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Fair IP Laws?

epsalon asks: "Most of us are against the current status of Copyright and Patent law, and are outraged from stuff like the DMCA, SSSCA, et al. We know that this system is wrong, and must be changed. However, nullifying all IP laws is IMHO a bit too strong, because there will be no incentive to create anything for mass market sale except out of goodwill, or for leveraging other revenue (aka Linux). Assuming you could rewrite the entire world IP law, and even create a new social system, my question is: What laws can be written that will be fair both to content creators and to users, while cutting the middleman?" Here's your chance to do something other than complain about the current state things. How would you revise or restructure IP and copyright law to make both sides of the fence happy?

643 comments

  1. well.. by SnAzBaZ · · Score: 0

    Life isn't fair. We all know that.

  2. As far as patents are concerned by dmanny · · Score: 2, Interesting

    I would really like to see a period of public review prior to issuance

    --
    All my previous sigs now look like this one, I wish they were permanetly recorded when used. :-(
    1. Re:As far as patents are concerned by Anonymous Coward · · Score: 1, Insightful

      A peer review of intellectual property before protection is in place? Why didn't I think of that?

    2. Re:As far as patents are concerned by xonker · · Score: 2, Insightful

      Ever heard of "patent pending"? Many companies release products before the technologies are actually granted a patent. Since companies are often awarded damages when a product or whatever infringes on their patent, there's no reason why a company couldn't get damages if a company steals an idea from a patent application if that patent is eventually approved.

      I think the peer-review / public comment idea has some serious merit. It could potentially be abused, but the current system is already being horribly abused. At least this gives the public a chance to say "hey, this isn't worthy of a patent" or "hey, this has been done already." Remember, patents and IP protection are not divine rights, they're tools our society invented to promote creativity. Right now, they stifle it instead. Society has the right to change the system to best benefit society as a whole overall. In this case, patent and IP law has become skewed in favor of large corporations and is damaging the rights and interests of the majority of society (even if they don't really realize it...). It's time for a drastic change.

    3. Re:As far as patents are concerned by Xentax · · Score: 2

      We'd need to see something a lot more specific than that...

      Would issues be required to be addressed? Would there have to be a certain minimum amount of feedback on EVERY patent (because let's face it, some things are sufficiently obscure that few people if any will bother or even be able to comment)? Would a popular "vote" against the patent's validity be sufficient to prevent it from being awarded?

      I'd require at least prior art claims to be addressed by the applicant, if they meet some hard-and-fast criteria in terms of verifiability (especially if the prior art isn't itself patented).

      Xentax

      --
      You shouldn't verb words.
    4. Re:As far as patents are concerned by Anonymous Coward · · Score: 0

      How is the parent comment a troll?

      Whoever moderated this needs to lay off the crack.

  3. Kill the big corps by Black_Logic · · Score: 1

    Breaking up all the really big companys would probably be sufficent.
    Hey, this IS hypothetical right? :)

    --
    Ansi's and stupid tricks!
    1. Re:Kill the big corps by SnAzBaZ · · Score: 1

      But that's not fair to the big corps ;)

    2. Re:Kill the big corps by Anonymous Coward · · Score: 0

      Sure, push those who are successful.

    3. Re:Kill the big corps by aroundsomewhere · · Score: 0

      I'm with black logic, Let start screwing the big man.

    4. Re:Kill the big corps by pstreck · · Score: 2, Insightful

      Without big corps there would have been no, Unix, no C, no Linux. Nuff Said.

      --

      Later,
      Phil
    5. Re:Kill the big corps by Anonymous Coward · · Score: 0
      Without big corps there would have been no, Unix, no C, no Linux.
      Sir, you have just given the best argument against Big Business I have heard in my life.
    6. Re:Kill the big corps by Anonymous Coward · · Score: 0

      I'm sorry, but a cartel of mini-microsofts working in concert would be able to acheive the same aims a Microsoft does now, much like the baby bells working together still effectively form a monopoly.

    7. Re:Kill the big corps by Black_Logic · · Score: 1

      Maybe some better regulation between the mini-companies?

      I think government should be all over businesses and leave choices about personal lives to the people that own them.

      On the other hand, I don't own a business, so, to be fair, I haven't worn any oversized, giant company sized shoes.

      --
      Ansi's and stupid tricks!
    8. Re:Kill the big corps by Black_Logic · · Score: 1

      Linux may have been programmed in another language if C hadn't been invented, Or better yet, without big corps, maybe C would have been a collaborative project from a bunch of enthusiasts. Maybe C would've been even better. Also, not everyone programs for linux because they hate microsoft. ie. that's not exclusively my reason for programming in linux :)

      Thank god for /. finally somewhere that I can complain about M$ and big business and not be critisized for it. :)

      --
      Ansi's and stupid tricks!
    9. Re:Kill the big corps by pstreck · · Score: 1

      you guys are still missnig the point, without big corps there would have been no need for Unix or C or anything cause there would be no COMPUTERS! Big corporations created, and feed the industry. I don't like everything they do, but you gotta give credit where credit is due.

      --

      Later,
      Phil
  4. There's certainly a need... by Anomolous+Cow+Herd · · Score: 1

    By "fair", of course, you mean probably meant to say "unfair for the big bad media corporation".

    --

    "I don't know that atheists should be considered citizens, nor should they be considered patriots." - George Bush
    1. Re:There's certainly a need... by Anonymous Coward · · Score: 0

      "I don't know that atheists should be considered citizens, nor should they be considered patriots." - George Bush

      George Bush Sr. said that. Not GW. I'm not saying he doesn't think it. But your sig is misleading. There's no reason to mislead people into thinking GW said said something stupid, when really says stupid things all the time. It's like framing a guilty man: when his supporters find out, you will make him look less guilty.

    2. Re:There's certainly a need... by Nutcase · · Score: 1

      do you have a source for your sig? That quote is unreal....

    3. Re:There's certainly a need... by quantaman · · Score: 1
      --
      I stole this Sig
    4. Re:There's certainly a need... by Anonymous Coward · · Score: 0
      George Bush Sr. said that. Not GW.

      Which is why it says "George Bush" and not "George W. Bush." Up until quite recently, when you said "George Bush," people assumed you meant Bush Senior; if you meant Dubya, you said "W."

      At any rate, the 120 char sig limit, combined with the bloody stupid space that's automatically inserted after the <P> tag for some unfathomable reason, will thwart any attempts to be more specific, so there's point in complaining.

    5. Re:There's certainly a need... by swfranklin · · Score: 1

      The Joke List on the "Young Democrats of CSU" Web site? I'm not sure I would consider that a "Source" any more reliable than an E-mail warning me about messages with the subject of "Good Times".

    6. Re:There's certainly a need... by quantaman · · Score: 1

      I didn't bother to read check the page, basically I just took one of the first pages that came up when I plugged it into Google. Regardless Bush Sr. did make that statement (dont known if it was during his presidency though, given the fact that many references refer to him just as George Bush I suspect it was at least before his son took office).

      --
      I stole this Sig
  5. bloated legislation by Jacer · · Score: 1

    restructuring the IP law would require more political insight than currently exists, we'll end up with several more dmca's and end up in a worse situation than we are currently. we should just leave well enough alone, and let the current laws do their work

    --
    --fetch daddy's blue fright wig, i must be handsome when i release my rage
    1. Re:bloated legislation by Anonymous Coward · · Score: 0

      Yes, but the article says, "Assuming you could rewrite the entire world IP law," so let's pretend, just for a moment, that all the corrupt politicians have decided to spend their campaign contributions on a nice Caribbean cruise, and, in a temporary fit of insanity, they have left us in charge of the world. After we have finished our nuclear strike on France and begun emergency shipments of vowels to Eastern Europe, how shall we reform copyright law?

  6. The laws we had 10 years ago by Kohath · · Score: 3

    What was wrong with the laws we had 10 years ago? IP owners got protection, but didn't get to run your life. Sounds roughly fair to me.

    Didn't the patent office used to more-or-less do their job correctly back then too?

    1. Re:The laws we had 10 years ago by Codifex+Maximus · · Score: 3

      Well, things are moving a bit faster than they were 10 years ago. More people have computers, we have the Internet which has changed everything, and technology is booming in directions no one had dreamed of 10 years ago.

      Things are being patented, today, like gene sequences garnered from unsuspecting patients, new forms of life, processes which are a natural progression of technology (these patents tend to block progress) like hyperlinks or links to certain forms of content or content delivery systems.

      I think that a period of public review for patents (suggested by another reader on Slashdot) is a great idea. There is a fly in the buttermilk though... full public disclosure may be unwelcome to the pantent applicant.

      If only we had cloned Albert Einstein - then we'd have a great Patent Office Clerk.

      --
      Codifex Maximus ~ In search of... a shorter sig.
    2. Re:The laws we had 10 years ago by Dante333 · · Score: 1

      We still had an absurdly long copyright period 10 years ago. We still had the Berne Convention 10 years ago (everything is automatically copyrighted). Ten years is not enough. Roll it back a hundred years and then maybe we will be on the right track. two hundred years and we are sitting pretty. A 28 year copyright term should be more than enough, a 14 year term would be better. That way you get a steady stream of new material in the public domain that is has contempory works, while still having the copyright carrot to create incentive (a BS excuse if I ever heard one).

    3. Re:The laws we had 10 years ago by youngsd · · Score: 3, Insightful

      Didn't the patent office used to more-or-less do their job correctly back then too?

      Unfortunately, no (not if your conception of what they should be doing is anything like mine). The difference is this: a few decades ago, it was not generally thought that you could patent software or methods of doing business, so very few patents were applied for, and granted, for these things. Today, these areas are patented quite regularly, these areas impact the growing information technology sector, and people are up-in-arms about it.

      The problem, however, is not that there is something intrinsically worse about patenting software or methods of doing business, it is just that the impact of patents (which is to screw lots of people for the benefit of a few) are felt by many more people today, given the widespread patenting in these areas. While it may have seemed like the patent system worked a few decades ago, you likely wouldn't think that if you were one of the people who had their entire business taken away because of a patent you had never heard of (and had no reason to know of). Before we jump to the conclusion that patents are just fine over there, in that other field where we don't try to make our living, stop to think how you'd feel if you were one of the folks working in that field.

      I am happy to see people waking up to the fact that something is terribly wrong with the patent system, but just because fewer people got ensared by it back in the good 'ole days doesn't mean that it was any better (structurally) than it is today.

      -Steve (a former patent attorney)

      --
      Democracy is a poor substitute for liberty.
    4. Re:The laws we had 10 years ago by Weird+Dave · · Score: 1

      I think that a period of public review for patents (suggested by another reader on Slashdot) is a great idea. There is a fly in the buttermilk though... full public disclosure may be unwelcome to the pantent applicant.

      What do you think patents are for? They are there so that the public can see what is patented! If the inventor is such a schmuck that he doesn't want people to see how his invention works, then he should never get a patent. They are conflicting interests.

      So, there is no "fly" in anything! You obviously didn't think your argument through.

      Or were you not talking about patents at all? What the heck is a "pantent"? ;-)

      --

      Grumble, Grumble
    5. Re:The laws we had 10 years ago by homer_ca · · Score: 2

      It's funny that you mention 10 years ago, because 10 years ago the newest copyright law in the US was the Audio Home Recording Act, a surprisingly balanced law compared to later laws like the DMCA (what happened? did Hollywood just buy better lobbyists in those 6 years from 1992-1998). It established statuory royalties (a tax) on blank recording media, SCMS copy protection on digital recorders (1st generation copies only; no copies of copies) and legalized (or decriminalized) all non-commercial personal copying using said media. Sure, the tax on blank media sucks if you're recording your own original works, but for now it's a reasonably low fee- $.50 per audio CD. Kazaa and Verizon proposed a similar payment model last week for ISP service.

    6. Re:The laws we had 10 years ago by Codifex+Maximus · · Score: 2

      Prior to a patent being granted, the patent applicant has no real protection against his idea or design being copied and used by another. During the public review, some of the technology may be compromised and if the patent is not granted for some reason then the design is then known to the public.

      I'm not a lawyer so I don't know all there is to know about patents. Maybe you do?

      --
      Codifex Maximus ~ In search of... a shorter sig.
  7. First Thing We Do by pnatural · · Score: 3, Funny

    "First thing we do, let's kill all the lawyers."

    --Shakespeare, King Henry VI, Part II, IV, ii

    Yes, yes, I know the quote is out of context, but it's still damn insightful.

    1. Re:First Thing We Do by Anonymous Coward · · Score: 0

      "I pee over IP laws"

      --AC

    2. Re:First Thing We Do by ari{Dal} · · Score: 4, Funny

      Having studied law in a previous incarnation, I think we should look at the ramifications of such actions before beginning the slaughter.

      1st, we'd decimate the government. As we all know. most of em have at least some kind of legal training.

      2nd, we'd lose the entire justice system. Everyone would be gone except for the cops. And who'd keep them in line?

      3rd, we'd certainly end up living in a rampant, copyright infringing society where p2p ruled all.

      Having said all this, I say we start at the student level and work our way up. That way, we get some practice in on the lower echelons before moving up to the big time. Now where'd I store my shotgun shells...?

      --
      Moral indignation is jealousy with a halo - H. G. Wells
    3. Re:First Thing We Do by gnovos · · Score: 2

      1st, we'd decimate the government. As we all know. most of em have at least some kind of legal training.

      2nd, we'd lose the entire justice system. Everyone would be gone except for the cops. And who'd keep them in line?

      3rd, we'd certainly end up living in a rampant, copyright infringing society where p2p ruled all.


      So... you are saying the lawyers are already dead?

      --
      "Your superior intellect is no match for our puny weapons!"
    4. Re:First Thing We Do by battjt · · Score: 2

      I've only met two groups in the business community that in general think logically, engineers and lawyers, though only the engineers base their ideas on reality.

      If we kill all the lawyers, we'll end up with more marktroids and PHBs.

      Joe

      --
      Joe Batt Solid Design
    5. Re:First Thing We Do by Alanzilla · · Score: 1

      Yes, but they'll be scared, because there won't be smarmy lawyers to save their ass when they screw up.

    6. Re:First Thing We Do by Anonymous Coward · · Score: 1, Funny

      Having studied law in a previous incarnation

      So, this would be IWALIAPL.

      (I was a lawyer in a previous life)

    7. Re:First Thing We Do by Anonymous Coward · · Score: 0
      1st, we'd decimate the government. As we all know. most of em have at least some kind of legal training.

      2nd, we'd lose the entire justice system. Everyone would be gone except for the cops. And who'd keep them in line?

      3rd, we'd certainly end up living in a rampant, copyright infringing society where p2p ruled all.

      Ok, you've got a valid point there. So let's just kill all the greedy and corrupt laywers, and let the remaining 10% stay alive. That should be just enough to keep our legal systems running....

    8. Re:First Thing We Do by CactusCritter · · Score: 1
      I am sick and tired of seeing the phrase quoted entirely out of context.

      IIRC, the actual sentence is along the lines of, "If you would destroy liberty, first kill all the lawyers."

      Kind of makes it useless for lawyer bashing, doesn't it?

    9. Re:First Thing We Do by markmoss · · Score: 2

      IIRC, the actual sentence is along the lines of, "If you would destroy liberty, first kill all the lawyers."

      I can't find the source for that quotation, although I remember it. I think it was around the time of the American revolution or later.

      Shakespeare was definitely first with "The first thing we do, let's kill all the lawyers", in Henry V, I can't remember if it was Part I or Part II, and Bartlett's wasn't specific enough. Note that Shakespeare definitely did not present it as a good idea, but rather as the ranting of an irresponsible revolutionary. Still, it's the one revolutionary idea that's remained competitive with "kill the rich and steal their stuff" over the years, and that seems to say something about lawyers...

      Yes, in truth liberty cannot survive without the law, and since it's impossible for everyone to both study the law and possess the verbal abilities required to present a case in court, we need lawyers. The problem is that they have long dominated government to the point where they have made themselves indispensable rather than useful, by creating laws so convoluted that no normal person can understand them, by twisting the language until in court things don't mean what they say, etc. Maybe we ought to just hang all the politician-lawyers!

      Or, I'd settle for hanging every congressman with a law degree that proposed an unconstitutional law. They damn well ought to know better.

  8. Faster into Public Domain by floppy+ears · · Score: 2, Interesting

    The best change that could be made to IP laws would be to speed up the time that it takes a work to enter the public domain. Maybe 10 years or so of protection would be good -- after that, no more protection.

    Content providers would still have an incentive to create content -- lots of money could be made during that 10 year period. But overall, this would drastically reduce the bad consequences to the public from IP laws.

    --

    "If I could live to be several hundred
    I could take a walk and really wander, really wonder."
    1. Re:Faster into Public Domain by mark_lybarger · · Score: 2

      7 years for copyright. anything more than that is stiffling innovation. corporatio^^^artists are monopolizing on IP long since obsoleted. mickey, minnie, ... is elvis still around?

    2. Re:Faster into Public Domain by Anonymous Coward · · Score: 0

      A few other things to consider:
      How would proprietary software enter the public domain (though obviously much software is considered not very useful after 10 years, I believe that we're getting to a point where it *could* be useful to most people as long as it didn't have any massive problems). The big issue there for some companies is that the core code of the product may not have changed much over that time period (and at the same time, perhaps that would be reason enough for open-sourcing all software over 10 years old, as it would force developers to give us something worthwhile in their proprietary 'upgrades'). Of course, just because it's public domain doesn't mean it has to have the source available...

      How should software patents be handled (if at all)? Personally, I tend to believe that a patent should never be granted without some kind of proof of concept. For example, a patent for a software algorithm should include an example of that algorithm in a standardized language (such as C or C++) before becoming a valid claim. That would also make it much easier to determine the legality of that patent. Though the next question obviously comes in the form of whether or not that source should be available to the public (as a lot of software is distributed closed-source, and therefore can rarely be checked to see if it's using a patented algorithm).

      While I tend to agree with the idea of shortening copyright lengths and things of that manner, I also see some of the better points of longer copyrights. For instance, a lot of the music I listen to is over 10 years old (especially now that I bought my first CD 10 years ago), and the copyrights give record companies an incentive to keep those CDs on the shelves (or put the music on CD in the first place, since stuff from the 80s and earlier was originally only released on tape and/or vinyl), not to mention remastering older material and things of that nature. Imagine how much more money some people would've made in the last 5 years if they hadn't had to pay royalties for all of the music from the 70s they sampled or covered (some of whom still made more money off of the songs than the original artist did from the original release).

    3. Re:Faster into Public Domain by royalblue_tom · · Score: 1

      You don't really buy just the music though, do you? You buy the media first, so that you can buy the music second.

      Therefore, if the copyright expired, people could compete to sell you the music on the media of your choice. There's still an incentive to make money, but not a license to print money!

      What we really need is the artist keeping copyright and having a copyright fee mandated by government for each copy sold. Then all the publishers would be able to sell the media/music. We get a competative market, the artists get paid. The RIAA members have to work for a living.

    4. Re:Faster into Public Domain by Anonymous Coward · · Score: 0

      It takes more than 7 years sometimes 20 years to bring a product to market. How do you deal with that?

  9. Decrease length of time copyright applies by Anonymous Coward · · Score: 1, Insightful

    Music/Software: 5 years - Enough time to get return on your investment and a big incentive to continue to innovate so you have something better to sell when the original product falls into the public domain

    1. Re:Decrease length of time copyright applies by xonker · · Score: 1

      Music and software are hardly the same thing. Literary works, music and other purely creative works should at least receive protection for the life of the creator or 50 years, whichever comes last. Music doesn't lose its functionality after a few years, and I think an artist should be able to profit from their work longer than five years. In some cases, an artist may only create one or two hit singles or records - they can keep recording and creating if they can continue to collect royalties off of the popular albums, but if they lose that, then they might not be able to keep working as musicians.

      So, if I write a best-seller and die after it's been published, my heirs should be able to benefit from it for a limited period of time - that would protect my spouse and children, if I had any. But I don't think that it's necessary to also take care of my grandchildren and their children off the proceeds of my work - so 50 years sounds about right to me. Non-renewable, of course.

      5 years for a patent, software or other, 7 years copyright for code - with a requirement that the code be turned over to a government trust that will release it after 7 years or in the event that the company goes out of business or discontinues the product. For example, Microsoft should have to give away the code to MS-DOS and Windows 95 and earlier if they're unwilling to support or continue development on those products. I still have a copy of QuarkXPress from 1995 that I use occasionally to do my resume and such - but it's not supported by them, and I have no idea if it would even run on versions of Windows newer than 98. I don't think it will run on NT/2000, so the odds don't look good for XP. Putting the code out when a product goes obsolete would protect customers who don't see a need to upgrade.

    2. Re:Decrease length of time copyright applies by EllisDees · · Score: 2

      Literary works, music and other purely creative works should at least receive protection for the life of the creator or 50 years, whichever comes last.
      Why should you be able to make money on a work that you created more than 10 years ago? What is the benefit to society (which is the primary purpose of copyright) in allowing you to be the sole benefactor of creating a work for such a long period of time?

      Remember, the constitution doesn't require the existence of copyright.

      --
      -- Give me ambiguity or give me something else!
    3. Re:Decrease length of time copyright applies by AltaMannen · · Score: 0

      Code may well stay functional for 100 years, not that any code has had any chance to do so yet but that does not mean it won't. Music is in many cases obsolete the _next_year_ and besides, far too much music are copying other sets of music still being protected, the margins of what is protectable in the music industry is simply shrinking. Literary works are not deteriorating quite as quick as the individuality of a piece of music, but with the amount of copied-off-stories it is sometimes getting hard to distinguish one low budget novel from another. And why on earth would an author's offspring have any rights to their parents work? That simply does not work, as it gives advantages to people not involved in the work. The major reason why long copyright periods is bad however is the fact that much of IP is held by the publishing companies, which means that any music, book or software is mainly owned by corporations who don't give shit about future innovations unless they bring actual profits. My personal opinion is that noone should be able to claim copyright unless that person can also provide the material which is copyrighted, for a charge or not. Any drawing or painting should reward royalties to the author but the author should not be allowed to completely move a work off the public if the copyright is to stick. The simple reason for that is that without a reference product readily available, you're an easy target for a copyright suit even though you could not by any means have known about the product of infringements. (I am not a lawyer, but I complain by means of logic which must in any reasonable culture override the law. My logic may be flawed (!logic) which may be argued with freely. I provide this thought free of charge to the public so that I may eventually copyright it under my own set of laws if I so wish).

    4. Re:Decrease length of time copyright applies by xonker · · Score: 1

      Why should you be able to make money on a work that you created more than 10 years ago?

      Why shouldn't I? I don't see how it harms society for, say, Paul McCartney to retain the rights to his work for his life span. He created his work (in conjunction with others, in some cases) and he should get the benefit from it. The benefit to society, should his work become public domain in ten years, is negligible because more than likely they'll pay almost the same price for a Wings album royalties or no. The mark-up for royalties is negligible. In a scenario where McCartney's work falls into public domain in a decade, the only person being cut out of the process will be McCartney and the label that signed him. The distributor, music store and so forth still get their pound of flesh - and they didn't deal with the risk of financing the album's production or create the material. So it offends common sense to say that they should be able to profit from his work, but he cannot. However, at some point you have to say "okay, the artist is dead and it's been 50 years since the record was created. The label has long since recouped their investment and the family of the artist is living in Tahiti off of the collected royalties. Society has done right by these people, now it's time for them to do right by society."

      What is the benefit to society (which is the primary purpose of copyright) in allowing you to be the sole benefactor of creating a work for such a long period of time?

      As mentioned in my previous post, the benefit is that it will continue to support some musicians or artists so that they can keep creating. Sometimes an author or musician creates one really popular work and they're never commercially popular again - but it doesn't mean that they don't continue to produce valuable work. Sometimes an author writes a book that gathers dust for years and then suddenly becomes popular. If they're dead before that happens, well, that's too bad - no amount of legislation can solve that problem... but if they are alive to see it, then they should be able to make some money off their work. Many, many books aren't made into movies until after they've been out for ten years. If you write in that kind of hard limit, I can easily see studios just sitting on a book until 10 years have passed and then making the movie, just to avoid paying for the rights to the movie - or using the 10 year rule to hard-nose negotiations. "Well, we'll pay you $10,000 for this script that we would have paid $100,000 for two years ago. But if you're not willing to accept $10K, we'll just sit on it and wait for the copyright to expire. We're going to pay the star of the movie $10mil, but you just wrote the story so screw you."

      The same with optioned scripts, plays and whatever. TV shows would no longer go into syndication soon after their run - they'd just wait ten years to screw the creators of the series and then run them into the ground.

      The problems with copyright aren't that a person can make a profit off of their work for life - it's that large corporations are basically turning copyright into an infinite thing - so that works NEVER fall into the public domain. That's wrong. At some point a work should become public domain, but I don't think it should be before the artist has passed on - unless they choose to put a work in the public domain, of course.

      Take Mickey Mouse, for example. For the character of Mickey Mouse to be perpetually owned by Disney does harm the society eventually because the character has become a cultural icon. At some point, he should become free game for everyone. Certainly, Walt Disney and the Disney corporation have made their money off of Mickey by now and they've done so in part thanks to copyright protection. Now, it's time to give something back to the society that protected the work for so many years. The original creator is dead, the character has made them millions if not billions of dollars by now - and in the process he's become more than just a cartoon character, he's a part of our culture.

      Oh, one other issue, and that's creative control. Forget about profit for a minute - let's look at the pure artistic side for a moment. A book or a recording should remain fairly static even after passing into the public domain - but fictional characters can be reused in a variety of works. I think that the original artist should have the say-so how that character is used as long as they live. No one should have to see their creation abused by someone else if they do not wish it. Gene Roddenberry should be able to deny another party the right to use Star Trek characters as long as he lives. Eventually, though, those characters should become public domain.

    5. Re:Decrease length of time copyright applies by xonker · · Score: 1

      Code is functional, music is art. Some code may be artistically done - but its primary function is to be useful, which means that people need access to code in a way that they don't need access to music.

      And why on earth would an author's offspring have any rights to their parents work?

      Because the assumption is that if I write a book, I'm using that money to support myself and family if I have one. If I should die prematurely, that work can still support my family. The idea of a copyright outliving the author isn't so much for the children of the author as for the author themselves - I want the piece of mind that my heirs will be taken care of if something happens to me. I don't think that this is unfair so long as there are limits. For example, if I were married or had a family and I wrote a best-selling classic literary work to be published in 2003 - then I died in 2033 my wife and family would still have twenty years of royalties to look forward to under my plan. I think this is fair.

      Logic, unfortunately, does not override the law.

    6. Re:Decrease length of time copyright applies by mpe · · Score: 2

      Because the assumption is that if I write a book, I'm using that money to support myself and family if I have one. If I should die prematurely, that work can still support my family.

      So can a life insurance policy. Also such a policy isn't restricted just to people who write books, etc.

    7. Re:Decrease length of time copyright applies by xonker · · Score: 1

      People who write books, etc, are paid differently than most folks - generally an author is awarded a small advance on a book and hopes to do well on royalties. A small percentage of authors get large advances and a fairly decent amount in royalties, but they're the exception. It's assumed, however, that an author isn't really being paid completely up-front for their work. So, removing copyright protection after the death of the author could be perceived as a disincentive for someone to take up a career as an author.

      For example, if I spend two years working on a book that will probably sell well over a period of time the advance money I get will probably be much less than I could earn in the same period of time working another job. When normal people work a regular job for two years, they get all of the earnings that they created during those two years (minus taxes, of course - and authors aren't exempt there). There's no logical reason why an author or their family shouldn't get the same benefit for that work.

      Of course, a professional author should also carry life insurance as well - there's no guarantee that their work will sell, but if it does, their family should get the benefit of it. If a person makes their living by investing in real estate, no realist would suggest that as soon as they die their property should be turned over to the public domain instead of to their family. What an author creates is not tangible, but they should have control over it for a certain period of time. If that period of time happens to be longer than their lifespan, then they should be able to pass it on to their family just as they would material goods. Perhaps it should be subject to the same taxes as real estate and so forth - but dumping it in the public domain instantly is not an equitable answer.

  10. Shorten the life of the patent/copyright by Neil+Watson · · Score: 1
    You could start by shortening the time period in which the IP owerner owns the material. The rate at which technology advances these days, having a patent for to long can only be of benifit to the owner and not the people.

    Get your patent, make your money, loose your patent all in a shortened period of time.

  11. Just read the Constitution, fer chrissakes. by Pop+n'+Fresh · · Score: 3, Interesting

    It was originally designed to balance the rights of the copyright holder against those of the public, and the interests of creating an 'intellectual commons'. If we could just strip away all the BS the content industry has tacked onto copyright law over the years and go back to what we started with, that would be an improvement. Isn't the expiration of copyright now almost as long as it's been since Jefferson died?

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    *This page intentionally left pointless*
    1. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 4, Insightful

      How about making copywrites non-transferable. The creator of something retains the original copy write. If they decide they want to be paid for their product, they can sell a copy of such a product to someone. They can arbitrarily decide whether or not a certain use of their invention violates the copywrite. That way, those people that want to keep their ideas to themselves can, and those that want to allow their stuff to be availible can. Instead of RIAA deciding that downloading the songs is bad, let the artists decide. And let them take the people to court. Everyone should be able to decide what happens to their own inventions, not some corporation, not some publisher, the individual. And when the individual dies, the item becomes public domain, none of this stuff where Michael Jackson owning the rights to the beatles music.

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      T Money
      World Domination with a plastic spoon since 1984
    2. Re:Just read the Constitution, fer chrissakes. by axlrosen · · Score: 2

      That way, those people that want to keep their ideas to themselves can, and those that want to allow their stuff to be availible can.

      Uh, that's already the way it is. Anyone can do anything they want with the things they create, as long as they haven't signed a contract with anyone agreeing not to do so. The only argument against this is if the RIAA members are a monopoly, in which case the right way to solve this is to use existing anti-trust laws, not by futzing with copyright.

      Are you suggesting that a songwriter needs to run his own private record label if he wants to retain his copyright?

    3. Re:Just read the Constitution, fer chrissakes. by Bat_Masterson · · Score: 1

      Let's assume that what you're asking happens (I kind of think it already had, but...). What does that lead to?

      • Individual song writers now have to track their songs and how the songs are used.
      • Popular songs are used in a vast array of ways and for many different purposes (depending upon the popularity of the song).
      • Individual song writers cannot keep up with the legal and business demands of tracking their songs as well as write new songs.
      • So, individual song writers band together and hire some entity to track song usage and manage copyrights (let's call it the Song Writer's Industry Association of America).

      Aren't we back where we started?

    4. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 3, Interesting

      I'm saying that it's up to the artist to decide what is fair use of his recording. No company should have the rights to your invention, regardless of how much money they pumped into it.

      if Band XYZ releases the original recording of a song writen by Q, and Band HIJ wants to perform (and/or record) the song, they would get permission from Q, not from XYZ.
      However, if someone wanted to broadcast XYZs recording, they would have to ask XYZ for permision.

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      T Money
      World Domination with a plastic spoon since 1984
    5. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 2

      As long as the SWIAA simply tracks the copywrites, they can do so. But actual prosecution against violations falls into the hands of the artist. This way, the artist decides which is more important, persuing every last dime from their past works, or making new works.

      i.e. Joe Schmoe is runnign a CD distribution system out of his home, producing exact copies of the original recording of Q's performance. Billy Bob is downloading songs off of the net and download's Q's song. John JJ Schmidt makes a personal copy of the performance for his own use. The SWIAA reports Joe Schmoe and Billy Bob and John JJ Schmidt to the artist. If Q is truly in it for the production of the music and doesn't care about the money, no one gets prosecuted. If Q wants some reimbursement, but if still highly interested in being an mucisian, Joe Schmoe gets taken to court. If Q is really into the money, Billy Bob gets taken to court too. And if Q is just a hard ass who will go cold for selling crap in the near future, everyone will be prosecuted. This is a simplified version, but the point is the same, depending on how you as a creator want to run yourself determines how you use your right to the copywrite.

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      T Money
      World Domination with a plastic spoon since 1984
    6. Re:Just read the Constitution, fer chrissakes. by axlrosen · · Score: 2

      If a band or song-writer wanted to, could they let EMI negotiate this permission-grating (i.e. licensing) for them? Could they, if they wanted to, agree to give EMI exclusive rights to license their song, in exchange for EMI's agreeing to promote it? You seem to want to make this illegal - why?

      The whole IP-for-individuals-only idea just seems unworkable, as well as un-free. I want to be able to let a company do my marketing and licensing for me - I'm not very good at that. And how come you can tell me what kind of contract I can or cannot sign with a recording company? Like I said, if I don't have a choice because there's a monopoly (either in the recording or the broadcast industry) then that's another matter, that anti-trust should solve. But if I have a choice, then what's the problem?

    7. Re:Just read the Constitution, fer chrissakes. by Anonymous Coward · · Score: 0
      No, it was originally designed to give privileges to those whose work was publicly desirable. The Constitution makes it clear that the award of copyright and patent protect is for pragmatic reasons. The Founding Fathers would be aghast if they saw how long Congress has extended that protection.

      Speaking of intellectual property, isn't it about time that Congress treated our personal data as intellectual property that nobody is entitled to use without our permission. If you can go to jail for stealing a copy of Word, then why can't bill gates go to jail for stealing email addresses?

    8. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 2

      I see where you're going with this, and I do agree there are some iffy things to be worked out. However, speaking from an idealogical standpoint now (which one could argue is how the constitution was writen) if the original creator does not have enough interest in their creation to persue it proper use, then he has no right to complain if some day someone uses it in a way he doesn't want. I suppose you could always set it up so that any contract regarding prosecution of copywrite violations has to be clearly laid out and if there isn't a clear cut case, the matter is brought back to the original holder of said copywrite. The point is, the creator is the person who should be calling shots.

      BTW, I have to ask, just based on your user name, are you a Guns And Roses fan?

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      T Money
      World Domination with a plastic spoon since 1984
    9. Re:Just read the Constitution, fer chrissakes. by firewood · · Score: 1
      How about making copywrites non-transferable.

      And just who would own the copyright for any major motion picture (authors, screenwriters, directors, actors, editors, lyricists, composers, matte painters, lighting technicians, set designers, digital artists, etc. etc.)? The paperwork for you playing a video from the rental store would fill a legal office.

      Anyway, the RIAA, et. al., would just change the contract. Instead of requiring assignment of copyright in exchange for promotion and royalties, etc.; they would just require an employment contract requiring the musicians/composers/authors to sue whomever the recording company chooses. Same result.

    10. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 2

      The screen play itself belongs to the writer. The movie itself belongs to either the producer or director (most likely the director). It's not that complex. Just as I, as a musician, have no stake in a recording of a concert, so an actor wouldn't have stake in a movie.

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      T Money
      World Domination with a plastic spoon since 1984
    11. Re:Just read the Constitution, fer chrissakes. by hkhanna · · Score: 1

      The problem with all of that is is that now you are taking away their right to choose to sell their copyright to whomever they want (be it RIAA, Michael Jackson, or even old Dubya.) Though it is a noble cause to prevent media conglomerates from taking away the rights of the artist, you will at the same time be taking away the artist's right to do whatever he wants with his copyright, including selling it.

      Just my $.02US...feel free to mod as flamebait.

      Hargun

      --

      Think nothing is impossible? Try slamming a revolving door.
    12. Re:Just read the Constitution, fer chrissakes. by Anonymous Coward · · Score: 0

      Just for the record, nowwhere in the US constitution is there any mention of copyright, intellectual property or fair-use. You don't have a constitutional right to fair-use.

    13. Re:Just read the Constitution, fer chrissakes. by SEWilco · · Score: 0, Redundant
      Article I, Section 8: "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;"

      Congress's Copyright Giveaway

    14. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 2

      You shouldn't be able to sell the right to your creation to someone, at least in my opinion. You want to let someone manufacture or produce your product, go for it. You want to limit your copywrite so that only they can produce and no one else, that's fine too. But you shouldn't be able to sell off or transfer your copywrite. A copywrite is designed to protect the inventor and his right to benifit from his own work, once it's transfered, it protects no one it only provides a monetary gain.

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      T Money
      World Domination with a plastic spoon since 1984
    15. Re:Just read the Constitution, fer chrissakes. by lamont116 · · Score: 1
      You shouldn't be able to sell the right to your creation to someone, at least in my opinion. You want to let someone manufacture or produce your product, go for it. You want to limit your copywrite so that only they can produce and no one else, that's fine too. But you shouldn't be able to sell off or transfer your copywrite. A copywrite is designed to protect the inventor and his right to benifit from his own work, once it's transfered, it protects no one it only provides a monetary gain.

      Your position ignores that the copyright holder benefits because the assignee can make money from holding the copyright. Why would I pay you for a copyright assignment when I can make no money from it? The more I can benefit, the more I'll pay you for the assignment. Thus, the "inventor" (sic) benefits.

    16. Re:Just read the Constitution, fer chrissakes. by bshanks · · Score: 1

      i agree with other comments posted in response to this one.

      it limits the creator's options rather than expanding them.

      it doesn't work for complex works made by large teams.

      and it is unreasonable to expect the content creators to have to take people to court themselves.

      perhaps a reduced version of this in which the creator retains some sort of moral rights. at the very extreme one could prohibit the creator from assigning an exclusive license to others (i.e. the creator would always be permitted to give additional non-exclusive licenses to others). the holders of non-exclusive licenses could still sue, however, as long as they didn't sue another license holder.

      i would much prefer just shortening copyright terms drastically, say to 10 years.

    17. Re:Just read the Constitution, fer chrissakes. by firewood · · Score: 1
      I'm saying that it's up to the artist to decide what is fair use of his recording.

      Unfortunately, it's not "his" recording. Someone else owned the digital recorder and all the mikes. A corporation owned the sound studio. A producer and technician modified the recorded sounds, including the the voice of the headline artist. A software geek wrote some custom audio sound filters and effects. There were 3 backup singers. Some of the percussion was done by a session drummer. The backup bass player was sitting in because the usual one was in rehab, but he was the one who did the composition. The lyrics were partially "borrowed" from some unknown street poet. Some of the keyboard sounds were samples from another bands recording. And the owner of the recording is???

    18. Re:Just read the Constitution, fer chrissakes. by firewood · · Score: 1
      No company should have the rights to your invention, regardless of how much money they pumped into it.

      One of the purposes of IP law is to encourage greater investment in R "To promote the Progress of Science and useful Arts...". Should only rich people be able to do costly art and invention? Assignment of patent and copyright is one of the things that allows non-rich individuals to try their hand at large scale invention and artistic performance. Bell, Edison and many others required significant outside investment to finish their inventions. This was also true of many important innovations in the computer world. Or do you think Bell Labs and Xerox PARC were public charities?

    19. Re:Just read the Constitution, fer chrissakes. by Anonymous Coward · · Score: 0

      > It was originally designed to balance the rights of the copyright holder against those of the public, and the interests of creating an 'intellectual commons'.

      Nope. Not even close.

      Congress is chartered to "promote the arts and sciences", no more.

      "Balance", and "rights of the copyright holder" be damned. No such grant to Congress, or the citizens appears.

      1) Copyrights should be returned to 14 years. Most matters of copyright don't take that long to produce. A year, or two's work of a person is all that's really fit to be digested in a single work anyway. Fair pay for a fair day's work. What we have now is workfair for a boatload of people that aren't doing much "promoting". Good or bad, like it, or not, workfair on the back of IP is emphatically NOT what Congress was chartered to do.

      2) The USPTO should be taught that XOR, "one-click", and 2 lines of javascript may not have prior art - but they are not "novel" either, and clearly would not be any suprise to those of us "skilled in the art" at the time.

      The problem here isn't that the basic laws are broken. The problem is those sworn to uphold them have abdicated that oath and decided to "pick, choose, and abuse" the laws to fit their personal agendas.

      One thing I'd add, if I was in charge of everything....

      All IP must be "owned" by a natural person, or allocated between a named collection of those that actually produced the work. A grant of acrued value should be payable over the period the IP remains "P". The "workplace/salary argument just doesn't work. Many collect salary, few donate IP, and they are disposable promptly there after. A donation of IP to a Corporate agenda should be considered "beyond the contract of normality" and compensated as such. The few are abused by the many, all happy with their workfair. Remember "to promote" IP is the constitutional directive, not to fund corporate welfare.

    20. Re:Just read the Constitution, fer chrissakes. by nodrama · · Score: 1

      I think we need to take a step back for a second. What are the underpinning principles behind IP protection? I think IP discussions spend a lot of time describing parts of the elephant, but not seeing "it".

      IP is meant to be all about fostering innovation.

      IP is not meant to be an automatic right in any way. No one has any automatic right to be paid for IP. As a society we may choose to protect the creator in order to fostering innovation, but that is all. (see plenty of well known good philosophical discussion on why this is so)

      If IP is not fostering innovation than no protection is justified. If people lose a lot of money, or "artists" go unrewarded, than "tough shit" as they say in the classics. IP is just plain and simple, not an automatic right.

      The onus of proof needs to be the swapped. When seeking IP protection than proof must be provided on why it is necessary for more innovation.

      Pharmaceutical companies should probably be successful in arguing that the research investment can only be made if IP protection is available. Fair enough.

      Software producing companies should have a much harder time arguing for IP protection. The research investment is significantly different to pharmaceutical. If IP protection was granted to software producers the conditions should be vastly different to the pharmaceutical industry - shorter protection periods, etc.

      Artists / Record companies would have an even harder time justifying IP protection. How exactly does it foster innovation? Please describe the music that would not be made if IP protection is not granted? Perhaps they need to consider alternative ways to make money, but that's their problem. No innovation justification = no protection.

      The bottom line is "Justify the protection in terms of fostering innovation." This may be required on an industry by industry basis because the ROI conditions will vary, so the protection required will vary. Unfortunately this is not on the "average" persons radar of concerning issues. By the time people "get it" wacky laws may be in place that slow progress and generally screw the consumers for decades to come.

      However given time sanity will prevail because it is more efficient to innovate. Kind of like how countries that do not let women work and participate as equals are beaten by the efficiencies of letting 100% of the population full contribute. So maybe countries who do not fully comply to international copyright agreements have a competitive advantage?

    21. Re:Just read the Constitution, fer chrissakes. by Anonymous Coward · · Score: 0

      Well the artist could pretty much have the same effect as transferring the copywrite; by signing a contract with a production company only allowing them to distribute that work.

    22. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 2

      There is a difference between signing a contract and transfering a patent. In the contract, prosecution of the copywrite infringement belongs on the inventor's hands. If you transfer the copywrite, theoreticaly, the new owner of the copy write could sue you for violation if you created and sold your own version of said item.

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      T Money
      World Domination with a plastic spoon since 1984
    23. Re:Just read the Constitution, fer chrissakes. by MoneyT · · Score: 2

      The artist who made the recording. IN making the recording the artist was granted limited short term license to use all the equipment and telents granted to him (or her) to make said recording.

      The person who composed the music owns the music. He determines who else can use his music, but by composing it for the recording, he granted the rights to use his music in that recording.

      This isn't as complex as it seems, just think it through a bit. The backup singers and guy who wrote the mixing software already have no stake in the song, why should they have any now?

      --
      T Money
      World Domination with a plastic spoon since 1984
  12. The concept of intellectual property has got to go by Bonker · · Score: 5, Insightful

    In the first place, it was created to protect individuals against corporations. Now it's used by corporations to take advantage of individuals. There are just too many advantages to having no restriction on the flow of information. As the poster put it 'leveraging other business' should be the only way people who make information, be it text, code, music, etc... make money. It's the way I and everyone I work with makes money.

    It's also the way I spend a great deal of my free time.

    Patents, copyrights, and 'intellectual property' has got to go. If not, then when we, as a society, manage to convert fully to a non-scarcity based economy, those who have the ownership rights to information will be kings and everyone else will be paupers.

    I wrote an essay for my website about this subject some time back. You can find it here:

    http://www.furinkan.net/display.php?pageid=75

    The one exception that I would make to getting rid of all IP laws is the use of Trademarks. These are less in the way of making a piece of information which *should* be able to be copied freely uncopiable, but is a lot more about an individual or a business uniquely identifying themselves.

    Other than that, IP law has got to go. End of story.

    --
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  13. Faster Expiration by Blindman · · Score: 1

    I think the first thing that should be done is to greately reduce the amount of time that different works can be protected. Perhaps, you could have software expire after 5 years, and maybe books and movies after 10. I believe that the timeline is currently 75 years which is far longer than is necessary and appropriate.

    --
    I don't practice what I preach because I'm not the kind of person that I'm preaching to.
    1. Re:Faster Expiration by programcsharp · · Score: 0

      It's 75 years after the death of the author for most works.

  14. Copyrights and patents by nattt · · Score: 1

    Patents no longer seem to be necessary at all, so they'd all go straight to the bin.

    Copyrights are harder to just throw away. I'd like to see recognition that it's individuals that hold copyrights and that they last no longer than their creator.

    It's harder still to deal with companies that own copyrights. Perhaps some sort of licencing agreement that makes sure that individual creators don't get ripped off by companies/universities etc that claim all rights to their work.

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    -- oldthinkers unbellyfeel ingsoc
    1. Re:Copyrights and patents by taniwha · · Score: 1

      Copyrights are harder to just throw away. I'd like to see recognition that it's individuals that hold copyrights and that they last no longer than their creator.

      While in principal I agree with you you need to handle the corner cases - for example "struggling writer finally writes the great novel and the suddenly dies leaving wife and young chilren" etc etc. Better to do something like "for real people life of creator, or spouse or surviving dependants to age 21, for companies or when rights are sold to companies 10 (insert arbitrary number here) years"

      Of course a large part of the problem is that unlike real people companies can, in principle, last for ever - resulting in such craziness as the mickey-mouse-preservation-act thingy

    2. Re:Copyrights and patents by Olinator · · Score: 2, Insightful
      Blockpoth the quoster:
      Better to do something like "for real people life of creator, or spouse or surviving dependants to age 21, for companies or when rights are sold to companies 10 (insert arbitrary number here) years"

      This ignores (and/or perpetuates) one of the biggest practical problems with the current system -- it is not possible to determine if copyright on a work has expired simply by looking at the work in question.

      It used to be the case that copyrights were granted for a fixed period of time, and that in order for a work to be copyrighted, it had to have the copyright notice affixed. Said notice had to contain the year the work was produced and the titular holder of the copyright. Thus, by looking at the notice and applying simple arithmetic, you could tell instantly whether a work was in the public domain: "Hmm, this was copyrighted in 1950, copyright lasts for 50 years, so now it's in the public domain and I can copy it at will." [note purely hypothetical number.]

      Even with the varying lengths of fixed copyright that came into being as a result of the various early extensions passed by congress, it was still relatively easy for the lay researcher to figure out whether something was freely copyable; all one had to do was consult a table that matched year of publication with the then-extant term of copyright. In other words, if in 1918 copyright was 28 years, and in 1939 congress passed an act that extended subsisting and future copyrights by 10 years, then in 1941 a work that had been published in 1918 would still be under copyright, but a work from 1916 would have ascended into the public domain in 1938.

      But with things based on the life of the author, it's an absolute mess -- our would-be researcher has to start investigating death records, just to figure out whether it's OK to slap an essay on the photocopier. Have you ever tried to get official records for the date of someone's death? Even for people who've died recently it can be a royal farking pain. For an author who died many years ago, good effing luck!

      Copyright terms should be standard lengths, one-size-fits-all regardless of when anyone dies, is born, gets incorporated, or achieves spotted purple enlightenment with bells on.

    3. Re:Copyrights and patents by Anonymous Coward · · Score: 0

      Patents no longer seem to be necessary at all, so they'd all go straight to the bin

      Ye Gods, NO! The purpose of patents was to give people a reason to explain (in detail) exactly what their nifty idea was, the exclusionary period is a carrot to get the idea out in the open.

      Without it, no one would communicate ideas to anyone, ever. I don't think software should be patented (and certainly not for 20 years!), but patents themselves are a pretty cool idea.

    4. Re:Copyrights and patents by mpe · · Score: 2

      Copyright terms should be standard lengths, one-size-fits-all regardless of when anyone dies, is born, gets incorporated, or achieves spotted purple enlightenment with bells on.

      It would also make sense for any copyright notice to be printed something like "Copyright XYZ until 22nd May 2002".
      This does still allow for different terms for different types of works.

  15. Give companies control of information they create by Anonymous Coward · · Score: 1, Interesting

    Why would it be so bad if companies had copyright over information they create, as long as they wish to produce it, as long as there are laws that also enforce turning it to public domain after the company doesn't sell it for some period of time (5 years?)

    Also, there would have to be strong enough fair use laws that mandated easy access to content in cases of fair use.

    This isn't a troll, btw, I really have started thinking recently that something like this, with enough safeguards, would be good.

  16. "Original" Copyright law and Patent law by swhalen · · Score: 5, Insightful

    We'd be fine if we went back to the Patent and Copyright law as it existed before the recent (last 20 years) unwarranted expansion of both.

    We'd go back to the 17 year copyright with 17 year renewal, and eliminate "soft" patents including "software" patents, business process patents, etc...

    Going back to the basics on both fronts would eliminate most of our current problems.

    Our founding fathers had it right in the constitution: "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;"

    1. Re:"Original" Copyright law and Patent law by Henry+V+.009 · · Score: 2

      Hear, Hear!

      I was just about to make this exact point. Copyright has worked very well in the past. It's what happens when you try to extend copyright law into something it's not that gets you in trouble -- DMCA, what not.

      And software patents are silly. Yeah, it would be nice if they could be made workable. There are fields where patents are very beneficial (pharmecueticals for one), but with software, patents don't work. Can you think of even one example of software research and development that was carried out because of patents? Patents are supposed to foster research, but it's too much of a craps game in software to be able to bet on it. So research and development isn't helped by patents on code. With software patents, then, we get all of the bad consequences of creating an intellectual monopoly, but none of the good ones. And because of the nature of the software, there is simply no way to reform the system to make it workable.

    2. Re:"Original" Copyright law and Patent law by SquarePants · · Score: 1

      What exactly renders a patent "soft" in your proposed framework? Is a patent "soft" if it somehow affects you? I just don't follow why you think that someone who happens to develop a novel, useful and nonobvious method of solving an existing need in the software field should deserve any less protection than someone who invents a better mousetrap.

      In fact, I would argue that since software is one of the most "useful scineces" today, software is deserving of even more protection than most mechanical inventions.

      It is very nice that you can quote the constitution but why don't you try to actually understand what it says. How does software programming not "promote the progress of science and useful arts"? How is a programmer not an "author and inventor"? How is novel, useful and nonobvious software not a "writing and discovery"? and, why should software programmers be treated differently and not be entitled to "exclusife rights"?

      Your quote from the constitution eviscerates your own argument.

    3. Re:"Original" Copyright law and Patent law by swhalen · · Score: 1

      I've been writing software for over 30 years, so I have a high regard for the art and craft and science of software.

      "Soft" patents by my definition are those which did not exist until about the last 20 years, when a series of court rulings started to allow "patents on software"... In fact the first of those rulings (Diamond v. Diehr - 1981) allowed the software to be patented only because it was a part of a larger process control machine. My "soft" was in quotes because you used to have to a tangible machine to get a patent.

      I believe you're being "loose" in your reading of the constitution.

      Authors produce writings which for 150+ years were only covered by copyright law.

      Inventors make "discoveries" which as long as they were non-obvious and tangible could be patented.

      The framers of the constitution specifically discussed and rejected the notion of "exclusive" rights over mathematical formulae or scientific truths, because they believed it would not work, etc. As I'm sure you know, any program can be represented as a mathematical formula and so was not considered patentable.

      Because of the over-reaching of a bunch of lawyers and greedy companies, software is the only "writing" that can also be patented ... This is overkill because copyright alone is sufficient to give a software developer "exclusive rights" to his/her writing.

      Because patents have far greater exclusionary power than copyright, they are overkill and are destroying software innovation. Patents are being granted for techniques that have been in use for many years. Patents are being granted for using old techniques in trivial new applications which patents are then being abused by lawyers and companies who build up portfolios of these non-innovative "patents" and then use them to extort money out of legitimate companies and developers who are in fact using the same techniques that have been around for decades.

      I wasn't arguing for no software protection, just elimination of patent protection for software. Copyright alone was sufficient to protect the legitimate financial interests of software developers from the 1940's through the 1970's and well into the 1980's.

    4. Re:"Original" Copyright law and Patent law by SquarePants · · Score: 1

      The framers of the constitution specifically discussed and rejected the notion of "exclusive" rights over mathematical formulae or scientific truths, because they believed it would not work, etc. As I'm sure you know, any program can be represented as a mathematical formula and so was not considered patentable.

      Actually, although I believe it is not really discussed in the Constitution, what is prohibited is patenting of a "law of nature" which a formula or algorithm is considered. Pure algorithms are still not patentable. But a process which embodies an algorithm and produces tangible results is. If you think such a process should not be patentable, them most patents should never have been issued. The very first patent issued in the US was for a process of making potash (a kind of fertilizer, I think) Certainly, that process can be distilled into an algorithm at its most basic level.

      Because of the over-reaching of a bunch of lawyers and greedy companies, software is the only "writing" that can also be patented ... This is overkill because copyright alone is sufficient to give a software developer "exclusive rights" to his/her writing

      Writings are not what is patented, concepts are. That is why patents are the only real way to protect software. If you just copyright them, it is very easy to go around the laws. If you copyright the object code, all a copier has to do is recompile the software with a different compiler and you end up with a different "writing". If you copyright the source code, all they have to do is port the software to a different language and, again, you've gone around the copyright.

      Patents are being granted for techniques that have been in use for many years. Patents are being granted for using old techniques in trivial new applications which patents are then being abused by lawyers and companies who build up portfolios of these non-innovative "patents" and then use them to extort money out of legitimate companies and developers who are in fact using the same techniques that have been around for decades.

      I fully agree with you. As I have posted before, the problem is not software patents but bad software patents. Patents on software which is not novel, or which is obvious should not have been granted in the first place, and this is where alot of work has to be done. Not by passing new laws or repealing old ones but by enforcing the ones we have.

    5. Re:"Original" Copyright law and Patent law by bshanks · · Score: 1

      i agree. i'd go even shorter; 10 years.

      also, i think what Ungrounded Lightning said was important. Any law extending copyright should only be applied to new works. This slightly lessens the incentive of corporations to push for longer copyright.

    6. Re:"Original" Copyright law and Patent law by ibbey · · Score: 2

      As I have posted before, the problem is not software patents but bad software patents. Patents on software which is not novel, or which is obvious should not have been granted in the first place, and this is where alot of work has to be done. Not by passing new laws or repealing old ones but by enforcing the ones we have.

      I pretty much agree with you, but I have one other point. Software patents should not last for 20 years. Whether the one-click ordering process is novel enough to deserve a patent or not, it does not deserve 20 years worth of protection. The software industry by it's very nature moves faster then traditional "industrial" industries. I think three to five years is more then enough time for for software patents.

    7. Re:"Original" Copyright law and Patent law by SquarePants · · Score: 1

      That is a valid point. By its nature, the patent term which was originally granted is arbitrary. They just picked a number that they thought was a fair compromise. In essence, you want to make the term as short as possible while still providing enough incentive to innovate. In fields other than software, we are bound by international treaty to the current term (20 years from the date of the APPLICATION, which translates to approximately 17 years of effective term). But since most of the world does not recognize software patents, I don't see why we cannot set a shorter term for those.

    8. Re:"Original" Copyright law and Patent law by ibbey · · Score: 2

      In fields other than software, we are bound by international treaty to the current term (20 years from the date of the APPLICATION, which translates to approximately 17 years of effective term).

      In fields other then software, there is usually real R&D invested. When Ford invents a new, more fuel efficient engine, they are truly creating an innovation, and have invested probably millions of dollars to do so. Because of this, I have no problem with a 20 year term on this sort of patent. Software patents, on the otherhand, are almost always much more trivial. While I'm sure there are occasional exceptional examples, I think the industry would be much better served by erring on the short side here.

  17. Copyrights on software should be shortened by JordanH · · Score: 4, Interesting
    Seeing as the whole purpose of IP is "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;", it's absurd to hold a copyright on software for 70 or 90 years or whatever the current law holds.

    It's just way way overkill. Rather than promoting progress and the "useful Arts", the current system just extends a monopoly into the indefinite future and discourages anyone from building on your work constructively.

    Really, if you can't get enough benefit out of writing a piece of software in 10 years, then it's someone else's turn. Note that you could make modifications in those 10 years and those could be copyrighted, but let the original software go back to the public domain in a reasonable time.

    Ten years is just notional. I'm not sure where I'd set it, but I know 70 years is ridiculous and the 90 years granted to corporations (most Software copyrights on proprietary software is probably held by corporations) is even more out there.

    Software is different than other IP. It's greatest benefit to society is in it's use and in it's flexibility. A sensible policy wrt to software copyrights would encourage more flexibility and more use.

    1. Re:Copyrights on software should be shortened by Bodhidharma · · Score: 2, Insightful

      I agree with this but I'd go a bit farther. Software patents should be good for 2 years. I could be persuaded that 5 years might be okay. Anything longer than that is just goal tending. With the way things change rapidly in internet time, I believe a software patent should not last longer than 2 to 5 years.

      I believe other types of IP might be allowed longer life. A copyright on a piece of music or literature should not extend beyond the life of the author or composer.

      Software copyrights are another matter. I'd like to see things go into the public domain after they are no longer being marketed. I think a 10 or possibly 20 year copyright should be long enough.

      My point is that the people who create IP should get some benefit from their work. However, the point of copyright laws should also reflect the interests of the general public.

      --
      A dyslexic man walks into a bra.
    2. Re:Copyrights on software should be shortened by Schrodinger's+Mouse · · Score: 1

      Good points, but:
      "A copyright on a piece of music or literature should not extend beyond the life of the author or composer."
      In theory, this is good. However, in practice, authors/composers/etc. have a nasty habit of dying right after or right in the middle of works. (Mozart, for example, died partway through his Requiem.)

      --

      *****

      There are many people in this country who, through no fault of their own, are sane.

    3. Re:Copyrights on software should be shortened by idontneedanickname · · Score: 1

      i read the title like this:
      copyrights on software should be snorted
      wups :)

    4. Re:Copyrights on software should be shortened by Anonymous Coward · · Score: 0
      Nobody cares about your inability to read even if it seems funny to you.

    5. Re:Copyrights on software should be shortened by Paul+03244 · · Score: 1

      "Seeing as the whole purpose of IP is "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;", it's absurd to hold a copyright on software for 70 or 90 years or whatever the current law holds."

      Exactly. The very first version of M$ Word ever produced will be protected under current law for another 50+ years. Anyone that has an option will pay to run a newer version; but what about those that don't?

      I can envision current law being used against poor third-world school kids using recycled computers and obsolete software; but it shouldn't be possible because it's not right!!

    6. Re:Copyrights on software should be shortened by bshanks · · Score: 1

      i agree

  18. It was good once upon a time. by Anonymous Coward · · Score: 0

    The general patent and copyright law practices that was in use a decade ago and back was quite balanced and well working.

  19. Like any force on this planet could ... by Anonymous Coward · · Score: 0

    Like any force on this planet could make both sides happy. As long as there is a need for control, wealth, etc. it is impossible for both sides to be happy because.

    Can we solve the abortion issue while we are at it?

  20. nullification by prizzznecious · · Score: 1

    Why exactly is nullification too strong? The world has obsoleted IP laws by the advent of digital reproduction and the internet. Why must we cling to these vestiges of a former, darker era?

    IP laws don't affect software, since a software company can easily protect its own product (closing its source) if it so chooses. Therefore, IP laws pertain only to entertainment media--and it's clear that even the most draconian legislative measures are fingers in the dyke, mere lip service to the corporate campaign donors. Despite how much we complain about these laws, they have had no strong real-world ramifications--the proliferation of freely-attainable entertainment on the internet attests to that.

    Let's just forget this charade and point our resources elsewhere. Let the current entertainment industry die the death it deserves, and let a new, more capable industry rise to fill the void. It's the natural order of things.

    --

    visit the hwky website for a lyrical genius infusion.
    1. Re:nullification by Anonymous Coward · · Score: 0
      IP laws don't affect software, since a software company can easily protect its own product (closing its source) if it so chooses.

      Except that in the absence of IP laws, any bloke with a CD duplicator could distribute binary copies of the software. All the real cost of generating software, or any other creative work, is in the first copy. Thereafter, each single copy, whether it be a download or a dead tree, is cheap. Copyright law ideally permits the cost of generating that first, expensive copy to be shared out among all the people who read/see/use any copy.

  21. Simple by Psmylie · · Score: 2

    Reset all IP laws to what they were prior to the release of "Snow White" in theaters. Then update them to cover current (and projected future) tech.

    --

    psmylie's dictionary: Godzillion (noun) Any number large enough to destroy Tokyo

  22. Just a start... by Dr.+Bent · · Score: 3, Interesting

    This is a huge issue and I'm no lawyer, so I'm just going to give my opinion on once piece of this puzzle:

    EULA's are out of control, and they shield software companies from lawsuits which would motivite them to produce better software. In an effort to stop this I would propose the following:

    1) EULA's for commercial software must be agreed to BEFORE the software can be purchaced. If software companies do not provide a mechanism for this then they must allow users to return the software for a full refund.

    2) Implied warranties like the warranty of merchantability and fittness for a particular purpose cannot we waived in a commerical software EULA. Free (as in beer) software can be distriubuted 'as is', but the second you exchange money for software, you take responsibility for it functioning correctly.

    I realize that this will increase the cost of software in the short term, especially as companies scramble to get their software up to code before the changes go into effect. However the long term effect of ignoring faulty software cannot be overlooked, and the sooner we do something about it, the better.

    1. Re:Just a start... by Anonymous Coward · · Score: 0

      Actually in my country, EULAs are not legally binding. I can completely disregard them. Copyrights are still inforced so im not allowed to copy it and give it to others(i am allowed to make backups) or anything else that is illegal. But i can erase the program from my computer, put the cd back in the box and sell them second hand or any other thing that the EULA tries to prevent me from.

      If one of my friends has a cd with some music i can borrow it and make a copy for myself, and the same goes for music and videos available at the library. But i can only keep the copy as long as i am able to borrow the material ie if my friend sells gis cd i would have to destroy the copy i have.

      This is something the KODA (my countrys RIAA) is not at all happy about but their lobbying has not worked. (yet)

    2. Re:Just a start... by axlrosen · · Score: 2

      EULA's for commercial software must be agreed to BEFORE the software can be purchaced. If software companies do not provide a mechanism for this then they must allow users to return the software for a full refund.

      I think this is how it works now isn't it? The EULA says that if you don't agree, return it for a refund.

      The general idea of the EULA seems pretty reasonable - if you want to buy my software, I need you to agree with certain terms first. The fact that you don't have to send me a signed contract by US Mail for this to happen is probably a good thing, it would be pretty impractical.

      If you think about it, the problem is almost that most of the time the license is fine, so after a while people just agree instead of reading them. So something that they probably wouldn't agree to can slip in so easily. Maybe we need some sort of readability requirements for these things. There would be a list of standard, fairly non-objectionable requirements that may be used in the license without a hitch, but everything else must be clearly explained in one sentence at the top. Like:

      - You agree not to show the data retrieved by this program to anyone outside of your company.
      - You agree that we can audit your company for license compliance whenever we want.

      ... and then the actual license follows in its entirety. You could get a UCITA-like body to decide the list of unobjectionable requirements. If you didn't use this format, you could still sell the software, but you'd need a written signature and not an electronic EULA.

      Hmmm, I actually kind of like this idea...

    3. Re:Just a start... by bshanks · · Score: 1

      i agree. contracts that are too long to read makes the whole idea worthless.

    4. Re:Just a start... by markmoss · · Score: 2

      ) Implied warranties like the warranty of merchantability and fittness for a particular purpose cannot we waived in a commerical software EULA. Free (as in beer) software can be distriubuted 'as is', but the second you exchange money for software, you take responsibility for it functioning correctly.

      I wouldn't go quite that far, because it is impossible for anyone to be sure their software will work in every computer, in combination with thousands of other applications programs. However, I would say that fair laws covering software would provide:

      1) There is a default case that applies unless limitations are clearly and prominently stated BEFORE purchase - on the box in shrinkwrap, on the web page if you download, on price quotations, etc. The default is that software is warrantied for merchantability and fitness for the purpose it is marketed for, but with damages limited to three times the purchase price. That is, if the vendor cannot or will not make the software work properly on your computer, you can get back the purchase price. You can also get re-paid for troubleshooting time, loss of data, and restoration of your system to the original state, but only up to 3 times the purchase price. If you paid $0.00, 3 x 0 = 0... Vendor can increase warranty coverage(larger damages) or limit it, but all limitations have to be revealed before purchase, and in any price quotations.

      2. If the advertising for a product claims it has certain concrete attributes, for instance that servers can run a long time unattended, then regardless of anything they put on or in the box, the vendor is responsible for damages if the product falls short of the advertisements. This is NOT subject to the 3x purchase price limitation.

      3. You can make infinite backups of software or other copyrighted digital data for your own use; you cannot transfer copies to others except when you re-sell the software and remove all copies from your system. Technical means of blocking copying are illegal, unless the packaging clearly and prominently states that copying is blocked and the software is not for commercial use.

      4. If the software is sold to you, you own it. They can't keep you from reselling it or transferring it to other computers you own or control. If they include a product activation feature, you get paid for any time over 15 minutes you spend getting the codes to re-activate it, and if you cannot get re-activated within two hours, you can sue for damages (time, interruption of business, blocked access to your own data). This applies unless the software is clearly leased, not sold.

      5. In any software sale or lease, except when the terms were negotiated with the buyer's lawyer involved, any limitations to points #1 and 2 must be stated in plain language. If a jury cannot read and understand it, it reverts to the default.

      6. The vendor may not impose terms that limit the buyer's freedom of speech.

      7. If the vendor refuses redress under the any of the above points and is found by the court to be in violation, the vendor must pay the user's reasonable and proper legal fees and court costs.

  23. Simpler System by nat5an · · Score: 1

    What is really needed is a simple system in which content providers are paid for their work and consumers are still allowed their fair-use rights (duh).

    Quite frankly, we already had this a few years ago, until the content providers decided they wanted to control the whole game. Turn back the clock a few years to before the DMCA. Allow people the make an unmetered number of copies (digital or otherwise) for personal use and crack down on the trafficking of pirated media.

    Have stronger laws for dealing with real piracy, i.e. thousands of copies, but make these laws very specific in terms of what they address. No more nebulous language like "could be used to circumvent copyright, maybe, if a person really wanted to." Don't allow companies the excuse to drag people into civil court based on trumped-up charges. Make piracy a criminal offense (it already is) and leave the civil side for after the criminal trial. Don't allow 'symbolic' lawsuits, only allow content-providers to sue people that they can actually prove were selling illegal copies of their property.

    This will protect both the consumers and the companies, and hopefully will enable artists to continue to make their music/movies/whatever and to make money from them. But, of course, IANAL, so this may be impossible.

    --
    Head down, go to sleep to the rhythm of the war drums...
  24. USPTO Reform first by Anonymous Coward · · Score: 1, Insightful

    Currently, patent law as it sits is half of the problem. People can patent software that does absolutely mundane and boring tasks that have been written for years. (see form posting patents) Clearly, that's not new, nor innovative, yet someone convinced the PTO that it was.

    As I see it, step one is to ban software patents. Given that you can't patent a formula for a soft-drink, how is that any different than say, an algorithm? By extension, most software is just creative algorithms for solving a specific problem (or, as a tool for abusing small companies), and thus, shouldn't be patented.

    On the other hand, most processors are now sold as synthesizable VHDL cores. Those could be patented, as they can at least be sythesized to a physical prodouct. (Much like how old processor designs at the gate level were patented.)

    But the existing properties of of USPTO that allow something to be patented can still apply to technology, just not in software.

    One last remark: The research staff for determining prior art before a patent is even issued needs to be increased, and they need to be trained to understand what technology.

  25. Standard Software licenses by Anonymous Coward · · Score: 0

    Having a set of standard software licenses for all companies to use instead of: You can only use my software between the hours of 10 and 12, while you are at home, in bed drinking a beer in blue boxer shorts. And then forcing the police to enforce each of the "laws" made up by the software vendors.

  26. The Copyright Law That We Had Was Fine by Anonymous Coward · · Score: 0

    The original question is flawed. Eliminating the over-the-top draconian DMCA is hardly eliminating all IP laws.

    The state of things a decade ago was just fine. The Berne Convention provided as close to an ideal balance between the rights of content creators and the rights of content consumers as we're ever likely to get. We should eliminate the DMCA and return to the Berne Convention.

    The problem is that the current situation has been allowed to become unbalanced in favor of big business. The recording and movie lobbying associations are going hog wild, throwing money at easily-bought legislators as fast as they can. It's going to take some time before we can sort out the damage to society that is currently being done and get things back to an even keel.

  27. State by redhog · · Score: 2

    I know thi might sound like communim or something. But it might be the only alternative:

    Remove all ip-law what so ever. Then have the state research which tunes, software programs or poems are listened to, used or read by people (same thing as companies do today, and call "market-research"), and pay the creators of those works accordingly, with tax-money. Then we can copy as much as we like. Good artists will get paid, and bad ones (the ones no-one is litening to) won't get paid...

    I think this is the only alternative to having ome middle-man RIA-workalike pirate the users/listeners.

    --
    --The knowledge that you are an idiot, is what distinguishes you from one.
    1. Re:State by Anonymous Coward · · Score: 0

      Interestign idea, but for the simple fact that the majority of human race are meat! yup Sheep waiting to be told what to do. and therefore in your model only those arists with the best marketing people will get paid. 50 bazillion screamin kids don't listen to Britny Spears becasue they like her music, they listen because the lord and master Pepsi says so, that and the little girls wnat implnats like hers when they grow up and the boys like that "funny" feeling they get when she bends over. so you see good artitst will only get paid if their marketing directors are good enough. Talent will have no bearing what-so-ever.

      you have failed, sit down.

    2. Re:State by Anonymous Coward · · Score: 0

      Unfortunately the world isn't one big state

    3. Re:State by Anonymous Coward · · Score: 0

      Interesting, but people probably wouldn't admit to watching porn, so the porn industry would get wiped out. Also, there is a tremendous amount of IP out there. Just reading through the government-supplied list to check things off might take too long. With no list, I might not remember most of the things I watched, read or listened to. Perhaps if there was some way for content to automatically notify the government when the content was getting used. There may be privacy concerns here. Interesting idea though.

  28. Take Canada's Example by dadragon · · Score: 1

    Even though we're supposedly getting our own version of the DMCA, you can take a look at Canada's CURRENT IP laws. Stuff like reverse engineering and such are perfectly legal, and copying audio cds is limited.

    Our CD copying laws work like this: the government collects a levy on blank media. This is to compensate artists for piracy. Businesses who use lots of cds can apply to have the levy refunded. Canadians can copy a friends audio cd for themselves, but are not allowed to do it commercially or on a large scale.

    Software is governend by licence, just like the USA, and IIRC the SSSCA is not even remotely possible here.

    --
    God save our Queen, and Heaven bless The Maple Leaf Forever!
    1. Re:Take Canada's Example by kryptobiotic · · Score: 1

      I have a problem paying a levy on blank media to compensate artists for piracy when I'm using the media in a purely legal way. I have a stack of 60-70 CD-Rs and have never copied an audio cd. Only 1 of those cd has anything music related, it's a disc of legal mp3s.

      I seem to remember a previous topic on slashdot about the proposed levies being applied to hard-drives, and portable mp3 players, as well as blank cdrs. Should I have to pay more for these things even though I've never illegally downloaded copyrighted material or copied a cd?

      I understand why people hate the XXIA and the current state of IP laws but I can't figure out how these people think it is okay to copy something because they don't think it's worth the price being charged. If you think something is too expensive, don't buy it but find/make a cheaper alternative. If you don't agree with a law, don't blatantly disregard it, work to get the law changed.

    2. Re:Take Canada's Example by Doppler00 · · Score: 1

      I have had a CDRW for years now and I have never used it for making illegal copies of software. I only use it to back up my important data, or to give friends copies of pictures I have taken. Why should I start paying an additional fee on something to support the illegal activities of others? If I'm paying extra money on CDR media so that other people can have free copies of audio CD's from friends, isn't that a form of socialism?

      I think it should be the opposite. If people are caught copying music on a large scale they should pay a large fine and that money should be used to lower the costs of legally purchased software.

    3. Re:Take Canada's Example by Anonymous Coward · · Score: 0

      You ALREADY pay an additional fee

    4. Re:Take Canada's Example by Anonymous Coward · · Score: 0

      Oh my god, this is so wrong that it's scary.

      With regard to reverse engineering to avoid copyright infringement, it is legal both in Canada and the United States.

      And yes, the government indeed collects a levy on blank media. However, this is because of lobbying by copyright holders who claim that pirating is happening in spite of the laws! Believe me, copying a friend's audio CD is just as illegal in Canada as it is in the States, there is no exception for not doing it on a commercial or large scale.

      Frankly, once our own version of the DMCA passes, the laws will be just as bad here.

      And yes, I am a Canadian IP lawyer. And I do think that significant reforms need to be made to IP laws.

    5. Re:Take Canada's Example by dadragon · · Score: 1
      And yes, I am a Canadian IP lawyer. And I do think that significant reforms need to be made to IP laws.

      And you're posting as AC why? If you really are an IP lawyer, you've read Canada's Copyright Act. Here I quote Section 80:

      80. (1) Subject to subsection (2), the act of reproducing all or any substantial part of

      (a) a musical work embodied in a sound recording,

      (b) a performer's performance of a musical work embodied in a sound recording, or

      (c) a sound recording in which a musical work, or a performer's performance of a musical work, is embodied

      onto an audio recording medium for the private use of the person who makes the copy does not constitute an infringement of the copyright in the musical work, the performer's performance or the sound recording.

      Limitation

      (2) Subsection (1) does not apply if the act described in that subsection is done for the purpose of doing any of the following in relation to any of the things referred to in paragraphs (1)(a) to (c):

      (a) selling or renting out, or by way of trade exposing or offering for sale or rental;

      (b) distributing, whether or not for the purpose of trade;

      (c) communicating to the public by telecommunication; or

      (d) performing, or causing to be performed, in public.

      So if I do it for ME and NOBODY ELSE, it's legal. If I make a copy for a friend it's illegal. Makes sense to me.

      For those who want to check it out: here is a link.

      --
      God save our Queen, and Heaven bless The Maple Leaf Forever!
    6. Re:Take Canada's Example by Anonymous Coward · · Score: 0

      Yes, I have read the Copyright Act. And if your position is that borrowing your friend's CD, and making copies only for your personal use is not copyright infringement, then I would disagree with you. Namely, this would qualify as a "distribution" under 80(2)(b). I would find it inconsistent to read the Act as saying making copies for a friend is infringement, but your friend borrowing the CD and making personal copies for himself isn't. And that's how I would advise a client.

      Incidentally, if what you meant is that you can make a copy of a CD you already own for yourself is legal, then we're totally in agreement.

      Any other questions?

    7. Re:Take Canada's Example by God!+Awful · · Score: 2


      And yes, the government indeed collects a levy on blank media. However, this is because of lobbying by copyright holders who claim that pirating is happening in spite of the laws! Believe me, copying a friend's audio CD is just as illegal in Canada as it is in the States, there is no exception for not doing it on a commercial or large scale.

      I was under the impression that copying a friend's audio CD was legal in Quebec, but not in the rest of Canada.

      If I drive across the border, can I do it there? :-)

      -a

  29. Limit it to the life of the author.... by Spazholio · · Score: 0

    Why not limit protection to the life of the artist/author/etc. or a predetermined time (set by the type of artwork), whichever is shorter? What good does protecting a piece of art serve once the artist isn't around anymore? None that I can see, other than to enrich his/her estate, who most likley had no hand in the creative process to begin with.

  30. There ARE other ways by FreeUser · · Score: 5, Insightful

    We know that this system is wrong, and must be changed. However, nullifying all IP laws is IMHO a bit too strong, because there will be no incentive to create anything for mass market sale except out of goodwill, or for leveraging other revenue (aka Linux).

    This is an assumption that is stated so often it has become arguably an axiom of intellectual property proponents.

    But, the history of the human race, indeed of our own civilization, doesn't bear it out. Bach, Beethoven, Mozart, Ulysees, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known, all without the existence of copyright or any other form of "intellectual property."

    There are other ways to insure artists are compensated, without granting them (or, more likely, their publishers) an exclusive monopoly on their work, for any length of time.

    It is unfortunate that our society never even discussed, much less considered, alternatives to copyright when the republic was founded, instead saddling us with an approach whose original conception was designed to facilitate censorship of the press, a design flaw which a little tweaking to help give something back to the artist is insufficient to alleviate.

    We should be discussing alternatives to copyright which can be implimented to insure that artists get compensated for their work, without imposing artifical, government mandated monopolies upon our society, monopolies which are antithetical to free markets, to freedom of speech, and ultimately, to freedom itself.

    --
    The Future of Human Evolution: Autonomy
    1. Re:There ARE other ways by n3r0.m4dski11z · · Score: 0

      Bach, Beethoven, Mozart, Ulysees, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known, all without the existence of copyright or any other form of "intellectual property.".

      and now with copyright we get britney spears. we've come a long way baby.

      --
      -
    2. Re:There ARE other ways by diablochicken · · Score: 1
      There are other ways to insure artists are compensated, without granting them (or, more likely, their publishers) an exclusive monopoly on their work, for any length of time.

      Okay, what are they? Please clarify. I'm not trolling; I want to discuss specifics to make sure that the alternatives you're proposing are fair.

      But, the history of the human race, indeed of our own civilization, doesn't bear it out. Bach, Beethoven, Mozart, Ulysees, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known, all without the existence of copyright or any other form of "intellectual property."

      I would argue that the conditions under which those artists created and were compensated for their work no longer exists in our modern society. Do you have any modern-day examples to support your argument?

      We should be discussing alternatives to copyright which can be implimented to insure that artists get compensated for their work, without imposing artifical, government mandated monopolies upon our society, monopolies which are antithetical to free markets, to freedom of speech, and ultimately, to freedom itself.

      Again, please discuss these alternatives you mention. I am curious to see exactly what they are.

    3. Re:There ARE other ways by kavi_3 · · Score: 1

      The big thing to remember when talking about those artist was they work under a system of patronage. They were compensated from rich individuals or groups to create art to their specifications. The decline of the partonage system coincides with artists moving to create art for "it's own sake".

      In many ways the copyright and patent system was designed to cominstate people without a patronage system which if you look at it is a lot less "democratic". In the current system, anyone can create something for thier own purposes and try and get compensation for it. In the patronage system you would create for the sake of a given person giving you money and he/she would have a lot of say in what you created and how.

      --
      "Attention Citizens, 2+2 now equals 3.947547175. Please recalibrate your equipment now" --The Computer
    4. Re:There ARE other ways by Xentax · · Score: 2

      The very reasons that the examples you cite work are the facts that they're both SO revolutionary and that the creators mentioned weren't really after making a lot of money off of them.

      For one thing, creators like Van Gogh operated under sponsorship -- they were paid to "do their thing", not for specific results. It doesn't work like that anymore.

      Many ideas created at the time were so revolutionary that no-one else could even claim to understand them; heck, half the ideas were considered, well, "crackpot" at the time they gained notice, and there's little danger in someone stealing your work if they think its madness, right?

      These days, most "breakthroughs" are more evolutionary than revolutionary in nature, and/or are the solutions to known problems (like, say, a cure for cancer). The little guy who finds the answer has little defense against the big corporation that can more quickly capitalize upon it, UNLESS it's either so "breakthrough" that they can't even do it without his help, or he gets legal recognition of the fact that he did it *first*.

      Xentax

      --
      You shouldn't verb words.
    5. Re:There ARE other ways by glowfish · · Score: 1

      Wow how ignorant.
      Of the composers and artists you mentioned the vast majority worked for aristocrats.
      Shakespeare himself very well might have been an aristocrat:

      http://www.pbs.org/wgbh/pages/frontline/shakespe ar e/update/andersondoc.html

      Why this common thread? Because the only way people can create works of art is if they aren't too busy trying to live.
      which means of course that someone has to pay them, so they can concentrate on art, and not putting food on the table.

      MORAL: if you are an artist, you either better be rich yourself, or good friends with someone who is.

      In your example, royalty picked up the bill, so I suppose the solution then would be to bring back the aristocrats.

      In a capitalist world where works that took years to create can be digitally copied in a milisecond, monopolies are about the only hope artists have.

      I'm willing to discuss alternatives to copyright, but first you have to come up with an alternative, and that's what is missing from your whole post: an alternative.
      you are just whining and not really proposing anything at all, and your historical sense of how artists made a living back in "the good old days" is completely out of whack.

    6. Re:There ARE other ways by Kphrak · · Score: 1

      But, the history of the human race, indeed of our own civilization, doesn't bear it out. Bach, Beethoven, Mozart, Ulysees, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known, all without the existence of copyright or any other form of "intellectual property."

      "Ulysees"? I THINK you mean Homer. The former never wrote anything (although he did take Troy); the latter told a story about him.

      Now that the quibbling is out of the way, I should add that all the people you mentioned had patrons; the royal court of country X, the church, etc. And Shakespeare is a poor example; if I recall correctly (and I may not), there is record of his pursuing a couple of lawsuits against people performing his plays.

      In my opinion, the author needs to be the final judge of whether his works get released into the public domain. If he's dead, they should go into public domain by default. Publishing companies last forever, and if they can make a cent off a work, they won't let others publish it. If they can't, they won't let people anyway, because it will set a precedent...AND they won't publish it themselves! Thus the work gets lost.

      One of the main arguments that publishers use is "What about an author's children? How can they live without the royalties?" Not only do we have systems for this (trust funds, etc), but the whole concept of generations doing nothing but living off an ancestor's achievement is, I think, abhorrent to the American mind. The only reason why it's been slowly worked in as an argument is because nowadays people get misty-eyed when children of any age are mentioned, and therefore can't see clearly.

      Authors need to control their own works. When they die, the work must not be lost in the bowels of a publishing company. The people the previous poster named came from a different kind of system; we can preserve their art because it has been passed down to us; but the 20th century itself could stand to lose many important works simply because of corrupt lawmakers, greedy publishers, and an apathetic public.

      I'm mostly talking about books here, but this could apply to other art as well. I suppose that if the works of Britney Spears, Limp Bizkit, and N'Sync were all lost, I wouldn't cry too hard. ;)

      --

      There's no sig like this sig anywhere near this sig, so this must be the sig.
    7. Re:There ARE other ways by JordoCrouse · · Score: 3, Insightful

      But, the history of the human race, indeed of our own civilization, doesn't bear it out. Bach, Beethoven, Mozart, Ulysees, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known, all without the existence of copyright or any other form of "intellectual property."

      That is a flawed statement, because there was no way to easily copy these works when they were created (with the possible exception of Van Gogh who did suffer problems with copy cats and poorly made copies).

      In a smaller world, it is easier to maintain control of one's intellectual property. Thats not to say that others didn't make money from the works of art (for example theater owners likely made ticket money from presenting Shakespeare), but somebody else couldn't take a play and derive profit from it without compensating or crediting the author (because everbody knew Shakesphere and his plays, just like everybody knew Beethoven and his symphonies).

      There are other ways to insure artists are compensated, without granting them (or, more likely, their publishers) an exclusive monopoly on their work, for any length of time.

      Could you please cite some examples?

      I believe that copyright law is neessesary to protect intellectual property, though I do not support recent changes in the law. I believe that Walt Disney should enjoy some protection for his mouse (but not for enternity). I believe that I should have certain rights under law if I choose to express myself artistically to protect me from others unlawfully gaining profit from my song, painting, movie, computer program, etc...

      We should be discussing alternatives to copyright which can be implimented to insure that artists get compensated for their work, without imposing artifical, government mandated monopolies upon our society, monopolies which are antithetical to free markets, to freedom of speech, and ultimately, to freedom itself.

      This would be the argument of the non creative who seek to make money from other's achievements. If you produce a song, should others gain money from your achivements? What if you are not strong enough (politically or physically) to demand payments that are yours? If there is no copyright protection, who ensures that you will receive due payment?

      And if you are a creative person that feels that these laws are too restrivtive, then by all means, release your intelletual property to the public domain without demand or setoff.

      I agree that copyright law has been abused and battered over the years. I also agree that the laws need a serious overhaul. But I do question your motives for eliminating intellectual property and copyright all together. It is my opinion that copyright law provides equal protection under the law to all who choose to use it - from the mega colglomate that copyrights a new music song, to the 69 year old grandmother that has just penned her first novel.

      I urge you to respond and defend your positions a bit closer.

      --
      Do you have Linux and a DotPal? Click here now!
    8. Re:There ARE other ways by Anonymous Coward · · Score: 0

      you dink!

      quoth the poster:But, the history of the human race, indeed of our own civilization, doesn't bear it out. Bach, Beethoven, Mozart, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known, all without the existence of copyright or any other form of "intellectual property."

      The reason why these people got the recognition for their work/art was becaseu NO ONE else at the time could come close to their level of mastery! And therefore if i wanted a song written by Mozart i would have to contract with the man himslef. I wouldn't be able to go to the schumk composer down the strett and say write me a Mozart tune. If i did i would get the "shit man! you must be on crack!"

      Yes, there are other ways, but your arguments are weak and full of wholes. you fail, shut up and sit down

    9. Re:There ARE other ways by thechuckbenz · · Score: 1

      All of the historical composers you mentioned were not creating great works out of the goodness of their heart, though. They may not have had copyright law and royalties, but instead they had the patronage (meaning $$) of the aristocracy.

      I'm not sure what great work Ulysees or Ulysses created though - you are either referring to Homer or James Joyce ? We know nothing about Homer's sources of income, but perhaps someone else might be able to comment on the state of royalties for James Joyce ? Or for Shakespeare ?

      The situation with sheet music in the late 19th and early 20th century is an interesting comparison - I've heard that Gilbert and Sullivan did not publish their sheet music, and tried to crack down on pirates that transcribed what they heard at the theatre and sold them on the black market...

    10. Re:There ARE other ways by MoneyT · · Score: 2

      Anyone who tries to capitalize on a cure for cancer should be shot dead. Period. If you're going to withold something like that because you aren't getting paid, you're an evil asswipe that should not be living.

      --
      T Money
      World Domination with a plastic spoon since 1984
    11. Re:There ARE other ways by shawnmelliott · · Score: 1

      As much as I agree that IP laws and timelimits are a little too long you have to consider that you cannot use past examples.

      The person who paid Bach or Mozart for their works didn't have to worry about anybody making copies of it and thus no longer having to go the the concert hall to hear it performed.

      In the time of Jefferson there was no such thing as the internet and instant digital copies of any work ( music, software, movie ). Of course 90 years is a little much but abolition won't work. Just because there were people back then in the early 16,17,18th centuries who had no problems with working without IP laws doesn't mean we can.

      This is because times have changed and so have the rules by which this world works. Perhaps Shakespeare would be a big proponent of IP Laws if he lived in this day and time. Perhaps Bach would side with the RIAA. We don't know because they lived in another age.

      Making the argument that it worked in the times of Bach is the same as saying all the U.S. needs for a Navy is a fleet of wooden ships with canons because it worked in the 1800's

    12. Re:There ARE other ways by MoneyT · · Score: 2

      A lot of people in this thread pointed out the obvious flaws in the parent, but there is a level of truth to it.

      You don't want your works and creations to be copied, don't make it easy to copy. If you have book, and you don't want mass copies of the original to be made, leave it as a hand written manuscript. All copies will be cheaply made imitations. Only original handwriten versions will have worth. The same goes for music, don't want it copied, leave it as sheet music only to be performed. These are ways you keep your property under control, but there is no such thing as perfect control. There will always be a copy cat somwhere, but imitation is the best form of flattery.

      --
      T Money
      World Domination with a plastic spoon since 1984
    13. Re:There ARE other ways by Weird+Dave · · Score: 1

      Ceteris Paribus (All other things being the same) is the term for the rationale behind the situation you're describing. If somehow all the IP laws were lifted, the environment of business would have to change so drastically that your points would not only be moot, they'd look asinine.

      Especially your Van Gogh example. You apparently don't see any causality between people paying him to work and the IP rights at the time, but there is a very obvious relationship.

      --

      Grumble, Grumble
    14. Re:There ARE other ways by Darth+Yoshi · · Score: 1

      I believe that Walt Disney should enjoy some protection for his mouse (but not for enternity).

      Correct me if I'm wrong, but I assume good old Mickey Mouse (and Minney and Goofy, et al) are protected by Trademark Laws, not Copyright. I don't have a problem with that.

      I assume that means nobody could legally produce a new Mickey Mouse(tm) cartoon, but could (if copyright was a sane duration) legally reproduce and sell old, out-of-copyright Disney movies.

      --
      // TODO: fix sig
    15. Re:There ARE other ways by axlrosen · · Score: 2

      Without IP, I wouldn't be worried about the Bachs or Shakespeares, or the Stephen Kings or Ansel Adams, of the world. A small number of the most popular artists would be able to make enough money through contributions, patronage, endorsements, etc. to do fine. It's the millions of other writers, artists, programmers, analysts, etc. that I'm more worried about. They're livelyhood would all be based on either (1) somehow keeping close tabs on their works so they're not copied, or (2) hoping that they're under the radar so that nobody would bother to make their stuff easily available for copying. That doesn't sound like a fun world to me.

    16. Re:There ARE other ways by ninewands · · Score: 2


      " ... Bach, Beethoven, Mozart, Ulysees, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known ... "
      </QUOTE>

      Their "incentive to create" was, almost without exception, the fact that they were PAID to do so by a wealthy patron. While there may be a FEW pieces being done on commission nowadays, the near-absence of royalty and the "gentlemanly class" in our more egalitarian society has essentially eliminated the system under which these artists worked.

      <QUOTE>
      "We should be discussing alternatives to copyright which can be implimented to insure that artists get compensated for their work, without imposing artifical, government mandated monopolies upon our society, monopolies which are antithetical to free markets, to freedom of speech, and ultimately, to freedom itself."
      </QUOTE>

      I disagree. Freedom depends, first and foremost, upon the concept of private ownership of property. From that one concept arises the principle that there is something of material value that it is wrong to deprive a person of. This, in turn, leads to the ability of one to provide for him/herself without having to present oneself to one's "superiors" as a penitent in order to secure the necessities for survival. Once you are free to live without being coerced into kowtowing, then, and only then, does freedom of speech/thought/association have meaning.

      If I create something where nothing ever existed before, it belongs to me, regardless of what it is. It is mine to do with as I will. I am free to keep it to myself, or give it away for free, or any variation between those extremes.

      Copyright laws exist to encourage me NOT to keep my creation to myself, thus increasing the utility available to society.

      When they are properly drawn, these laws accomplish their purpose by giving me, the creator, a monopoly on the right to reproduce my creation for a finite period of time. The price imposed for the grant of monopoly rights is that when the copyright expires my creation belongs to the public domain rather than to me. The bargain is, like all things in life, a trade-off. If the "price" of a monopoly is too high because the term of a copyright is too short, I just keep my creation to myself and society is deprived of the benefit of my endeavor.

      There are serious problems with the current copyright regime. The recent legislation extending and reviving copyrights to the ridiculous terms they now have amount to theft from the public by Congress. The bargain was struck when the work was released. Retroactively extending the terms of copyrights is analogous to receiving a refund of your dinner bill on your way out of the restaurant. The criminalization of technologies under the DMCA and the CBPDTA is nothing more or less than corporate welfare ("We'll enforce your copyrights by imprisoning infringers so you won't have to pay legal fees Mr. Disney").

      The situation with patents is somewhat less egregious, but the extension of patent protection to "soft inventions", life forms, and technologies that that will no longer be viable after the patent expires is ridiculous.

      I would propose the following changes in the IP laws:

      1. Copyrights on software should have a term of no MORE than 5 years from date of release, non-renewable.

      2. Copyrights on literary works, motion pictures and music should revert to the 14-year term contained in the original copyright act.

      3. Corporations may not OWN copyrights unless the work was created by their employees (NOT work-for-hire contractors).

      3. In the case of a work created by an individual, or an identifiably small group of individuals, the copyright must be OWNED by the creators, and may only be LICENSED (not ASSIGNED) to a corporate entity for distribution.

      4. Copyright infringement should be decriminalized except for cases where the infringement was committed in the course of a commercial enterprise's business.

      5. Patents on lifeforms, or the components thereof (e.g. DNA patents), should disallowed in toto (personally, I find them immoral ... the "inventor" did NOT design the gene, he DISCOVERED it).

      6. Patents on software, business methods and extensions of existing technologies should be disallowed in toto.

      7. "Extension applications" for patents should be disallowed in toto.

      8. Patents should only granted for implementations, NOT for "means of ... " inventions.

      9. With the exception of pharmaceuticals, patents should have a ten-year non-renewable term.

      10. Patents on pharmaceuticals should have a twenty year term, but be subject to a requirement of RAND licensing.

      (*)(*)(*)

      The temporary monopolies created by intellectual property law belong to the public. We offer them to inventors and authors in exchange for their work, but we rightfully demand that the creators surrender ownership of that work at the end of the monopoly period. By continually extending the terms of copyrights, Congress is stealing from the public that elected them for the benefit of the corporations.

      The fact that Congress is empowered to enact copyright and patent law in the Constitution implies that there is no "inalienable" right of exclusivity inherent in inventing/creating something.

    17. Re:There ARE other ways by FreeUser · · Score: 2

      All of the historical composers you mentioned were not creating great works out of the goodness of their heart, though. They may not have had copyright law and royalties, but instead they had the patronage (meaning $$) of the aristocracy.

      I never said they were. I said there were alternatives to copyright which sufficed in the past, and that we should at least be looking at alternatives and not assuming copyright is the only, much less the best, way to insure artists are compensated.

      You're right, i was refering to Homer. :)

      As to the sheet music example, I think many of the absurdities that surrounded the attempted enforcement of copyright against sheet music sellers underscores how copyright isn't a very good approach at all in addressing any of these issues, and that the social costs associated with it are simply too high.

      --
      The Future of Human Evolution: Autonomy
    18. Re:There ARE other ways by FreeUser · · Score: 2

      The very reasons that the examples you cite work are the facts that they're both SO revolutionary and that the creators mentioned weren't really after making a lot of money off of them.

      They generally weren't all that revolutionary, they built upon the themes and movements of the time, "evolutionary" if you will, and were successful largely on their own merits, without being so revolutionary as to turn the world on its ear.

      The point is that these artists were successful and compensated, as were many, many of their lessor known peers (sufficently many that there were communities of artists going all the way back to at least the enlightenment).

      For one thing, creators like Van Gogh operated under sponsorship -- they were paid to "do their thing", not for specific results. It doesn't work like that anymore.

      It doesn't work like that anymore because government mandated monopolies have changed the way it can work and entirely distorted what was, previously, a free market economy. Remove copyright and some other regime will replace it, likely one that is a whole lot more fair to artists and consumers. With a little thought and discussion, we can probably come up with an approach much better and more equitable than copyright, with a much less onerous social cost. I've already suggested several in this thread.

      --
      The Future of Human Evolution: Autonomy
    19. Re:There ARE other ways by sheldon · · Score: 2

      There are other ways to insure artists are compensated, without granting them (or, more likely, their publishers) an exclusive monopoly on their work, for any length of time.

      Please, don't keep me in suspense...

      What are these other ways?

      monopolies which are antithetical to free markets, to freedom of speech, and ultimately, to freedom itself.

      I'm also curious how copyright limits your freedom of speech. It seems the same would be true of plagarism rules in our academic environments.

    20. Re:There ARE other ways by kirkjobsluder · · Score: 1

      I'm not convinced by this. Intellectual property insures two things. First that I am given credit for the works that I create. Second that I can make money distributing the works I create.

      So first of all, there is a myth that intellectual property didn't exist when Shakespeare was writing and performing his plays. I have my doubts about this. After all, we don't hear of 'John Crapper's Macbeth' primarily because there were social sanctions against writing down the good parts and setting up your own theatre next door.

      Without copyright, the credit goes to anyone who publishes first. If I hand you a draft of my screenplay, copyright is the only thing to prevent you from putting your name on it and selling it before I do. You can snoop the next great American novel from someone's hard drive, pay to publish and take home the Pulizer. Even those alternative schemes for compensating artists requires some way of legally identifying the artist as the creator of the work.

      There are also other things that are antithetical to both free speech and free markets. For example fraud, claiming your product is something that it is not. Copyright provides a mechanism for certifying that a work was created by the claimed creator rather than the person selling the work. Second, the free market does not demand the sale of stolen works.

      I would be happy to see other ways of compensating artists for their work, if their work is not property, then why compensate them?

    21. Re:There ARE other ways by FreeUser · · Score: 2

      I'm also curious how copyright limits your freedom of speech.

      One example is fan fiction. If I write a very original, interesting novel set in the Star Trek universe, for example, Universal can and will keep me from sharing that work widely (certainly from publishing it, even not-for-profit). George Lucas is notorious for this in the Star Wars universe, so much so that when he coopted the Fan Fiction convention he immediately turned around and banned 80% of the material or so, because it wasn't a spoof or parody, it was serious fiction that happened to be set in the same universe he owns the copyright on.

      These peoples creative works are no more derivative than most other peoples (who take their sources from public domain materials like the Grimm Fairytails in Disney's case, or more classical works in other cases. Think of all the books that have been based on the Legend of King Arthur, for example.

      Banning all those creative works is a limitation on people's freedom of speech, and a non-trivial limitation at that. It also diminishes us culturally, and leads to a lot of lost creativity as a result. That impoverishes all of us.

      It seems the same would be true of plagarism rules in our academic environments.

      That is a logical fallacy. You are equating a general restriction on all of society with a very specific restriction in a private environment regarding a specific task. What is more, you are equaiting two different things: the right to copy and build on something v. the requirement to cite and credit a source.

      As an example, what you are saying is equivelent to "Legalizing cigarrettes would be equivelent to allowing cigarette smoking in school" which of course simply isn't true. Doing away with copyright doesn't do away with the concept of plagarism at all, any more than the existence of free software does away with the concept of cheating on homework problems in your CS class.

      --
      The Future of Human Evolution: Autonomy
    22. Re:There ARE other ways by FreeUser · · Score: 2

      A small number of the most popular artists would be able to make enough money through contributions, patronage, endorsements, etc. to do fine. It's the millions of other writers, artists, programmers, analysts, etc. that I'm more worried about.

      You know, it isn't any different from the world we currently inhabit with copyright. The Stephen Kings and Ansel Adams' of the world do fine, and generally are able to negotiate reasonable contracts from their publishers, while the millions of lesser known artists are not, and generally are victimized as a result, earning pennies on the dollar (at best) and often losing all rights to their own creation in the process. Their alternative to not playing ball by the publisher's rules (in this case, the recording or movie industry)? No exposure at all, and no ability to earn from their craetion anyway.

      None of the approaches I suggested off the top of my head, with virtually no thought, are any worse at all in this respect, and with a little creativity I think we could come up with something a whole hell of a lot better.

      But first we have to be willing to consider the possiblity that copyright is not the right way to be going about this, and thus far, as far as I can tell, there are very few people open minded enough to even consider the possibility, much less explore what alternatives there might be.

      Good news to IP proponents, to publisher, to the recording industry, and to Hollywood. Bad news for artists, for consumers, and for the tech industry that is about to get steam rollered under those very same laws, and their natural extentions to the digital world.

      --
      The Future of Human Evolution: Autonomy
    23. Re:There ARE other ways by w3woody · · Score: 2

      But, the history of the human race, indeed of our own civilization, doesn't bear it out. Bach, Beethoven, Mozart, Ulysees, Shakespear, Van Gogh, Michaelangelo, and other artists too numerous to mention had all the incentive they needed to create the greatest works our civilization has ever known, all without the existence of copyright or any other form of "intellectual property."

      So where does one find a sponsor for one's works? I would *love* to write software for the King of the United States of America, but as we don't have Kings, I'm not sure where to turn.

    24. Re:There ARE other ways by Dwonis · · Score: 2
      Freedom depends, first and foremost, upon the concept of private ownership of property.

      Could you clarify that point? The relationship is not clear.

    25. Re:There ARE other ways by ninewands · · Score: 2

      Well, as was stated in my original post, one who is not permitted to acquire and own property is perpetually in the position of a supplicant, dependent upon his or her "superiors".

      In short, if I am allowed to own property, I am able to use that property to provide for my physical needs independent of any "liege lord" or other "higher ups".

    26. Re:There ARE other ways by sheldon · · Score: 2

      One example is fan fiction.

      Ok, so in this case copyright promotes innovation.

      Imagine how boring the world would be if the only characters in all books were Luke Skywalker and Darth Vader.

      Hmm, interestingly Lucas based his story off existing public domain stories... myths and legends from ages gone by. But he at least had the decency to change the names.

      What is more, you are equaiting two different things: the right to copy and build on something v. the requirement to cite and credit a source.

      Odd since they are the same thing. If I am referencing a work of Stephen Ambrose, I am in fact building upon his work... using it as a stepping point for my own.

      As an example, what you are saying is equivelent to "Legalizing cigarrettes would be equivelent to allowing cigarette smoking in school"

      No it's not at all the same. You don't understand logic very well if you are going to resort to such arguments.

    27. Re:There ARE other ways by thechuckbenz · · Score: 1

      I said there were alternatives to copyright which sufficed in the past, and that we should at least be looking at alternatives and not assuming copyright is the only, much less the best, way to insure artists are compensated.

      You don't suggest any specific alternatives, but your examples imply mainly aristocracy patronage. Most of us would view that as a poor structure for the advancement of art - your examples are exceptions that stand out from a background of much more mediocre work. What other alternatives did you have in mind? I can't infer any others from your example, except perhaps just fame and performance wages, both of which are not enough to feed a family in most cases.

      I might guess: having the government give money to artists in a socialism style ? That is fraught with problems as well - the NEA debacles of recent years show how unlikely it is for those $ to be without strings attached as would money from aristocrats. (The best kinds of sponsorship, without strings, are rare). And taxpayers get unhappy because some artists will be seen as ripping them off, etc.

      I'm as disgusted as you probably are about extending copyrights to protect industries such as Steamboat Willie. But the idea of a reasonable term for copyrights to allow an artist to reap reward commercially seems fair to me.

    28. Re:There ARE other ways by Dwonis · · Score: 2
      I think I see the confusion: I believe you mentioned "private ownership of property", as opposed to state ownership of property. However, if you are going to make such a bold statement that freedom depends "first and foremost" on private ownership, you also need to consider societies that have a complete lack of property ownership by anyone?

      You're implying that property ownership, individual or otherwise, is an absolute necessity for a successful social organization, but I doubt that type of thinking is universally accepted.

    29. Re:There ARE other ways by ibbey · · Score: 2

      with the possible exception of Van Gogh who did suffer problems with copy cats and poorly made copies

      Umm.... If I remember my high school art history class correctly, Van Gogh didn't sell a single painting during his lifetime... Not exactly the best artist to be pirating.

    30. Re:There ARE other ways by Anonymous Coward · · Score: 0

      So where does one find a sponsor for one's works? I would *love* to write software for the King of the United States of America, but as we don't have Kings, I'm not sure where to turn.

      How about George the Second?

    31. Re:There ARE other ways by wayne.hoobler · · Score: 1

      That is a flawed statement, because there was no way to easily copy these works when they were created (with the possible exception of Van Gogh who did suffer problems with copy cats and poorly made copies).

      Copying music notes makes a much better copy than ripping a CD to MP3.

    32. Re:There ARE other ways by FreeUser · · Score: 2

      What is more, you are equaiting two different things: the right to copy and build on something v. the requirement to cite and credit a source.

      Odd since they are the same thing.


      A right to use something is the same thing as a requirement to credit the source?

      It is you who do not understand logic. Argument by analogy is a perfectly accepted form of argument, particularly when used to clarify and restate an illogical comment in terms more commonly understood. On the other hand, making unsupported statements that a right to do something equals a requirement to do something else is a logical fallacy not accepted by anyone other than the inane.

      As an analogy (which is a useful discussion tool despite your bold, and incorrect, assertion that it implies a lack of understanding of logic), you have said the logical equivelent of "red is the same thing as green." That may be true, if you are discussing the texture of an apple's skin, or the resolution of an Apple iMac's screen, but without supporting argument clarifying, in rational, logical, and above all factual terms, why you think two completely different concepts are the same, in this case the right to incorporate one work within another derivative work (a right which does not exist in copyright, and for which a 'fair use' exception to copyright was later made to accomodate) to the academic requirement that sources cited be credited, you are simply making a flatout illogical statement without support. To clarify for the logically challenged:

      right != requirement.
      inclusion != citation.
      Works citing other works != Derivative works.

      As an example of the last, since it seems to be escaping you, it is quite common for academic research papers to cite other works in the field, even works upon which they are not themselves basing or building their research upon, because such works refer to interesting tangents or asides which come up from time to time, or because the publication explores a parallel thought on the subject (or the same thought from a different angle). Including a footnote with a book's title and author (a citation), with or without including any excerpts from the cited work, does not make the document a "derivative work" in any sense of the word, any more than this text is a derivative work of the roman alphabet (despite being written in the same).

      Your other logical fallacy is of course your statement, without logical support, that allowing (e.g. Star Wars) fan fiction would result in a world where Star Wars was the only form of fiction. This is demonstrably false, as evidenced by the rich variety of legend and fiction that existed prior to the invention of copyright, particularly in stage plays and operas throught Europe from the enlightement onward.

      You eliminate fan fiction and you haven't promoted innovation ... you've merely silenced an entire genre of interesting fiction. People obsessed with Star Wars, or Star Trek, or whatever aren't going to start inventing their own worlds because their fan fiction has been banned, they will simply stop writing altogether, or continue writing and sharing their fiction amongst themselves in an underground, black market of ideas and creativity (which is what the vast majority of such folks do). Meanwhile our culture as a whole is diminished, because the rest of us do not ever have access to that work (much of which is quite good.

      Don't get me wrong, George Lucas has good reason to ban serious fan fiction from his universe. Much of it is vastly superior to the tripe he has been putting out of late (Ep. 1 and 2). He is certainly richer as a result of being able to silence other creative people who are fans of that particular mythos ... our culture, however, is poorer for it.

      --
      The Future of Human Evolution: Autonomy
    33. Re:There ARE other ways by sheldon · · Score: 2

      I think it's interesting that you claim I do not understand logic and yet you have failed to provide a compelling argument to differentiate the two points, whereas I already sited an example showing they were.

      And if George Lucas' work is so worthless, why then do you care whether or not you can copy it?

      I'm sorry, but I don't see an interesting argument here, I just see bitterness and resentment of others. Discussion is over.

    34. Re:There ARE other ways by markmoss · · Score: 2

      there was no way to easily copy these works when they were created

      Shakespeare did have lots of trouble with other acting troupes copying his plays. (Or Marlowe had lots of trouble with Shakespeare stealing his plays...) Bach and Beethoven were dependent on wealthy patrons who paid them to produce and perform new works; they had no way to collect from others who copied their sheet music and performed their compositions. Mozart had a bit more independence in that he was also the best performer of his era and could pick his live gigs - but he didn't get a cent from all the others performing his compositions. Maybe if there had been a copyright mechanism in place, Mozart would have been able to afford to live healthier, and we would have 40 more years of his work.

      And of course, Homer (not Ulysses, which is the Latin corruption of the name of Homer's character Odysseus) had to tell stories for his supper his entire life, and got no material benefit from all the other minstrels copying his oral performance, let alone the written versions of centuries later. Not that copyright law was practical in a non-literate society.

      Note that from about 500 BC to 1500 AD, literary works could be recorded in writing and copied one at a time, but not mass-produced, and no one felt a need for copyright then either. This includes the Greek golden age, the many Roman writers, Chaucer and Boccaccio. It's possible that as copying on demand becomes cheaper than selling stamped disks in stores, copyright will become unenforceable to the extent that we wind up back in Chaucer's situation - you can write for the joy of it or for a wealthy client, but you can't make a steady living from writing, and no big corporations are in business just to distribute entertainment. I'm not sure how much real creativity we'll lose, although it might be pretty hard for Lucas's grandchildren to raise $100 million to produce Starwars episode XII... There really is only one thing likely to push things to that extreme - the present arrogance of big media companies that create Britney clones instead of finding real musicians, similarly fill 99% of TV and movie theatres with imitative crap, and want to charge you every time you open your eyes.

    35. Re:There ARE other ways by FreeUser · · Score: 2

      And if George Lucas' work is so worthless, why then do you care whether or not you can copy it?

      More logical fallacy.

      Being allowed to write fiction set within the same universe as another story does not constitute copying that story.

      Pointing out that some of the fan fiction is superior to the last two scripts Lucas has produced does not equal a claim that George Lucas' work is worthless, merely inferior in one subjective opinion.

      Insisting that the social cost of copyright is too high, as are the restrictions it imposes on freedom of speech as exemplified by the fan fiction example I provided does not equal bitterness or resentment, though both emotions are considered by most to be justified when one's freedoms and liberties are being trampled upon for something as banal as the financial betterment of another.

      Furthermore, stating that you provided an example showing two demonstrably (and in my previous post shown in great detail to be) different things to be the same thing[1] when in fact you did not does not change the fact that you failed to provide any supporting evidence that a right or privelege to do something equates a requirement to do something else.

      Finally, stating that I did not offer a compelling proof that two things that are different by all definitions of the concepts and words as expressed in the English language, when in fact I did provide a clarifying example[2] to underscore that point, is both inaccurate (see above) but also irrelevant, as the burden of proof on equating two disparate and different things lies on the person claiming the two prima facia different things are, in some context, the same. You fail in this spectacularly, and your obtuseness leads me to the reluctant conclusion that I haven't been engaged in a discussion with an intelligent person here, but rather have been feeding a troll.

      Discussion is over.

      Indeed.

      [1][FreeUser] What is more, you are equaiting two different things: the right to copy and build on something v. the requirement to cite and credit a source.

      [sheldon]Odd since they are the same thing.


      [2]right != requirement.
      inclusion != citation.
      Works citing other works != Derivative works.

      As an example of the last, since it seems to be escaping you, it is quite common for academic research papers to cite other works in the field, even works upon which they are not themselves basing or building their research upon, because such works refer to interesting tangents or asides which come up from time to time, or because the publication explores a parallel thought on the subject (or the same thought from a different angle). Including a footnote with a book's title and author (a citation), with or without including any excerpts from the cited work, does not make the document a "derivative work" in any sense of the word, any more than this text is a derivative work of the roman alphabet (despite being written in the same).

      --
      The Future of Human Evolution: Autonomy
    36. Re:There ARE other ways by Joe+Mucchiello · · Score: 1

      George has a far better reason to avoid fan fiction. If someone writes a fan fic called "episode 3: they came from outer space" and it follows the movie george eventually releases, the fanfic author can attempt to sue George for copyright violation. This is why George MUST avoid fanfics. I'm sure he would love to see what other people would do in his universe. I know if I created a world that other people were writing stories in I would be flattered. But if I intended to use the world again, I'd have to avoid them. More reasons why copyright stiffles innovation.

    37. Re:There ARE other ways by FreeUser · · Score: 2

      George has a far better reason to avoid fan fiction. If someone writes a fan fic called "episode 3: they came from outer space" and it follows the movie george eventually releases, the fanfic author can attempt to sue George for copyright violation.

      That is an interesting take, however it really doesn't justify George Lucas' draconian stance on fan fiction (and he isn't alone, plenty of other areas of fan fiction have been suppressed as well).

      He owns the copyright on the Star Wars universe, he need merely make as a condition that any fan fiction written be licensed for use by him, for inclusion in any later Star Wars work, at his discretion. Any works, and artists, not agreeing to said license, would then be in violation of his license. Not a perfect solution, but certainly better than the wholesale censorship we're seeing now.

      More reasons why copyright stiffles innovation.

      Amen. Copyright law makes a mess of this no matter how you slice it, which is why I advocate coming up with a replacement scheme that does not grant restrictive government mandated monopolies as a means of compensating artists, but employs some other methodology more compatable with societal freedom instead. I've thrown out several ideas, all of which I believe meet the minimum standard of not being significantly worse for the artist than the existing copyright situation, and one of which would likely be quite a bit better for most not-so-well known artists. Unfortunately, only one other person has seen fit to toss out a suggestion (see the last paragraph of his post, and he and I disagree deeply on the usefulness of copyright)... everyone else seems to be engaged in a knee-jerk defense of the existing approach without even really considering the issues in any depth. Even though he and I disagree, he's thus far the only one to offer a constructive suggestion as to how this might be addressed.

      Not a terribly promising indication of what the future holds in store, I'm afraid.

      --
      The Future of Human Evolution: Autonomy
  31. The good, the bad, and the, uh... by jmweeks · · Score: 1

    I see IP law, or the good in IP law, as a protection from rogue publishers, a protection from, say, a book or an album being copied and sold by any company out there with a little technology (or a lot of patience). The bad side of IP is the use of it, by companies, to smack around the consumers.

    IP laws should apply, not to the people listening to mp3s or dubbing videos for their own enjoyment... it should just be there to make sure, when people are being paid for the service, the right people are being paid.

  32. Here's mine... by Amazing+Quantum+Man · · Score: 5, Insightful
    Copyright

    All copyrights must be held by a private individual. No corporate entity may hold a copyright.

    Copyright terms may vary up to a period of 17 years (depending on content type -- To Be Specified), with a single renewal for the same period of time

    Copyright expires upon the death of the copyright holder.

    Copyrights cannot be assigned to another entity

    If a work has some form of access control, that access control must be disabled when the work enters public domain

    Reverse engineering any sort of access control is legal

    Patent

    Patents must be held by individuals, not corporate entities

    Only physical objects and processes may be patented.

    (Corrolary) No patent shall be granted for algorithms or business processes

    A working implementation of the patented process must be provided (upon request of USPTO)

    Naturally occuring results of processes may not be patented (ex: DNA)

    The USPTO must conduct a good faith search for any prior art

    --
    Fascism starts when the efficiency of the government becomes more important than the rights of the people.
    1. Re:Here's mine... by Spazmania · · Score: 1

      I think you meant to say exclusive copyrights can not be assigned to another individual. If you can't assign any copyrights, then you can't distribute it without the recipient infringing.

      Also, requiring the access control to be disabled upon expiration of the IP is impractical -- the author and publisher are generally long gone.

      Also, with regards to patents, most software processes should be protected by patent, not copyright. Copyright protects the what, not the how. Patents protect the how. This means that no copyright protects a clever algorithm (even if it does protect the specific software you used it in), so if you want to protect it you need a patent.

      --
      Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    2. Re:Here's mine... by st0rmshad0w · · Score: 2

      "Copyright expires upon the death of the copyright holder."

      Oh hell no. I can't even begin to imagine the types of strange "accidents" that people might start to have if that happens. Especially considering the questionable activities of corporations lately.

    3. Re:Here's mine... by interstellar_donkey · · Score: 5, Insightful

      All copyrights must be held by a private individual. No corporate entity may hold a copyright.

      How would that work? Large companies (like Microsoft) do, and should have a right to protect their work (although we should change the limits of that control).

      A a large software package is the result of hundreds, if not thousands of coders. If a company cannot own that copywrite, who gets control? The company president? What if he or she dies?

      What if a rock band wants to protect their work? Does the band have to sit down and decide who gets to control the copywrite?

      I like where you're going with this, I just don't see a single owner as being feasible when so much media today is the product of a collaboration of so many.

      --
      The Internet is generally stupid
    4. Re:Here's mine... by Moridineas · · Score: 2

      Patents must be held by individuals, not corporate entities

      Ok, so my team makes a patentable discovery, and we are granted a patent. Then, we break off from our company and start a new company and refuse to allow our former company access. Is this fair? The former comapny DID fund the project.

    5. Re:Here's mine... by Anonymous Coward · · Score: 0

      Even when an individual came up with the discovery themselves, if only an individual can hold rights to a patent, how do you get investors for a start-up? Investors will not risk their money if the originator can simply walk out with the patents a year or two later.

    6. Re:Here's mine... by caesar-auf-nihil · · Score: 2

      Technically (note I say technically) this is the way the system is supposed to work now, and here's the existing loopholes around some of your points, or my commentary on how I would add to what you proposed: (My comments start with -->)

      All copyrights must be held by a private individual. No corporate entity may hold a copyright.
      -->If you look at the patents now, you can see actual individual names on the patents. However, the company that employed that actual person paid for that work, and they (the corporation) take it as their property in compensation for continued employment/pay. Company X pays person Y to generate Patent Z for Company X. Then company X pays individual Y $1 + salary for Patent Z. Nasty - yes. Legal - sadly yes.

      Copyright expires upon the death of the copyright
      holder.
      --> I would not like to see this. I could imagine a whole underworld business designed to assassinate copyright/patent holders to make their work free for all. Companies with shitty business ethics might kill so they can practice a patent free of charge.

      Copyrights cannot be assigned to another entity
      -->Currently this can be done (and patents as well) under liscencing. Otherwise - you wouldn't see all the cool Star Wars toys made by Mattel, not-so-cool Episode II Crunch by General Mills, etc. Eliminate liscencing and you're limited to whoever owns the copyright having to promote and pay for all of their own stuff.

      Patent

      Patents must be held by individuals, not corporate entities
      -->See my comments above

      Only physical objects and processes may be patented.
      -->That's how it is now. If the "process" generates a "virtual object", that's covered as well.

      A working implementation of the patented process must be provided (upon request of USPTO)
      -->This I agree with completely! Currently, under US Law, you don't have to provide any working example (or proof) that your patent is real. Only novelty of idea. Europe is different where you have to prove novelty AND improvement over existing processes and materials. However, I would amend this to not be upon request, but with every patent. If you can't prove your patent isn't bullshit, you should not be granted a patent.

      Naturally occuring results of processes may not be patented (ex: DNA)
      -->Technically, chemical reactions are natural reactions, so you just threw out every single chemical process. How would one define what is natural and what is man-made (un-natural)?

      The USPTO must conduct a good faith search for any prior art
      -->The USPTO does this now for every patent they review. With every patent, in the USPTO is a "binder" which shows the prior art search (some are rather impressive and deep). However, current patent examiners ARE NOT experts in the art, so they don't know how to interpret the prior art correctly, which is why a lot of patents which are garbage get allowed, and some patents which are legit never issue. What the patent office really needs is a body of real experts who review patents for hire. The problem is finding individuals who don't have conflicting interests to review those patents.

      -->I fully agree that the current patent system (not just in the US) needs an overhaul, but mostly they just need to enforce the rules as they exist now and get better patent examiners.

      --
      -When going for broke, go for Ithaca!
    7. Re:Here's mine... by Neil+Watson · · Score: 1

      I just had a ShadowRun flashback: Yes Mr Johnson, we can make your "package" disappear.

    8. Re:Here's mine... by vicious_sloth · · Score: 1

      Sounds alot like something John Locke would say. Read John Locke's Second treatise of a civil government and focus on chapter 5, on property. just replace property, with copyright, and there you have it. Now Locke's ideas never flew with the other founding fathers of the constitution... i wonder why.... but you do have a point there. Locke argued that if property can be passed on, that it would not give future generations a fair chance and it leads to greed and waste. and isn't that what these rediclious copyright laws do also? create greed, waste and dosnt allow for fair use. (well the modren interpertation, and when i say modern i mean all that crap going on with the DMCA and the SSSCA) It is always intresting to see alot of alot of different philosphers ideas pop up all over slashdot...

      --
      Sun is Warm, Grass is Green
    9. Re:Here's mine... by rlwhite · · Score: 1

      You're certainly not the first on slashdot to support restricting IP rights to individuals only. On the surface it sounds like a great idea, restricting corporate rights and influence, and I once supported it myself. But what good will it do?

      Think it through. Individuals generally don't have the resources to publish or manufacture their work for profit, and most IP is work for hire. So what will they do? License it out, of course. And the works for hire? What will the license terms be? The employer financing development will want and probably get an exclusive license from the individual. If the license isn't exclusive, it certainly won't make any business sense for the employer. That's just what aspect. There are other scenarios to consider like job-hopping and wrongful termination.

      I think what we really need is a shorter timelimit that will stay in effect- even if that means passing a constitutional amendment so that the corporations can't afford to buy a longer time. There are other ways we'll have to use to break the Content Cartels stranglehold on entertainment copyrights.

    10. Re:Here's mine... by Neil+Watson · · Score: 1

      Wouldn't the investors have a contract with the patent holder? "I, the investor, give you money and you, the inventor, give me a return on my investment within 5 years."

    11. Re:Here's mine... by smallpaul · · Score: 2

      A a large software package is the result of hundreds, if not thousands of coders. If a company cannot own that copywrite, who gets control? The company president? What if he or she dies?

      Just guessing: when you write a function or module, you would own it forever. You could give a permanent license to your employer to use it. Of course if the licensing terms of sufficiently skewed towards the employer, they will effectively "own" it anyhow.

    12. Re:Here's mine... by rlwhite · · Score: 1

      If the "process" generates a "virtual object", that's covered as well.
      No wonder corporations love "object-oriented programming."

    13. Re:Here's mine... by Anonymous Coward · · Score: 0

      almost... but instead of having no patents or copyrights for Corporations, i say let them have theirs, as long as it fits within their busniess plan. For example Coke should not be able to have a patent on shoes, or DNA, or pienial extenders, but they should be able to patent the reciepe of their new fizzy pop. But at teh same time should joe schumk-o "happen" to put together the proper ingredients in the porper mannor, then too bad Coke. on the other hand if it proven that joe schmuk-o had knowledge of and use said knowledge to creat his fizzy pop, then it's off to "pound you in the ass" jail. Also if a worker comes up with a patent that has nothing to do with what the co. that works for does, then the co. get's nothing! unless the co. can prove that they tasked this worker to create/invent for them. (my family lost the patent on the staple gun this way, adn all my great grandfather got was a lousy 1 time 100 bonus check) so fo those of you playing at home if joe works for coke and creats a new type of runnig shoe then Coke dosen't get the patent, but if Joe creats a new soda can for Coke then Coke gets the patent, but must credit joe for his work for the life of the patent.

      so you were very close, but you still FAILED! siddown!

    14. Re:Here's mine... by MoneyT · · Score: 2

      Shouldn't a person's internal code of ethics provide some sort of obligation to the funder anyways? It's sort of like doing favors. If all your friends constantly do you favors and you don't do anything for them, they will stop giving you favors. Same with investors, you are given cash and you give them nothing in return, you will build up a bad reputtion and no one will fund you.

      --
      T Money
      World Domination with a plastic spoon since 1984
    15. Re:Here's mine... by MoneyT · · Score: 2

      Solution to companies killing patent holders:

      Corporations and entities discovered to be sponsering, promoting or participating in the assasination of copywrite and patent holders will be executed.

      --
      T Money
      World Domination with a plastic spoon since 1984
    16. Re:Here's mine... by pythorlh · · Score: 2

      Yes... they funded the project. And if they did that without a contract that prevents you from competing with them during the life of your patent, then they were dumb, and you go on to make the millions. I would think that your company would require you to license them your patent at some reasonable term before they bankroll you.

      --
      Do not confuse duty with what other people expect of you; they are utterly different.Duty is a debt you owe to yourself.
    17. Re:Here's mine... by swillden · · Score: 2

      All copyrights must be held by a private individual. No corporate entity may hold a copyright.

      So who would own the copyright on a movie, which is a creative collaboration of hundreds of people including writers, actors, directors, producers, cameramen and other technical personnel, all funded (for many tens of millions of dollars) by a studio?

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    18. Re:Here's mine... by gnovos · · Score: 2

      How would that work? Large companies (like Microsoft) do, and should have a right to protect their work (although we should change the limits of that control).

      A a large software package is the result of hundreds, if not thousands of coders. If a company cannot own that copywrite, who gets control?


      So, what you are saying is that the keyboards at microsoft are REALLY big and every coder has to press the same buttons at the same time? No wonder thier code is so shitty.

      Seriously, the answer is clear. The copyright would be owned by the PERSON who writes a bit of code. There would be no copyright on the whole package. For code that is rewritten by other people inside the same company, they would all sign agreements that they allow royalty free perpetual licenses to everyone else in the company.

      Simple as that.

      And what happens when you piss off your employees by cutting his salary by 50% so that the upper managment can buy new BMWs? Oh yeah, then you have just screwed your company becuase he can liscense his code to somone else. It would force those big companies to play nice and be honorable.

      --
      "Your superior intellect is no match for our puny weapons!"
    19. Re:Here's mine... by MikeTheYak · · Score: 3, Insightful
      -All copyrights must be held by a private individual. No corporate entity may hold a copyright.
      -Copyright terms may vary up to a period of 17 years (depending on content type -- To Be Specified), with a single renewal for the same period of time
      -Copyright expires upon the death of the copyright holder.
      -Copyrights cannot be assigned to another entity

      All this seems unnecessarily complicated. Why not just a flat copyright term which can be transfered to any individual or corporation? Is there a reason a copyright should become less valuable toward the end of a person's life? Let it act like property; the copyright passes to the next of kin. Moreover, except for the death clause, I don't see any real difference between corporate and private ownership of a copyright, unless you just decide that you don't like corporations.

      -If a work has some form of access control, that access control must be disabled when the work enters public domain

      By who, exactly, if the author has just died? I don't think there should be an extra burden placed on anybody who creates an original work, even if they decided to encrypt it before releasing.

      -A working implementation of the patented process must be provided (upon request of USPTO)

      Disagree here, too. What about the clever inventor who has a brilliant idea but doesn't have the money to implement it? How does he keep venture capitalists from simply stealing his idea? The whole idea of patents is to provide an incentive for people to publish their ideas without the fear of having them stolen. This restriction encourages people to keep them secret until they are able to provide a (potentially very costly) implementation.

      My big beef with patents as they stand is not the patent laws themselves, but the ways that they are enforced. It is far too easy to slip a silly patent through the USPTO and far too difficult to challenge its novelty.

    20. Re:Here's mine... by elmegil · · Score: 2
      Seriously, the answer is clear. The copyright would be owned by the PERSON who writes a bit of code. There would be no copyright on the whole package. For code that is rewritten by other people inside the same company, they would all sign agreements that they allow royalty free perpetual licenses to everyone else in the company.

      Unfortunately it's not that simple. What if the only change I make to the code is going through and renaming a particular variable because it is colliding with a different namespace? Do I then own the copyright on that variable name, but none of the rest of the code? I'm sure anyone who's programmed much can think of many other examples of "microchanges" that don't lend themselves well to this model of copyright.

      --
      7 November 2006: The day Americans realized corruption and incompetence weren't addressing 11 September 2001
    21. Re:Here's mine... by Luyseyal · · Score: 2

      Since corporations don't die naturally, poster wants to reinforce the expiration in other terms than years. My interpretation works thusly:

      A copyright lasts so long as any individual who contributed to the work still lives. So, e.g., as long as one of Mickey's designers lives, the copyright remains in force. While a corporation can hold a copyright on behalf of the collective of individual contributors (essentially making it the owner), the true owners remain the contributors. Their deaths expire the copyright, period. Go go gadget Constitutional Amendment!

      This still allows for the buying and selling of copyrights between _holders_, but also restricts the terms to something reasonable and not dependent on the whim of Congress, i.e., the lives of the _artists_.

      $0.02USD,
      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
    22. Re:Here's mine... by Amazing+Quantum+Man · · Score: 2

      Copyrights cannot be assigned to another entity
      -->Currently this can be done (and patents as well) under liscencing. Otherwise - you wouldn't see all the cool Star Wars toys made by Mattel, not-so-cool Episode II Crunch by General Mills, etc. Eliminate liscencing and you're limited to whoever owns the copyright having to promote and pay for all of their own stuff.


      Note that I had no objection to a copyright holder licensing use. I objected to a holder giving his copyright away to someone else. Since the purpose of copyright is enumerated in the Constitution in the copyright clause ("To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;"), transfer of copyright does not promote the Progress of Science and the useful Arts.

      --
      Fascism starts when the efficiency of the government becomes more important than the rights of the people.
    23. Re:Here's mine... by Anonymous Coward · · Score: 0

      The USPTO must conduct a good faith search for any prior art


      how about changing the burden of proof? when prior art is discovered, the patent owner has to prove that (s)he could not have known about it

    24. Re:Here's mine... by sheldon · · Score: 2

      All copyrights must be held by a private individual. No corporate entity may hold a copyright.

      If a team of 100 people create a piece of software, who owns the copyright? I'm sorry but I see a need for corporate ownership, however I do think that musicians should have the same privileges as authors in that the copyright should not fall to the publisher.

      Copyright terms may vary up to a period of 17 years (depending on content type -- To Be Specified), with a single renewal for the same period of time

      I think 35 years is fair. That would be one generation.

      Copyright expires upon the death of the copyright holder.

      No, stick with the fixed time period with the copyright passing to the heirs.

      Copyrights cannot be assigned to another entity

      If I want to negotiate this as the creator of the work I should have the freedom to do so.

      On Patents, I still disagree with your anti-corporate attitude.

      A working implementation of the patented process must be provided (upon request of USPTO)

      This I agree with...

    25. Re:Here's mine... by ninewands · · Score: 2

      Almost every corporation that I have been employed by had a term in the employment contract that prospectively assigned the employer all rights in any patents granted to me as a result of my work.

    26. Re:Here's mine... by Artagel · · Score: 2

      All copyrights must be held by a private individual. No corporate entity may hold a copyright. Copyrights cannot be assigned to another entity. Patents must be held by individuals, not corporate entities.

      Why does a creative person have to devote his life to being a collection agent on his work? The only point to this rule is to require each artist to hunt down the people ripping him off. This is anger talking, not thinking.

      Copyright terms may vary up to a period of 17 years (depending on content type -- To Be Specified), with a single renewal for the same period of time

      Having the term depend on content type can make sense. It is probably harder to make money from a book than a movie. For some things, the value comes in preventing copying, e.g. original oil paintings where the intent, and a fair bit of value, comes from it being the only of its kind.

      Copyright expires upon the death of the copyright holder.

      Writer dies in car crash before book gets published. Too bad for his wife and kids! Sucks to be them.

      Only physical objects and processes may be patented.

      The exclusion of compositions of matter was probably unintentional, unless you really don't like new chemicals of any sort.

      A working implementation of the patented process must be provided (upon request of USPTO)

      A supertanker, a dam, an interstellar rocket. Ooh. That's good, what about things that can only be assembled in outer space?

      The USPTO must conduct a good faith search for any prior art.

      The sad part is that they do. Search is a function of budget, and Congress impounds fees from the PTO, and does not support it at all.

    27. Re:Here's mine... by gilroy · · Score: 2
      Blockquoth the poster:

      Their deaths expire the copyright, period.

      You know, this is something that really bothers me, because apparently no one else sees it: Tying expiration to death just dumb. People are living longer. In a century, the expectancy might rise to 80 or 90 or... 200? 300? Aging is a problem solvable in principle. I tell my students that they, or their children, will live effectively forever. I'm pretty sure I'm right. So should any copyrights they hold also live forever?
    28. Re:Here's mine... by juggleme · · Score: 1
      All this seems unnecessarily complicated. Why not just a flat copyright term which can be transfered to any individual or corporation? Is there a reason a copyright should become less valuable toward the end of a person's life? Let it act like property; the copyright passes to the next of kin. Moreover, except for the death clause, I don't see any real difference between corporate and private ownership of a copyright, unless you just decide that you don't like corporations.


      In a perfect world, that seems reasonable. When corporations start pushing through laws that extend their own copyrights, it becomes an issue. They have too much power to be trusted with ownership. In my mind, it's kinda the same thing as socialism, at least on a more focused scale.

      My other beef is that if a corporation (or any body that didn't orginate the work) has the copyright on something that you contributed too, you yourself lose the rights you should have to that work. See any arguments between bands and their labels for reasons why this is a bad thing.

    29. Re:Here's mine... by Cyno · · Score: 1

      If the president of the company dies then all their creations fall into public domain. If, however, the software in question was started by someone in the company other than the president, when the pres died that other person would still own the copyright to their code. This way no OS or application could exist for more than 100 years without its copyright expiring, and the real author gets total control of the app, including all the modifications paid for by his employer. Does a corporation deserve the rights to a product created by someone else? Do you? I don't.

    30. Re:Here's mine... by gerardrj · · Score: 1

      I'll turn that around on you. Why SHOULD corporations have copyright and patent ability? I see nothing in the US Constitution or Bill or Rights that states corporations or businesses have any rights in this country.
      The Declaration of Independence states "We the People...", not "We the people and the companies and businesses".

      Then just from a logistical standpoint, companies do not produce/invent/write things. People do that for the benifit of the company. In the instance of Microsoft, without PEOPLE working on the code, a program would never be produced by the company. Hence, the company should not own copyright, but the people who wrote the code should, individually or in groups.

      The only reason the IP laws are interprited the way they are is because the corporations tossed a lot of money at the politicians and lawyers to argue thier side. With the politicians paid for by the companies, the PEOPLE have no voice to argue for them as the Constitution intended.

      --
      Article X: The powers not delegated... by the Constitution...are reserved...to the people
    31. Re:Here's mine... by sacolcor · · Score: 1

      > * Copyright expires upon the death of the copyright holder.

      Umm....wouldn't this create an potential incentive for homicide?

    32. Re:Here's mine... by Amazing+Quantum+Man · · Score: 2

      And wealth goes to the heirs upon the death of the property holder. What's your point?

      --
      Fascism starts when the efficiency of the government becomes more important than the rights of the people.
    33. Re:Here's mine... by Anonymous+Covard · · Score: 1
      -If a work has some form of access control, that access control must be disabled when the work enters public domain

      By who, exactly, if the author has just died? I don't think there should be an extra burden placed on anybody who creates an original work, even if they decided to encrypt it before releasing.

      Solution (for the U.S.A.): A non-controlled copy of any access-controlled work must be supplied to the Library of Congress, who will safeguard the work during the copyright term, then provide copies to the public domain upon expiration of copyright.

      --
      Information wants to be free -- but informants want to be paid.
    34. Re:Here's mine... by MikeTheYak · · Score: 2
      In a perfect world, that seems reasonable. When corporations start pushing through laws that extend their own copyrights, it becomes an issue. They have too much power to be trusted with ownership. In my mind, it's kinda the same thing as socialism, at least on a more focused scale.


      Seeing as how we're trying to establish what the laws ought to be, the point is moot. An evil rich corporation could use its influence to have copyright laws changed, giving corporations the right to own copyrights. Furthermore, I don't think a corporation is any more trustworthy than an individual, and there are plenty of individuals worth more many than plenty of corporations. I don't buy that the problem is with corporations themselves.


      My other beef is that if a corporation (or any body that didn't orginate the work) has the copyright on something that you contributed too, you yourself lose the rights you should have to that work. See any arguments between bands and their labels for reasons why this is a bad thing.


      The problem here is with the contracts bands sign with the record company. If a band doesn't sign over a copyrighted work, the company does not own the copyright. The lesson here is not that there's something wrong with corporations owning copyrights. It's that people should read the contracts they sign.

    35. Re:Here's mine... by MikeTheYak · · Score: 2
      Solution (for the U.S.A.): A non-controlled copy of any access-controlled work must be supplied to the Library of Congress, who will safeguard the work during the copyright term, then provide copies to the public domain upon expiration of copyright.


      So the Library of Congress has to store every single encrypted creative work? If I make an eight hour video of my cat sleeping and slap a cheap encryption on it, the LoC has to archive it? And your tax dollars will pay for it? The nice thing about current copyright laws is that they happen automatically with no government intervention until there's an actual dispute.

    36. Re:Here's mine... by PatientZero · · Score: 2
      Others have already addressed the problem that most copyrighted works (though only software has been mentioned here) are a collaboration of many people. Since you cannot assign copyright to one person, nor pieces to individuals, a legal entity (corporation) is needed. I don't have a problem with this, and the only issue I see discussed is when tying copyright length to the death of the holder. I don't think death should have anything to do with it for the reason below.

      Copyrights were created to promote the creation and dissemination of various media (articles, books, music, poetry, software, movies, et al). In order for authors to invest their time and money into creation, they had to be assured some method of being compensated for allowing the public to use their works. However, most media created today is not the sole effort of the authors. It sometimes costs a lot of money to produce it, money the authors do not have. So other parties fund the effort in exchange for some promise (or rather opportunity) of future compensation.

      • Software companies pay developers to write software.
      • Publishers pay advances to authors to write books and employ editors.
      • Record companies pay for the studio time so artists can record.
      • Newspapers and magazines pay writers and fly them around the world to report.
      • Movie studios front millions of dollars to produce a movie.

      If we bar corporations from holding the copyrights or tie the copyright term to the life of the author, then these external parties will be reluctant to fund the creation of media. The effect would be the same as if the authors didn't receive a copyright.

      Really, the only gripe I can coherently voice is the perpetual extension of the length of copyright term that has occurred throughout history by the corporations that hold the most lucrative copyrights, mainly Disney from my limited understanding. This squarely points to the political control corporations wield in the U.S., which stems directly from the fact that it costs millions of dollars to run an effective campaign. The problem is that money can buy far more votes than the actual stance of the politician, thanks to media control.

      --
      Freedom to fear. Freedom from thought. Freedom to kill.
      I guess the War on Terror really is about freedom!
    37. Re:Here's mine... by IroygbivU · · Score: 1
      Copyright expires upon the death of the copyright holder.

      Front Page news year 2003, "New IP laws arrive, world celebrates".

      Front Page news year 2004 "Pandemic of economically motivated assassinations involving inventors"

    38. Re:Here's mine... by Luyseyal · · Score: 2

      ...which is why there is the other provision of a specific year-based term. I like having multiple criteria in my WHERE clauses, don't you? :^)

      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
    39. Re:Here's mine... by Pseudonym · · Score: 2

      That doesn't work with, say, movies. At least the producer, the director, the screenwriter, the editor, the composer, the production designer, the costume designer and possibly even the actor might all have some claim on the copyright of a certain shot in a film. Securing rights to use that scene, and ensuring appropriate copyright attributions, would be nothing less than a nightmare.

      I think the original comment ignores the fact that nowadays, creativity is almost always a team effort.

      --
      sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
    40. Re:Here's mine... by Anonymous Coward · · Score: 0

      They could all yeild their copyrights to one person (say, the director, since he is the leader of the team) and, if they have a dispute, the copyright
      owner and the creator could go to court.

    41. Re:Here's mine... by Dwonis · · Score: 2
      Their deaths expire the copyright, period.

      Headline News: Bootlegger Murders Artist To Gain Publishing Rights

    42. Re:Here's mine... by Dwonis · · Score: 2

      There are still ways around that. Better not give them the incentive at all.

    43. Re:Here's mine... by nathanh · · Score: 2
      All copyrights must be held by a private individual. No corporate entity may hold a copyright.

      I strongly disagree. Even projects like the Linux kernel have 1000s of copyright holders. Private individuals (meaning SINGULAR) would be the death of collaborative projects.

      Copyright expires upon the death of the copyright holder.

      God no! People would be assassinating one another to end copyrights. This is an extremely stupid thing to put into law. The copyright must last independently of the current owner.

      Copyrights cannot be assigned to another entity

      What value does this have? Why shouldn't an author of a work be able to sell it to somebody else, if they so choose? It seems you're taking away the rights of the author.

    44. Re:Here's mine... by mpe · · Score: 2

      Headline News: Bootlegger Murders Artist To Gain Publishing Rights

      In that case just ensure that they cannot publish from their jail cell.

    45. Re:Here's mine... by mpe · · Score: 2

      Front Page news year 2003, "New IP laws arrive, world celebrates".
      Front Page news year 2004 "Pandemic of economically motivated assassinations involving inventors"


      Front Page news year 2005: "First programme on new TV network, corporate execution of all RIAA and MPAA members."

    46. Re:Here's mine... by kogs · · Score: 1
      Patent

      • Patents must be held by individuals, not corporate entities


        The ecomonics of building factories means that corporations are going to want to have the exclusive benefit of a patent, even if they do not own it as such. What would happen if an engineer changed jobs, would the patent rights go with the engineer and, if so, why would anyone pay engineers to invent?

      • Only physical objects and processes may be patented.
      • (Corrolary) No patent shall be granted for algorithms or business processes

      • Naturally occuring results of processes may not be patented (ex: DNA)


        You are in the mainstream with these. The US is pretty much out on its own in the degree to which it allows patents for these. See for example Art. 52 European Patent Office and this mauling of Dell by the UK Patent Office.

      • A working implementation of the patented process must be provided (upon request of USPTO)


        Not really possible if the patent application is for a nuclear power station. However, part of the patent deal is that the description is sufficient to teach other skilled people how to work the invention. If the Examiner is suspicious he should raise an objection on this ground but there may be other ways of proving the invention, e.g. using computer models.

      • The USPTO must conduct a good faith search for any prior art


        I think that this is a little hard on the USPTO, which is pretty robust in its searches compared with some other patent offices. If there is a quality issue, it will be down to resources and individual staff competency rather than bad faith.

  33. "Cut out the middleman?" There ya go. by Gryffin · · Score: 1

    What laws can be written that will be fair both to content creators and to users, while cutting the middleman?

    You just answered your own question.

    IMHO, the single easiest improvement would be to forbid corporate entities from owning copyrights they themselves did not create. The creator of the intellectual property should retain sole ownership; they may licence others to make use of their work, but the creator should always have complete rights to their own creations.

    --
    Learn from the mistakes of others. You won't live long enough to make them all yourself.
    1. Re:"Cut out the middleman?" There ya go. by Anonymous Coward · · Score: 0

      This idea can be stated concisely as follows: "There shall be no works for hire."

      I am not arguing for or against the idea, just giving you a phrase that expresses the idea using the language of copyright.

      AC
      --

  34. I think that the best laws by Qwerpafw · · Score: 1

    In my opinion the best times for IP laws were when computers were first introduced to the public. (By computers I mean PCs, and by public I mean at prices less than $10K)

    It was generally accepted that some pirating would occur, yet companies let you copy (once) their media for "backup" purposes, et etc. And none of this futzing around with rights management. The users were innocent until proven guilty.

    Furthermoe, free speech prevailed. If someone wanted to reverse engineer a BIOS (like, say, IBM's), they could do it without being prosecuted. They could even distribute that knowledge around. They could even sell that reverse-engineering work (like, say, compaq).

    So times were simpler and better then. Its a pity I remember it, because otherwise I wouldn't be able to realise how bad things are now.

    And one other restriction might be nice: If ALL IP was relinquished after 14 years, in a method similiar to patents. For all software. THis is not such a bad idea--before you go screaming "NoOoOoOo. No-one will work! No incentive!" remember that patents work a similiar way. And plenty of people patent stuff. Furthermore, given the rapid pace of change in the computer industry, don't you think that 14 year old stuff wouldn't be a giant competitive advantage? If it was going to succeed, it already did.

    This would also apply to copyrighted stuff--To get a copyright, you'd have to agree to release the material in its entirety to public domain (though copyrights might be more, like 30 years, since books and so forth are relevant longer)

    Imagine Bach today. Would he demand licensing fees for all his music being used in movies? Would he demand that people distributing his "source code, or musical scores, be prosecuted? Would he demand that anyone infringing on his style of classical music be prosecuted? Would people just laugh at him?

    Now consider the computer and media industries. Pretend they were Bach. While Bach's stuff was obsolete in 100 years (but still wildly popular), their products will be obsolete in 20 years. Is what I suggest that preposterous?

  35. Several simple but effective changes by StupidFodder · · Score: 1
    • The patent service should not be a central government-controlled monopoly. Instead, independent patent registration services should flourish competitively, with conflicting registrations at different services being resolved simply by which registration was acquired earliest. And in a competitive system, registrars that do a better job of investigating prior art will earn a more respected reputation for the legitimacy of their patents in the courts and in the marketplace.
    • A patent should only last for 5 years, period.
    • In any patent dispute case in court, the loser should have to pay entirely for the defense costs of the winner, in addition to any damages owed.
    • In any patent dispute case in court, the general public should be able to provide prior art evidence to the court during an open discussion period, and if the judge ignores prior art in his/her decision that should be automatic grounds for appeal.
    1. Re:Several simple but effective changes by Anonymous Coward · · Score: 0
      1. A product must have been in production for two years before a patent can be applied for.
      2. A product must be a trade secret at the time the patent is filed for
      3. First filer wins.

      "In production" means either the invention has is on sale or that the invention is in use creating a product on sale.

      This will filter out trivial and useless inventions, the useless ones will never make the two years in production test. And the trivial ones will be duplicated within the two years, and published to avoid the monopoly. (and so fail the trade secret test.)

    2. Re:Several simple but effective changes by Anonymous Coward · · Score: 0
      A patent should only last for 5 years, period.

      5 years is not long enough for most drugs to get out of animal testing, let alone become a salable product.

      5 years is barely long enough for a component to be incorporated into (eg) automotive designs.

      5 years is much less than the time required to design & fabricate (eg) a bridge.

      5 years is just about the entire life cycle of a PC

      Universally applicable rules are difficult to write, which is part of the reason there are so many crappy laws.

  36. Re:Copyrights on software should be widened by Anonymous Coward · · Score: 0

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  37. Fairness by Spazmania · · Score: 1

    1) No IP outlives its author, or one half of a "lifetime" if the owner is a company or organization other than the author.

    2) Anyone who implements technical impediments to fair use (or use after the expiration of the IP) loses the right to punative damages (that is, can only collect real damages) due to infringement.

    3) Consumer right to transfer an owned copy of an IP from one physical media to another (CD to a tape or mp3, painting to a computer image, etc).

    4) Unvoidable consumer right to own any IP in his legitimate posession with all rights of an owner of one copy. (Come on, copies aren't a limited resource. There is simply no justification for the rental of IPs.)

    5) Require DMCA infringement claims to prove that the primary purpose or use of a technology is infringement (and not some legitimate use).

    6) Right to modify an owned copy of an IP in any way (but not to redistribute the modified copy).

    --
    Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    1. Re:Fairness by Spazmania · · Score: 1

      Brain fart: replace "redistribute" with "reproduce" in #6. Of course you can redistribute your copy... You just can't make new ones.

      --
      Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
  38. How about 14 years... by gnovos · · Score: 2


    Naw, that's a stupid idea.

    --
    "Your superior intellect is no match for our puny weapons!"
  39. DigitalConsumer.org Bill of Rights by rmohr02 · · Score: 1

    The DigitalConsumer.org Bill of Rights seems like a great middle-of-the-road choice.

  40. let freedom rain by GreenCow · · Score: 0

    i think the ideal solution would be if we would all start using www.fairtunes.com and sending donations to the artists we listen to, and once the artists have enough money to sustain themselves making music without the industry's paycheck, they can start giving away their music on their website..and we've gotta support these free artists even more so they'll stay on that track. they could still sell cd's through the industry if the industry will accept them giving away music as well.

    i had also imagined something like a winamp plugin that would track all the songs you listened to and make a division of donations report to send with your 20 bucks a month to fairtunes.

    encryption and all this stuff preventing people from copying music will ultimately fail..people will protest and stop buying music altogether if the industry attempts to pass that. and there will always be ways to bypass it, if it comes out of my speakers i can record it unencrypted and redistribute that.

    oh ya and bush shouldn't be in the white house www.michaelmoore.com read the book..take action

    =)

  41. MiddleMan? by Anonymous Coward · · Score: 0

    Right now the only people who LIKE the current laws ARE the middle men.

    Publishers, "Assosiations" (MPAA RIAA), Corporations.

    Actual content creators, (musicians, programmers, authors) are doing everything they can to get their work out to the consumers. In the past the middle men HELPED this process. Now all they do is HINDER the process.

    There's actually quite little wrong with the laws (other than the obvious). Where is all breaks down is because it they were made to balance content creators with consumers, however, with the current all-powerful MiddleMen, the two parties never get a chance to talk to each other.

    (Distributors, Publishers, and Producers...Gotta hate'em. However, how else would you come up with $130mil to make Spiderman.)

  42. Shorter is better. by scenic · · Score: 2
    Reduce the duration of copyright, trademark, patent, etc. back to some smaller duration. It's more than just going back 10 years, it means going back at least 40 years, and probably 100 years or so.

    I would also be in favor of significantly shorter durations on software patents if we're going to have them (2 or 3 years max?). Of course, the best thing to do would be to eliminate them entirely, but I'm trying to be realistic (in this dream scenario ;-) ).

    For patents in general, I would suggest that we find a way to shorten the amount of time it takes for for the USPTO to turn around patent applications. It's too slow. The length of time it takes to turn around a patent applicaiton often itself leads to several kinds of abuse. I'm sorry to say that I have no meaningful suggestion on this topic, other than throw more people at it.

    I've also often thought about a Fair Use Amendment to the Constitution that would codify the basic thinking behind fair use, and would create a definition of what fair use is and why we need it as a society. Academic research, and fostering creativity need. I realize that this is controversial, and would be very difficult to properly write, let alone pass, but the existing lines in the Constitution get ignored so often because they don't come out and grant fair use.

    If a constitutional amendment is outrageous, than at least some legislation that would make it clear that no law can ignore certain basic provisions.

    Finally, I would ask that we legislate the rights of corporations by not defining them as people, and defining what rights they have. This is by far the single most onerous situation in our current legislative landscape. Corporations aren't people. They shouldn't have the same rights as you or I.

    Sujal

    --

    politics, food, music, life: FatMixx

  43. Entire revamp of system is necessary by ari{Dal} · · Score: 2

    Unfortunately, it's not gonna happen. Why? Because the law moves slowly.

    One of the first lessons I learned in law school (yes i admit, i was a law student before i started a real job in programming), is that the law is like a supertanker. Big, clumsy, awkward, and once you set a course, you'd better hope no icebergs get in the way, cause it's damned difficult to change course or stop.

    Our common law system works kinda like a pecking order. The supreme courts are at the top of the order, and anything they say cannot be countermanded by lower courts. So the only way to even think about getting a law that's been given the stamp of approval by the highest court is to go through a lengthy and expensive round of appeals all the way up through the justice system. and that's only if they choose to hear the case in the end, and assuming they do hear it, that the majority changes their minds on their previous stance. They could just say 'we've already done this. we're not doing it again' and stop your appeal right there. Of course, by the time you get to this stage, most of the judges that heard the last case are probably dead of old age, and new ears are hearing it.

    So, best case scenario you try and change a law that hasn't been brought to the supreme court yet. Unfortunately the ones backing laws like the DMCA are the big boys, with deep pockets, who can afford all the highly paid, specialized lawyers they want. Most of em just keep pushing knowing that the little guy doesn't have the time or money to keep up with them. They can appeal all the way up the ladder, and wait for you to run out of money and patience. When/if that happens, they automatically win.

    Personally, I'm completely pessimistic about seeing any real changes coming our way anytime soon. It's in the best interests of the government (they do get paid to make laws like this after all), courts (who get paid to interpret the laws), and big business (who get to keep their stranglehold on everyone else) to keep things just as they are.

    --
    Moral indignation is jealousy with a halo - H. G. Wells
  44. Re:Give companies control of information they crea by Nutcase · · Score: 1

    You would have groups like music companies that automatically reissue a single, well documented, copy of every album in their catalog every 4.9 years. It would be an auction or something. And as soon as the copy was sold and delivered, agents would patrol p2p network suing anyone who was sharing those files under the pretense that only 1 person can legally own those versions. And that would be all it took to maintain their permenant hold on all materials, even if they have no intention of ever issuing it again on a larger scale.

  45. "Fair" "Both Sides Happy" by Anonymous Coward · · Score: 0

    Customers: "Fair" let us watch/read/listen to what we want, when we want, where we want after we've paid for it.

    Big Media: "Fair" you pay for every second of watching/reading/viewing as much as we choose and you watch *every* bit of crap we produce, paying over, and over, and over for centuries.

    And you want to make BOTH sides happy? (Sound of long, loud, disbelieving laughter)

  46. Dire Predictions Too Strong by Anonymous Coward · · Score: 0
    However, nullifying all IP laws is IMHO a bit too strong, because there will be no incentive to create anything for mass market sale except out of goodwill, or for leveraging other revenue (aka Linux).

    Nonsense.

    Before copyright and patents, you still had people creating art and inventing devices and processes. Putting copyright and patents under the same umbrella -- "IP" -- is a bit misleading, as the protections and justification of same for each are different. The end goal, however, is the same: that the public should have unfettered ownership of the "property" so protected after some time.

    The problem is that IP laws are being used to steal that "ownership" from the public without giving anything back.

    Consider patents. The alternative to this protection is not the cessation of invention and innovation -- it is a return to trade-secrets and oaths of secrecy.

    Oddly enough, that's pretty much what we have now. So where would be the change? Patents are used to block innovation and to suppress invention. Doing away with 'em would most likely stimulate invention and innovation, or at least do no harm.

    And copyright is frequently seen as a defense against plagiarism, which is arrant nonsense. Plagiarism is truly theft (and work-for-hire contracts that allow another to remove or change the attribution associated with a work is still theft, even if legal), and is not what copyright protects. Copyright grants a limited monopoly to reproduce (for sale, presumably). Note the limitation.

    Unlimited restriction of duplication is far worse than no restriction. Would the creation of art, be it graphical or as words, cease with the abandoning of copyright? Not at all. Would there be a period of disruption? Certainly.

    Would publishers stop making, and bookstores stop selling, books? Hardly. Would everyone stop writing things to print? Not at all. Would it be different? Yes.

    But would all incentive vanish? Not at all.

  47. Re:The concept of intellectual property has got to by Blindman · · Score: 3, Insightful

    The problem with your plan is that there would be no sharing of information. If you outlaw intellectual property, then there is very little incentive to share ideas with others. That would basically mean that companies and people would hide their ideas, and much time would be wasted by having multiple companies repeatedly inventing the same things.

    The idea of intellectual property laws is to encourage sharing of ideas by granting exclusivity to the creator for a limited amount of time. I believe that idea has been corrupted by corporate interests, but I don't think we should throw out the baby with the bath water.

    --
    I don't practice what I preach because I'm not the kind of person that I'm preaching to.
  48. Reasonable Time Limits by Bob9113 · · Score: 2

    Copyright time limits should be dramatically shortened (and copyright law should punish those who violate copyright, not those who engage in actions which may lead to other people engaging in other actions which may lead to copyright infringement - but I digress). How short? IMHO maybe 20 - 25 years, but that's not based on much real analysis.

    Patent is a bit more complex - the core problem I see is that some fields (EG: computer science) are advancing so rapidly that even a 7 year patent seems astronomical. Meanwhile other fields (EG: heavy industry) are more established - patent worthy innovations are far more rare, require significantly more up-front investment, and take longer to build a market. This is problematic - 4 year patents would be insufficient for the automotive industry, but 15 year patents would strangle computer science.

    It seems that the most efficient solution would have to have different patent expiration periods for different industries. The inevitable result would be increased corruption and reliance on lawyers.

  49. The Greatest Good for the Greatest Number by Tri0de · · Score: 3, Insightful

    All laws and systems exist, in the end, to ensure the Greatest Good for the Greatest Number.

    Thus the goal should be to ensure sufficent renumeration for the creators to have an incentive to create while ensuring that the products of their creativity are made available as soon as possible to serve as the foundation of further creativity.

    The question, of course, is quantification of the length of time; 3,5,7 or 99, years.
    Secondary question: should all forms of IP have the same protection? Arguably, a patent should expire, but what about a Trademark?

    IMHO the Constitution got it right with 7 years for a patent. I cannot see ANY justification whatsoever for Copyright to extend past the life of the author. Trademark *IS* important, if you buy a Plextor drive or drink Jolt you have a right to be sure that the product you get is the product you expect to get; otherwise it's fraud. But I do think that Trademark should be subject to Fair Use, especially in the realm of satire and product review.

    "Our" core geek mantra is sound "Information Wants To Be Free". The greatest good for the greatest number is best served by erring on the side of too free a dissemination of information rather than too restricted, if err we must-and err we will!

    --
    "Everyone is entitled to their own opinion, but not their own facts."
    1. Re:The Greatest Good for the Greatest Number by Anthony+Boyd · · Score: 3, Insightful
      Arguably, a patent should expire, but what about a Trademark?

      That's a good question. One of the problems that Disney has inflicted on America is this: because it doesn't want Mickey Mouse to be used by competitors or pornographers or whatever, it is forcing all copyrights to be extended. But if Disney could protect something that has become so central to its identity without locking up everything else, that might be a great compromise. If you could revert copyright back to its original form -- 17 years plus an extra 17 years if requested -- and then let Disney put the "ears" (the round black Mickey Mouse ears) into a permanent trademark, you might be able to give Disney the lock it wants while at the same time freeing insane amounts of copyrighted material.

  50. Prerequisite: A "fair use" bill of rights by dcavanaugh · · Score: 2

    Given the opportunity, the media middlemen will outlaw or surcharge for anything resembling fair use. They seem to think that encryption and legislation will let them turn every user's activity into a revenue stream. If this becomes a "pay-per-click" world, then I'll join the opposition.

    Job #1 is to define precisely what fair use is, and to enact meaningful penalties for those companies who violate it. It might be as simple as legalizing piracy of those products that violate the "Fair Use Bill of Rights (FUBOR)". Want to market a non-standard/crippleware CD? Great, but you have no recourse against anyone when it's cracked and P2P'ed onto every PC between here and Jupiter. To me, the concepts of backup, time-shifting, space-shifting, and media-shifting are fundamental. Those distributors who play games with the fundamental principles of fair use should be left to suffer the wrath of the hacker community.

    Make no mistake, the consideration of consumers' rights is key to the process. Currently, the DMCA and other related legislation makes it a clear-cut battle of all consumers against all media distributors, or "the pirates" vs. "the greedy sleazebags". The current one-sided approach to legislation is not going to achieve voluntary compliance. Anyone who chooses to crack, copy, and distribute their media will think of their actions as the modern-day equivalent of "The Boston Tea Party".

    The media companies need to realize that their interests cannot be fully protected without consideration for their customers.

  51. I wouldn't even try by slam+smith · · Score: 1

    How would you revise or restructure IP and copyright law to make both sides of the fence happy?

    It just pissing in the wind.

  52. Until the dictator dies by bluGill · · Score: 1

    If I was going to re-engineer goverment, the constitution would be mich simpiler:

    The president shall be choosen randomly from all adults.
    The president shall have power to write all laws, or set up bodies to make laws.
    In all cases the president shall be the highest judge in the land.
    The president shall have sole power to declare war and approve treaties

    On death of the president
    All laws and treaties shall be null and void
    All prisoners shall be free
    All taxes and fines due shall be forgiven.
    All goverment officals shall be fired.

    There shall be no punishment for killing a president.

    Note that failing in an attempt to kill the president might be illegal. Also note that ex post facto laws are not prhibited. A president who doesn't do a good job will soon find himself without a life, while those who do a good job are likely to be hit by a crackpot after a few years, preventing power from going to his head.

    It wouldn't never work, but it is fun to think about.

  53. get rid of copyright - create royalty rights by Mr.+Slippery · · Score: 1

    We can't successsfully regulate copying anymore. Any law that is based on restriciting the right to copy is therefore fundamentally flawed.

    We should drop the notion of copyright, and replace it with royalites on for-profit use of a work.

    The basic idea is similar to how songwriter royalties work today - I can sing in the shower and not pay anyone a cent, but when I sing at the bar and (theoretically) attract more business, or record and sell CDs of music other people wrote, the songwriters gets paid. (Theoretically. The current implementation is rather corrupt - we are dealing with the record industry here, one of the greatest concentrations of human scum on the planet.)

    Sharing information has become as easy and almost as commonplace as singing in the shower. We have to stop trying to regulate sharing, and instead focus on regulating selling.

    --
    Tom Swiss | the infamous tms | my blog
    You cannot wash away blood with blood
  54. A decision must be made by Theonewhois · · Score: 1

    Well, first of all, it needs to be decided which things constitute a licensed items, and which things constitute sold objects. When we buy the cd, do we own the music/software/whatever, or have we just paid for certain rights of use. If the first, then you can listen at will, sell to a friend, modify for your own uses etc. But there wouldn't be any copying really. You can't copy a car. If you lose or damage your cd, you'd have to buy another one. If you own a DVD and want to watch on a VCR, then you'd have to buy the tape version as well.

    On the other hand, if it was a license, then you'd pay once, or perhaps recurringly, and not be able to distribute, modify, etc. but because you have paid for the RIGHT to use the material, and not the material itself, if the cd was ever lost, or broken, etc. then the provider would have to provide another, or at least, it would be perfectly legal to burn a copy of a friend's disc.

    The problem is that both parties want the "best" of both worlds. Consumers want to be able to modify something they have bought, and sell it on to someone else once they're done with it. The producers on the other hand, want you to have to buy over and over again, and then don't want you to do anything other than their "approved" uses.
    In the end, one or the other must be picked, or perhaps a whole new paradigm for dealing with this new problems can be found, but until we can state concretely what the items in dispute actually are, we will never be able to regulate them or their sales/leasings.

    --
    Common sense is what tells us that the world is flat
  55. Sharply limited terms and subsidies for creators by wrt2 · · Score: 1

    Five-year copyright terms for content creators, transforming the Corporation for Public Broadcasting and the National Endowments for the Arts and Humanities into entitlements, and the demilitarization of the DARPA/ONR/RAND R&D model by shifting US R&D budgets to fund at least 60% non-military projects through NSF and new agencies to be created. Yes, more geeks (and artists, musicians, and writers) would have to get political. Yes, creators would be under pressure to produce more work, since one's exclusive window would be smaller (but, then again, ideas can get around the world much faster today). Yes, the risk would exist for a narrow-minded hypocrite (of which the world has a surplus) to attempt to suppress content which disturbs his or her sensibilities. However, such NMHs can be fought in the political arena -- and the payoff is nothing less than the rescue of the Internet from the eCommerce tarpit of the dot-com implosion and the creative arts from the AOLTWFOXDISNEYVIVENDI Borg collective.

    --
    -- "Why, Mr. Anderson, why? Why do you do it? Why get up? Why keep voting? Do you think you're voting for something?"
  56. Re:get your text here by jafac · · Score: 3, Insightful

    Your "no-labor, no-money" thesis sounds awfully flawed.

    So you're telling me that if two people enter into a private agreement, where one person gives a thing or idea to another, and in return, the other agrees to pay that person money, in exchange for the use of that thing or idea, for the rest of his or her life - that the government should make a law making such agreements illegal? Such a law would surely be unconstitutional, as well as impractical (how would you enforce it?)

    Also, I can think of one specific instance of a pretty good musician who would starve with your plan. Andy Partridge of XTC, writes pretty good music, and records some pretty good music, but he has an anxiety disorder which pretty much precludes public performances. How can somebody like that make a living? I guess he better get a job flipping burgers or something, society can do just fine without his Art, right?

    You're trying to turn this into an ideological argument of black or white, right and wrong - placing the whole notion of copyright as wrong and evil. When clearly there's a middle ground that could be found which would be beneficial to all. The problem with the broken IP Law system as it stands today is that the original interests of "public domain" are not represented by the current American zeitgeist of "Capitalism above all else". Because Capitalism was our sword of vengence in the holy war against Communism. As it turns out, it's a double-edged sword, and it's been turned against us by greedy corporations who exploit the concept of "Freedom" for their own personal gain. The middle ground, the balance has been lost. We've fallen down the slippery slope on the side of the giant corporations who wield too much political influence.

    The root of the problem is the influence. Remove that, and the voice of the people will be heard instead, and a balance will be restored. We should not tread down the other slippery slope of elimination of the concept of intellectual property, because things are different today - today's world, with today's population, and a technically advanced race of humans, NEEDS capitalism to survive. It NEEDS the concept of intellectual property. People need to profit from their ideas. We just need reasonable, balanced limits to be set. Quite departed from where we are now, and where you seem to want society to head.

    --

    These are my friends, See how they glisten. See this one shine, how he smiles in the light.
  57. One thing I've NEVER seen here.... by Compulawyer · · Score: 5, Interesting
    ... is a CONSTRUCTIVE criticism of software patents. I've seen plenty of comments that reduce down to "patents are bad" but no one ever says why. As a patent attorney who writes and litigates software patents I'd like to find out what exactly people are against with patents in this area. Is it because the USPTO has so few good examiners in the area that there is a sense that the quality of software patents is poor? Or is it simply that because there are so many talented programmers out there who can write code that does the same thing as the patented code that they don't want any impediments whatsoever? As for the former, I agree it is a concern, but one the USPTO is trying to address by hiring more (and more talented) examiners. As for the latter, I have serious problems because I see this as simply asking for special treatment in the eyes of the law.

    Patents are most necessary in areas where it is EASY to copy inventions. If everyone needed a few million $ worth of hardware to make the invention, the patent doesn't add that much value against the masses of people who want to copy your invention, it only protects you against the few who have the actual resources to do so. Every other industry has dealt with patents for years. It is time for the software developers as a whole to do so as well.

    --

    Laws affecting technology will always be bad until enough techies become lawyers.

    1. Re:One thing I've NEVER seen here.... by Eric+Damron · · Score: 2

      Not all patents are bad but in the case of a monopoly power such as Microsoft, don't you feel it would be easy to in order to maintain and expand their monopoly power? If Microsoft incorporates a patented protocol and then incorporates it in some way into their operating system it essentially becomes the standard due to the fact that about 98 percent of computers run their OS. Who can compete?

      --
      The race isn't always to the swift... but that's the way to bet!
    2. Re:One thing I've NEVER seen here.... by caesar-auf-nihil · · Score: 5, Informative

      In the chemical industry (where I work) here's how patents have gotten out of control and have become an inhibator to innovation, rather than a protector/promoter of innovation.

      It starts with patent examiners not being experts in the art. Therefore, what is "obvious to those skilled in the art" who wrote the patent is not obvious to the patent examiner. Therefore, you see patents where claims are made that have no basis in scientific proof because the patent examiner can't find a previous claim which would invalidate the patent claim. The reason for this is that the science behind the bullshit claim does not exist, and therefore, cannot be discovered as prior art.

      Here's another abuse of the system. Very often a company will produce a patent with no intention of actually practicing the technology. Instead, they do it to prevent their competitor, (who can make the chemical cheaper with their unique process), from making the chemical for profit. Instead, the non-patent holding company now has to pay a royalty fee to sell the chemical for its original use. So, the company without the patent instead never makes the material, no matter how good it is, because the proposed royalty fees are outrageously expensive.

      The patent system is not just broken in the area of software, its also broken in the scientific field. This is why you see corporations trying to patent DNA sequences, natural compounds, basic research, and everything they can to prevent others from using it. I imagine that the practices I listed above are probably also used in the software industry, where a company will issue a patent just to prevent someone else from using a similar piece of code.

      --
      -When going for broke, go for Ithaca!
    3. Re:One thing I've NEVER seen here.... by Jeremy+Gray · · Score: 2, Insightful

      I don't understand why some software is covered by patents (i.e. Unisys) while some is copyrighted (i.e. GNU). I'd like to see that resolved, one way or the other.

      I think software patents are bad simply because programs are expressions of ideas in a form that should be copyrighted. The ideas expressed are not dissimilar from those in books or recipes and other "idea" things that are usually copyrighted. Things that are patented are typically some material good or manufacturing process, or a "physical" thing, more or less.

      In other words, programs are more suitable for copyright than patenting. It seems that patents are counter to my notions of programming. It seems entirely unreasonable to me that I can't implement an algorithm because it is patented. It seems much more reasonable to say I can't plagiarize, but if I create my own implementation I can copyright it and so can the first guy and so can anyone else who creates an implementation.

    4. Re:One thing I've NEVER seen here.... by jafac · · Score: 4, Insightful

      Well, I'd tell you some constructive criticism, but it's patented, you see, so we'll have to arrange a licensing fee before you start building your software patent litigation career based on the mind-blowing information I have to tell you.

      Or, let me put it this way. Imagine where humanity would be today if 300,000 years ago, Oog the caveman had been granted a patent in perpetuity on his wonderful invention, FIRE. And that this patent was enforced. For the next 300,000 years, people might try to find ways around licensing Oog's invention, and probably fail miserably, because they have no sound foundation of knowledge to back up any other way to heat things. Possibly leaving things in the sun on a hot day, but those aren't really times you want stuff to be hot anyway.
      Without free use of fire, we'd be eating raw antelope meat and dying from parasites and whatnot. But that's beside the point. Nobody would have invented bronze, or iron, or any metal for that matter. Hell, we couldn't even fire mud-bricks to build houses, so we'd be living in tents made of animal skins and sticks, that is, when we weren't running from predators attacking our villages at night because we couldn't chase them away with fire.

      Oog becomes the richest man in the stone-age, with many wives. But he's not living in a mansion. He's still living in a fucking cave.

      --

      These are my friends, See how they glisten. See this one shine, how he smiles in the light.
    5. Re:One thing I've NEVER seen here.... by CaptainCarrot · · Score: 4, Informative
      IANAL, so I'm arguing at a significant disadvantage here, but maybe I'll learn something.

      The main problem as I see it is that the discipline of Software Engineering is still in its infancy. It doesn't even have the advantage that, say, Mechanical Engineering had at the beginning of the Industrial Revolution where all the basic building blocks (wheels, gears, pistons, cams, flywheels, etc.) had already been devised centuries before for the most part, and no one had to hesitate to make use of them for fear of violating someone else's IP rights. Software engineers are still, by and large, inventing the wheel. Or maybe we've advanced as far as the cam. The point is that all the basic tools of the trade, which in other disciplines were developed long before IP law was even remotely contemplated, are still in the process of assuming their standardized forms. It can only benefit "the progress of science and useful arts" to allow these tools to develop unimpeded.

      But there's another aspect that's a problem that you pointed up in your post when you said, "Or is it simply that because there are so many talented programmers out there who can write code that does the same thing as the patented code that they don't want any impediments whatsoever?" The task that the software is accomplishing ought not be patentable. Imagine if the inventor of the locomotive had been awarded a patent that covered any form of self-propelled conveyance. Had such a patent still been valid some 80 years later (and it wouldn't have been at the time, but bear with me -- we may be headed this way anyhow) then the inventor of the automobile would have had to license this patent to build the first car! Rather, it's the underlying method by which this task is performed (steam engine vs. internal combustion engine) that ought to be patentable, and as I understand it, traditionally has been in IP law.

      I don't say even that without a qualm or two, since computational methods (algorithms) traditionally have been in the domain of the academy, and in many cases patenting of an algorithm is as absurd as patenting a mathematical theorem. That is to say, it's to an extent an implicit property of the formal system in which it exists. But one does have to draw the line somewhere, and truly clever and innovative algorithms ought to be rewarded with a temporary monopoly, IMO. (But if the same task can be accomplished with an algorithm that is not mathematically identical, that's another story.)

      --
      And the brethren went away edified.
    6. Re:One thing I've NEVER seen here.... by Hobbex · · Score: 3, Insightful


      We dislike software patents because we do not see software as a product. We do not pay for the software that we use, and we do not charge for the software that we write.

      Patents make (some) sense when a product is involved: if you want to produce my invention as a product, then you have to share some of profits with me. If the product is a physical thing, then it is produced and sold in a market, so there is always money involved. Since our software is not sold (many of us (see other posts) don't even believe it makes sense to treat information as something that can be sold) there is never any money involved: none for us, and none to share with the patent holder.

      In essence, there are two different ways of looking at software: as product that can be sold, and as community developed and Free. These two dichotic attitudes can coexist right now because for the most part there is little intersection: my computer does not run a single proprietary program, and I have no need to. I don't bother people who do sell software, and they don't bother me. But software patents break this boundary: they are legal invasions by those who view software as a product into the world of us who don't. If an algorithm that we need for that program is patented - that does not compell us to play fair with the patent holder, that restricts us completely from having anything to do with it.

      Ask us what we feel about software patents if they affected only proprietary software and left free software alone, and I think most of us wouldn't really care. The business people can play there little games ad infinum for all I care.

      Also, you ask for "CONSTRUCTIVE" criticism against software patents - but the person in support of patents is the one asking for proactive legislation. Why don't you give "CONSTRUCTIVE" reasons why software patents are needed? Most studies have found that they are not economically beneficial at all, and there are many examples of how software patents hold entire fields back (look at encryption - modern encryption was invented in the late 70s, yet it was nearly unused when the patents expired in the late nineties, only to have become an everyday thing today).

    7. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0

      That argument doesn't work. The question wasn't why MS shouldn't be granted patents, it's about SOFTWARE patents. Your argument is only valid in pointing out the dangers of monopoly. If Acme Corp. produced 98% of the TVs in american households, and then includes some extra (patented) hardware that decodes programming information, which in turn makes that information a de facto standard, then no one can compete, right? Your case has NOTHING to do with software patents.

    8. Re:One thing I've NEVER seen here.... by akmed · · Score: 2

      As a guy who's going into law school to study this stuff, I think I can answer. :) There're most certainly some people out there who have never studied history and have no idea about the way things really work. Disregarding them (and crazy opinions they may have), the main problem really is the lack of qualified investigators. The USPTO can add investigators as fast as they want. But they've already sullied their name among the online community. I'm not sure that there're actually any software patents out there that have prior art that would've disqualified them. But if I had to put money on it I'd bet that there are. And the USPTO can't go back and just remove a patent they granted without a challenge being brought against it. The cost of lawsuits against patents and the (to my knowledge) patent holder friendly nature of such a suit makes it unlikely for all but the most limiting and undeserved patents to be challenged. If there was a system whereby someone could submit prior art (perhaps encurring a small fee to discourage limitless and dubious submissions) for a patent with which they disagree and have that prior art reviewed and the patent, assuming the prior art was very strong, revoked then people might be more content with the system. But ideas like that are the types of things that need lots of consideration before being implemented in some form (if at all).

      -Mike

    9. Re:One thing I've NEVER seen here.... by NoMoreNicksLeft · · Score: 2

      Oog isn't 30,000 years old. And he has a trademark on cavetrolling... I'd be careful not to dilute that if I were you.

    10. Re:One thing I've NEVER seen here.... by lux55 · · Score: 1

      This is exactly right. Software, just as other creative mediums, falls under copyright law. Imagine if music could be patented, it would just be absurd. Some jackass would try patenting the major scale, then everyone would be forced to buck up or accept listening to shitty music (oh wait, they do that already -- the radio).

      To the parent of the post I'm responding to:

      It is greed that pursuades people to patent things they know are not really inventions, and the problem is this greed is tolerated and even encouraged in our society. Telling programmers it's time they accepted patents as well shows you're either ignorant, in which case you shouldn't be making such presumptuous statements, or that you have dollar-signs in your eyes and you're just another greedy fuck, which is more likely seeing as how you placed your statements under the guise of a question.

    11. Re:One thing I've NEVER seen here.... by james_underscore · · Score: 1

      The reason why patents are bad is provided in the GPL. It states, effectively, that software that is patented basically cannot be included in free software. The problem is, when we say software, we're not talking about actual code for doing something, we mean the algorithm or process that the software performs. Correct me if I'm wrong (you're the lawyer) but this is what gets patented.

      An example is the story that at one time, I'm sure if its still there, was mentioned on the FSF site in an article along the lines of "boycott amazon". Apparently, amazon.com patented an e-business process the allows the server to store customer information via cookies on the customers hard disk, allowing a "one-click" ordering process. The problem is two-fold:

      a) This process is so obvious they really can't claim it's worth 17 years of patent protection, but (again you're the lawyer) I don't know if patents can be invalid on the grounds that they're bleedin' obvious, there was that story that someone patented swinging sideways on a swing.

      b) You can't make a free software system do the same thing without paying amazon royalties, but this can't be done within the limitations of the GPL, because when you obtain a piece of GPL's software, you should have the right to copy and pass it on freely, but this contradicts the patent, which insists that you have permission from amazon before you pass it on. The same problem arose with the GIF image format patent - it is still AFAIK impossible to make a free as in GPL GIF encoder.

      And that is why patents are unpopular with free software advocates.

      Regards,
      James

    12. Re:One thing I've NEVER seen here.... by Bob9113 · · Score: 3, Insightful

      1. Time Limit
      The pace of change in software is radically different than that of, for example, heavy industry. Software companies that cannot recoup their software R&D investment within a few years are malfunctioning, and should not be protected from the free market. They should die and their resources should be incorporated into faster companies. Software is one of the most aggresively self-catalyzing fields of research in history. To assume that the patent time frames that make sense in material sciences are equally valid in information science is irrational.

      2. Novelty / Non-Obviousness
      I would assume that this is most related to the quality of examiners. My personal example is the one click patent. When I was developing an online computer hardware sales sites in 1996, my boss asked if we could use cookies to store a person's information, allowing them to checkout more rapidly. He didn't get the idea from Amazon, and wasn't an expert in the field. The solution was obvious to anyone who knew anything about online shopping and cookies.

      I am not sure if the standard is obviousness to laypeople or obviousness to those in the field. If it is obviousness to the layperson, I would also find this to be counterproductive. Computers are such a rapidly advancing field that even IT professionals rarely have a solid comprehension of areas which are outside their specialty. To expect a layperson to even understand what a software patent is talking about strikes me as highly dubious, let alone using them as the standard of novelty and obviousness.

      Patents are most necessary in areas where it is EASY to copy inventions. If everyone needed a few million $ worth of hardware to make the invention, the patent doesn't add that much value against the masses of people who want to copy your invention, it only protects you against the few who have the actual resources to do so.

      I completely agree with this, and think you have left out a significant correlary. Patents are least necessary in fields where research and development costs are low or easily recouped. That is, if the cost of developing a new technology is low, or the speed with which the investment can be recouped is high, the length and/or force of a patent should be reduced.

      Patents are not intended to be an unquestionable monopoly in the Ayn Randian / solipsist sense. They are intended to maximize the economic benefit from R&D investment and from dispersal of technology.

    13. Re:One thing I've NEVER seen here.... by Chris+Colohan · · Score: 5, Insightful

      I believe the fundamental reason why software patents are viewed as flawed is cultural. Software developers are taught from day one that modularity is the best way of creating software. You start with your toolbox of parts (perhaps the functions provided by the OS and standard C libraries), and you build them up into more useful parts, which you then package as a new library. You then integrate those parts together into a program, which solves a problem in a useful way.

      The software engineer builds up a toolbox over time -- perhaps by creating lots of programs, by sharing with other engineers, or by purchasing libraries from other companies. It is assumed that if you write some code starting with just what you think up and what you find in your (legally acquired) libraries you end up with a piece of work that is yours to use and sell. Under copyright law this is true -- you only break the law if you copy someone else's code without their permission. Since it is clear who owns each piece of code, you know clearly if you are breaking the rules.

      Patents don't work this way. It is possible for an average programmer to write a program and not know they are violating a patent. The program can be used and/or sold for years without any clue that a patent is being violated. If the patent owner finds out, they can sue! If patents were only granted for truely novel software techniques that were not likely to be independently re-invented, then this would not be a problem. But this is not the case -- programmers have a valid fear that any piece of code they write might be violating somebody's patent.

      The software design process (as we know it) has no easy way for incorporating a patent search. Fear of being blindsided by a patent violation can fundamentally change how software development is currently done, by adding significant extra time and manpower to any project to ensure it is not infringing on any patents.

      As an attorney, would you like it if you could be randomly hit by lawsuits from other lawyers even though you are just doing your job? If for every case you prosecuted or defended you had to think up entirely new arguments on behalf of your clients, out of fear of re-using a patented argument that someone else has used before? Programmers like to create software, and like to use available techniques for doing so. Having to constantly worry about which techniques are currently "allowed" or "forbidden" just detracts from the real job to be done.

    14. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      Very simple.

      Accidential, independent, non-commerical re-invention of the invention is not a defence against patent infringement. When the R&D process involves several million dollars of manufacturing equipment, odds are I'm well aware of what is going on my industry (and an IP lawyer or two won't break the bank if I'm not). This is simply not the case in software. And with the patent office using the rather circular definition of: non-obvious==not already patented, I am at great risk of violating some patent somewhere accidentally. Even if I am writing pro-bono systems for charities.

      I submit the reverse challenge to you. Why should independent re-invention not be a defense against patent infringement?

    15. Re:One thing I've NEVER seen here.... by sproket · · Score: 1

      Our patent system exists to encourage our capitalistic system and to make it work better. One example where it works against this is in the ability to use a patent, or copyright laws, to lock up any kind of interface. Should printer companies give away their printers and make money gouging people for ink since no-one else can sell ink for their machines? Some might not see the problem with that; but in the end prices are less fair for consumers and higher in the long run. Software patents aren't necessary whenever code is distributed in binary form, because being a patent it should be novel and show some actual work in building on previous concepts. The only real use for them that I have seen is to control interface access to increase monopoly power beyond an entity's creative efforts.

    16. Re:One thing I've NEVER seen here.... by Alsee · · Score: 2

      a CONSTRUCTIVE criticism of software patents.

      The justification for patents is to motivate people to invent, and to get them to make the details public knowledge. The invention then falls into the public domain when the patent expires.

      Patents and copyrights are artificial monopolies. They can only exist with government enforcement. The only possible justifaction for the goverment taking up the task of enforcing an artificial monoply is for the public good. Private benefit is *not* an adaquate justification.

      I submit that there is no public benefit from software patents. (Copyright is beneficial however). I submit that software creation/research is never motivated by patent incentive, or that such cases are vanishingly rare. The only remaining motive is the enrichment of the public domain. This is already supported in *most* cases by "obviousness" when presented with the resulting program. It is further supported by reverse enginering. An even better solution would be to enact a short term (4 to 14 years) for software copyright protection, and to allow a single renewal conditional upon filing the sourcecode in government trust until the copyright expires.

      In case it isn't obvious, I am in favor of the origninal copyright term of 28 years. Society moves much faster than in did in the 1700's. The cycle of idea to invention to market to new idea is much faster. Most inventions/copyrights have much shorter comercially signifigant lifetimes. With an almost instant national/global market return on investments are realized almost as soon as the item hits the market. All of these factors weigh in favor of, if anything, shorter terms of monopoly protection.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    17. Re:One thing I've NEVER seen here.... by sheldon · · Score: 2

      It's mainly the result of the USPTO not having good examiners and allowing simple or stupid things to be patented... like business processes. Nobody can sell something with the single click of a button, etc.

      Then there is the silliness of patenting an idea that you yourself haven't really implemented. I could patent the use of computers to read minds, even though it's never been done and I certainly can't implement it. But if someone did do it within the next 20 years, they'd owe me some money.

    18. Re:One thing I've NEVER seen here.... by MarkusQ · · Score: 2

      OK, lets, start with your list:
      • Is it because the USPTO has so few good examiners in the area that there is a sense that the quality of software patents is poor? Putting it mildly, yes.
      • Or is it simply that because there are so many talented programmers out there who can write code that does the same thing as the patented code that they don't want any impediments whatsoever?...I have serious problems because I see this as simply asking for special treatment in the eyes of the law. Then you should look back at the roots of the law. You aren't supposed to be able to pattent things that are "obvious," which is pretty much the same thing as saying that there are a large number of people who could come up with the same thing if asked.
      Now for a few additions:

      • Algorithms are essentially mathematics, and as such should not be patentable. This was the generally held view up until a few decades ago, when truth and logic were sold down the river. Now we live in a world of Orwellian double think where we (as a society) agree that:
      • Mathematics (and laws of nature in general) should not be patentable.
      • Algorithms are mathematics
      • Algorithms are patentable This makes many people who still have their brains turned on uncomfortable.
      • Most software patents are re-worded prior art. The recognised technique is to take something well known, rename all the key elements, and then patent it. In any other field I think this would be called "fraud".
      • The purpose of patents is to encourage the development of useful arts. Software patents have the opposite effect, encouraging litigation at the expense of new development.
      How's that for a start?

      -- MarkusQ

    19. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0

      I have been involved in a patent application for software, and I've seen the objections and "prior art" from the examiner, which clearly showed that he just didn't get it. And, I suspect that this is not just due to the incompetence or overwork of the examiners; I think it's inherently harder to both understand and to find prior art for software.

      Compared to other disciplines, software is often more abstract, varied, and unique. We don't have much standardized terminology, making searches difficult. A new bridge is probably somewhat similar to and old bridge, and they probably have many similar components. But the number of things you can make a program do is so much more varied, that it's hard to have examiners that can understand them all, and find prior art for them all.

    20. Re:One thing I've NEVER seen here.... by debrain · · Score: 2

      For what reason are patents protected by force of law?

      - Preserve intellectual property. For open/free software, the preservation of intellectual property is a derivative of its use, a consequence of its distribution, so patents hold no value here.

      - Promote innovation. Software, like many industries (ie. the chemical one listed here), is a hunting ground for barrier-to-entry patents. It is a particularly good hunting ground given the general ignorance surrounding computers (see the 'obviousness' comments above; one click patents, gif compression, etc).

      - Remunerate effort. This undermines, nay: attacks, the community, as a whole and in parts, that free software develops in. We barter in time and code. Money screws with our system; it does not belong; it taints the incentives, the personal motivation.

      - Establish credentials. Free software has its own credentials - we review and are reviewed by our peers. A more accurate, precise, and diligent method than unqualified 9-5 patent clerks.

      - Distributes ideas. The internet does that for us.

      ...

      Why would we want software to have patents in the free software world? How do they add value? Why should they be protected by the force of law?

      This is one sided - from the spirit of my interpretation of RMS. Perhaps patents can have a valuable place in software, but they certainly do not seem to belong in open software.

    21. Re:One thing I've NEVER seen here.... by bhurt · · Score: 2

      I'm a software engineer. I make my living selling the fruits of my intellectual work. And I hate software patents.

      Why? Let's put the shoe on the other foot for a moment. The only way you should be able to use a computer is if you pay for a professional to sit at your left elbow and tell you what you can and can't do, and how to do it. No WSIWYG, no GUIs, no documentation. Oh, and failure to have a computer professional on hand while using a computer could lead to a fine of a million or more US dollars.

      Doesn't sit well, does it? Well, that's what is being asked of us programmers. We need an IP lawyer to sit at out left elbows to tell us what ideas we can use and what ideas we can't. Failure to do so can wind us up in court- and the average cost for an IP lawsuit is a million dollars. That's what a patent bust costs- which is why fixing bad patents in the courtroom doesn't work. I don't know about you, but I don't have a million dollars to defend myself.

      The rampant incompetence in the USPTO just makes things worse. I don't just have to worry about the big ideas, *any* idea is in danger of violating a patent. We have a patent for swinging sideways, for Christ's sake. Using a bubble sort to sort an array of integers may be a blatantly obvious idea to me or anyone else who survived the first two semesters of a CS course. But if it hit the moron examiner who allowed the swinging sideways patent through, it could still be patented. And prior art is only relevent if you have the attorney fees to fight it in court, remember.

      Software patents are rapidly making it impossible for a programmer to do his job without the protection of (and control by) a large corporation with lots of IP lawyers and lots of patents itself. Say good bye to the garage inventor/programmer- which means saying good bye to the future Hewlett Packards, the future Apples, and the future Microsofts, all whom started in garages or basements. (OK, maybe we can do without the future Microsofts. You get my drift.)

      Sofware is also the only thing that can be copyrighted *and* patented. Which means you get situations where ownership is disputed. Person A owns the patent for a peice of code, and person B owns the copyright. Who controls the code? (Answer: the lawyers!)

      I question the real value of the ideas, in the end. This may be because I have enough of them. Or rather ideas only have value once they're implemented- an unimplemented idea is of no use to anyone. Try the following exercise- find a published author. Slide up to them and say that you have a brilliant idea for a plot, which you'll give them for half the proceeds on the book. All they have to do is write your idea down. If you picked a nice author, they will kindly explain to you that ideas are a dime a dozen, turning the ideas into a saleable book is work. Pick a not so nice author and you're liable to learn some new words. Pick Harlan Ellison, and you're likely to get a chair thrown at you.

      As plots are to books, so are algorithms to programs. But we don't buy plots, we buy books. And we don't buy algorithms, we buy working programs. Now, what would happen if I could patent plots?

      Hope this helps.

      Brian

    22. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      First of all, read Stallman's article:

      The whole thing strikes me as vaguely obscene; software is written. Patenting a coding algorithm is less like patenting a new design for space-heaters or a better wheel-barrow, and more like patenting the Shakesperian Sonnet, or an alternating first-person-third-person style of story. If that seems like a bit of a stretch, how about patenting mathematical methods and concepts?

      Rather than asking what's wrong with software patents, how about asking what's right about them? Why should they be implemented? What advantage do they provide? Who do they benefit? Do they benefit the majority of users, or the people who actually develop software--or just huge corporations who can throw their resources at patenting new and existing methods of software development, to the detriment of everyone except themselves?

    23. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      Every other industry has dealt with patents for years.

      The legal industry doesn't have to deal with patents. The day you have to do a patent search before making a legal argument in court, you'll understand what we're complaining about...but I suppose the lawyers will be careful to avoid the impediments they inflict on the rest of us.

    24. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0

      My only concern (not that there are others) is that 17 years is just too much for a patent. Example: X patents a really useful and really original method of interfacing with the computer, for example; if doesn't use menus but it's quite evolutionary even so. Should X hold a patent for 17 years? Jeez, just look at computers 17 years ago: it was very different DESPITE the limitations imposed. But if the patent limit was less, don't you agree that we would've advanced a lot more?

      I propose a limit of *4* years. I think I can handle less (I'm looking forward to make my own invention), but *NOT* more. There is a misconception that people/corporations would go bankrupt given such a low limit. That is nonsense. Given that people/corporations are cranking out patents all the time, do you think that would be an issue? It would, in any case, make people stay competitive. C'mon, don't tell me X would not make decent money within 4 years of patent registration. After that, the release of patents is good for everybody since by then there are many people who can provide really enhanced versions that X couldn't come up with the first time around, originality nonwithstanding.

    25. Re:One thing I've NEVER seen here.... by Simon+Brooke · · Score: 2
      One thing I've NEVER seen here is a CONSTRUCTIVE criticism of software patents. I've seen plenty of comments that reduce down to "patents are bad" but no one ever says why

      Adobe recently sued Macromedia (and won) over their patent on tabbed palettes. What's wrong with that? Well, I personally invented and used tabbed palettes in 1986, over ten years before Adobe patented them. I'm not saying I was the first to invent them, but I hadn't seen anyone else's implementation when I wrote mine. I'm quite prepared to believe that the guy at Adobe who reinvented them ten years later hadn't seen my implementation, but that's not the point. The Adobe patent is only one of thirteen US software patents where I had personally used the technique described before the patent was applied for. Most of those techniques were techniques which were in common use - things every programmer did - so there can be no possibility that the companies which patented them did hnot know there was prior art.

      This is the problem. If software patents are allowed, then no one can write any code without having it reviewed line-by-line by a specialist, up-to-date patent lawyer, and even that won't find every patent violation. Individuals and small companies can't write software without the risk of being sued over patents which have been granted by a lax and supine patent office to cynical and dishonest applicants (yes, IBM, BT, AT&T, this specifically means you). Even where you know there's prior art, you will have a very hard job of proving it. I have source code to some of my work in a sealed envelope in a bank vault, with a lawyer's dated signature over the seal. Have you?

      I strongly believe that if patents are allowed, there should be a very high standard of checking for prior art, and if prior art is found which the applicant might reasonably be expected to have been aware of there should be savage consequences for the applicant - like revoking their entire patent portfolio and debarring them from registering any patents for the next five years.

      --
      I'm old enough to remember when discussions on Slashdot were well informed.
    26. Re:One thing I've NEVER seen here.... by antientropic · · Score: 1

      Of course, this "analogy" totally falls apart because patents are not in fact granted in perpetuity.

    27. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0

      I will avoid the technicial issues that people are bringing up and go back and look at how the Patents are working.

      The point of Patents was an incumbation period of protecting inventors from not getting anything for new ideas. This would hopefully lead to people working on and making new stuff to improve people's lives.

      If you look at Patents now, they have become a weapon to squeeze a large fee or prevent people from developing their own ideas. Instead of increasing innovation, they are preventing it because companies will go and copyright or patent anything looking for an easy buck.

    28. Re:One thing I've NEVER seen here.... by foolishtreader · · Score: 1
      I work for a company that delivers most of its value through software. When the company was founded, it filed a couple patents on key technologies. The patents did not, however, protect the company in its infancy because they did not issue for years. For a few years following, the company did not file many patents. People here were too busy writing code, solving customer problems, and making the company a success. Then, industry heavyweights showed up, claiming property rights for various and sundry details, and exacting tribute, and the company suddenly became interested in patents, not because it felt the need to protect its IP, but because its low revenue/patent ratio exposed it to bounty hunters.

      I am against software patents because I have yet to see a software patent that was necessary to protect the innovation it covers. If it took years of work and millions of dollars to develop a patentable piece of software, my views might change. But it doesn't.

    29. Re:One thing I've NEVER seen here.... by aharbick · · Score: 1

      You're either arguing that all patents are always bad which is off-topic for this thread and generally unsupported if you agree that free-market economies are good. Or, hypothetically, because fire has been so beneficial to humanity it shouldn't have been protected by a patent. This reasoning is flawed for three reasons. First it requires the hind-sight of time (we know now all of the uses of fire) something that the original grantor coudn't have known. Second, you assume that all patent holders are malevolent and all patent-users are unwilling to pay license fees. Neither of those is categorically true. It's certainly the case that there are reasonable patent licenses and patents have been licensed. Last, this way of considering patent validity would've precluded from patentability things like the light-bulb, penicillin, insulin pumps, the mouse, and many other inventions that are exceptionally useful to humanity and have served as the foundation of knowledge for other innovations.

    30. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      I personally invented and used tabbed palettes in 1986

      if this is true, then Macromedia's lawyers would LOVE to talk to you (Seriously! I am not being sarcastic here).

      The points you raise are valid, real concerns. However, they are concerns that cut across all areas of development and are not unique to patent law. This is one reason why clients want their patent attorneys to conduct prior art searches for them -- to supplement what the PTO examiner will find during the examination search with the result that a stronger patent is granted in the end.

      We obviously live in a huge, complex world and it is impossible to know everything that is out there. Patentees run the risk that their patents will be invalidated by prior art that no one found before. All you can do is your best.

      There are VERY strict requirements for obtaining patents and clearing them from prior art. These rules are applied without mercy by the PTO. Despite popular opinion, it is HARD to get a patent.

      As for the "savage consequences" I just don't think that wiping an entire portfolio is fair -- even if a single patent was procured by fraud. I am totally in favor of invalidating the patent, which the law already provides for.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    31. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      Actually, I've advocated 5 years for software patents. I have never said they can't be improved, just that they are not inherently bad.

      By the way, the term is now 20 years from date of filing. It also takes an average of 3 years to get the first response from the USPTO. 4 years to get an issuance if you can. So that leaves 16 years -- even shorter than before the change. yes, there are things that can give you extensions, but those are for very specific situations.

      By the way -- if there is sufficient innovation in 5 years, isn't the patent essentially worthless if it is old technology no one is using? Most high-tech patents are what I call "front-loaded" -- the majority of the value is early in the term to allow first-mover status. After 5 years the value drops significantly.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    32. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2

      &lt FlameShield status=UP &gt First of all, I don't consider RMS to be particularly informed on the topic of patents.... &lt/FlameShield &gt

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    33. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      I disagree completely. Open Source advocates are savvy enough to come up with some VERY nice licensing schemes for copyrighted work. Why not obtain patents and license the patents under the same type of regime?

      Imagine this: Some innovative new GNU tool that is actually patentable and covered by a patent. Now M$ wants to copy the functionality and incorporate it into Windows. Oops! Sorry Mr. gates, but you see we have this patent.....

      Could M$ afford to litigate that hard? Yes. All the more reason to make sure the patent is written well. I guarantee you can find competent patent litigators to fight the OS case on a contingent fee.

      Imagine the headlines though .. "MS infringing Open Source Software Patent." Think they want to take the PR hit? I don't think so...

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    34. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      * You aren't supposed to be able to pattent things that are "obvious," which is pretty much the same thing as saying that there are a large number of people who could come up with the same thing if asked.

      Sorry, but "obvious" is a term of art that has a specific legal meaning with over 150 years of court interpretation behind it. Without giving a course in patent law, I have to simply say that it does NOT mean that.

      1. Algorithms are patentable

      No, they aren't.

      * Most software patents are re-worded prior art. The recognised technique is to take something well known, rename all the key elements, and then patent it.

      I made this challenge earlier -- find some factual support for this assertion. This is pure speculation unsupported by facts.

      * Software patents have the opposite effect, encouraging litigation at the expense of new development.

      Same comment as above.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    35. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      Why should independent re-invention not be a defense against patent infringement?

      Perhaps it should. With business method patents, it is. In fact, it is even broader covering commercial, for profit uses, so long as the person defending was using the method first. See 35 USC sec. 271(b)(1). However, I admit that I am stumped when I try to come up with a scenario where someone has a good defense under this statute that would not also result in the patent being invalidated.

      One thing to keep in mind is that the US system is a first to invent system. This policy was enacted to hopefully drive innovation further and elimnate the "race to the patent office." As a consequence, there will always be second (and other) inventors. I can tell you that in 1989 I came up with a great invention -- only to discover that it had been patented in 1971 by someone else.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    36. Re:One thing I've NEVER seen here.... by firewrought · · Score: 1
      Every other industry has dealt with patents for years. It is time for the software developers as a whole to do so as well.

      Incorrect. If society is to grant patents, patents must be granted only where it benefits society. The nature of our patent system should be up to WE THE PEOPLE, and there are three direct value-metrics to consider, as well as several indirect consequences we may want to think about. I'll make a list off the top of my head:

      1. The value to society of the patent disclosure.
        One of the big problems with the Amazon One-click patent is the lack of value in the disclosure. Amazon claimed to have spent a lot of money "inventing" their one-click system, but the feat is doable by any experienced programmer. Value of disclosure == US$0. You state that "patents are most necessary in areas where it is easy to copy inventions." I contend that this is *not* true for inventions which are easily copied given their functional description, and this is what makes many software patents so objectionable.

        (To contrast "functional" with "behavioral" or "structural", I'll use the refrigerator as an example. Functional aspects describe the problems a device is trying to solve (e.g., "keep my food cold") wheras behavior and structure describe how the device solves that problem ("get some freon, a compressor, and a big vaccum-isolated box").)

        When a practicioner of the art can take a functional description and produce a an implementation that fulfills that description, the invention is "obvious". Problems that require non-obvious solutions, even if they have are easily duplicated, may be worthy of protection. However... an easily duplicated invention warrants less protection because the value of disclosure is less.

      2. The value to society of accelerated progress.

        This is often touted as the main benefit of the patent system. Prehaps. We must not forget that valuable disclosures can also spurn progress when they prevent useful knowledge from slipping into the chasm of trade secret. We must carefully study how to optimize the acceleration of progress (if we, as a society, believe that technological progress is valuable). This is doable... I'm reminded of an economic model built to predict optimal patent terms.

      3. The value to society of rewarding the inventor, of punishing subsequent independent inventors, and of dealing with all the lawyers and paperwork.

        Do you want to live in a world where you can solve a big problem and make lots of money? Sure. Do you want to live in a world where you can unknowingly violate patents and lose your business over it? Nope. Finally, there's a large overhead price to the patent system: all that litigation, all those offices full of IP lawyers, all the governmental administration, oversight, and enforcement... it affects us all.

      Don't just tell programmers to "grow up" and accept the fantastically impovershied patent system we have. I'd rather live in a world where I'm free to think with my machines and share those thoughts, even if it doesn't bring me any money.
      --
      -1, Too Many Layers Of Abstraction
    37. Re:One thing I've NEVER seen here.... by MarkusQ · · Score: 2

      MQR: You aren't supposed to be able to pattent things that are "obvious," which is pretty much the same thing as saying that there are a large number of people who could come up with the same thing if asked.

      Compulawyer: Sorry, but "obvious" is a term of art that has a specific legal meaning with over 150 years of court interpretation behind it. Without giving a course in patent law, I have to simply say that it does NOT mean that.

      You could do what I did, and turn to Black's, which says:

      Obvious. Easily discovered, seen, or understood; readily perceived by the eye or the intellect; plain; patent; apparent; evident; clear; manifest.

      (Patent) Whether a patent is "obvious" must be determined by considering the scope and content of the prior art, the differences between prior art and the claims at issue and the level of ordinary skill in the pertinent art.

      So I will restate my point using this definition, without changing the meaning one whit: You aren't supposed to be able to pattent things that are "obvious," which includes things which fall within ordinary skill in the pertinent art.

      Algorithms are patentable / No, they aren't.

      Please clarify. If you are claiming that algorithms are not patentable (and, I presume, data structures, sinces they are just as much a part of mathematics as algorithms), what in the heck do you expect to protect with a software patent?

      MQR: Most software patents are re-worded prior art. The recognised technique is to take something well known, rename all the key elements, and then patent it.

      Compulawyer: I made this challenge earlier -- find some factual support for this assertion. This is pure speculation unsupported by facts.

      No, in fact what you said was (and I quote) "I've seen plenty of comments that reduce down to "patents are bad" but no one ever says why". You asked for our reasons for claiming that software patents were bad, and I provided them. My assumption was that you asked because you honestly wanted to know. Holding to that assumption, I will answer your revised challenge: for starters, every patent on clicking, linking, hyperlinking, selecting values from a list, entering text, scrolling, paging, or tabbing issued since 1970 is clearly an example, since these were all well known at that time.

      Perhaps it would be easier if we turned this around: can you produce a single example of a software patent that does not fall into this category?

      MQR: Software patents have the opposite effect, encouraging litigation at the expense of new development.

      Compulawyer: Same comment as above.

      Bah! If there were no software patents there would be no litigation over software patents. So the only thing you could be claiming is that the existence of software patents somehow reduces the cost of new development, which is on the face of it absurd.

      Suppose the shoe was on the other foot: suppose that the legal system were burdend with arbitrary requirements from computer science--say, all contracts had to be written in ADA or risk being thrown out if a conflicting contract that was written in ADA was ever presented. Do you honestly think this would encourage people to write new, inovative contracts?

      -- MarkusQ

    38. Re:One thing I've NEVER seen here.... by Mr_Blank · · Score: 1

      Patents on software are hard on programmers. It is easiest to explain by analogy in other diciplines...

      Imagine that it is 250 years ago and you want to study the stars. You study very hard, your teacher helps you. One of the excersises in class is to figure out where mars will be relative to the Earth and Sun in 30 years and 9 days (on the teacher's birthday). In the process of working on the problem, you discover a novel way of solving a problem by using very complicated math. But then the teacher invalidates your solution because it infringes on Sir Isaac Newton's patent on Calculus. Caluculs is really just a brilliant way of doing complex math. Your hard work goes away because someone owns Math! And that person owns any work you do that could have been done with that math unless you can defend yourself and show you didn't use that math. But in Math, there is always one proven best solution, and if someone owns it you have relegated your career to sub optimal solutions or royalty payements. You have a life of surfdom helping some schmoe get rich by taking his best solution whever you go to do your sucking job. Go be a blacksmith instead.

      A little extreme, but near the point. When a company patents a very good algorithm or program, then the underlying math is cut off from the public domain. The founding fathers could not have intended for patent law to keep people from using good math! People not using the best math available does not equal the advancement of the useful arts and sciences.

    39. Re:One thing I've NEVER seen here.... by firewood · · Score: 1
      Oog becomes the richest man in the stone-age, with many wives. But he's not living in a mansion. He's still living in a ... cave.

      That's assuming Oog isn't smart enough to cross-license. Oog cross-licenses with the WHEEL guy, etc., and we still end up living in smog and urban traffic jams.

    40. Re:One thing I've NEVER seen here.... by Eric+Damron · · Score: 2

      My case has to do with using software patents AND monopoly power to maintain their monopoly. Microsoft's embrace and extend strategy is a prime example.

      Using their monopoly OS as a delivery vehicle, they embrace a technology then they extend it in some proprietary way. The technology doesn't need to be related to their operating system in any way. But once people start using Microsoft's version any competing products are rendered irrelevant.

      I'm not saying that patents are ?bad? or shouldn't be issued. I'm saying that monopolies, if unchecked, can use patents in a way that unfairly stifles competitors.

      --
      The race isn't always to the swift... but that's the way to bet!
    41. Re:One thing I've NEVER seen here.... by lux55 · · Score: 1

      Fuck dude, that was a brilliant analogy. +5 in my book!

    42. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      Sorry, but "obvious" is a term of art that has a specific legal meaning with over 150 years of court interpretation behind it. Without giving a course in patent law, I have to simply say that it does NOT mean that.

      Looking at your /. profile and your responses posted to this thread, you're starting to smell like a troll. I believe there's something wrong with the law if non-lawyers aren't able to understand it.

      Algorithms are patentable
      No, they aren't.

      You claim to be a software patent lawyer and you are unaware of the Unisys LZW patent (on a lossless data compression algorithm), the Fraunhoffer mp3 patents (psychoacoustic audio compression), the recently expired RSA patent (an encryption algorithm), and so on?

    43. Re:One thing I've NEVER seen here.... by wfrp01 · · Score: 2

      The evidence that software patents are unecessary is empirical. The discussion we are having right now is happening without the support of software patents (at least on my end, and I presume most of the middle). Free software abounds.

      I think the burden of proof should work the other way around. You tell me why software patents are necessary. Software patents restrict people's rights. Why should society elect to limit their rights, in the support of a few? Why should putting knowledge, knowledge that is freely available, to good use make me a criminal?

      "To promote progress in science and the useful arts."

      Bah. As another poster aptly put. Michaelangelo. Beethoven. Shakespeare. Ad infinitum sans Brittany.

      --

      --Lawrence Lessig for Congress!
    44. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      There are VERY strict requirements for obtaining patents and clearing them from prior art. These rules are applied without mercy by the PTO. Despite popular opinion, it is HARD to get a patent.

      Yeah, suitcases full of money to pay people off are heavy!

    45. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      I can tell you that in 1989 I came up with a great invention -- only to discover that it had been patented in 1971 by someone else.

      And if the person in 1971 hadn't actually patented it (maybe because he considered it obvious), and the USPTO missed that in their cursory prior art search, then Mr. 1971 would have had to spend $BIGNUM trying to get your patent overturned. Given your posts, i suspect you see no problem with this.

    46. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      Why not obtain patents and license the patents under [an Open Source] regime?

      Because it costs neither time nor money to obtain the copyright on software you've written, while it takes quite a bit of both time and money to get a patent? Hell, you've even said it yourself: Despite popular opinion, it is HARD to get a patent.

      Damn hypocrite lawyers... All you want is to force everyone to bow down and give you tons of money, no matter what the original intent of the patent system and no matter what the cost to individuals or to society at large.

    47. Re:One thing I've NEVER seen here.... by canadian_right · · Score: 2

      The problem with software patents is that most are OBVIOUS. They are so obvious that no has bothered to 'publish' the idea. Software patents are handed out like candy for stuff anyone who has finsished a single highschool programming course could 'invent'. For example, when I was 16 I wrote a simple text mode windowing system. I figured out that you could save the screen memory under where a new window was being displayed then restore this memory when the new window was erased. It took about 5 minutes of thinking to 'discover' this very basic technique. IBM has a patent on this. Many basic tools used in software are simply implementation of algorithms, eg binary search, hashing, b-trees, etc... In many ways, programming languages are fancy math notation ans as such should not be patented.

      --
      Anarchists never rule
    48. Re:One thing I've NEVER seen here.... by Simon+Brooke · · Score: 2
      I personally invented and used tabbed palettes in 1986
      if this is true, then Macromedia's lawyers would LOVE to talk to you (Seriously! I am not being sarcastic here).

      It is true, I can prove it, and I have written to them (more than six months ago). They didn't get back to me.

      There are VERY strict requirements for obtaining patents and clearing them from prior art. These rules are applied without mercy by the PTO. Despite popular opinion, it is HARD to get a patent.

      This is complete nonsense. Example: IBM have a US patent on stylesheets. If they had patented stylesheets back in the sixties when they were working on the beginnings of SGML this might have been reasonable, but they didn't; they patented them in the eighties, when stylesheets were widely used. Note that I'm not saying that IBM invented stylesheets; I don't know whether they did or not. But they were working in the field early enough and may have done so. In any case the patent should not have been granted, because the invention of stylesheets was obvious (just as, to return to my own case, the invention of tabbed palettes was obvious - I just happened to be one of the early people programming windowing systems on large bitmapped displays). Similarly, BT registered their notorious US patent on hyperlinks in the late seventies or early eighties - but hyperlinks had been described thirty years before and implemented fifteen years before (and, indeed, were obvious once you had the technology).

      The claim that the US Patent Office are the least bit rigorous is laughable: they are grossly lax and irresponsible, and if this doesn't get sorted out it won't be long before EU states start refusing to recognise any US patents.

      --
      I'm old enough to remember when discussions on Slashdot were well informed.
    49. Re:One thing I've NEVER seen here.... by angel'o'sphere · · Score: 2


      Or is it simply that because there are so many talented programmers out there who can write code that does the same thing as the patented code that they don't want any impediments whatsoever? As for the former, I agree it is a concern, but one the USPTO is trying to address by hiring more (and more talented) examiners. As for the latter, I have serious problems because I see this as simply asking for special treatment in the eyes of the law.

      The problem with software patents is easy:
      Software is designed and coded to solve a certain problem. E.g. you have a bill of a restaurant with certain positions of dishes and drinks and a sum at the bottom. You like a software to confirm that the sum at the bottom indeed is the sum of the served components of the meal. What do you do?
      Well, you sum it up. There is only ONE SINGLE WAY to do that. With the current system of software patents this single way could be patented. Every cashier manufactor then would be needed to license an algorithm wich is in most languages a 3 liner.

      Of course software is sometimes challenging. Of course you have in realyty often further constraints limiting your freedom in HOW to program it (like time or space efficiency or additional interaction or multithreading).

      But in general you can say: for a given problem which should be solved in software just one single solution exists.

      If you take a course of 100 CS graduates and ask them: "solve me this", 80 will come up with the exact same solution, 1 will have a genuid single solution(e.g., like substracting all single dish positions from zero, yielding a negative amount of money, the amount you OWE the restaurant, and multiplying it with -1) the other 19 guys will have variations of the solution the first 80 brought up, e.g. instead of using a for loop, they use a while loop or gotos.

      Crafting software is in its first essence a mathematical process. Every single step of a final software solution is determined by every single facett of the original problem.

      Hint: ask your grandma for the recipe of your favorite cake she makes. There is ONLY ONE SINGLE possibility for that recipe. All other recipes yield different cakes, even if those cakes are very similar to your favorite one.

      So: if your grandma invents a totaly NEW CAKE, sure, she should be able to patent it. (As long as it is not just a variation of existing cakes, but that could probably argued later in court)
      However your grandma should not be able to patent the steps: heat oven, mix incridients, wait, put into oven, wait 30 minutes.
      But most, if not any software patent is on that level.

      And to your question ... you do not need "talent" to write code. If you can watch a cook by making his dishes and write up what he did in wich order you get the program for that dish. You only need a little imagination if you like to write that program without watching him, thats what a programmer does.

      A computer program and a recipe for a dish are just the same, even the style in wich a recipe is written is very similar to a lot of programming languages.

      angel'o'sphere

      --
      Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
    50. Re:One thing I've NEVER seen here.... by debrain · · Score: 2

      As was mentioned by the sibling post, and I will reiterate: it costs money to get patents; not only a barrier to entry, money is not in the objective schema of free software and open innovation.

      Your description is of a good idea, both RMS and ESR have at least idenified the "free software patent pool" as leverage against corporate patents. Indeed, former IBM CEO Lou Gerstner stated that patents were not nearly as valuable in remuneration as they were for cross-patent leverage.

      So, yes, this is theoretically a good idea. But it really adds nothing to the free software arena other than protection against hostile corporate self-interests. Indeed, it takes away from the time, money, and effort that developers want to put into creativity and puts it into mindless and valueless litigation. Patents kill creativity; in no space is this more apparent than free software.

      Also, re. your MS PR hit example, keep in mind: Microsoft has a monopoly - they have no concern for public opinion. Everything is an advertisement to them.

      Cheers

    51. Re:One thing I've NEVER seen here.... by markmoss · · Score: 2

      A patents protects an idea, but a copyright protects one expression of an idea. If a program is copyrighted, you can't just copy it, but you can write a new program that does the same thing without infringing copyright. If it's patented, anything using the unique and novel ideas covered by the patents will infringe. That may make it impossible to write a competitive program at all.

      The controversy with software patents is: (1) Incompetent patent examiners often rubber-stamp patents for ideas that are not novel and unobvious. (2) Software/"business method" patents usually say "Do something people have long done by hand using a computer". IMO, that's not novel. (3) There was a time when patents were not granted for laws of nature, living things, or mathematical algorithms. If a (non-business method) software patent actually contains a novel and unobvious idea, it's probably a mathematical algorithm. I never heard that Congress changed the law, and yet the RSA patent is quite simply for a mathematical algorithm...

    52. Re:One thing I've NEVER seen here.... by GolfBoy · · Score: 1

      You raise two issues, which are in fact interconnected, but I initially I will deal with them according to the distinction that you draw.

      Your first assumption is in my opinion true. There are few (if any) decent examiners. This will not change until the PTO is prepared to pay examiners the going rate for talented programmers. In other words, until an examiner can make > 100K, then the system simply won't work. This is not simply a problem with software, by the way, but that's largely another topic.

      The second issue is in fact the the bigger concern. The problem is not that there are so many talented programmers who could duplicate patented code. The problem is that any moron programmer could not only duplicate much patented code, but could come up with it in the first place. This may mistate your issue, and may in fact degrade into your first issue. However, the problem is that patent law is not, in any reasonable sense, being applied in the software field. (Although my impression is that this is not only a software problem). Patents are not granted only for 'inventions' that are 'novel' and 'original'. They are frequently -if not usually - granted for 'inventions' (loosely speaking) that are 'old' and 'obvious'.

      The implication of your post is that this is simply a problem with the quality of the examiners. As I implied earlier, maybe. But only if the quality of the examiners goes through the roof compared to what it is now.

      Think about it from the salary perspective. (This is true not only from the software perspective; it's true for any disipline where the PTO cannot or will not pay for technical skills at the going rate.) If the PTO will pay much less than private industry, that means the PTO will get people who can't get hired into private industry. In other words, people who can't put two goddam thoughts together in a row, and then get to decide if something is fucking obvious or not .

      So, perhaps, I agree that the first problem is really the major problem. And I don't think it's going away. In other words, I think the solution is to kill off software patents (and many other categories: I'm pretty hard core on this.) Mainly this is because the PTO will never pay some techie $120K a year. And that's what's it's going to take to get reasonable patent examiners. Otherwise what you get, and will get, is inovation-quashing stupidity.

      In re-reading this, it sounds like I might be a disgruntled patent examiner who perceives himself to be underpaid. This is not the case. I'm simply making an economic point. If you hire the dregs, you get shoddy work. If the work is really shoddy (as it is) you might be better to do away with the whole system than try to fix it.

    53. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      Your argument has a flawed premise -- the GPL says what it does about patents because it has to -- not because they are bad.

      The GPL is a license -- permission to use intellectual property of another within specified parameters. It is the MOST fundamental premise of any property -- real, personal, or intellectual -- that you cannot give what you do not have.

      Think of property rights as a bundle of sticks. The IP owner controls the bundle. When you license, you give someone else permission to use one or more sticks. Any IP right -- patent or copyright -- provides for the EXCLUSIVE control of the owner.

      The GPL is simply acknowledging that someone else has control of the bundle and that the GPL cannot give permission to use someone else's sticks.

      Problems with SPECIFIC patents - like one click - are isolated and not problems with the CONCEPT of patenting software. Yes, a patent can be invalid because it is an obvious modification of the prior art. Solution there: increase the quality of people hired to examine applications for patents. But remember -- obviousness has a legal definition in this context and does not mean exactly the same thing as it does in ordinary use.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    54. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      I submit that there is no public benefit from software patents. (Copyright is beneficial however). I submit that software creation/research is never motivated by patent incentive, or that such cases are vanishingly rare.

      Prove it. Show me some empirical data -- not just anecdotes and opinion.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    55. Re:One thing I've NEVER seen here.... by Compulawyer · · Score: 2
      there is the silliness of patenting an idea that you yourself haven't really implemented

      Define "implemented." To get a patent, someone of ordinary skill in the art must be able to pick up the patent specification and actually MAKE your invention without undue experimentation. If they cannot so that, the patent cannot issue (or is invalid if it does). So if you have great design docs, that is enough -- you don't have to write code. Someone should be able to write code from your design.

      I could patent the use of computers to read minds, even though it's never been done

      No, you can't. See above. You can't REALLY even believe this statement yourself. If you did, then you should be running off to a patent attorney right this second.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    56. Re:One thing I've NEVER seen here.... by Anonymous Coward · · Score: 0
      Prove it.

      The purpose of patents is to promote progress in the sciences and useful arts, correct? In other words, if patents in a field have no effect on progress or actually hinder progress, patents are not authorized for that field. Since patents are not authorized unless they promote progress, it should be proven that they promote progress in order to be authorized. I suspect you disagree, as you have advocated that parents should be authorized until proven harmful. However i also suspect you won't make a proper argument to support this viewpoint.

      If it were the case that patents were to be allowed unless they hindered progress, the Constitution would say something along the lines of "securing to authors and inventors the exclusive right to their respective writings and discoveries, unless this inhibits the progress of science or the useful arts".

      P.S. Your continued ability to practice patent law in the software industry does not count as either science or useful arts. Patents promoting progress in other industries does not count as proof that patents promote progress in the software industry. The current existance of software patents does not in itself count as proof that they have promoted progress.

  58. You don't like E's? by delphi125 · · Score: 1
    implimented to insure

    Somewhere, in some educational system or other.... :)

  59. What about a graduated expiration process? by Eric+Savage · · Score: 1

    Its probably too complicated to be practical, but what about a process by which the original holder loses rights of control and profit over time. So for the first few years they are in absolute control, but after that people can start using it so long as they take care of the inventor some how? This would allow innovation to proceed while protecting the rights of the creators. Basically a compulsory license granting system.

    --

    This is not the greatest sig in the world, this is just a tribute.
  60. A libertarian perspective... by bluprint · · Score: 1

    ...because there will be no incentive to create anything for mass market sale except out of goodwill, or for leveraging other revenue (aka Linux).

    Sure there would, you just wouldn't have mother government working for you as your own personal enforcer.

    This is a topic I have been seriously interested in, and have done a lot of reading about in the last year or so. Having studied economics under a very strict Libertarian, I have been influenced by that line of thought. Companies should be responsible for guarding their own secrets (wether through security or contracts between companies and consumers). It is not the job of government to subsidize corporations by providing "trade secret security".

    I could go on and on...but I won't. Instead, I will defer to those who have thought a lot more about this, and who are much better at articulating relavent ideas than me...

    Stephan Kinsella

    Ilana Mercer

    --
    A modern day witchhunt.
    1. Re:A libertarian perspective... by DaveAtFraud · · Score: 1

      Having been accused of being a libertarian myself, I have to ask the question: why do you differentiate between intellectual property and say either physical property or financial property? Or are you suggesting that we all just arm ourselves and defend our inventions, our property and, for that matter, our own selves to the best of our own ability?

      Whether I build something physical or create something intangible, I have expended my efforts (a part of my life) to create it. If it is taken from me without compensation, I no longer have the income it once generated and I have the right to defend my property against this eventuality or, in a civilised society, ask that my government take on this police function. From the perspective of the person who expended the effort to create something, there is no difference between theft of physical property and theft of intellectual property.

      BTW, I tend to be more of a Randian than a Libertarian. Government, per se, is not bad. Government protecting private property (including intellectual property) is good. Government sticking its nose (or other parts) into commercial transactions is bad.

      --
      They that can give up essential liberty to obtain a little temporary safety deserve neither safety nor liberty.
      Ben
    2. Re:A libertarian perspective... by bluprint · · Score: 1

      "why do you differentiate between intellectual property and say either physical property or financial property? "

      Scarcity.

      Basically, if you have a shirt, and I take it, I have robbed you of your shirt not becuase I'm wearing, but becuase you now can't wear it. If you invent a new way of making widgets, and I use your method to make my own widget, you are not deprived of also continuing to make widgets in this fashion.

      Scarcity scarcity scarcity...that's the main point. We have to have laws governing property rights for real physical property, lest we have conflict of who gets to use the shirt. However, non-scarce objects (thoughts, songs, stories, etc.) don't suffer from the same problem.

      --
      A modern day witchhunt.
  61. IP laws are necessary by Anonymous Coward · · Score: 0

    IP laws are necessary. In societies where the laws are weak, there is no local generation of IP; the natives just pirated stuff made outside their country. That may be an okay situation for a third world country, but a developed country won't be able to maintain any kind of robust arts and sciences without IP protection.

    But currently IP law is out of kilter. The whole idea of copyright and patent law is to advance the arts and science for the public good. Technology changes have enabled the public to copy and rip off copyright holders and the legislature has in turn tried to protect the copyright holder by legislation which tips the balance to far in the other direction.

    The public gets the shaft because there is no firm enumeration of the publics' rights, just some relatively weak fair use doctrine, and maybe some first amendment rights that don't explicitly give the public the protection they should have. Even the limits described in the IP clause of the Constitution aren't taken seriously by the courts or the legislature. The courts and Congress so far has easily run roughshod over fair use and the 1st amendment, to give the copyright holders what they need and want.

    I'd like to see explicit enumeration of a reasonable set of fair use, free speech, and other public rights that Congress and the courts would not feel free to encroach on when they seek to give increased monopoly power to copyright holders.

  62. First Principles by awol · · Score: 1

    If one believes that property exists in the output of intellect (which I do not), ie Intellectual Property (IP) then there are a number of principles that I think need to be addressed in the light of IP.

    The state must stop criminalising civil wrongs. It is not a crime to copy a piece of software (substitute music, video etc). There is no risk to civil order nor personal injury that justifies the criminal sanction as does acts against private property (such as taking or break enter steal).

    Independent discovery must be a defense against a patented process prosecution (or patnents should be abolished :-)

    Any process that restricts the fair use of property purchased by a consumer must be illegal (DVD region encoding for example)

    I am sorry, but I can't do it. I can't keep up the pretence, IP is bunk it has to go. One cannot describe a logical regime when the initial premise is so broken. There is no property in intellect.

    --
    "The first thing to do when you find yourself in a hole is stop digging."
  63. Let the digital proletariat make the decisions by Tenebrious1 · · Score: 2

    Yes, I have no patents, copyrights, or trademarks. Let we who have nothing to lose make the rules!

    You can bet that if I did have one of the above, one that was capable of making boatloads of money, I would be defending the current IP laws with the best lawyers and politicians I could buy. Until I could suck no more money from the people- then I'd let it pass into public domain.

    Since I'm unlikely to be in that situation, I say down, down with the institution! Share the wealth! Down with current IP and patent laws!

    --
    -- If god wanted me to have a sig, he'd have given me a sense of humor.
  64. Not all things should be protected. by Eric+Damron · · Score: 1

    Some things should be covered by copyright and patents other things should not. You only need to look and see how big corporations like Microsoft are abusing the system to get a clue.

    Formats and protocols are frequently used to prevent competitors from competing. These should not be covered by copyright or patent. On the contrary, protocols and formats should be required to be disclosed in full by law.

    So, Word the program would be covered by copyright but the .doc file format would be required to be disclosed. This would ensure that competitors could compete by writing software that was compatible. The same thing should be true of networking protocols. Everyone should be allowed to understand and write software using any protocol but the software that is written should be protected.

    --
    The race isn't always to the swift... but that's the way to bet!
  65. Re: Public Review by kogs · · Score: 3, Insightful

    Once a patent application is published, anyone can send prior art to the relevant patent office. This is one of the reasons that patent applications are generally published.

    However, you've got to provide the evidence.

  66. Nullifying IP laws not necessarily too strong by etesla · · Score: 1

    I disagree that nullifying IP laws is too strong. I think that is exactly what is needed.

    Intellectual property law is based on a very large assumption: that one is entitled to full protection under law for an intangible idea without any effort on the part of the idea-holder. Why bother with developing effective encryption and copy-protection measures when you can wrap your ideas in the threat of a lawsuit? Why stay on top of the latest threats to the security of the products you put out, when you can simply write a statement on the cover that it is illegal to breach the (non-existant) security measures?

    Why bother wearing your seatbelt, buying a car with good safety ratings and practicing safe driving habits if it is simply illegal to get in car accidents?

    Laws such as those which theoretically protect intellectual property really only create artificial scarcity, which only really exists on the surface. Without intellectual property "rights", individuals and corporations seeking to protect their works would have to actually exert effort to do so. You don't want people to have the ability to copy and redistribute your software? Encrypt it and distribute it securely. Don't slap a checksum on it that my six-year-old sister could reproduce and expect that no-one will figure it out.

    Getting rid of frivolous laws that only protect on the surface forces people to think of ways to protect themselves and their efforts. I think making people think for themselves is a big step in the right direction.

    --
    Think!
  67. Re:The concept of intellectual property has got to by the_2nd_coming · · Score: 2

    it does not have to go. it just needs to be restricted to small amounts of time.

    I think Software needs to be defined as one thing or the other. it is either an invention, hence the patent, or it is a peice od art, hence the copyright.

    there than that, I think the patent laws need to be revised for the speed of our society na dshould be shortened to 10 years. also, I think copyright needs to only last 14 years with one renewable 14 year term. that keeps artists pumping out work on a regular basis, and also adds plenty of work to the public domain in a short amount of time.

    a fair balence is what we need. not an off balence. abolishing IP is as bad for the creators as having the SSSCA is for the consumers. IP at the minimum guarantees that the creator is given the public credit for the work.

    --



    I am the Alpha and the Omega-3
  68. Discovery vs Invention by photon317 · · Score: 5, Insightful


    On Copyright:

    Copyright should last 25 years maximum.
    Copyright should be non-transferable and non-extendable.
    Copyright should always allow fair use and duplication by individuals.
    Copyright should only prevent outright mass-distrubtion.
    Copyright should only prevent this with law, not with technology (which means if someone's violating copyright, you notice them doing it and track them down and prosecute... you don't hopelessly try to manpiluate technology to prevent it in the first place)

    On Patents:

    Patents should last 10 years maximum, ever.
    All patentable things must meet the following criteria:
    1) Non-obvious - a technical person (or technical review board perhaps?) in the field in question wouldn't consider this a trivial and obvious solution.
    2) No prior art - it has never been done before.
    3) No inclusion of prior art - The work being patented must be the sole intellectual work of the patentee. It cannot contain intellectual work of others, even if those others didn't patent their work (example, patenting a peice of software that relies on algorithms you got from a programming magazine... you could still patent portions of your software, but not that portion, and no "portion" that contains those algorithms).

    --
    11*43+456^2
    1. Re:Discovery vs Invention by Xentax · · Score: 2

      Couple things:

      Copyrights:
      Copyrights almost HAVE to be assignable -- not an _exclusive_ assignment necessarily; but without a non-exclusive copyright, a publisher can't distribute your Great American Novel (tm) legally. Even disallowing exclusive transfer of copyright is dangerous -- shouldn't the company that employs me have exclusive right to the code they're paying me to develop?

      I agree with the general spirit though -- the goal is to prevent financial exploitation of your innovation by others without your express permission.

      Patents:
      3 -- I don't think this can work. If you can't cite relevant prior art that serves as ... "inspiration" for lack of a better term ... for your own work, you can't really patent ANYTHING.

      If I just invented the helicopter, and I couldn't cite the airplane, someone else could say "look, he stole that idea from the prior art, the airplane" -- I have to be able to acknowledge existing technology that relates even though my idea IS new, non-obvious, and useful.

      Obviously, the "portion" that's new in that example is identifiable; but I'm not sure it's ALWAYS true that the new parts can be identified so; the citation of relevant pre-existing work makes it easier for a review board (good idea) to decide if your work IS sufficiently new, non-obvious, and useful.

      Xentax

      --
      You shouldn't verb words.
    2. Re:Discovery vs Invention by MoneyT · · Score: 2

      I think what the original poster meant on the non-transferable copywrites meant something more along the lines of, Publisher can not go out and prosecute Joe Shmoe for using his home made printer to produce copies of your Great American Novel. They can discover Joe Schmoe and report to you, but the actual prosecution belongs to you and you alone.

      --
      T Money
      World Domination with a plastic spoon since 1984
    3. Re:Discovery vs Invention by Weird+Dave · · Score: 1

      Patents should last 10 years maximum, ever.

      Wrong! There are some specific cases where the research money spent cannot be regained for longer than ten years. I've been told that companies that make Trucks (the kind with 16 wheels and big trailers) have this kind of situation.

      Not that 10 years is too short for most patents, but perhaps an extension on the very few obvious exceptions would be worthwhile. In other words, speaking in such absolute terms for something that is so broad is silly, in my opinion.

      Copyrights, on the other hand, are a very small, specific area, and your absolute time of 25 years doesn't seem so silly.

      --

      Grumble, Grumble
    4. Re:Discovery vs Invention by ccarr.com · · Score: 1

      Your patent points 1 and 2 are theoretically already required by the patent law. The patent law also requires that inventions must be useful; would you keep that requirement?

      Your point 3 seems impossible to maintain. Where would the line be drawn? Would warp technology not be patentable as a consequence of the prior invention of fire?

      --
      I don't know half of you half as well as I should like, and I like less than half of you half as well as you deserve. BB
    5. Re:Discovery vs Invention by jeti · · Score: 2

      > Patents should last 10 years maximum, ever.

      That would be ok for for software. But I think
      the testing of pharmaceuticals can take quite a
      few years.

    6. Re:Discovery vs Invention by ip_vjl · · Score: 1

      On Patents:

      Patents should last 10 years maximum, ever.
      All patentable things must meet the following criteria:
      1) Non-obvious - a technical person (or technical review board perhaps?) in the field in question wouldn't consider this a trivial and obvious solution.
      2) No prior art - it has never been done before.
      3) No inclusion of prior art - The work being patented must be the sole intellectual work of the patentee. It cannot contain intellectual work of others, even if those others didn't patent their work (example, patenting a peice of software that relies on algorithms you got from a programming magazine... you could still patent portions of your software, but not that portion, and no "portion" that contains those algorithms).


      Are you at all familiar with patent requirements, or are you just making general statements based on your perceptions of what a patent is? Your statements would indicate a fundamental misunderstanding of anything having to do with the patent system.

      Re: number 1 & 2
      35 U.S.C. - 102 and 103 require that patents be new and non-obvious. The main criteria for determining both being the existence of prior art. Patents that are granted, even when something has been done before, is not something done by design ... but rather due to the examiner not locating the relevant prior art when examining the application.

      Re: #3
      The main strength of a patent lies in the 'claims' portion of the patent. That is the section where you describe the limits of what your invention does. If you were to include code from somewhere else that does exactly what that other code does, then you would not be able to include it in your claims - because there would be prior art to prevent it.

      However, it you use an encryption algorythm, for example, as part of a process for transmitting data over spaghetti noodles - then your claim would be for the transmission of the data (using that encryption over that medium) and would not generally apply to the included technology, but to a specific implementation of it.

      Your patent wouldn't block the original work, but how that work applies within your specific context. Your claim would be limited to the use of that algorythm when applied to data transmission over spaghetti noodles. Other uses of that original algorythm would be subject to whatever restrictions (if any) originally applied.

      The laws I cited were US specific, but they're similar elsewhere:

      • 35 USC 102:
      • European Patent Convention Article 52
      • Japanese Law No. 121 Sec. 29 Subsec. 1
      • Australian Patents Act 1990 Sec. 7 Subsec. 1
      • etc.



      • 35 USC 103:
      • European Patent Convention Article 56
      • Japanese Law No. 121 Sec. 29 Subsec. 2
      • Australian Patents Act 1990 Sec. 7 Subsec. 2
      • etc.


    7. Re:Discovery vs Invention by ZeroConcept · · Score: 1

      One to add:

      On Patents:
      4) No patents for any form of life capable of reproducing. That should stop companies like Monsanto from suing farmers when their patented genes contaminate a farmer's crop.

    8. Re:Discovery vs Invention by ClarkEvans · · Score: 2

      Patents should last 10 years maximum, ever.

      Far too short for may domains. And the other limits you specify are already part of patent law. The problem is the implementation, not the specification.

    9. Re:Discovery vs Invention by Xentax · · Score: 2

      Ahh. That seems reasonable. I'd make sure such a publisher had my lawyer's phone number and not mine, though ;)

      Xentax

      --
      You shouldn't verb words.
    10. Re:Discovery vs Invention by photon317 · · Score: 2


      To cover and respond to several responses:

      1) Yes I'm aware that items 1 and 2 on patents are already in current patent law. I re-state them because they're not enforced to any reasonable degree, so they might as well not be there in teh current system.

      2) On Prior Art - This doesn't mean to include "inspiration" or prior works that led up (i.e. fire leading to warp)... what it means is that since The Wheel was prior art, if I patent a Car, I can't include the wheels in the patent. This has big implications for software, seeing as over 90% of all code is essentially stolen from prior art - that's just the way of computing (see lpf.ai.mit.edu's papers on software patents and the pervasiveness of software re-use in this sense).

      3) On 10 years being too short for {Trucks, Pharmacology, etc...} - I simply don't buy this argument. Remember that when the 10 years is up, you *can* continue to make money from your idea, you just have to compete with others. If you can't sustain your market lead after *10 years* of exclusivity to establish yourself and perfect your processes and marketing, etc... then you don't deserve it. Or in other words, you're not just gettign 10 years of exclusivity, you're also getting a 10 year jump on the competition to carry you on afterwards. To go further is to abuse the patent system to stifle competition and further your bad implementation and marketing.

      --
      11*43+456^2
  69. Distributed Copyright by ClarkEvans · · Score: 2

    I propose a centralized copyright system (registry of deeds) whereby software is free as in libre, but not necessary as in gratis. To read the most succinct version I've come up with, go here. Unfortunately, my distributedcopyright.org isn't up.

  70. Re:The concept of intellectual property has got to by Bonker · · Score: 2

    If you outlaw intellectual property, then there is very little incentive to share ideas with others.



    And this is different what what's happening right now, how?

    The idea behind a patent is that anyone can license the information that a patent protects, right? Why then do pharmeceutical companies refuse to license drugs to third-world countries? (Don't tell me that its because those countries can't afford them. If you don't lower your price to the maximum limit a customer can afford, then you're losing a sale.)

    Same way with the music industry. The current licensing schema with DRM and the recent webcasting descision is not designed to make the information in the form of music shareable and profitable. It is designed to keep the music firmly in the hands of the record industry so that they have unquestionable control over it.

    That's what it boils down to really. Anyone who follows the current IP debates will readily agree. It's not about money, or making information available. It's about control and power, plain and simple.

    The idea of intellectual property laws is to encourage sharing of ideas by granting exclusivity to the creator for a limited amount of time. I believe that idea has been corrupted by corporate interests, but I don't think we should throw out the baby with the bath water.

    Information is power. I beleive very firmly that as long as any method exists for the rich and powerful to influence laws, that they will do their best to 'extend' laws that make information artificially scarce in order to increase their own powers.

    This is not a case of throwing out the baby with the bathwater, but amputating the baby's infected, cancerous limb in order to save its life.
    --
    The next Slashdot story will be ready soon, but subscribers can beat the rush and slashdot the links early!
  71. More than 20 years... by xRizen · · Score: 1

    The 17+17 copyright law was changed in the 60's ('65, iirc). I found this out while trying to figure out if Heinlein's Stranger In a Strange Land was public domain yet (by my estimation, the original edition is, but the new version published in the 80's by some female Heinlein (daughter? ex-wife?) will be covered for a long time yet).

    But, yeah, I agree. 34 years is already a lengthy time for copyright. What does Disney have it up to now? 150+?

    1. Re:More than 20 years... by Weird+Dave · · Score: 1

      34 years is already a lengthy time for copyright. What does Disney have it up to now? 150+?

      Nope, just 95 years for a corporation. This time is so long that reconciling it in a human mind is almost meaningless. For all intents, it is eternity, just like Disney wants it.

      Individual copyrights however are the copyright holder's life plus 70 years! So if I write an influential work today and I am 20 years old, then I live to be 100, you'll have your 150 year copyright. Your children would never get a chance to copy it.

      Personally, I think copyrights should last about 20 years, maximum. If you produce content for a living, and you can't come up with something original in twenty years, then maybe you should consider switching fields anyways!

      --

      Grumble, Grumble
    2. Re:More than 20 years... by Anonymous Coward · · Score: 0

      I found this out while trying to figure out if Heinlein's Stranger In a Strange Land was public domain yet (by my estimation, the original edition is

      Estimate again, life of the author + 75 years, death in 1988 works out to 2063. Publication date is now irrelevant, ridiculous as that may be.

    3. Re:More than 20 years... by joekool · · Score: 1

      would that be Viriginia Heinlein? if so ex-wif would be kind of disrespectful, as it would imply they seperated, which they didn't--she is his widow, as he is dead. I don't believe he had any children either, for that matter.

      --

      Slackware: old school feel, new school gear.
    4. Re:More than 20 years... by xRizen · · Score: 1

      Yes, it is (Virginia, rather). And you're most likely right.

    5. Re:More than 20 years... by joekool · · Score: 1

      That's what I get for reading Requiem!(various letters about various things, published by the same Virginia Heinlein--end up learning way too much about the man!)
      ;-}

      --

      Slackware: old school feel, new school gear.
    6. Re:More than 20 years... by a_n_d_e_r_s · · Score: 1

      Well, if you are older and have a kid I suggest you give him part credit for the books by naming him co-author. Yhat way it is his life + 70 years - even if he just is a toddler. And if he lives to be a 100 years the time will be 170 years - not bad at all.

      --
      Just saying it like it are.
  72. Re:The concept of intellectual property has got to by hubbabubba · · Score: 1

    Most reasonable people acknowledge that there is a very valid reason for limited copyright protection -- so the creator can reap some reward for their WORK. You know, that "making a living" thing? If you had the talent to make music that millions of people love to hear, or take photographs that people will pay thousands of dollars to hang on their walls, or write code that becomes the next killer app, don't you suppose you might want to have some say in whether or not the fruits of your labor are just taken and used by anyone who wants to, for whatever purpose they wish, for free? If your answer is "no" you are either an idiot or a liar, or both.

    Sorry I won't bother to read your essay since it presumably contains the same crap as your post.

    --
    Fried ice cream is a reality. - George Clinton
  73. Re:The concept of intellectual property has got to by the_2nd_coming · · Score: 1

    and that is a prolem INSIDE the curent laws. it is not a poblem that is inherit with the ideas of the laws.

    I like the idea of the consumer's bill of rights that digital consumer.org has. go check it out, it is in my sig.

    --



    I am the Alpha and the Omega-3
  74. K.I.S.S. by WinPimp2K · · Score: 1

    Make it for a set number of years period.
    This whole life plus X years is a bunch of needless complication, and in actuality is just the sort of ambiguity that gets used 50 years later to really screw things up.

    Besides, what if the life extension Pollyannas are right? Everbody lives forever, copyright only expires when an author is successfully murdered?

    --

    You either believe in rational thought or you don't
  75. Re:The concept of intellectual property has got to by joemc79 · · Score: 2, Interesting

    I wrote an essay for my website about this subject some time back. You can find it here:

    http://www.furinkan.net/display.php?pageid=75 [furinkan.net]


    Your analogies in this essay are either incorrect or irrelevant.


    The prehistoric example is simple. A refugee from a war loses most of his tribe to the invading barbarians, but manages to escape to the next village. If he tells those people of the invasion and moves on, they will help themselves by preparing for the fight or evacuating, and probably taking the refugee with them out of thanks or desire for his experience. If he were to stop at the village, get food and water, and then leave without telling everyone of the approaching ruin, the survivors of the resulting carnage would probably not be so kindly disposed towards him.


    This makes no sense whatsoever. It means nothing to IP law. In the above scenario, with or without IP laws, the scenario could be the same.


    A more recent example would be the various gold rushes, both with real or imagined minerals. While there was very little real gold in California, the uninhibited spread of information about all the new business opportunities in the area in the late nineteenth century turned an otherwise undesirable region into the one of the hottest business centers on the planet.


    Again, you're trying to say that somehow a lack of IP laws was responsible for the west coast's success. Wrong. The idea that gold might be out there helped, but your assertion that flow of information such as news events would not have been possible due to IP Laws is bogus.


    The concept of public libraries, which originated around a century ago, is also a clear demonstration of this fact. I don't think that there is anyone who doesn't consider the nation's public libraries to be noble institutions. When they first starting being constructed, however, the publishing industry was in an uproar. People cold go to libraries and read for free rather than pay the publishers for books. It is almost a direct mirror of the current uproar the record industry is making about MP3's and file-trading services such as Napster and Gnutella.


    Again, this is a flawed analogie. A library provides access to a single copy of a book for a single person at a single time. They paid the publisher money for that book. Napster provided access to anyone, anwhere, anytime unlimited copies of that item without ever buying that item.
    In the library example, the library increased the efficiency of the book by letting any number of people use it over it's lifetime.

    Also, the central part of your argument that infinite supply = 0 cost and that the only cost should be in delivery, is rediculous. Record companies spend money to crete music. Software companies spend money to create software. Authors and publishers spend money/time to create works.
    You're advocating a communal system that would make any career mentioned above worthless. Your delivery pipes would have NOTHING to deliver since there is no incentive to create.

  76. Re:The concept of intellectual property has got to by Frater+219 · · Score: 2
    The problem with your plan is that there would be no sharing of information. If you outlaw intellectual property, then there is very little incentive to share ideas with others. That would basically mean that companies and people would hide their ideas, and much time would be wasted by having multiple companies repeatedly inventing the same things.

    It is possible that the economic inefficiency involved in a certain amount of reverse-engineering would be less (indeed, much less) than the economic inefficiency inherent to the thought-monopoly regime. Yes, reverse engineering takes time and effort, but perhaps this time and effort would be less expensive and more rewarding, both to its direct beneficiaries and to society at large, than the various costs of thought-monopoly.

    What you call "intellectual property", recall, is merely a form of governmentally enforced monopoly on the application of thought, hence my term thought-monopoly. Like any other monopoly, or any other use of government force, it creates economic inefficiencies. The "social contract" backing this monopoly -- as represented in the U.S. Constitution's copyright clause -- is predicated on the belief that the benefits of this monopoly outweigh its costs. This is not a necessarily true claim, and where and when it is not true, thought monopoly is demonstrably unjustifiable on economic grounds.

    (I set aside the question of whether thought monopoly is justified, or even permitted, on moral or "natural rights" grounds. I happen to believe it isn't, but I think the economic argument, being a scientifically investigable one, is more likely to be convincing than the moral one.)

  77. Re:The concept of intellectual property has got to by zangdesign · · Score: 2

    A non-scarcity based economy assumes that there are unlimited resources, a population limited by natural means to a fixed upper limit, or that people are willing to share what resources they have freely, none of which is true.

    We don't have unlimited amounts of even the most basic necessary resources (ie., water). Our population continues to expand, usually in regions of the world that can ill afford it in the first place. We've pretty much proven that people are at the least somewhat greedy and will hog resources if they perceive a shortage.

    And we have no natural predators.

    The non-scarcity based economy will remain a fantasy for Star Trek watchers and pipe-dreamers for some centuries to come.

    --
    To celebrate the occasion of my 1000th post, I will post no more forever on Slashdot. Goodbye.
  78. Re:The concept of intellectual property has got to by Blindman · · Score: 1

    I will agree that the current intellectural property laws can and are abused by record companies and pharmeceutical companies. However, in the abscense of IP laws, why would a company invest millions of dollars in research into a new drug, if someone can just analysis and replicate it for less. Without IP, all of the drug research would be done by the Government and Academic institutions. That isn't necessarily a bad thing, but I can't say that it would be an improvement.

    As for the recording industry, I can't argue with you there. I don't think that we really need it anymore.

    My concern is in regards to technical advances and not things of artistic merit, which I think need to and should be handled differently.

    --
    I don't practice what I preach because I'm not the kind of person that I'm preaching to.
  79. Hmmm. by Binky+The+Oracle · · Score: 2

    Speaking as a content creator (music, literary, and fine art):

    1. Revert copyright lengths to a reasonable amount of time. A maximum of 17 years in which financial interest in the copyright could be assigned to another person and another 17 year period during which the copyright would mandatorily revert back to the original author(s). This would provide corporations an incentive to fund content creation, and still provide opportunity for the author to receive continued monetary advantage without corporate interference.

    2. Examine the possibility of prohibiting a corporation from holding a copyright. As an earlier post mentioned, if corporations had to license the work, they might behave in a more civil manner.

    3. Remove the possibility of creating a "Work for Hire." The author of a piece is the author of a piece. If an author is caught falsifying a copyright registration (e.g. he has a contract saying that someone else (like a corporation) is the author, the work immediately and irrevocably falls into the public domain.

    4. (Here's one dream item...) Amend the Constitution to say that Congress shall not pass any law containing an amendment. This is how the majority of our pork and shady dealings come about, and it's time for it to stop. There's no reason to attach an amendment giving $500,000 to Topeka for studying the mating habits of the purple-nosed shrew to a law covering federal highway funds. This kind of thing happens all the time, and it's often how bad copyright and patent laws get through - 11th hour additions to bills that have absolutely no relation.

    5. In that same constitutional amendment, make it a law that Congress shall make available in multiple formats, for no less than 30 days prior to the vote, a common language "impact statement" for any law. If I have to file an Environmental Impact Statement for something I'm doing on my own property, then the government should damn well have to file an impact statement when passing laws that change the way I live my life.

    Lawyers are human modems: you need one on each end of a bill/law figure out what the hell it actually means. I understand the need for legal language to eliminate ambiguity, but when it ceases to be understandable to a person of even above-average-intelligence, things have gotten out of hand.

    Before I explained the DMCA's impact to many of my friends and family, they didn't see the big deal. And I have to rely on other people's interpretations of the law because it's a pain to wade through it: too long, too obscure, and uses phrases I'd need to be a 2nd year law student (at least) to understand. I shouldn't need a law degree to know whether a bunch of people (most of whom are not from my state) are about to tell me I can't do something anymore.

    Whew. Sorry for the rant. I think that the current "Who Wants to Pay Off A Senator" method of buying legislation is largely responsible for these seeming nonsensical laws. Back to copyright...

    6. Remove the "legal entity" status for corporations that Santa Clara County in California helped us bring into the world. Dissolve Santa Clara county and give it to Gilroy as punishment for inflicting a really stupid decision on the rest of the country. (tongue in cheek, folks... but with a grain of sincerity).

    It's hard to come up with specifics because the system is so overwhelmingly broken. But I think that a combination of reexamining the ability for a corporation to own a copyright and significantly reducing copyright terms would be a great start.

    If the government is truly interested in upholding the Constitution (and I get more and more skeptical of that every day), then they need to go back and read the damn thing. I seriously doubt that the copyright provision was put in place so that 5 multinational corporations could run amok.

    Wow... I've really rambled on. Sorry for that. This is an issue with few easy answers, but it's definitely easy to identify that there's a problem.

    --

    Slashdot comments... splitting hairs since 1997.

    1. Re:Hmmm. by mpe · · Score: 2

      Amend the Constitution to say that Congress shall not pass any law containing an amendment. This is how the majority of our pork and shady dealings come about, and it's time for it to stop. There's no reason to attach an amendment giving $500,000 to Topeka for studying the mating habits of the purple-nosed shrew to a law covering federal highway funds. This kind of thing happens all the time, and it's often how bad copyright and patent laws get through - 11th hour additions to bills that have absolutely no relation.

      Actually this describes a "rider" rather than an "ammendment". An ammendment in the context of the example would be something like speed limits (for these roads exculsivly). Of course someone could always argue that the mating habits of the purple-nosed shrew matter in the context of what happens if you build a road over their habitat.

    2. Re:Hmmm. by Binky+The+Oracle · · Score: 2

      That's it. I knew that I wasn't using the correct term, but "rider" was escaping me somehow.

      If there's a valid reason to study the purple-nosed shrew, then fine - I don't have a huge problem with that (although I still think that if the state wants to know about the shrew, then the state should pay for it... not the feds). There's absolutely no reason for my taxes to pay for the restoration of the statue of Vulcan in Birmingham, Alabama (actual pork that recently passed).

      As long as I'm griping, I think it's really shady to attach federal "social engineering" laws (e.g. drinking age or speed limits) to things like highway funds. The process goes something like this:

      FEDERAL GOVT: Hey there, states, we're going to tax your citizens and then hold the money hostage until you pass laws that we think you should pass. Want money for education? Roads? Then get in line and do what we say, otherwise we'll give all your money to Rhode Island instead. They play ball.

      And no, I'm not arguing for abolishment of federal taxes completely (the military and other programs are needed and valuable), but I really object to the holding money hostage thing.

      In the spirit of my original post, here's my "social engineering" solution: Every federal taxpayer should be able to direct where 50% of their tax money goes (in fairly general terms:military, welfare, social security, infrastructure, scientific research, etc.).

      For example, If I think that welfare is more important than the military, I can put my 50% there. If I feel that the military and highways are more important, I can put 30% to the military and 20% to highway funds.

      The other 50% would be at the discretion of the govt to spend. I bet if people had a little more direct control over where the money went, congress might get a clue about what the populace actually wants. Heck, throw a "Pork" category in there and see how many people give money to it.

      --

      Slashdot comments... splitting hairs since 1997.

  80. Sugestions. by jellomizer · · Score: 2

    The main problem I have with the laws is who is held responcible for the copyright/patten infrengment.

    These laws are try to stop poeople from pointing to websites that violate the law and have copywritten or pattened information. This is an unfair act because a site can contain more information then just Illegal information it can also obtain legal and fair use information as well. If you are going to sue someone for violating your copyrights then sue the person who is violating it and not the person who is pointing to it.

    Citizans should be able to browse the web and Download what they want without feeling liabale for getting illegal information where they can be prosicuted. It is the responcibility of the content provider to very the legality of his information. This is also true on P2P networks such as music sharing systems. They do not actually hold the music it is just a bunch people saying "hay this is what I got and you can have it" The P2P networks have no means of checking to see if it legal or not and the responcibily falls on the person distributing the content.

    Music fair use. I beleave it is fair use to distribute a song or track without a charge to a limited amount of people. I beleave that if you give away the hole CD or album is unfair use. You should pay for having all the music you want on the CD and not pay for the indivual songs. By giving away the hole set crosses the bounds because it takes away all the work the record company made. Its like listing to music on the radio you raily hear the hole CD you just hear a song and the next piece they pay is from an other CD.

    And I dont think you should differieate from IP laws from ordany laws. There is no real difference.
    Hacking or Cracking into a compuer is the same as breaking and entering and tresspassing (It dosent matter if the computer is unsecure or not). Piricy of software is simular to going into a store and taking the Software (which is the same if you give away the whole package or album of a music)

    --
    If something is so important that you feel the need to post it on the internet... It probably isn't that important.
  81. A By No Means Exhaustive List by FreeUser · · Score: 2

    Okay, what are they? Please clarify. I'm not trolling; I want to discuss specifics to make sure that the alternatives you're proposing are fair.

    First, I do not claim to have all the answers. I am merely stating that the discussion, to be at all fruitful, must consider alternatives to a system which is prone to abuse, and prone to worst vargaries of a command economy and government coercion by its very nature (and initial design requirements).

    Second, this list is by no means exhaustive. It is off the top of my head, and others I'm sure could suggest more creative, perhaps more effective, approaches.

    As for fairness, I can think of several things that would be at least as fair as the current, very unfair system of copyright (unfair to artists and consumers both), without the burden on our society of state enforced monopolies.

    One, as others have mentioned, is patronage. It is, in one sense, how most programmers are paid today (most of us work on inhouse software, NOT retail software being sold under copyright. Some of us are fortunate enough to be working on free software or open source projects). It is also how most acters are paid, in another sense. Indeed, arguably it is how any artist or professional is paid who does a "work for hire" where the artist (or professional) in question never enjoys "ownership" of the copyright on the work they produce, or the patent on the work they invent.

    Another possibility is derivative income. Example: you don't make money on the music, you make money on the performance of the music. Again, this won't change how most bands make money, for example, as they receive most of their revinues from concerts (while their publishers, the record companies, rake in millions via their control of the copyright itself, selling copies of the music on CDs, etc.).

    Another possibility is "busking" or the electronic equivelent thereof via micropayments of one sort or another.

    Another possibility is simply creating wealth and sharing it to ones advantage, much as free software has done for many of us. I make my living off of the deployment of free software, which I can, share, and modify freely despite having not written it myself. The developers in turn make good money, because they are well known and thus in demand. We all win (and though free software is copyrighted by definition, the license is designed to negate the restrictions of copyright). I give back a little in my own way, which further enriches others (perhaps in ways I don't even know about or expect).

    None of these approaches are perfect, all of them have problems and challenges, but no more so than copyright itself, and assuming your goal is to insure the artist is compensated, and the society is enriched, they are all superior to the copyright regime we now have, or even in its much more benign form as initially implimented in the United States.

    Now, if your goal is to protect and enrich publishers, as it was at the time the constitution was written to include provisions for copyright, then you might object to these approaches, but artists and society at large would likely benefit greatly from any of them over the current system, particularaly now that we have the internet to make publishing costs negligable.

    --
    The Future of Human Evolution: Autonomy
    1. Re:A By No Means Exhaustive List by kirkjobsluder · · Score: 1

      Ok, this is just my point of view as a person who has three academic papers in press. The reason why I want copyright is NOT because I expect to make lots of money off my work, but because I want for my work to be credited to my co-authors and myself rather than to some third party. In fact, I would prefer my work be open-content simply because it would permit other educators to copy and distribute my works in course packets.

      One, as others have mentioned, is patronage. It is, in one sense, how most programmers are paid today (most of us work on inhouse software, NOT retail software being sold under copyright. Some of us are fortunate enough to be working on free software or open source projects). It is also how most acters are paid, in another sense. Indeed, arguably it is how any artist or professional is paid who does a "work for hire" where the artist (or professional) in question never enjoys "ownership" of the copyright on the work they produce, or the patent on the work they invent.

      However, the restrictions that go along with patronage are even more hostile to the free market than copyright. (For example, patronage can place restrictions such that I can't take my expertise with me when I leave. In addition this just shifts the issue from an individual creator holding a copyright to a corporation holding the copyright.

      Another possibility is derivative income. Example: you don't make money on the music, you make money on the performance of the music. Again, this won't change how most bands make money, for example, as they receive most of their revinues from concerts (while their publishers, the record companies, rake in millions via their control of the copyright itself, selling copies of the music on CDs, etc.).

      The problem I see with this is for example, I create something for the local church. Since in your world I have no copyright on that work and only get paid for performance, a recording somehow gets sent to somone at Disney who uses the work in their next film. Suddenly, Disney is making millions from their own derivative works while I don't get a penny. Is this necessarily a fair deal? In the absence of copyright law, I can't go to them and say, "hey wait a minute, a song that I made for a specific audience just won an Academy Award and made you millions of dollars.

      Another possibility is "busking" or the electronic equivelent thereof via micropayments of one sort or another.

      Well again, what is to prevent Disney from copying the file, and setting up their own micropayment system in the absence of copyright? Disney can use its size to leverage promotion getting thousands of dollars on content I produced while my home page gets a few dollars a week.

      Another possibility is simply creating wealth and sharing it to ones advantage, much as free software has done for many of us. I make my living off of the deployment of free software, which I can, share, and modify freely despite having not written it myself. The developers in turn make good money, because they are well known and thus in demand. We all win (and though free software is copyrighted by definition, the license is designed to negate the restrictions of copyright). I give back a little in my own way, which further enriches others (perhaps in ways I don't even know about or expect).

      I certainly agree that releasing open-source and open-content is a good thing but the GPL IS NOT DESIGNED TO NEGATE THE RESTRICTIONS OF COPYRIGHT, INSTEAD IT DEPENDS ON THEM TO ENSURE THAT DERIVATIVE WORKS ARE ALSO FREE. Without copyright, there can be no copyleft. The ONLY thing that keeps free software free is the existence of a copyright law that permits users to control derivative works.

      None of these approaches are perfect, all of them have problems and challenges, but no more so than copyright itself, and assuming your goal is to insure the artist is compensated, and the society is enriched, they are all superior to the copyright regime we now have, or even in its much more benign form as initially implimented in the United States.

      In fact, all of these approaches insure the exact opposite.

    2. Re:A By No Means Exhaustive List by FreeUser · · Score: 2

      I certainly agree that releasing open-source and open-content is a good thing but the GPL IS NOT DESIGNED TO NEGATE THE RESTRICTIONS OF COPYRIGHT, INSTEAD IT DEPENDS ON THEM TO ENSURE THAT DERIVATIVE WORKS ARE ALSO FREE. Without copyright, there can be no copyleft. The ONLY thing that keeps free software free is the existence of a copyright law that permits users to control derivative works.

      Oh. My. God.

      You really do not get free software, do you, much less Free Media or Open Content.

      The GPL exists for the sole purpose of insuring the 4 freedoms as laid out by the Free Software Foundation: the freedom to use, the freedom to copy, the freedom to modify, and the freedom to share your modifications with others. Without copyright you would have all of these freedoms, and as Richard Stallman himself, the author of the GPL, has said, without copyright the GPL wouldn't be necessary at all.

      The existence of free software doesn't depend on copyright. The existence of free software depends on licenses like the BSD and GPL licenses because copyright law makes the world a hostile place to free software by default. They are a defense against a hostile system that happens to use that system's own rules against itself. Do not confuse the existence of the hack (the GPL) with the existence of free software. The former by definition relies on copyright, the latter exists in spite of copyright.

      In fact, all of these approaches insure the exact opposite.

      Thus far, I have backed up my assertions with real world examples of it functioning (albeit not always perfectly). You, on the other hand, have just made a very broad statement without a single shred of evidence to back it up. I do hope your academic publications were a little more rigorous than that.

      --
      The Future of Human Evolution: Autonomy
    3. Re:A By No Means Exhaustive List by kirkjobsluder · · Score: 1

      The GPL exists for the sole purpose of insuring the 4 freedoms as laid out by the Free Software Foundation: the freedom to use, the freedom to copy, the freedom to modify, and the freedom to share your modifications with others. Without copyright you would have all of these freedoms, and as Richard Stallman himself, the author of the GPL, has said, without copyright the GPL wouldn't be necessary at all.



      Without copyright, the GPL can not enforce its demand that redistribution of modifications include either the source code or documentation. Free software ONLY exists because copyright law exists. In the absence of copyright I can repackage any free software as a closed-source program. Granted the binary would be public domain but the source code would be inaccessable.



      Thus far, I have backed up my assertions with real world examples of it functioning (albeit not always perfectly). You, on the other hand, have just made a very broad statement without a single shred of evidence to back it up. I do hope your academic publications were a little more rigorous than that.



      And I went through one by one and demonstrate how those alterantives are not sufficient to prevent me from robbing you blind.



    4. Re:A By No Means Exhaustive List by kirkjobsluder · · Score: 1

      The problem with treating the GPL as a subversion of copyright is because the GPL goes quite a bit beyond insuring Stallman's 4 freedoms. In the absence of copyright the freedom to use, and the freedom to copy would be enforced. But in the absence of copyright there is no demand for me to release my sorce code. Without copyright there is nothing to prevent microsoft from grabbing GCC, forking its own incompatible version, and releasing it as just executable code (or even wrapping it in an ecrypted layer to prevent decompling). The GPL depends on copyright to force creators of derivative works to release source code along with modifications.

      I have offered up some criticisms of your alternative business models. Lets revisit them one by one.

      1: Patronage. Patronage has frequently been a serious problem for both free speech and the free market as patrons try to assert control over the artist's work. In addition, there are a number of cases where the person just doesn't get paid.

      But there is another issue here which is that patronage reduces the creation of works to simply an hourly job. So lets take a typical case. Studio pays Britney Spears to make a record, they charge a modest fee for distributing copies and being the first on the market. They make a mint, Britney Spears makes $20 an hour. A patronage-only scheme in which only labor is compensated, and the actual created work is considered to be not property doesn't give the artist much room to negotiate more compensation.

      2: Buskering. This falls prey to the Wallmart/Starbucks attack. I sell my work for $2.00 a download on kirkjobsluder.org covering the cost of my website and getting pocket money. Disney moves in to kirkjobsluder.com and sells it for $.25. Disney can use its advertising muscle to get my work into the top 100 and it makes thousands of dollars. When my page is shut down, they raise their prices. Most people could consider it to be very unfair that my work only earned me a few dollars while Disney pocketed thousands of dollars.

      In addition under a public domain they can always rebrand it as a Britney Spears song.

      I think that there is a danger in treating copyright as an evil while ignoring the fact that in many ways it does help independent artists and content creators. There are some creator rights that go along with copyright that are also asserted by the GPL.

      1: Legal grounds for proof of authorship. This allows my works to be recognized as my works and not as the work of another entity. This is provided for in the GPL by requiring documentation of changes along with the original GPL license.

      2: Control over how the work and derivative work is used. The GPL places quite a few demands on people who redistribute GPL software and create derivative works from GPL software. If I redistribute software I must also redistribute the source code. If I distribute modifications I must also distribute the source code. Neither of these restrictions could exist simply by removing copyright.

      In addition, I feel that artists should have some form of image control over their work. For example, I would hate it if I wrote a protest song, only for it to be used by Nike to sell shoes.

    5. Re:A By No Means Exhaustive List by FreeUser · · Score: 2

      Patronage. Patronage has frequently been a serious problem for both free speech and the free market as patrons try to assert control over the artist's work. In addition, there are a number of cases where the person just doesn't get paid.

      How is this any different from "works for hire" which is how most artists (authors excepted) are effectively paid these days, be they actors, screenwriters, or musicians. Indeed, the RIAA tried (and nearly succeeded) to have all works defined as work for hire, then backed off when the realized the PR fallout that would ensue.

      A patronage-only scheme in which only labor is compensated, and the actual created work is considered to be not property doesn't give the artist much room to negotiate more compensation.

      Most artists have very little room to negotiate now, at least until they become well known. Prince (or the Artist Formerly Known As) is one of many examples of very successful artists who had no room to negotiate when he started out, got rooked, and then, to get out of it, had to give up his very identity in the process. I do not know the statistics on the number of artists who manage to negotiate something resembling a fair contract vs. those who do not (because, lets face it, the media cartels hold most of the cards in such negotiations, particularly in the beginning), but I would be very surprised if more than a small fraction of the artists in question had anything approaching a fair contract. In other words, I do not think copyright is any better at protecting artists in this regards than the patronage system, and it has a hell of a lot of societal costs associated with it.

      Buskering. I agree with your criticisms as to its weaknesses in a copyright free world with no alternative system to replace it (and I offer a solution below, where I discuss possible alternatives to copyright that don't involve simply abandoning it and leaving a vacuum in its place).

      You point out some important pros of copyright, but these pros are not innate in copyright itself, nor is copyright required in order to have them.

      1: Legal grounds for proof of authorship.

      Copyright could be replaced with a Requirement of Authorship, where an author is required to be given credit for their work (and those making changes in a derivative work required to take responsibility for those changes, in addition to citing the author's initial contribution). This question is completely orthogonal to the question of granting government mandated monopolies to authors or artists, and does not require copyright in order to be addressed.

      2: Control over how the work and derivative work is used.

      While there are pros to this kind of requirement (the GPL uses it to leverage more openness out of a public commons than might otherwise arise), it is my opinion that the cons (denying people access to and the ability to use material as they like) is greater. BSD, for example, doesn't rely on these controls, and while it isn't as strategic in countering the likes of Microsoft as the GPL is, I think the gain in giving that up far outweighs the downside.

      Indeed, with BSD this has happened (consider Apple's OS X), and it hasn't appeared to harm BSD at all. It is a fair argument that a free market, rather than coercian for or against source code availability (in a copyright-free scenerio) is perhaps a better way to resolve the question.

      However, that having all been said, there appears to be an assumption in all of this that I am advocating an abandonment of copyright with nothing to replace this. I find it curious that this is the assumption everyone is operating from, particularly when my original post called for discussion on possible alternatives to copyright that might accomplish the same purported goals (insuring the artist gets just compensation) without the social costs (government mandated and enforced monpolies and a command marketplace).

      Somehow copyright discussions seem to entail an incredible lack of creativity. The IP proponents argue we must have copyright because of X, Y, and Z, and no one seems to question whether X, Y, and Z are (a) even desirable in the larger picture or (b) require copyright to be accomplished.

      Take the busking example. In a world without copyright, but with a Requirement of Authorship, and Perhaps a corrallary Exemption of Authorship that exemps works sold by the artist (or a duly appointed publisher) from taxes that would be levied against a competitor selling the same book/record/etc. you could give artists an economic edge over others, not authorized but nevertheless entitled to publish and sell a work, without granting them an all out monopoly, or restrict how others might use or incorporate said works in their derivative material.

      There are literally dozens if not hundreds of possible approaches and variations on this kind of concept, where systems could be put in place that are relatively unobtrusive, help stack the free market in favor of the creative artist without throwing away the free market altogether and granting artificial monopolies the government then has to go around in jackboots enforcing.

      In other words, getting back to my original call for an exploration of alternatives to copyright, we should consider designing, from the ground up, a system designed to maximize the freedom of the artist and the society while insuring just compensation (which I would not equate with 'the right to get rich' or 'the right to make sure no one else can make anything on the work', but rather the right to get paid for the work, and perhaps the right to an advantage in the marketplace in trying to get paid for the work) and, most importantly, without trampling on the freedoms of the rest of society at large.

      --
      The Future of Human Evolution: Autonomy
    6. Re:A By No Means Exhaustive List by bshanks · · Score: 1

      >Take the busking example. In a world without copyright, but with a Requirement of Authorship, and Perhaps a corrallary Exemption of Authorship
      >that exemps works sold by the artist (or a duly appointed publisher) from taxes that would be levied against a competitor selling the same
      >book/record/etc. you could give artists an economic edge over others, not authorized but nevertheless entitled to publish and sell a work,
      >without granting them an all out monopoly, or restrict how others might use or incorporate said works in their derivative material.

      this is a great idea.

    7. Re:A By No Means Exhaustive List by bshanks · · Score: 1

      i copied and summarized some of this thread to MeatballWiki at page CopyrightAlternatives

    8. Re:A By No Means Exhaustive List by kirkjobsluder · · Score: 1

      Take the busking example. In a world without copyright, but with a Requirement of Authorship, and Perhaps a corrallary Exemption of Authorship that exemps works sold by the artist (or a duly appointed publisher) from taxes that would be levied against a competitor selling the same book/record/etc. you could give artists an economic edge over others, not authorized but nevertheless entitled to publish and sell a work, without granting them an all out monopoly, or restrict how others might use or incorporate said works in their derivative material.

      However, I don't see this competative advantage as large enough to ensure that the big distributors don't grab creative works. The commercial example of the X-Box reveals that the big boys are willing to take a hefty loss on each unit sold in order to muscle out any competition. I don't see how anything less than an exclusive limited monopoly has any hope of protecting the artist.

      There are literally dozens if not hundreds of possible approaches and variations on this kind of concept, where systems could be put in place that are relatively unobtrusive, help stack the free market in favor of the creative artist without throwing away the free market altogether and granting artificial monopolies the government then has to go around in jackboots enforcing.

      Here is probably a fundamental point of disagreement. I don't see copyright as incompatible with a free market. Copywritten works are still just as vunerable to market forces as any other commodity. If you want a copy of my code, my novel, or my movie, you need to negotiate with me on the price. If I price it too high, you buy someone else's code, novel or movie. If you don't like that I am the supplier for my code, my novel or my movie, you can compete and make a better one.

      Really calling copyright a monopoly is a bit of a misnomer. It is not as if the government is granting the exclusive right to publish all novels, all audio recordings, to a single person. It only protects one particular instance of an intellectual work, a single string of words, sounds or pixels in a particular order.

      In other words, getting back to my original call for an exploration of alternatives to copyright, we should consider designing, from the ground up, a system designed to maximize the freedom of the artist and the society while insuring just compensation (which I would not equate with 'the right to get rich' or 'the right to make sure no one else can make anything on the work', but rather the right to get paid for the work, and perhaps the right to an advantage in the marketplace in trying to get paid for the work) and, most importantly, without trampling on the freedoms of the rest of society at large.

      The funny thing is, that right to get paid for work, that right to get an advantage in the marketplace sounds supiciously like a copyright.

      I guess a fundamental difference of opinion is that I see the right to control the commercial use of the products I create to be one of those essential freedoms. Isn't there a free speech argument to be made here? If I create something as a political act, what recourse do I have when it gets appropriated without copyright?

      There is something ethically lacking in this attitude of, "I have the fundamental right to copy, modify and redistribute anything that is created." Quite a few things that I create are not created to be spread out in the world. I would hate to read the love letters I've created for people published elsewhere.

      In fact, I think that copyright fills a serious need that occurs because of ethical lapses. In an ideal world, it shouldn't be a problem to ask for and get permission to use a work. I try to ask for permission whenever I use other people's work, first because I know they appreciate it, and second, out of respect for the artist I don't want to use their work if they don't want it to be used.

      And part of the issue is that I don't see that the core notion of copyright, artists have a right to profit from the commercial use of their works, and a right to set the terms of distribution and redistribution, to be the problem here. (Although I do see problems with the current state of copyright law.) Instead, the problem is economic and political. The abuses of copyright are a symptom of a bigger problem, not the cause of our intellectual property woes. ANY form of framework whether it be copyright, copyleft, no copyright, or public domain will be abused in this context. Fix our political and economic system, the problems with copyright vanish.

      In my opinion the solution is the creation of alternative economies in which the big boys don't get a chance to play because the copyright is held in common.

  82. Re:Give companies control of information they crea by Anonymous Coward · · Score: 0

    Because it's too over beneficial on the copyright holder and an easy loophole. What you say sounds good, but it's easy to find a buyer. This is similar to a law Clinton and a Republican congress let through regarding some banking info; limitations were attempted but the limitations were a joke. One company just agrees to buy another company's copyright products, and vice versa. Once every 5 years, and bingo, you've got an indefinite copyright. Nothing would fall into the public domain.

    Copyright law is suppose to bring benefit to the end user as well as the creator. Extending the period of time before going to the public domain removes benefits to the end user, as they cannot create derivative work without permission (license) and allows extension of copyright claims on now decade old ideas. It benefits the creator in terms of profit, but in reality, causes a reduction in overall creativity, as there is no impetus to create new content, as the creator simply continues living off the sales of their early works, and new creators cannot extend old ideas without paying a fee or having the original creator limiting their work through the licensing scheme.

    If I were in control of copyright laws, I'd kill the DMCA. It stifles both technological innovation as well as prevents works from becoming public domain. As someone earlier stated, return copyright laws back to what they were 10 years ago.

    Frankly, if the copyright industry associations continue on this course, I wouldn't be surprised if unionization occurred (sounds strange, doesn't it?).

  83. A Challenge by DaveAtFraud · · Score: 1

    A challenge (and there are many others besides this one) is to come up with something that ballances preventing the patenting of the mundane by using innovative language with something that allows a patent holder to make a profit from a "natural" substance. The /. community is all too familliar with people who patent or try to patent everything from web links to silverware by simply describing the item or process using obfuscatory language. Any change to patent law or the patent process should protect against this.

    A different shortcoming of existing patent law is that it makes it unprofitable to bring a natural substance to market. As examples, there are several herbal remedies and natural substances that don't have the nasty side-effects of the equivalent man-made drug or concoction but for which there is little or no incentive to make them commercially available by doing the expensive product testing, etc. required to claim they are "safe and effective." A business will only spend the money to do this if the business thinks it has a reasonable expectation of making a profit on the resulting product.

    So instead of just coming up with changes to the existing law that will just let you download MP3s again, consider what it would take to actually make a real improvement.

    --
    They that can give up essential liberty to obtain a little temporary safety deserve neither safety nor liberty.
    Ben
  84. Re: Expire... by Anonymous Coward · · Score: 0

    I think as the point comes when no *substantial* commercial benefit is made of some intellectual property, be it music, software, books, whatever, it should at least be legal to redistribute such material in any way which does not constitute resale for profit.

    Like, let's measure monthly sales (in units not revenue!) of every publication every two years, and when it is below, let's say, five percent of
    the highest sales per month ever reached, allow its free redistribution until, in spite of such freedom, it climbs over 8 percent again, at which point the right to use (but not further redistribute) such copy should continue.

    Would protect the commercial interest of the creator as well as the interest in continued
    in continued availability of valuable content
    by the consumer/user.

    Yes, I know, it's similar to the so-called
    abandonware movement, which however only seeks rights in, as the name says, abandoned software, not such which is only an item of sales for the books.

    Pertaining to software, it would also throw a spanner in the wrench of those companies who try to chase their own product off the market in order to sell another, deliberately inferior one for business tactical reasons (am I *really* to give examples here? think not!).

    ...

    Considering patents, they should all be exhumed and strictly reevaluated, *especially* regarding obviousness, triviality and prior art, and such strict standards upheld for new applications.
    Or, use a similar expiration formula as I described above, with expiration also starting
    when no usage has been made of the patented
    invention for, like, 15 years, *in spite of usability in connection with the current state
    of technology and economy.*

  85. Purpose of IP laws by akmed · · Score: 2

    The purpose of intellectual property laws in the US is simple. An inventor/creator is given for a limited period of time a monopoly over his/her creation. The time limits are meant to be long enough for the person to recoup costs of creation and make a profit off of it thereby encouraging people to create. There're two problems now. The current time limit in the US for copyrights is bizarre. It discourages people from creating more than once, assuming they create something enjoyed on a mass scale the first time. The authors life + X years system also encourages an intellectual nobility in that the children and possibly grandchildren will continue to benefit from the invention of a parent thereby having no incentive to create. The most you could justify is something along the lines of authors life or 30 years, whichever is longer. That way you avoid a situation in which the primary wage earner dies unexpectedly and thereby leaves his/her family out in the cold. I'd be in favor of a flat 40 years, myself. Plenty of time to recoup costs and make a nice amount of money, not so much time that it stretches into the bizarre. However I'd temper that with the condition that a copyright held by a corporation lasts only 25 years. As for patents, 14 years is fine. The problem is the silly nature of some patents granted these days. The solution for this is for congress to begin properly funding the USPTO again. The USPTO is currently reliant on people filing for patents and trademarks for its funding. It's underfunded with a builtin incentive to grant patents to encourage people to continue filing. Patents only last 14 years and if they're too stupid they are challengeable, but the granting of somewhat silly patents can slow down scientific progress. Trademark law seems mostly fine with a few exceptions (the despair.com frownie comes to mind). But those are only valid if enforced anyway. If someone with a common speech/use trademark ever brought suit it'd get struck down (think kleenex).

    -Mike

    1. Re:Purpose of IP laws by mpe · · Score: 2

      The purpose of intellectual property laws in the US is simple. An inventor/creator is given for a limited period of time a monopoly over his/her creation. The time limits are meant to be long enough for the person to recoup costs of creation and make a profit off of it thereby encouraging people to create.

      It's more to give the creator first refusal on any (there may be none or insufficient to cover any costs) money resulting from their work, as an incentive to continue producting.

      The authors life + X years system also encourages an intellectual nobility in that the children and possibly grandchildren will continue to benefit from the invention of a parent thereby having no incentive to create. The most you could justify is something along the lines of authors life or 30 years, whichever is longer. That way you avoid a situation in which the primary wage earner dies unexpectedly and thereby leaves his/her family out in the cold.

      Why should copyright be a state sponsored pension/life insurance scheme?

  86. ideas by beakburke · · Score: 1

    1. trademarks are relatively good.

    2. copyrights and patents should last for 20 years with one possible 20 year extension. THEY SHOULD BE TRANSFERABLE! Thats just good market economics. For property to be useful it needs to be clearly defined, owned, and protected. (Public goods are a necessary evil, when these things objectives cannot be achieved without a massive violation of liberties, like privatizing air) All of this anti-corp bs is silly. The publicly held corp (as an institution idea, not necessarily individual entities, has been the single biggest contributor to income equality in the last 200 years i dare say!) (as i run for my flame suit :))

    3. we simply need to do a better job screening out "trivial and obvious" patents that arent terribly innovative and we need to do a better job with prior art.

    Basically IP needs to be harder to get with a shorter lifespan and the rights of all parties must be well defined.

    --
    ----- Question authority, but not ours. Hate the man, but we're not him.
  87. Not Necessary or Useful by youngsd · · Score: 2

    Being a former intellectual property attorney, I have spent a lot of time thinking about this very issue. I have to disagree with the notion expressed by epsalon in the original posting:

    However, nullifying all IP laws is IMHO a bit too strong, because there will be no incentive to create anything for mass market sale except out of goodwill, or for leveraging other revenue (aka Linux).

    At the end of the day, all copyright and patent laws are an attempt to create some incentive for certain kinds of creation, at the expense of limiting the right of the public to use certain ideas. In essence, this is nothing more than a subsidy (the IP owner gains a limited monopoly right, the public loses freedom of action with regard to the subject of that monopoly). Just because the "price" of the subsidy paid by the public is not directly monetary doesn't mean that it is any less of a subsidy.

    A lot of people who (in my opinion, correctly) reject the notion of government subsidies as unnecessary and, on balance, harmful to society still accept the notion of IP because they don't see it for what it is. The backers of IP laws would have you believe that a world without IP laws would be a bleak, gray unhappy place with no creativity. Of course, the world before IP laws looked nothing like that, and the world won't look like that when people finally undo these mistakes of history.

    -Steve

    --
    Democracy is a poor substitute for liberty.
  88. Re:The concept of intellectual property has got to by programcsharp · · Score: 1, Insightful

    What we need is mandatory licensing. This provides a balance of control between the property owner and the potential consumer, encouraging innovation while maintaining freedom.

  89. Simple Copyright Law by carrier+lost · · Score: 1

    Original copyrights can only be granted to an individual and are good for the life of that individual.

    The individual exercises sole control of the copyright, i.e., setting rates, limits, uses, etc.

    If the copyright is sold or given to another individual or corporation, it is valid for 10 years from the date of transfer with the same rights

    If the copyright is transferred again before the initial 10 years are up, the amount of time left is still measured from the date of the first transfer, also with the same rights

  90. IP Laws by hackus · · Score: 1

    Fundamentally, IP laws cannot work in a global market place that doesn't recognize IP laws from country to country.

    Given the fact that the sole purpose of IP laws are to restrict commerce by imposing a levy on any idea or product reproduced, those countries not under the same restrictions will kill those countries that are in the marketplace.

    If the US and its allies are to make IP property work, they will need to consider military action, or economic action against those countries who feel certain IP laws in our country don't apply to operating thier economies, or who simply develop a different economy altogether.

    Especially when you consider the fact that developing "mega" economies such China, and Russia who could dwarf anything Europe or the US could output in sheer GNP, cannot at this stage pay such levies.

    Not only that, but IP rights in the US and Europe, are increasingly laws on the books that enforce legal monopolies by corporate entities rather than what they are really meant to be: a way to reimburse the development costs of the idea to the inventor. As we see with DMCA and other such legislation, these rights are actually methods to lock in markets and prevent new competition or development of technology that renders the patented technology obsolete.

    Regardless if it is in the consumers, or our countries technology markets best interests.

    I don't believe given these facts, and if we are to remain friends with these nations who are up and comming, that IP laws as written are a good idea.

    IP laws should be changed so that the idea of reimbursement is a very very VERY small percentage of the market place and allow the iventor to sell his product and make his profits like everyone else.

    -Hack

    --
    Got Geometrodynamics? Awe, too hard to figure out? Too bad.
  91. Very simple really... by evilpaul13 · · Score: 1

    Toss the Sonny Bono Copyright Extension Act and the Digital Millenium Copyright Act and you have a basically alright system. Beyond that, "life isn't fair get a helmet."

    (Now I need about 57 people to respond to correct that quote for me, thanks.)

  92. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 1, Insightful

    Heh, Trademarks are the only "IP" that actually are analogus to property, they have scarcity value. Others can't copy them without damaging thier value, to both merchant and customer.

    Copyright and Patent, on the other hand, are flat out monopolies. And they were never intended to protect the individual vs. corporations. Which is good, because they never have.

    Patents could still serve the original purpose (getting people to contibute useful inventions that they hold secret into the public domain), though the system badly needs reform. (example of why: The Patent King) Copyright is just plain obsolete, as far as the original purpose goes; Any author can publish themselves on the Internet for neglible cost, publishers are no longer needed as gatekeepers. As for insuring that authors get paid, Stephen King has tried variations on The Street Performer Protocol with satisfactory results (he was satisfied, he's the author, his is the only opinion that counts).

  93. Tie IP protection to the tax code by Otterley · · Score: 4, Insightful

    Intellectual property is a corporate (or individual) asset used to obtain revenue, just like computers, desks, chairs, etc. As such, it is treated as a capital expense under Internal Revenue Code. The full cost of producing the IP must be amortized according to the Code, and amortizations are a time-limited period chosen when the property is first claimed for deduction.

    So, why not just tie the protection of said IP to its amortizations? Once the IP has fully capitalized, it should no longer qualify for protection and then fall into the public domain.

    This would make IP holders think *very carefully* about how long they want to take to amortize -- it would make them choose a balance between tax savings and IP protection.

    1. Re:Tie IP protection to the tax code by Willbur · · Score: 1

      I also had this thought, but I decided I didn't like it. And then I came up with a modification that I did like. See below:

      My issue with the suggestion above is that it ties the amount you can charge for a patent to the cost of production. That is not the way that most markets work. The value of something is the fair market value, not the cost of production.

      Then I thought up a variation:

      i) All IP must be available. You can't just say "Not for sale".
      ii) There is a cap on the price of IP licences: you can't charge more than your own net profit on the use of the IP. Again, this net profit is available through the IRS. (If you haven't made any money off the IP in ~3 years then the IP expires.)

      Example: Company A has some Music. They make CDs for $12 and sell them for $20. This means Company A must license the music for no more than $20-$12=$8. Company B comes along and can make CDs more efficiently - it only costs them $8 to make the CDs. Company B has to pay $8 in licensing, but they can sell their CDs at $18 and still make $2 profit per CD. It also means that Company C can sell mp3s for $10 each and still make $2 per mp3.

      An interesting thought: maybe companies should be able to choose which of these two systems (capital or net profit) they wish to use when they register the IP?

      Another comment I have is WRT software patents. Software patents should be kept secret for two years. If they are independantly re-invented in that two years then they are invalid. If they're not original enough to survive two years without being independantly re-invented then they're not worth a patent.

      Finally, I think the government needs to put some money into IP enforcement/education once the IP laws are fixed.

  94. Careful what you wish for by Anonymous Coward · · Score: 0

    Remember - if you want a software copyright law that expires in 10 years, then the ideas present in the early linux kernels (ie: 1.0) would now be the public domain.

    As an open source developer you must remember, the IP laws that others use to screw you, are the same laws that you use to screw them right back.

    Is this what you want?

  95. This is a much harder set of issues... by ClarkEvans · · Score: 2

    All copyrights must be held by a private individual. No corporate entity may hold a copyright.

    This can easly be circumvented by an exclusive license, and many many other legal instruments.

    Copyright terms may vary up to a period of 17 years (depending on content type -- To Be Specified

    Any boundary you make will be blurry. What is a movie that is generated by a computer program dynamically? This is inflexible and won't scale.

    Copyright expires upon the death of the copyright holder.

    Thereby making it impossible for me to use copyrighted material as an asset? Oh brother. Your solutions are worse than the problem.

    Copyrights cannot be assigned to another entity

    See above. There are tons of legal ways to get around this... why? If I want to sell it I should be able to. It is a limited monopoly afterall, it has value, and thus I should be able to use it in the marketplace. Copyright law is silent on all of these issues for good reason.

    If a work has some form of access control, that access control must be disabled when the work enters public domain

    Good idea, hard to enforce. A better way is a registry; if you want to copyright binary source code, you must include the source code to the copyright office for escrow, as soon as the copyright expires, the source is released.

    Reverse engineering any sort of access control is legal

    Yes, withdrawing DMCA is a great idea. But I'm not certain if you can go any further. Tradesecret law is important...

    Patents must be held by individuals, not corporate entities

    They are held by individuals, they just happen to be assignable/licensed to companies.

    Only physical objects and processes may be patented.

    How do you make this distinction? A can-of-worms this is.

    No patent shall be granted for algorithms or business processes

    I'm not certain this is such a good idea, just about everything shoudl be patentable, IMHO, but only if it "advances the sciences and useful arts".

    A working implementation of the patented process must be provided (upon request of USPTO)

    This is called "reduction to practice" and it is already a requirement.

    Naturally occuring results of processes may not be patented (ex: DNA)

    Once again, it's hard to make this distinction. Any guidelines? The patent process is by necessity a one-by-one kind of thingy.

    The USPTO must conduct a good faith search for any prior art

    But they do already! They just hire idiots to do it who are impressed by anything technical sounding... the problem is more how they get funded. The funding of the PTO comes from patent applications. Thus, to get more funding, they need to increase applications. And what a better way to encourage the applications then by approving a big chunks of them.

    Perhaps a better solution is to make them accoutnable so that the PTO can be sued a fixed fee for patents which should not have been issued. This, or some other accoutability mechanism is needed to provide a dis-insentive to approve applications without doing due dillegence.

    Overall, nice ideas though. You need some serious thinking on this stuff...

  96. Fair laws? Fair use. by Frobnicator · · Score: 1
    First, read the book the future of ideas by Dr. Lessig. It discusses the issue in depth.

    Second, after reading the book, understand that ideas, intangebles, and resources that do not decrease in value as they are used, operate differently than tangeble objects -- therefore they whould be regulated differently.

    Third, understand that people who are creative should be compensated and therefore encouraged to innovate. In contrast, creative people required the use of other innovations, and therefore cannot in good concience retain all rights to every aspect of the idea: they must benefit the common area from which they themselves derrived inspiration.

    Fourth, understand that the existing regime will always fight to keep their power by suppressing innovation. Innovators will offer very little fight to innovate because they do not have evidence that the innovation will be successful.

    Take those together and you basically arrive at the IP law nearly 2 centuries ago. Specifically:

    • exact duplications of [registered] works was prohibited for a specific time (14 years, with the option to renew once).
    • Mechanical duplication (such as audio playback of a score) could be licenced for a small, federally manged fee, but only for the 14 to 28 year time frame.
    • Ideas put in concrete form (like a Coke can) could be recorded in another form (like a movie) without additional compensation, since you purchaced the right to use the object when you went to the soda machine.
    • Fair use included the ability to make derivative works at any time.
    • Fair use included the abiltiy to reverse engineer any work at any time.
    • Individuals, not corporations, owned the rights.
    • Licensing was inexpensive, and required the work to be original and creative.

    Since we have to deal with the garbage that is already in place, this would mean:

    • Massive cutbacks on copyright duration
    • Instead of granting all rights to the producer, only certain rights can be granted.
    • Licencing deals would have to move from contracts to law.
    • All industries working with intangebles, including the software, entertainment, and communications industries would need reform.
    • Comapnies using patents and copyrights to prevent innovation would be considered extortionists, where individuals would be encouraged in their use.
    • The USPTO and others would need to do significantly more work to ensure works are both original and creative.
    --
    //TODO: Think of witty sig statement
  97. Return to the "good ole days" by schon · · Score: 3, Interesting

    The answer (at least to me) is pretty simple:

    For copyright, set copyright dates in stone - fixed term (none of this "life of the author +X years.) Each work gets the same amount of protection, and there is no discrimination.

    Second, return to a registration system. If you want copyright protection, you must register for it. You must register ALL incarnations of something to get copyright for any of them ie. you must register your source code AND runtime, if you want protection for the runtime. That way, once the work falls into the public domain, the public is guarateed access.

    Third, registration would have to be renewed every so often (5 or 10 years.) This would prevent "IP hoarding", and eliminate the current problem with "abandonware."

    For patents, I don't think the system is horribly flawed, it's just poorly implemented. Enforcement of the (original) rules needs to done. (ie. You can't patent something you can copyright, better checks for "originality", and for scientific merit.) If the idea is simple, but the implementation is difficult, no patent.

    Trademarks? No opinion. Just don't start doing it like Germany ("Hi, I'm a lawyer, and you might be infringing on a trademark. You must now give me money for telling you this."), and we'll be OK.

  98. Patents by Stormalong · · Score: 1

    In reference to patents, this is my idea:
    Term of protection = Term of creation

    ie if it took you 10 years to "invent" the process, you get 10 years of protection.

    Of course, the development time must be properly documented. Anyone who is seriously developing something that is truly worthy of a patent should have no problem with that. And the "development time" ends at the moment of patent application or time of first sale, whichever is first. And it must be active development. No fair just "sitting" on the invention for a few years to extend the protection period.

    An interesting side effect of this: software patents are ok, because software development goes SO FAST that the protection period will be almost nothing. Case in point: the 1-click patent. Go ahead, patent it. Your protection period will be all of 5 minutes. :)

  99. How do you define what software is and isn't? by ClarkEvans · · Score: 2

    Really, if you can't get enough benefit out of writing a piece of software in 10 years, then it's someone else's turn

    What happens if the software you wrote has a limited customer base, and you figure it will take 20 years to get a return on your investment?

    I'd rather have the user be able to specify the limit of their copyright on the form and then have markets use this additional information (when the copyright expires) as an additional factor in their decision. They may choose to buy software that costs $500 now and becomes public domain two years later over software that is $100 now and doesn't become public domain for the next 50 years...

    1. Re:How do you define what software is and isn't? by JordanH · · Score: 2
      • What happens if the software you wrote has a limited customer base, and you figure it will take 20 years to get a return on your investment?

      10 years gives you a significant headstart on competition. I would expect that you wouldn't just write a piece of software and field it without making significant improvements and upgrades in that 10 years.

      Any improvements would be copyrighted for 10 years, or whatever the number is decided upon, remember that I said that 10 years is notional.

      Letting the market decide is not a good choice here. Granting IP is supposed to be a monopoly for a limited time. No vendor would set a copyright at anything reasonable if it were for competitive advantage. Not many customers would take into account the expiration of the copyright in their purchasing decisions. I know the customers I work with wouldn't. The vendors would just go back to competing on price and features and all set their expirations at something unreasonably long in the future.

      IP is supposed to promote progress, not line pockets. Lining pockets may be a way of promoting progress in the short term, but eventually progress is better served by getting the IP out there where others can build on it.

    2. Re:How do you define what software is and isn't? by Anonymous Coward · · Score: 0

      What's to stop everyone from choosing the 50 year term and still selling the software for a high price?

  100. All Or Nothing by mikeplokta · · Score: 1

    I'd rewrite the copyright laws to explicitly make the allowing of all kinds of fair use a requirement for a copyright to be granted. It would be perfectly legal to protect a work using protection schemes that prevent fair uses (such as making excerpts, viewing it on other devices, lending it and reselling it), but that would automatically void its copyright so that if anyone *could* copy it, they could legally redistribute as many copies as they wanted. And, of course, the DMCA prohibitions on circumventing access controls wouldn't apply to any access control that prevented any fair use.

  101. Should copyright apply to software at all? by Anonymous Coward · · Score: 0

    One idea I've been kicking around in my head lately is whether copyright should protect software at all. What about this: A software program (the binaries, not the source code) cannot be copyrighted, but rather it is regarded as a device and patented. The patent would cover a specific, working program, not an "algorithm" or anything vague like that. To a typical end-user, a program is more like a device than a creative work so patents make more sense than copyright. Yes, we geeks see creativity in the design, but that's primarily in the source code, not the final output. The main use of software is to run it, not to disassemble its executable files.

    There are huge advantages to this system: Like all patents, part of the patent application requires a full disclosure of how the device works. In the case of software, that means source code. Yes, software companies have to give up their source code in exchange for IP protection. Far from being unfair, that's exactly how it should work. Software has thus far been cheating the system by gaining monopoly protection from copyright, but not telling the public how they built it. Before you freak out, remember that patent law would still protect the code from unauthorized distribution, i.e. you can look but don't copy. If that's not enough, then perhaps the source code could be held in escrow by the USPTO until the patent expires.

    As for "code is speech": I'm not sure filing software under patents rather than copyrights would necessarily invalidate its status as free speech, but just in case... Source code is indeed expressive and could remain under copyright, like design docs or blueprints. But binaries are primarily functional and would be better treated as devices. Data files (images, sounds, etc.) that accompany the program could be copyrighted separately. As for interpreted languages like perl where human- and machine-readable code are the same thing, well the primary purpose is still functional so it could be patented but still considered speech.

  102. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0
    I wrote an essay for my website about this subject some time back.

    And apparently, you'd have no problem with Wired stripping your name off the essay, putting theirs on, and reposting it as their own.

  103. The Solution is Simple by jparp · · Score: 1

    The solution is:

    1. Give everyone in the world a secure online bank account that people can donate money too.

    2. Place a link to this account (or a web page hosting the account) in all media generated by said persons.

    That is all.

    If people like an artist, or a content creator, they can give them money to make more.

    For example a small game company could give away a game for free. And then they make a web site that says.
    To make a sequal we need this much money: x.xx$
    So far we have this much money: x.xx$

    If you want to see a sequal please support our cause.

    You could evan have multiple projects, and everyone could donate as much as they liked to whatever they liked.

    The only middleman in this case is the bank.

  104. Re:The concept of intellectual property has got to by furchin · · Score: 1

    The one exception that I would make to getting rid of all IP laws is the use of Trademarks. These are less in the way of making a piece of information which *should* be able to be copied freely uncopiable, but is a lot more about an individual or a business uniquely identifying themselves.

    That's just silly -- do you have limits on trademark length? One word? Two? Three lines? How about forty? I have a forty line method here, that I want to claim as my trademark, and no one else can use my trademark.

  105. But who created the content? by Nf1nk · · Score: 1

    Who created the content?
    Britney certainly didn't write her own crap.
    does the writer get credit for creating it?
    doe she get credit?
    what about the back up singer that only sings on one track?
    Or is it the Reord labels producer who brought together the "unique talents" of every one involved?
    I don't like the current system, but some times it is very hard to figure out who it is that created something, and unless we can address this issue clearly amongst ourselves, we will not be able to present it to a senator that is recieving money to ignore us.

    I'm sorry that this seems trollish, but the issue is confusing to me

    --
    I used to have a cool sig, back when I cared
    1. Re:But who created the content? by MoneyT · · Score: 2

      The song it self belongs to the writer(s).

      The performance (or recording of it) belongs to the performer(s).

      In this situation, if Band XYZ releases the original recording of a song writen by Q, and Band HIJ wants to perform (and/or record) the song, they would get permission from Q, not from XYZ.

      However, if someone wanted to broadcast XYZs recording, they would have to ask XYZ for permision.

      --
      T Money
      World Domination with a plastic spoon since 1984
    2. Re:But who created the content? by Bat_Masterson · · Score: 1

      The content creators (ie. the songwriters) own the copyright and, therefore, decide how it's used. The others are just performers of the song. The performance artists are free to negotiate their contract for doing the performance anyway they want (which might be anything from a one-time payment to a share of the royalties of the song), but they don't own the song.

  106. TCP/IP Trademarks-Copyrights-Patents/Intellec-Prop by tz · · Score: 1

    The first problem is the USPTO. They are badly overworked and underfunded, they need to stop and reevaluate what should and should not be granted a patent. They may not grant valid patents, but the problem seems to be the other way, and they know it will go to court anyway.

    Before we ask how long the title to property should last, we should make the title as issued stronger. An issued patent should be as or more solid than a title to your house. Not easily broken, and maybe insurable. The USPTO should issue patents that would be the equivalent of a finding for the patent holder in court, so anyone appealing should have a high burden of proof.

    Currently they issue too easily and then let those who want to break it find prior art or other reasons the patent isn't valid.

    Second, is software a toaster or book? Toasters aren't supposed to burn your house down so there are implicit warranties and liabilities. You can't sue an author because you didn't like the ending or the fondue from a cookbook. If any software is copyrighted, it should be in both source and binary form, and all the exceptions that libraries have (I can check out a copy) should apply. If they want to individually contract with each party under a NDA or Trade Secret, it will keep the Notary Publics employed - but that isn't a copyright.

    Copyrights are supposed to secure income to the author and Patents to the inventor for a limited time to encourage innovation. Copyright should be 20 years, and Patents 10 given the speed of business, transportation and communication. If they want perpetual income they should use the proceeds to buy an annuity.

    There is a case to be made beyond the 20 years for copyright in the area of artistic integrity. If I write something, I won't want something to come out defaced or altered under the same name. It would be a form of slander or libel. So I would extend an integrity copyright (you can't alter it and present it as the original work). The author can then present an "authorized" (pun intended) version of the work which should command a premium over the public domain version, as well as derivative works.

    I don't know, but someone should calculate the number of books or recordings which are now out of print without any plans to print more. How do they benefit the authors? Where the majority of books go out of print plus some margin they should set the copyright period.

  107. if defence or prosecution methodes were patented? by Arakonfap · · Score: 2, Insightful

    What if current copyright/patent law allowed lawyers to patent a particular defense if it worked well in court? Wouldn't that make it more difficult for you to do your job if you had to pay someone to use a particular tactic to defend one of your clients? Or even to prosecute a particular case of infringment?

    That's what it's like for software - You make a comment about how Talented programers "don't want any impediments whatsoever", how is that special treatment? Do Carpenters need to pay for a license before they put up an A-Frame house? To do math, do you have to pay extra to use the square-root key?

    Patented software takes away fundemental tools and solutions available to developers. It may be true that the solutions may not be discovered until a problem is encountered, but just because someone was the first to file a patent for a new problem should not give them the right to deny others use of it.

    I'll admit that I have my doubts about some forms of software patents - certain video and sound compression algorthms especially. These take a lot of work and time, and can be truely inovative (and easilly copied once discovered), but I have never seen another "inovative" software patent.

  108. Fairer IP by Anonymous Coward · · Score: 0
    1) IP protection should not outlive the original creator of the IP. (The copyright on Mickey Mouse should have died with Walt?)


    2) Transfer of rights from the creator of the IP to a corporation should weaken the IP rights, not strengthen them. (Corporations have an unfair advantage over individuals. They are awarded all the legal protections of an individual, but they have far greater resources, and live forever, and are less accountable for their actions.)


    3) Duration of patents should be adjusted on an industry-by-industry basis for maximum benefit to all. Business model patents should be very short (1 or 2 years). Perhaps the patent on a cancer cure should last a little longer. In other words, duration duration of a patent should reflect the time, energy, and money that went into developing the patentable technology.


    4) Technology based completely or partially on publicly funded research should not be patentable by private corporations. (Perhaps the government itself should hold the patent and license fairly to all that request?)


    5) Where IP laws are used to protect a harmful monopoly (Microsoft, RIAA, MPAA), the government should consider refusing to enforce those IP laws in favor of said monopolies as a suitable remedy.

  109. The third method of IP protection by smoondog · · Score: 2

    A problem with this that there is an implicit third way of IP protection (the other two are copyrights and patents) and that is secrets. If IP laws are removed then companies will just shut up. It is for this reason that our current IP laws foster innovation and likely stimulate thinking.

    With patents we have a public record of innovation, so that when companies get bored of researching something we all know about without them having to do anything.

    -Sean

  110. first things first! by Anonymous Coward · · Score: 0

    the first thing we do, lets kill all the lawyers
    --shakespeare

  111. Re: Public Review by SquarePants · · Score: 1

    1. Actually, patent prosecution (the process of applying and obtaining a patent) is an ex parte proceeding, meaning it is conducted only between the applicant and the examinner. There is really no set mechanism for the public at large to comment on published applications.

    2. Patent applications began to be published only recently (i.e., only applications filed after Nov. 29, 1999) and is only mandatory if you intend to seek international patent protection. If you do not intend to seek international protection, you can opt out of publication in which case your application is never published and it will only see the light of day after the patent issues.

    3. The concept of publication of applications for public comment before issuance is great. In reality, however, it is not practicable. The Patent Office is exteemely backlogged. In certain fields (e.g., software, TV, telecommunications), applications do not get an innitial examination until 4 years after they are filed. From that point forward, if everything goes well, an application will probably take about 1 year to issue. Becuase of the backlog, examiners only get to spend between 8-16 hours per application, soup-to-nuts. If you require them to review comments from thousands of people after an application is published. the time needed for a patent to issue is likely to double. Imagine the inventor waiting 10 years for a patenbt to issue!

  112. Trademarks by Anonymous Coward · · Score: 0

    Agreed, Trademarks should be kept. They do no harm unless enforced to broadly. And they help with one of the prime legitimate functions of government: to enforce truth in advertising/truth in labeling laws. Failing to enforce Trademarks would make it impossible for consumers to tell who to trust.

  113. Proportional length for IP by isotope23 · · Score: 1

    I would recommend a proportional time period for
    IP. I would limit IP rights for a maximum of
    10 years on all inventions. This would be for
    individuals ONLY

    I would shorten IP protection for Corporations
    to 5 Years. Sale of IP from an individual to
    a corporation would drop to 5 years minus
    the length of the individuals period of existing
    protection. I would ban sale of IP from individuals to individuals, and or corps to individuals.

    I would allow corps to license IP from individuals under the 10 year plan, but
    if more than two or three corps license it,
    the protection time should drop to say 7 years.

    The above would do a number of things.

    1st It would tend to keep IP in the hands of people as opposed to Corporations.

    2nd It would allow the inventor to make money
    after which the IP would be public domain.

    3. It could speed up public domain status for
    IP that is in demand. As more companies
    license the tech the protection gets shorter.

    4. It would encourage funding for individuals
    to invent.

    I would also ban exclusive licensing from contracts regarding IP as well

    --
    Service guarantees Citizenship! Questions Guarantee GITMO.... Amerika Uber Alles!
  114. If I were king by L.+VeGas · · Score: 1

    All tedious and boring fiction may be copyrighted for 500 years.
    Non-fiction may be copyrighted only if it is not useful.

    Reproduction or performance of any type of irritating music is absolutely forbidden -- particularly humming and whistling.

    Things like "one-click shopping" can't be patented because they aren't complicated enough. There needs to be at least four or five clicks. Or even six. This is to be worked out in the courts.

    Genes and genetically engineered species absolutely cannot be patented. Even Jordache. Those talking cows you see on commercials are pretty cool though.

    You shouldn't be able to use words as trademarks because you always have to open character map to look up that little "TM" symbol when you use one of those dumb words like "Coke" or "Kleenex". And they moved it in Windows2000. So you can't find it.

    You should be allowed to copy anything that you would have been able to make yourself if you had three or more of the following: faster computer, talent, a muse, a bitchin' studio, thumbs, a girlfriend that wasn't always putting you down and gave you a little support for christ's sake.

  115. Do something about it... by Lac · · Score: 2

    Here's your chance to do something other than complain about the current state things.

    Yes, obviously, because this Slashdot discussion will no doubt lead to changes in the system.

  116. Patent system is a disaster by babar333 · · Score: 1

    1) Patent system:
    In my opinion the present patent system is a disaster and it should be scrapped entirely. There should be no patents at all. The notion of "intellectual property" needs to be abandoned in favor of ideas being the common property of all humankind. Money should be made by products competing in the marketplace not by lawyers fighting in courtrooms.

    2) Copyrights:
    Copyrighted works should enter the public domain with the death of the author.

    3)Trademarks:
    I am in favor of trademark law.

  117. It's all about the fence by elmegil · · Score: 2
    The submission asks:

    What laws can be written that will be fair both to content creators and to users, while cutting the middleman?

    But the commentary along with it asks:

    How would you revise or restructure IP and copyright law to make both sides of the fence happy?

    The problem is it's not two sides of the fence. The people making the biggest problem here are the people who are the fence! The fence has the most complete control of the exchange of money for IP properties, and that's the biggest problem.

    There is definitely a role for distributors etc. because your typical creator is not necessarily good at the business aspects of distribution. But whatever changes are made, they need to minimize the distributor's opportunities to skim, restrict, and otherwise control the flow of money and IP to their own gain and the detriment of the parties on either side.

    --
    7 November 2006: The day Americans realized corruption and incompetence weren't addressing 11 September 2001
  118. gov't patent buy-outs [x-post] by lopati · · Score: 1
    patent buy-outs i think is an interesting way to encourage innovation while at the same time promote develoment. basically, it's just the government buying patents and placing them in the public domain. kind of like lawrence lessig's "creative commons." j.bradford delong of berkeley and larry summers (of harvard :) say,
    "like the French government's purchase and placing in the public domain of the first photographic patents in the early nineteenth century... The work of Harvard economist Michael Kremer ( 1998, 2000), both with respect to the possibility of public purchase of patents at auction and of shifting some public research and development funding from effort-oriented to result-oriented processes (that is, holding contests for private companies to develop vaccines instead of funding research directly), is especially intriguing in its attempts to develop institutions that have all the advantages of market competition, natural monopoly, and public provision."
    it seems to have worked! [x-post]
  119. Re:The concept of intellectual property has got to by Danse · · Score: 2

    (Don't tell me that its because those countries can't afford them. If you don't lower your price to the maximum limit a customer can afford, then you're losing a sale.)

    The way I understand it, they don't want to sell the drugs cheaply to third world countries because they fear that if they do, it will create a much larger black market for the drugs where they are bought cheaply and then sold to places where the drugs normally sell for more, namely the US and EU.

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  120. The "opening weekend" approach by dave_mcmillen · · Score: 1

    If I could change the laws, I'd say that anyone is free to charge whatever they want for information, but not free to restrict what the purchaser does with that information afterwards. That is, it would be perfectly legal to transfer files, share them with your friends, and so forth. Clearly, this would put artists somewhat in the position of movie moguls who want to make a good chunk of their profits on opening weekend. When you release your product (whatever it is: a new book, song, movie), there will be people willing to pay to get it immediately. After that, it'll circulate around: tough. This might affect how much total profit is made from books, movies, and music -- but where is it written that a certain level of profit must always be made?

    Now, if I also had the magical ability (suggested by the poster) to change society, I'd create a strong peer pressure in favour of micropayments for use of information. That is, systems where you (voluntarily) send the artist a penny every time you listen to a song, and a societal norm such that you are considered boorish if you don't do this. I think this would sidestep the End of Art As We Know It scenario that's cited as the reason for zealous protection of IP. I also think such pressures could be created in the society we've actually got, but I'm an optimist.

  121. Leveraging what business, exactly? by TriggerHappy · · Score: 1
    There are just too many advantages to having no restriction on the flow of information.


    Advantages to whom? Oh right, to people who want the fruits of other people's labour for free. So, being the kind of guy who demands the fruits of other people's labour for free, I guess you always walk out of restaurants without paying the bill too, huh? Information actually flows pretty easily already when I buy a book from amazon, and the author gets to pay the rent into the bargain.


    As the poster put it 'leveraging other business' should be the only way people who make information, be it text, code, music, etc... make money.


    I'm sorry, but this is just f***ing nuts. Almost all musicians or writers worth their salt do nothing but make music or write. That's why they're so good, and that's why you want to listen to and read their stuff. So what other "business" do they have to leverage? Selling T-shirts? This might be funny if it weren't so stupid.

    1. Re:Leveraging what business, exactly? by Bonker · · Score: 2

      Advantages to whom? Oh right, to people who want the fruits of other people's labour for free. So, being the kind of guy who demands the fruits of other people's labour for free, I guess you always walk out of restaurants without paying the bill too, huh?

      Information is not equal to property.

      I like giving information away. It's a fun hobby. I write almost every day. Rather than selling my writing, I write about things that I could never sell and give that writing to whomever comes to my website. Are you calling my readers criminals?

      I'm sorry, but this is just f***ing nuts. Almost all musicians or writers worth their salt do nothing but make music or write. That's why they're so good, and that's why you want to listen to and read their stuff. So what other "business" do they have to leverage? Selling T-shirts? This might be funny if it weren't so stupid.

      Unfortuneately, that's *exactly* the way most bands make their money. Sure you have the occasional artist who has great record sales and manages to come out on top after they're anally raped by their label, but the great majority of smaller performers make their money by a) selling merchandise such as t-shirts and b) selling concert tickets. Even then, they may not break even.

      IP laws do not work in this day and age. They have to be scrapped, and anyone who tells you differently has already deceived themselve, buying into the flawed IP mythos created by media companies.

      --
      The next Slashdot story will be ready soon, but subscribers can beat the rush and slashdot the links early!
    2. Re:Leveraging what business, exactly? by TriggerHappy · · Score: 1
      Information is not equal to property. I like giving information away. It's a fun hobby. I write almost every day. Rather than selling my writing, I write about things that I could never sell and give that writing to whomever comes to my website. Are you calling my readers criminals?

      Er, why do you think "intellectual property" is called property? Because it is property. Let me tell you why. You're getting confused about different uses of that handy word "information".

      Meaning #1: The "information" that the sun is ~8 light-minutes away from the Earth, for example, is, indeed, not property - it's just a truth that's out there.

      Meaning#2: If I write a book that contains original content, or I record an album, you might still loosely call it information, but it is something created by me, and therefore it is mine to dispose of as I see fit. Just the same as if you built a log cabin in the woods. You would want to feel entitled to live there, and to defend it against anyone who wanted to steal it from you.

      You like giving your writing away because no one would want to pay for it? Fine. Doesn't disprove my case.

      the great majority of smaller performers make their money by a) selling merchandise such as t-shirts and b) selling concert tickets

      And because some artists can manage to do that, you think that therefore all artists ought to give away their work for free?

      How many novelists make their living selling T-shirts?

      How many classical composers make their living selling T-shirts?

      How many painters make their living selling T-shirts?

      Arguably the special case of rock/pop musicians living off merchandise is only possible in the first place because of the large publicity and IP infrastructure already in place. But remember anyway that they are a special case. You haven't even started to explain how your "idea" will work for other artists.

      IP laws do not work in this day and age. They have to be scrapped

      Uh, they work fine for me and other creators of intellectual property. If you mean they "have to be scrapped" simply because stealing is easy, that's an awfully poor argument. And you haven't offered any other one.

    3. Re:Leveraging what business, exactly? by Anonymous Coward · · Score: 0

      Yes, the fruits of other peoples labor should be free when there
      are no costs associated with you enjoying them. That s by far the most just and efficient organization of things.

      Buying books is not as efficient for society as free unlimited electronic copying. This is because some people will not buy the book if they think it is too expensive. Do you buy every book that you would like to look in? Many people will not read the book and that doesn't benefit anyone.

      Your restaurant analogy is flawed (like the hundreds similar I have heard before), because the restaurant will suffer a loss if you dont pay your bill.

      Your have a point in the second half of your post. Some artists need to be payed. What I am saying is that copyright is an inefficient and unjust way af making the payments. The payment needs to be seperated from the distribution. Similar arguments apply to all areas of society where development is expensive but use is very cheap or free, such as medicine, roads, television

    4. Re:Leveraging what business, exactly? by Bat_Masterson · · Score: 1
      I like giving information away. It's a fun hobby. I write almost every day. Rather than selling my writing, I write about things that I could never sell and give that writing to whomever comes to my website. Are you calling my readers criminals?

      No, but then you already admitted that you could never sell your writing. Would you still give it away if you could sell it for a handsome sum of money?

      Sure you have the occasional artist who has great record sales and manages to come out on top after they're anally raped by their label, but the great majority of smaller performers make their money by a) selling merchandise such as t-shirts and b) selling concert tickets. Even then, they may not break even.

      But is this the fault of the labels or the performer? Perhaps he's just not that good a performer. Or perhaps he's not that good at handling the business end of the job.

    5. Re:Leveraging what business, exactly? by Bonker · · Score: 2

      No, but then you already admitted that you could never sell your writing. Would you still give it away if you could sell it for a handsome sum of money?

      I do sell writing. Rather, I'm paid for information I write for my company's website which is... get this... given away in order to encourage individuals to buy my company's services!


      But is this the fault of the labels or the performer? Perhaps he's just not that good a performer. Or perhaps he's not that good at handling the business end of the job.


      Hmm... You've got a lower slashdot ID than mine, so I don't *think* you're a music industry astroturfer.

      If you don't buy what I'm saying, then, read the speech Courtney Love, arguably one of the 'big' names, gave to congress on this very matter:

      http://www.salon.com/tech/feature/2000/06/14/love/ index.html

      --
      The next Slashdot story will be ready soon, but subscribers can beat the rush and slashdot the links early!
    6. Re:Leveraging what business, exactly? by EllisDees · · Score: 2

      If I write a book that contains original content, or I record an album, you might still loosely call it information, but it is something created by me, and therefore it is mine to dispose of as I see fit.


      Ok, if you are going to call it property, let's treat is exactly the same as any other peoperty. The moment you sell it or give it to someone else, it is no longer your property. That's right. Just as when Ford sells me a car, they can no longer tell me what to do with it, when you sell me some music, it is no longer yours. Once an idea has left your head, you are no more in control of it than you are the wind.


      Just the same as if you built a log cabin in the woods. You would want to feel entitled to live there, and to defend it against anyone who wanted to steal it from you.


      I wouldn't mind one bit if someone came and made an exact copy of my cabin. What have I lost in the transaction? That is what we are talking about - copying. Not stealing.

      --
      -- Give me ambiguity or give me something else!
    7. Re:Leveraging what business, exactly? by bshanks · · Score: 1

      i don't feel that information is necessarily property, or that we are instinctively disposed to treat it that way. i think IP is a device a society can use to try to encourage content production. so i feel the decision of whether or not we should have IP is a purely utilitarian one, with little moral content.

      personally, i think the optimal thing to do right now for our society is to have IP, but to limit it to 10 years or so.

    8. Re:Leveraging what business, exactly? by bshanks · · Score: 1

      >>Sure you have the occasional artist who has
      >>great record sales and manages to come out on
      >>top after they're anally raped by their label,
      >>but the great majority of smaller performers
      >>make their
      >>money by a) selling merchandise such as t-shirts
      >>and b) selling concert tickets. Even then, they
      >>may not break even.

      > But is this the fault of the labels
      >or the performer? Perhaps he's just not that good
      >a performer. Or perhaps he's not that good at
      >handling the business end of the job.

      from what i've heard it's not the performer's fault. maybe it is the label's fault, or maybe the market just can't sustain as many performers as there are (even if the market is big enough, perhaps consumers would rather buy a few famous people than buy small acts (right now it's hard to tell as the industry is biasing people towards liking fame))

    9. Re:Leveraging what business, exactly? by bshanks · · Score: 1

      >>I'm sorry, but this is just f***ing nuts. Almost
      >>all musicians or writers worth their salt do
      >>nothing but make music or write. That's why
      >>they're so good, and that's why you want to
      >>listen to and read their stuff. So what other
      >>"business" do they have to leverage? Selling
      >>T-shirts? This might be funny if it weren't so
      >>stupid.

      >Unfortuneately, that's *exactly* the way most
      >bands make their money. Sure you have the
      >occasional artist who has great record sales and
      >manages to come out on too after they're anally
      >raped by their label, but the great majority of
      >smaller performers make their money by a) selling
      >merchandise such as t-shirts and b) selling
      >concert tickets. Even then, they may not break
      >even.

      yes, but its still possible that the incentive created by the chance of making money off album sales later on encourages the artists to work under these conditions. so its possible you would still have less art being produced without IP, even if very few artists actually benefit from it.

    10. Re:Leveraging what business, exactly? by bshanks · · Score: 1

      >Your have a point in the second half of your post. Some artists need to be payed. What I am saying is that copyright is an inefficient and unjust way af making the
      >payments. The payment needs to be seperated from the distribution. Similar arguments apply to all areas of society where development is expensive but use is very
      >cheap or free, such as medicine, roads, television

      true, but do you have an alternative system for payment in mind? i can't think of any without even greater problems.

    11. Re:Leveraging what business, exactly? by Anonymous Coward · · Score: 0

      I cannot think of a perfect system.

      In Denmark, where I come from, Writers are are payed every year by the state according to how many books they have in the public libraries.
      So in that system the money comes from taxes. I should add that it is not because we dont have copyright in Denmark, it is because it is a small language where not so many books are sold.

      I think you could make a system similar to that for recording artists. But you would need some objective criteria for who should get the money.

  122. Yes you can abolish Copywrite and patent laws by hellfire · · Score: 1

    Stop thinking of IP as a "good" to be sold, and start thinking of how to exploit an idea and turn it into a billable SERVICE which cannot be duplicated.

    The founding fathers wrote books for people to READ, not buy. Mozart wrote music for people to LISTEN to, not buy. Shakespeare wrote plays for people to WATCH, not buy.

    You can easily secure payments for a service.

    Perhaps the only law that needs to be written down is that credit needs to be given where credit is due ("This song was written by Billy Joel, but I thought I'd try an interpretation tonight for all my fans").

    --

    "All great wisdom is contained in .signature files"

  123. IP law must serve to maximize the public good. by gessel · · Score: 1


    It's quite simple really: the intent of copyright law is, and never has truly been, to protect the "right" to profit of the inventor. The purpose is explicitly and solely to maximize the production and dissemination of invention and the useful arts. It should be considered, as Thomas Jefferson did, an embarrassing monopoly that is granted only begrudgingly as necessary to maximize the greatest public good.

    That much is simple fact, easily gleaned from the original sources. How to implement that simple fact is a matter of opinion, but when the core purpose is obscured in a fog of "property rights" and "contractual obligations" the real purpose can never be realized, much to the detriment of society and the rule of law.

    The first step must be to refute once and for all the "right" to profit as a purpose or goal of intellectual property law and to annul the contractual obligations entangling the free dissemination of ideas and inventions.

    In my inexpert analysis I would suggest a few changes to the standing law immediately:

    1) Purely artistic works (useless arts) should be denied all copyright protection. That was a later invention, originally intended to provide incentive for publishers who, at then great expense, tooled up to produce physical artifacts necessary to enable the propagation of such works.

    These efforts and expenses are no longer required and the embarrassing monopoly granted to publishers of such works is no longer necessary to ensure the dissemination of these works.

    There is an argument that artists would not create without some financial incentive protected by copyright, but that argument is proven false by a quick trip to the local museum, wherein one will find halls filled with great works, almost all created without any copyright protection at all.

    This would challenge some of the protected revenue streams currently enjoyed by the music industry and rational people might argue that the industry has such tremendous value to society that such protections are necessary. I do not believe that they are, nor that music nor movies require these protections and that they serve unnecessary to restrain the freedom of individuals, and that--indeed--their existence and enforcement have become a cudgel against innovation critically restraining the computer industry and are therefore in explicit contravention of the intent and purpose of copyright and patent law.

    2) No "discovered" concept should be patentable. This applies to algorithms and to genes, as well as to mechanisms that are copied from nature. It is an offense against humanity that the information contained within our very bodies might be owned by another. All algorithmic patents derived from mathematics should be revoked, as well as all patents on discovered entities.

    It is argued that the only incentive to undertake massive sequencing efforts is for the reward of exploiting the information thereby discovered. I find that argument weak and would counter that the discovery is a critical step in the invention of useful exploitations of the information (cures for diseases rather than the disease sequence itself) that are patentable. We would not, for example, let an explorer patent an oil well, though we would not contend the ownership of the oil usefully extracted therefrom.

    3) Copyright for "useful" arts, which may be broadly and loosely interpreted and might well reasonably embody both works of music or movies in addition to non-fiction and reference, should be protected by the least monopoly necessary to ensure their continued production and dissemination.

    It can be argued reasonably that the work undertaken to create a dictionary or a treatise on mathematics might not be undertaken if the author could not reasonably expect to derive some income therefrom, nor might it be published if the publisher could not reasonably expect to retain some exclusive right, and therefore the monopoly grant is useful in maximizing the dissemination of such useful ideas to the public.

    However, this grant must be by intent and by law the least necessary to provide generally adequate incentive for these efforts. In the 1800's, when type was cast in lead, this was found to be 14 years. Today the cost of publishing is far lower and the period of protection should fall commensurately. I would propose an automatic 5 year copyright grant, with a 5 year extension which is not automatically granted but must be granted only on review and only when deemed necessary to meet the goal of maximum dissemination.

    4) When patents were first devised, it was determined that 17 years was sufficient monopoly for the inventor to reasonably recoup the cost of invention and sufficient profit to serve as incentive to future invention. Patents are currently granted in a far wider array of fields than at the outset, providing a useful, broad, but broadly limited service to invention and dissemination.

    The problem is that the current system does not differentiate between quickly and slowly changing technologies, yet the term of protection may be ineffectual as incentive for fields slow to adopt new technologies (such as materials science) and a tremendous hindrance to quickly changing fields where the patent protection far outlasts the utility of the invention (such as computer science).

    Therefore the patent office should provide tiers of protection. I would suggest 2 years for software, 5 years for electronic hardware, 10 years for genetics and drugs, 20 years for mechanics, and 30 years for materials and basic science. These terms may be adjusted as necessary to provide a period of useful protection for the inventor sufficient to serve as invention but not to constrain the wide adoption of the invention past its useful lifespan.

    5) Patents and copyrights should be subject to judicial review on the grounds of serving the original intent of the law. There should be a mechanism whereby the just nature of the granted monopoly may be challenged and overturned if it is found on review that the monopoly does not serve the interests of maximal dissemination. Grounds for overturning a granted monopoly would include hindrance of invention, disuse, inappropriate use. For example, technologies incorporated into standards, and later asserted by the holder against adopters of the standard could be overturned and the invention taken by the public domain by eminent domain.

    But the most important step is to re-calibrate the public discourse, to make laughable the claims we hear so often that patent and copyright law is about protecting property and ensuring fair rewards and other such patently false arguments. The proponents of these ridiculous ideas must be roundly rebuked and the arguments put firmly to rest. Once everyone understands the purpose of intellectual property law is to maximize the good to society and may be done or undone at the whim of society without complaint by anyone, I believe we will be well on our way to a working and workable legal framework.

  124. Copyright. You fools. by Anonymous Coward · · Score: 0

    Author's life + 70 years. (And I believe that is, if not close to, what it is today.)

    Why?

    Because, I want my family to benefit from my work.

    Do you want Microsoft to take your code and throw it into MS Windows? No - you want it to benefit Open Source.

    Likewise, authors want their books to benefit their families. (Usually, it's secondary to the need to tell the story, especially for the good ones, but it's still there.)

    Of course, this screws us when it comes to corporations. They are not people. People have much more common sense. :P So, how about we leave it as is, yank "corporations are people!" out of the law, and stop them from 'renewing' copyright and patents and all sorts of things?

    (Oh, and to those who think strong copyright that favors the author = "Waah, no crappy fanfics".. Good. Do you have the right to tell someone they can't modify and redistribute your code? Then why don't authors have the right to tell someone they can't modify and redistribute a poorly written bizzare-sex filled story about characters they worked to create?)

    Contrary to popular belief, a thousand monkeys with a thousand typewriters would produce nothing more that crap.

  125. Time still progresses. We quit. by Chardros · · Score: 1

    Our fore fathers understood that times change and the law must change to reflect these changing times, hence we have an amendment system, and a system of laws that allow for an "adjusting government". Why have we lost sight of this single most important element residing at the core of our foundation?

    There seems to be so much concern given to "what will happen to artists if IP laws are revoked". (Replace artist with whatever term you desire that produces IP) Won't the artist figure that out?

    Do you deserve to be raised up on a pedestal, paraded around, and given all the luxuries the world has to offer because you've provided a song I like, or you gave a good performance on screen, or because you've provided a piece of software I've found useful?

    The balance of compensation and action has been tremendously skewed. Greed is only one ingredient. Society is so entrenched in the process it's created; it's difficult to imagine a different way. Julia Roberts might have to settle for one or two fewer homes east of the Atlantic. MGM might not be able to hand out millions per year in bonuses.

    This is could get long so I'll make my point. TO HELL WITH IT. Will society fall apart if we revoke IP laws? No. Will it change? Most definitely. But if anyone tells you that a society based on the free exchange of ideas and information is doomed to fail, they are in the entertainment business or the software industry.

    "Free exchange of ideas and information." Wow. Sounds like a paradise I once read about in school.

    You know... with all the concern we have over Hollywood, and the corporate giants of today... what will happen to them if the world progresses and evolves... maybe we should as one of our worldly neighbors who's been at this for more than a couple of centuries. Maybe we could learn something from history.

    I know. Let's ask the Egyptians how they ever managed to get along without the pyramid builders. Or, let's ask Italy how they managed to survive without live bloodshed and chariot races in the coliseum. Or castles in Europe, temples in South America.

    Societies change and evolve. Nations change. Laws change. Entire industries rise and fall. They've done so throughout history. People survive. Hell, sometimes quality of life even improves.

  126. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0

    The idea is flawed. Some day people will look back at our civilization and this debate in the same way they look at slave ownership and the debate about it. The concept of owning an idea is just as absurd as the concept of owning another human being. I hope mankind realizes that sooner than we did with slavery. Slavery still exists today, but most people would agree that you shouldn't own a person.

  127. Austrian School of Economics by Anonymous Coward · · Score: 0

    The Austrian school is a "really free market" school of economics.

    http://www.lewrockwell.com/orig/kinsella2.html has an overview of IP law, how it relates to Copyright, etc., by Stephan Kinsella. Mentions Napster.

    http://www.kinsellalaw.com/ip/ has a huge list of online resources for IP related items. "Intellectual Property, Patent, and Law Resources".

    http://www.mises.org/fullarticle.asp?record=468&mo nth=22 is an article by Gene Callahan that questions if patent law was ever effective. Mentions One-click.

    http://www.mises.org/fullstory.asp?control=812 is an article by Ilana Mercer about Cipro (anthrax drug), and its scarcity because of patents.

    mises.org is the website for the Ludwig von Mises institute, lewrockwell.com is "the anti-state, anti-war, pro-market news site."

  128. A tangible suggestion... by ClarkEvans · · Score: 2

    From here:

    In an emerging market, where prior investment is negligible, consumers desire highly differentiated software offerings; our legal environment supports this need exquisitely. However, in established markets, where consumers have invested in and have become dependent upon a particular software, these same consumers no longer desire competition for new and different software offerings. Instead, if given a choice, they would prefer competition for the change in the software they currently use. Unfortunately, our current legal practices, focused on emerging markets and justified with natural-right copyright thinking, deny the marketplace this alternative style of competition.

    I do think that a contractual system is possible to establish such a competitive market for software upgrades, could prove more effective than a breakup. This proposal necessitates the creation of a non-profit registry-of-deeds tasked with maintaining records of software produced by revisions from competing authors. Specifically, the registry would administer access to source code and would calculate royalties from the licensing of administered software. The proposal rests on the following principles:

    1. Before offering software to the marketplace, a developer would deposit into the registry all source code, description of patents, and design materials necessary to understand and build the program offered.

    2. As part of each deposit, the developer would also specify a per-end-user licensing fee for programs derived from the material deposited.

    3. Anyone can then retrieve these deposits and build from the material contained provided that any derived or competing work which the reader is thereafter involved is registered according to this same method.

    4. When a derivative program is licensed, the sale price is calculated with the licensing fees for the materials upon which the program is derived. A technique involving anonymous serial numbers can be employed so that a given deposit is only licensed and charged once per user.

    5. The developer may at any time reduce the posted price for their deposits; but may not license use of the material separately for amounts less than the posted price.

    6. When fees are collected, royalties are distributed to each developer according to the number of licenses issued for each of their deposits.

    7. The license for each deposit does not extend to trademarks, intellectual property of other parties, or material that was deposited separately. Deposits which would overlap in material must be decomposed into smaller units; the original treated as a derived work.

    While the above may seem complicated, it will administer software that is a composite of revisions from competing authors. I am positive that most of this process can be automated so that developers, customers, and distributors are shielded from the administrative burden.

    I believe that this mechanism could bring about more professionalism within the industry. It would eliminate bait-and-upgrade schemes. It would also improve software reliability. Lacking serious competition for upgrades, established software vendors have little incentive to work on quality control issues. Furthermore, with source code and design documents publicly available, retired programmers could be independently contracted for the evaluation of commercial applications. I can even imagine professional review organizations emerging, helping the consumer sort through the hype to identify those products with good, solid engineering.

  129. Re:get your text here by Anonymous Coward · · Score: 0
    This kind of crap sickens me.
    We should not tread down the other slippery slope of elimination of the concept of intellectual property, because things are different today - today's world, with today's population, and a technically advanced race of humans, NEEDS capitalism to survive. It NEEDS the concept of intellectual property. People need to profit from their ideas.
    OK Mr. Troll, just where do you get your justification for this assertion that 'technically advanced humans NEED capitalism and NEED intellectual property'? If you had a shred of intelligence, you would realize that the world is not the US, and that this idea that we NEED CAPITALISM AND IP IN ORDER TO SURVIVE is a crock of shit.

    Now put up or shut up.
  130. restrict copyright terms by crazyogre · · Score: 1

    To have a system in which copyrights would not be abused, the copyrights must only be held by content creators, not distributors. To make sure that this would happen, you would need to limit the nuber of copyrights held at the same time to one name at about 50 or so. Furthermore, copyrights should expire after a few years, once any major profit has been made. And I think it goes without saying that draconian protection laws like the DMCA, SSSCA, etc. should be taken off the books.

  131. Try to reduce to "gold rush" effect by mscheid · · Score: 1

    (This is only about patents)

    The main reason why patents exist is (or should be) to give an incentive to innovate. This still works pretty well in traditional researched areas like industrial machine engineering. However, in new and rapidly progressing areas of research like IT and gentech there is a strong tendency to patent anything that's new, resembling the behaviour of prospectors during the gold rush. This behaviour effectively slows down the research. Example: The GIF format. Since there are patent issues with it the community was forced to develop alternatives instead of improving the original format.

    Now, how to fix this? A proposal:
    Restrict or prohibit patents in new research areas until the development slows down. Then, introduce short-lived patents to give an incentive to innovation. Finally, switch to long-lived patents like the ones we have today.

  132. How to modify the patent system by Anonymous Coward · · Score: 0

    We should just add the following constraints before we can grant a patent.

    - Only patent working prototypes of an invention (i.e. no vapor ware). Right now you have to show that you could do it. You don't have to actually do it.

    - Patents need to be readable by someone in the field of the invention (no more lawyer babble to obfuscate simple inventions)

    - Patent should be done in two steps: pre-filling and filling. The pre-filling is kept confidential and shows that the person (or company) is working on invention X. It has 1 year to come-up with the working prototype. Then there is the filling. If by the time the filling comes the invention is already used in the industry, the patent is void and can not be patented by someone else. This rule is to recognise that inventions can come from multiple sources and thus are now common enough not to be patentable.

    - Once a patent is granted, there is a 2 months period that is given to the public at large to show that the patent is obvious. i.e. The patent's intent is published but not the methodology behind it. If someone within 2 months can come-up with a similar solution, the patent is deemed too obvious and it becomes void.

    - The patent life should not be the same for everything. A patent on software should be limited to the shelf life of a software, i.e. 2-5 years. A patent on a mechanical part could last a bit longer.

    - Copyrights should have two time limits: the first (10 years) is a no-copy, no-modify without permission restriction. The other (75 years) is a no-copy only type of restriction.

    Thoughts ?

    Phil

  133. NOT "Incentive to create"! by Dr.Dubious+DDQ · · Score: 2

    The purpose of copyright and patents is NOT to provide "incentive to create" - it is to provide "incentive to keep creating" and "INCENTIVE TO MAKE AVAILABLE" (which, in turn, is also intended to foster continued creation). The idea being that if there was no "protection" from metaphorical poaching of concepts and expressions of ideas, that people would tend to keep them secret. This being the case, we ONLY need "enough" protection - beyond that, there is no additional incentive to make things available, and in fact, as we can see, it PREVENTS things from being available. Patents seem to be routinely used not to "protect" a product or process, but to HINDER someone else from investigating anything similar.

    Copyright and Patents are "bargains" made with the public, via the government. The basic "bargain" is "Okay, we'll let you have exclusive control, AND back you up with law enforcement, paid for by taxpayers, for a limited time, in return for which, after that "limited time", this work will become available for use, investigation, and modification by the public, which may then enter into this same bargain with the derivative works they then create."

    "Progress of Science and the Useful arts" are NOT, in my opinion, "promoted" by the excessive power that the current extensions and additions to the body of "intellectual property" law provide. The concept, as *I* understood it, was a variant of the "with enough eyes, all bugs are shallow" - that is, "with enough people to examine ideas, any useful applications and variations will become obvious". This is obviously thwarted when nobody is allowed to legally attempt novel variations or applications until long after the "protected" work (invention or copyright-protected item) is obsolete or mostly-irrelevant...

  134. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0

    The idea behind a patent is that anyone can license the information that a patent protects, right? Why then do pharmeceutical companies refuse to license drugs to third-world countries? (Don't tell me that its because those countries can't afford them. If you don't lower your price to the maximum limit a customer can afford, then you're losing a sale.)

    So, then, what's you're theory to explain why they don't do this? The drug companies don't like making money? I don't get it. What exactly do you mean by "license to third-world countries"?

  135. Moral vs Monopoly Copyrights by Anonymous Coward · · Score: 0

    Lots of people have said that sortening the duration of Copyrights is a good thing, and I agree, but only for the "monopoly" part of Copyright - the bit that says "you get a monpoly on the use of the work". The other part of copyright is the "Moral Rights" side that says "you get the right to be credited for your work". I think the duration for that part is fine as it is.

    The problem with the way Copyright law has evolved is that nobody distinguishes between the two, and its easy to justify extending the duration of copyrights because "Why should somebody else be allowed to put their name on my work after (14/28/50/75) years ?".

  136. +1 Funny by Anonymous Coward · · Score: 0

    +1 Funny

  137. Individual vs. Corporation by Nickodemus · · Score: 1

    Individual copyrights should be renewable indefinatly in spans of 7 years. Corporate copyrights should be for 5 years with onetime renewal of an additional 5 years. This would allow corporations time to R&D, and market the copyrighted product and have some monetary gain.

  138. Web based patents by Anonymous Coward · · Score: 0

    The answer to ip laws isnt to change them at all. But to fire all the morons in the patent office... I mean patents on hyperlinking etc what moron makes these decisions.

    If its web based software its going to leverage your business. This isnt the drug industry where you're required to turn over the chemical formula and everything to the regulators... source code on server systems should be policed like the wild wild west. Keep it secure keep your edge. Things like oneclick patents n crap would never get enforced.

    As for music, the problem isnt that p2p networks rip off artists... its that the real cd's offer _NOTHING_ for their price. Even with this music sales are UP! meaning people are oviously listening to the song they want to hear and go buy the cd to get a better-than-mp3 copy for their real stereos. Now I got all the toys and a cd burner but I still buy the odd cd (as much as i ever did) because finding/downloading all the tracks on a cd is more work then its worth. On the other hand i've gone to stores to buy a cd and seen it cost like 24 cdn and think what the hell am i getting for the cost of a nice meal/movie/tank of gas. One song thats decent and 10 others that are usually crap with 1 or 2 others that you might actually like.

    IP laws arent the problem its just the morons marketing the stuff and the patent office giving every boy and their dogs patents... In the computer industry the only patents i respect are chip design patents on hardware. Software can be patented with closed source if its at issue. and opensource doesnt get patented now anyways cuz well it wouldnt be worth much as any closed source shop'd just steal it anyways as they do now and say "we cant provide the source". Get rid of patents on software... does samba really need a patent does amazon need 30 cmon.. If they can completely reimpliment your idea in software then it couldnt have been any easier for them to do so than you... which is the idea of patents... to encourage r&d ...in software a patent doesnt do that... it just gives them an anticompetitave advantage over the next guy who has the same idea on his own but finds out he cant do it because someone owns the patent to the hyperlink/oneclick/urlvars etc etc etc

    Just smack the morons in the patent office.

  139. 99% of IP law is wrong by rudy_wayne · · Score: 1

    First, we must do away with the phrase "Intellectual Property" which implies that certain types of property (CDs, DVDs, etc) are somehow different from other types of property. This false, and absurd, notion is the root of the problem.

    Property is property. Period. And the laws should reflect that. You should be free to do anything with it, except for *SELLING* copies of it.

    99% of current IP laws are wrong and should be abolished. The claim that eliminating IP laws would result in nothing being produced, except ocassionally out of "good will" is patently false.

    Proof:

    During Napster's 2 year existance, music sales went up, not down. Today, hundreds of thousands of people continue to use P2P file sharing networks every day and it has had *ZERO* impact on record company sales or profits. Sales are currently down slightly, but only because of the current recesion.

    A few writers and musicians have made their works freely available on the Internet and it has resulted in increased, not decreased sales.

    People are downloading new movies before they are in theaters, and yet these movies gross hundreds of millions at the box office.

  140. Re:The concept of intellectual property has got to by axlrosen · · Score: 2

    Trying to take Stephen King, and scale him to the average-popularity author, doesn't make for a good argument. Just because Stephen King can do it once doesn't mean that thousands of average authors can do it for a career.

  141. An Inaccurate Characterization by FreeUser · · Score: 2

    I urge you to respond and defend your positions a bit closer.

    Since my position is that any discussion of improving the IP situation must include a discussion of alternatives to IP altogether that might achieve the same (purportedly) desired result, the only reason I can think that others would argue that such a discussion should exclude any consideration of alternatives to IP laws such as copyright would be because they have a vested interest in copyright as it now stands and don't want anyone to consider any alternatives whatsoever. Such a stance would hardly be a good starting point for an honest discussion of the issue.

    That is one defense of my position, that we need to be discussing alternatives to copyright. Thus far, our society hasn't tried any alternatives of note, at least not until Richard Stalman's recent "social hack" known commonly as "copyleft". Now, as to some of your other points.

    That is a flawed statement, because there was no way to easily copy these works when they were created (with the possible exception of Van Gogh who did suffer problems with copy cats and poorly made copies).

    In a smaller world, it is easier to maintain control of one's intellectual property.


    Your argument is flawed, in that you assume the artists had any need to "control" their works, or, even if they have the desire to control their works, that society should in any way grant that desire at the expense of everyone else's freedom.

    Quite the contrary, often a musician such as Bach or Mozart would become more widely known, more in demand, and hence more successful, the more widely their works were copied and performed. They may not have liked it if their work was performed in a country with which their sponsor was at war (for example), but that doesn't mean they didn't benefit from it, nor does it mean that their desire should have been the paramount factor in whether or not to allow it.

    Your entire assumption assumes a need and desire to control copying, a restriction inherent in copyright but not necessarilly inherent in the requirement that artists be compensated for their work, or even in their best interests. It is, almost without exception, in their publishers best interest, but the interest of an artist and their publisher are very often not the same at all.

    I believe that copyright law is neessesary to protect intellectual property, though I do not support recent changes in the law. I believe that Walt Disney should enjoy some protection for his mouse (but not for enternity). I believe that I should have certain rights under law if I choose to express myself artistically to protect me from others unlawfully gaining profit from my song, painting, movie, computer program, etc...

    This is a circular defintion. You are essentially saying "I believe copyright law is necessary to protect copyrighted works. I believe I should enjoy rights under a law making it illegal for people to copy my work without my permission, so that I'm protected against people violating the law that says they cannot copy my work."

    Can you justify your stance without resorting to a circular definition?

    This would be the argument of the non creative who seek to make money from other's achievements. If you produce a song, should others gain money from your achivements? What if you are not strong enough (politically or physically) to demand payments that are yours? If there is no copyright protection, who ensures that you will receive due payment?

    Nonsense. This is the argument of creative people who are tired of having their work held hostage by publishers, record companies, and studios. It is the argument of creative people who want to be able to contribute to a creative commons without having their work then taken by a private firm and incorporated into a restricted work that diminishes that commons.

    And if you are a creative person that feels that these laws are too restrivtive, then by all means, release your intelletual property to the public domain without demand or setoff.

    I am such a creative person, and can easilly point out the fallacy of your argument. If I release my work into the public domain under current copyright laws, anyone from Hollywood studios to Time Warner records to Joes Publishing could take my work, restrict it from use by others by simply putting a wrapper around it and claiming copyright on the whole, and thereby make my own work less accessible for use by others by, in effect, surrounding it with copyright landmines.

    Simply pouring stuff into the public domain doesn't work when someone, like Disney, can pilfer the public domain and excersize such tight copyright over the derivative works (e.g. Grimm Fairy Tales) that others are put off from doing similar work for fear of legal retaliation (justified or no). It doesn't work because copyright lets people take from the commons without giving back, in effect making the entire exchange a one way street.

    As for alternatives, I have suggested several in this thread which are at least as workable as copyright from an artists and societies point of view ... indeed, the only losers are the aforementioned middlemen: publishers, studios, and recording companies.

    --
    The Future of Human Evolution: Autonomy
    1. Re:An Inaccurate Characterization by Anonymous Coward · · Score: 0
      I believe that I should have certain rights under law if I choose to express myself artistically to protect me from others unlawfully gaining profit from my song, painting, movie, computer program, etc...

      This is a circular defintion.
      [...]
      Can you justify your stance without resorting to a circular definition?

      Being a bit pedantic, aren't we? How about:
      I believe that I should have certain rights if I choose to express myself artistically to protect me from others profiting from my song, painting, movie, computer program, etc...

    2. Re:An Inaccurate Characterization by sheldon · · Score: 2

      Thus far, our society hasn't tried any alternatives of note, at least not until Richard Stalman's recent "social hack" known commonly as "copyleft". Now, as to some of your other points.

      Stallman's copyleft hack relies upon the existence of copyright to work.

      Quite the contrary, often a musician such as Bach or Mozart would become more widely known, more in demand, and hence more successful, the more widely their works were copied and performed.

      Ok, can we keep this discussion contemporary?

      I am such a creative person [expressivefreedom.org], and can easilly point out the fallacy of your argument. If I release my work into the public domain under current copyright laws, anyone from Hollywood studios to Time Warner records to Joes Publishing could take my work, restrict it from use by others by simply putting a wrapper around it and claiming copyright on the whole, and thereby make my own work less accessible for use by others by, in effect, surrounding it with copyright landmines.

      How so? If you release your work into the public domain, nobody can take that away from the public. Your work will always be there. What you are talking about is value-add. Yes, you are right... Time Warner could take your work and use it in a movie without asking you.

      But now you are apparently saying this is wrong, which is an admission that you approve of our copyright laws. "Strange that is" says Yoda.

    3. Re:An Inaccurate Characterization by FreeUser · · Score: 2

      Being a bit pedantic, aren't we?

      Not really. The problem with much of the discussion of copyright law, and IP law in general, is that people take as axiomatic assumptions that the law makes, but that a longer view of history indicates aren't warranted.

      Much of the justification for IP law has, at its heart, a circular argument much like the one given above.

      You can believe you should have certain priveleges to restrict others from expressing themselves in a manner which mimics an expression you made earlier (such as singing a tune you came up with, etc.), to paraphrase your non-circular statement, but now that it has been made in a non-circular manner it is easy and straightforward for another to say "I don't believe you should have the right to restrict my expression merely because you think of something first", and at that point it is possible to have a reasonable discusion on the pros and cons of either approach.

      Until you clarify and eliminate the circular reasoning and statement of assumptions as if they were unassailable axioms so endemic in IP thought today, it simply isn't even possible to discuss the topic, except in terms set by just one side (those who favor copy restrictions over freedom of expression).

      --
      The Future of Human Evolution: Autonomy
  142. I got an idea... by Dukrous · · Score: 1

    Corporations should not be granted the same rights as individuals. Therefore, no IP for corporations. If we allow ONLY PEOPLE, not legal entities, as the only ones able to register and enforce IP, then we'd have a nice fair system. After all, if one CEO or some low-level engineer registers a piece of IP or Copyright, then if that person leaves the company loses rights to the IP or Copyright. Ooo, imagine the power wielding there. Finally, the dog would wag the tail.

  143. Re: Public Review by WEFUNK · · Score: 3

    If you require them to review comments from thousands of people after an application is published. the time needed for a patent to issue is likely to double. Imagine the inventor waiting 10 years for a patenbt to issue!

    Good points, but if administered correctly, shouldn't submissions actually help the examiner? I mean, practically speaking, very few patents will actually be commented on, and when they are it should just point examiners in the direction of some prior art to aid in their searches. The submissions might become part of the file but it would be up to the examiner to use them.

    If once in a while a patent does get thousands of submissions, well there's probably good reason for the all the interest and maybe the examiner should spend extra time on this one.

    Subjecting patents to public scrutiny might also decrease the amount (or at least slow the increase) of frivolous patents and even end up decreasing the overall workload somewhat.

    You'd probably require a minor fee per submission and limit the comments to a listing of suggested prior art, and possibly very short and basic rationale regarding obviousness etc. The first measure would stop them from getting too many crank submissions through e-mail, the second measure would limit the ability of big industry to abuse the process with persuasive lobby efforts as well as putting a cap on the amount of work required. At the end of the day, establishing the facts through prior art would still be the deciding factor.

    You might also need to add an administrative layer to handle and sort the documentation, but this should be nothing wholly different or unworkable.

    I don't see it as being unlike the open source process. Yes you do need to expend effort and resources to manage and administer the input of the volunteer base, but if you do it right it should get you better results with perhaps less direct effort than doing it all yourself.

    --
    My next sig will be ready soon, but friends can beat the rush!
  144. Changable Copyright Term Limits by ClarkEvans · · Score: 2

    What's to stop everyone from choosing the 50 year term and still selling the software for a high price?

    Nothing. However, if the time of the copyright becomes a factor in competition it is a way for one vendor to differ themselves from another. Right now we have two extremes: open source (aka free of charge) and proprietary (perpetual charge). Nothing saying that we can't make a derived model which is proprietary for N years and then public domain for years there after. In order to get a copyright on a binary, you'd have to submit to the copyright office the source code in escrow, which would be released upon the expiration date. You could then always update your copyright to make the expiration date shorter. Given another alternative, some vendors will choose it. In this model, open source is effectively "no copyright" (yes, I use the term lightly), and proprietary is "full copyright", a limited term copyright is a ballence; you are specifying when your code becomes public domain. This is a differentiation point... and could be used in software reviewes right next to cost.

  145. I still wonder why people think that Intellectual Property is what drives people to innovate when that simply isn't the case. People driven by the need to make money (greed) don't want to innovate. Innovating is expensive. They want to produce the cheapest things that already exist at as poor of a quality level as the market will bear and they want to sell it at the highest possible price. "Why?" you may ask. It's simple, you make more money that way with the least amount of work. That's what it all comes down to.

    The real innovators out there are the ones who create just because they see that something is needed or wanted or even just have a drive to create things. Take Linus Torvalds's work on the Linux operating system. He was not driven by the need to make money (or if he was he failed miserably and doesn't wanna tell anyone about it -- sorry Linus ;-) ), and yet Linux has grown past the 10 year mark. This is true of the music industry too of course. The real artists out there didn't get into music for the money for the most part. Those who do often shortly fall by the wayside... in fact I'd challenge any of you to find one band that started more than 8 years ago completely for the money involved that still exists today.

    Ah well, now I suppose I will be labeled a communist for my stern disapproval of the corrupt and greed-driven practices of many modern capitalists. Damn.

    --
    -----------------------------------------
    Remove the Greed which plagues mankind.
  146. Copyright Limitation by Jesus+IS+the+Devil · · Score: 1

    Intellectual property needs to be protected fully. We want to fully encourage not only the creation of ideas, but also the sharing of them.

    However, I think copyrights are over-bearing. Patents can only be extended for 20 years. The same should be of copyrights. 20 years. That's it. Afterwards anyone who uses it must give credit to you, but won't have to pay you. That is fair.

    --

    eTrade SUCKS
  147. Charge for it in geometrically increasing sums by ChenLing · · Score: 5, Interesting

    For the holder of the copyright / patent:
    For the first year, pay $1.
    For the second, pay $2.
    For the third, pay $4.
    Then $8, $16, $32, etc....
    After 10 years, you would have paid >$1,000.
    After 20 years, you would have paid >$1,000,000.
    For different industries, you can set
    different starting points (so a $1 starting point could be good for books, maybe $1000 for software patents, etc).
    So short term, anyone can benefit, and long term, more things will go back into the public domain.
    That way, if it is still economically sound for you to hold your copyright/patent, you still can.
    If not, it goes into the public domain.
    The money collected could help fund basic research.
    Oh, and this should be applied retroactively to all current copyrights/patents (take that Disney!).

    Also, maybe allow copyrights be to held by coporations, but say every 5 years, it has to go back to the person/people who created it. Allow them the option of re-licensing it back to a company though.

    --
    "You have the option of insanity. I do not. And that makes me crazy!" - Brian to Angela, My So-Called Life
    1. Re:Charge for it in geometrically increasing sums by krb · · Score: 2, Insightful

      i think this is an excellent idea.

      now it just needs to be brought to the attention of people with actual power, instead of a crew like minded dorks.

      have you considered submitting this as a proposal to your elected reps? assuming you're not planning to copyright the concept ; ) i may do so myself, perhaps with a bit more formalism and examples....

      -k

      --
    2. Re:Charge for it in geometrically increasing sums by ClarkEvans · · Score: 3, Funny

      This is a fantastic idea. I'm in D.C., I'll try to shop it around. Legislators have never met a tax bill they didn't like.

    3. Re:Charge for it in geometrically increasing sums by Anonymous Coward · · Score: 0

      Yes! You have the right idea! (Actually, I was going to post the same thought...)

      But just give everyone a basic copyright, good for a short period of time (20-50 years). After that, if they wish to preserve their copyrights, they can do so, for a geometrically increasing fee!

      $10 for another +N years.
      $10 + $20 for an extra +2N years.
      $10 + $20 + $40 for an extra +3N years.
      $10 + $20 + $40 + $80 for an extra +4N years.

      Set the numbers high enough so, somewhere down the line, it becomes economically infeasible to continue this indefinitely.

      Oh, and all the works nobody cares about anymore, they all go into the public domain immediately!

    4. Re:Charge for it in geometrically increasing sums by psychofox · · Score: 2, Informative

      In the UK this is pretty much what happens anyway. It becomes more expensive each year to renew a patent. (However, the rate increases are more linear than geometric).

      From
      http://www.patent.gov.uk/patent/forms/euro renew.ht m

      Renewal - 5th year 50.00
      Renewal - 6th year 70.00
      Renewal - 7th year 90.00
      Renewal - 8th year 110.00
      Renewal - 9th year 130.00
      Renewal - 10th year 150.00
      Renewal - 11th year 170.00
      Renewal - 12th year 190.00
      Renewal - 13th year 210.00
      Renewal - 14th year 230.00
      Renewal - 15th year 250.00
      Renewal - 16th year 270.00
      Renewal - 17th year 300.00
      Renewal - 18th year 330.00
      Renewal - 19th year 360.00
      Renewal - 20th year 400.00

    5. Re:Charge for it in geometrically increasing sums by ChenLing · · Score: 2

      Yes, but the point of making it increase geometically vs linearly is that it become too expensive for *anyone* after a certain time......400 euros is pocket change, especially to coporations, publishers, etc.
      This is more for copyrights (like say for books, music, ideas) than patents, since patents have a limited lifetime anyways (I believe 17 years in US, 20 in UK).
      Right now in the US, copyrights last till death of the author + 70 years, which gets extended every 20 years by 20 years! So it never expires.
      We want to encourge people financially to implement their ideas, but we also want it back into the public domain after they are "done" with it.

      --
      "You have the option of insanity. I do not. And that makes me crazy!" - Brian to Angela, My So-Called Life
  148. But software IS special by JohnDenver · · Score: 2

    Before I rant, I just wanted to say you made a great point, that people need to address, and address with constructive criticism. One does get sick and tired of hearing of why software patents suck, without any ideas or comprimises to fix the problems.

    SOFTWARE IS SPECIAL

    Software is collection of works written in an advanced mathematical notation, which is why it enjoys the benefits copyright, and makes it more like writing a book or a song than creating a device.

    It NO MORE a "functional element" to it as does a collection of mathmematical works does, or ANY OTHER notation. It IS being singled out because this is a very precise form of expressing ideas and can be automatically simulated on a computer, just as any other precice notation might enjoy.

    Can Software be patented? No, No more than you can patent a riff or a literary element or a mathematical function. Even if the riff, or literary element, or mathematical formula can be simulated and execute on a computer.

    Should Software be patentable? Personally, I would make a provision so one could enjoy a 5 years exclusive use of a non-obvious software implementations, just to give software researchers a little incentive.

    SOFTWARE PATENT LAWYER QUESTION

    Do you think you can forward me to a resource or a ruling which might shed some light on this question?

    1. Can I get around a software patent by only publishing the source code?
    2. Non-commercially?
    3. Will releasing it into the public domain remove liability?
    4. Can I host public domain source code which implements a software patent?

    --
    "Communism is like having one [local] phone company " - Lenny Bruce
    1. Re:But software IS special by Anonymous Coward · · Score: 0
      Even if the riff, or literary element, or mathematical formula can be simulated and execute on a computer.

      Say you come up with a mathematical formula that takes a sequence of numbers, and converts it into another, shorter sequence of numbers. Also, you come up with the inverse formula. You write a computer program to do this, and you get sued by Unisys because they have the patent on LZW compression. Or you get sued by Fraunhoffer because your formula is similar to mp3 compression. And so on.

      Or you just give up because of all these wacky patents. That certainly isn't promoting the public good...

    2. Re:But software IS special by Compulawyer · · Score: 2
      SOFTWARE PATENT LAWYER QUESTION Do you think you can forward me to a resource or a ruling which might shed some light on this question? 1. Can I get around a software patent by only publishing the source code? 2. Non-commercially? 3. Will releasing it into the public domain remove liability? 4. Can I host public domain source code which implements a software patent?

      I hesitate to answer this because it gets very close to establishing an attorney-client relationship. However, with the disclaimer that this is NOT legal advice and that ANY of these answers may change with the addition of facts not provided and an acknowledgement that you are NOT my client and do NOT become a client by my giving a response. This response is a general informational post ONLY.

      1. Define "get around." Do you infringe? Probably not if you do not make a functional executable. You are however probably liable for being a contributory infringer if others can make an executable from the source.
      2. Define "non-commercially." You mean free, gratis, pro bono? Does not matter except to the extent you have resporces that can satisfy a judgment if you lose an infringement suit.
      3. Releasing what? Your source code or the patent? Obviously if the patent is in the public domain (expired or disclaimed) then there can be no infringement. If you mean the source code, then all you are doing is enlarging the group of potential infringers and increasing your liability for contributory infringement.
      4. Probably not without being a contributory infringer.

      You are right -- this is a patent lawyer question and you need to talk to one and give him or her specifics about what you want to do. There is no single source that can answer all your questions. However a very good resource is "Software Patents' by Gregory A. Stobbs, Aspen Publishers.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    3. Re:But software IS special by Compulawyer · · Score: 2
      You are both right and wrong. Yes, software is special. But it IS different from other "mathematical notations" - even assuming that characterization is correct (and I don't think it is).

      Yes, computer languages have strict syntaxes and grammars like mathematical languages. But we are not talking about Turing Machines here. We are talking about something that has never existed before -- a language that a machine can interpret to perform functions by following instructions (with this definition I am including even such things as punched paper rolls for player pianos as "software").

      It is this core difference that makes software protectible by both copyright and patent laws.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    4. Re:But software IS special by Anonymous Coward · · Score: 0
      But we are not talking about Turing Machines here.

      However, in the next sentence:

      a language that a machine can interpret to perform functions by following instructions [emphasis mine]

      It seems we ARE talking about Turing Machines, since the languages we're discussing are those interpreted by Turing Machines. Anyway, to continue...

      Software is a mathematical notation, in particular it defines a series of mathematical transformations on numerical data. Nothing more, nothing less. Visualization devices then present this data in various forms, for example as a matrix of colored dots or a series of sounds.

      Simply asserting that it's different from other mathematical notations doesn't make it so, you need to provide some actual evidence.

      (with this definition I am including even such things as punched paper rolls for player pianos as "software")

      Do you realize that by that definition, you're supporting the patentability of music? I doubt it, since you don't see software patents as patenting math. Consider: a machine can take certain patterns of data and transform it into sound. Thus, these patterns of data must be patentable! And you end up with someone patenting the I-V-I chord progression just like someone patented a particular mathematical transformation known as LZW compression, because it can be expressed in a data format that a machine can interpret.

      Maybe i should try this, and see if I can get a patent on "any instruction or sequence of instructions that can cause a machine to emit sounds corresponding to the I-V-I chord progression". That's the same as "Any instruction or sequence of instructions that can cause a machine to transform data with results corresponding to the LZW transformation", right?

      It is this core difference that makes software protectible by both copyright and patent laws.

      You're claiming that the concept of a computer language has never existed before, and thus the mathematical concepts behind any individual routine written in any computer language is patentable. This seems a rather large non sequitur.

      And the biggest difference you seem to be ignoring: most non-software patents I'm aware of protect a particular device to do something, or a particular process for doing something. Someone comes up with a totally new process, and it's not covered by the patent. Most software patents I'm aware of protect any method of doing something in connection with a computer. Someone comes up with something completely different from the original implementation, and it's still patented! This is much more broad, and much more likely to inhibit rather than promote progress.

  149. Re:The concept of intellectual property has got to by Bat_Masterson · · Score: 1

    But is there a shortage of copyrighted material? Maybe we don't have an unlimited amount of water and, so, water should be treated as an economic scarcity. But, since a program (or a song) can be copied for almost nothing, should it be considered a scarce economic resource?

  150. False by geekoid · · Score: 2

    14 years, only the creater(physical person) can hold exclusive rights, but he can not offer exclusive rights to anyone else.
    That protects the creater from corporate abuse, and ensured that the works enter public domain in a reasonable time. Personally I think 7 years is enough, but 14 was the originall, so I'd settle for that.
    Ideally, it would all be retroactive, but I'd give in on that point if it was the only way to get the 14 year limit in place.
    rehashing the same crap over and over again does nothing for society. here that Disney?

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  151. Oh, and this issue isn't COPYright... by Dr.Dubious+DDQ · · Score: 2

    One other thing that I'd REALLY like to see codified into law is that copyright isn't really about copying...

    Realistically, the fair use doctrine and "first sale" and so on, IN NO WAY are intended to restrict copying - what they are intended to restrict is distribution .

    "Fair Use" says if I legally purchase a book, I can take the photocopier that's in my study and make 20 copies if I want. I can make enlarged copies. I can transcribe it in medieval calligraphy with gold leaf and illumination. I can translate it into Spanish, Latin, Esperanto, and "Elvish" if I want.

    Where the law is SUPPOSED to step in is if I attempt to give away or sell those copies without permission. That's distribution , not copying.

    This even applies to things like rental videos, I believe - if I rent Orgazmo from the local video place, for example, I've basically (as I understand it) "temporarily purchased" the video. If my big-screen TV only has a DVD/VCD player hooked up to it, I believe I can legally (theoretically) make VCD's out of the VHS tape I've rented to watch on the DVD player FOR THE DURATION OF THE LEGAL RENTAL - after which I must destroy the VCD's (at a whopping $0.80 or so for the two CD-R's, it doesn't add much to the cost of the rental). If I don't, I've effectively " distributed illegally to myself ", as I no longer have "license" to use the material from the video tape (unless I purchase it).

    I think a simple find-and-replace of "copy" with "distribution" in the laws would go a LONG way to fixing the mess that is "copyright"...I don't feel very "harmed" by not being allowed to sell or give away all the copies of "Steamboat Willy" I want, but I do feel harmed by the threat of going to jail if I transcode a legally purchased dvd of the cartoon to a DivX/Vorbis Ogg file to watch on my laptop computer. (That I am not allowed to create derivative works or make copies of "Steamboat Willy" after 80 years IS excessively restrictive still, but is less urgent to address, I think.)

  152. Re:The concept of intellectual property has got to by Courageous · · Score: 2

    Well, you have some fine ideas, but I think they require further thought. A book, a music score, a song -- these are all things that will have value after their protection is gone. By the time the copyright expires on software, it is, quite literally _worthless_. We need to reexamine the period of various kinds of works and inventions from this context. Since, auspiciously, the intellectual property system is built on the notion of offering incentives to benefit the common good, we should ask ourselves how likely it is that the common good will be served to the general public after the protection is gone.

    It would seem to me that for software, the protection window should be substantially shortened. The exact numbers, I'm not sure of.

    C//

  153. The first thing I would change is... by porkface · · Score: 1

    ...nothing. Well, maybe some perceptions, but the laws are fine (excepting the DMCA). Consumers ignored existing laws and escaped punishment. Big media and law enforcement got lazy , out of date, and felt powerless. The Napster revolution didn't have to go as far as it did. There was just-cause, evidence, and sufficient law to investigate and prosecute everyone involved. If content owners aren't savvy enough to change, or figure out how to protect their property, they will lose it. There will come an end of the line for new anti-consumer legislation, and they will be forced to fall back on the laws and methods they should have used in the first place.

  154. I REALLY like this idea! by isotope23 · · Score: 1

    I mod you up if I hadn't posted already.

    I would alter it though, multiply by either a static sum or a percentage of royalties received, whichever is greater.

    --
    Service guarantees Citizenship! Questions Guarantee GITMO.... Amerika Uber Alles!
    1. Re:I REALLY like this idea! by ChenLing · · Score: 2

      thanks :)
      Multiplying by a percentage of royalties received would require resources to track each copyright/patent, and that would potentially dwarf all revenues from this.
      Also, we don't want to "punish" success -- we just want some simple economic force to push things into the Public Domain.

      --
      "You have the option of insanity. I do not. And that makes me crazy!" - Brian to Angela, My So-Called Life
  155. adding "expiration" field to a copyright form... by ClarkEvans · · Score: 2

    The proposal is to add an "expiration" field to a copyright form, and letting someone filing the copyright specify a more limited time than what is allowable by law. This is a nice, backward compatible mechanism which could create competition based not only on price, but also on the expiration date.

    No vendor would set a copyright at anything reasonable if it were for competitive advantage. Not many customers would take into account the expiration of the copyright in their purchasing decisions.

    Americans _love_ numbers and stastics. The copyright expration date would play in nicely with this "scientific comparision" tendency... you just don't know. It could become a huge factor in purchase decisions. A company like Ford Motor may buy a HumanResourceSoftware for 2-3x the purchase price of an equivalent software if they _knew_ in 5 years it would become public domain and wouldn't be price-gouged on an endless upgrade cycle... I know someone who makes purchase decisions like this at Chrysler, and I've talked to him about this idea; he thinks it would make a difference.

    So, its a small change and thus has a good chance of being feisable to implement (politicians could be accused of being non-capitalistic if they don't support it) and it may make a big difference... if it puts the expry date column on software reviews... imagine. Also, imagine the influx of open source software as companies up their price but lower their expiry date to 2-5 years and compete not only on price, but also on when the software becomes public...

  156. Repeal them ALL by Anonymous Coward · · Score: 0


    We are practically slaves to the music industry, movie industry, and electronic entertainment industry. These guys all get way to much money.

    Music should be free. Movies should be free. And software should be free.

    Well, back to downloading some warez...

  157. My IP thought by gilroy · · Score: 2
    One of my worries is that the encryption of information under proprietary schemes, linked to the anti-circumvention parts of the DMCA, will lead to huge swaths of "public domain" works being lost or locked behind access-fee walls.


    I also believe that pre-DMCA copyright law, if vigorously pursued, would be capable of defending legitimate interests in content.


    So here's my proposal. When a work is published, the author must make a choice:

    • The work is presented "in the clear" with no encryption, no access-control mechanism (or digital rights management scheme), completely and totally accessible. Upon discovering a violations of copyright, the copyright holder can instigate a case in civil court with full and harsh remedies available. ... OR...
    • The work is presented with access-control mechanisms, DRM schemes, etc., and/or encrypted. However, if someone manages to crack the scheme and undo all those limitations, there is no legal penalty. The work itself is considered to be public domain and anyone who can distribute a clean copy is entitled to do so.

    In other words, you can try to fence off parts of the intellectual landscape -- but you don't get to use the full might of the US judicial system to do so.
  158. Exclusive rights and exclusive commercial rights by hobit · · Score: 1
    I've actually spent a fair amount of time thinking about this. I read Jessica Litman's book, Digital Copyright about a year ago. I felt her solution, that free non-commercial copying between `friends' should be allowed, was too shallow. I believe it would greatly reduce sales, and therefor the amount of money spent on development in certain industries. The computer game field is the most obvious. So I pondered what would really work.

    It helps to develop a set of goals. What I think are the goals of copyright. As an American, I'll start with the US constitution:

    "The Congress shall have power . . . to promote the progress of science and useful arts . . . by securing for limited times to authors and inventors the exclusive rights to their respective writings and discoveries."
    So promoting the progress of science and the useful arts would seem to be the main goal. I'll call that goal `advancement.' One could furhter argue that the `limited time' clause indicates that there is some public domain interest involved. Instead, I'd claim that the wording instead indicates that the natural right to exclusive use of works you author does not exist. It is a right granted by the government for a limited time. Not one inherient in nature of things.

    Will more books or music be created because exclusive rights to the works will be granted for 75 years past the author's death rather than 50 or 25 years? The answer is probably yes. Someone, somewhere, will write more or put in extra effort because the effort may support their grandchildren. And a company, looking into the far future, may feel that 75 years will be enough time to make a project profitable, while 25 years may not. That said, less works may also be created. Authors who have written a story based upon `Lord of the Rings' may be unable to have their work distributed during their lifetime. It seems clear to me that very long copyright terms will actually hurt advancement.

    So I argue that if the sole goal of copyright is to promote progress, the real goal is to provide economic modivation of authors while not overly restricting the rights of others to use those works.

    My proposal

    I'd claim that a short period of exclusive rights, followed by a longer period of exclusive commercial rights would best solve this problem. Say that the author has exclusive rights for 5 years and exclusive commercial rights for another 30 years. So, for example, a book written 5 years ago could be distributed for free, with no commercial gain (payment, advertisements, etc.) but only the author could sell the book or use it in a commercial situation (using a character from the book to sell soap for example.) An author who wrote a book dirivative of the first could freely distribute it 5 years after the original book came out, but could not sell it until 35 years had passed (without the original authors permission). Just my thoughts. Let me close with someone else's thoughts:

    If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of everyone, and the receiver cannot dispossess himself of it.
    -Thomas Jefferson
    --
    As Nietsche famously said, "If you stare too long into the Abyss, 1d4 Tanar'ri of random type will attack you."
  159. Re: Public Review by SquarePants · · Score: 1

    practically speaking, very few patents will actually be commented on, and when they are it should just point examiners in the direction of some prior art to aid in their searches

    I disagree. And I think a seasoned examiner (if you can find one, that is) would too. If we had a pre-grant publication for comment, people who do not want a patent to issue for specious reasons will abuse the system to bog down the application.

    But I don't want to really dwell on this point. The real heart of the problem is not the system being used. In fact the Patent office has set up an entire new layer of examination for business method patents (software patents in patenteese) which is supposed to improve the quality of the patents.

    The problem is that the Patent Office is not properly funded by congress. This requires examiners, who have a quota of applications to get through, to spend a ridiculously low amount of time on each application. Combine this with the fact that examiners are paid very little and as soon as they get a little experience (or their foreign work permit goes through) they leave the Patent Office. This results in a very demoralized, overworked and inexperienced core of examiners.

    The result of this is bad patents. If there weren't so many bad patents out there there would not be such an outcry right now and we would not be seing these kinds of abuses.

  160. IP Laws . . . by Anonymous Coward · · Score: 0

    First, scrap the DMCA. The whole darn thing. It is a travesty and an embarassment, and should never have been forced through so quickly. (In fact, it is so poorly put together that it evokes memories of old British North America and the Intolerable Acts.)

    Once the DMCA is dead, introduce a new bill, but for this one, schedule a great deal of meaningful public debate while it is still being drawn up and introduced. GIVE IT LOTS OF PUBLIC EXPOSURE AND NEWS COVERAGE. The more people know about its workings, the better it will work for them.

    If the public knows a lot about it and has a reason to get involved and stay active in keeping it a legitimate piece of legislation, chances are they will not get bent over when it finally gets passed -- in contrast with the DMCA, which to my knowledge rarely made it into even the e-news headlines.

    This message brought to you by Anonomous Coward, Inc!

  161. Practise what you preach by TriggerHappy · · Score: 1
    I like giving information away.

    Oh, really? So why does it say this on your website?

    Can I put my page on your site?

    It's a personal homepage. I buy and maintain my own webspace. The pages at Furinkan.net are for personal use only.

    Way to restrict the flow of information there, dude.

    1. Re:Practise what you preach by Anonymous Coward · · Score: 0

      Okay here is a question...If we get rid of IP you realize that means that if say I owned Joe Shmoe Mega Publishers INC. that I could take all your stuff and publish it with out ever even telling you. Would you really like that?

  162. Funny, but... by Infonaut · · Score: 2
    Hey, I make fun of lawyers just as much as the next guy, but I've been in places where there are no lawyers. There wind up being either:

    A) Religious leaders deciding disputes

    or

    B) Guns deciding disputes

    As much as lawyers are a pain in the ass, I'd take a pompous lawyer in the room over a bullet in my chest any day. Besides, if the rest of us weren't so greedy, do you think there'd be so many lawyers in the US?

    --
    Read the EFF's Fair Use FAQ
  163. Read Wine News by SabberFlapper · · Score: 0

    You should help to fight against an European DMCA equivalent, campaign see http://swpat.ffii.org Quoted from http://www.winehq.com/news/?view=122 Has anyone ever said anything good about the DMCA? Don't worry, I won't be the first. Over the past 9 months Hidenori Takeshima single-handedly worked on recreating the quartz.dll responsible for implementing ActiveMovie and DirectShow. The codecs involved are a huge amount of code that's unfortunately questionable to distribute due to legal concerns. Without warning the code suddenly disappeared from both the X11 and the GPL trees. Questioned about why it was removed, Hidenori explained: My all MultiMedia codes are completely written from scratch. No disassembling. I believe there are no legal issues. But, I cannot warrant... I should protect myself from any potential problems now... The main issues for me are restrictions of EULA - some codes may be based on information from non-VS6. I don't want to battle with EULA. afraid to many pending patents. I cannot check all patents... and there are some other reasons I don't want to write... So, finally, I decided to solicite Alexandre... Andreas Mohr thanked Hidenori, I hope the reason for taking such rather drastic measures was important. Oh well, anyway, thanks for your contributions, Hidenori ! (I'm just assuming there are still some left ;-) Interesting trivia #2 - Hidenori is the first non-Codeweavers person to expressly not allow his code into the X11 tree.

  164. not to punish success by isotope23 · · Score: 3, Interesting

    But to generate tax revenue!
    The IRS could be reworked for this purpose.

    If the governement is providing IP protection
    does it not deserve revenue from that protection?

    IMO This would tend to be a more honest way to
    generate revenue than from income tax on individuals. In addition it would push corps to ditch IP that is not profitable into the public domain.

    ;-)

    --
    Service guarantees Citizenship! Questions Guarantee GITMO.... Amerika Uber Alles!
  165. Changes by Artagel · · Score: 2

    1) Make patent term dependent upon how pioneering the invention is. If you are the first with the laser, long term. If you are the first with using a laser as a pointing device during presentations, short term. The PTO assigns a term as part of prosecution.

    2) Require the PTO to accept and process comments about patents, and consider reexamination when a certain number of non-anonymous comments have accumulated. Thus, a reexaminatino of the Amazon patent could have been triggered by citizens. Have provisions to make sure companies don't have their employees swamp competitors patents. Congress needs to fund this function directly.

    3) Access control isn't the problem, it is control over access control. Anyone who reverse engineers access control and or produces unlicensed access control can do so to the extent it is consistent with the law and the rights of the copyright holder. Thus, if open-source stuff is written to protect the copyright holder's legitimate rights, while better allowing access to expired copyrights for example, that is ok even if not approved by the copyright holder or the access system designer. (Please note: DeCSS still probably loses under this standard.)

    Well, that's what I have off the top of my head...

  166. Aha! by Anonymous Coward · · Score: 0

    5 and 7 years for patents and software, and as much as 70 - 80 years for music / literature?

    Gentlemen, we have a distinguished author / musician in our midst!

  167. Redefine "prior art" to mean prior art by Anonymous Coward · · Score: 0
    I'd like to see a more rigorous requirement for novelty. Specifically, an idea should be considered to be prior art if it was even use, even if it was never formally published.

    I'd also like examiners in the PO who had a clue about technology, so that they could make an intelligent determination of whether an idea was obvious to a practitioner of the art.

    I'd like to see a provision that a copyright or patent can only be loaned to a corporation, not sold, and rigorous audit requirements to ensure full royaly payments. As far as I can determine there is a lot more corporate theft from artists, composers, inventors and performaers than there is piracy from corporations.

    I'd like to see a law that if a book. program or recording is out of print for more than a year then all rights revert to the author, performer, programmer, etc.

    Not a legal issue, but I'd like to see a vaible micropayments infrastructure, with the money bypassing the publishers and studios.

  168. Re:The concept of intellectual property has got to by istartedi · · Score: 2

    The "IP is not property" argument is an old one now, and it's fatal flaw is this:

    It doesn't matter if IP law is formulated based on property law or not. Anti Intellectual Property advocates want you to believe that formulating IP as property would lead to perpetual IP rights resulting in ridiculous measures such as being sued for using 2+2 because somebody patented that.

    The truth of the matter is that such abuses can occur regardless of the basis on which the law is formulated. In fact, IP law was never formulated based on the idea that IP is real property, and the AIP movement is already proving my point here by complaining about the existing IP laws!

    In fact, formulating IP as real property could actually sanitize things a great deal. That's because it could then be taxed, and if necessary, taxed 100% in some cases. When something is passed into the public domain, from the point of view of the person who produced it, it's like paying a 100% tax on their IP.

    Of course, behind the AIP movement's desire to abolish the concept of IP is their desire to levy a 100% tax on IP--socialism in its purest form. They like to raise issues regarding the formulation of the law because it conceals their true motives and brings the issue into an academic realm where they can obfuscate the issue. It plays in their favor. Formulate IP as property--like real estate, and it can be taxed like real estate. Fail to pay your IP tax, and get "foreclosed". If it brings nothing at auction, it passes to the PD. The tax would only be levied against people who actually sold IP products. Give something away for free, and you pay no IP tax.

    For example, I write a book, and it sells 50,000 copies. The value of that IP is "assessed" and taxed like a house. You can appeal the assessment, just like with real esate. The tax would be used, in part, to fund a database that would assess demand for the product. So, if I was no longer printing the book, but 20,000 people registered demand for a new copy (obligating themselves to pay their stated price if a copy were available), and the $20,000 IP tax was too much for me to pay, I could auction the IP. The buyer would have to agree to print the work to receive the registered demand money.

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  169. Just imagine.... by C.+Mattix · · Score: 1

    Just imagine for a second how the world would be different right now if there would have been a patent on Mosaic or Lynx (or any of the very early web browsers).

  170. Simple solution by Anonymous Coward · · Score: 0

    Two years MAXIMUM copyright protection on anything that can be stored digitally. Most copyrighted products make between 90-95% of their entire profits during the first year or so. Two years would be just perfect.

  171. Prior Art by epepke · · Score: 2

    I'm not sure that there're actually any software patents out there that have prior art that would've disqualified them.

    Oh, there are plenty. The patent on correct-order spreadsheet calculation, based on the prior art of the topological sort. The patent on using exclusive OR for cursors, which is both prior art and totally obvious. The patent on networked games, which is based on prior art and is totally obvious.

  172. IP Laws are necessary, to an extent in our society by Phasedshift · · Score: 1

    Patents, copyright, etc. are designed to help promote innovation. People tend to point out extreme examples for either side.. However I think the following covers why patent laws (in my opinion) are a good thing, as long as they are on specific methods or products, and for a fairly short period of time (which would depend on what the patent is for).

    Many, many patents have been granted over the years. Some products can legitimently benefit from a patent, and some do not (or they don't substantially anyway). In theory, patents can help innovation. An example of this is as follows:

    Company A makes a wheel in a certain way, and obtains a patent on that specific design, and method of making the wheel.

    Company B makes a wheel in a different way, and obtains a patent on that specific design, and method of making the wheel.

    Company C makes a wheel in a different, and better way then companies A and B, and gets a patent on the specific design and method.

    Unless a company wishes to purchase rights to use a preexisting design for something that has been patented, they need to develop something 'better', or at least different. I think few will argue that in theory, patents work. The problem comes with the patent office approves patents that are too broad. If the patent office approved a patent for the wheel in general (not the specific design, etc that a specific company made), then that would hinder innovation, causing other companies who wish to make a better wheel, to still license rights to use 'the wheel'.

    If we didn't have patent laws, you would find that while much innovation will continue, there will be certain areas that will suffer more than others. Niche market areas, where a company must spend huge sums of money to develop a product, and sell it to a customer base that is very small will suffer the most in my opinion. This is because after the development is done, since there isn't a large customer base, the price for the product will need to be high to recover the development costs. If another company comes in, makes the same product, but for far, far, far cheaper since they don't have any development costs, then few people will want to spend the money on development, as chances are someone will simply steal their idea and charge less. I don't think this will be a problem in most areas, since with a larger customer base, the cost(s) will be less per customer to recover development costs, and in theory the company which develops the product, will have a head start, and should be able to identify the product with their own brand, and sell enough units to at least recover most of their development costs. Also, if a product/method is very hard for someone to reproduce due to the amount of skill/money involved, then a patent won't make a /huge/ difference, at least for a while, in most cases.

    Now that I've typed all of that, lets see if anyone reads it (and out of those people who read it, who actually thinks it makes sense).

  173. Views on software patents by magi · · Score: 2
    To my understanding. there is an essential difference in the European and American concepts of software with regards to patents.

    In the "European" concept of software, software is a specification or a design; it is information that can be used to control a machine, i.e., a computer to perform in a particular way.

    In the "American" concept of software, the software itself is a machine, even when it's just written on a paper (or a CD) and can't actually do anything without a computer.

    Now, the purpose of patents is same in both European and American systems: you can patent a method of doing something, i.e., a design or specification of a machine.

    However, the patent laws only apply to producers, i.e., commercial entities that manufacture machines for consumers. They don't apply to consumers who build a machine just for themselves. Patents also do not restrict the distribution of the specification of the patented method.

    Now, when you combine the European concept of software with the purpose of patents, you get a situation where a typical software product is never a machine, i.e., an implementation, by the definition of patent laws. The software producer only provides a "specification" of a patented method, which can be distributed freely (even for profit), and the consumer can combine the specification with a generic machine to produce a specific machine that implements the patented method.

    This leads into many funny things; also the registered patent description is a specification of the method. Usually, if you want to implement it in a program, you need to make it much more detailed and make the implementation in a particular language. But if the patent specification is detailed enough, you could, in principle, translate it automatically to run it in a computer. Therefore, merely publishing the patented method means implementing the "software product". However, this interpretation leaves room for one case where patents do apply to software: when the software is integrated with the hardware by a producer. Hence, most embedded software stuff falls under patent laws, if the software is integrated in the produced machine. For example, PDAs and cell phones.

    You might also think that this applies also to software bundled with a computer. I don't think it does, because *bundled* software is not an *integral* part of the computer and can be replaced by the consumer. Of course, this argument applies to much of the embedded software too, if it can be replaced by the consumer.

    I think this is why you can patent software related methods in Europe, but also why they are not really useful except in the embedded market.

    The "software is a machine" interpretation may, to some degree, be sensible with closed source proprietary software, as there the software is no longer a human-readable form, and can no longer be seen as merely a specification of the patented method. With this metaphor, closed software is a "virtual" machine (obs - not in the normal sense of "VMs").

    Interestingly, from this viewpoint, there is exactly one licencing model under which the software can not be interpreted as as a "machine". It's GNU General Public License (and LGPL too). Only in this license, the source code of the software must always be made available. Hence, with GPL'ed software, the specification of the patented method is always human readable, and is merely just that, a specification.

    It's very interesting to arrive at GPL as a solution in the topic of software patents, instead of the normal arguments of software freedom. With this approach, GPL might one day even be written in laws!

    Nevertheless, I believe the "American" concept of software is contradictory. I can imagine that you could, in principle, crush American software patents (or more exactly their applicability) merely by argumenting with this conceptual framework. Even laws can be proved contradictory in court, I guess.

    The problem, of course, is that if you can patent, in United States, a method of swinging in a children's swing, a method of excercising your cat with a laser pointer, or "business methods", the patent laws must already be so absurdly arbitrary that no rational arguments can ever defeat them.

  174. Potential Solution? by gordianknot · · Score: 1

    Personally, I view the problem with Copyright (not patent) law in it's current form as being the saleability of such copyright. Based on that, maybe we should throw the whole thing out the window and start over.

    Consider this (my proposal):

    1. Copyrights can NOT be sold. Under any circumstances.
    2. They CAN, however, be "leased" for a finite period (say, 5 years) to a publisher/content provider. Those leases can be exclusive for that period of time. After the lease has expired, the creator/copyright owner, has the option to shop it around.
    3. Copyrights should expire XX years after the creator's death. At that point, the work should revert to the public domain. What number should we use? 25 or 50 years maybe?
    4. A provision should exist to prevent corporate takeover of copyrighted works. The "you worked for me when you wrote that" provisions in many contracts should be null and void. However, corporations SHOULD be able to own works that they explicitly contracted someone to create on their behalf.
    5. Copyrights should expire automatically after 25 years if the work remains unpublished during that time.

    I believe that the 5 provisions listed above would have the following imapact:
    - The creators would actually profit MORE from their own works. (Instead of publishers)
    - This would encourage the publishers to go out and find NEW artists on a more regular basis (yes, the publishing companies would actually have to WORK harder). Because these new artists would tend to be cheaper than the established ones.
    - This would force the publishing companies to re-issue material more often or risk it reverting to the public domain.

    As far as patent law is concerned, I tend to agree with the majority of posters. The OLD (~20 years ago) interpretation of patent law probably served us better than the current "patent anything" interpretations.

    Personally, if the RIAA were really an association of ARTISTS protecting their rights instead of an association of PUBLISHERS protecting their rights to milk the artists, then I'd be more sympathetic to their cause.

  175. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0

    Yep i agree

  176. IAAIPL with two brief suggestions by notaspy · · Score: 1

    1) Loser pays all litigation costs, trebled for groundless lawsuits.

    2) Compulsory licensing (e.g. Canada) for non-commercialized patents.

    --
    hi!
  177. Piracy Quiz by Anonymous Coward · · Score: 0

    The new improved piracy Test

    Created by the Corporations to help you relize you have a piracy problem, and to help keep the man down.

    For each marked answer +1 points.

    __ Do you listen to CD
    __ Do you watch tv
    __ Do you use the internet
    __ Do you Read anything
    __ Do you make paper copies of anything
    __ Do you make digital copies of anything
    __ Do you burn CD's
    __ Do you download MP3's
    __ Do you download JPEG's
    __ Do you download MPEG's
    __ Do you use a p2p network
    __ Do you use ftp regulary
    __ Do you run an ftp server
    __ Do you use over a gigabyte of bandwidth a week
    __ Do you have a copy of Lord of the rings all three parts, Spiderman, Star Wars Episode II & III, Matrix II, and Scooby Doo

    0-1 Unabomber
    2 - 5 Computer?
    6 - 10 Charles Manson
    11 - 15 New Member to the Axis of Evil

    Many words not smelled wright

    Kill the Poor!!!!

  178. I'll bite by epepke · · Score: 2

    You've gotten many good arguments so far. I hope you read them, too. Especially the points that software is mathematics and software is not a machine or a process for physical transformation.

    Is it because the USPTO has so few good examiners in the area that there is a sense that the quality of software patents is poor?

    That's a factor. Most extant software patents are entirely bogus, due to prior art or obviousness.

    Or is it simply that because there are so many talented programmers out there who can write code that does the same thing as the patented code that they don't want any impediments whatsoever?

    Actually, that is precisely the opposite of what is the case. Many talented programmers spend much of their time writing software around patents. From a pure greed standpoint, they should logically be in favor of patents. So, programmers who object to patents are doing so in spite of any greed, not because of it.

    As for the former, I agree it is a concern, but one the USPTO is trying to address by hiring more (and more talented) examiners.

    Will these more talented examiners eliminate existing patents that are obviously bogus due to obviousness or prior art? My understanding is that they won't, that the only way to get rid of one is to litigate at a cost of more than what most people make in their lives. It is therefore hardly reassuring.

    If everyone needed a few million $ worth of hardware to make the invention, the patent doesn't add that much value against the masses of people who want to copy your invention, it only protects you against the few who have the actual resources to do so.

    Everyone, effectively, needs a few million dollars worth of money to be able to write software and be secure against bogus patents.

    Every other industry has dealt with patents for years.

    Not your industry, which you probably call a profession. None of the documents that you have ever produced as an attorney are patentable.

    Furthermore, software development is not an industry. Hardware development and sales are an industry, and their products should be patentable. Software is purely mathematical.

    It is time for the software developers as a whole to do so as well.

    Why am I not surprised that you are not interested in constructive criticism at all and have already made up your mind?

    1. Re:I'll bite by Compulawyer · · Score: 3, Interesting
      You've gotten many good arguments so far. I hope you read them, too.

      I do my best to read all the comments people post in reply to mine. I post because I enjoy the discussion and want to hear what people have to say.

      Especially the points that software is mathematics and software is not a machine or a process for physical transformation.

      The courts have (rightly under the present statute) held that anything under the sun created by man is patentable. I have a hard time believing that software developers (of which I am one), who supposedly are confortable with abstractions and models, cannot understand the basics of intellectual property which is itself an abstraction. This is not "pure mathematics" as you suggest later -- it is a highly specialized process running on a machine that has the attributes and qualities of an algorithm. However, any one program does not occupy the entire field of mathematical processing the way a "pure" algorithm or mathematical theorem does.

      Most extant software patents are entirely bogus, due to prior art or obviousness.

      I challenge you to find some concrete factual support for this assertion instead of simply offering an opinion.

      Not your industry, which you probably call a profession. None of the documents that you have ever produced as an attorney are patentable.

      True. However, I am also a Software Engineer and some of the things I have developed ARE indeed patentable.

      Why am I not surprised that you are not interested in constructive criticism at all and have already made up your mind?

      You could not be further from the truth. I AM indeed interested in others' comments or I would not post on /. . However, my experience has convinced me that software patents are intrinsically useful and beneficial. The fact that I present arguments in favor of my point of view does NOT mean I do not listen to or consider opposing arguments. I just have not been convinced yet that the contrary point of view is correct. If and when I am, you can be sure I will post it on Slashdot.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    2. Re:I'll bite by Compulawyer · · Score: 2
      the only way to get rid of one is to litigate at a cost of more than what most people make in their lives

      Not true. There are procedures whereby third parties can submit prior art to the USPTO for consideration against a patent application or even after the patent has issued. It is easier now that the US has adopted the rule requiring most applications to be published 18 months after filing and before issuance as a patent.

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    3. Re:I'll bite by Anonymous Coward · · Score: 0
      The fact that I present arguments in favor of my point of view does NOT mean I do not listen to or consider opposing arguments.

      The fact that you resort to stupid lawyer tricks and claim "provide proof" when it has been provided in the past ad nauseum does though.

  179. Linux, GPL and Copyright by aqui · · Score: 1

    I remind you all of a few things!
    Before doing away with all IP (ie, patents and copyright)

    1) The GPL is based on Copyright law. The freedoms guaranteed by the GPL are enforcable through copyright law.

    2) Some control of software _is_ important. Imagine you write some really cool software and post it. Some company or individual copies it and rereleases it as theirs! (how do you fight back without copyright?)

    3)Those of you that know a little about Linux's history, know that Linus release Linux into the public domain through the GPL because it gave him the protection he needed to guarantee his right to continue to develop and use it. He might (understandably so) _never_ have released it to the public otherwise!!!

    4) Imagine Microsoft or Some other company co-opted linux. Right now they cant do this because of copyright law.

    5) Some software markets depend on ownership. The Gaming industry is one example where No IP rights = No industry = Less games.

    6) Patents are another story all together. They are necessary. I have a friend that without a patent would have already had a design of his stolen by a big corporation. As it is they have negotiated with him fairly now and he can make a living from his work (and continue to have time invent).

    NO IP rights = No GPL
    NO IP rights = No OS
    NO IP rights = No linux
    NO IP rights = No inovation and design

    Don't misunderstand this. I see IP protection as a necessary evil. It is necessary to protect the creative from the corupt.

    The trick is to strike a balance between the rights of the inventors and society as a whole
    to encourage development of technology without giving up on the benefits for society.

    A shorter patent, copyright time frame (non-renewable) of say 10 years would be good.
    Product development cycles are ussually in the 2-3 year time frame + 1-2 years to find financing leaves 5 years to recover costs.

    The 10 year patent is also long enough that big companies cant just sit back (refusing to provide capital) and wait for patents to expire (again screwing the inventor).

    I think cooperative programming (OS) is great but at the same time I wish to retain control of my work.

    --
    ----- "Profanity is the one language that all programmers understand."
    1. Re:Linux, GPL and Copyright by martyn+s · · Score: 1

      Patents are not necessary. Go read Steal This Idea. I've been expressing my problem with IP laws for a while, but before now I only talked about copyright. I didn't have much of a problem with patents. This book changes everything. Patents are so much more evil than copyright, and are causing real social problems, not just stunting culture like some people say copyright does.

      An incredible amount of energy is wasted on a)litigating patents b)circumventing patents . To circumvent patents, like say AMD circumventing Intel's patents, this is what they do: AMD gets some engineers to describe the high level functions of a chip, and the engineers relate exactly what the chip does to another set of engineers without telling them how it's done. This second set of engineers has to then create a new chip that does these functions.

      Also patents promote secrecy in science and that is the most damaging aspect of all. The money we as a society spend on research would probably be four or five times more productive if it was shared. Now you may ask, why would anyone invest to do research if they couldn't get protection. Well, this is why science should be publicly funded. As much as you probably despise the idea of science being publicly funded, it's been shown that science is just as effective no matter where the money comes from. Since most of the scientists working on these innovations work for a set salary, and are motivated by the prospect recognition and respect, we'd have just as many, if not more, innovations if the money came from the public and not from private corporations. And this research would be many times more powerful since it would be shared with everyone.

      Copyrights don't make sense anymore when works can be reproduced for zero cost. Copyrights only made sense when you had to pay money for a book or movie anyway, so why not give the author the exclusive right to sell it. But now that it costs zero to copy a book or film, why charge for it? Only to fund the initial cost of making the book or film. But like a road, there's no reason to charge for it, since it would limit how many people can use it, and why limit something that has no scarcity? So the answer is that we need a new way of funding these projects and that is through public funding.

      I'm not suggesting we totally get rid of IP laws, but I think patents need to go, and copyrights reduced to five years. Of course this would be incredibly damaging if we didn't simultaneously fund more public research and art, but if we did so, dollar for dollar we'd all get a lot more.

    2. Re:Linux, GPL and Copyright by EllisDees · · Score: 2

      The GPL would be unnecessary without copyright laws. If some company took your code and distributed it as their own, you could just as easily take whatever they packaged up and do the exact same thing.

      Without copyright, all code is open. Nobody can keep you from using it in any way you like.

      --
      -- Give me ambiguity or give me something else!
    3. Re:Linux, GPL and Copyright by aqui · · Score: 1

      Thanks for the discussion...

      I would like to extend my position on Patents. (I will read your article)

      Firstly E-patents are not necessary (in fact I think their just a reflection of too many lawyers). Secondly I agree that currently patents are being abused by large corporations to try and block competition (this is wrong).

      But there is one overwelming argument for patents. Unless we wish to restrict all development to large companies and research institutes (with their own capital) there needs to be a mechanism to protect the small time inventor.

      I used to think that Patents in engineering design were not necessary either, until I learned about the dirty world of venture capital from my friend. My friend developed a new device, that could potentially dramatically change the way automobiles are made. He has a working and extensively tested prototype, we're talking about a technical advancement and not some simple toy (you'll have to take my word for it I'm afraid I'm not at liberty to discuss what it is in a public forum with a person I do not know).

      Fortunately he found a business partner with an understanding of venture capital and patent law. He was not convinced for the need for patents either at the beginning. What happened was that he followed the advice of his business partner (fortunately). He found that when dealing with investors (a) they would not consider investing unless they knew how it work (to a level of detail where they could have run off with the idea). and (b) that they only considered investing once he made clear he "owned" the idea and it was adquately protected.

      In other words venture capitalists take the approach:
      tell me everything,
      then check if we can screw you out of your idea,
      then if not okay maybe we'll invest.

      Sad but unfortunately true. I wish it were different, honesty would be nice. But then 2/3 of all creatures are parisites... (this probably accounts for most lawyers and venture capitalists ;) ).

      As for patent time frame... the original 17 years can be shortened somewhat since development cycles
      have been reduced. I think 5 years is too short though. A large company can afford to wait 5 years for a patent to expire. 10 years gives an individual a good chance at finding funding. My friend has been working at getting funding for the last 4 years and now has funding. It looks like with a 5 year patent he would be screwed now (all companies would just say we'll wait till next year).

      Perhaps there is a need to distinguish between corporate and individual patents, or place conditions on a patent to require development with in a certain time frame for the patent not to lapse.

      As for science and technology being publicly funded I think the idea is wonderful. The trick is convincing scientifically illiterate voters. The only thing I have to say is with a population that is not scientifically literate, that is willing to spend 117 million on a failed Hollywood production (Water world) and complains when half that much is spent on a NASA space probe... You're going to be hard pressed to get government scientific funding to grow.

      So in this capitalistic market based society, if you need funding you'll need industry and business and they respond to their shareholders first. Their shareholders want a return for their investment. It sucks but logic and rational decisions for the common good, are far removed from the primary driver of the market: profit ( = self interest (read --> greed)).

      As for getting more for our money, there are clear studies that show that publicly spent research dollars go five times as far as military research (corporate), but then the public doesn't send the republicans $100 000 political donations...

      I think we agree on much, I'm just a little more cynical.

      --
      ----- "Profanity is the one language that all programmers understand."
    4. Re:Linux, GPL and Copyright by aqui · · Score: 1

      "Without copyright, all code is open. Nobody can keep you from using it in any way you like."

      No, you're mistaken because those who take the code are not required to release the source.

      Copyright law protects both rights of the inventor and fair use by others.

      With the GPL and copyright they are _forced_ to release any code based on GPL code.

      Without it they simply take the code and release only binaries.

      --
      ----- "Profanity is the one language that all programmers understand."
    5. Re:Linux, GPL and Copyright by martyn+s · · Score: 1

      Yeah, I think the only difference between you and me is that maybe I'm a little more idealistic, or at least I'm talking about what would be ideal, and you're being realistic.

      The thing I said about five years I was really talking about copyright, not patents.

      Check my post history, I have another post in this story saying a bunch of similar stuff.

      As far as copyright I think we need to assess each medium separately and decide how long each medium should be protected. Basically, the only reason I think we need copyright for five years is because if all art were publicly funded, I don't think we'd be seeing the kind of movies we like to see. For example, I think that movies should be protected for five years, that is for five years no one else should be able to play your movie in theatres.

      Right now movie studios are working on some pretty slim margins, so you would think cutting any of it away would put them out of business. But the have so much legroom based on what they pay actors. If the entire industry suddenly started making less money, all actors across the board would make less money (at least they'd cut out the extravagant 20million dollar salaries). I'm used to defending actors for how much they make, like the way I defend athletes. They bring in that much money and the studios think it's worth it, so it's fair they make that much money. I'm not saying it isn't fair. I'm just saying movie studios wouldn't just go out of business.

      Or like video games. I can't imagine decent videogames being made based on public funding. But, five years is more than enough time to make your money on a videogame. You won't see any video games that are on the shelves right now still on the shelves five years from now.

      But patents, I think are even worse than copyright. I'm saying patents should be gone. No patents. Did you know the pharmaceutical industry makes an *average* of 18% return on investment? That's obscene! In any other industry even 8% is ahead of the curve. And millions of people are dying of diseases like AIDS and tuberculosis because these companies own the patents for drugs that were most likely developed on government research anyway (that happens a lot). Science, unlike art in some cases, as I've mentioned above, is always more effective when it's publicly funded. There are no secrets, and that alone increases breakthroughs by like five fold. Plus there's a lot more basic research, which leads to real technological progression. The technology we're getting fat off of now is based on research that is decades old. And we're going to run into a wall.

      Considering how powerful, and relentless tech growth is, most people may not even notice tech growth being harmed at all. But I can tell you this: no matter how fast technology grows, it would've been faster and better if it were based on public research. Even the Universities now can "own" their research, and their doing everything they can to reduce the time it takes from research to market (the only real way to do that is to do less basic research and more applied research, something we don't need more of). The lines between universities and corporations are being severely blurred. Some organization that represents American universites was complaining (I'm paraphrasing): "Universites spend 40 billion dollars a year on research, but they only made 800 million dollars on all that research". As if the only reason for university research was to make a profit!

      You say "It sucks but logic and rational decisions for the common good, are far removed from the primary driver of the market: profit ( = self interest (read--> greed))" That's precisely why science doesn't belong in the marketplace! I feel like jesus, turning over the trading tables in a holy place.

      I'm used to defending the market, but it seems things are going to far in the other direction, and I end up coming off as a communist. I'm applying real world economic principles here, there are many economists who acknowledge and agree with everything I'm saying.

      You say we need to distinguish between corporate and individual patents. There should not exist corporate patents. Patents are supposed to be incentive to *innovate* not incentive to *sponsor* research. Anyone can sponsor research, and we don't need corporate sponsorship when it doesn't end up doing anyone any good. Scientists that work for corporations are like scientists anywhere else: they get set salaries. So clearly patents aren't providing incentive to *innovate* they are creating incentive to put up money.

      As much as I've written, I don't think I could cover this enormous topic as thoroughly as Steal this idea has. This book is incredible it will change your way of thinking.

      All this stuff I'm saying here, it sounds like I'm mincing words, like even though it sounds reasonable, that doesn't make it right. After all, ignoring everything we've been taught since we we're children, communism sounds pretty reasonable, but the fact is, it doesn't work. My point is, try to be receptive to these ideas, and being idealistic never really hurt anyone.

      I'm not talking about doing anything that goes against human nature like communism does. I'm not being to idealistic in hoping that all men will be good men. I think that my system can and would work even when everyone acts purely out of self interest. I think the only thing I'm being idealistic about is that I believe (I'm hoping) that we can overthrow this regime of corruption and power. I think once that happens, everything would flow naturally, and the new system wouldn't expect more out of man than he is capable of, or expect him to be "better" than he really is.

    6. Re:Linux, GPL and Copyright by crosbie · · Score: 1
      You're right, they ain't necessary. You can still do business without copyright.

      Check out: The Digital Art Auction

    7. Re:Linux, GPL and Copyright by Anonymous Coward · · Score: 0
      The GPL would be unnecessary without copyright laws. If some company took your code and distributed it as their own, you could just as easily take whatever they packaged up and do the exact same thing.

      Without copyright, all code is open. Nobody can keep you from using it in any way you like.

      They can, for instance, not give it to you. Like 99% of all commercial software publishers. The difference between the GPL and the absence of copyright is that the GPL requires someone to provide you with the code in a meaningful form, rather than a compiled binary, so that you have something useful to change. Conversely, with no copyright laws you'd be able to distribute the work unchanged but you'd find it very difficult to modify (or learn from, for that matter).

    8. Re:Linux, GPL and Copyright by EllisDees · · Score: 2

      No, you're mistaken because those who take the code are not required to release the source.
      So what? You could still take the binary and hack it in any way you please, or even give a copy to everyone you know.

      The GPL is not necessary at all with no copyright.

      --
      -- Give me ambiguity or give me something else!
  180. Loser pays by rlp · · Score: 2
    I'd actually rather see a change in the way the U.S. handles civil litigation.
    • Loser pays - in civil litigation the party with deep pockets can either intimidate or bankrupt it's opponents. This stacks the deck and leads to abuses that are chronicled weekly on Slashdot. Changing the law to require the loser to pay all legal (of both sides) and court costs would level the playing field and elminate much of what is essentially legal extortion.
    • Penalties for frivilous law-suits - in the U.S. you can sue just about anyone for anything. Some of the frivilous law suits that are initiated in the U.S. would be a crime in other countries (i.e. Britain). A lawyer who knowingly undertakes a frivilous lawsuit is wasting the time of the courts - and should face penalties (such as fines, or even disbarment).

    None of this would eliminate stupid patents or bad laws (like the DMCA) - but it would make it significantly harder to use these abusively.
    --
    [Insert pithy quote here]
    1. Re:Loser pays by Flower · · Score: 2

      Hey, loser pays would be great! Eric Corley and the EFF could then cough up an additional 13+ million dollars to pay out to the MPAA. You know, out of the money all of us /.s and free speech advocates chipped in to support the cause.

      --
      I don't want knowledge. I want certainty. - Law, David Bowie
    2. Re:Loser pays by mpe · · Score: 2

      Loser pays - in civil litigation the party with deep pockets can either intimidate or bankrupt it's opponents. This stacks the deck and leads to abuses that are chronicled weekly on Slashdot. Changing the law to require the loser to pay all legal (of both sides) and court costs would level the playing field and elminate much of what is essentially legal extortion.

      You'd also need some safeguard against deliberatly ramping up costs. Maybe something like the costs for legal expenses would be either the actual cost or that of using an "average priced" lawyer. Anything done by a lawyer which did not absolutly need to be done by a lawyer would be simply ignored

  181. Royalties/Manufacturers/Work For Hire/Fair Use by royalblue_tom · · Score: 1

    1. I think we need to have royalties set to a specific percentage of cost by the government. No copyright holder can deny use of the work and claim copyright protection. Owners of a copyright who also manufacture the work, must include royalty in their pricing.

    That's the issue we are seeing now - a copyright/patent is basically a monopoly to use, because the holder will never agree on fair licensing if they are also a manufacturer.

    2. No copyright owner or manufacturer should be allowed to enter into "exclusive" deals/contracts. In return for guaranteed protected profit royalties, you can't tout for additional monies - all manufacturers get the same treatment.

    No monopoly on copyright/patents.

    3. Work for hire is only accepted when the work is generated by a salaried employee, and generated while hired, during working hours, on company equipment.

    If the work existed prior to the hiring, the rights do not become the employers. This basically covers the status quo for software and for movies (Hanks gets $4m per month salary instead of a big $20m cheque).

    4. Fair use is pretty much as it is now. Derivative works, parody et. al. as current status quo.

    5. Length of patent is a fun one - two choices. Cost limit - patent is held until research costs plus a percentage, is made through royalties. Time limit as a second option, being five years (no exceptions).

    This generally means that if you have to invest a fortune, you can guarantee it back with a profit. Alternatively, if you think you can make a bigger return in five years, then start the clock.

  182. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0

    But, since a program (or a song) can be copied for almost nothing, should it be considered a scarce economic resource?

    The creation of NEW intellectual property requires use of non-IP and therefore scarce resources. Anything dependent on a scarce resource is itself going to be scarce. Now, if you want an economy based on kicking the same ideas around over and over (like the current RIAA), then you can claim economy of plenty.

  183. Software Patents have a repressive effect by jmichaelg · · Score: 2

    My career spans the period when what I do was and wasn't patentable. We wrote software in a frenzy back in the 80's because we'd come up with a neat idea and we wanted to market it before it became a common idea. We didn't need patent protection - copyright was sufficient protection. By the time someone realized what we had done, we'd be working on the next great idea. It's the nature of the business - to create.

    Along came Bruce Lehman, et. al. with his uspto dog and pony act. Programmer after programmer testified "Don't do this! We do not need patents." At one point, a programmer testified "The only people in this room who have testified in favor of software patents have been corporate attorneys." Lehman acknowledged the truth of that testimony and ignored us. So now we have software patents - to benefit those attorneys.

    The upshot is my software productivity has declined because now I have to worry about writing some piece of code that someone else owns - even though I've never even seen the other coder's implementation. That very obstacle strikes at the core of what we do - to create. We didn't need patents before they became available and we need them even less now that their intrinsic worthlessnes has become apparent. The USPTO will never be able to field examiners who understand what is obvious in the field because to be a patent examiner means they're not coders. What is obvious to a comptent coder is magic to others.

    Implement reasonable copyright protection and that's enough.

    1. Re:Software Patents have a repressive effect by Compulawyer · · Score: 2
      now I have to worry about writing some piece of code that someone else owns

      Welcome to the same world other industries have lived in for years! The only difference is that because of the nature of software (i.e. - abstract, mathematical, etc.) it was never clear whether software COULD be patented. Courts have now made it clear that anything under the sun created by man is patentable. The problem was that the uninformed saw software as a mathematical algorithm only -- a pure theoretical construct, not as an application of principles or the execution of an algorithmic process.

      Implement reasonable copyright protection and that's enough.

      Respectfully, NO IT ISN'T!! Copyright and patent laws protect VERY different concepts. Copyright protects the EXPRESSION of a concept while patents protect the FUNCTION of the concept. Software is unique because it can be protected under both copyright and patents.

      Take this example -- you write some code that does CoolThingA in Method A. You compile the code and register the object code with the Copyright Office (object code to make it difficult to copy). That means no one else can use your copyrighted code to do CoolThingA. Now someone comes along and writes some code that does CoolThingA by MethodB. What protection do you have if your code was not copied? NONE. ZIP, NADA, NOTHING, ZUPKUS. Why? Because you need a PATENT to keep others from doing CoolThingA. CoolThingA is your invention - not necessarily the way of doing CoolThingA (although a well-written patent should cover both if possible).

      --

      Laws affecting technology will always be bad until enough techies become lawyers.

    2. Re:Software Patents have a repressive effect by MarkusQ · · Score: 2
      Take this example -- you write some code that does CoolThingA in Method A. You compile the code and register the object code with the Copyright Office (object code to make it difficult to copy). That means no one else can use your copyrighted code to do CoolThingA. Now someone comes along and writes some code that does CoolThingA by MethodB. What protection do you have if your code was not copied? NONE. ZIP, NADA, NOTHING, ZUPKUS. Why? Because you need a PATENT to keep others from doing CoolThingA. CoolThingA is your invention - not necessarily the way of doing CoolThingA (although a well-written patent should cover both if possible).

      Thus, Software Patents Have A Repressive Effect. Specifically, people are prevented from doing things they would otherwise have been free to do. More to the point, they have to worry that anything they might do might have been patented.

      And who gains? Not society...they are given fewer options, and have to pay more for the options they retain. The only people who gain an advantage are the people (such as yourself) who charge people to play this silly game, and presumably your clients (though I don't know what your rates are) who manage to get more dollars from the "consumers" due to this artificial scarcity than they have to pay out to lawyers.

      -- MarkusQ

    3. Re:Software Patents have a repressive effect by Anonymous Coward · · Score: 0
      Courts have now made it clear that anything under the sun created by man is patentable.

      The courts can be dumb at times, can't they?

      not as an application of principles or the execution of an algorithmic process.

      So your position is that an algorithm can't be patented, but any use of the algorithm can? I suspect you need to look up the definition of the word "algorithm".

      Software is unique because it can be protected under both copyright and patents.

      This is a particularly interesting statement, considering your earlier claim "There is nothing special about software that makes it different from any other invention". Really, i would expect a lawyer to be slightly better at this.

      Perhaps we need to question why software is the only thing that can be covered by both copyright and patents. I suspect we'd discover that it's only so because of lawyers trying to expand the definitions to give themselves more business.

      Take this example -- [SNIP]

      You make it sound like that would be a good thing if the second person was prohibited from inventing a completely new method of doing CoolThingA. It certainly doesn't "promote the progress of science and useful arts" (to quote a document you should be familiar with), seeing as it activly inhibits progress.

    4. Re:Software Patents have a repressive effect by jmichaelg · · Score: 2

      Respectfully, NO IT ISN'T!! Copyright and patent laws protect VERY different concepts.

      I'm fully aware of the difference between the two protections. I'm simply saying that I don't need, or want, protection from someone implementing the idea.

      The fact is the software industry evolved very rapidly in the absence of patents - we were slugging it out by seeing who could build the best piece of code that was usable. Having an idea was nowhere near enough. You had to be able to implement it and implement it well.

      I made a fortune and so did others without having to worry about someone who thought they were so brilliant that they paid an attorney to patent an idea. We competed on implementation details and marketing. As long as some pirate couldn't just take our code (copyright protection) we didn't need a patent.

      Patents benefit companies that can sue you into the ground with them. Think that patent you just got will make you rich? Just wait until Microsoft countersues you with 2000 patents to your one. Patents create such a barrier to innovation that large companies routinely sign cross-licensing deals to clear the field. Software patents exist to make Bill Gates richer than he already is and to keep you out of the game.

  184. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0

    You're the one being silly. If you claim that 40 line method as trademark that means other people cannot use it to defraud the public into thinking their buying your product. If you were to trademark executable code, it would in no way stop people from executing that code. Trademarks are very different than the other IP types.

  185. Wrong on all counts by FreeUser · · Score: 2

    Stallman's copyleft hack relies upon the existence of copyright to work.

    Only because the goals he wished to achieve, namely the four freedoms the Free Software Foundation stands for, are denied everyone by default because of copyright. He had no other choice but to use copyright to subvert itself ... the alternative was to be unable to insure others the 4 basic freedoms he holds so dear ... indeed he was in the same quandary an artists would be in if they followed the suggestion to just dump their material into the public domain, which copyright then allows others to pilfer without giving back.

    Ok, can we keep this discussion contemporary?

    In other words, any part of our history (the vast majority of it) when copyrights did not exist, but artists were nevertheless able to make a reasonable living, are off limits because you have no reasonable counter argument to offer? Interesting. Ignore the vast portion of human experience which runs counter to the assumptions and arguments you wish to promote.

    I find it fascinating that I am being shouted down for having the audacity to suggest we might include in our discussion the possibility that there might be other regimes that would work better than government mandated monopolies for compensating artists. It is even more interesting now that, when I point to historical examples that exemplify this, you are saying we shouldn't think about those examples.

    Perhaps the entire notion of copyright isn't as easy to defend as you first thought?

    How so? If you release your work into the public domain, nobody can take that away from the public. Your work will always be there. What you are talking about is value-add. Yes, you are right... Time Warner could take your work and use it in a movie without asking you.

    No, what I'm saying is more subtle than that. I am saying that, if Time-Warner takes my work and incorporates it into their work, aspects of my work become inaccessible to others because of the TW copyright on their extentions. An example: TW makes a space opera based on my work, using my characters, etc. Now, if someone else wants to make a space opera based on my work and characters, they are confronted with a series of legal landmines they must avoid, lest the infringe on TW's copyrights. As there are only so many ways one can take a particular work and change it around, the danger of stumbling onto one of these landmines, even by accident, is sufficiently great that anyone with any sense would avoid the possiblity altogether ... meaning that my work has thus become less accessible to those who would like to build upon it as a result.

    But now you are apparently saying this is wrong, which is an admission that you approve of our copyright laws. "Strange that is" says Yoda.

    Good Lord, doesn't anyone study logic anymore?

    Strange are the conclusions you draw indeed. I am saying that the public domain, in a context where people can take without giving (and that taking in turn acts to make the original material less accessible for others to use because of the legal liabilities with which it then surrounds that material), make the public domain an unworkable solution because of copyright law.

    Without copyright law everything would be in the public domain, and anyone could use my material without risk, whether or not Disney or Time-Warner used the material. With copyright law, the moment they build upon my material is the moment others must step carefully when using that same materail, lest they run afoul of the law. Can you see the difference yet?

    It is the same reason RMS had to write the GPL, though he really would have preferred to be able to simply put his stuff into the public domain. Indeed, in some respects it is why the BSD folks release their stuff under the BSD license, rather than simply put it in the public domain ... it protects and documents their right to continue using their own work, even if Microsoft takes part of it *cough* ip stack *cough* and incorporates it into their proprietary systems.

    In other words, it isn't an admission of approval of copyright laws, it is a repudiation of copyright law at its most fundamental level.

    --
    The Future of Human Evolution: Autonomy
    1. Re:Wrong on all counts by kirkjobsluder · · Score: 2, Insightful

      Only because the goals he wished to achieve, namely the four freedoms the Free Software Foundation stands for, are denied everyone by default because of copyright. He had no other choice but to use copyright to subvert itself ... the alternative was to be unable to insure others the 4 basic freedoms he holds so dear ... indeed he was in the same quandary an artists would be in if they followed the suggestion to just dump their material into the public domain, which copyright then allows others to pilfer without giving back.



      A world in which everything is in the public domain can place no restrictions on how works are derived, or how to redistribute those derivative works. The GPL goes quite a bit beyond just negating copyright, it demands that derivative works must include specific types of documentation and source code. In the absence of a copyright, nothing can prevent microsoft from using gcc, making changes, and redistributing it as Visual C++ in a binary-only format without the source code. This of course negates the entire point of the GPL.



      I find it fascinating that I am being shouted down for having the audacity to suggest we might include in our discussion the possibility that there might be other regimes that would work better than government mandated monopolies for compensating artists. It is even more interesting now that, when I point to historical examples that exemplify this, you are saying we shouldn't think about those examples.



      Of course, patent law goes back to the 15th century so most of the artists you cite worked under an assumption of intelectual property in which plagarism for profit was discouraged, if not forbidden.



      No, what I'm saying is more subtle than that. I am saying that, if Time-Warner takes my work and incorporates it into their work, aspects of my work become inaccessible to others because of the TW copyright on their extentions. An example: TW makes a space opera based on my work, using my characters, etc. Now, if someone else wants to make a space opera based on my work and characters, they are confronted with a series of legal landmines they must avoid, lest the infringe on TW's copyrights. As there are only so many ways one can take a particular work and change it around, the danger of stumbling onto one of these landmines, even by accident, is sufficiently great that anyone with any sense would avoid the possiblity altogether ... meaning that my work has thus become less accessible to those who would like to build upon it as a result.



      But lets take a look at the view without copyright. Time-Warner can take your work without having to pay for it (because it is in the public domain.) They convert it into a movie that grosses millions of dollars (charging reasonable costs for distributing the derivative work in a high-quality format to cinemas) and you end up without a red cent.



      Most people would consider this blatantly unfair.



      Granted anybody else can create their own derivate work from that derivative work but still, they don't have the money, the contracts with cinemas, or the networks to compete.



      As a result, the public domain suffers from a failure of the commons. The biggest voice with the most money gets the credit. Furthermore, look at what the public domain has done to our conception of Grim's fairy tales. Your original work gets weighed not on its own merits, but against the Disney version.



      In other words, it isn't an admission of approval of copyright laws, it is a repudiation of copyright law at its most fundamental level.



      Wipe out copyright law. How can a public domain enforce the restrictions of the GPL to publish derivative works with source code? Without copyright law it simply can't. Without copyright law anyone can fork their own version of GCC without source code.



    2. Re:Wrong on all counts by sheldon · · Score: 2

      namely the four freedoms the Free Software Foundation stands for

      Not to be pendantic, but the FSF actually doesn't stand for freedom.

      In other words, any part of our history (the vast majority of it) when copyrights did not exist, but artists were nevertheless able to make a reasonable living, are off limits because you have no reasonable counter argument to offer?

      No, but you suffer from selective historical memory so I thought I'd help you along. You first do not take into consideration the advances in technology, nor do you even take into considerations the arguments put forth by the very artists to encourage copyright.

      Interesting. Ignore the vast portion of human experience which runs counter to the assumptions and arguments you wish to promote.

      Actually this is the argument you are promoting... ignoring past history to try to prove a point.

      An example: TW makes a space opera based on my work, using my characters, etc. Now, if someone else wants to make a space opera based on my work and characters, they are confronted with a series of legal landmines they must avoid, lest the infringe on TW's copyrights.

      Actually no, because that someone else can reference the original public domain work, stating quite clearly that TW doesn't own the story concept.

      As an example here is a website which lists variations upon the story of Cinderella:
      http://www.ucalgary.ca/~dkbrown/cinde rella.html

      Obviously while Disney owns a copyright upon their particular adaptation of the story, they don't own any rights to the story itself.

      Good Lord, doesn't anyone study logic anymore?

      It would appear not given your argument which keeps contradicting itself.

      Can you see the difference yet?

      Ok, I see your problem. You see dead people. Er, I mean you are seeing differences which in fact do not exist.

      Indeed, in some respects it is why the BSD folks release their stuff under the BSD license, rather than simply put it in the public domain

      Umm, no. The purpose of the BSD license is simply to make certain the original authors are given credit for their work.

      You might wish to read the BSD license:
      http://www.opensource.org/licenses/bsd-l icense.htm l

      Ohwell, I see now why there is so much conflict when people don't even take the time to understand how copyright law works before they go off criticizing it.

  186. simpler, smarter legislation by Anonymous Coward · · Score: 0

    Theft is a simple fact of life. It happens, and you can't catch all the thieves.

    In order for software production to function economically, the cost of investing in development must be justified by potential payoff.

    This means that you don't need to stop ALL the thieves in order for the economic incentives to remain in place.

    Certian levels of profit loss to piracy should be considered a cost of doing business.

    So, the system merely needs to be able to catch mass distributions...not individual peer to peer copies.

    Rather than stifle the freedom of the individual in a vain effort to catch every little thief, perhaps a minimal burden can be imposed on the mechanisms of mass distribution.

    Specifically, ISP's. All an ISP would need to do is keep historical copies of anything that was made available for download on their public FTP servers. Email, net traffic, etc., wouldn't even need to be considered. And the historical logs needn't date back farther than a month or two.

    If a business (or net-surfing authority) discovers copyrighted material available for mass distribution....it can request that the historical copy be preserved as evidence. And then the business or authority can prosicute the individual who made it public.

    In this way the incentive to develop new software remains in place, the major losses to profitability are held in check, and individual freedom is relatively unimpacted.

  187. New IP system. by martyn+s · · Score: 1

    Until now, all intellectual property was basically a tax. Until now, there was no possible way of getting anything for free, except going to the library. In other words, you still had to pay for the book, because you were buying a physical item that would cost money even if it were uncopyrighted material like the bible or shakespeare.

    See, now, the marginal cost of any piece of intellectual property is essentially zero. A movie a book or anything can be sent to a friend without any incresed cost to anyone.

    Basically what this means is that by charging for something that has a zero marginal cost, we are introducing a market inefficiency. Why should we charge for something that has zero marginal cost, if that means limiting how many people can have access to it, since it wouldn't cost anything extra to let more people see it. That's a market inefficiency. Why would you limit how many people can have or use a certain product if it doesn't cost anything extra for another person to use it or see it?

    Even things that cost money, like roads or lighthouses, shouldn't cost any money to use if there is no marginal cost. These are things that are publicly funded, they are called public goods. Unless we are talking about a road that has very high demand, the use of a typical road doesn't take away anyone else's use of that road. The same thing with a park. Why limit people from using the road or park, if their use wouldn't take away from someone else using that road or park.

    We still need a way to cover the initial expenses of course. But by charging for use of the product , you are creating an inefficiency. Why not have the product be funded publicly, and not limit how many people can use it?

    Now, the obvious part I've ignored until now regarding intellectual property is: well who's going to pay the fixed cost? Who's going to pay what it costs initially to write a book or make a movie.

    Well there are two parts to my plan. The first is to vastly increase the public funding for films and books, etc. The second part is to severly limit copyrights, depending on the type of media, to something around five years. Maybe ten for books.

    Now, why am I suggesting such a drastic change from what we currently have? What has changed, and what was different in the past that made such a drastically different system from what I'm suggesting pretty effective?

    Well, in the past, like I said above, you had to pay for a book or a movie, since just printing it costed money. So who would it hurt if we gave the author a monopoly right to his book or film. So what, it might cost a couple of dollars extra? That wouldn't really hurt anyone, and it just makes authors happier.

    But now that additional copies of books and films can be made for free, do we really want to limit their distribution thereby limiting how many people can enjoy it, without getting any more money? Why should we stop people who wouldn't have bought the book anyway, from getting it for free?

    Of course, it's impossible to determine exactly who would or wouldn't have paid for a book, and that's why we need an entirely new system.

    The fact of the matter is, art and science is done by what is called passionate labor. No matter what people might have you believe, art and science will be made by people who have a desire and a vision to create these things, not by entrepreneurs simply trying to make a profit. My point is that funding, no matter where it comes from, is just as effective in creating art, and even more effective in creating science, when it is publicly funded, rather than sold on the market.

    The artists and scientists will be paid a salary or whatever just like they are now. Scientists working at pharmaceutical companies do their work for salary, not a promise of profit. So the only thing we are giving incentive for is incentive for funding. We don't need to give profit incentive to make art or science, we just need to pay the artists and scientists what they have been getting paid all along.

    Of course, I'm not trying to say that all intellectual endeavours should be publicly funded. Let's talk about films in movie theatres. I think five years is more than enough of a copyright to create incentive to make movies, movies just like they've been making until now. Of course, they might make slightly less profit, but we all know they make too much, since that is why actors have been able to extort so much money from them keeping their profit margins like they were all along. So the only thing would happen is that actors would probably make less money.

    I understand all the objections that you might have, because I've been through all of them myself. I know that just two years ago, I would have been offended by the things I'm suggesting here. But things are different, and I've thought this through, and even in this particularly long post, I can't address everything here. If you have any such objections, respond below, and I'll try to answer them.

    Realize: I'm not a communist, and I'm applying the same economic principles which underlies our capitalist society to this area of intellectual endeavours. But intellectual products are not like other products. With the technology we have now, we shouldn't create horrible market inefficiencies to prop up a system of incentive that was appropriate fifty or a hundred years ago, but is no longer appropriate.

    Like I said, I'm not a communist, but when things have a zero marginal cost, they shouldn't cost anything to buy, or they should at least cost as close to nothing as possible. This principle fits in perfectly with the rest of the economic principles we hold up high in America.

    Unfortunately, it is such a different and drastic system, that most people won't understand it, and will probably react as I, to be honest, would've reacted just a year or two ago. But please, try to be open minded, and I will try to answer any questions you have below.

    The important thing is that you be receptive, and not just dismiss what I'm saying without any thought.

  188. Voting sucks by rworne · · Score: 2, Interesting
    You can be damned sure competitors would love to participate in voting. Voting against all patents supplied by their competitors.

    This can even bring about a new problem... IP cartels. Say IBM, Sun, Apple, MS and AOL qualify tons of reviewers and team up against ... well ... everyone.

    Strategic partners get approval votes, everyone else gets rejection votes. They get their IP protection as patents and everyone else's (potential) IP protection for free.

    Voting is ripe for abuse. Better yet would be hiring consultants from professional/academic fields by a system similar to jury duty? Have qualified applicants in a pool and select X number of them randomly. That would prevent burn out, allow a rotation of reviewers, and if made compulsory, save the Guv'ment some bucks ($5/day for patent review duty, whee!)

    --
    I tried every decent and legal way I could think of to resolve the issue w/the business before I rented the chicken suit
    1. Re:Voting sucks by mpe · · Score: 2

      You can be damned sure competitors would love to participate in voting. Voting against all patents supplied by their competitors.

      Why should information on who submitted the patent appear on the published version? Unless these entities had very good records of their own outstanding patent applications they might even wind up with "friendly fire".

  189. TriggerHappy is a troll. by Bonker · · Score: 2

    Yes, the server space and bandwidth are mine. These are finite items, requiring either physical parts or service to maintain. Those are property. The information... the text, images, and everything else are available to anyone else who comes there.

    Would you like to download any of the images I've created? I put a copyright notice on them so that people will not try to use them for for-profit works without first contacting me, but you're welcome to download the image, use it in almost any way you see fit and spread it to all your friends? Feel free!

    --
    The next Slashdot story will be ready soon, but subscribers can beat the rush and slashdot the links early!
  190. Tie patent/copyright life to development costs by Anonymous Coward · · Score: 0

    I think it would be useful to tie the life of a
    patent or copyright to the amount of work that
    went into developing the associated concept.
    So a patent on two lines of javascript (which presumably took an afternoon to come up with) wouldn't last long, but a patent on a drug production process that took a billion $ to develop would last longer.

    Not a perfect solution, but hopefully prevents the
    worst abuses of the IP protection system yet protects "legitimate" work.

  191. This is amusing by AdmrlNxn · · Score: 0

    I can't believe they used revenue and Linux in the same sentence.

    --
    ~Admrlnxn
    "I got your mom in my trunk"
  192. Personal ideas by sboland85 · · Score: 1

    What would improve the IP laws?

    1. Always allow individual creators full rights to use, modify, or perform their own works. Contracts can grant similar rights to others (like corporations), but should not be able to void the abilities of the original authors to use what they created.

    2. Disallow or radically limit patents on algorithms, automata, or business plans. I have yet to see any example where a software or business patent created improvements in the industry, though numerous examples of anti-competitive, over-broad, or misused patents have cost companies thousands.

    3. Any patent that is not in use for more than five years should be lost. If the company isn't using the patent, why do they have the right to make everyone else pay for it? Just having a logarithmic payment schedule for the patent protection might also help. ie: $1000 first application, $5000 second, $100000 third, $1000000 fourth. With five year periods a drug company can keep their cash cow for 20 years, but only if it is actually being produced. Unless the owner has a good value from it, keeping the patent 10-15 years just won't be worth the money.

    4. Shorten copyright protection on software binaries to five years. An additional twenty year period of protection would be allowed only if the source code is to be transferred to the public domain at the end of this period. Without source there should be no additional protection. This would guarantee the public could get something usable after the code is obsolete. I can't count how many software programs have been lost forever because the company that made it is no more. Without this guarantee it is unlikely the original program would ever be useful by the time its term limit expires.

  193. Another Idea by jpenny · · Score: 1

    This is my scheme:

    1)All forms of intellectual property are property,
    and have value. The initial value is declared by
    the filer. Filer is responsible for property
    taxes, say 10% per annum.

    2) After the first year, and every seven years
    thereafter, the property is put up for auction,
    with a minimum bid of its current value. 5% goes
    to the general fund, 5% goes to the registrar
    (copyright office, patent office, etc.),
    rest goes to current owner of the property.

    [Auction on the first year is intended to keep
    filer from assigning an artificially low price
    to avoid taxes. Giving 90% of the auction value
    to the current owner has two effects -- it gives
    the current owner an advantage in retaining a
    property. Also, it prevents a "taking" argument
    from being used, the current owner got a fair
    market value for his property.]

    3) if there is no bid that equals or exceeds the
    reserve, the property reverts to the public domain.

    4) The current property holder may grant the
    property to the public domain at any time.
    The property holder is not taxed on the property
    after this grant, but neither does he get a tax
    credit for this grant.

    [I am willing to give a tax credit to anyone
    except the initial filer. I don't want the
    initial filer to declare a value of $1,000,000
    for the sole purpose of receiving a tax credit.]

    5) Fixed term. No property can be held for a
    time-period exceeding average lifespan at time
    of original filing.

  194. Hex by meggito · · Score: 2

    Tell the mother fuckers to use hexadecimal instead of base 10. It makes a hell of a lot more sense to use if you're doing anything related with the ip other than using it to access something. Its a bitch to translate decimal into binary while hex is easy as shizzy. If I had my way I'd rewrite human nature and switch everything over to base 16. I wouldn't, however, use A,B,C,D,E, and F, I'd use new symbols.

  195. My thoughts. by Cyberdeck · · Score: 1

    I've always thought there should be three, not two categories:

    Copyright. For artistic works. I'd limit it to 21 years period. Copyright is inalienable: The creator may not lose their right to use their work at any time. Copyright is licensable: They may license there work to anyone under any terms (exclusive too, if they are really that dumb.) but they retain the right to use their work. For electronic or access-controlled works the work MUST be provided to the copyright office in unencrypted format for release upon expiration of the copyright in order to be granted the copyright in the firsat place.

    Patent. For industry. For physical objects and processes that produce physical objects (chemicals are physical objects.) Currently twenty years, I'd leave thatunchanged. Things that occur in nature are not patentable (DNA), but new processes are.

    Software Lock. For virtual "things". Code, API's, virtual processes. Three years max. I would consider running it out of the copyright office until a new branch would be created. A software lock allows exclusive or licensable(sp?) use of the published and registered software or API by the owner or licensor for the period of the lock, Said lock timed from the date of the acknowledgement of the receipt by the Copyright/SL office.

    Under no circumstances may an idea be patented, copyrighted, or SL'd. Only implementations. Examples: Image compression using fractals is an idea and may not be limited. The .iff format may be SL'd. A man in a maze is an idea, Pac-Man may be SL'd. My DNA is unpatentable, but the chemical that fixes an error in my DNA is patentable.

    Trademarks seem to be working OK and I would leave them alone.

    Doubtless there are many holes and counterexamples in my list. If anyone's interested in replying then please post.

    -C

  196. Locked in a room by commodoresloat · · Score: 2

    Q: So you're locked in a room with Osama bin Laden, Adolf Hitler, and a lawyer. You have a gun, but only two bullets. What do you do?

    A: Shoot the lawyer twice.

  197. It's the (big) middleman by Anonymous Coward · · Score: 0
    After 445 comments no one is going to read this... but let me tell you... IT's THE MIDDLEMEN at least when big $$$ get involved not the original maker/author/musician/writer/artist.


    The latter is your friend (you as a "consumer") the former is both producer's as consumer's enemy. What's so hard to grasp about this whole copyright/fair use/fair royalties thing?


    Just my wasted EUR 0.02

  198. Blank slate? Commoditize warez adults. by finallyHasANickname · · Score: 1
    Look. We're starting with a blank slate in this theory, right? Ok. I say we strip out everything almost as did Descartes in Meditations I and II. There is naught but human nature, and along comes Adam Smith and discovers that a person can arrange behaviors and thereby outpace the interest rate, a.k.a. behave as an entrepreneurial capitalist.

    I say let us not fake that everyone who becomes her own or his own boss is an industrial capitalist. Let us not continually bend over backwards with specious notions of assets.

    If, say, Disney finds enough talented artists who are desperate enough to forego the big bucks (two birds in bush) in favor of a paycheck (bird in hand), then Disney is a financier and insurer of artistry in commerce. The capitalists are the artists who typically own the infamously powerful buzzwords, the means of production. (I know those are typically Marxian fighting words, but I consider both that mindset and its red-faced dectractors obsolete and intellectually boring.) At rock bottom on day one, Disney didn't really own the means of production. Disney predominantly owned and owns the means of distribution. Disney is and was a mercantilist, not a capitalist. Because that company simply buys and sells and juggles and mixes in the risk management services listed above, everyone finds it convenient to pretend that Disney is a capitalist.

    In a marketplace that is compatible with the benign aspects of Adam Smith's "invisible hand", conflicts of interest need to be avoided. In other words, companies like Disney need to be scrapped in order for the market to function correctly. (My guess is that the "Disney 2.0" with new restrictions and new freedoms would prosper, but I dare not digress.)

    Because, say, Disney, the vendor of artistic effort, is a broker (a mere mercantilist), Disney does not have the moral right in a market economy to command both the supply and demand sides. From pure momentum, Disney feels entitled to enjoy such powers. In a "Smith 1.0 compliant economy", the capitalist should call the shots and should typically "guess" what would serve the market in the most lucrative way.

    The brand names should be associated with the capitalists--for those who take substantive responsibility for the creations and who own the means of creation--not the broker or retailer. Then the customers should choose in such a marketplace. When the broker bullies both the supply side and the demand side, it might seem comfy, but so much of the potential of a Smithian free market economy has been bulldozed to pave the way that the system strains. I believe this was the sort of thing on Schumpeter's mind when he almost ridiculed the class of people in so-called lounge suits.

    Interestingly, in markets whose products do not have the characteristically high proportion of intellectual value, people become morally outraged to see "Disney-like" phenomena taking place. When the stock broker makes predatory advice to investors, the conflict of interest can be so severe that the Securities and Exchange Commission could come down on a brokerage firm like a cocaine bust. When an accumulator of intellectual properties does essentially the same thing, it is called "the work of an entertainment executive" (or software house executive or whatever in all these perverse constructs of fake capitalism that is actually mercantilistic speculation and legalized market-cornering).

    Before flaming me, get one thing straight. Accumulating and centralizing intellectual properties under "one roof" is NOT productive behavior. It is counterproductive behavior that happens to offer unfair strategic advantage to the participants who fund the tricksters engaged in the practice. That practice is the shutting down of markets. It is like stringing chains and padlocks across millions of little virtual Main Streets. So some clown finds someone to finance such tricks. That doesn't make her or him a capitalist any more than it makes Ivan Boesky or Jeffry Skilling's "Get Shorty" engineers capitalists. They are crooks.

    The question is, "Which laws?" What should be illegal? It should be illegal for Disney to own a controlling stake in such a vast portfolio of intellectual properties and then to treat that portfolio with pathological jealousy. Disney's job is economic plumbing. Disney matches genuine producers with cash-in-hand buyers. The owning and peddling are two different things. The "warehouse" is not market-corrected as would be the case with troublesome pork bellies and tons of granite or polyethylene. That tempts the "invention" of a new conflict of interest which bad intellectual habits have called a "business model". The broker should be a clean broker. The producer should be a clean producer. When the owner/hoarder and broker are one in the same without recourse, this perversion of incentives invites an entire class of parasites that people forget to identify. (I personally know a Disney executive near the middle ranks. He's a great guy, a hard worker, a fella who could cheer up a badger whose leg just got chopped off. He's not the problem.) The class of parasites I mention here are those who hold Disney stocks without considering that they are actually perverted mutual funds. Those shareholders own chunks of a whole bunch of ventures. Media giants become too big to steer.

    Now let's take another look at a slightly different market. What about Napster's victims? Which victim squealed the loudest? Because you are reading here, you know it was the cushy executives. (Ok. I mean that they learned to squeal after they got off their lazy asses by reading headlines about Metallica.) The parasites are now being discovered for the parasites that they have always been. Now that there is an extra-legal/illegal marketplace, driven by individual choice, it is evident that markets have been destroyed during decades of media hoarding in music businesses. Now the markets are opening up again. The problem is the turnstile and so on. (I have roughly zero smart opinions about solutions to those specific problems, but I know that it is evidence of previous problems now made obsolete.) In the pre-Napster system, the music "capitalists" owned essentially nothing but ticket booths and turnstiles.

    What laws do we need? I suppose we could split the various Disneys of the world into retail peddlers and talent brokerages and project coordination consultancies and brokers of mutual funds with shares of various well documented properties. If, say, Don Knotts still deserves something like 1.5% of the rent for the "Apple Dumpling Gang" videos, that should be described in the prospectus for the prerusal of anyone who wants to buy stock in the intellectual property that comprises the "Apple Dumpling Gang" movie. (The obligation to Don Knotts is a liability of that property in this example.) The aggregated properties are mutual funds.

    In other words, I think that the stuff should be unbundled on the supply side, and I think the vertically integrated delivery/bullying mechanisms should be subject to antitrust scrutiny, and I think investors and consumers should be able to poke around at the products they want. Just as various "items" on the stock exchange have ticker symbols and cans of soup have UPC codes, a unified namespace could be created overnight to commoditize the various Disneys and wannabes and to force them to compete or melt away.

    I picked Disney because I don't hate Disney, and I don't really like it either. Its products and services seldomly suit my tastes but never offend my tastes. It is the most gray of the huge media hoarders I could think of. My opinion is not about Disney. My opinion is about the way that markets can correct themselves. Investors are always looking for opportunities to be "safe", i.e., to find places where the market cannot be corrected. It is my opinion that such searchers should be perrenially frustrated. When that occurs, Adam Smith's invisible hand is darned near miraculous. The closer we get to the ideal, the more beneficent that "invisible hand" becomes. With the trajectory of intellectual property laws from roughly Bayh-Dole forward, the incentives have become perverse. That should be obvious. Solutions to the problem are never obvious when the nature of the problem is so cleverly hidden. If the opinion you seek is a "blank slate" basis, I say treat the media moguls like the warez kiddies they have always been.

  199. Purpose of IP by firewood · · Score: 1
    The purpose of IP is "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;"

    The founders of the United States knew that in a large and diverse society there are a percentage of people who will create more, given the chance to make lots of money from the results. The "law" of supply and demands says that if the supply of something is artificially limited, the price should go up. IP law artificially limits the supply of the use of new technology and reproduction of artistic performances (because of the exclusive licensing rights) and thus increases the profits from successful inventions and creations.

    Lets consider IP law a knob instead of a pushbutton. Set the knob too low and the benefits to society will decrease due to some lower rate of innovation. Set the knob too high and there will be a drain on society created by inefficient transfers of wealth and the limitations on freedom to use recent ideas. Given a little clairvoyance, one should be able to set the knob at some maxima in the sum of both new inventions and the social benefits from wider usage of recent inventions.

    There are several ways the knob can be set: duration of copyrights and patents, limitations on royalties and the types of restrictions and penalties legally available, requirements to share or pool certain types of patents, expansion or contraction in fair use rights, etc., etc. Given the current state of technology, which requires the use of lots of interdependant, but independantly invented, ideas, the knob is probably set too high in some markets. Now where's the clairvoyant who knows how the knob should be set? (Make sure that you don't set the knob so low that the ubergeek who is about to figure out how to write some software which would accelerate a protein folding model required to cure cancer a year sooner doesn't get laid off from a mega-cuticle R&D boondoggle and decide to go hack on the linux kernel instead...)

  200. Second the motion. by Ungrounded+Lightning · · Score: 2

    No software patents.

    No business model patents.

    No patents on "doing the same thing with a computer that used to be done by hand".

    Copyright term reduced back to 17 + 17 years.

    Law changes extending copyright do not apply to works already published when the extension is passed.

    Copyright covers software CODE but not appearance, behavior, or functionality.

    Copying interface definitions (i.e. ".h files") to interoperate with copyrighted software is explicitly "fair use".

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  201. Patent reforms by Anonymous Coward · · Score: 0

    The most strikingly unfair aspect of the patent system is the fact that the value of the patent protection has no relationship to the value of the original R&D investment.

    If a drug company invests millions of R&D dollars to develop a new drug, then I think it's reasonable for them to have limited market protection to help them recover their R&D investment costs.

    But in the information sector, a person can spend 10 minutes scratching an obvious idea onto a napkin, and (if they can afford a good enough patent lawyer) can turn that idea into a patent.

    Therefore, the most important patent reform will be:

    • The benefit must be proportional to the investment. Patent protection must automatically expire after X times the initial R&D investment has been earned in revenues. I would recommend selecting X=2 or X=3, or perhaps as high as X=4.

      Obviously, to prevent fraud, the spending must be independently audited during the R&D. This implies that the patent application must be approved BEFORE the R&D begins, so that the independent auditor can confirm that the capital is being spent in a reasonable manner to advance the R&D in a meaningful way.

    And to solve the ongoing travesty of patents being awarded for obvious ideas (for example, Amazon's absurd patent for one-click online purchasing), one more reform is essential:

    • All documents submitted to the government in the patent application process must immediately be released to the public, and the application must be subject to a peer review process before it can be approved.

      The US patent office has repeatedly demonstrated that it is grossly incompetent in determining if a so-called "invention" must be denied patent protection because it is obvious to an expert. Public peer review is the only cost-effective way to end the ongoing damage being caused by this massive incompetency.

  202. TMTOWTDI by Nindalf · · Score: 3, Informative

    For almost any software problem, there are a thousand ways to solve it. A good programmer will pick one very quickly. Another equally good programmer will pick a completely different one, in about the same amount of time. Arguably, each of the thousand ways is non-obvious, even though any skilled programmer will pick one, because even if you take ten programmers and ask them to solve the problem, there's only about a one in a hundred chance than any of them will pick the one you're testing for obviousness.

    By the standards of any other field, most full-time programmers come up with a dozen or more patentable ideas every day. Unlike in other fields, where an idea takes an expensive cooperative idea to develop, the programmer also implements them about as fast as he invents them, and it costs almost nothing to distribute the development. The main barrier to patenting software is not finding ideas worth developing, but the cost of the patent process itself.

    Patents don't really promote invention. They promote factory-building. Manufacturers don't want to take a chance on a novel product when another manufacturer can just come along, see how they did it, and do it for a quarter of the investment. This consideration obviously doesn't apply to software.

    Patents make some degree of sense when there's a large enough investment in developing a product that the additional trouble of doing a patent search is a small part of the total expense, because the cost of design is dwarfed by the cost of manufacturing. When there's nothing but design, and the cost of patent searches threaten to be the main cost, then patents are utterly counterproductive.

  203. Re:adding "expiration" field to a copyright form.. by JordanH · · Score: 3, Insightful
    You don't need a change in any law to implement this. The vendor could just include this as part of the license under which the software is originally purchased.

    Try and sell this idea to the software vendors if it's so great. I think you'll see few takers.

    Remember if even one patch, security enhancement or minor improvement is made after initial purchase, the vendors will probably try to extend the Copyright by the date of the change. That would certainly be the what would happen if it were part of the Copyright law. Sure, the initial package's Copyright expired in 5 years, but the enhancements you wanted, those expire in 20 years.

    This seems overly complicated and fraught with loopholes. Just make the Copyrights expire in a fixed amount of time and be done with it.

    Remember, that IP law isn't about letting the Markets decide, or making inventors/authors rich, it's about promoting progress. A simple system, applied consistently is the best way to do this, I think.

  204. group copyright, expiration etc by blisspix · · Score: 1

    group/corporate copyright is essential in some areas. for example, I often write policy and documenation for a radio co-operative. Were I to leave, it would be annoying if I had to be contacted each and every time and policy was amended. by having the co-operative hold the copyright, changes can be made with the consent of the group easily.

    One thing I am worried about is that books and records etc go out of print and they are still in copyright, so no one can make use of that knowledge. I would propose that holders of copyright be bound to have available galleys, machine copies or a safehold of printed copies deposited with a national library or other body so that the work can continue to be produced in the future. Work that is deemed out of print should also be able to be printed by others.

  205. more structure/less structure? by MarvinMouse · · Score: 1

    There are really only a few ways we can go with IP protection.

    Laissez-Faire:

    This is the way a lot of corporations are afraid to go (for obvious reasons), but with the internet and quick transfer of IP between persons, the government is having less control over IP (location (ie. Russian programmer trading Win XP to Swedish programmer, the States can't do much.)) And, it doesn't look like any of the governments are going to be able to gain back much control.

    Yet, this might also have the side effect of being beneficial to the consumer. (The invisible hand of capitalism reappears after years in dormancy.) Since IP is so easily just traded amongst peers and friends with no return on the investment, methods would need to be developed in which a consumer would want to purchase a IP product. (ie. special benefits, tech support, handbook, etc.) Thus, the producer has a definite need to improve his product and remove its shortcomings, as well as lower the price considerably so the consumer has a good reason to purchase the product.

    While in the short term a complete laissez-faire economy would be absolutely devestating to the corporate economy based on lawyers and laws, in the long run it has the potential to lead to better products that the consumer can buy and use.

    As well, another benefit of a laissez faire economy is the fact that when it comes to artistic IP. The only people left will be the true artists who are producing music and art because they love what they do, and because they enjoy it when someone else enjoys their art. Unfortunately, they won't be rich, unless they come up with other methods for income (ie. through concerts, art shows, live theatre, producing products that give something that cannot be traded, etc.) It will, for better or worse, bring the return of the 'starving artist.'

    Now, for the intellectual and academic community, this has the potential of being a godsend. Now all of the material that they couldn't afford, acquire, or just wasn't available (due to various reasons,) will suddenly be available, for free in record numbers. Scientists will still continue their research (grants pay for them), and publish their papers in various journals, just now anyone will be able to read their papers for free (I know, I know, a lot of journals offer their papers for free online already.)

    So, now the laissez-faire economy seems to have some terrific points, and some down points relating to IP.

    Let's examine the flipside.

    more government control (responsible gov control.)

    Now, to be clear, we must understand that more government control does not imply more corporate control, or more laws that make our lives difficult. More government control means that when someone produces a legitimate IP copyright, they will support that copyright, but it also would imply that the gov. is intelligent enough to realize that the letter 'e' cannot be copywritten by anyone, or if a company is using its copyright to harass other companies, it will handle the situation appropriately.

    Therefore, in short I will refer to this other possible concept as le gouvernement-enlightened (LGE) {My vague attempt at french. :-}.

    Now, we can see that in a LGE economy, people would be interested in producing IP as it can lead potential financial benefits in the future. Thus, large companies which keep the economy moving and many people employed would rise up from successful IP products that the public uses.

    Now, unfortunately, there would naturally be a lot of resistance to forced compliance with IP laws, and many people would be upset. Yet, after a short time (and proper government legislation) the public will realize that these IP laws are more beneficial then harmful, and will understand that they too will be able to use the laws to create quality IP material and make income off of that material.

    Now, immediately a few questions arise. in a LGE system, what if two people apply for the same copyright at the same time. Well, naturally the government would attempt to determine if both person had developed it independently. If so, then why not let both individuals have rights over the IP copyright, in a way it can lead to some friendly competition between individuals when licensing their IP to companies.

    Another question arise, what about IP laws like the DMCA. Well, unfortunately (or fortunately) for LGE to be successful, these laws must exist. Yet, perhaps they don't need to be as restrictive as they currently are? (Ie. let academics toy with the copyright protection) It will lead to two major benefits, one the general public will not be able to "steal" IP material, but also the companies will be simulataneously forced to develop better and higher-quality encryption. Perhaps the law should have a sunset clause where after so many years, the encryption can be broken and/or publicly analyzed?

    With LGE there are many unanswered questions that the government would have to figure out and solve to the optimal benefit of the people and the corporations. Too many to discuss here.

    But, I hope you can see how LGE economy can potentially work as well as Laissez-Faire economy.

    Most IP laws and theories are in limbo right now with the success of the internet. These are only two potential directions that can be gone and the pros/cons of each.

    (This is not intended to be offensive to anyone, this is just an analysis of two potential ways of handling IP in the 21st century, and is all IMHO.)

    :-)

    --
    ~ kjrose
  206. Haiku! by Haiku_troll · · Score: 0

    IP Laws are fucked
    How would you make them less so?
    Slashdot wants to know

  207. Oh, this one is too easy. by w3woody · · Score: 2
    Copyrights: Copyrights are automatically assigned to the creator of the work for a period of 15 years. Copyrights may be renewed every 15 years indefinitely, but must be done so by the designated owner of the copyright, and if copyright is reassigned, the copyright office must be notified of that assignment.

    The rational: creators should be granted a limited right to exclusivity of the use of their works automatically. However, in order to keep the copyright for longer than 15 years, the author (or owner) must proactively maintain and renew that copyright. This will allow large corporations (such as Disney) with an intellectual property portfolio they wish to keep to continue keeping that portfolio as long as they wish, but which allows the other 98% of works which are no longer really cared for to fall into the public domain after a reasonable period of time.

    Patents Patents must be for material products or for items which cause a material change. In particular, patents cannot be extended to business techniques, mathematical formulas, or computer software. Further, patents live for 7 years, and can be extended once, by the legitimate patent holder, for an additional 7 year period, only if that patent holder can demonstrate he is actually using the patent.

    Further, filing a patent with intent to deceive (by, for example, claiming a business technique patent by claiming the business technique when applied to a material product is a "material object") should be a fealony. Any person or corporation which is convicted of such fealony may lose the right to either file deceptive patents in the future, or may forfit their current patent portfolio into the public domain.

    Same with copyrights: filing an "improper" copyright intentiionally with intent to deceive should be a fealony, and can cause someone who abuses this system to lose the right to renew their copyright portfolio.

    Further, I would extend the right to "crack the corporate veil" to this, meaning that, in the event someone violates the law and loses the right to renew a copyright also means he does not have the right to circumvent this by incorporation.


    If the RIAA or the MPAA intend to put teeth into the proposed punishments for violating "piracy", then we should also put teeth into proposed punishments for abusing the IP laws by corporations as well.

  208. You misrepresent the phrase. by Ungrounded+Lightning · · Score: 2
    How does software programming not "promote the progress of science and useful arts"?

    The question is not whether programming promotes the progress of science and useful arts, but whether giving the first guy to publish a technique a MONOPOLY on it for YEARS promotes, or retards, progress.

    How is a programmer not an "author and inventor"? How is novel, useful and nonobvious software not a "writing and discovery"?

    Of course they are. That's not the issue

    and, why should software programmers be treated differently and not be entitled to "exclusife rights"?

    Because the limited-time exclusive rights of patent are granted (and enforced on the rest of us by people with guns) in order to encourage inventors to publish their techniques, rather than keeping them a secret.

    Intellectual property "rights" are not RIGHTS. They are PRIVILEGES. They are created and doled out by governments in order to obtain something of value for their citizens and their economies.

    In the absense of patent protection an inventor of, say, a new manufacturing process might chose to keep it a trade secret rather than enabling his competition by publishing it. So the public gets only that one artisan's output, and the secret may become lost when he dies. Giving him a limited-time lock on the use of the process lets him license it to others for a fee, making him richer, getting more, cheaper goods into the hands of the consumer, and making the technique free and public once the patent expires.

    This situation does NOT apply to software.

    Once commercial software has been sold the easily-backed-up code is available for archiving and the technique it embodies is susceptable to reverse-engineering. So the invention won't be lost with the inventor's death.

    Even if a software developer keeps the software itself secret and just sells its services, the fact that the service CAN be done (and is profitable) will likely cause its re-invention, by someone else who will not hold the algorithm so closely. (Remember: Patent is granted to the first to DISCLOSE, not the first to INVENT.) And if no one else reinvents the technique, the death of the software AUTHOR doesn't mean the loss of the SERVICE.

    Software development lead times (including reverse-engineered cloning) are long enough and payoff times are short enough that there is no need to provide long-term protection to encourage authors to publish their products. You DO need protection against verbatim copies ("piracy"). But a short-term software COPYRIGHT is adequate for that purpose.

    There was a robust software industry before software patents, and while even software copyrights were in doubt. This provides a proof-of-concept. Both patent and stretched-into-super-patent copyright are much more likely to RETARD, rather than PROMOTE, advance in the software-based "useful arts". So the Constitution does not autorize the granting of such such Intellectual Property privileges to software authors. ORDINARY copyright on the source code is adequate protection to "encourage" software development by providing a tool to discourage outright piracy. Nothing further is needed, desirable, or Constitutional.

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
    1. Re:You misrepresent the phrase. by SquarePants · · Score: 1

      A few points in response to this:

      If you disagree with the notion that granting a monopoly to an inventor (of software or anything else) does not promote progress, then your disagreement is not with me. You disagree with the framers of the Constitition and have a problem with the concept of patents in general. No real need to continue arguing the point

      You are flat-out WRONG in saying that patents are granted to the first to disclose, not the frst to invent. In fact, the complete opposite is true. In the US, unlike the rest of the world, only the person who first invented is entitled to a patent, regardless of who disclosed it first or who filed a patent application first

      I disagree with your statement that preventing an invention from dying with its inverntor is a primary goal of patents. The goal is to make the information freely available, as soon as possible, to provide a framework for improving the invention and for the technology to be available as soon as the patent expires (which can be as early as 4 years from the date it issues) Therefore, the fact that software can be backed up (which, BTW, is also true for any type of invention, just write it down) is a complete non-sequitor

      Finally, I think the problem is not software patents in general but rather bad software patents. That is patents which are issued despite the fact that what they claim is not novel or is obvious or both. This happens because of a combination of ineptnes by the USPTO in examining applications and the lack of resources given to the USPTO by Congress. You may not know this but the USPTO is one of the few gov't agencies which receive less funds than they collect in fees. I agree that far too many bad patents are issued and something must be done about it. If the USPTO doesn't, the Courts will (by invalidating the bad patents)

    2. Re:You misrepresent the phrase. by Ungrounded+Lightning · · Score: 2

      I'll come back with counter-arguments on your points, though I don't disagree with them completely.

      If you disagree with the notion that granting a monopoly to an inventor (of software or anything else) does not promote progress, then your disagreement is not with me. You disagree with the framers of the Constitition and have a problem with the concept of patents in general.

      Not at all. But I claim that patents, like many interventions (legal or medical), have both good and bad effects. The trick is to find a formulation and dosage where the good effects dominate, and avoid situations where the harm is worse than the help.

      For the tech common in the founder's time (manufacturing processes, chemical formulations, agriculture, milling, etc.) a patent of 10-20 years duration appears to hit the peak of the benefit-cost vs time curve. And for those industries even today, and many more, the same still seems to hold true. Perhaps the peak has moved in a bit, but not much.

      But software is another can of worms. With its rapid time scale - faster than the patenting process itself - a patent's retarding and anti-competitive effects are greatly magnified, pulling in the time of the cost-benefit peak and lowering the curve. It seems likely that for ANY length of patent the costs will outweigh the benefits.

      Fortunately, the built-in incentive structure of the software market provides more than adequate incentive for innovation without software patents, rendering them unnecessary.

      You are flat-out WRONG in saying that patents are granted to the first to disclose, not the frst to invent. In fact, the complete opposite is true. In the US, unlike the rest of the world, only the person who first invented is entitled to a patent, regardless of who disclosed it first or who filed a patent application first.

      Tell that to the guy Alexandar Grahm Bell beat to the patent office by half an hour.

      In theory the patent goes to the first to invent. In practice patent office trusts the application time as a proof of precedence and lets the courts settle any claims of prior invention. The courts aren't very sympathetic to somebody who didn't move on their own patent (with its associated disclosure and clock-starting on free use). Courts also limit their intervention as much as possible. So the result is if you were already USING your prior art, the patent holder loses his coverage on THAT ASPECT of his patent. But you don't get the patent, and the rest of the patent is still in force.

      Net result is that first to the office wins, and a prior inventor who was second to the office (or didn't go) gets crumbs.

      (I'm pressed for time so I'll skip the other two points. I partially disagree with your third and nearly agree with your last - especially about the incentive structure for the USPTO.)

      --
      Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  209. Readers beware by Odinson · · Score: 2
    Lately when this topic comes up I have seen alot of negative moderation. Lots of unfair offtopic and overrated points.

    It might be a good time to read at -1.

  210. Balancing different sets of rights by kirkjobsluder · · Score: 1

    The problem is the need to balance competing sets of rights.

    Rights of the content creator:
    1: To have a work recognized as his/her creation.
    2: To receive some of the economic benefits of the use of that work.
    3: To place reasonable restrictions on how that work is used to make money. I don't mind giving away work for free, I do mind if it is used to make certain companies richer.

    Rights of the content consumer:
    1: To create unlimited copies for personal use.
    2: To fully enjoy all the benefits of the content.
    3: To make personal modifications for non-commercial use.

    In addition, I think people are ignoring the fact that copyright can be a powerful tool for political protest. I enjoy the power that copyright gives me to specify that my work can be used freely, as long as it is for non-commercial purposes. This prevents my work from being published by another company.

  211. Replace it with a better system. by Anonymous Coward · · Score: 0

    The only compelling argument I have ever heard in favor
    of the patent system is that it can encourage drug
    companies to invest in r/d for new drugs to treat rare
    diseases (and similar scenarios).

    So why not scrap the patent system altogether and just
    give companies a r/d tax credit if they are working on
    certain problems that would be a benefit to society?

    Basically, the new system would be this:
    The government will subsidize you for certain kinds
    of r/d. But in exchange for that funding, the results
    of your research will become public domain.

    Everybody gets something good from this system: The
    drug companies get their r/d subsidized; the rare
    disease gets a cure; and the public domain benefits
    from the resulting IP. It sounds like a win/win/win
    scenario to me.

    On the surface, it might appear that the taxpayer is
    the loser because he has to fund the r/d. But putting
    the IP into the public domain will result in lower
    prices overall for IP-related products. I suspect that
    this might be one of those things (like roads and schools)
    where taxpayer financing really is the best public
    policy.

  212. Re:The concept of intellectual property has got to by angel'o'sphere · · Score: 2

    Hm ... you live in an capitalistic country.
    So why do you want IP laws "to go away"?

    You got moderated up, but you make no argument.

    The intent when IP laws got introduced where the following:
    If I buy some threads and weave them to fabrice, who owns the fabrice?
    If I MAKE me some threads from raw cotton, who owns tehm?
    If I now weave it to fanbice who owns it?
    If I fid a diamond at the beach, a raw one, not one a girl making love ther lsot the night before, who owns it?
    IF I THINK ALL DAY ABOUT A STORY AND WRITE IT, who owns it?

    Before IP laws got invented EVERYBODY owned the storry. At least everybody with a printing machine being fast enough to print it and sell the copies got rich, the writer starved.

    The problem is the US copyright law -- how it evolved -- and the actual tendency to spread it or leak it into european minds.

    With lack of IP laws our world would IMHO stand still tomorrow.

    I simply can not get why you consider stealing a car a crime(manufactoring a car gets cheaper and cheaper each day) while you "taking away" of mental work do consider "right so!", wheras mental work gets more and more expensive.

    Our whole economy is shifting away from MATERIAL to KNOWLEDGE/INFORMATION/SERVICE.

    The actual running evolution process of the societies is towards: science and knowledge and how to apply it to the material world. Knowledge is NOT reproduceable, digitalized information is, of course.

    Its a majour flaw to draw the conclusion because of easy reproduction of bits and bytes (it is not even a rePRODUCTION) there would be now cost in the first step of generating them.

    Where did the jobs be 50 years ago? In factories.
    Where are the jobs now? In service businesses.
    Where will the jobs be tomorrow? In knowledge engineering!!

    Software engineering is just the start of related sciences. Knowledge engineering will be the next. Probably in conjunction with more indepth knowledge about biology and medical science, the next step is mental engineering.

    All goods people in the future are working with and peopel will create by their work will be: knowledge, intellectual ... property?

    Just like a old gold digger only digged out gold and he could not eat it, our generation will dig out knowledge and somehow will need to be able to EAT it.

    With an attitude like yours you only showed you did not think far ... and you won't change anything. Current APPLICATION of the IP idea is bad, so try to change the APPLICATION not the idea.

    Regards,
    angel'o'sphere

    --
    Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
  213. Limited return on patents by foolishtreader · · Score: 1
    The purpose of patents is to provide inventors with a reasonable return on investment, so place a reasonable cap on return (for argument's sake, say 10x development cost). If an invention requires significant research and development to bring it to a usable stage (as is the case with new drugs), the patent will have a lot of value. If the idea is developed in an afternoon (as sometimes happens with software patents), it won't be worth the cost of filing. There are natural checks against fraud in this approach. A company might claim that their entire R&D budget up to first product shipment was the development cost of a patent, but only if they submitted after developing and disclosed the entire product (all sources, schematics, etc.).

    In addition, restrict patent rights to the collection of royalties at reasonable schedules. It is arguably reasonable to ensure inventors of a reasonable return, but not to give inventors ongoing control over future developments related areas of technology.

  214. Remove word "copyright" by Anonymous Coward · · Score: 0

    I would remove word "copyright" at all:

    If I have a picture, I can legally copy it, post at every corner of my home, ...

    I can't sell it though.

    Suggestion:

    Replace "copyright" with "exlusive-profit-right".

    If a programmer wrote a gave, he can sell it for 10 or 15 years and stop anyone else from selling it.

    After the expiration, the program is public domain: everyone can sell it.

    Copy-right is irrelevant, it's exlusivity-profit-right.

  215. Patents and copyrights by kcbrown · · Score: 2
    My thoughts on how patents should be:

    The length of time for the patent might be fine as it is. But only if the following rules are applied:

    1. A patent application must be made on something completely unique. It must not "extend" an existing technique.
    2. When you submit a patent application, you get something from the patent office proving when you filed it.
    3. A patent application gets held for 5 years by the patent office. The patent will not be granted during that period of time.
    4. While the patent is being held, any other patent applications or other material that show up that are essentially the same as the process being patented will cause all equivalent patent applications to be rejected as being "too obvious".
    5. Only if the patent office receives no other patent applications for the "same" technique during the 5-year period of time will it issue the patent.
    6. The use of the method being patented during or prior to the 5 year holding period is an absolute defense against patent infringement suits. Anyone who sues for patent infringement and loses must pay not only the defendant's entire legal costs but must also pay damages at least equal to those legal costs.

    So: you'd better be damned sure that your patent is solid gold if you want to sue someone for patent infringement.

    My thoughts on how copyrights should be:

    1. They're non-transferable: only the original author of a work gets to hold the copyright. The copyright gives him the ability to license the work to others for distribution purposes, but only the originator of the work may decide who gets to redistribute it. The originator may change his terms at any time.
    2. The copyright must be renewed each year, with the fee doubling every year (others thought of this but I think it's a great idea, so I mention it here).
    3. The copyright expires the first year that the registration fee fails to be paid. No exceptions.
    4. Since people, not corporations, are the originators of works, people, not corporations, get to hold the copyrights. The copyright to a work created by many people is held simultaneously by those people. But regardless of how much or little was contributed by an individual, each individual may separately negotiate distribution rights. End result: a publisher has to keep all the copyright owners of a work happy if it wants to be able to continue to distribute the work exclusively. Copyright is a contract between the people and creators of works, and it's not the people's problem if the creators of a work can't negotiate with each other to decide who should redistribute the work in question.
    5. Copyright allows a holder to prevent one thing and one thing only: mass distribution of a work. This includes current P2P methods, of course, since that is mass distribution whether you like to admit it or not. But copyright infringement is limited only to those doing the actual distributing. There would be no such thing as "contributory" infringement as there is now, since I regard that concept as being complete nonsense. So P2P network operators themselves would be in the clear, but the actual end nodes would not be.
    6. The copyright holder is allowed copyright only on condition that he releases his work to the copyright office in an unencumbered format -- no access controls allowed -- and that format must be the highest quality form the author and any publisher intends to use. Where there is source material involved, the author must release that to the copyright office as well. The copyright office will release the work and all related materials to the public once the copyright expires (i.e., when the copyright fee stops being paid)
    7. Neither the copyright holder nor any of his publishers are allowed to use any means to prevent the fair use of a work. If a means of copy prevention would in any way prevent or hamper any type of fair use of a work ("hamper" includes quality degradation), then that means is forbidden. Failure to follow this rule will cause immediate expiration of the copyright.
    8. Derivative works are allowed, but the creator of a derivative work is not entitled to copyright, and must be able to prove that he attempted (and failed) to negotiate in good faith with the originator to create and release the derivative work. Because the circumstances can vary so greatly, the courts will be left decide whether or not "good faith" was maintained.

    End result: there will be a strong separation between creators of works and publishers of works, and creators will be able to reap the full benefits of creation, as long as they're not assholes about allowing derivative works.

    --
    Use 'slashdot stuff' in the subject line in any email you send me if you want to get past the spam filter.
    1. Re:Patents and copyrights by mpe · · Score: 2

      1. A patent application must be made on something completely unique. It must not "extend" an existing technique.

      Using a new technology to do something which has been done before, would tend to fall into the latter catagory. Which would cover the vast majority of "use a computer to do X" type applications.

  216. Re:Give companies control of information they crea by Anonymous Coward · · Score: 0

    There are many problems with this. Some have already been given. For my part:

    The first problem is a question of who should and should not be able to own a copyright or patent. As put forth in our constitution a person and not a place or thing is the only one capable of holding a copyright or patent. Due to a maligned ruling by a judge in the past - companies are thought of as if they were a person. This is wrong. Companies do not know it (or don't think about it) but if a company is a person then when they are created they are born, while they are active they live, and when they go out of business they die. Thus, every time one company forces another out of business the company doing the forcing should be tried for murder. It may sound stupid - but you have to take the bad with the good. There are a lot of good reasons for having a company declared a person under the law (ie: being the owner of copyrights and patents for one) but there are definitely quite a few drawbacks as well. The thing is - we are allowing companies to use and abuse the good but we are not really holding them responsible for the bad. IMHO - companies ought to go back to being what they are - a thing.

    Second - time. If a company can own copyrights and patents - then how long will it be before these pass into the public domain? The answer is - never. Especially if the company is taken over or merged with another company. A merger is like a marriage. Copyrights become joint ownership under mergers. Thus, if one company lasts 150 years and then merges with another company then copyrights get extended even further. So long as the company doesn't go out of business (even in Bankruptcy a company can sell it's assets to another company) the copyrights and patents remain valid.

    At least, this is my understanding of our currently existing laws and where they are headed.

    What should be done?

    I believe in the "life of the author(s)" amount of time being used or thirty years plus renewal every ten years up to the death of the author and then one additional renewal after the author's death. This would give a maximum of forty years after the author's death for a copyright to be renewed. However, my caveat is that after the author's death all copyrights return to the nearest next of kin(s) for this one renewal. So in the case of J.R.R. Tolkien his work would revert to his wife first, if she has passed away then his children, then his aunts, uncles, and so forth as set out under normal delineation rules.

    The original Patent system is fine with me. Allowing soft patents is, IMHO, going too far. I also am greatly disturbed by the patent office allowing such things as a flashlight to be patented simply because it is used as a cat's toy. Or that plucking a rubberband between your fingers is a musical instrument. The patent office needs better software if nothing else. Something which will match one patent's wording to another so at least you do not get more than one patent for the same item.

    Copyrights are not a right. Nor are patents. They are both monopolies artificially created by the government meant to secure, for a very limited time, the right to sell your idea to whomever you wish. They were meant to prevent people from stealing your ideas whether those ideas were songs, books, or even videos. They worked as they were written originally and they can work again. We do not need new laws - we just need to enforce the ones we already had.

    Now last, but not least, is a question. If tomorrow all of the big bad companies disintegrated into dust and the government allowed you to do whatever you wanted - how in the world would you ever survive?

    The answer is - you couldn't. So companies are not going to go away. They may change. But they will not go away. Companies are also like feudal kingdoms. The bigger they get - the more power they wield. So maybe they shouldn't be allowed to get quite so big. Think about it.

    A lot of people say the record companies should change. They won't. A lot of people say they should become a service oriented business. What do you think they are doing now? They don't serve food - they serve CDs. Why are they in business? Because just like any other company they have the money which is necessary in order to do the advertising so both the company and the artist can make money. Don't misquote me. I don't like how things are set up anymore than anyone else. If you've got a few million dollars laying around why not start up your own record company? Nothing changes your outlook faster than losing a few million dollars.

    Remember: You hate spam so the artists can't get your attention by sending out song samples. You can't stand ad banners so your favorite group goes belly-up because they can't show you their latest single. Google lists 3,000 fan sites before showing you their home page. Their web server goes down because some k001 dude wanted exclusive downloading privileges.

    So what do they have to do? They have to go to some company and pay them in order to 1)Get the word out, 2)Go on tour, 3)Get their songs played over the airwaves, 4)Maybe appear on TV, and 5)Make money doing this. Or the company can take a risk and invest their money to promote the group. Sound familiar? And no - I don't work for any company doing anything remotely connected to the music industry. Just common sense here guys and gals. Common sense.

    The rich just keep getting richer and the poor keep getting poorer because you have to have money in order to make money. And once you start making money you usually don't want someone else to take that "something" away. So you buy a congressman, senator, local yokel, whoever and you get them to lobby for what you want to have happen. Companies are very good at this - it's why they are pretty much in control these days. Which is why I am a very big fan of automatic division of companies when they reach a certain size. Kind of hard for a company to control the government when they are being broken up into two separate companies. Sort of like amoebas. Make more than X amount of money and your company has to split in two. I'm in favor of $1 billion dollars. That way each company gets $500 million dollars. I figure if you can't keep your company running with that much money you don't deserve to be in business.

    Nuff said I think. :-)

  217. Re:The concept of intellectual property has got to by cpt+kangarooski · · Score: 2

    That's not quite accurate. I don't really care if someone on the other side of the country can make a living or not. The world's smallest violin played for the buggy whip industry, remember.

    No, the only way that copyright makes sense is if it benefits readers; you know, the people who are actually effected by copyright, and who are expected to abide by it?

    Thus, measure the happiness of readers related to the production of, and usability and cost of creative works. Set a baseline where there is no copyright at all. Then add all the copyright you like, as long as it results in a net increase in reader happiness.

    For example, I don't mind not being able to make my own copies of a book for one year, if it results in ten times as many new and different books being published. The minor loss of happiness for that one year is more than offset by the gain I'll recieve when I have ten times as many books to do with as I like.

    But hell -- I _AM_ an artist, and the whole 'I'm entitled to the fruits of my labor' argument is totally bogus. Firstly, because we don't live in a vacuum, and what I create relies on what someone before me created, ad infinitum. Secondly, because it doesn't establish any incentive for third parties to respect that, no matter how much I might want it personally. Thirdly, because my labor is the act of creation; not of duplication. Copyright is telling people that they cannot do things that they can trivially do. Simply because I write a book that by no means should be taken as indicating that only I can copy that book -- any idiot can. Why shouldn't they? What's in it for them?

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  218. A fair system to exploit intellectual properties by angel'o'sphere · · Score: 2

    Basicly its simple.
    But a lot won't like it :-)

    o An author has full control over his work.
    o He has a right to prohibit(with a veto) reworking(creating derived work) if he does not find it tastefull(e.g. using his work on pornographic works).

    The basic thing an author currently can do is to allow someone else to publish and/or redistribute his work.
    My wish system would be the opposite: everybody can redistribute original or modified work as long as he gives credit and revenue to the original author.(and he does not veto)

    How to accomplish that?
    As far as non digital work is considered an author would need means to proove he is the author. Usualy he can do that without special work, but a "conspiracy" could be easyly put up to "proofe in court" he is not. So a registration bureau would be adequat, but not generaly needed.

    For digital work its absolutely easy:
    o sign/watermark the work
    o consumer devices realize who has the rights on the reproduced audio/video/text/code and create a monthly bill, unsigned work is not reproduced
    o mixing of other authors work requires you to keep their signature/watermark or to replace it with your own one
    -- replacing/deleting it is copyright violation
    -- keeping it makes clear how much of THAT work is indeed YOUR own work, signed by you, and how much is USED work, signed by the original author.
    o network providers only transport signed/watermarked material
    o probing the digital content for violations is only needed for NEW content or for suddenly upcomming high traffic to NEW sites. E.G. to prevent the release of Episode III DVD ripped copies via the internet before it is official released.

    This schema should be extended to any digital form of information, even compiled program code. A CPU should only be able to execute signed code. The result would be that a car electronics system run by an RT linux core would exactly know how many developers get credits for running the fuel pumb and ignition of the gazoline(erm .. not credits, revenue).

    Of course, an author still can refuse to get payed ... however it is well known that HE contributed 25 machine instructions to a 2.5M machine instructions big executebale. Such an embedded device with a RT linux core manufactored for $1 probably has 2c material costs and 98c IP costs for the software and chip designs.
    If it is sold for $2 10 million times it yields 20 million dollar, 10 million are covered costs. So $200,000 are used for materials and $9.8M for IP. Said author of the 25 lines of code would get 0.00001 * $9.8M, only $98 ;-) as this was his contribution to the core.

    The hughe benefit of a system like that would be: a start up company simply can TAKE everywhere what it needs to fullfill its services or to craft its product without even asking the original authors. No investment into hard and software is needed. No investment into patent licenses is needed. All revenue generated with such a derived work is split up acording to the amount of TAKEN stuff versus the amount of CREATED stuff. Age of the incorporated material determines the split factor as well.
    So using OLD code to craft a compeeting product is much cheaper than taking brand new code from the competitor to craft new stuff.
    The system would encaurage EVERY creator to publish(sign and watermark and register if needed) its work. Because its FAR more likely that someone else can spread it to the masses and start revenues then it is to try to exploit it solitair or in a smal company.

    Bottom line: consumer electronics knows whom to send revenues. Or the network service provider knows whom to bill and whom to grant the revenues. For embedded electronics a clearng is likely needed. Well, would a manufactor realy risk to violate copyright to sell a device cheaper? I doubt it.

    Revenue to creators would just be collected at the cashier like sales tax, e.g. in case of an CD or DVD or for the IP inside of an CD player.

    As far as I know privacy issues are solveable via tokens(Zero Knowledge Protocolls), however I'm not an expert. Well, I personaly would not care if it is possible to figure what my favorite TV show is ... as long as it is not allowed to wire tap me it is a crime anyway.

    Regards,
    angel'o'sphere

    --
    Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
  219. What the hell, I'll take a stab at it. by cpt+kangarooski · · Score: 2

    (I'm mostly just interested in copyright here)

    I would say that copyrights should have to be applied for by the author. They should not automatically be granted, with two exceptions.

    First are works that are still being created, or which are awaiting imminent publication may receive a temporary 'common law copyright' intended to prevent the pirating of manuscripts. This is not intended to extend copyright protection to trivial works, such as Slashdot posts, however.

    Second are works for which a foreign copyright holder has obtained a foreign copyright. Provided that the requirements for obtaining the copyright already obtained are judged by the government to be at least as stringent as those in the U.S., a grant may be made, possibly conditional on a few minor requirements being met in the U.S.

    Copies of any work for which a copyright is applied for must be deposited in such form as required, in the Library of Congress. For example, in the case of books, a copy of the text and illustrations on archival paper. In the case of music, a copy of the lyrics, music and sound recording in an appropriate format such as CDDA. In the case of computer software, a copy of the binaries and sufficiently commented source code. Application for copyright, and depositing of works does not guarantee that the work will be copyrighted.

    Copyrights are to be denied for works which do not promote the progress of the arts as determined by the government.

    Copyright terms are limited to 20 years (except for computer software, which is limited to 5 years), or the death of the author, whichever comes first.

    However, the term may be extended one time only (by holding a copyright, a copyright holder forswears accepting any term extension later granted) by 20 years (or 5 years in the case of computer software), if an extension fee of 5% of the total gross income from sales, rentals, licensing, performances or displays of the work, or $5,000, whichever is greater, is paid. Any money recieved from such extensions is used to fund the creation of various types of public domain works which are archived in the Library of Congress.

    Publication consists of making the work generally available to the public, by displaying, performing, selling, renting or licensing it. The courts shall make determinations in borderline cases; mere claims by author or audience as to non-publication is not determinative.

    Penalties for copyright infringement will be civil only, in the form of fines and/or injunctions. Fines are limited to an equitable amount, typically the amount that would have had to be paid for a published copy of the work, but no more than $250,000.

    There will be no criminal penalties.

    Access controls to copyrighted (therefore published) works are permissible. However, any such control must not prevent any access/use/copying, etc. of a work that is legal at any time, regardless of legality at the time that the control was put in place. Furthermore, the control must not impede anything whatsoever once the work is no longer copyrighted. Any published work so protected is not copyrighted.

    I'm fairly happy with Fair Use as it stands, and the courts can change that as needed. Likewise with statutory exceptions to copyright for making use of software or backing it up, which already exist. And content licensing for cable tv, radio, et al is too much of a headache to delve into right now.

    Am I missing anything else in particular?

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  220. what to do?.. by windex · · Score: 1

    I know this is stupid, but it's reallllllly simple.

    If whatever the copyright or patent covers is replicated and released in a NOT FOR PROFIT situation there should be nothing stopping the NOT FOR PROFIT individual or group from releasing or building products (with allowance for whatever fiscal cost incured in manufacturing or transport), this not only releases holds on free software, it says that if I don't like the quality that MegaCorp's products have reputation for, I can recreate them and sell them to others at cost to force MegaCorp to produce better quality equipment.

    This stimulates the economy if MegaCorp competes with not for profit groups, and also prevents MegaBiggerCorp from replicating MegaCorp's patented product. In the case that it does NOT stimulate the economy because MegaCorp whines like a bleeding whale even though any not for profit attempt at making anything MegaCorp mass produced will incur greater costs, it will benefit the customer in the end regardless. No more crap product, more money in pocket to give to someone who doesn't make crap.

    How does this apply to software?.. How did the TCP stack in Linux become GPL?.. Someone re-built it based on the specifications used in the original BSD stack or another stack built on that stack. It's not that hard, is it?

    ...

    Mabye I'm just being optimistic.

  221. Intellectual Property by aebrain · · Score: 2, Interesting

    If we could start with a tabula rasa regarding intellectual property - which covers patents, copyright, and trade secrets - we'd best first off decide what we're trying to achieve.

    1. Attribution. If A invents B, then we want the world to know that B is A's invention. This is for psychological gratification as much as anything. Many /. readers are coders, and know the "warm fuzzies" you get when you create something that you can be proud of. Singers, Songwriters, Artists in general get the same buzz. Some things money can't buy.
    2. Improvement. If A invents B, then C should be able to look at B and figure out that B' would be a significant improvement on it. It's this that has spurred the "Open Source" movement, which exposes the internals of Software so that peer-reviewers can spot blemishes.
    3. Incentive. The original UK and later US model for patents was intended to give encouragement for people to invent new and useful methods and devices, basically to spur the improvement of what we now call technology, arts and sciences. Rather than reward mere copy-cats and publishers, a time-limited monopoly was granted, during which time only the creator had the right to publish or implement his or her work, or licence this publication. This incentive was entirely Financial - probably the best way in the 18th century, but may not be the best way of doing things in the 21st.
    4. Facilitation. Any IP legislation must actually facilitate the widespread distribution and adoption of new and improved methods, artworks and devices. So a creator who wishes the protection of the law has certain obligations not to withold it's adoption for general use. Alternately, they should be free to keep it entirely to themselves, in which case the law should not protect anything other than the attribution, if that. Similarly, something that's already in general use should not be suddenly monopolised by an "inventor", be it a generic name such as Aspirin or ROT-13 or similar Caesar Cypher encoding. Once in the Public Domain, always in the Public Domain.
    5. Inalienability. Some moral rights should be inalienable - the owner of the Intellectual Property has some rights and obligations that may never be destroyed or transferred. Should an artist who's painted a Masterwork have the right to burn it and all copies? No, for that would diminish the world's stock of intellectual property. Naturally if the creator doesn't have this right, neither does anyone else. A creator hasn't got the right to allow someone else's name to appear on their work. Exclusive rights of publishing should not be legally enforceable - once the creator has set a certain price for copying, then anyone at all should be allowed to make a copy, for that price. This will stop books and other works going "Out Of Print", as (possibly inferior) copies could be made from an existing edition, via photocopy or MP3. In law, if you make a copy of something - be it a backup, to give to a friend, to put on your MP3 player, or to publish on a million CDs - you should pay the creator during the period of his monopoly for each copy. And so should anyone else, the same amount.
    Are all of these requirements feasible to implement in any legal structure? Certainly. Are they feasible to enforce? That's more difficult. Getting someone to pay 0.01c to the production crew who made Buffy the Vampire Slayer every time you use your VCR to record this week's episode requires both the goodwill of the VCR owner, and some non-trivial technology to make it trivially easy. Otherwise people won't bother.

    Rather than have a single /. post propose the magic solution to all IP issues, I'll restrict this one to just canvassing what the issues are. Any I've forgotten? Any that you think shouldn't be on the list, or should be modified?

    --
    Zoe Brain - Rocket Scientist
  222. Abuse? by nuggz · · Score: 2

    What if I make a NEW product every year, then I only pay $1.
    So what if my new product is mostly the old public domain stuff?

    Just because it is public domain doesn't mean I have to release the source code.

    Loopholes would be found

    1. Re:Abuse? by ChenLing · · Score: 2

      If it is mostly public domain, then it cannot be patented or copyrighted (which I believe is current law...ie, I cannot patent the idea of the 20-wheeler truck...at least I hope not!)
      So I cannot copyright "Mickey Mouse" forever...I *can* copyright "Mickey Mouse", "Minny Mouse", "Micey Mouse", but when I let go of the copyright for "Mickey Mouse" it goes to the public domain, and others can base their works on it.

      --
      "You have the option of insanity. I do not. And that makes me crazy!" - Brian to Angela, My So-Called Life
    2. Re:Abuse? by nuggz · · Score: 2

      Can I copyright my new bit of code, and just not release the source to the PD code in the app?

    3. Re:Abuse? by ChenLing · · Score: 2

      Public Domain is not GPL -- you don't have to release the source code for modifications.
      So suppose you base you app on some public domain code + modifications -- you can copyright that.
      Now if someone else comes along and makes another app that is also based on the same PD code, and you sue them for copyright infringement, a judge would have to compare the 2 sets of code minus the PD core that both contains.
      Of course, eventually it will no longer be economically viable to keep the copyright on your modifications, and the whole kit & caboodle will have to go to the public domain.
      That does not neccessary mean that you have to make it publically available -- it just means that you no longer have rights to sue someone for making a similar product.

      --
      "You have the option of insanity. I do not. And that makes me crazy!" - Brian to Angela, My So-Called Life
  223. Non Obvious by nuggz · · Score: 2

    I think the problem is that the current evaluation system does not fairly determine if the patent is non obvious.

    So many things that seem obvious are pateneted, and it is annoying.

    However what is the difference between being obvious , and being the next logical step along a research path.

  224. Re:The concept of intellectual property has got to by the_2nd_coming · · Score: 1

    that is a thought that I also had. I think a fair term would be until the next major version is released, then copying is permited, however, I think that source code might be a diffrent story.

    --



    I am the Alpha and the Omega-3
  225. Re:The concept of intellectual property has got to by the_2nd_coming · · Score: 1

    it depends on the idea. if that Idea is a book that a person wrote, it deserves protection, if it is an inovative invention produced by a paerson, it deserves protection, if it is owned by a corperation, it should get short protection.

    --



    I am the Alpha and the Omega-3
  226. Re: Bush atheist quote source by Anonymous Coward · · Score: 0

    I'm not sure I would consider that a "Source" any more reliable than an E-mail warning me about messages with the subject of "Good Times".

    Then how about this one:

    http://www.freethought-web.org/ctrl/news/file004.h tml

    The piece is old, but the quote is legit. And George Bush has never apologized for his ignorance or bigotry. His offspring haven't commented on that opinion, but it's probably safe to assume they agree with dear ol' dad.

  227. Re:The concept of intellectual property has got to by lamont116 · · Score: 1
    How did this get modded up?

    In the first place, it was created to protect individuals against corporations.

    IP law predates the development of the modern corporation (while there were limited-liability entities called corporations in centuries past, large public corporations are a relatively recent development). IP law was developed to encourage innovation.

    Patents, copyrights, and 'intellectual property' has got to go. If not, then when we, as a society, manage to convert fully to a non-scarcity based economy, those who have the ownership rights to information will be kings and everyone else will be paupers.

    They tried the "non-scarcity based economy" in Eastern Europe for a while. It didn't work. In any event, your statement that "those who have the ownership rights to information will be kings and everyone else will be paupers" assumes that something in your New Economy will be based on scarcity, which is self-contradictory.

  228. Re:The concept of intellectual property has got to by bshanks · · Score: 1

    i agree

  229. Re:The concept of intellectual property has got to by lamont116 · · Score: 1
    Why then do pharmeceutical companies refuse to license drugs to third-world countries? (Don't tell me that its because those countries can't afford them. If you don't lower your price to the maximum limit a customer can afford, then you're losing a sale.)

    You're also creating a competitor if you do license your IP. Generally, monopolies reduce supply (and a patent holder is the classic example of a monopoly), in order to keep prices high, and increase marginal profits. In particular, if increasing production of a product increases demand (and thus the cost) of the materials to make the product, you'd rather restrict the supply, to the extent that you can maximize your profit.

  230. Re:The concept of intellectual property has got to by lamont116 · · Score: 1
    Copyright is telling people that they cannot do things that they can trivially do. Simply because I write a book that by no means should be taken as indicating that only I can copy that book -- any idiot can.

    Any idiot can commit murder, or steal your car. Why should the law protect your life or your personal property?

  231. Please return the intellectual property taken by Grax · · Score: 1

    Throughout this last century large media companies have presented their one-sided arguments and convinced congress to extend copyright periods from a max of 28 years to well beyond my lifetime, essentially stealing millions of dollars worth of public domain content from the public.

    Until this is returned they should receive no further special treatment. Why should we as consumers be concerned about Aunt Edna downloading mp3s and possibly not paying the artist for its use when huge amounts of our culture have been taken and sold back to us at a profit?

    Public domain content serves the public in many ways, not the least of which is education. Classic literary works with expired copyrights can be purchased at a very low cost (basically the cost of printing). From that perspective our taxes are being taken and given to whoever owns the rights to the content whenever a school chooses to study nearly any work of art (music, movie, book, etc) that was created after 1923. (OK. some works created after 1923 are public domain but you pretty much need a team of lawyers to determine which ones)

    Essentially art has stopped being about creating works and more about marketing, profit, and who owns the rights to it.

    Under the original copyright laws Star Wars would be out from under copyright protection next year. Future filmmakers would be able to learn from it, re-edit it themselves (yes, some future film geniuses will be film editors who might not have access to resources to make their own movie). And, although IANAL, I believe that Star Wars: The Special Edition would still be covered by copyright protection for up to 28 years from its creation a few years ago.

  232. IP Laws? by Anonymous Coward · · Score: 0

    IP packets should be free to roam anywhere they like! Be free and roam packets! Find friendly servers!

  233. Re:The concept of intellectual property has got to by bshanks · · Score: 1

    i like your demand auction idea.

    >They like to raise issues regarding the formulation of the law because it conceals their true motives and brings the issue into an academic realm where they can obfuscate the issue. It plays in their favor.

    i don't think the "AIP movement" is so manipulative.

    >In fact, formulating IP as real property could actually sanitize things a great deal. That's because it could then be taxed

    there are however many things which are different between IP and "real property". the two big ones for me are these:

    * IP can be copied

    * many ideas in the public domain had their greatest impact in ways that couldn't be anticipated. the "consumers" who used these ideas to create even better ideas would not have been able to value their demand for the prerequisite idea until they had actually "consumed" it. the government can't figure out how much to tax ideas which don't seem to have much value until they spur another idea.

  234. That's just crazy by Anonymous Coward · · Score: 0

    I make pots. It's a fun hobby - my pots are kind of lumpy, and sometimes collapse on themselves, and often explode in the kiln, but I make them and give them away for free.

    Isn't that a kickass argument against people selling pottery? I mean, I'm giving away my pots FOR FREE, shouldn't everyone else?

    Oh wait, pots are material possessions, there's the cost of the clay, and lets not forget the cost of labour, and if I took a pot away from someone who sold them, I'd be depriving them of a chance to recoup these sunk costs.

    ... Except don't these costs exist in music, artwork and literature too? If you take a song away from someone who sold songs, aren't you depriving them of a chance to recoup the sunk costs of producing it? Maybe if you really *really* weren't going to buy it, you get a song for free and no one's worse off, but since when was it your right to make that distinction, and why the hell do you think you deserve something if you're not willing to pay for it?

    If the content creator demands people pay to have access to their work then you have no right to decide that you won't pay for it, but you'll just have it anyway. You want the fruits of their labour, but refuse to respect them? I do not think we should be forcing our society's talents to either starve, subsist on handouts or beg for donations, or work to support their craft simply because of the nature of the medium their work eventually ends up in.

    If little Jimmy will share his lollies with you if you give him a dollar, but little Billy will give you some of his just because he's a nice guy, you can either pay little Jimmy a dollar and get some of his lollies, or go without little Jimmy's lollies and find something else. You can't take little Jimmy's lollies because little Billy isn't charging.

  235. Abandonware vs. music et al. by adoll · · Score: 1

    Music and books arguably don't lose significant value after a few years. One look at Charley Pride's CD sales should tell you that not publishing for a while won't kill your market (in spite of gnutella!). That is why you can (usually) still find commercial music and books long after initial publication.

    But the same does not apply to software. I spent a long time trying to find a legal copy of an old DOS game and had no luck. The US publisher doesn't support 10 yr old games, and the Japanese authors are not even around any more. Ebay had never flogged a copy of it -- it was abandoned long before the Internet appeared. In desperation I ended up at an 'abaondonware' website that had a cracked copy of the game available for download.

    I normally shun warez. I do a lot of both public domain plus I have several friends trying to make a living in the music industry. So the notion of stealing IP does not sit well with me. But the software I wanted is simply not availble by legit means.

    So here is my proposal for IP law reform:

    "computer software shall enter the public domain five years after the software ceases to be available by normal commercial sale"

    What does this mean in reality? Software that is valuable will be sold until it ceases to have value. 5 years after that, it enters the public domain. Windows 95 ceased being available, when, about 1998? So after 2003 it would revert to the public domain UNLESS the copyright owner makes it available for sale again. If it has no value, then the company won't sell it. If it does have value, then they won't abandon it!

    -AD

  236. Re:The concept of intellectual property has got to by EllisDees · · Score: 2

    In fact, formulating IP as real property could actually sanitize things a great deal.

    Personally, I would love being able to legally copy a cd as many times as I'd like and distribute to my friends if 'IP' were the exact same as regular property. After all, if I've bought it, it would become my property just as any other tangible item would.

    --
    -- Give me ambiguity or give me something else!
  237. Re:The concept of intellectual property has got to by EllisDees · · Score: 2

    IP law was developed to encourage innovation.

    And do you think that is what it is currently doing? How innovative can you be when the basis for any new creative works are tied up in copyright for up to 150 years?

    They tried the "non-scarcity based economy" in Eastern Europe for a while.

    And what makes you think the 'artificial-scarcity based economy' would fare any better?

    --
    -- Give me ambiguity or give me something else!
  238. Re:The concept of intellectual property has got to by cpt+kangarooski · · Score: 2

    Given that the explicit purpose of copyright is to promote the public good, and not to protect authors, and given that this has been frequently reaffirmed by the courts, I don't think your analogy is particularly on point.

    Copyright law is quite different from most other law. (although actually, real property law is also set up along similar utilitarian lines)

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  239. Floating patent terms by adoll · · Score: 1

    I work in the engineering industry and deal with patents every day. There are, IMHO, 3 types of patents:

    1. genuine inventions
    2. 'me-too' inventions
    3. frivolous patents

    A competitor of my present Client spent over $10million of R&D to develop a new process for treating an oil feedstock. My Client wants to use this 10 year old technology in her new plant... does the first company deserve their patent and the associated royalties? Yes, I feel they do. They applied actual research that created a more energy efficient process for extracting oil than what they used previously. We now want to use the equipment and their design criteria in the new plant. This is exactly the kind of application patents exist for, so this application qualifies as type #1. These guys deserve between 15-25 years worth of royalties to reward their research.

    In this same job, there is a different part of the plant where we wanted to 'wash' chemical A out of a stream by using chemical B. My mining industry experience told me to use a 'counter-current decantation (CCD) wash circuit' in this application; the designs for these are in my undergraduate textbooks. But no, a senior engineer informed me than another company had already patented the idea of using a CCD in that application. This doesn't sit well with me as the other company did no significant research to implement a CCD circuit (the plans are in textbooks). All these folks did was go to the patent office and said 'me too'. This is obviously a type #2 patent, the folks holding are doing nothing but holding other away from using that technology. This type of patent should hold only for a couple of years as the registrant did no real research. In the event that a outsider shows up with the same idea, then the original patent will be judged to fail the 'novel and not intuitive' test and will immediately cease.

    The last kind are the worst. People who take out patents with the idea of intimidating others into paying royalties. The current case of pop-under ads falls into this category. Yes, I despise ads as much as the next geek, but there is no way this deserves to be vetted by the patent office. Type #3 deserve no term of protection!

    -AD

  240. Simple plan - law of exponential growth by Anonymous Coward · · Score: 0

    How about this:

    First year charge a very small fee - a penny or a dollar. Each year after, double the fee. If you lapse, the property becomes public domain. The proceeds go to fund the government.

    To register, you must provide sufficient details. No hex dump type thing for software.

    Still need to figure out how to weed out stupid patents though.

    This plan will mean anything that can generate revenue can stay licensed as long as desired, but insures it will eventually end up in the public domain. It also provides a period of very inexpensive protection to give people/business's a chance to develop the property and profit from it.

  241. Re:The concept of intellectual property has got to by istartedi · · Score: 1

    Totally not what I meant, and you know it.

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  242. SOCIAL THREEFOLDING by johnrpenner · · Score: 2

    And this is the law of the wild,
    As old and as true as the sky.
    And the wolf who keeps it will prosper,
    But the wolf who breaks it will die!

    Like the wind that circles the tree trunk,
    this law runneth forward and back.
    The strength of the pack is the wolf,
    and the strength of the wolf is the pack.

    (Rudyard Kipling)

    --| THE FUNDAMENTAL SOCIAL LAW |----

    Briefly as the subject must be dealt with, there will always be some people
    whose feeling will lead them to recognize the truth of what it is impossible
    to discuss in all its fullness here. There is a fundamental social law which
    spiritual science teaches, and which is as follows:

    'The well-being of a community of people working together
    will be the greater, the less the individual claims for himself
    the proceeds of his work, i.e. the more of these proceeds he
    makes over to his fellow-workers, the more his own needs are
    satisfied, not out of his own work but out of the work done by
    others'.

    Every arrangement in a community that is contrary to this law will
    inevitably engender somewhere after a while distress and want. It is a
    fundamental law, which holds good for all social life with the same
    absoluteness and necessity as any law of nature within a particular field of
    natural causation. It must not be supposed, however, that it is sufficient
    to acknowledge this law as one for general moral conduct, or to try to
    interpret it into the sentiment that everyone should work in the service of
    his fellow men. No, this law only lives in reality as it should when a
    community of people succeeds in creating arrangements such that no one can
    ever claim the fruits of his own labour for himself, but that these go
    wholely to the benefit of the community. And he must himself be supported in
    return by the labours of his fellow men. The important point is, therefore,
    that working for one's fellow men and obtaining so much income must be kept
    apart, as two separate things.

    Self-styled 'practical people' will of course have nothing but a smile for
    such 'outrageous idealism'. And yet this law is more practical than any that
    was ever devised or enacted by the 'practicians'. Anyone who really examines
    practical life will find that every community that exists or has ever
    existed anywhere has two sorts of arrangements, of which the one is in
    accordance with this law and the other contrary to it. It is bound to be so
    everywhere, whether men will it or not. Every community would indeed fall to
    pieces at once, if the work of the individual did not pass over into the
    totality. But human egoism has from of old run counter to this law, and
    sought to extract as much as possible for the individual out of his own
    work. And what has come about from of old in this way due to egoism has
    alone brought want, poverty and distress in its wake. This simply means that
    the part of human arrangements brought about by 'practicians' who calculated
    on the basis of either their own egotism or that of others must always prove
    impractical.

    Now naturally it is not simply a matter of recognizing a law of this kind,
    but the real practical part begins with the question: How is one to
    translate this law into actual fact? Obviously this law says nothing less
    than this: man's welfare is the greater, in proportion as egoism is less. So
    for its translation into reality one must have people who can find their way
    out of egoism. In practice, however, this is quite impossible if the
    individual's share of weal and woe is measured according to his labour. He
    who labours for himself *must* gradually fall a victim to egoism. Only one
    who labours solely for the rest can gradually grow to be a worker without
    egoism.

    But there is one thing needed to begin with. If any man works for another,
    he must find in this other man the reason for his work; and if anyone is to
    work for the community, he must perceive and feel the value, the nature and
    importance, of this community. He can only do this when the community is
    something quite different from a more or less indefinite summation of
    individual men. It must be informed by an actual spirit, in which each
    single one has his part. It must be such that each one says: 'It is as it
    should be, and I *will* that it be so'. The community must have a spiritual
    mission, and each individual must have the will to contribute towards the
    fulfilling of this mission. All the vague abstract ideals of which people
    usually talk cannot present such a mission. If there be nothing but these,
    then one individual here or one group there will be working without any
    clear overview of what use there is in their work, except it being to the
    advantage of their families, or of those particular interests to which they
    happen to be attached. In every single member, down to the most solitary,
    this spirit of the community must be alive...

    No one need try to discover a solution of the social question that shall
    hold good for all time, but simply to find the right form for his social
    thoughts and actions in the light of the immediate need of the time in which
    he lives. Indeed there is today no theoretical scheme which could be devised
    or carried into effect by any one person which in itself could solve the
    social question. For this he would need to possess the power to force a
    number of people into the conditions which he had created. But in the
    present day any such compulsion is out of the question. The possibility must
    be found of each person doing of his own free will that which he is called
    upon to do according to his strength and abilities. For this reason there
    can be no possible question of ever trying to work on people theoretically,
    by merely indoctrinating them with a view as to how economic conditions
    might best be arranged. A bald economic theory can never act as a force to
    counteract the powers of egoism. for a while such an economic theory may
    sweep the masses along with a kind of impetus that *appears* to resemble
    idealism; but in the long run it helps nobody. Anyone who implants such a
    theory into a mass of people without giving them some real spiritual
    substance along with it is sinning against the real meaning of human
    evolution. The only thing which can help is a spiritual world-conception
    which of itself, through what it has to offer, can live in the thoughts, in
    the feelings, in the will -- in short, in a man's whole soul...

    The recognition of these principles means, it is true, the loss of many an
    illusion for various people whose ambition it is to be popular benefactors.
    It makes working for the welfare of society a really difficult matter-one of
    which the results, too, may in certain circumstances comprise only quite
    tiny part-results. Most of what is given out today by whole parties as
    panaceas for social life loses its value, and is seen to be a mere bubble
    and hollow phrase, lacking in due knowledge of human life. No parliament, no
    democracy, no popular agitation can have any meaning for a person who looks
    at all deeper, if they violate the law stated above; whereas everything of
    this kind may work for good if it works on the lines of this law. It is a
    mischievous delusion to believe that particular persons sent up to some
    parliament as delegates from the people can do anything for the good of
    mankind, unless their activity is in conformity with the fundamental social
    law.

    Wherever this law finds outer expression, wherever anyone is at work on its
    lines-so far as is possible in that position in which he is placed within
    the community-good results will be attained, though it be but in the single
    case and in never so small a measure. And it is only a number of individual
    results attained in this way that will together combine to the healthy
    collective progress of society.

    The healthy social life is found
    When in the mirror of each human soul
    The whole community is shaped,
    And when in the community
    Lives the strength of each human soul.

    ==| Capital and Credit in Threefolding |===

    Where 'supply and demand' are the determining factors, there the egoistic
    type of value is the only one that can come into reckoning. The 'market'
    relationship must be superseded by associations regulating the exchange and
    production of goods by an intelligent observation of human needs. Such
    associations can replace mere supply and demand by contracts and
    negotiations between groups of producers and consumers, and between
    different groups of producers...

    Work done in confidence of the return achievements of others constitutes the
    giving of *credit* in social life. As there was once a transition from
    barter to the money system, so there has recently been a progressive
    transformation to a basis of credit. Life makes it necessary today for one
    man to work with means entrusted to him by another, or by a community,
    having confidence in his power to achieve a result. But under the
    capitalistic method the credit system involves a complete loss of the real
    and satisfying human relationship of a man to the conditions of his life and
    work. Credit is given when there is prospect of an increase of capital that
    seems to justify it; and work is always done subject to the view that the
    confidence or credit received will have to appear justified in the
    capitalistic sense. And what is the result? Human beings are subjected to
    the power of dealings in capital which take place in a sphere of finance
    remote from life. And the moment they become fully conscious of this fact,
    they feel it to be unworthy of their humanity...

    A healthy system of giving credit presupposes a social structure which
    enables economic values to be estimated by their relation to the
    satisfaction of men's bodily and spiritual needs. Men's economic dealings
    will take their form from this. Production will be considered from the point
    of view of needs, no longer by an abstract scale of capital and wages.

    Economic life in a threefold society is built up by the cooperation of
    *associations* arising out of the needs of producers and the interests of
    consumers. In their mutual dealings, impulses from the spiritual sphere and
    sphere of rights will play a decisive part. These associations will not be
    bound to a purely capitalistic standpoint, for one association will be in
    direct mutual dealings with another, and thus the one-sided interests of one
    branch of production will be regulated and balanced by those of the other.
    The responsibility for the giving and taking of credit will thus devolve to
    the associations. This will not impair the scope and activity of individuals
    with special faculties; on the contrary, only this method will give
    individual faculties full scope: the individual is responsible to his
    association for achieving the best possible results. The association is
    responsible to other associations for using these individual achievements to
    good purpose. The individual's desire for gain will no longer be imposing
    production on the life of the community; production will be regulated by the
    needs of the community...

    All kinds of dealings are possible between the new associations and old
    forms of business--there is no question of the old having to be destroyed
    and replaced by the new. The new simply takes its place and will have to
    justify itself and prove its inherent power, while the old will dwindle
    away... The essential thing is that the threefold idea will stimulate a real
    social intelligence in the men and women of the community. The individual
    will in a very definite sense be contributing to the achievements of the
    whole community... The individual faculties of men, working in harmony with
    the human relationships founded in the sphere of rights, and with the
    production, circulation and consumption that are regulated by the economic
    associations, will result in the greatest possible efficiency. Increase of
    capital, and a proper adjustment of work and return for work, will appear as
    a final consequence...

    --

    (Rudolf Steiner, Architect, Playwright, Philosopher, Human)

    Social Threefolding

    ---

    1. Re:SOCIAL THREEFOLDING by johnrpenner · · Score: 2


      we see a great debate arising about
      'intellectual property'. People are concerned that producers of digital
      content (writings, music, video, data) are adequately compensated for
      their efforts. In order to do this, an analogue was made -- we will sell
      you a number (any digital file is just a big number consisting of 1's and
      0's) - and to protect the 'uniqueness' of that number, we will treat that
      number as if it weren't really a number, but an actual physical tangible
      good.

      But there's one problem with this. If i have an apple and give you an
      apple, i no longer have an apple. But if i have an idea and give you an
      idea, then we both have the idea. These inherent properties of matter and
      bits is ignored for the sake of the analogy, and here lies the fundamental
      problem at the heart of the intellectual property debate. And it will
      never be solved until an understanding of social threefolding can be
      brought to bear on it...

      Social Threefolding

  243. Re:adding "expiration" field to a copyright form.. by adoll · · Score: 1

    >Remember if even one patch, security enhancement
    >or minor improvement is made after initial purchase,
    >the vendors will probably try to extend the
    >Copyright by the date of the change.

    Good. This will encourage people to do things like release patches and not abandon their software.

    I posted earlier that only Abandonware should be quickly escorted into the public domain. Software that is still commercially viable should be covered until such time as the company ditches it and their customers!

    -AD

  244. A Radical Concept by Anonymous Coward · · Score: 0


    Gutting IP laws would only remove part of the cancer. The fact is, all property laws are suspect. Before knee jerking just hear me out.

    I am one of a over 5 billion human beings on this planet, with civilisations going back thousands of years. Everyone of us need this planet and it's resources to survive. Through the guise of property ownership, we have defacto servitude just to have our most basic needs met. It would not be so bad if it were okay for us to just go farm on empty land, but that is not permitted. We are forced into slavery at our births, and made subject to a system of buying and selling what should be our birthright, to those whose power was established through thousands of years of bloody war and bloody suppression of opponents.

    We have been robbed of our natural environments and the very people who have stolen our natural environment from us, now insist that we spend our existance working for them and think about life on their terms.

    The inherit injustice of the system is simply that one who is born into a family with property is assured a good education among relatively civilized people. One like me, who through no fault of my own, was born to a couple of alcoholic dimwits, ended up in grouphomes and the like, and eventually emerged, somehow, as a highschool graduate of a public school chock full of feral human beings. I was in no way ready for college when I got there, and to be honest, I didn't belong there anyway. I hadn't been taught what I needed to know.

    Now I'm to be forced to work for those rich people, not because I have put forth less effort, but because I was born in the wrong place at the wrong time. IP law is only going to strengthen that power for the rich people. The one equalizer in my life has been early access to my computer, and my ability to pirate commercial software to learn it well enough to obtain employment. And while the initial "theft"(who was hurt? I couldn't have afforded it anyway) may be a crime, in the long term, I have turned out a better human being for it, not to mention I have helped the adoption of that software by being an advocate for those software apps I know. As information have-nots will be common in the future as IP laws get more and more stringent, this whole equalizing effect of technology will disappear, as more and more of it will be owned and treated as commodities. This, despite of the fact that we all should have a right to the knowledge of our species, especially when we suffer for that knowledge in the form of poorer air quality, irradiation, and polluted water and food supplies. Just as we should have a right to the resources(clean air, food, and water) of the planet, without having to live in slavery to others.

    All this information which will not be shared, will transform the world(aka, alter the natural environment), further eroding the quality of our environments. Already the oxygen levels on the planet have fallen as much as 16 percent in the last 200 years. Our planet and oxygen is finite. The technology has wreaked havoc both on the natural manufacture of oxygen, as well as polluting the oxygen we do have, thus lowering everyones quality of life. Our reward? We have to pay for chemical additives that wreak further havoc on the environment(MTBE) in the name of granting one of the Governors(of California) buddies a sweet business deal, to name but one of thousands of examples.

    If there were a place I could go, I would simply leave my society and go, but there is nowhere left to go, as I am forced, through threat of imprisonment and violence, to support this system that quite clearly, does not give a flying crap about me, and to be frank, would gladly see me dead if it would bring them a profit. Before you patrioticly object: Tobacco. Big Oil. Atmospheric Nuclear Tests that irradiated EVERYONE in America(which they just recently finally admitted, 50 years later). I could go on...

    The Politicians, regardless of what your local democan or republicrat has to say, are working for someone elses money, not your best interest. They are not bombing Afganistan because they killed 3,000 americans(after all, Afganistan didn't do that), but they are bombing Afganistan because there's this pesky oil pipeline that needs to get built.

    We are subjected to their will. I'm dealing with my insurance company right now, and nothing could be clearer to me. The law works for them, not for me. I see IP law in the same manner. It does not work for We the People, it works for "them" the rich who can afford compliance and lawyers to ensure compliance with the new laws.

    We would all be better off scrapping the current system and experimenting with a more socialist one. Not that capitalism and competition should be removed, it has it's place, but WE THE PEOPLE need more protection than we're getting, because under the current system, our lives and our rights, are INDEED(you can cram your hypothetical 'laws' which don't work in real life, like the 'bill of rights'), are secondary to the rights and profits of Corporations. I really don't give a crap what your politicians have to say, I know the reality in which I live, and I don't need no wink wink nods to see it.

    -/_kamper_\-

  245. Re:The concept of intellectual property has got to by istartedi · · Score: 1

    IP can be copied

    No it can't. There is only one Quake, Doom, Gone With The Wind, or Metallica album in the world. It's just that some of these items are large, and some of them are small. Joe's "How to frobulate grommets from late 60s English motorbikes" is small. Gone With The Wind is big.

    Or... IP is like the Mandelbrot set. It may look like those other little copies are copies, but they aren't--they are tethered to the main set in ways that aren't readily apparent. In the case of IP, all the copies are tethered together because they represent *one* experience shared within a cultural context.

    * many ideas in the public domain had their greatest impact in ways that couldn't be anticipated. the "consumers" who used these ideas to create even better ideas would not have been able to value their demand for the prerequisite idea until they had actually "consumed" it. the government can't figure out how much to tax ideas which don't seem to have much value until they spur another idea.

    This is the "assessment" problem--how do you assess the value of something that has never sold? This is why I said there should be no tax if the idea isn't sold.

    Frankly, the property tax idea was rather off-the-cuff, and was raised mostly to counter an AIP movement argument that I believe to be mostly empty rhetoric. In other words, I haven't fleshed it out with much thought. Now that I think about it, modeling things after property taxes could give rise to excessive taxation in the IP realm, and it would certainly introduce more beurocracy, which is bad.

    I think I agree most with the posters who simply want to eliminate the *obvious* abuses that now exist: Repeal the DMCA, Roll back the Copyright Extension (Bono law), moratorium on software and business process patents until the issues can be studied, and general reform at the patent office. In particular, the patent office should have a much higher rejection rate than it does now.

    Likewise, I have no desire to dramaticly roll back or eliminate IP laws. Suggestions that software should have less than 10 years of protection are flawed--the useful life of software is short now because we are early in the widespread use of computers. That is not likely to be the case after computers have been around longer.

    In other words, I want fair and balanced IP laws which is what I think most people want. Trouble is, we are seeing polarization and conflict on this issue... Methinks the sigmeister who said "all extremists should be shot" said it best. :)

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  246. The Perfect System by Squalish · · Score: 1

    I have a system under which all copyright, patent, and trademark issues would be solved. Noone will have to compromise. Everyone will get what they want. The US legal system will get a giant burden lifted off of it. Poor countries will hold parades in celebration of the fact that they can now join the information age without having to worry about greedy wallstreet capitalists Venture capitalists will stand in awe of how this fixes everything wrong with their job. Patent lawyers will recieve giant pensions, and no longer have to worry about their ulcers, now that they will have all gone into early retirement with full benefits. The world will gaze at this idea in utter disbelief as such a simple proclamation makes everything wrong with the possession of ideas right again. Unfortunately, I can't discuss how it works, as it is currently in the process of reaching patent-pending status.

    --
    People in Soviet Russia, however, appear to be afflicted with amusing juxtapositions of the aforementioned situation
  247. Re:The concept of intellectual property has got to by Q-Hack! · · Score: 1

    I think a fair term would be until the next major version is released

    What would be the insentive to release the next major version? I could just as easily make major changes to software and call it a minor release. It has to be a given time period or else you have loopholes.

    --
    Some days I get the sinking feeling Orwell was an optimist.
  248. Re: End "work-for-hire" by Kisai · · Score: 1

    I think what the person wanted is the "work-for-hire" BS stripped away, it's the thing that lets the Record company own you.

    So if you were to want to sing the song that you wrote at at your neighbours little girls birthday party, you couldn't without paying the record label royalties, DISPITE THE FACT YOU WROTE AND SANG IT.

    The "work-for-hire" BS is what lets companies own every little bit of programming you do while you work for them, even if you wrote code on your home computer on your free time.

    The "work-for-hire" has to go, it's an excuse to not give any copyright or credit to the person who wrote the thing in the first place.

    I'm all in favor of individuals retaining the copyright to their works for lenght of their lifetime or X years, which ever comes first. But it should not be transferable, not to the spouse, children, grandchildren,adopted children, neices,nephews, aunts, uncles, pet dogs. If someone licenses something to a corperation, there should be a ceiling to how long a contract can be made, say 3 or 5 years, so if that company screws over that person, they can go somewhere else. This is also so we don't wind up with corperations hoarding all the IP they can.

    I've give you an example in the game industry:
    Richard Garriot, creator of Ultima, originally started the company "Origin systems", Which was later "bought-out" by EA. So now EA owns the rights to Ultima, and Richard Garriot, dispite creating the Ultima series, doesn't own it. So he can not make another sequal, not without buying back the rights to Ultima from EA, and I don't think EA would give it to him since they are making money off of Ultima Online.

    It's these kinds of events that need to stop, because it prevents the creator from making derivative works, deprives them of future revenue should they ever leave the company who bought the rights to their material, and it makes content creators very bitchy people during interviews. You know Richard Garriot had a "non-competitive" clause or something in his contract that forbade him from producing/being involved in anything that would complete with EA?

    I like EA, I really do, but when I look at Origin Systems being eaten by EA I keep going "If I ever made a game, I'm not selling the rights to anyone."

  249. Re:The concept of intellectual property has got to by Courageous · · Score: 2

    It's a fair thought (revision-termed copyrights), but not really tractable. What do you want, the Congressional Committe to Determine Proper Version Numbers? No, way, Jose. :) Seriously, however, there are intellectual properties which only have short term utility to society. With a blanket alteration to law, one can simply set software to 15 year terms and patents to 7. One might distinguish between _individuals_ making intellectual property claims and corporations, giving individuals the advantage.

    I'm dead set against screwing over an author, (of books, etc) however. These guys aren't so creative when they get older, and really need to be able to generate the income. Whether or not such income really needs to pass to _heirs_ (as it does now) is certainly an open question.

    C//

  250. Very few, but some significant changes by nsayer · · Score: 2, Insightful

    1. Eliminate software and business method patents.

    2. Strictly limit the timespan of copyrights. Holywood has a habit of getting the expiration of copyrights pushed out whenever they come close to their expiration date. That sort of nonsense has got to stop. Copyrights should be granted for 50 years to the original creater, his estate or assignee. Period. That's all. Finito.

    3. A media consumer's bill of rights that formally states that a consumer may do *ANYTHING* with a copyrighted work for which they have purchased a copy, *except* for distributing additional copies of same. Too often the debate has centered around what rights should be granted to copy owners (as opposed to copyRIGHT owners). BS. They should have *all* rights *except* for a short list.

    4. Note that case number 3 talks about the simple sale of a copy. It does not preclude a seller from including restrictions in the purchasing contract on the use by the recipient. But such restrictions *must* be part of the contract agreed to by *both* parties *before* performance of the contract. Click-through or shrink-wrap licenses or other shenanigans that are tacked on *after* both parties have performed the simple exchange of money for a copy *explicitely* should not be allowed to be binding.

  251. I cannot begin without violating a patent. by ilmarin · · Score: 1

    I've been working in the field of Computer Vision for 20 years, primarily as an algorithm designer. I have no patents. At the first company I worked for, my boss got a patent on digital template matching. We (all the engineers) thought it was the most absurd thing we ever heard of, that such an obvious thing could be patented (~1984.)

    Since then I have solved hundreds of problems using advanced and novel coding techniques, extremely weird data structures, at the lowest levels of software (down into microcode.) This work was funded both by the government and private industry. No patents were sought. The value was always claimed at the system level. Most of the source is copyrighted, however.

    The problem is not that it is *easy* to copy the software inventions that are being patented, once you have seen the invention. The real problem is that it is impossible not to *accidently* copy the invention when you have a similar problem to solve. Problems beg certain solutions, and the soution is constrained by the tools and the media. Compared to the properties of materials in general, which is the domain of physical patents, software is extremely constrained by the organization of the digital computer. Any good computer scientist, faced with a similar problem, will code a similar solution.

    With the current trend of patent grants, I truly do not think that I can code anything of significance without violating a patent somewhere. But how would I ever know?

    For instance, take a look at a toy program I wrote that correlates font bitmaps against an image in order to create a text image:

    http://www.noping.net/kent/txtimg/

    In order to get the correlation to work the font bitmap has to be blurred a little bit. I'm certain that this is a patentable invention under current patent policy. It may already be patented! I have no idea. But there is no other solution to the problem -- the problem demanded that solution, and any other coder who tried to solve this particular problem would necessarily arrive at the same solution. The problem plus the context plus the media demand the solution.

  252. A few corrections... by smiff · · Score: 1
    The first U.S. copyright law granted rights for 14 years, and could be renewed once for another 14 years. Stranger in a Strange Land was published in 1961. At that time, copyrights lasted 28 years and could be renewed once, for a total of 56 years.

    Starting in 1962, congress had a bonanza with copyright extensions, even applying them ex post facto. Today, copyrights last the life of the author plus 70 years or 95 years for works for hire. Heinlein died in 1988. Under current law, Heinlein's work will remain under copyright until 2058, at which point it will all enter the public domain.

    Plantiffs in the Eldred v. Reno case wrote a brief which chronicled the history of copyright lengths (the history starts at paragraph 61). Eric Eldred is challenging the retroactive extension to copyrights. The Supreme Court is planning to hear oral arguments in the case sometime soon. If the court declares retroactive extensions unconstitutional, Stranger in a Strang Land will enter the public domain in 2017.

    I wholeheartedly agree with Eldred's case, but to be fair, Eldred's chances are slim. The district and appellate courts ruled against him (with a lone dissenting judge in the appellate court). At least four Supreme Court justices felt the arguments were compelling enough to hear the case. However, as the district and appellate courts pointed out, even the first copyright law applied retroactively (to works that were protected under state copyright laws).

    1. Re:A few corrections... by xRizen · · Score: 1

      How far back does the life+70 years thing reach? What year is the last year for published works to be unaffected by it?

  253. Re:The concept of intellectual property has got to by ibbey · · Score: 2

    The way I understand it, they don't want to sell the drugs cheaply to third world countries because they fear that if they do, it will create a much larger black market for the drugs where they are bought cheaply and then sold to places where the drugs normally sell for more, namely the US and EU.

    This is absolutely true, but I think it illustrates the original poster's point: The drug companies profit desire outweighs the right of the third-world countries to modern medications. While I'm not willing to go so far as to get rid of IP laws (Shorter terms are a much better solution), he does have a point here. While I can't offer a specific solution to the problem, it is an excellent example of the flaws in IP laws.

  254. Re:The concept of intellectual property has got to by ibbey · · Score: 2

    With a blanket alteration to law, one can simply set software to 15 year terms and patents to 7.

    I think these terms are way off. I would like to see binary software have a copyright based on how long it's publisher supports it. 1 year after MS stops supporting Windows 98, its copyright expires. This accomplishes one of two goals: either companies will continue to provide support for software for longer, or they will be fforced to see them in the public domain. Either way, the end user wins. Source code is trickier, but I think a 10 year term is probably reasonable. Perhaps one 5 year renewal on top of that if the software is still marketed. There are few programs written more then 10 years ago that are still sold as-is.

    I'm dead set against screwing over an author, (of books, etc) however. These guys aren't so creative when they get older, and really need to be able to generate the income.

    I think a number of "Old Guys" would disagree with you on this. Either way, 90+ year copyrights don't help anyone except corporations and people with dead meal-tickets, err, relatives. Again, I would like to see copyright tied to publication. As long as a book, record, etc. remains in print, it should be copywritten for 20 years. If it goes out of print, its copyright should expire within 5 years. This gives companies an incentive to make older, more controversial, and less commercial works available. In print can include offering works in electronic form as long as the work is accessible, and offered at a reasonable price (say something like no more the 150% of the original price adjusted for inflation). Obviously these ideas are just off the cuff & probably have holes...

  255. Re:The concept of intellectual property has got to by Twylite · · Score: 2

    An excellent reply :) I feel it necessary to add my 2c though ...

    In both scenarios (refugee/goldrush) Copyright does not enter the picture. Copyright is not about restricting the free flow of information; it is about restricting the free copying of a particular incarnation of that information.

    Fact #1: You can't copyright a fact. You can copyright the exact sequence of words you use to express a fact, but that doesn't prevent someone from reading that fact and telling someone else or writing it down in his/her own words.

    Copyright as applied to facts encourages authors/publishers to put facts into words because they can receive remuneration for a collection of facts (a work). Without copyright on works of fact there would be no incentive to record facts, and we would rely on the facts recorded by a small number of altruists.

    Fact #2: You can copyright a fiction. If you have made something up, it is not information. It is a fabrication. Here copyright is not restricting the free flow of information, but the reproduction of a creation.

    Without copyright in this scenario, authors have no incentive to create, because their creation can be duplicated without them receiving anything (fame OR fortune).

    --end of 2c--

    --
    i-name =twylite [http://public.xdi.org/=twylite], see idcommons.net
  256. Re:The concept of intellectual property has got to by a_n_d_e_r_s · · Score: 1

    Actually then the book will never go out of print. They can simply just use print-on-demands to make sure the books is always available.

    And how about electronic books. They never go out of print.

    No, what is needed are manadory license fees, so that you first get 20 years of copyrigth. But then you need to prolong it every 5 years and have to pay a small fee. This continues until until the maximum time 70 years have expored. That way many items will fall into public domain after 20 years.

    --
    Just saying it like it are.
  257. Other alternatives for copyrights & patents??? by Anonymous Coward · · Score: 0

    IMHO all copyrights and patents should be prohibited. Who benefits from them? I mean, if someone has come up with a great invention, it would be more efficient to the whole society if it was available to all people. Anyone could take advantage of that invention and use it for his/hers own purposes, perhaps improving it too.

    The only reason why we need these laws and protections is that they guarantee that the humankind keeps on progressing: When it's profitable for individual people to create new stuff, they try harder. But I'm sure this can be achieved in other ways too!! For example society/government could give profit for useful achievements. Taxes could be raised for that purpose because people no longer have to pay for software, music, etc.

    This all might sound a bit of socialism, but so what? I think the world would work better that way...

    P.S sorry about my poor english skills.. =(

  258. Re:The concept of intellectual property has got to by mpe · · Score: 2

    In the first place, it was created to protect individuals against corporations.

    Not even remotly right. Copyright went through several iterations before it was even intended to acknowlage authors. The idea of corporations having the staus of "legal people" came even later...
    In theory most modern copyright laws empower the author. In practice the vast majority of copyrights are held by publishers. The simplist kind of fix would be to only allow copyrights to be licenced rather than assigned.

  259. Re:The concept of intellectual property has got to by ibbey · · Score: 2

    You clearly don't know the difference between a trademark, copyright, and patent. A trade mark is a word, short phrase, or image used to identify a company. Some examples of trademarks are "IBM", "We Make it Your Way", and the Apple Logo. Trademark protection does not prevent others from using your mark against your will. It only prevents people from using your mark fraudulently. I can compare my cola in my ads to Coca-Cola, but trying to sell it as Coco-Cola would probably get me sued.

    If you want to use your 40-line method as your company trademark, feel free. Not only will it be the worst comapny name in history, it will give all of your competitors easy access top your "secrets", and there would be absolutely nothing you could do to stop them.

  260. Re:The concept of intellectual property has got to by mpe · · Score: 2

    A book, a music score, a song -- these are all things that will have value after their protection is gone.

    At least in theory it would. It isn't unknown for recently published books to go out of print soon after publication. With copyright the length it is right now it's quite possible for the last copy of a book to have ceased to exist decades before copyright expires.

    By the time the copyright expires on software, it is, quite literally _worthless_.

    There are two types of "worthless" first would be of no value what so ever, second type would be something which is worthless whilst still copyright, but of some possible value in the public domain.
    Creative works are typically built up on previous works.

  261. Re:The concept of intellectual property has got to by mpe · · Score: 2

    I'm dead set against screwing over an author, (of books, etc) however. These guys aren't so creative when they get older, and really need to be able to generate the income.

    Why should authors be any kind of special case? What stops them paying into a pension fund, like everyone else? Rather than trying to fiddle copyright to act as a pension.
    It's rather ageist to assume that an 80 year old is less capable of being creative than a 20 year old too...

  262. Re:The concept of intellectual property has got to by mpe · · Score: 2

    Again, I would like to see copyright tied to publication. As long as a book, record, etc. remains in print, it should be copywritten for 20 years. If it goes out of print, its copyright should expire within 5 years.

    Probably with the criteria that if it goes out of print then the clock is reset to 5 years. Which if more than 5 years has elapsed since publication immediatly places it in the public domain.

  263. Re:The concept of intellectual property has got to by mpe · · Score: 2

    And how about electronic books. They never go out of print.

    It can quite easily. If it's on a physical media and that is no longer produced then it is "out of print". If it's available for download and then ceases to be then it is "out of print".

    No, what is needed are manadory license fees, so that you first get 20 years of copyrigth. But then you need to prolong it every 5 years and have to pay a small fee. This continues until until the maximum time 70 years have expored.

    Altertativly you have a fee which rises expontially for each renewel. No need for a sex maximum here too, simply how much the work is actually worth, this may enable the likes of blockbuster movies to stay in copyright 10-20 years longer...

    That way many items will fall into public domain after 20 years.

    For some kind of works a 5-10 year initial term might well make more sense.

  264. An amusing consequence - Aliens on earth by usiems · · Score: 2, Interesting
    I always had problems this the term "intellectual property". How can you own ideas? That's as if one could own the air.

    Imagine what could happen if aliens contacted the earth and these aliens were so advanced and old, that they had invented everything we could dream of, and more. Would these "prior art" invalidate every patent on earth? Perhaps this would not happen, but what about the new technology? What if this aliens would share their knowledge with us. Would this knowledge be patented? By whom? By the aliens? What would happen if they demanded ridiculous fees for their patents? Remember, they have invented everything! And if this aliens were not allowed to patent their technology, who would do this for them? Their (human) lawyers? A straw firm? The aliens could wreak havoc on human development just by using their patent rights.

    I must admit, I find this thoughts quite funny.

  265. Re: Public Review by kogs · · Score: 1

    You're being a little parochial, the original issue was the improvement of the system. I pointed out that publication of applications went some way to providing the public review. It is irrelevant how the US currently deals with this issue. The point is that there are models which provide an improvement and, although not perfect because of the AIPA exclusion, even the US is moving the the right direction.

    It has always been possible to put prior art before the USPTO, although difficult to identify the case to which it relates, and the examiner is bound by a public policy requirement not to knowingly grant bad patents to take relevant prior art into account if it comes to his attention.

  266. Re: Public Review by mpe · · Score: 2

    The concept of publication of applications for public comment before issuance is great. In reality, however, it is not practicable. The Patent Office is exteemely backlogged. In certain fields (e.g., software, TV, telecommunications), applications do not get an innitial examination until 4 years after they are filed. From that point forward, if everything goes well, an application will probably take about 1 year to issue. Becuase of the backlog, examiners only get to spend between 8-16 hours per application, soup-to-nuts. If you require them to review comments from thousands of people after an application is published. the time needed for a patent to issue is likely to double.

    Is this actually a problem? If there are lots of submissions on a certain application then maybe it should be rejected. The purpose of a patent office isn't simply to rubber stamp applications...
    There is also the problem that currently a patent could pass as being "innovative" simply because the examiner dosn't understand it. Even that the whole thing is actually a piece of fiction, so nothing gets found in a prior art search, but anyone "skilled in the art" wouldn't even bother to look.

  267. Re: Public Review by mpe · · Score: 2

    I disagree. And I think a seasoned examiner (if you can find one, that is) would too. If we had a pre-grant publication for comment, people who do not want a patent to issue for specious reasons will abuse the system to bog down the application.

    Can this be worst than a system bogged down with patent applications for questionable reasons? No doubt there are plenty of specious reasons for people wanting a patent issued.
    The default most certainly should be no patent issued...

  268. mass market sale by wayne.hoobler · · Score: 1

    Why do you want to have mass market sale?

    Take Debian. It's mass market, but not mass market sale.

  269. Already required to do by ProfBooty · · Score: 2

    A working implementation of the patented process must be provided (upon request of USPTO)

    The USPTO must conduct a good faith search for any prior art

    These are already done by the patent office. an examiner my request a model of the invention. There is a guy know in the tire art that has a bunch of tyres in his office. When segways were being patented they had a bunch of them running around the halls of the office.

    The patent office has to preform a search. you don't just use the references that the applicant provides. Lawyers respect the searches that patent exainers do because they are generally better than what they provide themselves. The applicat has to disclose all the prior art they kow of,butusually will use it to mislead you, or if they are really smart they will claim around the existing prior art.

    You may not understandthis but software patents aren't granted. the claims usually say: a computer readable medium on which XXXXXX. if you can't patent instructions then you arent going to see any new electronic devices as there must beoperating code for many devices to operate. There are no patents for algorithms or anything naturally occuring.

    Patents are owned by individuals, but then they assign them to a corporation or someone else. the inventors section doesn't say: GE or AT&T or anyone else, it says bob roberts or phil johnson.

    I'm a patent examiner, i don't speak for the USPTO. If you want more info go look up the mpep on the web thats the manual of patent examining procedure, im sure someone put ac opy of it up.

    --
    Bring back the old version of slashdot.
  270. Re:The concept of intellectual property has got to by Zathrus · · Score: 2

    Our whole economy is shifting away from MATERIAL to KNOWLEDGE/INFORMATION/SERVICE.

    Ding, ding, ding.

    The issue is that our current IP system is not designed to handle this... or, rather, I think 50 years ago it would've done ok, but recent changes in legislative, judicial, and administrative policies have skewed it deeply to the wrong end of the spectrum. If we don't fix these problems then we'll wind up with a legal system that is so overburdoned that another area of the world will wind up preeminant.

    This is much the same as what happened in Europe with the industrial revolution -- various European countries were the world leaders from 1600-1900. As the industrial revolution progressed various laws were passed to protect workers' rights, and while many of them were badly needed (child labor laws for instance), some were over the top. What happened? The industrial revolution continued in full swing. Elsewhere. Namely the US, where the labor laws weren't quite as burdonsome (and now the labor is moving elsewhere again).

    Right now it's looking like SE Asia is going to be the powerhouse for the information age, if they can keep the Islamic fundamentalists out. They have very loose IP laws (too loose, but that will change), and large areas which are ready to move into the 21st century, instead of trying to protect the industries that sprouted in the 20th.

    If not them, I'm sure South America would be happy to take it's spot in the limelight for a hundred years or so. But either way, current law makers, corporations, and even individuals are paving the way to obsolecense.

  271. life+70 = 1978, pre 1978 = 1923 by smiff · · Score: 1

    I'm not 100% certain, but I believe congress created the life+50 year law back in 1976, which they extended to life+70 in 1998. Now that I look at this link again, I see that anything under copyright prior to 1978 simply has a flat 95 year copyright term. That means Stranger in a Strange Land will enter the public domain in 2056 instead of 2058. Ironically, it means his last book will enter the public domain several years before some of his older books (such as The Moon is a Harsh Mistress). It also means all works dating back to 1923 are covered and won't enter the public domain until 2018.

  272. IP LAw by Anonymous Coward · · Score: 0

    The law should be set to allow a coyright/ip owner to choose one of three levels of protection. They may choose

    3 Years - Absolute Control (IE no fair use) at the end of which the material goes Public Domain.

    10 Years - Fair use limited to personal use with no distribution at the end of which the material goes Public Domain.

    100 years - fair use allows personal non-commercial ditribution at the end of which the material goes Public Domain.

    The work would need to specify which level it desires prior to release and can not be changed.

  273. Re:The concept of intellectual property has got to by the_2nd_coming · · Score: 1

    well, if they are successful authors, they will make a lot of cash while young. besides....is 28 years that short?

    --



    I am the Alpha and the Omega-3
  274. "Fair" and Cliff's last sentence by JCCyC · · Score: 2

    How would you revise or restructure IP and copyright law to make both sides of the fence happy?

    No way Jose. Some people will only be happy when everybody in the world owns them aleph-infinite dollars.

  275. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0

    Ummm...look at scientists in the past. Look at open source now. It seems that there would, indeed be SOME sharing of information.

    People can hide their ideas now. Look at Microsoft.

    Much time is wasted now by people having to reinvent things to get around patents and such. People could simply copy the ideas of those who made products out of ideas (through reverse engineering). Companies would compete on the quality, not the type, of product.

    Plus, money is not the only motivation involved. People tell of what they have created for fame and other reasons.

    There is no baby in the bath water.

  276. Re:The concept of intellectual property has got to by Anonymous Coward · · Score: 0

    No. And I'm neither. If I create something, I don't mind people copying it, because there are other rewards than money (you should have expected this in a forum that a lot of free software people peruse). Look at free-flow of information in science...it shows the stupidity in your name calling (and in your argument).

    Property rights are created for things that are limited naturally. For instance, there is only so much land. It makes sense to allow people to own some of it and to determine how it's used.

    Ideas are not limited naturally. If I tell you something, you haven't hurt my ability to use the idea at all.

    There is a fundamental problem with copyright, in that it restricts how people use copying equipment and their bodies (I can't go around spreading copyrighted knowledge). You shouldn't be able to restrict how others use their property, just so you can make a profit. Making a living is your problem. It shouldn't become ours.

    Take your arguments to physical property :

    "used by anyone who wants to"...who are you to say how I am to use something you sold to me. You have no rights to it anymore.

    "for whatever purpose they wish"...the ultimate in arrogance. "I'm sorry, but I like snow. You can't use that shovel I've already sold you for snow shoveling."

    "for free"...yes, you should be able to use it for free after you've bought it.

  277. Veto power over derivative works by yerricde · · Score: 2

    I don't see how it harms society for, say, Paul McCartney to retain the rights to his work for his life span.

    Because he can VETO derivative works. The VETO power over derivative works is the biggest problem with copyright.

    is negligible because more than likely they'll pay almost the same price for a Wings album royalties or no

    "Well, I'll give a little. You can do what you want with this work, but only for a million dollars per copy."

    So it offends common sense to say that they should be able to profit from his work, but he cannot.

    Once copyright expires, he can profit off it. His label may still own the trademark on WINGS. Besides, nothing in the United States Constitution gives authors and inventors a right to their creations.

    Sometimes an author or musician creates one really popular work and they're never commercially popular again - but it doesn't mean that they don't continue to produce valuable work.

    Sometimes an author or musician never creates that popular work. Why should an author or musician be rewarded perpetually for creating only one popular work?

    Sometimes an author writes a book that gathers dust for years and then suddenly becomes popular.

    Sometimes killing the VETO power over derivative works is more in the public interest.

    Many, many books aren't made into movies until after they've been out for ten years.

    Many, many books aren't made into movies ever because the author's estate, even sixty years after the author has died, refuses to negotiate a licence.

    I can easily see studios just sitting on a book until 10 years have passed and then making the movie, just to avoid paying for the rights to the movie

    This will happen with any copyright term. The Walt Disney Company often sits on a book and releases its derivative work within six months after the copyright has expired worldwide. Examples include Pinocchio and The Jungle Book.

    I think that the original artist should have the say-so how that character is used as long as they live. No one should have to see their creation abused by someone else if they do not wish it. Gene Roddenberry should be able to deny another party the right to use Star Trek characters as long as he lives.

    If so, the right to veto should expire before the right to royalty expires. Even then, it's not even necessary because trademarks on the characters' names can achieve the same effect.

    --
    Will I retire or break 10K?
    1. Re:Veto power over derivative works by xonker · · Score: 1

      Because he can VETO derivative works. The VETO power over derivative works is the biggest problem with copyright.

      First, I believe we're talking about two different things here. I'm talking about a copyright on a recording, I think that you're thinking of the rights to the music and lyrics. Generally artists do not forbid other musicians the rights to perform their songs, although there is a fee attached. Having the power to veto the use of a specific recording, I don't see that as a problem. For example, I'm GLAD that someone can deny Nike the right to use a Dead Kennedys song in their advertising. They can probably easily negotiate the rights to the music and lyrics, but they can't use the original recording. This is a GOOD thing.

      Once copyright expires, he can profit off it. His label may still own the trademark on WINGS(TM). Besides, nothing in the United States Constitution gives authors and inventors a right to their creations.

      Nothing in the constitution forbids murder, either. Copyright law is going to go beyond what's in the constitution no matter how you slice it. If copyright and patent law were actually reformed, it should be assumed that trademark law would also be looked at similarly. Besides, there are many, many ways around trademarks.

      Many, many books aren't made into movies ever because the author's estate, even sixty years after the author has died, refuses to negotiate a licence.

      First, an author should have the right to forbid a movie to be made from their book during their lifetime. Second, in my original post, I proposed a limit of 50 years or death of the author - whichever comes last. So, if I publish a book tomorrow and live 51 years the book would instantly become public domain the moment I expire. So, this would not happen under my proposal. I agree that it's ridiculous for someone to write a book, live fifty years and then extend the copyright an additional 60 years past their death.

      This will happen with any copyright term. The Walt Disney Company often sits on a book and releases its derivative work within six months after the copyright has expired worldwide. Examples include Pinocchio and The Jungle Book.

      True - but if people were clamoring for the right to use Pinocchio then someone would have offered the copyright holder a deal before that. If a big company like Disney is willing to wait 50+ years, okay. If it's a hot property, someone will make me a deal before that. Ten years is too short, though. Hell, take Spider-Man for example. Even with the rights, it took more than a decade to get the film into production and made. Had Spider-Man been under a ten-year copyright, Marvel would never have seen any proceeds from the film because their copyright would have expired before the film was ever made. Sony would still have made a killing, but Marvel would have been screwed. (I don't actually know what the deal between Marvel and Sony is - Marvel may have gotten screwed anyway but they at least have the potential to get royalties here...)

      If so, the right to veto should expire before the right to royalty expires. Even then, it's not even necessary because trademarks on the characters' names can achieve the same effect.

      Not exactly true. Copyright gives control over derivative works, whereas Trademark is more specific. Using the Spider-Man example, Spider-Man is copyrighted as a character and trademarked as a name and indica. No copyright control? Fine, I'll make a movie about Arachnid-Guy, and he'll have a costume with a spider, but the spider will look just slightly different than the spider on Spider-Man's costume. Also, it's easy to trademark "Spider-Man" or "Wolverine" as a character - harder to trademark "Owen Meany" or "Huck Finn" when there are probably dozens if not hundreds of Owen Meanys running around. The names in novels would have to be damn bizarre to allow for trademark protection.

      Again, I don't think that an artist should ever lose control over their creation during their lifetime - unless of course they sign it away of their own free will. I say this in part because I value the work of many authors and would hate to see what would happen if anyone could produce a knock-off work using exactly the same characters and so forth. I also do not believe that it would prove a horrible imposition on society not to be able to use those characters for that period of time.

      However, I would support an "amateur" clause that allows for things like Internet fan fiction. I think that it's disgusting for someone like Lucas to crack down on a short story that takes place in the Star Wars universe when it's not being produced for profit and it does not harm the franchise directly.

  278. Re:The concept of intellectual property has got to by Courageous · · Score: 2

    If it goes out of print, its copyright should expire within 5 years.

    Again, enforcement of this would be problematic. It would be the utmost in trivialities for an author to keep up a webpage that offers for sale through his own shell publishing company his book, keeping some small token number of copies around, indefinitely extending the print period. This is why some finite number of years is better. It's an absolute. "X years from file date". End of story.

    C//

  279. Re:The concept of intellectual property has got to by Courageous · · Score: 2

    It's rather ageist to assume that an 80 year old is less capable of being creative than a 20 year old too...

    Now you're just being silly. Age-related mental decline is a well-understood phenomenon. Whether or not a specific _individual_ suffers from that decline is a matter of prejudice, but the generalization is inarguably true.

    C//

  280. Re: End "work-for-hire" by MoneyT · · Score: 2

    Exactly, that was basicaly what I was trying to get at.

    --
    T Money
    World Domination with a plastic spoon since 1984
  281. Re:The concept of intellectual property has got to by Courageous · · Score: 2

    What's the 28 years in reference to? Copyrights are currently for life, and then some.

    C//

  282. Interesting Idea by FreeUser · · Score: 2

    In my opinion the solution is the creation of alternative economies in which the big boys don't get a chance to play because the copyright is held in common.

    While I disagree with much of your post, and your assumptions, I won't belabor the issue further as I suspect we're the only two reading this thread at this point, and we are going to have to agree to disagree I think.

    But I did want to compliment you on this final thought. You are, I believe, the only person in this entire thread who responded to my call for suggestions as to alternatives and ideas to address these issues in a creative context that doesn't necessarilly include copyright, and given the current framework we have to work with (copyright laws as they now stand) your suggestion is quite brilliant.

    While not an alternative system to copyright per se, the idea of creating an alternative economy where copyright is held in common is fascinating. Indeed, it is a very interesting alternative to copyright as it is currently being exploited (and in some ways analogous to the GPL, which for certain philosophical reasons I like), and until a better regime can be put into place (if that ever becomes possible) it is a very cool idea for creating something of a public commons in the interim.

    It won't end the social costs and criminalization of common human patterns like sharing that copyright has come to entail in the digital age, but it may at least allow the creation of an island of sanity amidst the madness, and that is certainly a good start.

    --
    The Future of Human Evolution: Autonomy
  283. Re:The concept of intellectual property has got to by ibbey · · Score: 2

    Again, enforcement of this would be problematic. It would be the utmost in trivialities for an author to keep up a webpage that offers for sale through his own shell publishing company his book, keeping some small token number of copies around, indefinitely extending the print period. This is why some finite number of years is better. It's an absolute. "X years from file date". End of story.

    This is exactly what I said. 20 years -or- 5 years after going out of print, whichever comes sooner.

  284. Re:The concept of intellectual property has got to by ibbey · · Score: 2

    Actually then the book will never go out of print.

    But you're ignoring the first part of my statement. Copyrights should apply for 20 years -or- 5 years after going out of print. I would not be opposed to one 20 year renewal -by the original author-, and only on works that are in print, but more then 40 years is nonsense. I have a problem with someone writing one book when they are 20 & living off it for the next 70 years.

  285. NDA by yerricde · · Score: 2

    If I hand you a draft of my screenplay, copyright is the only thing to prevent you from putting your name on it and selling it before I do.

    Unless the disclosure of the screenplay is preceded by a non-disclosure agreement. In fact, a lot of what we currently call "copyright law" could be re-implemented in terms of non-disclosure agreements.

    --
    Will I retire or break 10K?
  286. Cost of reproduction by Anonymous Coward · · Score: 0

    >But now that it costs zero to copy a book or film,

    Electronic reproduction doesn't cost nothing. Just because the medium is not trading hands doesn't mean there's no cost involved. If I am downloading _The Grapes of Wrath_ from Amazon, I have to have a medium (probably a hard drive) to store the information on, a connection of some sort (via my ISP) to wherever it's coming from, and some sort of interface device (whether a desktop or a tablet). Amazon also has to have some medium to store the information, and a connection to me, and probably somebody to watch over their various media. This costs money. Granted, it's probably a smaller cost than chopping down a tree and pulping it and printing it and shipping it and so forth, but there are still expenses involved.

    Also, I don't think publicly funding every book that's written is a good way to go. I don't mind paying for roads and bridges, but I draw the line at trashy romance paperbacks. Or the National Enquirer. And I don't think that most people would want to be funding a Roman Polanski film, or the lastest Eminem album.

    Remember when you suggest that something should be publicly funded that at its core it means you are paying for things that you may abhor.

    1. Re:Cost of reproduction by martyn+s · · Score: 1

      Your statement that bandwidth costs money is a non-sequitor. The cost of bandwidth is so negligible that I'm willing to pay for any bandwidth that is required when people take books or movies from my hard drives. It is essentially zero.

      Also, you're saying that we shouldn't publicly fund the national enquirer or trashy romance novels. Such things would probably never get funding, and that's an example of something that would use the five year copyright to try to make a profit. I'm sure you'd still find trashy romance novels being written, even with just a five year copyright.

  287. Re:The concept of intellectual property has got to by hubbabubba · · Score: 1

    Sorry, friend, but your argument is deeply flawed. I agree, of course, that the explicit purpose of copyright law is to promote the public good. I never suggested otherwise in my post.

    However, to claim that copyright law has nothing to do with protecting authors is clearly erroneous. Forget about your unspecified "frequently affirmed by the courts" assertion, which is no doubt true, but completely irrelevant both to the original post and my response. No less than the U.S. Supreme Court itself wrote: "The immediate effect of our copyright law is to secure a fair return for an 'author's' creative labor."

    And what was the point of my post? That eliminating copyright protection would threaten the ability of creators to secure a fair return for their labor. So your claim that my analogy is not on point is, for lack of a better term, horseshit.

    Furthermore, to suggest that the Framers of the U.S. Constitution didn't explicitly intend to protect authors, even if it is merely a means to an end (enhancing the public good), is to misread the Constitution itself. Article I, Section 8, clause 8 grants Congress the power "to promote the Progress of Science and useful Arts, by securing for limited times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."

    Thus the original poster's suggestion that there should be no IP law, and your tacit agreement with that position, is not only contrary to the explicitly stated intentions of the Framers, it also flies in the face of your own claim to want to enhance the public good by encouraging the creation of new works. As the Framers so wisely foresaw (as they did in many other areas), to fail to protect authors is to fail to achieve the stated goal of promoting the public good.

    As for your claim to be an artist, yeah, well, so is my 2-year-old niece. Her art hangs on my refrigerator. From a commercial standpoint, it isn't worth a dime. Which I suspect is also the case with your "art", otherwise your view of copyright protection for artists would be quite different indeed.

    One final thought -- I fully agree that copyright law is completely out of control. But that isn't an argument for abolishing it -- it's a call for rational reform that pushes things back toward the original intent of the Framers.

    --
    Fried ice cream is a reality. - George Clinton
  288. Re:The concept of intellectual property has got to by Courageous · · Score: 2

    This is exactly what I said.

    And I said out-of-printedness is a fudgeable metric. Laws or segments of laws that are effectively non-judiciable probably shouldn't go on to the books at all.

    C//

  289. Re:The concept of intellectual property has got to by cpt+kangarooski · · Score: 2

    No, I definately think that there should be copyright law -- provided that it does indeed result in a greater public benefit than would exist in a state without any copyright law.

    And although I've changed careers as of late, in the past I've supported myself for years as an artist. But I am too well aware of the inherently derivative nature of art, the potential benefits of especially derivative art, and my own status as both artist AND member of the public. Unlimited copyright would be extraordinarily bad for artists as artists, and worse still for artists in their capacities as ordinary people. Only an idiot would not look at the big picture, and be distracted by their immediate gratification.

    I too call for reform. Check out my recent posts to that effect, if you don't believe me.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  290. DigitalConsumer.org... by Millennium · · Score: 2

    DigitalConsumer's Consumer Technology Bill of Rights is an interesting start, but it is not strongly worded enough (it only grants rights, rather than guaranteeing them). I'd amend it to something like this (minus parenthetical comments, and including similar wording for other rights as needed):

    1) Legitimate users of a copyrighted work must not be prohibited from perusing that work at any time. (time-shifting)
    2) Legitimate users of a copyrighted work must not be prohibited from perusing that work at any place. (space-shifting)
    3) Legitimate users of a copyrighted work must not be prohibited from creating copies of that work strictly for archival purposes. (backup)
    4) Legitimate users of a copyrighted work must not be prohibited from perusing that work via any medium, nor on any computing platform. (interoperability)
    5) Legitimate users of a copyrighted work must not be prohibited from transforming that work into another form, though they may be prohibited from modifying that work in any way other than those necessary for such transformation. (compatibility)
    6) Legitimate users of a copyrighted work may have other rights not enumerated in this document, to be determined by the courts. When such a right is determined, then legitimate users must thenceforth not be prohibited from exercising that right. This document should then be amended to enumerate that right. (This is the most important thing: the rights must not be limited by any law passed).
    7) Legitimate users of a copyrighted work must not be prohibited from taking technological steps to secure any of the rights enumerated in this document, nor any others which may be enumerated in the future. (circumvention for fair use, as in reverse-engineering)

  291. What About Shared Patents? by Quinthar · · Score: 1
    In short, I think the undesired side-effects of monopolistic patents can be reduced through the use of "shared" patents where all who invent the same innovation are granted equal rights in its protection. This could foster innovation and improve the economy while at the same providing additional real benefits. Consider the following:

    It seems that the effective goals of IP law, specifically patents, are to:
    1. Foster innovation
    2. Improve the economy.
    Obviously these are compatible and complementary (even codependent) goals. Furthermore, there is an implicit third goal which is to not unduly restrict other rights in this pursuit.

    Currently these goals are pursued by granting monopoly power to the innovator, thereby increasing the incentive to innovate and protect the innovator's ability to bring inventions to market. However, monopoly power is merely a means to the ends stated above, not an intrinsic requirement. Indeed, if there is another system that achieves these ends in a more efficient and effective fashion, there is no reason to not consider it as an alternative.

    I propose that such a system would be replacing the current monopoly power with a "shared" or "pluropoly", where not only the first-to-innovate is granted control over the innovation, but all-who-innovate the same idea are granted equal rights.

    Obviously, this is a strange concept and immediately bring to mind complications. However, these complications can, with a bit of thought, be shown to be potentially resolvable. Of course nobody can accurately state whether or not the resulting system would in truth be better, but my goal here is merely to show that the resulting system *might* be better, and is worthy of further investigation. Without going into too much detail:
    • Innovators who claim to have independently invented the same patent would be determined by force of evidence: notes, expenses, interviews, etc. In the case of true innovation as the result of much work (such as creating a new drug), the trail of evidence would be so large (tests, FDA approval process, millions spent, etc) that a defense could be plausibly done. (Note: This has the added effect of preventing the filing of "trivial" patents, which would be very difficult to demonstrate independence of thought.)
    • In the case of patent violation (a non-innovative entity using the patented concept), all patent holders would have equal rights to sue the violator, either together (a class-action suit) or independently. (Note: This has the effect of reducing patent violations as the penalties would be much more strict)
    • Non-innovative entities wanting to license an innovation can choose from any of the many patent holders -- obtaining permission of use from one is all that is necessary. (Note: This creates an efficient competitive environment where licensing fees ultimately go down while quality of patents go up)
    Of course, this would have a multitude of positive and negative effects upon innovation as whole. Without giving a complete enumeration, consider the following metaphor:

    Assume invention is similar to exploring the wilderness: the inventer is an explorer that expends considerable energy blazing an easy trail to a remote destination. Thus, an inventor creates a path that's easier to walk than the path the inventor took.

    Obtaining a monopolistic patent is akin to receiving the authority to bar any from walking to a particular destination, regardless of which path is taken. This authority is valuable, as if the the location is important, many are willing to pay a toll for entry.

    However, this has the unintended side effect of forcing other explorers to pay a toll to a destination they discovered, despite not following the original explorer's path. This is an unfortunate restriction upon the rights of "secondary inventors" that results from granting the primary inventor a monopoly patent.

    An alternate system would be using "shared patents", which are akin to granting explorers the right to blaze a trail and then charge a toll *for that trail*, but not for others. Thus, if multiple explorers blaze trails to the same destination, each is able to charge tolls for their respective trails.

    Of the many effects of this change, the non-adventurous public is given the ability to choose which trail is the easiest and best price, creating a competitive environment with ultimately more explorers blazing more trails.

    Likewise, it prevents explorers from actively preventing people from visiting some destinations by setting the toll higher than people are willing to pay. In real-world terms, this means that entrenched entities with vast IP stores would have increased difficulty blocking disruptive technologies by acquiring patents on innovations they don't want pursued.

    Obviously, there's much more to say than can be said here. But I think it's an interesting idea, and I'd love to hear your comments.

    -david :)
    quinthar.com
    360ToGo.com
    UbiquityProject.com
  292. Re:if defence or prosecution methodes were patente by Compulawyer · · Score: 2
    Do Carpenters need to pay for a license before they put up an A-Frame house?

    Yes, they do -- or the home builder pays for the plans. These plans are protected by copyright - sometimes for over 100 years, not the 20 a patent gives.

    To do math, do you have to pay extra to use the square-root key?

    Again, yes you do (or did) -- advanced calculator functions were an active patent area -- it was built into the price of the calculator itself.

    just because someone was the first to file a patent for a new problem should not give them the right to deny others use of it.

    Ummm.. yes it does. New solutions to problems have always been patentable in other areas - software should be no different.

    --

    Laws affecting technology will always be bad until enough techies become lawyers.

  293. Come on lawyer-boy, stop ignoring the hard ones by Anonymous Coward · · Score: 0
    You're only responding to the really easy ones, i've noticed. The hard ones either get ignored, or get some cheesy handwaving like (paraphrasing) "obvious doesn't mean what you think it means, and I won't tell you!"

    Yes, they do -- or the home builder pays for the plans. These plans are protected by copyright - sometimes for over 100 years, not the 20 a patent gives.

    And if someone draws their own plans that just happen to resemble an A-frame house, do they still have to pay? I doubt it...

    Again, yes you do (or did) -- advanced calculator functions were an active patent area -- it was built into the price of the calculator itself.

    Are you paying for having the button on the calculator and the silicon inside, or are you paying for using the concept of taking a square root? The latter is comparable to most software patents, but i suspect in the calculator case it's the former.