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Stan Lee Sues Marvel Comics

night_flyer writes "In a story that demonstrates the way the entertainment industry manipulates its artists, Marvel is claiming that the 400 Million dollar blockbuster movie Spiderman produced no profits, and they are trying to weasel out of their contract that gives Stan Lee 10% of the profits from his creations. Nuff Said!"

415 comments

  1. Aint that just a load by ONOIML8 · · Score: 5, Insightful

    That's a load of crap. You pay a man an honest wage for an honest days work.

    Seems like these things have been going on in the comic book industry from the beginning tho.

    --
    . Quit playing Monopoly with Bill. Switch to one of many non-Microsoft products today.
    1. Re:Aint that just a load by Anonymous Coward · · Score: 2, Insightful
      You pay a man an honest wage for an honest days work.

      But... but, that's not the American way! The American way is all about pleasing the shareholders.

  2. No Profits by Mr_Dyqik · · Score: 5, Insightful

    Surely the studio should cut its losses, and not make the proposed sequel then.

    Shareholders should be complaining to the board as you read this.

    1. Re:No Profits by rovingeyes · · Score: 2
      Shareholders should be complaining to the board as you read this

      As long as the share prices are going north no share holder will even bother. Hey don't blame me it's natural human tendency.

    2. Re:No Profits by tanveer1979 · · Score: 3, Insightful

      Music industry follows a grand screw-up plan.
      The profits reported are after these cuts :
      Producers Pay
      Actors/Director/etc pay
      Cut for the guy who put in money
      ++++++
      Some inflated expences. There is no way Stan is going to win. Marvel can easily show that the movie made a loss, well it did only after the producer took his 200 Million $ fee

      --
      My Aurora : http://www.youtube.com/watch?v=o91ZsGwJYyg
      FB : https://www.facebook.com/TanveersPhotography
    3. Re:No Profits by coupland · · Score: 5, Interesting

      This is similar to the little pie chart you see on gas pumps claiming only 5% profit on gas sales. The problem is that profit is purely subjective since all expenses are subtracted from profit. Send the entire company on a 1-week vacation in Hawaii? It gets deducted from profits. Hire a hundred people to act as a permanent "think-tank"? Deducted. Free beer in the cafeteria? Deducted. You can burn hundred-dollar bills for warmth but still claim no profits. When a company cries poor due to low profits you need to take a closer look. Operating losses, declining sales, or decreased revenue are better indicators of corporate health. Pharmaceutical companies, oil companies, and now Marvel comics all cry poor in profits but are throwing buckets of money into a woodchipper 'cause they've run out of places to stack it...

    4. Re:No Profits by Mr_Dyqik · · Score: 3, Insightful

      The parent was sarcastic.

      If no movies make profit, then how do studios make profit? Surely they must, or you'd hear about it on financial news etc. Or are they using the Enron method of financial reporting?

      In other words, isn't claiming that a movie makes no profit a deliberate mistatement of financial earnings (ok, so it's not an official statement of earnings, but it is a statement), possibly punishable by the SEC. If they claim to have made no profit in court (and I'm sure a decent lawyer would ask about all the other movies they made as well), and then report an overall profit to the SEC, then they would be guilty of something. This should be part of Stan Lee's case, at least to the press, if not to the court.

    5. Re:No Profits by Pentagon13 · · Score: 1

      Okay, so lets say right now, the studio's have broken even. Shouldn't all future sales then be posting a profit?? Much of the overhead is up front for making a movie right (hiring actors, special effects, filming, etc)? Maybe the studio fudged their numbers, maybe not .. but if they just broke even right now, then Stan Lee should get 10% of all future profits. Surely the movie studio wouldn't keep pressing more DVDs if it would cost them profits!? If they are spending more than $20 to press, ship, and advertise for a DVD then something is seriously wrong.

    6. Re:No Profits by gvonk · · Score: 3, Interesting

      See, the thing is, Billy, Marvel Entertainment didn't make a Spider-Man movie.

      It's a little more complex than that. It's the same reason you wouldn't reasonably claim that a band made $15 million in profits because their $20 cd sold a million copies and cost $5 million to make. Columbia/Tristar or whoever the fuck made the movie bought the movie rights from Marvel Entertainment for $12 million or so.
      So, even if that were mostly profit, they would owe Mr. Lee a cool million, or exactly what they've paid him every year since he signed his contract.

      --


      El Karma: excelente(principalmente la suma de moderación hecha a los comentarios de los usuarios)
    7. Re:No Profits by Scratch-O-Matic · · Score: 2

      throwing buckets of money into a woodchipper 'cause they've run out of places to stack it...

      Wouldn't that make it take up more space?

      --


      Evil is the money of root.
    8. Re:No Profits by quintessent · · Score: 2

      The fat cat wins again.

    9. Re:No Profits by CaptCanuk · · Score: 1

      "since all expenses are subtracted from profit"
      IANABBOEIPOOT (I am no accountant, but because of Enron, I play one on TV), but aren't expenses subtracted from revenue?

      Surprising that they would push the DVD with such passion. I'm sure that would irk me if I owned the idea and corporate American profitted off of me and refused to pay me my share.

      I'm also so surprised that a sequel would be in the works for 2004 which Tobey Maguire has signed to IMDB . It also stars Bruce Campbell (as the lizard); the greatest actor since Arnold Schwarzenegger lost his accent.

      --
      ---- The geek shall inherit the Earth.
    10. Re:No Profits by Anonymous Coward · · Score: 1, Informative
      See, the thing is, Billy, Marvel Entertainment did make a Spider-man movie. Several of them actually over the years.

      In this particular case, Marvel Entertainment is listed as one of the production companies (along with Sony Entertainment and Columbia Entertainment).

      Everyone needs to learn a little bit about product costing, predetermined overhead rates, and the difference between accounting profits and cash flows. Anyone who ever sets themselves up as getting a percentage of profit is setting themselves up to get nothing. You really want to set yourself up for a percentage of gross income.

    11. Re:No Profits by damien_kane · · Score: 5, Funny

      Qouth Kevin Smith:

      "Oh I disagree...
      We had a contract, for likeness rights; remember?
      As we are not only the character basis but obviously the artistic basis for your intellectual property, when said property was optioned to Miramax you were legally obligated to secure our permission to transfer the comic book to another medium.

      Since you failed to do that, Banky, you find yourself in a very actionable position..."

      In this case, all Stan is saying is: "Where's my mothefsckin' movie check?"

    12. Re:No Profits by fermion · · Score: 1
      This is not a broad enough statement. By some statistics, only 4 movies have made more than Spider Man, and no movie has made more in the 3 years. It is also in line to become the top video rental.

      For a movie to make so much money and still not make a profit is beyond gross incompetence. No profits indicates massive overspending, corruption, and maybe even embezzlement. If anyone needs to be sued, it is the executive management and the board.

      Of course, much like sporting teams and music, it is critical to cook the books so no profit appears. In this way one can underpay the talent, cheat the fans, and steal tax revenue.

      BTW, Spider Man reportedly cost $130 million to make. Figure that much again in advertisement and distrubution, which would mean $260 million in up front costs. We know that it took $400 million at the box office. We do not know how much was made on marketing deals(i.e. Spider man cereal).

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    13. Re:No Profits by FRAGaLOT · · Score: 1

      Another way bigger companies like show how they are "suffering" is when they end up with a lower profit than they expected. If they report "earnings to be up by 20% from last year" and end up with only 19%, they use that as an excuse to downsize, by cutting jobs, closing shops in some locations, etc.

      They forget they STILL MADE a 19% profit from last year, and that just a comparison from last year, doesn't say how much they actually made for that year.

      --
      -FRAGaLOT
    14. Re:No Profits by Tim+Doran · · Score: 2

      Dammit, I wasted all my mod points the other day.

      Somebody please reward the parent with a [+1 Funny]...

    15. Re:No Profits by jafuser · · Score: 3, Interesting
      Doesn't this help with taxes too? As in, if there's no "profit" then they pay less or no taxes?

      The incentive for companies then is to use up all income immediately as "marketing" (or other) expenses... new luxury cars to drive around the execs, flights to europe for a week to "promote" the movie, including the marketing VP's family so they won't miss him/her, etc...

      Better to have something left over for the "company" than to give a piece to the government... I swear if there wasn't so much corporate welfare, exploitation, and "good buddy" politics, I wouldn't have to give 40% of my paycheck to taxes...

      --
      Please consider making an automatic monthly recurring donation to the EFF
    16. Re:No Profits by Happy+Monkey · · Score: 2

      The Lizard's twin brother was a wrestling announcer?

      --
      __
      Do ya feel happy-go-lucky, punk?
    17. Re:No Profits by BagOBones · · Score: 2, Informative

      Bruce Campbell's home page states that he will NOT be the lizard and that IMDB is wrong.

      --
      EA David Gardner -"... but the consumers have proven that actually what they want is fun."
    18. Re:No Profits by mbourgon · · Score: 2

      IIRC, one of the first movies to actually SHOW a profit was, of all things, Ishtar! (remember it?)

      From what I remember, the reason it showed a profit was that all the people who would normally cook the books, so that it didn't make money, wanted nothing to do with it. They were afraid it would taint their name, so they stayed away from it. So it earned money.

      I think any cross examination should include the dividends that are given out - after all, if there's no profit, why should they give out dividends, and where's the money coming from?

      --
      "Sometimes a woman is a kind of religion, she can save your soul & set you free from all your sins" - Bad Examples
    19. Re:No Profits by GoRK · · Score: 5, Insightful

      Well, you may be right about quarterly reports from big companies and whatnot, but you're wrong about gasoline.

      Generally, the establishment is lucky to make 5% net on the sale of gasoline, and that's before counting expenses for operating the pumps. Did you know that you play a flat tax of a *minimum* of 0.37 on each gallon no matter what the price is? It doesn't get any cheaper as prices go down, even though it should based on what the taxes are designed to pay for! Aside from that, it's illegal to inflate gasoline prices. I do not agree with the current taxation of gasoline, but I do agree with the price. Here's why:

      Relative to the value of a dollar, gasoline is cheaper in the USA now than it has been anywhere in the world, *ever*. Granted, a couple years ago we got to see 76 cent gasoline in some places, but that was abnormilly low. Where is any company in the line from the investors on the drilling rig to the store selling you the gasoline supposed to take a $35 barrel of 50 gallons of oil and turn it into something they can make money with selling it for 38 cents/gallon (not including tax). Gasoline is already being practically given away as it is. People should stop complaining so much about it and rethink their decision to buy a new $45,000 car that gets less than half the gas mileage of the land yachts of the 70's.

    20. Re:No Profits by dacarr · · Score: 2

      Not to nitpick, but profit is what is left after expenses (whatever's necessary forthe company to operate, everything from payroll to postage) have been removed from the revenue.

      --
      This sig no verb.
    21. Re:No Profits by Trailer+Trash · · Score: 1

      This is similar to the little pie chart you see on gas pumps claiming only 5% profit on gas sales. The problem is that profit is purely subjective since all expenses are subtracted from profit.

      I won't even nit-pick your brilliant logic about subtracting expenses from profits. The fact is that gas stations typically charge no more than 5 cents per gallon above what they pay for the gasoline. In other words, if you pay $1/gallon, here's what it looks like:

      Taxes: $.37
      Cost from supplier: $.58
      "Profits": $.05

      Note that I put "profits" in quotes, because nitwits like yourself think that's what they are. Out of that money, they have to run the business. Nobody make money on gasoline.

      That's why gas stations all have a little grocery store with cigarettes, lottery tickets, pop, milk, and over-priced grocery items. Most of those things (except perhaps milk) are high-markup items that bring in good revenue for the business, and actually make the profit.

    22. Re:No Profits by Malcontent · · Score: 4, Funny

      "Relative to the value of a dollar, gasoline is cheaper in the USA now than it has been anywhere in the world, *ever*."

      Well somehow I doubt the gasoline in the US is cheaper then in Quatar or Abu Dhabi.

      Also remember that all the oil in the world actually belongs to us. We may let other countries sit on top of our oil reserves but we reserve the right to kill them anytime we want if they mess with our oil supply.

      --

      War is necrophilia.

    23. Re:No Profits by dildatron · · Score: 2

      Practically speaking, it would probably not. Since money is all uniform size, it is space-efficient to store. If you ran it through a chipper/shredder, you initially would have the shredded money take up more space, but you would be able to compress it more, eventially taking up less space.

      --


      If you had nuts on your chin, would they be chin nuts?
    24. Re:No Profits by scrutty · · Score: 1

      The IMDb clearly states on that page that the title is "In production" and that the present data is speculative.

      --
      -- Oh Well
    25. Re:No Profits by nelsonal · · Score: 1

      Cash flow, they don't show profits, they have non cash charges that mean that no movie ever shows a profit, but all of them pull in large cash flows. I can't find much online, but this mentions the issue on the first page. It is all legal according to GAAP, which are the rules for accounting, but the accounting boards are trying to fix some of the issues associated with this problem. It's like depriciation, when a company buys a piece of equipment, say a server with a price of $10,000, that will last several years, say three for our example, they company would pay for the server up front, but would not charge all of the cost to their earnings in the year they purchased it. Instead, they would take a charge of $3,000 each year, assuming the server is worth about $1,000 at the end of the three years. The company's profits are reduced by $3,000 each year, but the depriciation does not affect each year's cash, they already bought the server. The biggest benefit is that your taxable earnings are reduced by your depriciation, so you lower your future taxes. Cable companies almost never make a profit, and I don't think any movie in history has ever shown more than a negligable net profit, there are many costs that can be ammortized against profitable movies.
      So, if any of you ever are in working out a movie contract, be sure your cut is of Gross not net, note that you could also hire a good agent or lawyer with experience in motion picture contracts. They should know this as well.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    26. Re:No Profits by Amazing+Quantum+Man · · Score: 5, Informative

      Do a Google search on "Buchwald" "Coming to America" "Paramount"

      for more on how movies don't make money.

      --
      Fascism starts when the efficiency of the government becomes more important than the rights of the people.
    27. Re:No Profits by jgalun · · Score: 5, Interesting

      If no movies make profit, then how do studios make profit? Surely they must, or you'd hear about it on financial news etc.

      Well, I totally agree that Spiderman obviously must have made a profit, or they wouldn't be making a sequel (and an X-Men sequel, and a Hulk movie, and a new Superman movie). However, in answer to your larger question - movie studios are actually not very profitable. I read an article about this a couple years back, and basically buying a movie studio is a horrible investment. The dynamics of the industry (movies costing so much to make, basically) mean that the studios themselves are not a good ROI. Yet people invest in them for one of two reasons:

      1) The glamour. People aren't always rational economic actors, or at the very least, you have to take into account that people may seek more tha money. Yes, perhaps I could make 6% profit investing in bonds, but maybe I'd rather have 3% profit but hang out with movie stars/sleep with actresses all the time.

      2) Media conglomerates believe that somehow, "synergy" will eventually make the movie studios pay off. Yes, this movie studio isn't a good investment as a standalone, but maybe if I tie my magazines, TV channels, pay per view channels, and retail stores together I can make it profitable.

    28. Re:No Profits by evocate · · Score: 2

      How is this *not* off-topic? We're talking about Spiderman here.

    29. Re:No Profits by SparkyMartin · · Score: 1

      $35 barrel of 50 gallons of oil and turn it into something they can make money with selling it for 38 cents/gallon (not including tax).

      Gas is about 40% of what is derived from crude oil and ends up roughly 40% of the revenue. There's oil, diesel, kerosene, residue used for asphalt, and all the chemicals that eventually turn into all the plastics and rubbers we use in our daily lives. Most of these are sold for much more than the price of gas, and generates a nice healthy profit for the oil companies. That's probably why so far, gas is cheaper than water.

      But if ppl complain about the price of gas, they have the option of walk, biking, taking the bus. Christ, I know ppl that drive to work when work is across the street.

    30. Re:No Profits by Lagged2Death · · Score: 1

      The story says, in part:

      Marvel has reported millions of dollars in earnings from the film but has told Lee the company has seen no "profits" as defined by their contract.

      Yeah, it seems pretty wrong that the guy who invented Spider-Man should get no bonus check when the movie is a success. But we haven't seen the contract - maybe he isn't due anything, legally speaking, according to its terms.

      The funny part is that the media biz ends up looking pretty bad either way - the "artist's rights" that they wring their hands over so publicly obviously aren't really a top priority for them at all, not that we're surprised.

    31. Re:No Profits by coupland · · Score: 2

      Yes I understand how profits are calculated. So when you hand out $25 paperweights that read "Employees are our Most Valuable Asset" to every person in the company, that's an expense. It is deducted from revenue and profits drop accordingly.

      In fact this is how much Enron-like accounting starts. In order to keep profits stable, a company might "invest" funds during a highly profitable year, thus hiding a portion of profits. During lean times you might reclaim some of these investments and add them to revenue. The net result is that profits are kept at an attractive average, rather than fluctuating wildly. After all, shareholders will praise you if profits increase 5% for three years. But they'll have your job if profits rise 25% one year then drop by 10% the next year. So companies start to transfer money between "buckets" to save their skins. Microsoft did this, Enron did this. However Enron did it to hide the fact that they were in serious financial trouble whereas Microsoft was using it to keep profits stable, not to deceive shareholders. This is the difference between a simple warning from the SEC for Microsoft and jail time for Enron.

    32. Re:No Profits by Anonymous+Custard · · Score: 3, Insightful

      How is this *not* off-topic? We're talking about Spiderman here.

      No, we're talking about companies using clever or misleading accounting to misrepresent profits. This problem is especially relevant in a down economy, where companies aren't afraid of giving lower profit reports if it means they gain elsewhere.

      In this case, Marvel stands to save ~$10,000,000 USD if they can avoid paying Stan Lee. They have the rest of the money from the movie, no matter what they add or subtract before they calculate 'profit'. Investors won't worry if profits are reported low for the Spiderman movie; they know how successful it and other Comic book movies tend to be, especially if we go to war.

      Spiderman is just the context, but the debate can apply to many industries.

    33. Re:No Profits by Dyolf+Knip · · Score: 4, Insightful

      That's why an income tax is a nice idea in theory (tax the wealthy a higher percentage than the poor), but becomes utterly impossible to implement in real life. You have to know everything about everyone to keep it legit. I wouldn't mind higher sales taxes or even interstate commerce taxes as an IRS replacement. The uber-wealthy and big corps may be able to hide what they earn and lie about what they spend it on, but it would still get taxed anyway. Of course, then they'd just start doing under-the-table sales... sighhh...

      --
      Dyolf Knip
    34. Re:No Profits by vanyel · · Score: 2

      I used to work at a gas station, though that was back when people complained about our gas being expensive at $0.69/gallon. Out of that, we got a nickel, the rest went to the wholesaler, who I think is who paid the per-gallon taxes. The owner said most of his profit came from our mechanic (who was really good), though I see that in the years since, the shop has been converted to a mini-mart, like most others.

    35. Re:No Profits by GregWebb · · Score: 1

      Sales tax is regressionary: we all have to eat, live somewhere, by clothes etc etc etc.

      Essentially, the poorer you are, the higher the percentage of your income that you have to spend to save is - which ought to be pretty obvious. So, if we remove income taxes but bump up sales taxes, we end up with a bunch more poor people - which causes all sorts of problems, but this isn't the place to discuss them.

      Anyway, I vote no and that's why.

      --

      Greg

      (Inside a nuclear plant)
      Aaaarrrggh! Run! The canary has mutated!

    36. Re:No Profits by GregWebb · · Score: 1

      Buy clothes, sorry...

      Spotted that as I pressed Submit. Typical :-)

      --

      Greg

      (Inside a nuclear plant)
      Aaaarrrggh! Run! The canary has mutated!

    37. Re:No Profits by Anonymous Coward · · Score: 0

      Almost everything you say, starting with the Hawaii thing and ending with the buring of $100 bills, is false.

      There are strict rules on deductability, even for coporations. THINK. READ. LEARN. THEN: POST.

    38. Re:No Profits by quintessent · · Score: 2

      Moderators: Please read parent post to see if a post is or is not off-topic.

    39. Re:No Profits by Dyolf+Knip · · Score: 2
      I'm well aware of the reasons why sales tax in practice are bad, but twice a month I see evidence of why income tax is worse. People and companies that can afford accountants always end up paying far less than they would under a perfect income tax. The poor and middle class end up having to foot the bill anyway. If we can't have something that's even close to being fair, we might as well have one that is (comparatively) simple and requires far less intrusion into our paychecks and lives than an organization like the IRS.

      Note that we have far fewer problems with a graduated sales tax. Essentials like groceries are already taxed little, if at all (and food stamps make them entirely irrelevant), while a luxury car gets a much higher percentage.

      Doesn't matter. Considering what it took to get the 18th repealed and the continuing existence of the DEA despite its obvious failure, it's not even remotely likely that Congress would repeal an ammendment, disband a major government agency, _and_ cut off their biggest source of income. You'd need a majority Libertarian government and, as much as I like them, there's no way it'll happen in my lifetime.

      --
      Dyolf Knip
    40. Re:No Profits by Anonymous Coward · · Score: 0

      I totally agree. In fact, a gallon of gasoline is far..far cheaper then fucking bottle of "purified" water.

    41. Re:No Profits by Mr_Dyqik · · Score: 2

      So how come the MPAA can buy so many politicians? Or are MPAA subscriptions part of the cost of the movies?

    42. Re:No Profits by Fjord · · Score: 2

      Of course, the really funny thing is that Kevin Smith was saying this to Jason Lee, who is Stan Lee's son.

      Stan Lee also appears in Mallrats.

      --
      -no broken link
    43. Re:No Profits by damien_kane · · Score: 1

      Of course, the really funny thing is that Kevin Smith was saying this to Jason Lee, who is Stan Lee's son.

      Yet another reason this comment was totally obligatory.

      Stan Lee also appears in Mallrats.

      And in Chasing Amy and Dogma IINM

    44. Re:No Profits by Fjord · · Score: 1

      I put the "also" in the wrong place so it looked like I was still talking about Jason. I meant "also, stan lee was in Mallrats". Jason Lee was in the movies you listed tho.

      --
      -no broken link
  3. And in other news by youngerpants · · Score: 5, Funny

    Pop stars are getting ripped off, developers are getting ripped off, fishermen are getting ripped off, the fire department are getting ripped off, etc, etc, etc

    Dont mean to sound despotic, but Stan, join the queue

    1. Re:And in other news by mark_lybarger · · Score: 2, Insightful

      developers are getting ripped off

      isn't /. holding up its end of the bargin and providing plenty of interesting reading material between the "idle" times at the office? comon, we were recently enlightened about a spanish book about neanderthals

      ripped off indeed.

    2. Re:And in other news by c13v3rm0nk3y · · Score: 3, Funny
      isn't /. holding up its end of the bargin and providing plenty of interesting reading material between the "idle" times at the office?

      <HOMER>Look at me! I'm surfing the net! And getting PAID. Woo-hoo!</HOMER>

      If I do just a little more "research" for only one more hour, I can go for lunch!

      --
      -- clvrmnky
    3. Re:And in other news by Anonymous Coward · · Score: 0

      despotic?

      Doesn't that mean tyrannical?

    4. Re:And in other news by ocie · · Score: 1

      The band-aid covering my paper cut is getting ripped off. yow!!

      --
      JET Program: see Japan, meet intere
    5. Re:And in other news by Anonymous Coward · · Score: 0

      Fishermen don't get ripped off; they smuggle cocaine!

  4. Why should Stan Lee get anything? by JSC · · Score: 5, Funny

    After all, he didn't do anything important re: Spiderman. All he did was develop the idea in print, nurse it along for years, pour his sweat and blood into it, bring respectability to a substandard art, etc.

    The studio did the hard part. They hired the lawyer to screw Stan! If that isn't worth the 10% I don't know what is.

    --
    Time's fun when you're having flies. - Kermit the Frog
    1. Re:Why should Stan Lee get anything? by jonr · · Score: 4, Funny

      Yeah, he only drawed the thing. I mean, I could do that! Corporations have rights, too you know. Anybody can dabble wit pencils and paper, but it takes real work to create all those special effects...
      J:

    2. Re:Why should Stan Lee get anything? by Anonymous Coward · · Score: 0

      Corporations have expensive debts, including lavish coke parties, and renting out small islands. It is Stan's responsibility to support the actors with 9 digit salaries. If they can't make an honest living, who can?

    3. Re:Why should Stan Lee get anything? by rovingeyes · · Score: 5, Insightful
      but it takes real work to create all those special effects...

      The irony is that even those are done by artists.

    4. Re:Why should Stan Lee get anything? by invid · · Score: 2

      Stan didn't draw Spider-Man. Steve Didko did the art. Let's not forget Steve. Stan just came up with some idea about some kid getting spider powers, so he didn't even dabble with pencils and paper. Just some idea. Like that idea about the Incredible Hulk. And the Fantastic Four. And oh yeah, some bunch of mutants called the X-Men. Just ideas. Just thoughts. Heck I can have ideas. Anyone can have ideas! (Well, just about anyone, I've heard even lawyers have ideas sometimes.)

      --
      The Moore-Murphy Law: The number of things that will go wrong will double every 2 years.
    5. Re:Why should Stan Lee get anything? by Veldcath · · Score: 3, Insightful

      I think 'special effects' was meant like all those fun items listed in the books that list expenses which end up spelling 'no profits'...

      In all fairness, Marvel had a hand in making the movie, but I don't think they were the company behind the wheel. Marvel only gets a percentage based on some (probably complex) formula and it souns like Stan Lee gets paid ten percent of what profit Marvel makes off of it. So it IS possible, however unlikely, that Marvel's expenditures to get the movie made are roughly equal to what they get out of it. But... IANAA (I am not an accountant... thank god. ;)

      --


      ... "I read part of it all the way through." -- Movie Mogul Sam Goldwyn (and some slashdot readers)
    6. Re:Why should Stan Lee get anything? by Picass0 · · Score: 2

      You mean Steve Ditko.

      Just like Stan created all of Marvel's most famous characters, er, no, wait...that was Jack Kirby...

      You know, seeing how many of Marvel's finest creators have been used, mistreated, and screewed out of royalties over the years, it's rather amusing to see Stan get a taste.

    7. Re:Why should Stan Lee get anything? by j_kenpo · · Score: 2

      Not only that, but I seem to recall Stan doing quite a bit of publicity and advertising for the movie. I remember a few interviews with him about the movie.

    8. Re:Why should Stan Lee get anything? by whtld · · Score: 2, Informative

      Stan Lee's contribution to spiderman is overrated. The art and plotting were done by Steve Ditko, Stan filled in the dialogue.

    9. Re:Why should Stan Lee get anything? by graikor · · Score: 1

      To Spider-Man? I respectfully disagree. The best case for Stan taking credit for creating a character he didn't actually create is the Silver Surfer, but Spidey, the FF, the Hulk, Iron Man, and the X-Men were all the result of Stan saying, "Let's make a comic about a character [or team] that has this power and these kinds of problems.

      I do think that Kirby and Ditko contributed immensely to the character development, and deserve co-creator credit, and that the artist/plotters are probably more responsible than Stan for the overall popularity of the characters, but the seeds of the characters came from Stan's head. (and I'm sure they germinated quickly with all the self-congratulatory B.S. that also is in his head)

    10. Re:Why should Stan Lee get anything? by Anonymous Coward · · Score: 0

      Two words: Steve Ditko...

    11. Re:Why should Stan Lee get anything? by Catbeller · · Score: 3, Interesting

      As for Steve Ditko, he doesn't get much ink today, but that is because he took Ayn Rand's philosophy a bit too seriously, to say the least, and hasn't come out of his apartment in decades. Or talk to people. Something about his personhood. Lee has no idea what his problem with everyone is. No one does.

      Steve! Come out! The Randites are winning! You can talk to us now!

    12. Re:Why should Stan Lee get anything? by Anonymous Coward · · Score: 0

      Actually Steve Ditko was the artist that helped create Spider-man. Stan Lee did the words.

  5. Re:/.ed already by szo · · Score: 0, Offtopic

    1 pm, already slashdotted. It's a round world, you know...

    Szo

    --
    Red Leader Standing By!
  6. This is why you never deal in profits by Sycraft-fu · · Score: 4, Insightful

    If you liscence something for a peice of the action always, ALWAYS try and do it based on revenues. Yes, you'll have to settle for a lesser percentage BUT you it is much harder for them to screw you. Basically, you get paid based on a percentage of sales, not profits.

    The problem is, it's easy for acountants to find creative ways of including more "expenses" to make it look as though there were no profits. If that happens, then you have to fight it out in court. Revenues are much mroe straight forward, and harder to fudge, so it's much harder to screw you on them.

    1. Re:This is why you never deal in profits by Smidge204 · · Score: 2

      No surprizes here.

      Kinda reminds me of a certain energy company that disappeared not too long ago.

      =Smidge=

    2. Re:This is why you never deal in profits by Anonymous Coward · · Score: 0

      Screw aging comics creator.
      ????
      Profit!!!

    3. Re:This is why you never deal in profits by Anonymous Coward · · Score: 0

      Once again, things that should have been brought to my attention... YESTERDAY!

    4. Re:This is why you never deal in profits by ComaVN · · Score: 5, Funny

      That should be:

      - Make blockbuster movie
      - ????
      - No Profit!
      - Profit!!!!

      --
      Be wary of any facts that confirm your opinion.
    5. Re:This is why you never deal in profits by fudgefactor7 · · Score: 2

      Another good idea is to have UP FRONT what defines profit, alternatively, demand payment based on (as was said) total revenues or on net profits. At least this way someone gets paid.

      Stan, sorry you got screwed. But I hope Stan wins.

    6. Re:This is why you never deal in profits by Sycraft-fu · · Score: 2

      The problem is that net profits is well defined. It is total profit after all expenses. Ok, fine, but what constitutes an expense? It's something that can't really be laid down in contract since so many things can cut into profits. Now if you are dealing with an honest bussiness its not a problem, but a dishonest bussiness with creative accountants can make anything look unprofitable on paper.

      Revenues are also clearly defined and, unlike profits, there is no real interpretation to go into them. It is a matter of record what the sales on something are and there isn't any way, short of falsifing figures (illegal) to hide it. Hence, if you take a deal on revenues you WIL get money if your stuff sells, whereas profits you could potentially get screwed.

    7. Re:This is why you never deal in profits by Tablizer · · Score: 2, Funny

      How about:

      1. Profit!!!
      2. Hide Profit
      3. Profit More!!!

    8. Re:This is why you never deal in profits by james_pb · · Score: 1

      You're about as likely to get a share of the gross as my kid sister was likely to get a pony for Christmas.

      People negotiating these deals know what they're getting into. If you're not Tom Cruise, you're not getting a piece of the pie before "expenses" are deducted.

    9. Re:This is why you never deal in profits by nentwined · · Score: 1

      and is this profits before or after they pay you?

      --
      heaven
  7. Hah! by BJH · · Score: 4, Insightful

    The part that really gets me is this: ...the company is "in full compliance with, and current on all payments due under, terms of Mr. Lee's employment agreement."

    As if Stan Lee were just some burger flipper, instead of the person who created the character that they made $400 millions dollars from.

    I've had it up to here with people that seem to think that a corporate lunch every now and then with their buddies makes them "creative".

    1. Re:Hah! by trezor · · Score: 1
      • I've had it up to here with people that seem to think that a corporate lunch every now and then with their buddies makes them "creative".

      Ooh! How creative of you. :)

      --
      Not Buzzword 2.0 compliant. Please speak english.
    2. Re:Hah! by sql*kitten · · Score: 3, Informative

      As if Stan Lee were just some burger flipper, instead of the person who created the character that they made $400 millions dollars from.


      Maybe the studio/distributor made $400M (and that's revenue not profit), but Marvel only made $12M - that's what they sold the rights for. 10% of $12M is $1.2M. The article doesn't say that Stan Lee had a contract with New Line (or whoever).

    3. Re:Hah! by afidel · · Score: 2

      The film has made just south of US $1,000,000,000 between worldwide box office and the first week of video release. I find it hard to believe that Marvel didn't get more than $12 million from it, they would have to be incredibly stupid to sell a franchise like spiderman for such a small amount.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    4. Re:Hah! by Anonymous Coward · · Score: 0

      Of course, Stan didn't "create" the character... the character, supporting characters, and basic storyline used in the movie was the work of artist Steve Ditko. All Stan ever did was fill in the word balloons...

    5. Re:Hah! by Catbeller · · Score: 2

      I keep reading the point - not just in this thread -- that profit is not revenue, and that expenses must be subtracted before profit is apparent.

      Very Biz 101, but, really, if a movie grosses 1 billion dollars, and somehow the bloodsu- I mean, the businessment involved in production, marketing, and distribution somehow spent that 1 billion, then the shareholders, in proper businesslike spirit, should fire the entire lot of them. But they don't. Why?

      Because it's a crock, that's why. It's why Microsoft and hundreds of other megacorps don't pay taxes. Business has paid for laws that make sure they don't pay taxes. Hell, they just bought themselves all branches of the Federal government. The only people that will be paying taxes in twenty years will be the middle class. That'll get rid of all those commie social programs... no money to fund them!

    6. Re:Hah! by Citizen+of+Earth · · Score: 2

      As if Stan Lee were just some burger flipper, instead of the person who created the character that they made $400 millions dollars from.

      According to the very confused records of the IMDB, the film made $800-million worldwide. (Not counting video & merchandising.) Why is only the in-USA figure the only one that anyone ever talks about? Does the other $400-million simply not exist? Is it not as green? Is it not a measure of greater success? Check a map! There is more land in the world besides the USA.

    7. Re:Hah! by SillySlashdotName · · Score: 1

      I thought you had it, but then you let it get away.

      The movie grossed $1B, but it had expenses - INCLUDING what it paid to the movie studio. Therefore the MOVIE STUDIO made a profit (as did their shareholders) and they are happy, while the MOVIE is still not making a profit.

      The movie takes in another $100 mill? Surely that is all profit, right? NO! The movie studio gets their share (and it may be all profit TO THE MOVIE STUDIO, but it is expense to the _movie_), distribution gets their share, marketing gets their share, the people who got GROSS points get their share, and the movie never catches up.

      The MOVIE starts out negative profit, because the movie studio fronts the money to make the movie in the first place for a percentage of the gross. Therefore, the movie NEVER stops paying on the initial debt (and interest on the initial investment), even after paying back ALL the costs of making the movie - and the studios keep making a profit, making more films that profit the studios but never actually make a profit, and the shareholders are fat and happy.

      As someone pointed out above (and probably below, as well) PROFIT = REVENUE - EXPENSE. Revenue is what the movie takes in - in this case $1B is being mentioned; I have not researched it, but it sounds reasonable. Expense includes the bills the movie has to pay - INCLUDING what it pays the movie studio and anyone with points of the gross.

      An interesting thought is what would the movie use any profit to buy? What does a movie want? Is "SpiderMan" going to buy a car to go for a drive? Does "Thelma and Louise" want to have a night out with the other chic-fliks? It would seem to me to be in the best interests of the movie industry to make sure that EXPENSES = REVENUES and, contrwise, that REVENUES = EXPENSES - - leaving PROFITS = 0 in all cases. Having a film make a profit means someone screwed up.

      --
      Acts of massive stupidity are almost never covered by warranty. --me.
    8. Re:Hah! by BJH · · Score: 1

      I said $400 million because that was the figure mentioned in the article. I assumed that that was the world-wide take... I didn't even consider the possibility that it might be only the US revenue.

      I guess that makes me more international than you ;)

  8. Not that unusual by Pike65 · · Score: 4, Interesting

    According to my Accounting lecturer (don't look at me like that - it's compulsive for my ComSci Masters course) this isn't that uncommon. He pointed us to this from the Guardian . . .

    "Robert Carlyle, star of the internationally popular film The Full Monty, was puzzled because he had not received any of his share of the profits from the film. 'Surely a film that cost £5 million and has taken hundreds of millions must be showing some in profits?' he asked the film's distributers. 'No', they replied 'in Hollywood no film ever makes a profit. It's all in the overheads.'"

    Remember kids, "tidal waves couldn't save the world from Californication . . ."

    --
    "If being a geek means being passionate about something, then I pity those who aren't geeks." - Pike65
    1. Re:Not that unusual by Temporal · · Score: 4, Interesting

      And according to my economics textbook, in perfect competition, no company ever makes a profit. After all, if one company was selling their goods at a price that brought them a profit, than some other company should be able to sell for less, and naturally everyone would buy from the cheaper company.

      Well, of course that's all theory and it's hard to apply to practice, especially in the case of intellectual property (which, IMO, really needs a completely different economic system to support it, although I don't pretend to know the solution)... but that's the theory. And if you think about it long enough, it makes sense that no good company would ever actually have "profits", although I'm having trouble coming up with a good way to explain why...

      I think the real question here is, first of all, how evil was it for them to even offer a percentage of profits to this guy when they knew full well that "profits" don't really exist, and second, how dumb was this guy to accept a deal based on profits rather than revenue?

      Lesson to everyone: When negotiating with big companies, never accept a percentage of profits in return for anything. Always ask for revenue, or a set dollar amount.

    2. Re:Not that unusual by AvitarX · · Score: 2

      The problem with the no proffits business model is that it ignores the fact that large companies require lots of capitol. The people that put up the capitol want to make money without working (divideneds). This money comes from proffit (of course technically you could call it an expense). Also the company needs a rainy day fund (or is that an expense too?). The point is that ma and pa shops don't need proffit, only saleries for the people working there, but large businesses need to proffit to pay the people who invest but do not work. Why put money into something for no reason? to let the prices be lower?

      Maybe the perfect bizaare economy has no proffit, but multi binnion dollor corp will need it to exist, and dispite the benifits of the bizaare economy, I would imagine that small vendor X is going to have a lot of trouble making a washing machine, or a microprossesor at a price I can afford.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    3. Re:Not that unusual by GigsVT · · Score: 1

      You havn't hit the section on barriers to entry yet apparently. Barriers to entry, incompletly informed consumers, and monopolies (and companies large enough to put pressure on their market) will prevent profit from going to zero.

      Also, profit only goes to zero in a commodity market, any sort of differentiation in the products makes the rule not apply.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    4. Re:Not that unusual by sql*kitten · · Score: 3, Informative

      And according to my economics textbook, in perfect competition, no company ever makes a profit. After all, if one company was selling their goods at a price that brought them a profit, than some other company should be able to sell for less, and naturally everyone would buy from the cheaper company.

      This is like those high-school physics textbooks with statements like "assume a spherical elephant". The "perfect economy" you refer to is completely abstract and bears as much relation to the real world as a perfectly spherical elephant does to real aerodynamics. Example: Say a haircut costs a corporation $0.99. It doesn't matter if Corporation X is selling haircuts for $1 in Delaware, if Corporation Y is selling them for $2 in Anchorage, then you pay $2 because it would cost you more than $1 to get to a Corporation X branch.

      You can only have a "perfect economy" if the cost of price data, knowledge of all competing products (including storing and processing the data) and shipping between any two points, and storage at either end is zero, and information and product distribution is instantaneous.

      it makes sense that no good company would ever actually have "profits", although I'm having trouble coming up with a good way to explain why...

      The reason a corporation would avoid profit is to avoid tax on that profit. But remember that corporations do pay a lot of tax whether or not they make a profit (payroll taxes like NI in the UK, for example), VAT, etc.

      Even without this distortion, the reason a company wouldn't have profits carried over from year to year is because any money left over at the end of the year would be paid to shareholders as dividends.

    5. Re:Not that unusual by IPFreely · · Score: 2
      I recall the trend towards being paid in percent of profit started back in Batman ('89) when Jack Nicholson demanded a percent of profit rather than flat fee (anyone confirm this?) He got a bundle because the film did better than expected. Now the industry is starting to catch on to the game and hide the profit.

      The next step should probably be for creators to demand 1% of the gross take rather than 10% of the profit. It would be a lot harder to hide the gross than it is to hide the profit.

      Back and forth, back and forth. It will be interesting to see what kind of games they play to hide the gross?

      --
      There is nothing so silly as other peoples traditions, and nothing so sacred as our own.
    6. Re:Not that unusual by thomas.galvin · · Score: 4, Insightful

      And according to my economics textbook, in perfect competition, no company ever makes a profit. After all, if one company was selling their goods at a price that brought them a profit, than some other company should be able to sell for less, and naturally everyone would buy from the cheaper company.

      You economics textbook is wrong. Theoretically, one company could always undercut the other, eventually selling everything at, or even below, cost, but this never happens unless a large company is dumping the market.

      Basically, it goes like this: if you can sell a widget for $5.00, companies will be willing to produce 100 of them. If you can sell a widget for $10.00, companies will be willing to produce 1,000 of them. If you can sell a widget for $15.00, companies will be willing to produce 1,000,000. (Just example numbers). Now, if a widget sells for $5.00, comsumers will be willing to purchase 1,000,000 of them. If a widget sells for $10.00, comsumers will be willing to purchase 1,000 of them. If widgets sell for $15.00, consumers will be willing to buy 100 of them.

      Because supply meets demand at $10.00, that is what the average market price for a widget will be. If you try to sell them for more, you are going to have left-over stock, and if you try to buy them for less, companies are not going to bother producing them.

      In perfect competition, therefore, every company makes a profit, but not a profit so great that it hurts the consumer. Unfortunatly, perfect competition is, for the most part,a pipe dream. Fortunatly, the good people running state governments are trying to tax internet sales again, which, as we all know, will make the market much better for everyone.

    7. Re:Not that unusual by Temporal · · Score: 1

      Yes, I'm aware that "perfect competition" does not occur in reality. My point is just that it is not unreasonable or unexpected for Marvel to claim no profits on Spider Man. Most people think that a company won't do something if it doesn't generate a profit, but in reality it happens all the time.

    8. Re:Not that unusual by Pike65 · · Score: 2

      Actually, Alec Guinness did the same with Star Wars in 1977.

      He asked for a percentage instead of flat rate, and everyone thought it would bomb (George Lucas included - he was out of the country for the launch because he thought it would flop) so they agreed. The crafty old devil made an absolute mint.

      I think all that's right . . .

      --
      "If being a geek means being passionate about something, then I pity those who aren't geeks." - Pike65
    9. Re:Not that unusual by eh? · · Score: 1

      The original poster was not wrong... in the case of perfect competition... you seem to be confusing revenues with profits or something. In your example, yes companies will be able to supply 1,000 widgets at a price of $10.00, which is their revenue from the sale of a widget... but their costs to produce a widget would also be $10.00...

      Do a little research into marginal cost curves,,, very fun stuff ;-)

    10. Re:Not that unusual by Mr.+X · · Score: 2

      And according to my economics textbook, in perfect competition, no company ever makes a profit

      Profit, in the economic sense, includes opportunity costs. It's possibile for perfect competition to have the accounting type 'profits'.

    11. Re:Not that unusual by HamNRye · · Score: 2

      The true shame of it all is that this movie was supposed to gross about 300 million instead of 800 million. But there is still no profits lurking in that extra 500 million??

      Maggard's Axiom Revised: Don't trust your creation to MS or Marvel.

    12. Re:Not that unusual by Anonymous Coward · · Score: 0


      And according to my economics textbook, in perfect competition, no company ever makes a profit. After all, if one company was selling their goods at a price that brought them a profit, than some other company should be able to sell for less, and naturally everyone would buy from the cheaper company.


      Who the hell wrote your economics textbook? If this were true, the stock market would never go up... it'd be stuck where it was at during its inception. A more accurate statement would be:

      "The profits exhibited by a company will be a value that reflects the barriers to entry in that market, including: investment, resources (labor and physical), monopoly status, market penetration, and product maturity."

      If somebody is making 20% profit, but it takes $20 bn investment to crack that market and become a serious competitor, do you really think there'll be people pouring in to that market? *cough* microsoft *cough*

      On the other hand, if the local drycleaner is pulling in a 20% profit margin, don't you think that competition would be more likely?

      THAT is economics.

    13. Re:Not that unusual by s.a.m · · Score: 1

      I try not to remember that. I took a class on Price theory and all we ever talked about was these weird ass marginal cost curves etc.

      Found out one of those bastards is actually ROUND!

    14. Re:Not that unusual by Anonymous Coward · · Score: 0

      In perfect competition, therefore, every company makes a profit, but not a profit so great that it hurts the consumer.

      In economics, "profit" is not defined as "getting more money than you put in." It's "getting more money than you would have doing something else." In perfect competition, no one makes any economic profit since they're just as well off directing their efforts at a different market. Also, your example doesn't take production cost into account, so it's not clear what profit is. One thing that you don't cover in increasing marginal cost (once you make zillions of widgets, it costs more to make more because all the cheap materials are taken).

    15. Re:Not that unusual by thomas.galvin · · Score: 2

      Cost of production is why there will be a greater supply at $10 than at $5. Say thata widget costs $4 to make and market...profit at $5 is $1. Not a lot of incentive to manufacture widgets. At $10, however, profit per widget is $6...and because widgets are now more lucrative, there will be more people willing to produce them, creating a greater supply.

    16. Re:Not that unusual by gmhowell · · Score: 2

      You get an "A" for regurgitating the text, and an "F" for comprehension. No company, in perfect competition, makes an 'economic' profit. This is different from a financial profit. The economic profit assumes some amount of money to be rewarded for entrepreneurship, etc.

      Lesson to everyone: When negotiating with big companies, never accept a percentage of profits in return for anything. Always ask for revenue, or a set dollar amount.

      Even though you didn't get there the correct way, your final answer is correct. But this has everything to do with Hollywood accountants, and nothing to do with economics or financial concerns.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
  9. I wonder how "profits" is determined. by Epesh · · Score: 2, Interesting

    That's the thing the story's missing: it doesn't say what the terms are. It just says "10% of profits as defined." That's not very good: maybe "profits" was defined as "stuff left over after we paid everything out," which would always be $0, since they probably don't manage a reservoir of cash to pay 10% from...

    --
    Everybody dies.
  10. Steve Ditko by alexc · · Score: 5, Informative

    the artist steve ditko should receive some credit and money too. Unfortunately, none of the press seems to care that he is a co creator.

    1. Re:Steve Ditko by Anonymous Coward · · Score: 0

      Yeah, but he's just a tracer.

    2. Re:Steve Ditko by Anonymous Coward · · Score: 0

      See the Washington Post article. He's mentioned in the first few paragraphs.

    3. Re:Steve Ditko by Obiwan+Kenobi · · Score: 3, Interesting
      Actually he just drew Stan Lee's idea, and raised such a ruckus after he completed the accepted image (that Amazing Fantasy #15 cover art) that he got co-creator credit.

      You can hear all about it in the excellent Stan Lee's Mutants, Monsters, and Marvels, hosted by the always great K. Smith. It comes highly recommended.

    4. Re:Steve Ditko by Lachrymite · · Score: 1

      You can hear all about it in the excellent Stan Lee's Mutants, Monsters, and Marvels, hosted by the always great K. Smith. It comes highly recommended.

      It also comes included in the Spider-Man DVD Gift Set, if you feel like screwing Stan Lee over while watching about Stan Lee getting screwed over!

    5. Re:Steve Ditko by TomHandy · · Score: 2, Informative

      This is patently ridiculous.........first off, both Steve Ditko AND Jack Kirby contributed to the look and design and idea of Spider-Man (which, honestly, is one of the biggest) Using that Stan Lee's Mutants, Monsters and Marvels thing as evidence is a bit much, considering how much of a fanboy Kevin Smith is about Stan Lee, and that that whole project was done to make him look as good as possible. This notion about Steve Ditko "raising a ruckus" is ridiculous, as nothing in his personality indicates he would ever do that. In fact Steve Ditko himself basically didn't care about how Marvel treated him, but other people fought to get it. And your implication that Ditko didn't deserve the co-creator credit is ridiculous. Steve Ditko's artwork when Spider-Man began was some of the most influential ever (pick up one of Marvel's trade paperbacks reprinting the early Spider-Man issues and you will see), especially with the art on the webslinging through the air. Oh yeah, and Steve Ditko also did most of the real writing and storytelling on those early issues.....Stan Lee usually contributed some basic ideas and dialogue (you can normally recognize Stan Lee plots and dialogue by how ridiculous they are) but Ditko really fleshed out most of the early stories. And again, don't forget Jack Kirby's influence on Spider-Man, as he apparently had a lot to do as well with the look of Spider-Man. Honestly, Stan Lee's main contribution seemed to be coming up with the idea of a character with spider powers. But Stan Lee's ability to create original and compelling characters on his own seems really questionable. This whole case seems funny to me because everyone is going "oh, poor Stan Lee, he's being so mistreated by Marvel", when at the same time, Marvel under Stan Lee's watch regularly ignored people like Ditko and Jack Kirby and Stan Lee persisted for decades in taking sole credit for things that other creators played a big part in. -Tom

    6. Re:Steve Ditko by IvyMike · · Score: 2

      I imagine most people are asking, "Who's Steve Ditko?" I hadn't heard the name until I read this article in the LA Times a few weeks ago. To quote the article, "Reclusive artist Steve Ditko, who created the superhero with Stan Lee then abruptly walked away, is listed in new film's credits."

      There is some controversy over exactly how much credit Ditko deserves, but according to the article, he is not only being credited in the film, but also is given credit in recent issues of "The Amazing Spider-Man".

    7. Re:Steve Ditko by Anonymous Coward · · Score: 0

      You must be joking. The Marvel metod was: "Kirby/Ditko/... did the job and Stan filled the dialog boxes". Ditko is THE creator. The only thing Lee created was that stupid thing of "Big power/big responsability"

  11. Film returns should be made public! by krazyninja · · Score: 4, Informative
    This is somewhat similar to the way Simon was trying to reclaim Captain America way back, as in this link. To avoid issues like this, all data relating to money accruals for all films should be public. If the MPAA can support RIAA for taking action against copyright violators, why cant it do this??

    --
    "Do something man. Right now."
    1. Re:Film returns should be made public! by abe+ferlman · · Score: 3, Insightful

      Because nobody with money wants it to happen. Duh.

      What, did you think you lived in a democracy?

      Captain America indeed.

      --
      microsoftword.mp3 - it doesn't care that they're not words...
    2. Re:Film returns should be made public! by NewbieV · · Score: 5, Informative

      Some public information from Marvel's 10-Q SEC filing in this PDF:

      "7. SPIDER-MAN: THE MOVIE
      During 1999, the Company entered into a license agreement with Sony Pictures Entertainment, Inc., ("Sony") providing for the licensing of the Spider-Man characters in exchange for a gross participation in the marketing of the Spider-Man: The Movie (which was commercially released on May 3, 2002) and related releases on DVD/VHS and likely other revenue sources (e.g., syndication sales, etc.), and established an equally owned joint venture for the merchandise licensing of the Spider-Man: The Movie characters.
      Earnings associated with the Company's participation in the gross proceeds of the movie have been recognized as non-refundable advance royalty payments as received, which amounted to $10 million in 1999, and $2.5 million in the second quarter of 2002. During the quarter ended September 30, 2002, Sony reported Marvel's participation through such date at approximately $2.0 million in excess of advances previously received - which amount was subsequently collected from Sony. Prospectively, additional movie royalties will be recognized as revenue - as reported by Sony. Earnings associated with our merchandising joint venture (accounted for under the equity method of accounting) amounted to approximately $1.8 million during the three month period ended September 30, 2002, and $7.1 million during the nine months ended September 30, 2002, and represent the Company's share of merchandising royalties, net of expenses. The Company's share of the joint venture's earlier losses were $0.3 million in each of the years 2000 and 2001."

      Millions in revenue, but no profits?

      --


      "For every right, an equal responsibility..."
    3. Re:Film returns should be made public! by mrleemrlee · · Score: 1
      Actually, earnings and profits are the same thing. Revenue is the total amount of money taken in; earnings and profit both mean revenue minus expenses.


      It would be interesting to see exactly what Stan Lee's contract with Marvel says. This makes it pretty clear that Marvel was attributing X amount of earnings to the Spider-Man movie license. It would seem that Lee would be entitled to his 10 percent of X.


      I note that Marvel recorded the lion's share of earnings for this license when it originally sold the rights in 1999. Is it possible that Mr. Lee (no relation) got his cut of that then and is now seeking his cut of further royalties that Marvel is collecting?


      Marvel's take from the Spider-Man movie is made pretty clear in its 10-Q. Stan Lee's agreement is with Marvel, not Sony, so the movie business' notorious accounting isn't really the issue in his dispute; actually, if Hollywood's accounting practices are the issue, then both Marvel and Stan are getting screwed, because if Marvel gets a percentage of the net, it won't see the money it really should. Stan would be getting screwed as an extension of Marvel is getting screwed.


      It's an interesting case, regardless. But it's hard to form an opinion without know the exact wording of Stan's contract. He obviously should get paid, but that's not how a judge is going to look at the issue.

    4. Re:Film returns should be made public! by BrookHarty · · Score: 2

      Where is the IRS in all this shit? How many billions of dollars are lost due to this enron math.

      I'm sure we will never know, with all the kick backs, ops, pac money donations are clouding elected officals.

  12. Hmm... by Chexsum · · Score: 0

    Spiderman has been made into a movie?

    Why didnt Stan Lee *spidermans daddy?* complain about this?

    --
    Pixels keep you awake!
    1. Re:Hmm... by MjDascombe · · Score: 1

      Have you /any/ idea whats going on? Read the article?

    2. Re:Hmm... by mark_lybarger · · Score: 1

      Read the article?

      bite your vile tongue!

      psst. that's a completely different site you must be thinking of ;)

    3. Re:Hmm... by Chexsum · · Score: 0

      I read the article!

      Did you read my post? =)

      --
      Pixels keep you awake!
    4. Re:Hmm... by Anonymous Coward · · Score: 0

      You know, you sure say ugh and hmmm... a lot. You sound like a confused neanderthal.

  13. This is how it works. by shani · · Score: 3, Informative

    My understanding is that this is SOP for scriptwriters, for instance. No matter what the sales are, the net profit magically ends up being zero, so they never get any royalties.

  14. Boycott? by aagha · · Score: 2, Interesting

    Why Not? There's enought comic buyers in the US, not to mention the world, that $40M might actually be worth paying to avoid a boycott.

    1. Re:Boycott? by Fat+Linux+Bastard · · Score: 1

      Won't work. The atypical fanboy only cares about his immediate needs. Dangle something shiny in front of him and he will capitulate in a heartbeat.

  15. Time for the hulk! by colonelteddy · · Score: 2, Funny

    ME LOSE MONEY??
    that makes me angry, You wouldn't like me when I'm angry.

    --
    c - a blessed +5 grain of salt
    1. Re:Time for the hulk! by Anonymous Coward · · Score: 0

      Stan Lee> That's impossible. I'm the Incredible Hulk! Grrr! (rips shirt off)

      Stan Lee> Come on, change! Oh, I really did it once.

      Comic Book Guy> Yes yes. If only you had the power to leave my store.

  16. Damn, gotta find a new superhero by jki · · Score: 1
    "Marvel has reported millions of dollars in earnings from the film but has told Lee the company has seen no "profits" as defined by their contract."

    Haha! I was planning to buy my son Spiderman related stuff for the christmas, but not I will have to find a new super hero. Any suggestions, how about the dust puppy from user friendly ? :))

    1. Re:Damn, gotta find a new superhero by CptLogic · · Score: 2

      Actually you don't.

      If you buy Spiderman merchandise Stan Lee gets his 10% of the profits of that.

      Now bearing in mind Marvel is owned by a toy company, they really can't fudge the profits on merchandise. It's what pulled them out of Chapter 11.

      Spiderman movie Merch is about the only way Stan Lee is guaranteed to see money from that film.

      Chris.

    2. Re:Damn, gotta find a new superhero by jki · · Score: 1
      Spiderman movie Merch is about the only way Stan Lee is guaranteed to see money from that film.

      Thanks for posting that :) this is definitely good news for my son :)

  17. Re:/.ed already by LordKronos · · Score: 5, Informative

    Then here you go:

    Spider-Man creator sues Marvel

    NEW YORK, Nov. 12 -- The creative force behind Spider-Man, the Incredible Hulk and the X-Men filed a $10 million lawsuit Tuesday, charging his old comic book company is cheating him out of millions of dollars in movie profits. Stan Lee, who crafted a menagerie of superpowered heroes with very human flaws, now claims Marvel Entertainment Inc. has tried to shut him out of the "jackpot" success of this summer's "Spider-Man" movie.

    LEE'S ATTORNEYS filed court papers in Manhattan federal court, claiming that Marvel signed a deal to give their client 10 percent of any profits from his characters used in films and television shows.
    "Spider-Man" has been the year's biggest hit, grossing more than $400 million domestically -- but the 80-year-old Lee says he hasn't seen a penny.
    "Despite reaping enormous benefits from Mr. Lee's creations, defendants have failed and refused to honor their commitments to him," the lawsuit charges.
    Marvel has reported millions of dollars in earnings from the film but has told Lee the company has seen no "profits" as defined by their contract.
    Lee hopes a judge will intervene and make sure he gets a percentage of profits from the Ben Affleck movie "Daredevil," based on another of his creations, scheduled for release in February.
    He also seeks a share of profits from the upcoming movie "The Hulk," and the sequels to "X-Men" and "Spider-Man."

    The lawsuit demands damages and a court order forcing Marvel to turn over Lee's share in any profits from movies about characters he created.
    Marvel issued a statement saying Lee "continues to be well-compensated" for his contributions to the industry. It said the company is "in full compliance with, and current on all payments due under, terms of Mr. Lee's employment agreement."
    "Spider-Man" stars Tobey Maguire as the teenage superhero, Willem Dafoe as the villainous Green Goblin and Kirsten Dunst as love interest Mary Jane Watson. A sequel is due out in 2004.

  18. Alec Guiness?? by marsbarboy · · Score: 1

    Didn't Sir alec guiness (may he rest in peace) request some percentage of the star wars profits, and recieve them? Correct me if i'm wrong.. This very unfair to the original creator of material used by a studio to make pots of dough?

    --
    The truth is rarely pure and never simple. Oscar Wilde (1854 - 1900)
    1. Re:Alec Guiness?? by mccalli · · Score: 5, Insightful
      Didn't Sir alec guiness (may he rest in peace) request some percentage of the star wars profits, and recieve them?

      Remember young Jedi..."percentage of the gross".

      That's how Sir Alec Guiness, a man well used to the ins and outs of the film industry, managed to get his money. I believe Peter Cushing got the same deal, although I may be wrong in that. Percentage of the gross, not percentage of the profits.

      Cheers,
      Ian

    2. Re:Alec Guiness?? by ostiguy · · Score: 2

      Jack Nicholson made about 75mill off of the first batman that way, IIRC.

    3. Re:Alec Guiness?? by pbur · · Score: 1

      Harrison Ford also took this route with the Stars Wars films IIRC...And not just the films, but merchandising as well and it's forever. I think he still gets a cut to this very day.

    4. Re:Alec Guiness?? by Anonymous Coward · · Score: 0

      Well, the guy with the broom who sweep the set at the end of the day still receives a cut from Star Wars.
      It's a George Lucas thing, everyone on his films, from the big name actors to the cleaners, and everyone in-between receives, as part of thier contract, a cut of the profits. Gross profits. Lucas is just one of those generous types of film maker (a 1 of a kind?)

    5. Re:Alec Guiness?? by Anonymous Coward · · Score: 0

      Carrie Fisher loves to tell the story of how she got paid for Star Wars... when it came down to it, they decided they didn't have enough money to pay her what she wanted, so they gave her a percentage. She was incensed, figuring it wouldn't amount to anything... and then we all know what happened next.

  19. Typical Spidey Plotline by LittleGuy · · Score: 5, Funny

    Huge Economic Success due to Spiderman, but Peter Parker can't benefit because:

    * Check written in Spiderman's Name
    * False agency
    * Peter's sense of morality (and flashbacks of Uncle Ben) prevents him from accepting check.
    * Etc etc.

    --
    Mod Karma -1: I sed bad wurds. If I cep my mouf shut, I wud be at riyses.
  20. Sounds familiar... by Anonymous Coward · · Score: 0

    I remember a story here about the creator of Superman having similar qualms with the producer of the movie starring Christopher Reeve.

    In the same fashion, one of the co-creators, Jerry Siegel, who has since died, found that he had received very little compensation for the large amount of money compared to that of which the film had taken in. There's some interesting parallels here; unfortunately, things today are a bit more money-oriented than they were 25 years ago. Worth a read.

  21. Quick, someone tell him by asb · · Score: 1

    10% of $400M is 40M.

    And, BTW, the name of the movie is "Spider-man".

    --
    Antti S. Brax - Old school - http://www.iki.fi/asb/
    1. Re:Quick, someone tell him by Anonymous Coward · · Score: 0

      If I understood the problem stated in the article, the author was promised 10% of the profits, not 10% of the revenue. ( profits = revenue - expenses )

    2. Re:Quick, someone tell him by Anonymous Coward · · Score: 0

      Hi. $400 million is gross revenue that the film pulled in. Profits are probably $0.

    3. Re:Quick, someone tell him by MarkLR · · Score: 1

      $400 million is what Sony which made the film made. Marvel, who did not expect the film to be a hit as the last comic book film made at the time they made the deal with Sony was Batman and Robin only got a tiny percentage of this, maybe $10 to $20 million. It was Marvel that should have tried to get a better deal.

  22. This is EXACTLY how terrorists get started! by Anonymous Coward · · Score: 0

    So, would it be WRONG if Stan Lee duped the daredevil and spidey 2 movies and released them on the P2P network before the lousy studio make a mockery of their revenue streams again?

    Either way, there are supporters of Stan Lee out there who have NO TOLERANCE for such criminal behaviour, and they will make sure that Hollowood get their rewards.

  23. Huh?! by Anonymous Coward · · Score: 0

    Works fine for me. Of course I'm running IE on a Windows box so that might explain it.

  24. Remove copyrights on fictional works? by Jeppe+Salvesen · · Score: 5, Insightful

    Maybe we should remove all copyrights on fictional written works for a while? The industry is creating a false sense for would-be-artists that they can make a good living doing what they excel at, but most of them don't get anywhere due to mismanagment and greed. So - copyrights have largely ceased to benefit those who create the works of art.

    Why then should we feed the corporations with gullible, naive people out to change the world?

    I also get increasinly mad at people who continuously get money because their granddad was a good writer. That somehow is very wrong - as in, all people should have equal opportunity and equal responsibility.

    Copyrights on factual works is a bit of a different story. We have not understood the world sufficiently well to do something that drastical to the science community. However, patent reform is direly needed if our industry is going to start growing again - with real growth, not just growth based upon more effective court-room tactics.

    --

    Stop the brainwash

    1. Re:Remove copyrights on fictional works? by Captain+Daveman · · Score: 1
      Maybe we should remove all copyrights on fictional written works for a while? The industry is creating a false sense for would-be-artists that they can make a good living doing what they excel at, but most of them don't get anywhere due to mismanagment and greed. So - copyrights have largely ceased to benefit those who create the works of art.

      Maybe not. This stems from a basic lack of understanding regarding what a copyright is and how it is meant to work. The copyright is primarily intended as a sort of patent on intellectual property and is treated as such and administered as such. Note what government agency you contact to request a copyright. It does not and never will guarantee profitable return nor that any sort of living wage can be magically expected.

      Conversely, I don't know of any publisher anywhere that encourages the thought that it can. I don't know any author that encourages any sort of similar thought. There is a public perception that having your name on the spine of a book guarantees riches beyond imagining, but everyone who has even considered a life in the publishing industry knows that that is not true. Most authors that I know, or know of, are well aware of the unprofitability of what they do. One author even has a formula worked out for when writing becomes profitable enough to quit the day job. It involves stuff like not having debt.

      Most of the people who write, the vast, vast majority of people that I know who write, do not write because it makes them money, or ever will in Clancy/Grisham/Grafton-like amounts. They hope, they dream... but they write because they love to write. Because they enjoy the creative process and they love to see the finished work in their hands and can say, with pride, "This is mine, I made it." They get their thrills from people saying, "I love what you wrote, please write some more."

      And guess what? That's what the copyright protects, that's where its protective, nurturing action is, not in the mythical guarantee of a paycheck, but in the hard, real, concrete, actionable guarantee that no shmuck, loser or poseur can themselves claim it as their own.

      The copyright, the patent, and the trademark are not and never will be a guarantor of profits and Ghod help us if anyone ever tries to make them so. All they do, all they ought to do is protect the creator and his, her or their creation. What is needed is for people, authors and the like, to enter into contractual arrangements armed with knowledge and understanding. A little understanding can go a long way, like in the case of profits versus gross. Me, I want to make sure my slice comes off the top, so I'm going to tell my agent that that's a priority for me. He, on the other hand, ought to know that, and since his slice comes from a chunk of my slice, his interests there are my interests.

      There's nothing wrong with copyright law right now, and least not in this arena. There's everything wrong with how corporations exploit artists, on the very bases that Stan is getting exploited.

      Unless you want to suggest that we turn to a socialist economy where every artist is guaranteed a living wage for their efforts, there's not much else we can do but try to make the authors smarter about agents and contracts. And if that is your suggestion, I suggest in turn that you take a close look at the cultural life of the Soviet Union, especially in the 1930s under Stalin's Cultural Revolution... look into the lives of people like Anna Akhmatova and Mikhail Bulgakov and see just how happy these people were having a living wage paid to them... but having their work subjected to censors and official government approval. Pretty eye-opening stuff.

      --
      - Capt. D
    2. Re:Remove copyrights on fictional works? by Jeppe+Salvesen · · Score: 2

      I live in Norway. Although there is some rot, I would argue that artists have an ok deal here. Basically, some artists that are considered successful and important get their living wage paid for them - no strings attached, as far as I know. Of course, nominating and selecting those artists is probably a rather unfair undertaking.

      People who really care about writing will write, almost no matter what as long as people get the opportunity to read their work and they can make their living while writing. (I'll skip spelling out the nuances in this sentence, since you're a smart guy.) That seems to be part of what you're saying, at least. Now - some writers are good writers, and some writers are bad writers. Everyone is a bad writer to begin with. How can we set up a system where bad writers become good writers?

      I am not arguing that intellectual theft is required or desirable. I still want references to the source, or having someone say "this work is largely inspired by The Rainmaker by John Grisham", along with a reference . They would be able to publish it on their website, and get some feedback. It would be word-of-mouth, and people would write because they care about writing. There would be a random chance of recognition, which would lead to a lifetime scholarship. I frankly think that would be a more honest way than the current way.

      The fact that copyright was intended by your Consitutional Fathers to be a time-limited, and Congress just extended it again, shows that the current practice is flawed. Mickey Mouse would become public domain. That - to me - is excellent. They have milked him for what he's worth, and there's nothing new and interesting coming out. On the other hand, it would be very interesting to see what independent artists would be able to do with such a cultural icon.

      Maybe we should compromize, and say that copyright on fictional works should last for 5 years?

      --

      Stop the brainwash

  25. Reminiscent of Alan Moore and DC comic's Watchmen by Rinikusu · · Score: 5, Interesting

    This sounds a lot like DC's dispute with Alan Moore over Watchmen. (Doesn't DC own Marvel now?). Basically, Alan Moore (one of comics writing gems) created a wonderful story that made DC millions. Posters, T-shirts, coffee mugs sold like hotcakes, and Alan Moore got zilch (even though he was entitled to royalties and such). DC said the Posters, et al were "advertising" and thus were not subject to the royalty clause, thus legally screwing Alan Moore. It was that event that caused Alan Moore (a UK citizen) to quit writing for US based comics altogether for a good long while (until the advent of some of the more independent labels who actually treat their artists right). I may have some details a bit fuzzy, but I believe that's the gist of the story. (There were apparently other factors that also led to his "retirement" from US comics, as well).

    A google search didn't come up with anything substantial, but I seem to recall an interview with him in Comic Shop News or the other big weekly comic paper, maybe I'm just smoking crack regarding this. Might be best to disregard this. :P

    --
    If you were me, you'd be good lookin'. - six string samurai
  26. Movies NEVER make a profit.... by Anna+Merikin · · Score: 5, Interesting

    The Supreme Court of the US ruled more than ten years ago that the tradition of the US movie industry is well-known to cheat its stockholders and others by accounting tricks that reduce `profit' to zero -- at least on the books.

    It's a little like Enron in reverse -- cooking the books to remove all traces of return.

    It's quite legal and easy for them to do, and it has been the tradition in Hollywood since it began. And that's how the SC ruled in a case brought by a(n other) writer of one of the Predator series of Movies IIRC. In that case, like this one, Stan seems to have gotten percentage `points' (in Hollywood jargon) instead of real dollars.

    The studios find it easy to do this, as they can charge whatever they like for stock footage (stuff they've already shot and used in other movies) since they are the true producers, whatever the credits might say. And all movies use stock footage somewhere. F'rexample, the fire scenes in Gone with the Wind have been used (and charged for at inflated prices) in hundreds of movies.

    This and `distribution costs' allow them the room to reduce the booked profits on any and all projects to zero.

    The Predator movie the Court ruled on was, at the time, the largest grossing (worldwide) movie in history. And it never made a profit.

    Neither did Goodwill Hunting or Titanic.

    1. Re:Movies NEVER make a profit.... by PhilHibbs · · Score: 2, Interesting

      In the director's commentary to Fight Club, they point out that "Jack's" cold breath in the ice cave is actually Leonardo di Caprio's from Titanic. I wonder if this is why.

    2. Re:Movies NEVER make a profit.... by anonymous+loser · · Score: 2
      That's not quite true. There are a few different ways to skin a legal cat. Art Buchwald managed to successfully sue Paramount when they refused to hand over a portion of the successful film "Coming to America".
      The breach of contract challenge to the SPD of Paramount Studios in the Buchwald case revolved around a theory of unconscionability. Art Buchwald and his partner, Alan Bernheim, sued Paramount Studios for breach of a written agreement to pay for the use of Buchwald's treatment It's A Crude, Crude World as the basis for the Eddie Murphy film Coming To America. Buchwald's contract with Paramount called for him to be paid a portion of net profits, using Paramount's SPD. The case was tried to Los Angeles Superior Court Judge Harvey Schneider in three phases. In the first phase, the court found that Paramount had used the Buchwald treatment to make Coming To America; in the second phase, the court found that portions of the Paramount SPD were unconscionable under California law; and in the third phase, the court awarded damages in favor of Buchwald and Bernheim of $900,000, based upon its reformulation of the contract after finding portions to be unconscionable.

      From this article about the practice (written from a legal perspective) called "Less than Zero".

    3. Re:Movies NEVER make a profit.... by Sloppy · · Score: 2

      Tradition or not, it's still fraud.

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    4. Re:Movies NEVER make a profit.... by Tablizer · · Score: 1

      I think the author was kind of *naive* to tie his cut to "profits" anyhow. Make it based on *revenue*. For example, X percent for every dollar over Y in revenue.

      This way the studio does not have to worry about paying royalties for a dud, and the orgininator does not have to worry about profits being hidden.

      It is harder to hide revenue than profits.

    5. Re:Movies NEVER make a profit.... by ajs · · Score: 2

      You're assuming that a studio would allow that. It used to be that a *name* could get a cut of the gross, but now the way it's done is the name actors either get hard cash up front or they become producers. No one gets gross. No one. If you ask for gross, you might as well be asking for a tour of the front door.

  27. The old adage by TrollBurger · · Score: 1, Funny

    Publishers will never pay you enough to successfully sue them

    applies here I think :)

  28. Typical Hollywood by Anonymous Coward · · Score: 0

    This is nothing new in Hollywood and Stan should have known better than to sign a contract based on profits, which can be easily manipulated. That being said, Stan is easy owed at least $10 million. The amount he is seeking is 10% of $100 million in profits, meaning he is giving the studio the benefit of the doubt by assuming it cost $300 million to produce and promote the movie.

  29. Source of the Claim by theduck · · Score: 5, Informative

    OK, there's a little more info here.

    Namely, that the source of the claim is not from any copyright or other rights as creator of the characters, but from a 1998 contract giving him royalties for the licensing of his creations, but not the actual comic book sales.

    Looks like it's going to be a legal wrangle over whether movie profits can be considered to be royalties.

    --
    How can we afford to ever sleep
    So sound again
    --ebtg
    1. Re:Source of the Claim by mcwop · · Score: 2

      He should have taken a percentage of movie revenues or receipts. Can't manipulate that number as easily as profits. Indeed bad contract negotiation. He is not the only one to be screwed by this. This is a regular Hollywood practice.

      --

      "I don't think it's selfish, to eat defenseless shellfish." -NOFX

  30. spidey sense by katalyst · · Score: 1

    Look's like Stan can do with a lil bit of spidey's own spidey sense ;) I hope contracts for "The Amazing Spiderman" (the sequel to the original) are more in favour of Stan. Stan must have been paid more for his cameo in MallRats than for this movie !!! :o

    --
    |/________
    |\A|ALYS|
  31. This is by Anonymous Coward · · Score: 1

    The most absurd thing I could think of.

    I have spent more $$ than I care to remember on the Marvel franchise in comic books. I just can't believe that the multi-media machine is this heartless. Stan Lee was the anchor for comic book editing. (And is credited with saving the comic book industry. BTW) (look it up yourself) And this is how the industry treats him? This is the sort of outrage that the current media corporations foists on their artists on a day by day basis. No wonder artists are trying to bail on restrictive contracts in droves.

    I say: Save Stan Lee!

    1. Re:This is by TomHandy · · Score: 1
      Saving the comic book industry? Have you been paying attention to the comic book industry lately? It's in some of the worst shape ever. Trade paperbacks and specialized graphic novels are probably the only thing keeping anything afloat.

      -Tom

    2. Re:This is by Anonymous Coward · · Score: 0

      Back in the day, I meant. Look up Stan's Bio.

  32. Re:Lee doesn't stand a chance in hell by gokulpod · · Score: 1

    Apparently, you arent too good a lawyer. Read the article again, it says that the studios and Mr. Lee had an agreement all along.

    --
    My mom never taught me to sign.
  33. you get what you pay your lawyers by junky · · Score: 1

    a *slight* amount of research would have revealed something like this was possible, or even likely. ask winston groom.

    if mr lee had anywhere close to a competant lawyer and took said lawyers advice, something this would not be happening.

    i have sympathy for people getting ripped off for their hard work, but if you want your creation to come to life and you "comprimise" to make that happen, then you've got nothing to bitch about.

  34. Not about creator rights, it's about Contracts. by CptLogic · · Score: 5, Informative

    My mate Al is going to kill me for slashdotting his site but:

    This is one of the best articles I've read on this situation. It helps if you have some idea of the US Comics industry but Paul O'Brien is a good enough writer to make it all crystal clear. FWIW, Paul is a UK Lawyer.

    http://www.ninthart.com/display.php?article=428

    1. Re:Not about creator rights, it's about Contracts. by leuk_he · · Score: 2

      My mate Al is going to kill me for slashdotting his site ...Hmm, you are not slashdotted if you post a link to a (GOOD!) article in a comment especially if you do not hyperlink it

      Most interestin part of the article is a link to the actual contract

    2. Re:Not about creator rights, it's about Contracts. by tgma · · Score: 1

      This is a good article, and I recommend it to anyone who is interested in this subject. One thing that the article, and the discussion on this board does not make clear is that it is not Marvel that made $400 million in revenue from the movie, but the studio. Marvel's profits from the film are the fee that it got from the studio ($12 million IIRC) and whatever share of the gross or net that it negotiated, minus whatever Marvel's applicable costs might be.

      It should be no problem working out the revenues, as this is presumably whatever the studio paid. As for Marvel's applicable costs, it looks like these are not defined in the contract, and this may be the core of the argument, if Marvel is taking unrelated items, like its president's alimony payments, and charging them against the revenues from Spiderman.

      But it seems fairly clear that Stan Lee does not have any points in the net of the film, but in Marvel's net from the film, which is a very different thing. The other thing to bear in mind is the question of risk. If the film had bombed, then the studio really would have made a loss, and Marvel would have got zero points from the net (if they had such an agreement with the studio) but Stan Lee would still have got his million dollars. Maybe the studios don't create anything, but they put up the money, so they deserve a reward for taking the risk.

      For instance, when you put your money in a mutual fund, the fund manager has the ideas about where to invest the money, and gets a fee for this, and maybe a success fee as well. But you get the bulk of the reward, because it's your money, and if the idea doesn't work out, then you bear the cost.

  35. Re:Lee doesn't stand a chance in hell by The_Jazzman · · Score: 0

    What? Are you seriously suggesting that I trust a Microsoft-affliated website?

  36. The Contract by theduck · · Score: 5, Informative

    Sorry, should've held the parent post until I found the contract.

    The pertinent clause is:

    (ii) You also continue to have the benefit of a single full-time assistant. (f) In addition, you shall be paid participation equal to 10% of the profits derived during your life by Marvel (including subsidiaries and affiliates) from the profits of any live action or animation television or movie (including ancillary rights) productions utilizing Marvel characters. This participation is not to be derived from the fee charged by Marvel for the licensing of the product or of the characters for merchandise or otherwise. Marvel will compute, account and pay to you your participation due, if any, on account of said profits, for the annual period ending each March 31 during your life, on an annual basis within a reasonable time after the end of each such period.

    Note that profits are explicitly mentioned.

    --
    How can we afford to ever sleep
    So sound again
    --ebtg
    1. Re:The Contract by jdkane · · Score: 2
      In addition, you shall be paid participation equal to 10% of the profits derived during your life by Marvel ...

      So the next viable solution from Marvel's perspective would be to knock Stan off.

    2. Re:The Contract by Dusabre · · Score: 2

      The profits might be explicitly mentioned but they're calculated by Marvel. In any way they want. Oh and participation does not cover 'licensing' for 'merchandise' or 'otherwise'.

      I suspected the contract was drafted something like this when I read the headline. Its incredible that somebody who's been involved in entertainment business for decades wouldn't have known to define 'profits' in an agreement like this. Or written more detailed provisions on payment terms and conditions. And added guaranteed payments on gross income. Or added an independent review procedure. Or scratched out the proviso on licensing.

      Or hired a (smart) lawyer to do it. Hmm.

      Good luck Stan. Unless you find a very equitably minded judge, you're in trouble.

    3. Re:The Contract by hyphz · · Score: 2

      > you shall be paid participation equal to 10% of
      > the profits derived during your life by Marvel
      > (including subsidiaries and affiliates) from
      > the profits of any live action or..

      > Note that profits are explicitly mentioned.

      That's exactly the trick, apparantly: they're not. The above doesn't say he'll be paid 10% of the profits, it says that he'll be paid 10% of "the profits derived from the profits". Of course, this is meaningless so they can fiddle it however they like.

  37. The Same Old Villain Strikes Again! by Steve+B · · Score: 5, Funny
    Marvel is claiming that the 400 Million dollar blockbuster movie Spiderman produced no profits

    The "piracy" problem must be even worse than they're admitting....

    --
    /. If the government wants us to respect the law, it should set a better example.
    1. Re:The Same Old Villain Strikes Again! by MarkLR · · Score: 1

      It's not 10% how much the movie made but 10% of how much Marvel made, which can be a lot less. Marvel did not made the movie, a studio did. he should get about 10% minus a how reasonable expenses by Marvel of what Marvel got from the studio.

    2. Re:The Same Old Villain Strikes Again! by Lonath · · Score: 2

      The "piracy" problem must be even worse than they're admitting....

      It's even worse than that. They always said that they had no profits on their movies and that's why suckas who got contracts that gave them a percentage of the profits got screwed. Now with Internet piracy, they're claiming that they're losing BILLIONS in profits due to stealing.

      So, you see, the real problem is just as the movie industry was finally learning how to turn a profit after a hundred years of the lean times merely living hand-to-mouth, those damn P2P pirates and hackers came along and mucked it up again, so they're STILL not making a profit. Oh the humanity...

  38. Corporations and the Lost Age(s) of comics by Faizdog · · Score: 1, Flamebait

    You know, this is what happens when companies become corporations. When the original driving forces leave/are driven out and money mongers come in whose only goal is profit and they really don't care about the rich history behind a company.

    I mean, Marvel comics actually used to be a great company. They produced rich, complex and intriguing characters that you could really get behind. Anyone remember the No Prize? That was a great time.

    Now, they just rehash the old stuff, don't even come up with new characters/situations. How many more alternate universes/reset scenarios/Ultimate series will we have so that the same old stories get re-served? CREATE, INNOVATE, Stan Lee had great characters and stories, but was always working on new ones, introducing us to new inviting personas and worlds.

    This is a place where DC has actually been doing well over the past decade or so. The characters have undergone changes, matured, and we've been along for the ride. Lois and Clark got married. Dick Grayson grew up, Robins have come and gone. There is a new Green Lantern.

    I am a HUGE comic fan, I have TONS lying around. Sometimes I just wish they would stop trying to make money through shocking/special editions, etc and just tell good stories. That's why I started reading 'em in the first place!

    --
    -"Those who fought today will die tommorow."-
    1. Re:Corporations and the Lost Age(s) of comics by Wiener · · Score: 2, Insightful
      You know, this is what happens when companies become corporations

      More exactly, it's what happens when corporations become publicly traded.

    2. Re:Corporations and the Lost Age(s) of comics by Anonymous Coward · · Score: 0

      Just a quick note. The purpose of the Ultimates series was to introduce some new events into existing characters while still keeping enough of the original plot lines in place to keep the old timers. I find the Ultimate series very refreshing and am excited to see what they role out in the future.

      Question...are the only Ultimates series for Spiderman, X-men and the Ultimates? Those are the only ones my local shop carries.

  39. yipee freakin do for corporate america by f00zbll · · Score: 3, Insightful
    People should stop buying this line of BS about how publicly traded corporations are here to build value for it's share holders.

    That might have been the original idea, but get real people. If one were to look at the behavior of the top 100 corporations, does that rule hold true? As corporations weild more political power, they are becoming the equivalent of the ruling class. The only difference now is the rich get to hide behind some corporate name and not subject themself to public scrutiney. The more things change, the more they stay the same people.

    1. Re:yipee freakin do for corporate america by Anonymous Coward · · Score: 0

      Hail Comrade!

  40. Re:Lee doesn't stand a chance in hell by Phosphor3k · · Score: 2

    Biggest.....Troll.....EVAR!

    Step 1) Become Lawyer
    Step 2) Become Troll
    Step 3) Profit!!!!!

  41. By Marvel's reasoning... by nmnilsson · · Score: 2, Funny

    Stan should be happy that they didn't lose money on the movie, or he'd have ended up owing them money...

    --
    No sig to see here. Move along.
  42. art : fart with out the f... by Anonymous Coward · · Score: 0

    now back to reality!

  43. Business is business by The+Mutant · · Score: 4, Insightful

    I've been pretty amused in the past reading all of the comments (some on /. as well) that talked about how the film business "got it" (usually argued from the position of all the extra features and additional content DVDs come with), and how the RIAA, music biz, etal were "out of touch".

    This just proves business is business, and the entertainment industry is - what a surprise - very adept at sugar coating their activties until, of course, the lawsuits start flying.

    Business is business, and anyone sticking their head in the jaw of the corporate machine has gotta watch out for themselves. I'm sure Stan had attorneys looking after his interests so I don't know what happened there, but I do know that most companies will do anything they can to screw you should the need arise.

    And yep; I've got a Masters in Finance so I know of what I speak. A few of our case studies at Uni directly factored in litigation as a "cost of doing business".

    Good luck Stan! I've always enjoyed your work and genuinely wish you the best!

  44. Here we go........again again again by buss_error · · Score: 4, Insightful
    When are we going to stop giving money to RIAA and MPAA? I can tell you when I'm going to start boycotting them.... I've been at it for almost 2 years now. I haven't seen Spider Man, didn't buy the new CD from that band, didn't check out that Pay Per View move, or any thing like that. I buy my books from Baen, off of their webscription site, because the authors get double the money than from paperback sales.

    I trade a lot with friends. I buy a movie, when I do, second hand from a second hand store (Hollywood doesn't get their cut that way.) I've given to causes that are willing to fight RIAA and MPAA.

    So, what have YOU done? Obviously quite a few of you went to see Spider Man.

    --
    Necessity is the plea for every infringement of human freedom. It is the argument of tyrants; it is the creed of slaves.
    1. Re:Here we go........again again again by Natchswing · · Score: 1

      > So, what have YOU done? Obviously quite a few of you went to see Spider Man. Well, quite a few of us SAW Spiderman. I watched Spiderman a few days before it was released in theatres, from my living room projector. I can assure you the MPAA didn't get squat from me. But as for Spiderman not receiving any profits, that could be partially due to the deal Blockbuster had here in Florida. If you buy a spiderman card, you get 10 rentals for $30 (which saves you $10 right there) plus they give you a free copy of the spiderman DVD.

    2. Re:Here we go........again again again by buss_error · · Score: 2

      Cool. So did you give a like amount to EFF or whatever? I've no problem with someone wanting to see a good flic, just giving money to RIAA and MPAA to beat us up with, then not giving a like amount (or a precentage!) to EFF (or someone).

      --
      Necessity is the plea for every infringement of human freedom. It is the argument of tyrants; it is the creed of slaves.
    3. Re:Here we go........again again again by neonfrog · · Score: 1

      Buying second hand is dubious at best. You cheat the artists of money and you are simply pandering to an entirely different middleman who doesn't owe anybody any thing -- he profits off the artist backs more easily than anyone else in the foodchain! You also inflate the market for used sales thereby making it easier for people to spend money on new things (they just made money off you buying their used thing, after all) from which RIAA and MPAA profit. You fed the machine...

      I've wrangled with the used concept for years -- buying a used car means I'm not adding a new car to the environment, right? Well, no. I just made it a shitload easier for someone ELSE to add a new car. I don't have an answer yet, but the best I can think of is to buy the most prudent new thing - a NEW environmentally friendly car or a NEW CD from a local source with fewer middlewomen.

      Your Baen and donation examples are correct for your ideal -- buying second-hand may more than completely erase the good you are trying to do, however.

      --

      I'm thinking about it, therefore I might be.

    4. Re:Here we go........again again again by Natchswing · · Score: 1

      No, but I've often thought it would be nice to have a way to easily donate to artists (considering music here.) A method to indicate, "I downloaded this song therefore I wish to send a quarter to this artist." A quarter isn't much to us, but it's probably more than the artist would have gotten for selling the album. Sending a check for $0.25 to Alanis with, "I downloaded your song and want to properly thank you for your music" would probably get the RIAA at my door with a swat team backing them up.

    5. Re:Here we go........again again again by John+Miles · · Score: 2

      FairTunes is what you're talking about.

      --
      Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
  45. Definitely.. no profit by uncleFester · · Score: 2

    The devil's in the details... :) .. which now has me torn. I loved DareDevil as a kid, but am not crazy throwing money at the moviehaus if Stan may see no funds from that either. *sigh*

    -fester

    --
    -'fester
  46. Why should he get anything? by Anonymous Coward · · Score: 2, Insightful

    I thought copyright stiffled creation? Did he do anything on the film itself? No - well why should he get anything?

    There have been enough discussions on slashdot arguing for the restriction of authors copyright - so what is different here?

    1. Re:Why should he get anything? by Anonymous Coward · · Score: 0

      The difference is the MPAA are getting it both ways (so is Stan, but not in the good sense...).
      They're keeping their copyright for donkeys, and weaselling out of anyone else's copy right.

    2. Re:Why should he get anything? by surprise_audit · · Score: 1
      Did he do anything on the film itself?

      Nope, probably not. Being the creator of the principal character and the storyline have no bearing on movie at all, right?

    3. Re:Why should he get anything? by Anonymous Coward · · Score: 0

      Stan Lee was listed in the credits, I looked for his name there the first time I watched the DVD.

      Its been a long time since I picked up a comic book, but imho it wasn't Spidey if Stan wasn't there. His being listed, is to me at least, their admittance of his contributions. He should be paid for those contributions.

      I won't buy any further with Marvel involved.

    4. Re:Why should he get anything? by TheGreatGraySkwid · · Score: 1

      Insightful, my ass.

      Stan Lee is credited as both a writer of the film, and as one of its Executive Producers.

      --
      The Humblest Mollusk on the Net
  47. I completly agree by Gekko · · Score: 5, Interesting

    This is usually how rookie unproven writers get screwed, especially authors who have had succesful novels. This is unfortuantly very common in the movie industry. Established names usually never have a problem getting Gross Points instead of Net Points, they are real tight with Gross Points because there are only so many of them to go around (Gross Points also count as an expense driving down the pool available to Net Points). I don't get why Stan didn't have a better entertainment lawyer.

    --
    I mod down any one who says "I'm sure I will get modded down for this"
    1. Re:I completly agree by nojayuk · · Score: 3, Interesting
      Actors also get screwed over with the gross/net point deal. Sir Alec Guinness got something like 1.5% of the gross from the first Star Wars movie, as he had worked in Hollywood before and had been screwed over previously by the studio system's attack accountants. They needed hydraulic jacks to get the smile off his face when the millions started rolling in.

      It may be Urban Legend but I have heard it said that the Star Wars films haave yet to show a profit -- on paper, at least.

    2. Re:I completly agree by The+Grassy+Knoll · · Score: 2, Funny

      So was Gross Points Blank a film about a rookie writer who had to accept Net Points only??

      I thank you... I'm here all week...

      .

      --
      They will never know the simple pleasure of a monkey knife fight
    3. Re:I completly agree by dumbArtMajor · · Score: 0, Troll

      I have heard it said that the Star Wars films haave yet to show a profit LITERALLY, lives are at stake here, people! Go buy Episode 2 on DVD before George's kids starve to death! (But don't buy too many DVDs, see it in the theatre 3 or 4 times first.)

    4. Re:I completly agree by Stonehand · · Score: 2

      It seems that in Hollywood, every movie shares the same objective as "Springtime For Hitler"...

      Heh. One of Mario Puzo's books -- maybe it was "The Last Don", as it involved Cross -- at one point went a bit into how one /never/ should settle for "net points" when dealing with the Hollywood folks. Of course, since the writer who got shafted had connections with Puzo's more unsavory characters, he didn't stay screwed for long, if memory serves. This "no movie ever makes a profit" scam has probably been in place for many years...

      --
      Only the dead have seen the end of war.
    5. Re:I completly agree by Sinical · · Score: 1

      Here's an interesting comment by JMS, the creator of Babylon 5, with respect to gross vs. net for that program:

      Subject: Re: ATTN JMS: Gross or net?

  48. reminds me so much of 'The Producers'.. by Anonymous Coward · · Score: 0

    So... will Mell Brooks sue the studio now for stealing his idea.. ?

    (http://us.imdb.com/Title?0063462)

  49. Re:Lee doesn't stand a chance in hell by Anonymous Coward · · Score: 0

    It's actually like this:

    Step 1) Become Lawyer
    Step 2) Forget Morals
    Step 3) Profit!!!!!

  50. Um, No. by FreeUser · · Score: 5, Insightful

    You pay a man an honest wage for an honest days work.

    But... but, that's not the American way! The American way is all about pleasing the shareholders.


    Um, no. That is the corporate way. The American way is an honest wage for an honest day's work. The fact that America let large corporations hijack its government and undermine its constitution during the anti-communist ferver of the cold war may mean America kneels beneath their jackbooted heels, but it does not mean that corporatism is the ideal to which the country aspires.

    Quite the opposite, in fact, and a backlash to this sort of crap is brewing.

    --
    The Future of Human Evolution: Autonomy
  51. Nothing new by Anonymous Coward · · Score: 0

    They did the same thing to the author of Forest Gump by inflating the production costs.

  52. NOT A TROLL - MOD PARENT UP by Anonymous Coward · · Score: 0

    hehehehe. Wasnt that one of those slashdot quotes at the bottom of the page a while ago?

  53. Business 101 by saider · · Score: 5, Insightful

    That's why you NEVER agree to take a cut of the profits. You take a cut of the gross revenue. That way there can be no accounting games.

    --


    Remember, You are unique...just like everyone else.
  54. Stan Lee is lucky he has a way to talk about this. by Qender · · Score: 3, Informative

    This is the most common practice in the film industry. My family works in the film industry. The distribution companies never return "profits", as a few people have already noted, all of their costs for distribution are determines by themselves. They choose their own salaries, the cost of making the prints, the internal costs of advertising, etc... It's very common for filmmakers to get ripped off in this manner. It's happened to my father several times.

    Stan lee is very lucky he has an avenue of complaint, as this happens with most every feature film. Hopefully this will be some kind of a wake-up call to filmmakers.

  55. Typical by nittibang · · Score: 1

    The reason that Marvel is saying there was no profit is because they have to pay the overpaid executives who did nothing more than sign papers that gave the go ahead. This is just as typical as the goal oriented employees who work for board driven company. While the employees get the job done the board makes the decisions then the board feels as if the employee is happy. While the employees drive and motivation go down the tubes for the company and those employees focus their attention on pursuing a new position to better themselves and not the employer. Stan- Sue the (insert any fitting cussword here) out of them and make sure the media keeps on this!! I know a few coorperate people who might feel the same way..... (Enron, worlcom, etc..) You have a legitimate case!!

  56. but... by thoolihan · · Score: 2, Funny

    are trying to weasel out of their contract

    Weasiling your way out of things it what separates man from animals. Except the weasel.

    -Homer J. Simpson

    --
    http://unmoldable.com W:"No one of consequence" I:"I must know" W:"Get used to disappointment"
    1. Re:but... by Anonymous Coward · · Score: 0

      That should be:

      "But weaseling out of things is good to know. It's what separates us from the animals...except the weasels."

  57. What about X-Men? by Belgand · · Score: 3, Insightful

    The article clearly mentions X2, the Hulk, and Daredevil, but no mention is made of the first X-Men film. Did Lee ever recieve his royalties from this? If so wouldn't this seem to be a precedent in his favor... it didn't do as well as Spider-Man, but it did do rather well nonetheless. If he didn't recieve his well-deserved 10% then why has he waited until now to file suit over it?

    1. Re:What about X-Men? by LordKronos · · Score: 2

      Well, if I recall correctly, didn't Marvel or DC (whoever it is that owns rights to XMen) end up suing one of the movie studios over the XMen movie with the same type of claim (they never got their royalties)?

    2. Re:What about X-Men? by plasm4 · · Score: 0

      I believe Marvel god a ridicously small cut from from X-men, since the company was in financial trouble around that time and was willing to take any offer.

  58. Slashdotters Will Cry & Moan But... by Anonymous Coward · · Score: 0

    ...they'll keep buying those DVDs and tapes. They'll keep going to the theater. And the MPAA, the studios and etc. will just keep doing pretty much whatever they want. As will the RIAA.

    These people have learned well from MS and the monopolists that came before them. If you can corner the market, keep enough of the government in your pocket and keep offering product that's *just* cheap enough and *just* good enough to keep the vast majority tranquilized, most of the rest of the public will follow--rather than do without. And what few won't are statistically insignificant.

    (IMO, Spiderman wasn't all that great anyway. But that's beside the point.)

  59. and a backlash to this sort of crap is brewing by dpilot · · Score: 4, Interesting

    I thought so too, before last Tuesday. Now I'm not so sure, and I'm more than a bit scared. In particular, last Tuesday seems to be taken for a mandate for more Supply Side Economics (tax cuts) when our real problem is a demand-strapped economy.

    If the economy were to *really* go into the toilet over this, Bush would go down in history as the second president to lead the nation into a Great Depression. But he would never miss a meal, or a host of other mundane worries. Chances are my family would learn about much of it, first hand.

    --
    The living have better things to do than to continue hating the dead.
    1. Re:and a backlash to this sort of crap is brewing by Anonymous Coward · · Score: 0

      Damn, I sure hope so.. your line needs to be taken out of the gene pool ASAP before any further damage is done.

    2. Re:and a backlash to this sort of crap is brewing by Metrol · · Score: 2

      ...a mandate for more Supply Side Economics (tax cuts) when our real problem is a demand-strapped economy.

      Okay, I'm confused.

      I know SSE is a set of rules that go into place which include aspects to it like tax cuts.

      So what in the heck is a "demand-strapped" economy? What exactly are you proposing to deal with it? Raise taxes? Increase government spending? How does the left deal with stimulating a soft economy? I haven't seen a Democrat do so since Kennedy (who dropped taxes to do so BTW), so I'm honestly curious as to the counter position on this.

      --
      The line must be drawn here. This far. No further.
    3. Re:and a backlash to this sort of crap is brewing by Clock+Nova · · Score: 1

      There was absolutely no reason for a remark of this kind. If I had mod points, your post would disappear.

      I hope you're joking.

      --
      There they were, sitting in the van with all those dials, and the cat was dead. -V. Marchetti, CIA
    4. Re:and a backlash to this sort of crap is brewing by vipw · · Score: 1

      Yes, the counter-revolutionaries must not just be destroyed, they must be removed from history. I loved the phrasing of your post, I just don't know if I supposed to assume you're joking.

  60. Another reason to go P2P by MoThugz · · Score: 5, Insightful

    Spiderman is one of the many movies that I actually went to a cinema to watch... why? because I respect Stan Lee, and I would rather let him have part of my ticket proceeds rather than pirate the movie off Kazaa or something.

    But when shit like this happens, I wonder whether it was worth it. It's amazing how 400mil is not enough to be considered profitable. Last I checked the movie didn't cost a billion bucks to make (I don't think it even costs 500mil).

    Thanks Sony... I'll repay you with my unlimited bandwidth.

    1. Re:Another reason to go P2P by Anonymous Coward · · Score: 0

      "why? because I respect Stan Lee, and I would rather let him have part of my ticket proceeds rather than pirate the movie off Kazaa or something."

      Uh, he's not getting ANY due money, so by buying the ticket YOU'RE SUPPORTING THE SCREWING OF HIM.

      You should have pirated the movie or not seen it at all.

    2. Re:Another reason to go P2P by TheLink · · Score: 2

      The movie probably cost about 800 million USD to make, coz that's how much it took in worldwide.

      --
  61. Stan reaps what Stan sows by Anonymous Coward · · Score: 4, Interesting

    Anyone remember the shameful treatment given Jack Kirby when he tried to reclaim his original art from Marvel when Stan was at the top? I do hope that Stan wins this, but find the irony just a little bit delicious - Lee has not been known for giving creators their due.

    And where IS Ditko in all this? Is the mainstream press just too wimpy and gutless to brave one of his Ayn Rand-esque tirades and hair-splittingly precise reproach-a-thons?

    Clearly Ditko was a major part of the creation of Spider-man.. I'm not clear what kind of rights he has in the character, if in fact Lee ever let him have any. Any help?

    1. Re:Stan reaps what Stan sows by Anonymous Coward · · Score: 1, Insightful

      "And where IS Ditko in all this?"

      Good question, but unfortunately, Ditko will *not* do interviews, no way, no how... that's been his stance for years and years and years.

      But it would be highly ironic if Marvel subpoeaned him as a witness to detail how HE was the creative force behind Spiderman, and Stan merely filled in the word balloons... of course, then Marvel has to admit it owes Ditko (and Kirby and Wood and etc etc etc) umpteen million dollars...

  62. Could be a good thing by Myco · · Score: 4, Insightful
    Call me crazy, but this could potentially become a watershed event in entertainment contract law. Whether or not Stan Lee wins, this situation could be massaged into a public outcry for artists' rights. Think about it:
    • There's a huge amount of visibility -- everyone saw the movie and knows it made shitloads of money.
    • Lee is a revered and sympathetic personality -- nobody wants to see him get screwed over.
    • In spite of this, due to the way the contract is worded Marvel is probably correct in their claim that they don't owe him a dime, in the strict legal sense.
    End result, Lee loses his money but the public outcry is sufficient to push changes in contract law which provide new protections for artists.

    Okay, it might not happen this time around -- media conglomerates are hugely powerful and genuine public outcry is hard to come by and expensive to properly focus into action. But the sort of scenario I'm describing is one of the most plausible ways for change like this to be brought about -- goad the public into outrage with an example of a mediagenic victim being screwed by the bad guys. Look at history -- many important pieces of legislation are tied to individual events which raised an outcry out of proportion to their individual significance.

    Yes, it's lame when someone gets screwed like this. But it happens all the time, so when it happens in a highly public way that's better for all of us because it contributes to potential reform.

    1. Re:Could be a good thing by DragonMagic · · Score: 2

      What's strange is that writers seem to have much more protection by law than writers or musicians. IANAL, but if I recall, no writer can ever give up more than 50% of their ownership of a copyright, and must license the remainder. Most writer guilds and unions have stipulated specifics with this in the entertainment field, so you hardly ever see a writer truly get screwed in Hollywood, on Television, in Music, on Radio... About the only place writers get screwed these days are the freelance writing arena, because there really is no union or guild fighting for much there yet.

      However, with artists, directors, etc., as far as I'm aware, these protections are not in place yet. Since Lee didn't write the movie and was probably just credited as a producer and consultant, they can screw him till it hurts in both ends, but probably somewhere down the line James Cameron, who worked on one of the earliest drafts (and one of the only parts of that left were the organic web-shooters), is getting a royalty check.

      Again, this is stipulation, I don't know the exacts of their contracts here with this movie or who was exactly promised what. However, maybe it's time for another "Image" break-away in Marvel, in order for Lee and others who worked on Spider-Man to once again grab their rights and credits, and especially their royalties for their hard work and ideas.

      --

      Human nature is the same everywhere; the modes only are different. -- Earl of Chesterfield
    2. Re:Could be a good thing by TheGreenLantern · · Score: 2

      * There's a huge amount of visibility -- everyone saw the movie and knows it made shitloads of money.

      That's true, but most of them don't know who the hell Stan Lee is, or why he should be entitled to profits from the movie. And in those people who do realize it, a lot of them are just going to think, "Huh, comic guys fighting over money", and turn the page.

      * Lee is a revered and sympathetic personality -- nobody wants to see him get screwed over.

      To comic geeks like you and me maybe, but again, the vast majority of people neither know nor care about Stan Lee in any significant way.

      This is like pretty much every other "outrage" story that pops up like this. A fuss is raised that shows up as a minor blip on most people's radar, heated words are exchanged between those close to the situation, someone gets screwed and/or paid, and by this time next week nobody even remembers what happened, because there's something else to worry about. Business as usual.

      --

      It hurts when I pee.
    3. Re:Could be a good thing by captaincucumber · · Score: 2, Funny

      It's too bad there's no Mod option "Dumbass" because that's what the parent thread here deserves.

      Seriously, Stan Lee made a contract goof - or, more accurately his lawyer/negotiator/agent did. We don't need more laws and regulations to "correct" (such laws and regulations always over-correct) the situation, we need artists to be less stupid. Rather than being outraged, the public should learn from Stan Lee's mistake.

    4. Re:Could be a good thing by Jason+Earl · · Score: 2

      The difference between contracts for writers and rock stars doesn't have anything to do with guilds, unions, or associations. Writer's generally are literate, while rock stars are often only semi-literate. Getting a good lawyer is helpful, being able to read the fine print yourself to make sure you aren't getting snowed is even more helpful.

    5. Re:Could be a good thing by Myco · · Score: 2
      Mature.

      Ever tried to get artistic work published? It's a buyer's market -- you sign what they offer you, or they find some other bright-eyed young genius to produce their marketables.

      Contrary to what you may think, the free market does not solve every problem magically on its own.

    6. Re:Could be a good thing by captaincucumber · · Score: 1

      Bah. The free market solves all problems when it comes to things like this. It's a buyers' market? That's because you have nothing of value to sell. If you did, the free market would be your friend.

      The problem, in general, that I think you are referring to is artists who have one great idea and sell it for almost nothing. The people they sell it to milk it for all it's worth and toss the artist aside. The artist has used up his one great idea and spends the rest of his days crying about how the record company/comic book company/movie company screwed him over. Should we feel sorry for this artist? Perhaps. Should we change the laws to prevent things like this from happening? Definitely not. He had his one great idea and he sold it for less than it was worth. Tough luck.

    7. Re:Could be a good thing by EvanED · · Score: 2

      So you're saying it's OK for companies to DELIBERATLY LIE about their expendatures to keep people from getting what they signed for?

    8. Re:Could be a good thing by Myco · · Score: 2

      Let me clarify. If an artist makes a bad deal and fails to reap the rewards he could have otherwise achieved, that's too bad but tough luck. But that's not what happened here. To offer an artist a share of "profits" while knowing all the while that due to shady accounting those profits will be zero is deceitful and wrong. It is negotiation in bad faith, and it should be considered fraud. Free market or no, fraud should be illegal.

  63. Remember Forrest Gump? by Mark+Garrett · · Score: 5, Insightful
    Forrest Gump also never made any money, at least as far as the contract with the writer of the original story was concerned. The problem is that overhead can be allocated however a company wants to.

    Say you have a fleet of limos sitting around to drive executives/actors around. Ah, let's put that all on Spiderman... don't want to lose corporate profit by giving out higher royalties than you absolutely need to. Etc...

    The incredibly stupid thing here is that Stan Lee has control over a rather large field of 'intellectual property' that said movie studios may want to draw on in the future, not to mention the sequel(s) of current films.

    Imagine... Stan Lee's contract terms for Spiderman III: "5% of gross ticket sales and, oh yeah, %5 of gross ticket sales of Spiderman 1&2 you f%&#$!!!"

    1. Re:Remember Forrest Gump? by trezor · · Score: 1
      • Imagine... Stan Lee's contract terms for Spiderman III: "5% of gross ticket sales and, oh yeah, %5 of gross ticket sales of Spiderman 1&2 you f%&#$!!!"

      If I had modeation points I'd mod this Interesting. Because this can't be illegal, right? Or did he allready sign away the rights for the sequal(s) for "profit"percentage?

      --
      Not Buzzword 2.0 compliant. Please speak english.
    2. Re:Remember Forrest Gump? by Anonymous Coward · · Score: 0
      "5% of gross ticket sales and, oh yeah, %5 of gross ticket sales of Spiderman 1&2 you f%&#$!!!"
      No merchandising? Ha, ha, what a dumb contract!
    3. Re:Remember Forrest Gump? by Anonymous Coward · · Score: 0

      I believe it's true that Marvel doesn't own the rights to Stan Lee's characters, but they do have a license for their use in movies and on TV.

      And guess what, it is this license that says they have to pay Stan Lee 10% of the profits. Apparently it is precisely because they anticipated the huge success of the Spider-Man movie (especially after how well X-Men did) that Marvel was careful to do the accounting such that the movie itself does not make a profit for them, on paper.

      This way (they figure) they don't have to pay Stan Lee a penny. Which for them is worth it, because there are tens of millions of dollars at stake.

    4. Re:Remember Forrest Gump? by pfalstad · · Score: 4, Informative

      yes, Forrest Gump lost money on paper. the screenwriter and the guy who wrote the novel both got screwed because they were supposed to get a percentage of the profits. More on that here, including details on how the accounting was rigged.

  64. can't make a profit? by dpilot · · Score: 2

    Then clearly the execs are incompetent and should be fired!

    If they can't make a profit, then there's no way they're worth their multimillion dollar salaries.

    --
    The living have better things to do than to continue hating the dead.
  65. Blurb is wrong by Galvatron · · Score: 4, Informative
    As far as I read the article, Marvel may not be claiming the movie did not turn a profit. As I read it, the article states three facts:

    1. Stan Lee believes he has a contract with Marvel that entitles him to 10% of all profits from all tv shows and movies based on his creations.
    2. Stan Lee has not been paid for the Spider-Man movie.
    3. Stan Lee is suing Marvel.

    Nothing in the article explains why Marvel has not paid Stan Lee. Perhaps Stan Lee misunderstood or misremembers his contract. Or maybe Marvel has no explanation whatsoever, and was just hoping that Stan Lee was too old and senile to remember the contract. Who knows? Clearly, more information is needed.

    --
    "The question of whether a computer can think is no more interesting than that of whether a submarine can swim" -EWD
    1. Re:Blurb is wrong by Anonymous Coward · · Score: 1, Informative

      "Marvel has reported millions of dollars in earnings from the film but has told Lee the company has seen no "profits" as defined by their contract"

    2. Re:Blurb is wrong by Anonymous Coward · · Score: 0

      Well perhaps when Sony cuts a check for $0 then Stan cannot say that he wasn't paid according to his contract, thus kicking the chair out of his leagal argument.

    3. Re:Blurb is wrong by Anonymous Coward · · Score: 0

      Are you a retard? That shit is the whole point of this story. Good job stating the fucking obvious, jackass.

  66. of course, there were no profits by g4dget · · Score: 1, Redundant

    Overheard in the executive suite: "Well, let's see, if we pay $50m to each of us as bonuses and $20m to the investors, there is just no profit left. Strange how that works out, isn't it."

  67. Malpractice by jodo · · Score: 1

    Since it is well known that movies never make a profit. Through enron style accounting etc. Mr Lee should simply sue his own lawyers for allowing him to enter into a contract of never-will-be-seen royalties.
    Lee probably has a better chance there because his lawyers are either incompetent idiots or secret studio employees.

    --

    "Don't Follow Leaders." Bob Dylan
  68. He should have asked for 2% of revenue instead by Anonymous Coward · · Score: 0

    Sharing movie profits are a sucker's deal. These studios are legendary for claiming their movies never make money. What is a movie "profit", anyway? The studio execs can give themselves "consulting fees" that eat up the difference between revenue and expenses so there will never be any profit. Stan Lee should have asked for a smaller percentage of the door take before expenses, or he should have simply agreed to a fixed sum of money. Greedy, greedy, greedy, Stan Lee. You should fire your lawyer.

  69. Your missing the point... by caseydk · · Score: 1


    Ah, but profits are NOT something that you want. Profits get taxed but if you "just cover expenses"[1], the most of the time, the studio doesn't have to pay all of the extra taxes.

    Stan Lee should instead request a few percent of the gross... then he would get his cut first before everyone else.

    [1] Expenses defined as all production costs, personnel costs, everyone gets their cut.

  70. Ha ha, watch as marvel f**k themselves by yaffle · · Score: 0

    How do marvel expect to put out books in the future with this hanging over them? Comic book creators are famously militant about this kind of thing, and creator names are a big selling point. There already a number of big name creators who refuse to work with marvel (Frank Miller et al) this should serve to fatten that list by quite a few, Stan Lee, wether they like his work or not, is much beloved by the industry. Time to buy stock in Dark Horse I guess.

  71. It's things like this that make me thinkCommunist. by Anonymous Coward · · Score: 0

    nyargh. Fuck the capitalist system, if it does shit like that.

  72. Visions... by grub · · Score: 5, Funny


    Peering into my crystal ball...

    StanLee: You owe me $40 million.
    Marvel:Well, we calculated that 30 million copies of Spiderman were downloaded via peer-to-peer programs...
    StanLee:..and..?
    Marvel: ..at $20 per DVD that would have been bought, we lost $600 million. So with the $400 million we earned on the movie release we have a net loss of $200 million. You owe us 10%, or $20 million.

    --
    Trolling is a art,
    1. Re:Visions... by Anonymous Coward · · Score: 0

      Sounds like a better reason to fuck Marvel off, download the movie

  73. Re:Stan Lee is lucky he has a way to talk about th by Anonymous Coward · · Score: 0

    " They choose their own salaries, the cost of making the prints, the internal costs of advertising, etc... It's very common for filmmakers to get ripped off in this manner. It's happened to my father several times. "

    Several times? Just how st00pid is your father?

    Has he never heard "Fool me once, shame on you. Fool me twice, shame on me" ?

    Let's hope you and your kids are smarter..

  74. GIGO in business by LostCluster · · Score: 1

    It seems as if companies would gladly screw somebody out of a dollar today even if it costs then two dollars in the future. Why is profit today always being put ahead of the ability to make a profit infinitely into the future?

    1. Re:GIGO in business by Anonymous Coward · · Score: 1, Interesting

      Why is profit today always being put ahead of the ability to make a profit infinitely into the future?

      Simple. During the 80s and 90s, stock options were thrown at top executives (Funny thing about stock options, they don't count as an expense since their value is difficult to account for).

      Anyway, Executive sees pile of stock options and wants to make as much as they can off them. As a result, business leaders often make decisions that are disasterous in the long term, but profitable in the short.

      The idea of stock options is to put managers in the same boat as shareholders. Too bad it seems to have taken the opposite effect as it encourages bad business decisions that encourage short term stock valuations (Hence Enron, etc...).

  75. If Lee doesn't get paid we should boycott the Hulk by MrJerryNormandinSir · · Score: 1

    If Lee doens't get paid, we should do everything we can to let the pulbic know what's going on! That way
    the Incredible Hulk doesn't do so well and Marvel will loose.

  76. OT: Stan Lee salary by will_die · · Score: 1

    This was mentioned in a scifiweekly article about this, but not in the one referenced in the article.
    Marvel pays Stan Lee 1 million a year currently for rights to his creations.

  77. Rule of Thumb by cgreuter · · Score: 3, Interesting

    This sort of thing happens a lot in the movie industry. Typically, profits are juggled like this in order to reduce taxes. That's why, if you ever make a royalty deal with a movie studio, make sure you're getting a percentage of the gross, not the net profits.

  78. it's about time by AssFace · · Score: 2

    In ever interview I've seen with him - they always say "you did all of this, yet don't seem to be getting much money from it."
    He always replied "well, I enjoy working here, and I don't really want to discuss the money side of it - I'm very happy with it all."

    and then now this - it is like everyone asking him all the time why he isn't suing them, he finally was like... "hmm, yeah, I guess maybe I should."

    and them not making any profits? that is interesting accounting.

    --

    There are some odd things afoot now, in the Villa Straylight.
  79. I'll bite by TamMan2000 · · Score: 3, Insightful

    I don't speak for any group, but here is what I would do...

    I would start to tax coorporations and individuals in similar manors so that the little guy, the driving force behind the economy, has more money to spend to keep the economy going. Right now coorporate tax law dictates that coorporations do not pay income tax, they pay a profit tax, in other words, no increase in net worth, no taxes. Even a small coorporate income tax would provide enough government revenue to reduce the tax burden on the american consumer, and stimulate the economy. This would also make it much more difficult for companies to dodge their financial obligations to the government (see what Marvel is doing to Stan).

    --
    "I'll have a Guinness, no wait, make that a Coors Light" -Grad student I work with, who shall remain anonymous...
    1. Re:I'll bite by firewort · · Score: 5, Insightful
      You propose taxing corporations and individuals in the same or similar manner.

      That sounds great on the surface, except that it doesn't work that way in real life, because corporations don't pay taxes, as such- they pass them on to others. Who really pays taxes when they're levied on a corporation?

      1. employees, in the form of lower wages.
      2. customers, in the form of higher prices.
      3. shareholders, in the form of lower investment value.

      Now, I know you may not care about the last one, but when you tax a corporation, you're really punishing the very people you rely on to spur the economy.

      --

    2. Re:I'll bite by The-Bus · · Score: 3, Insightful

      Well, I work for a relatively small business, and I know one of the taxes is a gross receipts tax that needs to be paid no matter what. Because I'm in a highly regulated industry, we can't make the gross receipts up (read: lower them), so it's something we have to pay.

      I'm not sure what the percentage of the tax is, but it's neither oppressing nor minimal (from what the boss says).

      --

      Small potatoes make the steak look bigger.

    3. Re:I'll bite by Metrol · · Score: 5, Insightful

      I would start to tax coorporations and individuals in similar manors

      A tax, any tax, removes currency from the economy and places it in the government, where some of it may come back into general use again. The state of the economy is not how rich the government is, but how rich the populace is.

      so that the little guy, the driving force behind the economy, has more money to spend to keep the economy going.

      The "little guy" does very little one way or the other in the economy, or in taxation now. Folks who would fit into this category aren't likely to invest cash into new businesses or technology. They definitely aren't going to actually hire someone.

      Right now coorporate tax law dictates that coorporations do not pay income tax, they pay a profit tax, in other words, no increase in net worth, no taxes.

      Are you under the impression that corporations don't pay taxes by the truckload?

      Even a small coorporate income tax would provide enough government revenue to reduce the tax burden on the american consumer, and stimulate the economy.

      Lost you on this point... You want to raise taxes on the folks that produce the goods that the consumer's are going to buy from? Umm, who do you think actually pays for that? The money that companies pay in taxes really does come from somewhere. You and me.

      This would also make it much more difficult for companies to dodge their financial obligations to the government (see what Marvel is doing to Stan).

      A tax increase would have given Stan a better contract? You really lost me on that point. Care to work the logic that brought you to that conclusion please?

      --
      The line must be drawn here. This far. No further.
    4. Re:I'll bite by sql*kitten · · Score: 3

      I would start to tax coorporations and individuals in similar manors so that the little guy, the driving force behind the economy, has more money to spend to keep the economy going. Right now coorporate tax law dictates that coorporations do not pay income tax, they pay a profit tax, in other words, no increase in net worth, no taxes.

      If a corporation makes no profits but has to pay taxes anyway, where does the money come from? it might come from the cash reserve (but you can't build a cash reserve without profits in the first place). When the cash reserves are exhausted, without profit the only way a corporation could pay the tax you demand would be by selling assets, making it even less able to make profits the next year, when it would have to sell more assets to meet the tax demands, until it's destroyed. No companies == no jobs for the "little guy".

      I believe it as Abraham Lincoln who said that you cannot make the poor rich by making the rich poor.

    5. Re:I'll bite by FatRatBastard · · Score: 5, Insightful

      Even simpler (well, not really simple considering you'd be fighting vested interests) would be trim the damn budget by the 30-50% the GAO estimates is wasted / lost / stolen by the gov't every year. Gov't bookkeeping makes Enron's look honest. The solution wasn't giving Enron more money, and the solution isn't to give the gov't more money either. Let them learn to live on what they've got.

  80. What is a No Prize? by Schreck · · Score: 1

    What is a No Prize, anyway? Does it mean you win nothing? Is it a wordplay of some kind? Could someone explain this, please?

    1. Re:What is a No Prize? by Faizdog · · Score: 1

      A NO prize was a pretty cool trick that someone at Marvel (probably Stan Lee I think) came up with.

      Basically, sometimes you find discrepancies in comics, such as for example a superhero may have a ripped shirt in one frame, then in the next frame of the battle, the shirt is whole again, not ripped. Or other plot/graphical (usually graphical) inconsistencies that up.

      The No prize was given to people who would find such errors, and then EXPLAIN THEM WITHIN THE CONTEXT of the story. Continuing the above example, you could say that the hero used the magical beacon to renew their uniform, or something else that made sense within the context of the story.

      It's called the NO prize because that's simply what it was, nothing. You got an envelope from Marvel congratulating you, but it was empty. It became a HUGE craze, and getting the NO prize was very prestigous among fans. Also saved Marvel money :).

      --
      -"Those who fought today will die tommorow."-
    2. Re:What is a No Prize? by Schreck · · Score: 1

      Thank you! I always wondered that.

  81. Please look into the facts before ranting by Anonymous Coward · · Score: 1, Interesting

    Stan Lee is paid a salary of one million dollars a year. For this salary, he works nominally 10 hours a week as a spokesperson. His wife and child continue to be paid after he dies.

    The movie cost about $120 million to make and about $100 million in marketing. Marvel is paid a small percentage of Sony's take. Marvel did not take in $400 million dollars. More like $20-30 million. And then they have their expenses.

    Stan Lee screwed Steve Ditko and other writers/artists over the years when he ran Marvel.

    Here is the actual employment agreement: http://www.sec.gov/Archives/edgar/data/933730/0000 93373002000013/ex10-110q902.txt

  82. Copyright! by phritz · · Score: 0, Troll
    No no no!

    No one understands the key issue here-
    The Supreme Court must extend copyright so that artists have a reason to create! Otherwise, who'll make sure the artists see the fruits of their work?

    ALSO:
    If it weren't for those evil little P2Pers, the studio would have made money. But because you shared that little Divx, Billy, you took away Marvel's profits, and you made Stan Lee very sad. I hope you're happy.

  83. And a coveted no-prize goes to... by jmcwork · · Score: 1

    The corporate weenies at Marvel, for their ability to reach unheard of levels of stupidity. This industry (entertainment) worries about people pirating a DVD or a music CD but in reality they are the masters at stealing copyrighted material.

  84. Who was representing Stan Lee? by cthlptlk · · Score: 1

    OK, so maybe the books were set up so that the movie didn't make any profits despite its vast revenues. Maybe this happens all the time with movies. Who were the lawyers and agents who approved Lee's contract? If all the geeks on /. know about studio accounting tricks, why didn't Lee's people, who presumably work in the publishing and entertainment industries?

    1. Re:Who was representing Stan Lee? by MadAhab · · Score: 2

      Who knows. Perhaps the studio played hardball on the contract and Lee's lawyers said "To hell it, we'll sue when the movie does well and they try to hide the profits." Remember, the real lesson is that it's OK to cheat someone if millions are involved, just as it's OK to cheat on your taxes if you rake in millions.

      --
      Expanding a vast wasteland since 1996.
  85. Fool me once... won't get fooled again... by Thud457 · · Score: 2, Interesting

    If he's already had problems like this, why the hell is he allowing them to make more movies?

    If it was me, I'd say "You've already voided the contract with the first violation, I'm gonna take my rights and sell them to somebody else. Idiots."

    These guys sound like three year olds, stealing candy a week before Christmas. You'd figure they'd be able to see the big picture and realize that they risk huge future returns by so blatently stealing. Hell, give him 1%, 2% and he'd probably wouldn't have noticed. Jesus, be professional about it.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    1. Re:Fool me once... won't get fooled again... by Daetrin · · Score: 2

      Didn't he already sell them the rights to the characters back when he created them? I don't think he legally has any ability to tell them what to do or not to do with them anymore. All he has is the contract that says he gets 10% of the profits from whatever they do.

      --
      This Space Intentionally Left Blank
  86. $800m by Andy+Smith · · Score: 3, Informative
    the 400 Million dollar blockbuster movie Spiderman
    It actually took $800 million worldwide, plus any video and DVD sales and eventually the revenue from TV licensing rights. (And what about merchandise?) The $400m figure is just for the US box office takings.
    1. Re:$800m by MarkLR · · Score: 1

      Which is Sony's revenue. The amount of money that Marvel made is an entirely different thing, about $10 to $20 million at most.

  87. Re:No Profits / Flamebait by Anonymous Coward · · Score: 0

    Hard to take Jack Valenti's crocidile tears about piracy seriously when studios *claim* to not make a profit on a movie like Spiderman. Hollywood has been doing this for years; Spiderman is *not* the first blockbuster produced that the studio said didn't turn a profit--seems like none of them do! You want to ask Valenti why the studios continue to make movies if they can't make a profit on them no matter how successful they are.

    And speaking of Valenti; ever wondered why there are so many italians who are successful movie actors and industry big wigs? Valenti, Deniro, Russo, Devito, Travolta, Pacino...Can you say "RICO"?

  88. Now I feel better... by Anonymous Coward · · Score: 0

    ...having downloaded a low quality CAM on kazaalite instead of paying money to go see it in the theatre.

  89. It's all because of... by csguy314 · · Score: 1

    those darn IP piraters! Darn that Pee2Pee software!

    Thank God for the MPAA!

    [/sarcasm]

    --
    This is left as an exercise for the reader.
  90. Fuckers by Col.+Panic · · Score: 2

    They waited until he was 80 so they could draw out any lawsuit in court until he is dead.

    1. Re:Fuckers by Such_a_geek · · Score: 1

      Yes. That must be it. That whole legal wrangle about ownership and the tortured path to the screen (http://www.geocities.com/Hollywood/Studio/7206/sp ider.html") was just a front. Marvel wanted to screw Lee, so they waited. And waited. And waited. And went through a bankruptcy that may have been averted if they'd had, say, a blockbuster movie starring one of their characters. Then, instead of waiting a few more years, they said "the hell with it, he'll die before it gets to court" and made it. It's just SOP in Hollywood.

    2. Re:Fuckers by Col.+Panic · · Score: 1

      Exactly

    3. Re:Fuckers by Anonymous Coward · · Score: 0

      They're worse than OSCORP.

  91. MARVEL is ripping him off, *not* the film studio by Anonymous Coward · · Score: 0

    Surely the studio should cut its losses, and not make the proposed sequel then.

    The company which is not paying him is Marvel Entertainment. The movie studio that made the film is Columbia Pictures, which is owned by Sony.

    Depending on how the contract is written, Marvel could be technically and legally right, but in my book they are still a gang of assholes for this.

  92. Actually, Marvel didn't just "sell the rights" by Komrade+S. · · Score: 5, Interesting

    Marvel has learnt from its past mistakes and no longer simply takes a step back from their film properties. They have a subdivision "Marvel Films", or something to that effect, which involves this guy being on the set to every single Marvel film property. From what has been released, Marvel gets a profit slice, not just a flat licensing fee.

    Oh and by the way, Sony Pictures made the movie and it cost about 100 million to make. It took in 800 million at the box office worldwide thusfar and is the 7th highest grossing film of all time. It earnt an estimated 245 million in it's first week on video release. So out of this billion dollars, yeah, I'm sure Marvel only got "$12 million or so".

    --

    s200.org - visit it (me), love it (me).

    1. Re:Actually, Marvel didn't just "sell the rights" by Anonymous Coward · · Score: 0

      And you can bet that Sony and Marvel are including all of their marketing costs not only for this picture, but for the sequels and any other pictures they can write into the budget to keep those profits down.

    2. Re:Actually, Marvel didn't just "sell the rights" by Anonymous Coward · · Score: 0

      what resources and efforts did marvel put into the film?
      this is an extremely unpopular opinion, but think about it: sony did all the filming, all the casting, all the special effects, all the payments for the actors. Marvel... licensed the likeness of spiderman.

      if it was disney that got fucked over by some other company, everyone here would be saying how much they deserved it. marvel put no resources into the film. they licensed intellectual property (a topic, mind you, that nearly everytime it is mentioned on slashdot raises red flags because of its "inherent flaws")

      marvel got a share according to its investment. plain and simple.

    3. Re:Actually, Marvel didn't just "sell the rights" by Danse · · Score: 3, Interesting

      It has nothing to do with who paid for what. Disney takes stuff that has been around forever and remakes it, and then tries to make sure that their stuff never becomes available to anyone else to remake... ever. Disney deserves to get fucked because of the way they have been fucking the public over for decades. Marvel has done no such thing. Perhaps you can see why people don't feel the hostility towards Marvel that they do towards Disney?

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  93. Re:Stan Lee is lucky he has a way to talk about th by gorgon · · Score: 2, Funny

    You've got the quote all wrong. Here's the correct quote from our esteemed President:
    "There's an old saying in Tennessee - I know it's in Texas, probably in Tennessee - that says, fool me once, shame on--shame on you. Fool me--you can't get fooled again." - Nashville, Tenn., Sept. 17, 2002

    --

    And I'd be a Libertarian, if they weren't all a bunch of tax-dodging professional whiners.
    Berke Breathed
  94. Forget Batman vs. Superman.... by Anonymous Coward · · Score: 1, Funny

    Stan Lee vs. Marvel!

  95. its own medicine? by rmadmin · · Score: 2

    This sounds familiar. Isn't the MPAA bitching that all us Ev1l haxx0r types were downloading copyrighted material without paying for it? Whats that? The movie industry just did it to Stan? OMFG?!?! Those Ev1l haxx0rz!!!

    I actually liked Spiderman (Even though I never was into the Spiderman Comic book, or the cartoons, the movie just clicked), but if Stan Lee aint getting any of the cash from me going to the theatre to watch it, then fsck it, when the second and third one come out, I'll wait till someone else buys it, and borrow it from them. FSCK you Marvel.

  96. something strange is going on here by BigBir3d · · Score: 1

    Why did Stan Lee only sue for $10 million?

    Budget: ~$130 million
    Marketing: ~$50 million
    Total: ~$200 million (incl other costs)

    10% of ~$200 million is ~$20 million...

  97. Taxes and the Little Guy by Wyatt+Earp · · Score: 5, Interesting

    I'm a little guy.

    36K a year working tech support in Portland OR.

    My last surviving parent died in early March. She had been running the family farm that'd been in the family since 1952.

    Before G.W. Bush - Estate (Death) Tax would have left me with $12,250 from the Estate.

    Since G. W. Bush - Estate (Death) Tax left me with the money to finish college and hopefully build a strawbale home in 2003.

    So personally, I feel the President's tax cuts are helping that little guy.

  98. Outcry for artists rights? by swb · · Score: 2
    Whether or not Stan Lee wins, this situation could be massaged into a public outcry for artists' rights.

    Yes, there will be a huge outcry for artists rights. Stan's story will be featured on the news, sandwiched between Winona Ryder's sentencing hearings and Robert Downy's Nth drugs-n-guns parole violation.

    The public will cry out for artists to be given the same rights as anyone else:
    You have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to be speak to an attorney, and to have an attorney present during any questioning. If you cannot afford a lawyer, one will be provided for you at government expense.
    They'll probably also cry out for them to have the right to a pack of smokes every week from the commissary, a weekly visit from a family member and two collect phone calls per week.
    1. Re:Outcry for artists rights? by Myco · · Score: 2

      Apart from being excessively cynical, do you actually have a point?

    2. Re:Outcry for artists rights? by swb · · Score: 3, Insightful

      The point is that the 'media' can manipulate the public perception of their artists as much as they want. Public perception of artists is always on the bubble anyway -- they're dope-addled scofflaws, harlots or raging bolsheviks, or they're promoted to a larger-than-life hero status (if they have a new, big-budget movie about to be released).

      I think Stan probably has a great argument, and its something I've suspected about the "zero profit" media industry all along -- there's either fishy accounting, gluttonous overhead costs (coke, whores, lear jets, mansions, parties, lawyers, hush money), or more likely, both -- using the former to justify the latter as expenses.

      But Stan will likely get mixed in with all the "bad" Hollywood news and there will be little outcry for his cause as the mud slopped by the likes of Winona, Downey, et al will stain him, too, even though he doesn't deserve it.

    3. Re:Outcry for artists rights? by Myco · · Score: 3, Insightful
      My point, though, is that with proper spin and a bit of advocacy, Lee has the potential to come out on top in the public eye. Sure, the public has an iffy perception of artists. But this is not so much about Lee as an artist as it is about him as a man who had a great idea. And besides, the public is sympathetic to the "little guy" getting screwed (hell, even Republicans pay lip service to this).

      Put it in simple terms: the guy who created Spider-Man didn't get a penny from the movie. Joe Sixpack, on hearing that, is going to feel sympathy for Lee. We all know there was plenty of profit to go around, if it weren't for the fuzzy accounting -- Enron, anyone? Lee could be presented as a folk hero, and Marvel comes out of this sounding like Scrooge. Spider-Man is a cultural icon, and it's icons that move the masses into action, not abstract ideals like rights.

    4. Re:Outcry for artists rights? by swb · · Score: 2

      Sure he has the potential, if he can get his message out. Since his enemy is the media, which will be the conduit of his message, how likely do you think it will be for him to be able to present his message with the kind of spin he wants without being sandwiched in "bad" artist news or presented in a negative light?

      "Stan Lee filed a complaint against Marvel comics today. Stan wasn't available for comment when we tried to reach him at his Park Avenue condiminum [cue visial of rich guy building] or his studio in rural Connecticut [cue visual of deluxe rural estate]."

      Even if the TV newsreader accurately were to paraphrase Stan's complaint, all they have to do is show visuals of Stan's current lifestyle (hint: probably better than 98% of America) and the public, even if they don't see it as another spoiled media artist, will write it off as more rich people fighting each other for money.

      You can't fight the media on their own turf.

    5. Re:Outcry for artists rights? by IndependentVik · · Score: 1

      Put it in simple terms: the guy who created Spider-Man didn't get a penny from the movie.

      Didn't a similar thing happen when the first Superman movie came out? It made millions of dollars and then the public found out that the poor slobs who'd created the character were living one step above poverty. In this particular case, it was even worse because the creators had signed away their rights to the character long ago. IIRC, the studio (or DC) gave them a small cut anyway, probably for good PR.

      --
      I'd suggest you don't use Slashdot as your only news source, or you will suffer permanent brain damage.
    6. Re:Outcry for artists rights? by Myco · · Score: 2
      You talk about "the media" as if it's a single monolithic entity with a single, united interest. In actual fact it's two or three of these. ;)

      You're right that Marvel has a home-field advantage here. But that's only one factor, it doesn't necessarily decide the issue.

      Suppose Lee offered to donate his share to charity, for instance. That would turn things around a bit.

    7. Re:Outcry for artists rights? by Myco · · Score: 2

      Hmm, I don't know about that case. Of course, if you actively sign your rights away because you don't think they're worth keeping, that's one thing. Getting screwed by intentionally deceptive language and accounting practices that should be criminal is another.

    8. Re:Outcry for artists rights? by swb · · Score: 2

      Offering it to charity is a nice idea, but it will strike most people (who get past the shots of his lifestyle, and who aren't turned off completely by Hollywood artist problems) as an argumentum post hoc -- he's pissed he didn't get paid, but only when he didn't get paid did he decide it was going to charity.

      There's ways to make it an issue, but I suspect the best one would be challenging the issue in the business-news context and framing it as a business management and investment issue. Remeber Kevin Nealon's Mr. Subliminal character on SNL?

      "I didn't get paid [Enron] because of financial chicanery [WorldCom] in Hollywood -- what's the deal [SEC investigation]?"

      Build on the natural suspicion of corporate accounting and finance, which picks one pocket for the benefit of another.

    9. Re:Outcry for artists rights? by Myco · · Score: 2

      Okay, let's go ahead with that plan. Uh, make it so. :)

  99. At risk of stating the obvious by cyranoVR · · Score: 1

    Marvel has reported millions of dollars in earnings from the film but has told Lee the company has seen no "profits" as defined by their contract.

    Even though the movie has grossed over $400 mil, it was produced and distributed by Sony / Columbia Tristar...so if you're all going to flame anyone flame them, not Marvel.

    Marvel itself has been teetering on the edge of bankruptcy for years (probably due to their own incompetence, but that's another story), and they certianly did not have all $400 mil deposited into their bank account.

    I'm not trying to apologize for Marvel - there is some greed there (remember why Image Comics got started up?) All I'm saying is that Sony is the Big Monolithic Corporation that this story should be going after, not Marvel.

  100. Impact on the two sequels? by Anonymous Coward · · Score: 0

    I heard that they have two spiderman sequels in the works. Will this movie industry BS impact it a whole lot?

  101. Re:Stan Lee is lucky he has a way to talk about th by LWATCDR · · Score: 2

    Or as our last President said, "Fool me once... Hey that girlscout said she was 18!".

    --
    See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
  102. Re:Reminiscent of Alan Moore and DC comic's Watchm by hcduvall · · Score: 3, Informative

    DC is owned by Warner Brothers, and Marvel meanders on its own, failing (until recently) to really capitilize on all its licenses. Marvel's financial woes- bankruptcy and the like, were generated by over expansion and the 90s comic bubble.

    As for Alan Moore, great stuff coming out now, but he came back for a spawn issue first, which meant he had to deal with McFarlane (we all know what he did to gaiman), and I'm ever so glad he didn't decide to quit with companies on our side of the continent all together.

  103. Hmm, this explains a lot...... by echucker · · Score: 2

    ... especially why he refused to leave Comic Book Guy's store. Poor guy can't afford to live elsewhere!

  104. He was quiet during X-Men by Lachrymite · · Score: 1

    Interestingly enough, Stan Lee didn't get anything out of the X-Men movie either, and he didn't say anything back then. As a matter of fact, up until he recently he was often quoted as basically saying, "I'm an old man, what do I need all that money for? I already have enough, I don't really mind being screwed out of it." I wonder why exactly he changed his mind and decided to pursue legal action at this particular time. It could be due to Spider-Man being so much more of a blockbuster than the respectable X-Men was, and also with the Hulk, Daredevil, and second X-Men movies coming out soon that he'd like to establish some sort of precedent.

  105. Marvel's been playing too much Hitch-Hikers... by docbrown42 · · Score: 4, Funny

    ...Guide to the Galaxy (original text game). I mean, how else can they claim to have "no-profit" and "profit" at the same time?

    Tune in next week, when Spidey battles the Ravenous Bug-Bladder Beast of Thrall!

    --
    Ed Wedig
    Graphic design services
    docbrown.net
    1. Re:Marvel's been playing too much Hitch-Hikers... by TheLink · · Score: 2

      Someone here already explained it. The studio makes money, but the film doesn't.

      See:
      http://slashdot.org/comments.pl?sid=44912& threshol d=1&commentsort=0&tid=98&mode=thread&pid=4660900#4 661821

      Of course they can also use the piracy excuse as well.

      --
  106. Re:No Profits / Flamebait by stevew · · Score: 2

    Yep -- Remember the Art Buchwald (sp?) versus Eddie Murphy lawsuit. Buchwald accused Murpy of stealing the idea for "Coming to America" (I think that was the title.) He indeed won the lawsuit and was awarded a percentage of the profits. Only one problem. The way Hollywood does accounting, they NEVER make a profit, but rather loose money. This is actually a VERY OLD stort, i.e. been going on for years.

    --
    Have you compiled your kernel today??
  107. Better source by MisterSquid · · Score: 1

    I love amazon as much as the next nerd, but as ever, eBay & half.com are your better friends.

    At half.com, you can get a copy of Stan Lee's Mutants, Monsters, and Marvels at half.com for about 12 bucks and some change (sorry, I snapped up the 9.99 copy for myself), as opposed to Amazon's $22 copies. Plus at 2002.11.13 10:15 EST Amazon only had two copies in stock.

    --
    blog
  108. more like geek outcry by cosmol · · Score: 1
    The point is that the public (not /.) doesn't give a damn about Stan Lee, that is if they even know who he is.

    Now if Brittney Spears or Eminem got screwed in a movie deal, then you would have your public outcry.

    1. Re:more like geek outcry by Myco · · Score: 2

      The public cares about Spiderman. That's enough. As I said, this would not happen automatically, but take some massaging to spark public interest. Like anything.

    2. Re:more like geek outcry by spyderbyte23 · · Score: 1
      Now if Brittney Spears or Eminem got screwed in a movie deal, then you would have your public outcry.
      They probably are! But no one will find out about it for years. Albert Goldman's math seems to indicate that the Beatles got screwed on Hard Day's Night, contractually speaking. Same trick -- they got a share of the profits, rather than the gross.
      --
      -- Support Ometz le-Serev.
    3. Re:more like geek outcry by Jaysyn · · Score: 1

      One guess which demographic group has more money and a louder voice in society, teenagers or 30-40+ somethings who grew up reading (& loving)Spider-Man. We won't even remember who Ms. Spears was in 10 years. Eminem, well I'm not as sure about him. Spider-Man on the other hand has become a little part of our national identity.

      p.s. hopefully the SAG/MPAA will bar Brittney from ever acting again, anyhow..

      Jaysyn

      --
      There is a war going on for your mind.
  109. Words to budding writers and creators... by Anonymous Coward · · Score: 0

    NEVER agree to a percentage of profits. Go for a percentage of GROSS REVENUE.

    Once you agree to the profits you will NEVER see a penny... Actors get paid, director gets paid, producer gets paid, others get paid, cost above the line and below are covered to what ever extent and at the end of the day when all numbers are in there is simply NO PROFIT and NO MONEY for you.

    It's one of Hollywood's oldest scams.

  110. WrongAgain! by Madsci · · Score: 2, Informative

    "You economics textbook is wrong. Theoretically, one company could always undercut the other, eventually selling everything at, or even below, cost, but this never happens unless a large company is dumping the market." No, that Econ textbook is Not Wrong. Notice the qualifier "In perfect competition." Economically speaking, the poster cant find his butt with both hands. Perfect Competition involves supreme heterogeneity, and a FLAT (perfectly inelastic) demand function. The poster seems to think that the demand function is sloped. He must have gone to Vassar.

    --
    Your paranoia is about as subtle as the alien probe in your neck.
    1. Re:WrongAgain! by thomas.galvin · · Score: 2

      Not so...perfect competition simply means that consumers have perfect knowledge of and access to each competing supplier, and that cost is the only factor determining who the consumer will buy from.

  111. Re:No Profits / Flamebait by dTaylorSingletary · · Score: 1
    How could the idea for Coming to America be "stolen?" It's based on the story of Buddah which is most certainly public domain..

    d. Taylor Singletary, reality technician music

    --
    d. Taylor Singletary,
    reality technician techra.el
  112. Lee should have paid attention to Art Buchwald by Mark_in_Brazil · · Score: 2, Interesting

    Folks, this ain't a new story. In the 1980s, Art Buchwald sued a movie studio over the Eddie Murphy movie "Coming to America" (I think that's the name)-- the one where Eddie Murphy plays an African prince who goes to Queens (ha-ha) to find his future queen. Buchwald won the suit, succesfully proving in court that he had presented a very similar idea to the studio before the movie was made. But with all the "creative" bookkeeping the studios do, Buchwald ended up with a settlement worth nothing, because he was entitled to a share of what the studio was saying was zero. If I were a person in the entertainment industry, I would never have accepted a profit-based deal after the Buchwald case. If I were a person in the entertainment industry who already had a contract with a profit basis, I would have sought a new contract or renegotiation of the profit-based terms after seeing the Buchwald case. Lee did not. I feel for him, but I can't help but think he was knowingly swimming with sharks, didn't pay attention to other cases of people getting bitten by those same sharks, and therefore did not take proper precautions (like a cage). I think it's terrible that the sharks ate him alive on this one, but a part of me has to think it's at least partially Lee's own fault. Don't even get me started about the MP3-related lawsuits and settlements "in the name of the artists" that never produced a cent for any artists. Only Courtney Love had the courage to go after the recording labels on that one, and her story was largely ignored.

    --
    "It is nice to know that the computer understands the problem. But I would like to understand it too." --Eugene Wigner
  113. Marvel -- not the Movie Studio -- you fools by GlobalEcho · · Score: 5, Informative

    To all you people babbling about films not making profits, and how Stan Lee should have negotiated for a percentage of the gross, let me make it simple:
    1. Stan Lee's contract is with Marvel, and
    2. Marvel licensed the intellectual property to the movie studio.
    3. Marvel's lawyers knew enough to negotiate for gross points, therefore
    4. Marvel made a profit, and
    5. Stan Lee is therefore entitled by contract to 10% of Marvel's profits.

    The contract dispute is not with the movie studios who, however evil, have done nothing particularly wrong by Lee. This is all about Marvel trying to redefine those profits.

    1. Re:Marvel -- not the Movie Studio -- you fools by Vann_v2 · · Score: 1

      Uh, yeah, but the MPAA sucks and is evil and stuff, too, right? I mean, what about that /. article about how the film studios tried to shaft Stan Lee for the Spider-Man movie?

      Oh, wait...

    2. Re:Marvel -- not the Movie Studio -- you fools by Vinnie_333 · · Score: 1

      Thank you for clearing that up! That is exactly right. Problem is, with all the people ranting about the evil Sony-Man, you post will get lost in the pile.

      --

      "We shall party like the Greeks of old! You know the ones I mean." - HedonismBot
    3. Re:Marvel -- not the Movie Studio -- you fools by The+Evil+Couch · · Score: 2, Insightful

      It's a valid point that Marvel is the ones to blame in as far as Stan Lee getting screwed, however, a lot of people's eyes are getting opened up to just how corrupt the movie industry is and are brewing up a bitch storm about that, as well.

      You're right, though, the blame lies squarely on Marvel for trying to screw over one of their pillars. Marvel's been headed downwards for awhile now, anyways; comic fans have been dropping their subscriptions from them for failing to do anything original for quite some time. Movies may be the only way that Marvel can get money if they continue to act as bastards to their staff.

      After all, it's easier to ignore the plot-rehashed crap comics, than it is to ignore seeing comic heroes that you grew up with coming to the big screen.

  114. Forrest Gump by Anonymous Coward · · Score: 0

    I remember reading that the author of "Forrest Gump" (an amazingly nasty satirical novel, incidentally) got like $30,000 for the rights to the movie, one of the highest grossing of all time, because he had a percentage of net profits...

  115. Re:Reminiscent of Alan Moore and DC comic's Watchm by TomHandy · · Score: 2, Informative
    Alan Moore of course is doing America's Best Comics now, which is affiliated with DC Comics. Stuff like "League of Extraordinary Gentlement", etc.

    -Tom

  116. Save the Stan Lee Fund by jabber01 · · Score: 2

    Stan should tell the Studios to blow it out their ass, sell rights to characters and plotlines on a per movie basis, and set up a fund into which all those geeks, eager to see him get his fair share, could make contributions online.

    You know, just the thing all the starving artists should do to get out from under the jackboot of the RIAA. We'd all, gladly, give Stan $5 each, if we liked paying $9 to see the movie, right?

    Right?

    Hello?

    Anyone?

    --

    The REAL jabber has the user id: 13196
    What you do today will cost you a day of your life

    1. Re:Save the Stan Lee Fund by Anonymous Coward · · Score: 0

      Stan starving? wtf.. isn't he getting 1 mill/ yr already?? are you out of ur mind?

    2. Re:Save the Stan Lee Fund by cenobita · · Score: 1

      yeah, right.

      we've already seen stan's amazing business sense over the past twenty years. need i name off all the horrendous cartoons? the punisher movie? feh.
      the guy hasn't done anything of real interest in over 10 years, anyway.

      last i heard, he *was* creating online comics, though.

      don't get me wrong..he's created/co-created some of the most enduring characters in the history of comics..but i don't think i'd ever say that he has good business sense.

  117. Lost In The Noise: Movie studio accounting by AAAWalrus · · Score: 4, Informative

    Basically, the problem is that big movie accounting, much like big business accounting (a la Enron) has become the modern day "alchemy". With terms like gross points, net earnings, and loosely defined "profits", movie accounting provides millions of obfuscated legal terms to confuse the contractees such that no money gets paid.

    The idea that a blockbuster movie like Spiderman made no profit seems ludicrous, but on paper, accountants paint a different picture. It sounds like Stan Lee signed a contract that would get him a percentage of the "adjusted gross". "Adjusted gross" is a movie mumbo-jumbo term that basically means "what's left over after everyone gets paid", which almost always comes out to be absolutely nothing.

    Had Stan Lee been smart, and had the legal clout to pull it off, he should have tried for "gross points". "Gross points" are where the real money lives, and the types of contracts that grant gross points are usually reserved for the big name producers, big-wig movie execs, and A-list movie stars. Basically gross points are percentage points of the overall revenues that a movie brings in, before anything else happens to money - before expenses, before taxes, before the studios gets their checks.

    My guess is that Marvel had a deal that would grant them something like half a gross point (which is actually a lot), and Stan Lee's contract was with Marvel (not the movie studio) which would give him a percentage of that cut deemed "profitable". The problem is that Marvel's own number crunchers probably account for every penny of that revenue granted by the movie studio, leaving nothing left for Mr. Lee, because there are no operating "profits".

    It comes down to legal terminology in the actual contract, which is probably written to legally protect Marvel and the studios from the type of lawsuit that Stan Lee is seeking, and they will probably try to have the case dismissed based on legal precedent. (Hollywood sees this type of thing all the time) IANAL, but it seems like Mr. Lee's primary defense is that he was misled by the contract into thinking he would get a share of the actual *revenue*, not the *profits*.

    -AAAWalrus

  118. They don't respect the Viewer, also. Pan-&-Sca by cardoso · · Score: 1

    Yes, boys... here in Brazil Spiderman's DVD is FULL SCREEN. Can you believe it? Since a lot of primitive stupid ancient 12" TV Ownsers complain about "the black strips", people decided to release movies only in full screen mode.

    Happened with Harry Potter, too (not that I care).

    So, Kazaa. It's widescreen, at least.

    Oh, Stan, a little advice: You're not a young kid anymore, should've learned to read the small print.

    --

    []'s Carlos Cardoso - Becoming a brazilian ProBlogger, typo by typo
  119. Should we follow their example? by gillbates · · Score: 2

    Hollywood cries foul when their movies end up on the net, claiming that piracy hurts the artists, when in reality it is the "creative"(greedy) accounting practices of the studios that deny compensation to the artists. If the studios have no qualms about stealing the work of artists, how can they expect people not to pirate movies? After all, the studios don't create the work, they only own it. This recent turn of events only underscores the fundamental reality that piracy doesn't hurt the artists, but only the studios - which do little more than provide venture capital for artists.

    The whole issue of movie piracy boils down to one theif stealing from another. If anything, this has shown that piracy is only immoral when the artist would have been compensated. With the exception of artists who publish their own work, this is almost never the case.

    "You sir, have pilfered what I have rightfully stolen..."

    --
    The society for a thought-free internet welcomes you.
  120. studio profits by zotsf · · Score: 1

    There has not been a movie out of hollywood since it's inception that has made a "profit". This is just normal studio behaviour. Stars that make millions of dollars per movie do so because they know they will never see a penny of "profits". Stan Lee just had a really stupid agent negotiating his deal. Also, 10% is a very high royalty rate for such a deal. He was duped and will never see a penny of that "profit" as it "doesn't exist". :(

  121. WHAAAT!?!?! by Knarf247 · · Score: 1

    That is a load of crap, the dude inveted spider man, i cant belive this is happening, Marvel is slowly proceding down the toilet. uhg excuse me i have to go vomit now.

  122. Seeing spiders by phorm · · Score: 2

    Obviously quite a few of you went to see Spider Man

    Of course we did. It was a good movie, and most of us actually don't have a problem paying to see something good. For potential stinkers, I (and a lot of people I know) will download them first - and then perhaps later buy the DVD or see it in theatre.

    What did we do? We paid for a product that was good. At the time we didn't know that Mr Lee was getting screwed, so at the time there wasn't strong reason to boycott.
    It's one thing to advocate boycotting where you know something wrong is being done. Prior to now, I doubt even Mr Lee would have endorsed that (and may not, still).

    If you want to think yourself superior just because you *didn't* see spider man, suit yourself. What I saw was a movie well worth paying for, had all those who contributed gotten a fair share.

    As for the CD, pay-per-view, etc. Never bothered with those. I would have bought the DVD, because up until now it was worth my money, but now I'll hold off, at least until Stan gets his cut of the profits (which shall continue long past the theatre movie, due to DVD's etc).

  123. hmmm... by Anonymous Coward · · Score: 0

    hollywood, the lawyer themed fun park.

    1. Re: hmmm... by Anonymous Coward · · Score: 0

      finally, evidence that two wrongs make a right!

    2. Re:hmmm... by Anonymous Coward · · Score: 0

      thats right climb litigation mountain and ride the mary-go-round of the appeals court.

  124. But the Book Sequel.... by sdjunky · · Score: 2

    .... more than made up for it by badmouthing the film. In it Gump talks about how he always causes trouble and that the movie was wrong about him. A Rather enjoyable read ( especially the part where Gump is in Iraq and they get Saddam .. but are told to bring him back because you can't have a war if you catch the bad guy )

    Here is a link to the book on Amazon ( minus any refer link )

  125. Unfortunately, he won't get anything. by Spytap · · Score: 2, Insightful

    Working as someone in the entertainment industry, it's very uncommon for these kinds of lawsuits to produce anything. Nothing EVER makes a profit acording to hollywood, because then they'd have to pay their "net points" which are often referred to as "not points" for a reason. You never get anything from them.
    Next time Stan, negotiate for gross points and be a rich man.

  126. Movie profits. by Anonymous Coward · · Score: 0

    This is totally standard, actually. IANA industry type, but I live in L.A., my g/f is a (starving) actress and my landlady writes the occasional screenplay. Your usual screenplay option contract works like this:

    1. Whoever you sign the contract with (the producer), now owns the `option' of selling the script to a studio. You may not go through anyone else to sell it, as long as the option lasts (usually a finite period).

    2. If the producer sells the script to a studio (= `exercises the option'), they will pay you the purchase price named in the contract (say, $50K).

    3. NOTE! Selling it to a studio doesn't mean it's gonna get made into a movie. If it goes no further, you get no more money.

    4. If a movie gets made -- actually, once `principal photography' aka shooting begins -- you get paid another purchase price (say, $150K for a first-timer).

    5. NOTE! Even if a movie is shot and edited and Foleyed and all, that's no guarantee it'll ever see the inside of a movie house. It could still go on the shelf.

    6. If a movie gets released, your option contract usually provides for you to get 1.5% or 2% or so of the profits.

    7. (The most important step, from Stan Lee's POV) The studio will then jigger the books so there is no profit. There never is any profit in movies. Oh, there's REVENUE, but if all the revenue gets sunk back into the studio, there's no PROFIT per se.

    So you walk away with $200 or so K (as a first-timer) and the studio makes (optimally) millions upon millions.

    Nice, huh?

    Poor Stan.

  127. Get the money into circulation. by MadBurner · · Score: 1

    This is outrageous he deserves his share, Stan created this character without him there would be no movie. The fact that the stars of the movies are getting all the money to do the films is ridiculous. I mean realy do they deserve that much money? Are they that greedy? That money needs to be in cirulation not given to someone who has more money than they know what to do with. Moderation people moderation. Give Stan his share.

  128. How dare you.. by bayankaran · · Score: 0

    As if Stan Lee were just some burger flipper...

    How dare you demote and degrade burger flippers...the cornerstone of American economy. I will personally wipe my ass on your next burger.

    --
    Tat Tvam Asi
  129. Stan Lee: Liar by Anonymous Coward · · Score: 0

    Stan Lee doesn't deserve any of the profits. Its almost entirely his fault that it took over 8 years to bring Spider-Man to the big screen due to his enept deal making. Besides, the Spider-Man character was almost entirely created by Jack Kirby and Steve Dikto. Stan didn't even see the stories in the first 30 or so issues of Amazing until Dikto handed in his pages. And the costume was designed by Jack Kirby way back in Amazing Fantasy. So, in effect he as Marvel's agent has been ripping off those guys for over forty years. Its ironic and he deserves it, corporate America eats there own. They should transfer Stan's 10% profits to Jack's widow and Steve Dikto(still alive). Anyway, I really doubt Marvel ever made a deal to give Stan 10%. Marvel's not stupid. Nuff said.

    1. Re:Stan Lee: Liar by Anonymous Coward · · Score: 0

      "Marvel's not stupid"

      but you are.
      stan and steve created the spider-man.

      if steve wanted his share of the royalties he would do soemthing about it.

  130. Net earnings/profit by Vess+V. · · Score: 2

    The article said mentioned $400M gross earnings, and that Stan Lee sadly hasn't gotten a penny of the action because there were no profits, but why not just report the expenses? Wouldn't that everything make a bit easier? Or is there something to be hidden?

    Yeah yeah, I guess I should bitch less and do a litle research, but 1) I have 2 minutes to hightail it out of here to school and 2) Something as essential to the issue should have been mentioned in that article, no?

  131. Batman by Breity · · Score: 0

    Batman, at the time, had grossed 285 mil, yet never turned a profit. as a matter of fact, the studio claimed that it lost them 20 million. history repeats itself again.

    --
    Blame it on ElGeeko De Generico [generic geek]
  132. This is a great to become hated like the RIAA by Anonymous Coward · · Score: 0

    If the MPAA is trying to become disliked, like the RIAA, then they are doing a great job. Nobody feels bad for downloading MP3s since the companies are such scum bags. I guess the movie companies want to join that club.

  133. No profit? ON A $400 MIL MOVIE? by Anonymous Coward · · Score: 0

    How much freakin' money did spider-man cost to make? It was obviously OVER 400 MILLION DOLLARS if they didn't profit from the movie's 400 million dollar revenue. Jesus, somebody contact Guiness Book of World Records.

  134. You didn't read closely enough by theLOUDroom · · Score: 3, Insightful

    According to an economics textbook, in perfect competition, a company makes zero economic profit.
    Economic profit is different than accounting profit.
    Economic profit is accounting profit minus the opportunity cost of the next best thing the person/copmany could be doing. Companies do not report economic profit on their balance sheets. They report accounting profit. Accounting profit is what's at issue here.
    If your textbook doesn't explain this, it's probably not a very good textbook.

    The concept of economic profit is pretty interesting though. In this case, the movie studio is claiming to have made no accouting profit. This would make their economic profit negative, meaning that the company would have been better off doing something else with it's resources. This is obviously not the case, given the huge success of the movie.

    What I imagine they'll do is just reinvest all their profit in the company. Since all the studio people people own stock in the company, they'll still make (theoretical) money because their stock value will rise.
    There may still be a legal case here. At a whole company accouting scale they may be able to just reinvest the profit back in to the comapany, but if one looks at just a single picture, then you make be able to prove they made a profit. If they can't prove that all their "expenses" are tied to the picture, then they may not be able to figure them in when they calulated how much money the picture made.

    --
    Life is too short to proofread.
  135. Contract was in bad faith by multimed · · Score: 1
    Ok so I can appreciate that the contract says Lee gets 10% of the profits from the movie. And through clever accounting, they have not made a profit on the movie. He was dumb to agree to a percentage of net vs. gross. It's not illegal to be greedy or slimy--and Lee chose to sign under the agree-upon terms.

    My problem is that Marvel knew full well that they would not make a profit on the movie because movies never make profits. So they offered him an amount they knew was equal to zero. Because the contract was not made in good faith, it should be void.

    --
    Vote Quimby.
  136. Makes me mad by spuke4000 · · Score: 1

    I can't believe this. This kind of thing just makes me so angry... so mad... makes me want to a smash! Arrgghh... Beatty!

    --
    This post cannot be rebroadcast without the express written constent of Major League Baseball.
  137. Oil company propaganda. by yunfat · · Score: 1
    I'm not sure what oil company you work for but you are flat out wrong.
    Aside from that, it's illegal to inflate gasoline prices.

    Maybe I am missing something, but doesn't the price of gas go up everytime we are about to go to war in the Middle East? OPEC doesn't change the price of a barrel of oil when that happens, gas stations do. Why? In order to artificially create a surge in profits. When we end up not going to war, do the gas prices rocket their way down the same way they shoot up, no. How many times have you heard of Mobil or Texaco getting sued for jacking up the price? Never. Why? Because the oil companies own congress, along with the companies that make gas guzzling SUV's. Apparently, oil companies also own the person who wrote the parent post.
    --
    "Smokey, this isn't Nam, there are rules." -Walter
    1. Re:Oil company propaganda. by Brendan+Byrd · · Score: 2

      Try telling that to the people that charged $4/gallon on 9/11.

    2. Re:Oil company propaganda. by GoRK · · Score: 2

      No, the oil companies change the prices they charge the gas stations, based primarily on the market (which, granted, they control to a large degree) but which is also affected greatly by government levvys on imported oil, when, for instance, we are about to go to war in the Middle East. Also, it is indeed illegal for stations to jack the price of gas around like they did on Sep. 11th. The fines are actually pretty extreme.

      And, just as an aside, I'm not 'owned' by any oil company. I drive a fuel efficient car, and get as miffed as anybody when gasoline prices go nuts. If you don't like the way things go in this country, then move somewhere else where they make you pay the real price for a gallon of gas, which is estimated in the US to be 5-15 dollars per gallon. (http://www.icta.org/projects/trans/rlprexsm.htm) The figure includes the cost of the fuel in terms of environmental impact from drilling to burning and many other externalities. Did you consider that the reason that the oil companies command so much power in congress is in large part because the amercian public (yes not even you, sir) are unwilling to pay $5 for a gallon of gas? Who do you think has to pick up the rest of the bill for you to get dollar gallons of gas - your tax dollars.

    3. Re:Oil company propaganda. by Anonymous Coward · · Score: 0

      The price of gas is hign in many places around the world is also because that is one of the few items that can be taxed to provide services in other sectors. They may also consider it to be "more of a luxery" item than taxing food.....

      and no matter what you say.. ALL people in the US are "owned" by the oil companies... you are owned because their lobbyists prevent alternate fuels from getting rid of your dependancy on oil....

      The US has enough oil reserves to last about 5-7 years if totally cut off right now... Laws make it HARDER to use existing reseves than "new imports"... just in case of war. so the price increases after sep 11 are mainly artificial...

  138. Re:No Profits / Flamebait by Amazing+Quantum+Man · · Score: 2

    Buchwald sued Paramount, not Murphy.

    --
    Fascism starts when the efficiency of the government becomes more important than the rights of the people.
  139. All I can say is, w hat an idiot. by tuxlove · · Score: 1

    Never, NEVER, take a percentage of the profits on a movie as payment. No movie known to man has ever profited, thanks to accounting. You must take a percentage of gross or a flat fee. Period. Everyone knows that, except, apparently, Stan Lee, who must have the stupidest lawyer know to man, too.

  140. Re:Lee doesn't stand a chance in hell by Anonymous Coward · · Score: 0

    Nice combination package. It seems that on slashdot you are also a Rocket Scientist and running your own successful dot-com from the UK. When in fact you are nothing more than a troll.

  141. He should sue his council!! by Anonymous Coward · · Score: 0

    There's never any net profits on movies no matter how successful. Movie actors always negotiate a percentage of gross earnings since the studio lawyers and accountants can fudge that too much. Whoever told Stan Lee to go with that deal is incompetent.

  142. I'm glad... by Eric+Damron · · Score: 5, Funny

    that the entertainment industry makes no profits from movies... If they did, they could afford to go to Washington and lobby for digital copy protection laws that would threaten our fair use rights...

    Whew... What a relief!

    --
    The race isn't always to the swift... but that's the way to bet!
  143. Re:Reminiscent of Alan Moore and DC comic's Watchm by Rinikusu · · Score: 2

    Ah, the MiracleMan stuff.

    I swear, the comics industry is like one giant soap opera. Just like Chasing Amy, eh? :)

    --
    If you were me, you'd be good lookin'. - six string samurai
  144. the way tomake profit by u19925 · · Score: 2

    if stan lee wants to make profit, he should open source his characters.

  145. So who else thinks fans should have their say? by beleg777 · · Score: 2

    I think this suck. I'd like Marvel to actually realise how much I think it sucks. I'd also like to do so without hurting all the people who do good work on a thing like this and without denying myself the chance to see the sequel.

    So how about we all wait a day to see the sequel? If the sequel opens up to very small opening day or weekend, maybe that would be enough of a wakeup call that someone would care. At least it's a way to be heard that the corporate droans would here.

    --

    Science may someday discover what faith has always known.
  146. Missing one thing... by Anonymous Coward · · Score: 0

    Lee is a revered and sympathetic personality -- nobody wants to see him get screwed over.

    actually, Stan Lee is considered an utter industry whore in the comics biz. honestly, it's surprising he's even taking issue over this, as he's never before. he's bent over and taken it from marvel on so many occassions, and milked his former (and i sure as hell mean former) franchises to DEATH. all this, not to mention Lee's debt to Kirby for the majority of the characters in his roster, and the simple fact that Ditko is most responsible for the Spider-Man we know today, doesn't garner much empathy within the industry. if he gets symphathy, it's not going to come from the industry in any force.

  147. co-creator?! by vena · · Score: 1

    he threw most of the original concepts out the window. he was the PRIMARY driving force behind the spider-man character used in that film.

  148. Profits for the studio, but none for Marvel? by Rai · · Score: 1

    Perhaps Columbia pictures (that's the correct studio, right?) fucked Marvel out of their percentage so they in turn are trying to do the same to Stan. Geez, what a dirty, dirty business.

    I never got to see the movie in theaters. This gives a small amount of incentive for something I'd otherwise regret.

  149. Stan Lee the tyrant by Anonymous Coward · · Score: 0

    Marvel and Stan lee have a history of screwing their artists. thats why so many of the talented prople left when Mcfarland started image comics. the loss of talent is what caused their bankruptcy in the 90's.

  150. What about Ditko? by FSK · · Score: 1

    It's great that Steve Ditko finally was reconized as the co-creator of Spider-man (thanks to Sam Rammi) but it's been claimed that he's not getting $$ from the movie.

    --
    When punk rock is outlawed, only outlaws will have punk rock.
  151. daredevil by erikdotla · · Score: 1

    Lee hopes a judge will intervene and make sure he gets a percentage of profits from the Ben Affleck movie "Daredevil," based on another of his creations, scheduled for release in February.

    HAHAHA! Has anyone seen the previews? This movie won't make a nickel! HAHAHAHAHHAA! PROFITS FROM DAREDEVIL! AHAHAHAHAH!

    --
    # Erik
  152. Face it: business is Sleazy. by Anonymous Coward · · Score: 0

    Stan Lee getting screwed,
    Dolby brinbing MIT to vote for them on the dtv
    standard, then refusing to pay the bribe,
    Anything MS does, :>
    Trucking Companies hauling orange
    juice on the return trip in the same container they hauled gasoline in:
    The list goes on.
    And there are still f*cktards out there who
    think we need less regulation of business?
    Less braindead regulation for sure, but get
    rid of intellingent business regulation?
    Sure if you want to live in a crap world.

  153. You think that is bad? by Sanity · · Score: 2

    In some European countries, the price of Gas (or Petrol) can be three times what it is in the US due to 75% taxation.

  154. Spiderman ! Help me ! by freaker_TuC · · Score: 1


    Spiderman, Batman, Robin, Superman, anybody ...

    Help me !

    I'm being ripped off, being stolen from, get the bad guys ! HEEEEEEEEEEELP MEEEEE ...

    Holy cow ... all my money stolen by that evil giant!

    --
    --- I am known for the ones who want to find me on the net. Is that a privacy risk or a privilege? One might wonder..
  155. Studio rip-offs by Whammy666 · · Score: 1

    This kind of thing is not new. The studio who made Titanic pulled the same shit on the screenwriter for that movie as well, even though the movie earned over a billion dollars. The studio cooked the books to make it look like the movie made no money. Smoke and mirrors accounting.

    --
    When all else fails, run.
  156. You asked for it ... by Anonymous Coward · · Score: 0

    1) Play HHGTG game
    2) Screw Stan Lee
    3) ???
    4) Profit!

  157. Movies never show net profits. by skybird0 · · Score: 1

    Motion picture accounting practices are designed to never show a NET profit regardless of how much GROSS profit the movie makes.

    Stan Lee probably had net profit participation.

    "In Hollywood you pay interest on the overhead and overhead on the interest."

  158. Re:MARVEL is ripping him off, *not* the film studi by Anonymous Coward · · Score: 0

    personally, I'd have a hard time weighing between paying some guy 10MM that I could technically and legally get out of doing -- and having anonymous cowards on /. thisnk I was an asshole. THAT is all about the american way.

  159. We all know where the money is. by prelelat · · Score: 1

    I bet the producer, and directors sons all made a wapping 100 million each for bringing their fauthers coffee on this one.

  160. Perhaps an Alternative for Stan by Malicious · · Score: 1
    Perhaps if the film company's are going to play Stan this way, he should instead ask for a much smaller percentage......... of the gross.

    It Is HIS character afterall.

    --
    01101001001000000110000101101101001000000110001001 10000101110100011011010110000101101110
  161. Mixed feelings by vanyel · · Score: 2

    Although I think Marvel is scum to pull this, this scam is so old I have to blame Lee and/or his agent on this one. No one in their right mind sells movies rights on profit any more --- it's always on the gross because of exactly this fake accounting. "Fool me once..."

  162. BoxOfficeMojo... by AyeRoxor! · · Score: 2, Informative

    According to BoxOfficeMojo.com, the movie cost 130mil to make and has so far grossed 764mil worldwide. The 2 major factors in a movie's cost, by FAR, are the production, distribution, and the advertising. Practically everything else is cake. So in this situation, distribution and advertising would have to cost 634 million dollars, or almost 5 times the movie's production costs, for there to be nothing left over. Sue them for every penny they have, man. We're with you.

  163. Re:BoxOfficeMojo... "The 2 major factors " by AyeRoxor! · · Score: 1

    "The 2 major factors..."

    Pre-emptive strike: Should be 3. My bad.

  164. Always take your profit from the gross by Anonymous Coward · · Score: 0

    No in the "industry" would ever make a deal on any thing but the gross receipts. Stan needs a better lawyer.

  165. Standard entertainment industry BS by stilleon · · Score: 2, Insightful

    I work in the film and music industry (www.PivotEntertainment.com) and am approaced many times to work on indie films that would compensate me on the back end. A back end deal in the film world is profit for theatical release, which very few films (even majors) have. Big money is made in video, TV licensing, etc., which is not covered in a back end deal, unless you have CLOUT the size of Spielberg. With creative Hollywood accounting don't expect to see a return at all on most projects. Marvel is playing the same game. I hope Mr. Lee wins. BTW: Here is how you know if a movie makes money while in the theater. Look at the gross reciepts and divide it in half. Half the money goes to the distributor (often the same company as the film studio, i.e. New Line is distributed by Warner and is owned by Warner but is considered a separate entity), shave off 10% for overhead and the rest goes to the debt of the film. So a 100-million dollar movie needs to make at least 210-million to BREAK EVEN! Just seeing a high gross means nothing to profits if you don't count expense and distribution fees.

  166. Re:BoxOfficeMojo... "The 2 major factors " by cranos · · Score: 1

    No one expects the spanish inquisition!!!

  167. Fete Tonite by Anonymous Coward · · Score: 0

    We're having a book burner fete tonight. Bring all your Marvel comics - we'll burn them.

    Also, we will have hot dogs and marshmallows and will be selling soft drinks.

    Bring the family!

  168. X-Men? by Simon+Garlick · · Score: 2

    Does anyone have any info on how Mr Lee was treated with regards to the X-Men movie?

  169. Correspondence From Marvel's PR Dept. by Scotch+Game · · Score: 2

    I sent a flame to Marvel's PR firm and here's the result of the correspondence ...

    Dear Greg:

    Thank you for your comments. Marvel appreciates the opinions of its fans and
    take all correspondences seriously. I will forward this email to the
    appropriate people for consideration.

    On 11/13/02 5:38 PM, wrote:

    > Dear Thieves,
    >
    > Thanks to the entertainment industry, of which Marvel is a part, for
    > screwing Stan Lee, to which you all owe your freaking jobs, out of money he
    > is due, by using the movie industry's notoriously fair and accurate
    > accounting practices. I and many other longtime fans like me all hope he
    > sues your asses into oblivion. Stan Lee may or may not get something from
    > his lawsuit, but if there's a hell, then I'm sure those responsible for this
    > kind of practice will end up there with Daredevil sticking his billyclub up
    > their asses for all eternity.
    >
    > But what I most hope is that the industry lobbyists that troll around the
    > Hill and convince Congress to keep from enacting stricter legislation
    > regulating entertainment industry accounting policies--which were adopted,
    > if history is correct, directly from established mob accounting
    > practices--will somehow fall into disfavor and then the entertainment
    > industry--movies, recording, TV--will get to see just how popular they're
    > becoming with a voting mainstream America.
    >
    > You people suck.
    >
    > ---
    > Outgoing mail has been checked for viruses by AVG before being sent.
    > Checked by AVG anti-virus system (http://www.grisoft.com).
    > Version: 6.0.406 / Virus Database: 229 - Release Date: 10/21/2002
    >
    >

    --
    Adam Fenton

  170. Marvel reports third quarter profit by rollingcalf · · Score: 2, Informative

    According to this news article, Marvel not only made a profit, but they attributed it to the success of Spider-Man and have enjoyed rising stock prices over the past few months.

    --
    ---------
    There is inferior bacteria on the interior of your posterior.
  171. Did anyone READ the article? by Epic124 · · Score: 1

    Stan's contract was with MARVEL, not the movie studio. The shady accounting practices that movie studio's are known for has nothing to do with this law suit. Stan Lee is entitled to "10 percent of any profits from his characters used in films and television shows" from Marvel, and his suit is against Marvel. So get off the backs of the studios on this one. The movie studios do enough crooked things that we should be able to confine our ire to those things for which they are actually responsible. If there is a problem with a contract somewhere, it is with Stan's contract with Marvel. "Marvel has reported millions of dollars in earnings from the film but has told Lee the company has seen no "profits" as defined by their contract." So the movie studio's are obviously paying out to Marvel, since Marvel aknowledges that they are receiving revenue from the film ($4Million in Q3 2002 according to marvel.com). The problem is that Marvel claims they are not making any profit from the licensing. Now, I personally find this hard to believe, since I can't imagine that Marvel would have had many expenses associated with the film (aside from a lot of lawyers to make sure it wasn't Marvel getting screwed on the deal). Not to mention, if they aren't making any "profits" on this deal, why are they so eager to make half a dozen other movie deals with various studios over the next couple of years? (Dare Devil, The Hulk, Spiderman 2, and X-Men 2 are all mentioned in the article). As far as I can tell, all this story is really saying is that two parties have a different interpretation of a contract they entered into, and they are going to go to court and let a judge decide how the contract should be read. Last I checked, this is actually one of the things the courts are intended to do. How this degenerated into a flame war about multi-billion dollar corporations screwing the little guy I'm not sure. Especially since Marvel is not THAT big a company (Estimated EBITDA for 2002 $75million according to marvel.com), and Stan Lee is hardly a "little guy".

  172. If you ask for a percent of the profit .... by ehiris · · Score: 2

    ... You get exactly that. But you can't make a movie like that and not make any form of profits.

  173. Re:/.ed already by Daetrin · · Score: 3, Funny

    Wow, it's amazing how much shorter the article looks when it isn't in MSNBC's super-tiny-narrow-column format.

    --
    This Space Intentionally Left Blank
  174. No profit? by Anonymous Coward · · Score: 0

    I though the movie Spiderman only take $32-33 millions to make.

    No profits? HA!

  175. only $10 million? by Anonymous Coward · · Score: 0

    Sounds like Marvel Entertainment is getting off easy with 10 million if he's really owed 10%. Anyone else think Marvel made more than 100 million from Spiderman? I think they did.

  176. Re:Stan Lee is lucky he has a way to talk about th by Qender · · Score: 1

    Hey it's not like they tell you they're not going to give you money, and EVERY distributor does this. Movie makers usually only get payment for their work. They don't get the profits from it because of the studios. Sure, a few celebrities do, but hey, if they're not celebrities, you can be pretty sure they won't see much money back.

  177. Re:Reminiscent of Alan Moore and DC comic's Watchm by gmhowell · · Score: 2

    Just read an issue of "extraordinary gentlemen" last night. First time. Pretty good. May be adding that to the monthly list.

    --
    Jesus was all right but his disciples were thick and ordinary. -John Lennon
  178. Re:Reminiscent of Alan Moore and DC comic's Watchm by TomHandy · · Score: 1

    Hrmm, was this the first issue of the first series, or an issue of the current series (volume 2)? If not, you may want to pick up the trade paperback of League of Extraordinary Gentelemen volume 1 so you can see the whole thing. -Tom

  179. Re:Reminiscent of Alan Moore and DC comic's Watchm by gmhowell · · Score: 2

    I have no idea what it was. But I'll be looking for the tpb.

    --
    Jesus was all right but his disciples were thick and ordinary. -John Lennon
  180. Re:Reminiscent of Alan Moore and DC comic's Watchm by TomHandy · · Score: 1

    Yeah....most likely if you read a single issue it might have been from the current series, which is volume 2. The trade paperback (also available in hard cover) collects the first series. I think that the first three issues of volume 2 are out, with issue #4 coming out on December 26th and issue 5 coming out on January 15th. -Tom

  181. Last Post! by alpg · · Score: 1

    ... Another writer again agreed with all my generalities, but said that as an
    inveterate skeptic I have closed my mind to the truth. Most notably I have
    ignored the evidence for an Earth that is six thousand years old. Well, I
    haven't ignored it; I considered the purported evidence and *then* rejected
    it. There is a difference, and this is a difference, we might say, between
    prejudice and postjudice. Prejudice is making a judgment before you have
    looked at the facts. Postjudice is making a judgment afterwards. Prejudice
    is terrible, in the sense that you commit injustices and you make serious
    mistakes. Postjudice is not terrible. You can't be perfect of course; you
    may make mistakes also. But it is permissible to make a judgment after you
    have examined the evidence. In some circles it is even encouraged.
    -- Carl Sagan, "The Burden of Skepticism"

    - this post brought to you by the Automated Last Post Generator...