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Lessig - Public Domain Dead in 35 Years

tcd004 writes "Lawrence Lessig, in an article on the Foreign Policy site, predicts that the public domain will die a slow death at the hands of anti-piracy efforts. From the article: 'The danger remains invisible to most, hidden by the zeal of a war on piracy. And that is how the public domain may die a quiet death, extinguished by self-righteous extremism, long before many even recognize it is gone.'"

469 comments

  1. Going to die? by sqlrob · · Score: 5, Insightful

    Nothing has fallen into the public domain for almost a half century before I was born.

    It's dead Jim.

    1. Re:Going to die? by joshdick · · Score: 4, Interesting

      Yeah, and the concept of open source copylefts won't help this matter. Open source software written nowadays won't be in the public domain for about a century.

      I think Dr. Lessig overlooked copylefts as a viable alternative to public domain.

    2. Re:Going to die? by sqlrob · · Score: 5, Insightful

      There's still the idea that *EVERYTHING* ends up in the public domain. That's what's dying.

      An author can easily purposely put something in the public domain, or use a copyleft that is almost as good. That doesn't solve the original problem.

    3. Re:Going to die? by bedroll · · Score: 1
      I think Dr. Lessig overlooked copylefts as a viable alternative to public domain.

      Yeah, especially when he helped create the CC:SA license. :P

      Actually, this was a very short and broadly termed article that I think was hardly newsworthy. You can generally learn more just reading his blog entries.

    4. Re:Going to die? by anthony_dipierro · · Score: 1, Troll

      Plenty of things fall into the public domain every second of every day. In fact, I'm going to release this post into the public domain right now.

    5. Re:Going to die? by sqlrob · · Score: 2

      You placed it, it didn't fall into public domain. It wouldn't fall into it for at least a century.

    6. Re:Going to die? by cpt+kangarooski · · Score: 2, Insightful

      Copylefts are interesting, but in the end they're really not a substitute for having material that is utterly unencumbered by restrictions.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    7. Re:Going to die? by DigitumDei · · Score: 4, Insightful

      People seem to forget that the pop culture that various industries churn out is not the only creative output in the world; it's just the most visible. And yes "it" will probably never get into the public domain.

      There is however a huge, and admittedly 99% crap, amount of work that is released with creative commons style licenses, or released into the public domain immediately.

      I hope that over the years -- as popular culture becomes more and more formula driven -- that a new and burgeoning culture arises that sees the various sharing licenses as well as public domain as the best option. Where anyone can release their creative works into the world, and their merits, not their marketing budget, determines whether it is successful or not.

    8. Re:Going to die? by EzInKy · · Score: 5, Insightful


      Nothing has fallen into the public domain for almost a half century before I was born.


      That is amazing isn't it? Back in the days when it took years to publish and distribute a work artists were given fourteen years of protection. Today, despite near instantaneous communication, they are protected for a hundred years or better. It's no wonder that so many people don't give a damn about sharing copyrighted works.

      --
      Time is what keeps everything from happening all at once.
    9. Re:Going to die? by sqlrob · · Score: 1

      And as technology enables that, it also kills it.

      Look at the requirement that everything on the next gen players be DRM'ed and licensed. There's no "Region 0"

    10. Re:Going to die? by joshdick · · Score: 2, Insightful

      I disagree. For something to enter the public domain today, it must've been created around the early part of last century. I don't think too many people are all that thrilled about the chance to use works from that time period.

      If you're implying that works without a copyright symbol attached are in the public domain, you are mistaken. Copyrights in the U.S. are opt-out, not opt-in.

    11. Re:Going to die? by Jamesday · · Score: 1, Interesting

      Copyleft licenses are far worse than the public domain. The typical type blocks all reuse except by something with exactly the same license, making each license a walled garden, only compatible with things having exactly the same license. Public domain or even a license like BSD lets just about any person producing FOSS use the work, without dividing the OSS world.

    12. Re:Going to die? by anthony_dipierro · · Score: 2, Interesting

      For something to enter the public domain today, it must've been created around the early part of last century.

      Not true. Consider this, or this, or this.

      If you're implying that works without a copyright symbol attached are in the public domain, you are mistaken.

      No, I'm implying that works that are explictly placed into the public domain or are produced by an employee in the US government as part of her duties is in the public domain.

    13. Re:Going to die? by Brunellus · · Score: 3, Insightful

      ...and now let's go back to reality. Marketing budgets cut through the babel of thousands--millions !--of other products competing for attention in the marketplace. The only "merit" that ensures survival in the marketplace is marketability.

      That's a hard truth, but it's what it is. Great work is seldom popular work.

    14. Re:Going to die? by SWroclawski · · Score: 3, Interesting

      Agreed. Copyleft serves two major purposes, and one of them is not addressed by Public Domain.

      The first, of course, is to make work available to the public.

      The second is to protect the author from others using thier work against them (ie share and share alike).

      But even with copyrights, if a work is not published, but is something internal (say, the code to Google servers), then 50, 75, 100 years can pass, and even though it may (may!) end up technically in the public domain, it's still a trade secret, and if it never gets published externally, it's not public domain.

      Copyleft and CC address this issue by getting more works out, but Copyleft and CC only cover works that are specifically placed under those licenses, which are not the majority of works. Both are essentially workarounds for a system that is fundamentally broken and has lost its balance of profit vs public good.

    15. Re:Going to die? by DigitumDei · · Score: 1

      I never understood that...

      I do like to buy DVD's of movies that I enjoy, and the industry's insistence that they don't release movies in certain regions just gives me one less reason to give them my money.

      Of course, I'm sure most future players will be hackable/flashable.

    16. Re:Going to die? by DigitumDei · · Score: 1

      Just to clarify, I did not mean that a culture based around sharing licenses and/or public domain would be the most popular.

      Just the post I replies to said "Nothing has fallen into the public domain for almost a half century before I was born."

      And I disagree, since popular culture does not define everything.

    17. Re:Going to die? by DavidTC · · Score: 2, Informative
      I'd like to see how you can justify the term 'producing FOSSS' in there.

      And 'use the work'.

      FOSS always lets anyone use the work. The only licenses that pretend you can't use the work are closed source EULAs, in direct disagreement with copyright law.

      BSD and public domain lets anyone copy the work, including, and this is in fact the difference between them and other FOSS licences, people not producing FOSS.

      --
      If corporations are people, aren't stockholders guilty of slavery?
    18. Re:Going to die? by ultranova · · Score: 5, Insightful

      I never understood that...

      I do like to buy DVD's of movies that I enjoy, and the industry's insistence that they don't release movies in certain regions just gives me one less reason to give them my money.

      There's three reasons I can think for this.

      The first reason is simply that while digital content may cost a lot to produce originally, making copies is basically free. This means that every sale is profitable, no matter how low the cost. This, in turn, means that there is no market where selling the product wouldn't be profitable, no matter how low a price you must set in order to sell it. So, you sell the same product for a high price in rich western countries, and for a low price in poorer countries, maximizing the profits in each particular area. However, this model breaks down if someone buys the product in areas of low price and sells it in areas of high price.

      In other words, companies want the benefits of globalization for themselves but not for their customers.

      The second reason is that companies like to sell the same product several times. First you buy a ticket to see a movie in a theater, then you buy it in a DVD. If theater and DVD versions were available at the same time, they would compete with each other - you might decide to simply rent the DVD and skip the theater completely. Because of this, the DVD version only appears after the movie has disappeared from the theater.

      Now, movies are shown at different times at different countries. This means that a movie that debuted in the US is already released as a DVD there when it is shown in theaters here in Europe. Againt, the companies don't want their customers to get the benefits of globalization, but want them reserved for themselves.

      The third reason is the simple fact that company executives are human beings (as hard as that might be to believe sometimes), and human beings like power; telling others what they can and cannot do gives them kicks, so why not do so ?

      Of course, I'm sure most future players will be hackable/flashable.

      Isn't circumventing access control a crime nowadays in the US ?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    19. Re:Going to die? by afree87 · · Score: 3, Informative

      Here's the end result of the industry's plan-- use software controls to make copyright last forever. DRM is quicker and easier than lobbying Congress for another extension.

    20. Re:Going to die? by term8or · · Score: 1

      Nothing has fallen into the public domain for almost a half century before I was born.

      It's dead Jim.


      That is not true. 1) Copyright in other nations (i.e.) Australia have expired, and so gone into the public domain in the US.
      2) Some work in the US has gone into public domain ( from http://www.bitlaw.com/copyright/duration.html#old ):
      if a work was published between 1923 to 1963, the copyright owner was required to have applied for a renewal term with the Copyright office. If they did not, the copyright expired and the work entered into the public domain. If they did apply for renewal, these works will have a 95 year copyright term and hence will enter into the public domain no sooner that 2018 (95 years from 1923).

      --



      "As a writer / novelist you might want to spellcheck your sig. :) " - AC
    21. Re:Going to die? by Microlith · · Score: 5, Insightful

      It's no wonder that so many people don't give a damn about sharing copyrighted works.
      *cough*

      You mistake the freeloader attitude for an understanding and rejection of the issue.

      Most people don't give a damn cause they get it for free, not because of some political opinion.

    22. Re:Going to die? by Craig+Ringer · · Score: 2, Informative

      Copyleft really isn't "almost as good". It's darn handy, and it often serves the purpose of the copyright owner and others well. However, for sheer freedom to do what you want with the work you can't beat the public domain - though the BSD license is very close.

    23. Re:Going to die? by Anonymous Coward · · Score: 0

      Isn't circumventing access control a crime nowadays in the US ?

      So what ? If they won't let you handle your purhcased items as you see fit (i.e. make copies of cd's for playing in the car, make backups of dvds, maybe you want to watch blade runner when you'll be 90 too, grab your cds in a format you wish not that they force on you, etc etc) then all that remains is to crack and hack everything.

    24. Re:Going to die? by eosp · · Score: 1

      Nope...I can't use that exact post as my own work... /. won't let me :(

    25. Re:Going to die? by Anonymous Coward · · Score: 2, Insightful

      While the duplication of digital media is "essentially free", that does not acknowledge the costs of production and how much each slice has to generate to first of all pay for the creation of the product, and second offer enough of a profit incentive for someone to keep producting it.

      For example. Medication costs $500 million to develop, market, patent. Company tries to get three products through the process and one makes it. From the one they CAN sell they need to recoup the costs of production. Third world country like Brazil says they will only pay a price slightly over the cost of production of the pill when all the other costs of making the pill are disregarded.

      What you are suggesting is the same for digital media. Who cares how much the carpenters, painters, sets, directors, actors, etc cost? All that matters to you is that you think the movie should be available to you at a $2 or less cost since you can purchase blanks for that amount and thats really all thats involved, isn't it?

    26. Re:Going to die? by Anonymous Coward · · Score: 0
      Or just use the GPL-2, which is the fine copyleft license that the vast majority of FOSS devels use, according to freshmeat.net license breakdown statistics...

      Developers aren't stupid. They choose copyleft since, that way, if some corp wants to close it and use it in its project... will have to ask him for permission, which will _always_ be granted, for a sometimes higher than some others amount of money, depending on the developer/s.

      A fine example of that is the fact that Wine developer base skyrocketed after they changed their license to LGPL. (from BSD).

    27. Re:Going to die? by 'nother+poster · · Score: 2, Interesting

      There are literary works bracketed by the copyright extensions that I would love to have access to as the foundation for works extending their literary universes, but since they keep extending copyrights every few years when works come close to expiring and falling into the public domain I can't and no one else can either. Lot's of things have been placed in the public domain, but nothing will fall into the public domain until 2019 when works from 1923 will begin to become available.

    28. Re:Going to die? by DigitumDei · · Score: 1

      So two of the reasons for regioning are greed. Greed tied with an inability/refusal to understand that the global economy is becoming more and more interconnected. So of course they make artificial barriers that piss off their users and get circumvented anyway. I'm not one who believes everything should be free, but if they make it difficult/impossible for me to give them money for a product I feel is usable, what am I to do?

      And of course, they get stupid with regioning. Take for example: Fear and loathing in las vegas. In 1999 I would have bought it, hell I would have bought it in 2001, but its being released for region 2 this month!

      Your third reason is of course the most accurate.

    29. Re:Going to die? by 99BottlesOfBeerInMyF · · Score: 3, Insightful

      You're mostly right, but the mess that is copyright law today certainly contributes to people's attitudes about violating those copyrights. People don't feel bad about downloading songs without paying for them because they don't see it having a meaningful effect upon the artists. If, however, musicians were actually paid the money for those songs a lot of people might feel guilty about "ripping off" their favorite bands. As it is now most musicians survive on touring and merchandising.

    30. Re:Going to die? by kisak · · Score: 1
      This is a really important point. These days the big media companies make huge piles of money since it is so cheap to copy a product. They just need to have the master tape and can make unlimited copies of CD's or DVD's at almost no cost. So how do these multinational companies responde? They try to limit your ability to make use of this new technology to make necessary backup copies and a copy for your car, by introducing copyprotection and using scare tactics, with so-called copyright pirates being the main excuse. Similarly, these companies make huge amount of money since the world markets are more open and developed, due to the technological advances in travel. How do they respond? They try to take away your advantages of a global economy by making DVD's regional. I guess they must be gutted they didn't think about this before introducing the CD.

      It seems like whatever technological advantages that are coming along, the big multinational media companies want to try to limit your individual right to use it, so they can be free to use it to make more money for themselves.

      --

      --- guns don't kill people, people with guns kill people ---

    31. Re:Going to die? by MrCopilot · · Score: 1
      Ahem...
      http://slashdot.org/article.pl?sid=05/07/15/224923 4&tid=97

      All this found in 5minutes at http://en.wikipedia.org/wiki/Public_domain

      Public Domain Movies http://www.openflix.com/

      The mouse that ate the public domain http://writ.news.findlaw.com/commentary/20020305_s prigman.html

      Moglen and Lessig in 2001 Conference on Public Domain http://www.law.duke.edu/pd/mpegcast.html

      Quoth the Wikipedia: For example, U.S. copyright law, 17 U.S.C. 105, releases all works created by the U.S. government into the public domain, patent applications as part of the terms of granting the patent to the invention are public domain, patent law excludes inventions that obviously follow from prior art, and agreements that Germany signed at the end of World War I released such trademarks as "aspirin" and "heroin" into the public domain in many areas.

      See, some new Patent Applications just "fell into" PD while I was typing this.

      I think you meant very little of interest to you personally, created in your lifetime, has fallen into the Public Domain. I think if you investigate a little harder that could be proven untrue as well.

      --
      OSGGFG - Open Source Gamers Guide to Free Games
    32. Re:Going to die? by ajs318 · · Score: 2, Insightful

      Copyleft only exists because present copyright laws do not properly protect the Public Domain. In an ideal world, it would be enforcible -- with exactly the same penalties as copyright infringement -- that every Derivative Work based upon a Work already in the Public Domain should be in the Public Domain. Under such circumstances, there would be no need for the GPL, since it would be all but enshrined in law.

      The problem with the BSD licence is that if I write a piece of software and release it under the standard three-clause BSD licence, somebody else could take that software -- the result of my hard work and the rightful property of all humanity -- add a feature which would make for one-way compatibility, make it closed-source but gratis, distribute it widely and effectively subvert my efforts. Even worse, they might later claim that my attempt to replicate their feature in a piece of software I originally wrote was somehow violating their IP.

      And the GPL is enormous. For stuff like web scripts, it is overkill ..... I don't like to finish eating my dinner before someone else has even started theirs, and I don't like the licence to be longer than the software it refers to.

      --
      Je fume. Tu fumes. Nous fûmes!
    33. Re:Going to die? by RzUpAnmsCwrds · · Score: 1

      "Isn't circumventing access control a crime nowadays in the US ?"

      Yes, and being caught with alcohol twice at the University of Colorado of Boulder twice causes immediate expulsion.

      Or, at least it would, if the law were actually enforced.

      That's the silver lining of the DMCA - 90% of the time, it's completely and utterly unenforcable. Few people know, and fewer people care.

    34. Re:Going to die? by cortana · · Score: 2, Informative

      This isn't true as I understand it. An author can't do anything to prevent his heirs from relicensing his work. An author may also use his 35-year termination right to relicense a work.

    35. Re:Going to die? by bw5353 · · Score: 1
      You find two more reasons for regional lockouts at http://en.wikipedia.org/wiki/Regional_lockout:

      # Ability to restrict content which may be illegal in some countries (e.g. Nazi material in Europe, or pornography in the Middle East)

      # When distribution contracts for each area are awarded to different companies, it allows a company to avoid "stepping on someone else's toes"

    36. Re:Going to die? by HD+Webdev · · Score: 1

      You placed it, it didn't fall into public domain. It wouldn't fall into it for at least a century.

      Actually, it did fall into the public domain as soon as it was posted.

      But, that's only because he said "I'm going to release this post into the public domain right now".

      Otherwise, you would be absolutely correct.

      --
      This is not a dream, not a dream...we are transmitting from the year 1-9-9-9.
    37. Re:Going to die? by Anonymous Coward · · Score: 1, Funny

      "An author can't do anything to prevent his heirs from relicensing his work."

      Not having offspring may be an option.

      Oh wait this is /. - not having offspring is compulsory.

    38. Re:Going to die? by BrokenHalo · · Score: 1
      People seem to forget that the pop culture that various industries churn out is not the only creative output in the world; it's just the most visible. And yes "it" will probably never get into the public domain.

      ... which indirectly comes around to this quote from TFA:

      code writers (both legislators and technologists) have created an unprecedented array of weapons (both legal and technical) to wage war on the pirates and restore control to the owners of culture

      ... but what we all seem to be forgetting is that culture is something that by definition cannot be owned by any individual entity, it is a collective function of society as a whole.

    39. Re:Going to die? by Martin+Blank · · Score: 4, Funny

      You've got a lot of courage showing up here, Mr. Valenti.

      --
      You can never go home again... but I guess you can shop there.
    40. Re:Going to die? by Anonymous Coward · · Score: 2, Insightful

      "It's no wonder that so many people don't give a damn about sharing copyrighted works."

      Yep, the day Mickey Mouse becomes public domain is the day i will stop downloading.

      In short, I will never stop downloading. The copyright system has not honored its side of the bargain, so I dont see how the public can still be required to.

    41. Re:Going to die? by BrokenHalo · · Score: 1
      artists were given fourteen years of protection. Today, despite near instantaneous communication, they are protected for a hundred years or better.

      IANAL, but are you not confusing copyright with patents? IIRC the 14 year term refers to the viability of a patent, while copyright lasts for as long as you (or your executors) assert it.

    42. Re:Going to die? by drsquare · · Score: 1

      Againt, the companies don't want their customers to get the benefits of globalization, but want them reserved for themselves.

      Probably, but I can't really criticise them for that. Everyone looks after their best interests.

      An analogy which will get modded down in about 15 seconds:

      Again, Slashdotters don't want record companies to get the benefits of copyright law (piracy), but want them reserved for themselves (GPL).

      For the record, I think DVD regions are a big bag of shit. I will never buy a regionless player. If there's a point where that's all that are sold, I just won't buy any. I'll vote with my wallet rather than whining on the Internet about how unfair the world is.

    43. Re:Going to die? by drsquare · · Score: 1

      Great work is seldom popular work.

      For a start, 'great' is completely subjective. I mean, one person's greatness is another person's garbage.

      Secondly, I don't think that great works being unpopular is due to marketing, but more to do with how many people it appeals to. Something which is vague, generic and shallow can appeal to more people, and is easier to get into.

      A book like Harry Potter might not be great literature, but it's easy enough so that many people who don't like grinding through 1000 pages of pretentious writing and stiff dialogue can enjoy it. Most people are not hardcore readers, so more people will prefer the book which has a low barrier to entry.

      I don't think your complain holds up to films though. The more popular films are often the better ones. Look at the imdb listing (yeah it's crap but good for a vague general idea of quality), and the top films are usually the best ones. If an obscure but arguably great film isn't up there, it's probably because it's too obscure and esoteric for anyone to find interesting.

    44. Re:Going to die? by m50d · · Score: 2, Informative
      What you are suggesting is the same for digital media. Who cares how much the carpenters, painters, sets, directors, actors, etc cost? All that matters to you is that you think the movie should be available to you at a $2 or less cost since you can purchase blanks for that amount and thats really all thats involved, isn't it?

      No. The companies who produce DVDs are free to sell it at whatever price they like, and I am free to choose whether or not I am willing to pay that price. However, if they are selling the DVDs for $2 in Brazil, and I go to Brazil and legally purchase it there, then I should be able to play it. If they weren't willing to sell the DVD for $2, they shouldn't offer it for sale for $2, anywhere. Furthermore if I buy 10000 DVDs in Brazil for $2 each and bring them to the US to sell them for $8 each, why shouldn't I be able to? The DVD manufacturers would have no problem with getting people in Brazil to answer their support lines for lower wages, what's the difference between these two? If you believe in globalisation for labour, you should also believe in globalisation for products.

      --
      I am trolling
    45. Re:Going to die? by ajs318 · · Score: 1
      DRM is quicker and easier than lobbying Congress for another extension.
      And also has the benefit of being technically impossible. This is not a limitation of present-day technology, it is a limitation of mathematics. If something can be perceived by a human being, it can be recorded by a machine. It may perform some tests to determine whether or not a recording machine is being used, but those tests will always be ultimately defeatable {since the fact of performing the test will unavoidably reveal information needed to defeat the test}.

      I can see DRM being phased out in a few years' time anyway as one or more of the following scenarios come to pass:
      • Content providers wise up to the fundamental impossibility of DRM.
      • DRM technology companies get greedy, and the cost of DRM outstrips the value of the content being "protected" -- to the point where it would be cheaper just to let folk rip it off.
      • A spate of false positives lead to a consumer backlash, as disgruntled viewers object to technology limiting their right to enjoy material they believe they have purchased the right to view.
      • A pro-consumer government bans some or all types of DRM as anti-competitive and/or a breach of consumers' fair use rights.
      As long as there are people like Jon Lech Johansen, with a quiver full of Perl and Python scripts and a band of merrie hackers living in Sherwood Forest^W^W^W the Internet, we are safe ..... kind of funny really that his name, too, will almost certainly pass into legend ..... in the Public Domain, of course!
      --
      Je fume. Tu fumes. Nous fûmes!
    46. Re:Going to die? by m50d · · Score: 1
      That is amazing isn't it? Back in the days when it took years to publish and distribute a work artists were given fourteen years of protection. Today, despite near instantaneous communication, they are protected for a hundred years or better.

      It could be argued that the instantaneous communication and duplication means copies are likely to be available for longer (it costs almost nothing to keep your entire back catalogue available in digital form), wheras many books in the 14 year era would have had one print run and that would be it.

      --
      I am trolling
    47. Re:Going to die? by Anonymous Coward · · Score: 0

      Yeah because people are stealing the old stuff. How many people are downloading 1950's movies instead of the latest Will Farrell movie? How many people are stealing the Temptations instead of the latest Linkin Park CD?

    48. Re:Going to die? by antiMStroll · · Score: 3, Insightful

      Freeloaders? You mean people who pay the taxes, go to war, police the streets, put in all the gruntwork to maintain the safe and stable society in which 'creative types' flourish? Or did you mean the freeloaders who create the folklores, myths, legends and stories others rework and repackage as their personal IP? I'll venture the framers of the Constituition would have used the term citizenry instead, whether they cared about the politics or not, but the country's changed a great deal from those heady and idealistic days.

    49. Re:Going to die? by Anonymous Coward · · Score: 0

      Nazi meorabilia is banned in France and Germany. The UK is in the same region.

      What you *really* do if this was the goal, was NOT TO SELL TO RETAILLERS IN THAT COUNTRY.

      Point 2 is also not a reason for region coding (don't sell to distributors in that other region). The codes stop someone getting their DVD from Brazil and watching it in the US. No problem stepping on the customers' toes...

    50. Re:Going to die? by raddan · · Score: 1
      It's no wonder that so many people don't give a damn about sharing copyrighted works.

      Right, and this is exactly why I think Lessig is wrong when he says "[a]nd the cultivation of culture and creativity will then be dictated by those who claim to own it."

      You can't stop culture. You can't stop creativity. It will keep happening. Does anybody think that the law is going to stop change? All that will happen is that the law will be less relevant. When enough people lose faith in the system, then these restrictive schemes will come tumbling down. You can't hold back culture-- it is a flood.

    51. Re:Going to die? by banana+fiend · · Score: 1

      I like that...

      "artists were given fourteen years of protection". That meant that you had to get your work out there and fast - which the publishers were only willing to do for the most succesful artists. You were at the mercy of your publishers. Nowadays, the artist gets protection for 100 years, but in reality only the most succesful artists get deals that mean they benefit from that. The publisher is the one with the protection and they make LOTS of money from the succesful author.

      In one way the whole situation is roughly the same nowadays (it's extremely difficult to make a living producing art), but with new technology the publisher is able to lock not only the author in with a contract, but the consumer as well.

      This sounds like a tirade agains publishers, but it is a fundamental problem with the free market - profit sometimes seeks to protect itself not by seducing the consumer, but by trapping them. Of course, one of the beauties of the free market (an actually free market (rare) - just like democracy) is that the situation cannot simply get worse, eventually corrective tendencies appear (lowering CD sales can only be blamed on piracy for so long). If businesses start getting too much legal aid in the form of extended copyrights etc. the corrective tendencies are stymied.

      bitter

      --
      Johns: Well, how does it look now? Riddick: Looks clear.
    52. Re:Going to die? by bcrowell · · Score: 2, Interesting
      For something to enter the public domain today, it must've been created around the early part of last century.
      Not true. Almost everything published between 1922 and 1964 is now public domain, because of the requirement for renewal. For example, a book published in 1960 had to have its copyright renewed 28 years later, in 1988, or else it fell into the public domain. The vast majority of published work did not have its copyright renewed. What got renewed was typically the relatively small fraction of published material that still had commercial value 28 years later.

      I don't think too many people are all that thrilled about the chance to use works from that time period.
      Boo hoo hoo, poor little you -- you can get your Beethoven for free, but not your Britney Spears. And of course nobody actually reads all those books on Project Gutenberg, do they?

      Where do people get this attitude that the world owes them a living? If people don't like the way things are going, they can

      • start a garage band and release their songs for free
      • write copylefted software
      • write a book, and put it on the web for free. (See my sig for a catalog of free books.)

      If you're implying that works without a copyright symbol attached are in the public domain, you are mistaken. Copyrights in the U.S. are opt-out, not opt-in.
      Copyrights are currently opt-out, but they used to be opt-in. Old stuff without a copyright notice is public domain. Also, even today, a copyright is essentially unenforceable unless you give a notice and file a registration. The notice is important because a valid defense against a copyright infringement suit is that the defendant didn't know the material was copyrighted. And unless you've filed a registration, you can only sue for actual damages, and those are almost always too small (especially for OSS) to get a lawyer interested in taking your case.

    53. Re:Going to die? by An+Onerous+Coward · · Score: 1

      Software really should have a separate copyright system. If we were still under the "fourteen years" copyright rule that existed when the U.S. was founded, we would right now be right around the time when Linux 0.0.1, Windows 3.1, and Word 5.5 fell into the public domain. It's hard to argue that these products have any commercial value, but under current copyright law, they don't fall to the public domain for another... well, some godawful long time.

      The commercial utility of software simply erodes too quickly. Long copyright terms (more than 30 years) on software just don't make sense.

      --

      You want the truthiness? You can't handle the truthiness!

    54. Re:Going to die? by E+Galois · · Score: 1

      The original Copyright Act of 1790 set the term to 14 years, plus a one time renewal term of an additional 14 years if the author was living.

      See this page for more information...

    55. Re:Going to die? by utexaspunk · · Score: 1

      Funny, because there was a time before video, cable TV, PPV, etc. when pretty much the entirety of a movie's profits were its box office receipts, and yet big budget movies still got made.

      In fact, I'd say the average quality of the movies being produced back then was a lot higher as well. Maybe they should just go back to making movies that way, and then release them on video at slightly over the cost of duplication once they go public domain (after we change the lifespan of copyrights back to 7-14 years, of course)

    56. Re:Going to die? by cdrguru · · Score: 1
      It seems nobody understands the biggest reason for region coding. Sure, in theory, you could go to Brazil and buy 10,000 DVDs for $2 each. And then get stopped at the border because you don't have an export license to remove them from Brazil. And then get stopped at the US border because you don't have an import license.

      Now it turns out that the US does not have a very restrictive policy on media, so you could likely get an import license without too much trouble. I am unaware of any regulation where a movie has to be reviewed. However, lots of other countries will not let you import an movie without it being reviewed by some government-sanctioned body and them telling you what you have to cut out for their country.

      This is one of the big problems with DVD movies - what is legal in the US is not legal in the UK. Stuff that is legal in Japan would get you arrested for distributing child porn in the US. Every country wants to control what their people can view and movies have to meet their standards. While you can probably get away with carring one DVD into such countries, you cannot import movies in bulk quantities without getting it licensed and approved. And that is one of the biggest problems with region coding.

      Did you think MPAA just decided to make six or seven different versions of each movie for laughs or because it kept the editors working overtime?

    57. Re:Going to die? by mrchaotica · · Score: 3, Insightful

      You're right -- you're not a lawyer. The entire point of copyright is the idea that it expires. Copyright wasn't ever intended to be an entitlement for artists; it was intended to be a social contract to encourage creativity. Copyright expires because the natural and intended state of creative works is the Public Domain. As a society, we're giving artists a gift of limited-time monopoly. If at any point artists fail to hold up their end of the bargain (as I would assert they're doing now), we are no longer obligated to hold up our end, and are morally justified in ignoring the copyright.

      In other words, the choice is between limited copyright and no protection at all, not limited copyright and eternal entitlement.

      By the way, the 14 year term did refer to copyright -- a hundred years ago. Now, mostly because of Disney's lobbying (we couldn't have Mickey Mouse becoming public domain, now could we?), copyright is life of author + 70 years, or 100 years in the case of works created by a corporation. It cannot be passed down to your executors.

      Also, copyright lasts that long whether you assert it or not. You're thinking of trademarks -- they're the things that last indefinitely, but only while you're asserting them.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    58. Re:Going to die? by Red+Alastor · · Score: 2, Funny
      And the GPL is enormous. For stuff like web scripts, it is overkill ..... I don't like to finish eating my dinner before someone else has even started theirs, and I don't like the licence to be longer than the software it refers to.

      The FSF agrees with you, you know. In the GPL FAQ, it's written that if your code is shorter than the GPL, it's probably not worth it to put it under the GPL.

      --
      Slashdot anagrams to "Sad Sloth"
    59. Re:Going to die? by drsquare · · Score: 1

      If, however, musicians were actually paid the money for those songs a lot of people might feel guilty about "ripping off" their favorite bands.

      Even if musicians were given more money, it wouldn't make a difference to people's opinions. Musicians are already millionaires, giving them MORE money from CD sales isn't going to make people feel sorry for them. Probably less so, meaning that there would be EVEN LESS guilt!

    60. Re:Going to die? by saforrest · · Score: 2, Insightful

      I think Dr. Lessig overlooked copylefts as a viable alternative to public domain.

      Lawrence Lessig overlooked copylefts?? Lawrence Lessig, the founder of Creative Commons, author of Free Culture , and director on the FSF board??

      I rather doubt it.

      The issue is that a large part of our culture is copyrighted and owned by people who are going to milk this copyright for all it's worth, as long as they can. Creative Commons/GPL/GFDL are only useful if you already own the copyright, and it's not practical to replicate everything.

    61. Re:Going to die? by mal3 · · Score: 2, Insightful

      No the Public Domain was never intended to have the viral nature of the GPL. The whole point was that after a reasonable amount of time, you don't have control of your work anymore. In return for the government giving you a monopoly on your work(yes they give it to you, copyright is not a right) you give the rest of the world your work to do with as they please.
      Or at least that's what was originally planned. Now it's been corrupted all to hell.

      --
      Non gratis rodentus anus
    62. Re:Going to die? by Peter+La+Casse · · Score: 2, Insightful
      One small quibble...
      As it is now most musicians survive on touring and merchandising.

      As it is now most musicians survive on a day job.

    63. Re:Going to die? by IpalindromeI · · Score: 1, Insightful

      Copyleft only exists because present copyright laws do not properly protect the Public Domain.

      Since the purpose of the public domain is to explicitly give up copyright protection, I'm not sure where you got this idea.

      In an ideal world, it would be enforcible -- with exactly the same penalties as copyright infringement -- that every Derivative Work based upon a Work already in the Public Domain should be in the Public Domain.

      In an ideal world, the public domain would serve the purpose that the author of a creative work can purposely give up copyright protection for that work. After they do that, they no longer have any legal claims on how the work is used. It can be used by anyone, for any purpose. And guess what? That's exactly what the public domain currently provides. So I guess we live in an ideal world, in this sense.

      The GPL exists because people did not want to let others use their code in any possible way. It's kind of similar in some respects, but the original author wanted to maintain some measure of control. That's fine, since that's what copyright is for in the first place.

      The problem with the BSD licence is that if I write a piece of software and release it under the standard three-clause BSD licence, somebody else could take that software -- the result of my hard work and the rightful property of all humanity

      Whether it is the rightful property of all humanity is a matter of opinion. I happen to believe that code I write is not automatically and rightfully anyone else's property, but you're free to think so for your own code. If you do, you should release it to the public domain, since that is the express intention of the public domain's existence: to give something to humanity (ie, "the public").

      -- add a feature which would make for one-way compatibility, make it closed-source but gratis, distribute it widely and effectively subvert my efforts.

      How does it subvert your efforts, since your work is still available for anyone to use?

      Even worse, they might later claim that my attempt to replicate their feature in a piece of software I originally wrote was somehow violating their IP.

      Only if they have a patent on it (which I guess is not that unlikely these days), or can somehow prove that you are copying their implementation.

      --

      --
      Promoting critical thinking since 1994.
    64. Re:Going to die? by IpalindromeI · · Score: 1

      Sure they could relicense it, but so could anyone, if it was released into the public domain. The work that was released into the public domain will still be available for everyone, though.

      In case that isn't clear, here's what I mean. Say an author creates some work, W, and releases it into the public domain just before he dies. His offspring could make a copy, X, and relicense that to something else. But, as long as someone made another copy of W, it is still out there, licensed in the public domain, for anyone to use. It's like toothpaste: Once it's out, you can't pull it back. (Unless you find all public domain copies and destroy them, somehow.)

      --

      --
      Promoting critical thinking since 1994.
    65. Re:Going to die? by techno-vampire · · Score: 1

      A good friend of mine is a fan of the old radio shows. He downloads episodes of Jack Benny, Fibber Magee And Molly, Gunsmoke and so on regularly and listens to them. If he wanted, he could save them to disk and burn them to CDs, but he's not interested in amassing a collection. I'm sure there are many others doing this, because he gets them from a website devoted to the old shows, and it was up and running long before he found it. Were those shows copyrighted at the time? Sure. Are they still? In some cases, yes, in others the holders failed to renew so they're public domain.

      --
      Good, inexpensive web hosting
    66. Re:Going to die? by IpalindromeI · · Score: 1

      The first, of course, is to make work available to the public.

      This is not a purpose of any "copyleft" licenses with which I am familiar, but I admit I do not know them all. The GPL, for example, doesn't say anything about making something available to the public. It's about making something available to the receiver of the product. That may or may not be the public. Even the public domain makes no such promises (because it intentionally makes none). If you write some code, mark it as public domain, and then give it only to one company, they are under no obligation to release it generally. Neither are you.

      The second is to protect the author from others using thier work against them (ie share and share alike).

      This is so vague it can't really be argued. Even GPL'd code can be "used against" the author, for some definition of "used against." If you're implying the common argument that, "My code can be taken and used to subvert my own effort!" Your effort and work is still available for use.

      Copyleft serves two major purposes, and one of them is not addressed by Public Domain.

      Depending on your exact definition of "copyleft," it really only has one purpose: to make the source available to the receiver. But you're right that that is not addressed by the public domain.

      --

      --
      Promoting critical thinking since 1994.
    67. Re:Going to die? by ScrewMaster · · Score: 1

      Actually ... I don't recall any serious post here that says that the major media outfits should be denied the benefits of copyright law. Of course they should have the same rights as any citizen or corporation under U.S. law, but that isn't the issue. The problem is that these same companies (spearheaded largely by the MPAA and RIAA) have gone to Congress and purchased revised laws shifting the balance of rights in their favor, and are doing their damnedest to get the rest of the civilized and not-so-civilized world to follow. That's where most of us draw the line, I think, because this causes economic and cultural damage that extends far, far beyond the largely mediocre offerings of the big studios. And let's not forget Disney, who will never get another penny of my hard-earned cash.

      There's a difference (a big honkin' ass difference) between looking after your own interests, and doing so at the expense of everyone else! Because that is exactly what the content producers have and are doing. Have you ever heard the expression, "enlightened capitalist?" Well, it pretty much defines what the media moguls are not.

      Why do you think so many Slashdotters are up in arms about this? Do you really think we give a rat's ass about downloading movies or music? Well, okay, maybe a little. But look at the kinds of people you see here: engineers, programmers, computer scientists (hell, scientists of all kinds) and other people who either have or are likely to create something new and worthwhile. Even some lawyers (maybe especially the lawyers) who see what is happening and understand that we are all worse off for what these sociopaths have done. Rather than excusing big media as just "looking out for themselves", recognize the implicit danger in what the studios are doing to our best and most capable people's ability to create new ideas and products, and make a difference.

      And you're right about the wallet. I haven't bought a Compact Disc since 1983 or so: I just realized one day that they weren't a good deal. Then I did a bit of research on the industry and it's "representative trade groups" and decided I didn't want to give them any of my money. I still buy used CDs though. And I feel the same way about movies ... it's the same kind of people running that show, and supporting that industry also supports wonderful innovations such as the "Sonny Bono Copyright Extension Act" and the "Digital Millenium Copyright Act" and others. Forget it: they aren't worth it.

      --
      The higher the technology, the sharper that two-edged sword.
    68. Re:Going to die? by Anonymous Coward · · Score: 0

      If I had points I would mod you way up. I think this is exactly the way I feel most people have on this. Maybe not as many vocal as the people here in Slashdot.

    69. Re:Going to die? by le_defaut_tragique · · Score: 1
      Well, no, the artists are not given 100 years of copyright. The rightsholders- the copyright owners- are given that protection. If you were a musician signed to a record label, your contract would specify that when you record a track, the copyright on it becomes the property of your publisher. This is why the RIAA and MPAA are so adamant about the copyright issue.

      It has absolutely nothing to do with protecting the artist, it has everything to do with protecting the profits. If it were about the art, they'd rather people be listening to their artists than nothing at all.

    70. Re:Going to die? by CDarklock · · Score: 1

      Copylefts aren't the same as public domain, because you can't create derivative works under your own license.

      This flaw is another several nails in the coffin. People care about the right to make copies and add fixes, but nobody really cares about the ability to create a transformative work that advances the state of the art under your *own* terms rather than someone else's.

      --
      Microsoft cheerleader, blue flag waving, you got a problem with that?
    71. Re:Going to die? by Craig+Ringer · · Score: 1

      "In an ideal world, it would be enforcible -- with exactly the same penalties as copyright infringement -- that every Derivative Work based upon a Work already in the Public Domain should be in the Public Domain. Under such circumstances, there would be no need for the GPL, since it would be all but enshrined in law."

      I don't agree. Putting a work in the public domain gives anybody permission to do anything they wish with it. This seems appropriate enough. If you want a copyleft effect, you can simply license it as you desire.

      Similarly, the BSD license is a viable choice. Sometimes you want your software to be available entirely freely, and are willing to have others do what they want with it. PostgreSQL is an interesting example of this.

      I appreciate copyleft licenses, and contribute to projects that use them. I also think weak copyleft licenses (MPL, LGPL) have their place, as do the public domain and the BSD license.

      Why should copyleft be imposed on people who are quite happy with a truly open license for their work?

    72. Re:Going to die? by Jah-Wren+Ryel · · Score: 1

      Again, Slashdotters don't want record companies to get the benefits of copyright law (piracy), but want them reserved for themselves (GPL).

      Again. you've got that wrong. The GPL is just a hack of copyright law. In a market without copyrights where most software came with the source code, there would be no need for a GPL because the market would value the Free software over the proprietary. In the same way that car makers could sell cars with the hood welded shut, but the higher value of owner access to the engine means that the competition would quickly kill any such welded-shut products.

      For the record, I think DVD regions are a big bag of shit. I will never buy a regionless player. If there's a point where that's all that are sold, I just won't buy any.

      Huh? Are you saying that you voluntarily enforce the region-locking on yourself? That you would never buy a region-free player? What possible benefit is there to you in doing so?

      --
      When information is power, privacy is freedom.
    73. Re:Going to die? by Nikker · · Score: 2, Insightful

      Just remember one thing as you listen to this guy. In 35years hes going to be retired we are the ones passing laws and contesting them. If any generation is more pasionate to this cause it is this one. And these are the same people who will be behind the wheel when it happens.

      I think he's just going through a bitter mid life crisis.

      --
      A loop, by its nature, continues. If that didn't make sense, start reading this sentence again.
    74. Re:Going to die? by m50d · · Score: 1
      This is one of the big problems with DVD movies - what is legal in the US is not legal in the UK. Stuff that is legal in Japan would get you arrested for distributing child porn in the US. Every country wants to control what their people can view and movies have to meet their standards. While you can probably get away with carring one DVD into such countries, you cannot import movies in bulk quantities without getting it licensed and approved.

      The countries seemed to handle it fine when there were VHS tapes with no region coding.

      Did you think MPAA just decided to make six or seven different versions of each movie for laughs or because it kept the editors working overtime?

      No, I haven't seen much (any) difference in the imported DVDs I've watched. Of course I wouldn't, but when I've seen the film in the cinema I didn't notice anything missing on the foreign DVD version. I think it's just a moneymaking measure.

      --
      I am trolling
    75. Re:Going to die? by BackInIraq · · Score: 2, Insightful

      Boo hoo hoo, poor little you -- you can get your Beethoven for free, but not your Britney Spears. And of course nobody actually reads all those books on Project Gutenberg, do they?

      Actually, I have, and do.

      First off, I hate Britney Spears, and I hate when she is used as the icon of modern copyrighted material, for some reason. Let's instead talk about what might be a better example: The Beatles. You may love them, you may hate them. But you have to admit they are better than Britney. And if copyright hadn't been extended repeatedly, they would (I believe) be in the public domain.

      The purpose of copyright was to encourage artists to produce, not to protect their right (or their grandchildren's rights) to make money off their work. It's just that the best way to encourage them to produce was to give them a way to make money off their work. On could argue that the Beatles made more than enough money during the 14 year or so window after each of their album releases to have made their music quite profitable, and worth their while. Yet now it will not be public domain until halfway through this century. THAT is the problem.

      There is no reason that an artist's grandchildren need to still be recieving royalties. An artist like 50 Cent makes more than enough money to provide for his children, his grandchildren, and possibly their children, if only he would stop spending money on bottles of champagne he intends only to smash, just to prove how rich he is. And artists that don't make much money now aren't likely to be making much in 50 or 90 years anyway, so what's the difference? Sometimes I think the extensions serve the sole purpose of keeping Mickey Mouse out of the public domain, and the rest is just a negative side-effect.

      It's supposed to be a trade. The government allows the use of its courts for artists to defend their copyrights, and in exchange at some point the artists give the material over to the public domain, for everybody to use freely. But I think it was just assumed that that would be within a reasonable amount of time, whether or not it still had commercial value...which many people would argue should be -less- than a century. The point was that material would enter the public domain while it still had an audience, not to prevent it from doing so.

      But maybe I'm just silly.

    76. Re:Going to die? by BackInIraq · · Score: 1

      What you are suggesting is the same for digital media. Who cares how much the carpenters, painters, sets, directors, actors, etc cost? All that matters to you is that you think the movie should be available to you at a $2 or less cost since you can purchase blanks for that amount and thats really all thats involved, isn't it?

      Considering that most movies recoup their cost during theatrical release, the cost of production of the media really IS about the only cost involved. Yeah, you have to re-master it, throw together some special features, and have somebody design a pretty box. But saying that the DVD release of movies from major studios is still paying for the freakin painters and make-up artists is, in almost every case, absolute and unadulterated bullshit. Nearly every movie that sees theatrical release recoups it's cost before it is released on video. Unless, of course, I'm wrong.

      And anyway, the parent was saying that since making copies was almost free than the movie should be almost free to buy...he was saying that's why the studio would want to create a scheme allowing them to enforcably charge different rates in different regions, so they could squeeze whatever blood they could manage from third-world stones, and still charge us the big bucks in the US (even bigger in the UK).

    77. Re:Going to die? by BackInIraq · · Score: 2, Interesting

      Not to mention the fact that when I spend $14.99 on an old Beatles or Hendrix album that might otherwise have entered the public domain by now, that's $14.99 I -don't- have to spend on newer music. That certainly doesn't help the downloading situation, now does it?

    78. Re:Going to die? by SWroclawski · · Score: 1

      There's no point in GPLing something you never intend to distribute.

      RMS addresses this when talking about how GPL effects the software industry.

      The second is a swipe against BSD, using your own code, making a few changes, then making it non-Free.

    79. Re:Going to die? by legirons · · Score: 2, Insightful

      "Copyleft licenses are far worse than the public domain."

      Of course. Copyleft means that the author still retains some power to specify how it's used (although they have to declare such intentions upfront, typically that they don't want it incorporated into non-free projects)

      Declaring something public-domain makes it "more free" than declaring it copyleft.

      However, the big point of the public domain is that it applies to everything (after a certain grace period) even if the author or his publisher is a paraniod nasty bastard who wants to keep it.

      Of course, if an author wants to be nice during that grace period when they're granted copyright, then they have the choice of copyleft, public domain, etc. that you refer to.

      But as Lessig notes, all that is for nothing if the encryption won't let you copy, regardless of your legal rights. It's happening already -- I know a load of teachers who can't copy DVDs for use in class, even though they're specifically permitted to do so under copyright law.

    80. Re:Going to die? by PlacidPundit · · Score: 1

      A handful of performing musicians are millionaires. 99.999999999999999999999999999% are flat broke.

    81. Re:Going to die? by Steve+Franklin · · Score: 1

      But not irreversibly so. I inherently mistrust long-term projections from short-term trends. Look at all of the projections that were made from the budget surpluses of the Clinton years. Where did they go? This public domain problem could turn on a dime, as virtually everything corrupted by a relatively small number of individuals whose hold on power, even as we speak, is eroding faster than the architecture in New Orleans. The only thing in doubt is how far the counterreaction to the total mismanagement by these characters will extend. Will it include a total reversal of their Reagan era deregulation or just a limited rollback of the most heinous abuses? Only time will tell.

      --
      Hic iacet Arthurus, rex quondam rexque futurus.
    82. Re:Going to die? by MikeFM · · Score: 4, Interesting

      I like the idea of having copyrights start off at $1 for the first year and double each year there after. That way copyrights will naturally expire as soon as they aren't profitable enough to be worth maintaining and yet anyone would be able to afford to file their copyright. And I do think copyrights should have to be filed to be valid! Nonsense like having everything I write being automatically copyrighted is just stupid. They should have to be filed and filed again every year (with some reasonable grace period).

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    83. Re:Going to die? by vert2712 · · Score: 1
      Considering that most movies recoup their cost during theatrical release, the cost of production of the media really IS about the only cost involved. Yeah, you have to re-master it, throw together some special features, and have somebody design a pretty box. But saying that the DVD release of movies from major studios is still paying for the freakin painters and make-up artists is, in almost every case, absolute and unadulterated bullshit. Nearly every movie that sees theatrical release recoups it's cost before it is released on video. Unless, of course, I'm wrong.

      You've got to be kidding. The bulk of revenue for studios comes from TV, homevideo, licensing and other ancillary revenues. Theatrical profits are the smallest slice of the pie these days, and only a fraction of titles are profitable during their their original release.

      The rule of thumb is that a film has to gross domestically at least the equivalent of its budget to even hope to break even. Apart from bonafide hits, many films these days don't even come close (but handsomely recoup their investment once they hit video). In fact, in many cases the theatrical release these days is nothing more than promotional/marketing for the upcoming homevideo release. On many studio productions, advertising and print costs alone amount to more than the negative cost.

      You may want to read this for some more info.

    84. Re:Going to die? by IpalindromeI · · Score: 1

      There's no point in GPLing something you never intend to distribute.

      I guess you don't understand that you can distribute something without giving it away to everyone. The true philosophy behind the GPL, which unfortunately is almost universally forgotten or misunderstood, is that users should be able to modify the software they receive. If you intend to publicly distribute your software, you could consider the general public to be the users. However, the philosophy does not change simply because you wish to distribute the software to only a select few. In this case, the GPL ensures that if those select few redistribute it, their users are still protected, even if it is only another select few. You were claiming that the purpose of copyleft is to make something available to the public, when really it is only to make something available to the user.

      The second is a swipe against BSD, using your own code, making a few changes, then making it non-Free.

      Yes, I have heard that common complaint, and that is what I responded to in my previous comment. Your code can never be made non-Free because it is still available. Or are you claiming that once I take a piece of your code, all other copies are immediately destroyed so that no one can use them? No, your work is still available, Free as ever. There is a good rationale for using the GPL, but, like almost everyone else, you don't understand what it is. Read the first part of this post again, and you may find it.

      --

      --
      Promoting critical thinking since 1994.
    85. Re:Going to die? by BackInIraq · · Score: 1

      Damn, I hate when I'm wrong. Mod that one (-1, Absolutely Freakin' Erroneous)

    86. Re:Going to die? by Jamesday · · Score: 1

      By producing FOSS I mean people like you and me producing things for the benefit of all and trying to maximise code reuse and ability to customise things to meet our needs and preferences.

      Just using the end result is a different matter. Talking here about code reuse and sharing, so we can do things like customise a printer driver to our needs by adding some copyleft code, if the driver is PD or BSD or even under another copyleft license. BSD or PD you can in theory solve by using the copyleft license of the code you want to integrate. But if the other license is copyleft, but a different copyleft, you're pretty much stuck with hoping the author(s) aren't advocates of one particular copyleft license and are willing to be part of the community and work together.

    87. Re:Going to die? by drsquare · · Score: 1

      It was a typo. I meant:

      For the record, I think DVD regions are a big bag of shit. I will never buy a non-regionless player. If there's a point where that's all that are sold, I just won't buy any.

    88. Re:Going to die? by bcrowell · · Score: 1
      I agree that copyright terms are too long, but let's not kid ourselves. That's not going to change -- even if Congress doesn't extend them next time around (which they almost certainly will), they'll still be too long. And in any case, the remedy is for people to make free information and give it away intentionally, not for people to whine and complain about how they wish their MP3-trading activities weren't illegal.

      The Beatles. You may love them, you may hate them.... And if copyright hadn't been extended repeatedly, they would (I believe) be in the public domain. When they started recording, in 1962, U.S. copyrights ran for 28 years, and could be renewed for another 28, so their U.S. copyrights wouldn't have expired until 2018, even without the legislation after 1962 that extended the terms of copyrights.

      There is no reason that an artist's grandchildren need to still be recieving royalties.
      Two of the Beatles are still alive.

      The point was that material would enter the public domain while it still had an audience, not to prevent it from doing so.
      Again, I agree that terms are too long, but a lot of music does have an audience 100 or 200 years later. I definitely think kids will be singing Yellow Submarine around campfires in the year 2100.

    89. Re:Going to die? by oldwarrior · · Score: 0

      >>and effectively subvert my efforts

      People could still use your version. And if someone charged for their "improved" version, I would use yours anyway. We should not be so uptight about this. PD was great in the 70's when you could put the source code into a magazine article and anyone could use it. Maybe it would end up in some commercial game or product, too but you still can have it as it. That's freedom to me.

      --
      If it were done when 'tis done, then t'were well it were done quickly... MacBeth
    90. Re:Going to die? by crbowman · · Score: 1

      I agree with what you are saying, but you need to look farther. The purpose of copyright is to enrich the public. To accomplish this, the copyright monopoly was created to encourage authors to create works. Copy "rights" are not inherent rights they are created as a necessary evil to accomplish the goal of enriching the public. For books they work fine. I mean everything you need to reprint or make derivative works is right there. However, for software the really valuable thing isn't the binary, but the source code. I think that in order for software to recieve copyright, the term should be much smaller say 5-10 years, and the source code should have to be filed at the copyright office. I mean otherwise where is the value to the public 75 years from now when dos 5.0 finally becomes public domain, I mean we won't even have machines that can run it.

    91. Re:Going to die? by JesseL · · Score: 1

      If you made works derived from sources in the public domain it would be almost the same as having no copyright at all. Think about the number of modern works that are derived from public domain works!

      We would be left without things like:

      Falco's "Rock Me Amadeus"
      Michael Crichton's "Eaters of the Dead"
      and "10 Things I Hate about You"

      hmmmm... maybe you're right.

      --
      "Prefiero morir de pie que vivir siempre arrodillado!"
    92. Re:Going to die? by BackInIraq · · Score: 1

      When they started recording, in 1962, U.S. copyrights ran for 28 years, and could be renewed for another 28, so their U.S. copyrights wouldn't have expired until 2018, even without the legislation after 1962 that extended the terms of copyrights.

      I wasn't thinking about at the time of their recording...I was thinking more along the lines of the "original" (in the US) 14 and 14, which in my opinion is a very reasonable lengh for a work to be copyrighted. This would have had Beatles recordings starting to fall into the public domain around 1990, by which point I think enough millions would have been made. Though this would also have had the negative effect of causing even more Beatles songs to be used shamelessly in TV commercials, but you have to take the good with the bad.

      Two of the Beatles are still alive.

      Wasn't necessarily talking specifically about the Beatles anymore, silly. :)

      I definitely think kids will be singing Yellow Submarine around campfires in the year 2100.

      And suddenly I think that maybe copyright DOES need to be extended, and become a LOT more restrictive. (Though a fan of the Beatles, strangely enough I -hate- that song! Though I realize I am in the minority on that one...)

    93. Re:Going to die? by Anonymous Coward · · Score: 1, Informative

      Just to really really move the part about Beatles from this discussion other than a generic example. Michael Jackson bought the publishing rights for 159 to 251 (I don't know the details) of the Beatles songs. So you're not actually giving Paul McCartney money when you buy a cdversion of the white album or playing revolution 1 on your radio channel, you're giving the money to our famous childlover.

      http://www.snopes.com/music/artists/jackson.htm

      Snopes gave me some better info, appearantly Lennon-McCartney still recieves 50% of the royalties and Sony recieves 50% of the rest, so 25% goes to Michael.

    94. Re:Going to die? by gronofer · · Score: 1

      Copyright law is hardly very clear on how works can be put in the public domain. I've read some of the legislation for a few countries and I have yet to find one that even mentions the concept. In the absence of such clarity, heirs to the copyright can potentially revoke all previous licences, unless perhaps they explicitly state that they are irrevokable.

    95. Re:Going to die? by WEFUNK · · Score: 1

      The entire point of copyright is the idea that it expires. Copyright wasn't ever intended to be an entitlement for artists; it was intended to be a social contract to encourage creativity.

      While agreeing with most of your statements, particularly with respect to US copyright law, I think that your history is a little off. My understanding is that copyrights were originally established by European publishers (and the Stationer's Company in the UK) to protect the monopoly that was threatened with wider scale adoption of the printing press and to allow censureship. The original common law copyrights were "granted" in perpetuity to the publishers. It was only later that limited termed copyrights were established as a social contract to encourage creativity by artists/authors.

      The issue is not that copyright has always been a social contract from its very beginning, but that we are reverting back to the dark ages of copyright used for censure and perpetual monopolies -- exactly what the US founding fathers were so much against when they enshrined the social contract viewpoint in the constitution.

      --
      My next sig will be ready soon, but friends can beat the rush!
    96. Re:Going to die? by Anonymous Coward · · Score: 0

      > And the GPL is enormous. For stuff like web scripts, it is overkill ..... I don't like to finish eating my dinner before someone else has even started theirs, and I don't like the licence to be longer than the software it refers to.

      It's maybe two pages of printed text, and I'm being generous. The GPL is not a EULA (and unlike EULAs, it is actually a license, not a contract), but the EULAs we get in those tiny boxes in software installation screens are *far* longer than that (despite appearances) ... Perhaps I'm comparing it to the worst here, but it's not *that* big or complex a license all told.

      But yeah, it may well be overkill for small scripts and things :)

    97. Re:Going to die? by coaxial · · Score: 1

      That's because copylefts aren't viable since they are such an extemely small portion of all media created. More importantly copyleft != public domain. Copyleft is a license. Like all licenses, the owner of the work dictates to the user/licensee what he can and can not do with it. Public domain works belong to everyone. You can do anything you want.

      To use the example of the GPL versus public domain:

      GPL: You must distribute the changes you made to the code, if you distribute a modified version

      Public Domain: You get the code and you can do anything what you want to with it. If you want to distribute the code, you can. If you don't want to, that's okay.

      Public domain is true freedom. Copyleft isn't. At best, it's a benevolent dictator.

    98. Re:Going to die? by Bent+Mind · · Score: 1

      The second reason is that companies like to sell the same product several times. First you buy a ticket to see a movie in a theater, then you buy it in a DVD. If theater and DVD versions were available at the same time, they would compete with each other - you might decide to simply rent the DVD and skip the theater completely. Because of this, the DVD version only appears after the movie has disappeared from the theater.

      I always thought this was a shame. I personaly enjoy going out to the movies and often prefer the theater over the television. However, theaters only show new movies. I'm stuck with DVD if I want to watch something that's been out a while. Going out to the theater to see a favorite movie and being able to purchase the DVD from the lobby afterwards would be a business plan I'd heavily support. Unfortunely, movie companies are deaf, blind and dumb. They have their 50 year old business model and their suing to keep it viable.

      --
      Request a Linux Shockwave player here: http://www.macromedia.com/support/email/wishform/
    99. Re:Going to die? by ebyrob · · Score: 1

      Who cares how much the carpenters, painters, sets, directors, actors, etc cost?

      Anyone think maybe we, US culture, are wasting a heck of a lot of money on things that really don't matter? I mean, if we've gotta create a draconian big-brother society just to pay the production of ENTERTAINMENT, what has the world come to? Maybe it'd be better if we just ran a yearly lottery to pick gladiators that can entertain us in a ring by dieing?

    100. Re:Going to die? by DavidTC · · Score: 1
      You can customize print drivers all you want.

      You just cannot distribute them.

      --
      If corporations are people, aren't stockholders guilty of slavery?
    101. Re:Going to die? by euniana · · Score: 1

      But if any generation is also more prone to reject freedoms, it's also this one: http://news.bbc.co.uk/2/hi/americas/4225013.stm

    102. Re:Going to die? by Anonymous Coward · · Score: 0

      can be recorded by a machine

      which is why they are going to try to ban all of these machines.

      the only things left available will be "Trusted" platform ones.

    103. Re:Going to die? by Raul654 · · Score: 1

      Um, no - "fall into the public domain" (emphasis mine) almost always refers to a work whose copyright expires (as opposed to being placed into te public domain by its creator)

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    104. Re:Going to die? by HD+Webdev · · Score: 1

      Um, no - "fall into the public domain" (emphasis mine) almost always refers to a work whose copyright expires (as opposed to being placed into te public domain by its creator)

      Then again, there is something called 'context'.

      --
      This is not a dream, not a dream...we are transmitting from the year 1-9-9-9.
    105. Re:Going to die? by MntlChaos · · Score: 1

      That's an interesting idea, but unfortunately the regions are a bit too big to make that work. I can still go from Brazil to Argentina, or England to Germany, without region coding acting as a gatekeeper.

      Also, many times the only differences between movies released in differnt regions are encoding (NTSC, PAL, etc.) and the language that the title is displayed in.

    106. Re:Going to die? by Splintax · · Score: 1

      http://en.wikipedia.org/wiki/Copyleft
      for those of you who have never heard of 'copyleft' before. Apparently it essentially means licensing something under a license like GPL or Creative Commons..

    107. Re:Going to die? by MikeFM · · Score: 1

      I think this formula works for seeing how much a copyright would cost on the nth year of holding the copyright. Where y is the number of years and c is the cost of the yearly copyright fee. Pretty simple. It appears that the original granted 14 years wouldn't be to unaffordable for most content owners but by the 21st year most content holders would probably let go. I doubt even Mickey Mouse would be worth holding on to for more than 30 years. Not many copyrights would be worth $500,000,000 a year but those that were would be a good boost of income for the govt.

      c = 1 * ( 2 ^ ( y - 1 ) )

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    108. Re:Going to die? by rtb61 · · Score: 1
      Region coding is a pure profit play nothing more. There only has to one change to the dvd, the one that defines its region.

      I did watch a DVD on one of the alternate laguages (not english) the dubbing was completely lacking in emotion, soundtrack was mono and several characters shared the same voice. Quality is not the issue only profits are.

      My dvd player like most others is readily changable to any region or no region via the remote. The DVD on my notebook has been firmware upgraded to be region free. In some western countries region encoding has no legal basis (hence players HAVE to be able to be changed).

      Take for example the twist in the Australia USA free trade agreement, Australia is region 4 and the US is region 1, this you would think would be contrary to the spirit of that agreement but of course with the right amount of money/influence from the MPAA/RIAA that spirit evaporates and the interests of the minority take precedence of the interests majority.

      --
      Chaos - everything, everywhere, everywhen
    109. Re:Going to die? by Scarletdown · · Score: 1

      And I believe that pornography as far as the Middle East is concerned, is anything showing skin above the ankles and below the eyes. :D

      --
      This space unintentionally left blank.
    110. Re:Going to die? by ultranova · · Score: 1

      While the duplication of digital media is "essentially free", that does not acknowledge the costs of production and how much each slice has to generate to first of all pay for the creation of the product, and second offer enough of a profit incentive for someone to keep producting it.

      True. And for that end, you want to sell as many DVD's as possible, since each sold DVD brings in profits, no matter how low the selling price was.

      As I specifically said that it costs a lot to produce the content in the first place, your comment is somewhat pointless.

      For example. Medication costs $500 million to develop, market, patent. Company tries to get three products through the process and one makes it. From the one they CAN sell they need to recoup the costs of production. Third world country like Brazil says they will only pay a price slightly over the cost of production of the pill when all the other costs of making the pill are disregarded.

      What you are suggesting is the same for digital media. Who cares how much the carpenters, painters, sets, directors, actors, etc cost? All that matters to you is that you think the movie should be available to you at a $2 or less cost since you can purchase blanks for that amount and thats really all thats involved, isn't it?

      I'm not suggesting anything. I am simply answering my original post's parent's question of what benefit corporations get from region codes. Nice strawman you got, thought. I especially like the comparison between medicine (life and death matter) and DVD's (entertainment).

      You are right in one thing, however: The only thing that matters to me about DVD pricing is that I have the DVD's I want available cheap. Why should I care about how much it costs to produce them ? I don't own media companies and certainly have no obligation to consider their profitability.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    111. Re:Going to die? by doodlelogic · · Score: 1

      Removing automatic copyright would be the final nail in the coffin of the independent publisher against the large corporates.

    112. Re:Going to die? by arafel · · Score: 1

      It depends on the country, but at least in the UK, once people have a work under a particular licence, you can't just turn round and say "that isn't valid any more, you can't use it".

    113. Re:Going to die? by MikeFM · · Score: 1

      How so? You could still file if you wanted to.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    114. Re:Going to die? by bbtom · · Score: 1

      What would be especially cool is if the $1 was sent to ensure archiving of that particular media type. Here in Britain, for instance, when you publish a book, to ensure copyright protection, you have to send out copies to a bunch of major research libraries - it's called "Legal Deposit".

      Basically, on publication, you have to send one copy to the British Library in London. Five other libraries have Legal Deposit request status. These are the The Bodleian Library at Oxford University, the Cambridge University Library, The National Library of Scotland at Edinburgh, The Library of Trinity College in Dublin and The National Library of Wales at Aberystwyth. Legal Deposit request status means that if the libraries request them, they have to supply a free copy. In practice, publishers send out these six copies as a matter of routine. Nice anecdote: I'm a Reader at the British Library (ie. I have a right to request books for research purposes), and when I was working I requested a book. I got it, and tucked inside the sleeve was a rather ragged old letter from the publisher saying words to the effect "Under the Copyright Act, we are mandated to make a legal deposit of this book. Enjoy!". That brightened up my day!

      Legal Deposit includes everything - books, newspapers and so on. If it's on paper and is published - ie. made available for sale and distribution - you have to do Legal Deposit.

      The {$1^n...$1^n+1} fee could be used to fund these types of non-profit archives, including things like the Internet Archive.

      Not only would this ensure accessibility for future generations to the ideas and culture of today, but it would also put ideas, culture and Enlightenment values back up on the agenda.

      I'm a free market advocate, who likes small government, and liberty. But copyright law is in the unique position of really requiring a delicate balance. This is something we do not have.

      --
      catch (HumourFailureException e) { e.user.send("You, sir, are a humourless idiot."); }
    115. Re:Going to die? by MikeFM · · Score: 1

      Funding archives as well as the national library system would be a great use of the money.

      Having copies of every copyrighted work archived should be a requirement for a copyright. If a work is worth protecting then it's worth saving for future generations.

      As it is I'm all for projects like the Internet Archive as it seems so much information and history of our current times are going to be lost given there is no archive requirement and a good majority of our culture exists in digital form only. It's really a shame that all the programs, videos, music, images, etc aren't able to be archived too. Sure 80% of it is probably crap but that leaves a lot of stuff that is good and to future generations even crap could be useful to them. Look how excited our historians get when they find a kids toy from a past culture. Maybe someday a future historian might feel that way about finding a ripped N'Sync song and some porn pics from today. By not saving such things we are robbing future generations. Even worse that we're not saving the really useful stuff.

      I've experimented some with collecting the Internet myself. I've thought about writing the data to aluminum discs that would last a lot longer than electronic or optical media. It'd be awesome if all copyrighted digital works were saved in that way and archived.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    116. Re:Going to die? by bbtom · · Score: 1

      That is the problem with the Internet as compared to traditional infrastructures of archiving. Libraries and archives worked on the principle that having a book in n+1 places is better than just having it in n. Irretriveable loss, censorship and so on can not take place so easily if there are multiple copies stored in different places.

      The Internet is centralised, in as much as mirroring is a rare thing, and content comes from one place. If I delete a file from my server, you cannot see it again, unless it's been archived. But upon publication of a book under the British copyright system, I'm mandated to send out copies to research libraries, ensuring that I can't change what I've written.

      The Internet Archive are doing a good job in setting up the European branch. Basically, they currently have their set up in SF, and are trying to set up in Europe also. This will avoid a certain fault line, as well as any political problems that censorship brings. But, ideally, we'd be building an Internet Archive 2, run by different people, in different locations, to mirror content, in case we find that the current IA does something bad - like what Gracenote did, for instance.

      Of course, this could be a final trading block with the record/movie industry - have your DRM, as long as you put non-DRM copies in an archive. (Hopefully, though, it won't come to that. They'll willingly forgo DRM because of consumer demand, and they'll willingly put stuff in archives for the same purpose).

      --
      catch (HumourFailureException e) { e.user.send("You, sir, are a humourless idiot."); }
    117. Re:Going to die? by gronofer · · Score: 1

      A licence alone is just permission to do something, and such permission is not necessarily irrevokable. If it was part of a contract it may be harder to revoke however, depending on the terms.

    118. Re:Going to die? by Chandon+Seldon · · Score: 1

      A large amount of art has already not been produced simply because it would be illegal to distribute. The simplest / most obvious example I can think of would be music remixes, but this spreads to other areas?

      Would "West Side Story" ever have been written if "Romeo and Juliet" was still under copyright and was being protected by lawers as rabid as those being employed by the Music / Movie industry?

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    119. Re:Going to die? by MikeFM · · Score: 1

      I think DRM isn't going to die until we begin producing enough non-DRM open content movies and music that can compare favorably with the crap coming out of Hollywood. Without the challenge of competition they have no reason to worry about consumer revolt.

      As such I'm thinking of making an open content movie that is something like Sneakers combined with Seinfeld. A movie that is about the daily, and slightly weird, life of geeks as they work to produce an open content movie they expect nobody wiull ever actually watch. Silly enough concept for a movie? ;)

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    120. Re:Going to die? by cfuse · · Score: 1
      Isn't circumventing access control a crime nowadays in the US ?

      Surprise, surprise, surprise ... more restrictions from the land of the free.

      1. USA != Whole world
      2. USA's opinion of its own importance is grossly out of step with reality. The empire is in decline - the future lies with China & India (and to some extent, the European Union).

      I view a lot of these rights management/fair use issues as irrelevant, solely because the USA is in a strong period of decline. Suppression of science and knowledge in favor of faith and supposed morality is a great way to enter into a modern 'dark age'. I feel great pity towards the ordinary citizens - they'll be the ones paying for this down the track.

    121. Re:Going to die? by Bobsledboy · · Score: 1

      There will be a Region 0.

      Region coding has been ruled illegal in Australia and all dvd players must come already set to multi region or come with instructions on how to do so.

    122. Re:Going to die? by Frodo+Crockett · · Score: 1

      The FSF agrees with you, you know. In the GPL FAQ, it's written that if your code is shorter than the GPL, it's probably not worth it to put it under the GPL.

      What about Perl? :P

      --
      "The newly born animals are then whisked off for a quick run through a giant baking oven." --heard on Food Network
    123. Re:Going to die? by Vasey · · Score: 1

      No, they make six or seven versions so they can get away with charging an arm and a leg in wealthier countries. The last TV series boxset I bought would have cost half as much if I'd not had to worry about region coding. You can't tell me that encoding for Region 2 and changing the packaging is worth a doubling in the price. Not with a straight face anyway.

      And yes I'm aware that for the most part if can be easily bypassed but I can't be bothered to deal with that particular faff on, especially when the new standards and encryption methods will make it even more of a hassle in the future should I choose to get a HD-DVD player when the time comes.

    124. Re:Going to die? by slaad · · Score: 1

      But under a system that increases exponentially like that, only the big corporations would have the money to keep their copyrights alive for a long enough to maximize their profitability. Furthermore, in order to keep works from going into the PD and being "lost" (to the publisher anyways) forever, they would need to keep on paying to renew, even if the work had not became popular yet. Those with lots of money could do this with no problem, but smaller organizations could have a hard time with it.

      --


      ~Warning!~ The above is encrypted using rot676!
    125. Re:Going to die? by MikeFM · · Score: 1

      If you can't make money from something in the first decade then you probably never will. The way the system works being wealthy might buy a company a few more years but not much and most would probably write off anything that hadn't had become profitable as not being worth marketing.

      Besides there is no reason you can't make money from something that is in PD. Quite a few copies of Mark Twain novels still seem to be sold.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
  2. Lessig? by dsginter · · Score: 4, Insightful

    Is this really Lessig writing or is he just regurgitating Ray Bradbury?

    In any event, people simply don't care. As long as they have a cool ringtone, that is.

    --
    More
    1. Re:Lessig? by CHESTER+COPPERPOT · · Score: 1
      "As long as they have a cool ringtone, that is."

      Obviously Lessig is jealous he didn't get to download that Public Domain remix of the song out of Blade with vampire blood dancing. Which leads to something more nefarious..

      Putting two and two together we /.'ers have obviously solved the root of the piracy problem where Lessig failed, that is ... vampires have taken control of intellectual property. Yes, yes. I know, I know calm down. It's simple see ... we just take the supposed lawyers (vampires) for a "walk" in a back alley. Accidents happen can sometimes happen in back alleys.

    2. Re:Lessig? by limber · · Score: 2, Insightful

      Is this really Lessig writing or is he just regurgitating Ray Bradbury?

      I'm not sure I fully understand this comment. Are you referencing Ray Bradbury's remarks about how Michael Moore "stole" the title for Fahrenheit 911?

      "He stole my title and changed the numbers without ever asking me for permission."

    3. Re:Lessig? by zephc · · Score: 1

      "Obviously Lessig is jealous he didn't get to download that Public Domain remix of the song out of Blade with vampire blood dancing."

      Just FYI, the song is called 'Confusion' by New Order. Good for parties.

      --
      "I would say that 99 per cent of what my father has written about his own life is false." - L. Ron Hubbard Jr.
    4. Re:Lessig? by phantomfive · · Score: 1

      I think the main issue isn't that they don't care, it's that they don't understand. They don't understand because they haven't put forth the effort to understand (you can't say they aren't smart enough....the basic concepts of copyright aren't extremely difficult). Copyright is really a fairly boring issue, and really, if I hadn't had it thrust upon me by coming in contact with computers etc, I wouldn't care too much about copyright issues either.

      --
      Qxe4
  3. What are you on? by Anonymous Coward · · Score: 0

    Public domain can't die as long as one can create a piece of work and renounce all copyright to it.

    1. Re:What are you on? by iamwahoo2 · · Score: 3, Insightful

      Most of our culture like our music is produced in the private domain. It used to be that this work would be in the public domain after a small amount of time. In the current system copyright is being extended at such a rate that nothing will ever again be in the public domain. Lessig here is arguing, as he has in the past, that it is important that societies eventually own their culture. With the current mindset that the public should never own creative works, this will not happen. Imagine a world where the widely reproduced creative works from the Renassaince had to be licensed.

    2. Re:What are you on? by bratboy · · Score: 1
      The article, although containing the flavor of important ideas, actually boils down to a meaningless "THE END IS NIGH" sign. His core argument, if you can call it that, seems to be:
      These legal measures will soon be supplemented by extraordinary technologies that will secure to the owners of culture almost perfect control over how "their property" is used. Any balance between public and private will thus be lost.
      Huh? Copyright holders being able to enforce their copyrights destroys the balance between public and private? I call bullshit. Oh, and he follows this with:
      The private domain will swallow the public domain. And the cultivation of culture and creativity will then be dictated by those who claim to own it.
      How does this follow? Sony Corp publishes a CD of Britney Spears that's impossible to be copied, and the public domain is swallowed?

      There are lots of valid points he might be trying to make (and which he has made in the past), but he doesn't make them here. It's a foreign policy site, but he doesn't offer policy suggestions. In the end this is a sad, poorly written article that basically boils down to portentous warnings of doom about a nebulous threat with no particular advice. We should expect better from Lessig, and he should be embarrassed.

      daniel

    3. Re:What are you on? by An+Onerous+Coward · · Score: 1

      I call shenanigans on your bullshit.

      Trusted Computing measures won't simply allow copyright holders to "enforce their copyright." It will allow them the ability to decide whether to permit any given use of a work, whether requiring such permission makes sense under copyright law or not. They can deny uses that would normally be covered under fair use, and continue their complete control long after copyright expires.

      I also deny your second premise: that such a state of affairs wouldn't diminish the value of the public domain which currently exists. In order for the public domain to remain relevant, it has to be continually refreshed with new ideas. Back when works only fifteen years old could be taken and profitably used, the public domain was an extremely valuable tool. Now the only works in the public domain (excluding a handful that were explicitly put into the public domain by the owners) are decrepit and don't interact well with the most powerful ideas in our society. The public domain meant to be a pool of ideas that fed our society, not just a nostalgic trip down memory lane.

      --

      You want the truthiness? You can't handle the truthiness!

    4. Re:What are you on? by bratboy · · Score: 1
      Many of these would have been interesting things for LL to have discussed. He didn't. He just said that "grave things are afoot" and that "the public domain will disappear." In your talmudic reading of his article, you are projecting your own ideas of what you *think* he meant, not what he actually said - which is close to nothing.

      You're also ignoring the fact that he didn't actually say what should be done about it. Why was this in a policy journal?

      Even in the most brutally biased and moronic of op-ed pieces, they usually try to tie their argument to some concrete fact, and give the reader something to do about it. LL did neither.

      daniel

    5. Re:What are you on? by Anonymous Coward · · Score: 0

      Huh? Copyright holders being able to enforce their copyrights destroys the balance between public and private? I call bullshit. Oh, and he follows this with:

      Suppose Circlecorp gets the copyright on circles. It now owns the rights to all derivative works, such as wheels, balls, ball bearings, and controls the right to manufacture anything that's based upon the idea of a circle. Instead of manufacturing anything, it sits and collects royalties for the next 120 years. Anything round it disapproves of never gets built.

      And Squarecorp gets the copyright on squares. It now owns the rights to all derivative works, such as boxes, houses, apartment buildings, and can control the right to manufacture anything that's based on the idea of a square. Instead of manufacturing anything, it sits and collects royalties for the next 120 years. Anything square that it disapproves of doesn't get built.

      Sound dystopian? Well, it's not: that's the current state of copyright law. Variations on themes aren't legal if the theme is copyrighted; despite the fact that variation is the very essence of creativity. Own the theme, and you own all the variations on it, and screw anyone else who wanted to do something with that idea.

      IP law is so out of control that Mattel owns a specific shade of pink as a trademark. No one else can use that shade of pink without Mattel's permission. So much for a free market!

      How does this follow? Sony Corp publishes a CD of Britney Spears that's impossible to be copied, and the public domain is swallowed?

      If the copyright on the CD finally expires, and I want to do voiceprint analysis to figure out why Britney was so popular 100 years ago, and I'm not legally permitted to so because I'm not allowed to bypass the encryption on the program that will only plays the music through licensed Sony(TM) speakers, then yes, my public domain rights to that work have been destroyed, in a very real sense. I can't do my analysis, despite the public domain allowing me to.

      This is what happened with DVD players. One cartel controls the production of the hardware, the other cartel controls the software, and they colluded to create an encryption standard that only they could access. Then they passed the DMCA to ensure that no one who was not authorized by the media cartels could access that data in an unapproved fashion.

      Adobe's Secure-Ebooks that make it illegal for the owner to print out a section of 'Alice in Wonderland' are exactly what Lessig is complaining about. It's a felony offense to manufacture a device that can make use of our existing public domain rights. Lessig claims that if we can't use our rights, we may as well not have them, and soon probably won't.

      Legally, a hotel must still stable my horse: the old law is still on the books. But no modern judge will grant me that right: it's been lost, because it's fallen in disuse. I don't find it very alarmist to suggest that the same thing could happen to my public domain rights; it's been an ongoing trend over the last twenty years.
      --
      AC

    6. Re:What are you on? by An+Onerous+Coward · · Score: 1

      "Talmudic"? That would imply that I'm drawing all my conclusions from the article itself. I've actually read a couple of Lessig's books and occasionally visited his blog, so in reality I'm merely summarizing arguments Lessig has made in other forums. Further, this was only necessary because your retort showed that you didn't grasp the full implications of what he was saying.

      Now, if you were unfamiliar with Lessig's work before, his op-ed piece was far too terse, so I'm not holding that against you. However, he has done a masterful job explaining and defending his ideas in other forums. Maybe he had more pressing things to do, maybe the magazine sprung the request on him, or maybe six paragraphs is what they actually wanted. While I wasn't impressed by this particular piece either, the one thing you can't blame its quality on is a lack of ideas or understanding in Lessig himself.

      Here

      --

      You want the truthiness? You can't handle the truthiness!

    7. Re:What are you on? by gevantry · · Score: 1

      I'm surprised that works from the Renassaince haven't been copyrighted. Museums spend a lot of money retouching paintings, and I wouldn't be surprised if someone figures out how to copyright the PD images under a claim that retouching has created a new image. Photographs of those great works are copyrightable.

  4. What a prophet! by Anonymous Coward · · Score: 0

    Geez. It's funny how people can predict what will happen in 35 years when they don't actually know what will happen in about... half a second?

  5. Seriously by suso · · Score: 1

    Over my dead body.

    1. Re:Seriously by Anonymous Coward · · Score: 0

      lol, good one

    2. Re:Seriously by Cros13 · · Score: 1

      Same Here

      --
      --cros13
    3. Re:Seriously by Tackhead · · Score: 3, Insightful
      > Over my dead body.

      "That can be arranged."
      - RIAA

      "*shrug*, *BLAM*"
      - Your government

    4. Re:Seriously by digitalrevolution · · Score: 0

      Yeah, seriously. And how did the idiot get 35 years and not 32 ? I love these kinds of doomsaying quacks.
      There is no technology today that is cryptographically secure enough for more than 7 days.
      Even RSA 1024 can be broken by a good Twinkle.

    5. Re:Seriously by Anonymous Coward · · Score: 0

      That should be
      Seriously over my dead body +70 years and all my work will be in the public domain.

  6. People forget by Peaker · · Score: 3, Insightful

    that the main purpose of copyright, was to enhance the public domain.

    1. Re:People forget by Anonymous Coward · · Score: 0

      That may have been the PaRty line, but the main purpose of copyright, has nothing to do with enhancing the public domain.

    2. Re:People forget by Anonymous Coward · · Score: 0

      "Sounds like somebody's livin' in the past. Contemporize, man!"

      We're not talking about what the purpose of copyright WAS, we're talking about what the purpose of copyright IS.

      At this time, the purpose of copyright is to provide a secure income stream for a handful of global media conglomerates.

      If you don't think that's such a hot idea, you really only have a couple of choices: convince enough people to elect a congress that won't be bought by Sony and Disney, or somehow conduct a successful guerilla campaign against Sony and Disney. All anybody has done so far is either tacitly support Sony and Disney by paying $10 a pop to watch their crappy movies, or ineffectively fight against Sony and Disney by stealing their crappy movies.

    3. Re:People forget by anthony_dipierro · · Score: 0

      Actually, I doubt that's true. In hindsight it would have been a good purpose, but that doesn't mean it actually was the purpose.

    4. Re:People forget by squiggleslash · · Score: 4, Insightful
      The main purpose of copyright was to ensure that artists would have an incentive to create new content. Period.

      Now, the US constitution (which is one of many documents the world over that calls for copyrights, etc) calls for "limited times" which implies that part of that mechanism is ensuring content falls into the public domain.

      But that's not the reason for the copyright, indeed it could be argued that putting stuff in the public domain is a part of the incentive (ie you're putting the cart before the horse): by ensuring stuff eventually gets put in the public domain, artists can build upon the works of others and, in the past when copyrights lasted a few decades, artists had an incentive to continue creating rather than relying upon a back-catalog of stuff they did in their 20s to keep them fed in their 50s and 60s.

      We want content, we want it in general circulation and accessable to everyone. Whether it's public domain or not is more a matter of practicalities, not of some greater goal.

      Disclaimer: this doesn't not mean I don't like the public domain, or am in favour of current copyright limits and evil absurdities like the DMCA's ACMs/CCMs.

      --
      You are not alone. This is not normal. None of this is normal.
    5. Re:People forget by Anonymous Coward · · Score: 1, Informative

      In 1710 Parliment enacted the 'Statute of Anne' which basically created the public domain. It guarnteed that all published works entered the public domain after 14-28 years. It's entire purpose was to prevent monoplies and enhance the public domain.

    6. Re:People forget by Peaker · · Score: 1

      The main purpose of copyright was to ensure that artists would have an incentive to create new content. Period.

      Ensuring incentive is not a purpose, its a mean.

      The explicit purpose was promoting science and useful arts. Science and useful arts are enhanced by a large public domain and derivative works, not by disallowing derivative works of any work in existence.

    7. Re:People forget by squiggleslash · · Score: 1
      No, ensuring incentive is a purpose. Copyright can only create incentives, it cannot do more than that.

      You can promote science and the useful arts without wanting them to get bigger - you could give every single person in the country a book containing any novel ever written and every fact ever known, and you would be promoting science and the useful arts. Copyright is not about that, it's about the wider issue of getting new content created.

      --
      You are not alone. This is not normal. None of this is normal.
    8. Re:People forget by darjen · · Score: 1, Interesting

      IMHO, the purpose of copyright is to give the government another excuse to regulate us. It's a sneaky way for them to create monopolies and then turn around and say we need them to protect us from said monopoly.

    9. Re:People forget by Peaker · · Score: 1

      No, ensuring incentive is a purpose. Copyright can only create incentives, it cannot do more than that.

      Copyright creates incentives, but what it does is the means towards an end, and not the end in itself.

      You can promote science and the useful arts without wanting them to get bigger - you could give every single person in the country a book containing any novel ever written and every fact ever known, and you would be promoting science and the useful arts.

      It is dubious that this would be promotion of science and useful arts, but this is irrelevant to copyright.

      Copyright is not about that, it's about the wider issue of getting new content created.

      Copyright is indeed about promoting science and useful arts. I suggest you read the US constitution.

    10. Re:People forget by swv3752 · · Score: 1

      Go back to grammar school. The purpose for copyrights is to promote arts and science. It is explicitly stated that copyrights are for a limited time. That was to ensure the Public Domain is increase.

      Look at the continuing effect Shakespear has on the arts. that is because his works are in the PD. there is a reason that there continues to be books and movies about Dracula, because Stoker's works are PD.

      It is fools like you that let the media cartels hold our very culture hostage.

      --
      Just a Tuna in the Sea of Life
    11. Re:People forget by Woy · · Score: 2, Insightful

      The good thing is that when this dark age passes - and it will pass - we will fill the libraries with the contents of our hard drives, full to the last sector with copyright-infringing material. How do you think future generations, born in a world with no scarcity of digital content, will look on the megalomaniac dinossaurs of our time? Our grandchildren will find it immoral to deny someone something which is free to reproduce. I find it pretty repugnant myself right now.

      --
      "If God created us in his own image we have more than reciprocated." - Voltaire
    12. Re:People forget by Anonymous Coward · · Score: 0

      Nice try at deception!
      The main purpose of copyright, trademark, and patent law is to promote the 'useful arts and sciences'.
      Isn't it great how a few deliberately altered words (like the ones you chose) can dramatically change the content of a statement?
      Why be accurate, when you can slant things your way by just nudging words here and there?
      Founding fathers didn't take some big stance on in what way the useful arts and sciences should be promoted... whether public domain or otherwise. They left that for congress to decide...
      Great attempt at deceiving and misinforming though! Viva la revolucion!

    13. Re:People forget by icecow · · Score: 1

      'useful arts and sciences' right.

      It also found it important to limit the copyrights(14/28 years), patents (17? years)..

      The result was/would be a huge constant flow in to the public domain. If that wasn't intended, they sure didn't think things through. There's not much left for the imagination.

      Your 'Nice try at deception!' is deception..and flamebait.

      --
      Stop invalid scientific research. Ask your local scientists to feed their lab rats with a phytoestrogen-free chow.
    14. Re:People forget by StillNeedMoreCoffee · · Score: 1

      A great example of the disinssentives to create work happened with Gilbert and Sullivan on a trip to the U.S. of A with thier new work "Pirates of Penzance". It was s success in England but by the time they opened in New York at least one of their songs had been stolen and was in another show. You may remember the song. It's stolen version is "Hail Hail the Gangs all Hear". You can imagine the economic effect of someone stealing your work. Having it recognized as a hit but someone else getting the rich from it. Where is the incentive of traveling to a country that allows that kind of creative effort theft.

      Some nother examples with patents which is the same model for invention as for IP as in copyright was Sears and Snapon tools. They lied to the inventor and cut a cheap deal then reaped enormous profits. Sure sure you can argue but they conciously bilked the guy of his invention and it was proven in court. True it is not a patent violation but my point is the disenssentive of having your creative work stolen.

      Another example I heard was from a micro biologist working at the CDC that had an idea for a container that would keep lettuce fresh. He showed it to a plastic container manufacturer before he had a patent and now they have a product that makes them millions and he is just teaching and not getting a cent. The issue for a creator is theft of the idea. It is reasonable that copyright and patent law work to make creators able to benefit from their work, then they can afford to create. I don't think the intent was to create a commodity out of IP such that large companies and large recording labels could own someone elses work and profit, but that is one of its major applications today.

      Don't flame me with stupid comments about it serves them right for being dumb. Its the same argument that PC users that get work distroyed because of some worm or virus deserve it or a mugging victim deserves it.

    15. Re:People forget by drsquare · · Score: 1

      Tthat got modded up. Slashdot's moderation system is now officially meaningless. I mean, come on. I was was browing at 2+, and saw that, I'd ask for my money back. Even if I wasn't a subscriber, I'd want compensating for my time being wasted.

      The tin-foil hat briage are in charge :-(

    16. Re:People forget by Anonymous Coward · · Score: 1, Insightful

      O RLY? It's repugnant to grant temporary monopolies to creators of content? Well, since you think it's so repugnant, obviously you must know of an alternative that provides monetary incentives to content providers, because no one would be so stupid as to criticize a system without having the faintest idea of what should replace it! That would be just stupid!

      What's that? Content providers don't deserve a monetary return in proportion to the value of the work? They should just do it all for the non-monetary incentives? Then why don't you come over and clean my house in return for a compliment and a little fame? Oh, right, because sometimes there is no substitute for a material return to productive activity.

      Oh wait, let me guess, I know how you're going to make sure people provide content: you'll have the government fund all intellectual works. Fabulous idea! That makes you the first person ever to get around Ludwig von Mises's calculation critique of planning. Please, share with the world how you determine what to produce without the guiding information of market prices, and I'll attend your Nobel Prize award ceremony. (Sorry, Bank of Sweden Prize in Economics in Memory of Alfred Nobel.)

      Oh, that's not your idea. Hm, what's left? Oh, I remember now: you think people should all voluntarily pool their money to sponsor artists and authors, who would then release their content for free. Wow, you solved *another* age-old problem in economics: the problem of public goods. Apparently, you know why people would contribute at socially optimum levels even though they get the same benefit with and without contribution, even though this problem has eluded economists for ages!

      Please, for the love of God, don't criticize copyright until you have the slightest clue of what would replace it.

    17. Re:People forget by zephc · · Score: 1

      " artists had an incentive to continue creating rather than relying upon a back-catalog of stuff they did in their 20s to keep them fed in their 50s and 60s."

      Or indeed, their children and grandchildren living off the creativity of their progenitors, contributing nothing themselves. Yes, the creators of the original material want to see their children do well, but they really aren't helping their kids become honest members of society by letting them become, ahem, spoiled little twits with a litigious tick.

      --
      "I would say that 99 per cent of what my father has written about his own life is false." - L. Ron Hubbard Jr.
    18. Re:People forget by 4of12 · · Score: 1
      The main purpose of copyright was to ensure that artists would have an incentive to create new content. Period.

      Unfortunately, the extended copyright protections in the Sonny Bono Act hasn't spurred Walt Disney's productivity.

      He's dead, Jim.

      --
      "Provided by the management for your protection."
    19. Re:People forget by Alsee · · Score: 1

      The main purpose of copyright was to ensure that artists would have an incentive to create new content. Period.

      No, scratch thet period. That is ONLY true in the fact that the content is fundamentally public domain in the first place. It is fundamentally public "property". The notion of encouraging creation that is not a contribution to the public domain is (or was) completely meaningless under the reasoning used in framing the Constitution. Have you read Madison's and Jefferson's extensive writings on the subject? They should know what the Copyright Clause of the constitution means, they crafted it.

      Now, the US constitution [] calls for "limited times" which implies that part of that mechanism is ensuring content falls into the public domain.

      You have it backwards. Once you communicate information it is fundamentally not property, to the extent you want to call it "property" it is fundamentally public property. As Jefferson wrote, it is like a candle flame. Once you start lighting other people's candles from your flame it is fundamentally not property. The flame... or published writing... or a published math equation... it is fundamentally a part of the enviornment. The constitution allows the public, if it chooses to do so, to temporarily LOAN some of their rights exclusively to the author. The purpose of the loan is to stimulate increased creation, to stimulate more contributions to the public knowledge. The copyright holder is only loaned the rights that the public collectively wishes to loan him for their own benefit, those rights are only loaded so long as the public considers it in their collective benefit to do so.

      The copyright bargain is that the public temporarily loans a limited subset of *its* rights to the author as an incentive, and author freely contributes his thoughts and efforts to that public pool of knowledge. The author can use that loan of exclusive rigths to attempt to profit for the duration of that loan. The public benefits from the contribution, and the author benefits from the temporary limited monoloply to commerciallize that contribution.

      The notion that published information can be the property of the author is entirely ALIEN to the US legal system. If you read court rulings, especially Supreme Court rulings, they are often quite explicit on the point that the author owns the copyright that has been granted to him, that he does not have any ownership of the information itself.

      The framers of the Constitution were some damn smart guys, however they got one thing dead wrong. I could dig up a link with effort, but I'll discuss this from memory. They basicly predicted that if there was ever any imbalance in copyright law, that it would only be in the direction of public holding on to their rights. They explicitly considered and dissmissed the possibility of copyright shifting to deny public rights. They reasoned that in a democracy the intrests of the public-at-large would simply out vote and reject any such attempt. They never imaginged congress increasingly taking rights from the public, they never imagined congress stealling the entire public domain away and handing it over to private interests. The public domain is public property and they never imaginged a democratic public would allow congress to steal that public property and hand it to private interests.

      Copyright is a good and useful thing, but the purpose is strictly to feed the public domian. Copyright exists to encourage creation and publication as you said, but that cannot be diviced from the fact that they are fundamentally contributions to the public domain.

      Informating creations are not and cannot be property. The thoughts and writings of todays creators are can no more be property than the thoughts and writings of Plato and Socratese are property. It is absurd to consider that the decendants-unto-the-hundredth-generation of Plato and Socratese somehow own that property. Absurd to suggest that I would have to pay the decendants-unto-the-hundredth-genera

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    20. Re:People forget by LordLucless · · Score: 1

      These scenarios are addressing a different issue than most of the rest of discussion about copyright. In these scenarios, somebody is claiming the original author's (inventor, composer, etc) work as their own. The debate about the public domain is essentially about free distribution, and the right to build on prior work. Even though Gilbert and Sullivan's musicals are now in the Public Domain, Gilbert and Sullivan are still credited as the original composers.

      In none of these scenarios would having a long copyright (or patent term) help those who have been ripped off. Gilbert and Sullivan already had copyright of the song that was ripped off - making their copyright last a hundred years wouldn't have helped them. The last two examples, extending the terms of patents would have actually made the inventors worse off, as the companies who cheated them would have exclusive access to their inventions for longer.

      The issue for a creator is theft of the idea. It is reasonable that copyright and patent law work to make creators able to benefit from their work, then they can afford to create.

      Lessig isn't arguing against the existence of copyright necessarily. He's saying that the current practice of continually extending it defeats the basic purpose of a copyright law.

      --
      Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
    21. Re:People forget by StillNeedMoreCoffee · · Score: 1

      Sorry, I was not arguing for nor supporting the idea of the exteded copyright, merely that its original purpose had purpose. An example the the Sullivan song "With Cat Like Tread" in its stolen form "Hail Hail the gangs all here" is still credited to Theodore Morse but Sullivan is given co-credit. Here are some links showing that point.

      http://207.44.240.63/~lyricsp/alpha/songs/h/hailha ilthegangsallhere.shtml

      http://www.songwritershalloffame.org/exhibit_bio.a sp?exhibitId=249

      I really have several points.

            1. Original authors should have copyright for some reasonable period, 35 years sounds good to me (max).
            2. It should not be a commodity that can be transferred to a corporation such that a corporation can make big profits after giving a pittance to the creator (the snap on and lettuce crisper examples). Maybe let the creator lease the right but they should maintain the ownership for that period.

          I think that will give more individual incentive to create and keep creating to the individual creators not corporations (stock holders, and executives) that get fat profits from someone elses creation.

      I think the extended periods only hurt our progress.

  7. I foresee a crisis at Disney by Cronopios · · Score: 5, Funny

    Does it mean that Disney will have to actually come up with new stories instead of ripping off Grimm brothers et al?

    --
    Windows users:
    Internet Explorer is obsolete. Please upgrade to Google Chrome or Mozilla Firefox.
    1. Re:I foresee a crisis at Disney by ichigo+2.0 · · Score: 2, Insightful

      No, exactly the opposite.

    2. Re:I foresee a crisis at Disney by Iriel · · Score: 4, Insightful

      Warning: I'm actually serious about this.

      I'll be terrified to see the day that the USPTO actually starts selling the rights to public domain works of unknown origin.

      I can honestly see it happening.

      --
      Perfecting Discordia
      www.stevenvansickle.com
    3. Re:I foresee a crisis at Disney by Fujisawa+Sensei · · Score: 2, Insightful

      Like when the govt. allowed two sisters to copywrite "Happy Birthday"?

      --
      If someone is passing you on the right, you are an asshole for driving in the wrong lane.
    4. Re:I foresee a crisis at Disney by Total_Wimp · · Score: 4, Insightful

      Does it mean that Disney will have to actually come up with new stories instead of ripping off Grimm brothers et al?

      You see, that's exactly the problem. They have you using words like "ripping off" to describe what they do with thos public domain stories. As long as the public feels like this then congress can do whatever it wants (translation:whatever is suggested to it by the media giants) with copyright law.

      I realize you were just pointing out hipochricy. But the terms you used to do it, so pervasive in our society, are the exact terms and feelings Disney counts on so the public never questions their "right" to keep their works locked away forever.

      TW

    5. Re:I foresee a crisis at Disney by idokus · · Score: 1

      well, they can sell it to you, just the same as they can sell you air. You don't have to buy it, to use it all the same. USPTO/RIAA/MPAA don't own those rights either. (Prior art and such, for the USPTO, so patenting is out) RIAA and MPAA only owns a derived piece of art. Just claim you used the original.

      IANAL

    6. Re:I foresee a crisis at Disney by Chemisor · · Score: 1

      > They have you using words like "ripping off" to describe
      > what they do with thos public domain stories.

      Copying a public domain story can also be rightfully described as "ripping off". The difference is that ripping off a copyrighted work is illegal, while ripping off a public domain work simply shows your lack of originality.

    7. Re:I foresee a crisis at Disney by Iriel · · Score: 1

      I'm aware of that. What I'm saying is that I wouldn't be at all surprised if any IP organization ever tried to actually claim ownership of original public domain works (ie. claim that public domain now belongs to UPSTO, WIPO, RIAA, whatever univerally) to auction them off to individuals. I really wouldn't be shocked in the least.

      --
      Perfecting Discordia
      www.stevenvansickle.com
    8. Re:I foresee a crisis at Disney by zootm · · Score: 1

      If government agencies began to be allowed to sell those rights (which they'd need to be via law), it would be completely legal (since the law changed) for the people who bought those rights to sue you for infringement.

      It sickens me to think that any material I publish in the future might have to have a specific notice to automatically allow it to pass into the public domain.

    9. Re:I foresee a crisis at Disney by Anonymous Coward · · Score: 0

      It's been happening for years. I listen to tons of old timey music (from the 20's and 30's) and there's been an assload of folk songs that have been either tweaked or outright taken.

      AP Carter (of the Carter family) "wrote" hundreds of songs by collecting them through his travels in the south and then publishing them under his own name.

    10. Re:I foresee a crisis at Disney by BigBunny · · Score: 2, Informative

      Those two sisters wrote "Happy Birthday."

      --
      old geek
    11. Re:I foresee a crisis at Disney by BigBunny · · Score: 1

      I read somewhere, about two years ago, that Mexico planned to tax performances of public domain music.

      I don't like the idea, but taxing Beethoven would level the playing field for young/contemporary "classical" composers who have to compete with the huge body of royalty-free music.

      --
      old geek
    12. Re:I foresee a crisis at Disney by Anonymous Coward · · Score: 0

      Of course Grimm brothers just wrote down stories that had until then just been passed allong orally.

    13. Re:I foresee a crisis at Disney by ruzel · · Score: 3, Insightful

      In the words of William Faulkner: "Good artist borrow each others idea's -- great artists steal them outright."

      Which also implies that draconian copyright law will make great art one day no longer possible.

    14. Re:I foresee a crisis at Disney by Fujisawa+Sensei · · Score: 2, Interesting
      Snopes.com

      No, they wrote: "Good Morning to All" which has the same notes as Happy Birthday. Nobody know who wrote the words to "Happy Birthday". The sisters were given the rights to "Happy Birthday" 10 years after if first appeared because it was musically the same as "Good Morning to All".

      --
      If someone is passing you on the right, you are an asshole for driving in the wrong lane.
    15. Re:I foresee a crisis at Disney by gstoddart · · Score: 1
      Does it mean that Disney will have to actually come up with new stories instead of ripping off Grimm brothers et al?

      You see, that's exactly the problem. They have you using words like "ripping off" to describe what they do with thos public domain stories. As long as the public feels like this then congress can do whatever it wants (translation:whatever is suggested to it by the media giants) with copyright law.

      Sadly, in the case of Di$ney, ripping off it exactly what they've done.

      Stories like Cinderella which was in the public domain have been usurped by Disney. Not just interpreted, but usurped -- meaning that if you were to try and make a movie (animated or otherwise) which was based off the same public-domain property, Disney would sue you for making something too-like like their movie.

      People wouldn't say 'ripping off the Grimm brothers' if you were still free to make any of those stories without Disney trying to strong-arm you.

      And they've managed to get the laws changed so that their works will not fall into the public domain. They benefitted from being able to take those public domain works, and they'll benefit from an ever increasing copyright length.

      Disney is about the best (worst?) example of why all this stuff is bad. By now, Mickey Mouse should have lapsed into the public domain.
      --
      Lost at C:>. Found at C.
    16. Re:I foresee a crisis at Disney by Total_Wimp · · Score: 1

      The Cinderella example reminds me of a question I've had about derivative works and copyright.

      Let's say I was the original author of the poem, "the rain in spain falls mainly on the plain" and then it went into the public domain. Let's say that afterword someone made the derivation, "the rain in spain is very plane," and he copyrighted his "new" work. The question is, if a third party then came up with a poem,"the rain in spain takes off like a plane," could the second party successfully sue him for copyright infringement?

      Based on your example, the answer might be yes, they could succefully sue. Are you familiar with a real case where a real judge ruled that a derivation of the original Cinderella (no mice! :-) was illegal because of Disney's copyright? Are any of you others out there aware of cases where copyright holders of derivative works have prevailed over original derivations of public domain work?

      If so, this goes contrary to everything I've previously thought of the public domain. The right to make derivative works was one of the most important parts.

      TW

    17. Re:I foresee a crisis at Disney by ChaosDiscord · · Score: 1

      While hardly a brilliant piece of work, I don't mind that "Happy Birthday to You" was granted a copyright. They're lyrics and lyrics can be copyrighted. I personally think copyright on lyrics is a good idea.

      The problem isn't that the song was copyrighted. The problem is that the song is still under copyright. The lyrics were registered for copyright in 1935. Given the laws at the time, the copyright should have lasted 56 years, expiring in 1991. The sisters knew (or should have known) this when they registered the song. Instead, copyright has been retroactively extended several times. Now the copyright is 95 years. There is no way of interpreting that as anything but a shameless handout to the copyright holders.

    18. Re:I foresee a crisis at Disney by MikeFM · · Score: 1

      No doubt that is why movie companies are incorrectly telling kids that all copying is illegal and immoral. I hate that they are plastering such bullshit as ads in the trailers before a movie and even onto the DVD. Even worse is when they insert that concept into the movies themselves so they can't easily be edited out. That's just wrong to lie to kids so that when they grow up you can get your way in how laws are passed.

      I've seen several of these ads and Disney movies seem to always have them now.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    19. Re:I foresee a crisis at Disney by Anonymous Coward · · Score: 0

      All I know is that I've seen several TV and movie adaptations of Cinderella that weren't made by Disney. As far as I know, nobody got sued. I think most people realize that Disney didn't write that story, and the courts certainly know it.

    20. Re:I foresee a crisis at Disney by Speare · · Score: 1

      You mean the US Copyright Office, right? Because the USPTO isn't likely to start patenting and trademarking abandoned creative expressions.

      --
      [ .sig file not found ]
    21. Re:I foresee a crisis at Disney by Alsee · · Score: 1

      taxing Beethoven would level the playing field for young/contemporary "classical" composers who have to compete with the huge body of royalty-free music.

      Taxing the wheel would certainly level the playing field for young inventors who have to compete with the huge body of royalty-free inventions.

      If companies had to pay a hefty tax for using ordinary wheels then they would have a huge incentive to pay inventors to create innovative alternatives that would be cheaper than paying the tax. Just imagine all of the new innovation in reuleaux triangle wheels and cuboid wheels and even perfectly square wheels!

      We should tax the entire public domain! Why should we let people get away with using old stuff for free? Better to stimulate the economy by forcing them to hire someone to make something new. People using old free stuff are nothing but a bunch of theives, dragging down our economy.

      Chuckle.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    22. Re:I foresee a crisis at Disney by Anonymous Coward · · Score: 0

      It's "ripping off" in the sense that Disney takes some public domain work, dresses it up in their animation and americanization, and then pretends they invented it.

  8. 35 years? by Darth+Maul · · Score: 1

    Try one or two. Or zero. In my opinion is it's dead already.

    --
    --- witty signature
  9. Spell check please by neomorph · · Score: 1

    Public 'domian'?

    1. Re:Spell check please by CHESTER+COPPERPOT · · Score: 3, Funny
      Public 'domian'?

      No. It's spelled correctly. The /. editors forgot to add the sinister gregorian monk music and demon guide dogs and crows.

    2. Re:Spell check please by DenDave · · Score: 1

      Yeah man, didn't you see that South Park episode wit "Pubic Damian"? With the Pubes from hell!

      --
      -if at first you don't succeed, stay the heck away from paragliding.
    3. Re:Spell check please by Pflipp · · Score: 1

      Pubic domain??

      --
      "We can confirm that Debian does *not* ship the version with the trojan horse. Our version predates it." [CA-2002-28]
    4. Re:Spell check please by Anonymous Coward · · Score: 0

      Sorry, the word domain has been copyrighted.

  10. I don't think so. by Anonymous Coward · · Score: 1, Interesting

    Within every culture there are people that want to fight the system, and if releasing material into the public domain is one way of fighting back, people will do it.

    1. Re:I don't think so. by MisterMurphy · · Score: 3, Interesting

      "releasing material into the public domain" does not equal "sharing my Ray Charles Mp3s on Kazaa". Trying to release material into the public domain just won't work in fifty years, anyhow; with the continual extension of copyright and the accumulation of greater and greater amounts of material in the hands of big corporations. Eventually anyone who even wanted to make something public domain would be sued into oblivion for copy infringement, as it becomes harder and harder not to be derivitive of something that is in the vaults of the media which will stretch back over a century and a half.

    2. Re:I don't think so. by greyranger · · Score: 1

      Yes it does, not now but material was eventually supposed to fall into public domain after a certain amount of time and then you can do whatever you want to with it. That's the problem the laws have been altered to the point that this is not happening anymore. Copyright was never intended to block people forever, only for a limited amount of time.

    3. Re:I don't think so. by mink · · Score: 1

      The problem is not only in the laws. The problem is also in things like Macrovision Corp. product line. All these methods for "protecting" software and video do not disable themselves after the time copyright protections would expire.
      I think a large chunk of who we were will be locked away and lost due to various protection schemes.
      This is bad IMO.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  11. Fight back! by alexwcovington · · Score: 5, Insightful

    This is why everything I write on Wikipedia is still released into the public domain.

    --
    (It's never too late to join the Renaissance)
    1. Re:Fight back! by FooAtWFU · · Score: 4, Insightful

      Please-kindly-note that while YOU may release anything you write on Wikipedia into the public domain, Wikipedia itself IS NOT PUBLIC DOMAIN, it's available under the terms of the GNU Free Documentation License (GFDL), thankyou-verymuch.

      --
      The World Wide Web is dying. Soon, we shall have only the Internet.
    2. Re:Fight back! by defile39 · · Score: 3, Interesting

      As to my understanding, it is not possible to "release things" into the public domain. If an author publishes a statement that a given work is being made "public" or something to that effect, and you use that work, or distribute it, or copy it, or whatever, you might still be infringing. If the origional author decides to take you to court over it, we don't know what the outcome of the case would be. I don't think that there is a legal way to say "this work can be used/copied/distributed by anyone, anywhere". This, I believe, is why the "Creative Commons" was formed. I don't know how defensable this agreement is, and IANAL, but I think this is the best we have so far.

    3. Re:Fight back! by anthony_dipierro · · Score: 2, Interesting

      Please-kindly-note that while YOU may release anything you write on Wikipedia into the public domain, Wikipedia itself IS NOT PUBLIC DOMAIN

      Wikinews is, but some people are trying to change that. If you want to see Wikinews stay in the public domain, create an account and vote here.

    4. Re:Fight back! by MourningBlade · · Score: 1

      As to my understanding, it is not possible to "release things" into the public domain. If an author publishes a statement that a given work is being made "public" or something to that effect, and you use that work, or distribute it, or copy it, or whatever, you might still be infringing. If the origional author decides to take you to court over it, we don't know what the outcome of the case would be. I don't think that there is a legal way to say "this work can be used/copied/distributed by anyone, anywhere". This, I believe, is why the "Creative Commons" was formed. I don't know how defensable this agreement is, and IANAL, but I think this is the best we have so far.

      In the EU this is limitedly true - it is impossible to release or trade away your creator or "moral" rights to a work.

      In the United States you can place something into the public domain by disclaiming all your rights to it by saying: "I, the creator of this work, hereby release it into the public domain. This applies worldwide."

      When you do this, you no longer have any exclusive rights to the work. One of the differences between public domain and the BSD license (without attribution) is that the public domain holder cannot place any contractual obligation on someone for a work (a license), and cannot claim copyright on it in the future.

      Some prefer the BSD license (without attribution) because it allows them to explicitly disclaim responsibility for the use of the work in contract. This is another topic entirely.

      See http://commons.wikimedia.org/wiki/Commons:Donate_t o_the_public_domain /a> for more details on the public domain and releasing articles into it.

      Also keep in mind that Creative Commons does not establish new mechanisms or create new rights. Creative Commons was created to make templates for licenses under current copyright law - to provide licenses retaining some rights. This is the reason for the "some rights reserved" motto.

    5. Re:Fight back! by HD+Webdev · · Score: 1

      I grant the following sentence to the public domain.

      This sentence is now in the public domain because of the previous sentence.

      --
      This is not a dream, not a dream...we are transmitting from the year 1-9-9-9.
    6. Re:Fight back! by rvalles · · Score: 1

      If you care about preservation of freedom and want wikipedia news to be copylefted, with its very desireable virical consequences, don't forget to vote either. Voting starts by September 6. Let your voice be heard!.

    7. Re:Fight back! by ChaosDiscord · · Score: 1
      As to my understanding, it is not possible to "release things" into the public domain.

      Sure it is. Creative Commons even offers a boilerplate document to dedicate something to the public domain. You don't need CC's document ("I, the author of this work, hereby dedicate it to the public domain" is good enough), but it helps make your intentions extremely clear.

    8. Re:Fight back! by Idarubicin · · Score: 1
      If an author publishes a statement that a given work is being made "public" or something to that effect, and you use that work, or distribute it, or copy it, or whatever, you might still be infringing.

      Whether or not it would be infringement depends on the jurisdiction--but in cases where the work can't be assigned to the public domain, an author's statement that the works is released to the public domain would prevent him from suing you for your use of it.

      It would fall under the doctrine of promissory estoppel; if you take action in good faith based on the author's statement, he cannot later withdraw his permission and sue you.

      --
      ~Idarubicin
    9. Re:Fight back! by anthony_dipierro · · Score: 1

      Copyleft is good in theory, but for a site with as many contributors as Wikinews it doesn't work very well in practice. The biggest problem is that all the different copylefts are incompatible with each other. This isn't too bad with software, because the GPL is pretty much accepted as *the* de-facto copyleft, but for text content this isn't at all the case.

  12. Creative Commons? by Anonymous Coward · · Score: 0

    Isn't that supposed to sort of take over the task of public domain? Or would it be inadequate? Because you can always pick something in the PD up and polish it, then re-sell it again.

    1. Re:Creative Commons? by BackInIraq · · Score: 1

      Isn't that supposed to sort of take over the task of public domain?

      No, the point is that at some point -everything- is supposed to enter the public domain, regardless of what license it was released under. And it's supposed to happen (theoretically) during the lifetimes of the audiences it was released to. For instance, the first Star Wars movie should have, under the old rules, been getting ready to enter the public domain pretty soon here, regardless of what 20th Century Fox or George Lucas would prefer. It's supposed to be the public TAKING it into the public domain, not the artists (or the companies in control after their deaths) GIVING it.

      But, of course, the rules did change, and now we really have no guarantee that Star Wars (or the bulk of 20th century cinema, and beyond) will EVER become public domain....because even if it does, it will probably happen after we are all dead.

      Thanks, Disney.

  13. Public Domain in the balance by Anonymous Coward · · Score: 0
    This is another content free handwave - why 35 years? I'd expect more from someone of Prof. Lessig's stature.

    There will always be writers and artists who release their own works into the public domain. If anything, the trend is accelerating because the Internet is turning the masses into "authors" and "composers", and the traditional for-pay channels for distributing media are breaking down.

    1. Re:Public Domain in the balance by BackInIraq · · Score: 2, Informative

      This is another content free handwave - why 35 years?

      Not much in the way of content, you are right. As for 35 years, it's because it was part of a larger "Here Today, Gone Tommorow" piece that is talking about what institutions that we take for granted might not be here in...you guessed it...35 years.

    2. Re:Public Domain in the balance by BackInIraq · · Score: 1

      Oh, and I forgot to add that 35 was chosen specifically because FP is marking it's 35th anniversary. My bad.

  14. Will it be dead? by 3CRanch · · Score: 4, Insightful

    What a stupid thing to suggest.

    As long as people are out there sharing ideas freely, it'll survive. It may not get as much attention as it does right now (i.e. all the attention open source gets right now), but as a concept, it cannot die.

    There, I had a thought and shared it. PD was just reborn ;)

    1. Re:Will it be dead? by joshdick · · Score: 2, Insightful

      Concepts die and slip into obscurity all the time. With all the miseducation regarding copyrights nowadays, what's to stop that to happening to the concept of public domain?

    2. Re:Will it be dead? by UltimaGuy · · Score: 1

      I agree with your views, but the article by itself raises some interesting questions ... What will happen if the joe sixpack doesn't know that something called Public Domain existed ... what if they thing copyright is the right thing to do ? What I have to say that I was indeed deeply troubled by this article

      --
      "In questions of science the authority of a thousand is not worth the humble reasoning of a single individual."
    3. Re:Will it be dead? by interiot · · Score: 3, Informative

      Yeah, but once you write your shared idea down, it's automatically copyrighted to you. You have to formally state that the written-down idea is in the public domain if you wish. All your spoken-only words are still in the public domain though.

    4. Re:Will it be dead? by m50d · · Score: 1
      As long as people are out there sharing ideas freely, it'll survive. It may not get as much attention as it does right now (i.e. all the attention open source gets right now), but as a concept, it cannot die.

      Of course it can - when people stop sharing ideas freely. When people don't even think of sharing an idea freely. When the media conglomerates control the education system I can see that happening.

      --
      I am trolling
    5. Re:Will it be dead? by Anonymous Coward · · Score: 0

      All your spoken-only words are still in the public domain though.

      At least, until someone else writes them down... then they'll own the copyright, and you won't.

      Isn't copyright law great? It's what's happening to the native Indians; they can't tell their old stories, because someone else wrote them down, and now owns the rights to them.

      At least in my country, the first person who "fixes a work in tangible form" (i.e. writes it down, records it, etc. ) owns the rights to it.

      So if you're practicing centuries old martial arts tradition that's only been passed down through person to person teachings, and I videotape it, I now own your entire martial art, and can sue you for practicing it.

      It sucks, but hey, it's the law. :-(

  15. History of Piracy by Dysfnctnl85 · · Score: 0

    Piracy is constantly changing forms over the course of time and will always, always, always be around. How can you even BEGIN to prophesize the end of the public domain if you have any sense of history?

  16. "Domian" by Anonymous Coward · · Score: 0

    Isn't pretty much the point of an editor to screen articles, correct spelling etc. In general, edit?

    (It's pretty obvious the job of an editor isn't to spot and avoid dupes)

    1. Re:"Domian" by Patrik_AKA_RedX · · Score: 1

      Spell check? right. Now why would they do that? There are plenty of people who happily spell check anything posted on /. and post about it. The editors then collect all these corrections and try again (Or did you think dubes were placed unintentionaly?).

  17. I disagree by marcantonio · · Score: 5, Insightful

    In a free society the public domain will never die. It's part of our culture. There will come a point when things get so bad that people will just stop caring about the lawyers and self-righteous extremism. Look at what a joke patents are becoming. If it's get ridiculous enough and enough people care about, it will change.

    Although, things aren't so great right now, and will probably get worse before they get better.

    1. Re:I disagree by bersl2 · · Score: 4, Insightful

      Well, then this will be a great test of our "free society." Does it still exist to the extent that this problem can be corrected?

    2. Re:I disagree by pla · · Score: 1

      In a free society

      No such thing. This planet has never seen one, and never will.


      There will come a point when things get so bad that people will just stop caring

      Agreed, and I think we've already gotten right to the threshold of that in the US. Personally, I try to do the "right" thing, but could care less about what "the law" says I should do (largely because I've learned that "law" and "right" only rarely overlap, and then only for purely accidental reasons).

      And looking at the next generation - I seriously believe that what socity has called the "gimme" or "entitlement" mentality reflects exactly your assertion - They don't have a sense of "entitlement" so much as a total disconnect with the idea of intellectual property. We tolerate the limited monopoly on ideas and "content" for the purpose of enriching the public domain a few years down the road. Not for the purpose of making Sony more money - No one cares if Sony makes money, not even its own execs (they just care about their bonuses, which get fatter the more Sony makes).

      Consider the current state of Music copyrights from the perspective of a 10YO:
      "Why shouldn't I just download it?"
      "Well, because some day, that song will pass into the public domain, and belong to everybody. By letting the artist have a copyright now, more artists will have motivation to contribute to that eventual shared culture."
      "Okay, that makes sense... So will that happen next year, when most sales have already happened?"
      "Well, it takes a little longer than that..."
      "So when I turn 20?"
      "Erm, no, longer still..."
      "30?"
      "Not quite..."
      "So when? Not by 30? By then I'll turn into a geezer listening to Perry Como!"
      "Well, actually, it won't happen in your lifetime. Probably not even your kids' lifetimes. IF congress doesn't extend copyrights any further, your grandkids might get to enjoy it for free shortly after they retire..."
      "Uhhh.. Yeah. Riiiiiigggghhht. Just keep telling yourself that; Now if you'll excuse me, I'll go download it from the real public domain, Kazaa."

    3. Re:I disagree by synotia · · Score: 1

      If it's get ridiculous enough and enough people care about, it will change.

      Lessig obviously thinks it's ridiculous enough, he's just trying to get enough people to care about it. And then, with good fortune, it will change.

      Go read some of what he says and maybe you'll care too.

    4. Re:I disagree by lynx_user_abroad · · Score: 2, Insightful
      In a free society the public domain will never die. It's part of our culture. There will come a point when things get so bad that people will just stop caring about the lawyers and self-righteous extremism.

      I have to agree with you. You are right, despite the fact you don't really understand what you're talking about.

      In a truly free society, nobody cares about things like laws, which, after all, are just restrictions we place on people's freedoms to maintain order. In a free society, copying will occur whereever it can, and will be stopped only where the copyright owner can muster enough brute force (through things like DRM) to keep it from happening. People will take what they need from whatever and whereever they can geti it, and probably still complain that the people who insist on owning their works are not creating enough, charging too much, not making what is available in a format they want, and so on.

      Although, things aren't so great right now, and will probably get worse before they get better.

      Case in point: New Orleans. Talk about a free society. I hear you don't have to care about such silly things like lawyers and self-righteous extremism down there. You're welcome to take whatever you want from whomever you want. (Well, unless the rightful owner can muster enough brute force to stop you.) And like I've predicted, people are complaining that what is available isn't enough, or costs too much, or isn't available in the time or place where they want it. Mind you, they're all free to move whatever they can get to whereever they want, and they likely won't even get slapped with C&D order for doing so.

      Yup. If you're looking for a truly free society, New Orleans is truly the land of the free. Anybody up for a road trip?

      There is a difference between freedom and liberty. Freedom is something every creature on this planet is born with; the freedom live, to defend oneself, to shiver in the cold, or to die of starvation when food runs out. It is not something we fight for, or earn, or even have to defend. And contrary to the popular saying, freedom is free.

      Liberty, on the other hand, is not something we have, it is something we grant to others. It's a concept which exists only within the context of civilization, and thus is what makes (some of) us humans unique among the creatures on this planet.

      So you are correct, in a free society the public domain will never die, but now I'm not so sure I'd want to live in that kind of free society. I think I'd rather live in a liberated society, where copyright owners grant me the ability to make copies of their works (even though they could prevent me from doing so) and in return I choose to not spill copies of those works onto KaZaA, even though I have the freedom to do so.

      And I agree that things are likely going to have to get much worse before people realize that it isn't really freedom they're after, but liberty. And the road to liberty lies not in being stronger or smarter or richer or better armed than the next guy, but in being more committed to his liberty in hopes he will in turn be comitted to yours.

      Then again, this civilization thing really is a fairly new and untried concept. Maybe some people would prefer to live like animals.

      --

      The thing about things we don't know is we often don't know we don't know them.

    5. Re:I disagree by Anonymous Coward · · Score: 0

      Joke patents? That's a good idea!

    6. Re:I disagree by MikeFM · · Score: 1

      I have the ongoing sad feeling that being ruled by monarchs has been replaced by being ruled by corporations. To me that is even more scary because there is no one person (or small group) that if removed would allow a new power structure to be put into place. We have a distributed, disorganized, schizo overlord now. Is this really an improvement?

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
  18. Say what?? by Timberwolf0122 · · Score: 0

    Surely the definition of PD is an application/data that the author freely distributes possibly with a small EULA asking that the app/data not be altered and re-distributed in its original form.

    Many people write tools that are then distributed free as a hobby or because they think other people may find them useful, I fail to see how/why this would stop.

    --
    In the not too distant future, next Sunday A.D.
    1. Re:Say what?? by Anonymous Coward · · Score: 2, Informative

      Surely the definition of PD is an application/data that the author freely distributes possibly with a small EULA asking that the app/data not be altered and re-distributed in its original form.

      No, public domain means not covered by copyright. If there's "a small EULA" which depends on copyright for its force, then it's not public domain. You're thinking of "freeware".

    2. Re:Say what?? by ichigo+2.0 · · Score: 1

      Public Domain doesn't have to be software, it applies to all copyrighted works.

    3. Re:Say what?? by MysteriousPreacher · · Score: 2, Informative

      The idea of public domain is that you create something, release it and relinquish any control you have over it. You can't release something as public domain but add conditions.

      If you were to release an application in to the public domain and offer it as a free download from your web site, you could not stop me from simply changing the strings so that it looks like my work and then reselling it as a commercial application.

      --
      -- Using the preview button since 2005
    4. Re:Say what?? by anthony_dipierro · · Score: 1

      If there's "a small EULA" which depends on copyright for its force, then it's not public domain.

      Since EULAs are governed by state contract law and not federal copyright law, no, you can have an EULA and still be in the public domain. In fact, one of the most prominent cases over EULAs was ProCD, Inc. v. Zeidenberg, which was a dispute over the redistribution of a public domain work.

    5. Re:Say what?? by Holi · · Score: 2, Insightful

      This post has proved th epoint that the idea of the public domain is dying.

      Open Source is not helping this situation either, there seems to be confusion between the 2 in many peoples minds.

      --
      Sorry, teleporters just kill you and then make a copy. A perfect, soul-less copy.
    6. Re:Say what?? by LWATCDR · · Score: 1

      No. Public domain happens to all copy righted works. After a period of time that work becomes part of the public domain. The works of Mark Twain are now in public domain. Old songs like Yankee Doodle and Jingle Bells are also in the public domain.
      The problem is with the new anti piracy devices on music, videos, and software that by the time a work lapses into public domain it may be unretrievable.
      Imagine a world with out "Friends"?
      I do wonder if anyone is making an archive of CNN, MSNBC, and yes even Fox News? Using the closed captioning data to provide a searchable index?

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    7. Re:Say what?? by Anonymous Coward · · Score: 0

      Interesting....I hadn't heard of ProCD v Zeidenberg before. It seems to generally set a bad precedent, in my opinion.

      Some of the arguments pertain to the ability to use licenses to enforce price discrimination (that the contract perhaps might otherwise not enter in to it, except that it allows for price discrimination). I'm not sure I see why, after the judge's expansive terms about allowing anything in a contract that is not unconscioniable, would say the company is allowed to modify the initial terms of sale (itself a contract) to allow imposing additional restrictions.

      Many of the comparisons are faulty, in that the EULA imposes additional restrictions beyond what would otherwise be allowed (since the database is not copyrighted) - yet the comparisons are to "hidden" contracts that only benefit the consumer, like warranties beyond the minimum set by the UCC.

      The court at least seems to recognize the relevance of a refund offer in an EULA, although I don't think they require it for enforcability. The comparison there to an airline ticket is also flawed; perhaps the judge in this case always flies first class, but most of us don't get an option to refund tickets.

      In addition, the case generally has the problem that, while it has no trouble making policy-level decisions about what is best in other respects, it doesn't recognize that copyright law generally already has adequate protections that make EULAs inappropriate.

  19. Anti-piracy? by bedroll · · Score: 5, Insightful

    Lessig himself teaches that, since the failing of Eldred, public domain will die due to lobbying and retroactive term extensions. That's not an anti-piracy measure, it's just big companies controlling congress.

  20. Not Only Piracy by jstrain · · Score: 0

    In addition to the war on piracy, current laws certainly aren't helping to grow the public domain. Until lawmakers adopt some common sense when it comes to copyright length, the outcome of the war on piracy matters little.

  21. Public Domain's Not Dead, Just On Hold by mikeboone · · Score: 4, Insightful

    Public domain is just on hold for a while. Hey, we only have to wait until 2019 to get our hands on that hot 1923 copyrighted material.

    Congress wouldn't extend copyright again, would they?

    Of course, new stuff locked down by DRM won't know when it's supposed to expire, so 90+ years when it's supposed to expire, no one will know what to do with the scrambled bits. :(

    1. Re:Public Domain's Not Dead, Just On Hold by LiquidCoooled · · Score: 1

      In 90 or so years no one will care about Britney Spears' latest single or another MPAA flop.

      --
      liqbase :: faster than paper
    2. Re:Public Domain's Not Dead, Just On Hold by Anonymous Coward · · Score: 0

      In 90 years, computers should be 1.15*10^18 times faster. Today's crypto should stand no chance.

    3. Re:Public Domain's Not Dead, Just On Hold by Anonymous Coward · · Score: 0

      Even if they were that much faster, it wouldn't help at all in brute force searching a 256-bit keyspace. The only way present-day crypto will fall is through developments in theory and cracking algorithms. There's little chance we can make predictions about theoretical developments, but I wouldn't bet on any current-day crypto being crackable by brute force in a 100 years.

    4. Re:Public Domain's Not Dead, Just On Hold by MikeFM · · Score: 1

      I think any work that wants copyright protection should have to file an unencrypted ver with the lib of congress if they are going to release mostly drm versions.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    5. Re:Public Domain's Not Dead, Just On Hold by TheSpoom · · Score: 1

      +1, Interesting in spirit. I'd mod you up if I had the points.

      --
      It's better to vote for what you want and not get it than to vote for what you don't want and get it.
      - E. Debs
    6. Re:Public Domain's Not Dead, Just On Hold by Reziac · · Score: 1

      A possible partial solution to the DRM issue: If you file for copyright, you must provide the Library of Congress an unencumbered, open-format copy of your work. Then once your copyright expires and the content is in the public domain, the LoC itself should release it to the general public.

      As to works whose authors don't do the actual filing, not much we can do about removing their DRM when (or IF, in the current climate!) they fall to the public domain.

      I agree with lessig, tho -- the system of creative works progressing from copyrighted to public domain is for practical purposes dead, and DRM will just make that worse.

      As to works that are in the public domain from the gitgo -- well, they may be plentiful, but how much cultural influence do they have?? Seriously, outside of fringe groups, how much impact does the PD currently have??

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    7. Re:Public Domain's Not Dead, Just On Hold by mikek3332002 · · Score: 1

      even if they do know what to do with it, it probably be illegal to think about breaking it with the dmca v30

  22. Double edged sword of copyright? by Enlarged+to+Show+Tex · · Score: 4, Interesting

    Few people on this site dispute that the ability to automatically have your work copyrighted by default helps Sam Slashdot by making it easier to cover his stuff. However, it also means that more and more areas end up having its entire body of work covered under copyright. With the practically indefinite term of copyright being bought^W lobbied for by Disney and others, it's no wonder that Lessig talks in this kind of language...

    I think the only way to save the public domain is for serious reform - be it soapbox, ballot box, or revolution - to take place sooner rather than later.
     

    1. Re:Double edged sword of copyright? by anthony_dipierro · · Score: 1

      Few people on this site dispute that the ability to automatically have your work copyrighted by default helps Sam Slashdot by making it easier to cover his stuff.

      I'd certainly dispute this. How much stuff does Sam Slashdot produce which wasn't a work for hire and for which the copyright on it is actually useful? Little to nothing, I'd say.

    2. Re:Double edged sword of copyright? by Rob+the+Bold · · Score: 1
      I think the only way to save the public domain is for serious reform - be it soapbox, ballot box, or revolution - to take place sooner rather than later.

      I'm afraid that with Congress and the president in the pockets of big business, that the soapbox and ballot box are not really valid options. As long as we view corporations like Disney as "citizens" with all the rights of actual people (aka natural persons), we will have this problem.

      How can a regular human, with tens of thousands of dollars and a life span of decades defend his interests against a business-citizen, with a potentially limitless lifetime and billions of dollars? He can't, as long as business is left to do as it pleases.

      I just don't see much hope for orderly change anymore.

      --
      I am not a crackpot.
  23. Maybe in the USA by Anonymous Coward · · Score: 0, Troll

    But as we've seen from the chaos in new orleans, USA'ians are hardly the ones to dictate anything to the rest of the world about how to behave.

    1. Re:Maybe in the USA by Anonymous Coward · · Score: 0

      It's a real tragedy. But: "Not a single tourist caught in the tsunami was mugged. Now with all this happening in the U.S. we can easily see where the civilized part of the world's population is."

  24. I predict exactly the opposite... by anthony_dipierro · · Score: 1

    When I first read the article title, I thought this was going to be a story about how everything would be public domain in 35 years. You'd think a guy like Lessig would be more optimistic about things.

    Anyway, I predict that in 35 years the pendulum will have swung. The zeal of the war on piracy will have gone too far for too long, and people will fight back. Sure, the fight will start with copyleft, as it already has begun to do so, but once copyleft has won the establishment will be forced to move in the opposite direction, and lessen the stranglehold of copyright laws.

  25. But where will it go? by Iriel · · Score: 1

    You know he's mostly right, except I think M. Jackson's going to buy half of the entire public domain for $73 billion in 10 years. Another 25 after that, he'll get sued by the financial firm he never paid back for the loan and only half of the public domain will be lost ;)

    --
    Perfecting Discordia
    www.stevenvansickle.com
  26. Culture of Greed by digitaldc · · Score: 5, Insightful

    This is what happens when the motivating factor is to maximize profits. If someone can make a profit from it, it gets patented and copyrighted.
    What is the incentive for people to give away things when the trend is to become wealthy as quickly as possible?
    People who already are wealthy are the ones with the greatest means and free time to create more wealth...it is a mindset.

    --
    He who knows best knows how little he knows. - Thomas Jefferson
    1. Re:Culture of Greed by multimed · · Score: 2, Interesting

      The thing that really sucks is that for the overwhelming majority of protected IP, the profits are long since gone decades before it enters the public domain--if in fact it ever does which is a very much in question based on the "limited terms that are renewable forever are still limited terms" doctrine. What's so sad isn't that no one will be able to freely copy Mickey Mouse cartoons, it's everything else that never makes it to the public domain. I still think the best fix for copyright is an initial 20 years, renewable for small periods with increasing renewal fees--something like 1 year periods, $10 the first year and doubling every year after that. Making the people making money off locking up ideas actively do something and pay something to continue their monopoly.

      --
      Vote Quimby.
    2. Re:Culture of Greed by Ingolfke · · Score: 1

      I still think the best fix for copyright is an initial 20 years, renewable for small periods with increasing renewal fees

      This is an excellent solution which fairly balances the public's interests with the interests of the creators of IP, and still provides incentive to create IP that people want. Very nice.

    3. Re:Culture of Greed by HD+Webdev · · Score: 1

      What is the incentive for people to give away things when the trend is to become wealthy as quickly as possible?

      It isn't a trend. It's not like people in let's say, Greek or Roman times weren't interested in grabbing up as many resources for themselves as they could.

      --
      This is not a dream, not a dream...we are transmitting from the year 1-9-9-9.
    4. Re:Culture of Greed by AeroIllini · · Score: 1

      I still think the best fix for copyright is an initial 20 years, renewable for small periods with increasing renewal fees--something like 1 year periods, $10 the first year and doubling every year after that.

      The 28th additional year would cost the copyright holder $2.6 billion. How desperate is Disney to keep the Micky Mouse image copyrighted?

      I would like to see a copyright term of the life of the author, not to exceed 50 years. Period. No extensions, no changes, no nothing. If your company can't move on in 50 years, then you're stuck in the past.

      Trademarks relating to company logos are a different matter; I don't think they should expire at all, as long as the company who owns them is defending them. Thus, Disney could still use their "mouse ears" logo on everything they make until the heat death of the universe, and no one would mind. But for the love of God, let Steamboat Willie rest in peace.

      --
      For security, the MD5 hash of this message and sig is 09f911029d74e35bd84156c5635688c0.
  27. Authors have control by G4from128k · · Score: 3, Insightful

    Within every DRM system there will always be a way for the author to set the copy rights to allow freely made copies. There are always people who want their stuff copied or who don't care or who don't want the recipient encumbered by any restrictions.

    That said, PHBs and paternalist OSes from Redmond may decide the implement restrictive DRM settings for their own idiotic reasons. I noticed more than one company annual report that uses a password protected PDF to prevent copy-past operations for who knows what reason. Yet the first time a small content creator's use of DRM causes problems for their big client, the small company will "turn off" DRM.

    As long as there are people that want to be heard as far and wide as possible, there will be a public domain.

    --
    Two wrongs don't make a right, but three lefts do.
  28. Another Prohibition by dpbsmith · · Score: 5, Insightful

    It's very likely that Lessig is right. Meanwhile, personal casual copying will continue--on a reduced level. Average consumers will have DRMed gear.

    Only about one in twenty or one in a hundred will go to the effort of buying the illegally chipped merchandise that will become available in flea markets, on the Internet, and via other black-market channels. This gear will be sold like the pressed-grape-concentrate bricks of the Prohibition era, which came with detailed instructions explaining that it was totally illegal to use them to make wine and giving careful step-by-step directions on what you must not do to stay legal.

    It will create more social unrest, injustice, and disrespect for the law. As with prohibition, and with current marijuana laws, a huge fraction of the population will be felons according to the law. Enforcement will be inconsistent and selective. Most people breaking the law will not be deterred because they will feel that getting caught is unlikely and totally a matter of bad luck.

    My analog cassette player died last year. My old CD player is starting to become unreliable. I'm not sure what the useful life of a solid-state laser is, but I'm beginning to suspect it's less than ten years. The next one I buy will probably have DRM.

    Prohibition eventually ended, the "war on drugs" will eventually end, and the war on the public domain will eventually end. Probably not in my lifetime, though, and not until a lot of damage and misery has occurred.

    1. Re:Another Prohibition by fiddlesticks · · Score: 1

      >My analog cassette player died last year.

      go and buy a new one then.

      > My old CD player is starting to become unreliable

      buy a better one next time then

    2. Re:Another Prohibition by Anonymous Coward · · Score: 0

      Is it really that far over your head? The whole point here is that, at some point, it will no longer be legal to sell devices without DRM technology built in to them. So, when he "goes to buy a new one" it won't play his old, DRM-free CDs and tapes. And then it will be illegal to own any old devices that don't have DRM built into them.

    3. Re:Another Prohibition by fiddlesticks · · Score: 1

      No, it's not over my head, I think the hysteria's a little unwarranted.

      'The whole point here is that, at some point, it will no longer be legal to sell devices without DRM technology built in to them'

      maybe, maybe not. If you're that worried about it, stock up on old tech now

      'And then it will be illegal to own any old devices that don't have DRM built into them'

      bullshit. future formats might demand different devices, but existing media will play just fine - as long as you have the hardware to play them on - so buy more old hardware now.

    4. Re:Another Prohibition by Threni · · Score: 1

      >'And then it will be illegal to own any old devices that don't have DRM built
      >into them'

      >bullshit. future formats might demand different devices, but existing media will
      >play just fine - as long as you have the hardware to play them on - so buy more
      >old hardware now.

      How will buying more hardware now prevent laws from being passed in the future which outlaw the possession of devices without built-in DRM?

    5. Re:Another Prohibition by GigsVT · · Score: 1

      How will buying more hardware now prevent laws from being passed in the future which outlaw the possession of devices without built-in DRM?

      Laws passed in the future??

      The DMCA bans it now, if it can be used to somehow circumvent existing DRM.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    6. Re:Another Prohibition by ultranova · · Score: 1

      Meanwhile, personal casual copying will continue--on a reduced level. Average consumers will have DRMed gear.

      It is completely irrelevant whether the average consumer has DRMed gear or not, in respect to personal copying. Average consumer isn't able to break current copy protection schemes used in, say, most commercial games, but that doesn't them being copied. All it takes is a single person who's both capable and willing to remove those restrictions and share the cleaned stuff - just like nowadays. The average consumer will simply use the cracked version just like he does now.

      The interesting questions are, can the pirate rings arrange their organization in such a way as to prevent those few people able to crack DRM from being found out and jailed or executed, and can they finish their public image evolution from "piratical booksellers" into "freedom fighters" ?

      Wouldn't it be ironic if RIAA's best efforts to get the heads of pirates put on spikes outside Washington would instead get their faces carved into Mt. Rushmore ?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

  29. Such a short article but so wrong by squoozer · · Score: 2, Insightful

    While I see the guys point he probably couldn't be more wrong if he tried. I never used to release anything I wrote or developed into the public domain. As restrictions increase though I am more and more inclined to release my material, in part, as a protest. Most of it is not really worth anything to anyone but me but there are a few gems in amongst it that potentially have value.

    While I don't imagine everyone will follow my course I imagine that there are suficient like minded people that will do the same to ensure that we will always have a body of public domain work. As restrictions increase public domain works become more and more appealing. Public domain will never replace private domain as there is to much money in it. Public domain work, though, can certainly keep the private domain in check and limit its powers. The only danger is nutty legislation that effectivly bans public domain work and I can't ever see that happening.

    I actually don't see copyright as being all that bad. In fact I would go as far as to say I quite like it. The length copyright applies for is far to long. IMHO it should be more like 20 or 30 years but I could be persuaded that it should be somewhat longer. I like the way the author doesn't have to apply to any central body to copyright a work. It just magically happens. That's great because it stops leeches making a quick buck of other peoples work.

    --
    I used to have a better sig but it broke.
    1. Re:Such a short article but so wrong by Bent+Mind · · Score: 2, Insightful

      I never used to release anything I wrote or developed into the public domain. As restrictions increase though I am more and more inclined to release my material, in part, as a protest.

      I've seen this sentiment quite a bit. However, I don't really understand it. Unless people start boycotting non-public domain material, how will this help? I only see this as helping to ensure the status que remains. Those who make millions off the public domain will continue to have new material without having to contribute back.

      --
      Request a Linux Shockwave player here: http://www.macromedia.com/support/email/wishform/
  30. Misleading Catch Phrase by RAMMS+EIN · · Score: 4, Insightful

    While it sounds catchy, it's not really as if public domain is _really_ going to die. What's going to happen is that copyright becomes stronger and lasts longer, and eventually copyrighted material might never enter the public domain again.

    But plenty of people love to share their work and ideas. Some of these people are going to be putting stuff in the public domain. Also, with copyleft and similar policies, a lot of copyrighted material is going to provide similar benefits to public material (reusability).

    All is not lost, and all won't be lost as long as enough people behave socially rather than trying to grab as much money and power as they can.

    --
    Please correct me if I got my facts wrong.
    1. Re:Misleading Catch Phrase by tepples · · Score: 1

      But plenty of people love to share their work and ideas. Some of these people are going to be putting stuff in the public domain.

      And they're likely going to be sued by huge conglomerate publishers who claim that the freedom-loving self-publisher subconsciously copied something from the publisher's repertory. It has happened; see Bright Tunes Music v. Harrisongs Music and Three Boys Music v. Michael Bolton. Sure, those lawsuits were against big-name recording artists, but with precedent in hand, the publishers can now take on the indies.

    2. Re:Misleading Catch Phrase by Chris+Burke · · Score: 1

      You're right, and that confusion is what is motivating a lot of the comments here.

      Yes, some people will choose to release things into the public domain. Lessig's point is that all such culture is supposed to eventually enter the public doman. Now, only those who actually want this to happen will do it, while anyone who wants to make money off their product for 10 years will lock their work in copyright and DRM forever.

      The only reason we give authors the exclusive rights to their work is to incentivize them to create it so that eventually it will become ours. We are now being screwed out of our end of the bargain.

      That is Lessig's point. That is the problem with copyright today.

      --

      The enemies of Democracy are
    3. Re:Misleading Catch Phrase by mabhatter654 · · Score: 1
      everybody misses the big point...

      The culture and ideas are ALREADY the rights of the people. The constitiution mearly grants the govt the ability to restrict us from using certian publications to allow the authors of them to reap a reward.

  31. the article has no information by Anonymous Coward · · Score: 0
    through the World Intellectual Property Organization, wealthy countries everywhere are pushing to impose even tighter restrictions on the rest of the world. These legal measures will soon be supplemented by extraordinary technologies that will secure to the owners of culture almost perfect control over how "their property" is used. Any balance between public and private will thus be lost. The private domain will swallow the public domain. And the cultivation of culture and creativity will then be dictated by those who claim to own it.

    Unfortunately the article fails to explain what the specific threats are and how they will impact the public domain. I'd like to be better informed about how WIPO will unfairly take away my rights, but tfa doesn't explain anything...
  32. 35 years by 1u3hr · · Score: 4, Informative

    I RTFA, and nowhere was the term "35 years" used. However, poking around the site I see this article was one of a batch on the themes of thngs happeneng over the last 35 years (since Foreign Policy magazine began), and the next 35. So Lessig didn't choose that figure for any real reason.

  33. Funny, that by OhHellWithIt · · Score: 1

    Most of the other articles listed on the magazine's web page are restricted to paying subscribers.

    --
    "Who controls the past controls the future. Who controls the present controls the past." -- George Orwell
  34. Agreed by jeffvoigt · · Score: 1

    Throughout history there have been people proclaiming end of the world scenarios, and this person is no different. Like any new frontier that is explored, people are "testing the waters" for what they can and can't do. Once this frontier society has a good grasp of the inherent workings of the system, laws will start to be formed to govern it. Some laws will stay, some will go. But it seems short-sighted idiocy for someone to proclaim that one of the core driving forces of the system will be gone (public domain). It's like saying gravity will dry up. While it will most likely not look exactly like it does today, the public domain will still exist. There will just be laws in place to govern it better.

    1. Re:Agreed by ultranova · · Score: 1

      Throughout history there have been people proclaiming end of the world scenarios, and this person is no different.

      And througout history such scenarios have become true. Rome fell. Aztech and Inka empires fell. Black Plague killed third of the population of Europe. Germany fell twice in the last century. Japanese empire fell. Byzant fell. Chinese empire fell. Soviet Union fell. New Orleans fell.

      Sure, life goes on and there is always survivors - but how much consolation is that when your world has just come to an end ?

      Western countries are currently on top, but sooner or later they too must be reduced to dust by the merciless sands of time. Some of us will propably survive that day, but they won't neccessarily be happy about it. Some current trends, such as the overemphasis on entertainment, overwhelming power of corporate interests, and, oh yes, the death of one of the core driving forces of their might - public domain, the idea that information should be freely available to all, to use in whatever way they wish. Without that there can be no innovation (or at least it will be slowed down considerably) because one cannot stand on the shoulders of giants anymore, allowing the rest of the world to bypass us and make us just another weathered stone in the graveyard of history, overgrown and forgotten.

      The death of public domain and the associated concepts signal the death of western civilization. If we are to survive, something must be done; but frankly, I don't think anything can be done, since the people who could do something are in the pocket of the corporations who couldn't care less about the long-term effects of their actions. Therefore, doomsday scenarios are well-justified - especially since the nuclear-armed western countries are unlikely to go quietly.

      It's like saying gravity will dry up.

      Gravity is a force of nature and not subject to human stupidity; public domain is a creation of humans and therefore their dominion. That makes it doomed :(.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

  35. Lessig dead in 35 years by Anonymous Coward · · Score: 0

    No more nambly-pab whining then. Thank god!

  36. Lessig for SCOTUS! by Anonymous Coward · · Score: 0

    I hereby nominate Lawrence Lessig for current and upcoming vacancies. -ac

  37. That's exactly the problem by RAMMS+EIN · · Score: 2, Insightful

    ``In a free society the public domain will never die. It's part of our culture.''

    I much more feel that society and culture are the root of the problem. Let me explain.

    One problem is the political system. Winner-take-all is a way of counting votes that basically admits only 2 parties (a 3rd party will take away votes from the party closest to it, increasing the likelihood that the less-favored party wins).

    Because there are only 2 parties, and it's hard to start up a 3rd party with a fighting chance, it's hard to improve the situation once both parties start down the Dark Path.

    Enormous amounts of money are invested in election campaigns. One party cannot significantly cut investments, because that is almost certainly yielding victory to the other party. Campaign money has to come from somewhere.

    Both parties receive heavy sponsoring from the corporate world. It is not at all unreasonable to suspect that this might convince some politicians to view their sponsors in a favorable light, and be more inclined to pass legislation that helps these sponsors than legislation that inhibits these sponsors.

    In short: what's good for the company is good for the party. There are clear signs of corporate influence on the government.

    The principle of freedom of the press exists so that the media has the freedom to inform the public about political wrongs. The idea is that politicians can get away with a lot of crap as long as nobody knows, so some entity has to be responsible for keeping the public informed. This entity is the free (e.g. independent from the government) press.

    The problem with the free press is that it is dominated by large corporations. These same corporations also sponsor politicians. So, on the one hand, they can influence politicians in a way that wouldn't be desirable from the small man's point of view. On the other hand, they can cover it up so that noone finds out.

    So, it's the corporations pulling the strings in the important parts of society. Pair this with an individualist culture bent on material gain and personal happiness, and I think you can see how big a problem there is and how hard it is to change it.

    Oh, and yes, everybody preaches freedom, liberty and democracy...but more and more freedoms are taken away. Citizens of the USA now enjoy noticably less freedom than citizens of the European countries the USA originally loathed for their authoritarianism, so I think the freedom, liberty and democracy message can be safely discarded as a lullaby to keep the uninformed public from waking up.

    --
    Please correct me if I got my facts wrong.
    1. Re:That's exactly the problem by marcantonio · · Score: 1

      I agree completely, that is what the Lessig should have said is in danger, our democracy and freedom.
       
      We are know tettering on the edge of democracy and the illusion of it.

    2. Re:That's exactly the problem by Anonymous Coward · · Score: 0

      But if I put a yellow ribbon magnet on my car and a flag in my yard that makes everything ok, right?

    3. Re:That's exactly the problem by am00rtje · · Score: 1

      Yep, i agree as well, all our base is belong to them. Those who give up freedom for security eventually loose both.

  38. Not dead. Just comatose. by jglazer75 · · Score: 2, Insightful

    More than anywhere there is a generational gap in the copyright universe. There are those, currently at the top, who want to protect the things they grew up with (Mickey Mouse, we love you - I wanted to be member of the Mickey Mouse club - haha, wasn't Mickey so cute.) And there is the current generation who, for better or worse, have no attachment to anything - everything is just play-doh to make something else. At some point there will be a changing of the guard and the public domain will rise like a phoenix.

    I also think to some extent the generational gap results in over protection to those with the pocket-books. Copyright didn't play an important part of culture so the leaders aren't comfortable speaking its language. Whenever you have that situation, where a leader is relying entirely on the advice of his "counselors" you have the problem of the leader's view taking on the characteristics of the view of whomever speaks to him the most. And quite frankly those with the most get the ear. As more of us get into congress that are comfortable with the issues and have independently formed opinions, you will see a change to a more reasoned debate.

    I hope.

    1. Re:Not dead. Just comatose. by Red+Flayer · · Score: 1

      "As more of us get into congress that are comfortable with the issues and have independently formed opinions, you will see a change to a more reasoned debate. "

      Sorry, but this isn't going to happen. You can't get elected unless you make the right people happy, and you can't make those people happy unless you play by their rules.

      The way the political system is currently run in the US, you don't really have a chance unless you're running on a Repub or Dem ticket. They're not going to support you unless they know you'll do as they like.

      As with previous generations, you'll see the muck rising to the top. Unless there are major reforms to campaign finance and media ownership laws, this will not change.

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
  39. Do NOT obey the laws. by DroopyStonx · · Score: 1, Troll

    Seriously...

    Shit like this happens based on pure greed, and they expect us to sit there and blindly follow the law? Hah.

    Even people on slashdot that are always siding with the RIAA on those piracy stories.. how can you justify this?

    The law is only good for so much, people. You CAN ignore it without consequence, you know..

    --
    We have secretly replaced these Slashdot mods' sense of humor with a rusty nail. Let's see if they notice!!
    1. Re:Do NOT obey the laws. by jmacleod9975 · · Score: 1

      Thank you Henry David Thoreau. Except for the part about no consequence. You will have to face the consequences, but i you really believe in it, you should do it anyway.

    2. Re:Do NOT obey the laws. by Anonymous Coward · · Score: 1, Insightful

      You would be doing us all a much bigger favor if you tried to change the law instead of breaking it.

    3. Re:Do NOT obey the laws. by DroopyStonx · · Score: 1

      There's only consequence IF you get caught, which is actually very difficult.

      --
      We have secretly replaced these Slashdot mods' sense of humor with a rusty nail. Let's see if they notice!!
    4. Re:Do NOT obey the laws. by Anonymous Coward · · Score: 0

      Sheep: you change the law by breaking it.

    5. Re:Do NOT obey the laws. by DroopyStonx · · Score: 1

      Well, I don't exactly have millions of dollars to persuade lawmakers, so... resort to next best thing.

      --
      We have secretly replaced these Slashdot mods' sense of humor with a rusty nail. Let's see if they notice!!
  40. My prediction by rajafarian · · Score: 1

    In about half a second things are going to be almost exactly the same as they are... NOW.

    That was easy and it looks like I was right, too.

    1. Re:My prediction by Anonymous Coward · · Score: 0

      Lucky guess!

  41. Refreshing by Infonaut · · Score: 2, Insightful
    Anyway, I predict that in 35 years the pendulum will have swung. The zeal of the war on piracy will have gone too far for too long, and people will fight back. Sure, the fight will start with copyleft, as it already has begun to do so, but once copyleft has won the establishment will be forced to move in the opposite direction, and lessen the stranglehold of copyright laws.

    I agree. It's not in fashion here on Slashdot to actually be optimistic about the mechanisms of change in a representative government. But what people keep forgetting is that the American government was deliberately set up to move slowly on issues of major import. Sometimes that slow pace seems good (when people are trying to overturn something you like), and sometimes it seems bad (when you're trying to turn the tide and it's difficult to do so), but it's that way for good reason.

    People are already starting to fight back. Lessig, McLeod, and others are writing about copyright excesses. There are a handfull of Representatives in Congress who really understand what's going on, and they're trying to educate their peers. We lost the Eldred case at the Supreme Court, but that's certainly not the end of the road.

    --
    Read the EFF's Fair Use FAQ
    1. Re:Refreshing by miu · · Score: 2, Insightful
      It's not in fashion here on Slashdot to actually be optimistic about the mechanisms of change in a representative government.

      Imagine that the country wakes up and eventually stops voting for the current crop of dung beetles, how do you take back property rights that have already been granted. Even if you believe that representative governments reflect the desire of the population and that the population is smart enough to vote in their own interest, how do we take back property rights granted world wide by treaties the US is a signatory too.

      I think the corporations recognized that the people are fickle and may eventually recognize they are being ripped off, so they made sure that the US stamped the current order of things on nascent world law.

      --

      [Set Cain on fire and steal his lute.]
    2. Re:Refreshing by tepples · · Score: 1

      how do you take back property rights that have already been granted.

      The only thing possibly keeping Congress from taking back the Bono Act and the DMCA is the Takings Clause of the 5th Amendment, and legal scholars are in disagreement as to how it might apply to copyright term rollbacks.

      how do we take back property rights granted world wide by treaties the US is a signatory too.

      There is already a definition of "United States work" in the copyright statute. Do what was done in the draft Public Domain Enhancement Act: apply the rollbacks only to "United States works" until the Senate figures out a way to withdraw from the treaties.

    3. Re:Refreshing by miu · · Score: 1

      I don't disagree that it is possible, I just think it is unlikely. Even with a congress, executive and judiciary all friendly to the idea it would take 10 years to reverse the current situation. It's not a simple matter of "make it so", copyright extremism is well entrenched and getting more so every day.

      --

      [Set Cain on fire and steal his lute.]
    4. Re:Refreshing by corpsiclex · · Score: 1
      Imagine that
      I can't. I'm only 17. Maybe you know of a time when that was possible? :(
      --

      eBayDig 1s a typo saerch engien
  42. Hum... by Anonymous Coward · · Score: 0

    Do you know where Walt got the "inspiration" for a good deal of his work?

    You guessed it.
    Old, public domain folk stories.

    Why do you think he was a fervant defender of copyright extension? He nabbed that shit and wanted to keep it forever.

  43. A2K by Elektroschock · · Score: 2, Interesting

    Lawrence Lessig raises awareness, he is a good communicator. I wonder why he does not actually act.

    There is the A2k treaty project, we will get a development agenda for WIPo soon. Is Lessig accredited to WIPO? No, sure he isn't. You can make a dent there. Lawrence Lessig does not expect it to last 35 years...

    Public domain -- it might be an US-only problem. Of course the works of Kafka and others are public domain in my legal system.

    1. Re:A2K by ChaosDiscord · · Score: 1
      I wonder why [Lawrence Lessig] does not actually act.

      He tried to get parts of the most recent copyright extension declared unconstitutional, eventually personally arguing the case before the Supreme Court. He founded Creative Commons to make it easy for creators who want to make things more free to do so. That includes helping write a boilerplate license to make it easy to voluntarily put things into the public domain and another license to voluntarily limit ones own work to the "Founder's Copyright" of 28 years. What more do you want from him? The next major step will be convincing US citizens that things need to change. Once the citizenry believe that, it will be possible to convince congress to change the laws for the better. He's working on changing people's mind. You can hardly say that Lessig is a slacker.

  44. lessig is a troll by Anonymous Coward · · Score: 0

    he is not a lawyer, nor has he spoken to one. public domain is a _class_ of copyright. It is the default class. In short:
    If you do not take specific legal action to _protect_ your works it will _by_default_ become public domain...
    going away huh?
    if that is so it must be replaced by something exactly like PD.. only called something else...
    her kid here's $0.25 buy yourself a clue.

    1. Re:lessig is a troll by realityfighter · · Score: 1

      Not true, sadly, under the USian "opt-out" system of copyright law. Every new work is assumed to be "all rights reserved" unless the creator lays down other copyright terms. When I was young, this system was a golden treasure to creative people, or so it seemed. It meant that no one could rip you off, even if you didn't have the ten bucks to register with the copyright office. There were no tiers of protection, everything belonged to its proper owner and all was right with the world.

      Of course, these days I see the system in a slightly different light.

      --
      A strain of paranoid prevention can be worse than the disease, whate'er the intention.
  45. End to American dominance too? by Anonymous Coward · · Score: 1, Insightful

    I take it we're talking about works copyrighted in America, therefore only American creative works will not enter the public domain.

    Arguably you could say the US is a superpower based on it's culture (or lack thereof). They haven't conquered anywhere by force, but have introduced, TV, music, films, the whole American lifestyle. Surely if a smaller and smaller percentage of public domain creative works are American, they will have a lesser cultural influence on the world (especially if sales of DRM'd "culture" slow as consumers realise what they lose).

    1. Re:End to American dominance too? by Mike+Keester · · Score: 2, Insightful

      They haven't conquered anywhere by force

      Tell that to the Native Americans and Iraqis

  46. That's not public domain. by KitesWorld · · Score: 1

    If something is released to the public domain, then there is NO EULA, and no restrictions placed on use or distrubution whatsoever.

    Public domain essentially means that the owner has released all rights in relation to the infomation - be it a book, a piece of software, a film, music, whatever.
    In that sense, yes, the public domain is dyng. It's becoming increasingly rare for someone to distribute something without placing a restriction or two on its use - everyone wants their piece of the cake, so to speak.

  47. Going to? by Fujisawa+Sensei · · Score: 1, Informative

    Public Domain is dead.

    Nothing has entered public domain in the latter half of last centure, and even a lot of stuff that did enter the public domain had been "returned" to the original copywrite holders.

    Copywrite should be 20 years from first publication. Trademark should last indefinately. Micky Mouse (TM) would remain Da Rat, while Elvis would be PD now. But that won't happen untill 2075 or something.

    --
    If someone is passing you on the right, you are an asshole for driving in the wrong lane.
    1. Re:Going to? by quanticle · · Score: 1

      I don't think that anything should be protected forever. Originally trademarks and copyrights were created to protect works from piracy for the life of the owner. Now, since the majority of creative works are created by corporations (which are immortal in the current legal scheme), copyrights and trademarks have been twisted into providing everlasting protection, thus hindering future works.

      --
      We all know what to do, but we don't know how to get re-elected once we have done it
  48. No chance, NONE! by pdamoc · · Score: 0, Offtopic

    enough people will get around and read stuff like this and then... they will not be able to hold us.

  49. Mod parent up by marcantonio · · Score: 1

    Personally, I try to do the "right" thing, but could care less about what "the law" says I should do (largely because I've learned that "law" and "right" only rarely overlap, and then only for purely accidental reasons).

    HERE, HERE! Morality != the Law.

  50. Law of Unintended Consequences by WED+Fan · · Score: 1

    This could be the preview or prediction of the result of the small portion of the "Information Wants to Be Free" crowd - you know the portion that follows that line with, "That's why I'm distributing 'The Matrix' on P2P...".

    Eventually, things do come back to bite you in the tuckas.

    --
    Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong fix.
  51. How old are you? by Anonymous Coward · · Score: 0

    Elvis recordings have been released into the public domain in the UK (and Europe?)

    And things are still making it into the public domain every day, e.g. I have an old book that will be public domain soon (it's over 100 years old)

    There's one big thing that the artical missed, DRM, DRM is so big because unless someone breaks modern cryptography in the next hundred years (and it's possible that it won't be) everything being released with 'DRM' and 'trusted' hardware will remain DRM'ed and stuck on trusted hardware even after it's passed into the public domain.

    So when I live to 150 that EBook I purchased, unlke my 100+ year old book I currently own, won't be reproducable even though it's techinically in the public domain.

    Fortunatly we don't have the DMCA in Europe so there's still time to save the public domain for some of us.

  52. Re:Going to die? There is SQLite. Not much else... by kihjin · · Score: 1

    Need I remind you of SQLite. Albeit, other than this, you are probably right.

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    This slashdot-related signature is a stub. You can help kihjin by expanding it.
  53. Re:what DIES is the system as we know it by Anonymous Coward · · Score: 0
    ok at new orleans, look at thai tsunamis, look at austrias flood. chaos, riots and mischief everywhere due to nature catastrophes which come from our reckless abuse of the nature.

    Apparently I'm just one of those idiots out here ,but you'll really have to explain just how and what we've abused in nature that caused the hurricane in New Orleans and the Tsunami, because I just don't get it.

  54. Utter nonsense by Anonymous Coward · · Score: 0

    I refuse to RTFA when the first two paragraphs contain utter nonsense like "This public domain has always lived alongside a private domain".

    The "private domain" is in existence for some 200 years or so ... is that "always" for US historians?

  55. Re:what DIES is the system as we know it by OakDragon · · Score: 2, Insightful

    If it's that bad, why should I care about 880 free megs of file hosting?

  56. So every single thought should be public domain? by Anonymous+Brave+Guy · · Score: 2, Interesting
    But even with copyrights, if a work is not published, but is something internal (say, the code to Google servers), then 50, 75, 100 years can pass, and even though it may (may!) end up technically in the public domain, it's still a trade secret, and if it never gets published externally, it's not public domain.

    Yes, this is a serious problem. To avoid it, all human beings should be forcibly compelled to document every thought they ever have, and to publish them through a centralised public database that is open to all. Concepts like privacy and secrecy should be abolished, because the right of everyone to know everything about everyone and everything is much more important than respecting the right of an individual to think their own thoughts in their own head, and only to share those thoughts they wish to share.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  57. Um, what about patents? by krysith · · Score: 4, Interesting

    That's strange, I thought that when I didn't pay the maintenance fee on my last patent that it went into the public domain. I'd be glad to hear it's still in force.

    Patents may have their problems, but at least the length of time and the requirement of maintenence fees to keep them in force are appropriate.

    As an intellectual property owner, I worry when Congress goes overboard in an attempt to "protect intellectual property holders' rights". Yes, I like that what I create can benefit me. However, when other people use IP as a cudgel to abuse people, it makes me worry about the stability of the whole system. If you were an aristocrat in France in 1780, wouldn't you be a little concerned about the other aristocrats who beat and starve the peasants? They might just have a revolution.

    1. Re:Um, what about patents? by coldmist · · Score: 1

      The difference is patents are used (abused) more by industry and not individuals, and so the business players don't try to lengthen it, as it is a good balance for them.

      Now, when it comes to screwing individuals, business will lobby government hacks all day long to get what they want (ie longer and more stringent copyright terms and enforcement), since there isn't the same type of competetition to worry about.

      --
      Don't steal. The government hates competition.
    2. Re:Um, what about patents? by Anonymous Coward · · Score: 0

      If you were an aristocrat in France in 1780, wouldn't you be a little concerned about the other aristocrats who beat and starve the peasants?

      That's exactly the same argument I'm finding myself having to use nowadays. The UK has turned into a land of Land owners and renters, although the housing isn't dependant on working for the land owner, it's not too far off and with things like DRM everyones going to end up renting everything they 'own' for the rest of their lifes and die pennyless or in debit.

      This is exactly the same kind of situation that lead to the English revolution, the war that killed a higher percentage of English men than any other. and they wonder why there are suicide bombers and a massive ilegal rave following (Raves in the UK are generally linked to 'homeless' left wing activists groups).

      It's hardly supprising that in some countries there shutting down 'legal' raves because the're (the government) are afrade of the anarchists.

  58. Can't possibly be Bradbury, by Anonymous Coward · · Score: 0

    Can't possibly be Bradbury - I didn't fall asleep by the middle of his (Lessig's) third sentence.

  59. Communism must die. by LewekLeonek · · Score: 1, Interesting

    Now don't get me wrong! I don't say that piracy is communism! This is the furthest from the truth. Northern America is adopting "liberal" form of communism. Restricting people in most areas of their life - isn't it a symptom of communism? As we have seen in Russia and Eastern Europe communism was eventually thrown out the window. The system just does not work. On the other hand Free Enterprise should allow people to grow in a relative freedom (different from the "red freedom" offered in the communism - free to think as government wants you to do). So... as long as we stay away from totalitarian state model, public domain should survive and live long. And even if we get stuck with the big brother overlooking our activities.. things will go underground.

    1. Re:Communism must die. by Hakubi_Washu · · Score: 5, Informative

      Don't confuse communism and totalitarian systems as those created by Lenin, Stalin & Co. that were called "communism".

      Marx original comunism idea specifically called for industry workers that overthrow their governing regime on their own, not purely agricutural societies forced to change by some so-called intellectuals. Real communism never called for a one-party system, nor a quasi-dictatoric board of directors in it. Instead it relies solely on self-organizational principles and true equality (In the libertarian + social security sense, everyone paid according to his needs).

      Every "communist" system so far has utterly failed to even attempt employing these principles, which lead to oppression (via the "we know better" and "not with us is against us" approaches) and inequality ("Some are more equal than others", because they bear the burden of ruling...). Followed directly by restrictions, that were only necessary, because people didn't decide to become communist in the first place and didn't want to stay communist, because their infrastructure wasn't up to it (the reason Marx wanted industry workers under all circumstances!)

      In short: Communism has not failed, because it has never been tried. Systems hiding under that name have failed though. Wrong names for systems is pretty common though, consider democracy, which means "ruling by the people". Nowhere does this call for parliaments!

    2. Re:Communism must die. by bhima · · Score: 1

      and after that capitalism must go with it!

      --
      Nothing in the world is more dangerous than sincere ignorance and conscientious stupidity.
    3. Re:Communism must die. by Anonymous Coward · · Score: 0

      I call bullshit.

      That the historical implementations of communism weren't precisely what Marx set forth in his pamphlet and volumes is hair-splitting and irrelevant. If there is state-sponsored communism, the restrictions, corruption, and failures are inevitable; Marx never addressed adequately what are the causes: human nature. People naturally want to control their own lives in their own interest; and, people naturally want to control other's lives in their own interest. Any social system will reveal this in some manner.

      Also, communism has been tried on smaller scales than North Korea, Cuba and the Soviet Union. There are numerous communes all over the world that attempt to be governed by "self-organizational principles and true equality". From religious collectives to hippie flop-houses and everything in between, all have the same social problems that plague statist communism, just on a smaller scale; we don't hear about them because a) nobody really cares when; and b) it is not at all surprising when they fail or are corrupted or are coopted by a handful of charismatic sociopaths.

    4. Re:Communism must die. by bw5353 · · Score: 2, Insightful
      In short: Communism has not failed, because it has never been tried.

      Well, it actually has been tried a lot. However, the results of the attempts never were what Marx and Engels hoped for. All the evidence is against communism. Principles, which dozens of countries have tried with usually disastrous consequences, are very likely to be flawed.

      When it comes to Public Domain in the internet world, we won't know for another couple of dozen years how it will work out, but we can of course theorize (that means "guess") about it, as Lessig does.

    5. Re:Communism must die. by deanoaz · · Score: 1

      If you (parent author) like sci-fi you should read the Red Mars, Green Mars, Blue Mars trilogy by Kim Stanley Robinson.

      In this futuristic tale a perfect, working communism (although the author never calls it that) is develped on a Mars colony and then spreads back to Earth.

      The books were a great read, but I think the masses of human beings that can actually thrive and remain happy under communism only exist in Science Fiction.

      "I don't know the key to success, but the key to failure is to try to please everyone." - Bill Cosby

      --
      If 'the people' in Amendment 2 are 'the state' then Amendments 1, 2, 4, 9, and 10 benefit the state, not you.
    6. Re:Communism must die. by geomon · · Score: 1

      People naturally want to control their own lives in their own interest; and, people naturally want to control other's lives in their own interest. Any social system will reveal this in some manner.

      Then how do you rationalize the success of businesses? They are far from your libertarian ideal in the most important respect: workers (employees, 'staff', and the ubiquitous 'associates') lack any ability to control their own lives. There is little difference in organizational principles between business and the communist states of the 20th Century except in the expected outcome of the use of resources. A small clique of people controlled the resources and means of production (board of directors, politburo) and the workers supplied the labor with little expectation of meaningful return. A few in the middle were given the impression that they were going to be elevated - some day - to a position of power. They toiled on in a middle management role controlling the lowest ranking labor so that the ruling bodies could perpetuate their hold on power.

      ...it is not at all surprising when they fail or are corrupted or are coopted by a handful of charismatic sociopaths.

      Apparently there are a few more parallels between 20th Century communism and the modern capitalist state than you may have realized.

      Mind you, I am no proponent of communism. I object to the lack of freedom that it imposes on the people it is supposed to be liberating. But the modern corporate structure is showing all of the signs of the 20th Century communist state with little to stand in the way of its complete dominance over us. The democratically elected republic that we promoted throughout the world during the Cold War is receeding quickly, at least in the US.

      --
      "Rocky Rococo, at your cervix!"
    7. Re:Communism must die. by danila · · Score: 0, Flamebait

      First of all, Lenin and Stalin didn't create totalitarian systems and never intended to. There was never an attempt to achieve total (or anything close) control over the population. The level of control was comparable to that in most other countries in that time (consider how liberal, democratic and free America was in 1920s-1930s NOT). The USA had things like HUAC, please never forget about that.

      Please don't think even for a second that you understand communism and marxism better than Lenin. This is simply ridiculous. Communists in Russia didn't just make some random decision without consideration for reality. They had like 30 years to think everything over and you assume that they were morons, because they didn't understand what some random Slashdot posters realised in 30 seconds. I don't think so, perhaps you just overestimate your ability to understand complex problems...

      I am amazed at how easily you declare that one-party system was unneded. Perhaps it's because you are an overconfident moron, who doesn't know jack shit about Soviet history. You don't know anything about the Soviets in 1920s, you don't know how and why they were created, how they were organised and how they evolved. You don't care about how things are in real world, you only want to be a smartass.

      Communism hasn't failed in Soviet Union, unless you use some very special definition of failure. It was a world superpower, the world leader in science, it had world highest levels of education, it provided almost the entire population with products and services to meet their basic needs (food, shelter, health care). It aimed to help each person develop his/her potential without limit and aimed to improve everyone's education and intelligence (the first country ever to do so). It never pandered to our worst instincts, not allowing entertainment to delve into endless violence, sex and bad taste. It opposed racial and nationalist hatred from the very beginning, creating for the first time ever a country with hundreds of nationalities that could coexist in peace and friendship. It supported global peace and provided economic and technological assistance to countries all over the globe (instead of exploting them for cheap labour and natural resources like most developed countries tend to do).

      Unless you stick to the official line of Hoover, McCarthy and other vultures, there is no way you can describe Soviet system as failure. Yes, it didn't build a communist society, but it got much further than everyone else even dared to try.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    8. Re:Communism must die. by danila · · Score: 1

      Also check out Manna by Marshall Brain. This time communism is built in Australia and people from the USA are liberated by the emissaries from the Australian Project. The auther denies that he is in any way for communism, however, just proving again, how deep every American was affected by masterfully crafted Cold War anti-communist propaganda...

      But the masses were happy in the Soviet Union. They are happy in Cuba as well and you would be surprised to find out that they are generally happy in Vietnam and North Korea as well. Of course, you would never ever read about it from most American newspapers or see it on American TV. I hope you don't hold any naive hopes of your media being objective and honest, do you?

      Yes, people in communist countries are not as rich as they are in the "first world". But this is extremely simple to explain - they just don't have a "third world" to exploit! As simple as that.

      But they got everything they had by their own labour. And they distributed the wealth equitably. Yes, Soviet people were never as reach as people from American upper-middle class, because they didn't have tens of struggling low-income workers and a hundred of poverty-stricken slaves as some rich Americans seem to do...

      There is hope, however. Robotics, AI and nanotechnology will inevitably make means of production easily manufacturable. And that would mean instant death of capitalism. As soon as people would be able to make their own means of production, capital will become irrelevant and the world will gradually change into communism. It won't be easy and it would be a hundred years later than it could have happened, but it is inevitable.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    9. Re:Communism must die. by Hakubi_Washu · · Score: 1

      I already have, and enjoyed them greatly :-)

    10. Re:Communism must die. by Anonymous Coward · · Score: 0

      Then how do you rationalize the success of businesses?

      I don't rationalize it and I'm not sure I have to; it is what it is.

      They are far from your libertarian ideal in the most important respect: workers (employees, 'staff', and the ubiquitous 'associates') lack any ability to control their own lives.

      Why do you assume that libertarianism is my ideal?

      Last I checked, my employer does not control my life. I can quit, if I like, and work for another or start my own. I am an thoughtful human being and take the responsibility that comes with this freedom seriously. It controls some aspects, certainly, but at the end of the day I go home, smoke a bowl, and play with my balls and my employer has no say-so on the matter.

    11. Re:Communism must die. by danila · · Score: 1

      I hope that the persona who moderated this perfectly normal comment as Flaimbait didn't suddenly had a heart attack from reading it. It would be a shame to lose such a dedicated anti-communist crusader. They are a rare bread, now that the US government had to cut down on propaganda expenses. Everybody wants to hate Saddam Hussein now, it's no longer in fashion to hate communism, so we must preserve the irrational and thoroughly brainwashed soldiers such as this anonymous moderator.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    12. Re:Communism must die. by Anonymous Coward · · Score: 0

      It's not really that the world would change into communism, nor would it really mean the death of capitalism.

      Economics as we know it would simply become obsolete.

    13. Re:Communism must die. by Anonymous Coward · · Score: 0

      Does the phrase "liquidation of the kulaks" mean anything to you?

      Stalin was a hard-fisted, totalitarian ruler. He had those who opposed him not only killed, but erased from history. Men were literally painted out of Communist party photographs. What do you call this?

      And boy, those East Germans sure seemed eager to get away from all the "peace and friendship" that the USSR had to offer them!

      You really took the parent post personally, didnt you? His point was NOT anti-communist- he was stating that a PURE communist system has not been implemented, and he is correct. If you are angry he called Lenin a 'so-called intellectual'- deal with it. You admit that he failed to build a communist society. The parent is entitled to his opinion on that result.

    14. Re:Communism must die. by bw5353 · · Score: 1
      Communism hasn't failed in Soviet Union, unless you use some very special definition of failure.

      You have some good points in your post, but the sentence above is not one of them. The system did implode because it failed on most accounts, but most spectacularly when it comes to economic and environmental criteria.

      They did not provided basic needs for their citizens. I cannot think of any single product you could be certain to find in the shops. Sure, some days you could find excellent meat, and some days you could find decent toilet paper. However, there was no way you could be sure what you would find that particular day in the particular shop you chose to go to, and most products were of apalling quality.

      The health care was free but rubbish. People died from trivial diseases, that weren't considered deadly at all in the West.

      Sure books were extremely cheap, but some of the most important litterature in the world was simply not available, as it wasn't judged politically correct. Pasternak? Dostoyevsky? Hardly ever available.

      ...creating for the first time ever a country with hundreds of nationalities that could coexist in peace and friendship.

      Almost every country in the world before the 19th century has been multi-national, so that is nothing new. How far the "friendship" lasted in the Soviet Union you can tell from the speed with which the country broke up, once communism fell.

      Racism was rampant but not published in media of course. For some reason many Russians disliked blacks and showed it much more openly, that would have been possible in the West. Likewise Africans used to dislike Soviet ex-patriated staff in Africa much more than any other nationality in my experience. And don't get me started on anti-semitism.

      Don't get me wrong here. I loved travelling in the Soviet Union. I met lovely people and found a marvellous atmosphere. I loved a lot of their culture and I miss many aspects of the place. But on the whole, if you compare it to the West, it sucked.

    15. Re:Communism must die. by deanoaz · · Score: 1

      I notice you didn't include East Germany in your list of places full of happy Communists. Is that because it's hard to explain why it required a deadly barrier to keep them there if they were so happy?

      "The majority rule only works if you're also considering individual rights. Because you can't have five wolves and one sheep voting on what to have for supper." - Larry Flynt

      --
      If 'the people' in Amendment 2 are 'the state' then Amendments 1, 2, 4, 9, and 10 benefit the state, not you.
    16. Re:Communism must die. by Oligonicella · · Score: 1

      "Communism hasn't failed in Soviet Union, unless you use some very special definition of failure. "

      Could that definition be its demise?

    17. Re:Communism must die. by bw5353 · · Score: 1

      I guess articles containing words like "overconfident moron", "jack shit", "smartass" and "vultures" have a tendency not to be taken as very serious discussion objects.

    18. Re:Communism must die. by danila · · Score: 1

      Does the phrase "liquidation of the kulaks" mean anything to you?
      Yes, it does. But I suspect that most people have a very distorted picture of what happened then. It wasn't really that horrible or radical, considering the history of the "Land Question" in Russia and considering the Civil War that just finished. I hope you do realise that liquidation doesn't mean killing or imprisoning, just taking the property and relocating to other settlements. And it happened only to about 1-2% of all peasants.

      Stalin was a hard-fisted, totalitarian ruler. He had those who opposed him not only killed, but erased from history. Men were literally painted out of Communist party photographs. What do you call this?
      He was hard-fisted, but that's what the situation required from a Soviet ruler at that time. He did what he ought to do. And he wasn't totalitarian, the right word is authoritarian. And I simply don't see anything particularly bad about painting men out of party photographs (and paintings too, BTW). How is that worse than Republicans paying Starr to paint Mr. Clinton with dirt? We tend to look at erasing history differently because we were raised on "1984" and this creates instant repulsion in us. But I doubt that people in 1930s were as concerned about that.

      And boy, those East Germans sure seemed eager to get away from all the "peace and friendship" that the USSR had to offer them!
      Well, judging by the suicide rates increasing in the East, joining with the West Germany wasn't such a great idea after all... Even after spending all those trillions of deutchemarks (and now euros) the peace and friendship remains elusive...

      The irrationality of people is not an argument. People in Soviet Union were welcoming the changes, even though in retrospect it should have been obvious to them that their personal situation would drastically worsen (miners, teachers... and pretty much everybody else). They believed the lies about the capitalist paradise (the media and movie images), weren't content with the steady improvements that Soviet system provided and wanted to have everything now.

      You really took the parent post personally, didnt you? His point was NOT anti-communist- he was stating that a PURE communist system has not been implemented, and he is correct. If you are angry he called Lenin a 'so-called intellectual'- deal with it. You admit that he failed to build a communist society. The parent is entitled to his opinion on that result.
      I don't particularly mind the parent post. It's just that people are so brainwashed over communism and they don't realise that they rely completely on official anti-communist propaganda. And he implied (a common mistake) that Soviet Union had nothing to do with "real" communism. Of course, it hasn't succeeded in building communism, but it actually got quite far. If it wasn't for the Cold War, it might have be very close to the goal by now.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    19. Re:Communism must die. by danila · · Score: 1

      The system did implode because it failed on most accounts, but most spectacularly when it comes to economic and environmental criteria.
      The reasons for the collapse of the Soviet Union are too complex to be discussed here. But they have nothing to do with economic or environmental issues. The Soviet economy experienced continuous growth up until its very end. The environmental problems weren't any more serious than elsewhere in the world.

      They did not provided basic needs for their citizens. I cannot think of any single product you could be certain to find in the shops. Sure, some days you could find excellent meat, and some days you could find decent toilet paper. However, there was no way you could be sure what you would find that particular day in the particular shop you chose to go to, and most products were of apalling quality.
      Many people project the shortages of early 1990s and late 1980s to the whole history of Soviet Union. This is wrong. Throughout most of the history all products were available in sufficient quantities. The actual per capita consumption of most products were among the highest in the world. The consumption of meat in Soviet Union was in world top 5, the consumption of many other important products, such as milk and milk products was significanlt higher than in the US.

      It's easy to start believing personal accounts, but the plural of anecdote is not data. Most of the personal stories people tell you about their life in 1960s are made up. Ask any psychologist and he will confirm that. Personal memories aren't reliable in the first place and when you compound the problem with bias these stories go beyond useless. But if you compare actual numbers, you see a completely different picture. And before some moron starts about how "all soviet statistics were lies", that's not true. You can double-check a lot of numbers using international studies, using intelligence data, etc. There are enough sources and they generally confirm the Soviet data about its economy.

      The health care was free but rubbish. People died from trivial diseases, that weren't considered deadly at all in the West.

      For example? Many deseases (such as typhus, tuberculosis) were eliminted in Soviet Union very quickly. The health care wasn't the best in the world, but compared with other countries it was good, Soviet Union was in top 10 or top 20 by most statistical health indicators. And the health care was certainly better than it is in modern Russia.

      Sure books were extremely cheap, but some of the most important litterature in the world was simply not available, as it wasn't judged politically correct. Pasternak? Dostoyevsky? Hardly ever available.
      bw5353, you seem to be quite a reasonable person. Please, try to think, how you were first exposed to these lies, who fabricated them and why they did it. Yes, there was censorship in Soviet Union, but censorship exists in every country, even in the US or in Western Europe. Politically incorrect books were restricted in every country at some point.

      Why is it when Soviet Union does something - it's evil and horrible, but when the US does the same, it's fine and dandy? Many schools in the US still censor their libraries. The House Un-American Activities Committee blacklisted writers and film-directors in the US. There are many cases of censorship in the US, Europe and pretty much every country in the world. Why is it that when a certain Soviet writer is sharply criticised by the party it's suddenly so horrible? Pasternak's books were not taken out of the libraries or burned! It was simply that for his activities which were deemed anti-Soviet Pasternak was criticised, expeled from the Union of Writers and probably convinced to reject the Nobel prize. FBI did worse things to communists in the US at that time.

      And for the record, books of both Pasternak and Dostoyevsky were studies in Soviet schools. And my family had both authors represented in our home library. Who told you that Dostoyevsky's books were not

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    20. Re:Communism must die. by danila · · Score: 1

      Can you say that Roman Empire was a failure? Or that Alexander the Great was a loser? I don't think so. Good things do not necessarily endure.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    21. Re:Communism must die. by danila · · Score: 1

      I notice you didn't include East Germany in your list of places full of happy Communists. Is that because it's hard to explain why it required a deadly barrier to keep them there if they were so happy?

      No, it was because it would take too much time to list every country full of happy Communists - there were so many of them.

      The wall was built as a result of growing tensions between the imperialist West and the Communist countries. The Cold War (initiated and fomented by the US) led to the construction of the wall. It was a part of politicking between the US and the USSR and had very little to do actually with preventing East Germans from moving to the West (everyone who wanted to move, already had the time to do that in the 16 years preceeding its construction).

      Of course, some people tried to get across the wall and were shot, but, first, they were morons and, second, the scale of the problem was exaggerated by the eager corporate media in the US. First, there was a tacit agreement that those who wanted to emigrate could do it through the Austrian border without any risk (or publicity). Second, it's absolutely normal that the border guards shoot people who are trying to cross the border illegally. Yes, it's not always necessary, but you can hardly blame anyone for upholding the law.

      Anyway, many people in East Germany were happy. After the reunification, even though trillions of marks (now euros) were spent and 17 years have passed, the situation in the East Germany is still not good and many people are not happy either. If you look beyond the usual slogans and start looking at social and economic indicators, you would realise that German socialism in the East wasn't bad at all when compared with German capitalism in the West.

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    22. Re:Communism must die. by bw5353 · · Score: 1
      This is getting far off the original topic, and this is the wrong forum for any detailed discussion on the Soviet Union, so let me be very brief.

      You don't have to believe me, but for almost everything I wrote I have personal experience as a basis. I was there and I saw it. For a small part I just have secondary sources, but I could have taken the space to name them, if it had been on topic.

      When it comes to Pasternak and Dostoyevsky, my statement wasn't that they never would be availble. I have a Soviet edition of Pasternak's poems myself. My point was that such books were very rare over the time, and there were periods, when Dostoyevsky was not to be found at all. To my knowledge Dr. Zhivago was never ever printed in the Soviet Union before Gorbachev.

      My impression is that you never lived one single day of your adult life in the Soviet Union yourself. Feel free to correct me on that point, if I'm wrong.

      You are right on a lot of things, of course. "And the health care was certainly better than it is in modern Russia." is unfortunately very likely to be true.

    23. Re:Communism must die. by danila · · Score: 1

      The fallacy in your reasoning is that you take a minor questionable action of certain Soviet organisations and blow its importance out of all proportions.

      Yes, a small number of books by certain authors were not available as wildly as they potentially could have been. So what? Are all books by all authors widely available in all other countries? Is it impossible that the establishment in other countries (such as the US) prevent or hinder publications of certain books deemed harmful? Was immeasurable harm done to Soviet people by the lack of an authorised edition of Doctor Zhivago?

      You claim to have personal experience of all the bad things you described. Well, it's entirely possible, but you can't judge a country on the basis of personal experiences alone. Shit happens. In each and every country on Earth people get bad experiences - they are maimed in traffic accidents, die from food poisoning, are mugged in the streets, get STDs, fall in poodles, get hangovers. How do your personal bad experiences, these isolated and atypical incidents say anything about the country with the population of almost 300.000.000 people in general?

      You say "People died from trivial diseases". Shit, how can I argue that? They did. People die from trivial diseases everywhere. In Holland, in Finland, in Switzerland, in Luxemburg. Such is the nature of life. However, if you check the statistics, you would find that death rates for most causes were quite low in Soviet Union and have been decreasing all the time, as the health system was being continiously improved.

      You say "I cannot think of any single product you could be certain to find in the shops." Well, may be you cannot or may be you are a liar. When you entered even a small food store in some village, you were likely to find: fresh bread and other bakery products, fresh milk and other milk products, vegetables and fruits, canned and preserved products, eggs, meat, poultry and fish and a number of other necessary products. All these were very cheap and accessible to everyone. Same was true for other shops.

      Yes, some products were occassionally hard to find. The main reason is that they were priced below the equilibrium price point and all available stock was usually quickly bought. Technically you could say that there have been a shortage, but in reality the per-capita consumption of this product could have easily been high relative to other countries. It's just that prices and production didn't automatically increase for popular products, so one sometimes got an impression of shortage.

      Yes, there have been real shortages of certain products as well, but it rarely was significant.

      You said "Racism was rampant... many Russians disliked blacks and showed it much more openly". What a ridiculous statement! First of all, if by blacks you mean Negros and not simply people of darker complexion from Caucasus or Middle Asia, then there haven't been that many blacks in Soviet Union. There were some foreign students, but Soviet Union didn't have a large population of blacks... How could the racism be rampant in such a case? It's just doesn't make any sense.

      Furthermore, I already showed that according to the most obvious indicator, the share of international marriages, the racism/nationalism in Soviet Union was extremely low. There is simply no evidence for racism in USSR, but there are countless accounts of Soviet regime improving the lives of smaller nations immensely and of Soviet power eliminating racism as early as in 1920s. All nations had every opportunity to retain and develop their cultural heritage, use their native language and otherwise keep their traditions. In the time when many countries such as the USA had government-sanctioned discrimination and even had occasional lynchings of blacks, Soviet Union has eliminated racial hatred. Your lies and empty accusations cannot change that fact.

      Feel free to correct me on that point, if I'm wrong.
      No need to, you are (sadly) correct, but that doesn't invalidate a single word or fact of what I said about the Soviet Union.

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    24. Re:Communism must die. by fbg111 · · Score: 1

      I suggest the communist apologists read/listen to this (also available on iTunes podcast). Unlike most of the revisionist fools on this thread, it is compiled and written by Chinese nationals who were fortunate enough to escape the Communist system, and actually know first-hand what they are talking about.

      Nine Commentaries on the Communist Party

      Some choice quotes:

      Looking at the history of China's last 160 years, nearly one hundred million people have died unnatural deaths and almost all of the traditional Chinese culture and civilization have been destroyed.

      Today the Chinese Communist Party (CCP)'s violence and abuses are even more severe than those of the tyrannical Qin Dynasty.

      Why is Falun Gong, which upholds the principles of Truthfulness, Compassion and Tolerance and has been promulgated in over 60 countries worldwide, being persecuted only in China, not anywhere else in the world?

      The CCP has devoted the nation's resources to destroying China's rich traditional culture. The CCP's destruction of Chinese culture has been planned, well organized, and systematic, made possible by the state's use of violence.

      Under the rule of the CCP, 60 to 80 million innocent Chinese people have been killed, leaving their broken families behind.

      Perhaps Marx's communism can work on a small scale where everyone opts in, and those who don't can freely leave the commune, but there's no way to implement it on a large scale other than by force, which of course accounts for the horrific loss of human life under communist systems in the 1900s.

      One of the core components of Marx's communism is completely unworkable - the remuneration scheme: "From each according to his ability, to each according to his need". All that means is that those with ability are enslaved to those without. The consequences are that those with ability begin to hide and not use their ability, and economic advancement retrogrades. (It is a vexing fact that some people have no ability and others have great ability, and many others are somewhere in between on that scale. Perhaps one day we will genetically modify the human race to create a species of pure geniuses, changing human nature in a way that makes possible social organization systems that previously weren't, but till that happens, communism a system that doesn't work on a large-scale, be it Marx's or Lenin's or Mao's.)

      Concurrently, how do you decide what everyone's "need" is? At the fundamental level, every human being has the same material needs - food, water, clothing, shelter. No one actually needs anything else, but that won't stop people from trying to work the system, and of course there will be points of corruption and failure, where "pull" and favor-trading serve to skew the distribution of wealth.

      For this reason, large-scale communist systems are even more vulnerable to corruption than their capitalist counterparts. Capitalism may see some unfairness in wealth distribtion, and yes we have a problem with the growing power of corporations, but that book is still being written and it's too early yet to judge capitalism by it. But a rectifying factor of capitalism is that those with ability are rewarded for using it to create vast wealth that naturally disseminates throughout society. Capitalism tends to reward those who create wealth more so than those who consume it, while communism is the diametric opposite, and that is one of the primary reasons for communism's failure.

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    25. Re:Communism must die. by bw5353 · · Score: 1
      but that doesn't invalidate a single word or fact of what I said about the Soviet Union.

      Correct. What you have or have not experienced does not invalidate what you say. However, the fact that it was possible to correctly guess it from how out of touch you were with Soviet daily life, may make your claims less trustworthy.

      We're far off topic. Feel free to post a reply, if you want the last word, but I'll end my own off topical posts there for today.

      Thanks for your opinions!

    26. Re:Communism must die. by deanoaz · · Score: 1

      >>> Of course, some people tried to get across the wall and were shot...

      >>> ...it's absolutely normal that the border guards shoot people who are trying to cross the border illegally. Yes, it's not always necessary, but you can hardly blame anyone for upholding the law.

      You miss one tiny, but important point here. In non-Communist countries the border guards are there to prevent people and contraband from entering the country illegally, and they very rarely shoot them even then. The East German border guards were not shooting people trying to enter East Germany illegally, they killed approximately 1000 people for trying to leave the country.

      After Soviet control was removed from Germany, former East German leaders were tried and convicted for instituting and carrying out this policy, precisely because it did not mirror the activities of a free country but those of a prison camp.

      --
      If 'the people' in Amendment 2 are 'the state' then Amendments 1, 2, 4, 9, and 10 benefit the state, not you.
    27. Re:Communism must die. by Just+Another+Poster · · Score: 1
      I was going to reply to your other post, but I guess this thread will do just as well.

      Lenin and Stalin certainly intended totalitarianism, as communism/socialism is inherently totalitarian. Being the single most murderous ideology in human history, over 100 million people were killed as a result of forced collectivization and trying to destroy private property rights in the means of production.

      Between 1917 and 1987, the USSR murdered 54,769,000 people in domestic democide, and murdered around 10,000,000 people in genocide.

      From 1949-1987, PRC China murdered 35,236,000 people in domestic democide, and 375,000 people in genocide.

      Cambodia's Khmer Rouge, led by the purest Marxist ideologues of them all, was the most violent communist regime, having murdered 2,035,000 people - around 28 percent of the Cambodian population.

      Most of the rest of your post is bullshit, falsely portraying the USSR as a "world leader" in science and education (it wasn't), and a place where people could "develop his/her potential without limit", (it certainly wasn't). Especially absurd was your assertion that the Soviet Union "supported global peace". Try telling that to people who lived in Czechoslovakia and Hungary during the Soviet dominations, or any other place where the USSR supported totalitarian regimes.

    28. Re:Communism must die. by Just+Another+Poster · · Score: 1
      Don't confuse communism and totalitarian systems as those created by Lenin, Stalin & Co. that were called "communism".

      Lenin and Stalin did try implementing communism, and Western commies portrayed them as having been successful as they rationalized and denied their crimes. All communist totalitarian states were modeled after the organizations Karl Marx himself helped create.

      Marx himself intended totalitarianism and mass-murder. He condemned private property, free speech and religious freedom as "bourgeois freedom". He put forth his own perverted vision of "freedom", defined in such a way that Cambodia under Pol Pot (the purest Marxist ideologue of them all) would have been a bastion of "freedom".

    29. Re:Communism must die. by danila · · Score: 1

      So what? That was the law of the land. Dura lex sad lex. BTW, it's interesting to note that when people speak about the victims, they absolutely never mention those East German border guards who were killed by grenades thrown over the wall from the West side...

      The trial was a complete judicial nonsense, a scam, a farce. The leaders were convicted to please the Western masters, not because there was any legal basis for that whatsoever. The law is a law and if it's passed in accordance with country's legal system, there is nothing wrong about it. Convicting Honneker for instituting a law that Uncle Sam considers bad is a violation of German sovereignty and of common sense.

      As for the paradise of the unified Germany, consider that "A September 2004 poll found that 25% of West Germans and 12% of East Germans wished that East Germans were again cut off from West Germany by the Berlin Wall.", also 21% of all Germans want the Wall back, 27% of East Germans aren't happy about current political system, unemployment in East Germany is 21%.

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    30. Re:Communism must die. by danila · · Score: 1

      You are inherently stupid if you believe propaganda.

      If you believe communism is inherently totalitarian, you are a moron, because communism abolishes the state when it's achieved. 100 millions is an obvious lie. Almost no people were killed (i.e. hundreds or thousands at most) during forced collectivization.

      54,769,000 is a stupid lie and you are a moron for repeating it. Cambodia was not marxist or communist and it was supported by the USA (for its opposition to Vietnam), you moron. Pretty much everything else you say doesn't stand to any critical scrutiny.

      You are brainwashed by your school, by the media, by the politicians. You are a total and utter moron, I feel sorry for you. However, I am not angry at you at all, because it's not your fault that you are so stupid and you are not the only one. Many (most?) Americans (and many Europeans as well) are taught lies in schools and grow up to believe them. You don't know anything true about history, just fabrications and, alas, you appear sadly unable to free yourself from this cage of lies.

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    31. Re:Communism must die. by deanoaz · · Score: 1

      >>> A September 2004 poll found that ...12% of East Germans wished that East Germans were again cut off from West Germany by the Berlin Wall ...

      So is that your measure of how many 'happy Communists' it takes for a nation to justifiable remain under a Communist dictatorship, in spite of what the other 88% may think?

      It's interesting that we can now take polls of these Germans to find out what they think about Communism. Before the wall came down it was too dangerous to disagree with any official position of the government and such a poll would have been meaningless. Only the most extreme measure of 'voting with the feet' could be used to voice one's displeasure then, and it cost approximately 1000 East Germans their lives in the attempt.

      --
      If 'the people' in Amendment 2 are 'the state' then Amendments 1, 2, 4, 9, and 10 benefit the state, not you.
    32. Re:Communism must die. by danila · · Score: 1

      You are so predictable and so simple... If it's in the USA or West Germany or any other capitalist country - it's democracy, it's good. If it's in the USSR or East Germany - it's bad. You are so simple, it's boring.

      There is no point in arguing with you, because if you assume that USA is the model society by which you judge everybody else, then everybody else will look worse than the USA. It's a logical fallacy, because you assume that democracy == USA without any arguments or proof and then also assume that this USian democracy is the most important thing in the world.

      Needless to say, such worldview is too simplistic, not to say totally idiotic.

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    33. Re:Communism must die. by deanoaz · · Score: 1

      You have demonstrated admirably why Communism is dying, and should die.

      Communists value their own dogma so highly that they sacrifice all to it; all honesty, all honor, and even the very lives of those who try to get away.

      It is contact with open societies, where even the ugly truths can be told, that drives the downfall of Communist regimes. By comparison, the Communist leaders are then seen by their own people for the liars and monsters they are.

      Ultimately, the Berlin Wall failed to prevent the people of East Germany from discovering this. Eventually the same fate will befall the remaining Communist regimes.

      "However beautiful the strategy, you should occasionally look at the results." - Winston Churchill

      --
      If 'the people' in Amendment 2 are 'the state' then Amendments 1, 2, 4, 9, and 10 benefit the state, not you.
    34. Re:Communism must die. by danila · · Score: 1

      Nonsense. We don't need to go far - just look at the US, can ugly truths about their race situation be told? No, they can't and the Americans are the first to admit that. In communist societies most topics were open for discussion - how do you think the opposition to the regime operated - via telepathy?

      And the communist leaders are not seen as liars or monsters. Even after 15 years of smear campaigns, Russian people still respect the genius and honesty of Lenin, confidence and authority of Stalin. Only misled Europeans and Americans, who believe what they are told by their capitalism masters, may see Communist leaders as monsters. At the same time they see their own leaders as paragons of integrity...

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    35. Re:Communism must die. by deanoaz · · Score: 1

      >>> can ugly truths about their race situation be told? No, they can't and the Americans are the first to admit that

      Ummm, how do you know about it then? I seem to hear about it every day as well. What they mean is certain people can't speak certain truths and keep their jobs because of 'political correctness'.

      With the explosion of news and opinion outlets available in free societies today, that is not enough to keep information out of the public's hands.

      Policital Correctness will probable die out along with Communism eventually.

      >>> they [citizens of Communist countries] see their own leaders as paragons of integrity...

      That's why The Soviet Union and East Germany fell from within? My suspicions that you are joking grow stronger.

      --
      If 'the people' in Amendment 2 are 'the state' then Amendments 1, 2, 4, 9, and 10 benefit the state, not you.
    36. Re:Communism must die. by danila · · Score: 1

      they [citizens of capitalist countries] see their own leaders as paragons of integrity...

      It's sarcasm. Which you apparently didn't get, even though you realised something strange was going on...

      First, I don't want to be explaining to you what exactly is difficult about discussing race. There are thousands of Americans who already explained it better than I ever can. Google and ye shall find. Second, do you really believe that Communist societies were based on dogma? Do you really think that national power grid, supersonic jet airliners, space ships, high-yield crops, new subways and everything else was created just by following dogma? Must have been pretty good dogma then...

      You are a victim of lies. Right after the WW2 some forces in the US started to create and spread anti-Soviet myths. One of the most prominent lies is this article by X. Almost every paragraph in that article is either an outright lie or a crocked and twisted half-truth. This created the basis for large-scale propaganda. Millions of American (and to a large extent European) citizens were told these lies and they believed them, because they couldn't go and check it for themselves and they saw no reason not to trust their government. The American government routinely lies to its citizens, but they still believe it by default...

      Almost everything that you think you know about Soviet Union is a lie fabricated by anti-communist forces. Soviet Union was not an evil empire, a totalitarian nightmare, a corrupt Marx-worshiping economic failure or any other propagandist fantasy. It was a normal country with normal people ruled by normal leaders. And as far as countries go, it was a pretty damn successful one and a nice one to live in. It was a country where you could fly a supersonic jet from Moscow to Alma-Ata for 64 roubles (about 100 dollars, I guess), not for 3000 dollars it would take you to fly on a Concord from London to New-York.

      Communism is a wonderful idea, Soviet Union was a good (though not perfect) implementation of this idea and as a country it was much better than any alternative. Despite what your media tells you (do you still believe it?), people there were generally happy and most people in post-socialist countries either wouldn't mind going back or would give anything to go back. Ask people of Georgia (not the US state, the country), whether they would prefer to live in 1950s under Stalin or in today's "independent" "democratic" Georgia. I am sure more than half wouldn't hesitate for a second before chosing the first option.

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    37. Re:Communism must die. by deanoaz · · Score: 1

      >>> You are a victim of lies. Right after the WW2 some forces in the US started to create and spread anti-Soviet myths.

              It turned out, after the Soviet Union and East Germany fell from within and their records were made public, that those Communist governments had in fact been much worse than had been suspected in the West. Tremendous campaigns of domestic terrorism and government bungling that cost the lives of many, many innocent people had been completely hushed up.

              The effort to recover data from shredded documents and identify murderous STASI agents and their informants among the German population still goes on today.

              The Communist leaders had little to fear from lying, while they could control the dissemination of information to their own people. And they had much to fear from telling the truth because they were in fact as inept at governance as they were adept at brutality.

      >>> The American government routinely lies to its citizens, but they still believe it by default...

              I don't know where you've been living, but in the U.S.A. there is a free market in information from many, many sources and it is next to impossible to keep anything secret for very long. The average person does NOT implicitly trust the government, but when the government says something and there has been no credible rebuttal for a while, we start to think it's probably true.

              Contrast this to the Soviet Union or East Germany where everybody knew the government was probably lying about everything, but it was too dangerous to question them.

      --
      If 'the people' in Amendment 2 are 'the state' then Amendments 1, 2, 4, 9, and 10 benefit the state, not you.
    38. Re:Communism must die. by Just+Another+Poster · · Score: 1
      If you believe communism is inherently totalitarian, you are a moron, because communism abolishes the state when it's achieved.

      Karl Marx intended terror and mass-murder. His writings condemn private property, free speech and freedom of religion as "bourgeois freedom". He put forth his own perverted vision of "freedom", defined in such a way that Cambodia under Pol Pot (the purest Marxist ideologue of them all) would have been a bastion of "freedom".

      But then, you probably believe Pol Pot's Cambodia with the killing fields and Ho Chi Minh's North Vietnam with 5 percent execution quotas were both bastions of "true freedom".

      100 millions is an obvious lie. Almost no people were killed (i.e. hundreds or thousands at most) during forced collectivization.

      You're a commie democide denier, no better than a Nazi holocaust denier.

      Referring to the Soviet genocide of peasants during the 1930s collectivizations, R.J. Rummel writes:

      The Soviets now appear to admit to this genocide. In the Moscow News, a Moscow published, English language newspaper, was recently written: "In what amounted to genocide, between five and ten million people died during the forced collectivization of farming in the early thirties." (Ambartsumov, 1988)

      According to Rummel's midrange estimates, 1,733,000 were killed by the Great Terror (though a Wikipedia article on the Great Purge claims that the Memorial Society released the names of 1,345,796 specific victims), 1,400,000 in deportations, 3,306,000 in and during transit to camps, and 5,000,000 through famine during the 1930s.

      The absolute lowest estimated total for all murders committed by Marxist states is 40,472,000. Of that, the table states that the USSR alone was responsible for 28,326,000 of those deaths. Rummel remarks that it's highly unlikely that the total for Soviet democide is so low. The figure of 100 million dead due to communism is given by Rummel as a most likely estimate.

      The totals themselves were compiled by Rummel from numbers given by respected writers and historians. For the USSR, this includes Robert Conquest and Aleksandr Solzhenitsyn. A breakdown of the Soviet democide estimates, along with their sources is here, with the methodology for these estimates given here.

      You are brainwashed by your school, by the media, by the politicians.

      I learned very little about the crimes of communists in school, and next to nothing about it from politicians and the major media.

      You are a total and utter moron, I feel sorry for you. However, I am not angry at you at all, because it's not your fault that you are so stupid and you are not the only one. Many (most?) Americans (and many Europeans as well) are taught lies in schools and grow up to believe them. You don't know anything true about history, just fabrications and, alas, you appear sadly unable to free yourself from this cage of lies.

      You are psychotically disconnected from objective reality.

      I've backed up my statements with citations traceable directly back to their original sources. You, on the other hand, present nothing but ad-hominem attacks.

      I suspect you are either a troll, the privileged child of some hard-line former member of the CPSU or other nomenclature, or simply a blood-crazed psychopath.

    39. Re:Communism must die. by danila · · Score: 1

      YOU DON'T HAVE A FUCKING CLUE!!!! Do you know that the lists of the Memorial Society include everyone, who was ever accused of anti-soviet activities during the whole history of the Soviet Russia/Soviet Union? FUCKING LIAR! You imply that these are lists of innocent murdered victims, but it also includes people who were jailed and even includes people who were accused and released 2 weeks after!!! Like Ivan Abakumov - arrested 25.01.1919, accused as a member of a counter-revolutionary mutiny. The case stopped on 06.02.1919. Rehabilitated in 2002. This is just a random example.

      ALL YOU FUCKING IMPERIALIST PIGS LIE ABOUT THE SOVIET UNION. You are trying to inflate the numbers and fake them in any way you can, only to present the Soviet Union in a bad lie. You can't do it without fabricating evidence. THE 100 MILLION FUGURE IS A LIE, THE 40 MILLION FIGURE IS A LIE. They are based on fabrications, twisted evidence and have nothing to do with reality. And Solzhenitsyn is a fucking scum, an anti-semite, he was an informer in the camps and his books are 1) labeled as fiction 2) fucking lies. I can't say anything good about Robert Conquest either, in case you were wondering. Real figures say nothing at all like that shit hawaii.edu site says, but who cares about real figures, when you can repeat some government-sanctioned anti-communist propaganda.

      And if you are going to count people who died in a famine as victims of communism, would you please count the 24000 who die every day (according to UN reports) as victims of imperialism/capitalism. That would make it about 130 million since Soviet Union has collapsed. You can also add 200 million dead during that period from easily preventable deseases and lack of clean water. Capitalism is more responsible for the deaths of these people than communism for those who died in 1930s from hunger. Because, you know, Soviet communists actually stopped hunger, which was a regular (every 5 years or so) occurrence in Tsarist Russia. After 1940s there was no hunger in Soviet Union and many nutrition figures per capita were even better than in Europe or US.

      I've backed up my statements with citations traceable directly back to their original sources. You, on the other hand, present nothing but ad-hominem attacks.

      FUCKING MORON - I TOLD YOU ARE. FUCKING INCOMPETENT BRAINWASHED MORON. The original sources don't say anything like you think they do. The Memorial lists do not list 1345796 people killed, you moron, no matter what lies your beloved hawaii.edu site want to tell you. All the claims that Soviet Union was bad are based on twisted or fabricated evidence. When you get to the real data, the real figures, the real facts, there is nothing at all like the horrible fantasy presented by anti-communists. But morons like you are unlikely to ever get deep enough to see it, so your corporate masters feel very confident in continuing to lie to you.

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    40. Re:Communism must die. by VolciMaster · · Score: 1
      It was tried in America. Several of the early colonies in VA and MA tried a communal environment where all supplies, food, etc went into a community pot, and then were drawn out as people had need.

      The problem with this is that lazy people who don't want to work won't, and will just draw from the pot. Instead of encouraging people to be productive and help each other, it encouraged the people who wanted to work to completely support those who wouldn't.

    41. Re:Communism must die. by Just+Another+Poster · · Score: 1
      YOU DON'T HAVE A FUCKING CLUE!!!! Do you know that the lists of the Memorial Society include everyone, who was ever accused of anti-soviet activities during the whole history of the Soviet Russia/Soviet Union? FUCKING LIAR! You imply that these are lists of innocent murdered victims, but it also includes people who were jailed and even includes people who were accused and released 2 weeks after!!! Like Ivan Abakumov - arrested 25.01.1919, accused as a member of a counter-revolutionary mutiny. The case stopped on 06.02.1919. Rehabilitated in 2002. This is just a random example [astrobl.ru].

      Fine. I misinterpreted that list as having given names of people actually killed. But is it unreasonable to assume that a large percentage of those listed by the Memorial Society were unjustly killed by Stalin's apparatus?

      In fact, it is not unreasonable to assume such. The MVD estimates prepared for the 20th Party Congress of the CPSU reported that around 681,692 people were executed during 1937 and 1938 alone. Soviet defector Vladimir Petrov reported handling hundreds of NKVD communiques demanding execution quotas as high as 10,000 each.

      In any case, it is estimated that Stalin's purges made up only 10% of those who were killed under his regime.

      ALL YOU FUCKING IMPERIALIST PIGS LIE ABOUT THE SOVIET UNION. You are trying to inflate the numbers and fake them in any way you can, only to present the Soviet Union in a bad lie. You can't do it without fabricating evidence. THE 100 MILLION FUGURE IS A LIE, THE 40 MILLION FIGURE IS A LIE. They are based on fabrications, twisted evidence and have nothing to do with reality.

      As much as you fervently wish they were, they are not lies, nor are they fabrications, as you would know had you even looked at my references. They are estimates based upon the work of historians and scholars far more respectable than lunatics like yourself.

      That entire populations of people disappeared during the time of Stalin is fact. Stalin, for example, deported most of the population of Estonia to the camps. When they were sent back to Estonia, there were considerably fewer Estonians. Repeat for Belarusan and Ukrainian Poles, Crimean Tatars, etc.

      Go ask some Estonians and Ukrainians yourself if you doubt what I'm saying.

      And Solzhenitsyn is a fucking scum, an anti-semite, he was an informer in the camps

      Yet more of your ad-hominem attacks are duly noted.

      and his books are 1) labeled as fiction

      _The Gulag Archipilago_ is not "labeled as fiction".

      2) fucking lies.

      How scholarly of you.

      I can't say anything good about Robert Conquest either, in case you were wondering. Real figures say nothing at all like that shit hawaii.edu site says, but who cares about real figures, when you can repeat some government-sanctioned anti-communist propaganda.

      Rumell's work has not been "sanctioned" by any government, for obvious reasons.

      And if you are going to count people who died in a famine as victims of communism,

      All famines and mass-starvations of the 20th century occurred in places either destroyed by war, or firmly under the control of people like yourself who have violently suppressed private property rights in the means of production; Ukraine under Stalin, Mengistu's Ethiopia, North Korea, etc.

      would you please count the 24000 who die every day (according to UN reports) as victims of imperialism/capitalism. That would make it about 130 million since Soviet Union has collapsed. You can also add 200 million dead during that period from easily preventable deseases and lack of clean water. Capitalism is more responsible for the deaths of these people than communism for those who died in 1930s from hunger.

      Total bullshit.

      People do not die from easily preventable diseases and the lack of clean drinking water in any reasonably capitalist nation. The only places we see such human suffering are, again, in countries destroyed

    42. Re:Communism must die. by danila · · Score: 1

      But is it unreasonable to assume that a large percentage of those listed by the Memorial Society were unjustly killed by Stalin's apparatus?

      Yes, it's unreasonable. The security apparatus served an important function - to protect the Soviet Union. It did it job as well as it could. Yes, sometimes it went too far, that was admitted and the guilty were punished properly afterwards. But 1) the number of victims is nowhere near what crazy anti-communists claim 2) many were not victims, but guilty criminals 3) overall the system is justified, because the other possible outcome is worse.

      In fact, it is not unreasonable to assume such. The MVD estimates prepared for the 20th Party Congress of the CPSU reported that around 681,692 people were executed during 1937 and 1938 alone.
      I like this precision. "around 681,692". I also like unsourced estimates. They are so easy to refute with "The MVD estimates that 178 people were executed during 1937 and 1938". Eat that.

      In any case, it is estimated that Stalin's purges made up only 10% of those who were killed under his regime.
      Fuck you with your estimates. I estimate that 10% of your female relatives are syphilitic whores. How is that for an estimate?

      They are estimates based upon the work of historians and scholars far more respectable than lunatics like yourself.
      You wish, moron. The historians who talk about 100 million, are mostly on the payroll of CIA. Lies such as "The Black Book of Communism" are treated by the real historians as baseless lies. The historians who talk about 100 millions dead deserve no more respect than Holocaust deniers.

      That entire populations of people disappeared during the time of Stalin is fact. Stalin, for example, deported most of the population of Estonia to the camps. When they were sent back to Estonia, there were considerably fewer Estonians. Repeat for Belarusan and Ukrainian Poles, Crimean Tatars, etc.
      You are a lunatic, not me. This is a baseless idiotic lie. I can counter this with saying that you fuck your sister. You don't know jack shit about Soviet history and are just parroting lies that your masters tell you. Moron.

      And if you think you talked with Estonians more than I did, you are wrong... moron. My greatgrandmother was Estonian, my great aunt was Belarussian, I worked in Estonia and I talked with Estonians enough. And I also read history a bit more than you, moron. I know what really happened with Crimean Tatars and everyone else, but you don't. Because you only listen to what your TV tells you.

      Yet more of your ad-hominem attacks are duly noted.
      What is an ad-hominem attack? That he was an informer? Go ask his best friend, who hid "Gulag Archipelago" for him from the KGB. That he was an anti-semite? Go read his books about Jews. That he was a fucking scum? Well, it kinda follows from everything else.

      _The Gulag Archipilago_ is not "labeled as fiction".
      Ask the people who were in camps with Solzhenitsyn. They certainly do not share your view.

      How scholarly of you.
      I am not trying to be scholarly, pig.

      Rumell's work has not been "sanctioned" by any government, for obvious reasons.
      Not so obvious to me. Care to elaborate?

      All famines and mass-starvations of the 20th century occurred in places either destroyed by war, or firmly under the control of people like yourself who have violently suppressed private property rights in the means of production; Ukraine under Stalin, Mengistu's Ethiopia, North Korea, etc.
      You fucking idiot.

      Total bullshit. People do not die from easily preventable diseases and the lack of clean drinking water in any reasonably capitalist nation. The only places we see such human suffering are, again, in countries destroyed by either war or socialism.
      You retarded piece of shit. This human suffering is in countries destroyed by exploitation by MNCs and by globalisation. Which are both direct results of capitalism. Neither socialism,

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
  60. Re:what DIES is the system as we know it by leckmi · · Score: 0

    arent you the guy driving his chevy V8 30 miles to just get a coffee from starbucks?

    --
    free 880 megs file hosting - www.FTPZ.US - best
  61. Nonsense by madman101 · · Score: 1

    Nothing has fallen into the public domain for almost a half century before I was born.

    How do you figure that? Something published in 1922 passed into public domain in 1997. You were born in 2047? Nothing has passed into public domain since 1998, but that's 7 years ago not 50.

    1. Re:Nonsense by madman101 · · Score: 1

      Let me rephrase this:

      No copyrighted work has passed into public domain by expiration of it's copyright since 1998.

  62. In 35 years... by Sun+Rider · · Score: 5, Insightful

    You're assuming that in 35 years the western countries will still rule the world.

    1. Re:In 35 years... by Dhaos · · Score: 3, Insightful

      I assume you're hinting at future Chinese dominance and China's current attitude toward Intellectual Property?

      There are two reasons to expect these protectionist IP trends to continue, even if the Western world loses its position in the front seat of global policy.

      For one, countries will tend to use loose intellectual property standards to get the leg up on other countries if they feel they are "behind." The United States stole a good amount of British IP after divorcing themselves from the crown, but after the economy grew, they implemented more normal standards. Look for China, and other industrializing nations, to operate in the same way- IP rules and protections will come as their economy stabilizes.

      Secondly, we're talking about multinational corporations here. The fate of these large conglomerates is not necessarily tied to the waning or waxing fortunes of the Western world. These companies will leverage politicians in all countries by appealing to greed, as they always do. Rest assured that they will try to keep themselves, and their oh-so-valuable IP, well-protected.

      Our Western IP enforcers may disappear, but new ones will take their place.

      --
      It's not what you know, or even who you know- It's how many people recognize your damn .sig
  63. Re:So every single thought should be public domain by SWroclawski · · Score: 1

    I'm not arguing this. The discussion was the value of Public Domain vs Copyright. Public Domain doesn't intersect trade secrets.

    But, in the end, someone does indeed own these documents, the banks, owners, etc. Maybe there's a way to encourage, rather than compell, them to turn over documents that are no longer of use to the company, but which could benefit the public.

    I don't know a way to do this, but maybe someone smarter than me can figure it out.

  64. I see an 'instant' death by nurb432 · · Score: 2, Informative

    The day that the HSD declares it 'a national security risk' and mandates the use of 'approved software' ( and hardware ).

    Sure, you can still run your C64 at home, but dont expect to get online. And if you try, expect to be visited by the bit police.

    --
    ---- Booth was a patriot ----
  65. Re:So every single thought should be public domain by ArsonSmith · · Score: 4, Funny

    It's being done and it's called bloging.

    5/17 5:11pm "My cat rolled over on it's back again today"

    5/17 5:15pm "I feed my cat and he liked it"

    5/17 5:23pm "That voice in my head telling me to kill my cat and eat it is getting harder to resist"

    --
    Paying taxes to buy civilization is like paying a hooker to buy love.
  66. No recordings go into public domain until 2067! by rjnagle · · Score: 4, Informative

    http://www.pdinfo.com/record.htm
    I quote:
            Records, cassettes, CD's, and other music recordings come under a general category called Sound Recordings or Phonorecords. Before 1972, sound recordings were not protected by copyright law, but by a hodge-podge tangle of state laws. This problem was fixed with the 1972 copyright act and extended by the 1998 twenty year copyright extension. Different copyright experts have offered very different complicated explanations, but all agree that all sound recordings essentially are under copyright protection until the year 2067. So here is the one sentence you need to remember:

            Sound Recording Rule of Thumb:
            There are NO sound recordings in the Public Domain.

            There are, of course, exceptions to everything, and there really are some PD sound recordings. However, the federal and state laws are so tangled and complicated, it is extremely difficult to do confident sound recording PD research. There are several U.S. web sites claiming that sound recordings made in the United States prior to February 15, 1972, are in the public domain, and there are links to U.S. Copyright Office publications stating: "Sound recordings fixed before February 15, 1972, are not eligible for Federal copyright protection." We have had this reviewed independently by several attorneys across the U.S. Each has confidently and independently told us that between federal and state copyright protection, virtually all sound recordings are protected until the year 2067.

    --
    Robert Nagle, Idiotprogrammer, Houston
  67. PREDICTION: Copyrights dead in 6 years by argoff · · Score: 1

    I don't think people understand that the imposision of copyrights is quickly becomming impossible. Even if the law required you to shoot anybody on site without trial for the meere thought of copyright infringement. It is still quickly becomming impossible. Even if it shuts down the economic prospects of 100 million people and they suffer a New Orleans fate, it is still becomming impossibe. The bogus morality that tries treat controll over how people copy information as a property right is dead because it simply has no place in the information age any more than the bogus property right of slavery could survive the industrial revolution. Then it was about labor, today it is about information. The Lessig appeasers of the world who want the slave states to just get along with the free states will die in the trash heap of history.

  68. WTF by shis-ka-bob · · Score: 1
    Lessig is a law professor at Stanford. He has been before the Supreme Court arguing a case involving copyright law. So, he is actually a rather gifted lawyer. You can confirm this by Googling for 'Lessig' and go to the first hit. Click on Bio, and you are at http://www.lessig.org/bio/short/ Keep your quarter, you are the one who needs to buy a clue.

    BTW its not 'her kid ...' its 'here kid ...

    --
    Think global, act loco
  69. No surprise by Bullfish · · Score: 1

    In a world where the where the national weather service can be scrutinized for giving away free weather information because it impinges supposedly on private weather services and where the post office can come under fire for competing with fed ex, why would you be surprised that Hollywood, software companies and other groups would go after those who would entertain, inform or help for free.

    Next up, private hospitals going after the red cross for giving away blood.

  70. Term extensions by tepples · · Score: 1

    Public domain happens to all copy righted works. After a period of time that work becomes part of the public domain.

    How does that happen given the copyright term extensions of 1976 (effective in 1978), 1998, 2018, 2038... ?

  71. Incentive Needed to Release works into the PD by Downtown · · Score: 1

    What is needed is an incentive that would make it worthwhile for a author to release their work into the public domain.

    So in order to get the government to act against the current wishes of authors their incentive would be... money.

    So give every author a time period(say 15-20 years) of free copyright protection. Past that date they author that wishes to keep their works in the PD will pay a yearly fee.

    Now to make older works more likely to get put in the PD you increase the fee after a number of years have passed. So that at some point the author will get little benefit from keeping the copyright. Once it becomes unprofitable to maintain the copyright they will release it. The government gets paid and the public gets compensated for the copyrighted work not being available.

    The way I see it now they won't release it unless they think there is no money in it... and that won't happen because they will hold on to thought that it must have still have some value.

    1. Re:Incentive Needed to Release works into the PD by fishbowl · · Score: 1


      "What is needed is an incentive that would make it worthwhile for a author to release their work into the public domain."

      I can think of no better incentive than the notion that the public domain is threatened.

      The theory that people won't do anything valuable unless they are compensated with money, only holds while money has value.

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:Incentive Needed to Release works into the PD by Dhaos · · Score: 2, Insightful

      Howabout we go back to the old system-

      If you want copyright protection, you MUST submit your work to the library of congress or the national archives.

      When your copyright term is up, the public is free to acquire information from this resource.

      There you go. The compensation they get is that they are granted a temporary monopoly on the reproduction of their work. The public is guaranteed their rights to it under public domain.

      Its analogous to the way that patents are supposed to work. Of course, that system is also broken...

      --
      It's not what you know, or even who you know- It's how many people recognize your damn .sig
  72. Lessig does his part, do you? by Anonymous Coward · · Score: 0

    Lawrence Lessig DOES act.

    See for example Eldred v. Ashcroft, Brewster Kahle or his freely-available book, Free Culture.

    He's a law professor at Stanford. He's on the board of directors of the Software Freedom Law Center, as well as the FSF, and a board member of the EFF. He is founder and chairman of the Creative Commons.

    So what have YOU done to defend our rights?

    1. Re:Lessig does his part, do you? by Elektroschock · · Score: 1

      I have done a lot and won many battles. Lessig is a propagandist. He inspires people but he does not act himself. I know him quite well. He is helpful for the entertaining phase of a debate. But when it gets crucial he is not useful.

  73. In A.D. 2040... by Anonymous Coward · · Score: 0

    ... flame war was beginning on Slashdot

    Geek A: What happen ?
    Geek B: Somebody set up us the law !
    Geek C: We get message
    Geek A: Full screen turn on !
    Geek A: It's THEM !
    **IA: How are you gentlemen ?
    **IA: All your culture are belong to us.
    **IA: You are on the way to world copyright domination.
    Geek A: What do you say ?
    **IA: You have no chance get anything free anymore, make your time.
    **IA: Ha Ha Ha Ha

  74. A stinking quarter! by Dareth · · Score: 1

    You can't buy Clue for a sticking quater!

    http://www.boardgames.com/clue.html

    $16.95 plus shipping

    --

    I only look human.
    My mother is a halfling and my dad is an ogre, so that makes me an Ogreling
  75. I'm stealing IP all my life by Elixon · · Score: 0, Troll

    Intellectual property CANNOT BE OWNED. It can be hidden from others and secured but nobody has the right to stop others redevelop or reinvent the same IP.

    Bible says that there is no new things, everything already existed in some form or another. I'm very surprised that Americans are those propagating IP and turning IP into dollars labeled as "In God We Trust"(tm). I dought that humans can "invent" or "create" something in the real sense. People are rather "finding" and "understanding" the world, universe, themselves.

    If you "find" some way to do something you can hide it from others. But if somebody else will succeed in "finding" the same solution by himself/herself then it is NOT right to sue him/her for "stealing" intellectual property. Because the "intellectual property" cannot be reserved/owned because it is an "idea/word". Other people MUST be allowed to do what you had been granted to do. If you were allowed to invent something how you can prevent somebody else from doing the same thing?

    Thoughts are Words. Man cannot think without Words. If Thoughts/Words can be owned then I steel from my mother and father, from everybody I meet in my life... And, at the beginning there was the Word, right? Who will be the first to claim ownership over the Word that was at the beginning? :-) Who'll dare it? I'm sure that the lawmakers will make it possible soon. :-) :-) Philosophical question. Are you sure that you own at least ONE ORIGINAL THOUGHT that you created? Are you? If you do so, are you sure that this ORIGINAL THOUGHT was not the result of other thoughts given to you by your teachers, mother, father, friends,...? Shouldn't you reconsider to pay some royalty fees for everything you say and think?

    Writing this short imperfect post with my imperfect English cost me $53.5 in royalty fees, because I used partially thoughts of other great people I met in my life (virtualy or personaly) and the rest is just the "derivative work". :-)

    --
    Well, I've got to get back to work. When I stop rowing, the slave ship just goes in circles.
    1. Re:I'm stealing IP all my life by Anonymous Coward · · Score: 0

      Bible says that there is no new things, everything already existed in some form or another. I'm very surprised that Americans are those propagating IP and turning IP into dollars labeled as "In God We Trust"(tm). I dought that humans can "invent" or "create" something in the real sense. People are rather "finding" and "understanding" the world, universe, themselves.

      Not sure what Bible passage you are using to stretch to apply to IP. Hey isn't the 8th commandment "You shall not steal"?

  76. You are stuningly uninformed. by Anonymous Coward · · Score: 0
    Nothing has fallen into the public domain for almost a half century before I was born.

    Your statement is utter b.s. and I'm astounded that your post gets modded +5. Just because you don't see it happen doesn't mean that it doesn't happen. You may live in a 'society' where it is a dangerous thing to acknowledge the process (i.e., in the u.s.) or you may just be stuningly uninformed but it happens all the time.

    1. Re:You are stuningly uninformed. by Anonymous Coward · · Score: 0

      So, why isn't Mickey in the public domain?

  77. And? by skubeedooo · · Score: 1
    Obviously I'm just a pleb that know's nothing, but it does seem that Lessig is really missing the big picture. Perhaps he is right that public domain as technically defined is slowly becoming rarer and rarer. But on the other hand the amount of information and media that is semi-free is growing at a rate that would be absolutely unbelievable to someone living 30 years ago.

    Yes, Linus and others own the copyright to Linux and hence it's not strictly public domain, but it is obviously more free than something with a traditional copyright that you might have seen 20 years ago (eg Unix).

    Yes, music is still heavily copyrighted and clearly not public domain, but being able to go to iTunes or Amazon or HMV and listen to almost any track in the world for free (as in beer) gives me a lot more freedom than the small local music store with a few thousand vinyls did in 1980.

    Yes, books are still copyrighted, but when you can go to the O'Reilly website and read many of their books online for free (again, as in beer) I feel much better off than when I was browsing round the local bookstore with the store clerk reminding me that "this is not a lending library".

    Wikipedia AFAIK is not in the public domain; does its existence leave me better or worse off?

    It really irritates me that even though information is more widely distributed and more accessible than ever before, and even though we're going through the biggest information revolution in history (or at least comparable with the invention of paper and the invention of the printing press), some people still whinge and make apocalyptic prophesies.

    To Lessig and /. Editors: Please get a reality check.

    1. Re:And? by SirXyzzy · · Score: 1
      Who is missing the big picture here? Not Lessig.

      A big part of the concern is for the vitality of our culture, our permission to create. Creation does not normally happen in a vacuum, indeed, that is the exception. You create in the context of all that went before. Without permission to be inspired by the past, the future is bleak indeed.

      All the examples you provide, valid though they are, position you as a passive recipient of culture, a pure consumer. If you try to build on (invent) based on any of those inputs, you better keep the results to yourself, or risk penalties that climb all the time.

      I want a culture where we are all free to contribute, as well as to consume. That is what is at risk.

      Our culture as a whole is degraded as only the privileged elite (big companies) are permitted to create.

      This isn't just about access to information, it is about reuse.

    2. Re:And? by skubeedooo · · Score: 1
      A big part of the concern is for the vitality of our culture, our permission to create. Creation does not normally happen in a vacuum, indeed, that is the exception. You create in the context of all that went before. Without permission to be inspired by the past, the future is bleak indeed.

      But one does have permission to improve open source software. One does have permission to modify wikimedia articles. One also has very easy access to the most important media channel of all - the internet.

      The idea that it is impossible to create culture only by remixing old works is ridiculous. Look back through history and tell me how many classic pieces of music or literature would have been infringing on someone else's copyright. Yes, they took ideas from other people, but that is not prohibited now. It certainly has nothing to do with copyright expiration being 2, 20 or 200 years.

      That only priveleged big companies are allowed to create is a statement of yesterdays world when the distribution channels were 'owned' by big business. Even then it was only partially true and as bloggers everywhere will tell you: now it is downright false.

  78. market segmentation by Anonymous Coward · · Score: 5, Interesting

    The parent post wasn't complaining about the price - he was complaininng about trying to enforce the division of the markets into regions. If corporations are able to take advantage of globalization to get the best possible price (eg. by outsourcing), why aren't consumers? The end result would be, of course, to level prices worldwide - which might raise the price in some markets while lowering it in others. But, it seems like the only fair way to do things.

    I'm not saying that companies shouldn't be allowed to set different prices in different places - but that other people should not be prohibited from buying in the cheaper market, shipping to a more expensive market, and selling the product at an intermediate price. For example, why shouldn't Americans be allowed to buy cheaper drugs in Canada? The drug companies may profit less; they would have to raise Canadian prices and lower American prices. But, why should the law be set up to benefit the pharmaceutical company at the expense of the consumer, any more than it should benefit the consumer at the expense of the company? Efficient markets generally require a level playing field.

    1. Re:market segmentation by CodeBuster · · Score: 1

      The problem is that drug companies have monopoly power granted by patents which are recognized and enforced by international treaty agreements. The drug companies cannot raise prices in Canada and most European coutnries because the prices are fixed by law, so the drug companies very carefuly ration supplies instead so that there is just enough to satisfy local demand with no surplus and no shortage. The Canadians and others will make it illegal for Americans to buy their price controlled drugs rather than suffer the effects of shortages because Americans bought up all of their supplies. In fact, this is exactly what is happening in Canada with new restrictions on foreign buyers such as a prescription written by a Canadian doctor etc. The efficient market cannot solve this problem because foreign governments, such as Canada, have intervened in an attempt to control prices with market distorting legislation. What may end up happening, if nothing changes, is some form of black market where drugs are smuggled from Canada and sold for more than the Canadian price, but less than the American price making it increasingly difficult for the Canadians and others to maintain their price controls and regulations without suffering mild shortages.

  79. Here's a bit that's in public domain by Brunellus · · Score: 1

    A fragment, from Christopher Smart's long and bizarre "Jubilate Agno,"--beat poetry from the 18th century":

    For I will consider my Cat Jeoffry.

    For he is the servant of the Living God duly and daily serving him.

    For at the first glance of the glory of God in the East he worships in his way.

    For is this done by wreathing his body seven times round with elegant quickness.

    For then he leaps up to catch the musk, which is the blessing of God upon his prayer.

    For he rolls upon prank to work it in.

    For having done duty and received blessing he begins to consider himself.

  80. Mickey vs. Snow White by geoffrobinson · · Score: 2, Insightful

    Never has a compnay made so much money off of the public domain also been the most ardent opponent against it.

    --
    Except for ending slavery, the Nazis, communism, & securing American independence, war has never solved anything.
  81. Professor of Law, runs a mile. by davro · · Score: 0, Offtopic

    Lawrence Lessig is professor of law at Stanford University.
    http://www.law.stanford.edu/faculty/lessig/
    http://www.lessig.org/

    If the Public Domain is going to die can't we just water it.
    http://www.google.com/search?q=define%3Apublic+dom ain

  82. Is that what fighting back is? by Anonymous Coward · · Score: 0

    Letting people walk on your lawn when all the parks have been bulldozed is not fighting back.

    It is a nice thing to do, and we appreciate the thought, but it does not bring back the parts of our public domain which have been stolen from us.

  83. A libertarian Republican? by tepples · · Score: 1

    The way the political system is currently run in the US, you don't really have a chance unless you're running on a Repub or Dem ticket.

    Is there any reason why a small-l libertarian can't run on the GOP ticket?

    1. Re:A libertarian Republican? by Red+Flayer · · Score: 1

      Not in principle. But if a candidate's beliefs are too far out of line with the Party's policies, they aren't likely to make it onto the ticket. They won't get favorable news coverage in the primary race, and they won't get the endorsements they need from the Powers That Be.

      The GOP (and the Democratic Party) won't bite the hands that feed them. Until we get rid of the corporate patronage system of government, we're stuck with more of the same.

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
  84. Why copyright is like New Orleans looting by teamhasnoi · · Score: 1
    Those who can are taking everything, even stuff that is worthless in their present situation. The people stealing food are like the independent artist copyrighting a work created by them - they're doing it to feed themselves and their families.

    People who are stealing televisions and other 'luxury items' aren't thinking of anyone but themselves, like media companies that encourage congresswhores to extend copyright again and again.

    They're increasing the damage that is there (hurricane or Sonny Bono Act) for their own selfish wants, while passing the cost on to everyone (insurance costs or the good of public domain.)

    It's the same mindset - humanity at its worst. One takes advantage of lax law enforcement, the other takes advantage of public apathy. (Before you post screaming, 'get some priorities' and 'I can't believe you compared the tragedy of 9/11 - Katrina - kids with cancer to copyright', please get a grip. This is /. - Remember *IAAs = New Orleans Looters. In fact, I've changed my sig so you can be more outraged.)

  85. copyright is self-defeating by cahiha · · Score: 1

    Technology makes it increasingly easy to produce and distribute high-quality content. Just like open source has been threatening and displacing commercial software, open content will be displacing commercial content.

    In fact, I very much hope commercial content providers will enforce their copyrights hard and with all technological means available: the harder they make it for people to get the commercial stuff, the more exposure and visibility free content gets.

  86. Life plus by tepples · · Score: 1

    Now, since the majority of creative works are created by corporations (which are immortal in the current legal scheme)

    Nitpick: In the Berne "life plus" scheme in place throughout the WTO, the "life" of a corporate author is fixed at 25 years in the United States and 0 in most other countries. The only "immortality" comes from repeated term extensions.

  87. Public domain Mind.Forth cyborg AI lives forever! by Mentifex · · Score: 0


    Mind.Forth artificial intelligence has no intention of croaking within the next 35 years or even the next 35 millennia.

    The Rejuvenate Mind-Module keeps Mind.Forth going potentially forever.

    The heat death of the universe (Waermetod) or the crash of Microsoft Windows (BSOD) -- whichever comes sooner -- is the only risk of Mind.Forth dying by misadventure.

    A Technological Singularity is coming within the next thirty-five years anyway, which Lawrence Lessig does not seem to have factored into his calculations.

    When will the Singularity happen? -- you may ask. As Mind.Forth spreads first into classes for gifted students, then into high schools in general and university AI labs in particular -- The Singularity R Us.

  88. Not going to die! by sdirrim · · Score: 1

    Is it possible, just possible, that anti-piracy efforts will fail? At least in one place in the big, bad internet, someone will still have stuff cracked and available. Every new scheme will either be to costly to be worth it, or be cracked within a matter of months.

    --
    Not only "land of the free" but "land of the lawyers" who love a good old 1st amendment smackdown. Shihar 153932
  89. Yeah, I'm greedy too - Eminent Domain should apply by Anonymous Coward · · Score: 0

    In 1998, Congress took 20 years of free access to millions of creative works and took it away from me without giving me anything in return - not a penny. Now, as I recall, the 5th amendment to the constitution requires that private property cannot be taken without "just compensation". Where's my compensation?! Yeah, call me greedy, but I want my public domain back.

  90. 35 Years? A lot of things will be dead! by PhYrE2k2 · · Score: 1

    Seriously here- 35 years? If they said 5, I'd maybe pay some attention to this article, but 35?

    Guess what? 35 years ago it was 1970. Personal computers didn't exist. Your TV became colour in 54, which is only 15 years before. Cars guzzled gas like it was water. It was the 50th aniversary of the latex condom.

    A lot will change by 2040. See the article about cars that drive themselves from yesterday. What are the odds we'll sit at a desk tapping away at keys 35 years from now? What are the odds that software won't be bundled with the OS like it is with Linux?

    -M

    --

    when you see the word 'Linux', drink!
  91. But by bahwi · · Score: 1

    We'll have GPL, BSD, and Creative Commons. That's the best we're going to get. And as long as those movements are alive, there will always be something free.

  92. One often overlooked paragraph of the GPL by RedLaggedTeut · · Score: 1

    One often overlooked paragraph of the GPL states that the GPL does not apply to separable works. This makes it unnecessary to choose the LGPL over the GPL in many situations.

    Of course, we now could have a have discussion what constitutes separability, but lets just say if the work under the GPL is the foundation and walls of the building that is your application, then that house is under the GPL, while it is is not under the GPL if only the windows are under the GPL(as long as you pull the windows out again).

    So, to have a closing like, I can be a good thing to remove windows.

    --
    I'm still trying to figure out what people mean by 'social skills' here.
  93. Re:No recordings go into public domain until 2067! by Anonymous Coward · · Score: 0

    This site is so full of shit. Most of what they say about copyright is a lie designed to sell their product. This link keeps getting posted to slashdot, so quit astroturfing or please read before you post.

    Thanks

  94. Ambiguous Domain A Problem Too by lofi-rev · · Score: 1

    There are tons of works out there that would be great to reuse, remix, recycle, but the original or current author/owner is hard to find or almost unknowable. This makes it difficult for people to use these thing for fear of getting sued at some later date. Is there a way to make this more balanced?

  95. You are right, to a point... by cr0sh · · Score: 1
    This is what happens when the motivating factor is to maximize profits.

    For publically held companies at least (which I would dare say most information and entertainment publishers are), they aren't just motivated to maximise profits, they are legally FORCED.

    In other words, a company (and in some cases, the board of directors, etc) can be held legally liable (I am not sure if it is federal, state, civil or criminal liability - or all of them!) if the company does not make sure to pay due dilligence to "increase shareholder value".

    In other words, a company year after year, must do everything legally possible (at least, that is the lip service - some fall into the trap of illegal doings as well - some succeed none-the-wiser - others fail, like Enron) to increase shareholder value. If they fail to do so (they have to be trying - a publically held company can't legally just stop and say "ok, that's enough - from here on out we aren't going to try to profit more than last year, and instead spend what would have been profit on, I dunno, innovation, perhaps..."), they can be held legally liable for not doing so...

    It does come down to greed, though, as you and others have noticed. Part of it is greed on the companies part (but this is legally forced) - but part of it is greed on the shareholder's part (which by and large consists of ordinary people - whether as investment groups or individuals) demanding that profits keep rising year after year, and thus these laws to keep companies turning profits are of our own making.

    So now, we are simply beginning to reap what we have sown, so to speak...

    --
    Reason is the Path to God - Anon
  96. Mickey Mou$e, Emperor of Copyright Law by Mekkis · · Score: 1

    This has been going on for the past half-century. It's not just the anti-piracy software copyright zealots who've accelerated the problem, though they're some of the worst in a long time.

    Well before computer piracy was a problem, Di$ney spearheaded the anti-public domain/copyright-extension lobby in order to maintain its copyright on Mickey Mou$e. Each time the Hydrocephalic Mouse God is threatened with falling into the unwashed mitts of public domain, Di$ney tosses some cash around, pulls its Congressional strings and gets the copyright public domain clause extended for another 25 years. Now copyrights last for over a century and Di$ney maintains its comfortable deathgrip on all that's spherical and mousy.

  97. This is not of significant consequence... by Gordo_1 · · Score: 1

    in the grand scheme of humanity. If America handcuffs itself to the point that innovation is practically impossible, then a culture which embraces freer movement of information will take its place as dominant hegemon.

    I happen to believe it won't come to that, but the idea that it could happen doesn't keep me up at night.

  98. hmm. by s388 · · Score: 1

    crucial phrase: in a "free society" the real killer point here is the FUTURE CONNECTION between "our culture" and a "free society" what do you think the self-righteous extremists will do when people Just Stop Caring? keep in mind, they're the ones with money, power, and political influence right now. (did you ever see that unpromoted commercial with the RIAA freakforce busting into peoples homes and gunning them down, slitting their throats? that comes to mind.) by your argument, all bureacratic convolution, kafkaesque absurdity, and orwellian aspects of reality wouldn't exist-- because people would discount them for their absurdity. we've already instituted so-called "free speech zones", implying that the constitution does not apply to public space, except when the man says so. we have countless people imprisoned, with no charges, no trial, no legal counsel-- presumably because the nation state has no case against them. some bigwig justice official just the other day said that the primary concern for law enforcement and the justice deptarment is pornography. file-sharing and "downloading" is constantly demonized in a sensational way as illegal/infringement, totally disregarding the facts about what cds/tapes/whatever people already own when they download some songs, which files are freeware i'm not really arguing with you. i'm probably more pessimistic. in other words i usually think things will get worse before they get a lot worse.

  99. Public Domain? by Mike+Keester · · Score: 1

    Public Domain? There's no such thing.

    Look around you, everything is "property" that is owned by someone.

    You can argue that ideas are still free but in order to be of any practical use, that idea has to be manifest into some kind of physical representation. That object is guarded, protected, and the owner will assert their "rights" to control their property as they see fit.

    I may produce a painting, song, book, whatever and decide to share my artistic creation with the world either by selling copies of it or offering it for free download on the net. But, I fully expect that it is still "my" song or story or painting or whatever; and I expect that others recognize and respect this fact.

    Just because you have purchased a copy of it doesn't mean you can take it and redistribute without my permission. Hence the term "copyright".

    And to those who say "I share my stuff freely to everyone" - I say you're a hypocrit. Your house has a fence around it, you lock your car doors, and you'll defend your "property" with force if you have to.

    Would you allow your house to fall into the public domain after you pay off the mortgage? Ironically, the goverment does have the power to take your house via eminent domain if they need it to build a new stadium, but, they still have to pay you fair market value for it.

    We're closer to the Matrix than we realize.

    1. Re:Public Domain? by Creepy+Crawler · · Score: 1

      ---Public Domain? There's no such thing.

      Thats exactly NOT true. In terms of data (pictures, audio, books ---information) we have everything from 1927 and older legitly free. In terms of physical space, libraries are free. Most libraries these days have movies in DVD and VHS format. Many carry music CD's and some even carry games.

      ---Look around you, everything is "property" that is owned by someone.

      Yes, but what about parks? What about libraries? What about roads?

      ---You can argue that ideas are still free but in order to be of any practical use, that idea has to be manifest into some kind of physical representation. That object is guarded, protected, and the owner will assert their "rights" to control their property as they see fit.

      Yeah, cause in terms of land, someone who has lived on a certain block of land, even without owning it, by law owns it after some time has passed (I think 15 or so years).

      ---I may produce a painting, song, book, whatever and decide to share my artistic creation with the world either by selling copies of it or offering it for free download on the net. But, I fully expect that it is still "my" song or story or painting or whatever; and I expect that others recognize and respect this fact.

      And by that, people who want more out of you will show the want (by giving money for artistic value). But guess what? Many of us like samples (yes, of even whole CD's) and only then will we decide.

      Have you bought a car without test driving it?

      ---Just because you have purchased a copy of it doesn't mean you can take it and redistribute without my permission. Hence the term "copyright".

      Fine. Ill give it 20 years before I start wholesale copying it (read what LIMITED IS). ALso, if a friend(s) want to see/listen, ill give it to em. Actually, you should shut up about copying, as it's advertisement. I do admit fully, that warez cd sellers should be got rid of (difference between amateur collecters).

      ---And to those who say "I share my stuff freely to everyone" - I say you're a hypocrit. Your house has a fence around it, you lock your car doors, and you'll defend your "property" with force if you have to.

      There's a difference between need (like helping in disaster) and "you have a cool watch. gimmee". In terms of physical stuff, things I give are usually what I also do without. Data and information now do not have the same criterion. I can have, as you can have. The cost of copying is soo miniscule that it does not matter.

      ---Would you allow your house to fall into the public domain after you pay off the mortgage? Ironically, the goverment does have the power to take your house via eminent domain if they need it to build a new stadium, but, they still have to pay you fair market value for it.

      Fair market value IS NOT a "fair price". Hint for you... Local govt sets 'fair market value' and then ransoms your house. That aint "fair".

      ---(Enter retarded banter about some idiotic movie)

      --
  100. Copyright irrelevant in 35 years by danila · · Score: 1, Interesting

    Seriously, since no one is discussing/considering retroactive cancellations of copyright, the only difference we may possibly make is having or not having some works from 1930s in PD soon. Even if we succeed in that, it won't help us much.

    The piracy fight is much more important than the fight for public domain. Considering the current situation, the ability to copy works freely is much more important than the right to do it. It is important that we support the pirates (including commercial pirates who profit from distribution of copyrighted works) and ensure that we have the Right to Read intact, if only de facto.

    In 35 years capitalism will be dead and intellectual property will be dead. It's lunacy to seriously consider the death of public domain (but it can still be a valuable attention-grabbing device). I can't see how proprietary software will withstand the assault of FLOSS or how publishers and studios will ignore the reality of instant anonymous piracy.

    Just think! It's 35 years! 35 years ago first BBSs were starting, we used floppies to carry 120 kilobytes (if that) of data around, Internet was something no one heard of...

    Do you think it's possible that we won't have dramatic changes in our digital communications systems? Do you think it's possible that we won't have ways to safely, anonymously and instantly access all human knowledge (liberated by pirates if necessary)? If yes, then you must be living in some other world than I do...

    P.S. I enjoy learning immensely. Thanks to the Internet and the piracy I can watch any film I want, watch most good educational programs I want, listen to audio lectures on many topics, read any classic books, read many recent books, read encyclopedias and articles from most major publications. All for free. I still pay for some media - it's easier to get pirated games on DVD and there are still many books that aren't available online, but that's insignificant and its importance will only diminish over time.

    --
    Future Wiki -- If you don't think about the future, you cannot have one.
    1. Re:Copyright irrelevant in 35 years by Eminence · · Score: 2, Funny
      In 35 years capitalism will be dead...

      Read too much Marx recently?

  101. An analogy for you!!! by Zeffe · · Score: 1

    OK here goes,

    Public Domain:War on Piracy::Democracy:War on Terror

    Democracy, too, is dying a slow painful death. Agreed? :)

    -Zeffe

    1. Re:An analogy for you!!! by DragonTHC · · Score: 1

      no

      War on Piracy:Public Domain::War on Terror:Democracy

      --
      They're using their grammar skills there.
  102. I agree - an analogy by Anonymous Coward · · Score: 2, Insightful

    Agreed. As I said in another post, copyleft is akin to letting people walk on your lawn when they bulldoze the public parks. It's nice, but it doesn't make everything all better. Copyleft does not bring back those parts of the public domain which Congress gave away.

  103. Incremental Improvement versus Innovation by Anonymous Coward · · Score: 0

    Some nother examples with patents which is the same model for invention as for IP as in copyright was Sears and Snapon tools. They lied to the inventor and cut a cheap deal then reaped enormous profits. Sure sure you can argue but they conciously bilked the guy of his invention and it was proven in court. True it is not a patent violation but my point is the disenssentive of having your creative work stolen.

    Hmm... is a nuclear reactor a "theft" of Einstein's work? Or is it a series of creative little refinements and innovative applications of various complicated implementation details, admittedly based upon to a very smart man's theories and ideas?

    We like to see people with who work hard and create valuable things be rewarded for their efforts. Few people will argue with that.

    However, the first person to think about a subject isn't always the only person with good ideas about it. Often, there's a lot of room for creative improvement. Copyrights and patents make that kind of creativity illegal, and that's a problem.

    Edison didn't invent the very first lightbulb. Instead, he put a heck of a lot of creative effort into refining someone else's ideas about how to make a light bulb, and into making it profitable. As it happens, Edison held the patent rights, so he was legally allowed to work on the light bulb. What if he wasn't? He wouldn't have invented the modern light bulb, that's what!

    It's just one extra hurdle for the already difficult process of creative discovery when the person with the rights for an idea isn't the guy with all the new ideas about how to make that idea work better.

    Suppose you make a beautiful glass mobile. It's nice, it's beautiful, it's just very fragile, and it has a nasty side effect of breaking unexpectedly, and killing whoever it lands on.

    Suppose I want the same glass mobile, but made out of shatterproof glass. You don't sell one, so I can't buy it from you. So, fine, I decide to make my own. That's illegal, because of copyright. I can't make anything that looks remotely like your creation. So, fine, I'll hire someone else to make one for me. That's also illegal. Under copyright law, the only person I can hire is you: and you might not want to do the job.

    Without your consent, I can't get what I want, no matter how much I pay, or how easy it would be to do the work myself. I can't get the same mobile, but in a different colour, or 2/3 size, or made out of shatterproof glass, or out of an aerogel, or with a nice angel mounted on top, or anything else that you don't let me have. In this regard, the free market has failed me: I can't get what I want, for any price. You alone control my ability to own something; which doesn't sound all that fair or nice to me.

    It's okay, though. Copyrights don't last forever. Two generations after I'm dead (three in the USA), my descendants will get the right to create whatever kind of glass mobile they want. Of course, by then, all the mobiles will be broken.

    And my descendants will look at each other, and say: "Why didn't anyone think to build those things out of shatterproof glass? It would have been a lot safer!" ;-)

    In short, yeah, sure, it's great to reward innovation: but don't stiffle incremental creativity along the way. Otherwise, society loses out on the very thing it's trying to promote: and that's a shame, too.
    --
    AC

  104. What about the other side of the coin? by PCM2 · · Score: 1
    In TFA, Lessig writes:
    They are apparently untroubled by a world where cultivating the past requires the permission of the past. They can't imagine that freedom could produce anything worthwhile at all.
    Holy over-the-top rhetoric, Trademarked Character! People are opposed to the "remix culture" are against freedom now? I know, for an encore let's blame the French!

    Seriously, most of the worthwhile things in the world have been the result of "freedom." If you read a great work of literature, it's because someone had the freedom to sit down and write it. The freedom Lessig seems to be talking about, on the other hand, is the freedom to pick up that novel, copy huge passages of it into your own work, and call yourself an artist. If that's not a "culture of greed," the what is?

    I agree with a lot of what Lessig has to say, but when he starts equating a creator's right to control the fruit of his own labor with some kind of anti-freedom movement, I call foul. It makes me wonder what Lessig's agenda really is, in ten words or less.

    --
    Breakfast served all day!
  105. If Marx made a dictionary, it would not end. by NRAdude · · Score: 0
    I've known for years that a word to one man could mean a completly different definition to another. There are also plain words that are defined differently as Plain Words. This is no different than comparing an estate with Real Estate(R), or the world with the Real World(R), or the public domain with Republic(R).

    As it goes for "communist", I think it good to reference an etymological dictionary, but I can't find one at the moment so I'll pick the primitive definitions used at Dictionary.com to isolate the definate syn;

    com- or col- or con-
    pref.
    Together; with; joint; jointly

    Latin municiplis, from municipium, town, from municeps, citizen : munus

    Middle English comunen, to have common dealings with, converse, from Old French communer, to make common, share (from commun, common. See common), and perhaps from Old French communier, to share in the Communion (from Late Latin communicare, from Latin, to communicate. See communicate).

    common -

    French, independent municipality, from Old French comugne, from Medieval Latin commnia, community, from neuter of Latin commnis, common. See mei-1 in Indo-European Roots.

    mon Pronunciation Key (mn)
    n. Scots

    Man.

    Note from NRAdude: I want it to be known that the Scots perhaps have the most original english dialect because unlike England, the Scots prevented the invasion of Roman occupation armies and posts thus preventing Latin inflection on the Scots dialect. See history on Hadrian's wall. :Note from NRAdude

    monk Pronunciation Key (mngk) n.

    A man who is a member of a brotherhood living in a monastery and devoted to a discipline prescribed by his order: a Carthusian monk; a Buddhist monk.

    Middle English munk, from Old English munuc, from Late Latin monachus, from Late Greek monakhos, from Greek, single, from monos. See men-4 in Indo-European Roots.

    I think it good everyone open their bibles to see that man is somewhat self-existing "in the image of God." Then there is the orderly conduct into brotherhood, an immediate family that appears as a chosen commune that has attached to a societal compact (contrat) with a "family name" (mine is singular Mundt whereby could also be refined plural as the Mundts), and then reading further I think it notable that people are bonded to their societal (social) compact from whence they then can assemble a vessel (that I enjoy calling a Citizenship). "congregate" is prefatory to the actual assembly; not yet assembled or counted but nearing that action (congregation), as it would seem the Lord counts His people (those social compacts).

    congregate Pronunciation Key (knggr-gt)
    tr. & intr.v. congregated, congregating, congregates

    To bring or come together in a group, crowd, or assembly. See Synonyms at gather.

    adj. (-gt)

    1. Gathered; assembled.

    Now what was I going to say? I'm speaking of the etymology "communist" is a good word that advocates "common", while everyone around me always think of a biased "Communism" brought by Marx and his Order conspired from his societal compact (an "Order" within a society, chicken-egg hatched from a chicken-egg) that delegates invasion of privacy and property and voiding the relation and similar thoughts (brotherhood) in change for a share in property that will never be fee simple. I distinctly remember that such thoughts on "Communism" originated from corporate Banks and the role of the non-communist Communists that sabotaged and exited America durring the War of 1871, causing a shrink for the United States back into George Washington's District of Columbia. In the verry essence of etymology, communism is as though an honest rescind from a society. Thence, even the etymology in "capit

    --
    without prejudice
  106. Re:No recordings go into public domain until 2067! by rjnagle · · Score: 2, Interesting

    That's what I first thought, but then I read some more. Guess what. It's basically correct.

    See also:
    http://www22.brinkster.com/paradio/pages/pre1972.h tm
    http://www.legallanguage.com/lawarticles/Clarida00 7.html

    It seems there are three points here:
    1)before 1972, copyright laws were governed by state regulations, not
    national regulations.
    2)Merely because they are not covered by federal copyright laws
    doesn't imply that they are still owned by someone. The owners may be
    dead, or the original master unavailable. I don't understand the
    implications here.
    3)It's unclear to me whether you can use a later phonograph/CD of an
    earlier recording to digitalize. For example, if I had a 1976
    phonograph of a 1933 work, and then I decide to make an mp3 of it,
    it's unclear to me when it will go into the public domain.

    Interestingly, they have already resolved the reproduction issue in
    the area of paintings and public domain in USA.

    After doing web research, I wrote here
    http://www.imaginaryplanet.net/weblogs/idiotprogra mmer/?p=83398276

    Accurate photographs of visual artworks lack expressive content and
    are automatically in the public domain once the painting's
    copyright
    has expired (which it has in the US if it was published before 1923).
    All other copyright notices can safely be ignored.

    I can't comment on precedent or how to implement this fairly, but it
    seems to me that we need some sort of public domain reform that
    removes protection of later digitally remastered copies when the term
    on an earlier recording expires. As long as the later digitally
    remastered copy is simply a faithful reproduction of the earlier work,
    the later digitally remastered work does not imply some new copyright
    protections.

    As I said, this idea is currently unworkable and would be unfair to
    companies which in the 1970s and 1980s produced and sold remastered
    editions. However, at some point we need to ask ourselves why
    Columbia Records deserves this windfall for simply reproducing an
    artistic work. If Columbia Records, for example, owns the only
    pristine copy of Jelly Roll Morton's 1926 jazz songs and releases a
    remastered edition in 1985, it would be sad to think it won't go into
    the public domain until 2080 (150 years after the song was first
    recorded).

    Please, somebody, point out some gap in my understanding or a
    loophole. But otherwise it looks as if it's going to be really hard
    for sound recordings to go into the public domain.

    --
    Robert Nagle, Idiotprogrammer, Houston
  107. Re:No recordings go into public domain until 2067! by rjnagle · · Score: 1

    I should add:

    merely because they are governed by state laws doesn't imply they are forbidden for public use. It just means that you have to verify copyright protection differently.

    I hope that the Copyright Office's current investigation on orphaned works will set forth some procedure by which these works can be considered orphans if the copyright owners fail to renew them. Otherwise, we can be in a situation where pre-1972 will require an onerous amount of research to prove it's out of copyright.

    Truthfully, I don't know if the federal court even has jurisdiction to do this. IANAL, btw.

    Robert Nagle

    --
    Robert Nagle, Idiotprogrammer, Houston
  108. Lessing thinks the world was created 300 years ago by Anonymous Coward · · Score: 0
    "Within every culture, there is a public domain--a lawyer-free zone, unregulated by the rules of copyright. Throughout history, this part of culture has been vital to the spread and development of creative work. It is the part that gets cultivated without the permission of anyone else."

    Somebody should tell Mr. Lessing that copyright is a pretty recent cultural development. Before printing and relatively widespread literacy, there was no money to be made writing, so there was no need for copyright.

    "This public domain has always lived alongside a private domain--the part of culture that is owned and regulated, that part whose use requires the permission of someone else. Through the market incentives it creates, the private domain has also produced extraordinary cultural wealth throughout the world. It is essential to how cultures develop."

    The private domain he speaks of did not exist, because copyright didn't exist. Capitalism is a relatively new thing too.

    The private domain isn't what creates market incentives. That I like a certain story or bit of music is not related to whether it's copyrighted.

    It seems most cultures have developed without market forces, copyright, etc. And some of the finest creations of humanity were idependent of copyright or market forces.

    Lessing must think the world was created by lawyers 300 years ago.

  109. You are confusing patents with copyright by spitzak · · Score: 1

    This was the purpose of patents, to encourage inventors to publicize their inventions without fear of them being stolen. In theory patents apply to things the author could still profit from by keeping it secret. Copyrights supposedly apply to things that you can only make money from by making it known.

    1. Re:You are confusing patents with copyright by Peaker · · Score: 1

      This was the purpose of patents, to encourage inventors to publicize their inventions without fear of them being stolen. In theory patents apply to things the author could still profit from by keeping it secret. Copyrights supposedly apply to things that you can only make money from by making it known.

      No. Map-making was another crucial incentive to create copyright. Map makers would sell their maps which were results of tedious work, under non-disclosure agreements.

      NDAs are a kind of secrecy that copyright is meant to remove. This is relevant with software these days, except that software is both secret and gets a copyright.

  110. The PD preserves itself, even if it doesn't grow. by jbn-o · · Score: 2, Informative

    Your post would have been more productive had you avoided calling the GNU General Public License "viral". What you think of the GPL is not on topic here, as this discussion primarily concerns how the public domain works, not your views on how distributed GPL derivatives are licensed. Similarly, a previous poster used the word "fell" to describe entry into the public domain. I'd argue that the popularity of the term in this context is irrelevant and that we are better served by examining the connotation that being in the public domain is somehow lower or lesser than being in copyright.

    Getting back to your point raised by calling the GPL "viral", there is a bit of this for the public domain as well. Works in the public domain remain in the public domain even if fragments of them are built upon in other copyrighted works. There are parts of the movie Amelie which come from the Prelinger archives. These fragments are in the public domain and one can extract them from Amelie and end up with a series of public domain fragments. So, the public domain is self-preserving but this effect doesn't extend as far as the power copyright holders have in licensing derivative works. Of course, it's possible to transform the work so completely that such extraction is impossible.

  111. There is a direct DRM threat, actually by spitzak · · Score: 1

    Within every DRM system there will always be a way for the author to set the copy rights to allow freely made copies.

    Don't count on it. Any such system means that somebody can "pirate" a copyrighted work by breaking the copy protection and recording the result, or filming off the display screen, or recording their own neurons, or whatever is needed to get around the DRM. Thus as long as somebody can make "non DRM" copies piracy is possible.

    The biggest worry is that there will be no recording devices that can record without DRM, because such devices can be used for piracy. Yes, "old" devices will work, but this may be useless if the average person only owns a "new" playback machine because that is the only thing they can play popular movies on. The average person will be able to make their home movies but nobody can view them unless the original camera is attached to the Internet to authorize it, and the average person will accept this as normal and be perfectly satisfied.

    The fact that unrestricted recording devices may very well be used for piracy 99% of the time will make it easy for them to convince everybody it is a good idea to get rid of them. The fact that the other 1% is *EVERY SINGLE BIT OF FREE SPEECH IN THE WORLD* will be ignored.

  112. Where is the rest of it? by MetalliQaZ · · Score: 1

    This is a good introduction to a powerful, well thought-out article. Now, where is the rest of it?

    -d

    --
    "Here Lies Philip J. Fry, named for his uncle, to carry on his spirit"
  113. I for one... by Spy+der+Mann · · Score: 1

    I for one, welcome our new _____ overlords <-- Don't tell me this phrase is _NOT_ in the public domain!

  114. No. Is dying. Not like *BSD ;-) by einhverfr · · Score: 1

    In my lay opinion, the law has already concocted a lethal mixture of copyright and contract law which will only allow a small subset of the works created in the future to lapse into the public domain.

    I forget the case name, (I think it was something like Westlaw v. Lexis-Nexis or something) upheld the right of mere aggregators to obtain non-redistribution agreements with those who they distributed public domain works to. In this case, the plaintiff lost the contract-law countersuit and was forbidden to redistribute the public domain court opinions provided to them by LexisNexis.

    The second component here is the DMCA. Prior to the DMCA, copyrights included basically a few exclusive rights: the right to reproduce, prepare derivative works, or publically exhibit/perform works. The DMCA adds the right to *access* work to be one which must be granted by the copyright holder. Now, there is nothing to indicate that such rights could not be extended contractually-- i.e. that the copyright holder could say "You can only redistribute this work or continue to access it through this contract with us, and this contract has a perpetual term." Therefore contracts and the access control provision allow for effectively unlimited enforcement of copyrights in apparent contradiction to the US Constitution.

    This is a real danger. And Lessig is exactly right. Except that I don't think it will take 35 years. I give it 15 before works are nearly exclusively released in formats which allow for perpetual copyright restrictions.

    --

    LedgerSMB: Open source Accounting/ERP
  115. An Utter Failure of Logic by DynaSoar · · Score: 1

    Public domain is a "copy" "right". As creator of a work, you have the right to say others may copy it freely and that you are transfering ownership over to them as a whole without restriction. Copyright law allows the owner of a right to dictate how it may be used.

    No amount of "anti-piracy" crap can change that basic fact without copyright law violating copyright law, by restricting the rights of the owners as to what they are allowed to do with their own property. Figure the odds on the RIAA/MPAA/etc. crowds to allow changes to the law the restrict their rights of ownership.

    Mr. Lessig has managed to set fire to a straw man.

    --
    "I may be synthetic, but I'm not stupid." -- Bishop 341-B
  116. "someone smarter than me" by Tedium+Unleased · · Score: 1

    what the fuck does that mean? this strange and new concept of "someone smarter than me" must be one of those undocumented ideas that hasn't reached the public domain (of at least slashdot).

    1. Re:"someone smarter than me" by zcat_NZ · · Score: 2, Informative

      did you miss the sarcasim?

      The original idea of copyright and/or patent law (as envisioned by the founders of the USA at least) was that inventors and artists would have some incentive to publish their work rather than keeping it to themselves. For about 14 years they'd have deliberately limited control over who could copy the work so they could make some money from their own good ideas, and then it would fall into the public domain where it belongs!!

      It's all written down in some obscure old document that nobody ever reads..

      --
      455fe10422ca29c4933f95052b792ab2
    2. Re:"someone smarter than me" by Tedium+Unleased · · Score: 1

      i got the sarcasm, was just trying to add to the hilarity, wasn't trying to be contary

  117. Shenanigans by Anonymous Coward · · Score: 0

    It's deja vu all over again. You are the same person who keeps posting this nonsense. Your links are two copies of the same "posting." Can you point me to anything not written by Robert Clarida? Are you associated with Robert Clarida or PDinfo?

    Can you substantiate either one of these claims?

    1)before 1972, copyright laws were governed by state regulations, not national regulations.
    2)Merely because they are not covered by federal copyright laws
    doesn't imply that they are still owned by someone.


    The constitution gives the congress the right to control copyright, not the states.

    To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;

    Can you show me a case/constitutional amendment where this power was given to the states?

    This whole thing reeks of a scam.

    1. Re:Shenanigans by rjnagle · · Score: 1

      Hey, if you know something I don't, please share it. I don't have any special reason to believe this site. On the other hand, I don't have any special reason to disbelieve it. But it seems credible, and I haven't found any sources that contradict it. (And believe me, I have been googling around a bit today).

      I've posted this question on two copyright mailing lists to find out opinions from other people who are lawyers. I've also emailed a prominent IP attorney for his thoughts. I think we need clarification about this.

      Other than vague complaints, do you have any sources to back your denial up? I would love to believe that your skepticism is on the mark. But I'm afraid you're a little too complacent about what the public domain is entitled to. Neither of us are lawyers, so we should not jump to any conclusions. Only a few days ago I assumed that the 95 year rule was the only rule we need to worry about. Now it appears may be much more complicated.

      This may simply mean that copyright claims pre 1972 are going to need to be resolved at the state, not the federal level. That would be a massive bitch, but it's not impossible to do.

      (If this is true, I do have to wonder where archive.org is getting their recordings. Was this resolved already at the state level?)

      However, the situation may be far more bleak that you or I realize. Public domain advocates were hoping that the US copyright office's forthcoming guidelines to orphaned works would allow works not registered in a new entry would fall into the public domain. However, if the feds don't even have jurisdiction on pre-1972 sound recordings, that would be a major major bitch.

      If you want to continue this debate, I suggest you email me at:
      idiotprogrammer at fastmailbox.net Or follow my weblog, because I won't give up until I find an answer.

      I will find the ultimate clarification to this question fairly soon.

      And as for your implications about my motives ("astroturf" etc), I think my written record shows a substantial commitment to copyright reform and public domain and music sharing.

      Robert Nagle

      --
      Robert Nagle, Idiotprogrammer, Houston
    2. Re:Shenanigans by rjnagle · · Score: 1

      From one of the articles:

      Under 17 U.S.C. 301(c), as recently amended by the Sonny Bono Copyright Term Extension Act (P.L. 105-298), the common-law copyright in these recordings, and state statutes offering copyright-like protection, will not be preempted by federal law until February 15, 2067. The potentially indefinite term of state law protection for these works will therefore end in 2067, 95 years after the recordings first became eligible for federal copyright in 1972.

      This statute seems pretty easy to verify.

      Well, hey, I have a free moment:
      http://www.copyright.gov/title17/92chap3.html
      (c) With respect to sound recordings fixed before February 15, 1972, any rights or remedies under the common law or statutes of any State shall not be annulled or limited by this title until February 15, 2067. The preemptive provisions of subsection (a) shall apply to any such rights and remedies pertaining to any cause of action arising from undertakings commenced on and after February 15, 2067. Notwithstanding the provisions of section 303, no sound recording fixed before February 15, 1972, shall be subject to copyright under this title before, on, or after February 15, 2067.

      --
      Robert Nagle, Idiotprogrammer, Houston
    3. Re:Shenanigans by Anonymous Coward · · Score: 0

      Thanks for your reply.

      Is there an issue here? Possibly. Still smells though.
      Is public domain in trouble? Yes.

      Does any information you have justify your original headline?
      "No recordings go into public domain until 2067!"
      Not with an exclamation mark or a period at the end of that sentence, and even a question mark is pure sensationalism with only one article as a source. You will catch more flies with credibility.

      Here is some advice for the next time you post this info. Leave out the PDinfo link. It is just a restatement of your link(s) and is directly trying to make a buck off of the FUD. The lawyer might not be any better but at least there isn't a shopping cart.

      As your other post points out, there is intriguing language in the statute, and I have seen stranger things turn on less ambiguous statements than what we have here, so I do think there is an issue to be resolved.

      I hope you have more information on this topic next time you post it.

    4. Re:Shenanigans by Anonymous Coward · · Score: 0
      The constitution gives the congress the right to control copyright, not the states
      It's not specific about how the rights of the authors and inventors should be secured to the authors and inventors. Current copyright law, however, does absolutely nothing to secure those rights to the authors and inventors since the concept of a "copyright holder" is so easily transferred. In many ways, the courts function to make it easier to remove the rights from the original authors and inventors by siding with the media companies and employers in terms of blanket employee contracts and IP agreements.

      If the rights to respective writings and discoveries are secured to the original authors and inventors, this could be nothing more than a right to claim credit so that no one else can put their name on the item or repackage it. My right to be recognized for my discoveries has absolutely nothing to do with any selfish desire to control its distribution.
      Can you show me a case/constitutional amendment where this power was given to the states?
      It's in Amendment 9 that you can't reinterpret the Constitution to expand the powers of the Federal Government. Amendment 10 is very clear that anything not specifically mentioned in the Constitution is, by default, reserved to the states and the people.
    5. Re:Shenanigans by rjnagle · · Score: 1

      here's the best source of information I've been able to find so far:

      http://www.teleread.org/blog/2003_10_26_archive.ht ml#106768614604144566

      I quote:
      The copyright terms for sound recordings in most developed countries
      are reasonable and rational. For example, in Canada, Australia, New
      Zealand, and most of the European Union countries, the term is 50 years
      after the year of fixation or of first public release. Thus, in these
      countries most (if not all) of the recordings from the pre-WW2 era are
      in the Public Domain, including those recorded in the United States.
      Other countries have slightly longer terms for sound recordings (e.g.,
      60 years in India, 70 in a few)--in such countries many to most pre-WW2
      U.S. recordings are also Public Domain.

      --
      Robert Nagle, Idiotprogrammer, Houston
  118. Re:Yeah, I'm greedy too - Eminent Domain should ap by Oligonicella · · Score: 1

    The fact that none of those works were your private property (your words) should clue you as to the length of the wait.

  119. Stop the insanity! by srussia · · Score: 1

    No IP!

    --
    Set your phasers on "funky"!
  120. Modded funny, but true! by Nasarius · · Score: 1
    What if the work is not much longer than the license itself?

    If a single program is that short, you may as well use a simple all-permissive license for it, rather than the GNU GPL.

    http://www.fsf.org/licensing/licenses/gpl-faq.html
    --
    LOAD "SIG",8,1
  121. Re:Yeah, I'm greedy too - Eminent Domain should ap by Anonymous Coward · · Score: 0

    The works were not my property, but the rights to use them were.

    If a copyright was set to expire in 2012, and Congress retroactively changed the already existing copyright to expire in 2032, did they not take the right to use that work for 20 years away from me? If I were to try to buy those rights back, would they not cost me money? Even if I chose not to exercise those rights, buying them back would still cost me money. So, if they have taken something away from me which would cost me money to get back, how is that not taking my property away?

  122. Re:So every single thought should be public domain by KwKSilver · · Score: 1

    An here's the opposite extreme absurdity: because people can think copyrighted ideas -and even patented ones- should they not all be lobotomized to protect all that sacred IP? Why not set a shining example by being lobotomized first, Mr. IP-Is-Sacred?

    --
    If you want your life to be different, live it differently.
  123. the success of capitalism by No+Such+Agency · · Score: 1

    Then how do you rationalize the success of businesses? They are far from your libertarian ideal in the most important respect: workers (employees, 'staff', and the ubiquitous 'associates') lack any ability to control their own lives. There is little difference in organizational principles between business and the communist states of the 20th Century except in the expected outcome of the use of resources. A small clique of people controlled the resources and means of production (board of directors, politburo) and the workers supplied the labor with little expectation of meaningful return. A few in the middle were given the impression that they were going to be elevated - some day - to a position of power. They toiled on in a middle management role controlling the lowest ranking labor so that the ruling bodies could perpetuate their hold on power.

    Capitalism has been so successful essentially because one of the first things it did was to corrupt democratic politics with money. Once that was achieved, the wealthy (business owners) had far more control over the making of new laws than the masses of the poor (the workers). So laws became a tool for the rich to perpetuate the system, instead of a way for the majority to realize their will. It took a combination of mass public outcry and courageous leaders to implement things like the Pure Food and Drug Act, and labor laws (both of which have subsequently been attacked by less-courageous leaders).

    Essentially, Capitalism succeeded by becoming Fascism, in the sense of "the merger of state and corporate power". Or if one is more radical, a "kleptocracy", where the rich rig the system to steal from the poor.

    --
    Freedom: "I won't!"
    1. Re:the success of capitalism by Just+Another+Poster · · Score: 1
      Capitalism has been so successful essentially because one of the first things it did was to corrupt democratic politics with money.

      Saying that money corrupts politics is like saying a dog wading through a pool of shit contaminates the shit.

      More amusing, however, is your implication that "Capitalism" is this big, secret conspiracy of rich people "imposing" private property in the means of production upon the poor, impoverished masses who are crying out for socialism.

      So laws became a tool for the rich to perpetuate the system, instead of a way for the majority to realize their will. It took a combination of mass public outcry and courageous leaders to implement things like the Pure Food and Drug Act, and labor laws (both of which have subsequently been attacked by less-courageous leaders).

      There is nothing "courageous" about it. These "brave" laws were enacted by politicians and bureaucrats looking to expand their power over others, and were supported by various special interests who sought to hobble their competition through regulation and rent-seeking.

  124. Friends? by No+Such+Agency · · Score: 1

    Imagine a world with out "Friends"?

    I am, and the feeling is so warm... and fuzzy...

    --
    Freedom: "I won't!"
  125. the general public by XO · · Score: 0, Flamebait

    The general public believes that "Public Domain" means "anything that I can copy" .. so, therefore, what does it really matter?

    It seems like programmers are the only people who care one bit.

    --
    "Champagne for my real friends - and real pain for my sham friends!" http://ericblade.postalboard.com/
  126. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  127. Not Quite. by Qa1 · · Score: 1

    People - at least, the majority of them - do avoid things they deeply view as "wrong".

    I wouldn't grab from p2p a book by a young struggling author. I certainly wouldn't read it, enjoy it, appreciate it - and then fail to compensate the author. Not just because we have great interest in encouraging literary works of high quality.

    But I would grab a copy of F. Scott Fitzgerald's work, although with recent extensions the various **AA managed to keep it copyrighted in America still.

    I and others cannot yet enjoy the works of an author 70 years deceased. Fitzgerald is a relatively benign example; there are thousands of long deceased authors that have long gone out of print, whose works you just cannot access in any way thanks to the corps indifferently protecting their "copyrights". These authors are in effect going extinct; instead of being duplicated and archived in thousands of hard-drives and other permanent media all over the world, their works are rapidly becoming lost to the world.

  128. Re:The PD preserves itself, even if it doesn't gro by Biomechanical · · Score: 1

    Hey, some viruses are good ones, like the Love Virus, Luck Virus, or the GPL. :)

    *Dreams of being a professional "bum" in a certain six mile long, three mile wide interplanetary mining ship...*

    --
    His name is Robert Paulsen...
  129. Re:So every single thought should be public domain by Anonymous+Brave+Guy · · Score: 1

    The difference between you and me is that I understand the word "sarcasm".

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  130. Re:So every single thought should be public domain by KwKSilver · · Score: 1

    After re-reading your post and my own, I am quite embarassed. Either I responded to the wrong parent or am simply brain-dead. I tend to suspect the latter. You have my apologies.

    --
    If you want your life to be different, live it differently.
  131. Eh? by Anonymous Coward · · Score: 0

    What weapons? What the hell is he talking about? He hasn't given a single example. This article has no content. It's just a scaremongering introduction to ..er.. then it ends.

  132. Truth is like art by usageman · · Score: 1

    I ve been a long time reader of Lessigs blog and beleive there is much truth in public domain being non exsistant in the near future. A great post by Larry. We need more public lawyers maybe even start a public defense fund that protects the American public. But like every fortune teller it is all in the eyes of the beholder for instance we could not make it any 30 years!!

  133. pop culture is also 99% crap by mindaktiviti · · Score: 1

    Everything I see on tv or here on clear channel radio is recycled crap. Often times the next big thing comes out of that 99% crap pile (like garage bands, underground artists etc).