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' Naughty Bits' Decision Not So Nice

Many readers found stifling Judge Richard P. Matsch's decision yesterday that Cleanflix, a service selling versions of popular movies edited (some would say censored) to remove violence, nudity and other elements, was in violation of U.S. copyright law for selling these edited versions, while others welcomed the decision as appropriately respecting the intent of those who made the original movies. Read on for the Backslash summary of the conversation, with some of the best comments of the more than 1200 that readers contributed to the story.

While some comments evaluated the decision as a victory for filmmakers as artists rather than merely as copyright holders, some readers aren't so sure that directors' and studios' interests have much to do artistic integrity, and suggest that it's primarily their commercial rather than aesthetic interests being served here. TheFlyingGoat makes a case for this view:

"I understand where the movie companies are coming from in terms of copyright... they don't want people taking a DVD, adding additional clips/features/menus/etc, and selling that for a profit. ...

As for the directors and producers that claim their artistic vision was impeded upon, they sure don't have an issue with those movies being modified in the exact same way for broadcast on network tv. All they care about is the large amount of money the networks give them.

So, what this really comes down to is the movie studios wanting complete control over their works, which I'm surprised to see much of the Slashdot crowd backing up. Seems it's better to hate "the red states" than to hate the MPAA."

Whether even the financial interest of the studios is being served by nixing the Cleanflix service, though, is a point that the same reader finds ambiguous, too. [the studios are] "getting just as much money from each DVD sale, so it's not like they're losing any business. In fact, they're probably gaining business from those people who wouldn't normally buy a certain movie due to violent/sexual/etc content, but will if they get an edited version of the movie."

MarcoAtWork says he doesn't swallow the "artistic integrity" argument either, and notes the bizarre script deviations which licensed showings on broadcast or cable television sometimes end up with: "Something tells me that the director's 'artistic vision' for example didn't include Bruce Willis saying 'Yippee-ki-yay Mister Falcon.' in Die Hard, or 'This is what happens whey you find a stranger in the Alps!' in the Big Lebowski."

Anticipating a "kneejerk reaction," reader Brian_Ellenberger has a more aggressive reaction of his own, writing

"Don't approve of this action just because you think it only hurts a bunch of 'right-wing Christian zealots.' Remember fair use! There was a one-to-one copy sold with each of these DVDs---the original and the edited. The filmmakers did not lose one dime, and in fact made money with each copy sold. ... So if we are to argue that, if you bought something you have the legal right to do whatever you want to it (Fast Forward through commercials, play on a Linux box, rip to a hard drive), then you cannot allow Hollywood to start acquiring new rights for their so-called 'artistic vision.' Otherwise, you will find yourself unable to fast forward through scenes (or commercials) because that would violate the 'artistic vision' of Hollywood."

More concise is reader Raul654's capsule description of the result: "If I own a DVD, I cannot pay someone to make a copy of that movie for me sans parts I might find offensive. It's not censorship, because I'm the one asking him to do it for me."

There are plenty of mixed feelings about motives and results in this discussion, though: reader m874t232 says he doesn't like people who "scrub" movies, but he still doesn't like the outcome because of the short-sightedness he perceives in it, writing "For millennia, art has progressed and evolved by taking some prior artist's work and modifying it, often in ways that the original artist didn't agree with. Except for possibly receiving financial compensation for a limited time for each copy created, artists should not have the power to control what happens to their creations after they have released them to the public."

Reader zakezuke took issue with that viewpoint, arguing instead that
"Fair use would be you making a backup copy, putting the one you bought into storage, and using the backup. This is fair use. Heck, even taking a film that you own, making a copy and cutting out scenes you don't like... that is also fair use. What's not fair use is making a copy, cutting scenes, and selling it as a new version without any consent. This is not a one to one copy as there are scenes cut. Money is beside the point... a copyright holder has every right to choose how a work is distributed. This would include not wanting some bozo cutting scenes on a work that took time to create. Any flaws, mistakes, anything which affects the overall presentation can damage the reputation of the respective studio and artists that created the work. It's like taking spray paint to a piece of fine art and going over the bits one finds offensive, this affects the quality of the piece and the viewer might assume the artist is sloppy dolt or doesn't have the technical skill or is too reserved to make a winkle."

Reader spencer1 offers some insight into why people might want to watch movies in other than their all-killing, all-cursing original versions:

"As others have already stated, this has absolutely nothing to do with Walmart. This applies to services such as CleanFlix, which are very popular in Utah and Idaho. I am a Mormon, and I frequent Cleanflix often. Some movies are very enjoyable, but contain bits that I don't wish to see. If the mainstream want to see those bits, fine, go ahead; these services are not for them. If I don't want to see it, how does it affect you? Cleanflix allows me to rent movies that I would not otherwise rent, they are now turning away a potential customer. This does not hurt the copyright holder, they still receive the full purchase price for all the movies that Cleanflix uses. Their revenue is not altered in any way by this editing."

For anyone who has reason to desire a version other than the theatrical release of a film, the decision against Cleanflix doesn't mean the end of expurgation; reader jambarama points out a technical solution which seems much less legally fragile (and which seems to meet zakezuke's objection above), in the form of another service with a similar practical result, but without the messiness of reproducing a derivative work, writing:

"A good alternative for those who don't want their young children to see 'bad' stuff is Clearplay. We've had it for a while, here is how it works:
  1. Buy a normal DVD with all the "naughty bits"
  2. Get the filter from the clearplay website for that DVD
  3. Transfer the filter via USB or CD to the clearplay DVD player
  4. Watch your DVD - the filter tells the DVD player where to skip the naughty bits - no editing, just timecodes to be skipped."

Something similar could probably be put together fairly quickly using programs like Avidemux or VirtualDub for those who don't mind distributing the work of classifying and sharing the necessary edit-decision lists. Reader OYAHHH outlines how such a system might be implemented for those unlikely to apply hand-edited EDLs:

"What somebody needs to do is to devise a DVD player that can read a file delineating where the objectionable parts are on the particular DVD. Once the bad parts are known to the player the player simply skips them.

People who want to view the unedited version are happy and those that don't desire to see whatever content can be happy as well.

The original content on the original DVD is not altered in any manner. Copyright is protected.

Religious groups could then produce the "files" to correspond to their own needs and distribute these files via the Internet. The files are uploaded to the special DVD player."

Thanks to all the readers who contributed to this discussion, especially those quoted above.

459 comments

  1. More proof as to who is "helped" by copyright by dada21 · · Score: 4, Insightful

    I'm a vocal anti-copyright advocate and I repeatedly try to get people to realize what most Federal legislation does, especially regulatory legislation: it removes rights from the individual and creates cartelization: legal monopoly. It has happened in every industry that has any form of federal regulation: oil refinery, content distribution, medical licensing, campaign finance rules, even the stock market is cartelized now moreso than every before. Regulation at the national level is unconstitutional regardless of what people think of the non-applicable "interstate commerce clause."

    Cartels exist because they have the legal monopoly to do so. Copyright only helps create and empower the cartels -- it has never helped an individual unless that individual was protected by a cartel. If you created a movie and someone wanted to hack it so that more peopl could watch it -- and they paid you for each and every hack -- you'd love it because you are getting income, you're gaining a new audience, and even more profitable: you're learning what people want. DVD players already allow for multiple versions, and maybe companies would start taking advantage of it had it not been for the big cartel that controls the flow of movie productions and releases.

    Consider you're that same small movie maker -- if someone copies your movie (with or without hacking it), how would you battle them in court? What money would you use to fight the hacker/pirate/modifier/copyright violator? Is the financial risk of losing in court worth the reward? Definitely not -- more proof that cartelization is always bad.

    Stephan Kinsella made a great case as to why intellectual property restrictions are anti-consumer in his free PDF titled Against Intellectual Property. (PDF WARNING) Stephan is a IP lawyer, as well, and has offered dozens of great articles on the problems with IP and how more laws aren't going to support more consumer freedom, better quality products and more competition. When you create federal regulations, you create cartelization. He also has a great non-PDF article from last year titled No such thing as a free patent, which goes beyond copyright but makes very good arguments for why they're all bad. This guy makes his living with the law, amazing that he cries out against it.

    While I'm anarcho-capitalistic, I do understand that the Constitution DOES allow regulation of some sort to be created at the state level. This is preferably where regulations "should" be, if at all. The states that over-regulate will see less choice (and higher prices due to decreased supply). The states that don't over-regulate would likely see better choice, safer products and better pricing.

    As usual, the federal government oversteps its bounds predictably -- in the direction of cartels. I won't call them "big business" because no real business exists with the help of government. Thankfully the future of the free market is proving to the world that copyright is insignificant to most people: they'll continue to find new ways to distribute all media products "for free," and the producers of content will have to learn the reality of supply and demand: if it is digital, it has a virtually unlimited supply. Put infinity in the supply/demand/price equation and the price will always fall to zero. This means it is time to find new ways to promote value added products along with your content.

    1. Re:More proof as to who is "helped" by copyright by raehl · · Score: 4, Insightful

      There are many cases where the only thing worse than one regulation is 50 different sets of regulations.

    2. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 3, Informative

      Actually copyright (and patents) is explicitly mentioned in the constitution as something the Federal Government is responsible for. I'm not sure legislation at the state level is even constitional, not without an act of Congress anyway.

      And, for what it's worth, protecting the integrity of artistic works strikes me as a worthy use of copyright. Nor is it necessary to be a giant cartel to win, as Gilliam vs ABC (one of the first "moral rights" cases) proves.

    3. Re:More proof as to who is "helped" by copyright by pete-classic · · Score: 2, Informative
      If George can take your 4th amendment to fight terrorists, Hillary can take your 2nd.


      Vote Libertarian.

      -Peter
    4. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 2, Insightful

      And, for what it's worth, protecting the integrity of artistic works strikes me as a worthy use of copyright

      I agree, it strikes me as a worthy use of the law, too. But does it work? No. Does public welfare at the national level work? No. Does retirement funding at the national level work? No. Nothing seems to work at the national level -- all national laws sound great when you read their titles, but the descriptions show the fallacy of a large central government.

      Think about it when you consider the "worthy use" of the feds -- they really have no use other than true national defense and the protection against the individual states of trampling basic human rights.

    5. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      I'm against voting in every way, but the LP is especially bad since their recent reform that now places them closer to the wackos on the New Right. I believe that all federal parties are corrupt: if you look at what the late Harry Browne did within the LP (stole, lied, defrauded, lied, stole, and defrauded), you'd see that almost all politicians are corrupt, especially at the Federal level.

    6. Re:More proof as to who is "helped" by copyright by pete-classic · · Score: 1

      Damn it, Adam (and damn it, Lew). I finally took the big-l plunge a couple of months ago. And now you drop this on me.

      Aaargh.

      -Peter

    7. Re:More proof as to who is "helped" by copyright by Overzeetop · · Score: 1

      I thought that copyright was for the purpose of encouraging the advancement of the arts and sciences though a protected financial arrangement, not for the purpose of protecting the integrity of those works. It is arguable that an artist who has his work changed and rereleased may be dissuaded from future work, but that's sort of a first-sale doctrine thing. If you don't want people messing with your work, don't sell it.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    8. Re:More proof as to who is "helped" by copyright by Goaway · · Score: 1

      Cartels exist because they have the legal monopoly to do so.

      Or hey, maybe cartels exist because it makes sense business-wise, legal regulation or no. Except that in an unregulated market, there is nothing to limit cartelization, because companies can do whatever they want, and they want cartels!

    9. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 2, Interesting

      Welcome to the club, either way :) I have a ton of friends who still prefer big-L libertarianism (through legal means) than small-l libertarianism (encompassed by a variety of voting and non-voting ideals). The most recent LP problems are REALLY scary because it seems that some of the paleoconservative and paleoliberal policies of the LP are being usurped by neoconservative and neoliberal thoughts.

      Keep a look out at the LRC and at the Mises Institute blog for more updates on the LP issue. I gave up my membership a few years ago when I realized that the LP internal politics prevented anything from moving forward. Only in the past 2 years did I realize that voting is also fraudulent, coercive, and against almost everything that can be labeled as "free" or "pro-liberty."

      Copyright is one of those issues that even Mises and the LRC don't agree with me on -- I guess I'm a fringe libertarian.

    10. Re:More proof as to who is "helped" by copyright by wall0159 · · Score: 4, Insightful

      Well, I think you're right in parts...

      "Cartels exist because they have the legal monopoly to do so" - my (somewhat naive) understanding of economics is that the unregulated free market tends towards mega-corporations - which are basically cartels. I think this has been shown using many computer models, and many initial conditions and that the only way to prevent it is to add some other factor (like regulation/legislation). While free-trade (or libeterianism) seems like a nice ideal, I think that (like other nice ideals: communism, capitalism) it would be horrible in reality (horrible like a boot stamping on a human face, forever).

      Anyway, back to the point, I agree that copyright law, as it stands, isn't working. However, I think this is a problem with the implemtation rather than the concept. Copyright law is about respecting the creations of others - it doesn't have to be about killing the market. There are several problems with copyrights, as I see it:
      1. They last too damn long
      2. They're transferable (can be sold / given away). This comes from the idea of 'intellectual property'. If this wasn't the case, things would be better, I reckon.
      3. The big companies that own a majority of the copyrights also own our governments, and bribe them to enact stupid legislation (DMCA).

      However, I reckon having a non-transferable copyright that lasted say 10 years would work much better, and would be a better result than just scrapping copyright altogether.

      Having said all this, I dind't read your links, but will sometime! ;-)

    11. Re:More proof as to who is "helped" by copyright by yali · · Score: 4, Insightful
      I do understand that the Constitution DOES allow regulation of some sort to be created at the state level.

      Actually, that power is specifically granted to Congress as far as intellectual property is concerned. The Constitution is pretty clear that it's a federal power.

      Of course, the Constitution is also pretty clear that artificial monopolies (patents, copyrights, etc.) on intellectual property are supposed to be granted "for limited times." And it's also pretty clear that the rationale for granting such monopolies is "to promote the progress of science and useful arts," not to promote business interests. Both of those have been pretty much ignored by Congress.

      I think this whole current controversy over sanitized DVDs would be much less of a big deal if Congress had been actually taking those things seriously from the getgo. If the "limited times" were actually limited in a meaningful way -- only for enough years as is necessary to establish an incentive for scientists and artists to continue creating -- it would be much less worrisome for copyright holders to exercise the kind of control they've been granted.

    12. Re:More proof as to who is "helped" by copyright by Abcd1234 · · Score: 1

      But does it work? No.

      Uh, says who? How doesn't the original conception of copyright not work?

      I can certainly accept that the *current* system is busted, thanks to copyright term extensions (god damn you, Sonny Bono) and the DMCA. But I fail to see the proof that copyright, as a concept, is unworkable.

    13. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 2, Insightful

      In a free market without regulation, we do see SOME mega-companies that grow into being a majority of the market provider. On such "monopoly" was Standard Oil, which was never a monopoly -- they were large because they lowered the price of oil to the end user every few months. They were never an evil company, but they were sued and dissassembled due to the competitors who could not produce oil as cheaply. When we think of monopoly, we think of high prices and restricted products. The free market of competition seems to give us MORE choice, LOWER prices and HIGHER quality everywhere that it still exists. Look at PC hardware. Look at the new online media. We have more choice because of the lack of regulation -- and competition keeps quality and prices in check (and forces things to get better with time).

    14. Re:More proof as to who is "helped" by copyright by raehl · · Score: 3, Insightful

      Well, it's not a statement on who is right, merely that you can't allow your constitutional rights to be taken away just because you're not interested in that particular right, because then when the leadership changes, they'll make off with the rights you do want.

    15. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 3, Insightful

      That is the problem with all concepts that entail using the monopoly of force that we call government -- things don't exist as you or I would wish. We could vote for people with our ideas, but they'll never enact them exactly as we wish. Even worse, with time we end up living with laws that our fathers, grandfathers or great-grandfathers created to deal with limited problems but are now existing in manipulated versions to help a select elite few.

      I'll accept government with one condition: a sunset clause on that government every new generation (10-12 years). Destroy all laws and regulations, and force society to regroup and attempt to make new ones. Maybe even create a 2 year period where there are no laws at all except for the basic property rights: don't hurt someone's physical body or property. I think we'd see amazing growth in human development and charity rather than tyranny and disregard for basic rights.

    16. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0

      > And, for what it's worth, protecting the integrity of artistic works strikes me as a worthy use of copyright.

      What integrity? Seriously, what integrity do they have? They do the same mods for airlines, etc. And I don't buy any BS about their reputation being harmed when it's very explicit how the work has been modified and by whom.

      And why, exactly, can they not say that the unskippable DVD previews or commercials are also part of this nebulous "vision"?

      But then again, I freely admit that I am totally against the idea of IP and even "moral" rights for art, save _only_ attribution. But, ironically, unlike dada21, I do not base this on libertarian principles, but on the greater public good. I see no value in IP. The only rights I fully recognize, honestly, are those of attribution.

      Yes, I know. You might try to claim that this falsely attributes a modified work to them. But I already explained that the disclaimer inherent in purchasting a "cleaned" version of the work completely obliterates that argument in my mind.

      They know what they're buying. You and the studios have NO right, IMHO, to stop them.

    17. Re:More proof as to who is "helped" by copyright by exp(pi*sqrt(163)) · · Score: 2, Insightful
      if someone copies your movie (with or without hacking it), how would you battle them in court?
      How do you battle anyone who has reneged on a contract with you and has more access to lawyers than you? There is nothing particular to IP here.
      --
      Doesn't it make you feel good to know that our freedoms are protected by politicans, lawyers and journalists.
    18. Re:More proof as to who is "helped" by copyright by Abcd1234 · · Score: 2, Insightful

      Umm... that's quite the randroidian rant, you have there, but I fail to see how it answers my question. You stated that copyright doesn't work. Why?

      And before you start, I should point out that the copyright system, as it exists *today*, is buggered up not because it's enacted by the government, or that it's a federal law, but because the US democratic system itself is broken, thanks to the acceptance of institutionalized bribary by it's citizenry. Quit equating money with speech and make bribary illegal, and I guarantee you, the US will be better off.

    19. Re:More proof as to who is "helped" by copyright by pete-classic · · Score: 1

      Agreed.

      My comment was meant to convey that neither is right.

      -Peter

    20. Re:More proof as to who is "helped" by copyright by StikyPad · · Score: 1

      That's a pretty big leap of logic from X and Y don't work (in your opinion), ergo nothing works.

      Infrastructure -- The highway system, telephone and power (mandatory service), spectrum management, the FAA
      Science -- NSF, NAS, NIST, NASA, PTO, USGS, NOAA
      Environment -- National Park Service, NEA
      Arts -- NEA, NEH
      Education -- Grants & loans, The other other NEA

      So yeah, the federal government, like any other source of power, tries to increase its domain and is probably exceeding its ideal role these days, but that's not equivelant to every federal project being a failure.

    21. Re:More proof as to who is "helped" by copyright by digitaldrake · · Score: 1

      Does public welfare at the national level work? No. Does retirement funding at the national level work? No. Nothing seems to work at the national level -- all national laws sound great when you read their titles, but the descriptions show the fallacy of a large central government.

      What planet are you on? Public welfore only fails because those people who are on it stay on it. It was meant as a temporary help, not a permanent solution. Now because of those people staying on it the program is massively underfunded. Retirement funding doesn't work because there are fewer people employed today on average than when it was instituted, plus the cost of living has skyrocketed since then and the dollar hasn't even begun to catch up. Do not blame the government when a program doesn't work exactly like it was planned, or when it doesn't work to your liking. In most cases the reason for government programs failing can be attributed to one thing, lack of funding. When was the last time you or anyone you know voted yes on a tax raise to support the poor, the elderly, or our schools?

    22. Re:More proof as to who is "helped" by copyright by ClamIAm · · Score: 1

      Cartels exist because they have the legal monopoly to do so.

      Um, yep. There's no possible way that a cartel can exist by the use of force, or deception, or something else. Cartels can only exist when the big bad Government takes away your Freedom(tm). Never mind the fact that some anarcho-capitalist values lead directly to cartels. One example: the level of private property rights advocated by anarcho-capitalists.

      Of course, the textbook response to this is that any cartels will be taken care of by The Market. The Market is completely impervious to Bad Coercive Things like wage-slavery, greed, propaganda, discrimination, and so on. Bad Coercive Things like this will only happen when you give up your Freedom to those awful Governments.

      Honestly dude, I often wonder if you are really just an extremely elaborate troll. "Dada" indeed.

    23. Re:More proof as to who is "helped" by copyright by wall0159 · · Score: 1

      Interesting. I'm not familiar with Standard Oil. I guess my opinion is that we need some legislation to 'keep the free-market free'.

      What's your opinion on the Microsoft antitrust? Should MS be able to coerce PC sellers to include Windows? Should they be able to deliberately obfuscate APIs and interfaces to thwart other OSs? Should they have been able to engineer IE to render google more slowly? I would think these things would be legitimate in a "totally" free-market, without legislation.

      Your example of PC hardware is interesting. Do you think there'd be the same investment in research if one's competitors could just rip-off one's inventions? I also think it's interesting that online media companies are engaging in anti-free-market tactics - also known as DRM (while I do concede that this is helped by stupid legislation).

      Adam Smith's ideas assumed that the customer was in possession of all the facts. I think we need legislation to prevent corporations taking advantage of stupid/ignorant/distracted customers. Contract law is all very well for large and infrequent deals, but who has the time to check the contract every time they want to buy a song online?

    24. Re:More proof as to who is "helped" by copyright by cpt+kangarooski · · Score: 1

      Actually, that power is specifically granted to Congress as far as intellectual property is concerned. The Constitution is pretty clear that it's a federal power.

      Well, remember that all the powers of the federal government originate in the states and the people. The federal government hasn't got any inherent powers. As it happens, copyright has never been exclusively federal. Most of the states had their own copyright laws prior to the creation of the current government, and continued to have them where they did not conflict with federal laws (since the supremecy clause would favor the federal government). Even today, there are still some active state copyright laws on the books. Presumably the federal government could preempt all of them (it has preempted most) in order to make sure that the federal laws worked in the manner that they desired, but they haven't, and it still wouldn't make copyright laws an inherently federal-only area of legislation.

      Of course, the Constitution is also pretty clear that artificial monopolies (patents, copyrights, etc.) on intellectual property are supposed to be granted "for limited times."

      No, it only says that for copyrights and patents. Trademarks and trade secrets are under the commerce clause, which has no limited times requirement, and no requirement of promoting progress.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    25. Re:More proof as to who is "helped" by copyright by cpt+kangarooski · · Score: 1

      Actually copyright (and patents) is explicitly mentioned in the constitution as something the Federal Government is responsible for. I'm not sure legislation at the state level is even constitional, not without an act of Congress anyway.

      That's incorrect; states are free to do so as well, and they do, so long as federal supremecy is respected.

      And, for what it's worth, protecting the integrity of artistic works strikes me as a worthy use of copyright. Nor is it necessary to be a giant cartel to win, as Gilliam vs ABC (one of the first "moral rights" cases) proves.

      That was not a moral rights case, and it is a totally unworthy avenue for copyright to go down. Copyright is about promoting the public interest, and the public is served just as much from unauthorized derivatives as it is from encouraging original works. The only real issue is how much of our rights in works do we want to temporarily give up in order to encourage the creation of original works. Artistic integrity is totally irrelevant to copyright policy.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    26. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0

      Honestly dude, I often wonder if you are really just an extremely elaborate troll.

      That probably stems from the fact that you feel your opinions are innately superior.

    27. Re:More proof as to who is "helped" by copyright by AvitarX · · Score: 1

      How is retirement funding at the national level not working?

      It may not be as much as some people want, and too much for others, but overall I would say it works quite well. It is certainly one of the worse examples for broken national level polocies I can think of.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    28. Re:More proof as to who is "helped" by copyright by The+Snowman · · Score: 2, Insightful

      So, we should have massive social programs and regulations and raise taxes to support them? If we don't have a tax and spend government, it doesn't work?

      Bullshit. Cut taxes, cut spending, let states and private organizations handle most of what the government does. I'd cut half the federal government and throw it in the garbage, and take the other half and shrink it to essential functions. THEN our government would work at the national level, and people would get the services they need closer to home, where they can be more effective. All massive taxes, spending, and regulation does is redistribute wealth -- federal taxes beyond the bare Constitutional duties are basically welfare.

      --
      24 beers in a case, 24 hours in a day. Coincidence? I think not!
    29. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      Interesting. I'm not familiar with Standard Oil. I guess my opinion is that we need some legislation to 'keep the free-market free'. What's your opinion on the Microsoft antitrust? Should MS be able to coerce PC sellers to include Windows? Should they be able to deliberately obfuscate APIs and interfaces to thwart other OSs? Should they have been able to engineer IE to render google more slowly? I would think these things would be legitimate in a "totally" free-market, without legislation.

      Great questions. Both these questions are very well explained from a free market perspective in the Mises Institute article titled The Gates-Rockefeller Myth. They had an old article titled Priviledged Producer. The other article I like is Anti-trust, anti-truth.

    30. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 4, Informative

      Nothing works. Thanks to the Mises Institute for battling all your fallacies of working government:

      The FAA Is a failure PDF WARNING
      The Government's Highway System
      The FCC and telephone tragedies of government
      NSF irresponsibility
      NAS PDF WARNING
      The Trouble with NASA
      PTO
      USGS failures
      NOAA
      National Park Service - more
      NEA

      and as for education, let's look at No Child Left Behind and the Department of Education PDF WARNING.

      That enough?

    31. Re:More proof as to who is "helped" by copyright by digitaldrake · · Score: 1

      So you think that the individual states have done better in the past? The last time the individual states ran things before the national government got involved we had: the worst stock market crash of all time, states that would not recognize another state's currency, race and gender segregation the likes of which you have never seen, and a host of other screw the other guy mentalities. We weren't a country but rather a loose confederation of oligarchy's out to make the most buck they could. Anarchy-Capitalism at its finest.

      Without the federal government's national social programs, do you honestly think that a black person in the deep dixie states would ever get any kind of help? If you do you are a hell of a lot more blind than you let on.

      Besides, had you actually read the post, I never said that we needed massive social programs, I said we needed to actually fund the ones that are currently in play. How can anyone say a program doesn't work when it wasn't funded properly to begin with?

      I have about had it with every tom, dick, and harry critisizing the government for their social programs. How many people on /. has gone to, will go to, or currently is in, college? Of those who answer yes, how many of you actually paid for it out of your own pockets, up front? Grants, most of which are funded by the government, stafford loans are backed by the government, the majority of the programs you were involved in at any school were funded mostly by the national, not the state, government.

      You took my little comment to the furthest extreme that I didn't mean, so how about I do the same with yours?
      Do you honestly think your tax burden would be less if the states ran things? Would you really like to see air rates triple because each state now emposes their own air traffic tax that is different from everyone else's? Or how about when you just drive across the boarder to the next state, but oh, since you aren't a citizen of that state you have to pay a toll, it keeps their taxes down you know. Or how about frieght costs quadrupeling because each state has their own driver's licence requirements and now a cdl is something you have to have a certification for in each state you plan on driving through? There is no more FAA because we have cut federal taxes for it, so now the airlines can do whatever the hell they want. Or even worse there are now mini-faa's in each state that do things just slightly differently and to be allowed flight through their airspace the airline has to conform or fly around, taking rates up even further.

      Dog social programs and taxes all you want, I'll take those any day over all that crap.

    32. Re:More proof as to who is "helped" by copyright by zotz · · Score: 2, Insightful

      "I would think these things would be legitimate in a "totally" free-market, without legislation."

      MS's market is by definition not a free market...

      Just about everything I know that they sell is protected by copyrights and patents.

      And what are copyrights and patents?

      Government interventions in the market... Think about it.

      "Your example of PC hardware is interesting."

      Here again, this is not a free market. There is so much that is patented in a PC it is not even close.

      all the best,

      drew
      (da idea man)

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    33. Re:More proof as to who is "helped" by copyright by roscivs · · Score: 1

      So you're saying that Gates is simply a producer of "great products and low prices" and the only people complaining are "evil, plunder-seeking competitors and their paid professional obfuscators"? Is this really the position you're taking?

      --
      ~ roscivs
    34. Re:More proof as to who is "helped" by copyright by wall0159 · · Score: 1

      From Priviledged Producer:
      "Microsoft... ...are the targets of promonopoly interference by the U.S. government" and
      "What I suggest is a definition of monopoly that... ...is: Monopoly is a market or part of a market reserved to the exclusive possession of one or more sellers by means of the initiation of physical force."
      yet..
      "Similarly, to the extent that France or any country has, or has had, legislation designed to protect large numbers of small merchants, such as butchers, grocers, and haberdashers against the competition of more efficient large chains, that too constitutes the forcible reservation of a market or segment of a market to the exclusive possession of one set of producers"

      I don't know that this is relevant. As with anything, there are degrees. French law is quite protectionist of their small merchants - that shouldn't be used as an arguement about market regulation per se. It's an example of using a specific instance to argue against a concept - an invalid arguement.

      Then why does Microsoft's lack of interoperability not constitute a 'forcible reservation of a market', and how would a lack of legislation protect the market from such things occuring? (namely: Should MS be able to coerce PC sellers to include Windows? Should they be able to deliberately obfuscate APIs and interfaces to thwart other OSs? Should they have been able to engineer IE to render google more slowly?)

      I think the difference between merely being successful, and being oppressive is the deliberate construction of artificial barriers to entry to the market. Microsoft did this, and so too are Apple with FairPlay (in my opinion).

      To be honest, I'm skeptical about that URL you're citing. I think they're biased at best. Those articles do not represent an analysis of the antitrust case. Instead, they use it to make an arguement for deregulation of trade. I think they have an agenda (but then, I guess I'm a little left of centre ;-).

      Interesting reading, anyway!

    35. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      So you're saying that Gates is simply a producer of "great products and low prices" and the only people complaining are "evil, plunder-seeking competitors and their paid professional obfuscators"? Is this really the position you're taking?

      To a point, yes.

      Here's the situation: where Gates gets preferential treatment from government (local, state, federal or international), I am against Microsoft COMPLETELY. This includes patents and copyright, which I am against. When he gets preferential treatment from market pressures, I am for his business. I have owned my IT business for over 18 years -- a very profitable one that grows between 20 and 60% every year. While we provide many FOSS services, Windows is repeatedly our #1 requested operating system by over a 50:1 margin, even including some of our top tier billion dollar customers. Why do they want Windows? Because it runs their programs.

      I use over 400 programs a month on average. Some are FOSS (Wordpress, Apache, etc), but many are Windows-based. They work very well for me and I have very few problems. I only run THREE Microsoft apps regularly (Windows and DOS mostly), and the other 4xx programs are written by other companies. I see no monopoly, I see no coercion.

      Microsoft "forces" me to sell their OS with my PCs per my licensing agreement with them. I am happy to do it because 98 out of 100 customers request Windows specifically on their purchase orders. The 2 out of 100 that don't understand they'll pay more for a fresh install of *nix to their specs -- Windows frees up my employees for at least 4-6 hours per PC per install. The INDUSTRY makes Microsoft successful, not any form of coercion.

      When government requires a program, I am against it. Usually they require outdated specs, though. I just saw a government bid that still specs Windows 98 for a job that will have a punch list of April 2007.

    36. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      Then why does Microsoft's lack of interoperability not constitute a 'forcible reservation of a market', and how would a lack of legislation protect the market from such things occuring? (namely: Should MS be able to coerce PC sellers to include Windows? Should they be able to deliberately obfuscate APIs and interfaces to thwart other OSs? Should they have been able to engineer IE to render google more slowly?)


      Simple: Microsoft does that in order to rightfully protect their market. They are not doing it to be uncompetitive, in fact open standards exist but no majority of users exists that really wants to support it. I don't want to support open APIs anymore -- we tried installing Open Office on 3 huge networks that we support and they were ALL failures. Returning to Windows/Office made a huge increase in efficiency for the customers AND their customers.

      Microsoft's use of incompatible systems can be dismantled by a good competitor -- no competitor has done it successfully because no one spends as much R&D money (and marketing money) as Microsoft does. I don't think Microsoft will be a competitor in 10 years, though, as the network is changing faces as it has every 5-6 years for most of PC history.

      Microsoft uses persuasion and market-demand to create their products. Governments like France create artificial monopolies AGAINST what the users want to create their products. You can select non-Microsoft products in thousands of situations (and are forced to use them in zero, at least versus competition). You can't select a mega-provider in France, though, because government says it is evil.

    37. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 2, Insightful

      So you think that the individual states have done better in the past?

      We did do better -- 1776 to 1865. The dollar was stable for nearly 200 years, the individual states as a whole were very competitive and prosperous, and we were the wealthiest nation in less than 100 years.

      The last time the individual states ran things before the national government got involved we had: the worst stock market crash of all time,

      Created by the Federal Reserve, my friend. The dollar was stable for almost 200 years until the FEderal Reserve destroyed it. Since 1913 the dollar has lost 96% of its value. How can the poor save, now?

      states that would not recognize another state's currency,

      Good, currency should be a free market provided product, preferably 100% gold reserves. Read Rothbard's free e-book: What Has government done to our money? to learn more about free market currencies and why we had a Great depression.

      race and gender segregation the likes of which you have never seen,

      Most of which occured because of the White Supremecist Abe Lincoln and his hatred of the black race. Too much proof there to even begin. Lincoln created the worst segregation which continued up until even the 80s in the south and the north.

      and a host of other screw the other guy mentalities. We weren't a country but rather a loose confederation of oligarchy's out to make the most buck they could. Anarchy-Capitalism at its finest.

      Competition, growth, a growing country of entrepreneurs and freedom advocates. Slavery was bad EVERYWHERE in the world -- only in the US did it take a war to "end" and the war didn't even end slavery -- the free market of industrialism did. Lincoln hated blacks, he wanted to deport them after the war. He supported the law in Illinois that prevented blacks from entering the state!

      Of those who answer yes, how many of you actually paid for it out of your own pockets, up front? Grants, most of which are funded by the government, stafford loans are backed by the government, the majority of the programs you were involved in at any school were funded mostly by the national, not the state, government.

      Before government grants, most education was EASILY afforded by people who wanted to go. In fact, there are FEWER people getting value of out college since its liberalization. The Federal government destroyed college affordability through licensing and grants (supply and demand).

      Would you really like to see air rates triple because each state now emposes their own air traffic tax that is different from everyone else's? Or how about when you just drive across the boarder to the next state, but oh, since you aren't a citizen of that state you have to pay a toll, it keeps their taxes down you know. Or how about frieght costs quadrupeling because each state has their own driver's licence requirements and now a cdl is something you have to have a certification for in each state you plan on driving through? There is no more FAA because we have cut federal taxes for it, so now the airlines can do whatever the hell they want. Or even worse there are now mini-faa's in each state that do things just slightly differently and to be allowed flight through their airspace the airline has to conform or fly around, taking rates up even further.

      Competition means most of these things would exist in a competitive market rather than a federally union-monopolized one. The FAA in Canada was privatized and it is one of the most efficient ones ever -- in fact, it is safer and cheaper than the US' FAA. Freight costs are cheaper to ship from LA to China than from LA to New York (I know, I just started an import/export business). Driver's licenses are another state-created regulation that makes costs higher -- I believe that insurance companies can do a better job of providing driving priviledges in a free competitive market than the DMV or the Feds could offer.

      Much of what you're ranting about are problems created BY the state, not fixed by it. More research is available, if you want links.

    38. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      You, and no one else, can name a single company that attained any sort of monopoly WITHOUT government allowance. They don't exist naturally, they never will. If a company gets to the top of their market and corners a large percentage, they have to compete EVERY DAY to keep themselves at the top. This means better prices, better and safer products, more competitive wages, more competitive benefits, and happier customers and employees. Only government destroys these items by enforcing elite-run monopolies to exist without competition.

      There are no natural monopolies, only government has the power to create them.

    39. Re:More proof as to who is "helped" by copyright by Karma+Farmer · · Score: 1
      Honestly dude, I often wonder if you are really just an extremely elaborate troll. "Dada" indeed.
      You wonder if he's a troll? Of course he's a troll. He trolls slashdot to get attention and drive up the advertising revenue on his blogs. He's never been shy about admitting it, either. And he admits very frankly that since he never has anything particularly intelligent, interesting, or insightful to say, he's found that the best way to get people's attention is by trolling.

      I have absolutely no way to know if believes the absolutely absurd things he posts on slashdot. But I am certain that he does not post to spread his beliefs (whatever those may be). He posts because he makes money doing it. He's the Slashdot equivilant of adware or spyware. He destroys the medium for his own personal benefit.
    40. Re:More proof as to who is "helped" by copyright by ClamIAm · · Score: 1

      I've already read your original post. I don't need to read it again.

    41. Re:More proof as to who is "helped" by copyright by sbeckstead · · Score: 1

      Dude, you need to re-read Lord of the Flies. Sheesh we get a few like you in every generation! your naivete is charming.

    42. Re:More proof as to who is "helped" by copyright by Bamafan77 · · Score: 1
      You, and no one else, can name a single company that attained any sort of monopoly WITHOUT government allowance. They don't exist naturally, they never will.
      MS became a monopoly through a combination of intelligence and bad moves by competitors, not by government allowance. How has government allowance made them a monopoly? Unless you define "monopoly" as owning 100% of market share rather than 90%.
      If a company gets to the top of their market and corners a large percentage, they have to compete EVERY DAY to keep themselves at the top. This means better prices, better and safer products, more competitive wages, more competitive benefits, and happier customers and employees. Only government destroys these items by enforcing elite-run monopolies to exist without competition. There are no natural monopolies, only government has the power to create them.

      Well, it's been proven that MS has deliberately crippled competing products. Consumers by and large don't care because these competitors die young and they still get decent products at low prices. However, should MS be allowed to cripple competing products like this?

      The best "real" world analogy I can think of is imagining a hypothetical world where GM makes tires in addition to selling cars. Suppose they engineer their tires to fall off the axles of Nissans. Now presumably Nissan could simply buy their tires elsewhere, but should GM be allowed to do something like this with no repurcussions? They are essentially deliberately destroying someone's property .

      This is essentially what MS did with DR-DOS. While I agree that MS does often provide a good product at a decent price (flamesuit on), they did come up with some pretty interesting shenanigans to get their current monopoly (however, I consider 90%+ market dominance a monopoly).

    43. Re:More proof as to who is "helped" by copyright by StikyPad · · Score: 1

      It's easy to say they're all failures when you enjoy the benefits of them every day. Try living in a country with none of the above for a few years, and then extoll the virtues of minimal government.

    44. Re:More proof as to who is "helped" by copyright by FLEB · · Score: 1

      The only problem I see in your argument is non-transferability. If you prohibit transfer, the copyright becomes economically worthless, or at least much more difficult to use. That which cannot be transferred cannot be sold. Of course, perhaps (probably, I think) I'm reading you wrong as to what you mean by transferability.

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
    45. Re:More proof as to who is "helped" by copyright by SonicSpike · · Score: 1

      I am a libertarian as well.

      You do realize that Congress has every right as laid out in the Constitution to award copyrights if they so choose to, right? They can also choose to make all copyrights void and null of they want to as well.

      Congress is not guilty of violating the Constitution in this case. In my opinion however I think they are guilty of violating the 'spirit' of the Constitution. Copyright terms of "Infinity -1" is absurd in my opinion and goes against the direct intent of the Founding Fathers when setting up the government.

      I think there is a careful balance that should be in place, and we are WAAAAAY unbalanced at this point in time. I think 10-25 years should be the max that a copyright should be exploitable before it enters the public domain. At that point it is either a part of our culture, or was a flop, so there is no need to hold onto it.

      --
      Libertas in infinitum
    46. Re:More proof as to who is "helped" by copyright by gumbi+west · · Score: 1
      Thank you so much for posting this stuff, it's hilarious. The one on the FAA is a real zinger.

      Airlines are free to setup their own safety regulations to add on to the federally required ones, but they don't. This means that the market solution would have the same or a lower level of security than the present system. Alternately, airlines could be forced to pay for any damages done by planes--but these companies have no money and would just go bankrupt before they could pay for real damages, so they would be distorted even more towards less security. Also, allowing insurance is no different than the current system.

      But the rest of the paper uses the logic, "If they regulate a system, and it isn't perfect, then all the problems must be with them!" i.e. blaming the FAA for delays because they run air-traffic control. If the market would really bear a better system, then they would simply offer to pay for one (via a tax on the industry) and the system would be there. As is, they are just complaining that the size of the subsidy is too small.

      It's a real pleasure to see such confused libertarians.

    47. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      I don't see Microsoft owning a 90% share of the PC software market. I've said it before, I recently ran a study of all the programs I use in a month, and I use over 400 different applications (locally and online). Of those applications, only 3 are Microsoft's. Their OS is used by all because Microsoft has gone through a great deal of pain to make sure it works for the masses -- which it does.

      The DR-DOS/MS-DOS situation is very unique. The #1 problem I see with it is that Microsoft's first line of defense (if memory serves me correctly) was based on patent, copyright and other IP tactics, which I don't believe would exist in a free market. Secondly, I see no reason why any company can not introduce incompatibilities within their products in hopes of battling the competition. My own businesses do it all the time (we sell our own OEM products which require our own hardware, a la a dongle), and Microsoft did nothing to prevent the marketing of DR-DOS. If DR-DOS was concerned about incompatibilities, they should have written around them or done a better job of acquiring OEMs, which they didn't.

      As a long time DOS user (I started using PCs in about 83), I can tell you that DR-DOS was a waste for me for many reasons, the first of which was third party support! I remember the hell I went through getting my multinode BBS running with DR-DOS and DesqView (ugh!). It had nothing to do with MS-introduced incompatibilities on my end as I ran no MS software (Lotus, DesqView, and my BBS apps as well as Illustrator and Quark). In the long run, it was DR-DOS' inability to adapt to the marketplace that killed them.

      I know people believe that Microsoft was found guilty of being a monopoly, but all I see is a company that works extra hard developing new markets and is prone to recurring failures over and over and over again. If it wasn't for their awesome technet blogs, I'd be way behind in my IT market -- Microsoft goes above and beyond the call of duty in supporting my business, my employees and my customers. The same can't be said of HP, Autodesk, Xerox (shudder, don't start me on the Versatecs that I lost hundreds of thousands on), Epson, and the rest -- they've dropped the ball repeatedly.

      Do I like Windows? NO! I would love for the day that *nix and OO were stable enough to run, just because the $600 that my users would save would be used for other things that I'd make MORE money on. But Microsoft drives customers to me, and *nix does not. It is sad, yes, but I see no monopoly -- just good competition.

    48. Re:More proof as to who is "helped" by copyright by drsmithy · · Score: 1
      Cartels exist because they have the legal monopoly to do so.

      Cartels exist because they're the only logical conclusion of a free market. The freer the market, the quicker it's dominated by cartels.

      With that said, I'm all for abolishing copyright. The production of creative works should be a service, not a product.

    49. Re:More proof as to who is "helped" by copyright by drsmithy · · Score: 1
      Well, it's been proven that MS has deliberately crippled competing products.

      Which products ?

      This is essentially what MS did with DR-DOS.

      How ?

    50. Re:More proof as to who is "helped" by copyright by Saint+Fnordius · · Score: 1

      The interesting thing here is that patents were intended to protect the individual inventor from larger competitors stealing their ideas. All to do with plows at one time, according to the dusty, unused portions of my memory that once cared. The concept was that without patents, inventors would be discouraged from working on new innovations if everybody was just going to steal their ideas and they would get no compensation. In an ideal world, the patent wouldn't forbid anybody from implementing the idea as long as they compensated the inventor.

      Copyrights were supposed to do a similar function when the printing press came out. Publishers would pay authors to write new content, and other movable-type publishers would just copy their text, undercutting their price since they had no author fees to recoup. By giving the author the right to declare who was allowed to make copies of his work, this was supposed to encourage more artists to publish.

      The irony nowadays is that both systems have been so modified that they actually stifle the innovation and creation that they were supposed to foster. Patents are wielded to suppress competition. Copyrights are extended and abused to prevent derivative works. Companies like Cleanflix, which respected the spirit of the law, are clubbed with the letter of the law.

      We need both patent laws and copyright laws, but in their current state they no longer fulfil their purpose. As we move into an age where the act of publishing becomes less important, as the cost of copying media becomes trivial, we need to rethink how authors and inventors are compensated.

    51. Re:More proof as to who is "helped" by copyright by Almost-Retired · · Score: 1

      The only problem I see in your argument is non-transferability. If you prohibit transfer, the copyright becomes economically worthless, or at least much more difficult to use. That which cannot be transferred cannot be sold. Of course, perhaps (probably, I think) I'm reading you wrong as to what you mean by transferability.

      This has been the mainstay of my argument regarding copyright law remolding for many years. The fact that the original artist/writer/whathaveyou must actually sell his copyright, and I mean every right & title he ever had in the work as the originator, to some megacorp publisher/exploiter in order to realize a damned dime for his effort, is the most rancorous thing in the current law once the outragious time its now valid has been brought back under control.

      The title to the work should IMO, be locked in the originators name, for the duration of the copyright granted to him/her, and not for sale, ever. He should be able to negotiate a publication agreement for a fixed term of say 5 years, with that publisher then having the "copy" right to exclusive use of that work within the bounds of that contract. At the end of that contract, that publishers right to publish (copy) is terminated unless a new contract seems to make viable business sense, and the copyright itself remains with the original author for as long as the copyright is deemed to last, beit 10 years or whatever. If the publisher hasn't done a good job, then the author should be free to negotiate with another publisher once the first publishers "copy" right granted in that contract has expired.

      As the system currently works, most authors die as paupers. Occasionally one hits the big time, like J. K. Rowlings, but in todays near monopoly over access to a printing press, those are rare birds indeed.

      --
      Cheers, Gene

    52. Re:More proof as to who is "helped" by copyright by Jah-Wren+Ryel · · Score: 4, Insightful

      Copyright law is about respecting the creations of others

      That claim is false.

      At least it is false in countries that, like the USA, follow the Anglo-Saxon common law definition of Copyright. The US Constitution says so explicitly -- "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries." There is nothing in there about "respect" - it is quite simply 100% about increasing the body of public knowledge.

      While you, like many others, may disagree with the US constitution. You might feel that an author has "moral rights" to the result of his labors. You would still be wrong.

      --
      When information is power, privacy is freedom.
    53. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0

      dada21, I don't often agree with you, but by damn you hit the nail on the head with that one.

      Well said.

      ~werewolf1031 as AC (already modded here)

    54. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0

      Have you even read to the end of Lord of the Flies?

      Who "rescued" the survivors...?

    55. Re:More proof as to who is "helped" by copyright by zotz · · Score: 1

      [We need both patent laws and copyright laws, but in their current state they no longer fulfil their purpose.]

      We may or may not need them, I am not making that point. I do agree with you that they are broken as they stand and need to be fixed if we are to keep them.

      My point is more that we should not make free market arguments with respect to "goods" protected by copyrights and patents as there are no free markets in those goods.

      Government intervention in the market is deep in the heart of those markets and so discussion of further government intervention in said markets to fix problems that are hurting the public should not be met by those benefitting from those government interventions in the first place with cries of "let the market decide!"

      A fairly simple point really. (I have deeper ones, I am just not making them now.)

      all the best,

      drew
      (da idea man)

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    56. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      So what can you do? Make copyrights addressable only to an individual, not transferable, and revokable on demand by the licenser? I don't think that will work either -- I'd rather see content protect by contract than by legal requirement. Even better, I'd like to see easily duplicated content protected by DRM (yes, it sounds ugly) as a deterrent to copying, and I'd rather see it also freely available if it isn't DRMd -- with the creator selling value added options to supplement their income.

    57. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 2, Interesting

      Yet is it proven time and again that quality comes from competition not legally-enforced monopoly.

      Where are lines faster -- the grocery store or the DMV?

      It is ridiculous to think that the US government has made airlines SAFER. The airlines were "off the hook" BECAUSE of FAA mandates -- the big airlines openly WELCOME FAA mandates because they know it sets an unbearably high (and inefficient and useless) standard that most competitors won't be able to meet.

      If an airline is given 100% responsibilities for its future, why would they want an explosion or a crash? If tort were properly returned to a more free-market system, insurance companies would have more reason to be involved in the safety of their customers.

      The FAA _is_ guilty of 9/11 as well as flight delays. When Canada privatized their FAA, delays went from one of the worst in the Western world to one of the best, if not THE best. Unions are inefficient, public ones are terrible.

    58. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 2, Insightful

      I appreciate it!

      I think that _most_ of my anarcho-capitalist thoughts (and convictions) comes down to the end game: if a law is to work for an individual (like yourself, or like me), how do we take advantage of the law if someone commits a crime regarding that law? Will the police work on our behalf? Will we be financially responsible to hire a legal team?

      When my store was robbed (almost $50,000 gone in one night) and my insurance policy wasn't modified properly (my fault!), the police did NOTHING to track down the robbers. They were too busy radaring speeders that night to patrol my area. What good are they?

      When my wife almost died after a glass pan kitchen explosion, she was saved by a private ambulance company -- the public one came 4-5 minutes late, and she'd have been dead from loss of blood. I'm glad I called 3 companies.

      I don't see how the law can help me -- I can't afford to fight anyone with power. In a free market, I could fight anyone through competition -- especially if I didn't value my time as much as they did! I could plan on saving for the future because the government wouldn't be destroying my savings and wealth through fiat currency inflation, and I could try my luck at a new industry because I wouldn't have to go through elitist and monopolistic licensing schemes (and my customers would be taking a chance, but might get a huge savings in the process).

      Government IS evil, but most people think it works for them. Wait till you need them for some reason, then you get the real picture.

    59. Re:More proof as to who is "helped" by copyright by indifferent+children · · Score: 1
      So yeah, the federal government, like any other source of power, tries to increase its domain and is probably exceeding its ideal role these days, but that's not equivelant to every federal project being a failure.

      You haven't drunk the LP koolaid. Repeat after me: the US government has never done anything right and destroys creativity and innovation. That is why the US has the lowest standard of living in the world, no large corporations, and no technological innovation. This also explains why so many people in the US are fleeing south to Mexico. War is peace.

      --
      Censorship is telling a man he can't have a steak just because a baby can't chew it. --Mark Twain
    60. Re:More proof as to who is "helped" by copyright by fenderized · · Score: 1
      The fact that the original artist/writer/whathaveyou must actually sell his copyright, and I mean every right & title he ever had in the work as the originator, to some megacorp publisher/exploiter in order to realize a damned dime for his effort, is the most rancorous thing in the current law once the outragious time its now valid has been brought back under control.

      Factory Records are interesting as they kicked against the system, allowing the bands to keep their tracks. Also they're well known. Of course, Factory also don't exist anymore, but I'd suggest that generally dodgy business practices, such as their best selling single costing them money for each copy sold, were to blame in the long run. Never the less, I don't think Factory can be viewed as a failure, as what they helped to produce stands up to scrutiny.

      I did find this from the band Section 25 while I was doing a quick check:

      "Certain" musicians brought the conversation round to contracts or more specifically in Factorys case the lack of them. Tony said we all had something far than valuable than contracts we had "Freedom, The freedom to fuck off".My brother and I were not convinced and certainly would have preferred the slavery of up to date accounts and regular royalty cheques.Tony seemed to think this kind of thing a piffling distraction from the main purpose of subverting the music biz.

    61. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0


      Where are lines faster -- the grocery store or the DMV?


      The DMV? You actually GO to the DMV? Dude. Don't you know that you can do most business with the DMV online? The only time you have to go to the DMV is when you have to be tested or have your picture taken. (and in those cases you can make a reservation so, no lines) Working with the DMV online is easy, fast, and costs no more than going there.

      I wish I could say the same for the grocery story.

      Yeah, yeah. Flame on.

    62. Re:More proof as to who is "helped" by copyright by WillerZ · · Score: 1

      Highways in the US are appallingly bad compared to those in the EU. Cars sold in europe typically have stiffer suspension for better handling in corners, yet the ride is better than in the US because the roads are smoother.

      All this is subjective and based on my personal experience of driving in the US and a few EU states.

      --
      I guess today is a passable day to die.
    63. Re:More proof as to who is "helped" by copyright by Johnny5000 · · Score: 1

      Where are lines faster -- the grocery store or the DMV?

      I think I see the source of your confusion-
      you're buying food at the DMV.

      I can't think of any other reason why you'd compare lines at the grocery store to lines at the DMV,
      since they provide two completely different services.

      --
      The libertarian solution to the failures of capitalism is to apply more capitalism til the failures are fixed.
    64. Re:More proof as to who is "helped" by copyright by tinkerghost · · Score: 1
      If you prohibit transfer, the copyright becomes economically worthless, or at least much more difficult to use. That which cannot be transferred cannot be sold.
      Not at all. That's the whole deal with liscensing. I own the copywrite to The Greatest Novel Ever but I will, for a certain fee & percentage of profits, allow you to publish it. Oh, you want to do a second printing? Um, Company B just offered me $obscene and 3%. Can you beat it?
      Tying the copywrite to the actual creators of the work does not inhibit the financial incentives at all. You just can't play as many games. Of course - what do you do with works for pay?
      No the biggest [ok debabably] problem with copywrites right now is that the 'automatic' copywrite system that's in place in combination with the near permanent copywrite term, has created a [blink size=bigger than screen]huge[/blink] pile of works that are orphans. Nobody can determine who exactly owns the copywrite for the work, so it's in a legal limbo - rationally it should be public domain, but instead it's just an oddity nobody can use.
      You want to cut down on this crap? Reinstate copywrite registration, along with periodic renewal. You don't renew your copywrite every 5 years, it goes PD. And for the record, owning the rights to something for 75 years after I die is not really an incentive for me to create something. And extending the copywrite to 99 years for corperate owned copywrites does nothing for the Public domain.
    65. Re:More proof as to who is "helped" by copyright by Uzik2 · · Score: 1

      I agree with you, but think this is a good thing.
      This is the predictable result of legislation passed for
      emotional and political reasons. After it bites people
      in the butt enough times maybe they'll figure out
      "that dog don't hunt" and repeal it. It's "pain therapy"
      for all the idiots.

      --
      -- Programming with boost is like building a house with lego. It's a cool but I wouldn't want to live in it
    66. Re:More proof as to who is "helped" by copyright by Politburo · · Score: 1

      Here we go again.. I repeatedly try to get people to realize what most Federal legislation does, especially regulatory legislation: it removes rights from the individual

      We've battled on environmental regulations in the past, and again, I challenge you: Name one significant pollution reduction that was not a result of regulation. Furthermore, what rights are removed when it is forbidden to dump oil in a river, or spew soot into the air uncontrolled? The right to fuck up the planet for the rest of us?

    67. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0

      Dude, why don't you move to north Korea, sounds like the place for you.

    68. Re:More proof as to who is "helped" by copyright by tbannist · · Score: 1

      Why keep property rights specifically?

      Of course, your idea would lead to complete anarchy. You might be in favour of that, but if you dissolve the police, fire, and emergency services and you're going to get a Nation-wide case of New Orleans fever. Property rights will be, in effect, if not in word dissolved along with everything else. Those who have less will be quite willing to take what they don't have from those who have it.

      --
      Fanatically anti-fanatical
    69. Re:More proof as to who is "helped" by copyright by tbannist · · Score: 1

      Where are lines faster -- the grocery store or the DMV?

      In Canada, it depends on what time of day you go, but in my experience the lines are about equally long. There's rarely more than 1 person in line in front of me at either location.

      --
      Fanatically anti-fanatical
    70. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0
      Huh? While I rarely agree with dada, he does get me thinking sometimes and I like and respect that.

      I don't understand how suggesting to someone who hates government to go live in a government-dominated society sounds like the right place for him.

    71. Re:More proof as to who is "helped" by copyright by tbannist · · Score: 1

      Please re-read the section of copyright on moral rights before you make a fool of yourself in public again.

      --
      Fanatically anti-fanatical
    72. Re:More proof as to who is "helped" by copyright by PMuse · · Score: 1

      But does it work? No. . . . Nothing seems to work at the national level . . .

      Let's not forget that no plan/ law/ system is perfect. At this level, something "works" if it is better than the next-best alternative.

      We now return you to your regularly-scheduled debate of what it means to be "better than", already in progress.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    73. Re:More proof as to who is "helped" by copyright by tbannist · · Score: 1

      You do realize that PC hardware was "opened" due to the anti-trust case againt IBM, don't you?

      Of course, the anti-trust investigation against IBM was likely also a determing factor in allowing Microsoft to retain ownership of DOS.

      --
      Fanatically anti-fanatical
    74. Re:More proof as to who is "helped" by copyright by Anonymous Coward · · Score: 0

      2 Reasons:
      1>That is typically what you get when you take out the government. There is no such thing, take out or criple the government and you get some kind of dicator/warlord or People's repulic (or whatever other worse option).

      2> In that country all content is owned by the people, no IP, no patents, all owned by the people. (Doesn't work in practice, but hey neither do all the other crap this guy is trying to pass as a vision).

    75. Re:More proof as to who is "helped" by copyright by sasdrtx · · Score: 1

      Really? Name one.

      I don't consider the extra burden on big businesses to be a drawback.

      --
      Most people don't even think inside the box.
    76. Re:More proof as to who is "helped" by copyright by servognome · · Score: 1

      Where are lines faster -- the grocery store or the DMV?

      DMV. Been to Walmart lately? They have 25 registers, but only 4 open... they know they can get away with bad service, because people value the $.50 they save more than the time they wait in line. Besides, DMV allows me to do most of my transactions online.

      If an airline is given 100% responsibilities for its future, why would they want an explosion or a crash? If tort were properly returned to a more free-market system, insurance companies would have more reason to be involved in the safety of their customers.

      Airline safety would become a cost-benefit analysis, a few crashes might be an acceptable cost of business.

      The FAA _is_ guilty of 9/11 as well as flight delays. When Canada privatized their FAA, delays went from one of the worst in the Western world to one of the best, if not THE best. Unions are inefficient, public ones are terrible.

      The failure of 9/11 was due to a failure of the privatized baggage screening process, not the FAA.

      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    77. Re:More proof as to who is "helped" by copyright by RogerWiclo · · Score: 1

      EXACTLY! Some of the comments seem to think the copyright is an "inalienable right." It is not. It is a law meant to benefit society in the long run by making sure the artist or producer is rewarded in the short run. How does "Mickey Mouse" law that increases the copy write length from 50 years to 75 years help society? It doesn't. You say I can't pay someone else to edit my movies? How does that help society? How does that help the artists in the short run or the long run? (The only argument I've read is that the quality may be low and tarnish the reputation of the artist. I've rented and bought movies from Flicks. They have added a note at the beginning and end of every show that they edited and refer you to a website for questions. They have their name on the DVD and the DVD case. Trust me, you have to have an IQ under 85 to not know you are watching an edited movie.) Tell me this, at what point below have I broken the law? That is, at what point have my actions hurt the artists or society? 1. I buy a DVD and skip through sections of the movie I don't like. 2. I get tired of skipping every time, so I edit the DVD. 3. I get tired of editing every movie, so I ask a friend to edit for me. (for free so far) 4. My friend gets tired how much time it's taking him to edit movies. I agree to compensate him for his time by paying him. 5. I get tired of buying movies and running them over to my friend. So he buys the movie, edits for me, and I pay him back for the DVD, plus the compensation for his time. 6. Another friend finds out what we are doing, and arranges to also buy edited movies from my friend. How is any of that different then what Flicks is doing? How does any of that in any way hurt the copy write holder, or society?

    78. Re:More proof as to who is "helped" by copyright by deinol · · Score: 1

      Where are lines faster -- the grocery store or the DMV?

      So what, if we privatized the DMV we'd get faster lines? We have slow lines because nobody wants to pay more taxes/DMV fees which would be required to hire more staff. A private company running the DMV would either cost the citizens more (because they'd pay their workers the same but charge a little bit more for their own profit) or have even worse service (hire less workers so they can charge the rates you are used to and still have some profit.)

      Service costs money. When was the last time you went to a large warehouse style store and got speedy service?

      --
      Got Apathy?
    79. Re:More proof as to who is "helped" by copyright by dada21 · · Score: 1

      Public unions pay for more unnecessary workers than private companies do -- the DMV is a big example of a TON of waste because public funding pays for all that waste and no one can get fired. The more that are employed, the more will vote for the two parties that control the funding. Simple coercive math is all one needs to see that a privatized driving license program makes MUCH more sense. I'd rather see Allstate providing driver's licenses to those they license than a State that has no idea what the market needs. The State DMV is a "one size fits all" program, a private competitive driving priviledge contract makes more sense all around.

    80. Re:More proof as to who is "helped" by copyright by Fordiman · · Score: 1

      Unfortunately, copyright in any system where campaign contributions and lobbying are legal will extend its own powers; ie: all a copyright collector needs is to have one smash hit.

      That collector now has greatly increased power and influence (due to having gobs of money) and a motive to use it (extension of his own very profitable copyright). The collector will lobby and schmooze politicians as much as is most effective (s/he may do a cost/benefit analysis to determine this). S/he may even fail, but there is always a good percentage of any population with copyrights and there is always a percentage of those copyrights representing smash hits. As such, it's only ever a matter of time between a rational copyright and the irrational set of copyright laws we have today.

      They're an economic addiction in any form, and the result, I predict, will be a barren, lifeless public domain, aside from open source and creative commons projects.

      --
      110100 1101000 1101000 1100110 0 1101111 1101000 1100011 1
    81. Re:More proof as to who is "helped" by copyright by raehl · · Score: 1

      What about the extra burden on small businesses?

      I run two businesses where we have events at various places around the country. Every new location we go to is a different set of registration and taxing requirements. Complying with those regulations costs money, which then gets passed on to customers.

      It is silly to have a 'I don't like them so wasted resources is ok as long as it's their wasted resources'. That's not the way the economy works. When you make it less expensive for businesses to operate, EVEN big businesses, those savings get passed on to the consumers. Or possibly those savings get invested into improving the business so it's more efficient in other ways. As an economy, we only get so much production every year - yes, we could let you have it your way, and create piles of regulations so that every business has to employ hundreds of people to make sure regulations are met, but then none of us would be able to eat because we'd all be working making sure regulations were met and there wouldn't be anybody left to grow food or drive the trucks to transport it.

      Big business may be poor at distributing wealth, but forcing them to waste wealth meeting extra regulations that don't accomplish anything isn't the answer.

    82. Re:More proof as to who is "helped" by copyright by wall0159 · · Score: 1

      I agree with you. Perhaps I expressed myself badly. What I meant when I said 'respecting the creations' was really 'giving financial compensation to the creator (of useful things) to encourage the act of creation.'

      Cheers! ;-)

    83. Re:More proof as to who is "helped" by copyright by StikyPad · · Score: 1

      Yet is it proven time and again that quality comes from competition not legally-enforced monopoly.

      True. I forgot we'd never have IE6 if not for competition with Netscape, or AOL without competition from Compuserv, GEnie, et al. Except that municipal internet is gaining popularity while people are being left behind by ISPs "competing" for urban subscribers. Competition is good, as long as it doesn't end. But "winning or losing" is the natural conclusion to competition, and once enough competitors are weeded out, you have a monopoly, so it's a bit of a Catch-22. But competition and monopoly each have their place.

      It is ridiculous to think that the US government has made airlines SAFER. The airlines were "off the hook" BECAUSE of FAA mandates -- the big airlines openly WELCOME FAA mandates because they know it sets an unbearably high (and inefficient and useless) standard that most competitors won't be able to meet.

      Yeah, yeah.. "Government is bad, +1 insightful!" I know it's popular to demonize government, and I'm going to continue to be ignored by mods unless I'm making a post about vanishing 4th Amendment Rights, but you're still making hasty generalizations. Citing a few problems does not mean that the whole thing is ineffective. Air traffic control in the US is the best in the world, and you might not care about high maintenance standards, but some of us do. It's a barrier to entry? Too f'ing bad.

      If an airline is given 100% responsibilities for its future, why would they want an explosion or a crash?

      Look at ValueJet, putting O2 canisters in the cargo hold without inspecting them. Okay, it was actually the company that certified them safe for transport, but nonetheless, ValueJet had serious maintenance problems to begin with -- enough that it muddied the actual investigation and provided tons of false leads. Of course companies don't want their planes to crash, but people are falliable.. they are tempted to take shortcuts by lowering costs and raising profit margins. They don't EXPECT the planes to crash, they just figure they can get by with slightly lower standards. Is it a good long-term strategy? Of course not. Will they get weeded out when their planes start falling out of the sky? Sure. But isn't it worth the extra cost to make sure they never get to fly in the first place? I think it is. I'm happy that planes falling out of the sky are still statistical improbabilities and are rare enough that they're still newsworthy. But I digress.

      The DMV isn't even Federal, so that's irrelevant to an argument about the efficacy of Federal government. My passport, on the other hand, arrived in three weeks instead of the promised six. My tax returns always arrived in under 2 weeks (back when I was foolish enough to have more deducted than I owed). I didn't see any major gaps in the road the last time I drove cross country. I'm glad people are getting Pell grants so they can go to college. I'm glad we have a space program. I'm glad there's someone regulating standards, so we know that the gallon of gas we're paying out the ass for is an actual gallon of gas.

      We take much of what the government does for granted. As I mentioned previously, until you've lived somewhere with a completely inept government, it's difficult to look at things objectively. Look at Africa for a perfect example of society with weak/bad government, where food and medicine can't even reach people because there are no roads or airports. Look at Brazil where deforestation goes unchecked. Hell, look at the US under the Articles of Confederation, when the federal government barely had the power to convene sessions of congress.

      Don't get me wrong, I believe that things should be handled at the lowest level possible AND I believe the Federal government is a bloated mess, but the Fed still has more to do than just maintain a military; in fact that should be one of its lowest priorities. Mistakes and problems != don't work. Government absolutely has problems, and lots of them, but that doesn't mean we should just throw our hands in the air in surrender and say that imprefections mean the whole thing is worthless.

    84. Re:More proof as to who is "helped" by copyright by StikyPad · · Score: 1

      Well, I'm pretty liberal, but I try to keep things in perspective. Unfortunately, it's the all-or-nothing, baby-with-the-bathwater hellraisers who get all the attention.. just human nature I guess.

    85. Re:More proof as to who is "helped" by copyright by StikyPad · · Score: 1

      You've missed the point entirely. Highways in EU are FEDERAL projects, so that's not an argument against Federalism. Moreover, 2nd best != last place. Plenty of places around the world have NO highways, which I think you'll agree is a less desirable condition.

      Also, people in the EU pay out the ass for their roads in the form of fuel taxes -- something which I'd be happy to do, but the majority of people in the US apparently would not.

    86. Re:More proof as to who is "helped" by copyright by cpt+kangarooski · · Score: 1

      AFAIK I haven't made a fool of myself in public on this issue yet.

      First, 106A was not in this case.

      Second, 106A does not apply to movies anyway.

      Third, Gilliam was not a moral rights case. It was a derivatives right case and an unfair competition case. The court there even said that "American copyright law, as presently written, does not recognize moral rights or provide a cause of action for their violation, since the law seeks to vindicate the economic, rather than the personal, rights of authors."

      I'm familiar with moral rights. They're absolute bullshit, are incompatable with our legal traditions and copyright policies, and should be purged from our laws never to darken them again. They're an excellent example of how our law has been twisted and corrupted. But at least I know when they are and are not relevant. Maybe you should read up on them before you make a fool out of yourself again.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    87. Re:More proof as to who is "helped" by copyright by Jah-Wren+Ryel · · Score: 1

      You stated that copyright doesn't work. Why?

      I'll answer that, although I don't have the time to elaborate on every detail.

      In brief - copyright is about putting restrictions on a non-rivalrous good so that it takes on the market characteristics of a rivalrous good. That approach used to be reasonably feasible when limitations in technology had the same effect -- essentially all copyrighted material was fixed in some kind of physical form that was itself rivalrous (e.g. a book, a record, a CD, etc).

      But the net changed that. Information does not have to be fixed in a rivalrous good any more. It can be redistributed in a purely non-rivalrous form. So copyright can no longer rely on the "laws of nature" for primary enforcement.

      Copyright is against human nature - the natural inclination to share knowledge that we think is useful. Human society is based on information sharing. We probably would not have even been able to get to the level of apes without information sharing.

      So now we are left with an essentially unenforceable restriction that goes completely against fundamental human nature. I can't think of a situation more broken than that.

      --
      When information is power, privacy is freedom.
    88. Re:More proof as to who is "helped" by copyright by eosp · · Score: 1

      The services are irrelevant. What he's saying is that you can't set up your own DMV. With no accountability through competition (what will they do if we're too slow? stop us?), you're stuck with bad service. With the grocery store, they could go elsewhere, and you lose all your business.

    89. Re:More proof as to who is "helped" by copyright by gumbi+west · · Score: 1
      Last time I went to the DMV in my state the office was run better than my local drug store or grocery store as you say. Here are my expierences.

      DMV:

      • There was a greater who welcomed me and then after I looked confused as to where I should go politely asked me if I needed help and directed me to the right place to go;
      • every person was kind and polite;
      • there was not a line longer than one person (including me);
      • the fees were reasonable ($10/license).
      Grocery store / drug store:
      • I have to chase people to get help;
      • checkout clerks rarely acknowlege me until they ask "credit or debit" often carying on long conversations with other clerks loudly and taking a "rest" between every person they serve;
      • The lines are often 10-20 minutes long;
      • the costs are through the roof.
      BTW, I live in one of the nations largest cities (top five) and both the DMV and the grocery stores are inside the city limits.

      You have to realize that if your free-market claims were true, states would be one of the most competitive markets in our system (there are 50, far more than other industries) and you would be asking me where I live so that you could move here for the great DMV.

      But let me also point out that you spoke past me on my centeral claims. There is a moral hazard if the airline is allowed without cash on hand to pay for the maximum possible dammage caused by a plane--say $50 billion. This is 10 times American's market cap, they could never get their hands on that amount of money. So they would have to insure. But then there is a moral hazard, so the insurance would have to come up with regulations, rules generated by a bureaucrat. This would be the same as the linked FAA paper's "centeral planner." You have exchanged a public system with a private system that has the exact same problems but also all sorts of additional management overhead.

      Also, regarding your claims about public unions having problems, I would ask you what expierence you have had with this. At the macro level, the medicare is opperated with about two to three percent overhead, contrast this with private insurers at about 20 to 30 percent. At a microlevel, I have worked for one of these and I can tell you that my boss fired two of the fifteen people that worked for him in his five years on the job; this is possible and it's just that managers don't do it. In another example, I know a teacher who said there is a underperforming teacher at their school. They have said that the union does not object to firing this person and has told this to the management--it is management that is holding the ball.

      Just for contrast, I have another friend who worked for a fortune 50 company and one year (of the 15 years they worked there) the president decided that the company was going to fire people--turning over a new leaf. They fired on person in this person's division (the manager, 180 people all told) and there was an ungodly amount of paperwork and BS.

      This amounts to, in my mind, evidence pointing to companies and the government having inefficiencies, moral hazards, and problems opperating--we are all just human. Someone who thinks that simply removing a government from various spaces will instantly increase efficiency and make everyt thing perfect is just plain wrong, I think it's hummorous how libertarians try to convince themselves of this (i.e. my GP post).

  2. A helpful demonstration by Slashdot by Ckwop · · Score: 4, Insightful

    At the bottom of most of Slashdot's pages it says:

    "All trademarks and copyrights on this page are owned by their respective owners. Comments are owned by the Poster. The Rest © 1997-2006 OSTG."

    Since the copyright to each post is owned by the posters and the editors quoted entire posts verbatim, I doubt that their use qualifies as fair under US Copyright law.

    It is ironic then that the editors are trying to stoke up discussion on what represents a reasonable limit to copyright while unintentionally demonstrating why the law as it currently stands is horribly broken.

    Just a thought for a Tuesday evening!

    Simon.

    1. Re:A helpful demonstration by Slashdot by dada21 · · Score: 2, Interesting

      Excellent comment -- if I hadn't posted already I'd mod up for sure.

      My only problem is with your phrase that copyright is "horribly broken." If it is broken, how do you fix it?

      I know a lot of slashdot/FOSS advocates love Lessig's Creative Commons, but to me CC is just another shill for state-destruction of individual rights. In EVERY situation where the law is supposed to protect you (and the "crime" is so easy to accomplish), you will have zero power to protect those rights that the law seems to create. Even under CC, how can you enforce the law that backs it up? With what money, with what attorney, and in what court?

      Copyright is dead -- not broken. Copyright is useless and enables nothing; no one creates because of copyright. I repudiate copyright on every single thing I publish in the public eye (blogs, music, video productions, etc). I use the free distribution of information to increase my billable rate for people who want to know more about my trade secrets: I'll write about things I can do, and then charge customers more for the secrets I hold back. That is where the power of creation is: in creating a bigger market for your private knowledge or unique talents (such as a band performing live for a fee but giving their digital music aware freely).

    2. Re:A helpful demonstration by Slashdot by Jerf · · Score: 3, Insightful

      There is an implied license granted to Slashdot when you post to do what Slashdot does. I think you'd have a hard time standing up in court and claiming damages from Slashdot doing exactly what you expected Slashdot to do.

      Could that be a little more bullet-proof? Yes. Does it matter? Not until someone sues them and tries to make this argument. I don't think that's going to be anytime soon.

      Copyright's broken, but this isn't one of the ways in which it is broken.

    3. Re:A helpful demonstration by Slashdot by Jerf · · Score: 1

      Per Overzeetop's comment, scratch my post. There is an explicit license, although honestly, it sure is hard enough to find...

    4. Re:A helpful demonstration by Slashdot by Moofie · · Score: 1

      You forgot about the fact that they are a) attributed, and b) for purposes of discussion and/or criticism.

      So yeah, sounds like fair use to me. Nice try, though.

      --
      Why yes, I AM a rocket scientist!
    5. Re:A helpful demonstration by Slashdot by Admiral+Justin · · Score: 1
      I shall quote the Terms of Service, which is linked on the bottom of the page, oddly, right below that copyright notice...

      With respect to text or data entered into and stored by publicly-accessible site features such as forums, comments and bug trackers ("OSTG Public Content"), the submitting user retains ownership of such OSTG Public Content; with respect to publicly-available statistical content which is generated by the site to monitor and display content activity, such content is owned by OSTG. In each such case, the submitting user grants OSTG the royalty-free, perpetual, irrevocable, non-exclusive, transferable license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, perform, and display such Content (in whole or part) worldwide and/or to incorporate it in other works in any form, media, or technology now known or later developed, all subject to the terms of any applicable license.


      It smells like... permission to use these posts as they wish.
      --
      You will be baked, and there will be cake.
    6. Re:A helpful demonstration by Slashdot by timothy · · Score: 2, Informative

      File a bug report :)

      I agree with you -- it should be clearer that Slashdot may display a reader's comment in more than one context. I've requested this, too, but it's one of those things which timewise so far hasn't been high-priority. I'm sure not (yet) a lawyer, but I do think that implied license when posting to a public forum is plentifully sufficient, *really*, but making it more explicit is a good idea. I'll lend you some patience, if you lend me some right back ...

      timothy

      --
      jrnl: http://tinyurl.com/c2l8yr / foes: http://tinyurl.com/ckjno5
    7. Re:A helpful demonstration by Slashdot by Abcd1234 · · Score: 1

      Copyright is dead -- not broken. Copyright is useless and enables nothing; no one creates because of copyright. I repudiate copyright on every single thing I publish in the public eye (blogs, music, video productions, etc). I use the free distribution of information to increase my billable rate for people who want to know more about my trade secrets: I'll write about things I can do, and then charge customers more for the secrets I hold back. That is where the power of creation is: in creating a bigger market for your private knowledge or unique talents (such as a band performing live for a fee but giving their digital music aware freely).

      Which is why you're not an example of the type of person copyright was invented to encourage. Copyright exists to encourage the creation of works by those who would otherwise choose not to create, due to the risk that they would be unable to profit from their creations. You yourself said that you have trade secrets which you protect (something which is, BTW, codified in law) from which you make your income. This is most certainly *not* typical of your average artist, who makes money solely from the books they write, the paintings they create, or the movies they envision. So, I would contend that copyright law is not so much broken as inapplicable to your situation.

    8. Re:A helpful demonstration by Slashdot by cei · · Score: 1

      Since the copyright to each post is owned by the posters and the editors quoted entire posts verbatim, I doubt that their use qualifies as fair under US Copyright law.

      No, regardless of the elsewhere mentioned clause that gives them the right to reproduce content, the items reproduced here are done in a way to promote discussion and would fall under fair use.

      What would be ironic would be selectively editing portions of an individual's content contribution (from one post).

      --
      This sig intentionally left justified.
    9. Re:A helpful demonstration by Slashdot by Anonymous Coward · · Score: 0

      Excellent comment -- if I hadn't posted already I'd mod up for sure. My only problem is with your phrase that copyright is "horribly broken." If it is broken, how do you fix it? I know a lot of slashdot/FOSS advocates love Lessig's Creative Commons [creativecommons.org], but to me CC is just another shill for state-destruction of individual rights. In EVERY situation where the law is supposed to protect you (and the "crime" is so easy to accomplish), you will have zero power to protect those rights that the law seems to create. Even under CC, how can you enforce the law that backs it up? With what money, with what attorney, and in what court? Copyright is dead -- not broken. Copyright is useless and enables nothing; no one creates because of copyright. I repudiate copyright on every single thing I publish in the public eye (blogs, music, video productions, etc). I use the free distribution of information to increase my billable rate for people who want to know more about my trade secrets: I'll write about things I can do, and then charge customers more for the secrets I hold back. That is where the power of creation is: in creating a bigger market for your private knowledge or unique talents (such as a band performing live for a fee but giving their digital music aware freely).

    10. Re:A helpful demonstration by Slashdot by alshithead · · Score: 1

      I can't argue with you at all. Holding back information is a great idea for your situation. It preserves your ability to make a profit on your product. My big issue with this is that if I create a work, of any kind, I want total control as to how it is distributed unless I sell the distribution rights. Don't edit my shit without my permission. Maybe that extremely violent scene is integral to the message I am trying to send. Maybe that sex scene is integral. There is no way you should be able to edit my work and distribute it without my permission. To me that is a huge part of what copyright is about.

      --
      I reserve the right to think for myself. Others' opinions are optional. Puppy on lap = typos...not illiteracy.
    11. Re:A helpful demonstration by Slashdot by ak_hepcat · · Score: 1

      Actually, I read it as:
      With respect to text or data entered into [....], the submitting user retains ownership [...];
      with respect to publicly-available statistical content [...], such content is owned by OSTG.

      And of course OSTG reserves the right to do what they wish with the content that they claim they own in the
      preceding sentance.

      Not what you've typed in and submitted as a comment.

      --
      Support FSF: Stop thinking with your wallet, and think with your imagination. (cc/non-commercial)
    12. Re:A helpful demonstration by Slashdot by gstoddart · · Score: 1
      Since the copyright to each post is owned by the posters and the editors quoted entire posts verbatim, I doubt that their use qualifies as fair under US Copyright law.

      It is ironic then that the editors are trying to stoke up discussion on what represents a reasonable limit to copyright while unintentionally demonstrating why the law as it currently stands is horribly broken.

      Nah, somewhere in the license for Slashdot will be a guarantee they can use comments for editorial/other purposes. The posts are yours, but by posting them on Slashdot's server, I'm betting you've agreed to give 'em the right to use them. They're owned by a VC firm, they've got lawyers too. :-P

      They're properly quoted and attributed, it's like a citation in any other context. Completely fair use and probably in accordance with their user agreement.

      Cheers
      --
      Lost at C:>. Found at C.
    13. Re:A helpful demonstration by Slashdot by Anonymous Coward · · Score: 0

      It is ironic then that the editors are trying to stoke up discussion on what represents a reasonable limit to copyright while unintentionally demonstrating why the law as it currently stands is horribly broken.

      You must be talking about the the Alanis Morissette version of irony, not what irony really is.

    14. Re:A helpful demonstration by Slashdot by bit01 · · Score: 1

      As long as somebody who edits your work and on-sells it does not misrepresent it as your work you should should have no say in the matter.

      ---

      Creating simple artificial scarcity with copyright and patents on things that can be copied billions of times at minimal cost is a fundamentally stupid economic idea.

    15. Re:A helpful demonstration by Slashdot by pointbeing · · Score: 1

      Normally on a discussion board the poster owns his/her comments and the board owner has a collective work copyright on the thread.

      --
      we see things not as as they are, but as we are.
      -- anais nin
    16. Re:A helpful demonstration by Slashdot by Eccles · · Score: 1

      And I want a pony.

      If you don't want to lose control over it, don't sell it to me.

      Or how 'bout just stop being a control freak? I have some creative endeavors, and as long as you make it clear you've modified my original, have a ball modifying them.

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    17. Re:A helpful demonstration by Slashdot by alshithead · · Score: 1

      I'll consider your reply fair. Here's an example I'd like to have your opinion on. Suppose I paint a painting and sell it. Should the new owner of that painting be entitled to have the painting reproduced and sell posters of it? Or even better, should they be able to modify my painting and then reproduce and sell it? If someone takes one of your creative endeavors and modifies it in a way that really sucks how would you feel? I'm not a control freak. If I want to maintain control then I'll either not sell it, like you said, or I'll only sell with a contract or rider that specifically states how the work can be used.

      --
      I reserve the right to think for myself. Others' opinions are optional. Puppy on lap = typos...not illiteracy.
    18. Re:A helpful demonstration by Slashdot by honestmonkey · · Score: 1

      Hate to just have a "me-too" post, but thanks for pointing this out. In my view, people who don't like copyright are just wrong. Copyright law protects the "little guy" as well as the big shot Hollywood directors. Without it, if I have a story and publish it, someone else can take that story, put it out under their own name and make money/get fame/get all the chicks, and I have no recourse. WITH copyright law, I can show that it's my story and get compensation.

      Now, the court system might be slow or expensive, but that's another kettle of fish to fry. And if I get a big-time publisher to put out my story, then I have an easier time in the courts as they have more money, and more incentive to help me out.

      All this happens (as originally envisioned) for a limited time. So the courts might be "broken", and Congress might be "broken" (for extending the copyright law time limits too much, as with the Bono law), but overall, copyright law is not bad or broken. Not everyone has trade secrets to protect. Some people just want to put out a story.

      An analogy, admittedly bad, is something like: Say you put out a birdbath in your front yard. All your neighbors love it. However, it gets stolen, and so you put out another. It also gets stolen. Since there are no police, and you can't afford to watch your front yard all the time (thus no enforcement), you eventually give up on the idea of having a birdbath, much to the sorrow of your neighbors, who liked the birdbath. You also decide not to put out the flowerpots, which your neighbors were really excited about when you mentioned it to them. What are you going to do here? Put up a big wall, a lock on the fence and only let your neighbors in to see the "secret"? That's what folks who don't like copyright law want to occur.

      --
      Everything you know is wrong, Just forget the words and sing along.
    19. Re:A helpful demonstration by Slashdot by Eccles · · Score: 1

      Suppose I paint a painting and sell it. Should the new owner of that painting be entitled to have the painting reproduced and sell posters of it?

      I have no objection to finite term restrictions on reproduction/distribution. You would be free to do that now with the Mona Lisa or (looking to my left) Among the Sierra Nevada Mountains, California, 1868, for example.

      If someone takes one of your creative endeavors and modifies it in a way that really sucks how would you feel?

      "Wow, that sucks!" (laugh)

      Seriously, though, I can see one reasonable basis for concern. Suppose (for example), one hacked a copy of "Star Wars" so the Empire were clearly Jews, and the Rebels Christians or Muslims. George Lucas would have grounds for complaint if people, on viewing it, started believing he was an anti-Semite.

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    20. Re:A helpful demonstration by Slashdot by alshithead · · Score: 1

      Great. I didn't think we were too far apart on the issue. One of the biggest problems with copyright and fair use is the very broad area it covers. There are so many types of works covered and so many possible uses and abuses.

      --
      I reserve the right to think for myself. Others' opinions are optional. Puppy on lap = typos...not illiteracy.
    21. Re:A helpful demonstration by Slashdot by tbannist · · Score: 1

      Then you run into the reverse situation where I take his work, cut a 1-second bit of silence from the movie, and sell it as my own work.

      --
      Fanatically anti-fanatical
  3. going to burn some karma here... by Anonymous Coward · · Score: 0, Offtopic

    but what the hell is the summary saying?

    Many readers found stifling Judge Richard P. Matsch's decision yesterday that Cleanflix, a service selling versions of popular movies edited (some would say censored) to remove violence, nudity and other elements, was in violation of U.S. copyright law for selling these edited versions, while others welcomed the decision as appropriately respecting the intent of those who made the original movies..

    I've read this like 5 times and can only conclude it has something to do with US Copyright law?

  4. Who cares about their original intent? by MikeRT · · Score: 5, Insightful

    This is no better than a car company banning its customers from modding their cars on the grounds that it distorts their original aesthetics. Funny how the corporatists turn property rights into a mechanism for controlling others rather than as a foundation for individuals to control themselves...

    1. Re:Who cares about their original intent? by professionalfurryele · · Score: 2, Insightful

      Kinda a technical point but this is actually slightly different. If the judge hadn't ruled the way he has, the GPL would be dead. Here is what I see as being the problem. This company is selling a derivative work. They are not modifying an existing work without distribution, they are selling a derivative. Sure, they require you to bring in an existing copy, but they do not use that copy, they give you a new one.

      If they took that copy and modified it on behalf of the owner, and did not distribute the work, or if the person who bought the work did the same, then I think this should be counted as fair use. However, you have to hand over all copies of the work at the end, and if another client wants to job done, then you have to do the work over again.

      Consider the following situation. I want to make a closed source version of Linux, so I ask that people bring me a copy of Ubuntu and then sell them my modified version. See the problem? If this ruling was allowed then close sourcing GPL code would be as easy as giving someone a copy of the code, asking them to give it back to you, then burning the CD.

      The judge got it right in this case. You can modify works for your own use, and you can modify other works if you don't distribute, but you cant modify and distribute.

    2. Re:Who cares about their original intent? by Ahnteis · · Score: 1

      It's not distribution if you are simply giving a modified version of the original back on a 1:1 basis.

      Additionally, they make NO ownership or copyright claims on the modified version -- which WOULD be a no-no. The original copyright remains with the producer (not the oh-so-artistic director).

    3. Re:Who cares about their original intent? by ConceptJunkie · · Score: 1

      Your analogy doesn't make any sense at all.

      Here's the analogy:

      1. You buy a car.
      2. You take it to the detail shop.
      3. They paint a nice racing stripe on your car.
      4. You pay them and take your car and drive home, impressing your friends and neighbors with your cool racing stripe.

      Here's the real reason the movie types don't like this: They have been in a "smut arms race" for the last 40 years or so to see who can outdo each other. You'll notice how many movies come out with "uncut" or "unrated" versions, which of course is a good way to make more money, while being true to their "vision" (not artistic) or seeing what they can get away with. Yet the edited versions also make more money for them because unlike piracy, these _are_ sales they would otherwise not make. They are just ticked off that there is someone out there who thinks the garbage they are shoehorning into every product they sell is just that: Garbage.

      The problem is that Hollywood is the quite possibly the most conformist, narrow-minded, lock-step bunch of spineless, gutless whiners on the Earth. They would rather lose sales than for someone to publically prove that their "artistic vision" of ever-increasing sex, violence and depravity loses them sales among lots of people. If that weren't true then people would go back to making more G and PG movies, from which the majority of the most money-making movies come.

      Ego. That's what this is all about. If it were about money, they would encourage these services. If it were about censorship they wouldn't sell out with edited-for-TV or -airplane versions. It's all about ego. It's all about a bunch of insecure, insular, mostly talentless freaks, many of whom wouldn't recognize art if they saw it, which they often don't, who refuse to admit that the world isn't as depraved and sick and they want it to be.

      --
      You are in a maze of twisty little passages, all alike.
    4. Re:Who cares about their original intent? by dave420 · · Score: 2, Insightful

      It's not really a question of corporatists trying to control the people - if you sign your name to a document, would you want someone fucking with it afterwards, to make it appear as if you signed something detrimental to your image? That's what this ruling is protecting against, in this case. If Mr. Director directs a film, then some christian guy in the midwest decides he doesn't like something and cuts it out of the film, then Mr. Director no longer directed the film. I certainly wouldn't want my work being modified to shit with my name still attached. Try to think of all the parties involved, and not just the consumer.

    5. Re:Who cares about their original intent? by marktoml · · Score: 1

      Now this speaks to the heart of the matter (IMHO). See, here we have an analogy with a chunk of real property (in most places) an automobile. You bought it, you own it, do-what-the-hell-you-want-to-it. As long as it is street legal.

      Now the media 'folk' (OK, cartel) would have you agree that all you bought was the MEDIA. The disk, so have your way with that. Don't fuck with their CONTENT though, that my friend is intellectual property (in reality, that my friend, is hogwash).

      Someone already pointed out that the copyright itself is not so much broken as are the laws that the corporations have pushed through to get more control (and in their eyes more profit) which have actually perverted the intent. However, we really can't blame the corporation itself, grubbing money for their board and shareholders is what they are supposed to do. Blame ourselves and the politicians for letting them get away with it. I salute the coutries that DO NOT let their laws and regulations be influenced by the nonsense many 'American' institutions are pushing as law. DMCA, really...

    6. Re:Who cares about their original intent? by zakezuke · · Score: 1

      This is no better than a car company banning its customers from modding their cars on the grounds that it distorts their original aesthetics. Funny how the corporatists turn property rights into a mechanism for controlling others rather than as a foundation for individuals to control themselves...

      This is an amazingly good point. However you bought the car, you have ownership of the car. It's property. It's your object to do with as you please. You can add an off center racing stripe, a spoiler, some 16 inch mag wheels, and going out of your way to make it look like a big Hotwheels(tm) car. But you can't take a toyota, copy it, and sell it as a toyota. If you do, and you are and are making really ugly ones made out of fiberglass with yugo engines in them, and using the Toyota name to sell them, I'm sure they would at the very least slap you with a cease and desist order really fast.

      We are talking Copy-rights and not property-rights.

      --
      There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
    7. Re:Who cares about their original intent? by Just+Some+Guy · · Score: 1
      If Mr. Director directs a film, then some christian guy in the midwest decides he doesn't like something and cuts it out of the film, then Mr. Director no longer directed the film.

      Who cares? Mr. Director already got paid for it, and Jane Delicate-Ear knows that she bought a modified version. In fact, she paid extra to get one modified in exactly the manner she wanted, after making the conscious decision that Mr. Director's version was unsuitable for her purposes.

      People here can argue the finer legal points all they want, but I see no moral reason why Mr. Director should possibly be allowed to force me to watch his movie in a certain way or not at all. If my purchase results in him getting the full retail price for a copy of his movie, then he has no legitimate claim to what I (or an agent acting on my behalf) do with it afterward. It's mine.

      --
      Dewey, what part of this looks like authorities should be involved?
    8. Re:Who cares about their original intent? by Just+Some+Guy · · Score: 1
      But you can't take a toyota, copy it, and sell it as a toyota.

      True, but you can most certainly take a Toyota, alter it, and sell the result as a Toyota, in much the way that you should morally be able to buy a copy of a string of bits, media-shift it, chop parts out, and sell the resulting string of bits.

      --
      Dewey, what part of this looks like authorities should be involved?
    9. Re:Who cares about their original intent? by ComputerSlicer23 · · Score: 1
      Clearly you are not from Europe. There it literally is the right of the artist to control your ability to appreciate their creation. It literally is a moral issue there, as opposed to copyright in the US which is ostensible to serve the greater good of the public by encouraging the creation of new art and/or science.

      While I agree with you to a certain extent. Ultimately, I think letting the artist control there work isn't the end of the world. If there is truely demand for the content you want, it'll get served (assuming you really want cleaned up content, that is never asserted in your statement). If you are willing to pay extra for "cleaned up" content, your needs/desires will get served. People will start to make movies and what not that don't need to be cleaned up. If they aren't economically viable, they won't. I mean, there is a demand for porn, and that was really taboo at various points in history. The market place can resolve this issue, and allow the creators of content to have some assurances that their works will be preserved as they originally intended (weather that be Disney or Vivid). Which should encourage them to make content... If allowing others to sell unlicensed derived works is seen as a strong discouragement to the creation of content, it should be seen as unconstitutional. Literally, that's pretty much what the Constitution says the Congrees (and/or Federal Gov't at large) are supposed to be doing.

      I'd have to read up on the legalities of making and delivering a derived work. I mean, derived works are legitimate. I'm not aware of what the ruling would be on a derived work and what sort of arrangements must be made before I can distribute my derived work on yours. It's an area of Copyright I'm not terrible aware of the precedents and inners workings of. My guess is that it's not allowed under the law, as this is the legal machinary that is used to make the GPL work. I mean, if you can modify a movie and distribute the derived work, what is to stop a person from modifying the binaries from RedHat to remove the "naught bits", without distribution of the source? Allowing this would seriously undercut the ability of the F/OSS movement, and a lot of other licensing terms.

      Kirby

    10. Re:Who cares about their original intent? by zakezuke · · Score: 2, Informative



              But you can't take a toyota, copy it, and sell it as a toyota.

      True, but you can most certainly take a Toyota, alter it, and sell the result as a Toyota, in much the way that you should morally be able to buy a copy of a string of bits, media-shift it, chop parts out, and sell the resulting string of bits.


      Again, this falls under the catagory of property rights, perhaps even trademark rights. I would "imagine" looking at your analogy that one would have to disclose the fact that the Toyota in question is not stock, and the fact that it's a used car not sold by Toyota. Toyotas reputation would not be affected by some joker who decided to drop a v8 hemi into a Tercel, not unless it wasn't disclosed that it was an afermarket modification. Usually the fact that it looks like a hotwheels car is a dead giveaway, and though I think it stupid and a waste of time to make a car look like a big arse hotwheels car, it's phsyical property with physical ownership, you can do with it what you like. You can call me stupid for painting my wheels blue, but it helps me find my car in parking lots.

      Morality is beside the point, you don't have the right to copy a string of bits created by someone else that is still protected under copyright without their express permission and sell it. The moment you do this and it leaves your posession, you created a bootleg, an unauthorized derivative work. It doesn't matter what you think of the creative work, it doesn't matter whether you think they will make more money, or wish to edit something you and others you know find as moraly objectionable. You simply have no right to do so, not without express permission. I'm not saying it's wrong... I'm not saying don't enjoy a good bootleg or unauthorized subtitling of a foreign work, only you have no rights to do so.

      The arangement was in exchange for complete control over your creative work you in turn agree to give up that work to the public domain after a set period of time. This would include the copyrights on much of the GNU and BSD licensed software which tends to be popular around here. Some Joe might think the people who release software under these these licenses are stupid, moronic, and a bunch of idealistic hippies out to change the world. But they have every right to be stupid, moronic, and the God given right to be a bunch of idealistic hippies seeking to change the world.

      For example... Bruce Springsteins "Born in the USA" was a song I first noticed doing the Reagan election year IIRC (note my brain is fuzzy between Reagan and Bush), and I thought to my self what a terrible thing, stupid pro-war song. It was only later in life I learned that Bruce didn't license his work to be used as a political adverts and fought tooth and nail to get it removed, and it was intended as an anti-war song. This use, which i'm sure helped the song's popularity and helped make Bruce a ton of money with free advertising, did cause him irrevocable harm by giving some of the youth the impression this man was pro war, when clearly he wasn't. Bruce had every right to tell Mr. Reagan not to use his work, and legaly he was correct, morally he was even more so.

      --
      There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
    11. Re:Who cares about their original intent? by professionalfurryele · · Score: 1

      No thats not the same. Did you even listen to what I was saying. The scenario you describe should be perfectly legit. I take a copy of Ubuntu to my mate who modifies it so that it does something I want, then gives me back every copy and I pay him. Neither of us distribute it, and there is no need to pass our modifications on. The GPL is fine.

      Your analogy would be fine except that copyright is not physical property. You own your car and can do what you like with it without affecting distribution rights because there can only ever be one car like that.

      I agree with most of your counter arguements in principle but that doesn't change the fact that if this ruling had gone against the movie studios then the GPL would be dead.

    12. Re:Who cares about their original intent? by professionalfurryele · · Score: 1

      And how would your model impact on the GPL?

    13. Re:Who cares about their original intent? by TubeSteak · · Score: 1
      I think you and a lot of other people are missing the point.
      http://en.wikipedia.org/wiki/Moral_rights
      Moral rights include the right of attribution, the right to have a work published anonymously or pseudonymously, and the right to the integrity of the work (i.e., it cannot be distorted or otherwise mutilated). Anything else that may detract from the artist's relationship with the work even after it leaves the artist's possession or ownership may bring these moral rights into play. Moral rights are distinct from any economic rights tied to copyright, thus even if an artist has assigned their rights to a work to a third party they still maintain the moral rights to the work. Some jurisdictions allow for the waiver of moral rights. In the United States, the Visual Artists Rights Act of 1990 (VARA) recognizes moral rights, but only applies to works of visual art.

      You can remix music
      You cannot remix movies

      The Judge is ruling within the laws of the land.
      It's a shame that MarcoAtWork (28889) won't "buy the artistic integrity angle at all..."

      The creator has the right to selectively enforce or waive his moral rights. Just because he signed away some rights to the movie studio (so they can cut/chop/edit for TV or whatever) does not mean that anyone else can dick around with his creation.

      The Wikipedia link even has an example of a case (Monty Python no less) where the script copyright owners prevented ABC from editing the show despite the BBC's grant of broadcasting rights.
      --
      [Fuck Beta]
      o0t!
    14. Re:Who cares about their original intent? by professionalfurryele · · Score: 1

      I'm not disagreeing with the fact that the ruling is based off bogus and ridiculous moral rights. I agree that the reason for the judgement, while within the laws of the land, is daft (not the judges fault, politicians fault).

      My point is not that the directors should have won. My point is that these companies are illegally distributing. If they also try to pass the work off as original then they would infringe the moral rights of the directors because the attribution of the work would be flawed. What I believe they have the right (as in the right exists, this ruling makes it clear the right does not exist in law) to do is edit the films on behalf of the individual making the process, and then return to them a copy, along with any material pertaining to the copyrighted work so long as the work is not distributed.

      I've have been trying to find the specifics of the case to see if the only claim the directors made was the one they made based moral rights or not. If they had lost on only that count then the GPL is fine. If however there were claims based on distribution rights, and those editing the movie had won, the GPL would be dead in the water.

    15. Re:Who cares about their original intent? by MobyDisk · · Score: 1

      The parent is correct: Cars are not copyrighted. The aesthetics are covered by Design patents and the mechanics are controlled by regular patents. Copyright disallows selling derived works, but patent laws do not.

    16. Re:Who cares about their original intent? by ConceptJunkie · · Score: 1

      Upon re-reading your scenario, I think I (finally) understand what you meant by "modify" vs. "modify and distribute", but your argument against the GPL still seems completely contrived, and that's the part I don't understand.

      If the movie were instead a piece of code, then the changes made to the movie could be made public with a list of SMTPe timestamps to cut or bleep or however they alter the movie (in accordance with the GPL). I think you are essentially paying them to do something you could do yourself, but may not know how, or may not want to bother. You have modified binaries (the new disc), the source is open (i.e., the specific edits are public information), the GPL is safe and we don't have to hear yet another angry rant from RMS.

      _However_, there's a hitch that occurs to me with respect to the actual case, in which case I might side with the decision after all. The fact of the matter is, IIUC, that you (the customer) walk away with two copies of the movie: The original you bought and the copy they made for you. Ergo, you can now resell the original. I haven't read the decision or anything like that (this is /. after all), so this is only speculation, but that may have in fact been the crux of the biscuit for the whole case. Even though it is in essence meaningless that CleanFlix burns the media instead of the customer, it all probably boils down to that idea that CleanFlix is, in effect, facilitating piracy. (Of course, we still know the movie makers are cultural and artistic scumbags.)

      This would be the same reasoning behind EBGames no longer selling used PC software... it's too easy to make a copy of the game and sell the original discs. The game companies, upon realizing this, leaned on EBGames to stop selling used discs. Now while that violates the Right of First Sale, i.e., I don't think the game manufacturers could use the law to force a game seller to do this, they could through normal negotiations require this if the game seller (e.g., EBGames) wishes to still do business with them.

      Problem solved without lawsuits diluting the Fair Use rights.

      Of course, ultimately it could mean the end to used DVD sales, or even rentals, because I often hear the claim "I just rent from Netflix and copy everything I want". That's where the new draconian formats come in and why the **AA companies want the unprotected or effectively unprotected Red Book audio and DVD formats to die.

      So putting all this together, if CleanFlix could somehow (and I realize this isn't possible in real life) modify the original media so the DVD player would play the edited version of the movie, I don't think the movie studios could touch them. If CleanFlix sold you the information so you could make the change yourself, the movie studios couldn't do anything. If CleanFlix sold a special DVD player that could download (or read from a disc, etc), the specific edits and play the original disc with the edits made in real-time, the movie studios couldn't complain. I think this is consistent with the view you stated.

      It's something I've actually thought about for another reason. My all-time favorite TV show is Mystery Science Theater 3000, wherein the cast makes fun of bad movies. Even though the show ended some 6 years ago, only about a quarter of the episodes were ever released because Rhino has the reacquire the rights to the original movies in order to distribute the show on DVD. In some cases (*cough*Sandy Frank*cough*) the original rights holder has not wanted to renew the rights even though it would make them extra money... some nonsense about being offended at the relentless mockery subject upon their "art" (see my original post). However, I always thought that if it were somehow possible (at least hypothetically) to distribute a DVD that contains the data for the edits, superimposed silhouettes and additional soundtrack, the customer could buy the original movie (assuming you could even do that, but I've seen many of the original movies for sale often as ch

      --
      You are in a maze of twisty little passages, all alike.
    17. Re:Who cares about their original intent? by dynamo · · Score: 1

      Here's the real reason the movie types don't like this: They have been in a "smut arms race" for the last 40 years or so to see who can outdo each other.


      Heh, no. That's the porn industry. Your statement is pretty close to true there, and this is coming from someone who appreciates that. Go rent three or four of the nastiest looking porn movies in each genre that you can find on some internet rental service, and then come back and try calling the mainstream movie a "smut arms race". I bet you won't be able to do so without cracking up.


      If that weren't true then people would go back to making more G and PG movies, from which the majority of the most money-making movies come.


      There are people out there, most people that I've met in fact, that would strongly prefer to not see anything below a PG-13. Because we're over 13 now. Although we usually wanted to see R-rated stuff even more before reaching 13.


      Maybe your neighborhood is different. But there's nothing wrong, depraved, or sick in dealing with and making creative works about heavier or more sexual themes. There's also nothing wrong with wanting to skip parts.


      But, if you don't like their artistic vision, why are you paying for their movies at all? Make your own movies and share them or sell them.

    18. Re:Who cares about their original intent? by Neify · · Score: 1

      "distribute a DVD that contains the data for the edits, superimposed silhouettes and additional soundtrack" Yea DVD's can do this. I just saw "Muppets from Space" on DVD where they did exactly that, it was funny to watch that way. I only had time to watch the first half hour, but it made the "commentary" track pretty funny with the silhouettes. I have seen lots that have just a Sound over (usually called commentary), which is just another audio track. On the Disney DVD "Chronical's of Narnia--The Lion the Witch, and the Wardrobe" they had cute facts pop up on screen on the commentary track. Its possible to do, gettting any company to do it for a "Mystery Science Theater 3000" style silly thing might be difficult unless its already something that the owners laugh at (think like a kid) as it is. Like "Muppets from Space" being a cute laugable kids flick. Neify

    19. Re:Who cares about their original intent? by Neify · · Score: 1

      "So putting all this together, if CleanFlix could somehow (and I realize this isn't possible in real life) modify the original media so the DVD player would play the edited version of the movie, I don't think the movie studios could touch them. If CleanFlix sold you the information so you could make the change yourself, the movie studios couldn't do anything. If CleanFlix sold a special DVD player that could download (or read from a disc, etc), the specific edits and play the original disc with the edits made in real-time, the movie studios couldn't complain. I think this is consistent with the view you stated." This would be what "fair use" is all about. Except the reason the companies are complaining about CleanFlix and such, and all of the other things is that they don't want to allow "fair use" anymore. Just wait until HD-DVD and Blue-Ray are really the mainstay. You can't play them on Linux because they won't release the DRM to licencing, in fact you won't be able to play them unless it is specially made Players with all the hardware that enforces DRM. In essence what they want and what they are doing is taking away the fair use rights. Have you ever poped in a DVD that had commercials at the front, and you couldn't even skip over or fast foward the commercials (there are DVD's out there taht are like that). Well, with HD-DVD they will have even more of that, and you will be relagated to using the Players that won't allow you to do anything but watch the film with all adverts and everything they want you to see in real time just the way. It is only a matter of time before even "Edits in Real Time" won't be possible at all. So its not really about the "edits" that they are complaining, it is about who has control. And they are control freaks and want all the control. And, unfortunately, without the likes of the slashdot community up in arms over it, they will get all the control. So, CleanFlix won't even be able to create a special HD-DVD player, nor will the Linux community, all because of DRM and the DCMCA. Which is why I am sticking with DVD, and will not move to HD-DVD until I can no longer buy DVDs, and all mine are too scratched up to view. Oh wait, long before then I will make and just use and keep making and using my "backup" copy of fair use for my DVDs.

    20. Re:Who cares about their original intent? by ConceptJunkie · · Score: 1

      Well, I know you can do it on one DVD. That's the problem: You would need to acquire the rights to distribute the movie. However, you wouldn't need to do this if you sold a disc with the additional audio and video tracks that could be used to turn a completely separate copy of the movie into an MST3K episode. Of course, this would require a computer and the ability to remaster a DVD, but it would be possible in theory to sell it that way (although maybe 10 people in the world would want it).

      --
      You are in a maze of twisty little passages, all alike.
  5. Cynical Reply by Tripledub · · Score: 1

    Perhaps now the movie industry will implement thier own version of Cleanfix and sell the movies for even more to cover the labor costs. My take on this is that if cleanfix was working with the movie houses to clean up things while maintaining "Artistic Integrity" this would have been moot. As it is I cannot take a movie and alter it then give it away without giving the original can I?

    --
    The Poetry of Google Voice is very strange.
    gv-poetry.com
    1. Re:Cynical Reply by PortHaven · · Score: 1

      No, it wouldn't...because it's really all about control.

      In truth, the conglomerate is taking advantage of the anti-christian backlash to gain more territory of control and rights. Just joe-avg is to blind and apathetic to realize it.

  6. The question seems to be... by i_want_you_to_throw_ · · Score: 4, Insightful

    whether or not you can basically take a knife to someone's work, reshape it to an audience and then make money from it. The answer quite clearly is no.

    This is very important to remember: Your intention in violating copyright law is irrelevent.

    This sword cuts many different ways.

    1. Re:The question seems to be... by MarcoAtWork · · Score: 1

      actually I think you are allowed to take the knife and make money from it, as long as you don't use too much of the source material and/or you change things enough (I think that's how it works when music artists sample other songs and include them in their own). IANAL, so if anybody knows exactly how this legally works in the music arena I am all ears...

      --
      -- the cake is a lie
    2. Re:The question seems to be... by PortHaven · · Score: 1, Interesting

      So, I presume it's also wrong to modify any code. Hell, we should just chuck out the whole "open source" movement. I mean, making any mod eradicates the artistic intention of the original author.

      Yeah....

      Taking a movie that may be a fine and intriguing movie but have one small scene and eliminating it is not the end of the world. And if you've already bought the DVD, it should be within your right to NOT view such.

      Titanic is a great example for me. The stupid scene in the back of the car cheapened the whole feel of the movie for me. And no, I don't have an issue with a sex scene. But I would have preferred not to have that scene. And if I had a 9 yr old kid. I'd probably like to pass on the scene as well.

    3. Re:The question seems to be... by Moofie · · Score: 2, Insightful

      "whether or not you can basically take a knife to someone's work, reshape it to an audience and then make money from it. The answer quite clearly is no. "

      Spoken like somebody who's never heard of a "hot rod". The answer, quite clearly, is "Yes, yes you may take the Ford frame you found in a junkyard, refurbish it, do whatever you want to it, make it sparkle, and sell it for many tens of thousands of dollars."

      --
      Why yes, I AM a rocket scientist!
    4. Re:The question seems to be... by Stonehand · · Score: 1

      See http://fairuse.stanford.edu/Copyright_and_Fair_Use _Overview/chapter9/9-b.html

      for a dicussion of the criteria regarding 'fair use'.

      Music sampling is a fairly dangerous area, and likely relies primarily on the first factor -- the transformative one.

      --
      Only the dead have seen the end of war.
    5. Re:The question seems to be... by Anonymous Coward · · Score: 1, Interesting

      Why not, as long as the original creator gets paid? For example, let's say Alice is a painter, and Bob buys a painting from her. Bob then takes a knife to the canvas and cuts out the naked figure in the middle. Bob then sells this work to Carol, disclosing that it is his modification of Alice's work. Is this illegal?

      How about if I buy a PC that comes with software pre-loaded, uninstall some but not all of that software, and resell it to someone else. Is this illegal?

      What if someone blacks out all the swearwords in a book with marker?

    6. Re:The question seems to be... by Anonymous Coward · · Score: 0

      "whether or not you can basically take a knife to someone's work, reshape it to an audience and then make money from it"

      This is wrong. You're not taking a knife to someone's work; you're taking a knife to a single, purchased copy of someone's work. There is a significant difference, in direct meaning and implication.

    7. Re:The question seems to be... by cpt+kangarooski · · Score: 1

      Actually, doing that is perfectly okay; there's a law specifically allowing it for just this sort of scenario, at 17 USC 110(11). These defendants got in trouble for how they did it, not what they did. If their methods had been different, they'd be free and clear.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    8. Re:The question seems to be... by Martin+Blank · · Score: 2, Interesting
      So, I presume it's also wrong to modify any code. Hell, we should just chuck out the whole "open source" movement. I mean, making any mod eradicates the artistic intention of the original author.

      Open-source licenses generally explicitly allow the downstream user to alter the work, provided certain requirements are met, such as preserving copyright notices and licenses, so your point falls flat.

      And if I had a 9 yr old kid. I'd probably like to pass on the scene as well.

      It was rated PG-13.
      --
      You can never go home again... but I guess you can shop there.
    9. Re:The question seems to be... by Cadallin · · Score: 2, Interesting

      Except that the ruling made it clear that it is fine for YOU to do that. The problem is when I make an edit, and then sell it to YOU.

    10. Re:The question seems to be... by Anonymous Coward · · Score: 0

      Using the example above about modding cars, what about the Chip Fooses or Boyd Cottingtons. They take a design (stock) and create a modified version comprising either all or some of the original and SELL them, and for quite a premium price too. Shouldn't the auto companies (or whoever hold rights to the body design) get royalties or at least have to give them permission to modify and sell them?

    11. Re:The question seems to be... by igy · · Score: 2, Insightful

      I don't think so, the question is more akin to "Whether you can take a knife to someone's work, reshape it to an audience and make money from it, after the artist has already been paid for their work".
      If I want to pay a company to edit a DVD I've paid for and remove objectional content, that's my choice;
      I've already paid for the original DVD and the artist's been paid!

    12. Re:The question seems to be... by TubeSteak · · Score: 1
      Open-source licenses generally explicitly allow the downstream user to alter the work, provided certain requirements are met, such as preserving copyright notices and licenses
      USA & International Law doesn't specifically protect computer code.

      US Law does specifically protect visual works (movies, art, sculptures)
      --
      [Fuck Beta]
      o0t!
  7. New Use for the Clearplay DVD player by ReverendLoki · · Score: 4, Interesting

    You know, it seems to me that the Clearplay DVD player mentioned above could become popular, but only if those outside of Clearplay can generate the necessary filters. I can't help but think that there's a market for a DVD player that can skip everything else and play JUST the naughty parts of a DVD...

    --
    09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    1. Re:New Use for the Clearplay DVD player by Donniedarkness · · Score: 1

      Sir, I don't know whether to mod you "funny" or "insightful".

      --
      Earn a % of cash back from Newegg, Tiger Direct, Walmart.com, and more: http://www.mrrebates.com?refid=458505
    2. Re:New Use for the Clearplay DVD player by yali · · Score: 2, Interesting

      That comment was probably meant to be funny, but it makes me think... what if somebody created a Clearplay-like technology for DVRs? It would be a great way to skip commercials. All it would take would be 1 person to upload a list of start and stop timecodes for the commercials in a given show, then everybody else downloads the list of timecodes and watches commercial-free. You'd have to make sure everybody's recording was synced to the same start-point, but otherwise it'd be trivial.

    3. Re:New Use for the Clearplay DVD player by QuantumG · · Score: 1

      Or make "Director's Cut" version of a film that doesn't mean "extra long" or "butchered to fuck". I thought The Village was a perfect example of a poorly cut film. If the director had watched some hitchcock before going into editing we would have gotten a totally different film.

      --
      How we know is more important than what we know.
    4. Re:New Use for the Clearplay DVD player by ReverendLoki · · Score: 1
      It was meant to be funny, but that wasn't the whole of it. I was actually thinking of the "special edition"of Showgirls that came out a while back, which contained an easter egg that, when triggerred, cycled through all the "naughty bits", skipping the rest of the film. Not a lot of loss on that one, I feel.

      Anyways, I hadn't considered using it to skip commercials... that would really take some good synchronization. To perform it reliably, you'd probably have to get your DVD player to sync on some common element, such as some part of the opening title. I just don't think you can get everyone's time settings close enough to make it work that way. Good idea, though.

      I also liked another poster's reply about making "Director's Cuts" of movies. Of course, those couldn't really contain additional footage, but there are plenty of movies out there that could use some trimming down.

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    5. Re:New Use for the Clearplay DVD player by HTH+NE1 · · Score: 1

      I've been meaning to do something like this, but for a different goal. Instead of eliminating content in DVDs, I want to insert it. Specifically, when watching the box sets of The X-Files I want the spots included on the last disk inserted before and after the credits of the preceding episode without having to swap disks and navigate menus.

      And for television, I not only want the commercial blocks marked, I want each individual commercial marked, categorized, and where appropriate when their offers expire, because sometimes I just want to search current ads for products I may want to buy (and I don't care to see any more ads about July 4th sales until next year).

      Aggregating that information though gets complicated when dealing with ads inserted by the local affiliate and ads inserted by the local cable company, plus one or both overruning their ad slots.

      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
    6. Re:New Use for the Clearplay DVD player by AnyoneEB · · Score: 1

      If your DVR is already downloading the channel listings and commerical skipping info off the internet, syncing to an internet time server should be no problem at all.

      --
      Centralization breaks the internet.
    7. Re:New Use for the Clearplay DVD player by Lord+Kano · · Score: 1

      I can't help but think that there's a market for a DVD player that can skip everything else and play JUST the naughty parts of a DVD...

      Like downloading vid clips from a TGP website. No "story", no "plot" no "character development", just titties, ass fucking and sucking.

      I'm developing a program(It's still in Alpha) designed to do just that, I call it the "Porno Pirate".

      It will rip off an entire sample section from a website. I believe the largest one I ever downloaded was 1.2 GB.

      LK

      --
      "Hi. This is my friend, Jack Shit, and you don't know him." - Lord Kano
  8. So what you're saying is... by bigtimepie · · Score: 1

    The posters of the quoted comments should sue /. for copyright infringement!

  9. Collages, et cetera by rjstanford · · Score: 3, Insightful
    Money is beside the point... a copyright holder has every right to choose how a work is distributed.

    Have you ever seen an artist make a collage? You know, cut up portions of photographs, text, whatever and incorporate them into a new creation (assuming that they purchased them in the first place, that is)? Well, this ruling takes a big step towards forbidding that in the future. Hell, ever purchased a pair of used jeans that weren't exactly in brand-new condition, maybe were missing a piece or two? Nope, that'll be illegal too.

    Am I taking this to an absurd conclusion? I hope so, but think about it for a minute. Heck, let's go back to the original comment, as it relates to movie distribution. Let's say that Lucas releases Star Wars again, but this time it will only play on THX-certified stereos. After all, if he's allowed to forbid you from editing it (after purchasing a copy), isn't he also allowed to forbid you from "editing out the sound" that he thinks you'd get from an approved stereo system? Now what if you replace THX with Windows, is that still okay? Same legal issue, methinks.

    Beware the slippery slope.
    --
    You're special forces then? That's great! I just love your olympics!
    1. Re:Collages, et cetera by Anonymous Coward · · Score: 0

      Funny you should mention the jeans considering that designers are currently pushing for protection of clothing designs via copyright legislation. Not so absurd if this comes to pass.

    2. Re:Collages, et cetera by Vellmont · · Score: 3, Informative


      Have you ever seen an artist make a collage? You know, cut up portions of photographs, text, whatever and incorporate them into a new creation (assuming that they purchased them in the first place, that is)? Well, this ruling takes a big step towards forbidding that in the future.


      Exactly how is taking a movie and editing out a few minutes of it while keeping the rest anything like a collage? A collage uses multiple sources and bears little resemblence to any single one of the works used in the collage. If you want a valid analogy, look no further than the music sampling world. Fair use means you can take short parts of the song without violating copyright. It doesn't mean huge portions that resemble the original work. There were multiple lawsuits over this in the 80s/90s. See Negativeland being sued by U2 for an example of a derivative work. Negativland lost (settled out of court) and copies of the album were destroyed. The song was largely similar to the original U2 song. On the other side there's all kinds of music that has samples in it that are small enough to not be a deriviate work, so no one ever bothers suing. There's a gray area in-between, and that's where you'd see court rulings that would effect what's fair use and what's a derivative work. This lawsuit is nowhere near that gray area.

      What's happening here is nothing at all like a collage. It's quite obvious it's a derivative work, and distributing it therefore violates copyright law.


      After all, if he's allowed to forbid you from editing it (after purchasing a copy), isn't he also allowed to forbid you from "editing out the sound"


      Why are there so many people that make this out to be a limit on what you can edit and view yourself in the privacy of your own home? These companies were DISTRIBUTING this content. That has nothing to do with making your own version of Star Wars and taking out the sound.

      --
      AccountKiller
    3. Re:Collages, et cetera by Anonymous Coward · · Score: 0

      90% of all stereos aren't running THX, so Lucas wouldn't be using one monopoly to create another... thus would probably be legal. Monoplies aren't illeagal, just using them to leaverage your position (in another market) pretty much is.

    4. Re:Collages, et cetera by AnyoneEB · · Score: 1

      What? The topic is copyright fair use and first sale doctrine, not anti-trust laws.

      --
      Centralization breaks the internet.
    5. Re:Collages, et cetera by Anonymous Coward · · Score: 0

      No, this decision forbids making copies, removing content from those copies, and then selling the altered copies. So none of your nice sounding analogies apply.

      The slippery slope is a logical fallacy. And your post just demonstrated it.

    6. Re:Collages, et cetera by rjstanford · · Score: 1

      What's happening here is nothing at all like a collage. It's quite obvious it's a derivative work, and distributing it therefore violates copyright law.

      I did say that I was taking it to an absurd level. But let's get back to my other points.

      Where do you draw the line between modifying an existing item, and creating a new one? Sure, if it was a physical item, its easy. But if what you're really buying is a license to privately view the movie along with a copy of the conten, and that license is purchased, and the accompanying content is modified, and then they're both resold... is that really derivitave, or is it just a modification of the originally purchased thing (whatever it is you actually purchase when you buy a movie)?

      Why are there so many people that make this out to be a limit on what you can edit and view yourself in the privacy of your own home? These companies were DISTRIBUTING this content.

      Yes, but they weren't MASS distributing the content. Each DVD was, effectively, purchased->modified->resold. At least, the content was. Each sale of the edited DVD had a corresponding purchase of the original DVD by the editor. So how is this any different than taking anything else, changing it, and reselling it?

      --
      You're special forces then? That's great! I just love your olympics!
    7. Re:Collages, et cetera by Vellmont · · Score: 1


      Where do you draw the line between modifying an existing item, and creating a new one?

      Removing content from a movie isn't creating a new work. There certainly are gray areas, but this case is in no way in a gray area. If you can't see that there's really no point in arguing any further.

      Yes, but they weren't MASS distributing the content

      I guess I don't know what you mean by MASS distributing, or what that has to do with violating copyright law. They were certainly distributing enough of these derivative works to catch the ire of a lawsuit. Technically reselling even one copy of a work you've modified is violating copyright law, though you'd never get sued for it because it's not worth the money to pay the lawyers. It doesn't matter if you bought a copy or not, you can't sell derivative works without permission of the copyright holder.

      So how is this any different than taking anything else, changing it, and reselling it?

      In this case it's different because they're changing a copyrighted work in a way that it's a derivative work. It's in no way analogous to buying plaster, and changing it into a sculpture, or paint and turning it into a painting. Copyright law is very clear on this, and in this case I actually think it's a good thing. You shouldn't be able to profit off someone elses work unless the copyright owner agrees to it.

      --
      AccountKiller
    8. Re:Collages, et cetera by zotz · · Score: 1

      "No, this decision forbids making copies, removing content from those copies, and then selling the altered copies."

      So, if they find ways to blot out those bits on the original, this is all OK?

      Like they could do if the movies were on tape and not on dvd? (Cut and splice as it were.)

      Would you think it was OK and legal if they provided it as an actual service? Imagine I design a machine that works something like this...

      Pop in a dvd, load up a control file, pop in a blank dvd in the other drive. The machine reads the original dvd and writes a copy under the control of the control file which results in the copy having certain parts removed or re-arranged.

      So, I bring my machine by your house and make cleaned up versions of your DVDs for you. Using DVDs and blanks you supply.

      You still get and original and a cleaned up copy. I still get some money.

      Would this too be illegal?

      all the best,

      drew
      (da idea man)

      all the best,

      drew
      (da idea man)

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    9. Re:Collages, et cetera by rjstanford · · Score: 1
      Technically reselling even one copy of a work you've modified is violating copyright law, though you'd never get sued for it because it's not worth the money to pay the lawyers. It doesn't matter if you bought a copy or not, you can't sell derivative works without permission of the copyright holder.

      This is where I don't follow you. So you're saying that it would be illegal to buy a book, cross out some of the words, and then sell the book? I believe that we can agree that selling a 2nd hand book is not illegal, and that crossing out words in your own copy is not illegal... but reselling it is, since you've created a new derivitive work?

      Removing content from a movie isn't creating a new work. There certainly are gray areas, but this case is in no way in a gray area. If you can't see that there's really no point in arguing any further.

      Er, yeah, that was my point too. My understanding of derivitive work would be creating a new item to sell based on the book (or whatever) but specifically not containing the book itself. Which gives you the ability to sell your new work without the copyrighted work needing to be repurchased, which I agree would be Wrong (and illegal).

      You shouldn't be able to profit off someone elses work unless the copyright owner agrees to it.

      Sure, sure. And yet, I can buy a physical object such as a book from someone, cut out some pages and turn it into a book safe, and then resell that. Its technically a heavily edited book at that point. But -- and this happened with the original DVDs too -- every time I sell a copy of the booksafe, I have to buy another copy of the book. Thus the copyright owner gets their cut, each and every time.
      --
      You're special forces then? That's great! I just love your olympics!
    10. Re:Collages, et cetera by Vellmont · · Score: 1

      I don't know if either of your scenarios would be legal, but I don't think it really matters since both are extremely impractical.

      The more practical approach, and the one that's already being done is using a specially created DVD player that takes in a "edits" file and skips over certain sections of the movie, or bleeps out certain words. I can't imagine that this would break any copyright law since nothing is being copied whatsoever, and the source material on the original DVD isn't being changed. It's essentially like an automated fast-forward or skip, and I can't imagine anyone trying to argue that the end-viewer controlling how they watch the movie is breaking copyright. The content producers wouldn't really care either since they don't have to do any promotion or marketing of "cleaned up" content.

      --
      AccountKiller
    11. Re:Collages, et cetera by Vellmont · · Score: 1


      This is where I don't follow you. So you're saying that it would be illegal to buy a book, cross out some of the words, and then sell the book?

      Probbably not, since you're not actually making a copy of the book. But that's not what we're talking about here. It would most definately be illegal to buy a book, scan or type the entire contents of the book into a computer, edit out what you didn't like, and re-sell your newly printed copy of the book. If you want to make an analogy you have to include every critical aspect.

      Sure, sure. And yet, I can buy a physical object such as a book from someone, cut out some pages and turn it into a book safe, and then resell that. Its technically a heavily edited book at that point. But -- and this happened with the original DVDs too -- every time I sell a copy of the booksafe, I have to buy another copy of the book. Thus the copyright owner gets their cut, each and every time.

      As I've said above, your analogy breaks down because they aren't altering the original physical DVD, they're making a copy of it.

      --
      AccountKiller
    12. Re:Collages, et cetera by bit01 · · Score: 1

      It's quite obvious it's a derivative work, and distributing it therefore violates copyright law.

      And that's why copyright law is broken. It's quite reasonable to want buy a copy, modify it and on-sell the modified version, as long as there is no attempt to misrepresent the modified version as the original.

      Copyright law should be changed so that one person can own any number of copies of some work. It's not as if they can watch/listen to more than one copy at a time. People would pay for new versions but could modify/copy what they've got, or pay somebody else do it for them, as they pleased.

      ---

      Creating simple artificial scarcity with copyright and patents on things that can be copied billions of times at minimal cost is a fundamentally stupid economic idea.

    13. Re:Collages, et cetera by zotz · · Score: 1

      I have suggested a similar EDL based solution as well. It seems even that may not be legal though. Other people have pointed out that the company making that special dvd player is also currently in court over it.

      Hey, even if they had to make the for TV and airline versions available on dvd it would be a start for those who want it.

      This is a situation that could be helped by more compulsory licenses. I don't think that would be the best solution, but it would help. (I think.)

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    14. Re:Collages, et cetera by Anonymous Coward · · Score: 0

      "It's quite obvious it's a derivative work, and distributing it therefore violates copyright law."

      Indeed. If it was ruled legal to remove parts of a work and republish it in this way then it
      would then also be legal to take a history book, take out a few pages in the middle with facts you
      deem 'inconvenient' ot 'innappropriate' and republish it.

    15. Re:Collages, et cetera by rjstanford · · Score: 1

      Probbably not, since you're not actually making a copy of the book. But that's not what we're talking about here. It would most definately be illegal to buy a book, scan or type the entire contents of the book into a computer, edit out what you didn't like, and re-sell your newly printed copy of the book. If you want to make an analogy you have to include every critical aspect.

      What about books for the blind and dyslexic? Wouldn't that be "format shifting" (in effect), if you included the original book along with the new copy?

      As I've said above, your analogy breaks down because they aren't altering the original physical DVD, they're making a copy of it.

      Right, but isn't this akin to hiring someone to personally make a backup copy for you? I mean, you give them the original, they give you back your original and your backup copy. That would be fair use, I know, since its just making a backup. In this case they're not making a very accurate backup, but at the end of the day you're still buying as much product, they're still doing almost the same work...

      --
      You're special forces then? That's great! I just love your olympics!
    16. Re:Collages, et cetera by Vellmont · · Score: 1


      What about books for the blind and dyslexic? Wouldn't that be "format shifting" (in effect), if you included the original book along with the new copy?

      What about it? You can't take someone elses book, put it in braille, and sell it to someone else unless you own the copyright, or get permission from the copyright owner.

      Right, but isn't this akin to hiring someone to personally make a backup copy for you?

      Except that isn't what's happening here.

      --
      AccountKiller
    17. Re:Collages, et cetera by Neify · · Score: 1

      Replay to the top first, Actually apparently it is illegal to even cut up the VHS tapes, these exact same companies got in the exact same trouble when they were phiscially editing VHS tapes that their customers purchased and brought in. They were providing the service of splicing the tapes. But even that the movie companies went after. Its not really about content and distribution, its about control.

      In rely to this post, yes anyone creating a player that allows you to skip parts of a movie is being found illegal to, unfortunatly because the movie and music industires have so much money to lobby and to fight in courts.

      Between all the courts and all the new hardware with built in DRM, you won't be able to make such a player that can skip anything (legally make such a player anyway, because such a player would be against the DCMCA).

      The problem is that they are hypocritical, they allow the TV and the Airline and other such companies to make edits, but they won't let the home user do it, or a small company do it.

      Which only points to one thing: they want to control the consumer!!!

      And unfortunately they are getting away with it every law suite the file, every law they get passed in any country, with every new version of software, and even with the new integrated DRM into the hardware.

  10. Re:Should be legal, but still stupid. by Rude+Turnip · · Score: 1

    "Originally this technology was being used by religious freaks to keep their children from hearing/seeing bad thing in movies. That sounds ok, but when the intent of the movie is changed, I don't think they should be watching the movie in the first place. If you can't appreciate the movie the way it was intended, then don't watch the damn thing. However, it's supposed to be a free world and if morons want to remove the bloody scenes from Saving Private Ryan, then they should be able to."

    It's amazing how open-minded about rights this crowd generally is until someone uses those rights in a way that does not jive with their world view. I expect fundies and other nuts to stay out of my life, and I already stay out of theirs.

    I some people that are into some rather hardcore movies (hint hint) that would still rather not see the "eclair scene" in Van Wilder. It takes all types.

    You'll probably soil your trousers when you hear that you can get your steak cooked to different levels at a restaurant!

  11. Well then.. by GmAz · · Score: 2, Insightful

    Well then, lets see what the movie companies think when the people that buy the clean version of the movie quit buying the movies all together and they start to lose revenue. Its a person's choice to watch a movie or not if it offends them and if they can't watch a clean version of it, well then they just won't watch it. Will this be a lot of revenue. I don't know, but but I bet it will make a small dent.

    --
    Click Click Bloody Click PANCAKES!
    1. Re:Well then.. by Vellmont · · Score: 1


      Well then, lets see what the movie companies think when the people that buy the clean version of the movie quit buying the movies all together and they start to lose revenue. Its a person's choice to watch a movie or not if it offends them and if they can't watch a clean version of it, well then they just won't watch it. Will this be a lot of revenue. I don't know, but but I bet it will make a small dent.


      Maybe it will, but it has to be a larger dent than the cost it would take to edit a new version, ship it, promote it, etc. Plus, if they do this they might create an expectation that this will happen with all movies and be widely available How much will that drain from existing sales? There's only so much room on store shelves, which could translate into lost sales of other movies if consumers expect a clean version of every major release. This could ultimately mean less profit to the studios because the different versions of the movie are competing with itself.

      --
      AccountKiller
    2. Re:Well then.. by Stonehand · · Score: 1

      That is their decision. The law does not exist for the purpose of protecting copyright holders from their own mistakes.

      If it makes a noticeable dent, they are free to release their own bowdlerized versions as they feel free subject to contractural obligations. They're free not to, as well.

      --
      Only the dead have seen the end of war.
  12. You will pay the price for your theft of "vision" by 0xdeadbeef · · Score: 4, Funny

    It is a violation of "artistic moral rights" to select specific posts and re-present them according to an agenda that was not part of the original posters' vision.

    As your attorney in this matter, I recommend that you all sue.

  13. Like most people here, IANAL by Anonymous Coward · · Score: 0

    but I typically only ANAL once a month or so. Like many of you, especially slashdot subscribers, I'd love to ANAL every day if I could. So how about it, slash-holes, how about giving some love and giving up the anal to a fellow slashdotter.

    Thanks in advance.

    Tim
    timothy@monkey.org

  14. Other Censoring Technology is Okay by fatdog789 · · Score: 2, Informative

    In all this hubbub, people failed to notice that a competing form of "editing out the naughty bits" digitally, ie, simply skipping over the deleted scenes as requested by the user *while watching the dvd* was deemed perfectly legal. The difference: the original movie content is still there for someone who wants to watch it uncensored, but the act of censoring it to one's tastes is trivial.

    1. Re:Other Censoring Technology is Okay by Overzeetop · · Score: 2, Insightful

      You know, if it walks like a duck, and quacks like a duck...

      What it really comes down to is selective enforcement. By making everything unlawful, the power that be can cherry pick the "violations" that suit their agenda or revenue stream. Convenient for them, but not for the general population. It's all about the golden rule, and I'm not talking about the one that has a "thou shalt not" in it.

      --
      Is it just my observation, or are there way too many stupid people in the world?
  15. What part of... by Overzeetop · · Score: 4, Informative

    ...the submitting user grants OSTG the royalty-free, perpetual, irrevocable, non-exclusive, transferable license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, perform, and display such Content (in whole or part) worldwide and/or to incorporate it in other works in any form, media, or technology now known or later developed, all subject to the terms of any applicable license.

    don't you understand? I mean, it's right there in the terms of service at the bottom of every page, just below the "owners" text you quoted. ;-)

    --
    Is it just my observation, or are there way too many stupid people in the world?
    1. Re:What part of... by raehl · · Score: 4, Funny

      ...the submitting user grants OSTG the royalty-free, perpetual, irrevocable, non-exclusive, transferable license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, perform, and display such Content (in whole or part) worldwide

      1) Post on Slashdot
      2) Wait for someone to read Slashdot in Space
      3) Profit!!!

    2. Re:What part of... by nolsen · · Score: 1

      They should have gone with throughout the known Universe.

  16. Re:Should be legal, but still stupid. by GmAz · · Score: 4, Interesting
    You say religious freaks. How about just moral people. You know, morality; that thing that used to exist in the majority of people instead of the minority.

    How about people that don't want their 6 year old calling them a bitch because they heard it on TV.

    How about cutting out the sex scenes so we reduce the number of teenage pregnancies. Everyone wants their kids to experience everything, well guess what...they do experience everything when they are young, then get get pregnant, or a STD at age 16 and then guess what, their life is screwed. And why is it screwed...because mommy and daddy let their kids watch sex scenes in movies at age 10 and their kids wanted to do it as soon as they could.

    A good action film is still entertaining to watch without hearing the 'F' word every 5 seconds.

    --
    Click Click Bloody Click PANCAKES!
  17. Re:Should be legal, but still stupid. by PortHaven · · Score: 1

    "If you can't appreciate the movie the way it was intended, then don't watch the damn thing."

    Yes, that's right...let's let you tell everyone else how they should live their life while you exclaim no one has the right to tell you the same.

  18. Re:Should be legal, but still stupid. by geminidomino · · Score: 1

    I expect fundies and other nuts to stay out of my life, and I already stay out of theirs./i>

    That's both noble and naive of you. You stay out of their lives, good. You may not have noticed that they have no intention whatsoever of staying out of yours. This is what invites the hostility you are complaining about.

  19. Only the Government Can Censor by geoffrobinson · · Score: 1

    Some say "censor"?

    You can't be censored by a private citizen.

    You can be told to shut up. Your post can be deleted. But you weren't censored.

    --
    Except for ending slavery, the Nazis, communism, & securing American independence, war has never solved anything.
    1. Re:Only the Government Can Censor by Anonymous Coward · · Score: 0
      Some say "****"?

      You can't be ****ed by a private citizen.

      You can be told to **** up. Your post can be ****ed. But you weren't ****ed.


      **** up!
    2. Re:Only the Government Can Censor by LocalH · · Score: 1

      Bullshit.

      --
      FC Closer
    3. Re:Only the Government Can Censor by Anonymous Coward · · Score: 0

      Untrue - the term 'censor' applies regardless of whether it's performed by a government, a corporation, or a private individual. The key thing though is that anyone other than a government can practice it freely. Governments are a little more restricted, owing to rules about restricting freedom of speech.

  20. Re:Should be legal, but still stupid. by happy_place · · Score: 1

    We live in an age when information comes the way we want it. If religious folks want movies that abide their standards let them have it. News outlets, shopping, entertainment, speech patterns, spelling, language, interperative dance, all of it's gotta eventually adapt or folks will find another way around it. Better a bunch of religious folks step part way into the 21st century than that they choose to remain in the 14th and start blowing stuff up... ...oh wait... --Ray

    --
    http://www.beanleafpress.com
  21. Redistributing work of others without permission by roman_mir · · Score: 1

    Well, here it is: can copyrighted works be modified and redistributed without explicit permission by the copyright holder? The court says no, I agree in this case.

    I don't see why we should allow someone to use copyrighted work of others to make money without first getting permission from the holders of the copyright.

    There are many people who believe copyrights must be abolished, I disagree with them, but I agree that the copyright system maybe in need of a reform. Copyrights should apply within a limited timeframe - in case of a person, they should apply as long as the person is alive (my believe, but YMMV,) and in case of corporations copyrights should not exceed some time period that maybe just as long as life of a patent (20 years?)

    Without a real time limiter distribution of the copyrighted material becomes more difficult to control, and that is when corporations start meddling with existing and new technologies, trying to impose control systems such as DRM at the government levels.

    The copyright law should be made more realistic and it should be changed in such a way, that it would make less sense for corporations to try and limit technological developments.

  22. Gee, that was a biased summary. by Abcd1234 · · Score: 4, Interesting

    Not that that should be terribly surprising. Despite the summary stating that "others welcomed the decision as appropriately respecting the intent of those who made the original movies", not a *single* comment was referenced which took this stance. What about this comment, which is one of many that points out that this ruling can be considered consistent with existing copyright law, which holds the right to create a derivative work as exclusive to the creator. Or this one, which points out that the derivative work rights assigned to a copyright holder are what give the GPL it's teeth.

    But, hey, it's a lot more fun to editorialize, in this case by selectively choosing user comments in order to manufacture a perceived concensus.

    1. Re:Gee, that was a biased summary. by faedle · · Score: 1

      ]...] which points out that the derivative work rights assigned to a copyright holder are what give the GPL it's teeth.

      That's the interesting part about this ruling that a lot of people are missing. This is GOOD for the GPL (and similar license), because it states quite clearly and unambiguously that the original author reserves the right to make derivative works, and more importantly, that they have the right to _NOT_ make them available if they desire.

      The fact that this was even a question, however, demonstrates that copyright law is in need of serious reform..

    2. Re:Gee, that was a biased summary. by bit01 · · Score: 1

      not a *single* comment was referenced which took this stance.

      Entirely apropriate. When the mass media presents a more balanced view on copyright then maybe we can revisit whether slashdot is biased too.

      Slashdot is just balancing out in a tiny way the extremely biased propaganda by entrenched interests you see in the mass media, including movie theaters.

      ---

      DRM'ed content breaks the copyright bargain, the first sale doctrine and fair use provisions. It should not be possible to copyright DRM'ed content.

    3. Re:Gee, that was a biased summary. by ortcutt · · Score: 1

      That was my impression of this editorial...umm, I mean story too.

  23. Backslash by pavon · · Score: 1

    This new format for backslash is an interesting idea. I haven't decided if I like it or not yet. If the editors are reading, I do have one suggestion though. Could you file all the backslash articles in the backslash section? One of the excellent features that you guys have added recently is the per-user settings on what stories get displayed on the front page, and whether they are in full or abbreviated form. However, it is only usefull if the stories are properly catagorized. While backslash stories will always fit into another catagory, I personally would prefer that they be marked as backslash, and filterable as such.

    1. Re:Backslash by Hyram+Graff · · Score: 1

      I agree, please file all backslash articles in the backslash section.

      --
      0*0
      00*
      ***
    2. Re:Backslash by pimpimpim · · Score: 1

      Where can I cast my vote for this? I too have a bit of a problem with backslash being in 'index' now. I already scanned the original comments, and the ones of the dupe (just a joke there, folks!), and I really don't have that much desire to read the comments on the comments. If backslash has its own section (and what about an icon?), I can move it away from my frontpage.

      --
      molmod.com - computing tips from a molecular modeling
  24. Re:Should be legal, but still stupid. by Just+Some+Guy · · Score: 5, Insightful
    That sounds ok, but when the intent of the movie is changed, I don't think they should be watching the movie in the first place.

    Who said anything about intent? My kids love the movie "Twister", but I wish it had a few less "goddamns". Am I really "religious frek" and a "moron" because I'd prefer not to hear gratuitous bad language?

    Look, I did my time in the Navy, and have heard (and uttered) more than my fair share of profanity. It's all about context, though. My wife and I liked Pulp Fiction, but I wouldn't dream of censoring the language there. The cursing is appropriate in that context. However, I'm sure we could both list otherwise family-friendly movies that just had to drop a few F-bombs to earn a PG-13 rating.

    --
    Dewey, what part of this looks like authorities should be involved?
  25. One reason for why studios would care by JimBobJoe · · Score: 5, Interesting

    A studio sells a normal R-rated version of a film for $20 on DVD. It decides to sell a censored PG version for $30 (it's a niche market, people are willing to pay more for the censored version.)

    An outfit in Utah comes along, buys a copy of the $20 R-rated version, edits it to PG level, and sells it for $25.

    The studio is out $5, and it's an easy to argue copyright violation.

    Now my issue is that the studios are not taking advantage of their full copyrights and issuing the PG version. I feel that if they don't after a few years, they should relinquish those rights and let the company in Utah innovate appropriately (by buying the $20 DVD and then editing it.) It'd really only take a law to change, and in today's political environment would be an easy sell to Congress.

    1. Re:One reason for why studios would care by Abcd1234 · · Score: 1

      Or just fix the technology and have, built into players, ClearPlay-like functionality. Allow a person to insert a separate memory card or something that provides an edit list which can be used, along with the original content, to provide a modified viewing experience. Users could then purchase EDLs from a third party, or better yet, create EDLs themselves and post them online. Voila, problem solved without having to modify copyright law, which, IMHO, doesn't need to be tinkered with for this one special circumstance.

    2. Re:One reason for why studios would care by Stonehand · · Score: 1

      Yes... but it should be noted that those who hold the licensing rights for the DVD decoding schemes such as CSS could block this by refusing to authorize such players unless some form of compulsory licensing is forced. Then the players would either be incompatible with such encoded content, or would be violating the DMCA.

      --
      Only the dead have seen the end of war.
    3. Re:One reason for why studios would care by Anonymous Coward · · Score: 0

      Yeah is should be an easy sell to congress... they bend over real quick to those right wing zealots... who are you to tell me I have to do with my movie? If I wanted it to be rated PG I would have edited that way orginally...

    4. Re:One reason for why studios would care by Anonymous Coward · · Score: 0

      then some malcontent or practical joker can post timestamps that coincide with the REALLY offensive parts. Namely the interstices between the sex and violence.

    5. Re:One reason for why studios would care by zakezuke · · Score: 1

      A studio sells a normal R-rated version of a film for $20 on DVD. It decides to sell a censored PG version for $30 (it's a niche market, people are willing to pay more for the censored version.)

      An outfit in Utah comes along, buys a copy of the $20 R-rated version, edits it to PG level, and sells it for $25.

      The studio is out $5, and it's an easy to argue copyright violation.

      Now my issue is that the studios are not taking advantage of their full copyrights and issuing the PG version. I feel that if they don't after a few years, they should relinquish those rights and let the company in Utah innovate appropriately (by buying the $20 DVD and then editing it.) It'd really only take a law to change, and in today's political environment would be an easy sell to Congress.


      It's not about the money, it's about the right to copy.

      Here's the thing, it's their creative work, it's theirs to do with as they please. Backseat directors and producers be damned. It doesn't matter how much money you *think* they can make, and it doesn't matter what you like and do not like. They are under no moral, ethical, or legal obligation to make a version of a film based on your tastes. They don't even have to release a film with Gaelic subtitles. They are not even obligated to make money. And their lack of a PG version does not give you license to make a derivative work without their permission, but make no mistake, this would be an unauthorized derivative work... aka "bootleg". You make make a bootleg if you want... it might even be popular. I've seen some nice very nice Dune bootlegs. You might even think you are doing the studio a favor. But you simply have no right to do so. I'm not saying bootlegs are bad, only you don't have that right while the copyright is still in effect.

      I would agree with you that copyrights should have an experation date, and copyrights should be something that requires renewal so otherwise abandoned works can be copied. And subtitles, handy suckers. I'm very fond of subtitles, esp fan subs. If you can provide a fan sub, or an alternative index without making a copy.... well it's no longer a copyright issue.

      In the end, the only the you have the right to do is vote with your dollars, to buy the product, the copy that they authorized or not to buy it. You might think they are stupid for not taking the time to make a PG edit, but they have every right to be stupid.

      --
      There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
    6. Re:One reason for why studios would care by John+Harrison · · Score: 1

      The problem is, as you state, that the studios don't do this. In fact, they do just the opposite and release versions with more content that many would judge to be offensive. When DVDs were first coming to market the ability to filter content was trumpeted as a feature that would soon be realized. I would be interested to see the history of why this never happned. DVD technology is such that this would be very easy to implement without having to issue a separate disc. I wonder if there are vestigages of this goal left in the media and player specs.

    7. Re:One reason for why studios would care by SoulRider · · Score: 1

      You spelled sell to wrong, in todays political environment it would be spelled buy.

    8. Re:One reason for why studios would care by Pearson · · Score: 1

      I also don't understand why the studios aren't selling the cleaned-for-TV versions of their movies. I can only guess that they never thought there was a real market for it, and/or the cost of distribution was too high. Perhaps with digital downloads we will see a bit more flexibility?

      In the lawsuit against ClearPlay, the directors are essentially arguing that if I skip a chapter in their movie with my DVD remote, or fall asleep for a bit of it, I'm creating a derivative work! /eyeroll Copyright wasn't made for this, it was made to encourage innovation, and enrich society.

      --
      I...I'm attacking the darkness!
  26. Thank you! by EL_mal0 · · Score: 1

    I was reading the comments in the original story yesterday, but just ended up confused. I realize now that all I needed was a car analogy. Thanks Mike!

  27. howto: AviSynth by ben+there... · · Score: 2, Informative
    Something similar could probably be put together fairly quickly using programs like Avidemux or VirtualDub for those who don't mind distributing the work of classifying and sharing the necessary edit-decision lists.

    This is really simple to implement using AviSynth, if anyone wants to try it. Just install that, an MPEG-2 (DVD) codec, and AnyDVD or DVD43 to decrypt the DVD on-the-fly. Then create a text file called myscript.avs with this code:

    # Combine all the VOBs.
    a=DirectShowSource("E:\VIDEO_TS\VTS_01_1.VO B")
    b=DirectShowSource("E:\VIDEO_TS\VTS_01_2.VOB" )
    AlignedSplice(a,b)

    # Cut out frames 1500-1550 and 3000-3023
    Trim(0,1500) ++ Trim(1550,3000) ++ Trim(3023,0)

    You can then open that in any DirectShow or VfW compatible player, such as WMP. Or distribute the *.avs files to others.

  28. why not slipstream it? by MoFoQ · · Score: 1

    I don't see why they can't slipstream it so from the menu, the viewer can select the "edited" version.
    Heck, they (DVD's) do have the functionality to do multi-angles (mainly for p0rn) and the "follow the white rabbit" icons (easter eggs), and such allowing for almost endless combinations without requiring those combinations to be statically stored.
    Some creative menu/content layouts should be able to this just fine.
    And since the original content is on the disc, it should be a non-issue as it's just like using a cheat-sheet for a novel that lists which sentence/paragraph/pages have vulgar language and skipping it while you read it.

    1. Re:why not slipstream it? by SanityInAnarchy · · Score: 1
      Heck, they (DVD's) do have the functionality to do multi-angles (mainly for p0rn) and the "follow the white rabbit" icons (easter eggs),

      Heh. But no, that wouldn't work well -- as I understand it, multi-angles means multiple video tracks, just as you can have multiple audio and subtitle tracks. So, while it could conceivably work -- an audio track that cuts out when you have naughty words, a video track that shows black when you have questionable content, and have them both cut to a blank screen when a whole scene is bad.

      But this also means storing two copies of the movie, as I understand it, so I really see no difference between that and shipping two separate DVDs. Really, next time you're watching The Matrix, check to see what title/chapter you're actually on. I know it's an entirely different title depending on whether you're "following the white rabbit", or just want to watch the movie without annoying white rabbits popping up all the time.

      Of course, maybe I lack some fundamental understanding of how DVDs work -- maybe ISO9660 supports hardlinks? I don't think so -- I know that when I dump a DVD title with Mplayer, even a title like The Matrix with so little extra content, the movie itself is usually about half the size of the DVD. I think they add all that extra stuff in just to make damn sure it's more than you can fit on a single-layer DVD.

      Anyway, I also understand that Blu-Ray uses Java to do its menus, so maybe with a real programming language to work with, we could do something like this, and have it look professional, without actually using much more space than a single movie? I'd just as soon have a separate, censored audio track -- that's a trivial amount of space, and you still need the video to make it meaningful -- but the video is too big for that to be practical, and it might still do nothing to solve the copyright issues.

      --
      Don't thank God, thank a doctor!
  29. Re:Should be legal, but still stupid. by Itninja · · Score: 4, Insightful
    then get get pregnant, or a STD at age 16 and then guess what, their life is screwed.
    It's not just their life that got screwed. hehe.
    But seriously, teen pregnancy rates are much lower in countries (like England) that have a much more open view of human sexuality. If you have cable in England or Australia, you probably have a 24-hour porn channel thown in with your regular cable service. Billboards in Frace encouraging breast feeding of babies just show two enormous bare breasts with a tagline below.
    My 12 yo daughter has caught my wife and I fooling around a few times. But she is in no hurry to have sex just because she witnessed it. She has been informed about it since she was 5 years old. There is no titillating curiosity. It's just where babies come from.
    --
    I judt got a nre Kinesis keybiartf so please excusr ant egregiou typos.
  30. all control not bad by fermion · · Score: 0, Troll
    Not all control is bad. For example, when you go to the local cineplex, do you want to see the movie that everyone else is seeing, or do you want the cineplex edit. For example, the cineplex might not want to show any movie over 100 minutes. Star wars has to be cut by 21 or 25 minutes.

    Some control is to control the quality of the product to the consumer. It is when this is overstepped that there is a problem. Again, when you buy a video do you want to have to read every video to see what editing is done. We already has this issue, and it forms a barrier to effecient commerce.

    The issue is when a product is advertised as a certain thing, for instance a certain movie by a certain director starring certain people, or a certain handbag, or a certain car, we as consumers must have some confidence that the product is as advertised. Simply making it Star War instead of Star Wars, or Prata instead of Prada, or Fard instead of Ford may not be enough. I cannot believe I am taking this side, but I think this is where the issue is. The films that these people are hacking are obvious of some worth because no one is going to spend $10 on a CDR that is crap. So the pirates^w, i mean editors are basing thier income on the work of someone else, and only added a miniscule amount of added value. If there were a glut of quality appropriate entertainment, it seems that they would set up a production house and make it.

    Since this has somewhat become an issue of religion, let me add a counter example. Let's say I went to this site and linked to all the sermons. The reaons for this was that I wanted to help them get listeners by arranging the sermons differently, say by content of racism, sexism, violence, hatred, and created a more attractive design. I propererly attributed the sermons to the person and back to the original site. However, for some sermon I also supply several different versions, to appeal to other constiuencies. In some I bleep out the word god. In others I might replace with another discriptor, such as universal power, dictator, master, lord, oppressor. Now, I link and maybe supply. the orignal, I clearly mark the changes, and I clearly supply all attributions. Do anyone think this is legitimate? I am not even charging. I am just editing someone elses words, and, in some cases, making them say something they never intended. Certainly covered under fair use.

    --
    "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    1. Re:all control not bad by geekoid · · Score: 1

      If I go to you and say, please edit these words for my copy, then yeah, it should be allowed.

      If I change something and do a mass distribution(as in your example) then no.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  31. Re:Should be legal, but still stupid. by HTTP+Error+403+403.9 · · Score: 2, Funny
    However, it's supposed to be a free world and if morons want to remove the bloody scenes from Saving Private Ryan, then they should be able to. This world is beyond retarded.
    Now I know why Bush sent thousands of American troops to their deaths in Iraq - he watched the bloodless version of Saving Private Ryan and thought "hey nobody died, I think I'll try that."
    --
    I'm not a Troll, it's reverse psychology.
  32. MPAA et al not happy with Clearplay, either by Thagg · · Score: 4, Interesting

    At the end of this feedback summary, the Clearplay solution is mooted.

    The studios purport to be every bit as unhappy with Clearplay as the re-recording service providers that were the subject of this lawsuit. They are currently suing Clearplay in the case Huntsman v. Soderbergh/a? which is pending.

    You can read all about it at the linked EFF site.

    Basically, the arguments are almost all exactly the same -- except that the copyright issue is obviously different as there is no copy being sold. With Clearplay, you buy or rent the regular disk, and the Clearplay-supplied DVD player and service skips the naughty bits. The directors filing the lawsuit complain that their names and trademarks are applied to a "created" movie that is not their original movie -- and they are attempting to use trademark as well as copyright law to fight Clearplay.

    From the pace that this case has been proceeding through the courts, it's going to be a very long time before it is resolved.

    Thad Beier

    --
    I love Mondays. On a Monday, anything is possible.
    1. Re:MPAA et al not happy with Clearplay, either by drinkypoo · · Score: 1

      I'd say there's an easy solution to this problem - you just move to a community model. The company makes money selling the player, with an open patchlist format. The community writes their own patches. I know that the money is in services and all, but there's a lesser amount of money with a more feasible business model in selling the devices. I think. Eventually someone will do it in some Free/free software and bingo! The service would die.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    2. Re:MPAA et al not happy with Clearplay, either by cei · · Score: 1

      Well, there's always the argument that could be made that an edit list is a derivative work, but such an argument is on much more shaky ground.

      --
      This sig intentionally left justified.
    3. Re:MPAA et al not happy with Clearplay, either by wombert · · Score: 1

      So, if I sold a set of movie-watching goggles, saying "The Hunt for Red October" looks better through rose-colored lenses, could I get sued?

      (Is it just because the movie's name is referenced? How is this different from selling a slipcover for an MP3 player and saying "fits Apple iPod Shuffle" with a disclaimer that the manufacturer is not affiliated with Apple?)

      --
      Did I say overlords? I meant protectors.
    4. Re:MPAA et al not happy with Clearplay, either by Thagg · · Score: 1

      cei says: Well, there's always the argument that could be made that an edit list is a derivative work, but such an argument is on much more shaky ground

      IANAL, but I don't think that it would be shaky ground at all, actually. It wouldn't surprise me if they make that argument somewhere in their pleadings. Without the ability to search the filings, though (they are just screen-grab PDFs) I can't tell if they did.

      From Wikipedia's definition of "derivative work", it seems that the principle may well apply.

      Thad Beier

      [disclaimer: IANAL, but I am a filmmaker]

      --
      I love Mondays. On a Monday, anything is possible.
    5. Re:MPAA et al not happy with Clearplay, either by bobsledbob · · Score: 1

      For ClearPlay, the money is all in the services. They don't really make anything with the hardware. The hardware is simply a delivery mechanism for the subscription service.

      I actually did some very short term consulting with ClearPlay. At one point, we talked about the open / community model being a potential (unbeatable) competitor. Once a community effort goes out to replicate their edit codes, there will be no more reason to pay for their service.

      However, this is quite unlikely to ever happen for two reasons:

      1) If any community goes out to duplicate their edit codes, it will likely be "kids" looking to hack up a movie and make some crazy concoction. These community efforts will likely not have the conservative family as their audience. There's even an issue of trust here, in that said family would more likely trust a company which is being paid for the time codes rather than some script kiddie.

      2) There has been relatively zero effort by community members to create open hardware. Having the ClearPlay technology embedded in a stand-alone dvd console is the real killer for any community effort. We just don't watch movies on our computers enough, especially with the family. The convenience is too great.

      Again, when I was working with them a little (this being before their hardware dvd player when they were just doing software on windows only), I suggested that one of the _best_ things they could do would be to open up their platform entirely. Let their edit protocols and software be open. Let communities develop using their standard. This would just feed their existing model. As is typical, they were very afraid of opening up their platform because they couldn't see or get the viral effect of the community.

      If they were to open up their platform, I think it would drive entirely new markets that they haven't seen yet. It just comes back to the fact that content is king. A business will always get paid for its content, not for its delivery mechanism and not for having a proprietary format. If their business model depends on the other two, they will eventually lose. In ClearPlay's case, the value is in the time codes, nothing more. They can open up all their other technologies and be even stronger because they aren't holding onto a revenue stream that will ultimately fail.

      --
      Beware of geeks bearing formulas.
    6. Re:MPAA et al not happy with Clearplay, either by Whanana · · Score: 1

      The EFF has come down on this for Clearplay. I don't take whatever the EFF does as gospel, but their claim the "Public Has Right to Skip or Mute Movie Scenes" seems accurate to me.

      The CleanFlicks lawsuit was properly decided according to the law. Whether the law is right or not is a seperate question. But if this other lawsuit goes against ClearPlay, I could see Tivo going the way of the world too. If you can't have something skipping certain parts of a movie for you, I could easily see an analagous argument about Tivo skipping commercials illegal too.

    7. Re:MPAA et al not happy with Clearplay, either by cdrguru · · Score: 1

      If ClearPlay's entire value is with their supplying time codes, then what possible business would they have if they opened this up? The result would be they would have some stock of modified DVD players sold at cost - or even below cost and nothing else.

      Yes, content is king. In this case the content is the editing time codes, not the movie.

    8. Re:MPAA et al not happy with Clearplay, either by Jah-Wren+Ryel · · Score: 1
      The studios purport to be every bit as unhappy with Clearplay as the re-recording service providers that were the subject of this lawsuit. They are currently suing Clearplay in the case Huntsman v. Soderbergh/a? which is pending.

      That's odd. The Family Movie Act of 2005 seems to be pretty clear about legalizing Clearplay's business model. The law was passed as a "compromise" in that the studios got a bunch of new draconian punishments for copyright violators but in exchange they had to accept the bible-thumpers using "censor tracks."

      Here's the revelant bit of the law:

      Title II: Exemption from Infringement for Skipping Audio and Video Content In Motion Pictures - Family Movie Act of 2005 - (Sec. 202) Creates an exemption from copyright infringement for: (1) the making imperceptible, by or at the direction of a private household, of limited portions of audio or video content of a motion picture during a performance in or transmitted to that household for private home viewing from an authorized copy of the motion picture; or (2) the creation or provision of technology that enables such editing, is designed and marketed for such use, creates no fixed copy of the altered version, and makes no changes, deletions or additions to commercial advertisements or promotional announcements that would otherwise be performed or displayed.

      Amends the Trademark Act of 1946 to protect from liability for trademark infringement: (1) persons who engage in the above-referenced conduct; and (2) manufacturers of technology that enables such editing if notice is provided that the performance of the movie is altered from the director's or copyright holder's intended performance.

      I'd argue that a creative interpretation of the above would even cover what cleanflicks does, but that reading is more than a little contentious.
      --
      When information is power, privacy is freedom.
    9. Re:MPAA et al not happy with Clearplay, either by timothy · · Score: 1

      "This film has has been modified to fit the dimensions of your TV screen." :)

      (Yes, it's a sloppy argument -- but so short!)

      timothy

      --
      jrnl: http://tinyurl.com/c2l8yr / foes: http://tinyurl.com/ckjno5
  33. Who decides? by ortcutt · · Score: 2, Insightful

    These discussion of whether the studios release their own expurgated versions of movies are totally beside the point. The question is who gets to decide what gets edited. Maybe some copyright-holders make terrible decisions on how their works should be edited, but that is their choice. It certainly isn't the right of some third-party like Cleanflix to decide how a movie is edited. I also don't see how what this has to do with fair use. This doesn't relate to what the viewer of a work can do non-commercially with his or her own copy of the movie. This has to do with a for-profit company making money by making edited copies of someone else's work and selling those copies.

    1. Re:Who decides? by fishbowl · · Score: 1

      The editing is beside the point. It's about the right to distribute the material, nothing more, nothing less. And it is absolutely clear that the person with the sole authority to distribute the material is the copyright holder, or a party to whom the copyright holder has delegated authority. Here we have a random party distributing copyrighted material without the consent of the party whose exclusive rights are being abridged. The fact that the material is being edited for content somewhere in the loop doesn't even enter into it. In fact, I'd be surprised to learn that such a defense was admitted in court at all. The "defense" is akin to claiming a right to distribute Microsoft Windows on the basis of the fact that you changed the splash screen to that of a hacker group and disabled the copy protection.

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:Who decides? by Ichijo · · Score: 1
      This has to do with a for-profit company making money by making edited copies of someone else's work and selling those copies.

      Cleanflix doesn't sell pirated copies. They pay the copyright holder for each DVD sold.

      It isn't a bad thing that a for-profit company makes a little extra money by adding value to a DVD purchase. If it was, the studios would be suing any store that offers gift wrapping.

      --
      Any sufficiently unpopular but cohesive argument is indistinguishable from trolling.
    3. Re:Who decides? by cpt+kangarooski · · Score: 1

      It certainly isn't the right of some third-party like Cleanflix to decide how a movie is edited.

      Why not? Seriously, there may be a good reason, but you haven't suggested one.

      This has to do with a for-profit company making money by making edited copies of someone else's work and selling those copies.

      It is possible to have commercial fair use, and in fact it's relatively common. It's just trickier than noncommercial fair use. Frankly, the judge in this case made some very strange rulings on derivatives and fair use. I don't think the ultimate outcome would be any different, but I do think that there's a more credible fair use argument than he found.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:Who decides? by smannell · · Score: 1

      Exactly. You can still skip the "naughty" bits, or cover your eyes, or anything else you want to do with "your" copy. What you can't do is modify something that you don't hold the copyright to, and then re-sell it. If you are against copyrights, that is one thing; but the way the law currently reads, this is the right decision. Imagine if some company was taking movies and making them "racially & ethnically pure" or some such nonesense. Every minority character would either have their skin tone changed, be removed, or have their name prepended by a racial slur; just like "nigger Jim" in Huck Finn. Do you think we would be having the same argument? How many of you think that should be legal? As disgusting as it is, I'm sure there would be a market for it; just like there is a market for "sanatized" films. Can you imagine what the KKK would do with films like "Roots", "Crash", or "Amistad?" The right to control derivitave works is actually one of the parts of copyright laws that is relatively sane.

    5. Re:Who decides? by chromatic · · Score: 1

      Some ten years ago, I bought a copy of Day of the Triffids at a used book store in Montana. When I read it, in another state, I found that the book was missing a page; someone had torn it out.

      Did the book store break the law?

    6. Re:Who decides? by StrawberryFrog · · Score: 1

      It certainly isn't the right of some third-party like Cleanflix to decide how a movie is edited.

      So then Star Wars Episode I.I - The Phantom Edit is an abomination to you?

      --

      My Karma: ran over your Dogma
      StrawberryFrog

  34. The judge is right by wiredlogic · · Score: 1
    It's appalling that this case could get so far through the legal system in the first case. This is a clearcut copyright violation:

    1. The "re-editors" don't have permission to redistribute their modified copies.
    2. They can't claim fair use priviledges since they are distributing copies which represent a substantial portion of the entire work. i.e. they are not distributing brief excerpts being used for satire or scholarly analysis.
    --
    I am becoming gerund, destroyer of verbs.
    1. Re:The judge is right by geekoid · · Score: 0

      It's not as clearcut as you make it look.

      Copyright law is old, and didnt apply to this technology.
      200 years ago, no one would have thought to take a book, cut out the naughty bits, then resell it with the original work. To cost prohibitive.
      Plus 200 years ago no one would have cased, but I digress.

      With todays technology, you can create single use dirivitive works, and see that the copyright holder gets paid.
      WHich is what copyright is about, seeing that the author gets paid.

      Also, Copyright is a PRIVLIGE, not a right. I think it's good that it got to court, it means the flexibility that the founding fathers sought for to create a long lasting union is still in place.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:The judge is right by Anonymous Coward · · Score: 0

      FYI it's spelled "privilege."

    3. Re:The judge is right by cei · · Score: 1

      Copyright law is old, and didnt[sic] apply to this technology.
      200 years ago, no one would have thought to take a book, cut out the naughty bits, then resell it with the original work. To[sic] cost prohibitive.
      Plus 200 years ago no one would have cased,[sic] but I digress.

      Sounds like you need an editor...

      Regardless, no, it wouldn't have been cost prohibitive. Both labor and materials were cheap.

      --
      This sig intentionally left justified.
    4. Re:The judge is right by Stonehand · · Score: 1

      Courts are supposed to interpret the law, not make it... and copyright law has neither expiration date nor stipulations that it applies only to old technologies.

      If the law is ancient, it's the legislature's job to fix it; until then, the courts must rule as the law reads, even if there are unanticipated consequences.

      --
      Only the dead have seen the end of war.
    5. Re:The judge is right by Ahnteis · · Score: 0

      The only reason a copy is made is that you can't physically cut out segments of a DVD. It's obvious that I.P. laws are to old to handle most of the digital world.

  35. That sucks by vga_init · · Score: 1

    Historically, copyright law used to protect derivitive works, you know.

  36. Documentaries by SharkJumper · · Score: 1

    This was probably pointed out in the last discussion on this topic; if so, it's worth mentioning again. Here's an interesting comic from Duke Law that points out some of the landmines of copyright law. Instead of collage, it uses documentary filmmaking as its example. It tries to be balanced, but to me it paints a bleak picture of the future of art.

    SharkJumper

  37. Re:Should be legal, but still stupid. by pegr · · Score: 1

    Would you consider it unfair to sell books with the added feature of having certain objectional pages removed? Seems like a reasonable comparison.

  38. Broken my ass. by Abcd1234 · · Score: 3, Insightful

    It is ironic then that the editors are trying to stoke up discussion on what represents a reasonable limit to copyright while unintentionally demonstrating why the law as it currently stands is horribly broken.

    How does this demonstrate that the system is broken? What if I don't want the Slashdot editors to use something *I've* created in order to push their agenda? How is this any different from, say, Microsoft taking parts of the Linux kernel and then not respecting the license by refusing to release the source? A license, I might point out, which is only enforceable due to copyright law.

    The fact is, there are many people around here who like copyright as long they can get what they want for free, preferably under the GPL. The minute someone wants to exercise their rights in any other way, the system is 'broken'.

    Frankly, I think the copyright system, as it stands, is still workable, as long as copyright terms don't get continuously extended. What's broken is the government, thanks to institutionalized bribary, and the laws that were passed as a result, such as the DMCA, which work to break the system entirely by allowing the media cartels to effectively hold exclusive control over their works indefinitely.

    Note, I don't feel the same way about, say, the patent system. Unfortunately, around here, patents, copyrights, and trademarks seem to get mashed together and demonized equally.

    1. Re:Broken my ass. by Anonymous Coward · · Score: 0

      > The fact is, there are many people around here who like copyright as long they can get what they want for free, preferably under the GPL. The minute someone wants to exercise their rights in any other way, the system is 'broken'.

      There are two different ways of exercising "rights" that you're conflating. I oppose the ability of anyone to control the flow of ideas. The GPL here is good because it helps the flow, making more things open to all than would otherwise be. I do not support the "right" to close things off, nor anything which grants that "right."

      And yes, you're free to use my works in any way you see fit.

    2. Re:Broken my ass. by Abcd1234 · · Score: 1

      So you support a person's right to control how their creative works are used (in the case of the GPL, forcing people to release the source of their derivative works) as long as they do what you want?

  39. Re:Redistributing work of others without permissio by geekoid · · Score: 1

    Lets remmember the point of the copyright privlidge.
    To keep people from claiming your material. It had nothing to do with 'artistic vision'.
    Also, it did not deal with media that could easily be altered.

    With current technology, the copyright privlige needs some changes to deal with new technolgy.

    For example:
    We should allow content altered DVDs if it is clearly marked, the original credits are given, and who did the editing.
    If I purchase a disk, I should be able to make an edited version and sell it along with the oprginal version.
    So a company buys movie A. the can then make an edit and sell it, IF the original is included.

    The viewer gets to choose which version(hance NOT censorship) the studio has gotten there cut, and nobody is taking claim for someone else work, and the cast and crew are not being given credit for the new edited version.
    Meaning is someone sees it they know it's has been altered from final release.

    This solves the money issue, artistic issue, and the viewer gets what they want. Nobody is hurt, harmed, or looses copyright protection.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  40. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0
    Wow, I had no idea I could attribute all of the problems and "bad" things I did as a teenager to watching movies when I was young!

    Thanks, that's a great burden off of me!

    I'M FREEEEEEEEEEEEEEEEEEEEEE!!!!

  41. Re:You will pay the price for your theft of "visio by ishpeck · · Score: 1

    You, sir, are my hero.

    --

    "If I were to ask you a hypothetical question, what would you like it to be about?"

  42. the child by vandelais · · Score: 1

    of Mister Falcon has no fairy godmother.

    Give MEE the keys!

    --
    Game: Player 'Donald J Trump' now has AI skill level 'experimental'.
  43. Re:Should be legal, but still stupid. by MrShaggy · · Score: 2, Insightful

    How is one's entire life screwed because they got an STD at 16? I got a couple then too. You go to the free clinic and got your shots. It becomes a learning experience. There has been recent discussions on how the younger generation is developing problems with being able to act independently. The studies seem to point to that the over-zealousness of the parents in wanting someone else to take the responsibility of their kids. As well as the fact that the parents are directly over-looking their kids behavior. Why do you really want to where little Johnny drives the car? With GPS you can. All kids are looking for their own lives, and are sorely let-down when they realize that they might never be able to. Maybe its the fact that America is so repressed as a society sexually, that is causing the problems. If your kids want to run out and have sex, I think is called PUBERTY, and HORMONES! Its do easy to blame the movies for portraying something as dirty as your own sexuality. Sex is messy, and dirty, and smelly, and wonderfully so. If you have a hangup why pass it onto the kids?

    --
    I have mod points and I am not afraid to use them.
  44. Redistributing a copyrighted work for profit by Zelucifer · · Score: 3, Insightful

    I think the point that the vast majority of people are missing, is that at it's essence, this third party company is creating a derivative work For Profit. If this was a non-profit group, such as a church this would be 100% legal. However, editing a work in any way makes the current iteration of the production a Derivative and that changes the copyright statutes and precedents that apply to this. Think about it this way, what's the fundamental difference between removing scenes from a movie and adding them? With the latter, you have the possibility of a satire, or parody, yet even with that you do not have the right to use more then a few minutes of the original, if any at all, even in a not-for profit production. The issue would be different if, the defendant were to take the dvd that had been purchased by a consumer and edit that specific dvd, yet the simple action of buying (or acquiring through other means... specifically former trade-ins), involves a transfer of licenses, not just a service. In affect, the trade-in is actually a new purchase (the cost being your old dvd and the money), which is where the illegality comes into play.

    --
    The corner of a round room
    1. Re:Redistributing a copyrighted work for profit by AnyoneEB · · Score: 1

      Your argument makes sense, but there is one thing confusing me about this issue. Doesn't copyright only control the right to, well, copy? I know part of the process is to make a copy, but I do not see how that matters if the original is destroyed. It seems to me like the company is buying a DVD, modifying it, and then reselling it (not a copy of it), which should be allowed under the first-sale doctrine. Is there any significant difference between what they are currently doing and if, say, they figured out how exactly to scratch the DVD so that the "naughty" parts would be unplayable by the DVD player?

      --
      Centralization breaks the internet.
    2. Re:Redistributing a copyrighted work for profit by PCM2 · · Score: 1
      I think the point that the vast majority of people are missing, is that at it's essence, this third party company is creating a derivative work For Profit. If this was a non-profit group, such as a church this would be 100% legal.

      This is a common fallacy. There is no "100 percent legal" when it comes to copyright infringement, and you are not immune from being charged with infringement just because you didn't monetarily profit. The courts are empowered to take into account the nature of the use to determine whether it was actually infringeing. But if it's illegal for a private company to make its own derivative version of a work like a movie, it's unlikely that the court would uphold the same action just because it was performed by a church.

      Look at it this way: "Profit" doesn't necessarily mean monetary gain. If you and all your friends want a censored version of a movie and you don't know where to get one, so you make one yourself and give copies of it to all your friends, then you and all your friends have profited. In such cases, the studio could still sue you for punitive damages if it was able to prove that you knowingly and willfully made the derivative work when you knew it was copyrighted.

      --
      Breakfast served all day!
    3. Re:Redistributing a copyrighted work for profit by cpt+kangarooski · · Score: 1

      I think the point that the vast majority of people are missing, is that at it's essence, this third party company is creating a derivative work For Profit.

      Ironically, the court in this case said that they did not create a derivative work at all. I agree with you that they did, but just FYI.

      If this was a non-profit group, such as a church this would be 100% legal.

      That's not at all true.

      However, editing a work in any way makes the current iteration of the production a Derivative

      No, not in any way. It would have to be in certain specific ways.

      and that changes the copyright statutes and precedents that apply to this.

      No, not really. It means it's a 106(3) case instead of a 106(1) case. That's about it.

      involves a transfer of licenses

      There are no licenses involved in this case at all. When an ordinary customer buys a DVD at the Best Buy, he buys it. There is no license.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:Redistributing a copyrighted work for profit by PCM2 · · Score: 1
      It seems to me like the company is buying a DVD, modifying it, and then reselling it (not a copy of it), which should be allowed under the first-sale doctrine.

      Obviously they're not doing that because that would be impossible. DVDs are permanent, immutable. If you scratch the surface of a DVD you don't get rid of pieces of content, you just make it unplayable. To modify a DVD you have to make a copy (to a computer most likely), modify the duplicate version, then master a new DVD with the modified version of the content. It's a copy. Then, if you have 1,000 customers, you've made a whole lot of copies.

      --
      Breakfast served all day!
    5. Re:Redistributing a copyrighted work for profit by Zelucifer · · Score: 1

      First of all... sorry about the horrible formatting, I always forget to use html tags

      Could you link to a pdf of the ruling? I've been unable to find it online. None of the articles mentioned used the term derivative either, so I am curious to read the judges ruling.

      My comment that it would be 100% legal... yeah, I was in the wrong. I shouldn't have used the term legal, and I should have made clear that I meant a not-for profit service... which would only make them much safer from lawsuits, nonetheless, not safe from.

      "No, not in any way. It would have to be in certain specific ways." Mind giving me a general idea about what those ways are, so I can learn them ;)

      "There are no licenses involved in this case at all. When an ordinary customer buys a DVD at the Best Buy, he buys it. There is no license."

      This I completely disagree with, when you buy most items (specifically, but not exclusively, copyrighted items), by opening/buying/using you agree to the license contained within. If you'd prefer to call that EULA you see a contract, that's fine.

      --
      The corner of a round room
    6. Re:Redistributing a copyrighted work for profit by cpt+kangarooski · · Score: 1
      Could you link to a pdf of the ruling? I've been unable to find it online.

      Not particularly. I got it off of PACER, which charges a small fee and requires an account. I could repost it somewhere of course (see 17 USC 105), but I haven't really got anyplace to do that in light of the traffic I think it might result in for a time. Sorry.

      Mind giving me a general idea about what those ways are, so I can learn them ;)

      Many of the terms used in the copyright statutes are defined in 17 USC 101. Here's the definition of a derivative work:

      A "derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a "derivative work".


      If it isn't on the list, it isn't a derivative work. So it has to have been recast, transformed, or adapted, or on the laundry list (e.g. art reproduction), or it has to be editorial changes as listed that are sufficient and creative enough to satisfy the originality requirement of copyright.

      This would likely cover what happened in this case, as an abridgement, or modifications that satisfy originality. And yet the court felt that it wasn't a derivative because it wasn't transformative (which is really a fair use issue, not a derivative issue) and it wasn't transformative because it didn't add new material, it only removed material (a big misreading of caselaw). If there's an appeal, which I understand is unlikely, I would think that this would be likely to get fixed. Like I've said, it's an odd decision, but probably the outcome is correct if not how the court arrived there.

      This I completely disagree with, when you buy most items (specifically, but not exclusively, copyrighted items), by opening/buying/using you agree to the license contained within.

      Most items don't have a license contained within. For example, most copies of copyrighted works such as books, movies, posters, CDs, etc. Software is about the only place you ever see this sort of thing. And some courts (e.g. Klocek v. Gateway) have found those EULAs to be void. They could still be agreed to, but merely buying the item isn't enough. Other courts have said that they are valid (this all hinges on how you read the UCC) but they remain quite rare.

      I have a lot of DVDs and I've got to say that I've never seen a license on any of them. Quick and dirty, threatening-sounding restatements of the law (e.g. it's illegal to publicly perform the movie) are not licenses. Compare with a typical software EULA which is obviously trying to be a license.
      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  45. I think they should take this decision a step... by Atroxodisse · · Score: 1

    ...further and declare that directors should not be allowed to edit their own movies after they've been released in order to maintain artistic integrity. Han shot first.

    --
    Read my short stories - You won't regret it.
  46. editing for profit by thinkzinc · · Score: 1

    I can't believe that there are people here that condone intellectual property theft. So let me get this straight. If I bought a movie or music CD, and edited out parts, I should be able to reproduce it and sell it without giving any royalties to the artist and this is cool?

    1. Re:editing for profit by Overzeetop · · Score: 2, Informative

      You missed the point. They're buying a shrinkwrapped version for each modified version they're selling. The studios are getting a sale to an enduser that wouldn't otherwise buy the movie. What is in question is that they are charging a fee for the modification.

      --
      Is it just my observation, or are there way too many stupid people in the world?
  47. A filmmaker's perspective by robyannetta · · Score: 1
    It's about time to see a ruling against these assheads.

    Films are created to tell a story in a specific way. Now, if that includes elements that may be offensive to others, oh well. You can't please everyone!

    If you don't like blue language, sex or violence, don't see the movie. That's what the rating system is set up to educate you about. I know one person who walked out of the theatre on a PG-rated film because an actress said the word 'hell'. Hey, to each his own.

    If anyone modified my films to please their families and kids, there would be HELL to pay.

    --
    - Just my $0.02, take with a grain of salt, your mileage may vary.
    1. Re:A filmmaker's perspective by thinkzinc · · Score: 1

      If anyone modified my films to please their families and kids, there would be HELL to pay.

      Can I buy or rent one of your films?

    2. Re:A filmmaker's perspective by Anonymous Coward · · Score: 0

      Fucking control freak.

  48. offended, don't watch by wardk · · Score: 1

    it's real easy.

    don't want to see boobs in a boob movie, don't watch it.

    don't want to hear a movie's bad words, don't watch it.

    look at all the wasted time you'll get back.

    you can then waste it reading about the morons that have to watch the boob movie sans boobs

    1. Re:offended, don't watch by mcguiver · · Score: 1

      The issue here is more than what people being offended by movie content, it is about what a person can do with a product that they have purchased. Should I be able go to the store and by a pair of pants and then cut them off at the knees to make a pair of shorts? Or since that isn't the way the fasion designer intended them to be do I have to keep them as pants? The issue here isn't if it is right to wear shorts or not but it is about what I do with my own property. I agree that if people don't want to see something then they shouldn't watch it and that the directors did put forth a lot of time and a lot of creative energy into making their masterpiece but I don't think that the government should be able to sensor what I do with any product that I purchase. If I want a scene edited out of one of my movies I should be able to do it, or have my friend down the street do it, or have some professional with the equiptment do it for me.

  49. Whether they're allowed or not... by Anonymous Coward · · Score: 0

    ...my opinion is that people who buy those "castrated" movies are a bunch of pathetic prudes! Your wimpiness makes me laugh! HA!

  50. Re:Redistributing work of others without permissio by Overzeetop · · Score: 1

    Okay, so can you create a business out of modifying novels? You purchase a container of the latest blockbuster novel, then sell it to your readers. If they check the box on the order for that says "sanitize," you drop the book in the san-o-matic and it applies white-out to the objectionable parts and prints some alternate text, cuts out a few pages, pastes in a couple extra pages, puts a "Santized by the Purity Book Club Company" sticker on the jacket and then boxes it up for shipping.

    Aside from the inability to modify a pressed DVD, this is what they seem to be doing. They are buying a proper copy, making changes as requested by the end user, and sending the modified copy (naturally, the source must be destroyed...couldn't tell if they did that or not from the original story). I think that, given the one copy bought - one (modified) copy sold, this should somehow fall under first sale doctrine. Is doing this any worse that burning a CD/DVD in public? Clearly the artists work is being damaged and defaced in a way they did not intend. I don't really expect the Dixie Chicks to win any money in Texas over that claim, though.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  51. Learn to give without expecting a return. by Intrinsic · · Score: 1
    "Fair use would be you making a backup copy, putting the one you bought into storage, and using the backup. This is fair use. Heck, even taking a film that you own, making a copy and cutting out scenes you don't like... that is also fair use. What's not fair use is making a copy, cutting scenes, and selling it as a new version without any consent. This is not a one to one copy as there are scenes cut. Money is beside the point... a copyright holder has every right to choose how a work is distributed. This would include not wanting some bozo cutting scenes on a work that took time to create. Any flaws, mistakes, anything which affects the overall presentation can damage the reputation of the respective studio and artists that created the work. It's like taking spray paint to a piece of fine art and going over the bits one finds offensive, this affects the quality of the piece and the viewer might assume the artist is sloppy dolt or doesn't have the technical skill or is too reserved to make a winkle."


    Thats bullshit, what about people that mix music, The Grey Album for Instance?.. It doesn't detract from the work so long as the party knows its a edited version. The copyright holder doesn't/shouldn't have control over what someone does with a said work after its released. When you put at work into the public it no longer belongs to you as a whole. It takes on a life of its own, other people take it and make something that they can relate to on a personal level (If they so wish). This isn't about what the public is doing to a said work, This all has to do with the creator's/financial backer's fear of loss, The loss of something you no longer have control over. We need to get over it, this idea that copyright holders should have this kind of power is ridiculous. It goes against the core understanding being human, giving without expecting anything in return. When you give to someone freely without restrictions, you get back more than what you put into it. If you hold it to your chest in attempt to keep people from it, you will lose it.

    In this case people are making it possible to watch movies they wouldnt normally choose to watch because of content they dont identify with, don't make them wrong for that, give people enough credit to make there own decisions about what is right and wrong.
    1. Re:Learn to give without expecting a return. by Anonymous Coward · · Score: 0

      > The copyright holder doesn't/shouldn't have control over what someone does with a said work after its released. When > you put at work into the public it no longer belongs to you as a whole. It takes on a life of its own, other people
      > take it and make something that they can relate to on a personal level (If they so wish). This isn't about what the
      > public is doing to a said work, This all has to do with the creator's/financial backer's fear of loss, The loss of
      > something you no longer have control over. We need to get over it, this idea that copyright holders should have this
      > kind of power is ridiculous.

      By that logic, if you release a program under the GPL, you no longer have control over it, and people can distribute binaries of the program without offering to provide source.

      Maybe you should think twice before posting.

  52. Ugh by tnk1 · · Score: 3, Interesting

    I dislike this decision, but I think I see why it was decided in this way. A copyright holder has some right to not only make money from their films, but also to grant licenses to who they choose. Part of that licensing structure is how they protect themselves and their works from being altered in a way that they did not intend and at the same time the altering person makes money doing that.

    Let's say that you were a director and released a fairly hum-drum movie about life in the 'hood. You would probably have some violent scenes in there, where people of various minorities were vicious criminals. At the same time, you show how people of the same minorities are trying to fight back against gang violence or whatever. Indeed, that's the point of your movie.

    What happens when someone's Neo-Nazi cutting service takes your movie and figures out how to cut out the sympathetic parts so that it almost turns into a modern-day Birth of a Nation? Then, they market the 'altered' version in much the same way that this cleaning service market's their services.

    Now, technically, you got paid for what turned into Birth of a Nation II, but now your work, and your actors' performances are now on the Aryan Nation's hit parade. What if, due to the clever editing, your movie ends up being a more popular Neo-Nazi parapaganda film than it ever was before editing. Well, guess what? You're fucked. Your movie and actors are being clucked about on Oprah. I'm sure she'd be all upset that your well-intentioned movie was mangled in this way, but in the end, you're the guy who made Birth of a Nation II, or Triumph of the Will: The Next Generation.

    I think there needs to be a careful line drawn about that can be done professionally. I agree that this service is probably completely harmless, and I HATE the fact that the studios are probably simply looking to make sure they *they* are the ones who make the money from any sanitizations done, but they have a point. Its probably something that needs some better definition within copyright legislation.

    1. Re:Ugh by asuffield · · Score: 2, Interesting
      What happens when someone's Neo-Nazi cutting service takes your movie and figures out how to cut out the sympathetic parts so that it almost turns into a modern-day Birth of a Nation? Then, they market the 'altered' version in much the same way that this cleaning service market's their services.


      Actually, they could make a case for this being legitimate. Since they are not reproducing your product, but are instead creating something new, it is 'transformative'. That means it is possible to classify this as fair use. Even with commercial intent, even with significant copying, it can still be okay. The significant case here is the SCOTUS ruling about 2 Live Crew's "Pretty Woman" remake.

      Obviously you'd have to prove in court that it wasn't just a cheap attempt to undercut the original, but you could make a good case for it.
    2. Re:Ugh by KU_Fletch · · Score: 1

      Reserving any moral judgements, I agree that fair use stops when money starts changing hands. If this service of editing was offered for free, that is one thing, and I would consider that fair use. You can use your copy in a non-commercial way for your viewing pleasure. But they're profiting off this. People are paying them money ostensibly for a new version of the film. You can argue that you're paying for the labor and not the prodcut, but that is splitting hairs. Plus, they aren't scrubbing each movie individually. They scrub once and resell that copy. I pay for labor at my auto shop because even if they're done 20 of the same installations in the same day, they do it over again for each car. Cleanplay isn't a labor charge in the traditional sense. I'll also add this. There is a fairly clean analogy here to modding video games. You take an original and edit the content (sometimes slightly, sometimes greatly) and all of a sudden have a different experience. It's been legally established you can't sell a mod because you don't have the right to redistribute the content. You can give it away for free to people that alrady have that content, but you can't sell (unless you come to a legal agreement, i.e. CS, DoD, Red Orchestra). Same situation applies here. If they want to release these editted copies for free to people that already own a copy, they would probably be in much better legal territory. But since money is being exchanged, they've got a problem.

      --
      It's not stupid. It's advanced.
  53. without giving any royalties to the artist? by SharkJumper · · Score: 2, Insightful
    If I bought a movie or music CD

    Oops, you just gave them royalties.

    I don't think royalties is really the issue at hand. Apparently, the DVDs were being purchased by the scrubbing companies on a one-to-one basis. The artists were making their money. So the question becomes one of the "fair use" rights involved in having a company edit a copy of a DVD for a person versus the reputation of the artists who have their names attached to that DVD. I don't think royalties entered into the suit.

    ... and be careful throwing around the word "theft" when speaking of copyright law; you're liable to go down in flames, here.

    SharkJumper
  54. Re:Should be legal, but still stupid. by cailyoung · · Score: 1
    Who said anything about intent? My kids love the movie "Twister", but I wish it had a few less "goddamns". Am I really "religious frek" and a "moron" because I'd prefer not to hear gratuitous bad language?


    Well, you did use a lowercase 'g' in "goddamn", which would put you squarely in the non-religious-freak camp, except that you somehow find it offensive enough to want to hear it less in a movie. What is so offensive about the word (I would argue two-word phrase) "goddamn"? Is it the "god" or the "damn", or as American TV censorship clearly demonstrates, the combination of the two that makes for a profanity? If it's the "god", then you would appear to be a 'religious freak'. If it's the "damn" then I wonder just how many words you consider offensive. And if it's the combination, like the TV stations seem to think, then you're definitely being affected by religious bias.

    They're all words. Just words, and the only power they have is what you give them. To an atheist, "goddamn" is just a way of emphasising something, e.g. "Those goddamn censors are at it again". The word holds absolutely no special meaning. To someone who holds particular issue with the commandment regarding 'taking the lord's name in vain', it has an entirely different connotative meaning - it inspires disgust with the utterer. I guess what I'm trying to say is that whilst I wouldn't call you a religious freak, I would call you a bit of a moron, because if you can't understand that "gratuitous bad language" should probably refer to words that are a little more universally reviled (viz: Carlin's Seven Dirty Words), then you need a little perspective.
  55. Can't get away from intent... by midnighttoadstool · · Score: 1
    I don't want to be ill judged because of a third party's manipulation of my work. If I agree to their manipulation, then fine, but otherwise no way.

    Its hard enough judging the intent of another without their words being manipulated.

    But if that principle were stretched also to journalism then we might see a very healthy change in the manner in which a reporter presents the words of the story's protagonists and commentators, who are so often misreprented. The final content of the report would have to be assented to by each of the quoted sources.

    Censorship as it should be, perhaps.

  56. Re:Should be legal, but still stupid. by ChristTrekker · · Score: 1

    How about the simple fact that those words or phrases are not considered "good manners" when in polite company? Whether or not you think it is blasphemy or cursing, I think everyone recognizes that it's at least somewhat uncouth, and maybe he just wants to teach his kids better than that.

  57. The American slant on morality... by expro · · Score: 5, Insightful

    No exposed breasts, but all the violence you want. Why is "kill" or "murderer" or "liar" not a swear word and killing and lying not more shocking to the American mainstream. It carries over into their public life as well, supporting wars of agression killing hundreds of thousands, and continuing them on past the point of obvious failure so that the soldiers who fought didn't do it for nothing, but being shocked at other indescressions that involve far less moral evil.

    I am an American, but mainstream morality of the Christian Wrong rings very hollow. I support the right to edit, but it stems from Religious (not moral) positions that often do not resemble any reasonable sense of morality. Hearing the 'F' word or 'bitch' does nothing to diminish the morality of myself or my children, any more than my wife showing her face without a Burqa does. But in either case, people who try to use religions to define morality will object strongly, so it should be their right to adapt content to suit their religions.

    Either that, or America is an enormously immoral nation for allowing women to show their faces in movies. I believe even early Christianity had similar (not identical) rules of moral behavior for women covering themselves and so on, and their list of swear words was probably of a completely different nature, as it also varies from language to language and also permits alternative ways of saying the same thing, which just don't have the "offensive" tag. It is dictated by the traditions of particular religions and groups, having little to do with morality. As America increases in diversity, do you want to restrict the cultural definition of "morality" to be the subset of what is allowed by all participating groups, each of which can make a good case for their choices? You go do it yourself, but don't expect me to believe it has any significant correlation with morality.

    It is cute to see you referring to "The 'F' word" as though it is unspeakable, but using the word "screwed" which has a nearly-identical slang meaning and usage, where "screw" means "fuck" and "screwed" means exactly "fucked", but it doesn't have quite the same derogatory tag.

    In Europe, for example, exposed breasts and related swear words, etc. may be acceptable in prime time, but the violence makes many action films that would slide past "Clean Flicks" completely unacceptable and not even obtainable at the video store without heavy editing.

    It is your tradition speaking, not any real defensible sense of morality.

    1. Re:The American slant on morality... by Anonymous Coward · · Score: 0

      I'm afraid you used entirely too many large words for people like the grandparent poster to understand. (If you think I'm kidding, read their post. Simple words, stock phrases repeated multiple times, strawman arguments, blah blah.) Unfortunately, the censor's response to the threat of a world they can not understand is to try to hide that world from everyone, like a reptile trying to outlaw flowers.

    2. Re:The American slant on morality... by atomic_toaster · · Score: 2, Insightful

      ...it also varies from language to language and also permits alternative ways of saying the same thing, which just don't have the "offensive" tag. It is dictated by the traditions of particular religions and groups, having little to do with morality.

      It's not just a moral/religious issue; it's a regional/language one as well. A native French speaker may not see anything wrong with the F-word while they would have serious problems with religious-based swearing (tabernacle, chalice, etc.). British film/TV uses the word "fag" frequently (meaning "cigarette"), but and American person could be offended by the word's use, assuming that it meant something else. Aussies use the word "root" as synonymous with the F-word. I could go on, but I'd guess you get the idea.

      The real question is, do we all want one (or a small group of) Americans deciding what should be acceptable viewing for our children? The rating system, while it can be flawed, pretty much gives us an idea of the age level that a TV show/movie was intended for. However, if I want to be a cautious parent and be sure that nothing I consider inappropriate is watched by my children, I pre-screen everything first.

      Hell, your kids don't have to watch TV all the time, and if you don't want to take the time to pre-screen things, send them outside to play! Then they'll only have to contend with the violence, sex, and rude language in the real world.

    3. Re:The American slant on morality... by Just+Some+Guy · · Score: 2, Insightful
      Hearing the 'F' word or 'bitch' does nothing to diminish the morality of myself or my children, any more than my wife showing her face without a Burqa does.

      I agree, but don't presume to make that decision for me and my children.

      It is cute to see you referring to "The 'F' word" as though it is unspeakable, but using the word "screwed" which has a nearly-identical slang meaning and usage, where "screw" means "fuck" and "screwed" means exactly "fucked", but it doesn't have quite the same derogatory tag.

      "Shit" and "poop" are nearly perfect synonyms as both nouns and verbs, but my preschooler can say one of them without getting in trouble. That you think this is "cute" or unusual speaks more to your distorted view of society than the way the rest of us experience it.

      --
      Dewey, what part of this looks like authorities should be involved?
    4. Re:The American slant on morality... by Anonymous Coward · · Score: 0

      What distorted view?

      Shit and poop are the same. Why the hell are you making your kid have to distinguish? You picked a word to forbid for the sake of forbidding it, not for the meaning (as poop is just fine).

      The *real* reason is you don't want your kid saying 'shit' in front of other people because of how that would make you feel. Let's be perfectly clear - you have a distorted view of the word and are training your kid to be just as distorted.

      'Dirty words' are the silliest thing out there. Supposedly they aren't polite, but they are the first things that anyone learns in a foreign language and are used most often by children and teenagers, which makes the whole idea of 'protecting' them laughable.

    5. Re:The American slant on morality... by pimpimpim · · Score: 1

      you need root, man!

      --
      molmod.com - computing tips from a molecular modeling
    6. Re:The American slant on morality... by Rayonic · · Score: 0, Troll
      wars of agression killing hundreds of thousands

      You might want to check actual sources sometime.

      In Europe, for example, exposed breasts and related swear words, etc. may be acceptable in prime time, but the violence makes many action films that would slide past "Clean Flicks" completely unacceptable and not even obtainable at the video store without heavy editing.

      Why are the Europeans so prudish about violence in the media?

      In real life, violence is widespread phenomenon - it permeates everywhere from person-to-person to nation-to-nation, and everywhere in between. You could say that it's part of humanity. If protecting children from TV/movie sex doesn't stop them from being promiscuous, then why would protecting them from TV/movie violence be any different?

      Also, is it safe to assume that France has stringent anti-violence media laws? Because I recall some very destructive nationwide riots a few months back...
  58. Play Profiles by Dan512 · · Score: 1

    Two thoughts:

    If there really is money in these alternate versions, why aren't they created as a matter of course?

    Why not extend DVD players, DVRs, etc with "play profiles". The PG13 version of a porno would be short but the PG and G versions would be even shorter...

    If scenes were rated, then it would be a simple matter for DVD player to skip to the next appropriate scene, no? Parental controls are a good thing.

  59. Re:Redistributing work of others without permissio by roman_mir · · Score: 4, Informative

    Lets remmember the point of the copyright privlidge. To keep people from claiming your material. It had nothing to do with 'artistic vision'. Also, it did not deal with media that could easily be altered. - well, copyright deals with distribution of material, and this is where the case in question fails. They are redistributing modified copyrighted material for profit without a license from the copyright holder. It doesn't matter whether this is done for artistic purposes or any other purposes. At the end it is done to make money on other people's work.

    We should allow content altered DVDs if it is clearly marked, the original credits are given, and who did the editing. - we should allow what with content altered DVDs? Should we allow distribution of content altered DVDs without permission from copyright holders? I don't think so. Whether you changing your DVD content and using it yourself falls under fair use or not, I am not sure, but I am certain that noone can legally take a DVD, modify its content and redistribute it without permission.

    This case is not about someone modifying their own DVD and using it, it is about a firm that redistributing modified content for profit without permission.

  60. It's very simple.... by STDOUBT · · Score: 1
    Give the People what they want

    (even if they're moralistic pussies)

  61. Don't think porn - Think "No Jar-Jar" by pla · · Score: 1

    Most people strongly supporting this decision seem to have the delusion that it applies only to (as per the FP title) "Naughty bits".

    NO!

    Instead, imagine Star Wars I through III with every scene containing Jar-Jar, or both Anakin and Padme, completely cut out! Poof, it goes from utter crap to a decent (if not as good as the original trilogy) watch.

    Or for another angle on it - Mix CDs. This decision basically reduces to outlawing mix CDs. Now, I don't think I've ever made a RedBook mix CD, but imagine the implications for your "20 hour drive" MP3 CD, if you have to keep original albums as a whole. Bam, your choices just went from (literally?) millions of tracks, down to Pink Floyd or the soundtracks to musicals. Imagine 20 hours of musicals, people!!! Hey, I like the occasional JCS or Spamalot, but 20 straight hours? Think of the children! I like Floyd as much as the next guy, but I'd have to join Sid at Chalfont (well, The Great Beyond, now) after 20 hours of it.

    1. Re:Don't think porn - Think "No Jar-Jar" by The+Cydonian · · Score: 1

      I used the following dead-tree analogy to form my opinion: suppose someone was reading Shakespeare, for example, and was offended by the usage of the words "cock" and "bastard" in the drama, As You Like It [look it up, they exist :-) ]. He, therefore, decided to publish a new edition with those lines editted out. The edition, naturally, clearly mentions that there was some editting done, but doesn't state where the lines have been excised; you'd have to compare editions to sort those out. Would you support the publication of such a text? I know I wouldn't.

      Note that, unlike the original case, there are no copyright issues in my analogy; Shakespeare is long dead, so there are no copyright concerns, DMCA doesn't really apply to dead-tree publications, so I'm really trying to frame the debate in a moral sense.

    2. Re:Don't think porn - Think "No Jar-Jar" by pla · · Score: 1

      Note that, unlike the original case, there are no copyright issues in my analogy; Shakespeare is long dead, so there are no copyright concerns

      True, but you've described unwanted censorship, not solicited editing.

      Censorship (of this sort) does indeed fall under the category of "editing", but it occurs because some prudish "father knows best" 3rd-party doesn't want you to see what they disapprove of - Not the removal of material, at your request, of material you personally find detracts from your enjoyment of the content.

      I can stand Jar-Jar. I can grit my teeth and make it through the god-awful dialogue (and delivery thereof) between Anakin and Padme. But, owning (screw "licensing", I own physical discs and will do as I wish with them) my own copies of those movies, I see no reason why I personally shouldn't have the right to make my own edit (including asking someone else to do it for me, if I didn't have the skills to do so personally).



      So, no offense intended, but it sounds like you did fall into exactly the sort of trap that lead me to make my previous post in the first place. This doesn't involve censorship - The FCC and the PTA can still take out as many "cock"s and "bastard"s as they want; We, however, cannot.

      So by all means, continue opposing censorship - Hell, I stopped renting from BlockBuster, even though I almost never actually paid for their movies (you can get free movie coupons about a million different ways - I used to get two a month just for paying my phone bill) because I found their habit of censoring their movies infuriating (and not even sensible - They leave in sex, drugs, violence and language, but snip seemingly arbitrary scenes). Don't, however, conflate censorship with the right to personally choose what subset of a released work you want to watch.

    3. Re:Don't think porn - Think "No Jar-Jar" by The+Cydonian · · Score: 1

      Right. I suppose we agree more than we disagree, in that case.

      While I would agree that we ought to have the right to make modifications to our own copies, I'm not sure I would agree on the right to re-distribute the said modifications without the original copyright owner's permission. Or in other words, I would concur with the judgement in when it says that not all derived works would warrant fair-use.

  62. Re:Redistributing work of others without permissio by roman_mir · · Score: 1

    Okay, so can you create a business out of modifying novels? - certainly. As long as you get a license (permission) to do so from the copyright holder.

    If you just want to distribute copyrighted material, you get a vendor's license, whatever that is, but I am certain that a vendor's license does not allow distribution of modified content.

    The company in question is already breaking the current copyright law even if they simply COPY the DVD and resell it (even if they destroy the original!) forget about modifications.

  63. MOD PARENT UP! by Vellmont · · Score: 1

    This is exactly what I was thinking. I read the article, and I was confused to see these important points weren't summarized at all.

    --
    AccountKiller
  64. Some of those aren't bad. by Valdrax · · Score: 1

    It has happened in every industry that has any form of federal regulation: oil refinery, content distribution, medical licensing, campaign finance rules, even the stock market is cartelized now moreso than every before.

    You're going to have to explain how medical licensing and campaign finance rules have led to more harm than good, especially when the alternative you present is their absence.

    --
    If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    1. Re:Some of those aren't bad. by dada21 · · Score: 1

      I'll defer to some basic facts about anarcho-capitalism (the "true" free market) that Lew Rockwell himself said in 1990:

      The Trouble with Licensure

      On campaign finance reform, I'll defer to Ron Paul ( Why Is There So Much Money in Politics? ) and another by Lew Rockwell ( Corruption in Government )

      For me, campaign finance reform isn't needed -- if you limit the Federal government to the Constitutional limits (or a Federal Government smaller than 1% of the GDP), no amount of bribery would help. Bribes only work with those with massive power, dig? In terms of medical licensing, the AMA is a lobbying group that gives Congress the means to limit the amount of licensed Doctors as well as med students. They restrict the supply of doctors, which increases the costs. They also lobby for every sort of government health-welfare program because they know that the State will never really regulate the money paid for public healthcare.

      Regulation in both markets is bad for consumers, prices, quantities, qualities and those who want to work.

    2. Re:Some of those aren't bad. by iamacat · · Score: 1

      You're going to have to explain how medical licensing and campaign finance rules have led to more harm than good, especially when the alternative you present is their absence.

      You don't think people should be able to see some kind of doctor when they are sick when they can not afford one covered by YOUR preferred level of licensing? In the meantime, the rest of us can choose to use only doctors who opted in to some kind of voluntary licensing and history reporting system.

    3. Re:Some of those aren't bad. by Anonymous Coward · · Score: 0

      The age-old battle of accountability vs amount.

      While it's likely that some government-independent organiztion would form to legitimize medical professionals for the rich, and possibly for the middle class, I'd prefer that when I'm wheeled to the emergency room for medical treatment without my consent, I'm not thrown to charlatans and organ-leggers. On that note, I'm thankfuly my mother, when I was but a wee lad, didn't have the option to take me to the same to save a buck.

    4. Re:Some of those aren't bad. by Valdrax · · Score: 2, Insightful

      You don't think people should be able to see some kind of doctor when they are sick when they can not afford one covered by YOUR preferred level of licensing? In the meantime, the rest of us can choose to use only doctors who opted in to some kind of voluntary licensing and history reporting system.

      You have to be crazy if you think that AMA licensing is a significant portion of any physician's business expenses or even of the expenses (including education) to get to be a doctor in the first place. In exchange for it, we get a nation mostly free of snake oil peddlers, quacks, frauds and unethical experimenters like we had back in the 19th century before medical licensing. Read your history. It's amazing how so many people who are trying to drag us back into the Guilded Age are so ignorant of what life was like back then before the people demanded the government step in and "interfere" in their lives.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    5. Re:Some of those aren't bad. by Valdrax · · Score: 1

      Ron Paul's argument is a little facetious. First, he argues that the whole reason for campaign donations is that the government is given too much power and shouldn't be that big anyway. However, his solution is not to deal with this reality but to simply say that the person with the most money should be allowed to spend it to have the most say. That's hardly an explanation of how campaign finance reform causes problems. It's instead an argument that the real problem lies deeper and that we just shouldn't have campaign finance reform under the ridiculous argument (unfortunately backed by the Supreme Court in a fit of madness) that money == political speech.

      Lew Rockwell's arguments are even more farsical. They consist of nothing but a list of tautological assertions. Big business is always good and accountable. Big government is always bad and unaccountable. It is just and the will of the people when an anti-tax lobbyist gets a Congressman to propose tax cuts. It is corrupt and anti-democratic when a pro-tax lobbyist gets a Congressman to propose tax hikes. His argument essentially comes down to openly admitting that money spent on anything he likes is just and money spent on anything he doesn't like is corrupt in his mind. He merely wants to open the floodgates of donations from the wealthy so that their voices (which will always be in favor of the rich over the poor) will be able to shout louder and louder for tax and regulation cuts until the needs of the people for protection from predation and for basic needs are inaudible in the language of money.

      Your chosen essays reveal nothing about why campaign reform is bad. It just states that it is -- with no real back up. Essentially, both people just want Congress to be as buyable as possible with the blanket assertion that this will lead to smaller and more just government (in spite of the rampant corporate welfare and out-of-control government spending of the current anti-regulation, anti-tax, anti-public welfare governing party). True campaign finance reform makes sure that the voices of the people are equal and that governing philosophies must compete in the marketplace of ideas instead of being oligarchically controlled by an elite class.

      As for doctors, the AMA restricts the supply of charlatans, crazies, the unqualified, and the unethical. You get better quality healthcare as a result. Go back and read about the late 19th century's medical practices if you want to see the kind of ridiculous (and often dangerous) nonsense that passed for healthcare at the time. Chiropracty (as a cure-all), homeopathy, and herbalism were just as common as allopathy, and a sucker was born every minute. I'd rather not see a return to those times.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    6. Re:Some of those aren't bad. by Sloppy · · Score: 1
      You're going to have to explain how medical licensing .. [has] led to more harm than good

      Walk into any Wal-Mart and ask, "what if these people could provide healthcare?" Your next operation could cost $299 instead of $50k.

      There is an artificial scarcity of supply for medical services, thereby causing it to be expensive. Expensive is bad.

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    7. Re:Some of those aren't bad. by Valdrax · · Score: 1

      Walk into any Wal-Mart and ask, "what if these people could provide healthcare?" Your next operation could cost $299 instead of $50k.

      Having been to Wal-Mart before, I'd have to instead ask, "What would be my chances of survival if these people performed $50k surgery for $299?" and "Do I get anethesia at that price?" I mean, I wouldn't hold up the paragon of cheap (in quality as well as price) goods that don't last thanks to suppliers being forced to cut corners to keep price competitive as the future provider of healthcare.

      There is an artificial scarcity of supply for medical services, thereby causing it to be expensive. Expensive is bad.

      Show me proof that there is a natural supply of qualified health professionals that the AMA is preventing from becoming doctors. What percentage of medical school graduates fail to get AMA certified and have to pursue other careers? (Hint, it's far less than 1%.) In this day and age, AMA certification helps keep the unqualified from calling themselves doctors and nothing more.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    8. Re:Some of those aren't bad. by tbannist · · Score: 1

      Gah, I once ate at a Walmart (big mistake). There's no way I'd let those butchers perform surgery on me.

      --
      Fanatically anti-fanatical
  65. Re:Should be legal, but still stupid. by Fulcrum+of+Evil · · Score: 3, Informative

    My kids love the movie "Twister", but I wish it had a few less "goddamns". Am I really "religious frek" and a "moron" because I'd prefer not to hear gratuitous bad language?

    No, but you can't redact the dvd and resell it. That's what this is all about.

    --
    "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
  66. Ripping pages out of a book? by OhBoy! · · Score: 1

    Would it be illegal to rip certain pages out of a book and then sell it to those who wish to buy such a book? Or perhaps painting some sections over so text cannot be read? I bet nobody would get sued if they did. So why is it illegal to do the same with DVDs? Is it because they are by necessity copying content onto a new disc, due to limitations of technology that does not allow to simply scratch out offending bits? It is obviously not the kind of copying that copyright law is intended to forbid.

  67. Erm... by POKETNRJSH · · Score: 2, Insightful

    I still don't know why people can't just not watch things that offend them...I know that this case was mainly for the money, but I've made a couple short films and I would be somewhat offended myself if someone said "Yeah I want to watch your work, except for these 3 minutes here and 4 near the end." Why is it that we have to change things for everyone because certain people don't want to have to deal with them? When do people take personal responsibility? It seems never, nowadays.

    1. Re:Erm... by Anonymous Coward · · Score: 0

      What if the 3 minutes were gratuitius sex that the studio forced you to put in because "they" thought your film would sell better as an R rather than a PG-13? These 3 minutes were never part of your "artistic vision" and added absolutely nothing to the film but someone else ordered it because they thought it would sell your film to the masses? For example, Snakes on a plane (http://en.wikipedia.org/wiki/Snakes_on_a_plane) was reedited for exactly this purpose.

      99% of sex/nudity I've seen in hollywood films severed absolutely no purpose but a "fan service." (http://en.wikipedia.org/wiki/Fan_service) The 1% of films in which the sex/nudity is essential aren't typically edited by cleanfilms anyways because the entire subject matter is considered inapprioriate. (Eyes Wide Shut comes to mind)

  68. Shortest porn ever! by poind3xt3r · · Score: 1

    Last week I just saw Debbie Does Dallas! Dont get what the fuss is about. It was freaking 30 seconds long.

    1. Re:Shortest porn ever! by chmod+a+x+mojo · · Score: 1

      30 seconds??!! was it still too long?

      i keeed i keeed

      --
      To err is human; effective mayhem requires the root password!
  69. Re:Should be legal, but still stupid. by Moofie · · Score: 4, Insightful

    "You say religious freaks. How about just moral people"

    Not the same set. The loudest religions are frequently the least moral ones. That's certainly not a causal relationship, but it's a decent correlation.

    "How about people that don't want their 6 year old calling them a bitch because they heard it on TV."

    Don't have a TV. Explain to your child why that word is a wrong thing to say, and that they will be punished if they say it.

    "How about cutting out the sex scenes so we reduce the number of teenage pregnancies."

    The number of sex scenes that cause teenage pregnancies is zero. The number of teenage pregnancies that are made more likely by parents abdicating their responsibilities to the TV and/or the federal government is not zero.

    At the end of the day, I happen to agree with you: I think that CleanFlix or whatever is absolutely within their rights to buy a movie, re-edit it, and sell the movie to a different audience. However, I deny you the moral high ground. There are plenty of people who are a) not religious and b) moral. These two characteristics are not strongly correlated.

    --
    Why yes, I AM a rocket scientist!
  70. How is this different... by zogger · · Score: 2, Interesting

    ...from the OTA versions of (some) movies the major broadcasters show all the time? Those versions are "censored" and have a lot of "naughty bits' taken out, you can see the disclaimers at the beginning of the movie. "this version has been edited for television and etc" So...where's their beef here? That someone else is doing it? The court was wrong in this case, past precedent and so on near as I can see it. And what about the classic "Own it today on DVD!". Wazzup with that, they *claim* if you buy it you can "own it" in their own words. I see those ads from the MAFIAA all the time, too. If I own it, I can chop it up, bend it spindle it mutilate it and re-sell it, it's physical property. I can't make a thousand dupes and sell them, but the single copy I have is mine. And these guys appear to have been very careful to do a one straight copy for one modded copy deal here, all monies still go to the MAFIAA, those they are owed.

    Meh, the whole copyright business is so borken it's a waste of time. I think I'll stick with the "who cares?" model and only buy used stuff until they come to their senses with all this nonsense.

        Here's a for instance, a variation on it, instead of censoring out, how about placing-in as an option? I think it would be a hoot to get something like star wars with some added scenes and dialogue from third parties, like more bar scenes! How about princess lea's half sisters and their "hidden secrets"? Huh, huh, sounding better now? How about a jabba the hut family BBQ scene? I mean, this has potential here!

    1. Re:How is this different... by ScaryFroMan · · Score: 1
      So...where's their beef here? That someone else is doing it?

      Um, yes. Can you not see the difference?

      --
      In Soviet Russia, backwards is everything.
  71. Re:Should be legal, but still stupid. by cailyoung · · Score: 1

    "God" and "damn" are uncouth words? This is news to me. The only mindset that places any special meaning behind these words is one with a heavily religious background. If I'm in "polite company" and say "I was going to work the other day and my god, you wouldn't believe the traffic" nobody will bat an eyelid. I could construct similar sentences with "damn" and "goddamn". Now, maybe this is a function of me living in Australia, but I certainly don't recall being publicly shunned in California when I occasioned to use these words.

    I can absolutely see your point for words that are genuinely offensive to most English-speaking people. But there is definitely a subset of 'offensive words' that is words which are offensive only to people who take religious language completely seriously, such as "god", "damn", "hell", and I'm sure many more. It is these words that I argue should not be considered offensive for the purposes of classification, as they only have an offensive connotation to the especially religious. I take issue with the grandparent's distaste for the overuse of what most would consider very mild profanity in a film rated PG-13.

  72. Parent beat me to it. by Rachel+Lucid · · Score: 1

    If a collage ends up looking anything like the works it's derived from, then sure, but that defeats the point of calling it a collage.

    As I understand it, an original work only needs to be a certain percentage of original content, even if several parts were taken from something else. Think like a feminist take of 'Saw' (say the killer was wracked from something abortion/pregnancy related, rather than cancer, and this affects the type of 'traps'): Assuming that the film contained entirely new footage and only retained the original "Play the tape, try to escape" format of the Saw traps, would you still consider it an infringement on the original 'Saw' films, or merely a derivitive/inspired work?

  73. Legal or Moral by jimlintott · · Score: 1

    I don't give a crap about the legalities of this. I find it immoral to censor art. Even crappy art. I personally think that censorship is dangerous. I cannot begin to fathom why anyone would want to watch a butchered piece of art. If you think parts of it aren't suitable don't watch it. If you think parts of it aren't suitabe for your children don't show it to them. Watch something else. Having a specially censored version is just wrong. Network TV should be slapped silly for their destruction of movies. Even crappy ones. The studios should be ashamed for allowing it.

    Once censorship of art becomes pervasive the censorship of real life becomes easy. The revisionists get to have the world filtered through their own special rose coloured glasses. It's sticking your head up your arse and pretending it smells of perfume.

    It's wrong, it's stupid and it will bite us all in the end.

    (Censorship pisses me off.)

    1. Re:Legal or Moral by westcoaster004 · · Score: 1
      Oddly enough, the people at Christianity Today would agree with you that it's morally wrong to censor movies in such a manner as was done to those movies.

      "Movies--even bad ones--are works of art, created by artists with a certain vision of what they want to communicate--and how they want to communicate it. And as works of art, films should remain in their original forms, untouched, unedited, unsanitized. If a particular film's content is too objectionable to certain viewers, those viewers shouldn't watch that film. Simple as that."
    2. Re:Legal or Moral by LocalH · · Score: 1

      Except it's not censorship. Censorship means that you can't legally view the content even if you choose to. This is someone choosing to view it the way they want it, without infringing on your right to view the unedited version. I hate prudes like the next progressive, but I also hate it when people call something "censorship" when it's not.

      And, for the record, I don't even buy into the "only government can censor" bullshit. If I buy the rights to a particular piece of offensive content, cleanse it, and forbid anyone else from making the original available, then I'm censoring that piece of content. Take Disney, for example, with things like "Fantasia" being edited to remove what they perceive as "racial overtones", or the suppression of "Song of the South". I call that censorship even though the government has nothing to do with it.

      --
      FC Closer
    3. Re:Legal or Moral by The+Cydonian · · Score: 1
      This is someone choosing to view it the way they want it, without infringing on your right to view the unedited version.

      Nope. Someone's choosing to view the movies in a way that ClearFlix deems is inoffensive. We are not talking about the end-user making any modifications to his or her own copy.

    4. Re:Legal or Moral by Anonymous Coward · · Score: 0

      Yes we are. That is exactly what we are talking about. A customer buys a movie. They make an edited copy and destroy the original. They sell the destroyed original and the edited copy to someone else. The someone else completely understands that this is not the original work in its original form.

      I buy a CD. I take the insert out of the jewel case and make a photocopy and insert my bare buttcheeks where the artists faces were. I put the original through a shredder. Can I sell this one CD, jewel case and insert to my friend?

      I buy a DVD. I make my legal backup copy. I put the original on the high shelf and let my kids play the backup copy. The backup does not have an cover art on the disc, just my handwritten "Jack & Jill and Three Asian Street Hookers" on it. One day my kids make a Loony-Tune-esque stack of furniture and get the original down. They break it in half using it as a frisbee. I lose my job and decide to have a yard sale. Can I sell this "modified" DVD?

    5. Re:Legal or Moral by LocalH · · Score: 1

      What practical difference does it make who is editing the movies? The unedited version is still available, and you're not being inhibited from purchasing that version.

      "Artist's rights" my ass. Artists might have rights, but so do the viewers of such art. Like with anything in life, there has to be balance, and right now it's tipped too far towards the artist.

      --
      FC Closer
    6. Re:Legal or Moral by planetoid · · Score: 1

      The viewers do not have a right to not be offended.

      --
      Slashdot requires you to wait longer between hitting 'reply' and submitting a comment.
  74. Math? by JazzLad · · Score: 0

    "A studio sells a normal R-rated version of a film for $20 on DVD. It decides to sell a censored PG version for $30 (it's a niche market, people are willing to pay more for the censored version.)

    An outfit in Utah comes along, buys a copy of the $20 R-rated version, edits it to PG level, and sells it for $25.

    The studio is out $5, and it's an easy to argue copyright violation."

    WTF? The studio is out a theoretical $10 as the $5 difference does not go to the studio.

    That said, the only 'additional versions' they sell are "unrated." Not exactly what patrons of said outfits are after. It's like trying to ban MP3s instead of /selling/ MP3s (wrong **AA, I know, but they all act the same way, don't they?).

    *disclaimer: I haven't bought a Rated R movie in years. I do not find them appropriate for my children & I chose not to be a hypocrite in raising them (not starting a flame, to each his own). I have rented a few edited R Rated movies, ultimately this is $$$ in the pockets of the MPAA (as much as renting anywhere else). This revenue will go away, as when I can no longer rent edited movies I will not rent the unedited versions. I will just wait for TNT to play them 1000 times in a weekend.

    -
    Karma=bad
    I care=no

    --
    "If you have nothing to hide, you have nothing to fear." - Every fascist, ever
  75. remember colorized movies? by Anonymous Coward · · Score: 0

    the studios attempted to make the same claim about colorizing movies destroying the 'artistic vision'

    it wasn't right then and it isn't right now.

    David Lang
    someone who enjoys old movies, including the ones in black and white.

  76. Re:Redistributing work of others without permissio by cei · · Score: 1

    I call bullshit. Technology has nothing to do with it. The founding fathers were just as much against the idea of re-setting blocks of lead type on a printing press and violating copyright of a printed book (edited or not). No difference here.

    --
    This sig intentionally left justified.
  77. Re:Redistributing work of others without permissio by Stonehand · · Score: 1

    The money issue is only solved if you assume that the offering of the 'edited' version was going to be offered as a replacement at the same price. This is not necessarily the case -- one could envision an 'enhanced' version being planned for sale at a premium, for instance.

    It is also potentially very disruptive of certain revenue models. For instance, consider the concept of paid placement of products. One could envision an attempt to edit a movie to remove brand names, perhaps replacing them with generics or even rivals. While original distributor may receive the normal price for -that- run, the decline in eyeballs viewing the intended placements may mean that the future market for such placements would be negatively impacted. (Not that is this necessarily a bad thing, but...)

    More directly, imagine the editing of the currently available ad-supported television episodes and other downloadable content, where the revenue is either from ads in the original downloading platform or pages, or in the downloaded video files themselves. Permitting the unlicensed creation and redistribution of derivative content where the transformation constitutes removing a non-trivial amount of those ads directly harms this model.

    --
    Only the dead have seen the end of war.
  78. Re:Should be legal, but still stupid. by Duhavid · · Score: 1

    If it is about the director's intent, then
    Why are there "director's cuts" of these
    movies being sold?

    Because the "artistic intent" of the director
    was compromised by the production group on
    the basis of sellability. That is OK, but
    for me to edit the movie to suit my
    sensibilities is not?

    --
    emt 377 emt 4
  79. Who cares about edited movies? by Anonymous Coward · · Score: 0

    I want edited news. Clearnews! For any political or religious group, their personalized cut down version of reality. Depending on your mood, you can cut out the bad news, or the good news -- and what is good or bad might of course depend on your choices. FOX news already has 50% of the market covered, time to give them some competition!

  80. Coming attractions? by rocjoe71 · · Score: 1
    Coming soon to a Cleanflix outlet near you:
    • Old Yeller: Gets better, doesn't die from rabies.
    • The Sixth Sense: Frightened little boy sees no dead people, as people go to heaven when they die, not turn into ghosts.
    • The Crying Game: That hot chick realy is a chick.
    --
    Height: 38U, Weight: 0 Newtons, Eyes: #0000FF, OS: Gray Matter 1.0 (Alpha)
  81. Re:Should be legal, but still stupid. by DragonWriter · · Score: 4, Insightful
    How about cutting out the sex scenes so we reduce the number of teenage pregnancies.
    How about improving sex education, so people don't think pregnancy is caused by watching sex on TV.
  82. Linux by Lehk228 · · Score: 3, Interesting

    if the court had gone the other way, the GPL would be fucked

    each copy of linux would be aquired legally then modified and resold, perhapse loaded with DRM or otherwise corrupted, and since the company no longer needs permission to resell legally aquired but modified works the GPL would have no teeth

    this was a good decision

    --
    Snowden and Manning are heroes.
    1. Re:Linux by foniksonik · · Score: 1

      OTOH anyone can download a copy of Linux and rewrite it however they see fit for their own use.

      If this company offered this 'service' as a Service, ie: bring in your DVD and we'll edit out the parts you don't want to see/hear... "look we have an example right over here and a comparison chart of the edited parts"... how would this be any different than paying someone to configure your laptop with a custom setup of Ubuntu?

      There's a fine line here between disallowing a derivative product to be sold for profit and disallowing a service provider to cater to their customers wants, for a fee.

      It's mostly semantics as far as where the DVD is purchased and whether it came pre-configured or not.

      --
      A fool throws a stone into a well and a thousand sages can not remove it.
    2. Re:Linux by Lehk228 · · Score: 1

      if they wanted to do this right, they would sell DVD software that would be able to read a data file to know what parts to skip to clean a DVD, with the disc itself sold whole from a rack of discs that the player is programmed to know how to censor at various levels, doing so would be pretty easy, and it would be a stretch to say a list of time spans that naughty things happen constitutes a dereivitive work

      --
      Snowden and Manning are heroes.
    3. Re:Linux by foniksonik · · Score: 1

      hmmm but now the question is "Can you copyright your list of time spans?"

      Otherwise those lists would get out real quick and an OS version would be on SForge within days.

      --
      A fool throws a stone into a well and a thousand sages can not remove it.
  83. Re:Redistributing work of others without permissio by Anonymous Coward · · Score: 0

    Well, here it is: can copyrighted works be modified and redistributed without explicit permission by the copyright holder? The court says no, I agree in this case.

    I don't. Can copyrighted works be redistributed without explicit permission by the copyright holder? Yes they can, according to the first-sale doctrine. And this thing happens to be one of the "best" principles in the idea of copyright in the sense that it makes copyrighted works behave in essentially similar way to such "ordinary items" that you just don't know how to manufacture.

    So why pray tell should it be any different when modification is involved? (granted it probably IS different because some idiot has miscrafted the existing law - but what I'm looking after is justification for such policy) I mean if this stuff applied to physical objects it'd be an obvious loss to the society: No modding - no repairing etc. except by licenced parties which cost a fortune. What makes IP so special in this regard?

  84. What if they were cutting out commericals? by Other+Than+That... · · Score: 1

    A lot of the cheering really does feel like movie snobs defending their right to be of a higher culture than those who would harm their movies. That, or people who rejoice whenever something that smacks of conservative christianity gets put down.

    It all sounds like fair use to me. If you don't like the separate DVD included with the original, you could always get a directly edited VHS tape.

  85. So where'd you get the beauty scar tough guy? by not-enough-info · · Score: 1
    While I'm all for keeping theatrical releases uncut, I will miss some of the more hilarious editing of the classics.

    So where'd you get the beauty scar, tough guy? Eatin' pineapple?

    -Scarface (there's even a bonus feature on the collector's DVD about it!)

    All it took was a phat karate punch!

    -Mallrats

    On a more serious note...
    Personally, I think the US' obsession with violence and persecution of sexuality is indicative of a deeper social disease.
    --
    ---k--
    </stupid>
  86. Oh noes. by Noxal · · Score: 0

    God(dess)(es) forbid a child see something on somebody else that they have a ~50% chance of having on their own body.

  87. Re:Should be legal, but still stupid. by Lord+Kano · · Score: 1

    How about cutting out the sex scenes so we reduce the number of teenage pregnancies. Everyone wants their kids to experience everything, well guess what...they do experience everything when they are young, then get get pregnant, or a STD at age 16 and then guess what, their life is screwed. And why is it screwed...because mommy and daddy let their kids watch sex scenes in movies at age 10 and their kids wanted to do it as soon as they could.

    Do you think that the ears and brains of children stop working as soon as the TV goes off? Kids will hear what parents teach them. If parents prepare their children for the world, they have a much better chance of doing well in it.

    I watched all kinds of movies with sex scenes when I was a kid. Remember, I was a kid when the Porky's movies were out. Porky's, Slashers and the early 80's beach movies were all a part of my viewing lineup. Know what? When I was 17 and started having sex I was smart enough to wear condoms. That's right. Gratuitus sex scenes in movies didn't make me stupid. Now here I am nearly 14 years later and I have still not caused a pregnancy. Why? Because I didn't want to produce a child before I was ready to raise one. Before the snide comments start, my longest period of "inactivity" was from July 20 1994 through December 27 1994. I've done my fair share of lovemaking and yet, no babies.

    A good action film is still entertaining to watch without hearing the 'F' word every 5 seconds.

    Play it at half speed, then it will only be every 10 seconds.

    LK

    --
    "Hi. This is my friend, Jack Shit, and you don't know him." - Lord Kano
  88. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0

    Ah, the age-old dilemma. Must a tolerant person tolerate intolerance?

  89. Re:Redistributing work of others without permissio by cpt+kangarooski · · Score: 1

    I don't see why we should allow someone to use copyrighted work of others to make money without first getting permission from the holders of the copyright.

    Really? What if you buy a copy of a computer program which is shipped as source, and you want to use it to make money? The law currently allows you to compile it or otherwise modify it so it'll run. There are other current examples.

    Copyrights should apply within a limited timeframe - in case of a person, they should apply as long as the person is alive (my believe, but YMMV,) and in case of corporations copyrights should not exceed some time period that maybe just as long as life of a patent (20 years?)

    Why so long? And so monolithic? I'd argue for very short terms, and multiple renewals of the terms so that the copyright won't last long in any event, and will not last longer than the author is interested in maintaining it. Maybe 25 years tops, and that's actually quite generous given the economic studies which tend toward a 15 year max.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  90. Re:Redistributing work of others without permissio by cpt+kangarooski · · Score: 1

    Lets remmember the point of the copyright privlidge.
    To keep people from claiming your material


    No, that's not it at all.

    The point was to promote the progress of science. This means encouraging the creation of original works, but it also requires encouraging the creation of derivative works, and in having no, or minimal copyright, so that everyone is as free as possible with regard to those works.

    In fact, copyright has traditionally never cared about credit, and even today, as warped and awful as it is, it only rarely does, and wouldn't for a movie.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  91. Re:Should be legal, but still stupid. by wombert · · Score: 1

    Is it the "god" or the "damn", or as American TV censorship clearly demonstrates, the combination of the two that makes for a profanity?

    I always found it odd that they bleep out the first half, when the latter is what would traditionally be considered the (more offensive) curse word.

    --
    Did I say overlords? I meant protectors.
  92. Re:Redistributing work of others without permissio by cpt+kangarooski · · Score: 1

    Actually, the derivative right in copyright didn't exist until the mid-19th century or so, so I'd say that the framers could not have given a rat's ass about sufficiently edited works. If they had cared, they would've covered it in the law.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  93. The problem they'll have with ClearPlay... by Kazoo+the+Clown · · Score: 1

    Is the fact that if you can tell the DVD player to edit out the "naughty" bits, you can tell it to edit out the adverts-- and THAT is more specifically connected to revenue beyond just the price of the DVD. Plus, now the adverts are imbedded in the movie itself-- what if clearplay edits out the section that displays a condom brand-- when the manufacturer of the condom specifically paid for the exposure based on sales projections... The manufacturer is going to want a refund on his ad rate if the title is a big seller in the ClearPlay market, as he may not be getting the exposure he paid for...

  94. Need Open format for ClearPlay markup by Anonymous Coward · · Score: 0

    Someone needs to come up with an open format for clearplay type players, that is a DVD markup that can be used to change play in order to chop various bits out. There also needs to be a database of these things somewhere similar to the freecddb so that when you insert a DVD it can go grab the markup and then apply your preferences to chop up the movie (and anyone can edit these things WIKI style). It could be extended to PVRs in general, but DVDs would be an excellent start. It also needs to be hosted somewhere with sane copyright laws, and a hacked DVD player created to use the format (a plugin for mplayer or similar would work.) Ideally you could use it to block out screen regions, chop out video, cut out just audio, etc. Subtitles would be a bonus (could add subtitles to the DB, or also block out words). Alternative cuts would also be a nice bonus (fixed SW:EP 1 as an example.)

  95. Sex vs Violence by Other+Than+That... · · Score: 2, Informative

    Just a quick reply to part of the post:
    The violence in movies is not, in fact, real violence. Anyone beyond a certain age knows this. However, the nudity in movies is actual nudity. And despite claims, pornography can, and does, ruin some lives.

    PS: Cleanflicks does remove violence as well as nudity and language.

    1. Re:Sex vs Violence by corsec67 · · Score: 1

      So, if a model were to wear a latex body suit that is 0.03 inches thick and was a skin tone, with colored nipples and such, that would be ok? After the model would be wearing a full-body suit, just that it would be painted.

      Although the violence in movies may be fake, nudity and sex is a more natural state/behavior than violence with modern weapons. Almost every person on this planet is the direct result of sex.

      --
      If I have nothing to hide, don't search me
    2. Re:Sex vs Violence by Anonymous Coward · · Score: 0

      So, if a model were to wear a latex body suit that is 0.03 inches thick and was a skin tone, with colored nipples and such, that would be ok? After the model would be wearing a full-body suit, just that it would be painted.

      If your intent is to avoid seeing nudity, then no, it would not be okay for you. Not any more than looking at a painting or drawing of a nude woman or an extremely realistic statue.

      Although the violence in movies may be fake, nudity and sex is a more natural state/behavior than violence with modern weapons. Almost every person on this planet is the direct result of sex.

      You may have a point about nudity being natural. I think I was born nude. But I don't go to work that way. Or shopping that way on the weekends. And yes, almost every person on this planet is a direct result of sex but typically not that done in public.

    3. Re:Sex vs Violence by aepervius · · Score: 1

      Sure. That means from now on we can depict baby getting shoot in the head, while their parents are getting slowly and extremly painfully burned alive watching the whole. Then the neighbour family father and mother is slowly tortured with various intrument, all the while their youngest daughter is beeing pierced with long spike in non vital organs. The baby was naturally zapped with electrical shock of increasing voltage. Follow then various scene of terrible violence done on the kids of the neighbourgh orphenage.

      Such film scenario would perfectly A-OK because, hey, there is no breast shown in the film, and everybody knows that such violence is not real violence.

      I really hope you are kidding us here.

      --
      C. Sagan : A demon haunted world:
      http://www.amazon.com/gp/product/0345409469/
      visit randi.org
    4. Re:Sex vs Violence by Anonymous Coward · · Score: 0

      So what do you call that family?

      "The aristocrats!".

    5. Re:Sex vs Violence by npsimons · · Score: 1
      And despite claims, pornography can, and does, ruin some lives.

      And despite claims, there has never been any evidence that pornography can, or does, ruin some lives.


    6. Re:Sex vs Violence by Tripster · · Score: 1

      Since when did nudity become pornography by default?

      Violence can, and does, ruin some lives. In fact in many cases it can END life.

      People having sex CREATES life in many cases. There is plenty of healthy pornography out there which is basically two (or more) CONSENTING adults having sex on camera.

      Of course there is some shady stuff out there, but that applies to countless subjects, even your violence can be deemed harmful even if it is not real, and what about the market for snuff films, etc.?

    7. Re:Sex vs Violence by Neify · · Score: 1

      Well, you obviously haven't had pronogrpahy ruin your life then. But it sure has mine, so I consider it proof positive. Not any "claim" but real actual experience.

    8. Re:Sex vs Violence by npsimons · · Score: 1
      Well, you obviously haven't had pronogrpahy ruin your life then. But it sure has mine, so I consider it proof positive. Not any "claim" but real actual experience.

      How, pray tell, has pornography, an inanimate thing, ruined your life?

  96. netweork tv does it but I cant? by a_greer2005 · · Score: 1

    FUCK THAT!

    1. Re:netweork tv does it but I cant? by Corydon76 · · Score: 3, Informative

      Network TV gets explicit permission to edit the movie before showing it. It is well known, for example, that Steven Spielberg withholds permission to show 'Saving Private Ryan' with any cuts whatsoever. If network TV wants to show 'Saving Private Ryan', they have to show the whole movie or not show it at all.

  97. Re:NOT Only the Government Can Censor by Zaphod2016 · · Score: 1

    censorship
    1. The act, process, or practice of censoring.

    censor
    1. A person authorized to examine books, films, or other material and to remove or suppress what is considered morally, politically, or otherwise objectionable.

    Example: you are a f***ing moron. (Here I, a private citizen, have elected to censor myself).

  98. Altered business by Moflamby-2042 · · Score: 1

    If you can't resell modified forms of the original then hardened criminals can instead use a device, say a computer, to run mplayer on with data files that cause it to skip violent / sex laden segments (or cut out everything else instead!). The files to edit it at least are distributable under GPL, just time ranges in a datafile. A website could have all of these to download that people upload (higher score by known name, trust, vote rank, whatever). Throw ads all over the site and you've now got a legal business. Modify mplayer so that instead of segment cuts it bleeps audio or alters subtitles, or puts squares filled with GPL video kittens playing covering the naughtiest bits.

  99. Re:Should be legal, but still stupid. by spir0 · · Score: 1

    so you think that Cleanflix should exist to save you from parenting? If parents all did their jobs right, kids wouldn't be watching TV at the hours that there is swearing. And they wouldn't be letting their kids watch R16s at 10.

    --
    The reason girls and Windows users don't understand UNIX is because all the documentation is in Man files.
  100. Minor clarification... by OSXCPA2 · · Score: 1

    One thing that appears to be overlooked by both sides in this - the films were edited then distributed to the original requestor, but with no kind of disclosure (according to TFA) about what was done. Sure, the purchaser knows what they ordered, although they don' know what specifically was changed, 'cause they didn't WANT to know the 'bad bits' and no mention was ever made of sending customers a list of deleted scenes.

    My point - if I re-edit Star Wars: ROTS and distribute an edited version without changing the credits to reflect the fact that the work a viewer is about to see is NOT George Lucas' masterwork, I am misrepresenting my product. If I do such a disclosure, then I am committing a crime against the owner of the IP - there are fairly complex rules about who gets credit in movie 'credits'.

    Derivative works I have no problem with - but if I make minor, difficult to detect changes to a film (difficult for someone who has *never seen the original* by definition) and pass it off as the original (i.e., original credits, including 'editor'), is that 'the Right Thing' even if I am paid by the initial purchaser to do so?

  101. decsion based on same principle that powers GPL! by anwyn · · Score: 3, Insightful

    This decision is based on the same principle that powers the GPL: The right to control Derivative Works! The GPL could not control the terms licences of derivative works without the basic right to control derivative works!

    Besides, authors do not necessarily write only for money. Without the right to control derivative works, anyone can come along and butcher your work which was intended to be a thing of beauty!

  102. Consumer right to change purchased content by nohup · · Score: 1

    I think the heart of this question comes down to whether or not consumers of copyrighted works have the right to modify the work they have purchased. If I buy a book, is it within my legal right to tear pages out, scratch words out etc? What about a DVD? There's no way to change it at all without making a copy of the DVD. Should I be allowed to make a copy of the DVD so I can edit it as I see fit as long as it's only for personal use?

    If you answered yes, then what if these companies that sell edited versions changed their business models a little. Instead of having the consumers purchase their videos directly from Clean Flix, what if they purchased their videos elsewhere and just brought the videos in to Clean Flix where the original would be put in an editing machine and the undesired parts would be edited out manually. The consumer would then receive their new edited version along with their original disc back. This would be a third party service doing the editing for us. Is that OK?

    Somehow I think the studios would have an even bigger problem with that "revised" model than the one they are using now. So what's a good solution?

    If you answered no, then is there any possible way you could have a business that legally provides an edited version or helps you edit your movies, since most studios seem unwilling to do it?

    Some people have suggested the model of having an intelligent DVD player that would read a list of segments to cut out and edit the movie as it is playing. This isn't a good solution because people may want just language toned down, for example, without cutting significant scenes of the movie out. Or perhaps fuzz out certain parts of the screen, etc.

    I can't seem to find any good solutions given the legal copyright framework that exists in the U.S. today.

  103. hrm by bigmauler · · Score: 1

    In other news a private christian school decides to use open source software instead of microsoft software. --slashdot response...OMG WTF WHY DON'T THEY USE MICROSOFT!!!! STUPID CONSERVATIVES!!!!

  104. I suppose I wasn't clear... by jambarama · · Score: 1

    I guess my comment wasn't clear enough, but what reader OYAHHH is suggesting is literally exactly what ClearPlay does.

    Clearplay sells a customized DVD player (both the hardware type and the computer software type) that accepts "filter" files - files that contain timecodes as to what and when to skip stuff. They even have a version you can hook up to the internet that gets the filters automatically, but they still sell versions that accept filters from USB drive or CD.

    With Clearplay you can still watch the original versions if you'd like, or you can set up the DVD player to only play "clean" versions (unless you enter an override).

    Perhaps OYAHHH was suggesting a more open version of Clearplay, where anyone can create a filter. That'd be nice, but I'm willing to pay for someone else (whom I trust) to compile all the timecodes into such a file for me.

  105. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0

    "Well, you did use a lowercase 'g' in "goddamn", which would put you squarely in the non-religious-freak camp, except that you somehow find it offensive enough to want to hear it less in a movie."

    Wow, so those of us that type it with Uppercase are religious freaks huh? I'm glad that someone with your enlightenment and amazing intellect is beyond name calling and stereotyping people down.

  106. Mobilize the "base" against copyright by Coward+Anonymous · · Score: 1

    I think in this case, copyright was correctly applied.
    However, it could have the unintended side effect of mobilizing the now famous right wing "base" to do something about copyrights.
    It could make copyright law worse or, if we are lucky, could put an end to mickey mouse legislation!

  107. Reading the case by illuminatedwax · · Score: 2, Informative
    Reading the case: http://www.joegratz.net/wp-content/uploads/2006/07 /CleanFlicksDistCtOpinion.pdf
    A summary:

    • Clearflix removes the DVD encryption (against DMCA)
    • Their "fair use" claim rests on the fact that they are "criticizing" the movies they are censoring. I really don't buy that.
    • This is a good quote:
      They seek some comfort in language appearing in the opinion deciding Chicago Bd. of
      Education v. Substance, Inc., 354 F.3d 624 (7th Cir. 2003), that the privilege protects public
      criticism and may justify substantial copying of that which is being criticized. The holding in that
      case was an affirmance of the denial of the fair use defense under summary judgment standards.
      Ironically, Judge Posner wrote that a teacher does not have the right to publish the criticized tests
      indiscriminately "any more than a person who dislikes Michelangelo's statue of David has a right
      to take a sledgehammer to it." Id. at 630. Or, as may be more aptly said in this case, to put a fig
      leaf on it to make it more acceptable for viewing by parents with young children.

    • Definition: "transformative" - contributing to a larger body of work, for example, using a few quotes from one source to create a larger essay of your own. A previous court case which the judge cites says tranformative means it "adds something new, with a further purpose or different character, altering the first with new expression, meaning or message."
    • The defendants say that their copies are "transformative" in the name of criticism and deny that their work is a derivative work. The studios say that it is a derivative work and say that they are not transformative. Looks like most here on Slashdot agree with the studios. The judge provides other examples and (I think correctly) decides that the works are not transformative.
    • The judge rejects the one-to-one argument because he claims it interferes with the copyright owner's right to control the content of the copied material. Personally I think he's right: if I give you a book to rent, I don't think you should be able to change it and rent that. It's very much like the djb software style: you can distribute it BUT DON'T TOUCH A SINGLE LINE OF CODE IT'S THE BIBLE AS FAR AS YOU'RE CONCERNED. No argues that software license do they?
    • The judge ruled that the works are not covered under fair nor are they derivative works.
    • The defendants tried using the "first sale" doctrine which makes no sense
    • The judge says the loss of the defendant's business has no bearing on the case.
    • Therefore the defendants lose.

    Personally, I think if you compare this with software licenses, it makes perfect sense.

    --
    Did you ever notice that *nix doesn't even cover Linux?
    1. Re:Reading the case by The+Cydonian · · Score: 1
      "transformative" - contributing to a larger body of work, for example, using a few quotes from one source to create a larger essay of your own. A previous court case which the judge cites says tranformative means it "adds something new, with a further purpose or different character, altering the first with new expression, meaning or message."

      This is a very interesting point, and to me, makes artistic sense. The way I read it is, if the derived work of art can stand on its own merits without a necessary association, or identification, with the original work, then the said derived work is "transformative", and therefore, fair use. Mere editting of a movie's dialogues cannot pass this test (that is, the new work cannot be said to stand on its own as another work of art), this usage is not fair-use.

      Wonder what the good judge thinks of the po-mo notion of a simulacrum. :-)

    2. Re:Reading the case by Anonymous Coward · · Score: 0

      "Transformative" is pretty much an important point brought up in every 'fair-use' court decision.

  108. Re:Redistributing work of others without permissio by Overzeetop · · Score: 1

    Yeah, except that once you've purchased the books, they're yours to do with what you like. Including modifying them and reselling them.

    Worried that they're running afoul of their distribution agreement? Okay, buy the books at retail. Spray paint the covers blue. Cut our three or four pages. Put them up on eaby for 150% of what you paid for them. There's nothing illegal about that. What if you spill coffee on the disc liner for a CD and resell it on ebay. Legal? of course. Now spray paint the top of the disc green, then resell it. First sale doctrine says you can. What if you could alter the original dvd? What if you could alter the data on the original disc, then resell it on ebay. Still legal - it's yours to modify once you've bought it. You can scratch the disk to make a chapter unplayable and resell it, why not alter it more surgically?

    Of course, the sticking point is that the content is not easily alterable on a DVD.

    So, what if you bought the DVD, shipped it to them for editing for your personal use, and they sent you back the altered version (DMCA notwithstanding - this is not a DMCA ruling, it's copyright) with your original. Still smells like fair use to me. You bought it, you own it, you (had it) modified to suit your personal desires. No different than dubbing you're Eagles Greatest Hits album you've got on tape to eliminate "Life in the Fast Lane", or taking your CD collection and remixing it onto your MP3 player. But you're worried about someone making money off the alterations....so how about sending your CDs off to be ripped for you and tagged for you for a fee? It's happening now, apparently wihtout challenge - you can see for yourself here. They send you the ripped versions and your originals. Fair use. Now they do not alter the tracks, nor do they store and compile, but the implication is that if you can do A and B via fair use and first sale doctrine, doing both should not require a stretch of the imagination.

    As for a vendor's license, all that does is make it easy for your locality to levy taxes on your business. They don't really care what you sell.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  109. Said Before... by Rydia · · Score: 1

    I know it's been said somewhere in here, but it bears repeating:

    @#%@$#%^@ derivative work!

    I don't care what you think about copyrights, or how much you want to complain about how the software companies of today are somehow destroying the world/system worse than the industrialists of the past (hint: they're not), but it's right there. In the statute. Which gains its authority explicitly from the constitution.

    You can't take other people's stuff, repackage or modify it, and distribute it without their consent.

    It's as simple as that.

  110. Re:Not just stupid, +5 stupid by Zaphod2016 · · Score: 1

    How about cutting out the sex scenes so we reduce the number of teenage pregnancies.

    This may be the single most bizare case of baseless causality I've ever seen.

    Maybe it's because I dropped out of a vagina, or maybe it's because I sucked on a tit until I was a year old, or maybe it's because without sex I wouldn't exist, but I find it hard to follow this logic.

    Then again, I was also fond of movies about robots from the future murdering innocent people, and yet, so far, I've yet to meet a single robot from the future or murder a single innocent person (they were all guilty I tells ya).

    And, what if the sex scene in question was in regards to oral sex, or perhaps vaginal sex with a condom. By your "monkey see, monkey do" logic, this would lead in a direct DECREASE in teenage pregnancy, would it not?

    I will assume the mods meant +5 funny and clicked the wrong button.

  111. If I read this statement correctly.... by Sandman1971 · · Score: 1

    "Don't approve of this action just because you think it only hurts a bunch of 'right-wing Christian zealots.' Remember fair use! There was a one-to-one copy sold with each of these DVDs---the original and the edited. The filmmakers did not lose one dime, and in fact made money with each copy sold."

    Does this mean someone who used the service ended up with 2 DVDs? The original, and the clean version? If so, this is clearly copyright infrigement as only one copy was purchased. Who's to stop Joe from giving the original copy to his brother and keep the clean copy for himself? This means the copy that Joe now has infringes copyright as much as downloading the movie from bittorrent.

    --
    It's better to burn out than to fade away
  112. Wrong on the facts, Wrong on the law by Woundweavr · · Score: 1
    I believe I have slapped down your ridiculous ideology-over-economics history of monopolies, but I thought I'd discuss your ridiculous legal theory here:

    I'm a vocal anti-copyright advocate and I repeatedly try to get people to realize what most Federal legislation does, especially regulatory legislation: it removes rights from the individual and creates cartelization: legal monopoly. It has happened in every industry that has any form of federal regulation: oil refinery, content distribution, medical licensing, campaign finance rules, even the stock market is cartelized now moreso than every before. Regulation at the national level is unconstitutional regardless of what people think of the non-applicable "interstate commerce clause."

    First, you fail to identify what right is removed. One could frame anti-murder laws as taking away a right if you don't define 'right' robustly. A century of constitutional precedent disagrees with your interpretation of the interstate commerce clause but since this is about copyright, that is the portion of this paragraph most laughable.

    The Constitution states:

    [The Congress shall have Power...] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries

    Clearly, copyrights are not Unconstitutional but specifically attributed to the federal government under the Constitution.

    Cartels exist because they have the legal monopoly to do so. Copyright only helps create and empower the cartels -- it has never helped an individual unless that individual was protected by a cartel. If you created a movie and someone wanted to hack it so that more peopl could watch it -- and they paid you for each and every hack -- you'd love it because you are getting income, you're gaining a new audience, and even more profitable: you're learning what people want. DVD players already allow for multiple versions, and maybe companies would start taking advantage of it had it not been for the big cartel that controls the flow of movie productions and releases.

    Overlooking the historically and economically fallacious claim that cartels exist because of government sanction, this does not make any sense. For one, many artists (in cinema, theatre, literature, music, etc) would not want their work modified ("hacked") so as to make it more accessable, less offensive or otherwise not their 'vision.' This assumes that without your reviled evil regulation that anyone would pay the original author for such copies.

    Consider you're that same small movie maker -- if someone copies your movie (with or without hacking it), how would you battle them in court? What money would you use to fight the hacker/pirate/modifier/copyright violator? Is the financial risk of losing in court worth the reward? Definitely not -- more proof that cartelization is always bad.

    This is a drifting into incoherence. The existance of 'cartels' has nothing to do with the lack of resources in the movie maker to fight copyright violators. Indeed, it is one of the few arguments (other than profit) FOR the existance of such groups as they pool resources for such fights (and lobbying ).

    Stephan Kinsella made a great case as to why intellectual property restrictions are anti-consumer in his free PDF titled Against Intellectual Property. (PDF WARNING) Stephan is a IP lawyer, as well, and has offered dozens of great articles on the problems with IP and how more laws aren't going to support more consumer freedom, better quality products and more competition. When you create federal regulations, you create cartelization. He also has a great non-PDF article from last year titled No such thing as a free patent, which goes beyond copyright but makes very good arguments for why they're all bad. This guy makes his living with the law, amazing t

    1. Re:Wrong on the facts, Wrong on the law by dada21 · · Score: 1

      I believe I have slapped down your ridiculous ideology-over-economics history of monopolies,

      You haven't. If anything, you've proved even more that natural monopolies do not exist without State mandates.

      First, you fail to identify what right is removed. One could frame anti-murder laws as taking away a right if you don't define 'right' robustly. A century of constitutional precedent disagrees with your interpretation of the interstate commerce clause but since this is about copyright, that is the portion of this paragraph most laughable.

      There is no need for me to constantly re-iterate what I mean by rights. I believe that ALL rights stem from the validity of owning property that you've bettered with your own labor and continue to maintain. This means your land, your tools and your body. You are free to utilize all of these items to your best interest as long as you NEVER harm the same property of others. You can not steal their tools, harm their body or harm their land. If your actions on your land seem to restrict their actions because you do a better job than them, so be it. No one should be able to regulate you on your land unless your actions trespass on the land or property of others in an unwanted way.

      Clearly, copyrights are not Unconstitutional but specifically attributed to the federal government under the Constitution.

      Copyrights are not intended to protect income but to increase the public works after a short period of time. Current copyrights enforce cartelization, not more public works.

      Overlooking the historically and economically fallacious claim that cartels exist because of government sanction, this does not make any sense. For one, many artists (in cinema, theatre, literature, music, etc) would not want their work modified ("hacked") so as to make it more accessable, less offensive or otherwise not their 'vision.' This assumes that without your reviled evil regulation that anyone would pay the original author for such copies.

      Really? There is no history or economic fact that says otherwise. Cartels do not exist in a free market because anyone is free to compete. Only government can restrain the entry to a market, which creates cartelization. Name one natural cartel that did not come about because of a free market.

      Many artists don't want their work modified? Where did you get these facts? Most artists either want acknowledgement for their art, income for their art or some sort of fanbase. I see no reason why one person can not use their labor and talents and their own time to mimic the work of another. A plumber doesn't want someone looking at his labors and performing the same service in a faster way for less money -- does this mean that the physical movements of the plumber should be protected from competition? A guitar player is no different than a plumber. A oil painter is the same as well -- they just have movements that they want government to only allow them to perform.

      This is a drifting into incoherence. The existance of 'cartels' has nothing to do with the lack of resources in the movie maker to fight copyright violators. Indeed, it is one of the few arguments (other than profit) FOR the existance of such groups as they pool resources for such fights (and lobbying )

      You don't need legal protections to unify to reduce risk. This is called "incorporating a body of individuals for one purpose." Incorporation. Laws are not needed for people to assembly together for a unified reason.


      Some day you'll grow out of this weird Austrian School lockstep phase and you'll look back and laugh at your attempts to (dishonestly?) integrate free information with anti-empirical, obsolete and extreme fringe free market economics that has more to do with a political party's platform than an honest examination of economic systems.


      I doubt it. I don't support political change because I am anti-voting and anti-State. I believe that we just need a few more people on

  113. Yep, broken by Just+Some+Guy · · Score: 1
    The fact is, there are many people around here who like copyright as long they can get what they want for free, preferably under the GPL. The minute someone wants to exercise their rights in any other way, the system is 'broken'.

    You're emphasizing the wrong aspect of those transactions. People here want to share their software via the GPL and use the software that others have written and freely distributed, and want the same freedom in their entertainment. I don't think that's inconsistent.

    --
    Dewey, what part of this looks like authorities should be involved?
    1. Re:Yep, broken by Abcd1234 · · Score: 1

      Yes, it's inconsistent. The only way the GPL is possible is via the rights granted through copyright laws. Without it, people could take your work, modify it, and refuse to release the source, and you'd have no legal recourse. However, because of copyright law, your right to control distribution of derivative works allows you to force a license agreement on the individual (in this case, the GPL). So, you either support the GPL, and by proxy the laws that underpin it, or you don't. Take your pick.

      Okay, that's not really true. You could throw away copyright law and replace it with a law which forced everyone to release the source to their projects whether they liked it or not... though IMHO that's even worse, from an individual rights standpoint.

    2. Re:Yep, broken by bit01 · · Score: 1

      So, you either support the GPL, and by proxy the laws that underpin it, or you don't.

      False dichotomy. GPL was written in a particular context to acomplish particular goals. If the context, copyright, changes, there is no reason to expect that GPL would remain the same. The copyright law we currently have is a creation of the mind only one of an infinite number of possibilities.

      Personally, amongst other changes, one law I'd like to see is that all software sales must include the source. Binaries and DRM can hide too many sins and a functioning free market depends on openness.

      ---

      It's wrong that an intellectual property creator should not be rewarded for their work.
      It's equally wrong that an IP creator should be rewarded too many times for the one piece of work, for exactly the same reasons.
      Reform IP law and stop the M$/RIAA abuse.

    3. Re:Yep, broken by Anonymous Coward · · Score: 0

      Let's have a look at this, shall we?

      Let's change the copyright law fundamentally...

      What is going to happen with already released material? Can you change these rights all of teh sudden (don't think so, I predictit to be a big mess).

      Will a new law that matches your utopian view have other flaws? Probably most laws do...

      In essence you are saying "I want everything to be the way I like it", and keep coming up with new seemingly related reasons why you are "right".

      Stop trying to discus this with people who are understanding the subject....

    4. Re:Yep, broken by Abcd1234 · · Score: 1

      Personally, amongst other changes, one law I'd like to see is that all software sales must include the source.

      So you support exactly what I proposed: "You could throw away copyright law and replace it with a law which forced everyone to release the source to their projects whether they liked it or not."

      Put another way, you support taking away an authors rights to control what happens to the things they create. That's certainly one point of view. Personally, as a software developer (who releases the source to anything he creates), I believe the authors should be allowed to make that decision. But, hey, I guess you know better than them, eh?

      It's so bizarre... so many on Slashdot label themselves libertarians, classical conservatives, etc, and yet this position appears to be the prevailing one, which is really quite antithetical to personal freedoms (in this case, those of the author). And why? Because they believe the rights of the people (to source code, in this case) outweight those of the individual... which sounds an awful lot like the much maligned liberal/socialist point of view.

    5. Re:Yep, broken by bit01 · · Score: 1

      You appear to misunderstand. What I'm suggesting is that, just like contents labelling on food and the intrinsic reverse-engineering-ability of a house, a purchaser of software should have some means of determining whether the product they've purchased does everything the supplier claims it does. I said nothing about releasing source to the public at large.

      which is really quite antithetical to personal freedoms

      Nope, it says nothing about who can sell their software to whom or price or what that software can do. All it says is that the customer must be able to verify the claims of the vendor. A free market depends totally on transparency and communication. Until now software was generally isolated and could only be malicious in limited ways. Now that most everything is connected to the net the skies the limit in terms of misuse of information and laws are needed to insure that free markets can operate efficiently and effectively.

      If you think supplying source is bad idea how would you, as government, go about insuring that software, now DMCA protected, is not doing malicious things? Everything from phoning home personal information to making competitors products die to dying on command when a new version comes out to blocking competitors marketing to etc. Particularly if/when TCPA becomes widespread? And please, no nonsense about how the market will fix the problem when the market can't even see potential problems.

      Incidentally, I love the way certain people around here like to claim that anything that doesn't fit their rather narrow ideology is "socialist". I've got news for you; the world is more complicated than that. By your logic copyright law itself, a fundamental interference in the right of somebody to do as they please with something they have, is socialist.

      All laws trade off the rights of different groups of people. The simplistic capitalist v. socialist nonsense is just one of many dimensions that laws and human behaviour can be measured over. The world is a complicated place; learn to deal with it.

      ---

      You communist! Breathing shared air!

    6. Re:Yep, broken by Abcd1234 · · Score: 1

      What I'm suggesting is that, just like contents labelling on food and the intrinsic reverse-engineering-ability of a house, a purchaser of software should have some means of determining whether the product they've purchased does everything the supplier claims it does.

      ROFL. Yes, people do that all the time. I know when I buy a DVD player, I rip it apart to make sure it works the way the manufacturers claim. I'm sorry, but if the customers cared about this, open source would have blown commercial software out of the water a long LONG time ago.

      BTW, comparing a complex software project to food labels or even a house is, frankly, laughable. The idea that any consumer would be able to sufficiently understand the code for a reasonably large software project is downright silly... heck, the companies producing these products rarely have a single individual who understands the product as a whole.

      A free market depends totally on transparency and communication

      Really! Do you know the secret formula for Coca Cola? What about the details of how nVidia implements it's graphics chips? Or the secret recipe for Kentucky Fried Chicken (other than grease)?

      I bring these up because these are all examples of trade secrets, without which many companies would not exist. Heck, we even have laws to protect trade secrets. If you force software developers to release their source, they won't have similar protection, as their inventions are directly embodied in the software they create. The only other alternative is to continue to allow patents on software... something that I know I'm not in favour of.

      If you think supplying source is bad idea how would you, as government, go about insuring that software, now DMCA protected, is not doing malicious things?

      The same could be asked of any black box device. How do I know my car isn't phoning home when I'm not looking? Or that the settop box under my TV isn't monitoring my viewing habits and reporting them to the cable operator? Etc, etc, etc. The only real answer is reverse engineering, which is equally possible with software as it is with hardware. Is it more difficult? Maybe. But it's still possible, if you're that worried.

      Oh, and BTW, reverse engineering is explicitely listed as an exception to the DMCA, so enough of that fearmongering.

      Alternatively, you do as many corporations and often the government do: hire a company to write custom software, to which you are given the source.

      Everything from phoning home personal information

      Firewalls.

      to making competitors products die

      The competitors will quickly figure that out and either sue (in the case of monopoly) or notify their customers, who can then start a class action.

      to dying on command when a new version comes out

      Yes, I'm sure any company that does this will keep their customers...

      to blocking competitors marketing to etc

      See number 2.

      Incidentally, I love the way certain people around here like to claim that anything that doesn't fit their rather narrow ideology is "socialist".

      I know, which is why I brought it up. The prevailing views regarding socialism/communism (and, more generally, leftist socioeconomic policies) around here are rarely accurate. However, those traits stereotypically assigned to such positions, the ones highlighted as faults by so-called libertarians, etc, such as excessive government control, reduced personal freedoms, and so forth, happen to be the very same traits in play here. Specifically, such laws would increase government control over software authors by removing their freedom to choose whether or not to release their source code. Yet, it's those very same individuals who would demand such policies... hence what I consider to be significant cognitive dissonance amongst wanna-be randroids around here. Specifically, they would like an ultra-free market, as long as people do what they want. But they minute they want to close their source code, encrypt their media, or what have you, suddenly they need to be stopped!

    7. Re:Yep, broken by bit01 · · Score: 1

      You're a zealot. I'd suggest you get out more.

      ---

      DRM'ed content breaks the copyright bargain, the first sale doctrine and fair use provisions. It should not be possible to copyright DRM'ed content.

  114. Re:Should be legal, but still stupid. by Zaphod2016 · · Score: 1

    ...otherwise family-friendly movies that just had to drop a few F-bombs to earn a PG-13 rating.

    I'll skip the George Carlin-isms, and I respect that your children's useage of language is your responsibility. You also have an excellent point regarding the context of language. I tend to have a potty mouth myself, but when around children or people who find it offensive, I bite my tongue.

    This is why I oppose this ruling; editing a PG version from a movie you have PURCHASED or LEASED is perfectly acceptable IMO. The problem here is that your right to do so has been called into question; rather than offering multiple versions (like HBO v. network TV already does for example), the "powers that be" are offering some blather about the "aritstic integrity" of "X-Men IV: happy meal justice". As a result, we have two bad choices: a) keep the bad language, forcing YOU to adapt to MY preferences, or b) lose the bad language, forcing ME to adapt to YOUR preferences.

    The way I see it, you have the RIGHT to raise puritan children, and I have the RIGHT to worship filth. Rather than focus on a "working solution" or "fair compromise", I see more polarizing, radical opinions being used to divide and conquer.

    It would seem to me that this problem is better solved with common courtesy and common sense, not legal opinions by those without the authority to enforce it.

  115. What about books? by pico303 · · Score: 2, Insightful

    How would everyone feel if instead of movies, they were editing the "naughty bits" out of books like Catcher in the Rye and Lady Chatterley's Lover? Wouldn't we all be crying censorship?

    I think an artist, actor, publisher, producer, or studio has every right to say, "I don't want you to sell a derivative of my work." Doesn't matter if it's just taking out the bad words, or deleting scenes they don't think are right, such as a scene where a woman gets an abortion; a discussion about evolution; or a character that hates Mormons. It dilutes the value of the original product, or outright changes the story the person is trying to tell, probably to meet a certain religious belief system.

    I'm sure if these services worked with the studios to determine what changes were acceptable to both parties, the studios would be more than happy to license these works to them. Heck, they do it on airlines all the time.

    1. Re:What about books? by Anonymous Coward · · Score: 0

      How would we all feel if we were no longer legally allowed to sell used books that had notes in the margin, highlighting, perhaps even dog-eared pages or wrinkled bindings. I believe some authors and publishers would argue those things were not in their original vision for the work.

      I bet a whole lot of college students would be quite angry for not being able to sell used textbooks, nevermind that they would still do it and still wouldn't vote.

  116. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0

    I haven't seen a censored version of Pulp Fiction, but I have to say I much prefer the censored Repo Man to the original. "Gold-Darn Melon Farmer!" Haahahahahaha!!!

    I fricken love that shoot!

    Shame we won't get any more....

  117. Right of Integrity by SonicSpike · · Score: 1

    I took copyright law in college because I came up studying the recording industry (I am an audio engineer). There is something in US Copyright law called "right of integrity [of a work]". This is the legal ground that the plantiffs are using in this case I bet.

    "The right of integrity -- the author's right to prevent, in the words of Article 6bis of the Berne Convention -- the "distortion, mutilation, or any other modification of, or other derogatory action in relation to [his or her] work, which would be prejudicial to his honor or reputation"

    The right of integrrity is closely linked to the right of attribution. Feel free to Google for more information.

    --
    Libertas in infinitum
    1. Re:Right of Integrity by timothy · · Score: 1

      Common sense does not always win out, I realize, but wouldn't it seem that clear notice would suffice to prevent any such character defamation? (Something along the lines of "The presentation you're about to watch varies from the original DVD producion. You're about to watch the film while skipping certain scenes containing content you've elected to bypass.")

      No one blames DiVinci for all the ways the Mona Lisa is butchered ...

      timothy

      --
      jrnl: http://tinyurl.com/c2l8yr / foes: http://tinyurl.com/ckjno5
  118. Two Words: One Piece by eonlabs · · Score: 1

    Can this be applied as an argument against butchering incoming anime?
    E.g. One Piece was put through a proverbial meatgrinder before reaching the screens in the states. It's to the point that it's painful to watch.
    Would this mean that what Fox's 4kids did could be considered illegal?

    I may have missed something regarding where money is flowing in the article.

    --
    I wouldn't consider the mad hatter mad. Just reality impaired. He sure can make a mean cup of tea.
  119. Legal grey area? by mattmacf · · Score: 1

    I agree with the ruling in principle, and I understand the rationale behind it. My question to Monday morning /. legal representatives is, does this ruling pertain to the Clearplay player as well? AFAICT, the distinction between the two is that Cleanflix physically strips the "naughty bits" from the DVD, whereas the Clearplay player simply uses a downloaded filter to automagically fast forward through unwanted scenes.

    Actually, an even better possiblity would be the folowing example. Consider a hypothetical standalone DVD utilizing the Clearplay concept. Imagine having a DVD that included all those nasty scenes, but only played them when specifically called for (akin to a director's cut DVD with the "watch with deleted scenes" option). Even better, what if the data on the DVD was left intact, but a third party menu was bootstrapped onto it? You could then choose to watch the censored movie (as programmed by a third party menu system) or simply escape to the original content of the DVD.

    I'm no lawyer, but the line here seems to be drawn based upon the location of the original, unedited source material. If you have the physical DVD, the Clearplay system is legit because it falls under the same concepts that govern fast forwarding a VHS. Basically anything you do in private (without redistribution) is ok as far as the law is concerned. Cleanflix is no good because it redistributes an unauthorized, edited version of a copyrighted work. I wonder, would the ruling have been the same if the Cleanflix DVDs also included the original, unedited material?

    --
    I only mod funny =D
  120. Right of Integrity by SonicSpike · · Score: 1

    Here are the legal grounds:

    The right of integrity -- the author's right to prevent, in the words of Article 6bis of the Berne Convention -- the "distortion, mutilation, or any other modification of, or other derogatory action in relation to [his or her] work, which would be prejudicial to his honor or reputation" -- is a reflection of an important principle.

    You can look for other posts by me on the subject.

    --
    Libertas in infinitum
  121. Re:Should be legal, but still stupid. by Michael+Woodhams · · Score: 1

    I concur. I'm an atheist. (At times I've been a "card carrying atheist", having membership in an atheist organization.) I don't like excessive violence or (to a lesser extend) excessive swearing. I often avoid movies specifically because of their violence. While I wouldn't go so far as to buy one of these edited movies, if a DVD came with a 'reduced violence and swearing' option, I would usually activate it. If I have kids, a "less scary" option will also be useful.

    --
    Quattuor res in hoc mundo sanctae sunt: libri, liberi, libertas et liberalitas.
  122. depends... by zogger · · Score: 1

    ..who's doing the cut? If you are watching-random here- say a move on ABC and it is "edited for television", is ABC doing the cut, or does the movie producer do the cut? And again, if you own the copy, and they admit in public in their ads you can "own it today on DVD!", you can't delete scenes if you want to? Or you hire a service that does it for you? How about a translation, if they won't provide one in *your* language?

    Gray area at best, I am not seeing a clear black/white here yet, but I usually fall on the side of owner's rights, in this case, the owners of the purchased legitimate disks. No one in this situation is taking anything from the original copyright holder, neither money nor credit, and the only copies involved in any of these transactions are legitimately purchased ones. There has been zero copyright infringement that I can see. It's not even a derivative AFAIK, because nothing has been added or altered, just scenes cut.(don't know on that, do they change dialogue?). If so I 'll give one point to the MAFIAA then, but cutting scenes out? Nope, fair use, same as tearing a page out of a copyrighted book and re selling it "as is". Or is it your belief that that is illegal? So does it matter the media used for cutting out a scene? Copyright for print is different than for disks? Can I go to a bookpage ripping company and tell them "I really don't like the word "zebra", gives me the willies, if you find any such word in these books, cut them out please". Illegal? Weird maybe, but illegal, voids copyright? Don't think so....

    On reflection, I'll still stick with my orginal assessment, judge = out to lunch-proly on the MAFIAA tab

  123. Silent movie by Brandybuck · · Score: 1

    I rented the first season of Deadwood from Cleanflix, and I thought the sound had gone out on my television!

    --
    Don't blame me, I didn't vote for either of them!
  124. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0

    Not at all. I think it was the intent of the director of Twister to sprinkle around "cocksucker" and "shit eater" every few seconds, but somewhere along the line he got fucked in the ass one too many times and decided to tone it down.

  125. Re:Redistributing work of others without permissio by roman_mir · · Score: 1

    Yeah, except that once you've purchased the books, they're yours to do with what you like. Including modifying them and reselling them. - wrong. Under the copyright law you CANNOT modify contents of a book and redistribute it either for profit or even gratis. You are just confused because you don't hear about such things because they don't really happen.

  126. Re:Redistributing work of others without permissio by roman_mir · · Score: 1

    Really? What if you buy a copy of a computer program which is shipped as source, and you want to use it to make money? The law currently allows you to compile it or otherwise modify it so it'll run. There are other current examples. - jeez, DISTRIBUTION. We are talking about distribution, not about usage.

    Why so long? And so monolithic? I'd argue for very short terms, and multiple renewals of the terms so that the copyright won't last long in any event, and will not last longer than the author is interested in maintaining it. Maybe 25 years tops, and that's actually quite generous given the economic studies which tend toward a 15 year max. - an opt into copyright rather than an opt out? Would you be for an opt into your health/credit privacy? What if the author is lying there in coma and cannot once again opt into his copyrights, would you deny him the rights to his work because of that? No, my personal belief is that while I am alive, my works should be copyrighted to me.

  127. Re:Redistributing work of others without permissio by roman_mir · · Score: 1

    I don't. Can copyrighted works be redistributed without explicit permission by the copyright holder? Yes they can, according to the first-sale doctrine. And this thing happens to be one of the "best" principles in the idea of copyright in the sense that it makes copyrighted works behave in essentially similar way to such "ordinary items" that you just don't know how to manufacture. - BS. First-sale does not apply to COPIES or modified copies, only to the original. By making a copy and distributing it you are violating copyright.

  128. Re:Should be legal, but still stupid. by HerbieStone · · Score: 1
    Speaking of which. I don't remember who said this, but here it goes:
    Sex on tv is safe unless you fall off Cheers
  129. Re:Should be legal, but still stupid. by packeteer · · Score: 1

    How about cutting out the sex scenes so we reduce the number of teenage pregnancies.
    If you think that cutting out sex scenes will lead to reduced teenage pregnency then you are either too old to understand "kids these days" or you are just completely and obliviously unaware of how the world works.

    then get get pregnant, or a STD at age 16 and then guess what, their life is screwed.
    The vast majority of STD's are curable if detected quickly and treated. I bet your one of those right wing wackos who wants to closed down planned parenthood and not let them hand out condoms in school too. Pregnancy does not have to ruin your life. Even if you dont like it abortion IS an option and is a honestly a good option for many people.

    And why is it screwed...because mommy and daddy let their kids watch sex scenes in movies at age 10 and their kids wanted to do it as soon as they could.
    Let me guess, back in your day kids didn't know what sex was and also never wanted to have it when they did find out. WHow do you explain all of the children who are allowed to watch violent and sexual movies and yet turn out to be perfectly normal people?

    --
    unzip; strip; touch; finger; mount; fsck; more; yes; unmount; sleep
  130. Re:Redistributing work of others without permissio by bit01 · · Score: 1

    Permitting the unlicensed creation and redistribution of derivative content where the transformation constitutes removing a non-trivial amount of those ads directly harms this model.

    I do the same when I pay the garage to remove the car dealer's sticker from my new car or pull down the for sale sign on my new house.

    The copy is mine; I should be able to do anything I like with it, including paying a third party to cut out the naughty bits, even if that third party is used a different-but-identical copy of what I have. Copyright law is broken.

    ---

    Creating simple artificial scarcity with copyright and patents on things that can be copied billions of times at minimal cost is a fundamentally stupid economic idea.

  131. I said it before by lordpud · · Score: 1

    And I will say it again: Hollywood, the MPAA, and anyone else that was fighting this in court is doing it for one reason. There is a DVD sold, that is fine. Then you get another one that they are not getting paid for. There is no way that they are going to accept this. It doesn't matter if there is a trade, the new one must be a copied version. So they see two copies here and only one being paid for, I bet if you offered to pay for two in order to get the edited version there might not be a problem here.

  132. Re:Should be legal, but still stupid. by mdfst13 · · Score: 1

    "You go to the free clinic and got your shots."

    That works fine for curable STDs; not so good with herpes or AIDS (both are treatable but not curable).

  133. Pop-up blockers illegal too? by AYeomans · · Score: 1

    So does the ruling mean that pop-up blockers and adblock are illegally violating US Copyright law by "irreparable injury to the creative artistic expression" in those web pages?

    --
    Andrew Yeomans
  134. Re:Should be legal, but still stupid. by pimpimpim · · Score: 1
    Funny you use england as an example, as it has the highest teenage birth rates in Western Europe "twice as high as in Germany, three times as high as in France and six times as high as in the Netherlands." and it's still rising.

    Apparently, it's not completely clear what the cause is (no "duh" erlebnis here), if you look at TV shows every country in western europe gets is fair share of the usual crap (temptation island, big brother, and I don't know what), an interesting quote:

    In comparing rates between Europe and the US, where rates are much higher - it found the difference in levels of sexual activity were small.

    What I get from the article, there are two most probably causes, which is the socially and economically f**ked up family life in england, and (therefore) the missing of someone taking the effort to actually talking to the kid about sex and what its consequences can be.

    --
    molmod.com - computing tips from a molecular modeling
  135. artistic vision and creativity of cleanflix by drac0n1z · · Score: 1

    doesnt cleanflix apply their artistic vision and creativity? shouldnt hollywood promote artistic creative ventures instead of limiting it through patents copyright ect. hollywood should promote the continued financial support of artists, but not limited the creativity of others

    --
    This is my sig.
  136. censorship, a good idea gone bad? by kojo88 · · Score: 1

    in my opinion censoring films etc should be allowed, but only in specific cases, if a film is rated adult, then they should expect rude scenes or violent scenes, however if these films contain children as main characters then maybe censorship should be allowed

    --
    JAWs
  137. Re:Redistributing work of others without permissio by Anonymous Coward · · Score: 0

    Um, the paragraph you quoted doesn't even contain the word "copy".. the point there is precisely about the original so there's no bullshit either.
    Now, the paragraph after that DID raise the question about why it /should/ matter BUT it also acknowledged that there are legal problems.

    Did you fail reading comprehension?

  138. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0

    How about you don't watch it then! Why should the world have to edit to your tastes? There is a control on your TV to turn it off. It is very simple to use, I'm surprised you haven't figured it out. Those among you that don't like what is on TV and the movies, can pay to make your own films. There is a whole channel of this bible thumping crap in my area. Do I demand that they add violence and stop all the religious nonsense? No, I remove that channel from the list. Now go send that guy on television another check to save you, and leave the media content alone.

  139. Re:Redistributing work of others without permissio by cpt+kangarooski · · Score: 1

    an opt into copyright rather than an opt out?

    Yes. This way only works where the author wants a copyright will be copyrighted. If the author doesn't care enough to expend a token effort with regard to the work, why should we? Especially since copyright encourages authors to create what they otherwise would not. When we can identify works that he would've created anyway -- and an opt-in system does that -- he shouldn't get a copyright. He didn't need the incentive for that work, and since copyrights are a cost on the public, we shouldn't be wasteful.

    Would you be for an opt into your health/credit privacy?

    Not the same thing. Remember, we don't have copyright for the hell of it, or because authors deserve it or some nonsense, we have it for very specific public policy reasons. It's more like, oh, student loans. We want to encourage people to go to school even if they can't immediately afford it, but we don't just give out free money left and right.

    What if the author is lying there in coma and cannot once again opt into his copyrights, would you deny him the rights to his work because of that?

    No. First, there's not going to be many works to worry about from that author, unless he's typing away at a word processor while in a coma. The only pending works will be those he had already made and hadn't copyrighted. Second, in that kind of situation, there are usually guardians who can make decisions for the comatose author: spouses, parents, state-appointed guardians, etc. Third, that's a hell of an unusual situation; I'd rather worry about the more common cases in finding a general policy, and then deal with those outliers, rather than the other way around.

    No, my personal belief is that while I am alive, my works should be copyrighted to me.

    And my personal belief is that your works should not be. Traditionally, I've won, and when the eventual wholesale reform of copyright law comes along, I think I'm going to win again. Your argument is the one of the copyright maximalist who got us into this rotten situation with regard to copyright. It's a bad argument.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  140. Important Points Commentary by wingfinger · · Score: 1

    The article does pick out some important points.

    I have the idea that once you buy something, you should be able to do what you want with the item you purchased. This includes copying, backing up, and if you want altering.

    You should also be able to sell the unaltered original whereupon you should destroy all the copies or altered versions you have.

    To uphold copyrights, the government cannot allow someone to make money producing an alteration or derivative work without the artists involvement.

    For the most part, I support copyrights. If you dont, then chances are good that you dont really like the artists that produced the work. (Yes, music and movies cost too much and their representatives seem to make quite a noise.)

    If the altered version was made available for free, it could work.

    For example, I have entertained the idea that it would be nice for example to obtain foreign films, with the region code removed and English subtitles added.

    I however, want the translation to be as close to the original language in meaning as possible.

    This brings us to the issue of alteration.

    If you are an artist, then you are preparing work by yourself and are presented to your audience. Outside alteration is interference.

    The essential quality of most censors is that the censor performs his actions on unwilling participants - the source of the work and audience.

    I suppose the other kind of censor, it one that performs its actions for willing participants.

    I feel uncompelled to help either kind of censor.

    They do feel compelled to alter others works. Obviously their audience might not want to feel left out.

    These people could try to produce their own movies and then see which one the audience likes better.

    If this kind of alteration is allowed later then get rid of DMCA for every owner.

  141. Apropriate? by Anonymous+MadCoe · · Score: 1

    If you really want to compensate for bad journalism, it's not by doing more bad journalism yourself, but to do good journalism.

    Showing some really "insightful" comments (instead of the ones that get modded up just for defending one side) would make the whole discussion on /. more credible.

    Now they just lowered themselves to the level of the "mass media" (nice generalisation by the way).

    1. Re:Apropriate? by bit01 · · Score: 1

      If you really want to compensate for bad journalism, it's not by doing more bad journalism yourself, but to do good journalism.

      Yes, preferably, but failing that balancing biased journalism is better than nothing.

      Showing some really "insightful" comments (instead of the ones that get modded up just for defending one side) would make the whole discussion on /. more credible.

      There's much insightful comment on slashdot both for and against existing copyright and alternative forms of copyright. Insightful points on both sides are mod'ed up. That fact that people like you are too bigotted to see that doesn't make it any less true.

      Now they just lowered themselves to the level of the "mass media" (nice generalisation by the way).

      No, just fighting fire with fire. The mass propaganda by entrenched interests needs to be combatted. Taking it on the chin is stupid. When 95% of mainstream media stories don't even discuss alternative forms of copyright and patents, portray virtually all stories as "fighting piracy" and automatically assume that current copyright laws are the only possibility I'd hardly call it an over-generalisation.

      ---

      The name "Copy Right" is incorrect. It's really "Copy Control Privilege". "Patent" is incorrect. It's really "Idea Control Privilege".

    2. Re:Apropriate? by Anonymous+MadCoe · · Score: 1

      >That fact that people like you are too bigotted to see that doesn't make it any less true.

      I checked, there is a definate unbalance in there, just because you don't see it does not make that less true... (see, argument works both ways ;-) )

      >No, just fighting fire with fire.
      Tried that, doesn't work... (just try to put out a real fire with fire some time. You'll find it quite hard, there may be a lesson in there...)

  142. This is not fair use by Brass+Cannon · · Score: 1

    I am all for fair use. Time shifting and even making copies for personal use.

    That is not what was going on here. I heard this guy on the radio yesterday.

    He maintained that this was a service. That his customers would purchase the original movie, send it to him, he would edit it and send the edited version back.

    What struck me as strange was that he mentioned that they did not do edit on request. That he had a "standard" that he followed and that every movie was edited for the same things.

    Here is what I think is most likely happening.

    1 - Customer buys DVD.
    2- Customer sends DVD to him
    3 - He checks to see if he has ever edited this movie before
    4 - if no, edit and send back (saving an edited copy for his archives)
    5 - if yes, copy edited copy from archives and send to customer

    Therefore this is not a service but a product he is selling (the edited version of the movie).

    A product he does not own.

    QED

  143. Re:Redistributing work of others without permissio by Anonymous Coward · · Score: 0

    "They are redistributing modified copyrighted material for profit without a license from the copyright holder."

    What do you mean by "redistributing"? Under your definition, is reselling a copy "redistributing"? If so, any retail store or, especially, used cd/dvd/book store would be in trouble.

    "At the end it is done to make money on other people's work."

    This is similarly irrelevant. Copyright is not intended to prevent you from making money on someone else's work. If I buy a painting for $100, and turn around and sell it at auction for $100,000 - do I owe the painter something? Of course not. Copyright, as you note earlier, is specifically concerned with the right to make copies. I'm not sure I see how modifying the painting before selling it should matter, either. If I don't like one of the figures in the painting, and I paint over it myself...should that change my right to sell it, or to profit from the sale?

    "...but I am certain that noone can legally take a DVD, modify its content and redistribute it without permission."

    Well, that _would_ seem to be the gist of this court decision, whether or not you agree with it. But, "Should we allow distribution of content altered DVDs...?" is a different question. I personally don't see any reason why copyright law should (morally or legally) be used to prevent this. The copyright owner gets paid for each copy, which is all that the spirit of the law requires. The specifics of who edits the disc (end user or intermediate company) or whether the disc itself is edited rather than a "cue list" of scenes to skip should not matter - the law should be technologically neutral, in that the end result (not the specific details) matter. For commercial purposes, one copy is bought from the copyright owner, and one copy is sold to the end user. No additional commercial copies are made. In other areas, the courts seem to pay more attention to the intent and end results. The only area where I think the firms should possibly get into trouble is trademark law (I can't remove the Coca-Cola from the soda bottle, replace it, and resell it as Coca-Cola), but with sufficient markings such that the average buyer will not suffer any reasonable confusion, that should be a moot point. (I can buy Coca-cola, add a few drops of orange extract, and sell it as My New Soft-Drink, flavored with Coca-Cola![not associated with the Coca-Cola corporation])

    The problem here is that the courts aren't appreciating that for digital work, the idea of a copy is irrelevant. There are numerous forms of ephemeral and fixed copies which are necessary to the normal use of electronic media. Even if you play a cd in an old-fashioned cd player, you still make a copy of the cd in the player's memory, in the microprocessor embedded in the player, and in the DAC chip in the player, all ephemeral copies. In the case of media used with a more complicated gadget like an mp3 player or computer, you may also have copies that are somewhat more fixed - an encoded mp3 version of the song on flash memory or a harddisk, or a backup copy. None of these copies violates the spirit of copyright law - they are made in the course of using the work, not as a means of illegally creating additional copies for distribution without compensation. The law doesn't seem to have evolved to understand this yet. And it's a shame that the courts haven't come forward to help with this, because they seem to have been more than willing to unilaterally expand other aspects of copyright law to help content owners at the expense of users when the technology has advanced faster than the law.

  144. No offense, but it's not about YOU by MacBoy · · Score: 1

    It's amazing that so many people take this so personally, as if their rights have been taken away... their right to see editted or censored movies. That's not the case. There has been no such revocation of rights. This is about whether someone has the right to take someone else's copyrighted creative work, hack it up, and sell it for a profit. The people who created that film put months or even years of effort into it, and they proudly put their names onto it. Their reputations as creative artists are at stake with every film they release. They have the right to insist that their creations are seen in the way that they meant them to be seen. If some people don't want to see what is there, they have that choice.

    And I have something to say to those who point out that, the studios still make a sale so why care. News flash: the studios know that perfectly well. This isn't about making the sale. It's about their artistic integrity. The studios and artists involved know very well that squashing these services will mean fewer sales.

  145. Control of Content by ltmdweaver · · Score: 1

    I think the real tragedy is the idea which Maitch (sp?) espouses that the essence of Copyright is control. In my view the essence of copyright is not control but the right to make money on ones work, a thing of often fleeting value.

    One could argue that control and what I have proposed are one in the same, but I disagree. Copyright legacy has been applied to art, music, literature, and more recently motion pictures. The point of the exercise was about ensuring that artists, writers (fine distinction), directors/producers could live off their labors. The point of Copyright was not about control, it was about these folks making a living. Things have and are changing, but the laws regarding copyright are not.

    The point is when I bought a book since the original Gutenburg, no one could control where/when/how I read it, no one could control the dosage, volume, or sequence of music I chose to listen to. The same applies to theater, and movies to some lesser degree. I would grant that to see a play it is kind of hard to without actors, a theater, etc. but I made my point. Now all of a sudden digital media comes into play. The theaters, the producers, the advertisers, and the rest of the media see an opportunity (associate $$) to make more by exerting more control over the work. The problem is that most people kind of grate on the idea that something they grew up being able to do in the bathroom incrementally (reading a chapter) is now illegal, and worse yet because of the new media impossible (rendered so by technological bombs placed in firmware, hardware, software, etc.)

    Using Encryption to notionally ensure that someone only "reads" their DVD/CD on "approved" devices, and software is just really offensive to folks like me. It always will be, and there is no amount of law which will change that. I do not make copies of DVD's, I do not sell/resell them, I do not share them on the net, I do not edit content (because I have no time), but beyond this anything which prevents me from "reading" the DVD is not a valid law to me. It is worse yet that some of these DVD's attempt to ensure that I watch the now mandatory previews, advertisements, and legal disclaimers which waive all my rights, and ensure that I am appropriately frightened by the FBI, INTERPOL, etc. into compliance. So the idea that I will remove encryption, macrovision, copy my media to backup, remove editing/viewing & region restrictions, alternate endings, subtitles, etc being illegal is FINE with me.

    The RIAA crap is very similar. I don't use P2P, but I have all my media converted to MP3 and will continue to do this for all my music. I share the physical media for my music with my family, but I do not make any money for doing so. The idea that they can tell me that if my media gets scratched that I need to go buy a new copy of some rare CD is absolutely not happening. It would be like someone telling me that if I was procuring a rare book that if I should digitize the pages that I have commited some felony. This would be the equivalent of telling me I cannot conserve the property rights I bought when I procured the book.

    I could go on and on with the now ridiculous things the industry is now doing to exert its "RIGHTS" to the intellectual property it is/has created. In my estimation many of these interpretive "RIGHTS" are totally un-envisioned by the framers of the original Copyright statutes, and would be repugnant to them.

    The idea Maitch proposes is ludicrous. There is some reason for Copyright law, and there is some fairness to the idea that the copyright owner has rights, both to make a living, and to have retention of some rights to how the property is moved, transferred, and to a lesser degree used. But, I propose fair use has a larger meaning than currently proposed, far moreso than Maitch proposes, and than Hollywood would currently be comfortable with. Finally, and somewhat on tangent, someone needs to define some reasonable standard for the length of Copyright, and the impact of technology as applied by the large combines. Someone needs to set a standard for fair use in law which will put judicial activists like Matich in their place.

  146. Re:Should be legal, but still stupid. by ChristTrekker · · Score: 1

    That's the effect of society and culture. I was taught that if you know something is known to offend a largish group of people, you refrain from doing it in public. Even when it's something you personally don't find objectionable. That's the polite thing to do. In America, yes, a largish subset of the population is historically religious, and it is simply understood that "g*****n it" and similar phrases are simply not used in polite company, and are best not used in public in general. Doing so may make you look unsophisticated or boorish. It's about being considerate of others and appropriate to the setting.

  147. Re:Should be legal, but still stupid. by 5937 · · Score: 1
    How about cutting out the sex scenes so we reduce the number of teenage pregnancies.
    A good action film is still entertaining to watch without hearing the 'F' word every 5 seconds.
    Tried all that action. Died in an accident. Luckily reached heaven, because had no sex.
  148. Re:Should be legal, but still stupid. by ignavus · · Score: 1

    "How about cutting out the sex scenes so we reduce the number of teenage pregnancies."

    What?? You can get pregnant by watching sex scenes???

    --
    I am anarch of all I survey.
  149. No fair use here by AndyG314 · · Score: 1

    I hate the expansion of copyright law as much as the next guy, but this is a pritty clear violation. There is no fair use here, someone is modifying the film and selling it for profit. This is a case of an unlicenced party distributing the copyrighted work for profit, which is just the kind of thing copyright was intended to prevent. You still have the right to modify your owne personal copy any way you like, which would be fair use.

    --
    If it's dead, you killed it.
  150. Re:Should be legal, but still stupid. by npsimons · · Score: 1
    You know, morality; that thing that used to exist in the majority of people instead of the minority.

    Oh boy, here we go with the "back in my day, things were better" rant.


    How about cutting out the sex scenes so we reduce the number of teenage pregnancies.

    If you think sex scenes are what cause teenage pregnancy, then I have a bridge I'd like to sell you. Seriously, the only thing that causes teenage pregnancy is unprotected teenage sex. Since you're not going to stop teenagers from having sex, then they should be educated about it and have protections available to them. So many people talk about "protecting the children" yet when it comes to something as simple as a millimeter thick piece of rubber, everyone claps their hands over their ears (and the children's ears) and starts shouting "lalalala, I can't here you!"


    And why is it screwed...because mommy and daddy let their kids watch sex scenes in movies at age 10 and their kids wanted to do it as soon as they could.

    Proof please? I've yet to see a scientific study that shows even a *correlation* (which we know does not imply causation) between children watching sex scenes and children having sex.


    A good action film is still entertaining to watch without hearing the 'F' word every 5 seconds.

    Oh, and it's okay for children to see a person getting ripped to shreds or shot through the head as long as the people on screen aren't saying shit, piss, fuck, cunt, cocksucker, motherfucker or tits?


    Look, I respect the right of every parent to raise his or her child as he or she sees fit. But when people start making up bullshit it just annoys me, and I'm sure others.


  151. Re:decsion based on same principle that powers GPL by sdibb · · Score: 1

    I think you are misunderstanding the basic business model of these companies. They are not editing the works and then selling them. They are selling original copies and then editing them.

  152. Re:Redistributing work of others without permissio by Overzeetop · · Score: 1

    So how do you explain the massive market in used textbooks which are marked and highlighted? I don't see anybody being sued over that.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  153. Something missing by Anonymous Coward · · Score: 0

    I did a bit of reading here and I think thereis something mssing.

    The company sells the original DVD along with the altered DVD. OK. So what is the condition of the altered DVD? Is it playabe? If so jhow would you reply to someone taking a music CD and burining a copy only dropping the sound level a few db. Would that be legal? I doubt very may reader here would think so. So why is it OK to distribute TWO copies for the price of one. No matter if the viewer ~*says~* they only watch the altered DVD. What happens to the other one? Their kid watches it when no one is around? They sell it. We all know that religion does not stop anyone from making a profit.

    Maybe if they drilled a hole into the original the outcome would have been different.

  154. Re:Redistributing work of others without permissio by roman_mir · · Score: 1

    Books are marked and highlighted doesn't mean that the content is modified. The book can be scratched, pages ripped out, and it doesn't mean that the content is modified, you can call it wear and tear. Noone is going after the that aftermarket because those books are not being copied and then copies sold. You will see lawsuits right away if someone decides to publish books without a license (as in sold unauthorized copies.)

  155. A *GOOD* Decision - Here's Why- by Anonymous Coward · · Score: 0

    The maker of a movie (song, book, whatever...) owns the copyright. That includes not just the movie as you see it originally, but any "derivative" works. If there's money to be made by modifying those works, then that money can only be made with permission of the copyright holder.

    So, say we allow someone to remove some sexual content; remove swearing... OK. Can they add "bleeps"? What else can they add? Can we chop the movie and resequence it so that "greedo shoots first" if we are not the copyright owner?

    Can I alter dialog - have the hero say "Oh, fudge" instead? Can I add dialogue or sound effects? What's the difference between adding silence and adding sounds?

    If you can add stuff, or re-arrange it, then where does it stop? Can I duplicate some scenes so it looks like the hero shoots the bad guy twice, or 3 times, instead of once? Can I use computer graphics so that it doesn't look like an identical scene repeats when he does?

    Can I add a bit more blood splatter and gore? Can I use computer graphics to throw in a few car crashes in the background street scenes to liven things up; "Terms of Endearment" could use that. Maybe I'll throw in some computer-generated scenes where the bad guy kills the girl and the hero brings her back to life... fits in with the religious theme I'm peddling. I'll sell you a nice clean version of Pulp Fiction where Travolta and Jackson are Mormons going door to door prosletyzing... (That one might be OK under the parody clause...)

    Better yet, send me both Star Wars I-III and a 3-Stooges DVD and I'll replace Jar-Jar with the 3 stooges...

      Can I do a whole new movie, using bits of the old one? Or just computer-generated characters from the old movie? Send me Star Wars and I'll send you Star Wars III.5 as a replacement...

    When does a "modification" stop being a modification and become a derivative work? Crappy as a movie might be, it belongs to the people who made it. Any alterations done for money (or... not done in the privacy of your own home under fair use) should only be done with the explicit permission of the copyright owner.

    This goes back to other, previous court cases where excessively wide-spread "fan fiction" type derivative works have been suppressed; after all, if you're Disney, you don't want to have a widespread market of stories on the sex life of Mickey and Minnie or Donald and Daisy... (Where did those "nephews" come from, anyway???)

  156. Why by stuff you don't like? by Elecorn · · Score: 1

    People shouldn't be supporting movies that contain material they don't approve of anyway. It's saying things like "sex in movies is bad, but I'll go ahead and support sex in movies with my hard earned dollars". That is hypocritical. If you don't like a scene in the movie, don't buy the blasted thing! It's not a requirement to view the latest and greatest flick that Hollywood has put out.

    --
    Mike D. Smith http://www.elecorn.com
    1. Re:Why by stuff you don't like? by Elecorn · · Score: 1

      Okay, I totally misspelled buy.

      --
      Mike D. Smith http://www.elecorn.com
  157. Re:decsion based on same principle that powers GPL by anwyn · · Score: 1

    and then editing them.

    "editing" = creating a derived work. They have no license from the copyright holder to do this.
    The right to control derived works is one of the rights granted by copyright.

    And it powers the GPL.

  158. Re:decsion based on same principle that powers GPL by sdibb · · Score: 1

    Yes, they are editing it. So, by that same token, can I not rip a DVD and ignore the commercials? Can I not edit them myself using an EDL w/mplayer or something similar? Is that somehow a derivative work that they copyright owner can use against me?

  159. Re:decsion based on same principle that powers GPL by anwyn · · Score: 1

    If you create a new modified DVD you are creating a derived work. You would be violating the author's copyright. If you do this for private use, it may be difficult to find you, to prosecute you. But if you do it commercially you may be caught, sued and/or prosecuted.

  160. Re:Should be legal, but still stupid. by nohup · · Score: 1

    Should I be able to tear a page out of a book and resell it?

  161. Where can I get the naughty bits they discard? by JimmytheGeek · · Score: 1

    For a lot of movies, the naughty bits are all that's worth watching. I'm thinking late night made for cable stuff.

    Nobody watches softcore erotic thrillers for the artistic vision.

  162. Re:decsion based on same principle that powers GPL by sdibb · · Score: 1

    So modifying anything for private use is violating copyright?

  163. I don't know why I bother by Anonymous Coward · · Score: 1, Insightful

    The FAA in Canada was privatized and it is one of the most efficient ones ever -- in fact, it is safer and cheaper than the US' FAA.

    Since they appear to have signed on to most of the FAA's regulations (either through EUROCAE, who did much of the same, or through treaty), I can't say I'm surprised that it is cheaper to copy the efforts of the FAA instead of spending time and money inventing their own. Not to mention that the number of flight paths in Canada is easily half that of the US.

    Freight costs are cheaper to ship from LA to China than from LA to New York (I know, I just started an import/export business).

    And that has nothing to do with the immense size and power of the Pacific fleet (which does drive down costs), the painstaking process in the 1980's of hammering out shipping container rules and international shipping doctrine (which are regulations you conveniently forget to mention), or the fact that naval shipping is at least an order of magnitude cheaper than ground over any useful distance (diesel ships are cheaper than diesel trucks - they can ride with currents and there are not appreciable geographic obstacles in an ocean).

    -- Anonymous because /. has disabled log-ins from this IP.
  164. Re:Should be legal, but still stupid. by Fulcrum+of+Evil · · Score: 1

    Probably. Is reediting a DVD and burning it to a disc the same thing, or is it more like reprinting a book and rebinding it?

    --
    "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
  165. Why surprised? by Wolfger · · Score: 1

    People are surprised that the geek crowd isn't all against the ruling, but you have to remember: Even the Creative Commons license allows for an artist to slap a "no-derivatives" clause on their works. Sorry fundy censors, but this is *exactly* what copyright is meant to protect against! You can't make derivative works without the copyright holder's OK.

  166. Why not USE the PARENTAL features of DVD? by RassilonInc · · Score: 1

    I just don't get it. One of the "selling points" of DVD was the "Parental Modes". If I remember correctly, there are several levels. I don't see why certain DVD watchdog Groups couldn't be set up to "OWN" the various levels. ie: One level may be exclusion of "adult material" (standard censorship). Another level could be Extended Censorship (Same Plus Exclusion of swear words etc) while the final level could be "Exclusion of anything objectionable". These DVDs could have certification marks (ie: Censor-Certified Stickers) to alert consumers. I'm sure that studios would oblige. Uncensored Mode on the DVD would be the "guts and all movie". That way, everyone could have their cake and eat it too.

  167. Re:Redistributing work of others without permissio by DamnStupidElf · · Score: 1

    we should allow what with content altered DVDs? Should we allow distribution of content altered DVDs without permission from copyright holders? I don't think so. Whether you changing your DVD content and using it yourself falls under fair use or not, I am not sure, but I am certain that noone can legally take a DVD, modify its content and redistribute it without permission.

    See, here's the basic problem with copyright in the digital age: there is absolutely no way to modify a particular copy of a work and redistribute it, because it automatically becomes a derivative work. In the old days censors could tear pages out of a book or snip sections out of cassette tape and then sell the remainder (as long as it was not represented as the entire work, which would be fraud and not a copyright violation). It is very difficult, if not impossible, to erase sections of video on a DVD. In fact, due to MPEG encoding, the portion of the movie you want to keep may be composed of P or B frames that require data from an unwanted scene. Even if the edited movie is written to a new DVD and the original destroyed, copyright law still considers the edited movie to be a derivative work, instead of simply the truncation of the original work. Basically, there is no legal concept of the work as anything other than its physical manifestation, however the DVD is not truly the physical manifestation that actually matters. The work itself is encoded with enough redundancy on the DVD to separate it into two works that could retain a full copy of the entire work, simply for error correction. The work is also stored in the discrete frequency domain truncated by a quantization table and compressed by an efficient binary or arithmetic coding and represented as a multiple of some irriducible polynomial that is itself represented as an overdefined set of points lying on a second polynomial whose binary representation is frequency modulated onto the surface of the DVD as a series of pits and lands, or in the case of recordable discs, as patches of differently reflecting dye. The physical copy of the work bears no similarity to the resulting video and audio that can be generated by repeatedly copying data from the DVD into registers in a microprocessor, applying functional transformations and table lookups and finally copying the digital signals into analog approximations that drive a mechanical speaker element and display as individual pixels.

    In fact, since the MPEG patent prevents the user from personally performing the decoding algorithm, the user cannot legally be the one who actually decodes the DVD, which implies that the user must *give a copy* of the DVD to a third party, namely the licensed DVD player, simply to play the DVD. Technically, this means that either fair use allows the owner of a DVD to copy it and give it to a third party, that somewhere there is a license agreement giving DVD owners the right to copy DVDs to their DVD player, or that it is illegal to play DVDs. Personally, I haven't seen any license agreement on a DVD comprehensive enough to cover these situations without stupid edge cases cropping up. Copyrights and patents are simply undue burdons in the digital age. Not only that, but the thing that really annoys me is that if Shannon had patented information theory and all the coding methods he developed, DVDs wouldn't even exist today. People just can't comprehend the vast mathematical breakthroughs that are freely used to drive society today, and they still allow corporations to patent what amounts to tiny shadows upon the monuments of mathematics that make them possible.

  168. Re:Redistributing work of others without permissio by roman_mir · · Score: 1

    there is absolutely no way to modify a particular copy of a work and redistribute it, because it automatically becomes a derivative work - which is of-course irrelevant, you are a looking for a technological loophole to declare that the two works are different, that one is not a real copy of another, right? The encoding/decoding/recoding all of that produces not an exact copy of what was on DVD. I understand that, but it doesn't matter if the end result contains visual/audio/text information that is perceived by humans to be equivalent to the original. Good luck with that argument in court.

  169. Re:Redistributing work of others without permissio by DamnStupidElf · · Score: 1

    which is of-course irrelevant, you are a looking for a technological loophole to declare that the two works are different, that one is not a real copy of another, right?

    Wrong, I'm looking for the ability to chop a work in half, or in pieces, and still be able to own those pieces. If you own a physical piece of property, you can chop it up however you like and give it away to anyone you want. You can even chop up someone else's physical copy of a work if they pay you to censor it for them. However, there is no feasible way to do this with optical media because of the reasons I outlined. The problem is that copyright law does not recognize that *all* digital works require numerous copies to be made just for normal use. If it did, there would be no problem in cutting up a work and recombining it. Look at it this way: copyright is currently spacetime compatible, because you can move your physical copy of a work around spacetime, but copyright is not information theory compatible, because it does not allow you to move a digital copy of a work through mathematical transformations that are the digital equivalent of common physical actions.

  170. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0

    So, you don't think it is appropriate to curse in a movie involving some large fucking tornadoes destroying everything and everyone in their path?

    You don't think that people swear when under large amounts of stress because they are a few hundred meters from a whirling vortex of wind that can lift a car and fling it into the side of a house?

    What a weird world you live in.

  171. Re:Should be legal, but still stupid. by Just+Some+Guy · · Score: 1
    So, you don't think it is appropriate to curse in a movie involving some large fucking tornadoes destroying everything and everyone in their path?
    $ curl http://www.geocities.com/Hollywood/Set/1243/script .htm | grep -iE '(shit|fuck)' | wc -l
    15
    $

    About half those 15 are in the context of people in dire circumstances. The rest were just thrown in for the fun of it.

    --
    Dewey, what part of this looks like authorities should be involved?
  172. Re:Redistributing work of others without permissio by roman_mir · · Score: 1

    Then I am not sure what is it that you are trying to ask copyright to do?

    Do you expect copyright law to be modified for any technology that comes along and requires 5 simultaneous temporary copies to be made in a DVD player's RAM as opposed to the current DVD players that only require 1 temporary RAM copy?

    I think that in spirit copyright is being upheld by all DVD players that do not create a PERMANENT copy of a DVD on another media (either internal harddrive or another disk or some external permanent storage.)

    The spirit of copyright is not trying to implement obstacles infront of DVD players that simply are used to playback the data from the DVDs, the spirit of copyright is in prevention of illegal distribution of copies of copyrighted material, whether it is modified or in its original form.

  173. Re:Should be legal, but still stupid. by Rakarra · · Score: 1

    From their perspective, there's nothing wrong with damning someone for a terrible action, but invoking the name of God in a curse is profane.

  174. Re:Should be legal, but still stupid. by theophilus2008 · · Score: 1

    sweet thing are easy to say, sweetthing are easy to buy, sweet thing are easy to watch , but beautiful girl like you difficut to fine. thank G od i found you. you may reply black with this mail

  175. ripping pages from a book-legal? by Anonymous Coward · · Score: 0

    Can you buy a book, rip some pages out, or hire someone to rip some pages out, and re-sell it? 'Joe's naughty scenes ripped out of these books bookstore' Isn't that still legal? What's the diff, ohh, this is "digital", that makes it "special" so it is illegal? The "artistes" will get the swooning fantoids if you do that?

    I say, if they got their money they can go pound sand after that, you can do whatever you want with your tangible property after you paid for it. You can't setup a mass duplication effort, but on a one to one basis, screw 'em. We HAVE to be consistent, if YOU want freedom to do what you want with your stuff, then let other people have freedom too. You can't just willy nilly decide about "artistic integrity" because you don't approve of ripping out the naughty bits, then turn around and bitch when the copyright goons tell you you can't skip their forced commercials or whatever. If you love freedom, BE CONSISTENT ABOUT IT..

  176. Re:Should be legal, but still stupid. by Anonymous Coward · · Score: 0

    Agreed! The DVD format has content filtering --- the studios are just too lazy/concerned with thier "artistic integrity" to enable the scene-by-scene ratings. They were designed to allow those at home to automatically skip scenes above a certain rating (eg, program it for "G", and skip the one obligatory gore scene which makes it "PG-13"). So, anybody see anything remotely resembling that? I think that feature gets used less than the "multiple angles" feature!