the fix obvious to someone.

    This is probably the heart of Raymond's insight into the OSS process. He paraphrased this rule as "debugging is parallelizable". More in depth analysis follows.

    { Well, he got that right, anyway. }

    Parallel Development

    Once a component framework has been established (e.g. key API's & structures defined), OSS projects such as Linux utilize multiple small teams of individuals independently solving particular problems.

    Because the developers are typically hobbyists, the ability to `fund' multiple, competing efforts is not an issue and the OSS process benefits from the ability to pick the best potential implementation out of the many produced.

    Note, that this is very dependent on:

    A large group of individuals willing to submit code

    A strong, implicit componentization framework (which, in the case of Linux was inherited from UNIX architecture).

    Parallel Debugging

    The core argument advanced by Eric Raymond is that unlike other aspects of software development, code debugging is an activity whose efficiency improves nearly linearly with the number of individuals tasked with the project. There are little/no management or coordination costs associated with debugging a piece of open source code -- this is the key `break' in Brooks' laws for OSS.

    Raymond includes Linus Torvald's description of the Linux debugging process:

    My original formulation was that every problem ``will be transparent to somebody''. Linus demurred that the person who understands and fixes the problem is not necessarily or even usually the person who first characterizes it. ``Somebody finds the problem,'' he says, ``and somebody else understands it. And I'll go on record as saying that finding it is the bigger challenge.'' But the point is that both things tend to happen quickly

    Put alternately:

    ``Debugging is parallelizable''. Jeff [Dutky ] observes that although debugging requires debuggers to communicate with some coordinating developer, it doesn't require significant coordination between debuggers. Thus it doesn't fall prey to the same quadratic complexity and management costs that make adding developers problematic.

    One advantage of parallel debugging is that bugs and their fixes are found / propagated much faster than in traditional processes. For example, when the TearDrop IP attack was first posted to the web, less than 24 hours passed before the Linux community had a working fix available for download.

    "Impulse Debugging"

    An extension to parallel debugging that I'll add to Raymond's hypothesis is "impulsive debugging". In the case of the Linux OS, implicit to the act of installing the OS is the act of installing the debugging/development environment. Consequently, it's highly likely that if a particular user/developer comes across a bug in another individual's component -- and especially if that bug is "shallow" -- that user can very quickly patch the code and, via internet collaboration technologies, propagate that patch very quickly back to the code maintainer.

    Put another way, OSS processes have a very low entry barrier to the debugging process due to the common development/debugging methodology derived from the GNU tools.

    Conflict resolution

    Any large scale development process will encounter conflicts which must be resolved. Often resolution is an arbitrary decision in order to further progress the project. In commercial teams, the corporate hierarchy + performance review structure solves this problem -- How do OSS teams resolve them?

    In the case of Linux, Linus Torvalds is the undisputed `leader' of the project. He's delegated large components (e.g. networking, device drivers, etc.) to several of his trusted "lieutenants" who further de-facto delegate to a handful of "area" owners (e.g. LAN drivers).

    Other organizations are described by Eric Raymond: (http://earthspace.net/~esr/writings/homesteading/ homesteading-15.html):

    Some very large projects discard the `benevolent dictator' model entirely. One way to do this is turn the co-developers into a voting committee (as with Apache). Another is rotating dictatorship, in which control is occasionally passed from one member to another within a circle of senior co-developers (the Perl developers organize themselves this way).

  43. ghey by Anonymous Coward · · Score: -1, Offtopic

    nobody will use this, what a stupid idea.

  44. the record companies by Anonymous Coward · · Score: 0

    dont have too much Pride when they pull crap like this. Pun intended.

  45. How to bypass the code on their CD - by bozo42 · · Score: 1
    Here is how to do it:

    *

    If I really told you how to do it I would have to:
    • A. Kill you
    • B. Tell Slashdot to remove my post
    • C. Get ready for the lawyers at my door
    • D. All of the above

      Answer: D!!!
      DING! DING! DING!
      Your'e a weiner!!


    --
    If you're not on somebody's shit list, you're not doing anything worthwhile.....
    1. Re:How to bypass the code on their CD - by Anonymous Coward · · Score: 0

      B. Tell Slashdot to remove my post
      Na, they do that anyway.

  46. Law suit = DCMA violation??? by Alien54 · · Score: 3, Funny
    All attempts to bypass copy protection are supposedly illegal under the provisions of the DCMA.

    So the next question is :

    Is filing a lawsuit to stop the data collection and to stop this practice in fact a violation under the DCMA, and an illegal lawsuit?

    you know somebody is going to try to argue that point, and may even find a nitwit judge to agree.

    - - -
    Radio Free Nation
    an alternate news site using Slash Code
    "If You have a Story, We have a Soap Box"

    --
    "It is a greater offense to steal men's labor, than their clothes"
  47. Hello Slashdot by Anonymous Coward · · Score: -1, Offtopic

    Motivation

    This section provides an overview of some of the key reasons OSS developers seek to contribute to OSS projects.

    Solving the Problem at Hand

    This is basically a rephrasing of Raymond's first rule of thumb -- "Every good work of software starts by scratching a developer's personal itch".

    Many OSS projects -- such as Apache -- started as a small team of developers setting out to solve an immediate problem at hand. Subsequent improvements of the code often stem from individuals applying the code to their own scenarios (e.g. discovering that there is no device driver for a particular NIC, etc.)

    Education

    The Linux kernel grew out of an educational project at the University of Helsinki. Similarly, many of the components of Linux / GNU system (X windows GUI, shell utilities, clustering, networking, etc.) were extended by individuals at educational institutions.

    In the Far East, for example, Linux is reportedly growing faster than internet connectivity -- due primarily to educational adoption.

    Universities are some of the original proponents of OSS as a teaching tool.

    Research/teaching projects on top of Linux are easily `disseminated' due to the wide availability of Linux source. In particular, this often means that new research ideas are first implemented and available on Linux before they are available / incorporated into other platforms.

    { This from the same author who later insists that the Linux mob will have a hard time absorbing new ideas!. }
    Ego Gratification

    The most ethereal, and perhaps most profound motivation presented by the OSS development community is pure ego gratification.

    In "The Cathedral and the Bazaar", Eric S. Raymond cites:

    The ``utility function'' Linux hackers are maximizing is not classically economic, but is the intangible of their own ego satisfaction and reputation among other hackers.

    And, of course, "you aren't a hacker until someone else calls you hacker"

    Homesteading on the Noosphere

    A second paper published by Raymond -- "Homesteading on the Noosphere" (http://sagan.earthspace.net/~esr/writings/homeste ading/), discusses the difference between economically motivated exchange (e.g. commercial software development for money) and "gift exchange" (e.g. OSS for glory).

    "Homesteading" is acquiring property by being the first to `discover' it or by being the most recent to make a significant contribution to it. The "Noosphere" is loosely defined as the "space of all work". Therefore, Raymond posits, the OSS hacker motivation is to lay a claim to the largest area in the body of work. In other words, take credit for the biggest piece of the prize.

    { This is a subtle but significant misreading. It introduces a notion of territorial `size' which is nowhere in my theory. It may be a personal error of the author, but I suspect it reflects Microsoft's competition-obsessed culture. }

    From "Homesteading on the Noosphere":

    Abundance makes command relationships difficult to sustain and exchange relationships an almost pointless game. In gift cultures, social status is determined not by what you control but by what you give away.

    ...

    For examined in this way, it is quite clear that the society of open-source hackers is in fact a gift culture. Within it, there is no serious shortage of the `survival necessities' -- disk space, network bandwidth, computing power. Software is freely shared. This abundance creates a situation in which the only available measure of competitive success is reputation among one's peers.

    More succinctly (http://www.techweb.com/internet/profile/eraymond/ interview):

    SIMS: So the scarcity that you looked for was the scarcity of attention and reward?
    RAYMOND: That's exactly correct.

    Altruism

    This is a controversial motivation and I'm inclined to believe that at some level, Altruism `degenerates' into a form of the Ego Gratification argument advanced by Raymond.

    One smaller motivation which, in part, stems from altruism is Microsoft-bashing.

    { What a very fascinating admission, coming from a Microserf! Of course, he doesn't analyze why this connection exists; that might hit too close to home...}

    Code Forking

    A key threat in any large development team -- and one that is particularly exacerbated by the process chaos of an internet-scale development team -- is the risk of code-forking.

    Code forking occurs when over normal push-and-pull of a development project, multiple, inconsistent versions of the project's code base evolve.

    In the commercial world, for example, the strong, singular management of the Windows NT codebase is considered to be one of it's greatest advantages over the `forked' codebase found in commercial UNIX implementations (SCO, Solaris, IRIX, HP-UX, etc.).

    Forking in OSS -- BSD Unix

    Within OSS space, BSD Unix is the best example of forked code. The original BSD UNIX was an attempt by U-Cal Berkeley to create a royalty-free version of the UNIX operating system for teaching purposes. However, Berkeley put severe restrictions on non-academic uses of the codebase.

    { The author's history of the BSD splits is all wrong. }

    In order to create a fully free version of BSD UNIX, an ad hoc (but closed) team of developers created FreeBSD. Other developers at odds with the FreeBSD team for one reason or another splintered the OS to create other variations (OpenBSD, NetBSD, BSDI).

    There are two dominant factors which led to the forking of the BSD tree:

    Not everyone can contribute to the BSD codebase. This limits the size of the effective "Noosphere" and creates the potential for someone else to credibly claim that their forked code will become more dominant than the core BSD code.

    { Wow. This is an insight I never had -- that forking can actually be driven by the belief that the forker could accumulate a bigger bazaar than the current project. It certainly explains EGCS and the BSD-spinoff-group-of-the-week phenomenon, though probably not the Emacs/XEmacs split.
    OK, we've learned something now. This may in fact explain the couinterintuitive fact that the projects which open up development the most actually have the least tendency to fork... }

    Unlike GPL, BSD's license places no restrictions on derivative code. Therefore, if you think your modifications are cool enough, you are free to fork the code, charge money for it, change its name, etc.

    Both of these motivations create a situation where developers may try to force a fork in the code and collect royalties (monetary, or ego) at the expense of the collective BSD society.

    (Lack of) Forking in Linux

    In contrast to the BSD example, the Linux kernel code base hasn't forked. Some of the reasons why the integrity of the Linux codebase has been maintained include:

    Universally accepted leadership

    Linus Torvalds is a celebrity in the Linux world and his decisions are considered final. By contrast, a similar celebrity leader did NOT exist for the BSD-derived efforts.

    Linus is considered by the development team to be a fair, well-reasoned code manager and his reputation within the Linux community is quite strong. However, Linus doesn't get involved in every decision. Often, sub groups resolve their -- often large -- differences amongst themselves and prevent code forking.

    Open membership & long term contribution potential.

    In contrast to BSD's closed membership, anyone can contribute to Linux and your "status" -- and therefore ability to `homestead' a bigger piece of Linux -- is based on the size of your previous contributions.

    Indirectly this presents a further disincentive to code forking. There is almost no credible mechanism by which the forked, minority code base will be able to maintain the rate of innovation of the primary Linux codebase.

    GPL licensing eliminates economic motivations for code forking

    Because derivatives of Linux MUST be available through some free avenue, it lowers the long term economic gain for a minority party with a forked Linux tree.

    Forking the codebase also forks the "Noosphere"

    Ego motivations push OSS developers to plant the biggest stake in the biggest Noosphere. Forking the code base inevitably shrinks the space of accomplishment for any subsequent developers to the new code tree.

    Open Source Strengths

    What are the core strengths of OSS products that Microsoft needs to be concerned with?

    OSS Exponential Attributes

    Like our Operating System business, OSS ecosystems have several exponential attributes:

    OSS processes are growing with the Internet

    The single biggest constraint faced by any OSS project is finding enough developers interested in contributing their time towards the project. As an enabler, the Internet was absolutely necessary to bring together enough people for an Operating System scale project. More importantly, the growth engine for these projects is the growth in the Internet's reach. Improvements in collaboration technologies directly lubricate the OSS engine.

    Put another way, the growth of the Internet will make existing OSS projects bigger and will make OSS projects in "smaller" software categories become viable.

    OSS processes are "winner-take-all"

    Like commercial software, the most viable single OSS project in many categories will, in the long run, kill competitive OSS projects and `acquire' their IQ assets. For example, Linux is killing BSD Unix and has absorbed most of its core ideas (as well as ideas in the commercial UNIXes). This feature confers huge first mover advantages to a particular project

    Developers seek to contribute to the largest OSS platform

    The larger the OSS project, the greater the prestige associated with contributing a large, high quality component to its Noosphere. This phenomena contributes back to the "winner-take-all" nature of the OSS process in a given segment.

    Larger OSS projects solve more "problems at hand"

    The larger the project, the more development/test/debugging the code receives. The more debugging, the more people who deploy it.

    Long-term credibility

    Binaries may die but source code lives forever

    One of the most interesting implications of viable OSS ecosystems is long-term credibility.

    Long-Term Credibility Defined

    Long term credibility exists if there is no way you can be driven out of business in the near term. This forces change in how competitors deal with you.

    { TN comments:
    Note the terminology used here ``driven out of business''. MS believes that putting other companies out of business is not merely ``collateral damage'' -- a byproduct of selling better stuff -- but rather, a direct business goal. To put this in perspective, economic theory and the typical honest, customer-oriented businessperson will think of business as a stock-car race -- the fastest car with the most skillful driver wins. Microsoft views business as a demolition derby -- you knock out as many competitors as possible, and try to maneuver things so that your competitors wipe each other out and thereby eliminate themselves. In a stock car race there are many finishers and thus many drivers get a paycheck. In a demolition derby there is just one survivor. Can you see why ``Microsoft'' and ``freedom of choice'' are absolutely in two different universes? }

    For example, Airbus Industries garnered initial long term credibility from explicit government support. Consequently, when bidding for an airline contract, Boeing would be more likely to accept short-term, non-economic returns when bidding against Lockheed than when bidding against Airbus.

    Loosely applied to the vernacular of the software industry, a product/process is long-term credible if FUD tactics can not be used to combat it.

    OSS is Long-Term Credible

    OSS systems are considered credible because the source code is available from potentially millions of places and individuals.

    { We are deep inside the Microsoft world-view here. I realize that a typical hacker's reaction to this kind of thinking will be to find it nauseating, but it reflects a kind of instrumental ruthlessness about the uses of negative marketing that we need to learn to cope with.
    The really interesting thing about these two statements is that they imply that Microsoft should give up on FUD as an effective tactic against us.

    Most of us have been assuming that the DOJ antitrust suit is what's keeping Microsoft from hauling out the FUD guns. But if His Gatesness bought this part of the memo, Microsoft may believe that they need to develop a more substantive response because FUD won't work.

    This could be both good and bad news. The good news is that Microsoft would give up attack marketing, a weapon which in the past has been much more powerful than its distinctly inferior technology. The bad news is that, against us, giving it up would actually be better strategy; they wouldn't be wasting energy any more and might actually evolve some effective response. }

    The likelihood that Apache will cease to exist is orders of magnitudes lower than the likelihood that WordPerfect, for example, will disappear. The disappearance of Apache is not tied to the disappearance of binaries (which are affected by purchasing shifts, etc.) but rather to the disappearance of source code and the knowledge base.

    Inversely stated, customers know that Apache will be around 5 years from now -- provided there exists some minimal sustained interested from its user/development community.

    One Apache customer, in discussing his rationale for running his e-commerce site on OSS stated, "because it's open source, I can assign one or two developers to it and maintain it myself indefinitely. "

    Lack of Code-Forking Compounds Long-Term Credibility

    The GPL and its aversion to code forking reassures customers that they aren't riding an evolutionary `dead-end' by subscribing to a particular commercial version of Linux.

    The "evolutionary dead-end" is the core of the software FUD argument.

    { Very true -- and there's another glaring omission here. If the author had been really honest, he'd have noted that OSS advocates are well positioned to turn this argument around and beat Microsoft to death with it.
    By the author's own admission, OSS is bulletproof on this score. On the other hand, the exploding complexity and schedule slippage of the just-renamed ``Windows 2000'' suggest that it is an evolutionary dead end.

    The author didn't go on to point that out. But we should. }

    Parallel Debugging

    Linux and other OSS advocates are making a progressively more credible argument that OSS software is at least as robust -- if not more -- than commercial alternatives. The Internet provides an ideal, high-visibility showcase for the OSS world.

    { It's a handful of amateurs, most of us unpaid and almost all part-time, against an entrenched multimillion-dollar propaganda machine run by some of the top specialists in the technology-marketing business.
    And the amateurs are ``making a progressively more credible argument''. By Microsoft's own admission, we're actually winning.

    Maybe there's a message about the underlying products here? }

    In particular, larger, more savvy, organizations who rely on OSS for business operations (e.g. ISPs) are comforted by the fact that they can potentially fix a work-stopping bug independent of a commercial provider's schedule (for example, UUNET was able to obtain, compile, and apply the teardrop attack patch to their deployed Linux boxes within 24 hours of the first public attack)

    Parallel Development

    Alternatively stated, "developer resources are essentially free in OSS". Because the pool of potential developers is massive, it is economically viable to simultaneously investigate multiple solutions / versions to a problem and chose the best solution in the end.

    For example, the Linux TCP/IP stack was probably rewritten 3 times. Assembly code components in particular have been continuously hand tuned and refined.

    OSS = `perfect' API evangelization / documentation

    OSS's API evangelization / developer education is basically providing the developer with the underlying code. Whereas evangelization of API's in a closed source model basically defaults to trust, OSS API evangelization lets the developer make up his own mind.

    NatBro and Ckindel point out a split in developer capabilities here. Whereas the "enthusiast developer" is comforted by OSS evangelization, novice/intermediate developers --the bulk of the development community -- prefer the trust model + organizational credibility (e.g. "Microsoft says API X looks this way")

    { Whether it's really true that most developers prefer the `trust' model or not is an extremely interesting question.
    Twenty years of experience in the field tells me not; that, in general, developers prefer code even when their non-technical bosses are naive enough to prefer `trust'. Microsoft, obviously, wants to believe that its `organizational credibility' counts -- I detect some wishful thinking here.

    On the other hand, they may be right. We in the open-source community can't afford to dismiss that possibility. I think we can meet it by developing high-quality documentation. In this way, `trust' in name authors (or in publishers of good repute such as O'Reilly or Addison-Wesley) can substitute for `trust' in an API-defining organization. }

    Release rate

    Strongly componentized OSS projects are able to release subcomponents as soon as the developer has finished his code. Consequently, OSS projects rev quickly & frequently.

    Open Source Weaknesses

    The weaknesses in OSS projects fall into 3 primary buckets:

    Management costs

    Process Issues

    Organizational Credibility

    Management Costs

    The biggest roadblock for OSS projects is dealing with exponential growth of management costs as a project is scaled up in terms of rate of innovation and size. This implies a limit to the rate at which an OSS project can innovate.

    Starting an OSS project is difficult

    From Eric Raymond:

    It's fairly clear that one cannot code from the ground up in bazaar style. One can test, debug and improve in bazaar style, but it would be very hard tooriginate a project in bazaar mode. Linus didn't try it. I didn't either. Your nascent developer community needs to have something runnable and testable to play with.

    Raymond `s argument can be extended to the difficulty in starting/sustaining a project if there are no clear precedent / goal (or too many goals) for the project.

    Bazaar Credibility

    Obviously, there are far more fragments of source code on the Internet than there are OSS communities. What separates "dead source code" from a thriving bazaar?

    One article (http://www.mibsoftware.com/bazdev/0003.htm) provides the following credibility criteria:

    "....thinking in terms of a hard minimum number of participants is misleading. Fetchmail and Linux have huge numbers of beta testers *now*, but they obviously both had very few at the beginning.

    What both projects did have was a handful of enthusiasts and a plausible promise. The promise was partly technical (this code will be wonderful with a little effort) and sociological (if you join our gang, you'll have as much fun as we're having). So what's necessary for a bazaar to develop is that it be credible that the full-blown bazaar will exist!"

    I'll posit that some of the key criteria that must exist for a bazaar to be credible include:

    Large Future Noosphere -- The project must be cool enough that the intellectual reward adequately compensates for the time invested by developers. The Linux OS excels in this respect.

    Scratch a big itch -- The project must be important / deployable by a large audience of developers. The Apache web server provides an excellent example here.

    Solve the right amount of the problem first -- Solving too much of the problem relegates the OSS development community to the role of testers. Solving too little before going OSS reduces "plausible promise" and doesn't provide a strong enough component framework to efficiently coordinate work.

    { These three points are well-thought-out and actually improve on my characterization in ``The Cathedral and the Bazaar.''. The distinction he makes between `Large Future Noosphere' and `Scratch a big itch' is particularly telling. }

    Post-Parity Development

    When describing this problem to JimAll, he provided the perfect analogy of "chasing tail lights". The easiest way to get coordinated behavior from a large, semi-organized mob is to point them at a known target. Having the taillights provides concreteness to a fuzzy vision. In such situations, having a taillight to follow is a proxy for having strong central leadership.

    Of course, once this implicit organizing principle is no longer available (once a project has achieved "parity" with the state-of-the-art), the level of management necessary to push towards new frontiers becomes massive.

    { Nonsense. In the open-source world, all it takes is one person with a good idea.
    Part of the point of open source is to lower the energy barriers that retard innovation. We've found by experience that the `massive management' the author extols is one of the worst of these barriers.

    In the open-source world, innovators get to try anything, and the only test is whether users will volunteer to experiment with the innovation and like it once they have. The Internet facilitates this process, and the cooperative conventions of the open-source community are specifically designed to promote it.

    The third alternative to ``chasing taillights'' or ``strong central leadership'' (and more effective than either) is an evolving creative anarchy, in which there are a thousand leaders and ten thousand followers linked by a web of peer review and subject to rapid-fire reality checks.

    Microsoft cannot beat this. I don't think they can even really understand it, not on a gut level. }

    This is possibly the single most interesting hurdle to face the Linux community now that they've achieved parity with the state of the art in UNIX in many respects.

    { The Linux community has not merely lept this hurdle, but utterly demolished it. This fact is at the core of open-source's long-term advantage over closed-source development. }

    Un-sexy work

    Another interesting thing to observe in the near future of OSS is how well the team is able to tackle the "unsexy" work necessary to bring a commercial grade product to life.

    { Characterizing this kind of work as ``unsexy'' reveals an interesting blind spot. It has been my experience that for almost any kind of work, there will be somebody, somewhere, who thinks it's interesting or fulfilling enough to undertake it.
    Take the example of Unicode support above. Who's likely to do the best, most thorough job of implementing Unicode support, of the following three people?

    Joe M. Serf's boss assigns WUS (Windows Unicode Support) to him.
    Ana Ng lives in Malaysia and really needs good multiple-language support in order to be able to view information in a variety of Asian languages.
    Jeff P. Hacker lives in Indiana and is fascinated by the problem of providing robust support for multiple alphabets.
    It's likely to be either Ana or Jeff (all else, including skill sets, being equal), because they're scratching their itches. It ain't gonna be Joe.

    Now, which development model is more likely to pull Ana or Jeff into the development effort -- closed source, or open?

    Easy question. }

    In the operating systems space, this includes small, essential functions such as power management, suspend/resume, management infrastructure, UI niceties, deep Unicode support, etc.

    For Apache, this may mean novice-administrator functionality such as wizards.

    Integrative/Architectural work

    Integrative work across modules is the biggest cost encountered by OSS teams. An email memo from Nathan Myrhvold on 5/98, points out that of all the aspects of software development, integration work is most subject to Brooks' laws.

    Up till now, Linux has greatly benefited from the integration / componentization model pushed by previous UNIX's. Additionally, the organization of Apache was simplified by the relatively simple, fault tolerant specifications of the HTTP protocol and UNIX server application design.

    Future innovations which require changes to the core architecture / integration model are going to be incredibly hard for the OSS team to absorb because it simultaneously devalues their precedents and skillsets.

    { This prediction is of a piece with the author's earlier assertion that open-source development relies critically on design precedents and is unavoidably backward-looking. It's myopic -- apparently things like Python, Beowulf, and Squeak (to name just three of hundreds of innovative projects) don't show on his radar.
    We can only hope Microsoft continues to believe this, because it would hinder their response. Much will depend on how they interpret innovations such as (for example) the SMPization of the Linux kernel.

    Interestingly, the author contradicts himself on this point. A former Microserf tells me that `throw one away' is actually pretty close to a defined Microsoft policy, but one designed to leverage marketing rather than fix problems. The project he was involved with involved a web-based front-end to Exchange. The resulting first draft (after 14 months of effort) was completely inferior to already existing free-web-email (Yahoo, Hotmail, etc). The official response to that was `` That's ok. We'll get the market share and fix the technical problems over the next 3-4 years''.

    He adds: Internet Explorer 5, just before one of its beta releases had about 300K (yes, 300K) outstanding bugs targeted to be fixed before the beta release. Much of this was accomplished by simply removing large chunks of planned (new) functionality and pushing them to a later (+1-2 years later) release. }

    Process Issues

    These are weaknesses intrinsic to OSS's design/feedback methodology.

    Iterative Cost

    One of the key's to the OSS process is having many more iterations than commercial software (Linux was known to rev it's kernel more than once a day!). However, commercial customers tell us they want fewer revs, not more.

    { I wonder how this answer would change if Microsoft revs weren't so expensive?
    This is why commercial Linux distributors exist -- to mediate between the rapid-development process and customers who don't want to follow every twist of it. The kernel may rev once a day, but Red Hat only revs once in six months. }

    "Non-expert" Feedback

    The Linux OS is not developed for end users but rather, for other hackers. Similarly, the Apache web server is implicitly targetted at the largest, most savvy site operators, not the departmental intranet server.

    The key thread here is that because OSS doesn't have an explicit marketing / customer feedback component, wishlists -- and consequently feature development -- are dominated by the most technically savvy users.

    One thing that development groups at MSFT have learned time and time again is that ease of use, UI intuitiveness, etc. must be built from the ground up into a product and can not be pasted on at a later time.

    { This demands comment -- because it's so right in theory, but so hideously wrong in Microsoft practice. The wrongness implies an exploitable weakness in the implied strategy (for Microsoft) of emphasizing UI.
    There are two ways to build in ease of use "from the ground up". One (the Microsoft way) is to design monolithic applications that are defined and dominated by their UIs. This tends to produce ``Windowsitis'' -- rigid, clunky, bug-prone monstrosities that are all glossy surface with a hollow interior.

    Programs built this way look user-friendly at first sight, but turn out to be huge time and energy sinks in the longer term. They can only be sustained by carpet-bomb marketing, the main purpose of which is to delude users into believing that (a) bugs are features, or that (b) all bugs are really the stupid user's fault, or that (c) all bugs will be abolished if the user bends over for the next upgrade. This approach is fundamentally broken.

    The other way is the Unix/Internet/Web way, which is to separate the engine (which does the work) from the UI (which does the viewing and control). This approach requires that the engine and UI communicate using a well-defined protocol. It's exemplified by browser/server pairs -- the engine specializes in being an engine, and the UI specializes in being a UI.

    With this second approach, overall complexity goes down and reliability goes up. Further, the interface is easier to evolve/improve/customize, precisely because it's not tightly coupled to the engine. It's even possible to have multiple interfaces tuned to different audiences.

    Finally, this architecture leads naturally to applications that are enterprise-ready -- that can be used or administered remotely from the server. This approach works -- and it's the open-source community's natural way to counter Microsoft.

    The key point is here is that if Microsoft wants to fight the open-source community on UI, let them -- because we can win that battle, too, fighting it our way. They can write ever-more-elaborate Windows monoliths that spot-weld you to your application-server console. We'll win if we write clean distributed applications that leverage the Internet and the Web and make the UI a pluggable/unpluggable user choice that can evolve.

    Note, however, that our win depends on the existence of well-defined protocols (such as HTTP) to communicate between UIs and engines. That's why the stuff later in this memo about ``de-commoditizing protocols'' is so sinister. We need to guard against that. }

    The interesting trend to observe here will be the effect that commercial OSS providers (such as RedHat in Linux space, C2Net in Apache space) will have on the feedback cycle.

    Organizational Credibility

    How can OSS provide the service that consumers expect from software providers?

    Support Model

    Product support is typically the first issue prospective consumers of OSS packages worry about and is the primary feature that commercial redistributors tout.

    However, the vast majority of OSS projects are supported by the developers of the respective components. Scaling this support infrastructure to the level expected in commercial products will be a significant challenge. There are many orders of magnitude difference between users and developers in IIS vs. Apache.

    { The vagueness of this last sentence is telling. Had the author continued, he would have had to acknowledge that Apache is clobbering the crap out of IIS in the marketplace (Apache's share 54% and climbing; IIS's somewhere around 14% and dropping).
    This would have led to a choice of unpalatable (for Microsoft) alternatives. It may be that Apache's informal user-support channels and `organizational credibility' actually produce better results than Microsoft's IIS organization can offer. If that's true, then it's hard to see in principle why the same shouldn't be true of other open-source projects.

    The alternative -- that Apache is so good that it doesn't need much support or `organizational credibility' -- is even worse. That would mean that all of Microsoft's heavy-duty support and marketing battalions were just a huge malinvestment, like crumbling Stalinist apartment blocks forty years later.

    These two possible explanations imply distinct but parallel strategies for open-source advocates. One is to build software that's so good it just doesn't need much support (but we'd do this anyway, and generally have). The other is to do more intensely what we're already doing along the lines of support mailing lists, newsgroups, FAQs, and other informal but extremely effective channels. A former Microserf adds: As of NT5 (sorry, Win2K :-) MS is going to claim a huge increase in IIS market share. This is because IIS5 is built directly linked with the NT kernel and handles all external TCP traffic (mail, http, etc). MSOffice is also going to communicate through IIS when talking with NT or Exchange, thus allowing them to add all internal LAN traffic to their usage reports. Let's see if we can pop their balloon before they raise it. }

    For the short-medium run, this factor alone will relegate OSS products to the top tiers of the user community.

    Strategic Futures

    A very sublime problem which will affect full scale consumer adoption of OSS projects is the lack of strategic direction in the OSS development cycle. While incremental improvement of the current bag of features in an OSS product is very credible, future features have no organizational commitment to guarantee their development.

    { No. In the open-source community, new features are driven by the novelty- and territory-seeking behavior of individual hackers. This certainly is not a force to be despised. The Internet and the Web were built this way -- not because of `organizational commitment', but because somebody, somewhere, thought ``Hey -- this would be neat...''.
    Perhaps we're fortunate that `organizational credibility' looms so large in the Microsoft world-view. The time and energy they spend worrying about that and believing it's a prerequisite is resources they won't spend doing anything that might be effective against us. }

    What does it mean for the Linux community to "sign up" to help build the Corporate Digital Nervous System? How can Linux guarantee backward compatibility with apps written to previous API's? Who do you sue if the next version of Linux breaks some commitment? How does Linux make a strategic alliance with some other entity?

    { Who do you sue if NT 5.0 (excuse me, "Windows 2000") doesn't ship on time? Has anyone ever recovered from Microsoft for any of their backwards-incompatibilities or other screwups?
    The question about backward compatibility is pretty ironic, considering that I've never heard of a program that will run under all of Windows 3.1, Windows 95, Windows 98, and NT 4.0 without change.

    The author has been overtaken by events here. He should ask Microsoft's buddies at Intel, who bought a minority stake in Red Hat less than two months after this memo was written. }

    Open Source Business Models

    In the last 2 years, OSS has taken another twist with the emergence of companies that sell OSS software, and more importantly, hiring full-time developers to improve the code base. What's the business model that justifies these salaries?

    In many cases, the answers to these questions are similar to "why should I submit my protocol/app/API to a standards body?"

    Secondary Services

    The vendor of OSS-ware provides sales, support, and integration to the customer. Effectively, this transforms the OSS-ware vendor from a package goods manufacturer into a services provider.

    Loss Leader -- Market Entry

    The Loss Leader OSS business model can be used for two purposes:

    Jumpstarting an infant market

    Breaking into an existing market with entrenched, closed-source players

    Many OSS startups -- particularly those in Operating Systems space -- view funding the development of OSS products as a strategic loss leader against Microsoft.

    Linux distributors, such as RedHat, Caldera, and others, are expressly willing to fund full time developers who release all their work to the OSS community. By simultaneously funding these efforts, Red Hat and Caldera are implicitly colluding and believe they'll make more short term revenue by growing the Linux market rather than directly competing with each other.

    An indirect example is O'Reilly & Associates employment of Larry Wall -- "leader" and full time developer of PERL. The #1 publisher of PERL reference books, of course is O'Reilly & Associates.

    For the short run, especially as the OSS project is at the steepest part of it's growth curve, such investments generate positive ROI. Longer term, ROI motivations may steer these developers towards making proprietary extensions rather than releasing OSS.

    Commoditizing Downstream Suppliers

    This is very closely related to the loss leader business model. However, instead of trying to get marginal service returns by massively growing the market, these businesses increase returns in their part of the value chain by commoditizing downstream suppliers.

    The best examples of this currently are the thin server vendors such as Whistle Communications, and Cobalt Micro who are actively funding developers in SAMBA and Linux respectively.

    Both Whistle and Cobalt generate their revenue on hardware volume. Consequently, funding OSS enables them to avoid today's PC market where a "tax" must be paid to the OS vendor (NT Server retail price is $800 whereas Cobalt's target MSRP is around $1000).

    The earliest Apache developers were employed by cash-strapped ISPs and ICPs.

    Another, more recent example is IBM's deal with Apache. By declaring the HTTP server a commodity, IBM hopes to concentrate returns in the more technically arcane application services it bundles with it's Apache distribution (as well as hope to reach Apache's tremendous market share).

    First Mover -- Build Now, $$ Later

    One of the exponential qualities of OSS -- successful OSS projects swallow less successful ones in their space -- implies a pre-emption business model where by investing directly in OSS today, they can pre-empt / eliminate competitive projects later -- especially if the project requires API evangelization. This is tantamount to seizing a first mover advantage in OSS.

    In addition, the developer scale, iteration rate, and reliability advantages of the OSS process are a blessing to small startups who typically can't afford a large in--house development staff.

    Examples of startups in this space include SendMail.com (making a commercially supported version of the sendmail mail transfer agent) and C2Net (makes commercial and encrypted Apache)

    Notice, that no case of a successful startup originating an OSS project has been observed. In both of these cases, the OSS project existed before the startup was formed.

    { There are at least two counterexamples to this: AbiWord and Ghostscript. }
    Sun Microsystem's has recently announced that its "JINI" project will be provided via a form of OSS and may represent an application of the pre-emption doctrine.

  48. Is Slashdot up? by Anonymous Coward · · Score: -1, Offtopic

    Linux

    The next several sections analyze the most prominent OSS projects including Linux, Apache, and now, Netscape's OSS browser.

    A second memo titled "Linux OS Competitive Analysis" provides an in-depth review of the Linux OS. Here, I provide a top-level summary of my findings in Linux.

    What is it?

    Linux (pronounced "LYNN-ucks") is the #1 market share Open Source OS on the Internet. Linux is derives strongly from the 25+ years of lessons learned on the UNIX operating system.

    Top-Level Features:

    Multi-user / Multi-threaded (kernel & user)
    Multi-platform (x86, Alpha, MIPS, PowerPC, SPARC, etc.)
    Protected 32-bit memory space for apps; Virtual Memory support (64-bit in development)
    SMP (Intel & Sun CPU's)
    Supports multiple file systems (FAT16, FAT32, NTFS, Ext2FS)
    High performance networking
    NFS/SMB/IPX/Appletalk networking
    Fastest stack in Unix vs. Unix perf tests
    Disk Management
    Striping, mirroring, FAT16, FAT32, NTFS
    Xfree86 GUI
    Linux is a real, credible OS + Development process

    Like other Open Source Software (OSS) products, the real key to Linux isn't the static version of the product but rather the process around it. This process lends credibility and an air of future-safeness to customer Linux investments.

    Trusted in mission criticial environments. Linux has been deployed in mission critical, commercial environments with an excellent pool of public testimonials.

    Linux = Best of Breed UNIX. Linux outperforms many other UNIX's in most major performance category (networking, disk I/O, process ctx switch, etc.). To grow their featurebase, Linux has also liberally stolen features of other UNIX's (shell features, file systems, graphics, CPU ports)

    Only Unix OS to gain market share. Linux is on track to eventually own the x86 UNIX market and has been the only UNIX version to gain net Server OS market share in recent years. I believe that Linux -- moreso than NT -- will be the biggest threat to SCO in the near future.

    Linux's process iterates VERY fast. For example, the Linux equivalent of the TransmitFile() API went from idea to final implementation in about 2 weeks time.

    { All true. I couldn't have put it better myself :-). }

    Linux is a short/medium-term threat in servers

    The primary threat Microsoft faces from Linux is against NT Server.

    Linux's future strength against NT server (and other UNIXes) is fed by several key factors:

    Linux uses commodity PC hardware and, due to OS modularity, can be run on smaller systems than NT. Linux is frequently used for services such as DNS running on old 486's in back closets.

    Due to it's UNIX heritage, Linux represents a lower switching cost for some organizations than NT

    UNIX's perceived Scaleability, Interopability, Availability, and Manageability (SIAM) advantages over NT.

    Linux can win as long as services / protocols are commodities

    { We sense a theme developing here...
    To put it slightly differently: Linux can win if services are open and protocols are simple, transparent. Microsoft can only win if services are closed and protocols are complex, opaque.

    To put it even more bluntly: "commodity" services and protocols are good things for customers; they promote competition and choice. Therefore, for Microsoft to win, the customer must lose.

    The most interesting revelation in this memo is how close to explicitly stating this logic Microsoft is willing to come. }

    Linux is unlikely to be a threat on the desktop

    Linux is unlikely to be a threat in the medium-long term on the desktop for several reasons:

    Poor end-user apps & focus. OSS development process are far better at solving individual component issues than they are at solving integrative scenarios such as end-to-end ease of use.

    { The easy and obvious counter to this is to observe that Microsoft is pretty bad at `end-to-end ease of use' itself; what it's good at is creating systems that look at first sight as though they have that quality, but don't actually deliver on it (and, over time, have a far higher total cost in productivity lost to bugs and missing features than does Linux).
    Though this is true, it evades an important issue -- which is that Microsoft's own meretriciousness on this score doesn't make its criticism any less valid. Open-source development really is poor at addressing this class of issues, because it doesn't involve systematic ease-of-use-testing with non-hackers.

    This genuinely will slow down Linux's advance on the desktop. It is not likely to stall it forever, however -- not if efforts like GNOME and KDE get time to mature. }

    Switching costs for desktop installed base. Switching desktops is hard and a challenger must be able to prove a significant marginal advantage. Linux's process is more focused on second-mover advantages (e.g. copying what's been proven to work) and is therefore unlikely to provide the first-mover advantage necessary to provide switching impetus.

    { There's a hidden presumption here that innovation and ``first mover advantage'' are the only ways to defray the perceived cost of switching. This is a dangerous assumption for Microsoft; it may be that the superior reliability and stability of Linux is sufficient.
    Even granting the author's presumption, the possibility that Linux can grab a sufficient `first-mover' advantage is not safely foreclosed unless the open-source mode really is incapable of generating innovation -- and we already know that's not true. }

    UNIX heritage will slow encroachment. Ease of use must be engineered from the ground up. Linux's hacker orientation will never provide the ease-of-use requirements of the average desktop user.

    { My previous comments on ease-of-use engineering, and the open-source community's way to beat this rap, apply here. We need to wrong-foot Microsoft by building systems that use openness to support users readily evolving their environments to optimum, in the way that the Web does. }

    Beating Linux

    In addition to the attacking the general weaknesses of OSS projects (e.g. Integrative / Architectural costs), some specific attacks on Linux are:

    Beat UNIX

    All the standard product issues for NT vs. Sun apply to Linux.

    Fold extended functionality into commodity protocols / services and create new protocols

    Linux's homebase is currently commodity network and server infrastructure. By folding extended functionality (e.g. Storage+ in file systems, DAV/POD for networking) into today's commodity services, we raise the bar & change the rules of the game.

    { Here, as in the earlier comment on how Linux can win, we start to see the actual outlines of a Microsoft strategy emerge from the fog of corporatese. And it ain't pretty; in fact, it's ugly enough to make it appropriate that it's pushing midnight on Halloween as I write.
    What the author is driving at is nothing less than trying to subvert the entire "commodity network and server" infrastructure (featuring TCP/IP, SMTP, HTTP, POP3, IMAP, NFS, and other open standards) into using protocols which, though they might have the same names, have actually been subverted into customer- and market-control devices for Microsoft (this is what the author really means when he exhorts Microserfs to ``raise the bar & change the rules of the game'').

    The `folding extended functionality' here is a euphemism for introducing nonstandard extensions (or entire alternative protocols) which are then saturation-marketed as standards, even though they're closed, undocumented or just specified enough to create an illusion of openness. The objective is to make the new protocols a checklist item for gullible corporate buyers, while simultaneously making the writing of third-party symbiotes for Microsoft programs next to impossible. (And anyone who succeeds gets bought out.)

    This game is called ``embrace and extend''. We've seen Microsoft play this game before, and they're very good at it. When it works, Microsoft wins a monopoly lock. Customers lose.

    (This standards-pollution strategy is perfectly in line with Microsoft's efforts to corrupt Java and break the Java brand.)

    Open-source advocates can counter by pointing out exactly how and why customers lose (reduced competition, higher costs, lower reliability, lost opportunities). Open-source advocates can also make this case by showing the contrapositive -- that is, how open source and open standards increase vendor competition, decrease costs, improve reliability, and create opportunities.

    Once again, as Microsoft conceded earlier in the memo, the Internet is our poster child. Our best stop-thrust against embrace-and-extend is to point out that Microsoft is trying to close up the Internet. }

    Netscape

    In an attempt to renew it's credibility in the browser space, Netscape has recently released and is attempting to create an OSS community around it's Mozilla source code.

    Organization & LIcensing

    Netscape's organization and licensing model is loosely based on the Linux community & GPL with a few differences. First, Mozilla and Netscape Communicator are 2 codebases with Netscape's engineers providing synchronization.

    Mozilla = the OSS, freely distributable browser

    Netscape Communicator = Branded, slightly modified (e.g. homepage default is set to home.netscape.com) version of Mozilla.

    Unlike the full GPL, Netscape reserves the final right to reject / force modifications into the Mozilla codebase and Netscape's engineers are the appointed "Area Directors" of large components (for now).

    Strengths

    Capitalize on Anti-MSFT Sentiment in the OSS Community

    Relative to other OSS projects, Mozilla is considered to be one of the most direct, near-term attacks on the Microsoft establishment. This factor alone is probably a key galvanizing factor in motivating developers towards the Mozilla codebase.

    New credibility

    The availability of Mozilla source code has renewed Netscape's credibility in the browser space to a small degree. As BharatS points out in http://ie/specs/Mozilla/default.htm:

    { The link to the BharatS quote is broken. }
    "They have guaranteed by releasing their code that they will never disappear from the horizon entirely in the manner that Wordstar has disappeared. Mozilla browsers will survive well into the next 10 years even if the user base does shrink. "

    Scratch a big itch

    The browser is widely used / disseminated. Consequently, the pool of people who may be willing to solve "an immediate problem at hand" and/or fix a bug may be quite high.

    Weaknesses

    Post parity development

    Mozilla is already at close to parity with IE4/5. Consequently, there no strong example to chase to help implicitly coordinate the development team.

    Netscape has assigned some of their top developers towards the full time task of managing the Mozilla codebase and it will be interesting to see how this helps (if at all) the ability of Mozilla to push on new ground.

    Small Noosphere

    An interesting weakness is the size of the remaining "Noosphere" for the OSS browser.

    The stand-alone browser is basically finished.

    There are no longer any large, high-profile segments of the stand-alone browser which must be developed. In otherwords, Netscape has already solved the interesting 80% of the problem. There is little / no ego gratification in debugging / fixing the remaining 20% of Netscape's code.

    Netscape's commercial interests shrink the effect of Noosphere contributions.

    Linus Torvalds' management of the Linux codebase is arguably directed towards the goal of creating the best Linux. Netscape, by contrast, expressly reserves the right to make code management decisions on the basis of Netscape's commercial / business interests. Instead of creating an important product, the developer's code is being subjugated to Netscape's stock price.

    Integration Cost

    Potentially the single biggest detriment to the Mozilla effort is the level of integration that customers expect from features in a browser. As stated earlier, integration development / testing is NOT a parallelizable activity and therefore is hurt by the OSS process.

    In particular, much of the new work for IE5+ is not just integrating components within the browser but continuing integration within the OS. This will be exceptionally painful to compete aga inst.

    Predictions

    The contention therefore, is that unlike the Apache and Linux projects which, for now, are quite successful, Netscape's Mozilla effort will:

    Produce the dominant browser on Linux and some UNIX's

    Continue to slip behind IE in the long run

    Keeping in mind that the source code was only released a short time ago (April '98), there is already evidence of waning interest in Mozilla. EXTREMELY unscientific evidence is found in the decline in mailing list volume on Mozilla mailing lists from April to June.

    Mozilla Mailing List
    April 1998
    June 1998
    % decline

    Feature Wishlist
    1073
    450
    58%

    UI Development
    285
    76
    73%

    General Discussion
    1862
    687
    63%

    Internal mirrors of the Mozilla mailing lists can be found on http://egg.Microsoft.com/wilma/lists

    { Heh. The `egg' machine, it turns out, is a Linux box. }
    Apache

    History

    Paraphrased from http://www.apache.org/ABOUT_APACHE.html

    In February of 1995, the most popular server software on the Web was the public domain HTTP daemon developed by NCSA, University of Illinois, Urbana-Champaign. However, development of that httpd had stalled after mid-1994, and many webmasters had developed their own extensions and bug fixes that were in need of a common distribution. A small group of these webmasters, contacted via private e-mail, gathered together for the purpose of coordinating their changes (in the form of "patches"). By the end of February `95, eight core contributors formed the foundation of the original Apache Group. In April 1995, Apache 0.6.2 was released.

    During May-June 1995, a new server architecture (code-named Shambhala) was developed which included a modular structure and API for better extensibility, pool-based memory allocation, and an adaptive pre-forking process model. The group switched to this new server base in July and added the features from 0.7.x, resulting in Apache 0.8.8 (and its brethren) in August.

    Less than a year after the group was formed, the Apache server passed NCSA's httpd as the #1 server on the Internet.

    Organization

    The Apache development team consists of about 19 core members plus hundreds of web site administrators around the world who've submitted a bug report / patch of one form or another. Apache's bug data can be found at: http://bugs.apache.org/index.

    A description of the code management and dispute resolution procedures followed by the Apache team are found on http://www.apache.org:

    Leadership:

    There is a core group of contributors (informally called the "core") which was formed from the project founders and is augmented from time to time when core members nominate outstanding contributors and the rest of the core members agree.

    Dispute resolution:

    Changes to the code are proposed on the mailing list and usually voted on by active members -- three +1 (yes votes) and no -1 (no votes, or vetoes) are needed to commit a code change during a release cycle

    Strengths

    Market Share!

    Apache far and away has #1 web site share on the Internet today. Possession of the lion's share of the market provides extremely powerful control over the market's evolution.

    In particular, Apache's market share in web server space presents the following competitive hurdles:

    Lowest common denominator HTTP protocol -- slows our ability to extend the protocol to support new applications

    Breathe more life into UNIX -- Where Apache goes, Unix must follow.

    3rd Party Support

    The number of tools / modules / plug-ins available for Apache has been growing at an increasing rate.

    Weaknesses

    Performance

    In the short run, IIS soundly beats Apache on SPECweb. Moving further, as IIS moves into kernel and takes advantage deeper integration with the NT, this lead is expected to increase further.

    Apache, by contrast, is saddled with the requirement to create portable code for all of its OS environments.

    HTTP Protocol Complexity & Application services

    Part of the reason that Apache was able to get a foothold and take off was because the HTTP protocol is so simple. As more and more features become layered on top of the humble web server (e.g. multi-server transaction support, POD, etc.) it will be interesting to see how the Apache team will be able to keep up.

    ASP support, for example is a key driver for IIS in corporate intranets.

    IBM & Apache

    Recently, IBM announced it's support for the Apache codebase in its WebSphere application server. The actual result of the press furor is still unclear however:

    IBM still ships and supports both Apache and Domino's GO web server

    IBM's commitment appears to be:

    Helping Apache port to strategic IBM platforms (AS/400, etc.)

    Redistributing Apache binaries to customers who request Apache support

    Support for Apache binaries (only if they were purchased through IBM?)

    IBM has developers actively participating in Apache development / discussion groups.

    IBM is taking a lead role in optimizing Apache for NT

    Other OSS Projects

    Some other OSS projects:

    Gimp -- http://www.gimp.org -- Gimp (GNU Image Manipulation Program) is an OSS project to create an Adobe Photoshop clone for Unix workstations. Feature-wise, however, their version 1.0 project is more akin to PaintBrush.

    WINE / WABI -- http://www.wine.org -- Wine (Wine Is Not an Emulator) is an OSS windows emulation library for UNIX. Wine competes (somewhat) with Sun's WABI project which is non-OSS. Older versions of Office, for example, are able to run in WINE although performance remains to be evaluated.

    { This URL is wrong. See www.winehq.com. }

    PERL -- http://www.perl.org -- PERL (Practical Evaluation and Reporting Language) is the defacto standard scripting language for all Apache web servers. PERL is very popular on UNIX in particular due to its powerful text/string manipulation and UNIX's reliance on command line administration of all functionality.

    BIND --http://www.bind.org -- BIND (Berkeley Internet Name Daemon) is the de facto DNS server for the Internet. In many respects, DNS was developed on top of BIND.

    Sendmail -- http://www.sendmail.org -- Sendmail is the #1 share mail transfer agent on the Internet today.

    Squid -- >http://www.squid.org -- Squid is an OSS Proxy server based on the ICP protocol. Squid is somewhat popular with large international ISPs although it's performance is lacking.

    { This URL is wrong. See http://squid.nlanr.net. }

    SAMBA -- http://www.samba.org -- SAMBA provides an SMB file server for UNIX. Recently, the SAMBA team has managed to reverse engineer and develop an NT domain controller for UNIX as well. SGI employs one of the SAMBA leads. http://www.sonic.net/~roelofs/reports/linux-199807 14-phq.html: "By the end of the year ... Samba will be able to completely replace all primary NT Server functions." { The Samba URL is wrong. See http://samba.org.au. }

    KDE -- http://www.kde.org -- "K" Desktop Environment. Combines integrated browser, shell, and office suite for Unix desktops. Check out the screen shots at: http://www.kde.org/kscreenshots.html andhttp://www.kde.org/koffice/index.html.

    Majordomo -- the dominant mail list server on the Internet is writtenentirely in PERL via OSS.

    Microsoft Response

    In general, a lot more thought/discussion needs to put into Microsoft's response to the OSS phenomena. The goal of this document is education and analysis of the OSS process, consequently in this section, I present only a very superficial list of options and concerns.

    Product Vulnerabilities

    Where is Microsoft most likely to feel the "pinch" of OSS projects in the near future?

    Server vs. Client

    The server is more vulnerable to OSS products than the client. Reasons for this include:

    Clients "task switch" more often -- the average client desktop is used for a wider variety of apps than the server. Consequently, integration, ease-of-use, fit & finish, etc. are key attributes.

    Servers are more task specific -- OSS products work best if goals/precedents are clearly defined -- e.g. serving up commodity protocols

    Commodity servers are a lower "commitment" than clients -- Replacing commodity servers such as file, print, mail-relay, etc. with open source alternatives doesn't interfere with the end-user's experience. Also, in these commodity services, a "throw-away" "experimental" solution will often by entertained by an organization.

    Servers are professionally managed -- This plays into OSS's strengths in customization and mitigates weaknesses in lack of end-user ease of use focus.

    Capturing OSS benefits -- Developer Mindshare

    The ability of the OSS process to collect and harness the collective IQ of thousands of individuals across the Internet is simply amazing. More importantly, OSS evangelization scales with the size of the Internet much faster than our own evangelization efforts appear to scale.

    { That is, Microsoft is being both out-thought and out-marketed by Open Source -- and knows it! }

    How can Microsoft capture some of the rabid developer mindshare being focused on OSS products?

    Some initial ideas include:

    Capture parallel debugging benefits via broader code licensing -- Be more liberal in handing out source code licenses to NT to organizations such as universities and certain partners.

    Provide entry level tools for low cost / free -- The second order effect of tools is to generate a common skillset / vocabulary tacitly leveraged by developers. As NatBro points out, the wide availability of a consistent developer toolset in Linux/UNIX is a critical means of implicitly coordinating the system.

    Put out parts of the source code -- try to generate hacker interest in adding value to MS-sponsored code bases. Parts of the TCP/IP stack could be a first candidate. OshM points out, however that the challenge is to find some part of MS's codebase with a big enough Noosphere to generate interest.

    Provide more extensibility -- The Linux "enthusiast developer" loves writing to / understanding undocumented API's and internals. Documenting / publishing some internal API's as "unsupported" may be a means of generating external innovations that leverage our systems investments. In particular, ensuring that more components from more teams are scriptable / automatable will help ensure that power users can play with our components.

    { How curious. This paragraph only makes sense if Microsoft has "undocumented internal APIs" to document. Didn't Microsoft executives testifying in a federal restraint-of-trade lawsuit deny this under oath in 1995? I wonder if perjury charges might be in order... A former Microserf tells me that Microsoft departments see themselves almost as separate organizations. Parallel (and competitive) software development spurs both groups onward. The 'surviving' product is then what MS releases. This internal adversarial approach is taken so far that many crucial components do not have documented APIs -- primarily to ensure that the Dev team is not broken up and moved to other projects. MS is protected against perjury charges by the simple fact that their APIs are not even documented for internal MS use, so they are not holding anything back from competitors. }

    Creating Community/Noosphere. MSDN reaches an extremely large population. How can we create social structures that provide network benefits leveraging this huge developer base? For example, what if we had a central VB showcase on Microsoft.com which allowed VB developers to post & published full source of their VB projects to share with other VB developers? I'll contend that many VB developers would get extreme ego gratification out of having their name / code downloadable from Microsoft.com.

    Monitor OSS news groups. Learn new ideas and hire the best/brightest individuals.

    Capturing OSS benefits -- Microsoft Internal Processes

    What can Microsoft learn from the OSS example? More specifically: How can we recreate the OSS development environment internally? Different reviewers of this paper have consistently pointed out that internally, we should view Microsoft as an idealized OSS community but, for various reasons do not:

    Different development "modes". Setting up an NT build/development environment is extremely complex & wildly different from the environment used by the Office team.

    Different tools / source code managers. Some teams use SLM, other use VSS. Different bug databases. Different build processes.

    No central repository/code access. There is no central set of servers to find, install, review the code from projects outside your immediate scope. Even simply providing a central repository for debug symbols would be a huge improvement. NatBro:

    "a developer at Microsoft working on the OS can't scratch an itch they've got with Excel, neither can the Excel developer scratch their itch with the OS -- it would take them months to figure out how to build & debug & install, and they probably couldn't get proper source access anyway"

    Wide developer communication. Mailing lists dealing with particular components & bug reports are usually closed to team members.

    More component robustness. Linux and other OSS projects make it easy for developers to experiment with small components in the system without introducing regressions in other components: DavidDs:

    "People have to work on their parts independent of the rest so internal abstractions between components are well documented and well exposed/exported as well as being more robust because they have no idea how they are going to be called. The linux development system has evolved into allowing more devs to party on it without causing huge numbers of integration issues because robustness is present at every level. This is great, long term, for overall stability and it shows."

    The trick of course, is to capture these benefits without incurring the costs of the OSS process. These costs are typically the reasons such barriers were erected in the first place:

    Integration. A full-time developer on a component has a lot of work to do already before trying to analyze & integrate fixes from other developers within the company.

    Iterative costs & dependencies. The potential for mini-code forks between "scratched' versions of the OS being used by one Excel developer and "core" OS used by a different Excel developer.

    Extending OSS benefits -- Service Infrastructure

    Supporting a platform & development community requires a lot of service infrastructure which OSS can't provide. This includes PDC's, MSDN, ADCU, ISVs, IHVs, etc.

    The OSS communities "MSDN" equivalent, of course, is a loose confederation of web sites with API docs of varying quality. MS has an opportunty to really exploit the web for developer evangelization.

    Blunting OSS attacks

    Generally, Microsoft wins by attacking the core weaknesses of OSS projects.

    De-commoditize protocols & applications

    OSS projects have been able to gain a foothold in many server applications because of the wide utility of highly commoditized, simple protocols. By extending these protocols and developing new protocols, we can deny OSS projects entry into the market.

    David Stutz makes a very good point: in competing with Microsoft's level of desktop integration, "commodity protocols actually become the means of integration" for OSS projects. There is a large amount of IQ being expended in various IETF working groups which are quickly creating the architectural model for integration for these OSS projects.

    { In other words, open protocols must be locked up and the IETF crushed in order to ``de-commoditize protocols & applications'' and stop open-source software.
    A former Microserf adds: only half of the reason MS sends people to the W3C working groups relates to a desire to improve RFC standards. The other half is to give MS a sneak peak at upcoming standards so they can "extend" them in advance and claim that the `official' standard is `obsolete' when it emerges around the same time as their `extension'.

    Once again, open-source advocates' best response is to point out to customers that when things are ``de-commoditized'', vendors gain and customers lose. }

    Some examples of Microsoft initiatives which are extending commodity protocols include:

    DNS integration with Directory. Leveraging the Directory Service to add value to DNS via dynamic updates, security, authentication

    HTTP-DAV. DAV is complex and the protocol spec provides an infinite level of implementation complexity for various applications (e.g. the design for Exchange over DAV is good but certainly not the single obvious design). Apache will be hard pressed to pick and choose the correct first areas of DAV to implement.

    { What wonderful, scathing irony! Four days after Halloween I hit the net, Greg Stein (an ex-Microserf, no less) announced working HTTP-DAV support for Apache as open-source software. }

    Structured storage. Changes the rules of the game in the file serving space (a key Linux/Apache application). Creates a compelling client-side advantage which can be extended to the server as well.

    MSMQ for Distributed Applications. MSMQ is a great example of a distributed technology where most of the value is in the services and implementation and NOT in the wire protocol. The same is true for MTS, DTC, and COM+.

    Make Integration Compelling -- Especially on the server

    The rise of specialty servers is a particularly potent and dire long term threat that directly affects our revenue streams. One of the keys to combating this threat is to create integrative scenarios that are valuable on the server platform. David Stutz points out:

    The bottom line here is whoever has the best network-oriented integration technologies and processes will win the commodity server business. There is a convergence of embedded systems, mobile connectivity, and pervasive networking protocols that will make the number of servers (especially "specialist servers"??) explode. The general-purpose commodity client is a good business to be in - will it be dwarfed by the special-purpose commodity server business?

    System Management. Systems management functionality potentially touches all aspects of a product / platform. Consequently, it is not something which is easily grafted onto an existing codebase in a componentized manner. It must be designed from the start or be the result of a conscious re-evaluation of all components in a given project.

    Ease of Use. Like management, this often must be designed from the ground up and consequently incurs large development management cost. OSS projects will consistently have problems matching this feature area

    Solve Scenarios. ZAW, dial up networking, wizards, etc.

    Client Integration. How can we leverage the client base to provide similar integration requirements on our servers? For example, MSMQ, as a piece of middleware, requires closely synchronized client and server codebases.

    Middleware control is critical. Obviously, as servers and their protocols risk commoditization higher order functionality is necessary to preserve margins in the server OS business.

    Organizational Credibility

    Release / Service pack process. By consolidating and managing the arduous task of keeping up with the latest fixes, Microsoft provides a key customer advantage over basic OSS processes.

    Long-Term Commitments. Via tools such as enterprise agreements, long term research, executive keynotes, etc., Microsoft is able to commit to a long term vision and create a greater sense of long term order than an OSS process.

    Other Interesting Links

    http://www.lwn.net/ -- summarizes the weeks events in Linux development world.

    Slashdot -- http://slashdot.org/ -- daily news / discussion in the OSS community

    http://www.linux.org

    http://www.opensource.org

    http://news.freshmeat.net/ -- info on the latest open source releases & project updates

    Acknowledgments

    Many people provided, datapoints, proofreading, thoughtful email, and analysis on both this paper and the Linux analysis:

    Nat Brown

    Jim Allchin

    Charlie Kindel

    Ben Slivka

    Josh Cohen

    George Spix

    David Stutz

    Stephanie Ferguson

    Jackie Erickson

    Michael Nelson

    Dwight Krossa

    David D'Souza

    David Treadwell

    David Gunter

    Oshoma Momoh

    Alex Hopman

    Jeffrey Robertson

    Sankar Koundinya

    Alex Sutton

    Bernard Aboba

    Revision History

    Date
    Revision
    Comments

    8/03/98
    0.95

    8/10/98
    0.97
    Started revision table

    Folded in comments from JoshCo

    8/11/98
    1.00
    More fixes, printed copies for PaulMa review

    Table of Contents
    Halloween Documents Home Page

    Halloween II: Linux OS Competitive Analysis: The Next Java VM?

    Halloween III: Microsoft's reaction on the "Halloween Memorandum" (sic)

    Halloween IV: When Software Things Were Rotten: Vinod Vallopillil's boss calls us "Robin Hood and his merry band." We return the compliment.

    Halloween V: The FUD Begins!: The Sheriff of Nottingham rides again. In this exciting episode, the things he doesn't say are more interesting than the things he does.

    Halloween VI: The Fatal Anniversary: First Mindcraft, now the Gartner Group-Microsoft leaves a trail of shattered credibility behind it.

    Before emailing or phoning me with a question about these documents, please read the Halloween Documents Frequently-Asked Questions.

    Links to press coverage
    opensource.org home page

  49. In related news... by Dimensio · · Score: 3, Funny

    Fahrenheit Entertainment, Sunncomm and the RIAA have announced a lawsuit filed against Ira Rothken of The Rothken Law Firm and his unnamed client for attempted circumvention of a copy protection device. Attorneys for the plantiff claim that by attempting to use litigation to remove a copy protection method the defendant is effectively circumventing that method and thus in violation of the DMCA. They also argue that if their clients were forced to identify products protected by this device it would weaken the effectiveness of the device and could ultimately lead to circumvention; therefore the defendant should be liable for contributory circumvention of a copy protection device.

    The RIAA was not available for comment, but the FBI has raided the offices of The Rothken Law Firm on a sealed warrant in search of evidence.

  50. U=COCKEATER by Anonymous Coward · · Score: -1, Troll

    Sir, I would like you to slurp on my happy pole while fist your mother with both hands. Then you should put both of my big cheese encrusted balls in your mouth and gargle. If you are interested, please meet me at the nacho stand.

  51. Excellent by sulli · · Score: 2

    Perhaps CDNOW could add a "Copy-Protected?" field in the searchable database. Then we could all de-select it (like some de-select Katz) and know that the CDs we buy are, in fact, real.

    --

    sulli
    RTFJ.
    1. Re:Excellent by LordNimon · · Score: 1

      Better yet, they should just not sell the CD at all. If they really feel this technology is evil, then they shouldn't sell the product. I'm sure they won't lose that much money over it.

      --
      And the men who hold high places must be the ones who start
      To mold a new reality... closer to the heart
  52. Maybe I should join them by Anonymous Coward · · Score: 0

    I recently picked up Travis' new CD: The Invisible Band. Guess what, it's copyprotected too! I have half a mind to strip the songs via "other" methods and return it to the store saying that it won't play in my CD player.

    Pretty bad when you are trying to support a cool band and they end up shooting you in the back.

    1. Re:Maybe I should join them by Anonymous Coward · · Score: 0

      Travis are not cool.

  53. Punitive damages by fmaxwell · · Score: 3, Insightful

    The judge could aware punitive damages of hundreds of thousands of dollars. This is over and above the compensatory damages (which could include not only the original purchase price, but legal fees, lost wages while in court, etc.)

    Besides, some lawsuits happen because someone feels that there is an injustice in the world, not out of some sense of personal greed. If you don't understand this, ask some of your Democratic friends to explain it to you.

    (Not to right-wing moderators: I have 50 Karma points, so I can afford to lose two or three for being honest here.)

    1. Re:Punitive damages by Anonymous Coward · · Score: 2, Interesting

      Pathetic (devisive) partisan patter aside, who is going to set up a web site for this woman with an escrowed pay pal account for her legal costs? I see a lot of typing here, but generally very little action. This is obviously a case where slashdotters could mobilize for Good.

    2. Re:Punitive damages by Anonymous Coward · · Score: 0

      Ah yes, the old "we [democrats] are good and pure and do things for the greater good while you [republicans] are mean and evil and kick puppies" argument. Congratulations on your cleverness and originality.

      You know, instead of saying all that you could just have the word 'loser' tattoed on your forehead. Then we would all know what you are without having to read your purile political commentary.

    3. Re:Punitive damages by fmaxwell · · Score: 2

      You know, instead of saying all that you could just have the word 'loser' tattoed[sic] on your forehead.

      Nope. I'm a winner. I have a good job, the respect of my colleagues, good friends, and sleep well at night. The reason that you hear the same argument over and over is because it is based in fact. Republicans, in general, are greedy, self-centered, give-me-a-tax-cut-and-to-hell-with-everyone-else types. They don't care about the "greater good." Just look at the efforts to drill for oil in Alaskan wilderness areas and the decision to let mega-monopoly Microsoft remain intact.

      So go ahead and resort to your ad-hominem attacks. I don't take anyone who posts as "Anonymous Coward" too seriously.

    4. Re:Punitive damages by Whatever+Fits · · Score: 1

      I agree with you that an AC comment isn't even worth reading, but as he fell to the temptation of an ad-hominem attack, you stooped to stereotyping. I am very right wing and I see myself as trying to vote for and do what is best for the country. My cousin threw a cigarette wrapper on the ground last night and I chewed him out for it. I like my clean streets. I also like a healthy economy. Tax cuts are a very good way of stimulating the economy and, gasp, this is good for everybody! I know quite a few Republicans and few are greedy, self-centered, etc. types. I also know a lot of Democrats. Some of them are the "What can I get from my government?" types. I call that greedy and self centered. Not all Democrats are this way and not all Republicans are either.

      Just thought I'd make the point. Overgeneralization is always bad! ;)

      --
      My name fits again.
    5. Re:Punitive damages by sealawyer · · Score: 1

      "...who is going to set up a web site for this woman with an escrowed pay pal account for her legal costs"

      I wouldn't bother. Any lawyer who files a law suit when their client only has $20 invested already has a strategy for getting paid. If this case reaches class action status, a chunk of the settlement will go towards paying the lawyer if the lawyer isn't awarded attorney fees. I see that the complaint does ask for attorney fees and punitive damages.

    6. Re:Punitive damages by (H)elix1 · · Score: 2
      Nope. I'm a winner. I have a good job, the respect of my colleagues, good friends, and sleep well at night. The reason that you hear the same argument over and over is because it is based in fact. Republicans, in general, are greedy, self-centered, give-me-a-tax-cut-and-to-hell-with-everyone-else types. They don't care about the "greater good."

      OK, I'll bite as a non-AC....

      You probably don't make enough to care yet. Would you say 75-100K is a lot of cash? Lets say your wife works, and makes about the same. Do you know where that puts you in the tax scale? Do you know where that fits statistically in the US? When they talk about tax breaks that help the top 2-3%, it may surprise you to find out who is in there.

      Here is my beef. Lets say you make 50K and I make 200K. Its not like we both pay a 35% tax here, I would pay a higher percentage in addition to paying on more money. God forbid I ask to pay the same tax rate as you. Illusions of the "rich" (and I use that term loosely) being able to shelter all their income does not work for those of us in the .05-3% of the curve. Fine then, as once you start to hit the point where every break everyone else gets is "prorated" and the sliding scale makes it harder and harder to grow, then preach to me about tax cuts for the rich.

      As for the greater good, you know what? I think the government does a crappy job of doling out support. I chose my charities based on what they give back to the community - looking for a return of investment in the form of people helped/money committed. I suspect you can count the really good government programs on one hand - I could not think of any examples, while I can think of several non-profits locally that do a fantastic job.

      Mind you, this is not a personal slam.... just a difference of opinion.

    7. Re:Punitive damages by Anonymous Coward · · Score: 0

      Republicans, in general, are greedy, self-centered, give-me-a-tax-cut-and-to-hell-with-everyone-else types

      Serial killers depersonalize their victims before they kill them. they convince themselves their victims are subhuman, or evil, or need to be killed.

      Welcome to the community

    8. Re:Punitive damages by bnenning · · Score: 2
      Republicans, in general, are greedy, self-centered, give-me-a-tax-cut-and-to-hell-with-everyone-else types.


      So a worker wanting to keep what he has earned is "greedy", while you wanting to forcibly take his earnings is not. Thanks for the clarification.


      Just look at the efforts to drill for oil in Alaskan wilderness areas and the decision to let mega-monopoly Microsoft remain intact.


      Using 2000 acres out of 15 million in ANWR for access to potentially huge oil reserves sounds good to me, especially since previous drilling in Alaska has shown it can be done with minimal environmental impact. And the DOJ did not drop the Microsoft case, they are attempting to have remedies applied more quickly than would be possible if they continued to pursue a breakup. You should try incorporating facts and logic into your arguments sometime, although I realize this can be difficult if you're a liberal.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
    9. Re:Punitive damages by Pig+Hogger · · Score: 2
      As for the greater good, you know what? I think the government does a crappy job of doling out support. I chose my charities based on what they give back to the community - looking for a return of investment in the form of people helped/money committed. I suspect you can count the really good government programs on one hand - I could not think of any examples, while I can think of several non-profits locally that do a fantastic job.

      The problem with charities is that they only take care of the "popular" causes, whereas a welfare State takes care of ALL causes, regardless of what the silent majority thinks.
    10. Re:Punitive damages by fmaxwell · · Score: 2

      You probably don't make enough to care yet.

      I make enough that some of my income is taxed at 36% -- next to the highest bracket.

      Would you say 75-100K is a lot of cash?

      Cash? Yes. Investment? No.

      When they talk about tax breaks that help the top 2-3%, it may surprise you to find out who is in there.

      I may well be. I know that I will get a big chunk of money back as a result of the Bush tax cut. But what is good for me personally in the short term is not necessarily what is good for the country in the long term.

      It doesn't take any moral fortitude to say "I want to pay less tax." I like to think that I have enough to say that I'm paying a fair amount.

      I suspect you can count the really good government programs on one hand

      The government does more with tax dollars than just charity. Tax dollars pay for everything from NASA to the Peace Corps to the military. Much of the money that goes to those programs then "trickles down" to the private sector, with contracts going to many private sector firms that employ countless U.S. citizens. Cutting back on the government's paycheck (by cutting taxes) does more than put the screws to welfare recipients.

    11. Re:Punitive damages by fmaxwell · · Score: 2

      So a worker wanting to keep what he has earned is "greedy", while you wanting to forcibly take his earnings is not.

      This may come as a huge shock to you, but I don't take anyone's taxes. I pay taxes. The only difference between you and me is that I view it as my duty as an American to pay my fair share.

      Using 2000 acres out of 15 million in ANWR for access to potentially huge oil reserves

      According to the DOE, the best estimate for the "huge" oil reserves is 10.3 billion barrels. Sounds like a lot, doesn't it? Well, it's 5% of the total recoverable oil in the lower 48 states. Big deal. And when would we see significant production from it? 13 years from now if we gave the go-ahead today. So we could reap benefits from this in the year 2014.

      sounds good to me, especially since previous drilling in Alaska has shown it can be done with minimal environmental impact.

      Like the Exxon Valdez has shown? It's not like we can just hit "rewind" if the oil company optimists are wrong. Rather than sucking every last drop of oil out of the Earth, how about going for greater fuel economy? Why do we need to run pipelines through pristine wilderness areas so that soccer moms can drive around in Ford Behemoth SUVs? Let the gas prices rise and people will start driving cars that make sense.

      And the DOJ did not drop the Microsoft case

      I never said that they did. I said "the decision to let mega-monopoly Microsoft remain intact." Which part of that did you not comprehend?

      You should try incorporating facts and logic into your arguments sometime, although I realize this can be difficult if you're a liberal.

      It must be even tougher for you since you appear to be functionally illiterate (see Microsoft comments) and apparently knew nothing of the DOE report that gave the facts on the Bush-proposed ANWR oil drilling.

    12. Re:Punitive damages by fmaxwell · · Score: 2

      Serial killers depersonalize their victims before they kill them.

      Kind of funny coming from someone who posted as Anonymous Coward, isn't it?

    13. Re:Punitive damages by (H)elix1 · · Score: 2
      I make enough that some of my income is taxed at 36% -- next to the highest bracket.

      That put you somewhere around $160-290K then (marriage assumption here, never looked at a single person's rate) for taxable income. Some of your income is at 36%, some probably dodged the capital gains bullet by holding the stock for twelve months. Fiscally responsible in my book, but why not sell before then and treat it like income? Because it cost you an extra 15% or so in taxes to sell early? Did you itemize? Anyhow, I guess my point is this: You feel your tax burden, after optimization, is fair - that does not really put you in a position to say those who are carrying more of the burden feel it is fair, however. Its not a moral question, it's a political one. I would be tempted to say my money is better spent on paying employees and running a business directly, than running it through many government filters before it reaches the masses. Granted, I have a civic responsibility as you, but my willingness to take more risks that happened to work out should not correlate to such a burden.

      Personally, I think our country would be much better off learning fiscal responsibility rather than just "making more". As a country, one of the larger swords hanging over our head is the national debt. Imagine the money we waste in interest going to NASA, etc.

      I don't think increasing my children's allowance if they were acting irresponsible is a good idea. The same goes for a company's budget. Wish the same applied to our government.

  54. AYR by ImaLamer · · Score: 3, Funny

    RIAA: All your rights after you bought this cd are belong to us.

    Fahrenheit: Someone set us up the worst idea ever.

    Consumer: Main screen turn on [then enter my SS#, then my DOB, then my mothers maiden name, then my biometric information]

    RIAA Again: Gentelman... all your standards are belong to no one

    -=Nothing useful to post, just want to let you know=-

    Actually I 99.9% agree with the case against napster and I can't believe I'm downloading unsaid music videos now, but this is out of control.

    Trying to kill the mp3 format because of P2P is like trying to kill .jpg because of pr0n pics are being traded.

    Lets all switch to our own formats that only our own computers can read... fu** everyone! Like Bush said yesterday, scared people build walls, confident people tear them down [not his line, of course]

    1. Re:AYR by error0x100 · · Score: 1

      is like trying to kill .jpg because of pr0n pics are being traded

      Didn't you mean to say "illegal porn"? Trading porn is legal AFAIK (unless its copyrighted etc). Why do people so often seem to talk about porn as if it is illegal? Are people confusing what is legal with what is 'morally acceptable' in their religions or something? I can't see where else it might come from.

  55. Nice suit, but... by Masem · · Score: 5, Insightful
    If you take a look at the last few lines of the linked article, and most the suit, in fact, it talks about how this is all falling under deceptive practices for not labelling the CD package as containing a non-standard CD format or having a privacy notice on the CD.

    I'm worried that all the recording companies will do is add in the fine print at the bottom of the back side cover that says something like "This CD is protected by the use of the FairUseSucks System and may not play on computers without entering personal information. Please visit www.weownj00.com for our privacy policy; opening of this package indicates your agreement to this policy". Bingo, they have just gotten out of a lawsuit.

    At this point, one would then need to envoke the infamous time-shifting case to fight back for fair use.

    --
    "Pinky, you've left the lens cap of your mind on again." - P&TB
    "I can see my house from here!" - ST:
    1. Re:Nice suit, but... by daviddennis · · Score: 2

      But then you would simply not buy the CD, thus saving yourself considerable heartache.

      I think the suit has an excellent point - you were told that you could download it, and you couldn't. Easy case; they win.

      But, as someone else said, what damages do you get? $14.99?

      D

    2. Re:Nice suit, but... by Anonymous Coward · · Score: 0

      . . .the tie is all wrong.

    3. Re:Nice suit, but... by Alkivar · · Score: 1

      I thought license agreements that are agreed to with the opening of the package were only enforceable in a couple of states? Can someone more familiar with this fill me in?

  56. Selling an unusable product by jjr · · Score: 1

    That is what they are really doing. ALOT of people buy cd so they can use them in their car and computer. They are selling what is thought to be a regular cd when it is really an "crippled" version of a cd. That is really what is going on here. I hope she wins

    1. Re:Selling an unusable product by MarkLR · · Score: 1

      CDs were produced long before the idea of ripping and MP3s were mainstream. There is absolutely no obligation on the part of the music company to produce CDs that allow easy ripping or backing up. (Stopping a person from trying is another matter). At worst they can be accussed of producing CDs that don't follow spec but have the CD techology label on them.

    2. Re:Selling an unusable product by sealawyer · · Score: 1

      "CDs were produced long before the idea of ripping and MP3s were mainstream. There is absolutely no obligation on the part of the music company to produce CDs that allow easy ripping or backing up. (Stopping a person from trying is another matter). At worst they can be accussed of producing CDs that don't follow spec but have the CD techology label on them."

      Exactly. But mislabeling is half of what the suit is about. Apparently you agree with (or didn't read) the complaint.

      Ironically, the Charlie Pride CD is the only one I'm aware of where the music industry has publiclly identified that copy protection is being used. In the other cases they have refused to give any indication that protection was being used.

      The articles I read about the Charlie Pride CD also acknowledged that they wouldn't play on a small number of cd players. I presume that means that any system featuring an anti-skip feature probably has that problem. I hope that fact makes it into the complaint. In fact I think I'm going to revisit the web site drop an email to the attorney about exactly that point.

  57. Disclosure is not the problem by All+Dead+Homiez · · Score: 1
    The "disclosure argument," on which this suit is based, will not be a legal problem once this scheme catches on with all of the record companies. Expect all CDs sold in the near future to have a little label on them indicating that they will not work normally (or at all) in PC CD-ROM drives. Why? Because the record companies believe that the reduction in piracy is worth losing a couple of customers who play CDs on their computers. They may be right; they may be wrong; but their goal is content control, not necessarily profit. DeCSS didn't cost movie companies a dime, but they spent millions to squash it.

    What can we do about this? We can support companies who make CD-ROM drives that are not affected by the protection. (Several of these have been "discovered" recently.) We can lobby Congress and ask for a bill that gives us our fair use rights again. We can buy a $30 Discman clone and use that to play CDs, like in the good old days. There's no easy answer, but to paraphrase the old cliche, the price of freedom is eternal vigilance.

    -all dead homiez

  58. Vote with your dollars by zarathustra93 · · Score: 0

    The solution to this is really easy enough- Don't buy any cd that you know uses this technology. Ifyou buy one by mistake, return it, and write a letter to the record company telling them exactly why you will never purchase product from them again. I recently went through a similar experience when a flawed copy protection scheme went bad- I could no longer use the software I had purchased legitmately. I had to get a cracked version for a while (which was hassle free btw.)I ended up politely ranting at the CFO of the copy protection software company. Granted the CFO of Time-Warner might not drop you an email,but sooner or later they will drop stupid sh*t like this when they realize that people will not buy a flawed product.

  59. Or more like by Anonymous Coward · · Score: -1, Troll

    my all out orgy with your sister, George W and a goat named Maisy.

  60. no dollar amount given by jeffy124 · · Score: 3, Insightful

    I noticed the complaint letter doesnt list a dollar amount for damages. This is good because the defendants wont be able to offer a cash settlement very easily, like in many other cases. The woman here wants them to fix the problems for the better of the public and doesnt appear to want money in return.

    Reminds of a case several years ago when families were suing automakers for problems with airbags killing loved ones. People were suing for tremendoesly large cash settlements, and getting them, but the airbag problems were going unchecked, as newer cars still had the same problem. One man (who himself was a lawyer) lost his wife in an accident because of the airbag in one of those newer vehicles. He sued, but emphasized that settlement would only be reached if the auto makers fixed the airbag problems and refused cash settlements. The judge ruled in his favor and ordered the automaker to repair the problem.

    --
    The One Rule Of Chess You'll Ever Need: Don't play someone who carries a kit in their bookbag.
  61. Why isn't Charlie Pride suing? by jcr · · Score: 2

    The real damage here, is that being done to his reputation among his listeners.

    Not that I was likely to do so anyway, but knowing that his recent CD's are broken would give me a strong inclination not to buy them.

    -jcr

    --
    The only title of honor that a tyrant can grant is "Enemy of the State."
    1. Re:Why isn't Charlie Pride suing? by Greyfox · · Score: 2

      From what I've heard, he wanted his CD to have this protection on it, being of the opinion that fans should not be allowed to steal his music and share it on the internet. I'm pretty sure he was the one who said that in an interview (If I'm wrong, someone please correct me.)

      --

      I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

    2. Re:Why isn't Charlie Pride suing? by SlippyToad · · Score: 2
      Charley Pride doesn't have the first idea of what Napster, the Internet, or digital music mean. He's on this crusade because he walked into a music store in his home town, the proprieter of which he knew, and found counterfeit copies of his CD on the shelves. That was legitimately piracy and legitimately took money from his pocket by selling something manufactured by someone else instead of the thing manufactured for him.

      In the article I read he explicitly stated that he didn't know nuthin' bout no napster, but if it was anti-piracy it was OK with him. He's an ignorant tool, and deserves what he's going to get, which is a gigantic black eye in the public. Kind of like what another country-western, er, "performer" by name of Garth Brooks got when he whined that people were stealing money from him by selling used copies of his CD's. That thing between my thumb and forefinger? It's not the world's smallest violin, playing your bleeding-heart anthem. It's just a fuckin' booger.

      --
      One day I feel I'm ahead of the wheel / the next it's rolling over me / I can get back on / I can get back on
  62. May I ask... by Anonymous Coward · · Score: 0

    how am I supposed to listen to one of these copy-protected CDs? I only own 1 CD player other than my PC, it's a 4yr old portable. I know I'm not alone here.

  63. Labels, who needs them? by ImaLamer · · Score: 2, Insightful

    We are all saying that the disc wasn't labeled correctly to show the end user that it was fu**ed, but what about the Audio Compact Disc Label?

    The label that all CDs carry if they are using the standard shouldn't be on this disc.

    This isn't an audio CD if it doesn't play in my car, dvd player, sega dreamcast, etc.

    So, does it have that label? And if it does can't philips (or sony?) sue them?

    1. Re:Labels, who needs them? by terrymr · · Score: 1

      no but you can sue them for deceptive labeling - if it displays the logo it should play on any player displaying the logo.

    2. Re:Labels, who needs them? by Torawk · · Score: 1

      This is what I was thinking, having that (the CD-Digital Audio) symbol means it can be played on devices that conform to the stardards set out by Phillips and Sony in this case.

      Then again maybe they were able to get this working with-in the standards for CD-Audio and Mixed mode CDs.

      But if not I would say they either have to drop the symbol on the disks or make a new standard (or just extend the current)

      -Torawk

  64. Possible ruling by DA_MAN_DA_MYTH · · Score: 1

    The judge might award the lady for damages ensued, all $17.99 of it...


    Next time just return it please...
    --
    "It takes many nails to build a crib, but one screw to fill it."
    1. Re:Possible ruling by kelleher · · Score: 1
      Nope, wrong answer. Every hour that she can make the Record Label pay a lawyer is defacto punitive damages against them...

      Large companies use the expense of a lawsuit to their advantage all the time. It's fun to give them a taste of their own medicine.

    2. Re:Possible ruling by Enry · · Score: 2

      It also would set a precedent for getting your money back for *any* CD like this, which will cost the RIAA members more than $17.99 per CD in the end.

    3. Re:Possible ruling by cronik · · Score: 1

      one word: retainer

      --
      Information wants to be free like speech wants to be free, not like we want beer to be free.
  65. Isn't that autorun.inf? by Quebec · · Score: 1
    Could it be possible that the problem is a big misunderstanding and that the problem would occur in the only case where a promotional software defined in autorun.inf accompanying the regular audio track is involved?

    Could it be possible that if you do not install their software and then call for a regular windoze cd player it would work as on a regular sound system's CD player?

    If people just try to click on a data and audio CD that got a AUTORUN.INF only the promotional software will run.


    Am I dumb or what?

    1. Re:Isn't that autorun.inf? by Anonymous Coward · · Score: 0

      The problem isn't with the 2nd most annoying computer "feature" ever made (the 1st is Clippy). The copy protection the CD uses exploits some slight difference between standard 1x audio CD mechanisms and CD-ROM mechanisms. It makes the CD play normally in a audio CD player, but on anything with a CD-ROM it's either unreadable or just static. And to add to the problem, a lot of newer CD players and stereos use CD-ROM mechanisms instead of the old audio CD ones.

  66. What you can and cannot do by mr_vauxhall · · Score: 3, Informative

    CDNOW says: One non-musical caveat: The CD is copy-protected, and cannot be played by anything but a standard audio player. If you wish to use your computer to listen to the music that you purchased on CD, you'll have to go to the website of the company providing the protection technology and download, one at a time, Windows Media file versions of the 15 tracks (and if you own a Mac, you're simply out of luck). Intellectual property holders have legitimate concerns about piracy these days, but this is a ham-handed and unjustifiable response to the problem So it will play on a standard audio CD player. How long before CD-Drive manufacturers add a "pure audio" mode to drives?

  67. Easily fixed by fobbman · · Score: 5, Insightful

    Day One

    "Hi, I bought this CD yesterday but cannot get it to play on my PC at home. The other CD I bought yesterday plays fine, so this must be defective. Can I get a replacement?"

    Day Two

    "Hi, I got this replacement for a CD that wouldn't play on my PC yesterday and this one seems bad, too. Might be a bad production run of CD's. Can I try another?"

    Rinse well, repeat as necessary until all CD's of that recording are sent back to label marked "defective".

    1. Re:Easily fixed by blazin · · Score: 2, Insightful

      It's a nice thought, but I don't think it would work past the 3rd CD. If you are coming in every day to return the same CD, the sales clerks are going to start remembering you and pretty soon the manager is involved. They take your "broken" CD over to the shelves of CD players and pop it in a random CD-audio play and amazingly your broken CD works. Now the manager is telling you that it must be your CD player that is broken.

      You can insist that everything else you own works great on it, but alas, he's shown you the one in your hand works perfectly, so it _MUST_ be your CD player that is to blame. Trying to explain anything about how a CD-ROM drive is different than a Disc Man to a mega-chain manager is a futile attempt at best.

      Plus there's the whole problem with having to waste a part of every day to drive to the store and wait in the lines to explain that once again your CD doesn't work.

      Maybe if you wore a different disguise every day?

    2. Re:Easily fixed by 2nd+Post! · · Score: 4, Insightful

      What happens when the manager pops the CD into a player and it doesn't work? As an example, many DVD player drives are stock EIDE drives with new faceplates. If, for example, the box the manager pops the CD into is, say, a DVD 5.1 boombox thing... it may not work after all.

    3. Re:Easily fixed by Nightpaw · · Score: 2, Funny

      Maybe if you wore a different disguise every day?

      Like this?

    4. Re:Easily fixed by Anonymous Coward · · Score: 0

      If they also sell computers there (Best Buy is the only place in my area with a decent CD selection) just ask him to put it into a computer and download the music to one of the mp3 players they sell. If he says it's the computer, just try every computer there. It won't work in any of them.

      Some newer CD players use CD-ROM mechanisms too, so if they sell some of those you could try those too.

    5. Re:Easily fixed by MeNeXT · · Score: 1
      Bring in your laptop with a CD and try to play the CD. Once you show him that it doesn't work, put one in that works and show him that it's not a problem with your cd player. (by the way if you don't have a laptop try to borrow one from a friend)

      --
      DRM? No thanks, I'll just get it somewhere else...
    6. Re:Easily fixed by fobbman · · Score: 2

      Actually I was thinking that after the second trip bringing in a laptop would be great here. Preferrably one that has Linux running on it. Then you can offer to play any other CD in the store (they tend to have open CD's that they play on the local stereo system). Betcha they work. Heck, install Mandrake 8 and they'd likely not even notice that it was a Linux box.

      Also, is it such a waste of part of your day when you aren't the one being jailed for a month and a half? Sure, he's out on bail now but he's trapped in the "Land of the Free" until he runs through the legal mess that is the US Justice System.

      Consider it your duty as a pissed-off geek.

    7. Re:Easily fixed by Anonymous Coward · · Score: 0

      The Charlie Pride CD is not worth the gas it takes to get to the mall IMHO. And I live about 1.5 miles from the mall.

    8. Re:Easily fixed by Svartalf · · Score: 2

      Cost of the gas: $0.50 (I'm being liberal here...)
      Cost of the CD: $17.00 (Avg. Price)
      Cost to repeat: $0.50 (x2,3,4,5...)

      Value of annoying the hell out of the retailer and the media people: Priceless

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  68. No surprise by igiveup · · Score: 2, Insightful
    Is anyone posting really surprised by this? It is a logical extension of requiring registration for software.

    Next will come registering DVD movies. Then web-enabled devices such as game stations. Eventually anything with a microchip and the potential of connecting to a network will require registration.

    Imagine registering your web-enable toaster before getting your toasted Pop-Tarts.

    --
    --- igiveup ---
    1. Re:No surprise by Mr.+Sharumpe · · Score: 1

      Registering DVD movies has been tried - it was called DIVX and it bombed spectacularly.

      :)
      Mr. Sharumpe

      --
      -- The above comments are just my opinion. If you are going to flame me, save your time. I am fireproof.
  69. EFF / CAFE in on this? by hairy+moose · · Score: 1

    Anyone who is active in EFF / CAFE involved in this yet? (sheepishly -- I pitch in with $$)

  70. The Most Challenging Thing... by FFFish · · Score: 4, Funny

    ...in this lawsuit was, I'm sure, working up the gumption to admit that she actually bought a Charley Pride album. Shudder.

    --

    --
    Don't like it? Respond with words, not karma.
  71. This story is redundant... by Anonymous Coward · · Score: 0

    The replies are redundant and predictable:

    - "If I can hear it, I can copy it."

    - "This will be cracked within minutes."

    - "I am boycotting the RIAA, I will not buy any more music CD's."

  72. *BSD is dying by Anonymous Coward · · Score: 0

    ummm that is "*BSD is dying troll found dead at Studio 54"

  73. Misunderstanding by virg_mattes · · Score: 3, Informative

    > it makes me a touch ill that included in the lawsuit is
    > the fact that the encoded version of the CD is NOT mp3.


    This is a bit of an overextension of what was said. The gist of the suit (on this point) is that due to the fact that the CD is unplayable in a computer's CD-ROM drive, they decided to provide encoded files that the purchaser can download to listen to on the PC (a good thing). However, their encoding on those audio files is proprietary (a bad thing, since they can't be used on a personal MP3 player) and they require entry of much personal information to get the files (a very bad thing) and they don't bother to tell anyone about this issue before they buy the CD (a very, very bad thing). She's not insisting that the company make the files available in MP3 format. They are (by the wording of the suit) allowed to do just what they did. The reason for her suit is that they didn't notify her that they were doing any of it, and because of it she was unable to make an informed decision about whether she wanted to buy the CD in the first place.

    Virg

    1. Re:Misunderstanding by RiffRafff · · Score: 1

      "However, their encoding on those audio files is proprietary (a bad thing, since they can't be used on a personal MP3 player)"

      How's that? You imply that proprietary is Bad but MP3 is Good. Guess what? MP3 IS proprietary. Download the 100K plugin for winamp and start encoding to .OGG format. Better sound, smaller size, and FREE (as in beer AND speech).

      --
      "I might have made a tactical error in not going to a physician for 20 years." -- Warren Zevon
    2. Re:Misunderstanding by sealawyer · · Score: 1

      "How's that? You imply that proprietary is Bad but MP3 is Good."

      Not really. The idea is if you plan to deliver music in an unexpected format that is limited in usefulness, you ought to let customer know what's going on up front, while delivering music in a well known, multi-platform, format might be more in keeping with a customer's expectations and thus might not require advanced warning.

    3. Re:Misunderstanding by pjellis · · Score: 1

      The law is all about extending what has been said.
      --
      If:
      1. The press release is not misleading about what the suit is about and the suit suceeds without the MP3 bit being tossed out (one way or another) along the way.

      Then:
      It sets a legal precedent that if a record company offers a downloadable version of a CD as part of the purchase of that CD then it has to be in MP3 format.
      --
      Of course, its a silly precendent that could easily get tossed aside in some other court case. In spite of that, no record company is going to pursue non-MP3 options after such a precedent gets set (no matter how flimsy it is). Why would they risk the legal hassle?

      To me, any sort of legal precedent saying MP3 = Good and NotMP3 = Bad is best avoided. Yes, the sane outcome would be for the company to be spanked for severely limiting the ability of consumers to access the music without the ruling endorsing MP3 over other formats in any way. Expecting such a ruling requires something I don't have: Faith that the US legal system will suddenly take a sensible approach to high tech/software issues.

      --
      -Patric
  74. Damn! Good to hear... by 4mn0t1337 · · Score: 1
    Ah, it is good to come into the office and find a story like this waiting for me.

    Deceptive practices indeed!
    I think this is a worthwhile fight to have, and might even be inclined to donate my lunch money to help this "cause."

    (Now, my drinkin' money, on the other hand, is sacred. The only cause that goes to is getting me drunk. But I'm sure I can do without a few lunches, to "fight the good fight"...)

    --

    ______
    Once: you're a philosopher. Twice: a pervert.

  75. good by teknopurge · · Score: 1

    sue the bastards for thinking they can seripticiously do anything they want because they so big and bad....

    -teknopurge

    TechieNews Network help us beta!!!!

  76. Stupid lawsuit by tmark · · Score: 1, Flamebait

    Come on...she is not being FORCED to register nor is information being collected without her information. This is not like, e.g. companies violating their stated privacy policies. Moreover there is likely no representation that the CD will play on a computer 'anonymously'. At BEST she should be entitled to a refund. I'll this woman doesn't even listen to Charlie Pride. If ever I could imagine a frivolous lawsuit, this is it. Wonder why I don't here the slashbots squawking their usual song about frivolous lawsuits ?

    1. Re:Stupid lawsuit by Anonymous Coward · · Score: 0

      Uh, she's suing because the CD won't play in a computer's CD-ROM due to its copy-protection, and this fact wasn't stated on the package anywhere.

      The CD will not play on a computer, period. The only way to 'play' it on a computer is to enter your info online and download the proprietary audio files (windoze media format, I think) to your computer.

    2. Re:Stupid lawsuit by bnenning · · Score: 2
      Moreover there is likely no representation that the CD will play on a computer 'anonymously'.


      If it's sold as a standard CD, then that is a representation that it will play on her computer CD player without any additional requirements. Unless the limitations are clearly disclosed on the package, the manufacturer is knowingly making false claims about their product.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
    3. Re:Stupid lawsuit by jiheison · · Score: 1

      Moreover there is likely no representation that the CD will play on a computer 'anonymously'.

      Where does is it represented on any CD that it will play anonymously on any equipment? Or at all? By your logic, they could simply sell an empty case or a blank CD, and no-one could complain. Rarely does it explicitly say that there is a CD inside, or that it will actually play music.

      By selling it in a music store, on the same shelves as non-protected CDs, they imply that it can be used in the same ways as the others.

    4. Re:Stupid lawsuit by ryanwright · · Score: 3, Informative

      Moreover there is likely no representation that the CD will play on a computer 'anonymously'.

      You mean 'at all'. The CD won't play in a computer, period. The registration is to allow you to download the song in Windows Media format, not to allow the CD to play. As for no representation, you don't think the CD logo on the disc qualifies as representation? This indicates that the CD complies with the red book standard, which should be playable in any drive that can read said standard. Since it won't, it's technically broken.

      Keep in mind that this lawsuit is about disclosure, not money. She's not trying to win a million bucks here.

      If you're going to put out a CD that does not comply with the standards, you have an obligation to warn consumers. I would be pissed if I bought a CD that didn't play in my CD-ROM, my car, etc. (car stereos that read MP3s are technically CD-ROM drives and will not read these "encrypted" discs, either. Many higher end home CD players also have CD-ROM drives in them and will not read the discs).

      --
      -Ryan, with the unoriginal sig
  77. Don't own the CD? by pq · · Score: 4, Insightful
    If I'm not mistaken you do not "own the CD" but purchased the right to listen to it on an audio device.

    Really?
    Think of this: if you went to the record store and told them that you dropped and broke your CD, here are the pieces and the receipts, and could they please replace it - do you think they'd give you a new CD? Or would they laugh you out of the store? Suddenly, it looks like you bought something physical after all, and not the license to listen to the music on the CD, doesn't it...?

    --
    "I will take the Ring," he said, "though I do not know the way."
    1. Re:Don't own the CD? by brianvan · · Score: 2

      Well... depending on the store... they might actually. Some stores have deals like that, and some might just take the broken CD and ship it back to the manufacturer as a mark-out even if they don't have a deal like that. But, it's not a standard thing, and certainly not required...

      But that's aside from the point.

      Specifically, the record label should be the ones providing free replacement copies if they want to argue "license" over "physical purchase". Or at least it would help them out in their theoretical argument. But they don't offer any warranties on physical media, yet they also want to have complete control over what you do with it. They may be able to, yet I can also see a certain angle: someone should very closely examine the fine print on CD sleeves and see whether or not providing a replacement disc in place of a worn/damaged one is a necessary part of complying with the license. Because, if not, it is the part of the burden of the record company to comply with the license if the terms are stated so strictly. In that case, you have a separate lawsuit against the record company - a giant, multibillion-dollar class action suit involving millions of consumers - covering breach of contract for nearly every broken CD on the face of the planet that the recording industry will not replace.

      And on top of that, some CDs don't have this kind of info visible upon sale - you must break shrink wrap to see these terms. That's another consumer loophole... shouldn't have to comply to any license that isn't stated in clear terms BEFORE purchase, as that constitutes fraud.

      (As if we didn't know charging $20 for a factory produced CD was fraud anyway)

    2. Re:Don't own the CD? by Mtgman · · Score: 1

      See, this is even funnier. I was setting up a little webcam that my DSL company gave me when I ordered my service and I needed to install some more software from my Windows CDROM. I put the CDROM in the drive and it BSODed on me. It seems the CDROM was scratched or dirty. So I clean it up, but it is scratched, and try again. BSOD. More cleaning. BSOD. Maybe my other CDROM drive? BSOD.

      Hmm. Wonder what would happen if I took that back to MS and said "It's busted." And get this, I DID buy a license to use that software which supposedly IS NOT tied to the physical disk. Seems that companies are picking whichever they feel is more convenient for them. License so they can say you can't have access to the media however you want, or media-bound when something goes wrong and you have to buy another copy.

      Steven

      --
      -- I have marked myself unwilling to moderate-- I don't have other accounts to artificially inflate the karma of
    3. Re:Don't own the CD? by Klaruz · · Score: 2

      It used to be you could replace defective media if you shipped it back to them. I had done it in the past with floppy disk. That was many years ago though, I don't know how it is nowadays, the last media I bought was a copy of redhat 3 or something from a cheap cdrom place for like $2. It wasn't scratched...

    4. Re:Don't own the CD? by Mtgman · · Score: 1

      Oh I have no doubt that the media isn't defective. It is damaged. Different thing, and I know that somehow, in my house with three small children, we damaged it. But, the point is, if I am not buying something that is bound to the media, if I am buying the right to use a copy of the software, does it matter which copy I use? If I bought that right, then I should be able to download an ISO image and burn a new copy if I need to, or get a new copy from a store. Whereas with music CDs and books you buy a physical copy, not a license. You have more rights to a physical copy than you do to a license. They have to choose which distribution scheme they will use. Licence it and replace unusable media(regardless of cause) or tie it to the media we bought and we can do whatever the hell we like with it(except copy it and distribute it).

      Steven

      --
      -- I have marked myself unwilling to moderate-- I don't have other accounts to artificially inflate the karma of
  78. Don't be so close-minded by daviddennis · · Score: 2

    I'm a right-wing nut (libertarian, actually), but I agree with the principles behind this suit. If the company implies that you can download music from the CD, you should be able to and without restrictions.

    Right-wing nuts believe in honesty in business, and that's what this case amounts to.

    D

    1. Re:Don't be so close-minded by fmaxwell · · Score: 2

      Right-wing nuts believe in honesty in business, and that's what this case amounts to.

      That's admirable, but left-wing nuts like me believe that consumers have rights. We believe that "fair use" is a consumer right. If I buy a Charley Pride CD (or a music CD), I have a right to record it in MP3 format to listen on my computer and my Riovolt. If I just want to pop it into my CD-ROM drive and listen to it, I have a right to do so. I don't think that a record company saying "we have made it impossible for you to exercise your fair use rights" is acceptable.

      The arts are different than any other consumer product. If, for example, the music of The Goo Goo Dolls speaks to you, you cannot just flick a mental switch and decide to switch to The Backstreet Boys if the record company starts copy-protecting Goo Goo Dolls CDs. If you want to buy the latest Madonna album, it's not like you can choose to purchase it from the record company that you like best. You have to buy it from AOL/Time Warner. Period. Because of this exclusivity, record companies need to be controlled like what they are -- monopolies.

      Back to the question of truth in advertising, if it does not follow the standards for a Compact Disc, why are they calling it a Compact Disc and using the Philips/Sony CD trademark?

  79. To the Audiophiles out there: by DrgnDancer · · Score: 2, Interesting

    How much sound quality would be lost if one plugged the "out" on a moderatly good stereo into the "in" on a moderatly good sound card and recorded that way? The sound is going from digital to analog and back to digital, but it's never leaving the wires. As long as one made a "master" copy at full sampling rate, then made one's recordings from that, I would not think you'd loose much.


    I'm just curious, because all these protection schemes seem to leave out the idea of a direct, hardware to hardware, copy being made, once the "appoved" player has decoded the sound. Since most decent sound systems are component systems, I don't see them removing the "out" from stereos, and since more and more people are playing with amatur video editing, I don't see them getting rid of the "in" on sound cards, so all of this is really kinda futile. At least that is how it seems to me, I might be missing something.

    --
    I don't need a million points of light, just two points of multi-mode fiber and a 10 Gig-E router.
    1. Re:To the Audiophiles out there: by Anml4ixoye · · Score: 2

      You are right. That is why eventually the sound coming out will be encoded all the way to the speakers. Even then, the way around that would be to stick a microphone to the speaker (just like old times...). There is no way to completely control the music, no matter how much the Music Industry would like to think so.

    2. Re:To the Audiophiles out there: by DrgnDancer · · Score: 2

      You are right. That is why eventually the sound coming out will be encoded all the way to the speakers.
      Even then, the way around that would be to stick a microphone to the speaker (just like old times...).

      I don't think this would be possible, or at any rate, if it happened, "legacy" equipment will be around for a long time. People buy new players, but recievers don't change much. My dad still has his CD Player plugged into the same reciever he used to have his reel to reel plugged into. You can convince people to go buy the new $format player, but they want to be able to plug it into their existing component system. There are digital recievers now, and digital outs on CD player (as someone else pointed out), but most people (at least most of my dad's firends, and they all have compent stereos... most of my friends don't) still have analog only recievers, and will be resistant to buying new ones. Since you can't encrypt analog, there is plenty of cable for the music to flow down in unencrypted form. I wonder about the digital outs on CD players though. Someone else mentioned them, and that seems like it would make a perfect copy, but I wonder if it be affected by the copy protection scheme. I don't think it would be affected by this scheme. So that would be a better solution for this one. For that matter the digital out from a DVD player to a TV would have the same capablilities for "protected" DVD's. I winder if this post is a violation of the DMCA?

      --
      I don't need a million points of light, just two points of multi-mode fiber and a 10 Gig-E router.
    3. Re:To the Audiophiles out there: by Anonymous Coward · · Score: 0

      This is why I send out all 9000 of my MP3s (40 gigs) on KaZaa with the ID3 Comment tag that reads:

      "Listening to music is not a crime!"

      They're on 24/7, waiting for download. Come and get 'em.

    4. Re:To the Audiophiles out there: by Pandora's+Vox · · Score: 1
      That is why eventually the sound coming out will be encoded all the way to the speakers.

      See the article "A Love Song for Napster" on Discover.com.

    5. Re:To the Audiophiles out there: by Eminor · · Score: 1

      Eventually the signeal would need to be decrypted, even if it were encoded all the way to the speakers. In side the speakers it would half to be decoded before reaching the cones, there would be a good spot to grab it. Just make a patch cord from the wires leading to the cones to whatever input device you want to use.

    6. Re:To the Audiophiles out there: by Anonymous Coward · · Score: 0

      Assuming it's possible for the average speaker "owner" to open the enclosure without releasing the acid that destroys the decryption key and setting off the GPS-connected cellular tampering alert and summoning the RIAA gestapo....

  80. It's broken return it. Keep your reciepts. by Odinson · · Score: 2
    Just return it.


    If the clerk asks what is wrong, you tell them your only cd player is your computer cdrom and your cd program can't play it. If they press further, you prefer a cdplayer program with a buffer and the music is noisy and distorted with it turned on.


    People go out of your way to test the unmutilated status of audio cd's you buy. If it won't rip, it is broken, return it.


    Just because people listen to country dosn't mean we shouldn't stand up for them. :)

  81. This just stinks by wardomon · · Score: 2, Funny

    The only person in the world that bought the CD is suing. That's gonna drive the cost of his next recording up.

    --

    - - - If the sun is a star, why can't I see it at night?
  82. Re:Law suit = DMCA violation??? by Anonymous Coward · · Score: 0

    That would have been much funnier if you had used the right abbreviation. Zero out of three tries, even.

    DMCA DMCA DMCA Digital DMCA DMCA DMCA Millennium DMCA DMCA DMCA Copyright DMCA DMCA DMCA Act DMCA DMCA DMCA

  83. A better solution by Wesley+Felter · · Score: 3, Informative

    Use a CD player with digital out and a sound card with digital input.

  84. compact disc - digital audio logo by Barbarian · · Score: 2

    If the CD carries the "compact disc - digital audio" logo which you see on most CD cases, and so does the drive, then it should work without all this crap.

  85. Privacy act statement of 1974 by Anonymous Coward · · Score: 0

    The record company is in direct violation of this. This is one they want us to forget.

  86. This could make a nice country song by TheRealKennRoss · · Score: 2, Funny

    My CD-ROM tray is empty, a victim of a broken record in-dus-try

    I bought Charlie Prides latest, but it wasn't like a regular C-D

    The wrappin said nothin' about this copyright protection scheme

    oh, this is worse than my wife leavin' me

  87. and corporate america meets the exact opposite! by Anonymous Coward · · Score: 0

    you see these companies suing geeks and fucking them. and you wonder why nobody ever fights back well (with exception to Felten, and if I am forgetting somebody else, I'm seriously sorry.)

    I think the majority of geeks out there don't care to expend money on a lawyer and start suing companies back. It's your $10 vs their $1000.

    But now this battle is hitting the mainstream. I'm not accusing the plaintiff in this case of being what I am about to describe, but this is just something I thought of.

    There are plenty of people on welfare or otherwise who sue at the slightest thing (mcdonalds coffee trash, plenty of smaller things) and really have nothing better to do than spend their check on overprices cheap consumer goods and get drunk all day. To fund this, they bring lame lawsuits to court with lawyers who work on commission or something. Now these people are going to be hitting the courts to mess with these big companies. And these people really don't have anything better to do than sue and bug their lawyer all day about the status of the case. So then there will be a large army of people suing these stupid companies that are trying to push us around, hopefully.

    At least these people will be giving back to society for once.

  88. COSUMER MY ARSE! by SubtleNuance · · Score: 2, Interesting

    trying to sneak this sort of crap past consumers.

    Well there you have the *real* crux of the problem. When see your involvement in this world, and the art you appreciate, as a function of being a consumer then they have you. When you stop to realize, that you are allowing your community, your government to enforce/condone and prosecute based on these kinds of fascist-business laws (intellectual property laws in general) you are in for a very serious uphill battle.

    These publishing houses, *MUST* be made accountable to the public they wish to serve. They must not collude (RIAA) to abridge the rights of citizens.

    If you think that your 'voting with your dollars' will make change - forget it. This is the way the USA presently works, and it really only works if you have *LOTS AND LOTS* of dollars. Otherwise you have no rights - your rights only exist in relation to your function in the economy.

    Thats just plain wrong. The USA is a Plutocracy, and crap like this (extortion of people in the marketplace) is allowed to persist - you can forget about any 'human rights' and Really start considering yourself a consumer instead of a citizen .

    Whats my point? Please dont call yourself a "consumer", and dont call me a "consumer" when you do so you give up your power in the struggle, you accept the pretence (above) as being the frame of debate (the 'playing field' or 'perspective') to those who will justify this type of corporate action in the name of 'free markets' (etc), and you re-enforce the myriad of propaganda-enforced memes and words used in your culture. The last 15 years the USA has been bombarded with images/language and crap that tells its citizens they are 'consumers' their involvment in the world around them is embodied in the way they shop - this is a terribly impotent position. When faced with the power struggle that is described in this article, the corporate interests will *always* be served when you accept the master|corporation|king|church - slave|consumer|fife|congregation relationship.

    If you think it dosnt matter; your wrong, go read some Chomsky.

    1. Re:COSUMER MY ARSE! by Tim+Doran · · Score: 3, Insightful

      Thank you, thank you, thank you!

      Along the same lines, please never allow your elected representative to refer to you as a 'taxpayer'. God, there's no term more demeaning, more belittling... I mean, what happens if I should fall on hard times? I'm no longer a taxpayer, so I no longer count?

      The word 'citizen' needs to come back into everyday parlance.

    2. Re:COSUMER MY ARSE! by sumengen · · Score: 1

      By the way, not every tax-payer is a citizen, and not even a permanent resident.

  89. Radio Shack by Anonymous Coward · · Score: 0

    I hate to shop at Radio Shack b/c of the fact that they ask for my private information and seem to feel it is their god given right to have it

    Your experiences with Radio Shack must be very different from mine. They have never acted toward me like it was their god-given right to know my name and address. They do ask me, and I find the question somewhat annoying, but I Just Say No and they never press the issue. I see Radio Shack as being no different than the neighborhood drug dealers. They're just soliciting; they're not forcing me. As long as they don't try to "make me an offer I can't refuse", I don't have a problem with them. I disagree with them, but they're not hurting me, so we don't have a real problem.

    So if you ever go back to Radio Shack and buy something and they want your address, or if a guy at the bus stop asks you if you're "looking for anything", Just Say No. It might work for you. It always works for me.

  90. I hope you're not an American by BeBoxer · · Score: 2

    Because if so, you have just commited a serious crime. One that is punishable by heavy duty jail time. By linking to a web site which distributed circumvention technology, you are just as guilty as the criminals who are distributing the circumvention tech. At least according to the precedent set in the 2600 lawsuit.

    1. Re:I hope you're not an American by OhPlz · · Score: 1

      That code wasn't written to circumvent anything, it was made to rip audio tracks. DECSS was specifically written to bypass the imature encryption on a DVD. There's a big difference, otherwise you're saying that all track rippers are illegal. I don't think Sony or any of the portable MP3 device makers would agree.

  91. It doesn't matter... by ConceptJunkie · · Score: 2

    What if a computer CD-ROM drive is the only means you have of playing an audio CD? Is it then your fault that you cannot use your purchased CD?

    --
    You are in a maze of twisty little passages, all alike.
    1. Re:It doesn't matter... by Trepidity · · Score: 2

      No, which is why there is a lawsuit here. What all you slashbots cannot seem to comprehend with your substandard reading comprehension is that I am not taking the RIAA's side here - I'm merely pointing out that Slashdot misrepresented the nature of the CDs. They do not play in CD-ROM drives, which is the problem here, and the sole problem. The Slashdot story claimed that they do not play in standard CD players either, which is false, as they do play in standard CD players.

      This does not mean that I think them not playing in CD-ROM drives is ok.

    2. Re:It doesn't matter... by Anonymous Coward · · Score: 0

      If a drive has the Audio CD logo on it, it's red book compliant--it is a "standard CD player". And I'll bet there are component and car players out there that use similar machinery to do resampling or buffering, that these noncompliant discs also don't work in.

    3. Re:It doesn't matter... by ConceptJunkie · · Score: 2

      Slashdot mispresented the story, sure. They usually do. I take that as a given. Slashdot may have good standards but they are like the Weely World News with their headlines.

      However, a CD-ROM drive _is_ a standard CD player. It supports the Red Book standard. Before you accuse others of substandard reading comprehension maybe you'd better get your definitions straight.

      --
      You are in a maze of twisty little passages, all alike.
  92. Hmm.. by mad_clown · · Score: 2

    I've seen alot of posts saying "Alright! The average Joe is finally becoming aware of copyright abuses!" which may or may not be true in this case. When the problem finally affected her personally, she took matters into her own hands. Kudos to her in either case, because the more things like this happen, the more challenged the legitimacy(*cough*) of the DMCA becomes. Now we gotta wait till the next Britney Spears CD or the next Limp Bizkit CD gets this copy protection crap on it, because then we'll see some REAL outcry... maybe that's why the chose Charley Pride: his CD would be a good test-case without angering a large segment of the demographic.

    --
    "Cut word lines. Cut music lines. Smash the control images. Smash the control machine." - William S. Burroughs
  93. rs by hawk · · Score: 1, Offtopic
    last time I was in one, it was for a watch battery. They tend to be fresh enough there, and most of their folks have a better chance than I of opening the watch without damage (and this wasa $100 watch).


    Then, "do you have yet?"
    "a what?"
    She then handed me a bag with a cue-cat in it . . . just a couple of weeks before they folded.


    I'd almost forgotten I'd wanted one to manage my library . . .


    hawk

  94. Package warnings by bigdavex · · Score: 5, Informative
    For the interested, the outside packaging of "A Tribute to Jim Reeves" says this:
    This audio CD is protected by SunnComm MediaCloQ (TM) version 1.0.
    It is designed to play in stardard Audio CD players only and is not intended for use in DVD players.
    Licensed copies of all music on this CD are available for downloading.
    Simply insert CD into your computer to begin.
    On the inside, there's an insert that says this:
    Thank you for purchasing Charley Pride's "A tribute to Jim Reeves." This product is protected with SunComm's MediaCloq (TM) Digital Content Cloaking Technology designed to prevent unauthorized duplication or distribution of Digital Original(TM) audio files. To listen to "A Tribute to Jim Reeves" on your computer,
    1. Log on to the internet.
    2. Once you have established your connection, insert cd
    3. MediaCloQ (TM) will do the rest.
    --
    -Dave
    1. Re:Package warnings by jedidiah · · Score: 1

      The "Ferengi Print" doesn't mean a D*AMN thing if there's a cdrom logo on the packaging. As long as that logo is there, the record company was trying to intentionally decieve the consumer.

      If they made ANY claim that the CD was standard, regardless of how many other conflicting claims are on the package, then they are engaging in fraud.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    2. Re:Package warnings by bigdavex · · Score: 1
      The only logos on the outside are SunnComm & Music City Records. The black bit of packaging does have the logo "Compact Disc Digital Audio".

      According to these guys, that logo implies conformance to Red Book.

      --
      -Dave
    3. Re:Package warnings by Anonymous Coward · · Score: 0

      Yes, DTS 'CDs' which require a DTS decoder to play (unless you like listening to white noise) specifically do not carry the logo because they are not redbook compliant (they mark the the DTS-encoded bitstream as PCM in order to trick most players into passing the bitstream on to an external DTS decoder).

      If the DTS people (who are cool) can do the right thing, you would think the SunnComm people (who are dweebs) could do the same thing.

      FYI, here's info on DTS CDs

    4. Re:Package warnings by fobbman · · Score: 2

      Wow, so those folks who listen to this CD may incur long distance or ISP charges just so they can listen to it on their computer at home? And they'd have to do the same thing for their computer at work, assuming that they didn't have a removable media to copy them to for work.

      I've got an office full of folks who listen to audio CD's on their computers at work. We're fine with that, but if the listening of CD's at work on the PC means that my network is going to become slower and slower while they download the music files then we may have to put a stop to it. That won't make them very happy.

      Neither would the fact that they cannot install this proprietary file player for this proprietary music format cuz I've got program installations impossible in their security group. Hmmm...that could mean a lot of pissed of geriatrics in the office.

    5. Re:Package warnings by TheGratefulNet · · Score: 2
      This product is protected with SunComm's MediaCloq

      they misspelled it. they meant to say MediaHog.

      --

      --
      "It is now safe to switch off your computer."
    6. Re:Package warnings by AintTooProudToBeg · · Score: 2, Funny

      To listen to this cd:

      1. Purchase a modem or ethernet card.

      2. Have everyone in your home discontinue any phone conversations
      -or-
      Purchase a second phone line
      -or-
      Purchase cable modem/DSL service

      3. Sign up for internet access. For your convienence, AOL will be installed automatically. All you need is a credit card.

      4. Install MediaCloQ(TM) - This will send your personal information to us using secure proprietary technology written in Visual Basic by the CEO's nephew.
      http://www.record-lable.com/register.asp?Name=Jo e+ Smith&Address=123+Main+St

      5. Enjoy!

    7. Re:Package warnings by Anonymous Coward · · Score: 0
      Licensed copies of all music on this CD are available for downloading.
      Simply insert CD into your computer to begin.

      Hey it's great that the software on the CD works with Linux!

    8. Re:Package warnings by Dr.Dubious+DDQ · · Score: 2
      1. Log on to the internet.
      2. Once you have established your connection, insert cd
      3. MediaCloQ (TM) will do the rest.

      So....is there a warning somewhere that you need Windows (and/or MacOS?)

    9. Re:Package warnings by Jebediah21 · · Score: 1

      They probably thought none was needed. No *nix user would be dumb enough to buy a CD from this Pride twit.

      --

      Everytime you look at porn a devil gets their horns.
    10. Re:Package warnings by isorox · · Score: 2

      Doesnt work on a mac (according to cdnow). What if you don have autorun enabled in windows (is that still an option?), have dos, windows 3.1 etc.

      Whatif you dont have a motherboard and just have power to the cdrom drive and the play button on the front?

  95. helooooo, formatting by Anonymous Coward · · Score: 0

    could they have possibly made this
    article
    harder on my eyes to read? damn.

  96. They're making a push... by Anonymous Coward · · Score: 0

    I think we'll see more of this in the next few months. It may anger some people, but most will probably just enter the info like a bunch of sheep. So the publishers will give it a try, and see how far they can push the limits on this one. i had the same problem with a Sex in the City DVD lately. I tried to play it on my laptop, but it wouldn't work without installing a program, and entering personal information. BTW, the program fucked up my computer. i had to reinstall the whole OS. One thing's for sure- I'll never buy from the publisher of that disk again.

  97. Name: Cash Customer by UnknownSoldier · · Score: 2

    > Hell, I hate to shop at Radio Shack b/c of the fact that they ask for my private information and seem to feel it is their god given right to have it.

    So don't give it. When they ask for your name, reply with: Cash Customer
    Address:

    Kind of like applying the anonymous coward concept from /. in the real world.

  98. another mad yank... by Mike+McTernan · · Score: 0, Flamebait

    Just another mad yank trying to sue someone... where's the news?

    --
    -- Mike
  99. Not everyone's solution... by Anonymous Coward · · Score: 0

    1) Play with standard CD player.
    2) Run output to a good reel to reel deck (can be as high or higher quality than a CD, so losses are minimized).
    3) Run back into soundcard and encode as desired... burn a real CD, even.

    Not that anyone does this, but it could be done.

  100. Question... by Greyfox · · Score: 2

    Is your band's music on the internet? If so, where? If not, why not? I'm a bit curious, since it doesn't seem that too many "amateur" bands are posting their music this way and having them do so would be a good argument against the all-out attack on the mp3 format.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

    1. Re:Question... by Anonymous Coward · · Score: 0

      no score +1 and post anonymously..

      i was trying not to shamelessly promote - but mp3.com page[mp3.com] should do it.

      its dumb pop, its fun.... its bad, but hey its free.

  101. RIGHT to drive by UnknownSoldier · · Score: 2

    We DO have the RIGHT to TRAVEL.

    http://www.ptialaska.net/~swampy/interest/travel_2 .html

    You can find more links via google : q=right+to+travel

    When you "buy" software, you are actually purchasing the license, aka permission, to use it.
    Similiarly, if you have a "driver's license" that means you DO NOT own your car.

  102. Make an example out of this by van+der+Rohe · · Score: 1

    This record company should be made an example of - someone with very high-end audio equipment should record the full contents of this CD, encode them, and ACTIVELY distribute them on the net.

    The fact that the music is crap shouldn't stop us. Let's make this the most pirated CD in history.

  103. Funny, but you're giving the sharks ideas! by Svartalf · · Score: 2

    I'm sure someone will be twisted enough to try that tack- and you're going to be sorry you mentioned it even in jest!

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  104. Time since Gore lost fair and square metre by Anonymous Coward · · Score: 0

    It has been nine months since the election
    It has been eight months since the supreme court made their decision.

    Get over it. Gore lost. Out of the first two counts Bush has won both. You cannot keep counting until Gore wins one and then say that should be the only one that counts.

    Just because you don't like someone doesn't mean that they were not fairly elected.

    Take your Michael Moore crap and go back to your delusional little world.

  105. Windows only? by EvilStein · · Score: 1

    I have a feeling that the little decoder app or whatever you need to download to get the extra stuff on the CD is Windows only.

    Great. Not only are we being told that we cannot make legal copies of CDs we purchase, we're being told that we need to use Microsoft Windows in order to utilize the entire CD. That is pure bullshit. *sigh*

    1. Re:Windows only? by Anonymous Coward · · Score: 0
      Just get yourself a real OS (i.e., Windows 2000 or Windows XP) and listen away! Problem solved.

    2. Re:Windows only? by Anonymous Coward · · Score: 0

      no shit, linux sucks.

  106. But that leaves it open for people to NOT buy... by Svartalf · · Score: 2

    All they need to do is be "burnt" once (and there's a LOT of people out there now with PC's using them as CD players (at work and home)) and they'll look for the warning label- just like I and many others do for Aspartame.

    They'll see a drop of something like 10-30%, possibly more, probably real quick on their sales if they did that; and that's why they're not even putting it on the packaging in the first place.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  107. file swapping by csbruce · · Score: 3, Interesting

    In other news, song swapping reached a record high level on the Internet in August as 3.05-billion files were swapped using various systems. The peak for the "Napster era" was 2.79-billion files, but, of course, the RIAA took care of that problem.

  108. What amazes me... by Anonymous Coward · · Score: 0

    ...is how most of you people on slashdot think that the world owes you everything for free. If someone creates something like music, literature, software, etc. and wants to sell it and make money from it that IS legal. What is not legal is copying and distributing this copyrighted material without permission. Hence the term copyright. Just because there was no copy protection on CD's up till recently doesn't mean it was legal to copy and distribute them.

    Don't give me your sob stories about I want to use them for myself, etc. I doubt most of you ONLY do that. And if you do what's so horrible about logging on and downloading the files to use?

    I respect anybody who wants to give something away for free, but I also have to respect somebody who wants to sell it. If you don't want to pay that price then don't and quit whining.

    1. Re:What amazes me... by jedidiah · · Score: 1

      A merchant or manufacturer OWES me what they've told me they are selling me.

      If that includes a nice little logo that means that the CD is compliant to a particular standard, then I am OWED THAT BY LAW, PERIOD.

      Your corporate bootlicking is simply not relevant.

      If you're going to be an airmchair moralist, at least hold the rich and powerful to the same standards as the rest of us.

      --
      A Pirate and a Puritan look the same on a balance sheet.
  109. DVD players not supported? Oh that's smart! by Svartalf · · Score: 2

    Considering that the consumer appliance vendors are now selling quite a few home entertainment system solutions that have ONLY a DVD player for playing movies OR music. Those CD's are going to rebound real quick because of that oversight.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  110. Paypal? by Frank+T.+Lofaro+Jr. · · Score: 2

    Paypal? I saw a site that asked for a donation with Paypal. I was inclined to contribute, but Paypal wanted SO MUCH personal irrelevent information (well beyond what is needed/customarily used for credit card transactions) and wanted to set up a permanent account that was linked my credit card info and I just said forget it. I was willing to do a one time thing. I didn't want personal info andmy credit card info all stored in one place, long term, with a company I have no reason to trust (my default is to DIStrust companies until proven otherwise).

    Anway, it is ironic to mention paypal, considering that part of this case involves the privacy aspects of having to turn over personal info to play a song on a PC. Just as Paypal requires you to give them lots of info they hold on to, just to donate $25 to someone.

    --
    Just because it CAN be done, doesn't mean it should!
  111. Companies playing both sides of the fence. by Frank+T.+Lofaro+Jr. · · Score: 2

    IBM and Intel both support Linux, but also support fair-use restriction technologies (which subject one to the DMCA) that hurt Linux.

    --
    Just because it CAN be done, doesn't mean it should!
  112. foobar by Anonymous Coward · · Score: 0

    hehehehe

  113. It's about making this painful to the media people by Svartalf · · Score: 2

    Doing an end-run around the Manager popping the CD into a player problem is easy, as someone pointed out earlier- bring a laptop with a good CD or state that you are using the CD playback on your DVD player and insist that he test it on several of those. In most cases, the manager will pull the stuff in a heartbeat if it's not proplerly and prominently (No fine print will go here on that) labeled "Only Audio Player Use" because they don't want to mess with the hassles of customer returns on the product- it eats into his store's margins severely. They will then be bargain binned and/or returned (Usually the latter) at that point.

    The problem with the having to waste part of a day to screw this scheme up is not a problem unless you actually LIKE them telling you how and when you're going to listen to the copy of the music that you've bought. It's only a problem if you don't care what they do to you. Standing up against BS of this kind is never convienent. Standing up to things like the this crap, DMCA and UCITA has it's price- if you don't value your freedoms enough to be put out for a little bit, then you don't deserve them.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  114. What exactly do you purchase... by Anonymous Coward · · Score: 1

    when you purchase a CD? I'm a large MiniDisc user, myself. Especially since the advent of MDLP. But lately, at least one out of every ten CDs I pick up has an SCMS copybit, which supposedly makes copying the CD to a MiniDisc impossible. Hell, I /never/ use the CD after the initial MiniDiscing and mp3-encoding. But evidently you aren't /actually/ buying single-user rights to the music contained on the disc. Does anyone know of some sort of EULA by the RIAA? For the time being, I'm glad Sony at least 'includes' little hacks on the players that still manage to let them digitally record CDs, even if there aren't track marks.

    1. Re:What exactly do you purchase... by Anonymous Coward · · Score: 0
      Setting the SCMS flags on a prerecorded CD to "NO COPYING ALLOWED" is a violation of the spirit, if not the letter, of the AHRA, whose SCMS anti-copy system is supposed to let you make one generation's worth of digital copies.


      DVD-Video vendors are apparently particularly bad about setting the flags in this fashion.

  115. NO by Anonymous Coward · · Score: 0

    Let's not. Charlie Pride sucks ass!

  116. The issues by Ungrounded+Lightning · · Score: 4, Interesting

    So far, we have been ABLE TO listen to CDs on our computers, etc. Whether this is a RIGHT that we obtain from purchasing a CD is an entirely different issue.

    The fact that you have been able to use CDs in this way up until now creates the expectation that this particular new CD (from the same manufacturer) can also be used in this way. The labeling does not do anything to correct the impression.

    So the CD violates the "implied warranty of servicibility and fitness" - for the purpose SHE intended when she bought it - and is thus a defective product. Because this was done deliberately, the company has DELIBERATELY shipped a defective product. There's lots of nice stuff in consumer law and case-law about that. B-)

    Further, if they put the CD logo on the case (I don't know if they did) it is being advertised as conforming to the Red Book standard - which it obviously does not if the error correction code is not correct. That would be false advertising as well.

    Could get VERY interesting.

    (IANAL)

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  117. Thanks for the laugh :) by jesser · · Score: 2

    see subject

    --
    The shareholder is always right.
  118. Ob Country Music joke by Anonymous Coward · · Score: 0

    What happens when you play a country music song backwards?

    Your pickup truck starts working again, your dog comes back to life, and your wife decides to not divorce you.

  119. Don't Listen to Corp Music by LionKimbro · · Score: 4, Interesting

    Let me get this straight:

    1. A bunch of Equity Lords find some artist. They pay the artist a little bit of money ("Someone's recognized my talent!").
    2. Then they pay some money to a brainwashing company ("Marketting consultants").
    3. The brainwashing company indirectly pay money to radio stations to get their songs played. More recently, the brainwashing companies have been flooding the period just before a movie plays.
    4. You hear a whole spectrum of music, and talk with your friends about what you are all seeing and hearing on that spectrum.
    5. The Equity Lords have CD's and paraphanalia for you to buy, so that you can express your opinions about what is seen and heard.

    Now lately, they've added a new twist: They collect information on you when you try to play your CD.

    And then you claim to be deceived.

    If it's just now that you think you are being deceived, and that the only issue to you is that your CD has some sort of odd protection on it, I'd think that you were more deeply deceived than you think.

    Listen to free music. Go to MP3.com, or one of the other various music sites, and download good music. It'll take some sifting, but you'll find it; it's all there.

    Learn about propaganda. Learn how it touches your mind. Then steer the hell clear of it! Otherwise, expect more messes like the one you find yourself in.

    1. Re:Don't Listen to Corp Music by poot_rootbeer · · Score: 1


      I will continue to listen to Good Music in all its form, whether it comes from a corporation-backed pop mega-sensation or some po'boy jackass with a 4-track in his bedroom and a page on MP3.com.

      300 years ago, would you have boycotted the Brandenburg Concertos, just because Bach was on the payroll of Prince Leopold?

    2. Re:Don't Listen to Corp Music by LionKimbro · · Score: 2

      What I was noting was that it was kind of funny to hear people complaining about a relatively small corporate trap, when they are already caught in a larger one.

      It's good that you like Good Music, and I must confess to having enjoyed Genesis (Lamb), Jean Michelle Jarre, and others who were working under a terrible system. (I also listen to the Grateful Dead, who were waaay ahead of their times, allowing free taping and copying at their concerts.)

      But I have to wonder: Is the music we hear on the radio really good? I've observed that people will buy whatever they believe everyone else is buying, regardless of quality. That is, what's played on the stations, and advertised on our city walls. And I notice that artists aren't getting paid what they should, and that we're paying too much for CD's, and that the people holding the music rights are holding on to it for longer than their fair share.

      I think it's all a game, and I feel that I owe it to those artists who weren't magically picked for plastering, to find their music, and to promote it. It's easy enough to do, that I think I should do it. And so I do.

      Look at the Good Music that you have in your CD rack.

      What percentage of it is corporation-backed pop?

      I can't tell you what to think or feel, but I'm personally inclined to reach out to other artists, especially after having seen what their lives are like- the ones that are just as brilliant, but weren't picked and turned into icons.

  120. But, one thing to consider by G00F · · Score: 1
    I think its leagle to make a copy digital - anolog - digtial(like copying off radio or tv, or taping a live concert), its ileagle for digital - digital.

    While you would lose a little bit of quality (as you would converting them to ogg or mp3 anyways) you would have a leagle copy that can be passed on to other people.

    --
    The spirit of resistance to government is so valuable on certain occasions that I wish it to be always kept alive
    1. Re:But, one thing to consider by Wesley+Felter · · Score: 2

      AFAIK, US copyright law does not care how a copy is made. If you keep it to yourself, it's legal; if you share it, it's illegal.

    2. Re:But, one thing to consider by uigrad_2000 · · Score: 1
      AFAIK, US copyright law does not care how a copy is made. If you keep it to yourself, it's legal;

      Oh yeah? tell that to Dmitri!

      --
      Free unix account: freeshell.org
    3. Re:But, one thing to consider by A+coward+on+a+mouse · · Score: 1

      Yes, US copyright law does care, in the Digital Millenium. If you circumvented technological access- or copy- control mechanisms to make the copy, you have broken the law, and this is the scary part, *even if you were making a copy that would otherwise have been legal*.

      --
      If you mod me down, I will become more powerful than you can possibly imagine.
    4. Re:But, one thing to consider by Anonymous Coward · · Score: 0

      Nope, it is illegal in the US to make a digital to digital copy without adding in SCMS.

      This is why those home CD-CD dubbers will only make "perfect" dupes of the master disc, and all second-generation (and further) copies are done through a very high-quality DAC-ADC process. The music industry was very specific that if they didn't do that they would sue.

      Ok, I guess it isn't illegal, but the RIAA will make it illegal the first time you try. And since the US gov't is owned by the RIAA nowadays, that's as good as it being illegal for real.

  121. Right on, bro by WickedClean · · Score: 1

    I have several friends who are veterans of the 'big' music industry, and now release their stuff on their own private labels and sell them over the web. They can sell the CD's for less because they cost less when you don't have to pay some old bastard a fat check for him to sit at his desk and sign stuff.

    --
    ...All I can say is that my life is pretty strange...
  122. Re:[not so] Easily fixed [but still fixable] by mre5565 · · Score: 1
    Bring in your laptop with a CD and try to play the CD. Once you show him that it doesn't work, put one in that works and show him that it's not a problem with your cd player. (by the way if you don't have a laptop try to borrow one from a friend)

    Even then that may not work. Best thing is to always buy CDs from a local (in the same state or within 100 miles of your home) merchant with credit card. If the merchant refuses to refund, then inform your credit card company of the issue and to deduct the charge from your next bill. The credit card company is legally required to do so if the charge exceeds $50. If the card company is going to stand on ceremony with respect to the $50 floor, you could buy several copies of same CD in the same purchase. If one works on your PC, don't unwrap the others, and return them (making sure that unwrapped CDs are returnable under your merchants return policy)

    If they all fail, then return them all. This is better, in that if say Tower Records finds themselves frequently eating $50 worth of unsellable (is that a word?) CDs, they'll soon get the hint and either require cash for the copy protected CDs (your hint that to not buy them), provide a warning, or stop selling them.

  123. because by Anonymous Coward · · Score: 0

    mp3s sounds like shit. great you can fit 200 songs on a cd, too bad its heavily compressed and very lossy.

  124. let me guess by Anonymous Coward · · Score: 0

    you live in the uk or europe right? too bad its not like the US where you can kill someone for stealing your stuff.

  125. Just a thought by AKAImBatman · · Score: 1

    Has anyone thought of contacting the big chain stores such as Wal-Mart and Best Buy and requesting that they not carry these CDs? From the retailer's perspective, these are not good business as a sale may be lost either from people passing over the protected CDs or from people returning the CDs. On top of everything, these guys hate it when a music/movie/software company bullies them around.

  126. Who would by a cd you can't play in a CD player? by Richthofen80 · · Score: 1
    Gee, I see this company making a lot of money, selling CD's that don't conform to RedBook audio standards. *snicker* Hey, in America, people are perfectly free to form bad companies with wacky ideas like CD's that only work in computers and require personal information. And we're perfectly free to laugh at them on Slashdot.

    Suing is trivial, since the cost of a CD is negligible compared to that of a lawsuit.

    However, the company is committing a fraud by marketing a device in stores next to redbook-CDs, not stating that it *ISN'T* of the same standard. The personal information part of it doesn't bother me, it's the fact they didn't state the restrictions. If they said, in a little box in the lower righthand corner, the restrictions, on the outside of the jewel case, then fine. let them do that. Just watch them appear on fuckedcompany next week.

    --
    Reason, free market capitalism, and individualism
  127. can't always be connected! by bobalu · · Score: 1

    allows the user the ability to register with the record label and download a proprietary encoding of the song to play on their computer.

    Which doesn't help you at all if you're on airplane with a laptop.

    --
    The revolution will NOT be televised.
  128. Radio Free Nation by Anonymous Coward · · Score: 0

    Put your damn sig where it belongs... I'm tired of seeing it.

  129. MediaCloQ protection by Frederic54 · · Score: 1

    just searching on google for mediacloq brings a lot of articles (1450), so it does not seems to be a fair new system?

    --
    "Science will win because it works." - Stephen Hawking
  130. Because Charlie Pride is a Tool by Anonymous Coward · · Score: 0

    nt.

  131. Problems with this suit?? by Tabercil · · Score: 2

    Okay... I've looked over this and have a concern about the strength of this suit...

    We look at the post at politechbot and it says that "Fahrenheit and Music City never disclosed on the shrink-wrap of certain "impaired" CD(s) that consumers couldn't listen to music on their computers anonymously". Yet there is a statement on the outside plus further info on the inside(as mentioned by bigdavex) though neither spot mentions logging as being required. There IS at least some warning...

    The Politechbot post says that it "will not work on standard audio CD players found on millions of personal computers", yet the warning on the outside says that "(i)t is designed to play in stardard Audio CD players only"...

    Politechbot says that "electronic music files made available for download pursuant to purchase of its CD are proprietary in nature, that such electronic music files will not work on portable MP3 players". The warning on the outside says that "(l)icensed copies of all music on this CD are available for downloading." There is no statement that the files in question are MP3 format.

    While I'm still attempting to bend my mind around the PDF file of the actual suit (lawyerese is not the same as English IMOBO), my concern is that there may have been sufficient errors made by the filing attorney to have his case been fatally flawed from the start. What is to prevent the defendant from failing to have the suit dismissed at the start, and by following through to the end, achieving a favorable precedent for this technology?

    The existance of a precendent (which all lawyers just love) makes it that much harder to fight this technology since any future suits against it will see the defendants simply standing up and saying "Your Honor, we have a precedant saying X, this suit is sifficiently similar as to be covered by X, we would like it to be summarily dismissed."

    Is there a lawyer out there who can put my fears to rest??

  132. AACB:::Re:Don't Listen to Corp Music by Sebastopol · · Score: 2

    Go to MP3.com

    Even MP3 is not pure, read this. I like Fabrik Nos (listening to RantRadio.com), and SteveE makes some good points.

    PREMIUM ARTIST SERVICE. That's just bullshit!

    Someday, Barnaby.

    (Equity Lord? The Diamond Age?)

    --
    https://www.accountkiller.com/removal-requested
    1. Re:AACB:::Re:Don't Listen to Corp Music by LionKimbro · · Score: 2

      Yep; Diamond Age. I think Neal was drawing a connection between old style Feudalism, and modern equity holders.

      Under Feudalism, a Lord (of a piece of land...) had a bunch of peasants who worked it. They got a miniscule fraction of the harvest, and a little hovel to live in. The equity lord took the rest. A certain amount was paid up the hierarchy, to the lord's superiors.

      Not all that different than the way we do things here in the US.

      I think Neal observed that, and decided to put that observation into his book.

  133. Fuck you. by perdida · · Score: 0, Offtopic

    If I were here in person I would beat the living shit out of you, and I don't care who knows it, and fuck karma too.

    1. Re:Fuck you. by Rimbo · · Score: 2

      Actually, perdida, although this AC probably needs to be hit over the head with a cluestick, the AC's right to challenge your point of view. But the point he should have made wasn't just random insults but rather that you seem to have gone too far.

      Take this statement for example: "this shit is just going to get worse, and it makes me very quiet, i feel like everyone around me is a little fascist now."

      There is something in how this is worded that jumps out at me. It's that you don't really believe that everyone around you is a little fascist. It's that you feel that way. And that implies to me that you don't really think things are only going to get worse, either.

      I understand how you feel, because I've been there myself. There is a simple way out: History. Read your history.

      The stuff going on with the RIAA has countless precedents. You know what? None of it stood then, either. There's nothing about this time around that's going to make it significantly different. From banned books during the Renaissance to the CDA just a few years ago, these things just don't survive for very long. That doesn't mean we shouldn't fight it; rather, we should be heartened by the fact that our hard work to fight it will pay off.

      This person suing the record companies is doing a very good thing, not just for herself and other music lovers, but for artists like you and me.

    2. Re:Fuck you. by Anonymous Coward · · Score: 0

      Take a look at yourself - first there's an offer of violence against someone that disagrees with you, then there's a link about football being fascist (like that's a bad thing).

      Or are you promoting fascism through football? That at least would not make you a hypocrite.

  134. Re:Summary not correct - yes it is. by walt-sjc · · Score: 1

    What kind of logic is that? DVD's are not the same format as records - of COURSE it won't work. CD-Rom drives played audio CD's from DAY ONE. This record company is changing the rules saying that CD-ROM drives are no longer allowed to play audio CD's anymore. This is like changing gas so that it only works on passenger cars and minivans, and won't work in SUV's or pickups.

  135. Enough! by Kris_J · · Score: 3, Insightful
    That's it. Enjoying new music purchased from retail stores is now officially "too hard". My new music experiences are now limited to MP3.com and secondhand music stores.

    Buying a nice CD at the local music place, possibly listening to it at home (I currently use a Sega Mega CD as a CD player), or listening to it at work (I just bung the CD in a CDROM drive and expect it to start playing), or maybe listening to it on the go (I have an MP3 player that plugs into the bottom of my Ericsson T28) should not be a battle between me and the music companies. If you want to lock down your music, fine, just don't expect me to bother trying to play it. Thus, don't expect me to buy it.

  136. same here by Anonymous Coward · · Score: 0

    I do exactly the same thing. I BUY ($) a CD, then I make a backup of it. The original that I BOUGHT ($) goes in a box. The backup gets used. Pay attention RIAA, I won't pay for a CD I can't backup. If I can back it up, I will BUY ($) it :)

    Summary:
    Can Back Up = $
    Can't Back u = NO $

  137. Radio Shack wannabe by kindbud · · Score: 2

    I haven't been asked for my personal info at the shack for some time now, but there's a computer store chain in Las Vegas that tried to. I told the clerk he didn't need my address and phone number, and he replied "Well what if there's a problem with the card?" and I said the little card authorizer gizmo will tell him if there is, and no other merchants ever ask me for that information. He disappeared into the back room for a moment, and returned with the news that his manager had approved the sale without collecting the personal info. I said fine, then he tried to make a lame joke, "You're not a criminal, are you?" and I replied, laughing, "No, I am not. Nor am I a customer of yours." And I put down the cable I was going to buy, and put my card back in my wallet.

    "But I was just joking!" he said, as I headed for the door. "Yeah I know, but it wasn't funny."

    I like to think I made an impression on the PFY running the checkout, but I doubt it.

    --
    Edith Keeler Must Die
  138. Is it possible the RIAA is actually behind this? by tkrotchko · · Score: 1

    A curious as it sounds, doesn't it strike you odd that someone would sue over an $18 CD?

    Nope. At worst, you'd take it back.

    You wouldn't sue because what are the damages? At most, $18.

    So it is possible the RIAA is essentially suing themselves to get a particular legal precedent? Are they looking for a judge to say:

    "Consumers have no right to expect an MP3 of their CD"

    I'm just speculating, but this doesn't add up.

    --
    You were mistaken. Which is odd, since memory shouldn't be a problem for you
  139. Re:Stupid lawsuit, Because by Anonymous Coward · · Score: 0

    YOUR A RETARD!

  140. Appears by Anonymous Coward · · Score: 0

    That they're going to be using consumer's computer's without their consent to send out information - to some hard-coded server.

    If I ever wanted script-kiddies around, this would be the server I'd want them to take down. When the CD doesn't get a confirmation, does it refuse to play? If so, I'd love to sue for them selling something that's unusuable :)

    -- Ender, Duke_of_URL

  141. fascism by perdida · · Score: 2

    Actually, the fascism comment comes from my thoughts on things that are not necessarily related to the music biz.

    However, the mentality that permits more and more of this sort of thing does lead to fascism in my opinion.

    This is a deeply held belief and that's why I jumped out at the AC. More politely phrased disagreement I tend to reply to..

    The demand that the user identify himself or herself is a little checkpoint, especially when computers are connected to the Internet and the cd can't be played on a cd player.

    If this propagates, a known criminal on the run can't listen to his own music collection if it might tip off the police. Or a pirate might get fined off his or her credit card or debit account, like the speeders in the rental car.

    The more checkpoints we accept in our daily lives, whether they exist on a computer or at a "sobriety checkpoint," the more fascism we are tolerating in our lives. People who go along with this unthinkingly are at least collaborating with the fascists, because they are a security risk to people who think outside the increasingly tiny legal box.

    It's a long conceptual jump from typing your name in to listen to music, to going along with a national ID card/chip. But it's a jump that can happen overnight.

  142. No. by Anonymous Coward · · Score: 0

    No.

  143. Irony by Ogerman · · Score: 1

    Maybe they should have named their company "Fahrenheit 451" instead.

  144. Has happened already by Arkaengel · · Score: 1

    There were a few albums released by BMG in Europe during 2000 that used this protection scheme (one was by Finnish posers HIM, as I recall; the rest was obscure stuff). I was working in a record store at the time, and we had perhaps an 85% returns rate on that album (ie, 17 of 20 people came in and returned it because they either objected on principle or were having problems playing the CD on regular home equipment). BMG eventually re-released most of these albums without the copy protection, and hasn't made any more attempts in that direction that I'm aware of.

  145. WAV files lossy? by alexdw · · Score: 1

    Hate to burst your bubble there, but a "wav" file ripped off of a CD is an exact copy a track from that CD. Unless your CD is scratched beyond belief or your ripper is worthless, there will be no loss in quality whatsoever. Any "audiophile" claiming that they can tell the difference between a CD and a "wav" file is full of it. Of course, somebody could come along and point out that you could encode a "wav" file at 8000 Hz, 8-bit, mono -- that would indeed sound worse than a CD (or most MP3's, for that matter), but hey...

    --
    Deliver yesterday, code today, think tomorrow.
    1. Re:WAV files lossy? by Alan · · Score: 1

      Even compared to hearing it live? :)

      You are right of course, I was being sarcastic and got carried away, a thousand pardons.

  146. And you can download Charley Pride on MusicCity by yerricde · · Score: 1

    musiccity records OWNS the musiccity network.

    I went looking for evidence. The "about this company" pages of musiccity.com and musiccityrecords.com do not mention any affiliation, but the fact that both the label and the network are headquartered in Nashville supports the assertion. Nevertheless, doesn't the availability of Charley Pride's music on the MusicCity Network make this whole issue a moot point?

    --
    Will I retire or break 10K?
  147. Purchase - Return - Repeat by Corrado · · Score: 1

    I say that we all should go out and purchase this CD (or any other "protected" disk), try to play it on all CD audio players in your house/car/work/etc. If it fails on any one of them take it back to the store and demand a new, non broken disk or your money back. Repeat indefinitly(sp).

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    KangarooBox - We make IT simple!
  148. Doesn't slow down CD sales! by Standfast · · Score: 1

    As I understand it, while file swapping is on the rise, so are CD sales!!

    Soon the RIAA will wake up to the fact that their precious "right" to collect revenue on their artists' creations is not in jeopardy from song downloading; in fact free downloading exposes more people than ever to new bands and artists.

    And the end result will be that file swapping will eventually be accepted by even the RIAA.

    I hope.

  149. More Misunderstanding by virg_mattes · · Score: 2

    Oh, fer cryin' out loud, I never said, nor even implied, that !=MP3 is bad and MP3 is good, and I don't want any legal precedent for the particular format for online offerings. That was the point I told the original poster that he/she missed. I couldn't care less what format they offer as long as they say they're doing it. More to the point, I'd rather they just didn't fsck with the CD in the first place, so if I care to I can rip whatever format I please. I don't rip CDs to MP3 to begin with, because I'm an audiophile, but if I went out and bought an MP3 player and then found that a particular CD couldn't be converted to that format (and the company didn't tell me that up front) I'd have a right to be bent out of shape.

    Virg